diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:34:46 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:34:46 -0700 |
| commit | bdad3e63f77d30ba92751b800001db170eadfa47 (patch) | |
| tree | bfb08f27c8b132bef033b29601f463b7c7ccb1e1 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 10594-0.txt | 1598 | ||||
| -rw-r--r-- | 10594-h/10594-h.htm | 1555 | ||||
| -rw-r--r-- | 10594-h/images/183.png | bin | 0 -> 29798 bytes | |||
| -rw-r--r-- | 10594-h/images/185.png | bin | 0 -> 233151 bytes | |||
| -rw-r--r-- | 10594-h/images/186.png | bin | 0 -> 77870 bytes | |||
| -rw-r--r-- | 10594-h/images/187.png | bin | 0 -> 184089 bytes | |||
| -rw-r--r-- | 10594-h/images/189.png | bin | 0 -> 68706 bytes | |||
| -rw-r--r-- | 10594-h/images/190.png | bin | 0 -> 223329 bytes | |||
| -rw-r--r-- | 10594-h/images/191.png | bin | 0 -> 297862 bytes | |||
| -rw-r--r-- | 10594-h/images/193.png | bin | 0 -> 203073 bytes | |||
| -rw-r--r-- | 10594-h/images/194.png | bin | 0 -> 119727 bytes | |||
| -rw-r--r-- | 10594-h/images/195.png | bin | 0 -> 160689 bytes | |||
| -rw-r--r-- | 10594-h/images/197.png | bin | 0 -> 198073 bytes | |||
| -rw-r--r-- | 10594-h/images/198.png | bin | 0 -> 117355 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/10594-8.txt | 2029 | ||||
| -rw-r--r-- | old/10594-8.zip | bin | 0 -> 37842 bytes | |||
| -rw-r--r-- | old/10594-h.zip | bin | 0 -> 1953535 bytes | |||
| -rw-r--r-- | old/10594-h/10594-h.htm | 1960 | ||||
| -rw-r--r-- | old/10594-h/images/183.png | bin | 0 -> 29798 bytes | |||
| -rw-r--r-- | old/10594-h/images/185.png | bin | 0 -> 233151 bytes | |||
| -rw-r--r-- | old/10594-h/images/186.png | bin | 0 -> 77870 bytes | |||
| -rw-r--r-- | old/10594-h/images/187.png | bin | 0 -> 184089 bytes | |||
| -rw-r--r-- | old/10594-h/images/189.png | bin | 0 -> 68706 bytes | |||
| -rw-r--r-- | old/10594-h/images/190.png | bin | 0 -> 223329 bytes | |||
| -rw-r--r-- | old/10594-h/images/191.png | bin | 0 -> 297862 bytes | |||
| -rw-r--r-- | old/10594-h/images/193.png | bin | 0 -> 203073 bytes | |||
| -rw-r--r-- | old/10594-h/images/194.png | bin | 0 -> 119727 bytes | |||
| -rw-r--r-- | old/10594-h/images/195.png | bin | 0 -> 160689 bytes | |||
| -rw-r--r-- | old/10594-h/images/197.png | bin | 0 -> 198073 bytes | |||
| -rw-r--r-- | old/10594-h/images/198.png | bin | 0 -> 117355 bytes | |||
| -rw-r--r-- | old/10594.txt | 2029 | ||||
| -rw-r--r-- | old/10594.zip | bin | 0 -> 37822 bytes |
35 files changed, 9187 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/10594-0.txt b/10594-0.txt new file mode 100644 index 0000000..dd56220 --- /dev/null +++ b/10594-0.txt @@ -0,0 +1,1598 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 10594 *** + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 153. + +SEPTEMBER 12TH, 1917. + + + + + + + +CHARIVARIA. + +The _Cologne Gazette_ is of the opinion that the American troops, when +they arrive in France, will be hampered by their ignorance of the +various languages. But we understand that the Americans can shoot in any +language. + + *** + +A weekly periodical is giving away a bicycle every other week. Meanwhile +_The Daily Telegraph_ continues to give away a Kaiser every day. + + *** + +"I decline to have anything to do with the War," said a Conscientious +Objector to a North of England magistrate, "and I resent this +interference with my liberty." Indeed he is said to be so much annoyed +that he intends sending the War Office a jolly snappy letter about it. + + *** + +CHARLIE CHAPLIN says a gossip writer is coming to England in the Autumn. +This disposes of the suggestion that arrangements were being made for +England to be taken over to him. + + *** + +_Incidentally_ we notice that CHARLIE CHAPLIN has become a naturalised +American, with, we presume, permission to use the rank of Honorary +Britisher. + + *** + +Before a Northern Tribunal an applicant stated that he was engaged in +the completion of an invention which would enable dumb people to speak +or signal with perfection. He was advised, however, to concentrate for a +while on making certain Germans say "Kamerad." + + *** + +An Isle of Wight man has succeeded in growing a vegetable marrow which +weighs forty-three pounds. To avoid its being mistaken for the island he +has scratched his name and address on it. + + *** + +Those in search of a tactless present will bear in mind that Mr. MARK +HAMBOURG has written a book entitled "How to Play the Piano." + + *** + +The great flagstaff at Kew Gardens, which weighs 18 tons and is 215 feet +long, is not to be erected until after the War. This has come as a great +consolation to certain people who had feared the two events would clash. + + *** + +In Mid Cheshire there is a scarcity of partridges, but there is plenty +of other game in Derbyshire. The Mid-Cheshire birds are of the opinion +that this cannot be too strongly advertised. + + *** + +Thirteen years after it was posted at Watford a postcard has just +reached an Ealing lady inviting her to tea, and of course she rightly +protested that the tea was cold. + + *** + +An estate near Goole has been purchased for £118,000, the purchaser +having decided not to carry out his first intention of investing that +amount in a couple of boxes of matches. + + *** + +Herr Erzberger is known among his friends as "The Singing Socialist." We +are afraid however that if he wants peace he will have to whistle for it. + *** + +The Provisional Government in Russia, according to _The Evening News,_ +has "always regarded an international debate on the questions of war and +pease as useful." But our Government, not being exactly provisional, +prefers to go on giving the enemy beans. + + * * * * * + +[Illustration: COMFORTING THOUGHT + +When there are no taxis on your return from your holidays: + +"OUR TRUE STRENGTH IS TO KNOW OUR OWN WEAKNESS."--_CHARLES KINGSLEY_.] + + * * * * * + +THE END OF AN EPISODE. + +I write this in the beginning of a minor tragedy; if indeed the +severance of any long, helpful and sympathetic association can ever be +so lightly named. For that is precisely what our intercourse has been +these many weeks past; one of nervous and quickly roused irritation on +my part, of swift and gentle ministration on his. + +At least once a day we have met during that period (and occasionally, +though rarely, more often), usually in those before-breakfast hours when +the temper of normal man is most exacting and uncertain. But his temper +never varied; the perfection of it was indeed among his finest +qualities. Morning after morning, throughout a time that, as it chanced, +has been full of distress and disappointment, would his soothing and +infinitely gentle touch recall me to content. That stroking caress of +his was a thing indescribable; one before which the black shadows left +by the hours of night seemed literally to dissolve and vanish. + +And now the long expected, long dreaded has begun to happen. He, too, is +turning against me, as so many others of his fellows have done in the +past. Who knows the reason? What continued roughness on my part has at +last worn out even him? But for some days now there has been no +misreading the fatal symptoms--increasing irritability on the one side, +harshness turning to blunt indifference on the other. And this morning +came the unforgivable offence, the cut direct. + +That settles it; to-morrow, with a still smarting regret, I unwrap a new +razor-blade. + + * * * * * + +THE WHOLE HOG. + + ["Victorian love-making was at best a sloppy business ... modern + maidens have little use for half measures.... Primitive ideas + are beginning to assert themselves."--_Daily Paper._] + + Betty, when you were in your teens + And shielded from sensation, + Despite a lack of ways and means + In various appropriate scenes + I sighed my adoration. + You did not smile upon my suit; + Pallid I grew and pensive; + My disappointment was acute, + Life seemed a worthless thing and mute. + I moped, then tuned my laggard lute + And launched a new offensive. + + Thus you were wooed in former days + When maids were won by waiting; + The modern lover finds it pays + To imitate the forceful ways + Of prehistoric mating. + Man is more primitive (a snub + Has no effect), so if you + Should still refuse a certain "sub." + He will not pine or spurn his grub, + But, seizing the ancestral club, + Into submission biff you. + + * * * * * + +MAKING THE BEST OF BOTH WORLDS. + + "As honorary organist at ---- Wesleyan Church he has established + a sound and compact business as wholesale grocer and Italian + warehouseman."--_Provincial Paper._ + + * * * * * + + "Maid (superior) wanted for lady, gentleman, small flat, strong + girl, able to assist lady with rheumatism."--_Glasgow Herald._ + +If we hear of a small flat girl we will send her along; but this shaped +figure is rather out of fashion just now. + + * * * * * + +THE SUPER-PIPE. + +When Jackson first joined the jolly old B.E.F. he smoked a pipe. He +carried it anyhow. Loose in his pocket, mind you. A pipe-bowl at his +pocket's brim a simple pipe-bowl was to him, and it was nothing more. Of +course no decent B.E.F. mess could stand that. Jackson was told that a +pipe was _anathema maranatha_, which is Greek for _no bon._ + +"What will I smoke then?" said Jackson, who was no Englishman. We waited +for the Intelligence Officer to reply. We knew him. The Intelligence +Officer said nothing. He drew something from his pocket. It was a parcel +wrapped in cloth-of-gold. He removed the cloth-of-gold and there was +discovered a casket, which he unlocked with a key attached to his +identity disc. Inside the casket was a padlocked box, which he opened +with a key attached by gold wire to his advance pay-book. Inside the box +was a roll of silk. To cut it all short, he unwound puttee after puttee +of careful wrapping till he reached a chamois-leather chrysalis, which +he handled with extreme reverence, and from this he drew something with +gentle fingers, and set it on the table-cloth before the goggle-eyed +Jackson. + +"A pipe," said Jackson. + +There was a shriek of horror. The Intelligence Officer fainted. Here was +wanton sacrilege. + +"Man," said the iron-nerved Bombing Officer, "it's a Brownhill." + +"What's a Brownhill?" asked Jackson. + +We gasped. How could we begin to tell him of that West End shrine from +which issue these lacquered symbols of a New Religion? + +The Intelligence Officer was reviving. We looked to him. + +"The prophet Brownhill," he said, "was once a tobacconist--an ordinary +tobacconist who sold pipes." + +We shuddered. + +"He discovered one day that man wants more than mere pipes. He wants +a--a super-pipe, something to reverence and--er--look after, you know, +as well as to smoke. So he invented the Brownhill. It is an _affaire de +coeur_--an affair of art," translated the I.O. proudly. "It is as glossy +as a chestnut in its native setting, and you can buy furniture polish +from the prophet Brownhill which will keep it always so. It has its +year, like a famous vintage, it has a silver wind-pipe, and it costs +anything up to fifty guineas." + +"D'you smoke it'?" asked Jackson, brutally. + +We gave him up. In awful silence each of us produced his wrappings and +his caskets, extracted the shining briar, smeared it with cosmetics, and +polished it more reverently than a peace time Guardsman polishes his +buttons when warned for duty next day at "Buck." + * * * * * +And Jackson smoked his pipe in secret. He would take no leaf from the +book of the Sassenachs. + +And the War went on. + * * * * * +Jackson went on leave. To his deep disgust he had to wait a few hours in +London on his way to more civilised parts, and fate led him idling to +Brownhill's. He flattened his Celtic nose on the window and stared +fascinated at the array of super-pipes displayed there. After a furtive +glance along the street he crept into the temple. A white-coated priest +met him. + +"I--I'm wantin'--a--a pipe," said Jackson. He saw the priest reel and +turn pale to the lips. "I should say a--a Brownhill," he added hastily. +The other man gulped, steadied himself with an effort, and gave a +ghastly smile. If you had walked into a temple at Thibet and planked +down sixpence and asked for an idol wrapped up in brown paper you could +not have done a more dreadful thing than Jackson had done; but the +priest forgave him and produced in silence a trayful of Brownhills. Then +was Jackson like unto ELIA'S little Chinese boy with "the crackling." He +touched a briar and was converted. He stroked them as though they were +kittens, bought ten of them, a pound of polish, fifty silver wind-pipes +and a bale of chamois-leather. The priest took a deep breath. + +"You are a full-blooded man, Sir," said he, "if you will excuse me +saying so, and you should smoke in your new Brownhills a mixture which +has a proportion of Latakia to Virginian of one to nineteen--a small +percentage of glycerine and cucumber being added because you have red +hair, and the whole submitted to a pressure of eighteen hundred +foot-pounds to the square millimetre, under violet rays. This will be +known as 'Your Mixture,' Number 56785-6/11, and will be supplied to no +one else on earth, except under penalty of death. + +"I will take a ton," said Jackson with glazing eyes. + +This was a man after the priest's own heart. He took another deep breath +and dived into the strong-room. He returned under the escort of ten +armed men, each of them chained by the wrist to an iron box, which he +unlocked with difficulty. Inside the iron box was a thing which Jackson +a few months ago would have called a pipe. He knew better now. In awful +silence the priest lifted it from its satin bed. "This," he whispered, +"was once smoked by Brownhill himself." + +Jackson put out a hand to take it. The priest hesitated, then laid it +gently on his customer's palm. + +And Jackson dropped it. + +Jackson has never been heard of since. + + * * * * * + +THE FAIRIES HAVE NEVER A PENNY TO SPEND. + + The fairies have never a penny to spend, + They haven't a thing put by, + But theirs is the dower of bird and of flower, + And theirs are the earth and the sky. + And though you should live in a palace of gold + Or sleep in a dried-up ditch, + You could never be poor as the fairies are, + And never as rich. + + Since ever and ever the world began + They have danced like a ribbon of flame, + They have sung their song through the centuries long, + And yet it is never the same. + And though you be foolish or though you be wise, + With hair of silver or gold, + You could never be young as the fairies are + And never as old. + +R. F. + + * * * * * + +RARA AVIS. + +From a cigarette-card:-- + + "REED WARBLER. + + "_Acrocephalus streperus._ + + "This bird is found in nearly every part of the British Islands. + It builds a nest about a foot off the ground in the reed beds, + and is formed of grass, horse hair and sometimes feathers." + + * * * * * + +From a list of medallists of the new Order of the British Empire:-- + + "G. P. Hamlet.--For courage in persisting with dangerous work, + with a certainty of suffering from poisoning as a result." + +Just like his illustrious namesake. + + * * * * * + + "Melbourne, Friday. + + "The House of Representatives to-day passed the second reading of + the War Times Profits Tax Assessment Bill. The tax will be 50 + per cent. for the year ending June 30, 191161, and 75 per cent. + for afterwards.--Reuter." + + _Aberdeen Paper._ + +Well, well, we need not worry. + + * * * * * + + "What is being fought out is a long-drawn battle for the + important shipping port of Trieste, with the whole of the + railway and road communications of the Iberian Peninsula." + + _The People._ + +Rather a shock for Madrid. + + * * * * * + +[Illustration: THE REVERSE OF THE MEDAL. + +OPTIMISTIC GERMAN _(reading paper)._ "THIS IS KOLOSSAL! OUR IRRESISTIBLE +AIRMEN HAVE AGAIN, FOR THE TWENTIETH TIME, DESTROYED LONDON." + +GLOOMY DITTO. "THAT BEING SO, LET'S HOPE THEY'LL STOP THOSE CURSED +BRITISH AIRMEN FROM BOMBING OUR LINES EVERY DAY AND NIGHT."] + + * * * * * + +A STUDY IN SYMMETRY. + +The following story, however improbable it may seem to you, is true. + +Once upon a time there was an artist with historical leanings not +unassociated with the desire for pelf--pelf being, even to idealists, +what petrol is to a car. The blend brought him one day to Portsmouth, +where the _Victory_ lies, with the honourable purpose of painting a +picture of that famous ship with NELSON on board. What the ADMIRAL was +doing I cannot say--most probably dying--but the artist's intention was +to make the work as attractive as might be and thus draw a little profit +from the wave of naval enthusiasm which was then passing over the +country; for not only was the picture itself to be saleable, but +reproductions were to be made of it. + +Permission having been obtained from the authorities, the artist boarded +the _Victory_, set up his easel on her deck and settled down to his +task, the monotony of which was pleasantly alleviated by the chatter of +the old salts who guard the ship and act as guides to the tourists who +visit her. All of these estimable men not only possessing views on art, +but having come by now to the firm belief that they had fought with +NELSON, their criticisms were not too easily combated and the artist +hadn't a tedious moment. Thus, painting, conversing and learning (as one +can learn only from a trained imparter of information), three or four +days passed quickly away and the picture was done. + +So far there has been nothing--has there?--to strain credulity. No. But +a time will come--is, in fact, upon us. + +On the evening of the last day, as the artist was sitting at early +dinner with a friend before catching the London train, his remarks +turned (as an artist's sometimes will) upon the work upon which he had +just been engaged. He expressed satisfaction with it in the main, but +could not, he said, help feeling that its chances of becoming a real +success would be sensibly increased if he could find as a model for the +central figure some one whose resemblance to NELSON was noticeable. + +"There are, of course," he went on, "at the same time--that is to say, +among contemporaries--no two faces exactly alike. That is an axiom. +Strange as it may sound, among all the millions of countenances with two +eyes, a nose in the middle and a mouth below it, some difference exists +in each. That is, as I say, among contemporaries: in the world at this +moment in which I am speaking. But," he continued, warming to his +subject, for, as you will have already gathered, he was not one of the +taciturn brush-brotherhood, "after the lapse of years I see no reason +why nature should not begin precisely to reproduce physiognomies and so +save herself the trouble of for ever diversifying them. That being +so--and surely the hypothesis is not too far-fetched"--here his friend +said, "No, not at all--oh no!"--"why," the artist continued, "should +there not be at this moment, more than a century later, some one whose +resemblance to NELSON is exact? He would not be necessarily a naval +man--probably, indeed, not, for NELSON's face was not characteristic of +the sea--but whoever he was, even if he were an archbishop, I," said the +painter firmly, "should not hesitate to go up to him and ask him to sit +to me." + +The friend agreed that this was a very proper attitude and that it +betokened true sincerity of purpose. + +"NELSON's face," the painter continued, "was an uncommon one. So large +and so mobile a mouth is rare. But I have no doubt that a duplicate +exists, and no matter who is the owner of it, even were he an +archbishop, I should not hesitate to go up and ask him to sit to me." + +(For the benefit of any feminine reader of this veracious history I +should say that the repetition which she has just noticed is not an +accident, but has been carefully set down. It is an attempt to give +verisimilitude to the conversation--because men always say things like +that twice.) + +The friend again remarked that the painter's resolve did him infinite +credit, and the two started for the station, still conversing on the +same theme. + +On entering their carriage the first thing to take their attention was a +quiet little man in black, who was the absolute double of the hero of +Trafalgar. + +"Good gracious!" whispered the painter excitedly, "do you see that? +There's the very man. The likeness to NELSON is astonishing. I never saw +anything like it. I don't care who he is, I must tackle him. It's the +most extraordinary chance that ever occurred." + +Assuming his most silky and deferential manner--for, though clearly not +an archbishop, unless in mufti, this might yet be a person of +importance--the painter approached the stranger and tendered a card. + +"I trust, Sir, that you will excuse me," he began, "for the liberty I am +taking, but I am an artist and I happen to be engaged on a picture of +NELSON on the _Victory_. I have all the accessories and so forth, but +what I very seriously need is a brief sitting from some gentleman with a +likeness to the great little Admiral. Such, Sir, as yourself. It may be +news to you--it probably is--but you, Sir, if I may say so, are so like +the famous and immortal warrior as almost to take one's breath away. It +is astonishing, wonderful! Might I--would it be--could you--would you, +Sir, be so very kind as to allow me to paint you? I would, of course, +make every effort not to inconvenience you--I would arrange so that your +time should be mine." + +"Of course I will, guvnor," said the man. "I'm a professional model and +I've been sitting for NELSON for years. Why, I've been doing it for an +artist this very afternoon." + +[Illustration: OUR RESTRICTED COAST AMUSEMENTS. + +_Vendor_. "ALL THE OFFICIAL 'OLIDAY FUN. FLY THE PATRIOTIC KITES AND +ANNOY THE GOTHAS!"] + + * * * * * + +[Illustration: _Physical Drill Instructor (to weak-kneed recruit)_. "NAH +THEN! IF YOU'RE A-GOING TER JUMP--_JUMP!_"] + + * * * * * + +A LOST LAND. + +(To GERMANY.) + + A childhood land of mountain ways, + Where earthy gnomes and forest fays, + Kind foolish giants, gentle bears, + Sport with the peasant as he fares + Affrighted through the forest glades, + And lead sweet wistful little maids + Lost in the woods, forlorn, alone, + To princely lovers and a throne. + * * * * * + Dear haunted land of gorge and glen, + Ah me! the dreams, the dreams of men! + + A learned land of wise old books + And men with meditative looks, + Who move in quaint red-gabled towns + And sit in gravely-folded gowns, + Divining in deep-laden speech + The world's supreme arcana--each + A homely god to listening Youth + Eager to tear the veil of Truth; + * * * * * + Mild votaries of book and pen-- + Alas, the dreams, the dreams of men! + + A music land, whose life is wrought + In movements of melodious thought; + In symphony, great wave on wave-- + Or fugue, elusive, swift, and grave; + A singing land, whose lyric rhymes + Float on the air like village chimes: + Music and Verse--the deepest part + Of a whole nation's thinking heart! + * * * * * + Oh land of Now, oh land of Then! + Dear God! the dreams, the dreams of men! + + Slave nation in a land of hate, + Where are the things that made you great? + Child-hearted once--oh, deep defiled, + Dare you look now upon a child? + Your lore--a hideous mask wherein + Self-worship hides its monstrous sin:-- + Music and verse, divinely wed-- + How can these live where love is dead? + * * * * * + Oh depths beneath sweet human ken, + God help the dreams, the dreams of men! + + * * * * * + + "The Blessington Papers are included with all their atmosphere + of distinguished High Bohemia. Among them are some interesting + Disraeli letters--he was ever her staunch friend from the early + 'thirties to the late 'forties, when his son had risen and + her's--how brilliant!--had set."--_Saturday Review_. + +And up to the present we had been under the impression that both these +distinguished persons were childless. + + * * * * * + +HINT FOR HORTICULTURISTS. + + "Mr. ----, undertaker, of Temuka, improved his plant by the + purchase of a new hearse."--_Timaru Herald (New Zealand)_. + + * * * * * + + "Mr. ---- hopes shortly to be seen again in revue in the Wet + End."--_Pall Mall Gazette_. + +Or, as the CENSOR would put it, "somewhere in England." + + * * * * * + + _Daily Mail_ (Ordinary Edition), 3 September, 1917: "Lord + Halsbury is 92 to-day." + + _Times_ (Late War Edition), 3 September, 1917: "The Earl of + Halsbury is 94 to-day." + +Yet, from personal observation, one would never believe that the EX-LORD +CHANCELLOR was ageing so rapidly. + + * * * * * + +From "German Official":-- + + "With the use of numerous tanks and aeroplanes, flying at a low + altitude, the English infantry soon after advanced to the attack + on this front."--_Evening Paper_. + +Now that the enemy has given away the secret of our new weapon the +CENSOR might let us know more of our flying Tanks. + + * * * * * + + "Prisoner then seized her round the throat with both hands and + hit her on the head with a steel case-opener."--_Daily Paper_. + +Which, presumably, he carried in his teeth. + + * * * * * + +THE SUNFLOWER. + +"Have you," said Francesca, "seen our sunflowers lately?" + +"Yes," I said, "I've kept an eye on them occasionally. It's a bit +difficult, by the way, not to see them, isn't it?" + +"Well," she said, "perhaps they are rather striking." + +"Striking!" I said. "I never heard a more inadequate word. I call them +simply overwhelming--the steam-rollers of the vegetable world. Look at +their great yellow open faces." + +"I never," said Francesca, "saw a steam-roller with a face. You're +mixing your metaphors." + +"And," I said, "I shall go on mixing them as long as you grow +sunflowers. It's the very least a man can do by way of protest." + +"I don't know why you should want to protest. The seed makes very good +chicken-food." + +"Yes, I know," I said, "that's what you always said." + +"And I bet," she said, "you've repeated it. When you've met the tame +Generals and Colonels at your club, and they've boasted to you about +their potatoes, I know you've countered them with the story of how +you've turned the whole of your lawn into a bed of sunflowers calculated +to drive the most obstinate hen into laying two eggs a day, rain or +shine." + +"I admit," I said, "that I may have mentioned the matter casually, but I +never thought the things were going to be like this. When I first knew +them and talked about them they were tender little shoots of green just +modestly showing above the ground, and now they're a forest primeval. +The murmuring pines and the hemlock aren't in it with this impenetrable +jungle liberally blotched with yellow, this so-called sunflower patch." + +"What would you call it," she said, "if you didn't call it sunflower?" + +"I should call it a beast of prey," I said. "A sunflower seems to me to +be more like a tiger than anything else." + +"It was a steam-roller about a minute ago." + +"Yes," I said, "it was--a tigerish steam-roller." + +"How interesting," she said. "I have not met one quite like that." + +"That," I said, "is because your eye isn't properly poetical. It's +blocked with chicken-food and other utilitarian objects." + +"I must," she said, "consult an oculist. Perhaps he will give me glasses +which will unblock my eye and make me see tigers in the garden." + +"No," I said, "you will have to do it for yourself. For such an eye as +yours even the best oculists are unavailing." + +"I might," she said, "improve if I read poetry at home. Has any poet +written about sunflowers?" + +"Yes," I said, "BLAKE did. He was quite mad, and he wrote a poem to a +sunflower: 'Ah! Sunflower! Weary of time.' That's how it begins." + +"Weary of time!" she said scornfully. "That's no good to me. I'm weary +of having no time at all to myself." + +"That shows," I said, "that you're not a sunflower." + +"Thank heaven for that," she said. "It's enough to have four children to +look after--five including yourself." + +"My dear Francesca," I said, "how charming you are to count me as a +child! I shall really begin to feel as if there were golden threads +among the silver." + +"Tut-tut," she said, "you're not so grey as all that." + +"Yes, I am," I said, "quite as grey as all that and much greyer; only we +don't talk about it." + +"But we _do_ talk about sunflowers," she said, "don't we?" + +"If you'll promise to have the beastly glaring things dug up--" + +"Not," she said, "before we've extracted from them their last pip of +chicken-food." + +"Well, anyhow," I said, "as soon as possible. If you'll promise to do +that I'll promise never to mention them again." + +"But you'll lose your reputation with the Generals and Colonels." + +"I don't mind that," I said, "if I can only rid the garden of their +detested presence." + +"My golden-threaded boy," said Francesca, "it shall be as you desire." + +R.C.L. + + * * * * * + +CONSTABLE JINKS. + + Our village policeman is tall and well-grown, + He stands six feet two and he weighs sixteen stone; + His gait is majestic, his visage serene, + And his boots are the biggest that ever I've seen. + + Fame sealed his renown with a definite stamp + When two German waiters escaped from a camp. + Unaided he captured those runaway Huns + Who had lived for a week on three half-penny buns. + + When a derelict porpoise was cast on the shore + Our village policeman was much to the fore; + He measured the beast from its tip to its tail, + And blandly pronounced it "an undersized whale." + + When a small boy was flying his kite on the links + It was promptly impounded by Constable Jinks, + Who astutely remarked that it might have been seen + By the vigilant crew of a Hun submarine. + + It is sometimes alleged that great valour he showed + When he chased a mad cow for three miles on the road; + But there's also another account of the hunt + With a four-legged pursuer, a biped in front. + + If your house has been robbed and his counsel you seek + He's sure to look in--in the course of the week, + When his massive appearance will comfort your cook, + Though he fails in the bringing of culprits to book. + + His _obiter dicta_ on life and the law + Set our ribald young folk in a frequent guffaw; + But the elders repose an implicit belief + In so splendid a product of beer and of beef. + + He's the strongest and solidest man in the place, + Nothing--short of mad cattle--can quicken his pace; + His moustache would do credit to any dragoon, + And his voice is as deep as a double bassoon. + + His complexion is perfect, his uniform neat, + He rivets all eyes as he stalks down the street; + And I doubt if his critics will ever complain + Of his being a little deficient in brain. + + For he's more than a man; he's a part of the map; + His going would cause a deplorable gap; + And the village would suffer as heavy a slump + As it would from the loss of the old parish pump. + + * * * * * + +A HAPPY JUXTAPOSITION. + + "CHEAPER MATCHES. | FRESH LIGHT ON THE KAISER'S PLOTS." + + _Daily Mirror._ + +From the report of a Royal investiture:-- + + "The first officer to mount the dais was Major ----, who wore + the broad-brimmed slouch hat of the Austrian Infantry." + + _North China Daily News._ + +A souvenir, of course. + + * * * * * + +[Illustration: SUPPLY AND DEMAND.] + + * * * * * + +[Illustration: _Mother (to maid, who has offered Marjorie some jam)._ +"OH NO, THANK YOU, NOT WITH THE _FIRST_ PIECE." + +_Marjorie._ "BUT, MUMMY, I HAVE GIVEN UP HAVING A FIRST PIECE NOW--WAR +ECONOMY."] + + * * * * * + +THE TRENCH CODE. + + Ah! with what awe, what infantile impatience, + We eyed the artifice when issued out, + And racked our brains about the Regulations, + And tried to think we had them free from doubt! + As Rome's old Fathers, reverently leaning + In secret cellars o'er the Sibyl's strain, + Beyond the fact that several pars + Had something vague to do with Mars, + Failed, as a rule, to find the smallest meaning, + But told the plebs the oracle was plain. + + So did we study it, ourselves deceiving, + In hope to say, "We have no rations here," + Or, "Please, Brigade, this regiment wants relieving," + And "Thank you for the bombs--but why no beer?" + And wondered always, with a hint of presage, + Since never word emerged as it was planned, + If it was Hermes, Lord of Craft, + Compiled the code, or someone daft, + So that no mortal could compose a message + Which anybody else could understand. + + Too soon the Staff, to spoil our tiny slumbers, + Or, as they said, to certify our skill, + Sent us a screed, all signs and magic numbers, + And what it signified is mystery still. + We flung them back a message yet more mazy + To say we weren't unravelling their own, + And marked it _urgent_, and designed + That it should reach them while they dined. + All night they toiled, till half the crowd were crazy + And bade us breathe its burthen o'er the 'phone. + * * * * * + But now they want it back--_and it is missing!_ + And shall one patriot heart withhold a throb? + For four high officers have been here, hissing, + And plainly panicky about their job. + I know they think some dark, deluded bandit + Has gone and given it to KAISER BILL. + But though I'm grieved the General's cross, + I have no qualms about the loss-- + If clever men like us can't understand it, + I don't suppose the Wilhelmstrasse will! + +A. P. H. + + * * * * * + +SPREAD OF THE TEMPERANCE MOVEMENT. + + "I, J.A.H. De la Bere, of Woolsevy Rectory, Morchard Bishop, + Devon, desire to Alter my Surname to De la Fontaine."--_Times._ + + * * * * * + + "WANTED + + "end August in Swiss family (2 persons) living in villa near + Lausanne + + "NURSERY'S MAID + + "able to saw, iron attend at table and take entire care of + healthy baby 19 months old Good English accent serious + references." _La Tribune de Lausanne._ + +We are glad to hear that the baby has a good English accent; he will be +able to employ it with effect when the Nursery's Maid begins to saw and +iron him. + + * * * * * + + "In the cases in which the surgeon his obliged to vast empty a + bone so that offers then itself difficulties therapeuticals not + little because of pus and consequenty becauses of impossibility + of transplantations, plastics, plombages ecc., the A. propose to + go on the bone with specials inesions, not on the surface when + the bone is most superficial, but from the surface in which are + aboundings and easily cessible wet tissue, removing the margin + of the bone's cavity and mathing in mode as, by cause of + repaidis process, this tissue by hemselves adhere to a ground of + cavity and full it."--_La Clinica Chirurgica._ + +That makes it perfectly clear. + + * * * * * + +[Illustration: AVANTI, SAVOIA!] + + * * * * * + +A DAUGHTER OF THE BACK STEPPES. + +_(Russia may not yet be quite sufficiently herself to be the martial +ally that we could desire, but she still continues to send us the most +delightful fiction. Mr. PUNCH is privileged in being able to offer his +readers the opening of a new and fascinating story translated from the +Russian of Ghastlilkoff.)_ + +I was born in the year 18--, and I have never ceased to regret it. I +lived with my grandmother. She was called Natasha. I do not know why. +She had a large mole on her left cheek. Often she would embrace me with +tears and lament over me, crying, "My little sad one, my little lonely +one!" Yet I was not sad; I had too many griefs. Nor was I lonely, for I +had no playmates. + +Often my grandmother told me I was ugly. I had no mirror, so I believed +her. When I was sixteen a man I met in the street went mad for love of +me and cut his throat. For the first time in my life I wondered if my +grandmother always spoke the truth. I went home and wept, but when she +asked me why I could not tell her. + +Our house was quite dark. It had three rooms leading in and out of one +another, and no windows. There was not much fresh air. Every morning my +grandmother went out to buy otchkza and pickled onions. The man who sold +them was very old. He had a cast in each eye. He inquired of my +grandmother if she would allow him to be my husband, but she refused. +His name I do not remember. + +Our neighbours were very pleasant people, kindly and simple. There was a +half-witted youth called Krop. He used to fill his mouth with large +brass-headed nails. I did not dare to go near him, for he always tried +to bite my arms. One day I learned that he had died. My grandmother +bought me black silk mittens to wear at his funeral. I was very proud, +and ran out into the road to show them to the other children. But in my +haste I split them across from seam to seam, and my grandmother whipped +me and put me to bed. + +My grandmother's chief friend was a woman who sold toasted cheese. It +was her custom to bring round the delicacy on a small hand-cart and sell +to the children for a few kopecks. This woman was reputed to be very +rich. She was not beautiful, for she had no teeth, and had hair on her +face. The first time I saw her I ran into the house and hid behind the +large barrel of butter-milk. My grandmother took me by the ear and led +me to her friend. + +"This is Ilonoka," she said. "She is a good girl." + +I remember that I cried very loud. + +Afterwards my grandmother told me that perhaps the woman would leave me +all her money. Next time she came I wished to speak to her, but +unfortunately I had a quinsy. When the woman eventually died it was +discovered that she had been destitute for a long time. She left her +hand-cart by will to my grandmother, and in her disappointment my +grandmother beat me over the head with it. Soon afterwards my hair began +to come out, and my grandmother said it was time I found a husband. + +Accordingly she went next door, where lived a woman with five sons. They +were all out except one, and he had a sore leg. She brought him to me, +and I cried very bitterly. He also. His name was Ivan, and I wished it +had been Peter. + +The next day we were betrothed, and all our friends came to eat the +feast that my grandmother provided. A school-fellow of mine, a very +beautiful girl, was angry because I had a husband and not she. She +scratched my face, and the blood ran on to my dress. Our friends +congratulated us, and when they had gone my grandmother said it had been +a great success. She and I finished what was left of the feast and went +to bed. I remember that my feet were very cold, and when I fell asleep I +dreamed that my betrothed's name was Peter. When I awoke I cried very +loud, and my grandmother slapped my cheeks. + +Shortly afterwards she died, and I went to live with my uncle, who was a +pawnbroker in Moscow. + + * * * * * + +THE LONG-FACED CHUMS. + + When Alexander won the world he knew not bombs nor guns, + His simple forms of frightfulness were quite unlike the Huns'; + 'Twas not by barking mortars that the pushful CAESAR scored; + He trusted close formations and the silent stabbing sword. + + When ROLAND'S rearguard turned at bay, and from the furious press + The scuppered Paladin sent forth his famous S.O.S., + Scared Roncesvalles rang loud with war, as misty legends tell, + But echo's ear was spared the shriek and crash of bursting shell. + + So could you meet the shades of those whose prowess made Romance, + You'd find them only puzzled by your tales of stunts in France; + You'd have to cut the business out, and be content to chat + Of rations, grub, and officers--such odds and ends as that, + + Unless you chanced to entertain some true rough-rider's ghost, + Who galloped after HANNIBAL, or with the Parthian host, + Some curled Assyrian prince who pranced, bareback, along a frieze-- + Or one of RUPERT'S _beaux sabreurs_--a horseman--whom you please. + + With chosen spirits such as those your talk need never end + If you are worthy of your spurs and count a horse your friend. + Just ask them "Did you clip trace-high?" or "Did you chaff your hay?" + Or boast about the gee you ride, and they'll have lots to say. + + Cut out the talk of battle's din, of whizz-bangs and of crumps, + Of bombs and gas and hand-grenades, of mines and blazing dumps; + If you would wake their sympathy and warm their hearts indeed + Describe a Squadron watering, and then the fuss at "Feed!" + + That lively bustle has a charm to wake a mummy's ear + Who, ere the Pyramids were planned, was mustered charioteer; + And many a horseman's spirit thrills by Lethe's drowsy brink + When in a strange, familiar dream his Troop comes down to drink! + + * * * * * + +From "The Story of the Haldane Missions":-- + + "The Kaiser laughingly remarked that he had better have the high + chair (in which the Kaiser usually sat at his council meetings). + He also gave Lord Haldane an Imperial cigar.... While discussing + the naval question, the Kaiser took a copy of the new Naval Bill + out of his pocket and handed it to Lord Haldane, who transferred + it to his pocket without looking at it."--_Daily Chronicle._ + +He probably thought it was another of the Imperial cigars. + + * * * * * + +[Illustration: _Grocer-fiend (who has treated three preceding customers +to (a) "We ain't got no sugar;" (b) "We have none, Madam;" and (c) "No +sugar in the shop"--to boy)._ "BE OFF. WE'VE GOT NO SUGAR!" + +_Boy._ "I DIDN'T ASK FOR NO SUGAR. I WANT A PENNORTH O' SODA--AN' THAT'S +TAKEN THE' BLOOMING SWANK OUT OF YOU, AIN'T IT?"] + + * * * * * + +A STRAIGHT TALK WITH L. G. + +_(Everyone has views as to how to win the War, but not all are vocal, +or--shall we say?--vociferous. If Mr. LLOYD GEORGE reads all the papers +(as their Editors of course expect him to do) he cannot have missed +quite a number of powerful articles in the following manner. And even if +he should miss one or two it would not matter, because there is always +another in preparation.)_ + +I've always said that the PREMIER shouldn't be bothered with Parliament. +Of course I've said too that our old friend Demos, the new god, should +have a say in affairs; but that's an inconsistency that doesn't count in +the least, does it? + +Now then, Mr. PREMIER, you've got the chance of your lifetime. I always +said you were a lucky devil--in fact, I never met the Welshman that +wasn't. + +You see, Parliament's in recess, and all its trivial overpaid Members +are playing golf and things. You've got absolutely a free hand if only +you'll take it. It's quite easy and bound to succeed. You've only got to +do as I tell you. + +For instance, you want to buck up HAIG and the people at the Front. It's +no use them telling you they know best, being on the spot. That's only +bluff, old man. Don't take any notice of them, but just order a big +general offensive; and before you can say Jack Robinson we'll have the +Huns behind the Rhine. + +And do tell the Navy to get a move on. I'm glad to see my articles have +made you change the heads at the Admiralty; and of course that's all +very well so far as it goes. But it doesn't go far enough. _Have a chat +with BEATTY about it._ Get him to root the Huns out. He can bombard +Ostend and Zeebrugge and all those funny little places in two-twos. Tell +KING ALBERT not to mind. We'll easily slap up new towns for him after +the War, built on the speedy American principle. + +Then about that aerial offensive. There's really been quite enough talk +about it. We want some action, Mr. PREMIER. Isn't it time it came off? +Think what a bombardment of Cologne (taking care of the cathedral, _of +course_), Frankfurt, Berlin, Essen and Hamburg would do, not to mention +other places that I could if I had an atlas. + +And about those pacifists. Just clap the whole lot in gaol. That's the +best place for them. I won't object in the least, even though I am the +apostle of freedom. + +Then there are lots and lots of other things you might do. You might +deliver a reasoned manifesto to the Russian people and buck them up a +bit. That won't do anybody any harm, and _it'll be getting on with the +War_, my little Welshman. + +Well, there are a few points for you to go on with. You've got the +brains to think of more, otherwise I wouldn't have helped to put you +where you are to-day. But remember that if you _don't_ do these things +Demos is waiting round the corner for you. + +Demos is a good dog--a patient animal. But there's an end even to his +patience. Growl, Demos, and show you're not afraid of Welshmen! + +("Grrr----!" Good dog! Good dog!) + +Now then, old boy, I've shown you the way. _It's up to you!_ + + * * * * * + + Another powerful article on these lines will appear next week. + +[But not in _Punch_.