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+<title>Within the Tides, by Joseph Conrad</title>
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+<pre>
+
+The Project Gutenberg eBook, Within the Tides, by Joseph Conrad
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: Within the Tides
+ Tales
+
+
+Author: Joseph Conrad
+
+
+
+Release Date: January 5, 2011 [eBook #1053]
+[This file was first posted on August 29, 1997]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK WITHIN THE TIDES***
+</pre>
+<p>Scanned and proofed by David Price, email ccx074@pglaf.org</p>
+<h1>WITHIN THE<br />
+TIDES</h1>
+<p style="text-align: center">TALES</p>
+<blockquote><p>. . . Go, make you ready.</p>
+<p style="text-align: right"><span class="smcap">Hamlet</span>
+<i>to the</i> <span class="smcap">Players</span>.</p>
+</blockquote>
+<p style="text-align: center">
+<a href="images/p0b.jpg">
+<img alt=
+"Decorative graphic"
+title=
+"Decorative graphic"
+src="images/p0s.jpg" />
+</a></p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">london &amp;
+toronto</span><br />
+J. M. DENT &amp; SONS LTD.<br />
+PARIS: J. M. DENT ET. FILS</p>
+<div class="gapspace">&nbsp;</div>
+<table>
+<tr>
+<td><p><span class="smcap">First Edition</span></p>
+</td>
+<td><p><i>February</i> 1915</p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Reprinted</span></p>
+</td>
+<td><p><i>April</i> 1915; <i>August</i> 1919</p>
+</td>
+</tr>
+</table>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center">To<br />
+<span class="smcap">Mr. and Mrs.</span> RALPH WEDGWOOD</p>
+<p style="text-align: center"><span class="smcap">this sheaf of
+care-free ante-bellum pages</span><br />
+<span class="smcap">in gratitude for their charming
+hospitality</span><br />
+<span class="smcap">in the last month of peace</span></p>
+<h2>Contents</h2>
+<table>
+<tr>
+<td><p>&nbsp;</p>
+</td>
+<td><p style="text-align: right"><span
+class="smcap">page</span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Planter of Malata</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page3">3</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Partner</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page119">119</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">The Inn of the Two Witches</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page175">175</a></span></p>
+</td>
+</tr>
+<tr>
+<td><p><span class="smcap">Because of the Dollars</span></p>
+</td>
+<td><p style="text-align: right"><span class="indexpageno"><a
+href="#page223">223</a></span></p>
+</td>
+</tr>
+</table>
+<h2><!-- page 3--><a name="page3"></a><span class="pagenum">p.
+3</span>THE PLANTER OF MALATA</h2>
+<h3>CHAPTER I</h3>
+<p>In the private editorial office of the principal newspaper in
+a great colonial city two men were talking.&nbsp; They were both
+young.&nbsp; The stouter of the two, fair, and with more of an
+urban look about him, was the editor and part-owner of the
+important newspaper.</p>
+<p>The other&rsquo;s name was Renouard.&nbsp; That he was
+exercised in his mind about something was evident on his fine
+bronzed face.&nbsp; He was a lean, lounging, active man.&nbsp;
+The journalist continued the conversation.</p>
+<p>&ldquo;And so you were dining yesterday at old
+Dunster&rsquo;s.&rdquo;</p>
+<p>He used the word old not in the endearing sense in which it is
+sometimes applied to intimates, but as a matter of sober
+fact.&nbsp; The Dunster in question was old.&nbsp; He had been an
+eminent colonial statesman, but had now retired from active
+politics after a tour in Europe and a lengthy stay in England,
+during which he had had a very good press indeed.&nbsp; The
+colony was proud of him.</p>
+<p>&ldquo;Yes.&nbsp; I dined there,&rdquo; said Renouard.&nbsp;
+&ldquo;Young Dunster asked me just as I was going out of his
+office.&nbsp; It seemed to be like a sudden thought.&nbsp; And
+yet I can&rsquo;t help suspecting some purpose behind it.&nbsp;
+He was very pressing.&nbsp; He swore that his uncle would be very
+pleased to see me.&nbsp; Said his uncle had mentioned lately that
+the granting to me of the Malata concession was the last act of
+his official life.&rdquo;</p>
+<p>&ldquo;Very touching.&nbsp; The old boy sentimentalises over
+the past now and then.&rdquo;</p>
+<p>&ldquo;I really don&rsquo;t know why I accepted,&rdquo;
+continued the other.&nbsp; &ldquo;Sentiment does not move me very
+easily.&nbsp; Old Dunster was civil to me of course, but he did
+not even inquire how I was getting on with my silk plants.&nbsp;
+Forgot there was such a thing probably.&nbsp; I must say there
+were more people there than I expected to meet.&nbsp; Quite a big
+party.&rdquo;</p>
+<p>&ldquo;I was asked,&rdquo; remarked the newspaper man.&nbsp;
+&ldquo;Only I couldn&rsquo;t go.&nbsp; But when did you arrive
+from Malata?&rdquo;</p>
+<p>&ldquo;I arrived yesterday at daylight.&nbsp; I am anchored
+out there in the bay&mdash;off Garden Point.&nbsp; I was in
+Dunster&rsquo;s office before he had finished reading his
+letters.&nbsp; Have you ever seen young Dunster reading his
+letters?&nbsp; I had a glimpse of him through the open
+door.&nbsp; He holds the paper in both hands, hunches his
+shoulders up to his ugly ears, and brings his long nose and his
+thick lips on to it like a sucking apparatus.&nbsp; A commercial
+monster.&rdquo;</p>
+<p>&ldquo;Here we don&rsquo;t consider him a monster,&rdquo; said
+the newspaper man looking at his visitor thoughtfully.</p>
+<p>&ldquo;Probably not.&nbsp; You are used to see his face and to
+see other faces.&nbsp; I don&rsquo;t know how it is that, when I
+come to town, the appearance of the people in the street strike
+me with such force.&nbsp; They seem so awfully
+expressive.&rdquo;</p>
+<p>&ldquo;And not charming.&rdquo;</p>
+<p>&ldquo;Well&mdash;no.&nbsp; Not as a rule.&nbsp; The effect is
+forcible without being clear. . . . I know that you think
+it&rsquo;s because of my solitary manner of life away
+there.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; I do think so.&nbsp; It is
+demoralising.&nbsp; You don&rsquo;t see any one for months at a
+stretch.&nbsp; You&rsquo;re leading an unhealthy life.&rdquo;</p>
+<p>The other hardly smiled and murmured the admission that true
+enough it was a good eleven months since he had been in town
+last.</p>
+<p>&ldquo;You see,&rdquo; insisted the other.&nbsp;
+&ldquo;Solitude works like a sort of poison.&nbsp; And then you
+perceive suggestions in faces&mdash;mysterious and forcible, that
+no sound man would be bothered with.&nbsp; Of course you
+do.&rdquo;</p>
+<p>Geoffrey Renouard did not tell his journalist friend that the
+suggestions of his own face, the face of a friend, bothered him
+as much as the others.&nbsp; He detected a degrading quality in
+the touches of age which every day adds to a human
+countenance.&nbsp; They moved and disturbed him, like the signs
+of a horrible inward travail which was frightfully apparent to
+the fresh eye he had brought from his isolation in Malata, where
+he had settled after five strenuous years of adventure and
+exploration.</p>
+<p>&ldquo;It&rsquo;s a fact,&rdquo; he said, &ldquo;that when I
+am at home in Malata I see no one consciously.&nbsp; I take the
+plantation boys for granted.&rdquo;</p>
+<p>&ldquo;Well, and we here take the people in the streets for
+granted.&nbsp; And that&rsquo;s sanity.&rdquo;</p>
+<p>The visitor said nothing to this for fear of engaging a
+discussion.&nbsp; What he had come to seek in the editorial
+office was not controversy, but information.&nbsp; Yet somehow he
+hesitated to approach the subject.&nbsp; Solitary life makes a
+man reticent in respect of anything in the nature of gossip,
+which those to whom chatting about their kind is an everyday
+exercise regard as the commonest use of speech.</p>
+<p>&ldquo;You very busy?&rdquo; he asked.</p>
+<p>The Editor making red marks on a long slip of printed paper
+threw the pencil down.</p>
+<p>&ldquo;No.&nbsp; I am done.&nbsp; Social paragraphs.&nbsp;
+This office is the place where everything is known about
+everybody&mdash;including even a great deal of nobodies.&nbsp;
+Queer fellows drift in and out of this room.&nbsp; Waifs and
+strays from home, from up-country, from the Pacific.&nbsp; And,
+by the way, last time you were here you picked up one of that
+sort for your assistant&mdash;didn&rsquo;t you?&rdquo;</p>
+<p>&ldquo;I engaged an assistant only to stop your preaching
+about the evils of solitude,&rdquo; said Renouard hastily; and
+the pressman laughed at the half-resentful tone.&nbsp; His laugh
+was not very loud, but his plump person shook all over.&nbsp; He
+was aware that his younger friend&rsquo;s deference to his advice
+was based only on an imperfect belief in his wisdom&mdash;or his
+sagacity.&nbsp; But it was he who had first helped Renouard in
+his plans of exploration: the five-years&rsquo; programme of
+scientific adventure, of work, of danger and endurance, carried
+out with such distinction and rewarded modestly with the lease of
+Malata island by the frugal colonial government.&nbsp; And this
+reward, too, had been due to the journalist&rsquo;s advocacy with
+word and pen&mdash;for he was an influential man in the
+community.&nbsp; Doubting very much if Renouard really liked him,
+he was himself without great sympathy for a certain side of that
+man which he could not quite make out.&nbsp; He only felt it
+obscurely to be his real personality&mdash;the true&mdash;and,
+perhaps, the absurd.&nbsp; As, for instance, in that case of the
+assistant.&nbsp; Renouard had given way to the arguments of his
+friend and backer&mdash;the argument against the unwholesome
+effect of solitude, the argument for the safety of companionship
+even if quarrelsome.&nbsp; Very well.&nbsp; In this docility he
+was sensible and even likeable.&nbsp; But what did he do
+next?&nbsp; Instead of taking counsel as to the choice with his
+old backer and friend, and a man, besides, knowing everybody
+employed and unemployed on the pavements of the town, this
+extraordinary Renouard suddenly and almost surreptitiously picked
+up a fellow&mdash;God knows who&mdash;and sailed away with him
+back to Malata in a hurry; a proceeding obviously rash and at the
+same time not quite straight.&nbsp; That was the sort of
+thing.&nbsp; The secretly unforgiving journalist laughed a little
+longer and then ceased to shake all over.</p>
+<p>&ldquo;Oh, yes.&nbsp; About that assistant of yours. . .
+.&rdquo;</p>
+<p>&ldquo;What about him,&rdquo; said Renouard, after waiting a
+while, with a shadow of uneasiness on his face.</p>
+<p>&ldquo;Have you nothing to tell me of him?&rdquo;</p>
+<p>&ldquo;Nothing except. . . .&rdquo;&nbsp; Incipient grimness
+vanished out of Renouard&rsquo;s aspect and his voice, while he
+hesitated as if reflecting seriously before he changed his
+mind.&nbsp; &ldquo;No.&nbsp; Nothing whatever.&rdquo;</p>
+<p>&ldquo;You haven&rsquo;t brought him along with you by
+chance&mdash;for a change.&rdquo;</p>
+<p>The Planter of Malata stared, then shook his head, and finally
+murmured carelessly: &ldquo;I think he&rsquo;s very well where he
+is.&nbsp; But I wish you could tell me why young Dunster insisted
+so much on my dining with his uncle last night.&nbsp; Everybody
+knows I am not a society man.&rdquo;</p>
+<p>The Editor exclaimed at so much modesty.&nbsp; Didn&rsquo;t
+his friend know that he was their one and only
+explorer&mdash;that he was the man experimenting with the silk
+plant. . . .</p>
+<p>&ldquo;Still, that doesn&rsquo;t tell me why I was invited
+yesterday.&nbsp; For young Dunster never thought of this civility
+before. . . .&rdquo;</p>
+<p>&ldquo;Our Willie,&rdquo; said the popular journalist,
+&ldquo;never does anything without a purpose, that&rsquo;s a
+fact.&rdquo;</p>
+<p>&ldquo;And to his uncle&rsquo;s house too!&rdquo;</p>
+<p>&ldquo;He lives there.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; But he might have given me a feed somewhere
+else.&nbsp; The extraordinary part is that the old man did not
+seem to have anything special to say.&nbsp; He smiled kindly on
+me once or twice, and that was all.&nbsp; It was quite a party,
+sixteen people.&rdquo;</p>
+<p>The Editor then, after expressing his regret that he had not
+been able to come, wanted to know if the party had been
+entertaining.</p>
+<p>Renouard regretted that his friend had not been there.&nbsp;
+Being a man whose business or at least whose profession was to
+know everything that went on in this part of the globe, he could
+probably have told him something of some people lately arrived
+from home, who were amongst the guests.&nbsp; Young Dunster
+(Willie), with his large shirt-front and streaks of white skin
+shining unpleasantly through the thin black hair plastered over
+the top of his head, bore down on him and introduced him to that
+party, as if he had been a trained dog or a child
+phenomenon.&nbsp; Decidedly, he said, he disliked
+Willie&mdash;one of these large oppressive men. . . .</p>
+<p>A silence fell, and it was as if Renouard were not going to
+say anything more when, suddenly, he came out with the real
+object of his visit to the editorial room.</p>
+<p>&ldquo;They looked to me like people under a spell.&rdquo;</p>
+<p>The Editor gazed at him appreciatively, thinking that, whether
+the effect of solitude or not, this was a proof of a sensitive
+perception of the expression of faces.</p>
+<p>&ldquo;You omitted to tell me their name, but I can make a
+guess.&nbsp; You mean Professor Moorsom, his daughter and
+sister&mdash;don&rsquo;t you?&rdquo;</p>
+<p>Renouard assented.&nbsp; Yes, a white-haired lady.&nbsp; But
+from his silence, with his eyes fixed, yet avoiding his friend,
+it was easy to guess that it was not in the white-haired lady
+that he was interested.</p>
+<p>&ldquo;Upon my word,&rdquo; he said, recovering his usual
+bearing.&nbsp; &ldquo;It looks to me as if I had been asked there
+only for the daughter to talk to me.&rdquo;</p>
+<p>He did not conceal that he had been greatly struck by her
+appearance.&nbsp; Nobody could have helped being impressed.&nbsp;
+She was different from everybody else in that house, and it was
+not only the effect of her London clothes.&nbsp; He did not take
+her down to dinner.&nbsp; Willie did that.&nbsp; It was
+afterwards, on the terrace. . . .</p>
+<p>The evening was delightfully calm.&nbsp; He was sitting apart
+and alone, and wishing himself somewhere else&mdash;on board the
+schooner for choice, with the dinner-harness off.&nbsp; He
+hadn&rsquo;t exchanged forty words altogether during the evening
+with the other guests.&nbsp; He saw her suddenly all by herself
+coming towards him along the dimly lighted terrace, quite from a
+distance.</p>
+<p>She was tall and supple, carrying nobly on her straight body a
+head of a character which to him appeared peculiar,
+something&mdash;well&mdash;pagan, crowned with a great wealth of
+hair.&nbsp; He had been about to rise, but her decided approach
+caused him to remain on the seat.&nbsp; He had not looked much at
+her that evening.&nbsp; He had not that freedom of gaze acquired
+by the habit of society and the frequent meetings with
+strangers.&nbsp; It was not shyness, but the reserve of a man not
+used to the world and to the practice of covert staring, with
+careless curiosity.&nbsp; All he had captured by his first, keen,
+instantly lowered, glance was the impression that her hair was
+magnificently red and her eyes very black.&nbsp; It was a
+troubling effect, but it had been evanescent; he had forgotten it
+almost till very unexpectedly he saw her coming down the terrace
+slow and eager, as if she were restraining herself, and with a
+rhythmic upward undulation of her whole figure.&nbsp; The light
+from an open window fell across her path, and suddenly all that
+mass of arranged hair appeared incandescent, chiselled and fluid,
+with the daring suggestion of a helmet of burnished copper and
+the flowing lines of molten metal.&nbsp; It kindled in him an
+astonished admiration.&nbsp; But he said nothing of it to his
+friend the Editor.&nbsp; Neither did he tell him that her
+approach woke up in his brain the image of love&rsquo;s infinite
+grace and the sense of the inexhaustible joy that lives in
+beauty.&nbsp; No!&nbsp; What he imparted to the Editor were no
+emotions, but mere facts conveyed in a deliberate voice and in
+uninspired words.</p>
+<p>&ldquo;That young lady came and sat down by me.&nbsp; She
+said: &lsquo;Are you French, Mr. Renouard?&rsquo;&rdquo;</p>
+<p>He had breathed a whiff of perfume of which he said nothing
+either&mdash;of some perfume he did not know.&nbsp; Her voice was
+low and distinct.&nbsp; Her shoulders and her bare arms gleamed
+with an extraordinary splendour, and when she advanced her head
+into the light he saw the admirable contour of the face, the
+straight fine nose with delicate nostrils, the exquisite crimson
+brushstroke of the lips on this oval without colour.&nbsp; The
+expression of the eyes was lost in a shadowy mysterious play of
+jet and silver, stirring under the red coppery gold of the hair
+as though she had been a being made of ivory and precious metals
+changed into living tissue.</p>
+<p>&ldquo;. . . I told her my people were living in Canada, but
+that I was brought up in England before coming out here.&nbsp; I
+can&rsquo;t imagine what interest she could have in my
+history.&rdquo;</p>
+<p>&ldquo;And you complain of her interest?&rdquo;</p>
+<p>The accent of the all-knowing journalist seemed to jar on the
+Planter of Malata.</p>
+<p>&ldquo;No!&rdquo; he said, in a deadened voice that was almost
+sullen.&nbsp; But after a short silence he went on.&nbsp;
+&ldquo;Very extraordinary.&nbsp; I told her I came out to wander
+at large in the world when I was nineteen, almost directly after
+I left school.&nbsp; It seems that her late brother was in the
+same school a couple of years before me.&nbsp; She wanted me to
+tell her what I did at first when I came out here; what other men
+found to do when they came out&mdash;where they went, what was
+likely to happen to them&mdash;as if I could guess and foretell
+from my experience the fates of men who come out here with a
+hundred different projects, for hundreds of different
+reasons&mdash;for no reason but restlessness&mdash;who come, and
+go, and disappear!&nbsp; Preposterous.&nbsp; She seemed to want
+to hear their histories.&nbsp; I told her that most of them were
+not worth telling.&rdquo;</p>
+<p>The distinguished journalist leaning on his elbow, his head
+resting against the knuckles of his left hand, listened with
+great attention, but gave no sign of that surprise which
+Renouard, pausing, seemed to expect.</p>
+<p>&ldquo;You know something,&rdquo; the latter said
+brusquely.&nbsp; The all-knowing man moved his head slightly and
+said, &ldquo;Yes.&nbsp; But go on.&rdquo;</p>
+<p>&ldquo;It&rsquo;s just this.&nbsp; There is no more to
+it.&nbsp; I found myself talking to her of my adventures, of my
+early days.&nbsp; It couldn&rsquo;t possibly have interested
+her.&nbsp; Really,&rdquo; he cried, &ldquo;this is most
+extraordinary.&nbsp; Those people have something on their
+minds.&nbsp; We sat in the light of the window, and her father
+prowled about the terrace, with his hands behind his back and his
+head drooping.&nbsp; The white-haired lady came to the
+dining-room window twice&mdash;to look at us I am certain.&nbsp;
+The other guests began to go away&mdash;and still we sat
+there.&nbsp; Apparently these people are staying with the
+Dunsters.&nbsp; It was old Mrs. Dunster who put an end to the
+thing.&nbsp; The father and the aunt circled about as if they
+were afraid of interfering with the girl.&nbsp; Then she got up
+all at once, gave me her hand, and said she hoped she would see
+me again.&rdquo;</p>
+<p>While he was speaking Renouard saw again the sway of her
+figure in a movement of grace and strength&mdash;felt the
+pressure of her hand&mdash;heard the last accents of the deep
+murmur that came from her throat so white in the light of the
+window, and remembered the black rays of her steady eyes passing
+off his face when she turned away.&nbsp; He remembered all this
+visually, and it was not exactly pleasurable.&nbsp; It was rather
+startling like the discovery of a new faculty in himself.&nbsp;
+There are faculties one would rather do without&mdash;such, for
+instance, as seeing through a stone wall or remembering a person
+with this uncanny vividness.&nbsp; And what about those two
+people belonging to her with their air of expectant
+solicitude!&nbsp; Really, those figures from home got in front of
+one.&nbsp; In fact, their persistence in getting between him and
+the solid forms of the everyday material world had driven
+Renouard to call on his friend at the office.&nbsp; He hoped that
+a little common, gossipy information would lay the ghost of that
+unexpected dinner-party.&nbsp; Of course the proper person to go
+to would have been young Dunster, but, he couldn&rsquo;t stand
+Willie Dunster&mdash;not at any price.</p>
+<p>In the pause the Editor had changed his attitude, faced his
+desk, and smiled a faint knowing smile.</p>
+<p>&ldquo;Striking girl&mdash;eh?&rdquo; he said.</p>
+<p>The incongruity of the word was enough to make one jump out of
+the chair.&nbsp; Striking!&nbsp; That girl striking!&nbsp; Stri .
+. .!&nbsp; But Renouard restrained his feelings.&nbsp; His friend
+was not a person to give oneself away to.&nbsp; And, after all,
+this sort of speech was what he had come there to hear.&nbsp; As,
+however, he had made a movement he re-settled himself comfortably
+and said, with very creditable indifference, that yes&mdash;she
+was, rather.&nbsp; Especially amongst a lot of over-dressed
+frumps.&nbsp; There wasn&rsquo;t one woman under forty there.</p>
+<p>&ldquo;Is that the way to speak of the cream of our society;
+the &lsquo;top of the basket,&rsquo; as the French say,&rdquo;
+the Editor remonstrated with mock indignation.&nbsp; &ldquo;You
+aren&rsquo;t moderate in your expressions&mdash;you
+know.&rdquo;</p>
+<p>&ldquo;I express myself very little,&rdquo; interjected
+Renouard seriously.</p>
+<p>&ldquo;I will tell you what you are.&nbsp; You are a fellow
+that doesn&rsquo;t count the cost.&nbsp; Of course you are safe
+with me, but will you never learn. . . .&rdquo;</p>
+<p>&ldquo;What struck me most,&rdquo; interrupted the other,
+&ldquo;is that she should pick me out for such a long
+conversation.&rdquo;</p>
+<p>&ldquo;That&rsquo;s perhaps because you were the most
+remarkable of the men there.&rdquo;</p>
+<p>Renouard shook his head.</p>
+<p>&ldquo;This shot doesn&rsquo;t seem to me to hit the
+mark,&rdquo; he said calmly.&nbsp; &ldquo;Try again.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t you believe me?&nbsp; Oh, you modest
+creature.&nbsp; Well, let me assure you that under ordinary
+circumstances it would have been a good shot.&nbsp; You are
+sufficiently remarkable.&nbsp; But you seem a pretty acute
+customer too.&nbsp; The circumstances are extraordinary.&nbsp; By
+Jove they are!&rdquo;</p>
+<p>He mused.&nbsp; After a time the Planter of Malata dropped a
+negligent&mdash;</p>
+<p>&ldquo;And you know them.&rdquo;</p>
+<p>&ldquo;And I know them,&rdquo; assented the all-knowing
+Editor, soberly, as though the occasion were too special for a
+display of professional vanity; a vanity so well known to
+Renouard that its absence augmented his wonder and almost made
+him uneasy as if portending bad news of some sort.</p>
+<p>&ldquo;You have met those people?&rdquo; he asked.</p>
+<p>&ldquo;No.&nbsp; I was to have met them last night, but I had
+to send an apology to Willie in the morning.&nbsp; It was then
+that he had the bright idea to invite you to fill the place, from
+a muddled notion that you could be of use.&nbsp; Willie is stupid
+sometimes.&nbsp; For it is clear that you are the last man able
+to help.&rdquo;</p>
+<p>&ldquo;How on earth do I come to be mixed up in
+this&mdash;whatever it is?&rdquo;&nbsp; Renouard&rsquo;s voice
+was slightly altered by nervous irritation.&nbsp; &ldquo;I only
+arrived here yesterday morning.&rdquo;</p>
+<h3>CHAPTER II</h3>
+<p>His friend the Editor turned to him squarely.&nbsp;
+&ldquo;Willie took me into consultation, and since he seems to
+have let you in I may just as well tell you what is up.&nbsp; I
+shall try to be as short as I can.&nbsp; But in
+confidence&mdash;mind!&rdquo;</p>
+<p>He waited.&nbsp; Renouard, his uneasiness growing on him
+unreasonably, assented by a nod, and the other lost no time in
+beginning.&nbsp; Professor Moorsom&mdash;physicist and
+philosopher&mdash;fine head of white hair, to judge from the
+photographs&mdash;plenty of brains in the head too&mdash;all
+these famous books&mdash;surely even Renouard would know. . .
+.</p>
+<p>Renouard muttered moodily that it wasn&rsquo;t his sort of
+reading, and his friend hastened to assure him earnestly that
+neither was it his sort&mdash;except as a matter of business and
+duty, for the literary page of that newspaper which was his
+property (and the pride of his life).&nbsp; The only literary
+newspaper in the Antipodes could not ignore the fashionable
+philosopher of the age.&nbsp; Not that anybody read Moorsom at
+the Antipodes, but everybody had heard of him&mdash;women,
+children, dock labourers, cabmen.&nbsp; The only person (besides
+himself) who had read Moorsom, as far as he knew, was old
+Dunster, who used to call himself a Moorsomian (or was it
+Moorsomite) years and years ago, long before Moorsom had worked
+himself up into the great swell he was now, in every way. . .
+Socially too.&nbsp; Quite the fashion in the highest world.</p>
+<p>Renouard listened with profoundly concealed attention.&nbsp;
+&ldquo;A charlatan,&rdquo; he muttered languidly.</p>
+<p>&ldquo;Well&mdash;no.&nbsp; I should say not.&nbsp; I
+shouldn&rsquo;t wonder though if most of his writing had been
+done with his tongue in his cheek.&nbsp; Of course.&nbsp;
+That&rsquo;s to be expected.&nbsp; I tell you what: the only
+really honest writing is to be found in newspapers and nowhere
+else&mdash;and don&rsquo;t you forget it.&rdquo;</p>
+<p>The Editor paused with a basilisk stare till Renouard had
+conceded a casual: &ldquo;I dare say,&rdquo; and only then went
+on to explain that old Dunster, during his European tour, had
+been made rather a lion of in London, where he stayed with the
+Moorsoms&mdash;he meant the father and the girl.&nbsp; The
+professor had been a widower for a long time.</p>
+<p>&ldquo;She doesn&rsquo;t look just a girl,&rdquo; muttered
+Renouard.&nbsp; The other agreed.&nbsp; Very likely not.&nbsp;
+Had been playing the London hostess to tip-top people ever since
+she put her hair up, probably.</p>
+<p>&ldquo;I don&rsquo;t expect to see any girlish bloom on her
+when I do have the privilege,&rdquo; he continued.&nbsp;
+&ldquo;Those people are staying with the Dunster&rsquo;s
+<i>incog.</i>, in a manner, you understand&mdash;something like
+royalties.&nbsp; They don&rsquo;t deceive anybody, but they want
+to be left to themselves.&nbsp; We have even kept them out of the
+paper&mdash;to oblige old Dunster.&nbsp; But we shall put your
+arrival in&mdash;our local celebrity.&rdquo;</p>
+<p>&ldquo;Heavens!&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; Mr. G. Renouard, the explorer, whose
+indomitable energy, etc., and who is now working for the
+prosperity of our country in another way on his Malata plantation
+. . . And, by the by, how&rsquo;s the silk
+plant&mdash;flourishing?&rdquo;</p>
+<p>&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;Did you bring any fibre?&rdquo;</p>
+<p>&ldquo;Schooner-full.&rdquo;</p>
+<p>&ldquo;I see.&nbsp; To be transhipped to Liverpool for
+experimental manufacture, eh?&nbsp; Eminent capitalists at home
+very much interested, aren&rsquo;t they?&rdquo;</p>
+<p>&ldquo;They are.&rdquo;</p>
+<p>A silence fell.&nbsp; Then the Editor uttered
+slowly&mdash;&ldquo;You will be a rich man some day.&rdquo;</p>
+<p>Renouard&rsquo;s face did not betray his opinion of that
+confident prophecy.&nbsp; He didn&rsquo;t say anything till his
+friend suggested in the same meditative voice&mdash;</p>
+<p>&ldquo;You ought to interest Moorsom in the affair
+too&mdash;since Willie has let you in.&rdquo;</p>
+<p>&ldquo;A philosopher!&rdquo;</p>
+<p>&ldquo;I suppose he isn&rsquo;t above making a bit of
+money.&nbsp; And he may be clever at it for all you know.&nbsp; I
+have a notion that he&rsquo;s a fairly practical old cove. . . .
+Anyhow,&rdquo; and here the tone of the speaker took on a tinge
+of respect, &ldquo;he has made philosophy pay.&rdquo;</p>
+<p>Renouard raised his eyes, repressed an impulse to jump up, and
+got out of the arm-chair slowly.&nbsp; &ldquo;It isn&rsquo;t
+perhaps a bad idea,&rdquo; he said.&nbsp; &ldquo;I&rsquo;ll have
+to call there in any case.&rdquo;</p>
+<p>He wondered whether he had managed to keep his voice steady,
+its tone unconcerned enough; for his emotion was strong though it
+had nothing to do with the business aspect of this
+suggestion.&nbsp; He moved in the room in vague preparation for
+departure, when he heard a soft laugh.&nbsp; He spun about
+quickly with a frown, but the Editor was not laughing at
+him.&nbsp; He was chuckling across the big desk at the wall: a
+preliminary of some speech for which Renouard, recalled to
+himself, waited silent and mistrustful.</p>
+<p>&ldquo;No!&nbsp; You would never guess!&nbsp; No one would
+ever guess what these people are after.&nbsp; Willie&rsquo;s eyes
+bulged out when he came to me with the tale.&rdquo;</p>
+<p>&ldquo;They always do,&rdquo; remarked Renouard with
+disgust.&nbsp; &ldquo;He&rsquo;s stupid.&rdquo;</p>
+<p>&ldquo;He was startled.&nbsp; And so was I after he told
+me.&nbsp; It&rsquo;s a search party.&nbsp; They are out looking
+for a man.&nbsp; Willie&rsquo;s soft heart&rsquo;s enlisted in
+the cause.&rdquo;</p>
+<p>Renouard repeated: &ldquo;Looking for a man.&rdquo;</p>
+<p>He sat down suddenly as if on purpose to stare.&nbsp;
+&ldquo;Did Willie come to you to borrow the lantern,&rdquo; he
+asked sarcastically, and got up again for no apparent reason.</p>
+<p>&ldquo;What lantern?&rdquo; snapped the puzzled Editor, and
+his face darkened with suspicion.&nbsp; &ldquo;You, Renouard, are
+always alluding to things that aren&rsquo;t clear to me.&nbsp; If
+you were in politics, I, as a party journalist, wouldn&rsquo;t
+trust you further than I could see you.&nbsp; Not an inch
+further.&nbsp; You are such a sophisticated beggar.&nbsp; Listen:
+the man is the man Miss Moorsom was engaged to for a year.&nbsp;
+He couldn&rsquo;t have been a nobody, anyhow.&nbsp; But he
+doesn&rsquo;t seem to have been very wise.&nbsp; Hard luck for
+the young lady.&rdquo;</p>
+<p>He spoke with feeling.&nbsp; It was clear that what he had to
+tell appealed to his sentiment.&nbsp; Yet, as an experienced man
+of the world, he marked his amused wonder.&nbsp; Young man of
+good family and connections, going everywhere, yet not merely a
+man about town, but with a foot in the two big F&rsquo;s.</p>
+<p>Renouard lounging aimlessly in the room turned round:
+&ldquo;And what the devil&rsquo;s that?&rdquo; he asked
+faintly.</p>
+<p>&ldquo;Why Fashion and Finance,&rdquo; explained the
+Editor.&nbsp; &ldquo;That&rsquo;s how I call it.&nbsp; There are
+the three R&rsquo;s at the bottom of the social edifice and the
+two F&rsquo;s on the top.&nbsp; See?&rdquo;</p>
+<p>&ldquo;Ha! Ha!&nbsp; Excellent!&nbsp; Ha! Ha!&rdquo; Renouard
+laughed with stony eyes.</p>
+<p>&ldquo;And you proceed from one set to the other in this
+democratic age,&rdquo; the Editor went on with unperturbed
+complacency.&nbsp; &ldquo;That is if you are clever enough.&nbsp;
+The only danger is in being too clever.&nbsp; And I think
+something of the sort happened here.&nbsp; That swell I am
+speaking of got himself into a mess.&nbsp; Apparently a very ugly
+mess of a financial character.&nbsp; You will understand that
+Willie did not go into details with me.&nbsp; They were not
+imparted to him with very great abundance either.&nbsp; But a bad
+mess&mdash;something of the criminal order.&nbsp; Of course he
+was innocent.&nbsp; But he had to quit all the same.&rdquo;</p>
+<p>&ldquo;Ha! Ha!&rdquo; Renouard laughed again abruptly, staring
+as before.&nbsp; &ldquo;So there&rsquo;s one more big F in the
+tale.&rdquo;</p>
+<p>&ldquo;What do you mean?&rdquo; inquired the Editor quickly,
+with an air as if his patent were being infringed.</p>
+<p>&ldquo;I mean&mdash;Fool.&rdquo;</p>
+<p>&ldquo;No.&nbsp; I wouldn&rsquo;t say that.&nbsp; I
+wouldn&rsquo;t say that.&rdquo;</p>
+<p>&ldquo;Well&mdash;let him be a scoundrel then.&nbsp; What the
+devil do I care.&rdquo;</p>
+<p>&ldquo;But hold on!&nbsp; You haven&rsquo;t heard the end of
+the story.&rdquo;</p>
+<p>Renouard, his hat on his head already, sat down with the
+disdainful smile of a man who had discounted the moral of the
+story.&nbsp; Still he sat down and the Editor swung his revolving
+chair right round.&nbsp; He was full of unction.</p>
+<p>&ldquo;Imprudent, I should say.&nbsp; In many ways money is as
+dangerous to handle as gunpowder.&nbsp; You can&rsquo;t be too
+careful either as to who you are working with.&nbsp; Anyhow there
+was a mighty flashy burst up, a sensation, and&mdash;his familiar
+haunts knew him no more.&nbsp; But before he vanished he went to
+see Miss Moorsom.&nbsp; That very fact argues for his
+innocence&mdash;don&rsquo;t it?&nbsp; What was said between them
+no man knows&mdash;unless the professor had the confidence from
+his daughter.&nbsp; There couldn&rsquo;t have been much to
+say.&nbsp; There was nothing for it but to let him go&mdash;was
+there?&mdash;for the affair had got into the papers.&nbsp; And
+perhaps the kindest thing would have been to forget him.&nbsp;
+Anyway the easiest.&nbsp; Forgiveness would have been more
+difficult, I fancy, for a young lady of spirit and position drawn
+into an ugly affair like that.&nbsp; Any ordinary young lady, I
+mean.&nbsp; Well, the fellow asked nothing better than to be
+forgotten, only he didn&rsquo;t find it easy to do so himself,
+because he would write home now and then.&nbsp; Not to any of his
+friends though.&nbsp; He had no near relations.&nbsp; The
+professor had been his guardian.&nbsp; No, the poor devil wrote
+now and then to an old retired butler of his late father,
+somewhere in the country, forbidding him at the same time to let
+any one know of his whereabouts.&nbsp; So that worthy old ass
+would go up and dodge about the Moorsom&rsquo;s town house,
+perhaps waylay Miss Moorsom&rsquo;s maid, and then would write to
+&lsquo;Master Arthur&rsquo; that the young lady looked well and
+happy, or some such cheerful intelligence.&nbsp; I dare say he
+wanted to be forgotten, but I shouldn&rsquo;t think he was much
+cheered by the news.&nbsp; What would you say?&rdquo;</p>
+<p>Renouard, his legs stretched out and his chin on his breast,
+said nothing.&nbsp; A sensation which was not curiosity, but
+rather a vague nervous anxiety, distinctly unpleasant, like a
+mysterious symptom of some malady, prevented him from getting up
+and going away.</p>
+<p>&ldquo;Mixed feelings,&rdquo; the Editor opined.&nbsp;
+&ldquo;Many fellows out here receive news from home with mixed
+feelings.&nbsp; But what will his feelings be when he hears what
+I am going to tell you now?&nbsp; For we know he has not heard
+yet.&nbsp; Six months ago a city clerk, just a common drudge of
+finance, gets himself convicted of a common embezzlement or
+something of that kind.&nbsp; Then seeing he&rsquo;s in for a
+long sentence he thinks of making his conscience comfortable, and
+makes a clean breast of an old story of tampered with, or else
+suppressed, documents, a story which clears altogether the
+honesty of our ruined gentleman.&nbsp; That embezzling fellow was
+in a position to know, having been employed by the firm before
+the smash.&nbsp; There was no doubt about the character being
+cleared&mdash;but where the cleared man was nobody could
+tell.&nbsp; Another sensation in society.&nbsp; And then Miss
+Moorsom says: &lsquo;He will come back to claim me, and
+I&rsquo;ll marry him.&rsquo;&nbsp; But he didn&rsquo;t come
+back.&nbsp; Between you and me I don&rsquo;t think he was much
+wanted&mdash;except by Miss Moorsom.&nbsp; I imagine she&rsquo;s
+used to have her own way.&nbsp; She grew impatient, and declared
+that if she knew where the man was she would go to him.&nbsp; But
+all that could be got out of the old butler was that the last
+envelope bore the postmark of our beautiful city; and that this
+was the only address of &lsquo;Master Arthur&rsquo; that he ever
+had.&nbsp; That and no more.&nbsp; In fact the fellow was at his
+last gasp&mdash;with a bad heart.&nbsp; Miss Moorsom wasn&rsquo;t
+allowed to see him.&nbsp; She had gone herself into the country
+to learn what she could, but she had to stay downstairs while the
+old chap&rsquo;s wife went up to the invalid.&nbsp; She brought
+down the scrap of intelligence I&rsquo;ve told you of.&nbsp; He
+was already too far gone to be cross-examined on it, and that
+very night he died.&nbsp; He didn&rsquo;t leave behind him much
+to go by, did he?&nbsp; Our Willie hinted to me that there had
+been pretty stormy days in the professor&rsquo;s house,
+but&mdash;here they are.&nbsp; I have a notion she isn&rsquo;t
+the kind of everyday young lady who may be permitted to gallop
+about the world all by herself&mdash;eh?&nbsp; Well, I think it
+rather fine of her, but I quite understand that the professor
+needed all his philosophy under the circumstances.&nbsp; She is
+his only child now&mdash;and brilliant&mdash;what?&nbsp; Willie
+positively spluttered trying to describe her to me; and I could
+see directly you came in that you had an uncommon
+experience.&rdquo;</p>
+<p>Renouard, with an irritated gesture, tilted his hat more
+forward on his eyes, as though he were bored.&nbsp; The Editor
+went on with the remark that to be sure neither he (Renouard) nor
+yet Willie were much used to meet girls of that remarkable
+superiority.&nbsp; Willie when learning business with a firm in
+London, years before, had seen none but boarding-house society,
+he guessed.&nbsp; As to himself in the good old days, when he
+trod the glorious flags of Fleet Street, he neither had access
+to, nor yet would have cared for the swells.&nbsp; Nothing
+interested him then but parliamentary politics and the oratory of
+the House of Commons.</p>
+<p>He paid to this not very distant past the tribute of a tender,
+reminiscent smile, and returned to his first idea that for a
+society girl her action was rather fine.&nbsp; All the same the
+professor could not be very pleased.&nbsp; The fellow if he was
+as pure as a lily now was just about as devoid of the goods of
+the earth.&nbsp; And there were misfortunes, however undeserved,
+which damaged a man&rsquo;s standing permanently.&nbsp; On the
+other hand, it was difficult to oppose cynically a noble
+impulse&mdash;not to speak of the great love at the root of
+it.&nbsp; Ah!&nbsp; Love!&nbsp; And then the lady was quite
+capable of going off by herself.&nbsp; She was of age, she had
+money of her own, plenty of pluck too.&nbsp; Moorsom must have
+concluded that it was more truly paternal, more prudent too, and
+generally safer all round to let himself be dragged into this
+chase.&nbsp; The aunt came along for the same reasons.&nbsp; It
+was given out at home as a trip round the world of the usual
+kind.</p>
+<p>Renouard had risen and remained standing with his heart
+beating, and strangely affected by this tale, robbed as it was of
+all glamour by the prosaic personality of the narrator.&nbsp; The
+Editor added: &ldquo;I&rsquo;ve been asked to help in the
+search&mdash;you know.&rdquo;</p>
+<p>Renouard muttered something about an appointment and went out
+into the street.&nbsp; His inborn sanity could not defend him
+from a misty creeping jealousy.&nbsp; He thought that obviously
+no man of that sort could be worthy of such a woman&rsquo;s
+devoted fidelity.&nbsp; Renouard, however, had lived long enough
+to reflect that a man&rsquo;s activities, his views, and even his
+ideas may be very inferior to his character; and moved by a
+delicate consideration for that splendid girl he tried to think
+out for the man a character of inward excellence and outward
+gifts&mdash;some extraordinary seduction.&nbsp; But in
+vain.&nbsp; Fresh from months of solitude and from days at sea,
+her splendour presented itself to him absolutely unconquerable in
+its perfection, unless by her own folly.&nbsp; It was easier to
+suspect her of this than to imagine in the man qualities which
+would be worthy of her.&nbsp; Easier and less degrading.&nbsp;
+Because folly may be generous&mdash;could be nothing else but
+generosity in her; whereas to imagine her subjugated by something
+common was intolerable.</p>
+<p>Because of the force of the physical impression he had
+received from her personality (and such impressions are the real
+origins of the deepest movements of our soul) this conception of
+her was even inconceivable.&nbsp; But no Prince Charming has ever
+lived out of a fairy tale.&nbsp; He doesn&rsquo;t walk the worlds
+of Fashion and Finance&mdash;and with a stumbling gait at
+that.&nbsp; Generosity.&nbsp; Yes.&nbsp; It was her
+generosity.&nbsp; But this generosity was altogether regal in its
+splendour, almost absurd in its lavishness&mdash;or, perhaps,
+divine.</p>
+<p>In the evening, on board his schooner, sitting on the rail,
+his arms folded on his breast and his eyes fixed on the deck, he
+let the darkness catch him unawares in the midst of a meditation
+on the mechanism of sentiment and the springs of passion.&nbsp;
+And all the time he had an abiding consciousness of her bodily
+presence.&nbsp; The effect on his senses had been so penetrating
+that in the middle of the night, rousing up suddenly, wide-eyed
+in the darkness of his cabin, he did not create a faint mental
+vision of her person for himself, but, more intimately affected,
+he scented distinctly the faint perfume she used, and could
+almost have sworn that he had been awakened by the soft rustle of
+her dress.&nbsp; He even sat up listening in the dark for a time,
+then sighed and lay down again, not agitated but, on the
+contrary, oppressed by the sensation of something that had
+happened to him and could not be undone.</p>
+<h3>CHAPTER III</h3>
+<p>In the afternoon he lounged into the editorial office,
+carrying with affected nonchalance that weight of the
+irremediable he had felt laid on him suddenly in the small hours
+of the night&mdash;that consciousness of something that could no
+longer be helped.&nbsp; His patronising friend informed him at
+once that he had made the acquaintance of the Moorsom party last
+night.&nbsp; At the Dunsters, of course.&nbsp; Dinner.</p>
+<p>&ldquo;Very quiet.&nbsp; Nobody there.&nbsp; It was much
+better for the business.&nbsp; I say . . .&rdquo;</p>
+<p>Renouard, his hand grasping the back of a chair, stared down
+at him dumbly.</p>
+<p>&ldquo;Phew!&nbsp; That&rsquo;s a stunning girl. . . Why do
+you want to sit on that chair?&nbsp; It&rsquo;s
+uncomfortable!&rdquo;</p>
+<p>&ldquo;I wasn&rsquo;t going to sit on it.&rdquo;&nbsp;
+Renouard walked slowly to the window, glad to find in himself
+enough self-control to let go the chair instead of raising it on
+high and bringing it down on the Editor&rsquo;s head.</p>
+<p>&ldquo;Willie kept on gazing at her with tears in his boiled
+eyes.&nbsp; You should have seen him bending sentimentally over
+her at dinner.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t,&rdquo; said Renouard in such an anguished
+tone that the Editor turned right round to look at his back.</p>
+<p>&ldquo;You push your dislike of young Dunster too far.&nbsp;
+It&rsquo;s positively morbid,&rdquo; he disapproved mildly.&nbsp;
+&ldquo;We can&rsquo;t be all beautiful after thirty. . . . I
+talked a little, about you mostly, to the professor.&nbsp; He
+appeared to be interested in the silk plant&mdash;if only as a
+change from the great subject.&nbsp; Miss Moorsom didn&rsquo;t
+seem to mind when I confessed to her that I had taken you into
+the confidence of the thing.&nbsp; Our Willie approved too.&nbsp;
+Old Dunster with his white beard seemed to give me his
+blessing.&nbsp; All those people have a great opinion of you,
+simply because I told them that you&rsquo;ve led every sort of
+life one can think of before you got struck on exploration.&nbsp;
+They want you to make suggestions.&nbsp; What do you think
+&lsquo;Master Arthur&rsquo; is likely to have taken
+to?&rdquo;</p>
+<p>&ldquo;Something easy,&rdquo; muttered Renouard without
+unclenching his teeth.</p>
+<p>&ldquo;Hunting man.&nbsp; Athlete.&nbsp; Don&rsquo;t be hard
+on the chap.&nbsp; He may be riding boundaries, or droving
+cattle, or humping his swag about the back-blocks away to the
+devil&mdash;somewhere.&nbsp; He may be even prospecting at the
+back of beyond&mdash;this very moment.&rdquo;</p>
+<p>&ldquo;Or lying dead drunk in a roadside pub.&nbsp; It&rsquo;s
+late enough in the day for that.&rdquo;</p>
+<p>The Editor looked up instinctively.&nbsp; The clock was
+pointing at a quarter to five.&nbsp; &ldquo;Yes, it is,&rdquo; he
+admitted.&nbsp; &ldquo;But it needn&rsquo;t be.&nbsp; And he may
+have lit out into the Western Pacific all of a sudden&mdash;say
+in a trading schooner.&nbsp; Though I really don&rsquo;t see in
+what capacity.&nbsp; Still . . . &rdquo;</p>
+<p>&ldquo;Or he may be passing at this very moment under this
+very window.&rdquo;</p>
+<p>&ldquo;Not he . . . and I wish you would get away from it to
+where one can see your face.&nbsp; I hate talking to a
+man&rsquo;s back.&nbsp; You stand there like a hermit on a
+sea-shore growling to yourself.&nbsp; I tell you what it is,
+Geoffrey, you don&rsquo;t like mankind.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t make my living by talking about
+mankind&rsquo;s affairs,&rdquo; Renouard defended himself.&nbsp;
+But he came away obediently and sat down in the arm-chair.&nbsp;
+&ldquo;How can you be so certain that your man isn&rsquo;t down
+there in the street?&rdquo; he asked.&nbsp; &ldquo;It&rsquo;s
+neither more nor less probable than every single one of your
+other suppositions.&rdquo;</p>
+<p>Placated by Renouard&rsquo;s docility the Editor gazed at him
+for a while.&nbsp; &ldquo;Aha!&nbsp; I&rsquo;ll tell you
+how.&nbsp; Learn then that we have begun the campaign.&nbsp; We
+have telegraphed his description to the police of every township
+up and down the land.&nbsp; And what&rsquo;s more we&rsquo;ve
+ascertained definitely that he hasn&rsquo;t been in this town for
+the last three months at least.&nbsp; How much longer he&rsquo;s
+been away we can&rsquo;t tell.&rdquo;</p>
+<p>&ldquo;That&rsquo;s very curious.&rdquo;</p>
+<p>&ldquo;It&rsquo;s very simple.&nbsp; Miss Moorsom wrote to
+him, to the post office here directly she returned to London
+after her excursion into the country to see the old butler.&nbsp;
+Well&mdash;her letter is still lying there.&nbsp; It has not been
+called for.&nbsp; Ergo, this town is not his usual abode.&nbsp;
+Personally, I never thought it was.&nbsp; But he cannot fail to
+turn up some time or other.&nbsp; Our main hope lies just in the
+certitude that he must come to town sooner or later.&nbsp;
+Remember he doesn&rsquo;t know that the butler is dead, and he
+will want to inquire for a letter.&nbsp; Well, he&rsquo;ll find a
+note from Miss Moorsom.&rdquo;</p>
+<p>Renouard, silent, thought that it was likely enough.&nbsp; His
+profound distaste for this conversation was betrayed by an air of
+weariness darkening his energetic sun-tanned features, and by the
+augmented dreaminess of his eyes.&nbsp; The Editor noted it as a
+further proof of that immoral detachment from mankind, of that
+callousness of sentiment fostered by the unhealthy conditions of
+solitude&mdash;according to his own favourite theory.&nbsp; Aloud
+he observed that as long as a man had not given up correspondence
+he could not be looked upon as lost.&nbsp; Fugitive criminals had
+been tracked in that way by justice, he reminded his friend; then
+suddenly changed the bearing of the subject somewhat by asking if
+Renouard had heard from his people lately, and if every member of
+his large tribe was well and happy.</p>
+<p>&ldquo;Yes, thanks.&rdquo;</p>
+<p>The tone was curt, as if repelling a liberty.&nbsp; Renouard
+did not like being asked about his people, for whom he had a
+profound and remorseful affection.&nbsp; He had not seen a single
+human being to whom he was related, for many years, and he was
+extremely different from them all.</p>
+<p>On the very morning of his arrival from his island he had gone
+to a set of pigeon-holes in Willie Dunster&rsquo;s outer office
+and had taken out from a compartment labelled
+&ldquo;Malata&rdquo; a very small accumulation of envelopes, a
+few addressed to himself, and one addressed to his assistant, all
+to the care of the firm, W. Dunster and Co.&nbsp; As opportunity
+offered, the firm used to send them on to Malata either by a
+man-of-war schooner going on a cruise, or by some trading craft
+proceeding that way.&nbsp; But for the last four months there had
+been no opportunity.</p>
+<p>&ldquo;You going to stay here some time?&rdquo; asked the
+Editor, after a longish silence.</p>
+<p>Renouard, perfunctorily, did see no reason why he should make
+a long stay.</p>
+<p>&ldquo;For health, for your mental health, my boy,&rdquo;
+rejoined the newspaper man.&nbsp; &ldquo;To get used to human
+faces so that they don&rsquo;t hit you in the eye so hard when
+you walk about the streets.&nbsp; To get friendly with your
+kind.&nbsp; I suppose that assistant of yours can be trusted to
+look after things?&rdquo;</p>
+<p>&ldquo;There&rsquo;s the half-caste too.&nbsp; The
+Portuguese.&nbsp; He knows what&rsquo;s to be done.&rdquo;</p>
+<p>&ldquo;Aha!&rdquo;&nbsp; The Editor looked sharply at his
+friend.&nbsp; &ldquo;What&rsquo;s his name?&rdquo;</p>
+<p>&ldquo;Who&rsquo;s name?&rdquo;</p>
+<p>&ldquo;The assistant&rsquo;s you picked up on the sly behind
+my back.&rdquo;</p>
+<p>Renouard made a slight movement of impatience.</p>
+<p>&ldquo;I met him unexpectedly one evening.&nbsp; I thought he
+would do as well as another.&nbsp; He had come from up country
+and didn&rsquo;t seem happy in a town.&nbsp; He told me his name
+was Walter.&nbsp; I did not ask him for proofs, you
+know.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t think you get on very well with
+him.&rdquo;</p>
+<p>&ldquo;Why?&nbsp; What makes you think so.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know.&nbsp; Something reluctant in your
+manner when he&rsquo;s in question.&rdquo;</p>
+<p>&ldquo;Really.&nbsp; My manner!&nbsp; I don&rsquo;t think
+he&rsquo;s a great subject for conversation, perhaps.&nbsp; Why
+not drop him?&rdquo;</p>
+<p>&ldquo;Of course!&nbsp; You wouldn&rsquo;t confess to a
+mistake.&nbsp; Not you.&nbsp; Nevertheless I have my suspicions
+about it.&rdquo;</p>
+<p>Renouard got up to go, but hesitated, looking down at the
+seated Editor.</p>
+<p>&ldquo;How funny,&rdquo; he said at last with the utmost
+seriousness, and was making for the door, when the voice of his
+friend stopped him.</p>
+<p>&ldquo;You know what has been said of you?&nbsp; That you
+couldn&rsquo;t get on with anybody you couldn&rsquo;t kick.&nbsp;
+Now, confess&mdash;is there any truth in the soft
+impeachment?&rdquo;</p>
+<p>&ldquo;No,&rdquo; said Renouard.&nbsp; &ldquo;Did you print
+that in your paper.&rdquo;</p>
+<p>&ldquo;No.&nbsp; I didn&rsquo;t quite believe it.&nbsp; But I
+will tell you what I believe.&nbsp; I believe that when your
+heart is set on some object you are a man that doesn&rsquo;t
+count the cost to yourself or others.&nbsp; And this shall get
+printed some day.&rdquo;</p>
+<p>&ldquo;Obituary notice?&rdquo; Renouard dropped
+negligently.</p>
+<p>&ldquo;Certain&mdash;some day.&rdquo;</p>
+<p>&ldquo;Do you then regard yourself as immortal?&rdquo;</p>
+<p>&ldquo;No, my boy.&nbsp; I am not immortal.&nbsp; But the
+voice of the press goes on for ever. . . . And it will say that
+this was the secret of your great success in a task where better
+men than you&mdash;meaning no offence&mdash;did fail
+repeatedly.&rdquo;</p>
+<p>&ldquo;Success,&rdquo; muttered Renouard, pulling-to the
+office door after him with considerable energy.&nbsp; And the
+letters of the word PRIVATE like a row of white eyes seemed to
+stare after his back sinking down the staircase of that temple of
+publicity.</p>
+<p>Renouard had no doubt that all the means of publicity would be
+put at the service of love and used for the discovery of the
+loved man.&nbsp; He did not wish him dead.&nbsp; He did not wish
+him any harm.&nbsp; We are all equipped with a fund of humanity
+which is not exhausted without many and repeated
+provocations&mdash;and this man had done him no evil.&nbsp; But
+before Renouard had left old Dunster&rsquo;s house, at the
+conclusion of the call he made there that very afternoon, he had
+discovered in himself the desire that the search might last
+long.&nbsp; He never really flattered himself that it might
+fail.&nbsp; It seemed to him that there was no other course in
+this world for himself, for all mankind, but resignation.&nbsp;
+And he could not help thinking that Professor Moorsom had arrived
+at the same conclusion too.</p>
+<p>Professor Moorsom, slight frame of middle height, a thoughtful
+keen head under the thick wavy hair, veiled dark eyes under
+straight eyebrows, and with an inward gaze which when disengaged
+and arriving at one seemed to issue from an obscure dream of
+books, from the limbo of meditation, showed himself extremely
+gracious to him.&nbsp; Renouard guessed in him a man whom an
+incurable habit of investigation and analysis had made gentle and
+indulgent; inapt for action, and more sensitive to the thoughts
+than to the events of existence.&nbsp; Withal not crushed,
+sub-ironic without a trace of acidity, and with a simple manner
+which put people at ease quickly.&nbsp; They had a long
+conversation on the terrace commanding an extended view of the
+town and the harbour.</p>
+<p>The splendid immobility of the bay resting under his gaze,
+with its grey spurs and shining indentations, helped Renouard to
+regain his self-possession, which he had felt shaken, in coming
+out on the terrace, into the setting of the most powerful emotion
+of his life, when he had sat within a foot of Miss Moorsom with
+fire in his breast, a humming in his ears, and in a complete
+disorder of his mind.&nbsp; There was the very garden seat on
+which he had been enveloped in the radiant spell.&nbsp; And
+presently he was sitting on it again with the professor talking
+of her.&nbsp; Near by the patriarchal Dunster leaned forward in a
+wicker arm-chair, benign and a little deaf, his big hand to his
+ear with the innocent eagerness of his advanced age remembering
+the fires of life.</p>
+<p>It was with a sort of apprehension that Renouard looked
+forward to seeing Miss Moorsom.&nbsp; And strangely enough it
+resembled the state of mind of a man who fears disenchantment
+more than sortilege.&nbsp; But he need not have been
+afraid.&nbsp; Directly he saw her in a distance at the other end
+of the terrace he shuddered to the roots of his hair.&nbsp; With
+her approach the power of speech left him for a time.&nbsp; Mrs.
