summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--8594-8.txt1492
-rw-r--r--8594-8.zipbin0 -> 34933 bytes
-rw-r--r--8594-h.zipbin0 -> 2639071 bytes
-rw-r--r--8594-h/8594-h.htm1792
-rw-r--r--8594-h/images/01.jpgbin0 -> 150619 bytes
-rw-r--r--8594-h/images/01h.jpgbin0 -> 31129 bytes
-rw-r--r--8594-h/images/07.jpgbin0 -> 196972 bytes
-rw-r--r--8594-h/images/07h.jpgbin0 -> 46750 bytes
-rw-r--r--8594-h/images/09.jpgbin0 -> 182927 bytes
-rw-r--r--8594-h/images/09h.jpgbin0 -> 37467 bytes
-rw-r--r--8594-h/images/10.jpgbin0 -> 160839 bytes
-rw-r--r--8594-h/images/10h.jpgbin0 -> 36573 bytes
-rw-r--r--8594-h/images/11.jpgbin0 -> 187858 bytes
-rw-r--r--8594-h/images/11h.jpgbin0 -> 37130 bytes
-rw-r--r--8594-h/images/12.jpgbin0 -> 162306 bytes
-rw-r--r--8594-h/images/12h.jpgbin0 -> 35399 bytes
-rw-r--r--8594-h/images/13.jpgbin0 -> 167624 bytes
-rw-r--r--8594-h/images/13h.jpgbin0 -> 36038 bytes
-rw-r--r--8594-h/images/14.jpgbin0 -> 190725 bytes
-rw-r--r--8594-h/images/14h.jpgbin0 -> 42331 bytes
-rw-r--r--8594-h/images/15.jpgbin0 -> 188100 bytes
-rw-r--r--8594-h/images/15h.jpgbin0 -> 41572 bytes
-rw-r--r--8594-h/images/16.jpgbin0 -> 165959 bytes
-rw-r--r--8594-h/images/16h.jpgbin0 -> 35762 bytes
-rw-r--r--8594-h/images/17.jpgbin0 -> 204521 bytes
-rw-r--r--8594-h/images/17h.jpgbin0 -> 43462 bytes
-rw-r--r--8594-h/images/18.jpgbin0 -> 174182 bytes
-rw-r--r--8594-h/images/18h.jpgbin0 -> 43191 bytes
-rw-r--r--8594.txt1492
-rw-r--r--8594.zipbin0 -> 34917 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/norm210h.zipbin0 -> 2637777 bytes
34 files changed, 4792 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/8594-8.txt b/8594-8.txt
new file mode 100644
index 0000000..f9cea1f
--- /dev/null
+++ b/8594-8.txt
@@ -0,0 +1,1492 @@
+The Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Normandy, Part 2
+ The Scenery & Romance Of Its Ancient Towns
+
+Author: Gordon Home
+
+Release Date: August 11, 2004 [EBook #8594]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+
+
+
+Produced by Ted Garvin, Beth Trapaga and the Distributed Proofreading
+Team
+
+
+
+
+
+
+NORMANDY:
+
+THE SCENERY & ROMANCE OF ITS ANCIENT TOWNS:
+
+DEPICTED BY GORDON HOME
+
+Part 2.
+
+
+
+
+CHAPTER IV
+
+
+Concerning the Cathedral City of Evreux and the Road to Bernay
+
+The tolling of the deep-toned bourdon in the cathedral tower reverberates
+over the old town of Evreux as we pass along the cobbled streets. There is
+a yellow evening light overhead, and the painted stucco walls of the houses
+reflect the soft, glowing colour of the west. In the courtyard of the Hotel
+du Grand Cerf, too, every thing is bathed in this beautiful light and the
+double line of closely trimmed laurels has not yet been deserted by the
+golden flood. But Evreux does not really require a fine evening to make it
+attractive, although there is no town in existence that is not improved
+under such conditions. With the magnificent cathedral, the belfry, the
+Norman church of St Taurin and the museum, besides many quaint peeps by the
+much sub-divided river Iton that flows through the town, there is
+sufficient to interest one even on the dullest of dull days.
+
+Of all the cathedral interiors in Normandy there are none that possess a
+finer or more perfectly proportioned nave than Evreux, and if I were asked
+to point out the two most impressive interiors of the churches in this
+division of France I should couple the cathedral at Evreux with St Ouen at
+Rouen.
+
+It was our own Henry I. who having destroyed the previous building set to
+work to build a new one and it is his nave that we see to-day. The whole
+cathedral has since that time been made to reflect the changing ideals of
+the seven centuries that have passed. The west front belongs entirely to
+the Renaissance period and the north transept is in the flamboyant style of
+the fifteenth century so much in evidence in Normandy and so infrequent in
+England.
+
+The central tower with its tall steeple now encased in scaffolding was
+built in 1470 by Cardinal Balue, Bishop of Evreux and inventor of the
+fearful wooden cages in one of which the prisoner Dubourg died at Mont St
+Michel.
+
+In most of the windows there is old and richly coloured glass; those in the
+chancel have stronger tones, but they all transform the shafts of light
+into gorgeous rainbow effects which stand out in wonderful contrast to the
+delicate, creamy white of the stone-work. Pale blue banners are suspended
+in the chancel, and the groining above is coloured on each side of the
+bosses for a short distance, so that as one looks up the great sweep of the
+nave, the banners and the brilliant fifteenth century glass appear as vivid
+patches of colour beyond the uniform, creamy grey on either side. The
+Norman towers at the west end of the cathedral are completely hidden in the
+mask of classical work planted on top of the older stone-work in the
+sixteenth century, and more recent restoration has altered some of the
+other features of the exterior. At the present day the process of
+restoration still goes on, but the faults of our grandfathers fortunately
+are not repeated.
+
+Leaving the Place Parvis by the Rue de l'Horloge you come to the great open
+space in front of the Hotel de Ville and the theatre with the museum on the
+right, in which there are several Roman remains discovered at Vieil-Evreux,
+among them being a bronze statue of Jupiter Stator. On the opposite side of
+the Place stands the beautiful town belfry built at the end of the
+fifteenth century. There was an earlier one before that time, but I do not
+know whether it had been destroyed during the wars with the English, or
+whether the people of Evreux merely raised the present graceful tower in
+place of the older one with a view to beautifying the town. The bell, which
+was cast in 1406 may have hung in the former structure, and there is some
+fascination in hearing its notes when one realises how these same sound
+waves have fallen on the ears of the long procession of players who have
+performed their parts within its hearing. A branch of the Iton runs past
+the foot of the tower in canal fashion; it is backed by old houses and
+crossed by many a bridge, and helps to build up a suitable foreground to
+the beautiful old belfry, which seems to look across to the brand new Hotel
+de Ville with an injured expression. From the Boulevard Chambaudouin there
+is a good view of one side of the Bishop's palace which lies on the south
+side of the cathedral, and is joined to it by a gallery and the remains of
+the cloister. The walls are strongly fortified, and in front of them runs a
+branch of one of the canals of the Iton, that must have originally served
+as a moat.
+
+Out towards the long straight avenue that runs out of the town in the
+direction of Caen, there may be seen the Norman church of St Taurin. It is
+all that is left of the Benedictine abbey that once stood here. Many people
+who explore this interesting church fail to see the silver-gilt reliquary
+of the twelfth century that is shown to visitors who make the necessary
+inquiries. The richness of its enamels and the elaborate ornamentation
+studded with imitation gems that have replaced the real ones, makes this
+casket almost unique.
+
+Many scenes from the life of the saint are shown in the windows of the
+choir of the church. They are really most interesting, and the glass is
+very beautiful. The south door must have been crowded with the most
+elaborate ornament, but the delicately carved stone-work has been hacked
+away and the thin pillars replaced by crude, uncarved chunks of stone.
+There is Norman arcading outside the north transept as well as just above
+the floor in the north aisle. St Taurin is a somewhat dilapidated and
+cob-webby church, but it is certainly one of the interesting features of
+Evreux.
+
+Instead of keeping on the road to Caen after reaching the end of the great
+avenue just mentioned, we turn towards the south and soon enter pretty
+pastoral scenery. The cottages are almost in every instance thatched, with
+ridges plastered over with a kind of cobb mud. In the cracks in this
+curious ridging, grass seeds and all sorts of wild flowers are soon
+deposited, so that upon the roof of nearly every cottage there is a
+luxuriant growth of grass and flowers. In some cases yellow irises alone
+ornament the roofs, and they frequently grow on the tops of the walls that
+are treated in a similar fashion. A few miles out of Evreux you pass a
+hamlet with a quaint little church built right upon the roadway with no
+churchyard or wall of any description. A few broken gravestones of quite
+recent date litter the narrow, dusty space between the north side of the
+church and the roadway. Inside there is an untidy aspect to everything, but
+there are some windows containing very fine thirteenth century glass which
+the genial old cure shows with great delight, for it is said that they were
+intended for the cathedral at Evreux, but by some chance remained in this
+obscure hamlet. The cure also points out the damage done to the windows by
+_socialistes_ at a recent date.
+
+By the roadside towards Conches, there are magpies everywhere, punctuated
+by yellow hammers and nightingales. The cottages have thatch of a very deep
+brown colour over the hipped roofs, closely resembling those in the
+out-of-the-way parts of Sussex. It a beautiful country, and the
+delightfully situated town of Conches at the edge of its forest is well
+matched with its surroundings.
+
+In the middle of the day the inhabitants seem to entirely disappear from
+the sunny street, and everything has a placid and reposeful appearance as
+though the place revelled in its quaintness. Backed by the dense masses of
+forest there is a sloping green where an avenue of great chestnuts tower
+above the long, low roof of the timber-framed cattle shelter. On the
+highest part of the hill stands the castle, whose round, central tower
+shows above the trees that grow thickly on the slopes of the hill. Close to
+the castle is the graceful church, and beyond are the clustered roofs of
+the houses. A viaduct runs full tilt against the hill nearly beneath the
+church, and then the railway pierces the hill on its way towards Bernay.
+The tall spire of the church of St Foy is comparatively new, for the whole
+structure was rebuilt in the fifteenth century, but its stained glass is of
+exceptional interest. Its richness of colour and the interest of the
+subjects indicate some unusually gifted artist, and one is not surprised to
+discover that they were designed by Aldegrevers, who was trained by that
+great master Albrecht Dyrer. Altogether there are twenty-one of these
+beautiful windows. Seven occupy the eastern end of the apse and give scenes
+taken from the life of St Foy.
+
+You can reach the castle by passing through the quaint archway of the Hotel
+de Ville, and then passing through the shady public garden you plunge into
+the dry moat that surrounds the fortified mound. There is not very much to
+see but what appears in a distant view of the town, and in many ways the
+outside groupings of the worn ruin and the church roofs and spire above the
+houses are better than the scenes in the town itself. The Hotel Croix
+Blanche is a pleasant little house for dejeuner. Everything is extremely
+simple and typical of the family methods of the small French inn, where
+excellent cooking goes along with many primitive usages. The cool
+salle-a-manger is reached through the general living-room and kitchen,
+which is largely filled with the table where you may see the proprietor
+and his family partaking of their own meals. There seems no room to cook
+anything at all, and yet when you are seated in the next room the
+daughter of the family, an attractive and neatly dressed girl,
+gracefully serves the most admirable courses, worthy and perhaps better
+than what one may expect to obtain in the best hotel in Rouen.
+
+There is a road that passes right through the forest of Conches towards
+Rugles, but that must be left for another occasion if we are to see
+anything of the charms of Beaumont-le-Roger, the perfectly situated little
+town that lies half-way between Conches and Bernay.
+
+The long street of the town containing some very charming peeps as you go
+towards the church is really a terrace on the limestone hills that rises
+behind the houses on the right, and falls steeply on the left. Spaces
+between the houses and narrow turnings give glimpses of the rich green
+country down below. From the lower level you see the rocky ridge above
+clothed in a profusion of trees. The most perfect picture in the town is
+from the river bank just by the bridge. In the foreground is the
+mirror-like stream that gives its own rendering of the scene that is built
+up above it. Leaning upon a parapet of the bridge is a man with a rod who
+is causing tragedies in the life that teems beneath the glassy surface.
+Beyond the bridge appear some quaint red roofs with one tower-like house
+with an overhanging upper storey. Higher up comes the precipitous hill
+divided into terraces by the huge walls that surround the abbey buildings,
+and still higher, but much below the highest part of the hill, are the
+picturesque ruins of the abbey. On the summit of the ridge dominating all
+are the insignificant remains of the castle built by Roger a la Barbe,
+whose name survives in that of the town. His family were the founders of
+the abbey that flourished for several centuries, but finally, about a
+hundred years ago, the buildings were converted to the uses of a factory!
+Spinning and weaving might have still been going on but for a big fire that
+destroyed the whole place. There was, however, a considerably more complete
+series of buildings left than we can see to-day, but scarcely more than
+fifty years ago the place was largely demolished for building materials.
+The view from the river Rille is therefore the best the ruin can boast, for
+seen from that point the arches rise up against the green background as a
+stately ruin, and the tangled mass of weeds and debris are invisible. The
+entrance is most inviting. It is down at the foot of the cliff, and the
+archway with the steep ascent inside suggests all sorts of delights beyond,
+as it stands there just by the main street of the town. I was sorry
+afterwards, that I had accepted that hospitality, for with the exception of
+a group of merry children playing in an orchard and some big caves hollowed
+out of the foot of the cliff that rises still higher, I saw nothing but a
+jungle of nettles. This warning should not, however, suggest that
+Beaumont-le-Roger is a poor place to visit. Not only is it a charming, I
+may say a fascinating spot to visit, but it is also a place in which to
+stay, for the longer you remain there the less do you like the idea of
+leaving. The church of St Nicholas standing in the main street where it
+becomes much wider and forms a small Place, is a beautiful old building
+whose mellow colours on stone-work and tiles glow vividly on a sunny
+afternoon. There is a great stone wall forming the side of the rocky
+platform that supports the building and the entrance is by steps that lead
+up to the west end. The tower belongs to the flamboyant period and high up
+on its parapet you may see a small statue of Regulus who does duty as a
+"Jack-smite-the-clock." Just by the porch there leans against a wall a most
+ponderous grave slab which was made for the tomb of Jehan du Moustier a
+soldier of the fourteenth century who fought for that Charles of Navarre
+who was surnamed "The Bad." The classic additions to the western part of
+the church seem strangely out of sympathy with the gargoyles overhead and
+the thirteenth century arcades of the nave, but this mixing up of styles is
+really more incongruous in description than in reality.
+
+When you have decided to leave Beaumont-le-Roger and have passed across the
+old bridge and out into the well-watered plain, the position of the little
+town suggests that of the village of Pulborough in Sussex, where a road
+goes downhill to a bridge and then crosses the rich meadowland where the
+river Arun winds among the pastures in just the same fashion as the Rille.
+
+At a bend in the road to Bernay stands the village of Serquigny. It is just
+at the edge of the forest of Beaumont which we have been skirting, and
+besides having a church partially belonging to the twelfth century it has
+traces of a Roman Camp. All the rest of the way to Bernay the road follows
+the railway and the river Charentonne until the long--and when you are
+looking out for the hotel--seemingly endless street of Bernay is reached.
+After the wonderful combination of charms that are flaunted by
+Beaumont-le-Roger it is possible to grumble at the plainer features of
+Bernay, but there is really no reason to hurry out of the town for there is
+much quaint architecture to be seen, and near the Hotel du Lion d'Or there
+is a house built right over the street resting on solid wooden posts. But
+more interesting than the domestic architecture are the remains of the
+abbey founded by Judith of Brittany very early in the eleventh century for
+it is probably one of the oldest Romanesque remains in Normandy. The church
+is cut up into various rooms and shops at the choir end, and there has been
+much indiscriminate ill-treatment of the ancient stone-work. Much of the
+structure, including the plain round arches and square columns, is of the
+very earliest Norman period, having been built in the first half of the
+eleventh century, but in later times classic ornament was added to the work
+of those shadowy times when the kingdom of Normandy had not long been
+established. So much alteration in the styles of decoration has taken place
+in the building that it is possible to be certain of the date of only some
+portions of the structure. The Hotel de Ville now occupies part of the
+abbey buildings.
+
+At the eastern side of the town stands St Croix, a fifteenth century church
+with a most spacious interior. There is much beautiful glass dating from
+three hundred years ago in the windows of the nave and transepts, but
+perhaps the feature which will be remembered most when other impressions
+have vanished, will be the finely carved statues belonging to the
+fourteenth century which were brought here from the Abbey of Bec. The south
+transept contains a monument to Guillaume Arvilarensis, an abbot of Bec who
+died in 1418. Upon the great altar which is believed to have been brought
+from the Abbey of Bec, there are eight marble columns surrounding a small
+white marble figure of the Child Jesus.
+
+Another church at Bernay is that of Notre Dame de la Couture. It has much
+fourteenth century work and behind the high altar there are five chapels,
+the centre one containing a copy of the "sacred image" of Notre Dame which
+stands by the column immediately to the right of the entrance. Much more
+could be said of these three churches with their various styles of
+architecture extending from the very earliest period down to the classic
+work of the seventeenth century. But this is not the place for intricate
+descriptions of architectural detail which are chiefly useful in books
+which are intended for carrying from place to place.
+
+
+
+
+CHAPTER V
+
+
+Concerning Lisieux and the Romantic Town of Falaise
+
+Lisieux is so rich in the curious timber-framed houses of the middle and
+later ages that there are some examples actually visible immediately
+outside the railway station whereas in most cases one usually finds an
+aggregation of uninteresting modern buildings. As you go towards the centre
+of the town the old houses, which have only been dotted about here and
+there, join hands and form whole streets of the most romantic and almost
+stage-like picturesqueness. The narrow street illustrated here is the Rue
+aux Fevres. Its houses are astonishingly fine, and it forms--especially in
+the evening--a background suitable for any of the stirring scenes that took
+place in such grand old towns as Lisieux in medieval days. This street is
+however, only one of several that reek of history. In the Rue des
+Boucheries and in the Grande Rue there are lovely overhanging gables and
+curious timber-framing that is now at any angle but what was originally
+intended. There is really so much individual quaintness in these houses
+that they deserve infinitely more than the scurry past them which so
+frequently is all their attractions obtain. The narrowness and fustiness of
+the Rue aux Fevres certainly hinder you from spending much time in
+examining the houses but there are two which deserve a few minutes'
+individual attention. One which has a very wide gable and the upper floors
+boarded is believed to be of very great antiquity, dating from as early a
+period as the thirteenth century. It is numbered thirty-three, and must not
+be confused with the richly ornamented Manoir de Francois I. The timber
+work of this house, especially of the two lower floors is covered with
+elaborate carving including curious animals and quaint little figures, and
+also the salamander of the royal house. For this reason the photographs
+sold in the shops label the house "Manoir de la Salamandre." The place is
+now fast going to ruin--a most pitiable sight and I for one, would prefer
+to see the place restored rather than it should be allowed to become so
+hopelessly dilapidated and rotten that the question of its preservation
+should come to be considered lightly.
+
+If the town authorities of Lisieux chose to do so, they could encourage the
+townsfolk to enrich many of their streets by a judicious flaking off of the
+plaster which in so many cases tries to hide all the pleasant features of
+houses that have seen at least three centuries, but this sort of work when
+in the hands of only partially educated folk is liable to produce a worse
+state of affairs than if things had been left untouched. An example of what
+over-restoration can do, may be seen when we reach the beautiful old inn at
+Dives.
+
+The two churches of Lisieux are well fitted to their surroundings, and
+although St Jacques has no graceful tower or fleche, the quaintness of its
+shingled belfry makes up for the lack of the more stately towers of St
+Pierre. Where the stone-work has stopped short the buttresses are roofed
+with the quaintest semi-circular caps, and over the clock there are two
+more odd-looking pepper boxes perched upon the steep slope that projects
+from the square belfry. Over all there is a low pyramidal roof, stained
+with orange lichen and making a great contrast in colour to the
+weather-beaten stone-work down below. There are small patches of tiled
+roofing to the buttresses at the western ends of the aisles and these also
+add colour to this picturesque building. The great double flight of stone
+steps which lead to the imposing western door have balustrades filled with
+flamboyant tracery, but although the church is built up in this way, the
+floor in the interior is not level, for it slopes gently up towards the
+east. The building was commenced during the reign of Louis XII. and not
+finished until nearly the end of the reign of Francois I. It is therefore
+coeval with that richly carved house in the Rue aux Fevres. Along the sides
+of the church there project a double row of thirsty-looking gargoyles--the
+upper ones having their shoulders supported by the mass of masonry
+supporting the flying buttresses. The interior is richer than the exterior,
+and you may see on some of the pillars remains of sixteenth century
+paintings. A picture dating from 1681 occupies a position in the chapel of
+St Ursin in the south aisle; it shows the relic of the saint being brought
+to Lisieux in 1055.
+
+The wide and sunny Place Thiers is dominated by the great church of St
+Pierre, which was left practically in its present form in the year 1233.
+The first church was begun some years before the conquest of England but
+about a century later it suffered the fate of Bayeux being burnt down in
+1136. It was reconstructed soon afterwards and shows to-day the first
+period of Gothic architecture that became prevalent in Normandy. Only the
+north tower dates from this period, the other one had to be rebuilt during
+the reign of Henri III. and the spire only made its appearance in the
+seventeenth century. The Lady Chapel is of particular interest owing to the
+statement that it was built by that Bishop of Beauvais who took such a
+prominent part in the trial of Joan of Arc. The main arches over the big
+west door are now bare of carving or ornament and the Hotel de Ville is
+built right up against the north-west corner, but despite this St Pierre
+has the most imposing and stately appearance, and there are many features
+such as the curious turrets of the south transept that impress themselves
+on the memory more than some of the other churches we have seen.
+
+Lisieux is one of those cheerful towns that appear always clean and bright
+under the dullest skies, so that when the sun shines every view seems
+freshly painted and blazing with colour. The freshness of the atmosphere,
+too, is seldom tainted with those peculiar odours that some French towns
+produce with such enormous prodigality, and Lisieux may therefore claim a
+further point in its favour.
+
+It is generally a wide, hedgeless stretch of country that lies between
+Lisieux and Falaise, but for the first ten miles there are big farm-houses
+with timber-framed barns and many orchards bearing a profusion of blossom
+near the roadside. A small farm perched above the road and quite out of
+sight, invites the thirsty passer-by to turn aside up a steep path to
+partake of cider or coffee. It is a simple, almost bare room where the
+refreshment is served, but its quaintness and shadowy coolness are most
+refreshing. The fireplace has an open hearth with a wood fire which can
+soon be blown into a blaze by the big bellows that hang against the chimney
+corner. A table by one of the windows is generally occupied in her spare
+moments by the farmer's pretty daughter who puts aside her knitting to
+fetch the cider or to blow up the fire for coffee. They are a most genial
+family and seem to find infinite delight in plying English folk with
+questions for I imagine that not many find their way to this sequestered
+corner among waving trees and lovely orchards.
+
+A sudden descent before reaching St Pierre-sur-Dives gives a great view
+over the level country below where everything is brilliantly green and
+garden-like. The village first shows its imposing church through the trees
+of a straight avenue leading towards the village which also possesses a
+fine Market Hall that must be at least six hundred years old. The church is
+now undergoing restoration externally, but by dodging the falling cement
+dust you may go inside, perhaps to be disappointed that there is not more
+of the Norman work that has been noticed in the southern tower that rises
+above the entrance. The village, or it should really be called a small
+town, for its population is over a thousand, has much in it that is
+attractive and quaint, and it might gain more attention if everyone who
+passes through its streets were not hurrying forward to Falaise.
+
+The country now becomes a great plain, hedgeless, and at times almost
+featureless. The sun in the afternoon throws the shadows of the roadside
+trees at right angles, so that the road becomes divided into accurate
+squares by the thin lines of shadow. The straight run from St Pierre is
+broken where the road crosses the Dives. It is a pretty spot with a farm, a
+manor-house and a washing place for women just below the bridge, and then
+follows more open road and more interminable perspectives cutting through
+the open plain until, with considerable satisfaction, the great
+thoroughfare from Caen is joined and soon afterwards a glimpse of the
+castle greets us as we enter Falaise.