-ED.] + + * * * * * + +[Illustration: _Caller at the office of the Inventions Board._ "'DURING +WAR PREPARE FOR PEACE'--THAT MUST BE OUR MOTTO! AND MY SPECIAL PATENT +SHELL-CASE IS THE VERY THING. A SHELL-CASE TO-DAY----AND A BLANC-MANGE +MOULD TO-MORROW."] + + * * * * * + +THE ONLY OTHER TOPIC. + +"I shot a marrow into the--I mean I cut a marrow two feet seven inches +long yesterday," said the man in the corner seat. + +"What did it weigh?" we asked anxiously. After two months of them +potatoes had somewhat palled. We were growing rather tired of marrows, +but we waited eagerly for his answer, + +"Twenty-six pounds nine and three-quarter ounces." + +Disappointment again. Our hopes were dashed to the ground. Some obscure +individual, according to the local press, had produced from his humble +cottage garden a marrow weighing thirty-four pounds, and the thing +rankled. + +"Mine was a scraggy specimen, more like an Indian club than a marrow." + +"Crossed in love, perhaps," said Dalton. + +"What your marrow wanted was nourishment," said the Authority. "A piece +of worsted round its neck, with one end dipped in a jar of water." + +"Excuse me," said Jones, "the very latest is to insert a tube in the +stalk, and the flavour is greatly improved if you add a little sugar to +the water. Almost like a melon." + +"Do you take a card out for each marrow, or one for each plant?" asked +Dalton. + +The quiet man opposite put his paper down. He was a new-comer in the +district. We liked him, although he had no sense of humour and did not +appreciate Dalton's jokes. He appeared to be interested only in the +startling and the odd. + +"That reminds me," he said, "of a most extraordinary experience I had a +few days ago. Of course you all know Enderby?" + +None of us knew Enderby, but we I did not like to say so. The quiet +man's anxiety was painful. We felt he could not go on with his story +unless someone knew Enderby. + +"He has a little place round at the back of the Common--quite a nice +little place." Freath--that was the quiet man's name--looked at us +reproachfully. + +"I think I know Enderby," said Dalton. "Isn't he a heavily-built man +about fifty, with a grey moustache?" + +"Yes, yes," said Freath eagerly. "And a curious wart on his left cheek. +Well, I dined with him the other night. His boy was there, home for the +holidays. Very clever boy; his special study is the biology of plants. +They gave me a very good dinner; I didn't notice very much what I was +eating, but I did when the maid helped me to marrow. It was a deep +crimson colour. I tasted it somewhat nervously, for I felt they were all +watching me. It had the taste of the most exquisite fruit, and the +flavour--I am afraid you won't believe me--was that of the finest port +that I ever drank. 'How did you manage this, Arthur?' said Enderby. +'Grape-juice,' said Arthur. 'Those foreign black grapes are very cheap +just now, so I mixed some with the water that I was feeding the marrows +on.' I can't explain it to you; all I know is that I had a second +helping. I am afraid you don't believe it," said Freath uneasily. + +We assured him that we did, but we did not say it with conviction. + +"Enderby called round to see me a few days afterwards," continued +Freath, "and I walked back with him. As we went along he told me that a +relative was staying with them--an uncle. The first night, again they +had marrow for dinner. This time its flavour was not port but +whisky--Scotch whisky. The old gentleman was delighted with Arthur and +his experiments. Although an abstainer he had three helpings. This was +very pleasing to Enderby, as the uncle was a man of considerable wealth. +But he was not at all satisfied with his son's explanations, and he +thought he recognised the whisky. Although an abstainer while the War is +on, Enderby keeps a very good cellar, and when he came to look into +things he found that Arthur had been pumping his finest '60 port and old +matured Scotch whisky into the vegetable marrows. Now what do you think +of that?" + +We thought it very strange and we said so. + +"But the strangest part has yet to come. Of course they had to keep it +quiet--bottle it up, so to speak, from the old gentleman, and let the +marrows down gradually. But when the marrows were once more on a +temperance _régime_ the most extraordinary thing happened." The train +was running into Finsbury Park. Freath rose and collected his things. + +We stared at him, fascinated. + +"Enderby took me into the garden to see it. He said it had been going on +for the last week. From all directions, rioting across the flower-beds, +the lawn, down the paths, the marrows were growing towards the +wine-cellar at the rate of twelve feet a day." + +Freath hastily left the carriage and jumped into the Broad Street train. + +While we were discussing the story the voice of authority spoke: "The +whole thing's a tissue of falsehood. There's no such man as Enderby." + +"But Dalton knows him," we said. + +"I don't know Enderby," said Dalton. "But I wanted to hear the story." + + * * * * * + +AT THE PLAY. + +"THE PACIFISTS." + +As a reasonable jusquaboutist I have some misgivings about Mr. HENRY +ARTHUR JONES'S farce--parable, _The Pacifists_. Assume _Market +Pewbury's_ afflictions to have been as stated: an intolerable stalwart +cad of a butcher fencing-in the best part of the common, assaulting +people's grandmothers, shutting them up in coal-cellars and eating their +crumpets, kissing their wives in the market square and proposing to +abduct them to seaside resorts, and none so bold to do him violence and +make him stop it; the police being ill or absent, the Mayor and his +friend, chief victim of the butcher's aggression, unwilling on account +of principles to do anything but talk and get up leagues to deal with +the trouble in general, and in a final ecstasy of disapproval to write a +strong letter; only uncle _Belcher_, a truculent old sea-dog with a +natural lust for whisky and blood, organising an opposition, valiantly +hiring a notable pugilist to deal with the butcher, and becoming +desperately anxious lest the matter should be peaceably settled because +the basher, having been engaged, _must_ find something to bash or there +will be trouble. Well, if we must have forged for us the sword of a +three-Act parable, we should like it with one edge, not two. + +Mr. JONES was evidently bursting with the desire to give some irritating +people a very hard knock--witness the barbed dedication with which the +normally peaceful theatre-announcement columns have bristled some little +time past; and I think I dare say that we were interested in his first +Act. He did really work out his analogies with some skill. But we soon +came to feel that he was essentially doing something between flogging a +dead horse, so far as we were concerned, and shooting a sitting rabbit. +I suspect too that we realised the issues were too tragic for this kind +of buffoonery. The tribute of our applause was a tribute of loyalty to +one who has often deserved well of the republic, and partly the desire +to show that our hearts were in the right place. I don't see _The +Pacifists_ as a pamphlet making many converts. As a kick on the shins it +has points. + +I confess the thing that pleased me most was a gay little piece of +burlesque by Mr. ARTHUR CHESNEY as the red-haired shop assistant who was +_not_ a pacifist. Mr. CHARLES GLENNEY so thoroughly enjoyed the +robustious sea-captain that we had to enjoy it too--a sound notion of +entertainment, that. Mr. SEBASTIAN SMITH played chief rabbit with +considerable skill and point; Mr. LENNOX PAWLE amused with his plump +dundrearyed mayor; Mr. SAM LIVESEY'S offensive was, I am sure, as +Hunnish as its author could possibly have desired. Miss ELLIS JEFFREYS +appeared in the first Act as a very plausible imitation of a prominent +tradesman's wife in an eighth-rate provincial town, with some quite +excellent moments. But she was evidently labouring under severe strain, +and I amused myself by speculating how long she would keep out of a +really well-cut skirt and a sophisticated air of Mayfair. Just an Act. +And surely she is mistaken in thinking that an effect of extreme +agitation is best conveyed, by very rapid quasi-cinematographic +progression up and down the stage? But I saw no reason to complain of +the bold bad butcher's taste in the matter of a subject for abduction. + +T. + + * * * * * + +[Illustration: _Sergeant (to Private Simpkins arriving two days late)._ +"WELL, SIMPKINS, SO YOU'VE TURNED UP, HAVE YOU?" + +_Simpkins._ "YES, SERGEANT. BUT YOU ARE LUCKY TO GET ME. WHAT WITH +DOMESTIC TROUBLE AND ALL THAT DELUGE OF RAIN I NEARLY MADE A SEPARATE +PEACE."] + + * * * * * + +BUCEPHALUS AND THE ROAD-HOGS. + +When Miss Ropes asked at breakfast how many of us would like to watch +the very last cricket-match of the season at Lumsdale, practically the +entire hospital held up its hand, and it was found that the two cars +could not accommodate us all. It was therefore settled that Haynes (who +said he knew the moves) should drive Ansell and me over in the +governess-cart. + +It was also settled that the crew of the governess-cart should have an +early cold lunch and start an hour before the cars; thus (it was +calculated) we should all arrive at the cricket-ground fairly well +together. This did not take Haynes' driving into account. We started +from the door at a very satisfactory pace, probably because Bucephalus, +the fat pony, objected to the enthusiasm of our send-off. When we +reached the road he dropped into an amble so gentle that we decided that +he had really been running away in the drive. Next, taking advantage of +an almost imperceptible upward slope, he began to walk. Haynes clucked +at him and flapped the reins, but this had no effect beyond steering +Bucephalus into the left-hand ditch. + +"I thought you said you knew the moves," remarked Ansell. "Surely this +is wrong?" + +"The bally beast's lopsided," said Haynes with heat. "One side of his +mouth's hard and the other soft." + +"The difficulty being," I suggested as we lurched across the road into +the other ditch, "to discover which is which.... Now you're straight. +We'd better trot. It's only a one-day match." + +Haynes used the ancient whip, which had as much effect as tickling a +rhinoceros with a feather. + +"Goad him with a penknife," suggested Ansell unfeelingly. + +"There must be some way," said Haynes. "Because they _do_ trot, you +know." + +"Speaking as one ignorant amateur to another," I asked, "isn't the right +thing to pull gently on the reins and then slacken? You go on doing it +till the animal gets your meaning. Try it." + +Haynes tried it, and Bucephalus stopped dead. Repetition of the +treatment simply produced a tendency to back. + +"For heaven's sake don't lose any of the ground we've gained," said +Ansell. "Let's get on, if only at a walk." + +"We shall have to tow him," decided Haynes. He got out and hauled at the +bridle, but Bucephalus refused to budge. + +"This," said Ansell, becoming suddenly business-like, "is where the Boy +Hero modestly but firmly takes charge. Jump in." + +He picked up the reins and, though he apparently did nothing in +particular with them, Bucephalus came to life at once and broke into a +lumbering trot. + +"You silly chump, why didn't you say you could drive?" asked Haynes. + +"Nobody asked me," said the Boy Hero modestly, "and I was shy." + +At the time when we had been scheduled to reach the cricket-ground we +had still a mile to go along a narrow leafy road, hardly more than a +lane. The cars were overdue, and Haynes, whose haughty spirit could not +brook the idea of being passed by jeering plutocrats, propounded a +scheme. + +"They can't pass us unless we go into the ditch," he explained. "So when +they come we'll pretend to be asleep, take up the middle of the road, +and simply ignore them. We'll get there first, after all." + +A moment later we heard the buzz of engines. I took a hurried glance +round and saw the sunlight on brasswork as the car came round a distant +corner. + +"It's them," I said. + +The reins dropped slackly on Bucephalus's back and he slowed to a walk. +Inside the governess-cart all was somnolent peace. Behind us the car was +already beginning to make remarks on one of those abusive +press-the-button horns. "You FOOL! You FOOL! Get OUT o' the way! Get OUT +o' the way!" it said. Then we heard the car slow down and pandemonium +broke loose. The horn was reinforced by an ordinary hooter, a whistle, +several human voices and, lastly, an exhaust siren. I stole a glance at +Ansell and found that he was having a good deal of surreptitious trouble +in restraining our fiery steed from doing a second bolt. + +"I say," whispered Haynes in sudden agitation, "_has_ Miss Ropes an +exhaust siren?" + +"No, she hasn't," Ansell replied in tones of horror. "We've held up the +wrong car." He looked round. "Good Lord!" he added softly and pulled +Bucephalus into the ditch. In the car, with a grinning Tommy at the +wheel, sat two apoplectic generals and a highly explosive brigade-major. +They came alongside, and I should never be allowed to repeat what they +said to us. It seemed that by delaying them we had been hindering the +day's work of the entire Home Forces. We were given to understand that +it was only the blue bands on our arms which saved us from being +court-martialled on the spot and shot by the grinning Tommy at dawn. +Then they passed on. + +When our cars did appear a minute or two later we pulled meekly into the +ditch to let them pass, and could find no better answer to the jeers of +their occupants than a wan sickly smile apiece. + + * * * * * + +THE TEST OF TYPE. + +_(Suggested by these adjacent paragraphs in a daily paper.)_ + + "Maj. ----. For conspicuous gallantry and resource. He rallied + his men when the left flank was seriously threatened, and by his + energy and fine example saved the situation. He subsequently + commanded his battalion with great ability. He has displayed + marked gallantry in every action in which he has taken part." + + "A London angler, Mr. ----, has caught a roach of 2 lb. 1 oz. in + the Lark at Barton Mills, the largest fish of its kind landed + from this Suffolk stream for some years." + + Though in these times monopolized by Mars + There's not a day that passes but one reads-- + Sandwiched between unprofitable "pars" + And other wholly negligible screeds-- + Of decorations, crosses, medals, bars, + Bestowed for valiant and heroic deeds; + Over these records we must often pass + Unless we've got a magnifying-glass! + + But if some member of a fishing club + In London or the provinces, renowned + For prowess with the lob-worm or the grub, + Should land a roach of more than half a pound, + Then in the leading papers of the hub + Full space for that achievement will be found, + And clearest type and unaffected rapture + Will signalize the epoch-making capture! + + The moral of the episode is plain: + If soldiers wish to petrify the nation, + Let them--when leave permits--no more disdain + To join a Roach or Perch Association, + Cull giant gooseberries, and strive to gain + Prizes for Blind-fold Pig Delineation. + Thus only--not by cross or golden stripe-- + Will they achieve the honour of big type. + + * * * * * + +[Illustration: REPRISALS. + +_Competitor (in international contest)._ "THE BLIGHTER'S BIT ME." + +_Referee._ "WELL, AIN'T YER GOT NO TEETH OF YER OWN? BOX ON."] + + * * * * * + +SHAKSPEARE AND THE WAR. + +[Since the entry of the United States all the English-speaking peoples +are in alliance for freedom.] + + I think our SHAKSPEARE, gone this many a year + To some rich haven where the poets throng + And Ruler of Ten Cities wrought in song + And spired with rhythmic music, high and clear, + Still finds his England something close and dear, + Rejoicing when her justice baffles wrong + And willing her to wrestle and be strong. + I think he bides by England and is near. + + And, in the purpose of his Overlord, + His weaving spirit, still in cloudless youth + With minstrelsy made perfect, throws a cord + That rings the continents in its magic reach + To gather all who share his English speech + In one firm warrior bond of troth and truth. + + * * * * * + +"LET LAWS AND LEARNING..." + + "I should add that Viscount Harberton sees a chance for his own + order in the circumstance that, while the poor man's child is + driven to school by the inspector, the rich man can 'boot the + spy out,' and so confer on his children the priceless boon of + complete illiteracy. Shall we live to see a House of Lords that + makes its mark?"--_Observer._ + +Some of them, we believe, are under the impression that they have done +so already. + + * * * * * + +OUR BOOKING-OFFICE. + +(_By Mr. Punch's Staff of Learned Clerks._) + +Unless you can share with me the sad immunity of the forties, I must +despair of translating for you the emotion raised in my antique soul by +the wrapper of a new RIDER HAGGARD story bearing the picture of a Zulu +and the discovery inside that _Quatermain_ is come again! The tale that +has so excited me is called, a little ominously, _Finished_ (WARD, +LOCK), and I could have better loved a cheerier title. The matter is, to +begin with, an affair of a shady doctor, of I.D.B. and an abduction; +none of it, I admit, any too absorbing. But about halfway through the +author, as though sharing my own views upon this part of the plot, +exchanges (so to speak) the Shady for the Black, and transports us all +to Zululand. And if you need reminding of what H.R.H. can do with that +delectable country, I can only say I am sorry for you. Incidentally +there are some stirring scenes from certain pages of history that the +glare of these later days has rather faded--Isandhlwana and Rorke's +Drift among them; as well as the human drama of the feud between +CETEWAYO (terror of my nursery!) and the witch-doctor _Zikali_. Whether +the old careless rapture is altogether recovered is another matter; at +least the jolly unpronounceable names are still there, and the +picturesque speech. Most of the names, that is; _Allan_ of course, and +others, but I for one should have welcomed rare _Umslopogaas_--or +however he is rightly spelt--and _Curtis_, for personal reasons my +favourite of the gallant company that have so often kept secret +rendezvous with me behind the unlifted lid of a desk at preparation +time. And now have we really come at long last to _Finished_? I can only +hope that Sir H. RIDER HAGGARD doesn't mean it. + + * * * * * + +Mrs. HUMPHRY WARD may be numbered amongst the most indefatigable of +women war-workers. She has now followed up her former success in +_England's Effort_ with a volume carrying on the story of our part in +the War under the title of _Towards the Goal_ (MURRAY). The book is +written in the form of a series of letters addressed to ex-President +ROOSEVELT, as the onlie begetter both of it and its predecessor. It is +further equipped with a preface by the hand of this same able and +clear-sighted gentleman, the chief drawback of which (from my reviewing +point of view) is that it covers so well the whole ground of +appreciation as to leave me nothing more to add. "Mrs. Ward writes nobly +on a noble theme"--_voilà tout!_ Her theme, as I have hinted, is a +further exposition of Britain's war activities as those have developed +since the former book was published. In its course Mrs. WARD gives us +some vivid experiences of her own as a visitor to the Western Front: +things seen and heard, well calculated (were this needed) to stiffen the +resolution of the great people to whom her letters are really written. +_England's Effort_ was, I understand, translated into many tongues (with +results that can hardly fail of being enormously valuable); _Towards the +Goal_ should certainly receive the same treatment of which it is well +worthy. + + * * * * * + +Mr. WILLIAM HARBUTT DAWSON, in his _After War Problems_ (ALLEN AND +UNWIN), covers, under the four headings, Empire and Citizenship, Natural +Efficiency, Social Reform, and National Finance and Taxation, +bewilderingly wide ground, and drives a perhaps rather mandarinish team +of contributors. Lord HALDANE, for instance, is no longer in the real +van of educational endeavour, and is it wholly insignificant that his +chapter on Education appears in the section headed National Efficiency +rather than in that of Social Reform? It ought not to be difficult to +give, in the light of these last years, a wider interpretation to +Patriotism than that expressed by Lord MEATH on lines familiar to his +public. Sir WILLIAM CHANCE has seen no new sign in the skies in relation +to the problem of poverty. Sir BENJAMIN BROWNE, whose death all those +interested in the settlement of the Capital-Labour quarrel must deplore, +as for all his uncompromising individualism he brought to it a rare +breadth of view, says much that is of real value, but does not refrain +from appealing to the fact that the mutual confidence of man and officer +in battle is a proof of the possibility of a similar confidence in the +workshop. That confidence must, and can, we dare to believe, eventually +be established. But the men don't go over the top to put money in the +Colonel's pocket, and little good is done by exploiting these loose +analogies and putting on a too easy air of optimism in the face of +desperately serious and complex problems. But enough of fault-finding, +which is a poor reward for the serious and generous labours of +public-spirited men and women. After all, what one reader calls timidity +of outlook another may care to praise as prudence. Here you will find an +abundance of safe analysis, wise comment and constructive suggestion +from a galaxy of accredited authorities. + + * * * * * + +In the early chapters of Mr. WILLIAM HEWLETT'S new story, _The +Plot-Maker_ (DUCKWORTH), we are introduced to a popular and highly +successful novelist, named _Coulthard Henderson_, in the emotional +crisis produced by a sudden doubt as to whether his output of +best-sellers represented anything in the least approaching actuality. +You will admit a tragic situation. He meets it by the determination that +his next book shall be a veritable slice of life, and to this end he +selects and finances an eligible young man for the purpose of +vicariously experiencing those emotions, from which age and other causes +debar the chronicler; in other words, he hires a hero. The worst of this +excellent idea is that it can hardly be said to originate either with +_Mr. Henderson_ or Mr. HEWLETT, that credit belonging (I fancy) to the +late HERBERT FLOWERDEW in a too-little-appreciated masterpiece of +sensational burlesque called _The Realist_. However, _The Plot-Maker_, +once set going, develops admirably enough on lines entirely its own. The +so-much-an-hour hero turns out an engaging young gentleman, but a +wofully poor protagonist. The situation where (in the midst of whirling +events) he makes the startling discovery that he himself has been in +some way switched on to the part of villain is one that you can +appreciate only at first hand. Certainly if you want (as who does not in +these days?) an anaesthetic of agreeable nonsense _The Plot-Maker_ is a +medium that I can cordially recommend: one obvious advantage being that +you need not try to believe a single word of it. + + * * * * * + +HISTORY REPEATS ITSELF. + +From a publisher's list:-- + + "Shells as evidence of the Migrations of Early Culture." + +And modern Kultur spreads itself in just the same old way. + + * * * * * + + "Lady Required to Share Rome with another." + + _Staffordshire Sentinel_. + +But what about the King of ITALY, not to mention the POPE? + + +[Illustration: _Eastern Potentate (rusticating)_. "YOU HAVE NO IDEA, MY +DEAR FRIEND, HOW SOOTHING IT IS TO ME TO GET AWAY FROM THE LUXURIOUS AND +ARTIFICIAL LIFE OF THE COURT AND TO SPEND MY WEEK-ENDS IN QUIET +RETIREMENT HERE IN THE COUNTRY WHERE A FRIEND MAY DROP IN FOR POT LUCK +AND TAKE US IN THE ROUGH."] + +*** END OF THE PROJECT GUTENBERG EBOOK 10594 *** diff --git a/10594-h/10594-h.htm b/10594-h/10594-h.htm new file mode 100644 index 0000000..85c6126 --- /dev/null +++ b/10594-h/10594-h.htm @@ -0,0 +1,1555 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<title>The Project Gutenberg eBook of Punch, or the London Charivari, Vol. 153, Sept. 12, 1917, by Various</title> +<style type="text/css"> +/*<![CDATA[*/ + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + hr.left {text-align: left; width: 30%} + html>body hr.left {margin-right: 70%; margin-left: 0%; width: 30%} + .note, + {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + + .figure, .figcenter, .figright, .figleft, + {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;} + .figure img, .figcenter img, .figright img, .figleft img, + {border: none;} + .figure p, .figcenter p, .figright p, figleft p, + {margin: 0; text-indent: 1em;} + .figcenter {margin: auto;} + .figright {float: right;} + .figleft {float: left;} + --> +/*]]>*/ +</style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 10594 ***</div> +<h1>The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 153, +Sept. 12, 1917, by Various, Edited by Owen Seamen</h1> +<br /> +<br /> +<hr class="full" /> +<h1>PUNCH,<br /> +OR THE LONDON CHARIVARI.</h1> +<h2>Vol. 153.</h2> +<hr class="full" /> +<h2>September 12th, 1917.</h2> +<hr class="full" /> +<span class="pagenum"><a name="page183" id="page183"></a>[pg +183]</span> +<h2>CHARIVARIA.</h2> +<p>The <i>Cologne Gazette</i> is of the opinion that the American +troops, when they arrive in France, will be hampered by their +ignorance of the various languages. But we understand that the +Americans can shoot in any language.</p> +<hr class="short" /> +<p>A weekly periodical is giving away a bicycle every other week. +Meanwhile <i>The Daily Telegraph</i> continues to give away a +Kaiser every day.</p> +<hr class="short" /> +<p>"I decline to have anything to do with the War," said a +Conscientious Objector to a North of England magistrate, "and I +resent this interference with my liberty." Indeed he is said to be +so much annoyed that he intends sending the War Office a jolly +snappy letter about it.</p> +<hr class="short" /> +<p>CHARLIE CHAPLIN says a gossip writer is coming to England in the +Autumn. This disposes of the suggestion that arrangements were +being made for England to be taken over to him.</p> +<hr class="short" /> +<p><i>Incidentally</i> we notice that CHARLIE CHAPLIN has become a +naturalised American, with, we presume, permission to use the rank +of Honorary Britisher.</p> +<hr class="short" /> +<p>Before a Northern Tribunal an applicant stated that he was +engaged in the completion of an invention which would enable dumb +people to speak or signal with perfection. He was advised, however, +to concentrate for a while on making certain Germans say +"Kamerad."</p> +<hr class="short" /> +<p>An Isle of Wight man has succeeded in growing a vegetable marrow +which weighs forty-three pounds. To avoid its being mistaken for +the island he has scratched his name and address on it.</p> +<hr class="short" /> +<p>Those in search of a tactless present will bear in mind that Mr. +MARK HAMBOURG has written a book entitled "How to Play the +Piano."</p> +<hr class="short" /> +<p>The great flagstaff at Kew Gardens, which weighs 18 tons and is +215 feet long, is not to be erected until after the War. This has +come as a great consolation to certain people who had feared the +two events would clash.</p> +<hr class="short" /> +<p>In Mid Cheshire there is a scarcity of partridges, but there is +plenty of other game in Derbyshire. The Mid-Cheshire birds are of +the opinion that this cannot be too strongly advertised.</p> +<hr class="short" /> +<p>Thirteen years after it was posted at Watford a postcard has +just reached an Ealing lady inviting her to tea, and of course she +rightly protested that the tea was cold.</p> +<hr class="short" /> +<p>An estate near Goole has been purchased for £118,000, the +purchaser having decided not to carry out his first intention of +investing that amount in a couple of boxes of matches.</p> +<hr class="short" /> +<p>Herr Erzberger is known among his friends as "The Singing +Socialist." We are afraid however that if he wants peace he will +have to whistle for it.</p> +<hr class="short" /> +<p>The Provisional Government in Russia, according to <i>The +Evening News,</i> has "always regarded an international debate on +the questions of war and pease as useful." But our Government, not +being exactly provisional, prefers to go on giving the enemy +beans.</p> +<hr /> +<div class="figcenter" style="width:33%;"><a href= +"images/183.png"><img width="100%" src="images/183.png" alt= +"" /></a> COMFORTING THOUGHT<br /> +When there are no taxis on your return from your holidays:<br /> +<p>"OUR TRUE STRENGTH IS TO KNOW OUR OWN +WEAKNESS."—<i>CHARLES KINGSLEY.</i></p> +</div> +<hr /> +<h3>THE END OF AN EPISODE.</h3> +<p>I write this in the beginning of a minor tragedy; if indeed the +severance of any long, helpful and sympathetic association can ever +be so lightly named. For that is precisely what our intercourse has +been these many weeks past; one of nervous and quickly roused +irritation on my part, of swift and gentle ministration on his.</p> +<p>At least once a day we have met during that period (and +occasionally, though rarely, more often), usually in those +before-breakfast hours when the temper of normal man is most +exacting and uncertain. But his temper never varied; the perfection +of it was indeed among his finest qualities. Morning after morning, +throughout a time that, as it chanced, has been full of distress +and disappointment, would his soothing and infinitely gentle touch +recall me to content. That stroking caress of his was a thing +indescribable; one before which the black shadows left by the hours +of night seemed literally to dissolve and vanish.</p> +<p>And now the long expected, long dreaded has begun to happen. He, +too, is turning against me, as so many others of his fellows have +done in the past. Who knows the reason? What continued roughness on +my part has at last worn out even him? But for some days now there +has been no misreading the fatal symptoms—increasing +irritability on the one side, harshness turning to blunt +indifference on the other. And this morning came the unforgivable +offence, the cut direct.</p> +<p>That settles it; to-morrow, with a still smarting regret, I +unwrap a new razor-blade.</p> +<hr /> +<h3>THE WHOLE HOG.</h3> +<blockquote>["Victorian love-making was at best a sloppy business +... modern maidens have little use for half measures.... Primitive +ideas are beginning to assert themselves."—<i>Daily +Paper.</i>]</blockquote> +<div class="poem"> +<div class="stanza"> +<p>Betty, when you were in your teens</p> +<p class="i2">And shielded from sensation,</p> +<p>Despite a lack of ways and means</p> +<p>In various appropriate scenes</p> +<p class="i2">I sighed my adoration.</p> +<p>You did not smile upon my suit;</p> +<p class="i2">Pallid I grew and pensive;</p> +<p>My disappointment was acute,</p> +<p>Life seemed a worthless thing and mute.</p> +<p>I moped, then tuned my laggard lute</p> +<p class="i2">And launched a new offensive.</p> +</div> +<div class="stanza"> +<p>Thus you were wooed in former days</p> +<p class="i2">When maids were won by waiting;</p> +<p>The modern lover finds it pays</p> +<p>To imitate the forceful ways</p> +<p class="i2">Of prehistoric mating.</p> +<p>Man is more primitive (a snub</p> +<p class="i2">Has no effect), so if you</p> +<p>Should still refuse a certain "sub."</p> +<p>He will not pine or spurn his grub,</p> +<p>But, seizing the ancestral club,</p> +<p class="i2">Into submission biff you.</p> +</div> +</div> +<hr /> +<h3>MAKING THE BEST OF BOTH WORLDS.</h3> +<blockquote>"As honorary organist at —— Wesleyan Church +he has established a sound and compact business as wholesale grocer +and Italian warehouseman."—<i>Provincial +Paper.</i></blockquote> +<hr /> +<blockquote>"Maid (superior) wanted for lady, gentleman, small +flat, strong girl, able to assist lady with +rheumatism."—<i>Glasgow Herald.</i></blockquote> +<p>If we hear of a small flat girl we will send her along; but this +shaped figure is rather out of fashion just now.</p> +<hr /> +<span class="pagenum"><a id="page184" name="page184"></a>[pg +184]</span> +<h2>THE SUPER-PIPE.</h2> +<p>When Jackson first joined the jolly old B.E.F. he smoked a pipe. +He carried it anyhow. Loose in his pocket, mind you. A pipe-bowl at +his pocket's brim a simple pipe-bowl was to him, and it was nothing +more. Of course no decent B.E.F. mess could stand that. Jackson was +told that a pipe was <i>anathema maranatha</i>, which is Greek for +<i>no bon.</i></p> +<p>"What will I smoke then?" said Jackson, who was no Englishman. +We waited for the Intelligence Officer to reply. We knew him. The +Intelligence Officer said nothing. He drew something from his +pocket. It was a parcel wrapped in cloth-of-gold. He removed the +cloth-of-gold and there was discovered a casket, which he unlocked +with a key attached to his identity disc. Inside the casket was a +padlocked box, which he opened with a key attached by gold wire to +his advance pay-book. Inside the box was a roll of silk. To cut it +all short, he unwound puttee after puttee of careful wrapping till +he reached a chamois-leather chrysalis, which he handled with +extreme reverence, and from this he drew something with gentle +fingers, and set it on the table-cloth before the goggle-eyed +Jackson.</p> +<p>"A pipe," said Jackson.</p> +<p>There was a shriek of horror. The Intelligence Officer fainted. +Here was wanton sacrilege.</p> +<p>"Man," said the iron-nerved Bombing Officer, "it's a +Brownhill."</p> +<p>"What's a Brownhill?" asked Jackson.</p> +<p>We gasped. How could we begin to tell him of that West End +shrine from which issue these lacquered symbols of a New +Religion?</p> +<p>The Intelligence Officer was reviving. We looked to him.</p> +<p>"The prophet Brownhill," he said, "was once a +tobacconist—an ordinary tobacconist who sold pipes."</p> +<p>We shuddered.</p> +<p>"He discovered one day that man wants more than mere pipes. He +wants a—a super-pipe, something to reverence +and—er—look after, you know, as well as to smoke. So he +invented the Brownhill. It is an <i>affaire de coeur</i>—an +affair of art," translated the I.O. proudly. "It is as glossy as a +chestnut in its native setting, and you can buy furniture polish +from the prophet Brownhill which will keep it always so. It has its +year, like a famous vintage, it has a silver wind-pipe, and it +costs anything up to fifty guineas."</p> +<p>"D'you smoke it'?" asked Jackson, brutally.</p> +<p>We gave him up. In awful silence each of us produced his +wrappings and his caskets, extracted the shining briar, smeared it +with cosmetics, and polished it more reverently than a peace time +Guardsman polishes his buttons when warned for duty next day at +"Buck."</p> +<hr class="short" /> +<p>And Jackson smoked his pipe in secret. He would take no leaf +from the book of the Sassenachs.</p> +<p>And the War went on.</p> +<hr class="short" /> +<p>Jackson went on leave. To his deep disgust he had to wait a few +hours in London on his way to more civilised parts, and fate led +him idling to Brownhill's. He flattened his Celtic nose on the +window and stared fascinated at the array of super-pipes displayed +there. After a furtive glance along the street he crept into the +temple. A white-coated priest met him. </></p> +<p>"I—I'm wantin'—a—a pipe," said Jackson. He saw +the priest reel and turn pale to the lips. "I should say a—a +Brownhill," he added hastily. The other man gulped, steadied +himself with an effort, and gave a ghastly smile. If you had walked +into a temple at Thibet and planked down sixpence and asked for an +idol wrapped up in brown paper you could not have done a more +dreadful thing than Jackson had done; but the priest forgave him +and produced in silence a trayful of Brownhills. Then was Jackson +like unto ELIA'S little Chinese boy with "the crackling." He +touched a briar and was converted. He stroked them as though they +were kittens, bought ten of them, a pound of polish, fifty silver +wind-pipes and a bale of chamois-leather. The priest took a deep +breath.</p> +<p>"You are a full-blooded man, Sir," said he, "if you will excuse +me saying so, and you should smoke in your new Brownhills a mixture +which has a proportion of Latakia to Virginian of one to +nineteen—a small percentage of glycerine and cucumber being +added because you have red hair, and the whole submitted to a +pressure of eighteen hundred foot-pounds to the square millimetre, +under violet rays. This will be known as 'Your Mixture,' Number +56785-6/11, and will be supplied to no one else on earth, except +under penalty of death.</p> +<p>"I will take a ton," said Jackson with glazing eyes.</p> +<p>This was a man after the priest's own heart. He took another +deep breath and dived into the strong-room. He returned under the +escort of ten armed men, each of them chained by the wrist to an +iron box, which he unlocked with difficulty. Inside the iron box +was a thing which Jackson a few months ago would have called a +pipe. He knew better now. In awful silence the priest lifted it +from its satin bed. "This," he whispered, "was once smoked by +Brownhill himself."</p> +<p>Jackson put out a hand to take it. The priest hesitated, then +laid it gently on his customer's palm.</p> +<p>And Jackson dropped it.</p> +<p>Jackson has never been heard of since.</p> +<hr /> +<h3>THE FAIRIES HAVE NEVER A PENNY TO SPEND.</h3> +<div class="poem"> +<div class="stanza"> +<p>The fairies have never a penny to spend,</p> +<p class="i2">They haven't a thing put by,</p> +<p>But theirs is the dower of bird and of flower,</p> +<p class="i2">And theirs are the earth and the sky.</p> +<p>And though you should live in a palace of gold</p> +<p class="i2">Or sleep in a dried-up ditch,</p> +<p>You could never be poor as the fairies are,</p> +<p class="i6">And never as rich.</p> +</div> +<div class="stanza"> +<p>Since ever and ever the world began</p> +<p class="i2">They have danced like a ribbon of flame,</p> +<p>They have sung their song through the centuries long,</p> +<p class="i2">And yet it is never the same.</p> +<p>And though you be foolish or though you be wise,</p> +<p class="i2">With hair of silver or gold,</p> +<p>You could never be young as the fairies are</p> +<p class="i6">And never as old.</p> +</div> +</div> +<p>R. F.</p> +<hr /> +<h3>RARA AVIS.</h3> +<p>From a cigarette-card:—</p> +<blockquote> +<h5>"REED WARBLER.</h5> +<h6><i>"Acrocephalus streperus.</i></h6> +"This bird is found in nearly every part of the British Islands. It +builds a nest about a foot off the ground in the reed beds, and is +formed of grass, horse hair and sometimes feathers."</blockquote> +<hr /> +<p>From a list of medallists of the new Order of the British +Empire:—</p> +<blockquote>"G. P. Hamlet.—For courage in persisting with +dangerous work, with a certainty of suffering from poisoning as a +result."</blockquote> +<p>Just like his illustrious namesake.</p> +<hr /> +<blockquote>"Melbourne, Friday.<br /> +<br /> +"The House of Representatives to-day passed the second reading of +the War Times Profits Tax Assessment Bill. The tax will be 50 per +cent. for the year ending June 30, 191161, and 75 per cent. for +afterwards.—Reuter."<br /> +<br /> +<i>Aberdeen Paper.</i></blockquote> +<p>Well, well, we need not worry.</p> +<hr /> +<blockquote>"What is being fought out is a long-drawn battle for +the important shipping port of Trieste, with the whole of the +railway and road communications of the Iberian Peninsula."<br /> +<i>The People.</i></blockquote> +<p>Rather a shock for Madrid.</p> +<hr /> +<span class="pagenum"><a name="page185" id="page185"></a>[pg +185]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/185.png"><img width="100%" src="images/185.png" alt= +"" /></a> +<h3>THE REVERSE OF THE MEDAL.</h3> +<p>OPTIMISTIC GERMAN <i>(reading paper).</i> "THIS IS KOLOSSAL! OUR +IRRESISTIBLE AIRMEN HAVE AGAIN, FOR THE TWENTIETH TIME, DESTROYED +LONDON."</p> +<p>GLOOMY DITTO. "THAT BEING SO, LET'S HOPE THEY'LL STOP THOSE +CURSED BRITISH AIRMEN FROM BOMBING OUR LINES EVERY DAY AND +NIGHT."</p> +</div> +<hr /> +<span class="pagenum"><a name="page186" id="page186"></a>[pg +186]</span> +<h2>A STUDY IN SYMMETRY.</h2> +<p>The following story, however improbable it may seem to you, is +true.</p> +<p>Once upon a time there was an artist with historical leanings +not unassociated with the desire for pelf—pelf being, even to +idealists, what petrol is to a car. The blend brought him one day +to Portsmouth, where the <i>Victory</i> lies, with the honourable +purpose of painting a picture of that famous ship with NELSON on +board. What the ADMIRAL was doing I cannot say—most probably +dying—but the artist's intention was to make the work as +attractive as might be and thus draw a little profit from the wave +of naval enthusiasm which was then passing over the country; for +not only was the picture itself to be saleable, but reproductions +were to be made of it.</p> +<p>Permission having been obtained from the authorities, the artist +boarded the <i>Victory</i>, set up his easel on her deck and +settled down to his task, the monotony of which was pleasantly +alleviated by the chatter of the old salts who guard the ship and +act as guides to the tourists who visit her. All of these estimable +men not only possessing views on art, but having come by now to the +firm belief that they had fought with NELSON, their criticisms were +not too easily combated and the artist hadn't a tedious moment. +Thus, painting, conversing and learning (as one can learn only from +a trained imparter of information), three or four days passed +quickly away and the picture was done.</p> +<p>So far there has been nothing—has there?—to strain +credulity. No. But a time will come—is, in fact, upon us.</p> +<p>On the evening of the last day, as the artist was sitting at +early dinner with a friend before catching the London train, his +remarks turned (as an artist's sometimes will) upon the work upon +which he had just been engaged. He expressed satisfaction with it +in the main, but could not, he said, help feeling that its chances +of becoming a real success would be sensibly increased if he could +find as a model for the central figure some one whose resemblance +to NELSON was noticeable.</p> +<p>"There are, of course," he went on, "at the same time—that +is to say, among contemporaries—no two faces exactly alike. +That is an axiom. Strange as it may sound, among all the millions +of countenances with two eyes, a nose in the middle and a mouth +below it, some difference exists in each. That is, as I say, among +contemporaries: in the world at this moment in which I am speaking. +But," he continued, warming to his subject, for, as you will have +already gathered, he was not one of the taciturn brush-brotherhood, +"after the lapse of years I see no reason why nature should not +begin precisely to reproduce physiognomies and so save herself the +trouble of for ever diversifying them. That being so—and +surely the hypothesis is not too far-fetched"—here his friend +said, "No, not at all—oh no!"—"why," the artist +continued, "should there not be at this moment, more than a century +later, some one whose resemblance to NELSON is exact? He would not +be necessarily a naval man—probably, indeed, not, for +NELSON's face was not characteristic of the sea—but whoever +he was, even if he were an archbishop, I," said the painter firmly, +"should not hesitate to go up to him and ask him to sit to me."</p> +<p>The friend agreed that this was a very proper attitude and that +it betokened true sincerity of purpose.</p> +<p>"NELSON's face," the painter continued, "was an uncommon one. So +large and so mobile a mouth is rare. But I have no doubt that a +duplicate exists, and no matter who is the owner of it, even were +he an archbishop, I should not hesitate to go up and ask him to sit +to me."</p> +<p>(For the benefit of any feminine reader of this veracious +history I should say that the repetition which she has just noticed +is not an accident, but has been carefully set down. It is an +attempt to give verisimilitude to the conversation—because +men always say things like that twice.)</p> +<p>The friend again remarked that the painter's resolve did him +infinite credit, and the two started for the station, still +conversing on the same theme.</p> +<p>On entering their carriage the first thing to take their +attention was a quiet little man in black, who was the absolute +double of the hero of Trafalgar.</p> +<p>"Good gracious!" whispered the painter excitedly, "do you see +that? There's the very man. The likeness to NELSON is astonishing. +I never saw anything like it. I don't care who he is, I must tackle +him. It's the most extraordinary chance that ever occurred."</p> +<p>Assuming his most silky and deferential manner—for, though +clearly not an archbishop, unless in mufti, this might yet be a +person of importance—the painter approached the stranger and +tendered a card.