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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9208-h.zip b/9208-h.zip Binary files differnew file mode 100644 index 0000000..86b32fd --- /dev/null +++ b/9208-h.zip diff --git a/9208-h/9208-h.htm b/9208-h/9208-h.htm new file mode 100644 index 0000000..4255d5d --- /dev/null +++ b/9208-h/9208-h.htm @@ -0,0 +1,685 @@ +<?xml version="1.0" encoding="iso-8859-1"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of Fancy's Show-Box, by Nathaniel Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of Fancy's Show-Box (From "Twice Told Tales"), by +Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Fancy's Show-Box (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9208] +First Posted: August 23, 2003 +Last Updated: April 2, 2013 + + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK FANCY'S SHOW-BOX *** + + + + +Produced by David Widger + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + FANCY'S SHOW-BOX<br /> + </h2> + <h4> + A MORALITY<br /> + </h4> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + What is Guilt? A stain upon the soul. And it is a point of vast interest, + whether the soul may contract such stains, in all their depth and + flagrancy, from deeds which may have been plotted and resolved upon, but + which, physically, have never had existence. Must the fleshly hand and + visible frame of man set its seal to the evil designs of the soul, in + order to give them their entire validity against the sinner? Or, while + none but crimes perpetrated are cognizable before an earthly tribunal, + will guilty thoughts,—of which guilty deeds are no more than + shadows,—will these draw down the full weight of a condemning + sentence, in the supreme court of eternity? In the solitude of a midnight + chamber, or in a desert, afar from men, or in a church, while the body is + kneeling, the soul may pollute itself even with those crimes, which we are + accustomed to deem altogether carnal. If this be true, it is a fearful + truth. + </p> + <p> + Let us illustrate the subject by an imaginary example. A venerable + gentleman, one Mr. Smith, who had long been regarded as a pattern of moral + excellence, was warming his aged blood with a glass or two of generous + wine. His children being gone forth about their worldly business, and his + grandchildren at school, he sat alone, in a deep, luxurious arm-chair, + with his feet beneath a richly carved mahogany table. Some old people have + a dread of solitude, and when better company may not be had, rejoice even + to hear the quiet breathing of a babe, asleep upon the carpet. But Mr. + Smith, whose silver hair was the bright symbol of a life unstained, except + by such spots as are inseparable from human nature, he had no need of a + babe to protect him by its purity, nor of a grown person to stand between + him and his own soul. Nevertheless, either Manhood must converse with Age, + or Womanhood must soothe him with gentle cares, or Infancy must sport + around his chair, or his thoughts will stray into the misty region of the + past, and the old man be chill and sad. Wine will not always cheer him. + Such might have been the case with Mr. Smith, when, through the brilliant + medium of his glass of old Madeira, he beheld three figures entering the + room. These were Fancy, who had assumed the garb and aspect of an + itinerant showman, with a box of pictures on her back; and Memory, in the + likeness of a clerk, with a pen behind her ear, an inkhorn at her + buttonhole, and a huge manuscript volume beneath her arm; and lastly, + behind the other two, a person shrouded in a dusky mantle, which concealed + both face and form. But Mr. Smith had a shrewd idea that it was + Conscience. + </p> + <p> + How kind of Fancy, Memory, and Conscience to visit the old gentleman, just + as he was beginning to imagine that the wine had neither so bright a + sparkle nor so excellent a flavor as when himself and the liquor were less + aged! Through the dim length of the apartment, where crimson curtains + muffled the glare of sunshine, and created a rich obscurity, the three + guests drew near the silver-haired old mail. Memory, with a finger between + the leaves of her huge volume, placed herself at his right hand. + Conscience, with her face still hidden in the dusky mantle, took her + station on the left, so as to be next his heart; while Fancy set down her + picture-box upon the table, with the magnifying-glass convenient to his + eye. We can sketch merely the outlines of two or three out of the many + pictures which, at the pulling of a string, successively peopled the box + with the semblances of living scenes. + </p> + <p> + One was a moonlight picture; in the background, a lowly dwelling; and in + front, partly shadowed by a tree, yet besprinkled with flakes of radiance, + two youthful figures, male and female. The young man stood with folded + arms, a haughty smile upon his lip, and a gleam of triumph in his eye, as + he glanced downward at the kneeling girl. She was almost prostrate at his + feet, evidently sinking under a weight of shame and anguish, which hardly + allowed her to lift her clasped hands in supplication. Her eyes she could + not lift. But neither her agony, nor the lovely features on which it