diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:54 -0700 |
| commit | 7618cb70a7ec2b06f0ec9f89507de0b417bffdee (patch) | |
| tree | eb91a0e066d7dfe38f6927f1b2638a8c59f383bb | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 9225-0.txt | 757 | ||||
| -rw-r--r-- | 9225-0.zip | bin | 0 -> 17813 bytes | |||
| -rw-r--r-- | 9225-h.zip | bin | 0 -> 19175 bytes | |||
| -rw-r--r-- | 9225-h/9225-h.htm | 887 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/9225.txt | 806 | ||||
| -rw-r--r-- | old/9225.zip | bin | 0 -> 18071 bytes | |||
| -rw-r--r-- | old/haw5210.txt | 778 | ||||
| -rw-r--r-- | old/haw5210.zip | bin | 0 -> 17534 bytes |
11 files changed, 3244 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9225-0.txt b/9225-0.txt new file mode 100644 index 0000000..dce9b02 --- /dev/null +++ b/9225-0.txt @@ -0,0 +1,757 @@ +The Project Gutenberg eBook of Monsieur du Miroir, by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: Monsieur du Miroir + +Author: Nathaniel Hawthorne + +Release Date: September 6, 2003 [eBook #9225] +[Most recently updated: November 9, 2022] + +Language: English + +Character set encoding: UTF-8 + +Produced by: David Widger and Al Haines + +*** START OF THE PROJECT GUTENBERG EBOOK MONSIEUR DU MIROIR *** + + + + +Monsieur du Miroir + +by Nathaniel Hawthorne + + + + +Than the gentleman above named, there is nobody, in the whole circle of +my acquaintance, whom I have more attentively studied, yet of whom I +have less real knowledge, beneath the surface which it pleases him to +present. Being anxious to discover who and what he really is, and how +connected with me, and what are to be the results to him and to myself +of the joint interest which, without any choice on my part, seems to be +permanently established between us, and incited, furthermore, by the +propensities of a student of human nature, though doubtful whether +Monsieur du Miroir have aught of humanity but the figure,—I have +determined to place a few of his remarkable points before the public, +hoping to be favored with some clew to the explanation of his +character. Nor let the reader condemn any part of the narrative as +frivolous, since a subject of such grave reflection diffuses its +importance through the minutest particulars; and there is no judging +beforehand what odd little circumstance may do the office of a blind +man’s dog among the perplexities of this dark investigation; and +however extraordinary, marvellous, preternatural, and utterly +incredible some of the meditated disclosures may appear, I pledge my +honor to maintain as sacred a regard to fact as if my testimony were +given on oath and involved the dearest interests of the personage in +question. Not that there is matter for a criminal accusation against +Monsieur du Miroir, nor am I the man to bring it forward if there were. +The chief that I complain of is his impenetrable mystery, which is no +better than nonsense if it conceal anything good, and much worse in the +contrary case. + +But, if undue partialities could be supposed to influence me, Monsieur +du Miroir might hope to profit rather than to suffer by them, for in +the whole of our long intercourse we have seldom had the slightest +disagreement; and, moreover, there are reasons for supposing him a near +relative of mine, and consequently entitled to the best word that I can +give him. He bears indisputably a strong personal resemblance to +myself, and generally puts on mourning at the funerals of the family. +On the other hand, his name would indicate a French descent; in which +case, infinitely preferring that my blood should flow from a bold +British and pure Puritan source, I beg leave to disclaim all kindred +with Monsieur du Miroir. Some genealogists trace his origin to Spain, +and dub him a knight of the order of the CABALLEROS DE LOS ESPEJOZ, one +of whom was overthrown by Don Quixote. But what says Monsieur du Miroir +himself of his paternity and his fatherland? Not a word did he ever say +about the matter; and herein, perhaps, lies one of his most especial +reasons for maintaining such a vexatious mystery, that he lacks the +faculty of speech to expound it. His lips are sometimes seen to move; +his eyes and countenance are alive with shifting expression, as if +corresponding by visible hieroglyphics to his modulated breath; and +anon he will seem to pause with as satisfied an air as if he had been +talking excellent sense. Good sense or bad, Monsieur du Miroir is the +sole judge of his own conversational powers, never having whispered so +much as a syllable that reached the ears of any other auditor. Is he +really dumb? or is all the world deaf? or is it merely a piece of my +friend’s waggery, meant for nothing but to make fools of us? If so, he +has the joke all to himself. + +This dumb devil which possesses Monsieur do Miroir is, I am persuaded, +the sole reason that he does not make me the most flattering +protestations of friendship. In many particulars—indeed, as to all his +cognizable and not preternatural points, except that, once in a great +while, I speak a word or two—there exists the greatest apparent +sympathy between us. Such is his confidence in my taste that he goes +astray from the general fashion and copies all his dresses after mine. +I never try on a new garment without expecting to meet, Monsieur du +Miroir in one of the same pattern. He has duplicates of all my +waistcoats and cravats, shirt-bosoms of precisely a similar plait, and +an old coat for private wear, manufactured, I suspect, by a Chinese +tailor, in exact imitation of a beloved old coat of mine, with a +facsimile, stitch by stitch, of a patch upon the elbow. In truth, the +singular and minute coincidences that occur, both in the accidents of +the passing day and the serious events of our lives, remind me of those +doubtful legends of lovers, or twin children, twins of fate, who have +lived, enjoyed, suffered, and died in unison, each faithfully repeating +the last tremor of the other’s breath, though separated by vast tracts +of sea and land. Strange to say, my incommodities belong equally to my +companion, though the burden is nowise alleviated by his participation. +The other morning, after a night of torment from the toothache, I met +Monsieur du Miroir with such a swollen anguish in his cheek that my own +pangs were redoubled, as were also his, if I might judge by a fresh +contortion of his visage. All the inequalities of my spirits are +communicated to him, causing the unfortunate Monsieur du Miroir to mope +and scowl through a whole summer’s day, or to laugh as long, for no +better reason than the gay or gloomy crotchets of my brain. Once we +were joint sufferers of a three months’ sickness, and met like mutual +ghosts in the first days of convalescence. Whenever I have been in +love, Monsieur du Miroir has looked passionate and tender; and never +did my mistress discard me, but this too susceptible gentleman grew +lackadaisical. His temper, also, rises to blood heat, fever heat, or +boiling-water beat, according to the measure of any wrong which might +seem to have fallen entirely on myself. I have sometimes been calmed +down by the sight of my own inordinate wrath depicted on his frowning +brow. Yet, however prompt in taking up my quarrels, I cannot call to +mind that he ever struck a downright blow in my behalf; nor, in fact, +do I perceive that any real and tangible good has resulted from his +constant interference in my affairs; so that, in my distrustful moods, +I am apt to suspect Monsieur du Miroir’s sympathy to be mere outward +show, not a whit better nor worse than other people’s sympathy. +Nevertheless, as mortal man must have something in the guise of +sympathy,—and whether the true metal, or merely copper-washed, is of +less moment,—I choose rather to content myself with Monsieur du +Miroir’s, such as it is, than to seek the sterling coin, and perhaps +miss even the counterfeit. + +In my age of vanities I have often seen him in the ballroom, and might +again were I to seek him there. We have encountered each other at the +Tremont Theatre, where, however, he took his seat neither in the +dress-circle, pit, nor upper regions, nor threw a single glance at the +stage, though the brightest star, even Fanny Kemble herself, might be +culminating there. No; this whimsical friend of mine chose to linger in +the saloon, near one of the large looking-glasses which throw back +their pictures of the illuminated room. He is so full of these +unaccountable eccentricities that I never like to notice Monsieur du +Miroir, nor to acknowledge the slightest connection with him, in places +of public resort. He, however, has no scruple about claiming my +acquaintance, even when his common-sense, if he had any, might teach +him that I would as willingly exchange a nod with the Old Nick. It was +but the other day that he got into a large brass kettle at the entrance +of a hardware-store, and thrust his head, the moment afterwards, into a +bright, new warming-pan, whence he gave me a most merciless look of +recognition. He smiled, and so did I; but these childish tricks make +decent people rather shy of Monsieur du Miroir, and subject him to more +dead cuts than any other gentleman in town. + +One of this singular person’s most remarkable peculiarities is his +fondness for water, wherein he excels any temperance man whatever. His +pleasure, it must be owned, is not so much to drink it (in which +respect a very moderate quantity will answer his occasions) as to souse +himself over head and ears wherever he may meet with it. Perhaps he is +a merman, or born of a mermaid’s marriage with a mortal, and thus +amphibious by hereditary right, like the children which the old river +deities, or nymphs of fountains, gave to earthly love. When no cleaner +bathing-place happened to be at hand, I have seen the foolish fellow in +a horse-pond. Some times he refreshes himself in the trough of a +town-pump, without caring what the people think about him. Often, while +carefully picking my way along the street after a heavy shower, I have +been scandalized to see Monsieur du Miroir, in full dress, paddling +from one mud-puddle to another, and plunging into the filthy depths of +each. Seldom have I peeped into a well without discerning this +ridiculous gentleman at the bottom, whence he gazes up, as through a +long telescopic tube, and probably makes discoveries among the stars by +daylight. Wandering along lonesome paths or in pathless forests, when I +have come to virgin fountains of which it would have been pleasant to +deem myself the first discoverer, I have started to find Monsieur du +Miroir there before me. The solitude seemed lonelier for his presence. +I have leaned from a precipice that frowns over Lake George, which the +French call nature’s font of sacramental water, and used it in their +log-churches here and their cathedrals beyond the sea, and seen him far +below in that pure element. At Niagara, too, where I would gladly have +forgotten both myself and him, I could not help observing my companion +in the smooth water on the very verge of the cataract just above the +Table Rock. Were I to reach the sources of the Nile, I should expect to +meet him there. Unless he be another Ladurlad, whose garments the depth +of ocean could not moisten, it is difficult to conceive how he keeps +himself in any decent pickle; though I am bound to confess that his +clothes seem always as dry and comfortable as my own. But, as a friend, +I could wish that he would not so often expose himself in liquor. + +All that I have hitherto related may be classed among those little +personal oddities which agreeably diversify the surface of society, +and, though they may sometimes annoy us, yet keep our daily intercourse +fresher and livelier than if they were done away. By an occasional +hint, however, I have endeavored to pave the way for stranger things to +come, which, had they been disclosed at once, Monsieur du Miroir might +have been deemed a shadow, and myself a person of no veracity, and this +truthful history a fabulous legend. But, now that the reader knows me +worthy of his confidence, I will begin to make him stare. + +To speak frankly, then, I could bring the most astounding proofs that +Monsieur du Miroir is at least a conjurer, if not one of that unearthly +tribe with whom conjurers deal. He has inscrutable methods of conveying +himself from place to place with the rapidity of the swiftest steamboat +or rail-car. Brick walls and oaken doors and iron bolts are no +impediment to his passage. Here in my chamber, for instance, as the +evening deepens into night, I sit alone,—the key turned and withdrawn +from the lock, the keyhole stuffed with paper to keep out a peevish +little blast of wind. Yet, lonely as I seem, were I to lift one of the +lamps and step five paces eastward, Monsieur du Miroir would be sure to +meet me with a lamp also in his hand; and were I to take the +stage-coach to-morrow, without giving him the least hint of my design, +and post onward till the week’s end, at whatever hotel I might find +myself I should expect to share my private apartment with this +inevitable Monsieur du Miroir. Or, out of a mere wayward fantasy, were +I to go, by moonlight, and stand beside the stone Pout of the Shaker +Spring at Canterbury, Monsieur du Miroir would set forth on the same +fool’s errand, and would not fail to meet me there. Shall I heighten +the reader’s wonder? While writing these latter sentences, I happened +to glance towards the large, round globe of one off the brass andirons, +and lo! a miniature apparition of Monsieur du Miroir, with his face +widened and grotesquely contorted, as if he were making fun of my +amazement! But he has played so many of these jokes that they begin to +lose their effect. Once, presumptuous that he was, he stole into the +heaven of a young lady’s eyes; so that, while I gazed and was dreaming +only of herself, I found him also in my dream. Years have so changed +him since that he need never hope to enter those