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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9562.txt b/9562.txt new file mode 100644 index 0000000..f2b2551 --- /dev/null +++ b/9562.txt @@ -0,0 +1,3460 @@ +Project Gutenberg EBook, Barclay of Ury, and Others, by Whittier +From Volume I., The Works of Whittier: Narrative and Legendary Poems +#7 in our series by John Greenleaf Whittier + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: Narrative and Legendary Poems: Barclay of Ury, and Others + From Volume I., The Works of Whittier + +Author: John Greenleaf Whittier + +Release Date: Dec, 2005 [EBook #9562] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on October 2, 2003] + + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, BARCLAY OF URI, ETC. *** + + + + +This eBook was produced by David Widger + + + + + + NARRATIVE AND LEGENDARY + + POEMS + + BY + JOHN GREENLEAF WHITTIER + + + + +CONTENTS: + +BARCLAY OF URY +THE ANGELS OF BUENA VISTA +THE LEGEND OF ST MARK +KATHLEEN +THE WELL OF LOCH MAREE +THE CHAPEL OF THE HERMITS +TAULER +THE HERMIT OF THE THEBAID +THE GARRISON OF CAPE ANN +THE GIFT OF TRITEMIUS +SKIPPER IRESON'S RIDE +THE SYCAMORES +THE PIPES AT LUCKNOW +TELLING THE BEES +THE SWAN SONG OF PARSON AVERY +THE DOUBLE-HEADED SNAKE OF NEWBURY + + + + + +BARCLAY OF URY. + +Among the earliest converts to the doctrines of Friends in Scotland was +Barclay of Ury, an old and distinguished soldier, who had fought under +Gustavus Adolphus, in Germany. As a Quaker, he became the object of +persecution and abuse at the hands of the magistrates and the populace. +None bore the indignities of the mob with greater patience and nobleness +of soul than this once proud gentleman and soldier. One of his friends, +on an occasion of uncommon rudeness, lamented that he should be treated +so harshly in his old age who had been so honored before. "I find more +satisfaction," said Barclay, "as well as honor, in being thus insulted +for my religious principles, than when, a few years ago, it was usual +for the magistrates, as I passed the city of Aberdeen, to meet me on the +road and conduct me to public entertainment in their hall, and then +escort me out again, to gain my favor." + +Up the streets of Aberdeen, +By the kirk and college green, +Rode the Laird of Ury; +Close behind him, close beside, +Foul of mouth and evil-eyed, +Pressed the mob in fury. + +Flouted him the drunken churl, +Jeered at him the serving-girl, +Prompt to please her master; +And the begging carlin, late +Fed and clothed at Ury's gate, +Cursed him as he passed her. + +Yet, with calm and stately mien, +Up the streets of Aberdeen +Came he slowly riding; +And, to all he saw and heard, +Answering not with bitter word, +Turning not for chiding. + +Came a troop with broadswords swinging, +Bits and bridles sharply ringing, +Loose and free and froward; +Quoth the foremost, "Ride him down! +Push him! prick him! through the town +Drive the Quaker coward!" + +But from out the thickening crowd +Cried a sudden voice and loud +"Barclay! Ho! a Barclay!" +And the old man at his side +Saw a comrade, battle tried, +Scarred and sunburned darkly; + +Who with ready weapon bare, +Fronting to the troopers there, +Cried aloud: "God save us, +Call ye coward him who stood +Ankle deep in Lutzen's blood, +With the brave Gustavus?" + +"Nay, I do not need thy sword, +Comrade mine," said Ury's lord; +"Put it up, I pray thee +Passive to His holy will, +Trust I in my Master still, +Even though He slay me. + +"Pledges of thy love and faith, +Proved on many a field of death, +Not by me are needed." +Marvelled much that henchman bold, +That his laird, so stout of old, +Now so meekly pleaded. + +"Woe's the day!" he sadly said, +With a slowly shaking head, +And a look of pity; +"Ury's honest lord reviled, +Mock of knave and sport of child, +In his own good city. + +"Speak the word, and, master mine, +As we charged on Tilly's[8] line, +And his Walloon lancers, +Smiting through their midst we'll teach +Civil look and decent speech +To these boyish prancers!" + +"Marvel not, mine ancient friend, +Like beginning, like the end:" +Quoth the Laird of Ury; +"Is the sinful servant more +Than his gracious Lord who bore +Bonds and stripes in Jewry? + +"Give me joy that in His name +I can bear, with patient frame, +All these vain ones offer; +While for them He suffereth long, +Shall I answer wrong with wrong, +Scoffing with the scoffer? + +"Happier I, with loss of all, +Hunted, outlawed, held in thrall, +With few friends to greet me, +Than when reeve and squire were seen, +Riding out from Aberdeen, +With bared heads to meet me. + +"When each goodwife, o'er and o'er, +Blessed me as I passed her door; +And the snooded daughter, +Through her casement glancing down, +Smiled on him who bore renown +From red fields of slaughter. + +"Hard to feel the stranger's scoff, +Hard the old friend's falling off, +Hard to learn forgiving; +But the Lord His own rewards, +And His love with theirs accords, +Warm and fresh and living. + +"Through this dark and stormy night +Faith beholds a feeble light +Up the blackness streaking; +Knowing God's own time is best, +In a patient hope I rest +For the full day-breaking!" + +So the Laird of Ury said, +Turning slow his horse's head +Towards the Tolbooth prison, +Where, through iron gates, he heard +Poor disciples of the Word +Preach of Christ arisen! + +Not in vain, Confessor old, +Unto us the tale is told +Of thy day of trial; +Every age on him who strays +From its broad and beaten ways +Pours its seven-fold vial. + +Happy he whose inward ear +Angel comfortings can hear, +O'er the rabble's laughter; +And while Hatred's fagots burn, +Glimpses through the smoke discern +Of the good hereafter. + +Knowing this, that never yet +Share of Truth was vainly set +In the world's wide fallow; +After hands shall sow the seed, +After hands from hill and mead +Reap the harvests yellow. + +Thus, with somewhat of the Seer, +Must the moral pioneer +From the Future borrow; +Clothe the waste with dreams of grain, +And, on midnight's sky of rain, +Paint the golden morrow! + + + + +THE ANGELS OF BUENA VISTA. + +A letter-writer from Mexico during the Mexican war, when detailing some +of the incidents at the terrible fight of Buena Vista, mentioned that +Mexican women were seen hovering near the field of death, for the +purpose of giving aid and succor to the wounded. One poor woman was +found surrounded by the maimed and suffering of both armies, ministering +to the wants of Americans as well as Mexicans, with impartial +tenderness. + +SPEAK and tell us, our Ximena, looking northward +far away, +O'er the camp of the invaders, o'er the Mexican +array, +Who is losing? who is winning? are they far or +come they near? +Look abroad, and tell us, sister, whither rolls the +storm we hear. +Down the hills of Angostura still the storm of +battle rolls; +Blood is flowing, men are dying; God have mercy +on their souls! +"Who is losing? who is winning?" Over hill +and over plain, +I see but smoke of cannon clouding through the +mountain rain." + +Holy Mother! keep our brothers! Look, Ximena, +look once more. +"Still I see the fearful whirlwind rolling darkly +as before, +Bearing on, in strange confusion, friend and foeman, +foot and horse, +Like some wild and troubled torrent sweeping +down its mountain course." + +Look forth once more, Ximena! "Ah! the smoke +has rolled away; +And I see the Northern rifles gleaming down the +ranks of gray. +Hark! that sudden blast of bugles! there the troop +of Minon wheels; +There the Northern horses thunder, with the cannon +at their heels. + +"Jesu, pity I how it thickens I now retreat and +now advance! +Bight against the blazing cannon shivers Puebla's +charging lance! +Down they go, the brave young riders; horse and +foot together fall; +Like a ploughshare in the fallow, through them +ploughs the Northern ball." + +Nearer came the storm and nearer, rolling fast and +frightful on! +Speak, Ximena, speak and tell us, who has lost, +and who has won? +Alas! alas! I know not; friend and foe together +fall, +O'er the dying rush the living: pray, my sisters, +for them all! + +"Lo! the wind the smoke is lifting. Blessed +Mother, save my brain! +I can see the wounded crawling slowly out from +heaps of slain. +Now they stagger, blind and bleeding; now they +fall, and strive to rise; +Hasten, sisters, haste and save them, lest they die +before our eyes! + +"O my hearts love! O my dear one! lay thy +poor head on my knee; +Dost thou know the lips that kiss thee? Canst +thou hear me? canst thou see? +O my husband, brave and gentle! O my Bernal, +look once more +On the blessed cross before thee! Mercy! +all is o'er!" + +Dry thy tears, my poor Ximena; lay thy dear one +down to rest; +Let his hands be meekly folded, lay the cross upon +his breast; +Let his dirge be sung hereafter, and his funeral +masses said; +To-day, thou poor bereaved one, the living ask thy +aid. + +Close beside her, faintly moaning, fair and young, +a soldier lay, +Torn with shot and pierced with lances, bleeding +slow his life away; +But, as tenderly before him the lorn Ximena knelt, +She saw the Northern eagle shining on his pistol- +belt. + +With a stifled cry of horror straight she turned +away her head; +With a sad and bitter feeling looked she back upon +her dead; +But she heard the youth's low moaning, and his +struggling breath of pain, +And she raised the cooling water to his parching +lips again. + +Whispered low the dying soldier, pressed her hand +and faintly smiled; +Was that pitying face his mother's? did she watch +beside her child? +All his stranger words with meaning her woman's +heart supplied; +With her kiss upon his forehead, "Mother!" +murmured he, and died! + +"A bitter curse upon them, poor boy, who led thee +forth, +From some gentle, sad-eyed mother, weeping, lonely, +in the North!" +Spake the mournful Mexic woman, as she laid him +with her dead, +And turned to soothe the living, and bind the +wounds which bled. + +"Look forth once more, Ximena!" Like a cloud +before the wind +Rolls the battle down the mountains, leaving blood +and death behind; +Ah! they plead in vain for mercy; in the dust the +wounded strive; +"Hide your faces, holy angels! O thou Christ of +God, forgive!" + +Sink, O Night, among thy mountains! let the cool, +gray shadows fall; +Dying brothers, fighting demons, drop thy curtain +over all! +Through the thickening winter twilight, wide apart +the battle rolled, +In its sheath the sabre rested, and the cannon's +lips grew cold. + +But the noble Mexic women still their holy task +pursued, +Through that long, dark night of sorrow, worn and +faint and lacking food. +Over weak and suffering brothers, with a tender +care they hung, +And the dying foeman blessed them in a strange +and Northern tongue. + +Not wholly lost, O Father! is this evil world of +ours; +Upward, through its blood and ashes, spring afresh +the Eden flowers; +From its smoking hell of battle, Love and Pity +send their prayer, +And still thy white-winged angels hover dimly in +our air! +1847. + + + + +THE LEGEND OF ST. MARK. + +"This legend [to which my attention was called by my friend Charles +Sumner], is the subject of a celebrated picture by Tintoretto, of which +Mr. Rogers possesses the original sketch. The slave lies on the ground, +amid a crowd of spectators, who look on, animated by all the various +emotions of sympathy, rage, terror; a woman, in front, with a child in +her arms, has always been admired for the lifelike vivacity of her +attitude and expression. The executioner holds up the broken implements; +St. Mark, with a headlong movement, seems to rush down from heaven in +haste to save his worshipper. The dramatic grouping in this picture is +wonderful; the coloring, in its gorgeous depth and harmony, is, in Mr. +Rogers's sketch, finer than in the picture."