summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--8178-8.txt3811
-rw-r--r--8178-8.zipbin0 -> 59641 bytes
-rw-r--r--8178-h.zipbin0 -> 63349 bytes
-rw-r--r--8178-h/8178-h.htm4861
-rw-r--r--8178.txt3811
-rw-r--r--8178.zipbin0 -> 59619 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/7schl10.txt3784
-rw-r--r--old/7schl10.zipbin0 -> 58842 bytes
-rw-r--r--old/8schl10.txt3784
-rw-r--r--old/8schl10.zipbin0 -> 58856 bytes
13 files changed, 20067 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/8178-8.txt b/8178-8.txt
new file mode 100644
index 0000000..becf9f7
--- /dev/null
+++ b/8178-8.txt
@@ -0,0 +1,3811 @@
+The Project Gutenberg EBook of The Politeness of Princes, by P. G. Wodehouse
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Politeness of Princes
+ And Other School Stories
+
+Author: P. G. Wodehouse
+
+Posting Date: August 27, 2012 [EBook #8178]
+Release Date: May, 2005
+First Posted: June 26, 2003
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+
+
+
+Produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+
+
+
+
+
+
+
+
+
+THE POLITENESS OF PRINCES
+and Other School Stories
+
+
+
+By
+P. G. Wodehouse
+
+
+
+
+[Transcriber's note: This selection of early Wodehouse stories was
+assembled for Project Gutenberg. The original publication date of
+each story is listed in square brackets in the Table of Contents.]
+
+
+
+
+CONTENTS
+
+
+THE POLITENESS OF PRINCES [1905]
+
+SHIELDS' AND THE CRICKET CUP [1905]
+
+AN INTERNATIONAL AFFAIR [1905]
+
+THE GUARDIAN [1908]
+
+A CORNER IN LINES [1905]
+
+THE AUTOGRAPH HUNTERS [1905]
+
+PILLINGSHOT, DETECTIVE [1910]
+
+
+
+
+THE POLITENESS OF PRINCES
+
+
+The painful case of G. Montgomery Chapple, bachelor, of Seymour's
+house, Wrykyn. Let us examine and ponder over it.
+
+It has been well said that this is the age of the specialist.
+Everybody, if they wish to leave the world a better and happier place
+for their stay in it, should endeavour to adopt some speciality and
+make it their own. Chapple's speciality was being late for breakfast.
+He was late not once or twice, but every day. Sometimes he would
+scramble in about the time of the second cup of coffee, buttoning his
+waistcoat as he sidled to his place. Generally he would arrive just as
+the rest of the house were filing out; when, having lurked hidden
+until Mr. Seymour was out of the way, he would enter into private
+treaty with Herbert, the factotum, who had influence with the cook,
+for Something Hot and maybe a fresh brew of coffee. For there was
+nothing of the amateur late-breakfaster about Chapple. Your amateur
+slinks in with blushes deepening the naturally healthy hue of his
+face, and, bolting a piece of dry bread and gulping down a cup of cold
+coffee, dashes out again, filled more with good resolutions for the
+future than with food. Not so Chapple. He liked his meals. He wanted a
+good deal here below, and wanted it hot and fresh. Conscience had but
+a poor time when it tried to bully Chapple. He had it weak in the
+first round.
+
+But there was one more powerful than Conscience--Mr. Seymour. He had
+marked the constant lateness of our hero, and disapproved of it.
+
+Thus it happened that Chapple, having finished an excellent breakfast
+one morning some twenty minutes after everybody else, was informed as
+he sat in the junior day-room trying, with the help of an illustrated
+article in a boys' paper, to construct a handy model steam-engine out
+of a reel of cotton and an old note-book--for his was in many ways a
+giant brain--that Mr. Seymour would like to have a friendly chat with
+him in his study. Laying aside his handy model steam-engine, he went
+off to the housemaster's study.
+
+"You were late for breakfast to-day," said Mr. Seymour, in the horrid,
+abrupt way housemasters have.
+
+"Why, yes, sir," said Chapple, pleasantly.
+
+"And the day before."
+
+"Yes, sir."
+
+"And the day before that."
+
+Chapple did not deny it. He stood on one foot and smiled a
+propitiating smile. So far Mr. Seymour was entitled to demand a cigar
+or cocoanut every time.
+
+The housemaster walked to the window, looked out, returned to the
+mantelpiece, and shifted the position of a china vase two and a
+quarter inches to the left. Chapple, by way of spirited repartee,
+stood on the other leg and curled the disengaged foot round his ankle.
+The conversation was getting quite intellectual.
+
+"You will write out----"
+
+"Sir, please, sir----" interrupted Chapple in an "I-represent-the
+defendant-m'lud" tone of voice.
+
+"Well?"
+
+"It's awfully hard to hear the bell from where I sleep, sir."
+
+Owing to the increased numbers of the house this term Chapple had been
+removed from his dormitory proper to a small room some distance away.
+
+"Nonsense. The bell can be heard perfectly well all over the house."
+
+There was reason in what he said. Herbert, who woke the house of a
+morning, did so by ringing a bell. It was a big bell, and he enjoyed
+ringing it. Few sleepers, however sound, could dream on peacefully
+through Herbert's morning solo. After five seconds of it they would
+turn over uneasily. After seven they would sit up. At the end of the
+first quarter of a minute they would be out of bed, and you would be
+wondering where they picked up such expressions.
+
+Chapple murmured wordlessly in reply. He realised that his defence was
+a thin one. Mr. Seymour followed up his advantage.
+
+"You will write a hundred lines of Vergil," he said, "and if you are
+late again to-morrow I shall double them."
+
+Chapple retired.
+
+This, he felt, was a crisis. He had been pursuing his career of
+unpunctuality so long that he had never quite realised that a time
+might come when the authorities would drop on him. For a moment he
+felt that it was impossible, that he could not meet Mr. Seymour's
+wishes in the matter; but the bull-dog pluck of the true Englishman
+caused him to reconsider this. He would at least have a dash at it.
+
+"I'll tell you what to do," said his friend, Brodie, when consulted on
+the point over a quiet pot of tea that afternoon. "You ought to sleep
+without so many things on the bed. How many blankets do you use, for
+instance?"
+
+"I don't know," said Chapple. "As many as they shove on."
+
+It had never occurred to him to reckon up the amount of his bedclothes
+before retiring to rest.
+
+"Well, you take my tip," said Brodie, "and only sleep with one on.
+Then the cold'll wake you in the morning, and you'll get up because
+it'll be more comfortable than staying in bed."
+
+This scientific plan might have worked. In fact, to a certain extent
+it did work. It woke Chapple in the morning, as Brodie had predicted;
+but it woke him at the wrong hour. It is no good springing out of bed
+when there are still three hours to breakfast. When Chapple woke at
+five the next morning, after a series of dreams, the scenes of which
+were laid mainly in the Arctic regions, he first sneezed, then he
+piled upon the bed everything he could find, including his boots, and
+then went to sleep again. The genial warmth oozed through his form, and
+continued to ooze until he woke once more, this time at eight-fifteen.
+Breakfast being at eight, it occurred to him that his position with
+Mr. Seymour was not improved. While he was devoting a few moments'
+profound meditation to this point the genial warmth got in its fell
+work once again. When he next woke, the bell was ringing for school.
+He lowered the world's record for rapid dressing, and was just in time
+to accompany the tail of the procession into the form-room.
+
+"You were late again this morning," said Mr. Seymour, after dinner.
+
+"Yes, sir. I overslebbed myselb, sir," replied Chapple, who was
+suffering from a cold in the head.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+Things had now become serious. It was no good going to Brodie again
+for counsel. Brodie had done for himself, proved himself a fraud, an
+idiot. In fine, a rotter. He must try somebody else. Happy thought.
+Spenlow. It was a cold day, when Spenlow got left behind. He would
+know what to do. _There_ was a chap for you, if you liked! Young,
+mind you, but what a brain! Colossal!
+
+"What _I_ should do," said Spenlow, "is this. I should put my
+watch on half an hour."
+
+"What 'ud be the good of that?"
+
+"Why, don't you see? You'd wake up and find it was ten to eight, say,
+by your watch, so you'd shove on the pace dressing, and nip
+downstairs, and then find that you'd really got tons of time. What
+price that?"
+
+"But I should remember I'd put my watch on," objected Chapple.
+
+"Oh, no, probably not. You'd be half asleep, and you'd shoot out of
+bed before you remembered, and that's all you'd want. It's the getting
+out of bed that's so difficult. If you were once out, you wouldn't
+want to get back again."
+
+"Oh, shouldn't I?" said Chapple.
+
+"Well, you might want to, but you'd have the sense not to do it."
+
+"It's not a bad idea," said Chapple. "Thanks."
+
+That night he took his Waterbury, prised open the face with a
+pocket-knife as if he were opening an oyster, put the minute hand
+on exactly half an hour, and retired to bed satisfied. There was
+going to be no nonsense about it this time.
+
+I am sorry to disappoint the reader, but facts are facts, and I must
+not tamper with them. It is, therefore, my duty to state, however
+reluctantly, that Chapple was not in time for breakfast on the
+following morning. He woke at seven o'clock, when the hands of
+the watch pointed to seven-thirty. Primed with virtuous resolutions,
+he was just about to leap from his couch, when his memory began to
+work, and he recollected that he had still an hour. Punctuality, he
+felt, was an excellent thing, a noble virtue, in fact, but it was no
+good overdoing it. He could give himself at least another half hour.
+So he dozed off. He woke again with something of a start. He seemed
+to feel that he had been asleep for a considerable time. But no. A
+glance at the watch showed the hands pointing to twenty-five to eight.
+Twenty-five minutes more. He had a good long doze this time. Then,
+feeling that now he really must be getting up, he looked once more
+at the watch, and rubbed his eyes. It was still twenty-five to eight.
+
+The fact was that, in the exhilaration of putting the hands on, he had
+forgotten that other and even more important operation, winding up.
+The watch had stopped.
+
+There are few more disturbing sensations than that of suddenly
+discovering that one has no means of telling the time. This is
+especially so when one has to be in a certain place by a certain hour.
+It gives the discoverer a weird, lost feeling, as if he had stopped
+dead while all the rest of the world had moved on at the usual rate.
+It is a sensation not unlike that of the man who arrives on the
+platform of a railway station just in time to see the tail-end of his
+train disappear.
+
+Until that morning the world's record for dressing (set up the day
+before) had been five minutes, twenty-three and a fifth seconds. He
+lowered this by two seconds, and went downstairs.
+
+The house was empty. In the passage that led to the dining-room he
+looked at the clock, and his heart turned a somersault. _It was five
+minutes past nine._ Not only was he late for breakfast, but late
+for school, too. Never before had he brought off the double event.
+
+There was a little unpleasantness in his form room when he stole in at
+seven minutes past the hour. Mr. Dexter, his form-master, never a
+jolly sort of man to have dealings with, was rather bitter on the
+subject.
+
+"You are incorrigibly lazy and unpunctual," said Mr. Dexter, towards
+the end of the address. "You will do me a hundred lines."
+
+"Oo-o-o, sir-r," said Chapple. But he felt at the time that it was not
+much of a repartee. After dinner there was the usual interview with
+Mr. Seymour.
+
+"You were late again this morning," he said.
+
+"Yes, sir," said Chapple.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+The thing was becoming monotonous.
+
+Chapple pulled himself together. This must stop. He had said that
+several times previously, but now he meant it. Nor poppy, nor
+mandragora, nor all the drowsy syrups of the world should make him
+oversleep himself again. This time he would try a combination of
+schemes.
+
+Before he went to bed that night he put his watch on half an hour,
+wound it up, and placed it on a chair at his bedside. Then he seized
+his rug and all the blankets except one, and tore them off. Then he
+piled them in an untidy heap in the most distant corner of the room.
+He meant to put temptation out of his reach. There should be no genial
+warmth on this occasion.
+
+Nor was there. He woke at six feeling as if he were one solid chunk of
+ice. He put up with it in a torpid sort of way till seven. Then he
+could stand it no longer. It would not be pleasant getting up and
+going downstairs to the cheerless junior day-room, but it was the only
+thing to do. He knew that if he once wrapped himself in the blankets
+which stared at him invitingly from the opposite corner of the room,
+he was lost. So he crawled out of bed, shivering, washed
+unenthusiastically, and he proceeded to put on his clothes.
+
+Downstairs it was more unpleasant than one would have believed
+possible. The day-room was in its usual state of disorder. The fire
+was not lit. There was a vague smell of apples. Life was very, very
+grey. There seemed no brightness in it at all.
+
+He sat down at the table and began once more the task of constructing
+a handy model steam-engine, but he speedily realised, what he had
+suspected before, that the instructions were the work of a dangerous
+madman. What was the good of going on living when gibbering lunatics
+were allowed to write for weekly papers?
+
+About this time his gloom was deepened by the discovery that a tin
+labelled mixed biscuits, which he had noticed in Brodie's locker, was
+empty.
+
+He thought he would go for a stroll. It would be beastly, of course,
+but not so beastly as sitting in the junior day-room.
+
+It is just here that the tragedy begins to deepen.
+
+Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore
+an earnest, thoughtful expression.
+
+"Hullo, Brooke," said Chapple, "where are you off to?"
+
+It seemed that Brooke was off to the carpenter's shop. Hence the
+earnest, thoughtful expression. His mind was wrestling with certain
+pieces of wood which he proposed to fashion into photograph frames.
+There was always a steady demand in the school for photograph frames,
+and the gifted were in the habit of turning here and there an honest
+penny by means of them.
+
+The artist soul is not always unfavourable to a gallery. Brooke said
+he didn't mind if Chapple came along, only he wasn't to go rotting
+about or anything. So Chapple went along.
+
+Arrived at the carpenter's shop, Brooke was soon absorbed in his
+labours. Chapple watched him for a time with the interest of a
+brother-worker, for had he not tried to construct handy model
+steam-engines in his day? Indeed, yes. After a while, however, the
+_rôle_ of spectator began to pall. He wanted to _do_ something.
+Wandering round the room he found a chisel, and upon the instant,
+in direct contravention of the treaty respecting rotting, he sat down
+and started carving his name on a smooth deal board which looked
+as if nobody wanted it. The pair worked on in silence, broken only
+by an occasional hard breath as the toil grew exciting. Chapple's
+tongue was out and performing mystic evolutions as he carved the
+letters. He felt inspired.
+
+He was beginning the A when he was brought to earth again by the voice
+of Brooke.
+
+"You _are_ an idiot," said Brooke, complainingly. "That's
+_my_ board, and now you've spoilt it."
+
+Spoilt it! Chapple liked that! Spoilt it, if you please, when he had
+done a beautiful piece of carving on it!
+
+"Well, it can't be helped now," said Brooke, philosophically. "I
+suppose it's not your fault you're such an ass. Anyhow, come on now.
+It's struck eight."
+
+"It's what?" gasped Chapple.
+
+"Struck eight. But it doesn't matter. Appleby never minds one being a
+bit late for breakfast."
+
+"Oh," said Chapple. "Oh, doesn't he!"
+
+ * * * * *
+
+Go into Seymour's at eight sharp any morning and look down the table,
+and you will see the face of G. M. Chapple--obscured every now and
+then, perhaps, by a coffee cup or a slice of bread and marmalade. He
+has not been late for three weeks. The spare room is now occupied by
+Postlethwaite, of the Upper Fourth, whose place in Milton's dormitory
+has been taken by Chapple. Milton is the head of the house, and stands
+alone among the house prefects for the strenuousness of his methods in
+dealing with his dormitory. Nothing in this world is certain, but it
+is highly improbable that Chapple will be late again. There are
+swagger-sticks.
+
+
+
+
+SHIELDS' AND THE CRICKET CUP
+
+
+The house cricket cup at Wrykyn has found itself on some strange
+mantelpieces in its time. New talent has a way of cropping up in the
+house matches. Tail-end men hit up fifties, and bowlers who have never
+taken a wicket before except at the nets go on fifth change, and
+dismiss first eleven experts with deliveries that bounce twice and
+shoot. So that nobody is greatly surprised in the ordinary run of
+things if the cup does not go to the favourites, or even to the second
+or third favourites. But one likes to draw the line. And Wrykyn drew
+it at Shields'. And yet, as we shall proceed to show, Shields' once
+won the cup, and that, too, in a year when Donaldson's had four first
+eleven men and Dexter's three.
+
+Shields' occupied a unique position at the School. It was an
+absolutely inconspicuous house. There were other houses that were
+slack or wild or both, but the worst of these did something. Shields'
+never did anything. It never seemed to want to do anything. This may
+have been due in some degree to Mr. Shields. As the housemaster is, so
+the house is. He was the most inconspicuous master on the staff. He
+taught a minute form in the junior school, where earnest infants
+wrestled with somebody's handy book of easy Latin sentences, and
+depraved infants threw cunningly compounded ink-balls at one another
+and the ceiling. After school he would range the countryside with a
+pickle-bottle in search of polly woggles and other big game, which he
+subsequently transferred to slides and examined through a microscope
+till an advanced hour of the night. The curious part of the matter
+was that his house was never riotous. Perhaps he was looked on as a
+non-combatant, one whom it would be unfair and unsporting to rag. At
+any rate, a weird calm reigned over the place; and this spirit seemed
+to permeate the public lives of the Shieldsites. They said nothing much
+and they did nothing much and they were very inoffensive. As a rule,
+one hardly knew they were there.
+
+Into this abode of lotus-eaters came Clephane, a day boy, owing to the
+departure of his parents for India. Clephane wanted to go to
+Donaldson's. In fact, he said so. His expressions, indeed, when he
+found that the whole thing had been settled, and that he was to spend
+his last term at school at a house which had never turned out so much
+as a member of the Gym. Six, bordered on the unfilial. It appeared
+that his father had met Mr. Shields at dinner in the town--a fact to
+which he seemed to attach a mystic importance. Clephane's criticism of
+this attitude of mind was of such a nature as to lead his father to
+address him as Archibald instead of Archie.
+
+However, the thing was done, and Clephane showed his good sense by
+realising this and turning his energetic mind to the discovery of the
+best way of making life at Shields' endurable. Fortune favoured him by
+sending to the house another day boy, one Mansfield. Clephane had not
+known him intimately before, though they were both members of the
+second eleven; but at Shields' they instantly formed an alliance. And
+in due season--or a little later--the house matches began. Henfrey, of
+Day's, the Wrykyn cricket captain, met Clephane at the nets when the
+drawing for opponents had been done.
+
+"Just the man I wanted to see," said Henfrey. "I suppose you're
+captain of Shields' lot, Clephane? Well, you're going to scratch as
+usual, I suppose?"
+
+For the last five seasons that lamentable house had failed to put a
+team into the field. "You'd better," said Henfrey, "we haven't
+overmuch time as it is. That match with Paget's team has thrown us out
+a lot. We ought to have started the house matches a week ago."
+
+"Scratch!" said Clephane. "Don't you wish we would! My good chap,
+we're going to get the cup."
+
+"You needn't be a funny ass," said Henfrey in his complaining voice,
+"we really are awfully pushed. As it is we shall have to settle the
+opening rounds on the first innings. That's to say, we can only give
+'em a day each; if they don't finish, the winner of the first innings
+wins. You might as well scratch."
+
+"I can't help your troubles. By rotten mismanagement you have got the
+house-matches crowded up into the last ten days of term, and you come
+and expect me to sell a fine side like Shields' to get you out of the
+consequences of your reckless act. My word, Henfrey, you've sunk
+pretty low. Nice young fellow Henfrey was at one time, but seems to
+have got among bad companions. Quite changed now. Avoid him as much as
+I can. Leave me, Henfrey, I would be alone."
+
+"But you can't raise a team."
+
+"Raise a team! Do you happen to know that half the house is
+_biting_ itself with agony because we can't find room for all?
+Shields gives stump-cricket _soirées_ in his study after prep.
+One every time you hit the ball, two into the bowl of goldfish, and
+out if you smash the microscope."
+
+"Well," said Henfrey viciously, "if you want to go through the farce
+of playing one round and making idiots of yourselves, you'll have to
+wait a bit. You've got a bye in the first round."
+
+Clephane told the news to Mansfield after tea. "I've been and let the
+house in for a rollicking time," he said, abstracting the copy of
+Latin verses which his friend was doing, and sitting on them to ensure
+undivided attention to his words. "Wanting to score off old Henfrey--I
+have few pleasures--I told him that Shields' was not going to scratch.
+So we are booked to play in the second round of the housers. We drew a
+bye for the first. It would be an awful rag if we could do something.
+We _must_ raise a team of some sort. Henfrey would score so if we
+didn't. Who's there, d'you think, that can play?"