+Dunster and her aunt were accompanying her.&nbsp; All these
+people sat down; it was an intimate circle into which Renouard
+felt himself cordially admitted; and the talk was of the great
+search which occupied all their minds.&nbsp; Discretion was
+expected by these people, but of reticence as to the object of
+the journey there could be no question.&nbsp; Nothing but ways
+and means and arrangements could be talked about.</p>
+<p>By fixing his eyes obstinately on the ground, which gave him
+an air of reflective sadness, Renouard managed to recover his
+self-possession.&nbsp; He used it to keep his voice in a low key
+and to measure his words on the great subject.&nbsp; And he took
+care with a great inward effort to make them reasonable without
+giving them a discouraging complexion.&nbsp; For he did not want
+the quest to be given up, since it would mean her going away with
+her two attendant grey-heads to the other side of the world.</p>
+<p>He was asked to come again, to come often and take part in the
+counsels of all these people captivated by the sentimental
+enterprise of a declared love.&nbsp; On taking Miss
+Moorsom&rsquo;s hand he looked up, would have liked to say
+something, but found himself voiceless, with his lips suddenly
+sealed.&nbsp; She returned the pressure of his fingers, and he
+left her with her eyes vaguely staring beyond him, an air of
+listening for an expected sound, and the faintest possible smile
+on her lips.&nbsp; A smile not for him, evidently, but the
+reflection of some deep and inscrutable thought.</p>
+<h3>CHAPTER IV</h3>
+<p>He went on board his schooner.&nbsp; She lay white, and as if
+suspended, in the crepuscular atmosphere of sunset mingling with
+the ashy gleam of the vast anchorage.&nbsp; He tried to keep his
+thoughts as sober, as reasonable, as measured as his words had
+been, lest they should get away from him and cause some sort of
+moral disaster.&nbsp; What he was afraid of in the coming night
+was sleeplessness and the endless strain of that wearisome
+task.&nbsp; It had to be faced however.&nbsp; He lay on his back,
+sighing profoundly in the dark, and suddenly beheld his very own
+self, carrying a small bizarre lamp, reflected in a long mirror
+inside a room in an empty and unfurnished palace.&nbsp; In this
+startling image of himself he recognised somebody he had to
+follow&mdash;the frightened guide of his dream.&nbsp; He
+traversed endless galleries, no end of lofty halls, innumerable
+doors.&nbsp; He lost himself utterly&mdash;he found his way
+again.&nbsp; Room succeeded room.&nbsp; At last the lamp went
+out, and he stumbled against some object which, when he stooped
+for it, he found to be very cold and heavy to lift.&nbsp; The
+sickly white light of dawn showed him the head of a statue.&nbsp;
+Its marble hair was done in the bold lines of a helmet, on its
+lips the chisel had left a faint smile, and it resembled Miss
+Moorsom.&nbsp; While he was staring at it fixedly, the head began
+to grow light in his fingers, to diminish and crumble to pieces,
+and at last turned into a handful of dust, which was blown away
+by a puff of wind so chilly that he woke up with a desperate
+shiver and leaped headlong out of his bed-place.&nbsp; The day
+had really come.&nbsp; He sat down by the cabin table, and taking
+his head between his hands, did not stir for a very long
+time.</p>
+<p>Very quiet, he set himself to review this dream.&nbsp; The
+lamp, of course, he connected with the search for a man.&nbsp;
+But on closer examination he perceived that the reflection of
+himself in the mirror was not really the true Renouard, but
+somebody else whose face he could not remember.&nbsp; In the
+deserted palace he recognised a sinister adaptation by his brain
+of the long corridors with many doors, in the great building in
+which his friend&rsquo;s newspaper was lodged on the first
+floor.&nbsp; The marble head with Miss Moorsom&rsquo;s
+face!&nbsp; Well!&nbsp; What other face could he have dreamed
+of?&nbsp; And her complexion was fairer than Parian marble, than
+the heads of angels.&nbsp; The wind at the end was the morning
+breeze entering through the open porthole and touching his face
+before the schooner could swing to the chilly gust.</p>
+<p>Yes!&nbsp; And all this rational explanation of the fantastic
+made it only more mysterious and weird.&nbsp; There was something
+daemonic in that dream.&nbsp; It was one of those experiences
+which throw a man out of conformity with the established order of
+his kind and make him a creature of obscure suggestions.</p>
+<p>Henceforth, without ever trying to resist, he went every
+afternoon to the house where she lived.&nbsp; He went there as
+passively as if in a dream.&nbsp; He could never make out how he
+had attained the footing of intimacy in the Dunster mansion above
+the bay&mdash;whether on the ground of personal merit or as the
+pioneer of the vegetable silk industry.&nbsp; It must have been
+the last, because he remembered distinctly, as distinctly as in a
+dream, hearing old Dunster once telling him that his next public
+task would be a careful survey of the Northern Districts to
+discover tracts suitable for the cultivation of the silk
+plant.&nbsp; The old man wagged his beard at him sagely.&nbsp; It
+was indeed as absurd as a dream.</p>
+<p>Willie of course would be there in the evening.&nbsp; But he
+was more of a figure out of a nightmare, hovering about the
+circle of chairs in his dress-clothes like a gigantic, repulsive,
+and sentimental bat.&nbsp; &ldquo;Do away with the beastly
+cocoons all over the world,&rdquo; he buzzed in his blurred,
+water-logged voice.&nbsp; He affected a great horror of insects
+of all kinds.&nbsp; One evening he appeared with a red flower in
+his button-hole.&nbsp; Nothing could have been more disgustingly
+fantastic.&nbsp; And he would also say to Renouard: &ldquo;You
+may yet change the history of our country.&nbsp; For economic
+conditions do shape the history of nations.&nbsp; Eh?&nbsp;
+What?&rdquo;&nbsp; And he would turn to Miss Moorsom for
+approval, lowering protectingly his spatulous nose and looking up
+with feeling from under his absurd eyebrows, which grew thin, in
+the manner of canebrakes, out of his spongy skin.&nbsp; For this
+large, bilious creature was an economist and a sentimentalist,
+facile to tears, and a member of the Cobden Club.</p>
+<p>In order to see as little of him as possible Renouard began
+coming earlier so as to get away before his arrival, without
+curtailing too much the hours of secret contemplation for which
+he lived.&nbsp; He had given up trying to deceive himself.&nbsp;
+His resignation was without bounds.&nbsp; He accepted the immense
+misfortune of being in love with a woman who was in search of
+another man only to throw herself into his arms.&nbsp; With such
+desperate precision he defined in his thoughts the situation, the
+consciousness of which traversed like a sharp arrow the sudden
+silences of general conversation.&nbsp; The only thought before
+which he quailed was the thought that this could not last; that
+it must come to an end.&nbsp; He feared it instinctively as a
+sick man may fear death.&nbsp; For it seemed to him that it must
+be the death of him followed by a lightless, bottomless
+pit.&nbsp; But his resignation was not spared the torments of
+jealousy: the cruel, insensate, poignant, and imbecile jealousy,
+when it seems that a woman betrays us simply by this that she
+exists, that she breathes&mdash;and when the deep movements of
+her nerves or her soul become a matter of distracting suspicion,
+of killing doubt, of mortal anxiety.</p>
+<p>In the peculiar condition of their sojourn Miss Moorsom went
+out very little.&nbsp; She accepted this seclusion at the
+Dunsters&rsquo; mansion as in a hermitage, and lived there,
+watched over by a group of old people, with the lofty endurance
+of a condescending and strong-headed goddess.&nbsp; It was
+impossible to say if she suffered from anything in the world, and
+whether this was the insensibility of a great passion
+concentrated on itself, or a perfect restraint of manner, or the
+indifference of superiority so complete as to be sufficient to
+itself.&nbsp; But it was visible to Renouard that she took some
+pleasure in talking to him at times.&nbsp; Was it because he was
+the only person near her age?&nbsp; Was this, then, the secret of
+his admission to the circle?</p>
+<p>He admired her voice as well poised as her movements, as her
+attitudes.&nbsp; He himself had always been a man of tranquil
+tones.&nbsp; But the power of fascination had torn him out of his
+very nature so completely that to preserve his habitual calmness
+from going to pieces had become a terrible effort.</p>
+<p>He used to go from her on board the schooner exhausted,
+broken, shaken up, as though he had been put to the most
+exquisite torture.&nbsp; When he saw her approaching he always
+had a moment of hallucination.&nbsp; She was a misty and fair
+creature, fitted for invisible music, for the shadows of love,
+for the murmurs of waters.&nbsp; After a time (he could not be
+always staring at the ground) he would summon up all his
+resolution and look at her.&nbsp; There was a sparkle in the
+clear obscurity of her eyes; and when she turned them on him they
+seemed to give a new meaning to life.&nbsp; He would say to
+himself that another man would have found long before the happy
+release of madness, his wits burnt to cinders in that
+radiance.&nbsp; But no such luck for him.&nbsp; His wits had come
+unscathed through the furnaces of hot suns, of blazing deserts,
+of flaming angers against the weaknesses of men and the obstinate
+cruelties of hostile nature.</p>
+<p>Being sane he had to be constantly on his guard against
+falling into adoring silences or breaking out into wild
+speeches.&nbsp; He had to keep watch on his eyes, his limbs, on
+the muscles of his face.&nbsp; Their conversations were such as
+they could be between these two people: she a young lady fresh
+from the thick twilight of four million people and the
+artificiality of several London seasons; he the man of definite
+conquering tasks, the familiar of wide horizons, and in his very
+repose holding aloof from these agglomerations of units in which
+one loses one&rsquo;s importance even to oneself.&nbsp; They had
+no common conversational small change.&nbsp; They had to use the
+great pieces of general ideas, but they exchanged them
+trivially.&nbsp; It was no serious commerce.&nbsp; Perhaps she
+had not much of that coin.&nbsp; Nothing significant came from
+her.&nbsp; It could not be said that she had received from the
+contacts of the external world impressions of a personal kind,
+different from other women.&nbsp; What was ravishing in her was
+her quietness and, in her grave attitudes, the unfailing
+brilliance of her femininity.&nbsp; He did not know what there
+was under that ivory forehead so splendidly shaped, so gloriously
+crowned.&nbsp; He could not tell what were her thoughts, her
+feelings.&nbsp; Her replies were reflective, always preceded by a
+short silence, while he hung on her lips anxiously.&nbsp; He felt
+himself in the presence of a mysterious being in whom spoke an
+unknown voice, like the voice of oracles, bringing everlasting
+unrest to the heart.</p>
+<p>He was thankful enough to sit in silence with secretly
+clenched teeth, devoured by jealousy&mdash;and nobody could have
+guessed that his quiet deferential bearing to all these
+grey-heads was the supreme effort of stoicism, that the man was
+engaged in keeping a sinister watch on his tortures lest his
+strength should fail him.&nbsp; As before, when grappling with
+other forces of nature, he could find in himself all sorts of
+courage except the courage to run away.</p>
+<p>It was perhaps from the lack of subjects they could have in
+common that Miss Moorsom made him so often speak of his own
+life.&nbsp; He did not shrink from talking about himself, for he
+was free from that exacerbated, timid vanity which seals so many
+vain-glorious lips.&nbsp; He talked to her in his restrained
+voice, gazing at the tip of her shoe, and thinking that the time
+was bound to come soon when her very inattention would get weary
+of him.&nbsp; And indeed on stealing a glance he would see her
+dazzling and perfect, her eyes vague, staring in mournful
+immobility, with a drooping head that made him think of a tragic
+Venus arising before him, not from the foam of the sea, but from
+a distant, still more formless, mysterious, and potent immensity
+of mankind.</p>
+<h3>CHAPTER V</h3>
+<p>One afternoon Renouard stepping out on the terrace found
+nobody there.&nbsp; It was for him, at the same time, a
+melancholy disappointment and a poignant relief.</p>
+<p>The heat was great, the air was still, all the long windows of
+the house stood wide open.&nbsp; At the further end, grouped
+round a lady&rsquo;s work-table, several chairs disposed sociably
+suggested invisible occupants, a company of conversing
+shades.&nbsp; Renouard looked towards them with a sort of
+dread.&nbsp; A most elusive, faint sound of ghostly talk issuing
+from one of the rooms added to the illusion and stopped his
+already hesitating footsteps.&nbsp; He leaned over the balustrade
+of stone near a squat vase holding a tropical plant of a bizarre
+shape.&nbsp; Professor Moorsom coming up from the garden with a
+book under his arm and a white parasol held over his bare head,
+found him there and, closing the parasol, leaned over by his side
+with a remark on the increasing heat of the season.&nbsp;
+Renouard assented and changed his position a little; the other,
+after a short silence, administered unexpectedly a question
+which, like the blow of a club on the head, deprived Renouard of
+the power of speech and even thought, but, more cruel, left him
+quivering with apprehension, not of death but of everlasting
+torment.&nbsp; Yet the words were extremely simple.</p>
+<p>&ldquo;Something will have to be done soon.&nbsp; We
+can&rsquo;t remain in a state of suspended expectation for
+ever.&nbsp; Tell me what do you think of our chances?&rdquo;</p>
+<p>Renouard, speechless, produced a faint smile.&nbsp; The
+professor confessed in a jocular tone his impatience to complete
+the circuit of the globe and be done with it.&nbsp; It was
+impossible to remain quartered on the dear excellent Dunsters for
+an indefinite time.&nbsp; And then there were the lectures he had
+arranged to deliver in Paris.&nbsp; A serious matter.</p>
+<p>That lectures by Professor Moorsom were a European event and
+that brilliant audiences would gather to hear them Renouard did
+not know.&nbsp; All he was aware of was the shock of this hint of
+departure.&nbsp; The menace of separation fell on his head like a
+thunderbolt.&nbsp; And he saw the absurdity of his emotion, for
+hadn&rsquo;t he lived all these days under the very cloud?&nbsp;
+The professor, his elbows spread out, looked down into the garden
+and went on unburdening his mind.&nbsp; Yes.&nbsp; The department
+of sentiment was directed by his daughter, and she had plenty of
+volunteered moral support; but he had to look after the practical
+side of life without assistance.</p>
+<p>&ldquo;I have the less hesitation in speaking to you about my
+anxiety, because I feel you are friendly to us and at the same
+time you are detached from all these sublimities&mdash;confound
+them.&rdquo;</p>
+<p>&ldquo;What do you mean?&rdquo; murmured Renouard.</p>
+<p>&ldquo;I mean that you are capable of calm judgment.&nbsp;
+Here the atmosphere is simply detestable.&nbsp; Everybody has
+knuckled under to sentiment.&nbsp; Perhaps your deliberate
+opinion could influence . . .&rdquo;</p>
+<p>&ldquo;You want Miss Moorsom to give it up?&rdquo;&nbsp; The
+professor turned to the young man dismally.</p>
+<p>&ldquo;Heaven only knows what I want.&rdquo;</p>
+<p>Renouard leaning his back against the balustrade folded his
+arms on his breast, appeared to meditate profoundly.&nbsp; His
+face, shaded softly by the broad brim of a planter&rsquo;s Panama
+hat, with the straight line of the nose level with the forehead,
+the eyes lost in the depth of the setting, and the chin well
+forward, had such a profile as may be seen amongst the bronzes of
+classical museums, pure under a crested helmet&mdash;recalled
+vaguely a Minerva&rsquo;s head.</p>
+<p>&ldquo;This is the most troublesome time I ever had in my
+life,&rdquo; exclaimed the professor testily.</p>
+<p>&ldquo;Surely the man must be worth it,&rdquo; muttered
+Renouard with a pang of jealousy traversing his breast like a
+self-inflicted stab.</p>
+<p>Whether enervated by the heat or giving way to pent up
+irritation the professor surrendered himself to the mood of
+sincerity.</p>
+<p>&ldquo;He began by being a pleasantly dull boy.&nbsp; He
+developed into a pointlessly clever young man, without, I
+suspect, ever trying to understand anything.&nbsp; My daughter
+knew him from childhood.&nbsp; I am a busy man, and I confess
+that their engagement was a complete surprise to me.&nbsp; I wish
+their reasons for that step had been more na&iuml;ve.&nbsp; But
+simplicity was out of fashion in their set.&nbsp; From a worldly
+point of view he seems to have been a mere baby.&nbsp; Of course,
+now, I am assured that he is the victim of his noble confidence
+in the rectitude of his kind.&nbsp; But that&rsquo;s mere
+idealising of a sad reality.&nbsp; For my part I will tell you
+that from the very beginning I had the gravest doubts of his
+dishonesty.&nbsp; Unfortunately my clever daughter
+hadn&rsquo;t.&nbsp; And now we behold the reaction.&nbsp;
+No.&nbsp; To be earnestly dishonest one must be really
+poor.&nbsp; This was only a manifestation of his extremely
+refined cleverness.&nbsp; The complicated simpleton.&nbsp; He had
+an awful awakening though.&rdquo;</p>
+<p>In such words did Professor Moorsom give his &ldquo;young
+friend&rdquo; to understand the state of his feelings toward the
+lost man.&nbsp; It was evident that the father of Miss Moorsom
+wished him to remain lost.&nbsp; Perhaps the unprecedented heat
+of the season made him long for the cool spaces of the Pacific,
+the sweep of the ocean&rsquo;s free wind along the promenade
+decks, cumbered with long chairs, of a ship steaming towards the
+Californian coast.&nbsp; To Renouard the philosopher appeared
+simply the most treacherous of fathers.&nbsp; He was
+amazed.&nbsp; But he was not at the end of his discoveries.</p>
+<p>&ldquo;He may be dead,&rdquo; the professor murmured.</p>
+<p>&ldquo;Why?&nbsp; People don&rsquo;t die here sooner than in
+Europe.&nbsp; If he had gone to hide in Italy, for instance, you
+wouldn&rsquo;t think of saying that.&rdquo;</p>
+<p>&ldquo;Well!&nbsp; And suppose he has become morally
+disintegrated.&nbsp; You know he was not a strong
+personality,&rdquo; the professor suggested moodily.&nbsp;
+&ldquo;My daughter&rsquo;s future is in question here.&rdquo;</p>
+<p>Renouard thought that the love of such a woman was enough to
+pull any broken man together&mdash;to drag a man out of his
+grave.&nbsp; And he thought this with inward despair, which kept
+him silent as much almost as his astonishment.&nbsp; At last he
+managed to stammer out a generous&mdash;</p>
+<p>&ldquo;Oh!&nbsp; Don&rsquo;t let us even suppose. .
+.&rdquo;</p>
+<p>The professor struck in with a sadder accent than
+before&mdash;</p>
+<p>&ldquo;It&rsquo;s good to be young.&nbsp; And then you have
+been a man of action, and necessarily a believer in
+success.&nbsp; But I have been looking too long at life not to
+distrust its surprises.&nbsp; Age!&nbsp; Age!&nbsp; Here I stand
+before you a man full of doubts and hesitation&mdash;<i>spe
+lentus</i>, <i>timidus futuri</i>.&rdquo;</p>
+<p>He made a sign to Renouard not to interrupt, and in a lowered
+voice, as if afraid of being overheard, even there, in the
+solitude of the terrace&mdash;</p>
+<p>&ldquo;And the worst is that I am not even sure how far this
+sentimental pilgrimage is genuine.&nbsp; Yes.&nbsp; I doubt my
+own child.&nbsp; It&rsquo;s true that she&rsquo;s a woman. . . .
+&rdquo;</p>
+<p>Renouard detected with horror a tone of resentment, as if the
+professor had never forgiven his daughter for not dying instead
+of his son.&nbsp; The latter noticed the young man&rsquo;s stony
+stare.</p>
+<p>&ldquo;Ah! you don&rsquo;t understand.&nbsp; Yes, she&rsquo;s
+clever, open-minded, popular, and&mdash;well, charming.&nbsp; But
+you don&rsquo;t know what it is to have moved, breathed, existed,
+and even triumphed in the mere smother and froth of
+life&mdash;the brilliant froth.&nbsp; There thoughts, sentiments,
+opinions, feelings, actions too, are nothing but agitation in
+empty space&mdash;to amuse life&mdash;a sort of superior
+debauchery, exciting and fatiguing, meaning nothing, leading
+nowhere.&nbsp; She is the creature of that circle.&nbsp; And I
+ask myself if she is obeying the uneasiness of an instinct
+seeking its satisfaction, or is it a revulsion of feeling, or is
+she merely deceiving her own heart by this dangerous trifling
+with romantic images.&nbsp; And everything is
+possible&mdash;except sincerity, such as only stark, struggling
+humanity can know.&nbsp; No woman can stand that mode of life in
+which women rule, and remain a perfectly genuine, simple human
+being.&nbsp; Ah!&nbsp; There&rsquo;s some people coming
+out.&rdquo;</p>
+<p>He moved off a pace, then turning his head: &ldquo;Upon my
+word!&nbsp; I would be infinitely obliged to you if you could
+throw a little cold water. . . &rdquo; and at a vaguely dismayed
+gesture of Renouard, he added: &ldquo;Don&rsquo;t be
+afraid.&nbsp; You wouldn&rsquo;t be putting out a sacred
+fire.&rdquo;</p>
+<p>Renouard could hardly find words for a protest: &ldquo;I
+assure you that I never talk with Miss
+Moorsom&mdash;on&mdash;on&mdash;that.&nbsp; And if you, her
+father . . . &rdquo;</p>
+<p>&ldquo;I envy you your innocence,&rdquo; sighed the
+professor.&nbsp; &ldquo;A father is only an everyday
+person.&nbsp; Flat.&nbsp; Stale.&nbsp; Moreover, my child would
+naturally mistrust me.&nbsp; We belong to the same set.&nbsp;
+Whereas you carry with you the prestige of the unknown.&nbsp; You
+have proved yourself to be a force.&rdquo;</p>
+<p>Thereupon the professor followed by Renouard joined the circle
+of all the inmates of the house assembled at the other end of the
+terrace about a tea-table; three white heads and that resplendent
+vision of woman&rsquo;s glory, the sight of which had the power
+to flutter his heart like a reminder of the mortality of his
+frame.</p>
+<p>He avoided the seat by the side of Miss Moorsom.&nbsp; The
+others were talking together languidly.&nbsp; Unnoticed he looked
+at that woman so marvellous that centuries seemed to lie between
+them.&nbsp; He was oppressed and overcome at the thought of what
+she could give to some man who really would be a force!&nbsp;
+What a glorious struggle with this amazon.&nbsp; What noble
+burden for the victorious strength.</p>
+<p>Dear old Mrs. Dunster was dispensing tea, looking from time to
+time with interest towards Miss Moorsom.&nbsp; The aged statesman
+having eaten a raw tomato and drunk a glass of milk (a habit of
+his early farming days, long before politics, when, pioneer of
+wheat-growing, he demonstrated the possibility of raising crops
+on ground looking barren enough to discourage a magician),
+smoothed his white beard, and struck lightly Renouard&rsquo;s
+knee with his big wrinkled hand.</p>
+<p>&ldquo;You had better come back to-night and dine with us
+quietly.&rdquo;</p>
+<p>He liked this young man, a pioneer, too, in more than one
+direction.&nbsp; Mrs. Dunster added: &ldquo;Do.&nbsp; It will be
+very quiet.&nbsp; I don&rsquo;t even know if Willie will be home
+for dinner.&rdquo;&nbsp; Renouard murmured his thanks, and left
+the terrace to go on board the schooner.&nbsp; While lingering in
+the drawing-room doorway he heard the resonant voice of old
+Dunster uttering oracularly&mdash;</p>
+<p>&ldquo;. . . the leading man here some day. . . . Like
+me.&rdquo;</p>
+<p>Renouard let the thin summer porti&egrave;re of the doorway
+fall behind him.&nbsp; The voice of Professor Moorsom
+said&mdash;</p>
+<p>&ldquo;I am told that he has made an enemy of almost every man
+who had to work with him.&rdquo;</p>
+<p>&ldquo;That&rsquo;s nothing.&nbsp; He did his work. . . . Like
+me.&rdquo;</p>
+<p>&ldquo;He never counted the cost they say.&nbsp; Not even of
+lives.&rdquo;</p>
+<p>Renouard understood that they were talking of him.&nbsp;
+Before he could move away, Mrs. Dunster struck in
+placidly&mdash;</p>
+<p>&ldquo;Don&rsquo;t let yourself be shocked by the tales you
+may hear of him, my dear.&nbsp; Most of it is envy.&rdquo;</p>
+<p>Then he heard Miss Moorsom&rsquo;s voice replying to the old
+lady&mdash;</p>
+<p>&ldquo;Oh!&nbsp; I am not easily deceived.&nbsp; I think I may
+say I have an instinct for truth.&rdquo;</p>
+<p>He hastened away from that house with his heart full of
+dread.</p>
+<h3>CHAPTER VI</h3>
+<p>On board the schooner, lying on the settee on his back with
+the knuckles of his hands pressed over his eyes, he made up his
+mind that he would not return to that house for dinner&mdash;that
+he would never go back there any more.&nbsp; He made up his mind
+some twenty times.&nbsp; The knowledge that he had only to go up
+on the quarter deck, utter quietly the words: &ldquo;Man the
+windlass,&rdquo; and that the schooner springing into life would
+run a hundred miles out to sea before sunrise, deceived his
+struggling will.&nbsp; Nothing easier!&nbsp; Yet, in the end,
+this young man, almost ill-famed for his ruthless daring, the
+inflexible leader of two tragically successful expeditions,
+shrank from that act of savage energy, and began, instead, to
+hunt for excuses.</p>
+<p>No!&nbsp; It was not for him to run away like an incurable who
+cuts his throat.&nbsp; He finished dressing and looked at his own
+impassive face in the saloon mirror scornfully.&nbsp; While being
+pulled on shore in the gig, he remembered suddenly the wild
+beauty of a waterfall seen when hardly more than a boy, years
+ago, in Menado.&nbsp; There was a legend of a governor-general of
+the Dutch East Indies, on official tour, committing suicide on
+that spot by leaping into the chasm.&nbsp; It was supposed that a
+painful disease had made him weary of life.&nbsp; But was there
+ever a visitation like his own, at the same time binding one to
+life and so cruelly mortal!</p>
+<p>The dinner was indeed quiet.&nbsp; Willie, given half an
+hour&rsquo;s grace, failed to turn up, and his chair remained
+vacant by the side of Miss Moorsom.&nbsp; Renouard had the
+professor&rsquo;s sister on his left, dressed in an expensive
+gown becoming her age.&nbsp; That maiden lady in her wonderful
+preservation reminded Renouard somehow of a wax flower under
+glass.&nbsp; There were no traces of the dust of life&rsquo;s
+battles on her anywhere.&nbsp; She did not like him very much in
+the afternoons, in his white drill suit and planter&rsquo;s hat,
+which seemed to her an unduly Bohemian costume for calling in a
+house where there were ladies.&nbsp; But in the evening, lithe
+and elegant in his dress clothes and with his pleasant, slightly
+veiled voice, he always made her conquest afresh.&nbsp; He might
+have been anybody distinguished&mdash;the son of a duke.&nbsp;
+Falling under that charm probably (and also because her brother
+had given her a hint), she attempted to open her heart to
+Renouard, who was watching with all the power of his soul her
+niece across the table.&nbsp; She spoke to him as frankly as
+though that miserable mortal envelope, emptied of everything but
+hopeless passion, were indeed the son of a duke.</p>
+<p>Inattentive, he heard her only in snatches, till the final
+confidential burst: &ldquo;. . . glad if you would express an
+opinion.&nbsp; Look at her, so charming, such a great favourite,
+so generally admired!&nbsp; It would be too sad.&nbsp; We all
+hoped she would make a brilliant marriage with somebody very rich
+and of high position, have a house in London and in the country,
+and entertain us all splendidly.&nbsp; She&rsquo;s so eminently
+fitted for it.&nbsp; She has such hosts of distinguished
+friends!&nbsp; And then&mdash;this instead! . . . My heart really
+aches.&rdquo;</p>
+<p>Her well-bred if anxious whisper was covered by the voice of
+professor Moorsom discoursing subtly down the short length of the
+dinner table on the Impermanency of the Measurable to his
+venerable disciple.&nbsp; It might have been a chapter in a new
+and popular book of Moorsomian philosophy.&nbsp; Patriarchal and
+delighted, old Dunster leaned forward a little, his eyes shining
+youthfully, two spots of colour at the roots of his white beard;
+and Renouard, glancing at the senile excitement, recalled the
+words heard on those subtle lips, adopted their scorn for his
+own, saw their truth before this man ready to be amused by the
+side of the grave.&nbsp; Yes!&nbsp; Intellectual debauchery in
+the froth of existence!&nbsp; Froth and fraud!</p>
+<p>On the same side of the table Miss Moorsom never once looked
+towards her father, all her grace as if frozen, her red lips
+compressed, the faintest rosiness under her dazzling complexion,
+her black eyes burning motionless, and the very coppery gleams of
+light lying still on the waves and undulation of her hair.&nbsp;
+Renouard fancied himself overturning the table, smashing crystal
+and china, treading fruit and flowers under foot, seizing her in
+his arms, carrying her off in a tumult of shrieks from all these
+people, a silent frightened mortal, into some profound retreat as
+in the age of Cavern men.&nbsp; Suddenly everybody got up, and he
+hastened to rise too, finding himself out of breath and quite
+unsteady on his feet.</p>
+<p>On the terrace the philosopher, after lighting a cigar,
+slipped his hand condescendingly under his &ldquo;dear young
+friend&rsquo;s&rdquo; arm.&nbsp; Renouard regarded him now with
+the profoundest mistrust.&nbsp; But the great man seemed really
+to have a liking for his young friend&mdash;one of those
+mysterious sympathies, disregarding the differences of age and
+position, which in this case might have been explained by the
+failure of philosophy to meet a very real worry of a practical
+kind.</p>
+<p>After a turn or two and some casual talk the professor said
+suddenly: &ldquo;My late son was in your school&mdash;do you
+know?&nbsp; I can imagine that had he lived and you had ever met
+you would have understood each other.&nbsp; He too was inclined
+to action.&rdquo;</p>
+<p>He sighed, then, shaking off the mournful thought and with a
+nod at the dusky part of the terrace where the dress of his
+daughter made a luminous stain: &ldquo;I really wish you would
+drop in that quarter a few sensible, discouraging
+words.&rdquo;</p>
+<p>Renouard disengaged himself from that most perfidious of men
+under the pretence of astonishment, and stepping back a
+pace&mdash;</p>
+<p>&ldquo;Surely you are making fun of me, Professor
+Moorsom,&rdquo; he said with a low laugh, which was really a
+sound of rage.</p>
+<p>&ldquo;My dear young friend!&nbsp; It&rsquo;s no subject for
+jokes, to me. . . You don&rsquo;t seem to have any notion of your
+prestige,&rdquo; he added, walking away towards the chairs.</p>
+<p>&ldquo;Humbug!&rdquo; thought Renouard, standing still and
+looking after him.&nbsp; &ldquo;And yet!&nbsp; And yet!&nbsp;
+What if it were true?&rdquo;</p>
+<p>He advanced then towards Miss Moorsom.&nbsp; Posed on the seat
+on which they had first spoken to each other, it was her turn to
+watch him coming on.&nbsp; But many of the windows were not
+lighted that evening.&nbsp; It was dark over there.&nbsp; She
+appeared to him luminous in her clear dress, a figure without
+shape, a face without features, awaiting his approach, till he
+got quite near to her, sat down, and they had exchanged a few
+insignificant words.&nbsp; Gradually she came out like a magic
+painting of charm, fascination, and desire, glowing mysteriously
+on the dark background.&nbsp; Something imperceptible in the
+lines of her attitude, in the modulations of her voice, seemed to
+soften that suggestion of calm unconscious pride which enveloped
+her always like a mantle.&nbsp; He, sensitive like a bond slave
+to the moods of the master, was moved by the subtle relenting of
+her grace to an infinite tenderness.&nbsp; He fought down the
+impulse to seize her by the hand, lead her down into the garden
+away under the big trees, and throw himself at her feet uttering
+words of love.&nbsp; His emotion was so strong that he had to
+cough slightly, and not knowing what to talk to her about he
+began to tell her of his mother and sisters.&nbsp; All the family
+were coming to London to live there, for some little time at
+least.</p>
+<p>&ldquo;I hope you will go and tell them something of me.&nbsp;
+Something seen,&rdquo; he said pressingly.</p>
+<p>By this miserable subterfuge, like a man about to part with
+his life, he hoped to make her remember him a little longer.</p>
+<p>&ldquo;Certainly,&rdquo; she said.&nbsp; &ldquo;I&rsquo;ll be
+glad to call when I get back.&nbsp; But that &lsquo;when&rsquo;
+may be a long time.&rdquo;</p>
+<p>He heard a light sigh.&nbsp; A cruel jealous curiosity made
+him ask&mdash;</p>
+<p>&ldquo;Are you growing weary, Miss Moorsom?&rdquo;</p>
+<p>A silence fell on his low spoken question.</p>
+<p>&ldquo;Do you mean heart-weary?&rdquo; sounded Miss
+Moorsom&rsquo;s voice.&nbsp; &ldquo;You don&rsquo;t know me, I
+see.&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; Never despair,&rdquo; he muttered.</p>
+<p>&ldquo;This, Mr. Renouard, is a work of reparation.&nbsp; I
+stand for truth here.&nbsp; I can&rsquo;t think of
+myself.&rdquo;</p>
+<p>He could have taken her by the throat for every word seemed an
+insult to his passion; but he only said&mdash;</p>
+<p>&ldquo;I never doubted the&mdash;the&mdash;nobility of your
+purpose.&rdquo;</p>
+<p>&ldquo;And to hear the word weariness pronounced in this
+connection surprises me.&nbsp; And from a man too who, I
+understand, has never counted the cost.&rdquo;</p>
+<p>&ldquo;You are pleased to tease me,&rdquo; he said, directly
+he had recovered his voice and had mastered his anger.&nbsp; It
+was as if Professor Moorsom had dropped poison in his ear which
+was spreading now and tainting his passion, his very
+jealousy.&nbsp; He mistrusted every word that came from those
+lips on which his life hung.&nbsp; &ldquo;How can you know
+anything of men who do not count the cost?&rdquo; he asked in his
+gentlest tones.</p>
+<p>&ldquo;From hearsay&mdash;a little.&rdquo;</p>
+<p>&ldquo;Well, I assure you they are like the others, subject to
+suffering, victims of spells. . . .&rdquo;</p>
+<p>&ldquo;One of them, at least, speaks very
+strangely.&rdquo;</p>
+<p>She dismissed the subject after a short silence.&nbsp;
+&ldquo;Mr. Renouard, I had a disappointment this morning.&nbsp;
+This mail brought me a letter from the widow of the old
+butler&mdash;you know.&nbsp; I expected to learn that she had
+heard from&mdash;from here.&nbsp; But no.&nbsp; No letter arrived
+home since we left.&rdquo;</p>
+<p>Her voice was calm.&nbsp; His jealousy couldn&rsquo;t stand
+much more of this sort of talk; but he was glad that nothing had
+turned up to help the search; glad blindly,
+unreasonably&mdash;only because it would keep her longer in his
+sight&mdash;since she wouldn&rsquo;t give up.</p>
+<p>&ldquo;I am too near her,&rdquo; he thought, moving a little
+further on the seat.&nbsp; He was afraid in the revulsion of
+feeling of flinging himself on her hands, which were lying on her
+lap, and covering them with kisses.&nbsp; He was afraid.&nbsp;
+Nothing, nothing could shake that spell&mdash;not if she were
+ever so false, stupid, or degraded.&nbsp; She was fate
+itself.&nbsp; The extent of his misfortune plunged him in such a
+stupor that he failed at first to hear the sound of voices and
+footsteps inside the drawing-room.&nbsp; Willie had come
+home&mdash;and the Editor was with him.</p>
+<p>They burst out on the terrace babbling noisily, and then
+pulling themselves together stood still, surprising&mdash;and as
+if themselves surprised.</p>
+<h3>CHAPTER VII</h3>
+<p>They had been feasting a poet from the bush, the latest
+discovery of the Editor.&nbsp; Such discoveries were the
+business, the vocation, the pride and delight of the only apostle
+of letters in the hemisphere, the solitary patron of culture, the
+Slave of the Lamp&mdash;as he subscribed himself at the bottom of
+the weekly literary page of his paper.&nbsp; He had had no
+difficulty in persuading the virtuous Willie (who had festive
+instincts) to help in the good work, and now they had left the
+poet lying asleep on the hearthrug of the editorial room and had
+rushed to the Dunster mansion wildly.&nbsp; The Editor had
+another discovery to announce.&nbsp; Swaying a little where he
+stood he opened his mouth very wide to shout the one word
+&ldquo;Found!&rdquo;&nbsp; Behind him Willie flung both his hands
+above his head and let them fall dramatically.&nbsp; Renouard saw
+the four white-headed people at the end of the terrace rise all
+together from their chairs with an effect of sudden panic.</p>
+<p>&ldquo;I tell you&mdash;he&mdash;is&mdash;found,&rdquo; the
+patron of letters shouted emphatically.</p>
+<p>&ldquo;What is this!&rdquo; exclaimed Renouard in a choked
+voice.&nbsp; Miss Moorsom seized his wrist suddenly, and at that
+contact fire ran through all his veins, a hot stillness descended
+upon him in which he heard the blood&mdash;or the
+fire&mdash;beating in his ears.&nbsp; He made a movement as if to
+rise, but was restrained by the convulsive pressure on his
+wrist.</p>
+<p>&ldquo;No, no.&rdquo;&nbsp; Miss Moorsom&rsquo;s eyes stared
+black as night, searching the space before her.&nbsp; Far away
+the Editor strutted forward, Willie following with his
+ostentatious manner of carrying his bulky and oppressive carcass
+which, however, did not remain exactly perpendicular for two
+seconds together.</p>
+<p>&ldquo;The innocent Arthur . . . Yes.&nbsp; We&rsquo;ve got
+him,&rdquo; the Editor became very business-like.&nbsp;
+&ldquo;Yes, this letter has done it.&rdquo;</p>
+<p>He plunged into an inside pocket for it, slapped the scrap of
+paper with his open palm.&nbsp; &ldquo;From that old woman.&nbsp;
+William had it in his pocket since this morning when Miss Moorsom
+gave it to him to show me.&nbsp; Forgot all about it till an hour
+ago.&nbsp; Thought it was of no importance.&nbsp; Well, no!&nbsp;
+Not till it was properly read.&rdquo;</p>
+<p>Renouard and Miss Moorsom emerged from the shadows side by
+side, a well-matched couple, animated yet statuesque in their
+calmness and in their pallor.&nbsp; She had let go his
+wrist.&nbsp; On catching sight of Renouard the Editor
+exclaimed:</p>
+<p>&ldquo;What&mdash;you here!&rdquo; in a quite shrill
+voice.</p>
+<p>There came a dead pause.&nbsp; All the faces had in them
+something dismayed and cruel.</p>
+<p>&ldquo;He&rsquo;s the very man we want,&rdquo; continued the
+Editor.&nbsp; &ldquo;Excuse my excitement.&nbsp; You are the very
+man, Renouard.&nbsp; Didn&rsquo;t you tell me that your assistant
+called himself Walter?&nbsp; Yes?&nbsp; Thought so.&nbsp; But
+here&rsquo;s that old woman&mdash;the butler&rsquo;s
+wife&mdash;listen to this.&nbsp; She writes: All I can tell you,
+Miss, is that my poor husband directed his letters to the name of
+H. Walter.&rdquo;</p>
+<p>Renouard&rsquo;s violent but repressed exclamation was lost in
+a general murmur and shuffle of feet.&nbsp; The Editor made a
+step forward, bowed with creditable steadiness.</p>
+<p>&ldquo;Miss Moorsom, allow me to congratulate you from the
+bottom of my heart on the happy&mdash;er&mdash;issue. . .
+&rdquo;</p>
+<p>&ldquo;Wait,&rdquo; muttered Renouard irresolutely.</p>
+<p>The Editor jumped on him in the manner of their old
+friendship.&nbsp; &ldquo;Ah, you!&nbsp; You are a fine fellow
+too.&nbsp; With your solitary ways of life you will end by having
+no more discrimination than a savage.&nbsp; Fancy living with a
+gentleman for months and never guessing.&nbsp; A man, I am
+certain, accomplished, remarkable, out of the common, since he
+had been distinguished&rdquo; (he bowed again) &ldquo;by Miss
+Moorsom, whom we all admire.&rdquo;</p>
+<p>She turned her back on him.</p>
+<p>&ldquo;I hope to goodness you haven&rsquo;t been leading him a
+dog&rsquo;s life, Geoffrey,&rdquo; the Editor addressed his
+friend in a whispered aside.</p>
+<p>Renouard seized a chair violently, sat down, and propping his
+elbow on his knee leaned his head on his hand.&nbsp; Behind him
+the sister of the professor looked up to heaven and wrung her
+hands stealthily.&nbsp; Mrs. Dunster&rsquo;s hands were clasped
+forcibly under her chin, but she, dear soul, was looking
+sorrowfully at Willie.&nbsp; The model nephew!&nbsp; In this
+strange state!&nbsp; So very much flushed!&nbsp; The careful
+disposition of the thin hairs across Willie&rsquo;s bald spot was
+deplorably disarranged, and the spot itself was red and, as it
+were, steaming.</p>
+<p>&ldquo;What&rsquo;s the matter, Geoffrey?&rdquo;&nbsp; The
+Editor seemed disconcerted by the silent attitudes round him, as
+though he had expected all these people to shout and dance.&nbsp;
+&ldquo;You have him on the island&mdash;haven&rsquo;t
+you?&rdquo;</p>
+<p>&ldquo;Oh, yes: I have him there,&rdquo; said Renouard,
+without looking up.</p>
+<p>&ldquo;Well, then!&rdquo;&nbsp; The Editor looked helplessly
+around as if begging for response of some sort.&nbsp; But the
+only response that came was very unexpected.&nbsp; Annoyed at
+being left in the background, and also because very little drink
+made him nasty, the emotional Willie turned malignant all at
+once, and in a bibulous tone surprising in a man able to keep his
+balance so well&mdash;</p>
+<p>&ldquo;Aha!&nbsp; But you haven&rsquo;t got him here&mdash;not
+yet!&rdquo; he sneered.&nbsp; &ldquo;No!&nbsp; You haven&rsquo;t
+got him yet.&rdquo;</p>
+<p>This outrageous exhibition was to the Editor like the lash to
+a jaded horse.&nbsp; He positively jumped.</p>
+<p>&ldquo;What of that?&nbsp; What do you mean?&nbsp;
+We&mdash;haven&rsquo;t&mdash;got&mdash;him&mdash;here.&nbsp; Of
+course he isn&rsquo;t here!&nbsp; But Geoffrey&rsquo;s schooner
+is here.&nbsp; She can be sent at once to fetch him here.&nbsp;
+No!&nbsp; Stay!&nbsp; There&rsquo;s a better plan.&nbsp; Why
+shouldn&rsquo;t you all sail over to Malata, professor?&nbsp;
+Save time!&nbsp; I am sure Miss Moorsom would prefer. .