--MRS. JAMESON'S Sacred and +Legendary Art, I. 154. + +THE day is closing dark and cold, +With roaring blast and sleety showers; +And through the dusk the lilacs wear +The bloom of snow, instead of flowers. + +I turn me from the gloom without, +To ponder o'er a tale of old; +A legend of the age of Faith, +By dreaming monk or abbess told. + +On Tintoretto's canvas lives +That fancy of a loving heart, +In graceful lines and shapes of power, +And hues immortal as his art. + +In Provence (so the story runs) +There lived a lord, to whom, as slave, +A peasant-boy of tender years +The chance of trade or conquest gave. + +Forth-looking from the castle tower, +Beyond the hills with almonds dark, +The straining eye could scarce discern +The chapel of the good St. Mark. + +And there, when bitter word or fare +The service of the youth repaid, +By stealth, before that holy shrine, +For grace to bear his wrong, he prayed. + +The steed stamped at the castle gate, +The boar-hunt sounded on the hill; +Why stayed the Baron from the chase, +With looks so stern, and words so ill? + +"Go, bind yon slave! and let him learn, +By scath of fire and strain of cord, +How ill they speed who give dead saints +The homage due their living lord!" + +They bound him on the fearful rack, +When, through the dungeon's vaulted dark, +He saw the light of shining robes, +And knew the face of good St. Mark. + +Then sank the iron rack apart, +The cords released their cruel clasp, +The pincers, with their teeth of fire, +Fell broken from the torturer's grasp. + +And lo! before the Youth and Saint, +Barred door and wall of stone gave way; +And up from bondage and the night +They passed to freedom and the day! + +O dreaming monk! thy tale is true; +O painter! true thy pencil's art; +in tones of hope and prophecy, +Ye whisper to my listening heart! + +Unheard no burdened heart's appeal +Moans up to God's inclining ear; +Unheeded by his tender eye, +Falls to the earth no sufferer's tear. + +For still the Lord alone is God +The pomp and power of tyrant man +Are scattered at his lightest breath, +Like chaff before the winnower's fan. + +Not always shall the slave uplift +His heavy hands to Heaven in vain. +God's angel, like the good St. Mark, +Comes shining down to break his chain! + +O weary ones! ye may not see +Your helpers in their downward flight; +Nor hear the sound of silver wings +Slow beating through the hush of night! + +But not the less gray Dothan shone, +With sunbright watchers bending low, +That Fear's dim eye beheld alone +The spear-heads of the Syrian foe. + +There are, who, like the Seer of old, +Can see the helpers God has sent, +And how life's rugged mountain-side +Is white with many an angel tent! + +They hear the heralds whom our Lord +Sends down his pathway to prepare; +And light, from others hidden, shines +On their high place of faith and prayer. + +Let such, for earth's despairing ones, +Hopeless, yet longing to be free, +Breathe once again the Prophet's prayer +"Lord, ope their eyes, that they may see!" +1849. + + + + +KATHLEEN. + +This ballad was originally published in my prose work, Leaves from +Margaret Smith's Journal, as the song of a wandering Milesian +schoolmaster. In the seventeenth century, slavery in the New World was +by no means confined to the natives of Africa. Political offenders and +criminals were transported by the British government to the plantations +of Barbadoes and Virginia, where they were sold like cattle in the +market. Kidnapping of free and innocent white persons was practised to a +considerable extent in the seaports of the United Kingdom. + +O NORAH, lay your basket down, +And rest your weary hand, +And come and hear me sing a song +Of our old Ireland. + +There was a lord of Galaway, +A mighty lord was he; +And he did wed a second wife, +A maid of low degree. + +But he was old, and she was young, +And so, in evil spite, +She baked the black bread for his kin, +And fed her own with white. + +She whipped the maids and starved the kern, +And drove away the poor; +"Ah, woe is me!" the old lord said, +"I rue my bargain sore!" + +This lord he had a daughter fair, +Beloved of old and young, +And nightly round the shealing-fires +Of her the gleeman sung. + +"As sweet and good is young Kathleen +As Eve before her fall;" +So sang the harper at the fair, +So harped he in the hall. + +"Oh, come to me, my daughter dear! +Come sit upon my knee, +For looking in your face, Kathleen, +Your mother's own I see!" + +He smoothed and smoothed her hair away, +He kissed her forehead fair; +"It is my darling Mary's brow, +It is my darling's hair!" + +Oh, then spake up the angry dame, +"Get up, get up," quoth she, +"I'll sell ye over Ireland, +I'll sell ye o'er the sea!" + +She clipped her glossy hair away, +That none her rank might know; +She took away her gown of silk, +And gave her one of tow, + +And sent her down to Limerick town +And to a seaman sold +This daughter of an Irish lord +For ten good pounds in gold. + +The lord he smote upon his breast, +And tore his beard so gray; +But he was old, and she was young, +And so she had her way. + +Sure that same night the Banshee howled +To fright the evil dame, +And fairy folks, who loved Kathleen, +With funeral torches came. + +She watched them glancing through the trees, +And glimmering down the hill; +They crept before the dead-vault door, +And there they all stood still! + +"Get up, old man! the wake-lights shine!" +"Ye murthering witch," quoth he, +"So I'm rid of your tongue, I little care +If they shine for you or me." + +"Oh, whoso brings my daughter back, +My gold and land shall have!" +Oh, then spake up his handsome page, +"No gold nor land I crave! + +"But give to me your daughter dear, +Give sweet Kathleen to me, +Be she on sea or be she on land, +I'll bring her back to thee." + +"My daughter is a lady born, +And you of low degree, +But she shall be your bride the day +You bring her back to me." + +He sailed east, he sailed west, +And far and long sailed he, +Until he came to Boston town, +Across the great salt sea. + +"Oh, have ye seen the young Kathleen, +The flower of Ireland? +Ye'll know her by her eyes so blue, +And by her snow-white hand!" + +Out spake an ancient man, "I know +The maiden whom ye mean; +I bought her of a Limerick man, +And she is called Kathleen. + +"No skill hath she in household work, +Her hands are soft and white, +Yet well by loving looks and ways +She doth her cost requite." + +So up they walked through Boston town, +And met a maiden fair, +A little basket on her arm +So snowy-white and bare. + +"Come hither, child, and say hast thou +This young man ever seen?" +They wept within each other's arms, +The page and young Kathleen. + +"Oh give to me this darling child, +And take my purse of gold." +"Nay, not by me," her master said, +"Shall sweet Kathleen be sold. + +"We loved her in the place of one +The Lord hath early ta'en; +But, since her heart's in Ireland, +We give her back again!" + +Oh, for that same the saints in heaven +For his poor soul shall pray, +And Mary Mother wash with tears +His heresies away. + +Sure now they dwell in Ireland; +As you go up Claremore +Ye'll see their castle looking down +The pleasant Galway shore. + +And the old lord's wife is dead and gone, +And a happy man is he, +For he sits beside his own Kathleen, +With her darling on his knee. +1849. + + + + +THE WELL OF LOCH MAREE + +Pennant, in his Voyage to the Hebrides, describes the holy well of Loch +Maree, the waters of which were supposed to effect a miraculous cure of +melancholy, trouble, and insanity. + +CALM on the breast of Loch Maree +A little isle reposes; +A shadow woven of the oak +And willow o'er it closes. + +Within, a Druid's mound is seen, +Set round with stony warders; +A fountain, gushing through the turf, +Flows o'er its grassy borders. + +And whoso bathes therein his brow, +With care or madness burning, +Feels once again his healthful thought +And sense of peace returning. + +O restless heart and fevered brain, +Unquiet and unstable, +That holy well of Loch Maree +Is more than idle fable! + +Life's changes vex, its discords stun, +Its glaring sunshine blindeth, +And blest is he who on his way +That fount of healing findeth! + +The shadows of a humbled will +And contrite heart are o'er it; +Go read its legend, "TRUST IN GOD," +On Faith's white stones before it. +1850. + + + + +THE CHAPEL OF THE HERMITS. + +The incident upon which this poem is based is related in a note to +Bernardin Henri Saint Pierre's Etudes de la Nature. "We arrived at the +habitation of the Hermits a little before they sat down to their table, +and while they were still at church. J. J. Rousseau proposed to me to +offer up our devotions. The hermits were reciting the Litanies of +Providence, which are remarkably beautiful. After we had addressed our +prayers to God, and the hermits were proceeding to the refectory, +Rousseau said to me, with his heart overflowing, 'At this moment I +experience what is said in the gospel: Where two or three are gathered +together in my name, there am I in the midst of them. There is here a +feeling of peace and happiness which penetrates the soul.' I said, 'If +Finelon had lived, you would have been a Catholic.' He exclaimed, with +tears in his eyes, 'Oh, if Finelon were alive, I would struggle to get +into his service, even as a lackey!'" In my sketch of Saint Pierre, it +will be seen that I have somewhat antedated the period of his old age. +At that time he was not probably more than fifty. In describing him, I +have by no means exaggerated his own history of his mental condition at +the period of the story. In the fragmentary Sequel to his Studies of +Nature, he thus speaks of himself: "The ingratitude of those of whom I +had deserved kindness, unexpected family misfortunes, the total loss of +my small patrimony through enterprises solely undertaken for the benefit +of my country, the debts under which I lay oppressed, the blasting of +all my hopes,--these combined calamities made dreadful inroads upon my +health and reason. . . . I found it impossible to continue in a room +where there was company, especially if the doors were shut. I could not +even cross an alley in a public garden, if several persons had got +together in it. When alone, my malady subsided. I felt myself likewise +at ease in places where I saw children only. At the sight of any one +walking up to the place where I was, I felt my whole frame agitated, and +retired. I often said to myself, 'My sole study has been to merit well +of mankind; why do I fear them?'" + +He attributes his improved health of mind and body to the counsels of +his friend, J. J. Rousseau. "I renounced," says he, "my books. I threw +my eyes upon the works of nature, which spake to all my senses a +language which neither time nor nations have it in their power to alter. +Thenceforth my histories and my journals were the herbage of the fields +and meadows. My thoughts did not go forth painfully after them, as in +the case of human systems; but their thoughts, under a thousand engaging +forms, quietly sought me. In these I studied, without effort, the laws +of that Universal Wisdom which had surrounded me from the cradle, but on +which heretofore I had bestowed little attention." + +Speaking of Rousseau, he says: "I derived inexpressible satisfaction +from his society. What I prized still more than his genius was his +probity. He was one of the few literary characters, tried in the furnace +of affliction, to whom you could, with perfect security, confide your +most secret thoughts. . . . Even when he deviated, and became the victim +of himself or of others, he could forget his own misery in devotion to +the welfare of mankind. He was uniformly the advocate of