</p> +<p>"I trust, Sir, that you will excuse me," he began, "for the +liberty I am taking, but I am an artist and I happen to be engaged +on a picture of NELSON on the <i>Victory</i>. I have all the +accessories and so forth, but what I very seriously need is a brief +sitting from some gentleman with a likeness to the great little +Admiral. Such, Sir, as yourself. It may be news to you—it +probably is—but you, Sir, if I may say so, are so like the +famous and immortal warrior as almost to take one's breath away. It +is astonishing, wonderful! Might I—would it be—could +you—would you, Sir, be so very kind as to allow me to paint +you? I would, of course, make every effort not to inconvenience +you—I would arrange so that your time should be mine."</p> +<p>"Of course I will, guvnor," said the man. "I'm a professional +model and I've been sitting for NELSON for years. Why, I've been +doing it for an artist this very afternoon."</p> +<hr /> +<div class="figcenter" style="width:50%;"><a href= +"images/186.png"><img width="100%" src="images/186.png" alt= +"" /></a> +<h3>Our Restricted Coast Amusements.</h3> +<p><i>Vendor</i>. "ALL THE OFFICIAL 'OLIDAY FUN. FLY THE PATRIOTIC +KITES AND ANNOY THE GOTHAS!</p> +</div> +<hr /> +<span class="pagenum"><a name="page187" id="page187"></a>[pg +187]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/187.png"><img width="100%" src="images/187.png" alt= +"" /></a> <i>Physical Drill Instructor (to Weak-kneed Recruit)</i>. +"NAH THEN! IF YOU'RE A-GOING TER JUMP—<i>JUMP!"</i></div> +<hr /> +<h3>A LOST LAND.</h3> +<h5>(TO GERMANY.)</h5> +<div class="poem"> +<div class="stanza"> +<p>A childhood land of mountain ways,</p> +<p>Where earthy gnomes and forest fays,</p> +<p>Kind foolish giants, gentle bears,</p> +<p>Sport with the peasant as he fares</p> +<p>Affrighted through the forest glades,</p> +<p>And lead sweet wistful little maids</p> +<p>Lost in the woods, forlorn, alone,</p> +<p>To princely lovers and a throne.</p> +<hr class="left" /> +<p>Dear haunted land of gorge and glen,</p> +<p>Ah me! the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>A learned land of wise old books</p> +<p>And men with meditative looks,</p> +<p>Who move in quaint red-gabled towns</p> +<p>And sit in gravely-folded gowns,</p> +<p>Divining in deep-laden speech</p> +<p>The world's supreme arcana—each</p> +<p>A homely god to listening Youth</p> +<p>Eager to tear the veil of Truth;</p> +<hr class="left" /> +<p>Mild votaries of book and pen—</p> +<p>Alas, the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>A music land, whose life is wrought</p> +<p>In movements of melodious thought;</p> +<p>In symphony, great wave on wave—</p> +<p>Or fugue, elusive, swift, and grave;</p> +<p>A singing land, whose lyric rhymes</p> +<p>Float on the air like village chimes:</p> +<p>Music and Verse—the deepest part</p> +<p>Of a whole nation's thinking heart!</p> +<hr class="left" /> +<p>Oh land of Now, oh land of Then!</p> +<p>Dear God! the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>Slave nation in a land of hate,</p> +<p>Where are the things that made you great?</p> +<p>Child-hearted once—oh, deep defiled,</p> +<p>Dare you look now upon a child?</p> +<p>Your lore—a hideous mask wherein</p> +<p>Self-worship hides its monstrous sin:—</p> +<p>Music and verse, divinely wed—</p> +<p>How can these live where love is dead?</p> +<hr class="left" /> +<p>Oh depths beneath sweet human ken,</p> +<p>God help the dreams, the dreams of men!</p> +</div> +</div> +<hr /> +<blockquote>"The Blessington Papers are included with all their +atmosphere of distinguished High Bohemia. Among them are some +interesting Disraeli letters—he was ever her staunch friend +from the early 'thirties to the late 'forties, when his son had +risen and her's—how brilliant!—had +set."—<i>Saturday Review</i>.</blockquote> +<p>And up to the present we had been under the impression that both +these distinguished persons were childless.</p> +<hr /> +HINT FOR HORTICULTURISTS. +<blockquote>"Mr. ——, undertaker, of Temuka, improved +his plant by the purchase of a new hearse."—<i>Timaru Herald +(New Zealand)</i>.</blockquote> +<hr /> +<blockquote>"Mr. —— hopes shortly to be seen again in +revue in the Wet End."—<i>Pall Mall Gazette</i>.</blockquote> +<p>Or, as the CENSOR would put it, "somewhere in England."</p> +<hr /> +<blockquote><i>Daily Mail</i> (Ordinary Edition), 3 September, +1917: "Lord Halsbury is 92 to-day."<br /> +<br /> +<i>Times</i> (Late War Edition), 3 September, 1917: "The Earl of +Halsbury is 94 to-day."</blockquote> +<p>Yet, from personal observation, one would never believe that the +EX-LORD CHANCELLOR was ageing so rapidly.</p> +<hr /> +<p>From "German Official":—</p> +<blockquote>"With the use of numerous tanks and aeroplanes, flying +at a low altitude, the English infantry soon after advanced to the +attack on this front."—<i>Evening Paper</i>.</blockquote> +<p>Now that the enemy has given away the secret of our new weapon +the CENSOR might let us know more of our flying Tanks.</p> +<hr /> +<blockquote>"Prisoner then seized her round the throat with both +hands and hit her on the head with a steel +case-opener."—<i>Daily Paper</i>.</blockquote> +<p>Which, presumably, he carried in his teeth.</p> +<hr /> +<span class="pagenum"><a name="page188" id="page188"></a>[pg +188]</span> +<h3>THE SUNFLOWER.</h3> +<p>"Have you," said Francesca, "seen our sunflowers lately?"</p> +<p>"Yes," I said, "I've kept an eye on them occasionally. It's a +bit difficult, by the way, not to see them, isn't it?"</p> +<p>"Well," she said, "perhaps they are rather striking."</p> +<p>"Striking!" I said. "I never heard a more inadequate word. I +call them simply overwhelming—the steam-rollers of the +vegetable world. Look at their great yellow open faces."</p> +<p>"I never," said Francesca, "saw a steam-roller with a face. +You're mixing your metaphors."</p> +<p>"And," I said, "I shall go on mixing them as long as you grow +sunflowers. It's the very least a man can do by way of +protest."</p> +<p>"I don't know why you should want to protest. The seed makes +very good chicken-food."</p> +<p>"Yes, I know," I said, "that's what you always said."</p> +<p>"And I bet," she said, "you've repeated it. When you've met the +tame Generals and Colonels at your club, and they've boasted to you +about their potatoes, I know you've countered them with the story +of how you've turned the whole of your lawn into a bed of +sunflowers calculated to drive the most obstinate hen into laying +two eggs a day, rain or shine."</p> +<p>"I admit," I said, "that I may have mentioned the matter +casually, but I never thought the things were going to be like +this. When I first knew them and talked about them they were tender +little shoots of green just modestly showing above the ground, and +now they're a forest primeval. The murmuring pines and the hemlock +aren't in it with this impenetrable jungle liberally blotched with +yellow, this so-called sunflower patch."</p> +<p>"What would you call it," she said, "if you didn't call it +sunflower?"</p> +<p>"I should call it a beast of prey," I said. "A sunflower seems +to me to be more like a tiger than anything else."</p> +<p>"It was a steam-roller about a minute ago."</p> +<p>"Yes," I said, "it was—a tigerish steam-roller."</p> +<p>"How interesting," she said. "I have not met one quite like +that."</p> +<p>"That," I said, "is because your eye isn't properly poetical. +It's blocked with chicken-food and other utilitarian objects."</p> +<p>"I must," she said, "consult an oculist. Perhaps he will give me +glasses which will unblock my eye and make me see tigers in the +garden."</p> +<p>"No," I said, "you will have to do it for yourself. For such an +eye as yours even the best oculists are unavailing."</p> +<p>"I might," she said, "improve if I read poetry at home. Has any +poet written about sunflowers?"</p> +<p>"Yes," I said, "BLAKE did. He was quite mad, and he wrote a poem +to a sunflower: 'Ah! Sunflower! Weary of time.' That's how it +begins."</p> +<p>"Weary of time!" she said scornfully. "That's no good to me. I'm +weary of having no time at all to myself."</p> +<p>"That shows," I said, "that you're not a sunflower."</p> +<p>"Thank heaven for that," she said. "It's enough to have four +children to look after—five including yourself."</p> +<p>"My dear Francesca," I said, "how charming you are to count me +as a child! I shall really begin to feel as if there were golden +threads among the silver."</p> +<p>"Tut-tut," she said, "you're not so grey as all that."</p> +<p>"Yes, I am," I said, "quite as grey as all that and much greyer; +only we don't talk about it."</p> +<p>"But we <i>do</i> talk about sunflowers," she said, "don't +we?"</p> +<p>"If you'll promise to have the beastly glaring things dug +up—"</p> +<p>"Not," she said, "before we've extracted from them their last +pip of chicken-food."</p> +<p>"Well, anyhow," I said, "as soon as possible. If you'll promise +to do that I'll promise never to mention them again."</p> +<p>"But you'll lose your reputation with the Generals and +Colonels."</p> +<p>"I don't mind that," I said, "if I can only rid the garden of +their detested presence."</p> +<p>"My golden-threaded boy," said Francesca, "it shall be as you +desire."</p> +<p>R. C. L.</p> +<hr /> +<h3>CONSTABLE JINKS.</h3> +<div class="poem"> +<div class="stanza"> +<p>Our village policeman is tall and well-grown,</p> +<p>He stands six feet two and he weighs sixteen stone;</p> +<p>His gait is majestic, his visage serene,</p> +<p>And his boots are the biggest that ever I've seen.</p> +</div> +<div class="stanza"> +<p>Fame sealed his renown with a definite stamp</p> +<p>When two German waiters escaped from a camp.</p> +<p>Unaided he captured those runaway Huns</p> +<p>Who had lived for a week on three half-penny buns.</p> +<p>When a derelict porpoise was cast on the shore</p> +<p>Our village policeman was much to the fore;</p> +<p>He measured the beast from its tip to its tail,</p> +<p>And blandly pronounced it "an undersized whale."</p> +</div> +<div class="stanza"> +<p>When a small boy was flying his kite on the links</p> +<p>It was promptly impounded by Constable Jinks,</p> +<p>Who astutely remarked that it might have been seen</p> +<p>By the vigilant crew of a Hun submarine.</p> +</div> +<div class="stanza"> +<p>It is sometimes alleged that great valour he showed</p> +<p>When he chased a mad cow for three miles on the road;</p> +<p>But there's also another account of the hunt</p> +<p>With a four-legged pursuer, a biped in front.</p> +</div> +<div class="stanza"> +<p>If your house has been robbed and his counsel you seek</p> +<p>He's sure to look in—in the course of the week,</p> +<p>When his massive appearance will comfort your cook,</p> +<p>Though he fails in the bringing of culprits to book.</p> +</div> +<div class="stanza"> +<p>His <i>obiter dicta</i> on life and the law</p> +<p>Set our ribald young folk in a frequent guffaw;</p> +<p>But the elders repose an implicit belief</p> +<p>In so splendid a product of beer and of beef.</p> +</div> +<div class="stanza"> +<p>He's the strongest and solidest man in the place,</p> +<p>Nothing—short of mad cattle—can quicken his +pace;</p> +<p>His moustache would do credit to any dragoon,</p> +<p>And his voice is as deep as a double bassoon.</p> +</div> +<div class="stanza"> +<p>His complexion is perfect, his uniform neat,</p> +<p>He rivets all eyes as he stalks down the street;</p> +<p>And I doubt if his critics will ever complain</p> +<p>Of his being a little deficient in brain.</p> +</div> +<div class="stanza"> +<p>For he's more than a man; he's a part of the map;</p> +<p>His going would cause a deplorable gap;</p> +<p>And the village would suffer as heavy a slump</p> +<p>As it would from the loss of the old parish pump.</p> +</div> +</div> +<hr /> +<h3>A HAPPY JUXTAPOSITION.</h3> +<blockquote>"CHEAPER MATCHES. | FRESH LIGHT ON THE KAISER'S +PLOTS."<br /> +<i>Daily Mirror.</i></blockquote> +<p>From the report of a Royal investiture:—</p> +<blockquote>"The first officer to mount the dais was Major +——, who wore the broad-brimmed slouch hat of the +Austrian Infantry."<br /> +<i>North China Daily News.</i></blockquote> +<p>A souvenir, of course.</p> +<hr /> +<span class="pagenum"><a name="page189" id="page189"></a>[pg +189]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/189.png"><img width="100%" src="images/189.png" alt= +"" /></a> +<h3>SUPPLY AND DEMAND.</h3> +</div> +<hr /> +<span class="pagenum"><a name="page190" id="page190"></a>[pg +190]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/190.png"><img width="100%" src="images/190.png" alt= +"" /></a> +<i>Mother (to maid, who has offered Marjorie some jam).</i> "OH +NO, THANK YOU, NOT WITH THE <i>FIRST</i> PIECE."<br /> +<i>Marjorie.</i> "BUT, MUMMY, I HAVE GIVEN UP HAVING A FIRST +PIECE NOW—WAR ECONOMY." +</div> +<hr /> +<h3>THE TRENCH CODE.</h3> +<div class="poem"> +<div class="stanza"> +<p>Ah! with what awe, what infantile impatience,</p> +<p class="i2">We eyed the artifice when issued out,</p> +<p>And racked our brains about the Regulations,</p> +<p class="i2">And tried to think we had them free from doubt!</p> +<p>As Rome's old Fathers, reverently leaning</p> +<p class="i2">In secret cellars o'er the Sibyl's strain,</p> +<p class="i6">Beyond the fact that several pars</p> +<p class="i6">Had something vague to do with Mars,</p> +<p>Failed, as a rule, to find the smallest meaning,</p> +<p class="i2">But told the plebs the oracle was plain.</p> +</div> +<div class="stanza"> +<p>So did we study it, ourselves deceiving,</p> +<p class="i2">In hope to say, "We have no rations here,"</p> +<p>Or, "Please, Brigade, this regiment wants relieving,"</p> +<p class="i2">And "Thank you for the bombs—but why no +beer?"</p> +<p>And wondered always, with a hint of presage,</p> +<p class="i2">Since never word emerged as it was planned,</p> +<p class="i6">If it was Hermes, Lord of Craft,</p> +<p class="i6">Compiled the code, or someone daft,</p> +<p>So that no mortal could compose a message</p> +<p class="i2">Which anybody else could understand.</p> +</div> +<div class="stanza"> +<p>Too soon the Staff, to spoil our tiny slumbers,</p> +<p class="i2">Or, as they said, to certify our skill,</p> +<p>Sent us a screed, all signs and magic numbers,</p> +<p class="i2">And what it signified is mystery still.</p> +<p>We flung them back a message yet more mazy</p> +<p class="i2">To say we weren't unravelling their own,</p> +<p class="i6">And marked it <i>urgent</i>, and designed</p> +<p class="i6">That it should reach them while they dined.</p> +<p>All night they toiled, till half the crowd were crazy</p> +<p class="i2">And bade us breathe its burthen o'er the 'phone.</p> +</div> +<hr class="left" /> +<div class="stanza"> +<p>But now they want it back—<i>and it is missing!</i></p> +<p class="i2">And shall one patriot heart withhold a throb?</p> +<p>For four high officers have been here, hissing,</p> +<p class="i2">And plainly panicky about their job.</p> +<p>I know they think some dark, deluded bandit</p> +<p class="i2">Has gone and given it to KAISER BILL.</p> +<p class="i6">But though I'm grieved the General's cross,</p> +<p class="i6">I have no qualms about the loss—</p> +<p>If clever men like us can't understand it,</p> +<p class="i2">I don't suppose the Wilhelmstrasse will!</p> +</div> +</div> +<p>A. P. H.</p> +<hr /> +<h3>SPREAD OF THE TEMPERANCE MOVEMENT.</h3> +<blockquote>"I, J.A.H. De la Bere, of Woolsevy Rectory, Morchard +Bishop, Devon, desire to Alter my Surname to De la +Fontaine."—<i>Times.</i></blockquote> +<hr /> +<blockquote> +<center>"WANTED</center> +end August in Swiss family (2 persons) living in villa near +Lausanne +<center>NURSERY'S MAID</center> +able to saw, iron attend at table and take entire care of healthy +baby 19 months old Good English accent serious references." <i>La +Tribune de Lausanne.</i></blockquote> +<p>We are glad to hear that the baby has a good English accent; he +will be able to employ it with effect when the Nursery's Maid +begins to saw and iron him.</p> +<hr /> +<blockquote>"In the cases in which the surgeon his obliged to vast +empty a bone so that offers then itself difficulties therapeuticals +not little because of pus and consequenty becauses of impossibility +of transplantations, plastics, plombages ecc., the A. propose to go +on the bone with specials inesions, not on the surface when the +bone is most superficial, but from the surface in which are +aboundings and easily cessible wet tissue, removing the margin of +the bone's cavity and mathing in mode as, by cause of repaidis +process, this tissue by hemselves adhere to a ground of cavity and +full it."—<i>La Clinica Chirurgica.</i></blockquote> +<p>That makes it perfectly clear.</p> +<hr /> +<span class="pagenum"><a name="page191" id="page191"></a>[pg +191]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/191.png"><img width="100%" src="images/191.png" alt= +"" /></a> +<h3>"AVANTI, SAVOIA!"</h3> +</div> +<hr /> +<span class="pagenum"><a name="page192" id="page192"></a>[pg +192]</span> +<h2>A DAUGHTER OF THE BACK STEPPES.</h2> +<blockquote class="note"><i>(Russia may not yet be quite +sufficiently herself to be the martial ally that we could desire, +but she still continues to send us the most delightful fiction. Mr. +PUNCH is privileged in being able to offer his readers the opening +of a new and fascinating story translated from the Russian of +Ghastlilkoff.)</i></blockquote> +<p>I was born in the year 18—, and I have never ceased to +regret it. I lived with my grandmother. She was called Natasha. I +do not know why. She had a large mole on her left cheek. Often she +would embrace me with tears and lament over me, crying, "My little +sad one, my little lonely one!" Yet I was not sad; I had too many +griefs. Nor was I lonely, for I had no playmates.</p> +<p>Often my grandmother told me I was ugly. I had no mirror, so I +believed her. When I was sixteen a man I met in the street went mad +for love of me and cut his throat. For the first time in my life I +wondered if my grandmother always spoke the truth. I went home and +wept, but when she asked me why I could not tell her.</p> +<p>Our house was quite dark. It had three rooms leading in and out +of one another, and no windows. There was not much fresh air. Every +morning my grandmother went out to buy otchkza and pickled onions. +The man who sold them was very old. He had a cast in each eye. He +inquired of my grandmother if she would allow him to be my husband, +but she refused. His name I do not remember.</p> +<p>Our neighbours were very pleasant people, kindly and simple. +There was a half-witted youth called Krop. He used to fill his +mouth with large brass-headed nails. I did not dare to go near him, +for he always tried to bite my arms. One day I learned that he had +died. My grandmother bought me black silk mittens to wear at his +funeral. I was very proud, and ran out into the road to show them +to the other children. But in my haste I split them across from +seam to seam, and my grandmother whipped me and put me to bed.</p> +<p>My grandmother's chief friend was a woman who sold toasted +cheese. It was her custom to bring round the delicacy on a small +hand-cart and sell to the children for a few kopecks. This woman +was reputed to be very rich. She was not beautiful, for she had no +teeth, and had hair on her face. The first time I saw her I ran +into the house and hid behind the large barrel of butter-milk. My +grandmother took me by the ear and led me to her friend.</p> +<p>"This is Ilonoka," she said. "She is a good girl."</p> +<p>I remember that I cried very loud.</p> +<p>Afterwards my grandmother told me that perhaps the woman would +leave me all her money. Next time she came I wished to speak to +her, but unfortunately I had a quinsy. When the woman eventually +died it was discovered that she had been destitute for a long time. +She left her hand-cart by will to my grandmother, and in her +disappointment my grandmother beat me over the head with it. Soon +afterwards my hair began to come out, and my grandmother said it +was time I found a husband.</p> +<p>Accordingly she went next door, where lived a woman with five +sons. They were all out except one, and he had a sore leg. She +brought him to me, and I cried very bitterly. He also. His name was +Ivan, and I wished it had been Peter.</p> +<p>The next day we were betrothed, and all our friends came to eat +the feast that my grandmother provided. A school-fellow of mine, a +very beautiful girl, was angry because I had a husband and not she. +She scratched my face, and the blood ran on to my dress. Our +friends congratulated us, and when they had gone my grandmother +said it had been a great success. She and I finished what was left +of the feast and went to bed. I remember that my feet were very +cold, and when I fell asleep I dreamed that my betrothed's name was +Peter. When I awoke I cried very loud, and my grandmother slapped +my cheeks.</p> +<p>Shortly afterwards she died, and I went to live with my uncle, +who was a pawnbroker in Moscow.</p> +<hr /> +<h2>THE LONG-FACED CHUMS.</h2> +<div class="poem"> +<div class="stanza">When Alexander won the world he knew not bombs +nor guns,<br /> +<br /> +<p>His simple forms of frightfulness were quite unlike the +Huns';</p> +<p>'Twas not by barking mortars that the pushful CAESAR scored;</p> +<p>He trusted close formations and the silent stabbing sword.</p> +</div> +<div class="stanza"> +<p>When ROLAND'S rearguard turned at bay, and from the furious +press</p> +<p>The scuppered Paladin sent forth his famous S.O.S.,</p> +<p>Scared Roncesvalles rang loud with war, as misty legends +tell,</p> +<p>But echo's ear was spared the shriek and crash of bursting +shell.</p> +</div> +<div class="stanza"> +<p>So could you meet the shades of those whose prowess made +Romance,</p> +<p>You'd find them only puzzled by your tales of stunts in +France;</p> +<p>You'd have to cut the business out, and be content to chat</p> +<p>Of rations, grub, and officers—such odds and ends as +that,</p> +</div> +<div class="stanza"> +<p>Unless you chanced to entertain some true rough-rider's +ghost,</p> +<p>Who galloped after HANNIBAL, or with the Parthian host,</p> +<p>Some curled Assyrian prince who pranced, bareback, along a +frieze—</p> +<p>Or one of RUPERT'S <i>beaux sabreurs</i>—a +horseman—whom you please.</p> +</div> +<div class="stanza"> +<p>With chosen spirits such as those your talk need never end</p> +<p>If you are worthy of your spurs and count a horse your +friend.</p> +<p>Just ask them "Did you clip trace-high?" or "Did you chaff your +hay?"</p> +<p>Or boast about the gee you ride, and they'll have lots to +say.</p> +</div> +<div class="stanza"> +<p>Cut out the talk of battle's din, of whizz-bangs and of +crumps,</p> +<p>Of bombs and gas and hand-grenades, of mines and blazing +dumps;</p> +<p>If you would wake their sympathy and warm their hearts +indeed</p> +<p>Describe a Squadron watering, and then the fuss at "Feed!"</p> +</div> +<div class="stanza"> +<p>That lively bustle has a charm to wake a mummy's ear</p> +<p>Who, ere the Pyramids were planned, was mustered charioteer;</p> +<p>And many a horseman's spirit thrills by Lethe's drowsy brink</p> +<p>When in a strange, familiar dream his Troop comes down to +drink!</p> +</div> +</div> +<hr /> +<p>From "The Story of the Haldane Missions":—</p> +<blockquote>"The Kaiser laughingly remarked that he had better have +the high chair (in which the Kaiser usually sat at his council +meetings). He also gave Lord Haldane an Imperial cigar.... While +discussing the naval question, the Kaiser took a copy of the new +Naval Bill out of his pocket and handed it to Lord Haldane, who +transferred it to his pocket without looking at it."—<i>Daily +Chronicle.</i></blockquote> +<p>He probably thought it was another of the Imperial cigars.</p> +<hr /> +<span class="pagenum"><a name="page193" id="page193"></a>[pg +193]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/193.png"><img width="100%" src="images/193.png" alt= +"" /></a> +<p>Grocer-fiend (who has treated three preceding customers to (a) +"We ain't got no sugar;" (b) "We have none, Madam;" and (c) "No +sugar in the shop'—to boy). "BE OFF. WE'VE GOT NO SUGAR!"</p> +<p><i>Boy.</i> "I DIDN'T ASK FOR NO SUGAR. I WANT A PENNORTH O' +SODA—AN' THAT'S TAKEN THE' BLOOMING SWANK OUT OF YOU, AIN'T +IT?"</p> +</div> +<hr /> +<h3>A STRAIGHT TALK WITH L. G.</h3> +<blockquote class="note"><i>(Everyone has views as to how to win +the War, but not all are vocal, or—shall we +say?—vociferous. If Mr. LLOYD GEORGE reads all the papers (as +their Editors of course expect him to do) he cannot have missed +quite a number of powerful articles in the following manner. And +even if he should miss one or two it would not matter, because +there is always another in preparation.)</i></blockquote> +<p>I've always said that the PREMIER shouldn't be bothered with +Parliament. Of course I've said too that our old friend Demos, the +new god, should have a say in affairs; but that's an inconsistency +that doesn't count in the least, does it?</p> +<p>Now then, Mr. PREMIER, you've got the chance of your lifetime. I +always said you were a lucky devil—in fact, I never met the +Welshman that wasn't.</p> +<p>You see, Parliament's in recess, and all its trivial overpaid +Members are playing golf and things. You've got absolutely a free +hand if only you'll take it. It's quite easy and bound to succeed. +You've only got to do as I tell you.</p> +<p>For instance, you want to buck up HAIG and the people at the +Front. It's no use them telling you they know best, being on the +spot. That's only bluff, old man. Don't take any notice of them, +but just order a big general offensive; and before you can say Jack +Robinson we'll have the Huns behind the Rhine.</p> +<p>And do tell the Navy to get a move on. I'm glad to see my +articles have made you change the heads at the Admiralty; and of +course that's all very well so far as it goes. But it doesn't go +far enough. <i>Have a chat with BEATTY about it.</i> Get him to +root the Huns out. He can bombard Ostend and Zeebrugge and all +those funny little places in two-twos. Tell KING ALBERT not to +mind. We'll easily slap up new towns for him after the War, built +on the speedy American principle.</p> +<p>Then about that aerial offensive. There's really been quite +enough talk about it. We want some action, Mr. PREMIER. Isn't it +time it came off? Think what a bombardment of Cologne (taking care +of the cathedral, <i>of course</i>), Frankfurt, Berlin, Essen and +Hamburg would do, not to mention other places that I could if I had +an atlas.</p> +<p>And about those pacifists. Just clap the whole lot in gaol. +That's the best place for them. I won't object in the least, even +though I am the apostle of freedom.</p> +<p>Then there are lots and lots of other things you might do. You +might deliver a reasoned manifesto to the Russian people and buck +them up a bit. That won't do anybody any harm, and <i>it'll be +getting on with the War</i>, my little Welshman.</p> +<p>Well, there are a few points for you to go on with. You've got +the brains to think of more, otherwise I wouldn't have helped to +put you where you are to-day. But remember that if you <i>don't</i> +do these things Demos is waiting round the corner for you.</p> +<p>Demos is a good dog—a patient animal. But there's an end +even to his patience. Growl, Demos, and show you're not afraid of +Welshmen!</p> +<p>("Grrr——!" Good dog! Good dog!)</p> +<p>Now then, old boy, I've shown you the way. <i>It's up to +you!</i></p> +<hr class="short" /> +<blockquote>Another powerful article on these lines will appear +next week.<br /> +[But not in <i>Punch</i>.-ED.]</blockquote> +<hr /> +<span class="pagenum"><a name="page194" id="page194"></a>[pg +194]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/194.png"><img width="100%" src="images/194.png" alt= +"" /></a> +<table width="100%" summary=""> +<tr> +<th width="50%"><i>Caller at the Office of The Inventions +Board.</i> "'DURING WAR PREPARE FOR PEACE'—THAT MUST BE OUR +MOTTO! AND MY SPECIAL PATENT SHELL-CASE IS THE VERY THING. A +SHELL-CASE TO-DAY——</th> +<th width="50%">——AND A BLANC-MANGE MOULD +TO-MORROW."</th> +</tr> +</table> +</div> +<hr /> +<h2>THE ONLY OTHER TOPIC.</h2> +<p>"I shot a marrow into the—I mean I cut a marrow two feet +seven inches long yesterday," said the man in the corner seat.</p> +<p>"What did it weigh?" we asked anxiously. After two months of +them potatoes had somewhat palled. We were growing rather tired of +marrows, but we waited eagerly for his answer,</p> +<p>"Twenty-six pounds nine and three-quarter ounces."</p> +<p>Disappointment again. Our hopes were dashed to the ground. Some +obscure individual, according to the local press, had produced from +his humble cottage garden a marrow weighing thirty-four pounds, and +the thing rankled.</p> +<p>"Mine was a scraggy specimen, more like an Indian club than a +marrow."</p> +<p>"Crossed in love, perhaps," said Dalton.</p> +<p>"What your marrow wanted was nourishment," said the Authority. +"A piece of worsted round its neck, with one end dipped in a jar of +water."</p> +<p>"Excuse me," said Jones, "the very latest is to insert a tube in +the stalk, and the flavour is greatly improved if you add a little +sugar to the water. Almost like a melon."</p> +<p>"Do you take a card out for each marrow, or one for each plant?" +asked Dalton.</p> +<p>The quiet man opposite put his paper down. He was a new-comer in +the district. We liked him, although he had no sense of humour and +did not appreciate Dalton's jokes. He appeared to be interested +only in the startling and the odd.</p> +<p>"That reminds me," he said, "of a most extraordinary experience +I had a few days ago. Of course you all know Enderby?"</p> +<p>None of us knew Enderby, but we I did not like to say so. The +quiet man's anxiety was painful. We felt he could not go on with +his story unless someone knew Enderby.</p> +<p>"He has a little place round at the back of the +Common—quite a nice little place." Freath—that was the +quiet man's name—looked at us reproachfully.</p> +<p>"I think I know Enderby," said Dalton. "Isn't he a heavily-built +man about fifty, with a grey moustache?"</p> +<p>"Yes, yes," said Freath eagerly. "And a curious wart on his left +cheek. Well, I dined with him the other night. His boy was there, +home for the holidays. Very clever boy; his special study is the +biology of plants. They gave me a very good dinner; I didn't notice +very much what I was eating, but I did when the maid helped me to +marrow. It was a deep crimson colour. I tasted it somewhat +nervously, for I felt they were all watching me. It had the taste +of the most exquisite fruit, and the flavour—I am afraid you +won't believe me—was that of the finest port that I ever +drank. 'How did you manage this, Arthur?' said Enderby. +'Grape-juice,' said Arthur. 'Those foreign black grapes are very +cheap just now, so I mixed some with the water that I was feeding +the marrows on.' I can't explain it to you; all I know is that I +had a second helping. I am afraid you don't believe it," said +Freath uneasily.</p> +<p>We assured him that we did, but we did not say it with +conviction.</p> +<p>"Enderby called round to see me a few days afterwards," +continued Freath, "and I walked back with him. As we went along he +told me that a relative was staying with them—an uncle. The +first night, again they had marrow for dinner. This time its +flavour was not port but whisky—Scotch whisky. The old +gentleman was delighted with Arthur and his experiments. Although +an abstainer he had three helpings. This was very pleasing to +Enderby, as the uncle was a man of considerable wealth. But he was +not at all satisfied with his son's explanations, and he thought he +recognised the whisky. Although an abstainer while the War is on, +Enderby keeps a very good cellar, and when he came to look into +things he found that Arthur had been pumping his finest '60 port +and old matured Scotch whisky into the vegetable marrows. Now what +do you think of that?"</p> +<p>We thought it very strange and we said so.</p> +<p>"But the strangest part has yet to come. Of course they had to +keep it quiet—bottle it up, so to speak, from the old +gentleman, and let the marrows down gradually. But when the marrows +were once more on a temperance <i>régime</i> the most +extraordinary thing happened." The train was running into Finsbury +Park. Freath rose and collected his things.</p> +<span class="pagenum"><a name="page195" id="page195"></a>[pg +195]</span> +<p>We stared at him, fascinated.</p> +<p>"Enderby took me into the garden to see it. He said it had been +going on for the last week. From all directions, rioting across the +flower-beds, the lawn, down the paths, the marrows were growing +towards the wine-cellar at the rate of twelve feet a day."</p> +<p>Freath hastily left the carriage and jumped into the Broad +Street train.</p> +<p>While we were discussing the story the voice of authority spoke: +"The whole thing's a tissue of falsehood. There's no such man as +Enderby."</p> +<p>"But Dalton knows him," we said.</p> +<p>"I don't know Enderby," said Dalton. "But I wanted to hear the +story."</p> +<hr /> +<h2>AT THE PLAY.</h2> +<h5>"THE PACIFISTS."</h5> +<p>As a reasonable jusquaboutist I have some misgivings about Mr. +HENRY ARTHUR JONES'S farce—parable, <i>The Pacifists</i>. +Assume <i>Market Pewbury's</i> afflictions to have been as stated: +an intolerable stalwart cad of a butcher fencing-in the best part +of the common, assaulting people's grandmothers, shutting them up +in coal-cellars and eating their crumpets, kissing their wives in +the market square and proposing to abduct them to seaside resorts, +and none so bold to do him violence and make him stop it; the +police being ill or absent, the Mayor and his friend, chief victim +of the butcher's aggression, unwilling on account of principles to +do anything but talk and get up leagues to deal with the trouble in +general, and in a final ecstasy of disapproval to write a strong +letter; only uncle <i>Belcher</i>, a truculent old sea-dog with a +natural lust for whisky and blood, organising an opposition, +valiantly hiring a notable pugilist to deal with the butcher, and +becoming desperately anxious lest the matter should be peaceably +settled because the basher, having been engaged, <i>must</i> find +something to bash or there will be trouble. Well, if we must have +forged for us the sword of a three-Act parable, we should like it +with one edge, not two.</p> +<p>Mr. JONES was evidently bursting with the desire to give some +irritating people a very hard knock—witness the barbed +dedication with which the normally peaceful theatre-announcement +columns have bristled some little time past; and I think I dare say +that we were interested in his first Act. He did really work out +his analogies with some skill. But we soon came to feel that he was +essentially doing something between flogging a dead horse, so far +as we were concerned, and shooting a sitting rabbit. I suspect too +that we realised the issues were too tragic for this kind of +buffoonery. The tribute of our applause was a tribute of loyalty to +one who has often deserved well of the republic, and partly the +desire to show that our hearts were in the right place. I don't see +<i>The Pacifists</i> as a pamphlet making many converts. As a kick +on the shins it has points.</p> +<p>I confess the thing that pleased me most was a gay little piece +of burlesque by Mr. ARTHUR CHESNEY as the red-haired shop assistant +who was <i>not</i> a pacifist. Mr. CHARLES GLENNEY so thoroughly +enjoyed the robustious sea-captain that we had to enjoy it +too—a sound notion of entertainment, that. Mr. SEBASTIAN +SMITH played chief rabbit with considerable skill and point; Mr. +LENNOX PAWLE amused with his plump dundrearyed mayor; Mr. SAM +LIVESEY'S offensive was, I am sure, as Hunnish as its author could +possibly have desired. Miss ELLIS JEFFREYS appeared in the first +Act as a very plausible imitation of a prominent tradesman's wife +in an eighth-rate provincial town, with some quite excellent +moments. But she was evidently labouring under severe strain, and I +amused myself by speculating how long she would keep out of a +really well-cut skirt and a sophisticated air of Mayfair. Just an +Act. And surely she is mistaken in thinking that an effect of +extreme agitation is best conveyed, by very rapid +quasi-cinematographic progression up and down the stage? But I saw +no reason to complain of the bold bad butcher's taste in the matter +of a subject for abduction.</p> +<p>T.</p> +<hr /> +<div class="figcenter" style="width:60%;"><a href= +"images/195.png"><img width="100%" src="images/195.png" alt= +"" /></a> +<p><i>Sergeant (to Private Simpkins arriving two days late).</i> +WELL, SIMPKINS, SO YOU'VE TURNED UP, HAVE YOU?"</p> +<p><i>Simpkins.</i> "YES, SERGEANT. BUT YOU ARE LUCKY TO GET ME. +WHAT WITH DOMESTIC TROUBLE AND ALL THAT DELUGE OF RAIN I NEARLY +MADE A SEPARATE PEACE."</p> +</div> +<hr /> +<span class="pagenum"><a name="page196" id="page196"></a>[pg +196]</span> +<h2>BUCEPHALUS AND THE ROAD-HOGS.</h2> +<p>When Miss Ropes asked at breakfast how many of us would like to +watch the very last cricket-match of the season at Lumsdale, +practically the entire hospital held up its hand, and it was found +that the two cars could not accommodate us all. It was therefore +settled that Haynes (who said he knew the moves) should drive +Ansell and me over in the governess-cart.</p> +<p>It was also settled that the crew of the governess-cart should +have an early cold lunch and start an hour before the cars; thus +(it was calculated) we should all arrive at the cricket-ground +fairly well together. This did not take Haynes' driving into +account. We started from the door at a very satisfactory pace, +probably because Bucephalus, the fat pony, objected to the +enthusiasm of our send-off. When we reached the road he dropped +into an amble so gentle that we decided that he had really been +running away in the drive. Next, taking advantage of an almost +imperceptible upward slope, he began to walk. Haynes clucked at him +and flapped the reins, but this had no effect beyond steering +Bucephalus into the left-hand ditch.</p> +<p>"I thought you said you knew the moves," remarked Ansell. +"Surely this is wrong?"</p> +<p>"The bally beast's lopsided," said Haynes with heat. "One side +of his mouth's hard and the other soft."</p> +<p>"The difficulty being," I suggested as we lurched across the +road into the other ditch, "to discover which is which.... Now +you're straight. We'd better trot. It's only a one-day match."</p> +<p>Haynes used the ancient whip, which had as much effect as +tickling a rhinoceros with a feather.</p> +<p>"Goad him with a penknife," suggested Ansell unfeelingly.</p> +<p>"There must be some way," said Haynes. "Because they <i>do</i> +trot, you know."</p> +<p>"Speaking as one ignorant amateur to another," I asked, "isn't +the right thing to pull gently on the reins and then slacken? You +go on doing it till the animal gets your meaning. Try it."</p> +<p>Haynes tried it, and Bucephalus stopped dead. Repetition of the +treatment simply produced a tendency to back.</p> +<p>"For heaven's sake don't lose any of the ground we've gained," +said Ansell. "Let's get on, if only at a walk."</p> +<p>"We shall have to tow him," decided Haynes. He got out and +hauled at the bridle, but Bucephalus refused to budge.</p> +<p>"This," said Ansell, becoming suddenly business-like, "is where +the Boy Hero modestly but firmly takes charge. Jump in."</p> +<p>He picked up the reins and, though he apparently did nothing in +particular with them, Bucephalus came to life at once and broke +into a lumbering trot.</p> +<p>"You silly chump, why didn't you say you could drive?" asked +Haynes.</p> +<p>"Nobody asked me," said the Boy Hero modestly, "and I was +shy."</p> +<p>At the time when we had been scheduled to reach the +cricket-ground we had still a mile to go along a narrow leafy road, +hardly more than a lane. The cars were overdue, and Haynes, whose +haughty spirit could not brook the idea of being passed by jeering +plutocrats, propounded a scheme.</p> +<p>"They can't pass us unless we go into the ditch," he explained. +"So when they come we'll pretend to be asleep, take up the middle +of the road, and simply ignore them. We'll get there first, after +all."</p> +<p>A moment later we heard the buzz of engines. I took a hurried +glance round and saw the sunlight on brasswork as the car came +round a distant corner.</p> +<p>"It's them," I said.</p> +<p>The reins dropped slackly on Bucephalus's back and he slowed to +a walk. Inside the governess-cart all was somnolent peace. Behind +us the car was already beginning to make remarks on one of those +abusive press-the-button horns. "You FOOL! You FOOL! Get OUT o' the +way! Get OUT o' the way!" it said. Then we heard the car slow down +and pandemonium broke loose. The horn was reinforced by an ordinary +hooter, a whistle, several human voices and, lastly, an exhaust +siren. I stole a glance at Ansell and found that he was having a +good deal of surreptitious trouble in restraining our fiery steed +from doing a second bolt.</p> +<p>"I say," whispered Haynes in sudden agitation, "<i>has</i> Miss +Ropes an exhaust siren?"</p> +<p>"No, she hasn't," Ansell replied in tones of horror. "We've held +up the wrong car." He looked round. "Good Lord!" he added softly +and pulled Bucephalus into the ditch. In the car, with a grinning +Tommy at the wheel, sat two apoplectic generals and a highly +explosive brigade-major. They came alongside, and I should never be +allowed to repeat what they said to us. It seemed that by delaying +them we had been hindering the day's work of the entire Home +Forces. We were given to understand that it was only the blue bands +on our arms which saved us from being court-martialled on the spot +and shot by the grinning Tommy at dawn. Then they passed on.</p> +<p>When our cars did appear a minute or two later we pulled meekly +into the ditch to let them pass, and could find no better answer to +the jeers of their occupants than a wan sickly smile apiece.</p> +<hr /> +<h4>THE TEST OF TYPE.</h4> +<blockquote class="note"><i>(Suggested by these adjacent paragraphs +in a daily paper.)</i></blockquote> +<blockquote>"Maj. ——. For conspicuous gallantry and +resource. He rallied his men when the left flank was seriously +threatened, and by his energy and fine example saved the situation. +He subsequently commanded his battalion with great ability. He has +displayed marked gallantry in every action in which he has taken +part."</blockquote> +<blockquote>"A London angler, Mr. ——, has caught a +roach of 2 lb. 1 oz. in the Lark at Barton Mills, the largest fish +of its kind landed from this Suffolk stream for some +years."</blockquote> +<div class="poem"> +<div class="stanza"> +<p>Though in these times monopolized by Mars</p> +<p class="i2">There's not a day that passes but one +reads—</p> +<p>Sandwiched between unprofitable "pars"</p> +<p class="i2">And other wholly negligible screeds—</p> +<p>Of decorations, crosses, medals, bars,</p> +<p class="i2">Bestowed for valiant and heroic deeds;</p> +<p>Over these records we must often pass</p> +<p>Unless we've got a magnifying-glass!</p> +</div> +<div class="stanza"> +<p>But if some member of a fishing club</p> +<p class="i2">In London or the provinces, renowned</p> +<p>For prowess with the lob-worm or the grub,</p> +<p class="i2">Should land a roach of more than half a pound,</p> +<p>Then in the leading papers of the hub</p> +<p class="i2">Full space for that achievement will be found,</p> +<p>And clearest type and unaffected rapture</p> +<p>Will signalize the epoch-making capture!</p> +</div> +<div class="stanza"> +<p>The moral of the episode is plain:</p> +<p class="i2">If soldiers wish to petrify the nation,</p> +<p>Let them—when leave permits—no more disdain</p> +<p class="i2">To join a Roach or Perch Association,</p> +<p>Cull giant gooseberries, and strive to gain</p> +<p class="i2">Prizes for Blind-fold Pig Delineation.</p> +<p>Thus only—not by cross or golden stripe—</p> +<p>Will they achieve the honour of big type.</p> +</div> +</div> +<hr /> +<span class="pagenum"><a name="page197" id="page197"></a>[pg +197]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/197.png"><img width="100%" src="images/197.png" alt= +"" /></a> +<h3>REPRISALS</h3> +<i>Competitor (in international contest).</i> "THE BLIGHTER'S BIT +ME." <i>Referee.</i> "WELL, AIN'T YER GOT NO TEETH OF YER OWN? BOX +ON."</div> +<hr /> +<h2>SHAKSPEARE AND THE WAR.</h2> +<blockquote class="note">[Since the entry of the United States all +the English-speaking peoples are in alliance for +freedom.]