heavenly orbs again. + +From these veritable statements it will be readily concluded that, had +Monsieur du Miroir played such pranks in old witch times, matters might +have gone hard with him; at least if the constable and posse comitatus +could have executed a warrant, or the jailer had been cunning enough to +keep him. But it has often occurred to me as a very singular +circumstance, and as betokening either a temperament morbidly +suspicious or some weighty cause of apprehension, that he never trusts +himself within the grasp even of his most intimate friend. If you step +forward to meet him, he readily advances; if you offer him your hand, +he extends his own with an air of the utmost frankness; but, though you +calculate upon a hearty shake, you do not get hold of his little +finger. Ah, this Monsieur du Miroir is a slippery fellow! + +These truly are matters of special admiration. After vainly +endeavoring, by the strenuous exertion of my own wits, to gain a +satisfactory insight into the character of Monsieur du Miroir, I had +recourse to certain wise men, and also to books of abstruse philosophy, +seeking who it was that haunted me, and why. I heard long lectures and +read huge volumes with little profit beyond the knowledge that many +former instances are recorded, in successive ages, of similar +connections between ordinary mortals and beings possessing the +attributes of Monsieur du Miroir. Some now alive, perhaps, besides +myself, have such attendants. Would that Monsieur du Miroir could be +persuaded to transfer his attachment to one of those, and allow some +other of his race to assume the situation that he now holds in regard +to me! If I must needs have so intrusive an intimate, who stares me in +the face in my closest privacy, and follows me even to my bedchamber, I +should prefer—scandal apart—the laughing bloom of a young girl to the +dark and bearded gravity of my present companion. But such desires are +never to be gratified. Though the members of Monsieur du Miroir’s +family have been accused, perhaps justly, of visiting their friends +often in splendid halls, and seldom in darksome dungeons, yet they +exhibit a rare constancy to the objects of their first attachment, +however unlovely in person or unamiable in disposition,—however +unfortunate, or even infamous, and deserted by all the world besides. +So will it be with my associate. Our fates appear inseparably blended. +It is my belief, as I find him mingling with my earliest recollections, +that we came into existence together, as my shadow follows me into the +sunshine, and that hereafter, as heretofore, the brightness or gloom of +my fortunes will shine upon, or darken, the face of Monsieur du Miroir. +As we have been young together, and as it is now near the summer noon +with both of us, so, if long life be granted, shall each count his own +wrinkles on the other’s brow and his white hairs on the other’s head. +And when the coffin-lid shall have closed over me and that face and +form, which, more truly than the lover swears it to his beloved, are +the sole light of his existence,—when they shall be laid in that dark +chamber, whither his swift and secret footsteps cannot bring him,—then +what is to become of poor Monsieur du Miroir? Will he have the +fortitude, with my other friends, to take a last look at my pale +countenance? Will he walk foremost in the funeral train? Will he come +often and haunt around my grave, and weed away the nettles, and plant +flowers amid the verdure, and scrape the moss out of the letters of my +burial-stone? Will he linger where I have lived, to remind the +neglectful world of one who staked much to win a name, but will not +then care whether he lost or won? + +Not thus will he prove his deep fidelity. O, what terror, if this +friend of mine, after our last farewell, should step into the crowded +street, or roam along our old frequented path by the still waters, or +sit down in the domestic circle where our faces are most familiar and +beloved! No; but when the rays of heaven shall bless me no more, nor +the thoughtful lamplight gleam upon my studies, nor the cheerful +fireside gladden the meditative man, then, his task fulfilled, shall +this mysterious being vanish from the earth forever. He will pass to +the dark realm of nothingness, but will not find me there. + +There is something fearful in bearing such a relation to a creature so +imperfectly known, and in the idea that, to a certain extent, all which +concerns myself will be reflected in its consequences upon him. When we +feel that another is to share the self-same fortune with ourselves we +judge more severely of our prospects, and withhold our confidence from +that delusive magic which appears to shed an infallibility of happiness +over our own pathway. Of late years, indeed, there has been much to +sadden my intercourse with Monsieur de Miroir. Had not our union been a +necessary condition of our life, we must have been estranged ere now. +In early youth, when my affections were warm and free, I loved him +well, and could always spend a pleasant hour in his society, chiefly +because it gave me an excellent opinion of myself. Speechless as he +was, Monsieur du Miroir had then a most agreeable way of calling me a +handsome fellow; and I, of course, returned the compliment; so that, +the more we kept each other’s company, the greater coxcombs we mutually +grew. But neither of us need apprehend any such misfortune now. When we +chance to meet,—for it is chance oftener than design,—each glances +sadly at the other’s forehead, dreading wrinkles there; and at our +temples, whence the hair is thinning away too early; and at the sunken +eyes, which no longer shed a gladsome light over the whole face. I +involuntarily peruse him as a record of my heavy youth, which has been +wasted in sluggishness for lack of hope and impulse, or equally thrown +away in toil that had no wise motive and has accomplished no good end. +I perceive that the tranquil gloom of a disappointed soul has darkened +through his countenance, where the blackness of the future seems to +mingle with the shadows of the past, giving him the aspect of a fated +man. Is it too wild a thought that my fate may have assumed this image +of myself, and therefore haunts me with such inevitable pertinacity, +originating every act which it appears to imitate, while it deludes me +by pretending to share the events of which it is merely the emblem and +the prophecy? I must banish this idea, or it will throw too deep an awe +round my companion. At our next meeting, especially if it be at +midnight or in solitude, I fear that I shall glance aside and shudder; +in which case, as Monsieur du Miroir is extremely sensitive to +ill-treatment, he also will avert his eyes and express horror or +disgust. + +But no; this is unworthy of me. As of old I sought his society for the +bewitching dreams of woman’s love which he inspired, and because I +fancied a bright fortune in his aspect, so now will I hold daily and +long communion with hint for the sake of the stern lessons that he will +teach my manhood. With folded arms we will sit face to face, and +lengthen out our silent converse till a wiser cheerfulness shall have +been wrought from the very texture of despondency. He will say, perhaps +indignantly, that it befits only him to mourn for the decay of outward +grace, which, while he possessed it, was his all. But have not you, he +will ask, a treasure in reserve, to which every year may add far more +value than age or death itself can snatch from that miserable clay? He +will tell me that though the bloom of life has been nipped with a +frost, yet the soul must not sit shivering in its cell, but bestir +itself manfully, and kindle a genial warmth from its own exercise +against; the autumnal and the wintry atmosphere. And I, in return, will +bid him be of good cheer, nor take it amiss that I must blanch his +locks and wrinkle him up like a wilted apple, since it shall be my +endeavor so to beautify his face with intellect and mild benevolence +that he shall profit immensely by the change. But here a smile will +glimmer somewhat sadly over Monsieur du Miroir’s visage. + +When this subject shall have been sufficiently discussed we may take up +others as important. Reflecting upon his power of following me to the +remotest regions and into the deepest privacy, I will compare the +attempt to escape him to the hopeless race that men sometimes run with +memory, or their own hearts, or their moral selves, which, though +burdened with cares enough to crush an elephant, will never be one step +behind. I will be self-contemplative, as nature bids me, and make him +the picture or visible type of what I muse upon, that my mind may not +wander so vaguely as heretofore, chasing its own shadow through a chaos +and catching only the monsters that abide there. Then will we turn our +thoughts to the spiritual world, of the reality of which my companions +shall furnish me an illustration, if not an argument; for, as we have +only the testimony of the eye to Monsieur du Miroir’s existence, while +all the other senses would fail to inform us that such a figure stands +within arm’s-length, wherefore should there not be beings innumerable +close beside us, and filling heaven and earth with their multitude, yet +of whom no corporeal perception can take cognizance? A blind man might +as reasonably deny that Monsieur du Miroir exists, as we, because the +Creator has hitherto withheld the spiritual perception, can therefore +contend that there are no spirits. O, there are! And, at this moment, +when the subject of which I write has grown strong within me and +surrounded itself with those solemn and awful associations which might +have seemed most alien to it, I could fancy that Monsieur du Miroir +himself is a wanderer from the spiritual world, with nothing human +except his delusive garment of visibility. Methinks I should tremble +now were his wizard power of gliding through all impediments in search +of me to place him suddenly before my eyes. + +Ha! What is yonder? Shape of mystery, did the tremor of my heartstrings +vibrate to thine own, and call thee from thy home among the dancers of +the northern lights, and shadows flung from departed sunshine, and +giant spectres that appear on clouds at daybreak and affright the +climber of the Alps? In truth it startled me, as I threw a wary glance +eastward across the chamber, to discern an unbidden guest with his eyes +bent on mine. The identical MONSIEUR DU MIROIR! Still there he sits and +returns my gaze with as much of awe and curiosity as if he, too, had +spent a solitary evening in fantastic musings and made me his theme. So +inimitably does he counterfeit that I could almost doubt which of us is +the visionary form, or whether each be not the other’s mystery, and +both twin brethren of one fate, in mutually reflected spheres. O +friend, canst thou not hear and answer me? Break down the barrier +between us! Grasp my hand! Speak! Listen! A few words, perhaps, might +satisfy the feverish yearning of my soul for some master-thought that +should guide me through this labyrinth of life, teaching wherefore I +was born, and how to do my task on earth, and what is death. Alas! Even +that unreal image should forget to ape me and smile at these vain +questions. Thus do mortals deify, as it were, a mere shadow of +themselves, a spectre of human reason, and ask of that to unveil the +mysteries which Divine Intelligence has revealed so far as needful to +our guidance, and hid the rest. + +Farewell, Monsieur du Miroir. Of you, perhaps, as of many men, it may +be doubted whether you are the wiser, though your whole business is +REFLECTION. + + + + +*** END OF THE PROJECT GUTENBERG EBOOK MONSIEUR DU MIROIR *** + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away--you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full +Project Gutenberg-tm License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project +Gutenberg-tm electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg-tm electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg-tm electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the +person or entity to whom you paid the fee as set forth in paragraph +1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg-tm +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the +Foundation" or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg-tm electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg-tm mission of promoting +free access to electronic works by freely sharing Project Gutenberg-tm +works in compliance with the terms of this agreement for keeping the +Project Gutenberg-tm name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg-tm License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg-tm work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg-tm License must appear +prominently whenever any copy of a Project Gutenberg-tm work (any work +on which the phrase "Project Gutenberg" appears, or with which the +phrase "Project Gutenberg" is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and + most other parts of the world at no cost and with almost no + restrictions whatsoever. You may copy it, give it away or re-use it + under the terms of the Project Gutenberg License included with this + eBook or online at www.gutenberg.org. If you are not located in the + United States, you will have to check the laws of the country where + you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg-tm electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase "Project +Gutenberg" associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg-tm +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg-tm License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg-tm work in a format +other than "Plain Vanilla ASCII" or other format used in the official +version posted on the official Project Gutenberg-tm website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original "Plain +Vanilla