the miserable. +There might be inscribed on his tomb these affecting words from that +Book of which he carried always about him some select passages, during +the last years of his life: 'His sins, which are many, are forgiven, for +he loved much.'" + +"I DO believe, and yet, in grief, +I pray for help to unbelief; +For needful strength aside to lay +The daily cumberings of my way. + +"I 'm sick at heart of craft and cant, +Sick of the crazed enthusiast's rant, +Profession's smooth hypocrisies, +And creeds of iron, and lives of ease. + +"I ponder o'er the sacred word, +I read the record of our Lord; +And, weak and troubled, envy them +Who touched His seamless garment's hem; + +"Who saw the tears of love He wept +Above the grave where Lazarus slept; +And heard, amidst the shadows dim +Of Olivet, His evening hymn. + +"How blessed the swineherd's low estate, +The beggar crouching at the gate, +The leper loathly and abhorred, +Whose eyes of flesh beheld the Lord! + +"O sacred soil His sandals pressed! +Sweet fountains of His noonday rest! +O light and air of Palestine, +Impregnate with His life divine! + +"Oh, bear me thither! Let me look +On Siloa's pool, and Kedron's brook; +Kneel at Gethsemane, and by +Gennesaret walk, before I die! + +"Methinks this cold and northern night +Would melt before that Orient light; +And, wet by Hermon's dew and rain, +My childhood's faith revive again!" + +So spake my friend, one autumn day, +Where the still river slid away +Beneath us, and above the brown +Red curtains of the woods shut down. + +Then said I,--for I could not brook +The mute appealing of his look,-- +"I, too, am weak, and faith is small, +And blindness happeneth unto all. + +"Yet, sometimes glimpses on my sight, +Through present wrong, the eternal right; +And, step by step, since time began, +I see the steady gain of man; + +"That all of good the past hath had +Remains to make our own time glad, +Our common daily life divine, +And every land a Palestine. + +"Thou weariest of thy present state; +What gain to thee time's holiest date? +The doubter now perchance had been +As High Priest or as Pilate then! + +"What thought Chorazin's scribes? What faith +In Him had Nain and Nazareth? +Of the few followers whom He led +One sold Him,--all forsook and fled. + +"O friend! we need nor rock nor sand, +Nor storied stream of Morning-Land; +The heavens are glassed in Merrimac,-- +What more could Jordan render back? + +"We lack but open eye and ear +To find the Orient's marvels here; +The still small voice in autumn's hush, +Yon maple wood the burning bush. + +"For still the new transcends the old, +In signs and tokens manifold; +Slaves rise up men; the olive waves, +With roots deep set in battle graves! + +"Through the harsh noises of our day +A low, sweet prelude finds its way; +Through clouds of doubt, and creeds of fear, +A light is breaking, calm and clear. + +"That song of Love, now low and far, +Erelong shall swell from star to star! +That light, the breaking day, which tips +The golden-spired Apocalypse!" + +Then, when my good friend shook his head, +And, sighing, sadly smiled, I said: +"Thou mind'st me of a story told +In rare Bernardin's leaves of gold." + +And while the slanted sunbeams wove +The shadows of the frost-stained grove, +And, picturing all, the river ran +O'er cloud and wood, I thus began:-- + + . . . . . . . . . . . . . + +In Mount Valerien's chestnut wood +The Chapel of the Hermits stood; +And thither, at the close of day, +Came two old pilgrims, worn and gray. + +One, whose impetuous youth defied +The storms of Baikal's wintry side, +And mused and dreamed where tropic day +Flamed o'er his lost Virginia's bay. + +His simple tale of love and woe +All hearts had melted, high or low;-- +A blissful pain, a sweet distress, +Immortal in its tenderness. + +Yet, while above his charmed page +Beat quick the young heart of his age, +He walked amidst the crowd unknown, +A sorrowing old man, strange and lone. + +A homeless, troubled age,--the gray +Pale setting of a weary day; +Too dull his ear for voice of praise, +Too sadly worn his brow for bays. + +Pride, lust of power and glory, slept; +Yet still his heart its young dream kept, +And, wandering like the deluge-dove, +Still sought the resting-place of love. + +And, mateless, childless, envied more +The peasant's welcome from his door +By smiling eyes at eventide, +Than kingly gifts or lettered pride. + +Until, in place of wife and child, +All-pitying Nature on him smiled, +And gave to him the golden keys +To all her inmost sanctities. + +Mild Druid of her wood-paths dim! +She laid her great heart bare to him, +Its loves and sweet accords;--he saw +The beauty of her perfect law. + +The language of her signs lie knew, +What notes her cloudy clarion blew; +The rhythm of autumn's forest dyes, +The hymn of sunset's painted skies. + +And thus he seemed to hear the song +Which swept, of old, the stars along; +And to his eyes the earth once more +Its fresh and primal beauty wore. + +Who sought with him, from summer air, +And field and wood, a balm for care; +And bathed in light of sunset skies +His tortured nerves and weary eyes? + +His fame on all the winds had flown; +His words had shaken crypt and throne; +Like fire, on camp and court and cell +They dropped, and kindled as they fell. + +Beneath the pomps of state, below +The mitred juggler's masque and show, +A prophecy, a vague hope, ran +His burning thought from man to man. + +For peace or rest too well he saw +The fraud of priests, the wrong of law, +And felt how hard, between the two, +Their breath of pain the millions drew. + +A prophet-utterance, strong and wild, +The weakness of an unweaned child, +A sun-bright hope for human-kind, +And self-despair, in him combined. + +He loathed the false, yet lived not true +To half the glorious truths he knew; +The doubt, the discord, and the sin, +He mourned without, he felt within. + +Untrod by him the path he showed, +Sweet pictures on his easel glowed +Of simple faith, and loves of home, +And virtue's golden days to come. + +But weakness, shame, and folly made +The foil to all his pen portrayed; +Still, where his dreamy splendors shone, +The shadow of himself was thrown. + +Lord, what is man, whose thought, at times, +Up to Thy sevenfold brightness climbs, +While still his grosser instinct clings +To earth, like other creeping things! + +So rich in words, in acts so mean; +So high, so low; chance-swung between +The foulness of the penal pit +And Truth's clear sky, millennium-lit! + +Vain, pride of star-lent genius!--vain, +Quick fancy and creative brain, +Unblest by prayerful sacrifice, +Absurdly great, or weakly wise! + +Midst yearnings for a truer life, +Without were fears, within was strife; +And still his wayward act denied +The perfect good for which he sighed. + +The love he sent forth void returned; +The fame that crowned him scorched and burned, +Burning, yet cold and drear and lone,-- +A fire-mount in a frozen zone! + +Like that the gray-haired sea-king passed,[9] +Seen southward from his sleety mast, +About whose brows of changeless frost +A wreath of flame the wild winds tossed. + +Far round the mournful beauty played +Of lambent light and purple shade, +Lost on the fixed and dumb despair +Of frozen earth and sea and air! + +A man apart, unknown, unloved +By those whose wrongs his soul had moved, +He bore the ban of Church and State, +The good man's fear, the bigot's hate! + +Forth from the city's noise and throng, +Its pomp and shame, its sin and wrong, +The twain that summer day had strayed +To Mount Valerien's chestnut shade. + +To them the green fields and the wood +Lent something of their quietude, +And golden-tinted sunset seemed +Prophetical of all they dreamed. + +The hermits from their simple cares +The bell was calling home to prayers, +And, listening to its sound, the twain +Seemed lapped in childhood's trust again. + +Wide open stood the chapel door; +A sweet old music, swelling o'er +Low prayerful murmurs, issued thence,-- +The Litanies of Providence! + +Then Rousseau spake: "Where two or three +In His name meet, He there will be!" +And then, in silence, on their knees +They sank beneath the chestnut-trees. + +As to the blind returning light, +As daybreak to the Arctic night, +Old faith revived; the doubts of years +Dissolved in reverential tears. + +That gush of feeling overpast, +"Ah me!" Bernardin sighed at last, +I would thy bitterest foes could see +Thy heart as it is seen of me! + +"No church of God hast thou denied; +Thou hast but spurned in scorn aside +A bare and hollow counterfeit, +Profaning the pure name of it! + +"With dry dead moss and marish weeds +His fire the western herdsman feeds, +And greener from the ashen plain +The sweet spring grasses rise again. + +"Nor thunder-peal nor mighty wind +Disturb the solid sky behind; +And through the cloud the red bolt rends +The calm, still smile of Heaven descends. + +"Thus through the world, like bolt and blast, +And scourging fire, thy words have passed. +Clouds break,--the steadfast heavens remain; +Weeds burn,--the ashes feed the grain! + +"But whoso strives with wrong may find +Its touch pollute, its darkness blind; +And learn, as latent fraud is shown +In others' faith, to doubt his own. + +"With dream and falsehood, simple trust +And pious hope we tread in dust; +Lost the calm faith in goodness,--lost +The baptism of the Pentecost! + +"Alas!--the blows for error meant +Too oft on truth itself are spent, +As through the false and vile and base +Looks forth her sad, rebuking face. + +"Not ours the Theban's charmed life; +We come not scathless from the strife! +The Python's coil about us clings, +The trampled Hydra bites and stings! + +"Meanwhile, the sport of seeming chance, +The plastic shapes of circumstance, +What might have been we fondly guess, +If earlier born, or tempted less. + +"And thou, in these wild, troubled days, +Misjudged alike in blame and praise, +Unsought and undeserved the same +The skeptic's praise, the bigot's blame;-- + +"I cannot doubt, if thou hadst been +Among the highly favored men +Who walked on earth with Fenelon, +He would have owned thee as his son; + +"And, bright with wings of cherubim +Visibly waving over him, +Seen through his life, the Church had seemed +All that its old confessors dreamed." + +"I would have been," Jean Jaques replied, +"The humblest servant at his side, +Obscure, unknown, content to see +How beautiful man's life may be! + +"Oh, more than thrice-blest relic, more +Than solemn rite or sacred lore, +The holy life of one who trod +The foot-marks of the Christ of God! + +"Amidst a blinded world he saw +The oneness of the Dual law; +That Heaven's sweet peace on Earth began, +And God was loved through love of man. + +"He lived the Truth which reconciled +The strong man Reason, Faith the child; +In him belief and act were one, +The homilies of duty done!" + +So speaking, through the twilight gray +The two old pilgrims went their way. +What seeds of life that day were sown, +The heavenly watchers knew alone. + +Time passed, and Autumn came to fold +Green Summer in her brown and gold; +Time passed, and Winter's tears of snow +Dropped on the grave-mound of Rousseau. + +"The tree remaineth where it fell, +The pained on earth is pained in hell!" +So priestcraft from its altars cursed +The mournful doubts its falsehood nursed. + +Ah! well of old the Psalmist prayed, +"Thy hand, not man's, on me be laid!" +Earth frowns below, Heaven weeps above, +And man is hate, but God is love! + +No Hermits now the wanderer sees, +Nor chapel with its chestnut-trees; +A morning dream, a tale that's told, +The wave of change o'er all has rolled. + +Yet lives the lesson of that day; +And from its twilight cool and gray +Comes up a low, sad whisper, "Make +The truth thine own, for