summaryrefslogtreecommitdiff
path: root/old/10587-8.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/10587-8.txt')
-rw-r--r--old/10587-8.txt15709
1 files changed, 15709 insertions, 0 deletions
diff --git a/old/10587-8.txt b/old/10587-8.txt
new file mode 100644
index 0000000..2dae24f
--- /dev/null
+++ b/old/10587-8.txt
@@ -0,0 +1,15709 @@
+The Project Gutenberg EBook of The Poetical Works of Addison; Gay's
+Fables; and Somerville's Chase, by Joseph Addison, John Gay,
+William Sommerville
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Poetical Works of Addison; Gay's Fables; and Somerville's Chase
+ With Memoirs and Critical Dissertations,
+ by the Rev. George Gilfillan
+
+Authors: Joseph Addison, John Gay, William Sommerville
+
+Release Date: January 4, 2004 [EBook #10587]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK WORKS OF ADDISON ***
+
+
+
+
+Produced by Jonathan Ingram, Jayam Subramanian and PG Distributed
+Proofreaders
+
+
+
+
+
+THE
+
+POETICAL WORKS
+
+OF
+
+JOSEPH ADDISON;
+
+GAY'S FABLES;
+
+AND
+
+SOMERVILLE'S CHASE.
+
+
+ * * * * *
+
+
+
+With Memoirs and Critical Dissertations,
+
+BY THE
+
+REV. GEORGE GILFILLAN.
+
+
+ * * * * *
+
+ M.DCCC.LIX.
+
+
+
+
+
+
+CONTENTS.
+
+
+ADDISON'S POETICAL WORKS.
+
+LIFE OF JOSEPH ADDISON,
+
+ POEMS ON SEVERAL OCCASIONS:--
+
+ To Mr Dryden,
+
+ A Poem to his Majesty, presented
+ to the Lord Keeper,
+
+ A Translation of all Virgil's Fourth
+
+ Georgic, except the Story of
+ Aristæus,
+
+ A Song for St Cecilia's Day,
+
+ An Ode for St Cecilia's Day,
+
+ An Account of the greatest English Poets,
+
+ A Letter from Italy,
+
+ Milton's Style Imitated, in a
+ Translation of a Story out of
+ the Third Æneid,
+
+ The Campaign,
+
+ Cowley's Epitaph on Himself,
+
+ Prologue to the 'Tender Husband,'
+
+ Epilogue to the 'British Enchanters,'
+
+ Prologue to Smith's 'Phædra and
+ Hippolitus,'
+
+ Horace Ode III., Book III.,
+
+ The Vestal,
+
+ OVID'S METAMORPHOSES:--
+
+ BOOK II.
+
+ The Story of Phaeton,
+
+ Phaeton's Sisters transformed
+ into Trees,
+
+ The Transformation of Cyenus
+ into a Swan,
+
+ The Story of Calisto,
+
+ The Story of Coronis, and Birth
+ of Æsculapius,
+
+ Ocyrrhoe Transformed to a Mare,
+
+ The Transformation of Battus to
+ a Touchstone,
+
+ The Story of Aglauros, transformed
+ into a Statue,
+
+ Europa's Rape,
+
+ BOOK III.
+
+ The Story of Cadmus,
+
+ The Transformation of Actæon
+ into a Stag,
+
+ The Birth of Bacchus,
+
+ The Transformation of Tiresias,
+
+ The Transformation of Echo,
+
+ The Story of Narcissus,
+
+ The Story of Pentheus,
+
+ The Mariners transformed to
+ Dolphins,
+
+ The Death of Pentheus
+
+ BOOK IV.
+
+ The Story of Salmacis and Hermaphroditus,
+
+ TO HER ROYAL HIGHNESS THE
+ PRINCESS OF WALES,
+
+ TO SIR GODFREY KNELLER, ON
+ HIS PICTURE OF THE KING,
+
+ THE PLAY-HOUSE,
+
+ ON THE LADY MANCHESTER,
+
+ AN ODE,
+
+ AN HYMN,
+
+ AN ODE,
+
+ AN HYMN,
+
+ PARAPHRASE ON PSALM XXIII.
+
+
+THE LIFE OF JOHN GAY
+
+ GAY'S FABLES:--
+
+ INTRODUCTION.--PART I.
+
+ The Shepherd and Philosopher
+
+ Fable I.--The Lion, the Tiger, and the Traveller
+
+ Fable II.--The Spaniel and the Cameleon
+
+ Fable III.--The Mother, the Nurse, and the Fairy
+
+ Fable IV.--The Eagle, and the Assembly of Animals
+
+ Fable V.--The Wild Boar and the Ram
+
+ Fable VI.--The Miser and Plutus
+
+ Fable VII.--The Lion, the Fox, and the Geese
+
+ Fable VIII.--The Lady and the Wasp
+
+ Fable IX.--The Bull and the Mastiff
+
+ Fable X.--The Elephant and the Bookseller
+
+ Fable XI.--The Peacock, the Turkey, and the Goose
+
+ Fable XII.--Cupid, Hymen, and Plutus
+
+ Fable XIII.--The Tame Stag
+
+ Fable XIV.--The Monkey who had seen the World
+
+ Fable XV.--The Philosopher and the Pheasants
+
+ Fable XVI.--The Pin and the Needle
+
+ Fable XVII.--The Shepherd's Dog and the Wolf
+
+ Fable XVIII.--The Painter who pleased Nobody and Everybody
+
+ Fable XIX.--The Lion and the Cub
+
+ Fable XX.--The Old Hen and the Cock
+
+ Fable XXI.--The Rat-catcher and Cats
+
+ Fable XXII.--The Goat without a Beard
+
+ Fable XXIII.--The Old Woman and her Cats
+
+ Fable XXIV.--The Butterfly and the Snail
+
+ Fable XXV.--The Scold and the Parrot
+
+ Fable XXVI.--The Cur and the Mastiff
+
+ Fable XXVII.--The Sick Man and the Angel
+
+ Fable XXVIII.--The Persian, the Sun, and the Cloud
+
+ Fable XXIX.--The Fox at the point of Death
+
+ Fable XXX.--The Setting-dog and the Partridge
+
+ Fable XXXI.--The Universal Apparition
+
+ Fable XXXII.--The Two Owls and the Sparrow
+
+ Fable XXXIII.--The Courtier and Proteus
+
+ Fable XXXIV.--The Mastiffs
+
+ Fable XXXV.--The Barley-mow and the Dunghill
+
+ Fable XXXVI.--Pythagoras and the Countryman
+
+ Fable XXXVII.--The Farmer's Wife and the Raven
+
+ Fable XXXVIII.--The Turkey and the Ant
+
+ Fable XXXIX.--The Father and Jupiter
+
+ Fable XL.--The Two Monkeys
+
+ Fable XLI.--The Owl and the Farmer
+
+ Fable XLII.-The Jugglers
+
+ Fable XLIII.-The Council of Horses
+
+ Fable XLIV.--The Hound and the Huntsman
+
+ Fable XLV.--The Poet and the Rose
+
+ Fable XLVI.--The Cur, the Horse, and the Shepherd's Dog
+
+ Fable XLVII.--The Court of Death
+
+ Fable XLVIII.--The Gardener and the Hog
+
+ Fable XLIX.--The Man and the Flea
+
+ Fable L.--The Hare and many Friends
+
+
+ PART II.
+
+ Fable I.--The Dog and the Fox
+
+ Fable II.--The Vulture, the Sparrow, and other Birds
+
+ Fable III.--The Baboon and the Poultry
+
+ Fable IV.--The Ant in Office
+
+ Fable V.--The Bear in a Boat
+
+ Fable VI.--The Squire and his Cur
+
+ Fable VII.--The Countryman and Jupiter
+
+ Fable VIII.--The Man, the Cat, the Dog, and the Fly
+
+ Fable IX.--The Jackall, Leopard, and other Beasts
+
+ Fable X.--The Degenerate Bees
+
+ Fable XI.--The Pack-horse and the Carrier
+
+ Fable XII.--Pan and Fortune
+
+ Fable XIII.-Plutus, Cupid, and Time
+
+ Fable XIV.--The Owl, the Swan, the Cock, the Spider, the Ass,
+ and the Farmer
+
+ Fable XV.--The Cook-maid, the Turnspit, and the Ox
+
+ Fable XVI.--The Ravens, the Sexton, and the Earth-worm
+
+ SONGS:--
+
+ Sweet William's Farewell to Black-eyed Susan
+
+ A Ballad, from the What-d'ye-call-it
+
+
+SOMERVILLE'S CHASE.
+
+THE LIFE OF WILLIAM SOMERVILLE
+
+ SOMERVILLE'S CHASE:--
+
+ Book I.
+
+ Book II.
+
+ Book III.
+
+ Book IV.
+
+
+
+
+LIFE OF JOSEPH ADDISON.
+
+Joseph Addison, the _Spectator_, the true founder of our periodical
+literature, the finest, if not the greatest writer in the English
+language, was born at Milston, Wiltshire, on the 1st of May 1672. A
+fanciful mind might trace a correspondence between the particular months
+when celebrated men have been born and the peculiar complexion of their
+genius. Milton, the austere and awful, was born in the silent and gloomy
+month of December. Shakspeare, the most versatile of all writers, was
+born in April, that month of changeful skies, of sudden sunshine, and
+sudden showers. Burns and Byron, those stormy spirits, both appeared in
+the fierce January; and of the former, he himself says,
+
+ "'Twas then a blast o' Januar-win'
+ Blew welcome in on Robin."
+
+Scott, the broad sunny being, visited us in August, and in the same month
+the warm genius of Shelley came, as Hunt used to tell him, "from the
+planet Mercury" to our earth. Coleridge and Keats, with whose song a deep
+bar of sorrow was to mingle, like the music of falling leaves, or of
+winds wailing for the departure of summer, arrived in October,--that
+month, the beauty of which is the child of blasting, and its glory the
+flush of decay. And it seems somehow fitting that Addison, the mild, the
+quietly-joyous, the sanguine and serene, should come, with the daisy and
+the sweet summer-tide, on the 1st of May, which Buchanan thus hails--
+
+ "Salve fugacis gloria saeculi,
+ Salve secunda digna dies nota,
+ Salve vetustae vitae imago,
+ Et specimen venientis aevi."
+
+ "Hail, glory of the fleeting year!
+ Hail, day, the fairest, happiest here!
+ Image of time for ever by,
+ Pledge of a bright eternity."
+
+Dr Lancelot Addison, himself a man of no mean note, was the father of
+our poet. He was born in 1632, at Maltesmeaburn, in the parish of _Corby
+Ravensworth_, (what a name of ill-omen within ill-omen, or as Dr Johnson
+would say, "inspissated gloom"!) in the county of Westmoreland. His
+father was a minister of the gospel; but in such humble circumstances,
+that Lancelot was received from the Grammar-school of Appleby into
+Queen's College, Oxford, in the capacity of a "poor child." After passing
+his curriculum there, being chiefly distinguished for his violent High
+Church and Monarchical principles, for which he repeatedly smarted, he,
+at the Restoration, was appointed chaplain to the garrison of Dunkirk,
+and soon after he accepted a similar situation in Tangier, which had been
+ceded by Portugal to Britain. In this latter post he felt rather lonely
+and miserable, and was driven, in self-defence, to betake himself to the
+study of the manners and the literature of the Moors, Jews, and other
+Oriental nations. This led him afterwards to publish some works on
+Barbary, on Hebrew customs, and Mohammedanism, which shew a profound
+acquaintance with these subjects, and which, not without reason, are
+supposed to have coloured the imagination of his son Joseph, who is
+seldom more felicitous than when reproducing the gorgeous superstitions
+and phantasies of the East.
+
+For eight years, old Addison lingered in loathed Tangier; nor, when
+he returned to England on a visit, had he any purpose of permanently
+residing in his own country. But his appointment was hastily bestowed on
+another; and it was fortunate for him that a private friend stepped in
+and presented him with the living of Milston, near Ambrosebury, Wilts,
+worth £120 a-year. This, which Miss Aiken calls a "pittance," was
+probably equivalent to £250 now. At all events, on the strength of it,
+he married Jane, daughter of Dr Gulstone, and sister to the Bishop of
+Bristol, who, in due time, became the mother of our poet. Lancelot was
+afterwards made Prebendary of Salisbury Cathedral, and King's Chaplain
+in ordinary; about the time (1675) when he took the degree of D.D.
+Subsequently he became Archdeacon of Salisbury, and at last, in 1683,
+obtained the Deanery of Lichfield. But for his suspected Jacobitism, he
+would probably have received the mitre. He died in 1703.
+
+Joseph had two brothers and three sisters. His third sister, Dorothy,
+survived the rest, and was twice married. Swift met her once, and with
+some awe (for he, like all bullies, had a little of the coward about
+him), describes her as a kind of wit, and very like her brother. The
+_Spectator_ seems to have been a wild and wayward boy. He is said to have
+once acted as ringleader in a "barring out," described by Johnson as a
+savage license by which the boys, when the periodical vacation drew near,
+used to take possession of the school, of which they barred the doors,
+and bade the master defiance from the windows. On another occasion,
+having committed some petty offence at a country school, terrified at the
+master's apprehended displeasure, he made his escape into the fields and
+woods, where for some days he fed on fruits and slept in a hollow tree
+till discovered and brought back to his parents. This last may seem the
+act of a timid boy, and inconsistent with the former, and yet is somehow
+congenial to our ideal of the character of our poet. It required perhaps
+more daring to front the perils of the woods than the frown of the
+master, and augured, besides, a certain romance in his disposition which
+found afterwards a vent in literature. After receiving instruction, first
+at Salisbury, and then at Lichfield, (his connexion with which place
+forms a link, uniting him in a manner to the great lexicographer, who was
+born there,) he was removed to the Charterhouse, and there profited so
+much in Greek and Latin, that at fifteen he was not only, says Macaulay,
+"fit for the university, but carried thither a classical taste and a
+stock of learning which would have done honour to a master of arts." He
+had at the Charter-house formed a friendship, destined to have important
+bearings on his after history, with Richard Steele, whose character may
+be summed up in a few sentences. Who has not heard of Sir Richard Steele?
+Wordsworth says of one of his characters--
+
+ "She was known to every star,
+ And every wind that blows."
+
+Poor Dick was known to every sponging-house, and to every bailiff
+that, blowing in pursuit, walked the London streets. A fine-hearted,
+warm-blooded character, without an atom of prudence, self-control,
+reticence, or forethought; quite as destitute of malice or envy;
+perpetually sinning and perpetually repenting; never positively
+irreligious, even when drunk; and often excessively pious when recovering
+sobriety,--Steele reeled his way through life, and died with the
+reputation of being an orthodox Christian and a (nearly) habitual
+drunkard; the most affectionate and most faithless of husbands; a brave
+soldier, and in many points an arrant fool; a violent politician, and the
+best natured of men; a writer extremely lively, for this, among other
+reasons, that he wrote generally on his legs, flying or meditating flight
+from his creditors; and who embodied in himself the titles of his three
+principal works--"The Christian Hero," "The Tender Husband," and the
+_Tatler_;--being a "Christian Hero" in intention, one of those intentions
+with which a certain place is paved; a "Tender Husband," if not a
+true one, to his two ladies; and a _Tatler_ to all persons, in all
+circumstances, and at all times. When Addison first knew this original,
+he was probably uncontaminated, and must have been, as he continued to
+the end to be, an irascible but joyous and genial being; and they became
+intimate at once, although circumstances severed them from each other for
+a long period.
+
+In 1687 Addison entered Queen's College, Oxford; but sometime after,
+(Macaulay says "not many months," Johnson "a year," and Miss Aiken "two
+years,") Dr Lancaster, of Magdalene College, having accidentally seen
+some Latin verses from his pen, exerted himself to procure their author
+admission to the benefits of a foundation, then the wealthiest in Europe.
+Our poet was first elected Demy, then Probationary Fellow in 1697, and
+in the year following, Actual Fellow. During the ten years he resided
+at Oxford, he was a general favourite, remarkable for his diligence in
+study, for the purity and tenderness of his feelings, for his bashful and
+retiring manners, for the excellence of his Latin compositions, and for
+his solitary walks, pursued in a path they still point out below the elms
+which skirt a meadow on the banks of the Cherwell,--a river, we need
+scarcely say, which there weds the Isis. It was in such lonely evening or
+Saturday strolls that he probably acquired the habit of pensive reverie
+to which we owe many of the finest of his speculations in after days,
+such as that in _Spectator_, No. 565, beginning, "I was yesterday, about
+sunset, walking in the open fields, when insensibly the night fell upon
+me," &c.
+
+Prose English essays, however, were as yet strangers to his pen. His
+ambition was to be a poet, and while still under twenty-two, he produced
+and printed some complimentary verses to Dryden, then declining in years,
+and fallen into comparative neglect. The old poet was pleased with the
+homage of the young aspirant, which was as graceful in expression as it
+was generous in purpose. For instance, alluding to Dryden's projected
+translation of "Ovid," he says, that "Ovid," thus transformed, shall
+"reveal"
+
+ "A nobler change than he himself can tell."
+
+This, however, although happy, starts a different view of the subject. It
+suggests the idea that most translations are metamorphoses to the worse,
+like that of a living person into a dead tree, or at least of a superior
+into an inferior being. In Pope's "Iliad," you have the metamorphosis of
+an eagle into a nightingale; in Dryden's "Virgil," you have a stately
+war-horse transformed into a hard-trotting hackney; in Hoole's versions
+of the Italian Poets, you have nymphs nailed up in timber; while, on the
+other hand, in Coleridge's "Wallenstein," you have the "nobler change,"
+spoken of by Addison, of--shall we say?-a cold and stately holly-tree
+turned into a murmuring and oracular oak.
+
+That, after thus introducing himself to Dryden, he met him occasionally
+seems certain, although the rumour circulated by Spence that he taught
+the old man to sit late and drink hard seems ridiculous. Dryden
+introduced him to Congreve, and through Congreve he made the valuable
+acquaintance of Charles Montague, then leader of the Whigs in the House
+of Commons, and Chancellor of the Exchequer.
+
+He afterwards published a translation of that part of the "Fourth Book
+of the Georgics" referring to bees, on which Dryden, who had procured a
+preface to his own complete translation of the same poem from Addison,
+complimented him by saying--"After his bees, my later swarm is scarcely
+worth hiving." He published, too, a poem on "King William," and an
+"Account of the Principal English Poets," in which he ventures on a
+character of Spenser ere he had read his works. It thus is, as might have
+been expected, poor and non-appreciative, and speaks of Spenser as a poet
+pretty nearly forgotten. Some time after this, he collected a volume,
+entitled, "Musæ Anglicanæ," in which he inserted all his early Latin
+verses.
+
+Charles Montague, himself a poet of a certain small rank, and a man of
+great general talents, became--along with Somers--the patron of Addison.
+He diverted him from the Church, to which his own tastes seemed to
+destine him, suggesting that civil employment had become very corrupt
+through want of men of liberal education and good principles, and should
+be redeemed from this reproach, and declaring that, though he had been
+called an enemy of the Church, he would never do it any other injury than
+keeping Mr Addison out of it. It is likely that the timid temperament of
+our poet concurred with these suggestions of Montague in determining his
+decision. His failure as a Parliamentary orator subsequently seems to
+prove that the pulpit was not his vocation. After all, his Saturday
+papers in the _Spectator_ are as fine as any sermons of that age, and he
+perhaps did more good serving as a volunteer than had he been a regular
+soldier in the army of the Christian faith.
+
+Somers and Montague wished to employ their _protégé_ in public service
+abroad. There was, however, one drawback. Addison had plenty of English,
+Greek, and Latin, but he had little French. This he must be sent abroad
+to acquire; and for the purpose of defraying the expenses of his travels,
+a pension of £300 a-year was conferred upon him. Paid thus, as few
+poets or writers of any kind are, in advance, and having his fellowship
+besides, Addison, like a young nobleman, instead of a parson's son, set
+out upon his tour. This was in the summer of 1699. He was twenty-seven
+years of age, exactly one year younger than Byron, and three years
+younger than Milton, when they visited the same regions. He went first to
+Paris, and was received with great distinction by Montague's kinsman, the
+Earl of Manchester, and his beautiful lady. He travelled with his eyes
+quietly open, especially to the humorous aspects of things. In a letter
+to Montague he says that he had not seen a _blush_ from his first landing
+at Calais, and gives a sarcastic description of the spurious devotion
+which the example of the old repentant _roué_, Louis XIV., had rendered
+fashionable among the _literati_ of France: "There is no book comes out
+at present that has not something in it of an air of devotion. Dacier has
+been forced to prove his Plato a very good CHRISTIAN before he ventures
+upon his translation, and has so far complied with the taste of the age,
+that his whole book is overrun with texts of Scripture, and the notion of
+pre-existence, supposed to be stolen from two verses of the prophets."
+The sincere believer is usually the first to detect and be disgusted with
+the sham one; and Addison was always a sincere believer, but he had also
+that happy nature in which disgust is carried quickly and easily off
+through the safety-valve of a smile.
+
+From Paris he went to Blois, the capital of Loir-and-Cher, a small town
+about 110 miles south-west of Paris. Here he had two advantages. He found
+the French language spoken in its perfection; and as he had not a single
+countryman with whom to exchange a word, he was driven on his own
+resources. He remained there a year, and spent his time well, studying
+hard, rising early, having the best French masters, mingling in society,
+although subject, as in previous and after parts of his life, to fits of
+absence. His life was as pure as it was simple, his most intimate friend
+at Blois, the Abbe Philippeaux, saying: "He had no amour whilst here that
+I know of, and I think I should have known it if he had had any." During
+this time he sent home letters to his friends in England--to Montague,
+Colonel Froude, Congreve, and others[1]--which contain sentences of
+exquisite humour. Thus, describing the famous gallery at Versailles, with
+the paintings of Louis' victories, he says: "The history of the present
+King till the sixteenth year of his reign is painted on the roof by Le
+Brun, so that his Majesty has actions enough by him to furnish another
+gallery much longer than the first. He is represented with all the terror
+and majesty that you can imagine in every part of the picture, and see
+his young face as perfectly drawn in the roof as his present one in the
+side. The painter has represented His Most Christian Majesty under the
+figure of Jupiter throwing thunderbolts all about the ceiling, and
+striking terror into the Danube and Rhine, that _lie astonished and
+blasted with lightning a little above the cornice_."
+
+This is Addison all over; and quite as good is his picture of the general
+character of the French: "'Tis not in the power of want or slavery to
+make them miserable. There is nothing to be met with in the country
+but mirth and poverty. Every one sings, laughs, and starves. Their
+conversation is generally agreeable, for if they have any wit or sense,
+they are sure to shew it. Their women are perfect mistresses in the art
+of shewing themselves to the best advantage. They are always gay and
+sprightly, and set off the worst faces in Europe with the best airs.
+Every one knows how to give herself as charming a look and posture as Sir
+Godfrey Kneller could draw her in."
+
+From Blois he returned to Paris, and was now better qualified, from his
+knowledge of the language, to mingle with its philosophers, savants, and
+poets. He had some interesting talk with Malebranche and Boileau, the
+former of whom "very much praised Mr Newton's mathematics; shook his head
+at the name of Hobbes, and told me he thought him a _pauvre esprit_."
+Here follows a genuine Addisonianism: "His book is now reprinted with
+many additions, among which he shewed me a very pretty hypothesis of
+colours, which is different from that of Cartesius or Newton, _though
+they may all three be true_." Boileau, now sixty-four, deaf as a post,
+and full of the "sweltered venom" of ill-natured criticism, nevertheless
+received Addison kindly; and when presented by him with his "Musæ
+Anglicanæ," is said from that time to have conceived an opinion of the
+English genius for poetry. Addison says that Boileau "hated an ill
+poet." Unfortunately, however, for his judgment, it is notorious that he
+slighted Shakspeare, Milton, and Corneille, and that, next to Homer and
+Virgil, his great idols were Arnaud and Racine.
+
+In December 1700, tired of French manners, which had lost even their
+power of moving him to smiles, and it may be apprehensive of the war
+connected with the Spanish succession, which was about to inflame all
+Europe, Addison embarked from Marseilles for Italy. After a narrow escape
+from one of those sudden Mediterranean storms, in which poor Shelley
+perished, he landed at Savona, and proceeded, through wild mountain
+paths, to Genoa. He afterwards commemorated his deliverance in the
+pleasing lines published in the _Spectator_, beginning with--
+
+ "How are Thy servants blest, O Lord,"
+
+one verse in which was wont to awaken the enthusiasm of the boy Burns,
+
+ "What though in dreadful whirls we hung,
+ High on the broken wave," &c.
+
+The survivor of a shipwreck is, or should be, ever afterwards a sadder
+and a wiser man. And Addison continued long to feel subdued and thankful,
+and could hardly have been more so though he had outlived _that_
+shipwreck which bears now the relation to all recent wrecks which
+"_the_ storm" of November 1703, as we shall see, bore to all inferior
+tempests--the loss of the _Royal Charter_,--the stately and gold-laden
+bark, which, on Wednesday the 26th October 1859, when on the verge of the
+haven which the passengers so much desired to see, was lifted up by
+the blast as by the hand of God, and dashed into ten thousand
+pieces,--hundreds of men, women, and, alas! alas! children, drowned,
+mutilated, crushed by falling machinery, and that, too, at a moment when
+they had just been assured that there was no immediate danger, and
+when hope was beginning to sparkle in the eyes that were sinking into
+despair,--sovereigns, spray, and the mangled fragments of human bodies
+massed together as if in the anarchy of hell, and hurled upon the rocks.
+Addison, no more than one of the escaped from that saloon of horror and
+sea of death, could forget the special Providence by which he was saved;
+and the hymn above referred to, and that other still finer, commencing--
+
+ "When all Thy mercies, O my God!
+ My rising soul surveys,"
+
+seem a pillar erected on the shore to Him that had protected and redeemed
+him.
+
+From Genoa he went to Milan, and thence to Venice, where he saw a play on
+the subject of Cato enacted, and began himself to indite his celebrated
+tragedy, of which he completed four acts ere he quitted Italy. On his way
+to Rome, he visited the miniature mountain republic of San Marino, which
+he contemplated and described with much the same feeling of interest and
+amazement, as afterwards, in the _Guardian_, the little colony of ants
+immortalised there. Like Swift, (whom Macaulay accuses of stealing from
+Addison's Latin poem on the "Pigmies," some hints for his Lilliput,)
+Addison had a finer eye for the little than for the vast. He enjoyed
+Marino, therefore, and must have chuckled over the description of it in
+the geography, as much as if it had been a stroke of his own inventive
+pen. "Besides the mountain on which the town stands, the republic
+possesses _two adjoining hills_." At Rome he did not stay long at this
+time, but as if afraid of the attractions of the approaching Holy
+Week--that blaze of brilliant but false light in which so many moths have
+been consumed--he hurried to Naples and saw Vesuvius burning over its
+beautiful bay with less admiration than has been felt since by many
+inferior men. He returned to Rome and lived there unharmed during the
+sickly season; thence he went to Florence, surveying with interest the
+glories of its art; and in fine he crossed the Alps by Mount Cenis to
+Geneva, composing on his way a poetical epistle to Montague, now Lord
+Halifax. The Alps do not seem to have much delighted his imagination.
+There are a few even still who look upon mountains as excrescences and
+deformities, and give to Glencoe only the homage of their unaffected
+fears, which is certainly better than the false raptures of others. But,
+in Addison's day, admiration for wild scenery was neither pretended nor
+felt. Our poet loved, indeed, the great silent starry night, and has
+whispered and stammered out some beautiful things in its praise. But he
+does this, so to speak, below his breath, while the white Alps, seeming
+the shrouded corpses of the fallen Titans, take that breath away, and he
+shudders all the road through them, and descends delightedly to the green
+pastures and the still waters of lower regions.
+
+At Geneva, where he arrived in December 1701, he remained some time,
+expecting from Lord Manchester the official appointment for which he was
+now qualified. But while waiting there, he heard the tidings of King
+William's death, which put an end to his hopes as well as to those of
+his party. His pension, too, was stopped, and he was obliged to become a
+tutor to a young Englishman of fortune. With him he visited many parts of
+Switzerland and Germany, and spent a portion of his leisure in writing,
+not only his "Travels," but his recondite "Dialogue on Medals,"--a book
+of considerable research and great ingenuity, which was not published,
+however, till after his death. From Germany he passed to Holland, where
+he heard the sad intelligence that his father was no more. During his
+stay in Holland, he watched with keen, yet kindly eye, the manners of
+the inhabitants; and in his letters hits at their drinking habits with a
+mixture of severity and sympathy which is very characteristic. Toward the
+close of 1703 he returned home, and, we doubt not, felt at first desolate
+enough. His father was dead, his pension withdrawn, his political patrons
+out of power, and his literary fame not yet fully established. But,
+on the other hand, he was only thirty-one; he had made some new and
+influential friends on the Continent, particularly the eminent Edward
+Wortley Montague, husband of the still more celebrated Mary Wortley
+Montague, and he had in his portfolio a volume of "Travels" of some mark
+and likelihood, nearly ready for the press. Besides, the Whigs, low as
+they were now in political influence, were still true to their party,
+and they welcomed Addison, as one of their rising hopes, into the famous
+"Kit-Cat Club," an _omniumgaiherum_ of all whose talents, learning,
+accomplishments, wit, or wealth were thought useful to the Whig cause.
+
+Addison's arrival in England seems to have synchronised or preceded the
+great tempest of November 1703, to which we have already referred, and
+to which he afterwards alludes in his simile of the Angel in "The
+Campaign"--
+
+ "Such as of late o'er pale Britannia past."
+
+Our readers will find a sketch of this terrific tempest in the
+commencement of Ainsworth's "Jack Shepherd." Macaulay says of it, "It
+was the only tempest which, in our latitude, has equalled the rage of
+a tropical hurricane. No other tempest was ever in this country the
+occasion of a Parliamentary address, or of a national fast. Whole fleets
+had been cast away. Large mansions had been blown down; one prelate had
+been buried beneath the ruins of his palace. London and Bristol had
+presented the appearance of cities just sacked. Hundreds of families were
+thrown into mourning. The prostrate trunks of large trees, and the ruins
+of houses attested, in all the southern counties, the fury of the blast."
+How Addison felt or fared during this storm, we have no means of knowing.
+Perhaps his timid nature shrank from it in spite of its appeal to
+imagination, or perhaps the poetry that was in him triumphed over his
+fears, and as he felt what _Zanga_ was afterwards to say--
+
+ "I love this rocking of the battlements,"
+
+the image of the Angel, afterwards to be dilated into the vast form of
+Wrath, described in the "Campaign," rose on his vision, and remained
+there indelibly fixed till the time arrived when, used with artistic
+skill, it floated him into fame.
+
+Meanwhile, he spent this winter and spring of 1703-4 in a rather
+precarious manner, and like a true poet. He was lodging in an obscure
+garret in the Haymarket, up three stairs, when one day the Right
+Honourable Henry Boyle, the Chancellor of the Exchequer, called on him
+and communicated a project that had been concocted between Godolphin and
+Halifax. The Whigs were now again in the ascendant, and the battle of
+Blenheim, fought on the 13th August 1704, had brought their triumph to
+a climax. Halifax and Godolphin were mortified at the bad poems in
+commemoration of it which poured from the press. Their feeling was
+sincerely that which Byron affected in reference to Wellington and
+Waterloo--
+
+ "I wish your bards would sing it rather better."
+
+They bethought themselves of Addison, and sent Boyle to request him to
+write some verses on the subject. He readily undertook the task, and when
+he had half-finished the "Campaign," he shewed it to Godolphin, who
+was delighted, especially with the Angel, and in gratitude, instantly
+appointed the lucky poet to a commissionership worth about £200 a-year,
+and assured him that this was only a foretaste of greater favours to
+come. The poem soon after appeared. It was received with acclamation, and
+Addison felt that his fortune and his fame were both secured.
+
+Yet, in truth, the "Campaign" is not a great poem, nor, properly
+speaking, if we except the Angel, a poem at all. It is simply a _Gazette_
+done into tolerable rhyme; and its chief inspiration comes from its
+zealous party-feeling. Marlborough, though a first-rate marshal, was
+not a great man, not by any means so great as Wellington, far less as
+Napoleon; and how can a heroic poem be written without a hero? Yet the
+poem fell in with the humour of the times, and was cried up as though it
+had been another book of the Iliad. Shortly afterwards he published
+his "Travels," which were thought rather cold and classical. To them
+succeeded the opera of "Rosamond," which, being ill-set to music, failed
+on the stage; but became, and is still, a favourite in the closet. It
+is in the lightest and easiest style of Dryden,--that in which he wrote
+"Alexander's Feast," and some other of his lyrics,--but is sustained for
+some fifteen hundred lines with an energy and a grace which we doubt if
+even Dryden could have equalled. Its verses not only move but dance. The
+spirit is genial and sunny, and above the mazy motions shines the light
+of genuine poetry. Johnson truly says, that if Addison had cultivated
+this style he would have excelled.
+
+From the date of the "Campaign," Addison's life became an ascending
+scale of promotion. We find him first in Hanover with Lord Halifax, then
+appointed under-secretary to Sir Charles Hodges, and in a few months
+after to the Earl of Sunderland. In 1708 he was elected member for
+Malmesbury, and the next year he accompanied Thomas, Earl of Wharton,
+Lord-Lieutenant of Ireland, to that country as his secretary, and became
+Keeper of the Records in Birmingham's Tower,--a nominal office worth £300
+a-year. His secretary's salary was £2000 per annum.
+
+Previous to this he had resumed his intimacy with Steele, to whom he lent
+money, and on one occasion is said to have recovered it by sending a
+bailiff to his house. This has been called heartless conduct, but the
+probability is that Addison was provoked by the extravagant use made of
+the loan by his reckless friend. In Parliament it is well-known Addison
+never spoke; but he surrounded himself in private life with a parliament
+of his own, and, like Cato, gave his little senate laws. That senate
+consisted of Steele, Ambrose, Phillips; the wretched Eustace Budgell,
+who afterwards drowned himself; sometimes Swift and Pope; and ultimately
+Tickell, who became his most confidential friend and the depositor of his
+literary remains. In mixed societies he was silent; but with a few select
+spirits around him, and especially after the "good wine did the good
+office" of banishing his bashfulness and taciturnity, he became the most
+delightful and fascinating of conversers. The staple of his conversation
+was quiet, sly humour; but there was fine sentiment, touches of pathos,
+and now and then imagination peeped over like an Alp above meaner hills.
+Swift alone, we suspect, was his match; but his power lay rather in
+severe and pungent sarcasm, in broad, coarse, though unsmiling wit, and
+at times in the fierce and terrible sallies of misanthropic rage and
+despair. Addison, on leaving England, had, by his modesty, geniality, and
+amiable manners, become the most popular man in the country, so much so,
+that, says Swift, "he might be king an' he had a mind."
+
+In Ireland--although he sat as member for Cavan, and appears in
+Parliament to have got beyond his famous "I conceive--I conceive--I
+conceive"--(having, as the wag observed, "conceived three times and
+brought forth nothing"), and spoken sometimes, if not often--he did not
+feel himself at home. He must have loathed the licentious and corrupt
+Wharton, and felt besides a longing for the society of London, the
+_noctes coenoeque Deûm_ he had left behind him. It was in Ireland,
+however, that his real literary career began. Steele, in the spring of
+1709, had commenced the _Tatler_, a thrice-a-week miscellany of foreign
+news, town gossip, short sharp papers _de omnibus rebus et guibusdum
+aliis_, with a sprinkling of moral and literary criticism. When Addison
+heard of this scheme, he readily lent his aid to it, and then, as honest
+Richard admits, "I fared like a distressed prince who calls in a powerful
+neighbour to his aid,--I was undone by my auxiliary." To the _Tatler_
+Addison contributed a number of papers, which, if slighter than his
+better ones in the _Spectator_, were nevertheless highly characteristic
+of his singular powers of observation, character-painting, humour, and
+invention.
+
+In November 1709, he returned to England, and not long after he shared
+in the downfall of his party, and lost his secretaryship. This also is
+thought to have injured him in a tender point. He had already conceived
+an affection for the Countess-Dowager of Warwick, who had been disposed
+to encourage the addresses of the Secretary, but looked coldly on
+those of the mere man and scribbler Joseph Addison, who, to crown his
+misfortunes at this time, had resigned his Fellowship, suffered some
+severe pecuniary losses of a kind, and from a quarter which are both
+obscure, and was trembling lest he should be deprived of his small Irish
+office too. Yet, although reduced and well-nigh beggared, never did
+his mind approve itself more rich. Besides writing a great deal in the
+_Tatler_, he published a political journal, called the _Whig Examiner_,
+in which, although the wit, we think, is not so fine as in his
+_Freeholder_, there is a vigour and masculine energy which he has seldom
+equalled elsewhere. When it expired, Swift exulted over its death in
+terms which sufficiently proved that he was annoyed and oppressed by its
+life. "He might well," says Johnson, "rejoice at the death of that which
+he could not have killed."
+
+On the 2d of January 1711, the last _Tatler_ came forth; and on the 1st
+of the following March appeared the _Spectator_, which is now the main
+pillar of Addison's fame, and the fullest revelation of his exquisite
+genius. Without being as a whole a great, or in any part of it a profound
+work, there are few productions which, if lost, would be more missed in
+literature. One reclines on its pages as on pillows. The sweetness of the
+spirit,--the trembling beauty of the sentences, like that of a twilight
+wave just touched by the west wind's balmy breath,--the nice strokes
+of humour, so gentle, yet so overpowering,--the feminine delicacy and
+refinement of the allusions,--the art which so dexterously conceals
+itself,--the mild enthusiasm for the works of man and God which glows in
+all its serious effusions,--the good nature of its satire,--the geniality
+of its criticism,--the everlasting April of the style, so soft and
+vivid,--the purity and healthiness of the moral tone,--and the childlike
+religion which breathes in the Saturday papers--one or two of which, such
+as the "Vision of Mirza," are almost scriptural in spirit and beautiful
+simplicity,--combine to throw a charm around the _Spectator_ which works
+of far loftier pretensions, if they need not, certainly do not possess.
+Macaulay (whom we love for his love of Addison and Bunyan more than
+for aught else about his works) truly observes, that few writers have
+discovered so much variety and inventiveness as Addison, who, in
+the papers of a single week, sometimes traverses the whole gamut of
+literature, supplying keen sarcasm, rich portraiture of character, the
+epistle, the tale, the allegory, the apologue, the moral essay, and the
+religious meditation,--all first-rate in quality, and all suggesting the
+idea that his resources are boundless, and that the half has not been
+told. His criticisms have been ridiculed as shallow; but while his
+lucubrations on Milton were useful in their day as plain finger-posts,
+quietly pointing up to the stupendous sublimities of the theme,
+his essays on Wit are subtle, and his papers on the "Pleasures of
+Imagination" throw on the beautiful topic a light like that of a red
+evening west, giving and receiving glory from the autumnal landscape.
+
+In the end of 1712 the _Spectator_, which had circulated at one time to
+the extent of 4000 copies a-day, was discontinued, and in a few weeks the
+_Guardian_ supplied its place. It was two months ere Addison began to
+write, and during that time it was flippantly dull; but when he appeared
+its character changed, and his contributions to the new periodical were
+quite as good as the best of his _Spectators_.
+
+In April 1713 his "Cato" was acted with immense success, and in
+circumstances so well known that they need not be detailed at length.
+Pope wrote the prologue; Booth enacted the hero; Steele packed the house;
+peers, both Tory and Whig, crowded the boxes; claps of applause were
+echoed back from High Churchmen to the members of the "Kit-Cat Club;"
+Bolingbroke sent fifty guineas, during the progress of the play, to
+Booth for defending the cause of liberty against a perpetual dictator,
+(Marlborough;) and with the exception of growling Dennis, everybody was
+in raptures. The play has long found its level. It has passages of
+power and thoughts of beauty, but it has one radical fault--formality.
+Mandeville described Addison as a parson in a tie-wig. "Cato" is a parson
+without the tie-wig; an intolerable mixture of the patriot and the
+pedant. Few would now give one of the _Spectator's_ little papers about
+Sir Roger de Coverley for a century of Catos.
+
+In September 1713 the _Guardian_ stopped; but in June 1714 Addison, now
+separated from Steele, who was carrying on a political paper called the
+_Englishman_, added an eighth volume to the _Spectator_. Its contents
+are more uniformly serious than those of the first seven volumes, and
+it contains, besides Addison's matchless papers, some only inferior to
+these, especially four by Mr Grove, a dissenting minister in Taunton. It
+is recorded in "Boswell" that Baretti having, on the Continent, met with
+Grove's paper on "Novelty," it quickened his curiosity to visit Britain,
+for he thought, if such were the lighter periodical essays of our
+authors, their productions on more weighty occasions must be wonderful
+indeed!
+
+When George I. succeeded to the throne, Addison's fortunes began to
+improve. A Council having been appointed to manage matters till the King
+arrived, Addison was chosen their secretary; and afterwards he went
+over again to Ireland in his old capacity, Sunderland being now
+Lord-Lieutenant. Here, much as he differed from Swift in politics, he
+resumed his intimacy with him,--an intimacy, considering the dispositions
+of the two men, singular, as though a lamb and a flayed bear were to form
+an alliance. In 1715 our poet returned to England, and obtained a seat at
+the Board of Trade. Early in the year he brought out, anonymously, on the
+stage his comedy of the "Drummer," which was coldly received. And towards
+the close of it, he commenced a very clever periodical called the
+_Freeholder_. We only met with this series a few years ago, but can
+assure our readers that some of the most delectable bits of Addison are
+to be found in it. There is a Tory fox-hunter yet riding along there,
+whom we would advise you to join if you would enjoy one of the richest
+treats of humour; and there is a Jacobite army still on its way to
+Preston, the only danger connected with approaching which, is lest you be
+killed with laughter.
+
+Shortly after occurred his famous quarrel with Pope, to which we have
+already referred in our life of that poet, and do not intend to recur.
+Next year Addison's long courtship came to a successful close. He
+wedded the Dowager Warwick, went to reside at Holland-house, and became
+miserable for life. She was a proud, imperious woman, who, instead of
+seeking to wean Addison from his convivial habits, (if such habits in
+any excessive measure were his,) drove him deeper into the slough by her
+bitter words and haughty carriage. The tavern, which had formerly been
+his occasional resort, became now his nightly refuge. In 1717 he received
+his highest civil honour, being made Secretary of State under Lord
+Sunderland; but, as usual, the slave soon appeared in the chariot. His
+health began to break down, and asthma soon obliged him to resign his
+office, on receiving a retiring pension of £1500 a-year. Next Steele
+and he, having taken opposite sides in politics, got engaged in a paper
+war--Steele in the _Plebeian_, and Addison in the _Old Whig_; and
+personalities of a disagreeable kind passed between the two friends. In
+the meantime Addison was dying fast. Dropsy had supervened on asthma, and
+the help of physicians was vain. He prepared himself, like a man and a
+Christian, to meet the last stern foe. He sent for Gay and asked his
+forgiveness for some act of unkindness he had done him. Gay granted it,
+although utterly ignorant of what the offence had been. He had probably,
+on account of his Toryism, been deprived, through Addison's means, of
+some preferment. He entrusted his works to the care of Tickell, and
+dedicated them to Craggs, his successor in the secretaryship, in a
+touching and beautiful letter, written a few days before his death. He
+called, it is said, the young Earl of Warwick, his wife's son, a very
+dissipated young man, and of unsettled religious principles, to his
+bedside, and said, "I have sent for you that you may see how a Christian
+can die." He breathed his last on the 17th June 1709, forty-seven years
+old, and leaving one child, a daughter, who died, at an advanced age, at
+Bilton, Warwickshire, in 1797. His funeral took place, at dead of night,
+in Westminster Abbey, Bishop Atterbury meeting the procession and reading
+the service by torch-light. He was laid beside his friend Montague, and
+in a few months his successor, Craggs, was laid beside him. Nearly a
+century elapsed ere the present monument was erected over his dust.
+Tickell wrote a fine poem to his memory; and a splendid edition of his
+works was published by subscription in 1721.
+
+Addison was cut off in the prime of life, and interrupted in some
+literary undertakings and projects of great pith and moment. He had
+written a portion of a treatise on the "Evidences of Christianity," and
+was meditating some works, such as a "Metrical Version of the Psalms" and
+a tragedy on the history of Socrates, still more suitable to his cast of
+mind.
+
+We have already indicated our opinion alike of Addison's character and
+genius, but must be permitted a few closing remarks. Both partook of the
+feminine type. He was an amiable and highly gifted, rather than a strong
+or great man. His shrinking timidity of temperament, his singular modesty
+of manners, his quiet, sly power of humorous yet kindly observation,
+his minute style of criticism, even the peculiar cast of his piety, all
+served to stamp the lady-man. In taciturnity alone he bore the sex no
+resemblance. And hence it is that Campbell in poetry, and Addison in
+prose, are, or were, the great favourites of female readers. He had many
+weaknesses, but, as in the character of woman, they appeared beautiful,
+and cognate to his gentle nature. His fear of giving offence was one of
+the most prominent of these. In his writings and in his life, he seems
+always treading on thin ice. Pope said truly of him--
+
+ "He hints a fault, and hesitates dislike."
+
+But this was not owing to malice, but to the bashful good nature which
+distinguished him. It is true, too, that he hints a beauty, and hesitates
+in his expressions of love. He says himself the finest things, and then
+blushes as if detected in a crime; or he praises an obvious and colossal
+merit in another, and then starts at the sound himself had made. His
+encomiums resemble the evening talk of lovers, being low, sweet, and
+trembling. Were we to speak of Addison phrenologically, we should say
+that, next to veneration, wit, and ideality, his principal faculties were
+caution and secretiveness. He was cautious to the brink of cowardice. We
+fancy him in a considerable fright in the storm on the Ligurian Gulf,
+amidst the exhalations of the unhealthy Campagna, and while the
+avalanches of the Alps--"the thunderbolts of snow"--were falling around
+him. We know that he walked about behind the scenes perspiring with
+agitation while the fate of "Cato" was still undecided. Had it failed,
+Addison never could, as Dr Johnson, when asked how he felt after "Irene"
+was damned, have replied, "Like the Monument." We know, too, that he
+sought to soothe the fury and stroke down the angry bristles of John
+Dennis. To call the author of the "Campaign" a coward were going too far;
+but he felt, we believe, more of a martial glow while writing it in
+his Haymarket garret than had he mingled in the fray. And as to his
+secretiveness, his still, deep, scarce-rippling stream of humour, his
+habit, commemorated by Swift, when he found any man invincibly wrong, of
+flattering his opinions by acquiescence, and sinking him yet deeper in
+absurdity; even the fact that no word is found more frequently in his
+writings than "secret" ("secret joy," "secret satisfaction," "secret
+solace," are phrases constantly occurring,) prove that, whatever else
+he had possessed of the female character, the title of the play, "A
+Wonder--a Woman keeps a Secret," had been no paradox in reference to him.
+
+Having his lips in general barred by the double bolts of caution and
+secretiveness, one ceases to wonder that the "invisible spirit of wine"
+was welcomed by him as a key to open occasionally the rich treasures of
+his mind; but that he was a habitual drunkard is one calumny; that he
+wrote his best _Spectators_ when too much excited with wine is another;
+and that he "died drunk" is a third,--and the most atrocious of all,
+propagated though it has been by Walpole and Byron. His habits, however,
+were undoubtedly too careless and convivial; and there used to be a
+floating tradition in Holland-house, that, when meditating his writings
+there, he was wont to walk along a gallery, at each end of which stood a
+separate bottle, out of both of which he never failed, _en passant_, to
+sip! This, after all, however, may be only a mythical fable.
+
+While, as an author, the favourite of ladies, of the young, and of
+catholic-minded critics generally, Addison has had, and has still, severe
+and able detractors, who are wont to speak of him in such a manner as
+this:--"He is a highly cultivated artist, but not one thought of any
+vivid novelty did he put out in all his many books. You become placid
+reading him, but think of Ossian and Shakspeare, and be silent. He is
+a lapidary polishing pebbles,--a pretty art, but not vested with the
+glories of sculpture, nor the mathematical magnitude of architecture. He
+does not walk a demigod, but a stiff Anglicised imitator of French paces.
+He is a symmetrical, but a small invisible personage at rapier practice."
+Now, clever as this is, it only proves that Addison is not a Shakspeare
+or Milton. He does not pretend to be either. He is no demigod, but he is
+a man, a lady-man if you will, but the lovelier on that account. Besides,
+he was cut off in his prime, and when he might have girt himself up to
+achieve greater things than he has done. And although the French taste of
+his age somewhat affected and chilled his genius, yet he knew of other
+models than Racine and Boileau. He drank of "Siloa's brook." He admired
+and imitated the poetry of the Bible. He loves not, indeed, its wilder
+and higher strains; he gets giddy on the top of Lebanon; the Valley of
+Dry Bones he treads with timid steps; and his look up to the "Terrible
+Crystal" is more of fright than of exultation. But the lovelier, softer,
+simpler, and more pensive parts of the Bible are very dear to the gentle
+_Spectator_, and are finely, if faintly, reproduced in his writings.
+Indeed, the principle which would derogate from Addison's works, would
+lead to the depreciation of portions of the Scriptures too. "Ruth" is not
+so grand as the "Revelation;" the "Song of Solomon" is not so sublime as
+the "Song of Songs, which is Isaiah's;" and the story of Joseph has not
+the mystic grandeur or rushing fire of Ezekiel's prophecy. But there they
+are in the same Book of God, and are even dearer to many hearts than the
+loftier portions; and so with Addison's papers beside the works of Bacon,
+Milton, and Coleridge.
+
+His poetry is now in our readers' hands, and should be read with a candid
+spirit. They will admire the elegance and gracefully-used learning of the
+"Epistle to Halifax." They will not be astonished at the "Campaign," but
+they will regard it with interest as the lever which first lifted Addison
+into his true place in society and letters. They will find much to please
+them in his verses to Dryden, Somers, King William, and his odes on St
+Cecilia's Day; and they will pause with peculiar fondness over those
+delightful hymns, some of which they have sung or repeated from infancy,
+which they will find again able to "beat the heavenward flame," and start
+the tender and pious tear, and which are of themselves sufficient to rank
+Addison high on the list of Christian poets.
+
+
+[Footnote 1: Among these "others" was Abraham Stanyan, plenipotentiary
+extraordinary at Neufchatel at the settlement of the rival claims of the
+Duke of Brandenberg, Holland, and France, to that principality. He was
+afterwards ambassador to France. He married a daughter of Dr Pritchett,
+Bishop of Gloucester. It is said, that, having on one occasion borrowed
+a sum of money from Addison, the latter observed him to be very
+subservient, agreeing with every opinion Mr A. expressed, till Addison,
+provoked, and guessing the cause, said, "Stanyan, either contradict me,
+or pay me my money." Our friend, Mr J. Stanyan Bigg, author of the
+very brilliant poem, "Night and the Soul," is a descendant of Abraham
+Stanyan.]
+
+
+
+
+ADDISON'S POETICAL WORKS.
+
+
+POEMS ON SEVERAL OCCASIONS.
+
+
+TO MR DRYDEN.
+
+ How long, great poet, shall thy sacred lays
+ Provoke our wonder, and transcend our praise?
+ Can neither injuries of time, nor age,
+ Damp thy poetic heat, and quench thy rage?
+ Not so thy Ovid in his exile wrote;
+ Grief chilled his breast, and checked his rising thought;
+ Pensive and sad, his drooping Muse betrays
+ The Roman genius in its last decays.
+ Prevailing warmth has still thy mind possess'd,
+ And second youth is kindled in thy breast;
+_10
+ Thou mak'st the beauties of the Romans known,
+ And England boasts of riches not her own;
+ Thy lines have heightened Virgil's majesty,
+ And Horace wonders at himself in thee.
+ Thou teachest Persius to inform our isle
+ In smoother numbers, and a clearer style;
+ And Juvenal, instructed in thy page,
+ Edges his satire, and improves his rage.
+ Thy copy casts a fairer light on all,
+ And still outshines the bright original.
+_20
+ Now Ovid boasts the advantage of thy song,
+ And tells his story in the British tongue;
+ Thy charming verse and fair translations show
+ How thy own laurel first began to grow;
+ How wild Lycaon, changed by angry gods,
+ And frighted at himself, ran howling through the woods.
+ Oh, mayst thou still the noble task prolong,
+ Nor age nor sickness interrupt thy song!
+ Then may we wondering read, how human limbs
+ Have watered kingdoms, and dissolved in streams;
+_30
+ Of those rich fruits that on the fertile mould
+ Turned yellow by degrees, and ripened into gold:
+ How some in feathers, or a ragged hide,
+ Have lived a second life, and different natures tried.
+ Then will thy Ovid, thus transformed, reveal
+ A nobler change than he himself can tell.
+
+_Mag. Coll. Oxon, June 2, 1693.
+ The Author's age_, 22.
+
+
+
+A POEM TO HIS MAJESTY,[2] PRESENTED TO THE LORD KEEPER.
+
+TO THE RIGHT HONOURABLE SIR JOHN SOMERS,
+
+LOKD KEEPER OF THE GREAT SEAL.
+
+ If yet your thoughts are loose from state affairs,
+ Nor feel the burden of a kingdom's cares,
+ If yet your time and actions are your own,
+ Receive the present of a Muse unknown:
+ A Muse that in adventurous numbers sings
+ The rout of armies, and the fall of kings,
+ Britain advanced, and Europe's peace restored,
+ By Somers' counsels, and by Nassau's sword.
+ To you, my lord, these daring thoughts belong,
+ Who helped to raise the subject of my song;
+_10
+ To you the hero of my verse reveals
+ His great designs; to you in council tells
+ His inmost thoughts, determining the doom
+ Of towns unstormed, and battles yet to come.
+ And well could you, in your immortal strains,
+ Describe his conduct, and reward his pains:
+ But since the state has all your cares engross'd,
+ And poetry in higher thoughts is lost,
+ Attend to what a lesser Muse indites,
+ Pardon her faults and countenance her flights.
+_20
+ On you, my lord, with anxious fear I wait,
+ And from your judgment must expect my fate,
+ Who, free from vulgar passions, are above
+ Degrading envy, or misguided love;
+ If you, well pleased, shall smile upon my lays,
+ Secure of fame, my voice I'll boldly raise;
+ For next to what you write, is what you praise.
+
+
+TO THE KING.
+
+ When now the business of the field is o'er,
+ The trumpets sleep, and cannons cease to roar;
+ When every dismal echo is decay'd,
+ And all the thunder of the battle laid;
+ Attend, auspicious prince, and let the Muse
+ In humble accents milder thoughts infuse.
+ Others, in bold prophetic numbers skill'd,
+ Set thee in arms, and led thee to the field;
+ My Muse, expecting, on the British strand
+ Waits thy return, and welcomes thee to land:
+_10
+ She oft has seen thee pressing on the foe,
+ When Europe was concerned in every blow;
+ But durst not in heroic strains rejoice; is
+ The trumpets, drums, and cannons drowned her voice:
+ She saw the Boyne run thick with human gore,
+ And floating corps lie beating on the shore:
+ She saw thee climb the banks, but tried in vain
+ To trace her hero through the dusty plain,
+ When through the thick embattled lines he broke,
+ Now plunged amidst the foes, now lost in clouds of smoke.
+_20
+ Oh that some Muse, renowned for lofty verse,
+ In daring numbers would thy toils rehearse!
+ Draw thee beloved in peace, and feared in wars,
+ Inured to noonday sweats, and midnight cares!
+ But still the godlike man, by some hard fate,
+ Receives the glory of his toils too late;
+ Too late the verse the mighty act succeeds;
+ One age the hero, one the poet breeds.
+ A thousand years in full succession ran
+ Ere Virgil raised his voice, and sung the man
+_30
+ Who, driven by stress of fate, such dangers bore
+ On stormy seas and a disastrous shore,
+ Before he settled in the promised earth,
+ And gave the empire of the world its birth.
+ Troy long had found the Grecians bold and fierce,
+ Ere Homer mustered up their troops in verse;
+ Long had Achilles quelled the Trojans' lust,
+ And laid the labour of the gods in dust,
+ Before the towering Muse began her flight,
+ And drew the hero raging in the fight,
+_40
+ Engaged in tented fields and rolling floods,
+ Or slaughtering mortals, or a match for gods.
+ And here, perhaps, by fate's unerring doom,
+ Some mighty bard lies hid in years to come,
+ That shall in William's godlike acts engage,
+ And with his battles warm a future age.
+ Hibernian fields shall here thy conquests show,
+ And Boyne be sung when it has ceased to flow;
+ Here Gallic labours shall advance thy fame,
+ And here Seneffe[3] shall wear another name.
+_50
+ Our late posterity, with secret dread,
+ Shall view thy battles, and with pleasure read
+ How, in the bloody field, too near advanced,
+ The guiltless bullet on thy shoulder glanced.
+ The race of Nassaus was by Heaven design'd
+ To curb the proud oppressors of mankind,
+ To bind the tyrants of the earth with laws,
+ And fight in every injured nation's cause,
+ The world's great patriots; they for justice call,
+ And, as they favour, kingdoms rise or fall.
+_60
+ Our British youth, unused to rough alarms,
+ Careless of fame, and negligent of arms,
+ Had long forgot to meditate the foe,
+ And heard unwarmed the martial trumpet blow;
+ But now, inspired by thee, with fresh delight
+ Their swords they brandish, and require the fight,
+ Renew their ancient conquests on the main,
+ And act their fathers' triumphs o'er again;
+ Fired, when they hear how Agincourt was strow'd
+ With Gallic corps and Cressi swam in blood,
+_70
+ With eager warmth they fight, ambitious all
+ Who first shall storm the breach, or mount the wall.
+ In vain the thronging enemy by force
+ Would clear the ramparts, and repel their course;
+ They break through all, for William leads the way,
+ Where fires rage most, and loudest engines play.
+ Namur's late terrors and destruction show
+ What William, warmed with just revenge, can do:
+ Where once a thousand turrets raised on high
+ Their gilded spires, and glittered in the sky,
+_80
+ An undistinguished heap of dust is found,
+ And all the pile lies smoking on the ground,
+ His toils, for no ignoble ends design'd,
+ Promote the common welfare of mankind;
+ No wild ambition moves, but Europe's fears,
+ The cries of orphans, and the widow's tears;
+ Oppressed religion gives the first alarms,
+ And injured justice sets him in his arms;
+ His conquests freedom to the world afford,
+ And nations bless the labours of his sword.
+_90
+ Thus when the forming Muse would copy forth
+ A perfect pattern of heroic worth,
+ She sets a man triumphant in the field,
+ O'er giants cloven down, and monsters kill'd,
+ Reeking in blood, and smeared with dust and sweat,
+ Whilst angry gods conspire to make him great.
+ Thy navy rides on seas before unpress'd,
+ And strikes a terror through the haughty East;
+ Algiers and Tunis from their sultry shore
+ With horror hear the British engines roar;
+_100
+ Fain from the neighbouring dangers would they run,
+ And wish themselves still nearer to the sun.
+ The Gallic ships are in their ports confined,
+ Denied the common use of sea and wind,
+ Nor dare again the British strength engage;
+ Still they remember that destructive rage
+ Which lately made their trembling host retire,
+ Stunned with the noise, and wrapt in smoke and fire;
+ The waves with wide unnumbered wrecks were strow'd,
+ And planks, and arms, and men, promiscuous flow'd.
+_110
+ Spain's numerous fleet, that perished on our coast,
+ Could scarce a longer line of battle boast,
+ The winds could hardly drive them to their fate,
+ And all the ocean laboured with the weight.
+ Where'er the waves in restless errors roll,
+ The sea lies open now to either pole:
+ Now may we safely use the northern gales,
+ And in the Polar Circle spread our sails;
+ Or deep in southern climes, secure from wars,
+ New lands explore, and sail by other stars;
+_120
+ Fetch uncontrolled each labour of the sun,
+ And make the product of the world our own.
+ At length, proud prince, ambitious Louis, cease
+ To plague mankind, and trouble Europe's peace;
+ Think on the structures which thy pride has razed,
+ On towns unpeopled, and on fields laid waste;
+ Think on the heaps of corps and streams of blood,
+ On every guilty plain, and purple flood,
+ Thy arms have made, and cease an impious war,
+ Nor waste the lives intrusted to thy care.
+_130
+ Or if no milder thought can calm thy mind,
+ Behold the great avenger of mankind,
+ See mighty Nassau through the battle ride,
+ And see thy subjects gasping by his side:
+ Fain would the pious prince refuse the alarm,
+ Fain would he check the fury of his arm;
+ But when thy cruelties his thoughts engage,
+ The hero kindles with becoming rage,
+ Then countries stolen, and captives unrestored,
+ Give strength to every blow, and edge his sword.
+_140
+ Behold with what resistless force he falls
+ On towns besieged, and thunders at thy walls!
+ Ask Villeroy, for Villeroy beheld
+ The town surrendered, and the treaty seal'd,
+ With what amazing strength the forts were won,
+ Whilst the whole power of France stood looking on.
+ But stop not here: behold where Berkley stands,
+ And executes his injured king's commands!
+ Around thy coast his bursting bombs he pours
+ On flaming citadels and falling towers;
+_150
+ With hissing streams of fire the air they streak,
+ And hurl destruction round them where they break;
+ The skies with long ascending flames are bright,
+ And all the sea reflects a quivering light.
+ Thus Ætna, when in fierce eruptions broke,
+ Fills heaven with ashes, and the earth with smoke;
+ Here crags of broken rocks are twirled on high,
+ Here molten stones and scattered cinders fly:
+ Its fury reaches the remotest coast,
+ And strows the Asiatic shore with dust.
+_160
+ Now does the sailor from the neighbouring main
+ Look after Gallic towns and forts in vain;
+ No more his wonted marks he can descry,
+ But sees a long unmeasured ruin lie;
+ Whilst, pointing to the naked coast, he shows
+ His wondering mates where towns and steeples rose,
+ Where crowded citizens he lately view'd,
+ And singles out the place where once St Maloes stood.
+ Here Russel's actions should my Muse require;
+ And, would my strength but second my desire,
+_170
+ I'd all his boundless bravery rehearse,
+ And draw his cannons thundering in my verse:
+ High on the deck should the great leader stand,
+ Wrath in his look, and lightning in his hand;
+ Like Homer's Hector, when he flung his fire
+ Amidst a thousand ships, and made all Greece retire.
+ But who can run the British triumphs o'er,
+ And count the flames dispersed on every shore?
+ Who can describe the scattered victory,
+
+ And draw the reader on from sea to sea?
+_180
+ Else who could Ormond's godlike acts refuse,
+ Ormond the theme of every Oxford Muse?
+ Fain would I here his mighty worth proclaim,
+ Attend him in the noble chase of fame,
+ Through all the noise and hurry of the fight,
+ Observe each blow, and keep him still in sight.
+ Oh, did our British peers thus court renown,
+ And grace the coats their great forefathers won,
+ Our arms would then triumphantly advance,
+ Nor Henry be the last that conquered France!
+_190
+ What might not England hope, if such abroad
+ Purchased their country's honour with their blood:
+ When such, detained at home, support our state
+ In William's stead, and bear a kingdom's weight,
+ The schemes of Gallic policy o'erthrow,
+ And blast the counsels of the common foe;
+ Direct our armies, and distribute right,
+ And render our Maria's loss more light.
+ But stop, my Muse, the ungrateful sound forbear,
+ Maria's name still wounds each British ear:
+_200
+ Each British heart Maria still does wound,
+ And tears burst out unbidden at the sound;
+ Maria still our rising mirth destroys,
+ Darkens our triumphs, and forbids our joys.
+ But see, at length, the British ships appear!
+ Our Nassau comes! and, as his fleet draws near,
+ The rising masts advance, the sails grow white,
+ And all his pompous navy floats in sight.
+ Come, mighty prince, desired of Britain, come!
+ May heaven's propitious gales attend thee home!
+_210
+ Come, and let longing crowds behold that look
+ Which such confusion and amazement strook
+ Through Gallic hosts: but, oh! let us descry
+ Mirth in thy brow, and pleasure in thy eye;
+ Let nothing dreadful in thy face be found;
+ But for awhile forget the trumpet's sound;
+ Well-pleased, thy people's loyalty approve,
+ Accept their duty, and enjoy their love.
+ For as, when lately moved with fierce delight,
+ You plunged amidst the tumult of the fight,
+_220
+ Whole heaps of dead encompassed you around,
+ And steeds o'erturned lay foaming on the ground:
+ So crowned with laurels now, where'er you go,
+ Around you blooming joys and peaceful blessings flow.
+
+
+A TRANSLATION OF ALL
+
+VIRGIL'S FOURTH GEORGIC,
+
+EXCEPT THE STORY OF ARISTÆUS.
+
+ Ethereal sweets shall next my Muse engage,
+ And this, Maecenas, claims your patronage.
+ Of little creatures' wondrous acts I treat,
+ The ranks and mighty leaders of their state,
+ Their laws, employments, and their wars relate.
+ A trifling theme provokes my humble lays.
+ Trifling the theme, not so the poet's praise,
+ If great Apollo and the tuneful Nine
+ First, for your bees a proper station find,
+_10
+ That's fenced about, and sheltered from the wind;
+ For winds divert them in their flight, and drive
+ The swarms, when loaden homeward, from their hive.
+ Nor sheep, nor goats, must pasture near their stores,
+ To trample underfoot the springing flowers;
+ Nor frisking heifers bound about the place,
+ To spurn the dew-drops off, and bruise the rising grass;
+ Nor must the lizard's painted brood appear,
+ Nor wood-pecks, nor the swallow, harbour near.
+ They waste the swarms, and, as they fly along,
+_20
+ Convey the tender morsels to their young.
+ Let purling streams, and fountains edged with moss,
+ And shallow rills run trickling through the grass;
+ Let branching olives o'er the fountain grow;
+ Or palms shoot up, and shade the streams below;
+ That when the youth, led by their princes, shun
+ The crowded hive and sport it in the sun,
+ Refreshing springs may tempt them from the heat,
+ And shady coverts yield a cool retreat.
+ Whether the neighbouring water stands or runs,
+_30
+ Lay twigs across and bridge it o'er with stones
+ That if rough storms, or sudden blasts of wind,
+ Should dip or scatter those that lag behind,
+ Here they may settle on the friendly stone,
+ And dry their reeking pinions at the sun.
+ Plant all the flowery banks with lavender,
+ With store of savory scent the fragrant air;
+ Let running betony the field o'erspread,
+ And fountains soak the violet's dewy bed.
+ Though barks or plaited willows make your hive,
+_40
+ A narrow inlet to their cells contrive;
+ For colds congeal and freeze the liquors up,
+ And, melted down with heat, the waxen buildings drop.
+ The bees, of both extremes alike afraid,
+ Their wax around the whistling crannies spread,
+ And suck out clammy dews from herbs and flowers,
+ To smear the chinks, and plaster up the pores;
+ For this they hoard up glue, whose clinging drops,
+ Like pitch or bird-lime, hang in stringy ropes.
+ They oft, 'tis said, in dark retirements dwell,
+_50
+ And work in subterraneous caves their cell;
+ At other times the industrious insects live
+ In hollow rocks, or make a tree their hive.
+ Point all their chinky lodgings round with mud,
+ And leaves must thinly on your work be strow'd;
+ But let no baleful yew-tree flourish near,
+ Nor rotten marshes send out steams of mire;
+ Nor burning crabs grow red, and crackle in the fire:
+ Nor neighbouring caves return the dying sound,
+ Nor echoing rocks the doubled voice rebound.
+_60
+ Things thus prepared----
+ When the under-world is seized with cold and night,
+ And summer here descends in streams of light,
+ The bees through woods and forests take their flight.
+ They rifle every flower, and lightly skim
+ The crystal brook, and sip the running stream;
+ And thus they feed their young with strange delight,
+ And knead the yielding wax, and work the slimy sweet.
+ But when on high you see the bees repair,
+ Borne on the winds through distant tracts of air,
+_70
+ And view the winged cloud all blackening from afar;
+ While shady coverts and fresh streams they choose,
+ Milfoil and common honeysuckles bruise,
+ And sprinkle on their hives the fragrant juice.
+ On brazen vessels beat a tinkling sound,
+ And shake the cymbals of the goddess round;
+ Then all will hastily retreat, and fill
+ The warm resounding hollow of their cell.
+ If once two rival kings their right debate,
+ And factions and cabals embroil the state,
+_80
+ The people's actions will their thoughts declare;
+ All their hearts tremble, and beat thick with war;
+ Hoarse, broken sounds, like trumpets' harsh alarms,
+ Run through the hive, and call them to their arms;
+ All in a hurry spread their shivering wings,
+ And fit their claws, and point their angry stings:
+ In crowds before the king's pavilion meet,
+ And boldly challenge out the foe to fight:
+ At last, when all the heavens are warm and fair,
+ They rush together out, and join; the air
+_90
+ Swarms thick, and echoes with the humming war.
+ All in a firm round cluster mix, and strow
+ With heaps of little corps the earth below,
+ As thick as hailstones from the floor rebound,
+ Or shaken acorns rattle on the ground.
+ No sense of danger can their kings control,
+ Their little bodies lodge a mighty soul:
+ Each obstinate in arms pursues his blow,
+ Till shameful flight secures the routed foe.
+ This hot dispute and all this mighty fray
+_100
+ A little dust flung upward will allay.
+ But when both kings are settled in their hive,
+ Mark him who looks the worst, and, lest he live
+ Idle at home in ease and luxury,
+ The lazy monarch must be doomed to die;
+ So let the royal insect rule alone,
+ And reign without a rival in his throne.
+ The kings are different; one of better note,
+ All speck'd with gold, and many a shining spot,
+ Looks gay, and glistens in a gilded coat;
+_110
+ But love of ease, and sloth, in one prevails,
+ That scarce his hanging paunch behind him trails:
+ The people's looks are different as their kings',
+ Some sparkle bright, and glitter in their wings;
+ Others look loathsome and diseased with sloth,
+ Like a faint traveller, whose dusty mouth
+ Grows dry with heat, and spits a mawkish froth.
+ The first are best----
+ From their o'erflowing combs you'll often press
+ Pure luscious sweets, that mingling in the glass
+_120
+ Correct the harshness of the racy juice,
+ And a rich flavour through the wine diffuse.
+ But when they sport abroad, and rove from home,
+ And leave the cooling hive, and quit the unfinished comb,
+ Their airy ramblings are with ease confined,
+ Clip their king's wings, and if they stay behind
+ No bold usurper dares invade their right,
+ Nor sound a march, nor give the sign for flight.
+ Let flowery banks entice them to their cells,
+ And gardens all perfumed with native smells;
+_130
+ Where carved Priapus has his fixed abode,
+ The robber's terror, and the scarecrow god.
+ Wild thyme and pine-trees from their barren hill
+ Transplant, and nurse them in the neighbouring soil,
+ Set fruit-trees round, nor e'er indulge thy sloth,
+ But water them, and urge their shady growth.
+ And here, perhaps, were not I giving o'er,
+ And striking sail, and making to the shore,
+ I'd show what art the gardener's toils require,
+ Why rosy pæstum blushes twice a year;
+_140
+ What streams the verdant succory supply,
+ And how the thirsty plant drinks rivers dry;
+ With what a cheerful green does parsley grace,
+ And writhes the bellying cucumber along the twisted grass;
+ Nor would I pass the soft acanthus o'er,
+ Ivy nor myrtle-trees that love the shore;
+ Nor daffodils, that late from earth's slow womb
+ Unrumple their swoln buds, and show their yellow bloom.
+ For once I saw in the Tarentine vale,
+ Where slow Galesus drenched the washy soil,
+_150
+ An old Corician yeoman, who had got
+ A few neglected acres to his lot,
+ Where neither corn nor pasture graced the field,
+ Nor would the vine her purple harvest yield;
+ But savoury herbs among the thorns were found,
+ Vervain and poppy-flowers his garden crown'd,
+ And drooping lilies whitened all the ground.
+ Blest with these riches he could empires slight,
+ And when he rested from his toils at night,
+ The earth unpurchased dainties would afford,
+_160
+ And his own garden furnished out his board:
+ The spring did first his opening roses blow,
+ First ripening autumn bent his fruitful bough.
+ When piercing colds had burst the brittle stone,
+ And freezing rivers stiffened as they run,
+ He then would prune the tenderest of his trees,
+ Chide the late spring, and lingering western breeze:
+ His bees first swarmed, and made his vessels foam
+ With the rich squeezing of the juicy comb.
+ Here lindens and the sappy pine increased;
+_170
+ Here, when gay flowers his smiling orchard dressed,
+ As many blossoms as the spring could show,
+ So many dangling apples mellowed on the bough.
+ In rows his elms and knotty pear-trees bloom,
+ And thorns ennobled now to bear a plum,
+ And spreading plane-trees, where, supinely laid,
+ He now enjoys the cool, and quaffs beneath the shade.
+ But these for want of room I must omit,
+ And leave for future poets to recite.
+ Now I'll proceed their natures to declare,
+_180
+ Which Jove himself did on the bees confer
+ Because, invited by the timbrel's sound,
+ Lodged in a cave, the almighty babe they found,
+ And the young god nursed kindly under-ground.
+ Of all the winged inhabitants of air,
+ These only make their young the public care;
+ In well-disposed societies they live,
+ And laws and statutes regulate their hive;
+ Nor stray like others unconfined abroad,
+ But know set stations, and a fixed abode:
+_190
+ Each provident of cold in summer flies
+ Through fields and woods, to seek for new supplies,
+ And in the common stock unlades his thighs.