ASCII" or other form. Any alternate format must include the +full Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works +provided that: + +* You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg-tm trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, "Information about donations to the Project Gutenberg + Literary Archive Foundation." + +* You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg-tm + works. + +* You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + +* You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg-tm electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg-tm trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm +electronic works, and the medium on which they may be stored, may +contain "Defects," such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg-tm +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg-tm work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg-tm work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at +www.gutenberg.org + +Section 3. Information about the Project Gutenberg Literary +Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state's laws. + +The Foundation's business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation's website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without +widespread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular +state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate + +Section 5. General Information About Project Gutenberg-tm electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg-tm concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg-tm eBooks with only a loose network of +volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org + +This website includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + diff --git a/9225-0.zip b/9225-0.zip Binary files differnew file mode 100644 index 0000000..629d1db --- /dev/null +++ b/9225-0.zip diff --git a/9225-h.zip b/9225-h.zip Binary files differnew file mode 100644 index 0000000..63f90d5 --- /dev/null +++ b/9225-h.zip diff --git a/9225-h/9225-h.htm b/9225-h/9225-h.htm new file mode 100644 index 0000000..fb27c66 --- /dev/null +++ b/9225-h/9225-h.htm @@ -0,0 +1,887 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" +"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> +<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> +<meta http-equiv="Content-Style-Type" content="text/css" /> +<title>The Project Gutenberg eBook of Monsieur du Miroir, by Nathaniel Hawthorne</title> + +<style type="text/css" xml:space="preserve"> + +body { margin-left: 20%; + margin-right: 20%; + text-align: justify; } + +h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight: +normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;} + +h1 {font-size: 300%; + margin-top: 0.6em; + margin-bottom: 0.6em; + letter-spacing: 0.12em; + word-spacing: 0.2em; + text-indent: 0em;} +h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;} +h3 {font-size: 130%; margin-top: 1em;} +h4 {font-size: 120%;} +h5 {font-size: 110%;} + +.no-break {page-break-before: avoid;} /* for epubs */ + +div.chapter {page-break-before: always; margin-top: 4em;} + +hr {width: 80%; margin-top: 2em; margin-bottom: 2em;} + +p {text-indent: 1em; + margin-top: 0.25em; + margin-bottom: 0.25em; } + +a:link {color:blue; text-decoration:none} +a:visited {color:blue; text-decoration:none} +a:hover {color:red} + +</style> +</head> +<body> + +<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Monsieur du Miroir, by Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Monsieur du Miroir</div> +<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Nathaniel Hawthorne</div> +<div style='display:block; margin:1em 0'>Release Date: September 6, 2003 [eBook #9225]<br /> +[Most recently updated: November 9, 2022]</div> +<div style='display:block; margin:1em 0'>Language: English</div> +<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> +<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Widger and Al Haines</div> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK MONSIEUR DU MIROIR ***</div> + +<h1>Monsieur du Miroir</h1> + +<h2 class="no-break">by Nathaniel Hawthorne</h2> + +<hr /> + +<div class="chapter"> + +<p> +Than the gentleman above named, there is nobody, in the whole circle of my +acquaintance, whom I have more attentively studied, yet of whom I have less +real knowledge, beneath the surface which it pleases him to present. Being +anxious to discover who and what he really is, and how connected with me, and +what are to be the results to him and to myself of the joint interest which, +without any choice on my part, seems to be permanently established between us, +and incited, furthermore, by the propensities of a student of human nature, +though doubtful whether Monsieur du Miroir have aught of humanity but the +figure,—I have determined to place a few of his remarkable points before +the public, hoping to be favored with some clew to the explanation of his +character. Nor let the reader condemn any part of the narrative as frivolous, +since a subject of such grave reflection diffuses its importance through the +minutest particulars; and there is no judging beforehand what odd little +circumstance may do the office of a blind man’s dog among the perplexities of +this dark investigation; and however extraordinary, marvellous, preternatural, +and utterly incredible some of the meditated disclosures may appear, I pledge +my honor to maintain as sacred a regard to fact as if my testimony were given +on oath and involved the dearest interests of the personage in question. Not +that there is matter for a criminal accusation against Monsieur du Miroir, nor +am I the man to bring it forward if there were. The chief that I complain of is +his impenetrable mystery, which is no better than nonsense if it conceal +anything good, and much worse in the contrary case. +</p> + +<p> +But, if undue partialities could be supposed to influence me, Monsieur du +Miroir might hope to profit rather than to suffer by them, for in the whole of +our long intercourse we have seldom had the slightest disagreement; and, +moreover, there are reasons for supposing him a near relative of mine, and +consequently entitled to the best word that I can give him. He bears +indisputably a strong personal resemblance to myself, and generally puts on +mourning at the funerals of the family. On the other hand, his name would +indicate a French descent; in which case, infinitely preferring that my blood +should flow from a bold British and pure Puritan source, I beg leave to +disclaim all kindred with Monsieur du Miroir. Some genealogists trace his +origin to Spain, and dub him a knight of the order of the C<small>ABALLEROS DE +LOS</small> E<small>SPEJOZ</small>, one of whom was overthrown by Don Quixote. +But what says Monsieur du Miroir himself of his paternity and his fatherland? +Not a word did he ever say about the matter; and herein, perhaps, lies one of +his most especial reasons for maintaining such a vexatious mystery, that he +lacks the faculty of speech to expound it. His lips are sometimes seen to move; +his eyes and countenance are alive with shifting expression, as if +corresponding by visible hieroglyphics to his modulated breath; and anon he +will seem to pause with as satisfied an air as if he had been talking excellent +sense. Good sense or bad, Monsieur du Miroir is the sole judge of his own +conversational powers, never having whispered so much as a syllable that +reached the ears of any other auditor. Is he really dumb? or is all the world +deaf? or is it merely a piece of my friend’s waggery, meant for nothing but to +make fools of us? If so, he has the joke all to himself. +</p> + +<p> +This dumb devil which possesses Monsieur do Miroir is, I am persuaded, the sole +reason that he does not make me the most flattering protestations of +friendship. In many particulars—indeed, as to all his cognizable and not +preternatural points, except that, once in a great while, I speak a word or +two—there exists the greatest apparent sympathy between us. Such is his +confidence in my taste that he goes astray from the general fashion and copies +all his dresses after mine. I never try on a new garment without expecting to +meet, Monsieur du Miroir in one of the same pattern. He has duplicates of all +my waistcoats and cravats, shirt-bosoms of precisely a similar plait, and an +old coat for private wear, manufactured, I suspect, by a Chinese tailor, in +exact imitation of a beloved old coat of mine, with a facsimile, stitch by +stitch, of a patch upon the elbow. In truth, the singular and minute +coincidences that occur, both in the accidents of the passing day and the +serious events of our lives, remind me of those doubtful legends of lovers, or +twin children, twins of fate, who have lived, enjoyed, suffered, and died in +unison, each faithfully repeating the last tremor of the other’s breath, though +separated by vast tracts of sea and land. Strange to say, my incommodities +belong equally to my companion, though the burden is nowise alleviated by his +participation. The other morning, after a night of torment from the toothache, +I met Monsieur du Miroir with such a swollen anguish in his cheek that my own +pangs were redoubled, as were also his, if I might judge by a fresh contortion +of his visage. All the inequalities of my spirits are communicated to him, +causing the unfortunate Monsieur du Miroir to mope and scowl through a whole +summer’s day, or to laugh as long, for no better reason than the gay or gloomy +crotchets of my brain. Once we were joint sufferers of a three months’ +sickness, and met like mutual ghosts in the first days of convalescence. +Whenever I have been in love, Monsieur du Miroir has looked passionate and +tender; and never did my mistress discard me, but this too susceptible +gentleman grew lackadaisical. His temper, also, rises to blood heat, fever +heat, or boiling-water beat, according to the measure of any wrong which might +seem to have fallen entirely on myself. I have sometimes been calmed down by +the sight of my own inordinate wrath depicted on his frowning brow. Yet, +however prompt in taking up my quarrels, I cannot call to mind that he ever +struck a downright blow in my behalf; nor, in fact, do I perceive that any real +and tangible good has resulted from his constant interference in my affairs; so +that, in my distrustful moods, I am apt to suspect Monsieur du Miroir’s +sympathy to be mere outward show, not a whit better nor worse than other +people’s sympathy. Nevertheless, as mortal man must have something in the guise +of sympathy,—and whether the true metal, or merely copper-washed, is of +less moment,—I choose rather to content myself with Monsieur du Miroir’s, +such as it is, than to seek the sterling coin, and perhaps miss even the +counterfeit. +</p> + +<p> +In my age of vanities I have often seen him in the ballroom, and might again +were I to seek him there. We have encountered each other at the Tremont +Theatre, where, however, he took his seat neither in the dress-circle, pit, nor +upper regions, nor threw a single glance at the stage, though the brightest +star, even Fanny Kemble herself, might be culminating there. No; this whimsical +friend of mine chose to linger in the saloon, near one of the large +looking-glasses which throw back their pictures of the illuminated room. He is +so full of these unaccountable eccentricities that I never like to notice +Monsieur du Miroir, nor to acknowledge the slightest connection with him, in +places of public resort. He, however, has no scruple about claiming my +acquaintance, even when his common-sense, if he had any, might teach him that I +would as willingly exchange a nod with the Old Nick. It was but the other day +that he got into a large brass kettle at the entrance of a hardware-store, and +thrust his head, the moment afterwards, into a bright, new warming-pan, whence +he gave me a most merciless look of recognition. He smiled, and so did I; but +these childish tricks make decent people rather shy of Monsieur du Miroir, and +subject him to more dead cuts than any other gentleman in town. +</p> + +<p> +One of this singular person’s most remarkable peculiarities is his fondness for +water, wherein he excels any temperance man whatever. His pleasure, it must be +owned, is not so much to drink it (in which respect a very moderate quantity +will answer his occasions) as to souse himself over head and ears wherever he +may meet with it. Perhaps he is a merman, or born of a mermaid’s marriage with +a mortal, and thus amphibious by hereditary right, like the children which the +old river deities, or nymphs of fountains, gave to earthly love. When no +cleaner bathing-place happened to be at hand, I have seen the foolish fellow in +a horse-pond. Some times he refreshes himself in the trough of a town-pump, +without caring what the people think about him. Often, while carefully picking +my way along the street after a heavy shower, I have been scandalized to see +Monsieur du Miroir, in full dress, paddling from one mud-puddle to another, and +plunging into the filthy depths of each. Seldom have I peeped into a well +without discerning this ridiculous gentleman at the bottom, whence he gazes up, +as through a long telescopic tube, and probably makes discoveries among the +stars by daylight. Wandering along lonesome paths or in pathless forests, when +I have come to virgin fountains of which it would have been pleasant to deem +myself the first discoverer, I have started to find Monsieur du Miroir there +before me. The solitude seemed lonelier for his presence. I have leaned from a +precipice that frowns over Lake George, which the French call nature’s font of +sacramental water, and used it in their log-churches here and their cathedrals +beyond the sea, and seen him far below in that pure element. At Niagara, too, +where I would gladly have forgotten both myself and him, I could not help +observing my companion in the smooth