summaryrefslogtreecommitdiff
path: root/old/10033-h/10033-h.htm
blob: 20cf9f6b0789f395c958104cf2272f6486a37a8e (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta http-equiv="Content-Type"
 content="text/html; charset=iso-8859-1">
  <title>The Project Gutenberg eBook of PUNCHINELLO Vol. 1, No. 25.</title>
  <style type="text/css">
    <!--
    * {  font-family: Times;}
    HR { width: 33%; }
    // -->
  </style>
</head>
<body>


<pre>

The Project Gutenberg EBook of Punchinello, Vol. 1, No. 25, September 17,
1870, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punchinello, Vol. 1, No. 25, September 17, 1870

Author: Various

Release Date: November 10, 2003 [EBook #10033]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 25 ***




Produced by Cornell University, Joshua Hutchinson, Steve Schulze and the Online Distributed Proofreading Team





</pre>

<table width="800" border="1" align="center" cellpadding="3"
 cellspacing="0">
  <tbody>
    <tr>
      <td width="33%">
      <center>
      <p><span style="font-weight: bold;">CONANT'S<br>
      </span></p>
      <p>PATENT BINDERS FOR</p>
      <p> <big><big><b>"PUNCHINELLO",</b></big></big></p>
      <p>to preserve the paper for binding, will be sent post-paid, on
receipt of One Dollar,</p>
      <p>&nbsp;by</p>
      <p><b>PUNCHINELLO PUBLISHING CO.,<br>
      </b></p>
      <p><b>83 Nassau Street, New York City.</b></p>
      </center>
      </td>
      <td width="33%">
      <center> <img src="images/01a.jpg" alt=" CARBOLIC SALVE">
      <p><b>Recommended by Physicians.</b></p>
      <p>The best Salve in use for all disorders of the skin, for Cuts,
Burns, Wounds, &amp;c.</p>
      <p>USED IN HOSPITALS.<br>
SOLD BY ALL DRUGGISTS.</p>
      <p style="font-weight: bold;"><small>PRICE 25 CENTS.</small></p>
      <p>JOHN F. HENRY, Sole Proprietor,<br>
No. 8 College Place, New York.</p>
      </center>
      </td>
      <td width="33%">
      <center>
      <p style="font-weight: bold;">HARRISON BRADFORD &amp; CO.'S</p>
      <p style="font-weight: bold;"><big><big><big>STEEL PENS.</big></big></big></p>
      <p>These pens are of a finer quality, more durable, and cheaper
than any other Pen in the market. Special attention is called to the
following grades, as being better suited for business purposes than any
Pen manufactured. The</p>
      <p><b>"505," "22,"</b> and the <b>"Anti-Corrosive."</b></p>
      <p>We recommend for bank and office use.</p>
      <p><b>D. APPLETON &amp; CO.,</b> <b><br>
Sole Agents for United States.</b></p>
      </center>
      </td>
    </tr>
  </tbody>
</table>
<table width="800" border="0" align="center" cellpadding="3"
 cellspacing="0">
  <tbody>
    <tr>
      <td>
      <center> <br>
      <br>
      <img src="images/01.jpg" alt=""><br>
      <h1>PUNCHINELLO</h1>
      <h2>Vol. 1. No. 25.</h2>
      <p>SATURDAY, SEPTEMBER 17, 1870.</p>
      <br>
      <h3>PUBLISHED BY THE</h3>
      <br>
      <h3>PUNCHINELLO PUBLISHING COMPANY,</h3>
      <br>
      <br>
      <h4>83 NASSAU STREET, NEW YORK.</h4>
      </center>
      <br>
      <br>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p><small>THE MYSTERY OF MR. E. DROOD, By ORPHEUS C. KERR,
Continued in this Number.</small></p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p><small>See 15th page for Extra Premiums.</small></p>
      </td>
    </tr>
  </tbody>
</table>
<br>
<table
 style="width: 800px; text-align: left; margin-left: auto; margin-right: auto;"
 border="1" cellpadding="3" cellspacing="0">
  <tbody>
    <tr>
      <td rowspan="6" style="width: 30%;">
      <center>
      <p style="font-weight: bold;"><big><big><big>Bound Volume<br>
      </big></big></big></p>
      <p style="font-weight: bold;"><big><big><big>No. 1.</big><br>
      </big></big></p>
      <p style="font-weight: bold;"><big><big><br>
      </big></big></p>
      <p><small>The first volume of PUNCHINELLO, ending with No. 26,
September 24, 1870,<br>
      <br>
      </small></p>
      <p><b><big><big>Bound in Fine Cloth,</big></big><br>
      </b></p>
      <p><b><br>
      </b></p>
      <p><small>will be ready for delivery on Oct. 1, 1870.</small></p>
      <p><b>PRICE $2.50.</b></p>
      <p>Sent postpaid to any part of the United States on receipt of
price.</p>
      <br>
      <p>A copy of the paper for one year, from October 1st, No. 27,
and the Bound Volume (the latter prepaid,) will be sent to any
subscriber for $5.50.</p>
      <br>
      <p>Three copies for one year, and three Bound Volumes, with an
extra copy of Bound Volume, to any person sending us three
subscriptions for $16.50.</p>
      <p><b>One copy of paper for one year, with a fine chromo premium,
for------ $4.00<br>
      <br>
      </b></p>
      <p><b>Single copies, mailed free .10<br>
      <br>
      </b></p>
      <p>Back numbers can always be supplied, as the paper is
electrotyped.</p>
      <p><br>
Book canvassers will find<br>
this volume a</p>
      <p><b>Very Saleable Book.</b></p>
      <p>Orders supplied at a very liberal discount.</p>
      <p>All remittances should be made in</p>
      <p>Post Office orders.</p>
      <p>Canvassers wanted for the paper,</p>
      <p>everywhere.</p>
      <p style="font-weight: bold;">Address,</p>
      <p style="font-weight: bold;"><big>Punchinello Publishing Co.,</big></p>
      <p><big>83 NASSAU ST.,<br>
      </big></p>
      <p><big>N. Y.</big></p>
      <p><big>P.O. Box No, 2783.</big></p>
      </center>
      </td>
      <td style="text-align: center; width: 30%;" rowspan="2">
      <p><b>TO NEWS-DEALERS.</b></p>
      <p><big><b>Punchinello's Monthly.</b></big></p>
      <p><small>The Weekly Numbers for August,</small></p>
      <p><b>Bound in a Handsome Cover,</b></p>
      <p>Is now ready. Price, Fifty Cents.</p>
      <p style="font-weight: bold;">THE TRADE</p>
      <p>Supplied by the</p>
      <p><span style="font-weight: bold;">AMERICAN NEW</span>S COMPANY,</p>
      <p><small>Who are now prepared to receive Orders.</small></p>
      </td>
      <td align="center">
      <p style="font-weight: bold;"><big><big>FORST &amp; AVERELL</big></big></p>
      <p>Steam, Lithograph, and Letter Press</p>
      <p><big><big>PRINTERS,</big></big><br>
      <span style="font-weight: bold;">EMBOSSERS, ENGRAVERS, AND LABEL
MANUFACTURERS.</span></p>
      <p><small>Sketches and Estimates furnished upon application.</small></p>
      <p style="font-weight: bold;"><b>23 Platt Street, and 20-22 Gold
Street,</b><br>
NEW YORK.<br>
[P.O. BOX 2845.]</p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p style="font-weight: bold;"><big style="font-weight: bold;"><big>FOLEY'S<br>
      <big>GOLD PENS.</big></big></big><br>
      <span style="font-weight: normal;">THE BEST AND CHEAPEST.</span><br>
256 BROADWAY.</p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p><big><b>WEVILL &amp; HAMMAR</b>,</big></p>
      <p style="font-weight: bold;"><big><big>Wood Engravers,</big></big></p>
      <p><b>208 Broadway</b>,</p>
      <p>NEW YORK.</p>
      </td>
      <td align="center">
      <p><big><big><big><big><span style="font-weight: bold;">$2<br>
      </span></big></big> <span style="font-weight: bold;">to ALBANY
and TROY.</span></big></big></p>
      <p><b>The Day Line Steamboats C. Vibbard and Daniel Drew,</b>
commencing May 31, will leave Vestry st. Pier at 8.45, and
Thirty-fourth st at 9 a.m., landing at <b>Yonkers, (Nyack, and
Tarrytown</b> by ferry-boat), <b>Cozzens, West Point, Cornwall,
Newburgh, Poughkeepsie, Rhinebeck, Bristol, Catskill, Hudson, and
New-Baltimore.</b> A special train of broad-gauge cars in connection
with the day boats will leave on arrival at Albany (commencing June 20)
for <b>Sharon Springs. Fare $4.25</b> from New York and for Cherry
Valley. The Steamboat Seneca will transfer passengers from Albany to
Troy</p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p><big>Bowling Green Savings-Bank<br>
      </big><br>
33 BROADWAY,<br>
      <b>NEW YORK</b>.</p>
      <p>Open Every Day from<br>
10 A.M. to 3 P.M.</p>
      <p><small><i>Deposits of any sum, from Ten Cents<br>
to Ten Thousand Dollars will be received</i>.</small></p>
      <p><b>Six per Cent interest,<br>
Free of Government Tax</b></p>
      <p><small>INTEREST ON NEW DEPOSITS<br>
Commences on the First of every Month.</small></p>
      <p>HENRY SMITH, <i>President</i><br>
REEVES E. SELMES, <i>Secretary</i>.<br>
WALTER ROCHE, EDWARD HOGAN, <i>Vice-Presidents</i>.</p>
      </td>
      <td align="center">
      <p style="font-weight: bold;"><small>ESTABLISHED 1866. JAS R.</small></p>
      <p>&nbsp;NICHOLS, M.D.<br>
WM. J. ROLFE. A.M.<br>
Editors</p>
      <p style="font-weight: bold;"><big>Boston Journal of Chemistry.</big></p>
      <p>Devoted to the Science of <span style="font-weight: bold;"><br>
      </span> <b>HOME LIFE</b>,<b><br>
The Arts, Agriculture, and Medicine</b>.</p>
      <p>$1.00 Per Year.</p>
      <p><i>Journal and Punchinello<br>
(without Premium).</i> $4.00</p>
      <p>SEND FOR SPECIMEN-COPY<br>
&nbsp;Address&#8212;JOURNAL OF CHEMISTRY,</p>
      <p><b>150 CONGRESS STREET,<br>
BOSTON</b>.</p>
      </td>
    </tr>
    <tr>
      <td align="center" rowspan="2">
      <p><b>NEWS DEALERS</b>.<br>
      <small>ON</small><br>
      <b>RAILROADS,<br>
STEAMBOATS</b>,<br>
And at <b><br>
WATERING PLACES</b>,</p>
      <p>Will find the Monthly Numbers of</p>
      <p> <big><big>"<b>PUNCHINELLO</b>"</big></big></p>
      <p><small>For April, May, June, and July, an attractive and
Saleable Work.</small></p>
      <p><small>Single Copies<br>
Price 50 cts.</small></p>
      <p><small>For trade price address American News Co., or</small></p>
      <p><b>PUNCHINELLO PUBLISHING &amp; CO.,</b></p>
      <p><b>83 Nassau Street</b>.</p>
      </td>
      <td align="center">
      <p><big><b>HENRY L. STEPHENS</b>,</big></p>
      <p><b>ARTIST</b>,</p>
      <p><b>No. 160 FULTON STREET</b>,</p>
      <p>NEW YORK.</p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p><b>GEO. B. BOWLEND</b>,</p>
      <p><big><big>Draughtsman &amp; Designer</big></big></p>
      <p><b>No. 160 Fulton Street</b>,</p>
      <p>Room No. 11,</p>
      <p>NEW YORK.</p>
      </td>
    </tr>
  </tbody>
</table>
<table width="800" align="center">
  <tbody>
    <tr>
      <td> <br>
      <hr style="width: 45%;"> <br>
      <center>
      <p>Entered, according to Act of Congress, in the year 1870, by
the PUNCHINELLO PUBLISHING COMPANY,<br>
in the Clerk's Office of the District Court of the United States, for
the Southern District of New York.</p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE MYSTERY OF MR. E. DROOD.</b></p>
      <p>AN ADAPTATION.</p>
      <p>BY ORPHEUS C. KERR</p>
      <p>CHAPTER XVIII</p>
      <p>A SUBTLE STRANGER.</p>
      <p>The latest transient guest at the Roach House&#8212;a hotel kept on
the entomological plan in Bumsteadville&#8212;was a gentleman of such lurid
aspect as made every beholder burn to know whom he could possibly be.
His enormous head of curled red hair not only presented a central
parting on top and a very much one-sided parting and puffing-out
behind, but actually covered both his ears; while his ruddy semi-circle
of beard curled inward, instead of out, and greatly surprised, if it
did not positively alarm, the looker-on, by appearing to remain
perfectly motionless, no matter how actively the stranger moved his
jaws. This ball of improbable inflammatory hair and totally independent
face rested in a basin of shirt collar; which, in its turn, was
supported by a rusty black necktie and a very loose suit of gritty
alpaca; so that, taking the gentleman for all in all, such an
incredible human being had rarely been seen outside of literary circles.</p>
      <p>"Landlord," said the stranger to the brown linen host of the
Roach House, who was intently gazing at him with the appreciative
expression of one who beholds a comic ghost,&#8212;"landlord, after you have
finished looking at my head and involuntarily opening your mouth at
some occasional peculiarity of my whiskers, I should like to have
something to eat. As you tell me that woodcock is not fit to eat this
year, and that broiled chicken is positively prohibited by the Board of
Health in consequence of the sickly season, you may bring me some pork
and beans, and some crackers. Bring plenty of crackers, landlord, for
I'm uncommon fond of crackers. By absorbing the superfluous moisture in
the head, they clear the brain and make it more subtle."</p>
      <p>Having been served with the wholesome country fare he had
ordered, together with a glass of the heady native wine called
applejack, the gentleman had but just moved a slice of pork from its
bed in the beans, when, with much interest, he closely inspected the
spot of vegetables he had uncovered, and expressed the belief that
there was something alive in it.</p>
      <p>"Landlord," said he, musingly, "there is something amongst
these beans that I should take for a raisin, if it did not move."</p>
      <p>Placing upon his nose a pair of vast silver spectacles, which
gave him an aspect of having two attic windows in his countenance, the
landlord bowed his head over the plate until his nose touched the
beans, and thoughtfully scrutinized the living raisin.</p>
      <p>"As I thought, sir, it is only a water-bug," he observed,
rescuing the insect upon his thumb-nail. "You need not have been
frightened, however, for they never bite."</p>
      <p>Somewhat reassured, the stranger went on eating until his
knife encountered resistance in the secondary layer of beans; when he
once more inspected the dish, with marked agitation.</p>
      <p>"Can this be a skewer, down here?" inquired he, prodding at
some hard, springy object with his fork.</p>
      <p>The host of the Roach House bore both fork and object to a
window, where the light was less deceptive, and was presently able to
announce confidently that the object was only a hair-pin. Then,
observing that his guest looked curiously at a cracker, which, from the
gravelly marks on one side, seemed to have been dug out of the earth,
like a potato, he hastened to obviate all complaint in that line by
carefully wiping every individual cracker with his pocket handkerchief.</p>
      <p>"And now, landlord," said the stranger, at last, pulling a
couple of long, unidentified hairs from his mouth as he hurriedly
retired from the meal, "I suppose you are wondering who I am?"</p>
      <p>"Well, sir," was the frank answer, "I can't deny that there
are points about you to make a plain man like myself thoughtful.
There's that about your hair, sir, with the middle-parting on top and
the side-parting behind, to give a plain person the impression that
your brain must be slightly turned, and that, by rights, your face
ought to be where your neck is. Neither can I deny, sir, that the
curling of your whiskers the wrong way, and their peculiarity in
