diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:52 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:32:52 -0700 |
| commit | 9b4f837d63ecb8e03753cd7fb61908d96da4e31f (patch) | |
| tree | 142ac1058ab932031b74356dc13a07b0eec0f1ad | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 9207-h.zip | bin | 0 -> 12868 bytes | |||
| -rw-r--r-- | 9207-h/9207-h.htm | 637 | ||||
| -rw-r--r-- | 9207.txt | 581 | ||||
| -rw-r--r-- | 9207.zip | bin | 0 -> 12014 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/haw3410.txt | 556 | ||||
| -rw-r--r-- | old/haw3410.zip | bin | 0 -> 11427 bytes |
9 files changed, 1790 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/9207-h.zip b/9207-h.zip Binary files differnew file mode 100644 index 0000000..24fc230 --- /dev/null +++ b/9207-h.zip diff --git a/9207-h/9207-h.htm b/9207-h/9207-h.htm new file mode 100644 index 0000000..241fcfb --- /dev/null +++ b/9207-h/9207-h.htm @@ -0,0 +1,637 @@ +<?xml version="1.0" encoding="iso-8859-1"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <title> + The Project Gutenberg E-text of The Vision of the Fountain, by Nathaniel + Hawthorne + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Vision of the Fountain (From "Twice +Told Tales"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Vision of the Fountain (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: November, 2005 [EBook #9207] +First Posted: August 23, 2003 +Last Updated: April 2, 2013 + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN *** + + + + +Produced by David Widger + + + + + +</pre> + <p> + <br /><br /> + </p> + <h3> + TWICE TOLD TALES<br /> + </h3> + <h2> + THE VISION OF THE FOUNTAIN<br /> + </h2> + <h3> + By Nathaniel Hawthorne<br /> + </h3> + <p> + <br /><br /> + </p> + <p> + At fifteen, I became a resident in a country village, more than a hundred + miles from home. The morning after my arrival—a September morning, + but warm and bright as any in July—I rambled into a wood of oaks, + with a few walnut-trees intermixed, forming the closest shade above my + head. The ground was rocky, uneven, overgrown with bushes and clumps of + young saplings, and traversed only by cattle-paths. The track, which I + chanced to follow, led me to a crystal spring, with a border of grass, as + freshly green as on May morning, and overshadowed by the limb of a great + oak. One solitary sunbeam found its way down, and played like a goldfish + in the water. + </p> + <p> + From my childhood, I have loved to gaze into a spring. The water filled a + circular basin, small but deep, and set round with stones, some of which + were covered with slimy moss, the others naked, and of variegated hue, + reddish, white, and brown. The bottom was covered with coarse sand, which + sparkled in the lonely sunbeam, and seemed to illuminate the spring with + an unborrowed light. In one spot, the gush of the water violently agitated + the sand, but without obscuring the fountain, or breaking the glassiness + of its surface. It appeared as if some living creature were about to + emerge—the Naiad of the spring, perhaps—in the shape of a + beautiful young woman, with a gown of filmy water-moss, a belt of + rainbow-drops, and a cold, pure, passionless countenance. How would the + beholder shiver, pleasantly, yet fearfully, to see her sitting on one of + the stones, paddling her white feet in the ripples, and throwing up water, + to sparkle in the sun! Wherever she laid her hands on grass and flowers, + they would immediately be moist, as with morning dew. Then would she set + about her labors, like a careful housewife, to clear the fountain of + withered leaves, and bits of slimy wood, and old acorns from the oaks + above, and grains of corn left by cattle in drinking, till the bright + sand, in the bright water, were like a treasury of diamonds. But, should + the intruder approach too near, he would find only the drops of a summer + shower glistening about the spot where he had seen her. + </p> + <p> + Reclining on the border of grass, where the dewy goddess should have been, + I bent forward, and a pair of eyes met mine within the watery mirror. They + were the reflection of my own. I looked again, and lo! another face, + deeper in the fountain than my own image, more distinct in all the + features, yet faint as thought. The vision had the aspect of a fair young + girl, with locks of paly gold. A mirthful expression laughed in the eyes + and dimpled over the whole shadowy countenance, till it seemed just what a + fountain would be, if, while dancing merrily into the sunshine, it should + assume the shape of woman. Through