was + depicted, nor the slender grace of the form which it convulsed, appeared + to soften the obduracy of the young man. He was the personification of + triumphant scorn. Now, strange to say, as old Mr. Smith peeped through the + magnifying-glass, which made the objects start out from the canvas with + magical deception, he began to recognize the farm-house, the tree, and + both the figures of the picture. The young man, in times long past, had + often met his gaze within the looking-glass; the girl was the very image + of his first love,—his cottage love,—his Martha Burroughs! Mr. + Smith was scandalized. "O, vile and slanderous picture!" he exclaims. + "When have I triumphed over ruined innocence? Was not Martha wedded, in + her teens, to David Tomkius, who won her girlish love, and long enjoyed + her affection as a wife? And ever since his death, she has lived a + reputable widow!" Meantime, Memory was turning over the leaves of her + volume, rustling them to and fro with uncertain fingers, until, among the + earlier pages, she found one which had reference to this picture. She + reads it, close to the old gentleman's ear; it is a record merely of + sinful thought, which never was embodied in an act; but, while Memory is + reading, Conscience unveils her face, and strikes a dagger to the heart of + Mr. Smith. Though not a death-blow, the torture was extreme. + </p> + <p> + The exhibition proceeded. One after another, Fancy displayed her pictures, + all of which appeared to have been painted by some malicious artist, on + purpose to vex Mr. Smith. Not a shadow of proof could have been adduced, + in any earthly court, that he was guilty of the slightest of those sins + which were thus made to stare him in the face. In one scene, there was a + table set out, with several bottles, and glasses half filled with wine, + which threw back the dull ray of an expiring lamp. There had been mirth + and revelry, until the hand of the clock stood just at midnight, when + murder stepped between the boon companions. A young man had fallen on the + floor, and lay stone dead, with a ghastly wound crushed into his temple, + while over him, with a delirium of mingled rage and horror in his + countenance, stood the youthful likeness of Mr. Smith. The murdered youth + wore the features of Edward Spencer! "What does this rascal of a painter + mean?" cries Mr. Smith, provoked beyond all patience. "Edward Spencer was + my earliest and dearest friend, true to me as I to him, through more than + half a century. Neither I, nor any other, ever murdered him. Was he not + alive within five years, and did he not, in token of our long friendship, + bequeath me his gold-headed cane and a mourning ring?" Again had Memory + been turning over her volume, and fixed at length upon so confused a page, + that she surely must have scribbled it when she was tipsy. The purport + was, however, that, while Mr. Smith and Edward Spencer were heating their + young blood with wine, a quarrel had flashed up between them, and Mr. + Smith, in deadly wrath, had flung a bottle at Spencer's head. True, it + missed its aim, and merely smashed a looking-glass; and the next morning, + when the incident was imperfectly remembered, they had shaken hands with a + hearty laugh. Yet, again, while Memory was reading, Conscience unveiled + her face, struck a dagger to the heart of Mr. Smith, and quelled his + remonstrance with her iron frown. The pain was quite excruciating. + </p> + <p> + Some of the pictures had been painted with so doubtful a touch, and in + colors so faint and pale, that the subjects could barely be conjectured. A + dull, semitransparent mist had been thrown over the surface of the canvas, + into which the figures seemed to vanish, while the eye sought most + earnestly to fix them. But, in every scene, however dubiously portrayed, + Mr. Smith was invariably haunted by his own lineaments, at various ages, + as in a dusty mirror. After poring several minutes over one of these + blurred and almost indistinguishable pictures, he began to see that the + painter had intended to represent him, now in the decline of life, as + stripping the clothes from the backs of three half-starved children. + "Really, this puzzles me!" quoth Mr. Smith, with the irony of conscious + rectitude. "Asking pardon of the painter, I pronounce him a fool, as well + as a scandalous knave. A man of my standing in the world, to be robbing + little children of their clothes! Ridiculous!" But while he spoke, Memory + had searched her fatal volume, and found a page, which, with her sad, calm + voice, she poured into his ear. It was not altogether inapplicable to the + misty scene. It told how Mr. Smith had been grievously tempted, by many + devilish sophistries, on the ground of a legal quibble, to commence a + lawsuit against three orphan children, joint heirs to a considerable + estate. Fortunately, before he was quite decided, his claims had turned + out nearly as devoid of law as justice. As Memory ceased to read, + Conscience again thrust aside her mantle, and would have struck her victim + with the envenomed dagger, only that he struggled, and clasped his hands + before his heart. Even then, however, he sustained an ugly gash. + </p> + <p> + Why should we follow Fancy through the