+
+There is something peculiarly fascinating about Falaise, for it combines
+many of the features that are sparingly distributed in other towns. Its
+position on a hill with deep valleys on all sides, its romantic castle, the
+two beautiful churches and the splendid thirteenth century gateway, form
+the best remembered attractions, but beyond these there are the hundred and
+one pretty groupings of the cottages that crowd both banks of the little
+river Ante down in the valley under the awe-inspiring castle.
+
+Even then, no mention has been made of the ancient fronts that greet one in
+many of the streets, and the charms of some of the sudden openings between
+the houses that give views of the steep, wooded hollows that almost touch
+the main street, have been slighted. A huge cube of solid masonry with a
+great cylindrical tower alongside perched upon a mass of rock precipitous
+on two sides is the distant view of the castle, and coming closer, although
+you can see the buttresses that spring from the rocky foundations, the
+description still holds good. You should see the fortress in the twilight
+with a golden suffusion in the sky and strange, purplish shadows on the
+castle walls. It then has much the appearance of one of those unassailable
+strongholds where a beautiful princess is lying in captivity waiting for a
+chivalrous knight who with a band of faithful men will attempt to scale the
+inaccessible walls. Under some skies, the castle assumes the character of
+one of Turner's impressions, half real and half imaginary, and under no
+skies does this most formidable relic of feudal days ever lose its grand
+and awesome aspect. The entrance is through a gateway, the Porte St.
+Nicolas, which was built in the thirteenth century. There you are taken in
+hand by a pleasant concierge who will lead you first of all to the Tour La
+Reine, where he will point out a great breach in the wall made by Henri IV.
+when he successfully assaulted the castle after a bombardment with his
+artillery which he had kept up for a week. This was in 1589, and since then
+no other fighting has taken place round these grand old walls. The ivy that
+clings to the ruins and the avenue of limes that leads up to the great keep
+are full of jackdaws which wheel round the rock in great flights. You have
+a close view of the great Tour Talbot, and then pass through a small
+doorway in the northern face of the citadel. Inside, the appearance of the
+walls reveals the restoration which has taken place within recent years.
+But this, fortunately, does not detract to any serious extent from the
+interest of the whole place. Up on the ramparts there are fine views over
+the surrounding country, and immediately beneath the precipice below nestle
+the picturesque, browny-red roofs of the lower part of the town. Just at
+the foot of the castle rock there is still to be seen a tannery which is of
+rather unusual interest in connection with the story of how Robert le
+Diable was first struck by the charms of Arlette, the beautiful daughter of
+a tanner. The Norman duke was supposed to have been looking over the
+battlements when he saw this girl washing clothes in the river, and we are
+told that owing to the warmth of the day she had drawn up her dress, so
+that her feet, which are spoken of as being particularly beautiful were
+revealed to his admiring gaze. Arlette afterwards became the mother of
+William the Conqueror, and the room is pointed out in the south-west corner
+of the keep in which we are asked to believe that the Conqueror of England
+was born. It is, however, unfortunate for the legend that archaeologists do
+not allow such an early date for the present castle, and thus we are not
+even allowed to associate these ramparts with the legend just mentioned. It
+must have been a strong building that preceded this present structure, for
+during the eleventh century William the Norman was often obliged to retreat
+for safety to his impregnable birthplace. The Tour Talbot has below its
+lowest floor what seems to be a dungeon, but it is said that prisoners were
+not kept here, the place being used merely for storing food. The gloomy
+chamber, however, is generally called an oubliette. Above, there are other
+floors, the top one having been used by the governor of the castle. In the
+thickness of the wall there is a deep well which now contains no water. One
+of the rooms in the keep is pointed out as that in which Prince Arthur was
+kept in confinement, but although it is known that the unfortunate youth
+was imprisoned in this castle, the selection of the room seems to be
+somewhat arbitrary.
+
+In 1428 the news of Joan of Arc's continued successes was brought to the
+Earl of Salisbury who was then governor of Falaise Castle, and it was from
+here that he started with an army to endeavour to stop that triumphal
+progress. In 1450 when the French completely overcame the numerous English
+garrisons in the towns of Normandy, Falaise with its magnificent position
+held out for some time. The defenders sallied out from the walls of the
+town but were forced back again, and notwithstanding their courage, the
+town capitulated to the Duke of Alencon's army at almost the same time as
+Avranches and a dozen other strongly defended towns. We can picture to
+ourselves the men in glinting head-pieces sallying from the splendid old
+gateway known as the Port des Cordeliers. It has not lost its formidable
+appearance even to-day, though as you look through the archway the scene is
+quiet enough, and the steep flight of outside steps leads up to scenes of
+quiet domestic life. The windows overlook the narrow valley beneath where
+the humble roofs of the cottages jostle one another for space. There are
+many people who visit Falaise who never have the curiosity to explore this
+unusually pleasing part of the town. In the spring when the lilac bushes
+add their brilliant colour to the russet brown tiles and soft creams of the
+stone-work, there are pictures on every side. Looking in the cottages you
+may see, generally within a few feet of the door, one of those ingenious
+weaving machines that are worked with a treadle, and take up scarcely any
+space at all. If you ask permission, the cottagers have not the slightest
+objection to allowing you to watch them at their work, and when one sees
+how rapidly great lengths of striped material grow under the revolving
+metal framework, you wonder that Falaise is not able to supply the demands
+of the whole republic for this class of material.
+
+Just by the Hotel de Ville and the church of La Trinite stands the imposing
+statue of William the Conqueror. He is mounted on the enormous war-horse of
+the period and the whole effect is strong and spirited. The most notable
+feature of the exterior of the church of La Trinite is the curious
+passage-way that goes underneath the Lady Chapel behind the High Altar. The
+whole of the exterior is covered with rich carving, crocketed finials,
+innumerable gargoyles and the usual enriched mouldings of Gothic
+architecture. The charm of the interior is heightened if one enters in the
+twilight when vespers are proceeding. There is just sufficient light to
+show up the tracery of the windows and the massive pointed arches in the
+choir. A few candles burn by the altar beyond the dark mass of figures
+forming the congregation. A Gregorian chant fills the building with its
+solemn tones and the smoke of a swinging censer ascends in the shadowy
+chancel. Then, as the service proceeds, one candle above the altar seems to
+suddenly ignite the next, and a line of fire travels all over the great
+erection surrounding the figure of the Virgin, leaving in its trail a blaze
+of countless candles that throw out the details of the architecture in
+strong relief. Soon the collection is made, and as the priest passes round
+the metal dish, he is followed by the cocked-hatted official whose
+appearance is so surprising to those who are not familiar with French
+churches. As the priest passes the dish to each row the official brings his
+metal-headed staff down upon the pavement with a noisy bang that is
+calculated to startle the unwary into dropping their money anywhere else
+than in the plate. In time the bell rings beside the altar, and the priest
+robed in white and gold elevates the host before the kneeling congregation.
+Once more the man in the cocked hat becomes prominent as he steps into the
+open space between the transepts and tolls the big bell in the tower above.
+Then a smaller and much more cheerful bell is rung, and fearing the arrival
+of another collecting priest we slip out of the swinging doors into the
+twilight that has now almost been swallowed up in the gathering darkness.
+
+The consecration of the splendid Norman church of St Gervais took place in
+the presence of Henry I. but there is nothing particularly English in any
+part of the exterior. The central tower has four tall and deeply recessed
+arches (the middle ones contain windows) on each side, giving a rich
+arcaded appearance. Above, rises a tall pointed roof ornamented with four
+odd-looking dormers near the apex. Every one remarks on their similarity to
+dovecots and one almost imagines that they must have been built as a place
+of shelter on stormy days for the great gilded cock that forms the weather
+vane. The nave is still Norman on the south side, plain round-headed
+windows lighting the clerestory, but the aisles were rebuilt in the
+flamboyant period and present a rich mass of ornament in contrast to the
+unadorned masonry of the nave. The western end until lately had to endure
+the indignity of having its wall surfaces largely hidden by shops and
+houses. These have now disappeared, but the stone-work has not been
+restored, and you may still see a section of the interior of the house that
+formerly used the west end of the south aisle as one of its walls. You can
+see where the staircases went, and you may notice also how wantonly these
+domestic builders cut away the buttresses and architectural enrichments to
+suit the convenience of their own needs.
+
+As you go from the market-place along the street that runs from St Gervais
+to the suburb of Guibray, the shops on the left are exchanged for a low
+wall over which you see deep, grassy hollows that come right up to the edge
+of the street. Two fine houses, white-shuttered and having the usual vacant
+appearance, stand on steep slopes surrounded by great cedars of Lebanon and
+a copper beech.
+
+The church of Guibray is chiefly Norman--it is very white inside and there
+is some round-headed arcading in the aisles. The clustered columns of the
+nave have simple, pointed arches, and there is a carved marble altarpiece
+showing angels supporting the Virgin who is gazing upwards. The aisles of
+the chancel are restored Norman, and the stone-work is bright green just
+above the floor through the dampness that seems to have defied the efforts
+of the restorers.
+
+
+
+
+CHAPTER VI
+
+
+From Argentan to Avranches
+
+Between tall poplars whose stems are splotched with grey lichen and whose
+feet are grown over with browny-green moss, runs the road from Falaise to
+Argentan, straight and white, with scarcely more than the slightest bend,
+for the whole eight miles. It is typical of the roads in this part of the
+country and beyond the large stone four or five kilometres outside Falaise,
+marking the boundary between Calvados and Orne, and the railway which one
+passes soon afterwards, there is nothing to break the undulating monotony
+of the boundless plain.
+
+We cannot all hope to have this somewhat dull stretch of country relieved
+by any exciting event, but I can remember one spring afternoon being
+overtaken by two mounted gendarmes in blue uniforms, galloping for their
+very lives. I looked down the road into the cloud of dust raised by the
+horses' hoofs, but the country on all sides lay calm and deserted, and I
+was left in doubt as to the reason for this astonishing haste. Half an hour
+afterwards a group of people appeared in the distance, and on approaching
+closer, they proved to be the two gendarmes leading their blown horses as
+they walked beside a picturesque group of apparently simple peasants, the
+three men wearing the typical soft, baggy cap and blue smock of the country
+folk. The little group had a gloomy aspect, which was explained when I
+noticed that the peasants were joined together by a bright steel chain.
+Evidently something was very much amiss with one of the peaceful villages
+lying near the road.
+
+After a time, at the end of the long white perspective, appear the towers
+of the great church of St Germain that dominate the town where Henry II.
+was staying when he made that rash exclamation concerning his "turbulent
+priest." It was from Argentan that those four knights set out for England
+and Canterbury to carry out the deed, for which Henry lay in ashes for five
+weeks in this very place. But there is little at the present time at
+Argentan to remind one that it is in any way associated with the murder of
+Becket. The castle that now exists is occupied by the Courts of Justice and
+was partially built in the Renaissance period. Standing close to it, is an
+exceedingly tall building with a great gable that suggests an
+ecclesiastical origin, and on looking a little closer one soon discovers
+blocked up Gothic windows and others from which the tracery has been
+hacked. This was the chapel of the castle which has been so completely
+robbed of its sanctity that it is now cut up into small lodgings, and in
+one of its diminutive shops, picture post-cards of the town are sold.
+
+The ruins of the old castle are not very conspicuous, for in the
+seventeenth century the great keep was demolished. There is still a fairly
+noticeable round tower--the Tour Marguerite--which has a pointed roof above
+its corbels, or perhaps they should be called machicolations. In the Place
+Henri IV. stands a prominent building that projects over the pavement
+supported by massive pointed arches, and with this building in the
+foreground there is one of the best views of St Germain that one can find
+in the town. Just before coming to the clock that is suspended over the
+road by the porch of the church, there is a butcher's shop at the street
+corner that has a piece of oak carving preserved on account of its interest
+while the rest of the building has been made featureless with even plaster.
+The carving shows Adam and Eve standing on either side of a formal Tree of
+Life, and the butcher, who is pleased to find a stranger who notices this
+little curiosity, tells him with great pride that his house dates from the
+fifteenth century. The porch of St Germain is richly ornamented, but it
+takes a second place to the south porch of the church of Notre Dame at
+Louviers and may perhaps seem scarcely worthy of comment after St Maclou at
+Rouen. The structure as a whole was commenced in 1424, and the last portion
+of the work only dates from the middle of the seventeenth century. The
+vaulting of the nave has a very new and well-kept appearance and the side
+altars, in contrast to so many of even the large churches, are almost
+dignified in their somewhat restrained and classic style. The high altar is
+a stupendous erection of two storeys with Corinthian pillars. Nine long,
+white, pendant banners are conspicuous on the walls of the chancel. The
+great altars and the lesser ones that crowd the side chapels are subject to
+the accumulation of dirt as everything else in buildings sacred or lay, and
+at certain times of the day, a woman may be seen vigorously flapping the
+brass candlesticks and countless altar ornaments with a big feather broom.
+On the north side of the chancel some of the windows have sections of old
+painted glass, and in one of them there is part of a ship with men in
+crow's nests backed by clouds, a really vigorous colour scheme.
+
+Keeping to the high ground, there is to the south of this church an open
+Place, and beyond it there are some large barracks, where, on the other
+side of a low wall may be seen the elaborately prepared steeple-chase for
+training soldiers to be able to surmount every conceivable form of
+obstacle. Awkward iron railings, wide ditches, walls of different
+composition and varying height are frequently scaled, and it is practice of
+this sort that has made the French soldier famous for the facility with
+which he can storm fortifications. The river Orne finds its way through the
+lower part of the town and here there are to be found some of the most
+pleasing bits of antique domestic architecture. One of the quaintest of
+these built in 1616 is the galleried building illustrated here, and from a
+parallel street not many yards off there is a peep of a house that has been
+built right over the stream which is scarcely less picturesque.
+
+[Illustration: A SEVENTEENTH CENTURY HOUSE AT ARGENTAN]
+
+The church of St Martin is passed on entering Argentan from Falaise. Its
+east end crowds right up against the pavement and it is somewhat unusual to
+find the entrances at this portion of the building. The stained glass in
+the choir of St Martin is its most noticeable feature--the pictures showing
+various scenes in the life of Christ.
+
+As in all French towns Argentan knows how to decorate on fete days. Coming
+out of the darkness of the church in the late twilight on one of these
+occasions, I discovered that the town had suddenly become festooned with a
+long perspective of arches stretching right away down the leafy avenue that
+goes out of the town--to the north in one direction, and to St Germain in
+the other. The arches were entirely composed without a single exception of
+large crimson-red Chinese lanterns. The effect was astonishingly good, but
+despite all the decoration, the townsfolk seemed determined to preserve the
+quiet of the Sabbath, and although there were crowds everywhere, the only
+noise that broke the stillness was that of the steam round-about that had
+been erected on a triangular patch of grass. The dark crowds of people
+illuminated by flaring lights stood in perfect quiet as they watched the
+great noisy mass of moving animals and boats, occupied almost entirely by
+children, keep up its perpetual dazzle and roar. The fair--for there were
+many side-shows--was certainly quieter than any I have witnessed in
+England.
+
+A long, straight road, poplar-bordered and level, runs southwards from
+Argentan to Mortree, a village of no importance except for the fact that
+one must pass through it if one wishes to visit the beautiful Chateau d'O.
+This sixteenth century mansion like so many to be seen in this part of
+France, is in a somewhat pathetic state of disrepair, but as far as one may
+see from the exterior, it would not require any very great sum to
+completely restore the broken stone-work and other signs of decay. These,
+while perhaps adding to the picturesqueness of the buildings, do not bring
+out that aspect of carefully preserved antiquity which is the charm of most
+of the houses of this period in England. The great expanse of water in the
+moat is very green and covered by large tracts of weed, but the water is
+supplied by a spring, and fish thrive in it. The approach to the chateau
+across the moat leads to an arched entrance through which you enter the
+large courtyard overlooked on three sides by the richly ornamented
+buildings, the fourth side being only protected from the moat by a low
+wall. It would be hard to find a more charming spot than this with its
+views across the moat to the gardens beyond, backed by great masses of
+foliage.
+
+Going on past Mortree the main road will bring one after about eight miles
+to the old town of Alencon, which has been famed ever since the time of
+Louis XIV. for the lace which is even at the present day worked in the
+villages of this neighbourhood, more especially at the hamlet of Damigny.
+The cottagers use pure linen thread which is worth the almost incredible
+sum of £100 per lb. They work on parchment from patterns which are supplied
+by the merchants in Alencon. The women go on from early morning until the
+light fails, and earn something about a shilling per day!
+
+The castle of Alencon, built by Henry I. in the twelfth century, was
+pulled down with the exception of the keep, by the order of Henry of
+Navarre, the famous contemporary of Queen Elizabeth. This keep is still in
+existence, and is now used as a prison. Near it is the Palais de Justice,
+standing where the other buildings were situated.
+
+The west porch of the church of Notre Dame is richly ornamented with
+elaborate canopies, here and there with statues. One of these represents St
+John, and it will be seen that he is standing with his face towards the
+church. A legend states that this position was taken by the statue when the
+church was being ransacked by Protestants in the sixteenth century.
+
+Another road from Argentan is the great _route nationale_ that runs in a
+fairly direct line to Granville. As one rides out of the town there is a
+pretty view on looking back, of St Germain standing on the slight eminence
+above the Orne. Keeping along by that river the road touches it again at
+the little town of Ecouche. The old market hall standing on massive
+pillars, is the most attractive feature of the place. Its old tiled roof
+and half-timbered upper storey remind one forcibly of some of those
+fortunate old towns in England that have preserved this feature. The church
+has lost its original nave, and instead, there is a curious barn-like
+structure, built evidently with a view to economy, being scarcely more than
+half the height of the original: the vacant space has been very roughly
+filled up, and the numerous holes and crevices support a fine growth of
+weeds, and a strong young tree has also taken root in the ramshackle stone
+work. From the central tower, gargoyles grin above the elaborately carved
+buttresses and finials in remarkable contrast to the jerry-built addition.
+
+[Illustration: THE OLD MARKET HOUSE AT ECOUCHE]
+
+Passing through rich country, you leave the valley of the Orne, and on
+both sides of the road are spread wide and fascinating views over the
+orchard-clad country that disappears in the distant blue of the horizon.
+Wonderful patches of shadow, when large clouds are flying over the heavens,
+fall on this great tract of country and while in dull weather it may seem a
+little monotonous, in days of sunshine and shade it is full of a haunting
+beauty that is most remarkable.
+
+About seven miles from Argentan one passes Fromentelle, a quiet hamlet full
+of thatched cottages and curious weathercocks, and then five miles further
+on, having descended into the valley of the little river Rouvre, Briouze
+is entered. Here there is a wide and very extensive market-place with
+another quaint little structure, smaller than the one at Ecouche, but
+having a curious bell-turret in the centre of the roof. On Monday, which
+is market day, Briouze presents a most busy scene, and there are plenty of
+opportunities of studying the genial looking country farmers, their wives,
+and the large carts in which they drive from the farms. In the midst of the
+booths, you may see a bronze statue commemorating the "Sapeurs, pompiers"
+and others of this little place who fell in 1854.
+
+Leaving the main road which goes on to Flers, we may take the road to
+Domfront, which passes through three pretty villages and much pleasant
+country. Bellau, the first village, is full of quaint houses and charming
+old-world scenes. The church is right in the middle on an open space
+without an enclosure of any description. Standing with one's back to this
+building, there is a pretty view down the road leading to the south, a
+patch of blue distance appearing in the opening between the old gables. To
+all those who may wish to either paint or photograph this charming scene, I
+would recommend avoiding the hour in the afternoon when the children come
+out of school. I was commencing a drawing one sunny afternoon--it must have
+been about three o'clock--and the place seemed almost deserted. Indeed, I
+had been looking for a country group of peasants to fill the great white
+space of sunny road, when in twos and threes, the juvenile population
+flooded out towards me. For some reason which I could not altogether
+fathom, the boys arranged themselves in a long, regular line, occupying
+exactly one half of the view, the remaining space being filled by an
+equally long line of little girls. All my efforts failed to induce the
+children to break up the arrangement they had made. They merely altered
+their formation by advancing three or four paces nearer with almost
+military precision. They were still standing in their unbroken rows when I
+left the village.
+
+Passing a curious roadside cross which bears the date 1741 and a long Latin
+inscription splashed over with lichen, one arrives at La Ferriere aux
+Etangs, a quaint village with a narrow and steep street containing one
+conspicuously old, timber-framed house. But it is scarcely necessary to
+point out individual cottages in this part of Normandy, for wherever one
+looks, the cottages are covered with thick, purply-grey thatch, and the
+walls below are of grey wooden framework, filled in with plaster, generally
+coloured a creamy-white. When there are deep shadows under the eaves and
+the fruit trees in blossom stand out against the dark thatch, one can
+easily understand how captivating is the rural charm of this part of
+Normandy. Gradually the road ascends, but no great views are apparent,
+although one is right above the beautiful valley of the Varennes, until
+quite near to Domfront. Then, suddenly there appears an enormous stretch of
+slightly undulating country to the south and west. As far as one can see,
+the whole land seems to be covered by one vast forest.
+
+But though part of this is real forest-land, much of it is composed of
+orchards and hedgerow trees, which are planted so closely together that, at
+a short distance, they assume the aspect of close-growing woods. The first
+impression of the great stretch of forest-land does not lose its striking
+aspect, even when one has explored the whole of the town. The road that
+brings one into the old town runs along a ridge and after passing one of
+the remains of the old gateways, it rises slightly to the highest part of
+the mass of rock upon which Domfront is perched. The streets are narrow and
+parallel to accommodate themselves to the confined space within the walls.
+At the western end of the granite ridge, and separated from the town by a
+narrow defile, stands all that is left of the castle--a massive but
+somewhat shapeless ruin. At the western end of the ramparts, one looks down
+a precipitous descent to the river Varennes which has by some unusual
+agency, cut itself a channel through the rocky ridge if it did not merely
+occupy an existing gap. At the present time, besides the river, the road
+and railway pass through the narrow gorge.
+
+The castle has one of those sites that appealed irresistibly to the warlike
+barons of the eleventh century. In this case it was William I., Duc de
+Belleme, who decided to raise a great fortress on this rock that he had
+every reason to believe would prove an impregnable stronghold, but although
+only built in 1011, it was taken by Duke William thirty-seven years later,
+being one of the first brilliant feats by which William the Norman showed
+his strength outside his own Duchy. A century or more later, Henry II.,
+when at Domfront, received the pope's nuncio by whom a reconciliation was
+in some degree patched up between the king and Becket. Richard I. is known
+to have been at the castle at various times. In the sixteenth century,
+a most thrilling siege was conducted during the period when Catherine
+de Medicis was controlling the throne. A Royalist force, numbering some
+seven or eight thousand horse and foot, surrounded this formidable rock
+which was defended by the Calvinist Comte de Montgommery. With him was
+another Protestant, Ambroise le Balafre, who had made himself a despot
+at Domfront, but whose career was cut short by one of Montgommery's men
+with whom he had quarrelled. They buried him in the little church of
+Notre-Dame-sur-l'Eau--the wonderfully preserved Norman building that one
+sees beneath one's feet when standing on the ramparts of the castle. The
+body, however, was not long allowed to remain there, for when the royal
+army surrounded the castle they brought out the corpse and hung it in a
+conspicuous place to annoy the besieged. Like Corfe Castle in England, and
+many other magnificently fortified strongholds, Domfront was capable of
+defence by a mere handful. In this case the original garrison consisted of
+one hundred and fifty, and after many desertions the force was reduced to
+less than fifty. A great breach had been made by the six pieces of
+artillery placed on the hill on the opposite side of the gorge, and through
+this the besiegers endeavoured to enter. The attenuated garrison, with
+magnificent courage, held the breach after a most desperate and bloody
+fight. But after all this display of courage, it was found impossible to
+continue the defence, for by the next morning there were barely more than a
+dozen men left to fight. Finally Montgommery was obliged to surrender
+unconditionally, and not long afterwards he was executed in Paris. You may
+see the breach where this terrible fight took place at the present day, and
+as you watch the curious effects of the blue shadows falling among the
+forest trees that stretch away towards the south, you may feel that you are
+looking over almost the same scene that was gazed upon by the notable
+figures in history who have made their exits and entrances at Domfront.