</blockquote> +<div class="poem"> +<div class="stanza"> +<p>I think our SHAKSPEARE, gone this many a year</p> +<p class="i2">To some rich haven where the poets throng</p> +<p class="i2">And Ruler of Ten Cities wrought in song</p> +<p>And spired with rhythmic music, high and clear,</p> +<p>Still finds his England something close and dear,</p> +<p class="i2">Rejoicing when her justice baffles wrong</p> +<p class="i2">And willing her to wrestle and be strong.</p> +<p>I think he bides by England and is near.</p> +</div> +<div class="stanza"> +<p>And, in the purpose of his Overlord,</p> +<p class="i2">His weaving spirit, still in cloudless youth</p> +<p>With minstrelsy made perfect, throws a cord</p> +<p class="i2">That rings the continents in its magic reach</p> +<p class="i2">To gather all who share his English speech</p> +<p>In one firm warrior bond of troth and truth.</p> +</div> +</div> +<hr /> +<h3>"LET LAWS AND LEARNING...."</h3> +<blockquote>"I should add that Viscount Harberton sees a chance for +his own order in the circumstance that, while the poor man's child +is driven to school by the inspector, the rich man can 'boot the +spy out,' and so confer on his children the priceless boon of +complete illiteracy. Shall we live to see a House of Lords that +makes its mark?"—<i>Observer.</i></blockquote> +<p>Some of them, we believe, are under the impression that they +have done so already.</p> +<hr /> +<h2>OUR BOOKING-OFFICE.</h2> +<p>(<i>By Mr. Punch's Staff of Learned Clerks.</i>)</p> +<p>Unless you can share with me the sad immunity of the forties, I +must despair of translating for you the emotion raised in my +antique soul by the wrapper of a new RIDER HAGGARD story bearing +the picture of a Zulu and the discovery inside that +<i>Quatermain</i> is come again! The tale that has so excited me is +called, a little ominously, <i>Finished</i> (WARD, LOCK), and I +could have better loved a cheerier title. The matter is, to begin +with, an affair of a shady doctor, of I.D.B. and an abduction; none +of it, I admit, any too absorbing. But about halfway through the +author, as though sharing my own views upon this part of the plot, +exchanges (so to speak) the Shady for the Black, and transports us +all to Zululand. And if you need reminding of what H.R.H. can do +with that delectable country, I can only say I am sorry for you. +Incidentally there are some stirring scenes from certain pages of +history that the glare of these later days has rather +faded—Isandhlwana and Rorke's Drift among them; as well as +the human drama of the feud between CETEWAYO (terror of my +nursery!) and the witch-doctor <i>Zikali</i>. Whether the old +careless rapture is altogether recovered is another matter; at +least the jolly unpronounceable names are still there, and the +picturesque speech. Most of the names, that is; <i>Allan</i> of +course, and others, but I for one should have welcomed rare +<i>Umslopogaas</i>—or however he is rightly spelt—and +<i>Curtis</i>, for personal reasons my favourite of the gallant +<span class="pagenum"><a name="page198" id="page198"></a>[pg +198]</span> company that have so often kept secret rendezvous with +me behind the unlifted lid of a desk at preparation time. And now +have we really come at long last to <i>Finished</i>? I can only +hope that Sir H. RIDER HAGGARD doesn't mean it.</p> +<hr class="short" /> +<p>Mrs. HUMPHRY WARD may be numbered amongst the most indefatigable +of women war-workers. She has now followed up her former success in +<i>England's Effort</i> with a volume carrying on the story of our +part in the War under the title of <i>Towards the Goal</i> +(MURRAY). The book is written in the form of a series of letters +addressed to ex-President ROOSEVELT, as the onlie begetter both of +it and its predecessor. It is further equipped with a preface by +the hand of this same able and clear-sighted gentleman, the chief +drawback of which (from my reviewing point of view) is that it +covers so well the whole ground of appreciation as to leave me +nothing more to add. "Mrs. Ward writes nobly on a noble +theme"—<i>voilà tout!</i> Her theme, as I have hinted, +is a further exposition of Britain's war activities as those have +developed since the former book was published. In its course Mrs. +WARD gives us some vivid experiences of her own as a visitor to the +Western Front: things seen and heard, well calculated (were this +needed) to stiffen the resolution of the great people to whom her +letters are really written. <i>England's Effort</i> was, I +understand, translated into many tongues (with results that can +hardly fail of being enormously valuable); <i>Towards the Goal</i> +should certainly receive the same treatment of which it is well +worthy.</p> +<hr class="short" /> +<p>Mr. WILLIAM HARBUTT DAWSON, in his <i>After War Problems</i> +(ALLEN AND UNWIN), covers, under the four headings, Empire and +Citizenship, Natural Efficiency, Social Reform, and National +Finance and Taxation, bewilderingly wide ground, and drives a +perhaps rather mandarinish team of contributors. Lord HALDANE, for +instance, is no longer in the real van of educational endeavour, +and is it wholly insignificant that his chapter on Education +appears in the section headed National Efficiency rather than in +that of Social Reform? It ought not to be difficult to give, in the +light of these last years, a wider interpretation to Patriotism +than that expressed by Lord MEATH on lines familiar to his public. +Sir WILLIAM CHANCE has seen no new sign in the skies in relation to +the problem of poverty. Sir BENJAMIN BROWNE, whose death all those +interested in the settlement of the Capital-Labour quarrel must +deplore, as for all his uncompromising individualism he brought to +it a rare breadth of view, says much that is of real value, but +does not refrain from appealing to the fact that the mutual +confidence of man and officer in battle is a proof of the +possibility of a similar confidence in the workshop. That +confidence must, and can, we dare to believe, eventually be +established. But the men don't go over the top to put money in the +Colonel's pocket, and little good is done by exploiting these loose +analogies and putting on a too easy air of optimism in the face of +desperately serious and complex problems. But enough of +fault-finding, which is a poor reward for the serious and generous +labours of public-spirited men and women. After all, what one +reader calls timidity of outlook another may care to praise as +prudence. Here you will find an abundance of safe analysis, wise +comment and constructive suggestion from a galaxy of accredited +authorities.</p> +<hr class="short" /> +<p>In the early chapters of Mr. WILLIAM HEWLETT'S new story, <i>The +Plot-Maker</i> (DUCKWORTH), we are introduced to a popular and +highly successful novelist, named <i>Coulthard Henderson</i>, in +the emotional crisis produced by a sudden doubt as to whether his +output of best-sellers represented anything in the least +approaching actuality. You will admit a tragic situation. He meets +it by the determination that his next book shall be a veritable +slice of life, and to this end he selects and finances an eligible +young man for the purpose of vicariously experiencing those +emotions, from which age and other causes debar the chronicler; in +other words, he hires a hero. The worst of this excellent idea is +that it can hardly be said to originate either with <i>Mr. +Henderson</i> or Mr. HEWLETT, that credit belonging (I fancy) to +the late HERBERT FLOWERDEW in a too-little-appreciated masterpiece +of sensational burlesque called <i>The Realist</i>. However, <i>The +Plot-Maker</i>, once set going, develops admirably enough on lines +entirely its own. The so-much-an-hour hero turns out an engaging +young gentleman, but a wofully poor protagonist. The situation +where (in the midst of whirling events) he makes the startling +discovery that he himself has been in some way switched on to the +part of villain is one that you can appreciate only at first hand. +Certainly if you want (as who does not in these days?) an +anaesthetic of agreeable nonsense <i>The Plot-Maker</i> is a medium +that I can cordially recommend: one obvious advantage being that +you need not try to believe a single word of it.</p> +<hr /> +<h3>HISTORY REPEATS ITSELF.</h3> +<p>From a publisher's list:—</p> +<blockquote>"Shells as evidence of the Migrations of Early +Culture."</blockquote> +<p>And modern Kultur spreads itself in just the same old way.</p> +<hr /> +<blockquote>"Lady Required to Share Rome with another."<br /> +<i>Staffordshire Sentinel</i>.</blockquote> +<p>But what about the King of ITALY, not to mention the POPE?</p> +<hr /> +<div class="figcenter" style="width:60%;"><a href= +"images/198.png"><img width="100%" src="images/198.png" alt= +"" /></a> +<p><i>Eastern Potentate (rusticating)</i>. "YOU HAVE NO IDEA, MY +DEAR FRIEND, HOW SOOTHING IT IS TO ME TO GET AWAY FROM THE +LUXURIOUS AND ARTIFICIAL LIFE OF THE COURT AND TO SPEND MY +WEEK-ENDS IN QUIET RETIREMENT HERE IN THE COUNTRY WHERE A FRIEND +MAY DROP IN FOR POT LUCK AND TAKE US IN THE ROUGH."</p> +</div> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 10594 ***</div> +</body> +</html> diff --git a/10594-h/images/183.png b/10594-h/images/183.png Binary files differnew file mode 100644 index 0000000..9315341 --- /dev/null +++ b/10594-h/images/183.png diff --git a/10594-h/images/185.png b/10594-h/images/185.png Binary files differnew file mode 100644 index 0000000..da4730f --- /dev/null +++ b/10594-h/images/185.png diff --git a/10594-h/images/186.png b/10594-h/images/186.png Binary files differnew file mode 100644 index 0000000..2e145a6 --- /dev/null +++ b/10594-h/images/186.png diff --git a/10594-h/images/187.png b/10594-h/images/187.png Binary files differnew file mode 100644 index 0000000..d2be35d --- /dev/null +++ b/10594-h/images/187.png diff --git a/10594-h/images/189.png b/10594-h/images/189.png Binary files differnew file mode 100644 index 0000000..35c3678 --- /dev/null +++ b/10594-h/images/189.png diff --git a/10594-h/images/190.png b/10594-h/images/190.png Binary files differnew file mode 100644 index 0000000..d11eb6a --- /dev/null +++ b/10594-h/images/190.png diff --git a/10594-h/images/191.png b/10594-h/images/191.png Binary files differnew file mode 100644 index 0000000..0fd4ebc --- /dev/null +++ b/10594-h/images/191.png diff --git a/10594-h/images/193.png b/10594-h/images/193.png Binary files differnew file mode 100644 index 0000000..2acf18a --- /dev/null +++ b/10594-h/images/193.png diff --git a/10594-h/images/194.png b/10594-h/images/194.png Binary files differnew file mode 100644 index 0000000..8770089 --- /dev/null +++ b/10594-h/images/194.png diff --git a/10594-h/images/195.png b/10594-h/images/195.png Binary files differnew file mode 100644 index 0000000..17bcb27 --- /dev/null +++ b/10594-h/images/195.png diff --git a/10594-h/images/197.png b/10594-h/images/197.png Binary files differnew file mode 100644 index 0000000..97ecfe0 --- /dev/null +++ b/10594-h/images/197.png diff --git a/10594-h/images/198.png b/10594-h/images/198.png Binary files differnew file mode 100644 index 0000000..56a7e4a --- /dev/null +++ b/10594-h/images/198.png diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..e78bddc --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #10594 (https://www.gutenberg.org/ebooks/10594) diff --git a/old/10594-8.txt b/old/10594-8.txt new file mode 100644 index 0000000..9589f26 --- /dev/null +++ b/old/10594-8.txt @@ -0,0 +1,2029 @@ +The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 153, +Sept. 12, 1917, by Various, Edited by Owen Seamen + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + + + + +Title: Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 + +Author: Various + +Release Date: January 4, 2004 [eBook #10594] + +Language: English + +Character set encoding: iso-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, +VOL. 153, SEPT. 12, 1917*** + + +E-text prepared by Jonathan Ingram, Punch, or the London Charivari, Sandra +Brown, and the Project Gutenberg Online Distributed Proofreading Team + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 153. + +SEPTEMBER 12TH, 1917. + + + + + + + +CHARIVARIA. + +The _Cologne Gazette_ is of the opinion that the American troops, when +they arrive in France, will be hampered by their ignorance of the +various languages. But we understand that the Americans can shoot in any +language. + + *** + +A weekly periodical is giving away a bicycle every other week. Meanwhile +_The Daily Telegraph_ continues to give away a Kaiser every day. + + *** + +"I decline to have anything to do with the War," said a Conscientious +Objector to a North of England magistrate, "and I resent this +interference with my liberty." Indeed he is said to be so much annoyed +that he intends sending the War Office a jolly snappy letter about it. + + *** + +CHARLIE CHAPLIN says a gossip writer is coming to England in the Autumn. +This disposes of the suggestion that arrangements were being made for +England to be taken over to him. + + *** + +_Incidentally_ we notice that CHARLIE CHAPLIN has become a naturalised +American, with, we presume, permission to use the rank of Honorary +Britisher. + + *** + +Before a Northern Tribunal an applicant stated that he was engaged in +the completion of an invention which would enable dumb people to speak +or signal with perfection. He was advised, however, to concentrate for a +while on making certain Germans say "Kamerad." + + *** + +An Isle of Wight man has succeeded in growing a vegetable marrow which +weighs forty-three pounds. To avoid its being mistaken for the island he +has scratched his name and address on it. + + *** + +Those in search of a tactless present will bear in mind that Mr. MARK +HAMBOURG has written a book entitled "How to Play the Piano." + + *** + +The great flagstaff at Kew Gardens, which weighs 18 tons and is 215 feet +long, is not to be erected until after the War. This has come as a great +consolation to certain people who had feared the two events would clash. + + *** + +In Mid Cheshire there is a scarcity of partridges, but there is plenty +of other game in Derbyshire. The Mid-Cheshire birds are of the opinion +that this cannot be too strongly advertised. + + *** + +Thirteen years after it was posted at Watford a postcard has just +reached an Ealing lady inviting her to tea, and of course she rightly +protested that the tea was cold. + + *** + +An estate near Goole has been purchased for £118,000, the purchaser +having decided not to carry out his first intention of investing that +amount in a couple of boxes of matches. + + *** + +Herr Erzberger is known among his friends as "The Singing Socialist." We +are afraid however that if he wants peace he will have to whistle for it. + *** + +The Provisional Government in Russia, according to _The Evening News,_ +has "always regarded an international debate on the questions of war and +pease as useful." But our Government, not being exactly provisional, +prefers to go on giving the enemy beans. + + * * * * * + +[Illustration: COMFORTING THOUGHT + +When there are no taxis on your return from your holidays: + +"OUR TRUE STRENGTH IS TO KNOW OUR OWN WEAKNESS."--_CHARLES KINGSLEY_.] + + * * * * * + +THE END OF AN EPISODE. + +I write this in the beginning of a minor tragedy; if indeed the +severance of any long, helpful and sympathetic association can ever be +so lightly named. For that is precisely what our intercourse has been +these many weeks past; one of nervous and quickly roused irritation on +my part, of swift and gentle ministration on his. + +At least once a day we have met during that period (and occasionally, +though rarely, more often), usually in those before-breakfast hours when +the temper of normal man is most exacting and uncertain. But his temper +never varied; the perfection of it was indeed among his finest +qualities. Morning after morning, throughout a time that, as it chanced, +has been full of distress and disappointment, would his soothing and +infinitely gentle touch recall me to content. That stroking caress of +his was a thing indescribable; one before which the black shadows left +by the hours of night seemed literally to dissolve and vanish. + +And now the long expected, long dreaded has begun to happen. He, too, is +turning against me, as so many others of his fellows have done in the +past. Who knows the reason? What continued roughness on my part has at +last worn out even him? But for some days now there has been no +misreading the fatal symptoms--increasing irritability on the one side, +harshness turning to blunt indifference on the other. And this morning +came the unforgivable offence, the cut direct. + +That settles it; to-morrow, with a still smarting regret, I unwrap a new +razor-blade. + + * * * * * + +THE WHOLE HOG. + + ["Victorian love-making was at best a sloppy business ... modern + maidens have little use for half measures.... Primitive ideas + are beginning to assert themselves."--_Daily Paper._] + + Betty, when you were in your teens + And shielded from sensation, + Despite a lack of ways and means + In various appropriate scenes + I sighed my adoration. + You did not smile upon my suit; + Pallid I grew and pensive; + My disappointment was acute, + Life seemed a worthless thing and mute. + I moped, then tuned my laggard lute + And launched a new offensive. + + Thus you were wooed in former days + When maids were won by waiting; + The modern lover finds it pays + To imitate the forceful ways + Of prehistoric mating. + Man is more primitive (a snub + Has no effect), so if you + Should still refuse a certain "sub." + He will not pine or spurn his grub, + But, seizing the ancestral club, + Into submission biff you. + + * * * * * + +MAKING THE BEST OF BOTH WORLDS. + + "As honorary organist at ---- Wesleyan Church he has established + a sound and compact business as wholesale grocer and Italian + warehouseman."--_Provincial Paper._ + + * * * * * + + "Maid (superior) wanted for lady, gentleman, small flat, strong + girl, able to assist lady with rheumatism."--_Glasgow Herald._ + +If we hear of a small flat girl we will send her along; but this shaped +figure is rather out of fashion just now. + + * * * * * + +THE SUPER-PIPE. + +When Jackson first joined the jolly old B.E.F. he smoked a pipe. He +carried it anyhow. Loose in his pocket, mind you. A pipe-bowl at his +pocket's brim a simple pipe-bowl was to him, and it was nothing more. Of +course no decent B.E.F. mess could stand that. Jackson was told that a +pipe was _anathema maranatha_, which is Greek for _no bon._ + +"What will I smoke then?" said Jackson, who was no Englishman. We waited +for the Intelligence Officer to reply. We knew him. The Intelligence +Officer said nothing. He drew something from his pocket. It was a parcel +wrapped in cloth-of-gold. He removed the cloth-of-gold and there was +discovered a casket, which he unlocked with a key attached to his +identity disc. Inside the casket was a padlocked box, which he opened +with a key attached by gold wire to his advance pay-book. Inside the box +was a roll of silk. To cut it all short, he unwound puttee after puttee +of careful wrapping till he reached a chamois-leather chrysalis, which +he handled with extreme reverence, and from this he drew something with +gentle fingers, and set it on the table-cloth before the goggle-eyed +Jackson. + +"A pipe," said Jackson. + +There was a shriek of horror. The Intelligence Officer fainted. Here was +wanton sacrilege. + +"Man," said the iron-nerved Bombing Officer, "it's a Brownhill." + +"What's a Brownhill?" asked Jackson. + +We gasped. How could we begin to tell him of that West End shrine from +which issue these lacquered symbols of a New Religion? + +The Intelligence Officer was reviving. We looked to him. + +"The prophet Brownhill," he said, "was once a tobacconist--an ordinary +tobacconist who sold pipes." + +We shuddered. + +"He discovered one day that man wants more than mere pipes. He wants +a--a super-pipe, something to reverence and--er--look after, you know, +as well as to smoke. So he invented the Brownhill. It is an _affaire de +coeur_--an affair of art," translated the I.O. proudly. "It is as glossy +as a chestnut in its native setting, and you can buy furniture polish +from the prophet Brownhill which will keep it always so. It has its +year, like a famous vintage, it has a silver wind-pipe, and it costs +anything up to fifty guineas." + +"D'you smoke it'?" asked Jackson, brutally. + +We gave him up. In awful silence each of us produced his wrappings and +his caskets, extracted the shining briar, smeared it with cosmetics, and +polished it more reverently than a peace time Guardsman polishes his +buttons when warned for duty next day at "Buck." + * * * * * +And Jackson smoked his pipe in secret. He would take no leaf from the +book of the Sassenachs. + +And the War went on. + * * * * * +Jackson went on leave. To his deep disgust he had to wait a few hours in +London on his way to more civilised parts, and fate led him idling to +Brownhill's. He flattened his Celtic nose on the window and stared +fascinated at the array of super-pipes displayed there. After a furtive +glance along the street he crept into the temple. A white-coated priest +met him. + +"I--I'm wantin'--a--a pipe," said Jackson. He saw the priest reel and +turn pale to the lips. "I should say a--a Brownhill," he added hastily. +The other man gulped, steadied himself with an effort, and gave a +ghastly smile. If you had walked into a temple at Thibet and planked +down sixpence and asked for an idol wrapped up in brown paper you could +not have done a more dreadful thing than Jackson had done; but the +priest forgave him and produced in silence a trayful of Brownhills. Then +was Jackson like unto ELIA'S little Chinese boy with "the crackling." He +touched a briar and was converted. He stroked them as though they were +kittens, bought ten of them, a pound of polish, fifty silver wind-pipes +and a bale of chamois-leather. The priest took a deep breath. + +"You are a full-blooded man, Sir," said he, "if you will excuse me +saying so, and you should smoke in your new Brownhills a mixture which +has a proportion of Latakia to Virginian of one to nineteen--a small +percentage of glycerine and cucumber being added because you have red +hair, and the whole submitted to a pressure of eighteen hundred +foot-pounds to the square millimetre, under violet rays. This will be +known as 'Your Mixture,' Number 56785-6/11, and will be supplied to no +one else on earth, except under penalty of death. + +"I will take a ton," said Jackson with glazing eyes. + +This was a man after the priest's own heart. He took another deep breath +and dived into the strong-room. He returned under the escort of ten +armed men, each of them chained by the wrist to an iron box, which he +unlocked with difficulty. Inside the iron box was a thing which Jackson +a few months ago would have called a pipe. He knew better now. In awful +silence the priest lifted it from its satin bed. "This," he whispered, +"was once smoked by Brownhill himself." + +Jackson put out a hand to take it. The priest hesitated, then laid it +gently on his customer's palm. + +And Jackson dropped it. + +Jackson has never been heard of since. + + * * * * * + +THE FAIRIES HAVE NEVER A PENNY TO SPEND. + + The fairies have never a penny to spend, + They haven't a thing put by, + But theirs is the dower of bird and of flower, + And theirs are the earth and the sky. + And though you should live in a palace of gold + Or sleep in a dried-up ditch, + You could never be poor as the fairies are, + And never as rich. + + Since ever and ever the world began + They have danced like a ribbon of flame, + They have sung their song through the centuries long, + And yet it is never the same. + And though you be foolish or though you be wise, + With hair of silver or gold, + You could never be young as the fairies are + And never as old. + +R. F. + + * * * * * + +RARA AVIS. + +From a cigarette-card:-- + + "REED WARBLER. + + "_Acrocephalus streperus._ + + "This bird is found in nearly every part of the British Islands. + It builds a nest about a foot off the ground in the reed beds, + and is formed of grass, horse hair and sometimes feathers." + + * * * * * + +From a list of medallists of the new Order of the British Empire:-- + + "G. P. Hamlet.--For courage in persisting with dangerous work, + with a certainty of suffering from poisoning as a result." + +Just like his illustrious namesake. + + * * * * * + + "Melbourne, Friday. + + "The House of Representatives to-day passed the second reading of + the War Times Profits Tax Assessment Bill. The tax will be 50 + per cent. for the year ending June 30, 191161, and 75 per cent. + for afterwards.--Reuter." + + _Aberdeen Paper._ + +Well, well, we need not worry. + + * * * * * + + "What is being fought out is a long-drawn battle for the + important shipping port of Trieste, with the whole of the + railway and road communications of the Iberian Peninsula." + + _The People._ + +Rather a shock for Madrid. + + * * * * * + +[Illustration: THE REVERSE OF THE MEDAL. + +OPTIMISTIC GERMAN _(reading paper)._ "THIS IS KOLOSSAL! OUR IRRESISTIBLE +AIRMEN HAVE AGAIN, FOR THE TWENTIETH TIME, DESTROYED LONDON." + +GLOOMY DITTO. "THAT BEING SO, LET'S HOPE THEY'LL STOP THOSE CURSED +BRITISH AIRMEN FROM BOMBING OUR LINES EVERY DAY AND NIGHT."] + + * * * * * + +A STUDY IN SYMMETRY. + +The following story, however improbable it may seem to you, is true. + +Once upon a time there was an artist with historical leanings not +unassociated with the desire for pelf--pelf being, even to idealists, +what petrol is to a car. The blend brought him one day to Portsmouth, +where the _Victory_ lies, with the honourable purpose of painting a +picture of that famous ship with NELSON on board. What the ADMIRAL was +doing I cannot say--most probably dying--but the artist's intention was +to make the work as attractive as might be and thus draw a little profit +from the wave of naval enthusiasm which was then passing over the +country; for not only was the picture itself to be saleable, but +reproductions were to be made of it. + +Permission having been obtained from the authorities, the artist boarded +the _Victory_, set up his easel on her deck and settled down to his +task, the monotony of which was pleasantly alleviated by the chatter of +the old salts who guard the ship and act as guides to the tourists who +visit her. All of these estimable men not only possessing views on art, +but having come by now to the firm belief that they had fought with +NELSON, their criticisms were not too easily combated and the artist +hadn't a tedious moment. Thus, painting, conversing and learning (as one +can learn only from a trained imparter of information), three or four +days passed quickly away and the picture was done. + +So far there has been nothing--has there?--to strain credulity. No. But +a time will come--is, in fact, upon us. + +On the evening of the last day, as the artist was sitting at early +dinner with a friend before catching the London train, his remarks +turned (as an artist's sometimes will) upon the work upon which he had +just been engaged. He expressed satisfaction with it in the main, but +could not, he said, help feeling that its chances of becoming a real +success would be sensibly increased if he could find as a model for the +central figure some one whose resemblance to NELSON was noticeable. + +"There are, of course," he went on, "at the same time--that is to say, +among contemporaries--no two faces exactly alike. That is an axiom. +Strange as it may sound, among all the millions of countenances with two +eyes, a nose in the middle and a mouth below it, some difference exists +in each. That is, as I say, among contemporaries: in the world at this +moment in which I am speaking. But," he continued, warming to his +subject, for, as you will have already gathered, he was not one of the +taciturn brush-brotherhood, "after the lapse of years I see no reason +why nature should not begin precisely to reproduce physiognomies and so +save herself the trouble of for ever diversifying them. That being +so--and surely the hypothesis is not too far-fetched"--here his friend +said, "No, not at all--oh no!"--"why," the artist continued, "should +there not be at this moment, more than a century later, some one whose +resemblance to NELSON is exact? He would not be necessarily a naval +man--probably, indeed, not, for NELSON's face was not characteristic of +the sea--but whoever he was, even if he were an archbishop, I," said the +painter firmly, "should not hesitate to go up to him and ask him to sit +to me." + +The friend agreed that this was a very proper attitude and that it +betokened true sincerity of purpose. + +"NELSON's face," the painter continued, "was an uncommon one. So large +and so mobile a mouth is rare. But I have no doubt that a duplicate +exists, and no matter who is the owner of it, even were he an +archbishop, I should not hesitate to go up and ask him to sit to me." + +(For the benefit of any feminine reader of this veracious history I +should say that the repetition which she has just noticed is not an +accident, but has been carefully set down. It is an attempt to give +verisimilitude to the conversation--because men always say things like +that twice.) + +The friend again remarked that the painter's resolve did him infinite +credit, and the two started for the station, still conversing on the +same theme. + +On entering their carriage the first thing to take their attention was a +quiet little man in black, who was the absolute double of the hero of +Trafalgar. + +"Good gracious!" whispered the painter excitedly, "do you see that? +There's the very man. The likeness to NELSON is astonishing. I never saw +anything like it. I don't care who he is, I must tackle him. It's the +most extraordinary chance that ever occurred." + +Assuming his most silky and deferential manner--for, though clearly not +an archbishop, unless in mufti, this might yet be a person of +importance--the painter approached the stranger and tendered a card. + +"I trust, Sir, that you will excuse me," he began, "for the liberty I am +taking, but I am an artist and I happen to be engaged on a picture of +NELSON on the _Victory_. I have all the accessories and so forth, but +what I very seriously need is a brief sitting from some gentleman with a +likeness to the great little Admiral. Such, Sir, as yourself. It may be +news to you--it probably is--but you, Sir, if I may say so, are so like +the famous and immortal warrior as almost to take one's breath away. It +is astonishing, wonderful! Might I--would it be--could you--would you, +Sir, be so very kind as to allow me to paint you? I would, of course, +make every effort not to inconvenience you--I would arrange so that your +time should be mine." + +"Of course I will, guvnor," said the man. "I'm a professional model and +I've been sitting for NELSON for years. Why, I've been doing it for an +artist this very afternoon." + +[Illustration: OUR RESTRICTED COAST AMUSEMENTS. + +_Vendor_. "ALL THE OFFICIAL 'OLIDAY FUN. FLY THE PATRIOTIC KITES AND +ANNOY THE GOTHAS!"] + + * * * * * + +[Illustration: _Physical Drill Instructor (to weak-kneed recruit)_. "NAH +THEN! IF YOU'RE A-GOING TER JUMP--_JUMP!_"] + + * * * * * + +A LOST LAND. + +(To GERMANY.) + + A childhood land of mountain ways, + Where earthy gnomes and forest fays, + Kind foolish giants, gentle bears, + Sport with the peasant as he fares + Affrighted through the forest glades, + And lead sweet wistful little maids + Lost in the woods, forlorn, alone, + To princely lovers and a throne. + * * * * * + Dear haunted land of gorge and glen, + Ah me! the dreams, the dreams of men! + + A learned land of wise old books + And men with meditative looks, + Who move in quaint red-gabled towns + And sit in gravely-folded gowns, + Divining in deep-laden speech + The world's supreme arcana--each + A homely god to listening Youth + Eager to tear the veil of Truth; + * * * * * + Mild votaries of book and pen-- + Alas, the dreams, the dreams of men! + + A music land, whose life is wrought + In movements of melodious thought; + In symphony, great wave on wave-- + Or fugue, elusive, swift, and grave; + A singing land, whose lyric rhymes + Float on the air like village chimes: + Music and Verse--the deepest part + Of a whole nation's thinking heart! + * * * * * + Oh land of Now, oh land of Then! + Dear God! the dreams, the dreams of men! + + Slave nation in a land of hate, + Where are the things that made you great? + Child-hearted once--oh, deep defiled, + Dare you look now upon a child? + Your lore--a hideous mask wherein + Self-worship hides its monstrous sin:-- + Music and verse, divinely wed-- + How can these live where love is dead? + * * * * * + Oh depths beneath sweet human ken, + God help the dreams, the dreams of men! + + * * * * * + + "The Blessington Papers are included with all their atmosphere + of distinguished High Bohemia. Among them are some interesting + Disraeli letters--he was ever her staunch friend from the early + 'thirties to the late 'forties, when his son had risen and + her's--how brilliant!--had set."--_Saturday Review_. + +And up to the present we had been under the impression that both these +distinguished persons were childless. + + * * * * * + +HINT FOR HORTICULTURISTS. + + "Mr. ----, undertaker, of Temuka, improved his plant by the + purchase of a new hearse."--_Timaru Herald (New Zealand)_. + + * * * * * + + "Mr. ---- hopes shortly to be seen again in revue in the Wet + End."--_Pall Mall Gazette_. + +Or, as the CENSOR would put it, "somewhere in England." + + * * * * * + + _Daily Mail_ (Ordinary Edition), 3 September, 1917: "Lord + Halsbury is 92 to-day." + + _Times_ (Late War Edition), 3 September, 1917: "The Earl of + Halsbury is 94 to-day." + +Yet, from personal observation, one would never believe that the EX-LORD +CHANCELLOR was ageing so rapidly. + + * * * * * + +From "German Official":-- + + "With the use of numerous tanks and aeroplanes, flying at a low + altitude, the English infantry soon after advanced to the attack + on this front."--_Evening Paper_. + +Now that the enemy has given away the secret of our new weapon the +CENSOR might let us know more of our flying Tanks. + + * * * * * + + "Prisoner then seized her round the throat with both hands and + hit her on the head with a steel case-opener."--_Daily Paper_. + +Which, presumably, he carried in his teeth. + + * * * * * + +THE SUNFLOWER. + +"Have you," said Francesca, "seen our sunflowers lately?" + +"Yes," I said, "I've kept an eye on them occasionally. It's a bit +difficult, by the way, not to see them, isn't it?" + +"Well," she said, "perhaps they are rather striking." + +"Striking!" I said. "I never heard a more inadequate word. I call them +simply overwhelming--the steam-rollers of the vegetable world. Look at +their great yellow open faces." + +"I never," said Francesca, "saw a steam-roller with a face. You're +mixing your metaphors." + +"And," I said, "I shall go on mixing them as long as you grow +sunflowers. It's the very least a man can do by way of protest." + +"I don't know why you should want to protest. The seed makes very good +chicken-food." + +"Yes, I know," I said, "that's what you always said." + +"And I bet," she said, "you've repeated it. When you've met the tame +Generals and Colonels at your club, and they've boasted to you about +their potatoes, I know you've countered them with the story of how +you've turned the whole of your lawn into a bed of sunflowers calculated +to drive the most obstinate hen into laying two eggs a day, rain or +shine." + +"I admit," I said, "that I may have mentioned the matter casually, but I +never thought the things were going to be like this. When I first knew +them and talked about them they were tender little shoots of green just +modestly showing above the ground, and now they're a forest primeval. +The murmuring pines and the hemlock aren't in it with this impenetrable +jungle liberally blotched with yellow, this so-called sunflower patch." + +"What would you call it," she said, "if you didn't call it sunflower?" + +"I should call it a beast of prey," I said. "A sunflower seems to me to +be more like a tiger than anything else." + +"It was a steam-roller about a minute ago." + +"Yes," I said, "it was--a tigerish steam-roller." + +"How interesting," she said. "I have not met one quite like that." + +"That," I said, "is because your eye isn't properly poetical. It's +blocked with chicken-food and other utilitarian objects." + +"I must," she said, "consult an oculist. Perhaps he will give me glasses +which will unblock my eye and make me see tigers in the garden." + +"No," I said, "you will have to do it for yourself. For such an eye as +yours even the best oculists are unavailing." + +"I might," she said, "improve if I read poetry at home. Has any poet +written about sunflowers?" + +"Yes," I said, "BLAKE did. He was quite mad, and he wrote a poem to a +sunflower: 'Ah! Sunflower! Weary of time.' That's how it begins." + +"Weary of time!" she said scornfully. "That's no good to me. I'm weary +of having no time at all to myself." + +"That shows," I said, "that you're not a sunflower." + +"Thank heaven for that," she said. "It's enough to have four children to +look after--five including yourself." + +"My dear Francesca," I said, "how charming you are to count me as a +child! I shall really begin to feel as if there were golden threads +among the silver." + +"Tut-tut," she said, "you're not so grey as all that." + +"Yes, I am," I said, "quite as grey as all that and much greyer; only we +don't talk about it." + +"But we _do_ talk about sunflowers," she said, "don't we?" + +"If you'll promise to have the beastly glaring things dug up--" + +"Not," she said, "before we've extracted from them their last pip of +chicken-food." + +"Well, anyhow," I said, "as soon as possible. If you'll promise to do +that I'll promise never to mention them again." + +"But you'll lose your reputation with the Generals and Colonels." + +"I don't mind that," I said, "if I can only rid the garden of their +detested presence." + +"My golden-threaded boy," said Francesca, "it shall be as you desire." + +R.C.L. + + * * * * * + +CONSTABLE JINKS. + + Our village policeman is tall and well-grown, + He stands six feet two and he weighs sixteen stone; + His gait is majestic, his visage serene, + And his boots are the biggest that ever I've seen. + + Fame sealed his renown with a definite stamp + When two German waiters escaped from a camp. + Unaided he captured those runaway Huns + Who had lived for a week on three half-penny buns. + + When a derelict porpoise was cast on the shore + Our village policeman was much to the fore; + He measured the beast from its tip to its tail, + And blandly pronounced it "an undersized whale." + + When a small boy was flying his kite on the links + It was promptly impounded by Constable Jinks, + Who astutely remarked that it might have been seen + By the vigilant crew of a Hun submarine. + + It is sometimes alleged that great valour he showed + When he chased a mad cow for three miles on the road; + But there's also another account of the hunt + With a four-legged pursuer, a biped in front. + + If your house has been robbed and his counsel you seek + He's sure to look in--in the course of the week, + When his massive appearance will comfort your cook, + Though he fails in the bringing of culprits to book. + + His _obiter dicta_ on life and the law + Set our ribald young folk in a frequent guffaw; + But the elders repose an implicit belief + In so splendid a product of beer and of beef. + + He's the strongest and solidest man in the place, + Nothing--short of mad cattle--can quicken his pace; + His moustache would do credit to any dragoon, + And his voice is as deep as a double bassoon. + + His complexion is perfect, his uniform neat, + He rivets all eyes as he stalks down the street; + And I doubt if his critics will ever complain + Of his being a little deficient in brain. + + For he's more than a man; he's a part of the map; + His going would cause a deplorable gap; + And the village would suffer as heavy a slump + As it would from the loss of the old parish pump. + + * * * * * + +A HAPPY JUXTAPOSITION. + + "CHEAPER MATCHES. | FRESH LIGHT ON THE KAISER'S PLOTS." + + _Daily Mirror._ + +From the report of a Royal investiture:-- + + "The first officer to mount the dais was Major ----, who wore + the broad-brimmed slouch hat of the Austrian Infantry." + + _North China Daily News._ + +A souvenir, of course. + + * * * * * + +[Illustration: SUPPLY AND DEMAND.] + + * * * * * + +[Illustration: _Mother (to maid, who has offered Marjorie some jam)._ +"OH NO, THANK YOU, NOT WITH THE _FIRST_ PIECE." + +_Marjorie._ "BUT, MUMMY, I HAVE GIVEN UP HAVING A FIRST PIECE NOW--WAR +ECONOMY."] + + * * * * * + +THE TRENCH CODE. + + Ah! with what awe, what infantile impatience, + We eyed the artifice when issued out, + And racked our brains about the Regulations, + And tried to think we had them free from doubt! + As Rome's old Fathers, reverently leaning + In secret cellars o'er the Sibyl's strain, + Beyond the fact that several pars + Had something vague to do with Mars, + Failed, as a rule, to find the smallest meaning, + But told the plebs the oracle was plain. + + So did we study it, ourselves deceiving, + In hope to say, "We have no rations here," + Or, "Please, Brigade, this regiment wants relieving," + And "Thank you for the bombs--but why no beer?" + And wondered always, with a hint of presage, + Since never word emerged as it was planned, + If it was Hermes, Lord of Craft, + Compiled the code, or someone daft, + So that no mortal could compose a message + Which anybody else could understand. + + Too soon the Staff, to spoil our tiny slumbers, + Or, as they said, to certify our skill, + Sent us a screed, all signs and magic numbers, + And what it signified is mystery still. + We flung them back a message yet more mazy + To say we weren't unravelling their own, + And marked it _urgent_, and designed + That it should reach them while they dined. + All night they toiled, till half the crowd were crazy + And bade us breathe its burthen o'er the 'phone. + * * * * * + But now they want it back--_and it is missing!_ + And shall one patriot heart withhold a throb? + For four high officers have been here, hissing, + And plainly panicky about their job. + I know they think some dark, deluded bandit + Has gone and given it to KAISER BILL. + But though I'm grieved the General's cross, + I have no qualms about the loss-- + If clever men like us can't understand it, + I don't suppose the Wilhelmstrasse will! + +A. P. H. + + * * * * * + +SPREAD OF THE TEMPERANCE MOVEMENT. + + "I, J.A.H. De la Bere, of Woolsevy Rectory, Morchard Bishop, + Devon, desire to Alter my Surname to De la Fontaine."--_Times._ + + * * * * * + + "WANTED + + "end August in Swiss family (2 persons) living in villa near + Lausanne + + "NURSERY'S MAID + + "able to saw, iron attend at table and take entire care of + healthy baby 19 months old Good English accent serious + references." _La Tribune de Lausanne._ + +We are glad to hear that the baby has a good English accent; he will be +able to employ it with effect when the Nursery's Maid begins to saw and +iron him. + + * * * * * + + "In the cases in which the surgeon his obliged to vast empty a + bone so that offers then itself difficulties therapeuticals not + little because of pus and consequenty becauses of impossibility + of transplantations, plastics, plombages ecc., the A. propose to + go on the bone with specials inesions, not on the surface when + the bone is most superficial, but from the surface in which are + aboundings and easily cessible wet tissue, removing the margin + of the bone's cavity and mathing in mode as, by cause of + repaidis process, this tissue by hemselves adhere to a ground of + cavity and full it."--_La Clinica Chirurgica._ + +That makes it perfectly clear. + + * * * * * + +[Illustration: AVANTI, SAVOIA!] + + * * * * * + +A DAUGHTER OF THE BACK STEPPES. + +_(Russia may not yet be quite sufficiently herself to be the martial +ally that we could desire, but she still continues to send us the most +delightful fiction. Mr. PUNCH is privileged in being able to offer his +readers the opening of a new and fascinating story translated from the +Russian of Ghastlilkoff.)