whole series of those awful + pictures? Painted by an artist of wondrous power, and terrible + acquaintance with the secret soul, they embodied the ghosts of all the + never perpetrated sins that had glided through the lifetime of Mr. Smith. + And could such beings of cloudy fantasy, so near akin to nothingness, give + valid evidence against him, at the day of judgment? Be that the case or + not, there is reason to believe that one truly penitential tear would have + washed away each hateful picture, and left the canvas white as snow. But + Mr. Smith, at a prick of Conscience too keen to be endured, bellowed + aloud, with impatient agony, and suddenly discovered that his three guests + were gone. There he sat alone, a silver-haired and highly venerated old + man, in the rich gloom of the crimson-curtained room, with no box of + pictures on the table, but only a decanter of most excellent Madeira. Yet + his heart still seemed to fester with the venom of the dagger. + </p> + <p> + Nevertheless, the unfortunate old gentleman might have argued the matter + with Conscience, and alleged many reasons wherefore she should not smite + him so pitilessly. Were we to take up his cause, it should be somewhat in + the following fashion: A scheme of guilt, till it be put in execution, + greatly resembles a train of incidents in a projected tale. The latter, in + order to produce a sense of reality in the reader's mind, must be + conceived with such proportionate strength by the author as to seem, in + the glow of fancy, more like truth, past, present, or to come, than purely + fiction. The prospective sinner, on the other hand, weaves his plot of + crime, but seldom or never feels a perfect certainty that it will be + executed. There is a dreaminess diffused about his thoughts; in a dream, + as it were, he strikes the death-blow into his victim's heart, and starts + to find an indelible blood-stain on his hand. Thus a novel-writer, or a + dramatist, in creating a villain of romance, and fitting him with evil + deeds, and the villain of actual life, in projecting crimes that will be + perpetrated, may almost meet each other, half-way between reality and + fancy. It is not until the crime is accomplished, that guilt clinches its + gripe upon the guilty heart, and claims it for its own. Then, and not + before, sin is actually felt and acknowledged, and, if unaccompanied by + repentance, grows a thousand-fold more virulent by its self-consciousness. + Be it considered, also, that men often overestimate their capacity for + evil. At a distance, while its attendant circumstances do not press upon + their notice, and its results are dimly seen, they can bear to contemplate + it. They may take the steps which lead to crime, impelled by the same sort + of mental action as in working out a mathematical problem, yet be + powerless with compunction, at the final moment. They knew not what deed + it was that they deemed themselves resolved to do. In truth, there is no + such thing in man's nature as a settled and full resolve, either for good + or evil, except at the very moment of execution. Let us hope, therefore, + that all the dreadful consequences of sin will not be incurred, unless the + act have set its seal upon the thought. + </p> + <p> + Yet, with the slight fancy-work which we have framed, some sad and awful + truths are interwoven. Man must not disclaim his brotherhood, even with + the guiltiest, since, though his hand be clean, his heart has surely been + polluted by the flitting phantoms of iniquity. He must feel, that, when he + shall knock at the gate of heaven, no semblance of an unspotted life can + entitle him to entrance there. Penitence must kneel, and Mercy come from + the footstool of the throne, or that golden gate will never open! + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of Fancy's Show-Box (From "Twice Told +Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK FANCY'S SHOW-BOX *** + +***** This file should be named 9208-h.htm or 9208-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/0/9208/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Fancy's Show-Box (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Posting Date: November 27, 2010 [EBook #9208] +Release Date: November, 2005 +First Posted: August 23, 2003 +Last Updated: February 5, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK FANCY'S SHOW-BOX *** + + + + +Produced by David Widger + + + + + + + + + + TWICE TOLD TALES + + FANCY'S SHOW-BOX + + A MORALITY + + By Nathaniel Hawthorne + + + +What is Guilt? A stain upon the soul. And it is a point of vast +interest, whether the soul may contract such stains, in all their depth +and flagrancy, from deeds which may have been plotted and resolved upon, +but which, physically, have never had existence. Must the fleshly hand +and visible frame of man set its seal to the evil designs of the soul, in +order to give them their entire validity against the sinner? Or, while +none but crimes perpetrated are cognizable before an earthly tribunal, +will guilty thoughts,--of which guilty deeds are no more than +shadows,--will these draw down the full weight of a condemning sentence, +in the supreme court of eternity? In the solitude of a midnight chamber, +or in a desert, afar from men, or in