remaining entirely still while your mouth is going, are circumstances
calculated to excite the liveliest apprehensions of those who wish you
well."</p>
      <p>"The peculiarities you notice," returned the gentleman, "may
either exist solely in your own imagination, or they may be the result
of my own ill-health. My name is TRACEY CLEWS, and I desire to spend a
few weeks in the country for physical recuperation. Have you any idea
where a dead-beat,<a name="FNanchor1"></a><a href="#Footnote_1"><sup>[1]</sup></a>
like myself, could find inexpensive lodgings in Bumsteadville?"</p>
      <p>The host hastily remarked, that his own bill for those pork
and beans was fifty cents; and upon being paid, coldly added that a
Mrs. SMYTHE, wife of the sexton of Saint Cow's Ritualistic Church, took
hash-eaters for the summer. As the gentleman preferred a high-church
private boarding-house to an unsectarian first class hotel, all he had
to do was to go out on the road again, and keep inquiring until he
found the place.</p>
      <p>Donning his Panama hat, and carrying a stout cane, Mr. CLEWS
was quickly upon the turnpike; and, his course taking him near the
pauper burial-ground, he presently perceived an extremely disagreeable
child throwing stones at pigeons in a field, and generally hitting the
beholder.</p>
      <p>"You young Alderman! what do you mean?" he exclaimed, with
marked feeling, rubbing the place on his knee which had just been
struck.</p>
      <p>"Then just give me a five-cent stamp to aim at yer, and yer
won't ketch it onc't," replied the boyish trifler. "I couldn't hit what
I was to fire at if it was my own daddy."</p>
      <p>"Here are ten cents, then," said the gentleman, wildly dodging
the last shot at a distant pigeon, "and now show me where Mrs. SMYTHE
lives.</p>
      <p>"All right, old brick-top," assented the merry sprite, with a
vivacious dash of personality. "D'yer see that house as yer skoot past
the Church and round the corner?"</p>
      <p>"Yes."</p>
      <p>"Well, that's SMYTHE'S, and BUMSTEAD lives there, too&#8212;him as
is always tryin' to put a head on me. I'll play my points on him yet,
though. <i>I'll</i> play my points!" And the rather vulgar young
chronic absentee from Sunday-school retired to a proper distance, and
from thence began stoning his benefactor to the latter's perfect safety.</p>
      <p>Reaching the boarding-house of Mrs. SMYTHE, as directed, Mr.
TRACEY CLEWS soon learned from the lady that he could have a room next
to the apartment of Mr. BUMSTEAD, to whom he was referred for further
recommendation of the establishment. Though that broken-hearted
gentleman was mourning the loss of a beloved umbrella, accompanied by a
nephew, and having a bone handle, Mrs. SMYTHE was sure he would speak a
good word for her house. Perhaps Mr. CLEWS had heard of his loss?</p>
      <p>Mr. CLEWS could not exactly recall that particular case; but
had a confused recollection of having lost several umbrellas himself,
at various times, and had no doubt that the addition of a nephew must
make such a loss still heavier.</p>
      <p>Mr. BUMSTEAD being in his room when the introduction took
place, and having Judge SWEENEY for company over a bowl of lemon tea,
the new boarder lifted his hat politely to both dignitaries, and
involuntarily smacked his lips at the mixture they were taking for
their coughs.</p>
      <p>"Excuse me, gentlemen," said Mr. TRACEY CLEWS, in a manner
almost stealthy; "but, as I am about to take summer board with the lady
of this house, I beg leave to inquire if she and the man she married
are strictly moral except in having cold dinner on Sunday?"</p>
      <p>Mr. BUMSTEAD, who sat very limply in his chair, said that she
was a very good woman, a very good woman, and would spare no pains to
secure the comfort of such a head of hair as he then saw before him.</p>
      <p>"This is my dear friend, Judge SWEENEY," continued the
Ritualistic organist, languidly waving a spoon towards that gentleman,
"who has a very good wife in the grave, and knows much more about women
and gravy than I. As for me," exclaimed Mr. BUMSTEAD, suddenly climbing
upon the arm of his chair and staring at Mr. CLEW'S head rather wildly,
"my only bride was of black alpaca, with a brass ferrule, and I can
never care for the sex again." Here Mr. BUMSTEAD, whose eyes had been
rolling in an extraordinary manner, tumbled into his chair again, and
then, frowning intensely, helped himself to lemon tea.</p>
      <p>"I am referred to your Honor for further particulars,"
observed Mr. TRACEY CLEWS, bowing again to Judge SWEENEY. "Not to wound
our friend further by discussion of the fair sex, may I ask if
Bumsteadville contains many objects of interest for a stranger, like
myself?"</p>
      <p>"One, at least, sir," answered the Judge. "I think I could
show you a tombstone which you would find very good reading. An epitaph
upon my late better-half. If you are a married man you can not help
enjoying it."</p>
      <p>Mr. CLEWS regretted to inform his Honor, that he had never
been a married man, and, therefore, could not presume to fancy what the
literary enjoyment of a widower must be at such a treat.</p>
      <p>"A journalist, I presume?" insinuated Judge SWEENEY, more and
more struck by the other's perfect pageant of incomprehensible hair and
beard.</p>
      <p>"His Honor flatters me too much."</p>
      <p>"Something in the lunatic line, then, perhaps?"</p>
      <p>"I have told your Honor that I never was married."</p>
      <p>Since last speaking, Mr. BUMSTEAD had been staring at the new
boarder's head and face, with a countenance expressive of mingled
consternation and wrath, and now made a startling rush at him from his
chair and fairly forced half a glass of lemon tea down his throat.</p>
      <p>"There, sir!" said the mourning organist, panting with
suppressed excitement. "That will keep you from taking cold until you
can be walked up and down in the open air long enough to get your hair
and beard sober. They have been indulging, sir, until the top of your
head has fallen over backwards, and your whiskers act as though they
belonged to somebody else. The sight confuses me, sir, and in my
present state of mind I can't bear it."</p>
      <p>Coughing from the lemon tea, and greatly amazed by his hasty
dismissal, Mr. CLEWS followed Judge SWEENEY from the room and house in
precipitate haste, and, when they were fairly out of doors, remarked,
that the gentleman they had just left had surprised him
unprecedentedly, and that he was very much put out by it.</p>
      <p>"Mr. JOHN BUMSTEAD, sir," explained the Judge, "is almost
beside himself at the double loss he has sustained, and I think that
the sight of your cane, there, maddened him with the memory it revived."</p>
      <p>"Why," exclaimed the gentleman of the hair, staring in wonder,
"you don't mean to tell me that my cane looks at all like his nephew?"</p>
      <p>"It looks a little like the stick of his umbrella, which he
lost at the same time," was the grave answer.</p>
      <p>After walking on in thoughtful silence for a while, as though
deeply pondering the striking character of a man whose great nature
could thus at once unite the bereaved uncle with the sincere mourner
for the dumb friend of his rainier days, Mr. TRACEY CLEWS asked whether
suspicion yet pointed to any one?</p>
      <p>Yes, he was told, suspicion did point very decidedly at a
certain person; but, as no specific reward had yet been offered in
sufficient amount to justify the exertions of police officials having
families to support; and as no lifeless body had yet been found; and as
it was not exactly certain that the abstraction of an umbrella by
unknown parties would justify the criminal prosecution of a person for
having in his possession an Indian Club:&#8212;in view of all these
complicated circumstances, the law did not feel itself authorized to
execute any assassin at present.</p>
      <p>"And here we are, sir, at last, near our Ritualistic Church,"
continued Judge SWEENEY, "where we stand up for the Rite so much that
strangers sometimes complain of it as fatiguing. Upon that monument
yonder, in the graveyard, you may find the epitaph I have mentioned.
What is more, here comes a rather interesting local character of ours,
who cut the inscription and put up the monument."</p>
      <p>Mr. MCLAUGHLIN came shuffling up the road as he spoke,
followed in the distance by the inevitable SMALLEY and a shower of
promiscuous stones.</p>
      <p>"Here, you boy!" roared Judge SWEENEY, beckoning the amiable
child to him with a bit of small money, "aim at <i>all</i> of us&#8212;do
you hear?&#8212;and see that you don't hit any windows. And now, MCLAUGHLIN,
how do you do? Here is a gentleman spending the summer with us, who
would like to know you."</p>
      <p>Old MORTARITY stared at the hair and beard, thus introduced to
him, with undisguised amazement, and grimly remarked, that if the
gentleman would come to see him any evening, and bring a social bottle
with him, he would not allow the gentleman's head to stand in the way
of a further acquaintance.</p>
      <p>"I shall certainly call upon you," assented Mr. CLEWS, "if our
young friend, the stone-thrower, will accept a trifle to show me the
way."</p>
      <p>Before retiring to his bed that night, the same Mr. TRACEY
CLEWS took off his hair and beard, examined them closely, and then
broke into a strange smile. "No wonder they all looked at me so!" he
soliloquized, "for I did have my locks on the topside backmost, and my
whiskers turned the wrong way. However, for a dead-beat, with all his
imperfections on his head, I've formed a pretty large acquaintance for
one day."<a name="FNanchor2"></a><a href="#Footnote_2"><sup>[2]</sup></a></p>
      <p>(<i>To be Continued.</i>)</p>
      <br>
      <p><a name="Footnote_1"></a><a href="#FNanchor1">[1]</a></p>
      <blockquote> "Buffer" is the term used in the English story. Its
nearest native equivalent is, probably, our Dead-Beat;" meaning,
variously, according to circumstances, a successful American
politician; a wife's male relative; a watering-place correspondent of a
newspaper, a New York detective policeman; any person who is uncommonly
pleasant with people, while never asking them to take anything with
him; a pious boarder; a French revolutionist. </blockquote>
      <p><a name="Footnote_2"></a><a href="#FNanchor2">[2]</a></p>
      <blockquote> In both conception and execution, the original of
the above Chapter, in Mr. DICKENS's work, is, perhaps, the least
felicitous page of fiction ever penned by the great novelist; and, as
this Adaptation is in no wise intended as a burlesque, or caricature,
of the <i>style</i> at the original, (but rather as a conscientious
imitation of it, so far as practicable,) the Adapter has not allowed
himself that license of humor which, in the most comically effective
treatment of said Chapter, might bear the appearance of such an
intention. </blockquote>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/04.jpg"
 alt="PUNCHINELLO CORRESPONDENCE"> </center>
      <p><b>ANSWERS TO CORRESPONDENTS.</b></p>
      <p><i>Patchouli.</i>&#8212;What is the substance which enables flies to
adhere to the ceiling? <i>Answer.</i>&#8212;Ceiling wax.</p>
      <p><i>Rosalie.</i>&#8212;What is the meaning of the term "suspended
animation?" <i>Answer.</i>&#8212;If you remain at any fashionable
watering-place after the close of the season you'll find out.</p>
      <p><i>Zanesvillian.</i>&#8212;Your pronunciation of the French word <i>bois</i>
is incorrect, else you could not have fallen into the blunder of
supposing that the Bois de Boulogne and the Bois de Vincennes are <i>gamins</i>
of Paris.</p>
      <p><i>Blunderbore.</i>&#8212;Your suggestion is ingenious, but the
refined sentiment of cruelty revealed in it is deserving of the
severest censure. It is true that the introduction of German cookery
into France by the Prussians, as you propose, would in a short time
decimate the population, but what a fearful precedent it would be! You
can best realize it by imagining Massachusetts cookery introduced into
New York, and the consequent desolation of her purliens.</p>
      <p><i>Mrs. Gamp.</i>&#8212;No; neither the French nor the Prussians are
armed with air guns. Your mistake arose from puzzling over those
distracting war reports, in which the word Argonnes figures so
conspicuously.</p>
      <p><i>R.G.W.</i>&#8212;What is the origin of the term "Bezonian," which
occurs in the Shaksperean drama? <i>Answer.</i>&#8212;Some trace it to Ben
Zine, an inflammable friend of "ancient Pistol's." It is far more
probable, however, that the word was originally written "Bazainian,"
and was merely prophetic of the well-known epithet now bestowed by
Prussian soldiers on the French troops serving under BAZAINE.</p>
      <p><i>Earl Russel</i>&#8212;In reply to your question as to whether the
thumb nail of HOGARTH on which he made his traditional sketch of a
drunken man, is now in an American collection, we can only state that,
of course, it once formed a leading object of interest in BARNUM'S
Museum. As that building was destroyed by fire in 1865, however, it is
to be presumed that the HOGARTH nail perished with all the other nails,
or was sold with them, as "junk."</p>
      <p><i>Invalid.</i>&#8212;To regain strength you should take means to
increase the amount of iron in your blood. Bark will do it, which
accounts for the fact that the blood of dogs has a large per centage of
iron. Here in New York, the ordinary way of getting iron in the blood
is to have a knife run into you by the hand of an assassin; but this is
not considered favorable to longevity.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE ROMANCE OF A RICH YOUNG MAN.</b></p>
      <p><img src="images/05.jpg" align="left" alt="I">t happened, once
upon a time, that there was a great city, and that city, being devoid
of a sensation, yearned for a great man. Then the wise men of the city
began to look around, when lo! there entered through the gates of the
city a certain peddler from a foreign country, which is called Yankee
Land, and behold! the great man was found. He dealt in shekels and
stocks, and bloomed and flourished, and soon became like unto a golden
calf, and lo! all the wise men fell down and worshipped him. Now it
happened that at first, like all great men, he was misunderstood, and
the people ascribed his success to his partner, so that everybody said,</p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">The
name is but the guinea's stamp,</span><br>
      <span style="margin-left: 1em;">The man's a GOULD for all that;</span>
      </div>
      <p>but the people were soon disabused of this idea, and the name
of JEAMES PHYSKE was in everybody's mouth.</p>
      <p>Now it came to pass that there was a certain devout man called