+
+So little has the church of Notre-Dame-sur-l'Eau altered in its appearance
+since it was built by the Duc de Belleme that, were he to visit the ruins
+of his castle, he would marvel no doubt that the men of the nine centuries
+which have passed, should have consistently respected this sturdy little
+building. There are traces of aisles having existed, but otherwise the
+exterior of the church can have seen no change at all in this long period.
+Inside, however, the crude whitewash, the curious assemblage of enormous
+seventeenth century gravestones that are leant against the walls, and the
+terribly jarring almost life-sized crucifix, all give one that feeling of
+revulsion that is inseparable from an ill-kept place of worship. On the
+banks of the river outside, women may be seen washing clothes; the sounds
+of the railway come from the station near by, and overhead, rising above
+the foliage at its feet, are the broken walls and shattered keep from which
+we have been gazing.
+
+[Illustration: ONE OF THE TOWERS IN THE WALLS OF DOMFRONT]
+
+The walls of the town, punctuated by many a quaint tower, have lost their
+fearsome aspect owing to the domestic uses to which the towers are palpably
+devoted. One of them appears in the adjoining illustration, and it is
+typical of the half-dozen or so that still rise above the pretty gardens
+that are perched along the steep ascent. But though Domfront is full of
+almost thrilling suggestions of medievalism and the glamour of an ancient
+town, yet there is a curious lack of picturesque arrangement, so that if
+one were to be led away by the totally uninteresting photographs that may
+be seen in the shops, one would miss one of the most unique spots in
+Normandy.
+
+Stretching away towards Flers, there is a tract of green country all ups
+and downs, but with no distant views except the peep of Domfront that
+appears a few miles north of the town. Crowning the ridge of the hill is
+the keep of the castle, resembling a closed fist with the second finger
+raised, and near it, the bell-cote of the Palais de Justice and the spire
+of the church break the line of the old houses. Ferns grow by the roadside
+on every bank, but the cottages and farms are below the average of rustic
+beauty that one soon demands in this part of France.
+
+Flers is a somewhat busy manufacturing town where cotton and thread
+mills have robbed the place of its charm. At first sight one might
+imagine the church which bears the date 1870 was of considerably
+greater age, but inside one is almost astounded at the ramshackle
+galleries, the white-washed roof of rough boards discoloured by damp,
+and the general squalor of the place relieved only by a ponderous
+altar-piece of classic design. The castle is still in good preservation
+but although it dates from early Norman times, it is chiefly of the
+sixteenth century.
+
+Out in the country again, going westwards, the cottage industry of
+weaving is apparent in nearly every cottage one sees. The loud
+click-a-ti-clack--click-a-ti-clack of the looms can be heard on every
+side as one passes such villages as Landisacq. Everywhere the scenery
+is exceedingly English, the steep hillsides are often covered with
+orchards, and the delicate green of the apple-trees in spring-time,
+half-smothered in pinky-white blossom, gives the country a garden-like
+aspect. You may see a man harrowing a field on a sudden slope with a
+cloud of dust blowing up from the dry light soil, and you may hear him
+make that curious hullaballooing by which the peasants direct their
+horses, so different from the grunting "way-yup there" of the English
+ploughman. Coming down a long descent, a great stretch of country to
+the north that includes the battlefield of Tinchebrai comes into view.
+It is hard to associate the rich green pastures, smiling orchards, and
+peaceful cattle, with anything so gruesome as a battle between armies
+led by brothers. But it was near the little town of Tinchebrai that the
+two brothers, Henry I., King of England, and Robert Duke of Normandy
+fought for the possession of Normandy. Henry's army was greatly
+superior to that of his brother, for he had the valuable help of the
+Counts of Conches, Breteuil, Thorigny, Mortagne, Montfort, and two or
+three others as powerful. But despite all this array, the battle for
+some time was very considerably in Robert's favour, and it was only
+when Henry, heavily pressed by his brother's brilliant charge, ordered
+his reserves to envelop the rear, that the great battle went in favour
+of the English king. Among the prisoners were Robert and his youthful
+son William, the Counts of Mortain, Estouteville, Ferrieres, and a
+large number of notable men. Until his death, twenty-seven years later,
+Henry kept his brother captive in Cardiff Castle, and it has been said
+that, owing to an effort to escape, Henry was sufficiently lacking in
+all humane feelings towards his unfortunate brother, to have both his
+eyes put out. It seems a strange thing that exactly sixty years after
+the battle of Hastings, a Norman king of England, should conquer the
+country which had belonged to his father.
+
+The old church of St Remy at Tinchebrai, part of which dates from the
+twelfth century, has been abandoned for a new building, but the inn--the
+Hotel Lion d'Or--which bears the date 1614, is still in use. Vire, however,
+is only ten miles off, and its rich mediaeval architecture urges us
+forward.
+
+Standing in the midst of the cobbled street, there suddenly appears right
+ahead a splendid thirteenth century gateway--the Tour de l'Horloge--that
+makes one of the richest pictures in Normandy. It is not always one can see
+the curious old tower thrown up by a blaze of gold in the west, but those
+who are fortunate enough to see such an effect may get a small suggestion
+of the scene from the illustration given here. The little painted figure of
+the Virgin and Child stands in a niche just over the arch, and by it
+appears the prayer "Marie protege la ville!"
+
+One of the charms of Vire is its cleanliness, for I can recall no
+unpleasant smells having interfered with the pleasure of exploring the old
+streets. There is a great market on the northern side of the town, open and
+breezy. It slopes clear away without any intervening buildings to a great
+expanse of green wooded country, suggestive of some of the views that lie
+all around one at Avranches. The dark old church of Notre Dame dates mainly
+from the twelfth century. Houses and small shops are built up against it
+between the buttresses in a familiar, almost confidential manner, and on
+the south side, the row of gargoyles have an almost humorous appearance.
+The drips upon the pavement and shops below were evidently a nuisance, and
+rain water-spouts, with plain pipes leading diagonally from them, have been
+attached to each grotesque head, making it seem that the grinning monsters
+have developed a great and unquenchable thirst. Inside, the church is dark
+and impressive. There are double rows of pillars in the aisles, and a huge
+crucifix hangs beneath the tower, thrown up darkly against the chancel,
+which is much painted and gilded. The remains of the great castle consist
+of nothing more than part of the tall keep, built eight hundred years ago,
+and fortunately not entirely destroyed when the rest of the castle came
+down by the order of Cardinal Richelieu. An exploration of the quaint
+streets of Vire will reveal two or three ancient gateways, many gabled
+houses, some of which are timber-framed visually, and most of them are the
+same beneath their skins of plaster. The houses in one of the streets are
+connected with the road by a series of wooden bridges across the river,
+which there forms one of the many pictures to be found in Vire.
+
+Mortain is separated from Vire by fifteen miles of exceedingly hilly
+country, and those who imagine that all the roads in Normandy are the flat
+and poplar bordered ones that are so often encountered, should travel along
+this wonderful switch-back. As far as Sourdeval there seems scarcely a yard
+of level ground--it is either a sudden ascent or a breakneck rush into a
+trough-like depression. You pass copices of firs and beautiful woods,
+although in saying beautiful it is in a limited sense, for one seldom finds
+the really rich woodlands that are so priceless an ornament to many Surrey
+and Kentish lanes. The road is shaded by tall trees when it begins to
+descend into the steep rocky gorge of the Cance with its tumbling
+waterfalls that are a charming feature of this approach to Mortain. High
+upon the rocks on the left appears an enormous gilded statue of the Virgin,
+in the grounds of the Abbaye Blanche. Going downwards among the broken
+sunlight and shadows on the road, Mortain appears, picturesquely perched on
+a great rocky steep, and in the opening of the valley a blue haze suggests
+the great expanse of level country towards the south. The big parish church
+of the town was built originally in 1082 by that Robert of Mortain, who, it
+will be remembered, was one of the first of the Normans to receive from the
+victorious William a grant of land in England. The great tower which stands
+almost detached on the south-west side is remarkable for its enormously
+tall slit windows, for they run nearly from the ground to the saddle-back
+roof. The interior of this church is somewhat unusual, the nave and chancel
+being structurally one, and the aisles are separated by twenty-four
+circular grey pillars with Corinthian capitals. The plain surfaces of the
+walls and vaulting are absolutely clean white, picked out with fine black
+lines to represent stone-work--a scarcely successful treatment of such an
+interior! On either side of the High Altar stand two great statues
+representing St Guillaume and St Evroult.
+
+To those who wish to "do" all the sights of Mortain there is the Chapel of
+St Michael, which stands high up on the margin of a great rocky hill, but
+the building having been reconstructed about fifty years ago, the chief
+attraction to the place is the view, which in tolerably clear weather,
+includes Mont St Michel towards which we are making our way.
+
+A perfectly straight and fairly level stretch of road brings you to St
+Hilaire-du-Harcout. On the road one passes two or three large country
+houses with their solemn and perfectly straight avenues leading directly up
+to them at right angles from the road. The white jalousies seem always
+closed, the grass on the lawns seems never cut, and the whole
+establishments have a pathetically deserted appearance to the passer-by. A
+feature of this part of the country can scarcely be believed without
+actually using one's eyes. It is the wooden chimney-stack, covered with oak
+shingles, that surmounts the roofs of most of the cottages. Where the
+shingles have fallen off, the cement rubble that fills the space between
+the oak framing appears, but it is scarcely credible that, even with this
+partial protection, these chimneys should have survived so many centuries.
+I have asked the inmates of some of the cottages whether they ever feared a
+fire in their chimneys, but they seemed to consider the question as totally
+unnecessary, for some providence seems to have watched over their frail
+structures.
+
+St Hilaire has a brand new church and nothing picturesque in its long,
+almost monotonous, street. Instead of turning aside at Pontaubault towards
+Mont St Michel, we will go due north from that hamlet to the beautifully
+situated Avranches. This prosperous looking town used, at one time, to have
+a large English colony, but it has recently dwindled to such small
+dimensions that the English chaplain has an exceedingly small parish. The
+streets seem to possess a wonderful cleanliness; all the old houses appear
+to have made way for modern buildings which, in a way, give Avranches the
+aspect of a watering-place, but its proximity to the sea is more apparent
+in a map than when one is actually in the town. On one side of the great
+place in front of the church of Notre Dame des Champs is the Jardin des
+Plantes. To pass from the blazing sunshine and loose gravel, to the dense
+green shade of the trees in this delightful retreat is a pleasure that can
+be best appreciated on a hot afternoon in summer. The shade, however, and
+the beds of flowers are not the only attractions of these gardens. Their
+greatest charm is the wonderful view over the shining sands and the
+glistening waters of the rivers See and Selune that, at low tide, take
+their serpentine courses over the delicately tinted waste of sand that
+occupies St Michael's Bay. Out beyond the little wooded promontory that
+protects the mouth of the See, lies Mont St Michel, a fretted silhouette of
+flat pearly grey, and a little to the north is Tombelaine, a less
+pretentious islet in this fairyland sea. Framed by the stems and foliage of
+the trees, this view is one of the most fascinating in Normandy. One would
+be content to stay here all through the sultry hours of a summer day, to
+listen to the distant hum of conversation among white-capped nursemaids, as
+they sew busily, giving momentary attention to their charges. But Avranches
+has an historical spot that no student of history, and indeed no one who
+cares anything for the picturesque events that crowd the pages of the
+chronicles of England in the days of the Norman kings, may miss. It is the
+famous stone upon which Henry II. knelt when he received absolution for the
+murder of Becket at the hands of the papal legate. To reach this stone is,
+for a stranger, a matter of some difficulty. From the Place by the Jardin
+des Plantes, it is necessary to plunge down a steep descent towards the
+railway station, and then one climbs a series of zigzag paths on a high
+grassy bank that brings one out upon the Place Huet. In one corner,
+surrounded by chains and supported by low iron posts, is the historic
+stone. It is generally thickly coated with dust, but the brass plate
+affixed to a pillar of the doorway is quite legible. These, and a few
+fragments of carved stone that lie half-smothered in long grass and weeds
+at a short distance from the railed-in stone, are all that remain of the
+cathedral that existed in the time of Henry II.
+
+It must have been an impressive scene on that Sunday in May 1172, when the
+papal legate, in his wonderful robes, stood by the north transept door, of
+which only this fragment remains, and granted absolution to the sovereign,
+who, kneeling in all humbleness and submission, was relieved of the curse
+of excommunication which had been laid on him after the tragic affair in
+the sanctuary at Canterbury. In place of the splendid cathedral, whose nave
+collapsed, causing the demolition of the whole building in 1799, there is a
+new church with the two great western towers only carried up to half the
+height intended for them.
+
+From the roadway that runs along the side of the old castle walls in
+terrace fashion there is another wonderful view of rich green country,
+through which, at one's feet, winds the river See. Away towards the
+north-west the road to Granville can be seen passing over the hills in a
+perfectly straight line. But this part of the country may be left for
+another chapter.
+
+
+
+
+
+End of the Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+***** This file should be named 8594-8.txt or 8594-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/8/5/9/8594/
+
+Produced by Ted Garvin, Beth Trapaga and the Distributed Proofreading
+Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/8594-8.zip b/8594-8.zip
new file mode 100644
index 0000000..93ecd23
--- /dev/null
+++ b/8594-8.zip
Binary files differ
diff --git a/8594-h.zip b/8594-h.zip
new file mode 100644
index 0000000..f72a3fa
--- /dev/null
+++ b/8594-h.zip
Binary files differ
diff --git a/8594-h/8594-h.htm b/8594-h/8594-h.htm
new file mode 100644
index 0000000..2b9edf6
--- /dev/null
+++ b/8594-h/8594-h.htm
@@ -0,0 +1,1792 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>NORMANDY, Part 2</title>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+
+<style type="text/css">
+ <!--
+ body {background:#faebd7; margin:10%; text-align:justify}
+ P { text-indent: 1em;
+ margin-top: .75em;
+ margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; }
+ HR { width: 33%; text-align: center; }
+ blockquote {font-size: 97%; }
+ .figleft {float: left;}
+ .figright {float: right;}
+ .toc { margin-left: 15%; margin-bottom: 0em;}
+ CENTER { padding: 10px;}
+ PRE { font-family: Times; font-size: 97%; margin-left: 15%;}
+ // -->
+</style>
+
+</head>
+<body>
+
+<h2>NORMANDY, Part 2, By Gordon Home</h2>
+<pre>
+
+The Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Normandy, Part 2
+ The Scenery &amp; Romance Of Its Ancient Towns
+
+Author: Gordon Home
+
+Release Date: August 11, 2004 [EBook #8594]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+
+
+
+HTML version produced by David Widger from the text provided by Ted Garvin,
+Beth Trapaga and the Distributed Proofreading Team
+
+
+
+
+
+
+</pre>
+
+
+
+
+
+<br>
+<hr>
+<br><br><br><br><br><br>
+
+
+
+<center>
+<h1>NORMANDY</h1>
+<br><br>
+<h3>THE SCENERY &amp; ROMANCE OF ITS ANCIENT TOWNS</h3>
+<br><br><br>
+<h3>DEPICTED BY</h3>
+<br>
+<h2>GORDON HOME</h2>
+<br><br>
+<h3>Part 2.</h3>
+<br><br>
+</center>
+<a name="michel"></a>
+<br><br>
+<center>
+<a href="images/01.jpg"><img alt="01h.jpg (30K)" src="images/01h.jpg" height="464" width="339"></a>
+<br><br>A Click on any Image will enlarge it to full size
+</center>
+<br><br>
+
+<br><br>
+
+
+
+<br><br><br><br>
+
+<h2>
+CONTENTS</h2>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<p><a href="#ch4">CHAPTER IV</a>&nbsp;&nbsp;&nbsp;&nbsp;
+Concerning the Cathedral City of Evreux and the Road to Bernay</p>
+
+<p><a href="#ch5">CHAPTER V</a>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
+Concerning Lisieux and the Romantic Town of Falaise</p>
+
+<p><a href="#ch6">CHAPTER VI</a>&nbsp;&nbsp;&nbsp;&nbsp;
+From Argentan to Avranches</p>
+
+
+
+</td></tr>
+</table>
+</center>
+
+
+
+
+
+
+
+
+
+<a name="color"></a><br><br>
+<center>
+<h2>
+LIST OF COLOURED ILLUSTRATIONS</h2>
+
+</center>
+
+
+
+<p><a href="#michel">MONT ST MICHEL FROM THE CAUSEWAY</a></p>
+
+<p><a href="#evreux">THE CATHEDRAL OF EVREUX SEEN FROM ABOVE</a>
+On the right, just where the light touches some of the roofs of the
+houses, the fine old belfry can be seen.</p>
+
+<p><a href="#farmyard">A TYPICAL FARMYARD SCENE IN NORMANDY</a>
+The curious little thatched mushroom above the cart is to be found in
+most of the Norman farms.</p>
+
+<p><a href="#roger">THE BRIDGE AT BEAUMONT-LE-ROGER</a>
+On the steep hill beyond stands the ruined abbey church.</p>
+
+<p><a href="#fevres">IN THE RUE AUX FEVRES, LISIEUX</a>
+The second tiled gable from the left belongs to the fine sixteenth
+century house called the Manoir de Francois I.</p>
+
+<p><a href="#jacques">THE CHURCH OF ST JACQUES AT LISIEUX</a>
+One of the quaint umber fronted houses for which the town is famous
+appears on the left.</p>
+
+<p><a href="#falaise">FALAISE CASTLE</a>
+The favourite stronghold of William the Conqueror.</p>
+
+<p><a href="#cordeliers">THE PORTE DES CORDELIERS AT FALAISE</a>
+A thirteenth century gateway that overlooks the steep valley of the Ante.</p>
+
+<p><a href="#chateau">THE CHATEAU D'O</a>
+A seventeenth century manor house surrounded by a wide moat.</p>
+
+<p><a href="#domfront">THE GREAT VIEW OVER THE FORESTS TO THE SOUTH FROM THE RAMPARTS OF DOMFRONT CASTLE</a>
+Down below can be seen the river Varennes, and to the left of the railway
+the little Norman Church of Notre-Dame-sur-l'Eau.</p>
+
+<p><a href="#clockgate">THE CLOCK GATE, VIRE</a></p>
+
+<p><a href="#avranches">A VIEW OF MONT ST MICHEL AND THE BAY OF CANCALE FROM THE JARDIN DES PLANTES AT AVRANCHES</a>
+On the left is the low coast-line of Normandy, and on the right appears
+the islet of Tombelaine.</p>
+
+
+
+
+
+
+<br><br>
+<a name="ch4"></a>
+<br><br>
+<center>
+<h2>CHAPTER IV</h2>
+<h3>Concerning the Cathedral City of Evreux and the Road to Bernay</h3>
+</center>
+<br>
+
+
+
+<br><br>
+<a name="evreux"></a>
+<br><br>
+<center>
+<a href="images/09.jpg"><img alt="09h.jpg (36K)" src="images/09h.jpg" height="352" width="490"></a>
+</center>
+<br><br>
+<br><br>
+
+
+<p>The tolling of the deep-toned bourdon in the cathedral tower reverberates
+over the old town of Evreux as we pass along the cobbled streets. There is
+a yellow evening light overhead, and the painted stucco walls of the houses
+reflect the soft, glowing colour of the west. In the courtyard of the Hotel
+du Grand Cerf, too, every thing is bathed in this beautiful light and the
+double line of closely trimmed laurels has not yet been deserted by the
+golden flood. But Evreux does not really require a fine evening to make it
+attractive, although there is no town in existence that is not improved
+under such conditions. With the magnificent cathedral, the belfry, the
+Norman church of St Taurin and the museum, besides many quaint peeps by the
+much sub-divided river Iton that flows through the town, there is
+sufficient to interest one even on the dullest of dull days.</p>
+
+<p>Of all the cathedral interiors in Normandy there are none that possess a
+finer or more perfectly proportioned nave than Evreux, and if I were asked
+to point out the two most impressive interiors of the churches in this
+division of France I should couple the cathedral at Evreux with St Ouen at
+Rouen.</p>
+
+<p>It was our own Henry I. who having destroyed the previous building set to
+work to build a new one and it is his nave that we see to-day. The whole
+cathedral has since that time been made to reflect the changing ideals of
+the seven centuries that have passed. The west front belongs entirely to
+the Renaissance period and the north transept is in the flamboyant style of
+the fifteenth century so much in evidence in Normandy and so infrequent in
+England.</p>
+
+<p>The central tower with its tall steeple now encased in scaffolding was
+built in 1470 by Cardinal Balue, Bishop of Evreux and inventor of the
+fearful wooden cages in one of which the prisoner Dubourg died at Mont St
+Michel.</p>
+
+<p>In most of the windows there is old and richly coloured glass; those in the
+chancel have stronger tones, but they all transform the shafts of light
+into gorgeous rainbow effects which stand out in wonderful contrast to the
+delicate, creamy white of the stone-work. Pale blue banners are suspended
+in the chancel, and the groining above is coloured on each side of the
+bosses for a short distance, so that as one looks up the great sweep of the
+nave, the banners and the brilliant fifteenth century glass appear as vivid
+patches of colour beyond the uniform, creamy grey on either side. The
+Norman towers at the west end of the cathedral are completely hidden in the
+mask of classical work planted on top of the older stone-work in the
+sixteenth century, and more recent restoration has altered some of the
+other features of the exterior. At the present day the process of
+restoration still goes on, but the faults of our grandfathers fortunately
+are not repeated.</p>
+
+<p>Leaving the Place Parvis by the Rue de l'Horloge you come to the great open
+space in front of the Hotel de Ville and the theatre with the museum on the
+right, in which there are several Roman remains discovered at Vieil-Evreux,
+among them being a bronze statue of Jupiter Stator. On the opposite side of
+the Place stands the beautiful town belfry built at the end of the
+fifteenth century. There was an earlier one before that time, but I do not
+know whether it had been destroyed during the wars with the English, or
+whether the people of Evreux merely raised the present graceful tower in
+place of the older one with a view to beautifying the town. The bell, which
+was cast in 1406 may have hung in the former structure, and there is some
+fascination in hearing its notes when one realises how these same sound
+waves have fallen on the ears of the long procession of players who have
+performed their parts within its hearing. A branch of the Iton runs past
+the foot of the tower in canal fashion; it is backed by old houses and
+crossed by many a bridge, and helps to build up a suitable foreground to
+the beautiful old belfry, which seems to look across to the brand new Hotel
+de Ville with an injured expression. From the Boulevard Chambaudouin there
+is a good view of one side of the Bishop's palace which lies on the south
+side of the cathedral, and is joined to it by a gallery and the remains of
+the cloister. The walls are strongly fortified, and in front of them runs a
+branch of one of the canals of the Iton, that must have originally served
+as a moat.</p>
+
+<p>Out towards the long straight avenue that runs out of the town in the
+direction of Caen, there may be seen the Norman church of St Taurin. It is
+all that is left of the Benedictine abbey that once stood here. Many people
+who explore this interesting church fail to see the silver-gilt reliquary
+of the twelfth century that is shown to visitors who make the necessary
+inquiries. The richness of its enamels and the elaborate ornamentation
+studded with imitation gems that have replaced the real ones, makes this
+casket almost unique.</p>
+
+<p>Many scenes from the life of the saint are shown in the windows of the
+choir of the church. They are really most interesting, and the glass is
+very beautiful. The south door must have been crowded with the most
+elaborate ornament, but the delicately carved stone-work has been hacked
+away and the thin pillars replaced by crude, uncarved chunks of stone.