truth's own sake. + +"Why wait to see in thy brief span +Its perfect flower and fruit in man? +No saintly touch can save; no balm +Of healing hath the martyr's palm. + +"Midst soulless forms, and false pretence +Of spiritual pride and pampered sense, +A voice saith, 'What is that to thee? +Be true thyself, and follow Me! + +"In days when throne and altar heard +The wanton's wish, the bigot's word, +And pomp of state and ritual show +Scarce hid the loathsome death below,-- + +"Midst fawning priests and courtiers foul, +The losel swarm of crown and cowl, +White-robed walked Francois Fenelon, +Stainless as Uriel in the sun! + +"Yet in his time the stake blazed red, +The poor were eaten up like bread +Men knew him not; his garment's hem +No healing virtue had for them. + +"Alas! no present saint we find; +The white cymar gleams far behind, +Revealed in outline vague, sublime, +Through telescopic mists of time! + +"Trust not in man with passing breath, +But in the Lord, old Scripture saith; +The truth which saves thou mayst not blend +With false professor, faithless friend. + +"Search thine own heart. What paineth thee +In others in thyself may be; +All dust is frail, all flesh is weak; +Be thou the true man thou dost seek! + +"Where now with pain thou treadest, trod +The whitest of the saints of God! +To show thee where their feet were set, +the light which led them shineth yet. + +"The footprints of the life divine, +Which marked their path, remain in thine; +And that great Life, transfused in theirs, +Awaits thy faith, thy love, thy prayers!" + +A lesson which I well may heed, +A word of fitness to my need; +So from that twilight cool and gray +Still saith a voice, or seems to say. + +We rose, and slowly homeward turned, +While down the west the sunset burned; +And, in its light, hill, wood, and tide, +And human forms seemed glorified. + +The village homes transfigured stood, +And purple bluffs, whose belting wood +Across the waters leaned to hold +The yellow leaves like lamps of hold. + +Then spake my friend: "Thy words are true; +Forever old, forever new, +These home-seen splendors are the same +Which over Eden's sunsets came. + +"To these bowed heavens let wood and hill +Lift voiceless praise and anthem still; +Fall, warm with blessing, over them, +Light of the New Jerusalem! + +"Flow on, sweet river, like the stream +Of John's Apocalyptic dream +This mapled ridge shall Horeb be, +Yon green-banked lake our Galilee! + +"Henceforth my heart shall sigh no more +For olden time and holier shore; +God's love and blessing, then and there, +Are now and here and everywhere." +1851. + + + + +TAULER. + +TAULER, the preacher, walked, one autumn day, +Without the walls of Strasburg, by the Rhine, +Pondering the solemn Miracle of Life; +As one who, wandering in a starless night, +Feels momently the jar of unseen waves, +And hears the thunder of an unknown sea, +Breaking along an unimagined shore. + +And as he walked he prayed. Even the same +Old prayer with which, for half a score of years, +Morning, and noon, and evening, lip and heart +Had groaned: "Have pity upon me, Lord! +Thou seest, while teaching others, I am blind. +Send me a man who can direct my steps!" + +Then, as he mused, he heard along his path +A sound as of an old man's staff among +The dry, dead linden-leaves; and, looking up, +He saw a stranger, weak, and poor, and old. + +"Peace be unto thee, father!" Tauler said, +"God give thee a good day!" The old man raised +Slowly his calm blue eyes. "I thank thee, son; +But all my days are good, and none are ill." + +Wondering thereat, the preacher spake again, +"God give thee happy life." The old man smiled, +"I never am unhappy." + + Tauler laid +His hand upon the stranger's coarse gray sleeve +"Tell me, O father, what thy strange words mean. +Surely man's days are evil, and his life +Sad as the grave it leads to." "Nay, my son, +Our times are in God's hands, and all our days +Are as our needs; for shadow as for sun, +For cold as heat, for want as wealth, alike +Our thanks are due, since that is best which is; +And that which is not, sharing not His life, +Is evil only as devoid of good. +And for the happiness of which I spake, +I find it in submission to his will, +And calm trust in the holy Trinity +Of Knowledge, Goodness, and Almighty Power." + +Silently wondering, for a little space, +Stood the great preacher; then he spake as one +Who, suddenly grappling with a haunting thought +Which long has followed, whispering through the dark +Strange terrors, drags it, shrieking, into light +"What if God's will consign thee hence to Hell?" + +"Then," said the stranger, cheerily, "be it so. +What Hell may be I know not; this I know,-- +I cannot lose the presence of the Lord. +One arm, Humility, takes hold upon +His dear Humanity; the other, Love, +Clasps his Divinity. So where I go +He goes; and better fire-walled Hell with Him +Than golden-gated Paradise without." + +Tears sprang in Tauler's eyes. A sudden light, +Like the first ray which fell on chaos, clove +Apart the shadow wherein he had walked +Darkly at noon. And, as the strange old man +Went his slow way, until his silver hair +Set like the white moon where the hills of vine +Slope to the Rhine, he bowed his head and said +"My prayer is answered. God hath sent the man +Long sought, to teach me, by his simple trust, +Wisdom the weary schoolmen never knew." + +So, entering with a changed and cheerful step +The city gates, he saw, far down the street, +A mighty shadow break the light of noon, +Which tracing backward till its airy lines +Hardened to stony plinths, he raised his eyes +O'er broad facade and lofty pediment, +O'er architrave and frieze and sainted niche, +Up the stone lace-work chiselled by the wise +Erwin of Steinbach, dizzily up to where +In the noon-brightness the great Minster's tower, +Jewelled with sunbeams on its mural crown, +Rose like a visible prayer. "Behold!" he said, +"The stranger's faith made plain before mine eyes. +As yonder tower outstretches to the earth +The dark triangle of its shade alone +When the clear day is shining on its top, +So, darkness in the pathway of Man's life +Is but the shadow of God's providence, +By the great Sun of Wisdom cast thereon; +And what is dark below is light in Heaven." +1853. + + + + +THE HERMIT OF THE THEBAID. + +O STRONG, upwelling prayers of faith, +From inmost founts of life ye start,-- +The spirit's pulse, the vital breath +Of soul and heart! + +From pastoral toil, from traffic's din, +Alone, in crowds, at home, abroad, +Unheard of man, ye enter in +The ear of God. + +Ye brook no forced and measured tasks, +Nor weary rote, nor formal chains; +The simple heart, that freely asks +In love, obtains. + +For man the living temple is +The mercy-seat and cherubim, +And all the holy mysteries, +He bears with him. + +And most avails the prayer of love, +Which, wordless, shapes itself in needs, +And wearies Heaven for naught above +Our common needs. + +Which brings to God's all-perfect will +That trust of His undoubting child +Whereby all seeming good and ill +Are reconciled. + +And, seeking not for special signs +Of favor, is content to fall +Within the providence which shines +And rains on all. + +Alone, the Thebaid hermit leaned +At noontime o'er the sacred word. +Was it an angel or a fiend +Whose voice be heard? + +It broke the desert's hush of awe, +A human utterance, sweet and mild; +And, looking up, the hermit saw +A little child. + +A child, with wonder-widened eyes, +O'erawed and troubled by the sight +Of hot, red sands, and brazen skies, +And anchorite. + +"'What dost thou here, poor man? No shade +Of cool, green palms, nor grass, nor well, +Nor corn, nor vines." The hermit said +"With God I dwell. + +"Alone with Him in this great calm, +I live not by the outward sense; +My Nile his love, my sheltering palm +His providence." + +The child gazed round him. "Does God live +Here only?--where the desert's rim +Is green with corn, at morn and eve, +We pray to Him. + +"My brother tills beside the Nile +His little field; beneath the leaves +My sisters sit and spin, the while +My mother weaves. + +"And when the millet's ripe heads fall, +And all the bean-field hangs in pod, +My mother smiles, and, says that all +Are gifts from God." + +Adown the hermit's wasted cheeks +Glistened the flow of human tears; +"Dear Lord!" he said, "Thy angel speaks, +Thy servant hears." + +Within his arms the child he took, +And thought of home and life with men; +And all his pilgrim feet forsook +Returned again. + +The palmy shadows cool and long, +The eyes that smiled through lavish locks, +Home's cradle-hymn and harvest-song, +And bleat of flocks. + +"O child!" he said, "thou teachest me +There is no place where God is not; +That love will make, where'er it be, +A holy spot." + +He rose from off the desert sand, +And, leaning on his staff of thorn, +Went with the young child hand in hand, +Like night with morn. + +They crossed the desert's burning line, +And heard the palm-tree's rustling fan, +The Nile-bird's cry, the low of kine, +And voice of man. + +Unquestioning, his childish guide +He followed, as the small hand led +To where a woman, gentle-eyed, +Her distaff fed. + +She rose, she clasped her truant boy, +She thanked the stranger with her eyes; +The hermit gazed in doubt and joy +And dumb surprise. + +And to!--with sudden warmth and light +A tender memory thrilled his frame; +New-born, the world-lost anchorite +A man became. + +"O sister of El Zara's race, +Behold me!--had we not one mother?" +She gazed into the stranger's face +"Thou art my brother!" + +"And when to share our evening meal, +She calls the stranger at the door, +She says God fills the hands that deal +Food to the poor." + +"O kin of blood! Thy life of use +And patient trust is more than mine; +And wiser than the gray recluse +This child of thine. + +"For, taught of him whom God hath sent, +That toil is praise, and love is prayer, +I come, life's cares and pains content +With thee to share." + +Even as his foot the threshold crossed, +The hermit's better life began; +Its holiest saint the Thebaid lost, +And found a man! +1854. + + + + +MAUD MULLER. + +The recollection of some descendants of a Hessian deserter in the +Revolutionary war bearing the name of Muller doubtless suggested the +somewhat infelicitous title of a New England idyl. The poem had no real +foundation in fact, though a hint of it may have been found in recalling +an incident, trivial in itself, of a journey on the picturesque Maine +seaboard with my sister some years before it was written. We had stopped +to rest our tired horse under the shade of an apple-tree, and refresh +him with water from a little brook which rippled through the stone wall +across the road. A very beautiful young girl in scantest summer attire +was at work in the hay-field, and as we talked with her we noticed that +she strove to hide her bare feet by raking hay over them, blushing as +she did so, through the tan of her cheek and neck. + +MAUD MULLER on a summer's day, +Raked the meadow sweet with hay. + +Beneath her torn hat glowed the wealth +Of simple beauty and rustic-health. + +Singing, she wrought, and her merry glee +The mock-bird echoed from his tree. + +But when she glanced to the far-off town, +White from its hill-slope looking down, + +The sweet song died, and a vague unrest +And a nameless longing filled her breast,-- + +A wish, that she hardly dared to own, +For something better than she had known. + +The Judge rode slowly down the lane, +Smoothing his horse's chestnut mane. + +He drew his bridle in the shade +Of the apple-trees, to greet the maid, + +And asked a draught from the spring that flowed +Through the meadow across the road. + +She stooped where the cool spring bubbled up, +And filled for him her small tin