a church, while the body is kneeling, +the soul may pollute itself even with those crimes, which we are +accustomed to deem altogether carnal. If this be true, it is a fearful +truth. + +Let us illustrate the subject by an imaginary example. A venerable +gentleman, one Mr. Smith, who had long been regarded as a pattern of +moral excellence, was warming his aged blood with a glass or two of +generous wine. His children being gone forth about their worldly +business, and his grandchildren at school, he sat alone, in a deep, +luxurious arm-chair, with his feet beneath a richly carved mahogany +table. Some old people have a dread of solitude, and when better company +may not be had, rejoice even to hear the quiet breathing of a babe, +asleep upon the carpet. But Mr. Smith, whose silver hair was the bright +symbol of a life unstained, except by such spots as are inseparable from +human nature, he had no need of a babe to protect him by its purity, nor +of a grown person to stand between him and his own soul. Nevertheless, +either Manhood must converse with Age, or Womanhood must soothe him with +gentle cares, or Infancy must sport around his chair, or his thoughts +will stray into the misty region of the past, and the old man be chill +and sad. Wine will not always cheer him. Such might have been the case +with Mr. Smith, when, through the brilliant medium of his glass of old +Madeira, he beheld three figures entering the room. These were Fancy, +who had assumed the garb and aspect of an itinerant showman, with a box +of pictures on her back; and Memory, in the likeness of a clerk, with a +pen behind her ear, an inkhorn at her buttonhole, and a huge manuscript +volume beneath her arm; and lastly, behind the other two, a person +shrouded in a dusky mantle, which concealed both face and form. But Mr. +Smith had a shrewd idea that it was Conscience. + +How kind of Fancy, Memory, and Conscience to visit the old gentleman, +just as he was beginning to imagine that the wine had neither so bright a +sparkle nor so excellent a flavor as when himself and the liquor were +less aged! Through the dim length of the apartment, where crimson +curtains muffled the glare of sunshine, and created a rich obscurity, the +three guests drew near the silver-haired old mail. Memory, with a finger +between the leaves of her huge volume, placed herself at his right hand. +Conscience, with her face still hidden in the dusky mantle, took her +station on the left, so as to be next his heart; while Fancy set down her +picture-box upon the table, with the magnifying-glass convenient to his +eye. We can sketch merely the outlines of two or three out of the many +pictures which, at the pulling of a string, successively peopled the box +with the semblances of living scenes. + +One was a moonlight picture; in the background, a lowly dwelling; and in +front, partly shadowed by a tree, yet besprinkled with flakes of +radiance, two youthful figures, male and female. The young man stood +with folded arms, a haughty smile upon his lip, and a gleam of triumph in +his eye, as he glanced downward at the kneeling girl. She was almost +prostrate at his feet, evidently sinking under a weight of shame and +anguish, which hardly allowed her to lift her clasped hands in +supplication. Her eyes she could not lift. But neither her agony, nor +the lovely features on which it was depicted, nor the slender grace of +the form which it convulsed, appeared to soften the obduracy of the young +man. He was the personification of triumphant scorn. Now, strange to +say, as old Mr. Smith peeped through the magnifying-glass, which made the +objects start out from the canvas with magical deception, he began to +recognize the farm-house, the tree, and both the figures of the picture. +The young man, in times long past, had often met his gaze within the +looking-glass; the girl was the very image of his first love,--his +cottage love,--his Martha Burroughs! Mr. Smith was scandalized. "O, +vile and slanderous picture!" he exclaims. "When have I triumphed over +ruined innocence? Was not Martha wedded, in her teens, to David Tomkius, +who won her girlish love, and long enjoyed her affection as a wife? And +ever since his death, she has lived a reputable widow!" Meantime, Memory +was turning over the leaves of her volume, rustling them to and fro with +uncertain fingers, until, among the earlier pages, she found one which +had reference to this picture. She reads it, close to the old +gentleman's ear; it is a record merely of sinful thought, which never was +embodied in an act; but, while Memory is reading, Conscience unveils her +face, and strikes a dagger to the heart of Mr. Smith. Though not a +death-blow, the torture was extreme. + +The exhibition proceeded. One after another, Fancy displayed her +pictures, all of which appeared to have been painted by some malicious +artist, on purpose to vex Mr. Smith. Not a shadow of proof could have +been adduced, in any earthly court, that he was guilty of the slightest +of those sins which were thus made to stare him in the face. In one +scene, there was a table set out, with several bottles, and glasses half +filled with wine, which threw back the dull ray of an expiring lamp. +There had been mirth and revelry, until the hand of the