_ + +I was born in the year 18--, and I have never ceased to regret it. I +lived with my grandmother. She was called Natasha. I do not know why. +She had a large mole on her left cheek. Often she would embrace me with +tears and lament over me, crying, "My little sad one, my little lonely +one!" Yet I was not sad; I had too many griefs. Nor was I lonely, for I +had no playmates. + +Often my grandmother told me I was ugly. I had no mirror, so I believed +her. When I was sixteen a man I met in the street went mad for love of +me and cut his throat. For the first time in my life I wondered if my +grandmother always spoke the truth. I went home and wept, but when she +asked me why I could not tell her. + +Our house was quite dark. It had three rooms leading in and out of one +another, and no windows. There was not much fresh air. Every morning my +grandmother went out to buy otchkza and pickled onions. The man who sold +them was very old. He had a cast in each eye. He inquired of my +grandmother if she would allow him to be my husband, but she refused. +His name I do not remember. + +Our neighbours were very pleasant people, kindly and simple. There was a +half-witted youth called Krop. He used to fill his mouth with large +brass-headed nails. I did not dare to go near him, for he always tried +to bite my arms. One day I learned that he had died. My grandmother +bought me black silk mittens to wear at his funeral. I was very proud, +and ran out into the road to show them to the other children. But in my +haste I split them across from seam to seam, and my grandmother whipped +me and put me to bed. + +My grandmother's chief friend was a woman who sold toasted cheese. It +was her custom to bring round the delicacy on a small hand-cart and sell +to the children for a few kopecks. This woman was reputed to be very +rich. She was not beautiful, for she had no teeth, and had hair on her +face. The first time I saw her I ran into the house and hid behind the +large barrel of butter-milk. My grandmother took me by the ear and led +me to her friend. + +"This is Ilonoka," she said. "She is a good girl." + +I remember that I cried very loud. + +Afterwards my grandmother told me that perhaps the woman would leave me +all her money. Next time she came I wished to speak to her, but +unfortunately I had a quinsy. When the woman eventually died it was +discovered that she had been destitute for a long time. She left her +hand-cart by will to my grandmother, and in her disappointment my +grandmother beat me over the head with it. Soon afterwards my hair began +to come out, and my grandmother said it was time I found a husband. + +Accordingly she went next door, where lived a woman with five sons. They +were all out except one, and he had a sore leg. She brought him to me, +and I cried very bitterly. He also. His name was Ivan, and I wished it +had been Peter. + +The next day we were betrothed, and all our friends came to eat the +feast that my grandmother provided. A school-fellow of mine, a very +beautiful girl, was angry because I had a husband and not she. She +scratched my face, and the blood ran on to my dress. Our friends +congratulated us, and when they had gone my grandmother said it had been +a great success. She and I finished what was left of the feast and went +to bed. I remember that my feet were very cold, and when I fell asleep I +dreamed that my betrothed's name was Peter. When I awoke I cried very +loud, and my grandmother slapped my cheeks. + +Shortly afterwards she died, and I went to live with my uncle, who was a +pawnbroker in Moscow. + + * * * * * + +THE LONG-FACED CHUMS. + + When Alexander won the world he knew not bombs nor guns, + His simple forms of frightfulness were quite unlike the Huns'; + 'Twas not by barking mortars that the pushful CAESAR scored; + He trusted close formations and the silent stabbing sword. + + When ROLAND'S rearguard turned at bay, and from the furious press + The scuppered Paladin sent forth his famous S.O.S., + Scared Roncesvalles rang loud with war, as misty legends tell, + But echo's ear was spared the shriek and crash of bursting shell. + + So could you meet the shades of those whose prowess made Romance, + You'd find them only puzzled by your tales of stunts in France; + You'd have to cut the business out, and be content to chat + Of rations, grub, and officers--such odds and ends as that, + + Unless you chanced to entertain some true rough-rider's ghost, + Who galloped after HANNIBAL, or with the Parthian host, + Some curled Assyrian prince who pranced, bareback, along a frieze-- + Or one of RUPERT'S _beaux sabreurs_--a horseman--whom you please. + + With chosen spirits such as those your talk need never end + If you are worthy of your spurs and count a horse your friend. + Just ask them "Did you clip trace-high?" or "Did you chaff your hay?" + Or boast about the gee you ride, and they'll have lots to say. + + Cut out the talk of battle's din, of whizz-bangs and of crumps, + Of bombs and gas and hand-grenades, of mines and blazing dumps; + If you would wake their sympathy and warm their hearts indeed + Describe a Squadron watering, and then the fuss at "Feed!" + + That lively bustle has a charm to wake a mummy's ear + Who, ere the Pyramids were planned, was mustered charioteer; + And many a horseman's spirit thrills by Lethe's drowsy brink + When in a strange, familiar dream his Troop comes down to drink! + + * * * * * + +From "The Story of the Haldane Missions":-- + + "The Kaiser laughingly remarked that he had better have the high + chair (in which the Kaiser usually sat at his council meetings). + He also gave Lord Haldane an Imperial cigar.... While discussing + the naval question, the Kaiser took a copy of the new Naval Bill + out of his pocket and handed it to Lord Haldane, who transferred + it to his pocket without looking at it."--_Daily Chronicle._ + +He probably thought it was another of the Imperial cigars. + + * * * * * + +[Illustration: _Grocer-fiend (who has treated three preceding customers +to (a) "We ain't got no sugar;" (b) "We have none, Madam;" and (c) "No +sugar in the shop"--to boy)._ "BE OFF. WE'VE GOT NO SUGAR!" + +_Boy._ "I DIDN'T ASK FOR NO SUGAR. I WANT A PENNORTH O' SODA--AN' THAT'S +TAKEN THE' BLOOMING SWANK OUT OF YOU, AIN'T IT?"] + + * * * * * + +A STRAIGHT TALK WITH L. G. + +_(Everyone has views as to how to win the War, but not all are vocal, +or--shall we say?--vociferous. If Mr. LLOYD GEORGE reads all the papers +(as their Editors of course expect him to do) he cannot have missed +quite a number of powerful articles in the following manner. And even if +he should miss one or two it would not matter, because there is always +another in preparation.)_ + +I've always said that the PREMIER shouldn't be bothered with Parliament. +Of course I've said too that our old friend Demos, the new god, should +have a say in affairs; but that's an inconsistency that doesn't count in +the least, does it? + +Now then, Mr. PREMIER, you've got the chance of your lifetime. I always +said you were a lucky devil--in fact, I never met the Welshman that +wasn't. + +You see, Parliament's in recess, and all its trivial overpaid Members +are playing golf and things. You've got absolutely a free hand if only +you'll take it. It's quite easy and bound to succeed. You've only got to +do as I tell you. + +For instance, you want to buck up HAIG and the people at the Front. It's +no use them telling you they know best, being on the spot. That's only +bluff, old man. Don't take any notice of them, but just order a big +general offensive; and before you can say Jack Robinson we'll have the +Huns behind the Rhine. + +And do tell the Navy to get a move on. I'm glad to see my articles have +made you change the heads at the Admiralty; and of course that's all +very well so far as it goes. But it doesn't go far enough. _Have a chat +with BEATTY about it._ Get him to root the Huns out. He can bombard +Ostend and Zeebrugge and all those funny little places in two-twos. Tell +KING ALBERT not to mind. We'll easily slap up new towns for him after +the War, built on the speedy American principle. + +Then about that aerial offensive. There's really been quite enough talk +about it. We want some action, Mr. PREMIER. Isn't it time it came off? +Think what a bombardment of Cologne (taking care of the cathedral, _of +course_), Frankfurt, Berlin, Essen and Hamburg would do, not to mention +other places that I could if I had an atlas. + +And about those pacifists. Just clap the whole lot in gaol. That's the +best place for them. I won't object in the least, even though I am the +apostle of freedom. + +Then there are lots and lots of other things you might do. You might +deliver a reasoned manifesto to the Russian people and buck them up a +bit. That won't do anybody any harm, and _it'll be getting on with the +War_, my little Welshman. + +Well, there are a few points for you to go on with. You've got the +brains to think of more, otherwise I wouldn't have helped to put you +where you are to-day. But remember that if you _don't_ do these things +Demos is waiting round the corner for you. + +Demos is a good dog--a patient animal. But there's an end even to his +patience. Growl, Demos, and show you're not afraid of Welshmen! + +("Grrr----!" Good dog! Good dog!) + +Now then, old boy, I've shown you the way. _It's up to you!_ + + * * * * * + + Another powerful article on these lines will appear next week. + +[But not in _Punch_.-ED.] + + * * * * * + +[Illustration: _Caller at the office of the Inventions Board._ "'DURING +WAR PREPARE FOR PEACE'--THAT MUST BE OUR MOTTO! AND MY SPECIAL PATENT +SHELL-CASE IS THE VERY THING. A SHELL-CASE TO-DAY----AND A BLANC-MANGE +MOULD TO-MORROW."] + + * * * * * + +THE ONLY OTHER TOPIC. + +"I shot a marrow into the--I mean I cut a marrow two feet seven inches +long yesterday," said the man in the corner seat. + +"What did it weigh?" we asked anxiously. After two months of them +potatoes had somewhat palled. We were growing rather tired of marrows, +but we waited eagerly for his answer, + +"Twenty-six pounds nine and three-quarter ounces." + +Disappointment again. Our hopes were dashed to the ground. Some obscure +individual, according to the local press, had produced from his humble +cottage garden a marrow weighing thirty-four pounds, and the thing +rankled. + +"Mine was a scraggy specimen, more like an Indian club than a marrow." + +"Crossed in love, perhaps," said Dalton. + +"What your marrow wanted was nourishment," said the Authority. "A piece +of worsted round its neck, with one end dipped in a jar of water." + +"Excuse me," said Jones, "the very latest is to insert a tube in the +stalk, and the flavour is greatly improved if you add a little sugar to +the water. Almost like a melon." + +"Do you take a card out for each marrow, or one for each plant?" asked +Dalton. + +The quiet man opposite put his paper down. He was a new-comer in the +district. We liked him, although he had no sense of humour and did not +appreciate Dalton's jokes. He appeared to be interested only in the +startling and the odd. + +"That reminds me," he said, "of a most extraordinary experience I had a +few days ago. Of course you all know Enderby?" + +None of us knew Enderby, but we I did not like to say so. The quiet +man's anxiety was painful. We felt he could not go on with his story +unless someone knew Enderby. + +"He has a little place round at the back of the Common--quite a nice +little place." Freath--that was the quiet man's name--looked at us +reproachfully. + +"I think I know Enderby," said Dalton. "Isn't he a heavily-built man +about fifty, with a grey moustache?" + +"Yes, yes," said Freath eagerly. "And a curious wart on his left cheek. +Well, I dined with him the other night. His boy was there, home for the +holidays. Very clever boy; his special study is the biology of plants. +They gave me a very good dinner; I didn't notice very much what I was +eating, but I did when the maid helped me to marrow. It was a deep +crimson colour. I tasted it somewhat nervously, for I felt they were all +watching me. It had the taste of the most exquisite fruit, and the +flavour--I am afraid you won't believe me--was that of the finest port +that I ever drank. 'How did you manage this, Arthur?' said Enderby. +'Grape-juice,' said Arthur. 'Those foreign black grapes are very cheap +just now, so I mixed some with the water that I was feeding the marrows +on.' I can't explain it to you; all I know is that I had a second +helping. I am afraid you don't believe it," said Freath uneasily. + +We assured him that we did, but we did not say it with conviction. + +"Enderby called round to see me a few days afterwards," continued +Freath, "and I walked back with him. As we went along he told me that a +relative was staying with them--an uncle. The first night, again they +had marrow for dinner. This time its flavour was not port but +whisky--Scotch whisky. The old gentleman was delighted with Arthur and +his experiments. Although an abstainer he had three helpings. This was +very pleasing to Enderby, as the uncle was a man of considerable wealth. +But he was not at all satisfied with his son's explanations, and he +thought he recognised the whisky. Although an abstainer while the War is +on, Enderby keeps a very good cellar, and when he came to look into +things he found that Arthur had been pumping his finest '60 port and old +matured Scotch whisky into the vegetable marrows. Now what do you think +of that?" + +We thought it very strange and we said so. + +"But the strangest part has yet to come. Of course they had to keep it +quiet--bottle it up, so to speak, from the old gentleman, and let the +marrows down gradually. But when the marrows were once more on a +temperance _régime_ the most extraordinary thing happened." The train +was running into Finsbury Park. Freath rose and collected his things. + +We stared at him, fascinated. + +"Enderby took me into the garden to see it. He said it had been going on +for the last week. From all directions, rioting across the flower-beds, +the lawn, down the paths, the marrows were growing towards the +wine-cellar at the rate of twelve feet a day." + +Freath hastily left the carriage and jumped into the Broad Street train. + +While we were discussing the story the voice of authority spoke: "The +whole thing's a tissue of falsehood. There's no such man as Enderby." + +"But Dalton knows him," we said. + +"I don't know Enderby," said Dalton. "But I wanted to hear the story." + + * * * * * + +AT THE PLAY. + +"THE PACIFISTS." + +As a reasonable jusquaboutist I have some misgivings about Mr. HENRY +ARTHUR JONES'S farce--parable, _The Pacifists_. Assume _Market +Pewbury's_ afflictions to have been as stated: an intolerable stalwart +cad of a butcher fencing-in the best part of the common, assaulting +people's grandmothers, shutting them up in coal-cellars and eating their +crumpets, kissing their wives in the market square and proposing to +abduct them to seaside resorts, and none so bold to do him violence and +make him stop it; the police being ill or absent, the Mayor and his +friend, chief victim of the butcher's aggression, unwilling on account +of principles to do anything but talk and get up leagues to deal with +the trouble in general, and in a final ecstasy of disapproval to write a +strong letter; only uncle _Belcher_, a truculent old sea-dog with a +natural lust for whisky and blood, organising an opposition, valiantly +hiring a notable pugilist to deal with the butcher, and becoming +desperately anxious lest the matter should be peaceably settled because +the basher, having been engaged, _must_ find something to bash or there +will be trouble. Well, if we must have forged for us the sword of a +three-Act parable, we should like it with one edge, not two. + +Mr. JONES was evidently bursting with the desire to give some irritating +people a very hard knock--witness the barbed dedication with which the +normally peaceful theatre-announcement columns have bristled some little +time past; and I think I dare say that we were interested in his first +Act. He did really work out his analogies with some skill. But we soon +came to feel that he was essentially doing something between flogging a +dead horse, so far as we were concerned, and shooting a sitting rabbit. +I suspect too that we realised the issues were too tragic for this kind +of buffoonery. The tribute of our applause was a tribute of loyalty to +one who has often deserved well of the republic, and partly the desire +to show that our hearts were in the right place. I don't see _The +Pacifists_ as a pamphlet making many converts. As a kick on the shins it +has points. + +I confess the thing that pleased me most was a gay little piece of +burlesque by Mr. ARTHUR CHESNEY as the red-haired shop assistant who was +_not_ a pacifist. Mr. CHARLES GLENNEY so thoroughly enjoyed the +robustious sea-captain that we had to enjoy it too--a sound notion of +entertainment, that. Mr. SEBASTIAN SMITH played chief rabbit with +considerable skill and point; Mr. LENNOX PAWLE amused with his plump +dundrearyed mayor; Mr. SAM LIVESEY'S offensive was, I am sure, as +Hunnish as its author could possibly have desired. Miss ELLIS JEFFREYS +appeared in the first Act as a very plausible imitation of a prominent +tradesman's wife in an eighth-rate provincial town, with some quite +excellent moments. But she was evidently labouring under severe strain, +and I amused myself by speculating how long she would keep out of a +really well-cut skirt and a sophisticated air of Mayfair. Just an Act. +And surely she is mistaken in thinking that an effect of extreme +agitation is best conveyed, by very rapid quasi-cinematographic +progression up and down the stage? But I saw no reason to complain of +the bold bad butcher's taste in the matter of a subject for abduction. + +T. + + * * * * * + +[Illustration: _Sergeant (to Private Simpkins arriving two days late)._ +"WELL, SIMPKINS, SO YOU'VE TURNED UP, HAVE YOU?" + +_Simpkins._ "YES, SERGEANT. BUT YOU ARE LUCKY TO GET ME. WHAT WITH +DOMESTIC TROUBLE AND ALL THAT DELUGE OF RAIN I NEARLY MADE A SEPARATE +PEACE."] + + * * * * * + +BUCEPHALUS AND THE ROAD-HOGS. + +When Miss Ropes asked at breakfast how many of us would like to watch +the very last cricket-match of the season at Lumsdale, practically the +entire hospital held up its hand, and it was found that the two cars +could not accommodate us all. It was therefore settled that Haynes (who +said he knew the moves) should drive Ansell and me over in the +governess-cart. + +It was also settled that the crew of the governess-cart should have an +early cold lunch and start an hour before the cars; thus (it was +calculated) we should all arrive at the cricket-ground fairly well +together. This did not take Haynes' driving into account. We started +from the door at a very satisfactory pace, probably because Bucephalus, +the fat pony, objected to the enthusiasm of our send-off. When we +reached the road he dropped into an amble so gentle that we decided that +he had really been running away in the drive. Next, taking advantage of +an almost imperceptible upward slope, he began to walk. Haynes clucked +at him and flapped the reins, but this had no effect beyond steering +Bucephalus into the left-hand ditch. + +"I thought you said you knew the moves," remarked Ansell. "Surely this +is wrong?" + +"The bally beast's lopsided," said Haynes with heat. "One side of his +mouth's hard and the other soft." + +"The difficulty being," I suggested as we lurched across the road into +the other ditch, "to discover which is which.... Now you're straight. +We'd better trot. It's only a one-day match." + +Haynes used the ancient whip, which had as much effect as tickling a +rhinoceros with a feather. + +"Goad him with a penknife," suggested Ansell unfeelingly. + +"There must be some way," said Haynes. "Because they _do_ trot, you +know." + +"Speaking as one ignorant amateur to another," I asked, "isn't the right +thing to pull gently on the reins and then slacken? You go on doing it +till the animal gets your meaning. Try it." + +Haynes tried it, and Bucephalus stopped dead. Repetition of the +treatment simply produced a tendency to back. + +"For heaven's sake don't lose any of the ground we've gained," said +Ansell. "Let's get on, if only at a walk." + +"We shall have to tow him," decided Haynes. He got out and hauled at the +bridle, but Bucephalus refused to budge. + +"This," said Ansell, becoming suddenly business-like, "is where the Boy +Hero modestly but firmly takes charge. Jump in." + +He picked up the reins and, though he apparently did nothing in +particular with them, Bucephalus came to life at once and broke into a +lumbering trot. + +"You silly chump, why didn't you say you could drive?" asked Haynes. + +"Nobody asked me," said the Boy Hero modestly, "and I was shy." + +At the time when we had been scheduled to reach the cricket-ground we +had still a mile to go along a narrow leafy road, hardly more than a +lane. The cars were overdue, and Haynes, whose haughty spirit could not +brook the idea of being passed by jeering plutocrats, propounded a +scheme. + +"They can't pass us unless we go into the ditch," he explained. "So when +they come we'll pretend to be asleep, take up the middle of the road, +and simply ignore them. We'll get there first, after all." + +A moment later we heard the buzz of engines. I took a hurried glance +round and saw the sunlight on brasswork as the car came round a distant +corner. + +"It's them," I said. + +The reins dropped slackly on Bucephalus's back and he slowed to a walk. +Inside the governess-cart all was somnolent peace. Behind us the car was +already beginning to make remarks on one of those abusive +press-the-button horns. "You FOOL! You FOOL! Get OUT o' the way! Get OUT +o' the way!" it said. Then we heard the car slow down and pandemonium +broke loose. The horn was reinforced by an ordinary hooter, a whistle, +several human voices and, lastly, an exhaust siren. I stole a glance at +Ansell and found that he was having a good deal of surreptitious trouble +in restraining our fiery steed from doing a second bolt. + +"I say," whispered Haynes in sudden agitation, "_has_ Miss Ropes an +exhaust siren?" + +"No, she hasn't," Ansell replied in tones of horror. "We've held up the +wrong car." He looked round. "Good Lord!" he added softly and pulled +Bucephalus into the ditch. In the car, with a grinning Tommy at the +wheel, sat two apoplectic generals and a highly explosive brigade-major. +They came alongside, and I should never be allowed to repeat what they +said to us. It seemed that by delaying them we had been hindering the +day's work of the entire Home Forces. We were given to understand that +it was only the blue bands on our arms which saved us from being +court-martialled on the spot and shot by the grinning Tommy at dawn. +Then they passed on. + +When our cars did appear a minute or two later we pulled meekly into the +ditch to let them pass, and could find no better answer to the jeers of +their occupants than a wan sickly smile apiece. + + * * * * * + +THE TEST OF TYPE. + +_(Suggested by these adjacent paragraphs in a daily paper.)_ + + "Maj. ----. For conspicuous gallantry and resource. He rallied + his men when the left flank was seriously threatened, and by his + energy and fine example saved the situation. He subsequently + commanded his battalion with great ability. He has displayed + marked gallantry in every action in which he has taken part." + + "A London angler, Mr. ----, has caught a roach of 2 lb. 1 oz. in + the Lark at Barton Mills, the largest fish of its kind landed + from this Suffolk stream for some years." + + Though in these times monopolized by Mars + There's not a day that passes but one reads-- + Sandwiched between unprofitable "pars" + And other wholly negligible screeds-- + Of decorations, crosses, medals, bars, + Bestowed for valiant and heroic deeds; + Over these records we must often pass + Unless we've got a magnifying-glass! + + But if some member of a fishing club + In London or the provinces, renowned + For prowess with the lob-worm or the grub, + Should land a roach of more than half a pound, + Then in the leading papers of the hub + Full space for that achievement will be found, + And clearest type and unaffected rapture + Will signalize the epoch-making capture! + + The moral of the episode is plain: + If soldiers wish to petrify the nation, + Let them--when leave permits--no more disdain + To join a Roach or Perch Association, + Cull giant gooseberries, and strive to gain + Prizes for Blind-fold Pig Delineation. + Thus only--not by cross or golden stripe-- + Will they achieve the honour of big type. + + * * * * * + +[Illustration: REPRISALS. + +_Competitor (in international contest)._ "THE BLIGHTER'S BIT ME." + +_Referee._ "WELL, AIN'T YER GOT NO TEETH OF YER OWN? BOX ON."] + + * * * * * + +SHAKSPEARE AND THE WAR. + +[Since the entry of the United States all the English-speaking peoples +are in alliance for freedom.] + + I think our SHAKSPEARE, gone this many a year + To some rich haven where the poets throng + And Ruler of Ten Cities wrought in song + And spired with rhythmic music, high and clear, + Still finds his England something close and dear, + Rejoicing when her justice baffles wrong + And willing her to wrestle and be strong. + I think he bides by England and is near. + + And, in the purpose of his Overlord, + His weaving spirit, still in cloudless youth + With minstrelsy made perfect, throws a cord + That rings the continents in its magic reach + To gather all who share his English speech + In one firm warrior bond of troth and truth. + + * * * * * + +"LET LAWS AND LEARNING..." + + "I should add that Viscount Harberton sees a chance for his own + order in the circumstance that, while the poor man's child is + driven to school by the inspector, the rich man can 'boot the + spy out,' and so confer on his children the priceless boon of + complete illiteracy. Shall we live to see a House of Lords that + makes its mark?"--_Observer._ + +Some of them, we believe, are under the impression that they have done +so already. + + * * * * * + +OUR BOOKING-OFFICE. + +(_By Mr. Punch's Staff of Learned Clerks._) + +Unless you can share with me the sad immunity of the forties, I must +despair of translating for you the emotion raised in my antique soul by +the wrapper of a new RIDER HAGGARD story bearing the picture of a Zulu +and the discovery inside that _Quatermain_ is come again! The tale that +has so excited me is called, a little ominously, _Finished_ (WARD, +LOCK), and I could have better loved a cheerier title. The matter is, to +begin with, an affair of a shady doctor, of I.D.B. and an abduction; +none of it, I admit, any too absorbing. But about halfway through the +author, as though sharing my own views upon this part of the plot, +exchanges (so to speak) the Shady for the Black, and transports us all +to Zululand. And if you need reminding of what H.R.H. can do with that +delectable country, I can only say I am sorry for you. Incidentally +there are some stirring scenes from certain pages of history that the +glare of these later days has rather faded--Isandhlwana and Rorke's +Drift among them; as well as the human drama of the feud between +CETEWAYO (terror of my nursery!) and the witch-doctor _Zikali_. Whether +the old careless rapture is altogether recovered is another matter; at +least the jolly unpronounceable names are still there, and the +picturesque speech. Most of the names, that is; _Allan_ of course, and +others, but I for one should have welcomed rare _Umslopogaas_--or +however he is rightly spelt--and _Curtis_, for personal reasons my +favourite of the gallant company that have so often kept secret +rendezvous with me behind the unlifted lid of a desk at preparation +time. And now have we really come at long last to _Finished_? I can only +hope that Sir H. RIDER HAGGARD doesn't mean it. + + * * * * * + +Mrs. HUMPHRY WARD may be numbered amongst the most indefatigable of +women war-workers. She has now followed up her former success in +_England's Effort_ with a volume carrying on the story of our part in +the War under the title of _Towards the Goal_ (MURRAY). The book is +written in the form of a series of letters addressed to ex-President +ROOSEVELT, as the onlie begetter both of it and its predecessor. It is +further equipped with a preface by the hand of this same able and +clear-sighted gentleman, the chief drawback of which (from my reviewing +point of view) is that it covers so well the whole ground of +appreciation as to leave me nothing more to add. "Mrs. Ward writes nobly +on a noble theme"--_voilà tout!_ Her theme, as I have hinted, is a +further exposition of Britain's war activities as those have developed +since the former book was published. In its course Mrs. WARD gives us +some vivid experiences of her own as a visitor to the Western Front: +things seen and heard, well calculated (were this needed) to stiffen the +resolution of the great people to whom her letters are really written. +_England's Effort_ was, I understand, translated into many tongues (with +results that can hardly fail of being enormously valuable); _Towards the +Goal_ should certainly receive the same treatment of which it is well +worthy. + + * * * * * + +Mr. WILLIAM HARBUTT DAWSON, in his _After War Problems_ (ALLEN AND +UNWIN), covers, under the four headings, Empire and Citizenship, Natural +Efficiency, Social Reform, and National Finance and Taxation, +bewilderingly wide ground, and drives a perhaps rather mandarinish team +of contributors. Lord HALDANE, for instance, is no longer in the real +van of educational endeavour, and is it wholly insignificant that his +chapter on Education appears in the section headed National Efficiency +rather than in that of Social Reform? It ought not to be difficult to +give, in the light of these last years, a wider interpretation to +Patriotism than that expressed by Lord MEATH on lines familiar to his +public. Sir WILLIAM CHANCE has seen no new sign in the skies in relation +to the problem of poverty. Sir BENJAMIN BROWNE, whose death all those +interested in the settlement of the Capital-Labour quarrel must deplore, +as for all his uncompromising individualism he brought to it a rare +breadth of view, says much that is of real value, but does not refrain +from appealing to the fact that the mutual confidence of man and officer +in battle is a proof of the possibility of a similar confidence in the +workshop. That confidence must, and can, we dare to believe, eventually +be established. But the men don't go over the top to put money in the +Colonel's pocket, and little good is done by exploiting these loose +analogies and putting on a too easy air of optimism in the face of +desperately serious and complex problems. But enough of fault-finding, +which is a poor reward for the serious and generous labours of +public-spirited men and women. After all, what one reader calls timidity +of outlook another may care to praise as prudence. Here you will find an +abundance of safe analysis, wise comment and constructive suggestion +from a galaxy of accredited authorities. + + * * * * * + +In the early chapters of Mr. WILLIAM HEWLETT'S new story, _The +Plot-Maker_ (DUCKWORTH), we are introduced to a popular and highly +successful novelist, named _Coulthard Henderson_, in the emotional +crisis produced by a sudden doubt as to whether his output of +best-sellers represented anything in the least approaching actuality. +You will admit a tragic situation. He meets it by the determination that +his next book shall be a veritable slice of life, and to this end he +selects and finances an eligible young man for the purpose of +vicariously experiencing those emotions, from which age and other causes +debar the chronicler; in other words, he hires a hero. The worst of this +excellent idea is that it can hardly be said to originate either with +_Mr. Henderson_ or Mr. HEWLETT, that credit belonging (I fancy) to the +late HERBERT FLOWERDEW in a too-little-appreciated masterpiece of +sensational burlesque called _The Realist_. However, _The Plot-Maker_, +once set going, develops admirably enough on lines entirely its own. The +so-much-an-hour hero turns out an engaging young gentleman, but a +wofully poor protagonist. The situation where (in the midst of whirling +events) he makes the startling discovery that he himself has been in +some way switched on to the part of villain is one that you can +appreciate only at first hand. Certainly if you want (as who does not in +these days?) an anaesthetic of agreeable nonsense _The Plot-Maker_ is a +medium that I can cordially recommend: one obvious advantage being that +you need not try to believe a single word of it. + + * * * * * + +HISTORY REPEATS ITSELF. + +From a publisher's list:-- + + "Shells as evidence of the Migrations of Early Culture." + +And modern Kultur spreads itself in just the same old way. + + * * * * * + + "Lady Required to Share Rome with another." + + _Staffordshire Sentinel_. + +But what about the King of ITALY, not to mention the POPE? + + +[Illustration: _Eastern Potentate (rusticating)_. "YOU HAVE NO IDEA, MY +DEAR FRIEND, HOW SOOTHING IT IS TO ME TO GET AWAY FROM THE LUXURIOUS AND +ARTIFICIAL LIFE OF THE COURT AND TO SPEND MY WEEK-ENDS IN QUIET +RETIREMENT HERE IN THE COUNTRY WHERE A FRIEND MAY DROP IN FOR POT LUCK +AND TAKE US IN THE ROUGH."] + + + +***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. +153, SEPT. 12, 1917*** + + +******* This file should be named 10594-8.txt or 10594-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/1/0/5/9/10594 + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +http://www.ibiblio.org/gutenberg/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: +https://www.gutenberg.org/GUTINDEX.ALL + +*** END: FULL LICENSE *** diff --git a/old/10594-8.zip b/old/10594-8.zip Binary files differnew file mode 100644 index 0000000..c727376 --- /dev/null +++ b/old/10594-8.zip diff --git a/old/10594-h.zip b/old/10594-h.zip Binary files differnew file mode 100644 index 0000000..54a02a7 --- /dev/null +++ b/old/10594-h.zip diff --git a/old/10594-h/10594-h.htm b/old/10594-h/10594-h.htm new file mode 100644 index 0000000..64ebb96 --- /dev/null +++ b/old/10594-h/10594-h.htm @@ -0,0 +1,1960 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> +<title>The Project Gutenberg eBook of Punch, or the London Charivari, Vol. 153, Sept. 12, 1917, by Various</title> +<style type="text/css"> +/*<![CDATA[*/ + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + hr.left {text-align: left; width: 30%} + html>body hr.left {margin-right: 70%; margin-left: 0%; width: 30%} + .note, + {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + + span.pagenum + {position: absolute; left: 1%; right: 91%; font-size: 8pt;} + + .poem + {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 1em;} + .poem p.i4 {margin-left: 2em;} + .poem p.i6 {margin-left: 3em;} + + .figure, .figcenter, .figright, .figleft, + {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;} + .figure img, .figcenter img, .figright img, .figleft img, + {border: none;} + .figure p, .figcenter p, .figright p, figleft p, + {margin: 0; text-indent: 1em;} + .figcenter {margin: auto;} + .figright {float: right;} + .figleft {float: left;} + --> +/*]]>*/ +</style> +</head> +<body> +<h1>The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 153, +Sept. 12, 1917, by Various, Edited by Owen Seamen</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Punch, or the London Charivari, Vol. 153, Sept. 12, 1917</p> +<p>Author: Various</p> +<p>Release Date: January 4, 2004 [eBook #10594]</p> +<p>Language: English</p> +<p>Character set encoding: iso-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 153, SEPT. 12, 1917***</p> +<br /> +<center><h3>E-text prepared by Jonathan Ingram,<br /> + Punch, or the London Charivari,<br /> + Sandra Brown,<br /> + and the Project Gutenberg Online Distributed Proofreading Team</h3></center> +<br /> +<hr class="full" /> +<h1>PUNCH,<br /> +OR THE LONDON CHARIVARI.</h1> +<h2>Vol. 153.</h2> +<hr class="full" /> +<h2>September 12th, 1917.</h2> +<hr class="full" /> +<span class="pagenum"><a name="page183" id="page183"></a>[pg +183]</span> +<h2>CHARIVARIA.</h2> +<p>The <i>Cologne Gazette</i> is of the opinion that the American +troops, when they arrive in France, will be hampered by their +ignorance of the various languages. But we understand that the +Americans can shoot in any language.</p> +<hr class="short" /> +<p>A weekly periodical is giving away a bicycle every other week. +Meanwhile <i>The Daily Telegraph</i> continues to give away a +Kaiser every day.</p> +<hr class="short" /> +<p>"I decline to have anything to do with the War," said a +Conscientious Objector to a North of England magistrate, "and I +resent this interference with my liberty." Indeed he is said to be +so much annoyed that he intends sending the War Office a jolly +snappy letter about it.</p> +<hr class="short" /> +<p>CHARLIE CHAPLIN says a gossip writer is coming to England in the +Autumn. This disposes of the suggestion that arrangements were +being made for England to be taken over to him.</p> +<hr class="short" /> +<p><i>Incidentally</i> we notice that CHARLIE CHAPLIN has become a +naturalised American, with, we presume, permission to use the rank +of Honorary Britisher.</p> +<hr class="short" /> +<p>Before a Northern Tribunal an applicant stated that he was +engaged in the completion of an invention which would enable dumb +people to speak or signal with perfection. He was advised, however, +to concentrate for a while on making certain Germans say +"Kamerad."</p> +<hr class="short" /> +<p>An Isle of Wight man has succeeded in growing a vegetable marrow +which weighs forty-three pounds. To avoid its being mistaken for +the island he has scratched his name and address on it.</p> +<hr class="short" /> +<p>Those in search of a tactless present will bear in mind that Mr. +MARK HAMBOURG has written a book entitled "How to Play the +Piano."</p> +<hr class="short" /> +<p>The great flagstaff at Kew Gardens, which weighs 18 tons and is +215 feet long, is not to be erected until after the War. This has +come as a great consolation to certain people who had feared the +two events would clash.</p> +<hr class="short" /> +<p>In Mid Cheshire there is a scarcity of partridges, but there is +plenty of other game in Derbyshire. The Mid-Cheshire birds are of +the opinion that this cannot be too strongly advertised.</p> +<hr class="short" /> +<p>Thirteen years after it was posted at Watford a postcard has +just reached an Ealing lady inviting her to tea, and of course she +rightly protested that the tea was cold.</p> +<hr class="short" /> +<p>An estate near Goole has been purchased for £118,000, the +purchaser having decided not to carry out his first intention of +investing that amount in a couple of boxes of matches.</p> +<hr class="short" /> +<p>Herr Erzberger is known among his friends as "The Singing +Socialist." We are afraid however that if he wants peace he will +have to whistle for it.</p> +<hr class="short" /> +<p>The Provisional Government in Russia, according to <i>The +Evening News,</i> has "always regarded an international debate on +the questions of war and pease as useful." But our Government, not +being exactly provisional, prefers to go on giving the enemy +beans.</p> +<hr /> +<div class="figcenter" style="width:33%;"><a href= +"images/183.png"><img width="100%" src="images/183.png" alt= +"" /></a> COMFORTING THOUGHT<br /> +When there are no taxis on your return from your holidays:<br /> +<p>"OUR TRUE STRENGTH IS TO KNOW OUR OWN +WEAKNESS."—<i>CHARLES KINGSLEY.</i></p> +</div> +<hr /> +<h3>THE END OF AN EPISODE.</h3> +<p>I write this in the beginning of a minor tragedy; if indeed the +severance of any long, helpful and sympathetic association can ever +be so lightly named. For that is precisely what our intercourse has +been these many weeks past; one of nervous and quickly roused +irritation on my part, of swift and gentle ministration on his.</p> +<p>At least once a day we have met during that period (and +occasionally, though rarely, more often), usually in those +before-breakfast hours when the temper of normal man is most +exacting and uncertain. But his temper never varied; the perfection +of it was indeed among his finest qualities. Morning after morning, +throughout a time that, as it chanced, has been full of distress +and disappointment, would his soothing and infinitely gentle touch +recall me to content. That stroking caress of his was a thing +indescribable; one before which the black shadows left by the hours +of night seemed literally to dissolve and vanish.</p> +<p>And now the long expected, long dreaded has begun to happen. He, +too, is turning against me, as so many others of his fellows have +done in the past. Who knows the reason? What continued roughness on +my part has at last worn out even him? But for some days now there +has been no misreading the fatal symptoms—increasing +irritability on the one side, harshness turning to blunt +indifference on the other. And this morning came the unforgivable +offence, the cut direct.</p> +<p>That settles it; to-morrow, with a still smarting regret, I +unwrap a new razor-blade.</p> +<hr /> +<h3>THE WHOLE HOG.</h3> +<blockquote>["Victorian love-making was at best a sloppy business +... modern maidens have little use for half measures.... Primitive +ideas are beginning to assert themselves."—<i>Daily +Paper.</i>]</blockquote> +<div class="poem"> +<div class="stanza"> +<p>Betty, when you were in your teens</p> +<p class="i2">And shielded from sensation,</p> +<p>Despite a lack of ways and means</p> +<p>In various appropriate scenes</p> +<p class="i2">I sighed my adoration.</p> +<p>You did not smile upon my suit;</p> +<p class="i2">Pallid I grew and pensive;</p> +<p>My disappointment was acute,</p> +<p>Life seemed a worthless thing and mute.</p> +<p>I moped, then tuned my laggard lute</p> +<p class="i2">And launched a new offensive.</p> +</div> +<div class="stanza"> +<p>Thus you were wooed in former days</p> +<p class="i2">When maids were won by waiting;</p> +<p>The modern lover finds it pays</p> +<p>To imitate the forceful ways</p> +<p class="i2">Of prehistoric mating.</p> +<p>Man is more primitive (a snub</p> +<p class="i2">Has no effect), so if you</p> +<p>Should still refuse a certain "sub."</p> +<p>He will not pine or spurn his grub,</p> +<p>But, seizing the ancestral club,</p> +<p class="i2">Into submission biff you.</p> +</div> +</div> +<hr /> +<h3>MAKING THE BEST OF BOTH WORLDS.</h3> +<blockquote>"As honorary organist at —— Wesleyan Church +he has established a sound and compact business as wholesale grocer +and Italian warehouseman."—<i>Provincial +Paper.</i></blockquote> +<hr /> +<blockquote>"Maid (superior) wanted for lady, gentleman, small +flat, strong girl, able to assist lady with +rheumatism."—<i>Glasgow Herald.</i></blockquote> +<p>If we hear of a small flat girl we will send her along; but this +shaped figure is rather out of fashion just now.</p> +<hr /> +<span class="pagenum"><a id="page184" name="page184"></a>[pg +184]</span> +<h2>THE SUPER-PIPE.</h2> +<p>When Jackson first joined the jolly old B.E.F. he smoked a pipe. +He carried it anyhow. Loose in his pocket, mind you. A pipe-bowl at +his pocket's brim a simple pipe-bowl was to him, and it was nothing +more. Of course no decent B.E.F. mess could stand that. Jackson was +told that a pipe was <i>anathema maranatha</i>, which is Greek for +<i>no bon.</i></p> +<p>"What will I smoke then?" said Jackson, who was no Englishman. +We waited for the Intelligence Officer to reply. We knew him. The +Intelligence Officer said nothing. He drew something from his +pocket. It was a parcel wrapped in cloth-of-gold. He removed the +cloth-of-gold and there was discovered a casket, which he unlocked +with a key attached to his identity disc. Inside the casket was a +padlocked box, which he opened with a key attached by gold wire to +his advance pay-book. Inside the box was a roll of silk. To cut it +all short, he unwound puttee after puttee of careful wrapping till +he reached a chamois-leather chrysalis, which he handled with +extreme reverence, and from this he drew something with gentle +fingers, and set it on the table-cloth before the goggle-eyed +Jackson.</p> +<p>"A pipe," said Jackson.</p> +<p>There was a shriek of horror. The Intelligence Officer fainted. +Here was wanton sacrilege.</p> +<p>"Man," said the iron-nerved Bombing Officer, "it's a +Brownhill."</p> +<p>"What's a Brownhill?" asked Jackson.</p> +<p>We gasped. How could we begin to tell him of that West End +shrine from which issue these lacquered symbols of a New +Religion?</p> +<p>The Intelligence Officer was reviving. We looked to him.</p> +<p>"The prophet Brownhill," he said, "was once a +tobacconist—an ordinary tobacconist who sold pipes."</p> +<p>We shuddered.</p> +<p>"He discovered one day that man wants more than mere pipes. He +wants a—a super-pipe, something to reverence +and—er—look after, you know, as well as to smoke. So he +invented the Brownhill. It is an <i>affaire de coeur</i>—an +affair of art," translated the I.O. proudly. "It is as glossy as a +chestnut in its native setting, and you can buy furniture polish +from the prophet Brownhill which will keep it always so. It has its +year, like a famous vintage, it has a silver wind-pipe, and it +costs anything up to fifty guineas."