DEDREW, who was the Grand Mogul and High Priest of a certain railroad
corporation called the Eareye, because, while it was much in
everybody's ear, no one could see anything of it or its dividends. So
JEAMES PHYSKE went straightway unto DEDREW and said unto him, "Lo! your
servant is as full of wiles as an egg is of meat. Make me then, I pray
you, your chief adviser, and put me in the high places." And DEDREW
smiled upon him, as he is wont to do, and finding that he was a
stranger, he took him in, and knowing that all were fish which came
unto his net, he straightway put him in the high places in Eareye,
saying unto himself, "I will take this lamb and fleece him." So PHYSKE
sat high in Eareye. But it came to pass very soon thereafter, that
DEDREW and PHYSKE fell out, some say about the division of the spoils
which they had taken from the enemy, which, being interpreted, is the
people, while others do state that DEDREW attempted to cut the wool
from PHYSKE, but that it stuck so tightly that PHYSKE caught him.
Anyhow, it came to pass, very soon, that DEDREW was sitting on the
outside steps of Eareye, and PHYSKE was sitting on DEDREW'S throne.</p>
      <p>Then PHYSKE ruled Eareye, and he took the stock and he did
multiply it manifold, which is called, by some people, watering. Now it
happened that a certain man named PYKE did build him a costly mansion
on the street which is called Twenty-third, and did therein have
foreign singers and dancers, and players upon the violin, which is
called the fiddle, and upon the bass viol, which is called the big
fiddle, and upon sheets of parchment, which are called the drum, and
upon divers other instruments. And PHYSKE looked upon the mansion, and
it seemed good in his eyes, and he said unto PYKE, "Sell me now your
mansion." And PYKE did sell unto him the mansion, and the foreign
singers and dancers, and the players upon the violin, which is called
the fiddle, and the players upon the big fiddle, and the players upon
the drums, and the players upon divers other instruments. And PHYSKE
forthwith built himself a throne there, and did make the mansion the
palace of Eareye. And he would sit upon his throne and view the foreign
singers and dancers, and the players upon divers instruments, and would
much applaud, when his foreign dancers did dance a certain dance,
wherein the toe is placed upon the forehead, and which is called the <i>cancan</i>.
And all the people came and worshipped him, him and his foreign singers
and dancers, and players upon divers instruments, and his great
diamond. And PHYSKE was called Prince Eareye.</p>
      <p>Then it happened that PHYSKE much desired to command upon the
ocean; so he forthwith bought him a line of steamers, which did run to
the foreign land, which is called Yankee Land, and he placed thereon a
goodly number of his players upon divers instruments, and he did buy
him a coat of many colors, and did stand upon the landing place, which
is called the dock, and the players upon divers instruments did play,
"Hail to the Chief," and all the people did shout, "Hurrah for Admiral
PHYSKE, Prince of Eareye!" for he was of a noble stature, being four
hands wider than his fellows.</p>
      <p>Now it came to pass that divers envious persons did institute
certain troublesome actions, which are called suits, against him, and
did endeavor to drive him from the land, but PHYSKE took a field and
went before a barnyard, and did rout these envious persons, and did
smite them on the hip, which, being interpreted, is that he dismissed
their suits, and did smite them on the thigh, which, being interpreted,
is, did make them pay costs. But the field and the barnyard were much
employed.</p>
      <p>Then PHYSKE took into his counsel divers persons, dealers in
shekels, and did say unto them, "Let us find us a man who can tell us
whether those in high places will sell gold. And if he say unto us,
nay, let us buy much gold and make many shekels." And the divers
persons, dealers in shekels, were astonished at his shrewdness, and
were all of one accord. Then PHYSKE found him a man who did say unto
him nay, and PHYSKE and the divers other persons did buy much gold. Now
it happened that those in high places did sell gold, and PHYSKE and the
divers other persons were sore afraid, and did fall upon each other's
necks and did weep. But PHYSKE straightway recovered and said unto
them, "Lo, if I do murder and the doctor say that I was insane, am I
not forthwith discharged?" and they said unto him, "It is even so."
Then said he unto them, "Let us send our broker into the board, so that
he shall act like an insane man, and can we be held for an insane man's
purchases?" And they were filled with great rejoicing. And the broker
did go into the board, and did act like an insane man, and PHYSKE and
divers other persons did retain their shekels. And it was Friday when
they did these things, and when they had done them they laughed until
they were black in their faces, and the day&#8212;is it not called Black
Friday?</p>
      <p>Then PHYSKE did bring unto himself other boats and other
roads, and waxed powerful, and became great in the land, and he was
much interviewed by the scribes of a certain paper, "It shines for
all," which, being interpreted, is the Moon, and his sayings&#8212;can they
not be found in the pages of "It shines for all," which, being
interpreted, is the Moon, and are they not preserved there for two
centuries?</p>
      <p>And then it came to pass that PHYSKE sat himself down and
sighed because there were no more worlds to conquer. But straightway he
resolved to become a Colonel. So certain persons endeavored to make him
commander of the 99th regiment of foot, but a certain old centurion,
which is Brains, ran against him and overcame him. But the soldiers
said unto each other, "Is it not better that we should have body than
brains, and had we not better take unto ourselves the fleshpots?" So
they deposed Brains and chose the Prince of Eareye as their commander.
And he straightway submitted them to twelve temptations. Now it
happened, that, as he was marching at the head of his soldiers in the
place wherein these twelve temptations are kept, a certain servant of
one Mammon did serve upon him a paper, which is called a summons, and
did command him to pay for his butter. At which PHYSKE was much enraged
and did wax wroth. And thereupon he did march and countermarch his
soldiers many times. And he ordered another coat of many colors, and
lo! in all Chatham Street there was not cloth enough to make it, so
they brought it from a foreign land. And it came to pass that he and
the centurion, which is Brains&#8212;for should not body and brains work
together?&#8212;did march the soldiers down the street which is called
Broadway, and did take them to the Branch which is called Long, and
there did divers curious things, all which are they not found in the
paper, "It shines for all," which, being interpreted, is the Moon?</p>
      <p>Now it happened that one HO RACE GREL HE, being a Prussian,
did fall upon PHYSKE and did berate him in a paper, which is called the
      <i>Try Buin</i>. And PHYSKE became very wroth and did stop the
sale of the paper, which is called the <i>Try Buin</i>, upon his
roads. And HO RACE GREL HE, being a Prussian, was sore afraid, and did
fall straightway upon his knees, and did say, "Lo, your servant has
sinned! I pray thee forgive him." And PHYSKE did say, "I forgive thee,"
which, being interpreted, is, "All right, old coon, don't let me catch
you at it again."</p>
      <p>And PHYSKE did divers other strange and curious things, but
are they not written down daily by the scribes of the paper, "It shines
for all," which, being interpreted, is the Moon, and cannot he who
runs, read them there?</p>
      <p>LOT.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>From the Spirit of Lindley Murray.</b></p>
      <p>When is a schoolboy like an event that has happened? When he
has come to parse.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE WATERING PLACES.</b></p>
      <p><b>Punchinello's Vacations</b>.</p>
      <p>Vain heading! This paper is not intended to communicate
anything about a vacation. "Would that it were! says Mr. PUNCHINELLO,
from the bottom of his heart.</p>
      <p>Last week Mr. P. intended going to the White Mountains.</p>
      <p>But he didn't go.</p>
      <p>On his way to the Twenty-third Street depot, he met the Count
JOANNES.</p>
      <p>"Ah ha! my noble friend!" said the latter. ""Whither away"?"</p>
      <p>Mr. P. explained whither he was away; and was amazed to see
the singular expression which instantly spread itself over the
countenance of his noble friend.</p>
      <p>"To the "White Mountains!"cried the Count," why, my good
fellow, what are you thinking of? Do you not know that this is
September?"</p>
      <p>"Certainly I do,"said Mr. P." I know that this is the season
when Nature revels in her richest hues, and Aurora gilds the fairest
landscape; when the rays of glorious old Sol are tempered by the soft
caresses of the balmiest zephyrs, and&#8212;"</p>
      <p>"Oh, certainly! certainly!" cried the Count, "I have no doubt
of it; not the least bit in the world. In fact, I have been in those
places myself when a boy, and I know all about it. But let me tell you,
sir, as <i>amicus curiae</i>, (and I assure you that I have often been
      <i>amicus curiae</i> before,) that society will not tolerate
anything of this kind on your part, sir. The skies in the country may
be bluest at this season, sir; the air most delicious, the scenery most
gorgeous, and accommodations of all kinds most plenty and excellent,
but it will not do. The conductor of a first class journal belongs in a
manner to society, and society will never forgive him for going into
the country after the season is over. As <i>amicus curiae</i>&#8212;"</p>
      <p>"<i>Amicus</i> your grandmother, sir!" said Mr. P. "What does
society know about the beauties of nature, or the proper time for
enjoying them?"</p>
      <p>"Society knows enough about it, sir!" cried the Count, drawing
his sword a little way from its scabbard and letting it fall again
with: clanging sound. "And representing society, as I do in my proper
person here, sir, I say that any man who would go into the country in
the latter part of September is a---"</p>
      <p>"A what, sir?" said Mr. P., nervously fingering his umbrella.</p>
      <img src="images/06a.jpg" align="right" alt="">
      <p>"Yes, sir, he is, sir!"</p>
      <p>"Do you say that, sir?"</p>
      <p>"In your teeth, sir!"</p>
      <p>"'Tis false, sir!"</p>
      <p>"What, sir?"</p>
      <p>"Just so, sir!"</p>
      <p>"To me, sir?"</p>
      <p>"To you, sir!"</p>
      <p>The Count JOANNES drew his sword.</p>
      <p>Mr. P. stood <i>en garde</i>.</p>
      <p>Just at this moment the Greenwich Street Cordwainers' Target
Association, preceded by one half the whole body of Metropolitan
Police, approached the spot. The Target Society were out on a street
parade, and the policemen marched before them to clear Broadway of all
vehicles and foot-passengers, and to stop short, for the time, the
business of a great city, in order that these twenty spindle-legged and
melancholy little cobblers might have a proper opportunity of showing
their utter ignorance of all rules of marching, and the management of
firearms.</p>
      <p>Perceiving this vast body of police, with Superintendent
JOURDAN at its head, advancing with measured tread upon them, the Count
sheathed his sword and Mr. P. shut up his deadly weapon.</p>
      <p>Slowly and in opposite directions they withdrew from the
ground.</p>
      <p>It was too late for Mr. P.'s train, and he returned to his
home. There, in the solitude of his private apartments, he came to the
conclusion that it would be useless to oppose the decrees of Society.
The idea that the Count, that worthy leader of the metropolitan <i>ton</i>,
had put into his head, was not to be treated contemptuously. He must
give up all the fruity richness of September, the royal glories of
October, and the delicious hazes of the Indian Summer, pack away his
fish-hooks and his pocket-flask, and stay in the city like the rest of
the fools.</p>
      <img src="images/06b.jpg" align="left" alt="">
      <p>This conclusion, however, did not prevent Mr. P. from
dreaming. He had a delightful dream that night, in which he found
himself sailing on Lake George; ascending Mount Washington; and
participating in the revelry of a clam-bake on the seagirt shore of
Kings and Queens and Suffolk Counties. As nearly as circumstances will
permit, he has endeavored to give an idea of his dream by means of the
following sketch.</p>
      <p>Taken as a whole, Mr. P. is not desirous that this dream
should come true, but taken in parts he would have no objections to see
it fulfilled as soon as Society will permit.</p>
      <p>Which will be, he supposes, about next July.</p>
      <p>In the meantime, he advises such of his patrons as have
depended entirely upon his letters for their summer recreation, and who
will now be deprived of this delightful enjoyment, to make every effort
to go to some of our summer resorts and spend a few weeks after the
fashionable season is over,&#8212;that is, if they think they can brave the
opinion of society. It may not be so pleasant to go to these places as
to read Mr. P.'s accounts of them, but it is the best that can be done.</p>
      <p>The following little tail-piece will give a forcible idea of
how completely Mr. P. has given up, for the season, his field sports
and country pleasures. Copies may be obtained by placing a piece of
tracing-paper over the picture and following the lines with a
lead-pencil.</p>
      <br>
      <center> <img src="images/06c.jpg" alt=""> </center>
      <hr style="width: 45%;"> <br>
      <p><b>THE POEMS OF THE CRADLE</b>.</p>
      <p>CANTO VI.</p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">TAFFY
was a Welshman,</span><br>
      <span style="margin-left: 1em;">TAFFY was a thief,</span><br>
      <span style="margin-left: 0.5em;">TAFFY came to my house and
stole a piece of beef.</span><br>
      <span style="margin-left: 1em;">I went to TAFFY'S house,</span><br>
      <span style="margin-left: 1em;">TAFFY wasn't at home,</span><br>
      <span style="margin-left: 0.5em;">TAFFY came to my house and
stole a mutton bone.</span> </div>
      <p>It is not often that a poet descends to the discussion of
mundane affairs. His sphere of usefulness, oftentimes usefulness to
himself, only, lies among the roseate clouds of the morn, or the
spiritual essences of the cerulean regions, but, like other human
beings, he cannot live on the zephyr breeze, or on the moonbeams
flitting o'er the rippling stream. Such ethereal food is highly