+.&rdquo;</p>
+<p>With a gallant flourish of his arm he looked for Miss
+Moorsom.&nbsp; She had disappeared.&nbsp; He was taken aback
+somewhat.</p>
+<p>&ldquo;Ah!&nbsp; H&rsquo;m.&nbsp; Yes. . . . Why not.&nbsp; A
+pleasure cruise, delightful ship, delightful season, delightful
+errand, del . . . No!&nbsp; There are no objections.&nbsp;
+Geoffrey, I understand, has indulged in a bungalow three sizes
+too large for him.&nbsp; He can put you all up.&nbsp; It will be
+a pleasure for him.&nbsp; It will be the greatest
+privilege.&nbsp; Any man would be proud of being an agent of this
+happy reunion.&nbsp; I am proud of the little part I&rsquo;ve
+played.&nbsp; He will consider it the greatest honour.&nbsp;
+Geoff, my boy, you had better be stirring to-morrow bright and
+early about the preparations for the trip.&nbsp; It would be
+criminal to lose a single day.&rdquo;</p>
+<p>He was as flushed as Willie, the excitement keeping up the
+effect of the festive dinner.&nbsp; For a time Renouard, silent,
+as if he had not heard a word of all that babble, did not
+stir.&nbsp; But when he got up it was to advance towards the
+Editor and give him such a hearty slap on the back that the plump
+little man reeled in his tracks and looked quite frightened for a
+moment.</p>
+<p>&ldquo;You are a heaven-born discoverer and a first-rate
+manager. . . He&rsquo;s right.&nbsp; It&rsquo;s the only
+way.&nbsp; You can&rsquo;t resist the claim of sentiment, and you
+must even risk the voyage to Malata. . . &rdquo; Renouard&rsquo;s
+voice sank.&nbsp; &ldquo;A lonely spot,&rdquo; he added, and fell
+into thought under all these eyes converging on him in the sudden
+silence.&nbsp; His slow glance passed over all the faces in
+succession, remaining arrested on Professor Moorsom, stony eyed,
+a smouldering cigar in his fingers, and with his sister standing
+by his side.</p>
+<p>&ldquo;I shall be infinitely gratified if you consent to
+come.&nbsp; But, of course, you will.&nbsp; We shall sail
+to-morrow evening then.&nbsp; And now let me leave you to your
+happiness.&rdquo;</p>
+<p>He bowed, very grave, pointed suddenly his finger at Willie
+who was swaying about with a sleepy frown. . . . &ldquo;Look at
+him.&nbsp; He&rsquo;s overcome with happiness.&nbsp; You had
+better put him to bed . . . &rdquo; and disappeared while every
+head on the terrace was turned to Willie with varied
+expressions.</p>
+<p>Renouard ran through the house.&nbsp; Avoiding the carriage
+road he fled down the steep short cut to the shore, where his gig
+was waiting.&nbsp; At his loud shout the sleeping Kanakas jumped
+up.&nbsp; He leaped in.&nbsp; &ldquo;Shove off.&nbsp; Give
+way!&rdquo; and the gig darted through the water.&nbsp;
+&ldquo;Give way!&nbsp; Give way!&rdquo;&nbsp; She flew past the
+wool-clippers sleeping at their anchors each with the open
+unwinking eye of the lamp in the rigging; she flew past the
+flagship of the Pacific squadron, a great mass all dark and
+silent, heavy with the slumbers of five hundred men, and where
+the invisible sentries heard his urgent &ldquo;Give way!&nbsp;
+Give way!&rdquo; in the night.&nbsp; The Kanakas, panting, rose
+off the thwarts at every stroke.&nbsp; Nothing could be fast
+enough for him!&nbsp; And he ran up the side of his schooner
+shaking the ladder noisily with his rush.</p>
+<p>On deck he stumbled and stood still.</p>
+<p>Wherefore this haste?&nbsp; To what end, since he knew well
+before he started that he had a pursuer from whom there was no
+escape.</p>
+<p>As his foot touched the deck his will, his purpose he had been
+hurrying to save, died out within.&nbsp; It had been nothing less
+than getting the schooner under-way, letting her vanish silently
+in the night from amongst these sleeping ships.&nbsp; And now he
+was certain he could not do it.&nbsp; It was impossible!&nbsp;
+And he reflected that whether he lived or died such an act would
+lay him under a dark suspicion from which he shrank.&nbsp; No,
+there was nothing to be done.</p>
+<p>He went down into the cabin and, before even unbuttoning his
+overcoat, took out of the drawer the letter addressed to his
+assistant; that letter which he had found in the pigeon-hole
+labelled &ldquo;Malata&rdquo; in young Dunster&rsquo;s outer
+office, where it had been waiting for three months some occasion
+for being forwarded.&nbsp; From the moment of dropping it in the
+drawer he had utterly forgotten its existence&mdash;till now,
+when the man&rsquo;s name had come out so clamorously.&nbsp; He
+glanced at the common envelope, noted the shaky and laborious
+handwriting: H. Walter, Esqre.&nbsp; Undoubtedly the very last
+letter the old butler had posted before his illness, and in
+answer clearly to one from &ldquo;Master Arthur&rdquo;
+instructing him to address in the future: &ldquo;Care of Messrs.
+W. Dunster and Co.&rdquo;&nbsp; Renouard made as if to open the
+envelope, but paused, and, instead, tore the letter deliberately
+in two, in four, in eight.&nbsp; With his hand full of pieces of
+paper he returned on deck and scattered them overboard on the
+dark water, in which they vanished instantly.</p>
+<p>He did it slowly, without hesitation or remorse.&nbsp; H.
+Walter, Esqre, in Malata.&nbsp; The innocent Arthur&mdash;What
+was his name?&nbsp; The man sought for by that woman who as she
+went by seemed to draw all the passion of the earth to her,
+without effort, not deigning to notice, naturally, as other women
+breathed the air.&nbsp; But Renouard was no longer jealous of her
+very existence.&nbsp; Whatever its meaning it was not for that
+man he had picked up casually on obscure impulse, to get rid of
+the tiresome expostulations of a so-called friend; a man of whom
+he really knew nothing&mdash;and now a dead man.&nbsp; In
+Malata.&nbsp; Oh, yes!&nbsp; He was there secure enough,
+untroubled in his grave.&nbsp; In Malata.&nbsp; To bury him was
+the last service Renouard had rendered to his assistant before
+leaving the island on this trip to town.</p>
+<p>Like many men ready enough for arduous enterprises Renouard
+was inclined to evade the small complications of existence.&nbsp;
+This trait of his character was composed of a little indolence,
+some disdain, and a shrinking from contests with certain forms of
+vulgarity&mdash;like a man who would face a lion and go out of
+his way to avoid a toad.&nbsp; His intercourse with the
+meddlesome journalist was that merely outward intimacy without
+sympathy some young men get drawn into easily.&nbsp; It had
+amused him rather to keep that &ldquo;friend&rdquo; in the dark
+about the fate of his assistant.&nbsp; Renouard had never needed
+other company than his own, for there was in him something of the
+sensitiveness of a dreamer who is easily jarred.&nbsp; He had
+said to himself that the all-knowing one would only preach again
+about the evils of solitude and worry his head off in favour of
+some forlornly useless prot&eacute;g&eacute; of his.&nbsp; Also
+the inquisitiveness of the Editor had irritated him and had
+closed his lips in sheer disgust.</p>
+<p>And now he contemplated the noose of consequences drawing
+tight around him.</p>
+<p>It was the memory of that diplomatic reticence which on the
+terrace had stiffled his first cry which would have told them all
+that the man sought for was not to be met on earth any
+more.&nbsp; He shrank from the absurdity of hearing the
+all-knowing one, and not very sober at that, turning on him with
+righteous reproaches&mdash;</p>
+<p>&ldquo;You never told me.&nbsp; You gave me to understand that
+your assistant was alive, and now you say he&rsquo;s dead.&nbsp;
+Which is it?&nbsp; Were you lying then or are you lying
+now?&rdquo;&nbsp; No! the thought of such a scene was not to be
+borne.&nbsp; He had sat down appalled, thinking: &ldquo;What
+shall I do now?&rdquo;</p>
+<p>His courage had oozed out of him.&nbsp; Speaking the truth
+meant the Moorsoms going away at once&mdash;while it seemed to
+him that he would give the last shred of his rectitude to secure
+a day more of her company.&nbsp; He sat on&mdash;silent.&nbsp;
+Slowly, from confused sensations, from his talk with the
+professor, the manner of the girl herself, the intoxicating
+familiarity of her sudden hand-clasp, there had come to him a
+half glimmer of hope.&nbsp; The other man was dead.&nbsp; Then! .
+. . Madness, of course&mdash;but he could not give it up.&nbsp;
+He had listened to that confounded busybody arranging
+everything&mdash;while all these people stood around assenting,
+under the spell of that dead romance.&nbsp; He had listened
+scornful and silent.&nbsp; The glimmers of hope, of opportunity,
+passed before his eyes.&nbsp; He had only to sit still and say
+nothing.&nbsp; That and no more.&nbsp; And what was truth to him
+in the face of that great passion which had flung him prostrate
+in spirit at her adored feet!</p>
+<p>And now it was done!&nbsp; Fatality had willed it!&nbsp; With
+the eyes of a mortal struck by the maddening thunderbolt of the
+gods, Renouard looked up to the sky, an immense black pall dusted
+over with gold, on which great shudders seemed to pass from the
+breath of life affirming its sway.</p>
+<h3>CHAPTER VIII</h3>
+<p>At last, one morning, in a clear spot of a glassy horizon
+charged with heraldic masses of black vapours, the island grew
+out from the sea, showing here and there its naked members of
+basaltic rock through the rents of heavy foliage.&nbsp; Later, in
+the great spilling of all the riches of sunset, Malata stood out
+green and rosy before turning into a violet shadow in the
+autumnal light of the expiring day.&nbsp; Then came the
+night.&nbsp; In the faint airs the schooner crept on past a
+sturdy squat headland, and it was pitch dark when her headsails
+ran down, she turned short on her heel, and her anchor bit into
+the sandy bottom on the edge of the outer reef; for it was too
+dangerous then to attempt entering the little bay full of
+shoals.&nbsp; After the last solemn flutter of the mainsail the
+murmuring voices of the Moorsom party lingered, very frail, in
+the black stillness.</p>
+<p>They were sitting aft, on chairs, and nobody made a
+move.&nbsp; Early in the day, when it had become evident that the
+wind was failing, Renouard, basing his advice on the shortcomings
+of his bachelor establishment, had urged on the ladies the
+advisability of not going ashore in the middle of the
+night.&nbsp; Now he approached them in a constrained manner (it
+was astonishing the constraint that had reigned between him and
+his guests all through the passage) and renewed his
+arguments.&nbsp; No one ashore would dream of his bringing any
+visitors with him.&nbsp; Nobody would even think of coming
+off.&nbsp; There was only one old canoe on the plantation.&nbsp;
+And landing in the schooner&rsquo;s boats would be awkward in the
+dark.&nbsp; There was the risk of getting aground on some shallow
+patches.&nbsp; It would be best to spend the rest of the night on
+board.</p>
+<p>There was really no opposition.&nbsp; The professor smoking a
+pipe, and very comfortable in an ulster buttoned over his
+tropical clothes, was the first to speak from his long chair.</p>
+<p>&ldquo;Most excellent advice.&rdquo;</p>
+<p>Next to him Miss Moorsom assented by a long silence.&nbsp;
+Then in a voice as of one coming out of a dream&mdash;</p>
+<p>&ldquo;And so this is Malata,&rdquo; she said.&nbsp; &ldquo;I
+have often wondered . . .&rdquo;</p>
+<p>A shiver passed through Renouard.&nbsp; She had
+wondered!&nbsp; What about?&nbsp; Malata was himself.&nbsp; He
+and Malata were one.&nbsp; And she had wondered!&nbsp; She had .
+. .</p>
+<p>The professor&rsquo;s sister leaned over towards
+Renouard.&nbsp; Through all these days at sea the
+man&rsquo;s&mdash;the found man&rsquo;s&mdash;existence had not
+been alluded to on board the schooner.&nbsp; That reticence was
+part of the general constraint lying upon them all.&nbsp; She,
+herself, certainly had not been exactly elated by this
+finding&mdash;poor Arthur, without money, without
+prospects.&nbsp; But she felt moved by the sentiment and romance
+of the situation.</p>
+<p>&ldquo;Isn&rsquo;t it wonderful,&rdquo; she whispered out of
+her white wrap, &ldquo;to think of poor Arthur sleeping there, so
+near to our dear lovely Felicia, and not knowing the immense joy
+in store for him to-morrow.&rdquo;</p>
+<p>There was such artificiality in the wax-flower lady that
+nothing in this speech touched Renouard.&nbsp; It was but the
+simple anxiety of his heart that he was voicing when he muttered
+gloomily&mdash;</p>
+<p>&ldquo;No one in the world knows what to-morrow may hold in
+store.&rdquo;</p>
+<p>The mature lady had a recoil as though he had said something
+impolite.&nbsp; What a harsh thing to say&mdash;instead of
+finding something nice and appropriate.&nbsp; On board, where she
+never saw him in evening clothes, Renouard&rsquo;s resemblance to
+a duke&rsquo;s son was not so apparent to her.&nbsp; Nothing but
+his&mdash;ah&mdash;bohemianism remained.&nbsp; She rose with a
+sort of ostentation.</p>
+<p>&ldquo;It&rsquo;s late&mdash;and since we are going to sleep
+on board to-night . . .&rdquo; she said.&nbsp; &ldquo;But it does
+seem so cruel.&rdquo;</p>
+<p>The professor started up eagerly, knocking the ashes out of
+his pipe.&nbsp; &ldquo;Infinitely more sensible, my dear
+Emma.&rdquo;</p>
+<p>Renouard waited behind Miss Moorsom&rsquo;s chair.</p>
+<p>She got up slowly, moved one step forward, and paused looking
+at the shore.&nbsp; The blackness of the island blotted out the
+stars with its vague mass like a low thundercloud brooding over
+the waters and ready to burst into flame and crashes.</p>
+<p>&ldquo;And so&mdash;this is Malata,&rdquo; she repeated
+dreamily, moving towards the cabin door.&nbsp; The clear cloak
+hanging from her shoulders, the ivory face&mdash;for the night
+had put out nothing of her but the gleams of her hair&mdash;made
+her resemble a shining dream-woman uttering words of wistful
+inquiry.&nbsp; She disappeared without a sign, leaving Renouard
+penetrated to the very marrow by the sounds that came from her
+body like a mysterious resonance of an exquisite instrument.</p>
+<p>He stood stock still.&nbsp; What was this accidental touch
+which had evoked the strange accent of her voice?&nbsp; He dared
+not answer that question.&nbsp; But he had to answer the question
+of what was to be done now.&nbsp; Had the moment of confession
+come?&nbsp; The thought was enough to make one&rsquo;s blood run
+cold.</p>
+<p>It was as if those people had a premonition of
+something.&nbsp; In the taciturn days of the passage he had
+noticed their reserve even amongst themselves.&nbsp; The
+professor smoked his pipe moodily in retired spots.&nbsp;
+Renouard had caught Miss Moorsom&rsquo;s eyes resting on himself
+more than once, with a peculiar and grave expression.&nbsp; He
+fancied that she avoided all opportunities of conversation.&nbsp;
+The maiden lady seemed to nurse a grievance.&nbsp; And now what
+had he to do?</p>
+<p>The lights on the deck had gone out one after the other.&nbsp;
+The schooner slept.</p>
+<p>About an hour after Miss Moorsom had gone below without a sign
+or a word for him, Renouard got out of his hammock slung in the
+waist under the midship awning&mdash;for he had given up all the
+accommodation below to his guests.&nbsp; He got out with a sudden
+swift movement, flung off his sleeping jacket, rolled his pyjamas
+up his thighs, and stole forward, unseen by the one Kanaka of the
+anchor-watch.&nbsp; His white torso, naked like a stripped
+athlete&rsquo;s, glimmered, ghostly, in the deep shadows of the
+deck.&nbsp; Unnoticed he got out of the ship over the
+knight-heads, ran along the back rope, and seizing the
+dolphin-striker firmly with both hands, lowered himself into the
+sea without a splash.</p>
+<p>He swam away, noiseless like a fish, and then struck boldly
+for the land, sustained, embraced, by the tepid water.&nbsp; The
+gentle, voluptuous heave of its breast swung him up and down
+slightly; sometimes a wavelet murmured in his ears; from time to
+time, lowering his feet, he felt for the bottom on a shallow
+patch to rest and correct his direction.&nbsp; He landed at the
+lower end of the bungalow garden, into the dead stillness of the
+island.&nbsp; There were no lights.&nbsp; The plantation seemed
+to sleep, as profoundly as the schooner.&nbsp; On the path a
+small shell cracked under his naked heel.</p>
+<p>The faithful half-caste foreman going his rounds cocked his
+ears at the sharp sound.&nbsp; He gave one enormous start of fear
+at the sight of the swift white figure flying at him out of the
+night.&nbsp; He crouched in terror, and then sprang up and
+clicked his tongue in amazed recognition.</p>
+<p>&ldquo;Tse!&nbsp; Tse!&nbsp; The master!&rdquo;</p>
+<p>&ldquo;Be quiet, Luiz, and listen to what I say.&rdquo;</p>
+<p>Yes, it was the master, the strong master who was never known
+to raise his voice, the man blindly obeyed and never
+questioned.&nbsp; He talked low and rapidly in the quiet night,
+as if every minute were precious.&nbsp; On learning that three
+guests were coming to stay Luiz clicked his tongue rapidly.&nbsp;
+These clicks were the uniform, stenographic symbols of his
+emotions, and he could give them an infinite variety of
+meaning.&nbsp; He listened to the rest in a deep silence hardly
+affected by the low, &ldquo;Yes, master,&rdquo; whenever Renouard
+paused.</p>
+<p>&ldquo;You understand?&rdquo; the latter insisted.&nbsp;
+&ldquo;No preparations are to be made till we land in the
+morning.&nbsp; And you are to say that Mr. Walter has gone off in
+a trading schooner on a round of the islands.&rdquo;</p>
+<p>&ldquo;Yes, master.&rdquo;</p>
+<p>&ldquo;No mistakes&mdash;mind!&rdquo;</p>
+<p>&ldquo;No, master.&rdquo;</p>
+<p>Renouard walked back towards the sea.&nbsp; Luiz, following
+him, proposed to call out half a dozen boys and man the
+canoe.</p>
+<p>&ldquo;Imbecile!&rdquo;</p>
+<p>&ldquo;Tse!&nbsp; Tse!&nbsp; Tse!&rdquo;</p>
+<p>&ldquo;Don&rsquo;t you understand that you haven&rsquo;t seen
+me?&rdquo;</p>
+<p>&ldquo;Yes, master.&nbsp; But what a long swim.&nbsp; Suppose
+you drown.&rdquo;</p>
+<p>&ldquo;Then you can say of me and of Mr. Walter what you
+like.&nbsp; The dead don&rsquo;t mind.&rdquo;</p>
+<p>Renouard entered the sea and heard a faint &ldquo;Tse! Tse!
+Tse!&rdquo; of concern from the half-caste, who had already lost
+sight of the master&rsquo;s dark head on the overshadowed
+water.</p>
+<p>Renouard set his direction by a big star that, dipping on the
+horizon, seemed to look curiously into his face.&nbsp; On this
+swim back he felt the mournful fatigue of all that length of the
+traversed road, which brought him no nearer to his desire.&nbsp;
+It was as if his love had sapped the invisible supports of his
+strength.&nbsp; There came a moment when it seemed to him that he
+must have swum beyond the confines of life.&nbsp; He had a
+sensation of eternity close at hand, demanding no
+effort&mdash;offering its peace.&nbsp; It was easy to swim like
+this beyond the confines of life looking at a star.&nbsp; But the
+thought: &ldquo;They will think I dared not face them and
+committed suicide,&rdquo; caused a revolt of his mind which
+carried him on.&nbsp; He returned on board, as he had left,
+unheard and unseen.&nbsp; He lay in his hammock utterly exhausted
+and with a confused feeling that he had been beyond the confines
+of life, somewhere near a star, and that it was very quiet
+there.</p>
+<h3>CHAPTER IX</h3>
+<p>Sheltered by the squat headland from the first morning sparkle
+of the sea the little bay breathed a delicious freshness.&nbsp;
+The party from the schooner landed at the bottom of the
+garden.&nbsp; They exchanged insignificant words in studiously
+casual tones.&nbsp; The professor&rsquo;s sister put up a
+long-handled eye-glass as if to scan the novel surroundings, but
+in reality searching for poor Arthur anxiously.&nbsp; Having
+never seen him otherwise than in his town clothes she had no idea
+what he would look like.&nbsp; It had been left to the professor
+to help his ladies out of the boat because Renouard, as if intent
+on giving directions, had stepped forward at once to meet the
+half-caste Luiz hurrying down the path.&nbsp; In the distance, in
+front of the dazzlingly sunlit bungalow, a row of dark-faced
+house-boys unequal in stature and varied in complexion preserved
+the immobility of a guard of honour.</p>
+<p>Luiz had taken off his soft felt hat before coming within
+earshot.&nbsp; Renouard bent his head to his rapid talk of
+domestic arrangements he meant to make for the visitors; another
+bed in the master&rsquo;s room for the ladies and a cot for the
+gentleman to be hung in the room opposite where&mdash;where Mr.
+Walter&mdash;here he gave a scared look all round&mdash;Mr.
+Walter&mdash;had died.</p>
+<p>&ldquo;Very good,&rdquo; assented Renouard in an even
+undertone.&nbsp; &ldquo;And remember what you have to say of
+him.&rdquo;</p>
+<p>&ldquo;Yes, master.&nbsp; Only&rdquo;&mdash;he wriggled
+slightly and put one bare foot on the other for a moment in
+apologetic embarrassment&mdash;&ldquo;only
+I&mdash;I&mdash;don&rsquo;t like to say it.&rdquo;</p>
+<p>Renouard looked at him without anger, without any sort of
+expression.&nbsp; &ldquo;Frightened of the dead?&nbsp; Eh?&nbsp;
+Well&mdash;all right.&nbsp; I will say it myself&mdash;I suppose
+once for all. . . .&rdquo;&nbsp; Immediately he raised his voice
+very much.</p>
+<p>&ldquo;Send the boys down to bring up the luggage.&rdquo;</p>
+<p>&ldquo;Yes, master.&rdquo;</p>
+<p>Renouard turned to his distinguished guests who, like a
+personally conducted party of tourists, had stopped and were
+looking about them.</p>
+<p>&ldquo;I am sorry,&rdquo; he began with an impassive
+face.&nbsp; &ldquo;My man has just told me that Mr. Walter . .
+.&rdquo; he managed to smile, but didn&rsquo;t correct himself .
+. . &ldquo;has gone in a trading schooner on a short tour of the
+islands, to the westward.&rdquo;</p>
+<p>This communication was received in profound silence.</p>
+<p>Renouard forgot himself in the thought: &ldquo;It&rsquo;s
+done!&rdquo;&nbsp; But the sight of the string of boys marching
+up to the house with suit-cases and dressing-bags rescued him
+from that appalling abstraction.</p>
+<p>&ldquo;All I can do is to beg you to make yourselves at home .
+. . with what patience you may.&rdquo;</p>
+<p>This was so obviously the only thing to do that everybody
+moved on at once.&nbsp; The professor walked alongside Renouard,
+behind the two ladies.</p>
+<p>&ldquo;Rather unexpected&mdash;this absence.&rdquo;</p>
+<p>&ldquo;Not exactly,&rdquo; muttered Renouard.&nbsp; &ldquo;A
+trip has to be made every year to engage labour.&rdquo;</p>
+<p>&ldquo;I see . . . And he . . . How vexingly elusive the poor
+fellow has become!&nbsp; I&rsquo;ll begin to think that some
+wicked fairy is favouring this love tale with unpleasant
+attentions.&rdquo;</p>
+<p>Renouard noticed that the party did not seem weighed down by
+this new disappointment.&nbsp; On the contrary they moved with a
+freer step.&nbsp; The professor&rsquo;s sister dropped her
+eye-glass to the end of its chain.&nbsp; Miss Moorsom took the
+lead.&nbsp; The professor, his lips unsealed, lingered in the
+open: but Renouard did not listen to that man&rsquo;s talk.&nbsp;
+He looked after that man&rsquo;s daughter&mdash;if indeed that
+creature of irresistible seductions were a daughter of
+mortals.&nbsp; The very intensity of his desire, as if his soul
+were streaming after her through his eyes, defeated his object of
+keeping hold of her as long as possible with, at least, one of
+his senses.&nbsp; Her moving outlines dissolved into a misty
+coloured shimmer of a woman made of flame and shadows, crossing
+the threshold of his house.</p>
+<p>The days which followed were not exactly such as Renouard had
+feared&mdash;yet they were not better than his fears.&nbsp; They
+were accursed in all the moods they brought him.&nbsp; But the
+general aspect of things was quiet.&nbsp; The professor smoked
+innumerable pipes with the air of a worker on his holiday, always
+in movement and looking at things with that mysteriously
+sagacious aspect of men who are admittedly wiser than the rest of
+the world.&nbsp; His white head of hair&mdash;whiter than
+anything within the horizon except the broken water on the
+reefs&mdash;was glimpsed in every part of the plantation always
+on the move under the white parasol.&nbsp; And once he climbed
+the headland and appeared suddenly to those below, a white speck
+elevated in the blue, with a diminutive but statuesque
+effect.</p>
+<p>Felicia Moorsom remained near the house.&nbsp; Sometimes she
+could be seen with a despairing expression scribbling rapidly in
+her lock-up dairy.&nbsp; But only for a moment.&nbsp; At the
+sound of Renouard&rsquo;s footsteps she would turn towards him
+her beautiful face, adorable in that calm which was like a
+wilful, like a cruel ignoring of her tremendous power.&nbsp;
+Whenever she sat on the verandah, on a chair more specially
+reserved for her use, Renouard would stroll up and sit on the
+steps near her, mostly silent, and often not trusting himself to
+turn his glance on her.&nbsp; She, very still with her eyes
+half-closed, looked down on his head&mdash;so that to a beholder
+(such as Professor Moorsom, for instance) she would appear to be
+turning over in her mind profound thoughts about that man sitting
+at her feet, his shoulders bowed a little, his hands
+listless&mdash;as if vanquished.&nbsp; And, indeed, the moral
+poison of falsehood has such a decomposing power that Renouard
+felt his old personality turn to dead dust.&nbsp; Often, in the
+evening, when they sat outside conversing languidly in the dark,
+he felt that he must rest his forehead on her feet and burst into
+tears.</p>
+<p>The professor&rsquo;s sister suffered from some little strain
+caused by the unstability of her own feelings toward
+Renouard.&nbsp; She could not tell whether she really did dislike
+him or not.&nbsp; At times he appeared to her most fascinating;
+and, though he generally ended by saying something shockingly
+crude, she could not resist her inclination to talk with
+him&mdash;at least not always.&nbsp; One day when her niece had
+left them alone on the verandah she leaned forward in her
+chair&mdash;speckless, resplendent, and, in her way, almost as
+striking a personality as her niece, who did not resemble her in
+the least.&nbsp; &ldquo;Dear Felicia has inherited her hair and
+the greatest part of her appearance from her mother,&rdquo; the
+maiden lady used to tell people.</p>
+<p>She leaned forward then, confidentially.</p>
+<p>&ldquo;Oh!&nbsp; Mr. Renouard!&nbsp; Haven&rsquo;t you
+something comforting to say?&rdquo;</p>
+<p>He looked up, as surprised as if a voice from heaven had
+spoken with this perfect society intonation, and by the puzzled
+profundity of his blue eyes fluttered the wax-flower of refined
+womanhood.&nbsp; She continued.&nbsp; &ldquo;For&mdash;I can
+speak to you openly on this tiresome subject&mdash;only think
+what a terrible strain this hope deferred must be for
+Felicia&rsquo;s heart&mdash;for her nerves.&rdquo;</p>
+<p>&ldquo;Why speak to me about it,&rdquo; he muttered feeling
+half choked suddenly.</p>
+<p>&ldquo;Why!&nbsp; As a friend&mdash;a well-wisher&mdash;the
+kindest of hosts.&nbsp; I am afraid we are really eating you out
+of house and home.&rdquo;&nbsp; She laughed a little.&nbsp;
+&ldquo;Ah!&nbsp; When, when will this suspense be relieved!&nbsp;
+That poor lost Arthur!&nbsp; I confess that I am almost afraid of
+the great moment.&nbsp; It will be like seeing a
+ghost.&rdquo;</p>
+<p>&ldquo;Have you ever seen a ghost?&rdquo; asked Renouard, in a
+dull voice.</p>
+<p>She shifted her hands a little.&nbsp; Her pose was perfect in
+its ease and middle-aged grace.</p>
+<p>&ldquo;Not actually.&nbsp; Only in a photograph.&nbsp; But we
+have many friends who had the experience of
+apparitions.&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; They see ghosts in London,&rdquo; mumbled
+Renouard, not looking at her.</p>
+<p>&ldquo;Frequently&mdash;in a certain very interesting
+set.&nbsp; But all sorts of people do.&nbsp; We have a friend, a
+very famous author&mdash;his ghost is a girl.&nbsp; One of my
+brother&rsquo;s intimates is a very great man of science.&nbsp;
+He is friendly with a ghost . . . Of a girl too,&rdquo; she added
+in a voice as if struck for the first time by the
+coincidence.&nbsp; &ldquo;It is the photograph of that apparition
+which I have seen.&nbsp; Very sweet.&nbsp; Most
+interesting.&nbsp; A little cloudy naturally. . . . Mr.
+Renouard!&nbsp; I hope you are not a sceptic.&nbsp; It&rsquo;s so
+consoling to think. . .&rdquo;</p>
+<p>&ldquo;Those plantation boys of mine see ghosts too,&rdquo;
+said Renouard grimly.</p>
+<p>The sister of the philosopher sat up stiffly.&nbsp; What
+crudeness!&nbsp; It was always so with this strange young
+man.</p>
+<p>&ldquo;Mr. Renouard!&nbsp; How can you compare the
+superstitious fancies of your horrible savages with the
+manifestations . . . &rdquo;</p>
+<p>Words failed her.&nbsp; She broke off with a very faint primly
+angry smile.&nbsp; She was perhaps the more offended with him
+because of that flutter at the beginning of the
+conversation.&nbsp; And in a moment with perfect tact and dignity
+she got up from her chair and left him alone.</p>
+<p>Renouard didn&rsquo;t even look up.&nbsp; It was not the
+displeasure of the lady which deprived him of his sleep that
+night.&nbsp; He was beginning to forget what simple, honest sleep
+was like.&nbsp; His hammock from the ship had been hung for him
+on a side verandah, and he spent his nights in it on his back,
+his hands folded on his chest, in a sort of half conscious,
+oppressed stupor.&nbsp; In the morning he watched with unseeing
+eyes the headland come out a shapeless inkblot against the thin
+light of the false dawn, pass through all the stages of daybreak
+to the deep purple of its outlined mass nimbed gloriously with
+the gold of the rising sun.&nbsp; He listened to the vague sounds
+of waking within the house: and suddenly he became aware of Luiz
+standing by the hammock&mdash;obviously troubled.</p>
+<p>&ldquo;What&rsquo;s the matter?&rdquo;</p>
+<p>&ldquo;Tse!&nbsp; Tse!&nbsp; Tse!&rdquo;</p>
+<p>&ldquo;Well, what now?&nbsp; Trouble with the boys?&rdquo;</p>
+<p>&ldquo;No, master.&nbsp; The gentleman when I take him his
+bath water he speak to me.&nbsp; He ask me&mdash;he
+ask&mdash;when, when, I think Mr. Walter, he come
+back.&rdquo;</p>
+<p>The half-caste&rsquo;s teeth chattered slightly.&nbsp;
+Renouard got out of the hammock.</p>
+<p>&ldquo;And he is here all the time&mdash;eh?&rdquo;</p>
+<p>Luiz nodded a scared affirmative, but at once protested,
+&ldquo;I no see him.&nbsp; I never.&nbsp; Not I!&nbsp; The
+ignorant wild boys say they see . . . Something!&nbsp;
+Ough!&rdquo;</p>
+<p>He clapped his teeth on another short rattle, and stood there,
+shrunk, blighted, like a man in a freezing blast.</p>
+<p>&ldquo;And what did you say to the gentleman?&rdquo;</p>
+<p>&ldquo;I say I don&rsquo;t know&mdash;and I clear out.&nbsp;
+I&mdash;I don&rsquo;t like to speak of him.&rdquo;</p>
+<p>&ldquo;All right.&nbsp; We shall try to lay that poor
+ghost,&rdquo; said Renouard gloomily, going off to a small hut
+near by to dress.&nbsp; He was saying to himself: &ldquo;This
+fellow will end by giving me away.&nbsp; The last thing that I .
+. . No!&nbsp; That mustn&rsquo;t be.&rdquo;&nbsp; And feeling his
+hand being forced he discovered the whole extent of his
+cowardice.</p>
+<h3>CHAPTER X</h3>
+<p>That morning wandering about his plantation, more like a
+frightened soul than its creator and master, he dodged the white
+parasol bobbing up here and there like a buoy adrift on a sea of
+dark-green plants.&nbsp; The crop promised to be magnificent, and
+the fashionable philosopher of the age took other than a merely
+scientific interest in the experiment.&nbsp; His investments were
+judicious, but he had always some little money lying by, for
+experiments.</p>
+<p>After lunch, being left alone with Renouard, he talked a
+little of cultivation and such matters.&nbsp; Then suddenly:</p>
+<p>&ldquo;By the way, is it true what my sister tells me, that
+your plantation boys have been disturbed by a ghost?&rdquo;</p>
+<p>Renouard, who since the ladies had left the table was not
+keeping such a strict watch on himself, came out of his
+abstraction with a start and a stiff smile.</p>
+<p>&ldquo;My foreman had some trouble with them during my
+absence.&nbsp; They funk working in a certain field on the slope
+of the hill.&rdquo;</p>
+<p>&ldquo;A ghost here!&rdquo; exclaimed the amused
+professor.&nbsp; &ldquo;Then our whole conception of the
+psychology of ghosts must be revised.&nbsp; This island has been
+uninhabited probably since the dawn of ages.&nbsp; How did a
+ghost come here.&nbsp; By air or water?&nbsp; And why did it
+leave its native haunts.&nbsp; Was it from misanthropy?&nbsp; Was
+he expelled from some community of spirits?&rdquo;</p>
+<p>Renouard essayed to respond in the same tone.&nbsp; The words
+died on his lips.&nbsp; Was it a man or a woman ghost, the
+professor inquired.</p>
+<p>&ldquo;I don&rsquo;t know.&rdquo;&nbsp; Renouard made an
+effort to appear at ease.&nbsp; He had, he said, a couple of
+Tahitian amongst his boys&mdash;a ghost-ridden race.&nbsp; They
+had started the scare.&nbsp; They had probably brought their
+ghost with them.</p>
+<p>&ldquo;Let us investigate the matter, Renouard,&rdquo;
+proposed the professor half in earnest.&nbsp; &ldquo;We may make
+some interesting discoveries as to the state of primitive minds,
+at any rate.&rdquo;</p>
+<p>This was too much.&nbsp; Renouard jumped up and leaving the
+room went out and walked about in front of the house.&nbsp; He
+would allow no one to force his hand.&nbsp; Presently the
+professor joined him outside.&nbsp; He carried his parasol, but
+had neither his book nor his pipe with him.&nbsp; Amiably serious
+he laid his hand on his &ldquo;dear young friend&rsquo;s&rdquo;
+arm.</p>
+<p>&ldquo;We are all of us a little strung up,&rdquo; he
+said.&nbsp; &ldquo;For my part I have been like sister Anne in
+the story.&nbsp; But I cannot see anything coming.&nbsp; Anything
+that would be the least good for anybody&mdash;I mean.&rdquo;</p>
+<p>Renouard had recovered sufficiently to murmur coldly his
+regret of this waste of time.&nbsp; For that was what, he
+supposed, the professor had in his mind.</p>
+<p>&ldquo;Time,&rdquo; mused Professor Moorsom.&nbsp; &ldquo;I
+don&rsquo;t know that time can be wasted.&nbsp; But I will tell
+you, my dear friend, what this is: it is an awful waste of
+life.&nbsp; I mean for all of us.&nbsp; Even for my sister, who
+has got a headache and is gone to lie down.&rdquo;</p>
+<p>He shook gently Renouard&rsquo;s arm.&nbsp; &ldquo;Yes, for
+all of us!&nbsp; One may meditate on life endlessly, one may even
+have a poor opinion of it&mdash;but the fact remains that we have
+only one life to live.&nbsp; And it is short.&nbsp; Think of
+that, my young friend.&rdquo;</p>
+<p>He released Renouard&rsquo;s arm and stepped out of the shade
+opening his parasol.&nbsp; It was clear that there was something
+more in his mind than mere anxiety about the date of his lectures
+for fashionable audiences.&nbsp; What did the man mean by his
+confounded platitudes?&nbsp; To Renouard, scared by Luiz in the
+morning (for he felt that nothing could be more fatal than to
+have his deception unveiled otherwise than by personal
+confession), this talk sounded like encouragement or a warning
+from that man who seemed to him to be very brazen and very
+subtle.&nbsp; It was like being bullied by the dead and cajoled
+by the living into a throw of dice for a supreme stake.</p>
+<p>Renouard went away to some distance from the house and threw
+himself down in the shade of a tree.&nbsp; He lay there perfectly
+still with his forehead resting on his folded arms, light-headed
+and thinking.&nbsp; It seemed to him that he must be on fire,
+then that he had fallen into a cool whirlpool, a smooth funnel of
+water swirling about with nauseating rapidity.&nbsp; And then (it
+must have been a reminiscence of his boyhood) he was walking on
+the dangerous thin ice of a river, unable to turn back. . . .
+Suddenly it parted from shore to shore with a loud crack like the
+report of a gun.</p>
+<p>With one leap he found himself on his feet.&nbsp; All was
+peace, stillness, sunshine.&nbsp; He walked away from there
+slowly.&nbsp; Had he been a gambler he would have perhaps been
+supported in a measure by the mere excitement.&nbsp; But he was
+not a gambler.&nbsp; He had always disdained that artificial
+manner of challenging the fates.&nbsp; The bungalow came into
+view, bright and pretty, and all about everything was peace,
+stillness, sunshine. . . .</p>
+<p>While he was plodding towards it he had a disagreeable sense
+of the dead man&rsquo;s company at his elbow.&nbsp; The
+ghost!&nbsp; He seemed to be everywhere but in his grave.&nbsp;
+Could one ever shake him off? he wondered.&nbsp; At that moment
+Miss Moorsom came out on the verandah; and at once, as if by a
+mystery of radiating waves, she roused a great tumult in his
+heart, shook earth and sky together&mdash;but he plodded
+on.&nbsp; Then like a grave song-note in the storm her voice came
+to him ominously.</p>
+<p>&ldquo;Ah!&nbsp; Mr. Renouard. . . &rdquo;&nbsp; He came up
+and smiled, but she was very serious.&nbsp; &ldquo;I can&rsquo;t
+keep still any longer.&nbsp; Is there time to walk up this
+headland and back before dark?&rdquo;</p>
+<p>The shadows were lying lengthened on the ground; all was
+stillness and peace.&nbsp; &ldquo;No,&rdquo; said Renouard,
+feeling suddenly as steady as a rock.&nbsp; &ldquo;But I can show
+you a view from the central hill which your father has not
+seen.&nbsp; A view of reefs and of broken water without end, and
+of great wheeling clouds of sea-birds.&rdquo;</p>
+<p>She came down the verandah steps at once and they moved
+off.&nbsp; &ldquo;You go first,&rdquo; he proposed, &ldquo;and
+I&rsquo;ll direct you.&nbsp; To the left.&rdquo;</p>
+<p>She was wearing a short nankin skirt, a muslin blouse; he
+could see through the thin stuff the skin of her shoulders, of
+her arms.&nbsp; The noble delicacy of her neck caused him a sort
+of transport.&nbsp; &ldquo;The path begins where these three
+palms are.&nbsp; The only palms on the island.&rdquo;</p>
+<p>&ldquo;I see.&rdquo;</p>
+<p>She never turned her head.&nbsp; After a while she observed:
+&ldquo;This path looks as if it had been made
+recently.&rdquo;</p>
+<p>&ldquo;Quite recently,&rdquo; he assented very low.</p>
+<p>They went on climbing steadily without exchanging another
+word; and when they stood on the top she gazed a long time before
+her.&nbsp; The low evening mist veiled the further limit of the
+reefs.&nbsp; Above the enormous and melancholy confusion, as of a
+fleet of wrecked islands, the restless myriads of sea-birds
+rolled and unrolled dark ribbons on the sky, gathered in clouds,
+soared and stooped like a play of shadows, for they were too far
+for them to hear their cries.</p>
+<p>Renouard broke the silence in low tones.</p>
+<p>&ldquo;They&rsquo;ll be settling for the night
+presently.&rdquo;&nbsp; She made no sound.&nbsp; Round them all
+was peace and declining sunshine.&nbsp; Near by, the topmost
+pinnacle of Malata, resembling the top of a buried tower, rose a
+rock, weather-worn, grey, weary of watching the monotonous
+centuries of the Pacific.&nbsp; Renouard leaned his shoulders
+against it.&nbsp; Felicia Moorsom faced him suddenly, her
+splendid black eyes full on his face as though she had made up
+her mind at last to destroy his wits once and for all.&nbsp;
+Dazzled, he lowered his eyelids slowly.</p>
+<p>&ldquo;Mr. Renouard!&nbsp; There is something strange in all
+this.&nbsp; Tell me where he is?&rdquo;</p>
+<p>He answered deliberately.</p>
+<p>&ldquo;On the other side of this rock.&nbsp; I buried him
+there myself.&rdquo;</p>
+<p>She pressed her hands to her breast, struggled for her breath
+for a moment, then: &ldquo;Ohhh! . . . You buried him! . . . What
+sort of man are you? . . . You dared not tell! . . . He is
+another of your victims? . . . You dared not confess that
+evening. . . . You must have killed him.&nbsp; What could he have
+done to you? . . . You fastened on him some atrocious quarrel and
+. . .&rdquo;</p>
+<p>Her vengeful aspect, her poignant cries left him as unmoved as
+the weary rock against which he leaned.&nbsp; He only raised his
+eyelids to look at her and lowered them slowly.&nbsp; Nothing
+more.&nbsp; It silenced her.&nbsp; And as if ashamed she made a
+gesture with her hand, putting away from her that thought.&nbsp;
+He spoke, quietly ironic at first.</p>
+<p>&ldquo;Ha! the legendary Renouard of sensitive
+idiots&mdash;the ruthless adventurer&mdash;the ogre with a
+future.&nbsp; That was a parrot cry, Miss Moorsom.&nbsp; I
+don&rsquo;t think that the greatest fool of them all ever dared
+hint such a stupid thing of me that I killed men for
+nothing.&nbsp; No, I had noticed this man in a hotel.&nbsp; He
+had come from up country I was told, and was doing nothing.&nbsp;
+I saw him sitting there lonely in a corner like a sick crow, and
+I went over one evening to talk to him.&nbsp; Just on
+impulse.&nbsp; He wasn&rsquo;t impressive.&nbsp; He was
+pitiful.&nbsp; My worst enemy could have told you he wasn&rsquo;t
+good enough to be one of Renouard&rsquo;s victims.&nbsp; It
+didn&rsquo;t take me long to judge that he was drugging
+himself.&nbsp; Not drinking.&nbsp; Drugs.&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; It&rsquo;s now that you are trying to murder
+him,&rdquo; she cried.</p>
+<p>&ldquo;Really.&nbsp; Always the Renouard of shopkeepers&rsquo;
+legend.&nbsp; Listen!&nbsp; I would never have been jealous of
+him.&nbsp; And yet I am jealous of the air you breathe, of the
+soil you tread on, of the world that sees you&mdash;moving
+free&mdash;not mine.&nbsp; But never mind.&nbsp; I rather liked
+him.&nbsp; For a certain reason I proposed he should come to be
+my assistant here.&nbsp; He said he believed this would save
+him.&nbsp; It did not save him from death.&nbsp; It came to him
+as it were from nothing&mdash;just a fall.&nbsp; A mere slip and
+tumble of ten feet into a ravine.&nbsp; But it seems he had been
+hurt before up-country&mdash;by a horse.&nbsp; He ailed and
+ailed.&nbsp; No, he was not a steel-tipped man.&nbsp; And his
+poor soul seemed to have been damaged too.&nbsp; It gave way very
+soon.&rdquo;</p>
+<p>&ldquo;This is tragic!&rdquo; Felicia Moorsom whispered with
+feeling.&nbsp; Renouard&rsquo;s lips twitched, but his level
+voice continued mercilessly.</p>
+<p>&ldquo;That&rsquo;s the story.&nbsp; He rallied a little one
+night and said he wanted to tell me something.&nbsp; I, being a
+gentleman, he said, he could confide in me.&nbsp; I told him that
+he was mistaken.&nbsp; That there was a good deal of a plebeian
+in me, that he couldn&rsquo;t know.&nbsp; He seemed
+disappointed.&nbsp; He muttered something about his innocence and
+something that sounded like a curse on some woman, then turned to
+the wall and&mdash;just grew cold.&rdquo;</p>
+<p>&ldquo;On a woman,&rdquo; cried Miss Moorsom
+indignantly.&nbsp; &ldquo;What woman?&rdquo;</p>
+<p>&ldquo;I wonder!&rdquo; said Renouard, raising his eyes and
+noting the crimson of her ear-lobes against the live whiteness of
+her complexion, the sombre, as if secret, night-splendour of her
+eyes under the writhing flames of her hair.&nbsp; &ldquo;Some
+woman who wouldn&rsquo;t believe in that poor innocence of his. .