cup, + +And blushed as she gave it, looking down +On her feet so bare, and her tattered gown. + +"Thanks!" said the Judge; "a sweeter draught +From a fairer hand was never quaffed." + +He spoke of the grass and flowers and trees, +Of the singing birds and the humming bees; + +Then talked of the haying, and wondered whether +The cloud in the west would bring foul weather. + +And Maud forgot her brier-torn gown, +And her graceful ankles bare and brown; + +And listened, while a pleased surprise +Looked from her long-lashed hazel eyes. + +At last, like one who for delay +Seeks a vain excuse, he rode away. + +Maud Muller looked and sighed: "Ah me! +That I the Judge's bride might be! + +"He would dress me up in silks so fine, +And praise and toast me at his wine. + +"My father should wear a broadcloth coat; +My brother should sail a painted boat. + +"I'd dress my mother so grand and gay, +And the baby should have a new toy each day. + +"And I 'd feed the hungry and clothe the poor, +And all should bless me who left our door." + +The Judge looked back as he climbed the hill, +And saw Maud Muller standing still. + +A form more fair, a face more sweet, +Ne'er hath it been my lot to meet. + +"And her modest answer and graceful air +Show her wise and good as she is fair. + +"Would she were mine, and I to-day, +Like her, a harvester of hay; + +"No doubtful balance of rights and wrongs, +Nor weary lawyers with endless tongues, + +"But low of cattle and song of birds, +And health and quiet and loving words." + +But he thought of his sisters, proud and cold, +And his mother, vain of her rank and gold. + +So, closing his heart, the Judge rode on, +And Maud was left in the field alone. + +But the lawyers smiled that afternoon, +When he hummed in court an old love-tune; + +And the young girl mused beside the well +Till the rain on the unraked clover fell. + +He wedded a wife of richest dower, +Who lived for fashion, as he for power. + +Yet oft, in his marble hearth's bright glow, +He watched a picture come and go; + +And sweet Maud Muller's hazel eyes +Looked out in their innocent surprise. + +Oft, when the wine in his glass was red, +He longed for the wayside well instead; + +And closed his eyes on his garnished rooms +To dream of meadows and clover-blooms. + +And the proud man sighed, with a secret pain, +"Ah, that I were free again! + +"Free as when I rode that day, +Where the barefoot maiden raked her hay." + +She wedded a man unlearned and poor, +And many children played round her door. + +But care and sorrow, and childbirth pain, +Left their traces on heart and brain. + +And oft, when the summer sun shone hot +On the new-mown hay in the meadow lot, + +And she heard the little spring brook fall +Over the roadside, through the wall, + +In the shade of the apple-tree again +She saw a rider draw his rein. + +And, gazing down with timid grace, +She felt his pleased eyes read her face. + +Sometimes her narrow kitchen walls +Stretched away into stately halls; + +The weary wheel to a spinnet turned, +The tallow candle an astral burned, + +And for him who sat by the chimney lug, +Dozing and grumbling o'er pipe and mug, + +A manly form at her side she saw, +And joy was duty and love was law. + +Then she took up her burden of life again, +Saying only, "It might have been." + +Alas for maiden, alas for Judge, +For rich repiner and household drudge! + +God pity them both! and pity us all, +Who vainly the dreams of youth recall. + +For of all sad words of tongue or pen, +The saddest are these: "It might have been!" + +Ah, well! for us all some sweet hope lies +Deeply buried from human eyes; + +And, in the hereafter, angels may +Roll the stone from its grave away! +1854. + + + + +MARY GARVIN. +FROM the heart of Waumbek Methna, from the +lake that never fails, +Falls the Saco in the green lap of Conway's +intervales; +There, in wild and virgin freshness, its waters +foam and flow, +As when Darby Field first saw them, two hundred +years ago. + +But, vexed in all its seaward course with bridges, +dams, and mills, +How changed is Saco's stream, how lost its freedom +of the hills, +Since travelled Jocelyn, factor Vines, and stately +Champernoon +Heard on its banks the gray wolf's howl, the trumpet +of the loon! + +With smoking axle hot with speed, with steeds of +fire and steam, +Wide-waked To-day leaves Yesterday behind him +like a dream. +Still, from the hurrying train of Life, fly backward +far and fast +The milestones of the fathers, the landmarks of +the past. + +But human hearts remain unchanged: the sorrow +and the sin, +The loves and hopes and fears of old, are to our +own akin; + +And if, in tales our fathers told, the songs our +mothers sung, +Tradition wears a snowy beard, Romance is always +young. + +O sharp-lined man of traffic, on Saco's banks today! +O mill-girl watching late and long the shuttle's +restless play! +Let, for the once, a listening ear the working hand +beguile, +And lend my old Provincial tale, as suits, a tear or +smile! + + . . . . . . . . . . . . . + +The evening gun had sounded from gray Fort +Mary's walls; +Through the forest, like a wild beast, roared and +plunged the Saco's' falls. + +And westward on the sea-wind, that damp and +gusty grew, +Over cedars darkening inland the smokes of Spurwink +blew. + +On the hearth of Farmer Garvin, blazed the crackling +walnut log; +Right and left sat dame and goodman, and between +them lay the dog, + +Head on paws, and tail slow wagging, and beside +him on her mat, +Sitting drowsy in the firelight, winked and purred +the mottled cat. + +"Twenty years!" said Goodman Garvin, speaking +sadly, under breath, +And his gray head slowly shaking, as one who +speaks of death. + +The goodwife dropped her needles: "It is twenty +years to-day, +Since the Indians fell on Saco, and stole our child +away." + +Then they sank into the silence, for each knew +the other's thought, +Of a great and common sorrow, and words were, +needed not. + +"Who knocks?" cried Goodman Garvin. The +door was open thrown; +On two strangers, man and maiden, cloaked and +furred, the fire-light shone. + +One with courteous gesture lifted the bear-skin +from his head; +"Lives here Elkanah Garvin?" "I am he," the +goodman said. + +"Sit ye down, and dry and warm ye, for the night +is chill with rain." +And the goodwife drew the settle, and stirred the +fire amain. + +The maid unclasped her cloak-hood, the firelight +glistened fair +In her large, moist eyes, and over soft folds of +dark brown hair. + +Dame Garvin looked upon her: "It is Mary's self +I see!" +"Dear heart!" she cried, "now tell me, has my +child come back to me?" + +"My name indeed is Mary," said the stranger sobbing +wild; +"Will you be to me a mother? I am Mary Garvin's child!" + +"She sleeps by wooded Simcoe, but on her dying +day +She bade my father take me to her kinsfolk far +away. + +"And when the priest besought her to do me no +such wrong, +She said, 'May God forgive me! I have closed +my heart too long.' + +"'When I hid me from my father, and shut out +my mother's call, +I sinned against those dear ones, and the Father +of us all. + +"'Christ's love rebukes no home-love, breaks no +tie of kin apart; +Better heresy in doctrine, than heresy of heart. + +"'Tell me not the Church must censure: she who +wept the Cross beside +Never made her own flesh strangers, nor the claims +of blood denied; + +"'And if she who wronged her parents, with her +child atones to them, +Earthly daughter, Heavenly Mother! thou at least +wilt not condemn!' + +"So, upon her death-bed lying, my blessed mother +spake; +As we come to do her bidding, So receive us for her +sake." + +"God be praised!" said Goodwife Garvin, "He taketh, +and He gives; +He woundeth, but He healeth; in her child our +daughter lives!" + +"Amen!" the old man answered, as he brushed a +tear away, +And, kneeling by his hearthstone, said, with reverence, +"Let us pray." + +All its Oriental symbols, and its Hebrew pararphrase, +Warm with earnest life and feeling, rose his prayer +of love and praise. + +But he started at beholding, as he rose from off +his knee, +The stranger cross his forehead with the sign of +Papistrie. + +"What is this?" cried Farmer Garvin. "Is an English +Christian's home +A chapel or a mass-house, that you make the sign +of Rome?" + +Then the young girl knelt beside him, kissed his +trembling hand, and cried: +Oh, forbear to chide my father; in that faith my +mother died! + +"On her wooden cross at Simcoe the dews and +sunshine fall, +As they fall on Spurwink's graveyard; and the +dear God watches all!" + +The old man stroked the fair head that rested on +his knee; +"Your words, dear child," he answered, "are God's +rebuke to me. + +"Creed and rite perchance may differ, yet our +faith and hope be one. +Let me be your father's father, let him be to me +a son." + +When the horn, on Sabbath morning, through the +still and frosty air, +From Spurwink, Pool, and Black Point, called to +sermon and to prayer, + +To the goodly house of worship, where, in order +due and fit, +As by public vote directed, classed and ranked the +people sit; + +Mistress first and goodwife after, clerkly squire +before the clown, +"From the brave coat, lace-embroidered, to the gray +frock, shading down;" + +From the pulpit read the preacher, "Goodman +Garvin and his wife +Fain would thank the Lord, whose kindness has +followed them through life, + +"For the great and crowning mercy, that their +daughter, from the wild, +Where she rests (they hope in God's peace), has +sent to them her child; + +"And the prayers of all God's people they ask, +that they may prove +Not unworthy, through their weakness, of such +special proof of love." + +As the preacher prayed, uprising, the aged couple +stood, +And the fair Canadian also, in her modest maiden- +hood. + +Thought the elders, grave and doubting, "She is +Papist born and bred;" +Thought the young men, "'T is an angel in Mary +Garvin's stead!" + + + + +THE RANGER. + +Originally published as Martha Mason; a Song of the Old +French War. + +ROBERT RAWLIN!