+
+Mansfield considered the question thoughtfully. "They all _play_,
+I suppose," he said slowly, "if you can call it playing. What I mean
+to say is, cricket's compulsory here, so I suppose they've all had an
+innings or two at one time or another in the eightieth game or so. But
+if you want record-breakers, I shouldn't trust to Shields' too much."
+
+"Not a bit. So long as we put a full team into the field, that's all I
+care about. I've often wondered what it's like to go in first and bowl
+unchanged the whole time."
+
+"You'll do that all right," said Mansfield. "I should think Shields'
+bowling ran to slow grubs, to judge from the look of 'em. You'd better
+go and see Wilkins about raising the team. As head of the house, he
+probably considers himself captain of cricket."
+
+Wilkins, however, took a far more modest view of his position. The
+notion of leading a happy band of cricketers from Shields' into the
+field had, it seemed, small attractions for him. But he went so far as
+to get a house list, and help choose a really representative team. And
+as details about historic teams are always welcome, we may say that
+the averages ranged from 3.005 to 8.14. This last was Wilkins' own and
+was, as he would have been the first to admit, substantially helped by
+a contribution of nineteen in a single innings in the fifth game.
+
+So the team was selected, and Clephane turned out after school next
+day to give them a little fielding-practice. To his surprise the
+fielding was not so outrageous as might have been expected. All the
+simpler catches were held, and one or two of the harder as well. Given
+this form on the day of their appearance in public, and Henfrey might
+be disappointed when he came to watch and smile sarcastically. A
+batting fiasco is not one half so ridiculous as maniac fielding.
+
+In the meantime the first round of the house matches had been played
+off, and it would be as well to describe at this point the positions
+of the rival houses and their prospects. In the first place, there
+were only four teams really in the running for the cup, Day's (headed
+by the redoubtable Henfrey), Spence's, who had Jackson, that season a
+head and shoulders above the other batsmen in the first eleven--he had
+just wound up the school season with an average of 51.3, Donaldson's,
+and Dexter's. All the other house teams were mainly tail.
+
+Now, in the first round the powerful quartette had been diminished by
+the fact that Donaldson's had drawn Dexter's, and had lost to them by
+a couple of wickets.
+
+For the second round Shields' drew Appleby's, a poor team. Space on
+the Wrykyn field being a consideration, with three house matches to be
+played off at the same time, Clephane's men fought their first battle
+on rugged ground in an obscure corner. As the captain of cricket
+ordered these matters, Henfrey had naturally selected the best bit of
+turf for Day's _v_. Dexter's. That section of the ground which
+was sacred to the school second-eleven matches was allotted to
+Spence's _v_. the School House. The idle public divided its
+attention between the two big games, and paid no attention to the
+death struggle in progress at the far end of the field. Whereby it
+missed a deal of quiet fun.
+
+I say death struggle advisedly. Clephane had won his second-eleven cap
+as a fast bowler. He had failed to get into the first eleven because
+he was considered too erratic. Put these two facts together, and you
+will suspect that dark deeds were wrought on the men of Appleby in
+that lonely corner of the Wrykyn meadow.
+
+The pitch was not a good one. As a sample of the groundman's art it
+was sketchy and amateurish; it lacked finish. Clephane won the toss,
+took a hasty glance at the corrugated turf, and decided to bat first.
+The wicket was hardly likely to improve with use.
+
+He and Mansfield opened the batting. He stood three feet out of his
+ground, and smote. The first four balls he took full pitch. The last
+two, owing to a passion for variety on the part of the bowler, were
+long hops. At the end of the over Shields' score was twenty-four.
+Mansfield pursued the same tactics. When the first wicket fell,
+seventy was on the board. A spirit of martial enthusiasm pervaded
+the ranks of the house team. Mild youths with spectacles leaped out
+of their ground like tigers, and snicked fours through the slips.
+When the innings concluded, blood had been spilt--from an injured
+finger--but the total was a hundred and two.
+
+Then Clephane walked across to the School shop for a vanilla ice. He
+said he could get more devil, as it were, into his bowling after a
+vanilla ice. He had a couple.
+
+When he bowled his first ball it was easy to see that there was truth
+in the report of the causes of his inclusion in the second eleven and
+exclusion from the first. The batsman observed somewhat weakly, "Here,
+I _say!_" and backed towards square leg. The ball soared over the
+wicket-keep's head and went to the boundary. The bowler grinned
+pleasantly, and said he was just getting his arm in.
+
+The second ball landed full-pitch on the batsman's right thigh. The
+third was another full pitch, this time on the top of the middle
+stump, which it smashed. With profound satisfaction the batsman
+hobbled to the trees, and sat down. "Let somebody else have a shot,"
+he said kindly.
+
+Appleby's made twenty-eight that innings.
+
+Their defeat by an innings and fifty-three runs they attributed
+subsequently to the fact that only seven of the team could be induced
+to go to the wickets in the second venture.
+
+"So you've managed to win a match," grunted Henfrey, "I should like to
+have been there."
+
+"You might just as well have been," said Clephane, "from what they
+tell me."
+
+At which Henfrey became abusive, for he had achieved an "egg" that
+afternoon, and missed a catch; which things soured him, though Day's
+had polished off Dexter's handsomely.
+
+"Well," he said at length, "you're in the semi-final now, of all weird
+places. You'd better play Spence's next. When can you play?"
+
+"Henfrey," said Clephane, "I have a bright, open, boyish countenance,
+but I was not born yesterday. You want to get a dangerous rival out of
+the way without trouble, so you set Shields' to smash up Spence's. No,
+Henfrey. I do not intend to be your catspaw. We will draw lots who is
+to play which. Here comes Jackson. We'll toss odd man out."
+
+And when the coins fell there were two tails and one head; and the
+head belonged to the coin of Clephane.
+
+"So, you see," he said to Henfrey, "Shields' is in the final. No
+wonder you wanted us to scratch."
+
+I should like this story to end with a vivid description of a tight
+finish. Considering that Day's beat Spence's, and consequently met
+Shields' in the final, that would certainly be the most artistic
+ending. Henfrey batting--Clephane bowling--one to tie, two to win, one
+wicket to fall. Up goes the ball! Will the lad catch it!! He fumbles
+it. It falls. All is over. But look! With a supreme effort--and so on.
+
+The real conclusion was a little sensational in its way, but not
+nearly so exciting as that.
+
+The match between Day's and Shields' opened in a conventional enough
+manner. Day's batted first, and made two hundred and fifty. Henfrey
+carried his bat for seventy-six, and there were some thirties. For
+Shields' Clephane and Mansfield made their usual first-wicket stand,
+and the rest brought the total up to ninety-eight. At this point
+Henfrey introduced a variation on custom. The match was a three days'
+match. In fact, owing to the speed with which the other games had been
+played, it could, if necessary, last four days. The follow-on was,
+therefore, a matter for the discretion of the side which led. Henfrey
+and his team saw no reason why they should not have another pleasant
+spell of batting before dismissing their opponents for the second time
+and acquiring the cup. So in they went again, and made another two
+hundred and fifty odd, Shields' being left with four hundred and
+twelve to make to win.
+
+On the morning after Day's second innings, a fag from Day's brought
+Clephane a message from Henfrey. Henfrey was apparently in bed. He
+would be glad if Clephane would go and see him in the dinner-hour. The
+interview lasted fifteen minutes. Then Clephane burst out of the
+house, and dashed across to Shields' in search of Mansfield.
+
+"I say, _have_ you heard?" he shouted.
+
+"What's up?"
+
+"Why, every man in Day's team, bar two kids, is in bed. Ill. Do you
+mean to say you haven't heard? They thought they'd got that house cup
+safe, so all the team except the two kids, fags, you know, had a feed
+in honour of it in Henfrey's study. Some ass went and bought a bad
+rabbit pie, and now they're laid up. Not badly, but they won't be out
+for a day or two."
+
+"But what about the match?"
+
+"Oh, that'll go on. I made a point of that. They can play subs."
+
+Mansfield looked thoughtful.
+
+"But I say," he said, "it isn't very sporting, is it? Oughtn't we to
+wait or something?"
+
+"Sporting! My dear chap, a case like this mustn't be judged by
+ordinary standards. We can't spoil the giant rag of the century
+because it isn't quite sporting. Think what it means--Shields' getting
+the cup! It'll keep the school laughing for terms. What do you want to
+spoil people's pleasure for?"
+
+"Oh, all right," said Mansfield.
+
+"Besides, think of the moral effect it'll have on the house. It may
+turn it into the blood house of Wrykyn. Shields himself may get quite
+sportive. We mustn't miss the chance."
+
+The news having got about the school, Clephane and Mansfield opened
+their second innings to the somewhat embarrassed trundling of Masters
+Royce and Tibbit, of the Junior School, before a substantial and
+appreciative audience.
+
+Both played carefully at first, but soon getting the measure of the
+bowling (which was not deep) began to hit out, and runs came quickly.
+At fifty, Tibbit, understudying Henfrey as captain of the side,
+summoned to his young friend Todby from short leg, and instructed him
+to "have a go" at the top end.
+
+It was here that Clephane courteously interfered. Substitutes, he
+pointed out, were allowed, by the laws of cricket, only to field, not
+to bowl. He must, therefore, request friend Todby to return to his
+former sphere of utility, where, he added politely, he was a perfect
+demon.
+
+"But, blow it," said Master Tibbit, who (alas!) was addicted to the
+use of strong language, "Royce and I can't bowl the whole blessed
+time."
+
+"You'll have to, I'm afraid," said Clephane with the kindly air of a
+doctor soothing a refractory patient. "Of course, you can take a spell
+at grubs whenever you like."
+
+"Oh, darn!" said Master Tibbit.
+
+Shortly afterwards Clephane made his century.
+
+ * * * * *
+
+The match ended late on the following afternoon in a victory for
+Shields' by nine wickets, and the scene at the School Shop when Royce
+and Tibbit arrived to drown their sorrows and moisten their dry
+throats with ginger beer is said by eyewitnesses to have been
+something quite out of the common run.
+
+The score sheet of the match is also a little unusual. Clephane's
+three hundred and one (not out) is described in the _Wrykinian_
+as a "masterly exhibition of sound yet aggressive batting." How
+Henfrey described it we have never heard.
+
+
+
+
+AN INTERNATIONAL AFFAIR
+
+
+PART 1
+
+The whole thing may be said to have begun when Mr. Oliver Ring of New
+York, changing cars, as he called it, at Wrykyn on his way to London,
+had to wait an hour for his train. He put in that hour by strolling
+about the town and seeing the sights, which were not numerous. Wrykyn,
+except on Market Day, was wont to be wrapped in a primaeval calm which
+very nearly brought tears to the strenuous eyes of the man from
+Manhattan. He had always been told that England was a slow country, and
+his visit, now in its third week, had confirmed this opinion: but even
+in England he had not looked to find such a lotus-eating place as
+Wrykyn. He looked at the shop windows. They resembled the shop windows
+of every other country town in England. There was no dash, no initiative
+about them. They did not leap to the eye and arrest the pedestrian's
+progress. They ordered these things, thought Mr. Ring, better in the
+States. And then something seemed to whisper to him that here was the
+place to set up a branch of Ring's Come-One Come-All Up-to-date Stores.
+During his stroll he had gathered certain pieces of information. To wit,
+that Wrykyn was where the county families for ten miles round did their
+shopping, that the population of the town was larger than would appear
+at first sight to a casual observer, and, finally, that there was a
+school of six hundred boys only a mile away. Nothing could be better.
+Within a month he would take to himself the entire trade of the
+neighbourhood.
+
+"It's a cinch," murmured Mr. Ring with a glad smile, as he boarded his
+train, "a lead-pipe cinch."
+
+Everybody who has moved about the world at all knows Ring's Come-one
+Come-all Up-to-date Stores. The main office is in New York. Broadway,
+to be exact, on the left as you go down, just before you get to Park
+Row, where the newspapers come from. There is another office in
+Chicago. Others in St. Louis, St. Paul, and across the seas in London,
+Paris, Berlin, and, in short, everywhere. The peculiar advantage about
+Ring's Stores is that you can get anything you happen to want there,
+from a motor to a macaroon, and rather cheaper than you could get it
+anywhere else. England had up to the present been ill-supplied with
+these handy paradises, the one in Piccadilly being the only extant
+specimen. But now Mr. Ring in person had crossed the Atlantic on a
+tour of inspection, and things were shortly to be so brisk that you
+would be able to hear them whizz.
+
+So an army of workmen invaded Wrykyn. A trio of decrepit houses in the
+High Street were pulled down with a run, and from the ruins there
+began to rise like a Phoenix the striking building which was to be the
+Wrykyn Branch of Ring's Come-one Come-all Up-to-date Stores.
+
+The sensation among the tradesmen caused by the invasion was, as may
+be imagined, immense and painful. The thing was a public disaster. It
+resembled the advent of a fox in a fowl-run. For years the tradesmen
+of Wrykyn had jogged along in their comfortable way, each making his
+little profits, with no thought of competition or modern hustle. And
+now the enemy was at their doors. Many were the gloomy looks cast at
+the gaudy building as it grew like a mushroom. It was finished with
+incredible speed, and then advertisements began to flood the local
+papers. A special sheaf of bills was despatched to the school.
+
+Dunstable got hold of one, and read it with interest. Then he went in
+search of his friend Linton to find out what he thought of it.
+
+Linton was at work in the laboratory. He was an enthusiastic, but
+unskilful, chemist. The only thing he could do with any real certainty
+was to make oxygen. But he had ambitions beyond that feat, and was
+continually experimenting in a reckless way which made the chemistry
+master look wan and uneasy. He was bending over a complicated mixture
+of tubes, acids, and Bunsen burners when Dunstable found him. It was
+after school, so that the laboratory was empty, but for them.
+
+"Don't mind me," said Dunstable, taking a seat on the table.
+
+"Look out, man, don't jog. Sit tight, and I'll broaden your mind for
+you. I take this bit of litmus paper, and dip it into this bilge, and
+if I've done it right, it'll turn blue."
+
+"Then I bet it doesn't," said Dunstable.
+
+The paper turned red.
+
+"Hades," said Linton calmly. "Well, I'm not going to sweat at it any
+more. Let's go down to Cook's."
+
+Cook's is the one school institution which nobody forgets who has been
+to Wrykyn. It is a little confectioner's shop in the High Street. Its
+exterior is somewhat forbidding, and the uninitiated would probably
+shudder and pass on, wondering how on earth such a place could find a
+public daring enough to support it by eating its wares. But the school
+went there in flocks. Tea at Cook's was the alternative to a study
+tea. There was a large room at the back of the shop, and here oceans
+of hot tea and tons of toast were consumed. The staff of Cook's
+consisted of Mr. Cook, late sergeant in a line regiment, six foot
+three, disposition amiable, left leg cut off above the knee by a
+spirited Fuzzy in the last Soudan war; Mrs. Cook, wife of the above,
+disposition similar, and possessing the useful gift of being able to
+listen to five people at one and the same time; and an invisible
+menial, or menials, who made toast in some nether region at a
+perfectly dizzy rate of speed. Such was Cook's.
+
+"Talking of Cook's," said Dunstable, producing his pamphlet, "have you
+seen this? It'll be a bit of a knock-out for them, I should think."
+
+Linton took the paper, and began to read. Dunstable roamed curiously
+about the laboratory, examining things.
+
+"What are these little crystal sort of bits of stuff?" he asked,
+coming to a standstill before a large jar and opening it. "They look
+good to eat. Shall I try one?"
+
+"Don't you be an idiot," said the expert, looking up. "What have you
+got hold of? Great Scott, no, don't eat that stuff."
+
+"Why not? Is it poison?"
+
+"No. But it would make you sick as a cat. It's Sal Ammoniac."
+
+"Sal how much?"
+
+"Ammoniac. You'd be awfully bad."
+
+"All right, then, I won't. Well, what do you think of that thing?
+It'll be rough on Cook's, won't it? You see they advertise a special
+'public-school' tea, as they call it. It sounds jolly good. I don't
+know what buckwheat cakes are, but they ought to be decent. I suppose
+now everybody'll chuck Cook's and go there. It's a beastly shame,
+considering that Cook's has been a sort of school shop so long. And
+they really depend on the school. At least, one never sees anybody
+else going there. Well, I shall stick to Cook's. I don't want any of
+your beastly Yankee invaders. Support home industries. Be a patriot.
+The band then played God Save the King, and the meeting dispersed.
+But, seriously, man, I am rather sick about this. The Cooks are such
+awfully good sorts, and this is bound to make them lose a tremendous
+lot. The school's simply crawling with chaps who'd do anything to get
+a good tea cheaper than they're getting now. They'll simply scrum in
+to this new place."
+
+"Well, I don't see what we can do," said Linton, "except keep on going
+to Cook's ourselves. Let's be going now, by the way. We'll get as many
+chaps as we can to promise to stick to them. But we can't prevent the
+rest going where they like. Come on."
+
+The atmosphere at Cook's that evening was heavily charged with gloom.
+ExSergeant Cook, usually a treasury of jest and anecdote, was silent
+and thoughtful. Mrs. Cook bustled about with her customary vigour, but
+she too was disinclined for conversation. The place was ominously
+empty. A quartette of school house juniors in one corner and a
+solitary prefect from Donaldson's completed the sum of the customers.
+Nobody seemed to want to talk a great deal. There was something in the
+air which
+
+ _said as plain as whisper in the ear,
+ "The place is haunted._"
+
+and so it was. Haunted by the spectre of that hideous, new, glaring
+red-brick building down the street, which had opened its doors to the
+public on the previous afternoon.
+
+"Look there," said Dunstable, as they came out. He pointed along the
+street. The doors of the new establishment were congested. A crowd,
+made up of members of various houses, was pushing to get past another
+crowd which was trying to get out. The "public-school tea at one
+shilling" appeared to have proved attractive.
+
+"Look at 'em," said Dunstable. "Sordid beasts! All they care about is
+filling themselves. There goes that man Merrett. Rand-Brown with him.
+Here come four more. Come on. It makes me sick."
+
+"I wish it would make _them_ sick," said Linton.
+
+"Perhaps it will.... By George!"
+
+He started.
+
+"What's up?" said Linton.
+
+"Oh, nothing. I was only thinking of something."
+
+They walked on without further conversation. Dunstable's brain was
+working fast. He had an idea, and was busy developing it.
+
+ * * * * *
+
+The manager of the Wrykyn Branch of Ring's Come-one Come-all Stores
+stood at the entrance to his shop on the following afternoon spitting
+with energy and precision on to the pavement--he was a free-born
+American citizen--and eyeing the High Street as a monarch might gaze
+at his kingdom. He had just completed a highly satisfactory report to
+headquarters, and was feeling contented with the universe, and the way
+in which it was managed. Even in the short time since the opening of
+the store he had managed to wake up the sluggish Britishers as if they
+had had an electric shock.
+
+"We," he observed epigrammatically to a passing cat, which had stopped
+on its way to look at him, "are it."
+
+As he spoke he perceived a youth coming towards him down the street.
+He wore a cap of divers colours, from which the manager argued that
+he belonged to the school. Evidently a devotee of the advertised
+"public-school" shillingsworth, and one who, as urged by the small
+bills, had come early to avoid the rush. "Step right in, mister," he
+said, moving aside from the doorway. "And what can I do for _you_?"
+
+"Are you the manager of this place?" asked Dunstable--for the youth
+was that strategist, and no other.
+
+"On the bull's eye first time," replied the manager with easy
+courtesy. "Will you take a cigar or a cocoa-nut?"
+
+"Can I have a bit of a talk with you, if you aren't busy?"
+
+"Sure. Step right in."
+
+"Now, sir," said the manager, "what's _your_ little trouble?"
+
+"It's about this public school tea business," said Dunstable. "It's
+rather a shame, you see. Before you came bargeing in, everybody used
+to go to Cook's."
+
+"And now," interrupted the manager, "they come to us. Correct, sir. We
+_are_ the main stem. And why not?"
+
+"Cook's such a good sort."
+
+"I should like to know him," said the manager politely.
+
+"You see," said Dunstable, "it doesn't so much matter about the other
+things you sell; but Cook's simply relies on giving fellows tea in the
+afternoon----"
+
+"One moment, sir," said the man from the States. "Let me remind you of
+a little rule which will be useful to you when you butt into the big,
+cold world. That is, never let sentiment interfere with business. See?
+Either Ring's Stores or your friend has got to be on top, and, if I
+know anything, it's going to be We. We! And I'm afraid that's all I
+can do for you, unless you've that hungry feeling, and want to sample
+our public-school tea at twenty-five cents."
+
+"No, thanks," said Dunstable. "Here come some chaps, though, who look
+as if they might."
+
+He stepped aside as half a dozen School House juniors raced up.
+
+"For one day only," said the manager to Dunstable, "you may partake
+free, if you care to. You have man's most priceless possession, Cool
+Cheek. And Cool Cheek, when recognised, should not go unrewarded. Step
+in."