+There is Norman arcading outside the north transept as well as just above
+the floor in the north aisle. St Taurin is a somewhat dilapidated and
+cob-webby church, but it is certainly one of the interesting features of
+Evreux.</p>
+
+<p>Instead of keeping on the road to Caen after reaching the end of the great
+avenue just mentioned, we turn towards the south and soon enter pretty
+pastoral scenery. The cottages are almost in every instance thatched, with
+ridges plastered over with a kind of cobb mud. In the cracks in this
+curious ridging, grass seeds and all sorts of wild flowers are soon
+deposited, so that upon the roof of nearly every cottage there is a
+luxuriant growth of grass and flowers. In some cases yellow irises alone
+ornament the roofs, and they frequently grow on the tops of the walls that
+are treated in a similar fashion. A few miles out of Evreux you pass a
+hamlet with a quaint little church built right upon the roadway with no
+churchyard or wall of any description. A few broken gravestones of quite
+recent date litter the narrow, dusty space between the north side of the
+church and the roadway. Inside there is an untidy aspect to everything, but
+there are some windows containing very fine thirteenth century glass which
+the genial old cure shows with great delight, for it is said that they were
+intended for the cathedral at Evreux, but by some chance remained in this
+obscure hamlet. The cure also points out the damage done to the windows by
+<i>socialistes</i> at a recent date.</p>
+
+<p>By the roadside towards Conches, there are magpies everywhere, punctuated
+by yellow hammers and nightingales. The cottages have thatch of a very deep
+brown colour over the hipped roofs, closely resembling those in the
+out-of-the-way parts of Sussex. It a beautiful country, and the
+delightfully situated town of Conches at the edge of its forest is well
+matched with its surroundings.</p>
+
+<p>In the middle of the day the inhabitants seem to entirely disappear from
+the sunny street, and everything has a placid and reposeful appearance as
+though the place revelled in its quaintness. Backed by the dense masses of
+forest there is a sloping green where an avenue of great chestnuts tower
+above the long, low roof of the timber-framed cattle shelter. On the
+highest part of the hill stands the castle, whose round, central tower
+shows above the trees that grow thickly on the slopes of the hill. Close to
+the castle is the graceful church, and beyond are the clustered roofs of
+the houses. A viaduct runs full tilt against the hill nearly beneath the
+church, and then the railway pierces the hill on its way towards Bernay.
+The tall spire of the church of St Foy is comparatively new, for the whole
+structure was rebuilt in the fifteenth century, but its stained glass is of
+exceptional interest. Its richness of colour and the interest of the
+subjects indicate some unusually gifted artist, and one is not surprised to
+discover that they were designed by Aldegrevers, who was trained by that
+great master Albrecht Dyrer. Altogether there are twenty-one of these
+beautiful windows. Seven occupy the eastern end of the apse and give scenes
+taken from the life of St Foy.</p>
+
+<p>You can reach the castle by passing through the quaint archway of the Hotel
+de Ville, and then passing through the shady public garden you plunge into
+the dry moat that surrounds the fortified mound. There is not very much to
+see but what appears in a distant view of the town, and in many ways the
+outside groupings of the worn ruin and the church roofs and spire above the
+houses are better than the scenes in the town itself. The Hotel Croix
+Blanche is a pleasant little house for dejeuner. Everything is extremely
+simple and typical of the family methods of the small French inn, where
+excellent cooking goes along with many primitive usages. The cool
+salle-a-manger is reached through the general living-room and kitchen, which is
+largely filled with the table where you may see the proprietor and his
+family partaking of their own meals. There seems no room to cook anything
+at all, and yet when you are seated in the next room the daughter of the
+family, an attractive and neatly dressed girl, gracefully serves the most
+admirable courses, worthy and perhaps better than what one may expect to
+obtain in the best hotel in Rouen.</p>
+
+<p>There is a road that passes right through the forest of Conches towards
+Rugles, but that must be left for another occasion if we are to see
+anything of the charms of Beaumont-le-Roger, the perfectly situated little
+town that lies half-way between Conches and Bernay.</p>
+
+
+
+<br><br>
+<a name="roger"></a>
+<br><br>
+<center>
+<a href="images/10.jpg"><img alt="10h.jpg (35K)" src="images/10h.jpg" height="492" width="352"></a>
+</center>
+<br><br>
+<br><br>
+
+
+<p>The long street of the town containing some very charming peeps as you go
+towards the church is really a terrace on the limestone hills that rises
+behind the houses on the right, and falls steeply on the left. Spaces
+between the houses and narrow turnings give glimpses of the rich green
+country down below. From the lower level you see the rocky ridge above
+clothed in a profusion of trees. The most perfect picture in the town is
+from the river bank just by the bridge. In the foreground is the
+mirror-like stream that gives its own rendering of the scene that is built
+up above it. Leaning upon a parapet of the bridge is a man with a rod who
+is causing tragedies in the life that teems beneath the glassy surface.
+Beyond the bridge appear some quaint red roofs with one tower-like house
+with an overhanging upper storey. Higher up comes the precipitous hill
+divided into terraces by the huge walls that surround the abbey buildings,
+and still higher, but much below the highest part of the hill, are the
+picturesque ruins of the abbey. On the summit of the ridge dominating all
+are the insignificant remains of the castle built by Roger a la Barbe,
+whose name survives in that of the town. His family were the founders of
+the abbey that flourished for several centuries, but finally, about a
+hundred years ago, the buildings were converted to the uses of a factory!
+Spinning and weaving might have still been going on but for a big fire that
+destroyed the whole place. There was, however, a considerably more complete
+series of buildings left than we can see to-day, but scarcely more than
+fifty years ago the place was largely demolished for building materials.
+The view from the river Rille is therefore the best the ruin can boast, for
+seen from that point the arches rise up against the green background as a
+stately ruin, and the tangled mass of weeds and debris are invisible. The
+entrance is most inviting. It is down at the foot of the cliff, and the
+archway with the steep ascent inside suggests all sorts of delights beyond,
+as it stands there just by the main street of the town. I was sorry
+afterwards, that I had accepted that hospitality, for with the exception of
+a group of merry children playing in an orchard and some big caves hollowed
+out of the foot of the cliff that rises still higher, I saw nothing but a
+jungle of nettles. This warning should not, however, suggest that
+Beaumont-le-Roger is a poor place to visit. Not only is it a charming, I
+may say a fascinating spot to visit, but it is also a place in which to
+stay, for the longer you remain there the less do you like the idea of
+leaving. The church of St Nicholas standing in the main street where it
+becomes much wider and forms a small Place, is a beautiful old building
+whose mellow colours on stone-work and tiles glow vividly on a sunny
+afternoon. There is a great stone wall forming the side of the rocky
+platform that supports the building and the entrance is by steps that lead
+up to the west end. The tower belongs to the flamboyant period and high up
+on its parapet you may see a small statue of Regulus who does duty as a
+"Jack-smite-the-clock." Just by the porch there leans against a wall a most
+ponderous grave slab which was made for the tomb of Jehan du Moustier a
+soldier of the fourteenth century who fought for that Charles of Navarre
+who was surnamed "The Bad." The classic additions to the western part of
+the church seem strangely out of sympathy with the gargoyles overhead and
+the thirteenth century arcades of the nave, but this mixing up of styles is
+really more incongruous in description than in reality.</p>
+
+<p>When you have decided to leave Beaumont-le-Roger and have passed across the
+old bridge and out into the well-watered plain, the position of the little
+town suggests that of the village of Pulborough in Sussex, where a road
+goes downhill to a bridge and then crosses the rich meadowland where the
+river Arun winds among the pastures in just the same fashion as the Rille.</p>
+
+<p>At a bend in the road to Bernay stands the village of Serquigny. It is just
+at the edge of the forest of Beaumont which we have been skirting, and
+besides having a church partially belonging to the twelfth century it has
+traces of a Roman Camp. All the rest of the way to Bernay the road follows
+the railway and the river Charentonne until the long&mdash;and when you are
+looking out for the hotel&mdash;seemingly endless street of Bernay is reached.
+After the wonderful combination of charms that are flaunted by
+Beaumont-le-Roger it is possible to grumble at the plainer features of
+Bernay, but there is really no reason to hurry out of the town for there is
+much quaint architecture to be seen, and near the Hotel du Lion d'Or there
+is a house built right over the street resting on solid wooden posts. But
+more interesting than the domestic architecture are the remains of the
+abbey founded by Judith of Brittany very early in the eleventh century for
+it is probably one of the oldest Romanesque remains in Normandy. The church
+is cut up into various rooms and shops at the choir end, and there has been
+much indiscriminate ill-treatment of the ancient stone-work. Much of the
+structure, including the plain round arches and square columns, is of the
+very earliest Norman period, having been built in the first half of the
+eleventh century, but in later times classic ornament was added to the work
+of those shadowy times when the kingdom of Normandy had not long been
+established. So much alteration in the styles of decoration has taken place
+in the building that it is possible to be certain of the date of only some
+portions of the structure. The Hotel de Ville now occupies part of the
+abbey buildings.</p>
+
+<p>At the eastern side of the town stands St Croix, a fifteenth century church
+with a most spacious interior. There is much beautiful glass dating from
+three hundred years ago in the windows of the nave and transepts, but
+perhaps the feature which will be remembered most when other impressions
+have vanished, will be the finely carved statues belonging to the
+fourteenth century which were brought here from the Abbey of Bec. The south
+transept contains a monument to Guillaume Arvilarensis, an abbot of Bec who
+died in 1418. Upon the great altar which is believed to have been brought
+from the Abbey of Bec, there are eight marble columns surrounding a small
+white marble figure of the Child Jesus.</p>
+
+<p>Another church at Bernay is that of Notre Dame de la Couture. It has much
+fourteenth century work and behind the high altar there are five chapels,
+the centre one containing a copy of the "sacred image" of Notre Dame which
+stands by the column immediately to the right of the entrance. Much more
+could be said of these three churches with their various styles of
+architecture extending from the very earliest period down to the classic
+work of the seventeenth century. But this is not the place for intricate
+descriptions of architectural detail which are chiefly useful in books
+which are intended for carrying from place to place.</p>
+
+
+
+<br><br>
+<a name="ch5"></a>
+<br><br>
+<center>
+<h2>CHAPTER V</h2>
+<h3>Concerning Lisieux and the Romantic Town of Falaise</h3>
+</center>
+<br>
+
+
+<br><br>
+<a name="fevres"></a>
+<br><br>
+<center>
+<a href="images/11.jpg"><img alt="11h.jpg (36K)" src="images/11h.jpg" height="506" width="353"></a>
+</center>
+<br><br>
+<br><br>
+
+
+<p>Lisieux is so rich in the curious timber-framed houses of the middle and
+later ages that there are some examples actually visible immediately
+outside the railway station whereas in most cases one usually finds an
+aggregation of uninteresting modern buildings. As you go towards the centre
+of the town the old houses, which have only been dotted about here and
+there, join hands and form whole streets of the most romantic and almost
+stage-like picturesqueness. The narrow street illustrated here is the Rue
+aux Fevres. Its houses are astonishingly fine, and it forms&mdash;especially in
+the evening&mdash;a background suitable for any of the stirring scenes that took
+place in such grand old towns as Lisieux in medieval days. This street is
+however, only one of several that reek of history. In the Rue des
+Boucheries and in the Grande Rue there are lovely overhanging gables and
+curious timber-framing that is now at any angle but what was originally
+intended. There is really so much individual quaintness in these houses
+that they deserve infinitely more than the scurry past them which so
+frequently is all their attractions obtain. The narrowness and fustiness of
+the Rue aux Fevres certainly hinder you from spending much time in
+examining the houses but there are two which deserve a few minutes'
+individual attention. One which has a very wide gable and the upper floors
+boarded is believed to be of very great antiquity, dating from as early a
+period as the thirteenth century. It is numbered thirty-three, and must not
+be confused with the richly ornamented Manoir de Francois I. The timber
+work of this house, especially of the two lower floors is covered with
+elaborate carving including curious animals and quaint little figures, and
+also the salamander of the royal house. For this reason the photographs
+sold in the shops label the house "Manoir de la Salamandre." The place is
+now fast going to ruin&mdash;a most pitiable sight and I for one, would prefer
+to see the place restored rather than it should be allowed to become so
+hopelessly dilapidated and rotten that the question of its preservation
+should come to be considered lightly.</p>
+
+<p>If the town authorities of Lisieux chose to do so, they could encourage the
+townsfolk to enrich many of their streets by a judicious flaking off of the
+plaster which in so many cases tries to hide all the pleasant features of
+houses that have seen at least three centuries, but this sort of work when
+in the hands of only partially educated folk is liable to produce a worse
+state of affairs than if things had been left untouched. An example of what
+over-restoration can do, may be seen when we reach the beautiful old inn at
+Dives.</p>
+
+
+<br><br>
+<a name="jacques"></a>
+<br><br>
+<center>
+<a href="images/12.jpg"><img alt="12h.jpg (34K)" src="images/12h.jpg" height="489" width="357"></a>
+</center>
+<br><br>
+<br><br>
+
+<p>The two churches of Lisieux are well fitted to their surroundings, and
+although St Jacques has no graceful tower or fleche, the quaintness of its
+shingled belfry makes up for the lack of the more stately towers of St
+Pierre. Where the stone-work has stopped short the buttresses are roofed
+with the quaintest semi-circular caps, and over the clock there are two
+more odd-looking pepper boxes perched upon the steep slope that projects
+from the square belfry. Over all there is a low pyramidal roof, stained
+with orange lichen and making a great contrast in colour to the
+weather-beaten stone-work down below. There are small patches of tiled
+roofing to the buttresses at the western ends of the aisles and these also
+add colour to this picturesque building. The great double flight of stone
+steps which lead to the imposing western door have balustrades filled with
+flamboyant tracery, but although the church is built up in this way, the
+floor in the interior is not level, for it slopes gently up towards the
+east. The building was commenced during the reign of Louis XII. and not
+finished until nearly the end of the reign of Francois I. It is therefore
+coeval with that richly carved house in the Rue aux Fevres. Along the sides
+of the church there project a double row of thirsty-looking gargoyles&mdash;the
+upper ones having their shoulders supported by the mass of masonry
+supporting the flying buttresses. The interior is richer than the exterior,
+and you may see on some of the pillars remains of sixteenth century
+paintings. A picture dating from 1681 occupies a position in the chapel of
+St Ursin in the south aisle; it shows the relic of the saint being brought
+to Lisieux in 1055.</p>
+
+<p>The wide and sunny Place Thiers is dominated by the great church of St
+Pierre, which was left practically in its present form in the year 1233.
+The first church was begun some years before the conquest of England but
+about a century later it suffered the fate of Bayeux being burnt down in
+1136. It was reconstructed soon afterwards and shows to-day the first
+period of Gothic architecture that became prevalent in Normandy. Only the
+north tower dates from this period, the other one had to be rebuilt during
+the reign of Henri III. and the spire only made its appearance in the
+seventeenth century. The Lady Chapel is of particular interest owing to the
+statement that it was built by that Bishop of Beauvais who took such a
+prominent part in the trial of Joan of Arc. The main arches over the big
+west door are now bare of carving or ornament and the Hotel de Ville is
+built right up against the north-west corner, but despite this St Pierre
+has the most imposing and stately appearance, and there are many features
+such as the curious turrets of the south transept that impress themselves
+on the memory more than some of the other churches we have seen.</p>
+
+<p>Lisieux is one of those cheerful towns that appear always clean and bright
+under the dullest skies, so that when the sun shines every view seems
+freshly painted and blazing with colour. The freshness of the atmosphere,
+too, is seldom tainted with those peculiar odours that some French towns
+produce with such enormous prodigality, and Lisieux may therefore claim a
+further point in its favour.</p>
+
+
+<br><br>
+<a name="farmyard"></a>
+<br><br>
+<center>
+<a href="images/07.jpg"><img alt="07h.jpg (45K)" src="images/07h.jpg" height="350" width="477"></a>
+</center>
+<br><br>
+<br><br>
+
+
+<p>It is generally a wide, hedgeless stretch of country that lies between
+Lisieux and Falaise, but for the first ten miles there are big farm-houses
+with timber-framed barns and many orchards bearing a profusion of blossom
+near the roadside. A small farm perched above the road and quite out of
+sight, invites the thirsty passer-by to turn aside up a steep path to
+partake of cider or coffee. It is a simple, almost bare room where the
+refreshment is served, but its quaintness and shadowy coolness are most
+refreshing. The fireplace has an open hearth with a wood fire which can
+soon be blown into a blaze by the big bellows that hang against the chimney
+corner. A table by one of the windows is generally occupied in her spare
+moments by the farmer's pretty daughter who puts aside her knitting to
+fetch the cider or to blow up the fire for coffee. They are a most genial
+family and seem to find infinite delight in plying English folk with
+questions for I imagine that not many find their way to this sequestered
+corner among waving trees and lovely orchards.</p>
+
+<p>A sudden descent before reaching St Pierre-sur-Dives gives a great view
+over the level country below where everything is brilliantly green and
+garden-like. The village first shows its imposing church through the trees
+of a straight avenue leading towards the village which also possesses a
+fine Market Hall that must be at least six hundred years old. The church is
+now undergoing restoration externally, but by dodging the falling cement
+dust you may go inside, perhaps to be disappointed that there is not more
+of the Norman work that has been noticed in the southern tower that rises
+above the entrance. The village, or it should really be called a small
+town, for its population is over a thousand, has much in it that is
+attractive and quaint, and it might gain more attention if everyone who
+passes through its streets were not hurrying forward to Falaise.</p>
+
+<p>The country now becomes a great plain, hedgeless, and at times almost
+featureless. The sun in the afternoon throws the shadows of the roadside
+trees at right angles, so that the road becomes divided into accurate
+squares by the thin lines of shadow. The straight run from St Pierre is
+broken where the road crosses the Dives. It is a pretty spot with a farm, a
+manor-house and a washing place for women just below the bridge, and then
+follows more open road and more interminable perspectives cutting through
+the open plain until, with considerable satisfaction, the great
+thoroughfare from Caen is joined and soon afterwards a glimpse of the
+castle greets us as we enter Falaise.</p>
+
+
+
+<br><br>
+<a name="falaise"></a>
+<br><br>
+<center>
+<a href="images/13.jpg"><img alt="13h.jpg (35K)" src="images/13h.jpg" height="503" width="352"></a>
+</center>
+<br><br>
+<br><br>
+
+
+
+<p>There is something peculiarly fascinating about Falaise, for it combines
+many of the features that are sparingly distributed in other towns. Its
+position on a hill with deep valleys on all sides, its romantic castle, the
+two beautiful churches and the splendid thirteenth century gateway, form
+the best remembered attractions, but beyond these there are the hundred and
+one pretty groupings of the cottages that crowd both banks of the little
+river Ante down in the valley under the awe-inspiring castle.</p>
+
+<p>Even then, no mention has been made of the ancient fronts that greet one in
+many of the streets, and the charms of some of the sudden openings between
+the houses that give views of the steep, wooded hollows that almost touch
+the main street, have been slighted. A huge cube of solid masonry with a
+great cylindrical tower alongside perched upon a mass of rock precipitous
+on two sides is the distant view of the castle, and coming closer, although
+you can see the buttresses that spring from the rocky foundations, the
+description still holds good. You should see the fortress in the twilight
+with a golden suffusion in the sky and strange, purplish shadows on the
+castle walls. It then has much the appearance of one of those unassailable
+strongholds where a beautiful princess is lying in captivity waiting for a
+chivalrous knight who with a band of faithful men will attempt to scale the
+inaccessible walls. Under some skies, the castle assumes the character of
+one of Turner's impressions, half real and half imaginary, and under no
+skies does this most formidable relic of feudal days ever lose its grand
+and awesome aspect. The entrance is through a gateway, the Porte St.
+Nicolas, which was built in the thirteenth century. There you are taken in
+hand by a pleasant concierge who will lead you first of all to the Tour La
+Reine, where he will point out a great breach in the wall made by Henri IV.
+when he successfully assaulted the castle after a bombardment with his
+artillery which he had kept up for a week. This was in 1589, and since then
+no other fighting has taken place round these grand old walls. The ivy that
+clings to the ruins and the avenue of limes that leads up to the great keep
+are full of jackdaws which wheel round the rock in great flights. You have
+a close view of the great Tour Talbot, and then pass through a small
+doorway in the northern face of the citadel. Inside, the appearance of the
+walls reveals the restoration which has taken place within recent years.
+But this, fortunately, does not detract to any serious extent from the
+interest of the whole place. Up on the ramparts there are fine views over
+the surrounding country, and immediately beneath the precipice below nestle
+the picturesque, browny-red roofs of the lower part of the town. Just at
+the foot of the castle rock there is still to be seen a tannery which is of
+rather unusual interest in connection with the story of how Robert le
+Diable was first struck by the charms of Arlette, the beautiful daughter of
+a tanner. The Norman duke was supposed to have been looking over the
+battlements when he saw this girl washing clothes in the river, and we are
+told that owing to the warmth of the day she had drawn up her dress, so
+that her feet, which are spoken of as being particularly beautiful were
+revealed to his admiring gaze. Arlette afterwards became the mother of
+William the Conqueror, and the room is pointed out in the south-west corner
+of the keep in which we are asked to believe that the Conqueror of England
+was born. It is, however, unfortunate for the legend that archaeologists do
+not allow such an early date for the present castle, and thus we are not
+even allowed to associate these ramparts with the legend just mentioned. It
+must have been a strong building that preceded this present structure, for
+during the eleventh century William the Norman was often obliged to retreat
+for safety to his impregnable birthplace. The Tour Talbot has below its
+lowest floor what seems to be a dungeon, but it is said that prisoners were
+not kept here, the place being used merely for storing food. The gloomy
+chamber, however, is generally called an oubliette. Above, there are other
+floors, the top one having been used by the governor of the castle. In the
+thickness of the wall there is a deep well which now contains no water. One
+of the rooms in the keep is pointed out as that in which Prince Arthur was
+kept in confinement, but although it is known that the unfortunate youth
+was imprisoned in this castle, the selection of the room seems to be
+somewhat arbitrary.</p>
+
+
+
+<br><br>
+<a name="cordeliers"></a>
+<br><br>
+<center>
+<a href="images/14.jpg"><img alt="14h.jpg (41K)" src="images/14h.jpg" height="479" width="347"></a>
+</center>
+<br><br>
+<br><br>
+
+
+
+<p>In 1428 the news of Joan of Arc's continued successes was brought to the
+Earl of Salisbury who was then governor of Falaise Castle, and it was from
+here that he started with an army to endeavour to stop that triumphal
+progress. In 1450 when the French completely overcame the numerous English
+garrisons in the towns of Normandy, Falaise with its magnificent position
+held out for some time. The defenders sallied out from the walls of the
+town but were forced back again, and notwithstanding their courage, the
+town capitulated to the Duke of Alencon's army at almost the same time as
+Avranches and a dozen other strongly defended towns. We can picture to
+ourselves the men in glinting head-pieces sallying from the splendid old
+gateway known as the Port des Cordeliers. It has not lost its formidable
+appearance even to-day, though as you look through the archway the scene is
+quiet enough, and the steep flight of outside steps leads up to scenes of
+quiet domestic life. The windows overlook the narrow valley beneath where
+the humble roofs of the cottages jostle one another for space. There are
+many people who visit Falaise who never have the curiosity to explore this
+unusually pleasing part of the town. In the spring when the lilac bushes
+add their brilliant colour to the russet brown tiles and soft creams of the
+stone-work, there are pictures on every side. Looking in the cottages you
+may see, generally within a few feet of the door, one of those ingenious
+weaving machines that are worked with a treadle, and take up scarcely any
+space at all. If you ask permission, the cottagers have not the slightest
+objection to allowing you to watch them at their work, and when one sees
+how rapidly great lengths of striped material grow under the revolving
+metal framework, you wonder that Falaise is not able to supply the demands
+of the whole republic for this class of material.</p>
+
+<p>Just by the Hotel de Ville and the church of La Trinite stands the imposing
+statue of William the Conqueror. He is mounted on the enormous war-horse of
+the period and the whole effect is strong and spirited. The most notable
+feature of the exterior of the church of La Trinite is the curious
+passage-way that goes underneath the Lady Chapel behind the High Altar. The
+whole of the exterior is covered with rich carving, crocketed finials,
+innumerable gargoyles and the usual enriched mouldings of Gothic
+architecture. The charm of the interior is heightened if one enters in the
+twilight when vespers are proceeding. There is just sufficient light to
+show up the tracery of the windows and the massive pointed arches in the
+choir. A few candles burn by the altar beyond the dark mass of figures
+forming the congregation. A Gregorian chant fills the building with its
+solemn tones and the smoke of a swinging censer ascends in the shadowy
+chancel. Then, as the service proceeds, one candle above the altar seems to
+suddenly ignite the next, and a line of fire travels all over the great
+erection surrounding the figure of the Virgin, leaving in its trail a blaze
+of countless candles that throw out the details of the architecture in
+strong relief. Soon the collection is made, and as the priest passes round
+the metal dish, he is followed by the cocked-hatted official whose
+appearance is so surprising to those who are not familiar with French
+churches. As the priest passes the dish to each row the official brings his
+metal-headed staff down upon the pavement with a noisy bang that is
+calculated to startle the unwary into dropping their money anywhere else
+than in the plate. In time the bell rings beside the altar, and the priest
+robed in white and gold elevates the host before the kneeling congregation.