--Frosts were falling +When the ranger's horn was calling +Through the woods to Canada. + +Gone the winter's sleet and snowing, +Gone the spring-time's bud and blowing, +Gone the summer's harvest mowing, +And again the fields are gray. +Yet away, he's away! +Faint and fainter hope is growing +In the hearts that mourn his stay. + +Where the lion, crouching high on +Abraham's rock with teeth of iron, +Glares o'er wood and wave away, +Faintly thence, as pines far sighing, +Or as thunder spent and dying, +Come the challenge and replying, +Come the sounds of flight and fray. +Well-a-day! Hope and pray! +Some are living, some are lying +In their red graves far away. + +Straggling rangers, worn with dangers, +Homeward faring, weary strangers +Pass the farm-gate on their way; +Tidings of the dead and living, +Forest march and ambush, giving, +Till the maidens leave their weaving, +And the lads forget their play. +"Still away, still away!" +Sighs a sad one, sick with grieving, +"Why does Robert still delay!" + +Nowhere fairer, sweeter, rarer, +Does the golden-locked fruit bearer +Through his painted woodlands stray, +Than where hillside oaks and beeches +Overlook the long, blue reaches, +Silver coves and pebbled beaches, +And green isles of Casco Bay; +Nowhere day, for delay, +With a tenderer look beseeches, +"Let me with my charmed earth stay." + +On the grain-lands of the mainlands +Stands the serried corn like train-bands, +Plume and pennon rustling gay; +Out at sea, the islands wooded, +Silver birches, golden-hooded, +Set with maples, crimson-blooded, +White sea-foam and sand-hills gray, +Stretch away, far away. +Dim and dreamy, over-brooded +By the hazy autumn day. + +Gayly chattering to the clattering +Of the brown nuts downward pattering, +Leap the squirrels, red and gray. +On the grass-land, on the fallow, +Drop the apples, red and yellow; +Drop the russet pears and mellow, +Drop the red leaves all the day. +And away, swift away, +Sun and cloud, o'er hill and hollow +Chasing, weave their web of play. + +"Martha Mason, Martha Mason, +Prithee tell us of the reason +Why you mope at home to-day +Surely smiling is not sinning; +Leave, your quilling, leave your spinning; +What is all your store of linen, +If your heart is never gay? +Come away, come away! +Never yet did sad beginning +Make the task of life a play." + +Overbending, till she's blending +With the flaxen skein she's tending +Pale brown tresses smoothed away +From her face of patient sorrow, +Sits she, seeking but to borrow, +From the trembling hope of morrow, +Solace for the weary day. +"Go your way, laugh and play; +Unto Him who heeds the sparrow +And the lily, let me pray." + +"With our rally, rings the valley,-- +Join us!" cried the blue-eyed Nelly; +"Join us!" cried the laughing May, +"To the beach we all are going, +And, to save the task of rowing, +West by north the wind is blowing, +Blowing briskly down the bay +Come away, come away! +Time and tide are swiftly flowing, +Let us take them while we may! + +"Never tell us that you'll fail us, +Where the purple beach-plum mellows +On the bluffs so wild and gray. +Hasten, for the oars are falling; +Hark, our merry mates are calling; +Time it is that we were all in, +Singing tideward down the bay!" +"Nay, nay, let me stay; +Sore and sad for Robert Rawlin +Is my heart," she said, "to-day." + +"Vain your calling for Rob Rawlin +Some red squaw his moose-meat's broiling, +Or some French lass, singing gay; +Just forget as he's forgetting; +What avails a life of fretting? +If some stars must needs be setting, +Others rise as good as they." +"Cease, I pray; go your way!" +Martha cries, her eyelids wetting; +"Foul and false the words you say!" + +"Martha Mason, hear to reason!-- +Prithee, put a kinder face on!" +"Cease to vex me," did she say; +"Better at his side be lying, +With the mournful pine-trees sighing, +And the wild birds o'er us crying, +Than to doubt like mine a prey; +While away, far away, +Turns my heart, forever trying +Some new hope for each new day. + +"When the shadows veil the meadows, +And the sunset's golden ladders +Sink from twilight's walls of gray,-- +From the window of my dreaming, +I can see his sickle gleaming, +Cheery-voiced, can hear him teaming +Down the locust-shaded way; +But away, swift away, +Fades the fond, delusive seeming, +And I kneel again to pray. + +"When the growing dawn is showing, +And the barn-yard cock is crowing, +And the horned moon pales away +From a dream of him awaking, +Every sound my heart is making +Seems a footstep of his taking; +Then I hush the thought, and say, +'Nay, nay, he's away!' +Ah! my heart, my heart is breaking +For the dear one far away." + +Look up, Martha! worn and swarthy, +Glows a face of manhood worthy +"Robert!" "Martha!" all they say. +O'er went wheel and reel together, +Little cared the owner whither; +Heart of lead is heart of feather, +Noon of night is noon of day! +Come away, come away! +When such lovers meet each other, +Why should prying idlers stay? + +Quench the timber's fallen embers, +Quench the recd leaves in December's +Hoary rime and chilly spray. + +But the hearth shall kindle clearer, +Household welcomes sound sincerer, +Heart to loving heart draw nearer, +When the bridal bells shall say: +"Hope and pray, trust alway; +Life is sweeter, love is dearer, +For the trial and delay!" +1856. + + + + +THE GARRISON OF CAPE ANN. + +FROM the hills of home forth looking, far beneath +the tent-like span +Of the sky, I see the white gleam of the headland +of Cape Ann. +Well I know its coves and beaches to the ebb-tide +glimmering down, +And the white-walled hamlet children of its ancient +fishing town. + +Long has passed the summer morning, and its +memory waxes old, +When along yon breezy headlands with a pleasant +friend I strolled. +Ah! the autumn sun is shining, and the ocean +wind blows cool, +And the golden-rod and aster bloom around thy +grave, Rantoul! + +With the memory of that morning by the summer +sea I blend +A wild and wondrous story, by the younger Mather +penned, +In that quaint Magnalia Christi, with all strange +and marvellous things, +Heaped up huge and undigested, like the chaos +Ovid sings. + +Dear to me these far, faint glimpses of the dual +life of old, +Inward, grand with awe and reverence; outward, +mean and coarse and cold; +Gleams of mystic beauty playing over dull and +vulgar clay, +Golden-threaded fancies weaving in a web of +hodden gray. + +The great eventful Present hides the Past; but +through the din +Of its loud life hints and echoes from the life +behind steal in; +And the lore of homeland fireside, and the legendary +rhyme, +Make the task of duty lighter which the true man +owes his time. + +So, with something of the feeling which the Covenanter +knew, +When with pious chisel wandering Scotland's +moorland graveyards through, +From the graves of old traditions I part the black- +berry-vines, +Wipe the moss from off the headstones, and retouch +the faded lines. + +Where the sea-waves back and forward, hoarse +with rolling pebbles, ran, +The garrison-house stood watching on the gray +rocks of Cape Ann; +On its windy site uplifting gabled roof and palisade, +And rough walls of unhewn timber with the moonlight +overlaid. + +On his slow round walked the sentry, south and +eastward looking forth +O'er a rude and broken coast-line, white with +breakers stretching north,-- +Wood and rock and gleaming sand-drift, jagged +capes, with bush and tree, +Leaning inland from the smiting of the wild and +gusty sea. + +Before the deep-mouthed chimney, dimly lit by +dying brands, +Twenty soldiers sat and waited, with their muskets +in their hands; +On the rough-hewn oaken table the venison haunch +was shared, +And the pewter tankard circled slowly round from +beard to beard. + +Long they sat and talked together,--talked of +wizards Satan-sold; +Of all ghostly sights and noises,--signs and wonders +manifold; +Of the spectre-ship of Salem, with the dead men +in her shrouds, +Sailing sheer above the water, in the loom of morning +clouds; + +Of the marvellous valley hidden in the depths of +Gloucester woods, +Full of plants that love the summer,--blooms of +warmer latitudes; +Where the Arctic birch is braided by the tropic's +flowery vines, +And the white magnolia-blossoms star the twilight +of the pines! + +But their voices sank yet lower, sank to husky +tones of fear, +As they spake of present tokens of the powers of +evil near; +Of a spectral host, defying stroke of steel and aim +of gun; +Never yet was ball to slay them in the mould of +mortals run. + +Thrice, with plumes and flowing scalp-locks, from +the midnight wood they came,-- +Thrice around the block-house marching, met, unharmed, +its volleyed flame; +Then, with mocking laugh and gesture, sunk in +earth or lost in air, +All the ghostly wonder vanished, and the moonlit +sands lay bare. + +Midnight came; from out the forest moved a +dusky mass that soon +Grew to warriors, plumed and painted, grimly +marching in the moon. +"Ghosts or witches," said the captain, "thus I foil +the Evil One!" +And he rammed a silver button, from his doublet, +down his gun. + +Once again the spectral horror moved the guarded +wall about; +Once again the levelled muskets through the palisades +flashed out, +With that deadly aim the squirrel on his tree-top +might not shun, +Nor the beach-bird seaward flying with his slant +wing to the sun. + +Like the idle rain of summer sped the harmless +shower of lead. +With a laugh of fierce derision, once again the +phantoms fled; +Once again, without a shadow on the sands the +moonlight lay, +And the white smoke curling through it drifted +slowly down the bay! + +"God preserve us!" said the captain; "never +mortal foes were there; +They have vanished with their leader, Prince and +Power of the air! +Lay aside your useless weapons; skill and prowess +naught avail; +They who do the Devil's service wear their master's +coat of mail!" + +So the night grew near to cock-crow, when again +a warning call +Roused the score of weary soldiers watching round +the dusky hall +And they looked to flint and priming, and they +longed for break of day; +But the captain closed his Bible: "Let us cease +from man, and pray!" + +To the men who went before us, all the unseen +powers seemed near, +And their steadfast strength of courage struck its +roots in holy fear. +Every hand forsook the musket, every head was +bowed and bare, +Every stout knee pressed the flag-stones, as the +captain led in prayer. + +Ceased thereat the mystic marching of the spectres +round the wall, +But a sound abhorred, unearthly, smote the ears +and hearts of all,-- +Howls of rage and shrieks of anguish! Never +after mortal man +Saw the ghostly leaguers marching round the +block-house of Cape Ann. + +So to us who walk in summer through the cool and +sea-blown town, +From the childhood of its people comes the solemn +legend down. +Not in vain the ancient fiction, in whose moral +lives the youth +And the fitness and the freshness of an undecaying +truth. + +Soon or late to all our dwellings come the spectres +of the mind, +Doubts and fears and dread forebodings, in the +darkness undefined; +Round us throng the grim projections of the heart +and of the brain, +And our pride of strength is weakness, and the +cunning hand is vain. + +In the dark we cry like children; and no answer +from on high +Breaks the crystal spheres of silence, and no white +wings downward fly; +But the heavenly help we pray for comes to faith, +and not to sight, +And our prayers themselves drive backward all the +spirits of the night! +1857. + + + + +THE GIFT OF TRITEMIUS. + +TRITEMIUS of Herbipolis, one day, +While kneeling at the altar's foot to pray, +Alone with God, as was his pious choice, +Heard from without a miserable voice, +A sound which seemed of all sad things to tell, +As of a lost soul crying out of hell. + +Thereat the Abbot paused; the chain whereby +His thoughts went upward broken by that cry; +And, looking from the casement, saw below +A wretched woman, with gray hair a-flow, +And withered hands held up to him, who cried +For alms as one who might not be denied. + +She cried, "For the dear love of Him who gave +His life for ours, my child from bondage save,-- +My beautiful, brave first-born, chained with slaves +In the Moor's galley, where the sun-smit waves +Lap the white walls of Tunis!"--"What I can +I give," Tritemius said, "my prayers."