unproductive of adipose tissue, and the poet needs adipose like any
other man. And our poet is no exception to the rule, for he well knew
that good digestible poetry can't be written on an empty stomach.</p>
      <p>It is seldom that a writer is met with, who does not seize
every opportunity to attract attention to his own deeds. He is never so
happy as when, in contemplation, he hears the remarks of his readers
tending to his praise for the noble and heroic deeds he makes himself
perform.</p>
      <p>But with our poet&#8212;and we have been exceptional in our
choice&#8212;he has always been backward in coming forward, and it was not
until he was touched upon a tender point that he concluded to make
himself heard, when he might depict, in glowing terms, some of the few
ills which flesh is heir to.</p>
      <p>The opportune moment arrived.</p>
      <p>He had been out since early dawn, gathering the dew from the
sweet-scented flower, or painting in liquid vowels the pleasant
calmness of the cow-pasture, or mayhap echoing with hie pencil's point
the well-noted strains of the Shanghai rooster, when the far-off
distant bell announced to him that he must finish his poetic pabulum,
and hurry home to something more in accordance with the science of
modern cookery.</p>
      <p>He arrived and found his household in tumult. "Who's been here
since I've been gone?" sang he, in pathetic tones. And he heard in
mournful accents the answer, "TAFFY."</p>
      <p>Could anything more melancholy have befallen our poet? He
could remember in childhood's merry days the old candy-woman, with her
plentiful store of brown sweetness long drawn out; and how himself and
companions spent many a pleasant hour teasing their little teeth with
the delicate morsels. Now his childhood's dreams vanished. He
remembered that</p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">"TAFFY
was a Welshman."</span> </div>
      <p>And then, after a careful scrutiny of the larder, assisted by
the gratuitous services of his ever faithful feline friend, THOMAS, he
found the extent of his loss.</p>
      <div style="margin-left: 40px;"> <span
 style="margin-left: 1.5em;">"TAFFY was a thief,"</span> </div>
      <p>he now gave vent to passion, while anguish rent his soul.
TAFFY had been here, and made good his coming, although the good was
entirely on TAFFY'S side, for he walked off again with a piece of beef,
and was, even at this very moment, smacking his chops over its tender
fibres.</p>
      <p>All his respect for TAFFY now vanished like the misty cloud
before the rays of the morning sun. He buckled on the armor of his
strength, departed for TAFFY'S house, determined to wreak his vengeance
thereon, and scatter TAFFY, limb for limb, throughout his own
corn-field. "Woe, woe to TAFFY," he muttered between his clenched
teeth. "I will make mincemeat of him; I will enclose him in sausage
skins, and will send him to that good man, KI YI SAMPSON."</p>
      <p>Judge of our poet's chagrin, however, when, on arriving at
TAFFY'S house, he was informed, with mocking smiles.</p>
      <div style="margin-left: 40px;"> <span
 style="margin-left: 1.25em;">"TAFFY wasn't at home."</span> </div>
      <p>Here was a fall to his well-formed plans of vengeance.&#8212;All
dashed to the ground by one foul scathing blow.</p>
      <p>But whither went TAFFY? The poet himself could tell you if you
waited, but we will tell you now. TAFFY liked beef; liked it as no
other human liked it, for he could eat it raw. And when, foraging
around the village, he found a nice piece at the poet's house, his
carnivorous proclivities induced him to steal it, and, with it under
his arm, hurried off to the nearest barn, and there rapidly devoured
it. This only seemed to give him an appetite. He went foraging again,
but this time only picked up a mutton-bone. "The nearer the bone, the
sweeter the meat," cried TAFFY, and with a flourish he hastened to his
hiding place, while the poor poet, disconsolate in his first loss,
returned home only to find a second; and the culprit was still free.</p>
      <p>Ah! my kind reader, here was a deep cut to our poet. "Who
would care for mother now?" he sang, for all the meat was gone. Home
was no longer the dearest spot on earth to him, since it was rudely
desecrated by the hands of TAFFY&#8212;of DAVID, the Welshman.</p>
      <p>Poor poet! Cruel TAFFY!</p>
      <p>Let me draw the curtain of popular sympathy over the unhappy
household. The poet has told his story in words which will never die;
and he has proclaimed the infamy of TAFFY to the uttermost corners of
the earth.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Sweeping Reform</b>.</p>
      <p>The world moves. There is a chiropodist now travelling in the
East who removes excrescences of the feet simply by sweeping them away
with a corn broom. When last heard of he was at Alexandria, and there
is no corn in Egypt, now.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>OUR EXPLOSIVES</b>.</p>
      <p>What between nitroglycerine, kerosene, and ordinary gas, New
York city has, for years.past, been admirably provided with explosives.
Now we have to add gasoline to the interesting catalogue of
inflammables. What gasoline is, we have not the slightest notion, but,
as it knocked several houses in Maiden Lane into ashes a few days
since, it must be something. Crinoline, dangerous as it is, would have
been safer for Maiden Lane than gasoline, and more appropriate. In the
present dearth of public amusements, these jolly explosives&#8212;gasoline,
dualine, nitroglycerine, and the rest of 'em,&#8212;come in very well to
create a sensation. They keep the firemen in wind, and, as the firemen
keep them in water, the obligation is reciprocal. Let Gasoline, as well
as Crinoline, have the suffrage, by all means.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Aggravating</b>.</p>
      <p>The war news is becoming dizzier every day. It is now
announced that the Prussian headquarters are at St. Dizier.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Anna-Tom-ical</b>.</p>
      <p>"A young man who lost an arm, some two weeks since, insists
upon it that he still feels pain in the arm and fingers."&#8212;(Daily Paper.)</p>
      <p>This is strange, certainly, but not more so than the statement
of our young man, TOM, who affirms that, having had his arm around
ANNA'S waist some three weeks ago, he still feels the most bewitching
sensations in that arm. Who can explain these things?</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><i style="font-weight: bold;">Prussicos odi, puer, apparatus</i><span
 style="font-weight: bold;">,</span>&#8212;as old NAP said to young NAP,<br>
when the Teutonic bullets flew about them at Saarbruck.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/07.jpg" alt="">
      <p><span style="font-weight: bold;">WE DON'T KNOW WHETHER IT IS
CORRECT, BUT THIS IS PUNCHINELLO'S IDEA OF THE CHASSE POT.</span></p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/08.jpg" alt="">
      <p><b>A FACT FROM LAKE SUPERIOR.</b></p>
      <p><i>Shipwrecked Cockney</i>.&#8212;"I SAY, CAPTAIN, ARE THERE ANY
BEARS ABOUT HERE? I'VE COME PREPARED FOR A LITTLE SPORT, YOU KNOW."</p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE CHARGE OF THE NINTH BRIGADE</b>.</p>
      <p>"Col. FISK, Jr., marched his men up to the Continental
Bar-room this evening and gave them a <i>carte blanche</i> order for
drinks."&#8212;<i>Special to morning paper</i>.</p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">Half
asleep, half asleep,</span><br>
      <span style="margin-left: 1em;">Half asleep, onward</span><br>
      <span style="margin-left: 1em;">Into the bar-room bright</span><br>
      <span style="margin-left: 1.5em;">Strode the Six Hundred:</span><br>
      <span style="margin-left: 1em;">'Forward the Ninth Brigade!</span><br>
      <span style="margin-left: 1em;">Charge this to me," he said.</span><br>
      <span style="margin-left: 1em;">Into the bar-room, then</span><br>
      <span style="margin-left: 1em;">Rushed the Six Hundred.</span><br>
      <br>
      <span style="margin-left: 1em;">Topers to right of them.</span><br>
      <span style="margin-left: 1em;">Topers to left of them,</span><br>
      <span style="margin-left: 1em;">Old sots in front of them,</span><br>
      <span style="margin-left: 1.5em;">Parleyed and wondered;</span><br>
      <span style="margin-left: 1em;">Yet into line they fell,</span><br>
      <span style="margin-left: 1em;">Boldly they drank, and well</span><br>
      <span style="margin-left: 1em;">Into the jaws of each,</span><br>
      <span style="margin-left: 1em;">Into the mouth of all,</span><br>
      <span style="margin-left: 1em;">Drinks went, Six Hundred.</span><br>
      <br>
      <span style="margin-left: 1em;">Flashed the big diamond there,</span><br>
      <span style="margin-left: 1em;">Flashed as its owner square</span><br>
      <span style="margin-left: 1em;">Treated his soldiers there,</span><br>
      <span style="margin-left: 1em;">Charging a bar-room, while</span><br>
      <span style="margin-left: 1.5em;">All the "beats" wondered.</span><br>
      <span style="margin-left: 1em;">Choked with tobacco smoke,</span><br>
      <span style="margin-left: 1em;">Straight for the door they broke,</span><br>
      <span style="margin-left: 1em;">Pushing and rushing,</span><br>
      <span style="margin-left: 1em;">Reeled from the Bourbon stroke,</span><br>
      <span style="margin-left: 1.5em;">Shattered and sundered;</span><br>
      <span style="margin-left: 1em;">Thus they went back&#8212;they did&#8212;</span><br>
      <span style="margin-left: 1.5em;">On the Six Hundred.</span><br>
      <br>
      <span style="margin-left: 1em;">Whiskey to right of them,</span><br>
      <span style="margin-left: 1em;">Cocktails to left of them,</span><br>
      <span style="margin-left: 1em;">Popping corks after them,</span><br>
      <span style="margin-left: 1.5em;">Volleyed and thundered,</span><br>
      <span style="margin-left: 1em;">Yet, 'twere but truth to tell,&#8212;</span><br>
      <span style="margin-left: 1em;">Many a hero fell.</span><br>
      <span style="margin-left: 1em;">Tho' some did stand it well,</span><br>
      <span style="margin-left: 1em;">Those that were left of them,</span><br>
      <span style="margin-left: 1.5em;">Left of Six Hundred.</span><br>
      <br>
      <span style="margin-left: 1em;">Oh! what a bill was paid,</span><br>
      <span style="margin-left: 1em;">Oh! what a noise they made,</span><br>
      <span style="margin-left: 1.5em;">All Long Branch wondered;</span><br>
      <span style="margin-left: 1em;">Oh! what a noise they made,</span><br>
      <span style="margin-left: 1em;">They of the Ninth Brigade,</span><br>
      <span style="margin-left: 1.5em;">Jolly Six Hundred!</span> </div>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>A Sun-burst</b>.</p>
      <p>The <i>Sun</i> regretfully announces that PUNCHINELLO is
about to "give up the ghost." PUNCHINELLO begs to assure the Sun that
he doesn't keep a ghost; though, at the same time, the mistake was a
natural one enough to emanate from Mr. C. A. (D. B.) DANA, who keeps a
REAL ghost in his closet.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>A. Natural Mistake</b>.</p>
      <p>An advertisement from the establishment of Messrs. A. T.
STEWART &amp; Co., announces, among other things, that they have opened
a "MADDER PRINT."</p>
      <p>At first sight we supposed that the firm in question had begun
publishing a paper in opposition to the Sun, and that it was to be, if
possible, a madder print than that luminary, for the purpose of cutting
it out. Further reflection convinced us, however, that the "print" in
question was connected with the subject of dry goods, only.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Very Small Beer</b>.</p>
      <p>Newspaper items state that the editor of the Winterset (Iowa,)
      <i>Sun</i>, is, probably, the smallest editor in the the world."
Surely the editor of the New York Sun must be the one meant.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>"Well I'm Blowed!"</b></p>
      <p>As the <i>omelette souffl&eacute;e</i> said to the cook.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/09.jpg" alt="">
      <p><b>AT THE SARATOGA CONVENTION.</b></p>
      <p><i>Horace Greeley, (to Roscoe Conkling.)</i> "DON'T BE RASH,
NOW REMEMBER THAT A SOFT ANSWER TURNETH AWAY WRATH."</p>
      <p><i>Roscoe Conkling</i>. "LET US HAVE PEACE, BY ALL MEANS: BUT
IF THAT FELLOW REUBE FENTON INTERFERES WITH ME, HE HAD BETTER LOOK OUT
THAT I DON'T SMASH HIS SLATE."</p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <p style="font-weight: bold;">HIRAM GREEN TO NAPOLEON.</p>
      <p>Napoleon I and Napoleon III&#8212;Lager-Beer a Formidable Enemy to
Overcome.</p>
      <p>SKEENSBORO, NYE ONTO VARMONT,</p>
      <p><i>Orgust&#8212;, 18-Seventy.</i></p>
      <p>FRIEND LEWIS: As I haint got no anser to my last letter which
I rote to your royal magesty a few weeks ago, it has occurred to me,
that maybe you don't feel well about these days, or, just as like as
not our "Cousin German," FRITZ, mite have been mean enuff as to gobble
up your male bag, and steel my letter to put into his outograf album. I
now take my pen in hand to inform you, that Ime as sound as a Saddle
Rock oyster, and hope these few lines may find you enjoyin' the same
blessin. Numerous changes have taken place since your <i>grand invasion</i>
of German sile.</p>
      <p>It has certinly been very kind in your Dutch friends to save
you a long jerney to fite them.</p>
      <p>Insted of puttin' you to the trouble of goin' away from home
for a little excitement, you can set rite in the heart of your own
country, and enjoy the fun.</p>
      <p>A man by the name of NERO, was once said to do some tall
fiddlin' when Rome was burnin'.</p>
      <p>While the patriotic fires of your people is clusterin' around
you (?) my advice is, to cote the words of Unkle EDWARD:</p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">"Hang
up your fiddle and your bow,</span><br>
      <span style="margin-left: 1em;">Lay down your shovel and the hoe.</span><br>
      <span style="margin-left: 1em;">Where the woodbine twineth</span><br>
      <span style="margin-left: 1em;">There's a place for Unkle LEW,</span><br>
      <span style="margin-left: 1em;">With UGEENY and little LEWIS for
to go."</span> </div>
      <p>The foregoin' is rather more sarcastikle than troothful.</p>
      <p>It laserates my venerable heart-strings, most noble
Pea-cracker, to see how you've been lickt.</p>
      <p>You have probly found out by this time, that the mantle of
your grate unkle has passed into the hands of some other family.</p>
      <p>The grate BONYPART was called the Gray Eyed man of Destiny,