+. Yes.&nbsp; You probably.&nbsp; And now you will not believe in
+me&mdash;not even in me who must in truth be what I am&mdash;even
+to death.&nbsp; No!&nbsp; You won&rsquo;t.&nbsp; And yet,
+Felicia, a woman like you and a man like me do not often come
+together on this earth.&rdquo;</p>
+<p>The flame of her glorious head scorched his face.&nbsp; He
+flung his hat far away, and his suddenly lowered eyelids brought
+out startlingly his resemblance to antique bronze, the profile of
+Pallas, still, austere, bowed a little in the shadow of the
+rock.&nbsp; &ldquo;Oh!&nbsp; If you could only understand the
+truth that is in me!&rdquo; he added.</p>
+<p>She waited, as if too astounded to speak, till he looked up
+again, and then with unnatural force as if defending herself from
+some unspoken aspersion, &ldquo;It&rsquo;s I who stand for truth
+here!&nbsp; Believe in you!&nbsp; In you, who by a heartless
+falsehood&mdash;and nothing else, nothing else, do you
+hear?&mdash;have brought me here, deceived, cheated, as in some
+abominable farce!&rdquo;&nbsp; She sat down on a boulder, rested
+her chin in her hands, in the pose of simple grief&mdash;mourning
+for herself.</p>
+<p>&ldquo;It only wanted this.&nbsp; Why!&nbsp; Oh!&nbsp; Why is
+it that ugliness, ridicule, and baseness must fall across my
+path.&rdquo;</p>
+<p>On that height, alone with the sky, they spoke to each other
+as if the earth had fallen away from under their feet.</p>
+<p>&ldquo;Are you grieving for your dignity?&nbsp; He was a
+mediocre soul and could have given you but an unworthy
+existence.&rdquo;</p>
+<p>She did not even smile at those words, but, superb, as if
+lifting a corner of the veil, she turned on him slowly.</p>
+<p>&ldquo;And do you imagine I would have devoted myself to him
+for such a purpose!&nbsp; Don&rsquo;t you know that reparation
+was due to him from me?&nbsp; A sacred debt&mdash;a fine
+duty.&nbsp; To redeem him would not have been in my power&mdash;I
+know it.&nbsp; But he was blameless, and it was for me to come
+forward.&nbsp; Don&rsquo;t you see that in the eyes of the world
+nothing could have rehabilitated him so completely as his
+marriage with me?&nbsp; No word of evil could be whispered of him
+after I had given him my hand.&nbsp; As to giving myself up to
+anything less than the shaping of a man&rsquo;s destiny&mdash;if
+I thought I could do it I would abhor myself. . . .&rdquo;&nbsp;
+She spoke with authority in her deep fascinating, unemotional
+voice.&nbsp; Renouard meditated, gloomy, as if over some sinister
+riddle of a beautiful sphinx met on the wild road of his
+life.</p>
+<p>&ldquo;Yes.&nbsp; Your father was right.&nbsp; You are one of
+these aristocrats . . .&rdquo;</p>
+<p>She drew herself up haughtily.</p>
+<p>&ldquo;What do you say?&nbsp; My father! . . . I an
+aristocrat.&rdquo;</p>
+<p>&ldquo;Oh!&nbsp; I don&rsquo;t mean that you are like the men
+and women of the time of armours, castles, and great deeds.&nbsp;
+Oh, no!&nbsp; They stood on the naked soil, had traditions to be
+faithful to, had their feet on this earth of passions and death
+which is not a hothouse.&nbsp; They would have been too plebeian
+for you since they had to lead, to suffer with, to understand the
+commonest humanity.&nbsp; No, you are merely of the topmost
+layer, disdainful and superior, the mere pure froth and bubble on
+the inscrutable depths which some day will toss you out of
+existence.&nbsp; But you are you!&nbsp; You are you!&nbsp; You
+are the eternal love itself&mdash;only, O Divinity, it
+isn&rsquo;t your body, it is your soul that is made of
+foam.&rdquo;</p>
+<p>She listened as if in a dream.&nbsp; He had succeeded so well
+in his effort to drive back the flood of his passion that his
+life itself seemed to run with it out of his body.&nbsp; At that
+moment he felt as one dead speaking.&nbsp; But the headlong wave
+returning with tenfold force flung him on her suddenly, with open
+arms and blazing eyes.&nbsp; She found herself like a feather in
+his grasp, helpless, unable to struggle, with her feet off the
+ground.&nbsp; But this contact with her, maddening like too much
+felicity, destroyed its own end.&nbsp; Fire ran through his
+veins, turned his passion to ashes, burnt him out and left him
+empty, without force&mdash;almost without desire.&nbsp; He let
+her go before she could cry out.&nbsp; And she was so used to the
+forms of repression enveloping, softening the crude impulses of
+old humanity that she no longer believed in their existence as if
+it were an exploded legend.&nbsp; She did not recognise what had
+happened to her.&nbsp; She came safe out of his arms, without a
+struggle, not even having felt afraid.</p>
+<p>&ldquo;What&rsquo;s the meaning of this?&rdquo; she said,
+outraged but calm in a scornful way.</p>
+<p>He got down on his knees in silence, bent low to her very
+feet, while she looked down at him, a little surprised, without
+animosity, as if merely curious to see what he would do.&nbsp;
+Then, while he remained bowed to the ground pressing the hem of
+her skirt to his lips, she made a slight movement.&nbsp; He got
+up.</p>
+<p>&ldquo;No,&rdquo; he said.&nbsp; &ldquo;Were you ever so much
+mine what could I do with you without your consent?&nbsp;
+No.&nbsp; You don&rsquo;t conquer a wraith, cold mist, stuff of
+dreams, illusion.&nbsp; It must come to you and cling to your
+breast.&nbsp; And then!&nbsp; Oh!&nbsp; And then!&rdquo;</p>
+<p>All ecstasy, all expression went out of his face.</p>
+<p>&ldquo;Mr. Renouard,&rdquo; she said, &ldquo;though you can
+have no claim on my consideration after having decoyed me here
+for the vile purpose, apparently, of gloating over me as your
+possible prey, I will tell you that I am not perhaps the
+extraordinary being you think I am.&nbsp; You may believe
+me.&nbsp; Here I stand for truth itself.&rdquo;</p>
+<p>&ldquo;What&rsquo;s that to me what you are?&rdquo; he
+answered.&nbsp; &ldquo;At a sign from you I would climb up to the
+seventh heaven to bring you down to earth for my own&mdash;and if
+I saw you steeped to the lips in vice, in crime, in mud, I would
+go after you, take you to my arms&mdash;wear you for an
+incomparable jewel on my breast.&nbsp; And that&rsquo;s
+love&mdash;true love&mdash;the gift and the curse of the
+gods.&nbsp; There is no other.&rdquo;</p>
+<p>The truth vibrating in his voice made her recoil slightly, for
+she was not fit to hear it&mdash;not even a little&mdash;not even
+one single time in her life.&nbsp; It was revolting to her; and
+in her trouble, perhaps prompted by the suggestion of his name or
+to soften the harshness of expression, for she was obscurely
+moved, she spoke to him in French.</p>
+<p>&ldquo;<i>Assez</i>!&nbsp; <i>J&rsquo;ai horreur de tout
+cela</i>,&rdquo; she said.</p>
+<p>He was white to his very lips, but he was trembling no
+more.&nbsp; The dice had been cast, and not even violence could
+alter the throw.&nbsp; She passed by him unbendingly, and he
+followed her down the path.&nbsp; After a time she heard him
+saying:</p>
+<p>&ldquo;And your dream is to influence a human
+destiny?&rdquo;</p>
+<p>&ldquo;Yes!&rdquo; she answered curtly, unabashed, with a
+woman&rsquo;s complete assurance.</p>
+<p>&ldquo;Then you may rest content.&nbsp; You have done
+it.&rdquo;</p>
+<p>She shrugged her shoulders slightly.&nbsp; But just before
+reaching the end of the path she relented, stopped, and went back
+to him.</p>
+<p>&ldquo;I don&rsquo;t suppose you are very anxious for people
+to know how near you came to absolute turpitude.&nbsp; You may
+rest easy on that point.&nbsp; I shall speak to my father, of
+course, and we will agree to say that he has died&mdash;nothing
+more.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Renouard in a lifeless voice.&nbsp;
+&ldquo;He is dead.&nbsp; His very ghost shall be done with
+presently.&rdquo;</p>
+<p>She went on, but he remained standing stock still in the
+dusk.&nbsp; She had already reached the three palms when she
+heard behind her a loud peal of laughter, cynical and joyless,
+such as is heard in smoking-rooms at the end of a scandalous
+story.&nbsp; It made her feel positively faint for a moment.</p>
+<h3>CHAPTER XI</h3>
+<p>Slowly a complete darkness enveloped Geoffrey Renouard.&nbsp;
+His resolution had failed him.&nbsp; Instead of following Felicia
+into the house, he had stopped under the three palms, and leaning
+against a smooth trunk had abandoned himself to a sense of an
+immense deception and the feeling of extreme fatigue.&nbsp; This
+walk up the hill and down again was like the supreme effort of an
+explorer trying to penetrate the interior of an unknown country,
+the secret of which is too well defended by its cruel and barren
+nature.&nbsp; Decoyed by a mirage, he had gone too far&mdash;so
+far that there was no going back.&nbsp; His strength was at an
+end.&nbsp; For the first time in his life he had to give up, and
+with a sort of despairing self-possession he tried to understand
+the cause of the defeat.&nbsp; He did not ascribe it to that
+absurd dead man.</p>
+<p>The hesitating shadow of Luiz approached him unnoticed till it
+spoke timidly.&nbsp; Renouard started.</p>
+<p>&ldquo;Eh?&nbsp; What?&nbsp; Dinner waiting?&nbsp; You must
+say I beg to be excused.&nbsp; I can&rsquo;t come.&nbsp; But I
+shall see them to-morrow morning, at the landing place.&nbsp;
+Take your orders from the professor as to the sailing of the
+schooner.&nbsp; Go now.&rdquo;</p>
+<p>Luiz, dumbfounded, retreated into the darkness.&nbsp; Renouard
+did not move, but hours afterwards, like the bitter fruit of his
+immobility, the words: &ldquo;I had nothing to offer to her
+vanity,&rdquo; came from his lips in the silence of the
+island.&nbsp; And it was then only that he stirred, only to wear
+the night out in restless tramping up and down the various paths
+of the plantation.&nbsp; Luiz, whose sleep was made light by the
+consciousness of some impending change, heard footsteps passing
+by his hut, the firm tread of the master; and turning on his mats
+emitted a faint Tse! Tse! Tse! of deep concern.</p>
+<p>Lights had been burning in the bungalow almost all through the
+night; and with the first sign of day began the bustle of
+departure.&nbsp; House boys walked processionally carrying
+suit-cases and dressing-bags down to the schooner&rsquo;s boat,
+which came to the landing place at the bottom of the
+garden.&nbsp; Just as the rising sun threw its golden nimbus
+around the purple shape of the headland, the Planter of Malata
+was perceived pacing bare-headed the curve of the little
+bay.&nbsp; He exchanged a few words with the sailing-master of
+the schooner, then remained by the boat, standing very upright,
+his eyes on the ground, waiting.</p>
+<p>He had not long to wait.&nbsp; Into the cool, overshadowed
+garden the professor descended first, and came jauntily down the
+path in a lively cracking of small shells.&nbsp; With his closed
+parasol hooked on his forearm, and a book in his hand, he
+resembled a banal tourist more than was permissible to a man of
+his unique distinction.&nbsp; He waved the disengaged arm from a
+distance, but at close quarters, arrested before Renouard&rsquo;s
+immobility, he made no offer to shake hands.&nbsp; He seemed to
+appraise the aspect of the man with a sharp glance, and made up
+his mind.</p>
+<p>&ldquo;We are going back by Suez,&rdquo; he began almost
+boisterously.&nbsp; &ldquo;I have been looking up the sailing
+lists.&nbsp; If the zephirs of your Pacific are only moderately
+propitious I think we are sure to catch the mail boat due in
+Marseilles on the 18th of March.&nbsp; This will suit me
+excellently. . . .&rdquo;&nbsp; He lowered his tone.&nbsp;
+&ldquo;My dear young friend, I&rsquo;m deeply grateful to
+you.&rdquo;</p>
+<p>Renouard&rsquo;s set lips moved.</p>
+<p>&ldquo;Why are you grateful to me?&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; Why?&nbsp; In the first place you might have
+made us miss the next boat, mightn&rsquo;t you? . . . I
+don&rsquo;t thank you for your hospitality.&nbsp; You can&rsquo;t
+be angry with me for saying that I am truly thankful to escape
+from it.&nbsp; But I am grateful to you for what you have done,
+and&mdash;for being what you are.&rdquo;</p>
+<p>It was difficult to define the flavour of that speech, but
+Renouard received it with an austerely equivocal smile.&nbsp; The
+professor stepping into the boat opened his parasol and sat down
+in the stern-sheets waiting for the ladies.&nbsp; No sound of
+human voice broke the fresh silence of the morning while they
+walked the broad path, Miss Moorsom a little in advance of her
+aunt.</p>
+<p>When she came abreast of him Renouard raised his head.</p>
+<p>&ldquo;Good-bye, Mr. Renouard,&rdquo; she said in a low voice,
+meaning to pass on; but there was such a look of entreaty in the
+blue gleam of his sunken eyes that after an imperceptible
+hesitation she laid her hand, which was ungloved, in his extended
+palm.</p>
+<p>&ldquo;Will you condescend to remember me?&rdquo; he asked,
+while an emotion with which she was angry made her pale cheeks
+flush and her black eyes sparkle.</p>
+<p>&ldquo;This is a strange request for you to make,&rdquo; she
+said, exaggerating the coldness of her tone.</p>
+<p>&ldquo;Is it?&nbsp; Impudent perhaps.&nbsp; Yet I am not so
+guilty as you think; and bear in mind that to me you can never
+make reparation.&rdquo;</p>
+<p>&ldquo;Reparation?&nbsp; To you!&nbsp; It is you who can offer
+me no reparation for the offence against my feelings&mdash;and my
+person; for what reparation can be adequate for your odious and
+ridiculous plot so scornful in its implication, so humiliating to
+my pride.&nbsp; No!&nbsp; I don&rsquo;t want to remember
+you.&rdquo;</p>
+<p>Unexpectedly, with a tightening grip, he pulled her nearer to
+him, and looking into her eyes with fearless despair&mdash;</p>
+<p>&ldquo;You&rsquo;ll have to.&nbsp; I shall haunt you,&rdquo;
+he said firmly.</p>
+<p>Her hand was wrenched out of his grasp before he had time to
+release it.&nbsp; Felicia Moorsom stepped into the boat, sat down
+by the side of her father, and breathed tenderly on her crushed
+fingers.</p>
+<p>The professor gave her a sidelong look&mdash;nothing
+more.&nbsp; But the professor&rsquo;s sister, yet on shore, had
+put up her long-handle double eye-glass to look at the
+scene.&nbsp; She dropped it with a faint rattle.</p>
+<p>&ldquo;I&rsquo;ve never in my life heard anything so crude
+said to a lady,&rdquo; she murmured, passing before Renouard with
+a perfectly erect head.&nbsp; When, a moment afterwards,
+softening suddenly, she turned to throw a good-bye to that young
+man, she saw only his back in the distance moving towards the
+bungalow.&nbsp; She watched him go in&mdash;amazed&mdash;before
+she too left the soil of Malata.</p>
+<p>Nobody disturbed Renouard in that room where he had shut
+himself in to breathe the evanescent perfume of her who for him
+was no more, till late in the afternoon when the half-caste was
+heard on the other side of the door.</p>
+<p>He wanted the master to know that the trader <i>Janet</i> was
+just entering the cove.</p>
+<p>Renouard&rsquo;s strong voice on his side of the door gave him
+most unexpected instructions.&nbsp; He was to pay off the boys
+with the cash in the office and arrange with the captain of the
+<i>Janet</i> to take every worker away from Malata, returning
+them to their respective homes.&nbsp; An order on the Dunster
+firm would be given to him in payment.</p>
+<p>And again the silence of the bungalow remained unbroken till,
+next morning, the half-caste came to report that everything was
+done.&nbsp; The plantation boys were embarking now.</p>
+<p>Through a crack in the door a hand thrust at him a piece of
+paper, and the door slammed to so sharply that Luiz stepped
+back.&nbsp; Then approaching cringingly the keyhole, in a
+propitiatory tone he asked:</p>
+<p>&ldquo;Do I go too, master?&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; You too.&nbsp; Everybody.&rdquo;</p>
+<p>&ldquo;Master stop here alone?&rdquo;</p>
+<p>Silence.&nbsp; And the half-caste&rsquo;s eyes grew wide with
+wonder.&nbsp; But he also, like those &ldquo;ignorant
+savages,&rdquo; the plantation boys, was only too glad to leave
+an island haunted by the ghost of a white man.&nbsp; He backed
+away noiselessly from the mysterious silence in the closed room,
+and only in the very doorway of the bungalow allowed himself to
+give vent to his feelings by a deprecatory and pained&mdash;</p>
+<p>&ldquo;Tse!&nbsp; Tse!&nbsp; Tse!&rdquo;</p>
+<h3>CHAPTER XII</h3>
+<p>The Moorsoms did manage to catch the homeward mail boat all
+right, but had only twenty-four hours in town.&nbsp; Thus the
+sentimental Willie could not see very much of them.&nbsp; This
+did not prevent him afterwards from relating at great length,
+with manly tears in his eyes, how poor Miss Moorsom&mdash;the
+fashionable and clever beauty&mdash;found her betrothed in Malata
+only to see him die in her arms.&nbsp; Most people were deeply
+touched by the sad story.&nbsp; It was the talk of a good many
+days.</p>
+<p>But the all-knowing Editor, Renouard&rsquo;s only friend and
+crony, wanted to know more than the rest of the world.&nbsp; From
+professional incontinence, perhaps, he thirsted for a full cup of
+harrowing detail.&nbsp; And when he noticed Renouard&rsquo;s
+schooner lying in port day after day he sought the sailing master
+to learn the reason.&nbsp; The man told him that such were his
+instructions.&nbsp; He had been ordered to lie there a month
+before returning to Malata.&nbsp; And the month was nearly
+up.&nbsp; &ldquo;I will ask you to give me a passage,&rdquo; said
+the Editor.</p>
+<p>He landed in the morning at the bottom of the garden and found
+peace, stillness, sunshine reigning everywhere, the doors and
+windows of the bungalow standing wide open, no sight of a human
+being anywhere, the plants growing rank and tall on the deserted
+fields.&nbsp; For hours the Editor and the schooner&rsquo;s crew,
+excited by the mystery, roamed over the island shouting
+Renouard&rsquo;s name; and at last set themselves in grim silence
+to explore systematically the uncleared bush and the deeper
+ravines in search of his corpse.&nbsp; What had happened?&nbsp;
+Had he been murdered by the boys?&nbsp; Or had he simply,
+capricious and secretive, abandoned his plantation taking the
+people with him.&nbsp; It was impossible to tell what had
+happened.&nbsp; At last, towards the decline of the day, the
+Editor and the sailing master discovered a track of sandals
+crossing a strip of sandy beach on the north shore of the
+bay.&nbsp; Following this track fearfully, they passed round the
+spur of the headland, and there on a large stone found the
+sandals, Renouard&rsquo;s white jacket, and the Malay sarong of
+chequered pattern which the planter of Malata was well known to
+wear when going to bathe.&nbsp; These things made a little heap,
+and the sailor remarked, after gazing at it in silence&mdash;</p>
+<p>&ldquo;Birds have been hovering over this for many a
+day.&rdquo;</p>
+<p>&ldquo;He&rsquo;s gone bathing and got drowned,&rdquo; cried
+the Editor in dismay.</p>
+<p>&ldquo;I doubt it, sir.&nbsp; If he had been drowned anywhere
+within a mile from the shore the body would have been washed out
+on the reefs.&nbsp; And our boats have found nothing so
+far.&rdquo;</p>
+<p>Nothing was ever found&mdash;and Renouard&rsquo;s
+disappearance remained in the main inexplicable.&nbsp; For to
+whom could it have occurred that a man would set out calmly to
+swim beyond the confines of life&mdash;with a steady
+stroke&mdash;his eyes fixed on a star!</p>
+<p>Next evening, from the receding schooner, the Editor looked
+back for the last time at the deserted island.&nbsp; A black
+cloud hung listlessly over the high rock on the middle hill; and
+under the mysterious silence of that shadow Malata lay mournful,
+with an air of anguish in the wild sunset, as if remembering the
+heart that was broken there.</p>
+<div class="gapspace">&nbsp;</div>
+<p><i>Dec.</i> 1913.</p>
+<h2><!-- page 119--><a name="page119"></a><span
+class="pagenum">p. 119</span>THE PARTNER</h2>
+<p>&ldquo;And that be hanged for a silly yarn.&nbsp; The boatmen
+here in Westport have been telling this lie to the summer
+visitors for years.&nbsp; The sort that gets taken out for a row
+at a shilling a head&mdash;and asks foolish questions&mdash;must
+be told something to pass the time away.&nbsp; D&rsquo;ye know
+anything more silly than being pulled in a boat along a beach? .
+. . It&rsquo;s like drinking weak lemonade when you aren&rsquo;t
+thirsty.&nbsp; I don&rsquo;t know why they do it!&nbsp; They
+don&rsquo;t even get sick.&rdquo;</p>
+<p>A forgotten glass of beer stood at his elbow; the locality was
+a small respectable smoking-room of a small respectable hotel,
+and a taste for forming chance acquaintances accounts for my
+sitting up late with him.&nbsp; His great, flat, furrowed cheeks
+were shaven; a thick, square wisp of white hairs hung from his
+chin; its waggling gave additional point to his deep utterance;
+and his general contempt for mankind with its activities and
+moralities was expressed in the rakish set of his big soft hat of
+black felt with a large rim, which he kept always on his
+head.</p>
+<p>His appearance was that of an old adventurer, retired after
+many unholy experiences in the darkest parts of the earth; but I
+had every reason to believe that he had never been outside
+England.&nbsp; From a casual remark somebody dropped I gathered
+that in his early days he must have been somehow connected with
+shipping&mdash;with ships in docks.&nbsp; Of individuality he had
+plenty.&nbsp; And it was this which attracted my attention at
+first.&nbsp; But he was not easy to classify, and before the end
+of the week I gave him up with the vague definition, &ldquo;an
+imposing old ruffian.&rdquo;</p>
+<p>One rainy afternoon, oppressed by infinite boredom, I went
+into the smoking-room.&nbsp; He was sitting there in absolute
+immobility, which was really fakir-like and impressive.&nbsp; I
+began to wonder what could be the associations of that sort of
+man, his &ldquo;milieu,&rdquo; his private connections, his
+views, his morality, his friends, and even his wife&mdash;when to
+my surprise he opened a conversation in a deep, muttering
+voice.</p>
+<p>I must say that since he had learned from somebody that I was
+a writer of stories he had been acknowledging my existence by
+means of some vague growls in the morning.</p>
+<p>He was essentially a taciturn man.&nbsp; There was an effect
+of rudeness in his fragmentary sentences.&nbsp; It was some time
+before I discovered that what he would be at was the process by
+which stories&mdash;stories for periodicals&mdash;were
+produced.</p>
+<p>What could one say to a fellow like that?&nbsp; But I was
+bored to death; the weather continued impossible; and I resolved
+to be amiable.</p>
+<p>&ldquo;And so you make these tales up on your own.&nbsp; How
+do they ever come into your head?&rdquo; he rumbled.</p>
+<p>I explained that one generally got a hint for a tale.</p>
+<p>&ldquo;What sort of hint?&rdquo;</p>
+<p>&ldquo;Well, for instance,&rdquo; I said, &ldquo;I got myself
+rowed out to the rocks the other day.&nbsp; My boatman told me of
+the wreck on these rocks nearly twenty years ago.&nbsp; That
+could be used as a hint for a mainly descriptive bit of story
+with some such title as &lsquo;In the Channel,&rsquo; for
+instance.&rdquo;</p>
+<p>It was then that he flew out at the boatmen and the summer
+visitors who listen to their tales.&nbsp; Without moving a muscle
+of his face he emitted a powerful &ldquo;Rot,&rdquo; from
+somewhere out of the depths of his chest, and went on in his
+hoarse, fragmentary mumble.&nbsp; &ldquo;Stare at the silly
+rocks&mdash;nod their silly heads [the visitors, I
+presume].&nbsp; What do they think a man is&mdash;blown-out paper
+bag or what?&mdash;go off pop like that when he&rsquo;s
+hit&mdash;Damn silly yarn&mdash;Hint indeed! . . . A
+lie?&rdquo;</p>
+<p>You must imagine this statuesque ruffian enhaloed in the black
+rim of his hat, letting all this out as an old dog growls
+sometimes, with his head up and staring-away eyes.</p>
+<p>&ldquo;Indeed!&rdquo; I exclaimed.&nbsp; &ldquo;Well, but even
+if untrue it <i>is</i> a hint, enabling me to see these rocks,
+this gale they speak of, the heavy seas, etc., etc., in relation
+to mankind.&nbsp; The struggle against natural forces and the
+effect of the issue on at least one, say,
+exalted&mdash;&rdquo;</p>
+<p>He interrupted me by an aggressive&mdash;</p>
+<p>&ldquo;Would truth be any good to you?&rdquo;</p>
+<p>&ldquo;I shouldn&rsquo;t like to say,&rdquo; I answered,
+cautiously.&nbsp; &ldquo;It&rsquo;s said that truth is stranger
+than fiction.&rdquo;</p>
+<p>&ldquo;Who says that?&rdquo; he mouthed.</p>
+<p>&ldquo;Oh!&nbsp; Nobody in particular.&rdquo;</p>
+<p>I turned to the window; for the contemptuous beggar was
+oppressive to look at, with his immovable arm on the table.&nbsp;
+I suppose my unceremonious manner provoked him to a comparatively
+long speech.</p>
+<p>&ldquo;Did you ever see such a silly lot of rocks?&nbsp; Like
+plums in a slice of cold pudding.&rdquo;</p>
+<p>I was looking at them&mdash;an acre or more of black dots
+scattered on the steel-grey shades of the level sea, under the
+uniform gossamer grey mist with a formless brighter patch in one
+place&mdash;the veiled whiteness of the cliff coming through,
+like a diffused, mysterious radiance.&nbsp; It was a delicate and
+wonderful picture, something expressive, suggestive, and
+desolate, a symphony in grey and black&mdash;a Whistler.&nbsp;
+But the next thing said by the voice behind me made me turn
+round.&nbsp; It growled out contempt for all associated notions
+of roaring seas with concise energy, then went on&mdash;</p>
+<p>&ldquo;I&mdash;no such foolishness&mdash;looking at the rocks
+out there&mdash;more likely call to mind an office&mdash;I used
+to look in sometimes at one time&mdash;office in London&mdash;one
+of them small streets behind Cannon Street Station. . .
+&rdquo;</p>
+<p>He was very deliberate; not jerky, only fragmentary; at times
+profane.</p>
+<p>&ldquo;That&rsquo;s a rather remote connection,&rdquo; I
+observed, approaching him.</p>
+<p>&ldquo;Connection?&nbsp; To Hades with your connections.&nbsp;
+It was an accident.&rdquo;</p>
+<p>&ldquo;Still,&rdquo; I said, &ldquo;an accident has its
+backward and forward connections, which, if they could be set
+forth&mdash;&rdquo;</p>
+<p>Without moving he seemed to lend an attentive ear.</p>
+<p>&ldquo;Aye!&nbsp; Set forth.&nbsp; That&rsquo;s perhaps what
+you could do.&nbsp; Couldn&rsquo;t you now?&nbsp; There&rsquo;s
+no sea life in this connection.&nbsp; But you can put it in out
+of your head&mdash;if you like.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; I could, if necessary,&rdquo; I said.&nbsp;
+&ldquo;Sometimes it pays to put in a lot out of one&rsquo;s head,
+and sometimes it doesn&rsquo;t.&nbsp; I mean that the story
+isn&rsquo;t worth it.&nbsp; Everything&rsquo;s in
+that.&rdquo;</p>
+<p>It amused me to talk to him like this.&nbsp; He reflected
+audibly that he guessed story-writers were out after money like
+the rest of the world which had to live by its wits: and that it
+was extraordinary how far people who were out after money would
+go. . . Some of them.</p>
+<p>Then he made a sally against sea life.&nbsp; Silly sort of
+life, he called it.&nbsp; No opportunities, no experience, no
+variety, nothing.&nbsp; Some fine men came out of it&mdash;he
+admitted&mdash;but no more chance in the world if put to it than
+fly.&nbsp; Kids.&nbsp; So Captain Harry Dunbar.&nbsp; Good
+sailor.&nbsp; Great name as a skipper.&nbsp; Big man; short
+side-whiskers going grey, fine face, loud voice.&nbsp; A good
+fellow, but no more up to people&rsquo;s tricks than a baby.</p>
+<p>&ldquo;That&rsquo;s the captain of the <i>Sagamore</i>
+you&rsquo;re talking about,&rdquo; I said, confidently.</p>
+<p>After a low, scornful &ldquo;Of course&rdquo; he seemed now to
+hold on the wall with his fixed stare the vision of that city
+office, &ldquo;at the back of Cannon Street Station,&rdquo; while
+he growled and mouthed a fragmentary description, jerking his
+chin up now and then, as if angry.</p>
+<p>It was, according to his account, a modest place of business,
+not shady in any sense, but out of the way, in a small street now
+rebuilt from end to end.&nbsp; &ldquo;Seven doors from the
+Cheshire Cat public house under the railway bridge.&nbsp; I used
+to take my lunch there when my business called me to the
+city.&nbsp; Cloete would come in to have his chop and make the
+girl laugh.&nbsp; No need to talk much, either, for that.&nbsp;
+Nothing but the way he would twinkle his spectacles on you and
+give a twitch of his thick mouth was enough to start you off
+before he began one of his little tales.&nbsp; Funny fellow,
+Cloete.&nbsp; C-l-o-e-t-e&mdash;Cloete.&rdquo;</p>
+<p>&ldquo;What was he&mdash;a Dutchman?&rdquo; I asked, not
+seeing in the least what all this had to do with the Westport
+boatmen and the Westport summer visitors and this extraordinary
+old fellow&rsquo;s irritable view of them as liars and
+fools.&nbsp; &ldquo;Devil knows,&rdquo; he grunted, his eyes on
+the wall as if not to miss a single movement of a cinematograph
+picture.&nbsp; &ldquo;Spoke nothing but English, anyway.&nbsp;
+First I saw him&mdash;comes off a ship in dock from the
+States&mdash;passenger.&nbsp; Asks me for a small hotel near
+by.&nbsp; Wanted to be quiet and have a look round for a few
+days.&nbsp; I took him to a place&mdash;friend of mine. . . Next
+time&mdash;in the City&mdash;Hallo!&nbsp; You&rsquo;re very
+obliging&mdash;have a drink.&nbsp; Talks plenty about
+himself.&nbsp; Been years in the States.&nbsp; All sorts of
+business all over the place.&nbsp; With some patent medicine
+people, too.&nbsp; Travels.&nbsp; Writes advertisements and all
+that.&nbsp; Tells me funny stories.&nbsp; Tall, loose-limbed
+fellow.&nbsp; Black hair up on end, like a brush; long face, long
+legs, long arms, twinkle in his specs, jocular way of
+speaking&mdash;in a low voice. . . See that?&rdquo;</p>
+<p>I nodded, but he was not looking at me.</p>
+<p>&ldquo;Never laughed so much in my life.&nbsp; The
+beggar&mdash;would make you laugh telling you how he skinned his
+own father.&nbsp; He was up to that, too.&nbsp; A man who&rsquo;s
+been in the patent-medicine trade will be up to anything from
+pitch-and-toss to wilful murder.&nbsp; And that&rsquo;s a bit of
+hard truth for you.&nbsp; Don&rsquo;t mind what they
+do&mdash;think they can carry off anything and talk themselves
+out of anything&mdash;all the world&rsquo;s a fool to them.&nbsp;
+Business man, too, Cloete.&nbsp; Came over with a few hundred
+pounds.&nbsp; Looking for something to do&mdash;in a quiet
+way.&nbsp; Nothing like the old country, after all, says he. . .
+And so we part&mdash;I with more drinks in me than I was used
+to.&nbsp; After a time, perhaps six months or so, I run up
+against him again in Mr. George Dunbar&rsquo;s office.&nbsp; Yes,
+<i>that</i> office.&nbsp; It wasn&rsquo;t often that I . . .
+However, there was a bit of his cargo in a ship in dock that I
+wanted to ask Mr. George about.&nbsp; In comes Cloete out of the
+room at the back with some papers in his hand.&nbsp;
+Partner.&nbsp; You understand?&rdquo;</p>
+<p>&ldquo;Aha!&rdquo; I said.&nbsp; &ldquo;The few hundred
+pounds.&rdquo;</p>
+<p>&ldquo;And that tongue of his,&rdquo; he growled.&nbsp;
+&ldquo;Don&rsquo;t forget that tongue.&nbsp; Some of his tales
+must have opened George Dunbar&rsquo;s eyes a bit as to what
+business means.&rdquo;</p>
+<p>&ldquo;A plausible fellow,&rdquo; I suggested.</p>
+<p>&ldquo;H&rsquo;m!&nbsp; You must have it in your own
+way&mdash;of course.&nbsp; Well.&nbsp; Partner.&nbsp; George
+Dunbar puts his top-hat on and tells me to wait a moment. . .
+George always looked as though he were making a few thousands a
+year&mdash;a city swell. . . Come along, old man!&nbsp; And he
+and Captain Harry go out together&mdash;some business with a
+solicitor round the corner.&nbsp; Captain Harry, when he was in
+England, used to turn up in his brother&rsquo;s office regularly
+about twelve.&nbsp; Sat in a corner like a good boy, reading the
+paper and smoking his pipe.&nbsp; So they go out. . . Model
+brothers, says Cloete&mdash;two love-birds&mdash;I am looking
+after the tinned-fruit side of this cozy little show. . . Gives
+me that sort of talk.&nbsp; Then by-and-by: What sort of old
+thing is that <i>Sagamore</i>? Finest ship out&mdash;eh?&nbsp; I
+dare say all ships are fine to you.&nbsp; You live by them.&nbsp;
+I tell you what; I would just as soon put my money into an old
+stocking.&nbsp; Sooner!&rdquo;</p>
+<div class="gapspace">&nbsp;</div>
+<p>He drew a breath, and I noticed his hand, lying loosely on the
+table, close slowly into a fist.&nbsp; In that immovable man it
+was startling, ominous, like the famed nod of the Commander.</p>
+<p>&ldquo;So, already at that
+time&mdash;note&mdash;already,&rdquo; he growled.</p>
+<p>&ldquo;But hold on,&rdquo; I interrupted.&nbsp; &ldquo;The
+<i>Sagamore</i> belonged to Mundy and Rogers, I&rsquo;ve been
+told.&rdquo;</p>
+<p>He snorted contemptuously.&nbsp; &ldquo;Damn
+boatmen&mdash;know no better.&nbsp; Flew the firm&rsquo;s
+<i>house-flag</i>.&nbsp; That&rsquo;s another thing.&nbsp;
+Favour.&nbsp; It was like this: When old man Dunbar died, Captain
+Harry was already in command with the firm.&nbsp; George chucked
+the bank he was clerking in&mdash;to go on his own with what
+there was to share after the old chap.&nbsp; George was a smart
+man.&nbsp; Started warehousing; then two or three things at a
+time: wood-pulp, preserved-fruit trade, and so on.&nbsp; And
+Captain Harry let him have his share to work with. . . I am
+provided for in my ship, he says. . . But by-and-by Mundy and
+Rogers begin to sell out to foreigners all their ships&mdash;go
+into steam right away.&nbsp; Captain Harry gets very
+upset&mdash;lose command, part with the ship he was fond
+of&mdash;very wretched.&nbsp; Just then, so it happened, the
+brothers came in for some money&mdash;an old woman died or
+something.&nbsp; Quite a tidy bit.&nbsp; Then young George says:
+There&rsquo;s enough between us two to buy the <i>Sagamore</i>
+with. . . But you&rsquo;ll need more money for your business,
+cries Captain Harry&mdash;and the other laughs at him: My
+business is going on all right.&nbsp; Why, I can go out and make
+a handful of sovereigns while you are trying to get your pipe to
+draw, old man. . . Mundy and Rogers very friendly about it:
+Certainly, Captain.&nbsp; And we will manage her for you, if you
+like, as if she were still our own. . . Why, with a connection
+like that it was good investment to buy that ship.&nbsp;
+Good!&nbsp; Aye, at the time.&rdquo;</p>
+<p>The turning of his head slightly toward me at this point was
+like a sign of strong feeling in any other man.</p>
+<p>&ldquo;You&rsquo;ll mind that this was long before Cloete came
+into it at all,&rdquo; he muttered, warningly.</p>
+<p>&ldquo;Yes.&nbsp; I will mind,&rdquo; I said.&nbsp; &ldquo;We
+generally say: some years passed.&nbsp; That&rsquo;s soon
+done.&rdquo;</p>
+<p>He eyed me for a while silently in an unseeing way, as if
+engrossed in the thought of the years so easily dealt with; his
+own years, too, they were, the years before and the years (not so
+many) after Cloete came upon the scene.&nbsp; When he began to
+speak again, I discerned his intention to point out to me, in his
+obscure and graphic manner, the influence on George Dunbar of
+long association with Cloete&rsquo;s easy moral standards,
+unscrupulously persuasive gift of humour (funny fellow), and
+adventurously reckless disposition.&nbsp; He desired me anxiously
+to elaborate this view, and I assured him it was quite within my
+powers.&nbsp; He wished me also to understand that George&rsquo;s
+business had its ups and downs (the other brother was meantime
+sailing to and fro serenely); that he got into low water at
+times, which worried him rather, because he had married a young
+wife with expensive tastes.&nbsp; He was having a pretty anxious
+time of it generally; and just then Cloete ran up in the city
+somewhere against a man working a patent medicine (the
+fellow&rsquo;s old trade) with some success, but which, with
+capital, capital to the tune of thousands to be spent with both
+hands on advertising, could be turned into a great
+thing&mdash;infinitely better-paying than a gold-mine.&nbsp;
+Cloete became excited at the possibilities of that sort of
+business, in which he was an expert.&nbsp; I understood that
+George&rsquo;s partner was all on fire from the contact with this
+unique opportunity.</p>
+<p>&ldquo;So he goes in every day into George&rsquo;s room about
+eleven, and sings that tune till George gnashes his teeth with
+rage.&nbsp; Do shut up.&nbsp; What&rsquo;s the good?&nbsp; No
+money.&nbsp; Hardly any to go on with, let alone pouring
+thousands into advertising.&nbsp; Never dare propose to his
+brother Harry to sell the ship.&nbsp; Couldn&rsquo;t think of
+it.&nbsp; Worry him to death.&nbsp; It would be like the end of
+the world coming.&nbsp; And certainly not for a business of that
+kind! . . . Do you think it would be a swindle? asks Cloete,
+twitching his mouth. . . George owns up: No&mdash;would be no
+better than a squeamish ass if he thought that, after all these
+years in business.</p>
+<p>&ldquo;Cloete looks at him hard&mdash;Never thought of
+<i>selling</i> the ship.&nbsp; Expected the blamed old thing
+wouldn&rsquo;t fetch half her insured value by this time.&nbsp;
+Then George flies out at him.&nbsp; What&rsquo;s the meaning,
+then, of these silly jeers at ship-owning for the last three
+weeks?&nbsp; Had enough of them, anyhow.</p>
+<p>&ldquo;Angry at having his mouth made to water, see.&nbsp;
+Cloete don&rsquo;t get excited. . . I am no squeamish ass,
+either, says he, very slowly.&nbsp; &rsquo;Tisn&rsquo;t selling
+your old <i>Sagamore</i> wants.&nbsp; The blamed thing wants
+tomahawking (seems the name <i>Sagamore</i> means an Indian chief
+or something.&nbsp; The figure-head was a half-naked savage with
+a feather over one ear and a hatchet in his belt).&nbsp;
+Tomahawking, says he.</p>
+<p>&ldquo;What do you mean? asks George. . . Wrecking&mdash;it
+could be managed with perfect safety, goes on Cloete&mdash;your
+brother would then put in his share of insurance money.&nbsp;
+Needn&rsquo;t tell him exactly what for.&nbsp; He thinks
+you&rsquo;re the smartest business man that ever lived.&nbsp;
+Make his fortune, too. . . George grips the desk with both hands
+in his rage. . . You think my brother&rsquo;s a man to cast away
+his ship on purpose.&nbsp; I wouldn&rsquo;t even dare think of
+such a thing in the same room with him&mdash;the finest fellow
+that ever lived. . . Don&rsquo;t make such noise; they&rsquo;ll
+hear you outside, says Cloete; and he tells him that his brother
+is the salted pattern of all virtues, but all that&rsquo;s
+necessary is to induce him to stay ashore for a voyage&mdash;for
+a holiday&mdash;take a rest&mdash;why not? . . . In fact, I have
+in view somebody up to that sort of game&mdash;Cloete
+whispers.</p>
+<p>&ldquo;George nearly chokes. . . So you think I am of that
+sort&mdash;you think <i>me</i> capable&mdash;What do you take me
+for? . . . He almost loses his head, while Cloete keeps cool,
+only gets white about the gills. . . I take you for a man who
+will be most cursedly hard up before long. . . He goes to the
+door and sends away the clerks&mdash;there were only two&mdash;to
+take their lunch hour.&nbsp; Comes back . . . What are you
+indignant about?&nbsp; Do I want you to rob the widow and
+orphan?&nbsp; Why, man!&nbsp; Lloyd&rsquo;s a corporation, it
+hasn&rsquo;t got a body to starve.&nbsp; There&rsquo;s forty or
+more of them perhaps who underwrote the lines on that silly ship
+of yours.&nbsp; Not one human being would go hungry or cold for
+it.&nbsp; They take every risk into consideration.&nbsp;
+Everything I tell you. . . That sort of talk.&nbsp;
+H&rsquo;m!&nbsp; George too upset to speak&mdash;only gurgles and
+waves his arms; so sudden, you see.&nbsp; The other, warming his
+back at the fire, goes on.&nbsp; Wood-pulp business next door to
+a failure.&nbsp; Tinned-fruit trade nearly played out. . .
+You&rsquo;re frightened, he says; but the law is only meant to
+frighten fools away. . . And he shows how safe casting away that
+ship would be.&nbsp; Premiums paid for so many, many years.&nbsp;
+No shadow of suspicion could arise.&nbsp; And, dash it all! a
+ship must meet her end some day. . .</p>
+<p>&ldquo;I am not frightened.&nbsp; I am indignant,&rdquo; says
+George Dunbar.</p>
+<p>&ldquo;Cloete boiling with rage inside.&nbsp; Chance of a
+lifetime&mdash;his chance!&nbsp; And he says kindly: Your
+wife&rsquo;ll be much more indignant when you ask her to get out
+of that pretty house of yours and pile in into a two-pair
+back&mdash;with kids perhaps, too. . .</p>
+<p>&ldquo;George had no children.&nbsp; Married a couple of
+years; looked forward to a kid or two very much.&nbsp; Feels more
+upset than ever.&nbsp; Talks about an honest man for father, and
+so on.&nbsp; Cloete grins: You be quick before they come, and
+they&rsquo;ll have a rich man for father, and no one the worse
+for it.&nbsp; That&rsquo;s the beauty of the thing.</p>
+<p>&ldquo;George nearly cries.&nbsp; I believe he did cry at odd
+times.&nbsp; This went on for weeks.&nbsp; He couldn&rsquo;t
+quarrel with Cloete.&nbsp; Couldn&rsquo;t pay off his few
+hundreds; and besides, he was used to have him about.&nbsp; Weak
+fellow, George.&nbsp; Cloete generous, too. . . Don&rsquo;t think
+of my little pile, says he.&nbsp; Of course it&rsquo;s gone when
+we have to shut up.&nbsp; But I don&rsquo;t care, he says. . .
+And then there was George&rsquo;s new wife.&nbsp; When Cloete
+dines there, the beggar puts on a dress suit; little woman liked
+it; . . . Mr. Cloete, my husband&rsquo;s partner; such a clever
+man, man of the world, so amusing! . . . When he dines there and
+they are alone: Oh, Mr. Cloete, I wish George would do something
+to improve our prospects.&nbsp; Our position is really so
+mediocre. . . And Cloete smiles, but isn&rsquo;t surprised,
+because he had put all these notions himself into her empty head.
+. . What your husband wants is enterprise, a little
+audacity.&nbsp; You can encourage him best, Mrs. Dunbar. . . She
+was a silly, extravagant little fool.&nbsp; Had made George take
+a house in Norwood.&nbsp; Live up to a lot of people better off
+than themselves.&nbsp; I saw her once; silk dress, pretty boots,
+all feathers and scent, pink face.&nbsp; More like the Promenade
+at the Alhambra than a decent home, it looked to me.&nbsp; But
+some women do get a devil of a hold on a man.&rdquo;</p>
+<p>&ldquo;Yes, some do,&rdquo; I assented.&nbsp; &ldquo;Even when
+the man is the husband.&rdquo;</p>
+<p>&ldquo;My missis,&rdquo; he addressed me unexpectedly, in a
+solemn, surprisingly hollow tone, &ldquo;could wind me round her
+little finger.&nbsp; I didn&rsquo;t find it out till she was
+gone.&nbsp; Aye.&nbsp; But she was a woman of sense, while that
+piece of goods ought to have been walking the streets, and
+that&rsquo;s all I can say. . . You must make her up out of your
+head.&nbsp; You will know the sort.&rdquo;</p>
+<p>&ldquo;Leave all that to me,&rdquo; I said.</p>
+<p>&ldquo;H&rsquo;m!&rdquo; he grunted, doubtfully, then going
+back to his scornful tone: &ldquo;A month or so afterwards the
+<i>Sagamore</i> arrives home.&nbsp; All very jolly at first. . .
+Hallo, George boy!&nbsp; Hallo, Harry, old man! . . . But by and
+by Captain Harry thinks his clever brother is not looking very
+well.&nbsp; And George begins to look worse.&nbsp; He can&rsquo;t
+get rid of Cloete&rsquo;s notion.&nbsp; It has stuck in his head.
+. . There&rsquo;s nothing wrong&mdash;quite well. . . Captain
+Harry still anxious.&nbsp; Business going all right, eh?&nbsp;
+Quite right.&nbsp; Lots of business.&nbsp; Good business. . . Of
+course Captain Harry believes that easily.&nbsp; Starts chaffing
+his brother in his jolly way about rolling in money.&nbsp;
+George&rsquo;s shirt sticks to his back with perspiration, and he
+feels quite angry with the captain. . . The fool, he says to
+himself.&nbsp; Rolling in money, indeed!&nbsp; And then he thinks
+suddenly: Why not? . . . Because Cloete&rsquo;s notion has got
+hold of his mind.</p>
+<p>&ldquo;But next day he weakens and says to Cloete . . .
+Perhaps it would be best to sell.&nbsp; Couldn&rsquo;t you talk
+to my brother? and Cloete explains to him over again for the
+twentieth time why selling wouldn&rsquo;t do, anyhow.&nbsp;
+No!&nbsp; The <i>Sagamore</i> must be tomahawked&mdash;as he
+would call it; to spare George&rsquo;s feelings, maybe.&nbsp; But
+every time he says the word, George shudders. . . I&rsquo;ve got
+a man at hand competent for the job who will do the trick for
+five hundred, and only too pleased at the chance, says Cloete. .
+. George shuts his eyes tight at that sort of talk&mdash;but at
+the same time he thinks: Humbug!&nbsp; There can be no such
+man.&nbsp; And yet if there was such a man it would be safe
+enough&mdash;perhaps.</p>
+<p>&ldquo;And Cloete always funny about it.&nbsp; He
+couldn&rsquo;t talk about anything without it seeming there was a
+great joke in it somewhere. . . Now, says he, I know you are a
+moral citizen, George.&nbsp; Morality is mostly funk, and I think
+you&rsquo;re the funkiest man I ever came across in my
+travels.&nbsp; Why, you are afraid to speak to your
+brother.&nbsp; Afraid to open your mouth to him with a fortune
+for us all in sight. . . George flares up at this: no, he
+ain&rsquo;t afraid; he will speak; bangs fist on the desk.&nbsp;
+And Cloete pats him on the back. . . We&rsquo;ll be made men
+presently, he says.</p>
+<p>&ldquo;But the first time George attempts to speak to Captain
+Harry his heart slides down into his boots.&nbsp; Captain Harry
+only laughs at the notion of staying ashore.&nbsp; He wants no
+holiday, not he.&nbsp; But Jane thinks of remaining in England
+this trip.&nbsp; Go about a bit and see some of her people.&nbsp;
+Jane was the Captain&rsquo;s wife; round-faced, pleasant
+lady.&nbsp; George gives up that time; but Cloete won&rsquo;t let
+him rest.&nbsp; So he tries again; and the Captain frowns.&nbsp;
+He frowns because he&rsquo;s puzzled.&nbsp; He can&rsquo;t make
+it out.&nbsp; He has no notion of living away from his
+<i>Sagamore</i>. . .</p>
+<p>&ldquo;Ah!&rdquo; I cried.&nbsp; &ldquo;Now I
+understand.&rdquo;</p>
+<p>&ldquo;No, you don&rsquo;t,&rdquo; he growled, his black,
+contemptuous stare turning on me crushingly.</p>
+<p>&ldquo;I beg your pardon,&rdquo; I murmured.</p>
+<p>&ldquo;H&rsquo;m!&nbsp; Very well, then.&nbsp; Captain Harry
+looks very stern, and George crumples all up inside. . . He sees
+through me, he thinks. . . Of course it could not be; but George,
+by that time, was scared at his own shadow.&nbsp; He is shirking
+it with Cloete, too.&nbsp; Gives his partner to understand that
+his brother has half a mind to try a spell on shore, and so
+on.&nbsp; Cloete waits, gnawing his fingers; so anxious.&nbsp;
+Cloete really had found a man for the job.&nbsp; Believe it or
+not, he had found him inside the very boarding-house he lodged
+in&mdash;somewhere about Tottenham Court Road.&nbsp; He had
+noticed down-stairs a fellow&mdash;a boarder and not a
+boarder&mdash;hanging about the dark&mdash;part of the passage
+mostly; sort of &lsquo;man of the house,&rsquo; a slinking
+chap.&nbsp; Black eyes.&nbsp; White face.&nbsp; The woman of the
+house&mdash;a widow lady, she called herself&mdash;very full of
+Mr. Stafford; Mr. Stafford this and Mr. Stafford that. . .
+Anyhow, Cloete one evening takes him out to have a drink.&nbsp;
+Cloete mostly passed away his evenings in saloon bars.&nbsp; No
+drunkard, though, Cloete; for company; liked to talk to all sorts
+there; just habit; American fashion.</p>
+<p>&ldquo;So Cloete takes that chap out more than once.&nbsp; Not
+very good company, though.&nbsp; Little to say for himself.&nbsp;
+Sits quiet and drinks what&rsquo;s given to him, eyes always half
+closed, speaks sort of demure. . . I&rsquo;ve had misfortunes, he
+says.&nbsp; The truth was they had kicked him out of a big
+steam-ship company for disgraceful conduct; nothing to affect his
+certificate, you understand; and he had gone down quite
+easily.&nbsp; Liked it, I expect.&nbsp; Anything&rsquo;s better
+than work.&nbsp; Lived on the widow lady who kept that
+boarding-house.&rdquo;</p>
+<p>&ldquo;That&rsquo;s almost incredible,&rdquo; I ventured to
+interrupt.&nbsp; &ldquo;A man with a master&rsquo;s certificate,
+do you mean?&rdquo;</p>
+<p>&ldquo;I do; I&rsquo;ve known them &rsquo;bus cads,&rdquo; he
+growled, contemptuously.&nbsp; &ldquo;Yes.&nbsp; Swing on the
+tail-board by the strap and yell, &lsquo;tuppence all the
+way.&rsquo;&nbsp; Through drink.&nbsp; But this Stafford was of
+another kind.&nbsp; Hell&rsquo;s full of such Staffords; Cloete
+would make fun of him, and then there would be a nasty gleam in
+the fellow&rsquo;s half-shut eye.&nbsp; But Cloete was generally
+kind to him.&nbsp; Cloete was a fellow that would be kind to a
+mangy dog.&nbsp; Anyhow, he used to stand drinks to that object,
+and now and then gave him half a crown&mdash;because the widow
+lady kept Mr. Stafford short of pocket-money.&nbsp; They had rows
+almost every day down in the basement. . .</p>
+<p>&ldquo;It was the fellow being a sailor that put into
+Cloete&rsquo;s mind the first notion of doing away with the
+<i>Sagamore</i>.&nbsp; He studies him a bit, thinks there&rsquo;s
+enough devil in him yet to be tempted, and one evening he says to
+him . . . I suppose you wouldn&rsquo;t mind going to sea again,
+for a spell? . . . The other never raises his eyes; says
+it&rsquo;s scarcely worth one&rsquo;s while for the miserable
+salary one gets. . . Well, but what do you say to captain&rsquo;s
+wages for a time, and a couple of hundred extra if you are
+compelled to come home without the ship.&nbsp; Accidents will
+happen, says Cloete. . . Oh! sure to, says that Stafford; and
+goes on taking sips of his drink as if he had no interest in the
+matter.</p>
+<p>&ldquo;Cloete presses him a bit; but the other observes,
+impudent and languid like: You see, there&rsquo;s no future in a
+thing like that&mdash;is there? . . Oh! no, says Cloete.&nbsp;
+Certainly not.&nbsp; I don&rsquo;t mean this to have any
+future&mdash;as far as you are concerned.&nbsp; It&rsquo;s a
+&lsquo;once for all&rsquo; transaction.&nbsp; Well, what do you
+estimate your future at? he asks. . . The fellow more listless
+than ever&mdash;nearly asleep.&mdash;I believe the skunk was
+really too lazy to care.&nbsp; Small cheating at cards, wheedling
+or bullying his living out of some woman or other, was more his
+style.&nbsp; Cloete swears at him in whispers something
+awful.&nbsp; All this in the saloon bar of the Horse Shoe,
+Tottenham Court Road.&nbsp; Finally they agree, over the second
+sixpennyworth of Scotch hot, on five hundred pounds as the price
+of tomahawking the <i>Sagamore</i>.&nbsp; And Cloete waits to see
+what George can do.</p>
+<p>&ldquo;A week or two goes by.&nbsp; The other fellow loafs
+about the house as if there had been nothing, and Cloete begins
+to doubt whether he really means ever to tackle that job.&nbsp;
+But one day he stops Cloete at the door, with his downcast eyes:
+What about that employment you wished to give me? he asks. . .