+ Some watch the food, some in the meadows ply,
+ Taste every bud, and suck each blossom dry;
+ Whilst others, labouring in their cells at home,
+ Temper Narcissus' clammy tears with gum,
+ For the first groundwork of the golden comb;
+ On this they found their waxen works, and raise
+ The yellow fabric on its gluey base.
+_200
+ Some educate the young, or hatch the seed
+ With vital warmth, and future nations breed;
+ Whilst others thicken all the slimy dews,
+ And into purest honey work the juice;
+ Then fill the hollows of the comb, and swell
+ With luscious nectar every flowing cell.
+ By turns they watch, by turns with curious eyes
+ Survey the heavens, and search the clouded skies,
+ To find out breeding storms, and tell what tempests rise.
+ By turns they ease the loaden swarms, or drive
+_210
+ The drone, a lazy insect, from their hive.
+ The work is warmly plied through all the cells,
+ And strong with thyme the new-made honey smells.
+ So in their caves the brawny Cyclops sweat,
+ When with huge strokes the stubborn wedge they beat,
+ And all the unshapen thunderbolt complete;
+ Alternately their hammers rise and fall;
+ Whilst griping tongs turn round the glowing ball.
+ With puffing bellows some the flames increase,
+ And some in waters dip the hissing mass;
+_220
+ Their beaten anvils dreadfully resound,
+ And Ætna shakes all o'er, and thunders under-ground.
+ Thus, if great things we may with small compare,
+ The busy swarms their different labours share.
+ Desire of profit urges all degrees;
+ The aged insects, by experience wise,
+ Attend the comb, and fashion every part,
+ And shape the waxen fret-work out with art:
+ The young at night, returning from their toils,
+ Bring home their thighs clogged with the meadows' spoils.
+_230
+ On lavender and saffron buds they feed,
+ On bending osiers and the balmy reed,
+ From purple violets and the teile they bring
+ Their gathered sweets, and rifle all the spring.
+ All work together, all together rest,
+ The morning still renews their labours past;
+ Then all rush out, their different tasks pursue,
+ Sit on the bloom, and suck the ripening dew;
+ Again, when evening warns them to their home,
+ With weary wings and heavy thighs they come,
+_240
+ And crowd about the chink, and mix a drowsy hum.
+ Into their cells at length they gently creep,
+ There all the night their peaceful station keep,
+ Wrapt up in silence, and dissolved in sleep.
+ None range abroad when winds and storms are nigh,
+ Nor trust their bodies to a faithless sky,
+ But make small journeys with a careful wing,
+ And fly to water at a neighbouring spring;
+ And lest their airy bodies should be cast
+ In restless whirls, the sport of every blast,
+_250
+ They carry stones to poise them in their flight,
+ As ballast keeps the unsteady vessel right.
+ But, of all customs that the bees can boast,
+ 'Tis this may challenge admiration most;
+ That none will Hymen's softer joys approve,
+ Nor waste their spirits in luxurious love,
+ But all a long virginity maintain,
+ And bring forth young without a mother's pain:
+ From herbs and flowers they pick each tender bee,
+ And cull from plants a buzzing progeny;
+_260
+ From these they choose out subjects, and create
+ A little monarch of the rising state;
+ Then build wax kingdoms for the infant prince,
+ And form a palace for his residence.
+ But often in their journeys, as they fly,
+ On flints they tear their silken wings, or lie
+ Grovelling beneath their flowery load, and die.
+ Thus love of honey can an insect fire,
+ And in a fly such generous thoughts inspire.
+ Yet by repeopling their decaying state,
+_270
+ Though seven short springs conclude their vital date,
+ Their ancient stocks eternally remain,
+ And in an endless race their children's children reign.
+ No prostrate vassal of the East can more
+ With slavish fear his haughty prince adore;
+ His life unites them all; but, when he dies,
+ All in loud tumults and distractions rise;
+ They waste their honey and their combs deface,
+ And wild confusion reigns in every place.
+ Him all admire, all the great guardian own,
+_280
+ And crowd about his courts, and buzz about his throne.
+ Oft on their backs their weary prince they bear,
+ Oft in his cause, embattled in the air,
+ Pursue a glorious death, in wounds and war.
+ Some, from such instances as these, have taught,
+ 'The bees' extract is heavenly; for they thought
+ The universe alive; and that a soul,
+ Diffused throughout the matter of the whole,
+ To all the vast unbounded frame was given,
+ And ran through earth, and air, and sea, and all the deep of heaven;
+_290
+ That this first kindled life in man and beast,
+ Life, that again flows into this at last.
+ That no compounded animal could die,
+ But when dissolved, the spirit mounted high,
+ Dwelt in a star, and settled in the sky.'
+ Whene'er their balmy sweets you mean to seize,
+ And take the liquid labours of the bees,
+ Spurt draughts of water from your mouth, and drive
+ A loathsome cloud of smoke amidst their hive,
+ Twice in the year their flowery toils begin,
+_300
+ And twice they fetch their dewy harvest in;
+ Once, when the lovely Pleiades arise,
+ And add fresh lustre to the summer skies;
+ And once, when hastening from the watery sign,
+ They quit their station, and forbear to shine.
+ The bees are prone to rage, and often found
+ To perish for revenge, and die upon the wound
+ Their venomed sting produces aching pains,
+ And swells the flesh, and shoots among the veins.
+ When first a cold hard winter's storms arrive,
+_310
+ And threaten death or famine to their hive,
+ If now their sinking state and low affairs
+ Can move your pity, and provoke your cares,
+ Fresh burning thyme before their cells convey,
+ And cut their dry and husky wax away;
+ For often lizards seize the luscious spoils,
+ Or drones, that riot on another's toils:
+ Oft broods of moths infest the hungry swarms,
+ And oft the furious wasp their hive alarms
+ With louder hums, and with unequal arms;
+_320
+ Or else the spider at their entrance sets.
+ Her snares, and spins her bowels into nets.
+ When sickness reigns, for they as well as we
+ Feel all the effects of frail mortality,
+ By certain marks the new disease is seen,
+ Their colour changes, and their looks are thin;
+ Their funeral rites are formed, and every bee
+ With grief attends the sad solemnity;
+ The few diseased survivors hang before
+ Their sickly cells, and droop about the door,
+_330
+ Or slowly in their hives their limbs unfold,
+ Shrunk up with hunger, and benumbed with cold;
+ In drawling hums the feeble insects grieve,
+ And doleful buzzes echo through the hive,
+ Like winds that softly murmur through the trees,
+ Like flames pent up, or like retiring seas.
+ Now lay fresh honey near their empty rooms,
+ In troughs of hollow reeds, whilst frying gums
+ Cast round a fragrant mist of spicy fumes.
+ Thus kindly tempt the famished swarm to eat,
+_340
+ And gently reconcile them to their meat.
+ Mix juice of galls, and wine, that grow in time
+ Condensed by fire, and thicken to a slime;
+ To these, dried roses, thyme, and ccntaury join,
+ And raisins, ripened on the Psythian vine.
+ Besides, there grows a flower in marshy ground,
+ Its name amellus, easy to be found;
+ A mighty spring works in its root, and cleaves
+ The sprouting stalk, and shows itself in leaves:
+ The flower itself is of a golden hue,
+_350
+ The leaves inclining to a darker blue;
+ The leaves shoot thick about the flower, and grow
+ Into a bush, and shade the turf below:
+ The plant in holy garlands often twines
+ The altars' posts, and beautifies the shrines;
+ Its taste is sharp, in vales new-shorn it grows,
+ Where Mella's stream in watery mazes flows.
+ Take plenty of its roots, and boil them well
+ In wine, and heap them up before the cell.
+ But if the whole stock fail, and none survive;
+_360
+ To raise new people, and recruit the hive,
+ I'll here the great experiment declare,
+ That spread the Arcadian shepherd's name so far.
+ How bees from blood of slaughtered bulls have fled,
+ And swarms amidst the red corruption bred.
+ For where the Egyptians yearly see their bounds
+ Refreshed with floods, and sail about their grounds,
+ Where Persia borders, and the rolling Nile
+ Drives swiftly down the swarthy Indian's soil,
+ Till into seven it multiplies its stream,
+_370
+ And fattens Egypt with a fruitful slime:
+ In this last practice all their hope remains,
+ And long experience justifies their pains.
+ First, then, a close contracted space of ground,
+ With straitened walls and low-built roof, they found;
+ A narrow shelving light is next assign'd
+ To all the quarters, one to every wind;
+ Through these the glancing rays obliquely pierce:
+ Hither they lead a bull that's young and fierce,
+ When two years' growth of horn he proudly shows,
+_380
+ And shakes the comely terrors of his brows:
+ His nose and mouth, the avenues of breath,
+ They muzzle up, and beat his limbs to death;
+ With violence to life and stifling pain
+ He flings and spurns, and tries to snort in vain,
+ Loud heavy blows fall thick on every side,
+ Till his bruised bowels burst within the hide;
+ When dead, they leave him rotting on the ground,
+ With branches, thyme, and cassia, strowed around.
+ All this is done, when first the western breeze
+_390
+ Becalms the year, and smooths the troubled seas;
+ Before the chattering swallow builds her nest,
+ Or fields in spring's embroidery are dress'd.
+ Meanwhile the tainted juice ferments within,
+ And quickens as its works: and now are seen
+ A wondrous swarm, that o'er the carcase crawls,
+ Of shapeless, rude, unfinished animals.
+ No legs at first the insect's weight sustain,
+ At length it moves its new-made limbs with pain;
+ Now strikes the air with quivering wings, and tries
+_400
+ To lift its body up, and learns to rise;
+ Now bending thighs and gilded wings it wears
+ Full grown, and all the bee at length appears;
+ From every side the fruitful carcase pours
+ Its swarming brood, as thick as summer showers,
+ Or flights of arrows from the Parthian bows,
+ When twanging strings first shoot them on the foes.
+ Thus have I sung the nature of the bee;
+ While Cæsar, towering to divinity,
+ The frighted Indians with his thunder awed,
+_410
+ And claimed their homage, and commenced a god;
+ I flourished all the while in arts of peace,
+ Retired and sheltered in inglorious ease;
+ I who before the songs of shepherds made,
+ When gay and young my rural lays I play'd,
+ And set my Tityrus beneath his shade.
+
+
+A SONG FOR ST CECILIA'S DAY,
+
+AT OXFORD.
+
+I.
+
+ Cecilia, whose exalted hymns
+ With joy and wonder fill the blest,
+ In choirs of warbling seraphims,
+ Known and distinguished from the rest,
+ Attend, harmonious saint, and see
+ Thy vocal sons of harmony;
+ Attend, harmonious saint, and hear our prayers;
+ Enliven all our earthly airs,
+ And, as thou sing'st thy God, teach us to sing of thee;
+ Tune every string and every tongue,
+ Be thou the Muse and subject of our song.
+
+ II.
+
+ Let all Cecilia's praise proclaim,
+ Employ the echo in her name,
+ Hark how the flutes and trumpets raise,
+ At bright Cecilia's name, their lays;
+ The organ labours in her praise.
+ Cecilia's name does all our numbers grace,
+ From every voice the tuneful accents fly,
+ In soaring trebles now it rises high,
+ And now it sinks, and dwells upon the base.
+ Cecilia's name through all the notes we sing,
+ The work of every skilful tongue,
+ The sound of every trembling string,
+ The sound and triumph of our song.
+
+ III.
+
+ For ever consecrate the day,
+ To music and Cecilia;
+ Music, the greatest good that mortals know,
+ And all of heaven we have below.
+ Music can noble hints impart,
+ Engender fury, kindle love;
+ With unsuspected eloquence can move,
+ And manage all the man with secret art.
+ When Orpheus strikes the trembling lyre,
+ The streams stand still, the stones admire;
+ The listening savages advance,
+ The wolf and lamb around him trip,
+ The bears in awkward measures leap,
+ And tigers mingle in the dance.
+ The moving woods attended, as he play'd,
+ And Rhodope was left without a shade.
+
+
+ IV.
+
+ Music religious heats inspires,
+ It wakes the soul, and lifts it high,
+ And wings it with sublime desires,
+ And fits it to bespeak the Deity.
+ The Almighty listens to a tuneful tongue,
+ And seems well-pleased and courted with a song.
+ Soft moving sounds and heavenly airs
+ Give force to every word, and recommend our prayers.
+ When time itself shall be no more,
+ And all things in confusion hurled,
+ Music shall then exert its power,
+ And sound survive the ruins of the world:
+ Then saints and angels shall agree
+ In one eternal jubilee:
+ All heaven shall echo with their hymns divine,
+ And God himself with pleasure see
+ The whole creation in a chorus join.
+
+
+ CHORUS.
+
+ Consecrate the place and day,
+ To music and Cecilia.
+ Let no rough winds approach, nor dare
+ Invade the hallowed bounds,
+ Nor rudely shake the tuneful air,
+ Nor spoil the fleeting sounds.
+ Nor mournful sigh nor groan be heard,
+ But gladness dwell on every tongue;
+ Whilst all, with voice and strings prepared,
+ Keep up the loud harmonious song,
+ And imitate the blest above,
+ In joy, and harmony, and love.
+
+
+
+AN ODE FOR ST CECILIA'S DAY.
+
+SET TO MUSIC BY MR DANIEL PURCELL. PERFORMED AT OXFORD 1699.
+
+ Prepare the hallowed strain, my Muse,
+ Thy softest sounds and sweetest numbers choose;
+ The bright Cecilia's praise rehearse,
+ In warbling words, and gliding verse,
+ That smoothly run into a song,
+ And gently die away, and melt upon the tongue.
+ First let the sprightly violin
+ The joyful melody begin,
+ And none of all her strings be mute;
+
+ While the sharp sound and shriller lay
+_10
+ In sweet harmonious notes decay,
+ Softened and mellowed by the flute.
+ 'The flute that sweetly can complain,
+ Dissolve the frozen nymph's disdain;
+ Panting sympathy impart,
+ Till she partake her lover's smart.'[4]
+
+
+ CHORUS.
+
+ Next, let the solemn organ join
+ Religious airs, and strains divine,
+ Such as may lift us to the skies,
+ And set all Heaven before our eyes:
+_20
+ 'Such as may lift us to the skies;
+ So far at least till they
+ Descend with kind surprise,
+ And meet our pious harmony half-way.'
+
+ Let then the trumpet's piercing sound
+ Our ravished ears with pleasure wound.
+ The soul o'erpowering with delight,
+ As, with a quick uncommon ray,
+ A streak of lightning clears the day,
+ And flashes on the sight.
+_30
+ Let Echo too perform her part,
+ Prolonging every note with art,
+ And in a low expiring strain
+ Play all the concert o'er again.
+
+ Such were the tuneful notes that hung
+ On bright Cecilia's charming tongue:
+ Notes that sacred heats inspired,
+ And with religious ardour fired:
+ The love-sick youth, that long suppress'd
+ His smothered passion in his breast,
+_40
+ No sooner heard the warbling dame,
+ But, by the secret influence turn'd,
+ He felt a new diviner flame,
+ And with devotion burn'd.
+
+ With ravished soul, and looks amazed,
+ Upon her beauteous face he gazed;
+ Nor made his amorous complaint:
+ In vain her eyes his heart had charm'd,
+ Her heavenly voice her eyes disarm'd,
+ And changed the lover to a saint.
+_50
+
+ GRAND CHORUS.
+
+ And now the choir complete rejoices,
+ With trembling strings and melting voices.
+ The tuneful ferment rises high,
+ And works with mingled melody:
+ Quick divisions run their rounds,
+ A thousand trills and quivering sounds
+ In airy circles o'er us fly,
+ Till, wafted by a gentle breeze,
+ They faint and languish by degrees,
+ And at a distance die.
+_60
+
+
+AN ACCOUNT OF THE GREATEST ENGLISH POETS
+
+TO MR HENRY SACHEVERELL. APRIL 3, 1694.
+
+ Since, dearest Harry, you will needs request
+ A short account of all the Muse-possess'd,
+ That, down from Chaucer's days to Dryden's times,
+ Have spent their noble rage in British rhymes;
+ Without more preface, writ in formal length,
+ To speak the undertaker's want of strength,
+ I'll try to make their several beauties known,
+ And show their verses' worth, though not my own.
+
+ Long had our dull forefathers slept supine,
+ Nor felt the raptures of the tuneful Nine;
+_10
+ Till Chaucer first, the merry bard, arose,
+ And many a story told in rhyme and prose.
+ But age has rusted what the poet writ,
+ Worn out his language, and obscured his wit;
+ In vain he jests in his unpolished strain,
+ And tries to make his readers laugh in vain.
+ Old Spenser next, warmed with poetic rage,
+ In ancient tales amused a barbarous age;
+ An age that yet uncultivate and rude,
+ Where'er the poet's fancy led, pursued
+_20
+ Through pathless fields, and unfrequented floods,
+ To dens of dragons and enchanted woods.
+ But now the mystic tale, that pleased of yore,
+ Can charm an understanding age no more;
+ The long-spun allegories fulsome grow,
+ While the dull moral lies too plain below.
+ We view well-pleased at distance all the sights
+ Of arms and palfreys, battles, fields, and fights,
+ And damsels in distress, and courteous knights;
+ But when we look too near, the shades decay,
+_30
+ And all the pleasing landscape fades away.
+ Great Cowley then (a mighty genius) wrote,
+ O'errun with wit, and lavish of his thought:
+ His turns too closely on the reader press;
+ He more had pleased us, had he pleased us less.
+ One glittering thought no sooner strikes our eyes
+ With silent wonder, but new wonders rise.
+ As in the milky-way a shining white
+ O'erflows the heavens with one continued light;
+ That not a single star can show his rays,
+_40
+ Whilst jointly all promote the common blaze.
+ Pardon, great poet, that I dare to name
+ The unnumbered beauties of thy verse with blame;
+ Thy fault is only wit in its excess,
+ But wit like thine in any shape will please.
+ What Muse but thine can equal hints inspire,
+ And fit the deep-mouthed Pindar to thy lyre;
+ Pindar, whom others, in a laboured strain
+ And forced expression, imitate in vain?
+ Well-pleased in thee he soars with new delight,
+_50
+ And plays in more unbounded verse, and takes a nobler flight.
+ Blest man! whose spotless life and charming lays
+ Employed the tuneful prelate in thy praise:
+ Blest man! who now shalt be for ever known
+ In Sprat's successful labours and thy own.
+ But Milton next, with high and haughty stalks,
+ Unfettered in majestic numbers walks;
+ No vulgar hero can his Muse engage;
+ Nor earth's wide scene confine his hallowed rage.
+ See! see! he upward springs, and towering high,
+_60
+ Spurns the dull province of mortality,
+ Shakes heaven's eternal throne with dire alarms,
+ And sets the Almighty thunderer in arms.
+ Whate'er his pen describes I more than see,
+ Whilst every verse arrayed in majesty,
+ Bold, and sublime, my whole attention draws,
+ And seems above the critic's nicer laws.
+ How are you struck with terror and delight,
+ When angel with archangel copes in fight!
+ When great Messiah's outspread banner shines,
+_70
+ How does the chariot rattle in his lines!
+ What sounds of brazen wheels, what thunder, scare,
+ And stun the reader with the din of war!
+ With fear my spirits and my blood retire,
+ To see the seraphs sunk in clouds of fire;
+ But when, with eager steps, from hence I rise,
+ And view the first gay scenes of Paradise,
+ What tongue, what words of rapture, can express
+ A vision so profuse of pleasantness!
+ Oh, had the poet ne'er profaned his pen,
+_80
+ To varnish o'er the guilt of faithless men,
+ His other works might have deserved applause;
+ But now the language can't support the cause;
+ While the clean current, though serene and bright,
+ Betrays a bottom odious to the sight.
+ But now, my Muse, a softer strain rehearse,
+ Turn every line with art, and smooth thy verse;
+ The courtly Waller next commands thy lays:
+ Muse, tune thy verse with art to Waller's praise.
+ While tender airs and lovely dames inspire
+_90
+ Soft melting thoughts, and propagate desire;
+ So long shall Waller's strains our passion move,
+ And Sacharissa's beauties kindle love.
+ Thy verse, harmonious bard, and flattering song,
+ Can make the vanquished great, the coward strong.
+ Thy verse can show even Cromwell's innocence,
+ And compliment the storms that bore him hence.
+ Oh, had thy Muse not come an age too soon,
+ But seen great Nassau on the British throne,
+ How had his triumphs glittered in thy page,
+_100
+ And warmed thee to a more exalted rage!
+ What scenes of death and horror had we view'd,
+ And how had Boyne's wide current reeked in blood!
+ Or, if Maria's charms thou wouldst rehearse,
+ In smoother numbers and a softer verse,
+ Thy pen had well described her graceful air,
+ And Gloriana would have seemed more fair.
+ Nor must Roscommon pass neglected by,
+ That makes even rules a noble poetry:
+ Rules, whose deep sense and heavenly numbers show
+_110
+ The best of critics, and of poets too.
+ Nor, Denham, must we e'er forget thy strains,
+ While Cooper's Hill commands the neighbouring plains.
+ But see where artful Dryden next appears,
+ Grown old in rhyme, but charming even in years.
+ Great Dryden next, whose tuneful Muse affords
+ The sweetest numbers, and the fittest words.
+ Whether in comic sounds or tragic airs
+ She forms her voice, she moves our smiles or tears.
+ If satire or heroic strains she writes,
+_120
+ Her hero pleases and her satire bites.
+ From her no harsh unartful numbers fall,
+ She wears all dresses, and she charms in all.
+ How might we fear our English poetry,
+ That long has flourished, should decay with thee;
+ Did not the Muses' other hope appear,
+ Harmonious Congreve, and forbid our fear:
+ Congreve! whose fancy's unexhausted store
+ Has given already much, and promised more.
+ Congreve shall still preserve thy fame alive,
+_130
+ And Dryden's Muse shall in his friend survive.
+ I'm tired with rhyming, and would fain give o'er,
+ But justice still demands one labour more:
+ The noble Montague remains unnamed,
+ For wit, for humour, and for judgment famed;
+ To Dorset he directs his artful Muse,
+ In numbers such as Dorset's self might use.
+ How negligently graceful he unreins
+ His verse, and writes in loose familiar strains!
+ How Nassau's godlike acts adorn his lines,
+_140
+ And all the hero in full glory shines!
+ We see his army set in just array,
+ And Boyne's dyed waves run purple to the sea.
+ Nor Simois choked with men, and arms, and blood;
+ Nor rapid Xanthus' celebrated flood,
+ Shall longer be the poet's highest themes,
+ Though gods and heroes fought promiscuous in their streams.
+ But now, to Nassau's secret councils raised,
+ He aids the hero, whom before he praised.
+ I've done at length; and now, dear friend, receive
+_150
+ The last poor present that my Muse can give.
+ I leave the arts of poetry and verse
+ To them that practise them with more success.
+ Of greater truths I'll now prepare to tell,
+ And so at once, dear friend and Muse, farewell.
+
+
+A LETTER FROM ITALY,
+
+TO THE RIGHT HONOURABLE CHARLES LORD HALIFAX, IN THE YEAR 1701.
+
+ Salve magna parens frugum Saturnia tellus,
+ Magna virûm! tibi res antiquæ laudis et artis
+ Aggredior, sanctos ausus recludere fontes.
+ VIRG., Geor. ii.
+
+ While you, my lord, the rural shades admire,
+ And from Britannia's public posts retire,
+ Nor longer, her ungrateful sons to please,
+ For their advantage sacrifice your ease;
+ Me into foreign realms my fate conveys,
+ Through nations fruitful of immortal lays,
+ Where the soft season and inviting clime
+ Conspire to trouble your repose with rhyme.
+ For wheresoe'er I turn my ravished eyes,
+ Gay gilded scenes and shining prospects rise,
+_10
+ Poetic fields encompass me around
+ And still I seem to tread on classic ground;
+ For here the Muse so oft her harp has strung,
+ That not a mountain rears its head unsung,
+ Renowned in verse each shady thicket grows,
+ And every stream in heavenly numbers flows.
+ How am I pleased to search the hills and woods
+ For rising springs and celebrated floods!
+ To view the Nar, tumultuous in his course,
+ And trace the smooth Clitumnus to his source,
+_20
+ To see the Mincio draw his watery store
+ Through the long windings of a fruitful shore,
+ And hoary Albula's infected tide
+ O'er the warm bed of smoking sulphur glide.
+ Fired with a thousand raptures I survey
+ Eridanus[5] through flowery meadows stray,
+ The king of floods! that, rolling o'er the plains,
+ The towering Alps of half their moisture drains,
+ And proudly swoln with a whole winter's snows,
+ Distributes wealth and plenty where he flows.
+_30
+ Sometimes, misguided by the tuneful throng
+ I look for streams immortalised in song,
+ That lost in silence and oblivion lie,
+ (Dumb are their fountains and their channels dry,)
+ Yet run for ever by the Muse's skill,
+ And in the smooth description murmur still.
+ Sometimes to gentle Tiber I retire,
+ And the famed river's empty shores admire,
+ That, destitute of strength, derives its course
+ From thrifty urns and an unfruitful source,
+_40
+ Yet sung so often in poetic lays,
+ With scorn the Danube and the Nile surveys;
+ So high the deathless Muse exalts her theme!
+ Such was the Boyne, a poor inglorious stream,
+ That in Hibernian vales obscurely stray'd,
+ And unobserved in wild meanders play'd;
+ Till by your lines and Nassau's sword renowned,
+ Its rising billows through the world resound,
+ Where'er the hero's godlike acts can pierce,
+ Or where the fame of an immortal verse.
+_50
+ Oh could the Muse my ravished breast inspire
+ With warmth like yours, and raise an equal fire,
+ Unnumbered beauties in my verse should shine,
+ And Virgil's Italy should yield to mine!
+ See how the golden groves around me smile,
+ That shun the coast of Britain's stormy isle,
+ Or when transplanted and preserved with care,
+ Curse the cold clime, and starve in northern air.
+ Here kindly warmth their mounting juice ferments
+ To nobler tastes, and more exalted scents:
+_60
+ Even the rough rocks with tender myrtle bloom,
+ And trodden weeds send out a rich perfume.
+ Bear me, some god, to Baia's gentle seats,
+ Or cover me in Umbria's green retreats;
+ Where western gales eternally reside,
+ And all the seasons lavish all their pride:
+ Blossoms, and fruits, and flowers together rise,
+ And the whole year in gay confusion lies.
+ Immortal glories in my mind revive,
+ And in my soul a thousand passions strive,
+_70
+ When Rome's exalted beauties I descry
+ Magnificent in piles of ruin lie.
+ An amphitheatre's amazing height
+ Here fills my eye with terror and delight,
+ That on its public shows unpeopled Rome,
+ And held uncrowded nations in its womb;
+ Here pillars rough with sculpture pierce the skies;
+ And here the proud triumphal arches rise,
+ Where the old Romans' deathless acts displayed,
+ Their base, degenerate progeny upbraid:
+_80
+ Whole rivers here forsake the fields below,
+ And wondering at their height through airy channels flow.
+ Still to new scenes my wandering Muse retires,
+ And the dumb show of breathing rocks admires;
+ Where the smooth chisel all its force has shown,
+ And softened into flesh the rugged stone.
+ In solemn silence, a majestic band,
+ Heroes, and gods, and Roman consuls stand;
+ Stern tyrants, whom their cruelties renown,
+ And emperors in Parian marble frown;
+_90
+ While the bright dames, to whom they humble sued,
+ Still show the charms that their proud hearts subdued.
+ Fain would I Raphæl's godlike art rehearse,
+ And show the immortal labours in my verse,
+ Where from the mingled strength of shade and light
+ A new creation rises to my sight,
+ Such heavenly figures from his pencil flow,
+ So warm with life his blended colours glow.
+ From theme to theme with secret pleasure toss'd,
+ Amidst the soft variety I'm lost:
+_100
+ Here pleasing airs my ravish'd soul confound
+ With circling notes and labyrinths of sound;
+ Here domes and temples rise in distant views,
+ And opening palaces invite my Muse.
+ How has kind Heaven adorned the happy land,
+ And scattered blessings with a wasteful hand!
+ But what avail her unexhausted stores,
+ Her blooming mountains and her sunny shores,
+ With all the gifts that heaven and earth impart,
+ The smiles of nature, and the charms of art,
+_110
+ While proud oppression in her valleys reigns,
+ And tyranny usurps her happy plains?
+ The poor inhabitant beholds in vain
+ The reddening orange and the swelling grain:
+ Joyless he sees the growing oils and wines,
+ And in the myrtle's fragrant shade repines:
+ Starves, in the midst of nature's bounty curs'd,
+ And in the loaden vineyard dies for thirst.
+ O Liberty, thou goddess heavenly bright,
+_120
+ Profuse of bliss, and pregnant with delight!
+ Eternal pleasures in thy presence reign,
+ And smiling plenty leads thy wanton train;
+ Eased of her load, subjection grows more light,
+ And poverty looks cheerful in thy sight;
+ Thou mak'st the gloomy face of nature gay,
+ Giv'st beauty to the sun, and pleasure to the day.
+ Thee, goddess, thee, Britannia's isle adores;
+ How has she oft exhausted all her stores,
+ How oft in fields of death thy presence sought,
+ Nor thinks the mighty prize too dearly bought!
+_130
+ On foreign mountains may the sun refine
+ The grape's soft juice, and mellow it to wine,
+ With citron groves adorn a distant soil,
+ And the fat olive swell with floods of oil:
+ We envy not the warmer clime, that lies
+ In ten degrees of more indulgent skies,
+ Nor at the coarseness of our heaven repine,
+ Though o'er our heads the frozen Pleiads shine:
+ 'Tis liberty that crowns Britannia's isle,
+ And makes her barren rocks and her bleak mountains smile.
+_140
+ Others with towering piles may please the sight,
+ And in their proud aspiring domes delight;
+ A nicer touch to the stretched canvas give,
+ Or teach their animated rocks to live:
+ 'Tis Britain's care to watch o'er Europe's fate,
+ And hold in balance each contending state,
+ To threaten bold presumptuous kings with war,
+ And answer her afflicted neighbours' prayer.
+ The Dane and Swede, roused up by fierce alarms,
+ Bless the wise conduct of her pious arms:
+_150
+ Soon as her fleets appear, their terrors cease,
+ And all the northern world lies hushed in peace.
+ The ambitious Gaul beholds with secret dread
+ Her thunder aimed at his aspiring head,
+ And fain her godlike sons would disunite
+ By foreign gold, or by domestic spite;
+ But strives in vain to conquer or divide,
+ Whom Nassau's arms defend and counsels guide.
+ Fired with the name, which I so oft have found
+ The distant climes and different tongues resound,
+_160
+ I bridle in my struggling Muse with pain,
+ That longs to launch into a bolder strain.
+ But I've already troubled you too long,
+ Nor dare attempt a more adventurous song.
+ My humble verse demands a softer theme,
+ A painted meadow, or a purling stream;
+ Unfit for heroes, whom immortal lays,
+ And lines like Virgil's, or like yours, should praise.
+
+
+
+ MILTON'S STYLE IMITATED,
+
+ IN A TRANSLATION OF A STORY OUT OF THE THIRD ÆNEID.
+
+ Lost in the gloomy horror of the night,
+ We struck upon the coast where Ætna lies,
+ Horrid and waste, its entrails fraught with fire,
+ That now casts out dark fumes and pitchy clouds,
+ Vast showers of ashes hovering in the smoke;
+ Now belches molten stones and ruddy flame,
+ Incensed, or tears up mountains by the roots,
+ Or slings a broken rock aloft in air.
+ The bottom works with smothered fire involved
+ In pestilential vapours, stench, and smoke.
+_10
+ 'Tis said, that thunder-struck Enceladus
+ Groveling beneath the incumbent mountain's weight,
+ Lies stretched supine, eternal prey of flames;
+ And, when he heaves against the burning load,
+ Reluctant, to invert his broiling limbs,
+ A sudden earthquake shoots through all the isle,
+ And Ætna thunders dreadful under-ground,
+ Then pours out smoke in wreathing curls convolved,
+ And shades the sun's bright orb, and blots out day.
+ Here in the shelter of the woods we lodged,
+_20
+ And frighted heard strange sounds and dismal yells,
+ Nor saw from whence they came; for all the night
+ A murky storm deep lowering o'er our heads
+ Hung imminent, that with impervious gloom
+ Opposed itself to Cynthia's silver ray,
+ And shaded all beneath. But now the sun
+ With orient beams had chased the dewy night
+ From earth and heaven; all nature stood disclosed:
+ When, looking on the neighbouring woods, we saw
+ The ghastly visage of a man unknown,
+_30
+ An uncouth feature, meagre, pale, and wild;
+ Affliction's foul and terrible dismay
+ Sat in his looks, his face, impaired and worn
+ With marks of famine, speaking sore distress;
+ His locks were tangled, and his shaggy beard
+ Matted with filth; in all things else a Greek.
+ He first advanced in haste; but, when he saw
+ Trojans and Trojan arms, in mid career
+ Stopp'd short, he back recoiled as one surprised:
+ But soon recovering speed he ran, he flew
+ Precipitant, and thus with piteous cries
+_40
+ Our ears assailed: 'By heaven's eternal fires,
+ By every god that sits enthroned on high,
+ By this good light, relieve a wretch forlorn,
+ And bear me hence to any distant shore,
+ So I may shun this savage race accursed.
+ 'Tis true I fought among the Greeks that late
+ With sword and fire o'erturned Neptunian Troy
+ And laid the labours of the gods in dust;
+ For which, if so the sad offence deserves,
+_50
+ Plunged in the deep, for ever let me lie
+ Whelmed under seas; if death must be my doom,
+ Let man inflict it, and I die well-pleased.'
+ He ended here, and now profuse to tears
+ In suppliant mood fell prostrate at our feet:
+ We bade him speak from whence and what he was,
+ And how by stress of fortune sunk thus low;
+ Anchises too, with friendly aspect mild,
+ Gave him his hand, sure pledge of amity;
+ When, thus encouraged, he began his tale.
+_60
+ 'I'm one,' says he, 'of poor descent; my name
+ Is Achæmenides, my country Greece;
+ Ulysses' sad compeer, who, whilst he fled
+ The raging Cyclops, left me here behind,
+ Disconsolate, forlorn; within the cave
+ He left me, giant Polypheme's dark cave;
+ A dungeon wide and horrible, the walls
+ On all sides furred with mouldy damps, and hung
+ With clots of ropy gore, and human limbs,
+ His dire repast: himself of mighty size,
+_70
+ Hoarse in his voice, and in his visage grim,
+ Intractable, that riots on the flesh
+ Of mortal men, and swills the vital blood.
+ Him did I see snatch up with horrid grasp
+ Two sprawling Greeks, in either hand a man;
+ I saw him when with huge, tempestuous sway
+ He dashed and broke them on the grundsil edge;
+ The pavement swam in blood, the walls around
+ Were spattered o'er with brains. He lapp'd the blood,
+ And chewed the tender flesh still warm with life,
+_80
+ That swelled and heaved itself amidst his teeth
+ As sensible of pain. Not less meanwhile
+ Our chief, incensed and studious of revenge,
+ Plots his destruction, which he thus effects.
+ The giant, gorged with flesh, and wine, and blood,
+ Lay stretched at length and snoring in his den,
+ Belching raw gobbets from his maw, o'ercharged
+ With purple wine and cruddled gore confused.
+ We gathered round, and to his single eye,
+ The single eye that in his forehead glared
+_90
+ Like a full moon, or a broad burnished shield,
+ A forky staff we dexterously applied,
+ Which, in the spacious socket turning round,
+ Scooped out the big round jelly from its orb.
+ But let me not thus interpose delays;
+ Fly, mortals, fly this cursed, detested race:
+ A hundred of the same stupendous size,
+ A hundred Cyclops live among the hills,
+ Gigantic brotherhood, that stalk along
+ With horrid strides o'er the high mountains' tops,
+_100
+ Enormous in their gait; I oft have heard
+ Their voice and tread, oft seen them as they passed,
+ Sculking and cowering down, half dead with fear.
+ Thrice has the moon washed all her orb in light,
+ Thrice travelled o'er, in her obscure sojourn,
+ The realms of night inglorious, since I've lived
+ Amidst these woods, gleaning from thorns and shrubs
+ A wretched sustenance.' As thus he spoke,
+ We saw descending from a neighbouring hill
+ Blind Polypheme; by weary steps and slow
+_110
+ The groping giant with a trunk of pine
+ Explored his way; around, his woolly flocks
+ Attended grazing; to the well-known shore
+ He bent his course, and on the margin stood,
+ A hideous monster, terrible, deformed;
+ Full in the midst of his high front there gaped
+ The spacious hollow where his eye-ball rolled,
+ A ghastly orifice: he rinsed the wound,
+ And washed away the strings and clotted blood
+ That caked within; then, stalking through the deep,
+_120
+ He fords the ocean, while the topmost wave
+ Scarce reaches up his middle side; we stood
+ Amazed, be sure; a sudden horror chill
+ Ran through each nerve, and thrilled in every vein,
+ Till, using all the force of winds and oars,
+ We sped away; he heard us in our course,
+ And with his outstretched arms around him groped,
+ But finding nought within his reach, he raised
+ Such hideous shouts that all the ocean shook.
+ Even Italy, though many a league remote,
+_130
+ In distant echoes answered; Ætna roared,
+ Through all its inmost winding caverns roared.
+ Roused with the sound, the mighty family
+ Of one-eyed brothers hasten to the shore,
+ And gather round the bellowing Polypheme,
+ A dire assembly: we with eager haste
+ Work every one, and from afar behold
+ A host of giants covering all the shore.
+ So stands a forest tall of mountain oaks
+ Advanced to mighty growth: the traveller
+_140
+ Hears from the humble valley where he rides
+ The hollow murmurs of the winds that blow
+ Amidst the boughs, and at the distance sees
+ The shady tops of trees unnumbered rise,
+ A stately prospect, waving in the clouds.
+
+
+THE CAMPAIGN, A POEM.
+
+TO HIS GRACE THE DUKE OF MARLBOROUGH.
+
+ Rhení pæator et Istri.
+ Omnis in hoc uno variis discordia cessit
+ Ordinibus; læctatur eques, plauditque senator,
+ Votaque patricio certant plebeia favori.
+ CLAUD. DE LAUD. STILIC.
+
+ Esse aliquam in terris gentem quæ suâ impensâ, suo labore ac periculo
+ bella gerat pro libertate aliorum. Nec hoc finitimis, aut propinquæ
+ vicinitatis hominibus, aut terris continenti junctis præstet. Maria
+ trajiciat: ne quod toto orbe terrarum injustum imperium sit, et ubique
+ jus, fas, lex, potentissima sint.
+ LIV. HIST. lib. 36.
+
+ While crowds of princes your deserts proclaim,
+ Proud in their number to enrol your name;
+ While emperors to you commit their cause,
+ And Anna's praises crown the vast applause;
+ Accept, great leader, what the Muse recites,
+ That in ambitious verse attempts your fights.
+ Fired and transported with a theme so new,
+ Ten thousand wonders opening to my view
+ Shine forth at once; sieges and storms appear,
+ And wars and conquests fill the important year,
+_10
+ Rivers of blood I see, and hills of slain,
+ An Iliad rising out of one campaign.
+ The haughty Gaul beheld, with towering pride,
+ His ancient bounds enlarged on every side,
+ Pirene's lofty barriers were subdued,
+ And in the midst of his wide empire stood;
+ Ausonia's states, the victor to restrain,
+ Opposed their Alps and Apennines in vain,
+ Nor found themselves, with strength of rocks immured,
+ Behind their everlasting hills secured;
+_20
+ The rising Danube its long race began,
+ And half its course through the new conquests ran;
+ Amazed and anxious for her sovereign's fates,
+ Germania trembled through a hundred states;
+ Great Leopold himself was seized with fear;
+ He gazed around, but saw no succour near;
+ He gazed, and half abandoned to despair
+ His hopes on Heaven, and confidence in prayer.
+ To Britain's queen the nations turn their eyes,
+ On her resolves the Western world relies,
+_30
+ Confiding still, amidst its dire alarms,
+ In Anna's councils and in Churchill's arms.
+ Thrice happy Britain, from the kingdoms rent,
+ To sit the guardian of the continent!
+ That sees her bravest son advanced so high,
+ And flourishing so near her prince's eye;
+ Thy favourites grow not up by fortune's sport,
+ Or from the crimes or follies of a court;
+ On the firm basis of desert they rise,
+ From long-tried, faith, and friendship's holy ties:
+_40
+ Their sovereign's well-distinguished smiles they share,
+ Her ornaments in peace, her strength in war;
+ The nation thanks them with a public voice,
+ By showers of blessings Heaven approves their choice;
+ Envy itself is dumb, in wonder lost,
+ And factions strive who shall applaud them most.
+ Soon as soft vernal breezes warm the sky,
+ Britannia's colours in the zephyrs fly;
+ Her chief already has his march begun,
+ Crossing the provinces himself had won,
+_50
+ Till the Moselle, appearing from afar,
+ Retards the progress of the moving war.
+ Delightful stream, had Nature bid her fall
+ In distant climes, far from the perjured Gaul;
+ But now a purchase to the sword she lies,
+ Her harvests for uncertain owners rise,
+ Each vineyard doubtful of its master grows,
+ And to the victor's bowl each vintage flows.
+ The discontented shades of slaughtered hosts,
+ That wandered on her banks, her heroes' ghosts,
+_60
+ Hoped, when they saw Britannia's arms appear,
+ The vengeance due to their great deaths was near.
+ Our godlike leader, ere the stream he passed,
+ The mighty scheme of all his labours cast,
+ Forming the wondrous year within his thought;
+ His bosom glowed with battles yet unfought.
+ The long, laborious march he first surveys,
+ And joins the distant Danube to the Mæse,
+ Between whose floods such pathless forests grow,
+ Such mountains rise, so many rivers flow:
+_70
+ The toil looks lovely in the hero's eyes,
+ And danger serves but to enhance the prize.
+ Big with the fate of Europe, he renews
+ His dreadful course, and the proud foe pursues:
+ Infected by the burning Scorpion's heat,
+ The sultry gales round his chafed temples beat,
+ Till on the borders of the Maine he finds
+ Defensive shadows and refreshing winds.
+ Our British youth, with inborn freedom bold,
+ Unnumbered scenes of servitude behold,
+_80
+ Nations of slaves, with tyranny debased,
+ (Their Maker's image more than half defaced,)
+ Hourly instructed, as they urge their toil,
+ To prize their queen, and love their native soil.
+ Still to the rising sun they take their way
+ Through clouds of dust, and gain upon the clay;
+ When now the Neckar on its friendly coast
+ With cooling streams revives the fainting host,
+ That cheerfully its labours past forgets,
+ The midnight watches, and the noonday heats.
+_90
+ O'er prostrate towns and palaces they pass,
+ (Now covered o'er with weeds and hid in grass,)
+ Breathing revenge; whilst anger and disdain
+ Fire every breast, and boil in every vein:
+ Here shattered walls, like broken rocks, from far
+ Rise up in hideous views, the guilt of war,
+ Whilst here the vine o'er hills of ruin climbs,
+ Industrious to conceal great Bourbon's crimes,
+ At length the fame of England's hero drew,
+ Eugenio to the glorious interview.
+_100
+ Great souls by instinct to each other turn,
+ Demand alliance, and in friendship burn;
+ A sudden friendship, while with stretched-out rays
+ They meet each other, mingling blaze with blaze.
+ Polished in courts, and hardened in the field,
+ Renowned for conquest, and in council skilled,
+ Their courage dwells not in a troubled flood
+ Of mounting spirits, and fermenting blood:
+ Lodged in the soul, with virtue overruled,
+ Inflamed by reason, and by reason cooled,
+_110
+ In hours of peace content to be unknown,
+ And only in the field of battle shown:
+ To souls like these, in mutual friendship joined,
+ Heaven dares intrust the cause of humankind.
+ Britannia's graceful sons appear in arms,
+ Her harassed troops the hero's presence warms,
+ Whilst the high hills and rivers all around
+ With thundering peals of British shouts resound:
+ Doubling their speed, they march with fresh delight,
+ Eager for glory, and require the fight.
+_120
+ So the staunch hound the trembling deer pursues,
+ And smells his footsteps in the tainted dews,
+ The tedious track unravelling by degrees:
+ But when the scent comes warm in every breeze,
+ Fired at the near approach, he shoots away
+ On his full stretch, and bears upon his prey.
+ The march concludes, the various realms are past,
+ The immortal Schellenberg appears at last:
+ Like hills the aspiring ramparts rise on high,
+ Like valleys at their feet the trenches lie;
+_130
+ Batteries on batteries guard each fatal pass,
+ Threatening destruction; rows of hollow brass,
+ Tube behind tube, the dreadful entrance keep,
+ Whilst in their wombs ten thousand thunders sleep:
+ Great Churchill owns, charmed with the glorious sight,
+ His march o'erpaid by such a promised fight.
+ The western sun now shot a feeble ray,
+ And faintly scattered the remains of day;
+ Evening approached; but, oh! what hosts of foes
+ Were never to behold that evening close!
+_140
+ Thickening their ranks, and wedged in firm array,
+ The close-compacted Britons win their way:
+ In vain the cannon their thronged war defaced
+ With tracts of death, and laid the battle waste;
+ Still pressing forward to the fight, they broke
+ Through flames of sulphur, and a night of smoke,
+ Till slaughtered legions filled the trench below,
+ And bore their fierce avengers to the foe.
+ High on the works the mingling hosts engage;
+ The battle, kindled into tenfold rage
+_150
+ With showers of bullets and with storms of fire,
+ Burns in full fury; heaps on heaps expire;
+ Nations with nations mixed confus'dly die,
+ And lost in one promiscuous carnage lie.
+ How many generous Britons meet their doom,
+ New to the field, and heroes in the bloom!
+ The illustrious youths, that left their native shore
+ To march where Britons never marched before,
+ (O fatal love of fame! O glorious heat,
+ Only destructive to the brave and great!)
+_160
+ After such toils o'ercome, such dangers past,
+ Stretched on Bavarian ramparts breathe their last.
+ But hold, my Muse, may no complaints appear,
+ Nor blot the day with an ungrateful tear:
+ While Marlborough lives, Britannia's stars dispense
+ A friendly light, and shine in innocence.
+ Plunging through seas of blood his fiery steed
+ Where'er his friends retire, or foes succeed;
+ Those he supports, these drives to sudden flight,
+ And turns the various fortune of the fight.
+_170
+ Forbear, great man, renowned in arms, forbear
+ To brave the thickest terrors of the war,
+ Nor hazard thus, confused in crowds of foes,
+ Britannia's safety, and the world's repose;
+ Let nations, anxious for thy life, abate
+ This scorn of danger and contempt of fate:
+ Thou liv'st not for thyself; thy queen demands
+ Conquest and peace from thy victorious hands;
+ Kingdoms and empires in thy fortune join,
+ And Europe's destiny depends on thine.
+_180
+ At length the long-disputed pass they gain,
+ By crowded armies fortified in vain;
+ The war breaks in, the fierce Bavarians yield,
+ And see their camp with British legions filled.
+ So Belgian mounds bear on their shattered sides
+ The sea's whole weight, increased with swelling tides;
+ But if the rushing wave a passage finds,
+ Enraged by watery moons, and warring winds,
+ The trembling peasant sees his country round
+ Covered with tempests, and in oceans drowned.
+_190
+ The few surviving foes dispersed in flight,
+ (Refuse of swords, and gleanings of a fight,)
+ In every rustling wind the victor hear,
+ And Marlborough's form in every shadow fear,
+ Till the dark cope of night with kind embrace
+ Befriends the rout, and covers their disgrace.
+ To Donawert, with unresisted force,
+ The gay, victorious army bends its course.
+ The growth of meadows, and the pride of fields,
+ Whatever spoils Bavaria's summer yields,
+_200
+ (The Danube's great increase,) Britannia shares,
+ The food of armies, and support of wars:
+ With magazines of death, destructive balls,
+ And cannons doomed to batter Landau's walls,
+ The victor finds each hidden cavern stored,
+ And turns their fury on their guilty lord.
+ Deluded prince! how is thy greatness crossed,
+ And all the gaudy dream of empire lost,
+ That proudly set thee on a fancied throne,
+ And made imaginary realms thy own!
+_210
+ Thy troops that now behind the Danube join,
+ Shall shortly seek for shelter from the Rhine,
+ Nor find it there: surrounded with alarms,
+ Thou hopest the assistance of the Gallic arms;
+ The Gallic arms in safety shall advance,
+ And crowd thy standards with the power of France,
+ While to exalt thy doom, the aspiring Gaul
+ Shares thy destruction, and adorns thy fall.
+ Unbounded courage and compassion joined,
+ Tempering each other in the victor's mind,
+_220
+ Alternately proclaim him good and great,
+ And make the hero and the man complete.
+ Long did he strive the obdurate foe to gain
+ By proffered grace, but long he strove in vain;
+ Till fired at length, he thinks it vain to spare
+ His rising wrath, and gives a loose to war.
+ In vengeance roused, the soldier fills his hand
+ With sword and fire, and ravages the land,
+ A thousand villages to ashes turns,
+ In crackling flames a thousand harvests burns.
+_230
+ To the thick woods the woolly flocks retreat,
+ And mixed with bellowing herds confus'dly bleat;
+ Their trembling lords the common shade partake,
+ And cries of infants sound in every brake:
+ The listening soldier fixed in sorrow stands,
+ Loth to obey his leader's just commands;
+ The leader grieves, by generous pity swayed,
+ To see his just commands so well obeyed.
+ But now the trumpet, terrible from far,
+ In shriller clangors animates the war,
+_240
+ Confederate drums in fuller consort beat,
+ And echoing hills the loud alarm repeat:
+ Gallia's proud standards, to Bavaria's joined,
+ Unfurl their gilded lilies in the wind;
+ The daring prince his blasted hopes renews,
+ And while the thick embattled host he views
+ Stretched out in deep array, and dreadful length,
+ His heart dilates, and glories in his strength.
+ The fatal day its mighty course began,
+ That the grieved world had long desired in vain:
+_250
+ States that their new captivity bemoaned,
+ Armies of martyrs that in exile groaned,
+ Sighs from the depth of gloomy dungeons heard,
+ And prayers in bitterness of soul preferred,
+ Europe's loud cries, that Providence assailed,
+ And Anna's ardent vows, at length prevailed;
+ The day was come when heaven designed to show
+ His care and conduct of the world below.
+ Behold, in awful march and dread array
+ The long-expected squadrons shape their way!
+_260
+ Death, in approaching terrible, imparts
+ An anxious horror to the bravest hearts;
+ Yet do their beating breasts demand the strife,
+ And thirst of glory quells the love of life.
+ No vulgar fears can British minds control:
+ Heat of revenge and noble pride of soul
+ O'erlook the foe, advantaged by his post,
+ Lessen his numbers, and contract his host.
+ Though fens and floods possessed the middle space,
+ That unprovoked they would have feared to pass,
+_270
+ Nor fens nor floods can stop Britannia's bands,
+ When her proud foe ranged on their borders stands.
+ But, O my Muse, what numbers wilt thou find
+ To sing the furious troops in battle joined!
+ Methinks I hear the drum's tumultuous sound
+ The victor's shouts and dying groans confound,
+ The dreadful burst of cannon rend the skies,
+ And all the thunder of the battle rise.
+ 'Twas then great Marlborough's mighty soul was proved,
+ That, in the shock of charging hosts unmoved,
+_280
+ Amidst confusion, horror, and despair,
+ Examined all the dreadful scenes of war;
+ In peaceful thought the field of death surveyed,
+ To fainting squadrons sent the timely aid,
+ Inspired repulsed battalions to engage,
+ And taught the doubtful battle where to rage.
+ So when an angel by divine command
+ With rising tempests shakes a guilty land,
+ Such as of late o'er pale Britannia passed,[6]
+ Calm and serene he drives the furious blast;
+_290
+ And, pleased the Almighty's orders to perform,
+ Hides in the whirlwind, and directs the storm.
+ But see the haughty household-troops advance!
+ The dread of Europe, and the pride of France.
+ The war's whole art each private soldier knows,
+ And with a general's love of conquest glows;
+ Proudly he marches on, and, void of fear,
+ Laughs at the shaking of the British spear:
+ Vain insolence! with native freedom brave,
+ The meanest Briton scorns the highest slave;
+_300
+ Contempt and fury fire their souls by turns,
+ Each nation's glory in each warrior burns,
+ Each fights, as in his arm the important day
+ And all the fate of his great monarch lay:
+ A thousand glorious actions, that might claim
+ Triumphant laurels, and immortal fame,
+ Confused in clouds of glorious actions lie,
+ And troops of heroes undistinguished die.
+ O Dormer, how can I behold thy fate,
+ And not the wonders of thy youth relate!
+_310
+ How can I see the gay, the brave, the young,
+ Fall in the cloud of war and lie unsung!
+ In joys of conquest he resigns his breath,
+ And, filled with England's glory, smiles in death.
+ The rout begins, the Gallic squadrons run,
+ Compelled in crowds to meet the fate they shun;
+ Thousands of fiery steeds with wounds transfixed
+ Floating in gore, with their dead masters mixed,
+ Midst heaps of spears and standards driven around,
+ Lie in the Danube's bloody whirlpools drowned,
+_320
+ Troops of bold youths, born on the distant Soane,
+ Or sounding borders of the rapid Rhône,
+ Or where the Seine her flowery fields divides,
+ Or where the Loire through winding vineyards glides;
+ In heaps the rolling billows sweep away,
+ And into Scythian seas their bloated corps convey.
+ From Blenheim's towers the Gaul, with wild affright,
+ Beholds the various havoc of the fight;
+ His waving banners, that so oft had stood,
+ Planted in fields of death, and streams of blood,
+_330
+ So wont the guarded enemy to reach,
+ And rise triumphant in the fatal breach,
+ Or pierce the broken foe's remotest lines,
+ The hardy veteran with tears resigns.
+ Unfortunate Tallard![7] Oh, who can name
+ The pangs of rage, of sorrow, and of shame,
+ That with mixed tumult in thy bosom swelled!
+ When first thou saw'st thy bravest troops repelled,
+ Thine only son pierced with a deadly wound,
+ Choked in his blood, and gasping on the ground,
+_340
+ Thyself in bondage by the victor kept!
+ The chief, the father, and the captive wept.
+ An English Muse is touched with generous woe,
+ And in the unhappy man forgets the foe.
+ Greatly distressed! thy loud complaints forbear,
+ Blame not the turns of fate, and chance of war;
+ Give thy brave foes their due, nor blush to own
+ The fatal field by such great leaders won,
+ The field whence famed Eugenio bore away
+ Only the second honours of the day.
+_350
+ With floods of gore that from the vanquished fell,
+ The marshes stagnate, and the rivers swell.
+ Mountains of slain lie heaped upon the ground,
+ Or 'midst the roarings of the Danube drowned;
+ Whole captive hosts the conqueror detains
+ In painful bondage and inglorious chains;
+ Even those who'scape the fetters and the sword,
+ Nor seek the fortunes of a happier lord,
+ Their raging king dishonours, to complete
+ Marlborough's great work, and finish the defeat.
+_360
+ From Memminghen's high domes, and Augsburg's walls,
+ The distant battle drives the insulting Gauls;
+ Freed by the terror of the victor's name,
+ The rescued states his great protection claim;
+ Whilst Ulm the approach of her deliverer waits,
+ And longs to open her obsequious gates.
+ The hero's breast still swells with great designs,
+ In every thought the towering genius shines:
+ If to the foe his dreadful course he bends,
+ O'er the wide continent his march extends;
+_370
+ If sieges in his labouring thoughts are formed,
+ Camps are assaulted, and an army stormed;
+ If to the fight his active soul is bent,
+ The fate of Europe turns on its event.
+ What distant land, what region, can afford
+ An action worthy his victorious sword?
+ Where will he next the flying Gaul defeat,
+ To make the series of his toils complete?
+ Where the swoln Rhine, rushing with all its force,
+ Divides the hostile nations in its course,
+_380
+ While each contracts its bounds, or wider grows,
+ Enlarged or straitened as the river flows,
+ On Gallia's side a mighty bulwark stands,
+ That all the wide extended plain commands;
+ Twice, since the war was kindled, has it tried
+ The victor's rage, and twice has changed its side;
+ As oft whole armies, with the prize o'erjoyed,
+ Have the long summer on its walls employed.
+ Hither our mighty chief his arms directs,
+ Hence future triumphs from the war expects;
+_390
+ And though the dog-star had its course begun,
+ Carries his arms still nearer to the sun:
+ Fixed on the glorious action, he forgets
+ The change of seasons, and increase of heats:
+ No toils are painful that can danger show,
+ No climes unlovely that contain a foe.
+ The roving Gaul, to his own bounds restrained,
+ Learns to encamp within his native land,
+ But soon as the victorious host he spies,
+ From hill to hill, from stream to stream he flies:
+_400
+ Such dire impressions in his heart remain
+ Of Marlborough's sword, and Hochstet's fatal plain:
+ In vain Britannia's mighty chief besets
+ Their shady coverts, and obscure retreats;
+ They fly the conqueror's approaching fame,
+ That bears the force of armies in his name,
+ Austria's young monarch, whose imperial sway
+ Sceptres and thrones are destined to obey,
+ Whose boasted ancestry so high extends
+ That in the pagan gods his lineage ends,
+_410
+ Comes from afar, in gratitude to own
+ The great supporter of his father's throne;
+ What tides of glory to his bosom ran,
+ Clasped in the embraces of the godlike man!
+ How were his eyes with pleasing wonder fixed
+ To see such fire with so much sweetness mixed,
+ Such easy greatness, such a graceful port,
+ So turned and finished for the camp or court!
+ Achilles thus was formed with every grace,
+ And Nireus shone but in the second place;
+_420
+ Thus the great father of almighty Rome
+ (Divinely flushed with an immortal bloom,
+ That Cytherea's fragrant breath bestowed)
+ In all the charms of his bright mother glowed.
+ The royal youth by Marlborough's presence charmed,
+ Taught by his counsels, by his actions warmed,
+ On Landau with redoubled fury falls,
+ Discharges all his thunder on its walls,
+ O'er mines and caves of death provokes the fight,
+ And learns to conquer in the hero's sight.
+_430
+ The British chief, for mighty toils renowned,
+ Increased in titles, and with conquests crowned,
+ To Belgian coasts his tedious march renews,
+ And the long windings of the Rhine pursues,
+ Clearing its borders from usurping foes,
+ And blessed by rescued nations as he goes.
+ Treves fears no more, freed from its dire alarms;
+ And Trærbach feels the terror of his arms,
+ Seated on rocks her proud foundations shake,
+ While Marlborough presses to the bold attack,
+_440
+ Plants all his batteries, bids his cannon roar,
+ And shows how Landau might have fallen before.
+ Scared at his near approach, great Louis fears
+ Vengeance reserved for his declining years,
+ Forgets his thirst of universal sway,
+ And scarce can teach his subjects to obey;
+ His arms he finds on vain attempts employed,
+ The ambitious projects for his race destroyed,
+ The work of ages sunk in one campaign,
+ And lives of millions sacrificed in vain.
+_450
+ Such are the effects of Anna's royal cares:
+ By her, Britannia, great in foreign wars,
+ Ranges through nations, wheresoo'er disjoined,
+ Without the wonted aid of sea and wind.
+ By her the unfettered Ister's states are free,
+ And taste the sweets of English liberty:
+ But who can tell the joys of those that lie
+ Beneath the constant influence of her eye!
+ Whilst in diffusive showers her bounties fall,
+ Like heaven's indulgence, and descend on all,
+_460
+ Secure the happy, succour the distressed,
+ Make every subject glad, and a whole people blessed.
+ Thus would I fain Britannia's wars rehearse,
+ In the smooth records of a faithful verse;
+ That, if such numbers can o'er time prevail,
+ May tell posterity the wondrous tale.
+ When actions, unadorned, are faint and weak,
+ Cities and countries must be taught to speak;
+ Gods may descend in factions from the skies,
+ And rivers from their oozy beds arise;
+_470
+ Fiction may deck the truth with spurious rays,
+ And round the hero cast a borrowed blaze.
+ Marlborough's exploits appear divinely bright,
+ And proudly shine in their own native light;
+ Raised of themselves, their genuine charms they boast,
+ And those who paint them truest praise them most.
+
+
+COWLEY'S EPITAPH ON HIMSELF.
+
+TRANSLATED BY MR ADDISON.
+
+ From life's superfluous cares enlarged,
+ His debt of human toil discharged,
+ Here Cowley lies! beneath this shed,
+ To every worldly interest dead;
+ With decent poverty content,
+ His hours of ease not idly spent;
+ To fortune's goods a foe profess'd,
+ And hating wealth by all caress'd.
+ 'Tis true he's dead; for oh! how small
+
+ A spot of earth is now his all:
+_10
+ Oh! wish that earth may lightly lay,
+ And every care be far away;
+ Bring flowers; the short-lived roses bring,
+ To life deceased, fit offering:
+ And sweets around the poet strow,
+ Whilst yet with life his ashes glow.
+
+
+ PROLOGUE TO THE TENDER HUSBAND.[8]
+
+ SPOKEN BY MR WILKS.
+
+ In the first rise and infancy of Farce,
+ When fools were many, and when plays were scarce,
+ The raw, unpractised authors could, with ease,
+ A young and unexperienced audience please:
+ No single character had e'er been shown,
+ But the whole herd of fops was all their own;
+ Rich in originals, they set to view,
+ In every piece, a coxcomb that was new.
+ But now our British theatre can boast
+ Drolls of all kinds, a vast, unthinking host!
+_10
+ Fruitful of folly and of vice, it shows
+ Cuckolds, and cits, and bawds, and pimps, and beaux;
+ Rough country knights are found of every shire;
+ Of every fashion gentle fops appear;
+ And punks of different characters we meet,
+ As frequent on the stage as in the pit.
+ Our modern wits are forced to pick and cull,
+ And here and there by chance glean up a fool:
+ Long ere they find the necessary spark,
+ They search the town, and beat about the Park;
+_20
+ To all his most frequented haunts resort,
+ Oft dog him to the ring, and oft to court,
+ As love of pleasure or of place invites;
+ And sometimes catch him taking snuff at White's.
+ Howe'er, to do you right, the present age
+ Breeds very hopeful monsters for the stage;
+ That scorn the paths their dull forefathers trod,
+ And wont be blockheads in the common road.
+ Do but survey this crowded house to-night:--
+ Here's still encouragement for those that write.
+_30
+ Our author, to divert his friends to-day,
+ Stocks with variety of fools his play;
+ And that there may be something gay and new,
+ Two ladies-errant has exposed to view:
+ The first a damsel, travelled in romance;
+ The t'other more refined; she comes from France:
+ Rescue, like courteous knights, the nymph from danger;
+ And kindly treat, like well-bred men, the stranger.
+
+
+EPILOGUE TO THE BRITISH
+
+ENCHANTERS.[9]
+
+ When Orpheus tuned his lyre with pleasing woe,
+ Rivers forgot to run, and winds to blow,
+ While listening forests covered as he played,
+ The soft musician in a moving shade.
+ That this night's strains the same success may find,
+ The force of magic is to music joined;
+ Where sounding strings and artful voices fail,
+ The charming rod and muttered spells prevail.
+ Let sage Urganda wave the circling wand
+ On barren mountains, or a waste of sand,
+_10
+ The desert smiles; the woods begin to grow,
+ The birds to warble, and the springs to flow.
+ The same dull sights in the same landscape mixed,
+ Scenes of still life, and points for ever fixed,
+ A tedious pleasure on the mind bestow,
+ And pall the sense with one continued show;
+ But as our two magicians try their skill,
+ The vision varies, though the place stands still,
+ While the same spot its gaudy form renews,
+ Shifting the prospect to a thousand views.
+_20
+ Thus (without unity of place transgressed)
+ The enchanter turns the critic to a jest.
+ But howsoe'er, to please your wandering eyes,
+ Bright objects disappear and brighter rise:
+ There's none can make amends for lost delight,
+ While from that circle we divert your sight.
+
+
+PROLOGUE TO SMITH'S[10] PHÆDRA AND HIPPOLITUS.
+
+SPOKEN BY MR WILKS.
+
+ Long has a race of heroes fill'd the stage,
+ That rant by note, and through the gamut rage;
+ In songs and airs express their martial fire,
+ Combat in trills, and in a fugue expire:
+ While, lull'd by sound, and undisturb'd by wit,
+ Calm and serene you indolently sit,
+ And, from the dull fatigue of thinking free,
+ Hear the facetious fiddle's repartee:
+ Our home-spun authors must forsake the field,
+ And Shakspeare to the soft Scarletti yield.
+_10
+ To your new taste the poet of this day
+ Was by a friend advised to form his play.
+ Had Valentini, musically coy,
+ Shunn'd Phædra's arms, and scorn'd the proffer'd joy,
+ It had not moved your wonder to have seen
+ An eunuch fly from an enamour'd queen:
+ How would it please, should she in English speak,
+ And could Hippolitus reply in Greek!
+ But he, a stranger to your modish way,
+ By your old rules must stand or fall to-day,
+_20
+ And hopes you will your foreign taste command,
+ To bear, for once, with what you understand.
+
+
+HORACE.-ODE III., BOOK III.
+
+Augustus had a design to rebuild Troy, and make it the metropolis of the
+Roman empire, having closeted several senators on the project: Horace is
+supposed to have written the following Ode on this occasion.
+
+ The man resolved, and steady to his trust,
+ Inflexible to ill, and obstinately just,
+ May the rude rabble's insolence despise,
+ Their senseless clamours and tumultuous cries;
+ The tyrant's fierceness he beguiles,
+ And the stern brow, and the harsh voice defies,
+ And with superior greatness smiles.
+ Not the rough whirlwind, that deforms
+ Adria's black gulf, and vexes it with storms,
+ The stubborn virtue of his soul can move;
+_10
+ Not the red arm of angry Jove,
+ That flings the thunder from the sky,
+ And gives it rage to roar, and strength to fly.
+ Should the whole frame of nature round him break,
+ In ruin and confusion hurled,
+ He, unconcerned, would hear the mighty crack,
+ And stand secure amidst a falling world.
+ Such were the godlike arts that led
+ Bright Pollux to the blest abodes;
+ Such did for great Alcides plead,
+_20
+ And gained a place among the gods;
+ Where now Augustus, mixed with heroes, lies,
+ And to his lips the nectar bowl applies:
+ His ruddy lips the purple tincture show,
+ And with immortal strains divinely glow.
+ By arts like these did young Lyæus [11] rise:
+ His tigers drew him to the skies,
+ Wild from the desert and unbroke:
+ In vain they foamed, in vain they stared,
+ In vain their eyes with fury glared;
+_30
+ He tamed them to the lash, and bent them to the yoke.
+ Such were the paths that Rome's great founder trod,
+ When in a whirlwind snatched on high,
+ He shook off dull mortality,
+ And lost the monarch in the god.
+ Bright Juno then her awful silence broke,
+ And thus the assembled deities bespoke.
+ 'Troy,' says the goddess, 'perjured Troy has felt
+ The dire effects of her proud tyrant's guilt;
+ The towering pile, and soft abodes,
+_40
+ Walled by the hand of servile gods,
+ Now spreads its ruins all around,
+ And lies inglorious on the ground.
+ An umpire, partial and unjust,
+ And a lewd woman's impious lust,
+ Lay heavy on her head, and sunk her to the dust.
+ Since false Laomedon's tyrannic sway,
+ That durst defraud the immortals of their pay,
+ Her guardian gods renounced their patronage,
+ Nor would the fierce invading foe repel;
+_50
+ To my resentment, and Minerva's rage,
+ The guilty king and the whole people fell.
+ And now the long protracted wars are o'er,
+ The soft adulterer shines no more;
+ No more does Hector's force the Trojans shield,
+ That drove whole armies back, and singly cleared the field.
+ My vengeance sated, I at length resign
+ To Mars his offspring of the Trojan line:
+ Advanced to godhead let him rise,
+ And take his station in the skies;
+_60
+ There entertain his ravished sight
+ With scenes of glory, fields of light;
+ Quaff with the gods immortal wine,
+ And see adoring nations crowd his shrine:
+ The thin remains of Troy's afflicted host,
+ In distant realms may seats unenvied find,
+ And flourish on a foreign coast;
+ But far be Rome from Troy disjoined,
+ Removed by seas from the disastrous shore;
+ May endless billows rise between, and storms unnumbered roar.
+_70
+ Still let the cursed, detested place,
+ Where Priam lies, and Priam's faithless race,
+ Be cover'd o'er with weeds, and hid in grass.
+ There let the wanton flocks unguarded stray;
+ Or, while the lonely shepherd sings,
+ Amidst the mighty ruins play,
+ And frisk upon the tombs of kings.
+ May tigers there, and all the savage kind,
+ Sad, solitary haunts and silent deserts find;
+ In gloomy vaults, and nooks of palaces,
+_80
+ May the unmolested lioness
+ Her brinded whelps securely lay,
+ Or couched, in dreadful slumbers waste the day.
+ While Troy in heaps of ruins lies,
+ Rome and the Roman Capitol shall rise;
+ The illustrious exiles unconfined
+ Shall triumph far and near, and rule mankind.
+ In vain the sea's intruding tide
+ Europe from Afric shall divide,
+ And part the severed world in two:
+_90
+ Through Afric's sands their triumphs they shall spread,
+ And the long train of victories pursue
+ To Nile's yet undiscovered head.
+ Riches the hardy soldier shall despise,
+ And look on gold with undesiring eyes,
+ Nor the disbowelled earth explore
+ In search of the forbidden ore;
+ Those glittering ills concealed within the mine,
+ Shall lie untouched, and innocently shine.
+ To the last bounds that nature sets,
+_100
+ The piercing colds and sultry heats,
+ The godlike race shall spread their arms;
+ Now fill the polar circle with alarms,
+ Till storms and tempests their pursuits confine;
+ Now sweat for conquest underneath the line.
+ This only law the victor shall restrain,
+ On these conditions shall he reign;
+ If none his guilty hand employ
+ To build again a second Troy,
+ If none the rash design pursue,
+_110
+ Nor tempt the vengeance of the gods anew.
+ A curse there cleaves to the devoted place,
+ That shall the new foundations raze:
+ Greece shall in mutual leagues conspire
+ To storm the rising town with fire,
+ And at their armies' head myself will show
+ What Juno, urged to all her rage, can do.
+ Thrice should Apollo's self the city raise,
+ And line it round with walls of brass,
+ Thrice should my favourite Greeks his works confound,
+_120
+ And hew the shining fabric to the ground;
+ Thrice should her captive dames to Greece return,
+ And their dead sons and slaughtered husbands mourn.'
+ But hold, my Muse, forbear thy towering flight,
+ Nor bring the secrets of the gods to light:
+ In vain would thy presumptuous verse
+ The immortal rhetoric rehearse;
+ The mighty strains, in lyric numbers bound,
+ Forget their majesty, and lose their sound.
+
+
+
+ THE VESTAL.
+
+ FROM OVID DE FASTIS, LIB. III. EL. 1.
+
+ Blanda quies victis furtim subrepit ocellis, &c.
+
+ As the fair vestal to the fountain came,
+ (Let none be startled at a vestal's name)
+ Tired with the walk, she laid her down to rest,
+ And to the winds exposed her glowing breast,
+ To take the freshness of the morning-air,
+ And gather'd in a knot her flowing hair;
+ While thus she rested, on her arm reclined,
+ The hoary willows waving with the wind,
+ And feather'd choirs that warbled in the shade,
+ And purling streams that through the meadow stray'd,
+_10
+ In drowsy murmurs lull'd the gentle maid.
+ The god of war beheld the virgin lie,
+ The god beheld her with a lover's eye;
+ And by so tempting an occasion press'd,
+ The beauteous maid, whom he beheld, possess'd:
+ Conceiving as she slept, her fruitful womb
+ Swell'd with the founder of immortal Rome.
+
+
+
+ OVID'S METAMORPHOSES.
+
+ BOOK II.
+
+ THE STORY OF PHÆTON.
+
+ The sun's bright palace, on high columns raised,
+ With burnished gold and flaming jewels blazed;
+ The folding gates diffused a silver light,
+ And with a milder gleam refreshed the sight;
+ Of polished ivory was the covering wrought:
+ The matter vied not with the sculptor's thought,
+ For in the portal was displayed on high
+ (The work of Vulcan) a fictitious sky;
+ A waving sea the inferior earth embraced,
+ And gods and goddesses the waters graced.
+_10
+ Ægeon here a mighty whale bestrode;
+ Triton, and Proteus, (the deceiving god,)
+ With Doris here were carved, and all her train,
+ Some loosely swimming in the figured main,
+ While some on rocks their dropping hair divide,
+ And some on fishes through the waters glide:
+ Though various features did the sisters grace,
+ A sister's likeness was in every face.
+ On earth a different landscape courts the eyes,
+ Men, towns, and beasts, in distant prospects rise,
+_20
+ And nymphs, and streams, and woods, and rural deities.
+ O'er all, the heaven's refulgent image shines;
+ On either gate were six engraven signs.
+ Here Phaëton, still gaining on the ascent,
+ To his suspected father's palace went,
+ Till, pressing forward through the bright ahode,
+ He saw at distance the illustrious god:
+ He saw at distance, or the dazzling light
+ Had flashed too strongly on his aching sight.
+ The god sits high, exalted on a throne
+_30
+ Of blazing gems, with purple garments on:
+ The Hours, in order ranged on either hand,
+ And days, and months, and years, and ages, stand.
+ Here Spring appears with flowery chaplets bound;
+ Here Summer in her wheaten garland crowned;
+ Here Autumn the rich trodden grapes besmear;
+ And hoary Winter shivers in the rear.