altho' I don't know what country that is in, as the village of Destiny
haint on any of the war maps.</p>
      <p>I should judge, however, onless there is a change in the
program, that when this "cruel war is over," you will wear the belt as
the champion Black-eyed man of Urope.</p>
      <p>Your so-called ascendant Star, is probly the identikle
loominary which; Perfesser DAN BRYANT refers so beautifully to, in his
pome of "Shoo-fly."</p>
      <p>It shone rather scrumpshus, in the dark, but the rays of the
Sun has nockt its twinkle hire'n GILDEROY'S kite.</p>
      <p>Yes, Squire BONYPART, your star is the only planet whose
eclips has been visible to the naked eye, all over the world, and can
be seen without usin' smoked glass.</p>
      <p>I think, in the beginnin' of the war, when you left UGEENY for
Nancy, that, like your Unkle, you made a bad go.</p>
      <p>When the old man stuck to JOESFEEN he was a success.</p>
      <p>Empires&#8212;Kingdoms&#8212;Pottentates and Hottentots, took the first
train and skedaddled, when the General sot his affeckshuns on their
territory.</p>
      <p>The BOURBONS fled and come over here and settled in Kentucky,
and commenced makin' whiskey, payin' a tax of $2.00 per gallon, and
sellin' the seductive flooid for $1.50 per gallon, gettin' rich at
that, which may surprise you, altho' it doesen't our Eternal Revenoo
Offisers, who, as Mr. ANTONY remarked of H. BEECHER STOW when she
stabbed Lord Byron, "are all <i>honorable</i> men."</p>
      <p>Finally BONYPART went back on JOSEFEEN, which made Mrs. B.
scatter a few buckets of tear drops.</p>
      <p>Said your Unkle:</p>
      <p>"What's the use of blubberin' about it? Cheer up and be a man.
I belong, body, sole and butes, to France, who says my name must be
perpetuated. You, JOSEFEEN, must pick up your duds and look for another
bordin'-house, for you can't run the Tooleries any longer."</p>
      <p>He then sent to Chicago and got a ten dollar devorce, and
married MARIAR LOUISER, arter which he become a played-out
institootion, employin' his time walkin' <i>in solo</i> with his hands
behind him, gazin' intently on the toes of his butes, and wonderin' if
they was the same ones which had histed so many roolers off of their
thrones.</p>
      <p>In view of the past, you should have stuck to UGEENY, who, I
understand, is good lookin' and sports a pretty nobby harness.</p>
      <p>The charms of Nancy may make your Imperial mouth water, but
let an old statesman, who has served his country for 4 years as Gustise
of the Peece, say to you, "Don't be a fool if you know anything."</p>
      <p>Another reason of your unsuccess is that Lager is a hard chap
to fite agin. I tried it once.</p>
      <p>A Dutch millingtery company visited Skeensboro a few years
since, for a target shoot, bringin' a car lode of lager-beer and a box
of sardeens for refreshments.</p>
      <p>I, bein' at that time Gustise, was on hand to help perserve
the peece.</p>
      <p>Lager, they told me, wasen't intoxicatin. I histed in a few
mugs. I woulden't just say that I got soggy, but I felt like a hul
regiment of Dutch soljers on general trainin' day.</p>
      <p>It suddenly occurred to me that Mrs. GREEN had been puttin' on
rather too many airs lately, and I would go in and quietly remind her
that I was boss of the ranch.</p>
      <p>Pickin' up a hoss-whip, I "shouldered arms," and entered the
kitchen as bold as the brave FISK of the bully 9th.</p>
      <p>"MARIAR," said I, addressin' Mrs. GREEN, and tippin' over her
pan of dish-water so she coulden't wet my close, "yer 'aven't (hic!)
tode the mark as 'er troo (hic!) wife orter. I can't (hic!) 'ave any
more of yer (hic!) darn foolin'. Will yer (hic!) 'bey yer 'usband like
a (hic!) man, in the futer?"</p>
      <p>I raised the hoss-whip to give her a good blow. She caught it
on a fly with both hands, as I lade down on the floor to convince my
wife I was in earnest in what I said.</p>
      <p>Well, LEWIS, I remember feelin' as if I was put into a large
bag with a lot of saw logs, and was bein' viteally shoot up. I could
also distinguish my wife, flyin' about as if she had taken a contract
for thrashin' a lot of otes, and haden't but a few minnits to do it in,
and somehow I got it into my head that I was the otes.</p>
      <p>I went to sleep in a cloud of hosswhips&#8212;hair and panterloon
buttons rapt up in a dilapidated soot of close.</p>
      <p>When I awoke, I looked as if that Dutch millingtery Company
had been usin' me for a target, substitootin' my nose for the bull's
eye.</p>
      <p>I imejutly come to the conclusion, that to successfully buck
agin Lager-beer, was full as onhealthy as tryin' to get a seat in H.
WARD BEECHER'S church on Sunday mornin's, afore all the Pew-holders had
got in.</p>
      <p>When you want an asilum to flee to, come to Skeensboro.</p>
      <p>Altho' you have got the ship of State stuck in the mud, I
think I can get you a canal bote to run, where you can earn your
$115.00 a month, provided your wife will do the cookin' for the crew.</p>
      <p>This is better than bein' throde onto the cold, cold charities
of the world, especially where a man has got the gout, for anything
cold in apt to bring on the pain and make him pe-uuk.</p>
      <p>Hopin' that in the futer, as you grow older, you may lern
wisdom by cultivatin' my acquaintance&#8212;and with kind regards to UGEEN
and bub BONYPART, in your native tung I will say:</p>
      <p><i>Barn-sure, noblesse Pea-cracker.</i></p>
      <p>Ewer'n, one and onseperable,</p>
      <p>HIRAM GREEN, Esq.,</p>
      <p><i>Lait Gustise of the Peece.</i></p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Bunsby's War Paint.</b></p>
      <div style="margin-left: 40px;"> <span style="margin-left: 1em;">Napoleon's
chances are not great</span><br>
      <span style="margin-left: 1em;">If German facts are true;</span><br>
      <span style="margin-left: 1em;">But if he finds not Paris Green</span><br>
      <span style="margin-left: 1em;">Hell make the Prussian Blue.</span>
      </div>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Remark by a Bandsman.</b></p>
      <p>Once upon a time the French Horn was a famous instrument, but
now, considering the retreating strategy of the French leaders, it
appears to be superseded by the Off I Glide.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>The Music of the Future.</b></p>
      <p>Considering the enormous difficulties which stand in the way
of the performance of Herr WAGNER'S music, it is the music of the Few
Sure enough.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>A Relic of the Past.</b></p>
      <p>The following item is taken from a daily paper:</p>
      <p>"The septuagenarian Dejazet sang the 'Marseillaise' at the
Passy theatre lately."</p>
      <p>There seems to be a mistake, here. Surely the word Passy is
meant for <i>pass&eacute;e</i>.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/12.jpg" alt="">
      <p><b>PRECOCIOUS.</b></p>
      <p>LITTLE FEMALE AMERICA, TOO, ASSERTS HER RIGHTS AND ESPECIALLY
THE RIGHT TO THE EXCLUSIVE USE OF THE SIDE-WALK FOR A ROPE-WALK."</p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>OUR PORTFOLIO.</b></p>
      <p>"Well, you know, Dear Mr. PUNCHINELLOW, this is how CHARLEY
DANY and me cum to hev our fallin' out. We was boys together, was
CHARLEY and me, and went to the same school. CHARLEY were a likely lad
there; never given to spilin' the faces of t'other boys nor splashin'
mud on their clothes. Oh! but hasn't he gone back on them good old
times. I wouldn't hev' believed it, CHARLEY, no I wouldn't.</p>
      <p>But, as I was sayin', he were a likely lad; studyin' hard, and
often tellin' me how he would one day come out at the head of the heap,
gradooatin' before the Squire's son, JACK BALDERBACK. Just about this
time I was tuk with the measles, and father died, and SALLIE got
married, and the old woman said to me:</p>
      <p>"EPHRAIM, I think your school days is ended." And so they was.
I never went back again, and never saw CHARLEY these thirty-five years
gone now, 'till t'other day. I went West in search of a livin', and he
tuk onto business here East. Wons't in a long time I heerd on him; how
things went well with him, and how he got up, up, up, till the ladder
wasn't big enough and he couldn't climb no higher. Folks said he was
into the war; but I didn't believe 'em. CHARLEY was a peace man, I
knowed that. Arterwards, howsumever, it cum out that it was the War
Office he was into, and not the war; and says I to myself, "EPHRAIM,"
says I, "didn't I tell you so; and tell them so, and war'nt I right? I
calkilate they won't go back no more on what I says about CHARLEY DANY."</p>
      <p>Well, dear Mr. PUNCHINELLOW, I was one day readin' of your
paper, and I comes onto sumthin' about sumbody, which it was as I spell
it, "CHARLES A. DANA," how he was a cuttin' up shines, and how you was
a pokin' fun and hard things at him.</p>
      <p>I larfed right out.</p>
      <p>"That's smart," says I, "Yes, that's smart; but it ain't onto <i>my</i>
CHARLEY. He ain't stuck up nor nothing of that sort. He is as innocent
as gooseberries, is the CHARLEY DANY I know;" and arterwards I thought
no more about it, till I cum on to New York for to look into the cattle
business, and see how things was shapin for trade this winter.</p>
      <p>I put up to the St. Nikkleas. Well, I allers larf when I think
of it. Here was an Irishman tuk my bag, slung it behind him, and says
he to me&#8212;"Foller me, if you please, sir." I follered accordin'.</p>
      <p>I've clumb some pretty tall hills in my day, Mr. PUNCHINELLOW,
but that 'ere gettin' up them stairs jest switches the rag off of all
on 'em. I broke down. Then he tuk me to a heister, and landed us next
to the roof. I was too pegged out to wash or fix, so I flung off my
cowhides, jumped onto the bed and slept clean through till next day. In
the mornin' I rigged up, went down stairs, and asked the clerk if he
would be kind enough to pint out to me where I might see CHARLEY DANY.
He sort o' smiled like, and said I would find him at the <i>Sun</i>
office. I paid two dollars for a kab to take me down, which it did till
we stopped afore a big yaller house, with a big board stuck up agin it
havin' these words:</p>
      <table border="1" cellpadding="10" align="center">
        <tbody>
          <tr>
            <td align="center"><span style="font-weight: bold;">"EXTRA
SUN!!!</span><br>
            <br>
ELOPEMENT AT MURRAY HILL.<br>
FULL HISTORY OF THE PARTIES.<br>
INTERESTING CHAPTER OF FAMILY SECRETS.<br>
WHO IS SHE AND WHY DID SHE DO IT?<br>
GENERAL GRANT BUYS A SKYE TERRIER!<br>
PARTICULARS OF THE SALE!!<br>
GENEALOGY OF THE DOG!!!<br>
SECRETARY FISH BOBBING FOR SPANISH EELS,<br>
HE IS CAUGHT BY THE GILLS.<br>
THE MINION OF SPANISH TYRANNY IN DISTRESS.<br>
KITCHEN COUNCILS IN FIFTH AVENUE.<br>
NOTES BY OUR KEYHOLE REPORTER.<br>
BABY FOUND IN THE PRIVATE OFFICE OF A<br>
LEADING EDITOR.<br>
WHOSE IS IT AND HOW DID IT COME THERE?<br>
INTERESTING DISCLOSURES OF A PROMINENT<br>
MERCHANT'S LIFE!!!<br>
FOR FULL DETAILS SEE EXTRA SUN, PRICE<br>
TWO CENTS!"<br>
            </td>
          </tr>
        </tbody>
      </table>
      <p>"Wonder if CHARLEY writ all that 'ere," says I, inwardly,
inquirin' of a boy where Mr. DANY'S particular holdin' out place might
be, and givin' him three cents to show me the way. Drawin' a quick
breath, I knocked at the door. "Come in," says a peskish voice. I cum
in, and there, sure enough, with nose close down to the desk, a writin'
away for dear life, sat CHARLEY. I knowed him to onc't, for all he was
a little oldish, and a little grayish, and had a bare spot like a
turtle's back on the top of his head. My heart cum' a bustin' up into
my throat, and an inward voice seemed to say:</p>
      <p>"Do it now EPHRAIM, do it now, while the feeling is onto you."
Jest then he looked up, and I bust forth: "Oh, CHARLEY! CHARLEY! its a
long time sin' we met, CHARLEY. Don't you know me? Don't you remember
little EPH ECKELS? Oh! CHARLEY, CHARLEY, give us a grip of your knob,
old hunk"&#8212;and I slewed over towards him for to shake hands when he
suddenly drawed back, kinder gloomy like, putting down his pen and
chewing his gums sort of swagewise. as he said:</p>
      <p>"My name, sir, is the Hon. CHARLES AUGUSTUS DANA, Ex-Assistant
Secretary of War, Ex-Proprietor of the ablest paper in the West, and at
present Chief Editor of the New York <i>Sun</i>, price two cents.
There is no individual here, sir, answering to the appellation of "Old
Hunk," and, as I perceive, sir, that there is a most infernal smell of
cow yards about your raiment, and the effluvia arising thence is
becoming insupportable, I would thank you to get out of this apartment
double quick, and I suggest for the sake of others who may be
unfortunately brought into contact with you, that my friend the Hon.
WILLIAM MANHATTAN TWEED has recently established public baths where
such creatures as you may undergo purification before venturing into
the presence of gentlemen."</p>
      <p>It was CHARLEY who spoke it; Mr. PUNCHINELLOW, there is no
doubt about that; but the CHARLEY that I knew has been dead sin' that
day. Yours in memory-moram,</p>
      <p>EPHRAIM ECKELS.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>Horrors of War.</b></p>
      <p>Much has been said about the Prussian "demonstrations" at
Strasbourg. If half what we hear of Prussian vandalism as displayed at
the siege of Strasbourg is true, "Demonstration" is a very appropriate
term for the thing.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>OLIVE LOGAN.</b></p>
      <p><img src="images/13.jpg" align="left" alt="W">e have no
authentic record of the date of this fair syren's birth. It is
popularly supposed, however, that she was contemporaneous with
POCAHONTAS. POKY (as she was playfully called by her playmates at
boarding-school) is now dead. LOGY (another playful appellation of the
gushing miss alluded to) is still Olive.</p>
      <p>We do not, however, credit the legend above cited. Also, we do
not credit the equally absurd and unreasonable story that our girlish
gusher is a daughter of a negro preacher named LOGUEN. We look upon
this as a colorless aspersion of our subject's fair fame, and we
therefore feel called upon to politely but furiously hurl it back in
the teeth of its degraded and offensive inventor. Things are come
indeed to a pretty pass when a lady of Miss LOGAN'S position may have
her good name blackened (not to say sooted) by associating it with that
of a preacher. Besides, LOGUEN was himself born in 1800, and is
therefore only seventy years old. These things are not to be borne.</p>
      <p>Miss LOGAN is seventeen years of age. This, at least, is
reliable. We have our information from the lips of an aunt of the