+You see, he had played some more than usual dirty trick on the
+woman and expected awful ructions presently; and to be fired out
+for sure.&nbsp; Cloete very pleased.&nbsp; George had been
+prevaricating to him such a lot that he really thought the thing
+was as well as settled.&nbsp; And he says: Yes.&nbsp; It&rsquo;s
+time I introduced you to my friend.&nbsp; Just get your hat and
+we will go now. . .</p>
+<p>&ldquo;The two come into the office, and George at his desk
+sits up in a sudden panic&mdash;staring.&nbsp; Sees a tallish
+fellow, sort of nasty-handsome face, heavy eyes, half shut; short
+drab overcoat, shabby bowler hat, very careful&mdash;like in his
+movements.&nbsp; And he thinks to himself, Is that how such a man
+looks!&nbsp; No, the thing&rsquo;s impossible. . . Cloete does
+the introduction, and the fellow turns round to look behind him
+at the chair before he sits down. . . A thoroughly competent man,
+Cloete goes on . . . The man says nothing, sits perfectly
+quiet.&nbsp; And George can&rsquo;t speak, throat too dry.&nbsp;
+Then he makes an effort: H&rsquo;m!&nbsp; H&rsquo;m!&nbsp; Oh
+yes&mdash;unfortunately&mdash;sorry to disappoint&mdash;my
+brother&mdash;made other arrangements&mdash;going himself.</p>
+<p>&ldquo;The fellow gets up, never raising his eyes off the
+ground, like a modest girl, and goes out softly, right out of the
+office without a sound.&nbsp; Cloete sticks his chin in his hand
+and bites all his fingers at once.&nbsp; George&rsquo;s heart
+slows down and he speaks to Cloete. . . This can&rsquo;t be
+done.&nbsp; How can it be?&nbsp; Directly the ship is lost Harry
+would see through it.&nbsp; You know he is a man to go to the
+underwriters himself with his suspicions.&nbsp; And he would
+break his heart over me.&nbsp; How can I play that on him?&nbsp;
+There&rsquo;s only two of us in the world belonging to each
+other. . .</p>
+<p>&ldquo;Cloete lets out a horrid cuss-word, jumps up, bolts
+away into his room, and George hears him there banging things
+around.&nbsp; After a while he goes to the door and says in a
+trembling voice: You ask me for an impossibility. . . Cloete
+inside ready to fly out like a tiger and rend him; but he opens
+the door a little way and says softly: Talking of hearts, yours
+is no bigger than a mouse&rsquo;s, let me tell you. . . But
+George doesn&rsquo;t care&mdash;load off the heart, anyhow.&nbsp;
+And just then Captain Harry comes in. . . Hallo, George
+boy.&nbsp; I am little late.&nbsp; What about a chop at the
+Cheshire, now? . . . Right you are, old man. . . And off they go
+to lunch together.&nbsp; Cloete has nothing to eat that day.</p>
+<p>&ldquo;George feels a new man for a time; but all of a sudden
+that fellow Stafford begins to hang about the street, in sight of
+the house door.&nbsp; The first time George sees him he thinks he
+made a mistake.&nbsp; But no; next time he has to go out, there
+is the very fellow skulking on the other side of the road.&nbsp;
+It makes George nervous; but he must go out on business, and when
+the fellow cuts across the road-way he dodges him.&nbsp; He
+dodges him once, twice, three times; but at last he gets nabbed
+in his very doorway. . . What do you want? he says, trying to
+look fierce.</p>
+<p>&ldquo;It seems that ructions had come in the basement of that
+boarding-house, and the widow lady had turned on him (being
+jealous mad), to the extent of talking of the police.&nbsp;
+<i>That</i> Mr. Stafford couldn&rsquo;t stand; so he cleared out
+like a scared stag, and there he was, chucked into the streets,
+so to speak.&nbsp; Cloete looked so savage as he went to and fro
+that he hadn&rsquo;t the spunk to tackle him; but George seemed a
+softer kind to his eye.&nbsp; He would have been glad of half a
+quid, anything. . . I&rsquo;ve had misfortunes, he says softly,
+in his demure way, which frightens George more than a row would
+have done. . . Consider the severity of my disappointment, he
+says. . .</p>
+<p>&ldquo;George, instead of telling him to go to the devil,
+loses his head. . . I don&rsquo;t know you.&nbsp; What do you
+want? he cries, and bolts up-stairs to Cloete. . . . Look
+what&rsquo;s come of it, he gasps; now we are at the mercy of
+that horrid fellow. . . Cloete tries to show him that the fellow
+can do nothing; but George thinks that some sort of scandal may
+be forced on, anyhow.&nbsp; Says that he can&rsquo;t live with
+that horror haunting him.&nbsp; Cloete would laugh if he
+weren&rsquo;t too weary of it all.&nbsp; Then a thought strikes
+him and he changes his tune. . . Well, perhaps!&nbsp; I will go
+down-stairs and send him away to begin with. . . He comes back. .
+. He&rsquo;s gone.&nbsp; But perhaps you are right.&nbsp; The
+fellow&rsquo;s hard up, and that&rsquo;s what makes people
+desperate.&nbsp; The best thing would be to get him out of the
+country for a time.&nbsp; Look here, the poor devil is really in
+want of employment.&nbsp; I won&rsquo;t ask you much this time:
+only to hold your tongue; and I shall try to get your brother to
+take him as chief officer.&nbsp; At this George lays his arms and
+his head on his desk, so that Cloete feels sorry for him.&nbsp;
+But altogether Cloete feels more cheerful because he has shaken
+the ghost a bit into that Stafford.&nbsp; That very afternoon he
+buys him a suit of blue clothes, and tells him that he will have
+to turn to and work for his living now.&nbsp; Go to sea as mate
+of the <i>Sagamore</i>.&nbsp; The skunk wasn&rsquo;t very
+willing, but what with having nothing to eat and no place to
+sleep in, and the woman having frightened him with the talk of
+some prosecution or other, he had no choice, properly
+speaking.&nbsp; Cloete takes care of him for a couple of days. .
+. Our arrangement still stands, says he.&nbsp; Here&rsquo;s the
+ship bound for Port Elizabeth; not a safe anchorage at all.&nbsp;
+Should she by chance part from her anchors in a north-east gale
+and get lost on the beach, as many of them do, why, it&rsquo;s
+five hundred in your pocket&mdash;and a quick return home.&nbsp;
+You are up to the job, ain&rsquo;t you?</p>
+<p>&ldquo;Our Mr. Stafford takes it all in with downcast eyes. .
+. I am a competent seaman, he says, with his sly, modest
+air.&nbsp; A ship&rsquo;s chief mate has no doubt many
+opportunities to manipulate the chains and anchors to some
+purpose. . . At this Cloete thumps him on the back: You&rsquo;ll
+do, my noble sailor.&nbsp; Go in and win. . .</p>
+<p>&ldquo;Next thing George knows, his brother tells him that he
+had occasion to oblige his partner.&nbsp; And glad of it,
+too.&nbsp; Likes the partner no end.&nbsp; Took a friend of his
+as mate.&nbsp; Man had his troubles, been ashore a year nursing a
+dying wife, it seems.&nbsp; Down on his luck. . . George protests
+earnestly that he knows nothing of the person.&nbsp; Saw him
+once.&nbsp; Not very attractive to look at. . . And Captain Harry
+says in his hearty way, That&rsquo;s so, but must give the poor
+devil a chance. . .</p>
+<p>&ldquo;So Mr. Stafford joins in dock.&nbsp; And it seems that
+he did manage to monkey with one of the cables&mdash;keeping his
+mind on Port Elizabeth.&nbsp; The riggers had all the cable
+ranged on deck to clean lockers.&nbsp; The new mate watches them
+go ashore&mdash;dinner hour&mdash;and sends the ship-keeper out
+of the ship to fetch him a bottle of beer.&nbsp; Then he goes to
+work whittling away the forelock of the forty-five-fathom
+shackle-pin, gives it a tap or two with a hammer just to make it
+loose, and of course that cable wasn&rsquo;t safe any more.&nbsp;
+Riggers come back&mdash;you know what riggers are: come day, go
+day, and God send Sunday.&nbsp; Down goes the chain into the
+locker without their foreman looking at the shackles at
+all.&nbsp; What does he care?&nbsp; He ain&rsquo;t going in the
+ship.&nbsp; And two days later the ship goes to sea. . .
+&rdquo;</p>
+<div class="gapspace">&nbsp;</div>
+<p>At this point I was incautious enough to breathe out another
+&ldquo;I see,&rdquo; which gave offence again, and brought on me
+a rude &ldquo;No, you don&rsquo;t&rdquo;&mdash;as before.&nbsp;
+But in the pause he remembered the glass of beer at his
+elbow.&nbsp; He drank half of it, wiped his mustaches, and
+remarked grimly&mdash;</p>
+<p>&ldquo;Don&rsquo;t you think that there will be any sea life
+in this, because there ain&rsquo;t.&nbsp; If you&rsquo;re going
+to put in any out of your own head, now&rsquo;s your
+chance.&nbsp; I suppose you know what ten days of bad weather in
+the Channel are like?&nbsp; I don&rsquo;t.&nbsp; Anyway, ten
+whole days go by.&nbsp; One Monday Cloete comes to the office a
+little late&mdash;hears a woman&rsquo;s voice in George&rsquo;s
+room and looks in.&nbsp; Newspapers on the desk, on the floor;
+Captain Harry&rsquo;s wife sitting with red eyes and a bag on the
+chair near her. . . Look at this, says George, in great
+excitement, showing him a paper.&nbsp; Cloete&rsquo;s heart gives
+a jump.&nbsp; Ha!&nbsp; Wreck in Westport Bay.&nbsp; The
+<i>Sagamore</i> gone ashore early hours of Sunday, and so the
+newspaper men had time to put in some of their work.&nbsp;
+Columns of it.&nbsp; Lifeboat out twice.&nbsp; Captain and crew
+remain by the ship.&nbsp; Tugs summoned to assist.&nbsp; If the
+weather improves, this well-known fine ship may yet be saved. . .
+You know the way these chaps put it. . . Mrs. Harry there on her
+way to catch a train from Cannon Street.&nbsp; Got an hour to
+wait.</p>
+<p>&ldquo;Cloete takes George aside and whispers: Ship saved
+yet!&nbsp; Oh, damn!&nbsp; That must never be; you hear?&nbsp;
+But George looks at him dazed, and Mrs. Harry keeps on sobbing
+quietly: . . . I ought to have been with him.&nbsp; But I am
+going to him. . . We are all going together, cries Cloete, all of
+a sudden.&nbsp; He rushes out, sends the woman a cup of hot
+bovril from the shop across the road, buys a rug for her, thinks
+of everything; and in the train tucks her in and keeps on
+talking, thirteen to the dozen, all the way, to keep her spirits
+up, as it were; but really because he can&rsquo;t hold his peace
+for very joy.&nbsp; Here&rsquo;s the thing done all at once, and
+nothing to pay.&nbsp; Done.&nbsp; Actually done.&nbsp; His head
+swims now and again when he thinks of it.&nbsp; What enormous
+luck!&nbsp; It almost frightens him.&nbsp; He would like to yell
+and sing.&nbsp; Meantime George Dunbar sits in his corner,
+looking so deadly miserable that at last poor Mrs. Harry tries to
+comfort him, and so cheers herself up at the same time by talking
+about how her Harry is a prudent man; not likely to risk his
+crew&rsquo;s life or his own unnecessarily&mdash;and so on.</p>
+<p>&ldquo;First thing they hear at Westport station is that the
+life-boat has been out to the ship again, and has brought off the
+second officer, who had hurt himself, and a few sailors.&nbsp;
+Captain and the rest of the crew, about fifteen in all, are still
+on board.&nbsp; Tugs expected to arrive every moment.</p>
+<p>&ldquo;They take Mrs. Harry to the inn, nearly opposite the
+rocks; she bolts straight up-stairs to look out of the window,
+and she lets out a great cry when she sees the wreck.&nbsp; She
+won&rsquo;t rest till she gets on board to her Harry.&nbsp;
+Cloete soothes her all he can. . . All right; you try to eat a
+mouthful, and we will go to make inquiries.</p>
+<p>&ldquo;He draws George out of the room: Look here, she
+can&rsquo;t go on board, but I shall.&nbsp; I&rsquo;ll see to it
+that he doesn&rsquo;t stop in the ship too long.&nbsp;
+Let&rsquo;s go and find the coxswain of the life-boat. . . George
+follows him, shivering from time to time.&nbsp; The waves are
+washing over the old pier; not much wind, a wild, gloomy sky over
+the bay.&nbsp; In the whole world only one tug away off, heading
+to the seas, tossed in and out of sight every minute as regular
+as clockwork.</p>
+<p>&ldquo;They meet the coxswain and he tells them: Yes!&nbsp;
+He&rsquo;s going out again.&nbsp; No, they ain&rsquo;t in danger
+on board&mdash;not yet.&nbsp; But the ship&rsquo;s chance is very
+poor.&nbsp; Still, if the wind doesn&rsquo;t pipe up again and
+the sea goes down something might be tried.&nbsp; After some talk
+he agrees to take Cloete on board; supposed to be with an urgent
+message from the owners to the captain.</p>
+<p>&ldquo;Whenever Cloete looks at the sky he feels comforted; it
+looks so threatening.&nbsp; George Dunbar follows him about with
+a white face and saying nothing.&nbsp; Cloete takes him to have a
+drink or two, and by and by he begins to pick up. . .
+That&rsquo;s better, says Cloete; dash me if it wasn&rsquo;t like
+walking about with a dead man before.&nbsp; You ought to be
+throwing up your cap, man.&nbsp; I feel as if I wanted to stand
+in the street and cheer.&nbsp; Your brother is safe, the ship is
+lost, and we are made men.</p>
+<p>&ldquo;Are you certain she&rsquo;s lost? asks George.&nbsp; It
+would be an awful blow after all the agonies I have gone through
+in my mind, since you first spoke to me, if she were to be got
+off&mdash;and&mdash;and&mdash;all this temptation to begin over
+again. . . For we had nothing to do with this; had we?</p>
+<p>&ldquo;Of course not, says Cloete.&nbsp; Wasn&rsquo;t your
+brother himself in charge?&nbsp; It&rsquo;s providential. . . Oh!
+cries George, shocked. . . Well, say it&rsquo;s the devil, says
+Cloete, cheerfully.&nbsp; I don&rsquo;t mind!&nbsp; You had
+nothing to do with it any more than a baby unborn, you great
+softy, you. . . Cloete has got so that he almost loved George
+Dunbar.&nbsp; Well.&nbsp; Yes.&nbsp; That was so.&nbsp; I
+don&rsquo;t mean he respected him.&nbsp; He was just fond of his
+partner.</p>
+<p>&ldquo;They go back, you may say fairly skipping, to the
+hotel, and find the wife of the captain at the open window, with
+her eyes on the ship as if she wanted to fly across the bay over
+there. . . Now then, Mrs. Dunbar, cries Cloete, you can&rsquo;t
+go, but I am going.&nbsp; Any messages?&nbsp; Don&rsquo;t be
+shy.&nbsp; I&rsquo;ll deliver every word faithfully.&nbsp; And if
+you would like to give me a kiss for him, I&rsquo;ll deliver that
+too, dash me if I don&rsquo;t.</p>
+<p>&ldquo;He makes Mrs. Harry laugh with his patter. . . Oh, dear
+Mr. Cloete, you are a calm, reasonable man.&nbsp; Make him behave
+sensibly.&nbsp; He&rsquo;s a bit obstinate, you know, and
+he&rsquo;s so fond of the ship, too.&nbsp; Tell him I am
+here&mdash;looking on. . . Trust me, Mrs. Dunbar.&nbsp; Only shut
+that window, that&rsquo;s a good girl.&nbsp; You will be sure to
+catch cold if you don&rsquo;t, and the Captain won&rsquo;t be
+pleased coming off the wreck to find you coughing and sneezing so
+that you can&rsquo;t tell him how happy you are.&nbsp; And now if
+you can get me a bit of tape to fasten my glasses on good to my
+ears, I will be going. . .</p>
+<p>&ldquo;How he gets on board I don&rsquo;t know.&nbsp; All wet
+and shaken and excited and out of breath, he does get on
+board.&nbsp; Ship lying over, smothered in sprays, but not moving
+very much; just enough to jag one&rsquo;s nerve a bit.&nbsp; He
+finds them all crowded on the deck-house forward, in their shiny
+oilskins, with faces like sick men.&nbsp; Captain Harry
+can&rsquo;t believe his eyes.&nbsp; What!&nbsp; Mr. Cloete!&nbsp;
+What are you doing here, in God&rsquo;s name? . . . Your
+wife&rsquo;s ashore there, looking on, gasps out Cloete; and
+after they had talked a bit, Captain Harry thinks it&rsquo;s
+uncommonly plucky and kind of his brother&rsquo;s partner to come
+off to him like this.&nbsp; Man glad to have somebody to talk to.
+. . It&rsquo;s a bad business, Mr. Cloete, he says.&nbsp; And
+Cloete rejoices to hear that.&nbsp; Captain Harry thinks he had
+done his best, but the cable had parted when he tried to anchor
+her.&nbsp; It was a great trial to lose the ship.&nbsp; Well, he
+would have to face it.&nbsp; He fetches a deep sigh now and
+then.&nbsp; Cloete almost sorry he had come on board, because to
+be on that wreck keeps his chest in a tight band all the
+time.&nbsp; They crouch out of the wind under the port boat, a
+little apart from the men.&nbsp; The life-boat had gone away
+after putting Cloete on board, but was coming back next high
+water to take off the crew if no attempt at getting the ship
+afloat could be made.&nbsp; Dusk was falling; winter&rsquo;s day;
+black sky; wind rising.&nbsp; Captain Harry felt
+melancholy.&nbsp; God&rsquo;s will be done.&nbsp; If she must be
+left on the rocks&mdash;why, she must.&nbsp; A man should take
+what God sends him standing up. . . Suddenly his voice breaks,
+and he squeezes Cloete&rsquo;s arm: It seems as if I
+couldn&rsquo;t leave her, he whispers.&nbsp; Cloete looks round
+at the men like a lot of huddled sheep and thinks to himself:
+They won&rsquo;t stay. . . Suddenly the ship lifts a little and
+sets down with a thump.&nbsp; Tide rising.&nbsp; Everybody
+beginning to look out for the life-boat.&nbsp; Some of the men
+made her out far away and also two more tugs.&nbsp; But the gale
+has come on again, and everybody knows that no tug will ever dare
+come near the ship.</p>
+<p>&ldquo;That&rsquo;s the end, Captain Harry says, very low. . .
+. Cloete thinks he never felt so cold in all his life. . . And I
+feel as if I didn&rsquo;t care to live on just now, mutters
+Captain Harry . . . Your wife&rsquo;s ashore, looking on, says
+Cloete . . . Yes.&nbsp; Yes.&nbsp; It must be awful for her to
+look at the poor old ship lying here done for.&nbsp; Why,
+that&rsquo;s our home.</p>
+<p>&ldquo;Cloete thinks that as long as the
+<i>Sagamore&rsquo;s</i> done for he doesn&rsquo;t care, and only
+wishes himself somewhere else.&nbsp; The slightest movement of
+the ship cuts his breath like a blow.&nbsp; And he feels excited
+by the danger, too.&nbsp; The captain takes him aside. . . The
+life-boat can&rsquo;t come near us for more than an hour.&nbsp;
+Look here, Cloete, since you are here, and such a plucky
+one&mdash;do something for me. . . He tells him then that down in
+his cabin aft in a certain drawer there is a bundle of important
+papers and some sixty sovereigns in a small canvas bag.&nbsp;
+Asks Cloete to go and get these things out.&nbsp; He hasn&rsquo;t
+been below since the ship struck, and it seems to him that if he
+were to take his eyes off her she would fall to pieces.&nbsp; And
+then the men&mdash;a scared lot by this time&mdash;if he were to
+leave them by themselves they would attempt to launch one of the
+ship&rsquo;s boats in a panic at some heavier thump&mdash;and
+then some of them bound to get drowned. . . There are two or
+three boxes of matches about my shelves in my cabin if you want a
+light, says Captain Harry.&nbsp; Only wipe your wet hands before
+you begin to feel for them. . .</p>
+<p>&ldquo;Cloete doesn&rsquo;t like the job, but doesn&rsquo;t
+like to show funk, either&mdash;and he goes.&nbsp; Lots of water
+on the main-deck, and he splashes along; it was getting dark,
+too.&nbsp; All at once, by the mainmast, somebody catches him by
+the arm.&nbsp; Stafford.&nbsp; He wasn&rsquo;t thinking of
+Stafford at all.&nbsp; Captain Harry had said something as to the
+mate not being quite satisfactory, but it wasn&rsquo;t
+much.&nbsp; Cloete doesn&rsquo;t recognise him in his oilskins at
+first.&nbsp; He sees a white face with big eyes peering at him. .
+. Are you pleased, Mr. Cloete . . . ?</p>
+<p>&ldquo;Cloete is moved to laugh at the whine, and shakes him
+off.&nbsp; But the fellow scrambles on after him on the poop and
+follows him down into the cabin of that wrecked ship.&nbsp; And
+there they are, the two of them; can hardly see each other. . .
+You don&rsquo;t mean to make me believe you have had anything to
+do with this, says Cloete. . .</p>
+<p>&ldquo;They both shiver, nearly out of their wits with the
+excitement of being on board that ship.&nbsp; She thumps and
+lurches, and they stagger together, feeling sick.&nbsp; Cloete
+again bursts out laughing at that wretched creature Stafford
+pretending to have been up to something so desperate. . . Is that
+how you think you can treat me now? yells the other man all of a
+sudden. . .</p>
+<p>&ldquo;A sea strikes the stern, the ship trembles and groans
+all round them, there&rsquo;s the noise of the seas about and
+overhead, confusing Cloete, and he hears the other screaming as
+if crazy. . . Ah, you don&rsquo;t believe me!&nbsp; Go and look
+at the port chain.&nbsp; Parted?&nbsp; Eh?&nbsp; Go and see if
+it&rsquo;s parted.&nbsp; Go and find the broken link.&nbsp; You
+can&rsquo;t.&nbsp; There&rsquo;s no broken link.&nbsp; That means
+a thousand pounds for me.&nbsp; No less.&nbsp; A thousand the day
+after we get ashore&mdash;prompt.&nbsp; I won&rsquo;t wait till
+she breaks up, Mr. Cloete.&nbsp; To the underwriters I go if
+I&rsquo;ve to walk to London on my bare feet.&nbsp; Port
+cable!&nbsp; Look at her port cable, I will say to them.&nbsp; I
+doctored it&mdash;for the owners&mdash;tempted by a low rascal
+called Cloete.</p>
+<p>&ldquo;Cloete does not understand what it means exactly.&nbsp;
+All he sees is that the fellow means to make mischief.&nbsp; He
+sees trouble ahead. . . Do you think you can scare me? he
+asks,&mdash;you poor miserable skunk. . . And Stafford faces him
+out&mdash;both holding on to the cabin table: No, damn you, you
+are only a dirty vagabond; but I can scare the other, the chap in
+the black coat. . .</p>
+<p>&ldquo;Meaning George Dunbar.&nbsp; Cloete&rsquo;s brain reels
+at the thought.&nbsp; He doesn&rsquo;t imagine the fellow can do
+any real harm, but he knows what George is; give the show away;
+upset the whole business he had set his heart on.&nbsp; He says
+nothing; he hears the other, what with the funk and strain and
+excitement, panting like a dog&mdash;and then a snarl. . . A
+thousand down, twenty-four hours after we get ashore; day after
+to-morrow.&nbsp; That&rsquo;s my last word, Mr. Cloete. . . A
+thousand pounds, day after to-morrow, says Cloete.&nbsp; Oh
+yes.&nbsp; And to-day take this, you dirty cur. . . He hits
+straight from the shoulder in sheer rage, nothing else.&nbsp;
+Stafford goes away spinning along the bulk-head.&nbsp; Seeing
+this, Cloete steps out and lands him another one somewhere about
+the jaw.&nbsp; The fellow staggers backward right into the
+captain&rsquo;s cabin through the open door.&nbsp; Cloete,
+following him up, hears him fall down heavily and roll to
+leeward, then slams the door to and turns the key. . . There!
+says he to himself, that will stop you from making
+trouble.&rdquo;</p>
+<p>&ldquo;By Jove!&rdquo; I murmured.</p>
+<p>The old fellow departed from his impressive immobility to turn
+his rakishly hatted head and look at me with his old, black,
+lack-lustre eyes.</p>
+<p>&ldquo;He did leave him there,&rdquo; he uttered, weightily,
+returning to the contemplation of the wall.&nbsp; &ldquo;Cloete
+didn&rsquo;t mean to allow anybody, let alone a thing like
+Stafford, to stand in the way of his great notion of making
+George and himself, and Captain Harry, too, for that matter, rich
+men.&nbsp; And he didn&rsquo;t think much of consequences.&nbsp;
+These patent-medicine chaps don&rsquo;t care what they say or
+what they do.&nbsp; They think the world&rsquo;s bound to swallow
+any story they like to tell. . . He stands listening for a
+bit.&nbsp; And it gives him quite a turn to hear a thump at the
+door and a sort of muffled raving screech inside the
+captain&rsquo;s room.&nbsp; He thinks he hears his own name, too,
+through the awful crash as the old <i>Sagamore</i> rises and
+falls to a sea.&nbsp; That noise and that awful shock make him
+clear out of the cabin.&nbsp; He collects his senses on the
+poop.&nbsp; But his heart sinks a little at the black wildness of
+the night.&nbsp; Chances that he will get drowned himself before
+long.&nbsp; Puts his head down the companion.&nbsp; Through the
+wind and breaking seas he can hear the noise of Stafford&rsquo;s
+beating against the door and cursing.&nbsp; He listens and says
+to himself: No.&nbsp; Can&rsquo;t trust him now. . .</p>
+<p>&ldquo;When he gets back to the top of the deck-house he says
+to Captain Harry, who asks him if he got the things, that he is
+very sorry.&nbsp; There was something wrong with the door.&nbsp;
+Couldn&rsquo;t open it.&nbsp; And to tell you the truth, says he,
+I didn&rsquo;t like to stop any longer in that cabin.&nbsp; There
+are noises there as if the ship were going to pieces. . . Captain
+Harry thinks: Nervous; can&rsquo;t be anything wrong with the
+door.&nbsp; But he says: Thanks&mdash;never mind, never mind. . .
+All hands looking out now for the life-boat.&nbsp; Everybody
+thinking of himself rather.&nbsp; Cloete asks himself, will they
+miss him?&nbsp; But the fact is that Mr. Stafford had made such
+poor show at sea that after the ship struck nobody ever paid any
+attention to him.&nbsp; Nobody cared what he did or where he
+was.&nbsp; Pitch dark, too&mdash;no counting of heads.&nbsp; The
+light of the tug with the lifeboat in tow is seen making for the
+ship, and Captain Harry asks: Are we all there? . . . Somebody
+answers: All here, sir. . . Stand by to leave the ship, then,
+says Captain Harry; and two of you help the gentleman over first.
+. . Aye, aye, sir. . . Cloete was moved to ask Captain Harry to
+let him stay till last, but the life-boat drops on a grapnel
+abreast the fore-rigging, two chaps lay hold of him, watch their
+chance, and drop him into her, all safe.</p>
+<p>&ldquo;He&rsquo;s nearly exhausted; not used to that sort of
+thing, you see.&nbsp; He sits in the stern-sheets with his eyes
+shut.&nbsp; Don&rsquo;t want to look at the white water boiling
+all around.&nbsp; The men drop into the boat one after
+another.&nbsp; Then he hears Captain Harry&rsquo;s voice shouting
+in the wind to the coxswain, to hold on a moment, and some other
+words he can&rsquo;t catch, and the coxswain yelling back:
+Don&rsquo;t be long, sir. . . What is it?&nbsp; Cloete asks
+feeling faint. . . Something about the ship&rsquo;s papers, says
+the coxswain, very anxious.&nbsp; It&rsquo;s no time to be
+fooling about alongside, you understand.&nbsp; They haul the boat
+off a little and wait.&nbsp; The water flies over her in
+sheets.&nbsp; Cloete&rsquo;s senses almost leave him.&nbsp; He
+thinks of nothing.&nbsp; He&rsquo;s numb all over, till
+there&rsquo;s a shout: Here he is! . . . They see a figure in the
+fore-rigging waiting&mdash;they slack away on the grapnel-line
+and get him in the boat quite easy.&nbsp; There is a little
+shouting&mdash;it&rsquo;s all mixed up with the noise of the
+sea.&nbsp; Cloete fancies that Stafford&rsquo;s voice is talking
+away quite close to his ear.&nbsp; There&rsquo;s a lull in the
+wind, and Stafford&rsquo;s voice seems to be speaking very fast
+to the coxswain; he tells him that of course he was near his
+skipper, was all the time near him, till the old man said at the
+last moment that he must go and get the ship&rsquo;s papers from
+aft; would insist on going himself; told him, Stafford, to get
+into the life-boat. . . He had meant to wait for his skipper,
+only there came this smooth of the seas, and he thought he would
+take his chance at once.</p>
+<p>&ldquo;Cloete opens his eyes.&nbsp; Yes.&nbsp; There&rsquo;s
+Stafford sitting close by him in that crowded life-boat.&nbsp;
+The coxswain stoops over Cloete and cries: Did you hear what the
+mate said, sir? . . . Cloete&rsquo;s face feels as if it were set
+in plaster, lips and all.&nbsp; Yes, I did, he forces himself to
+answer.&nbsp; The coxswain waits a moment, then says: I
+don&rsquo;t like it. . . And he turns to the mate, telling him it
+was a pity he did not try to run along the deck and hurry up the
+captain when the lull came.&nbsp; Stafford answers at once that
+he did think of it, only he was afraid of missing him on the deck
+in the dark.&nbsp; For, says he, the captain might have got over
+at once, thinking I was already in the life-boat, and you would
+have hauled off perhaps, leaving me behind. . . True enough, says
+the coxswain.&nbsp; A minute or so passes.&nbsp; This won&rsquo;t
+do, mutters the coxswain.&nbsp; Suddenly Stafford speaks up in a
+sort of hollow voice: I was by when he told Mr. Cloete here that
+he didn&rsquo;t know how he would ever have the courage to leave
+the old ship; didn&rsquo;t he, now? . . . And Cloete feels his
+arm being gripped quietly in the dark. . . Didn&rsquo;t he
+now?&nbsp; We were standing together just before you went over,
+Mr. Cloete? . . .</p>
+<p>&ldquo;Just then the coxswain cries out: I&rsquo;m going on
+board to see. . . Cloete tears his arm away: I am going with you.
+. .</p>
+<p>&ldquo;When they get aboard, the coxswain tells Cloete to go
+aft along one side of the ship and he would go along the other so
+as not to miss the captain. . . And feel about with your hands,
+too, says he; he might have fallen and be lying insensible
+somewhere on the deck. . . When Cloete gets at last to the cabin
+companion on the poop the coxswain is already there, peering down
+and sniffing.&nbsp; I detect a smell of smoke down there, says
+he.&nbsp; And he yells: Are you there, sir? . . . This is not a
+case for shouting, says Cloete, feeling his heart go stony, as it
+were. . . Down they go.&nbsp; Pitch dark; the inclination so
+sharp that the coxswain, groping his way into the captain&rsquo;s
+room, slips and goes tumbling down.&nbsp; Cloete hears him cry
+out as though he had hurt himself, and asks what&rsquo;s the
+matter.&nbsp; And the coxswain answers quietly that he had fallen
+on the captain, lying there insensible.&nbsp; Cloete without a
+word begins to grope all over the shelves for a box of matches,
+finds one, and strikes a light.&nbsp; He sees the coxswain in his
+cork jacket kneeling over Captain Harry. . . Blood, says the
+coxswain, looking up, and the match goes out. . .</p>
+<p>&ldquo;Wait a bit, says Cloete; I&rsquo;ll make paper spills.
+. . He had felt the back of books on the shelves.&nbsp; And so he
+stands lighting one spill from another while the coxswain turns
+poor Captain Harry over.&nbsp; Dead, he says.&nbsp; Shot through
+the heart.&nbsp; Here&rsquo;s the revolver. . . He hands it up to
+Cloete, who looks at it before putting it in his pocket, and sees
+a plate on the butt with <i>H. Dunbar</i> on it. . . His own, he
+mutters. . . Whose else revolver did you expect to find? snaps
+the coxswain.&nbsp; And look, he took off his long oilskin in the
+cabin before he went in.&nbsp; But what&rsquo;s this lot of burnt
+paper?&nbsp; What could he want to burn the ship&rsquo;s papers
+for? . . .</p>
+<p>Cloete sees all, the little drawers drawn out, and asks the
+coxswain to look well into them. . . There&rsquo;s nothing, says
+the man.&nbsp; Cleaned out.&nbsp; Seems to have pulled out all he
+could lay his hands on and set fire to the lot.&nbsp;
+Mad&mdash;that&rsquo;s what it is&mdash;went mad.&nbsp; And now
+he&rsquo;s dead.&nbsp; You&rsquo;ll have to break it to his wife.
+. .</p>
+<p>&ldquo;I feel as if I were going mad myself, says Cloete,
+suddenly, and the coxswain begs him for God&rsquo;s sake to pull
+himself together, and drags him away from the cabin.&nbsp; They
+had to leave the body, and as it was they were just in time
+before a furious squall came on.&nbsp; Cloete is dragged into the
+life-boat and the coxswain tumbles in.&nbsp; Haul away on the
+grapnel, he shouts; the captain has shot himself. . .</p>
+<p>&ldquo;Cloete was like a dead man&mdash;didn&rsquo;t care for
+anything.&nbsp; He let that Stafford pinch his arm twice without
+making a sign.&nbsp; Most of Westport was on the old pier to see
+the men out of the life-boat, and at first there was a sort of
+confused cheery uproar when she came alongside; but after the
+coxswain has shouted something the voices die out, and everybody
+is very quiet.&nbsp; As soon as Cloete has set foot on something
+firm he becomes himself again.&nbsp; The coxswain shakes hands
+with him: Poor woman, poor woman, I&rsquo;d rather you had the
+job than I. . .</p>
+<p>&ldquo;Where&rsquo;s the mate?&rdquo; asks Cloete.&nbsp;
+He&rsquo;s the last man who spoke to the master. . . Somebody ran
+along&mdash;the crew were being taken to the Mission Hall, where
+there was a fire and shake-downs ready for them&mdash;somebody
+ran along the pier and caught up with Stafford. . . Here!&nbsp;
+The owner&rsquo;s agent wants you. . . Cloete tucks the
+fellow&rsquo;s arm under his own and walks away with him to the
+left, where the fishing-harbour is. . . I suppose I haven&rsquo;t
+misunderstood you.&nbsp; You wish me to look after you a bit,
+says he.&nbsp; The other hangs on him rather limp, but gives a
+nasty little laugh: You had better, he mumbles; but mind, no
+tricks; no tricks, Mr. Cloete; we are on land now.</p>
+<p>&ldquo;There&rsquo;s a police office within fifty yards from
+here, says Cloete.&nbsp; He turns into a little public house,
+pushes Stafford along the passage.&nbsp; The landlord runs out of
+the bar. . . This is the mate of the ship on the rocks, Cloete
+explains; I wish you would take care of him a bit to-night. . .
+What&rsquo;s the matter with him? asks the man.&nbsp; Stafford
+leans against the wall in the passage, looking ghastly.&nbsp; And
+Cloete says it&rsquo;s nothing&mdash;done up, of course. . . I
+will be responsible for the expense; I am the owner&rsquo;s
+agent.&nbsp; I&rsquo;ll be round in an hour or two to see
+him.</p>
+<p>And Cloete gets back to the hotel.&nbsp; The news had
+travelled there already, and the first thing he sees is George
+outside the door as white as a sheet waiting for him.&nbsp;
+Cloete just gives him a nod and they go in.&nbsp; Mrs. Harry
+stands at the head of the stairs, and, when she sees only these
+two coming up, flings her arms above her head and runs into her
+room.&nbsp; Nobody had dared tell her, but not seeing her husband
+was enough.&nbsp; Cloete hears an awful shriek. . . Go to her, he
+says to George.</p>
+<p>&ldquo;While he&rsquo;s alone in the private parlour Cloete
+drinks a glass of brandy and thinks it all out.&nbsp; Then George
+comes in. . . The landlady&rsquo;s with her, he says.&nbsp; And
+he begins to walk up and down the room, flinging his arms about
+and talking, disconnected like, his face set hard as Cloete has
+never seen it before. . . What must be, must be.&nbsp;
+Dead&mdash;only brother.&nbsp; Well, dead&mdash;his troubles
+over.&nbsp; But we are living, he says to Cloete; and I suppose,
+says he, glaring at him with hot, dry eyes, that you won&rsquo;t
+forget to wire in the morning to your friend that we are coming
+in for certain. . .</p>
+<p>&ldquo;Meaning the patent-medicine fellow. . . Death is death
+and business is business, George goes on; and look&mdash;my hands
+are clean, he says, showing them to Cloete.&nbsp; Cloete thinks:
+He&rsquo;s going crazy.&nbsp; He catches hold of him by the
+shoulders and begins to shake him: Damn you&mdash;if you had had
+the sense to know what to say to your brother, if you had had the
+spunk to speak to him at all, you moral creature you, he would be
+alive now, he shouts.</p>
+<p>&ldquo;At this George stares, then bursts out weeping with a
+great bellow.&nbsp; He throws himself on the couch, buries his
+face in a cushion, and howls like a kid. . . That&rsquo;s better,
+thinks Cloete, and he leaves him, telling the landlord that he
+must go out, as he has some little business to attend to that
+night.&nbsp; The landlord&rsquo;s wife, weeping herself, catches
+him on the stairs: Oh, sir, that poor lady will go out of her
+mind. . .</p>
+<p>&ldquo;Cloete shakes her off, thinking to himself: Oh
+no!&nbsp; She won&rsquo;t.&nbsp; She will get over it.&nbsp;
+Nobody will go mad about this affair unless I do.&nbsp; It
+isn&rsquo;t sorrow that makes people go mad, but worry.</p>
+<p>&ldquo;There Cloete was wrong.&nbsp; What affected Mrs. Harry
+was that her husband should take his own life, with her, as it
+were, looking on.&nbsp; She brooded over it so that in less than
+a year they had to put her into a Home.&nbsp; She was very, very
+quiet; just gentle melancholy.&nbsp; She lived for quite a long
+time.</p>
+<p>&ldquo;Well, Cloete splashes along in the wind and rain.&nbsp;
+Nobody in the streets&mdash;all the excitement over.&nbsp; The
+publican runs out to meet him in the passage and says to him: Not
+this way.&nbsp; He isn&rsquo;t in his room.&nbsp; We
+couldn&rsquo;t get him to go to bed nohow.&nbsp; He&rsquo;s in
+the little parlour there.&nbsp; We&rsquo;ve lighted him a fire. .
+. You have been giving him drinks too, says Cloete; I never said
+I would be responsible for drinks.&nbsp; How many? . . . Two,
+says the other.&nbsp; It&rsquo;s all right.&nbsp; I don&rsquo;t
+mind doing that much for a shipwrecked sailor. . . Cloete smiles
+his funny smile: Eh?&nbsp; Come.&nbsp; He paid for them. . . The
+publican just blinks. . . Gave you gold, didn&rsquo;t he?&nbsp;
+Speak up! . . . What of that! cries the man.&nbsp; What are you
+after, anyway?&nbsp; He had the right change for his
+sovereign.</p>
+<p>&ldquo;Just so, says Cloete.&nbsp; He walks into the parlour,
+and there he sees our Stafford; hair all up on end,
+landlord&rsquo;s shirt and pants on, bare feet in slippers,
+sitting by the fire.&nbsp; When he sees Cloete he casts his eyes
+down.</p>
+<p>&ldquo;You didn&rsquo;t mean us ever to meet again, Mr.
+Cloete, Stafford says, demurely. . . That fellow, when he had the
+drink he wanted&mdash;he wasn&rsquo;t a drunkard&mdash;would put
+on this sort of sly, modest air. . . But since the captain
+committed suicide, he says, I have been sitting here thinking it
+out.&nbsp; All sorts of things happen.&nbsp; Conspiracy to lose
+the ship&mdash;attempted murder&mdash;and this suicide.&nbsp; For
+if it was not suicide, Mr. Cloete, then I know of a victim of the
+most cruel, cold-blooded attempt at murder; somebody who has
+suffered a thousand deaths.&nbsp; And that makes the thousand
+pounds of which we spoke once a quite insignificant sum.&nbsp;
+Look how very convenient this suicide is. . .</p>
+<p>&ldquo;He looks up at Cloete then, who smiles at him and comes
+quite close to the table.</p>
+<p>&ldquo;You killed Harry Dunbar, he whispers. . . The fellow
+glares at him and shows his teeth: Of course I did!&nbsp; I had
+been in that cabin for an hour and a half like a rat in a trap. .
+. Shut up and left to drown in that wreck.&nbsp; Let flesh and
+blood judge.&nbsp; Of course I shot him!&nbsp; I thought it was
+you, you murdering scoundrel, come back to settle me.&nbsp; He
+opens the door flying and tumbles right down upon me; I had a
+revolver in my hand, and I shot him.&nbsp; I was crazy.&nbsp; Men
+have gone crazy for less.</p>
+<p>&ldquo;Cloete looks at him without flinching.&nbsp; Aha!&nbsp;
+That&rsquo;s your story, is it? . . . And he shakes the table a
+little in his passion as he speaks. . . Now listen to mine.&nbsp;
+What&rsquo;s this conspiracy?&nbsp; Who&rsquo;s going to prove
+it?&nbsp; You were there to rob.&nbsp; You were rifling his
+cabin; he came upon you unawares with your hands in the drawer;
+and you shot him with his own revolver.&nbsp; You killed to
+steal&mdash;to steal!&nbsp; His brother and the clerks in the
+office know that he took sixty pounds with him to sea.&nbsp;
+Sixty pounds in gold in a canvas bag.&nbsp; He told me where they
+were.&nbsp; The coxswain of the life-boat can swear to it that
+the drawers were all empty.&nbsp; And you are such a fool that
+before you&rsquo;re half an hour ashore you change a sovereign to
+pay for a drink.&nbsp; Listen to me.&nbsp; If you don&rsquo;t
+turn up day after to-morrow at George Dunbar&rsquo;s solicitors,
+to make the proper deposition as to the loss of the ship, I shall
+set the police on your track.&nbsp; Day after to-morrow. . .</p>
+<p>&ldquo;And then what do you think?&nbsp; That Stafford begins
+to tear his hair.&nbsp; Just so.&nbsp; Tugs at it with both hands
+without saying anything.&nbsp; Cloete gives a push to the table
+which nearly sends the fellow off his chair, tumbling inside the
+fender; so that he has got to catch hold of it to save himself. .
+.</p>
+<p>&ldquo;You know the sort of man I am, Cloete says,
+fiercely.&nbsp; I&rsquo;ve got to a point that I don&rsquo;t care
+what happens to me.&nbsp; I would shoot you now for tuppence.</p>
+<p>&ldquo;At this the cur dodges under the table.&nbsp; Then
+Cloete goes out, and as he turns in the street&mdash;you know,
+little fishermen&rsquo;s cottages, all dark; raining in torrents,
+too&mdash;the other opens the window of the parlour and speaks in
+a sort of crying voice&mdash;</p>
+<p>&ldquo;You low Yankee fiend&mdash;I&rsquo;ll pay you off some
+day.</p>
+<p>&ldquo;Cloete passes by with a damn bitter laugh, because he
+thinks that the fellow in a way has paid him off already, if he
+only knew it.&rdquo;</p>
+<div class="gapspace">&nbsp;</div>
+<p>My impressive ruffian drank what remained of his beer, while
+his black, sunken eyes looked at me over the rim.</p>
+<p>&ldquo;I don&rsquo;t quite understand this,&rdquo; I
+said.&nbsp; &ldquo;In what way?&rdquo;</p>
+<p>He unbent a little and explained without too much scorn that
+Captain Harry being dead, his half of the insurance money went to
+his wife, and her trustees of course bought consols with
+it.&nbsp; Enough to keep her comfortable.&nbsp; George
+Dunbar&rsquo;s half, as Cloete feared from the first, did not
+prove sufficient to launch the medicine well; other moneyed men
+stepped in, and these two had to go out of that business, pretty
+nearly shorn of everything.</p>
+<p>&ldquo;I am curious,&rdquo; I said, &ldquo;to learn what the
+motive force of this tragic affair was&mdash;I mean the patent
+medicine.&nbsp; Do you know?&rdquo;</p>
+<p>He named it, and I whistled respectfully.&nbsp; Nothing less
+than Parker&rsquo;s Lively Lumbago Pills.&nbsp; Enormous
+property!&nbsp; You know it; all the world knows it.&nbsp; Every
+second man, at least, on this globe of ours has tried it.</p>
+<p>&ldquo;Why!&rdquo; I cried, &ldquo;they missed an immense
+fortune.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; he mumbled, &ldquo;by the price of a
+revolver-shot.&rdquo;</p>
+<p>He told me also that eventually Cloete returned to the States,
+passenger in a cargo-boat from Albert Dock.&nbsp; The night
+before he sailed he met him wandering about the quays, and took
+him home for a drink.&nbsp; &ldquo;Funny chap, Cloete.&nbsp; We
+sat all night drinking grogs, till it was time for him to go on
+board.&rdquo;</p>
+<p>It was then that Cloete, unembittered but weary, told him this
+story, with that utterly unconscious frankness of a
+patent-medicine man stranger to all moral standards.&nbsp; Cloete
+concluded by remarking that he, had &ldquo;had enough of the old
+country.&rdquo;&nbsp; George Dunbar had turned on him, too, in
+the end.&nbsp; Cloete was clearly somewhat disillusioned.</p>
+<p>As to Stafford, he died, professed loafer, in some East End
+hospital or other, and on his last day clamoured &ldquo;for a
+parson,&rdquo; because his conscience worried him for killing an
+innocent man.&nbsp; &ldquo;Wanted somebody to tell him it was all
+right,&rdquo; growled my old ruffian, contemptuously.&nbsp;
+&ldquo;He told the parson that I knew this Cloete who had tried
+to murder him, and so the parson (he worked among the dock
+labourers) once spoke to me about it.&nbsp; That skunk of a
+fellow finding himself trapped yelled for mercy. . . Promised to
+be good and so on. . . Then he went crazy . . . screamed and
+threw himself about, beat his head against the bulkheads . . .
+you can guess all that&mdash;eh? . . . till he was
+exhausted.&nbsp; Gave up.&nbsp; Threw himself down, shut his
+eyes, and wanted to pray.&nbsp; So he says.&nbsp; Tried to think
+of some prayer for a quick death&mdash;he was that
+terrified.&nbsp; Thought that if he had a knife or something he
+would cut his throat, and be done with it.&nbsp; Then he thinks:
+No!&nbsp; Would try to cut away the wood about the lock. . . He
+had no knife in his pocket. . . he was weeping and calling on God
+to send him a tool of some kind when suddenly he thinks:
+Axe!&nbsp; In most ships there is a spare emergency axe kept in
+the master&rsquo;s room in some locker or other. . . Up he jumps.