+ Phoebus beheld the youth from off his throne;
+ That eye, which looks on all, was fixed on one.
+ He saw the boy's confusion in his face,
+_40
+ Surprised at all the wonders of the place;
+ And cries aloud, 'What wants my son? for know
+ My son thou art, and I must call thee so.'
+ 'Light of the world,' the trembling youth replies,
+ 'Illustrious parent! since you don't despise
+ The parent's name, some certain token give,
+ That I may Clymene's proud boast believe,
+ Nor longer under false reproaches grieve.'
+ The tender sire was touched with what he said.
+ And flung the blaze of glories from his head,
+_50
+ And bid the youth advance: 'My son,' said he,
+ 'Come to thy father's arms! for Clymene
+ Has told thee true; a parent's name I own,
+ And deem thee worthy to be called my son.
+ As a sure proof, make some request, and I,
+ Whate'er it be, with that request comply;
+ By Styx I swear, whose waves are hid in night,
+ And roll impervious to my piercing sight.'
+ The youth transported, asks, without delay,
+ To guide the Sun's bright chariot for a day.
+_60
+ The god repented of the oath he took,
+ For anguish thrice his radiant head he shook;
+ 'My son,' says he, 'some other proof require,
+ Rash was my promise, rash is thy desire.
+ I'd fain deny this wish which thou hast made,
+ Or, what I can't deny, would fain dissuade.
+ Too vast and hazardous the task appears,
+ Nor suited to thy strength, nor to thy years.
+ Thy lot is mortal, but thy wishes fly
+ Beyond the province of mortality:
+_70
+ There is not one of all the gods that dares
+ (However skilled in other great affairs)
+ To mount the burning axle-tree, but I;
+ Not Jove himself, the ruler of the sky,
+ That hurls the three-forked thunder from above,
+ Dares try his strength; yet who so strong as Jove?
+ The steeds climb up the first ascent with pain:
+ And when the middle firmament they gain,
+ If downward from the heavens my head I bow,
+ And see the earth and ocean hang below;
+_80
+ Even I am seized with horror and affright,
+ And my own heart misgives me at the sight.
+ A mighty downfal steeps the evening stage,
+ And steady reins must curb the horses' rage.
+ Tethys herself has feared to see me driven
+ Down headlong from the precipice of heaven.
+ Besides, consider what impetuous force
+ Turns stars and planets in a different course:
+ I steer against their motions; nor am I 89
+ Born back by all the current of the sky.
+_90
+ But how could you resist the orbs that roll
+ In adverse whirls, and stem the rapid pole?
+ But you perhaps may hope for pleasing woods,
+ And stately domes, and cities filled with gods;
+ While through a thousand snares your progress lies,
+ Where forms of starry monsters stock the skies:
+ For, should you hit the doubtful way aright,
+ The Bull with stooping horns stands opposite;
+ Next him the bright Hæmonian Bow is strung;
+ And next, the Lion's grinning visage hung:
+_100
+ The Scorpion's claws here clasp a wide extent,
+ And here the Crab's in lesser clasps are bent.
+ Nor would you find it easy to compose
+ The mettled steeds, when from their nostrils flows
+ The scorching fire, that in their entrails glows.
+ Even I their headstrong fury scarce restrain,
+ When they grow warm and restive to the rein.
+ Let not my son a fatal gift require,
+ But, oh! in time recall your rash desire;
+ You ask a gift that may your parent tell,
+_110
+ Let these my fears your parentage reveal;
+ And learn a father from a father's care:
+ Look on my face; or if my heart lay bare,
+ Could you but look, you'd read the father there.
+ Choose out a gift from seas, or earth, or skies,
+ For open to your wish all nature lies,
+ Only decline this one unequal task,
+ For 'tis a mischief, not a gift you ask;
+ You ask a real mischief, Phaëton:
+ Nay, hang not thus about my neck, my son:
+_120
+ I grant your wish, and Styx has heard my voice,
+ Choose what you will, but make a wiser choice.'
+ Thus did the god the unwary youth advise;
+ But he still longs to travel through the skies,
+ When the fond father (for in vain he pleads)
+ At length to the Vulcanian chariot leads.
+ A golden axle did the work uphold,
+ Gold was the beam, the wheels were orbed with gold.
+ The spokes in rows of silver pleased the sight,
+ The seat with party-coloured gems was bright;
+_130
+ Apollo shined amid the glare of light.
+ The youth with secret joy the work surveys;
+ When now the morn disclosed her purple rays;
+ The stars were fled; for Lucifer had chased
+ The stars away, and fled himself at last.
+ Soon as the father saw the rosy morn,
+ And the moon shining with a blunter horn,
+ He bid the nimble Hours without delay
+ Bring forth the steeds; the nimble Hours obey:
+ From their full racks the generous steeds retire,
+_140
+ Dropping ambrosial foams and snorting fire.
+ Still anxious for his son, the god of day,
+ To make him proof against the burning ray,
+ His temples with celestial ointment wet,
+ Of sovereign virtue to repel the heat;
+ Then fixed the beaming circle on his head,
+ And fetched a deep, foreboding sigh, and said,
+ 'Take this at least, this last advice, my son:
+ Keep a stiff rein, and move but gently on:
+ The coursers of themselves will run too fast,
+_150
+ Your art must be to moderate their haste.
+ Drive them not on directly through the skies,
+ But where the Zodiac's winding circle lies,
+ Along the midmost zone; but sally forth
+ Nor to the distant south, nor stormy north.
+ The horses' hoofs a beaten track will show,
+ But neither mount too high nor sink too low,
+ That no new fires or heaven or earth infest;
+ Keep the mid-way, the middle way is best.
+ Nor, where in radiant folds the Serpent twines,
+_160
+ Direct your course, nor where the Altar shines.
+ Shun both extremes; the rest let Fortune guide,
+ And better for thee than thyself provide!
+ See, while I speak the shades disperse away,
+ Aurora gives the promise of a day;
+ I'm called, nor can I make a longer stay.
+ Snatch up the reins; or still the attempt forsake,
+ And not my chariot, but my counsel take,
+ While yet securely on the earth you stand;
+ Nor touch the horses with too rash a hand.
+_170
+ Let me alone to light the world, while you
+ Enjoy those beams which you may safely view.'
+ He spoke in vain: the youth with active heat
+ And sprightly vigour vaults into the seat;
+ And joys to hold the reins, and fondly gives
+ Those thanks his father with remorse receives.
+ Meanwhile the restless horses neighed aloud,
+ Breathing out fire, and pawing where they stood.
+ Tethys, not knowing what had passed, gave way,
+ And all the waste of heaven before them lay.
+_180
+ They spring together out, and swiftly bear
+ The flying youth through clouds and yielding air;
+ With wingy speed outstrip the eastern wind,
+ And leave the breezes of the morn behind.
+ The youth was light, nor could he fill the seat,
+ Or poise the chariot with its wonted weight:
+ But as at sea the unballast vessel rides,
+ Cast to and fro, the sport of winds and tides;
+ So in the bounding chariot tossed on high,
+ The youth is hurried headlong through the sky.
+_190
+ Soon as the steeds perceive it, they forsake
+ Their stated course, and leave the beaten track.
+ The youth was in a maze, nor did he know
+ Which way to turn the reins, or where to go;
+ Nor would the horses, had he known, obey.
+ Then the Seven Stars first felt Apollo's ray
+ And wished to dip in the forbidden sea.
+ The folded Serpent next the frozen pole,
+ Stiff and benumbed before, began to roll,
+ And raged with inward heat, and threatened war,
+_200
+ And shot a redder light from every star;
+ Nay, and 'tis said, Bootes, too, that fain
+ Thou wouldst have fled, though cumbered with thy wain.
+ The unhappy youth then, bending down his head,
+ Saw earth and ocean far beneath him spread:
+ His colour changed, he startled at the sight,
+ And his eyes darkened by too great a light.
+ Now could he wish the fiery steeds untried,
+ His birth obscure, and his request denied:
+ Now would he Merops for his father own,
+_210
+ And quit his boasted kindred to the Sun.
+ So fares the pilot, when his ship is tossed
+ In troubled seas, and all its steerage lost,
+ He gives her to the winds, and in despair
+ Seeks his last refuge in the gods and prayer.
+ What could he do? his eyes, if backward cast,
+ Find a long path he had already passed;
+ If forward, still a longer path they find:
+ Both he compares, and measures in his mind;
+ And sometimes casts an eye upon the east,
+_220
+ And sometimes looks on the forbidden west.
+ The horses' names he knew not in the fright:
+ Nor would he loose the reins, nor could he hold them tight.
+ Now all the horrors of the heavens he spies,
+ And monstrous shadows of prodigious size,
+ That, decked with stars, lie scattered o'er the skies.
+ There is a place above, where Scorpio, bent
+ In tail and arms, surrounds a vast extent;
+ In a wide circuit of the heavens he shines,
+ And fills the space of two celestial signs.
+_230
+ Soon as the youth beheld him, vexed with heat,
+ Brandish his sting, and in his poison sweat,
+ Half dead with sudden fear he dropped the reins;
+ The horses felt them loose upon their manes,
+ And, flying out through all the plains above,
+ Ran uncontrolled where'er their fury drove;
+ Rushed on the stars, and through a pathless way
+ Of unknown regions hurried on the day.
+ And now above, and now below they flew,
+ And near the earth the burning chariot drew.
+_240
+ The clouds disperse in fumes, the wondering Moon
+ Beholds her brother's steeds beneath her own;
+ The highlands smoke, cleft by the piercing rays,
+ Or, clad with woods, in their own fuel blaze.
+ Next o'er the plains, where ripened harvests grow,
+ The running conflagration spreads below.
+ But these are trivial ills; whole cities burn,
+ And peopled kingdoms into ashes turn.
+ The mountains kindle as the car draws near,
+ Athos and Tmolus red with fires appear;
+_250
+ Oeagrian Hæmus (then a single name)
+ And virgin Helicon increase the flame;
+ Taurus and Oete glare amid the sky,
+ And Ida, spite of all her fountains, dry.
+ Eryx, and Othrys, and Cithgeron, glow;
+ And Rhodope, no longer clothed in snow;
+ High Pindus, Mimas, and Parnassus sweat,
+ And Ætna rages with redoubled heat.
+ Even Scythia, through her hoary regions warmed,
+ In vain with all her native frost was armed.
+_260
+ Covered with flames, the towering Apennine,
+ And Caucasus, and proud Olympus, shine;
+ And, where the long extended Alps aspire,
+ Now stands a huge, continued range of fire.
+ The astonished youth, where'er his eyes could turn,
+ Beheld the universe around him burn:
+ The world was in a blaze; nor could he bear
+ The sultry vapours and the scorching air,
+ Which from below as from a furnace flowed,
+ And now the axle-tree beneath him glowed:
+_270
+ Lost in the whirling clouds, that round him broke,
+ And white with ashes, hovering in the smoke,
+ He flew where'er the horses drove, nor knew
+ Whither the horses drove, or where he flew.
+ 'Twas then, they say, the swarthy Moor begun
+ To change his hue, and blacken in the sun.
+ Then Libya first, of all her moisture drained,
+ Became a barren waste, a wild of sand.
+ The water-nymphs lament their empty urns,
+ Boeotia, robbed of silver Dirce, mourns;
+_280
+ Corinth, Pyrene's wasted spring bewails,
+ And Argos grieves whilst Aniymone fails.
+ The floods are drained from every distant coast,
+ Even Tanaïs, though fixed in ice, was lost.
+ Enraged Caicus and Lycormas roar,
+ And Xanthus, fated to be burned once more.
+ The famed Meeander, that unwearied strays
+ Through mazy windings, smokes in every maze.
+ From his loved Babylon Euphrates flies;
+ The big-swoln Ganges and the Danube rise
+_290
+ In thickening fumes, and darken half the skies.
+ In flames Ismenos and the Phasis rolled,
+ And Tagus floating in his melted gold.
+ The swans, that on Cayster often tried
+ Their tuneful songs, now sung their last, and died.
+ The frighted Nile ran off, and under-ground
+ Concealed his head, nor can it yet be found:
+ His seven divided currents all are dry,
+ And where they rolled seven gaping trenches lie.
+ No more the Rhine or Rhone their course maintain,
+_300
+ Nor Tiber, of his promised empire vain.
+ The ground, deep cleft, admits the dazzling ray,
+ And startles Pluto with the flash of day.
+ The seas shrink in, and to the sight disclose
+ Wide, naked plains, where once their billows rose;
+ Their rocks are all discovered, and increase
+ The number of the scattered Cyclades.
+ The fish in shoals about the bottom creep,
+ Nor longer dares the crooked dolphin leap;
+ Gasping for breath, the unshapen phocæ die,
+_310
+ And on the boiling wave extended lie.
+ Nereus, and Doris with her virgin train,
+ Seek out the last recesses of the main;
+ Beneath unfathomable depths they faint,
+ And secret in their gloomy regions pant,
+ Stern Neptune thrice above the waves upheld
+ His face, and thrice was by the flames repelled.
+ The Earth at length, on every side embraced
+ With scalding seas, that floated round her waist,
+ When now she felt the springs and rivers come,
+_320
+ And crowd within the hollow of her womb.
+ Uplifted to the heavens her blasted head,
+ And clapped her hands upon her brows, and said;
+ (But first, impatient of the sultry heat,
+ Sunk deeper down, and sought a cooler seat:)
+ 'If you, great king of gods, my death approve,
+ And I deserve it, let me die by Jove;
+ If I must perish by the force of fire,
+ Let me transfixed with thunderbolts expire.
+ See, whilst I speak, my breath the vapours choke,
+_330
+ (For now her face lay wrapt in clouds of smoke,)
+ See my singed hair, behold my faded eye
+ And withered face, where heaps of cinders lie!
+ And does the plough for this my body tear?
+ This the reward for all the fruits I bear,
+ Tortured with rakes, and harassed all the year?
+ That herbs for cattle daily I renew,
+ And food for man, and frankincense for you?
+ But grant me guilty; what has Neptune done?
+ Why are his waters boiling in the sun?
+_340
+ The wavy empire, which by lot was given,
+ Why does it waste, and further shrink from heaven?
+ If I nor lie your pity can provoke,
+ See your own heavens, the heavens begin to smoke!
+ Should once the sparkles catch those bright abodes,
+ Destruction seizes on the heavens and gods;
+ Atlas becomes unequal to his freight,
+ And almost faints beneath the glowing weight.
+ If heaven, and earth, and sea together burn,
+ All must again into their chaos turn.
+_350
+ Apply some speedy cure, prevent our fate,
+ And succour nature, e'er it be too late.'
+ She ceased; for, choked with vapours round her spread,
+ Down to the deepest shades she sunk her head.
+ Jove called to witness every power above,
+ And even the god whose son the chariot drove,
+ That what he acts he is compelled to do,
+ Or universal ruin must ensue.
+ Straight he ascends the high ethereal throne,
+ From whence he used to dart his thunder down,
+_360
+ From whence his showers and storms he used to pour,
+ But now could meet with neither storm nor shower.
+ Then aiming at the youth, with lifted hand,
+ Full at his head he hurled the forky brand,
+ In dreadful thunderings. Thus the almighty sire
+ Suppressed the raging of the fires with fire.
+ At once from life and from the chariot driven,
+ The ambitious boy fell thunder-struck from heaven.
+ The horses started with a sudden bound,
+ And flung the reins and chariot to the ground:
+_370
+ The studded harness from their necks they broke,
+ Here fell a wheel, and here a silver spoke,
+ Here were the beam and axle torn away;
+ And, scattered o'er the earth, the shining fragments lay.
+ The breathless Phaëton, with flaming hair,
+ Shot from the chariot, like a falling star,
+ That in a summer's evening from the top
+ Of heaven drops down, or seems at least to drop;
+ Till on the Po his blasted corpse was hurled,
+ Far from his country, in the western world.
+_380
+
+
+ PHÆTON'S SISTERS TRANSFORMED INTO TREES.
+
+ The Latian nymphs came round him, and amazed
+ On the dead youth, transfixed with thunder, gazed;
+ And, whilst yet smoking from the bolt he lay,
+ His shattered body to a tomb convey;
+ And o'er the tomb an epitaph devise:
+ 'Here he who drove the Sun's bright chariot lies;
+ His father's fiery steeds he could not guide,
+ But in the glorious enterprise he died.'
+ Apollo hid his face, and pined for grief,
+ And, if the story may deserve belief,
+_10
+ The space of one whole day is said to run,
+ From morn to wonted even, without a sun:
+ The burning ruins, with a fainter ray,
+ Supply the sun, and counterfeit a day,
+ A day that still did nature's face disclose:
+ This comfort from the mighty mischief rose.
+ But Clymene, enraged with grief, laments,
+ And, as her grief inspires, her passion vents:
+ Wild for her son, and frantic in her woes,
+ With hair dishevelled, round the world she goes,
+_20
+ To seek where'er his body might be cast;
+ Till, on the borders of the Po, at last
+ The name inscribed on the new tomb appears:
+ The dear, dear name she bathes in flowing tears,
+ Hangs o'er the tomb, unable to depart,
+ And hugs the marble to her throbbing heart.
+ Her daughters too lament, and sigh, and mourn,
+ (A fruitless tribute to their brother's urn,)
+ And beat their naked bosoms, and complain,
+ And call aloud for Phaëton in vain:
+_30
+ All the long night their mournful watch they keep,
+ And all the day stand round the tomb, and weep.
+ Four times revolving the full moon returned;
+ So long the mother and the daughters mourned:
+ When now the eldest, Phaëthusa, strove
+ To rest her weary limbs, but could not move;
+ Lampetia would have helped her, but she found
+ Herself withheld, and rooted to the ground:
+ A third in wild affliction, as she grieves,
+ Would rend her hair, but fills her hands with leaves;
+_40
+ One sees her thighs transformed, another views
+ Her arms shot out, and branching into boughs.
+ And now their legs and breasts and bodies stood
+ Crusted with bark, and hardening into wood;
+ But still above were female heads displayed,
+ And mouths, that called the mother to their aid.
+ What could, alas! the weeping mother do?
+ From this to that with eager haste she flew,
+ And kissed her sprouting daughters as they grew.
+ She tears the bark that to each body cleaves,
+_50
+ And from their verdant fingers strips the leaves:
+ The blood came trickling, where she tore away
+ The leaves and bark: the maids were heard to say,
+ 'Forbear, mistaken parent, oh! forbear;
+ A wounded daughter in each tree you tear;
+ Farewell for ever.' Here the bark increased,
+ Closed on their faces, and their words suppressed.
+ The new-made trees in tears of amber run,
+ Which, hardened into value by the sun,
+ Distil for ever on the streams below:
+_60
+ The limpid streams their radiant treasure show,
+ Mixed in the sand; whence the rich drops conveyed,
+ Shine in the dress of the bright Latian maid.
+
+
+ THE TRANSFORMATION OF CYCNUS INTO A SWAN.
+
+ Cycnus beheld the nymphs transformed, allied
+ To their dead brother on the mortal side,
+ In friendship and affection nearer bound;
+ He left the cities and the realms he owned,
+ Through pathless fields and lonely shores to range,
+ And woods, made thicker by the sisters' change.
+ Whilst here, within the dismal gloom, alone,
+ The melancholy monarch made his moan,
+ His voice was lessened, as he tried to speak,
+ And issued through a long extended neck;
+_10
+ His hair transforms to down, his fingers mee
+ In skinny films, and shape his oary feet;
+ From both his sides the wings and feathers break;
+ And from his mouth proceeds a blunted beak:
+ All Cycnus now into a swan was turned,
+ Who, still remembering how his kinsman burned,
+ To solitary pools and lakes retires,
+ And loves the waters as opposed to fires.
+ Meanwhile Apollo, in a gloomy shade
+ (The native lustre of his brows decayed)
+_20
+ Indulging sorrow, sickens at the sight
+ Of his own sunshine, and abhors the light:
+ The hidden griefs, that in his bosom rise,
+ Sadden his looks, and overcast his eyes,
+ As when some dusky orb obstructs his ray,
+ And sullies in a dim eclipse the day.
+ Now secretly with inward griefs he pined,
+ Now warm resentments to his grief he joined,
+ And now renounced his office to mankind.
+ 'E'er since the birth of time,' said he, 'I've borne
+_30
+ A long, ungrateful toil without return;
+ Let now some other manage, if he dare,
+ The fiery steeds, and mount the burning car;
+ Or, if none else, let Jove his fortune try,
+ And learn to lay his murdering thunder by;
+ Then will he own, perhaps, but own too late,
+ My son deserved not so severe a fate.'
+ The gods stand round him, as he mourns, and pray
+ He would resume the conduct of the day,
+ Nor let the world be lost in endless night:
+_40
+ Jove too himself descending from his height,
+ Excuses what had happened, and entreats,
+ Majestically mixing prayers and threats.
+ Prevailed upon, at length, again he took
+ The harnessed steeds, that still with horror shook,
+ And plies them with the lash, and whips them on,
+ And, as he whips, upbraids them with his son.
+
+
+ THE STORY OF CALISTO.
+
+ The day was settled in its course; and Jove
+ Walked the wide circuit of the heavens above,
+ To search if any cracks or flaws were made;
+ But all was safe: the earth he then surveyed,
+ And cast an eye on every different coast,
+ And every land; but on Arcadia most.
+ Her fields he clothed, and cheered her blasted face
+ With running fountains, and with springing grass.
+ No tracks of heaven's destructive fire remain,
+ The fields and woods revive, and nature smiles again.
+_10
+ But as the god walked to and fro the earth,
+ And raised the plants, and gave the spring its birth,
+ By chance a fair Arcadian nymph he viewed,
+ And felt the lovely charmer in his blood.
+ The nymph nor spun, nor dressed with artful pride;
+ Her vest was gathered up, her hair was tied;
+ Now in her hand a slender spear she bore,
+ Now a light quiver on her shoulders wore;
+ To chaste Diana from her youth inclined,
+ The sprightly warriors of the wood she joined.
+_20
+ Diana too the gentle huntress loved,
+ Nor was there one of all the nymphs that roved
+ O'er Mænalus, amid the maiden throng,
+ More favoured once; but favour lasts not long.
+ The sun now shone in all its strength, and drove
+ The heated virgin panting to a grove;
+ The grove around a grateful shadow cast:
+ She dropped her arrows, and her bow unbraced;
+ She flung herself on the cool, grassy bed;
+ And on the painted quiver raised her head.
+_30
+ Jove saw the charming huntress unprepared,
+ Stretched on the verdant turf, without a guard.
+ 'Here I am safe,' he cries, 'from Juno's eye;
+ Or should my jealous queen the theft descry,
+ Yet would I venture on a theft like this,
+ And stand her rage for such, for such a bliss!'
+ Diana's shape and habit straight he took,
+ Softened his brows, and smoothed his awful look,
+ And mildly in a female accent spoke.
+ 'How fares my girl? How went the morning chase?'
+_40
+ To whom the virgin, starting from the grass,
+ 'All hail, bright deity, whom I prefer
+ To Jove himself, though Jove himself were here.'
+ The god was nearer than she thought, and heard,
+ Well-pleased, himself before himself preferr'd.
+ He then salutes her with a warm embrace,
+ And, ere she half had told the morning chase,
+ With love inflamed, and eager on his bliss,
+ Smothered her words, and stopped her with a kiss;
+ His kisses with unwonted ardour glow'd,
+_50
+ Nor could Diana's shape conceal the god.
+ The virgin did whate'er a virgin could;
+ (Sure Juno must have pardoned, had she view'd;)
+ With all her might against his force she strove;
+ But how can mortal maids contend with Jove!
+ Possessed at length of what his heart desired,
+ Back to his heavens the exulting god retired.
+ The lovely huntress, rising from the grass,
+ With downcast eyes, and with a blushing face
+ By shame confounded, and by fear dismay'd,
+_60
+ Flew from the covert of the guilty shade,
+ And almost, in the tumult of her mind,
+ Left her forgotten bow and shafts behind.
+ But now Diana, with a sprightly train
+ Of quivered virgins, bounding over the plain,
+ Called to the nymph; the nymph began to fear
+ A second fraud, a Jove disguised in her;
+ But, when she saw the sister nymphs, suppress'd
+ Her rising fears, and mingled with the rest.
+ How in the look does conscious guilt appear!
+_70
+ Slowly she moved, and loitered in the rear;
+ Nor slightly tripped, nor by the goddess ran,
+ As once she used, the foremost of the train.
+ Her looks were flushed, and sullen was her mien,
+ That sure the virgin goddess (had she been
+ Aught but a virgin) must the guilt have seen.
+ 'Tis said the nymphs saw all, and guessed aright:
+ And now the moon had nine times lost her light,
+ When Dian, fainting in the mid-day beams,
+ Found a cool covert, and refreshing streams
+_80
+ That in soft murmurs through the forest flow'd,
+ And a smooth bed of shining gravel show'd.
+ A covert so obscure, and streams so clear,
+ The goddess praised: 'And now no spies are near,
+ Let's strip, my gentle maids, and wash,' she cries.
+ Pleased with the motion, every maid complies;
+ Only the blushing huntress stood confused,
+ And formed delays, and her delays excused;
+ In vain excused; her fellows round her press'd,
+ And the reluctant nymph by force undress'd.
+_90
+ The naked huntress all her shame reveal'd,
+ In vain her hands the pregnant womb conceal'd;
+ 'Begone!' the goddess cries with stern disdain,
+ 'Begone! nor dare the hallowed stream to stain:'
+ She fled, for ever banished from the train.
+ This Juno heard, who long had watched her time
+ To punish the detested rival's crime:
+ The time was come; for, to enrage her more,
+ A lovely boy the teeming rival bore.
+ The goddess cast a furious look, and cried,
+_100
+ 'It is enough! I'm fully satisfied!
+ This boy shall stand a living mark, to prove
+ My husband's baseness, and the strumpet's love:
+ But vengeance shall awake: those guilty charms,
+ That drew the Thunderer from Juno's arms,
+ No longer shall their wonted force retain,
+ Nor please the god, nor make the mortal vain.'
+ This said, her hand within her hair she wound,
+ Swung her to earth, and dragged her on the ground.
+ The prostrate wretch lifts up her arms in prayer;
+_110
+ Her arms grow shaggy, and deformed with hair,
+ Her nails are sharpened into pointed claws,
+ Her hands bear half her weight, and turn to paws;
+ Her lips, that once could tempt a god, begin
+ To grow distorted in an ugly grin.
+ And, lest the supplicating brute might reach
+ The ears of Jove, she was deprived of speech:
+ Her surly voice through a hoarse passage came
+ In savage sounds: her mind was still the same.
+ The furry monster fixed her eyes above,
+_120
+ And heaved her new unwieldy paws to Jove,
+ And begged his aid with inward groans; and though
+ She could not call him false, she thought him so.
+ How did she fear to lodge in woods alone,
+ And haunt the fields and meadows once her own!
+ How often would the deep-mouthed dogs pursue,
+ Whilst from her hounds the frighted huntress flew!
+ How did she fear her fellow-brutes, and shun
+ The shaggy bear, though now herself was one!
+ How from the sight of rugged wolves retire,
+_130
+ Although the grim Lycaon was her sire!
+ But now her son had fifteen summers told,
+ Fierce at the chase, and in the forest bold;
+ When, as he beat the woods in quest of prey,
+ He chanced to rouse his mother where she lay.
+ She knew her son, and kept him in her sight,
+ And fondly gazed: the boy was in a fright,
+ And aimed a pointed arrow at her breast,
+ And would have slain his mother in the beast;
+ But Jove forbade, and snatched them through the air
+_140
+ In whirlwinds up to heaven, and fixed them there:
+ Where the new constellations nightly rise,
+ And add a lustre to the northern skies.
+ When Juno saw the rival in her height,
+ Spangled with stars, and circled round with light,
+ She sought old Ocean in his deep abodes,
+ And Tethys; both revered among the gods.
+ They ask what brings her there: 'Ne'er ask,' says she,
+ 'What brings me here, heaven is no place for me.
+ You'll see, when night has covered all things o'er,
+_150
+ Jove's starry bastard and triumphant whore
+ Usurp the heavens; you 'll see them proudly roll
+ In their new orbs, and brighten all the pole.
+ And who shall now on Juno's altars wait,
+ When those she hates grow greater by her hate?
+ I on the nymph a brutal form impress'd,
+ Jove to a goddess has transformed the beast;
+ This, this was all my weak revenge could do:
+ But let the god his chaste amours pursue,
+ And, as he acted after Io's rape,
+_160
+ Restore the adulteress to her former shape.
+ Then may he cast his Juno off, and lead
+ The great Lycaon's offspring to his bed.
+ But you, ye venerable powers, be kind,
+ And, if my wrongs a due resentment find,
+ Receive not in your waves their setting beams,
+ Nor let the glaring strumpet taint your streams.'
+ The goddess ended, and her wish was given.
+ Back she returned in triumph up to heaven;
+ Her gaudy peacocks drew her through the skies,
+_170
+ Their tails were spotted with a thousand eyes;
+ The eyes of Argus on their tails were ranged,
+ At the same time the raven's colour changed.
+
+
+ THE STORY OF CORONIS, AND BIRTH OF ÆSCULAPIUS.
+
+ The raven once in snowy plumes was dress'd,
+ White as the whitest dove's unsullied breast,
+ Fair as the guardian of the Capitol,
+ Soft as the swan; a large and lovely fowl;
+ His tongue, his prating tongue, had changed him quite
+ To sooty blackness from the purest white.
+ The story of his change shall here be told:
+ In Thessaly there lived a nymph of old,
+ Coronis named; a peerless maid she shined,
+ Confessed the fairest of the fairer kind.
+_10
+ Apollo loved her, till her guilt he knew,
+ While true she was, or whilst he thought her true.
+ But his own bird, the raven, chanced to find
+ The false one with a secret rival joined.
+ Coronis begged him to suppress the tale,
+ But could not with repeated prayers prevail.
+ His milk-white pinions to the god he plied;
+ The busy daw flew with him, side by side,
+ And by a thousand teasing questions drew
+ The important secret from him as they flew.
+_20
+ The daw gave honest counsel, though despised,
+ And, tedious in her tattle, thus advised:
+ 'Stay, silly bird, the ill-natured task refuse,
+ Nor be the bearer of unwelcome news.
+ Be warned by my example: you discern
+ What now I am, and what I was shall learn.
+ My foolish honesty was all my crime;
+ Then hear my story. Once upon a time,
+ The two-shaped Ericthonius had his birth
+ (Without a mother) from the teeming earth;
+_30
+ Minerva nursed him, and the infant laid
+ Within a chest, of twining osiers made.
+ The daughters of King Cecrops undertook
+ To guard the chest, commanded not to look
+ On what was hid within. I stood to see
+ The charge obeyed, perched on a neighbouring tree.
+ The sisters Pandrosos and Herse keep
+ The strict command; Aglauros needs would peep,
+ And saw the monstrous infant in a fright,
+ And called her sisters to the hideous sight:
+_40
+ A boy's soft shape did to the waist prevail,
+ But the boy ended in a dragon's tail.
+ I told the stern Minerva all that passed,
+ But for my pains, discarded and disgraced,
+ The frowning goddess drove me from her sight,
+ And for her favourite chose the bird of night.
+ Be then no tell-tale; for I think my wrong
+ Enough to teach a bird to hold her tongue.
+ 'But you, perhaps, may think I was removed,
+ As never by the heavenly maid beloved:
+_50
+ But I was loved; ask Pallas if I lie;
+ Though Pallas hate me now, she won't deny:
+ For I, whom in a feathered shape you view,
+ Was once a maid, (by heaven, the story's true,)
+ A blooming maid, and a king's daughter too.
+ A crowd of lovers owned my beauty's charms;
+ My beauty was the cause of all my harms;
+ Neptune, as on his shores I went to rove,
+ Observed me in my walks, and fell in love.
+ He made his courtship, he confessed his pain,
+_60
+ And offered force when all his arts were vain;
+ Swift he pursued: I ran along the strand,
+ Till, spent and wearied on the sinking sand,
+ I shrieked aloud, with cries I filled the air
+ To gods and men; nor god nor man was there:
+ A virgin goddess heard a virgin's prayer.
+ For, as my arms I lifted to the skies,
+ I saw black feathers from my fingers rise;
+ I strove to fling my garment to the ground;
+ My garment turned to plumes, and girt me round:
+_70
+ My hands to beat my naked bosom try;
+ Nor naked bosom now nor hands had I.
+ Lightly I tripped, nor weary as before
+ Sunk in the sand, but skimmed along the shore;
+ Till, rising on my wings, I was preferred
+ To be the chaste Minerva's virgin bird:
+ Preferred in vain! I now am in disgrace:
+ Nyctimene, the owl, enjoys my place.
+ 'On her incestuous life I need not dwell,
+ (In Lesbos still the horrid tale they tell,)
+_80
+ And of her dire amours you must have heard,
+ For which she now does penance in a bird,
+ That, conscious of her shame, avoids the light,
+ And loves the gloomy covering of the night;
+ The birds, where'er she flutters, scare away
+ The hooting wretch, and drive her from the day.'
+ The raven, urged by such impertinence,
+ Grew passionate, it seems, and took offence,
+ And cursed the harmless daw; the daw withdrew:
+ The raven to her injured patron flew,
+_90
+ And found him out, and told the fatal truth
+ Of false Coronis and the favoured youth.
+ The god was wroth; the colour left his look,
+ The wreath his head, the harp his hand forsook:
+ His silver bow and feathered shafts he took,
+ And lodged an arrow in the tender breast,
+ That had so often to his own been pressed.
+ Down fell the wounded nymph, and sadly groaned,
+ And pulled his arrow reeking from the wound;
+ And weltering in her blood, thus faintly cried,
+_100
+ 'Ah, cruel god! though I have justly died,
+ What has, alas! my unborn infant done,
+ That he should fall, and two expire in one?
+ This said, in agonies she fetched her breath.
+ The god dissolves in pity at her death;
+ He hates the bird that made her falsehood known,
+ And hates himself for what himself had done;
+ The feathered shaft, that sent her to the fates,
+ And his own hand that sent the shaft he hates.
+ Fain would he heal the wound, and ease her pain,
+_110
+ And tries the compass of his art in vain.
+ Soon as he saw the lovely nymph expire,
+ The pile made ready, and the kindling fire,
+ With sighs and groans her obsequies he kept,
+ And, if a god could weep, the god had wept.
+ Her corpse he kissed, and heavenly incense brought,
+ And solemnised the death himself had wrought.
+ But, lest his offspring should her fate partake,
+ Spite of the immortal mixture in his make,
+ He ripped her womb, and set the child at large,
+_120
+ And gave him to the centaur Chiron's charge:
+ Then in his fury blacked the raven o'er,
+ And bid him prate in his white plumes no more.
+
+ OCYRRHOE TRANSFORMED TO A MARE.
+
+ Old Chiron took the babe with secret joy,
+ Proud of the charge of the celestial boy.
+ His daughter too, whom on the sandy shore
+ The nymph Chariclo to the centaur bore,
+ With hair dishevelled on her shoulders came
+ To see the child, Ocyrrhöe was her name;
+ She knew her father's arts, and could rehearse
+ The depths of prophecy in sounding verse.
+ Once, as the sacred infant she surveyed,
+ The god was kindled in the raving maid,
+_10
+ And thus she uttered her prophetic tale;
+ 'Hail, great physician of the world, all hail;
+ Hail, mighty infant, who in years to come
+ Shalt heal the nations and defraud the tomb;
+ Swift be thy growth! thy triumphs unconfined!
+ Make kingdoms thicker, and increase mankind.
+ Thy daring art shall animate the dead,
+ And draw the thunder on thy guilty head:
+ Then shalt thou die; but from the dark abode
+ Rise up victorious, and be twice a god.
+_20
+ And thou, my sire, not destined by thy birth
+ To turn to dust, and mix with common earth,
+ How wilt thou toss, and rave, and long to die,
+ And quit thy claim to immortality;
+ When thou shalt feel, enraged with inward pains,
+ The Hydra's venom rankling in thy veins'?
+ The gods, in pity, shall contract thy date,
+ And give thee over to the power of Fate.'
+ Thus, entering into destiny, the maid
+ The secrets of offended Jove betrayed;
+_30
+ More had she still to say; but now appears
+ Oppressed with sobs and sighs, and drowned in tears.
+ 'My voice,' says she, 'is gone, my language fails;
+ Through every limb my kindred shape prevails:
+ Why did the god this fatal gift impart,
+ And with prophetic raptures swell my heart!
+ What new desires are these? I long to pace
+ O'er flowery meadows, and to feed on grass:
+ I hasten to a brute, a maid no more;
+ But why, alas! am I transformed all o'er?
+_40
+ My sire does half a human shape retain,
+ And in his upper parts preserves the man.'
+ Her tongue no more distinct complaints affords,
+ But in shrill accents and mishapen words
+ Pours forth such hideous wailings, as declare
+ The human form confounded in the mare:
+ Till by degrees accomplished in the beast,
+ She neighed outright, and all the steed expressed.
+ Her stooping body on her hands is borne,
+ Her hands are turned to hoofs, and shod in horn;
+_50
+ Her yellow tresses ruffle in a mane,
+ And in a flowing tail she frisks her train.
+ The mare was finished in her voice and look,
+ And a new name from the new figure took.
+
+ THE TRANSFORMATION OF BATTUS TO A TOUCHSTONE.
+
+ Sore wept the centaur, and to Phoebus prayed;
+ But how could Phoebus give the centaur aid?
+ Degraded of his power by angry Jove,
+ In Elis then a herd of beeves he drove;
+ And wielded in his hand a staff of oak,
+ And o'er his shoulders threw the shepherd's cloak;
+ On seven compacted reeds he used to play,
+ And on his rural pipe to waste the day.
+ As once, attentive to his pipe, he played,
+ The crafty Hermes from the god conveyed
+_10
+ A drove, that separate from their fellows strayed.
+ The theft an old insidious peasant viewed,
+ (They called him Battus in the neighbourhood,)
+ Hired by a wealthy Pylian prince to feed
+ His favourite mares, and watch the generous breed.
+ The thievish god suspected him, and took
+ The hind aside, and thus in whispers spoke:
+ 'Discover not the theft, whoe'er thou be,
+ And take that milk-white heifer for thy fee.'
+ 'Go, stranger,' cries the clown, 'securely on,
+_20
+ That stone shall sooner tell;' and showed a stone.
+ The god withdrew, but straight returned again,
+ In speech and habit like a country swain;
+ And cries out, 'Neighbour, hast thou seen a stray
+ Of bullocks and of heifers pass this way?
+ In the recovery of my cattle join,
+ A bullock and a heifer shall be thine.'
+ The peasant quick replies, 'You'll find 'em there,
+ In yon dark vale:' and in the vale they were.
+ The double bribe had his false heart beguiled:
+_30
+ The god, successful in the trial, smiled;
+ 'And dost thou thus betray myself to me?
+ Me to myself dost thou betray?' says he:
+ Then to a touchstone turns the faithless spy,
+ And in his name records his infamy.
+
+THE STORY OF AGLAUROS, TRANSFORMED INTO A STATUE.
+
+ This done, the god flew up on high, and passed
+ O'er lofty Athens, by Minerva graced,
+ And wide Munichia, whilst his eyes survey
+ All the vast region that beneath him lay.
+ 'Twas now the feast, when each Athenian maid
+ Her yearly homage to Minerva paid;
+ In canisters, with garlands covered o'er,
+ High on their heads their mystic gifts they bore;
+ And now, returning in a solemn train,
+ The troop of shining virgins filled the plain.
+_10
+ The god well-pleased beheld the pompous show,
+ And saw the bright procession pass below;
+ Then veered about, and took a wheeling flight,
+ And hovered o'er them: as the spreading kite,
+ That smells the slaughtered victim from on high,
+ Flies at a distance, if the priests are nigh,
+ And sails around, and keeps it in her eye;
+ So kept the god the virgin choir in view,
+ And in slow winding circles round them flew.
+ As Lucifer excels the meanest star,
+_20
+ Or as the full-orbed Phoebe, Lucifer,
+ So much did Herse all the rest outvie,
+ And gave a grace to the solemnity.
+ Hermes was fired, as in the clouds he hung:
+ So the cold bullet, that with fury slung
+ From Balearic engines mounts on high,
+ Glows in the whirl, and burns along the sky.
+ At length he pitched upon the ground, and showed
+ The form divine, the features of a god.
+ He knew their virtue o'er a female heart,
+_30
+ And yet he strives to better them by art.
+ He hangs his mantle loose, and sets to show
+ The golden edging on the seam below;
+ Adjusts his flowing curls, and in his hand
+ Waves with an air the sleep-procuring wand;
+ The glittering sandals to his feet applies,
+ And to each heel the well-trimmed pinion ties.
+ His ornaments with nicest art displayed,
+ He seeks the apartment of the royal maid.
+ The roof was all with polished ivory lined,
+_40
+ That, richly mixed, in clouds of tortoise shined.
+ Three rooms, contiguous, in a range were placed,
+ The midmost by the beauteous Herse graced;
+ Her virgin sisters lodged on either side.
+ Aglauros first the approaching god descried,
+ And as he crossed her chamber, asked his name,
+ And what his business was, and whence he came.
+ 'I come,' replied the god, 'from heaven, to woo
+ Your sister, and to make an aunt of you;
+ I am the son and messenger of Jove,
+_50
+ My name is Mercury, my business, love;
+ Do you, kind damsel, take a lover's part,
+ And gain admittance to your sister's heart.'
+ She stared him in the face with looks amazed,
+ As when she on Minerva's secret gazed,
+ And asks a mighty treasure for her hire,
+ And, till he brings it, makes the god retire.
+ Minerva grieved to see the nymph succeed;
+ And now remembering the late impious deed,
+ When, disobedient to her strict command,
+_60
+ She touched the chest with an unhallowed hand;
+ In big-swoln sighs her inward rage expressed,
+ That heaved the rising Ægis on her breast;
+ Then sought out Envy in her dark abode,
+ Defiled with ropy gore and clots of blood:
+ Shut from the winds, and from the wholesome skies,
+ In a deep vale the gloomy dungeon lies,
+ Dismal and cold, where not a beam of light
+ Invades the winter, or disturbs the night.
+ Directly to the cave her course she steered;
+_70
+ Against the gates her martial lance she reared;
+ The gates flew open, and the fiend appeared.
+ A poisonous morsel in her teeth she chewed,
+ And gorged the flesh of vipers for her food.
+ Minerva loathing turned away her eye;
+ The hideous monster, rising heavily,
+ Came stalking forward with a sullen pace,
+ And left her mangled offals on the place.
+ Soon as she saw the goddess gay and bright,
+ She fetched a groan at such a cheerful sight.
+_80
+ Livid and meagre were her looks, her eye
+ In foul, distorted glances turned awry;
+ A hoard of gall her inward parts possessed,
+ And spread a greenness o'er her cankered breast;
+ Her teeth were brown with rust; and from her tongue,
+ In dangling drops, the stringy poison hung.
+ She never smiles but when the wretched weep,
+ Nor lulls her malice with a moment's sleep,
+ Restless in spite: while watchful to destroy,
+ She pines and sickens at another's joy;
+_90
+ Foe to herself, distressing and distressed,
+ She bears her own tormentor in her breast.
+ The goddess gave (for she abhorred her sight)
+ A short command: 'To Athens speed thy flight;
+ On cursed Aglauros try thy utmost art.
+ And fix thy rankest venoms in her heart.'
+ This said, her spear she pushed against the ground,
+ And mounting from it with an active bound,
+ Flew off to heaven: the hag with eyes askew
+ Looked up, and muttered curses as she flew;
+_100
+ For sore she fretted, and began to grieve
+ At the success which she herself must give.
+ Then takes her staff, hung round with wreaths of thorn,
+ And sails along, in a black whirlwind borne,
+ O'er fields and flowery meadows: where she steers
+ Her baneful course, a mighty blast appears,
+ Mildews and blights; the meadows are defaced,
+ The fields, the flowers, and the whole year laid waste;
+ On mortals next and peopled towns she falls,
+ And breathes a burning plague among their walls,
+_110
+ When Athens she beheld, for arts renowned,
+ With peace made happy, and with plenty crowned,
+ Scarce could the hideous fiend from tears forbear,
+ To find out nothing that deserved a tear.
+ The apartment now she entered, where at rest
+ Aglauros lay, with gentle sleep oppressed.
+ To execute Minerva's dire command,
+ She stroked the virgin with her cankered hand,
+ Then prickly thorns into her breast conveyed,
+ That stung to madness the devoted maid;
+_120
+ Her subtle venom still improves the smart,
+ Frets in the blood, and festers in the heart.
+ To make the work more sure, a scene she drew,
+ And placed before the dreaming virgin's view
+ Her sister's marriage, and her glorious fate:
+ The imaginary bride appears in state;
+ The bridegroom with unwonted beauty glows,
+ For Envy magnifies whate'er she shows.
+ Full of the dream, Aglauros pined away
+ In tears all night, in darkness all the day;
+_130
+ Consumed like ice, that just begins to run,
+ When feebly smitten by the distant sun;
+ Or like unwholesome weeds, that, set on fire,
+ Are slowly wasted, and in smoke expire.
+ Given up to Envy, (for in every thought,
+ The thorns, the venom, and the vision wrought).
+ Oft did she call on death, as oft decreed,
+ Rather than see her sister's wish succeed,
+ To tell her awful father what had passed:
+ At length before the door herself she cast;
+_140
+ And, sitting on the ground with sullen pride,
+ A passage to the love-sick god denied.
+ The god caressed, and for admission prayed,
+ And soothed, in softest words, the envenomed maid.
+ In vain he soothed; 'Begone!' the maid replies,
+ 'Or here I keep my seat, and never rise.'
+ 'Then keep thy seat for ever!' cries the god,
+ And touched the door, wide-opening to his rod.
+ Fain would she rise, and stop him, but she found
+ Her trunk too heavy to forsake the ground;
+_150
+ Her joints are all benumbed, her hands are pale,
+ And marble now appears in every nail.
+ As when a cancer in her body feeds,
+ And gradual death from limb to limb proceeds;
+ So does the dullness to each vital part
+ Spread by degrees, and creeps into her heart;
+ Till, hardening everywhere, and speechless grown,
+ She sits unmoved, and freezes to a stone.
+ But still her envious hue and sullen mien
+ Are in the sedentary figure seen.
+_160
+
+
+ EUROPA'S RAPE.
+
+ When now the god his fury had allayed,
+ And taken vengeance of the stubborn maid,
+ From where the bright Athenian turrets rise
+ He mounts aloft, and reascends the skies.
+ Jove saw him enter the sublime abodes,
+ And, as he mixed among the crowd of gods,
+ Beckoned him out, and drew him from the rest,
+ And in soft whispers thus his will expressed.
+ 'My trusty Hermes, by whose ready aid
+ Thy sire's commands are through the world conveyed,
+_10
+ Resume thy wings, exert their utmost force,
+ And to the walls of Sidon speed they course;
+ There find a herd of heifers wandering o'er
+ The neighbouring hill, and drive them to the shore.'
+ Thus spoke the god, concealing his intent.
+ The trusty Hermes on his message went,
+ And found the herd of heifers wandering o'er
+ A neighbouring hill, and drove them to the shore;
+ Where the king's daughter, with a lovely train
+ Of fellow-nymphs, was sporting on the plain.
+_20
+ The dignity of empire laid aside,
+ (For love but ill agrees with kingly pride,)
+ The ruler of the skies, the thundering god,
+ Who shakes the world's foundations with a nod,
+ Among a herd of lowing heifers ran,
+ Frisked in a bull, and bellowed o'er the plain.
+ Large rolls of fat about his shoulders clung,
+ And from his neck the double dewlap hung.
+ His skin was whiter than the snow that lies
+ Unsullied by the breath of southern skies;
+_30
+ Small shining horns on his curled forehead stand,
+ As turned and polished by the workman's hand;
+ His eye-balls rolled, not formidably bright,
+ But gazed and languished with a gentle light.
+ His every look was peaceful, and expressed
+ The softness of the lover in the beast.
+ Agenor's royal daughter, as she played
+ Among the fields, the milk-white bull surveyed,
+ And viewed his spotless body with delight,
+ And at a distance kept him in her sight.
+_40
+ At length she plucked the rising flowers, and fed
+ The gentle beast, and fondly stroked his head.
+ He stood well pleased to touch the charming fair,
+ But hardly could confine his pleasure there.
+ And now he wantons o'er the neighbouring strand,
+ Now rolls his body on the yellow sand;
+ And now, perceiving all her fears decayed,
+ Comes tossing forward to the royal maid;
+ Gives her his breast to stroke, and downward turns
+ His grisly brow, and gently stoops his horns.
+_50
+ In flowery wreaths the royal virgin dressed
+ His bending horns, and kindly clapped his breast.
+ Till now grown wanton, and devoid of fear,
+ Not knowing that she pressed the Thunderer,
+ She placed herself upon his back, and rode
+ O'er fields and meadows, seated on the god.
+ He gently marched along, and by degrees
+ Left the dry meadow, and approached the seas;
+ Where now he dips his hoofs and wets his thighs,
+ Now plunges in, and carries off the prize.
+_60
+ The frighted nymph looks backward on the shore,
+ And hears the tumbling billows round her roar;
+ But still she holds him fast: one hand is borne
+ Upon his back, the other grasps a horn:
+ Her train of ruffling garments flies behind,
+ Swells in the air and hovers in the wind.
+ Through storms and tempests he the virgin bore,
+ And lands her safe on the Dictean shore;
+ Where now, in his divinest form arrayed,
+ In his true shape he captivates the maid;
+_70
+ Who gazes on him, and with wondering eyes
+ Beholds the new majestic figure rise,
+ His glowing features, and celestial light,
+ And all the god discovered to her sight.
+
+
+BOOK III.
+
+THE STORY OF CADMUS.
+
+ When now Agenor had his daughter lost,
+ He sent his son to search on every coast;
+ And sternly bid him to his arms restore
+ The darling maid, or see his face no more,
+ But live an exile in a foreign clime:
+ Thus was the father pious to a crime.
+ The restless youth searched all the world around;
+ But how can Jove in his amours be found?
+ When tired at length with unsuccessful toil,
+ To shun his angry sire and native soil,
+_10
+ He goes a suppliant to the Delphic dome;
+ There asks the god what new-appointed home
+ Should end his wanderings and his toils relieve.
+ The Delphic oracles this answer give:
+ 'Behold among the fields a lonely cow,
+ Unworn with yokes, unbroken to the plough;
+ Mark well the place where first she lays her down,
+ There measure out thy walls, and build thy town,
+ And from thy guide, Boetia call the land,
+ In which the destined walls and town shall stand.'
+_20
+ No sooner had he left the dark abode,
+ Big with the promise of the Delphic god,
+ When in the fields the fatal cow he viewed,
+ Nor galled with yokes, nor worn with servitude:
+ Her gently at a distance he pursued;
+ And, as he walked aloof, in silence prayed
+ To the great power whose counsels he obeyed.
+ Her way through flowery Panope she took,
+ And now, Cephisus, crossed thy silver brook;
+ When to the heavens her spacious front she raised,
+_30
+ And bellowed thrice, then backward turning, gazed
+ On those behind, till on the destined place
+ She stooped, and couched amid the rising grass.
+ Cadmus salutes the soil, and gladly hails
+ The new-found mountains, and the nameless vales,
+ And thanks the gods, and turns about his eye
+ To see his new dominions round him lie;
+ Then sends his servants to a neighbouring grove
+ For living streams, a sacrifice to Jove.
+ O'er the wide plain there rose a shady wood
+_40
+ Of aged trees; in its dark bosom stood
+ A bushy thicket, pathless and unworn,
+ O'errun with brambles, and perplexed with thorn:
+ Amidst the brake a hollow den was found,
+ With rocks and shelving arches vaulted round.
+ Deep in the dreary den, concealed from day,
+ Sacred to Mars, a mighty dragon lay,
+ Bloated with poison to a monstrous size;
+ Fire broke in flashes when he glanced his eyes;
+ His towering crest was glorious to behold,
+_50
+ His shoulders and his sides were scaled with gold;
+ Three tongues he brandished when he charged his foes;
+ His teeth stood jagy in three dreadful rows.
+ The Tyrians in the den for water sought,
+ And with their urns explored the hollow vault:
+ From side to side their empty urns rebound,
+ And rouse the sleepy serpent with the sound.
+ Straight he bestirs him, and is seen to rise;
+ And now with dreadful hissings fills the skies,
+ And darts his forky tongues, and rolls his glaring eyes.
+_60
+ The Tyrians drop their vessels in their fright,
+ All pale and trembling at the hideous sight
+ Spire above spire upreared in air he stood,
+ And gazing round him, overlooked the wood:
+ Then floating on the ground, in circles rolled;
+ Then leaped upon them in a mighty fold.
+ Of such a bulk, and such a monstrous size,
+ The serpent in the polar circle lies,
+ That stretches over half the northern skies.
+ In vain the Tyrians on their arms rely,
+_70
+ In vain attempt to fight, in vain to fly:
+ All their endeavours and their hopes are vain;
+ Some die entangled in the winding train;
+ Some are devoured; or feel a loathsome death,
+ Swoln up with blasts of pestilential breath.
+ And now the scorching sun was mounted high,
+ In all its lustre, to the noonday sky;
+ When, anxious for his friends, and filled with cares,
+ To search the woods the impatient chief prepares.
+ A lion's hide around his loins he wore,
+_80
+ The well-poised javelin to the field he bore,
+ Inured to blood, the far-destroying dart,
+ And, the best weapon, an undaunted heart.
+ Soon as the youth approached the fatal place,
+ He saw his servants breathless on the grass;
+ The scaly foe amid their corps he viewed,
+ Basking at ease, and feasting in their blood,
+ 'Such friends,' he cries, 'deserved a longer date;
+ But Cadmus will revenge, or share their fate.'
+ Then heaved a stone, and rising to the throw
+_90
+ He sent it in a whirlwind at the foe:
+ A tower, assaulted by so rude a stroke,
+ With all its lofty battlements had shook;
+ But nothing here the unwieldy rock avails,
+ Rebounding harmless from the plaited scales,
+ That, firmly joined, preserved him from a wound,
+ With native armour crusted all around. 97
+ The pointed javelin more successful flew,
+ Which at his back the raging warrior threw;
+ Amid the plaited scales it took its course,
+_100
+ And in the spinal marrow spent its force.
+ The monster hissed aloud, and raged in vain,
+ And writhed his body to and fro with pain;
+ And bit the spear, and wrenched the wood away;
+ The point still buried in the marrow lay.
+ And now his rage, increasing with his pain,
+ Reddens his eyes, and beats in every vein;
+ Churned in his teeth the foamy venom rose,
+ Whilst from his mouth a blast of vapours flows,
+ Such as the infernal Stygian waters cast;
+_110
+ The plants around him wither in the blast.
+ Now in a maze of rings he lies enrolled,
+ Now all unravelled, and without a fold;
+ Now, like a torrent, with a mighty force,
+ Bears down the forest in his boisterous course.
+ Cadmus gave back, and on the lion's spoil
+ Sustained the shock, then forced him to recoil;
+ The pointed javelin warded off his rage:
+ Mad with his pains, and furious to engage,
+ The serpent champs the steel, and bites the spear,
+_120
+ Till blood and venom all the point besmear.
+ But still the hurt he yet received was slight;
+ For, whilst the champion with redoubled might
+ Strikes home the javelin, his retiring foe
+ Shrinks from the wound, and disappoints the blow.
+ The dauntless hero still pursues his stroke,
+ And presses forward, till a knotty oak
+ Retards his foe, and stops him in the rear;
+ Full in his throat he plunged the fatal spear,
+ That in the extended neck a passage found,
+_130
+ And pierced the solid timber through the wound.
+ Fixed to the reeling trunk, with many a stroke
+ Of his huge tail, he lashed the sturdy oak;
+ Till spent with toil, and labouring hard for breath,
+ He now lay twisting in the pangs of death.
+ Cadmus beheld him wallow in a flood
+ Of swimming poison, intermixed with blood;
+ When suddenly a speech was heard from high,
+ (The speech was heard, nor was the speaker nigh,)
+ 'Why dost thou thus with secret pleasure see,
+_140
+ Insulting man! what thou thyself shalt be?'
+ Astonished at the voice, he stood amazed,
+ And all around with inward horror gazed:
+ When Pallas, swift descending from the skies,
+ Pallas, the guardian of the bold and wise,
+ Bids him plough up the field, and scatter round
+ The dragon's teeth o'er all the furrowed ground;
+ Then tells the youth how to his wondering eyes
+ Embattled armies from the field should rise.
+ He sows the teeth at Pallas's command,
+_150
+ And flings the future people from his hand.
+ The clods grow warm, and crumble where he sows;
+ And now the pointed spears advance in rows;
+ Now nodding plumes appear, and shining crests,
+ Now the broad shoulders and the rising breasts:
+ O'er all the field the breathing harvest swarms,
+ A growing host, a crop of men and arms.
+ So through the parting stage a figure rears
+ Its body up, and limb by limb appears
+ By just degrees; till all the man arise,
+_160
+ And in his full proportion strikes the eyes.
+ Cadmus surprised, and startled at the sight
+ Of his new foes, prepared himself for fight:
+ When one cried out, 'Forbear, fond man, forbear
+ To mingle in a blind, promiscuous war.'
+ This said, he struck his brother to the ground,
+ Himself expiring by another's wound;
+ Nor did the third his conquest long survive,
+ Dying ere scarce he had begun to live.
+ The dire example ran through all the field,
+_170
+ Till heaps of brothers were by brothers killed;
+ The furrows swam in blood: and only five
+ Of all the vast increase were left alive.
+ Echion one, at Pallas's command,
+ Let fall the guiltless weapon from his hand;
+ And with the rest a peaceful treaty makes,
+ Whom Cadmus as his friends and partners takes:
+ So founds a city on the promised earth,
+ And gives his new Boeotian empire birth.
+ Here Cadmus reigned; and now one would have guessed
+_180
+ The royal founder in his exile blessed:
+ Long did he live within his new abodes,
+ Allied by marriage to the deathless gods;
+ And, in a fruitful wife's embraces old,
+ A long increase of children's children told:
+ But no frail man, however great or high,
+ Can be concluded blessed before he die.
+ Actæon was the first of all his race,
+ Who grieved his grandsire in his borrowed face;
+ Condemned by stern Diana to bemoan
+_190
+ The branching horns, and visage not his own;
+ To shun his once-loved dogs, to bound away,
+ And from their huntsman to become their prey.
+ And yet consider why the change was wrought,
+ You'll find it his misfortune, not his fault;
+ Or if a fault, it was the fault of chance:
+ For how can guilt proceed from ignorance?
+
+
+ THE TRANSFORMATION OF ACTÆON INTO A STAG.
+
+ In a fair chase a shady mountain stood,
+ Well stored with game, and marked with trails of blood.
+ Here did the huntsmen till the heat of day
+ Pursue the stag, and load themselves with prey;
+ When thus Actæon calling to the rest:
+ 'My friends,' says he, 'our sport is at the best.
+ The sun is high advanced, and downward sheds
+ His burning beams directly on our heads;
+ Then by consent abstain from further spoils,
+ Call off the dogs, and gather up the toils;
+_10
+ And ere to-morrow's sun begins his race,
+ Take the cool morning to renew the chase.'
+ They all consent, and in a cheerful train
+ The jolly huntsmen, loaden with the slain,
+ Return in triumph from the sultry plain.
+ Down in a vale with pine and cypress clad,
+ Refreshed with gentle winds, and brown with shade,
+ The chaste Diana's private haunt, there stood
+ Full in the centre of the darksome wood
+ A spacious grotto, all around o'ergrown
+_20
+ With hoary moss, and arched with pumice-stone.
+ From out its rocky clefts the waters flow,
+ And trickling swell into a lake below.
+ Nature had everywhere so played her part,
+ That everywhere she seemed to vie with art.
+ Here the bright goddess, toiled and chafed with heat,
+ Was wont to bathe her in the cool retreat.
+ Here did she now with all her train resort,
+ Panting with heat, and breathless from the sport;
+ Her armour-bearer laid her bow aside,
+_30
+ Some loosed her sandals, some her veil untied;
+ Each busy nymph her proper part undressed;
+ While Crocale, more handy than the rest,
+ Gathered her flowing hair, and in a noose
+ Bound it together, whilst her own hung loose.
+ Five of the more ignoble sort by turns
+ Fetch up the water, and unlade their urns.
+ Now all undressed the shining goddess stood,
+ When young Actæon, wildered in the wood,
+ To the cool grot by his hard fate betrayed,
+_40
+ The fountains filled with naked nymphs surveyed.
+ The frighted virgins shrieked at the surprise,
+ (The forest echoed with their piercing cries,)
+ Then in a huddle round their goddess pressed:
+ She, proudly eminent above the rest,
+ With blushes glowed; such blushes as adorn
+ The ruddy welkin, or the purple morn;
+ And though the crowding nymphs her body hide,
+ Half backward shrunk, and viewed him from aside.
+ Surprised, at first she would have snatched her bow,
+_50
+ But sees the circling waters round her flow;
+ These in the hollow of her hand she took,
+ And dashed them in his face, while thus she spoke:
+ 'Tell if thou canst the wondrous sight disclosed,
+ A goddess naked to thy view exposed.'
+ This said, the man began to disappear
+ By slow degrees, and ended in a deer.
+ A rising horn on either brow he wears,
+ And stretches out his neck, and pricks his ears;
+ Rough is his skin, with sudden hairs o'ergrown,
+_60
+ His bosom pants with fears before unknown.
+ Transformed at length, he flies away in haste,
+ And wonders why he flies away so fast.
+ But as by chance, within a neighbouring brook,
+ He saw his branching horns and altered look,
+ Wretched Actæon! in a doleful tone
+ He tried to speak, but only gave a groan;
+ And as he wept, within the watery glass
+ He saw the big round drops, with silent pace,
+ Run trickling down a savage hairy face.
+_70
+ What should he do? Or seek his old abodes,
+ Or herd among the deer, and skulk in woods?
+ Here shame dissuades him, there his fear prevails,
+ And each by turns his aching heart assails.
+ As he thus ponders, he behind him spies
+ His opening hounds, and now he hears their cries:
+ A generous pack, or to maintain the chase,
+ Or snuff the vapour from the scented grass.
+ He bounded off with fear, and swiftly ran
+ O'er craggy mountains, and the flowery plain;
+_80
+ Through brakes and thickets forced his way, and flew
+ Through many a ring, where once he did pursue.
+ In vain he oft endeavoured to proclaim
+ His new misfortune, and to tell his name;
+ Nor voice nor words the brutal tongue supplies;
+ From shouting men, and horns, and dogs he flies,
+ Deafened and stunned with their promiscuous cries.
+ When now the fleetest of the pack, that pressed
+ Close at his heels, and sprung before the rest,
+ Had fastened on him, straight another pair
+_90
+ Hung on his wounded haunch, and held him there,
+ Till all the pack came up, and every hound
+ Tore the sad huntsman, grovelling on the ground,
+ Who now appeared but one continued wound.
+ With dropping tears his bitter fate he moans,
+ And fills the mountain with his dying groans.
+ His servants with a piteous look he spies,
+ And turns about his supplicating eyes.
+ His servants, ignorant of what had chanced,
+ With eager haste and joyful shouts advanced,
+_100
+ And called their lord Actæon to the game:
+ He shook his head in answer to the name;
+ He heard, but wished he had indeed been gone,
+ Or only to have stood a looker-on.
+ But, to his grief, he finds himself too near,
+ And feels his ravenous dogs with fury tear
+ Their wretched master, panting in a deer.
+
+
+THE BIRTH OF BACCHUS.
+
+ Actæon's sufferings, and Diana's rage,
+ Did all the thoughts of men and gods engage;
+ Some called the evils which Diana wrought,
+ Too great, and disproportioned to the fault:
+ Others, again, esteemed Actæon's woes
+ Fit for a virgin goddess to impose.
+ The hearers into different parts divide,
+ And reasons are produced on either side.
+ Juno alone, of all that heard the news,
+ Nor would condemn the goddess, nor excuse:
+_10
+ She heeded not the justice of the deed,
+ But joyed to see the race of Cadmus bleed;
+ For still she kept Europa in her mind,
+ And, for her sake, detested all her kind.
+ Besides, to aggravate her hate, she heard
+ How Semele, to Jove's embrace preferred,
+ Was now grown big with an immortal load,
+ And carried in her womb a future god.
+ Thus terribly incensed, the goddess broke
+ To sudden fury, and abruptly spoke.
+_20
+ 'Are my reproaches of so small a force?
+ 'Tis time I then pursue another course:
+ It is decreed the guilty wretch shall die,
+ If I'm indeed the mistress of the sky;
+ If rightly styled among the powers above
+ The wife and sister of the thundering Jove,
+ (And none can sure a sister's right deny,)
+ It is decreed the guilty wretch shall die.
+ She boasts an honour I can hardly claim;
+ Pregnant, she rises to a mother's name;
+_30
+ While proud and vain she triumphs in her Jove,
+ And shows the glorious tokens of his love:
+ But if I'm still the mistress of the skies,
+ By her own lover the fond beauty dies.'
+ This said, descending in a yellow cloud,
+ Before the gates of Semele she stood.
+ Old Beroe's decrepit shape she wears,
+ Her wrinkled visage, and her hoary hairs;
+ Whilst in her trembling gait she totters on,
+ And learns to tattle in the nurse's tone.
+_40
+ The goddess, thus disguised in age, beguiled
+ With pleasing stories her false foster-child.
+ Much did she talk of love, and when she came
+ To mention to the nymph her lover's name,
+ Fetching a sigh, and holding down her head,
+ ''Tis well,' says she, 'if all be true that's said;
+ But trust me, child, I'm much inclined to fear
+ Some counterfeit in this your Jupiter.
+ Many an honest, well-designing maid,
+ Has been by these pretended gods betrayed.
+_50
+ But if he be indeed the thundering Jove,
+ Bid him, when next he courts the rites of love,
+ Descend, triumphant from the ethereal sky,
+ In all the pomp of his divinity;
+ Encompassed round by those celestial charms,
+ With which he fills the immortal Juno's arms.'
+ The unwary nymph, insnared with what she said,
+ Desired of Jove, when next he sought her bed,
+ To grant a certain gift which she would choose;
+ 'Fear not,' replied the god, 'that I'll refuse
+_60
+ Whate'er you ask: may Styx confirm my voice,
+ Choose what you will, and you shall have your choice.'
+ 'Then,' says the nymph, 'when next you seek my arms,
+ May you descend in those celestial charms,
+ With which your Juno's bosom you inflame,
+ And fill with transport heaven's immortal dame.'
+ The god surprised, would fain have stopped her voice:
+ But he had swrorn, and she had made her choice.
+ To keep his promise he ascends, and shrouds
+ His awful brow in whirlwinds and in clouds;
+_70
+ Whilst all around, in terrible array,
+ His thunders rattle, and his lightnings play.
+ And yet, the dazzling lustre to abate,
+ He set not out in all his pomp and state,
+ Clad in the mildest lightning of the skies,
+ And armed with thunder of the smallest size:
+ Not those huge bolts, by which the giants slain,
+ Lay overthrown on the Phlegræan plain.
+ Twas of a lesser mould, and lighter weight;
+ They call it thunder of a second-rate.
+_80
+ For the rough Cyclops, who by Jove's command
+ Tempered the bolt, and turned it to his hand,
+ Worked up less flame and fury in its make,
+ And quenched it sooner in the standing lake.
+ Thus dreadfully adorned, with horror bright,
+ The illustrious god, descending from his height,
+ Came rushing on her in a storm of light.
+ The mortal dame, too feeble to engage
+ The lightning's flashes and the thunder's rage,
+ Consumed amidst the glories she desired,
+_90
+ And in the terrible embrace expired.
+ But, to preserve his offspring from the tomb,
+ Jove took him smoking from the blasted womb;
+ And, if on ancient tales we may rely,
+ Enclosed the abortive infant in his thigh.
+ Here, when the babe had all his time fulfilled,
+ Ino first took him for her foster-child;
+ Then the Niseans, in their dark abode,
+ Nursed secretly with milk the thriving god.
+
+
+THE TRANSFORMATION OF TIRESIAS.
+
+ 'Twas now, while these transactions passed on earth,
+ And Bacchus thus procured a second birth,
+ When Jove, disposed to lay aside the weight
+ Of public empire and the cares of state,
+ As to his queen in nectar bowls he quaffed,
+ 'In troth,' says he, and as he spoke he laughed,
+ 'The sense of pleasure in the male is far
+ More dull and dead than what you females share.'
+ Juno the truth of what was said denied;
+ Tiresias therefore must the cause decide;
+_10
+ For he the pleasure of each sex had tried.
+ It happened once, within a shady wood,
+ Two twisted snakes he in conjunction viewed;
+ When with his staff their slimy folds he broke,
+ And lost his manhood at the fatal stroke.
+ But, after seven revolving years, he viewed
+ The self-same serpents in the self-same wood;
+ 'And if,' says he, 'such virtue in you lie,
+ That he who dares your slimy folds untie
+ Must change his kind, a second stroke I'll try.'
+_20
+ Again he struck the snakes, and stood again
+ New-sexed, and straight recovered into man.
+ Him therefore both the deities create
+ The sovereign umpire in their grand debate;
+ And he declared for Jove; when Juno, fired
+ More than so trivial an affair required,
+ Deprived him, in her fury, of his sight,
+ And left him groping round in sudden night.
+ But Jove (for so it is in heaven decreed,
+ That no one god repeal another's deed)
+_30
+ Irradiates all his soul with inward light,
+ And with the prophet's art relieves the want of sight.
+
+
+THE TRANSFORMATION OF ECHO.
+
+ Famed far and near for knowing things to come,
+ From him the inquiring nations sought their doom;
+ The fair Liriope his answers tried,
+ And first the unerring prophet justified;
+ This nymph the god Cephisus had abused,
+ With all his winding waters circumfused,
+ And on the Nereid got a lovely boy,
+ Whom the soft maids even then beheld with joy.
+ The tender dame, solicitous to know
+ Whether her child should reach old age or no,
+_10
+ Consults the sage Tiresias, who replies,
+ 'If e'er he knows himself, he surely dies.'
+ Long lived the dubious mother in suspense,
+ Till time unriddled all the prophet's sense.
+ Narcissus now his sixteenth year began,
+ Just turned of boy, and on the verge of man;
+ Many a friend the blooming youth caressed,
+ Many a love-sick maid her flame confessed:
+ Such was his pride, in vain the friend caressed,
+ The love-sick maid in vain her flame confessed.
+_20
+ Once, in the woods, as he pursued the chase,
+ The babbling Echo had descried his face;
+ She, who in others' words her silence breaks,
+ Nor speaks herself but when another speaks.
+ Echo was then a maid, of speech bereft,
+ Of wonted speech; for though her voice was left,
+ Juno a curse did on her tongue impose,
+ To sport with every sentence in the close.
+ Full often, when the goddess might have caught
+ Jove and her rivals in the very fault,
+_30
+ This nymph with subtle stories would delay
+ Her coming, till the lovers slipped away.
+ The goddess found out the deceit in time,
+ And then she cried, 'That tongue, for this thy crime,
+ Which could so many subtle tales produce,
+ Shall be hereafter but of little use.'
+ Hence 'tis she prattles in a fainter tone,
+ With mimic sounds, and accents not her own.
+ This love-sick virgin, overjoyed to find
+ The boy alone, still followed him behind;
+_40
+ When, glowing warmly at her near approach,
+ As sulphur blazes at the taper's touch,
+ She longed her hidden passion to reveal,
+ And tell her pains, but had not words to tell:
+ She can't begin, but waits for the rebound,
+ To catch his voice, and to return the sound.
+ The nymph, when nothing could Narcissus move,
+ Still dashed with blushes for her slighted love,
+ Lived in the shady covert of the woods,
+ In solitary caves and dark abodes;
+_50
+ Where pining wandered the rejected fair,
+ Till harassed out, and worn away with care,
+ The sounding skeleton, of blood bereft,
+ Besides her bones and voice had nothing left.
+ Her bones are petrified, her voice is found
+ In vaults, where still it doubles every sound.
+
+
+THE STORY OF NARCISSUS.
+
+ Thus did the nymphs in vain caress the boy,
+ He still was lovely, but he still was coy;
+ When one fair virgin of the slighted train
+ Thus prayed the gods, provoked by his disdain,
+ 'Oh, may he love like me, and love like me in vain!'
+ Rhamnusia pitied the neglected fair,
+ And with just vengeance answered to her prayer.
+ There stands a fountain in a darksome wood,
+ Nor stained with falling leaves nor rising mud;
+ Untroubled by the breath of winds it rests,
+_10
+ Unsullied by the touch of men or beasts:
+ High bowers of shady trees above it grow,
+ And rising grass and cheerful greens below.
+ Pleased with the form and coolness of the place,
+ And over-heated by the morning chase,
+ Narcissus on the grassy verdure lies:
+ But whilst within the crystal fount he tries
+ To quench his heat, he feels new heats arise.
+ For as his own bright image he surveyed,
+ He fell in love with the fantastic shade;
+_20
+ And o'er the fair resemblance hung unmoved,
+ Nor knew, fond youth! it was himself he loved.
+ The well-turned neck and shoulders he descries,
+ The spacious forehead, and the sparkling eyes;
+ The hands that Bacchus might not scorn to show,
+ And hair that round Apollo's head might flow,
+ With all the purple youthfulness of face,
+ That gently blushes in the watery glass.
+ By his own flames consumed the lover lies,
+ And gives himself the wound by which he dies.