water on the very verge of the cataract +just above the Table Rock. Were I to reach the sources of the Nile, I should +expect to meet him there. Unless he be another Ladurlad, whose garments the +depth of ocean could not moisten, it is difficult to conceive how he keeps +himself in any decent pickle; though I am bound to confess that his clothes +seem always as dry and comfortable as my own. But, as a friend, I could wish +that he would not so often expose himself in liquor. +</p> + +<p> +All that I have hitherto related may be classed among those little personal +oddities which agreeably diversify the surface of society, and, though they may +sometimes annoy us, yet keep our daily intercourse fresher and livelier than if +they were done away. By an occasional hint, however, I have endeavored to pave +the way for stranger things to come, which, had they been disclosed at once, +Monsieur du Miroir might have been deemed a shadow, and myself a person of no +veracity, and this truthful history a fabulous legend. But, now that the reader +knows me worthy of his confidence, I will begin to make him stare. +</p> + +<p> +To speak frankly, then, I could bring the most astounding proofs that Monsieur +du Miroir is at least a conjurer, if not one of that unearthly tribe with whom +conjurers deal. He has inscrutable methods of conveying himself from place to +place with the rapidity of the swiftest steamboat or rail-car. Brick walls and +oaken doors and iron bolts are no impediment to his passage. Here in my +chamber, for instance, as the evening deepens into night, I sit +alone,—the key turned and withdrawn from the lock, the keyhole stuffed +with paper to keep out a peevish little blast of wind. Yet, lonely as I seem, +were I to lift one of the lamps and step five paces eastward, Monsieur du +Miroir would be sure to meet me with a lamp also in his hand; and were I to +take the stage-coach to-morrow, without giving him the least hint of my design, +and post onward till the week’s end, at whatever hotel I might find myself I +should expect to share my private apartment with this inevitable Monsieur du +Miroir. Or, out of a mere wayward fantasy, were I to go, by moonlight, and +stand beside the stone Pout of the Shaker Spring at Canterbury, Monsieur du +Miroir would set forth on the same fool’s errand, and would not fail to meet me +there. Shall I heighten the reader’s wonder? While writing these latter +sentences, I happened to glance towards the large, round globe of one off the +brass andirons, and lo! a miniature apparition of Monsieur du Miroir, with his +face widened and grotesquely contorted, as if he were making fun of my +amazement! But he has played so many of these jokes that they begin to lose +their effect. Once, presumptuous that he was, he stole into the heaven of a +young lady’s eyes; so that, while I gazed and was dreaming only of herself, I +found him also in my dream. Years have so changed him since that he need never +hope to enter those heavenly orbs again. +</p> + +<p> +From these veritable statements it will be readily concluded that, had Monsieur +du Miroir played such pranks in old witch times, matters might have gone hard +with him; at least if the constable and posse comitatus could have executed a +warrant, or the jailer had been cunning enough to keep him. But it has often +occurred to me as a very singular circumstance, and as betokening either a +temperament morbidly suspicious or some weighty cause of apprehension, that he +never trusts himself within the grasp even of his most intimate friend. If you +step forward to meet him, he readily advances; if you offer him your hand, he +extends his own with an air of the utmost frankness; but, though you calculate +upon a hearty shake, you do not get hold of his little finger. Ah, this +Monsieur du Miroir is a slippery fellow! +</p> + +<p> +These truly are matters of special admiration. After vainly endeavoring, by the +strenuous exertion of my own wits, to gain a satisfactory insight into the +character of Monsieur du Miroir, I had recourse to certain wise men, and also +to books of abstruse philosophy, seeking who it was that haunted me, and why. I +heard long lectures and read huge volumes with little profit beyond the +knowledge that many former instances are recorded, in successive ages, of +similar connections between ordinary mortals and beings possessing the +attributes of Monsieur du Miroir. Some now alive, perhaps, besides myself, have +such attendants. Would that Monsieur du Miroir could be persuaded to transfer +his attachment to one of those, and allow some other of his race to assume the +situation that he now holds in regard to me! If I must needs have so intrusive +an intimate, who stares me in the face in my closest privacy, and follows me +even to my bedchamber, I should prefer—scandal apart—the laughing +bloom of a young girl to the dark and bearded gravity of my present companion. +But such desires are never to be gratified. Though the members of Monsieur du +Miroir’s family have been accused, perhaps justly, of visiting their friends +often in splendid halls, and seldom in darksome dungeons, yet they exhibit a +rare constancy to the objects of their first attachment, however unlovely in +person or unamiable in disposition,—however unfortunate, or even +infamous, and deserted by all the world besides. So will it be with my +associate. Our fates appear inseparably blended. It is my belief, as I find him +mingling with my earliest recollections, that we came into existence together, +as my shadow follows me into the sunshine, and that hereafter, as heretofore, +the brightness or gloom of my fortunes will shine upon, or darken, the face of +Monsieur du Miroir. As we have been young together, and as it is now near the +summer noon with both of us, so, if long life be granted, shall each count his +own wrinkles on the other’s brow and his white hairs on the other’s head. And +when the coffin-lid shall have closed over me and that face and form, which, +more truly than the lover swears it to his beloved, are the sole light of his +existence,—when they shall be laid in that dark chamber, whither his +swift and secret footsteps cannot bring him,—then what is to become of +poor Monsieur du Miroir? Will he have the fortitude, with my other friends, to +take a last look at my pale countenance? Will he walk foremost in the funeral +train? Will he come often and haunt around my grave, and weed away the nettles, +and plant flowers amid the verdure, and scrape the moss out of the letters of +my burial-stone? Will he linger where I have lived, to remind the neglectful +world of one who staked much to win a name, but will not then care whether he +lost or won? +</p> + +<p> +Not thus will he prove his deep fidelity. O, what terror, if this friend of +mine, after our last farewell, should step into the crowded street, or roam +along our old frequented path by the still waters, or sit down in the domestic +circle where our faces are most familiar and beloved! No; but when the rays of +heaven shall bless me no more, nor the thoughtful lamplight gleam upon my +studies, nor the cheerful fireside gladden the meditative man, then, his task +fulfilled, shall this mysterious being vanish from the earth forever. He will +pass to the dark realm of nothingness, but will not find me there. +</p> + +<p> +There is something fearful in bearing such a relation to a creature so +imperfectly known, and in the idea that, to a certain extent, all which +concerns myself will be reflected in its consequences upon him. When we feel +that another is to share the self-same fortune with ourselves we judge more +severely of our prospects, and withhold our confidence from that delusive magic +which appears to shed an infallibility of happiness over our own pathway. Of +late years, indeed, there has been much to sadden my intercourse with Monsieur +de Miroir. Had not our union been a necessary condition of our life, we must +have been estranged ere now. In early youth, when my affections were warm and +free, I loved him well, and could always spend a pleasant hour in his society, +chiefly because it gave me an excellent opinion of myself. Speechless as he +was, Monsieur du Miroir had then a most agreeable way of calling me a handsome +fellow; and I, of course, returned the compliment; so that, the more we kept +each other’s company, the greater coxcombs we mutually grew. But neither of us +need apprehend any such misfortune now. When we chance to meet,—for it is +chance oftener than design,—each glances sadly at the other’s forehead, +dreading wrinkles there; and at our temples, whence the hair is thinning away +too early; and at the sunken eyes, which no longer shed a gladsome light over +the whole face. I involuntarily peruse him as a record of my heavy youth, which +has been wasted in sluggishness for lack of hope and impulse, or equally thrown +away in toil that had no wise motive and has accomplished no good end. I +perceive that the tranquil gloom of a disappointed soul has darkened through +his countenance, where the blackness of the future seems to mingle with the +shadows of the past, giving him the aspect of a fated man. Is it too wild a +thought that my fate may have assumed this image of myself, and therefore +haunts me with such inevitable pertinacity, originating every act which it +appears to imitate, while it deludes me by pretending to share the events of +which it is merely the emblem and the prophecy? I must banish this idea, or it +will throw too deep an awe round my companion. At our next meeting, especially +if it be at midnight or in solitude, I fear that I shall glance aside and +shudder; in which case, as Monsieur du Miroir is extremely sensitive to +ill-treatment, he also will avert his eyes and express horror or disgust. +</p> + +<p> +But no; this is unworthy of me. As of old I sought his society for the +bewitching dreams of woman’s love which he inspired, and because I fancied a +bright fortune in his aspect, so now will I hold daily and long communion with +hint for the sake of the stern lessons that he will teach my manhood. With +folded arms we will sit face to face, and lengthen out our silent converse till +a wiser cheerfulness shall have been wrought from the very texture of +despondency. He will say, perhaps indignantly, that it befits only him to mourn +for the decay of outward grace, which, while he possessed it, was his all. But +have not you, he will ask, a treasure in reserve, to which every year may add +far more value than age or death itself can snatch from that miserable clay? He +will tell me that though the bloom of life has been nipped with a frost, yet +the soul must not sit shivering in its cell, but bestir itself manfully, and +kindle a genial warmth from its own exercise against; the autumnal and the +wintry atmosphere. And I, in return, will bid him be of good cheer, nor take it +amiss that I must blanch his locks and wrinkle him up like a wilted apple, +since it shall be my endeavor so to beautify his face with intellect and mild +benevolence that he shall profit immensely by the change. But here a smile will +glimmer somewhat sadly over Monsieur du Miroir’s visage. +</p> + +<p> +When this subject shall have been sufficiently discussed we may take up others +as important. Reflecting upon his power of following me to the remotest regions +and into the deepest privacy, I will compare the attempt to escape him to the +hopeless race that men sometimes run with memory, or their own hearts, or their +moral selves, which, though burdened with cares enough to crush an elephant, +will never be one step behind. I will be self-contemplative, as nature bids me, +and make him the picture or visible type of what I muse upon, that my mind may +not wander so vaguely as heretofore, chasing its own shadow through a chaos and +catching only the monsters that abide there. Then will we turn our thoughts to +the spiritual world, of the reality of which my companions shall furnish me an +illustration, if not an argument; for, as we have only the testimony of the eye +to Monsieur du Miroir’s existence, while all the other senses would fail to +inform us that such a figure stands within arm’s-length, wherefore should there +not be beings innumerable close beside us, and filling heaven and earth with +their multitude, yet of whom no corporeal perception can take cognizance? A +blind man might as reasonably deny that Monsieur du Miroir exists, as we, +because the Creator has hitherto withheld the spiritual perception, can +therefore contend that there are no spirits. O, there are! And, at this moment, +when the subject of which I write has grown strong within me and surrounded +itself with those solemn and awful associations which might have seemed most +alien to it, I could fancy that Monsieur du Miroir himself is a wanderer from +the spiritual world, with nothing human except his delusive garment of +visibility. Methinks I should tremble now were his wizard power of gliding +through all impediments in search of me to place him suddenly before my eyes. +</p> + +<p> +Ha! What is yonder? Shape of mystery, did the tremor of my heartstrings vibrate +to thine own, and call thee from thy home among the dancers of the northern +lights, and shadows flung from departed sunshine, and giant spectres that +appear on clouds at daybreak and affright the climber of the Alps? In truth it +startled me, as I threw a wary glance eastward across the chamber, to discern +an unbidden guest with his eyes bent on mine. The identical MONSIEUR DU MIROIR! +Still there he sits and returns my gaze with as much of awe and curiosity as if +he, too, had spent a solitary evening in fantastic musings and made me his +theme. So inimitably does he counterfeit that I could almost doubt which of us +is the visionary form, or whether each be not the other’s mystery, and both +twin brethren of one fate, in mutually reflected spheres. O friend, canst thou +not hear and answer me? Break down the barrier between us! Grasp my hand! +Speak! Listen! A few words, perhaps, might satisfy the feverish yearning of my +soul for some master-thought that should guide me through this labyrinth of +life, teaching wherefore I was born, and how to do my task on earth, and what +is death. Alas! Even that unreal image should forget to ape me and smile at +these vain questions. Thus do mortals deify, as it were, a mere shadow of +themselves, a spectre of human reason, and ask of that to unveil the mysteries +which Divine Intelligence has revealed so far as needful to our guidance, and +hid the rest. +</p> + +<p> +Farewell, Monsieur du Miroir. Of you, perhaps, as of many men, it may be +doubted whether you are the wiser, though your whole business is +<small>REFLECTION</small>. +</p> + +</div><!