+Once more the man in the cocked hat becomes prominent as he steps into the
+open space between the transepts and tolls the big bell in the tower above.
+Then a smaller and much more cheerful bell is rung, and fearing the arrival
+of another collecting priest we slip out of the swinging doors into the
+twilight that has now almost been swallowed up in the gathering darkness.</p>
+
+<p>The consecration of the splendid Norman church of St Gervais took place in
+the presence of Henry I. but there is nothing particularly English in any
+part of the exterior. The central tower has four tall and deeply recessed
+arches (the middle ones contain windows) on each side, giving a rich
+arcaded appearance. Above, rises a tall pointed roof ornamented with four
+odd-looking dormers near the apex. Every one remarks on their similarity to
+dovecots and one almost imagines that they must have been built as a place
+of shelter on stormy days for the great gilded cock that forms the weather
+vane. The nave is still Norman on the south side, plain round-headed
+windows lighting the clerestory, but the aisles were rebuilt in the
+flamboyant period and present a rich mass of ornament in contrast to the
+unadorned masonry of the nave. The western end until lately had to endure
+the indignity of having its wall surfaces largely hidden by shops and
+houses. These have now disappeared, but the stone-work has not been
+restored, and you may still see a section of the interior of the house that
+formerly used the west end of the south aisle as one of its walls. You can
+see where the staircases went, and you may notice also how wantonly these
+domestic builders cut away the buttresses and architectural enrichments to
+suit the convenience of their own needs.</p>
+
+<p>As you go from the market-place along the street that runs from St Gervais
+to the suburb of Guibray, the shops on the left are exchanged for a low
+wall over which you see deep, grassy hollows that come right up to the edge
+of the street. Two fine houses, white-shuttered and having the usual vacant
+appearance, stand on steep slopes surrounded by great cedars of Lebanon and
+a copper beech.</p>
+
+<p>The church of Guibray is chiefly Norman&mdash;it is very white inside and there
+is some round-headed arcading in the aisles. The clustered columns of the
+nave have simple, pointed arches, and there is a carved marble altarpiece
+showing angels supporting the Virgin who is gazing upwards. The aisles of
+the chancel are restored Norman, and the stone-work is bright green just
+above the floor through the dampness that seems to have defied the efforts
+of the restorers.</p>
+
+
+
+<br><br>
+<a name="ch6"></a>
+<br><br>
+<center>
+<h2>CHAPTER VI</h2>
+<h3>From Argentan to Avranches</h3>
+</center>
+<br>
+
+<p>Between tall poplars whose stems are splotched with grey lichen and whose
+feet are grown over with browny-green moss, runs the road from Falaise to
+Argentan, straight and white, with scarcely more than the slightest bend,
+for the whole eight miles. It is typical of the roads in this part of the
+country and beyond the large stone four or five kilometres outside Falaise,
+marking the boundary between Calvados and Orne, and the railway which one
+passes soon afterwards, there is nothing to break the undulating monotony
+of the boundless plain.</p>
+
+<p>We cannot all hope to have this somewhat dull stretch of country relieved
+by any exciting event, but I can remember one spring afternoon being
+overtaken by two mounted gendarmes in blue uniforms, galloping for their
+very lives. I looked down the road into the cloud of dust raised by the
+horses' hoofs, but the country on all sides lay calm and deserted, and I
+was left in doubt as to the reason for this astonishing haste. Half an hour
+afterwards a group of people appeared in the distance, and on approaching
+closer, they proved to be the two gendarmes leading their blown horses as
+they walked beside a picturesque group of apparently simple peasants, the
+three men wearing the typical soft, baggy cap and blue smock of the country
+folk. The little group had a gloomy aspect, which was explained when I
+noticed that the peasants were joined together by a bright steel chain.
+Evidently something was very much amiss with one of the peaceful villages
+lying near the road.</p>
+
+<p>After a time, at the end of the long white perspective, appear the towers
+of the great church of St Germain that dominate the town where Henry II.
+was staying when he made that rash exclamation concerning his "turbulent
+priest." It was from Argentan that those four knights set out for England
+and Canterbury to carry out the deed, for which Henry lay in ashes for five
+weeks in this very place. But there is little at the present time at
+Argentan to remind one that it is in any way associated with the murder of
+Becket. The castle that now exists is occupied by the Courts of Justice and
+was partially built in the Renaissance period. Standing close to it, is an
+exceedingly tall building with a great gable that suggests an
+ecclesiastical origin, and on looking a little closer one soon discovers
+blocked up Gothic windows and others from which the tracery has been
+hacked. This was the chapel of the castle which has been so completely
+robbed of its sanctity that it is now cut up into small lodgings, and in
+one of its diminutive shops, picture post-cards of the town are sold.</p>
+
+<p>The ruins of the old castle are not very conspicuous, for in the
+seventeenth century the great keep was demolished. There is still a fairly
+noticeable round tower&mdash;the Tour Marguerite&mdash;which has a pointed roof above
+its corbels, or perhaps they should be called machicolations. In the Place
+Henri IV. stands a prominent building that projects over the pavement
+supported by massive pointed arches, and with this building in the
+foreground there is one of the best views of St Germain that one can find
+in the town. Just before coming to the clock that is suspended over the
+road by the porch of the church, there is a butcher's shop at the street
+corner that has a piece of oak carving preserved on account of its interest
+while the rest of the building has been made featureless with even plaster.
+The carving shows Adam and Eve standing on either side of a formal Tree of
+Life, and the butcher, who is pleased to find a stranger who notices this
+little curiosity, tells him with great pride that his house dates from the
+fifteenth century. The porch of St Germain is richly ornamented, but it
+takes a second place to the south porch of the church of Notre Dame at
+Louviers and may perhaps seem scarcely worthy of comment after St Maclou at
+Rouen. The structure as a whole was commenced in 1424, and the last portion
+of the work only dates from the middle of the seventeenth century. The
+vaulting of the nave has a very new and well-kept appearance and the side
+altars, in contrast to so many of even the large churches, are almost
+dignified in their somewhat restrained and classic style. The high altar is
+a stupendous erection of two storeys with Corinthian pillars. Nine long,
+white, pendant banners are conspicuous on the walls of the chancel. The
+great altars and the lesser ones that crowd the side chapels are subject to
+the accumulation of dirt as everything else in buildings sacred or lay, and
+at certain times of the day, a woman may be seen vigorously flapping the
+brass candlesticks and countless altar ornaments with a big feather broom.
+On the north side of the chancel some of the windows have sections of old
+painted glass, and in one of them there is part of a ship with men in
+crow's nests backed by clouds, a really vigorous colour scheme.</p>
+
+<p>Keeping to the high ground, there is to the south of this church an open
+Place, and beyond it there are some large barracks, where, on the other
+side of a low wall may be seen the elaborately prepared steeple-chase for
+training soldiers to be able to surmount every conceivable form of
+obstacle. Awkward iron railings, wide ditches, walls of different
+composition and varying height are frequently scaled, and it is practice of
+this sort that has made the French soldier famous for the facility with
+which he can storm fortifications. The river Orne finds its way through the
+lower part of the town and here there are to be found some of the most
+pleasing bits of antique domestic architecture. One of the quaintest of
+these built in 1616 is the galleried building illustrated here, and from a
+parallel street not many yards off there is a peep of a house that has been
+built right over the stream which is scarcely less picturesque.</p>
+
+<p>The church of St Martin is passed on entering Argentan from Falaise. Its
+east end crowds right up against the pavement and it is somewhat unusual to
+find the entrances at this portion of the building. The stained glass in
+the choir of St Martin is its most noticeable feature&mdash;the pictures showing
+various scenes in the life of Christ.</p>
+
+<p>As in all French towns Argentan knows how to decorate on fete days. Coming
+out of the darkness of the church in the late twilight on one of these
+occasions, I discovered that the town had suddenly become festooned with a
+long perspective of arches stretching right away down the leafy avenue that
+goes out of the town&mdash;to the north in one direction, and to St Germain in
+the other. The arches were entirely composed without a single exception of
+large crimson-red Chinese lanterns. The effect was astonishingly good, but
+despite all the decoration, the townsfolk seemed determined to preserve the
+quiet of the Sabbath, and although there were crowds everywhere, the only
+noise that broke the stillness was that of the steam round-about that had
+been erected on a triangular patch of grass. The dark crowds of people
+illuminated by flaring lights stood in perfect quiet as they watched the
+great noisy mass of moving animals and boats, occupied almost entirely by
+children, keep up its perpetual dazzle and roar. The fair&mdash;for there were
+many side-shows&mdash;was certainly quieter than any I have witnessed in
+England.</p>
+
+
+<br><br>
+<a name="chateau"></a>
+<br><br>
+<center>
+<a href="images/15.jpg"><img alt="15h.jpg (40K)" src="images/15h.jpg" height="490" width="354"></a>
+</center>
+<br><br>
+<br><br>
+
+
+
+<p>A long, straight road, poplar-bordered and level, runs southwards from
+Argentan to Mortree, a village of no importance except for the fact that
+one must pass through it if one wishes to visit the beautiful Chateau d'O.
+This sixteenth century mansion like so many to be seen in this part of
+France, is in a somewhat pathetic state of disrepair, but as far as one may
+see from the exterior, it would not require any very great sum to
+completely restore the broken stone-work and other signs of decay. These,
+while perhaps adding to the picturesqueness of the buildings, do not bring
+out that aspect of carefully preserved antiquity which is the charm of most
+of the houses of this period in England. The great expanse of water in the
+moat is very green and covered by large tracts of weed, but the water is
+supplied by a spring, and fish thrive in it. The approach to the chateau
+across the moat leads to an arched entrance through which you enter the
+large courtyard overlooked on three sides by the richly ornamented
+buildings, the fourth side being only protected from the moat by a low
+wall. It would be hard to find a more charming spot than this with its
+views across the moat to the gardens beyond, backed by great masses of
+foliage.</p>
+
+<p>Going on past Mortree the main road will bring one after about eight miles
+to the old town of Alencon, which has been famed ever since the time of
+Louis XIV. for the lace which is even at the present day worked in the
+villages of this neighbourhood, more especially at the hamlet of Damigny.
+The cottagers use pure linen thread which is worth the almost incredible
+sum of £100 per lb. They work on parchment from patterns which are supplied
+by the merchants in Alencon. The women go on from early morning until the
+light fails, and earn something about a shilling per day!</p>
+
+<p>The castle of Alencon, built by Henry I. in the twelfth century, was
+pulled down with the exception of the keep, by the order of Henry of
+Navarre, the famous contemporary of Queen Elizabeth. This keep is still in
+existence, and is now used as a prison. Near it is the Palais de Justice,
+standing where the other buildings were situated.</p>
+
+<p>The west porch of the church of Notre Dame is richly ornamented with
+elaborate canopies, here and there with statues. One of these represents St
+John, and it will be seen that he is standing with his face towards the
+church. A legend states that this position was taken by the statue when the
+church was being ransacked by Protestants in the sixteenth century.</p>
+
+<p>Another road from Argentan is the great <i>route nationale</i> that runs in a
+fairly direct line to Granville. As one rides out of the town there is a
+pretty view on looking back, of St Germain standing on the slight eminence
+above the Orne. Keeping along by that river the road touches it again at
+the little town of Ecouche. The old market hall standing on massive
+pillars, is the most attractive feature of the place. Its old tiled roof
+and half-timbered upper storey remind one forcibly of some of those
+fortunate old towns in England that have preserved this feature. The church
+has lost its original nave, and instead, there is a curious barn-like
+structure, built evidently with a view to economy, being scarcely more than
+half the height of the original: the vacant space has been very roughly
+filled up, and the numerous holes and crevices support a fine growth of
+weeds, and a strong young tree has also taken root in the ramshackle stone
+work. From the central tower, gargoyles grin above the elaborately carved
+buttresses and finials in remarkable contrast to the jerry-built addition.</p>
+
+<p>Passing through rich country, you leave the valley of the Orne, and on
+both sides of the road are spread wide and fascinating views over the
+orchard-clad country that disappears in the distant blue of the horizon.
+Wonderful patches of shadow, when large clouds are flying over the heavens,
+fall on this great tract of country and while in dull weather it may seem a
+little monotonous, in days of sunshine and shade it is full of a haunting
+beauty that is most remarkable.</p>
+
+<p>About seven miles from Argentan one passes Fromentelle, a quiet hamlet full
+of thatched cottages and curious weathercocks, and then five miles further
+on, having descended into the valley of the little river Rouvre, Briouze
+is entered. Here there is a wide and very extensive market-place with
+another quaint little structure, smaller than the one at Ecouche, but
+having a curious bell-turret in the centre of the roof. On Monday, which
+is market day, Briouze presents a most busy scene, and there are plenty of
+opportunities of studying the genial looking country farmers, their wives,
+and the large carts in which they drive from the farms. In the midst of the
+booths, you may see a bronze statue commemorating the "Sapeurs, pompiers"
+and others of this little place who fell in 1854.</p>
+
+<p>Leaving the main road which goes on to Flers, we may take the road to
+Domfront, which passes through three pretty villages and much pleasant
+country. Bellau, the first village, is full of quaint houses and charming
+old-world scenes. The church is right in the middle on an open space
+without an enclosure of any description. Standing with one's back to this
+building, there is a pretty view down the road leading to the south, a
+patch of blue distance appearing in the opening between the old gables. To
+all those who may wish to either paint or photograph this charming scene, I
+would recommend avoiding the hour in the afternoon when the children come
+out of school. I was commencing a drawing one sunny afternoon&mdash;it must have
+been about three o'clock&mdash;and the place seemed almost deserted. Indeed, I
+had been looking for a country group of peasants to fill the great white
+space of sunny road, when in twos and threes, the juvenile population
+flooded out towards me. For some reason which I could not altogether
+fathom, the boys arranged themselves in a long, regular line, occupying
+exactly one half of the view, the remaining space being filled by an
+equally long line of little girls. All my efforts failed to induce the
+children to break up the arrangement they had made. They merely altered
+their formation by advancing three or four paces nearer with almost
+military precision. They were still standing in their unbroken rows when I
+left the village.</p>
+
+<p>Passing a curious roadside cross which bears the date 1741 and a long Latin
+inscription splashed over with lichen, one arrives at La Ferriere aux
+Etangs, a quaint village with a narrow and steep street containing one
+conspicuously old, timber-framed house. But it is scarcely necessary to
+point out individual cottages in this part of Normandy, for wherever one
+looks, the cottages are covered with thick, purply-grey thatch, and the
+walls below are of grey wooden framework, filled in with plaster, generally
+coloured a creamy-white. When there are deep shadows under the eaves and
+the fruit trees in blossom stand out against the dark thatch, one can
+easily understand how captivating is the rural charm of this part of
+Normandy. Gradually the road ascends, but no great views are apparent,
+although one is right above the beautiful valley of the Varennes, until
+quite near to Domfront. Then, suddenly there appears an enormous stretch of
+slightly undulating country to the south and west. As far as one can see,
+the whole land seems to be covered by one vast forest.</p>
+
+
+<br><br>
+<a name="domfront"></a>
+<br><br>
+<center>
+<a href="images/16.jpg"><img alt="16h.jpg (34K)" src="images/16h.jpg" height="352" width="459"></a>
+</center>
+<br><br>
+<br><br>
+
+
+
+<p>But though part of this is real forest-land, much of it is composed of
+orchards and hedgerow trees, which are planted so closely together that, at
+a short distance, they assume the aspect of close-growing woods. The first
+impression of the great stretch of forest-land does not lose its striking
+aspect, even when one has explored the whole of the town. The road that
+brings one into the old town runs along a ridge and after passing one of
+the remains of the old gateways, it rises slightly to the highest part of
+the mass of rock upon which Domfront is perched. The streets are narrow and
+parallel to accommodate themselves to the confined space within the walls.
+At the western end of the granite ridge, and separated from the town by a
+narrow defile, stands all that is left of the castle&mdash;a massive but
+somewhat shapeless ruin. At the western end of the ramparts, one looks down
+a precipitous descent to the river Varennes which has by some unusual
+agency, cut itself a channel through the rocky ridge if it did not merely
+occupy an existing gap. At the present time, besides the river, the road
+and railway pass through the narrow gorge.</p>
+
+<p>The castle has one of those sites that appealed irresistibly to the warlike
+barons of the eleventh century. In this case it was William I., Duc de
+Belleme, who decided to raise a great fortress on this rock that he had
+every reason to believe would prove an impregnable stronghold, but although
+only built in 1011, it was taken by Duke William thirty-seven years later,
+being one of the first brilliant feats by which William the Norman showed
+his strength outside his own Duchy. A century or more later, Henry II.,
+when at Domfront, received the pope's nuncio by whom a reconciliation was
+in some degree patched up between the king and Becket. Richard I. is known
+to have been at the castle at various times. In the sixteenth century,
+a most thrilling siege was conducted during the period when Catherine
+de Medicis was controlling the throne. A Royalist force, numbering some
+seven or eight thousand horse and foot, surrounded this formidable rock
+which was defended by the Calvinist Comte de Montgommery. With him was
+another Protestant, Ambroise le Balafre, who had made himself a despot
+at Domfront, but whose career was cut short by one of Montgommery's men
+with whom he had quarrelled. They buried him in the little church of
+Notre-Dame-sur-l'Eau&mdash;the wonderfully preserved Norman building that one
+sees beneath one's feet when standing on the ramparts of the castle. The
+body, however, was not long allowed to remain there, for when the royal
+army surrounded the castle they brought out the corpse and hung it in a
+conspicuous place to annoy the besieged. Like Corfe Castle in England, and
+many other magnificently fortified strongholds, Domfront was capable of
+defence by a mere handful. In this case the original garrison consisted of
+one hundred and fifty, and after many desertions the force was reduced to
+less than fifty. A great breach had been made by the six pieces of
+artillery placed on the hill on the opposite side of the gorge, and through
+this the besiegers endeavoured to enter. The attenuated garrison, with
+magnificent courage, held the breach after a most desperate and bloody
+fight. But after all this display of courage, it was found impossible to
+continue the defence, for by the next morning there were barely more than a
+dozen men left to fight. Finally Montgommery was obliged to surrender
+unconditionally, and not long afterwards he was executed in Paris. You may
+see the breach where this terrible fight took place at the present day, and
+as you watch the curious effects of the blue shadows falling among the
+forest trees that stretch away towards the south, you may feel that you are
+looking over almost the same scene that was gazed upon by the notable
+figures in history who have made their exits and entrances at Domfront.</p>
+
+<p>So little has the church of Notre-Dame-sur-l'Eau altered in its appearance
+since it was built by the Duc de Belleme that, were he to visit the ruins
+of his castle, he would marvel no doubt that the men of the nine centuries
+which have passed, should have consistently respected this sturdy little
+building. There are traces of aisles having existed, but otherwise the
+exterior of the church can have seen no change at all in this long period.
+Inside, however, the crude whitewash, the curious assemblage of enormous
+seventeenth century gravestones that are leant against the walls, and the
+terribly jarring almost life-sized crucifix, all give one that feeling of
+revulsion that is inseparable from an ill-kept place of worship. On the
+banks of the river outside, women may be seen washing clothes; the sounds
+of the railway come from the station near by, and overhead, rising above
+the foliage at its feet, are the broken walls and shattered keep from which
+we have been gazing.</p>
+
+<p>The walls of the town, punctuated by many a quaint tower, have lost their
+fearsome aspect owing to the domestic uses to which the towers are palpably
+devoted. One of them appears in the adjoining illustration, and it is
+typical of the half-dozen or so that still rise above the pretty gardens
+that are perched along the steep ascent. But though Domfront is full of
+almost thrilling suggestions of medievalism and the glamour of an ancient
+town, yet there is a curious lack of picturesque arrangement, so that if
+one were to be led away by the totally uninteresting photographs that may
+be seen in the shops, one would miss one of the most unique spots in
+Normandy.</p>
+
+<p>Stretching away towards Flers, there is a tract of green country all ups
+and downs, but with no distant views except the peep of Domfront that
+appears a few miles north of the town. Crowning the ridge of the hill is
+the keep of the castle, resembling a closed fist with the second finger
+raised, and near it, the bell-cote of the Palais de Justice and the spire
+of the church break the line of the old houses. Ferns grow by the roadside
+on every bank, but the cottages and farms are below the average of rustic
+beauty that one soon demands in this part of France.</p>
+
+<p>Flers is a somewhat busy manufacturing town where cotton and thread
+mills have robbed the place of its charm. At first sight one might
+imagine the church which bears the date 1870 was of considerably
+greater age, but inside one is almost astounded at the ramshackle
+galleries, the white-washed roof of rough boards discoloured by damp,
+and the general squalor of the place relieved only by a ponderous
+altar-piece of classic design. The castle is still in good preservation
+but although it dates from early Norman times, it is chiefly of the
+sixteenth century.</p>
+
+<p>Out in the country again, going westwards, the cottage industry of
+weaving is apparent in nearly every cottage one sees. The loud
+click-a-ti-clack&mdash;click-a-ti-clack of the looms can be heard on every
+side as one passes such villages as Landisacq. Everywhere the scenery
+is exceedingly English, the steep hillsides are often covered with
+orchards, and the delicate green of the apple-trees in spring-time,
+half-smothered in pinky-white blossom, gives the country a garden-like
+aspect. You may see a man harrowing a field on a sudden slope with a
+cloud of dust blowing up from the dry light soil, and you may hear him
+make that curious hullaballooing by which the peasants direct their
+horses, so different from the grunting "way-yup there" of the English
+ploughman. Coming down a long descent, a great stretch of country to
+the north that includes the battlefield of Tinchebrai comes into view.
+It is hard to associate the rich green pastures, smiling orchards, and
+peaceful cattle, with anything so gruesome as a battle between armies
+led by brothers. But it was near the little town of Tinchebrai that the
+two brothers, Henry I., King of England, and Robert Duke of Normandy
+fought for the possession of Normandy. Henry's army was greatly
+superior to that of his brother, for he had the valuable help of the
+Counts of Conches, Breteuil, Thorigny, Mortagne, Montfort, and two or
+three others as powerful. But despite all this array, the battle for
+some time was very considerably in Robert's favour, and it was only
+when Henry, heavily pressed by his brother's brilliant charge, ordered
+his reserves to envelop the rear, that the great battle went in favour
+of the English king. Among the prisoners were Robert and his youthful
+son William, the Counts of Mortain, Estouteville, Ferrieres, and a
+large number of notable men. Until his death, twenty-seven years later,
+Henry kept his brother captive in Cardiff Castle, and it has been said
+that, owing to an effort to escape, Henry was sufficiently lacking in
+all humane feelings towards his unfortunate brother, to have both his
+eyes put out. It seems a strange thing that exactly sixty years after
+the battle of Hastings, a Norman king of England, should conquer the
+country which had belonged to his father.</p>
+
+<p>The old church of St Remy at Tinchebrai, part of which dates from the
+twelfth century, has been abandoned for a new building, but the inn&mdash;the
+Hotel Lion d'Or&mdash;which bears the date 1614, is still in use. Vire, however,
+is only ten miles off, and its rich mediaeval architecture urges us
+forward.</p>
+
+
+<br><br>
+<a name="clockgate"></a>
+<br><br>
+<center>
+<a href="images/17.jpg"><img alt="17h.jpg (42K)" src="images/17h.jpg" height="544" width="354"></a>
+</center>
+<br><br>
+<br><br>
+
+
+<p>Standing in the midst of the cobbled street, there suddenly appears right
+ahead a splendid thirteenth century gateway&mdash;the Tour de l'Horloge&mdash;that
+makes one of the richest pictures in Normandy. It is not always one can see
+the curious old tower thrown up by a blaze of gold in the west, but those
+who are fortunate enough to see such an effect may get a small suggestion
+of the scene from the illustration given here. The little painted figure of
+the Virgin and Child stands in a niche just over the arch, and by it
+appears the prayer "Marie protege la ville!"</p>
+
+<p>One of the charms of Vire is its cleanliness, for I can recall no
+unpleasant smells having interfered with the pleasure of exploring the old
+streets. There is a great market on the northern side of the town, open and
+breezy. It slopes clear away without any intervening buildings to a great
+expanse of green wooded country, suggestive of some of the views that lie
+all around one at Avranches. The dark old church of Notre Dame dates mainly
+from the twelfth century. Houses and small shops are built up against it
+between the buttresses in a familiar, almost confidential manner, and on
+the south side, the row of gargoyles have an almost humorous appearance.