the dim rosiness of the cheeks, I could + see the brown leaves, the slimy twigs, the acorns, and the sparkling sand. + The solitary sunbeam was diffused among the golden hair, which melted into + its faint brightness, and became a glory round that head so beautiful! + </p> + <p> + My description can give no idea how suddenly the fountain was thus + tenanted, and how soon it was left desolate. I breathed; and there was the + face! I held my breath; and it was gone! Had it passed away, or faded into + nothing? I doubted whether it had ever been. + </p> + <p> + My sweet readers, what a dreamy and delicious hour did I spend, where that + vision found and left me! For a long time I sat perfectly still, waiting + till it should reappear, and fearful that the slightest motion, or even + the flutter of my breath, might frighten it away. Thus have I often + started from a pleasant dream, and then kept quiet, in hopes to wile it + back. Deep were my musings, as to the race and attributes of that ethereal + being. Had I created her? Was she the daughter of my fancy, akin to those + strange shapes which peep under the lids of children's eyes? And did her + beauty gladden me, for that one moment, and then die? Or was she a + water-nymph within the fountain, or fairy, or woodland goddess peeping + over my shoulder, or the ghost of some forsaken maid, who had drowned + herself for love? Or, in good truth, had a lovely girl, with a warm heart, + and lips that would bear pressure, stolen softly behind me, and thrown her + image into the spring? + </p> + <p> + I watched and waited, but no vision came again. I departed, but with a + spell upon me, which drew me back, that same afternoon, to the haunted + spring. There was the water gushing, the sand sparkling, and the sunbeam + glimmering. There the vision was not, but only a great frog, the hermit of + that solitude, who immediately withdrew his speckled snout and made + himself invisible, all except a pair of long legs, beneath a stone. + Methought he had a devilish look! I could have slain him! + </p> + <p> + Thus did the Vision leave me; and many a doleful day succeeded to the + parting moment. By the spring, and in the wood, and on the hill, and + through the village; at dewy sunrise, burning noon, and at that magic hour + of sunset, when she had vanished from my sight, I sought her, but in vain. + Weeks came and went, months rolled away, and she appeared not in them. I + imparted my mystery to none, but wandered to and fro, or sat in solitude, + like one that had caught a glimpse of heaven, and could take no more joy + on earth. I withdrew into an inner world, where my thoughts lived and + breathed, and the Vision in the midst of them. Without intending it, I + became at once the author and hero of a romance, conjuring up rivals, + imagining events, the actions of others and my own, and experiencing every + change of passion, till jealousy and despair had their end in bliss. O, + had I the burning fancy of my early youth, with manhood's colder gift, the + power of expression, your hearts, sweet ladies, should flutter at my tale! + </p> + <p> + In the middle of January, I was summoned home. The day before my + departure, visiting the spots which had been hallowed by the Vision, I + found that the spring had a frozen bosom, and nothing but the snow and a + glare of winter sunshine, on the hill of the rainbow. "Let me hope," + thought I, "or my heart will be as icy as the fountain, and the whole + world as desolate as this snowy hill." Most of the day was spent in + preparing for the journey, which was to commence at four o'clock the next + morning. About an hour after supper, when all was in readiness, I + descended from my chamber to the sitting-room, to take leave of the old + clergyman and his family, with whom I had been an inmate. A gust of wind + blew out my lamp as I passed through the entry. + </p> + <p> + According to their invariable custom, so pleasant a one when the fire + blazes cheerfully, the family were sitting in the parlor, with no other + light than what came from the hearth. As the good clergyman's scanty + stipend compelled him to use all sorts of economy, the foundation of his + fires was always a large heap of tan, or ground bark, which would smoulder + away, from morning till night, with a dull warmth and no flame. This + evening the heap of tan was newly put on, and surmounted with three sticks + of red-oak, full of moisture, and a few pieces of dry pine, that had not + yet kindled. There was no light, except the little that came sullenly from + two half-burned brands, without even