+
+"No thanks," said Dunstable. "You'll find me at Cook's if you want
+me."
+
+"Kindness," said he to himself, as Mrs. Cook served him in the
+depressed way which had now become habitual with her, "kindness having
+failed, we must try severity."
+
+
+PART 2
+
+Those who knew and liked Dunstable were both pained and disgusted at
+his behaviour during the ensuing three days. He suddenly exhibited a
+weird fondness for some of Wrykyn's least deserving inmates. He walked
+over to school with Merrett, of Seymour's, and Ruthven, of
+Donaldson's, both notorious outsiders. When Linton wanted him to come
+and play fives after school, he declined on the ground that he was
+teaing with Chadwick, of Appleby's. Now in the matter of absolute
+outsiderishness Chadwick, of Appleby's, was to Merrett, of Seymour's,
+as captain is to subaltern. Linton was horrified, and said so.
+
+"What do you want to do it for?" he asked. "What's the point of it?
+You can't like those chaps."
+
+"Awfully good sorts when you get to know them," said Dunstable.
+
+"You've been some time finding it out."
+
+"I know. Chadwick's an acquired taste. By the way, I'm giving a tea on
+Thursday. Will you come?"
+
+"Who's going to be there?" inquired Linton warily.
+
+"Well, Chadwick for one; and Merrett and Ruthven and three other
+chaps."
+
+"Then," said Linton with some warmth, "I think you'll have to do
+without me. I believe you're mad."
+
+And he went off in disgust to the fives-courts.
+
+When on the following Thursday Dunstable walked into Ring's Stores
+with his five guests, and demanded six public-school teas, the manager
+was perhaps justified in allowing a triumphant smile to wander across
+his face. It was a signal victory for him. "No free list to-day,
+sir," he said. "Entirely suspended."
+
+"Never mind," said Dunstable, "I'm good for six shillings."
+
+"Free list?" said Merrett, as the manager retired, "I didn't know
+there was one."
+
+"There isn't. Only he and I palled up so much the other day that he
+offered me a tea for nothing."
+
+"Didn't you take it?"
+
+"No. I went to Cook's."
+
+"Rotten hole, Cook's. I'm never going there again," said Chadwick.
+"You take my tip, Dun, old chap, and come here."
+
+"Dun, old chap," smiled amiably.
+
+"I don't know," he said, looking up from the tea-pot, into which he
+had been pouring water; "you can be certain of the food at Cook's."
+
+"What do you mean? So you can here."
+
+"Oh," said Dunstable, "I didn't know. I've never had tea here before.
+But I've often heard that American food upsets one sometimes."
+
+By this time, the tea having stood long enough, he poured out, and the
+meal began.
+
+Merrett and his friends were hearty feeders, and conversation
+languished for some time. Then Chadwick leaned back in his chair, and
+breathed heavily.
+
+"You couldn't get stuff like that at Cook's," he said.
+
+"I suppose it is a bit different," said Dunstable. "Have any of
+you ... noticed something queer...?"
+
+Merrett stared at Ruthven. Ruthven stared at Merrett.
+
+"I...." said Merrett.
+
+"D'you know...." said Ruthven.
+
+Chadwick's face was a delicate green.
+
+"I believe," said Dunstable, "the stuff ... was ... poisoned. I...."
+
+ * * * * *
+
+"Drink this," said the school doctor, briskly, bending over
+Dunstable's bed with a medicine-glass in his hand, "and be ashamed of
+yourself. The fact is you've over-eaten yourself. Nothing more and
+nothing less. Why can't you boys be content to feed moderately?"
+
+"I don't think I ate much, sir," protested Dunstable. "It must have
+been what I ate. I went to that new American place."
+
+"So _you_ went there, too? Why, I've just come from attending a
+bilious boy in Mr. Seymour's house. He said he had been at the
+American place, too."
+
+"Was that Merrett, sir? He was one of the party. We were all bad. We
+can't all have eaten too much."
+
+The doctor looked thoughtful.
+
+"H'm. Curious. Very curious. Do you remember what you had?"
+
+"I had some things the man called buckwheat cakes, with some stuff he
+said was maple syrup."
+
+"Bah. American trash." The doctor was a staunch Briton, conservative
+in his views both on politics and on food. "Why can't you boys eat
+good English food? I must tell the headmaster of this. I haven't time
+to look after the school if all the boys are going to poison
+themselves. You lie still and try to go to sleep, and you'll be right
+enough in no time."
+
+But Dunstable did not go to sleep. He stayed awake to interview
+Linton, who came to pay him a visit.
+
+"Well," said Linton, looking down at the sufferer with an expression
+that was a delicate blend of pity and contempt, "you've made a nice
+sort of ass of yourself, haven't you! I don't know if it's any
+consolation to you, but Merrett's just as bad as you are. And I hear
+the others are, too. So now you see what comes of going to Ring's
+instead of Cook's."
+
+"And now," said Dunstable, "if you've quite finished, you can listen
+to me for a bit...."
+
+"So now you know," he concluded.
+
+Linton's face beamed with astonishment and admiration.
+
+"Well, I'm hanged," he said. "You're a marvel. But how did you know it
+wouldn't poison you?"
+
+"I relied on you. You said it wasn't poison when I asked you in the
+lab. My faith in you is touching."
+
+"But why did you take any yourself?"
+
+"Sort of idea of diverting suspicion. But the thing isn't finished
+yet. Listen."
+
+Linton left the dormitory five minutes later with a look of a young
+disciple engaged on some holy mission.
+
+
+PART 3
+
+"You think the food is unwholesome, then?" said the headmaster after
+dinner that night.
+
+"Unwholesome!" said the school doctor. "It must be deadly. It must be
+positively lethal. Here we have six ordinary, strong, healthy boys
+struck down at one fell swoop as if there were a pestilence raging.
+Why----"
+
+"One moment," said the headmaster. "Come in."
+
+A small figure appeared in the doorway.
+
+"Please, sir," said the figure in the strained voice of one speaking a
+"piece" which he has committed to memory. "Mr. Seymour says please
+would you mind letting the doctor come to his house at once because
+Linton is ill."
+
+"What!" exclaimed the doctor. "What's the matter with him?"
+
+"Please, sir, I believe it's buckwheat cakes."
+
+"What! And here's another of them!"
+
+A second small figure had appeared in the doorway.
+
+"Sir, please, sir," said the newcomer, "Mr. Bradfield says may the
+doctor----"
+
+"And what boy is it _this_ time?"
+
+"Please, sir, it's Brown. He went to Ring's Stores----"
+
+The headmaster rose.
+
+"Perhaps you had better go at once, Oakes," he said. "This is becoming
+serious. That place is a positive menace to the community. I shall put
+it out of bounds tomorrow morning."
+
+And when Dunstable and Linton, pale but cheerful, made their way--slowly,
+as befitted convalescents--to Cook's two days afterwards, they had to sit
+on the counter. All the other seats were occupied.
+
+
+
+
+THE GUARDIAN
+
+
+In his Sunday suit (with ten shillings in specie in the right-hand
+trouser pocket) and a brand-new bowler hat, the youngest of the
+Shearnes, Thomas Beauchamp Algernon, was being launched by the
+combined strength of the family on his public-school career. It was a
+solemn moment. The landscape was dotted with relatives--here a small
+sister, awed by the occasion into refraining from insult; there an
+aunt, vaguely admonitory. "Well, Tom," said Mr. Shearne, "you'll soon
+be off now. You're sure to like Eckleton. Remember to cultivate your
+bowling. Everyone can bat nowadays. And play forward, not outside. The
+outsides get most of the fun, certainly, but then if you're a forward,
+you've got eight chances of getting into a team."
+
+"All right, father."
+
+"Oh, and work hard." This by way of an afterthought.
+
+"All right, father."
+
+"And, Tom," said Mrs. Shearne, "you are sure to be comfortable at
+school, because I asked Mrs. Davy to write to her sister, Mrs.
+Spencer, who has a son at Eckleton, and tell her to tell him to look
+after you when you get there. He is in Mr. Dencroft's house, which is
+next door to Mr. Blackburn's, so you will be quite close to one
+another. Mind you write directly you get there."
+
+"All right, mother."
+
+"And look here, Tom." His eldest brother stepped to the front and
+spoke earnestly. "Look here, don't you forget what I've been telling
+you?"
+
+"All right."
+
+"You'll be right enough if you don't go sticking on side. Don't forget
+that, however much of a blood you may have been at that rotten little
+private school of yours, you're not one at Eckleton."
+
+"All right."
+
+"You look clean, which is the great thing. There's nothing much wrong
+with you except cheek. You've got enough of that to float a ship. Keep
+it under."
+
+"All right. Keep your hair on."
+
+"There you go," said the expert, with gloomy triumph. "If you say that
+sort of thing at Eckleton, you'll get jolly well sat on, by Jove!"
+
+"Bai Jove, old chap!" murmured the younger brother, "we're devils in
+the Forty-twoth!"
+
+The other, whose chief sorrow in life was that he could not get the
+smaller members of the family to look with proper awe on the fact that
+he had just passed into Sandhurst, gazed wistfully at the speaker,
+but, realising that there was a locked door between them, tried no
+active measures.
+
+"Well, anyhow," he said, "you'll soon get it knocked out of you,
+that's one comfort. Look here, if you do get scrapping with anybody,
+don't forget all I've taught you. And I should go on boxing there if I
+were you, so as to go down to Aldershot some day. You ought to make a
+fairly decent featherweight if you practise."
+
+"All right."
+
+"Let's know when Eckleton's playing Haileybury, and I'll come and look
+you up. I want to see that match."
+
+"All right."
+
+"Good-bye."
+
+"Good-bye, Tom."
+
+"Good-bye, Tom, dear."
+
+Chorus of aunts and other supers: "Goodbye, Tom."
+
+Tom (comprehensively): "G'bye."
+
+The train left the station.
+
+ * * * * *
+
+Kennedy, the head of Dencroft's, said that when he wanted his study
+turned into a beastly furnace, he would take care to let Spencer know.
+He pointed out that just because it was his habit to warm the study
+during the winter months, there was no reason why Spencer should light
+the gas-stove on an afternoon in the summer term when the thermometer
+was in the eighties. Spencer thought he might want some muffins cooked
+for tea, did he? Kennedy earnestly advised Spencer to give up
+thinking, as Nature had not equipped him for the strain. Thinking
+necessitated mental effort, and Spencer, in Kennedy's opinion, had no
+mind, but rubbed along on a cheap substitute of mud and putty.
+
+More chatty remarks were exchanged, and then Spencer tore himself away
+from the pleasant interview, and went downstairs to the junior study,
+where he remarked to his friend Phipps that Life was getting a bit
+thick.
+
+"What's up now?" inquired Phipps.
+
+"Everything. We've just had a week of term, and I've been in extra
+once already for doing practically nothing, and I've got a hundred
+lines, and Kennedy's been slanging me for lighting the stove. How was
+I to know he didn't want it lit? Wish I was fagging for somebody
+else."
+
+"All the while you're jawing," said Phipps, "there's a letter for you
+on the mantelpiece, staring at you?"
+
+"So there is. Hullo!"
+
+"What's up? Hullo! is that a postal order? How much for?"
+
+"Five bob. I say, who's Shearne?"
+
+"New kid in Blackburn's. Why?"
+
+"Great Scott! I remember now. They told me to look after him. I
+haven't seen him yet. And listen to this: 'Mrs. Shearne has sent me
+the enclosed to give to you. Her son writes to say that he is very
+happy and getting on very well, so she is sure you must have been
+looking after him.' Why, I don't know the kid by sight. I clean forgot
+all about him."
+
+"Well, you'd better go and see him now, just to say you've done it."
+
+Spencer perpended.
+
+"Beastly nuisance having a new kid hanging on to you. He's probably a
+frightful rotter."
+
+"Well, anyway, you ought to," said Phipps, who possessed the
+_scenario_ of a conscience.
+
+"I can't."
+
+"All right, don't, then. But you ought to send back that postal
+order."
+
+"Look here, Phipps," said Spencer plaintively, "you needn't be an
+idiot, you know."
+
+And the trivial matter of Thomas B. A. Shearne was shelved.
+
+ * * * * *
+
+Thomas, as he had stated in his letter to his mother, was exceedingly
+happy at Eckleton, and getting on very nicely indeed. It is true that
+there had been one or two small unpleasantnesses at first, but those
+were over now, and he had settled down completely. The little troubles
+alluded to above had begun on his second day at Blackburn's. Thomas,
+as the reader may have gathered from his glimpse of him at the station,
+was not a diffident youth. He was quite prepared for anything Fate
+might have up its sleeve for him, and he entered the junior day-room at
+Blackburn's ready for emergencies. On the first day nothing happened.
+One or two people asked him his name, but none inquired what his father
+was--a question which, he had understood from books of school life, was
+invariably put to the new boy. He was thus prevented from replying
+"coolly, with his eyes fixed on his questioner's": "A gentleman. What's
+yours?" and this, of course, had been a disappointment. But he reconciled
+himself to it, and on the whole enjoyed his first day at Eckleton.
+
+On the second there occurred an Episode.
+
+Thomas had inherited from his mother a pleasant, rather meek cast of
+countenance. He had pink cheeks and golden hair--almost indecently
+golden in one who was not a choirboy.
+
+Now, if you are going to look like a Ministering Child or a Little
+Willie, the Sunbeam of the Home, when you go to a public school,
+you must take the consequences. As Thomas sat by the window of the
+junior day-room reading a magazine, and deeply interested in it,
+there fell upon his face such a rapt, angelic expression that the
+sight of it, silhouetted against the window, roused Master P. Burge,
+his fellow-Blackburnite, as it had been a trumpet-blast. To seize a
+Bradley Arnold's Latin Prose Exercises and hurl it across the room
+was with Master Burge the work of a moment. It struck Thomas on the
+ear. He jumped, and turned some shades pinker. Then he put down his
+magazine, picked up the Bradley Arnold, and sat on it. After which he
+resumed his magazine.
+
+The acute interest of the junior day-room, always fond of a break in
+the monotony of things, induced Burge to go further into the matter.
+
+"You with the face!" said Burge rudely.
+
+Thomas looked up.
+
+"What the dickens are you going with my book? Pass it back!"
+
+"Oh, is this yours?" said Thomas. "Here you are."
+
+He walked towards him, carrying the book. At two yards range he fired
+it in. It hit Burge with some force in the waistcoat, and there was a
+pause while he collected his wind.
+
+Then the thing may be said to have begun.
+
+Yes, said Burge, interrogated on the point five minutes later, he
+_had_ had enough.
+
+"Good," said Thomas pleasantly. "Want a handkerchief?"
+
+That evening he wrote to his mother and, thanking her for kind
+inquiries, stated that he was not being bullied. He added, also in
+answer to inquiries, that he had not been tossed in a blanket, and
+that--so far--no Hulking Senior (with scowl) had let him down from the
+dormitory window after midnight by a sheet, in order that he might
+procure gin from the local public-house. As far as he could gather,
+the seniors were mostly teetotallers. Yes, he had seen Spencer several
+times. He did not add that he had seen him from a distance.
+
+ * * * * *
+
+"I'm so glad I asked Mrs. Davy to get her nephew to look after Tom,"
+said Mrs. Shearne, concluding the reading of the epistle at breakfast.
+"It makes such a difference to a new boy having somebody to protect
+him at first."
+
+"Only drawback is," said his eldest brother gloomily--"won't get cheek
+knocked out of him. Tom's kid wh'ought get'sheadsmacked reg'ly. Be no
+holding him."
+
+And he helped himself to marmalade, of which delicacy his mouth was
+full, with a sort of magnificent despondency.
+
+By the end of the first fortnight of his school career, Thomas
+Beauchamp Algernon had overcome all the little ruggednesses which
+relieve the path of the new boy from monotony. He had been taken in by
+a primaeval "sell" which the junior day-room invariably sprang on the
+new-comer. But as he had sat on the head of the engineer of the same
+for the space of ten minutes, despite the latter's complaints of pain
+and forecasts of what he would do when he got up, the laugh had not
+been completely against him. He had received the honourable
+distinction of extra lesson for ragging in French. He had been
+"touched up" by the prefect of his dormitory for creating a
+disturbance in the small hours. In fact, he had gone through all the
+usual preliminaries, and become a full-blown Eckletonian.
+
+His letters home were so cheerful at this point that a second postal
+order relieved the dwindling fortune of Spencer. And it was this,
+coupled with the remonstrances of Phipps, that induced the Dencroftian
+to break through his icy reserve.
+
+"Look here, Spencer," said Phipps, his conscience thoroughly stirred
+by this second windfall, "it's all rot. You must either send back that
+postal order, or go and see the chap. Besides, he's quite a decent
+kid. We're in the same game at cricket. He's rather a good bowler. I'm
+getting to know him quite well. I've got a jolly sight more right to
+those postal orders than you have."
+
+"But he's an awful ass to look at," pleaded Spencer.
+
+"What's wrong with him? Doesn't look nearly such a goat as you," said
+Phipps, with the refreshing directness of youth.
+
+"He's got yellow hair," argued Spencer.
+
+"Why shouldn't he have?"
+
+"He looks like a sort of young Sunday-school kid."
+
+"Well, he jolly well isn't, then, because I happen to know that he's
+had scraps with some of the fellows in his house, and simply mopped
+them."
+
+"Well, all right, then," said Spencer reluctantly.
+
+The historic meeting took place outside the school shop at the quarter
+to eleven interval next morning. Thomas was leaning against the wall,
+eating a bun. Spencer approached him with half a jam sandwich in his
+hand. There was an awkward pause.
+
+"Hullo!" said Spencer at last.
+
+"Hullo!" said Thomas.
+
+Spencer finished his sandwich and brushed the crumbs off his trousers.
+Thomas continued operations on the bun with the concentrated
+expression of a lunching python.
+
+"I believe your people know my people," said Spencer.
+
+"We have some awfully swell friends," said Thomas. Spencer chewed this
+thoughtfully awhile.
+
+"Beastly cheek," he said at last.
+
+"Sorry," said Thomas, not looking it.
+
+Spencer produced a bag of gelatines.
+
+"Have one?" he asked.
+
+"What's wrong with 'em?"
+
+"All right, don't."
+
+He selected a gelatine and consumed it.
+
+"Ever had your head smacked?" he inquired courteously.
+
+A slightly strained look came into Thomas's blue eyes.
+
+"Not often," he replied politely. "Why?"
+
+"Oh, I don't know," said Spencer. "I was only wondering."
+
+"Oh?"
+
+"Look here," said Spencer, "my mater told me to look after you."
+
+"Well, you can look after me now if you want to, because I'm going."
+
+And Thomas dissolved the meeting by walking off in the direction of
+the junior block.
+
+"That kid," said Spencer to his immortal soul, "wants his head
+smacked, badly."
+
+At lunch Phipps had questions to ask.
+
+"Saw you talking to Shearne in the interval," he said. "What were you
+talking about?"
+
+"Oh, nothing in particular."
+
+"What did you think of him?"
+
+"Little idiot."
+
+"Ask him to tea this afternoon?"
+
+"No."
+
+"You must. Dash it all, you must do something for him. You've had ten
+bob out of his people."
+
+Spencer made no reply.
+
+Going to the school shop that afternoon, he found Thomas seated there
+with Phipps, behind a pot of tea. As a rule, he and Phipps tea'd
+together, and he resented this desertion.
+
+"Come on," said Phipps. "We were waiting for you."
+
+"Pining away," added Thomas unnecessarily.
+
+Spencer frowned austerely.
+
+"Come and look after me," urged Thomas.
+
+Spencer sat down in silence. For a minute no sound could be heard but
+the champing of Thomas's jaws as he dealt with a slab of gingerbread.
+
+"Buck up," said Phipps uneasily.
+
+"Give me," said Thomas, "just one loving look."
+
+Spencer ignored the request. The silence became tense once more.
+
+"Coming to the house net, Phipps?" asked Spencer.
+
+"We were going to the baths. Why don't you come?"
+
+"All right," said Spencer.
+
+Doctors tell us that we should allow one hour to elapse between taking
+food and bathing, but the rule was not rigidly adhered to at Eckleton.
+The three proceeded straight from the tea-table to the baths.
+
+The place was rather empty when they arrived. It was a little earlier
+than the majority of Eckletonians bathed. The bath filled up as lock-up
+drew near. With the exception of a couple of infants splashing about in
+the shallow end, and a stout youth who dived in from the spring-board,
+scrambled out, and dived in again, each time flatter than the last, they
+had the place to themselves.
+
+"What's it like, Gorrick," inquired Phipps of the stout youth, who had
+just appeared above the surface again, blowing like a whale. The
+question was rendered necessary by the fact that many years before the
+boiler at the Eckleton baths had burst, and had never been repaired,
+with the consequence that the temperature of the water was apt to
+vary. That is to say, most days it was colder than others.