+The drips upon the pavement and shops below were evidently a nuisance, and
+rain water-spouts, with plain pipes leading diagonally from them, have been
+attached to each grotesque head, making it seem that the grinning monsters
+have developed a great and unquenchable thirst. Inside, the church is dark
+and impressive. There are double rows of pillars in the aisles, and a huge
+crucifix hangs beneath the tower, thrown up darkly against the chancel,
+which is much painted and gilded. The remains of the great castle consist
+of nothing more than part of the tall keep, built eight hundred years ago,
+and fortunately not entirely destroyed when the rest of the castle came
+down by the order of Cardinal Richelieu. An exploration of the quaint
+streets of Vire will reveal two or three ancient gateways, many gabled
+houses, some of which are timber-framed visually, and most of them are the
+same beneath their skins of plaster. The houses in one of the streets are
+connected with the road by a series of wooden bridges across the river,
+which there forms one of the many pictures to be found in Vire.</p>
+
+<p>Mortain is separated from Vire by fifteen miles of exceedingly hilly
+country, and those who imagine that all the roads in Normandy are the flat
+and poplar bordered ones that are so often encountered, should travel along
+this wonderful switch-back. As far as Sourdeval there seems scarcely a yard
+of level ground&mdash;it is either a sudden ascent or a breakneck rush into a
+trough-like depression. You pass copices of firs and beautiful woods,
+although in saying beautiful it is in a limited sense, for one seldom finds
+the really rich woodlands that are so priceless an ornament to many Surrey
+and Kentish lanes. The road is shaded by tall trees when it begins to
+descend into the steep rocky gorge of the Cance with its tumbling
+waterfalls that are a charming feature of this approach to Mortain. High
+upon the rocks on the left appears an enormous gilded statue of the Virgin,
+in the grounds of the Abbaye Blanche. Going downwards among the broken
+sunlight and shadows on the road, Mortain appears, picturesquely perched on
+a great rocky steep, and in the opening of the valley a blue haze suggests
+the great expanse of level country towards the south. The big parish church
+of the town was built originally in 1082 by that Robert of Mortain, who, it
+will be remembered, was one of the first of the Normans to receive from the
+victorious William a grant of land in England. The great tower which stands
+almost detached on the south-west side is remarkable for its enormously
+tall slit windows, for they run nearly from the ground to the saddle-back
+roof. The interior of this church is somewhat unusual, the nave and chancel
+being structurally one, and the aisles are separated by twenty-four
+circular grey pillars with Corinthian capitals. The plain surfaces of the
+walls and vaulting are absolutely clean white, picked out with fine black
+lines to represent stone-work&mdash;a scarcely successful treatment of such an
+interior! On either side of the High Altar stand two great statues
+representing St Guillaume and St Evroult.</p>
+
+<p>To those who wish to "do" all the sights of Mortain there is the Chapel of
+St Michael, which stands high up on the margin of a great rocky hill, but
+the building having been reconstructed about fifty years ago, the chief
+attraction to the place is the view, which in tolerably clear weather,
+includes Mont St Michel towards which we are making our way.</p>
+
+<p>A perfectly straight and fairly level stretch of road brings you to St
+Hilaire-du-Harcout. On the road one passes two or three large country
+houses with their solemn and perfectly straight avenues leading directly up
+to them at right angles from the road. The white jalousies seem always
+closed, the grass on the lawns seems never cut, and the whole
+establishments have a pathetically deserted appearance to the passer-by. A
+feature of this part of the country can scarcely be believed without
+actually using one's eyes. It is the wooden chimney-stack, covered with oak
+shingles, that surmounts the roofs of most of the cottages. Where the
+shingles have fallen off, the cement rubble that fills the space between
+the oak framing appears, but it is scarcely credible that, even with this
+partial protection, these chimneys should have survived so many centuries.
+I have asked the inmates of some of the cottages whether they ever feared a
+fire in their chimneys, but they seemed to consider the question as totally
+unnecessary, for some providence seems to have watched over their frail
+structures.</p>
+
+
+<br><br>
+<a name="avranches"></a>
+<br><br>
+<center>
+<a href="images/18.jpg"><img alt="18h.jpg (42K)" src="images/18h.jpg" height="337" width="494"></a>
+</center>
+<br><br>
+<br><br>
+
+
+
+<p>St Hilaire has a brand new church and nothing picturesque in its long,
+almost monotonous, street. Instead of turning aside at Pontaubault towards
+Mont St Michel, we will go due north from that hamlet to the beautifully
+situated Avranches. This prosperous looking town used, at one time, to have
+a large English colony, but it has recently dwindled to such small
+dimensions that the English chaplain has an exceedingly small parish. The
+streets seem to possess a wonderful cleanliness; all the old houses appear
+to have made way for modern buildings which, in a way, give Avranches the
+aspect of a watering-place, but its proximity to the sea is more apparent
+in a map than when one is actually in the town. On one side of the great
+place in front of the church of Notre Dame des Champs is the Jardin des
+Plantes. To pass from the blazing sunshine and loose gravel, to the dense
+green shade of the trees in this delightful retreat is a pleasure that can
+be best appreciated on a hot afternoon in summer. The shade, however, and
+the beds of flowers are not the only attractions of these gardens. Their
+greatest charm is the wonderful view over the shining sands and the
+glistening waters of the rivers See and Selune that, at low tide, take
+their serpentine courses over the delicately tinted waste of sand that
+occupies St Michael's Bay. Out beyond the little wooded promontory that
+protects the mouth of the See, lies Mont St Michel, a fretted silhouette of
+flat pearly grey, and a little to the north is Tombelaine, a less
+pretentious islet in this fairyland sea. Framed by the stems and foliage of
+the trees, this view is one of the most fascinating in Normandy. One would
+be content to stay here all through the sultry hours of a summer day, to
+listen to the distant hum of conversation among white-capped nursemaids, as
+they sew busily, giving momentary attention to their charges. But Avranches
+has an historical spot that no student of history, and indeed no one who
+cares anything for the picturesque events that crowd the pages of the
+chronicles of England in the days of the Norman kings, may miss. It is the
+famous stone upon which Henry II. knelt when he received absolution for the
+murder of Becket at the hands of the papal legate. To reach this stone is,
+for a stranger, a matter of some difficulty. From the Place by the Jardin
+des Plantes, it is necessary to plunge down a steep descent towards the
+railway station, and then one climbs a series of zigzag paths on a high
+grassy bank that brings one out upon the Place Huet. In one corner,
+surrounded by chains and supported by low iron posts, is the historic
+stone. It is generally thickly coated with dust, but the brass plate
+affixed to a pillar of the doorway is quite legible. These, and a few
+fragments of carved stone that lie half-smothered in long grass and weeds
+at a short distance from the railed-in stone, are all that remain of the
+cathedral that existed in the time of Henry II.</p>
+
+<p>It must have been an impressive scene on that Sunday in May 1172, when the
+papal legate, in his wonderful robes, stood by the north transept door, of
+which only this fragment remains, and granted absolution to the sovereign,
+who, kneeling in all humbleness and submission, was relieved of the curse
+of excommunication which had been laid on him after the tragic affair in
+the sanctuary at Canterbury. In place of the splendid cathedral, whose nave
+collapsed, causing the demolition of the whole building in 1799, there is a
+new church with the two great western towers only carried up to half the
+height intended for them.</p>
+
+<p>From the roadway that runs along the side of the old castle walls in
+terrace fashion there is another wonderful view of rich green country,
+through which, at one's feet, winds the river See. Away towards the
+north-west the road to Granville can be seen passing over the hills in a
+perfectly straight line. But this part of the country may be left for
+another chapter.</p>
+
+
+
+
+<br>
+<br>
+<hr>
+<br><br>
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+***** This file should be named 8594-h.htm or 8594-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/8/5/9/8594/
+
+HTML version produced by David Widger from the text provided by Ted Garvin,
+Beth Trapaga and the Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
+
diff --git a/8594-h/images/01.jpg b/8594-h/images/01.jpg
new file mode 100644
index 0000000..c9cb609
--- /dev/null
+++ b/8594-h/images/01.jpg
Binary files differ
diff --git a/8594-h/images/01h.jpg b/8594-h/images/01h.jpg
new file mode 100644
index 0000000..15d5b97
--- /dev/null
+++ b/8594-h/images/01h.jpg
Binary files differ
diff --git a/8594-h/images/07.jpg b/8594-h/images/07.jpg
new file mode 100644
index 0000000..569a186
--- /dev/null
+++ b/8594-h/images/07.jpg
Binary files differ
diff --git a/8594-h/images/07h.jpg b/8594-h/images/07h.jpg
new file mode 100644
index 0000000..85fdd26
--- /dev/null
+++ b/8594-h/images/07h.jpg
Binary files differ
diff --git a/8594-h/images/09.jpg b/8594-h/images/09.jpg
new file mode 100644
index 0000000..8c30e6d
--- /dev/null
+++ b/8594-h/images/09.jpg
Binary files differ
diff --git a/8594-h/images/09h.jpg b/8594-h/images/09h.jpg
new file mode 100644
index 0000000..106c3b6
--- /dev/null
+++ b/8594-h/images/09h.jpg
Binary files differ
diff --git a/8594-h/images/10.jpg b/8594-h/images/10.jpg
new file mode 100644
index 0000000..cf53237
--- /dev/null
+++ b/8594-h/images/10.jpg
Binary files differ
diff --git a/8594-h/images/10h.jpg b/8594-h/images/10h.jpg
new file mode 100644
index 0000000..7555e14
--- /dev/null
+++ b/8594-h/images/10h.jpg
Binary files differ
diff --git a/8594-h/images/11.jpg b/8594-h/images/11.jpg
new file mode 100644
index 0000000..0e233be
--- /dev/null
+++ b/8594-h/images/11.jpg
Binary files differ
diff --git a/8594-h/images/11h.jpg b/8594-h/images/11h.jpg
new file mode 100644
index 0000000..b6d9627
--- /dev/null
+++ b/8594-h/images/11h.jpg
Binary files differ
diff --git a/8594-h/images/12.jpg b/8594-h/images/12.jpg
new file mode 100644
index 0000000..5c9e077
--- /dev/null
+++ b/8594-h/images/12.jpg
Binary files differ
diff --git a/8594-h/images/12h.jpg b/8594-h/images/12h.jpg
new file mode 100644
index 0000000..f54af12
--- /dev/null
+++ b/8594-h/images/12h.jpg
Binary files differ
diff --git a/8594-h/images/13.jpg b/8594-h/images/13.jpg
new file mode 100644
index 0000000..500801b
--- /dev/null
+++ b/8594-h/images/13.jpg
Binary files differ
diff --git a/8594-h/images/13h.jpg b/8594-h/images/13h.jpg
new file mode 100644
index 0000000..1e64b9a
--- /dev/null
+++ b/8594-h/images/13h.jpg
Binary files differ
diff --git a/8594-h/images/14.jpg b/8594-h/images/14.jpg
new file mode 100644
index 0000000..884b296
--- /dev/null
+++ b/8594-h/images/14.jpg
Binary files differ
diff --git a/8594-h/images/14h.jpg b/8594-h/images/14h.jpg
new file mode 100644
index 0000000..a2335b2
--- /dev/null
+++ b/8594-h/images/14h.jpg
Binary files differ
diff --git a/8594-h/images/15.jpg b/8594-h/images/15.jpg
new file mode 100644
index 0000000..574a2e7
--- /dev/null
+++ b/8594-h/images/15.jpg
Binary files differ
diff --git a/8594-h/images/15h.jpg b/8594-h/images/15h.jpg
new file mode 100644
index 0000000..3cd042a
--- /dev/null
+++ b/8594-h/images/15h.jpg
Binary files differ
diff --git a/8594-h/images/16.jpg b/8594-h/images/16.jpg
new file mode 100644
index 0000000..27907ad
--- /dev/null
+++ b/8594-h/images/16.jpg
Binary files differ
diff --git a/8594-h/images/16h.jpg b/8594-h/images/16h.jpg
new file mode 100644
index 0000000..c9d49cf
--- /dev/null
+++ b/8594-h/images/16h.jpg
Binary files differ
diff --git a/8594-h/images/17.jpg b/8594-h/images/17.jpg
new file mode 100644
index 0000000..538542a
--- /dev/null
+++ b/8594-h/images/17.jpg
Binary files differ
diff --git a/8594-h/images/17h.jpg b/8594-h/images/17h.jpg
new file mode 100644
index 0000000..b140a7d
--- /dev/null
+++ b/8594-h/images/17h.jpg
Binary files differ
diff --git a/8594-h/images/18.jpg b/8594-h/images/18.jpg
new file mode 100644
index 0000000..4e6a016
--- /dev/null
+++ b/8594-h/images/18.jpg
Binary files differ
diff --git a/8594-h/images/18h.jpg b/8594-h/images/18h.jpg
new file mode 100644
index 0000000..d4d4925
--- /dev/null
+++ b/8594-h/images/18h.jpg
Binary files differ
diff --git a/8594.txt b/8594.txt
new file mode 100644
index 0000000..9db0764
--- /dev/null
+++ b/8594.txt
@@ -0,0 +1,1492 @@
+The Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Normandy, Part 2
+ The Scenery & Romance Of Its Ancient Towns
+
+Author: Gordon Home
+
+Release Date: August 11, 2004 [EBook #8594]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+
+
+
+Produced by Ted Garvin, Beth Trapaga and the Distributed Proofreading
+Team
+
+
+
+
+
+
+NORMANDY:
+
+THE SCENERY & ROMANCE OF ITS ANCIENT TOWNS:
+
+DEPICTED BY GORDON HOME
+
+Part 2.
+
+
+
+
+CHAPTER IV
+
+
+Concerning the Cathedral City of Evreux and the Road to Bernay
+
+The tolling of the deep-toned bourdon in the cathedral tower reverberates
+over the old town of Evreux as we pass along the cobbled streets. There is
+a yellow evening light overhead, and the painted stucco walls of the houses
+reflect the soft, glowing colour of the west. In the courtyard of the Hotel
+du Grand Cerf, too, every thing is bathed in this beautiful light and the
+double line of closely trimmed laurels has not yet been deserted by the
+golden flood. But Evreux does not really require a fine evening to make it
+attractive, although there is no town in existence that is not improved
+under such conditions. With the magnificent cathedral, the belfry, the
+Norman church of St Taurin and the museum, besides many quaint peeps by the
+much sub-divided river Iton that flows through the town, there is
+sufficient to interest one even on the dullest of dull days.
+
+Of all the cathedral interiors in Normandy there are none that possess a
+finer or more perfectly proportioned nave than Evreux, and if I were asked
+to point out the two most impressive interiors of the churches in this
+division of France I should couple the cathedral at Evreux with St Ouen at
+Rouen.
+
+It was our own Henry I. who having destroyed the previous building set to
+work to build a new one and it is his nave that we see to-day. The whole
+cathedral has since that time been made to reflect the changing ideals of
+the seven centuries that have passed. The west front belongs entirely to
+the Renaissance period and the north transept is in the flamboyant style of
+the fifteenth century so much in evidence in Normandy and so infrequent in
+England.
+
+The central tower with its tall steeple now encased in scaffolding was
+built in 1470 by Cardinal Balue, Bishop of Evreux and inventor of the
+fearful wooden cages in one of which the prisoner Dubourg died at Mont St
+Michel.
+
+In most of the windows there is old and richly coloured glass; those in the
+chancel have stronger tones, but they all transform the shafts of light
+into gorgeous rainbow effects which stand out in wonderful contrast to the
+delicate, creamy white of the stone-work. Pale blue banners are suspended
+in the chancel, and the groining above is coloured on each side of the
+bosses for a short distance, so that as one looks up the great sweep of the
+nave, the banners and the brilliant fifteenth century glass appear as vivid
+patches of colour beyond the uniform, creamy grey on either side. The
+Norman towers at the west end of the cathedral are completely hidden in the
+mask of classical work planted on top of the older stone-work in the
+sixteenth century, and more recent restoration has altered some of the
+other features of the exterior. At the present day the process of
+restoration still goes on, but the faults of our grandfathers fortunately
+are not repeated.
+
+Leaving the Place Parvis by the Rue de l'Horloge you come to the great open
+space in front of the Hotel de Ville and the theatre with the museum on the
+right, in which there are several Roman remains discovered at Vieil-Evreux,
+among them being a bronze statue of Jupiter Stator. On the opposite side of
+the Place stands the beautiful town belfry built at the end of the
+fifteenth century. There was an earlier one before that time, but I do not
+know whether it had been destroyed during the wars with the English, or
+whether the people of Evreux merely raised the present graceful tower in
+place of the older one with a view to beautifying the town. The bell, which
+was cast in 1406 may have hung in the former structure, and there is some
+fascination in hearing its notes when one realises how these same sound
+waves have fallen on the ears of the long procession of players who have
+performed their parts within its hearing. A branch of the Iton runs past
+the foot of the tower in canal fashion; it is backed by old houses and
+crossed by many a bridge, and helps to build up a suitable foreground to
+the beautiful old belfry, which seems to look across to the brand new Hotel
+de Ville with an injured expression. From the Boulevard Chambaudouin there
+is a good view of one side of the Bishop's palace which lies on the south
+side of the cathedral, and is joined to it by a gallery and the remains of
+the cloister. The walls are strongly fortified, and in front of them runs a
+branch of one of the canals of the Iton, that must have originally served
+as a moat.
+
+Out towards the long straight avenue that runs out of the town in the
+direction of Caen, there may be seen the Norman church of St Taurin. It is
+all that is left of the Benedictine abbey that once stood here. Many people
+who explore this interesting church fail to see the silver-gilt reliquary
+of the twelfth century that is shown to visitors who make the necessary
+inquiries. The richness of its enamels and the elaborate ornamentation
+studded with imitation gems that have replaced the real ones, makes this
+casket almost unique.
+
+Many scenes from the life of the saint are shown in the windows of the
+choir of the church. They are really most interesting, and the glass is
+very beautiful. The south door must have been crowded with the most
+elaborate ornament, but the delicately carved stone-work has been hacked
+away and the thin pillars replaced by crude, uncarved chunks of stone.
+There is Norman arcading outside the north transept as well as just above
+the floor in the north aisle. St Taurin is a somewhat dilapidated and
+cob-webby church, but it is certainly one of the interesting features of
+Evreux.
+
+Instead of keeping on the road to Caen after reaching the end of the great
+avenue just mentioned, we turn towards the south and soon enter pretty
+pastoral scenery. The cottages are almost in every instance thatched, with
+ridges plastered over with a kind of cobb mud. In the cracks in this
+curious ridging, grass seeds and all sorts of wild flowers are soon
+deposited, so that upon the roof of nearly every cottage there is a
+luxuriant growth of grass and flowers. In some cases yellow irises alone
+ornament the roofs, and they frequently grow on the tops of the walls that
+are treated in a similar fashion. A few miles out of Evreux you pass a
+hamlet with a quaint little church built right upon the roadway with no
+churchyard or wall of any description. A few broken gravestones of quite
+recent date litter the narrow, dusty space between the north side of the
+church and the roadway. Inside there is an untidy aspect to everything, but
+there are some windows containing very fine thirteenth century glass which
+the genial old cure shows with great delight, for it is said that they were
+intended for the cathedral at Evreux, but by some chance remained in this
+obscure hamlet. The cure also points out the damage done to the windows by
+_socialistes_ at a recent date.
+
+By the roadside towards Conches, there are magpies everywhere, punctuated
+by yellow hammers and nightingales. The cottages have thatch of a very deep
+brown colour over the hipped roofs, closely resembling those in the
+out-of-the-way parts of Sussex. It a beautiful country, and the
+delightfully situated town of Conches at the edge of its forest is well
+matched with its surroundings.
+
+In the middle of the day the inhabitants seem to entirely disappear from
+the sunny street, and everything has a placid and reposeful appearance as
+though the place revelled in its quaintness. Backed by the dense masses of
+forest there is a sloping green where an avenue of great chestnuts tower
+above the long, low roof of the timber-framed cattle shelter. On the
+highest part of the hill stands the castle, whose round, central tower
+shows above the trees that grow thickly on the slopes of the hill. Close to
+the castle is the graceful church, and beyond are the clustered roofs of
+the houses. A viaduct runs full tilt against the hill nearly beneath the
+church, and then the railway pierces the hill on its way towards Bernay.
+The tall spire of the church of St Foy is comparatively new, for the whole
+structure was rebuilt in the fifteenth century, but its stained glass is of
+exceptional interest. Its richness of colour and the interest of the
+subjects indicate some unusually gifted artist, and one is not surprised to
+discover that they were designed by Aldegrevers, who was trained by that
+great master Albrecht Dyrer. Altogether there are twenty-one of these
+beautiful windows. Seven occupy the eastern end of the apse and give scenes
+taken from the life of St Foy.
+
+You can reach the castle by passing through the quaint archway of the Hotel
+de Ville, and then passing through the shady public garden you plunge into
+the dry moat that surrounds the fortified mound. There is not very much to
+see but what appears in a distant view of the town, and in many ways the
+outside groupings of the worn ruin and the church roofs and spire above the
+houses are better than the scenes in the town itself. The Hotel Croix
+Blanche is a pleasant little house for dejeuner. Everything is extremely
+simple and typical of the family methods of the small French inn, where
+excellent cooking goes along with many primitive usages. The cool
+salle-a-manger is reached through the general living-room and kitchen,
+which is largely filled with the table where you may see the proprietor
+and his family partaking of their own meals. There seems no room to cook
+anything at all, and yet when you are seated in the next room the
+daughter of the family, an attractive and neatly dressed girl,
+gracefully serves the most admirable courses, worthy and perhaps better
+than what one may expect to obtain in the best hotel in Rouen.
+
+There is a road that passes right through the forest of Conches towards
+Rugles, but that must be left for another occasion if we are to see
+anything of the charms of Beaumont-le-Roger, the perfectly situated little
+town that lies half-way between Conches and Bernay.
+
+The long street of the town containing some very charming peeps as you go
+towards the church is really a terrace on the limestone hills that rises
+behind the houses on the right, and falls steeply on the left. Spaces
+between the houses and narrow turnings give glimpses of the rich green
+country down below. From the lower level you see the rocky ridge above
+clothed in a profusion of trees. The most perfect picture in the town is
+from the river bank just by the bridge. In the foreground is the
+mirror-like stream that gives its own rendering of the scene that is built
+up above it. Leaning upon a parapet of the bridge is a man with a rod who
+is causing tragedies in the life that teems beneath the glassy surface.
+Beyond the bridge appear some quaint red roofs with one tower-like house
+with an overhanging upper storey. Higher up comes the precipitous hill
+divided into terraces by the huge walls that surround the abbey buildings,
+and still higher, but much below the highest part of the hill, are the
+picturesque ruins of the abbey. On the summit of the ridge dominating all
+are the insignificant remains of the castle built by Roger a la Barbe,
+whose name survives in that of the town. His family were the founders of
+the abbey that flourished for several centuries, but finally, about a
+hundred years ago, the buildings were converted to the uses of a factory!
+Spinning and weaving might have still been going on but for a big fire that
+destroyed the whole place. There was, however, a considerably more complete
+series of buildings left than we can see to-day, but scarcely more than
+fifty years ago the place was largely demolished for building materials.