glimmering on the andirons. But I + knew the position of the old minister's arm-chair, and also where his wife + sat, with her knitting-work, and how to avoid his two daughters, one a + stout country lass, and the other a consumptive girl. Groping through the + gloom, I found my own place next to that of the son, a learned collegian, + who had come home to keep school in the village during the winter + vacation. I noticed that there was less room than usual, to-night, between + the collegian's chair and mine. + </p> + <p> + As people are always taciturn in the dark, not a word was said for some + time after my entrance. Nothing broke the stillness but the regular click + of the matron's knitting-needles. At times, the fire threw out a brief and + dusky gleam, which twinkled on the old man's glasses, and hovered + doubtfully round our circle, but was far too faint to portray the + individuals who composed it. Were we not like ghosts? Dreamy as the scene + was, might it not be a type of the mode in which departed people, who had + known and loved each other here, would hold communion in eternity? We were + aware of each other's presence, not by sight, nor sound, nor touch, but by + an inward consciousness. Would it not be so among the dead? + </p> + <p> + The silence was interrupted by the consumptive daughter, addressing a + remark to some one in the circle, whom she called Rachel. Her tremulous + and decayed accents were answered by a single word, but in a voice that + made me start, and bend towards the spot whence it had proceeded. Had I + ever heard that sweet, low tone? If not, why did it rouse up so many old + recollections, or mockeries of such, the shadows of things familiar, yet + unknown, and fill my mind with confused images of her features who had + spoken, though buried in the gloom of the parlor? Whom had my heart + recognized, that it throbbed so? I listened, to catch her gentle + breathing, and strove, by the intensity of my gaze, to picture forth a + shape where none was visible. + </p> + <p> + Suddenly, the dry pine caught; the fire blazed up with a ruddy glow; and + where the darkness had been, there was she,—the Vision of the + Fountain! A spirit of radiance only, she had vanished with the rainbow, + and appeared again in the firelight, perhaps to flicker with the blaze, + and be gone. Yet, her cheek was rosy and life-like, and her features, in + the bright warmth of the room, were even sweeter and tenderer than my + recollection of them. She knew me! The mirthful expression that had + laughed in her eyes and dimpled over her countenance, when I beheld her + faint beauty in the fountain, was laughing and dimpling there now. One + moment our glance mingled,—the next, down rolled the heap of tan + upon the kindled wood,—and darkness snatched away that Daughter of + the Light, and gave her back to me no more! + </p> + <p> + Fair ladies, there is nothing more to tell. Must the simple mystery be + revealed, then, that Rachel was the daughter of the village squire, and + had left home for a boarding-school, the morning after I arrived, and + returned the day before my departure? If I transformed her to an angel, it + is what every youthful lover does for his mistress. Therein consists the + essence of my story. But slight the change, sweet maids, to make angels of + yourselves! + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Vision of the Fountain (From +"Twice Told Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN *** + +***** This file should be named 9207-h.htm or 9207-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/0/9207/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> diff --git a/9207.txt b/9207.txt new file mode 100644 index 0000000..c4dada5 --- /dev/null +++ b/9207.txt @@ -0,0 +1,581 @@ +The Project Gutenberg EBook of The Vision of the Fountain (From "Twice +Told Tales"), by Nathaniel Hawthorne + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Vision of the Fountain (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Posting Date: November 27, 2010 [EBook #9207] +Release Date: November, 2005 +First Posted: August 23, 2003 +Last Updated: February 5, 2007 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN *** + + + + +Produced by David Widger + + + + + + + + + + TWICE TOLD TALES + + THE VISION OF THE FOUNTAIN + + By Nathaniel Hawthorne + + + +At fifteen, I became a resident in a country village, more than a hundred +miles from home. The morning after my arrival--a September morning, but +warm and bright as any in July--I rambled into a wood of oaks, with a few +walnut-trees intermixed, forming