</p> +<p>"D'you smoke it'?" asked Jackson, brutally.</p> +<p>We gave him up. In awful silence each of us produced his +wrappings and his caskets, extracted the shining briar, smeared it +with cosmetics, and polished it more reverently than a peace time +Guardsman polishes his buttons when warned for duty next day at +"Buck."</p> +<hr class="short" /> +<p>And Jackson smoked his pipe in secret. He would take no leaf +from the book of the Sassenachs.</p> +<p>And the War went on.</p> +<hr class="short" /> +<p>Jackson went on leave. To his deep disgust he had to wait a few +hours in London on his way to more civilised parts, and fate led +him idling to Brownhill's. He flattened his Celtic nose on the +window and stared fascinated at the array of super-pipes displayed +there. After a furtive glance along the street he crept into the +temple. A white-coated priest met him. </></p> +<p>"I—I'm wantin'—a—a pipe," said Jackson. He saw +the priest reel and turn pale to the lips. "I should say a—a +Brownhill," he added hastily. The other man gulped, steadied +himself with an effort, and gave a ghastly smile. If you had walked +into a temple at Thibet and planked down sixpence and asked for an +idol wrapped up in brown paper you could not have done a more +dreadful thing than Jackson had done; but the priest forgave him +and produced in silence a trayful of Brownhills. Then was Jackson +like unto ELIA'S little Chinese boy with "the crackling." He +touched a briar and was converted. He stroked them as though they +were kittens, bought ten of them, a pound of polish, fifty silver +wind-pipes and a bale of chamois-leather. The priest took a deep +breath.</p> +<p>"You are a full-blooded man, Sir," said he, "if you will excuse +me saying so, and you should smoke in your new Brownhills a mixture +which has a proportion of Latakia to Virginian of one to +nineteen—a small percentage of glycerine and cucumber being +added because you have red hair, and the whole submitted to a +pressure of eighteen hundred foot-pounds to the square millimetre, +under violet rays. This will be known as 'Your Mixture,' Number +56785-6/11, and will be supplied to no one else on earth, except +under penalty of death.</p> +<p>"I will take a ton," said Jackson with glazing eyes.</p> +<p>This was a man after the priest's own heart. He took another +deep breath and dived into the strong-room. He returned under the +escort of ten armed men, each of them chained by the wrist to an +iron box, which he unlocked with difficulty. Inside the iron box +was a thing which Jackson a few months ago would have called a +pipe. He knew better now. In awful silence the priest lifted it +from its satin bed. "This," he whispered, "was once smoked by +Brownhill himself."</p> +<p>Jackson put out a hand to take it. The priest hesitated, then +laid it gently on his customer's palm.</p> +<p>And Jackson dropped it.</p> +<p>Jackson has never been heard of since.</p> +<hr /> +<h3>THE FAIRIES HAVE NEVER A PENNY TO SPEND.</h3> +<div class="poem"> +<div class="stanza"> +<p>The fairies have never a penny to spend,</p> +<p class="i2">They haven't a thing put by,</p> +<p>But theirs is the dower of bird and of flower,</p> +<p class="i2">And theirs are the earth and the sky.</p> +<p>And though you should live in a palace of gold</p> +<p class="i2">Or sleep in a dried-up ditch,</p> +<p>You could never be poor as the fairies are,</p> +<p class="i6">And never as rich.</p> +</div> +<div class="stanza"> +<p>Since ever and ever the world began</p> +<p class="i2">They have danced like a ribbon of flame,</p> +<p>They have sung their song through the centuries long,</p> +<p class="i2">And yet it is never the same.</p> +<p>And though you be foolish or though you be wise,</p> +<p class="i2">With hair of silver or gold,</p> +<p>You could never be young as the fairies are</p> +<p class="i6">And never as old.</p> +</div> +</div> +<p>R. F.</p> +<hr /> +<h3>RARA AVIS.</h3> +<p>From a cigarette-card:—</p> +<blockquote> +<h5>"REED WARBLER.</h5> +<h6><i>"Acrocephalus streperus.</i></h6> +"This bird is found in nearly every part of the British Islands. It +builds a nest about a foot off the ground in the reed beds, and is +formed of grass, horse hair and sometimes feathers."</blockquote> +<hr /> +<p>From a list of medallists of the new Order of the British +Empire:—</p> +<blockquote>"G. P. Hamlet.—For courage in persisting with +dangerous work, with a certainty of suffering from poisoning as a +result."</blockquote> +<p>Just like his illustrious namesake.</p> +<hr /> +<blockquote>"Melbourne, Friday.<br /> +<br /> +"The House of Representatives to-day passed the second reading of +the War Times Profits Tax Assessment Bill. The tax will be 50 per +cent. for the year ending June 30, 191161, and 75 per cent. for +afterwards.—Reuter."<br /> +<br /> +<i>Aberdeen Paper.</i></blockquote> +<p>Well, well, we need not worry.</p> +<hr /> +<blockquote>"What is being fought out is a long-drawn battle for +the important shipping port of Trieste, with the whole of the +railway and road communications of the Iberian Peninsula."<br /> +<i>The People.</i></blockquote> +<p>Rather a shock for Madrid.</p> +<hr /> +<span class="pagenum"><a name="page185" id="page185"></a>[pg +185]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/185.png"><img width="100%" src="images/185.png" alt= +"" /></a> +<h3>THE REVERSE OF THE MEDAL.</h3> +<p>OPTIMISTIC GERMAN <i>(reading paper).</i> "THIS IS KOLOSSAL! OUR +IRRESISTIBLE AIRMEN HAVE AGAIN, FOR THE TWENTIETH TIME, DESTROYED +LONDON."</p> +<p>GLOOMY DITTO. "THAT BEING SO, LET'S HOPE THEY'LL STOP THOSE +CURSED BRITISH AIRMEN FROM BOMBING OUR LINES EVERY DAY AND +NIGHT."</p> +</div> +<hr /> +<span class="pagenum"><a name="page186" id="page186"></a>[pg +186]</span> +<h2>A STUDY IN SYMMETRY.</h2> +<p>The following story, however improbable it may seem to you, is +true.</p> +<p>Once upon a time there was an artist with historical leanings +not unassociated with the desire for pelf—pelf being, even to +idealists, what petrol is to a car. The blend brought him one day +to Portsmouth, where the <i>Victory</i> lies, with the honourable +purpose of painting a picture of that famous ship with NELSON on +board. What the ADMIRAL was doing I cannot say—most probably +dying—but the artist's intention was to make the work as +attractive as might be and thus draw a little profit from the wave +of naval enthusiasm which was then passing over the country; for +not only was the picture itself to be saleable, but reproductions +were to be made of it.</p> +<p>Permission having been obtained from the authorities, the artist +boarded the <i>Victory</i>, set up his easel on her deck and +settled down to his task, the monotony of which was pleasantly +alleviated by the chatter of the old salts who guard the ship and +act as guides to the tourists who visit her. All of these estimable +men not only possessing views on art, but having come by now to the +firm belief that they had fought with NELSON, their criticisms were +not too easily combated and the artist hadn't a tedious moment. +Thus, painting, conversing and learning (as one can learn only from +a trained imparter of information), three or four days passed +quickly away and the picture was done.</p> +<p>So far there has been nothing—has there?—to strain +credulity. No. But a time will come—is, in fact, upon us.</p> +<p>On the evening of the last day, as the artist was sitting at +early dinner with a friend before catching the London train, his +remarks turned (as an artist's sometimes will) upon the work upon +which he had just been engaged. He expressed satisfaction with it +in the main, but could not, he said, help feeling that its chances +of becoming a real success would be sensibly increased if he could +find as a model for the central figure some one whose resemblance +to NELSON was noticeable.</p> +<p>"There are, of course," he went on, "at the same time—that +is to say, among contemporaries—no two faces exactly alike. +That is an axiom. Strange as it may sound, among all the millions +of countenances with two eyes, a nose in the middle and a mouth +below it, some difference exists in each. That is, as I say, among +contemporaries: in the world at this moment in which I am speaking. +But," he continued, warming to his subject, for, as you will have +already gathered, he was not one of the taciturn brush-brotherhood, +"after the lapse of years I see no reason why nature should not +begin precisely to reproduce physiognomies and so save herself the +trouble of for ever diversifying them. That being so—and +surely the hypothesis is not too far-fetched"—here his friend +said, "No, not at all—oh no!"—"why," the artist +continued, "should there not be at this moment, more than a century +later, some one whose resemblance to NELSON is exact? He would not +be necessarily a naval man—probably, indeed, not, for +NELSON's face was not characteristic of the sea—but whoever +he was, even if he were an archbishop, I," said the painter firmly, +"should not hesitate to go up to him and ask him to sit to me."</p> +<p>The friend agreed that this was a very proper attitude and that +it betokened true sincerity of purpose.</p> +<p>"NELSON's face," the painter continued, "was an uncommon one. So +large and so mobile a mouth is rare. But I have no doubt that a +duplicate exists, and no matter who is the owner of it, even were +he an archbishop, I should not hesitate to go up and ask him to sit +to me."</p> +<p>(For the benefit of any feminine reader of this veracious +history I should say that the repetition which she has just noticed +is not an accident, but has been carefully set down. It is an +attempt to give verisimilitude to the conversation—because +men always say things like that twice.)</p> +<p>The friend again remarked that the painter's resolve did him +infinite credit, and the two started for the station, still +conversing on the same theme.</p> +<p>On entering their carriage the first thing to take their +attention was a quiet little man in black, who was the absolute +double of the hero of Trafalgar.</p> +<p>"Good gracious!" whispered the painter excitedly, "do you see +that? There's the very man. The likeness to NELSON is astonishing. +I never saw anything like it. I don't care who he is, I must tackle +him. It's the most extraordinary chance that ever occurred."</p> +<p>Assuming his most silky and deferential manner—for, though +clearly not an archbishop, unless in mufti, this might yet be a +person of importance—the painter approached the stranger and +tendered a card.</p> +<p>"I trust, Sir, that you will excuse me," he began, "for the +liberty I am taking, but I am an artist and I happen to be engaged +on a picture of NELSON on the <i>Victory</i>. I have all the +accessories and so forth, but what I very seriously need is a brief +sitting from some gentleman with a likeness to the great little +Admiral. Such, Sir, as yourself. It may be news to you—it +probably is—but you, Sir, if I may say so, are so like the +famous and immortal warrior as almost to take one's breath away. It +is astonishing, wonderful! Might I—would it be—could +you—would you, Sir, be so very kind as to allow me to paint +you? I would, of course, make every effort not to inconvenience +you—I would arrange so that your time should be mine."</p> +<p>"Of course I will, guvnor," said the man. "I'm a professional +model and I've been sitting for NELSON for years. Why, I've been +doing it for an artist this very afternoon."</p> +<hr /> +<div class="figcenter" style="width:50%;"><a href= +"images/186.png"><img width="100%" src="images/186.png" alt= +"" /></a> +<h3>Our Restricted Coast Amusements.</h3> +<p><i>Vendor</i>. "ALL THE OFFICIAL 'OLIDAY FUN. FLY THE PATRIOTIC +KITES AND ANNOY THE GOTHAS!</p> +</div> +<hr /> +<span class="pagenum"><a name="page187" id="page187"></a>[pg +187]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/187.png"><img width="100%" src="images/187.png" alt= +"" /></a> <i>Physical Drill Instructor (to Weak-kneed Recruit)</i>. +"NAH THEN! IF YOU'RE A-GOING TER JUMP—<i>JUMP!"</i></div> +<hr /> +<h3>A LOST LAND.</h3> +<h5>(TO GERMANY.)</h5> +<div class="poem"> +<div class="stanza"> +<p>A childhood land of mountain ways,</p> +<p>Where earthy gnomes and forest fays,</p> +<p>Kind foolish giants, gentle bears,</p> +<p>Sport with the peasant as he fares</p> +<p>Affrighted through the forest glades,</p> +<p>And lead sweet wistful little maids</p> +<p>Lost in the woods, forlorn, alone,</p> +<p>To princely lovers and a throne.</p> +<hr class="left" /> +<p>Dear haunted land of gorge and glen,</p> +<p>Ah me! the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>A learned land of wise old books</p> +<p>And men with meditative looks,</p> +<p>Who move in quaint red-gabled towns</p> +<p>And sit in gravely-folded gowns,</p> +<p>Divining in deep-laden speech</p> +<p>The world's supreme arcana—each</p> +<p>A homely god to listening Youth</p> +<p>Eager to tear the veil of Truth;</p> +<hr class="left" /> +<p>Mild votaries of book and pen—</p> +<p>Alas, the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>A music land, whose life is wrought</p> +<p>In movements of melodious thought;</p> +<p>In symphony, great wave on wave—</p> +<p>Or fugue, elusive, swift, and grave;</p> +<p>A singing land, whose lyric rhymes</p> +<p>Float on the air like village chimes:</p> +<p>Music and Verse—the deepest part</p> +<p>Of a whole nation's thinking heart!</p> +<hr class="left" /> +<p>Oh land of Now, oh land of Then!</p> +<p>Dear God! the dreams, the dreams of men!</p> +</div> +<div class="stanza"> +<p>Slave nation in a land of hate,</p> +<p>Where are the things that made you great?</p> +<p>Child-hearted once—oh, deep defiled,</p> +<p>Dare you look now upon a child?</p> +<p>Your lore—a hideous mask wherein</p> +<p>Self-worship hides its monstrous sin:—</p> +<p>Music and verse, divinely wed—</p> +<p>How can these live where love is dead?</p> +<hr class="left" /> +<p>Oh depths beneath sweet human ken,</p> +<p>God help the dreams, the dreams of men!</p> +</div> +</div> +<hr /> +<blockquote>"The Blessington Papers are included with all their +atmosphere of distinguished High Bohemia. Among them are some +interesting Disraeli letters—he was ever her staunch friend +from the early 'thirties to the late 'forties, when his son had +risen and her's—how brilliant!—had +set."—<i>Saturday Review</i>.</blockquote> +<p>And up to the present we had been under the impression that both +these distinguished persons were childless.</p> +<hr /> +HINT FOR HORTICULTURISTS. +<blockquote>"Mr. ——, undertaker, of Temuka, improved +his plant by the purchase of a new hearse."—<i>Timaru Herald +(New Zealand)</i>.</blockquote> +<hr /> +<blockquote>"Mr. —— hopes shortly to be seen again in +revue in the Wet End."—<i>Pall Mall Gazette</i>.</blockquote> +<p>Or, as the CENSOR would put it, "somewhere in England."</p> +<hr /> +<blockquote><i>Daily Mail</i> (Ordinary Edition), 3 September, +1917: "Lord Halsbury is 92 to-day."<br /> +<br /> +<i>Times</i> (Late War Edition), 3 September, 1917: "The Earl of +Halsbury is 94 to-day."</blockquote> +<p>Yet, from personal observation, one would never believe that the +EX-LORD CHANCELLOR was ageing so rapidly.</p> +<hr /> +<p>From "German Official":—</p> +<blockquote>"With the use of numerous tanks and aeroplanes, flying +at a low altitude, the English infantry soon after advanced to the +attack on this front."—<i>Evening Paper</i>.</blockquote> +<p>Now that the enemy has given away the secret of our new weapon +the CENSOR might let us know more of our flying Tanks.</p> +<hr /> +<blockquote>"Prisoner then seized her round the throat with both +hands and hit her on the head with a steel +case-opener."—<i>Daily Paper</i>.</blockquote> +<p>Which, presumably, he carried in his teeth.</p> +<hr /> +<span class="pagenum"><a name="page188" id="page188"></a>[pg +188]</span> +<h3>THE SUNFLOWER.</h3> +<p>"Have you," said Francesca, "seen our sunflowers lately?"</p> +<p>"Yes," I said, "I've kept an eye on them occasionally. It's a +bit difficult, by the way, not to see them, isn't it?"</p> +<p>"Well," she said, "perhaps they are rather striking."</p> +<p>"Striking!" I said. "I never heard a more inadequate word. I +call them simply overwhelming—the steam-rollers of the +vegetable world. Look at their great yellow open faces."</p> +<p>"I never," said Francesca, "saw a steam-roller with a face. +You're mixing your metaphors."</p> +<p>"And," I said, "I shall go on mixing them as long as you grow +sunflowers. It's the very least a man can do by way of +protest."</p> +<p>"I don't know why you should want to protest. The seed makes +very good chicken-food."</p> +<p>"Yes, I know," I said, "that's what you always said."</p> +<p>"And I bet," she said, "you've repeated it. When you've met the +tame Generals and Colonels at your club, and they've boasted to you +about their potatoes, I know you've countered them with the story +of how you've turned the whole of your lawn into a bed of +sunflowers calculated to drive the most obstinate hen into laying +two eggs a day, rain or shine."</p> +<p>"I admit," I said, "that I may have mentioned the matter +casually, but I never thought the things were going to be like +this. When I first knew them and talked about them they were tender +little shoots of green just modestly showing above the ground, and +now they're a forest primeval. The murmuring pines and the hemlock +aren't in it with this impenetrable jungle liberally blotched with +yellow, this so-called sunflower patch."</p> +<p>"What would you call it," she said, "if you didn't call it +sunflower?"</p> +<p>"I should call it a beast of prey," I said. "A sunflower seems +to me to be more like a tiger than anything else."</p> +<p>"It was a steam-roller about a minute ago."</p> +<p>"Yes," I said, "it was—a tigerish steam-roller."</p> +<p>"How interesting," she said. "I have not met one quite like +that."</p> +<p>"That," I said, "is because your eye isn't properly poetical. +It's blocked with chicken-food and other utilitarian objects."</p> +<p>"I must," she said, "consult an oculist. Perhaps he will give me +glasses which will unblock my eye and make me see tigers in the +garden."</p> +<p>"No," I said, "you will have to do it for yourself. For such an +eye as yours even the best oculists are unavailing."</p> +<p>"I might," she said, "improve if I read poetry at home. Has any +poet written about sunflowers?"</p> +<p>"Yes," I said, "BLAKE did. He was quite mad, and he wrote a poem +to a sunflower: 'Ah! Sunflower! Weary of time.' That's how it +begins."</p> +<p>"Weary of time!" she said scornfully. "That's no good to me. I'm +weary of having no time at all to myself."</p> +<p>"That shows," I said, "that you're not a sunflower."</p> +<p>"Thank heaven for that," she said. "It's enough to have four +children to look after—five including yourself."</p> +<p>"My dear Francesca," I said, "how charming you are to count me +as a child! I shall really begin to feel as if there were golden +threads among the silver."</p> +<p>"Tut-tut," she said, "you're not so grey as all that."</p> +<p>"Yes, I am," I said, "quite as grey as all that and much greyer; +only we don't talk about it."</p> +<p>"But we <i>do</i> talk about sunflowers," she said, "don't +we?"</p> +<p>"If you'll promise to have the beastly glaring things dug +up—"</p> +<p>"Not," she said, "before we've extracted from them their last +pip of chicken-food."</p> +<p>"Well, anyhow," I said, "as soon as possible. If you'll promise +to do that I'll promise never to mention them again."</p> +<p>"But you'll lose your reputation with the Generals and +Colonels."</p> +<p>"I don't mind that," I said, "if I can only rid the garden of +their detested presence."</p> +<p>"My golden-threaded boy," said Francesca, "it shall be as you +desire."</p> +<p>R. C. L.</p> +<hr /> +<h3>CONSTABLE JINKS.</h3> +<div class="poem"> +<div class="stanza"> +<p>Our village policeman is tall and well-grown,</p> +<p>He stands six feet two and he weighs sixteen stone;</p> +<p>His gait is majestic, his visage serene,</p> +<p>And his boots are the biggest that ever I've seen.</p> +</div> +<div class="stanza"> +<p>Fame sealed his renown with a definite stamp</p> +<p>When two German waiters escaped from a camp.</p> +<p>Unaided he captured those runaway Huns</p> +<p>Who had lived for a week on three half-penny buns.</p> +<p>When a derelict porpoise was cast on the shore</p> +<p>Our village policeman was much to the fore;</p> +<p>He measured the beast from its tip to its tail,</p> +<p>And blandly pronounced it "an undersized whale."</p> +</div> +<div class="stanza"> +<p>When a small boy was flying his kite on the links</p> +<p>It was promptly impounded by Constable Jinks,</p> +<p>Who astutely remarked that it might have been seen</p> +<p>By the vigilant crew of a Hun submarine.</p> +</div> +<div class="stanza"> +<p>It is sometimes alleged that great valour he showed</p> +<p>When he chased a mad cow for three miles on the road;</p> +<p>But there's also another account of the hunt</p> +<p>With a four-legged pursuer, a biped in front.</p> +</div> +<div class="stanza"> +<p>If your house has been robbed and his counsel you seek</p> +<p>He's sure to look in—in the course of the week,</p> +<p>When his massive appearance will comfort your cook,</p> +<p>Though he fails in the bringing of culprits to book.</p> +</div> +<div class="stanza"> +<p>His <i>obiter dicta</i> on life and the law</p> +<p>Set our ribald young folk in a frequent guffaw;</p> +<p>But the elders repose an implicit belief</p> +<p>In so splendid a product of beer and of beef.</p> +</div> +<div class="stanza"> +<p>He's the strongest and solidest man in the place,</p> +<p>Nothing—short of mad cattle—can quicken his +pace;</p> +<p>His moustache would do credit to any dragoon,</p> +<p>And his voice is as deep as a double bassoon.</p> +</div> +<div class="stanza"> +<p>His complexion is perfect, his uniform neat,</p> +<p>He rivets all eyes as he stalks down the street;</p> +<p>And I doubt if his critics will ever complain</p> +<p>Of his being a little deficient in brain.</p> +</div> +<div class="stanza"> +<p>For he's more than a man; he's a part of the map;</p> +<p>His going would cause a deplorable gap;</p> +<p>And the village would suffer as heavy a slump</p> +<p>As it would from the loss of the old parish pump.</p> +</div> +</div> +<hr /> +<h3>A HAPPY JUXTAPOSITION.</h3> +<blockquote>"CHEAPER MATCHES. | FRESH LIGHT ON THE KAISER'S +PLOTS."<br /> +<i>Daily Mirror.</i></blockquote> +<p>From the report of a Royal investiture:—</p> +<blockquote>"The first officer to mount the dais was Major +——, who wore the broad-brimmed slouch hat of the +Austrian Infantry."<br /> +<i>North China Daily News.</i></blockquote> +<p>A souvenir, of course.</p> +<hr /> +<span class="pagenum"><a name="page189" id="page189"></a>[pg +189]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/189.png"><img width="100%" src="images/189.png" alt= +"" /></a> +<h3>SUPPLY AND DEMAND.</h3> +</div> +<hr /> +<span class="pagenum"><a name="page190" id="page190"></a>[pg +190]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/190.png"><img width="100%" src="images/190.png" alt= +"" /></a> +<i>Mother (to maid, who has offered Marjorie some jam).</i> "OH +NO, THANK YOU, NOT WITH THE <i>FIRST</i> PIECE."<br /> +<i>Marjorie.</i> "BUT, MUMMY, I HAVE GIVEN UP HAVING A FIRST +PIECE NOW—WAR ECONOMY." +</div> +<hr /> +<h3>THE TRENCH CODE.</h3> +<div class="poem"> +<div class="stanza"> +<p>Ah! with what awe, what infantile impatience,</p> +<p class="i2">We eyed the artifice when issued out,</p> +<p>And racked our brains about the Regulations,</p> +<p class="i2">And tried to think we had them free from doubt!</p> +<p>As Rome's old Fathers, reverently leaning</p> +<p class="i2">In secret cellars o'er the Sibyl's strain,</p> +<p class="i6">Beyond the fact that several pars</p> +<p class="i6">Had something vague to do with Mars,</p> +<p>Failed, as a rule, to find the smallest meaning,</p> +<p class="i2">But told the plebs the oracle was plain.</p> +</div> +<div class="stanza"> +<p>So did we study it, ourselves deceiving,</p> +<p class="i2">In hope to say, "We have no rations here,"</p> +<p>Or, "Please, Brigade, this regiment wants relieving,"</p> +<p class="i2">And "Thank you for the bombs—but why no +beer?"</p> +<p>And wondered always, with a hint of presage,</p> +<p class="i2">Since never word emerged as it was planned,</p> +<p class="i6">If it was Hermes, Lord of Craft,</p> +<p class="i6">Compiled the code, or someone daft,</p> +<p>So that no mortal could compose a message</p> +<p class="i2">Which anybody else could understand.</p> +</div> +<div class="stanza"> +<p>Too soon the Staff, to spoil our tiny slumbers,</p> +<p class="i2">Or, as they said, to certify our skill,</p> +<p>Sent us a screed, all signs and magic numbers,</p> +<p class="i2">And what it signified is mystery still.</p> +<p>We flung them back a message yet more mazy</p> +<p class="i2">To say we weren't unravelling their own,</p> +<p class="i6">And marked it <i>urgent</i>, and designed</p> +<p class="i6">That it should reach them while they dined.</p> +<p>All night they toiled, till half the crowd were crazy</p> +<p class="i2">And bade us breathe its burthen o'er the 'phone.</p> +</div> +<hr class="left" /> +<div class="stanza"> +<p>But now they want it back—<i>and it is missing!</i></p> +<p class="i2">And shall one patriot heart withhold a throb?</p> +<p>For four high officers have been here, hissing,</p> +<p class="i2">And plainly panicky about their job.</p> +<p>I know they think some dark, deluded bandit</p> +<p class="i2">Has gone and given it to KAISER BILL.</p> +<p class="i6">But though I'm grieved the General's cross,</p> +<p class="i6">I have no qualms about the loss—</p> +<p>If clever men like us can't understand it,</p> +<p class="i2">I don't suppose the Wilhelmstrasse will!</p> +</div> +</div> +<p>A. P. H.</p> +<hr /> +<h3>SPREAD OF THE TEMPERANCE MOVEMENT.</h3> +<blockquote>"I, J.A.H. De la Bere, of Woolsevy Rectory, Morchard +Bishop, Devon, desire to Alter my Surname to De la +Fontaine."—<i>Times.</i></blockquote> +<hr /> +<blockquote> +<center>"WANTED</center> +end August in Swiss family (2 persons) living in villa near +Lausanne +<center>NURSERY'S MAID</center> +able to saw, iron attend at table and take entire care of healthy +baby 19 months old Good English accent serious references." <i>La +Tribune de Lausanne.</i></blockquote> +<p>We are glad to hear that the baby has a good English accent; he +will be able to employ it with effect when the Nursery's Maid +begins to saw and iron him.</p> +<hr /> +<blockquote>"In the cases in which the surgeon his obliged to vast +empty a bone so that offers then itself difficulties therapeuticals +not little because of pus and consequenty becauses of impossibility +of transplantations, plastics, plombages ecc., the A. propose to go +on the bone with specials inesions, not on the surface when the +bone is most superficial, but from the surface in which are +aboundings and easily cessible wet tissue, removing the margin of +the bone's cavity and mathing in mode as, by cause of repaidis +process, this tissue by hemselves adhere to a ground of cavity and +full it."—<i>La Clinica Chirurgica.</i></blockquote> +<p>That makes it perfectly clear.</p> +<hr /> +<span class="pagenum"><a name="page191" id="page191"></a>[pg +191]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/191.png"><img width="100%" src="images/191.png" alt= +"" /></a> +<h3>"AVANTI, SAVOIA!"</h3> +</div> +<hr /> +<span class="pagenum"><a name="page192" id="page192"></a>[pg +192]</span> +<h2>A DAUGHTER OF THE BACK STEPPES.</h2> +<blockquote class="note"><i>(Russia may not yet be quite +sufficiently herself to be the martial ally that we could desire, +but she still continues to send us the most delightful fiction. Mr. +PUNCH is privileged in being able to offer his readers the opening +of a new and fascinating story translated from the Russian of +Ghastlilkoff.)</i></blockquote> +<p>I was born in the year 18—, and I have never ceased to +regret it. I lived with my grandmother. She was called Natasha. I +do not know why. She had a large mole on her left cheek. Often she +would embrace me with tears and lament over me, crying, "My little +sad one, my little lonely one!" Yet I was not sad; I had too many +griefs. Nor was I lonely, for I had no playmates.</p> +<p>Often my grandmother told me I was ugly. I had no mirror, so I +believed her. When I was sixteen a man I met in the street went mad +for love of me and cut his throat. For the first time in my life I +wondered if my grandmother always spoke the truth. I went home and +wept, but when she asked me why I could not tell her.</p> +<p>Our house was quite dark. It had three rooms leading in and out +of one another, and no windows. There was not much fresh air. Every +morning my grandmother went out to buy otchkza and pickled onions. +The man who sold them was very old. He had a cast in each eye. He +inquired of my grandmother if she would allow him to be my husband, +but she refused. His name I do not remember.</p> +<p>Our neighbours were very pleasant people, kindly and simple. +There was a half-witted youth called Krop. He used to fill his +mouth with large brass-headed nails. I did not dare to go near him, +for he always tried to bite my arms. One day I learned that he had +died. My grandmother bought me black silk mittens to wear at his +funeral. I was very proud, and ran out into the road to show them +to the other children. But in my haste I split them across from +seam to seam, and my grandmother whipped me and put me to bed.</p> +<p>My grandmother's chief friend was a woman who sold toasted +cheese. It was her custom to bring round the delicacy on a small +hand-cart and sell to the children for a few kopecks. This woman +was reputed to be very rich. She was not beautiful, for she had no +teeth, and had hair on her face. The first time I saw her I ran +into the house and hid behind the large barrel of butter-milk. My +grandmother took me by the ear and led me to her friend.</p> +<p>"This is Ilonoka," she said. "She is a good girl."</p> +<p>I remember that I cried very loud.</p> +<p>Afterwards my grandmother told me that perhaps the woman would +leave me all her money. Next time she came I wished to speak to +her, but unfortunately I had a quinsy. When the woman eventually +died it was discovered that she had been destitute for a long time. +She left her hand-cart by will to my grandmother, and in her +disappointment my grandmother beat me over the head with it. Soon +afterwards my hair began to come out, and my grandmother said it +was time I found a husband.</p> +<p>Accordingly she went next door, where lived a woman with five +sons. They were all out except one, and he had a sore leg. She +brought him to me, and I cried very bitterly. He also. His name was +Ivan, and I wished it had been Peter.</p> +<p>The next day we were betrothed, and all our friends came to eat +the feast that my grandmother provided. A school-fellow of mine, a +very beautiful girl, was angry because I had a husband and not she. +She scratched my face, and the blood ran on to my dress. Our +friends congratulated us, and when they had gone my grandmother +said it had been a great success. She and I finished what was left +of the feast and went to bed. I remember that my feet were very +cold, and when I fell asleep I dreamed that my betrothed's name was +Peter. When I awoke I cried very loud, and my grandmother slapped +my cheeks.</p> +<p>Shortly afterwards she died, and I went to live with my uncle, +who was a pawnbroker in Moscow.</p> +<hr /> +<h2>THE LONG-FACED CHUMS.</h2> +<div class="poem"> +<div class="stanza">When Alexander won the world he knew not bombs +nor guns,<br /> +<br /> +<p>His simple forms of frightfulness were quite unlike the +Huns';</p> +<p>'Twas not by barking mortars that the pushful CAESAR scored;</p> +<p>He trusted close formations and the silent stabbing sword.</p> +</div> +<div class="stanza"> +<p>When ROLAND'S rearguard turned at bay, and from the furious +press</p> +<p>The scuppered Paladin sent forth his famous S.O.S.,</p> +<p>Scared Roncesvalles rang loud with war, as misty legends +tell,</p> +<p>But echo's ear was spared the shriek and crash of bursting +shell.</p> +</div> +<div class="stanza"> +<p>So could you meet the shades of those whose prowess made +Romance,</p> +<p>You'd find them only puzzled by your tales of stunts in +France;</p> +<p>You'd have to cut the business out, and be content to chat</p> +<p>Of rations, grub, and officers—such odds and ends as +that,</p> +</div> +<div class="stanza"> +<p>Unless you chanced to entertain some true rough-rider's +ghost,</p> +<p>Who galloped after HANNIBAL, or with the Parthian host,</p> +<p>Some curled Assyrian prince who pranced, bareback, along a +frieze—</p> +<p>Or one of RUPERT'S <i>beaux sabreurs</i>—a +horseman—whom you please.</p> +</div> +<div class="stanza"> +<p>With chosen spirits such as those your talk need never end</p> +<p>If you are worthy of your spurs and count a horse your +friend.</p> +<p>Just ask them "Did you clip trace-high?" or "Did you chaff your +hay?"</p> +<p>Or boast about the gee you ride, and they'll have lots to +say.</p> +</div> +<div class="stanza"> +<p>Cut out the talk of battle's din, of whizz-bangs and of +crumps,</p> +<p>Of bombs and gas and hand-grenades, of mines and blazing +dumps;</p> +<p>If you would wake their sympathy and warm their hearts +indeed</p> +<p>Describe a Squadron watering, and then the fuss at "Feed!"</p> +</div> +<div class="stanza"> +<p>That lively bustle has a charm to wake a mummy's ear</p> +<p>Who, ere the Pyramids were planned, was mustered charioteer;</p> +<p>And many a horseman's spirit thrills by Lethe's drowsy brink</p> +<p>When in a strange, familiar dream his Troop comes down to +drink!</p> +</div> +</div> +<hr /> +<p>From "The Story of the Haldane Missions":—</p> +<blockquote>"The Kaiser laughingly remarked that he had better have +the high chair (in which the Kaiser usually sat at his council +meetings). He also gave Lord Haldane an Imperial cigar.... While +discussing the naval question, the Kaiser took a copy of the new +Naval Bill out of his pocket and handed it to Lord Haldane, who +transferred it to his pocket without looking at it."—<i>Daily +Chronicle.</i></blockquote> +<p>He probably thought it was another of the Imperial cigars.</p> +<hr /> +<span class="pagenum"><a name="page193" id="page193"></a>[pg +193]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/193.png"><img width="100%" src="images/193.png" alt= +"" /></a> +<p>Grocer-fiend (who has treated three preceding customers to (a) +"We ain't got no sugar;" (b) "We have none, Madam;" and (c) "No +sugar in the shop'—to boy). "BE OFF. WE'VE GOT NO SUGAR!"</p> +<p><i>Boy.</i> "I DIDN'T ASK FOR NO SUGAR. I WANT A PENNORTH O' +SODA—AN' THAT'S TAKEN THE' BLOOMING SWANK OUT OF YOU, AIN'T +IT?"</p> +</div> +<hr /> +<h3>A STRAIGHT TALK WITH L. G.</h3> +<blockquote class="note"><i>(Everyone has views as to how to win +the War, but not all are vocal, or—shall we +say?—vociferous. If Mr. LLOYD GEORGE reads all the papers (as +their Editors of course expect him to do) he cannot have missed +quite a number of powerful articles in the following manner. And +even if he should miss one or two it would not matter, because +there is always another in preparation.)</i></blockquote> +<p>I've always said that the PREMIER shouldn't be bothered with +Parliament. Of course I've said too that our old friend Demos, the +new god, should have a say in affairs; but that's an inconsistency +that doesn't count in the least, does it?</p> +<p>Now then, Mr. PREMIER, you've got the chance of your lifetime. I +always said you were a lucky devil—in fact, I never met the +Welshman that wasn't.</p> +<p>You see, Parliament's in recess, and all its trivial overpaid +Members are playing golf and things. You've got absolutely a free +hand if only you'll take it. It's quite easy and bound to succeed. +You've only got to do as I tell you.</p> +<p>For instance, you want to buck up HAIG and the people at the +Front. It's no use them telling you they know best, being on the +spot. That's only bluff, old man. Don't take any notice of them, +but just order a big general offensive; and before you can say Jack +Robinson we'll have the Huns behind the Rhine.</p> +<p>And do tell the Navy to get a move on. I'm glad to see my +articles have made you change the heads at the Admiralty; and of +course that's all very well so far as it goes. But it doesn't go +far enough. <i>Have a chat with BEATTY about it.</i> Get him to +root the Huns out. He can bombard Ostend and Zeebrugge and all +those funny little places in two-twos. Tell KING ALBERT not to +mind. We'll easily slap up new towns for him after the War, built +on the speedy American principle.</p> +<p>Then about that aerial offensive. There's really been quite +enough talk about it. We want some action, Mr. PREMIER. Isn't it +time it came off? Think what a bombardment of Cologne (taking care +of the cathedral, <i>of course</i>), Frankfurt, Berlin, Essen and +Hamburg would do, not to mention other places that I could if I had +an atlas.</p> +<p>And about those pacifists. Just clap the whole lot in gaol. +That's the best place for them. I won't object in the least, even +though I am the apostle of freedom.</p> +<p>Then there are lots and lots of other things you might do. You +might deliver a reasoned manifesto to the Russian people and buck +them up a bit. That won't do anybody any harm, and <i>it'll be +getting on with the War</i>, my little Welshman.</p> +<p>Well, there are a few points for you to go on with. You've got +the brains to think of more, otherwise I wouldn't have helped to +put you where you are to-day. But remember that if you <i>don't</i> +do these things Demos is waiting round the corner for you.</p> +<p>Demos is a good dog—a patient animal. But there's an end +even to his patience. Growl, Demos, and show you're not afraid of +Welshmen!</p> +<p>("Grrr——!" Good dog! Good dog!)</p> +<p>Now then, old boy, I've shown you the way. <i>It's up to +you!</i></p> +<hr class="short" /> +<blockquote>Another powerful article on these lines will appear +next week.<br /> +[But not in <i>Punch</i>.-ED.]</blockquote> +<hr /> +<span class="pagenum"><a name="page194" id="page194"></a>[pg +194]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/194.png"><img width="100%" src="images/194.png" alt= +"" /></a> +<table width="100%" summary=""> +<tr> +<th width="50%"><i>Caller at the Office of The Inventions +Board.</i> "'DURING WAR PREPARE FOR PEACE'—THAT MUST BE OUR +MOTTO! AND MY SPECIAL PATENT SHELL-CASE IS THE VERY THING. A +SHELL-CASE TO-DAY——</th> +<th width="50%">——AND A BLANC-MANGE MOULD +TO-MORROW."</th> +</tr> +</table> +</div> +<hr /> +<h2>THE ONLY OTHER TOPIC.</h2> +<p>"I shot a marrow into the—I mean I cut a marrow two feet +seven inches long yesterday," said the man in the corner seat.</p> +<p>"What did it weigh?" we asked anxiously. After two months of +them potatoes had somewhat palled. We were growing rather tired of +marrows, but we waited eagerly for his answer,</p> +<p>"Twenty-six pounds nine and three-quarter ounces."</p> +<p>Disappointment again. Our hopes were dashed to the ground. Some +obscure individual, according to the local press, had produced from +his humble cottage garden a marrow weighing thirty-four pounds, and +the thing rankled.</p> +<p>"Mine was a scraggy specimen, more like an Indian club than a +marrow."</p> +<p>"Crossed in love, perhaps," said Dalton.</p> +<p>"What your marrow wanted was nourishment," said the Authority. +"A piece of worsted round its neck, with one end dipped in a jar of +water."</p> +<p>"Excuse me," said Jones, "the very latest is to insert a tube in +the stalk, and the flavour is greatly improved if you add a little +sugar to the water. Almost like a melon."</p> +<p>"Do you take a card out for each marrow, or one for each plant?" +asked Dalton.</p> +<p>The quiet man opposite put his paper down. He was a new-comer in +the district. We liked him, although he had no sense of humour and +did not appreciate Dalton's jokes. He appeared to be interested +only in the startling and the odd.</p> +<p>"That reminds me," he said, "of a most extraordinary experience +I had a few days ago. Of course you all know Enderby?"</p> +<p>None of us knew Enderby, but we I did not like to say so. The +quiet man's anxiety was painful. We felt he could not go on with +his story unless someone knew Enderby.</p> +<p>"He has a little place round at the back of the +Common—quite a nice little place." Freath—that was the +quiet man's name—looked at us reproachfully.</p> +<p>"I think I know Enderby," said Dalton. "Isn't he a heavily-built +man about fifty, with a grey moustache?"</p> +<p>"Yes, yes," said Freath eagerly. "And a curious wart on his left +cheek. Well, I dined with him the other night. His boy was there, +home for the holidays. Very clever boy; his special study is the +biology of plants. They gave me a very good dinner; I didn't notice +very much what I was eating, but I did when the maid helped me to +marrow. It was a deep crimson colour. I tasted it somewhat +nervously, for I felt they were all watching me. It had the taste +of the most exquisite fruit, and the flavour—I am afraid you +won't believe me—was that of the finest port that I ever +drank. 'How did you manage this, Arthur?' said Enderby. +'Grape-juice,' said Arthur. 'Those foreign black grapes are very +cheap just now, so I mixed some with the water that I was feeding +the marrows on.' I can't explain it to you; all I know is that I +had a second helping. I am afraid you don't believe it," said +Freath uneasily.</p> +<p>We assured him that we did, but we did not say it with +conviction.</p> +<p>"Enderby called round to see me a few days afterwards," +continued Freath, "and I walked back with him. As we went along he +told me that a relative was staying with them—an uncle. The +first night, again they had marrow for dinner. This time its +flavour was not port but whisky—Scotch whisky. The old +gentleman was delighted with Arthur and his experiments. Although +an abstainer he had three helpings. This was very pleasing to +Enderby, as the uncle was a man of considerable wealth. But he was +not at all satisfied with his son's explanations, and he thought he +recognised the whisky. Although an abstainer while the War is on, +Enderby keeps a very good cellar, and when he came to look into +things he found that Arthur had been pumping his finest '60 port +and old matured Scotch whisky into the vegetable marrows. Now what +do you think of that?"</p> +<p>We thought it very strange and we said so.</p> +<p>"But the strangest part has yet to come. Of course they had to +keep it quiet—bottle it up, so to speak, from the old +gentleman, and let the marrows down gradually. But when the marrows +were once more on a temperance <i>régime</i> the most +extraordinary thing happened." The train was running into Finsbury +Park. Freath rose and collected his things.</p> +<span class="pagenum"><a name="page195" id="page195"></a>[pg +195]</span> +<p>We stared at him, fascinated.</p> +<p>"Enderby took me into the garden to see it. He said it had been +going on for the last week. From all directions, rioting across the +flower-beds, the lawn, down the paths, the marrows were growing +towards the wine-cellar at the rate of twelve feet a day."</p> +<p>Freath hastily left the carriage and jumped into the Broad +Street train.</p> +<p>While we were discussing the story the voice of authority spoke: +"The whole thing's a tissue of falsehood. There's no such man as +Enderby."</p> +<p>"But Dalton knows him," we said.</p> +<p>"I don't know Enderby," said Dalton. "But I wanted to hear the +story."</p> +<hr /> +<h2>AT THE PLAY.</h2> +<h5>"THE PACIFISTS."</h5> +<p>As a reasonable jusquaboutist I have some misgivings about Mr. +HENRY ARTHUR JONES'S farce—parable, <i>The Pacifists</i>. +Assume <i>Market Pewbury's</i> afflictions to have been as stated: +an intolerable stalwart cad of a butcher fencing-in the best part +of the common, assaulting people's grandmothers, shutting them up +in coal-cellars and eating their crumpets, kissing their wives in +the market square and proposing to abduct them to seaside resorts, +and none so bold to do him violence and make him stop it; the +police being ill or absent, the Mayor and his friend, chief victim +of the butcher's aggression, unwilling on account of principles to +do anything but talk and get up leagues to deal with the trouble in +general, and in a final ecstasy of disapproval to write a strong +letter; only uncle <i>Belcher</i>, a truculent old sea-dog with a +natural lust for whisky and blood, organising an opposition, +valiantly hiring a notable pugilist to deal with the butcher, and +becoming desperately anxious lest the matter should be peaceably +settled because the basher, having been engaged, <i>must</i> find +something to bash or there will be trouble. Well, if we must have +forged for us the sword of a three-Act parable, we should like it +with one edge, not two.