+_30
+ To the cold water oft he joins his lips,
+ Oft catching at the beauteous shade he dips
+ His arms, as often from himself he slips.
+ Nor knows he who it is his arms pursue
+ With eager clasps, but loves he knows not who.
+ What could, fond youth, this helpless passion move?
+ What kindle in thee this unpitied love?
+ Thy own warm blush within the water glows,
+ With thee the coloured shadow comes and goes,
+ Its empty being on thyself relies;
+_40
+ Step thou aside, and the frail charmer dies.
+ Still o'er the fountain's watery gleam he stood,
+ Mindless of sleep, and negligent of food;
+ Still viewed his face, and languished as he viewed.
+ At length he raised his head, and thus began
+ To vent his griefs, and tell the woods his pain.
+ 'You trees,' says he, 'and thou surrounding grove,
+ Who oft have been the kindly scenes of love,
+ Tell me, if e'er within your shades did lie
+ A youth so tortured, so perplexed as I?
+_50
+ I who before me see the charming fair,
+ Whilst there he stands, and yet he stands not there:
+ In such a maze of love my thoughts are lost;
+ And yet no bulwarked town, nor distant coast,
+ Preserves the beauteous youth from being seen,
+ No mountains rise, nor oceans flow between.
+ A shallow water hinders my embrace;
+ And yet the lovely mimic wears a face
+ That kindly smiles, and when I bend to join
+ My lips to his, he fondly bends to mine.
+_60
+ Hear, gentle youth, and pity my complaint,
+ Come from thy well, thou fair inhabitant.
+ My charms an easy conquest have obtained
+ O'er other hearts, by thee alone disdained.
+ But why should I despair? I'm sure he burns
+ With equal flames, and languishes by turns.
+ Whene'er I stoop he offers at a kiss,
+ And when my arms I stretch, he stretches his.
+ His eye with pleasure on my face he keeps,
+ He smiles my smiles, and when I weep he weeps.
+_70
+ Whene'er I speak, his moving lips appear
+ To utter something, which I cannot hear.
+ 'Ah wretched me! I now begin too late
+ To find out all the long-perplexed deceit;
+ It is myself I love, myself I see;
+ The gay delusion is a part of me.
+ I kindle up the fires by which I burn,
+ And my own beauties from the well return.
+ Whom should I court? how utter my complaint?
+ Enjoyment but produces my restraint,
+_80
+ And too much plenty makes me die for want.
+ How gladly would I from myself remove!
+ And at a distance set the thing I love.
+ My breast is warmed with such unusual fire,
+ I wish him absent whom I most desire.
+ And now I faint with grief; my fate draws nigh;
+ In all the pride of blooming youth I die.
+ Death will the sorrows of my heart relieve.
+ Oh, might the visionary youth survive,
+ I should with joy my latest breath resign!
+_90
+ But oh! I see his fate involved in mine.'
+ This said, the weeping youth again returned
+ To the clear fountain, where again he burned;
+ His tears defaced the surface of the well
+ With circle after circle, as they fell:
+ And now the lovely face but half appears,
+ O'errun with wrinkles, and deformed with tears.
+ 'All whither,' cries Narcissus, 'dost thou fly?
+ Let me still feed the flame by which I die;
+ Let me still see, though I'm no further blessed.'
+_100
+ Then rends his garment off, and beats his breast:
+ His naked bosom reddened with the blow,
+ In such a blush as purple clusters show,
+ Ere yet the sun's autumnal heats refine
+ Their sprightly juice, and mellow it to wine.
+ The glowing beauties of his breast he spies,
+ And with a new redoubled passion dies.
+ As wax dissolves, as ice begins to run,
+ And trickle into drops before the sun;
+ So melts the youth, and languishes away,
+_110
+ His beauty withers, and his limbs decay;
+ And none of those attractive charms remain,
+ To which the slighted Echo sued in vain.
+ She saw him in his present misery,
+ Whom, spite of all her wrongs, she grieved to see.
+ She answered sadly to the lover's moan,
+ Sighed back his sighs, and groaned to every groan:
+ 'Ah youth! beloved in vain,' Narcissus cries;
+ 'Ah youth! beloved in vain,' the nymph replies.
+ 'Farewell,' says he; the parting sound scarce fell
+_120
+ From his faint lips, but she replied, 'Farewell.'
+ Then on the unwholesome earth he gasping lies,
+ Till death shuts up those self-admiring eyes.
+ To the cold shades his flitting ghost retires,
+ And in the Stygian waves itself admires.
+ For him the Naiads and the Dryads mourn,
+ Whom the sad Echo answers in her turn;
+ And now the sister-nymphs prepare his urn:
+ When, looking for his corpse, they only found
+ A rising stalk, with yellow blossoms crowned.
+_130
+
+
+THE STORY OF PENTHEUS.
+
+ This sad event gave blind Tiresias fame,
+ Through Greece established in a prophet's name.
+ The unhallowed Pentheus only durst deride
+ The cheated people, and their eyeless guide,
+ To whom the prophet in his fury said,
+ Shaking the hoary honours of his head;
+ 'Twere well, presumptuous man, 'twere well for thee
+ If thou wert eyeless too, and blind, like me:
+ For the time comes, nay, 'tis already here,
+ When the young god's solemnities appear;
+_10
+ Which, if thou dost not with just rites adorn,
+ Thy impious carcase, into pieces torn,
+ Shall strew the woods, and hang on every thorn.
+ Then, then, remember what I now foretell,
+ And own the blind Tiresias saw too well.'
+ Still Pentheus scorns him, and derides his skill,
+ But time did all the promised threats fulfil.
+ For now through prostrate Greece young Bacchus rode,
+ Whilst howling matrons celebrate the god.
+ All ranks and sexes to his orgies ran,
+_20
+ To mingle in the pomps, and fill the train.
+ When Pentheus thus his wicked rage express'd;
+ 'What madness, Thebans, has your soul possess'd?
+ Can hollow timbrels, can a drunken shout,
+ And the lewd clamours of a beastly rout,
+ Thus quell your courage? can the weak alarm
+ Of women's yells those stubborn souls disarm,
+ Whom nor the sword nor trumpet e'er could fright,
+ Nor the loud din and horror of a fight?
+ And you, our sires, who left your old abodes,
+_30
+ And fixed in foreign earth your country gods;
+ Will you without a stroke your city yield,
+ And poorly quit an undisputed field?
+ But you, whose youth and vigour should inspire
+ Heroic warmth, and kindle martial fire,
+ Whom burnished arms and crested helmets grace,
+ Not flowery garlands and a painted face;
+ Remember him to whom you stand allied:
+ The serpent for his well of waters died.
+ He fought the strong; do you his courage show,
+_40
+ And gain a conquest o'er a feeble foe.
+ If Thebes must fall, oh might the Fates afford
+ A nobler doom from famine, fire, or sword!
+ Then might the Thebans perish with renown:
+ But now a beardless victor sacks the town;
+ Whom nor the prancing steed, nor ponderous shield,
+ Nor the hacked helmet, nor the dusty field,
+ But the soft joys of luxury and ease,
+ The purple vests, and flowery garlands, please.
+ Stand then aside, I'll make the counterfeit
+_50
+ Renounce his godhead, and confess the cheat.
+ Acrisius from the Grecian walls repelled
+ This boasted power; why then should Pentheus yield?
+ Go quickly, drag the audacious boy to me;
+ I'll try the force of his divinity.'
+ Thus did the audacious wretch those rites profane;
+ His friends dissuade the audacious wretch in vain;
+ In vain his grandsire urged him to give o'er
+ His impious threats; the wretch but raves the more.
+ So have I seen a river gently glide,
+_60
+ In a smooth course and inoffensive tide;
+ But if with dams its current we restrain,
+ It bears down all, and foams along the plain.
+ But now his servants came besmeared with blood,
+ Sent by their haughty prince to seize the god;
+ The god they found not in the frantic throng
+ But dragged a zealous votary along.
+
+
+THE MARINERS TRANSFORMED TO DOLPHINS.
+
+ Him Pentheus viewed with fury in his look,
+ And scarce withheld his hands, while thus he spoke:
+ 'Vile slave! whom speedy vengeance shall pursue,
+ And terrify thy base, seditious crew:
+ Thy country and thy parentage reveal,
+ And why thou join'st in these mad orgies tell.'
+ The captive views him with undaunted eyes,
+ And, armed with inward innocence, replies.
+ 'From high Meonia's rocky shores I came,
+ Of poor descent, Acætes is my name:
+_10
+ My sire was meanly born; no oxen ploughed
+ His fruitful fields, nor in his pastures lowed.
+ His whole estate within the waters lay;
+ With lines and hooks he caught the finny prey.
+ His art was all his livelihood; which he
+ Thus with his dying lips bequeathed to me:
+ In streams, my boy, and rivers, take thy chance;
+ There swims,' said he, 'thy whole inheritance.
+ 'Long did I live on this poor legacy;
+ Till tired with rocks, and my own native sky,
+_20
+ To arts of navigation I inclined,
+ Observed the turns and changes of the wind:
+ Learned the fit havens, and began to note
+ The stormy Hyades, the rainy Goat,
+ The bright Täygete, and the shining Bears,
+ With all the sailor's catalogue of stars.
+ 'Once, as by chance for Delos I designed,
+ My vessel, driven by a strong gust of wind,
+ Moored in a Chian creek; ashore I went,
+ And all the following night in Chios spent.
+_30
+ When morning rose, I sent my mates to bring
+ Supplies of water from a neighbouring spring,
+ Whilst I the motion of the winds explored;
+ Then summoned in my crew, and went aboard.
+ Opheltes heard my summons, and with joy
+ Brought to the shore a soft and lovely boy,
+ With more than female sweetness in his look,
+ Whom straggling in the neighbouring fields he took.
+ With fumes of wine the little captive glows,
+ And nods with sleep, and staggers as he goes.
+_40
+ 'I viewed him nicely, and began to trace
+ Each heavenly feature, each immortal grace,
+ And saw divinity in all his face.
+ "I know not who," said I, "this god should be;
+ But that he is a god I plainly see:
+ And thou, whoe'er thou art, excuse the force
+ These men have used; and, oh! befriend our course!"
+ "Pray not for us," the nimble Dictys cried,
+ Dictys, that could the main-top-mast bestride,
+ And down the ropes with active vigour slide.
+_50
+ To the same purpose old Epopeus spoke,
+ Who overlooked the oars, and timed the stroke;
+ The same the pilot, and the same the rest;
+ Such impious avarice their souls possessed.
+ "Nay, heaven forbid that I should bear away
+ Within my vessel so divine a prey,"
+ Said I; and stood to hinder their intent:
+ When Lycabas, a wretch for murder sent
+ From Tuscany, to suffer banishment,
+ With his clenched fist had struck me overboard,
+_60
+ Had not my hands, in falling, grasped a cord.
+ 'His base confederates the fact approve;
+ When Bacchus (for 'twas he) began to move,
+ Waked by the noise and clamours which they raised;
+ And shook his drowsy limbs, and round him gazed:
+ "What means this noise?" he cries; "am I betrayed?
+ All! whither, whither must I be conveyed?"
+ "Fear not," said Proreus, "child, but tell us where
+ You wish to land, and trust our friendly care."
+ "To Naxos then direct your course," said he;
+_70
+ "Naxos a hospitable port shall be
+ To each of you, a joyful home to me."
+ By every god that rules the sea or sky,
+ The perjured villains promise to comply,
+ And bid me hasten to unmoor the ship.
+ With eager joy I launch into the deep;
+ And, heedless of the fraud, for Naxos stand:
+ They whisper oft, and beckon with the hand,
+ And give me signs, all anxious for their prey,
+ To tack about, and steer another way.
+_80
+ "Then let some other to my post succeed,"
+ Said I, "I'm guiltless of so foul a deed."
+ "What," says Ethalion, "must the ship's whole crew
+ Follow your humour, and depend on you?"
+ And straight himself he seated at the prore,
+ And tacked about, and sought another shore.
+ 'The beauteous youth now found himself betrayed,
+ And from the deck the rising waves surveyed,
+ And seemed to weep, and as he wept he said;
+ "And do you thus my easy faith beguile?
+_90
+ Thus do you bear me to my native isle?
+ Will such a multitude of men employ
+ Their strength against a weak, defenceless boy?"
+ 'In vain did I the godlike youth deplore,
+ The more I begged, they thwarted me the more.
+ And now by all the gods in heaven that hear
+ This solemn oath, by Bacchus' self, I swear,
+ The mighty miracle that did ensue,
+ Although it seems beyond belief, is true.
+ The vessel, fixed and rooted in the flood,
+_100
+ Unmoved by all the beating billows stood.
+ In vain the mariners would plough the main
+ With sails unfurled, and strike their oars in vain;
+ Around their oars a twining ivy cleaves,
+ And climbs the mast and hides the cords in leaves:
+ The sails are covered with a cheerful green,
+ And berries in the fruitful canvas seen.
+ Amidst the waves a sudden forest rears
+ Its verdant head, and a new spring appears.
+ 'The god we now behold with open eyes;
+_110
+ A herd of spotted panthers round him lies
+ In glaring forms; the grapy clusters spread
+ On his fair brows, and dangle on his head.
+ And whilst he frowns, and brandishes his spear,
+ My mates, surprised with madness or with fear,
+ Leaped overboard; first perjured Madon found
+ Rough scales and fins his stiffening sides surround;
+ "Ah! what," cries one, "has thus transformed thy look?"
+ Straight his own mouth grew wider as he spoke;
+ And now himself he views with like surprise.
+_120
+ Still at his oar the industrious Libys plies;
+ But, as he plies, each busy arm shrinks in,
+ And by degrees is fashioned to a fin.
+ Another, as he catches at a cord,
+ Misses his arms, and, tumbling overboard,
+ With his broad fins and forky tail he laves
+ The rising surge, and flounces in the waves.
+ Thus all my crew transformed around the ship,
+ Or dive below, or on the surface leap,
+ And spout the waves, and wanton in the deep.
+_130
+ Full nineteen sailors did the ship convey,
+ A shoal of nineteen dolphins round her play.
+ I only in my proper shape appear,
+ Speechless with wonder, and half dead with fear,
+ Till Bacchus kindly bid me fear no more.
+ With him I landed on the Chian shore,
+ And him shall ever gratefully adore.'
+ 'This forging slave,' says Pentheus, 'would prevail
+ O'er our just fury by a far-fetched tale:
+ Go, let him feel the whips, the swords, the fire,
+_140
+ And in the tortures of the rack expire.'
+ The officious servants hurry him away,
+ And the poor captive in a dungeon lay.
+ But, whilst the whips and tortures are prepared.
+ The gates fly open, of themselves unbarred;
+ At liberty the unfettered captive stands,
+ And flings the loosened shackles from his hands.
+
+
+THE DEATH OF PENTHEUS.
+
+ But Penthcus, grown more furious than before,
+ Resolved to send his messengers no more,
+ But went himself to the distracted throng,
+ Where high Cithæron echoed with their song.
+ And as the fiery war-horse paws the ground,
+ And snorts and trembles at the trumpet's sound;
+ Transported thus he heard the frantic rout,
+ And raved and maddened at the distant shout.
+ A spacious circuit on the hill there stood,
+ Level and wide, and skirted round with wood;
+_10
+ Here the rash Pentheus, with unhallowed eyes,
+ The howling dames and mystic orgies spies.
+ His mother sternly viewed him where he stood,
+ And kindled into madness as she viewed:
+ Her leafy javelin at her son she cast,
+ And cries, 'The boar that lays our country waste!
+ The boar, my sisters! aim the fatal dart,
+ And strike the brindled monster to the heart.'
+ Pentheus astonished heard the dismal sound,
+ And sees the yelling matrons gathering round:
+_20
+ He sees, and weeps at his approaching fate,
+ And begs for mercy, and repents too late.
+ 'Help, help! my aunt Autonöe,' he cried;
+ 'Remember how your own Actæon died.'
+ Deaf to his cries, the frantic matron crops
+ One stretched-out arm, the other Ino lops.
+ In vain does Pentheus to his mother sue,
+ And the raw bleeding stumps presents to view:
+ His mother howled; and heedless of his prayer,
+ Her trembling hand she twisted in his hair,
+_30
+ 'And this,' she cried, 'shall be Agave's share,'
+ When from the neck his struggling head she tore,
+ And in her hands the ghastly visage bore,
+ With pleasure all the hideous trunk survey;
+ Then pulled and tore the mangled limbs away,
+ As starting in the pangs of death it lay.
+ Soon as the wood its leafy honours casts,
+ Blown off and scattered by autumnal blasts,
+ With such a sudden death lay Pentheus slain,
+ And in a thousand pieces strowed the plain.
+_40
+ By so distinguishing a judgment awed,
+ The Thebans tremble, and confess the god.
+
+
+BOOK IV.
+
+THE STORY OF SALMACIS AND HERMAPHRODITES.
+
+ How Salmacis, with weak enfeebling streams
+ Softens the body, and unnerves the limbs,
+ And what the secret cause, shall here be shown;
+ The cause is secret, but the effect is known.
+ The Naïads nursed an infant heretofore,
+ That Cytherea once to Hermes bore:
+ From both the illustrious authors of his race
+ The child was named; nor was it hard to trace
+ Both the bright parents through the infant's face.
+ When fifteen years, in Ida's cool retreat,
+_10
+ The boy had told, he left his native seat,
+ And sought fresh fountains in a foreign soil;
+ The pleasure lessened the attending toil.
+ With eager steps the Lycian fields he crossed,
+ And fields that border on the Lycian coast;
+ A river here he viewed so lovely bright,
+ It showed the bottom in a fairer light,
+ Nor kept a sand concealed from human sight.
+ The stream produced nor slimy ooze, nor weeds,
+ Nor miry rushes, nor the spiky reeds;
+_20
+ But dealt enriching moisture all around,
+ The fruitful banks with cheerful verdure crowned,
+ And kept the spring eternal on the ground.
+ A nymph presides, nor practised in the chase,
+ Nor skilful at the bow, nor at the race;
+ Of all the blue-eyed daughters of the main,
+ The only stranger to Diana's train:
+ Her sisters often, as 'tis said, would cry,
+ 'Fie, Salmacis, what always idle! fie,
+ Or take thy quiver, or thy arrows seize,
+_30
+ And mix the toils of hunting with thy ease.'
+ Nor quiver she nor arrows e'er would seize,
+ Nor mix the toils of hunting with her ease.
+ But oft would bathe her in the crystal tide,
+ Oft with a comb her dewy locks divide;
+ Now in the limpid streams she viewed her face,
+ And dressed her image in the floating glass:
+ On beds of leaves she now reposed her limbs,
+ Now gathered flowers that grew about her streams:
+ And then by chance was gathering, as she stood
+_40
+ To view the boy, and longed for what she viewed.
+ Fain would she meet the youth with hasty feet,
+ She fain would meet him, but refused to meet
+ Before her looks were set with nicest care,
+ And well deserved to be reputed fair.
+ 'Bright youth,' she cries, 'whom all thy features prove
+ A god, and, if a god, the god of love;
+ But if a mortal, bless'd thy nurse's breast,
+ Bless'd are thy parents, and thy sisters bless'd:
+ But, oh! how bless'd! how more than bless'd thy bride,
+_50
+ Allied in bliss, if any yet allied.
+ If so, let mine the stolen enjoyments be;
+ If not, behold a willing bride in me.'
+ The boy knew nought of love, and, touched with shame,
+ He strove, and blushed, but still the blush became:
+ In rising blushes still fresh beauties rose;
+ The sunny side of fruit such blushes shows,
+ And such the moon, when all her silver white
+ Turns in eclipses to a ruddy light.
+ The nymph still begs, if not a nobler bliss,
+_60
+ A cold salute at least, a sister's kiss:
+ And now prepares to take the lovely boy
+ Between her arms. He, innocently coy,
+ Replies, 'Or leave me to myself alone,
+ You rude, uncivil nymph, or I'll begone.'
+ 'Fair stranger then,' says she, 'it shall be so;'
+ And, for she feared his threats, she feigned to go;
+ But hid within a covert's neighbouring green,
+ She kept him still in sight, herself unseen.
+ The boy now fancies all the danger o'er,
+_70
+ And innocently sports about the shore,
+ Playful and wanton to the stream he trips,
+ And dips his foot, and shivers as he dips.
+ The coolness pleased him, and with eager haste
+ His airy garments on the banks he cast;
+ His godlike features, and his heavenly hue,
+ And all his beauties were exposed to view.
+ His naked limbs the nymph with rapture spies,
+ While hotter passions in her bosom rise,
+ Flush in her cheeks, and sparkle in her eyes.
+_80
+ She longs, she burns to clasp him in her arms,
+ And looks, and sighs, and kindles at his charms.
+ Now all undressed upon the banks he stood,
+ And clapped his sides and leaped into the flood:
+ His lovely limbs the silver waves divide,
+ His limbs appear more lovely through the tide;
+ As lilies shut within a crystal case,
+ Receive a glossy lustre from the glass.
+ 'He's mine, he's all my own,' the Naiad cries,
+ And flings off all, and after him she flies.
+_90
+ And now she fastens on him as he swims,
+ And holds him close, and wraps about his limbs.
+ The more the boy resisted, and was coy,
+ The more she clipped and kissed the struggling boy.
+ So when the wriggling snake is snatched on high
+ In eagle's claws, and hisses in the sky,
+ Around the foe his twirling tail he flings,
+ And twists her legs, and writhes about her wings.
+ The restless boy still obstinately strove
+ To free himself, and still refused her love.
+_100
+ Amidst his limbs she kept her limbs entwined,
+ 'And why, coy youth,' she cries, 'why thus unkind!
+ Oh may the gods thus keep us ever joined!
+ Oh may we never, never part again!'
+ So prayed the nymph, nor did she pray in vain:
+ For now she finds him, as his limbs she pressed,
+ Grow nearer still, and nearer to her breast;
+ Till, piercing each the other's flesh, they run
+ Together, and incorporate in one:
+ Last in one face are both their faces joined,
+_110
+ As when the stock and grafted twig combined
+ Shoot up the same, and wear a common rind:
+ Both bodies in a single body mix,
+ A single body with a double sex.
+ The boy, thus lost in woman, now surveyed
+ The river's guilty stream, and thus he prayed:
+ (He prayed, but wondered at his softer tone,
+ Surprised to hear a voice but half his own:)
+ You parent gods, whose heavenly names I bear,
+ Hear your Hermaphrodite, and grant my prayer;
+_120
+ Oh grant, that whomsoe'er these streams contain,
+ If man he entered, he may rise again
+ Supple, unsinewed, and but half a man!
+ The heavenly parents answered, from on high,
+ Their two-shaped son, the double votary;
+ Then gave a secret virtue to the flood,
+ And tinged its source to make his wishes good.
+
+
+
+TO HER ROYAL HIGHNESS THE PRINCESS OF WALES,[12]
+
+WITH THE TRAGEDY OF CATO, NOV. 1714.
+
+ The Muse that oft, with sacred raptures fired,
+ Has generous thoughts of liberty inspired,
+ And, boldly rising for Britannia's laws,
+ Engaged great Cato in her country's cause,
+ On you submissive waits, with hopes assured,
+ By whom the mighty blessing stands secured,
+ And all the glories that our age adorn,
+ Are promised to a people yet unborn.
+ No longer shall the widowed land bemoan
+ A broken lineage, and a doubtful throne;
+_10
+ But boast her royal progeny's increase,
+ And count the pledges of her future peace.
+ O, born to strengthen and to grace our isle!
+ While you, fair Princess, in your offspring smile,
+ Supplying charms to the succeeding age,
+ Each heavenly daughter's triumphs we presage;
+ Already see the illustrious youths complain,
+ And pity monarchs doomed to sigh in vain.
+ Thou too, the darling of our fond desires,
+ Whom Albion, opening wide her arms, requires,
+_20
+ With manly valour and attractive air
+ Shalt quell the fierce and captivate the fair.
+ O England's younger hope! in whom conspire
+ The mother's sweetness and the father's fire!
+ For thee perhaps, even now, of kingly race,
+ Some dawning beauty blooms in every grace,
+ Some Carolina, to heaven's dictates true,
+ Who, while the sceptred rivals vainly sue,
+ Thy inborn worth with conscious eyes shall see,
+ And slight the imperial diadem for thee.
+_30
+ Pleased with the prospect of successive reigns,
+ The tuneful tribe no more in daring strains
+ Shall vindicate, with pious fears oppressed,
+ Endangered rights, and liberty distressed:
+ To milder sounds each Muse shall tune the lyre,
+ And gratitude, and faith to kings inspire,
+ And filial love; bid impious discord cease,
+ And soothe the madding factions into peace;
+ Or rise ambitious in more lofty lays,
+ And teach the nation their new monarch's praise,
+_40
+ Describe his awful look and godlike mind,
+ And Cæsar's power with Cato's virtue joined.
+ Meanwhile, bright Princess, who, with graceful ease
+ And native majesty, are formed to please,
+ Behold those arts with a propitious eye,
+ That suppliant to their great protectress fly!
+ Then shall they triumph, and the British stage
+ Improve her manners and refine her rage,
+ More noble characters expose to view,
+ And draw her finished heroines from you.
+_50
+ Nor you the kind indulgence will refuse,
+ Skilled in the labours of the deathless Muse:
+ The deathless Muse with undiminished rays
+ Through distant times the lovely dame conveys:
+ To Gloriana[13] Waller's harp was strung;
+ The queen still shines, because the poet sung.
+ Even all those graces, in your frame combined,
+ The common fate of mortal charms may find,
+ (Content our short-lived praises to engage,
+ The joy and wonder of a single age,)
+_60
+ Unless some poet in a lasting song
+ To late posterity their fame prolong,
+ Instruct our sons the radiant form to prize.
+ And see your beauty with their fathers' eyes.
+
+
+
+TO SIR GODFREY KNELLER[14] ON HIS PICTURE OF THE KING.[15]
+
+ Kneller, with silence and surprise
+ We see Britannia's monarch rise,
+ A godlike form, by thee displayed
+ In all the force of light and shade;
+ And, awed by thy delusive hand,
+ As in the presence-chamber stand.
+ The magic of thy art calls forth
+ His secret soul and hidden worth,
+ His probity and mildness shows,
+ His care of friends and scorn of foes:
+_10
+ In every stroke, in every line,
+ Does some exalted virtue shine,
+ And Albion's happiness we trace
+ Through all the features of his face.
+ Oh may I live to hail the day,
+ When the glad nation shall survey
+ Their sovereign, through his wide command,
+ Passing in progress o'er the land!
+ Each heart shall bend, and every voice
+ In loud applauding shouts rejoice,
+_20
+ Whilst all his gracious aspect praise,
+ And crowds grow loyal as they gaze.
+ This image on the medal placed,
+ With its bright round of titles graced,
+ And stamped on British coins, shall live,
+ To richest ores the value give,
+ Or, wrought within the curious mould,
+ Shape and adorn the running gold.
+ To bear this form, the genial sun
+ Has daily, since his course begun,
+_30
+ Rejoiced the metal to refine,
+ And ripened the Peruvian mine.
+ Thou, Kneller, long with noble pride,
+ The foremost of thy art, hast vied
+ With nature in a generous strife,
+ And touched the canvas into life.
+ Thy pencil has, by monarchs sought,
+ From reign to reign in ermine wrought,
+ And, in their robes of state arrayed,
+ The kings of half an age displayed.
+_40
+ Here swarthy Charles appears, and there
+ His brother with dejected air:
+ Triumphant Nassau here we find,
+ And with him bright Maria joined;
+ There Anna, great as when she sent
+ Her armies through the continent,
+ Ere yet her hero was disgraced:
+ Oh may famed Brunswick be the last,
+ (Though heaven should with my wish agree,
+ And long preserve thy art in thee,)
+_50
+ The last, the happiest British king,
+ Whom thou shalt paint, or I shall sing!
+ Wise Phidias, thus his skill to prove,
+ Through many a god advanced to Jove,
+ And taught the polished rocks to shine
+ With airs and lineaments divine;
+ Till Greece, amazed, and half afraid,
+ The assembled deities surveyed.
+ Great Pan, who wont to chase the fair,
+ And loved the spreading oak, was there;
+_60
+ Old Saturn too, with up-cast eyes,
+ Beheld his abdicated skies;
+ And mighty Mars, for war renowned,
+ In adamantine armour frowned;
+ By him the childless goddess rose,
+ Minerva, studious to compose
+ Her twisted threads; the web she strung,
+ And o'er a loom of marble hung:
+ Thetis, the troubled ocean's queen.
+ Matched with a mortal, next was seen,
+_70
+ Reclining on a funeral urn,
+ Her short-lived darling son to mourn.
+ The last was he, whose thunder slew
+ The Titan race, a rebel crew,
+ That, from a hundred hills allied
+ In impious leagues, their king defied.
+ This wonder of the sculptor's hand
+ Produced, his art was at a stand:
+ For who would hope new fame to raise,
+ Or risk his well-established praise,
+_80
+ That, his high genius to approve,
+ Had drawn a GEORGE, or carved a Jove!
+
+
+
+THE PLAY-HOUSE.
+
+ Where gentle Thames through stately channels glides,
+ And England's proud metropolis divides;
+ A lofty fabric does the sight invade,
+ And stretches o'er the waves a pompous shade;
+ Whence sudden shouts the neighbourhood surprise,
+ And thundering claps and dreadful hissings rise.
+ Here thrifty R----[16] hires monarchs by the day,
+ And keeps his mercenary kings in pay;
+ With deep-mouth'd actors fills the vacant scenes,
+ And rakes the stews for goddesses and queens:
+_10
+ Here the lewd punk, with crowns and sceptres graced,
+ Teaches her eyes a more majestic cast;
+ And hungry monarchs with a numerous train
+ Of suppliant slaves, like Sancho, starve and reign.
+ But enter in, my Muse; the stage survey,
+ And all its pomp and pageantry display;
+ Trap-doors and pit-falls, form the unfaithful ground,
+ And magic walls encompass it around:
+ On either side maim'd temples fill our eyes,
+ And intermixed with brothel-houses rise;
+_20
+ Disjointed palaces in order stand,
+ And groves obedient to the mover's hand
+ O'ershade the stage, and flourish at command.
+ A stamp makes broken towns and trees entire:
+ So when Amphion struck the vocal lyre,
+ He saw the spacious circuit all around,
+ With crowding woods and rising cities crown'd.
+ But next the tiring-room survey, and see
+ False titles, and promiscuous quality,
+ Confus'dly swarm, from heroes and from queens,
+_30
+ To those that swing in clouds and fill machines.
+ Their various characters they choose with art,
+ The frowning bully fits the tyrant's part:
+ Swoln cheeks and swaggering belly make an host,
+ Pale, meagre looks and hollow voice a ghost;
+ From careful brows and heavy downcast eyes,
+ Dull cits and thick-skull'd aldermen arise:
+ The comic tone, inspir'd by Congreve, draws
+ At every word, loud laughter and applause:
+ The whining dame continues as before,
+_40
+ Her character unchanged, and acts a whore.
+ Above the rest, the prince with haughty stalks
+ Magnificent in purple buskins walks:
+ The royal robes his awful shoulders grace,
+ Profuse of spangles and of copper-lace:
+ Officious rascals to his mighty thigh,
+ Guiltless of blood, the unpointed weapon tie:
+ Then the gay glittering diadem put on,
+ Ponderous with brass, and starr'd with Bristol-stone.
+ His royal consort next consults her glass,
+_50
+ And out of twenty boxes culls a face;
+ The whitening first her ghastly looks besmears,
+ All pale and wan the unfinish'd form appears;
+ Till on her cheeks the blushing purple glows,
+ And a false virgin-modesty bestows.
+ Her ruddy lips the deep vermilion dyes;
+ Length to her brows the pencil's arts supplies,
+ And with black bending arches shades her eyes.
+ Well pleased at length the picture she beholds,
+ And spots it o'er with artificial molds;
+_60
+ Her countenance complete, the beaux she warms
+ With looks not hers: and, spite of nature, charms.
+ Thus artfully their persons they disguise,
+ Till the last flourish bids the curtain rise.
+ The prince then enters on the stage in state;
+ Behind, a guard of candle-snuffers wait:
+ There swoln with empire, terrible and fierce,
+ He shakes the dome, and tears his lungs with verse:
+ His subjects tremble; the submissive pit,
+ Wrapt up in silence and attention, sit;
+_70
+ Till, freed at length, he lays aside the weight
+ Of public business and affairs of state:
+ Forgets his pomp, dead to ambitious fires,
+ And to some peaceful brandy-shop retires;
+ Where in full gills his anxious thoughts he drowns,
+ And quaffs away the care that waits on crowns.
+ The princess next her painted charms displays,
+ Where every look the pencil's art betrays;
+ The callow squire at distance feeds his eyes,
+ And silently for paint and washes dies:
+_80
+ But if the youth behind the scenes retreat,
+ He sees the blended colours melt with heat,
+ And all the trickling beauty run in sweat.
+ The borrow'd visage he admires no more,
+ And nauseates every charm he loved before:
+ So the famed spear, for double force renown'd,
+ Applied the remedy that gave the wound.
+ In tedious lists 'twere endless to engage,
+ And draw at length the rabble of the stage,
+ Where one for twenty years has given alarms,
+_90
+ And call'd contending monarchs to their arms;
+ Another fills a more important post,
+ And rises every other night a ghost;
+ Through the cleft stage his mealy face he rears,
+ Then stalks along, groans thrice, and disappears;
+ Others, with swords and shields, the soldier's pride,
+ More than a thousand times have changed their side,
+ And in a thousand fatal battles died.
+ Thus several persons several parts perform;
+ Soft lovers whine, and blustering heroes storm.
+_100
+ The stern exasperated tyrants rage,
+ Till the kind bowl of poison clears the stage.
+ Then honours vanish, and distinctions cease;
+ Then, with reluctance, haughty queens undress.
+ Heroes no more their fading laurels boast,
+ And mighty kings in private men are lost.
+ He, whom such titles swell'd, such power made proud,
+ To whom whole realms and vanquish'd nations bow'd,
+ Throws off the gaudy plume, the purple train,
+ And in his own vile tatters stinks again.
+_110
+
+
+
+ON THE LADY MANCHESTER.
+
+WRITTEN ON THE TOASTING-GLASSES OF THE KIT-CAT CLUB.
+
+ While haughty Gallia's dames, that spread
+ O'er their pale cheeks an artful red,
+ Beheld this beauteous stranger there,
+ In native charms divinely fair;
+ Confusion in their looks they show'd;
+ And with unborrow'd blushes glow'd.
+
+
+
+AN ODE.
+
+ 1
+
+ The spacious firmament on high,
+ With all the blue ethereal sky,
+ And spangled Heavens, a shining frame,
+ Their great Original proclaim.
+ The unwearied Sun from day to day
+ Does his Creator's power display;
+ And publishes, to every land,
+ The work of an almighty hand.
+
+ 2
+
+ Soon as the evening shades prevail,
+ The Moon takes up the wondrous tale;
+ And nightly, to the listening Earth,
+ Repeats the story of her birth:
+ Whilst all the stars that round her burn,
+ And all the planets, in their turn,
+ Confirm the tidings as they roll,
+ And spread the truth from pole to pole.
+
+ 3
+
+ What though, in solemn silence, all
+ Move round the dark terrestrial ball;
+ What though no real voice, nor sound
+ Amidst their radiant orbs be found:
+ In reason's ear they all rejoice,
+ And utter forth a glorious voice;
+ For ever singing as they shine:
+ 'The hand that made us is divine.'
+
+
+
+AN HYMN.
+
+ 1
+ When all thy mercies, O my God,
+ My rising soul surveys;
+ Transported with the view, I'm lost
+ In wonder, love, and praise.
+
+ 2
+ O how shall words with equal warmth
+ The gratitude declare,
+ That glows within my ravish'd heart!
+ But thou canst read it there.
+
+ 3
+ Thy providence my life sustain'd,
+ And all my wants redress'd,
+ When in the silent womb I lay,
+ And hung upon the breast.
+
+ 4
+ To all my weak complaints and cries
+ Thy mercy lent an ear,
+ Ere yet my feeble thoughts had learnt
+ To form themselves in prayer.
+
+ 5
+ Unnumber'd comforts to my soul
+ Thy tender care bestow'd,
+ Before my infant heart conceiv'd
+ From whence these comforts flow'd.
+
+ 6
+ When in the slippery paths of youth
+ With heedless steps I ran,
+ Thine arm unseen convey'd me safe,
+ And led me up to man.
+
+ 7
+ Through hidden dangers, toils, and death,
+ It gently clear'd my way;
+ And through the pleasing snares of vice,
+ More to be fear'd than they.
+
+ 8
+ When worn with sickness, oft hast thou
+ With health renew'd my face;
+ And when in sins and sorrows sunk,
+ Reviv'd my soul with grace.
+
+ 9
+ Thy bounteous hand with worldly bliss
+ Has made my cup run o'er,
+ And in a kind and faithful friend
+ Has doubled all my store.
+
+ 10
+ Ten thousand thousand precious gifts
+ My daily thanks employ;
+ Nor is the least a cheerful heart,
+ That tastes those gifts with joy.
+
+ 11
+ Through every period of my life,
+ Thy goodness I'll pursue;
+ And after death, in distant worlds,
+ The glorious theme renew.[17]
+
+ 12
+ When nature fails, and day and night
+ Divide thy works no more,
+ My ever-grateful heart, O Lord,
+ Thy mercy shall adore.
+
+ 13
+ Through all eternity, to thee
+ A joyful song I'll raise;
+ For, oh! eternity's too short
+ To utter all thy praise.
+
+
+
+AN ODE.
+
+ 1
+ How are thy servants blest, O Lord!
+ How sure is their defence!
+ Eternal wisdom is their guide,
+ Their help Omnipotence.
+
+ 2
+ In foreign realms, and lands remote,
+ Supported by thy care,
+ Through burning climes I pass'd unhurt,
+ And breath'd in tainted air.
+
+ 3
+ Thy mercy sweeten'd every soil,
+ Made every region please;
+ The hoary Alpine hills it warm'd,
+ And smooth'd the Tyrrhene seas.
+
+ 4
+ Think, O my soul, devoutly think,
+ How, with affrighted eyes,
+ Thou saw'st the wide-extended deep
+ In all its horrors rise.
+
+ 5
+ Confusion dwelt in every face,
+ And fear in every heart;
+ When waves on waves, and gulphs on gulphs,
+ O'ercame the pilot's art.
+
+ 6
+ Yet then from all my griefs, O Lord,
+ Thy mercy set me free;
+ Whilst, in the confidence of prayer,
+ My soul took hold on thee.
+
+ 7
+ For though in dreadful whirls we hung
+ High on the broken wave,
+ I knew thou wert not slow to hear,
+ Nor impotent to save.
+
+ 8
+ The storm was laid, the winds retired,
+ Obedient to thy will;
+ The sea that roar'd at thy command,
+ At thy command was still.
+
+ 9
+ In midst of dangers, fears, and death,
+ Thy goodness I'll adore;
+ And praise thee for thy mercies past,
+ And humbly hope for more.
+
+ 10
+ My life, if thou preserv'st my life,
+ Thy sacrifice shall be;
+ And death, if death must be my doom,
+ Shall join my soul to thee.
+
+
+
+AN HYMN.
+
+ 1
+ When rising from the bed of death,
+ O'erwhelm'd with guilt and fear,
+ I see my Maker face to face;
+ O how shall I appear!
+
+ 2
+ If yet, while pardon may be found,
+ And mercy may be sought,
+ My heart with inward horror shrinks,
+ And trembles at the thought:
+
+ 3
+ When thou, O Lord, shalt stand disclos'd
+ In majesty severe,
+ And sit in judgment on my soul;
+ O how shall I appear!
+
+ 4
+ But thou hast told the troubled soul,
+ Who does her sins lament,
+ The timely tribute of her tears
+ Shall endless woe prevent.
+
+ 5
+ Then see the sorrows of my heart,
+ Ere yet it be too late;
+ And add my Saviour's dying groans,
+ To give those sorrows weight.
+
+ 6
+ For never shall my soul despair
+ Her pardon to procure,
+ Who knows thy only Son has died
+ To make that pardon sure.
+
+
+
+PARAPHRASE ON PSALM XXIII.
+
+ 1
+
+ The Lord my pasture shall prepare,
+ And feed me with a shepherd's care;
+ His presence shall my wants supply,
+ And guard me with a watchful eye:
+ My noon-day walks he shall attend,
+ And all my midnight hours defend.
+
+ 2
+
+ When in the sultry glebe I faint,
+ Or on the thirsty mountain pant;
+ To fertile vales and dewy meads
+ My weary wandering steps he leads:
+ Where peaceful rivers, soft and slow,
+ Amid the verdant landscape flow.
+
+ 3
+
+ Though in the paths of death I tread,
+ With gloomy horrors overspread,
+ My steadfast heart shall fear no ill,
+ For thou, O Lord, art with me still;
+ Thy friendly crook shall give me aid,
+ And guide me through the dreadful shade.
+
+ 4
+
+ Though in a bare and rugged way,
+ Through devious lonely wilds I stray,
+ Thy bounty shall my wants beguile:
+ The barren wilderness shall smile,
+ With sudden greens and herbage crown'd,
+ And streams shall murmur all around.
+
+
+
+END OF ADDISON'S POEMS.
+
+
+Footnotes:
+
+[Footnote 2: 'Majesty:' King William.]
+
+[Footnote 3: 'Seneffe:' lost by William to the French in 1674.
+Claverhouse fought with him at this battle.]
+
+[Footnote 4: The four last lines of the second and third stanzas were
+added by Mr Tate.]
+
+[Footnote 5: 'Eridanus:' the Po.]
+
+[Footnote 6: 'Such as of late.' See Macaulay's 'Essay on Addison,' and
+the 'Life' in this volume, for an account of this extraordinary tempest.]
+
+[Footnote 7: 'Tallard,' or Tallart: an eminent French marshal, taken
+prisoner at Blenheim; he remained in England for seven years.]
+
+[Footnote 8: A comedy written by Sir Richard Steel.]
+
+[Footnote 9: A dramatic poem written by the Lord Lansdown.]
+
+[Footnote 10: 'Smith:' Edmund, commonly called 'Rag;' see Johnson's
+'Poets.']
+
+[Footnote 11: 'Lyæus:' Bacchus.]
+
+[Footnote 12: 'Princess of Wales:' Willielinina Dorothea Carolina of
+Brandenburg-Anspach--afterwards Caroline, Queen of George II.; she
+figures in the 'Heart of Mid-Lothian.']
+
+[Footnote 13: 'Gloriana:' Henrietta Maria, Queen of Charles I. See our
+edition of Waller.]
+
+[Footnote 14: 'Sir Godfrey Kneller:' born at Lubeck in 1648; became a
+painter of portraits; visited England; was knighted by William III.; died
+in 1723; lies in Westminster Abbey.]
+
+[Footnote 15: This refers to a portrait of George I.]
+
+[Footnote 16: 'R----:' Rich.]
+
+[Footnote 17: Otherwise,
+ 'Thy goodness I'll proclaim;'
+ And,
+ 'Resume the glorious theme.' ]
+
+
+
+
+THE LIFE OF JOHN GAY.
+
+
+
+This ingenious poet and child-like man was born, in 1688, at Barnstable,
+in Devonshire. His family, who were of Norman origin, had long possessed
+the manor of Goldworthy, or Holdworthy, which came into their hands
+through Gilbert Le Gay. He obtained possession of this estate by
+intermarrying with the family of Curtoyse, and gave his name, too, to a
+place called Hampton Gay, in Northamptonshire. The author of the "Fables"
+was brought up at the Free School of Barnstable--Pope says under one
+William Rayner, who had been educated at Westminster School, and who was
+the author of a volume of Latin and English verse, although Dr Johnson
+and others maintain that his master's name was Luck. On leaving school,
+Gay was bound apprentice to a mercer in London--a trade not the most
+propitious to poetry, and which he did not long continue to prosecute. In
+1712, he published his "Rural Sports," and dedicated it to Pope, who was
+then rising toward the ascendant, having just published his brilliant
+tissue of centos, the "Essay on Criticism." Pope was pleased with the
+honour, and ever afterwards took a deep interest in Gay. In the same year
+Gay had been appointed domestic secretary to the Duchess of Monmouth.
+This lady was Anne Scott, the daughter and heiress of the Duke of
+Buccleuch, and widow of the well-known and hapless Duke of Monmouth, who
+had been beheaded in 1685. She plays a prominent part in the "Lay of the
+Last Minstrel," and of her a far greater poet than her secretary thus
+sings:--
+
+ "The Duchess mark'd his weary pace,
+ His timid mien, and reverend face,
+ And bade her page the menials tell
+ That they should tend the old man well:
+
+ For she had known adversity,
+ Though born in such a high degree;
+ In pride of power, in beauty's bloom,
+ Had wept o'er Monmouth's bloody tomb."
+
+Dr Johnson says of her, rather sarcastically, that she was "remarkable
+for her inflexible perseverance in her demand to be treated as a
+princess." One biographer of Gay asserts--but on what authority we know
+not--that this secretaryship was rewarded with a handsome salary. With
+her, however, our poet did not long agree. She was scarcely so kind to
+him as to the "Last Minstrel" who sung to her at Newark. By June 8th,
+1714, (see a letter of Arbuthnot's of that date,) she had "turned Gay
+off," having probably been provoked by his indolence of disposition and
+improvidence of conduct.
+
+Ere this, however, he had been admitted to the intimacy of Pope, and was
+hired or flattered by him to engage in the famous "Battle of the Wits,"
+springing from the publication of the "Pastorals" of Ambrose Philips.
+This agreeable but nearly forgotten writer published some pastorals,
+which Steele, with his usual rashness and fatal favouritism, commended in
+the "Guardian" as superior to all productions of the class, (including
+Pope's,) except those of Theocritus, Virgil, and Spenser. Pope retorted
+in a style of inimitable irony, by a letter to the "Guardian," where he
+professedly gives the preference to Philips, but damages his claim by
+producing four specimens of his composition, and contrasting them with
+the better portions of his own. Not contented with this, he prevailed on
+Gay to satirise Philips in the "Shepherd's Week"--a poem which forms the
+_reductio ad absurdum_ of that writer's plan, and exhibits rural life in
+more than the vulgarity and grossness which the author of the "Pastorals"
+had ascribed to it.
+
+Gay shortly after wrote his "Fan," and his "Trivia, or the Art of Walking
+the Streets of London"--the former a mythological fiction, in three
+books, now entirely and deservedly neglected; the second still worthy of
+perusal on account of its fidelity to truth, in its pictures of the dirty
+London of 1713--a fidelity reminding you of Crabbe and of Swift; indeed,
+Gay is said to have been assisted in "Trivia" by the latter, who, we may
+not uncharitably suppose, supplied the filth of allusion and image which
+here and there taints the poem. In 1713, our author brought out on the
+stage a comedy, entitled the "Wife of Bath," which met with no success,
+and which, when reproduced seventeen years later, after the "Beggars'
+Opera" had taken the town by storm, fell as flat as before.
+
+Gay had now fairly found his way into the centre of that brilliant circle
+called the Wits of Queen Anne. That was certainly one of the most varied
+in intellect and attainment which the world has ever seen. Highest far
+among them--we refer to the Tory side--darkled the stern brow of the
+author of "Gulliver's Travels," who had a mind cast by nature in a form
+of naked force, like a gloomy crag without a particle of beauty or
+any vegetation, save what will grow on the most horrid rocks, and the
+condition of whose existence there, seems to be that it deepens
+the desolation--a mind unredeemed by virtue save in the shape of
+remorse--unvisited by weakness, until it came transmuted into the tiger
+of madness--whose very sermons were satires on God and man--whose very
+prayers had a twang of blasphemy--whose loves were more loathsome than
+his hatreds, and yet over whose blasted might and most miserable and
+withered heart men mourn, while they shudder, blend tears with anathemas,
+and agree that the awful mystery of man itself is deepened by its
+relation to the mystery of the wickedness, remorse, and wretchedness
+of Jonathan Swift. Superior to him in outward show and splendour, but
+inferior in real intellect, and, if possible, in moral calibre, shone,
+although with lurid brilliance, the "fell genius" of St John or Henry
+Bolingbroke. In a former paper we said that Edmund Burke reminded us less
+of a man than of a tutelar Angel; and so we can sometimes think of the
+"ingrate and cankered Bolingbroke," with his subtle intellect, his showy,
+sophistical eloquence, his power of intrigue, his consummate falsehood,
+his vice and his infidelity as a "superior fiend"--a kind of human
+Belial--
+
+ "In act more graceful than humane:
+ A fairer person lost not heaven: he seem'd
+
+ For dignity composed and high exploit;
+ But all was false and hollow, though his tongue
+ Dropt manna, and could make the worse appear
+ The better reason, to perplex and dash
+ Maturest counsels."
+
+These two were the giants of the Tory confederacy of wits. But little
+inferior to them in brilliance, if vastly less in intellectual size, was
+Pope, with his epigrammatic style, his compact sense--like stimulating
+essence contained in small smelling bottles--his pungent personalities,
+his elegant glitter, and his splendid simulation of moral indignation and
+moral purpose. Less known, but more esteemed than any of them where he
+was known, was Dr Arbuthnot--a physician of skill, as some extant medical
+works prove--a man of science, and author of an "Essay on the Usefulness
+of Mathematical Learning"--a scholar, as evinced by his examination of
+Woodward's "Account of the Deluge," his treatise on "Ancient Coins and
+Medals," and that on the "Altercation or Scolding of the Ancients"--a
+wit, whose grave irony, keen perception of the ridiculous, and magical
+power of turning the lead of learning into the most fine gold of humour,
+exhibited in his "Martinus Scriblerus," his "Epitaph on the notorious
+Colonel Chartres," and his "History of John Bull," still extract shouts,
+screams, and tears of mirth from thousands who scarce know the author's
+name--a politician without malice or self-seeking--and, best of all,
+a man without guile, and a Christian without cant. He, although a
+physician, was in effect the chaplain of the corps, and had enough to do
+in keeping them within due bounds; nay, is said on his deathbed to have
+called Pope to him, and given him serious advice in reference to the
+direction of his talents, and the restraint of his muse. Prior, though
+inferior to these, was no common man; and to learning, wit, and
+tale-telling power, added skill and energy in the conduct of public
+affairs. And last, (for Parnell, though beloved by this circle, could
+hardly be said to belong to it,) there was Gay, whom the others agreed
+to love and laugh at, who stood in much the same relation to the wits of
+Anne as Goldsmith did to those of George III., being at once their fool
+and their fondling; who, like Goldsmith, was
+
+ "In wit a man--simplicity a child;"
+
+and who though he could not stab and sneer, and create new worlds more
+laughable than even this, like Swift, nor declaim and sap faith, like
+Bolingbroke, nor rhyme and glitter like Pope, nor discourse on medals and
+write comical "Pilgrims' Progresses" like Arbuthnot, nor pour out floods
+of learning like Prior in "Alma," could do things which they in their
+turn never equalled, (even as in Emerson's poem, "The Mountain and the
+Squirrel," the latter wisely remarks to the former--
+
+ "I cannot carry forests on my back,
+ But neither can you crack a nut,")
+
+could give a fabulous excellence to the construction and management of
+the "Fable;" extract interest from street crossings and scavengers, and
+let fly into the literary atmosphere an immortal Opera, the "Beggars',"
+which, though feathered by the moultings of the very basest night-birds,
+has pursued a career of triumph ever since.
+
+To recur to the life of our poet. Losing his situation under the Duchess
+of Monmouth, he was patronised by the Earls of Oxford and Bolingbroke,
+and through them was appointed secretary to the Earl of Clarendon, who
+was going to Hanover as ambassador to that court. He was at this time so
+poor that, in order to equip himself with necessaries, such as shoes,
+stockings, and linen for the journey, he had to receive an advance of
+£100 from the treasury at Hanover. The Electoral Princess, afterwards
+Queen Caroline--wife of George II.--took some notice of Gay, and asked
+for a volume of his "Poems," when, as Arbuthnot remarks, "like a true
+poet," he was compelled to own that he had no copy in his possession. We
+suspect few poets, whether true or pretended, in our age would in this
+point resemble Gay.
+
+Lord Clarendon's embassy lasted precisely fifteen days--Queen Anne
+having died in the meantime--and the Tory Government being consequently
+dismissed in disgrace. Poor Gay, who had offended the Whigs by dedicating
+his "Shepherd's Week" to Bolingbroke, came home in a worse plight than
+before. He had left England in a state of poverty--he returned to it in a
+state of proscription--although he perhaps felt comforted by an epistle
+of welcome from Pope, which did not, it is likely, affect him as it does
+us with the notion that its tricksy author was laughing in his sleeve.
+
+Arbuthnot, who was a wiser friend, advised Gay to write an "Epistle on
+the Arrival of the Princess of Wales," which he did, and she and her lord
+were so far conciliated as to attend a play he now produced, entitled
+"What d'ye call it?"--a kind of hybrid between a farce and a
+tragedy--which, by the well-managed equivoque of its purpose, hit the
+house between wind and water; and not knowing "what" properly to "call
+it," and whether it should be applauded or damned, they gave the benefit
+of their doubts to the author. To its success, doubtless too, the
+presence and praise of the Prince and the Princess contributed. Gay now
+tried for a while the trade of a courtier--sooth to say, with little
+success. He was for this at once too sanguine and too simple. Pope said,
+with his usual civil sneer, in a letter to Swift, "the Doctor (Arbuthnot)
+goes to cards--Gay to court; the one loses money, the other time."
+It added to his chagrin, that having, in conjunction with Pope and
+Arbuthnot, produced, in 1717, a comedy, entitled "Three Months after
+Marriage," to satirise Dr Woodward, then famous as a fossilist; the
+piece, being personal and indecent, was not only hissed but hooted off
+the stage. The chief offence was taken at the introduction of a mummy and
+a crocodile on the stage. To divert his grief, he, at the suggestion of
+Lord Burlington, who paid his expenses, rambled into Devonshire, went
+next with Pultney to Aix, in France, and when afterwards on a visit to
+Lord Harcourt's seat, witnessed the incident of the two country lovers
+killed by lightning in each other's arms, to which Pope alludes in one of
+his letters, and Goldsmith in his "Vicar of Wakefield."
+
+In 1720 he published his "Poems" by subscription. The general kindness
+felt for Gay, notwithstanding his faults and feebleness, now found a
+vent. The Prince and Princess of Wales not only subscribed, but gave
+him a liberal present, and some of the nobility, who regarded him as an
+agreeable plaything and lapdog of genius, took a number of copies. The
+result was that he gained a thousand pounds. He asked the advice of his
+friends how to dispose of this sum, and, as usual, took his own. Lewis,
+steward to Lord Oxford, advised him to entrust it to the funds, and live
+on the interest; Arbuthnot, to live upon the principal; Pope and Swift,
+to buy an annuity. Gay preferred to sink it in the South-Sea Bubble, then
+in all its glory. At first he imagined himself master of £20,000, and
+when advised to sell out and purchase as much as his wise friend Elijah
+Fenton said would "procure him a clean shirt and a shoulder of mutton
+every day," rejected the counsel, and in fine lost every farthing, and
+nearly lost next, through vexation, either his life or his reason.
+
+Pope, who occasionally laughed at him, was now very kind, and partly
+through his assiduous attention, Gay recovered his health, spirits, and
+the use of his pen. He wrote a tragedy called the "Captives," and was
+invited to read it before the Princess of Wales. The sight of her and
+her assembled ladies frightened him, and in advancing he stumbled over a
+stool and overthrew a heavy japan screen. How he fared afterwards in the
+reading we are not informed; but as we are told that the Princess started
+and her ladies screamed, we fear it had been poorly. On this story
+Hawkesworth has founded an amusing story in the "Adventurer," and it was
+also, we think, in the eye of the author of the humorous tale, entitled
+"The Bashful Man." This unlucky play was afterwards acted seven nights,
+the author's third night being under the special patronage of her Royal
+Highness.
+
+At the request of the same illustrious lady, he, in 1726, undertook to
+write a volume of "Fables" for the young Duke of Cumberland, afterwards
+of Culloden notoriety, and when at last, in 1727, the Prince became
+George II., and the Princess Queen Caroline, Gay's hopes of promotion
+boiled as high as his hopes of gain had during the South-Sea scheme.
+But here, too, he was deceived; and having only received the paltry
+appointment (as he deemed it, though the salary was £200,) of
+gentleman-usher to the Princess Louisa, a girl of two years old, he
+thought himself insulted. He first sent a message to the Queen that he
+was too old for the place,--an excuse which he made for himself, but
+which, being only thirty-nine, he would not have borne any other to make
+for him. He next condescended to court Mrs Howard, the mistress of George
+II., and that "good Howard" commemorated in the "Heart of Mid-Lothian;"
+but this too was in vain, and then he retired from the attempt, growling
+out probably (if we can imagine him in fable, not as Queen Caroline
+called him the "Hare," but a Bear) the words, "Put not your faith in
+princes." He was the more excusable, as, two years before, Sir Robert
+Walpole had, for his surmised Toryism, turned him out of the office of
+"Commissioner of the Lottery," which had brought him in £150 a-year.
+
+But now for once Gay catches Fortune on the wheel. There is a lucky hour
+in almost all lives, provided it be waited for with patience, and with
+prudence improved. Swift had some years before observed to Gay, what an
+odd pretty sort of thing a Newgate pastoral would make. On this hint Gay
+acted, preferring, however, to expand it into a comedy. Hence came the
+"Beggars' Opera," a hit in literature second to none that ever occurred
+in that fluctuating region. It was first performed in 1728, although much
+of it had been written before, and only a few satirical strokes, founded
+on his disappointment at court, attested their recent origin. Swift and
+Pope watched its progress with interest, but without hope. Congreve
+pronounced that it would "either take greatly, or be damned
+confoundedly." Gibber at Drury Lane refused it; it was accepted by his
+rival Rich, and soon the _on dit_ ran that it had made Gay Rich, and Rich
+Gay. On its first night there was a brilliant assemblage. What painter
+shall give their heads and faces on that anxious evening--Swift's
+lowering front--Pope's bright eyes contrasting with the blind orbs
+of Congreve (if _he_ indeed were there)--Addison's quiet, thoughtful
+physiognomy, as of one retired into some "Vision of Mirza"--the Duke of
+Argyle, with his star and stately form and animated countenance--and
+poor Gay himself perhaps, like some other play-wrights in the same
+predicament, perspiring with trepidation, as if again about to recite the
+"Captives!" At first uncertainty prevails among the patron-critics, and
+strange looks are exchanged between Swift and Pope, till, by and by, the
+latter hears Argyle exclaim, "It will do, it must do! I see it in the
+eyes of 'em;" and then the critics breathe freely, and the applauses
+become incontrollable, and the curtain closes at last amidst thunders of
+applause; and Gay goes home triumphant, amidst a circle of friends,
+who do not know whether more to wonder at his success or at their own
+previous apprehensions. For sixty-three nights continuously the piece is
+acted in London; then it spreads through England, Scotland, Wales, and
+Ireland. Ladies sing its favourite songs, or carry them in their fans.
+Miss Fenton, who acted Polly, becomes a universal favourite, nay, a
+_furor_. Her pictures are engraved, her life written, and her sayings
+and jests published, and in fine, the Italian Opera, which the piece was
+intended to ridicule, is extinguished for a season. Notwithstanding this
+unparalleled success of the "Beggars' Opera," Gay gained only £400 by
+it, although by "Polly," the second part, (where Gay transports his
+characters to the colonies,) which the Lord Chamberlain suppressed, on
+account of its supposed immoral tendency, and which the author published
+in self-defence, he cleared nearly £1200.
+
+Altogether now worth above £3000, having been admitted by the Duke of
+Queensberry into his house, who generously undertook the care alike of
+the helpless being's purse and person, and still in the prime of life,
+Gay might have looked forward, humanly speaking, to long years of
+comfort, social happiness, and increased fame. _Dîs aliter visum est_. He
+had been delicate for some time, and on the 4th December 1732, at the age
+of 44, and in the course of a three days' attack of inflammation of the
+bowels, this irresolute but amiable and gifted person breathed his last,
+and was buried in Westminster Abbey. The last work he was occupied on was
+a second volume of "Fables," which was published after his death. He had
+become very popular, not merely for his powers, but for his presumed
+political principles, a "little Sacheverel," as Arbuthnot, his faithful
+friend and kind physician, calls him, and yet his modesty and simplicity
+of character remained entire, and he died while planning schemes of
+self-reformation, economy, and steady literary work. It is curious that
+Swift, when the letter arrived with the news of Gay's death, was so
+impressed with a presentiment of some coming evil, that he allowed it to
+lie five days unopened on his table. And when the Duke and Duchess of
+Queensberry erected a monument to his memory, Pope supplied an epitaph,
+familiar to most readers of poetry, and which is creditable to both. Two
+widow sisters survived Gay, amongst whom the profits of a posthumous
+opera, entitled "Achilles," as well as the small fortune which he left,
+were divided.
+
+Gay's works lie in narrow compass, and hardly require minute criticism.
+His "Beggars' Opera" has the charm of daring singularity of plan, of
+great liveliness of song, and has some touches of light hurrying sarcasm,
+worthy of any pen. Burke used to deny its merit, but he was probably
+trying it b too lofty and ideal a standard. Hazlitt, on the other hand,
+has praised it overmuch, and perhaps "monstered" some of its "nothings."
+That it has power is proved by its effects on literature. It did not, we
+believe, create many robbers, but it created a large robber school in
+the drama and the novel; for instance, Schiller's "Robbers," Ainsworth's
+"Rookwood," and "Jack Shepherd," and Bulwer's "Paul Clifford," and
+"Eugene Aram," not to speak of the innumerable French tales and plays of
+a similar kind. The intention of these generally is not, perhaps, after
+all, to make an apology, far less an apotheosis of crime, but to teach us
+how there is a "soul of goodness" in all things. And has not Shakspeare
+long taught and been commended for teaching a similar lesson, although
+we cannot say of Gay and his brethren that they have "bettered the
+instruction?" Of "Trivia," we have spoken incidentally before; of "Rural
+Sports," and the "Shepherd's Week," it is unnecessary to say more than
+that the first is juvenile, and the second odd, graphic, and amusing.
+None of them is equal to the "Fables," and therefore we have decided
+on omitting them from our edition. In the "Fables," Gay is happy in
+proportion to the innocence and simplicity of his nature. He understands
+animals, because he has more than an ordinary share of the animal in
+his own constitution. Æsop, so far as we know, though an astute, was an
+uneducated and simple-minded man. Phædrus was a myth, and we cannot,
+therefore, adduce him in point. But Fontaine was called the "Fable-tree,"
+and Gay is just the Fable-tree transplanted from France to England. In so
+doing we do not question our poet's originality, but merely indicate
+a certain resemblance in spirit between two originals. An original in
+Fable-writing Gay certainly was. He has copied, neither in story, spirit,
+nor moral, any previous writer. His "Fables" are always graceful in
+literary execution, often interesting in story; their versification is
+ever smooth and flowing; and sometimes, as in the "Court of Death," their
+moral darkens into sublimity. On the whole, these "Fables," along with
+the "Beggars' Opera," and the delectable songs of "'Twas when the Seas
+were Roaring," and "Black-eyed Susan," shall long preserve the memory
+of their author. We have appended these two songs because of their rare
+excellence.
+
+John Gay had his faults as a man and as a poet, and it were easy finding
+fault with him in both capacities. But
+
+ "Poor were the triumph o'er the timid hare;"
+
+and he was, by his own shewing, as well as Queen Caroline's, "the Hare
+with many friends." Let us, instead, drop a "tear over his fate," and pay
+a tribute, short, but sincere, to his true, though limited genius.
+
+
+
+GAY'S FABLES.
+
+ * * * * *
+
+INTRODUCTION.
+
+
+PART I.
+
+
+THE SHEPHERD AND THE PHILOSOPHER.
+
+ Remote from cities lived a swain,
+ Unvexed with all the cares of gain;
+ His head was silvered o'er with age,
+ And long experience made him sage;
+ In summer's heat, and winter's cold,
+ He fed his flock and penned the fold;
+ His hours in cheerful labour flew,
+ Nor envy nor ambition knew:
+ His wisdom and his honest fame
+ Through all the country raised his name.
+_10
+ A deep philosopher (whose rules
+ Of moral life were drawn from schools)
+ The shepherd's homely cottage sought
+ And thus explored his reach of thought:
+ 'Whence is thy learning? Hath thy toil
+ O'er books consumed the midnight oil?
+ Hast thou old Greece and Rome surveyed,
+ And the vast sense of Plato weighed?
+ Hath Socrates thy soul refined,
+ And hast thou fathomed Tully's mind?
+_20
+ Or like the wise Ulysses, thrown
+ By various fates, on realms unknown,
+ Hast thou through many cities strayed,
+ Their customs, laws, and manners weighed?'
+ The shepherd modestly replied,
+ 'I ne'er the paths of learning tried;
+ Nor have I roamed in foreign parts
+ To read mankind, their laws and arts;
+ For man is practised in disguise,
+ He cheats the most discerning eyes;
+_30
+ Who by that search shall wiser grow,
+ When we ourselves can never know?
+ The little knowledge I have gained,
+ Was all from simple nature drained;
+ Hence my life's maxims took their rise,
+ Hence grew my settled hate to vice.
+ The daily labours of the bee
+ Awake my soul to industry.
+ Who can observe the careful ant,
+ And not provide for future want?
+_40
+ My dog (the trustiest of his kind)
+ With gratitude inflames my mind.
+ I mark his true, his faithful way,
+ And in my service copy Tray.
+ In constancy and nuptial love,
+ I learn my duty from the dove.
+ The hen, who from the chilly air,
+ With pious wing protects her care;
+ And every fowl that flies at large,
+ Instructs me in a parent's charge.
+_50
+ From nature too I take my rule,
+ To shun contempt and ridicule.
+ I never, with important air,
+ In conversation overbear.
+ Can grave and formal pass for wise,
+ When men the solemn owl despise?
+ My tongue within my lips I rein;
+ For who talks much, must talk in vain.
+ We from the wordy torrent fly:
+ Who listens to the chattering pye?
+_60
+ Nor would I, with felonious flight,
+ By stealth invade my neighbour's right;
+ Rapacious animals we hate:
+ Kites, hawks, and wolves deserve their fate.
+ Do not we just abhorrence find
+ Against the toad and serpent kind?
+ But envy, calumny, and spite,
+ Bear stronger venom in their bite.
+ Thus every object of creation
+ Can furnish hints to contemplation;
+_70
+ And from the most minute and mean,
+ A virtuous mind can morals glean.'
+ 'Thy fame is just,' the sage replies;
+ 'Thy virtue proves thee truly wise.
+ Pride often guides the author's pen,
+ Books as affected are as men:
+ But he who studies nature's laws,
+ From certain truth his maxims draws;
+ And those, without our schools, suffice
+ To make men moral, good, and wise.'
+_80
+
+ * * * * *
+
+
+TO HIS HIGHNESS
+
+WILLIAM, DUXE OF CUMBERLAND.[1]
+
+
+FABLE I.
+
+THE LION, THE TIGER, AND THE TRAVELLER.
+
+ Accept, young Prince, the moral lay
+ And in these tales mankind survey;
+ With early virtues plant your breast,
+ The specious arts of vice detest.
+ Princes, like beauties, from their youth
+ Are strangers to the voice of truth;
+ Learn to contemn all praise betimes;
+ For flattery's the nurse of crimes;
+ Friendship by sweet reproof is shown,
+ (A virtue never near a throne);
+_10
+ In courts such freedom must offend,
+ There none presumes to be a friend.
+ To those of your exalted station
+ Each courtier is a dedication.
+ Must I too flatter like the rest,
+ And turn my morals to a jest?
+ The Muse disdains to steal from those
+ Who thrive in courts by fulsome prose.
+ But shall I hide your real praise,
+ Or tell you what a nation says?
+_20
+ They in your infant bosom trace
+ The virtues of your royal race;
+ In the fair dawning of your mind
+ Discern you generous, mild, and kind;
+ They see you grieve to hear distress,
+ And pant already to redress.
+ Go on, the height of good attain,
+ Nor let a nation hope in vain.
+ For hence we justly may presage
+ The virtues of a riper age.
+_30
+ True courage shall your bosom fire,
+ And future actions own you sire.
+ Cowards are cruel, but the brave
+ Love mercy, and delight to save.
+ A tiger roaming for his prey,
+ Sprung on a traveller in the way;
+ The prostrate game a lion spies,
+ And on the greedy tyrant flies;
+ With mingled roar resounds the wood,
+ Their teeth, their claws distil with blood;
+_40
+ Till vanquished by the lion's strength,
+ The spotted foe extends his length.
+ The man besought the shaggy lord,
+ And on his knees for life implored.
+ His life the generous hero gave,
+ Together walking to his cave,
+ The lion thus bespoke his guest:
+ 'What hardy beast shall dare contest
+ My matchless strength! you saw the fight,
+ And must attest my power and right.
+_50
+ Forced to forego their native home,
+ My starving slaves at distance roam.
+ Within these woods I reign alone,
+ The boundless forest is my own.
+ Bears, wolves, and all the savage brood,
+ Have dyed the regal den with blood.
+ These carcases on either hand,
+ Those bones that whiten all the land,
+ My former deeds and triumphs tell,
+ Beneath these jaws what numbers fell.'
+_60
+ 'True,' says the man, 'the strength I saw
+ Might well the brutal nation awe:
+ But shall a monarch, brave like you,
+ Place glory in so false a view?
+ Robbers invade their neighbours' right,
+ Be loved: let justice bound your might.
+ Mean are ambitious heroes' boasts
+ Of wasted lands and slaughtered hosts.
+ Pirates their power by murders gain,
+ Wise kings by love and mercy reign.
+_70
+ To me your clemency hath shown
+ The virtue worthy of a throne.
+ Heaven gives you power above the rest,
+ Like Heaven to succour the distress'd.'
+ 'The case is plain,' the monarch said;
+ 'False glory hath my youth misled;
+ For beasts of prey, a servile train,
+ Have been the flatterers of my reign.
+ You reason well: yet tell me, friend,
+ Did ever you in courts attend?
+_80
+ For all my fawning rogues agree,
+ That human heroes rule like me.'
+
+ * * * * *
+
+
+FABLE II.
+
+THE SPANIEL AND THE CAMELEON.
+
+ A spaniel, bred with all the care
+ That waits upon a favourite heir,
+ Ne'er felt correction's rigid hand;
+ Indulged to disobey command,
+ In pampered ease his hours were spent;
+ He never knew what learning meant.
+ Such forward airs, so pert, so smart,
+ Were sure to win his lady's heart;
+ Each little mischief gained him praise;
+ How pretty were his fawning ways!
+_10
+ The wind was south, the morning fair,
+ He ventured forth to take the air.
+ He ranges all the meadow round,
+ And rolls upon the softest ground:
+ When near him a cameleon seen,
+ Was scarce distinguished from the green.
+ 'Dear emblem of the flattering host,
+ What, live with clowns! a genius lost!
+ To cities and the court repair:
+ A fortune cannot fail thee there:
+_20
+ Preferment shall thy talents crown,
+ Believe me, friend; I know the town.'
+ 'Sir,' says the sycophant, 'like you,
+ Of old, politer life I knew:
+ Like you, a courtier born and bred;
+ Kings leaned an ear to what I said.
+ My whisper always met success;
+ The ladies praised me for address,
+ I knew to hit each courtier's passion,
+ And flattered every vice in fashion.
+_30
+ But Jove, who hates the liar's ways,
+ At once cut short my prosperous days;
+ And, sentenced to retain my nature,
+ Transformed me to this crawling creature.
+ Doomed to a life obscure and mean,
+ I wander in the sylvan scene.
+ For Jove the heart alone regards;
+ He punishes what man rewards.
+ How different is thy case and mine!
+ With men at least you sup and dine;
+_40
+ While I, condemned to thinnest fare,
+ Like those I flattered feed on air.'
+
+ * * * * *
+
+
+FABLE III.
+
+THE MOTHER, THE NURSE, AND THE FAIRY.
+
+ Give me a son! The blessing sent,
+ Were ever parents more content?
+ How partial are their doting eyes!
+ No child is half so fair and wise.
+ Waked to the morning's pleasing care,
+ The mother rose, and sought her heir.
+ She saw the nurse, like one possess'd,
+ With wringing hands, and sobbing breast.
+ 'Sure some disaster hath befell:
+ Speak, nurse; I hope the boy is well.'
+_10
+ 'Dear madam, think not me to blame;
+ Invisible the fairy came:
+ Your precious babe is hence conveyed,
+ And in the place a changeling laid.
+ Where are the father's mouth and nose,
+ The mother's eyes, as black as sloes?
+ See here a shocking awkward creature,
+ That speaks a fool in every feature.'
+ 'The woman's blind,' the mother cries;
+ 'I see wit sparkle in his eyes.'
+_20
+ 'Lord! madam, what a squinting leer;
+ No doubt the fairy hath been here.'
+ Just as she spoke, a pigmy sprite
+ Pops through the key-hole, swift as light;
+ Perched on the cradle's top he stands,
+ And thus her folly reprimands:
+ 'Whence sprung the vain conceited lie,
+ That we the world with fools supply?
+ What! give our sprightly race away,
+ For the dull helpless sons of clay!
+_30
+ Besides, by partial fondness shown,
+ Like you we doat upon our own.
+ Where yet was ever found a mother,
+ Who'd give her booby for another?
+ And should we change for human breed,
+ Well might we pass for fools indeed.'
+
+ * * * * *
+
+
+FABLE IV.