+The view from the river Rille is therefore the best the ruin can boast, for
+seen from that point the arches rise up against the green background as a
+stately ruin, and the tangled mass of weeds and debris are invisible. The
+entrance is most inviting. It is down at the foot of the cliff, and the
+archway with the steep ascent inside suggests all sorts of delights beyond,
+as it stands there just by the main street of the town. I was sorry
+afterwards, that I had accepted that hospitality, for with the exception of
+a group of merry children playing in an orchard and some big caves hollowed
+out of the foot of the cliff that rises still higher, I saw nothing but a
+jungle of nettles. This warning should not, however, suggest that
+Beaumont-le-Roger is a poor place to visit. Not only is it a charming, I
+may say a fascinating spot to visit, but it is also a place in which to
+stay, for the longer you remain there the less do you like the idea of
+leaving. The church of St Nicholas standing in the main street where it
+becomes much wider and forms a small Place, is a beautiful old building
+whose mellow colours on stone-work and tiles glow vividly on a sunny
+afternoon. There is a great stone wall forming the side of the rocky
+platform that supports the building and the entrance is by steps that lead
+up to the west end. The tower belongs to the flamboyant period and high up
+on its parapet you may see a small statue of Regulus who does duty as a
+"Jack-smite-the-clock." Just by the porch there leans against a wall a most
+ponderous grave slab which was made for the tomb of Jehan du Moustier a
+soldier of the fourteenth century who fought for that Charles of Navarre
+who was surnamed "The Bad." The classic additions to the western part of
+the church seem strangely out of sympathy with the gargoyles overhead and
+the thirteenth century arcades of the nave, but this mixing up of styles is
+really more incongruous in description than in reality.
+
+When you have decided to leave Beaumont-le-Roger and have passed across the
+old bridge and out into the well-watered plain, the position of the little
+town suggests that of the village of Pulborough in Sussex, where a road
+goes downhill to a bridge and then crosses the rich meadowland where the
+river Arun winds among the pastures in just the same fashion as the Rille.
+
+At a bend in the road to Bernay stands the village of Serquigny. It is just
+at the edge of the forest of Beaumont which we have been skirting, and
+besides having a church partially belonging to the twelfth century it has
+traces of a Roman Camp. All the rest of the way to Bernay the road follows
+the railway and the river Charentonne until the long--and when you are
+looking out for the hotel--seemingly endless street of Bernay is reached.
+After the wonderful combination of charms that are flaunted by
+Beaumont-le-Roger it is possible to grumble at the plainer features of
+Bernay, but there is really no reason to hurry out of the town for there is
+much quaint architecture to be seen, and near the Hotel du Lion d'Or there
+is a house built right over the street resting on solid wooden posts. But
+more interesting than the domestic architecture are the remains of the
+abbey founded by Judith of Brittany very early in the eleventh century for
+it is probably one of the oldest Romanesque remains in Normandy. The church
+is cut up into various rooms and shops at the choir end, and there has been
+much indiscriminate ill-treatment of the ancient stone-work. Much of the
+structure, including the plain round arches and square columns, is of the
+very earliest Norman period, having been built in the first half of the
+eleventh century, but in later times classic ornament was added to the work
+of those shadowy times when the kingdom of Normandy had not long been
+established. So much alteration in the styles of decoration has taken place
+in the building that it is possible to be certain of the date of only some
+portions of the structure. The Hotel de Ville now occupies part of the
+abbey buildings.
+
+At the eastern side of the town stands St Croix, a fifteenth century church
+with a most spacious interior. There is much beautiful glass dating from
+three hundred years ago in the windows of the nave and transepts, but
+perhaps the feature which will be remembered most when other impressions
+have vanished, will be the finely carved statues belonging to the
+fourteenth century which were brought here from the Abbey of Bec. The south
+transept contains a monument to Guillaume Arvilarensis, an abbot of Bec who
+died in 1418. Upon the great altar which is believed to have been brought
+from the Abbey of Bec, there are eight marble columns surrounding a small
+white marble figure of the Child Jesus.
+
+Another church at Bernay is that of Notre Dame de la Couture. It has much
+fourteenth century work and behind the high altar there are five chapels,
+the centre one containing a copy of the "sacred image" of Notre Dame which
+stands by the column immediately to the right of the entrance. Much more
+could be said of these three churches with their various styles of
+architecture extending from the very earliest period down to the classic
+work of the seventeenth century. But this is not the place for intricate
+descriptions of architectural detail which are chiefly useful in books
+which are intended for carrying from place to place.
+
+
+
+
+CHAPTER V
+
+
+Concerning Lisieux and the Romantic Town of Falaise
+
+Lisieux is so rich in the curious timber-framed houses of the middle and
+later ages that there are some examples actually visible immediately
+outside the railway station whereas in most cases one usually finds an
+aggregation of uninteresting modern buildings. As you go towards the centre
+of the town the old houses, which have only been dotted about here and
+there, join hands and form whole streets of the most romantic and almost
+stage-like picturesqueness. The narrow street illustrated here is the Rue
+aux Fevres. Its houses are astonishingly fine, and it forms--especially in
+the evening--a background suitable for any of the stirring scenes that took
+place in such grand old towns as Lisieux in medieval days. This street is
+however, only one of several that reek of history. In the Rue des
+Boucheries and in the Grande Rue there are lovely overhanging gables and
+curious timber-framing that is now at any angle but what was originally
+intended. There is really so much individual quaintness in these houses
+that they deserve infinitely more than the scurry past them which so
+frequently is all their attractions obtain. The narrowness and fustiness of
+the Rue aux Fevres certainly hinder you from spending much time in
+examining the houses but there are two which deserve a few minutes'
+individual attention. One which has a very wide gable and the upper floors
+boarded is believed to be of very great antiquity, dating from as early a
+period as the thirteenth century. It is numbered thirty-three, and must not
+be confused with the richly ornamented Manoir de Francois I. The timber
+work of this house, especially of the two lower floors is covered with
+elaborate carving including curious animals and quaint little figures, and
+also the salamander of the royal house. For this reason the photographs
+sold in the shops label the house "Manoir de la Salamandre." The place is
+now fast going to ruin--a most pitiable sight and I for one, would prefer
+to see the place restored rather than it should be allowed to become so
+hopelessly dilapidated and rotten that the question of its preservation
+should come to be considered lightly.
+
+If the town authorities of Lisieux chose to do so, they could encourage the
+townsfolk to enrich many of their streets by a judicious flaking off of the
+plaster which in so many cases tries to hide all the pleasant features of
+houses that have seen at least three centuries, but this sort of work when
+in the hands of only partially educated folk is liable to produce a worse
+state of affairs than if things had been left untouched. An example of what
+over-restoration can do, may be seen when we reach the beautiful old inn at
+Dives.
+
+The two churches of Lisieux are well fitted to their surroundings, and
+although St Jacques has no graceful tower or fleche, the quaintness of its
+shingled belfry makes up for the lack of the more stately towers of St
+Pierre. Where the stone-work has stopped short the buttresses are roofed
+with the quaintest semi-circular caps, and over the clock there are two
+more odd-looking pepper boxes perched upon the steep slope that projects
+from the square belfry. Over all there is a low pyramidal roof, stained
+with orange lichen and making a great contrast in colour to the
+weather-beaten stone-work down below. There are small patches of tiled
+roofing to the buttresses at the western ends of the aisles and these also
+add colour to this picturesque building. The great double flight of stone
+steps which lead to the imposing western door have balustrades filled with
+flamboyant tracery, but although the church is built up in this way, the
+floor in the interior is not level, for it slopes gently up towards the
+east. The building was commenced during the reign of Louis XII. and not
+finished until nearly the end of the reign of Francois I. It is therefore
+coeval with that richly carved house in the Rue aux Fevres. Along the sides
+of the church there project a double row of thirsty-looking gargoyles--the
+upper ones having their shoulders supported by the mass of masonry
+supporting the flying buttresses. The interior is richer than the exterior,
+and you may see on some of the pillars remains of sixteenth century
+paintings. A picture dating from 1681 occupies a position in the chapel of
+St Ursin in the south aisle; it shows the relic of the saint being brought
+to Lisieux in 1055.
+
+The wide and sunny Place Thiers is dominated by the great church of St
+Pierre, which was left practically in its present form in the year 1233.
+The first church was begun some years before the conquest of England but
+about a century later it suffered the fate of Bayeux being burnt down in
+1136. It was reconstructed soon afterwards and shows to-day the first
+period of Gothic architecture that became prevalent in Normandy. Only the
+north tower dates from this period, the other one had to be rebuilt during
+the reign of Henri III. and the spire only made its appearance in the
+seventeenth century. The Lady Chapel is of particular interest owing to the
+statement that it was built by that Bishop of Beauvais who took such a
+prominent part in the trial of Joan of Arc. The main arches over the big
+west door are now bare of carving or ornament and the Hotel de Ville is
+built right up against the north-west corner, but despite this St Pierre
+has the most imposing and stately appearance, and there are many features
+such as the curious turrets of the south transept that impress themselves
+on the memory more than some of the other churches we have seen.
+
+Lisieux is one of those cheerful towns that appear always clean and bright
+under the dullest skies, so that when the sun shines every view seems
+freshly painted and blazing with colour. The freshness of the atmosphere,
+too, is seldom tainted with those peculiar odours that some French towns
+produce with such enormous prodigality, and Lisieux may therefore claim a
+further point in its favour.
+
+It is generally a wide, hedgeless stretch of country that lies between
+Lisieux and Falaise, but for the first ten miles there are big farm-houses
+with timber-framed barns and many orchards bearing a profusion of blossom
+near the roadside. A small farm perched above the road and quite out of
+sight, invites the thirsty passer-by to turn aside up a steep path to
+partake of cider or coffee. It is a simple, almost bare room where the
+refreshment is served, but its quaintness and shadowy coolness are most
+refreshing. The fireplace has an open hearth with a wood fire which can
+soon be blown into a blaze by the big bellows that hang against the chimney
+corner. A table by one of the windows is generally occupied in her spare
+moments by the farmer's pretty daughter who puts aside her knitting to
+fetch the cider or to blow up the fire for coffee. They are a most genial
+family and seem to find infinite delight in plying English folk with
+questions for I imagine that not many find their way to this sequestered
+corner among waving trees and lovely orchards.
+
+A sudden descent before reaching St Pierre-sur-Dives gives a great view
+over the level country below where everything is brilliantly green and
+garden-like. The village first shows its imposing church through the trees
+of a straight avenue leading towards the village which also possesses a
+fine Market Hall that must be at least six hundred years old. The church is
+now undergoing restoration externally, but by dodging the falling cement
+dust you may go inside, perhaps to be disappointed that there is not more
+of the Norman work that has been noticed in the southern tower that rises
+above the entrance. The village, or it should really be called a small
+town, for its population is over a thousand, has much in it that is
+attractive and quaint, and it might gain more attention if everyone who
+passes through its streets were not hurrying forward to Falaise.
+
+The country now becomes a great plain, hedgeless, and at times almost
+featureless. The sun in the afternoon throws the shadows of the roadside
+trees at right angles, so that the road becomes divided into accurate
+squares by the thin lines of shadow. The straight run from St Pierre is
+broken where the road crosses the Dives. It is a pretty spot with a farm, a
+manor-house and a washing place for women just below the bridge, and then
+follows more open road and more interminable perspectives cutting through
+the open plain until, with considerable satisfaction, the great
+thoroughfare from Caen is joined and soon afterwards a glimpse of the
+castle greets us as we enter Falaise.
+
+There is something peculiarly fascinating about Falaise, for it combines
+many of the features that are sparingly distributed in other towns. Its
+position on a hill with deep valleys on all sides, its romantic castle, the
+two beautiful churches and the splendid thirteenth century gateway, form
+the best remembered attractions, but beyond these there are the hundred and
+one pretty groupings of the cottages that crowd both banks of the little
+river Ante down in the valley under the awe-inspiring castle.
+
+Even then, no mention has been made of the ancient fronts that greet one in
+many of the streets, and the charms of some of the sudden openings between
+the houses that give views of the steep, wooded hollows that almost touch
+the main street, have been slighted. A huge cube of solid masonry with a
+great cylindrical tower alongside perched upon a mass of rock precipitous
+on two sides is the distant view of the castle, and coming closer, although
+you can see the buttresses that spring from the rocky foundations, the
+description still holds good. You should see the fortress in the twilight
+with a golden suffusion in the sky and strange, purplish shadows on the
+castle walls. It then has much the appearance of one of those unassailable
+strongholds where a beautiful princess is lying in captivity waiting for a
+chivalrous knight who with a band of faithful men will attempt to scale the
+inaccessible walls. Under some skies, the castle assumes the character of
+one of Turner's impressions, half real and half imaginary, and under no
+skies does this most formidable relic of feudal days ever lose its grand
+and awesome aspect. The entrance is through a gateway, the Porte St.
+Nicolas, which was built in the thirteenth century. There you are taken in
+hand by a pleasant concierge who will lead you first of all to the Tour La
+Reine, where he will point out a great breach in the wall made by Henri IV.
+when he successfully assaulted the castle after a bombardment with his
+artillery which he had kept up for a week. This was in 1589, and since then
+no other fighting has taken place round these grand old walls. The ivy that
+clings to the ruins and the avenue of limes that leads up to the great keep
+are full of jackdaws which wheel round the rock in great flights. You have
+a close view of the great Tour Talbot, and then pass through a small
+doorway in the northern face of the citadel. Inside, the appearance of the
+walls reveals the restoration which has taken place within recent years.
+But this, fortunately, does not detract to any serious extent from the
+interest of the whole place. Up on the ramparts there are fine views over
+the surrounding country, and immediately beneath the precipice below nestle
+the picturesque, browny-red roofs of the lower part of the town. Just at
+the foot of the castle rock there is still to be seen a tannery which is of
+rather unusual interest in connection with the story of how Robert le
+Diable was first struck by the charms of Arlette, the beautiful daughter of
+a tanner. The Norman duke was supposed to have been looking over the
+battlements when he saw this girl washing clothes in the river, and we are
+told that owing to the warmth of the day she had drawn up her dress, so
+that her feet, which are spoken of as being particularly beautiful were
+revealed to his admiring gaze. Arlette afterwards became the mother of
+William the Conqueror, and the room is pointed out in the south-west corner
+of the keep in which we are asked to believe that the Conqueror of England
+was born. It is, however, unfortunate for the legend that archaeologists do
+not allow such an early date for the present castle, and thus we are not
+even allowed to associate these ramparts with the legend just mentioned. It
+must have been a strong building that preceded this present structure, for
+during the eleventh century William the Norman was often obliged to retreat
+for safety to his impregnable birthplace. The Tour Talbot has below its
+lowest floor what seems to be a dungeon, but it is said that prisoners were
+not kept here, the place being used merely for storing food. The gloomy
+chamber, however, is generally called an oubliette. Above, there are other
+floors, the top one having been used by the governor of the castle. In the
+thickness of the wall there is a deep well which now contains no water. One
+of the rooms in the keep is pointed out as that in which Prince Arthur was
+kept in confinement, but although it is known that the unfortunate youth
+was imprisoned in this castle, the selection of the room seems to be
+somewhat arbitrary.
+
+In 1428 the news of Joan of Arc's continued successes was brought to the
+Earl of Salisbury who was then governor of Falaise Castle, and it was from
+here that he started with an army to endeavour to stop that triumphal
+progress. In 1450 when the French completely overcame the numerous English
+garrisons in the towns of Normandy, Falaise with its magnificent position
+held out for some time. The defenders sallied out from the walls of the
+town but were forced back again, and notwithstanding their courage, the
+town capitulated to the Duke of Alencon's army at almost the same time as
+Avranches and a dozen other strongly defended towns. We can picture to
+ourselves the men in glinting head-pieces sallying from the splendid old
+gateway known as the Port des Cordeliers. It has not lost its formidable
+appearance even to-day, though as you look through the archway the scene is
+quiet enough, and the steep flight of outside steps leads up to scenes of
+quiet domestic life. The windows overlook the narrow valley beneath where
+the humble roofs of the cottages jostle one another for space. There are
+many people who visit Falaise who never have the curiosity to explore this
+unusually pleasing part of the town. In the spring when the lilac bushes
+add their brilliant colour to the russet brown tiles and soft creams of the
+stone-work, there are pictures on every side. Looking in the cottages you
+may see, generally within a few feet of the door, one of those ingenious
+weaving machines that are worked with a treadle, and take up scarcely any
+space at all. If you ask permission, the cottagers have not the slightest
+objection to allowing you to watch them at their work, and when one sees
+how rapidly great lengths of striped material grow under the revolving
+metal framework, you wonder that Falaise is not able to supply the demands
+of the whole republic for this class of material.
+
+Just by the Hotel de Ville and the church of La Trinite stands the imposing
+statue of William the Conqueror. He is mounted on the enormous war-horse of
+the period and the whole effect is strong and spirited. The most notable
+feature of the exterior of the church of La Trinite is the curious
+passage-way that goes underneath the Lady Chapel behind the High Altar. The
+whole of the exterior is covered with rich carving, crocketed finials,
+innumerable gargoyles and the usual enriched mouldings of Gothic
+architecture. The charm of the interior is heightened if one enters in the
+twilight when vespers are proceeding. There is just sufficient light to
+show up the tracery of the windows and the massive pointed arches in the
+choir. A few candles burn by the altar beyond the dark mass of figures
+forming the congregation. A Gregorian chant fills the building with its
+solemn tones and the smoke of a swinging censer ascends in the shadowy
+chancel. Then, as the service proceeds, one candle above the altar seems to
+suddenly ignite the next, and a line of fire travels all over the great
+erection surrounding the figure of the Virgin, leaving in its trail a blaze
+of countless candles that throw out the details of the architecture in
+strong relief. Soon the collection is made, and as the priest passes round
+the metal dish, he is followed by the cocked-hatted official whose
+appearance is so surprising to those who are not familiar with French
+churches. As the priest passes the dish to each row the official brings his
+metal-headed staff down upon the pavement with a noisy bang that is
+calculated to startle the unwary into dropping their money anywhere else
+than in the plate. In time the bell rings beside the altar, and the priest
+robed in white and gold elevates the host before the kneeling congregation.
+Once more the man in the cocked hat becomes prominent as he steps into the
+open space between the transepts and tolls the big bell in the tower above.
+Then a smaller and much more cheerful bell is rung, and fearing the arrival
+of another collecting priest we slip out of the swinging doors into the
+twilight that has now almost been swallowed up in the gathering darkness.
+
+The consecration of the splendid Norman church of St Gervais took place in
+the presence of Henry I. but there is nothing particularly English in any
+part of the exterior. The central tower has four tall and deeply recessed
+arches (the middle ones contain windows) on each side, giving a rich
+arcaded appearance. Above, rises a tall pointed roof ornamented with four
+odd-looking dormers near the apex. Every one remarks on their similarity to
+dovecots and one almost imagines that they must have been built as a place
+of shelter on stormy days for the great gilded cock that forms the weather
+vane. The nave is still Norman on the south side, plain round-headed
+windows lighting the clerestory, but the aisles were rebuilt in the
+flamboyant period and present a rich mass of ornament in contrast to the
+unadorned masonry of the nave. The western end until lately had to endure
+the indignity of having its wall surfaces largely hidden by shops and
+houses. These have now disappeared, but the stone-work has not been
+restored, and you may still see a section of the interior of the house that
+formerly used the west end of the south aisle as one of its walls. You can
+see where the staircases went, and you may notice also how wantonly these
+domestic builders cut away the buttresses and architectural enrichments to
+suit the convenience of their own needs.
+
+As you go from the market-place along the street that runs from St Gervais
+to the suburb of Guibray, the shops on the left are exchanged for a low
+wall over which you see deep, grassy hollows that come right up to the edge
+of the street. Two fine houses, white-shuttered and having the usual vacant
+appearance, stand on steep slopes surrounded by great cedars of Lebanon and
+a copper beech.
+
+The church of Guibray is chiefly Norman--it is very white inside and there
+is some round-headed arcading in the aisles. The clustered columns of the
+nave have simple, pointed arches, and there is a carved marble altarpiece
+showing angels supporting the Virgin who is gazing upwards. The aisles of
+the chancel are restored Norman, and the stone-work is bright green just
+above the floor through the dampness that seems to have defied the efforts
+of the restorers.
+
+
+
+
+CHAPTER VI
+
+
+From Argentan to Avranches
+
+Between tall poplars whose stems are splotched with grey lichen and whose
+feet are grown over with browny-green moss, runs the road from Falaise to
+Argentan, straight and white, with scarcely more than the slightest bend,
+for the whole eight miles. It is typical of the roads in this part of the
+country and beyond the large stone four or five kilometres outside Falaise,
+marking the boundary between Calvados and Orne, and the railway which one
+passes soon afterwards, there is nothing to break the undulating monotony
+of the boundless plain.
+
+We cannot all hope to have this somewhat dull stretch of country relieved
+by any exciting event, but I can remember one spring afternoon being
+overtaken by two mounted gendarmes in blue uniforms, galloping for their
+very lives. I looked down the road into the cloud of dust raised by the
+horses' hoofs, but the country on all sides lay calm and deserted, and I
+was left in doubt as to the reason for this astonishing haste. Half an hour
+afterwards a group of people appeared in the distance, and on approaching
+closer, they proved to be the two gendarmes leading their blown horses as
+they walked beside a picturesque group of apparently simple peasants, the
+three men wearing the typical soft, baggy cap and blue smock of the country
+folk. The little group had a gloomy aspect, which was explained when I
+noticed that the peasants were joined together by a bright steel chain.
+Evidently something was very much amiss with one of the peaceful villages
+lying near the road.
+
+After a time, at the end of the long white perspective, appear the towers
+of the great church of St Germain that dominate the town where Henry II.
+was staying when he made that rash exclamation concerning his "turbulent
+priest." It was from Argentan that those four knights set out for England
+and Canterbury to carry out the deed, for which Henry lay in ashes for five
+weeks in this very place. But there is little at the present time at
+Argentan to remind one that it is in any way associated with the murder of
+Becket. The castle that now exists is occupied by the Courts of Justice and
+was partially built in the Renaissance period. Standing close to it, is an
+exceedingly tall building with a great gable that suggests an
+ecclesiastical origin, and on looking a little closer one soon discovers
+blocked up Gothic windows and others from which the tracery has been
+hacked. This was the chapel of the castle which has been so completely
+robbed of its sanctity that it is now cut up into small lodgings, and in
+one of its diminutive shops, picture post-cards of the town are sold.
+
+The ruins of the old castle are not very conspicuous, for in the
+seventeenth century the great keep was demolished. There is still a fairly
+noticeable round tower--the Tour Marguerite--which has a pointed roof above
+its corbels, or perhaps they should be called machicolations. In the Place
+Henri IV. stands a prominent building that projects over the pavement
+supported by massive pointed arches, and with this building in the
+foreground there is one of the best views of St Germain that one can find
+in the town. Just before coming to the clock that is suspended over the
+road by the porch of the church, there is a butcher's shop at the street
+corner that has a piece of oak carving preserved on account of its interest
+while the rest of the building has been made featureless with even plaster.
+The carving shows Adam and Eve standing on either side of a formal Tree of
+Life, and the butcher, who is pleased to find a stranger who notices this
+little curiosity, tells him with great pride that his house dates from the
+fifteenth century. The porch of St Germain is richly ornamented, but it
+takes a second place to the south porch of the church of Notre Dame at
+Louviers and may perhaps seem scarcely worthy of comment after St Maclou at
+Rouen. The structure as a whole was commenced in 1424, and the last portion
+of the work only dates from the middle of the seventeenth century. The
+vaulting of the nave has a very new and well-kept appearance and the side
+altars, in contrast to so many of even the large churches, are almost
+dignified in their somewhat restrained and classic style. The high altar is
+a stupendous erection of two storeys with Corinthian pillars. Nine long,
+white, pendant banners are conspicuous on the walls of the chancel. The
+great altars and the lesser ones that crowd the side chapels are subject to
+the accumulation of dirt as everything else in buildings sacred or lay, and
+at certain times of the day, a woman may be seen vigorously flapping the
+brass candlesticks and countless altar ornaments with a big feather broom.
+On the north side of the chancel some of the windows have sections of old
+painted glass, and in one of them there is part of a ship with men in
+crow's nests backed by clouds, a really vigorous colour scheme.
+
+Keeping to the high ground, there is to the south of this church an open
+Place, and beyond it there are some large barracks, where, on the other
+side of a low wall may be seen the elaborately prepared steeple-chase for
+training soldiers to be able to surmount every conceivable form of
+obstacle. Awkward iron railings, wide ditches, walls of different
+composition and varying height are frequently scaled, and it is practice of
+this sort that has made the French soldier famous for the facility with
+which he can storm fortifications. The river Orne finds its way through the
+lower part of the town and here there are to be found some of the most
+pleasing bits of antique domestic architecture. One of the quaintest of
+these built in 1616 is the galleried building illustrated here, and from a
+parallel street not many yards off there is a peep of a house that has been
+built right over the stream which is scarcely less picturesque.