the closest shade above my head. The +ground was rocky, uneven, overgrown with bushes and clumps of young +saplings, and traversed only by cattle-paths. The track, which I chanced +to follow, led me to a crystal spring, with a border of grass, as freshly +green as on May morning, and overshadowed by the limb of a great oak. +One solitary sunbeam found its way down, and played like a goldfish in +the water. + +From my childhood, I have loved to gaze into a spring. The water filled +a circular basin, small but deep, and set round with stones, some of +which were covered with slimy moss, the others naked, and of variegated +hue, reddish, white, and brown. The bottom was covered with coarse sand, +which sparkled in the lonely sunbeam, and seemed to illuminate the spring +with an unborrowed light. In one spot, the gush of the water violently +agitated the sand, but without obscuring the fountain, or breaking the +glassiness of its surface. It appeared as if some living creature were +about to emerge--the Naiad of the spring, perhaps--in the shape of a +beautiful young woman, with a gown of filmy water-moss, a belt of +rainbow-drops, and a cold, pure, passionless countenance. How would the +beholder shiver, pleasantly, yet fearfully, to see her sitting on one of +the stones, paddling her white feet in the ripples, and throwing up +water, to sparkle in the sun! Wherever she laid her hands on grass and +flowers, they would immediately be moist, as with morning dew. Then +would she set about her labors, like a careful housewife, to clear the +fountain of withered leaves, and bits of slimy wood, and old acorns from +the oaks above, and grains of corn left by cattle in drinking, till the +bright sand, in the bright water, were like a treasury of diamonds. But, +should the intruder approach too near, he would find only the drops of a +summer shower glistening about the spot where he had seen her. + +Reclining on the border of grass, where the dewy goddess should have +been, I bent forward, and a pair of eyes met mine within the watery +mirror. They were the reflection of my own. I looked again, and lo! +another face, deeper in the fountain than my own image, more distinct in +all the features, yet faint as thought. The vision had the aspect of a +fair young girl, with locks of paly gold. A mirthful expression laughed +in the eyes and dimpled over the whole shadowy countenance, till it +seemed just what a fountain would be, if, while dancing merrily into the +sunshine, it should assume the shape of woman. Through the dim rosiness +of the cheeks, I could see the brown leaves, the slimy twigs, the acorns, +and the sparkling sand. The solitary sunbeam was diffused among the +golden hair, which melted into its faint brightness, and became a glory +round that head so beautiful! + +My description can give no idea how suddenly the fountain was thus +tenanted, and how soon it was left desolate. I breathed; and there was +the face! I held my breath; and it was gone! Had it passed away, or +faded into nothing? I doubted whether it had ever been. + +My sweet readers, what a dreamy and delicious hour did I spend, where +that vision found and left me! For a long time I sat perfectly still, +waiting till it should reappear, and fearful that the slightest motion, +or even the flutter of my breath, might frighten it away. Thus have I +often started from a pleasant dream, and then kept quiet, in hopes to +wile it back. Deep were my musings, as to the race and attributes of +that ethereal being. Had I created her? Was she the daughter of my +fancy, akin to those strange shapes which peep under the lids of +children's eyes? And did her beauty gladden me, for that one moment, and +then die? Or was she a water-nymph within the fountain, or fairy, or +woodland goddess peeping over my shoulder, or the ghost of some forsaken +maid, who had drowned herself for love? Or, in good truth, had a lovely +girl, with a warm heart, and lips that would bear pressure, stolen softly +behind me, and thrown her image into the spring? + +I watched and waited, but no vision came again. I departed, but with a +spell upon me, which drew me back, that same afternoon, to the haunted +spring. There was the water gushing, the sand sparkling, and the sunbeam +glimmering. There the vision was not, but only a great frog, the hermit +of that solitude, who immediately withdrew his speckled snout and made +himself invisible, all except a pair of long legs, beneath a stone. +Methought he had a devilish look! I could have slain him! + +Thus did the Vision leave me; and many a doleful day succeeded to the +parting moment. By the spring, and in the wood, and on the hill, and +through the village; at dewy sunrise, burning noon, and at that magic +hour of sunset, when she had vanished from my sight, I sought her, but in +vain. Weeks came and went, months rolled away, and she appeared not in +them. I imparted my mystery to none, but wandered to and fro, or sat in +solitude, like one that had caught a glimpse of heaven, and could take no +more joy on earth. I withdrew into an inner world, where my thoughts +lived and breathed, and the Vision in the midst of them. Without +intending it, I became at once the author and hero of a romance, +conjuring up rivals, imagining events, the actions of others and my own, +and experiencing every change of passion, till jealousy and despair had +their end in bliss. O, had I the burning fancy of my early youth, with +manhood's colder gift, the power of expression, your hearts, sweet +ladies, should flutter at my tale! + +In the middle of January, I was summoned home. The day before my +departure, visiting the spots which had been hallowed by the Vision, I +found that the spring had a frozen bosom, and nothing but the snow and a +glare of winter sunshine, on the hill of the rainbow. "Let me hope," +thought I, "or my heart will be as icy as the fountain, and the whole +world as desolate as this snowy hill." Most of the day was spent in +preparing for the journey, which was to commence at four o'clock the next +morning. About an hour after supper, when all was in readiness, I +descended from my chamber to the sitting-room, to take leave of the old +clergyman and his family, with whom I had been an inmate. A gust of wind +blew out my lamp as I passed through the entry. + +According to their invariable custom, so pleasant a one when the fire +blazes cheerfully, the family were sitting in the parlor, with no other +light than what came from the hearth. As the good clergyman's scanty +stipend compelled him to use all sorts of economy, the foundation of his +fires was always a large heap of tan, or ground bark, which would +smoulder away, from morning till night, with a dull warmth and no flame. +This evening the heap of tan was newly put on, and surmounted with three +sticks of red-oak, full of moisture, and a few pieces of dry pine, that +had not yet kindled. There was no light, except the little that came +sullenly from two half-burned brands, without even glimmering on the +andirons. But I knew the position of the old minister's arm-chair, and +also where his wife sat, with her knitting-work, and how to avoid his two +daughters, one a stout country lass, and the other a consumptive girl. +Groping through the gloom, I found my own place next to that of the son, +a learned collegian, who had come home to keep school in the village +during the winter vacation. I noticed that there was less room than +usual, to-night, between the collegian's chair and mine. + +As people are always taciturn in the dark, not a word was said for some +time after my entrance. Nothing broke the stillness but the regular +click of the matron's knitting-needles. At times, the fire threw out a +brief and dusky gleam, which twinkled on the old man's glasses, and +hovered doubtfully round our circle, but was far too faint to portray the +individuals who composed it. Were we not like ghosts? Dreamy as the +scene was, might it not be a type of the mode in which departed people, +who had known and loved each other here, would hold communion in +eternity? We were aware of each other's presence, not by sight, nor +sound, nor touch, but by an inward consciousness. Would it not be so +among the dead? + +The silence was interrupted by the consumptive daughter, addressing a +remark to some one in the circle, whom she called Rachel. Her tremulous +and decayed accents were answered by a single word, but in a voice that +made me start, and bend towards the spot whence it had proceeded. Had I +ever heard that sweet, low tone? If not, why did it rouse up so many old +recollections, or mockeries of such, the shadows of things familiar, yet +unknown, and fill my mind with confused images of her features who had +spoken, though buried in the gloom of the parlor? Whom had my heart +recognized, that it throbbed so? I listened, to catch her gentle +breathing, and strove, by the intensity of my gaze, to picture forth a +shape where none was visible. + +Suddenly, the dry pine caught; the fire blazed up with a ruddy glow; and +where the darkness had been, there was she,--the Vision of the Fountain! +A spirit of radiance only, she had vanished with the rainbow, and +appeared