+. . Pitch dark.&nbsp; Pulls at the drawers to find matches and,
+groping for them, the first thing he comes upon&mdash;Captain
+Harry&rsquo;s revolver.&nbsp; Loaded too.&nbsp; He goes perfectly
+quiet all over.&nbsp; Can shoot the lock to pieces.&nbsp;
+See?&nbsp; Saved!&nbsp; God&rsquo;s providence!&nbsp; There are
+boxes of matches too.&nbsp; Thinks he: I may just as well see
+what I am about.</p>
+<p>&ldquo;Strikes a light and sees the little canvas bag tucked
+away at the back of the drawer.&nbsp; Knew at once what that
+was.&nbsp; Rams it into his pocket quick.&nbsp; Aha! says he to
+himself: this requires more light.&nbsp; So he pitches a lot of
+paper on the floor, set fire to it, and starts in a hurry
+rummaging for more valuables.&nbsp; Did you ever?&nbsp; He told
+that East-End parson that the devil tempted him.&nbsp; First
+God&rsquo;s mercy&mdash;then devil&rsquo;s work.&nbsp; Turn and
+turn about. . .</p>
+<p>&ldquo;Any squirming skunk can talk like that.&nbsp; He was so
+busy with the drawers that the first thing he heard was a shout,
+Great Heavens.&nbsp; He looks up and there was the door open
+(Cloete had left the key in the lock) and Captain Harry holding
+on, well above him, very fierce in the light of the burning
+papers.&nbsp; His eyes were starting out of his head.&nbsp;
+Thieving, he thunders at him.&nbsp; A sailor!&nbsp; An
+officer!&nbsp; No!&nbsp; A wretch like you deserves no better
+than to be left here to drown.</p>
+<p>&ldquo;This Stafford&mdash;on his death-bed&mdash;told the
+parson that when he heard these words he went crazy again.&nbsp;
+He snatched his hand with the revolver in it out of the drawer,
+and fired without aiming.&nbsp; Captain Harry fell right in with
+a crash like a stone on top of the burning papers, putting the
+blaze out.&nbsp; All dark.&nbsp; Not a sound.&nbsp; He listened
+for a bit then dropped the revolver and scrambled out on deck
+like mad.&rdquo;</p>
+<p>The old fellow struck the table with his ponderous fist.</p>
+<p>&ldquo;What makes me sick is to hear these silly boat-men
+telling people the captain committed suicide.&nbsp; Pah!&nbsp;
+Captain Harry was a man that could face his Maker any time up
+there, and here below, too.&nbsp; He wasn&rsquo;t the sort to
+slink out of life.&nbsp; Not he!&nbsp; He was a good man down to
+the ground.&nbsp; He gave me my first job as stevedore only three
+days after I got married.&rdquo;</p>
+<p>As the vindication of Captain Harry from the charge of suicide
+seemed to be his only object, I did not thank him very effusively
+for his material.&nbsp; And then it was not worth many thanks in
+any case.</p>
+<p>For it is too startling even to think of such things happening
+in our respectable Channel in full view, so to speak, of the
+luxurious continental traffic to Switzerland and Monte
+Carlo.&nbsp; This story to be acceptable should have been
+transposed to somewhere in the South Seas.&nbsp; But it would
+have been too much trouble to cook it for the consumption of
+magazine readers.&nbsp; So here it is raw, so to speak&mdash;just
+as it was told to me&mdash;but unfortunately robbed of the
+striking effect of the narrator; the most imposing old ruffian
+that ever followed the unromantic trade of master stevedore in
+the port of London.</p>
+<div class="gapspace">&nbsp;</div>
+<p><i>Oct.</i> 1910.</p>
+<h2><!-- page 175--><a name="page175"></a><span
+class="pagenum">p. 175</span>THE INN OF THE TWO WITCHES<br />
+<span class="smcap">a find</span></h2>
+<p>This tale, episode, experience&mdash;call it how you
+will&mdash;was related in the fifties of the last century by a
+man who, by his own confession, was sixty years old at the
+time.&nbsp; Sixty is not a bad age&mdash;unless in perspective,
+when no doubt it is contemplated by the majority of us with mixed
+feelings.&nbsp; It is a calm age; the game is practically over by
+then; and standing aside one begins to remember with a certain
+vividness what a fine fellow one used to be.&nbsp; I have
+observed that, by an amiable attention of Providence, most people
+at sixty begin to take a romantic view of themselves.&nbsp; Their
+very failures exhale a charm of peculiar potency.&nbsp; And
+indeed the hopes of the future are a fine company to live with,
+exquisite forms, fascinating if you like, but&mdash;so to
+speak&mdash;naked, stripped for a run.&nbsp; The robes of glamour
+are luckily the property of the immovable past which, without
+them, would sit, a shivery sort of thing, under the gathering
+shadows.</p>
+<p>I suppose it was the romanticism of growing age which set our
+man to relate his experience for his own satisfaction or for the
+wonder of his posterity.&nbsp; It could not have been for his
+glory, because the experience was simply that of an abominable
+fright&mdash;terror he calls it.&nbsp; You would have guessed
+that the relation alluded to in the very first lines was in
+writing.</p>
+<p>This writing constitutes the Find declared in the
+sub-title.&nbsp; The title itself is my own contrivance,
+(can&rsquo;t call it invention), and has the merit of
+veracity.&nbsp; We will be concerned with an inn here.&nbsp; As
+to the witches that&rsquo;s merely a conventional expression, and
+we must take our man&rsquo;s word for it that it fits the
+case.</p>
+<p>The Find was made in a box of books bought in London, in a
+street which no longer exists, from a second-hand bookseller in
+the last stage of decay.&nbsp; As to the books themselves they
+were at least twentieth-hand, and on inspection turned out not
+worth the very small sum of money I disbursed.&nbsp; It might
+have been some premonition of that fact which made me say:
+&ldquo;But I must have the box too.&rdquo;&nbsp; The decayed
+bookseller assented by the careless, tragic gesture of a man
+already doomed to extinction.</p>
+<p>A litter of loose pages at the bottom of the box excited my
+curiosity but faintly.&nbsp; The close, neat, regular handwriting
+was not attractive at first sight.&nbsp; But in one place the
+statement that in <span class="smcap">a.d.</span> 1813 the writer
+was twenty-two years old caught my eye.&nbsp; Two and twenty is
+an interesting age in which one is easily reckless and easily
+frightened; the faculty of reflection being weak and the power of
+imagination strong.</p>
+<p>In another place the phrase: &ldquo;At night we stood in
+again,&rdquo; arrested my languid attention, because it was a sea
+phrase.&nbsp; &ldquo;Let&rsquo;s see what it is all about,&rdquo;
+I thought, without excitement.</p>
+<p>Oh! but it was a dull-faced MS., each line resembling every
+other line in their close-set and regular order.&nbsp; It was
+like the drone of a monotonous voice.&nbsp; A treatise on
+sugar-refining (the dreariest subject I can think of) could have
+been given a more lively appearance.&nbsp; &ldquo;In <span
+class="smcap">a.d.</span> 1813, I was twenty-two years
+old,&rdquo; he begins earnestly and goes on with every appearance
+of calm, horrible industry.&nbsp; Don&rsquo;t imagine, however,
+that there is anything archaic in my find.&nbsp; Diabolic
+ingenuity in invention though as old as the world is by no means
+a lost art.&nbsp; Look at the telephones for shattering the
+little peace of mind given to us in this world, or at the machine
+guns for letting with dispatch life out of our bodies.&nbsp;
+Now-a-days any blear-eyed old witch if only strong enough to turn
+an insignificant little handle could lay low a hundred young men
+of twenty in the twinkling of an eye.</p>
+<p>If this isn&rsquo;t progress! . . . Why immense!&nbsp; We have
+moved on, and so you must expect to meet here a certain naiveness
+of contrivance and simplicity of aim appertaining to the remote
+epoch.&nbsp; And of course no motoring tourist can hope to find
+such an inn anywhere, now.&nbsp; This one, the one of the title,
+was situated in Spain.&nbsp; That much I discovered only from
+internal evidence, because a good many pages of that relation
+were missing&mdash;perhaps not a great misfortune after
+all.&nbsp; The writer seemed to have entered into a most
+elaborate detail of the why and wherefore of his presence on that
+coast&mdash;presumably the north coast of Spain.&nbsp; His
+experience has nothing to do with the sea, though.&nbsp; As far
+as I can make it out, he was an officer on board a
+sloop-of-war.&nbsp; There&rsquo;s nothing strange in that.&nbsp;
+At all stages of the long Peninsular campaign many of our
+men-of-war of the smaller kind were cruising off the north coast
+of Spain&mdash;as risky and disagreeable a station as can be well
+imagined.</p>
+<p>It looks as though that ship of his had had some special
+service to perform.&nbsp; A careful explanation of all the
+circumstances was to be expected from our man, only, as
+I&rsquo;ve said, some of his pages (good tough paper too) were
+missing: gone in covers for jampots or in wadding for the
+fowling-pieces of his irreverent posterity.&nbsp; But it is to be
+seen clearly that communication with the shore and even the
+sending of messengers inland was part of her service, either to
+obtain intelligence from or to transmit orders or advice to
+patriotic Spaniards, guerilleros or secret juntas of the
+province.&nbsp; Something of the sort.&nbsp; All this can be only
+inferred from the preserved scraps of his conscientious
+writing.</p>
+<p>Next we come upon the panegyric of a very fine sailor, a
+member of the ship&rsquo;s company, having the rating of the
+captain&rsquo;s coxswain.&nbsp; He was known on board as Cuba
+Tom; not because he was Cuban however; he was indeed the best
+type of a genuine British tar of that time, and a
+man-of-war&rsquo;s man for years.&nbsp; He came by the name on
+account of some wonderful adventures he had in that island in his
+young days, adventures which were the favourite subject of the
+yarns he was in the habit of spinning to his shipmates of an
+evening on the forecastle head.&nbsp; He was intelligent, very
+strong, and of proved courage.&nbsp; Incidentally we are told, so
+exact is our narrator, that Tom had the finest pigtail for
+thickness and length of any man in the Navy.&nbsp; This
+appendage, much cared for and sheathed tightly in a porpoise
+skin, hung half way down his broad back to the great admiration
+of all beholders and to the great envy of some.</p>
+<p>Our young officer dwells on the manly qualities of Cuba Tom
+with something like affection.&nbsp; This sort of relation
+between officer and man was not then very rare.&nbsp; A youngster
+on joining the service was put under the charge of a trustworthy
+seaman, who slung his first hammock for him and often later on
+became a sort of humble friend to the junior officer.&nbsp; The
+narrator on joining the sloop had found this man on board after
+some years of separation.&nbsp; There is something touching in
+the warm pleasure he remembers and records at this meeting with
+the professional mentor of his boyhood.</p>
+<p>We discover then that, no Spaniard being forthcoming for the
+service, this worthy seaman with the unique pigtail and a very
+high character for courage and steadiness had been selected as
+messenger for one of these missions inland which have been
+mentioned.&nbsp; His preparations were not elaborate.&nbsp; One
+gloomy autumn morning the sloop ran close to a shallow cove where
+a landing could be made on that iron-bound shore.&nbsp; A boat
+was lowered, and pulled in with Tom Corbin (Cuba Tom) perched in
+the bow, and our young man (Mr. Edgar Byrne was his name on this
+earth which knows him no more) sitting in the stern sheets.</p>
+<p>A few inhabitants of a hamlet, whose grey stone houses could
+be seen a hundred yards or so up a deep ravine, had come down to
+the shore and watched the approach of the boat.&nbsp; The two
+Englishmen leaped ashore.&nbsp; Either from dullness or
+astonishment the peasants gave no greeting, and only fell back in
+silence.</p>
+<p>Mr. Byrne had made up his mind to see Tom Corbin started
+fairly on his way.&nbsp; He looked round at the heavy surprised
+faces.</p>
+<p>&ldquo;There isn&rsquo;t much to get out of them,&rdquo; he
+said.&nbsp; &ldquo;Let us walk up to the village.&nbsp; There
+will be a wine shop for sure where we may find somebody more
+promising to talk to and get some information from.&rdquo;</p>
+<p>&ldquo;Aye, aye, sir,&rdquo; said Tom falling into step behind
+his officer.&nbsp; &ldquo;A bit of palaver as to courses and
+distances can do no harm; I crossed the broadest part of Cuba by
+the help of my tongue tho&rsquo; knowing far less Spanish than I
+do now.&nbsp; As they say themselves it was &lsquo;four words and
+no more&rsquo; with me, that time when I got left behind on shore
+by the <i>Blanche</i>, frigate.&rdquo;</p>
+<p>He made light of what was before him, which was but a
+day&rsquo;s journey into the mountains.&nbsp; It is true that
+there was a full day&rsquo;s journey before striking the mountain
+path, but that was nothing for a man who had crossed the island
+of Cuba on his two legs, and with no more than four words of the
+language to begin with.</p>
+<p>The officer and the man were walking now on a thick sodden bed
+of dead leaves, which the peasants thereabouts accumulate in the
+streets of their villages to rot during the winter for field
+manure.&nbsp; Turning his head Mr. Byrne perceived that the whole
+male population of the hamlet was following them on the noiseless
+springy carpet.&nbsp; Women stared from the doors of the houses
+and the children had apparently gone into hiding.&nbsp; The
+village knew the ship by sight, afar off, but no stranger had
+landed on that spot perhaps for a hundred years or more.&nbsp;
+The cocked hat of Mr. Byrne, the bushy whiskers and the enormous
+pigtail of the sailor, filled them with mute wonder.&nbsp; They
+pressed behind the two Englishmen staring like those islanders
+discovered by Captain Cook in the South Seas.</p>
+<p>It was then that Byrne had his first glimpse of the little
+cloaked man in a yellow hat.&nbsp; Faded and dingy as it was,
+this covering for his head made him noticeable.</p>
+<p>The entrance to the wine shop was like a rough hole in a wall
+of flints.&nbsp; The owner was the only person who was not in the
+street, for he came out from the darkness at the back where the
+inflated forms of wine skins hung on nails could be vaguely
+distinguished.&nbsp; He was a tall, one-eyed Asturian with
+scrubby, hollow cheeks; a grave expression of countenance
+contrasted enigmatically with the roaming restlessness of his
+solitary eye.&nbsp; On learning that the matter in hand was the
+sending on his way of that English mariner toward a certain
+Gonzales in the mountains, he closed his good eye for a moment as
+if in meditation.&nbsp; Then opened it, very lively again.</p>
+<p>&ldquo;Possibly, possibly.&nbsp; It could be done.&rdquo;</p>
+<p>A friendly murmur arose in the group in the doorway at the
+name of Gonzales, the local leader against the French.&nbsp;
+Inquiring as to the safety of the road Byrne was glad to learn
+that no troops of that nation had been seen in the neighbourhood
+for months.&nbsp; Not the smallest little detachment of these
+impious <i>polizones</i>.&nbsp; While giving these answers the
+owner of the wine-shop busied himself in drawing into an
+earthenware jug some wine which he set before the heretic
+English, pocketing with grave abstraction the small piece of
+money the officer threw upon the table in recognition of the
+unwritten law that none may enter a wine-shop without buying
+drink.&nbsp; His eye was in constant motion as if it were trying
+to do the work of the two; but when Byrne made inquiries as to
+the possibility of hiring a mule, it became immovably fixed in
+the direction of the door which was closely besieged by the
+curious.&nbsp; In front of them, just within the threshold, the
+little man in the large cloak and yellow hat had taken his
+stand.&nbsp; He was a diminutive person, a mere homunculus, Byrne
+describes him, in a ridiculously mysterious, yet assertive
+attitude, a corner of his cloak thrown cavalierly over his left
+shoulder, muffling his chin and mouth; while the broad-brimmed
+yellow hat hung on a corner of his square little head.&nbsp; He
+stood there taking snuff, repeatedly.</p>
+<p>&ldquo;A mule,&rdquo; repeated the wine-seller, his eyes fixed
+on that quaint and snuffy figure. . . &ldquo;No, se&ntilde;or
+officer!&nbsp; Decidedly no mule is to be got in this poor
+place.&rdquo;</p>
+<p>The coxswain, who stood by with the true sailor&rsquo;s air of
+unconcern in strange surroundings, struck in quietly&mdash;</p>
+<p>&ldquo;If your honour will believe me Shank&rsquo;s
+pony&rsquo;s the best for this job.&nbsp; I would have to leave
+the beast somewhere, anyhow, since the captain has told me that
+half my way will be along paths fit only for goats.&rdquo;</p>
+<p>The diminutive man made a step forward, and speaking through
+the folds of the cloak which seemed to muffle a sarcastic
+intention&mdash;</p>
+<p>&ldquo;Si, se&ntilde;or.&nbsp; They are too honest in this
+village to have a single mule amongst them for your
+worship&rsquo;s service.&nbsp; To that I can bear
+testimony.&nbsp; In these times it&rsquo;s only rogues or very
+clever men who can manage to have mules or any other four-footed
+beasts and the wherewithal to keep them.&nbsp; But what this
+valiant mariner wants is a guide; and here, se&ntilde;or, behold
+my brother-in-law, Bernardino, wine-seller, and alcade of this
+most Christian and hospitable village, who will find you
+one.&rdquo;</p>
+<p>This, Mr. Byrne says in his relation, was the only thing to
+do.&nbsp; A youth in a ragged coat and goat-skin breeches was
+produced after some more talk.&nbsp; The English officer stood
+treat to the whole village, and while the peasants drank he and
+Cuba Tom took their departure accompanied by the guide.&nbsp; The
+diminutive man in the cloak had disappeared.</p>
+<p>Byrne went along with the coxswain out of the village.&nbsp;
+He wanted to see him fairly on his way; and he would have gone a
+greater distance, if the seaman had not suggested respectfully
+the advisability of return so as not to keep the ship a moment
+longer than necessary so close in with the shore on such an
+unpromising looking morning.&nbsp; A wild gloomy sky hung over
+their heads when they took leave of each other, and their
+surroundings of rank bushes and stony fields were dreary.</p>
+<p>&ldquo;In four days&rsquo; time,&rdquo; were Byrne&rsquo;s
+last words, &ldquo;the ship will stand in and send a boat on
+shore if the weather permits.&nbsp; If not you&rsquo;ll have to
+make it out on shore the best you can till we come along to take
+you off.&rdquo;</p>
+<p>&ldquo;Right you are, sir,&rdquo; answered Tom, and strode
+on.&nbsp; Byrne watched him step out on a narrow path.&nbsp; In a
+thick pea-jacket with a pair of pistols in his belt, a cutlass by
+his side, and a stout cudgel in his hand, he looked a sturdy
+figure and well able to take care of himself.&nbsp; He turned
+round for a moment to wave his hand, giving to Byrne one more
+view of his honest bronzed face with bushy whiskers.&nbsp; The
+lad in goatskin breeches looking, Byrne says, like a faun or a
+young satyr leaping ahead, stopped to wait for him, and then went
+off at a bound.&nbsp; Both disappeared.</p>
+<p>Byrne turned back.&nbsp; The hamlet was hidden in a fold of
+the ground, and the spot seemed the most lonely corner of the
+earth and as if accursed in its uninhabited desolate
+barrenness.&nbsp; Before he had walked many yards, there appeared
+very suddenly from behind a bush the muffled up diminutive
+Spaniard.&nbsp; Naturally Byrne stopped short.</p>
+<p>The other made a mysterious gesture with a tiny hand peeping
+from under his cloak.&nbsp; His hat hung very much at the side of
+his head.&nbsp; &ldquo;Se&ntilde;or,&rdquo; he said without any
+preliminaries.&nbsp; &ldquo;Caution!&nbsp; It is a positive fact
+that one-eyed Bernardino, my brother-in-law, has at this moment a
+mule in his stable.&nbsp; And why he who is not clever has a mule
+there?&nbsp; Because he is a rogue; a man without
+conscience.&nbsp; Because I had to give up the <i>macho</i> to
+him to secure for myself a roof to sleep under and a mouthful of
+<i>olla</i> to keep my soul in this insignificant body of
+mine.&nbsp; Yet, se&ntilde;or, it contains a heart many times
+bigger than the mean thing which beats in the breast of that
+brute connection of mine of which I am ashamed, though I opposed
+that marriage with all my power.&nbsp; Well, the misguided woman
+suffered enough.&nbsp; She had her purgatory on this
+earth&mdash;God rest her soul.&rdquo;</p>
+<p>Byrne says he was so astonished by the sudden appearance of
+that sprite-like being, and by the sardonic bitterness of the
+speech, that he was unable to disentangle the significant fact
+from what seemed but a piece of family history fired out at him
+without rhyme or reason.&nbsp; Not at first.&nbsp; He was
+confounded and at the same time he was impressed by the rapid
+forcible delivery, quite different from the frothy excited
+loquacity of an Italian.&nbsp; So he stared while the homunculus
+letting his cloak fall about him, aspired an immense quantity of
+snuff out of the hollow of his palm.</p>
+<p>&ldquo;A mule,&rdquo; exclaimed Byrne seizing at last the real
+aspect of the discourse.&nbsp; &ldquo;You say he has got a
+mule?&nbsp; That&rsquo;s queer!&nbsp; Why did he refuse to let me
+have it?&rdquo;</p>
+<p>The diminutive Spaniard muffled himself up again with great
+dignity.</p>
+<p>&ldquo;<i>Quien sabe</i>,&rdquo; he said coldly, with a shrug
+of his draped shoulders.&nbsp; &ldquo;He is a great
+<i>politico</i> in everything he does.&nbsp; But one thing your
+worship may be certain of&mdash;that his intentions are always
+rascally.&nbsp; This husband of my <i>defunta</i> sister ought to
+have been married a long time ago to the widow with the wooden
+legs.&rdquo; <a name="citation188"></a><a href="#footnote188"
+class="citation">[188]</a></p>
+<p>&ldquo;I see.&nbsp; But remember that, whatever your motives,
+your worship countenanced him in this lie.&rdquo;</p>
+<p>The bright unhappy eyes on each side of a predatory nose
+confronted Byrne without wincing, while with that testiness which
+lurks so often at the bottom of Spanish dignity&mdash;</p>
+<p>&ldquo;No doubt the se&ntilde;or officer would not lose an
+ounce of blood if I were stuck under the fifth rib,&rdquo; he
+retorted.&nbsp; &ldquo;But what of this poor sinner
+here?&rdquo;&nbsp; Then changing his tone.&nbsp;
+&ldquo;Se&ntilde;or, by the necessities of the times I live here
+in exile, a Castilian and an old Christian, existing miserably in
+the midst of these brute Asturians, and dependent on the worst of
+them all, who has less conscience and scruples than a wolf.&nbsp;
+And being a man of intelligence I govern myself
+accordingly.&nbsp; Yet I can hardly contain my scorn.&nbsp; You
+have heard the way I spoke.&nbsp; A caballero of parts like your
+worship might have guessed that there was a cat in
+there.&rdquo;</p>
+<p>&ldquo;What cat?&rdquo; said Byrne uneasily.&nbsp; &ldquo;Oh,
+I see.&nbsp; Something suspicious.&nbsp; No, se&ntilde;or.&nbsp;
+I guessed nothing.&nbsp; My nation are not good guessers at that
+sort of thing; and, therefore, I ask you plainly whether that
+wine-seller has spoken the truth in other particulars?&rdquo;</p>
+<p>&ldquo;There are certainly no Frenchmen anywhere about,&rdquo;
+said the little man with a return to his indifferent manner.</p>
+<p>&ldquo;Or robbers&mdash;<i>ladrones</i>?&rdquo;</p>
+<p>&ldquo;<i>Ladrones en grande</i>&mdash;no!&nbsp; Assuredly
+not,&rdquo; was the answer in a cold philosophical tone.&nbsp;
+&ldquo;What is there left for them to do after the French?&nbsp;
+And nobody travels in these times.&nbsp; But who can say!&nbsp;
+Opportunity makes the robber.&nbsp; Still that mariner of yours
+has a fierce aspect, and with the son of a cat rats will have no
+play.&nbsp; But there is a saying, too, that where honey is there
+will soon be flies.&rdquo;</p>
+<p>This oracular discourse exasperated Byrne.&nbsp; &ldquo;In the
+name of God,&rdquo; he cried, &ldquo;tell me plainly if you think
+my man is reasonably safe on his journey.&rdquo;</p>
+<p>The homunculus, undergoing one of his rapid changes, seized
+the officer&rsquo;s arm.&nbsp; The grip of his little hand was
+astonishing.</p>
+<p>&ldquo;Se&ntilde;or!&nbsp; Bernardino had taken notice of
+him.&nbsp; What more do you want?&nbsp; And listen&mdash;men have
+disappeared on this road&mdash;on a certain portion of this road,
+when Bernardino kept a <i>meson</i>, an inn, and I, his
+brother-in-law, had coaches and mules for hire.&nbsp; Now there
+are no travellers, no coaches.&nbsp; The French have ruined
+me.&nbsp; Bernardino has retired here for reasons of his own
+after my sister died.&nbsp; They were three to torment the life
+out of her, he and Erminia and Lucilla, two aunts of
+his&mdash;all affiliated to the devil.&nbsp; And now he has
+robbed me of my last mule.&nbsp; You are an armed man.&nbsp;
+Demand the <i>macho</i> from him, with a pistol to his head,
+se&ntilde;or&mdash;it is not his, I tell you&mdash;and ride after
+your man who is so precious to you.&nbsp; And then you shall both
+be safe, for no two travellers have been ever known to disappear
+together in these days.&nbsp; As to the beast, I, its owner, I
+confide it to your honour.&rdquo;</p>
+<p>They were staring hard at each other, and Byrne nearly burst
+into a laugh at the ingenuity and transparency of the little
+man&rsquo;s plot to regain possession of his mule.&nbsp; But he
+had no difficulty to keep a straight face because he felt deep
+within himself a strange inclination to do that very
+extraordinary thing.&nbsp; He did not laugh, but his lip
+quivered; at which the diminutive Spaniard, detaching his black
+glittering eyes from Byrne&rsquo;s face, turned his back on him
+brusquely with a gesture and a fling of the cloak which somehow
+expressed contempt, bitterness, and discouragement all at
+once.&nbsp; He turned away and stood still, his hat aslant,
+muffled up to the ears.&nbsp; But he was not offended to the
+point of refusing the silver <i>duro</i> which Byrne offered him
+with a non-committal speech as if nothing extraordinary had
+passed between them.</p>
+<p>&ldquo;I must make haste on board now,&rdquo; said Byrne,
+then.</p>
+<p>&ldquo;<i>Vaya usted con Dios</i>,&rdquo; muttered the
+gnome.&nbsp; And this interview ended with a sarcastic low sweep
+of the hat which was replaced at the same perilous angle as
+before.</p>
+<p>Directly the boat had been hoisted the ship&rsquo;s sails were
+filled on the off-shore tack, and Byrne imparted the whole story
+to his captain, who was but a very few years older than
+himself.&nbsp; There was some amused indignation at it&mdash;but
+while they laughed they looked gravely at each other.&nbsp; A
+Spanish dwarf trying to beguile an officer of his majesty&rsquo;s
+navy into stealing a mule for him&mdash;that was too funny, too
+ridiculous, too incredible.&nbsp; Those were the exclamations of
+the captain.&nbsp; He couldn&rsquo;t get over the grotesqueness
+of it.</p>
+<p>&ldquo;Incredible.&nbsp; That&rsquo;s just it,&rdquo; murmured
+Byrne at last in a significant tone.</p>
+<p>They exchanged a long stare.&nbsp; &ldquo;It&rsquo;s as clear
+as daylight,&rdquo; affirmed the captain impatiently, because in
+his heart he was not certain.&nbsp; And Tom the best seaman in
+the ship for one, the good-humouredly deferential friend of his
+boyhood for the other, was becoming endowed with a compelling
+fascination, like a symbolic figure of loyalty appealing to their
+feelings and their conscience, so that they could not detach
+their thoughts from his safety.&nbsp; Several times they went up
+on deck, only to look at the coast, as if it could tell them
+something of his fate.&nbsp; It stretched away, lengthening in
+the distance, mute, naked, and savage, veiled now and then by the
+slanting cold shafts of rain.&nbsp; The westerly swell rolled its
+interminable angry lines of foam and big dark clouds flew over
+the ship in a sinister procession.</p>
+<p>&ldquo;I wish to goodness you had done what your little friend
+in the yellow hat wanted you to do,&rdquo; said the commander of
+the sloop late in the afternoon with visible exasperation.</p>
+<p>&ldquo;Do you, sir?&rdquo; answered Byrne, bitter with
+positive anguish.&nbsp; &ldquo;I wonder what you would have said
+afterwards?&nbsp; Why!&nbsp; I might have been kicked out of the
+service for looting a mule from a nation in alliance with His
+Majesty.&nbsp; Or I might have been battered to a pulp with
+flails and pitch-forks&mdash;a pretty tale to get abroad about
+one of your officers&mdash;while trying to steal a mule.&nbsp; Or
+chased ignominiously to the boat&mdash;for you would not have
+expected me to shoot down unoffending people for the sake of a
+mangy mule. . . And yet,&rdquo; he added in a low voice, &ldquo;I
+almost wish myself I had done it.&rdquo;</p>
+<p>Before dark those two young men had worked themselves up into
+a highly complex psychological state of scornful scepticism and
+alarmed credulity.&nbsp; It tormented them exceedingly; and the
+thought that it would have to last for six days at least, and
+possibly be prolonged further for an indefinite time, was not to
+be borne.&nbsp; The ship was therefore put on the inshore tack at
+dark.&nbsp; All through the gusty dark night she went towards the
+land to look for her man, at times lying over in the heavy puffs,
+at others rolling idle in the swell, nearly stationary, as if she
+too had a mind of her own to swing perplexed between cool reason
+and warm impulse.</p>
+<p>Then just at daybreak a boat put off from her and went on
+tossed by the seas towards the shallow cove where, with
+considerable difficulty, an officer in a thick coat and a round
+hat managed to land on a strip of shingle.</p>
+<p>&ldquo;It was my wish,&rdquo; writes Mr. Byrne, &ldquo;a wish
+of which my captain approved, to land secretly if possible.&nbsp;
+I did not want to be seen either by my aggrieved friend in the
+yellow hat, whose motives were not clear, or by the one-eyed
+wine-seller, who may or may not have been affiliated to the
+devil, or indeed by any other dweller in that primitive
+village.&nbsp; But unfortunately the cove was the only possible
+landing place for miles; and from the steepness of the ravine I
+couldn&rsquo;t make a circuit to avoid the houses.&rdquo;</p>
+<p>&ldquo;Fortunately,&rdquo; he goes on, &ldquo;all the people
+were yet in their beds.&nbsp; It was barely daylight when I found
+myself walking on the thick layer of sodden leaves filling the
+only street.&nbsp; No soul was stirring abroad, no dog
+barked.&nbsp; The silence was profound, and I had concluded with
+some wonder that apparently no dogs were kept in the hamlet, when
+I heard a low snarl, and from a noisome alley between two hovels
+emerged a vile cur with its tail between its legs.&nbsp; He slunk
+off silently showing me his teeth as he ran before me, and he
+disappeared so suddenly that he might have been the unclean
+incarnation of the Evil One.&nbsp; There was, too, something so
+weird in the manner of its coming and vanishing, that my spirits,
+already by no means very high, became further depressed by the
+revolting sight of this creature as if by an unlucky
+presage.&rdquo;</p>
+<p>He got away from the coast unobserved, as far as he knew, then
+struggled manfully to the west against wind and rain, on a barren
+dark upland, under a sky of ashes.&nbsp; Far away the harsh and
+desolate mountains raising their scarped and denuded ridges
+seemed to wait for him menacingly.&nbsp; The evening found him
+fairly near to them, but, in sailor language, uncertain of his
+position, hungry, wet, and tired out by a day of steady tramping
+over broken ground during which he had seen very few people, and
+had been unable to obtain the slightest intelligence of Tom
+Corbin&rsquo;s passage.&nbsp; &ldquo;On! on! I must push
+on,&rdquo; he had been saying to himself through the hours of
+solitary effort, spurred more by incertitude than by any definite
+fear or definite hope.</p>
+<p>The lowering daylight died out quickly, leaving him faced by a
+broken bridge.&nbsp; He descended into the ravine, forded a
+narrow stream by the last gleam of rapid water, and clambering
+out on the other side was met by the night which fell like a
+bandage over his eyes.&nbsp; The wind sweeping in the darkness
+the broadside of the sierra worried his ears by a continuous
+roaring noise as of a maddened sea.&nbsp; He suspected that he
+had lost the road.&nbsp; Even in daylight, with its ruts and
+mud-holes and ledges of outcropping stone, it was difficult to
+distinguish from the dreary waste of the moor interspersed with
+boulders and clumps of naked bushes.&nbsp; But, as he says,
+&ldquo;he steered his course by the feel of the wind,&rdquo; his
+hat rammed low on his brow, his head down, stopping now and again
+from mere weariness of mind rather than of body&mdash;as if not
+his strength but his resolution were being overtaxed by the
+strain of endeavour half suspected to be vain, and by the unrest
+of his feelings.</p>
+<p>In one of these pauses borne in the wind faintly as if from
+very far away he heard a sound of knocking, just knocking on
+wood.&nbsp; He noticed that the wind had lulled suddenly.</p>
+<p>His heart started beating tumultuously because in himself he
+carried the impression of the desert solitudes he had been
+traversing for the last six hours&mdash;the oppressive sense of
+an uninhabited world.&nbsp; When he raised his head a gleam of
+light, illusory as it often happens in dense darkness, swam
+before his eyes.&nbsp; While he peered, the sound of feeble
+knocking was repeated&mdash;and suddenly he felt rather than saw
+the existence of a massive obstacle in his path.&nbsp; What was
+it?&nbsp; The spur of a hill?&nbsp; Or was it a house!&nbsp;
+Yes.&nbsp; It was a house right close, as though it had risen
+from the ground or had come gliding to meet him, dumb and pallid;
+from some dark recess of the night.&nbsp; It towered
+loftily.&nbsp; He had come up under its lee; another three steps
+and he could have touched the wall with his hand.&nbsp; It was no
+doubt a <i>posada</i> and some other traveller was trying for
+admittance.&nbsp; He heard again the sound of cautious
+knocking.</p>
+<p>Next moment a broad band of light fell into the night through
+the opened door.&nbsp; Byrne stepped eagerly into it, whereupon
+the person outside leaped with a stifled cry away into the
+night.&nbsp; An exclamation of surprise was heard too, from
+within.&nbsp; Byrne, flinging himself against the half closed
+door, forced his way in against some considerable resistance.</p>
+<p>A miserable candle, a mere rushlight, burned at the end of a
+long deal table.&nbsp; And in its light Byrne saw, staggering
+yet, the girl he had driven from the door.&nbsp; She had a short
+black skirt, an orange shawl, a dark complexion&mdash;and the
+escaped single hairs from the mass, sombre and thick like a
+forest and held up by a comb, made a black mist about her low
+forehead.&nbsp; A shrill lamentable howl of:
+&ldquo;Misericordia!&rdquo; came in two voices from the further
+end of the long room, where the fire-light of an open hearth
+played between heavy shadows.&nbsp; The girl recovering herself
+drew a hissing breath through her set teeth.</p>
+<p>It is unnecessary to report the long process of questions and
+answers by which he soothed the fears of two old women who sat on
+each side of the fire, on which stood a large earthenware
+pot.&nbsp; Byrne thought at once of two witches watching the
+brewing of some deadly potion.&nbsp; But all the same, when one
+of them raising forward painfully her broken form lifted the
+cover of the pot, the escaping steam had an appetising
+smell.&nbsp; The other did not budge, but sat hunched up, her
+head trembling all the time.</p>
+<p>They were horrible.&nbsp; There was something grotesque in
+their decrepitude.&nbsp; Their toothless mouths, their hooked
+noses, the meagreness of the active one, and the hanging yellow
+cheeks of the other (the still one, whose head trembled) would
+have been laughable if the sight of their dreadful physical
+degradation had not been appalling to one&rsquo;s eyes, had not
+gripped one&rsquo;s heart with poignant amazement at the
+unspeakable misery of age, at the awful persistency of life
+becoming at last an object of disgust and dread.</p>
+<p>To get over it Byrne began to talk, saying that he was an
+Englishman, and that he was in search of a countryman who ought
+to have passed this way.&nbsp; Directly he had spoken the
+recollection of his parting with Tom came up in his mind with
+amazing vividness: the silent villagers, the angry gnome, the
+one-eyed wine-seller, Bernardino.&nbsp; Why!&nbsp; These two
+unspeakable frights must be that man&rsquo;s
+aunts&mdash;affiliated to the devil.</p>
+<p>Whatever they had been once it was impossible to imagine what
+use such feeble creatures could be to the devil, now, in the
+world of the living.&nbsp; Which was Lucilla and which was
+Erminia?&nbsp; They were now things without a name.&nbsp; A
+moment of suspended animation followed Byrne&rsquo;s words.&nbsp;
+The sorceress with the spoon ceased stirring the mess in the iron
+pot, the very trembling of the other&rsquo;s head stopped for the
+space of breath.&nbsp; In this infinitesimal fraction of a second
+Byrne had the sense of being really on his quest, of having
+reached the turn of the path, almost within hail of Tom.</p>
+<p>&ldquo;They have seen him,&rdquo; he thought with
+conviction.&nbsp; Here was at last somebody who had seen
+him.&nbsp; He made sure they would deny all knowledge of the
+Ingles; but on the contrary they were eager to tell him that he
+had eaten and slept the night in the house.&nbsp; They both
+started talking together, describing his appearance and
+behaviour.&nbsp; An excitement quite fierce in its feebleness
+possessed them.&nbsp; The doubled-up sorceress flourished aloft
+her wooden spoon, the puffy monster got off her stool and
+screeched, stepping from one foot to the other, while the
+trembling of her head was accelerated to positive
+vibration.&nbsp; Byrne was quite disconcerted by their excited
+behaviour. . . Yes!&nbsp; The big, fierce Ingles went away in the
+morning, after eating a piece of bread and drinking some
+wine.&nbsp; And if the caballero wished to follow the same path
+nothing could be easier&mdash;in the morning.</p>
+<p>&ldquo;You will give me somebody to show me the way?&rdquo;
+said Byrne.</p>
+<p>&ldquo;Si, se&ntilde;or.&nbsp; A proper youth.&nbsp; The man
+the caballero saw going out.&rdquo;</p>
+<p>&ldquo;But he was knocking at the door,&rdquo; protested
+Byrne.&nbsp; &ldquo;He only bolted when he saw me.&nbsp; He was
+coming in.&rdquo;</p>
+<p>&ldquo;No!&nbsp; No!&rdquo; the two horrid witches screamed
+out together.&nbsp; &ldquo;Going out. Going out!&rdquo;</p>
+<p>After all it may have been true. The sound of knocking had
+been faint, elusive, reflected Byrne.&nbsp; Perhaps only the
+effect of his fancy.&nbsp; He asked&mdash;</p>
+<p>&ldquo;Who is that man?&rdquo;</p>
+<p>&ldquo;Her <i>novio</i>.&rdquo;&nbsp; They screamed pointing
+to the girl.&nbsp; &ldquo;He is gone home to a village far away
+from here.&nbsp; But he will return in the morning.&nbsp; Her
+<i>novio</i>!&nbsp; And she is an orphan&mdash;the child of poor
+Christian people.&nbsp; She lives with us for the love of God,
+for the love of God.&rdquo;</p>
+<p>The orphan crouching on the corner of the hearth had been
+looking at Byrne.&nbsp; He thought that she was more like a child
+of Satan kept there by these two weird harridans for the love of
+the Devil.&nbsp; Her eyes were a little oblique, her mouth rather
+thick, but admirably formed; her dark face had a wild beauty,
+voluptuous and untamed.&nbsp; As to the character of her
+steadfast gaze attached upon him with a sensuously savage
+attention, &ldquo;to know what it was like,&rdquo; says Mr.
+Byrne, &ldquo;you have only to observe a hungry cat watching a
+bird in a cage or a mouse inside a trap.&rdquo;</p>
+<p>It was she who served him the food, of which he was glad;
+though with those big slanting black eyes examining him at close
+range, as if he had something curious written on his face, she
+gave him an uncomfortable sensation.&nbsp; But anything was
+better than being approached by these blear-eyed nightmarish
+witches.&nbsp; His apprehensions somehow had been soothed;
+perhaps by the sensation of warmth after severe exposure and the
+ease of resting after the exertion of fighting the gale inch by
+inch all the way.&nbsp; He had no doubt of Tom&rsquo;s
+safety.&nbsp; He was now sleeping in the mountain camp having
+been met by Gonzales&rsquo; men.</p>
+<p>Byrne rose, filled a tin goblet with wine out of a skin
+hanging on the wall, and sat down again.&nbsp; The witch with the
+mummy face began to talk to him, ramblingly of old times; she
+boasted of the inn&rsquo;s fame in those better days.&nbsp; Great
+people in their own coaches stopped there.&nbsp; An archbishop
+slept once in the <i>casa</i>, a long, long time ago.</p>
+<p>The witch with the puffy face seemed to be listening from her
+stool, motionless, except for the trembling of her head.&nbsp;
+The girl (Byrne was certain she was a casual gipsy admitted there
+for some reason or other) sat on the hearth stone in the glow of
+the embers.&nbsp; She hummed a tune to herself, rattling a pair
+of castanets slightly now and then.&nbsp; At the mention of the
+archbishop she chuckled impiously and turned her head to look at
+Byrne, so that the red glow of the fire flashed in her black eyes
+and on her white teeth under the dark cowl of the enormous
+overmantel.&nbsp; And he smiled at her.</p>
+<p>He rested now in the ease of security.&nbsp; His advent not
+having been expected there could be no plot against him in
+existence.&nbsp; Drowsiness stole upon his senses.&nbsp; He
+enjoyed it, but keeping a hold, so he thought at least, on his
+wits; but he must have been gone further than he thought because
+he was startled beyond measure by a fiendish uproar.&nbsp; He had
+never heard anything so pitilessly strident in his life.&nbsp;
+The witches had started a fierce quarrel about something or
+other.&nbsp; Whatever its origin they were now only abusing each
+other violently, without arguments; their senile screams
+expressed nothing but wicked anger and ferocious dismay.&nbsp;
+The gipsy girl&rsquo;s black eyes flew from one to the
+other.&nbsp; Never before had Byrne felt himself so removed from
+fellowship with human beings.&nbsp; Before he had really time to
+understand the subject of the quarrel, the girl jumped up
+rattling her castanets loudly.&nbsp; A silence fell.&nbsp; She
+came up to the table and bending over, her eyes in his&mdash;</p>
+<p>&ldquo;Se&ntilde;or,&rdquo; she said with decision, &ldquo;You
+shall sleep in the archbishop&rsquo;s room.&rdquo;</p>
+<p>Neither of the witches objected.&nbsp; The dried-up one bent
+double was propped on a stick.&nbsp; The puffy faced one had now
+a crutch.</p>
+<p>Byrne got up, walked to the door, and turning the key in the
+enormous lock put it coolly in his pocket.&nbsp; This was clearly
+the only entrance, and he did not mean to be taken unawares by
+whatever danger there might have been lurking outside.</p>
+<p>When he turned from the door he saw the two witches
+&ldquo;affiliated to the Devil&rdquo; and the Satanic girl
+looking at him in silence.&nbsp; He wondered if Tom Corbin took
+the same precaution last might.&nbsp; And thinking of him he had
+again that queer impression of his nearness.&nbsp; The world was
+perfectly dumb.&nbsp; And in this stillness he heard the blood
+beating in his ears with a confused rushing noise, in which there
+seemed to be a voice uttering the words: &ldquo;Mr. Byrne, look
+out, sir.&rdquo;&nbsp; Tom&rsquo;s voice.&nbsp; He shuddered; for
+the delusions of the senses of hearing are the most vivid of all,
+and from their nature have a compelling character.</p>
+<p>It seemed impossible that Tom should not be there.&nbsp; Again
+a slight chill as of stealthy draught penetrated through his very
+clothes and passed over all his body.&nbsp; He shook off the
+impression with an effort.</p>
+<p>It was the girl who preceded him upstairs carrying an iron
+lamp from the naked flame of which ascended a thin thread of
+smoke.&nbsp; Her soiled white stockings were full of holes.</p>
+<p>With the same quiet resolution with which he had locked the
+door below, Byrne threw open one after another the doors in the
+corridor.&nbsp; All the rooms were empty except for some
+nondescript lumber in one or two.&nbsp; And the girl seeing what
+he would be at stopped every time, raising the smoky light in
+each doorway patiently.&nbsp; Meantime she observed him with
+sustained attention.&nbsp; The last door of all she threw open
+herself.</p>
+<p>&ldquo;You sleep here, se&ntilde;or,&rdquo; she murmured in a
+voice light like a child&rsquo;s breath, offering him the
+lamp.</p>
+<p>&ldquo;<i>Buenos noches</i>, <i>senorita</i>,&rdquo; he said
+politely, taking it from her.</p>
+<p>She didn&rsquo;t return the wish audibly, though her lips did
+move a little, while her gaze black like a starless night never
+for a moment wavered before him.&nbsp; He stepped in, and as he
+turned to close the door she was still there motionless and
+disturbing, with her voluptuous mouth and slanting eyes, with the
+expression of expectant sensual ferocity of a baffled cat.&nbsp;
+He hesitated for a moment, and in the dumb house he heard again
+the blood pulsating ponderously in his ears, while once more the
+illusion of Tom&rsquo;s voice speaking earnestly somewhere near
+by was specially terrifying, because this time he could not make
+out the words.</p>
+<p>He slammed the door in the girl&rsquo;s face at last, leaving
+her in the dark; and he opened it again almost on the
+instant.&nbsp; Nobody.&nbsp; She had vanished without the
+slightest sound.&nbsp; He closed the door quickly and bolted it
+with two heavy bolts.</p>
+<p>A profound mistrust possessed him suddenly.&nbsp; Why did the
+witches quarrel about letting him sleep here?&nbsp; And what
+meant that stare of the girl as if she wanted to impress his
+features for ever in her mind?&nbsp; His own nervousness alarmed
+him.&nbsp; He seemed to himself to be removed very far from
+mankind.</p>
+<p>He examined his room.&nbsp; It was not very high, just high
+enough to take the bed which stood under an enormous
+baldaquin-like canopy from which fell heavy curtains at foot and
+head; a bed certainly worthy of an archbishop.&nbsp; There was a
+heavy table carved all round the edges, some arm-chairs of
+enormous weight like the spoils of a grandee&rsquo;s palace; a
+tall shallow wardrobe placed against the wall and with double
+doors.&nbsp; He tried them.&nbsp; Locked.&nbsp; A suspicion came
+into his mind, and he snatched the lamp to make a closer
+examination.&nbsp; No, it was not a disguised entrance.&nbsp;
+That heavy, tall piece of furniture stood clear of the wall by
+quite an inch.&nbsp; He glanced at the bolts of his room
+door.&nbsp; No!&nbsp; No one could get at him treacherously while
+he slept.&nbsp; But would he be able to sleep? he asked himself
+anxiously.&nbsp; If only he had Tom there&mdash;the trusty seaman
+who had fought at his right hand in a cutting out affair or two,
+and had always preached to him the necessity to take care of
+himself.&nbsp; &ldquo;For it&rsquo;s no great trick,&rdquo; he
+used to say, &ldquo;to get yourself killed in a hot fight.&nbsp;
+Any fool can do that.&nbsp; The proper pastime is to fight the
+Frenchies and then live to fight another day.&rdquo;</p>
+<p>Byrne found it a hard matter not to fall into listening to the
+silence.&nbsp; Somehow he had the conviction that nothing would
+break it unless he heard again the haunting sound of Tom&rsquo;s
+voice.&nbsp; He had heard it twice before.&nbsp; Odd!&nbsp; And
+yet no wonder, he argued with himself reasonably, since he had
+been thinking of the man for over thirty hours continuously and,
+what&rsquo;s more, inconclusively.&nbsp; For his anxiety for Tom
+had never taken a definite shape.&nbsp; &ldquo;Disappear,&rdquo;
+was the only word connected with the idea of Tom&rsquo;s
+danger.&nbsp; It was very vague and awful.&nbsp;
+&ldquo;Disappear!&rdquo;&nbsp; What did that mean?</p>
+<p>Byrne shuddered, and then said to himself that he must be a
+little feverish.&nbsp; But Tom had not disappeared.&nbsp; Byrne
+had just heard of him.&nbsp; And again the young man felt the
+blood beating in his ears.&nbsp; He sat still expecting every
+moment to hear through the pulsating strokes the sound of
+Tom&rsquo;s voice.&nbsp; He waited straining his ears, but
+nothing came.&nbsp; Suddenly the thought occurred to him:
+&ldquo;He has not disappeared, but he cannot make himself
+heard.&rdquo;</p>
+<p>He jumped up from the arm-chair.&nbsp; How absurd!&nbsp;
+Laying his pistol and his hanger on the table he took off his
+boots and, feeling suddenly too tired to stand, flung himself on
+the bed which he found soft and comfortable beyond his hopes.</p>
+<p>He had felt very wakeful, but he must have dozed off after
+all, because the next thing he knew he was sitting up in bed and
+trying to recollect what it was that Tom&rsquo;s voice had
+said.&nbsp; Oh!&nbsp; He remembered it now.&nbsp; It had said:
+&ldquo;Mr. Byrne!&nbsp; Look out, sir!&rdquo;&nbsp; A warning
+this.&nbsp; But against what?</p>
+<p>He landed with one leap in the middle of the floor, gasped
+once, then looked all round the room.&nbsp; The window was
+shuttered and barred with an iron bar.&nbsp; Again he ran his
+eyes slowly all round the bare walls, and even looked up at the
+ceiling, which was rather high.&nbsp; Afterwards he went to the
+door to examine the fastenings.&nbsp; They consisted of two
+enormous iron bolts sliding into holes made in the wall; and as
+the corridor outside was too narrow to admit of any battering
+arrangement or even to permit an axe to be swung, nothing could
+burst the door open&mdash;unless gunpowder.&nbsp; But while he
+was still making sure that the lower bolt was pushed well home,
+he received the impression of somebody&rsquo;s presence in the
+room.&nbsp; It was so strong that he spun round quicker than
+lightning.&nbsp; There was no one.&nbsp; Who could there
+be?&nbsp; And yet . . .</p>
+<p>It was then that he lost the decorum and restraint a man keeps
+up for his own sake.&nbsp; He got down on his hands and knees,
+with the lamp on the floor, to look under the bed, like a silly
+girl.&nbsp; He saw a lot of dust and nothing else.&nbsp; He got
+up, his cheeks burning, and walked about discontented with his
+own behaviour and unreasonably angry with Tom for not leaving him
+alone.&nbsp; The words: &ldquo;Mr. Byrne!&nbsp; Look out,
+sir,&rdquo; kept on repeating themselves in his head in a tone of
+warning.</p>
+<p>&ldquo;Hadn&rsquo;t I better just throw myself on the bed and
+try to go to sleep,&rdquo; he asked himself.&nbsp; But his eyes
+fell on the tall wardrobe, and he went towards it feeling
+irritated with himself and yet unable to desist.&nbsp; How he
+could explain to-morrow the burglarious misdeed to the two odious
+witches he had no idea.&nbsp; Nevertheless he inserted the point
+of his hanger between the two halves of the door and tried to
+prize them open.&nbsp; They resisted.&nbsp; He swore, sticking
+now hotly to his purpose.&nbsp; His mutter: &ldquo;I hope you
+will be satisfied, confound you,&rdquo; was addressed to the
+absent Tom.&nbsp; Just then the doors gave way and flew open.</p>
+<p>He was there.</p>
+<p>He&mdash;the trusty, sagacious, and courageous Tom was there,
+drawn up shadowy and stiff, in a prudent silence, which his
+wide-open eyes by their fixed gleam seemed to command Byrne to
+respect.&nbsp; But Byrne was too startled to make a sound.&nbsp;
+Amazed, he stepped back a little&mdash;and on the instant the
+seaman flung himself forward headlong as if to clasp his officer
+round the neck.&nbsp; Instinctively Byrne put out his faltering
+arms; he felt the horrible rigidity of the body and then the
+coldness of death as their heads knocked together and their faces
+came into contact.&nbsp; They reeled, Byrne hugging Tom close to
+his breast in order not to let him fall with a crash.&nbsp; He
+had just strength enough to lower the awful burden gently to the
+floor&mdash;then his head swam, his legs gave way, and he sank on
+his knees, leaning over the body with his hands resting on the
+breast of that man once full of generous life, and now as
+insensible as a stone.</p>
+<p>&ldquo;Dead! my poor Tom, dead,&rdquo; he repeated
+mentally.&nbsp; The light of the lamp standing near the edge of
+the table fell from above straight on the stony empty stare of
+these eyes which naturally had a mobile and merry expression.</p>
+<p>Byrne turned his own away from them.&nbsp; Tom&rsquo;s black
+silk neckerchief was not knotted on his breast.&nbsp; It was
+gone.&nbsp; The murderers had also taken off his shoes and
+stockings.&nbsp; And noticing this spoliation, the exposed
+throat, the bare up-turned feet, Byrne felt his eyes run full of
+tears.&nbsp; In other respects the seaman was fully dressed;
+neither was his clothing disarranged as it must have been in a
+violent struggle.&nbsp; Only his checked shirt had been pulled a
+little out the waistband in one place, just enough to ascertain
+whether he had a money belt fastened round his body.&nbsp; Byrne
+began to sob into his handkerchief.</p>
+<p>It was a nervous outburst which passed off quickly.&nbsp;
+Remaining on his knees he contemplated sadly the athletic body of
+as fine a seaman as ever had drawn a cutlass, laid a gun, or
+passed the weather earring in a gale, lying stiff and cold, his
+cheery, fearless spirit departed&mdash;perhaps turning to him,
+his boy chum, to his ship out there rolling on the grey seas off
+an iron-bound coast, at the very moment of its flight.</p>
+<p>He perceived that the six brass buttons of Tom&rsquo;s jacket
+had been cut off.&nbsp; He shuddered at the notion of the two
+miserable and repulsive witches busying themselves ghoulishly
+about the defenceless body of his friend.&nbsp; Cut off.&nbsp;
+Perhaps with the same knife which . . . The head of one trembled;
+the other was bent double, and their eyes were red and bleared,
+their infamous claws unsteady. . . It must have been in this very
+room too, for Tom could not have been killed in the open and
+brought in here afterwards.&nbsp; Of that Byrne was
+certain.&nbsp; Yet those devilish crones could not have killed
+him themselves even by taking him unawares&mdash;and Tom would be
+always on his guard of course.&nbsp; Tom was a very wide awake
+wary man when engaged on any service. . . And in fact how did
+they murder him?&nbsp; Who did?&nbsp; In what way?</p>
+<p>Byrne jumped up, snatched the lamp off the table, and stooped
+swiftly over the body.&nbsp; The light revealed on the clothing
+no stain, no trace, no spot of blood anywhere.&nbsp;
+Byrne&rsquo;s hands began to shake so that he had to set the lamp
+on the floor and turn away his head in order to recover from this
+agitation.</p>
+<p>Then he began to explore that cold, still, and rigid body for
+a stab, a gunshot wound, for the trace of some killing
+blow.&nbsp; He felt all over the skull anxiously.&nbsp; It was
+whole.&nbsp; He slipped his hand under the neck.&nbsp; It was
+unbroken.&nbsp; With terrified eyes he peered close under the
+chin and saw no marks of strangulation on the throat.</p>
+<p>There were no signs anywhere.&nbsp; He was just dead.</p>
+<p>Impulsively Byrne got away from the body as if the mystery of
+an incomprehensible death had changed his pity into suspicion and
+dread.&nbsp; The lamp on the floor near the set, still face of
+the seaman showed it staring at the ceiling as if
+despairingly.&nbsp; In the circle of light Byrne saw by the
+undisturbed patches of thick dust on the floor that there had
+been no struggle in that room.&nbsp; &ldquo;He has died
+outside,&rdquo; he thought.&nbsp; Yes, outside in that narrow
+corridor, where there was hardly room to turn, the mysterious
+death had come to his poor dear Tom.&nbsp; The impulse of
+snatching up his pistols and rushing out of the room abandoned
+Byrne suddenly.&nbsp; For Tom, too, had been armed&mdash;with
+just such powerless weapons as he himself
+possessed&mdash;pistols, a cutlass!&nbsp; And Tom had died a
+nameless death, by incomprehensible means.</p>
+<p>A new thought came to Byrne.&nbsp; That stranger knocking at
+the door and fleeing so swiftly at his appearance had come there
+to remove the body.&nbsp; Aha!&nbsp; That was the guide the
+withered witch had promised would show the English officer the
+shortest way of rejoining his man.&nbsp; A promise, he saw it
+now, of dreadful import.&nbsp; He who had knocked would have two
+bodies to deal with.&nbsp; Man and officer would go forth from
+the house together.&nbsp; For Byrne was certain now that he would
+have to die before the morning&mdash;and in the same mysterious
+manner, leaving behind him an unmarked body.</p>
+<p>The sight of a smashed head, of a throat cut, of a gaping
+gunshot wound, would have been an inexpressible relief.&nbsp; It
+would have soothed all his fears.&nbsp; His soul cried within him
+to that dead man whom he had never found wanting in danger.&nbsp;
+&ldquo;Why don&rsquo;t you tell me what I am to look for,
+Tom?&nbsp; Why don&rsquo;t you?&rdquo;&nbsp; But in rigid
+immobility, extended on his back, he seemed to preserve an
+austere silence, as if disdaining in the finality of his awful
+knowledge to hold converse with the living.</p>
+<p>Suddenly Byrne flung himself on his knees by the side of the
+body, and dry-eyed, fierce, opened the shirt wide on the breast,
+as if to tear the secret forcibly from that cold heart which had
+been so loyal to him in life!&nbsp; Nothing!&nbsp; Nothing!&nbsp;
+He raised the lamp, and all the sign vouchsafed to him by that
+face which used to be so kindly in expression was a small bruise
+on the forehead&mdash;the least thing, a mere mark.&nbsp; The
+skin even was not broken.&nbsp; He stared at it a long time as if
+lost in a dreadful dream.&nbsp; Then he observed that Tom&rsquo;s
+hands were clenched as though he had fallen facing somebody in a
+fight with fists.&nbsp; His knuckles, on closer view, appeared
+somewhat abraded.&nbsp; Both hands.</p>
+<p>The discovery of these slight signs was more appalling to
+Byrne than the absolute absence of every mark would have
+been.&nbsp; So Tom had died striking against something which
+could be hit, and yet could kill one without leaving a
+wound&mdash;by a breath.</p>
+<p>Terror, hot terror, began to play about Byrne&rsquo;s heart
+like a tongue of flame that touches and withdraws before it turns
+a thing to ashes.&nbsp; He backed away from the body as far as he
+could, then came forward stealthily casting fearful glances to
+steal another look at the bruised forehead.&nbsp; There would
+perhaps be such a faint bruise on his own forehead&mdash;before
+the morning.</p>
+<p>&ldquo;I can&rsquo;t bear it,&rdquo; he whispered to
+himself.&nbsp; Tom was for him now an object of horror, a sight
+at once tempting and revolting to his fear.&nbsp; He
+couldn&rsquo;t bear to look at him.</p>
+<p>At last, desperation getting the better of his increasing
+horror, he stepped forward from the wall against which he had
+been leaning, seized the corpse under the armpits, and began to
+lug it over to the bed.&nbsp; The bare heels of the seaman
+trailed on the floor noiselessly.&nbsp; He was heavy with the
+dead weight of inanimate objects.&nbsp; With a last effort Byrne
+landed him face downwards on the edge of the bed, rolled him
+over, snatched from under this stiff passive thing a sheet with
+which he covered it over.&nbsp; Then he spread the curtains at
+head and foot so that joining together as he shook their folds
+they hid the bed altogether from his sight.</p>
+<p>He stumbled towards a chair, and fell on it.&nbsp; The
+perspiration poured from his face for a moment, and then his
+veins seemed to carry for a while a thin stream of half, frozen
+blood.&nbsp; Complete terror had possession of him now, a
+nameless terror which had turned his heart to ashes.</p>
+<p>He sat upright in the straight-backed chair, the lamp burning
+at his feet, his pistols and his hanger at his left elbow on the
+end of the table, his eyes turning incessantly in their sockets
+round the walls, over the ceiling, over the floor, in the
+expectation of a mysterious and appalling vision.&nbsp; The thing
+which could deal death in a breath was outside that bolted
+door.&nbsp; But Byrne believed neither in walls nor bolts
+now.&nbsp; Unreasoning terror turning everything to account, his
+old time boyish admiration of the athletic Tom, the undaunted Tom
+(he had seemed to him invincible), helped to paralyse his
+faculties, added to his despair.</p>
+<p>He was no longer Edgar Byrne.&nbsp; He was a tortured soul
+suffering more anguish than any sinner&rsquo;s body had ever
+suffered from rack or boot.&nbsp; The depth of his torment may be
+measured when I say that this young man, as brave at least as the
+average of his kind, contemplated seizing a pistol and firing
+into his own head.&nbsp; But a deadly, chilly, langour was
+spreading over his limbs.&nbsp; It was as if his flesh had been
+wet plaster stiffening slowly about his ribs.&nbsp; Presently, he
+thought, the two witches will be coming in, with crutch and
+stick&mdash;horrible, grotesque, monstrous&mdash;affiliated to
+the devil&mdash;to put a mark on his forehead, the tiny little
+bruise of death.&nbsp; And he wouldn&rsquo;t be able to do
+anything.&nbsp; Tom had struck out at something, but he was not
+like Tom.&nbsp; His limbs were dead already.&nbsp; He sat still,
+dying the death over and over again; and the only part of him
+which moved were his eyes, turning round and round in their
+sockets, running over the walls, the floor, the ceiling, again
+and again till suddenly they became motionless and
+stony&mdash;starting out of his head fixed in the direction of
+the bed.</p>
+<p>He had seen the heavy curtains stir and shake as if the dead
+body they concealed had turned over and sat up.&nbsp; Byrne, who
+thought the world could hold no more terrors in store, felt his
+hair stir at the roots.&nbsp; He gripped the arms of the chair,
+his jaw fell, and the sweat broke out on his brow while his dry
+tongue clove suddenly to the roof of his mouth.&nbsp; Again the
+curtains stirred, but did not open.&nbsp; &ldquo;Don&rsquo;t,
+Tom!&rdquo; Byrne made effort to shout, but all he heard was a
+slight moan such as an uneasy sleeper may make.&nbsp; He felt
+that his brain was going, for, now, it seemed to him that the
+ceiling over the bed had moved, had slanted, and came level
+again&mdash;and once more the closed curtains swayed gently as if
+about to part.</p>
+<p>Byrne closed his eyes not to see the awful apparition of the
+seaman&rsquo;s corpse coming out animated by an evil
+spirit.&nbsp; In the profound silence of the room he endured a
+moment of frightful agony, then opened his eyes again.&nbsp; And
+he saw at once that the curtains remained closed still, but that
+the ceiling over the bed had risen quite a foot.&nbsp; With the
+last gleam of reason left to him he understood that it was the
+enormous baldaquin over the bed which was coming down, while the
+curtains attached to it swayed softly, sinking gradually to the
+floor.&nbsp; His drooping jaw snapped to&mdash;and half rising in
+his chair he watched mutely the noiseless descent of the
+monstrous canopy.&nbsp; It came down in short smooth rushes till
+lowered half way or more, when it took a run and settled swiftly
+its turtle-back shape with the deep border piece fitting exactly
+the edge of the bedstead.&nbsp; A slight crack or two of wood
+were heard, and the overpowering stillness of the room resumed
+its sway.</p>
+<p>Byrne stood up, gasped for breath, and let out a cry of rage
+and dismay, the first sound which he is perfectly certain did
+make its way past his lips on this night of terrors.&nbsp; This
+then was the death he had escaped!&nbsp; This was the devilish
+artifice of murder poor Tom&rsquo;s soul had perhaps tried from
+beyond the border to warn him of.&nbsp; For this was how he had
+died.&nbsp; Byrne was certain he had heard the voice of the
+seaman, faintly distinct in his familiar phrase, &ldquo;Mr.