+
+THE EAGLE, AND THE ASSEMBLY OF ANIMALS.
+
+ As Jupiter's all-seeing eye
+ Surveyed the worlds beneath the sky,
+ From this small speck of earth were sent,
+ Murmurs and sounds of discontent;
+ For every thing alive complained,
+ That he the hardest life sustained.
+ Jove calls his eagle. At the word
+ Before him stands the royal bird.
+ The bird, obedient, from heaven's height,
+ Downward directs his rapid flight;
+_10
+ Then cited every living thing,
+ To hear the mandates of his king.
+ 'Ungrateful creatures, whence arise
+ These murmurs which offend the skies?
+ Why this disorder? say the cause:
+ For just are Jove's eternal laws.
+ Let each his discontent reveal;
+ To yon sour dog, I first appeal.'
+ 'Hard is my lot,' the hound replies,
+ 'On what fleet nerves the greyhound flies,
+_20
+ While I, with weary step and slow,
+ O'er plains and vales, and mountains go.
+ The morning sees my chase begun,
+ Nor ends it till the setting sun.'
+ 'When,' says the greyhound, 'I pursue,
+ My game is lost, or caught in view;
+ Beyond my sight the prey's secure:
+ The hound is slow, but always sure.
+ And had I his sagacious scent,
+ Jove ne'er had heard my discontent.'
+_30
+ The lion craved the fox's art;
+ The fox, the lion's force and heart:
+ The cock implored the pigeon's flight,
+ Whose wings were rapid, strong, and light:
+ The pigeon strength of wing despised,
+ And the cock's matchless valour prized:
+ The fishes wished to graze the plain;
+ The beasts to skim beneath the main.
+ Thus, envious of another's state,
+ Each blamed the partial hand of Fate.
+_40
+ The bird of heaven then cried aloud,
+ 'Jove bids disperse the murmuring crowd;
+ The god rejects your idle prayers.
+ Would ye, rebellious mutineers,
+ Entirely change your name and nature,
+ And be the very envied creature?
+ What, silent all, and none consent!
+ Be happy then, and learn content:
+ Nor imitate the restless mind,
+ And proud ambition, of mankind.'
+_50
+
+ * * * * *
+
+
+FABLE V.
+
+THE WILD BOAR AND THE RAM.
+
+ Against an elm a sheep was tied,
+ The butcher's knife in blood was dyed:
+ The patient flock in silent fright,
+ From far beheld the horrid sight.
+ A savage boar, who near them stood,
+ Thus mocked to scorn the fleecy brood.
+ 'All cowards should be served like you.
+ See, see, your murderer is in view:
+ With purple hands and reeking knife,
+ He strips the skin yet warm with life;
+_10
+ Your quartered sires, your bleeding dams,
+ The dying bleat of harmless lambs,
+ Call for revenge. O stupid race!
+ The heart that wants revenge is base.'
+ 'I grant.' an ancient ram replies,
+ 'We bear no terror in our eyes;
+ Yet think us not of soul so tame,
+ Which no repeated wrongs inflame;
+ Insensible of every ill,
+ Because we want thy tusks to kill.
+_20
+ Know, those who violence pursue,
+ Give to themselves the vengeance due;
+ For in these massacres we find
+ The two chief plagues that waste mankind:
+ Our skin supplies the wrangling bar,
+ It wakes their slumbering sons to war;
+ And well revenge may rest contented,
+ Since drums and parchment were invented.'
+
+ * * * * *
+
+
+FABLE VI.
+
+THE MISER AND PLUTUS.
+
+ The wind was high, the window shakes,
+ With sudden start the miser wakes;
+ Along the silent room he stalks;
+ Looks back, and trembles as he walks!
+ Each lock and every bolt he tries,
+ In every creek and corner prys,
+ Then opes the chest with treasure stored,
+ And stands in rapture o'er his hoard;
+ But, now with sudden qualms possess'd,
+ He wrings his hands, he beats his breast.
+_10
+ By conscience stung, he wildly stares;
+ And thus his guilty soul declares:
+ 'Had the deep earth her stores confined,
+ This heart had known sweet peace of mind.
+ But virtue's sold. Good gods, what price
+ Can recompense the pangs of vice!
+ O bane of good! seducing cheat!
+ Can man, weak man, thy power defeat?
+ Gold banished honour from the mind,
+ And only left the name behind;
+_20
+ Gold sowed the world with every ill;
+ Gold taught the murderer's sword to kill:
+ 'Twas gold instructed coward hearts,
+ In treachery's more pernicious arts.
+ Who can recount the mischiefs o'er?
+ Virtue resides on earth no more!'
+ He spoke, and sighed. In angry mood,
+ Plutus, his god, before him stood.
+ The miser, trembling, locked his chest;
+ The vision frowned, and thus address'd:
+_30
+ 'Whence is this vile ungrateful rant?
+ Each sordid rascal's daily cant.
+ Did I, base wretch, corrupt mankind?
+ The fault's in thy rapacious mind.
+ Because my blessings are abused,
+ Must I be censured, cursed, accused?
+ Even virtue's self by knaves is made
+ A cloak to carry on the trade;
+ And power (when lodged in their possession)
+ Grows tyranny, and rank oppression.
+_40
+ Thus, when the villain crams his chest,
+ Gold is the canker of the breast;
+ 'Tis avarice, insolence, and pride,
+ And every shocking vice beside.
+ But when to virtuous hands 'tis given,
+ It blesses, like the dews of heaven:
+ Like Heaven, it hears the orphan's cries,
+ And wipes the tears from widows' eyes;
+ Their crimes on gold shall misers lay,
+ Who pawned their sordid souls for pay?
+_50
+ Let bravoes then (when blood is spilt)
+ Upbraid the passive sword with guilt.'
+
+ * * * * *
+
+
+FABLE VII.
+
+THE LION, THE FOX, AND THE GEESE.
+
+ A lion, tired with state affairs,
+ Quite sick of pomp, and worn with cares,
+ Resolved (remote from noise and strife)
+ In peace to pass his latter life.
+ It was proclaimed; the day was set;
+ Behold the general council met,
+ The fox was viceroy named. The crowd
+ To the new regent humbly bowed.
+ Wolves, bears, and mighty tigers bend,
+ And strive who most shall condescend.
+_10
+ He straight assumes a solemn grace,
+ Collects his wisdom in his face.
+ The crowd admire his wit, his sense:
+ Each word hath weight and consequence.
+ The flatterer all his art displays:
+ He who hath power, is sure of praise.
+ A fox stept forth before the rest,
+ And thus the servile throng address'd.
+ 'How vast his talents, born to rule,
+ And trained in virtue's honest school:
+_20
+ What clemency his temper sways!
+ How uncorrupt are all his ways!
+ Beneath his conduct and command,
+ Rapine shall cease to waste the land.
+ His brain hath stratagem and art;
+ Prudence and mercy rule his heart;
+ What blessings must attend the nation
+ Under this good administration!'
+ He said. A goose who distant stood,
+ Harangued apart the cackling brood:
+_30
+ 'W'hene'er I hear a knave commend,
+ He bids me shun his worthy friend.
+ What praise! what mighty commendation!
+ But 'twas a fox who spoke the oration.
+ Foxes this government may prize,
+ As gentle, plentiful, and wise;
+ If they enjoy the sweets, 'tis plain
+ We geese must feel a tyrant reign.
+ What havoc now shall thin our race,
+ When every petty clerk in place,
+_40
+ To prove his taste and seem polite,
+ Will feed on geese both noon and night!'
+
+ * * * * *
+
+
+FABLE VIII.
+
+THE LADY AND THE WASP.
+
+ What whispers must the beauty bear!
+ What hourly nonsense haunts her ear!
+ Where'er her eyes dispense their charms,
+ Impertinence around her swarms.
+ Did not the tender nonsense strike,
+ Contempt and scorn might soon dislike.
+ Forbidding airs might thin the place,
+ The slightest flap a fly can chase.
+ But who can drive the numerous breed?
+ Chase one, another will succeed.
+_10
+ Who knows a fool, must know his brother;
+ One fop will recommend another:
+ And with this plague she's rightly curs'd,
+ Because she listened to the first.
+ As Doris, at her toilet's duty,
+ Sat meditating on her beauty,
+ She now was pensive, now was gay,
+ And lolled the sultry hours away.
+ As thus in indolence she lies,
+ A giddy wasp around her flies.
+_20
+ He now advances, now retires,
+ Now to her neck and cheek aspires.
+ Her fan in vain defends her charms;
+ Swift he returns, again alarms;
+ For by repulse he bolder grew,
+ Perched on her lip, and sipp'd the dew.
+ She frowns, she frets. 'Good God!' she cries,
+ 'Protect me from these teasing flies!
+ Of all the plagues that heaven hath sent,
+ A wasp is most impertinent.'
+_30
+ The hovering insect thus complained:
+ 'Am I then slighted, scorned, disdained?
+ Can such offence your anger wake?
+ 'Twas beauty caused the bold mistake.
+ Those cherry lips that breathe perfume,
+ That cheek so ripe with youthful bloom,
+ Made me with strong desire pursue
+ The fairest peach that ever grew.'
+ 'Strike him not, Jenny,' Doris cries,
+ 'Nor murder wasps like vulgar flies:
+_40
+ For though he's free (to do him right)
+ The creature's civil and polite.'
+ In ecstacies away he posts;
+ Where'er he came, the favour boasts;
+ Brags how her sweetest tea he sips,
+ And shows the sugar on his lips.
+ The hint alarmed the forward crew;
+ Sure of success, away they flew.
+ They share the dainties of the day,
+ Round her with airy music play;
+_50
+ And now they flutter, now they rest,
+ Now soar again, and skim her breast.
+ Nor were they banished, till she found
+ That wasps have stings, and felt the wound.
+
+ * * * * *
+
+
+FABLE IX.
+
+THE BULL AND THE MASTIFF.
+
+ Seek you to train your fav'rite boy?
+ Each caution, every care employ:
+ And ere you venture to confide,
+ Let his preceptor's heart be tried:
+ Weigh well his manners, life, and scope;
+ On these depends thy future hope.
+ As on a time, in peaceful reign,
+ A bull enjoyed the flowery plain,
+ A mastiff passed; inflamed with ire,
+ His eye-balls shot indignant fire;
+_10
+ He foamed, he raged with thirst of blood
+ Spurning the ground the monarch stood,
+ And roared aloud, 'Suspend the fight;
+ In a whole skin go sleep to-night:
+ Or tell me, ere the battle rage,
+ What wrongs provoke thee to engage?
+ Is it ambition fires thy breast,
+ Or avarice that ne'er can rest?
+ From these alone unjustly springs
+ The world-destroying wrath of kings.'
+_20
+ The surly mastiff thus returns:
+ 'Within my bosom glory burns.
+ Like heroes of eternal name,
+ Whom poets sing, I fight for fame.
+ The butcher's spirit-stirring mind
+ To daily war my youth inclined;
+ He trained me to heroic deed;
+ Taught me to conquer, or to bleed.'
+ 'Cursed dog,' the bull replied, 'no more
+ I wonder at thy thirst of gore;
+_30
+ For thou, beneath a butcher trained,
+ Whose hands with cruelty are stained;
+ His daily murders in thy view,
+ Must, like thy tutor, blood pursue.
+ Take then thy fate.' With goring wound,
+ At once he lifts him from the ground;
+ Aloft the sprawling hero flies,
+ Mangled he falls, he howls, and dies.
+
+ * * * * *
+
+
+FABLE X.
+
+THE ELEPHANT AND THE BOOKSELLER.
+
+ The man who, with undaunted toils,
+ Sails unknown seas to unknown soils,
+ With various wonders feasts his sight:
+ What stranger wonders does he write!
+ We read, and in description view
+ Creatures which Adam never knew:
+ For, when we risk no contradiction,
+ It prompts the tongue to deal in fiction.
+ Those things that startle me or you,
+ I grant are strange; yet may be true.
+_10
+ Who doubts that elephants are found
+ For science and for sense renowned?
+ Borri records their strength of parts,
+ Extent of thought, and skill in arts;
+ How they perform the law's decrees,
+ And save the state the hangman's fees;
+ And how by travel understand
+ The language of another land.
+ Let those, who question this report,
+ To Pliny's ancient page resort;
+_20
+ How learn'd was that sagacious breed!
+ Who now (like them) the Greek can read!
+ As one of these, in days of yore,
+ Rummaged a shop of learning o'er;
+ Not, like our modern dealers, minding
+ Only the margin's breadth and binding;
+ A book his curious eye detains,
+ Where, with exactest care and pains,
+ Were every beast and bird portrayed,
+ That e'er the search of man surveyed,
+_30
+ Their natures and their powers were writ,
+ With all the pride of human wit.
+ The page he with attention spread,
+ And thus remarked on what he read:
+ 'Man with strong reason is endowed;
+ A beast scarce instinct is allowed.
+ But let this author's worth be tried,
+ 'Tis plain that neither was his guide.
+ Can he discern the different natures,
+ And weigh the power of other creatures
+_40
+ Who by the partial work hath shown
+ He knows so little of his own?
+ How falsely is the spaniel drawn!
+ Did man from him first learn to fawn?
+ A dog proficient in the trade!
+ He the chief flatterer nature made!
+ Go, man, the ways of courts discern,
+ You'll find a spaniel still might learn.
+ How can the fox's theft and plunder
+ Provoke his censure or his wonder;
+_50
+ From courtiers' tricks, and lawyers' arts,
+ The fox might well improve his parts.
+ The lion, wolf, and tiger's brood,
+ He curses, for their thirst of blood:
+ But is not man to man a prey?
+ Beasts kill for hunger, men for pay.'
+ The bookseller, who heard him speak,
+ And saw him turn a page of Greek,
+ Thought, what a genius have I found!
+ Then thus addressed with bow profound:
+_60
+ 'Learn'd sir, if you'd employ your pen
+ Against the senseless sons of men,
+ Or write the history of Siam, [2]
+ No man is better pay than I am;
+ Or, since you're learn'd in Greek, let's see
+ Something against the Trinity.'
+ When wrinkling with a sneer his trunk,
+ 'Friend,' quoth the elephant, 'you're drunk;
+ E'en keep your money and be wise:
+ Leave man on man to criticise;
+_70
+ For that you ne'er can want a pen
+ Among the senseless sons of men.
+ They unprovoked will court the fray:
+ Envy's a sharper spur than pay.
+ No author ever spared a brother;
+ Wits are game-cocks to one another.'
+
+ * * * * *
+
+
+FABLE XI.
+
+THE PEACOCK, THE TURKEY, AND THE GOOSE.
+
+ In beauty faults conspicuous grow;
+ The smallest speck is seen on snow.
+ As near a barn, by hunger led,
+ A peacock with the poultry fed;
+ All viewed him with an envious eye,
+ And mocked his gaudy pageantry.
+ He, conscious of superior merit,
+ Contemns their base reviling spirit;
+ His state and dignity assumes,
+ And to the sun displays his plumes;
+_10
+ Which, like the heaven's o'er-arching skies,
+ Are spangled with a thousand eyes.
+ The circling rays, and varied light,
+ At once confound their dazzled sight:
+ On every tongue detraction burns,
+ And malice prompts their spleen by turns.
+ 'Mark, with what insolence and pride
+ The creature takes his haughty stride!'
+ The turkey cries. 'Can spleen contain?
+ Sure never bird was half so vain!
+_20
+ But were intrinsic merit seen,
+ We turkeys have the whiter skin.'
+ From tongue to tongue they caught abuse;
+ And next was heard the hissing goose:
+ 'What hideous legs! what filthy claws!
+ I scorn to censure little flaws!
+ Then what a horrid squalling throat!
+ Even owls are frighted at the note.'
+ 'True; those are faults,' the peacock cries;
+ 'My scream, my shanks you may despise:
+_30
+ But such blind critics rail in vain:
+ What, overlook my radiant train!
+ Know, did my legs (your scorn and sport)
+ The turkey or the goose support,
+ And did ye scream with harsher sound,
+ Those faults in you had ne'er been found!
+ To all apparent beauties blind,
+ Each blemish strikes an envious mind.'
+ Thus in assemblies have I seen
+ A nymph of brightest charms and mien,
+_40
+ Wake envy in each ugly face;
+ And buzzing scandal fills the place.
+
+ * * * * *
+
+
+FABLE XII.
+
+CUPID, HYMEN, AND PLUTUS.
+
+ As Cupid in Cythera's grove
+ Employed the lesser powers of love;
+ Some shape the bow, or fit the string;
+ Some give the taper shaft its wing,
+ Or turn the polished quiver's mould,
+ Or head the dart with tempered gold.
+ Amidst their toil and various care,
+ Thus Hymen, with assuming air,
+ Addressed the god: 'Thou purblind chit,
+ Of awkward and ill-judging wit,
+_10
+ If matches are not better made,
+ At once I must forswear my trade.
+ You send me such ill-coupled folks,
+ That 'tis a shame to sell them yokes.
+ They squabble for a pin, a feather,
+ And wonder how they came together.
+ The husband's sullen, dogged, shy;
+ The wife grows flippant in reply:
+ He loves command and due restriction,
+ And she as well likes contradiction:
+_20
+ She never slavishly submits;
+ She'll have her will, or have her fits.
+ He this way tugs, she t'other draws:
+ The man grows jealous, and with cause.
+ Nothing can save him but divorce;
+ And here the wife complies of course.'
+ 'When,' says the boy, 'had I to do
+ With either your affairs or you?
+ I never idly spent my darts;
+ You trade in mercenary hearts.
+_30
+ For settlements the lawyer's fee'd;
+ Is my hand witness to the deed?
+ If they like cat and dog agree,
+ Go, rail at Plutus, not at me.'
+ Plutus appeared, and said, ''Tis true,
+ In marriage gold is all their view:
+ They seek not beauty, wit, or sense;
+ And love is seldom the pretence.
+ All offer incense at my shrine,
+ And I alone the bargain sign.
+_40
+ How can Belinda blame her fate?
+ She only asked a great estate.
+ Doris was rich enough, 'tis true;
+ Her lord must give her title too:
+ And every man, or rich or poor,
+ A fortune asks, and asks no more.'
+ Av'rice, whatever shape it bears,
+ Must still be coupled with its cares.
+
+ * * * * *
+
+
+FABLE XIII.
+
+THE TAME STAG.
+
+ As a young stag the thicket pass'd,
+ The branches held his antlers fast;
+ A clown, who saw the captive hung,
+ Across the horns his halter flung.
+ Now safely hampered in the cord,
+ He bore the present to his lord.
+ His lord was pleased; as was the clown,
+ When he was tipp'd with half-a-crown.
+ The stag was brought before his wife;
+ The tender lady begged his life.
+_10
+ 'How sleek's the skin! how speck'd like ermine!
+ Sure never creature was so charming!'
+ At first within the yard confined,
+ He flies and hides from all mankind;
+ Now bolder grown, with fixed amaze,
+ And distant awe, presumes to gaze;
+ Munches the linen on the lines,
+ And on a hood or apron dines:
+ He steals my little master's bread,
+ Follows the servants to be fed:
+_20
+ Nearer and nearer now he stands,
+ To feel the praise of patting hands;
+ Examines every fist for meat,
+ And though repulsed, disdains retreat:
+ Attacks again with levelled horns;
+ And man, that was his terror, scorns.
+ Such is the country maiden's fright,
+ When first a red-coat is in sight;
+ Behind the door she hides her face;
+ Next time at distance eyes the lace;
+_30
+ She now can all his terrors stand,
+ Nor from his squeeze withdraws her hand.
+ She plays familiar in his arms,
+ And every soldier hath his charms.
+ From tent to tent she spreads her flame;
+ For custom conquers fear and shame.
+
+ * * * * *
+
+
+FABLE XIV.
+
+THE MONKEY WHO HAD SEEN THE WORLD.
+
+ A Monkey, to reform the times,
+ Resolved to visit foreign climes:
+ For men in distant regions roam
+ To bring politer manners home,
+ So forth he fares, all toil defies:
+ Misfortune serves to make us wise.
+ At length the treach'rous snare was laid;
+ Poor Pug was caught, to town conveyed,
+ There sold. How envied was his doom,
+ Made captive in a lady's room!
+_10
+ Proud as a lover of his chains,
+ He day by day her favour gains.
+ Whene'er the duty of the day
+ The toilet calls; with mimic play
+ He twirls her knot, he cracks her fan,
+ Like any other gentleman.
+ In visits too his parts and wit,
+ When jests grew dull, were sure to hit.
+ Proud with applause, he thought his mind
+ In every courtly art refined;
+_20
+ Like Orpheus burnt with public zeal,
+ To civilise the monkey weal:
+ So watched occasion, broke his chain,
+ And sought his native woods again.
+ The hairy sylvans round him press,
+ Astonished at his strut and dress.
+ Some praise his sleeve; and others gloat
+ Upon his rich embroidered coat;
+ His dapper periwig commending,
+ With the black tail behind depending;
+_30
+ His powdered back, above, below,
+ Like hoary frost, or fleecy snow;
+ But all with envy and desire,
+ His fluttering shoulder-knot admire.
+ 'Hear and improve,' he pertly cries;
+ 'I come to make a nation wise.
+ Weigh your own words; support your place,
+ The next in rank to human race.
+ In cities long I passed my days,
+ Conversed with men, and learnt their ways.
+_40
+ Their dress, their courtly manners see;
+ Reform your state and copy me.
+ Seek ye to thrive? in flattery deal;
+ Your scorn, your hate, with that conceal.
+ Seem only to regard your friends,
+ But use them for your private ends.
+ Stint not to truth the flow of wit;
+ Be prompt to lie whene'er 'tis fit.
+ Bend all your force to spatter merit;
+ Scandal is conversation's spirit.
+_50
+ Boldly to everything attend,
+ And men your talents shall commend.
+ I knew the great. Observe me right;
+ So shall you grow like man polite.'
+ He spoke and bowed. With muttering jaws
+ The wondering circle grinned applause.
+ Now, warm with malice, envy, spite,
+ Their most obliging friends they bite;
+ And fond to copy human ways,
+ Practise new mischiefs all their days.
+_60
+ Thus the dull lad, too tall for school,
+ With travel finishes the fool;
+ Studious of every coxcomb's airs,
+ He drinks, games, dresses, whores, and swears;
+ O'erlooks with scorn all virtuous arts,
+ For vice is fitted to his parts.
+
+ * * * * *
+
+
+FABLE XV.
+
+THE PHILOSOPHER AND THE PHEASANTS.
+
+ The sage, awaked at early day,
+ Through the deep forest took his way;
+ Drawn by the music of the groves,
+ Along the winding gloom he roves:
+ From tree to tree, the warbling throats
+ Prolong the sweet alternate notes.
+ But where he pass'd, he terror threw,
+ The song broke short, the warblers flew;
+ The thrushes chattered with affright,
+ And nightingales abhorred his sight;
+_10
+ All animals before him ran,
+ To shun the hateful sight of man.
+ 'Whence is this dread of every creature?
+ Fly they our figure or our nature?'
+ As thus he walked in musing thought,
+ His ear imperfect accents caught;
+ With cautious step he nearer drew,
+ By the thick shade concealed from view.
+ High on the branch a pheasant stood,
+ Around her all her listening brood;
+_20
+ Proud of the blessings of her nest,
+ She thus a mother's care expressed:
+ 'No dangers here shall circumvent,
+ Within the woods enjoy content.
+ Sooner the hawk or vulture trust,
+ Than man; of animals the worst:
+ In him ingratitude you find,
+ A vice peculiar to the kind.
+ The sheep whose annual fleece is dyed,
+ To guard his health, and serve his pride,
+_30
+ Forced from his fold and native plain,
+ Is in the cruel shambles slain.
+ The swarms, who, with industrious skill,
+ His hives with wax and honey fill,
+ In vain whole summer days employed,
+ Their stores are sold, their race destroyed.
+ What tribute from the goose is paid!
+ Does not her wing all science aid!
+ Does it not lovers' hearts explain,
+ And drudge to raise the merchant's gain?
+_40
+ What now rewards this general use?
+ He takes the quills, and eats the goose.
+ Man then avoid, detest his ways;
+ So safety shall prolong your days.
+ When services are thus acquitted,
+ Be sure we pheasants must be spitted.'
+
+ * * * * *
+
+
+FABLE XVI.
+
+THE PIN AND THE NEEDLE.
+
+ A pin, who long had served a beauty,
+ Proficient in the toilet's duty,
+ Had formed her sleeve, confined her hair,
+ Or given her knot a smarter air,
+ Now nearest to her heart was placed,
+ Now in her mantua's tail disgraced:
+ But could she partial fortune blame,
+ Who saw her lovers served the same?
+ At length from all her honours cast;
+ Through various turns of life she pass'd;
+_10
+ Now glittered on a tailor's arm;
+ Now kept a beggar's infant warm;
+ Now, ranged within a miser's coat,
+ Contributes to his yearly groat;
+ Now, raised again from low approach,
+ She visits in the doctor's coach;
+ Here, there, by various fortune toss'd,
+ At last in Gresham Hall[3] was lost.
+ Charmed with the wonders of the show,
+ On every side, above, below,
+_20
+ She now of this or that enquires,
+ What least was understood admires.
+ 'Tis plain, each thing so struck her mind.
+ Her head's of virtuoso kind.
+ 'And pray what's this, and this, dear sir?'
+ 'A needle,' says the interpreter.
+ She knew the name. And thus the fool
+ Addressed her as a tailor's tool:
+ 'A needle with that filthy stone,
+ Quite idle, all with rust o'ergrown!
+_30
+ You better might employ your parts,
+ And aid the sempstress in her arts.
+ But tell me how the friendship grew
+ Between that paltry flint and you?'
+ 'Friend,' says the needle, 'cease to blame;
+ I follow real worth and fame.
+ Know'st thou the loadstone's power and art,
+ That virtue virtues can impart?
+ Of all his talents I partake,
+ Who then can such a friend forsake?
+_40
+ 'Tis I directs the pilot's hand
+ To shun the rocks and treacherous sand:
+ By me the distant world is known,
+ And either India is our own.
+ Had I with milliners been bred,
+ What had I been? the guide of thread,
+ And drudged as vulgar needles do,
+ Of no more consequence than you.'
+
+ * * * * *
+
+
+FABLE XVII.
+
+THE SHEPHERD'S DOG AND THE WOLF.
+
+ A wolf, with hunger fierce and bold,
+ Ravaged the plains, and thinned the fold:
+ Deep in the wood secure he lay,
+ The thefts of night regaled the day.
+ In vain the shepherd's wakeful care
+ Had spread the toils, and watched the snare:
+ In vain the dog pursued his pace,
+ The fleeter robber mocked the chase.
+ As Lightfoot ranged the forest round,
+ By chance his foe's retreat he found.
+_10
+ 'Let us awhile the war suspend,
+ And reason as from friend to friend.'
+ 'A truce?' replies the wolf. 'Tis done.
+ The dog the parley thus begun:
+ 'How can that strong intrepid mind
+ Attack a weak defenceless kind?
+ Those jaws should prey on nobler food,
+ And drink the boar's and lion's blood;
+ Great souls with generous pity melt,
+ Which coward tyrants never felt.
+_20
+ How harmless is our fleecy care!
+ Be brave, and let thy mercy spare.'
+ 'Friend,' says the wolf, 'the matter weigh;
+ Nature designed us beasts of prey;
+ As such when hunger finds a treat,
+ 'Tis necessary wolves should eat.
+ If mindful of the bleating weal,
+ Thy bosom burn with real zeal;
+ Hence, and thy tyrant lord beseech;
+ To him repeat the moving speech;
+_30
+ A wolf eats sheep but now and then,
+ Ten thousands are devoured by men.
+ An open foe may prove a curse,
+ But a pretended friend is worse.'
+
+ * * * * *
+
+
+FABLE XVIII.
+
+THE PAINTER WHO PLEASED NOBODY AND EVERYBODY.
+
+ Lest men suspect your tale untrue,
+ Keep probability in view.
+ The traveller leaping o'er those bounds,
+ The credit of his book confounds.
+ Who with his tongue hath armies routed,
+ Makes even his real courage doubted:
+ But flattery never seems absurd;
+ The flattered always take your word:
+ Impossibilities seem just;
+ They take the strongest praise on trust.
+_10
+ Hyperboles, though ne'er so great,
+ Will still come short of self-conceit.
+ So very like a painter drew,
+ That every eye the picture knew;
+ He hit complexion, feature, air,
+ So just, the life itself was there.
+ No flattery with his colours laid,
+ To bloom restored the faded maid;
+ He gave each muscle all its strength,
+ The mouth, the chin, the nose's length.
+_20
+ His honest pencil touched with truth,
+ And marked the date of age and youth.
+ He lost his friends, his practice failed;
+ Truth should not always be revealed;
+ In dusty piles his pictures lay,
+ For no one sent the second pay.
+ Two busts, fraught with every grace
+ A Venus' and Apollo's face,
+ He placed in view; resolved to please,
+ Whoever sat, he drew from these,
+_30
+ From these corrected every feature,
+ And spirited each awkward creature.
+ All things were set; the hour was come,
+ His pallet ready o'er his thumb,
+ My lord appeared; and seated right
+ In proper attitude and light,
+ The painter looked, he sketched the piece,
+ Then dipp'd his pencil, talked of Greece,
+ Of Titian's tints, of Guido's air;
+ 'Those eyes, my lord, the spirit there
+_40
+ Might well a Raphael's hand require,
+ To give them all the native fire;
+ The features fraught with sense and wit,
+ You'll grant are very hard to hit;
+ But yet with patience you shall view
+ As much as paint and art can do.
+ Observe the work.' My lord replied:
+ 'Till now I thought my mouth was wide;
+ Besides, my mouth is somewhat long;
+ Dear sir, for me, 'tis far too young.'
+_50
+ 'Oh! pardon me,' the artist cried,
+ 'In this, the painters must decide.
+ The piece even common eyes must strike,
+ I warrant it extremely like.'
+ My lord examined it anew;
+ No looking-glass seemed half so true.
+ A lady came, with borrowed grace
+ He from his Venus formed her face.
+ Her lover praised the painter's art;
+ So like the picture in his heart!
+_60
+ To every age some charm he lent;
+ Even beauties were almost content.
+ Through all the town his art they praised;
+ His custom grew, his price was raised.
+ Had he the real likeness shown,
+ Would any man the picture own?
+ But when thus happily he wrought,
+ Each found the likeness in his thought.
+
+ * * * * *
+
+
+FABLE XIX.
+
+THE LION AND THE CUB.
+
+ How fond are men of rule and place,
+ Who court it from the mean and base!
+ These cannot bear an equal nigh,
+ But from superior merit fly.
+ They love the cellar's vulgar joke,
+ And lose their hours in ale and smoke.
+ There o'er some petty club preside;
+ So poor, so paltry is their pride!
+ Nay, even with fools whole nights will sit,
+ In hopes to be supreme in wit.
+_10
+ If these can read, to these I write,
+ To set their worth in truest light.
+ A lion-cub, of sordid mind,
+ Avoided all the lion kind;
+ Fond of applause, he sought the feasts
+ Of vulgar and ignoble beasts;
+ With asses all his time he spent,
+ Their club's perpetual president.
+ He caught their manners, looks, and airs;
+ An ass in every thing, but ears!
+_20
+ If e'er his highness meant a joke,
+ They grinned applause before he spoke;
+ But at each word what shouts of praise!
+ Good gods! how natural he brays!
+ Elate with flattery and conceit,
+ He seeks his royal sire's retreat;
+ Forward, and fond to show his parts,
+ His highness brays; the lion starts.
+ 'Puppy, that cursed vociferation
+ Betrays thy life and conversation:
+_30
+
+ Coxcombs, an ever-noisy race,
+ Are trumpets of their own disgrace.'
+ 'Why so severe?' the cub replies;
+ 'Our senate always held me wise.'
+ 'How weak is pride!' returns the sire;
+ 'All fools are vain, when fools admire!
+ But know what stupid asses prize,
+ Lions and noble beasts despise.'
+
+ * * * * *
+
+
+FABLE XX.
+
+THE OLD HEN AND THE COCK.
+
+ Restrain your child; you'll soon believe
+ The text which says, we sprung from Eve.
+ As an old hen led forth her train,
+ And seemed to peck to shew the grain;
+ She raked the chaff, she scratched the ground,
+ And gleaned the spacious yard around.
+ A giddy chick, to try her wings,
+ On the well's narrow margin springs,
+ And prone she drops. The mother's breast
+ All day with sorrow was possess'd.
+_10
+ A cock she met; her son she knew;
+ And in her heart affection grew.
+ 'My son,' says she, 'I grant your years
+ Have reached beyond a mother's cares;
+ I see you vig'rous, strong, and bold;
+ I hear with joy your triumphs told.
+ Tis not from cocks thy fate I dread;
+ But let thy ever-wary tread
+ Avoid yon well; that fatal place
+ Is sure perdition to our race.
+_20
+ Print this my counsel on thy breast;
+ To the just gods I leave the rest.'
+ He thanked her care; yet day by day
+ His bosom burned to disobey;
+ And every time the well he saw,
+ Scorned in his heart the foolish law:
+ Near and more near each day he drew,
+ And longed to try the dangerous view.
+ 'Why was this idle charge?' he cries;
+ 'Let courage female fears despise.
+_30
+ Or did she doubt my heart was brave,
+ And therefore this injunction gave?
+ Or does her harvest store the place,
+ A treasure for her younger race?
+ And would she thus my search prevent?
+ I stand resolved, and dare the event.'
+ Thus said. He mounts the margin's round,
+ And pries into the depth profound.
+ He stretched his neck; and from below
+ With stretching neck advanced a foe:
+_40
+ With wrath his ruffled plumes he rears,
+ The foe with ruffled plumes appears:
+ Threat answered threat, his fury grew,
+ Headlong to meet the war he flew,
+ But when the watery death he found,
+ He thus lamented as he drowned:
+ 'I ne'er had been in this condition,
+ But for my mother's prohibition.'
+
+ * * * * *
+
+
+FABLE XXI.
+
+THE RAT-CATCHER AND CATS.
+
+ The rats by night such mischief did,
+ Betty was every morning chid.
+ They undermined whole sides of bacon,
+ Her cheese was sapped, her tarts were taken.
+ Her pasties, fenced with thickest paste,
+ Were all demolished, and laid waste.
+ She cursed the cat for want of duty,
+ Who left her foes a constant booty.
+ An engineer, of noted skill,
+ Engaged to stop the growing ill.
+_10
+ From room to room he now surveys
+ Their haunts, their works, their secret ways;
+ Finds where they 'scape an ambuscade,
+ And whence the nightly sally's made.
+ An envious cat from place to place,
+ Unseen, attends his silent pace.
+ She saw, that if his trade went on,
+ The purring race must be undone;
+ So, secretly removes his baits,
+ And every stratagem defeats.
+_20
+ Again he sets the poisoned toils,
+ And puss again the labour foils.
+ 'What foe (to frustrate my designs)
+ My schemes thus nightly countermines?'
+ Incensed, he cries: 'this very hour
+ This wretch shall bleed beneath my power.'
+ So said. A pond'rous trap he brought,
+ And in the fact poor puss was caught.
+ 'Smuggler,' says he, 'thou shalt be made
+ A victim to our loss of trade.'
+_30
+ The captive cat, with piteous mews,
+ For pardon, life, and freedom sues:
+ 'A sister of the science spare;
+ One interest is our common care.'
+ 'What insolence!' the man replied;
+ 'Shall cats with us the game divide?
+ Were all your interloping band
+ Extinguished, of expelled the land,
+ We rat-catchers might raise our fees,
+ Sole guardians of a nation's cheese!'
+_40
+ A cat, who saw the lifted knife,
+ Thus spoke, and saved her sister's life:
+ 'In every age and clime we see,
+ Two of a trade can ne'er agree.
+ Each hates his neighbour for encroaching;
+ Squire stigmatises squire for poaching;
+ Beauties with beauties are in arms,
+ And scandal pelts each other's charms;
+ Kings too their neighbour kings dethrone,
+ In hope to make the world their own.
+_50
+ But let us limit our desires;
+ Nor war like beauties, kings, and squires!
+ For though we both one prey pursue,
+ There's game enough for us and you.'
+
+ * * * * *
+
+
+FABLE XXII.
+
+THE GOAT WITHOUT A BEARD.
+
+ 'Tis certain, that the modish passions
+ Descend among the crowd, like fashions.
+ Excuse me then, if pride, conceit,
+ (The manners of the fair and great)
+ I give to monkeys, asses, dogs,
+ Fleas, owls, goats, butterflies, and hogs.
+ I say that these are proud. What then?
+ I never said they equal men.
+ A goat (as vain as goat can be)
+ Affected singularity.
+_10
+ Whene'er a thymy bank he found,
+ He rolled upon the fragrant ground;
+ And then with fond attention stood,
+ Fixed o'er his image in the flood.
+ 'I hate my frowsy beard,' he cries;
+ 'My youth is lost in this disguise.
+ Did not the females know my vigour,
+ Well might they loathe this reverend figure.'
+ Resolved to smoothe his shaggy face,
+ He sought the barber of the place.
+_20
+ A flippant monkey, spruce and smart,
+ Hard by, professed the dapper art;
+ His pole with pewter basins hung,
+ Black rotten teeth in order strung,
+ Ranged cups that in the window stood,
+ Lined with red rags, to look like blood,
+ Did well his threefold trade explain,
+ Who shaved, drew teeth, and breathed a vein.
+ The goat he welcomes with an air,
+ And seats him in his wooden chair:
+_30
+ Mouth, nose, and cheek the lather hides:
+ Light, smooth, and swift the razor glides.
+ 'I hope your custom, sir,' says pug.
+ 'Sure never face was half so smug.'
+ The goat, impatient for applause,
+ Swift to the neighbouring hill withdraws:
+ The shaggy people grinned and stared.
+ 'Heyday! what's here? without a beard!
+ Say, brother, whence the dire disgrace?
+ What envious hand hath robbed your face?'
+_40
+ When thus the fop with smiles of scorn:
+ 'Are beards by civil nations worn?
+ Even Muscovites have mowed their chins.
+ Shall we, like formal Capuchins,
+ Stubborn in pride, retain the mode,
+ And bear about the hairy load?
+ Whene'er we through the village stray,
+ Are we not mocked along the way;
+ Insulted with loud shouts of scorn,
+ By boys our beards disgraced and torn?'
+_50
+ 'Were you no more with goats to dwell,
+ Brother, I grant you reason well,'
+ Replies a bearded chief. 'Beside,
+ If boys can mortify thy pride,
+ How wilt thou stand the ridicule
+ Of our whole flock? Affected fool!
+ Coxcombs, distinguished from the rest,
+ To all but coxcombs are a jest.'
+
+ * * * * *
+
+
+FABLE XXIII.
+
+THE OLD WOMAN AND HER CATS.
+
+ Who friendship with a knave hath made,
+ Is judged a partner in the trade.
+ The matron who conducts abroad
+ A willing nymph, is thought a bawd;
+ And if a modest girl is seen
+ With one who cures a lover's spleen,
+ We guess her not extremely nice,
+ And only wish to know her price.
+ 'Tis thus that on the choice of friends
+ Our good or evil name depends.
+_10
+ A wrinkled hag, of wicked fame,
+ Beside a little smoky flame
+ Sate hovering, pinched with age and frost;
+ Her shrivelled hands, with veins embossed,
+ Upon her knees her weight sustains,
+ While palsy shook her crazy brains:
+ She mumbles forth her backward prayers,
+ An untamed scold of fourscore years.
+ About her swarmed a numerous brood
+ Of cats, who, lank with hunger, mewed.
+_20
+ Teased with their cries, her choler grew,
+ And thus she sputtered: 'Hence, ye crew.
+ Fool that I was, to entertain
+ Such imps, such fiends, a hellish train!
+ Had ye been never housed and nursed,
+ I, for a witch had ne'er been cursed.
+ To you I owe, that crowds of boys
+ Worry me with eternal noise;
+ Straws laid across, my pace retard,
+ The horse-shoe's nailed (each threshold's guard),
+_30
+ The stunted broom the wenches hide,
+ For fear that I should up and ride;
+ They stick with pins my bleeding seat,
+ And bid me show my secret teat.'
+ 'To hear you prate would vex a saint;
+ Who hath most reason of complaint?'
+ Replies a cat. 'Let's come to proof.
+ Had we ne'er starved beneath your roof,
+ We had, like others of our race,
+ In credit lived as beasts of chase.
+_40
+ 'Tis infamy to serve a hag;
+ Cats are thought imps, her broom a nag;
+ And boys against our lives combine,
+ Because, 'tis said, you cats have nine.'
+
+ * * * * *
+
+
+FABLE XXIV.
+
+THE BUTTERFLY AND THE SNAIL.
+
+ All upstarts insolent in place,
+ Remind us of their vulgar race.
+ As, in the sunshine of the morn,
+ A butterfly (but newly born)
+ Sat proudly perking on a rose;
+ With pert conceit his bosom glows;
+ His wings (all-glorious to behold)
+ Bedropp'd with azure, jet, and gold,
+ Wide he displays; the spangled dew
+ Reflects his eyes, and various hue.
+_10
+ His now-forgotten friend, a snail,
+ Beneath his house, with slimy trail
+ Crawls o'er the grass; whom when he spies,
+ In wrath he to the gard'ner cries:
+ 'What means yon peasant's daily toil,
+ From choking weeds to rid the soil?
+ Why wake you to the morning's care,
+ Why with new arts correct the year,
+ Why glows the peach with crimson hue,
+ And why the plum's inviting blue;
+_20
+ Were they to feast his taste design'd,
+ That vermin of voracious kind?
+ Crush then the slow, the pilfering race;
+ So purge thy garden from disgrace.'
+ 'What arrogance!' the snail replied;
+ 'How insolent is upstart pride!
+ Hadst thou not thus with insult vain,
+ Provoked my patience to complain,
+ I had concealed thy meaner birth,
+ Nor traced thee to the scum of earth.
+_30
+ For scarce nine suns have waked the hours,
+ To swell the fruit, and paint the flowers,
+ Since I thy humbler life surveyed,
+ In base, in sordid guise arrayed;
+ A hideous insect, vile, unclean,
+ You dragged a slow and noisome train;
+ And from your spider-bowels drew
+ Foul film, and spun the dirty clew.
+ I own my humble life, good friend;
+ Snail was I born, and snail shall end.
+_40
+ And what's a butterfly? At best,
+ He's but a caterpillar, dress'd;
+ And all thy race (a numerous seed)
+ Shall prove of caterpillar breed.'
+
+ * * * * *
+
+
+FABLE XXV.
+
+THE SCOLD AND THE PARROT.
+
+ The husband thus reproved his wife:
+ 'Who deals in slander, lives in strife.
+ Art thou the herald of disgrace,
+ Denouncing war to all thy race?
+ Can nothing quell thy thunder's rage,
+ Which spares no friend, nor sex, nor age?
+ That vixen tongue of yours, my dear,
+ Alarms our neighbours far and near.
+ Good gods! 'tis like a rolling river,
+ That murmuring flows, and flows for ever!
+_10
+ Ne'er tired, perpetual discord sowing!
+ Like fame, it gathers strength by going.'
+ 'Heyday!' the flippant tongue replies,
+ How solemn is the fool, how wise!
+ Is nature's choicest gift debarred?
+ Nay, frown not; for I will be heard.
+ Women of late are finely ridden,
+ A parrot's privilege forbidden!
+ You praise his talk, his squalling song;
+ But wives are always in the wrong.'
+_20
+ Now reputations flew in pieces,
+ Of mothers, daughters, aunts, and nieces.
+ She ran the parrot's language o'er,
+ Bawd, hussy, drunkard, slattern, whore;
+ On all the sex she vents her fury,
+ Tries and condemns without a jury.
+ At once the torrent of her words
+ Alarmed cat, monkey, dogs, and birds:
+ All join their forces to confound her;
+ Puss spits, the monkey chatters round her;
+_30
+ The yelping cur her heels assaults;
+ The magpie blabs out all her faults;
+ Poll, in the uproar, from his cage,
+ With this rebuke out-screamed her rage:
+ 'A parrot is for talking prized,
+ But prattling women are despised.
+ She who attacks another's honour,
+ Draws every living thing upon her.
+ Think, madam, when you stretch your lungs,
+ That all your neighbours too have tongues.
+_40
+ One slander must ten thousand get,
+ The world with interest pays the debt.'
+
+ * * * * *
+
+
+FABLE XXVI.
+
+THE CUR AND THE MASTIFF.
+
+ A sneaking cur, the master's spy,
+ Rewarded for his daily lie,
+ With secret jealousies and fears
+ Set all together by the ears.
+ Poor puss to-day was in disgrace,
+ Another cat supplied her place;
+ The hound was beat, the mastiff chid,
+ The monkey was the room forbid;
+ Each to his dearest friend grew shy,
+ And none could tell the reason why.
+_10
+ A plan to rob the house was laid,
+ The thief with love seduced the maid;
+ Cajoled the cur, and stroked his head,
+ And bought his secrecy with bread.
+ He next the mastiff's honour tried,
+ Whose honest jaws the bribe defied.
+ He stretched his hand to proffer more;
+ The surly dog his fingers tore.
+ Swift ran the cur; with indignation
+ The master took his information.
+_20
+ 'Hang him, the villain's cursed,' he cries;
+ And round his neck the halter ties.
+ The dog his humble suit preferred,
+ And begged in justice to be heard.
+ The master sat. On either hand
+ The cited dogs confronting stand;
+ The cur the bloody tale relates,
+ And, like a lawyer, aggravates.
+ 'Judge not unheard,' the mastiff cried,
+ 'But weigh the cause on either side.
+_30
+ Think not that treachery can be just,
+ Take not informers' words on trust.
+ They ope their hand to every pay,
+ And you and me by turns betray.'
+ He spoke. And all the truth appeared,
+ The cur was hanged, the mastiff cleared.
+
+ * * * * *
+
+
+FABLE XXVII.
+
+THE SICK MAN AND THE ANGEL.
+
+ 'Is there no hope?' the sick man said.
+ The silent doctor shook his head,
+ And took his leave with signs of sorrow,
+ Despairing of his fee to-morrow.
+ When thus the man with gasping breath;
+ 'I feel the chilling wound of death:
+ Since I must bid the world adieu,
+ Let me my former life review.
+ I grant, my bargains well were made,
+ But all men over-reach in trade;
+_10
+
+ 'Tis self-defence in each profession,
+ Sure self-defence is no transgression.
+ The little portion in my hands,
+ By good security on lands,
+ Is well increased. If unawares,
+ My justice to myself and heirs,
+ Hath let my debtor rot in jail,
+ For want of good sufficient bail;
+ If I by writ, or bond, or deed,
+ Reduced a family to need,
+_20
+ My will hath made the world amends;
+ My hope on charity depends.
+ When I am numbered with the dead,
+ And all my pious gifts are read,
+ By heaven and earth 'twill then be known
+ My charities were amply shown'
+ An angel came. 'Ah, friend!' he cried,
+ 'No more in flattering hope confide.
+ Can thy good deeds in former times
+ Outweigh the balance of thy crimes?
+_30
+ What widow or what orphan prays
+ To crown thy life with length of days?
+ A pious action's in thy power,
+ Embrace with joy the happy hour.
+ Now, while you draw the vital air,
+ Prove your intention is sincere.
+ This instant give a hundred pound;
+ Your neighbours want, and you abound.'
+ 'But why such haste?' the sick man whines;
+ 'Who knows as yet what Heaven designs?
+_40
+ Perhaps I may recover still;
+ That sum and more are in my will?
+ 'Fool,' says the vision, 'now 'tis plain,
+ Your life, your soul, your heaven was gain,
+ From every side, with all your might,
+ You scraped, and scraped beyond your right;
+ And after death would fain atone,
+ By giving what is not your own.'
+ 'While there is life, there's hope,' he cried;
+ 'Then why such haste?' so groaned and died.
+_50
+
+ * * * * *
+
+
+FABLE XXVIII.
+
+THE PERSIAN, THE SUN, AND THE CLOUD.
+
+ Is there a bard whom genius fires,
+ Whose every thought the god inspires?
+ When Envy reads the nervous lines,
+ She frets, she rails, she raves, she pines;
+ Her hissing snakes with venom swell;
+ She calls her venal train from hell:
+ The servile fiends her nod obey,
+ And all Curl's[4] authors are in pay,
+ Fame calls up calumny and spite.
+ Thus shadow owes its birth to light.
+_10
+ As prostrate to the god of day,
+ With heart devout, a Persian lay,
+ His invocation thus begun:
+ 'Parent of light, all-seeing Sun,
+ Prolific beam, whose rays dispense
+ The various gifts of providence,
+ Accept our praise, our daily prayer,
+ Smile on our fields, and bless the year.'
+ A cloud, who mocked his grateful tongue,
+ The day with sudden darkness hung;
+_20
+ With pride and envy swelled, aloud
+ A voice thus thundered from the cloud:
+ 'Weak is this gaudy god of thine,
+ Whom I at will forbid to shine.
+ Shall I nor vows, nor incense know?
+ Where praise is due, the praise bestow.'
+ With fervent zeal the Persian moved,
+ Thus the proud calumny reproved:
+ 'It was that god, who claims my prayer,
+ Who gave thee birth, and raised thee there;
+_30
+ When o'er his beams the veil is thrown,
+ Thy substance is but plainer shown.
+ A passing gale, a puff of wind
+ Dispels thy thickest troops combined.'
+ The gale arose; the vapour toss'd
+ (The sport of winds) in air was lost;
+ The glorious orb the day refines.
+ Thus envy breaks, thus merit shines.
+
+ * * * * *
+
+
+FABLE XXIX.
+
+THE FOX AT THE POINT OF DEATH.
+
+ A fox, in life's extreme decay,
+ Weak, sick, and faint, expiring lay;
+ All appetite had left his maw,
+ And age disarmed his mumbling jaw.
+ His numerous race around him stand
+ To learn their dying sire's command:
+ He raised his head with whining moan,
+ And thus was heard the feeble tone:
+ 'Ah, sons! from evil ways depart:
+ My crimes lie heavy on my heart.
+_10
+ See, see, the murdered geese appear!
+ Why are those bleeding turkeys here?
+ Why all around this cackling train,
+ Who haunt my ears for chicken slain?
+ The hungry foxes round them stared,
+ And for the promised feast prepared.
+ 'Where, sir, is all this dainty cheer?
+ Nor turkey, goose, nor hen is here.
+ These are the phantoms of your brain,
+ And your sons lick their lips in vain.'
+_20
+ 'O gluttons!' says the drooping sire,
+ 'Restrain inordinate desire.
+ Your liqu'rish taste you shall deplore,
+ When peace of conscience is no more.
+ Does not the hound betray our pace,
+ And gins and guns destroy our race?
+ Thieves dread the searching eye of power,
+ And never feel the quiet hour.
+ Old age (which few of us shall know)
+ Now puts a period to my woe.
+_30
+ Would you true happiness attain,
+ Let honesty your passions rein;
+ So live in credit and esteem,
+ And the good name you lost, redeem.'
+ 'The counsel's good,' a fox replies,
+ 'Could we perform what you advise.
+ Think what our ancestors have done;
+ A line of thieves from son to son:
+ To us descends the long disgrace,
+ And infamy hath marked our race.
+_40
+ Though we, like harmless sheep, should feed,
+ Honest in thought, in word, and deed;
+ Whatever henroost is decreased,
+ We shall be thought to share the feast.
+ The change shall never be believed,
+ A lost good name is ne'er retrieved.'
+ 'Nay, then,' replies the feeble fox,
+ '(But hark! I hear a hen that clocks)
+ Go, but be moderate in your food;
+ A chicken too might do me good.'
+
+ * * * * *
+
+
+ FABLE XXX.
+
+ THE SETTING-DOG AND THE PARTRIDGE.
+
+ The ranging dog the stubble tries,
+ And searches every breeze that flies;
+ The scent grows warm; with cautious fear
+ He creeps, and points the covey near;
+ The men, in silence, far behind,
+ Conscious of game, the net unbind.
+ A partridge, with experience wise,
+ The fraudful preparation spies:
+ She mocks their toils, alarms her brood;
+ The covey springs, and seeks the wood;
+_10
+ But ere her certain wing she tries,
+ Thus to the creeping spaniel cries:
+ 'Thou fawning slave to man's deceit,
+ Thou pimp of luxury, sneaking cheat,
+ Of thy whole species thou disgrace,
+ Dogs shall disown thee of their race!
+ For if I judge their native parts,
+ They're born with open, honest hearts;
+ And, ere they serve man's wicked ends,
+ Were generous foes, or real friends.'
+_20
+ When thus the dog, with scornful smile:
+ 'Secure of wing, thou dar'st revile.
+ Clowns are to polished manners blind,
+ How ignorant is the rustic mind!
+ My worth, sagacious courtiers see,
+ And to preferment rise, like me.
+ The thriving pimp, who beauty sets,
+ Hath oft enhanced a nation's debts:
+ Friend sets his friend, without regard;
+ And ministers his skill reward:
+_30
+ Thus trained by man, I learnt his ways,
+ And growing favour feasts my days.'
+ 'I might have guessed,' the partridge said,
+ 'The place where you were trained and fed;
+ Servants are apt, and in a trice
+ Ape to a hair their master's vice.
+ You came from court, you say. Adieu,'
+ She said, and to the covey flew.
+
+ * * * * *
+
+
+ FABLE XXXI.
+
+ THE UNIVERSAL APPARITION.
+
+ A rake, by every passion ruled,
+ With every vice his youth had cooled;
+ Disease his tainted blood assails;
+ His spirits droop, his vigour fails;
+ With secret ills at home he pines,
+ And, like infirm old age, declines.
+ As, twinged with pain, he pensive sits,
+ And raves, and prays, and swears by fits,
+ A ghastly phantom, lean and wan,
+ Before him rose, and thus began:
+_10
+ 'My name, perhaps, hath reached your ear;
+ Attend, and be advised by Care.
+ Nor love, nor honour, wealth, nor power,
+ Can give the heart a cheerful hour,
+ When health is lost. Be timely wise:
+ With health all taste of pleasure flies.'
+ Thus said, the phantom disappears.
+ The wary counsel waked his fears:
+ He now from all excess abstains,
+ With physic purifies his veins;
+_20
+ And, to procure a sober life,
+ Resolves to venture on a wife.
+ But now again the sprite ascends,
+ Where'er he walks his ear attends;
+ Insinuates that beauty's frail,
+ That perseverance must prevail;
+ With jealousies his brain inflames,
+ And whispers all her lovers' names.
+ In other hours she represents
+ His household charge, his annual rents,
+_30
+ Increasing debts, perplexing duns,
+ And nothing for his younger sons.
+ Straight all his thought to gain he turns,
+ And with the thirst of lucre burns.
+ But when possessed of fortune's store,
+ The spectre haunts him more and more;
+ Sets want and misery in view,
+ Bold thieves, and all the murd'ring crew,
+ Alarms him with eternal frights,
+ Infests his dream, or wakes his nights.
+_40
+ How shall he chase this hideous guest?
+ Power may perhaps protect his rest.
+ To power he rose. Again the sprite
+ Besets him, morning, noon, and night!
+ Talks of ambition's tottering seat,
+ How envy persecutes the great,
+ Of rival hate, of treacherous friends,
+ And what disgrace his fall attends.
+ The Court he quits to fly from Care,
+ And seeks the peace of rural air:
+_50
+ His groves, his fields, amused his hours;
+ He pruned his trees, he raised his flowers.
+ But Care again his steps pursues;
+ Warns him of blasts, of blighting dews,
+ Of plund'ring insects, snails, and rains,
+ And droughts that starved the laboured plains.
+ Abroad, at home, the spectre's there:
+ In vain we seek to fly from Care.
+ At length he thus the ghost address'd:
+ 'Since thou must be my constant guest,
+_60
+ Be kind, and follow me no more;
+ For Care by right should go before.'
+
+ * * * * *
+
+
+FABLE XXXII.
+
+THE TWO OWLS AND THE SPARROW.
+
+ Two formal owls together sat,
+ Conferring thus in solemn chat:
+ 'How is the modern taste decayed!
+ Where's the respect to wisdom paid?
+ Our worth the Grecian sages knew;
+ They gave our sires the honour due;
+ They weighed the dignity of fowls,
+ And pried into the depth of owls.
+ Athens, the seat of learned fame,
+ With general voice revered our name;
+_10
+ On merit, title was conferred,
+ And all adored the Athenian bird.'
+ 'Brother, you reason well,' replies
+ The solemn mate, with half-shut eyes;
+ 'Right. Athens was the seat of learning,
+ And truly wisdom is discerning.
+ Besides, on Pallas' helm we sit,
+ The type and ornament of wit:
+ But now, alas! we're quite neglected,
+ And a pert sparrow's more respected.'
+_20
+ A sparrow, who was lodged beside,
+ O'erhears them soothe each other's pride,
+ And thus he nimbly vents his heat:
+ 'Who meets a fool must find conceit.
+ I grant, you were at Athens graced,
+ And on Minerva's helm were placed;
+ But every bird that wings the sky,
+ Except an owl, can tell you why.
+ From hence they taught their schools to know
+ How false we judge by outward show;
+_30
+ That we should never looks esteem,
+ Since fools as wise as you might seem.
+ Would ye contempt and scorn avoid,
+ Let your vain-glory be destroyed:
+ Humble your arrogance of thought,
+ Pursue the ways by Nature taught;
+ So shall you find delicious fare,
+ And grateful farmers praise your care:
+ So shall sleek mice your chase reward,
+ And no keen cat find more regard.'
+_40
+
+ * * * * *
+
+
+FABLE XXXIII.
+
+THE COURTIER AND PROTEUS.
+
+ Whene'er a courtier's out of place
+ The country shelters his disgrace;
+ Where, doomed to exercise and health,
+ His house and gardens own his wealth,
+ He builds new schemes in hopes to gain
+ The plunder of another reign;
+ Like Philip's son, would fain be doing,
+ And sighs for other realms to ruin.
+ As one of these (without his wand)
+ Pensive, along the winding strand
+_10
+ Employed the solitary hour,
+ In projects to regain his power;
+ The waves in spreading circles ran,
+ Proteus arose, and thus began:
+ 'Came you from Court? For in your mien
+ A self-important air is seen.
+ He frankly owned his friends had tricked him
+ And how he fell his party's victim.
+ 'Know,' says the god, 'by matchless skill
+ I change to every shape at will;
+_20
+ But yet I'm told, at Court you see
+ Those who presume to rival me.'
+ Thus said. A snake with hideous trail,
+ Proteus extends his scaly mail.
+ 'Know,' says the man, 'though proud in place,
+ All courtiers are of reptile race.
+ Like you, they take that dreadful form,
+ Bask in the sun, and fly the storm;
+ With malice hiss, with envy gloat,
+ And for convenience change their coat;
+_30
+ With new-got lustre rear their head,
+ Though on a dunghill born and bred.'
+ Sudden the god a lion stands;
+ He shakes his mane, he spurns the sands;
+ Now a fierce lynx, with fiery glare,
+ A wolf, an ass, a fox, a bear.
+ 'Had I ne'er lived at Court,' he cries,
+ 'Such transformation might surprise;
+ But there, in quest of daily game,
+ Each able courtier acts the same.
+_40
+ Wolves, lions, lynxes, while in place,
+ Their friends and fellows are their chase.
+ They play the bear's and fox's part;
+ Now rob by force, now steal with art.
+ They sometimes in the senate bray;
+ Or, changed again to beasts of prey,
+ Down from the lion to the ape,
+ Practise the frauds of every shape.'
+ So said, upon the god he flies,
+ In cords the struggling captive ties.
+_50
+ 'Now, Proteus, now, (to truth compelled)
+ Speak, and confess thy art excelled.
+ Use strength, surprise, or what you will,
+ The courtier finds evasions still:
+ Not to be bound by any ties,
+ And never forced to leave his lies.'
+
+ * * * * *
+
+
+FABLE XXXIV.
+
+THE MASTIFFS.
+
+ Those who in quarrels interpose,
+ Must often wipe a bloody nose.
+ A mastiff, of true English blood,
+ Loved fighting better than his food.
+ When dogs were snarling for a bone,
+ He longed to make the war his own,
+ And often found (when two contend)
+ To interpose obtained his end;
+ He gloried in his limping pace;
+ The scars of honour seamed his face;
+_10
+ In every limb a gash appears,
+ And frequent fights retrenched his ears.
+ As, on a time, he heard from far
+ Two dogs engaged in noisy war,
+ Away he scours and lays about him,
+ Resolved no fray should be without him.
+ Forth from his yard a tanner flies,
+ And to the bold intruder cries:
+ 'A cudgel shall correct your manners,
+ Whence sprung this cursed hate to tanners?
+_20
+ While on my dog you vent your spite,
+ Sirrah! 'tis me you dare not bite.'
+ To see the battle thus perplexed,
+ With equal rage a butcher vexed,
+ Hoarse-screaming from the circled crowd,
+ To the cursed mastiff cries aloud:
+ 'Both Hockley-hole and Mary-bone
+ The combats of my dog have known.
+ He ne'er, like bullies coward-hearted,
+ Attacks in public, to be parted.
+_30
+ Think not, rash fool, to share his fame:
+ Be his the honour, or the shame.'
+ Thus said, they swore, and raved like thunder;
+ Then dragged their fastened dogs asunder;
+ While clubs and kicks from every side
+ Rebounded from the mastiff's hide.
+ All reeking now with sweat and blood,
+ Awhile the parted warriors stood,
+ Then poured upon the meddling foe;
+ Who, worried, howled and sprawled below.
+_40
+ He rose; and limping from the fray,
+ By both sides mangled, sneaked away.
+
+ * * * * *
+
+
+FABLE XXXV.
+
+THE BARLEY-MOW AND THE DUNGHILL.
+
+ How many saucy airs we meet
+ From Temple Bar to Aldgate Street!
+ Proud rogues, who shared the South-Sea prey,
+ And sprung like mushrooms in a day!
+ They think it mean, to condescend
+ To know a brother or a friend;
+ They blush to hear their mother's name,
+ And by their pride expose their shame.
+ As cross his yard, at early day,
+ A careful farmer took his way,
+_10
+ He stopped, and leaning on his fork,
+ Observed the flail's incessant work.
+ In thought he measured all his store,
+ His geese, his hogs, he numbered o'er;
+ In fancy weighed the fleeces shorn,
+ And multiplied the next year's corn.
+ A Barley-mow, which stood beside,
+ Thus to its musing master cried:
+ 'Say, good sir, is it fit or right
+ To treat me with neglect and slight?
+_20
+ Me, who contribute to your cheer,
+ And raise your mirth with ale and beer?
+ Why thus insulted, thus disgraced,
+ And that vile dunghill near me placed?
+ Are those poor sweepings of a groom,
+ That filthy sight, that nauseous fume,
+ Meet objects here? Command it hence:
+ A thing so mean must give offence'
+ The humble dunghill thus replied:
+ 'Thy master hears, and mocks thy pride:
+_30
+ Insult not thus the meek and low;
+ In me thy benefactor know;
+ My warm assistance gave thee birth,
+ Or thou hadst perished low in earth;
+ But upstarts, to support their station,
+ Cancel at once all obligation.'
+
+ * * * * *
+
+
+ FABLE XXXVI.
+
+ PYTHAGORAS AND THE COUNTRYMAN.
+
+ Pythag'ras rose at early dawn,
+ By soaring meditation drawn,
+ To breathe the fragrance of the day,
+ Through flowery fields he took his way.
+ In musing contemplation warm,
+ His steps misled him to a farm,
+ Where, on the ladder's topmost round,
+ A peasant stood; the hammer's sound
+ Shook the weak barn. 'Say, friend, what care
+ Calls for thy honest labour there?'
+_10
+ The clown, with surly voice replies,
+ 'Vengeance aloud for justice cries.
+ This kite, by daily rapine fed,
+ My hens' annoy, my turkeys' dread,
+ At length his forfeit life has paid;
+ See on the wall his wings displayed,
+ Here nailed, a terror to his kind,
+ My fowls shall future safety find;
+ My yard the thriving poultry feed,
+ And my barn's refuse fat the breed.'
+_20
+ 'Friend,' says the sage, 'the doom is wise;
+ For public good the murderer dies.
+ But if these tyrants of the air
+ Demand a sentence so severe,
+ Think how the glutton man devours;
+ What bloody feasts regale his hours!
+ O impudence of power and might,
+ Thus to condemn a hawk or kite,
+ When thou, perhaps, carniv'rous sinner,
+ Hadst pullets yesterday for dinner!'
+_30
+ 'Hold,' cried the clown, with passion heated,
+ 'Shall kites and men alike be treated?
+ When Heaven the world with creatures stored,
+ Man was ordained their sovereign lord.'
+ 'Thus tyrants boast,' the sage replied,
+ 'Whose murders spring from power and pride.
+ Own then this man-like kite is slain
+ Thy greater luxury to sustain;
+ For "Petty rogues submit to fate,
+ That great ones may enjoy their state."'[5]
+_40
+
+
+
+
+FABLE XXXVII.
+
+THE FARMER'S WIFE AND THE RAVEN.
+
+ 'Why are those tears? why droops your head?
+ Is then your other husband dead?
+ Or does a worse disgrace betide?
+ Hath no one since his death applied?'
+ 'Alas! you know the cause too well:
+ The salt is spilt, to me it fell.
+ Then, to contribute to my loss,
+ My knife and fork were laid across;
+ On Friday too! the day I dread!
+ Would I were safe at home in bed!
+_10
+ Last night (I vow to heaven 'tis true)
+ Bounce from the fire a coffin flew.
+ Next post some fatal news shall tell,
+ God send my Cornish friends be well!'
+ 'Unhappy widow, cease thy tears,
+ Nor feel affliction in thy fears,
+ Let not thy stomach be suspended;
+ Eat now, and weep when dinner's ended;
+ And when the butler clears the table,
+ For thy desert, I'll read my fable.'
+_20
+ Betwixt her swagging panniers' load
+ A farmer's wife to market rode,
+ And, jogging on, with thoughtful care
+ Summed up the profits of her ware;
+ When, starting from her silver dream,
+ Thus far and wide was heard her scream:
+ 'That raven on yon left-hand oak
+ (Curse on his ill-betiding croak)
+ Bodes me no good.' No more she said,
+ When poor blind Ball, with stumbling tread,
+_30
+ Fell prone; o'erturned the pannier lay,
+ And her mashed eggs bestrewed the way.
+ She, sprawling in the yellow road,
+ Railed, swore and cursed: 'Thou croaking toad,
+ A murrain take thy whoreson throat!
+ I knew misfortune in the note.'
+ 'Dame,' quoth the raven, 'spare your oaths,
+ Unclench your fist, and wipe your clothes.
+ But why on me those curses thrown?
+ Goody, the fault was all your own;
+_40
+ For had you laid this brittle ware,
+ On Dun, the old sure-footed mare,
+ Though all the ravens of the hundred,
+ With croaking had your tongue out-thundered,
+ Sure-footed Dun had kept his legs,
+ And you, good woman, saved your eggs.'
+
+
+
+ FABLE XXXVIII.
+
+ THE TURKEY AND THE ANT.
+
+ In other men we faults can spy,
+ And blame the mote that dims their eye,
+ Each little speck and blemish find,
+ To our own stronger errors blind.
+ A turkey, tired of common food,
+ Forsook the barn, and sought the wood;
+ Behind her ran her infant train,
+ Collecting here and there a grain.
+ 'Draw near, my birds,' the mother cries,
+ 'This hill delicious fare supplies;
+_10
+ Behold, the busy negro race,
+ See, millions blacken all the place!
+ Fear not. Like me with freedom eat;
+ An ant is most delightful meat.
+ How bless'd, how envied were our life,
+ Could we but 'scape the poulterer's knife!
+ But man, cursed man, on turkeys preys,
+ And Christmas shortens all our days:
+ Sometimes with oysters we combine,
+ Sometimes assist the savoury chine.
+_20
+ From the low peasant to the lord,
+ The turkey smokes on every board.
+ Sure men for gluttony are cursed,
+ Of the seven deadly sins the worst.'
+ An ant, who climbed beyond his reach,
+ Thus answered from the neighbouring beech:
+ 'Ere you remark another's sin, 27
+ Bid thy own conscience look within;
+ Control thy more voracious bill,
+ Nor for a breakfast nations kill.'
+_30
+
+ * * * * *
+
+
+ FABLE XXXIX.
+
+ THE FATHER AND JUPITER.
+
+
+ The man to Jove his suit preferred;
+ He begged a wife. His prayer was heard,
+ Jove wondered at his bold addressing:
+ For how precarious is the blessing!
+ A wife he takes. And now for heirs
+ Again he worries heaven with prayers.
+ Jove nods assent. Two hopeful boys
+ And a fine girl reward his joys.
+ Now, more solicitous he grew,
+ And set their future lives in view;
+_10
+ He saw that all respect and duty
+ Were paid to wealth, to power, and beauty.
+ 'Once more,' he cries, 'accept my prayer;
+ Make my loved progeny thy care.
+ Let my first hope, my favourite boy,
+ All fortune's richest gifts enjoy.
+ My next with strong ambition fire:
+ May favour teach him to aspire;
+ Till he the step of power ascend,
+ And courtiers to their idol bend.
+_20
+ With every grace, with every charm,
+ My daughter's perfect features arm.
+ If heaven approve, a father's bless'd.'
+ Jove smiles, and grants his full request.
+ The first, a miser at the heart,
+ Studious of every griping art,
+ Heaps hoards on hoards with anxious pain;
+ And all his life devotes to gain.
+ He feels no joy, his cares increase,
+ He neither wakes nor sleeps in peace;
+_30
+ In fancied want (a wretch complete)
+ He starves, and yet he dares not eat.
+ The next to sudden honours grew:
+ The thriving art of Courts he knew:
+ He reached the height of power and place;
+ Then fell, the victim of disgrace.
+ Beauty with early bloom supplies
+ His daughter's cheek, and points her eyes.
+ The vain coquette each suit disdains,
+ And glories in her lover's pains.
+_40
+ With age she fades, each lover flies;
+ Contemned, forlorn, she pines and dies.
+ When Jove the father's grief surveyed,
+ And heard him Heaven and Fate upbraid,
+ Thus spoke the god: 'By outward show,
+ Men judge of happiness and woe:
+ Shall ignorance of good and ill
+ Dare to direct the eternal will?
+ Seek virtue; and, of that possess'd,
+ To Providence resign the rest'
+_50
+
+ * * * * *
+
+
+ FABLE XL.
+
+ THE TWO MONKEYS.
+
+ The learned, full of inward pride,
+ The Fops of outward show deride:
+ The Fop, with learning at defiance,
+ Scoffs at the pedant, and the science:
+ The Don, a formal, solemn strutter,
+ Despises Monsieur's airs and flutter;
+ While Monsieur mocks the formal fool,
+ Who looks, and speaks, and walks by rule.
+ Britain, a medley of the twain,
+ As pert as France, as grave as Spain;
+_10
+ In fancy wiser than the rest,
+ Laughs at them both, of both the jest.
+ Is not the poet's chiming close
+ Censured by all the sons of prose?
+ While bards of quick imagination
+ Despise the sleepy prose narration.
+ Men laugh at apes, they men contemn;
+ For what are we, but apes to them?
+ Two monkeys went to Southwark fair,
+ No critics had a sourer air:
+_20
+ They forced their way through draggled folks,
+ Who gaped to catch jack-pudding's jokes;
+ Then took their tickets for the show,
+ And got by chance the foremost row.
+ To see their grave, observing face,
+ Provoked a laugh throughout the place.
+ 'Brother,' says Pug, and turned his head,
+ 'The rabble's monstrously ill bred.'
+ Now through the booth loud hisses ran;
+ Nor ended till the show began.
+_30
+ The tumbler whirls the flap-flap round,
+ With somersets he shakes the ground;
+ The cord beneath the dancer springs;
+ Aloft in air the vaulter swings;
+ Distorted now, now prone depends,
+ Now through his twisted arms ascends:
+ The crowd, in wonder and delight,
+ With clapping hands applaud the sight.
+ With smiles, quoth Pug, 'If pranks like these
+ The giant apes of reason please,
+_40
+ How would they wonder at our arts!
+ They must adore us for our parts.
+ High on the twig I've seen you cling;
+ Play, twist and turn in airy ring:
+ How can those clumsy things, like me,
+ Fly with a bound from tree to tree?
+ But yet, by this applause, we find
+ These emulators of our kind
+ Discern our worth, our parts regard,
+ Who our mean mimics thus reward.'
+_50
+ 'Brother,' the grinning mate replies,
+ 'In this I grant that man is wise.
+ While good example they pursue,
+ We must allow some praise is due;
+ But when they strain beyond their guide,
+ I laugh to scorn the mimic pride,
+ For how fantastic is the sight,
+ To meet men always bolt upright,
+ Because we sometimes walk on two!
+ I hate the imitating crew.'
+_60
+
+ * * * * *
+
+
+ FABLE XLI.
+
+ THE OWL AND THE FARMER.
+
+ An owl of grave deport and mien,
+ Who (like the Turk) was seldom seen,
+ Within a barn had chose his station,
+ As fit for prey and contemplation.
+ Upon a beam aloft he sits,
+ And nods, and seems to think by fits.
+ So have I seen a man of news,
+ Or _Post-boy_, or _Gazette_ peruse;
+ Smoke, nod, and talk with voice profound,
+ And fix the fate of Europe round.
+_10
+ Sheaves piled on sheaves, hid all the floor;
+ At dawn of morn, to view his store
+ The farmer came. The hooting guest
+ His self-importance thus express'd:
+ 'Reason in man is mere pretence:
+ How weak, how shallow is his sense!