clock stood just +at midnight, when murder stepped between the boon companions. A young +man had fallen on the floor, and lay stone dead, with a ghastly wound +crushed into his temple, while over him, with a delirium of mingled rage +and horror in his countenance, stood the youthful likeness of Mr. Smith. +The murdered youth wore the features of Edward Spencer! "What does this +rascal of a painter mean?" cries Mr. Smith, provoked beyond all patience. +"Edward Spencer was my earliest and dearest friend, true to me as I to +him, through more than half a century. Neither I, nor any other, ever +murdered him. Was he not alive within five years, and did he not, in +token of our long friendship, bequeath me his gold-headed cane and a +mourning ring?" Again had Memory been turning over her volume, and +fixed at length upon so confused a page, that she surely must have +scribbled it when she was tipsy. The purport was, however, that, while +Mr. Smith and Edward Spencer were heating their young blood with wine, a +quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had +flung a bottle at Spencer's head. True, it missed its aim, and merely +smashed a looking-glass; and the next morning, when the incident was +imperfectly remembered, they had shaken hands with a hearty laugh. Yet, +again, while Memory was reading, Conscience unveiled her face, struck a +dagger to the heart of Mr. Smith, and quelled his remonstrance with her +iron frown. The pain was quite excruciating. + +Some of the pictures had been painted with so doubtful a touch, and in +colors so faint and pale, that the subjects could barely be conjectured. +A dull, semitransparent mist had been thrown over the surface of the +canvas, into which the figures seemed to vanish, while the eye sought +most earnestly to fix them. But, in every scene, however dubiously +portrayed, Mr. Smith was invariably haunted by his own lineaments, at +various ages, as in a dusty mirror. After poring several minutes over +one of these blurred and almost indistinguishable pictures, he began to +see that the painter had intended to represent him, now in the decline of +life, as stripping the clothes from the backs of three half-starved +children. "Really, this puzzles me!" quoth Mr. Smith, with the irony of +conscious rectitude. "Asking pardon of the painter, I pronounce him a +fool, as well as a scandalous knave. A man of my standing in the world, +to be robbing little children of their clothes! Ridiculous!" But while +he spoke, Memory had searched her fatal volume, and found a page, which, +with her sad, calm voice, she poured into his ear. It was not altogether +inapplicable to the misty scene. It told how Mr. Smith had been +grievously tempted, by many devilish sophistries, on the ground of a +legal quibble, to commence a lawsuit against three orphan children, joint +heirs to a considerable estate. Fortunately, before he was quite +decided, his claims had turned out nearly as devoid of law as justice. +As Memory ceased to read, Conscience again thrust aside her mantle, and +would have struck her victim with the envenomed dagger, only that he +struggled, and clasped his hands before his heart. Even then, however, +he sustained an ugly gash. + +Why should we follow Fancy through the whole series of those awful +pictures? Painted by an artist of wondrous power, and terrible +acquaintance with the secret soul, they embodied the ghosts of all the +never perpetrated sins that had glided through the lifetime of Mr. Smith. +And could such beings of cloudy fantasy, so near akin to nothingness, +give valid evidence against him, at the day of judgment? Be that the +case or not, there is reason to believe that one truly penitential tear +would have washed away each hateful picture, and left the canvas white as +snow. But Mr. Smith, at a prick of Conscience too keen to be endured, +bellowed aloud, with impatient agony, and suddenly discovered that his +three guests were gone. There he sat alone, a silver-haired and highly +venerated old man, in the rich gloom of the crimson-curtained room, with +no box of pictures on the table, but only a decanter of most excellent +Madeira. Yet his heart still seemed to fester with the venom of the +dagger. + +Nevertheless, the unfortunate old gentleman might have argued the matter +with Conscience, and alleged many reasons wherefore she should not smite +him so pitilessly. Were we to take up his cause, it should be somewhat +in the following fashion: A scheme of guilt, till it be put in execution, +greatly resembles a train of incidents in a projected tale. The latter, +in order to produce a sense of reality in the reader's mind, must be +conceived with such proportionate strength by the author as to seem, in +the glow of fancy, more like truth, past, present, or to come, than +purely fiction. The prospective sinner, on the other hand, weaves his +plot of crime, but seldom or never feels a perfect certainty that it will +be executed. There is a dreaminess diffused about his thoughts; in a +dream, as it were, he strikes the death-blow into his victim's heart, and +starts to find an indelible blood-stain on his hand. Thus a novel-writer, +or a dramatist, in creating a villain of romance, and fitting him with +evil deeds, and the villain of actual life, in