again in the firelight, perhaps to flicker with the blaze, and +be gone. Yet, her cheek was rosy and life-like, and her features, in the +bright warmth of the room, were even sweeter and tenderer than my +recollection of them. She knew me! The mirthful expression that had +laughed in her eyes and dimpled over her countenance, when I beheld her +faint beauty in the fountain, was laughing and dimpling there now. One +moment our glance mingled,--the next, down rolled the heap of tan upon +the kindled wood,--and darkness snatched away that Daughter of the Light, +and gave her back to me no more! + +Fair ladies, there is nothing more to tell. Must the simple mystery be +revealed, then, that Rachel was the daughter of the village squire, and +had left home for a boarding-school, the morning after I arrived, and +returned the day before my departure? If I transformed her to an angel, +it is what every youthful lover does for his mistress. Therein consists +the essence of my story. But slight the change, sweet maids, to make +angels of yourselves! + + + + + + + + + +End of the Project Gutenberg EBook of The Vision of the Fountain (From +"Twice Told Tales"), by Nathaniel Hawthorne + +*** END OF THIS PROJECT GUTENBERG EBOOK THE VISION OF THE FOUNTAIN *** + +***** This file should be named 9207.txt or 9207.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/9/2/0/9207/ + +Produced by David Widger + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/9207.zip b/9207.zip Binary files differnew file mode 100644 index 0000000..4afc942 --- /dev/null +++ b/9207.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..05601c1 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #9207 (https://www.gutenberg.org/ebooks/9207) diff --git a/old/haw3410.txt b/old/haw3410.txt new file mode 100644 index 0000000..9cf7172 --- /dev/null +++ b/old/haw3410.txt @@ -0,0 +1,556 @@ +Project Gutenberg EBook The Vision of the Fountain, by Nathaniel Hawthorne +From "Twice Told Tales" +#34 in our series by Nathaniel Hawthorne + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**EBooks Readable By Both Humans and By Computers, Since 1971** + +*****These EBooks Were Prepared By Thousands of Volunteers***** + + + +Title: The Vision of the Fountain (From "Twice Told Tales") + +Author: Nathaniel Hawthorne + +Release Date: Nov, 2005 [EBook #9207] +[This file was first posted on August 23, 2003] +[Last updated on February 5, 2007] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + + + + +*** START OF THE PROJECT GUTENBERG EBOOK, THE VISION OF THE FOUNTAIN *** + + + + +This eBook was produced by David Widger [widger@cecomet.net] + + + + + + TWICE TOLD TALES + + THE VISION OF THE FOUNTAIN + + By Nathaniel Hawthorne + + + +At fifteen, I became a resident in a country village, more than a hundred +miles from home. The morning after my arrival--a September morning, but +warm and bright as any in July--I rambled into a wood of oaks, with a few +walnut-trees intermixed, forming the closest shade above my head. The +ground was rocky, uneven, overgrown with bushes and clumps of young +saplings, and traversed only by cattle-paths. The track, which I chanced +to follow, led me to a crystal spring, with a border of grass, as freshly +green as on May morning, and overshadowed by the limb of a great oak. +One solitary sunbeam found its way down, and played like a goldfish in +the water. + +From my childhood, I have loved to gaze into a spring. The water filled +a circular basin, small but deep, and set round with stones, some of +which were covered with slimy moss, the others naked, and of variegated +hue, reddish, white, and brown. The bottom was covered with coarse sand, +which sparkled in the lonely sunbeam, and seemed to illuminate the spring +with an unborrowed light. In one spot, the gush of the water violently +agitated the sand, but without obscuring the fountain, or breaking the +glassiness of its surface. It appeared as if some living creature were +about to emerge--the Naiad of the spring, perhaps--in the shape of a +beautiful young woman, with a gown of filmy water-moss, a belt of +rainbow-drops, and a cold, pure, passionless countenance. How would the +beholder shiver, pleasantly, yet fearfully, to see her sitting on one of +the stones, paddling her white feet in the ripples, and throwing up +water, to sparkle in the sun! Wherever she laid her hands on grass and +flowers, they would immediately be moist, as with morning dew. Then +would she set about her labors, like a careful housewife, to clear the +fountain of withered leaves, and bits of slimy wood, and old acorns from +the oaks