+ To treat with scorn the bird of night,
+ Declares his folly, or his spite.
+ Then too, how partial is his praise!
+ The lark's, the linnet's chirping lays
+_20
+ To his ill-judging ears are fine;
+ And nightingales are all divine.
+ But the more knowing feathered race
+ See wisdom stamped upon my face.
+ Whene'er to visit light I deign,
+ What flocks of fowl compose my train!
+ Like slaves they crowd my flight behind,
+ And own me of superior kind.'
+ The farmer laughed, and thus replied:
+ 'Thou dull important lump of pride,
+_30
+ Dar'st thou with that harsh grating tongue,
+ Depreciate birds of warbling song?
+ Indulge thy spleen. Know, men and fowl
+ Regard thee, as thou art an owl.
+ Besides, proud blockhead, be not vain,
+ Of what thou call'st thy slaves and train.
+ Few follow wisdom or her rules;
+ Fools in derision follow fools.'
+
+ * * * * *
+
+
+FABLE XLII.
+
+THE JUGGLERS.
+
+ A juggler long through all the town
+ Had raised his fortune and renown;
+ You'd think (so far his art transcends)
+ The devil at his fingers' ends.
+ Vice heard his fame, she read his bill;
+ Convinced of his inferior skill,
+ She sought his booth, and from the crowd
+ Defied the man of art aloud:
+ 'Is this, then, he so famed for sleight?
+ Can this slow bungler cheat your sight!
+_10
+ Dares he with me dispute the prize?
+ I leave it to impartial eyes.'
+ Provoked, the juggler cried, ''tis done.
+ In science I submit to none.'
+ Thus said, the cups and balls he played;
+ By turns, this here, that there, conveyed.
+ The cards, obedient to his words,
+ Are by a fillip turned to birds.
+ His little boxes change the grain:
+ Trick after trick deludes the train.
+_20
+ He shakes his bag, he shows all fair;
+ His fingers spreads, and nothing there;
+ Then bids it rain with showers of gold,
+ And now his ivory eggs are told.
+ But when from thence the hen he draws,
+ Amazed spectators hum applause.
+ Vice now stept forth, and took the place
+ With all the forms of his grimace.
+ 'This magic looking-glass,' she cries,
+ (There, hand it round) 'will charm your eyes.'
+_30
+ Each eager eye the sight desired,
+ And every man himself admired.
+ Next to a senator addressing:
+ 'See this bank-note; observe the blessing,
+ Breathe on the bill.' Heigh, pass! 'Tis gone.
+ Upon his lips a padlock shone.
+ A second puff the magic broke,
+ The padlock vanished, and he spoke.
+ Twelve bottles ranged upon the board,
+ All full, with heady liquor stored,
+_40
+ By clean conveyance disappear,
+ And now two bloody swords are there.
+ A purse she to a thief exposed,
+ At once his ready fingers closed;
+ He opes his fist, the treasure's fled;
+ He sees a halter in its stead.
+ She bids ambition hold a wand;
+ He grasps a hatchet in his hand.
+ A box of charity she shows,
+ 'Blow here;' and a churchwarden blows,
+_50
+ 'Tis vanished with conveyance neat,
+ And on the table smokes a treat.
+ She shakes the dice, the boards she knocks,
+ And from all pockets fills her box.
+ She next a meagre rake address'd:
+ 'This picture see; her shape, her breast!
+ What youth, and what inviting eyes!
+ Hold her, and have her.' With surprise,
+ His hand exposed a box of pills,
+ And a loud laugh proclaimed his ills.
+_60
+ A counter, in a miser's hand,
+ Grew twenty guineas at command.
+ She bids his heir the sum retain,
+ And 'tis a counter now again.
+ A guinea with her touch you see
+ Take every shape, but charity;
+ And not one thing you saw, or drew,
+ But changed from what was first in view.
+ The juggler now in grief of heart,
+ With this submission owned her art:
+_70
+ 'Can I such matchless sleight withstand?
+ How practice hath improved your hand!
+ But now and then I cheat the throng;
+ You every day, and all day long.'
+
+ * * * * *
+
+
+ FABLE XLIII.
+
+ THE COUNCIL OF HORSES.
+
+ Upon a time a neighing steed,
+ Who grazed among a numerous breed,
+ With mutiny had fired the train,
+ And spread dissension through the plain.
+ On matters that concerned the state
+ The council met in grand debate.
+ A colt, whose eye-balls flamed with ire,
+ Elate with strength and youthful fire,
+ In haste stept forth before the rest,
+ And thus the listening throng addressed:
+_10
+ 'Good gods! how abject is our race,
+ Condemned to slavery and disgrace!
+ Shall we our servitude retain,
+ Because our sires have borne the chain?
+ Consider, friends, your strength and might;
+ 'Tis conquest to assert your right.
+ How cumbrous is the gilded coach!
+ The pride of man is our reproach.
+ Were we designed for daily toil,
+ To drag the ploughshare through, the soil,
+_20
+ To sweat in harness through the road,
+ To groan beneath the carrier's load?
+ How feeble are the two-legged kind!
+ What force is in our nerves combined!
+ Shall then our nobler jaws submit
+ To foam and champ the galling bit?
+ Shall haughty man my back bestride?
+ Shall the sharp spur provoke my side?
+ Forbid it, heavens! Reject the rein;
+ Your shame, your infamy disdain.
+_30
+ Let him the lion first control,
+ And still the tiger's famished growl.
+ Let us, like them, our freedom claim,
+ And make him tremble at our name.'
+ A general nod approved the cause,
+ And all the circle neighed applause.
+ When, lo! with grave and solemn pace,
+ A steed advanced before the race,
+ With age and long experience wise;
+ Around he cast his thoughtful eyes,
+_40
+ And, to the murmurs of the train,
+ Thus spoke the Nestor of the plain:
+ 'When I had health and strength, like you,
+ The toils of servitude I knew;
+ Now grateful man rewards my pains,
+ And gives me all these wide domains.
+ At will I crop the year's increase
+ My latter life is rest and peace.
+ I grant, to man we lend our pains,
+ And aid him to correct the plains.
+_50
+ But doth not he divide the care,
+ Through all the labours of the year?
+ How many thousand structures rise,
+ To fence us from inclement skies!
+ For us he bears the sultry day,
+ And stores up all our winter's hay.
+ He sows, he reaps the harvest's gain;
+ We share the toil, and share the grain.
+ Since every creature was decreed
+ To aid each other's mutual need,
+_60
+ Appease your discontented mind,
+ And act the part by heaven assigned.'
+ The tumult ceased. The colt submitted,
+ And, like his ancestors, was bitted.
+
+ * * * * *
+
+
+ FABLE XLIV.
+
+ THE HOUND AND THE HUNTSMAN.
+
+ Impertinence at first is borne
+ With heedless slight, or smiles of scorn;
+ Teased into wrath, what patience bears
+ The noisy fool who perseveres?
+ The morning wakes, the huntsman sounds,
+ At once rush forth the joyful hounds.
+ They seek the wood with eager pace,
+ Through bush, through brier, explore the chase.
+ Now scattered wide, they try the plain,
+ And snuff the dewy turf in vain.
+_10
+ What care, what industry, what pains!
+ What universal silence reigns.
+ Ringwood, a dog of little fame,
+ Young, pert, and ignorant of game,
+ At once displays his babbling throat;
+ The pack, regardless of the note,
+ Pursue the scent; with louder strain
+ He still persists to vex the train.
+ The huntsman to the clamour flies;
+ The smacking lash he smartly plies.
+_20
+ His ribs all welked, with howling tone
+ The puppy thus expressed his moan:
+ 'I know the music of my tongue
+ Long since the pack with envy stung.
+ What will not spite? These bitter smarts
+ I owe to my superior parts.'
+ 'When puppies prate,' the huntsman cried,
+ 'They show both ignorance and pride:
+ Fools may our scorn, not envy raise,
+ For envy is a kind of praise.
+_30
+ Had not thy forward noisy tongue
+ Proclaimed thee always in the wrong,
+ Thou might'st have mingled with the rest,
+ And ne'er thy foolish nose confess'd.
+ But fools, to talking ever prone,
+ Are sure to make their follies known.'
+
+ * * * * *
+
+
+ FABLE XLV.
+
+ THE POET AND THE ROSE.
+
+ I hate the man who builds his name
+ On ruins of another's fame.
+ Thus prudes, by characters o'erthrown,
+ Imagine that they raise their own.
+ Thus scribblers, covetous of praise,
+ Think slander can transplant the bays.
+ Beauties and bards have equal pride,
+ With both all rivals are decried.
+ Who praises Lesbia's eyes and feature,
+ Must call her sister, awkward creature;
+_10
+ For the kind flattery's sure to charm,
+ When we some other nymph disarm.
+ As in the cool of early day
+ A poet sought the sweets of May,
+ The garden's fragrant breath ascends,
+ And every stalk with odour bends.
+ A rose he plucked, he gazed, admired,
+ Thus singing as the muse inspired:
+ 'Go, rose, my Chloe's bosom grace;
+ How happy should I prove,
+_20
+ Might I supply that envied place
+ With never fading love!
+ There, phoenix-like, beneath her eye,
+ Involved in fragrance, burn and die!
+ Know, hapless flower, that thou shalt find
+ More fragrant roses there;
+ I see thy withering head reclined
+ With envy and despair!
+ One common fate we both must prove;
+ You die with envy, I with love.'
+_30
+ 'Spare your comparisons,' replied
+ An angry rose, who grew beside.
+ 'Of all mankind, you should not flout us;
+ What can a poet do without us!
+ In every love-song roses bloom;
+ We lend you colour and perfume.
+ Does it to Chloe's charms conduce,
+ To found her praise on our abuse?
+ Must we, to flatter her, be made
+ To wither, envy, pine and fade?'
+_40
+
+ * * * * *
+
+
+FABLE XLVI.
+
+THE CUR, THE HORSE, AND THE SHEPHERD'S DOG.
+
+ The lad of all-sufficient merit,
+ With modesty ne'er damps his spirit;
+ Presuming on his own deserts,
+ On all alike his tongue exerts;
+ His noisy jokes at random throws,
+ And pertly spatters friends and foes;
+ In wit and war the bully race
+ Contribute to their own disgrace.
+ Too late the forward youth shall find
+ That jokes are sometimes paid in kind;
+_10
+ Or if they canker in the breast,
+ He makes a foe who makes a jest.
+ A village-cur, of snappish race,
+ The pertest puppy of the place,
+ Imagined that his treble throat
+ Was blest with music's sweetest note:
+ In the mid road he basking lay,
+ The yelping nuisance of the way;
+ For not a creature passed along,
+ But had a sample of his song.
+_20
+ Soon as the trotting steed he hears,
+ He starts, he cocks his dapper ears;
+ Away he scours, assaults his hoof;
+ Now near him snarls, now barks aloof;
+ With shrill impertinence attends;
+ Nor leaves him till the village ends.
+ It chanced, upon his evil day,
+ A pad came pacing down the way:
+ The cur, with never-ceasing tongue,
+ Upon the passing traveller sprung.
+_30
+ The horse, from scorn provoked to ire,
+ Flung backward; rolling in the mire,
+ The puppy howled, and bleeding lay;
+ The pad in peace pursued the way.
+ A shepherd's dog, who saw the deed,
+ Detesting the vexatious breed,
+ Bespoke him thus: 'When coxcombs prate,
+ They kindle wrath, contempt, or hate;
+ Thy teasing tongue had judgment tied,
+ Thou hadst not, like a puppy, died.'
+_40
+
+ * * * * *
+
+
+ FABLE XLVII.
+
+ THE COURT OF DEATH.
+
+ Death, on a solemn night of state,
+ In all his pomp of terror sate:
+ The attendants of his gloomy reign,
+ Diseases dire, a ghastly train!
+ Crowd the vast court. With hollow tone,
+ A voice thus thundered from the throne:
+ 'This night our minister we name,
+ Let every servant speak his claim;
+ Merit shall bear this ebon wand;'
+ All, at the word, stretch'd forth their hand.
+_10
+ Fever, with burning heat possess'd,
+ Advanced, and for the wand address'd:
+ 'I to the weekly bills appeal,
+ Let those express my fervent zeal;
+ On every slight occasion near,
+ With violence I persevere.'
+ Next Gout appears with limping pace,
+ Pleads how he shifts from place to place,
+ From head to foot how swift he flies, 19
+ And every joint and sinew plies;
+_20
+ Still working when he seems suppress'd,
+ A most tenacious stubborn guest.
+ A haggard spectre from the crew
+ Crawls forth, and thus asserts his due:
+ 'Tis I who taint the sweetest joy,
+ And in the shape of love destroy:
+ My shanks, sunk eyes, and noseless face,
+ Prove my pretension to the place.'
+ Stone urged his ever-growing force.
+ And, next, Consumption's meagre corse,
+_30
+ With feeble voice, that scarce was heard,
+ Broke with short coughs, his suit preferred:
+ 'Let none object my ling'ring way,
+ I gain, like Fabius, by delay;
+ Fatigue and weaken every foe
+ By long attack, secure, though slow.'
+ Plague represents his rapid power,
+ Who thinned a nation in an hour.
+ All spoke their claim, and hoped the wand.
+ Now expectation hushed the band,
+_40
+ When thus the monarch from the throne:
+ 'Merit was ever modest known,
+ What, no physician speak his right!
+ None here! but fees their toils requite.
+ Let then Intemperance take the wand,
+ Who fills with gold their zealous hand.
+ You, Fever, Gout, and all the rest,
+ (Whom wary men, as foes, detest,)
+ Forego your claim; no more pretend:
+ Intemperance is esteemed a friend;
+_50
+ He shares their mirth, their social joys,
+ And, as a courted guest, destroys.
+ The charge on him must justly fall,
+ Who finds employment for you all.'
+
+ * * * * *
+
+
+ FABLE XLVIII.
+
+ THE GARDENER AND THE HOG.
+
+ A gard'ner, of peculiar taste,
+ On a young hog his favour placed;
+ Who fed not with the common herd;
+ His tray was to the hall preferred.
+ He wallowed underneath the board,
+ Or in his master's chamber snored;
+ Who fondly stroked him every day,
+ And taught him all the puppy's play;
+ Where'er he went, the grunting friend
+ Ne'er failed his pleasure to attend.
+_10
+ As on a time, the loving pair
+ Walked forth to tend the garden's care,
+ The master thus address'd the swine:
+ 'My house, my garden, all is thine.
+ On turnips feast whene'er you please,
+ And riot in my beans and peas;
+ If the potato's taste delights,
+ Or the red carrot's sweet invites,
+ Indulge thy morn and evening hours,
+ But let due care regard my flowers:
+_20
+ My tulips are my garden's pride,
+ What vast expense those beds supplied!'
+ The hog by chance one morning roamed,
+ Where with new ale the vessels foamed.
+ He munches now the steaming grains,
+ Now with full swill the liquor drains.
+ Intoxicating fumes arise; 27
+ He reels, he rolls his winking eyes;
+ Then stagg'ring through the garden scours,
+ And treads down painted ranks of flowers.
+_30
+ With delving snout he turns the soil,
+ And cools his palate with the spoil.
+ The master came, the ruin spied,
+ 'Villain, suspend thy rage,' he cried.
+ 'Hast thou, thou most ungrateful sot,
+ My charge, my only charge forgot?
+ What, all my flowers!' No more he said,
+ But gazed, and sighed, and hung his head.
+ The hog with stutt'ring speech returns:
+ 'Explain, sir, why your anger burns.
+_40
+ See there, untouched, your tulips strown,
+ For I devoured the roots alone.'
+ At this the gard'ner's passion grows;
+ From oaths and threats he fell to blows.
+ The stubborn brute the blow sustains;
+ Assaults his leg, and tears the veins.
+ Ah! foolish swain, too late you find
+ That sties were for such friends designed!
+ Homeward he limps with painful pace,
+ Reflecting thus on past disgrace:
+_50
+ Who cherishes a brutal mate
+ Shall mourn the folly soon or late.
+
+ * * * * *
+
+
+ FABLE XLIX.
+
+ THE MAN AND THE FLEA.
+
+
+ Whether on earth, in air, or main,
+ Sure everything alive is vain!
+ Does not the hawk all fowls survey,
+ As destined only for his prey?
+ And do not tyrants, prouder things,
+ Think men were born for slaves to kings?
+ When the crab views the pearly strands,
+ Or Tagus, bright with golden sands;
+ Or crawls beside the coral grove,
+ And hears the ocean roll above;
+_10
+ 'Nature is too profuse,' says he,
+ 'Who gave all these to pleasure me!'
+ When bordering pinks and roses bloom,
+ And every garden breathes perfume;
+ When peaches glow with sunny dyes,
+ Like Laura's cheek, when blushes rise;
+ When with huge figs the branches bend,
+ When clusters from the vine depend;
+ The snail looks round on flower and tree,
+ And cries, 'All these were made for me!'
+_20
+ 'What dignity's in human nature!'
+ Says man, the most conceited creature,
+ As from a cliff he cast his eye,
+ And viewed the sea and arched sky;
+ The sun was sunk beneath the main,
+ The moon and all the starry train
+ Hung the vast vault of heaven. The man
+ His contemplation thus began:
+ 'When I behold this glorious show,
+ And the wide watery world below,
+_30
+ The scaly people of the main,
+ The beasts that range the wood or plain,
+ The winged inhabitants of air,
+ The day, the night, the various year,
+ And know all these by heaven design'd
+ As gifts to pleasure human kind;
+ I cannot raise my worth too high;
+ Of what vast consequence am I!'
+ 'Not of the importance you suppose,'
+ Replies a flea upon his nose.
+_40
+ 'Be humble, learn thyself to scan;
+ Know, pride was never made for man.
+ 'Tis vanity that swells thy mind.
+ What, heaven and earth for thee designed!
+ For thee, made only for our need,
+ That more important fleas might feed.'
+
+ * * * * *
+
+
+ FABLE L.
+
+ THE HARE AND MANY FRIENDS.
+
+ Friendship, like love, is but a name,
+ Unless to one you stint the flame.
+ The child, whom many fathers share,
+ Hath seldom known a father's care.
+ Tis thus in friendships; who depend
+ On many, rarely find a friend.
+ A hare, who in a civil way,
+ Complied with everything, like Gay,
+ Was known by all the bestial train
+ Who haunt the wood, or graze the plain.
+_10
+ Her care was never to offend,
+ And every creature was her friend.
+ As forth she went at early dawn,
+ To taste the dew-besprinkled lawn,
+ Behind she hears the hunter's cries,
+ And from the deep-mouthed thunder flies.
+ She starts, she stops, she pants for breath;
+ She hears the near advance of death;
+ She doubles to mislead the hound,
+ And measures back her mazy round;
+_20
+ Till fainting in the public way,
+ Half-dead with fear, she gasping lay.
+ What transport in her bosom grew,
+ When first the horse appeared in view!
+ 'Let me,' says she, 'your back ascend,
+ And owe my safety to a friend.
+ You know my feet betray my flight;
+ To friendship every burden's light.'
+ The horse replied--'Poor honest puss,
+ It grieves my heart to see thee thus;
+_30
+ Be comforted, relief is near;
+ For all your friends are in the rear.'
+ She next the stately bull implored;
+ And thus replied the mighty lord--
+ 'Since every beast alive can tell
+ That I sincerely wish you well,
+ I may, without offence, pretend
+ To take the freedom of a friend.
+ Love calls me hence; a favourite cow
+ Expects me near yon barley mow:
+_40
+ And when a lady's in the case,
+ You know all other things give place.
+ To leave you thus might seem unkind;
+ But see, the goat is just behind.'
+ The goat remarked her pulse was high,
+ Her languid head, her heavy eye;
+ 'My back,' says she, 'may do you harm;
+ The sheep's at hand, and wool is warm.'
+ The sheep was feeble, and complained
+ His sides a load of wool sustained:
+_50
+ Said he was slow, confessed his fears;
+ For hounds cat sheep, as well as hares.
+ She now the trotting calf addressed,
+ To save from death a friend distressed.
+ 'Shall I,' says he, 'of tender age,
+ In this important care engage?
+ Older and abler passed you by;
+ How strong are those! how weak am I!
+ Should I presume to bear you hence,
+ Those friends of mine may take offence.
+_60
+ Excuse me then. You know my heart,
+ But dearest friends, alas! must part.
+ How shall we all lament! Adieu!
+ For see the hounds are just in view.'
+
+ * * * * *
+
+
+PART II.
+
+PUBLISHED AFTER GAY'S DEATH, BY THE DUKE OF QUEENSBERRY.
+
+
+FABLE I.
+
+THE DOG AND THE FOX.
+
+TO A LAWYER.
+
+ I know you lawyers can with ease
+ Twist words and meanings as you please;
+ That language, by your skill made pliant,
+ Will bend to favour every client;
+ That 'tis the fee directs the sense,
+ To make out either side's pretence.
+ When you peruse the clearest case,
+ You see it with a double face:
+ For scepticism's your profession;
+ You hold there's doubt in all expression.
+_10
+ Hence is the bar with fees supplied,
+ Hence eloquence takes either side.
+ Your hand would have but paltry gleaning
+ Could every man express his meaning.
+ Who dares presume to pen a deed.
+ Unless you previously are fee'd?
+ 'Tis drawn; and, to augment the cost,
+ In dull prolixity engrossed.
+ And now we're well secured by law,
+ Till the next brother find a flaw.
+_20
+ Read o'er a will. Was't ever known,
+ But you could make the will your own;
+ For when you read,'tis with intent
+ To find out meanings never meant.
+ Since things are thus, _se defendendo_,
+ I bar fallacious innuendo.
+ Sagacious Porta's[6] skill could trace
+ Some beast or bird in every face.
+ The head, the eye, the nose's shape,
+ Proved this an owl, and that an ape.
+_30
+ When, in the sketches thus designed,
+ Resemblance brings some friend to mind,
+ You show the piece, and give the hint,
+ And find each feature in the print:
+ So monstrous like the portrait's found,
+ All know it, and the laugh goes round.
+ Like him I draw from general nature;
+ Is't I or you then fix the satire?
+ So, sir, I beg you spare your pains
+ In making comments on my strains.
+_40
+ All private slander I detest,
+ I judge not of my neighbour's breast:
+ Party and prejudice I hate,
+ And write no libels on the state.
+ Shall not my fable censure vice,
+ Because a knave is over-nice?
+ And, lest the guilty hear and dread,
+ Shall not the decalogue be read?
+ If I lash vice in general fiction,
+ Is't I apply, or self-conviction?
+_50
+ Brutes are my theme. Am I to blame,
+ If men in morals are the same?
+ I no man call an ape or ass:
+ Tis his own conscience holds the glass;
+ Thus void of all offence I write;
+ Who claims the fable, knows his right.
+ A shepherd's dog unskilled in sports,
+ Picked up acquaintance of all sorts:
+ Among the rest, a fox he knew;
+ By frequent chat their friendship grew.
+_60
+ Says Reynard--' 'Tis a cruel case,
+ That man should stigmatise our race,
+ No doubt, among us rogues you find,
+ As among dogs, and human kind;
+ And yet (unknown to me and you)
+ There may be honest men and true.
+ Thus slander tries, whate'er it can,
+ To put us on the foot with man,
+ Let my own actions recommend;
+ No prejudice can blind a friend:
+_70
+ You know me free from all disguise;
+ My honour as my life I prize.'
+ By talk like this, from all mistrust
+ The dog was cured, and thought him just.
+ As on a time the fox held forth
+ On conscience, honesty, and worth,
+ Sudden he stopp'd; he cocked his ear;
+ And dropp'd his brushy tail with fear.
+ 'Bless us! the hunters are abroad--
+ What's all that clatter on the road?'
+_80
+ 'Hold,' says the dog, 'we're safe from harm;
+ 'Twas nothing but a false alarm.
+ At yonder town, 'tis market day;
+ Some farmer's wife is on the way;
+ 'Tis so, (I know her pyebald mare)
+ Dame Dobbins, with her poultry ware.'
+ Reynard grew huff. Says he, 'This sneer
+ From you I little thought to hear.
+ Your meaning in your looks I see;
+ Pray, what's Dame Dobbins, friend, to me?
+_90
+ Did I e'er make her poultry thinner?
+ Prove that I owe the Dame a dinner.'
+ 'Friend,' quoth the cur, 'I meant no harm;
+ Then, why so captious? why so warm?
+ My words in common acceptation,
+ Could never give this provocation.
+ No lamb (for ought I ever knew)
+ May be more innocent than you.'
+ At this, galled Reynard winced and swore
+ Such language ne'er was given before:
+_100
+ 'What's lamb to me? the saucy hint--
+ Show me, base knave, which way you squint,
+ If t'other night your master lost
+ Three lambs, am I to pay the cost?
+ Your vile reflections would imply
+ That I'm the thief. You dog, you lie.'
+ 'Thou knave, thou fool,' the dog replied,
+ 'The name is just, take either side;
+ Thy guilt these applications speak;
+ Sirrah,'tis conscience makes you squeak.'
+_110
+ So saying, on the fox he flies,
+ The self-convicted felon dies.
+
+
+ * * * * *
+
+
+FABLE II.
+
+THE VULTURE, THE SPARROW, AND OTHER BIRDS.
+
+ TO A FRIEND IN THE COUNTRY.
+
+ Ere I begin, I must premise
+ Our ministers are good and wise;
+ So, though malicious tongues apply,
+ Pray what care they, or what care I?
+ If I am free with courts; be't known,
+ I ne'er presume to mean our own.
+ If general morals seem to joke
+ On ministers, and such like folk,
+ A captious fool may take offence;
+ What then? he knows his own pretence.
+_10
+ I meddle with no state affairs,
+ But spare my jest to save my ears.
+ Our present schemes are too profound,
+ For Machiavel himself to sound:
+ To censure them I've no pretension;
+ I own they're past my comprehension.
+ You say your brother wants a place,
+ ('Tis many a younger brother's case,)
+ And that he very soon intends
+ To ply the Court, and tease his friends.
+_20
+ If there his merits chance to find
+ A patriot of an open mind,
+ Whose constant actions prove him just
+ To both a king's and people's trust;
+ May he with gratitude attend,
+ And owe his rise to such a friend.
+ You praise his parts, for business fit,
+ His learning, probity, and wit;
+ But those alone will never do,
+ Unless his patron have them too.
+_30
+ I've heard of times (pray God defend us,
+ We're not so good but He can mend us)
+ When wicked ministers have trod
+ On kings and people, law and God;
+ With arrogance they girt the throne,
+ And knew no interest but their own.
+ Then virtue, from preferment barr'd,
+ Gets nothing but its own reward.
+ A gang of petty knaves attend 'em,
+ With proper parts to recommend 'em.
+_40
+ Then if their patron burn with lust,
+ The first in favour's pimp the first.
+ His doors are never closed to spies,
+ Who cheer his heart with double lies;
+ They flatter him, his foes defame,
+ So lull the pangs of guilt and shame.
+ If schemes of lucre haunt his brain,
+ Projectors swell his greedy train;
+ Vile brokers ply his private ear
+ With jobs of plunder for the year;
+_50
+ All consciences must bend and ply;
+ You must vote on, and not know why:
+ Through thick and thin you must go on;
+ One scruple, and your place is gone.
+ Since plagues like these have cursed a land,
+ And favourites cannot always stand;
+ Good courtiers should for change be ready,
+ And not have principles too steady:
+ For should a knave engross the power,
+ (God shield the realm, from that sad hour,)
+_60
+ He must have rogues, or slavish fools:
+ For what's a knave without his tools?
+ Wherever those a people drain,
+ And strut with infamy and gain,
+ I envy not their guilt and state,
+ And scorn to share the public hate.
+ Let their own servile creatures rise
+ By screening fraud, and venting lies;
+ Give me, kind heaven, a private station,[7]
+ A mind serene for contemplation:
+_70
+ Title and profit I resign;
+ The post of honour shall be mine.
+ My fable read, their merits view,
+ Then herd who will with such a crew.
+ In days of yore (my cautious rhymes
+ Always except the present times)
+ A greedy vulture skilled in game,
+ Inured to guilt, unawed by shame,
+ Approached the throne in evil hour,
+ And step by step intrudes to power;
+_80
+ When at the royal eagle's ear,
+ He longs to ease the monarch's care.
+ The monarch grants. With pride elate,
+ Behold him minister of state!
+ Around him throng the feathered rout;
+ Friends must be served, and some must out,
+ Each thinks his own the best pretension;
+ This asks a place, and that a pension.
+ The nightingale was set aside,
+ A forward daw his room supplied.
+_90
+ 'This bird,' says he, 'for business fit,
+ Hath both sagacity and wit.
+ With all his turns, and shifts, and tricks,
+ He's docile, and at nothing sticks.
+ Then, with his neighbours one so free,
+ At all times will connive at me.'
+ The hawk had due distinction shown,
+ For parts and talents like his own.
+ Thousands of hireling cocks attends him,
+ As blustering bullies, to defend him.
+_100
+ At once the ravens were discarded,
+ And magpies with their posts rewarded.
+ 'Those fowls of omen I detest,
+ That pry into another's nest,
+ State-lies must lose all good intent;
+ For they foresee and croak the event.
+ My friends ne'er think, but talk by rote,
+ Speak what they're taught, and so to vote.'
+ 'When rogues like these,' a sparrow cries,
+ 'To honours and employments rise,
+_110
+ I court no favour, ask no place;
+ For such preferment is disgrace.
+ Within my thatched retreat I find
+ (What these ne'er feel) true peace of mind.'
+
+ * * * * *
+
+
+ FABLE III.
+
+ THE BABOON AND THE POULTRY.
+
+ TO A LEVEE-HUNTER.
+
+ We frequently misplace esteem,
+ By judging men by what they seem,
+ To birth, wealth, power, we should allow
+ Precedence, and our lowest bow.
+ In that is due distinction shown,
+ Esteem is virtue's right alone.
+ With partial eye we're apt to see
+ The man of noble pedigree.
+ We're prepossess'd my lord inherits
+ In some degree his grandsire's merits;
+_10
+ For those we find upon record:
+ But find him nothing but my lord.
+ When we with superficial view,
+ Gaze on the rich, we're dazzled too.
+ We know that wealth well understood,
+ Hath frequent power of doing good:
+ Then fancy that the thing is done,
+ As if the power and will were one.
+ Thus oft the cheated crowd adore
+ The thriving knaves that keep them poor.
+_20
+ The cringing train of power survey:
+ What creatures are so low as they!
+ With what obsequiousness they bend!
+ To what vile actions condescend!
+ Their rise is on their meanness built,
+ And flattery is their smallest guilt.
+ What homage, rev'rence, adoration,
+ In every age, in every nation,
+ Have sycophants to power addressed!
+ No matter who the power possessed.
+_30
+ Let ministers be what they will,
+ You find their levees always fill.
+ Even those who have perplexed a state,
+ Whose actions claim contempt and hate,
+ Had wretches to applaud their schemes,
+ Though more absurd than madmen's dreams.
+ When barbarous Moloch was invoked,
+ The blood of infants only smoked!
+ But here (unless all history lies)
+ Whole realms have been a sacrifice.
+_40
+ Look through all Courts--'Tis power we find,
+ The general idol of mankind,
+ There worshipped under every shape;
+ Alike the lion, fox, and ape
+ Are followed by time-serving slaves,
+ Rich prostitutes, and needy knaves.
+ Who, then, shall glory in his post?
+ How frail his pride, how vain his boast!
+ The followers of his prosperous hour
+ Are as unstable as his power.
+_50
+ Power by the breath of flattery nursed,
+ The more it swells, is nearer burst.
+ The bubble breaks, the gewgaw ends,
+ And in a dirty tear descends.
+ Once on a time, an ancient maid,
+ By wishes and by time decayed,
+ To cure the pangs of restless thought,
+ In birds and beasts amusement sought:
+ Dogs, parrots, apes, her hours employed;
+ With these alone she talked and toyed.
+_60
+ A huge baboon her fancy took,
+ (Almost a man in size and look,)
+ He fingered everything he found,
+ And mimicked all the servants round.
+ Then, too, his parts and ready wit
+ Showed him for every business fit.
+ With all these talents, 'twas but just
+ That pug should hold a place of trust:
+ So to her fav'rite was assigned
+ The charge of all her feathered kind.
+_70
+ 'Twas his to tend 'em eve and morn,
+ And portion out their daily corn.
+ Behold him now with haughty stride,
+ Assume a ministerial pride.
+ The morning rose. In hope of picking,
+ Swans, turkeys, peacocks, ducks and chicken,
+ Fowls of all ranks surround his hut,
+ To worship his important strut.
+ The minister appears. The crowd
+ Now here, now there, obsequious bowed.
+_80
+ This praised his parts, and that his face,
+ T'other his dignity in place.
+ From bill to bill the flattery ran:
+ He hears and bears it like a man:
+ For, when we flatter self-conceit,
+ We but his sentiments repeat.
+ If we're too scrupulously just,
+ What profit's in a place of trust?
+ The common practice of the great,
+ Is to secure a snug retreat.
+_90
+ So pug began to turn his brain
+ (Like other folks in place) on gain.
+ An apple-woman's stall was near,
+ Well stocked with fruits through all the year;
+ Here every day he crammed his guts,
+ Hence were his hoards of pears and nuts;
+ For 'twas agreed (in way of trade)
+ His payments should in corn be made.
+ The stock of grain was quickly spent,
+ And no account which way it went.
+_100
+ Then, too, the poultry's starved condition
+ Caused speculations of suspicion.
+ The facts were proved beyond dispute;
+ Pug must refund his hoards of fruit:
+ And, though then minister in chief,
+ Was branded as a public thief.
+ Disgraced, despised, confined to chains,
+ He nothing but his pride retains.
+ A goose passed by; he knew the face,
+ Seen every levee while in place.
+_110
+ 'What, no respect! no reverence shown?
+ How saucy are these creatures grown!
+ Not two days since,' says he, 'you bowed
+ The lowest of my fawning crowd.'
+ 'Proud fool,' replies the goose,''tis true,
+ Thy corn a fluttering levee drew!
+ For that I joined the hungry train,
+ And sold thee flattery for thy grain.
+ But then, as now, conceited ape,
+ We saw thee in thy proper shape.'
+_120
+
+ * * * * *
+
+
+ FABLE IV.
+
+ THE ANT IN OFFICE.
+
+ TO A FRIEND.
+
+ You tell me, that you apprehend
+ My verse may touchy folks offend.
+ In prudence too you think my rhymes
+ Should never squint at courtiers' crimes:
+ For though nor this, nor that is meant,
+ Can we another's thoughts prevent?
+ You ask me if I ever knew
+ Court chaplains thus the lawn pursue.
+ I meddle not with gown or lawn;
+ Poets, I grant, to rise must fawn.
+_10
+ They know great ears are over-nice,
+ And never shock their patron's vice.
+ But I this hackney path despise;
+ 'Tis my ambition not to rise.
+ If I must prostitute the Muse,
+ The base conditions I refuse.
+ I neither flatter nor defame,
+ Yet own I would bring guilt to shame.
+ If I corruption's hand expose,
+ I make corrupted men my foes.
+_20
+ What then? I hate the paltry tribe;
+ Be virtue mine; be theirs the bribe.
+ I no man's property invade;
+ Corruption's yet no lawful trade.
+ Nor would it mighty ills produce,
+ Could I shame bribery out of use,
+ I know 'twould cramp most politicians,
+ Were they tied down to these conditions.
+ 'Twould stint their power, their riches bound,
+ And make their parts seem less profound.
+_30
+ Were they denied their proper tools,
+ How could they lead their knaves and fools?
+ Were this the case, let's take a view,
+ What dreadful mischiefs would ensue;
+ Though it might aggrandise the state,
+ Could private luxury dine on plate?
+ Kings might indeed their friends reward,
+ But ministers find less regard.
+ Informers, sycophants, and spies,
+ Would not augment the year's supplies.
+_40
+ Perhaps, too, take away this prop,
+ An annual job or two might drop.
+ Besides, if pensions were denied,
+ Could avarice support its pride?
+ It might even ministers confound,
+ And yet the state be safe and sound.
+ I care not though 'tis understood
+ I only mean my country's good:
+ And (let who will my freedom blame)
+ I wish all courtiers did the same.
+_50
+ Nay, though some folks the less might get,
+ I wish the nation out of debt.
+ I put no private man's ambition
+ With public good in competition:
+ Rather than have our law defaced,
+ I'd vote a minister disgraced.
+ I strike at vice, be't where it will;
+ And what if great folks take it ill?
+ I hope corruption, bribery, pension,
+ One may with detestation mention:
+_60
+ Think you the law (let who will take it)
+ Can _scandalum magnatum_ make it?
+ I vent no slander, owe no grudge,
+ Nor of another's conscience judge:
+ At him, or him, I take no aim,
+ Yet dare against all vice declaim.
+ Shall I not censure breach of trust,
+ Because knaves know themselves unjust?
+ That steward, whose account is clear,
+ Demands his honour may appear:
+_70
+ His actions never shun the light,
+ He is, and would be proved upright.
+ But then you think my fable bears
+ Allusion, too, to state affairs.
+ I grant it does: and who's so great,
+ That has the privilege to cheat?
+ If, then, in any future reign
+ (For ministers may thirst for gain;)
+ Corrupted hands defraud the nation,
+ I bar no reader's application.
+_80
+ An ant there was, whose forward prate
+ Controlled all matters in debate;
+ Whether he knew the thing or no,
+ His tongue eternally would go.
+ For he had impudence at will,
+ And boasted universal skill.
+ Ambition was his point in view;
+ Thus, by degrees, to power he grew.
+ Behold him now his drift attain:
+ He's made chief treasurer of the grain.
+_90
+ But as their ancient laws are just,
+ And punish breach of public trust,
+ 'Tis ordered (lest wrong application
+ Should starve that wise industrious nation)
+ That all accounts be stated clear,
+ Their stock, and what defrayed the year:
+ That auditors should these inspect, 97
+ And public rapine thus be checked.
+ For this the solemn day was set,
+ The auditors in council met.
+_100
+ The granary-keeper must explain,
+ And balance his account of grain.
+ He brought (since he could not refuse 'em)
+ Some scraps of paper to amuse 'em.
+ An honest pismire, warm with zeal,
+ In justice to the public weal,
+ Thus spoke: 'The nation's hoard is low,
+ From whence doth this profusion flow?
+ I know our annual funds' amount.
+ Why such expense, and where's the account?'
+_110
+ With wonted arrogance and pride,
+ The ant in office thus replied:
+ 'Consider, sirs, were secrets told,
+ How could the best-schemed projects hold?
+ Should we state-mysteries disclose,
+ 'Twould lay us open to our foes.
+ My duty and my well-known zeal
+ Bid me our present schemes conceal.
+ But on my honour, all the expense
+ (Though vast) was for the swarm's defence.
+_120
+ They passed the account as fair and just,
+ And voted him implicit trust.
+ Next year again the granary drained,
+ He thus his innocence maintained:
+ 'Think how our present matters stand,
+ What dangers threat from every hand;
+ What hosts of turkeys stroll for food,
+ No farmer's wife but hath her brood.
+ Consider, when invasion's near,
+ Intelligence must cost us dear;
+_130
+ And, in this ticklish situation,
+ A secret told betrays the nation.
+ But, on my honour, all the expense
+ (Though vast) was for the swarm's defence.'
+ Again, without examination,
+ They thanked his sage administration.
+ The year revolves. The treasure spent,
+ Again in secret service went.
+ His honour too again was pledged,
+ To satisfy the charge alleged.
+_140
+ When thus, with panic shame possessed,
+ An auditor his friends addressed:
+ 'What are we? Ministerial tools.
+ We little knaves are greater fools.
+ At last this secret is explored;
+ 'Tis our corruption thins the hoard.
+ For every grain we touched, at least
+ A thousand his own heaps increased.
+ Then for his kin, and favourite spies,
+ A hundred hardly could suffice.
+_150
+ Thus, for a paltry sneaking bribe,
+ We cheat ourselves, and all the tribe;
+ For all the magazine contains,
+ Grows from our annual toil and pains.'
+ They vote the account shall be inspected;
+ The cunning plunderer is detected;
+ The fraud is sentenced; and his hoard,
+ As due, to public use restored.
+
+ * * * * *
+
+
+ FABLE V.
+
+ THE BEAR IN A BOAT.
+
+ TO A COXCOMB.
+
+ That man must daily wiser grow,
+ Whose search is bent himself to know;
+ Impartially he weighs his scope,
+ And on firm reason founds his hope;
+ He tries his strength before the race,
+ And never seeks his own disgrace;
+ He knows the compass, sail, and oar,
+ Or never launches from the shore;
+ Before he builds, computes the cost;
+ And in no proud pursuit is lost:
+_10
+ He learns the bounds of human sense,
+ And safely walks within the fence.
+ Thus, conscious of his own defect,
+ Are pride and self-importance check'd.
+ If then, self-knowledge to pursue,
+ Direct our life in every view,
+ Of all the fools that pride can boast,
+ A coxcomb claims distinction most.
+ Coxcombs are of all ranks and kind:
+ They're not to sex or age confined,
+_20
+ Or rich, or poor, or great, or small;
+ And vanity besets them all.
+ By ignorance is pride increased:
+ Those most assume who know the least;
+ Their own false balance gives them weight,
+ But every other finds them light.
+ Not that all coxcombs' follies strike,
+ And draw our ridicule alike;
+ To different merits each pretends.
+ This in love-vanity transcends;
+_30
+ That smitten with his face and shape,
+ By dress distinguishes the ape;
+ T'other with learning crams his shelf,
+ Knows books, and all things but himself.
+ All these are fools of low condition,
+ Compared with coxcombs of ambition.
+ For those, puffed up with flattery, dare
+ Assume a nation's various care.
+ They ne'er the grossest praise mistrust,
+ Their sycophants seem hardly just;
+_40
+ For these, in part alone, attest
+ The flattery their own thoughts suggest.
+ In this wide sphere a coxcomb's shown
+ In other realms beside his own:
+ The self-deemed Machiavel at large
+ By turns controls in every charge.
+ Does commerce suffer in her rights?
+ 'Tis he directs the naval flights.
+ What sailor dares dispute his skill?
+ He'll be an admiral when he will.
+_50
+ Now meddling in the soldier's trade,
+ Troops must be hired, and levies made.
+ He gives ambassadors their cue,
+ His cobbled treaties to renew;
+ And annual taxes must suffice
+ The current blunders to disguise
+ When his crude schemes in air are lost,
+ And millions scarce defray the cost,
+ His arrogance (nought undismayed)
+ Trusting in self-sufficient aid,
+_60
+ On other rocks misguides the realm,
+ And thinks a pilot at the helm.
+ He ne'er suspects his want of skill,
+ But blunders on from ill to ill;
+ And, when he fails of all intent,
+ Blames only unforeseen event.
+ Lest you mistake the application,
+ The fable calls me to relation.
+ A bear of shag and manners rough,
+ At climbing trees expert enough;
+_70
+ For dextrously, and safe from harm,
+ Year after year he robbed the swarm.
+ Thus thriving on industrious toil,
+ He gloried in his pilfered spoil.
+ This trick so swelled him with conceit,
+ He thought no enterprise too great.
+ Alike in sciences and arts,
+ He boasted universal parts;
+ Pragmatic, busy, bustling, bold,
+ His arrogance was uncontrolled:
+_80
+ And thus he made his party good,
+ And grew dictator of the wood.
+ The beasts with admiration stare,
+ And think him a prodigious bear.
+ Were any common booty got,
+ 'Twas his each portion to allot:
+ For why, he found there might be picking,
+ Even in the carving of a chicken.
+ Intruding thus, he by degrees
+ Claimed too the butcher's larger fees.
+_90
+ And now his over-weening pride
+ In every province will preside.
+ No talk too difficult was found:
+ His blundering nose misleads the hound.
+ In stratagem and subtle arts,
+ He overrules the fox's parts.
+ It chanced, as, on a certain day,
+ Along the bank he took his way,
+ A boat, with rudder, sail, and oar,
+ At anchor floated near the shore.
+_100
+ He stopp'd, and turning to his train,
+ Thus pertly vents his vaunting strain:
+ 'What blundering puppies are mankind,
+ In every science always blind!
+ I mock the pedantry of schools.
+ What are their compasses and rules?
+ From me that helm shall conduct learn.
+ And man his ignorance discern.'
+ So saying, with audacious pride,
+ He gains the boat, and climbs the side.
+_110
+ The beasts astonished, lined the strand,
+ The anchor's weighed, he drives from land:
+ The slack sail shifts from side to side;
+ The boat untrimmed admits the tide,
+ Borne down, adrift, at random toss'd,
+ His oar breaks short, the rudder's lost.
+ The bear, presuming in his skill,
+ Is here and there officious still;
+ Till striking on the dangerous sands,
+ Aground the shattered vessel stands.
+_120
+ To see the bungler thus distress'd,
+ The very fishes sneer and jest.
+ Even gudgeons join in ridicule,
+ To mortify the meddling fool.
+ The clamorous watermen appear;
+ Threats, curses, oaths, insult his ear:
+ Seized, thrashed, and chained, he's dragged to land;
+ Derision shouts along the strand.
+
+ * * * * *
+
+
+ FABLE VI.
+
+ THE SQUIRE AND HIS CUR.
+
+ TO A COUNTRY GENTLEMAN.
+
+ The man of pure and simple heart
+ Through life disdains a double part.
+ He never needs the screen of lies
+ His inward bosom to disguise.
+ In vain malicious tongues assail;
+ Let envy snarl, let slander rail,
+ From virtue's shield (secure from wound)
+ Their blunted, venomed shafts rebound.
+ So shines his light before mankind,
+ His actions prove his honest mind.
+_10
+ If in his country's cause he rise,
+ Debating senates to advise,
+ Unbribed, unawed, he dares impart
+ The honest dictates of his heart.
+ No ministerial frown he fears,
+ But in his virtue perseveres.
+ But would you play the politician,
+ Whose heart's averse to intuition,
+ Your lips at all times, nay, your reason
+ Must be controlled by place and season.
+_20
+ What statesman could his power support
+ Were lying tongues forbid the court?
+ Did princely ears to truth attend,
+ What minister could gain his end?
+ How could he raise his tools to place,
+ And how his honest foes disgrace?
+ That politician tops his part,
+ Who readily can lie with art:
+ The man's proficient in his trade;
+ His power is strong, his fortune's made.
+_30
+ By that the interest of the throne
+ Is made subservient to his own:
+ By that have kings of old, deluded,
+ All their own friends for his excluded.
+ By that, his selfish schemes pursuing,
+ He thrives upon the public ruin.
+ Antiochus,[8] with hardy pace,
+ Provoked the dangers of the chase;
+ And, lost from all his menial train,
+ Traversed the wood and pathless plain.
+_40
+ A cottage lodged the royal guest!
+ The Parthian clown brought forth his best.
+ The king, unknown, his feast enjoyed,
+ And various chat the hours employed.
+ From wine what sudden friendship springs!
+ Frankly they talked of courts and kings.
+ 'We country-folks,' the clown replies,
+ 'Could ope our gracious monarch's eyes.
+ The king, (as all our neighbours say,)
+ Might he (God bless him) have his way,
+_50
+ Is sound at heart, and means our good,
+ And he would do it, if he could.
+ If truth in courts were not forbid,
+ Nor kings nor subjects would be rid.
+ Were he in power, we need not doubt him:
+ But that transferred to those about him,
+ On them he throws the regal cares:
+ And what mind they? Their own affairs.
+ If such rapacious hands he trust,
+ The best of men may seem unjust.
+_60
+ From kings to cobblers 'tis the same:
+ Bad servants wound their master's fame.
+ In this our neighbours all agree:
+ Would the king knew as much as we.'
+ Here he stopp'd short. Repose they sought,
+ The peasant slept, the monarch thought.
+ The courtiers learned, at early dawn,
+ Where their lost sovereign was withdrawn.
+ The guards' approach our host alarms,
+ With gaudy coats the cottage swarms.
+_70
+ The crown and purple robes they bring,
+ And prostrate fall before the king.
+ The clown was called, the royal guest
+ By due reward his thanks express'd.
+ The king then, turning to the crowd,
+ Who fawningly before him bow'd,
+ Thus spoke: 'Since, bent on private gain,
+ Your counsels first misled my reign,
+ Taught and informed by you alone,
+ No truth the royal ear hath known,
+_80
+ Till here conversing. Hence, ye crew,
+ For now I know myself and you.'
+ Whene'er the royal ear's engross'd,
+ State-lies but little genius cost.
+ The favourite then securely robs,
+ And gleans a nation by his jobs.
+ Franker and bolder grown in ill,
+ He daily poisons dares instil;
+ And, as his present views suggest,
+ Inflames or soothes the royal breast.
+_90
+ Thus wicked ministers oppress,
+ When oft the monarch means redress.
+ Would kings their private subjects hear,
+ A minister must talk with fear.
+ If honesty opposed his views,
+ He dared not innocence excuse.
+ 'Twould keep him in such narrow bound,
+ He could not right and wrong confound.
+ Happy were kings, could they disclose
+ Their real friends and real foes!
+_100
+ Were both themselves and subjects known,
+ A monarch's will might be his own.
+ Had he the use of ears and eyes,
+ Knaves would no more be counted wise.
+ But then a minister might lose
+ (Hard case!) his own ambitious views.
+ When such as these have vexed a state,
+ Pursued by universal hate,
+ Their false support at once hath failed,
+ And persevering truth prevailed.
+_110
+ Exposed their train of fraud is seen;
+ Truth will at last remove the screen.
+ A country squire, by whim directed,
+ The true stanch dogs of chase neglected.
+ Beneath his board no hound was fed,
+ His hand ne'er stroked the spaniel's head.
+ A snappish cur, alone caress'd,
+ By lies had banished all the rest.
+ Yap had his ear; and defamation
+ Gave him full scope of conversation.
+_120
+ His sycophants must be preferr'd,
+ Room must be made for all his herd:
+ Wherefore, to bring his schemes about,
+ Old faithful servants all must out.
+ The cur on every creature flew,
+ (As other great men's puppies do,)
+ Unless due court to him were shown,
+ And both their face and business known,
+ No honest tongue an audience found:
+ He worried all the tenants round;
+_130
+ For why, he lived in constant fear,
+ Lest truth, by chance, should interfere.
+ If any stranger dare intrude,
+ The noisy cur his heels pursued.
+ Now fierce with rage, now struck with dread,
+ At once he snarled, bit, and fled.
+ Aloof he bays, with bristling hair,
+ And thus in secret growls his fear:
+ 'Who knows but truth, in this disguise,
+ May frustrate my best-guarded lies?
+_140
+ Should she (thus masked) admittance find,
+ That very hour my ruin's signed.'
+ Now, in his howl's continued sound,
+ Their words were lost, their voice was drown'd.
+ Ever in awe of honest tongues,
+ Thus every day he strained his lungs.
+ It happened, in ill-omened hour,
+ That Yap, unmindful of his power,
+ Forsook his post, to love inclined;
+ A favourite bitch was in the wind.
+_150
+ By her seduced, in amorous play,
+ They frisked the joyous hours away.
+ Thus, by untimely love pursuing,
+ Like Antony, he sought his ruin.
+ For now the squire, unvexed with noise,
+ An honest neighbour's chat enjoys.
+ 'Be free,' says he, 'your mind impart;
+ I love a friendly open heart.
+ Methinks my tenants shun my gate;
+ Why such a stranger grown of late?
+_160
+ Pray tell me what offence they find:
+ 'Tis plain they're not so well inclined.'
+ 'Turn off your cur,' the farmer cries,
+ 'Who feeds your ear with daily lies.
+ His snarling insolence offends; 165
+ 'Tis he that keeps you from your friends.
+ Were but that saucy puppy check'd,
+ You'd find again the same respect.
+ Hear only him, he'll swear it too,
+ That all our hatred is to you.
+_170
+ But learn from us your true estate;
+ 'Tis that cursed cur alone we hate.'
+ The squire heard truth. Now Yap rushed in;
+ The wide hall echoes with his din:
+ Yet truth prevailed; and with disgrace,
+ The dog was cudgelled out of place.
+
+ * * * * *
+
+
+ FABLE VII.
+
+ THE COUNTRYMAN AND JUPITER.
+
+ TO MYSELF.
+
+ Have you a friend (look round and spy)
+ So fond, so prepossessed as I?
+ Your faults, so obvious to mankind,
+ My partial eyes could never find.
+ When by the breath of fortune blown,
+ Your airy castles were o'erthrown;
+ Have I been over-prone to blame,
+ Or mortified your hours with shame?
+ Was I e'er known to damp your spirit,
+ Or twit you with the want of merit?
+_10
+ 'Tis not so strange, that Fortune's frown
+ Still perseveres to keep you down.
+ Look round, and see what others do.
+ Would you be rich and honest too?
+ Have you (like those she raised to place)
+ Been opportunely mean and base?
+ Have you (as times required) resigned
+ Truth, honour, virtue, peace of mind?
+ If these are scruples, give her o'er;
+ Write, practise morals, and be poor.
+_20
+ The gifts of fortune truly rate;
+ Then tell me what would mend your state.
+ If happiness on wealth were built,
+ Rich rogues might comfort find in guilt;
+ As grows the miser's hoarded store,
+ His fears, his wants, increase the more.
+ Think, Gay, (what ne'er may be the case,)
+ Should fortune take you into grace,
+ Would that your happiness augment?
+ What can she give beyond content?
+_30
+ Suppose yourself a wealthy heir,
+ With a vast annual income clear!
+ In all the affluence you possess,
+ You might not feel one care the less.
+ Might you not then (like others) find
+ With change of fortune, change of mind?
+ Perhaps, profuse beyond all rule,
+ You might start out a glaring fool;
+ Your luxury might break all bounds;
+ Plate, table, horses, stewards, hounds,
+_40
+ Might swell your debts: then, lust of play
+ No regal income can defray.
+ Sunk is all credit, writs assail,
+ And doom your future life to jail.
+ Or were you dignified with power,
+ Would that avert one pensive hour?
+ You might give avarice its swing,
+ Defraud a nation, blind a king:
+ Then, from the hirelings in your cause,
+ Though daily fed with false applause,
+_50
+ Could it a real joy impart?
+ Great guilt knew never joy at heart.
+ Is happiness your point in view?
+ (I mean the intrinsic and the true)
+ She nor in camps or courts resides,
+ Nor in the humble cottage hides;
+ Yet found alike in every sphere;
+ Who finds content, will find her there.
+ O'erspent with toil, beneath the shade,
+ A peasant rested on his spade.
+_60
+ 'Good gods!' he cries, ''tis hard to bear
+ This load of life from year to year.
+ Soon as the morning streaks the skies,
+ Industrious labour bids me rise;
+ With sweat I earn my homely fare,
+ And every day renews my care.'
+ Jove heard the discontented strain,
+ And thus rebuked the murmuring swain:
+ 'Speak out your wants then, honest friend:
+ Unjust complaints the gods offend.
+_70
+ If you repine at partial fate,
+ Instruct me what could mend your state.
+ Mankind in every station see.
+ What wish you? Tell me what you'd be.'
+ So said, upborne upon a cloud,
+ The clown surveyed the anxious crowd.
+ 'Yon face of care,' says Jove, 'behold,
+ His bulky bags are filled with gold.
+ See with what joy he counts it o'er!
+ That sum to-day hath swelled his store.'
+_80
+ 'Were I that man,' the peasant cried,
+ 'What blessing could I ask beside?'
+ 'Hold,' says the god; 'first learn to know
+ True happiness from outward show.
+ This optic glass of intuition----
+ Here, take it, view his true condition.'
+ He looked, and saw the miser's breast,
+ A troubled ocean, ne'er at rest;
+ Want ever stares him in the face,
+ And fear anticipates disgrace:
+_90
+ With conscious guilt he saw him start;
+ Extortion gnaws his throbbing heart;
+ And never, or in thought or dream,
+ His breast admits one happy gleam.
+ 'May Jove,' he cries, 'reject my prayer,
+ And guard my life from guilt and care.
+ My soul abhors that wretch's fate.
+ O keep me in my humble state!
+ But see, amidst a gaudy crowd,
+ Yon minister, so gay and proud,
+_100
+ On him what happiness attends,
+ Who thus rewards his grateful friends!'
+ 'First take the glass,' the god replies:
+ 'Man views the world with partial eyes.'
+ 'Good gods!' exclaims the startled wight,
+ 'Defend me from this hideous sight!
+ Corruption, with corrosive smart,
+ Lies cankering on his guilty heart:
+ I see him, with polluted hand,
+ Spread the contagion o'er the land,
+_110
+ Now avarice with insatiate jaws,
+ Now rapine with her harpy claws
+ His bosom tears. His conscious breast
+ Groans, with a load of crimes oppress'd.
+ See him, mad and drunk with power,
+ Stand tottering on ambition's tower.
+ Sometimes, in speeches vain and proud,
+ His boasts insult the nether crowd;
+ Now, seized with giddiness and fear,
+ He trembles lest his fall is near.
+_120
+ 'Was ever wretch like this?' he cries;
+ 'Such misery in such disguise!
+ The change, O Jove, I disavow;
+ Still be my lot the spade and plough.'
+ He next, confirmed by speculation,
+ Rejects the lawyer's occupation;
+ For he the statesman seemed in part,
+ And bore similitude of heart.
+ Nor did the soldier's trade inflame
+ His hopes with thirst of spoil and fame,
+_130
+ The miseries of war he mourned;
+ Whole nations into deserts turned.
+ By these have laws and rights been braved;
+ By these were free-born men enslaved:
+ When battles and invasion cease,
+ Why swarm they in a land of peace?
+ 'Such change,' says he, 'may I decline;
+ The scythe and civil arms be mine!'
+ Thus, weighing life in each condition,
+ The clown withdrew his rash petition.
+_140
+ When thus the god: 'How mortals err!
+ If you true happiness prefer,
+ 'Tis to no rank of life confined,
+ But dwells in every honest mind.
+ Be justice then your sole pursuit:
+ Plant virtue, and content's the fruit.'
+ So Jove, to gratify the clown,
+ Where first he found him set him down.
+
+ * * * * *
+
+
+ FABLE VIII.
+
+ THE MAN, THE CAT, THE DOG, AND THE FLY.
+
+ TO MY NATIVE COUNTRY.
+
+ Hail, happy land, whose fertile grounds
+ The liquid fence of Neptune bounds;
+ By bounteous Nature set apart,
+ The seat of industry and art!
+ O Britain! chosen port of trade,
+ May luxury ne'er thy sons invade;
+ May never minister (intent
+ His private treasures to augment)
+ Corrupt thy state. If jealous foes
+ Thy rights of commerce dare oppose,
+_10
+ Shall not thy fleets their rapine awe?
+ Who is't prescribes the ocean law?
+ Whenever neighbouring states contend,
+ 'Tis thine to be the general friend.
+ What is't, who rules in other lands?
+ On trade alone thy glory stands.
+ That benefit is unconfined,
+ Diffusing good among mankind:
+ That first gave lustre to thy reigns,
+ And scattered plenty o'er thy plains:
+_20
+ 'Tis that alone thy wealth supplies,
+ And draws all Europe's envious eyes.
+ Be commerce then thy sole design;
+ Keep that, and all the world is thine.
+ When naval traffic ploughs the main,
+ Who shares not in the merchant's gain?
+ 'Tis that supports the regal state,
+ And makes the farmer's heart elate:
+ The numerous flocks, that clothe the land,
+ Can scarce supply the loom's demand;
+_30
+ Prolific culture glads the fields,
+ And the bare heath a harvest yields.
+ Nature expects mankind should share
+ The duties of the public care.
+ Who's born for sloth?[9] To some we find
+ The ploughshare's annual toil assign'd.
+ Some at the sounding anvil glow;
+ Some the swift-sliding shuttle throw;
+ Some, studious of the wind and tide,
+ From pole to pole our commerce guide:
+_40
+ Some (taught by industry) impart
+ With hands and feet the works of art;
+ While some, of genius more refined,
+ With head and tongue assist mankind:
+ Each, aiming at one common end,
+ Proves to the whole a needful friend.
+ Thus, born each other's useful aid,
+ By turns are obligations paid.
+ The monarch, when his table's spread,
+ Is to the clown obliged for bread;
+_50
+ And when in all his glory dress'd,
+ Owes to the loom his royal vest.
+ Do not the mason's toil and care
+ Protect him from the inclement air?
+ Does not the cutler's art supply
+ The ornament that guards his thigh?
+ All these, in duty to the throne,
+ Their common obligations own.
+ 'Tis he (his own and people's cause)
+ Protects their properties and laws.
+_60
+ Thus they their honest toil employ,
+ And with content their fruits enjoy.
+ In every rank, or great or small,
+ 'Tis industry supports us all.
+ The animals by want oppressed,
+ To man their services addressed;
+ While each pursued their selfish good,
+ They hungered for precarious food.
+ Their hours with anxious cares were vex'd;
+ One day they fed, and starved the next.
+_70
+ They saw that plenty, sure and rife,
+ Was found alone in social life;
+ That mutual industry professed,
+ The various wants of man redressed.
+ The cat, half-famished, lean and weak,
+ Demands the privilege to speak.
+ 'Well, puss,' says man, 'and what can you
+ To benefit the public do?'
+ The cat replies: 'These teeth, these claws,
+ With vigilance shall serve the cause.
+_80
+ The mouse destroyed by my pursuit,
+ No longer shall your feasts pollute;
+ Nor rats, from nightly ambuscade,
+ With wasteful teeth your stores invade.'
+ 'I grant,' says man, 'to general use
+ Your parts and talents may conduce;
+ For rats and mice purloin our grain,
+ And threshers whirl the flail in vain:
+ Thus shall the cat, a foe to spoil,
+ Protect the farmer's honest toil,'
+_90
+ Then, turning to the dog, he cried,
+ 'Well, sir; be next your merits tried.'
+ 'Sir,' says the dog, 'by self-applause
+ We seem to own a friendless cause.
+ Ask those who know me, if distrust
+ E'er found me treacherous or unjust?
+ Did I e'er faith or friendship break?
+ Ask all those creatures; let them speak.
+ My vigilance and trusty zeal
+ Perhaps might serve the public weal.
+_100
+ Might not your flocks in safety feed,
+ Were I to guard the fleecy breed?
+ Did I the nightly watches keep,
+ Could thieves invade you while you sleep?'
+ The man replies: ''Tis just and right;
+ Rewards such service should requite.
+ So rare, in property, we find
+ Trust uncorrupt among mankind,
+ That, taken, in a public view,
+ The first distinction is your due.
+_110
+ Such merits all reward transcend:
+ Be then my comrade and my friend.'
+ Addressing now the fly: 'From you
+ What public service can accrue?'
+ 'From me!' the flutt'ring insect said;
+ 'I thought you knew me better bred.
+ Sir, I'm a gentleman. Is't fit
+ That I to industry submit?
+ Let mean mechanics, to be fed
+ By business earn ignoble bread.
+_120
+ Lost in excess of daily joys,
+ No thought, no care my life annoys,
+ At noon (the lady's matin hour)
+ I sip the tea's delicious flower.
+ On cakes luxuriously I dine,
+ And drink the fragrance of the vine.
+ Studious of elegance and ease,
+ Myself alone I seek to please.'
+ The man his pert conceit derides,
+ And thus the useless coxcomb chides:
+_130
+ 'Hence, from that peach, that downy seat,
+ No idle fool deserves to eat.
+ Could you have sapped the blushing rind,
+ And on that pulp ambrosial dined,
+ Had not some hand with skill and toil,
+ To raise the tree, prepared the soil?
+ Consider, sot, what would ensue,
+ Were all such worthless things as you.
+ You'd soon be forced (by hunger stung)
+ To make your dirty meals on dung;
+_140
+ On which such despicable need,
+ Unpitied, is reduced to feed;
+ Besides, vain selfish insect, learn
+ (If you can right and wrong discern)
+ That he who, with industrious zeal,
+ Contributes to the public weal,
+ By adding to the common good,
+ His own hath rightly understood.'
+ So saying, with a sudden blow,
+ He laid the noxious vagrant low.
+_150
+ Crushed in his luxury and pride,
+ The spunger on the public died.
+
+ * * * * *
+
+
+ FABLE IX.
+
+ THE JACKALL, LEOPARD, AND OTHER BEASTS
+
+ TO A MODERN POLITICIAN.
+
+ I grant corruption sways mankind;
+ That interest too perverts the mind;
+ That bribes have blinded common sense,
+ Foiled reason, truth, and eloquence:
+ I grant you too, our present crimes
+ Can equal those of former times.
+ Against plain facts shall I engage,
+ To vindicate our righteous age?
+ I know, that in a modern fist,
+ Bribes in full energy subsist.
+_10
+ Since then these arguments prevail,
+ And itching palms are still so frail,
+ Hence politicians, you suggest,
+ Should drive the nail that goes the best;
+ That it shows parts and penetration,
+ To ply men with the right temptation.
+ To this I humbly must dissent;
+ Premising no reflection's meant.
+ Does justice or the client's sense
+ Teach lawyers either side's defence?
+_20
+ The fee gives eloquence its spirit;
+ That only is the client's merit.
+ Does art, wit, wisdom, or address,
+ Obtain the prostitute's caress?
+ The guinea (as in other trades)
+ From every hand alike persuades.
+ Man, Scripture says, is prone to evil,
+ But does that vindicate the devil?
+ Besides, the more mankind are prone,
+ The less the devil's parts are shown.
+_30
+ Corruption's not of modern date;
+ It hath been tried in every state.
+ Great knaves of old their power have fenced,
+ By places, pensions, bribes, dispensed;
+ By these they gloried in success,
+ And impudently dared oppress;
+ By these despoticly they swayed,
+ And slaves extolled the hand that paid;
+ Nor parts, nor genius were employed,
+ By these alone were realms destroyed.
+_40
+ Now see these wretches in disgrace,
+ Stripp'd of their treasures, power, and place;
+ View them abandoned and forlorn,
+ Exposed to just reproach and scorn.
+ What now is all your pride, your boast?
+ Where are your slaves, your flattering host?
+ What tongues now feed you with applause?
+ Where are the champions of your cause?
+ Now even that very fawning train
+ Which shared the gleanings of your gain,
+_50
+ Press foremost who shall first accuse
+ Your selfish jobs, your paltry views,
+ Your narrow schemes, your breach of trust,
+ And want of talents to be just.
+ What fools were these amidst their power!
+ How thoughtless of their adverse hour!
+ What friends were made? A hireling herd,
+ For temporary votes preferr'd.
+ Was it, these sycophants to get,
+ Your bounty swelled a nation's debt?
+_60
+ You're bit. For these, like Swiss attend;
+ No longer pay, no longer friend.
+ The lion is, beyond dispute,
+ Allowed the most majestic brute;
+ His valour and his generous mind
+ Prove him superior of his kind.
+ Yet to jackals (as 'tis averred)
+ Some lions have their power transferred;
+ As if the parts of pimps and spies
+ To govern forests could suffice.
+_70
+ Once, studious of his private good,
+ A proud jackal oppressed the wood;
+ To cram his own insatiate jaws, 73
+ Invaded property and laws;
+ The forest groans with discontent,
+ Fresh wrongs the general hate foment,
+ The spreading murmurs reached his ear;
+ His secret hours were vexed with fear.
+ Night after night he weighs the case,
+ And feels the terrors of disgrace.
+_80
+ 'By friends,' says he, 'I'll guard my seat,
+ By those malicious tongues defeat:
+ I'll strengthen power by new allies,
+ And all my clamorous foes despise.'
+ To make the generous beasts his friends,
+ He cringes, fawns, and condescends;
+ But those repulsed his abject court,
+ And scorned oppression to support.
+ Friends must be had. He can't subsist.
+ Bribes shall new proselytes inlist.
+_90
+ But these nought weighed in honest paws;
+ For bribes confess a wicked cause:
+ Yet think not every paw withstands
+ What had prevailed in human hands.
+ A tempting turnip's silver skin
+ Drew a base hog through thick and thin:
+ Bought with a stag's delicious haunch,
+ The mercenary wolf was stanch:
+ The convert fox grew warm and hearty,
+ A pullet gained him to the party;
+_100
+ The golden pippin in his fist,
+ A chattering monkey joined the list.
+ But soon exposed to public hate,
+ The favourite's fall redressed the state.
+ The leopard, vindicating right,
+ Had brought his secret frauds to light,
+ As rats, before the mansion falls,
+ Desert late hospitable walls,
+ In shoals the servile creatures run,
+ To bow before the rising sun.
+_110
+ The hog with warmth expressed his zeal,
+ And was for hanging those that steal;
+ But hoped, though low, the public hoard
+ Might half a turnip still afford.
+ Since saving measures were profess'd,
+ A lamb's head was the wolf's request.
+ The fox submitted if to touch
+ A gosling would be deemed too much.
+ The monkey thought his grin and chatter,
+ Might ask a nut or some such matter.
+_120
+ 'Ye hirelings, hence,' the leopard cries;
+ 'Your venal conscience I despise.
+ He who the public good intends,
+ By bribes needs never purchase friends.
+ Who acts this just, this open part,
+ Is propp'd by every honest heart.
+ Corruption now too late hath showed,
+ That bribes are always ill-bestowed,
+ By you your bubbled master's taught,
+ Time-serving tools, not friends, are bought.'
+_130
+
+ * * * * *
+
+
+ FABLE X.
+
+ THE DEGENERATE BEES.
+
+ TO THE REVEREND DR SWIFT, DEAN OF ST PATRICK'S.
+
+ Though Courts the practice disallow,
+ A friend at all times I'll avow.
+ In politics I know 'tis wrong:
+ A friendship may be kept too long;
+ And what they call the prudent part,
+ Is to wear interest next the heart,
+ As the times take a different face,
+ Old friendships should to new give place.
+ I know too you have many foes,
+ That owning you is sharing those,
+_10
+ That every knave in every station,
+ Of high and low denomination,
+ For what you speak, and what you write,
+ Dread you at once, and bear you spite.
+ Such freedoms in your works are shown
+ They can't enjoy what's not their own;
+ All dunces too, in church and state,
+ In frothy nonsense show their hate;
+ With all the petty scribbling crew,
+ (And those pert sots are not a few,)
+_20
+ 'Gainst you and Pope their envy spurt,
+ The booksellers alone are hurt.
+ Good gods! by what a powerful race
+ (For blockheads may have power and place)
+ Are scandals raised and libels writ!
+ To prove your honesty and wit!
+ Think with yourself: Those worthy men,
+ You know, have suffered by your pen.
+ From them you've nothing but your due.
+ From thence, 'tis plain, your friends are few.
+_30
+ Except myself, I know of none,
+ Besides the wise and good alone.
+ To set the case in fairer light,
+ My fable shall the rest recite;
+ Which (though unlike our present state)
+ I for the moral's sake relate.
+ A bee of cunning, not of parts,
+ Luxurious, negligent of arts,
+ Rapacious, arrogant, and vain,
+ Greedy of power, but more of gain,
+_40
+ Corruption sowed throughout the hive,
+ By petty rogues the great ones thrive.
+ As power and wealth his views supplied,
+ 'Twas seen in over-bearing pride.
+ With him loud impudence had merit;
+ The bee of conscience wanted spirit;
+ And those who followed honour's rules,
+ Were laughed to scorn for squeamish fools,
+ Wealth claimed distinction, favour, grace;
+ And poverty alone was base.
+_50
+ He treated industry with slight,
+ Unless he found his profit by't.
+ Eights, laws, and liberties gave way,
+ To bring his selfish schemes in play.
+ The swarm forgot the common toil,
+ To share the gleanings of his spoil.
+ 'While vulgar souls of narrow parts,
+ Waste life in low mechanic arts,
+ Let us,' says he, 'to genius born,
+ The drudgery of our fathers scorn.
+_60
+ The wasp and drone, you must agree,
+ Live with more elegance than we.
+ Like gentlemen they sport and play;
+ No business interrupts the day;
+ Their hours to luxury they give,
+ And nobly on their neighbours live.'
+ A stubborn bee, among the swarm,
+ With honest indignation warm,
+ Thus from his cell with zeal replied:
+ 'I slight thy frowns, and hate thy pride.
+_70
+ The laws our native rights protect;
+ Offending thee, I those respect.
+ Shall luxury corrupt the hive,
+ And none against the torrent strive?
+ Exert the honour of your race;
+ He builds his rise on your disgrace.
+ 'Tis industry our state maintains:
+ 'Twas honest toils and honest gains
+ That raised our sires to power and fame.
+ Be virtuous; save yourselves from shame.
+_80
+ Know, that in selfish ends pursuing,
+ You scramble for the public ruin.'
+ He spoke; and from his cell dismissed,
+ Was insolently scoffed and hissed.
+ With him a friend or two resigned,
+ Disdaining the degenerate kind.
+ 'These drones,' says he, 'these insects vile,
+ (I treat them in their proper style,)
+ May for a time oppress the state,
+ They own our virtue by their hate;
+_90
+ By that our merits they reveal,
+ And recommend our public zeal;
+ Disgraced by this corrupted crew,
+ We're honoured by the virtuous few.'
+
+ * * * * *
+
+
+
+ FABLE XI.
+
+ THE PACK-HORSE AND THE CARRIER.
+
+ TO A YOUNG NOBLEMAN.
+
+ Begin, my lord, in early youth,
+ To suffer, nay, encourage truth:
+ And blame me not for disrespect,
+ If I the flatterer's style reject;
+ With that, by menial tongues supplied,
+ You're daily cocker'd up in pride.
+ The tree's distinguished by the fruit,
+ Be virtue then your sole pursuit;
+ Set your great ancestors in view,
+ Like them deserve the title too;
+_10
+ Like them ignoble actions scorn:
+ Let virtue prove you greatly born.