Honorable HORATIUS GREELEY, who met Miss LOGAN in Chicago in 1812, and
wrung the confession from the gifted lady herself. Mr. GREELEY'S aunt,
we need not say, is incapable of telling a lie.</p>
      <p>At the early age of six weeks our illustrious victim made her
first appearance as a public speaker. This was at Faneuil Hall, Boston.
She was supported on that memorable occasion by a young and fascinating
lady by the name of ANTHONY (SUSAN.) SUSIE prophesied then, it will be
remembered, that the fair oratress would yet live to be President of
the United States and Canadas. Miss LOGAN, with her customary modesty,
declined to view the mysterious future in that puerile light,
gracefully suggesting, amid a brilliant outburst of puns, metaphors and
amusing anecdotes, that SUSIE distorted the facts. Miss ANTHONY, under
a mistaken impression that this referred to her peculiar mode of
keeping accounts, offered, with a wild shriek of despair and disgust,
to exhibit her books to an unprejudiced committee of her own sex, with
WENDELL PHILLIPS as chairwoman. (There is manifest inaccuracy in this
account, though, inasmuch as Mr. PHILLIPS was not yet born, at that
time; but we of course give the story as it is related to us by
eye-witnesses.) Mr. JOHN RUSSELL YOUNG, who was in the audience, rose
and said that Miss ANTHONY'S explanation was entirely sufficient, and
that she might now take her seat. The lecturer then proceeded to
discuss her subject, "Girls." She said&#8212;</p>
      <p>However, this is not a newspaper report, is it?</p>
      <p>Soon after this, Louis PHILLIPPE invited Miss LOGAN to visit
Paris. He represented that he should consider it an honor at any time
to welcome the beautiful demoiselle to the palace of the Tuileries. He
remarked in a postscript that his dinner hour was twelve o'clock, noon,
sharp, and that his hired man had instructions to pass Miss LOGAN at
any time. Accordingly, our syren departed hungrily for the capital of
the French. Her career in Paris is well known to every mere ordinary
schoolboy: therefore, wherefore dwell? Madame DE STAEL'S dressmaker
called on her. A committee of strong-minded milliners solicited the
honor of her acquaintance. GEORGE FRANCIS TRAIN proposed an alliance
with her for the purpose of hurling imperial jackassery from its
tottering throne. Other honors were conferred on her.</p>
      <p>Returning to her native motherland in 1812, she once more
resumed her career as a public speakeristess. How wonderful that career
has been, does not the world know? If not, why not? She has lectured in
14,364,812,719 towns between San Francisco on the one hand and
California on the other. Upwards of fourteen million Young Men's
Christian Associations have crowded to hear her thrilling eloquence,
and lecture committees all over the land have grown fat and saucy on
the enormous profits yielded by her engagements. Country editors, who,
before speculating in tickets of admission, were without shoes to their
feet, have been suddenly converted into haughty despots and bloated
aristocrats by their prodigious gains. And Miss LOGAN herself is said
to be worth $250.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>COMIC ZOOLOGY.</b></p>
      <p>Genna, Corvus.&#8212;The Common Crow.</p>
      <p>This Ravenous bird abounds in all temperate regions, and is a
fowl of sober aspect, although a Rogue in Grain. Crows, like
time-serving politicians, are often on the Fence, and their proficiency
in the art of Caw-cussing entitles them to rank with the Radical
Spoilsmen denounced by the sardonic DAWES. In time of war they haunt
the battle-field with the pertinacity of newspaper specials, and have a
much more certain method of making themselves acquainted with the
Organization of military Bodies than the gentlemen of the press who
Pick the Brains of fugitives from the field for their information. In
time of peace the Crow leads a comparatively quiet life, and it is no
novel thing to see him walking in the fields devouring with great
apparent interest the Yellow-Covered Cereals. Agriculturists have
strong prejudices against the species, and allege, not without reason,
that large Crow Crops indicate diminished harvests. The most persistent
enemy of the Crow, however, is the martin, which attacks it on the wing
with unfaltering Pluck, and compels it to show the White Feather.</p>
      <p>This variety of the genus <i>corvus</i> was well known to the
ancients. Those solemn Bores, the Latin augurs, were in the habit of
foretelling the triumph or downfall of the Roman Eagles by the flight
of Crows, and St. PETER was once convicted of three breaches of
veracity by a Crow. The bird has also been the theme of song&#8212;the
carnivorous exploits of three of the species having been repeatedly
chanted by popular Minstrels.</p>
      <p>A Greek author has described the Crow as a cheese-eater&#8212;but
that's a fable. Though fond of a Rare Bit of meat, it does not care a
Mite for Cheese. Nothing in the shape of flesh comes amiss to this
rapacious creature; yet, much as it enjoys the flavor of the human
subject, it relishes the <i>cheval mort</i>. During the late war, our
government, with exemplary liberality, purchased thousands of horses to
feed the Southern Crows. The consequence was that our Cavalry Charges
were tremendous.</p>
      <p>The appearance of the Crow is grave and clerical, but it is
nevertheless an Offal bird when engaged on a Tear. It generally goes in
flocks, and the prints of its feet may be seen not only on the face of
the Country, but in many instances on the faces of the inhabitants.
Naturalists do not class it with the edible fowls. There may be men who
      <i>can</i> eat crow, but nobody hankers after it. The story of
the man who "swallowed three black crows" lacks confirmation. Looking
at the whole tribe from a Ration-al point of view, however, we have no
hesitation in pronouncing them excellent food&#8212;for powder. In this
category may be included the copper-colored Crows on our Western
frontier.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE CHURCH MILITANT.</b></p>
      <p>That Brooklyn is a City of Churches has long been known to
people of average intelligence. The following item, however, taken from
a daily paper, is very suggestive of the old saying, "The nearer the
church," etc.</p>
      <p>"JOHN BEATY bit off WM. HARPER'S face in April last, at a
church fight in Brooklyn, and then went to sea. Last night he came
back, and was arrested by officer Fox, who will take him before Justice
WALSH to-day. HARPER is disfigured for life."</p>
      <p>The matter-of-fact way in which the expression, "a church
fight" is used by the writer of the above item, seems to indicate that
tabernacular conflicts are rather the rule than the exception in
"deeply religious" Brooklyn. We were not prepared to expect, though,
that theological controversy ever ran further in Brooklyn than to the
extent of "putting a head on" one's antagonist, though now it appears
that biting his face off is more the thing. The statement that "HARPER
is disfigured for life," goes for nothing with us, as that depends
altogether on what sort of looking man he was previous to the removal
of his features by means of a dental apparatus.</p>
      <br>
      <hr style="width: 45%;"> <br>
      <center> <img src="images/14.jpg" alt="">
      <p><b>THE "STERN PARENT.</b></p>
      <p><i>Daughter</i> "WELL, TO TELL THE TRUTH, I DID NOT THINK MUCH
OF THE CLOSE OF THE SERMON."</p>
      <p><i>Father</i>. "PROBABLY YOU WERE THINKING MORE OF THE CLOTHES
OF THE CONGREGATION."</p>
      </center>
      <br>
      <hr style="width: 45%;"> <br>
      <p><b>THE WAR.</b></p>
      <p>It is with feeling of intense satisfaction and self
complacency, that Mr. PUNCHINELLO submits to his readers the following
despatches relative to the Great Railroad War, which have been
collected at a fabulous cost, by a large corps of reporters and
correspondents specially detailed for the purpose.</p>
      <p>WAR DECLARED!</p>
      <p>ERIE PALACE.&#8212;It is rumored that the "unpleasantness" which has
for some time past existed between the rival powers of the Erie and the
Central, will shortly culminate in open hostilities. Col. FISK,
assisted by twelve secretaries, is said to be actively engaged in
drawing up a formal Declaration. Great enthusiasm prevails here. The
Erie Galop and FISK Guard March (price 50 cents, including full length
portrait of Capt. SPENCER,) are played nightly in the Opera House, and
are vociferously re-demanded. Every member of the Ninth has been
notified to hold himself in readiness to turn out at fifteen minutes'
notice.</p>
      <p>LATER.</p>
      <p>"Erie accepts the war which VANDERBILT proffers her." The
"Blonde Usher," accompanied by an extensive retinue of brother ushers,
will bear the gauge of battle to the Tyrant of the Central. He will
cast It boldly at VANDERBILT'S feet. It is announced that he will
proceed to his destination by way of the Eighth Avenue Car Line. The
reply of the Hudson River potentate is looked forward to with great
interest.</p>
      <p>"CENTRAL" REPORTS.</p>
      <p>VANDERBILT received the Declaration of War with seeming calm.
On the departure of the Erie Emissary, however, his fortitude forsook
him; he threw himself on the neck of a baggage porter and wept aloud.
At a late hour this evening a trusted agent left here for the <i>Tribune</i>
office. He is said to have held a long conference with Mr. GREELEY, the
particulars of which have not transpired. It is supposed by many to
portend an alliance, offensive and defensive, between the King of
Central and the Philosopher of Printing-House Square.</p>
      <p>FROM ERIE.</p>
      <p>Activity is the order of the day here. Col. FISK'S $20,000
team went to the front this morning. They are to be broken into the
turmoil of war by being led gently to and fro, before a Supreme Court
injunction. A Central spy, who was captured during the day, was
immediately tried by court-martial, and sentenced to be suspended from
the flag-staff on top of the building. He was executed at noon, a copy
of the <i>Tribune</i> being tied to his feet, to add force to his fall
and curtail his sufferings. From legal documents found in his
possession, the wretched being is supposed to have been a minion of the
law. The Narragansett and Long Branch boats are being rapidly got ready
for active service. Their armament will consist of Parrott guns of
large calibre. FISK says that VANDERBILT will hear those Parrotts talk.</p>
      <p>DESPATCHES FROM THE CENTRAL.</p>
      <p>VANDERBILT is preparing for a grand flank movement upon the
Erie forces. He will transport passengers at one cent per head, insure
their lives for the trip, feed them on the way, and present them, on
parting, with a copy of H.G.'s paper. He has been reinforced by the <i>Tribune</i>,
which will continue to harass the enemy by attacks in the rear.</p>
      <p>ADVICES FROM ERIE.</p>
      <p>VICTORY!&#8212;By a well executed movement the Narragansett fleet
under command of Admiral Fisk, have succeeded in cutting off the <i>Tribune's</i>
connection with Long Branch. A panic prevails in the <i>Tribune</i>
office. HORACE GREELEY threatens, in retaliation, to lecture on farming
along the route of the Erie Railway, to the ruin of the agricultural
interest of the district. A meeting of prominent farmers has been
convened to protest against this outrage, and a strong body of Erie
troops have been sent to prevent H.G.'s advance. It is proposed, in
case of attack, to illuminate the Erie Palace by means of Colonel
FISK'S big diamond, which, it is estimated, would prove more powerful
than a dozen calcium lights. If this should not be dazzling enough, it
is suggested that a glimpse of the Colonel's $5,000 uniform might have
the desired effect. Amongst the novel instruments of warfare which the
contest has given birth to, is a new ball projected by the Prince of
Erie. It will be given at Long Branch, and will, no doubt, be very
effective.</p>
      <p>LATEST FROM LONG BRANCH.</p>
      <p>As the Plymouth Rock was nearing the pier here this morning,
an elderly man, whose profane language had attracted the attention of
the officers of the vessel, was arrested by order of COL FISK. It
proved to be the sage of Chappaqua. He was attired in a clean shirt
collar, by means of which he no doubt hoped to avoid recognition. In
his travelling bag was found a tooth-brush and several copies of the <i>Tribune</i>.
Upon being tried and convicted of carrying contraband of war, he was
sentenced to give forthwith his reasons why J. C. BANCROFT DAVIS should
not be dismissed from his present office of Assistant Secretary of
State.</p>
      <p>FROM SARATOGA.</p>
      <p>The news of Mr. GREELEY'S capture has affected the Commodore
to such an extent as to stretch him on a bed of sickness. JAY GOULD is
reported marching on Saratoga with a strong force.</p>
      <p>LATEST&#8212;PEACE!</p>
      <p>Central has capitulated! Erie is victorious! To-day a treaty
is drawn up by which everybody is made happy except Mr. GREELEY, who,
it is stipulated, must feign total ignorance of farming whenever he
journeys by the Erie Railway.</p>
      <hr style="width: 25%;">
      <p><b>The place to look for them</b>.</p>
      <p><i>The Sun</i>, a few days ago, had an editorial article about
a reported theft of a box containing four large boa-constrictors. Might
not a search in the editorial boots disclose the whereabouts of the
missing reptiles?</p>
      <br>
      <hr style="width: 45%;"> <br>
      </td>
    </tr>
  </tbody>
</table>
<table
 style="width: 800px; text-align: left; margin-left: auto; margin-right: auto;"
 border="1" cellpadding="2" cellspacing="0">
  <tbody>
    <tr>
      <td style="text-align: center; width: 30%;">
      <p style="font-weight: bold;"><big><big>A. T. Stewart &amp; Co.</big></big></p>
      <p><small>For the accommodation of Strangers have opened A large
and elegant assortment of</small></p>
      <p style="font-weight: bold;">DRESS GOODS,</p>
      <p style="font-weight: bold;">SILKS,</p>
      <p style="font-weight: bold;">PLAIN AND PLAID POPLINS,</p>
      <p style="font-weight: bold;">Empress Cloths,</p>
      <p style="font-weight: bold;">SATINS DE CHINE,</p>
      <p style="font-weight: bold;">NEW STYLE CLOAKINGS.</p>
      <p><small>Paris and Domestic Made<br>
Suits Extremely cheap.</small></p>
      <p>Children's elegantly embroidered <span
 style="font-weight: bold;">CLOAKS, DRESSES, INFANTS' ROBES.</span></p>
      <p>Paris Novelties in LADIES' BASQUES, SACQUES, &amp;c.</p>
      <p>A large assortment of Housekeeping Goods, CARPETS AND CURTAIN
MATERIALS, EMBROIDERED LACE AND MUSLIN CURTAINS, LADIES' UNDERWEAR AND
GENERAL OUTFITTING. HOSIERY.</p>
      <p style="font-weight: bold;">Alexandra's Celebrated Kid Gloves.</p>