--end chapter--> + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK MONSIEUR DU MIROIR ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away--you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. +</div> + +<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> +<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> +</div> + +<div style='display:block; margin:1em 0'> +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. +</div> + +<div style='display:block; margin:1em 0'> +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. +</div> + +<div style='display:block; margin:1em 0'> +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. +</div> + +<div style='display:block; margin:1em 0'> +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. +</div> + +<div style='display:block; margin:1em 0'> +1.E. Unless you have removed all references to Project Gutenberg: +</div> + +<div style='display:block; margin:1em 0'> +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: +</div> + +<blockquote> + <div style='display:block; margin:1em 0'> + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + </div> +</blockquote> + +<div style='display:block; margin:1em 0'> +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. +</div> + +<div style='display:block; margin:1em 0'> +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. +</div> + +<div style='display:block; margin:1em 0'> +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. +</div> + +<div style='display:block; margin:1em 0'> +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. +</div> + +<div style='display:block; margin:1em 0'> +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: +</div> + +<div style='margin-left:0.7em;'> + <div style='text-indent:-0.7em'> + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + </div> + + <div style='text-indent:-0.7em'> + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + </div> + + <div style='text-indent:-0.7em'> + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + </div> + + <div style='text-indent:-0.7em'> + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + </div> +</div> + +<div style='display:block; margin:1em 0'> +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. +</div> + +<div style='display:block; margin:1em 0'> +1.F. +</div> + +<div style='display:block; margin:1em 0'> +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. +</div> + +<div style='display:block; margin:1em 0'> +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. +</div> + +<div style='display:block; margin:1em 0'> +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. +</div> + +<div style='display:block; margin:1em 0'> +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 2. Information about the Mission of Project Gutenberg™ +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. +</div> + +<div style='display:block; margin:1em 0'> +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 3. Information about the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. +</div> + +<div style='display:block; margin:1em 0'> +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. +</div> + +<div style='display:block; margin:1em 0'> +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. +</div> + +<div style='display:block; margin:1em 0'> +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 5. General Information About Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. +</div> + +<div style='display:block; margin:1em 0'> +Most people start at our website which has the main PG search +facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. +</div> + +<div style='display:block; margin:1em 0'> +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. +</div> + +</div> + +</body> +</html> diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..4fff209 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #9225 (https://www.gutenberg.org/ebooks/9225) diff --git a/old/9225.txt b/old/9225.txt new file mode 100644 index 0000000..ce289c2 --- /dev/null +++ b/old/9225.txt @@ -0,0 +1,806 @@ +The Project Gutenberg EBook of Monsieur du Muroir (From "Mosses From An +Old Manse"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Monsieur du Muroir (From "Mosses From An Old Manse") + +Author: Nathaniel Hawthorne + +Posting Date: December 8, 2010 [EBook #9225] +Release Date: November, 2005 +First Posted: September 6, 2003 +Last Updated: February 6, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK MONSIEUR DU MUROIR *** + + + + +Produced by David Widger. HTML version by Al Haines. + + + + + + + + + + MOSSES FROM AN OLD MANSE + + By Nathaniel Hawthorne + + MONSIEUR DU MIROIR + + + +Than the gentleman above named, there is nobody, in the whole circle +of my acquaintance, whom I have more attentively studied, yet of +whom I have less real knowledge, beneath the surface which it +pleases him to present. Being anxious to discover who and what he +really is, and how connected with me, and what are to be the results +to him and to myself of the joint interest which, without any choice +on my part, seems to be permanently established between us, and +incited, furthermore, by the propensities of a student of human +nature, though doubtful whether Monsieur du Miroir have aught of +humanity but the figure,--I have determined to place a few of his +remarkable points before the public, hoping to be favored with some +clew to the explanation of his character. Nor let the reader +condemn any part of the narrative as frivolous, since a subject of +such grave reflection diffuses its importance through the minutest +particulars; and there is no judging beforehand what odd little +circumstance may do the office of a blind man's dog among the +perplexities of this dark investigation; and however extraordinary, +marvellous, preternatural, and utterly incredible some of the +meditated disclosures may appear, I pledge my honor to maintain as +sacred a regard to fact as if my testimony were given on oath and +involved the dearest interests of the personage in question. Not +that there is matter for a criminal accusation against Monsieur du +Miroir, nor am I the man to bring it forward if there were. The +chief that I complain of is his impenetrable mystery, which is no +better than nonsense if it conceal anything good, and much worse in +the contrary case. + +But, if undue partialities could be supposed to influence me, +Monsieur du Miroir might hope to profit rather than to suffer by +them, for in the whole of our long intercourse we have seldom had +the slightest disagreement; and, moreover, there are reasons for +supposing him a near relative of mine, and consequently entitled to +the best word that I can give him. He bears indisputably a strong +personal resemblance to myself, and generally puts on mourning at +the funerals of the family. On the other hand, his name would +indicate a French descent; in which case, infinitely preferring that +my blood should flow from a bold British and pure Puritan source, I +beg leave to disclaim all kindred with Monsieur du Miroir. Some +genealogists trace his origin to Spain, and dub him a knight of the +order of the CABALLEROS DE LOS ESPEJOZ, one of whom was overthrown +by Don Quixote. But what says Monsieur du Miroir himself of his +paternity and his fatherland? Not a word did he ever say about the +matter; and herein, perhaps, lies one of his most especial reasons +for maintaining such a vexatious mystery, that he lacks the faculty +of speech to expound it. His lips are sometimes seen to move; his +eyes and countenance are alive with shifting expression, as if +corresponding by visible hieroglyphics to his modulated breath; and +anon he will seem to pause with as satisfied an air as if he had +been talking excellent sense. Good sense or bad, Monsieur du Miroir +is the sole judge of his own conversational powers, never having +whispered so much as a syllable that reached the ears of any other +auditor. Is he really dumb? or is all the world deaf? or is it +merely a piece of my friend's waggery, meant for nothing but to make +fools of us? If so, he has the joke all to himself. + +This dumb devil which possesses Monsieur do Miroir is, I am +persuaded, the sole reason that he does not make me the most +flattering protestations of friendship. In many particulars--indeed, +as to all his cognizable and not preternatural points, +except that, once in a great while, I speak a word or two--there +exists the greatest apparent sympathy between us. Such is his +confidence in my taste that he goes astray from the general fashion +and copies all his dresses after mine. I never try on a new garment +without expecting to meet, Monsieur du Miroir in one of the same +pattern. He has duplicates of all my waistcoats and cravats, +shirt-bosoms of precisely a similar plait, and an old coat for private +wear, manufactured, I suspect, by a Chinese tailor, in exact +imitation of a beloved old coat of mine, with a facsimile, stitch by +stitch, of a patch upon the elbow. In truth, the singular and +minute coincidences that occur, both in the accidents of the passing +day and the serious events of our lives, remind me of those doubtful +legends of lovers, or twin children, twins of fate, who have lived, +enjoyed, suffered, and died in unison, each faithfully repeating the +last tremor of the other's breath, though separated by vast tracts +of sea and land. Strange to say, my incommodities belong equally to +my companion, though the burden is nowise alleviated by his +participation. The other morning, after a night of torment from the +toothache, I met Monsieur du Miroir with such a swollen anguish in +his cheek that my own pangs were redoubled, as were also his, if I +might judge by a fresh contortion of his visage. All the +inequalities of my spirits are communicated to him, causing the +unfortunate Monsieur du Miroir to mope and scowl through a whole +summer's day, or to laugh as long, for no better reason than the gay +or gloomy crotchets of my brain. Once we were joint sufferers of a +three months' sickness, and met like mutual ghosts in the first days +of convalescence. Whenever I have been in love, Monsieur du Miroir +has looked passionate and tender; and never did my mistress discard +me, but this too susceptible gentleman grew lackadaisical. His +temper, also, rises to blood heat, fever heat, or boiling-water +beat, according to the measure of any wrong which might seem to have +fallen entirely on myself. I have sometimes been calmed down by the +sight of my own inordinate wrath depicted on his frowning brow. +Yet, however prompt in taking up my quarrels, I cannot call to mind +that he ever struck a downright blow in my behalf; nor, in fact, do +I perceive that any real and tangible good has resulted from his +constant interference in my affairs; so that, in my distrustful +moods, I am apt to suspect Monsieur du Miroir's sympathy to be mere +outward show, not a whit better nor worse than other people's +sympathy. Nevertheless, as mortal man must have something in the +guise of sympathy,--and whether the true metal, or merely +copper-washed, is of less moment,--I choose rather to content myself +with Monsieur du Miroir's, such as it is, than to seek the sterling +coin, and perhaps miss even the counterfeit. + +In my age of vanities I have often seen him in the ballroom, and +might again were I to seek him there. We have encountered each +other at the Tremont Theatre, where, however, he took his seat +neither in the dress-circle, pit, nor upper regions, nor threw a +single glance at the stage, though the brightest star, even Fanny +Kemble herself, might be culminating there. No; this whimsical +friend of mine chose to linger in the saloon, near one of the large +looking-glasses which throw back their pictures of the illuminated +room. He is so full of these unaccountable eccentricities that I +never like to notice Monsieur du Miroir, nor to acknowledge the +slightest connection with him, in places of public resort. He, +however, has no scruple about claiming my acquaintance, even when +his common-sense, if he had any, might teach him that I would as +willingly exchange a nod with the Old Nick. It was but the other +day that he got into a large brass kettle at the entrance of a +hardware-store, and thrust his head, the moment afterwards, into a +bright, new warming-pan, whence he gave me a most merciless look of +recognition. He smiled, and so did I; but these childish tricks +make decent people rather shy of Monsieur du Miroir, and subject him +to more dead cuts than any other gentleman in town. + +One of this singular person's most remarkable peculiarities is his +fondness for water, wherein he excels any temperance man whatever. +His pleasure, it must be owned, is not so much to drink it (in which +respect a very moderate quantity will answer his occasions) as to +souse himself over head and ears wherever he may meet with it. +Perhaps he is a merman, or born of a mermaid's marriage with a +mortal, and thus amphibious by hereditary right, like the children +which the old river deities, or nymphs of fountains, gave to earthly +love. When no cleaner bathing-place happened to be at hand, I have +seen the foolish fellow in a horse-pond. Some times he refreshes +himself in the trough of a town-pump, without