above, and grains of corn left by cattle in drinking, till the +bright sand, in the bright water, were like a treasury of diamonds. But, +should the intruder approach too near, he would find only the drops of a +summer shower glistening about the spot where he had seen her. + +Reclining on the border of grass, where the dewy goddess should have +been, I bent forward, and a pair of eyes met mine within the watery +mirror. They were the reflection of my own. I looked again, and lo! +another face, deeper in the fountain than my own image, more distinct in +all the features, yet faint as thought. The vision had the aspect of a +fair young girl, with locks of paly gold. A mirthful expression laughed +in the eyes and dimpled over the whole shadowy countenance, till it +seemed just what a fountain would be, if, while dancing merrily into the +sunshine, it should assume the shape of woman. Through the dim rosiness +of the cheeks, I could see the brown leaves, the slimy twigs, the acorns, +and the sparkling sand. The solitary sunbeam was diffused among the +golden hair, which melted into its faint brightness, and became a glory +round that head so beautiful! + +My description can give no idea how suddenly the fountain was thus +tenanted, and how soon it was left desolate. I breathed; and there was +the face! I held my breath; and it was gone! Had it passed away, or +faded into nothing? I doubted whether it had ever been. + +My sweet readers, what a dreamy and delicious hour did I spend, where +that vision found and left me! For a long time I sat perfectly still, +waiting till it should reappear, and fearful that the slightest motion, +or even the flutter of my breath, might frighten it away. Thus have I +often started from a pleasant dream, and then kept quiet, in hopes to +wile it back. Deep were my musings, as to the race and attributes of +that ethereal being. Had I created her? Was she the daughter of my +fancy, akin to those strange shapes which peep under the lids of +children's eyes? And did her beauty gladden me, for that one moment, and +then die? Or was she a water-nymph within the fountain, or fairy, or +woodland goddess peeping over my shoulder, or the ghost of some forsaken +maid, who had drowned herself for love? Or, in good truth, had a lovely +girl, with a warm heart, and lips that would bear pressure, stolen softly +behind me, and thrown her image into the spring? + +I watched and waited, but no vision came again. I departed, but with a +spell upon me, which drew me back, that same afternoon, to the haunted +spring. There was the water gushing, the sand sparkling, and the sunbeam +glimmering. There the vision was not, but only a great frog, the hermit +of that solitude, who immediately withdrew his speckled snout and made +himself invisible, all except a pair of long legs, beneath a stone. +Methought he had a devilish look! I could have slain him! + +Thus did the Vision leave me; and many a doleful day succeeded to the +parting moment. By the spring, and in the wood, and on the hill, and +through the village; at dewy sunrise, burning noon, and at that magic +hour of sunset, when she had vanished from my sight, I sought her, but in +vain. Weeks came and went, months rolled away, and she appeared not in +them. I imparted my mystery to none, but wandered to and fro, or sat in +solitude, like one that had caught a glimpse of heaven, and could take no +more joy on earth. I withdrew into an inner world, where my thoughts +lived and breathed, and the Vision in the midst of them. Without +intending it, I became at once the author and hero of a romance, +conjuring up rivals, imagining events, the actions of others and my own, +and experiencing every change of passion, till jealousy and despair had +their end in bliss. O, had I the burning fancy of my early youth, with +manhood's colder gift, the power of expression, your hearts, sweet +ladies, should flutter at my tale! + +In the middle of January, I was summoned home. The day before my +departure, visiting the spots which had been hallowed by the Vision, I +found that the spring had a frozen bosom, and nothing but the snow and a +glare of winter sunshine, on the hill of the rainbow. "Let me hope," +thought I, "or my heart will be as icy as the fountain, and the whole +world as desolate as this snowy hill." Most of the day was spent in +preparing for the journey, which was to commence at four o'clock the next +morning. About an hour after supper, when all was in readiness, I +descended from my chamber to the sitting-room, to take leave of the old +clergyman and his family, with whom I had been