+ Though with less plate their sideboard shone,
+ Their conscience always was their own;
+ They ne'er at levees meanly fawned,
+ Nor was their honour yearly pawned;
+ Their hands, by no corruption stained,
+ The ministerial bribe disdained;
+ They served the crown with loyal zeal;
+ Yet, jealous of the public weal,
+_20
+ They stood the bulwark of our laws,
+ And wore at heart their country's cause;
+ By neither place or pension bought,
+ They spoke and voted as they thought.
+ Thus did your sires adorn their seat;
+ And such alone are truly great.
+ If you the paths of learning slight,
+ You're but a dunce in stronger light;
+ In foremost rank the coward placed,
+ Is more conspicuously disgraced.
+_30
+ If you to serve a paltry end,
+ To knavish jobs can condescend,
+ We pay you the contempt that's due;
+ In that you have precedence too.
+ Whence had you this illustrious name?
+ From virtue and unblemished fame.
+ By birth the name alone descends;
+ Your honour on yourself depends:
+ Think not your coronet can hide
+ Assuming ignorance and pride.
+_40
+ Learning by study must be won,
+ 'Twas ne'er entailed from son to son.
+ Superior worth your rank requires;
+ For that mankind reveres your sires;
+ If you degenerate from your race,
+ Their merits heighten your disgrace.
+ A carrier, every night and morn,
+ Would see his horses eat their corn:
+ This sunk the hostler's vails, 'tis true;
+ But then his horses had their due.
+_50
+ Were we so cautious in all cases,
+ Small gain would rise from greater places.
+ The manger now had all its measure;
+ He heard the grinding teeth with pleasure;
+ When all at once confusion rung;
+ They snorted, jostled, bit, and flung:
+ A pack-horse turned his head aside,
+ Foaming, his eye-balls swelled with pride.
+ 'Good gods!' says he, 'how hard's my lot!
+ Is then my high descent forgot?
+_60
+ Reduced to drudgery and disgrace,
+ (A life unworthy of my race,)
+ Must I too bear the vile attacks
+ Of rugged scrubs, and vulgar hacks?
+ See scurvy Roan, that brute ill-bred,
+ Dares from the manger thrust my head!
+ Shall I, who boast a noble line,
+ On offals of these creatures dine?
+ Kicked by old Ball! so mean a foe!
+ My honour suffers by the blow.
+_70
+ Newmarket speaks my grandsire's fame,
+ All jockies still revere his name:
+ There yearly are his triumphs told,
+ There all his massy plates enrolled.
+ Whene'er led forth upon the plain,
+ You saw him with a livery train;
+ Returning too with laurels crowned,
+ You heard the drums and trumpets sound.
+ Let it then, sir, be understood,
+ Respect's my due; for I have blood.'
+_80
+ 'Vain-glorious fool!' the carrier cried,
+ 'Respect was never paid to pride.
+ Know, 'twas thy giddy wilful heart
+ Reduced thee to this slavish part.
+ Did not thy headstrong youth disdain
+ To learn the conduct of the rein?
+ Thus coxcombs, blind to real merit,
+ In vicious frolics fancy spirit.
+ What is't to me by whom begot?
+ Thou restive, pert, conceited sot.
+_90
+ Your sires I reverence; 'tis their due:
+ But, worthless fool, what's that to you?
+ Ask all the carriers on the road,
+ They'll say thy keeping's ill bestowed.
+ Then vaunt no more thy noble race,
+ That neither mends thy strength or pace.
+ What profits me thy boast of blood?
+ An ass hath more intrinsic good.
+ By outward show let's not be cheated;
+ An ass should like an ass be treated.'
+_100
+
+ * * * * *
+
+
+ FABLE XII.
+
+ PAN AND FORTUNE.
+
+ TO A YOUNG HEIR.
+
+ Soon as your father's death was known,
+ (As if the estate had been their own)
+ The gamesters outwardly express'd
+ The decent joy within your breast.
+ So lavish in your praise they grew,
+ As spoke their certain hopes in you.
+ One counts your income of the year,
+ How much in ready money clear.
+ 'No house,' says he, 'is more complete;
+ The garden's elegant and great.
+_10
+ How fine the park around it lies!
+ The timber's of a noble size!
+ Then count his jewels and his plate.
+ Besides, 'tis no entailed estate.
+ If cash run low, his lands in fee
+ Are, or for sale, or mortgage free.'
+ Thus they, before you threw the main,
+ Seem to anticipate their gain.
+ Would you, when thieves were known abroad,
+ Bring forth your treasures in the road?
+_20
+ Would not the fool abet the stealth,
+ Who rashly thus exposed his wealth?
+ Yet this you do, whene'er you play
+ Among the gentlemen of prey.
+ Could fools to keep their own contrive,
+ On what, on whom could gamesters thrive?
+ Is it in charity you game,
+ To save your worthy gang from shame?
+ Unless you furnished daily bread,
+ Which way could idleness be fed?
+_30
+ Could these professors of deceit
+ Within the law no longer cheat,
+ They must run bolder risks for prey,
+ And strip the traveller on the way.
+ Thus in your annual rents they share,
+ And 'scape the noose from year to year.
+ Consider, ere you make the bet,
+ That sum might cross your tailor's debt.
+ When you the pilfering rattle shake,
+ Is not your honour too at stake?
+_40
+ Must you not by mean lies evade
+ To-morrow's duns from every trade?
+ By promises so often paid,
+ Is yet your tailor's bill defrayed?
+ Must you not pitifully fawn,
+ To have your butcher's writ withdrawn?
+ This must be done. In debts of play
+ Your honour suffers no delay:
+ And not this year's and next year's rent
+ The sons of rapine can content.
+_50
+ Look round. The wrecks of play behold,
+ Estates dismembered, mortgaged, sold!
+ Their owners, not to jails confined,
+ Show equal poverty of mind.
+ Some, who the spoil of knaves were made,
+ Too late attempt to learn their trade.
+ Some, for the folly of one hour,
+ Become the dirty tools of power,
+ And, with the mercenary list,
+ Upon court-charity subsist.
+_60
+ You'll find at last this maxim true,
+ Fools are the game which knaves pursue.
+ The forest (a whole century's shade)
+ Must be one wasteful ruin made.
+ No mercy's shewn to age or kind;
+ The general massacre is signed.
+ The park too shares the dreadful fate,
+ For duns grow louder at the gate,
+ Stern clowns, obedient to the squire,
+ (What will not barbarous hands for hire?)
+_70
+ With brawny arms repeat the stroke.
+ Fallen are the elm and reverend oak.
+ Through the long wood loud axes sound,
+ And echo groans with every wound.
+ To see the desolation spread,
+ Pan drops a tear, and hangs his head:
+ His bosom now with fury burns:
+ Beneath his hoof the dice he spurns.
+ Cards, too, in peevish passion torn,
+ The sport of whirling winds are borne.
+_80
+ 'To snails inveterate hate I bear,
+ Who spoil the verdure of the year;
+ The caterpillar I detest,
+ The blooming spring's voracious pest;
+ The locust too, whose ravenous band
+ Spreads sudden famine o'er the land.
+ But what are these? The dice's throw
+ At once hath laid a forest low.
+ The cards are dealt, the bet is made,
+ And the wide park hath lost its shade.
+_90
+ Thus is my kingdom's pride defaced,
+ And all its ancient glories waste.
+ All this,' he cries, 'is Fortune's doing:
+ 'Tis thus she meditates my ruin.
+ By Fortune, that false, fickle jade,
+ More havoc in one hour is made,
+ Than all the hungry insect race,
+ Combined, can in an age deface.'
+ Fortune, by chance, who near him pass'd,
+ O'erheard the vile aspersion cast.
+_100
+ 'Why, Pan,' says she, 'what's all this rant?
+ 'Tis every country-bubble's cant;
+ Am I the patroness of vice?
+ Is't I who cog or palm the dice?
+ Did I the shuffling art reveal, 105
+ To mark the cards, or range the deal?
+ In all the employments men pursue,
+ I mind the least what gamesters do.
+ There may (if computation's just)
+ One now and then my conduct trust:
+_110
+ I blame the fool, for what can I,
+ When ninety-nine my power defy?
+ These trust alone their fingers' ends,
+ And not one stake on me depends.
+ Whene'er the gaming board is set,
+ Two classes of mankind are met:
+ But if we count the greedy race,
+ The knaves fill up the greater space.
+ 'Tis a gross error, held in schools,
+ That Fortune always favours fools.
+_120
+ In play it never bears dispute;
+ That doctrine these felled oaks confute.
+ Then why to me such rancour show?
+ 'Tis folly, Pan, that is thy foe.
+ By me his late estate he won,
+ But he by folly was undone.'
+
+ * * * * *
+
+
+ FABLE XIII.
+
+ PLUTUS, CUPID, AND TIME.
+
+ Of all the burdens man must bear,
+ Time seems most galling and severe:
+ Beneath this grievous load oppressed,
+ We daily meet some friend distressed.
+ 'What can one do? I rose at nine.
+ 'Tis full six hours before we dine:
+ Six hours! no earthly thing to do!
+ Would I had dozed in bed till two.'
+ A pamphlet is before him spread,
+ And almost half a page is read;
+_10
+ Tired with the study of the day,
+ The fluttering sheets are tossed away.
+ He opes his snuff-box, hums an air,
+ Then yawns, and stretches in his chair.
+ 'Not twenty, by the minute hand!
+ Good gods:' says he, 'my watch must stand!
+ How muddling 'tis on books to pore!
+ I thought I'd read an hour or more,
+ The morning, of all hours, I hate.
+ One can't contrive to rise too late.'
+_20
+ To make the minutes faster run,
+ Then too his tiresome self to shun,
+ To the next coffee-house he speeds,
+ Takes up the news, some scraps he reads.
+ Sauntering, from chair to chair he trails;
+ Now drinks his tea, now bites his nails.
+ He spies a partner of his woe;
+ By chat afflictions lighter grow;
+ Each other's grievances they share,
+ And thus their dreadful hours compare.
+_30
+ Says Tom, 'Since all men must confess,
+ That time lies heavy more or less;
+ Why should it be so hard to get
+ Till two, a party at piquet?
+ Play might relieve the lagging morn:
+ By cards long wintry nights are borne:
+ Does not quadrille amuse the fair,
+ Night after night, throughout the year?
+ Vapours and spleen forgot, at play
+ They cheat uncounted hours away.'
+_40
+ 'My case,' says Will, 'then must be hard
+ By want of skill from play debarred.
+ Courtiers kill time by various ways;
+ Dependence wears out half their days.
+ How happy these, whose time ne'er stands!
+ Attendance takes it off their hands.
+ Were it not for this cursed shower
+ The park had whiled away an hour.
+ At Court, without or place or view,
+ I daily lose an hour or two;
+_50
+ It fully answers my design,
+ When I have picked up friends to dine,
+ The tavern makes our burden light;
+ Wine puts our time and care to flight.
+ At six (hard case!) they call to pay.
+ Where can one go? I hate the play.
+ From six till ten! Unless in sleep,
+ One cannot spend the hours so cheap.
+ The comedy's no sooner done,
+ But some assembly is begun;
+_60
+ Loit'ring from room to room I stray;
+ Converse, but nothing hear or say:
+ Quite tired, from fair to fair I roam.
+ So soon: I dread the thoughts of home.
+ From thence, to quicken slow-paced night,
+ Again my tavern-friends invite:
+ Here too our early mornings pass,
+ Till drowsy sleep retards the glass.'
+ Thus they their wretched life bemoan,
+ And make each other's case their own.
+_70
+ Consider, friends, no hour rolls on,
+ But something of your grief is gone.
+ Were you to schemes of business bred,
+ Did you the paths of learning tread.
+ Your hours, your days, would fly too fast;
+ You'd then regret the minute past,
+ Time's fugitive and light as wind!
+ 'Tis indolence that clogs your mind!
+ That load from off your spirits shake;
+ You'll own and grieve for your mistake;
+_80
+ A while your thoughtless spleen suspend,
+ Then read, and (if you can) attend.
+ As Plutus, to divert his care,
+ Walked forth one morn to take the air,
+ Cupid o'ertook his strutting pace,
+ Each stared upon the stranger's face,
+ Till recollection set them right;
+ For each knew t'other but by sight.
+ After some complimental talk,
+ Time met them, bowed, and joined their walk.
+_90
+ Their chat on various subjects ran,
+ But most, what each had done for man.
+ Plutus assumes a haughty air,
+ Just like our purse-proud fellows here.
+ 'Let kings,' says he, 'let cobblers tell,
+ Whose gifts among mankind excel.
+ Consider Courts: what draws their train?
+ Think you 'tis loyalty or gain?
+ That statesman hath the strongest hold,
+ Whose tool of politics is gold.
+_100
+ By that, in former reigns, 'tis said,
+ The knave in power hath senates led.
+ By that alone he swayed debates,
+ Enriched himself and beggared states.
+ Forego your boast. You must conclude,
+ That's most esteemed that's most pursued.
+ Think too, in what a woful plight
+ That wretch must live whose pocket's light.
+ Are not his hours by want depress'd?
+ Penurious care corrodes his breast.
+_110
+ Without respect, or love, or friends,
+ His solitary day descends.'
+ 'You might,' says Cupid, 'doubt my parts,
+ My knowledge too in human hearts,
+ Should I the power of gold dispute,
+ Which great examples might confute.
+ I know, when nothing else prevails,
+ Persuasive money seldom fails;
+ That beauty too (like other wares)
+ Its price, as well as conscience, bears.
+_120
+ Then marriage (as of late profess'd)
+ Is but a money-job at best.
+ Consent, compliance may be sold:
+ But love's beyond the price of gold.
+ Smugglers there are, who by retail,
+ Expose what they call love, to sale,
+ Such bargains are an arrant cheat:
+ You purchase flattery and deceit.
+ Those who true love have ever tried,
+ (The common cares of life supplied,)
+_130
+ No wants endure, no wishes make,
+ But every real joy partake,
+ All comfort on themselves depends;
+ They want nor power, nor wealth, nor friends.
+ Love then hath every bliss in store:
+ 'Tis friendship, and 'tis something more.
+ Each other every wish they give,
+ Not to know love, is not to live.'
+ 'Or love, or money,' Time replied,
+ 'Were men the question to decide,
+_140
+ Would bear the prize: on both intent,
+ My boon's neglected or misspent.
+ 'Tis I who measure vital space,
+ And deal out years to human race.
+ Though little prized, and seldom sought,
+ Without me love and gold are nought.
+ How does the miser time employ?
+ Did I e'er see him life enjoy?
+ By me forsook, the hoards he won,
+ Are scattered by his lavish son.
+_150
+ By me all useful arts are gained;
+ Wealth, learning, wisdom is attained.
+ Who then would think (since such, my power)
+ That e'er I knew an idle hour?
+ So subtle and so swift I fly,
+ Love's not more fugitive than I.
+ Who hath not heard coquettes complain
+ Of days, months, years, misspent in vain?
+ For time misused they pine and waste,
+ And love's sweet pleasures never taste.
+_160
+ Those who direct their time aright,
+ If love or wealth their hopes excite,
+ In each pursuit fit hours employed,
+ And both by Time have been enjoyed.
+ How heedless then are mortals grown!
+ How little is their interest known?
+ In every view they ought to mind me;
+ For when once lost they never find me.'
+ He spoke. The gods no more contest,
+ And his superior gift confess'd;
+_170
+ That time when (truly understood)
+ Is the most precious earthly good.
+
+ * * * * *
+
+
+ FABLE XIV.
+
+ THE OWL, THE SWAN, THE COCK, THE SPIDER, THE
+ ASS, AND THE FARMER.
+
+ TO A MOTHER.
+
+ Conversing with your sprightly boys,
+ Your eyes have spoke the mother's joys.
+ With what delight I've heard you quote
+ Their sayings in imperfect note!
+ I grant, in body and in mind,
+ Nature appears profusely kind.
+ Trust not to that. Act you your part;
+ Imprint just morals on their heart,
+ Impartially their talents scan:
+ Just education forms the man.
+_10
+ Perhaps (their genius yet unknown)
+ Each lot of life's already thrown;
+ That this shall plead, the next shall fight,
+ The last assert the church's right.
+ I censure not the fond intent;
+ But how precarious is the event!
+ By talents misapplied and cross'd,
+ Consider, all your sons are lost.
+ One day (the tale's by Martial penned)
+ A father thus addressed his friend:
+_20
+ 'To train my boy, and call forth sense,
+ You know I've stuck at no expense;
+ I've tried him in the several arts,
+ (The lad no doubt hath latent parts,)
+ Yet trying all, he nothing knows;
+ But, crab-like, rather backward goes.
+ Teach me what yet remains undone;
+ 'Tis your advice shall fix my son.'
+ 'Sir,' says the friend, 'I've weighed the matter;
+ Excuse me, for I scorn to flatter:
+_30
+ Make him (nor think his genius checked)
+ A herald or an architect.'
+ Perhaps (as commonly 'tis known)
+ He heard the advice, and took his own.
+ The boy wants wit; he's sent to school,
+ Where learning but improves the fool:
+ The college next must give him parts,
+ And cram him with the liberal arts.
+ Whether he blunders at the bar,
+ Or owes his infamy to war;
+_40
+ Or if by licence or degree
+ The sexton shares the doctor's fee:
+ Or from the pulpit by the hour
+ He weekly floods of nonsense pour;
+ We find (the intent of nature foiled)
+ A tailor or a butcher spoiled.
+ Thus ministers have royal boons
+ Conferred on blockheads and buffoons:
+ In spite of nature, merit, wit,
+ Their friends for every post were fit.
+_50
+ But now let every Muse confess
+ That merit finds its due success.
+ The examples of our days regard;
+ Where's virtue seen without reward?
+ Distinguished and in place you find
+ Desert and worth of every kind.
+ Survey the reverend bench, and see,
+ Religion, learning, piety:
+ The patron, ere he recommends,
+ Sees his own image in his friends.
+_60
+ Is honesty disgraced and poor?
+ What is't to us what was before?
+ We all of times corrupt have heard,
+ When paltry minions were preferred;
+ When all great offices by dozens,
+ Were filled by brothers, sons, and cousins.
+ What matter ignorance and pride?
+ The man was happily allied.
+ Provided that his clerk was good,
+ What though he nothing understood?
+_70
+ In church and state, the sorry race
+ Grew more conspicuous fools in place.
+ Such heads, as then a treaty made,
+ Had bungled in the cobbler's trade.
+ Consider, patrons, that such elves,
+ Expose your folly with themselves.
+ 'Tis yours, as 'tis the parent's care,
+ To fix each genius in its sphere.
+ Your partial hand can wealth dispense,
+ But never give a blockhead sense.
+_80
+ An owl of magisterial air,
+ Of solemn voice, of brow austere,
+ Assumed the pride of human race,
+ And bore his wisdom in his face;
+ Not to depreciate learned eyes,
+ I've seen a pedant look as wise.
+ Within a barn, from noise retired,
+ He scorned the world, himself admired;
+ And, like an ancient sage, concealed
+ The follies public life revealed.
+_90
+ Philosophers of old, he read,
+ Their country's youth to science bred,
+ Their manners formed for every station,
+ And destined each his occupation.
+ When Xenophon, by numbers braved,
+ Retreated, and a people saved,
+ That laurel was not all his own;
+ The plant by Socrates was sown;
+ To Aristotle's greater name
+ The Macedonian[10] owed his fame.
+_100
+ The Athenian bird, with pride replete,
+ Their talents equalled in conceit;
+ And, copying the Socratic rule,
+ Set up for master of a school.
+ Dogmatic jargon learnt by heart,
+ Trite sentences, hard terms of art,
+ To vulgar ears seemed so profound,
+ They fancied learning in the sound.
+ The school had fame: the crowded place
+ With pupils swarmed of every race.
+_110
+ With these the swan's maternal care
+ Had sent her scarce-fledged cygnet heir:
+ The hen (though fond and loath to part)
+ Here lodged the darling of her heart:
+ The spider, of mechanic kind,
+ Aspired to science more refined:
+ The ass learnt metaphors and tropes,
+ But most on music fixed his hopes.
+ The pupils now advanced in age,
+ Were called to tread life's busy stage.
+_120
+ And to the master 'twas submitted,
+ That each might to his part be fitted.
+ 'The swan,' says he, 'in arms shall shine:
+ The soldier's glorious toil be thine.
+ The cock shall mighty wealth attain:
+ Go, seek it on the stormy main.
+ The Court shall be the spider's sphere:
+ Power, fortune, shall reward him there.
+ In music's art the ass's fame
+ Shall emulate Corelli's[1] name.
+_130
+ Each took the part that he advised,
+ And all were equally despised;
+ A farmer, at his folly moved,
+ The dull preceptor thus reproved:
+ 'Blockhead,' says he, 'by what you've done,
+ One would have thought 'em each your son:
+ For parents, to their offspring blind,
+ Consult, nor parts, nor turn of mind;
+ But even in infancy decree
+ What this, what t'other son should be.
+_140
+ Had you with judgment weighed the case,
+ Their genius thus had fixed their place:
+ The swan had learnt the sailor's art;
+ The cock had played the soldier's part;
+ The spider in the weaver's trade
+ With credit had a fortune made;
+ But for the fool, in every class
+ The blockhead had appeared an ass.'
+
+ * * * * *
+
+
+ FABLE XV.
+
+ THE COOK-MAID, THE TURNSPIT, AND THE OX.
+
+ TO A POOR MAN.
+
+ Consider man in every sphere,
+ Then tell me is your lot severe?
+ 'Tis murmur, discontent, distrust,
+ That makes you wretched. God is just.
+ I grant, that hunger must be fed,
+ That toil too earns thy daily bread.
+ What then? Thy wants are seen and known,
+ But every mortal feels his own.
+ We're born a restless, needy crew:
+ Show me the happier man than you.
+_10
+ Adam, though blest above his kind,
+ For want of social woman pined,
+ Eve's wants the subtle serpent saw,
+ Her fickle taste transgressed the law:
+ Thus fell our sires; and their disgrace
+ The curse entailed on human race.
+ When Philip's son, by glory led,
+ Had o'er the globe his empire spread;
+ When altars to his name were dressed,
+ That he was man, his tears confessed.
+_20
+ The hopes of avarice are check'd:
+ The proud man always wants respect.
+ What various wants on power attend!
+ Ambition never gains its end.
+ Who hath not heard the rich complain
+ Of surfeits and corporeal pain?
+ He, barred from every use of wealth,
+ Envies the ploughman's strength and health.
+ Another in a beauteous wife
+ Finds all the miseries of life:
+_30
+ Domestic jars and jealous fear
+ Embitter all his days with care.
+ This wants an heir, the line is lost:
+ Why was that vain entail engross'd?
+ Canst thou discern another's mind?
+ Why is't you envy? Envy's blind.
+ Tell Envy, when she would annoy,
+ That thousands want what you enjoy.
+ 'The dinner must be dished at one.
+ Where's this vexatious turnspit gone?
+_40
+ Unless the skulking cur is caught,
+ The sirloin's spoiled, and I'm in fault.'
+ Thus said: (for sure you'll think it fit
+ That I the cook-maid's oaths omit)
+ With all the fury of a cook,
+ Her cooler kitchen Nan forsook.
+ The broomstick o'er her head she waves;
+ She sweats, she stamps, she puffs, she raves.
+ The sneaking cur before her flies:
+ She whistles, calls; fair speech she tries.
+_50
+ These nought avail. Her choler burns;
+ The fist and cudgel threat by turns;
+ With hasty stride she presses near;
+ He slinks aloof, and howls with fear.
+ 'Was ever cur so cursed!' he cried,
+ 'What star did at my birth preside?
+ Am I for life by compact bound
+ To tread the wheel's eternal round?
+ Inglorious task! Of all our race
+ No slave is half so mean and base.
+_60
+ Had fate a kinder lot assigned,
+ And formed me of the lap-dog kind,
+ I then, in higher life employed,
+ Had indolence and ease enjoyed;
+ And, like a gentleman, caress'd,
+ Had been the lady's favourite guest.
+ Or were I sprung from spaniel line,
+ Was his sagacious nostril mine,
+ By me, their never-erring guide,
+ From wood and plain their feasts supplied
+_70
+ Knights, squires, attendant on my pace,
+ Had shared the pleasures of the chase.
+ Endued with native strength and fire,
+ Why called I not the lion sire?
+ A lion! such mean views I scorn.
+ Why was I not of woman born?
+ Who dares with reason's power contend?
+ On man we brutal slaves depend:
+ To him all creatures tribute pays,
+ And luxury employs his days.'
+_80
+ An ox by chance o'erheard his moan,
+ And thus rebuked the lazy drone:
+ 'Dare you at partial fate repine?
+ How kind's your lot compared with mine!
+ Decreed to toil, the barbarous knife
+ Hath severed me from social life;
+ Urged by the stimulating goad,
+ I drag the cumbrous waggon's load:
+ 'Tis mine to tame the stubborn plain,
+ Break the stiff soil, and house the grain;
+_90
+ Yet I without a murmur bear
+ The various labours of the year.
+ But then consider, that one day,
+ (Perhaps the hour's not far away,)
+ You, by the duties of your post,
+ Shall turn the spit when I'm the roast:
+ And for reward shall share the feast;
+ I mean, shall pick my bones at least.'
+ ''Till now,' the astonished cur replies,
+ 'I looked on all with envious eyes.
+_100
+ How false we judge by what appears!
+ All creatures feel their several cares.
+ If thus yon mighty beast complains,
+ Perhaps man knows superior pains.
+ Let envy then no more torment:
+ Think on the ox, and learn content.'
+ Thus said: close following at her heel,
+ With cheerful heart he mounts the wheel.
+
+
+
+
+ FABLE XVI.
+
+ THE RAVENS, THE SEXTON, AND THE EARTH-WORM.
+
+ TO LAURA.
+
+ Laura, methinks you're over nice.
+ True, flattery is a shocking vice;
+ Yet sure, whene'er the praise is just,
+ One may commend without disgust.
+ Am I a privilege denied,
+ Indulged by every tongue beside?
+ How singular are all your ways!
+ A woman, and averse to praise!
+ If 'tis offence such truths to tell,
+ Why do your merits thus excel?
+_10
+ Since then I dare not speak my mind,
+ A truth conspicuous to mankind;
+ Though in full lustre every grace
+ Distinguish your celestial face:
+ Though beauties of inferior ray
+ (Like stars before the orb of day)
+ Turn pale and fade: I check my lays,
+ Admiring what I dare not praise.
+ If you the tribute due disdain,
+ The Muse's mortifying strain
+_20
+ Shall like a woman in mere spite,
+ Set beauty in a moral light.
+ Though such revenge might shock the ear
+ Of many a celebrated fair;
+ I mean that superficial race
+ Whose thoughts ne'er reach beyond their face;
+ What's that to you? I but displease
+ Such ever-girlish ears as these.
+ Virtue can brook the thoughts of age,
+ That lasts the same through every stage.
+_30
+ Though you by time must suffer more
+ Than ever woman lost before;
+ To age is such indifference shown,
+ As if your face were not your own.
+ Were you by Antoninus[1] taught?
+ Or is it native strength of thought,
+ That thus, without concern or fright,
+ You view yourself by reason's light?
+ Those eyes of so divine a ray,
+ What are they? Mouldering, mortal clay.
+_40
+ Those features, cast in heavenly mould,
+ Shall, like my coarser earth, grow old;
+ Like common grass, the fairest flower
+ Must feel the hoary season's power.
+ How weak, how vain is human pride!
+ Dares man upon himself confide?
+ The wretch who glories in his gain,
+ Amasses heaps on heaps in vain.
+ Why lose we life in anxious cares,
+ To lay in hoards for future years?
+_50
+ Can those (when tortured by disease)
+ Cheer our sick heart, or purchase ease?
+ Can those prolong one gasp of breath,
+ Or calm the troubled hour of death?
+ What's beauty? Call ye that your own?
+ A flower that fades as soon as blown.
+ What's man in all his boast of sway?
+ Perhaps the tyrant of a day.
+ Alike the laws of life take place
+ Through every branch of human race,
+_60
+ The monarch of long regal line
+ Was raised from dust as frail as mine.
+ Can he pour health into his veins,
+ Or cool the fever's restless pains?
+ Can he (worn down in Nature's course)
+ New-brace his feeble nerves with force?
+ Can he (how vain is mortal power!)
+ Stretch life beyond the destined hour?
+ Consider, man; weigh well thy frame;
+ The king, the beggar is the same.
+_70
+ Dust forms us all. Each breathes his day,
+ Then sinks into his native clay.
+ Beneath a venerable yew,
+ That in the lonely church-yard grew,
+ Two ravens sat. In solemn croak
+ Thus one his hungry friend bespoke:
+ 'Methinks I scent some rich repast;
+ The savour strengthens with the blast;
+ Snuff then, the promised feast inhale;
+ I taste the carcase in the gale;
+_80
+ Near yonder trees, the farmer's steed,
+ From toil and daily drudgery freed,
+ Hath groaned his last. A dainty treat!
+ To birds of taste delicious meat.'
+ A sexton, busy at his trade,
+ To hear their chat suspends his spade.
+ Death struck him with no further thought,
+ Than merely as the fees he brought.
+ 'Was ever two such blundering fowls,
+ In brains and manners less than owls!
+_90
+ Blockheads,' says he, 'learn more respect;
+ Know ye on whom ye thus reflect?
+ In this same grave (who does me right,
+ Must own the work is strong and tight)
+ The squire that yon fair hall possessed,
+ Tonight shall lay his bones at rest.
+ Whence could the gross mistake proceed?
+ The squire was somewhat fat indeed.
+ What then? The meanest bird of prey
+ Such want of sense could ne'er betray;
+_100
+ For sure some difference must be found
+ (Suppose the smelling organ sound)
+ In carcases (say what we can)
+ Or where's the dignity of man?'
+ With due respect to human race,
+ The ravens undertook the case.
+ In such similitude of scent,
+ Man ne'er eould think reflections meant.
+ As epicures extol a treat,
+ And seem their savoury words to eat,
+_110
+ They praised dead horse, luxurious food,
+ The venison of the prescient brood.
+ The sexton's indignation moved,
+ The mean comparison reproved;
+ The undiscerning palate blamed,
+ Which two-legged carrion thus defamed.
+ Reproachful speech from either side
+ The want of argument supplied:
+ They rail, revile: as often ends
+ The contest of disputing friends.
+_120
+ 'Hold,' says the fowl; 'since human pride
+ With confutation ne'er complied,
+ Let's state the case, and then refer
+ The knotty point: for taste may err.'
+ As thus he spoke, from out the mould
+ An earth-worm, huge of size, unrolled
+ His monstrous length. They straight agree
+ To choose him as their referee.
+ So to the experience of his jaws,
+ Each states the merits of his cause.
+_130
+ He paused, and with a solemn tone,
+ Thus made his sage opinion known:
+ 'On carcases of every kind
+ This maw hath elegantly dined;
+ Provoked by luxury or need,
+ On beast, on fowl, on man, I feed;
+ Such small distinctions in the savour,
+ By turns I choose the fancied flavour,
+ Yet I must own (that human beast)
+ A glutton is the rankest feast.
+_140
+ Man, cease this boast; for human pride
+ Hath various tracts to range beside.
+ The prince who kept the world in awe,
+ The judge whose dictate fixed the law,
+ The rich, the poor, the great, the small,
+ Are levelled. Death confounds them all.
+ Then think not that we reptiles share
+ Such cates, such elegance of fair:
+ The only true and real good
+ Of man was never vermin's food.
+_150
+ 'Tis seated in the immortal mind;
+ Virtue distinguishes mankind,
+ And that (as yet ne'er harboured here)
+ Mounts with his soul we know not where.
+ So, good man sexton, since the case
+ Appears with such a dubious face,
+ To neither I the cause determine,
+ For different tastes please different vermin.'
+
+ END OF GAY'S FABLES.
+
+
+
+ SONGS.
+
+
+
+ SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN.
+
+ 1
+
+ All in the Downs the fleet was moor'd,
+ The streamers waving in the wind,
+ When black-eye'd Susan came aboard.
+ Oh! where shall I my true-love find?
+ Tell me, ye jovial sailors, tell me true,
+ If my sweet William sails among the crew.
+
+ 2
+
+ William, who high upon the yard
+ Rock'd with the billow to and fro,
+ Soon as her well-known voice he heard,
+ He sigh'd, and cast his eyes below;
+ The cord slides swiftly through his glowing hands,
+ And (quick as lightning) on the deck he stands.
+
+ 3
+
+ So the sweet lark, high poised in air,
+ Shuts close his pinions to his breast,
+ (If chance his mate's shrill call he hear,)
+ And drops at once into her nest.
+ The noblest captain in the British fleet
+ Might envy William's lip those kisses sweet.
+
+ 4
+
+ O Susan, Susan, lovely dear,
+ My vows shall ever true remain;
+ Let me kiss off that falling tear;
+ We only part to meet again.
+ Change, as ye list, ye winds; my heart shall be
+ The faithful compass that still points to thee.
+
+ 5
+
+ Believe not what the landmen say,
+ Who tempt with doubts thy constant mind.
+ They'll tell thee, sailors, when away,
+ In every port a mistress find:
+ Yes, yes, believe them when they tell thee so,
+ For thou art present wheresoe'er I go.
+
+ 6
+
+ If to fair India's coast we sail,
+ Thy eyes are seen in diamonds bright,
+ Thy breath is Afric's spicy gale,
+ Thy skin is ivory so white.
+ Thus every beauteous object that I view,
+ Wakes in my soul some charm of lovely Sue.
+
+ 7
+
+ Though battle call me from thy arms,
+ Let not my pretty Susan mourn;
+ Though cannons roar, yet, safe from harms,
+ William shall to his dear return.
+ Love turns aside the balls that round me fly,
+ Lest precious tears should drop from Susan's eye.
+
+ 8
+
+ The boatswain gave the dreadful word,
+ The sails their swelling bosom spread;
+ No longer must she stay aboard:
+ They kiss'd, she sigh'd, he hung his head.
+ Her lessening boat unwilling rows to land:
+ Adieu! she cries; and waved her lily hand.
+
+ * * * * *
+
+
+ A BALLAD,
+
+ FROM THE WHAT-D'YE-CALL-IT.
+
+ 1
+
+ 'Twas when the seas were roaring
+ With hollow blasts of wind;
+ A damsel lay deploring,
+ All on a rock reclined.
+ Wide o'er the foaming billows
+ She casts a wistful look;
+ Her head was crown'd with willows,
+ That trembled o'er the brook.
+
+ 2
+
+ Twelve months are gone and over,
+ And nine long tedious days.
+ Why didst thou, venturous lover,
+ Why didst thou trust the seas?
+ Cease, cease, thou cruel ocean,
+ And let my lover rest:
+ Ah! what's thy troubled motion
+ To that within my breast?
+
+ 3
+
+ The merchant, robb'd of pleasure,
+ Sees tempests in despair:
+ But what's the loss of treasure,
+ To losing of my dear?
+ Should you some coast be laid on,
+ Where gold and diamonds grow,
+ You'd find a richer maiden,
+ But none that loves you so.
+
+ 4
+
+ How can they say that nature
+ Has nothing made in vain;
+ Why then beneath the water
+ Should hideous rocks remain?
+ No eyes the rocks discover,
+ That lurk beneath the deep,
+ To wreck the wandering lover,
+ And leave the maid to weep.
+
+ 5
+
+ All melancholy lying,
+ Thus wail'd she for her dear;
+ Repaid each blast with sighing,
+ Each billow with a tear;
+ When o'er the white wave stooping,
+ His floating corpse she spied;
+ Then, like a lily drooping,
+ She bow'd her head, and died.
+
+ END OF GAY'S SONGS.
+
+
+Footnotes:
+
+
+[Footnote 1: Second son of George II.; born in 1721; he was five years
+old at the date of the publication of the 'Fables,' which were written
+for his instruction. He is 'Culloden' Cumberland.]
+
+[Footnote 2: 'Siam,' a country famous for elephants.]
+
+[Footnote 3: 'Gresham Hall,' originally the house of Sir Thomas Gresham
+in Winchester. It was converted by his will into a college, no remains of
+which now exist.]
+
+[Footnote 4: 'Curl,' a famous publisher to Grub Street.]
+
+[Footnote 5: Garth's Dispensary.]
+
+[Footnote 6: 'Porta:' a native of Naples, famous for skill in the occult
+sciences. He wrote a book on Physiognomy, seeking to trace in the human
+face resemblances to animals, and to infer similar correspondences in
+mind.]
+
+[Footnote 7: '----When impious men bear sway,
+ The post of honour is a private station.'-ADDISON.]
+
+[Footnote 8: 'Antiochus': See Plutarch.]
+
+[Footnote 9: Barrow.]
+
+[Footnote 10: 'The Macedonian:' Alexander the Great.]
+
+
+[Footnote 11: 'Corelli:' Arcangelo, the greatest fiddler, till Paganini,
+that has appeared. He was born in the territory of Bologna, in 1653, and
+died in 1713.]
+
+[Footnote 12: 'Antoninus:' Marcus, one of the few emperors who have been
+also philosophers.]
+
+
+
+
+
+THE
+
+LIFE OF WILLIAM SOMERVILLE.
+
+ * * * * *
+
+There is a chapter in an old history of Iceland which has often moved
+merriment. The title of it is, "Concerning Snakes in Iceland," and the
+contents are, "Snakes in Iceland there are none." We suspect, when our
+"Life of William Somerville" is ended, not a few will find in it a
+parallel for that comprehensive chapter, although we strenuously maintain
+that the fault of an insipid and uninteresting life is not always to be
+charged on the biographer.
+
+In "Sartor Resartus" our readers remember an epitaph, somewhat coarse,
+although disguised in good dog-Latin, upon a country squire, and his
+sayings and doings in this world. We have not a copy of that work at
+hand, and cannot quote the epitaph, nor would we, though we could, since
+even the dog-Latin is too plain and perspicuous for many readers. We
+recommend those, however, who choose to turn it up; and they will find in
+it (with the exception of the writing of "the Chase") the full history of
+William Somerville, of whom we know little, but that he was born, that he
+hunted, ate, drank, and died.
+
+He was born in 1682; but in what month, or on what day, we are not
+informed. His estate was in Warwickshire, its name Edston, and he had
+inherited it from a long line of ancestors. His family prided itself upon
+being the first family in the county. He himself boasts of having been
+born on the banks of Avon, which has thus at least produced two poets, of
+somewhat different calibre indeed--the one a deer-stealer, and the other
+a fox-hunter--Shakspeare and Somerville. Somerville was educated at
+Winchester School, and was afterwards elected fellow of New College. From
+his studies--of his success in which we know nothing--he returned to his
+native county, and there, says Johnson, "was distinguished as a poet, a
+gentleman, and a skilful and useful justice of the peace;"--we may add,
+as a jovial companion and a daring fox-hunter. His estate brought him
+in about £1500 a-year, but his extravagance brought him into pecuniary
+distresses, which weighed upon his mind, plunged him into intemperate
+habits, and hurried him away in his 60th year. Shenstone, who knew him
+well, thus mourns aver his departure in one of his letters:--"Our old
+friend Somerville is dead; I did not imagine I could have been so sorry
+as I find myself on this occasion. _Sublatum quoerimus_, I can now excuse
+all his foibles; impute them to age and to distressed circumstances. The
+last of these considerations wrings my very soul to think on; for a
+man of high spirit, conscious of having (at least in one production)
+generally pleased the world, to be plagued and threatened by wretches
+that are low in every sense; to be forced to drink himself into pains of
+the body in order to get rid of the pains of the mind, is a misery."
+
+Somerville died July 19, 1742, and was buried at Wotton, near
+Henley-on-Arden. His estate went to Lord Somerville in Scotland, but his
+mother, who lived to a great age, had a jointure of £600. He describes
+himself, in verses addressed to Allan Ramsay, as
+
+ "A squire, well-born and six feet high."
+
+He seems, from the affection and sympathy discovered for him by
+Shenstone, to have possessed the virtues as well as the vices of the
+squirearchy of that age; their frankness, sociality, and heart, as well
+as their improvidence and tendency to excess; and may altogether be
+called a sublimated Squire Western.
+
+As to his poetry, much of it is beneath criticism. His "Fables," "Tales,"
+"Hobbinol, or Rural Games," &c., have all in them poetical lines, but
+cannot, as a whole, be called poetry. He wrote some verses, entitled
+"Address to Addison," on the latter purchasing an estate in Warwickshire
+(he gave his Countess £4000 in exchange for it). In this there are two
+lines which Dr Johnson highly commends, saying "They are written with
+the most exquisite delicacy of praise; they exhibit one of those happy
+strokes that are seldom attained."--Here is this bepraised couplet:--
+
+ "When panting virtue her last efforts made,
+ You brought your Clio to the virgin's aid."
+
+Clio, of course, refers to Addison's signatures in the "Spectator,"
+consisting of the four letters composing the name of the Muse of History,
+used in alternation. We cannot coincide in Johnson's encomium. The
+allusion is, we think, at once indecent and obscure; and what, after all,
+does it say, but that Addison's papers aided the struggling cause of
+virtue?
+
+In the same verses we find a fulsome and ridiculous preference of Addison
+to Shakspeare!
+
+ "In heaven he sings, on earth your Muse supplies
+ The important loss, and heals our weeping eyes;
+ Correctly great, she melts each flinty heart,
+ With EQUAL GENIUS, but SUPERIOR ART."
+
+Surely the force of falsehood and flattery can go no further.
+
+It is a pleasure to turn from these small and shallow things to the
+"Chase," which, if not a great poem, is founded on a most poetical
+subject, and which, here and there, sparkles into fine fancy. Dr Johnson
+truly remarks, that Somerville "set a good example to men of his own
+class, by devoting a part of his time to elegant knowledge, and has
+shewn, by the subjects which his poetry has adorned, that it is
+practicable to be at once a skilful sportsman and a man of letters." But
+besides this purpose to be the poet--and hitherto he has been almost
+the sole poet of the squirearchy, as considered apart from the
+aristocracy--Somerville has the merit of being inspired by a genuine love
+for the subject. He writes directly from the testimony of his own eyes,
+and the impulses of his own heart. He has obviously had the mould of his
+poem suggested by Thomson's "Seasons," but it is the mould only; the
+thoughts and feelings which are poured into it are his own. He loves
+the giddy ride over stock and stone, hedge and petty precipice; the
+invigoration which the keen breath of autumn or winter, like that of a
+sturdy veteran, gives the animal spirits; the animated aspect of the
+"assembled jockeyship of half a province;" the wild music of hounds, and
+horns, and hollas, vieing with each other in mirth and loudness; the
+breathless interest of the start; the emulous pant of the coursers; the
+excitement of the moment when the fox appears; the sweeping tumult of the
+pursuit; the dreamlike rapidity with which five-barred gates are cleared,
+the yellow or naked woods are passed, and the stubble-ridges "swallowed
+up in the fierceness and rage" of the rushing steeds; the indifference of
+those engaged in the headlong sport to the danger or even the death of
+their companions; the lengthening and deepening howl of the hounds as
+they near their prey; the fierce silence of the dying victim; and the
+fiercer shout of victory which announces to the echoes that the brush
+is won, and the glorious (or inglorious) day's work is over;--all this
+Somerville loves, and has painted with considerable power. In the course
+of the poem, he sings also of the mysteries of the dog-kennel--pursues
+the blood-hound on his track of death--describes a stag-hunt in Windsor
+Forest--paints the fearful phenomena of canine madness--hunts the hare in
+a joyous spirit--and goes down after the otter into its watery recesses,
+and watches its divings and devious motions as with the eyes of a
+sea-eagle. And, besides, (here also imitating Thomson,) he is led away
+from the comparatively tame "Chase" of England to the more dangerous
+and more inspiring sports of other lands, where "the huntsmen are up in
+Arabia," in pursuit of the wolf, where the bear is bayed amidst forests
+dark as itself, where the leopard is snared by its own image in a mirror,
+where the lion falls roaring into the prepared pit, and where the "Chase"
+is pursued on a large scale by assembled princes amidst the jungles of
+India.
+
+We doubt not, however, that, were a genuine poet of this age taking up
+the "Chase" as a subject for song, and availing himself of the accounts
+of recent travellers, themselves often true poets, such as Lloyd,
+Livingstone, Cumming Bruce, and Charles Boner, (see the admirable
+"Chamois Hunting in Bavaria" of the latter,) he would produce a strain
+incomparably higher than Somerville's. Wilson, at least, as we know from
+his "Christopher in his Sporting Jacket," and many other articles in
+_Maga_, was qualified, in part by nature and in part by extensive
+experience, to have written such a poem. Indeed, one sentence of his
+is superior to anything in the "Chase." Speaking of the charge of the
+cruelty of chasing such an insignificant animal as a fox, he says, "What
+though it be but a smallish, reddish-brown, sharp-nosed animal, with
+pricked-up ears, and passionately fond of poultry, that they pursue?
+After the first tallyho, reynard is rarely seen till he is run in
+upon--once, perhaps, in the whole run, skirting a wood, or crossing a
+common. It is an _idea that is pursued_ on a whirlwind of horses, to a
+storm of canine music, worthy both of the largest lion that ever leaped
+among a band of Moors sleeping at midnight by an extinguished fire on the
+African sands." We do not answer for the humanity of this description,
+but it certainly seems to us to exhaust the subject of the chase, alike
+in its philosophy and its poetry.[1]
+
+
+SOMERVILLE'S CHASE.
+
+ * * * * *
+
+ BOOK I.
+
+ THE ARGUMENT.
+
+ The subject proposed.--Address to his Royal Highness the Prince.--The
+ origin of hunting.--The rude and unpolished manner of the first
+ hunters.--Beasts at first hunted for food and sacrifice.--The grant
+ made by God to man of the beasts, &c.--The regular manner of hunting
+ first brought into this island by the Normans.--The best hounds
+ and best horses bred here.--The advantage of this exercise to us, as
+ islanders.--Address to gentlemen of estates.--Situation of the kennel
+ and its several courts.--The diversion and employment of hounds in
+ the kennel.--The different sorts of hounds for each different chase.--
+ Description of a perfect hound.--Of sizing and sorting of hounds.--The
+ middle-sized hound recommended.--Of the large, deep-mouthed hound
+ for hunting the stag and otter.--Of the lime-hound; their use on the
+ borders of England and Scotland.--A physical account of scents.--Of
+ good and bad scenting days.--A short admonition to my brethren of
+ the couples.
+
+ The Chase I sing, hounds, and their various breed,
+ And no less various use. O thou Great Prince![2]
+ Whom Cambria's towering hills proclaim their lord,
+ Deign thou to hear my bold, instructive song.
+ While grateful citizens with pompous show,
+ Rear the triumphal arch, rich with the exploits
+ Of thy illustrious house; while virgins pave
+ Thy way with flowers, and, as the royal youth
+ Passing they view, admire, and sigh in vain;
+ While crowded theatres, too fondly proud
+_10
+ Of their exotic minstrels, and shrill pipes,
+ The price of manhood, hail thee with a song,
+ And airs soft-warbling; my hoarse-sounding horn
+ Invites thee to the Chase, the sport of kings;
+ Image of war, without its guilt. The Muse
+ Aloft on wing shall soar, conduct with care
+ Thy foaming courser o'er the steepy rock,
+ Or on the river bank receive thee safe,
+ Light-bounding o'er the wave, from shore to shore.
+ Be thou our great protector, gracious youth!
+_20
+ And if in future times, some envious prince,
+ Careless of right and guileful, should invade
+ Thy Britain's commerce, or should strive in vain
+ To wrest the balance from thy equal hand;
+ Thy hunter-train, in cheerful green arrayed,
+ (A band undaunted, and inured to toils,)
+ Shall compass thee around, die at thy feet,
+ Or hew thy passage through the embattled foe,
+ And clear thy way to fame; inspired by thee
+ The nobler chase of glory shall pursue
+_30
+ Through fire, and smoke, and blood, and fields of death.
+ Nature, in her productions slow, aspires
+ By just degrees to reach perfection's height:
+ So mimic Art works leisurely, till Time
+ Improve the piece, or wise Experience give
+ The proper finishing. When Nimrod bold,
+ That mighty hunter, first made war on beasts,
+ And stained the woodland green with purple dye,
+ New and unpolished was the huntsman's art;
+ No stated rule, his wanton will his guide.
+_40
+ With clubs and stones, rude implements of war,
+ He armed his savage bands, a multitude
+ Untrained; of twining osiers formed, they pitch
+ Their artless toils, then range the desert hills,
+ And scour the plains below; the trembling herd
+ Start at the unusual sound, and clamorous shout
+ Unheard before; surprised alas! to find
+ Man now their foe, whom erst they deemed their lord,
+ But mild and gentle, and by whom as yet
+ Secure they grazed. Death stretches o'er the plain
+_50
+ Wide-wasting, and grim slaughter red with blood:
+ Urged on by hunger keen, they wound, they kill,
+ Their rage licentious knows no bound; at last
+ Incumbered with their spoils, joyful they bear
+ Upon their shoulders broad, the bleeding prey.
+ Part on their altars smokes a sacrifice
+ To that all-gracious Power, whose bounteous hand
+ Supports his wide creation; what remains
+ On living coals they broil, inelegant
+ Of taste, nor skilled as yet in nicer arts
+_60
+ Of pampered luxury. Devotion pure,
+ And strong necessity, thus first began
+ The chase of beasts: though bloody was the deed,
+ Yet without guilt. For the green herb alone
+ Unequal to sustain man's labouring race,
+ Now every moving thing that lived on earth
+ Was granted him for food. So just is Heaven,
+ To give us in proportion to our wants.
+ Or chance or industry in after-times
+ Some few improvements made, but short as yet
+_70
+ Of due perfection. In this isle remote
+ Our painted ancestors were slow to learn,
+ To arms devote, of the politer arts
+ Nor skilled nor studious; till from Neustria's[3] coasts
+ Victorious William, to more decent rules
+ Subdued our Saxon fathers, taught to speak
+ The proper dialect, with horn and voice
+ To cheer the busy hound, whose well-known cry
+ His listening peers approve with joint acclaim.
+ From him successive huntsmen learned to join
+_80
+ In bloody social leagues, the multitude
+ Dispersed, to size, to sort their various tribes,
+ To rear, feed, hunt, and discipline the pack.
+ Hail, happy Britain! highly-favoured isle,
+ And Heaven's peculiar care! To thee 'tis given
+ To train the sprightly steed, more fleet than those
+ Begot by winds, or the celestial breed
+ That bore the great Pelides through the press
+ Of heroes armed, and broke their crowded ranks;
+ Which proudly neighing, with the sun begins
+_90
+ Cheerful his course; and ere his beams decline,
+ Has measured half thy surface unfatigued.
+ In thee alone, fair land of liberty!
+ Is bred the perfect hound, in scent and speed
+ As yet unrivalled, while in other climes
+ Their virtue fails, a weak degenerate race.
+ In vain malignant steams, and winter fogs
+ Load the dull air, and hover round our coasts,
+ The huntsman ever gay, robust, and bold,
+ Defies the noxious vapour, and confides
+_100
+ In this delightful exercise, to raise
+ His drooping head and cheer his heart with joy.
+ Ye vigorous youths, by smiling Fortune blest
+ With large demesnes, hereditary wealth,
+ Heaped copious by your wise forefathers' care,
+ Hear and attend! while I the means reveal
+ To enjoy those pleasures, for the weak too strong,
+ Too costly for the poor: to rein the steed
+ Swift-stretching o'er the plain, to cheer the pack
+ Opening in concerts of harmonious joy,
+_110
+ But breathing death. What though the gripe severe
+ Of brazen-fisted Time, and slow disease
+ Creeping through every vein, and nerve unstrung,
+ Afflict my shattered frame, undaunted still,
+ Fixed as a mountain ash, that braves the bolts
+ Of angry Jove; though blasted, yet unfallen;
+ Still can my soul in Fancy's mirror view
+ Deeds glorious once, recal the joyous scene
+ In all its splendours decked, o'er the full bowl
+ Recount my triumphs past, urge others on
+_120
+ With hand and voice, and point the winding way:
+ Pleased with that social sweet garrulity,
+ The poor disbanded veteran's sole delight.
+ First let the Kennel be the huntsman's care,
+ Upon some little eminence erect,
+ And fronting to the ruddy dawn; its courts
+ On either hand wide opening to receive
+ The sun's all-cheering beams, when mild he shines,
+ And gilds the mountain tops. For much the pack
+ (Roused from their dark alcoves) delight to stretch,
+_130
+ And bask in his invigorating ray:
+ Warned by the streaming light and merry lark,
+ Forth rush the jolly clan; with tuneful throats
+ They carol loud, and in grand chorus joined
+ Salute the new-born day. For not alone
+ The vegetable world, but men and brutes
+ Own his reviving influence, and joy
+ At his approach. Fountain of light! if chance[4]
+ Some envious cloud veil thy refulgent brow,
+ In vain the Muses aid; untouched, unstrung,
+_140
+ Lies my mute harp, and thy desponding bard
+ Sits darkly musing o'er the unfinished lay.
+ Let no Corinthian pillars prop the dome,
+ A vain expense, on charitable deeds
+ Better disposed, to clothe the tattered wretch,
+ Who shrinks beneath the blast, to feed the poor
+ Pinched with afflictive want. For use, not state,
+ Gracefully plain, let each apartment rise.
+ O'er all let cleanliness preside, no scraps
+ Bestrew the pavement, and no half-picked bones,
+_150
+ To kindle fierce debate, or to disgust
+ That nicer sense, on which the sportsman's hope,
+ And all his future triumphs must depend.
+ Soon as the growling pack with eager joy
+ Have lapped their smoking viands, morn or eve,
+ From the full cistern lead the ductile streams,
+ To wash thy court well-paved, nor spare thy pains,
+ For much to health will cleanliness avail.
+ Seek'st thou for hounds to climb the rocky steep,
+ And brush the entangled covert, whose nice scent
+_160
+ O'er greasy fallows, and frequented roads
+ Can pick the dubious way? Banish far off
+ Each noisome stench, let no offensive smell
+ Invade thy wide inclosure, but admit
+ The nitrous air, and purifying breeze.
+ Water and shade no less demand thy care:
+ In a large square the adjacent field inclose,
+ There plant in equal ranks the spreading elm,
+ Or fragrant lime; most happy thy design,
+ If at the bottom of thy spacious court,
+_170
+ A large canal fed by the crystal brook,
+ From its transparent bosom shall reflect
+ Downward thy structure and inverted grove.
+ Here when the sun's too potent gleams annoy
+ The crowded kennel, and the drooping pack,
+ Restless and faint, loll their unmoistened tongues,
+ And drop their feeble tails; to cooler shades
+ Lead forth the panting tribe; soon shalt thou find
+ The cordial breeze their fainting hearts revive:
+ Tumultuous soon they plunge into the stream,
+_180
+ There lave their reeking sides, with greedy joy
+ Gulp down the flying wave; this way and that
+ From shore to shore they swim, while clamour loud
+ And wild uproar torments the troubled flood:
+ Then on the sunny bank they roll and stretch
+ Their dripping limbs, or else in wanton rings
+ Coursing around, pursuing and pursued,
+ The merry multitude disporting play.
+ But here with watchful and observant eye
+ Attend their frolics, which too often end
+_190
+ In bloody broils and death. High o'er thy head
+ Wave thy resounding whip, and with a voice
+ Fierce-menacing o'errule the stern debate,
+ And quench their kindling rage; for oft in sport
+ Begun, combat ensues, growling they snarl,
+ Then on their haunches reared, rampant they seize
+ Each other's throats, with teeth and claws in gore
+ Besmeared, they wound, they tear, till on the ground,
+ Panting, half dead the conquered champion lies:
+ Then sudden all the base ignoble crowd
+_200
+ Loud-clamouring seize the helpless worried wretch,
+ And thirsting for his blood, drag different ways
+ His mangled carcase on the ensanguined plain.
+ O breasts of pity void! to oppress the weak,
+ To point your vengeance at the friendless head,
+ And with one mutual cry insult the fallen!
+ Emblem too just of man's degenerate race.
+ Others apart by native instinct led,
+ Knowing instructor! 'mong the ranker grass
+ Cull each salubrious plant, with bitter juice
+_210
+ Concoctive stored, and potent to allay
+ Each vicious ferment. Thus the hand divine
+ Of Providence, beneficent and kind
+ To all His creatures, for the brutes prescribes
+ A ready remedy, and is Himself
+ Their great physician. Now grown stiff with age,
+ And many a painful chase, the wise old hound
+ Regardless of the frolic pack, attends
+ His master's side, or slumbers at his ease
+ Beneath the bending shade; there many a ring
+_220
+ Runs o'er in dreams; now on the doubtful foil
+ Puzzles perplexed, or doubles intricate
+ Cautious unfolds, then winged with all his speed,
+ Bounds o'er the lawn to seize his panting prey:
+ And in imperfect whimperings speaks his joy.
+ A different hound for every different chase
+ Select with judgment; nor the timorous hare
+ O'ermatched destroy, but leave that vile offence
+ To the mean, murderous, coursing crew; intent
+ On blood and spoil. O blast their hopes, just Heaven!
+_230
+ And all their painful drudgeries repay
+ With disappointment and severe remorse.
+ But husband thou thy pleasures, and give scope
+ To all her subtle play: by nature led
+ A thousand shifts she tries; to unravel these
+ The industrious beagle twists his waving tail,
+ Through all her labyrinths pursues, and rings
+ Her doleful knell. See there with countenance blithe,
+ And with a courtly grin, the fawning hound
+ Salutes thee cowering, his wide-opening nose
+_240
+ Upward he curls, and his large sloe-black eyes
+ Melt in soft blandishments, and humble joy;
+ His glossy skin, or yellow-pied, or blue,
+ In lights or shades by Nature's pencil drawn,
+ Reflects the various tints; his ears and legs
+ Flecked here and there, in gay enamelled pride
+ Rival the speckled pard; his rush-grown tail
+ O'er his broad back bends in an ample arch;
+ On shoulders clean, upright and firm he stands,
+ His round cat foot, straight hams, and wide-spread thighs,
+_250
+ And his low-dropping chest, confess his speed,
+ His strength, his wind, or on the steepy hill,
+ Or far-extended plain; in every part
+ So well proportioned, that the nicer skill
+ Of Phidias himself can't blame thy choice.
+ Of such compose thy pack. But here a mean
+ Observe, nor the large hound prefer, of size
+ Gigantic; he in the thick-woven covert
+ Painfully tugs, or in the thorny brake
+ Torn and embarrassed bleeds: but if too small,
+_260
+ The pigmy brood in every furrow swims;
+ Moiled in the clogging clay, panting they lag
+ Behind inglorious; or else shivering creep
+ Benumbed and faint beneath the sheltering thorn.
+ For hounds of middle size, active and strong,
+ Will better answer all thy various ends,
+ And crown thy pleasing labours with success.
+ As some brave captain, curious and exact,
+ By his fixed standard forms in equal ranks
+ His gay battalion, as one man they move
+_270
+ Step after step, their size the same, their arms
+ Far gleaming, dart the same united blaze:
+ Reviewing generals his merit own;
+ How regular! how just! and all his cares
+ Are well repaid, if mighty George approve.
+ So model thou thy pack, if honour touch
+ Thy generous soul, and the world's just applause.
+ But above all take heed, nor mix thy hounds
+ Of different kinds; discordant sounds shall grate
+ Thy ears offended, and a lagging line
+_280
+ Of babbling curs disgrace thy broken pack.
+ But if the amphibious otter be thy chase,
+ Or stately stag, that o'er the woodland reigns;
+ Or if the harmonious thunder of the field
+ Delight thy ravished ears; the deep-flewed hound
+ Breed up with care, strong, heavy, slow, but sure,
+ Whose ears down-hanging from his thick round head
+ Shall sweep the morning dew, whose clanging voice
+ Awake the mountain echo in her cell,
+ And shake the forests: the bold talbot[6] kind
+_290
+ Of these the prime, as white as Alpine snows;
+ And great their use of old. Upon the banks
+ Of Tweed, slow winding through the vale, the seat
+ Of war and rapine once, ere Britons knew
+ The sweets of peace, or Anna's dread commands
+ To lasting leagues the haughty rivals awed,
+ There dwelt a pilfering race; well-trained and skilled
+ In all the mysteries of theft, the spoil
+
+ Their only substance, feuds and war their sport:
+ Not more expert in every fraudful art
+_300
+ The arch felon was of old, who by the tail
+ Drew back his lowing prize: in vain his wiles,
+ In vain the shelter of the covering rock,
+ In vain the sooty cloud, and ruddy flames
+ That issued from his mouth; for soon he paid
+ His forfeit life: a debt how justly due
+ To wronged Alcides, and avenging Heaven!
+ Veiled in the shades of night they ford the stream,
+
+ Then prowling far and near, whate'er they seize
+ Becomes their prey; nor flocks nor herds are safe,
+_310
+ Nor stalls protect the steer, nor strong barred doors
+ Secure the favourite horse. Soon as the morn
+ Reveals his wrongs, with ghastly visage wan
+ The plundered owner stands, and from his lips
+ A thousand thronging curses burst their way:
+ He calls his stout allies, and in a line
+ His faithful hound he leads, then with a voice
+ That utters loud his rage, attentive cheers:
+ Soon the sagacious brute, his curling tail
+
+ Flourished in air, low-bending plies around
+_320
+ His busy nose, the steaming vapour snuff
+ Inquisitive, nor leaves one turf untried,
+ Till conscious of the recent stains, his heart
+ Beats quick; his snuffling nose, his active tail
+ Attest his joy; then with deep opening mouth
+ That makes the welkin tremble, he proclaims
+ The audacious felon; foot by foot he marks
+ His winding way, while all the listening crowd
+ Applaud his reasonings. O'er the watery ford,
+ Dry sandy heaths, and stony barren hill,
+_330
+ O'er beaten paths, with men and beasts distained,
+ Unerring he pursues; till at the cot
+ Arrived, and seizing by his guilty throat
+ The caitiff' vile, redeems the captive prey:
+ So exquisitely delicate his sense!
+ Should some more curious sportsman here inquire,
+ Whence this sagacity, this wondrous power
+ Of tracing step by step, or man or brute?
+
+ What guide invisible points out their way,
+ O'er the dank marsh, bleak hill, and sandy plain?
+_340
+ The courteous Muse shall the dark cause reveal.
+ The blood that from the heart incessant rolls
+ In many a crimson tide, then here and there
+ In smaller rills disparted, as it flows
+ Propelled, the serous particles evade
+ Through the open pores, and with the ambient air
+ Entangling mix. As fuming vapours rise,
+ And hang upon the gently purling brook,
+ There by the incumbent atmosphere compressed,
+ The panting chase grows warmer as he flies,
+_350
+ And through the net-work of the skin perspires;
+ Leaves a long-streaming trail behind, which by
+ The cooler air condensed, remains, unless
+ By some rude storm dispersed, or rarefied
+ By the meridian sun's intenser heat.
+ To every shrub the warm effluvia cling,
+ Hang on the grass, impregnate earth and skies.
+ With nostrils opening wide, o'er hill, o'er dale,
+ The vigorous hounds pursue, with every breath
+ Inhale the grateful steam, quick pleasures sting
+_360
+ Their tingling nerves, while they their thanks repay,
+ And in triumphant melody confess
+ The titillating joy. Thus on the air
+ Depend the hunter's hopes. When ruddy streaks
+ At eve forebode a blustering stormy day,
+ Or lowering clouds blacken the mountain's brow,
+ When nipping frosts, and the keen biting blasts
+ Of the dry parching east, menace the trees
+ With tender blossoms teeming, kindly spare
+ Thy sleeping pack, in their warm beds of straw
+_370
+ Low-sinking at their ease; listless they shrink
+ Into some dark recess, nor hear thy voice
+ Though oft invoked; or haply if thy call
+ Rouse up the slumbering tribe, with heavy eyes
+ Glazed, lifeless, dull, downward they drop their tails
+ Inverted; high on their bent backs erect
+ Their pointed bristles stare, or 'mong the tufts
+ Of ranker weeds, each stomach-healing plant
+ Curious they crop, sick, spiritless, forlorn.
+ These inauspicious days, on other cares
+_380
+ Employ thy precious hours; the improving friend
+ With open arms embrace, and from his lips
+ Glean science, seasoned with good-natured wit.
+ But if the inclement skies and angry Jove
+ Forbid the pleasing intercourse, thy books
+ Invite thy ready hand, each sacred page
+ Rich with the wise remarks of heroes old.
+ Converse familiar with the illustrious dead;
+ With great examples of old Greece or Rome
+ Enlarge thy free-born heart, and bless kind Heaven,
+_390
+ That Britain yet enjoys dear Liberty,
+ That balm of life, that sweetest blessing, cheap
+ Though purchased with our blood. Well-bred, polite,
+ Credit thy calling. See! how mean, how low,
+ The bookless sauntering youth, proud of the scut
+ That dignifies his cap, his flourished belt,
+ And rusty couples jingling by his side.
+ Be thou of other mould; and know that such
+ Transporting pleasures were by Heaven ordained
+ Wisdom's relief, and Virtue's great reward.
+_400
+
+ * * * * *
+
+
+BOOK II.
+
+THE ARGUMENT.
+
+Of the power of instinct in brutes.--Two remarkable instances in the
+hunting of the roebuck, and in the hare going to seat in the morning.--Of
+the variety of seats or forms of the hare, according to the change of the
+season, weather, or wind.--Description of the hare-hunting in all its
+parts, interspersed with rules to be observed by those who follow that
+chase.--Transition to the Asiatic way of hunting, particularly the
+magnificent manner of the Great Mogul, and other Tartarian princes, taken
+from Monsieur Bernier, and the history of Gengiskan the Great.--Concludes
+with a short reproof of tyrants and oppressors of mankind.
+
+ Nor will it less delight the attentive sage
+ To observe that instinct, which unerring guides
+ The brutal race, which mimics reason's lore
+ And oft transcends: heaven-taught, the roe-buck swift
+ Loiters at ease before the driving pack
+ And mocks their vain pursuit, nor far he flies
+ But checks his ardour, till the steaming scent
+ That freshens on the blade, provokes their rage.
+ Urged to their speed, his weak deluded foes
+
+ Soon flag fatigued; strained to excess each nerve,
+_10
+ Each slackened sinew fails; they pant, they foam;
+ Then o'er the lawn he bounds, o'er the high hills
+ Stretches secure, and leaves the scattered crowd
+ To puzzle in the distant vale below.
+ 'Tis instinct that directs the jealous hare
+ To choose her soft abode: with step reversed
+ She forms the doubling maze; then, ere the morn
+ Peeps through the clouds, leaps to her close recess.
+ As wand'ring shepherds on the Arabian plains
+
+ No settled residence observe, but shift
+_20
+ Their moving camp, now, on some cooler hill
+ With cedars crowned, court the refreshing breeze;
+ And then, below, where trickling streams distil
+ From some penurious source, their thirst allay,
+ And feed their fainting flocks: so the wise hares
+ Oft quit their seats, lest some more curious eye
+ Should mark their haunts, and by dark treacherous wiles
+ Plot their destruction; or perchance in hopes
+
+ Of plenteous forage, near the ranker mead,
+ Or matted blade, wary, and close they sit.
+_30
+ When spring shines forth, season of love and joy,
+ In the moist marsh, 'mong beds of rushes hid,
+ They cool their boiling blood: when Summer suns
+ Bake the cleft earth, to thick wide-waving fields
+ Of corn full-grown, they lead their helpless young:
+ But when autumnal torrents, and fierce rains
+ Deluge the vale, in the dry crumbling bank
+ Their forms they delve, and cautiously avoid
+
+ The dripping covert: yet when Winter's cold
+ Their limbs benumbs, thither with speed returned
+_40
+ In the long grass they skulk, or shrinking creep
+ Among the withered leaves, thus changing still,
+ As fancy prompts them, or as food invites.
+ But every season carefully observed,
+ The inconstant winds, the fickle element,
+ The wise experienced huntsman soon may find
+ His subtle, various game, nor waste in vain
+ His tedious hours, till his impatient hounds
+ With disappointment vexed, each springing lark
+ Babbling pursue, far scattered o'er the fields.
+_50
+ Now golden Autumn from her open lap
+ Her fragrant bounties showers; the fields are shorn;
+ Inwardly smiling, the proud farmer views
+ The rising pyramids that grace his yard,
+ And counts his large increase; his barns are stored,
+ And groaning staddles bend beneath their load.
+ All now is free as air, and the gay pack
+ In the rough bristly stubbles range unblamed;
+ No widow's tears o'erflow, no secret curse
+ Swells in the farmer's breast, which his pale lips
+_60
+ Trembling conceal, by his fierce landlord awed:
+ But courteous now he levels every fence,
+ Joins in the common cry, and halloos loud,
+ Charmed with the rattling thunder of the field.
+ Oh bear me, some kind Power invisible!
+ To that extended lawn, where the gay court
+ View the swift racers, stretching to the goal;
+ Games more renowned, and a far nobler train,
+ Than proud Elean fields could boast of old.
+ Oh! were a Theban lyre not wanting here,
+_70
+ And Pindar's voice, to do their merit right!
+ Or to those spacious plains, where the strained eye
+ In the wide prospect lost, beholds at last
+ Sarum's proud spire, that o'er the hills ascends,
+ And pierces through the clouds. Or to thy downs,
+ Fair Cotswold, where the well-breathed beagle climbs,
+ With matchless speed, thy green aspiring brow,
+
+ And leaves the lagging multitude behind.
+ Hail, gentle Dawn! mild blushing goddess, hail!
+ Rejoiced I see thy purple mantle spread
+_80
+ O'er half the skies, gems pave thy radiant way,
+ And orient pearls from every shrub depend.
+ Farewell, Cleora; here deep sunk in down
+ Slumber secure, with happy dreams amused,
+ Till grateful steams shall tempt thee to receive
+ Thy early meal, or thy officious maids,
+ The toilet placed, shall urge thee to perform
+ The important work. Me other joys invite,
+ The horn sonorous calls, the pack awaked
+ Their matins chant, nor brook my long delay.
+_90
+ My courser hears their voice; see there with ears
+ And tail erect, neighing he paws the ground;
+ Fierce rapture kindles in his reddening eyes,
+ And boils in every vein. As captive boys
+ Cowed by the ruling rod, and haughty frowns
+ Of pedagogues severe, from their hard tasks,
+ If once dismissed, no limits can contain
+ The tumult raised within their little breasts,
+ But give a loose to all their frolic play:
+
+ So from their kennel rush the joyous pack;
+_100
+ A thousand wanton gaieties express
+ Their inward ecstasy, their pleasing sport
+ Once more indulged, and liberty restored.
+ The rising sun that o'er the horizon peeps,
+ As many colours from their glossy skins
+ Beaming reflects, as paint the various bow
+ When April showers descend. Delightful scene!
+ Where all around is gay, men, horses, dogs,
+ And in each smiling countenance appears
+ Fresh-blooming health, and universal joy.
+_110
+ Huntsman, lead on! behind the clustering pack
+ Submiss attend, hear with respect thy whip
+ Loud-clanging, and thy harsher voice obey:
+
+ Spare not the straggling cur, that wildly roves;
+ But let thy brisk assistant on his back
+ Imprint thy just resentments; let each lash
+ Bite to the quick, till howling he return
+ And whining creep amid the trembling crowd.
+ Here on this verdant spot, where nature kind,
+ With double blessings crowns the farmer's hopes;
+_120
+ Where flowers autumnal spring, and the rank mead
+ Affords the wandering hares a rich repast,
+ Throw off thy ready pack. See, where they spread
+ And range around, and dash the glittering dew.
+ If some stanch hound, with his authentic voice,
+ Avow the recent trail, the jostling tribe
+ Attend his call, then with one mutual cry
+ The welcome news confirm, and echoing hills
+ Repeat the pleasing tale. See how they thread
+
+ The brakes, and up yon furrow drive along!
+_130
+ But quick they back recoil, and wisely check
+ Their eager haste; then o'er the fallowed ground
+ How leisurely they work, and many a pause
+ The harmonious concert breaks; till more assured
+ With joy redoubled the low valleys ring.
+ What artful labyrinths perplex their way!
+ Ah! there she lies; how close! she pants, she doubts
+ If now she lives; she trembles as she sits,
+ With horror seized. The withered grass that clings
+ Around her head, of the same russet hue
+_140
+ Almost deceived my sight, had not her eyes
+ With life full-beaming her vain wiles betrayed.
+ At distance draw thy pack, let all be hushed,
+ No clamour loud, no frantic joy be heard,
+ Lest the wild hound run gadding o'er the plain
+ Untractable, nor hear thy chiding voice.
+ Now gently put her off; see how direct
+ To her known mews she flies! Here, huntsman, bring
+ (But without hurry) all thy jolly hounds,
+
+ And calmly lay them in. How low they stoop,
+_150
+ And seem to plough the ground! then all at once
+ With greedy nostrils snuff the fuming steam
+ That glads their fluttering hearts. As winds let loose
+ From the dark caverns of the blustering god,
+ They burst away, and sweep the dewy lawn.
+ Hope gives them wings while she's spurred on by fear.
+ The welkin rings; men, dogs, hills, rocks, and woods
+ In the full concert join. Now, my brave youths,
+ Stripped for the chase, give all your souls to joy!
+
+ See how their coursers, than the mountain roe
+_160
+ More fleet, the verdant carpet skim, thick clouds
+ Snorting they breathe, their shining hoofs scarce print
+ The grass unbruised; with emulation fired
+ They strain to lead the field, top the barred gate,
+ O'er the deep ditch exulting bound, and brush
+ The thorny-twining hedge: the riders bend
+ O'er their arched necks; with steady hands, by turns
+ Indulge their speed, or moderate their rage.