+
+"Simply boiling," said the man of weight, climbing out. "I say, did I
+go in all right then?"
+
+"Not bad," said Phipps.
+
+"Bit flat," added Thomas critically.
+
+Gorrick blinked severely at the speaker. A head-waiter at a
+fashionable restaurant is cordial in his manner compared with a boy
+who has been at a public school a year, when addressed familiarly by a
+new boy. After reflecting on the outrage for a moment, he dived in
+again.
+
+"Worse than ever," said Truthful Thomas.
+
+"Look here!" said Gorrick.
+
+"Oh, come _on_!" exclaimed Phipps, and led Thomas away.
+
+"That kid," said Gorrick to Spencer, "wants his head smacked, badly."
+
+"That's just what I say," agreed Spencer, with the eagerness of a
+great mind which has found another that thinks alike with itself.
+
+Spencer was the first of the trio ready to enter the water. His
+movements were wary and deliberate. There was nothing of the
+professional diver about Spencer. First he stood on the edge and
+rubbed his arms, regarding the green water beneath with suspicion and
+dislike. Then, crouching down, he inserted three toes of his left
+foot, drew them back sharply, and said "Oo!" Then he stood up again.
+His next move was to slap his chest and dance a few steps, after which
+he put his right foot into the water, again remarked "Oo!" and resumed
+Position I.
+
+"Thought you said it was warm," he shouted to Gorrick.
+
+"So it is; hot as anything. Come on in."
+
+And Spencer came on in. Not because he wanted to--for, by rights,
+there were some twelve more movements to be gone through before he
+should finally creep in at the shallow end--but because a cold hand,
+placed suddenly on the small of his back, urged him forward. Down he
+went, with the water fizzing and bubbling all over and all round him.
+He swallowed a good deal of it, but there was still plenty left; and
+what there was was colder than one would have believed possible.
+
+He came to the surface after what seemed to him a quarter of an hour,
+and struck out for the side. When he got out, Phipps and Thomas had
+just got in. Gorrick was standing at the end of the cocoanut matting
+which formed a pathway to the spring-board. Gorrick was blue, but
+determined.
+
+"I say! Did I go in all right then?" inquired Gorrick.
+
+"How the dickens do I know?" said Spencer, stung to fresh wrath by the
+inanity of the question.
+
+"Spencer did," said Thomas, appearing in the water below them and
+holding on to the rail.
+
+"Look here!" cried Spencer; "did you shove me in then?"
+
+"Me! Shove!" Thomas's voice expressed horror and pain. "Why, you dived
+in. Jolly good one, too. Reminded me of the diving elephants at the
+Hippodrome."
+
+And he swam off.
+
+"That kid," said Gorrick, gazing after him, "wants his head smacked."
+
+"Badly," agreed Spencer. "Look here! did he shove me in? Did you see
+him?"
+
+"I was doing my dive. But it must have been him. Phipps never rags in
+the bath."
+
+Spencer grunted--an expressive grunt--and, creeping down the steps,
+entered the water again.
+
+It was Spencer's ambition to swim ten lengths of the bath. He was not
+a young Channel swimmer, and ten lengths represented a very respectable
+distance to him. He proceeded now to attempt to lower his record. It
+was not often that he got the bath so much to himself. Usually, there
+was barely standing-room in the water, and long-distance swimming was
+impossible. But now, with a clear field, he should, he thought, be able
+to complete the desired distance.
+
+He was beginning the fifth length before interruption came. Just as he
+reached halfway, a reproachful voice at his side said: "Oh, Percy,
+you'll tire yourself!" and a hand on the top of his head propelled him
+firmly towards the bottom.
+
+Every schoolboy, as Honble. Macaulay would have put it, knows the
+sensation of being ducked. It is always unpleasant--sometimes more,
+sometimes less. The present case belonged to the former class. There
+was just room inside Spencer for another half-pint of water. He
+swallowed it. When he came to the surface, he swam to the side without
+a word and climbed out. It was the last straw. Honour could now be
+satisfied only with gore.
+
+He hung about outside the baths till Phipps and Thomas appeared, then,
+with a steadfast expression on his face, he walked up to the latter
+and kicked him.
+
+Thomas seemed surprised, but not alarmed. His eyes grew a little
+rounder, and the pink on his cheeks deepened. He looked like a
+choir-boy in a bad temper.
+
+"Hullo! What's up, you ass, Spencer?" inquired Phipps.
+
+Spencer said nothing.
+
+"Where shall we go?" asked Thomas.
+
+"Oh, chuck it!" said Phipps the peacemaker.
+
+Spencer and Thomas were eyeing each other warily.
+
+"You chaps aren't going to fight?" said Phipps.
+
+The notion seemed to distress him.
+
+"Unless he cares to take a kicking," said Spencer suavely.
+
+"Not to-day, I think, thanks," replied Thomas without heat.
+
+"Then, look here!" said Phipps briskly, "I know a ripping little place
+just off the Lelby Road. It isn't five minutes' walk, and there's no
+chance of being booked there. Rot if someone was to come and stop it
+half-way through. It's in a field; thick hedges. No one can see. And I
+tell you what--I'll keep time. I've got a watch. Two minute rounds,
+and half-a-minute in between, and I'm the referee; so, if anybody
+fouls the other chap, I'll stop the fight. See? Come on!"
+
+Of the details of that conflict we have no very clear record. Phipps
+is enthusiastic, but vague. He speaks in eulogistic terms of a
+"corker" which Spencer brought off in the second round, and, again, of
+a "tremendous biff" which Thomas appears to have consummated in the
+fourth. But of the more subtle points of the fighting he is content
+merely to state comprehensively that they were "top-hole." As to the
+result, it would seem that, in the capacity of referee, he declared
+the affair a draw at the end of the seventh round; and, later, in his
+capacity of second to both parties, helped his principals home by back
+and secret ways, one on each arm.
+
+The next items to which the chronicler would call the attention of the
+reader are two letters.
+
+The first was from Mrs. Shearne to Spencer, and ran as follows--
+
+ My Dear Spencer,--I am writing to you direct, instead of through
+ your aunt, because I want to thank you so much for looking after
+ my boy so well. I know what a hard time a new boy has at a public
+ school if he has got nobody to take care of him at first. I heard
+ from Tom this morning. He seems so happy, and so fond of you. He
+ says you are "an awfully decent chap" and "the only chap who has
+ stood up to him at all." I suppose he means "for him." I hope you
+ will come and spend part of your holidays with us. ("Catch _me!_"
+ said Spencer.)
+
+ _Yours sincerely,_
+ _Isabel Shearne_
+
+ P.S.--I hope you will manage to buy something nice with
+ the enclosed.
+
+The enclosed was yet another postal order for five shillings. As
+somebody wisely observed, a woman's P.S. is always the most important
+part of her letter.
+
+"That kid," murmured Spencer between swollen lips, "has got cheek
+enough for eighteen! 'Awfully decent chap!'"
+
+He proceeded to compose a letter in reply, and for dignity combined
+with lucidity it may stand as a model to young writers.
+
+ _5 College Grounds,_
+ _Eckleton._
+
+ Mr. C. F. Spencer begs to present his compliments to Mrs. Shearne,
+ and returns the postal order, because he doesn't see why he should
+ have it. He notes your remarks _re_ my being a decent chap in
+ your favour of the 13th _prox_., but cannot see where it quite
+ comes in, as the only thing I've done to Mrs. Shearne's son is to
+ fight seven rounds with him in a field, W. G. Phipps refereeing. It
+ was a draw. I got a black eye and rather a whack in the mouth, but
+ gave him beans also, particularly in the wind, which I learned to do
+ from reading "Rodney Stone"--the bit where Bob Whittaker beats the
+ Eyetalian Gondoleery Cove. Hoping that this will be taken in the
+ spirit which is meant,
+
+ _I remain_
+ _Yours sincerely,_
+ _C. F. Spencer_
+ _One enclosure._
+
+He sent this off after prep., and retired to bed full of spiritual
+pride.
+
+On the following morning, going to the shop during the interval, he
+came upon Thomas negotiating a hot bun.
+
+"Hullo!" said Thomas.
+
+As was generally the case after he had had a fair and spirited turn-out
+with a fellow human being, Thomas had begun to feel that he loved his
+late adversary as a brother. A wholesome respect, which had hitherto
+been wanting, formed part of his opinion of him.
+
+"Hullo!" said Spencer, pausing.
+
+"I say," said Thomas.
+
+"What's up?"
+
+"I say, I don't believe we shook hands, did we?"
+
+"I don't remember doing it."
+
+They shook hands. Spencer began to feel that there were points about
+Thomas, after all.
+
+"I say," said Thomas.
+
+"Hullo?"
+
+"I'm sorry about in the bath, you know. I didn't know you minded being
+ducked."
+
+"Oh, all right!" said Spencer awkwardly.
+
+Eight bars rest.
+
+"I say," said Thomas.
+
+"Hullo!"
+
+"Doing anything this afternoon?"
+
+"Nothing special, Why?"
+
+"Come and have tea?"
+
+"All right. Thanks."
+
+"I'll wait for you outside the house."
+
+"All right."
+
+It was just here that Spencer regretted that he had sent back that
+five-shilling postal order. Five good shillings.
+
+Simply chucked away.
+
+Oh, Life, Life!
+
+But they were not, after all. On his plate at breakfast next day Spencer
+found a letter. This was the letter--
+
+ Messrs. J. K. Shearne (father of T. B. A. Shearne) and P. W. Shearne
+ (brother of same) beg to acknowledge receipt of Mr. C. F. Spencer's
+ esteemed communication of yesterday's date, and in reply desire to
+ inform Mr. Spencer of their hearty approval of his attentions to
+ Mr. T. B. A. Shearne's wind. It is their opinion that the above,
+ a nice boy but inclined to cheek, badly needs treatment on these
+ lines occasionally. They therefore beg to return the postal order,
+ together with another for a like sum, and trust that this will meet
+ with Mr. Spencer's approval.
+
+ (Signed) _J. K. Shearne,_
+ _P. W. Shearne._
+ Two enclosures.
+
+"Of course, what's up really," said Spencer to himself, after reading
+this, "is that the whole family's jolly well cracked."
+
+His eye fell on the postal orders.
+
+"Still----!" he said.
+
+That evening he entertained Phipps and Thomas B. A. Shearne lavishly
+at tea.
+
+
+
+
+A CORNER IN LINES
+
+
+Of all the useless and irritating things in this world, lines are
+probably the most useless and the most irritating. In fact, I only
+know of two people who ever got any good out of them. Dunstable, of
+Day's, was one, Linton, of Seymour's, the other. For a portion of one
+winter term they flourished on lines. The more there were set, the
+better they liked it. They would have been disappointed if masters had
+given up the habit of doling them out.
+
+Dunstable was a youth of ideas. He saw far more possibilities in the
+routine of life at Locksley than did the majority of his
+contemporaries, and every now and then he made use of these
+possibilities in a way that caused a considerable sensation in the
+school.
+
+In the ordinary way of school work, however, he was not particularly
+brilliant, and suffered in consequence. His chief foe was his
+form-master, Mr. Langridge. The feud between them had begun on
+Dunstable's arrival in the form two terms before, and had continued
+ever since. The balance of points lay with the master. The staff has
+ways of scoring which the school has not. This story really begins
+with the last day but one of the summer term. It happened that
+Dunstable's people were going to make their annual migration to
+Scotland on that day, and the Headmaster, approached on the subject
+both by letter and in person, saw no reason why--the examinations
+being over--Dunstable should not leave Locksley a day before the
+end of term.
+
+He called Dunstable to his study one night after preparation.
+
+"Your father has written to me, Dunstable," he said, "to ask that you
+may be allowed to go home on Wednesday instead of Thursday. I think
+that, under the special circumstances, there will be no objection to
+this. You had better see that the matron packs your boxes."
+
+"Yes, sir," said Dunstable. "Good business," he added to himself, as
+he left the room.
+
+When he got back to his own den, he began to ponder over the matter,
+to see if something could not be made out of it. That was Dunstable's
+way. He never let anything drop until he had made certain that he had
+exhausted all its possibilities.
+
+Just before he went to bed he had evolved a neat little scheme for
+scoring off Mr. Langridge. The knowledge of his plans was confined to
+himself and the Headmaster. His dorm-master would imagine that he was
+going to stay on till the last day of term. Therefore, if he
+misbehaved himself in form, Mr. Langridge would set him lines in
+blissful ignorance of the fact that he would not be there next day to
+show them up. At the beginning of the following term, moreover, he
+would not be in Mr. Langridge's form, for he was certain of his move
+up.
+
+He acted accordingly.
+
+He spent the earlier part of Wednesday morning in breaches of the
+peace. Mr. Langridge, instead of pulling him up, put him on to
+translate; Dunstable went on to translate. As he had not prepared the
+lesson and was not an adept at construing unseen, his performance was
+poor.
+
+After a minute and a half, the form-master wearied.
+
+"Have you looked at this, Dunstable?" he asked.
+
+There was a time-honoured answer to this question.
+
+"Yes, sir," he said.
+
+Public-school ethics do not demand that you should reply truthfully to
+the spirit of a question. The letter of it is all that requires
+attention. Dunstable had _looked_ at the lesson. He was looking
+at it then. Masters should practise exactness of speech. A certain
+form at Harrow were in the habit of walking across a copy of a Latin
+author before morning-school. They could then say with truth that they
+"had been over it." This is not an isolated case.
+
+"Go on," said Mr. Langridge.
+
+Dunstable smiled as he did so.
+
+Mr. Langridge was annoyed.
+
+"What are you laughing at? What do you mean by it? Stand up. You will
+write out the lesson in Latin and English, and show it up to me by
+four this afternoon. I know what you are thinking. You imagine that
+because this is the end of the term you can do as you please, but you
+will find yourself mistaken. Mind--by four o'clock."
+
+At four o'clock Dunstable was enjoying an excellent tea in Green
+Street, Park Lane, and telling his mother that he had had a most
+enjoyable term, marred by no unpleasantness whatever. His holidays
+were sweetened by the thought of Mr. Langridge's baffled wrath on
+discovering the true inwardness of the recent episode.
+
+ * * * * *
+
+When he returned to Locksley at the beginning of the winter term, he
+was at once made aware that that episode was not to be considered
+closed. On the first evening, Mr. Day, his housemaster, sent for him.
+
+"Well, Dunstable," he said, "where is that imposition?"
+
+Dunstable affected ignorance.
+
+"Please, sir, you set me no imposition."
+
+"No, Dunstable, no." Mr. Day peered at him gravely through his
+spectacles. "_I_ set you no imposition; but Mr. Langridge did."
+
+Dunstable imitated that eminent tactician, Br'er Rabbit. He "lay low
+and said nuffin."
+
+"Surely," continued Mr. Day, in tones of mild reproach, "you did not
+think that you could take Mr. Langridge in?"
+
+Dunstable rather thought he _had_ taken Mr. Langridge in; but he
+made no reply.
+
+"Well," said Mr. Day. "I must set you some punishment. I shall give
+the butler instructions to hand you a note from me at three o'clock
+to-morrow." (The next day was a half-holiday.) "In that note you will
+find indicated what I wish you to write out."
+
+Why this comic-opera secret-society business, Dunstable wondered. Then
+it dawned upon him. Mr. Day wished to break up his half-holiday
+thoroughly.
+
+That afternoon Dunstable retired in disgust to his study to brood over
+his wrongs; to him entered Charles, his friend, one C. J. Linton, to
+wit, of Seymour's, a very hearty sportsman.
+
+"Good," said Linton. "Didn't think I should find you in. Thought you
+might have gone off somewhere as it's such a ripping day. Tell you
+what we'll do. Scull a mile or two up the river and have tea
+somewhere."
+
+"I should like to awfully," said Dunstable, "but I'm afraid I can't."
+
+And he explained Mr. Day's ingenious scheme for preventing him from
+straying that afternoon.
+
+"Rot, isn't it," he said.
+
+"Beastly. Wouldn't have thought old Day had it in him. But I'll tell
+you what," he said. "Do the impot now, and then you'll be able to
+start at three sharp, and we shall get in a good time on the river.
+Day always sets the same thing. I've known scores of chaps get impots
+from him, and they all had to do the Greek numerals. He's mad on the
+Greek numerals. Never does anything else. You'll be as safe as
+anything if you do them. Buck up, I'll help."
+
+They accordingly sat down there and then. By three o'clock an imposing
+array of sheets of foolscap covered with badly-written Greek lay on
+the study table.
+
+"That ought to be enough," said Linton, laying down his pen. "He can't
+set you more than we've done, I should think."
+
+"Rummy how alike our writing looks," said Dunstable, collecting the
+sheets and examining them. "You can hardly tell which is which even
+when you know. Well, there goes three. My watch is slow, as it always
+is. I'll go and get that note."
+
+Two minutes later he returned, full of abusive references to Mr. Day.
+The crafty pedagogue appeared to have foreseen Dunstable's attempt to
+circumvent him by doing the Greek numerals on the chance of his
+setting them. The imposition he had set in his note was ten pages of
+irregular verbs, and they were to be shown up in his study before five
+o'clock. Linton's programme for the afternoon was out of the question
+now. But he loyally gave up any other plans which he might have formed
+in order to help Dunstable with his irregular verbs. Dunstable was too
+disgusted with fate to be properly grateful.
+
+"And the worst of it is," he said, as they adjourned for tea at
+half-past four, having deposited the verbs on Mr. Day's table, "that
+all those numerals will be wasted now."
+
+"I should keep them, though," said Linton. "They may come in useful.
+You never know."
+
+ * * * * *
+
+Towards the end of the second week of term Fate, by way of
+compensation, allowed Dunstable a distinct stroke of luck. Mr. Forman,
+the master of his new form, set him a hundred lines of Virgil, and
+told him to show them up next day. To Dunstable's delight, the next
+day passed without mention of them; and when the day after that went
+by, and still nothing was said, he came to the conclusion that Mr.
+Forman had forgotten all about them.
+
+Which was indeed the case. Mr. Forman was engaged in editing a new
+edition of the "Bacchae," and was apt to be absent-minded in
+consequence. So Dunstable, with a glad smile, hove the lines into a
+cupboard in his study to keep company with the Greek numerals which he
+had done for Mr. Day, and went out to play fives with Linton.
+
+Linton, curiously enough, had also had a stroke of luck in a rather
+similar way. He told Dunstable about it as they strolled back to the
+houses after their game.
+
+"Bit of luck this afternoon," he said. "You remember Appleby setting
+me a hundred-and-fifty the day before yesterday? Well, I showed
+them up to-day, and he looked through them and chucked them into the
+waste-paper basket under his desk. I thought at the time I hadn't seen
+him muck them up at all with his pencil, which is his usual game, so
+after he had gone at the end of school I nipped to the basket and
+fished them out. They were as good as new, so I saved them up in case
+I get any more."
+
+Dunstable hastened to tell of his own good fortune. Linton was
+impressed by the coincidence.
+
+"I tell you what," he said, "we score either way. Because if we never
+get any more lines----"
+
+Dunstable laughed.
+
+"Yes, I know," Linton went on, "we're bound to. But even supposing we
+don't, what we've got in stock needn't be wasted."
+
+"I don't see that," said Dunstable. "Going to have 'em bound in cloth
+and published? Or were you thinking of framing them?"
+
+"Why, don't you see? Sell them, of course. There are dozens of chaps
+in the school who would be glad of a few hundred lines cheap."
+
+"It wouldn't work. They'd be spotted."
+
+"Rot. It's been done before, and nobody said anything. A chap in
+Seymour's who left last Easter sold all his stock lines by auction on
+the last day of term. They were Virgil mostly and Greek numerals. They
+sold like hot cakes. There were about five hundred of them altogether.
+And I happen to know that every word of them has been given up and
+passed all right."
+
+"Well, I shall keep mine," said Dunstable. "I am sure to want all the
+lines in stock that I can get. I used to think Langridge was fairly
+bad in the way of impots, but Forman takes the biscuit easily. It
+seems to be a sort of hobby of his. You can't stop him."
+
+But it was not until the middle of preparation that the great idea
+flashed upon Dunstable's mind.
+
+It was the simplicity of the thing that took his breath away. That and
+its possibilities. This was the idea. Why not start a Lines Trust in
+the school? An agency for supplying lines at moderate rates to all who
+desired them? There did not seem to be a single flaw in the scheme. He
+and Linton between them could turn out enough material in a week to
+give the Trust a good working capital. And as for the risk of
+detection when customers came to show up the goods supplied to them,
+that was very slight. As has been pointed out before, there was
+practically one handwriting common to the whole school when it came to
+writing lines. It resembled the movements of a fly that had fallen
+into an ink-pot, and subsequently taken a little brisk exercise on a
+sheet of foolscap by way of restoring the circulation. Then, again,
+the attitude of the master to whom the lines were shown was not likely
+to be critical. So that everything seemed in favour of Dunstable's
+scheme.