</p> +<p>Mr. JONES was evidently bursting with the desire to give some +irritating people a very hard knock—witness the barbed +dedication with which the normally peaceful theatre-announcement +columns have bristled some little time past; and I think I dare say +that we were interested in his first Act. He did really work out +his analogies with some skill. But we soon came to feel that he was +essentially doing something between flogging a dead horse, so far +as we were concerned, and shooting a sitting rabbit. I suspect too +that we realised the issues were too tragic for this kind of +buffoonery. The tribute of our applause was a tribute of loyalty to +one who has often deserved well of the republic, and partly the +desire to show that our hearts were in the right place. I don't see +<i>The Pacifists</i> as a pamphlet making many converts. As a kick +on the shins it has points.</p> +<p>I confess the thing that pleased me most was a gay little piece +of burlesque by Mr. ARTHUR CHESNEY as the red-haired shop assistant +who was <i>not</i> a pacifist. Mr. CHARLES GLENNEY so thoroughly +enjoyed the robustious sea-captain that we had to enjoy it +too—a sound notion of entertainment, that. Mr. SEBASTIAN +SMITH played chief rabbit with considerable skill and point; Mr. +LENNOX PAWLE amused with his plump dundrearyed mayor; Mr. SAM +LIVESEY'S offensive was, I am sure, as Hunnish as its author could +possibly have desired. Miss ELLIS JEFFREYS appeared in the first +Act as a very plausible imitation of a prominent tradesman's wife +in an eighth-rate provincial town, with some quite excellent +moments. But she was evidently labouring under severe strain, and I +amused myself by speculating how long she would keep out of a +really well-cut skirt and a sophisticated air of Mayfair. Just an +Act. And surely she is mistaken in thinking that an effect of +extreme agitation is best conveyed, by very rapid +quasi-cinematographic progression up and down the stage? But I saw +no reason to complain of the bold bad butcher's taste in the matter +of a subject for abduction.</p> +<p>T.</p> +<hr /> +<div class="figcenter" style="width:60%;"><a href= +"images/195.png"><img width="100%" src="images/195.png" alt= +"" /></a> +<p><i>Sergeant (to Private Simpkins arriving two days late).</i> +WELL, SIMPKINS, SO YOU'VE TURNED UP, HAVE YOU?"</p> +<p><i>Simpkins.</i> "YES, SERGEANT. BUT YOU ARE LUCKY TO GET ME. +WHAT WITH DOMESTIC TROUBLE AND ALL THAT DELUGE OF RAIN I NEARLY +MADE A SEPARATE PEACE."</p> +</div> +<hr /> +<span class="pagenum"><a name="page196" id="page196"></a>[pg +196]</span> +<h2>BUCEPHALUS AND THE ROAD-HOGS.</h2> +<p>When Miss Ropes asked at breakfast how many of us would like to +watch the very last cricket-match of the season at Lumsdale, +practically the entire hospital held up its hand, and it was found +that the two cars could not accommodate us all. It was therefore +settled that Haynes (who said he knew the moves) should drive +Ansell and me over in the governess-cart.</p> +<p>It was also settled that the crew of the governess-cart should +have an early cold lunch and start an hour before the cars; thus +(it was calculated) we should all arrive at the cricket-ground +fairly well together. This did not take Haynes' driving into +account. We started from the door at a very satisfactory pace, +probably because Bucephalus, the fat pony, objected to the +enthusiasm of our send-off. When we reached the road he dropped +into an amble so gentle that we decided that he had really been +running away in the drive. Next, taking advantage of an almost +imperceptible upward slope, he began to walk. Haynes clucked at him +and flapped the reins, but this had no effect beyond steering +Bucephalus into the left-hand ditch.</p> +<p>"I thought you said you knew the moves," remarked Ansell. +"Surely this is wrong?"</p> +<p>"The bally beast's lopsided," said Haynes with heat. "One side +of his mouth's hard and the other soft."</p> +<p>"The difficulty being," I suggested as we lurched across the +road into the other ditch, "to discover which is which.... Now +you're straight. We'd better trot. It's only a one-day match."</p> +<p>Haynes used the ancient whip, which had as much effect as +tickling a rhinoceros with a feather.</p> +<p>"Goad him with a penknife," suggested Ansell unfeelingly.</p> +<p>"There must be some way," said Haynes. "Because they <i>do</i> +trot, you know."</p> +<p>"Speaking as one ignorant amateur to another," I asked, "isn't +the right thing to pull gently on the reins and then slacken? You +go on doing it till the animal gets your meaning. Try it."</p> +<p>Haynes tried it, and Bucephalus stopped dead. Repetition of the +treatment simply produced a tendency to back.</p> +<p>"For heaven's sake don't lose any of the ground we've gained," +said Ansell. "Let's get on, if only at a walk."</p> +<p>"We shall have to tow him," decided Haynes. He got out and +hauled at the bridle, but Bucephalus refused to budge.</p> +<p>"This," said Ansell, becoming suddenly business-like, "is where +the Boy Hero modestly but firmly takes charge. Jump in."</p> +<p>He picked up the reins and, though he apparently did nothing in +particular with them, Bucephalus came to life at once and broke +into a lumbering trot.</p> +<p>"You silly chump, why didn't you say you could drive?" asked +Haynes.</p> +<p>"Nobody asked me," said the Boy Hero modestly, "and I was +shy."</p> +<p>At the time when we had been scheduled to reach the +cricket-ground we had still a mile to go along a narrow leafy road, +hardly more than a lane. The cars were overdue, and Haynes, whose +haughty spirit could not brook the idea of being passed by jeering +plutocrats, propounded a scheme.</p> +<p>"They can't pass us unless we go into the ditch," he explained. +"So when they come we'll pretend to be asleep, take up the middle +of the road, and simply ignore them. We'll get there first, after +all."</p> +<p>A moment later we heard the buzz of engines. I took a hurried +glance round and saw the sunlight on brasswork as the car came +round a distant corner.</p> +<p>"It's them," I said.</p> +<p>The reins dropped slackly on Bucephalus's back and he slowed to +a walk. Inside the governess-cart all was somnolent peace. Behind +us the car was already beginning to make remarks on one of those +abusive press-the-button horns. "You FOOL! You FOOL! Get OUT o' the +way! Get OUT o' the way!" it said. Then we heard the car slow down +and pandemonium broke loose. The horn was reinforced by an ordinary +hooter, a whistle, several human voices and, lastly, an exhaust +siren. I stole a glance at Ansell and found that he was having a +good deal of surreptitious trouble in restraining our fiery steed +from doing a second bolt.</p> +<p>"I say," whispered Haynes in sudden agitation, "<i>has</i> Miss +Ropes an exhaust siren?"</p> +<p>"No, she hasn't," Ansell replied in tones of horror. "We've held +up the wrong car." He looked round. "Good Lord!" he added softly +and pulled Bucephalus into the ditch. In the car, with a grinning +Tommy at the wheel, sat two apoplectic generals and a highly +explosive brigade-major. They came alongside, and I should never be +allowed to repeat what they said to us. It seemed that by delaying +them we had been hindering the day's work of the entire Home +Forces. We were given to understand that it was only the blue bands +on our arms which saved us from being court-martialled on the spot +and shot by the grinning Tommy at dawn. Then they passed on.</p> +<p>When our cars did appear a minute or two later we pulled meekly +into the ditch to let them pass, and could find no better answer to +the jeers of their occupants than a wan sickly smile apiece.</p> +<hr /> +<h4>THE TEST OF TYPE.</h4> +<blockquote class="note"><i>(Suggested by these adjacent paragraphs +in a daily paper.)</i></blockquote> +<blockquote>"Maj. ——. For conspicuous gallantry and +resource. He rallied his men when the left flank was seriously +threatened, and by his energy and fine example saved the situation. +He subsequently commanded his battalion with great ability. He has +displayed marked gallantry in every action in which he has taken +part."</blockquote> +<blockquote>"A London angler, Mr. ——, has caught a +roach of 2 lb. 1 oz. in the Lark at Barton Mills, the largest fish +of its kind landed from this Suffolk stream for some +years."</blockquote> +<div class="poem"> +<div class="stanza"> +<p>Though in these times monopolized by Mars</p> +<p class="i2">There's not a day that passes but one +reads—</p> +<p>Sandwiched between unprofitable "pars"</p> +<p class="i2">And other wholly negligible screeds—</p> +<p>Of decorations, crosses, medals, bars,</p> +<p class="i2">Bestowed for valiant and heroic deeds;</p> +<p>Over these records we must often pass</p> +<p>Unless we've got a magnifying-glass!</p> +</div> +<div class="stanza"> +<p>But if some member of a fishing club</p> +<p class="i2">In London or the provinces, renowned</p> +<p>For prowess with the lob-worm or the grub,</p> +<p class="i2">Should land a roach of more than half a pound,</p> +<p>Then in the leading papers of the hub</p> +<p class="i2">Full space for that achievement will be found,</p> +<p>And clearest type and unaffected rapture</p> +<p>Will signalize the epoch-making capture!</p> +</div> +<div class="stanza"> +<p>The moral of the episode is plain:</p> +<p class="i2">If soldiers wish to petrify the nation,</p> +<p>Let them—when leave permits—no more disdain</p> +<p class="i2">To join a Roach or Perch Association,</p> +<p>Cull giant gooseberries, and strive to gain</p> +<p class="i2">Prizes for Blind-fold Pig Delineation.</p> +<p>Thus only—not by cross or golden stripe—</p> +<p>Will they achieve the honour of big type.</p> +</div> +</div> +<hr /> +<span class="pagenum"><a name="page197" id="page197"></a>[pg +197]</span> +<div class="figcenter" style="width:100%;"><a href= +"images/197.png"><img width="100%" src="images/197.png" alt= +"" /></a> +<h3>REPRISALS</h3> +<i>Competitor (in international contest).</i> "THE BLIGHTER'S BIT +ME." <i>Referee.</i> "WELL, AIN'T YER GOT NO TEETH OF YER OWN? BOX +ON."</div> +<hr /> +<h2>SHAKSPEARE AND THE WAR.</h2> +<blockquote class="note">[Since the entry of the United States all +the English-speaking peoples are in alliance for +freedom.]</blockquote> +<div class="poem"> +<div class="stanza"> +<p>I think our SHAKSPEARE, gone this many a year</p> +<p class="i2">To some rich haven where the poets throng</p> +<p class="i2">And Ruler of Ten Cities wrought in song</p> +<p>And spired with rhythmic music, high and clear,</p> +<p>Still finds his England something close and dear,</p> +<p class="i2">Rejoicing when her justice baffles wrong</p> +<p class="i2">And willing her to wrestle and be strong.</p> +<p>I think he bides by England and is near.</p> +</div> +<div class="stanza"> +<p>And, in the purpose of his Overlord,</p> +<p class="i2">His weaving spirit, still in cloudless youth</p> +<p>With minstrelsy made perfect, throws a cord</p> +<p class="i2">That rings the continents in its magic reach</p> +<p class="i2">To gather all who share his English speech</p> +<p>In one firm warrior bond of troth and truth.</p> +</div> +</div> +<hr /> +<h3>"LET LAWS AND LEARNING...."</h3> +<blockquote>"I should add that Viscount Harberton sees a chance for +his own order in the circumstance that, while the poor man's child +is driven to school by the inspector, the rich man can 'boot the +spy out,' and so confer on his children the priceless boon of +complete illiteracy. Shall we live to see a House of Lords that +makes its mark?"—<i>Observer.</i></blockquote> +<p>Some of them, we believe, are under the impression that they +have done so already.</p> +<hr /> +<h2>OUR BOOKING-OFFICE.</h2> +<p>(<i>By Mr. Punch's Staff of Learned Clerks.</i>)</p> +<p>Unless you can share with me the sad immunity of the forties, I +must despair of translating for you the emotion raised in my +antique soul by the wrapper of a new RIDER HAGGARD story bearing +the picture of a Zulu and the discovery inside that +<i>Quatermain</i> is come again! The tale that has so excited me is +called, a little ominously, <i>Finished</i> (WARD, LOCK), and I +could have better loved a cheerier title. The matter is, to begin +with, an affair of a shady doctor, of I.D.B. and an abduction; none +of it, I admit, any too absorbing. But about halfway through the +author, as though sharing my own views upon this part of the plot, +exchanges (so to speak) the Shady for the Black, and transports us +all to Zululand. And if you need reminding of what H.R.H. can do +with that delectable country, I can only say I am sorry for you. +Incidentally there are some stirring scenes from certain pages of +history that the glare of these later days has rather +faded—Isandhlwana and Rorke's Drift among them; as well as +the human drama of the feud between CETEWAYO (terror of my +nursery!) and the witch-doctor <i>Zikali</i>. Whether the old +careless rapture is altogether recovered is another matter; at +least the jolly unpronounceable names are still there, and the +picturesque speech. Most of the names, that is; <i>Allan</i> of +course, and others, but I for one should have welcomed rare +<i>Umslopogaas</i>—or however he is rightly spelt—and +<i>Curtis</i>, for personal reasons my favourite of the gallant +<span class="pagenum"><a name="page198" id="page198"></a>[pg +198]</span> company that have so often kept secret rendezvous with +me behind the unlifted lid of a desk at preparation time. And now +have we really come at long last to <i>Finished</i>? I can only +hope that Sir H. RIDER HAGGARD doesn't mean it.</p> +<hr class="short" /> +<p>Mrs. HUMPHRY WARD may be numbered amongst the most indefatigable +of women war-workers. She has now followed up her former success in +<i>England's Effort</i> with a volume carrying on the story of our +part in the War under the title of <i>Towards the Goal</i> +(MURRAY). The book is written in the form of a series of letters +addressed to ex-President ROOSEVELT, as the onlie begetter both of +it and its predecessor. It is further equipped with a preface by +the hand of this same able and clear-sighted gentleman, the chief +drawback of which (from my reviewing point of view) is that it +covers so well the whole ground of appreciation as to leave me +nothing more to add. "Mrs. Ward writes nobly on a noble +theme"—<i>voilà tout!</i> Her theme, as I have hinted, +is a further exposition of Britain's war activities as those have +developed since the former book was published. In its course Mrs. +WARD gives us some vivid experiences of her own as a visitor to the +Western Front: things seen and heard, well calculated (were this +needed) to stiffen the resolution of the great people to whom her +letters are really written. <i>England's Effort</i> was, I +understand, translated into many tongues (with results that can +hardly fail of being enormously valuable); <i>Towards the Goal</i> +should certainly receive the same treatment of which it is well +worthy.</p> +<hr class="short" /> +<p>Mr. WILLIAM HARBUTT DAWSON, in his <i>After War Problems</i> +(ALLEN AND UNWIN), covers, under the four headings, Empire and +Citizenship, Natural Efficiency, Social Reform, and National +Finance and Taxation, bewilderingly wide ground, and drives a +perhaps rather mandarinish team of contributors. Lord HALDANE, for +instance, is no longer in the real van of educational endeavour, +and is it wholly insignificant that his chapter on Education +appears in the section headed National Efficiency rather than in +that of Social Reform? It ought not to be difficult to give, in the +light of these last years, a wider interpretation to Patriotism +than that expressed by Lord MEATH on lines familiar to his public. +Sir WILLIAM CHANCE has seen no new sign in the skies in relation to +the problem of poverty. Sir BENJAMIN BROWNE, whose death all those +interested in the settlement of the Capital-Labour quarrel must +deplore, as for all his uncompromising individualism he brought to +it a rare breadth of view, says much that is of real value, but +does not refrain from appealing to the fact that the mutual +confidence of man and officer in battle is a proof of the +possibility of a similar confidence in the workshop. That +confidence must, and can, we dare to believe, eventually be +established. But the men don't go over the top to put money in the +Colonel's pocket, and little good is done by exploiting these loose +analogies and putting on a too easy air of optimism in the face of +desperately serious and complex problems. But enough of +fault-finding, which is a poor reward for the serious and generous +labours of public-spirited men and women. After all, what one +reader calls timidity of outlook another may care to praise as +prudence. Here you will find an abundance of safe analysis, wise +comment and constructive suggestion from a galaxy of accredited +authorities.</p> +<hr class="short" /> +<p>In the early chapters of Mr. WILLIAM HEWLETT'S new story, <i>The +Plot-Maker</i> (DUCKWORTH), we are introduced to a popular and +highly successful novelist, named <i>Coulthard Henderson</i>, in +the emotional crisis produced by a sudden doubt as to whether his +output of best-sellers represented anything in the least +approaching actuality. You will admit a tragic situation. He meets +it by the determination that his next book shall be a veritable +slice of life, and to this end he selects and finances an eligible +young man for the purpose of vicariously experiencing those +emotions, from which age and other causes debar the chronicler; in +other words, he hires a hero. The worst of this excellent idea is +that it can hardly be said to originate either with <i>Mr. +Henderson</i> or Mr. HEWLETT, that credit belonging (I fancy) to +the late HERBERT FLOWERDEW in a too-little-appreciated masterpiece +of sensational burlesque called <i>The Realist</i>. However, <i>The +Plot-Maker</i>, once set going, develops admirably enough on lines +entirely its own. The so-much-an-hour hero turns out an engaging +young gentleman, but a wofully poor protagonist. The situation +where (in the midst of whirling events) he makes the startling +discovery that he himself has been in some way switched on to the +part of villain is one that you can appreciate only at first hand. +Certainly if you want (as who does not in these days?) an +anaesthetic of agreeable nonsense <i>The Plot-Maker</i> is a medium +that I can cordially recommend: one obvious advantage being that +you need not try to believe a single word of it.</p> +<hr /> +<h3>HISTORY REPEATS ITSELF.</h3> +<p>From a publisher's list:—</p> +<blockquote>"Shells as evidence of the Migrations of Early +Culture."</blockquote> +<p>And modern Kultur spreads itself in just the same old way.</p> +<hr /> +<blockquote>"Lady Required to Share Rome with another."<br /> +<i>Staffordshire Sentinel</i>.</blockquote> +<p>But what about the King of ITALY, not to mention the POPE?</p> +<hr /> +<div class="figcenter" style="width:60%;"><a href= +"images/198.png"><img width="100%" src="images/198.png" alt= +"" /></a> +<p><i>Eastern Potentate (rusticating)</i>. "YOU HAVE NO IDEA, MY +DEAR FRIEND, HOW SOOTHING IT IS TO ME TO GET AWAY FROM THE +LUXURIOUS AND ARTIFICIAL LIFE OF THE COURT AND TO SPEND MY +WEEK-ENDS IN QUIET RETIREMENT HERE IN THE COUNTRY WHERE A FRIEND +MAY DROP IN FOR POT LUCK AND TAKE US IN THE ROUGH."</p> +</div> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 153, SEPT. 12, 1917***</p> +<p>******* This file should be named 10594-h.txt or 10594-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/1/0/5/9/10594">https://www.gutenberg.org/1/0/5/9/10594</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="https://gutenberg.org/license">https://gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="https://www.gutenberg.org">https://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="http://www.ibiblio.org/gutenberg/etext06">http://www.ibiblio.org/gutenberg/etext06</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="https://www.gutenberg.org/GUTINDEX.ALL">https://www.gutenberg.org/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/old/10594-h/images/183.png b/old/10594-h/images/183.png Binary files differnew file mode 100644 index 0000000..9315341 --- /dev/null +++ b/old/10594-h/images/183.png diff --git a/old/10594-h/images/185.png b/old/10594-h/images/185.png Binary files differnew file mode 100644 index 0000000..da4730f --- /dev/null +++ b/old/10594-h/images/185.png diff --git a/old/10594-h/images/186.png b/old/10594-h/images/186.png Binary files differnew file mode 100644 index 0000000..2e145a6 --- /dev/null +++ b/old/10594-h/images/186.png diff --git a/old/10594-h/images/187.png b/old/10594-h/images/187.png Binary files differnew file mode 100644 index 0000000..d2be35d --- /dev/null +++ b/old/10594-h/images/187.png diff --git a/old/10594-h/images/189.png b/old/10594-h/images/189.png Binary files differnew file mode 100644 index 0000000..35c3678 --- /dev/null +++ b/old/10594-h/images/189.png diff --git a/old/10594-h/images/190.png b/old/10594-h/images/190.png Binary files differnew file mode 100644 index 0000000..d11eb6a --- /dev/null +++ b/old/10594-h/images/190.png diff --git a/old/10594-h/images/191.png b/old/10594-h/images/191.png Binary files differnew file mode 100644 index 0000000..0fd4ebc --- /dev/null +++ b/old/10594-h/images/191.png diff --git a/old/10594-h/images/193.png b/old/10594-h/images/193.png Binary files differnew file mode 100644 index 0000000..2acf18a --- /dev/null +++ b/old/10594-h/images/193.png diff --git a/old/10594-h/images/194.png b/old/10594-h/images/194.png Binary files differnew file mode 100644 index 0000000..8770089 --- /dev/null +++ b/old/10594-h/images/194.png diff --git a/old/10594-h/images/195.png b/old/10594-h/images/195.png Binary files differnew file mode 100644 index 0000000..17bcb27 --- /dev/null +++ b/old/10594-h/images/195.png diff --git a/old/10594-h/images/197.png b/old/10594-h/images/197.png Binary files differnew file mode 100644 index 0000000..97ecfe0 --- /dev/null +++ b/old/10594-h/images/197.png diff --git a/old/10594-h/images/198.png b/old/10594-h/images/198.png Binary files differnew file mode 100644 index 0000000..56a7e4a --- /dev/null +++ b/old/10594-h/images/198.png diff --git a/old/10594.txt b/old/10594.txt new file mode 100644 index 0000000..2a6e3ee --- /dev/null +++ b/old/10594.txt @@ -0,0 +1,2029 @@ +The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 153, +Sept. 12, 1917, by Various, Edited by Owen Seamen + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + + + + +Title: Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 + +Author: Various + +Release Date: January 4, 2004 [eBook #10594] + +Language: English + +Character set encoding: US-ASCII + + +***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, +VOL. 153, SEPT. 12, 1917*** + + +E-text prepared by Jonathan Ingram, Punch, or the London Charivari, Sandra +Brown, and the Project Gutenberg Online Distributed Proofreading Team + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 153. + +SEPTEMBER 12TH, 1917. + + + + + + + +CHARIVARIA. + +The _Cologne Gazette_ is of the opinion that the American troops, when +they arrive in France, will be hampered by their ignorance of the +various languages. But we understand that the Americans can shoot in any +language. + + *** + +A weekly periodical is giving away a bicycle every other week. Meanwhile +_The Daily Telegraph_ continues to give away a Kaiser every day. + + *** + +"I decline to have anything to do with the War," said a Conscientious +Objector to a North of England magistrate, "and I resent this +interference with my liberty." Indeed he is said to be so much annoyed +that he intends sending the War Office a jolly snappy letter about it. + + *** + +CHARLIE CHAPLIN says a gossip writer is coming to England in the Autumn. +This disposes of the suggestion that arrangements were being made for +England to be taken over to him. + + *** + +_Incidentally_ we notice that CHARLIE CHAPLIN has become a naturalised +American, with, we presume, permission to use the rank of Honorary +Britisher. + + *** + +Before a Northern Tribunal an applicant stated that he was engaged in +the completion of an invention which would enable dumb people to speak +or signal with perfection. He was advised, however, to concentrate for a +while on making certain Germans say "Kamerad." + + *** + +An Isle of Wight man has succeeded in growing a vegetable marrow which +weighs forty-three pounds. To avoid its being mistaken for the island he +has scratched his name and address on it. + + *** + +Those in search of a tactless present will bear in mind that Mr. MARK +HAMBOURG has written a book entitled "How to Play the Piano." + + *** + +The great flagstaff at Kew Gardens, which weighs 18 tons and is 215 feet +long, is not to be erected until after the War. This has come as a great +consolation to certain people who had feared the two events would clash. + + *** + +In Mid Cheshire there is a scarcity of partridges, but there is plenty +of other game in Derbyshire. The Mid-Cheshire birds are of the opinion +that this cannot be too strongly advertised. + + *** + +Thirteen years after it was posted at Watford a postcard has just +reached an Ealing lady inviting her to tea, and of course she rightly +protested that the tea was cold. + + *** + +An estate near Goole has been purchased for L118,000, the purchaser +having decided not to carry out his first intention of investing that +amount in a couple of boxes of matches. + + *** + +Herr Erzberger is known among his friends as "The Singing Socialist." We +are afraid however that if he wants peace he will have to whistle for it. + *** + +The Provisional Government in Russia, according to _The Evening News,_ +has "always regarded an international debate on the questions of war and +pease as useful." But our Government, not being exactly provisional, +prefers to go on giving the enemy beans. + + * * * * * + +[Illustration: COMFORTING THOUGHT + +When there are no taxis on your return from your holidays: + +"OUR TRUE STRENGTH IS TO KNOW OUR OWN WEAKNESS."--_CHARLES KINGSLEY_.] + + * * * * * + +THE END OF AN EPISODE. + +I write this in the beginning of a minor tragedy; if indeed the +severance of any long, helpful and sympathetic association can ever be +so lightly named. For that is precisely what our intercourse has been +these many weeks past; one of nervous and quickly roused irritation on +my part, of swift and gentle ministration on his. + +At least once a day we have met during that period (and occasionally, +though rarely, more often), usually in those before-breakfast hours when +the temper of normal man is most exacting and uncertain. But his temper +never varied; the perfection of it was indeed among his finest +qualities. Morning after morning, throughout a time that, as it chanced, +has been full of distress and disappointment, would his soothing and +infinitely gentle touch recall me to content. That stroking caress of +his was a thing indescribable; one before which the black shadows left +by the hours of night seemed literally to dissolve and vanish. + +And now the long expected, long dreaded has begun to happen. He, too, is +turning against me, as so many others of his fellows have done in the +past. Who knows the reason? What continued roughness on my part has at +last worn out even him? But for some days now there has been no +misreading the fatal symptoms--increasing irritability on the one side, +harshness turning to blunt indifference on the other. And this morning +came the unforgivable offence, the cut direct. + +That settles it; to-morrow, with a still smarting regret, I unwrap a new +razor-blade. + + * * * * * + +THE WHOLE HOG. + + ["Victorian love-making was at best a sloppy business ... modern + maidens have little use for half measures.... Primitive ideas + are beginning to assert themselves."--_Daily Paper._] + + Betty, when you were in your teens + And shielded from sensation, + Despite a lack of ways and means + In various appropriate scenes + I sighed my adoration. + You did not smile upon my suit; + Pallid I grew and pensive; + My disappointment was acute, + Life seemed a worthless thing and mute. + I moped, then tuned my laggard lute + And launched a new offensive. + + Thus you were wooed in former days + When maids were won by waiting; + The modern lover finds it pays + To imitate the forceful ways + Of prehistoric mating. + Man is more primitive (a snub + Has no effect), so if you + Should still refuse a certain "sub." + He will not pine or spurn his grub, + But, seizing the ancestral club, + Into submission biff you. + + * * * * * + +MAKING THE BEST OF BOTH WORLDS. + + "As honorary organist at ---- Wesleyan Church he has established + a sound and compact business as wholesale grocer and Italian + warehouseman."--_Provincial Paper._ + + * * * * * + + "Maid (superior) wanted for lady, gentleman, small flat, strong + girl, able to assist lady with rheumatism."--_Glasgow Herald._ + +If we hear of a small flat girl we will send her along; but this shaped +figure is rather out of fashion just now. + + * * * * * + +THE SUPER-PIPE. + +When Jackson first joined the jolly old B.E.F. he smoked a pipe. He +carried it anyhow. Loose in his pocket, mind you. A pipe-bowl at his +pocket's brim a simple pipe-bowl was to him, and it was nothing more. Of +course no decent B.E.F. mess could stand that. Jackson was told that a +pipe was _anathema maranatha_, which is Greek for _no bon._ + +"What will I smoke then?" said Jackson, who was no Englishman. We waited +for the Intelligence Officer to reply. We knew him. The Intelligence +Officer said nothing. He drew something from his pocket. It was a parcel +wrapped in cloth-of-gold. He removed the cloth-of-gold and there was +discovered a casket, which he unlocked with a key attached to his +identity disc. Inside the casket was a padlocked box, which he opened +with a key attached by gold wire to his advance pay-book. Inside the box +was a roll of silk. To cut it all short, he unwound puttee after puttee +of careful wrapping till he reached a chamois-leather chrysalis, which +he handled with extreme reverence, and from this he drew something with +gentle fingers, and set it on the table-cloth before the goggle-eyed +Jackson. + +"A pipe," said Jackson. + +There was a shriek of horror. The Intelligence Officer fainted. Here was +wanton sacrilege. + +"Man," said the iron-nerved Bombing Officer, "it's a Brownhill." + +"What's a Brownhill?" asked Jackson. + +We gasped. How could we begin to tell him of that West End shrine from +which issue these lacquered symbols of a New Religion? + +The Intelligence Officer was reviving. We looked to him. + +"The prophet Brownhill," he said, "was once a tobacconist--an ordinary +tobacconist who sold pipes." + +We shuddered. + +"He discovered one day that man wants more than mere pipes. He wants +a--a super-pipe, something to reverence and--er--look after, you know, +as well as to smoke. So he invented the Brownhill. It is an _affaire de +coeur_--an affair of art," translated the I.O. proudly. "It is as glossy +as a chestnut in its native setting, and you can buy furniture polish +from the prophet Brownhill which will keep it always so. It has its +year, like a famous vintage, it has a silver wind-pipe, and it costs +anything up to fifty guineas." + +"D'you smoke it'?" asked Jackson, brutally. + +We gave him up. In awful silence each of us produced his wrappings and +his caskets, extracted the shining briar, smeared it with cosmetics, and +polished it more reverently than a peace time Guardsman polishes his +buttons when warned for duty next day at "Buck." + * * * * * +And Jackson smoked his pipe in secret. He would take no leaf from the +book of the Sassenachs. + +And the War went on. + * * * * * +Jackson went on leave. To his deep disgust he had to wait a few hours in +London on his way to more civilised parts, and fate led him idling to +Brownhill's. He flattened his Celtic nose on the window and stared +fascinated at the array of super-pipes displayed there. After a furtive +glance along the street he crept into the temple. A white-coated priest +met him. + +"I--I'm wantin'--a--a pipe," said Jackson. He saw the priest reel and +turn pale to the lips. "I should say a--a Brownhill," he added hastily. +The other man gulped, steadied himself with an effort, and gave a +ghastly smile. If you had walked into a temple at Thibet and planked +down sixpence and asked for an idol wrapped up in brown paper you could +not have done a more dreadful thing than Jackson had done; but the +priest forgave him and produced in silence a trayful of Brownhills. Then +was Jackson like unto ELIA'S little Chinese boy with "the crackling." He +touched a briar and was converted. He stroked them as though they were +kittens, bought ten of them, a pound of polish, fifty silver wind-pipes +and a bale of chamois-leather. The priest took a deep breath. + +"You are a full-blooded man, Sir," said he, "if you will excuse me +saying so, and you should smoke in your new Brownhills a mixture which +has a proportion of Latakia to Virginian of one to nineteen--a small +percentage of glycerine and cucumber being added because you have red +hair, and the whole submitted to a pressure of eighteen hundred +foot-pounds to the square millimetre, under violet rays. This will be +known as 'Your Mixture,' Number 56785-6/11, and will be supplied to no +one else on earth, except under penalty of death. + +"I will take a ton," said Jackson with glazing eyes. + +This was a man after the priest's own heart. He took another deep breath +and dived into the strong-room. He returned under the escort of ten +armed men, each of them chained by the wrist to an iron box, which he +unlocked with difficulty. Inside the iron box was a thing which Jackson +a few months ago would have called a pipe. He knew better now. In awful +silence the priest lifted it from its satin bed. "This," he whispered, +"was once smoked by Brownhill himself." + +Jackson put out a hand to take it. The priest hesitated, then laid it +gently on his customer's palm. + +And Jackson dropped it. + +Jackson has never been heard of since. + + * * * * * + +THE FAIRIES HAVE NEVER A PENNY TO SPEND. + + The fairies have never a penny to spend, + They haven't a thing put by, + But theirs is the dower of bird and of flower, + And theirs are the earth and the sky. + And though you should live in a palace of gold + Or sleep in a dried-up ditch, + You could never be poor as the fairies are, + And never as rich. + + Since ever and ever the world began + They have danced like a ribbon of flame, + They have sung their song through the centuries long, + And yet it is never the same. + And though you be foolish or though you be wise, + With hair of silver or gold, + You could never be young as the fairies are + And never as old. + +R. F. + + * * * * * + +RARA AVIS. + +From a cigarette-card:-- + + "REED WARBLER. + + "_Acrocephalus streperus._ + + "This bird is found in nearly every part of the British Islands. + It builds a nest about a foot off the ground in the reed beds, + and is formed of grass, horse hair and sometimes feathers." + + * * * * * + +From a list of medallists of the new Order of the British Empire:-- + + "G. P. Hamlet.--For courage in persisting with dangerous work, + with a certainty of suffering from poisoning as a result." + +Just like his illustrious namesake. + + * * * * * + + "Melbourne, Friday. + + "The House of Representatives to-day passed the second reading of + the War Times Profits Tax Assessment Bill. The tax will be 50 + per cent. for the year ending June 30, 191161, and 75 per cent. + for afterwards.--Reuter." + + _Aberdeen Paper._ + +Well, well, we need not worry. + + * * * * * + + "What is being fought out is a long-drawn battle for the + important shipping port of Trieste, with the whole of the + railway and road communications of the Iberian Peninsula." + + _The People._ + +Rather a shock for Madrid. + + * * * * * + +[Illustration: THE REVERSE OF THE MEDAL. + +OPTIMISTIC GERMAN _(reading paper)._ "THIS IS KOLOSSAL! OUR IRRESISTIBLE +AIRMEN HAVE AGAIN, FOR THE TWENTIETH TIME, DESTROYED LONDON." + +GLOOMY DITTO. "THAT BEING SO, LET'S HOPE THEY'LL STOP THOSE CURSED +BRITISH AIRMEN FROM BOMBING OUR LINES EVERY DAY AND NIGHT."] + + * * * * * + +A STUDY IN SYMMETRY. + +The following story, however improbable it may seem to you, is true. + +Once upon a time there was an artist with historical leanings not +unassociated with the desire for pelf--pelf being, even to idealists, +what petrol is to a car. The blend brought him one day to Portsmouth, +where the _Victory_ lies, with the honourable purpose of painting a +picture of that famous ship with NELSON on board. What the ADMIRAL was +doing I cannot say--most probably dying--but the artist's intention was +to make the work as attractive as might be and thus draw a little profit +from the wave of naval enthusiasm which was then passing over the +country; for not only was the picture itself to be saleable, but +reproductions were to be made of it. + +Permission having been obtained from the authorities, the artist boarded +the _Victory_, set up his easel on her deck and settled down to his +task, the monotony of which was pleasantly alleviated by the chatter of +the old salts who guard the ship and act as guides to the tourists who +visit her. All of these estimable men not only possessing views on art, +but having come by now to the firm belief that they had fought with +NELSON, their criticisms were not too easily combated and the artist +hadn't a tedious moment. Thus, painting, conversing and learning (as one +can learn only from a trained imparter of information), three or four +days passed quickly away and the picture was done. + +So far there has been nothing--has there?--to strain credulity. No. But +a time will come--is, in fact, upon us. + +On the evening of the last day, as the artist was sitting at early +dinner with a friend before catching the London train, his remarks +turned (as an artist's sometimes will) upon the work upon which he had +just been engaged. He expressed satisfaction with it in the main, but +could not, he said, help feeling that its chances of becoming a real +success would be sensibly increased if he could find as a model for the +central figure some one whose resemblance to NELSON was noticeable. + +"There are, of course," he went on, "at the same time--that is to say, +among contemporaries--no two faces exactly alike. That is an axiom. +Strange as it may sound, among all the millions of countenances with two +eyes, a nose in the middle and a mouth below it, some difference exists +in each. That is, as I say, among contemporaries: in the world at this +moment in which I am speaking. But," he continued, warming to his +subject, for, as you will have already gathered, he was not one of the +taciturn brush-brotherhood, "after the lapse of years I see no reason +why nature should not begin precisely to reproduce physiognomies and so +save herself the trouble of for ever diversifying them. That being +so--and surely the hypothesis is not too far-fetched"--here his friend +said, "No, not at all--oh no!"--"why," the artist continued, "should +there not be at this moment, more than a century later, some one whose +resemblance to NELSON is exact? He would not be necessarily a naval +man--probably, indeed, not, for NELSON's face was not characteristic of +the sea--but whoever he was, even if he were an archbishop, I," said the +painter firmly, "should not hesitate to go up to him and ask him to sit +to me." + +The friend agreed that this was a very proper attitude and that it +betokened true sincerity of purpose. + +"NELSON's face," the painter continued, "was an uncommon one. So large +and so mobile a mouth is rare. But I have no doubt that a duplicate +exists, and no matter who is the owner of it, even were he an +archbishop, I should not hesitate to go up and ask him to sit to me." + +(For the benefit of any feminine reader of this veracious history I +should say that the repetition which she has just noticed is not an +accident, but has been carefully set down. It is an attempt to give +verisimilitude to the conversation--because men always say things like +that twice.) + +The friend again remarked that the painter's resolve did him infinite +credit, and the two started for the station, still conversing on the +same theme. + +On entering their carriage the first thing to take their attention was a +quiet little man in black, who was the absolute double of the hero of +Trafalgar. + +"Good gracious!" whispered the painter excitedly, "do you see that? +There's the very man. The likeness to NELSON is astonishing. I never saw +anything like it. I don't care who he is, I must tackle him. It's the +most extraordinary chance that ever occurred." + +Assuming his most silky and deferential manner--for, though clearly not +an archbishop, unless in mufti, this might yet be a person of +importance--the painter approached the stranger and tendered a card. + +"I trust, Sir, that you will excuse me," he began, "for the liberty I am +taking, but I am an artist and I happen to be engaged on a picture of +NELSON on the _Victory_. I have all the accessories and so forth, but +what I very seriously need is a brief sitting from some gentleman with a +likeness to the great little Admiral. Such, Sir, as yourself. It may be +news to you--it probably is--but you, Sir, if I may say so, are so like +the famous and immortal warrior as almost to take one's breath away. It +is astonishing, wonderful! Might I--would it be--could you--would you, +Sir, be so very kind as to allow me to paint you? I would, of course, +make every effort not to inconvenience you--I would arrange so that your +time should be mine." + +"Of course I will, guvnor," said the man. "I'm a professional model and +I've been sitting for NELSON for years. Why, I've been doing it for an +artist this very afternoon." + +[Illustration: OUR RESTRICTED COAST AMUSEMENTS. + +_Vendor_. "ALL THE OFFICIAL 'OLIDAY FUN. FLY THE PATRIOTIC KITES AND +ANNOY THE GOTHAS!"] + + * * * * * + +[Illustration: _Physical Drill Instructor (to weak-kneed recruit)_. "NAH +THEN! IF YOU'RE A-GOING TER JUMP--_JUMP!_"] + + * * * * * + +A LOST LAND. + +(To GERMANY.) + + A childhood land of mountain ways, + Where earthy gnomes and forest fays, + Kind foolish giants, gentle bears, + Sport with the peasant as he fares + Affrighted through the forest glades, + And lead sweet wistful little maids + Lost in the woods, forlorn, alone, + To princely lovers and a throne. + * * * * * + Dear haunted land of gorge and glen, + Ah me! the dreams, the dreams of men! + + A learned land of wise old books + And men with meditative looks, + Who move in quaint red-gabled towns + And sit in gravely-folded gowns, + Divining in deep-laden speech + The world's supreme arcana--each + A homely god to listening Youth + Eager to tear the veil of Truth; + * * * * * + Mild votaries of book and pen-- + Alas, the dreams, the dreams of men! + + A music land, whose life is wrought + In movements of melodious thought; + In symphony, great wave on wave-- + Or fugue, elusive, swift, and grave; + A singing land, whose lyric rhymes + Float on the air like village chimes: + Music and Verse--the deepest part + Of a whole nation's thinking heart! + * * * * * + Oh land of Now, oh land of Then! + Dear God! the dreams, the dreams of men! + + Slave nation in a land of hate, + Where are the things that made you great? + Child-hearted once--oh, deep defiled, + Dare you look now upon a child? + Your lore--a hideous mask wherein + Self-worship hides its monstrous sin:-- + Music and verse, divinely wed-- + How can these live where love is dead? + * * * * * + Oh depths beneath sweet human ken, + God help the dreams, the dreams of men! + + * * * * * + + "The Blessington Papers are included with all their atmosphere + of distinguished High Bohemia. Among them are some interesting + Disraeli letters--he was ever her staunch friend from the early + 'thirties to the late 'forties, when his son had risen and + her's--how brilliant!--had set."--_Saturday Review_. + +And up to the present we had been under the impression that both these +distinguished persons were childless. + + * * * * * + +HINT FOR HORTICULTURISTS. + + "Mr. ----, undertaker, of Temuka, improved his plant by the + purchase of a new hearse."--_Timaru Herald (New Zealand)_. + + * * * * * + + "Mr. ---- hopes shortly to be seen again in revue in the Wet + End."