+Byrne!&nbsp; Look out, sir!&rdquo; and again uttering words he
+could not make out.&nbsp; But then the distance separating the
+living from the dead is so great!&nbsp; Poor Tom had tried.&nbsp;
+Byrne ran to the bed and attempted to lift up, to push off the
+horrible lid smothering the body.&nbsp; It resisted his efforts,
+heavy as lead, immovable like a tombstone.&nbsp; The rage of
+vengeance made him desist; his head buzzed with chaotic thoughts
+of extermination, he turned round the room as if he could find
+neither his weapons nor the way out; and all the time he
+stammered awful menaces. . .</p>
+<p>A violent battering at the door of the inn recalled him to his
+soberer senses.&nbsp; He flew to the window pulled the shutters
+open, and looked out.&nbsp; In the faint dawn he saw below him a
+mob of men.&nbsp; Ha!&nbsp; He would go and face at once this
+murderous lot collected no doubt for his undoing.&nbsp; After his
+struggle with nameless terrors he yearned for an open fray with
+armed enemies.&nbsp; But he must have remained yet bereft of his
+reason, because forgetting his weapons he rushed downstairs with
+a wild cry, unbarred the door while blows were raining on it
+outside, and flinging it open flew with his bare hands at the
+throat of the first man he saw before him.&nbsp; They rolled over
+together.&nbsp; Byrne&rsquo;s hazy intention was to break
+through, to fly up the mountain path, and come back presently
+with Gonzales&rsquo; men to exact an exemplary vengeance.&nbsp;
+He fought furiously till a tree, a house, a mountain, seemed to
+crash down upon his head&mdash;and he knew no more.</p>
+<div class="gapspace">&nbsp;</div>
+<p>Here Mr. Byrne describes in detail the skilful manner in which
+he found his broken head bandaged, informs us that he had lost a
+great deal of blood, and ascribes the preservation of his sanity
+to that circumstance.&nbsp; He sets down Gonzales&rsquo; profuse
+apologies in full too.&nbsp; For it was Gonzales who, tired of
+waiting for news from the English, had come down to the inn with
+half his band, on his way to the sea.&nbsp; &ldquo;His
+excellency,&rdquo; he explained, &ldquo;rushed out with fierce
+impetuosity, and, moreover, was not known to us for a friend, and
+so we . . . etc., etc.&nbsp; When asked what had become of the
+witches, he only pointed his finger silently to the ground, then
+voiced calmly a moral reflection: &ldquo;The passion for gold is
+pitiless in the very old, se&ntilde;or,&rdquo; he said.&nbsp;
+&ldquo;No doubt in former days they have put many a solitary
+traveller to sleep in the archbishop&rsquo;s bed.&rdquo;</p>
+<p>&ldquo;There was also a gipsy girl there,&rdquo; said Byrne
+feebly from the improvised litter on which he was being carried
+to the coast by a squad of guerilleros.</p>
+<p>&ldquo;It was she who winched up that infernal machine, and it
+was she too who lowered it that night,&rdquo; was the answer.</p>
+<p>&ldquo;But why?&nbsp; Why?&rdquo; exclaimed Byrne.&nbsp;
+&ldquo;Why should she wish for my death?&rdquo;</p>
+<p>&ldquo;No doubt for the sake of your excellency&rsquo;s coat
+buttons,&rdquo; said politely the saturnine Gonzales.&nbsp;
+&ldquo;We found those of the dead mariner concealed on her
+person.&nbsp; But your excellency may rest assured that
+everything that is fitting has been done on this
+occasion.&rdquo;</p>
+<p>Byrne asked no more questions.&nbsp; There was still another
+death which was considered by Gonzales as &ldquo;fitting to the
+occasion.&rdquo;&nbsp; The one-eyed Bernardino stuck against the
+wall of his wine-shop received the charge of six escopettas into
+his breast.&nbsp; As the shots rang out the rough bier with
+Tom&rsquo;s body on it went past carried by a bandit-like gang of
+Spanish patriots down the ravine to the shore, where two boats
+from the ship were waiting for what was left on earth of her best
+seaman.</p>
+<p>Mr. Byrne, very pale and weak, stepped into the boat which
+carried the body of his humble friend.&nbsp; For it was decided
+that Tom Corbin should rest far out in the bay of Biscay.&nbsp;
+The officer took the tiller and, turning his head for the last
+look at the shore, saw on the grey hillside something moving,
+which he made out to be a little man in a yellow hat mounted on a
+mule&mdash;that mule without which the fate of Tom Corbin would
+have remained mysterious for ever.</p>
+<div class="gapspace">&nbsp;</div>
+<p><i>June</i>, 1913.</p>
+<h2><!-- page 223--><a name="page223"></a><span
+class="pagenum">p. 223</span>BECAUSE OF THE DOLLARS</h2>
+<h3>CHAPTER I</h3>
+<p>While we were hanging about near the water&rsquo;s edge, as
+sailors idling ashore will do (it was in the open space before
+the Harbour Office of a great Eastern port), a man came towards
+us from the &ldquo;front&rdquo; of business houses, aiming
+obliquely at the landing steps.&nbsp; He attracted my attention
+because in the movement of figures in white drill suits on the
+pavement from which he stepped, his costume, the usual tunic and
+trousers, being made of light grey flannel, made him
+noticeable.</p>
+<p>I had time to observe him.&nbsp; He was stout, but he was not
+grotesque.&nbsp; His face was round and smooth, his complexion
+very fair.&nbsp; On his nearer approach I saw a little moustache
+made all the fairer by a good many white hairs.&nbsp; And he had,
+for a stout man, quite a good chin.&nbsp; In passing us he
+exchanged nods with the friend I was with and smiled.</p>
+<p>My friend was Hollis, the fellow who had so many adventures
+and had known so many queer people in that part of the (more or
+less) gorgeous East in the days of his youth.&nbsp; He said:
+&ldquo;That&rsquo;s a good man.&nbsp; I don&rsquo;t mean good in
+the sense of smart or skilful in his trade.&nbsp; I mean a really
+<i>good</i> man.&rdquo;</p>
+<p>I turned round at once to look at the phenomenon.&nbsp; The
+&ldquo;really <i>good</i> man&rdquo; had a very broad back.&nbsp;
+I saw him signal a sampan to come alongside, get into it, and go
+off in the direction of a cluster of local steamers anchored
+close inshore.</p>
+<p>I said: &ldquo;He&rsquo;s a seaman, isn&rsquo;t he?&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; Commands that biggish dark-green steamer:
+&lsquo;<i>Sissie</i>&mdash;Glasgow.&rsquo;&nbsp; He has never
+commanded anything else but the
+&lsquo;<i>Sissie</i>&mdash;Glasgow,&rsquo; only it wasn&rsquo;t
+always the same <i>Sissie</i>.&nbsp; The first he had was about
+half the length of this one, and we used to tell poor Davidson
+that she was a size too small for him.&nbsp; Even at that time
+Davidson had bulk.&nbsp; We warned him he would get callosities
+on his shoulders and elbows because of the tight fit of his
+command.&nbsp; And Davidson could well afford the smiles he gave
+us for our chaff.&nbsp; He made lots of money in her.&nbsp; She
+belonged to a portly Chinaman resembling a mandarin in a
+picture-book, with goggles and thin drooping moustaches, and as
+dignified as only a Celestial knows how to be.</p>
+<p>&ldquo;The best of Chinamen as employers is that they have
+such gentlemanly instincts.&nbsp; Once they become convinced that
+you are a straight man, they give you their unbounded
+confidence.&nbsp; You simply can&rsquo;t do wrong, then.&nbsp;
+And they are pretty quick judges of character, too.&nbsp;
+Davidson&rsquo;s Chinaman was the first to find out his worth, on
+some theoretical principle.&nbsp; One day in his counting-house,
+before several white men he was heard to declare: &lsquo;Captain
+Davidson is a good man.&rsquo;&nbsp; And that settled it.&nbsp;
+After that you couldn&rsquo;t tell if it was Davidson who
+belonged to the Chinaman or the Chinaman who belonged to
+Davidson.&nbsp; It was he who, shortly before he died, ordered in
+Glasgow the new <i>Sissie</i> for Davidson to command.&rdquo;</p>
+<p>We walked into the shade of the Harbour Office and leaned our
+elbows on the parapet of the quay.</p>
+<p>&ldquo;She was really meant to comfort poor Davidson,&rdquo;
+continued Hollis.&nbsp; &ldquo;Can you fancy anything more
+na&iuml;vely touching than this old mandarin spending several
+thousand pounds to console his white man?&nbsp; Well, there she
+is.&nbsp; The old mandarin&rsquo;s sons have inherited her, and
+Davidson with her; and he commands her; and what with his salary
+and trading privileges he makes a lot of money; and everything is
+as before; and Davidson even smiles&mdash;you have seen it?&nbsp;
+Well, the smile&rsquo;s the only thing which isn&rsquo;t as
+before.&rdquo;</p>
+<p>&ldquo;Tell me, Hollis,&rdquo; I asked, &ldquo;what do you
+mean by good in this connection?&rdquo;</p>
+<p>&ldquo;Well, there are men who are born good just as others
+are born witty.&nbsp; What I mean is his nature.&nbsp; No
+simpler, more scrupulously delicate soul had ever lived in such
+a&mdash;a&mdash;comfortable envelope.&nbsp; How we used to laugh
+at Davidson&rsquo;s fine scruples!&nbsp; In short, he&rsquo;s
+thoroughly humane, and I don&rsquo;t imagine there can be much of
+any other sort of goodness that counts on this earth.&nbsp; And
+as he&rsquo;s that with a shade of particular refinement, I may
+well call him a &lsquo;<i>really</i> good man.&rsquo;&rdquo;</p>
+<p>I knew from old that Hollis was a firm believer in the final
+value of shades.&nbsp; And I said: &ldquo;I
+see&rdquo;&mdash;because I really did see Hollis&rsquo;s Davidson
+in the sympathetic stout man who had passed us a little while
+before.&nbsp; But I remembered that at the very moment he smiled
+his placid face appeared veiled in melancholy&mdash;a sort of
+spiritual shadow.&nbsp; I went on.</p>
+<p>&ldquo;Who on earth has paid him off for being so fine by
+spoiling his smile?&rdquo;</p>
+<p>&ldquo;That&rsquo;s quite a story, and I will tell it to you
+if you like.&nbsp; Confound it!&nbsp; It&rsquo;s quite a
+surprising one, too.&nbsp; Surprising in every way, but mostly in
+the way it knocked over poor Davidson&mdash;and apparently only
+because he is such a good sort.&nbsp; He was telling me all about
+it only a few days ago.&nbsp; He said that when he saw these four
+fellows with their heads in a bunch over the table, he at once
+didn&rsquo;t like it.&nbsp; He didn&rsquo;t like it at all.&nbsp;
+You mustn&rsquo;t suppose that Davidson is a soft fool.&nbsp;
+These men&mdash;</p>
+<p>&ldquo;But I had better begin at the beginning.&nbsp; We must
+go back to the first time the old dollars had been called in by
+our Government in exchange for a new issue.&nbsp; Just about the
+time when I left these parts to go home for a long stay.&nbsp;
+Every trader in the islands was thinking of getting his old
+dollars sent up here in time, and the demand for empty French
+wine cases&mdash;you know the dozen of vermouth or claret
+size&mdash;was something unprecedented.&nbsp; The custom was to
+pack the dollars in little bags of a hundred each.&nbsp; I
+don&rsquo;t know how many bags each case would hold.&nbsp; A good
+lot.&nbsp; Pretty tidy sums must have been moving afloat just
+then.&nbsp; But let us get away from here.&nbsp; Won&rsquo;t do
+to stay in the sun.&nbsp; Where could we&mdash;?&nbsp; I know!
+let us go to those tiffin-rooms over there.&rdquo;</p>
+<p>We moved over accordingly.&nbsp; Our appearance in the long
+empty room at that early hour caused visible consternation
+amongst the China boys.&nbsp; But Hollis led the way to one of
+the tables between the windows screened by rattan blinds.&nbsp; A
+brilliant half-light trembled on the ceiling, on the whitewashed
+walls, bathed the multitude of vacant chairs and tables in a
+peculiar, stealthy glow.</p>
+<p>&ldquo;All right.&nbsp; We will get something to eat when
+it&rsquo;s ready,&rdquo; he said, waving the anxious Chinaman
+waiter aside.&nbsp; He took his temples touched with grey between
+his hands, leaning over the table to bring his face, his dark,
+keen eyes, closer to mine.</p>
+<p>&ldquo;Davidson then was commanding the steamer
+<i>Sissie</i>&mdash;the little one which we used to chaff him
+about.&nbsp; He ran her alone, with only the Malay serang for a
+deck officer.&nbsp; The nearest approach to another white man on
+board of her was the engineer, a Portuguese half-caste, as thin
+as a lath and quite a youngster at that.&nbsp; For all practical
+purposes Davidson was managing that command of his single-handed;
+and of course this was known in the port.&nbsp; I am telling you
+of it because the fact had its influence on the developments you
+shall hear of presently.</p>
+<p>&ldquo;His steamer, being so small, could go up tiny creeks
+and into shallow bays and through reefs and over sand-banks,
+collecting produce, where no other vessel but a native craft
+would think of venturing.&nbsp; It is a paying game, often.&nbsp;
+Davidson was known to visit in her places that no one else could
+find and that hardly anybody had ever heard of.</p>
+<p>&ldquo;The old dollars being called in, Davidson&rsquo;s
+Chinaman thought that the <i>Sissie</i> would be just the thing
+to collect them from small traders in the less frequented parts
+of the Archipelago.&nbsp; It&rsquo;s a good business.&nbsp; Such
+cases of dollars are dumped aft in the ship&rsquo;s lazarette,
+and you get good freight for very little trouble and space.</p>
+<p>&ldquo;Davidson, too, thought it was a good idea; and together
+they made up a list of his calls on his next trip.&nbsp; Then
+Davidson (he had naturally the chart of his voyages in his head)
+remarked that on his way back he might look in at a certain
+settlement up a mere creek, where a poor sort of white man lived
+in a native village.&nbsp; Davidson pointed out to his Chinaman
+that the fellow was certain to have some rattans to ship.</p>
+<p>&ldquo;&lsquo;Probably enough to fill her forward,&rsquo; said
+Davidson.&nbsp; &lsquo;And that&rsquo;ll be better than bringing
+her back with empty holds.&nbsp; A day more or less doesn&rsquo;t
+matter.&rsquo;</p>
+<p>&ldquo;This was sound talk, and the Chinaman owner could not
+but agree.&nbsp; But if it hadn&rsquo;t been sound it would have
+been just the same.&nbsp; Davidson did what he liked.&nbsp; He
+was a man that could do no wrong.&nbsp; However, this suggestion
+of his was not merely a business matter.&nbsp; There was in it a
+touch of Davidsonian kindness.&nbsp; For you must know that the
+man could not have continued to live quietly up that creek if it
+had not been for Davidson&rsquo;s willingness to call there from
+time to time.&nbsp; And Davidson&rsquo;s Chinaman knew this
+perfectly well, too.&nbsp; So he only smiled his dignified, bland
+smile, and said: &lsquo;All right, Captain.&nbsp; You do what you
+like.&rsquo;</p>
+<p>&ldquo;I will explain presently how this connection between
+Davidson and that fellow came about.&nbsp; Now I want to tell you
+about the part of this affair which happened here&mdash;the
+preliminaries of it.</p>
+<p>&ldquo;You know as well as I do that these tiffin-rooms where
+we are sitting now have been in existence for many years.&nbsp;
+Well, next day about twelve o&rsquo;clock, Davidson dropped in
+here to get something to eat.</p>
+<p>&ldquo;And here comes the only moment in this story where
+accident&mdash;mere accident&mdash;plays a part.&nbsp; If
+Davidson had gone home that day for tiffin, there would be now,
+after twelve years or more, nothing changed in his kindly, placid
+smile.</p>
+<p>&ldquo;But he came in here; and perhaps it was sitting at this
+very table that he remarked to a friend of mine that his next
+trip was to be a dollar-collecting trip.&nbsp; He added,
+laughing, that his wife was making rather a fuss about it.&nbsp;
+She had begged him to stay ashore and get somebody else to take
+his place for a voyage.&nbsp; She thought there was some danger
+on account of the dollars.&nbsp; He told her, he said, that there
+were no Java-sea pirates nowadays except in boys&rsquo;
+books.&nbsp; He had laughed at her fears, but he was very sorry,
+too; for when she took any notion in her head it was impossible
+to argue her out of it.&nbsp; She would be worrying herself all
+the time he was away.&nbsp; Well, he couldn&rsquo;t help
+it.&nbsp; There was no one ashore fit to take his place for the
+trip.</p>
+<p>&ldquo;This friend of mine and I went home together in the
+same mail-boat, and he mentioned that conversation one evening in
+the Red Sea while we were talking over the things and people we
+had just left, with more or less regret.</p>
+<p>&ldquo;I can&rsquo;t say that Davidson occupied a very
+prominent place.&nbsp; Moral excellence seldom does.&nbsp; He was
+quietly appreciated by those who knew him well; but his more
+obvious distinction consisted in this, that he was married.&nbsp;
+Ours, as you remember, was a bachelor crowd; in spirit anyhow, if
+not absolutely in fact.&nbsp; There might have been a few wives
+in existence, but if so they were invisible, distant, never
+alluded to.&nbsp; For what would have been the good?&nbsp;
+Davidson alone was visibly married.</p>
+<p>&ldquo;Being married suited him exactly.&nbsp; It fitted him
+so well that the wildest of us did not resent the fact when it
+was disclosed.&nbsp; Directly he had felt his feet out here,
+Davidson sent for his wife.&nbsp; She came out (from West
+Australia) in the <i>Somerset</i>, under the care of Captain
+Ritchie&mdash;you know, Monkey-face Ritchie&mdash;who
+couldn&rsquo;t praise enough her sweetness, her gentleness, and
+her charm.&nbsp; She seemed to be the heaven-born mate for
+Davidson.&nbsp; She found on arrival a very pretty bungalow on
+the hill, ready for her and the little girl they had.&nbsp; Very
+soon he got for her a two-wheeled trap and a Burmah pony, and she
+used to drive down of an evening to pick up Davidson, on the
+quay.&nbsp; When Davidson, beaming, got into the trap, it would
+become very full all at once.</p>
+<p>&ldquo;We used to admire Mrs. Davidson from a distance.&nbsp;
+It was a girlish head out of a keepsake.&nbsp; From a
+distance.&nbsp; We had not many opportunities for a closer view,
+because she did not care to give them to us.&nbsp; We would have
+been glad to drop in at the Davidson bungalow, but we were made
+to feel somehow that we were not very welcome there.&nbsp; Not
+that she ever said anything ungracious.&nbsp; She never had much
+to say for herself.&nbsp; I was perhaps the one who saw most of
+the Davidsons at home.&nbsp; What I noticed under the superficial
+aspect of vapid sweetness was her convex, obstinate forehead, and
+her small, red, pretty, ungenerous mouth.&nbsp; But then I am an
+observer with strong prejudices.&nbsp; Most of us were fetched by
+her white, swan-like neck, by that drooping, innocent
+profile.&nbsp; There was a lot of latent devotion to
+Davidson&rsquo;s wife hereabouts, at that time, I can tell
+you.&nbsp; But my idea was that she repaid it by a profound
+suspicion of the sort of men we were; a mistrust which
+extended&mdash;I fancied&mdash;to her very husband at
+times.&nbsp; And I thought then she was jealous of him in a way;
+though there were no women that she could be jealous about.&nbsp;
+She had no women&rsquo;s society.&nbsp; It&rsquo;s difficult for
+a shipmaster&rsquo;s wife unless there are other
+shipmasters&rsquo; wives about, and there were none here
+then.&nbsp; I know that the dock manager&rsquo;s wife called on
+her; but that was all.&nbsp; The fellows here formed the opinion
+that Mrs. Davidson was a meek, shy little thing.&nbsp; She looked
+it, I must say.&nbsp; And this opinion was so universal that the
+friend I have been telling you of remembered his conversation
+with Davidson simply because of the statement about
+Davidson&rsquo;s wife.&nbsp; He even wondered to me: &lsquo;Fancy
+Mrs. Davidson making a fuss to that extent.&nbsp; She
+didn&rsquo;t seem to me the sort of woman that would know how to
+make a fuss about anything.&rsquo;</p>
+<p>&ldquo;I wondered, too&mdash;but not so much.&nbsp; That bumpy
+forehead&mdash;eh?&nbsp; I had always suspected her of being
+silly.&nbsp; And I observed that Davidson must have been vexed by
+this display of wifely anxiety.</p>
+<p>&ldquo;My friend said: &lsquo;No.&nbsp; He seemed rather
+touched and distressed.&nbsp; There really was no one he could
+ask to relieve him; mainly because he intended to make a call in
+some God-forsaken creek, to look up a fellow of the name of Bamtz
+who apparently had settled there.&rsquo;</p>
+<p>&ldquo;And again my friend wondered.&nbsp; &lsquo;Tell
+me,&rsquo; he cried, &lsquo;what connection can there be between
+Davidson and such a creature as Bamtz?&rsquo;</p>
+<p>&ldquo;I don&rsquo;t remember now what answer I made.&nbsp; A
+sufficient one could have been given in two words:
+&lsquo;Davidson&rsquo;s goodness.&rsquo;&nbsp; <i>That</i> never
+boggled at unworthiness if there was the slightest reason for
+compassion.&nbsp; I don&rsquo;t want you to think that Davidson
+had no discrimination at all.&nbsp; Bamtz could not have imposed
+on him.&nbsp; Moreover, everybody knew what Bamtz was.&nbsp; He
+was a loafer with a beard.&nbsp; When I think of Bamtz, the first
+thing I see is that long black beard and a lot of propitiatory
+wrinkles at the corners of two little eyes.&nbsp; There was no
+such beard from here to Polynesia, where a beard is a valuable
+property in itself.&nbsp; Bamtz&rsquo;s beard was valuable to him
+in another way.&nbsp; You know how impressed Orientals are by a
+fine beard.&nbsp; Years and years ago, I remember, the grave
+Abdullah, the great trader of Sambir, unable to repress signs of
+astonishment and admiration at the first sight of that imposing
+beard.&nbsp; And it&rsquo;s very well known that Bamtz lived on
+Abdullah off and on for several years.&nbsp; It was a unique
+beard, and so was the bearer of the same.&nbsp; A unique
+loafer.&nbsp; He made a fine art of it, or rather a sort of craft
+and mystery.&nbsp; One can understand a fellow living by cadging
+and small swindles in towns, in large communities of people; but
+Bamtz managed to do that trick in the wilderness, to loaf on the
+outskirts of the virgin forest.</p>
+<p>&ldquo;He understood how to ingratiate himself with the
+natives.&nbsp; He would arrive in some settlement up a river,
+make a present of a cheap carbine or a pair of shoddy binoculars,
+or something of that sort, to the Rajah, or the head-man, or the
+principal trader; and on the strength of that gift, ask for a
+house, posing mysteriously as a very special trader.&nbsp; He
+would spin them no end of yarns, live on the fat of the land, for
+a while, and then do some mean swindle or other&mdash;or else
+they would get tired of him and ask him to quit.&nbsp; And he
+would go off meekly with an air of injured innocence.&nbsp; Funny
+life.&nbsp; Yet, he never got hurt somehow.&nbsp; I&rsquo;ve
+heard of the Rajah of Dongala giving him fifty dollars&rsquo;
+worth of trade goods and paying his passage in a prau only to get
+rid of him.&nbsp; Fact.&nbsp; And observe that nothing prevented
+the old fellow having Bamtz&rsquo;s throat cut and the carcase
+thrown into deep water outside the reefs; for who on earth would
+have inquired after Bamtz?</p>
+<p>&ldquo;He had been known to loaf up and down the wilderness as
+far north as the Gulf of Tonkin.&nbsp; Neither did he disdain a
+spell of civilisation from time to time.&nbsp; And it was while
+loafing and cadging in Saigon, bearded and dignified (he gave
+himself out there as a bookkeeper), that he came across Laughing
+Anne.</p>
+<p>&ldquo;The less said of her early history the better, but
+something must be said.&nbsp; We may safely suppose there was
+very little heart left in her famous laugh when Bamtz spoke first
+to her in some low caf&eacute;.&nbsp; She was stranded in Saigon
+with precious little money and in great trouble about a kid she
+had, a boy of five or six.</p>
+<p>&ldquo;A fellow I just remember, whom they called Pearler
+Harry, brought her out first into these parts&mdash;from
+Australia, I believe.&nbsp; He brought her out and then dropped
+her, and she remained knocking about here and there, known to
+most of us by sight, at any rate.&nbsp; Everybody in the
+Archipelago had heard of Laughing Anne.&nbsp; She had really a
+pleasant silvery laugh always at her disposal, so to speak, but
+it wasn&rsquo;t enough apparently to make her fortune.&nbsp; The
+poor creature was ready to stick to any half-decent man if he
+would only let her, but she always got dropped, as it might have
+been expected.</p>
+<p>&ldquo;She had been left in Saigon by the skipper of a German
+ship with whom she had been going up and down the China coast as
+far as Vladivostok for near upon two years.&nbsp; The German said
+to her: &lsquo;This is all over, <i>mein Taubchen</i>.&nbsp; I am
+going home now to get married to the girl I got engaged to before
+coming out here.&rsquo;&nbsp; And Anne said: &lsquo;All right,
+I&rsquo;m ready to go.&nbsp; We part friends, don&rsquo;t
+we?&rsquo;</p>
+<p>&ldquo;She was always anxious to part friends.&nbsp; The
+German told her that of course they were parting friends.&nbsp;
+He looked rather glum at the moment of parting.&nbsp; She laughed
+and went ashore.</p>
+<p>&ldquo;But it was no laughing matter for her.&nbsp; She had
+some notion that this would be her last chance.&nbsp; What
+frightened her most was the future of her child.&nbsp; She had
+left her boy in Saigon before going off with the German, in the
+care of an elderly French couple.&nbsp; The husband was a
+doorkeeper in some Government office, but his time was up, and
+they were returning to France.&nbsp; She had to take the boy back
+from them; and after she had got him back, she did not like to
+part with him any more.</p>
+<p>&ldquo;That was the situation when she and Bamtz got
+acquainted casually.&nbsp; She could not have had any illusions
+about that fellow.&nbsp; To pick up with Bamtz was coming down
+pretty low in the world, even from a material point of
+view.&nbsp; She had always been decent, in her way; whereas Bamtz
+was, not to mince words, an abject sort of creature.&nbsp; On the
+other hand, that bearded loafer, who looked much more like a
+pirate than a bookkeeper, was not a brute.&nbsp; He was
+gentle&mdash;rather&mdash;even in his cups.&nbsp; And then,
+despair, like misfortune, makes us acquainted with strange
+bed-fellows.&nbsp; For she may well have despaired.&nbsp; She was
+no longer young&mdash;you know.</p>
+<p>&ldquo;On the man&rsquo;s side this conjunction is more
+difficult to explain, perhaps.&nbsp; One thing, however, must be
+said of Bamtz; he had always kept clear of native women.&nbsp; As
+one can&rsquo;t suspect him of moral delicacy, I surmise that it
+must have been from prudence.&nbsp; And he, too, was no longer
+young.&nbsp; There were many white hairs in his valuable black
+beard by then.&nbsp; He may have simply longed for some kind of
+companionship in his queer, degraded existence.&nbsp; Whatever
+their motives, they vanished from Saigon together.&nbsp; And of
+course nobody cared what had become of them.</p>
+<p>&ldquo;Six months later Davidson came into the Mirrah
+Settlement.&nbsp; It was the very first time he had been up that
+creek, where no European vessel had ever been seen before.&nbsp;
+A Javanese passenger he had on board offered him fifty dollars to
+call in there&mdash;it must have been some very particular
+business&mdash;and Davidson consented to try.&nbsp; Fifty
+dollars, he told me, were neither here nor there; but he was
+curious to see the place, and the little <i>Sissie</i> could go
+anywhere where there was water enough to float a soup-plate.</p>
+<p>&ldquo;Davidson landed his Javanese plutocrat, and, as he had
+to wait a couple of hours for the tide, he went ashore himself to
+stretch his legs.</p>
+<p>&ldquo;It was a small settlement.&nbsp; Some sixty houses,
+most of them built on piles over the river, the rest scattered in
+the long grass; the usual pathway at the back; the forest hemming
+in the clearing and smothering what there might have been of air
+into a dead, hot stagnation.</p>
+<p>&ldquo;All the population was on the river-bank staring
+silently, as Malays will do, at the <i>Sissie</i> anchored in the
+stream.&nbsp; She was almost as wonderful to them as an
+angel&rsquo;s visit.&nbsp; Many of the old people had only heard
+vaguely of fire-ships, and not many of the younger generation had
+seen one.&nbsp; On the back path Davidson strolled in perfect
+solitude.&nbsp; But he became aware of a bad smell and concluded
+he would go no farther.</p>
+<p>&ldquo;While he stood wiping his forehead, he heard from
+somewhere the exclamation: &lsquo;My God!&nbsp; It&rsquo;s
+Davy!&rsquo;</p>
+<p>&ldquo;Davidson&rsquo;s lower jaw, as he expressed it, came
+unhooked at the crying of this excited voice.&nbsp; Davy was the
+name used by the associates of his young days; he hadn&rsquo;t
+heard it for many years.&nbsp; He stared about with his mouth
+open and saw a white woman issue from the long grass in which a
+small hut stood buried nearly up to the roof.</p>
+<p>&ldquo;Try to imagine the shock: in that wild place that you
+couldn&rsquo;t find on a map, and more squalid than the most
+poverty-stricken Malay settlement had a right to be, this
+European woman coming swishing out of the long grass in a
+fanciful tea-gown thing, dingy pink satin, with a long train and
+frayed lace trimmings; her eyes like black coals in a pasty-white
+face.&nbsp; Davidson thought that he was asleep, that he was
+delirious.&nbsp; From the offensive village mudhole (it was what
+Davidson had sniffed just before) a couple of filthy buffaloes
+uprose with loud snorts and lumbered off crashing through the
+bushes, panic-struck by this apparition.</p>
+<p>&ldquo;The woman came forward, her arms extended, and laid her
+hands on Davidson&rsquo;s shoulders, exclaiming:
+&lsquo;Why!&nbsp; You have hardly changed at all.&nbsp; The same
+good Davy.&rsquo;&nbsp; And she laughed a little wildly.</p>
+<p>&ldquo;This sound was to Davidson like a galvanic shock to a
+corpse.&nbsp; He started in every muscle.&nbsp; &lsquo;Laughing
+Anne,&rsquo; he said in an awe-struck voice.</p>
+<p>&ldquo;&lsquo;All that&rsquo;s left of her, Davy.&nbsp; All
+that&rsquo;s left of her.&rsquo;</p>
+<p>&ldquo;Davidson looked up at the sky; but there was to be seen
+no balloon from which she could have fallen on that spot.&nbsp;
+When he brought his distracted gaze down, it rested on a child
+holding on with a brown little paw to the pink satin gown.&nbsp;
+He had run out of the grass after her.&nbsp; Had Davidson seen a
+real hobgoblin his eyes could not have bulged more than at this
+small boy in a dirty white blouse and ragged knickers.&nbsp; He
+had a round head of tight chestnut curls, very sunburnt legs, a
+freckled face, and merry eyes.&nbsp; Admonished by his mother to
+greet the gentleman, he finished off Davidson by addressing him
+in French.</p>
+<p>&ldquo;&lsquo;<i>Bonjour</i>.&rsquo;</p>
+<p>&ldquo;Davidson, overcome, looked up at the woman in
+silence.&nbsp; She sent the child back to the hut, and when he
+had disappeared in the grass, she turned to Davidson, tried to
+speak, but after getting out the words, &lsquo;That&rsquo;s my
+Tony,&rsquo; burst into a long fit of crying.&nbsp; She had to
+lean on Davidson&rsquo;s shoulder.&nbsp; He, distressed in the
+goodness of his heart, stood rooted to the spot where she had
+come upon him.</p>
+<p>&ldquo;What a meeting&mdash;eh?&nbsp; Bamtz had sent her out
+to see what white man it was who had landed.&nbsp; And she had
+recognised him from that time when Davidson, who had been
+pearling himself in his youth, had been associating with Harry
+the Pearler and others, the quietest of a rather rowdy set.</p>
+<p>&ldquo;Before Davidson retraced his steps to go on board the
+steamer, he had heard much of Laughing Anne&rsquo;s story, and
+had even had an interview, on the path, with Bamtz himself.&nbsp;
+She ran back to the hut to fetch him, and he came out lounging,
+with his hands in his pockets, with the detached, casual manner
+under which he concealed his propensity to cringe.&nbsp;
+Ya-a-as-as.&nbsp; He thought he would settle here
+permanently&mdash;with her.&nbsp; This with a nod at Laughing
+Anne, who stood by, a haggard, tragically anxious figure, her
+black hair hanging over her shoulders.</p>
+<p>&ldquo;&lsquo;No more paint and dyes for me, Davy,&rsquo; she
+struck in, &lsquo;if only you will do what he wants you to
+do.&nbsp; You know that I was always ready to stand by my
+men&mdash;if they had only let me.&rsquo;</p>
+<p>&ldquo;Davidson had no doubt of her earnestness.&nbsp; It was
+of Bamtz&rsquo;s good faith that he was not at all sure.&nbsp;
+Bamtz wanted Davidson to promise to call at Mirrah more or less
+regularly.&nbsp; He thought he saw an opening to do business with
+rattans there, if only he could depend on some craft to bring out
+trading goods and take away his produce.</p>
+<p>&ldquo;&lsquo;I have a few dollars to make a start on.&nbsp;
+The people are all right.&rsquo;</p>
+<p>&ldquo;He had come there, where he was not known, in a native
+prau, and had managed, with his sedate manner and the exactly
+right kind of yarn he knew how to tell to the natives, to
+ingratiate himself with the chief man.</p>
+<p>&ldquo;&lsquo;The Orang Kaya has given me that empty house
+there to live in as long as I will stay,&rsquo; added Bamtz.</p>
+<p>&ldquo;&lsquo;Do it, Davy,&rsquo; cried the woman
+suddenly.&nbsp; &lsquo;Think of that poor kid.&rsquo;</p>
+<p>&ldquo;&lsquo;Seen him?&nbsp; &rsquo;Cute little
+customer,&rsquo; said the reformed loafer in such a tone of
+interest as to surprise Davidson into a kindly glance.</p>
+<p>&ldquo;&lsquo;I certainly can do it,&rsquo; he declared.&nbsp;
+He thought of at first making some stipulation as to Bamtz
+behaving decently to the woman, but his exaggerated delicacy and
+also the conviction that such a fellow&rsquo;s promises were
+worth nothing restrained him.&nbsp; Anne went a little distance
+down the path with him talking anxiously.</p>
+<p>&ldquo;&lsquo;It&rsquo;s for the kid.&nbsp; How could I have
+kept him with me if I had to knock about in towns?&nbsp; Here he
+will never know that his mother was a painted woman.&nbsp; And
+this Bamtz likes him.&nbsp; He&rsquo;s real fond of him.&nbsp; I
+suppose I ought to thank God for that.&rsquo;</p>
+<p>&ldquo;Davidson shuddered at any human creature being brought
+so low as to have to thank God for the favours or affection of a
+Bamtz.</p>
+<p>&ldquo;&lsquo;And do you think that you can make out to live
+here?&rsquo; he asked gently.</p>
+<p>&ldquo;&lsquo;Can&rsquo;t I?&nbsp; You know I have always
+stuck to men through thick and thin till they had enough of
+me.&nbsp; And now look at me!&nbsp; But inside I am as I always
+was.&nbsp; I have acted on the square to them all one after
+another.&nbsp; Only they do get tired somehow.&nbsp; Oh,
+Davy!&nbsp; Harry ought not to have cast me off.&nbsp; It was he
+that led me astray.&rsquo;</p>
+<p>&ldquo;Davidson mentioned to her that Harry the Pearler had
+been dead now for some years.&nbsp; Perhaps she had heard?</p>
+<p>&ldquo;She made a sign that she had heard; and walked by the
+side of Davidson in silence nearly to the bank.&nbsp; Then she
+told him that her meeting with him had brought back the old times
+to her mind.&nbsp; She had not cried for years.&nbsp; She was not
+a crying woman either.&nbsp; It was hearing herself called
+Laughing Anne that had started her sobbing like a fool.&nbsp;
+Harry was the only man she had loved.&nbsp; The others&mdash;</p>
+<p>&ldquo;She shrugged her shoulders.&nbsp; But she prided
+herself on her loyalty to the successive partners of her dismal
+adventures.&nbsp; She had never played any tricks in her
+life.&nbsp; She was a pal worth having.&nbsp; But men did get
+tired.&nbsp; They did not understand women.&nbsp; She supposed it
+had to be.</p>
+<p>&ldquo;Davidson was attempting a veiled warning as to Bamtz,
+but she interrupted him.&nbsp; She knew what men were.&nbsp; She
+knew what this man was like.&nbsp; But he had taken wonderfully
+to the kid.&nbsp; And Davidson desisted willingly, saying to
+himself that surely poor Laughing Anne could have no illusions by
+this time.&nbsp; She wrung his hand hard at parting.</p>
+<p>&ldquo;&lsquo;It&rsquo;s for the kid, Davy&mdash;it&rsquo;s
+for the kid.&nbsp; Isn&rsquo;t he a bright little
+chap?&rsquo;</p>
+<h3>CHAPTER II</h3>
+<p>&ldquo;All this happened about two years before the day when
+Davidson, sitting in this very room, talked to my friend.&nbsp;
+You will see presently how this room can get full.&nbsp; Every
+seat&rsquo;ll be occupied, and as you notice, the tables are set
+close, so that the backs of the chairs are almost touching.&nbsp;
+There is also a good deal of noisy talk here about one
+o&rsquo;clock.</p>
+<p>&ldquo;I don&rsquo;t suppose Davidson was talking very loudly;
+but very likely he had to raise his voice across the table to my
+friend.&nbsp; And here accident, mere accident, put in its work
+by providing a pair of fine ears close behind Davidson&rsquo;s
+chair.&nbsp; It was ten to one against, the owner of the same
+having enough change in his pockets to get his tiffin here.&nbsp;
+But he had.&nbsp; Most likely had rooked somebody of a few
+dollars at cards overnight.&nbsp; He was a bright creature of the
+name of Fector, a spare, short, jumpy fellow with a red face and
+muddy eyes.&nbsp; He described himself as a journalist, as
+certain kind of women give themselves out as actresses in the
+dock of a police-court.</p>
+<p>&ldquo;He used to introduce himself to strangers as a man with
+a mission to track out abuses and fight them whenever
+found.&nbsp; He would also hint that he was a martyr.&nbsp; And
+it&rsquo;s a fact that he had been kicked, horsewhipped,
+imprisoned, and hounded with ignominy out of pretty well every
+place between Ceylon and Shanghai, for a professional
+blackmailer.</p>
+<p>&ldquo;I suppose, in that trade, you&rsquo;ve got to have
+active wits and sharp ears.&nbsp; It&rsquo;s not likely that he
+overheard every word Davidson said about his dollar collecting
+trip, but he heard enough to set his wits at work.</p>
+<p>&ldquo;He let Davidson go out, and then hastened away down to
+the native slums to a sort of lodging-house kept in partnership
+by the usual sort of Portuguese and a very disreputable
+Chinaman.&nbsp; Macao Hotel, it was called, but it was mostly a
+gambling den that one used to warn fellows against.&nbsp; Perhaps
+you remember?</p>
+<p>&ldquo;There, the evening before, Fector had met a precious
+couple, a partnership even more queer than the Portuguese and the
+Chinaman.&nbsp; One of the two was Niclaus&mdash;you know.&nbsp;
+Why! the fellow with a Tartar moustache and a yellow complexion,
+like a Mongolian, only that his eyes were set straight and his
+face was not so flat.&nbsp; One couldn&rsquo;t tell what breed he
+was.&nbsp; A nondescript beggar.&nbsp; From a certain angle you
+would think a very bilious white man.&nbsp; And I daresay he
+was.&nbsp; He owned a Malay prau and called himself The Nakhoda,
+as one would say: The Captain.&nbsp; Aha!&nbsp; Now you
+remember.&nbsp; He couldn&rsquo;t, apparently, speak any other
+European language than English, but he flew the Dutch flag on his
+prau.</p>
+<p>&ldquo;The other was the Frenchman without hands.&nbsp;
+Yes.&nbsp; The very same we used to know in &rsquo;79 in Sydney,
+keeping a little tobacco shop at the lower end of George
+Street.&nbsp; You remember the huge carcase hunched up behind the
+counter, the big white face and the long black hair brushed back
+off a high forehead like a bard&rsquo;s.&nbsp; He was always
+trying to roll cigarettes on his knee with his stumps, telling
+endless yarns of Polynesia and whining and cursing in turn about
+&lsquo;<i>mon malheur</i>.&rsquo;&nbsp; His hands had been blown
+away by a dynamite cartridge while fishing in some lagoon.&nbsp;
+This accident, I believe, had made him more wicked than before,
+which is saying a good deal.</p>
+<p>&ldquo;He was always talking about &lsquo;resuming his
+activities&rsquo; some day, whatever they were, if he could only
+get an intelligent companion.&nbsp; It was evident that the
+little shop was no field for his activities, and the sickly woman
+with her face tied up, who used to look in sometimes through the
+back door, was no companion for him.</p>
+<p>&ldquo;And, true enough, he vanished from Sydney before long,
+after some trouble with the Excise fellows about his stock.&nbsp;
+Goods stolen out of a warehouse or something similar.&nbsp; He
+left the woman behind, but he must have secured some sort of
+companion&mdash;he could not have shifted for himself; but whom
+he went away with, and where, and what other companions he might
+have picked up afterwards, it is impossible to make the remotest
+guess about.</p>
+<p>&ldquo;Why exactly he came this way I can&rsquo;t tell.&nbsp;
+Towards the end of my time here we began to hear talk of a maimed
+Frenchman who had been seen here and there.&nbsp; But no one knew
+then that he had foregathered with Niclaus and lived in his
+prau.&nbsp; I daresay he put Niclaus up to a thing or two.&nbsp;
+Anyhow, it was a partnership.&nbsp; Niclaus was somewhat afraid
+of the Frenchman on account of his tempers, which were
+awful.&nbsp; He looked then like a devil; but a man without
+hands, unable to load or handle a weapon, can at best go for one
+only with his teeth.&nbsp; From that danger Niclaus felt certain
+he could always defend himself.</p>
+<p>&ldquo;The couple were alone together loafing in the
+common-room of that infamous hotel when Fector turned up.&nbsp;
+After some beating about the bush, for he was doubtful how far he
+could trust these two, he repeated what he had overheard in the
+tiffin-rooms.</p>
+<p>&ldquo;His tale did not have much success till he came to
+mention the creek and Bamtz&rsquo;s name.&nbsp; Niclaus, sailing
+about like a native in a prau, was, in his own words,
+&lsquo;familiar with the locality.&rsquo;&nbsp; The huge
+Frenchman, walking up and down the room with his stumps in the
+pockets of his jacket, stopped short in surprise.&nbsp;
+&lsquo;<i>Comment</i>?&nbsp; <i>Bamtz</i>!&nbsp;
+<i>Bamtz</i>!&rsquo;</p>
+<p>&ldquo;He had run across him several times in his life.&nbsp;
+He exclaimed: &lsquo;<i>Bamtz</i>!&nbsp; <i>Mais je ne connais
+que ca</i>!&rsquo;&nbsp; And he applied such a contemptuously
+indecent epithet to Bamtz that when, later, he alluded to him as
+&lsquo;<i>une chiffe</i>&rsquo; (a mere rag) it sounded quite
+complimentary.&nbsp; &lsquo;We can do with him what we
+like,&rsquo; he asserted confidently.&nbsp; &lsquo;Oh, yes.&nbsp;
+Certainly we must hasten to pay a visit to that&mdash;&rsquo;
+(another awful descriptive epithet quite unfit for
+repetition).&nbsp; &lsquo;Devil take me if we don&rsquo;t pull
+off a coup that will set us all up for a long time.&rsquo;</p>
+<p>&ldquo;He saw all that lot of dollars melted into bars and
+disposed of somewhere on the China coast.&nbsp; Of the escape
+after the <i>coup</i> he never doubted.&nbsp; There was
+Niclaus&rsquo;s prau to manage that in.</p>
+<p>&ldquo;In his enthusiasm he pulled his stumps out of his
+pockets and waved them about.&nbsp; Then, catching sight of them,
+as it were, he held them in front of his eyes, cursing and
+blaspheming and bewailing his misfortune and his helplessness,
+till Niclaus quieted him down.</p>
+<p>&ldquo;But it was his mind that planned out the affair and it
+was his spirit which carried the other two on.&nbsp; Neither of
+them was of the bold buccaneer type; and Fector, especially, had
+never in his adventurous life used other weapons than slander and
+lies.</p>
+<p>&ldquo;That very evening they departed on a visit to Bamtz in
+Niclaus&rsquo;s prau, which had been lying, emptied of her cargo
+of cocoanuts, for a day or two under the canal bridge.&nbsp; They
+must have crossed the bows of the anchored <i>Sissie</i>, and no
+doubt looked at her with interest as the scene of their future
+exploit, the great haul, <i>le grand coup</i>!</p>
+<p>&ldquo;Davidson&rsquo;s wife, to his great surprise, sulked
+with him for several days before he left.&nbsp; I don&rsquo;t
+know whether it occurred to him that, for all her angelic
+profile, she was a very stupidly obstinate girl.&nbsp; She
+didn&rsquo;t like the tropics.&nbsp; He had brought her out
+there, where she had no friends, and now, she said, he was
+becoming inconsiderate.&nbsp; She had a presentiment of some
+misfortune, and notwithstanding Davidson&rsquo;s painstaking
+explanations, she could not see why her presentiments were to be
+disregarded.&nbsp; On the very last evening before Davidson went
+away she asked him in a suspicious manner:</p>
+<p>&ldquo;&lsquo;Why is it that you are so anxious to go this
+time?&rsquo;</p>
+<p>&ldquo;&lsquo;I am not anxious,&rsquo; protested the good
+Davidson.&nbsp; &lsquo;I simply can&rsquo;t help myself.&nbsp;
+There&rsquo;s no one else to go in my place.&rsquo;</p>
+<p>&ldquo;&lsquo;Oh!&nbsp; There&rsquo;s no one,&rsquo; she said,
+turning away slowly.</p>
+<p>&ldquo;She was so distant with him that evening that Davidson
+from a sense of delicacy made up his mind to say good-bye to her
+at once and go and sleep on board.&nbsp; He felt very miserable
+and, strangely enough, more on his own account than on account of
+his wife.&nbsp; She seemed to him much more offended than
+grieved.</p>
+<p>&ldquo;Three weeks later, having collected a good many cases
+of old dollars (they were stowed aft in the lazarette with an
+iron bar and a padlock securing the hatch under his cabin-table),
+yes, with a bigger lot than he had expected to collect, he found
+himself homeward bound and off the entrance of the creek where
+Bamtz lived and even, in a sense, flourished.</p>
+<p>&ldquo;It was so late in the day that Davidson actually
+hesitated whether he should not pass by this time.&nbsp; He had
+no regard for Bamtz, who was a degraded but not a really unhappy
+man.&nbsp; His pity for Laughing Anne was no more than her case
+deserved.&nbsp; But his goodness was of a particularly delicate
+sort.&nbsp; He realised how these people were dependent on him,
+and how they would feel their dependence (if he failed to turn
+up) through a long month of anxious waiting.&nbsp; Prompted by
+his sensitive humanity, Davidson, in the gathering dusk, turned
+the <i>Sissie&rsquo;s</i> head towards the hardly discernible
+coast, and navigated her safety through a maze of shallow
+patches.&nbsp; But by the time he got to the mouth of the creek
+the night had come.</p>
+<p>&ldquo;The narrow waterway lay like a black cutting through
+the forest.&nbsp; And as there were always grounded snaggs in the
+channel which it would be impossible to make out, Davidson very
+prudently turned the <i>Sissie</i> round, and with only enough
+steam on the boilers to give her a touch ahead if necessary, let
+her drift up stern first with the tide, silent and invisible in
+the impenetrable darkness and in the dumb stillness.</p>
+<p>&ldquo;It was a long job, and when at the end of two hours
+Davidson thought he must be up to the clearing, the settlement
+slept already, the whole land of forests and rivers was
+asleep.</p>
+<p>&ldquo;Davidson, seeing a solitary light in the massed
+darkness of the shore, knew that it was burning in Bamtz&rsquo;s
+house.&nbsp; This was unexpected at this time of the night, but
+convenient as a guide.&nbsp; By a turn of the screw and a touch
+of the helm he sheered the <i>Sissie</i> alongside Bamtz&rsquo;s
+wharf&mdash;a miserable structure of a dozen piles and a few
+planks, of which the ex-vagabond was very proud.&nbsp; A couple
+of Kalashes jumped down on it, took a turn with the ropes thrown
+to them round the posts, and the <i>Sissie</i> came to rest
+without a single loud word or the slightest noise.&nbsp; And just
+in time too, for the tide turned even before she was properly
+moored.</p>
+<p>&ldquo;Davidson had something to eat, and then, coming on deck
+for a last look round, noticed that the light was still burning
+in the house.</p>
+<p>&ldquo;This was very unusual, but since they were awake so
+late, Davidson thought that he would go up to say that he was in
+a hurry to be off and to ask that what rattans there were in
+store should be sent on board with the first sign of dawn.</p>
+<p>&ldquo;He stepped carefully over the shaky planks, not being
+anxious to get a sprained ankle, and picked his way across the
+waste ground to the foot of the house ladder.&nbsp; The house was
+but a glorified hut on piles, unfenced and lonely.</p>
+<p>&ldquo;Like many a stout man, Davidson is very
+lightfooted.&nbsp; He climbed the seven steps or so, stepped
+across the bamboo platform quietly, but what he saw through the
+doorway stopped him short.</p>
+<p>&ldquo;Four men were sitting by the light of a solitary
+candle.&nbsp; There was a bottle, a jug and glasses on the table,
+but they were not engaged in drinking.&nbsp; Two packs of cards
+were lying there too, but they were not preparing to play.&nbsp;
+They were talking together in whispers, and remained quite
+unaware of him.&nbsp; He himself was too astonished to make a
+sound for some time.&nbsp; The world was still, except for the
+sibilation of the whispering heads bunched together over the
+table.</p>
+<p>&ldquo;And Davidson, as I have quoted him to you before,
+didn&rsquo;t like it.&nbsp; He didn&rsquo;t like it at all.</p>
+<p>&ldquo;The situation ended with a scream proceeding from the
+dark, interior part of the room.&nbsp; &lsquo;O Davy!