      <p>Splendid quality and New Style Sash Ribbons, Sashes, Neckties,
Millinery, and Trimming Ribbons, &amp;c.</p>
      <p><small>The above have been received per recent steamers, and
will be offered At extremely attractive prices. Strangers visiting our
city are respectfully invited to examine.</small></p>
      <p style="font-weight: bold;">BROADWAY,</p>
      <p style="font-weight: bold;">4th Avenue, 9th and 10th Streets.</p>
      </td>
      <td style="text-align: left;" rowspan="3">
      <div style="text-align: center;"> <big><big><big><big>PUNCHINELLO.<br>
      <br>
      </big></big></big></big><br>
The first number of this Illustrated Humorous and Satirical Weekly
Paper was issued under date of April 2, 1870. The Press and the Public
in every State and Territory of the Union endorse it as the best paper
of the kind ever published in America. </div>
      <br>
      <span style="font-weight: bold;">CONTENTS ENTIRELY ORIGINAL.</span><br>
      <br>
Subscription for one year, (with $2.00 premium,) ............... $4.00<br>
      <br>
      <span style="margin-left: 0.25em;">" " six months, (without
premium,) .....................................&nbsp;&nbsp;2.00</span><br>
      <br>
      <span style="margin-left: 0.25em;">" " three months,
"&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;.............................................&nbsp;&nbsp;1.00</span><br>
      <br>
Single copies mailed free, for
............................................... .10<br>
      <br>
We offer the following elegant premiums of L. PRANG &amp; CO'S<br>
CHROMOS for subscriptions as follows:<br>
      <br>
A copy of paper for one year, and<br>
      <br>
      <big><big><span style="font-weight: bold;">"</span><b
 style="font-weight: bold;">The Awakening</b><span
 style="font-weight: bold;">,"</span></big></big> (a Litter of
Puppies.) Half chromo.<br>
Size 8-3/8 by 11-1/8 ($2.00 picture,) for ...................... $4.00<br>
      <br>
      <br>
A copy of paper for one year and either of the following $3.00 chromos:<br>
      <br>
      <big><big><span style="font-weight: bold;">Wild Roses.</span></big></big>
12-1/8 x 9.<br>
      <big><big><b>Dead Game</b>.</big></big> 11-1/8 x 8-3/8.<br>
      <big><big><b>Easter Morning</b>.</big></big> 6-3/4 x 10-1/4&#8212;for
..................... $5.00<br>
      <br>
      <br>
A copy of paper for one year and either of the following $5.00 chromos:<br>
      <br>
      <big><big><b>Group of Chickens;<br>
Group of Ducklings;<br>
Group of Quails</b>.</big></big><br>
Each 10 x 12-1/8.<br>
      <br>
      <big><big><b>The Poultry Yard</b>.</big></big> 10-1/8 x 14<br>
      <br>
      <big><big><b>The Barefoot Boy;<br>
Wild Fruit</b>.</big></big> Each 9-3/4 x 13.<br>
      <br>
      <big><big><b>Pointer and Quail;<br>
Spaniel and Woodcock</b>.</big></big> 10 x 12&#8212;for ... $6.50<br>
      <br>
      <br>
A copy of paper for one year and either of the following $6.00 chromos:<br>
      <br>
      <big><big><b>The Baby in Trouble;<br>
The Unconscious Sleeper;<br>
The Two Friends</b>. (Dog and Child.)</big></big><br>
Each 13 x 16-1/4.<br>
      <br>
      <big><big><b>Spring;<br>
Summer;<br>
Autumn;</b><br>
      </big></big> 12-7/8 x 16-1/8.<br>
      <br>
      <big><big><b>The Kid's Play Ground</b>.</big></big><br>
11 x 17-1/2&#8212;for ................. $7.00<br>
      <br>
      <br>
A copy of paper for one year and either of the following $7.50 chromos:<br>
      <br>
      <big><big><b>Strawberries and Baskets</b>.</big></big><br>
      <br>
      <big><big><b style="font-weight: bold;">Cherries and Baskets</b><span
 style="font-weight: bold;">.</span></big></big><br>
      <br>
      <big><big><b>Currants</b>.</big></big> Each 13 x 18.<br>
      <br>
      <big><big><b>Horses in a Storm</b>.</big></big> 22-1/4 x 15-1/4.<br>
      <br>
      <big style="font-weight: bold;"><big>Six Central Park Views. (A
set.)</big></big><br>
9-1/8 x 4-1/2&#8212;for ........... $8.00<br>
      <br>
      <br>
A copy of paper for one year and<br>
      <br>
      <big><big><b>Six American Landscapes</b>. (A set.)</big></big><br>
4-3/8 x 9, price $9.00&#8212;for
.............................................. $9.00<br>
      <br>
      <br>
A copy of paper for one year and either of the<br>
following $10 chromos:<br>
      <br>
      <big><big><b>Sunset in California</b>.</big></big> (Bierstadt)
18-1/2 x 12<br>
      <br>
      <big><big><b>Easter Morning</b>.</big></big> 14 x 21.<br>
      <br>
      <big><big><b>Corregio's Magdalen</b>.</big></big> 12-1/4 x 16-3/8.<br>
      <br>
      <big><big><b>Summer Fruit, and Autumn Fruit</b>.</big></big>
(Half chromos,)<br>
15-1/2 x 10-1/2, (companions, price $10.00 for the two), for $10.00<br>
      <br>
Remittances should be made in P.O. Orders, Drafts, or Bank Checks on
New York, or Registered letters. The paper will be sent from the first
number, (April 2d, 1870,) when not otherwise ordered.<br>
      <br>
Postage of paper is payable at the office where received, twenty cents
per year, or five cents per quarter, in advance; the CHROMOS will be <i>mailed
free</i> on receipt of money.<br>
      <br>
CANVASSERS WANTED, to whom liberal commissions will be given. For
special terms address the Company.<br>
      <br>
The first ten numbers will be sent to any one desirous of seeing the
paper before subscribing, for SIXTY CENTS. A specimen copy sent to any
one desirous of canvassing or getting up a club, on receipt of postage
stamp.<br>
      <br>
Address,<br>
      <br>
      <span style="font-weight: bold;">PUNCHINELLO PUBLISHING CO.,</span><br>
      <br>
P.O. Box 2783. No. 83 Nassau Street, New York.<br>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p style="font-weight: bold;"><big><big>A. T. Stewart &amp; Co.</big></big></p>
      <p><small>Are offering, at about one-half the cost of
manufacture, a large lot of</small></p>
      <p style="font-weight: bold;">Children's and Misses' Plain, Chine
and Plaid Poplin Suits,</p>
      <p>Handsomely Trimmed,</p>
      <p>Suitable for the present Season, $3 each, upwards.</p>
      <p>Sizes to suit the ages of 3 to 12 years.</p>
      <p><small>Also, the balance of their</small></p>
      <p style="font-weight: bold;"><big>Linen, Lawn, and<br>
Barege Suits.</big></p>
      <p>At exceedingly low prices.</p>
      <p>The above specially deserves the attention of those visiting
out city.</p>
      <p style="font-weight: bold;">BROADWAY,</p>
      <p style="font-weight: bold;">4th Avenue, 9th and 10th Streets.</p>
      </td>
    </tr>
    <tr>
      <td align="center">
      <p style="font-weight: bold;"><big><big>A. T. STEWART &amp; Co.</big></big></p>
      <p><small>have opened a large assortment of</small></p>
      <p style="font-weight: bold;"><big>PLAIN AND FANCY SILKS,</big></p>
      <p>Suitable for Autumn,</p>
      <p><small>From $1 per yard upward.</small></p>
      <p><big>Also, a case of Very Rich Satin Brocatelles,</big></p>
      <p>The choicest goods manufactured.</p>
      <p style="font-weight: bold;">BONNET'S, PONSON'S AND<br>
A. T. STEWART &amp; Co.'s</p>
      <p style="font-weight: bold;"><big>PLAIN BLACK SILKS,</big></p>
      <p><small>The handsomest goods imported.</small></p>
      <p style="font-weight: bold;"><big>TRIMMINGS, SILKS<br>
AND SATINS.</big></p>
      <p><small>In great variety,</small></p>
      <p><small>Cut to suit customers.</small></p>
      <p style="font-weight: bold;">BROADWAY,</p>
      <p style="font-weight: bold;">4TH AVE., 9TH AND 10TH STREETS.</p>
      </td>
    </tr>
  </tbody>
</table>
<table width="800" align="center" border="1" cellpadding="2"
 cellspacing="0">
  <tbody>
    <tr>
      <td rowspan="2" width="66%">
      <center> <img src="images/16.jpg" alt="">
      <p><b>DIVORCES READY MADE.</b></p>
      <p><i>Lawyer</i>&#8212;"A DIVORCE, MADAM?&#8212;CERTAINLY, BY ALL MEANS.<br>
BOY, GIVE THE LADY A DIVORCE."</p>
      </center>
      </td>
      <td align="center">"The Printing-House of the United States."<br>
      <br>
      <big><big><span style="font-weight: bold;">GEO.F.NESBITT &amp;
CO.,</span></big></big><br>
      <br>
      <span style="font-weight: bold;">General JOB PRINTERS,</span><br>
      <br>
BLANK BOOK Manufacturers,<br>
STATIONERS, Wholesale and Retail,<br>
LITHOGRAPHIC Engravers and Printers.<br>
COPPER-PLATE Engravers and Printers,<br>
CARD Manufacturers,<br>
ENVELOPE Manufacturers.<br>
FINE CUT and COLOR Printers.<br>
      <br>
      <span style="font-weight: bold;">163, 165, 167, and 169 PEARL ST.,</span><br
 style="font-weight: bold;">
      <span style="font-weight: bold;">73, 75, 77, and 79 PINE ST., New
York.</span><br>
      <br>
      <small>ADVANTAGES. All on the same premises, and under immediate
supervision of the proprietors.</small><br>
      </td>
    </tr>
    <tr>
      <td align="center"> <span style="font-weight: bold;">Tourists
and leisure Travelers</span><br>
      <small>will be glad to learn that the Erie Railway Company has
prepared</small><br>
      <br>
      <span style="font-weight: bold;">COMBINATION EXCURSION</span><br>
      <small><small>OR</small></small><br>
      <big><span style="font-weight: bold;">Round Trip Tickets,</span></big><br>
      <p><small>Valid during the entire season, and embracing Ithaca&#8212;
headwaters of Cayuga Lake&#8212;Niagara Falls, Lake Ontario, the River St.
Lawrence, Montreal, Quebec, Lake Champlain, Lake George, Saratoga, the
White Mountains and all principal points of interest in Northern New
York, the Canadas, and New England. Also similar Tickets at reduced
rates, through Lake Superior, enabling travelers to visit the
celebrated Iron Mountains and Copper Mines of that region. By applying
at the Offices of the Erie Railway Co., Nos. 241, 529 and 957 Broadway;
205 Chambers St.; 38 Greenwich St.; cor. 125th St. and Third Avenue,
Harlem; 338 Fulton St., Brooklyn; Depots foot of Chambers Street, and
foot of 23rd St., New York; No. 3 Exchange Place, and Long Dock Depot,
Jersey City, and the Agents at the principal hotels, travelers can
obtain just the Ticket they desire, as well as all the necessary
information.</small></p>
      </td>
    </tr>
    <tr>
      <td colspan="2">
      <center>
      <p><small>PRANG'S LATEST PUBLICATIONS: "Wild Flowers,"
"Water-Lilies," "Chas. Dickens."<br>
PRANG'S CHROMOS sold in all Art and Bookstores throughout the world.<br>
PRANG'S ILLUSTRATED CATALOGUE sent free on receipt of stamp.</small></p>
      <span style="font-weight: bold;">L. PRANG &amp; CO., Boston.</span>
      </center>
      </td>
    </tr>
  </tbody>
</table>
<table
 style="width: 800px; text-align: left; margin-left: auto; margin-right: auto;"
 border="1" cellpadding="2" cellspacing="0">
  <tbody>
    <tr>
      <td style="width: 50%;">
      <div style="text-align: center;"> <big><big><big><span
 style="font-weight: bold;">PUNCHINELLO.</span></big></big></big><br>
      <br>
      <small>With a large and varied experience in the management and
publication of a paper of the class herewith submitted, and with the
still more positive advantage of an Ample Capital to justify the
undertaking, the</small><br>
      <br>
      <span style="font-weight: bold;">PUNCHINELLO PUBLISHING CO</span>.<br>
      <br>
      <span style="font-weight: bold;">OF THE CITY OF NEW YORK,</span><br>
      <br>
Presents to the public for approval, the new<br>
      <br>
      <span style="font-weight: bold;">ILLUSTRATED HUMOROUS AND
SATIRICAL</span><br>
      <br>
      <small><span style="font-weight: bold;">WEEKLY PAPER,</span></small><br>
      <br>
      <big><big><span style="font-weight: bold;">PUNCHINELLO,</span></big></big><br>
      <br>
The first number of which was issued under<br>
date of April 2.<br>
      <br>
      <span style="font-weight: bold;">ORIGINAL ARTICLES,</span><br>
      <br>
      <div style="text-align: center;"> Suitable for the paper, and
Original Designs,, or suggestive ideas or sketches for illustrations,
upon the topics of the day, are always acceptable and will be paid for
liberally.<br>
      <br>
Rejected communications cannot be returned, unless postage stamps are
inclosed. </div>
      </div>
      <div style="text-align: center;"> <br>
TERMS:<br>
      <br>
One copy, per year, in advance ....................... $4.00<br>
      <br>
Single copies .......................................... .10<br>
      <br>
A specimen copy will be mailed free upon the receipt of ten cents.<br>
      <br>
One copy, with the Riverside Magazine, or any other<br>
magazine or paper, price, $2.50, for ................. 5.50<br>
      <br>
One copy, with any magazine or paper, price, $4, for.. 7.00 </div>
      <br>
      <div style="text-align: center;"> All communications,
remittances, etc., to be addressed to<br>
      <br>
      <span style="font-weight: bold;">PUNCHINELLO PUBLISHING CO.,</span><br>
      <br>
      <span style="font-weight: bold;">No 83 Nassau Street,</span><br
 style="font-weight: bold;">
      <br style="font-weight: bold;">
      <span style="font-weight: bold;">P. O. Box, 2783. NEW YORK.</span>
      </div>
      </td>
      <td style="text-align: center;">
      <p style="font-weight: bold;"><big><big>THE MYSTERY OF MR. E.
DROOD.</big></big></p>
      <p style="font-style: italic;">The New Burlesque Serial,</p>
      <p><big>Written expressly for PUNCHINELLO,</big></p>
      <p><small>BY</small></p>
      <p style="font-weight: bold;"><big>ORPHEUS C. KERR,</big></p>
      <p><small>Commenced in No. 11. will be continued weekly
throughout the year.</small></p>
      <p><small>A sketch of the eminent author, written by his bosom
friend, with superb illustrations of</small></p>
      <p>1ST. THE AUTHOR'S PALATIAL RESIDENCE AT BEGAD'S HILL,
TICKNOR'S FIELDS, NEW JERSEY.</p>
      <p>2ND. THE AUTHOR AT THE DOOR OF SAID PALATIAL RESIDENCE taken
as he appears "Every Saturday." will also be found in the same number.</p>
      <br>
      <p>Single Copies, for sale by all newsmen,<br>
(or mailed from this office, free,) Ten Cents.</p>
      <p>Subscription for One Year, one copy,<br>
with $2 Chromo Premium. $4.</p>
      <p><small>Those desirous of receiving the paper containing this
new serial, which promises to be the best ever written by ORPHEUS C.
KERR, should subscribe now, to insure its regular receipt weekly.</small></p>
      <p style="font-weight: bold;"><small>We will send the first Ten
Numbers of PUNCHINELLO to<br>
any one who wishes to see them, in view of subscribing, on<br>
the receipt of SIXTY CENTS.</small></p>
      <p>Address,</p>
      <p style="font-weight: bold;">PUNCHINELLO PUBLISHING COMPANY,</p>
      <p style="font-weight: bold;">P. O. Box 2783.</p>
      <p style="font-weight: bold;">83 Nassau St., New York.</p>
      </td>
    </tr>
  </tbody>
</table>
<br>
<center> GEO. W, WHEAT &amp; Co, PRINTER, NO. 8 SPRUCE STREET. </center>
<br>
<br>