--_Pall Mall Gazette_. + +Or, as the CENSOR would put it, "somewhere in England." + + * * * * * + + _Daily Mail_ (Ordinary Edition), 3 September, 1917: "Lord + Halsbury is 92 to-day." + + _Times_ (Late War Edition), 3 September, 1917: "The Earl of + Halsbury is 94 to-day." + +Yet, from personal observation, one would never believe that the EX-LORD +CHANCELLOR was ageing so rapidly. + + * * * * * + +From "German Official":-- + + "With the use of numerous tanks and aeroplanes, flying at a low + altitude, the English infantry soon after advanced to the attack + on this front."--_Evening Paper_. + +Now that the enemy has given away the secret of our new weapon the +CENSOR might let us know more of our flying Tanks. + + * * * * * + + "Prisoner then seized her round the throat with both hands and + hit her on the head with a steel case-opener."--_Daily Paper_. + +Which, presumably, he carried in his teeth. + + * * * * * + +THE SUNFLOWER. + +"Have you," said Francesca, "seen our sunflowers lately?" + +"Yes," I said, "I've kept an eye on them occasionally. It's a bit +difficult, by the way, not to see them, isn't it?" + +"Well," she said, "perhaps they are rather striking." + +"Striking!" I said. "I never heard a more inadequate word. I call them +simply overwhelming--the steam-rollers of the vegetable world. Look at +their great yellow open faces." + +"I never," said Francesca, "saw a steam-roller with a face. You're +mixing your metaphors." + +"And," I said, "I shall go on mixing them as long as you grow +sunflowers. It's the very least a man can do by way of protest." + +"I don't know why you should want to protest. The seed makes very good +chicken-food." + +"Yes, I know," I said, "that's what you always said." + +"And I bet," she said, "you've repeated it. When you've met the tame +Generals and Colonels at your club, and they've boasted to you about +their potatoes, I know you've countered them with the story of how +you've turned the whole of your lawn into a bed of sunflowers calculated +to drive the most obstinate hen into laying two eggs a day, rain or +shine." + +"I admit," I said, "that I may have mentioned the matter casually, but I +never thought the things were going to be like this. When I first knew +them and talked about them they were tender little shoots of green just +modestly showing above the ground, and now they're a forest primeval. +The murmuring pines and the hemlock aren't in it with this impenetrable +jungle liberally blotched with yellow, this so-called sunflower patch." + +"What would you call it," she said, "if you didn't call it sunflower?" + +"I should call it a beast of prey," I said. "A sunflower seems to me to +be more like a tiger than anything else." + +"It was a steam-roller about a minute ago." + +"Yes," I said, "it was--a tigerish steam-roller." + +"How interesting," she said. "I have not met one quite like that." + +"That," I said, "is because your eye isn't properly poetical. It's +blocked with chicken-food and other utilitarian objects." + +"I must," she said, "consult an oculist. Perhaps he will give me glasses +which will unblock my eye and make me see tigers in the garden." + +"No," I said, "you will have to do it for yourself. For such an eye as +yours even the best oculists are unavailing." + +"I might," she said, "improve if I read poetry at home. Has any poet +written about sunflowers?" + +"Yes," I said, "BLAKE did. He was quite mad, and he wrote a poem to a +sunflower: 'Ah! Sunflower! Weary of time.' That's how it begins." + +"Weary of time!" she said scornfully. "That's no good to me. I'm weary +of having no time at all to myself." + +"That shows," I said, "that you're not a sunflower." + +"Thank heaven for that," she said. "It's enough to have four children to +look after--five including yourself." + +"My dear Francesca," I said, "how charming you are to count me as a +child! I shall really begin to feel as if there were golden threads +among the silver." + +"Tut-tut," she said, "you're not so grey as all that." + +"Yes, I am," I said, "quite as grey as all that and much greyer; only we +don't talk about it." + +"But we _do_ talk about sunflowers," she said, "don't we?" + +"If you'll promise to have the beastly glaring things dug up--" + +"Not," she said, "before we've extracted from them their last pip of +chicken-food." + +"Well, anyhow," I said, "as soon as possible. If you'll promise to do +that I'll promise never to mention them again." + +"But you'll lose your reputation with the Generals and Colonels." + +"I don't mind that," I said, "if I can only rid the garden of their +detested presence." + +"My golden-threaded boy," said Francesca, "it shall be as you desire." + +R.C.L. + + * * * * * + +CONSTABLE JINKS. + + Our village policeman is tall and well-grown, + He stands six feet two and he weighs sixteen stone; + His gait is majestic, his visage serene, + And his boots are the biggest that ever I've seen. + + Fame sealed his renown with a definite stamp + When two German waiters escaped from a camp. + Unaided he captured those runaway Huns + Who had lived for a week on three half-penny buns. + + When a derelict porpoise was cast on the shore + Our village policeman was much to the fore; + He measured the beast from its tip to its tail, + And blandly pronounced it "an undersized whale." + + When a small boy was flying his kite on the links + It was promptly impounded by Constable Jinks, + Who astutely remarked that it might have been seen + By the vigilant crew of a Hun submarine. + + It is sometimes alleged that great valour he showed + When he chased a mad cow for three miles on the road; + But there's also another account of the hunt + With a four-legged pursuer, a biped in front. + + If your house has been robbed and his counsel you seek + He's sure to look in--in the course of the week, + When his massive appearance will comfort your cook, + Though he fails in the bringing of culprits to book. + + His _obiter dicta_ on life and the law + Set our ribald young folk in a frequent guffaw; + But the elders repose an implicit belief + In so splendid a product of beer and of beef. + + He's the strongest and solidest man in the place, + Nothing--short of mad cattle--can quicken his pace; + His moustache would do credit to any dragoon, + And his voice is as deep as a double bassoon. + + His complexion is perfect, his uniform neat, + He rivets all eyes as he stalks down the street; + And I doubt if his critics will ever complain + Of his being a little deficient in brain. + + For he's more than a man; he's a part of the map; + His going would cause a deplorable gap; + And the village would suffer as heavy a slump + As it would from the loss of the old parish pump. + + * * * * * + +A HAPPY JUXTAPOSITION. + + "CHEAPER MATCHES. | FRESH LIGHT ON THE KAISER'S PLOTS." + + _Daily Mirror._ + +From the report of a Royal investiture:-- + + "The first officer to mount the dais was Major ----, who wore + the broad-brimmed slouch hat of the Austrian Infantry." + + _North China Daily News._ + +A souvenir, of course. + + * * * * * + +[Illustration: SUPPLY AND DEMAND.] + + * * * * * + +[Illustration: _Mother (to maid, who has offered Marjorie some jam)._ +"OH NO, THANK YOU, NOT WITH THE _FIRST_ PIECE." + +_Marjorie._ "BUT, MUMMY, I HAVE GIVEN UP HAVING A FIRST PIECE NOW--WAR +ECONOMY."] + + * * * * * + +THE TRENCH CODE. + + Ah! with what awe, what infantile impatience, + We eyed the artifice when issued out, + And racked our brains about the Regulations, + And tried to think we had them free from doubt! + As Rome's old Fathers, reverently leaning + In secret cellars o'er the Sibyl's strain, + Beyond the fact that several pars + Had something vague to do with Mars, + Failed, as a rule, to find the smallest meaning, + But told the plebs the oracle was plain. + + So did we study it, ourselves deceiving, + In hope to say, "We have no rations here," + Or, "Please, Brigade, this regiment wants relieving," + And "Thank you for the bombs--but why no beer?" + And wondered always, with a hint of presage, + Since never word emerged as it was planned, + If it was Hermes, Lord of Craft, + Compiled the code, or someone daft, + So that no mortal could compose a message + Which anybody else could understand. + + Too soon the Staff, to spoil our tiny slumbers, + Or, as they said, to certify our skill, + Sent us a screed, all signs and magic numbers, + And what it signified is mystery still. + We flung them back a message yet more mazy + To say we weren't unravelling their own, + And marked it _urgent_, and designed + That it should reach them while they dined. + All night they toiled, till half the crowd were crazy + And bade us breathe its burthen o'er the 'phone. + * * * * * + But now they want it back--_and it is missing!_ + And shall one patriot heart withhold a throb? + For four high officers have been here, hissing, + And plainly panicky about their job. + I know they think some dark, deluded bandit + Has gone and given it to KAISER BILL. + But though I'm grieved the General's cross, + I have no qualms about the loss-- + If clever men like us can't understand it, + I don't suppose the Wilhelmstrasse will! + +A. P. H. + + * * * * * + +SPREAD OF THE TEMPERANCE MOVEMENT. + + "I, J.A.H. De la Bere, of Woolsevy Rectory, Morchard Bishop, + Devon, desire to Alter my Surname to De la Fontaine."--_Times._ + + * * * * * + + "WANTED + + "end August in Swiss family (2 persons) living in villa near + Lausanne + + "NURSERY'S MAID + + "able to saw, iron attend at table and take entire care of + healthy baby 19 months old Good English accent serious + references." _La Tribune de Lausanne._ + +We are glad to hear that the baby has a good English accent; he will be +able to employ it with effect when the Nursery's Maid begins to saw and +iron him. + + * * * * * + + "In the cases in which the surgeon his obliged to vast empty a + bone so that offers then itself difficulties therapeuticals not + little because of pus and consequenty becauses of impossibility + of transplantations, plastics, plombages ecc., the A. propose to + go on the bone with specials inesions, not on the surface when + the bone is most superficial, but from the surface in which are + aboundings and easily cessible wet tissue, removing the margin + of the bone's cavity and mathing in mode as, by cause of + repaidis process, this tissue by hemselves adhere to a ground of + cavity and full it."--_La Clinica Chirurgica._ + +That makes it perfectly clear. + + * * * * * + +[Illustration: AVANTI, SAVOIA!] + + * * * * * + +A DAUGHTER OF THE BACK STEPPES. + +_(Russia may not yet be quite sufficiently herself to be the martial +ally that we could desire, but she still continues to send us the most +delightful fiction. Mr. PUNCH is privileged in being able to offer his +readers the opening of a new and fascinating story translated from the +Russian of Ghastlilkoff.)_ + +I was born in the year 18--, and I have never ceased to regret it. I +lived with my grandmother. She was called Natasha. I do not know why. +She had a large mole on her left cheek. Often she would embrace me with +tears and lament over me, crying, "My little sad one, my little lonely +one!" Yet I was not sad; I had too many griefs. Nor was I lonely, for I +had no playmates. + +Often my grandmother told me I was ugly. I had no mirror, so I believed +her. When I was sixteen a man I met in the street went mad for love of +me and cut his throat. For the first time in my life I wondered if my +grandmother always spoke the truth. I went home and wept, but when she +asked me why I could not tell her. + +Our house was quite dark. It had three rooms leading in and out of one +another, and no windows. There was not much fresh air. Every morning my +grandmother went out to buy otchkza and pickled onions. The man who sold +them was very old. He had a cast in each eye. He inquired of my +grandmother if she would allow him to be my husband, but she refused. +His name I do not remember. + +Our neighbours were very pleasant people, kindly and simple. There was a +half-witted youth called Krop. He used to fill his mouth with large +brass-headed nails. I did not dare to go near him, for he always tried +to bite my arms. One day I learned that he had died. My grandmother +bought me black silk mittens to wear at his funeral. I was very proud, +and ran out into the road to show them to the other children. But in my +haste I split them across from seam to seam, and my grandmother whipped +me and put me to bed. + +My grandmother's chief friend was a woman who sold toasted cheese. It +was her custom to bring round the delicacy on a small hand-cart and sell +to the children for a few kopecks. This woman was reputed to be very +rich. She was not beautiful, for she had no teeth, and had hair on her +face. The first time I saw her I ran into the house and hid behind the +large barrel of butter-milk. My grandmother took me by the ear and led +me to her friend. + +"This is Ilonoka," she said. "She is a good girl." + +I remember that I cried very loud. + +Afterwards my grandmother told me that perhaps the woman would leave me +all her money. Next time she came I wished to speak to her, but +unfortunately I had a quinsy. When the woman eventually died it was +discovered that she had been destitute for a long time. She left her +hand-cart by will to my grandmother, and in her disappointment my +grandmother beat me over the head with it. Soon afterwards my hair began +to come out, and my grandmother said it was time I found a husband. + +Accordingly she went next door, where lived a woman with five sons. They +were all out except one, and he had a sore leg. She brought him to me, +and I cried very bitterly. He also. His name was Ivan, and I wished it +had been Peter. + +The next day we were betrothed, and all our friends came to eat the +feast that my grandmother provided. A school-fellow of mine, a very +beautiful girl, was angry because I had a husband and not she. She +scratched my face, and the blood ran on to my dress. Our friends +congratulated us, and when they had gone my grandmother said it had been +a great success. She and I finished what was left of the feast and went +to bed. I remember that my feet were very cold, and when I fell asleep I +dreamed that my betrothed's name was Peter. When I awoke I cried very +loud, and my grandmother slapped my cheeks. + +Shortly afterwards she died, and I went to live with my uncle, who was a +pawnbroker in Moscow. + + * * * * * + +THE LONG-FACED CHUMS. + + When Alexander won the world he knew not bombs nor guns, + His simple forms of frightfulness were quite unlike the Huns'; + 'Twas not by barking mortars that the pushful CAESAR scored; + He trusted close formations and the silent stabbing sword. + + When ROLAND'S rearguard turned at bay, and from the furious press + The scuppered Paladin sent forth his famous S.O.S., + Scared Roncesvalles rang loud with war, as misty legends tell, + But echo's ear was spared the shriek and crash of bursting shell. + + So could you meet the shades of those whose prowess made Romance, + You'd find them only puzzled by your tales of stunts in France; + You'd have to cut the business out, and be content to chat + Of rations, grub, and officers--such odds and ends as that, + + Unless you chanced to entertain some true rough-rider's ghost, + Who galloped after HANNIBAL, or with the Parthian host, + Some curled Assyrian prince who pranced, bareback, along a frieze-- + Or one of RUPERT'S _beaux sabreurs_--a horseman--whom you please. + + With chosen spirits such as those your talk need never end + If you are worthy of your spurs and count a horse your friend. + Just ask them "Did you clip trace-high?" or "Did you chaff your hay?" + Or boast about the gee you ride, and they'll have lots to say. + + Cut out the talk of battle's din, of whizz-bangs and of crumps, + Of bombs and gas and hand-grenades, of mines and blazing dumps; + If you would wake their sympathy and warm their hearts indeed + Describe a Squadron watering, and then the fuss at "Feed!" + + That lively bustle has a charm to wake a mummy's ear + Who, ere the Pyramids were planned, was mustered charioteer; + And many a horseman's spirit thrills by Lethe's drowsy brink + When in a strange, familiar dream his Troop comes down to drink! + + * * * * * + +From "The Story of the Haldane Missions":-- + + "The Kaiser laughingly remarked that he had better have the high + chair (in which the Kaiser usually sat at his council meetings). + He also gave Lord Haldane an Imperial cigar.... While discussing + the naval question, the Kaiser took a copy of the new Naval Bill + out of his pocket and handed it to Lord Haldane, who transferred + it to his pocket without looking at it."--_Daily Chronicle._ + +He probably thought it was another of the Imperial cigars. + + * * * * * + +[Illustration: _Grocer-fiend (who has treated three preceding customers +to (a) "We ain't got no sugar;" (b) "We have none, Madam;" and (c) "No +sugar in the shop"--to boy)._ "BE OFF. WE'VE GOT NO SUGAR!" + +_Boy._ "I DIDN'T ASK FOR NO SUGAR. I WANT A PENNORTH O' SODA--AN' THAT'S +TAKEN THE' BLOOMING SWANK OUT OF YOU, AIN'T IT?"] + + * * * * * + +A STRAIGHT TALK WITH L. G. + +_(Everyone has views as to how to win the War, but not all are vocal, +or--shall we say?--vociferous. If Mr. LLOYD GEORGE reads all the papers +(as their Editors of course expect him to do) he cannot have missed +quite a number of powerful articles in the following manner. And even if +he should miss one or two it would not matter, because there is always +another in preparation.)_ + +I've always said that the PREMIER shouldn't be bothered with Parliament. +Of course I've said too that our old friend Demos, the new god, should +have a say in affairs; but that's an inconsistency that doesn't count in +the least, does it? + +Now then, Mr. PREMIER, you've got the chance of your lifetime. I always +said you were a lucky devil--in fact, I never met the Welshman that +wasn't. + +You see, Parliament's in recess, and all its trivial overpaid Members +are playing golf and things. You've got absolutely a free hand if only +you'll take it. It's quite easy and bound to succeed. You've only got to +do as I tell you. + +For instance, you want to buck up HAIG and the people at the Front. It's +no use them telling you they know best, being on the spot. That's only +bluff, old man. Don't take any notice of them, but just order a big +general offensive; and before you can say Jack Robinson we'll have the +Huns behind the Rhine. + +And do tell the Navy to get a move on. I'm glad to see my articles have +made you change the heads at the Admiralty; and of course that's all +very well so far as it goes. But it doesn't go far enough. _Have a chat +with BEATTY about it._ Get him to root the Huns out. He can bombard +Ostend and Zeebrugge and all those funny little places in two-twos. Tell +KING ALBERT not to mind. We'll easily slap up new towns for him after +the War, built on the speedy American principle. + +Then about that aerial offensive. There's really been quite enough talk +about it. We want some action, Mr. PREMIER. Isn't it time it came off? +Think what a bombardment of Cologne (taking care of the cathedral, _of +course_), Frankfurt, Berlin, Essen and Hamburg would do, not to mention +other places that I could if I had an atlas. + +And about those pacifists. Just clap the whole lot in gaol. That's the +best place for them. I won't object in the least, even though I am the +apostle of freedom. + +Then there are lots and lots of other things you might do. You might +deliver a reasoned manifesto to the Russian people and buck them up a +bit. That won't do anybody any harm, and _it'll be getting on with the +War_, my little Welshman. + +Well, there are a few points for you to go on with. You've got the +brains to think of more, otherwise I wouldn't have helped to put you +where you are to-day. But remember that if you _don't_ do these things +Demos is waiting round the corner for you. + +Demos is a good dog--a patient animal. But there's an end even to his +patience. Growl, Demos, and show you're not afraid of Welshmen! + +("Grrr----!" Good dog! Good dog!) + +Now then, old boy, I've shown you the way. _It's up to you!_ + + * * * * * + + Another powerful article on these lines will appear next week. + +[But not in _Punch_.-ED.] + + * * * * * + +[Illustration: _Caller at the office of the Inventions Board._ "'DURING +WAR PREPARE FOR PEACE'--THAT MUST BE OUR MOTTO! AND MY SPECIAL PATENT +SHELL-CASE IS THE VERY THING. A SHELL-CASE TO-DAY----AND A BLANC-MANGE +MOULD TO-MORROW."] + + * * * * * + +THE ONLY OTHER TOPIC. + +"I shot a marrow into the--I mean I cut a marrow two feet seven inches +long yesterday," said the man in the corner seat. + +"What did it weigh?" we asked anxiously. After two months of them +potatoes had somewhat palled. We were growing rather tired of marrows, +but we waited eagerly for his answer, + +"Twenty-six pounds nine and three-quarter ounces." + +Disappointment again. Our hopes were dashed to the ground. Some obscure +individual, according to the local press, had produced from his humble +cottage garden a marrow weighing thirty-four pounds, and the thing +rankled. + +"Mine was a scraggy specimen, more like an Indian club than a marrow." + +"Crossed in love, perhaps," said Dalton. + +"What your marrow wanted was nourishment," said the Authority. "A piece +of worsted round its neck, with one end dipped in a jar of water." + +"Excuse me," said Jones, "the very latest is to insert a tube in the +stalk, and the flavour is greatly improved if you add a little sugar to +the water. Almost like a melon." + +"Do you take a card out for each marrow, or one for each plant?" asked +Dalton. + +The quiet man opposite put his paper down. He was a new-comer in the +district. We liked him, although he had no sense of humour and did not +appreciate Dalton's jokes. He appeared to be interested only in the +startling and the odd. + +"That reminds me," he said, "of a most extraordinary experience I had a +few days ago. Of course you all know Enderby?" + +None of us knew Enderby, but we I did not like to say so. The quiet +man's anxiety was painful. We felt he could not go on with his story +unless someone knew Enderby. + +"He has a little place round at the back of the Common--quite a nice +little place." Freath--that was the quiet man's name--looked at us +reproachfully. + +"I think I know Enderby," said Dalton. "Isn't he a heavily-built man +about fifty, with a grey moustache?" + +"Yes, yes," said Freath eagerly. "And a curious wart on his left cheek. +Well, I dined with him the other night. His boy was there, home for the +holidays. Very clever boy; his special study is the biology of plants. +They gave me a very good dinner; I didn't notice very much what I was +eating, but I did when the maid helped me to marrow. It was a deep +crimson colour. I tasted it somewhat nervously, for I felt they were all +watching me. It had the taste of the most exquisite fruit, and the +flavour--I am afraid you won't believe me--was that of the finest port +that I ever drank. 'How did you manage this, Arthur?' said Enderby. +'Grape-juice,' said Arthur. 'Those foreign black grapes are very cheap +just now, so I mixed some with the water that I was feeding the marrows +on.' I can't explain it to you; all I know is that I had a second +helping. I am afraid you don't believe it," said Freath uneasily. + +We assured him that we did, but we did not say it with conviction. + +"Enderby called round to see me a few days afterwards," continued +Freath, "and I walked back with him. As we went along he told me that a +relative was staying with them--an uncle. The first night, again they +had marrow for dinner. This time its flavour was not port but +whisky--Scotch whisky. The old gentleman was delighted with Arthur and +his experiments. Although an abstainer he had three helpings. This was +very pleasing to Enderby, as the uncle was a man of considerable wealth. +But he was not at all satisfied with his son's explanations, and he +thought he recognised the whisky. Although an abstainer while the War is +on, Enderby keeps a very good cellar, and when he came to look into +things he found that Arthur had been pumping his finest '60 port and old +matured Scotch whisky into the vegetable marrows. Now what do you think +of that?" + +We thought it very strange and we said so. + +"But the strangest part has yet to come. Of course they had to keep it +quiet--bottle it up, so to speak, from the old gentleman, and let the +marrows down gradually. But when the marrows were once more on a +temperance _regime_ the most extraordinary thing happened." The train +was running into Finsbury Park. Freath rose and collected his things. + +We stared at him, fascinated. + +"Enderby took me into the garden to see it. He said it had been going on +for the last week. From all directions, rioting across the flower-beds, +the lawn, down the paths, the marrows were growing towards the +wine-cellar at the rate of twelve feet a day." + +Freath hastily left the carriage and jumped into the Broad Street train. + +While we were discussing the story the voice of authority spoke: "The +whole thing's a tissue of falsehood. There's no such man as Enderby." + +"But Dalton knows him," we said. + +"I don't know Enderby," said Dalton. "But I wanted to hear the story." + + * * * * * + +AT THE PLAY. + +"THE PACIFISTS." + +As a reasonable jusquaboutist I have some misgivings about Mr. HENRY +ARTHUR JONES'S farce--parable, _The Pacifists_. Assume _Market +Pewbury's_ afflictions to have been as stated: an intolerable stalwart +cad of a butcher fencing-in the best part of the common, assaulting +people's grandmothers, shutting them up in coal-cellars and eating their +crumpets, kissing their wives in the market square and proposing to +abduct them to seaside resorts, and none so bold to do him violence and +make him stop it; the police being ill or absent, the Mayor and his +friend, chief victim of the butcher's aggression, unwilling on account +of principles to do anything but talk and get up leagues to deal with +the trouble in general, and in a final ecstasy of disapproval to write a +strong letter; only uncle _Belcher_, a truculent old sea-dog with a +natural lust for whisky and blood, organising an opposition, valiantly +hiring a notable pugilist to deal with the butcher, and becoming +desperately anxious lest the matter should be peaceably settled because +the basher, having been engaged, _must_ find something to bash or there +will be trouble. Well, if we must have forged for us the sword of a +three-Act parable, we should like it with one edge, not two. + +Mr. JONES was evidently bursting with the desire to give some irritating +people a very hard knock--witness the barbed dedication with which the +normally peaceful theatre-announcement columns have bristled some little +time past; and I think I dare say that we were interested in his first +Act. He did really work out his analogies with some skill. But we soon +came to feel that he was essentially doing something between flogging a +dead horse, so far as we were concerned, and shooting a sitting rabbit. +I suspect too that we realised the issues were too tragic for this kind +of buffoonery. The tribute of our applause was a tribute of loyalty to +one who has often deserved well of the republic, and partly the desire +to show that our hearts were in the right place. I don't see _The +Pacifists_ as a pamphlet making many converts. As a kick on the shins it +has points. + +I confess the thing that pleased me most was a gay little piece of +burlesque by Mr. ARTHUR CHESNEY as the red-haired shop assistant who was +_not_ a pacifist. Mr. CHARLES GLENNEY so thoroughly enjoyed the +robustious sea-captain that we had to enjoy it too--a sound notion of +entertainment, that. Mr. SEBASTIAN SMITH played chief rabbit with +considerable skill and point; Mr. LENNOX PAWLE amused with his plump +dundrearyed mayor; Mr. SAM LIVESEY'S offensive was, I am sure, as +Hunnish as its author could possibly have desired. Miss ELLIS JEFFREYS +appeared in the first Act as a very plausible imitation of a prominent +tradesman's wife in an eighth-rate provincial town, with some quite +excellent moments. But she was evidently labouring under severe strain, +and I amused myself by speculating how long she would keep out of a +really well-cut skirt and a sophisticated air of Mayfair. Just an Act. +And surely she is mistaken in thinking that an effect of extreme +agitation is best conveyed, by very rapid quasi-cinematographic +progression up and down the stage? But I saw no reason to complain of +the bold bad butcher's taste in the matter of a subject for abduction. + +T. + + * * * * * + +[Illustration: _Sergeant (to Private Simpkins arriving two days late)._ +"WELL, SIMPKINS, SO YOU'VE TURNED UP, HAVE YOU?" + +_Simpkins._ "YES, SERGEANT. BUT YOU ARE LUCKY TO GET ME. WHAT WITH +DOMESTIC TROUBLE AND ALL THAT DELUGE OF RAIN I NEARLY MADE A SEPARATE +PEACE."] + + * * * * * + +BUCEPHALUS AND THE ROAD-HOGS. + +When Miss Ropes asked at breakfast how many of us would like to watch +the very last cricket-match of the season at Lumsdale, practically the +entire hospital held up its hand, and it was found that the two cars +could not accommodate us all. It was therefore settled that Haynes (who +said he knew the moves) should drive Ansell and me over in the +governess-cart. + +It was also settled that the crew of the governess-cart should have an +early cold lunch and start an hour before the cars; thus (it was +calculated) we should all arrive at the cricket-ground fairly well +together. This did not take Haynes' driving into account. We started +from the door at a very satisfactory pace, probably because Bucephalus, +the fat pony, objected to the enthusiasm of our send-off. When we +reached the road he dropped into an amble so gentle that we decided that +he had really been running away in the drive. Next, taking advantage of +an almost imperceptible upward slope, he began to walk. Haynes clucked +at him and flapped the reins, but this had no effect beyond steering +Bucephalus into the left-hand ditch. + +"I thought you said you knew the moves," remarked Ansell. "Surely this +is wrong?" + +"The bally beast's lopsided," said Haynes with heat. "One side of his +mouth's hard and the other soft." + +"The difficulty being," I suggested as we lurched across the road into +the other ditch, "to discover which is which.... Now you're straight. +We'd better trot. It's only a one-day match." + +Haynes used the ancient whip, which had as much effect as tickling a +rhinoceros with a feather. + +"Goad him with a penknife," suggested Ansell unfeelingly. + +"There must be some way," said Haynes. "Because they _do_ trot, you +know." + +"Speaking as one ignorant amateur to another," I asked, "isn't the right +thing to pull gently on the reins and then slacken? You go on doing it +till the animal gets your meaning. Try it." + +Haynes tried it, and Bucephalus stopped dead. Repetition of the +treatment simply produced a tendency to back. + +"For heaven's sake don't lose any of the ground we've gained," said +Ansell. "Let's get on, if only at a walk." + +"We shall have to tow him," decided Haynes. He got out and hauled at the +bridle, but Bucephalus refused to budge. + +"This," said Ansell, becoming suddenly business-like, "is where the Boy +Hero modestly but firmly takes charge. Jump in." + +He picked up the reins and, though he apparently did nothing in +particular with them, Bucephalus came to life at once and broke into a +lumbering trot. + +"You silly chump, why didn't you say you could drive?" asked Haynes. + +"Nobody asked me," said the Boy Hero modestly, "and I was shy." + +At the time when we had been scheduled to reach the cricket-ground we +had still a mile to go along a narrow leafy road, hardly more than a +lane. The cars were overdue, and Haynes, whose haughty spirit could not +brook the idea of being passed by jeering plutocrats, propounded a +scheme. + +"They can't pass us unless we go into the ditch," he explained. "So when +they come we'll pretend to be asleep, take up the middle of the road, +and simply ignore them. We'll get there first, after all." + +A moment later we heard the buzz of engines. I took a hurried glance +round and saw the sunlight on brasswork as the car came round a distant +corner. + +"It's them," I said. + +The reins dropped slackly on Bucephalus's back and he slowed to a walk. +Inside the governess-cart all was somnolent peace. Behind us the car was +already beginning to make remarks on one of those abusive +press-the-button horns. "You FOOL! You FOOL! Get OUT o' the way! Get OUT +o' the way!" it said. Then we heard the car slow down and pandemonium +broke loose. The horn was reinforced by an ordinary hooter, a whistle, +several human voices and, lastly, an exhaust siren. I stole a glance at +Ansell and found that he was having a good deal of surreptitious trouble +in restraining our fiery steed from doing a second bolt. + +"I say," whispered Haynes in sudden agitation, "_has_ Miss Ropes an +exhaust siren?" + +"No, she hasn't," Ansell replied in tones of horror. "We've held up the +wrong car." He looked round. "Good Lord!" he added softly and pulled +Bucephalus into the ditch. In the car, with a grinning Tommy at the +wheel, sat two apoplectic generals and a highly explosive brigade-major. +They came alongside, and I should never be allowed to repeat what they +said to us. It seemed that by delaying them we had been hindering the +day's work of the entire Home Forces. We were given to understand that +it was only the blue bands on our arms which saved us from being +court-martialled on the spot and shot by the grinning Tommy at dawn. +Then they passed on. + +When our cars did appear a minute or two later we pulled meekly into the +ditch to let them pass, and could find no better answer to the jeers of +their occupants than a wan sickly smile apiece. + + * * * * * + +THE TEST OF TYPE. + +_(Suggested by these adjacent paragraphs in a daily paper.)_ + + "Maj. ----. For conspicuous gallantry and resource. He rallied + his men when the left flank was seriously threatened, and by his + energy and fine example saved the situation. He subsequently + commanded his battalion with great ability. He has displayed + marked gallantry in every action in which he has taken part." + + "A London angler, Mr. ----, has caught a roach of 2 lb. 1 oz. in + the Lark at Barton Mills, the largest fish of its kind landed + from this Suffolk stream for some years." + + Though in these times monopolized by Mars + There's not a day that passes but one reads-- + Sandwiched between unprofitable "pars" + And other wholly negligible screeds-- + Of decorations, crosses, medals, bars, + Bestowed for valiant and heroic deeds; + Over these records we must often pass + Unless we've got a magnifying-glass! + + But if some member of a fishing club + In London or the provinces, renowned + For prowess with the lob-worm or the grub, + Should land a roach of more than half a pound, + Then in the leading papers of the hub + Full space for that achievement will be found, + And clearest type and unaffected rapture + Will signalize the epoch-making capture! + + The moral of the episode is plain: + If soldiers wish to petrify the nation, + Let them--when leave permits--no more disdain + To join a Roach or Perch Association, + Cull giant gooseberries, and strive to gain + Prizes for Blind-fold Pig Delineation. + Thus only--not by cross or golden stripe-- + Will they achieve the honour of big type. + + * * * * * + +[Illustration: REPRISALS. + +_Competitor (in international contest)._ "THE BLIGHTER'S BIT ME." + +_Referee._ "WELL, AIN'T YER GOT NO TEETH OF YER OWN? BOX ON."] + + * * * * * + +SHAKSPEARE AND THE WAR. + +[Since the entry of the United States all the English-speaking peoples +are in alliance for freedom.] + + I think our SHAKSPEARE, gone this many a year + To some rich haven where the poets throng + And Ruler of Ten Cities wrought in song + And spired with rhythmic music, high and clear, + Still finds his England something close and dear, + Rejoicing when her justice baffles wrong + And willing her to wrestle and be strong. + I think he bides by England and is near. + + And, in the purpose of his Overlord, + His weaving spirit, still in cloudless youth + With minstrelsy made perfect, throws a cord + That rings the continents in its magic reach + To gather all who share his English speech + In one firm warrior bond of troth and truth. + + * * * * * + +"LET LAWS AND LEARNING..." + + "I should add that Viscount Harberton sees a chance for his own + order in the circumstance that, while the poor man's child is + driven to school by the inspector, the rich man can 'boot the + spy out,' and so confer on his children the priceless boon of + complete illiteracy. Shall we live to see a House of Lords that + makes its mark?"--_Observer._ + +Some of them, we believe, are under the impression that they have done +so already. + + * * * * * + +OUR BOOKING-OFFICE. + +(_By Mr. Punch's Staff of Learned Clerks._) + +Unless you can share with me the sad immunity of the forties, I must +despair of translating for you the emotion raised in my antique soul by +the wrapper of a new RIDER HAGGARD story bearing the picture of a Zulu +and the discovery inside that _Quatermain_ is come again! The tale that +has so excited me is called, a little ominously, _Finished_ (WARD, +LOCK), and I could have better loved a cheerier title. The matter is, to +begin with, an affair of a shady doctor, of I.D.B. and an abduction; +none of it, I admit, any too absorbing. But about halfway through the +author, as though sharing my own views upon this part of the plot, +exchanges (so to speak) the Shady for the Black, and transports us all +to Zululand. And if you need reminding of what H.R.H. can do with that +delectable country, I can only say I am sorry for you. Incidentally +there are some stirring scenes from certain pages of history that the +glare of these later days has rather faded--Isandhlwana and Rorke's +Drift among them; as well as the human drama of the feud between +CETEWAYO (terror of my nursery!) and the witch-doctor _Zikali_. Whether +the old careless rapture is altogether recovered is another matter; at +least the jolly unpronounceable names are still there, and the +picturesque speech. Most of the names, that is; _Allan_ of course, and +others, but I for one should have welcomed rare _Umslopogaas_--or +however he is rightly spelt--and _Curtis_, for personal reasons my +favourite of the gallant company that have so often kept secret +rendezvous with me behind the unlifted lid of a desk at preparation +time. And now have we really come at long last to _Finished_? I can only +hope that Sir H. RIDER HAGGARD doesn't mean it. + + * * * * * + +Mrs. HUMPHRY WARD may be numbered amongst the most indefatigable of +women war-workers. She has now followed up her former success in +_England's Effort_ with a volume carrying on the story of our part in +the War under the title of _Towards the Goal_ (MURRAY). The book is +written in the form of a series of letters addressed to ex-President +ROOSEVELT, as the onlie begetter both of it and its predecessor. It is +further equipped with a preface by the hand of this same able and +clear-sighted gentleman, the chief drawback of which (from my reviewing +point of view) is that it covers so well the whole ground of +appreciation as to leave me nothing more to add. "Mrs. Ward writes nobly +on a noble theme"--_voila tout!_ Her theme, as I have hinted, is a +further exposition of Britain's war activities as those have developed +since the former book was published. In its course Mrs. WARD gives us +some vivid experiences of her own as a visitor to the Western Front: +things seen and heard, well calculated (were this needed) to stiffen the +resolution of the great people to whom her letters are really written. +_England's Effort_ was, I understand, translated into many tongues (with +results that can hardly fail of being enormously valuable); _Towards the +Goal_ should certainly receive the same treatment of which it is well +worthy. + + * * * * * + +Mr. WILLIAM HARBUTT DAWSON, in his _After War Problems_ (ALLEN AND +UNWIN), covers, under the four headings, Empire and Citizenship, Natural +Efficiency, Social Reform, and National Finance and Taxation, +bewilderingly wide ground, and drives a perhaps rather mandarinish team +of contributors. Lord HALDANE, for instance, is no longer in the real +van of educational endeavour, and is it wholly insignificant that his +chapter on Education appears in the section headed National Efficiency +rather than in that of Social Reform? It ought not to be difficult to +give, in the light of these last years, a wider interpretation to +Patriotism than that expressed by Lord MEATH on lines familiar to his +public. Sir WILLIAM CHANCE has seen no new sign in the skies in relation +to the problem of poverty. Sir BENJAMIN BROWNE, whose death all those +interested in the settlement of the Capital-Labour quarrel must deplore, +as for all his uncompromising individualism he brought to it a rare +breadth of view, says much that is of real value, but does not refrain +from appealing to the fact that the mutual confidence of man and officer +in battle is a proof of the possibility of a similar confidence in the +workshop. That confidence must, and can, we dare to believe, eventually +be established. But the men don't go over the top to put money in the +Colonel's pocket, and little good is done by exploiting these loose +analogies and putting on a too easy air of optimism in the face of +desperately serious and complex problems. But enough of fault-finding, +which is a poor reward for the serious and generous labours of +public-spirited men and women. After all, what one reader calls timidity +of outlook another may care to praise as prudence. Here you will find an +abundance of safe analysis, wise comment and constructive suggestion +from a galaxy of accredited authorities. + + * * * * * + +In the early chapters of Mr. WILLIAM HEWLETT'S new story, _The +Plot-Maker_ (DUCKWORTH), we are introduced to a popular and highly +successful novelist, named _Coulthard Henderson_, in the emotional +crisis produced by a sudden doubt as to whether his output of +best-sellers represented anything in the least approaching actuality. +You will admit a tragic situation. He meets it by the determination that +his next book shall be a veritable slice of life, and to this end he +selects and finances an eligible young man for the purpose of +vicariously experiencing those emotions, from which age and other causes +debar the chronicler; in other words, he hires a hero. The worst of this +excellent idea is that it can hardly be said to originate either with +_Mr. Henderson_ or Mr. HEWLETT, that credit belonging (I fancy) to the +late HERBERT FLOWERDEW in a too-little-appreciated masterpiece of +sensational burlesque called _The Realist_. However, _The Plot-Maker_, +once set going, develops admirably enough on lines entirely its own. The +so-much-an-hour hero turns out an engaging young gentleman, but a +wofully poor protagonist. The situation where (in the midst of whirling +events) he makes the startling discovery that he himself has been in +some way switched on to the part of villain is one that you can +appreciate only at first hand. Certainly if you want (as who does not in +these days?) an anaesthetic of agreeable nonsense _The Plot-Maker_ is a +medium that I can cordially recommend: one obvious advantage being that +you need not try to believe a single word of it. + + * * * * * + +HISTORY REPEATS ITSELF. + +From a publisher's list:-- + + "Shells as evidence of the Migrations of Early Culture." + +And modern Kultur spreads itself in just the same old way. + + * * * * * + + "Lady Required to Share Rome with another." + + _Staffordshire Sentinel_. + +But what about the King of ITALY, not to mention the POPE? + + +[Illustration: _Eastern Potentate (rusticating)_. "YOU HAVE NO IDEA, MY +DEAR FRIEND, HOW SOOTHING IT IS TO ME TO GET AWAY FROM THE LUXURIOUS AND +ARTIFICIAL LIFE OF THE COURT AND TO SPEND MY WEEK-ENDS IN QUIET +RETIREMENT HERE IN THE COUNTRY WHERE A FRIEND MAY DROP IN FOR POT LUCK +AND TAKE US IN THE ROUGH."] + + + +***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. +153, SEPT. 12, 1917*** + + +******* This file should be named 10594.txt or 10594.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/1/0/5/9/10594 + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +http://www.ibiblio.org/gutenberg/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: +https://www.gutenberg.org/GUTINDEX.ALL + +*** END: FULL LICENSE *** diff --git a/old/10594.zip b/old/10594.zip Binary files differnew file mode 100644 index 0000000..8b5734a --- /dev/null +++ b/old/10594.zip |