caring what the people +think about him. Often, while carefully picking my way along the +street after a heavy shower, I have been scandalized to see Monsieur +du Miroir, in full dress, paddling from one mud-puddle to another, +and plunging into the filthy depths of each. Seldom have I peeped +into a well without discerning this ridiculous gentleman at the +bottom, whence he gazes up, as through a long telescopic tube, and +probably makes discoveries among the stars by daylight. Wandering +along lonesome paths or in pathless forests, when I have come to +virgin fountains of which it would have been pleasant to deem myself +the first discoverer, I have started to find Monsieur du Miroir +there before me. The solitude seemed lonelier for his presence. I +have leaned from a precipice that frowns over Lake George, which the +French call nature's font of sacramental water, and used it in their +log-churches here and their cathedrals beyond the sea, and seen him +far below in that pure element. At Niagara, too, where I would +gladly have forgotten both myself and him, I could not help +observing my companion in the smooth water on the very verge of the +cataract just above the Table Rock. Were I to reach the sources of +the Nile, I should expect to meet him there. Unless he be another +Ladurlad, whose garments the depth of ocean could not moisten, it is +difficult to conceive how he keeps himself in any decent pickle; +though I am bound to confess that his clothes seem always as dry and +comfortable as my own. But, as a friend, I could wish that he would +not so often expose himself in liquor. + +All that I have hitherto related may be classed among those little +personal oddities which agreeably diversify the surface of society, +and, though they may sometimes annoy us, yet keep our daily +intercourse fresher and livelier than if they were done away. By an +occasional hint, however, I have endeavored to pave the way for +stranger things to come, which, had they been disclosed at once, +Monsieur du Miroir might have been deemed a shadow, and myself a +person of no veracity, and this truthful history a fabulous legend. +But, now that the reader knows me worthy of his confidence, I will +begin to make him stare. + +To speak frankly, then, I could bring the most astounding proofs +that Monsieur du Miroir is at least a conjurer, if not one of that +unearthly tribe with whom conjurers deal. He has inscrutable +methods of conveying himself from place to place with the rapidity +of the swiftest steamboat or rail-car. Brick walls and oaken doors +and iron bolts are no impediment to his passage. Here in my chamber, +for instance, as the evening deepens into night, I sit alone,--the +key turned and withdrawn from the lock, the keyhole stuffed with +paper to keep out a peevish little blast of wind. Yet, lonely as I +seem, were I to lift one of the lamps and step five paces eastward, +Monsieur du Miroir would be sure to meet me with a lamp also in his +hand; and were I to take the stage-coach to-morrow, without giving +him the least hint of my design, and post onward till the week's +end, at whatever hotel I might find myself I should expect to share +my private apartment with this inevitable Monsieur du Miroir. Or, +out of a mere wayward fantasy, were I to go, by moonlight, and stand +beside the stone Pout of the Shaker Spring at Canterbury, Monsieur +du Miroir would set forth on the same fool's errand, and would not +fail to meet me there. Shall I heighten the reader's wonder? While +writing these latter sentences, I happened to glance towards the +large, round globe of one off the brass andirons, and lo! a +miniature apparition of Monsieur du Miroir, with his face widened +and grotesquely contorted, as if he were making fun of my amazement! +But he has played so many of these jokes that they begin to lose +their effect. Once, presumptuous that he was, he stole into the +heaven of a young lady's eyes; so that, while I gazed and was +dreaming only of herself, I found him also in my dream. Years have +so changed him since that he need never hope to enter those heavenly +orbs again. + +From these veritable statements it will be readily concluded that, +had Monsieur du Miroir played such pranks in old witch times, +matters might have gone hard with him; at least if the constable and +posse comitatus could have executed a warrant, or the jailer had +been cunning enough to keep him. But it has often occurred to me as +a very singular circumstance, and as betokening either a temperament +morbidly suspicious or some weighty cause of apprehension, that he +never trusts himself within the grasp even of his most intimate +friend. If you step forward to meet him, he readily advances; if +you offer him your hand, he extends his own with an air of the +utmost frankness; but, though you calculate upon a hearty shake, you +do not get hold of his little finger. Ah, this Monsieur du Miroir is +a slippery fellow! + +These truly are matters of special admiration. After vainly +endeavoring, by the strenuous exertion of my own wits, to gain a +satisfactory insight into the character of Monsieur du Miroir, I had +recourse to certain wise men, and also to books of abstruse +philosophy, seeking who it was that haunted me, and why. I heard +long lectures and read huge volumes with little profit beyond the +knowledge that many former instances are recorded, in successive +ages, of similar connections between ordinary mortals and beings +possessing the attributes of Monsieur du Miroir. Some now alive, +perhaps, besides myself, have such attendants. Would that Monsieur +du Miroir could be persuaded to transfer his attachment to one of +those, and allow some other of his race to assume the situation that +he now holds in regard to me! If I must needs have so intrusive an +intimate, who stares me in the face in my closest privacy, and +follows me even to my bedchamber, I should prefer--scandal apart--the +laughing bloom of a young girl to the dark and bearded gravity +of my present companion. But such desires are never to be +gratified. Though the members of Monsieur du Miroir's family have +been accused, perhaps justly, of visiting their friends often in +splendid halls, and seldom in darksome dungeons, yet they exhibit a +rare constancy to the objects of their first attachment, however +unlovely in person or unamiable in disposition,--however +unfortunate, or even infamous, and deserted by all the world +besides. So will it be with my associate. Our fates appear +inseparably blended. It is my belief, as I find him mingling with +my earliest recollections, that we came into existence together, as +my shadow follows me into the sunshine, and that hereafter, as +heretofore, the brightness or gloom of my fortunes will shine upon, +or darken, the face of Monsieur du Miroir. As we have been young +together, and as it is now near the summer noon with both of us, so, +if long life be granted, shall each count his own wrinkles on the +other's brow and his white hairs on the other's head. And when the +coffin-lid shall have closed over me and that face and form, which, +more truly than the lover swears it to his beloved, are the sole +light of his existence,--when they shall be laid in that dark +chamber, whither his swift and secret footsteps cannot bring him,--then +what is to become of poor Monsieur du Miroir? Will he have the +fortitude, with my other friends, to take a last look at my pale +countenance? Will he walk foremost in the funeral train? Will he +come often and haunt around my grave, and weed away the nettles, and +plant flowers amid the verdure, and scrape the moss out of the +letters of my burial-stone? Will he linger where I have lived, to +remind the neglectful world of one who staked much to win a name, +but will not then care whether he lost or won? + +Not thus will he prove his deep fidelity. O, what terror, if this +friend of mine, after our last farewell, should step into the +crowded street, or roam along our old frequented path by the still +waters, or sit down in the domestic circle where our faces are most +familiar and beloved! No; but when the rays of heaven shall bless +me no more, nor the thoughtful lamplight gleam upon my studies, nor +the cheerful fireside gladden the meditative man, then, his task +fulfilled, shall this mysterious being vanish from the earth +forever. He will pass to the dark realm of nothingness, but will +not find me there. + +There is something fearful in bearing such a relation to a creature +so imperfectly known, and in the idea that, to a certain extent, all +which concerns myself will be reflected in its consequences upon +him. When we feel that another is to share the self-same fortune +with ourselves we judge more severely of our prospects, and withhold +our confidence from that delusive magic which appears to shed an +infallibility of happiness over our own pathway. Of late years, +indeed, there has been much to sadden my intercourse with Monsieur +de Miroir. Had not our union been a necessary condition of our +life, we must have been estranged ere now. In early youth, when my +affections were warm and free, I loved him well, and could always +spend a pleasant hour in his society, chiefly because it gave me an +excellent opinion of myself. Speechless as he was, Monsieur du +Miroir had then a most agreeable way of calling me a handsome +fellow; and I, of course, returned the compliment; so that, the more +we kept each other's company, the greater coxcombs we mutually grew. +But neither of us need apprehend any such misfortune now. When we +chance to meet,--for it is chance oftener than design,--each glances +sadly at the other's forehead, dreading wrinkles there; and at our +temples, whence the hair is thinning away too early; and at the +sunken eyes, which no longer shed a gladsome light over the whole +face. I involuntarily peruse him as a record of my heavy youth, +which has been wasted in sluggishness for lack of hope and impulse, +or equally thrown away in toil that had no wise motive and has +accomplished no good end. I perceive that the tranquil gloom of a +disappointed soul has darkened through his countenance, where the +blackness of the future seems to mingle with the shadows of the +past, giving him the aspect of a fated man. Is it too wild a +thought that my fate may have assumed this image of myself, and +therefore haunts me with such inevitable pertinacity, originating +every act which it appears to imitate, while it deludes me by +pretending to share the events of which it is merely the emblem and +the prophecy? I must banish this idea, or it will throw too deep an +awe round my companion. At our next meeting, especially if it be at +midnight or in solitude, I fear that I shall glance aside and +shudder; in which case, as Monsieur du Miroir is extremely sensitive +to ill-treatment, he also will avert his eyes and express horror or +disgust. + +But no; this is unworthy of me. As of old I sought his society for +the bewitching dreams of woman's love which he inspired, and because +I fancied a bright fortune in his aspect, so now will I hold daily +and long communion with hint for the sake of the stern lessons that +he will teach my manhood. With folded arms we will sit face to +face, and lengthen out our silent converse till a wiser cheerfulness +shall have been wrought from the very texture of despondency. He +will say, perhaps indignantly, that it befits only him to mourn for +the decay of outward grace, which, while he possessed it, was his +all. But have not you, he will ask, a treasure in reserve, to which +every year may add far more value than age or death itself can +snatch from that miserable clay? He will tell me that though the +bloom of life has been nipped with a frost, yet the soul must not +sit shivering in its cell, but bestir itself manfully, and kindle a +genial warmth from its own exercise against; the autumnal and the +wintry atmosphere. And I, in return, will bid him be of good cheer, +nor take it amiss that I must blanch his locks and wrinkle him up +like a wilted apple, since it shall be my endeavor so to beautify +his face with intellect and mild benevolence that he shall profit +immensely by the change. But here a smile will glimmer somewhat +sadly over Monsieur du Miroir's visage. + +When this subject shall have been sufficiently discussed we may take +up others as important. Reflecting upon his power of following me +to the remotest regions and into the deepest privacy, I will compare +the attempt to escape him to the hopeless race that men sometimes +run with memory, or their own hearts, or their moral selves, which, +though burdened with cares enough to crush an elephant, will never +be one step behind. I will be self-contemplative, as nature bids +me, and make him the picture or visible type of what I muse upon, +that my mind may not wander so vaguely as heretofore, chasing its +own shadow through a chaos and catching only the monsters that abide +there. Then will we turn our thoughts to the spiritual world, of +the reality of which my companions shall furnish me an illustration, +if not an argument; for, as we have only the testimony of the eye to +Monsieur du Miroir's existence, while all the other senses would +fail to inform us that such a figure stands within arm's-length, +wherefore should there not be beings innumerable close beside us, +and filling heaven and earth with their multitude, yet of whom no +corporeal perception can take cognizance? A blind man might as +reasonably deny that Monsieur du Miroir exists, as we, because the +Creator has hitherto withheld the spiritual perception, can +therefore contend that there are no spirits. O, there are! And, at +this moment, when the subject of which I write has grown strong +within me and surrounded itself with those solemn and awful +associations which might have seemed most alien to it, I could fancy +that Monsieur du Miroir himself is a wanderer from the spiritual +world, with nothing human except his delusive garment of visibility. +Methinks I should tremble now were his wizard power of gliding +through all impediments in search of me to place him suddenly before +my eyes. + +Ha! What is yonder? Shape of mystery, did the tremor of my +heartstrings vibrate to thine own, and call thee from thy home among +the dancers of the northern lights, and shadows flung from departed +sunshine, and giant spectres that appear on clouds at daybreak and +affright the climber of the Alps? In truth it startled me, as I +threw a wary glance eastward across the chamber, to discern an +unbidden guest with his eyes bent on mine. The identical MONSIEUR DU +MIROIR! Still there he sits and returns my gaze with as much of awe +and curiosity as if he, too, had spent a solitary evening in +fantastic musings and made me his theme. So inimitably does he +counterfeit that I could almost doubt which of us is the visionary +form, or whether each be not the other's mystery, and both twin +brethren of one fate, in mutually reflected spheres. O friend, +canst thou not hear and answer me? Break down the barrier between +us! Grasp my hand! Speak! Listen! A few words, perhaps, might +satisfy the feverish yearning of my soul for some master-thought +that should guide me through this labyrinth of life, teaching +wherefore I was born, and how to do my task on earth, and what is +death. Alas! Even that unreal image should forget to ape me and +smile at these vain questions. Thus do mortals deify, as it were, a +mere shadow of themselves, a spectre of human reason, and ask of +that to unveil the mysteries which Divine Intelligence has revealed +so far as needful to our guidance, and hid the rest. + +Farewell, Monsieur du Miroir. Of you, perhaps, as of many men, it +may be doubted whether you are the wiser, though your whole business +is REFLECTION. + + + + + + + + + +End of the Project Gutenberg EBook of Monsieur du Muroir (From "Mosses From +An Old Manse"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK MONSIEUR DU MUROIR *** + +***** This file should be named 9225.txt or 9225.