<pre>





End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 25, September
17, 1870, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, VOL. 1, NO. 25 ***

***** This file should be named 10033-h.htm or 10033-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/0/0/3/10033/

Produced by Cornell University, Joshua Hutchinson, Steve Schulze and the Online Distributed Proofreading Team

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Each eBook is in a subdirectory of the same number as the eBook's
eBook number, often in several formats including plain vanilla ASCII,
compressed (zipped), HTML and others.

Corrected EDITIONS of our eBooks replace the old file and take over
the old filename and etext number.  The replaced older file is renamed.
VERSIONS based on separate sources are treated as new eBooks receiving
new filenames and etext numbers.

Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
are filed in directories based on their release date.  If you want to
download any of these eBooks directly, rather than using the regular
search system you may utilize the following addresses and just
download by the etext year.

     http://www.ibiblio.org/gutenberg/etext06

    (Or /etext 05, 04, 03, 02, 01, 00, 99,
     98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)

EBooks posted since November 2003, with etext numbers OVER #10000, are
filed in a different way.  The year of a release date is no longer part
of the directory path.  The path is based on the etext number (which is
identical to the filename).  The path to the file is made up of single
digits corresponding to all but the last digit in the filename.  For
example an eBook of filename 10234 would be found at:

     https://www.gutenberg.org/1/0/2/3/10234

or filename 24689 would be found at:
     https://www.gutenberg.org/2/4/6/8/24689

An alternative method of locating eBooks:
     https://www.gutenberg.org/GUTINDEX.ALL




</pre>

</body>
</html>