projecting crimes that +will be perpetrated, may almost meet each other, half-way between reality +and fancy. It is not until the crime is accomplished, that guilt +clinches its gripe upon the guilty heart, and claims it for its own. +Then, and not before, sin is actually felt and acknowledged, and, if +unaccompanied by repentance, grows a thousand-fold more virulent by its +self-consciousness. Be it considered, also, that men often overestimate +their capacity for evil. At a distance, while its attendant +circumstances do not press upon their notice, and its results are dimly +seen, they can bear to contemplate it. They may take the steps which +lead to crime, impelled by the same sort of mental action as in working +out a mathematical problem, yet be powerless with compunction, at the +final moment. They knew not what deed it was that they deemed themselves +resolved to do. In truth, there is no such thing in man's nature as a +settled and full resolve, either for good or evil, except at the very +moment of execution. Let us hope, therefore, that all the dreadful +consequences of sin will not be incurred, unless the act have set its +seal upon the thought. + +Yet, with the slight fancy-work which we have framed, some sad and awful +truths are interwoven. Man must not disclaim his brotherhood, even with +the guiltiest, since, though his hand be clean, his heart has surely been +polluted by the flitting phantoms of iniquity. He must feel, that, when +he shall knock at the gate of heaven, no semblance of an unspotted life +can entitle him to entrance there. Penitence must kneel, and Mercy come +from the footstool of the throne, or that golden gate will never open! + + + + + + + + + +End of the Project Gutenberg EBook of Fancy's Show-Box (From "Twice Told +Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK FANCY'S SHOW-BOX *** + +***** This file should be named 9208.txt or 9208.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/0/9208/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: Fancy's Show-Box (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: Nov, 2005 [EBook #9208] +[This file was first posted on August 23, 2003] +[Last updated on February 5, 2007] + + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, FANCY'S SHOW-BOX *** + + + + +This eBook was produced by David Widger [widger@cecomet.net] + + + + + + TWICE TOLD TALES + + FANCY'S SHOW-BOX + + A MORALITY + + By Nathaniel Hawthorne + + + +What is Guilt? A stain upon the soul. And it is a point of vast +interest, whether the soul may contract such stains, in all their depth +and flagrancy, from deeds which may have been plotted and resolved upon, +but which, physically, have never had existence. Must the fleshly hand +and visible frame of man set its seal to the evil designs of the soul, in +order to give them their entire validity against the sinner? Or, while +none but crimes perpetrated are cognizable before an earthly tribunal, +will guilty thoughts,--of which guilty deeds are no more than shadows,-- +will these draw down the full weight of a condemning sentence, in the +supreme court of eternity? In the solitude of a midnight chamber, or in +a desert, afar from men, or in a church, while the body is kneeling, the +soul may pollute itself even with those crimes, which we are accustomed +to deem altogether carnal. If this be true, it is a fearful truth. + +Let us illustrate the subject by an imaginary example. A venerable +gentleman, one Mr. Smith, who had long been regarded as a pattern of +moral excellence, was warming his aged blood with a glass or two of +generous wine. His children being gone forth about their worldly +business, and his grandchildren at school, he sat alone, in a deep, +luxurious arm-chair, with his feet beneath a richly carved mahogany +table. Some old people have a dread of solitude, and when better company +may not be had, rejoice even to hear the quiet breathing of a babe, +asleep upon the carpet. But Mr. Smith, whose silver hair was the bright +symbol of a life unstained, except by such spots as are inseparable from +human nature, he had no need of a babe to protect him by its purity, nor +of a grown person to stand between him and his own soul. Nevertheless, +either Manhood must converse with Age, or Womanhood must soothe him with +gentle cares, or Infancy must sport around his chair, or his thoughts +will stray into the misty region of the past, and the old man be chill +and sad. Wine will not always cheer him. Such might have been the case +with Mr. Smith, when, through the brilliant medium of his glass of old +Madeira, he beheld three figures entering the room. These were Fancy, +who had assumed the garb and aspect of an itinerant showman, with a box +of pictures on her back; and Memory, in the likeness of a clerk, with a +pen behind her ear, an inkhorn at her buttonhole, and a huge manuscript +volume beneath her arm; and lastly, behind the other two, a person +shrouded in a dusky mantle, which concealed both face and form. But Mr. +Smith had a shrewd idea that it was Conscience. + +How kind of Fancy, Memory, and Conscience to visit the old gentleman, +just as he was beginning to imagine that the wine had neither so bright a +sparkle nor so excellent a flavor as when himself and the liquor were +less