--"O man +Of God!" she cried, for grief had made her bold, +"Mock me not thus; I ask not prayers, but gold. +Words will not serve me, alms alone suffice; +Even while I speak perchance my first-born dies." + +"Woman!" Tritemius answered, "from our door +None go unfed, hence are we always poor; +A single soldo is our only store. +Thou hast our prayers;--what can we give thee +more?" + +"Give me," she said, "the silver candlesticks +On either side of the great crucifix. +God well may spare them on His errands sped, +Or He can give you golden ones instead." + +Then spake Tritemius, "Even as thy word, +Woman, so be it! (Our most gracious Lord, +Who loveth mercy more than sacrifice, +Pardon me if a human soul I prize +Above the gifts upon his altar piled! +Take what thou askest, and redeem thy child." + +But his hand trembled as the holy alms +He placed within the beggar's eager palms; +And as she vanished down the linden shade, +He bowed his head and for forgiveness prayed. +So the day passed, and when the twilight came +He woke to find the chapel all aflame, +And, dumb with grateful wonder, to behold +Upon the altar candlesticks of gold! +1857. + + + + +SKIPPER IRESON'S RIDE. + +In the valuable and carefully prepared History of Marblehead, published +in 1879 by Samuel Roads, Jr., it is stated that the crew of Captain +Ireson, rather than himself, were responsible for the abandonment of the +disabled vessel. To screen themselves they charged their captain with +the crime. In view of this the writer of the ballad addressed the +following letter to the historian:-- + +OAK KNOLL, DANVERS, 5 mo. 18, 1880. +MY DEAR FRIEND: I heartily thank thee for a copy of thy History of +Marblehead. I have read it with great interest and think good use has +been made of the abundant material. No town in Essex County has a record +more honorable than Marblehead; no one has done more to develop the +industrial interests of our New England seaboard, and certainly none +have given such evidence of self-sacrificing patriotism. I am glad the +story of it has been at last told, and told so well. I have now no doubt +that thy version of Skipper Ireson's ride is the correct one. My verse +was founded solely on a fragment of rhyme which I heard from one of my +early schoolmates, a native of Marblehead. I supposed the story to which +it referred dated back at least a century. I knew nothing of the +participators, and the narrative of the ballad was pure fancy. I am glad +for the sake of truth and justice that the real facts are given in thy +book. I certainly would not knowingly do injustice to any one, dead or +living. + +I am very truly thy friend, +JOHN G. WHITTIER. + + +OF all the rides since, the birth of time, +Told in story or sung in rhyme,-- +On Apuleius's Golden Ass, +Or one-eyed Calendar's horse of brass; +Witch astride of a human back, +Islam's prophet on Al-Borak,-- +The strangest ride that ever was sped +Was Ireson's, out from Marblehead! +Old Floyd Ireson, for his hard heart, +Tarred and feathered and carried in a cart +By the women of Marblehead! +Body of turkey, head of owl, +Wings a-droop like a rained-on fowl, +Feathered and ruffled in every part, +Skipper Ireson stood in the cart. +Scores of women, old and young, +Strong of muscle, and glib of tongue, +Pushed and pulled up the rocky lane, +Shouting and singing the shrill refrain +"Here's Flud Oirson, fur his horrd horrt, +Torr'd an' futherr'd an' corr'd in a corrt +By the women o' Morble'ead!" + +Wrinkled scolds with hands on hips, +Girls in bloom of cheek and lips, +Wild-eyed, free-limbed, such as chase +Bacchus round some antique vase, +Brief of skirt, with ankles bare, +Loose of kerchief and loose of hair, +With conch-shells blowing and fish-horns' twang, +Over and over the Manads sang +"Here's Flud Oirson, fur his horrd horrt, +Torr'd an' futherr'd an dorr'd in a corrt +By the women o' Morble'ead!" + +Small pity for him!--He sailed away +From a leaking ship, in Chaleur Bay,-- +Sailed away from a sinking wreck, +With his own town's-people on her deck! +"Lay by! lay by!" they called to him. +Back he answered, "Sink or swim! +Brag of your catch of fish again!" +And off he sailed through the fog and rain! +Old Floyd Ireson, for his hard heart, +Tarred and feathered and carried in a cart +By the women of Marblehead! + +Fathoms deep in dark Chaleur +That wreck shall lie forevermore. +Mother and sister, wife and maid, +Looked from the rocks of Marblehead +Over the moaning and rainy sea,-- +Looked for the coming that might not be! +What did the winds and the sea-birds say +Of the cruel captain who sailed away?-- +Old Floyd Ireson, for his hard heart, +Tarred and feathered and carried in a cart +By the women of Marblehead! + +Through the street, on either side, +Up flew windows, doors swung wide; +Sharp-tongued spinsters, old wives gray, +Treble lent the fish-horn's bray. +Sea-worn grandsires, cripple-bound, +Hulks of old sailors run aground, +Shook head, and fist, and hat, and cane, +And cracked with curses the hoarse refrain +"Here's Flud Oirson, fur his horrd horrt, +Torr'd an' futherr'd an' corr'd in a corrt +By the women o''Morble'ead!" + +Sweetly along the Salem road +Bloom of orchard and lilac showed. +Little the wicked skipper knew +Of the fields so green and the sky so blue. +Riding there in his sorry trim, +Like to Indian idol glum and grim, +Scarcely he seemed the sound to hear +Of voices shouting, far and near +"Here's Flud Oirson, fur his horrd horrt, +Torr'd an' futherr'd an' corr'd in a corrt +By the women o' Morble'ead!" + +"Hear me, neighbors!" at last he cried,-- +"What to me is this noisy ride? +What is the shame that clothes the skin +To the nameless horror that lives within? +Waking or sleeping, I see a wreck, +And hear a cry from a reeling deck! +Hate me and curse me,--I only dread +The hand of God and the face of the dead!" +Said old Floyd Ireson, for his hard heart, +Tarred and feathered and carried in a cart +By the women of Marblehead! + +Then the wife of the skipper lost at sea +Said, "God has touched him! why should we?" +Said an old wife mourning her only son, +"Cut the rogue's tether and let him run!" +So with soft relentings and rude excuse, +Half scorn, half pity, they cut him loose, +And gave him a cloak to hide him in, +And left him alone with his shame and sin. +Poor Floyd Ireson, for his hard heart, +Tarred and feathered and carried in a cart +By the women of Marblehead! +1857. + + + + +THE SYCAMORES. + +Hugh Tallant was the first Irish resident of Haverhill, Mass. He planted +the button-wood trees on the bank of the river below the village in the +early part of the seventeenth century. Unfortunately this noble avenue +is now nearly destroyed. + +IN the outskirts of the village, +On the river's winding shores, +Stand the Occidental plane-trees, +Stand the ancient sycamores. + +One long century hath been numbered, +And another half-way told, +Since the rustic Irish gleeman +Broke for them the virgin mould. + +Deftly set to Celtic music, +At his violin's sound they grew, +Through the moonlit eves of summer, +Making Amphion's fable true. + +Rise again, then poor Hugh Tallant +Pass in jerkin green along, +With thy eyes brimful of laughter, +And thy mouth as full of song. + +Pioneer of Erin's outcasts, +With his fiddle and his pack; +Little dreamed the village Saxons +Of the myriads at his back. + +How he wrought with spade and fiddle, +Delved by day and sang by night, +With a hand that never wearied, +And a heart forever light,-- + +Still the gay tradition mingles +With a record grave and drear, +Like the rollic air of Cluny, +With the solemn march of Mear. + +When the box-tree, white with blossoms, +Made the sweet May woodlands glad, +And the Aronia by the river +Lighted up the swarming shad, + +And the bulging nets swept shoreward, +With their silver-sided haul, +Midst the shouts of dripping fishers, +He was merriest of them all. + +When, among the jovial huskers, +Love stole in at Labor's side, +With the lusty airs of England, +Soft his Celtic measures vied. + +Songs of love and wailing lyke--wake, +And the merry fair's carouse; +Of the wild Red Fox of Erin +And the Woman of Three Cows, + +By the blazing hearths of winter, +Pleasant seemed his simple tales, +Midst the grimmer Yorkshire legends +And the mountain myths of Wales. + +How the souls in Purgatory +Scrambled up from fate forlorn, +On St. Eleven's sackcloth ladder, +Slyly hitched to Satan's horn. + +Of the fiddler who at Tara +Played all night to ghosts of kings; +Of the brown dwarfs, and the fairies +Dancing in their moorland rings. + +Jolliest of our birds of singing, +Best he loved the Bob-o-link. +"Hush!" he 'd say, "the tipsy fairies +Hear the little folks in drink!" + +Merry-faced, with spade and fiddle, +Singing through the ancient town, +Only this, of poor Hugh Tallant, +Hath Tradition handed down. + +Not a stone his grave discloses; +But if yet his spirit walks, +'T is beneath the trees he planted, +And when Bob-o-Lincoln talks; + +Green memorials of the gleeman I +Linking still the river-shores, +With their shadows cast by sunset, +Stand Hugh Tallant's sycamores! + +When the Father of his Country +Through the north-land riding came, +And the roofs were starred with banners, +And the steeples rang acclaim,-- + +When each war-scarred Continental, +Leaving smithy, mill, and farm, +Waved his rusted sword in welcome, +And shot off his old king's arm,-- + +Slowly passed that August Presence +Down the thronged and shouting street; +Village girls as white as angels, +Scattering flowers around his feet. + +Midway, where the plane-tree's shadow +Deepest fell, his rein he drew +On his stately head, uncovered, +Cool and soft the west-wind blew. + +And he stood up in his stirrups, +Looking up and looking down +On the hills of Gold and Silver +Rimming round the little town,-- + +On the river, full of sunshine, +To the lap of greenest vales +Winding down from wooded headlands, +Willow-skirted, white with sails. + +And he said, the landscape sweeping +Slowly with his ungloved hand, +"I have seen no prospect fairer +In this goodly Eastern land." + +Then the bugles of his escort +Stirred to life the cavalcade +And that head, so bare and stately, +Vanished down the depths of shade. + +Ever since, in town and farm-house, +Life has had its ebb and flow; +Thrice hath passed the human harvest +To its garner green and low. + +But the trees the gleeman planted, +Through the changes, changeless stand; +As the marble calm of Tadmor +Mocks the desert's shifting sand. + +Still the level moon at rising +Silvers o'er each stately shaft; +Still beneath them, half in shadow, +Singing, glides the pleasure craft; + +Still beneath them, arm-enfolded, +Love and Youth together stray; +While, as heart to heart beats faster, +More and more their feet delay. + +Where the ancient cobbler, Keezar, +On the open hillside wrought, +Singing, as he drew his stitches, +Songs his German masters taught, + +Singing, with his gray hair floating +Round his rosy ample face,-- +Now a thousand Saxon craftsmen +Stitch and hammer in his place. + +All the pastoral lanes so grassy +Now are Traffic's dusty streets; +From the village, grown a city, +Fast the rural grace retreats. + +But, still green, and tall, and stately, +On the river's winding shores, +Stand the Occidental plane-trees, +Stand, Hugh Taliant's sycamores. +1857. + + + + +THE PIPES AT LUCKNOW. + +An incident of the Sepoy mutiny. + +PIPES of the misty moorlands, +Voice of the glens and hills; +The droning of the torrents, +The treble of the rills! +Not the braes of broom and heather, +Nor the mountains dark with rain, +Nor maiden bower, nor border tower, +Have heard your sweetest strain! + +Dear to the Lowland reaper, +And plaided mountaineer,-- +To the cottage and the castle +The Scottish pipes are dear;-- +Sweet sounds the ancient pibroch +O'er mountain, loch, and glade; +But the sweetest of all music +The pipes at Lucknow played. + +Day by day the Indian tiger +Louder yelled, and nearer crept; +Round and round the jungle-serpent +Near and nearer circles swept. +"Pray for rescue, wives and mothers,-- +Pray to-day!" the soldier said; +"To-morrow, death's between us +And the wrong and shame we dread." + +Oh, they listened, looked, and waited, +Till their hope became despair; +And the sobs of low bewailing +Filled the pauses of their prayer. +Then up spake a Scottish maiden, +With her ear unto the ground +"Dinna ye hear it?--dinna ye hear it? +The pipes o' Havelock sound!" + +Hushed the wounded man his groaning; +Hushed the wife her little ones; +Alone they heard the drum-roll +And the roar of Sepoy guns. +But to sounds of home and childhood +The Highland ear was true;-- +As her mother's cradle-crooning +The mountain pipes she knew. + +Like the march of soundless music +Through the vision of the seer, +More of feeling than of hearing, +Of the heart than of the ear, +She knew the droning pibroch, +She knew the Campbell's call +"Hark! hear ye no' MacGregor's, +The grandest o' them all!" + +Oh, they listened, dumb and breathless, +And they caught the sound at last; +Faint and far beyond the Goomtee +Rose and fell the piper's blast +Then a burst of wild thanksgiving +Mingled woman's voice and man's; +"God be praised!