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/2/9225/ + +Produced by David Widger. HTML version by Al Haines. + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/9225.zip b/old/9225.zip Binary files differnew file mode 100644 index 0000000..83b1490 --- /dev/null +++ b/old/9225.zip diff --git a/old/haw5210.txt b/old/haw5210.txt new file mode 100644 index 0000000..4834fcc --- /dev/null +++ b/old/haw5210.txt @@ -0,0 +1,778 @@ +Project Gutenberg EBook, Monsieur du Miroir, by Nathaniel Hawthorne +From "Mosses From An Old Manse" +#52 in our series by Nathaniel Hawthorne + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: Monsieur du Miroir (From "Mosses From An Old Manse") + +Author: Nathaniel Hawthorne + +Release Date: Nov, 2005 [EBook #9225] +[This file was first posted on September 6, 2003] +[Last updated on February 6, 2007] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, MONSIEUR DU MIROIR *** + + + + +This eBook was produced by David Widger + + + + + + MOSSES FROM AN OLD MANSE + + By Nathaniel Hawthorne + + MONSIEUR DU MIROIR + + + +Than the gentleman above named, there is nobody, in the whole circle +of my acquaintance, whom I have more attentively studied, yet of +whom I have less real knowledge, beneath the surface which it +pleases him to present. Being anxious to discover who and what he +really is, and how connected with me, and what are to be the results +to him and to myself of the joint interest which, without any choice +on my part, seems to be permanently established between us, and +incited, furthermore, by the propensities of a student of human +nature, though doubtful whether Monsieur du Miroir have aught of +humanity but the figure,--I have determined to place a few of his +remarkable points before the public, hoping to be favored with some +clew to the explanation of his character. Nor let the reader +condemn any part of the narrative as frivolous, since a subject of +such grave reflection diffuses its importance through the minutest +particulars; and there is no judging beforehand what odd little +circumstance may do the office of a blind man's dog among the +perplexities of this dark investigation; and however extraordinary, +marvellous, preternatural, and utterly incredible some of the +meditated disclosures may appear, I pledge my honor to maintain as +sacred a regard to fact as if my testimony were given on oath and +involved the dearest interests of the personage in question. Not +that there is matter for a criminal accusation against Monsieur du +Miroir, nor am I the man to bring it forward if there were. The +chief that I complain of is his impenetrable mystery, which is no +better than nonsense if it conceal anything good, and much worse in +the contrary case. + +But, if undue partialities could be supposed to influence me, +Monsieur du Miroir might hope to profit rather than to suffer by +them, for in the whole of our long intercourse we have seldom had +the slightest disagreement; and, moreover, there are reasons for +supposing him a near relative of mine, and consequently entitled to +the best word that I can give him. He bears indisputably a strong +personal resemblance to myself, and generally puts on mourning at +the funerals of the family. On the other hand, his name would +indicate a French descent; in which case, infinitely preferring that +my blood should flow from a bold British and pure Puritan source, I +beg leave to disclaim all kindred with Monsieur du Miroir. Some +genealogists trace his origin to Spain, and dub him a knight of the +order of the CABALLEROS DE LOS ESPEJOZ, one of whom was overthrown +by Don Quixote. But what says Monsieur du Miroir himself of his +paternity and his fatherland? Not a word did he ever say about the +matter; and herein, perhaps, lies one of his most especial reasons +for maintaining such a vexatious mystery, that he lacks the faculty +of speech to expound it. His lips are sometimes seen to move; his +eyes and countenance are alive with shifting expression, as if +corresponding by visible hieroglyphics to his modulated breath; and +anon he will seem to pause with as satisfied an air as if he had +been talking excellent sense. Good sense or bad, Monsieur du Miroir +is the sole judge of his own conversational powers, never having +whispered so much as a syllable that reached the ears of any other +auditor. Is he really dumb? or is all the world deaf? or is it +merely a piece of my friend's waggery, meant for nothing but to make +fools of us? If so, he has the joke all to himself. + +This dumb devil which possesses Monsieur do Miroir is, I am +persuaded, the sole reason that he does not make me the most +flattering protestations of friendship. In many particulars-- +indeed, as to all his cognizable and not preternatural points, +except that, once in a great while, I speak a word or two--there +exists the greatest apparent sympathy between us. Such is his +confidence in my taste that he goes astray from the general fashion +and copies all his dresses after mine. I never try on a new garment +without expecting to meet, Monsieur du Miroir in one of the same +pattern. He has duplicates of all my waistcoats and cravats, shirt- +bosoms of precisely a similar plait, and an old coat for private +wear, manufactured, I suspect, by a Chinese tailor, in exact +imitation of a beloved old coat of mine, with a facsimile, stitch by +stitch, of a patch upon the elbow. In truth, the singular and +minute coincidences that occur, both in the accidents of the passing +day and the serious events of our lives, remind me of those doubtful +legends of lovers, or twin children, twins of fate, who have lived, +enjoyed, suffered, and died in unison, each faithfully repeating the +last tremor of the other's breath, though separated by vast tracts +of sea and land. Strange to say, my incommodities belong equally to +my companion, though the burden is nowise alleviated by his +participation. The other morning, after a night of torment from the +toothache, I met Monsieur du Miroir with such a swollen anguish in +his cheek that my own pangs were redoubled, as were also his, if I +might judge by a fresh contortion of his visage. All the +inequalities of my spirits are communicated to him, causing the +unfortunate Monsieur du Miroir to mope and scowl through a whole +summer's day, or to laugh as long, for no better reason than the gay +or gloomy crotchets of my brain. Once we were joint sufferers of a +three months' sickness, and met like mutual ghosts in the first days +of convalescence. Whenever I have been in love, Monsieur du Miroir +has looked passionate and tender; and never did my mistress discard +me, but this too susceptible gentleman grew lackadaisical. His +temper, also, rises to blood heat, fever heat, or boiling-water +beat, according to the measure of any wrong which might seem to have +fallen entirely on myself. I have sometimes been calmed down by the +sight of my own inordinate wrath depicted on his frowning brow. +Yet, however prompt in taking up my quarrels, I cannot call to mind +that he ever struck a downright blow in my behalf; nor, in fact, do +I perceive that any real and tangible good has resulted from his +constant interference in my affairs; so that, in my distrustful +moods, I am apt to suspect Monsieur du Miroir's sympathy to be mere +outward show, not a whit better nor worse than other people's +sympathy. Nevertheless, as mortal man must have something in the +guise of sympathy,--and whether the true metal, or merely +copper-washed, is of less moment,--I choose rather to content myself +with Monsieur du Miroir's, such as it is, than to seek the sterling +coin, and perhaps miss even the counterfeit. + +In my age of vanities I have often seen him in the ballroom, and +might again were I to seek him there. We have encountered each +other at the Tremont Theatre, where, however, he took his seat +neither in the dress-circle, pit, nor upper regions, nor threw a +single glance at the stage, though the brightest star, even Fanny +Kemble herself, might be culminating there. No; this whimsical +friend of mine chose to linger in the saloon, near one of the large +looking-glasses which throw back their pictures of the illuminated +room. He is so full of these unaccountable eccentricities that I +never like to notice Monsieur du Miroir, nor to acknowledge the +slightest connection with him, in places of public resort. He, +however, has no scruple about claiming my acquaintance, even when +his common-sense, if he had any, might teach him that I would as +willingly exchange a nod with the Old Nick. It was but the other +day that he got into a large brass kettle at the entrance of a +hardware-store, and thrust his head, the moment afterwards, into a +bright, new warming-pan, whence he gave me a most merciless look of +recognition. He smiled, and so did I; but these childish tricks +make decent people rather shy of Monsieur du Miroir, and subject him +to more dead cuts than any other gentleman in town. + +One of this singular person's most remarkable peculiarities is his +fondness for water, wherein he excels any temperance man whatever. +His pleasure, it must be owned, is not so much to drink it (in which +respect a very moderate quantity will answer his occasions) as to +souse himself over head and ears wherever he may meet with it. +Perhaps he is a merman, or born of a mermaid's marriage with a +mortal, and thus amphibious by hereditary right, like the children +which the old river deities, or nymphs of fountains, gave to earthly +love. When no cleaner bathing-place happened to be at hand, I have +seen the foolish fellow in a horse-pond. Some times he refreshes +himself in the trough of a town-pump, without caring what the people +think about him. Often, while carefully picking my way along the +street after a heavy shower, I have been scandalized to see Monsieur +du Miroir, in full dress, paddling from one mud-puddle to another, +and plunging into the filthy depths of each. Seldom have I peeped +into a well without discerning this ridiculous gentleman at the +bottom, whence he gazes up, as through a long telescopic tube, and +probably makes discoveries among the stars by daylight. Wandering +along lonesome paths or in pathless forests, when I have come to +virgin fountains of which it would have been pleasant to deem myself +the first discoverer, I have started to find Monsieur du Miroir +there before me. The solitude seemed lonelier for his presence. I +have leaned from a precipice that frowns over Lake George, which the +French call nature's font of sacramental water, and used it in their +log-churches here and their cathedrals beyond the sea, and seen him +far below in that pure element. At Niagara, too, where I would +gladly have forgotten both myself and him, I could not help +observing my companion in the smooth water on the very verge of the +cataract just above the Table Rock. Were I to reach the sources of +the Nile, I should expect to meet him there. Unless he be another +Ladurlad, whose garments the depth of ocean could not moisten, it is +difficult to conceive how he keeps himself in any decent pickle; +though I am bound to confess that his clothes seem always as dry and +comfortable as my own. But, as a friend, I could wish that he would +not so often expose himself in liquor. + +All that I have hitherto related may be classed among those little +personal oddities which agreeably diversify the surface of society, +and, though they may sometimes annoy us, yet keep our daily +intercourse fresher and livelier than if they were done away. By an +occasional hint, however, I have endeavored to pave the way for +stranger things to come, which, had they been disclosed at once, +Monsieur du Miroir might have been deemed a shadow, and myself a +person of no veracity, and this truthful history a fabulous legend. +But, now that the reader knows me worthy of his confidence, I will +begin to make him stare. + +To speak frankly, then, I could bring the most astounding