aged! Through the dim length of the apartment, where crimson +curtains muffled the glare of sunshine, and created a rich obscurity, the +three guests drew near the silver-haired old mail. Memory, with a finger +between the leaves of her huge volume, placed herself at his right hand. +Conscience, with her face still hidden in the dusky mantle, took her +station on the left, so as to be next his heart; while Fancy set down her +picture-box upon the table, with the magnifying-glass convenient to his +eye. We can sketch merely the outlines of two or three out of the many +pictures which, at the pulling of a string, successively peopled the box +with the semblances of living scenes. + +One was a moonlight picture; in the background, a lowly dwelling; and in +front, partly shadowed by a tree, yet besprinkled with flakes of +radiance, two youthful figures, male and female. The young man stood +with folded arms, a haughty smile upon his lip, and a gleam of triumph in +his eye, as he glanced downward at the kneeling girl. She was almost +prostrate at his feet, evidently sinking under a weight of shame and +anguish, which hardly allowed her to lift her clasped hands in +supplication. Her eyes she could not lift. But neither her agony, nor +the lovely features on which it was depicted, nor the slender grace of +the form which it convulsed, appeared to soften the obduracy of the young +man. He was the personification of triumphant scorn. Now, strange to +say, as old Mr. Smith peeped through the magnifying-glass, which made the +objects start out from the canvas with magical deception, he began to +recognize the farm-house, the tree, and both the figures of the picture. +The young man, in times long past, had often met his gaze within the +looking-glass; the girl was the very image of his first love,--his +cottage love,--his Martha Burroughs! Mr. Smith was scandalized. "O, +vile and slanderous picture!" he exclaims. "When have I triumphed over +ruined innocence? Was not Martha wedded, in her teens, to David Tomkius, +who won her girlish love, and long enjoyed her affection as a wife? And +ever since his death, she has lived a reputable widow!" Meantime, Memory +was turning over the leaves of her volume, rustling them to and fro with +uncertain fingers, until, among the earlier pages, she found one which +had reference to this picture. She reads it, close to the old +gentleman's ear; it is a record merely of sinful thought, which never was +embodied in an act; but, while Memory is reading, Conscience unveils her +face, and strikes a dagger to the heart of Mr. Smith. Though not a +death-blow, the torture was extreme. + +The exhibition proceeded. One after another, Fancy displayed her +pictures, all of which appeared to have been painted by some malicious +artist, on purpose to vex Mr. Smith. Not a shadow of proof could have +been adduced, in any earthly court, that he was guilty of the slightest +of those sins which were thus made to stare him in the face. In one +scene, there was a table set out, with several bottles, and glasses half +filled with wine, which threw back the dull ray of an expiring lamp. +There had been mirth and revelry, until the hand of the clock stood just +at midnight, when murder stepped between the boon companions. A young +man had fallen on the floor, and lay stone dead, with a ghastly wound +crushed into his temple, while over him, with a delirium of mingled rage +and horror in his countenance, stood the youthful likeness of Mr. Smith. +The murdered youth wore the features of Edward Spencer! "What does this +rascal of a painter mean?" cries Mr. Smith, provoked beyond all patience. +"Edward Spencer was my earliest and dearest friend, true to me as I to +him, through more than half a century. Neither I, nor any other, ever +murdered him. Was he not alive within five years, and did he not, in +token of our long friendship, bequeath me his gold-headed cane and a +mourning ring?" Again had Memory been turning over her volume, and +fixed at length upon so confused a page, that she surely must have +scribbled it when she was tipsy. The purport was, however, that, while +Mr. Smith and Edward Spencer were heating their young blood with wine, a +quarrel had flashed up between them, and Mr. Smith, in deadly wrath, had +flung a bottle at Spencer's head. True, it missed its aim, and merely +smashed a looking-glass; and the next morning, when the incident was +imperfectly remembered, they had shaken hands with a hearty laugh. Yet, +again, while Memory was reading, Conscience unveiled her face, struck a +dagger to the heart of Mr. Smith, and quelled his remonstrance with her +iron frown. The pain was quite excruciating. + +Some of the pictures had been painted with so doubtful a touch, and in +colors so faint and pale, that the subjects could barely be conjectured. +A dull, semitransparent mist had been thrown over the surface of the +canvas, into which the figures seemed to vanish, while the eye sought +most earnestly to fix them. But, in every scene, however dubiously +portrayed, Mr. Smith was invariably haunted by his own lineaments, at +various ages, as in a dusty mirror. After poring several minutes over +one of these blurred and almost indistinguishable pictures, he began to +see that the painter had intended