--the march of Havelock! +The piping of the clans!" + +Louder, nearer, fierce as vengeance, +Sharp and shrill as swords at strife, +Came the wild MacGregor's clan-call, +Stinging all the air to life. +But when the far-off dust-cloud +To plaided legions grew, +Full tenderly and blithesomely +The pipes of rescue blew! + +Round the silver domes of Lucknow, +Moslem mosque and Pagan shrine, +Breathed the air to Britons dearest, +The air of Auld Lang Syne. +O'er the cruel roll of war-drums +Rose that sweet and homelike strain; +And the tartan clove the turban, +As the Goomtee cleaves the plain. + +Dear to the corn-land reaper +And plaided mountaineer,-- +To the cottage and the castle +The piper's song is dear. +Sweet sounds the Gaelic pibroch +O'er mountain, glen, and glade; +But the sweetest of all music +The Pipes at Lucknow played! +1858. + + + + +TELLING THE BEES. + +A remarkable custom, brought from the Old Country, formerly prevailed +in the rural districts of New England. On the death of a member of the +family, the bees were at once informed of the event, and their hives +dressed in mourning. This ceremonial was supposed to be necessary to +prevent the swarms from leaving their hives and seeking a new home. + +HERE is the place; right over the hill +Runs the path I took; +You can see the gap in the old wall still, +And the stepping-stones in the shallow brook. + +There is the house, with the gate red-barred, +And the poplars tall; +And the barn's brown length, and the cattle-yard, +And the white horns tossing above the wall. + +There are the beehives ranged in the sun; +And down by the brink +Of the brook are her poor flowers, weed-o'errun, +Pansy and daffodil, rose and pink. + +A year has gone, as the tortoise goes, +Heavy and slow; +And the same rose blooms, and the same sun glows, +And the same brook sings of a year ago. + +There's the same sweet clover-smell in the breeze; +And the June sun warm +Tangles his wings of fire in the trees, +Setting, as then, over Fernside farm. + +I mind me how with a lover's care +From my Sunday coat +I brushed off the burrs, and smoothed my hair, +And cooled at the brookside my brow and +throat. + +Since we parted, a month had passed,-- +To love, a year; +Down through the beeches I looked at last +On the little red gate and the well-sweep near. + +I can see it all now,--the slantwise rain +Of light through the leaves, +The sundown's blaze on her window-pane, +The bloom of her roses under the eaves. + +Just the same as a month before,-- +The house and the trees, +The barn's brown gable, the vine by the door,-- +Nothing changed but the hives of bees. + +Before them, under the garden wall, +Forward and back, +Went drearily singing the chore-girl small, +Draping each hive with a shred of black. + +Trembling, I listened: the summer sun +Had the chill of snow; +For I knew she was telling the bees of one +Gone on the journey we all must go. + +Then I said to myself, "My Mary weeps +For the dead to-day; +Haply her blind old grandsire sleeps +The fret and the pain of his age away." + +But her dog whined low; on the doorway sill, +With his cane to his chin, +The old man sat; and the chore-girl still +Sung to the bees stealing out and in. + +And the song she was singing ever since +In my ear sounds on:-- +"Stay at home, pretty bees, fly not hence! +Mistress Mary is dead and gone!" +1858. + + + + +THE SWAN SONG OF PARSON AVERY. + +In Young's Chronicles of Massachusetts Bay front 1623 to 1636 may be +found Anthony Thacher's Narrative of his Shipwreck. Thacher was Avery's +companion and survived to tell the tale. Mather's Magnalia, III. 2, +gives further Particulars of Parson Avery's End, and suggests the title +of the poem. + +WHEN the reaper's task was ended, and the +summer wearing late, +Parson Avery sailed from Newbury, with his wife +and children eight, +Dropping down the river-harbor in the shallop +"Watch and Wait." + +Pleasantly lay the clearings in the mellow summer- +morn, +With the newly planted orchards dropping their +fruits first-born, +And the home-roofs like brown islands amid a sea +of corn. + +Broad meadows reached out 'seaward the tided +creeks between, +And hills rolled wave-like inland, with oaks and +walnuts green;-- +A fairer home, a--goodlier land, his eyes had never +seen. + +Yet away sailed Parson Avery, away where duty led, +And the voice of God seemed calling, to break the +living bread +To the souls of fishers starving on the rocks of +Marblehead. + +All day they sailed: at nightfall the pleasant land- +breeze died, +The blackening sky, at midnight, its starry lights +denied, +And far and low the thunder of tempest prophesied. + +Blotted out were all the coast-lines, gone were rock, +and wood, and sand; +Grimly anxious stood the skipper with the rudder +in his hand, +And questioned of the darkness what was sea and +what was land. + +And the preacher heard his dear ones, nestled +round him, weeping sore, +"Never heed, my little children! Christ is walking +on before; +To the pleasant land of heaven, where the sea shall +be no more." + +All at once the great cloud parted, like a curtain +drawn aside, +To let down the torch of lightning on the terror +far and wide; +And the thunder and the whirlwind together smote +the tide. + +There was wailing in the shallop, woman's wail +and man's despair, +A crash of breaking timbers on the rocks so sharp +and bare, +And, through it all, the murmur of Father Avery's +prayer. + +From his struggle in the darkness with the wild +waves and the blast, +On a rock, where every billow broke above him as +it passed, +Alone, of all his household, the man of God was +cast. + +There a comrade heard him praying, in the pause +of wave and wind +"All my own have gone before me, and I linger +just behind; +Not for life I ask, but only for the rest Thy +ransomed find! + +"In this night of death I challenge the promise of +Thy word!-- +Let me see the great salvation of which mine ears +have heard!-- +Let me pass from hence forgiven, through the +grace of Christ, our Lord! + +"In the baptism of these waters wash white my +every sin, +And let me follow up to Thee my household and +my kin! +Open the sea-gate of Thy heaven, and let me enter +in!" + +When the Christian sings his death-song, all the +listening heavens draw near, +And the angels, leaning over the walls of crystal, +hear +How the notes so faint and broken swell to music +in God's ear. + +The ear of God was open to His servant's last +request; +As the strong wave swept him downward the sweet +hymn upward pressed, +And the soul of Father Avery went, singing, to its +rest. + +There was wailing on the mainland, from the rocks +of Marblehead; +In the stricken church of Newbury the notes of +prayer were read; +And long, by board and hearthstone, the living +mourned the dead. + +And still the fishers outbound, or scudding from +the squall, +With grave and reverent faces, the ancient tale +recall, +When they see the white waves breaking on the +Rock of Avery's Fall! +1808. + + + + +THE DOUBLE-HEADED SNAKE OF NEWBURY. + +"Concerning ye Amphisbaena, as soon as I received your commands, I made +diligent inquiry: . . . he assures me yt it had really two heads, one +at each end; two mouths, two stings or tongues."--REV. CHRISTOPHER +TOPPAN to COTTON MATHER. + +FAR away in the twilight time +Of every people, in every clime, +Dragons and griffins and monsters dire, +Born of water, and air, and fire, +Or nursed, like the Python, in the mud +And ooze of the old Deucalion flood, +Crawl and wriggle and foam with rage, +Through dusk tradition and ballad age. +So from the childhood of Newbury town +And its time of fable the tale comes down +Of a terror which haunted bush and brake, +The Amphisbaena, the Double Snake! + +Thou who makest the tale thy mirth, +Consider that strip of Christian earth +On the desolate shore of a sailless sea, +Full of terror and mystery, +Half redeemed from the evil hold +Of the wood so dreary, and dark, and old, +Which drank with its lips of leaves the dew +When Time was young, and the world was new, +And wove its shadows with sun and moon, +Ere the stones of Cheops were squared and hewn. +Think of the sea's dread monotone, +Of the mournful wail from the pine-wood blown, +Of the strange, vast splendors that lit the North, +Of the troubled throes of the quaking earth, +And the dismal tales the Indian told, +Till the settler's heart at his hearth grew cold, +And he shrank from the tawny wizard boasts, +And the hovering shadows seemed full of ghosts, +And above, below, and on every side, +The fear of his creed seemed verified;-- +And think, if his lot were now thine own, +To grope with terrors nor named nor known, +How laxer muscle and weaker nerve +And a feebler faith thy need might serve; +And own to thyself the wonder more +That the snake had two heads, and not a score! + +Whether he lurked in the Oldtown fen +Or the gray earth-flax of the Devil's Den, +Or swam in the wooded Artichoke, +Or coiled by the Northman's Written Rock, +Nothing on record is left to show; +Only the fact that be lived, we know, +And left the cast of a double head +In the scaly mask which he yearly shed. +For he carried a head where his tail should be, +And the two, of course, could never agree, +But wriggled about with main and might, +Now to the left and now to the right; +Pulling and twisting this way and that, +Neither knew what the other was at. + +A snake with two beads, lurking so near! +Judge of the wonder, guess at the fear! +Think what ancient gossips might say, +Shaking their heads in their dreary way, +Between the meetings on Sabbath-day! +How urchins, searching at day's decline +The Common Pasture for sheep or kine, +The terrible double-ganger heard +In leafy rustle or whir of bird! +Think what a zest it gave to the sport, +In berry-time, of the younger sort, +As over pastures blackberry-twined, +Reuben and Dorothy lagged behind, +And closer and closer, for fear of harm, +The maiden clung to her lover's arm; +And how the spark, who was forced to stay, +By his sweetheart's fears, till the break of day, +Thanked the snake for the fond delay. + +Far and wide the tale was told, +Like a snowball growing while it rolled. +The nurse hushed with it the baby's cry; +And it served, in the worthy minister's eye, +To paint the primitive serpent by. +Cotton Mather came galloping down +All the way to Newbury town, +With his eyes agog and his ears set wide, +And his marvellous inkhorn at his side; +Stirring the while in the shallow pool +Of his brains for the lore he learned at school, +To garnish the story, with here a streak +Of Latin, and there another of Greek +And the tales he heard and the notes he took, +Behold! are they not in his Wonder-Book? + +Stories, like dragons, are hard to kill. +If the snake does not, the tale runs still +In Byfield Meadows, on Pipestave Hill. +And still, whenever husband and wife +Publish the shame of their daily strife, +And, with mad cross-purpose, tug and strain +At either end of the marriage-chain, +The gossips say, with a knowing shake +Of their gray heads, "Look at the Double Snake +One in body and two in will, +The Amphisbaena is living still!" +1859. + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, BARCLAY OF URY, ETC *** +By John Greenleaf Whittier + +***** This file should be named 9562.txt or 9562.zip **** + +This eBook was produced by David Widger + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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