proofs +that Monsieur du Miroir is at least a conjurer, if not one of that +unearthly tribe with whom conjurers deal. He has inscrutable +methods of conveying himself from place to place with the rapidity +of the swiftest steamboat or rail-car. Brick walls and oaken doors +and iron bolts are no impediment to his passage. Here in my chamber, +for instance, as the evening deepens into night, I sit alone,--the +key turned and withdrawn from the lock, the keyhole stuffed with +paper to keep out a peevish little blast of wind. Yet, lonely as I +seem, were I to lift one of the lamps and step five paces eastward, +Monsieur du Miroir would be sure to meet me with a lamp also in his +hand; and were I to take the stage-coach to-morrow, without giving +him the least hint of my design, and post onward till the week's +end, at whatever hotel I might find myself I should expect to share +my private apartment with this inevitable Monsieur du Miroir. Or, +out of a mere wayward fantasy, were I to go, by moonlight, and stand +beside the stone Pout of the Shaker Spring at Canterbury, Monsieur +du Miroir would set forth on the same fool's errand, and would not +fail to meet me there. Shall I heighten the reader's wonder? While +writing these latter sentences, I happened to glance towards the +large, round globe of one off the brass andirons, and lo! a +miniature apparition of Monsieur du Miroir, with his face widened +and grotesquely contorted, as if he were making fun of my amazement! +But he has played so many of these jokes that they begin to lose +their effect. Once, presumptuous that he was, he stole into the +heaven of a young lady's eyes; so that, while I gazed and was +dreaming only of herself, I found him also in my dream. Years have +so changed him since that he need never hope to enter those heavenly +orbs again. + +From these veritable statements it will be readily concluded that, +had Monsieur du Miroir played such pranks in old witch times, +matters might have gone hard with him; at least if the constable and +posse comitatus could have executed a warrant, or the jailer had +been cunning enough to keep him. But it has often occurred to me as +a very singular circumstance, and as betokening either a temperament +morbidly suspicious or some weighty cause of apprehension, that he +never trusts himself within the grasp even of his most intimate +friend. If you step forward to meet him, he readily advances; if +you offer him your hand, he extends his own with an air of the +utmost frankness; but, though you calculate upon a hearty shake, you +do not get hold of his little finger. Ah, this Monsieur du Miroir is +a slippery fellow! + +These truly are matters of special admiration. After vainly +endeavoring, by the strenuous exertion of my own wits, to gain a +satisfactory insight into the character of Monsieur du Miroir, I had +recourse to certain wise men, and also to books of abstruse +philosophy, seeking who it was that haunted me, and why. I heard +long lectures and read huge volumes with little profit beyond the +knowledge that many former instances are recorded, in successive +ages, of similar connections between ordinary mortals and beings +possessing the attributes of Monsieur du Miroir. Some now alive, +perhaps, besides myself, have such attendants. Would that Monsieur +du Miroir could be persuaded to transfer his attachment to one of +those, and allow some other of his race to assume the situation that +he now holds in regard to me! If I must needs have so intrusive an +intimate, who stares me in the face in my closest privacy, and +follows me even to my bedchamber, I should prefer--scandal apart-- +the laughing bloom of a young girl to the dark and bearded gravity +of my present companion. But such desires are never to be +gratified. Though the members of Monsieur du Miroir's family have +been accused, perhaps justly, of visiting their friends often in +splendid halls, and seldom in darksome dungeons, yet they exhibit a +rare constancy to the objects of their first attachment, however +unlovely in person or unamiable in disposition,--however +unfortunate, or even infamous, and deserted by all the world +besides. So will it be with my associate. Our fates appear +inseparably blended. It is my belief, as I find him mingling with +my earliest recollections, that we came into existence together, as +my shadow follows me into the sunshine, and that hereafter, as +heretofore, the brightness or gloom of my fortunes will shine upon, +or darken, the face of Monsieur du Miroir. As we have been young +together, and as it is now near the summer noon with both of us, so, +if long life be granted, shall each count his own wrinkles on the +other's brow and his white hairs on the other's head. And when the +coffin-lid shall have closed over me and that face and form, which, +more truly than the lover swears it to his beloved, are the sole +light of his existence,--when they shall be laid in that dark +chamber, whither his swift and secret footsteps cannot bring him,-- +then what is to become of poor Monsieur du Miroir? Will he have the +fortitude, with my other friends, to take a last look at my pale +countenance? Will he walk foremost in the funeral train? Will he +come often and haunt around my grave, and weed away the nettles, and +plant flowers amid the verdure, and scrape the moss out of the +letters of my burial-stone? Will he linger where I have lived, to +remind the neglectful world of one who staked much to win a name, +but will not then care whether he lost or won? + +Not thus will he prove his deep fidelity. O, what terror, if this +friend of mine, after our last farewell, should step into the +crowded street, or roam along our old frequented path by the still +waters, or sit down in the domestic circle where our faces are most +familiar and beloved! No; but when the rays of heaven shall bless +me no more, nor the thoughtful lamplight gleam upon my studies, nor +the cheerful fireside gladden the meditative man, then, his task +fulfilled, shall this mysterious being vanish from the earth +forever. He will pass to the dark realm of nothingness, but will +not find me there. + +There is something fearful in bearing such a relation to a creature +so imperfectly known, and in the idea that, to a certain extent, all +which concerns myself will be reflected in its consequences upon +him. When we feel that another is to share the self-same fortune +with ourselves we judge more severely of our prospects, and withhold +our confidence from that delusive magic which appears to shed an +infallibility of happiness over our own pathway. Of late years, +indeed, there has been much to sadden my intercourse with Monsieur +de Miroir. Had not our union been a necessary condition of our +life, we must have been estranged ere now. In early youth, when my +affections were warm and free, I loved him well, and could always +spend a pleasant hour in his society, chiefly because it gave me an +excellent opinion of myself. Speechless as he was, Monsieur du +Miroir had then a most agreeable way of calling me a handsome +fellow; and I, of course, returned the compliment; so that, the more +we kept each other's company, the greater coxcombs we mutually grew. +But neither of us need apprehend any such misfortune now. When we +chance to meet,--for it is chance oftener than design,--each glances +sadly at the other's forehead, dreading wrinkles there; and at our +temples, whence the hair is thinning away too early; and at the +sunken eyes, which no longer shed a gladsome light over the whole +face. I involuntarily peruse him as a record of my heavy youth, +which has been wasted in sluggishness for lack of hope and impulse, +or equally thrown away in toil that had no wise motive and has +accomplished no good end. I perceive that the tranquil gloom of a +disappointed soul has darkened through his countenance, where the +blackness of the future seems to mingle with the shadows of the +past, giving him the aspect of a fated man. Is it too wild a +thought that my fate may have assumed this image of myself, and +therefore haunts me with such inevitable pertinacity, originating +every act which it appears to imitate, while it deludes me by +pretending to share the events of which it is merely the emblem and +the prophecy? I must banish this idea, or it will throw too deep an +awe round my companion. At our next meeting, especially if it be at +midnight or in solitude, I fear that I shall glance aside and +shudder; in which case, as Monsieur du Miroir is extremely sensitive +to ill-treatment, he also will avert his eyes and express horror or +disgust. + +But no; this is unworthy of me. As of old I sought his society for +the bewitching dreams of woman's love which he inspired, and because +I fancied a bright fortune in his aspect, so now will I hold daily +and long communion with hint for the sake of the stern lessons that +he will teach my manhood. With folded arms we will sit face to +face, and lengthen out our silent converse till a wiser cheerfulness +shall have been wrought from the very texture of despondency. He +will say, perhaps indignantly, that it befits only him to mourn for +the decay of outward grace, which, while he possessed it, was his +all. But have not you, he will ask, a treasure in reserve, to which +every year may add far more value than age or death itself can +snatch from that miserable clay? He will tell me that though the +bloom of life has been nipped with a frost, yet the soul must not +sit shivering in its cell, but bestir itself manfully, and kindle a +genial warmth from its own exercise against; the autumnal and the +wintry atmosphere. And I, in return, will bid him be of good cheer, +nor take it amiss that I must blanch his locks and wrinkle him up +like a wilted apple, since it shall be my endeavor so to beautify +his face with intellect and mild benevolence that he shall profit +immensely by the change. But here a smile will glimmer somewhat +sadly over Monsieur du Miroir's visage. + +When this subject shall have been sufficiently discussed we may take +up others as important. Reflecting upon his power of following me +to the remotest regions and into the deepest privacy, I will compare +the attempt to escape him to the hopeless race that men sometimes +run with memory, or their own hearts, or their moral selves, which, +though burdened with cares enough to crush an elephant, will never +be one step behind. I will be self-contemplative, as nature bids +me, and make him the picture or visible type of what I muse upon, +that my mind may not wander so vaguely as heretofore, chasing its +own shadow through a chaos and catching only the monsters that abide +there. Then will we turn our thoughts to the spiritual world, of +the reality of which my companions shall furnish me an illustration, +if not an argument; for, as we have only the testimony of the eye to +Monsieur du Miroir's existence, while all the other senses would +fail to inform us that such a figure stands within arm's-length, +wherefore should there not be beings innumerable close beside us, +and filling heaven and earth with their multitude, yet of whom no +corporeal perception can take cognizance? A blind man might as +reasonably deny that Monsieur du Miroir exists, as we, because the +Creator has hitherto withheld the spiritual perception, can +therefore contend that there are no spirits. O, there are! And, at +this moment, when the subject of which I write has grown strong +within me and surrounded itself with those solemn and awful +associations which might have seemed most alien to it, I could fancy +that Monsieur du Miroir himself is a wanderer from the spiritual +world, with nothing human except his delusive garment of visibility. +Methinks I should tremble now were his wizard power of gliding +through all impediments in search of me to place him suddenly before +my eyes. + +Ha! What is yonder? Shape of mystery, did the tremor of my +heartstrings vibrate to thine own, and call thee from thy home among +the dancers of the northern lights, and shadows flung from departed +sunshine, and giant spectres that appear on clouds at daybreak and +affright the climber of the Alps? In truth it startled me, as I +threw a wary glance eastward across the chamber, to discern an +unbidden guest with his eyes bent on mine. The identical MONSIEUR DU +MIROIR! Still there he sits and returns my gaze with as much of awe +and curiosity as if he, too, had spent a solitary evening in +fantastic musings and made me his theme. So inimitably does he +counterfeit that I could almost doubt which of us is the visionary +form, or whether each be not the other's mystery, and both twin +brethren of one fate, in mutually reflected spheres. O friend, +canst thou not hear and answer me? Break down the barrier between +us! Grasp my hand! Speak! Listen! A few words, perhaps, might +satisfy the feverish yearning of my soul for some master-thought +that should guide me through this labyrinth of life, teaching +wherefore I was born, and how to do my task on earth, and what is +death. Alas! Even that unreal image should forget to ape me and +smile at these vain questions. Thus do mortals deify, as it were, a +mere shadow of themselves, a spectre of human reason, and ask of +that to unveil the mysteries which Divine Intelligence has revealed +so far as needful to our guidance, and hid the rest. + +Farewell, Monsieur du Miroir. Of you, perhaps, as of many men, it +may be doubted whether you are the wiser, though your whole business +is REFLECTION. + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, MONSIEUR DU MIROIR *** +By Nathaniel Hawthorne + +**** This file should be named haw5210.txt or haw5210.zip **** + +Corrected EDITIONS of our etexts get a new NUMBER, haw5211.txt +VERSIONS based on separate sources get new LETTER, haw5210a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* diff --git a/old/haw5210.zip b/old/haw5210.zip Binary files differnew file mode 100644 index 0000000..d5e0483 --- /dev/null +++ b/old/haw5210.zip |