+
+Linton, to whom he confided it, was inclined to scoff at first, but
+when he had had the beauties of the idea explained to him at length,
+became an enthusiastic supporter of the scheme.
+
+"But," he objected, "it'll take up all our time. Is it worth it? We
+can't spend every afternoon sweating away at impots for other people."
+
+"It's all right," said Dunstable, "I've thought of that. We shall need
+to pitch in pretty hard for about a week or ten days. That will give
+us a good big stock, and after that if we turn out a hundred each
+every day it will be all right. A hundred's not much fag if you spread
+them over a day."
+
+Linton admitted that this was sound, and the Locksley Lines Supplying
+Trust, Ltd., set to work in earnest.
+
+It must not be supposed that the Agency left a great deal to chance.
+The writing of lines in advance may seem a very speculative business;
+but both Dunstable and Linton had had a wide experience of Locksley
+masters, and the methods of the same when roused, and they were thus
+enabled to reduce the element of chance to a minimum. They knew, for
+example, that Mr. Day's favourite imposition was the Greek numerals,
+and that in nine cases out of ten that would be what the youth who had
+dealings with him would need to ask for from the Lines Trust. Mr.
+Appleby, on the other hand, invariably set Virgil. The oldest
+inhabitant had never known him to depart from this custom. For the
+French masters extracts from the works of Victor Hugo would probably
+pass muster.
+
+A week from the date of the above conversation, everyone in the
+school, with the exception of the prefects and the sixth form, found
+in his desk on arriving at his form-room a printed slip of paper.
+(Spiking, the stationer in the High Street, had printed it.) It was
+nothing less than the prospectus of the new Trust. It set forth in
+glowing terms the advantages offered by the agency. Dunstable had
+written it--he had a certain amount of skill with his pen--and Linton
+had suggested subtle and captivating additions. The whole presented
+rather a striking appearance.
+
+The document was headed with the name of the Trust in large letters.
+Under this came a number of "scare headlines" such as:
+
+ SEE WHAT YOU SAVE!
+
+ NO MORE WORRY!
+
+ PEACE, PERFECT PEACE!
+
+ WHY DO LINES WHEN WE DO THEM
+ FOR YOU?
+
+Then came the real prospectus:
+
+ The Locksley Lines Supplying Trust, Ltd. has been instituted to
+ meet the growing demand for lines and other impositions. While
+ there are masters at our public schools there will always be lines.
+ At Locksley the crop of masters has always flourished--and still
+ flourishes--very rankly, and the demand for lines has greatly taxed
+ the powers of those to whom has been assigned the task of supplying
+ them.
+
+ It is for the purpose of affording relief to these that the Lines
+ Trust has been formed. It is proposed that all orders for lines
+ shall be supplied out of our vast stock. Our charges are moderate,
+ and vary between threepence and sixpence per hundred lines. The
+ higher charge is made for Greek impositions, which, for obvious
+ reasons, entail a greater degree of labour on our large and
+ efficient staff of writers.
+
+ All orders, which will be promptly executed, should be forwarded to
+ Mr. P. A. Dunstable, 6 College Grounds, Locksley, or to Mr. C. J.
+ Linton, 10 College Grounds, Locksley. _Payment must be inclosed
+ with order, or the latter will not be executed._ Under no
+ conditions will notes of hand or cheques be accepted as legal
+ tender. There is no trust about us except the name.
+
+ Come in your thousands. We have lines for all. If the Trust's
+ stock of lines were to be placed end to end it would reach part
+ of the way to London. "You pay the threepence. We do the rest."
+
+Then a blank space, after which came a few "unsolicited testimonials":
+
+ "Lower Fifth" writes: "I was set two hundred lines of Virgil on
+ Saturday last at one o'clock. Having laid in a supply from your
+ agency I was enabled to show them up at five minutes past one.
+ The master who gave me the commission was unable to restrain his
+ admiration at the rapidity and neatness of my work. You may make
+ what use of this you please."
+
+ "Dexter's House" writes: "Please send me one hundred (100) lines
+ from _Aeneid, Book Two_. Mr. Dexter was so delighted with the last
+ I showed him that he has asked me to do some more."
+
+ "Enthusiast" writes: "Thank you for your Greek numerals. Day took
+ them without blinking. So beautifully were they executed that I can
+ hardly believe even now that I did not write them myself."
+
+ * * * * *
+
+There could be no doubt about the popularity of the Trust. It caught
+on instantly.
+
+Nothing else was discussed in the form-rooms at the quarter to eleven
+interval, and in the houses after lunch it was the sole topic of
+conversation. Dunstable and Linton were bombarded with questions and
+witticisms of the near personal sort. To the latter they replied with
+directness, to the former evasively.
+
+"What's it all _about?_" someone would ask, fluttering the
+leaflet before Dunstable's unmoved face.
+
+"You should read it carefully," Dunstable would reply. "It's all
+there."
+
+"But what are you playing at?"
+
+"We tried to make it clear to the meanest intelligence. Sorry you
+can't understand it."
+
+While at the same time Linton, in his form-room, would be explaining
+to excited inquirers that he was sorry, but it was impossible to reply
+to their query as to who was running the Trust. He was not at liberty
+to reveal business secrets. Suffice it that there the lines were,
+waiting to be bought, and he was there to sell them. So that if
+anybody cared to lay in a stock, large or small, according to taste,
+would he kindly walk up and deposit the necessary coin?
+
+But here the public showed an unaccountable disinclination to deal. It
+was gratifying to have acquaintances coming up and saying admiringly:
+"You are an ass, you know," as if they were paying the highest of
+compliments--as, indeed, they probably imagined that they were. All
+this was magnificent, but it was not business. Dunstable and Linton
+felt that the whole attitude of the public towards the new enterprise
+was wrong. Locksley seemed to regard the Trust as a huge joke, and its
+prospectus as a literary _jeu d'esprit_.
+
+In fact, it looked very much as if--from a purely commercial point of
+view--the great Lines Supplying Trust was going to be what is known in
+theatrical circles as a frost.
+
+For two whole days the public refused to bite, and Dunstable and
+Linton, turning over the stacks of lines in their studies, thought
+gloomily that this world is no place for original enterprise.
+
+Then things began to move.
+
+It was quite an accident that started them. Jackson, of Dexter's, was
+teaing with Linton, and, as was his habit, was giving him a condensed
+history of his life since he last saw him. In the course of this he
+touched on a small encounter with M. Gaudinois which had occurred that
+afternoon.
+
+"So I got two pages of 'Quatre-Vingt Treize' to write," he concluded,
+"for doing practically nothing."
+
+All Jackson's impositions, according to him, were given him for doing
+practically nothing. Now and then he got them for doing literally
+nothing--when he ought to have been doing form-work.
+
+"Done 'em?" asked Linton.
+
+"Not yet; no," replied Jackson. "More tea, please."
+
+"What you want to do, then," said Linton, "is to apply to the Locksley
+Lines Supplying Trust. That's what you must do."
+
+"You needn't rot a chap on a painful subject," protested Jackson.
+
+"I wasn't rotting," said Linton. "Why don't you apply to the Lines
+Trust?"
+
+"Then do you mean to say that there really is such a thing?" Jackson
+said incredulously. "Why I thought it was all a rag."
+
+"I know you did. It's the rotten sort of thing you would think. Rag,
+by Jove! Look at this. Now do you understand that this is a genuine
+concern?"
+
+He got up and went to the cupboard which filled the space between the
+stove and the bookshelf. From this resting-place he extracted a great
+pile of manuscript and dumped it down on the table with a bang which
+caused a good deal of Jackson's tea to spring from its native cup on
+to its owner's trousers.
+
+"When you've finished," protested Jackson, mopping himself with a
+handkerchief that had seen better days.
+
+"Sorry. But look at these. What did you say your impot was? Oh, I
+remember. Here you are. Two pages of 'Quatre-Vingt Treize.' I don't
+know which two pages, but I suppose any will do."
+
+Jackson was amazed.
+
+"Great Scott! what a wad of stuff! When did you do it all?"
+
+"Oh, at odd times. Dunstable's got just as much over at Day's. So you
+see the Trust is a jolly big show. Here are your two pages. That looks
+just like your scrawl, doesn't it? These would be fourpence in the
+ordinary way, but you can have 'em for nothing this time."
+
+"Oh, I say," said Jackson gratefully, "that's awfully good of you."
+
+After that the Locksley Lines Supplying Trust, Ltd. went ahead with
+a rush. The brilliant success which attended its first specimen--M.
+Gaudinois took Jackson's imposition without a murmur--promoted
+confidence in the public, and they rushed to buy. Orders poured in
+from all the houses, and by the middle of the term the organisers of
+the scheme were able to divide a substantial sum.
+
+"How are you getting on round your way?" asked Linton of Dunstable at
+the end of the sixth week of term.
+
+"Ripping. Selling like hot cakes."
+
+"So are mine," said Linton. "I've almost come to the end of my stock.
+I ought to have written some more, but I've been a bit slack lately."
+
+"Yes, buck up. We must keep a lot in hand."
+
+"I say, did you hear that about Merrett in our house?" asked Linton.
+
+"What about him?"
+
+"Why, he tried to start a rival show. Wrote a prospectus and
+everything. But it didn't catch on a bit. The only chap who bought any
+of his lines was young Shoeblossom. He wanted a couple of hundred for
+Appleby. Appleby was on to them like bricks. Spotted Shoeblossom
+hadn't written them, and asked who had. He wouldn't say, so he got
+them doubled. Everyone in the house is jolly sick with Merrett. They
+think he ought to have owned up."
+
+"Did that smash up Merrett's show? Is he going to turn out any more?"
+
+"Rather not. Who'd buy 'em?"
+
+It would have been better for the Lines Supplying Trust if Merrett had
+not received this crushing blow and had been allowed to carry on a
+rival business on legitimate lines. Locksley was conservative in its
+habits, and would probably have continued to support the old firm.
+
+As it was, the baffled Merrett, a youth of vindictive nature, brooded
+over his defeat, and presently hit upon a scheme whereby things might
+be levelled up.
+
+One afternoon, shortly before lock-up, Dunstable was surprised by the
+advent of Linton to his study in a bruised and dishevelled condition.
+One of his expressive eyes was closed and blackened. He also wore what
+is known in ring circles as a thick ear.
+
+"What on earth's up?" inquired Dunstable, amazed at these phenomena.
+"Have you been scrapping?"
+
+"Yes--Merrett--I won. What are you up to--writing lines? You may as
+well save yourself the trouble. They won't be any good." Dunstable
+stared.
+
+"The Trust's bust," said Linton.
+
+He never wasted words in moments of emotion.
+
+"What!"
+
+"'Bust' was what I said. That beast Merrett gave the show away."
+
+"What did he do? Surely he didn't tell a master?"
+
+"Well, he did the next thing to it. He hauled out that prospectus, and
+started reading it in form. I watched him do it. He kept it under the
+desk and made a foul row, laughing over it. Appleby couldn't help
+spotting him. Of course, he told him to bring him what he was reading.
+Up went Merrett with the prospectus."
+
+"Was Appleby sick?"
+
+"I don't believe he was, really. At least, he laughed when he read the
+thing. But he hauled me up after school and gave me a long jaw, and
+made me take all the lines I'd got to his house. He burnt them. I had
+it out with Merrett just now. He swears he didn't mean to get the
+thing spotted, but I knew he did."
+
+"Where did you scrag him!"
+
+"In the dormitory. He chucked it after the third round."
+
+There was a knock at the door.
+
+"Come in," shouted Dunstable.
+
+Buxton appeared, a member of Appleby's house.
+
+"Oh, Dunstable, Appleby wants to see you."
+
+"All right," said Dunstable wearily.
+
+Mr. Appleby was in facetious mood. He chaffed Dunstable genially about
+his prospectus, and admitted that it had amused him. Dunstable smiled
+without enjoyment. It was a good thing, perhaps, that Mr. Appleby saw
+the humorous rather than the lawless side of the Trust; but all the
+quips in the world could not save that institution from ruin.
+
+Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he
+seemed to say; "but duty is duty, and must be done."
+
+"How many lines have you at your house, Dunstable?" he asked.
+
+"About eight hundred, sir."
+
+"Then you had better write me eight hundred lines, and show them up to
+me in this room at--shall we say at ten minutes to five? It is now a
+quarter to, so that you will have plenty of time."
+
+Dunstable went, and returned five minutes later, bearing an armful of
+manuscript.
+
+"I don't think I shall need to count them," said Mr. Appleby. "Kindly
+take them in batches of ten sheets, and tear them in half, Dunstable."
+
+"Yes, sir."
+
+The last sheet fluttered in two sections into the surfeited
+waste-paper basket.
+
+"It's an awful waste, sir," said Dunstable regretfully.
+
+Mr. Appleby beamed.
+
+"We must, however," he said, "always endeavour to look on the bright
+side, Dunstable. The writing of these eight hundred lines will have
+given you a fine grip of the rhythm of Virgil, the splendid prose of
+Victor Hugo, and the unstudied majesty of the Greek Numerals. Good-night,
+Dunstable."
+
+"Good-night, sir," said the President of the Locksley Lines Supplying
+Trust, Ltd.
+
+
+
+
+THE AUTOGRAPH HUNTERS
+
+
+Dunstable had his reasons for wishing to obtain Mr. Montagu Watson's
+autograph, but admiration for that gentleman's novels was not one of
+them.
+
+It was nothing to him that critics considered Mr. Watson one of the
+most remarkable figures in English literature since Scott. If you had
+told him of this, he would merely have wondered in his coarse,
+material way how much Mr. Watson gave the critics for saying so. To
+the reviewer of the _Weekly Booklover_ the great man's latest
+effort, "The Soul of Anthony Carrington" (Popgood and Grooly: 6s.)
+seemed "a work that speaks eloquently in every line of a genius that
+time cannot wither nor custom stale." To Dunstable, who got it out of
+the school library, where it had been placed at the request of a
+literary prefect, and read the first eleven pages, it seemed rot, and
+he said as much to the librarian on returning it.
+
+Yet he was very anxious to get the novelist's autograph. The fact was
+that Mr. Day, his house-master, a man whose private life was in other
+ways unstained by vicious habits, collected autographs. Also Mr. Day
+had behaved in a square manner towards Dunstable on several occasions
+in the past, and Dunstable, always ready to punish bad behaviour in a
+master, was equally anxious to reward and foster any good trait which
+he might exhibit.
+
+On the occasion of the announcement that Mr. Watson had taken the big
+white house near Chesterton, a couple of miles from the school, Mr.
+Day had expressed in Dunstable's hearing a wish that he could add that
+celebrity's signature to his collection. Dunstable had instantly
+determined to play the part of a benevolent Providence. He would get
+the autograph and present it to the house-master, as who should say,
+"see what comes of being good." It would be pleasant to observe the
+innocent joy of the recipient, his child-like triumph, and his
+amazement at the donor's ingenuity in securing the treasure. A
+touching scene--well worth the trouble involved in the quest.
+
+And there would be trouble. For Mr. Montagu Watson was notoriously a
+foe to the autograph-hunter. His curt, type-written replies (signed by
+a secretary) had damped the ardour of scores of brave men and--more or
+less--fair women. A genuine Montagu Watson was a prize in the
+autograph market.
+
+Dunstable was a man of action. When Mark, the boot-boy at Day's,
+carried his burden of letters to the post that evening, there nestled
+among them one addressed to M. Watson, Esq., The White House,
+Chesterton. Looking at it casually, few of his friends would have
+recognised Dunstable's handwriting. For it had seemed good to that man
+of guile to adopt for the occasion the role of a backward youth of
+twelve years old. He thought tender years might touch Mr. Watson's
+heart.
+
+This was the letter:
+
+ _Dear Sir_,--I am only a littel boy, but I think your
+ books ripping. I often wonder how you think of it all. Will you
+ please send me your ortograf? I like your books very much. I have
+ named my white rabit Montagu after you. I punched Jones II in
+ the eye to-day becos he didn't like your books. I have spent the
+ only penny I have on the stampe for this letter which I might have
+ spent on tuck. I want to be like Maltby in "The Soul of Anthony
+ Carrington" when I grow up.
+
+ _Your sincere reader_,
+ P. A. Dunstable.
+
+It was a little unfortunate, perhaps, that he selected Maltby as his
+ideal character. That gentleman was considered by critics a masterly
+portrait of the cynical _roué_. But it was the only name he
+remembered.
+
+"Hot stuff!" said Dunstable to himself, as he closed the envelope.
+
+"Little beast!" said Mr. Watson to himself as he opened it. It arrived
+by the morning post, and he never felt really himself till after
+breakfast.
+
+"Here, Morrison," he said to his secretary, later in the morning:
+"just answer this, will you? The usual thing--thanks and most deeply
+grateful, y'know."
+
+Next day the following was included in Dunstable's correspondence:
+
+ Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable,
+ and begs to thank him for all the kind things he says about his
+ work in his letter of the 18th inst., for which he is deeply grateful.
+
+"Foiled!" said Dunstable, and went off to Seymour's to see his friend
+Linton.
+
+"Got any notepaper?" he asked.
+
+"Heaps," said Linton. "Why? Want some?"
+
+"Then get out a piece. I want to dictate a letter."
+
+Linton stared.
+
+"What's up? Hurt your hand?"
+
+Dunstable explained.
+
+"Day collects autographs, you know, and he wants Montagu Watson's
+badly. Pining away, and all that sort of thing. Won't smile until he
+gets it. I had a shot at it yesterday, and got this."
+
+Linton inspected the document.
+
+"So I can't send up another myself, you see."
+
+"Why worry?"
+
+"Oh, I'd like to put Day one up. He's not been bad this term. Come
+on."
+
+"All right. Let her rip."
+
+Dunstable let her rip.
+
+ _Dear Sir_,--I cannot refrain from writing to tell you what
+ an inestimable comfort your novels have been to me during years
+ of sore tribulation and distress----
+
+"Look here," interrupted Linton with decision at this point. "If you
+think I'm going to shove my name at the end of this rot, you're making
+the mistake of a lifetime."
+
+"Of course not. You're a widow who has lost two sons in South Africa.
+We'll think of a good name afterwards. Ready?
+
+ "Ever since my darling Charles Herbert and Percy Lionel were
+ taken from me in that dreadful war, I have turned for consolation
+ to the pages of 'The Soul of Anthony Carrington' and----"
+
+"What, another?" asked Linton.
+
+"There's one called 'Pancakes.'"
+
+"Sure? Sounds rummy."
+
+"That's all right. You have to get a queer title nowadays if you want
+to sell a book."
+
+"Go on, then. Jam it down."
+
+ "--and 'Pancakes.' I hate to bother you, but if you could send me
+ your autograph I should be more grateful than words can say. Yours
+ admiringly."
+
+"What's a good name? How would Dorothy Maynard do?"
+
+"You want something more aristocratic. What price Hilda Foulke-Ponsonby?"
+
+Dunstable made no objection, and Linton signed the letter with a
+flourish.
+
+They installed Mrs. Foulke-Ponsonby at Spiking's in the High Street.
+It was not a very likely address for a lady whose blood was presumably
+of the bluest, but they could think of none except that obliging
+stationer who would take in letters for them.
+
+There was a letter for Mrs. Foulke-Ponsonby next day. Whatever his
+other defects as a correspondent, Mr. Watson was at least prompt with
+his responses.
+
+Mr. Montagu Watson presented his compliments, and was deeply grateful
+for all the kind things Mrs. Foulke-Ponsonby had said about his work
+in her letter of the 19th inst. He was, however, afraid that he
+scarcely deserved them. Her opportunities of deriving consolation from
+"The Soul of Anthony Carrington" had been limited by the fact that
+that book had only been published ten days before: while, as for
+"Pancakes," to which she had referred in such flattering terms, he
+feared that another author must have the credit of any refreshment her
+bereaved spirit might have extracted from that volume, for he had
+written no work of such a name. His own "Pan Wakes" would, he hoped,
+administer an equal quantity of balm.
+
+Mr. Secretary Morrison had slept badly on the night before he wrote
+this letter, and had expended some venom upon its composition.
+
+"Sold again!" said Dunstable.
+
+"You'd better chuck it now. It's no good," said Linton.
+
+"I'll have another shot. Then I'll try and think of something else."
+
+Two days later Mr. Morrison replied to Mr. Edgar Habbesham-Morley, of
+3a, Green Street, Park Lane, to the effect that Mr. Montagu Watson was
+deeply grateful for all the kind things, etc.----
+
+3a, Green Street was Dunstable's home address.