+you&rsquo;ve given me a turn.&rsquo;</p>
+<p>&ldquo;Davidson made out beyond the table Anne&rsquo;s very
+pale face.&nbsp; She laughed a little hysterically, out of the
+deep shadows between the gloomy mat walls.&nbsp; &lsquo;Ha! ha!
+ha!&rsquo;</p>
+<p>&ldquo;The four heads sprang apart at the first sound, and
+four pairs of eyes became fixed stonily on Davidson.&nbsp; The
+woman came forward, having little more on her than a loose chintz
+wrapper and straw slippers on her bare feet.&nbsp; Her head was
+tied up Malay fashion in a red handkerchief, with a mass of loose
+hair hanging under it behind.&nbsp; Her professional, gay,
+European feathers had literally dropped off her in the course of
+these two years, but a long necklace of amber beads hung round
+her uncovered neck.&nbsp; It was the only ornament she had left;
+Bamtz had sold all her poor-enough trinkets during the flight
+from Saigon&mdash;when their association began.</p>
+<p>&ldquo;She came forward, past the table, into the light, with
+her usual groping gesture of extended arms, as though her soul,
+poor thing! had gone blind long ago, her white cheeks hollow, her
+eyes darkly wild, distracted, as Davidson thought.&nbsp; She came
+on swiftly, grabbed him by the arm, dragged him in.&nbsp;
+&lsquo;It&rsquo;s heaven itself that sends you to-night.&nbsp; My
+Tony&rsquo;s so bad&mdash;come and see him.&nbsp; Come
+along&mdash;do!&rsquo;</p>
+<p>&ldquo;Davidson submitted.&nbsp; The only one of the men to
+move was Bamtz, who made as if to get up but dropped back in his
+chair again.&nbsp; Davidson in passing heard him mutter
+confusedly something that sounded like &lsquo;poor little
+beggar.&rsquo;</p>
+<p>&ldquo;The child, lying very flushed in a miserable cot
+knocked up out of gin-cases, stared at Davidson with wide, drowsy
+eyes.&nbsp; It was a bad bout of fever clearly.&nbsp; But while
+Davidson was promising to go on board and fetch some medicines,
+and generally trying to say reassuring things, he could not help
+being struck by the extraordinary manner of the woman standing by
+his side.&nbsp; Gazing with despairing expression down at the
+cot, she would suddenly throw a quick, startled glance at
+Davidson and then towards the other room.</p>
+<p>&ldquo;&lsquo;Yes, my poor girl,&rsquo; he whispered,
+interpreting her distraction in his own way, though he had
+nothing precise in his mind.&nbsp; &lsquo;I&rsquo;m afraid this
+bodes no good to you.&nbsp; How is it they are here?&rsquo;</p>
+<p>&ldquo;She seized his forearm and breathed out forcibly:
+&lsquo;No good to me!&nbsp; Oh, no!&nbsp; But what about
+you!&nbsp; They are after the dollars you have on
+board.&rsquo;</p>
+<p>&ldquo;Davidson let out an astonished &lsquo;How do they know
+there are any dollars?&rsquo;</p>
+<p>&ldquo;She clapped her hands lightly, in distress.&nbsp;
+&lsquo;So it&rsquo;s true!&nbsp; You have them on board?&nbsp;
+Then look out for yourself.&rsquo;</p>
+<p>&ldquo;They stood gazing down at the boy in the cot, aware
+that they might be observed from the other room.</p>
+<p>&ldquo;&lsquo;We must get him to perspire as soon as
+possible,&rsquo; said Davidson in his ordinary voice.&nbsp;
+&lsquo;You&rsquo;ll have to give him hot drink of some
+kind.&nbsp; I will go on board and bring you a spirit-kettle
+amongst other things.&rsquo;&nbsp; And he added under his breath:
+&lsquo;Do they actually mean murder?&rsquo;</p>
+<p>&ldquo;She made no sign, she had returned to her desolate
+contemplation of the boy.&nbsp; Davidson thought she had not
+heard him even, when with an unchanged expression she spoke under
+her breath.</p>
+<p>&ldquo;&lsquo;The Frenchman would, in a minute.&nbsp; The
+others shirk it&mdash;unless you resist.&nbsp; He&rsquo;s a
+devil.&nbsp; He keeps them going.&nbsp; Without him they would
+have done nothing but talk.&nbsp; I&rsquo;ve got chummy with him.
+What can you do when you are with a man like the fellow I am with
+now.&nbsp; Bamtz is terrified of them, and they know it.&nbsp;
+He&rsquo;s in it from funk.&nbsp; Oh, Davy! take your ship
+away&mdash;quick!&rsquo;</p>
+<p>&ldquo;&lsquo;Too late,&rsquo; said Davidson.&nbsp;
+&lsquo;She&rsquo;s on the mud already.&rsquo;</p>
+<p>&ldquo;If the kid hadn&rsquo;t been in this state I would have
+run off with him&mdash;to you&mdash;into the
+woods&mdash;anywhere.&nbsp; Oh, Davy! will he die?&rsquo; she
+cried aloud suddenly.</p>
+<p>&ldquo;Davidson met three men in the doorway.&nbsp; They made
+way for him without actually daring to face his glance.&nbsp; But
+Bamtz was the only one who looked down with an air of
+guilt.&nbsp; The big Frenchman had remained lolling in his chair;
+he kept his stumps in his pockets and addressed Davidson.</p>
+<p>&ldquo;&lsquo;Isn&rsquo;t it unfortunate about that
+child!&nbsp; The distress of that woman there upsets me, but I am
+of no use in the world.&nbsp; I couldn&rsquo;t smooth the sick
+pillow of my dearest friend.&nbsp; I have no hands.&nbsp; Would
+you mind sticking one of those cigarettes there into the mouth of
+a poor, harmless cripple?&nbsp; My nerves want
+soothing&mdash;upon my honour, they do.&rsquo;</p>
+<p>&ldquo;Davidson complied with his naturally kind smile.&nbsp;
+As his outward placidity becomes only more pronounced, if
+possible, the more reason there is for excitement; and as
+Davidson&rsquo;s eyes, when his wits are hard at work, get very
+still and as if sleepy, the huge Frenchman might have been
+justified in concluding that the man there was a mere
+sheep&mdash;a sheep ready for slaughter.&nbsp; With a
+&lsquo;<i>merci bien</i>&rsquo; he uplifted his huge carcase to
+reach the light of the candle with his cigarette, and Davidson
+left the house.</p>
+<p>&ldquo;Going down to the ship and returning, he had time to
+consider his position.&nbsp; At first he was inclined to believe
+that these men (Niclaus&mdash;the white Nakhoda&mdash;was the
+only one he knew by sight before, besides Bamtz) were not of the
+stamp to proceed to extremities.&nbsp; This was partly the reason
+why he never attempted to take any measures on board.&nbsp; His
+pacific Kalashes were not to be thought of as against white
+men.&nbsp; His wretched engineer would have had a fit from fright
+at the mere idea of any sort of combat.&nbsp; Davidson knew that
+he would have to depend on himself in this affair if it ever came
+off.</p>
+<p>&ldquo;Davidson underestimated naturally the driving power of
+the Frenchman&rsquo;s character and the force of the actuating
+motive.&nbsp; To that man so hopelessly crippled these dollars
+were an enormous opportunity.&nbsp; With his share of the robbery
+he would open another shop in Vladivostok, Ha&iuml;phong,
+Manila&mdash;somewhere far away.</p>
+<p>&ldquo;Neither did it occur to Davidson, who is a man of
+courage, if ever there was one, that his psychology was not known
+to the world at large, and that to this particular lot of
+ruffians, who judged him by his appearance, he appeared an
+unsuspicious, inoffensive, soft creature, as he passed again
+through the room, his hands full of various objects and parcels
+destined for the sick boy.</p>
+<p>&ldquo;All the four were sitting again round the table.&nbsp;
+Bamtz not having the pluck to open his mouth, it was Niclaus who,
+as a collective voice, called out to him thickly to come out soon
+and join in a drink.</p>
+<p>&ldquo;&lsquo;I think I&rsquo;ll have to stay some little time
+in there, to help her look after the boy,&rsquo; Davidson
+answered without stopping.</p>
+<p>&ldquo;This was a good thing to say to allay a possible
+suspicion.&nbsp; And, as it was, Davidson felt he must not stay
+very long.</p>
+<p>&ldquo;He sat down on an old empty nail-keg near the
+improvised cot and looked at the child; while Laughing Anne,
+moving to and fro, preparing the hot drink, giving it to the boy
+in spoonfuls, or stopping to gaze motionless at the flushed face,
+whispered disjointed bits of information.&nbsp; She had succeeded
+in making friends with that French devil.&nbsp; Davy would
+understand that she knew how to make herself pleasant to a
+man.</p>
+<p>&ldquo;And Davidson nodded without looking at her.</p>
+<p>&ldquo;The big beast had got to be quite confidential with
+her.&nbsp; She held his cards for him when they were having a
+game.&nbsp; Bamtz!&nbsp; Oh!&nbsp; Bamtz in his funk was only too
+glad to see the Frenchman humoured.&nbsp; And the Frenchman had
+come to believe that she was a woman who didn&rsquo;t care what
+she did.&nbsp; That&rsquo;s how it came about they got to talk
+before her openly.&nbsp; For a long time she could not make out
+what game they were up to.&nbsp; The new arrivals, not expecting
+to find a woman with Bamtz, had been very startled and annoyed at
+first, she explained.</p>
+<p>&ldquo;She busied herself in attending to the boy; and nobody
+looking into that room would have seen anything suspicious in
+those two people exchanging murmurs by the sick-bedside.</p>
+<p>&ldquo;&lsquo;But now they think I am a better man than Bamtz
+ever was,&rsquo; she said with a faint laugh.</p>
+<p>&ldquo;The child moaned.&nbsp; She went down on her knees,
+and, bending low, contemplated him mournfully.&nbsp; Then raising
+her head, she asked Davidson whether he thought the child would
+get better.&nbsp; Davidson was sure of it.&nbsp; She murmured
+sadly: &lsquo;Poor kid.&nbsp; There&rsquo;s nothing in life for
+such as he.&nbsp; Not a dog&rsquo;s chance.&nbsp; But I
+couldn&rsquo;t let him go, Davy!&nbsp; I
+couldn&rsquo;t.&rsquo;</p>
+<p>&ldquo;Davidson felt a profound pity for the child.&nbsp; She
+laid her hand on his knee and whispered an earnest warning
+against the Frenchman.&nbsp; Davy must never let him come to
+close quarters.&nbsp; Naturally Davidson wanted to know the
+reason, for a man without hands did not strike him as very
+formidable under any circumstances.</p>
+<p>&ldquo;&lsquo;Mind you don&rsquo;t let him&mdash;that&rsquo;s
+all,&rsquo; she insisted anxiously, hesitated, and then confessed
+that the Frenchman had got her away from the others that
+afternoon and had ordered her to tie a seven-pound iron weight
+(out of the set of weights Bamtz used in business) to his right
+stump.&nbsp; She had to do it for him.&nbsp; She had been afraid
+of his savage temper.&nbsp; Bamtz was such a craven, and neither
+of the other men would have cared what happened to her.&nbsp; The
+Frenchman, however, with many awful threats had warned her not to
+let the others know what she had done for him.&nbsp; Afterwards
+he had been trying to cajole her.&nbsp; He had promised her that
+if she stood by him faithfully in this business he would take her
+with him to Ha&iuml;phong or some other place.&nbsp; A poor
+cripple needed somebody to take care of him&mdash;always.</p>
+<p>&ldquo;Davidson asked her again if they really meant
+mischief.&nbsp; It was, he told me, the hardest thing to believe
+he had run up against, as yet, in his life.&nbsp; Anne
+nodded.&nbsp; The Frenchman&rsquo;s heart was set on this
+robbery.&nbsp; Davy might expect them, about midnight, creeping
+on board his ship, to steal anyhow&mdash;to murder,
+perhaps.&nbsp; Her voice sounded weary, and her eyes remained
+fastened on her child.</p>
+<p>&ldquo;And still Davidson could not accept it somehow; his
+contempt for these men was too great.</p>
+<p>&ldquo;&lsquo;Look here, Davy,&rsquo; she said.&nbsp;
+&lsquo;I&rsquo;ll go outside with them when they start, and it
+will be hard luck if I don&rsquo;t find something to laugh
+at.&nbsp; They are used to that from me.&nbsp; Laugh or
+cry&mdash;what&rsquo;s the odds.&nbsp; You will be able to hear
+me on board on this quiet night.&nbsp; Dark it is too.&nbsp; Oh!
+it&rsquo;s dark, Davy!&mdash;it&rsquo;s dark!&rsquo;</p>
+<p>&ldquo;&lsquo;Don&rsquo;t you run any risks,&rsquo; said
+Davidson.&nbsp; Presently he called her attention to the boy,
+who, less flushed now, had dropped into a sound sleep.&nbsp;
+&lsquo;Look.&nbsp; He&rsquo;ll be all right.&rsquo;</p>
+<p>&ldquo;She made as if to snatch the child up to her breast,
+but restrained herself.&nbsp; Davidson prepared to go.&nbsp; She
+whispered hurriedly:</p>
+<p>&ldquo;&lsquo;Mind, Davy!&nbsp; I&rsquo;ve told them that you
+generally sleep aft in the hammock under the awning over the
+cabin.&nbsp; They have been asking me about your ways and about
+your ship, too.&nbsp; I told them all I knew.&nbsp; I had to keep
+in with them.&nbsp; And Bamtz would have told them if I
+hadn&rsquo;t&mdash;you understand?&rsquo;</p>
+<p>&ldquo;He made a friendly sign and went out.&nbsp; The men
+about the table (except Bamtz) looked at him.&nbsp; This time it
+was Fector who spoke.&nbsp; &lsquo;Won&rsquo;t you join us in a
+quiet game, Captain?&rsquo;</p>
+<p>&ldquo;Davidson said that now the child was better he thought
+he would go on board and turn in.&nbsp; Fector was the only one
+of the four whom he had, so to speak, never seen, for he had had
+a good look at the Frenchman already.&nbsp; He observed
+Fector&rsquo;s muddy eyes, his mean, bitter mouth.&nbsp;
+Davidson&rsquo;s contempt for those men rose in his gorge, while
+his placid smile, his gentle tones and general air of innocence
+put heart into them.&nbsp; They exchanged meaning glances.</p>
+<p>&ldquo;&lsquo;We shall be sitting late over the cards,&rsquo;
+Fector said in his harsh, low voice.</p>
+<p>&ldquo;&lsquo;Don&rsquo;t make more noise than you can
+help.&rsquo;</p>
+<p>&ldquo;&lsquo;Oh! we are a quiet lot.&nbsp; And if the invalid
+shouldn&rsquo;t be so well, she will be sure to send one of us
+down to call you, so that you may play the doctor again.&nbsp; So
+don&rsquo;t shoot at sight.&rsquo;</p>
+<p>&ldquo;&lsquo;He isn&rsquo;t a shooting man,&rsquo; struck in
+Niclaus.</p>
+<p>&ldquo;&lsquo;I never shoot before making sure there&rsquo;s a
+reason for it&mdash;at any rate,&rsquo; said Davidson.</p>
+<p>&ldquo;Bamtz let out a sickly snigger.&nbsp; The Frenchman
+alone got up to make a bow to Davidson&rsquo;s careless
+nod.&nbsp; His stumps were stuck immovably in his pockets.&nbsp;
+Davidson understood now the reason.</p>
+<p>&ldquo;He went down to the ship.&nbsp; His wits were working
+actively, and he was thoroughly angry.&nbsp; He smiled, he says
+(it must have been the first grim smile of his life), at the
+thought of the seven-pound weight lashed to the end of the
+Frenchman&rsquo;s stump.&nbsp; The ruffian had taken that
+precaution in case of a quarrel that might arise over the
+division of the spoil.&nbsp; A man with an unsuspected power to
+deal killing blows could take his own part in a sudden scrimmage
+round a heap of money, even against adversaries armed with
+revolvers, especially if he himself started the row.</p>
+<p>&ldquo;&lsquo;He&rsquo;s ready to face any of his friends with
+that thing.&nbsp; But he will have no use for it.&nbsp; There
+will be no occasion to quarrel about these dollars here,&rsquo;
+thought Davidson, getting on board quietly.&nbsp; He never paused
+to look if there was anybody about the decks.&nbsp; As a matter
+of fact, most of his crew were on shore, and the rest slept,
+stowed away in dark corners.</p>
+<p>&ldquo;He had his plan, and he went to work methodically.</p>
+<p>&ldquo;He fetched a lot of clothing from below and disposed it
+in his hammock in such a way as to distend it to the shape of a
+human body; then he threw over all the light cotton sheet he used
+to draw over himself when sleeping on deck.&nbsp; Having done
+this, he loaded his two revolvers and clambered into one of the
+boats the <i>Sissie</i> carried right aft, swung out on their
+davits.&nbsp; Then he waited.</p>
+<p>&ldquo;And again the doubt of such a thing happening to him
+crept into his mind.&nbsp; He was almost ashamed of this
+ridiculous vigil in a boat.&nbsp; He became bored.&nbsp; And then
+he became drowsy.&nbsp; The stillness of the black universe
+wearied him.&nbsp; There was not even the lapping of the water to
+keep him company, for the tide was out and the <i>Sissie</i> was
+lying on soft mud.&nbsp; Suddenly in the breathless, soundless,
+hot night an argus pheasant screamed in the woods across the
+stream.&nbsp; Davidson started violently, all his senses on the
+alert at once.</p>
+<p>&ldquo;The candle was still burning in the house.&nbsp;
+Everything was quiet again, but Davidson felt drowsy no
+longer.&nbsp; An uneasy premonition of evil oppressed him.</p>
+<p>&ldquo;&lsquo;Surely I am not afraid,&rsquo; he argued with
+himself.</p>
+<p>&ldquo;The silence was like a seal on his ears, and his
+nervous inward impatience grew intolerable.&nbsp; He commanded
+himself to keep still.&nbsp; But all the same he was just going
+to jump out of the boat when a faint ripple on the immensity of
+silence, a mere tremor in the air, the ghost of a silvery laugh,
+reached his ears.</p>
+<p>&ldquo;Illusion!</p>
+<p>&ldquo;He kept very still.&nbsp; He had no difficulty now in
+emulating the stillness of the mouse&mdash;a grimly determined
+mouse.&nbsp; But he could not shake off that premonition of evil
+unrelated to the mere danger of the situation.&nbsp; Nothing
+happened.&nbsp; It had been an illusion!</p>
+<p>&ldquo;A curiosity came to him to learn how they would go to
+work.&nbsp; He wondered and wondered, till the whole thing seemed
+more absurd than ever.</p>
+<p>&ldquo;He had left the hanging lamp in the cabin burning as
+usual.&nbsp; It was part of his plan that everything should be as
+usual.&nbsp; Suddenly in the dim glow of the skylight panes a
+bulky shadow came up the ladder without a sound, made two steps
+towards the hammock (it hung right over the skylight), and stood
+motionless.&nbsp; The Frenchman!</p>
+<p>&ldquo;The minutes began to slip away.&nbsp; Davidson guessed
+that the Frenchman&rsquo;s part (the poor cripple) was to watch
+his (Davidson&rsquo;s) slumbers while the others were no doubt in
+the cabin busy forcing off the lazarette hatch.</p>
+<p>&ldquo;What was the course they meant to pursue once they got
+hold of the silver (there were ten cases, and each could be
+carried easily by two men) nobody can tell now.&nbsp; But so far,
+Davidson was right.&nbsp; They were in the cabin.&nbsp; He
+expected to hear the sounds of breaking-in every moment.&nbsp;
+But the fact was that one of them (perhaps Fector, who had stolen
+papers out of desks in his time) knew how to pick a lock, and
+apparently was provided with the tools.&nbsp; Thus while Davidson
+expected every moment to hear them begin down there, they had the
+bar off already and two cases actually up in the cabin out of the
+lazarette.</p>
+<p>&ldquo;In the diffused faint glow of the skylight the
+Frenchman moved no more than a statue.&nbsp; Davidson could have
+shot him with the greatest ease&mdash;but he was not homicidally
+inclined.&nbsp; Moreover, he wanted to make sure before opening
+fire that the others had gone to work.&nbsp; Not hearing the
+sounds he expected to hear, he felt uncertain whether they all
+were on board yet.</p>
+<p>&ldquo;While he listened, the Frenchman, whose immobility
+might have but cloaked an internal struggle; moved forward a
+pace, then another.&nbsp; Davidson, entranced, watched him
+advance one leg, withdraw his right stump, the armed one, out of
+his pocket, and swinging his body to put greater force into the
+blow, bring the seven-pound weight down on the hammock where the
+head of the sleeper ought to have been.</p>
+<p>&ldquo;Davidson admitted to me that his hair stirred at the
+roots then.&nbsp; But for Anne, his unsuspecting head would have
+been there.&nbsp; The Frenchman&rsquo;s surprise must have been
+simply overwhelming.&nbsp; He staggered away from the lightly
+swinging hammock, and before Davidson could make a movement he
+had vanished, bounding down the ladder to warn and alarm the
+other fellows.</p>
+<p>&ldquo;Davidson sprang instantly out of the boat, threw up the
+skylight flap, and had a glimpse of the men down there crouching
+round the hatch.&nbsp; They looked up scared, and at that moment
+the Frenchman outside the door bellowed out
+&lsquo;<i>Trahison</i>&mdash;<i>trahison</i>!&rsquo;&nbsp; They
+bolted out of the cabin, falling over each other and swearing
+awfully.&nbsp; The shot Davidson let off down the skylight had
+hit no one; but he ran to the edge of the cabin-top and at once
+opened fire at the dark shapes rushing about the deck.&nbsp;
+These shots were returned, and a rapid fusillade burst out,
+reports and flashes, Davidson dodging behind a ventilator and
+pulling the trigger till his revolver clicked, and then throwing
+it down to take the other in his right hand.</p>
+<p>&ldquo;He had been hearing in the din the Frenchman&rsquo;s
+infuriated yells &lsquo;<i>Tuez-le</i>! <i>tuez-le</i>!&rsquo;
+above the fierce cursing of the others.&nbsp; But though they
+fired at him they were only thinking of clearing out.&nbsp; In
+the flashes of the last shots Davidson saw them scrambling over
+the rail.&nbsp; That he had hit more than one he was
+certain.&nbsp; Two different voices had cried out in pain.&nbsp;
+But apparently none of them were disabled.</p>
+<p>&ldquo;Davidson leaned against the bulwark reloading his
+revolver without haste.&nbsp; He had not the slightest
+apprehension of their coming back.&nbsp; On the other hand, he
+had no intention of pursuing them on shore in the dark.&nbsp;
+What they were doing he had no idea.&nbsp; Looking to their hurts
+probably.&nbsp; Not very far from the bank the invisible
+Frenchman was blaspheming and cursing his associates, his luck,
+and all the world.&nbsp; He ceased; then with a sudden, vengeful
+yell, &lsquo;It&rsquo;s that woman!&mdash;it&rsquo;s that woman
+that has sold us,&rsquo; was heard running off in the night.</p>
+<p>&ldquo;Davidson caught his breath in a sudden pang of
+remorse.&nbsp; He perceived with dismay that the stratagem of his
+defence had given Anne away.&nbsp; He did not hesitate a
+moment.&nbsp; It was for him to save her now.&nbsp; He leaped
+ashore.&nbsp; But even as he landed on the wharf he heard a
+shrill shriek which pierced his very soul.</p>
+<p>&ldquo;The light was still burning in the house.&nbsp;
+Davidson, revolver in hand, was making for it when another
+shriek, away to his left, made him change his direction.</p>
+<p>&ldquo;He changed his direction&mdash;but very soon he
+stopped.&nbsp; It was then that he hesitated in cruel
+perplexity.&nbsp; He guessed what had happened.&nbsp; The woman
+had managed to escape from the house in some way, and now was
+being chased in the open by the infuriated Frenchman.&nbsp; He
+trusted she would try to run on board for protection.</p>
+<p>&ldquo;All was still around Davidson.&nbsp; Whether she had
+run on board or not, this silence meant that the Frenchman had
+lost her in the dark.</p>
+<p>&ldquo;Davidson, relieved, but still very anxious, turned
+towards the river-side.&nbsp; He had not made two steps in that
+direction when another shriek burst out behind him, again close
+to the house.</p>
+<p>&ldquo;He thinks that the Frenchman had lost sight of the poor
+woman right enough.&nbsp; Then came that period of silence.&nbsp;
+But the horrible ruffian had not given up his murderous
+purpose.&nbsp; He reasoned that she would try to steal back to
+her child, and went to lie in wait for her near the house.</p>
+<p>&ldquo;It must have been something like that.&nbsp; As she
+entered the light falling about the house-ladder, he had rushed
+at her too soon, impatient for vengeance.&nbsp; She had let out
+that second scream of mortal fear when she caught sight of him,
+and turned to run for life again.</p>
+<p>&ldquo;This time she was making for the river, but not in a
+straight line.&nbsp; Her shrieks circled about Davidson.&nbsp; He
+turned on his heels, following the horrible trail of sound in the
+darkness.&nbsp; He wanted to shout &lsquo;This way, Anne!&nbsp; I
+am here!&rsquo; but he couldn&rsquo;t.&nbsp; At the horror of
+this chase, more ghastly in his imagination than if he could have
+seen it, the perspiration broke out on his forehead, while his
+throat was as dry as tinder.&nbsp; A last supreme scream was cut
+short suddenly.</p>
+<p>&ldquo;The silence which ensued was even more dreadful.&nbsp;
+Davidson felt sick.&nbsp; He tore his feet from the spot and
+walked straight before him, gripping the revolver and peering
+into the obscurity fearfully.&nbsp; Suddenly a bulky shape sprang
+from the ground within a few yards of him and bounded away.&nbsp;
+Instinctively he fired at it, started to run in pursuit, and
+stumbled against something soft which threw him down
+headlong.</p>
+<p>&ldquo;Even as he pitched forward on his head he knew it could
+be nothing else but Laughing Anne&rsquo;s body.&nbsp; He picked
+himself up and, remaining on his knees, tried to lift her in his
+arms.&nbsp; He felt her so limp that he gave it up.&nbsp; She was
+lying on her face, her long hair scattered on the ground.&nbsp;
+Some of it was wet.&nbsp; Davidson, feeling about her head, came
+to a place where the crushed bone gave way under his
+fingers.&nbsp; But even before that discovery he knew that she
+was dead.&nbsp; The pursuing Frenchman had flung her down with a
+kick from behind, and, squatting on her back, was battering in
+her skull with the weight she herself had fastened to his stump,
+when the totally unexpected Davidson loomed up in the night and
+scared him away.</p>
+<p>&ldquo;Davidson, kneeling by the side of that woman done so
+miserably to death, was overcome by remorse.&nbsp; She had died
+for him.&nbsp; His manhood was as if stunned.&nbsp; For the first
+time he felt afraid.&nbsp; He might have been pounced upon in the
+dark at any moment by the murderer of Laughing Anne.&nbsp; He
+confesses to the impulse of creeping away from that pitiful
+corpse on his hands and knees to the refuge of the ship.&nbsp; He
+even says that he actually began to do so. . .</p>
+<p>&ldquo;One can hardly picture to oneself Davidson crawling
+away on all fours from the murdered woman&mdash;Davidson unmanned
+and crushed by the idea that she had died for him in a
+sense.&nbsp; But he could not have gone very far.&nbsp; What
+stopped him was the thought of the boy, Laughing Anne&rsquo;s
+child, that (Davidson remembered her very words) would not have a
+dog&rsquo;s chance.</p>
+<p>&ldquo;This life the woman had left behind her appeared to
+Davidson&rsquo;s conscience in the light of a sacred trust.&nbsp;
+He assumed an erect attitude and, quaking inwardly still, turned
+about and walked towards the house.</p>
+<p>&ldquo;For all his tremors he was very determined; but that
+smashed skull had affected his imagination, and he felt very
+defenceless in the darkness, in which he seemed to hear faintly
+now here, now there, the prowling footsteps of the murderer
+without hands.&nbsp; But he never faltered in his purpose.&nbsp;
+He got away with the boy safely after all.&nbsp; The house he
+found empty.&nbsp; A profound silence encompassed him all the
+time, except once, just as he got down the ladder with Tony in
+his arms, when a faint groan reached his ears.&nbsp; It seemed to
+come from the pitch-black space between the posts on which the
+house was built, but he did not stop to investigate.</p>
+<p>&ldquo;It&rsquo;s no use telling you in detail how Davidson
+got on board with the burden Anne&rsquo;s miserably cruel fate
+had thrust into his arms; how next morning his scared crew, after
+observing from a distance the state of affairs on board, rejoined
+with alacrity; how Davidson went ashore and, aided by his
+engineer (still half dead with fright), rolled up Laughing
+Anne&rsquo;s body in a cotton sheet and brought it on board for
+burial at sea later.&nbsp; While busy with this pious task,
+Davidson, glancing about, perceived a huge heap of white clothes
+huddled up against the corner-post of the house.&nbsp; That it
+was the Frenchman lying there he could not doubt.&nbsp; Taking it
+in connection with the dismal groan he had heard in the night,
+Davidson is pretty sure that his random shot gave a mortal hurt
+to the murderer of poor Anne.</p>
+<p>&ldquo;As to the others, Davidson never set eyes on a single
+one of them.&nbsp; Whether they had concealed themselves in the
+scared settlement, or bolted into the forest, or were hiding on
+board Niclaus&rsquo;s prau, which could be seen lying on the mud
+a hundred yards or so higher up the creek, the fact is that they
+vanished; and Davidson did not trouble his head about them.&nbsp;
+He lost no time in getting out of the creek directly the
+<i>Sissie</i> floated.&nbsp; After steaming some twenty miles
+clear of the coast, he (in his own words) &lsquo;committed the
+body to the deep.&rsquo;&nbsp; He did everything himself.&nbsp;
+He weighted her down with a few fire-bars, he read the service,
+he lifted the plank, he was the only mourner.&nbsp; And while he
+was rendering these last services to the dead, the desolation of
+that life and the atrocious wretchedness of its end cried aloud
+to his compassion, whispered to him in tones of
+self-reproach.</p>
+<p>&ldquo;He ought to have handled the warning she had given him
+in another way.&nbsp; He was convinced now that a simple display
+of watchfulness would have been enough to restrain that vile and
+cowardly crew.&nbsp; But the fact was that he had not quite
+believed that anything would be attempted.</p>
+<p>&ldquo;The body of Laughing Anne having been &lsquo;committed
+to the deep&rsquo; some twenty miles S.S.W. from Cape Selatan,
+the task before Davidson was to commit Laughing Anne&rsquo;s
+child to the care of his wife.&nbsp; And there poor, good
+Davidson made a fatal move.&nbsp; He didn&rsquo;t want to tell
+her the whole awful story, since it involved the knowledge of the
+danger from which he, Davidson, had escaped.&nbsp; And this, too,
+after he had been laughing at her unreasonable fears only a short
+time before.</p>
+<p>&ldquo;&lsquo;I thought that if I told her everything,&rsquo;
+Davidson explained to me, &lsquo;she would never have a
+moment&rsquo;s peace while I was away on my trips.&rsquo;</p>
+<p>&ldquo;He simply stated that the boy was an orphan, the child
+of some people to whom he, Davidson, was under the greatest
+obligation, and that he felt morally bound to look after
+him.&nbsp; Some day he would tell her more, he said, and meantime
+he trusted in the goodness and warmth of her heart, in her
+woman&rsquo;s natural compassion.</p>
+<p>&ldquo;He did not know that her heart was about the size of a
+parched pea, and had the proportional amount of warmth; and that
+her faculty of compassion was mainly directed to herself.&nbsp;
+He was only startled and disappointed at the air of cold surprise
+and the suspicious look with which she received his imperfect
+tale.&nbsp; But she did not say much.&nbsp; She never had much to
+say.&nbsp; She was a fool of the silent, hopeless kind.</p>
+<p>&ldquo;What story Davidson&rsquo;s crew thought fit to set
+afloat in Malay town is neither here nor there.&nbsp; Davidson
+himself took some of his friends into his confidence, besides
+giving the full story officially to the Harbour Master.</p>
+<p>&ldquo;The Harbour Master was considerably astonished.&nbsp;
+He didn&rsquo;t think, however, that a formal complaint should be
+made to the Dutch Government.&nbsp; They would probably do
+nothing in the end, after a lot of trouble and
+correspondence.&nbsp; The robbery had not come off, after
+all.&nbsp; Those vagabonds could be trusted to go to the devil in
+their own way.&nbsp; No amount of fuss would bring the poor woman
+to life again, and the actual murderer had been done justice to
+by a chance shot from Davidson.&nbsp; Better let the matter
+drop.</p>
+<p>&ldquo;This was good common sense.&nbsp; But he was
+impressed.</p>
+<p>&ldquo;&lsquo;Sounds a terrible affair, Captain
+Davidson.&rsquo;</p>
+<p>&ldquo;&lsquo;Aye, terrible enough,&rsquo; agreed the
+remorseful Davidson.&nbsp; But the most terrible thing for him,
+though he didn&rsquo;t know it yet then, was that his
+wife&rsquo;s silly brain was slowly coming to the conclusion that
+Tony was Davidson&rsquo;s child, and that he had invented that
+lame story to introduce him into her pure home in defiance of
+decency, of virtue&mdash;of her most sacred feelings.</p>
+<p>&ldquo;Davidson was aware of some constraint in his domestic
+relations.&nbsp; But at the best of times she was not
+demonstrative; and perhaps that very coldness was part of her
+charm in the placid Davidson&rsquo;s eyes.&nbsp; Women are loved
+for all sorts of reasons and even for characteristics which one
+would think repellent.&nbsp; She was watching him and nursing her
+suspicions.</p>
+<p>&ldquo;Then, one day, Monkey-faced Ritchie called on that
+sweet, shy Mrs. Davidson.&nbsp; She had come out under his care,
+and he considered himself a privileged person&mdash;her oldest
+friend in the tropics.&nbsp; He posed for a great admirer of
+hers.&nbsp; He was always a great chatterer.&nbsp; He had got
+hold of the story rather vaguely, and he started chattering on
+that subject, thinking she knew all about it.&nbsp; And in due
+course he let out something about Laughing Anne.</p>
+<p>&ldquo;&lsquo;Laughing Anne,&rsquo; says Mrs. Davidson with a
+start.&nbsp; &lsquo;What&rsquo;s that?&rsquo;</p>
+<p>&ldquo;Ritchie plunged into circumlocution at once, but she
+very soon stopped him.&nbsp; &lsquo;Is that creature dead?&rsquo;
+she asks.</p>
+<p>&ldquo;&lsquo;I believe so,&rsquo; stammered Ritchie.&nbsp;
+&lsquo;Your husband says so.&rsquo;</p>
+<p>&ldquo;&lsquo;But you don&rsquo;t know for certain?&rsquo;</p>
+<p>&ldquo;&lsquo;No!&nbsp; How could I, Mrs. Davidson!&rsquo;</p>
+<p>&ldquo;&lsquo;That&rsquo;s all wanted to know,&rsquo; says
+she, and goes out of the room.</p>
+<p>&ldquo;When Davidson came home she was ready to go for him,
+not with common voluble indignation, but as if trickling a stream
+of cold clear water down his back.&nbsp; She talked of his base
+intrigue with a vile woman, of being made a fool of, of the
+insult to her dignity.</p>
+<p>&ldquo;Davidson begged her to listen to him and told her all
+the story, thinking that it would move a heart of stone.&nbsp; He
+tried to make her understand his remorse.&nbsp; She heard him to
+the end, said &lsquo;Indeed!&rsquo; and turned her back on
+him.</p>
+<p>&ldquo;&lsquo;Don&rsquo;t you believe me?&rsquo; he asked,
+appalled.</p>
+<p>&ldquo;She didn&rsquo;t say yes or no.&nbsp; All she said was,
+&lsquo;Send that brat away at once.&rsquo;</p>
+<p>&ldquo;&lsquo;I can&rsquo;t throw him out into the
+street,&rsquo; cried Davidson.&nbsp; &lsquo;You don&rsquo;t mean
+it.&rsquo;</p>
+<p>&ldquo;&lsquo;I don&rsquo;t care.&nbsp; There are charitable
+institutions for such children, I suppose.&rsquo;</p>
+<p>&ldquo;&lsquo;That I will never do,&rsquo; said Davidson.</p>
+<p>&ldquo;&lsquo;Very well.&nbsp; That&rsquo;s enough for
+me.&rsquo;</p>
+<p>&ldquo;Davidson&rsquo;s home after this was like a silent,
+frozen hell for him.&nbsp; A stupid woman with a sense of
+grievance is worse than an unchained devil.&nbsp; He sent the boy
+to the White Fathers in Malacca.&nbsp; This was not a very
+expensive sort of education, but she could not forgive him for
+not casting the offensive child away utterly.&nbsp; She worked up
+her sense of her wifely wrongs and of her injured purity to such
+a pitch that one day, when poor Davidson was pleading with her to
+be reasonable and not to make an impossible existence for them
+both, she turned on him in a chill passion and told him that his
+very sight was odious to her.</p>
+<p>&ldquo;Davidson, with his scrupulous delicacy of feeling, was
+not the man to assert his rights over a woman who could not bear
+the sight of him.&nbsp; He bowed his head; and shortly afterwards
+arranged for her to go back to her parents.&nbsp; That was
+exactly what she wanted in her outraged dignity.&nbsp; And then
+she had always disliked the tropics and had detested secretly the
+people she had to live amongst as Davidson&rsquo;s wife.&nbsp;
+She took her pure, sensitive, mean little soul away to Fremantle
+or somewhere in that direction.&nbsp; And of course the little
+girl went away with her too.&nbsp; What could poor Davidson have
+done with a little girl on his hands, even if she had consented
+to leave her with him&mdash;which is unthinkable.</p>
+<p>&ldquo;This is the story that has spoiled Davidson&rsquo;s
+smile for him&mdash;which perhaps it wouldn&rsquo;t have done so
+thoroughly had he been less of a good fellow.&rdquo;</p>
+<p>Hollis ceased.&nbsp; But before we rose from the table I asked
+him if he knew what had become of Laughing Anne&rsquo;s boy.</p>
+<p>He counted carefully the change handed him by the Chinaman
+waiter, and raised his head.</p>
+<p>&ldquo;Oh! that&rsquo;s the finishing touch.&nbsp; He was a
+bright, taking little chap, as you know, and the Fathers took
+very special pains in his bringing up.&nbsp; Davidson expected in
+his heart to have some comfort out of him.&nbsp; In his placid
+way he&rsquo;s a man who needs affection.&nbsp; Well, Tony has
+grown into a fine youth&mdash;but there you are!&nbsp; He wants
+to be a priest; his one dream is to be a missionary.&nbsp; The
+Fathers assure Davidson that it is a serious vocation.&nbsp; They
+tell him he has a special disposition for mission work,
+too.&nbsp; So Laughing Anne&rsquo;s boy will lead a saintly life
+in China somewhere; he may even become a martyr; but poor
+Davidson is left out in the cold.&nbsp; He will have to go
+downhill without a single human affection near him because of
+these old dollars.&rdquo;</p>
+<div class="gapspace">&nbsp;</div>
+<p><i>Jan.</i> 1914</p>
+<p style="text-align: center">
+<a href="images/p280b.jpg">
+<img alt=
+"Decorative graphic"
+title=
+"Decorative graphic"
+src="images/p280s.jpg" />
+</a></p>
+<div class="gapspace">&nbsp;</div>
+<div class="gapline">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">the london and
+norwich press limited</span>, <span class="smcap">london and
+norwich</span>, <span class="smcap">england</span></p>
+<h2>Footnotes</h2>
+<p><a name="footnote188"></a><a href="#citation188"
+class="footnote">[188]</a>&nbsp; The gallows, supposed to be
+widowed of the last executed criminal and waiting for
+another.</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK WITHIN THE TIDES***</p>
+<pre>
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