an inmate. A gust of wind +blew out my lamp as I passed through the entry. + +According to their invariable custom, so pleasant a one when the fire +blazes cheerfully, the family were sitting in the parlor, with no other +light than what came from the hearth. As the good clergyman's scanty +stipend compelled him to use all sorts of economy, the foundation of his +fires was always a large heap of tan, or ground bark, which would +smoulder away, from morning till night, with a dull warmth and no flame. +This evening the heap of tan was newly put on, and surmounted with three +sticks of red-oak, full of moisture, and a few pieces of dry pine, that +had not yet kindled. There was no light, except the little that came +sullenly from two half-burned brands, without even glimmering on the +andirons. But I knew the position of the old minister's arm-chair, and +also where his wife sat, with her knitting-work, and how to avoid his two +daughters, one a stout country lass, and the other a consumptive girl. +Groping through the gloom, I found my own place next to that of the son, +a learned collegian, who had come home to keep school in the village +during the winter vacation. I noticed that there was less room than +usual, to-night, between the collegian's chair and mine. + +As people are always taciturn in the dark, not a word was said for some +time after my entrance. Nothing broke the stillness but the regular +click of the matron's knitting-needles. At times, the fire threw out a +brief and dusky gleam, which twinkled on the old man's glasses, and +hovered doubtfully round our circle, but was far too faint to portray the +individuals who composed it. Were we not like ghosts? Dreamy as the +scene was, might it not be a type of the mode in which departed people, +who had known and loved each other here, would hold communion in +eternity? We were aware of each other's presence, not by sight, nor +sound, nor touch, but by an inward consciousness. Would it not be so +among the dead? + +The silence was interrupted by the consumptive daughter, addressing a +remark to some one in the circle, whom she called Rachel. Her tremulous +and decayed accents were answered by a single word, but in a voice that +made me start, and bend towards the spot whence it had proceeded. Had I +ever heard that sweet, low tone? If not, why did it rouse up so many old +recollections, or mockeries of such, the shadows of things familiar, yet +unknown, and fill my mind with confused images of her features who had +spoken, though buried in the gloom of the parlor? Whom had my heart +recognized, that it throbbed so? I listened, to catch her gentle +breathing, and strove, by the intensity of my gaze, to picture forth a +shape where none was visible. + +Suddenly, the dry pine caught; the fire blazed up with a ruddy glow; and +where the darkness had been, there was she,--the Vision of the Fountain! +A spirit of radiance only, she had vanished with the rainbow, and +appeared again in the firelight, perhaps to flicker with the blaze, and +be gone. Yet, her cheek was rosy and life-like, and her features, in the +bright warmth of the room, were even sweeter and tenderer than my +recollection of them. She knew me! The mirthful expression that had +laughed in her eyes and dimpled over her countenance, when I beheld her +faint beauty in the fountain, was laughing and dimpling there now. One +moment our glance mingled,--the next, down rolled the heap of tan upon +the kindled wood,--and darkness snatched away that Daughter of the Light, +and gave her back to me no more! + +Fair ladies, there is nothing more to tell. Must the simple mystery be +revealed, then, that Rachel was the daughter of the village squire, and +had left home for a boarding-school, the morning after I arrived, and +returned the day before my departure? If I transformed her to an angel, +it is what every youthful lover does for his mistress. Therein consists +the essence of my story. But slight the change, sweet maids, to make +angels of yourselves! + + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, THE VISION OF THE FOUNTAIN *** +By Nathaniel Hawthorne + +******* This file should be named haw3410.txt or haw3410.zip ********* + +Corrected EDITIONS of our etexts get a new NUMBER, haw3411.txt +VERSIONS based on separate sources get new LETTER, haw3410a.txt + +This eBook was produced by David Widger [widger@cecomet.net] + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + + + diff --git a/old/haw3410.zip b/old/haw3410.zip Binary files differnew file mode 100644 index 0000000..c4adae5 --- /dev/null +++ b/old/haw3410.zip |