+
+At this juncture the Watson-Dunstable correspondence ceases, and the
+relations become more personal.
+
+On the afternoon of the twenty-third of the month, Mr. Watson, taking
+a meditative stroll through the wood which formed part of his
+property, was infuriated by the sight of a boy.
+
+He was not a man who was fond of boys even in their proper place, and
+the sight of one in the middle of his wood, prancing lightly about
+among the nesting pheasants, stirred his never too placid mind to its
+depths.
+
+He shouted.
+
+The apparition paused.
+
+"Here! Hi! you boy!"
+
+"Sir?" said the stripling, with a winning smile, lifting his cap with
+the air of a D'Orsay.
+
+"What business have you in my wood?"
+
+"Not business," corrected the visitor, "pleasure."
+
+"Come here!" shrilled the novelist.
+
+The stranger receded coyly.
+
+Mr. Watson advanced at the double.
+
+His quarry dodged behind a tree.
+
+For five minutes the great man devoted his powerful mind solely to the
+task of catching his visitor.
+
+The latter, however, proved as elusive as the point of a half-formed
+epigram, and at the end of the five minutes he was no longer within
+sight.
+
+Mr. Watson went off and addressed his keeper in terms which made that
+worthy envious for a week.
+
+"It's eddication," he said subsequently to a friend at the "Cowslip
+Inn." "You and me couldn't talk like that. It wants eddication."
+
+For the next few days the keeper's existence was enlivened by visits
+from what appeared to be a most enthusiastic bird's-nester. By no
+other theory could he account for it. Only a boy with a collection to
+support would run such risks.
+
+To the keeper's mind the human boy up to the age of twenty or so had
+no object in life except to collect eggs. After twenty, of course, he
+took to poaching. This was a boy of about seventeen.
+
+On the fifth day he caught him, and conducted him into the presence of
+Mr. Montagu Watson.
+
+Mr. Watson was brief and to the point. He recognised his visitor as
+the boy for whose benefit he had made himself stiff for two days.
+
+The keeper added further damaging facts.
+
+"Bin here every day, he 'as, sir, for the last week. Well, I says to
+myself, supposition is he'll come once too often. He'll come once too
+often, I says. And then, I says, I'll cotch him. And I cotched him."
+
+The keeper's narrative style had something of the classic simplicity
+of Julius Caesar's.
+
+Mr. Watson bit his pen.
+
+"What you boys come for I can't understand," he said irritably.
+"You're from the school, of course?"
+
+"Yes," said the captive.
+
+"Well, I shall report you to your house-master. What is your name?"
+
+"Dunstable."
+
+"Your house?"
+
+"Day's."
+
+"Very good. That is all."
+
+Dunstable retired.
+
+His next appearance in public life was in Mr. Day's study. Mr. Day had
+sent for him after preparation. He held a letter in his hand, and he
+looked annoyed.
+
+"Come in, Dunstable. I have just received a letter complaining of you.
+It seems that you have been trespassing."
+
+"Yes, sir."
+
+"I am surprised, Dunstable, that a sensible boy like you should have
+done such a foolish thing. It seems so objectless. You know how
+greatly the head-master dislikes any sort of friction between the
+school and the neighbours, and yet you deliberately trespass in Mr.
+Watson's wood."
+
+"I'm very sorry, sir."
+
+"I have had a most indignant letter from him--you may see what he
+says. You do not deny it?"
+
+Dunstable ran his eye over the straggling, untidy sentences.
+
+"No, sir. It's quite true."
+
+"In that case I shall have to punish you severely. You will write me
+out the Greek numerals ten times, and show them up to me on Tuesday."
+
+"Yes, sir."
+
+"That will do."
+
+At the door Dunstable paused.
+
+"Well, Dunstable?" said Mr. Day.
+
+"Er--I'm glad you've got his autograph after all, sir," he said.
+
+Then he closed the door.
+
+As he was going to bed that night, Dunstable met the house-master on
+the stairs.
+
+"Dunstable," said Mr. Day.
+
+"Yes, sir."
+
+"On second thoughts, it would be better if, instead of the Greek
+numerals ten times, you wrote me the first ode of the first book of
+Horace. The numerals would be a little long, perhaps."
+
+
+
+
+PILLINGSHOT, DETECTIVE
+
+
+Life at St. Austin's was rendered somewhat hollow and burdensome for
+Pillingshot by the fact that he fagged for Scott. Not that Scott was
+the Beetle-Browed Bully in any way. Far from it. He showed a kindly
+interest in Pillingshot's welfare, and sometimes even did his Latin
+verses for him. But the noblest natures have flaws, and Scott's was no
+exception. He was by way of being a humorist, and Pillingshot, with
+his rather serious outlook on life, was puzzled and inconvenienced by
+this.
+
+It was through this defect in Scott's character that Pillingshot first
+became a detective.
+
+He was toasting muffins at the study fire one evening, while Scott,
+seated on two chairs and five cushions, read "Sherlock Holmes," when
+the Prefect laid down his book and fixed him with an earnest eye.
+
+"Do you know, Pillingshot," he said, "you've got a bright, intelligent
+face. I shouldn't wonder if you weren't rather clever. Why do you hide
+your light under a bushel?"
+
+Pillingshot grunted.
+
+"We must find some way of advertising you. Why don't you go in for a
+Junior Scholarship?"
+
+"Too old," said Pillingshot with satisfaction.
+
+"Senior, then?"
+
+"Too young."
+
+"I believe by sitting up all night and swotting----"
+
+"Here, I say!" said Pillingshot, alarmed.
+
+"You've got no enterprise," said Scott sadly. "What are those?
+Muffins? Well, well, I suppose I had better try and peck a bit."
+
+He ate four in rapid succession, and resumed his scrutiny of
+Pillingshot's countenance.
+
+"The great thing," he said, "is to find out your special line. Till
+then we are working in the dark. Perhaps it's music? Singing? Sing me
+a bar or two."
+
+Pillingshot wriggled uncomfortably.
+
+"Left your music at home?" said Scott. "Never mind, then. Perhaps it's
+all for the best. What are those? Still muffins? Hand me another.
+After all, one must keep one's strength up. You can have one if you
+like."
+
+Pillingshot's face brightened. He became more affable. He chatted.
+
+"There's rather a row on downstairs," he said. "In the junior day-room."
+
+"There always is," said Scott. "If it grows too loud, I shall get in
+amongst them with a swagger-stick. I attribute half my success at
+bringing off late-cuts to the practice I have had in the junior
+day-room. It keeps the wrist supple."
+
+"I don't mean that sort of row. It's about Evans."
+
+"What about Evans?"
+
+"He's lost a sovereign."
+
+"Silly young ass."
+
+Pillingshot furtively helped himself to another muffin.
+
+"He thinks some one's taken it," he said.
+
+"What! Stolen it?"
+
+Pillingshot nodded.
+
+"What makes him think that?"
+
+"He doesn't see how else it could have gone."
+
+"Oh, I don't--By Jove!"
+
+Scott sat up with some excitement.
+
+"I've got it," he said. "I knew we should hit on it sooner or later.
+Here's a field for your genius. You shall be a detective. Pillingshot,
+I hand this case over to you. I employ you."
+
+Pillingshot gaped.
+
+"I feel certain that's your line. I've often noticed you walking over
+to school, looking exactly like a blood-hound. Get to work. As a start
+you'd better fetch Evans up here and question him."
+
+"But, look here----"
+
+"Buck up, man, buck up. Don't you know that every moment is precious?"
+
+Evans, a small, stout youth, was not disposed to be reticent. The gist
+of his rambling statement was as follows. Rich uncle. Impecunious
+nephew. Visit of former to latter. Handsome tip, one sovereign.
+Impecunious nephew pouches sovereign, and it vanishes.
+
+"And I call it beastly rot," concluded Evans volubly. "And if I could
+find the cad who's pinched it, I'd jolly well----"
+
+"Less of it," said Scott. "Now, then, Pillingshot, I'll begin this
+thing, just to start you off. What makes you think the quid has been
+stolen, Evans?"
+
+"Because I jolly well know it has."
+
+"What you jolly well know isn't evidence. We must thresh this thing
+out. To begin with, where did you last see it?"
+
+"When I put it in my pocket."
+
+"Good. Make a note of that, Pillingshot. Where's your notebook? Not
+got one? Here you are then. You can tear out the first few pages, the
+ones I've written on. Ready? Carry on, Evans. When?"
+
+"When what?"
+
+"When did you put it in your pocket?"
+
+"Yesterday afternoon."
+
+"What time?"
+
+"About five."
+
+"Same pair of bags you're wearing now?"
+
+"No, my cricket bags. I was playing at the nets when my uncle came."
+
+"Ah! Cricket bags? Put it down, Pillingshot. That's a clue. Work on
+it. Where are they?"
+
+"They've gone to the wash."
+
+"About time, too. I noticed them. How do you know the quid didn't go
+to the wash as well?"
+
+"I turned both the pockets inside out."
+
+"Any hole in the pocket?"
+
+"No."
+
+"Well, when did you take off the bags? Did you sleep in them?"
+
+"I wore 'em till bed-time, and then shoved them on a chair by the side
+of the bed. It wasn't till next morning that I remembered the quid was
+in them----"
+
+"But it wasn't," objected Scott.
+
+"I thought it was. It ought to have been."
+
+"He thought it was. That's a clue, young Pillingshot. Work on it.
+Well?"
+
+"Well, when I went to take the quid out of my cricket bags, it wasn't
+there."
+
+"What time was that?"
+
+"Half-past seven this morning."
+
+"What time did you go to bed?"
+
+"Ten."
+
+"Then the theft occurred between the hours of ten and seven-thirty.
+Mind you, I'm giving you a jolly good leg-up, young Pillingshot. But
+as it's your first case I don't mind. That'll be all from you, Evans.
+Pop off."
+
+Evans disappeared. Scott turned to the detective.
+
+"Well, young Pillingshot," he said, "what do you make of it?"
+
+"I don't know."
+
+"What steps do you propose to take?"
+
+"I don't know."
+
+"You're a lot of use, aren't you? As a start, you'd better examine the
+scene of the robbery, I should say."
+
+Pillingshot reluctantly left the room.
+
+"Well?" said Scott, when he returned. "Any clues?"
+
+"No."
+
+"You thoroughly examined the scene of the robbery?"
+
+"I looked under the bed."
+
+"_Under_ the bed? What's the good of that? Did you go over every inch
+of the strip of carpet leading to the chair with a magnifying-glass?"
+
+"Hadn't got a magnifying-glass."
+
+"Then you'd better buck up and get one, if you're going to be a
+detective. Do you think Sherlock Holmes ever moved a step without his?
+Not much. Well, anyhow. Did you find any foot-prints or tobacco-ash?"
+
+"There was a jolly lot of dust about."
+
+"Did you preserve a sample?"
+
+"No."
+
+"My word, you've a lot to learn. Now, weighing the evidence, does
+anything strike you?"
+
+"No."
+
+"You're a bright sort of sleuth-hound, aren't you! It seems to me I'm
+doing all the work on this case. I'll have to give you another leg-up.
+Considering the time when the quid disappeared, I should say that
+somebody in the dormitory must have collared it. How many fellows are
+there in Evans' dormitory?"
+
+"I don't know."
+
+"Cut along and find out."
+
+The detective reluctantly trudged off once more.
+
+"Well?" said Scott, on his return.
+
+"Seven," said Pillingshot. "Counting Evans."
+
+"We needn't count Evans. If he's ass enough to steal his own quids, he
+deserves to lose them. Who are the other six?"
+
+"There's Trent. He's prefect."
+
+"The Napoleon of Crime. Watch his every move. Yes?"
+
+"Simms."
+
+"A dangerous man. Sinister to the core."
+
+"And Green, Berkeley, Hanson, and Daubeny."
+
+"Every one of them well known to the police. Why, the place is a
+perfect Thieves' Kitchen. Look here, we must act swiftly, young
+Pillingshot. This is a black business. We'll take them in alphabetical
+order. Run and fetch Berkeley."
+
+Berkeley, interrupted in a game of Halma, came unwillingly.
+
+"Now then, Pillingshot, put your questions," said Scott. "This is a
+black business, Berkeley. Young Evans has lost a sovereign----"
+
+"If you think I've taken his beastly quid----!" said Berkeley warmly.
+
+"Make a note that, on being questioned, the man Berkeley exhibited
+suspicious emotion. Go on. Jam it down."
+
+Pillingshot reluctantly entered the statement under Berkeley's
+indignant gaze.
+
+"Now then, carry on."
+
+"You know, it's all rot," protested Pillingshot. "I never said
+Berkeley had anything to do with it."
+
+"Never mind. Ask him what his movements were on the night of the--what
+was yesterday?--on the night of the sixteenth of July."
+
+Pillingshot put the question nervously.
+
+"I was in bed, of course, you silly ass."
+
+"Were you asleep?" inquired Scott.
+
+"Of course I was."
+
+"Then how do you know what you were doing? Pillingshot, make a note of
+the fact that the man Berkeley's statement was confused and
+contradictory. It's a clue. Work on it. Who's next? Daubeny. Berkeley,
+send Daubeny up here."
+
+"All right, Pillingshot, you wait," was Berkeley's exit speech.
+
+Daubeny, when examined, exhibited the same suspicious emotion that
+Berkeley had shown; and Hanson, Simms, and Green behaved in a
+precisely similar manner.
+
+"This," said Scott, "somewhat complicates the case. We must have
+further clues. You'd better pop off now, Pillingshot. I've got a Latin
+Prose to do. Bring me reports of your progress daily, and don't
+overlook the importance of trifles. Why, in 'Silver Blaze' it was a
+burnt match that first put Holmes on the scent."
+
+Entering the junior day-room with some apprehension, the sleuth-hound
+found an excited gathering of suspects waiting to interview him.
+
+One sentiment animated the meeting. Each of the five wanted to know
+what Pillingshot meant by it.
+
+"What's the row?" queried interested spectators, rallying round.
+
+"That cad Pillingshot's been accusing us of bagging Evans' quid."
+
+"What's Scott got to do with it?" inquired one of the spectators.
+
+Pillingshot explained his position.
+
+"All the same," said Daubeny, "you needn't have dragged us into it."
+
+"I couldn't help it. He made me."
+
+"Awful ass, Scott," admitted Green.
+
+Pillingshot welcomed this sign that the focus of popular indignation
+was being shifted.
+
+"Shoving himself into other people's business," grumbled Pillingshot.
+
+"Trying to be funny," Berkeley summed up.
+
+"Rotten at cricket, too."
+
+"Can't play a yorker for nuts."
+
+"See him drop that sitter on Saturday?"
+
+So that was all right. As far as the junior day-room was concerned,
+Pillingshot felt himself vindicated.
+
+But his employer was less easily satisfied. Pillingshot had hoped that
+by the next day he would have forgotten the subject. But, when he went
+into the study to get tea ready, up it came again.
+
+"Any clues yet, Pillingshot?"
+
+Pillingshot had to admit that there were none.
+
+"Hullo, this won't do. You must bustle about. You must get your nose
+to the trail. Have you cross-examined Trent yet? No? Well, there you
+are, then. Nip off and do it now."
+
+"But, I say, Scott! He's a prefect!"
+
+"In the dictionary of crime," said Scott sententiously, "there is no
+such word as prefect. All are alike. Go and take down Trent's
+statement."
+
+To tax a prefect with having stolen a sovereign was a task at which
+Pillingshot's imagination boggled. He went to Trent's study in a sort
+of dream.
+
+A hoarse roar answered his feeble tap. There was no doubt about Trent
+being in. Inspection revealed the fact that the prefect was working
+and evidently ill-attuned to conversation. He wore a haggard look and
+his eye, as it caught that of the collector of statements, was
+dangerous.
+
+"Well?" said Trent, scowling murderously.
+
+Pillingshot's legs felt perfectly boneless.
+
+"_Well_?" said Trent.
+
+Pillingshot yammered.
+
+"_Well_?"
+
+The roar shook the window, and Pillingshot's presence of mind deserted
+him altogether.
+
+"Have you bagged a sovereign?" he asked.
+
+There was an awful silence, during which the detective, his limbs
+suddenly becoming active again, banged the door, and shot off down the
+passage.
+
+He re-entered Scott's study at the double.
+
+"Well?" said Scott. "What did he say?"
+
+"Nothing."
+
+"Get out your note-book, and put down, under the heading 'Trent':
+'Suspicious silence.' A very bad lot, Trent. Keep him under constant
+espionage. It's a clue. Work on it."
+
+Pillingshot made a note of the silence, but later on, when he and the
+prefect met in the dormitory, felt inclined to erase it. For silence
+was the last epithet one would have applied to Trent on that occasion.
+As he crawled painfully into bed Pillingshot became more than ever
+convinced that the path of the amateur detective was a thorny one.
+
+This conviction deepened next day.
+
+Scott's help was possibly well meant, but it was certainly
+inconvenient. His theories were of the brilliant, dashing order, and
+Pillingshot could never be certain who and in what rank of life the
+next suspect would be. He spent that afternoon shadowing the Greaser
+(the combination of boot-boy and butler who did the odd jobs about the
+school house), and in the evening seemed likely to be about to move in
+the very highest circles. This was when Scott remarked in a dreamy
+voice, "You know, I'm told the old man has been spending a good lot of
+money lately...."
+
+To which the burden of Pillingshot's reply was that he would do
+anything in reason, but he was blowed if he was going to cross-examine
+the head-master.
+
+"It seems to me," said Scott sadly, "that you don't _want_ to
+find that sovereign. Don't you like Evans, or what is it?"
+
+It was on the following morning, after breakfast, that the close
+observer might have noticed a change in the detective's demeanour. He
+no longer looked as if he were weighed down by a secret sorrow. His
+manner was even jaunty.
+
+Scott noticed it.
+
+"What's up?" he inquired. "Got a clue?"
+
+Pillingshot nodded.
+
+"What is it? Let's have a look."
+
+"Sh--h--h!" said Pillingshot mysteriously.
+
+Scott's interest was aroused. When his fag was making tea in the
+afternoon, he questioned him again.
+
+"Out with it," he said. "What's the point of all this silent mystery
+business?"
+
+"Sherlock Holmes never gave anything away."
+
+"Out with it."
+
+"Walls have ears," said Pillingshot.
+
+"So have you," replied Scott crisply, "and I'll smite them in half a
+second."
+
+Pillingshot sighed resignedly, and produced an envelope. From this he
+poured some dried mud.
+
+"Here, steady on with my table-cloth," said Scott. "What's this?"
+
+"Mud."
+
+"What about it?"
+
+"Where do you think it came from?"
+
+"How should I know? Road, I suppose."
+
+Pillingshot smiled faintly.
+
+"Eighteen different kinds of mud about here," he said patronisingly.
+"This is flower-bed mud from the house front-garden."
+
+"Well? What about it?"
+
+"Sh--h--h!" said Pillingshot, and glided out of the room.
+
+ * * * * *
+
+"Well?" asked Scott next day. "Clues pouring in all right?"
+
+"Rather."
+
+"What? Got another?"
+
+Pillingshot walked silently to the door and flung it open. He looked
+up and down the passage. Then he closed the door and returned to the
+table, where he took from his waistcoat-pocket a used match.
+
+Scott turned it over inquiringly.
+
+"What's the idea of this?"
+
+"A clue," said Pillingshot. "See anything queer about it? See that
+rummy brown stain on it?"
+
+"Yes."
+
+"Blood!" snorted Pillingshot.
+
+"What's the good of blood? There's been no murder."
+
+Pillingshot looked serious.
+
+"I never thought of that."
+
+"You must think of everything. The worst mistake a detective can make
+is to get switched off on to another track while he's working on a
+case. This match is a clue to something else. You can't work on it."
+
+"I suppose not," said Pillingshot.
+
+"Don't be discouraged. You're doing fine."
+
+"I know," said Pillingshot. "I shall find that quid all right."
+
+"Nothing like sticking to it."
+
+Pillingshot shuffled, then rose to a point of order.
+
+"I've been reading those Sherlock Holmes stories," he said, "and
+Sherlock Holmes always got a fee if he brought a thing off. I think I
+ought to, too."
+
+"Mercenary young brute."
+
+"It has been a beastly sweat."
+
+"Done you good. Supplied you with a serious interest in life. Well, I
+expect Evans will give you something--a jewelled snuff-box or
+something--if you pull the thing off."
+
+"_I_ don't."
+
+"Well, he'll buy you a tea or something."
+
+"He won't. He's not going to break the quid. He's saving up for a
+camera."
+
+"Well, what are you going to do about it?"
+
+Pillingshot kicked the leg of the table.
+
+"_You_ put me on to the case," he said casually.
+
+"What! If you think I'm going to squander----"
+
+"I think you ought to let me off fagging for the rest of the term."