+
+[Illustration: A SEVENTEENTH CENTURY HOUSE AT ARGENTAN]
+
+The church of St Martin is passed on entering Argentan from Falaise. Its
+east end crowds right up against the pavement and it is somewhat unusual to
+find the entrances at this portion of the building. The stained glass in
+the choir of St Martin is its most noticeable feature--the pictures showing
+various scenes in the life of Christ.
+
+As in all French towns Argentan knows how to decorate on fete days. Coming
+out of the darkness of the church in the late twilight on one of these
+occasions, I discovered that the town had suddenly become festooned with a
+long perspective of arches stretching right away down the leafy avenue that
+goes out of the town--to the north in one direction, and to St Germain in
+the other. The arches were entirely composed without a single exception of
+large crimson-red Chinese lanterns. The effect was astonishingly good, but
+despite all the decoration, the townsfolk seemed determined to preserve the
+quiet of the Sabbath, and although there were crowds everywhere, the only
+noise that broke the stillness was that of the steam round-about that had
+been erected on a triangular patch of grass. The dark crowds of people
+illuminated by flaring lights stood in perfect quiet as they watched the
+great noisy mass of moving animals and boats, occupied almost entirely by
+children, keep up its perpetual dazzle and roar. The fair--for there were
+many side-shows--was certainly quieter than any I have witnessed in
+England.
+
+A long, straight road, poplar-bordered and level, runs southwards from
+Argentan to Mortree, a village of no importance except for the fact that
+one must pass through it if one wishes to visit the beautiful Chateau d'O.
+This sixteenth century mansion like so many to be seen in this part of
+France, is in a somewhat pathetic state of disrepair, but as far as one may
+see from the exterior, it would not require any very great sum to
+completely restore the broken stone-work and other signs of decay. These,
+while perhaps adding to the picturesqueness of the buildings, do not bring
+out that aspect of carefully preserved antiquity which is the charm of most
+of the houses of this period in England. The great expanse of water in the
+moat is very green and covered by large tracts of weed, but the water is
+supplied by a spring, and fish thrive in it. The approach to the chateau
+across the moat leads to an arched entrance through which you enter the
+large courtyard overlooked on three sides by the richly ornamented
+buildings, the fourth side being only protected from the moat by a low
+wall. It would be hard to find a more charming spot than this with its
+views across the moat to the gardens beyond, backed by great masses of
+foliage.
+
+Going on past Mortree the main road will bring one after about eight miles
+to the old town of Alencon, which has been famed ever since the time of
+Louis XIV. for the lace which is even at the present day worked in the
+villages of this neighbourhood, more especially at the hamlet of Damigny.
+The cottagers use pure linen thread which is worth the almost incredible
+sum of L100 per lb. They work on parchment from patterns which are supplied
+by the merchants in Alencon. The women go on from early morning until the
+light fails, and earn something about a shilling per day!
+
+The castle of Alencon, built by Henry I. in the twelfth century, was
+pulled down with the exception of the keep, by the order of Henry of
+Navarre, the famous contemporary of Queen Elizabeth. This keep is still in
+existence, and is now used as a prison. Near it is the Palais de Justice,
+standing where the other buildings were situated.
+
+The west porch of the church of Notre Dame is richly ornamented with
+elaborate canopies, here and there with statues. One of these represents St
+John, and it will be seen that he is standing with his face towards the
+church. A legend states that this position was taken by the statue when the
+church was being ransacked by Protestants in the sixteenth century.
+
+Another road from Argentan is the great _route nationale_ that runs in a
+fairly direct line to Granville. As one rides out of the town there is a
+pretty view on looking back, of St Germain standing on the slight eminence
+above the Orne. Keeping along by that river the road touches it again at
+the little town of Ecouche. The old market hall standing on massive
+pillars, is the most attractive feature of the place. Its old tiled roof
+and half-timbered upper storey remind one forcibly of some of those
+fortunate old towns in England that have preserved this feature. The church
+has lost its original nave, and instead, there is a curious barn-like
+structure, built evidently with a view to economy, being scarcely more than
+half the height of the original: the vacant space has been very roughly
+filled up, and the numerous holes and crevices support a fine growth of
+weeds, and a strong young tree has also taken root in the ramshackle stone
+work. From the central tower, gargoyles grin above the elaborately carved
+buttresses and finials in remarkable contrast to the jerry-built addition.
+
+[Illustration: THE OLD MARKET HOUSE AT ECOUCHE]
+
+Passing through rich country, you leave the valley of the Orne, and on
+both sides of the road are spread wide and fascinating views over the
+orchard-clad country that disappears in the distant blue of the horizon.
+Wonderful patches of shadow, when large clouds are flying over the heavens,
+fall on this great tract of country and while in dull weather it may seem a
+little monotonous, in days of sunshine and shade it is full of a haunting
+beauty that is most remarkable.
+
+About seven miles from Argentan one passes Fromentelle, a quiet hamlet full
+of thatched cottages and curious weathercocks, and then five miles further
+on, having descended into the valley of the little river Rouvre, Briouze
+is entered. Here there is a wide and very extensive market-place with
+another quaint little structure, smaller than the one at Ecouche, but
+having a curious bell-turret in the centre of the roof. On Monday, which
+is market day, Briouze presents a most busy scene, and there are plenty of
+opportunities of studying the genial looking country farmers, their wives,
+and the large carts in which they drive from the farms. In the midst of the
+booths, you may see a bronze statue commemorating the "Sapeurs, pompiers"
+and others of this little place who fell in 1854.
+
+Leaving the main road which goes on to Flers, we may take the road to
+Domfront, which passes through three pretty villages and much pleasant
+country. Bellau, the first village, is full of quaint houses and charming
+old-world scenes. The church is right in the middle on an open space
+without an enclosure of any description. Standing with one's back to this
+building, there is a pretty view down the road leading to the south, a
+patch of blue distance appearing in the opening between the old gables. To
+all those who may wish to either paint or photograph this charming scene, I
+would recommend avoiding the hour in the afternoon when the children come
+out of school. I was commencing a drawing one sunny afternoon--it must have
+been about three o'clock--and the place seemed almost deserted. Indeed, I
+had been looking for a country group of peasants to fill the great white
+space of sunny road, when in twos and threes, the juvenile population
+flooded out towards me. For some reason which I could not altogether
+fathom, the boys arranged themselves in a long, regular line, occupying
+exactly one half of the view, the remaining space being filled by an
+equally long line of little girls. All my efforts failed to induce the
+children to break up the arrangement they had made. They merely altered
+their formation by advancing three or four paces nearer with almost
+military precision. They were still standing in their unbroken rows when I
+left the village.
+
+Passing a curious roadside cross which bears the date 1741 and a long Latin
+inscription splashed over with lichen, one arrives at La Ferriere aux
+Etangs, a quaint village with a narrow and steep street containing one
+conspicuously old, timber-framed house. But it is scarcely necessary to
+point out individual cottages in this part of Normandy, for wherever one
+looks, the cottages are covered with thick, purply-grey thatch, and the
+walls below are of grey wooden framework, filled in with plaster, generally
+coloured a creamy-white. When there are deep shadows under the eaves and
+the fruit trees in blossom stand out against the dark thatch, one can
+easily understand how captivating is the rural charm of this part of
+Normandy. Gradually the road ascends, but no great views are apparent,
+although one is right above the beautiful valley of the Varennes, until
+quite near to Domfront. Then, suddenly there appears an enormous stretch of
+slightly undulating country to the south and west. As far as one can see,
+the whole land seems to be covered by one vast forest.
+
+But though part of this is real forest-land, much of it is composed of
+orchards and hedgerow trees, which are planted so closely together that, at
+a short distance, they assume the aspect of close-growing woods. The first
+impression of the great stretch of forest-land does not lose its striking
+aspect, even when one has explored the whole of the town. The road that
+brings one into the old town runs along a ridge and after passing one of
+the remains of the old gateways, it rises slightly to the highest part of
+the mass of rock upon which Domfront is perched. The streets are narrow and
+parallel to accommodate themselves to the confined space within the walls.
+At the western end of the granite ridge, and separated from the town by a
+narrow defile, stands all that is left of the castle--a massive but
+somewhat shapeless ruin. At the western end of the ramparts, one looks down
+a precipitous descent to the river Varennes which has by some unusual
+agency, cut itself a channel through the rocky ridge if it did not merely
+occupy an existing gap. At the present time, besides the river, the road
+and railway pass through the narrow gorge.
+
+The castle has one of those sites that appealed irresistibly to the warlike
+barons of the eleventh century. In this case it was William I., Duc de
+Belleme, who decided to raise a great fortress on this rock that he had
+every reason to believe would prove an impregnable stronghold, but although
+only built in 1011, it was taken by Duke William thirty-seven years later,
+being one of the first brilliant feats by which William the Norman showed
+his strength outside his own Duchy. A century or more later, Henry II.,
+when at Domfront, received the pope's nuncio by whom a reconciliation was
+in some degree patched up between the king and Becket. Richard I. is known
+to have been at the castle at various times. In the sixteenth century,
+a most thrilling siege was conducted during the period when Catherine
+de Medicis was controlling the throne. A Royalist force, numbering some
+seven or eight thousand horse and foot, surrounded this formidable rock
+which was defended by the Calvinist Comte de Montgommery. With him was
+another Protestant, Ambroise le Balafre, who had made himself a despot
+at Domfront, but whose career was cut short by one of Montgommery's men
+with whom he had quarrelled. They buried him in the little church of
+Notre-Dame-sur-l'Eau--the wonderfully preserved Norman building that one
+sees beneath one's feet when standing on the ramparts of the castle. The
+body, however, was not long allowed to remain there, for when the royal
+army surrounded the castle they brought out the corpse and hung it in a
+conspicuous place to annoy the besieged. Like Corfe Castle in England, and
+many other magnificently fortified strongholds, Domfront was capable of
+defence by a mere handful. In this case the original garrison consisted of
+one hundred and fifty, and after many desertions the force was reduced to
+less than fifty. A great breach had been made by the six pieces of
+artillery placed on the hill on the opposite side of the gorge, and through
+this the besiegers endeavoured to enter. The attenuated garrison, with
+magnificent courage, held the breach after a most desperate and bloody
+fight. But after all this display of courage, it was found impossible to
+continue the defence, for by the next morning there were barely more than a
+dozen men left to fight. Finally Montgommery was obliged to surrender
+unconditionally, and not long afterwards he was executed in Paris. You may
+see the breach where this terrible fight took place at the present day, and
+as you watch the curious effects of the blue shadows falling among the
+forest trees that stretch away towards the south, you may feel that you are
+looking over almost the same scene that was gazed upon by the notable
+figures in history who have made their exits and entrances at Domfront.
+
+So little has the church of Notre-Dame-sur-l'Eau altered in its appearance
+since it was built by the Duc de Belleme that, were he to visit the ruins
+of his castle, he would marvel no doubt that the men of the nine centuries
+which have passed, should have consistently respected this sturdy little
+building. There are traces of aisles having existed, but otherwise the
+exterior of the church can have seen no change at all in this long period.
+Inside, however, the crude whitewash, the curious assemblage of enormous
+seventeenth century gravestones that are leant against the walls, and the
+terribly jarring almost life-sized crucifix, all give one that feeling of
+revulsion that is inseparable from an ill-kept place of worship. On the
+banks of the river outside, women may be seen washing clothes; the sounds
+of the railway come from the station near by, and overhead, rising above
+the foliage at its feet, are the broken walls and shattered keep from which
+we have been gazing.
+
+[Illustration: ONE OF THE TOWERS IN THE WALLS OF DOMFRONT]
+
+The walls of the town, punctuated by many a quaint tower, have lost their
+fearsome aspect owing to the domestic uses to which the towers are palpably
+devoted. One of them appears in the adjoining illustration, and it is
+typical of the half-dozen or so that still rise above the pretty gardens
+that are perched along the steep ascent. But though Domfront is full of
+almost thrilling suggestions of medievalism and the glamour of an ancient
+town, yet there is a curious lack of picturesque arrangement, so that if
+one were to be led away by the totally uninteresting photographs that may
+be seen in the shops, one would miss one of the most unique spots in
+Normandy.
+
+Stretching away towards Flers, there is a tract of green country all ups
+and downs, but with no distant views except the peep of Domfront that
+appears a few miles north of the town. Crowning the ridge of the hill is
+the keep of the castle, resembling a closed fist with the second finger
+raised, and near it, the bell-cote of the Palais de Justice and the spire
+of the church break the line of the old houses. Ferns grow by the roadside
+on every bank, but the cottages and farms are below the average of rustic
+beauty that one soon demands in this part of France.
+
+Flers is a somewhat busy manufacturing town where cotton and thread
+mills have robbed the place of its charm. At first sight one might
+imagine the church which bears the date 1870 was of considerably
+greater age, but inside one is almost astounded at the ramshackle
+galleries, the white-washed roof of rough boards discoloured by damp,
+and the general squalor of the place relieved only by a ponderous
+altar-piece of classic design. The castle is still in good preservation
+but although it dates from early Norman times, it is chiefly of the
+sixteenth century.
+
+Out in the country again, going westwards, the cottage industry of
+weaving is apparent in nearly every cottage one sees. The loud
+click-a-ti-clack--click-a-ti-clack of the looms can be heard on every
+side as one passes such villages as Landisacq. Everywhere the scenery
+is exceedingly English, the steep hillsides are often covered with
+orchards, and the delicate green of the apple-trees in spring-time,
+half-smothered in pinky-white blossom, gives the country a garden-like
+aspect. You may see a man harrowing a field on a sudden slope with a
+cloud of dust blowing up from the dry light soil, and you may hear him
+make that curious hullaballooing by which the peasants direct their
+horses, so different from the grunting "way-yup there" of the English
+ploughman. Coming down a long descent, a great stretch of country to
+the north that includes the battlefield of Tinchebrai comes into view.
+It is hard to associate the rich green pastures, smiling orchards, and
+peaceful cattle, with anything so gruesome as a battle between armies
+led by brothers. But it was near the little town of Tinchebrai that the
+two brothers, Henry I., King of England, and Robert Duke of Normandy
+fought for the possession of Normandy. Henry's army was greatly
+superior to that of his brother, for he had the valuable help of the
+Counts of Conches, Breteuil, Thorigny, Mortagne, Montfort, and two or
+three others as powerful. But despite all this array, the battle for
+some time was very considerably in Robert's favour, and it was only
+when Henry, heavily pressed by his brother's brilliant charge, ordered
+his reserves to envelop the rear, that the great battle went in favour
+of the English king. Among the prisoners were Robert and his youthful
+son William, the Counts of Mortain, Estouteville, Ferrieres, and a
+large number of notable men. Until his death, twenty-seven years later,
+Henry kept his brother captive in Cardiff Castle, and it has been said
+that, owing to an effort to escape, Henry was sufficiently lacking in
+all humane feelings towards his unfortunate brother, to have both his
+eyes put out. It seems a strange thing that exactly sixty years after
+the battle of Hastings, a Norman king of England, should conquer the
+country which had belonged to his father.
+
+The old church of St Remy at Tinchebrai, part of which dates from the
+twelfth century, has been abandoned for a new building, but the inn--the
+Hotel Lion d'Or--which bears the date 1614, is still in use. Vire, however,
+is only ten miles off, and its rich mediaeval architecture urges us
+forward.
+
+Standing in the midst of the cobbled street, there suddenly appears right
+ahead a splendid thirteenth century gateway--the Tour de l'Horloge--that
+makes one of the richest pictures in Normandy. It is not always one can see
+the curious old tower thrown up by a blaze of gold in the west, but those
+who are fortunate enough to see such an effect may get a small suggestion
+of the scene from the illustration given here. The little painted figure of
+the Virgin and Child stands in a niche just over the arch, and by it
+appears the prayer "Marie protege la ville!"
+
+One of the charms of Vire is its cleanliness, for I can recall no
+unpleasant smells having interfered with the pleasure of exploring the old
+streets. There is a great market on the northern side of the town, open and
+breezy. It slopes clear away without any intervening buildings to a great
+expanse of green wooded country, suggestive of some of the views that lie
+all around one at Avranches. The dark old church of Notre Dame dates mainly
+from the twelfth century. Houses and small shops are built up against it
+between the buttresses in a familiar, almost confidential manner, and on
+the south side, the row of gargoyles have an almost humorous appearance.
+The drips upon the pavement and shops below were evidently a nuisance, and
+rain water-spouts, with plain pipes leading diagonally from them, have been
+attached to each grotesque head, making it seem that the grinning monsters
+have developed a great and unquenchable thirst. Inside, the church is dark
+and impressive. There are double rows of pillars in the aisles, and a huge
+crucifix hangs beneath the tower, thrown up darkly against the chancel,
+which is much painted and gilded. The remains of the great castle consist
+of nothing more than part of the tall keep, built eight hundred years ago,
+and fortunately not entirely destroyed when the rest of the castle came
+down by the order of Cardinal Richelieu. An exploration of the quaint
+streets of Vire will reveal two or three ancient gateways, many gabled
+houses, some of which are timber-framed visually, and most of them are the
+same beneath their skins of plaster. The houses in one of the streets are
+connected with the road by a series of wooden bridges across the river,
+which there forms one of the many pictures to be found in Vire.
+
+Mortain is separated from Vire by fifteen miles of exceedingly hilly
+country, and those who imagine that all the roads in Normandy are the flat
+and poplar bordered ones that are so often encountered, should travel along
+this wonderful switch-back. As far as Sourdeval there seems scarcely a yard
+of level ground--it is either a sudden ascent or a breakneck rush into a
+trough-like depression. You pass copices of firs and beautiful woods,
+although in saying beautiful it is in a limited sense, for one seldom finds
+the really rich woodlands that are so priceless an ornament to many Surrey
+and Kentish lanes. The road is shaded by tall trees when it begins to
+descend into the steep rocky gorge of the Cance with its tumbling
+waterfalls that are a charming feature of this approach to Mortain. High
+upon the rocks on the left appears an enormous gilded statue of the Virgin,
+in the grounds of the Abbaye Blanche. Going downwards among the broken
+sunlight and shadows on the road, Mortain appears, picturesquely perched on
+a great rocky steep, and in the opening of the valley a blue haze suggests
+the great expanse of level country towards the south. The big parish church
+of the town was built originally in 1082 by that Robert of Mortain, who, it
+will be remembered, was one of the first of the Normans to receive from the
+victorious William a grant of land in England. The great tower which stands
+almost detached on the south-west side is remarkable for its enormously
+tall slit windows, for they run nearly from the ground to the saddle-back
+roof. The interior of this church is somewhat unusual, the nave and chancel
+being structurally one, and the aisles are separated by twenty-four
+circular grey pillars with Corinthian capitals. The plain surfaces of the
+walls and vaulting are absolutely clean white, picked out with fine black
+lines to represent stone-work--a scarcely successful treatment of such an
+interior! On either side of the High Altar stand two great statues
+representing St Guillaume and St Evroult.
+
+To those who wish to "do" all the sights of Mortain there is the Chapel of
+St Michael, which stands high up on the margin of a great rocky hill, but
+the building having been reconstructed about fifty years ago, the chief
+attraction to the place is the view, which in tolerably clear weather,
+includes Mont St Michel towards which we are making our way.
+
+A perfectly straight and fairly level stretch of road brings you to St
+Hilaire-du-Harcout. On the road one passes two or three large country
+houses with their solemn and perfectly straight avenues leading directly up
+to them at right angles from the road. The white jalousies seem always
+closed, the grass on the lawns seems never cut, and the whole
+establishments have a pathetically deserted appearance to the passer-by. A
+feature of this part of the country can scarcely be believed without
+actually using one's eyes. It is the wooden chimney-stack, covered with oak
+shingles, that surmounts the roofs of most of the cottages. Where the
+shingles have fallen off, the cement rubble that fills the space between
+the oak framing appears, but it is scarcely credible that, even with this
+partial protection, these chimneys should have survived so many centuries.
+I have asked the inmates of some of the cottages whether they ever feared a
+fire in their chimneys, but they seemed to consider the question as totally
+unnecessary, for some providence seems to have watched over their frail
+structures.
+
+St Hilaire has a brand new church and nothing picturesque in its long,
+almost monotonous, street. Instead of turning aside at Pontaubault towards
+Mont St Michel, we will go due north from that hamlet to the beautifully
+situated Avranches. This prosperous looking town used, at one time, to have
+a large English colony, but it has recently dwindled to such small
+dimensions that the English chaplain has an exceedingly small parish. The
+streets seem to possess a wonderful cleanliness; all the old houses appear
+to have made way for modern buildings which, in a way, give Avranches the
+aspect of a watering-place, but its proximity to the sea is more apparent
+in a map than when one is actually in the town. On one side of the great
+place in front of the church of Notre Dame des Champs is the Jardin des
+Plantes. To pass from the blazing sunshine and loose gravel, to the dense
+green shade of the trees in this delightful retreat is a pleasure that can
+be best appreciated on a hot afternoon in summer. The shade, however, and
+the beds of flowers are not the only attractions of these gardens. Their
+greatest charm is the wonderful view over the shining sands and the
+glistening waters of the rivers See and Selune that, at low tide, take
+their serpentine courses over the delicately tinted waste of sand that
+occupies St Michael's Bay. Out beyond the little wooded promontory that
+protects the mouth of the See, lies Mont St Michel, a fretted silhouette of
+flat pearly grey, and a little to the north is Tombelaine, a less
+pretentious islet in this fairyland sea. Framed by the stems and foliage of
+the trees, this view is one of the most fascinating in Normandy. One would
+be content to stay here all through the sultry hours of a summer day, to
+listen to the distant hum of conversation among white-capped nursemaids, as
+they sew busily, giving momentary attention to their charges. But Avranches
+has an historical spot that no student of history, and indeed no one who
+cares anything for the picturesque events that crowd the pages of the
+chronicles of England in the days of the Norman kings, may miss. It is the
+famous stone upon which Henry II. knelt when he received absolution for the
+murder of Becket at the hands of the papal legate. To reach this stone is,
+for a stranger, a matter of some difficulty. From the Place by the Jardin
+des Plantes, it is necessary to plunge down a steep descent towards the
+railway station, and then one climbs a series of zigzag paths on a high
+grassy bank that brings one out upon the Place Huet. In one corner,
+surrounded by chains and supported by low iron posts, is the historic
+stone. It is generally thickly coated with dust, but the brass plate
+affixed to a pillar of the doorway is quite legible. These, and a few
+fragments of carved stone that lie half-smothered in long grass and weeds
+at a short distance from the railed-in stone, are all that remain of the
+cathedral that existed in the time of Henry II.
+
+It must have been an impressive scene on that Sunday in May 1172, when the
+papal legate, in his wonderful robes, stood by the north transept door, of
+which only this fragment remains, and granted absolution to the sovereign,
+who, kneeling in all humbleness and submission, was relieved of the curse
+of excommunication which had been laid on him after the tragic affair in
+the sanctuary at Canterbury. In place of the splendid cathedral, whose nave
+collapsed, causing the demolition of the whole building in 1799, there is a
+new church with the two great western towers only carried up to half the
+height intended for them.
+
+From the roadway that runs along the side of the old castle walls in
+terrace fashion there is another wonderful view of rich green country,
+through which, at one's feet, winds the river See. Away towards the
+north-west the road to Granville can be seen passing over the hills in a
+perfectly straight line. But this part of the country may be left for
+another chapter.
+
+
+
+
+
+End of the Project Gutenberg EBook of Normandy, Part 2, by Gordon Home
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NORMANDY, PART 2 ***
+
+***** This file should be named 8594.txt or 8594.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/8/5/9/8594/
+
+Produced by Ted Garvin, Beth Trapaga and the Distributed Proofreading
+Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/8594.zip b/8594.zip
new file mode 100644
index 0000000..fc4b71e
--- /dev/null
+++ b/8594.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..a17135c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #8594 (https://www.gutenberg.org/ebooks/8594)
diff --git a/old/norm210h.zip b/old/norm210h.zip
new file mode 100644
index 0000000..9c9e43d
--- /dev/null
+++ b/old/norm210h.zip
Binary files differ