+
+ Where are their sorrows, disappointments, wrongs,
+ Vexations, sickness, cares? All, all are gone,
+_170
+ And with the panting winds lag far behind.
+ Huntsman! her gait observe, if in wide rings
+ She wheel her mazy way, in the same round
+ Persisting still, she'll foil the beaten track.
+ But if she fly, and with the favouring wind
+ Urge her bold course; less intricate thy task:
+ Push on thy pack. Like some poor exiled wretch
+ The frighted chase leaves her late dear abodes,
+ O'er plains remote she stretches far away,
+ Ah! never to return! for greedy Death
+_180
+ Hovering exults, secure to seize his prey.
+ Hark! from yon covert, where those towering oaks
+ Above the humble copse aspiring rise,
+ What glorious triumphs burst in every gale
+ Upon our ravished ears! The hunters shout,
+ The clanging horns swell their sweet-winding notes,
+ The pack wide-opening load the trembling air
+ With various melody; from tree to tree
+
+ The propagated cry redoubling bounds,
+ And winged zephyrs waft the floating joy
+_190
+ Through all the regions near: afflictive birch
+ No more the school-boy dreads, his prison broke,
+ Scampering he flies, nor heeds his master's call;
+ The weary traveller forgets his road,
+ And climbs the adjacent hill; the ploughman leaves
+ The unfinished furrow; nor his bleating flocks
+ Are now the shepherd's joy; men, boys, and girls
+ Desert the unpeopled village; and wild crowds
+ Spread o'er the plain, by the sweet frenzy seized.
+ Look, how she pants! and o'er yon opening glade
+_200
+ Slips glancing by; while, at the further end,
+ The puzzling pack unravel wile by wile,
+ Maze within maze. The covert's utmost bound
+ Slily she skirts; behind them cautious creeps,
+ And in that very track, so lately stained
+ By all the steaming crowd, seems to pursue
+ The foe she flies. Let cavillers deny
+ That brutes have reason; sure 'tis something more,
+ 'Tis Heaven directs, and stratagems inspires,
+ Beyond the short extent of human thought.
+_210
+ But hold--I see her from the covert break;
+ Sad on yon little eminence she sits;
+ Intent she listens with one ear erect,
+ Pond'ring, and doubtful what new course to take,
+ And how to escape the fierce blood-thirsty crew,
+ That still urge on, and still in vollies loud,
+ Insult her woes, and mock her sore distress.
+ As now in louder peals, the loaded winds
+ Bring on the gathering storm, her fears prevail;
+ And o'er the plain, and o'er the mountain's ridge,
+_220
+ Away she flies; nor ships with wind and tide,
+ And all their canvas wings, scud half so fast.
+ Once more, ye jovial train, your courage try,
+ And each clean courser's speed. We scour along,
+ In pleasing hurry and confusion tossed;
+ Oblivion to be wished. The patient pack
+ Hang on the scent unwearied, up they climb,
+ And ardent we pursue; our labouring steeds
+ We press, we gore; till once the summit gained,
+ Painfully panting, there we breathe a while;
+_230
+ Then like a foaming torrent, pouring down
+ Precipitant, we smoke along the vale.
+ Happy the man, who with unrivalled speed
+ Can pass his fellows, and with pleasure view
+ The struggling pack; how in the rapid course
+ Alternate they preside, and jostling push
+ To guide the dubious scent; how giddy youth
+ Oft babbling errs, by wiser age reproved;
+ How, niggard of his strength, the wise old hound
+ Hangs in the rear, till some important point
+_240
+ Rouse all his diligence, or till the chase
+ Sinking he finds; then to the head he springs,
+ With thirst of glory fired, and wins the prize.
+ Huntsman, take heed; they stop in full career.
+ Yon crowding flocks, that at a distance graze,
+ Have haply soiled the turf. See! that old hound,
+ How busily he works, but dares not trust
+ His doubtful sense; draw yet a wider ring.
+ Hark! now again the chorus fills; as bells
+ Silenced a while at once their peal renew,
+_250
+ And high in air the tuneful thunder rolls.
+ See, how they toss, with animated rage
+ Recovering all they lost!--That eager haste
+ Some doubling wile foreshews.--Ah! yet once more
+ They're checked--hold back with speed--on either hand
+ They nourish round--even yet persist--'Tis right,
+ Away they spring; the rustling stubbles bend
+ Beneath the driving storm. Now the poor chase
+ Begins to flag, to her last shifts reduced.
+ From brake to brake she flies, and visits all
+_260
+ Her well-known haunts, where once she ranged secure,
+ With love and plenty bless'd. See! there she goes,
+ She reels along, and by her gait betrays
+ Her inward weakness. See, how black she looks!
+ The sweat that clogs the obstructed pores, scarce leaves
+ A languid scent. And now in open view
+ See, see, she flies! each eager hound exerts
+ His utmost speed, and stretches every nerve.
+ How quick she turns! their gaping jaws eludes,
+ And yet a moment lives; till round inclosed
+_270
+ By all the greedy pack, with infant screams
+ She yields her breath, and there reluctant dies.
+ So when the furious Bacchanals assailed
+ Thracian Orpheus, poor ill-fated bard!
+ Loud was the cry; hills, woods, and Hebrus' banks,
+ Returned their clamorous rage; distressed he flies,
+ Shifting from place to place, but flies in vain;
+ For eager they pursue, till panting, faint,
+ By noisy multitudes o'erpowered, he sinks,
+ To the relentless crowd a bleeding prey.
+_280
+ The huntsman now, a deep incision made,
+ Shakes out with hands impure, and dashes down
+ Her reeking entrails, and yet quivering heart.
+ These claim the pack, the bloody perquisite
+ For all their toils. Stretched on the ground she lies,
+ A mangled corse; in her dim glaring eyes
+ Cold death exults, and stiffens every limb.
+ Awed by the threatening whip, the furious hounds
+ Around her bay; or at their master's foot,
+ Each happy favourite courts his kind applause,
+_290
+ With humble adulation cowering low.
+ All now is joy. With cheeks full-blown they wind
+ Her solemn dirge, while the loud-opening pack
+ The concert swell, and hills and dales return
+ The sadly-pleasing sounds. Thus the poor hare,
+ A puny, dastard animal, but versed
+ In subtle wiles, diverts the youthful train.
+ But if thy proud, aspiring soul disdains
+ So mean a prey, delighted with the pomp,
+ Magnificence and grandeur of the chase;
+_300
+ Hear what the Muse from faithful records sings.
+ Why on the banks of Gemna, Indian stream,
+ Line within line, rise the pavilions proud,
+ Their silken streamers waving in the wind?
+ Why neighs the warrior horse? from tent to tent,
+ Why press in crowds the buzzing multitude?
+ Why shines the polished helm, and pointed lance,
+ This way and that far-beaming o'er the plain?
+ Nor Visapour nor Golconda rebel;
+ Nor the great Sophy, with his numerous host
+_310
+ Lays waste the provinces; nor glory fires
+ To rob, and to destroy, beneath the name
+ And specious guise of war. A nobler cause
+ Calls Aurengzebe[7] to arms. No cities sacked,
+ No mother's tears, no helpless orphan's cries,
+ No violated leagues, with sharp remorse
+ Shall sting the conscious victor: but mankind
+ Shall hail him good and just. For 'tis on beasts
+ He draws his vengeful sword; on beasts of prey
+ Full-fed with human gore. See, see, he comes!
+_320
+ Imperial Delhi opening wide her gates,
+ Pours out her thronging legions, bright in arms,
+ And all the pomp of war. Before them sound
+ Clarions and trumpets, breathing martial airs,
+ And bold defiance. High upon his throne,
+ Borne on the back of his proud elephant,
+ Sits the great chief of Tamur's glorious race:
+ Sublime he sits, amid the radiant blaze
+ Of gems and gold. Omrahs about him crowd,
+ And rein the Arabian steed, and watch his nod:
+_330
+ And potent Rajahs, who themselves preside
+ O'er realms of wide extent; but here submiss
+ Their homage pay, alternate kings and slaves.
+ Next these, with prying eunuchs girt around,
+ The fair sultanas of his court; a troop
+ Of chosen beauties, but with care concealed
+ From each intrusive eye; one look is death.
+ A cruel Eastern law! (had kings a power
+ But equal to their wild tyrannic will)
+ To rob us of the sun's all-cheering ray,
+_340
+ Were less severe. The vulgar close the march,
+ Slaves and artificers; and Delhi mourns
+ Her empty and depopulated streets.
+ Now at the camp arrived, with stern review,
+ Through groves of spears, from file to file he darts
+ His sharp experienced eye; their order marks,
+ Each in his station ranged, exact and firm,
+ Till in the boundless line his sight is lost.
+ Not greater multitudes in arms appeared,
+ On these extended plains, when Ammon's[8] son
+_350
+ With mighty Porus in dread battle joined,
+ The vassal world the prize. Nor was that host
+ More numerous of old, which the great king
+ Poured out on Greece from all the unpeopled East;
+ That bridged the Hellespont from shore to shore,
+ And drank the rivers dry. Meanwhile in troops
+ The busy hunter-train mark out the ground,
+ A wide circumference; full many a league
+ In compass round; woods, rivers, hills, and plains,
+ Large provinces; enough to gratify
+_360
+ Ambition's highest aim, could reason bound
+ Man's erring will. Now sit in close divan
+ The mighty chiefs of this prodigious host.
+ He from the throne high-eminent presides,
+ Gives out his mandates proud, laws of the chase,
+ From ancient records drawn. With reverence low,
+ And prostrate at his feet, the chiefs receive
+ His irreversible decrees, from which
+ To vary is to die. Then his brave bands
+ Each to his station leads; encamping round,
+_370
+ Till the wide circle is completely formed;
+ Where decent order reigns, what these command,
+ Those execute with speed, and punctual care;
+ In all the strictest discipline of war:
+ As if some watchful foe, with bold insult
+ Hung lowering o'er their camp. The high resolve,
+ That flies on wings, through all the encircling line,
+ Each motion steers, and animates the whole.
+ So by the sun's attractive power controlled,
+ The planets in their spheres roll round his orb,
+_380
+ On all he shines, and rules the great machine.
+ Ere yet the morn dispels the fleeting mists,
+ The signal given by the loud trumpet's voice,
+ Now high in air the imperial standard waves,
+ Emblazoned rich with gold, and glittering gems;
+ And like a sheet of fire, through the dun gloom
+ Streaming meteorous. The soldiers' shouts,
+ And all the brazen instuments of war,
+ With mutual clamor, and united din,
+ Fill the large concave. While from camp to camp,
+_390
+ They catch the varied sounds, floating in air,
+ Round all the wide circumference, tigers fell
+ Shrink at the noise; deep in his gloomy den
+ The lion starts, and morsels yet unchewed
+ Drop from his trembling jaws. Now all at once
+ Onward they march embattled, to the sound
+ Of martial harmony; fifes, cornets, drums,
+ That rouse the sleepy soul to arms, and bold
+ Heroic deeds. In parties here and there
+ Detached o'er hill and dale, the hunters range
+_400
+ Inquisitive; strong dogs that match in fight
+ The boldest brute, around their masters wait,
+ A faithful guard. No haunt unsearched, they drive
+ From every covert, and from every den,
+ The lurking savages. Incessant shouts
+ Re-echo through the woods, and kindling fires
+ Gleam from the mountain tops; the forest seems
+ One mingling blaze: like flocks of sheep they fly
+ Before the flaming brand: fierce lions, pards,
+ Boars, tigers, bears, and wolves; a dreadful crew
+_410
+ Of grim blood-thirsty foes: growling along,
+ They stalk indignant; but fierce vengeance still
+ Hangs pealing on their rear, and pointed spears
+ Present immediate death. Soon as the night
+ Wrapt in her sable veil forbids the chase,
+ They pitch their tents, in even ranks around
+ The circling camp. The guards are placed, and fires
+ At proper distances ascending rise,
+ And paint the horizon with their ruddy light.
+ So round some island's shore of large extent,
+_420
+ Amid the gloomy horrors of the night,
+ The billows breaking on the pointed rocks,
+ Seem all one flame, and the bright circuit wide
+ Appears a bulwark of surrounding fire.
+ What dreadful bowlings, and what hideous roar,
+ Disturb those peaceful shades where erst the bird
+ That glads the night, had cheered the listening groves
+ With sweet complainings! Through the silent gloom
+ Oft they the guards assail; as oft repelled
+ They fly reluctant, with hot-boiling rage
+_430
+ Stung to the quick, and mad with wild despair.
+ Thus day by day, they still the chase renew;
+ At night encamp; till now in straiter bounds
+ The circle lessens, and the beasts perceive
+ The wall that hems them in on every side.
+ And now their fury bursts, and knows no mean;
+ From man they turn, and point their ill-judged rage
+ Against their fellow brutes. With teeth and claws
+ The civil war begins; grappling they tear.
+ Lions on tigers prey, and bears on wolves:
+_440
+ Horrible discord! till the crowd behind
+ Shouting pursue, and part the bloody fray.
+ At once their wrath subsides; tame as the lamb
+ The lion hangs his head, the furious pard,
+ Cowed and subdued, flies from the face of man,
+ Nor bears one glance of his commanding eye.
+ So abject is a tyrant in distress!
+ At last within the narrow plain confined,
+ A listed field, marked out for bloody deeds,
+ An amphitheatre more glorious far
+_450
+ Than ancient Rome could boast, they crowd in heaps,
+ Dismayed, and quite appalled. In meet array
+ Sheathed in refulgent arms, a noble band
+ Advance; great lords of high imperial blood,
+ Early resolved to assert their royal race,
+ And prove by glorious deeds their valour's growth
+ Mature, ere yet the callow down has spread
+ Its curling shade. On bold Arabian steeds
+ With decent pride they sit, that fearless hear
+ The lion's dreadful roar; and down the rock
+_460
+ Swift-shooting plunge, or o'er the mountain's ridge
+ Stretching along, the greedy tiger leave
+ Panting behind. On foot their faithful slaves
+ With javelins armed attend; each watchful eye
+ Fixed on his youthful care, for him alone
+ He fears, and to redeem his life, unmoved
+ Would lose his own. The mighty Aurengzebe,
+ From his high-elevated throne, beholds
+ His blooming race; revolving in his mind
+ What once he was, in his gay spring of life,
+_470
+ When vigour strung his nerves. Parental joy
+ Melts in his eyes, and flushes in his cheeks.
+ Now the loud trumpet sounds a charge. The shouts
+ Of eager hosts, through all the circling line,
+ And the wild bowlings of the beasts within
+ Rend wide the welkin, flights of arrows, winged
+ With death, and javelins launched from every arm,
+ Gall sore the brutal bands, with many a wound
+ Gored through and through. Despair at last prevails,
+ When fainting nature shrinks, and rouses all
+_480
+ Their drooping courage. Swelled with furious rage,
+ Their eyes dart fire; and on the youthful band
+ They rush implacable. They their broad shields
+ Quick interpose; on each devoted head
+ Their flaming falchions, as the bolts of Jove,
+ Descend unerring. Prostrate on the ground
+ The grinning monsters lie, and their foul gore
+ Defiles the verdant plain. Nor idle stand
+ The trusty slaves; with pointed spears they pierce
+ Through their tough hides; or at their gaping mouths
+_490
+ An easier passage find. The king of brutes
+ In broken roarings breathes his last; the bear
+ Grumbles in death; nor can his spotted skin,
+ Though sleek it shine, with varied beauties gay,
+ Save the proud pard from unrelenting fate.
+ The battle bleeds, grim Slaughter strides along,
+ Glutting her greedy jaws, grins o'er her prey.
+ Men, horses, dogs, fierce beasts of every kind,
+ A strange promiscuous carnage, drenched in blood,
+ And heaps on heaps amassed. What yet remain
+_500
+ Alive, with vain assault contend to break
+ The impenetrable line. Others, whom fear
+ Inspires with self-preserving wiles, beneath
+ The bodies of the slain for shelter creep.
+ Aghast they fly, or hide their heads dispersed.
+ And now perchance (had Heaven but pleased) the work
+ Of death had been complete; and Aurengzebe
+ By one dread frown extinguished half their race.
+ When lo! the bright sultanas of his court
+ Appear, and to his ravished eyes display
+_510
+ Those charms, but rarely to the day revealed.
+ Lowly they bend, and humbly sue, to save
+ The vanquished host. What mortal can deny
+ When suppliant beauty begs? At his command
+ Opening to right and left, the well-trained troops
+ Leave a large void for their retreating foes.
+ Away they fly, on wings of fear upborne,
+ To seek on distant hills their late abodes.
+ Ye proud oppressors, whose vain hearts exult
+ In wantonness of power, 'gainst the brute race,
+_520
+ Fierce robbers like yourselves, a guiltless war
+ Wage uncontrolled: here quench your thirst of blood:
+ But learn from Aurengzebe to spare mankind.
+
+
+BOOK III.
+
+THE ARGUMENT.
+
+Of King Edgar and his imposing a tribute of wolves' heads upon the kings
+of Wales: from hence a transition to fox-hunting, which is described in
+all its parts.--Censure of an over-numerous pack.--Of the several engines
+to destroy foxes, and other wild beasts.--The steel-trap described, and
+the manner of using it.--Description of the pitfall for the lion; and
+another for the elephant.--The ancient way of hunting the tiger with a
+mirror.--The Arabian manner of hunting the wild boar.--Description of the
+royal stag-chase at Windsor Forest.--Concludes with an address to his
+Majesty, and an eulogy upon mercy.
+
+ In Albion's isle when glorious Edgar reigned,
+ He wisely provident, from her white cliffs
+ Launched half her forests, and with numerous fleets
+ Covered his wide domain: there proudly rode
+ Lord of the deep, the great prerogative
+ Of British monarchs. Each invader bold,
+ Dane and Norwegian, at a distance gazed,
+ And disappointed, gnashed his teeth in vain.
+ He scoured the seas, and to remotest shores
+ With swelling sails the trembling corsair fled.
+_10
+ Rich commerce flourished; and with busy oars
+ Dashed the resounding surge. Nor less at land
+ His royal cares; wise, potent, gracious prince!
+ His subjects from their cruel foes he saved,
+ And from rapacious savages their flocks.
+ Cambria's proud kings (though with reluctance) paid
+ Their tributary wolves; head after head,
+ In full account, till the woods yield no more,
+ And all the ravenous race extinct is lost.
+ In fertile pastures, more securely grazed
+_20
+ The social troops; and soon their large increase
+ With curling fleeces whitened all the plains.
+ But yet, alas! the wily fox remained,
+ A subtle, pilfering foe, prowling around 24
+ In midnight shades, and wakeful to destroy.
+ In the full fold, the poor defenceless lamb,
+ Seized by his guileful arts, with sweet warm blood
+ Supplies a rich repast. The mournful ewe,
+ Her dearest treasure lost, through the dun night
+ Wanders perplexed, and darkling bleats in vain:
+_30
+ While in the adjacent bush, poor Philomel,
+ (Herself a parent once, till wanton churls
+ Despoiled her nest) joins in her loud laments,
+ With sweeter notes, and more melodious woe.
+ For these nocturnal thieves, huntsman, prepare
+ Thy sharpest vengeance. Oh! how glorious 'tis
+ To right the oppressed, and bring the felon vile
+ To just disgrace! Ere yet the morning peep,
+ Or stars retire from the first blush of day,
+ With thy far-echoing voice alarm thy pack,
+_40
+ And rouse thy bold compeers. Then to the copse,
+ Thick with entangling grass, or prickly furze,
+ With silence lead thy many-coloured hounds,
+ In all their beauty's pride. See! how they range
+ Dispersed, how busily this way and that,
+ They cross, examining with curious nose
+ Each likely haunt. Hark! on the drag I hear
+ Their doubtful notes, preluding to a cry
+ More nobly full, and swelled with every mouth.
+ As straggling armies at the trumpet's voice,
+_50
+ Press to their standard; hither all repair,
+ And hurry through the woods; with hasty step
+ Bustling, and full of hope; now driven on heaps
+ They push, they strive; while from his kennel sneaks
+ The conscious villain. See! he skulks along,
+ Sleek at the shepherd's cost, and plump with meals
+ Purloined. So thrive the wicked here below.
+ Though high his brush he bear, though tipped with white
+ It gaily shine; yet ere the sun declined
+ Recall the shades of night, the pampered rogue
+_60
+ Shall rue his fate reversed; and at his heels
+ Behold the just avenger, swift to seize
+ His forfeit head, and thirsting for his blood.
+ Heavens! what melodious strains! how beat our hearts
+ Big with tumultuous joy! the loaded gales
+ Breathe harmony; and as the tempest drives
+ From wood to wood, through every dark recess
+ The forest thunders, and the mountains shake.
+ The chorus swells; less various, and less sweet
+ The trilling notes, when in those very groves,
+_70
+ The feathered choristers salute the spring,
+ And every bush in concert joins; or when
+ The master's hand, in modulated air,
+ Bids the loud organ breathe, and all the powers
+ Of music in one instrument combine,
+ An universal minstrelsy. And now
+ In vain each earth he tries, the doors are barred
+ Impregnable, nor is the covert safe;
+ He pants for purer air. Hark! what loud shouts
+ Re-echo through the groves! he breaks away,
+_80
+ Shrill horns proclaim his flight. Each straggling hound
+ Strains o'er the lawn to reach the distant pack.
+ 'Tis triumph all and joy. Now, my brave youths,
+ Now give a loose to the clean generous steed;
+ Flourish the whip, nor spare the galling spur;
+ But in the madness of delight, forget
+ Your fears. Far o'er the rocky hills we range,
+ And dangerous our course; but in the brave
+ True courage never fails. In vain the stream
+ In foaming eddies whirls; in vain the ditch
+_90
+ Wide-gaping threatens death. The craggy steep
+ Where the poor dizzy shepherd crawls with care,
+ And clings to every twig, gives us no pain;
+ But down we sweep, as stoops the falcon bold
+ To pounce his prey. Then up the opponent hill,
+ By the swift motion slung, we mount aloft:
+ So ships in winter-seas now sliding sink
+ Adown the steepy wave, then tossed on high
+ Ride on the billows, and defy the storm.
+ What lengths we pass! where will the wandering chase
+_100
+ Lead us bewildered! smooth as the swallows skim
+ The new-shorn mead, and far more swift we fly.
+ See my brave pack! how to the head they press,
+ Jostling in close array; then more diffuse
+ Obliquely wheel, while from their opening mouths
+ The vollied thunder breaks. So when the cranes
+ Their annual voyage steer, with wanton wing
+ Their figure oft they change, and their loud clang
+ From cloud to cloud rebounds. How far behind
+ The hunter-crew, wide straggling o'er the plain!
+_110
+ The panting courser now with trembling nerves
+ Begins to reel; urged by the goring spur,
+ Makes many a faint effort: he snorts, he foams,
+ The big round drops run trickling down his sides,
+ With sweat and blood distained. Look back and view
+ The strange confusion of the vale below,
+ Where sour vexation reigns; see yon poor jade,
+ In vain the impatient rider frets and swears,
+ With galling spurs harrows his mangled sides;
+ He can no more: his stiff unpliant limbs
+_120
+ Rooted in earth, unmoved and fixed he stands,
+ For every cruel curse returns a groan,
+ And sobs, and faints, and dies. Who without grief
+ Can view that pampered steed, his master's joy,
+ His minion, and his daily care, well clothed,
+ Well fed with every nicer cate; no cost,
+ No labour spared; who, when the flying chase
+ Broke from the copse, without a rival led
+ The numerous train: now a sad spectacle
+ Of pride brought low, and humbled insolence,
+_130
+ Drove like a panniered ass, and scourged along.
+ While these with loosened reins, and dangling heels,
+ Hang on their reeling palfreys, that scarce bear
+ Their weights; another in the treacherous bog
+ Lies floundering half engulfed. What biting thoughts
+ Torment the abandoned crew! Old age laments
+ His vigour spent: the tall, plump, brawny youth
+ Curses his cumbrous bulk; and envies now
+ The short Pygmean race, he whilom kenn'd
+ With proud insulting leer. A chosen few
+_140
+ Alone the sport enjoy, nor droop beneath
+ Their pleasing toils. Here, huntsman, from this height
+ Observe yon birds of prey; if I can judge,
+ 'Tis there the villain lurks; they hover round
+ And claim him as their own. Was I not right?
+ See! there he creeps along; his brush he drags,
+ And sweeps the mire impure; from his wide jaws
+ His tongue unmoistened hangs; symptoms too sure
+ Of sudden death. Ha! yet he flies, nor yields
+ To black despair. But one loose more, and all
+_150
+ His wiles are vain. Hark! through yon village now
+ The rattling clamour rings. The barns, the cots
+ And leafless elms return the joyous sounds.
+ Through every homestall, and through every yard,
+ His midnight walks, panting, forlorn, he flies;
+ Through every hole he sneaks, through every jakes
+ Plunging he wades besmeared, and fondly hopes
+ In a superior stench to lose his own:
+ But faithful to the track, the unerring hounds
+ With peals of echoing vengeance close pursue.
+_160
+ And now distressed, no sheltering covert near,
+ Into the hen-roost creeps, whose walls with gore
+ Distained attest his guilt. There, villain, there
+ Expect thy fate deserved. And soon from thence
+ The pack inquisitive, with clamour loud,
+ Drag out their trembling prize; and on his blood
+ With greedy transport feast. In bolder notes
+ Each sounding horn proclaims the felon dead:
+ And all the assembled village shouts for joy.
+ The farmer who beholds his mortal foe
+_170
+ Stretched at his feet, applauds the glorious deed,
+ And grateful calls us to a short repast!
+ In the full glass the liquid amber smiles,
+ Our native product. And his good old mate
+ With choicest viands heaps the liberal board,
+ To crown our triumphs, and reward our toils.
+ Here must the instructive Muse (but with respect)
+ Censure that numerous pack, that crowd of state,
+ With which the vain profusion of the great
+ Covers the lawn, and shakes the trembling copse.
+_180
+ Pompous incumbrance! A magnificence
+ Useless, vexatious! For the wily fox,
+ Safe in the increasing number of his foes,
+ Kens well the great advantage: slinks behind
+ And slily creeps through the same beaten track,
+ And hunts them step by step; then views escaped
+ With inward ecstasy, the panting throng
+ In their own footsteps puzzled, foiled and lost.
+ So when proud Eastern kings summon to arms
+ Their gaudy legions, from far distant climes
+_190
+ They flock in crowds, unpeopling half a world:
+ But when the day of battle calls them forth
+ To charge the well-trained foe, a band compact
+ Of chosen veterans; they press blindly on,
+ In heaps confused, by their own weapons fall,
+ A smoking carnage scattered o'er the plain.
+ Nor hounds alone this noxious brood destroy:
+ The plundered warrener full many a wile
+ Devises to entrap his greedy foe,
+ Fat with nocturnal spoils. At close of day,
+_200
+ With silence drags his trail; then from the ground
+ Pares thin the close-grazed turf, there with nice hand
+ Covers the latent death, with curious springs
+ Prepared to fly at once, whene'er the tread
+ Of man or beast unwarily shall press
+ The yielding surface. By the indented steel
+ With gripe tenacious held, the felon grins,
+ And struggles, but in vain: yet oft 'tis known,
+ When every art has failed, the captive fox
+ Has shared the wounded joint, and with a limb
+_210
+ Compounded for his life. But if perchance
+ In the deep pitfall plunged, there's no escape;
+ But unreprieved he dies, and bleached in air
+ The jest of clowns, his reeking carcase hangs.
+ Of these are various kinds; not even the king
+ Of brutes evades this deep devouring grave:
+ But by the wily African betrayed,
+ Heedless of fate, within its gaping jaws
+ Expires indignant. When the orient beam
+ With blushes paints the dawn; and all the race
+_220
+ Carnivorous, with blood full-gorged, retire
+ Into their darksome cells, there satiate snore
+ O'er dripping offals, and the mangled limbs
+ Of men and beasts; the painful forester 224
+ Climbs the high hills, whose proud aspiring tops,
+ With the tall cedar crowned, and taper fir,
+ Assail the clouds. There 'mong the craggy rocks,
+ And thickets intricate, trembling he views
+ His footsteps in the sand; the dismal road
+ And avenue to death. Hither he calls
+_230
+ His watchful bands; and low into the ground
+ A pit they sink, full many a fathom deep.
+ Then in the midst a column high is reared,
+ The butt of some fair tree; upon whose top
+ A lamb is placed, just ravished from his dam.
+ And next a wall they build, with stones and earth
+ Encircling round, and hiding from all view
+ The dreadful precipice. Now when the shades
+ Of night hang lowering o'er the mountain's brow;
+ And hunger keen, and pungent thirst of blood,
+_240
+ Rouse up the slothful beast, he shakes his sides,
+ Slow-rising from his lair, and stretches wide
+ His ravenous jaws, with recent gore distained.
+ The forests tremble, as he roars aloud,
+ Impatient to destroy. O'erjoyed he hears
+ The bleating innocent, that claims in vain
+ The shepherd's care, and seeks with piteous moan
+ The foodful teat; himself, alas! designed
+ Another's meal. For now the greedy brute
+ Winds him from far; and leaping o'er the mound
+_250
+ To seize his trembling prey, headlong is plunged
+ Into the deep abyss. Prostrate he lies
+ Astunned and impotent. Ah! what avail
+ Thine eye-balls flashing fire, thy length of tail,
+ That lashes thy broad sides, thy jaws besmeared
+ With blood and offals crude, thy shaggy mane
+ The terror of the woods, thy stately port,
+ And bulk enormous, since by stratagem
+ Thy strength is foiled? Unequal is the strife,
+ When sovereign reason combats brutal rage.
+_260
+ On distant Ethiopia's sun-burnt coasts,
+ The black inhabitants a pitfall frame,
+ But of a different kind, and different use.
+ With slender poles the wide capacious mouth,
+ And hurdles slight, they close; o'er these is spread
+ A floor of verdant turf, with all its flowers
+ Smiling delusive, and from strictest search
+ Concealing the deep grave that yawns below.
+ Then boughs of trees they cut, with tempting fruit
+ Of various kinds surcharged; the downy peach,
+_270
+ The clustering vine, and of bright golden rind
+ The fragrant orange. Soon as evening gray
+ Advances slow, besprinkling all around
+ With kind refreshing dews the thirsty glebe,
+ The stately elephant from the close shade
+ With step majestic strides, eager to taste
+ The cooler breeze, that from the sea-beat shore
+ Delightful breathes, or in the limpid stream
+ To lave his panting sides; joyous he scents
+ The rich repast, unweeting of the death
+_280
+ That lurks within. And soon he sporting breaks
+ The brittle boughs, and greedily devours
+ The fruit delicious. Ah! too dearly bought;
+ The price is life. For now the treacherous turf
+ Trembling gives way; and the unwieldy beast
+ Self-sinking, drops into the dark profound.
+ So when dilated vapours, struggling heave
+ The incumbent earth; if chance the caverned ground
+ Shrinking subside, and the thin surface yield,
+ Down sinks at once the ponderous dome, engulfed
+_290
+ With all its towers. Subtle, delusive man!
+ How various are thy wiles! artful to kill
+ Thy savage foes, a dull unthinking race!
+ Fierce from his lair, springs forth the speckled pard,
+ Thirsting for blood, and eager to destroy;
+ The huntsman flies, but to his flight alone
+ Confides not: at convenient distance fixed,
+ A polished mirror stops in full career
+ The furious brute: he there his image views;
+ Spots against spots with rage improving glow;
+_300
+ Another pard his bristly whiskers curls,
+ Grins as he grins, fierce-menacing, and wide
+ Distends his opening jaws; himself against
+ Himself opposed, and with dread vengeance armed.
+ The huntsman now secure, with fatal aim
+ Directs the pointed spear, by which transfixed
+ He dies, and with him dies the rival shade.
+ Thus man innumerous engines forms, to assail
+ The savage kind: but most the docile horse,
+ Swift and confederate with man, annoys
+_310
+ His brethren of the plains; without whose aid
+ The hunter's arts are vain, unskilled to wage
+ With the more active brutes an equal war.
+ But borne by him, without the well-trained pack,
+ Man dares his foe, on wings of wind secure.
+ Him the fierce Arab mounts, and with his troop
+ Of bold compeers, ranges the deserts wild,
+ Where by the magnet's aid, the traveller
+ Steers his untrodden course; yet oft on land
+ Is wrecked, in the high-rolling waves of sand
+_320
+ Immersed and lost; while these intrepid bands,
+ Safe in their horses' speed, out-fly the storm,
+ And scouring round, make men and beasts their prey.
+ The grisly boar is singled from his herd
+ As large as that in Erimanthian woods.
+ A match for Hercules. Round him they fly
+ In circles wide; and each in passing sends
+ His feathered death into his brawny sides.
+ But perilous the attempt. For if the steed
+ Haply too near approach; or the loose earth
+_330
+ His footing fail; the watchful angry beast
+ The advantage spies; and at one sidelong glance
+ Rips up his groin. Wounded, he rears aloft,
+ And plunging, from his back the rider hurls
+ Precipitant; then bleeding spurns the ground,
+ And drags his reeking entrails o'er the plain.
+ Meanwhile the surly monster trots along,
+ But with unequal speed; for still they wound,
+ Swift-wheeling in the spacious ring. A wood
+ Of darts upon his back he bears; adown
+_340
+ His tortured sides, the crimson torrents roll
+ From many a gaping font. And now at last
+ Staggering he falls, in blood and foam expires.
+ But whither roves my devious Muse, intent
+ On antique tales, while yet the royal stag
+ Unsung remains? Tread with respectful awe
+ Windsor's green glades; where Denham, tuneful bard,
+ Charmed once the listening dryads, with his song
+ Sublimely sweet. Oh! grant me, sacred shade,
+ To glean submiss what thy full sickle leaves.
+_350
+ The morning sun that gilds with trembling rays
+ Windsor's high towers, beholds the courtly train
+ Mount for the chase, nor views in all his course
+ A scene so gay: heroic, noble youths,
+ In arts and arms renowned, and lovely nymphs
+ The fairest of this isle, where Beauty dwells
+ Delighted, and deserts her Paphian grove
+ For our more favoured shades: in proud parade
+ These shine magnificent, and press around
+ The royal happy pair. Great in themselves,
+_360
+ They smile superior; of external show
+ Regardless, while their inbred virtues give
+ A lustre to their power, and grace their court
+ With real splendours, far above the pomp
+ Of eastern kings, in all their tinsel pride.
+ Like troops of Amazons, the female band
+ Prance round their cars, not in refulgent arms
+ As those of old; unskilled to wield the sword,
+ Or bend the bow, these kill with surer aim.
+ The royal offspring, fairest of the fair,
+_370
+ Lead on the splendid train. Anna, more bright
+ Than summer suns, or as the lightning keen,
+ With irresistible effulgence armed,
+ Fires every heart. He must be more than man,
+ Who unconcerned can bear the piercing ray.
+ Amelia, milder than the blushing dawn,
+ With sweet engaging air, but equal power,
+ Insensibly subdues, and in soft chains
+ Her willing captives leads. Illustrious maids,
+ Ever triumphant! whose victorious charms,
+_380
+ Without the needless aid of high descent,
+ Had awed mankind, and taught the world's great lords
+ To bow and sue for grace. But who is he
+ Fresh as a rose-bud newly blown, and fair
+ As opening lilies; on whom every eye
+ With joy and admiration dwells? See, see,
+ He reins his docile barb with manly grace.
+ Is it Adonis for the chase arrayed?
+ Or Britain's second hope? Hail, blooming youth![9]
+ May all your virtues with your years improve,
+_390
+ Till in consumate worth, you shine the pride
+ Of these our days, and to succeeding times
+ A bright example. As his guard of mutes
+ On the great sultan wait, with eyes deject
+ And fixed on earth, no voice, no sound is heard
+ Within the wide serail, but all is hushed,
+ And awful silence reigns; thus stand the pack
+ Mute and unmoved, and cowering low to earth,
+ While pass the glittering court, and royal pair:
+ So disciplined those hounds, and so reserved,
+_400
+ Whose honour 'tis to glad the hearts of kings.
+ But soon the winding horn, and huntsman's voice,
+ Let loose the general chorus; far around
+ Joy spreads its wings, and the gay morning smiles.
+ Unharboured now the royal stag forsakes
+ His wonted lair; he shakes his dappled sides,
+ And tosses high his beamy head, the copse
+ Beneath his antlers bends. What doubling shifts
+ He tries! not more the wily hare; in these
+ Would still persist, did not the full-mouthed pack
+_410
+ With dreadful concert thunder in his rear.
+ The woods reply, the hunter's cheering shouts
+ Float through the glades, and the wide forest rings.
+ How merrily they chant! their nostrils deep
+ Inhale the grateful steam. Such is the cry,
+ And such the harmonious din, the soldier deems
+ The battle kindling, and the statesman grave
+ Forgets his weighty cares; each age, each sex
+ In the wild transport joins; luxuriant joy,
+ And pleasure in excess, sparkling exult
+_420
+ On every brow, and revel unrestrained.
+ How happy art thou, man, when thou 'rt no more
+ Thyself! when all the pangs that grind thy soul,
+ In rapture and in sweet oblivion lost,
+ Yield a short interval, and ease from pain!
+ See the swift courser strains, his shining hoofs
+ Securely beat the solid ground. Who now
+ The dangerous pitfall fears, with tangling heath
+ High-overgrown? Or who the quivering bog
+ Soft yielding to the step? All now is plain,
+_430
+ Plain as the strand sea-laved, that stretches far
+ Beneath the rocky shore. Glades crossing glades
+ The forest opens to our wondering view:
+ Such was the king's command. Let tyrants fierce
+ Lay waste the world; his the more glorious part
+ To check their pride; and when the brazen voice
+ Of war is hushed (as erst victorious Rome)
+ To employ his stationed legions in the works
+ Of peace; to smoothe the rugged wilderness,
+ To drain the stagnate fen, to raise the slope
+_440
+ Depending road, and to make gay the face
+ Of nature, with the embellishments of art.
+ How melts my beating heart! as I behold
+ Each lovely nymph our island's boast and pride,
+ Push on the generous steed, that strokes along
+ O'er rough, o'er smooth, nor heeds the steepy hill,
+ Nor falters in the extended vale below:
+ Their garments loosely waving in the wind,
+ And all the flush of beauty in their cheeks!
+ While at their sides their pensive lovers wait,
+_450
+ Direct their dubious course; now chilled with fear
+ Solicitous, and now with love inflamed.
+ Oh! grant, indulgent Heaven, no rising storm
+ May darken with black wings, this glorious scene!
+ Should some malignant power thus damp our joys,
+ Vain were the gloomy cave, such as of old
+ Betrayed to lawless love the Tyrian queen.
+ For Britain's virtuous nymphs are chaste as fair,
+ Spotless, unblamed, with equal triumph reign
+ In the dun gloom, as in the blaze of day.
+_460
+ Now the blown stag, through woods, bogs, roads, and streams
+ Has measured half the forest; but alas!
+ He flies in vain, he flies not from his fears.
+ Though far he cast the lingering pack behind,
+ His haggard fancy still with horror views
+ The fell destroyer; still the fatal cry
+ Insults his ears, and wounds his trembling heart.
+ So the poor fury-haunted wretch (his hands
+ In guiltless blood distained) still seems to hear
+
+ The dying shrieks; and the pale threatening ghost
+_470
+ Moves as he moves, and as he flies pursues.
+ See here his slot; up yon green hill he climbs,
+ Pants on its brow a while, sadly looks back
+ On his pursuers, covering all the plain;
+ But wrung with anguish, bears not long the sight,
+ Shoots down the steep, and sweats along the vale:
+ There mingles with the herd, where once he reigned
+ Proud monarch of the groves, whose clashing beam
+
+ His rivals awed, and whose exalted power
+ Was still rewarded with successful love.
+_480
+ But the base herd have learned the ways of men,
+ Averse they fly, or with rebellious aim
+ Chase him from thence: needless their impious deed,
+ The huntsman knows him by a thousand marks,
+ Black, and embossed; nor are his hounds deceived;
+ Too well distinguish these, and never leave
+ Their once devoted foe; familiar grows
+ His scent, and strong their appetite to kill.
+ Again he flies, and with redoubled speed
+ Skims o'er the lawn; still the tenacious crew
+_490
+ Hang on the track, aloud demand their prey,
+ And push him many a league. If haply then
+ Too far escaped, and the gay courtly train
+ Behind are cast, the huntsman's clanging whip
+ Stops full their bold career; passive they stand,
+ Unmoved, an humble, an obsequious crowd,
+ As if by stern Medusa gazed to stones.
+ So at their general's voice whole armies halt
+ In full pursuit, and check their thirst of blood.
+ Soon at the king's command, like hasty streams
+_500
+ Dammed up a while, they foam, and pour along
+ With fresh-recruited might. The stag, who hoped
+ His foes were lost, now once more hears astunned
+ The dreadful din; he shivers every limb,
+ He starts, he bounds; each bush presents a foe.
+ Pressed by the fresh relay, no pause allowed,
+ Breathless, and faint, he falters in his pace,
+ And lifts his weary limbs with pain, that scarce
+ Sustain their load! he pants, he sobs appalled;
+ Drops down his heavy head to earth, beneath
+_510
+ His cumbrous beams oppressed. But if perchance
+ Some prying eye surprise him; soon he rears
+ Erect his towering front, bounds o'er the lawn
+ With ill-dissembled vigour, to amuse
+ The knowing forester; who inly smiles
+
+ At his weak shifts, and unavailing frauds.
+ So midnight tapers waste their last remains,
+ Shine forth a while, and as they blaze expire.
+ From wood to wood redoubling thunders roll,
+ And bellow through the vales; the moving storm
+_520
+ Thickens amain, and loud triumphant shouts,
+ And horns shrill-warbling in each glade, prelude
+ To his approaching fate. And now in view
+ With hobbling gait, and high, exerts amazed
+ What strength is left: to the last dregs of life
+ Reduced, his spirits fail, on every side
+ Hemmed in, besieged; not the least opening left
+ To gleaming hope, the unhappy's last reserve.
+ Where shall he turn? or whither fly? Despair
+ Gives courage to the weak. Resolved to die,
+_530
+ He fears no more, but rushes on his foes,
+ And deals his deaths around; beneath his feet
+ These grovelling lie, those by his antlers gored
+ Defile the ensanguined plain. Ah! see distressed
+ He stands at bay against yon knotty trunk,
+ That covers well his rear, his front presents
+ An host of foes. Oh! shun, ye noble train,
+ The rude encounter, and believe your lives
+ Your country's due alone. As now aloof
+ They wing around, he finds his soul upraised
+_540
+ To dare some great exploit; he charges home
+ Upon the broken pack, that on each side
+ Fly diverse; then as o'er the turf he strains,
+ He vents the cooling stream, and up the breeze
+ Urges his course with eager violence:
+ Then takes the soil, and plunges in the flood
+ Precipitant; down the mid-stream he wafts
+ Along, till (like a ship distressed, that runs
+ Into some winding creek) close to the verge
+ Of a small island, for his weary feet
+_550
+ Sure anchorage he finds, there skulks immersed.
+ His nose alone above the wave draws in
+ The vital air; all else beneath the flood
+ Concealed, and lost, deceives each prying eye
+ Of man or brute. In vain the crowding pack
+ Draw on the margin of the stream, or cut
+ The liquid wave with oary feet, that move
+ In equal time. The gliding waters leave
+ No trace behind, and his contracted pores
+ But sparingly perspire: the huntsman strains
+_560
+ His labouring lungs, and puffs his cheeks in vain;
+ At length a blood-hound bold, studious to kill,
+ And exquisite of sense, winds him from far;
+ Headlong he leaps into the flood, his mouth
+ Loud opening spends amain, and his wide throat
+ Swells every note with joy; then fearless dives
+ Beneath the wave, hangs on his haunch, and wounds
+ The unhappy brute, that flounders in the stream,
+ Sorely distressed, and struggling strives to mount
+ The steepy shore. Haply once more escaped,
+_570
+ Again he stands at bay, amid the groves
+ Of willows, bending low their downy heads.
+ Outrageous transport fires the greedy pack;
+ These swim the deep, and those crawl up with pain
+ The slippery bank, while others on firm land
+ Engage; the stag repels each bold assault,
+ Maintains his post, and wounds for wounds returns.
+ As when some wily corsair boards a ship
+ Full-freighted, or from Afric's golden coasts,
+ Or India's wealthy strand, his bloody crew
+_580
+ Upon her deck he slings; these in the deep
+ Drop short, and swim to reach her steepy sides,
+ And clinging, climb aloft; while those on board
+ Urge on the work of fate; the master bold,
+ Pressed to his last retreat, bravely resolves
+ To sink his wealth beneath the whelming wave,
+ His wealth, his foes, nor unrevenged to die.
+ So fares it with the stag: so he resolves
+ To plunge at once into the flood below,
+ Himself, his foes in one deep gulf immersed.
+_590
+ Ere yet he executes this dire intent,
+ In wild disorder once more views the light;
+ Beneath a weight of woe, he groans distressed:
+ The tears run trickling down his hairy cheeks;
+ He weeps, nor weeps in vain. The king beholds
+ His wretched plight, and tenderness innate
+ Moves his great soul. Soon at his high command
+ Rebuked, the disappointed, hungry pack
+ Retire submiss, and grumbling quit their prey.
+ Great Prince! from thee, what may thy subjects hope;
+_600
+ So kind, and so beneficent to brutes?
+ O mercy, heavenly born! Sweet attribute!
+ Thou great, thou best prerogative of power!
+ Justice may guard the throne, but joined with thee,
+ On rocks of adamant it stands secure,
+ And braves the storm beneath; soon as thy smiles
+ Gild the rough deep, the foaming waves subside,
+ And all the noisy tumult sinks in peace.
+
+
+
+
+BOOK IV.
+
+THE ARGUMENT.
+
+
+Of the necessity of destroying some beasts, and preserving others for the
+use of man.--Of breeding of hounds; the season for this business.--The
+choice of the dog, of great moment.--Of the litter of whelps.--Number to
+be reared.--Of setting them out to their several walks.--Care to be taken
+to prevent their hunting too soon.--Of entering the whelps.--Of breaking
+them from running at sheep.-Of the diseases of hounds.-Of their age.--Of
+madness; two sorts of it described, the dumb, and outrageous madness: its
+dreadful effects.--Burning of the wound recommended as preventing all ill
+consequences.--The infectious hounds to be separated, and fed apart.--The
+vanity of trusting to the many infallible cures for this malady.--The
+dismal effects of the biting of a mad dog, upon man, described.
+--Description of the otter hunting.--The conclusion.
+
+ Whate'er of earth is formed, to earth returns
+ Dissolved: the various objects we behold,
+ Plants, animals, this whole material mass,
+ Are ever changing, ever new. The soul
+ Of man alone, that particle divine,
+ Escapes the wreck of worlds, when all things fail.
+ Hence great the distance 'twixt the beasts that perish,
+ And God's bright image, man's immortal race.
+ The brute creation are his property,
+ Subservient to his will, and for him made.
+_10
+ As hurtful these he kills, as useful those
+ Preserves; their sole and arbitrary king.
+ Should he not kill, as erst the Samian sage
+ Taught unadvised, and Indian Brahmins now
+ As vainly preach; the teeming ravenous brutes
+ Might fill the scanty space of this terrene,
+ Encumbering all the globe: should not his care
+ Improve his growing stock, their kinds might fail,
+ Man might once more on roots, and acorns, feed,
+ And through the deserts range, shivering, forlorn,
+_20
+ Quite destitute of every solace dear,
+ And every smiling gaiety of life.
+ The prudent huntsman, therefore, will supply,
+ With annual large recruits, his broken pack,
+ And propagate their kind. As from the root
+ Fresh scions still spring forth, and daily yield
+ New blooming honours to the parent-tree;
+ Far shall his pack be famed, far sought his breed,
+ And princes at their tables feast those hounds
+ His hand presents, an acceptable boon.
+_30
+ Ere yet the Sun through the bright Ram has urged
+ His steepy course, or mother Earth unbound
+ Her frozen bosom to the western gale;
+ When feathered troops, their social leagues dissolved,
+ Select their mates, and on the leafless elm
+ The noisy rook builds high her wicker nest;
+ Mark well the wanton females of thy pack,
+ That curl their taper tails, and frisking court
+ Their pyebald mates enamoured; their red eyes
+ Flash fires impure; nor rest, nor food they take,
+_40
+ Goaded by furious love. In separate cells
+ Confine them now, lest bloody civil wars
+ Annoy thy peaceful state. If left at large,
+ The growling rivals in dread battle join,
+ And rude encounter. On Scamander's streams
+ Heroes of old with far less fury fought,
+ For the bright Spartan dame, their valour's prize.
+ Mangled and torn thy favourite hounds shall lie,
+ Stretched on the ground; thy kennel shall appear
+ A field of blood: like some unhappy town
+_50
+ In civil broils confused, while Discord shakes
+ Her bloody scourge aloft, fierce parties rage,
+ Staining their impious hands in mutual death.
+ And still the best beloved, and bravest fall:
+ Such are the dire effects of lawless love.
+ Huntsman! these ills by timely prudent care
+ Prevent: for every longing dame select
+ Some happy paramour; to him alone
+ In leagues connubial join. Consider well
+ His lineage; what his fathers did of old,
+_60
+ Chiefs of the pack, and first to climb the rock,
+ Or plunge into the deep, or thread the brake
+ With thorns sharp-pointed, plashed, and briers inwoven.
+ Observe with care his shape, sort, colour, size.
+ Nor will sagacious huntsmen less regard
+ His inward habits: the vain babbler shun,
+ Ever loquacious, ever in the wrong.
+ His foolish offspring shall offend thy ears
+ With false alarms, and loud impertinence.
+ Nor less the shifting cur avoid, that breaks
+_70
+ Illusive from the pack; to the next hedge
+ Devious he strays, there every mews he tries:
+ If haply then he cross the steaming scent,
+ Away he flies vain-glorious; and exults
+ As of the pack supreme, and in his speed
+ And strength unrivalled. Lo! cast far behind
+ His vexed associates pant, and labouring strain
+ To climb the steep ascent. Soon as they reach
+ The insulting boaster, his false courage fails,
+ Behind he lags, doomed to the fatal noose,
+_80
+ His master's hate, and scorn of all the field.
+ What can from such be hoped, but a base brood
+ Of coward curs, a frantic, vagrant race?
+ When now the third revolving moon appears,
+ With sharpened horns, above the horizon's brink;
+ Without Lucina's aid, expect thy hopes
+ Are amply crowned; short pangs produce to light
+ The smoking litter; crawling, helpless, blind,
+ Nature their guide, they seek the pouting teat
+ That plenteous streams. Soon as the tender dam
+_90
+ Has formed them with her tongue, with pleasure view
+ The marks of their renowned progenitors,
+ Sure pledge of triumphs yet to come. All these
+ Select with joy; but to the merciless flood
+ Expose the dwindling refuse, nor o'erload
+ The indulgent mother. If thy heart relent,
+ Unwilling to destroy, a nurse provide,
+ And to the foster-parent give the care
+ Of thy superfluous brood; she'll cherish kind
+ The alien offspring; pleased thou shalt behold
+_100
+ Her tenderness, and hospitable love.
+ If frolic now, and playful they desert
+ Their gloomy cell, and on the verdant turf
+ With nerves improved, pursue the mimic chase,
+ Coursing around; unto thy choicest friends
+ Commit thy valued prize: the rustic dames
+ Shall at thy kennel wait, and in their laps
+ Receive thy growing hopes, with many a kiss
+ Caress, and dignify their little charge
+ With some great title, and resounding name
+_110
+ Of high import. But cautious here observe
+ To check their youthful ardour, nor permit
+ The unexperienced younker, immature,
+ Alone to range the woods, or haunt the brakes
+ Where dodging conies sport: his nerves unstrung,
+ And strength unequal; the laborious chase
+ Shall stint his growth, and his rash forward youth
+ Contract such vicious habits, as thy care
+ And late correction never shall reclaim.
+ When to full strength arrived, mature and bold,
+_120
+ Conduct them to the field; not all at once
+ But as thy cooler prudence shall direct,
+ Select a few, and form them by degrees
+ To stricter discipline. With these consort
+ The stanch and steady sages of thy pack,
+ By long experience versed in all the wiles,
+ And subtle doublings of the various chase.
+ Easy the lesson of the youthful train,
+ When instinct prompts, and when example guides.
+ If the too forward younker at the head
+_130
+ Press boldly on, in wanton sportive mood,
+ Correct his haste, and let him feel abashed
+ The ruling whip. But if he stoop behind
+ In wary modest guise, to his own nose
+ Confiding sure; give him full scope to work
+ His winding way, and with thy voice applaud
+ His patience, and his care; soon shalt thou view
+ The hopeful pupil leader of his tribe,
+ And all the listening pack attend his call.
+ Oft lead them forth where wanton lambkins play,
+_140
+ And bleating dams with jealous eyes observe
+ Their tender care. If at the crowding flock
+ He bay presumptuous, or with eager haste
+ Pursue them scattered o'er the verdant plain;
+ In the foul fact attached, to the strong ram
+ Tie fast the rash offender. See! at first
+ His horned companion, fearful, and amazed,
+ Shall drag him trembling o'er the rugged ground;
+ Then with his load fatigued, shall turn a-head,
+ And with his curled hard front incessant peal
+_150
+ The panting wretch; till breathless and astunned,
+ Stretched on the turf he lie. Then spare not thou
+ The twining whip, but ply his bleeding sides
+ Lash after lash, and with thy threatening voice,
+ Harsh-echoing from the hills, inculcate loud
+ His vile offence. Sooner shall trembling doves
+ Escaped the hawk's sharp talons, in mid air,
+ Assail their dangerous foe, than he once more
+ Disturb the peaceful flocks. In tender age
+ Thus youth is trained; as curious artists bend
+_160
+ The taper, pliant twig; or potters form
+ Their soft and ductile clay to various shapes.
+ Nor is't enough to breed; but to preserve
+ Must be the huntsman's care. The stanch old hounds
+ Guides of thy pack, though but in number few,
+ Are yet of great account; shall oft untie
+ The Gordian knot, when reason at a stand
+ Puzzling is lost, and all thy art is vain.
+ O'er clogging fallows, o'er dry plastered roads,
+ O'er floated meads, o'er plains with flocks distained
+_170
+ Rank-scenting, these must lead the dubious way.
+ As party-chiefs in senates who preside,
+ With pleaded reason and with well turned speech
+ Conduct the staring multitude; so these
+ Direct the pack, who with joint cry approve,
+ And loudly boast discoveries not their own.
+ Unnumbered accidents, and various ills,
+ Attend thy pack, hang hovering o'er their heads,
+ And point the way that leads to Death's dark cave.
+ Short is their span; few at the date arrive
+ Of ancient Argus in old Homer's song
+_180
+ So highly honoured: kind, sagacious brute!
+ Not even Minerva's wisdom could conceal
+ Thy much-loved master from thy nicer sense.
+ Dying, his lord he owned, viewed him all o'er
+ With eager eyes, then closed those eyes, well pleased.
+ Of lesser ills the Muse declines to sing,
+ Nor stoops so low; of these each groom can tell
+ The proper remedy. But oh! what care!
+ What prudence can prevent madness, the worst
+ Of maladies? Terrific pest! that blasts
+_190
+ The huntsman's hopes, and desolation spreads
+ Through all the unpeopled kennel unrestrained.
+ More fatal than the envenomed viper's bite;
+ Or that Apulian[10] spider's poisonous sting,
+ Healed by the pleasing antidote of sounds.
+ When Sirius reigns, and the sun's parching beams
+ Bake the dry gaping surface, visit thou
+ Each even and morn, with quick observant eye,
+ Thy panting pack. If in dark sullen mood,
+ The gloating hound refuse his wonted meal,
+_200
+ Retiring to some close, obscure retreat,
+ Gloomy, disconsolate: with speed remove
+ The poor infectious wretch, and in strong chains
+ Bind him suspected. Thus that dire disease
+ Which art can't cure, wise caution may prevent.
+ But this neglected, soon expect a change,
+ A dismal change, confusion, frenzy, death.
+ Or in some dark recess the senseless brute
+ Sits sadly pining: deep melancholy,
+ And black despair, upon his clouded brow
+_210
+ Hang lowering; from his half-opening jaws
+ The clammy venom, and infectious froth,
+ Distilling fall; and from his lungs inflamed,
+ Malignant vapours taint the ambient air,
+ Breathing perdition: his dim eyes are glazed,
+ He droops his pensive head, his trembling limbs
+ No more support his weight; abject he lies,
+ Dumb, spiritless, benumbed; till death at last
+ Gracious attends, and kindly brings relief.
+ Or if outrageous grown, behold alas!
+_220
+ A yet more dreadful scene; his glaring eye
+ Redden with fury, like some angry boar
+ Churning he foams; and on his back erect
+ His pointed bristles rise; his tail incurved
+ He drops, and with harsh broken bowlings rends
+ The poison-tainted air, with rough hoarse voice
+ Incessant bays; and snuff's the infectious breeze;
+ This way and that he stares aghast, and starts
+ At his own shade; jealous, as if he deemed
+ The world his foes. If haply toward the stream
+_230
+ He cast his roving eye, cold horror chills
+ His soul; averse he flies, trembling, appalled.
+ Now frantic to the kennel's utmost verge
+ Raving he runs, and deals destruction round.
+ The pack fly diverse; for whate'er he meets
+ Vengeful he bites, and every bite is death.
+ If now perchance through the weak fence escaped,
+ Far up the wind he roves, with open mouth
+ Inhales the cooling breeze, nor man, nor beast
+ He spares, implacable. The hunter-horse,
+_240
+ Once kind associate of his sylvan toils,
+ (Who haply now without the kennel's mound
+ Crops the rank mead, and listening hears with joy
+ The cheering cry, that morn and eve salutes
+ His raptured sense) a wretched victim falls.
+ Unhappy quadruped! no more, alas!
+ Shall thy fond master with his voice applaud
+ Thy gentleness, thy speed; or with his hand
+ Stroke thy soft dappled sides, as he each day
+ Visits thy stall, well pleased; no more shalt thou
+_250
+ With sprightly neighings, to the winding horn
+ And the loud opening pack in concert joined,
+ Glad his proud heart. For oh! the secret wound
+ Rankling inflames, he bites the ground and dies.
+ Hence to the village with pernicious haste
+ Baleful he bends his course: the village flies
+ Alarmed; the tender mother in her arms
+ Hugs close the trembling babe; the doors are barred,
+ And flying curs, by native instinct taught,
+ Shun the contagious bane; the rustic bands
+_260
+ Hurry to arms, the rude militia seize
+ Whate'er at hand they find; clubs, forks, or guns
+ From every quarter charge the furious foe,
+ In wild disorder, and uncouth array:
+ Till now with wounds on wounds oppressed and gored,
+ At one short poisonous gasp he breathes his last.
+ Hence to the kennel, Muse, return, and view
+ With heavy heart that hospital of woe:
+ Where Horror stalks at large; insatiate Death
+ Sits growling o'er his prey: each hour presents
+_270
+ A different scene of ruin and distress.
+ How busy art thou, Fate! and how severe
+ Thy pointed wrath! the dying and the dead
+ Promiscuous lie; o'er these the living fight
+ In one eternal broil; not conscious why,
+ Nor yet with whom. So drunkards in their cups,
+ Spare not their friends, while senseless squabble reigns.
+ Huntsman! it much behoves thee to avoid
+ The perilous debate! Ah! rouse up all
+ Thy vigilance, and tread the treacherous ground
+_280
+ With careful step. Thy fires unquenched preserve,
+ As erst the vestal flame; the pointed steel
+ In the hot embers hide; and if surprised
+ Thou feel'st the deadly bite, quick urge it home
+ Into the recent sore, and cauterise
+ The wound; spare not thy flesh, nor dread the event:
+ Vulcan shall save when Aesculapius fails.
+ Here, should the knowing Muse recount the means
+ To stop this growing plague. And here, alas!
+ Each hand presents a sovereign cure, and boasts
+_290
+ Infallibility, but boasts in vain.
+ On this depend, each to his separate seat
+ Confine, in fetters bound; give each his mess
+ Apart, his range in open air; and then
+ If deadly symptoms to thy grief appear,
+ Devote the wretch, and let him greatly fall,
+ A generous victim for the public weal.
+ Sing, philosophic Muse, the dire effects
+ Of this contagious bite on hapless man.
+ The rustic swains, by long tradition taught
+_300
+ Of leeches old, as soon as they perceive
+ The bite impressed, to the sea-coasts repair.
+ Plunged in the briny flood, the unhappy youth
+ Now journeys home secure; but soon shall wish
+ The seas as yet had covered him beneath
+ The foaming surge, full many a fathom deep.
+ A fate more dismal, and superior ills
+ Hang o'er his head devoted. When the moon,
+ Closing her monthly round, returns again
+ To glad the night; or when full orbed she shines
+_310
+ High in the vault of heaven; the lurking pest
+ Begins the dire assault. The poisonous foam,
+ Through the deep wound instilled with hostile rage,
+ And all its fiery particles saline,
+ Invades the arterial fluid; whose red waves
+ Tempestuous heave, and their cohesion broke,
+ Fermenting boil; intestine war ensues,
+ And order to confusion turns embroiled.
+ Now the distended vessels scarce contain
+ The wild uproar, but press each weaker part,
+_320
+ Unable to resist: the tender brain
+ And stomach suffer most; convulsions shake
+ His trembling nerves, and wandering pungent pains
+ Pinch sore the sleepless wretch; his fluttering pulse
+ Oft intermits; pensive, and sad, he mourns
+ His cruel fate, and to his weeping friends
+ Laments in vain; to hasty anger prone,
+ Resents each slight offence, walks with quick step,
+ And wildly stares; at last with boundless sway
+ The tyrant frenzy reigns. For as the dog
+_330
+ (Whose fatal bite conveyed the infectious bane)
+ Raving he foams, and howls, and barks, and bites.
+ Like agitations in his boiling blood
+ Present like species to his troubled mind;
+ His nature, and his actions all canine.
+ So as (old Homer sung) the associates wild
+ Of wandering Ithacus, by Circe's charms
+ To swine transformed, ran grunting through the groves.
+ Dreadful example to a wicked world!
+ See there distressed he lies! parched up with thirst,
+_340
+ But dares not drink. Till now at last his soul
+ Trembling escapes, her noisome dungeon leaves,
+ And to some purer region wings away.
+ One labour yet remains, celestial Maid!
+ Another element demands thy song.
+ No more o'er craggy steeps, through coverts thick
+ With pointed thorn, and briers intricate,
+ Urge on with horn and voice the painful pack
+ But skim with wanton wing the irriguous vale,
+ Where winding streams amid the flowery meads
+_350
+ Perpetual glide along; and undermine
+ The caverned banks, by the tenacious roots
+ Of hoary willows arched; gloomy retreat
+ Of the bright scaly kind; where they at will,
+ On the green watery reed their pasture graze,
+ Suck the moist soil, or slumber at their ease,
+ Rocked by the restless brook, that draws aslope
+ Its humid train, and laves their dark abodes.
+ Where rages not oppression? Where, alas!
+ Is innocence secure? Rapine and spoil
+_360
+ Haunt even the lowest deeps; seas have their sharks,
+ Rivers and ponds inclose the ravenous pike;
+ He in his turn becomes a prey; on him
+ The amphibious otter feasts. Just is his fate
+ Deserved; but tyrants know no bounds; nor spears
+ That bristle on his back, defend the perch
+ From his wide greedy jaws; nor burnished mail
+ The yellow carp; nor all his arts can save
+ The insinuating eel, that hides his head
+ Beneath the slimy mud; nor yet escapes
+_370
+ The crimson-spotted trout, the river's pride,
+ And beauty of the stream. Without remorse,
+ This midnight pillager ranging around,
+ Insatiate swallows all. The owner mourns
+ The unpeopled rivulet, and gladly hears
+ The huntsman's early call, and sees with joy
+ The jovial crew, that march upon its banks
+ In gay parade, with bearded lances armed.
+ This subtle spoiler of the beaver kind,
+ Far off, perhaps, where ancient alders shade
+ The deep still pool; within some hollow trunk
+_380
+ Contrives his wicker couch: whence he surveys
+ His long purlieu, lord of the stream, and all
+ The finny shoals his own. But you, brave youths,
+ Dispute the felon's claim; try every root,
+ And every reedy bank; encourage all
+ The busy-spreading pack, that fearless plunge
+ Into the flood, and cross the rapid stream.
+ Bid rocks and caves, and each resounding shore,
+ Proclaim your bold defiance; loudly raise
+_390
+ Each cheering voice, till distant hills repeat
+ The triumphs of the vale. On the soft sand
+ See there his seal impressed! and on that bank
+ Behold the glittering spoils, half-eaten fish,
+ Scales, fins, and bones, the leavings of his feast.
+ Ah! on that yielding sag-bed, see, once more
+ His seal I view. O'er yon dank rushy marsh
+ The sly goose-footed prowler bends his course,
+ And seeks the distant shallows. Huntsman, bring
+ Thy eager pack; and trail him to his couch.
+_400
+ Hark! the loud peal begins, the clamorous joy,
+ The gallant chiding, loads the trembling air.
+ Ye Naiads fair, who o'er these floods preside,
+ Raise up your dripping heads above the wave,
+ And hear our melody. The harmonious notes
+ Float with the stream; and every winding creek
+ And hollow rock, that o'er the dimpling flood
+ Nods pendant; still improve from shore to shore
+ Our sweet reiterated joys. What shouts!
+ What clamour loud! What gay heart-cheering sounds
+_410
+ Urge through, the breathing brass their mazy way!
+ Nor choirs of Tritons glad with sprightlier strains
+ The dancing billows, when proud Neptune rides
+ In triumph o'er the deep. How greedily
+ They snuff the fishy steam, that to each blade
+ Rank-scenting clings! See! how the morning dews
+ They sweep, that from their feet besprinkling drop
+ Dispersed, and leave a track oblique behind.
+ Now on firm land they range; then in the flood
+ They plunge tumultuous; or through reedy pools
+_420
+ Rustling they work their way: no holt escapes
+ Their curious search. With quick sensation now
+ The fuming vapour stings; flutter their hearts,
+ And joy redoubled bursts from every mouth
+ In louder symphonies. Yon hollow trunk,
+ That with its hoary head incurved, salutes
+ The passing wave, must be the tyrant's fort,
+ And dread abode. How these impatient climb,
+ While others at the root incessant bay:
+ They put him down. See, there he dives along!
+_430
+ The ascending bubbles mark his gloomy way.
+ Quick fix the nets, and cut off his retreat
+ Into the sheltering deeps. Ah, there he vents!
+ The pack lunge headlong, and protended spears
+ Menace destruction: while the troubled surge
+ Indignant foams, and all the scaly kind
+ Affrighted, hide their heads. Wild tumult reigns,
+ And loud uproar. Ah, there once more he vents!
+ See, that bold hound has seized him; down they sink,
+ Together lost: but soon shall he repent
+_440
+ His rash assault. See there escaped, he flies
+ Half-drowned, and clambers up the slippery bank
+ With ouze and blood distained. Of all the brutes,
+ Whether by Nature formed, or by long use,
+ This artful diver best can bear the want
+ Of vital air. Unequal is the fight,
+ Beneath the whelming element. Yet there
+ He lives not long; but respiration needs
+ At proper intervals. Again he vents;
+ Again the crowd attack. That spear has pierced
+_450
+ His neck; the crimson waves confess the wound.
+ Fixed is the bearded lance, unwelcome guest,
+ Where'er he flies; with him it sinks beneath,
+ With him it mounts; sure guide to every foe.
+ Inly he groans; nor can his tender wound
+ Bear the cold stream. Lo! to yon sedgy bank
+ He creeps disconsolate; his numerous foes
+ Surround him, hounds and men. Pierced through and through,
+ On pointed spears they lift him high in air;
+ Wriggling he hangs, and grins, and bites in vain:
+_460
+ Bid the loud horns, in gaily warbling strains,
+ Proclaim the felon's fate; he dies, he dies.
+ Rejoice, ye scaly tribes, and leaping dance
+ Above the wave, in sign of liberty
+ Restored; the cruel tyrant is no more.
+ Rejoice, secure and blessed; did not as yet
+ Remain, some of your own rapacious kind;
+ And man, fierce man, with all his various wiles.
+ O happy, if ye knew your happy state,
+ Ye rangers of the fields! whom Nature boon
+_470
+ Cheers with her smiles, and every element
+ Conspires to bless. What, if no heroes frown
+ From marble pedestals; nor Raphael's works,
+ Nor Titian's lively tints, adorn our walls?
+ Yet these the meanest of us may behold;
+ And at another's cost may feast at will
+ Our wondering eyes; what can the owner more?
+ But vain, alas! is wealth, not graced with power.
+ The flowery landscape, and the gilded dome,
+ And vistas opening to the wearied eye,
+_480
+ Through all his wide domain; the planted grove,
+ The shrubby wilderness with its gay choir
+ Of warbling birds, can't lull to soft repose
+ The ambitious wretch, whose discontented soul
+ Is harrowed day and night; he mourns, he pines,
+ Until his prince's favour makes him great.
+ See, there he comes, the exalted idol comes!
+ The circle's formed, and all his fawning slaves
+ Devoutly bow to earth; from every mouth
+ The nauseous flattery flows, which he returns
+_490
+ With promises, that die as soon as born.
+ Vile intercourse! where virtue has no place.
+ Frown but the monarch; all his glories fade;
+ He mingles with the throng, outcast, undone,
+ The pageant of a day; without one friend
+ To soothe his tortured mind; all, all are fled.
+ For though they basked in his meridian ray,
+ The insects vanish, as his beams decline.
+ Not such our friends; for here no dark design,
+ No wicked interest bribes the venal heart;
+_500
+ But inclination to our bosom leads,
+ And weds them there for life; our social cups
+ Smile, as we smile; open, and unreserved.
+ We speak our inmost souls; good humour, mirth,
+ Soft complaisance, and wit from malice free,
+ Smoothe every brow, and glow on every cheek.
+ O happiness sincere! what wretch would groan
+ Beneath the galling load of power, or walk
+ Upon the slippery pavements of the great,
+ Who thus could reign, unenvied and secure?
+_510
+ Ye guardian powers who make mankind your care,
+ Give me to know wise Nature's hidden depths,
+ Trace each mysterious cause, with judgment read
+ The expanded volume, and submiss adore
+ That great creative Will, who at a word
+ Spoke forth the wondrous scene. But if my soul
+ To this gross clay confined, flutters on earth
+ With less ambitious wing; unskilled to range
+ From orb to orb, where Newton leads the way;
+ And view with piercing eyes, the grand machine,
+_520
+ Worlds above worlds; subservient to his voice,
+ Who veiled in clouded majesty, alone
+ Gives light to all; bids the great system move,
+ And changeful seasons in their turns advance,
+ Unmoved, unchanged himself; yet this at least
+ Grant me propitious, an inglorious life,
+ Calm and serene, nor lost in false pursuits
+ Of wealth or honours; but enough to raise
+ My drooping friends, preventing modest want
+ That dares not ask. And if to crown my joys,
+_530
+ Ye grant me health, that, ruddy in my cheeks,
+ Blooms in my life's decline; fields, woods, and streams,
+ Each towering hill, each humble vale below,
+ Shall hear my cheering voice, my hounds shall wake
+ The lazy morn, and glad the horizon round.
+
+END OF SOMERVILLE'S CHASE.
+
+
+
+[Footnote 1: In republishing only the "Chase" of Somerville and "the
+Fables" of Gay, we have acted on the principle of selecting the best, and
+the most characteristic, in our age, perhaps the only readable specimen
+of either poet.]
+
+[Footnote 2: 'Great Prince:' Prince Frederick. Our readers will remember
+the humorous epitaph on him, in edifying contrast to Somerville's
+praise:--
+
+ 'Here lies Fred,
+ Who was alive, and is dead:
+ If it had been his father,
+ I'd much rather;
+ Had it been his mother,
+ Better than another;
+ Were it his sister,
+ Nobody would have miss'd her;
+ Were it the whole generation,
+ The better for the nation.
+ But since it's only Fred,
+ There's no more to be said,
+ But that he was alive, and is dead.'
+
+We quote this from recollection of Thackeray's recitation, but think it
+pretty accurate.]
+
+[Footnote 3: 'Neustria:' Normandy.]
+
+[Footnote 4: 'Fountain of light,' &c. Scott as well as Somerville loved
+to write in brilliant sunshine.]
+
+[Footnote 6: 'Talbot kind:' Derived, we think, from the famous John
+Talbot, the first Earl of Shrewsbury, who employed this species of hound
+against the Irish rebels.]
+
+[Footnote 7: 'Aurengzebe:' in 1659, seized the throne of India, after
+murdering his relatives, but became a good, wise, and brave emperor.]
+
+[Footnote 8: 'Ammon's son:' Alexander the Great.]
+
+[Footnote 9: 'Blooming youth:' Fred again.]
+
+[Footnote 10: 'Apulia:' now Puglia, the south-eastern part of Italy.]
+
+
+
+
+
+End of the Project Gutenberg EBook of The Poetical Works of Addison; Gay's
+Fables; and Somerville's Chase, by Joseph Addison, John Gay, William Sommerville
+
+*** END OF THIS PROJECT GUTENBERG EBOOK WORKS OF ADDISON ***
+
+***** This file should be named 10587-8.txt or 10587-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/0/5/8/10587/
+
+Produced by Jonathan Ingram, Jayam Subramanian and PG Distributed
+Proofreaders
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+