+
+Scott reflected.
+
+"There's something in that. All right."
+
+"Thanks."
+
+"Don't mention it. You haven't found the quid yet."
+
+"I know where it is."
+
+"Where?"
+
+"Ah!"
+
+"Fool," said Scott.
+
+ * * * * *
+
+After breakfast next day Scott was seated in his study when
+Pillingshot entered.
+
+"Here you are," said Pillingshot.
+
+He unclasped his right hand and exhibited a sovereign. Scott inspected
+it.
+
+"Is this the one?" he said.
+
+"Yes," said Pillingshot.
+
+"How do you know?"
+
+"It _is_. I've sifted all the evidence."
+
+"Who had bagged it?"
+
+"I don't want to mention names."
+
+"Oh, all right. As he didn't spend any of it, it doesn't much matter.
+Not that it's much catch having a thief roaming at large about the
+house. Anyhow, what put you on to him? How did you get on the track?
+You're a jolly smart kid, young Pillingshot. How did you work it?"
+
+"I have my methods," said Pillingshot with dignity.
+
+"Buck up. I shall have to be going over to school in a second."
+
+"I hardly like to tell you."
+
+"Tell me! Dash it all, I put you on to the case. I'm your employer."
+
+"You won't touch me up if I tell you?"
+
+"I will if you don't."
+
+"But not if I do?"
+
+"No."
+
+"And how about the fee?"
+
+"That's all right. Go on."
+
+"All right then. Well, I thought the whole thing over, and I couldn't
+make anything out of it at first, because it didn't seem likely that
+Trent or any of the other fellows in the dormitory had taken it; and
+then suddenly something Evans told me the day before yesterday made it
+all clear."
+
+"What was that?"
+
+"He said that the matron had just given him back his quid, which one
+of the housemaids had found on the floor by his bed. It had dropped
+out of his pocket that first night."
+
+Scott eyed him fixedly. Pillingshot coyly evaded his gaze.
+
+"That was it, was it?" said Scott.
+
+Pillingshot nodded.
+
+"It was a clue," he said. "I worked on it."
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Politeness of Princes, by P. G. Wodehouse
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+***** This file should be named 8178-8.txt or 8178-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/8/1/7/8178/
+
+Produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/8178-8.zip b/8178-8.zip
new file mode 100644
index 0000000..cc51046
--- /dev/null
+++ b/8178-8.zip
Binary files differ
diff --git a/8178-h.zip b/8178-h.zip
new file mode 100644
index 0000000..406b072
--- /dev/null
+++ b/8178-h.zip
Binary files differ
diff --git a/8178-h/8178-h.htm b/8178-h/8178-h.htm
new file mode 100644
index 0000000..14fe028
--- /dev/null
+++ b/8178-h/8178-h.htm
@@ -0,0 +1,4861 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linkgenerator" />
+ <title>
+ The Politeness of Princes, by P. G. Wodehouse
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Politeness of Princes, by P. G. Wodehouse
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Politeness of Princes
+ And Other School Stories
+
+Author: P. G. Wodehouse
+
+Release Date: May, 2005 [EBook #8178]
+First Posted: June 26, 2003
+Last Updated: November 11, 2018
+
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+
+
+Etext produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+HTML file produced by David Widger
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE POLITENESS OF PRINCES
+ </h1>
+ <h3>
+ And Other School Stories
+ </h3>
+ <h2>
+ By P. G. Wodehouse
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ CONTENTS
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
+ <tr>
+ <td>
+ <a href="#link2H_4_0002"> THE POLITENESS OF PRINCES</a>
+ </td>
+ <td>
+ 1905
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0003"> SHIELDS' AND THE CRICKET CUP</a>
+ </td>
+ <td>
+ 1905
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0004"> AN INTERNATIONAL AFFAIR</a>
+ </td>
+ <td>
+ 1905
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_PART"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Part 1 </a>
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_PART"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Part 2 </a>
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_PART"> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Part 3 </a>
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0008"> THE GUARDIAN</a>
+ </td>
+ <td>
+ 1908
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0009"> A CORNER IN LINES</a>
+ </td>
+ <td>
+ 1905
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0010"> THE AUTOGRAPH HUNTERS</a>
+ </td>
+ <td>
+ 1905
+ </td>
+ </tr>
+ <tr>
+ <td>
+ <a href="#link2H_4_0011"> PILLINGSHOT, DETECTIVE</a>
+ </td>
+ <td>
+ 1910
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p>
+ <b>Transcriber's note:</b> This selection of early Wodehouse stories was
+ assembled for Project Gutenberg. The original publication date of each
+ story is listed.]
+ </p>
+ </blockquote>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE POLITENESS OF PRINCES
+ </h2>
+ <p>
+ The painful case of G. Montgomery Chapple, bachelor, of Seymour's house,
+ Wrykyn. Let us examine and ponder over it.
+ </p>
+ <p>
+ It has been well said that this is the age of the specialist. Everybody,
+ if they wish to leave the world a better and happier place for their stay
+ in it, should endeavour to adopt some speciality and make it their own.
+ Chapple's speciality was being late for breakfast. He was late not once or
+ twice, but every day. Sometimes he would scramble in about the time of the
+ second cup of coffee, buttoning his waistcoat as he sidled to his place.
+ Generally he would arrive just as the rest of the house were filing out;
+ when, having lurked hidden until Mr. Seymour was out of the way, he would
+ enter into private treaty with Herbert, the factotum, who had influence
+ with the cook, for Something Hot and maybe a fresh brew of coffee. For
+ there was nothing of the amateur late-breakfaster about Chapple. Your
+ amateur slinks in with blushes deepening the naturally healthy hue of his
+ face, and, bolting a piece of dry bread and gulping down a cup of cold
+ coffee, dashes out again, filled more with good resolutions for the future
+ than with food. Not so Chapple. He liked his meals. He wanted a good deal
+ here below, and wanted it hot and fresh. Conscience had but a poor time
+ when it tried to bully Chapple. He had it weak in the first round.
+ </p>
+ <p>
+ But there was one more powerful than Conscience&mdash;Mr. Seymour. He had
+ marked the constant lateness of our hero, and disapproved of it.
+ </p>
+ <p>
+ Thus it happened that Chapple, having finished an excellent breakfast one
+ morning some twenty minutes after everybody else, was informed as he sat
+ in the junior day-room trying, with the help of an illustrated article in
+ a boys' paper, to construct a handy model steam-engine out of a reel of
+ cotton and an old note-book&mdash;for his was in many ways a giant brain&mdash;that
+ Mr. Seymour would like to have a friendly chat with him in his study.
+ Laying aside his handy model steam-engine, he went off to the
+ housemaster's study.
+ </p>
+ <p>
+ "You were late for breakfast to-day," said Mr. Seymour, in the horrid,
+ abrupt way housemasters have.
+ </p>
+ <p>
+ "Why, yes, sir," said Chapple, pleasantly.
+ </p>
+ <p>
+ "And the day before."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ "And the day before that."
+ </p>
+ <p>
+ Chapple did not deny it. He stood on one foot and smiled a propitiating
+ smile. So far Mr. Seymour was entitled to demand a cigar or cocoanut every
+ time.
+ </p>
+ <p>
+ The housemaster walked to the window, looked out, returned to the
+ mantelpiece, and shifted the position of a china vase two and a quarter
+ inches to the left. Chapple, by way of spirited repartee, stood on the
+ other leg and curled the disengaged foot round his ankle. The conversation
+ was getting quite intellectual.
+ </p>
+ <p>
+ "You will write out&mdash;&mdash;"
+ </p>
+ <p>
+ "Sir, please, sir&mdash;&mdash;" interrupted Chapple in an
+ "I-represent-the defendant-m'lud" tone of voice.
+ </p>
+ <p>
+ "Well?"
+ </p>
+ <p>
+ "It's awfully hard to hear the bell from where I sleep, sir."
+ </p>
+ <p>
+ Owing to the increased numbers of the house this term Chapple had been
+ removed from his dormitory proper to a small room some distance away.
+ </p>
+ <p>
+ "Nonsense. The bell can be heard perfectly well all over the house."
+ </p>
+ <p>
+ There was reason in what he said. Herbert, who woke the house of a
+ morning, did so by ringing a bell. It was a big bell, and he enjoyed
+ ringing it. Few sleepers, however sound, could dream on peacefully through
+ Herbert's morning solo. After five seconds of it they would turn over
+ uneasily. After seven they would sit up. At the end of the first quarter
+ of a minute they would be out of bed, and you would be wondering where
+ they picked up such expressions.
+ </p>
+ <p>
+ Chapple murmured wordlessly in reply. He realised that his defence was a
+ thin one. Mr. Seymour followed up his advantage.
+ </p>
+ <p>
+ "You will write a hundred lines of Vergil," he said, "and if you are late
+ again to-morrow I shall double them."
+ </p>
+ <p>
+ Chapple retired.
+ </p>
+ <p>
+ This, he felt, was a crisis. He had been pursuing his career of
+ unpunctuality so long that he had never quite realised that a time might
+ come when the authorities would drop on him. For a moment he felt that it
+ was impossible, that he could not meet Mr. Seymour's wishes in the matter;
+ but the bull-dog pluck of the true Englishman caused him to reconsider
+ this. He would at least have a dash at it.
+ </p>
+ <p>
+ "I'll tell you what to do," said his friend, Brodie, when consulted on the
+ point over a quiet pot of tea that afternoon. "You ought to sleep without
+ so many things on the bed. How many blankets do you use, for instance?"
+ </p>
+ <p>
+ "I don't know," said Chapple. "As many as they shove on."
+ </p>
+ <p>
+ It had never occurred to him to reckon up the amount of his bedclothes
+ before retiring to rest.
+ </p>
+ <p>
+ "Well, you take my tip," said Brodie, "and only sleep with one on. Then
+ the cold'll wake you in the morning, and you'll get up because it'll be
+ more comfortable than staying in bed."
+ </p>
+ <p>
+ This scientific plan might have worked. In fact, to a certain extent it
+ did work. It woke Chapple in the morning, as Brodie had predicted; but it
+ woke him at the wrong hour. It is no good springing out of bed when there
+ are still three hours to breakfast. When Chapple woke at five the next
+ morning, after a series of dreams, the scenes of which were laid mainly in
+ the Arctic regions, he first sneezed, then he piled upon the bed
+ everything he could find, including his boots, and then went to sleep
+ again. The genial warmth oozed through his form, and continued to ooze
+ until he woke once more, this time at eight-fifteen. Breakfast being at
+ eight, it occurred to him that his position with Mr. Seymour was not
+ improved. While he was devoting a few moments' profound meditation to this
+ point the genial warmth got in its fell work once again. When he next
+ woke, the bell was ringing for school. He lowered the world's record for
+ rapid dressing, and was just in time to accompany the tail of the
+ procession into the form-room.
+ </p>
+ <p>
+ "You were late again this morning," said Mr. Seymour, after dinner.
+ </p>
+ <p>
+ "Yes, sir. I overslebbed myselb, sir," replied Chapple, who was suffering
+ from a cold in the head.
+ </p>
+ <p>
+ "Two hundred lines."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ Things had now become serious. It was no good going to Brodie again for
+ counsel. Brodie had done for himself, proved himself a fraud, an idiot. In
+ fine, a rotter. He must try somebody else. Happy thought. Spenlow. It was
+ a cold day, when Spenlow got left behind. He would know what to do. <i>There</i>
+ was a chap for you, if you liked! Young, mind you, but what a brain!
+ Colossal!
+ </p>
+ <p>
+ "What <i>I</i> should do," said Spenlow, "is this. I should put my watch
+ on half an hour."
+ </p>
+ <p>
+ "What 'ud be the good of that?"
+ </p>
+ <p>
+ "Why, don't you see? You'd wake up and find it was ten to eight, say, by
+ your watch, so you'd shove on the pace dressing, and nip downstairs, and
+ then find that you'd really got tons of time. What price that?"
+ </p>
+ <p>
+ "But I should remember I'd put my watch on," objected Chapple.
+ </p>
+ <p>
+ "Oh, no, probably not. You'd be half asleep, and you'd shoot out of bed
+ before you remembered, and that's all you'd want. It's the getting out of
+ bed that's so difficult. If you were once out, you wouldn't want to get
+ back again."
+ </p>
+ <p>
+ "Oh, shouldn't I?" said Chapple.
+ </p>
+ <p>
+ "Well, you might want to, but you'd have the sense not to do it."
+ </p>
+ <p>
+ "It's not a bad idea," said Chapple. "Thanks."
+ </p>
+ <p>
+ That night he took his Waterbury, prised open the face with a pocket-knife
+ as if he were opening an oyster, put the minute hand on exactly half an
+ hour, and retired to bed satisfied. There was going to be no nonsense
+ about it this time.
+ </p>
+ <p>
+ I am sorry to disappoint the reader, but facts are facts, and I must not
+ tamper with them. It is, therefore, my duty to state, however reluctantly,
+ that Chapple was not in time for breakfast on the following morning. He
+ woke at seven o'clock, when the hands of the watch pointed to
+ seven-thirty. Primed with virtuous resolutions, he was just about to leap
+ from his couch, when his memory began to work, and he recollected that he
+ had still an hour. Punctuality, he felt, was an excellent thing, a noble
+ virtue, in fact, but it was no good overdoing it. He could give himself at
+ least another half hour. So he dozed off. He woke again with something of
+ a start. He seemed to feel that he had been asleep for a considerable
+ time. But no. A glance at the watch showed the hands pointing to
+ twenty-five to eight. Twenty-five minutes more. He had a good long doze
+ this time. Then, feeling that now he really must be getting up, he looked
+ once more at the watch, and rubbed his eyes. It was still twenty-five to
+ eight.
+ </p>
+ <p>
+ The fact was that, in the exhilaration of putting the hands on, he had
+ forgotten that other and even more important operation, winding up. The
+ watch had stopped.
+ </p>
+ <p>
+ There are few more disturbing sensations than that of suddenly discovering
+ that one has no means of telling the time. This is especially so when one
+ has to be in a certain place by a certain hour. It gives the discoverer a
+ weird, lost feeling, as if he had stopped dead while all the rest of the
+ world had moved on at the usual rate. It is a sensation not unlike that of
+ the man who arrives on the platform of a railway station just in time to
+ see the tail-end of his train disappear.
+ </p>
+ <p>
+ Until that morning the world's record for dressing (set up the day before)
+ had been five minutes, twenty-three and a fifth seconds. He lowered this
+ by two seconds, and went downstairs.
+ </p>
+ <p>
+ The house was empty. In the passage that led to the dining-room he looked
+ at the clock, and his heart turned a somersault. <i>It was five minutes
+ past nine.</i> Not only was he late for breakfast, but late for school,
+ too. Never before had he brought off the double event.
+ </p>
+ <p>
+ There was a little unpleasantness in his form room when he stole in at
+ seven minutes past the hour. Mr. Dexter, his form-master, never a jolly
+ sort of man to have dealings with, was rather bitter on the subject.
+ </p>
+ <p>
+ "You are incorrigibly lazy and unpunctual," said Mr. Dexter, towards the
+ end of the address. "You will do me a hundred lines."
+ </p>
+ <p>
+ "Oo-o-o, sir-r," said Chapple. But he felt at the time that it was not
+ much of a repartee. After dinner there was the usual interview with Mr.
+ Seymour.
+ </p>
+ <p>
+ "You were late again this morning," he said.
+ </p>
+ <p>
+ "Yes, sir," said Chapple.
+ </p>
+ <p>
+ "Two hundred lines."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ The thing was becoming monotonous.
+ </p>
+ <p>
+ Chapple pulled himself together. This must stop. He had said that several
+ times previously, but now he meant it. Nor poppy, nor mandragora, nor all
+ the drowsy syrups of the world should make him oversleep himself again.
+ This time he would try a combination of schemes.
+ </p>
+ <p>
+ Before he went to bed that night he put his watch on half an hour, wound
+ it up, and placed it on a chair at his bedside. Then he seized his rug and
+ all the blankets except one, and tore them off. Then he piled them in an
+ untidy heap in the most distant corner of the room. He meant to put
+ temptation out of his reach. There should be no genial warmth on this
+ occasion.
+ </p>
+ <p>
+ Nor was there. He woke at six feeling as if he were one solid chunk of
+ ice. He put up with it in a torpid sort of way till seven. Then he could
+ stand it no longer. It would not be pleasant getting up and going
+ downstairs to the cheerless junior day-room, but it was the only thing to
+ do. He knew that if he once wrapped himself in the blankets which stared
+ at him invitingly from the opposite corner of the room, he was lost. So he
+ crawled out of bed, shivering, washed unenthusiastically, and he proceeded
+ to put on his clothes.
+ </p>
+ <p>
+ Downstairs it was more unpleasant than one would have believed possible.
+ The day-room was in its usual state of disorder. The fire was not lit.
+ There was a vague smell of apples. Life was very, very grey. There seemed
+ no brightness in it at all.
+ </p>
+ <p>
+ He sat down at the table and began once more the task of constructing a
+ handy model steam-engine, but he speedily realised, what he had suspected
+ before, that the instructions were the work of a dangerous madman. What
+ was the good of going on living when gibbering lunatics were allowed to
+ write for weekly papers?
+ </p>
+ <p>
+ About this time his gloom was deepened by the discovery that a tin
+ labelled mixed biscuits, which he had noticed in Brodie's locker, was
+ empty.
+ </p>
+ <p>
+ He thought he would go for a stroll. It would be beastly, of course, but
+ not so beastly as sitting in the junior day-room.
+ </p>
+ <p>
+ It is just here that the tragedy begins to deepen.
+ </p>
+ <p>
+ Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore an
+ earnest, thoughtful expression.
+ </p>
+ <p>
+ "Hullo, Brooke," said Chapple, "where are you off to?"
+ </p>
+ <p>
+ It seemed that Brooke was off to the carpenter's shop. Hence the earnest,
+ thoughtful expression. His mind was wrestling with certain pieces of wood
+ which he proposed to fashion into photograph frames. There was always a
+ steady demand in the school for photograph frames, and the gifted were in
+ the habit of turning here and there an honest penny by means of them.
+ </p>
+ <p>
+ The artist soul is not always unfavourable to a gallery. Brooke said he
+ didn't mind if Chapple came along, only he wasn't to go rotting about or
+ anything. So Chapple went along.
+ </p>
+ <p>
+ Arrived at the carpenter's shop, Brooke was soon absorbed in his labours.
+ Chapple watched him for a time with the interest of a brother-worker, for
+ had he not tried to construct handy model steam-engines in his day?
+ Indeed, yes. After a while, however, the <i>rtle</i> of spectator began to
+ pall. He wanted to <i>do</i> something. Wandering round the room he found
+ a chisel, and upon the instant, in direct contravention of the treaty
+ respecting rotting, he sat down and started carving his name on a smooth
+ deal board which looked as if nobody wanted it. The pair worked on in
+ silence, broken only by an occasional hard breath as the toil grew
+ exciting. Chapple's tongue was out and performing mystic evolutions as he
+ carved the letters. He felt inspired.
+ </p>
+ <p>
+ He was beginning the A when he was brought to earth again by the voice of
+ Brooke.
+ </p>
+ <p>
+ "You <i>are</i> an idiot," said Brooke, complainingly. "That's <i>my</i>
+ board, and now you've spoilt it."
+ </p>
+ <p>
+ Spoilt it! Chapple liked that! Spoilt it, if you please, when he had done
+ a beautiful piece of carving on it!
+ </p>
+ <p>
+ "Well, it can't be helped now," said Brooke, philosophically. "I suppose
+ it's not your fault you're such an ass. Anyhow, come on now. It's struck
+ eight."
+ </p>
+ <p>
+ "It's what?" gasped Chapple.
+ </p>
+ <p>
+ "Struck eight. But it doesn't matter. Appleby never minds one being a bit
+ late for breakfast."
+ </p>
+ <p>
+ "Oh," said Chapple. "Oh, doesn't he!"
+ </p>
+ <hr />
+ <p>
+ Go into Seymour's at eight sharp any morning and look down the table, and
+ you will see the face of G. M. Chapple&mdash;obscured every now and then,
+ perhaps, by a coffee cup or a slice of bread and marmalade. He has not
+ been late for three weeks. The spare room is now occupied by
+ Postlethwaite, of the Upper Fourth, whose place in Milton's dormitory has
+ been taken by Chapple. Milton is the head of the house, and stands alone
+ among the house prefects for the strenuousness of his methods in dealing
+ with his dormitory. Nothing in this world is certain, but it is highly
+ improbable that Chapple will be late again. There are swagger-sticks.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SHIELDS' AND THE CRICKET CUP
+ </h2>
+ <p>
+ The house cricket cup at Wrykyn has found itself on some strange
+ mantelpieces in its time. New talent has a way of cropping up in the house
+ matches. Tail-end men hit up fifties, and bowlers who have never taken a
+ wicket before except at the nets go on fifth change, and dismiss first
+ eleven experts with deliveries that bounce twice and shoot. So that nobody
+ is greatly surprised in the ordinary run of things if the cup does not go
+ to the favourites, or even to the second or third favourites. But one
+ likes to draw the line. And Wrykyn drew it at Shields'. And yet, as we
+ shall proceed to show, Shields' once won the cup, and that, too, in a year
+ when Donaldson's had four first eleven men and Dexter's three.