to represent him, now in the decline of +life, as stripping the clothes from the backs of three half-starved +children. "Really, this puzzles me!" quoth Mr. Smith, with the irony of +conscious rectitude. "Asking pardon of the painter, I pronounce him a +fool, as well as a scandalous knave. A man of my standing in the world, +to be robbing little children of their clothes! Ridiculous!" But while +he spoke, Memory had searched her fatal volume, and found a page, which, +with her sad, calm voice, she poured into his ear. It was not altogether +inapplicable to the misty scene. It told how Mr. Smith had been +grievously tempted, by many devilish sophistries, on the ground of a +legal quibble, to commence a lawsuit against three orphan children, joint +heirs to a considerable estate. Fortunately, before he was quite +decided, his claims had turned out nearly as devoid of law as justice. +As Memory ceased to read, Conscience again thrust aside her mantle, and +would have struck her victim with the envenomed dagger, only that he +struggled, and clasped his hands before his heart. Even then, however, +he sustained an ugly gash. + +Why should we follow Fancy through the whole series of those awful +pictures? Painted by an artist of wondrous power, and terrible +acquaintance with the secret soul, they embodied the ghosts of all the +never perpetrated sins that had glided through the lifetime of Mr. Smith. +And could such beings of cloudy fantasy, so near akin to nothingness, +give valid evidence against him, at the day of judgment? Be that the +case or not, there is reason to believe that one truly penitential tear +would have washed away each hateful picture, and left the canvas white as +snow. But Mr. Smith, at a prick of Conscience too keen to be endured, +bellowed aloud, with impatient agony, and suddenly discovered that his +three guests were gone. There he sat alone, a silver-haired and highly +venerated old man, in the rich gloom of the crimson-curtained room, with +no box of pictures on the table, but only a decanter of most excellent +Madeira. Yet his heart still seemed to fester with the venom of the +dagger. + +Nevertheless, the unfortunate old gentleman might have argued the matter +with Conscience, and alleged many reasons wherefore she should not smite +him so pitilessly. Were we to take up his cause, it should be somewhat +in the following fashion: A scheme of guilt, till it be put in execution, +greatly resembles a train of incidents in a projected tale. The latter, +in order to produce a sense of reality in the reader's mind, must be +conceived with such proportionate strength by the author as to seem, in +the glow of fancy, more like truth, past, present, or to come, than +purely fiction. The prospective sinner, on the other hand, weaves his +plot of crime, but seldom or never feels a perfect certainty that it will +be executed. There is a dreaminess diffused about his thoughts; in a +dream, as it were, he strikes the death-blow into his victim's heart, and +starts to find an indelible blood-stain on his hand. Thus a novel-writer, +or a dramatist, in creating a villain of romance, and fitting him with +evil deeds, and the villain of actual life, in projecting crimes that +will be perpetrated, may almost meet each other, half-way between reality +and fancy. It is not until the crime is accomplished, that guilt +clinches its gripe upon the guilty heart, and claims it for its own. +Then, and not before, sin is actually felt and acknowledged, and, if +unaccompanied by repentance, grows a thousand-fold more virulent by its +self-consciousness. Be it considered, also, that men often overestimate +their capacity for evil. At a distance, while its attendant +circumstances do not press upon their notice, and its results are dimly +seen, they can bear to contemplate it. They may take the steps which +lead to crime, impelled by the same sort of mental action as in working +out a mathematical problem, yet be powerless with compunction, at the +final moment. They knew not what deed it was that they deemed themselves +resolved to do. In truth, there is no such thing in man's nature as a +settled and full resolve, either for good or evil, except at the very +moment of execution. Let us hope, therefore, that all the dreadful +consequences of sin will not be incurred, unless the act have set its +seal upon the thought. + +Yet, with the slight fancy-work which we have framed, some sad and awful +truths are interwoven. Man must not disclaim his brotherhood, even with +the guiltiest, since, though his hand be clean, his heart has surely been +polluted by the flitting phantoms of iniquity. He must feel, that, when +he shall knock at the gate of heaven, no semblance of an unspotted life +can entitle him to entrance there. Penitence must kneel, and Mercy come +from the footstool of the throne, or that golden gate will never open! + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, FANCY'S SHOW-BOX *** +By Nathaniel Hawthorne + +*** This file should be named haw3510.txt or haw3510.zip *** + +Corrected EDITIONS of our etexts get a new NUMBER, haw3511.txt +VERSIONS based on separate sources get new LETTER, haw3510a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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