+ </p>
+ <p>
+ Shields' occupied a unique position at the School. It was an absolutely
+ inconspicuous house. There were other houses that were slack or wild or
+ both, but the worst of these did something. Shields' never did anything.
+ It never seemed to want to do anything. This may have been due in some
+ degree to Mr. Shields. As the housemaster is, so the house is. He was the
+ most inconspicuous master on the staff. He taught a minute form in the
+ junior school, where earnest infants wrestled with somebody's handy book
+ of easy Latin sentences, and depraved infants threw cunningly compounded
+ ink-balls at one another and the ceiling. After school he would range the
+ countryside with a pickle-bottle in search of polly woggles and other big
+ game, which he subsequently transferred to slides and examined through a
+ microscope till an advanced hour of the night. The curious part of the
+ matter was that his house was never riotous. Perhaps he was looked on as a
+ non-combatant, one whom it would be unfair and unsporting to rag. At any
+ rate, a weird calm reigned over the place; and this spirit seemed to
+ permeate the public lives of the Shieldsites. They said nothing much and
+ they did nothing much and they were very inoffensive. As a rule, one
+ hardly knew they were there.
+ </p>
+ <p>
+ Into this abode of lotus-eaters came Clephane, a day boy, owing to the
+ departure of his parents for India. Clephane wanted to go to Donaldson's.
+ In fact, he said so. His expressions, indeed, when he found that the whole
+ thing had been settled, and that he was to spend his last term at school
+ at a house which had never turned out so much as a member of the Gym. Six,
+ bordered on the unfilial. It appeared that his father had met Mr. Shields
+ at dinner in the town&mdash;a fact to which he seemed to attach a mystic
+ importance. Clephane's criticism of this attitude of mind was of such a
+ nature as to lead his father to address him as Archibald instead of
+ Archie.
+ </p>
+ <p>
+ However, the thing was done, and Clephane showed his good sense by
+ realising this and turning his energetic mind to the discovery of the best
+ way of making life at Shields' endurable. Fortune favoured him by sending
+ to the house another day boy, one Mansfield. Clephane had not known him
+ intimately before, though they were both members of the second eleven; but
+ at Shields' they instantly formed an alliance. And in due season&mdash;or
+ a little later&mdash;the house matches began. Henfrey, of Day's, the
+ Wrykyn cricket captain, met Clephane at the nets when the drawing for
+ opponents had been done.
+ </p>
+ <p>
+ "Just the man I wanted to see," said Henfrey. "I suppose you're captain of
+ Shields' lot, Clephane? Well, you're going to scratch as usual, I
+ suppose?"
+ </p>
+ <p>
+ For the last five seasons that lamentable house had failed to put a team
+ into the field. "You'd better," said Henfrey, "we haven't overmuch time as
+ it is. That match with Paget's team has thrown us out a lot. We ought to
+ have started the house matches a week ago."
+ </p>
+ <p>
+ "Scratch!" said Clephane. "Don't you wish we would! My good chap, we're
+ going to get the cup."
+ </p>
+ <p>
+ "You needn't be a funny ass," said Henfrey in his complaining voice, "we
+ really are awfully pushed. As it is we shall have to settle the opening
+ rounds on the first innings. That's to say, we can only give 'em a day
+ each; if they don't finish, the winner of the first innings wins. You
+ might as well scratch."
+ </p>
+ <p>
+ "I can't help your troubles. By rotten mismanagement you have got the
+ house-matches crowded up into the last ten days of term, and you come and
+ expect me to sell a fine side like Shields' to get you out of the
+ consequences of your reckless act. My word, Henfrey, you've sunk pretty
+ low. Nice young fellow Henfrey was at one time, but seems to have got
+ among bad companions. Quite changed now. Avoid him as much as I can. Leave
+ me, Henfrey, I would be alone."
+ </p>
+ <p>
+ "But you can't raise a team."
+ </p>
+ <p>
+ "Raise a team! Do you happen to know that half the house is <i>biting</i>
+ itself with agony because we can't find room for all? Shields gives
+ stump-cricket <i>soiries</i> in his study after prep. One every time you
+ hit the ball, two into the bowl of goldfish, and out if you smash the
+ microscope."
+ </p>
+ <p>
+ "Well," said Henfrey viciously, "if you want to go through the farce of
+ playing one round and making idiots of yourselves, you'll have to wait a
+ bit. You've got a bye in the first round."
+ </p>
+ <p>
+ Clephane told the news to Mansfield after tea. "I've been and let the
+ house in for a rollicking time," he said, abstracting the copy of Latin
+ verses which his friend was doing, and sitting on them to ensure undivided
+ attention to his words. "Wanting to score off old Henfrey&mdash;I have few
+ pleasures&mdash;I told him that Shields' was not going to scratch. So we
+ are booked to play in the second round of the housers. We drew a bye for
+ the first. It would be an awful rag if we could do something. We <i>must</i>
+ raise a team of some sort. Henfrey would score so if we didn't. Who's
+ there, d'you think, that can play?"
+ </p>
+ <p>
+ Mansfield considered the question thoughtfully. "They all <i>play</i>, I
+ suppose," he said slowly, "if you can call it playing. What I mean to say
+ is, cricket's compulsory here, so I suppose they've all had an innings or
+ two at one time or another in the eightieth game or so. But if you want
+ record-breakers, I shouldn't trust to Shields' too much."
+ </p>
+ <p>
+ "Not a bit. So long as we put a full team into the field, that's all I
+ care about. I've often wondered what it's like to go in first and bowl
+ unchanged the whole time."
+ </p>
+ <p>
+ "You'll do that all right," said Mansfield. "I should think Shields'
+ bowling ran to slow grubs, to judge from the look of 'em. You'd better go
+ and see Wilkins about raising the team. As head of the house, he probably
+ considers himself captain of cricket."
+ </p>
+ <p>
+ Wilkins, however, took a far more modest view of his position. The notion
+ of leading a happy band of cricketers from Shields' into the field had, it
+ seemed, small attractions for him. But he went so far as to get a house
+ list, and help choose a really representative team. And as details about
+ historic teams are always welcome, we may say that the averages ranged
+ from 3.005 to 8.14. This last was Wilkins' own and was, as he would have
+ been the first to admit, substantially helped by a contribution of
+ nineteen in a single innings in the fifth game.
+ </p>
+ <p>
+ So the team was selected, and Clephane turned out after school next day to
+ give them a little fielding-practice. To his surprise the fielding was not
+ so outrageous as might have been expected. All the simpler catches were
+ held, and one or two of the harder as well. Given this form on the day of
+ their appearance in public, and Henfrey might be disappointed when he came
+ to watch and smile sarcastically. A batting fiasco is not one half so
+ ridiculous as maniac fielding.
+ </p>
+ <p>
+ In the meantime the first round of the house matches had been played off,
+ and it would be as well to describe at this point the positions of the
+ rival houses and their prospects. In the first place, there were only four
+ teams really in the running for the cup, Day's (headed by the redoubtable
+ Henfrey), Spence's, who had Jackson, that season a head and shoulders
+ above the other batsmen in the first eleven&mdash;he had just wound up the
+ school season with an average of 51.3, Donaldson's, and Dexter's. All the
+ other house teams were mainly tail.
+ </p>
+ <p>
+ Now, in the first round the powerful quartette had been diminished by the
+ fact that Donaldson's had drawn Dexter's, and had lost to them by a couple
+ of wickets.
+ </p>
+ <p>
+ For the second round Shields' drew Appleby's, a poor team. Space on the
+ Wrykyn field being a consideration, with three house matches to be played
+ off at the same time, Clephane's men fought their first battle on rugged
+ ground in an obscure corner. As the captain of cricket ordered these
+ matters, Henfrey had naturally selected the best bit of turf for Day's <i>v</i>.
+ Dexter's. That section of the ground which was sacred to the school
+ second-eleven matches was allotted to Spence's <i>v</i>. the School House.
+ The idle public divided its attention between the two big games, and paid
+ no attention to the death struggle in progress at the far end of the
+ field. Whereby it missed a deal of quiet fun.
+ </p>
+ <p>
+ I say death struggle advisedly. Clephane had won his second-eleven cap as
+ a fast bowler. He had failed to get into the first eleven because he was
+ considered too erratic. Put these two facts together, and you will suspect
+ that dark deeds were wrought on the men of Appleby in that lonely corner
+ of the Wrykyn meadow.
+ </p>
+ <p>
+ The pitch was not a good one. As a sample of the groundman's art it was
+ sketchy and amateurish; it lacked finish. Clephane won the toss, took a
+ hasty glance at the corrugated turf, and decided to bat first. The wicket
+ was hardly likely to improve with use.
+ </p>
+ <p>
+ He and Mansfield opened the batting. He stood three feet out of his
+ ground, and smote. The first four balls he took full pitch. The last two,
+ owing to a passion for variety on the part of the bowler, were long hops.
+ At the end of the over Shields' score was twenty-four. Mansfield pursued
+ the same tactics. When the first wicket fell, seventy was on the board. A
+ spirit of martial enthusiasm pervaded the ranks of the house team. Mild
+ youths with spectacles leaped out of their ground like tigers, and snicked
+ fours through the slips. When the innings concluded, blood had been spilt&mdash;from
+ an injured finger&mdash;but the total was a hundred and two.
+ </p>
+ <p>
+ Then Clephane walked across to the School shop for a vanilla ice. He said
+ he could get more devil, as it were, into his bowling after a vanilla ice.
+ He had a couple.
+ </p>
+ <p>
+ When he bowled his first ball it was easy to see that there was truth in
+ the report of the causes of his inclusion in the second eleven and
+ exclusion from the first. The batsman observed somewhat weakly, "Here, I
+ <i>say!</i>" and backed towards square leg. The ball soared over the
+ wicket-keep's head and went to the boundary. The bowler grinned
+ pleasantly, and said he was just getting his arm in.
+ </p>
+ <p>
+ The second ball landed full-pitch on the batsman's right thigh. The third
+ was another full pitch, this time on the top of the middle stump, which it
+ smashed. With profound satisfaction the batsman hobbled to the trees, and
+ sat down. "Let somebody else have a shot," he said kindly.
+ </p>
+ <p>
+ Appleby's made twenty-eight that innings.
+ </p>
+ <p>
+ Their defeat by an innings and fifty-three runs they attributed
+ subsequently to the fact that only seven of the team could be induced to
+ go to the wickets in the second venture.
+ </p>
+ <p>
+ "So you've managed to win a match," grunted Henfrey, "I should like to
+ have been there."
+ </p>
+ <p>
+ "You might just as well have been," said Clephane, "from what they tell
+ me."
+ </p>
+ <p>
+ At which Henfrey became abusive, for he had achieved an "egg" that
+ afternoon, and missed a catch; which things soured him, though Day's had
+ polished off Dexter's handsomely.
+ </p>
+ <p>
+ "Well," he said at length, "you're in the semi-final now, of all weird
+ places. You'd better play Spence's next. When can you play?"
+ </p>
+ <p>
+ "Henfrey," said Clephane, "I have a bright, open, boyish countenance, but
+ I was not born yesterday. You want to get a dangerous rival out of the way
+ without trouble, so you set Shields' to smash up Spence's. No, Henfrey. I
+ do not intend to be your catspaw. We will draw lots who is to play which.
+ Here comes Jackson. We'll toss odd man out."
+ </p>
+ <p>
+ And when the coins fell there were two tails and one head; and the head
+ belonged to the coin of Clephane.
+ </p>
+ <p>
+ "So, you see," he said to Henfrey, "Shields' is in the final. No wonder
+ you wanted us to scratch."
+ </p>
+ <p>
+ I should like this story to end with a vivid description of a tight
+ finish. Considering that Day's beat Spence's, and consequently met
+ Shields' in the final, that would certainly be the most artistic ending.
+ Henfrey batting&mdash;Clephane bowling&mdash;one to tie, two to win, one
+ wicket to fall. Up goes the ball! Will the lad catch it!! He fumbles it.
+ It falls. All is over. But look! With a supreme effort&mdash;and so on.
+ </p>
+ <p>
+ The real conclusion was a little sensational in its way, but not nearly so
+ exciting as that.
+ </p>
+ <p>
+ The match between Day's and Shields' opened in a conventional enough
+ manner. Day's batted first, and made two hundred and fifty. Henfrey
+ carried his bat for seventy-six, and there were some thirties. For
+ Shields' Clephane and Mansfield made their usual first-wicket stand, and
+ the rest brought the total up to ninety-eight. At this point Henfrey
+ introduced a variation on custom. The match was a three days' match. In
+ fact, owing to the speed with which the other games had been played, it
+ could, if necessary, last four days. The follow-on was, therefore, a
+ matter for the discretion of the side which led. Henfrey and his team saw
+ no reason why they should not have another pleasant spell of batting
+ before dismissing their opponents for the second time and acquiring the
+ cup. So in they went again, and made another two hundred and fifty odd,
+ Shields' being left with four hundred and twelve to make to win.
+ </p>
+ <p>
+ On the morning after Day's second innings, a fag from Day's brought
+ Clephane a message from Henfrey. Henfrey was apparently in bed. He would
+ be glad if Clephane would go and see him in the dinner-hour. The interview
+ lasted fifteen minutes. Then Clephane burst out of the house, and dashed
+ across to Shields' in search of Mansfield.
+ </p>
+ <p>
+ "I say, <i>have</i> you heard?" he shouted.
+ </p>
+ <p>
+ "What's up?"
+ </p>
+ <p>
+ "Why, every man in Day's team, bar two kids, is in bed. Ill. Do you mean
+ to say you haven't heard? They thought they'd got that house cup safe, so
+ all the team except the two kids, fags, you know, had a feed in honour of
+ it in Henfrey's study. Some ass went and bought a bad rabbit pie, and now
+ they're laid up. Not badly, but they won't be out for a day or two."
+ </p>
+ <p>
+ "But what about the match?"
+ </p>
+ <p>
+ "Oh, that'll go on. I made a point of that. They can play subs."
+ </p>
+ <p>
+ Mansfield looked thoughtful.
+ </p>
+ <p>
+ "But I say," he said, "it isn't very sporting, is it? Oughtn't we to wait
+ or something?"
+ </p>
+ <p>
+ "Sporting! My dear chap, a case like this mustn't be judged by ordinary
+ standards. We can't spoil the giant rag of the century because it isn't
+ quite sporting. Think what it means&mdash;Shields' getting the cup! It'll
+ keep the school laughing for terms. What do you want to spoil people's
+ pleasure for?"
+ </p>
+ <p>
+ "Oh, all right," said Mansfield.
+ </p>
+ <p>
+ "Besides, think of the moral effect it'll have on the house. It may turn
+ it into the blood house of Wrykyn. Shields himself may get quite sportive.
+ We mustn't miss the chance."
+ </p>
+ <p>
+ The news having got about the school, Clephane and Mansfield opened their
+ second innings to the somewhat embarrassed trundling of Masters Royce and
+ Tibbit, of the Junior School, before a substantial and appreciative
+ audience.
+ </p>
+ <p>
+ Both played carefully at first, but soon getting the measure of the
+ bowling (which was not deep) began to hit out, and runs came quickly. At
+ fifty, Tibbit, understudying Henfrey as captain of the side, summoned to
+ his young friend Todby from short leg, and instructed him to "have a go"
+ at the top end.
+ </p>
+ <p>
+ It was here that Clephane courteously interfered. Substitutes, he pointed
+ out, were allowed, by the laws of cricket, only to field, not to bowl. He
+ must, therefore, request friend Todby to return to his former sphere of
+ utility, where, he added politely, he was a perfect demon.
+ </p>
+ <p>
+ "But, blow it," said Master Tibbit, who (alas!) was addicted to the use of
+ strong language, "Royce and I can't bowl the whole blessed time."
+ </p>
+ <p>
+ "You'll have to, I'm afraid," said Clephane with the kindly air of a
+ doctor soothing a refractory patient. "Of course, you can take a spell at
+ grubs whenever you like."
+ </p>
+ <p>
+ "Oh, darn!" said Master Tibbit.
+ </p>
+ <p>
+ Shortly afterwards Clephane made his century.
+ </p>
+ <hr />
+ <p>
+ The match ended late on the following afternoon in a victory for Shields'
+ by nine wickets, and the scene at the School Shop when Royce and Tibbit
+ arrived to drown their sorrows and moisten their dry throats with ginger
+ beer is said by eyewitnesses to have been something quite out of the
+ common run.
+ </p>
+ <p>
+ The score sheet of the match is also a little unusual. Clephane's three
+ hundred and one (not out) is described in the <i>Wrykinian</i> as a
+ "masterly exhibition of sound yet aggressive batting." How Henfrey
+ described it we have never heard.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ AN INTERNATIONAL AFFAIR
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_PART" id="link2H_PART"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PART 1
+ </h2>
+ <p>
+ The whole thing may be said to have begun when Mr. Oliver Ring of New
+ York, changing cars, as he called it, at Wrykyn on his way to London, had
+ to wait an hour for his train. He put in that hour by strolling about the
+ town and seeing the sights, which were not numerous. Wrykyn, except on
+ Market Day, was wont to be wrapped in a primaeval calm which very nearly
+ brought tears to the strenuous eyes of the man from Manhattan. He had
+ always been told that England was a slow country, and his visit, now in
+ its third week, had confirmed this opinion: but even in England he had not
+ looked to find such a lotus-eating place as Wrykyn. He looked at the shop
+ windows. They resembled the shop windows of every other country town in
+ England. There was no dash, no initiative about them. They did not leap to
+ the eye and arrest the pedestrian's progress. They ordered these things,
+ thought Mr. Ring, better in the States. And then something seemed to
+ whisper to him that here was the place to set up a branch of Ring's
+ Come-One Come-All Up-to-date Stores. During his stroll he had gathered
+ certain pieces of information. To wit, that Wrykyn was where the county
+ families for ten miles round did their shopping, that the population of
+ the town was larger than would appear at first sight to a casual observer,
+ and, finally, that there was a school of six hundred boys only a mile
+ away. Nothing could be better. Within a month he would take to himself the
+ entire trade of the neighbourhood.
+ </p>
+ <p>
+ "It's a cinch," murmured Mr. Ring with a glad smile, as he boarded his
+ train, "a lead-pipe cinch."
+ </p>
+ <p>
+ Everybody who has moved about the world at all knows Ring's Come-one
+ Come-all Up-to-date Stores. The main office is in New York. Broadway, to
+ be exact, on the left as you go down, just before you get to Park Row,
+ where the newspapers come from. There is another office in Chicago. Others
+ in St. Louis, St. Paul, and across the seas in London, Paris, Berlin, and,
+ in short, everywhere. The peculiar advantage about Ring's Stores is that
+ you can get anything you happen to want there, from a motor to a macaroon,
+ and rather cheaper than you could get it anywhere else. England had up to
+ the present been ill-supplied with these handy paradises, the one in
+ Piccadilly being the only extant specimen. But now Mr. Ring in person had
+ crossed the Atlantic on a tour of inspection, and things were shortly to
+ be so brisk that you would be able to hear them whizz.
+ </p>
+ <p>
+ So an army of workmen invaded Wrykyn. A trio of decrepit houses in the
+ High Street were pulled down with a run, and from the ruins there began to
+ rise like a Phoenix the striking building which was to be the Wrykyn
+ Branch of Ring's Come-one Come-all Up-to-date Stores.
+ </p>
+ <p>
+ The sensation among the tradesmen caused by the invasion was, as may be
+ imagined, immense and painful. The thing was a public disaster. It
+ resembled the advent of a fox in a fowl-run. For years the tradesmen of
+ Wrykyn had jogged along in their comfortable way, each making his little
+ profits, with no thought of competition or modern hustle. And now the
+ enemy was at their doors. Many were the gloomy looks cast at the gaudy
+ building as it grew like a mushroom. It was finished with incredible
+ speed, and then advertisements began to flood the local papers. A special
+ sheaf of bills was despatched to the school.
+ </p>
+ <p>
+ Dunstable got hold of one, and read it with interest. Then he went in
+ search of his friend Linton to find out what he thought of it.
+ </p>
+ <p>
+ Linton was at work in the laboratory. He was an enthusiastic, but
+ unskilful, chemist. The only thing he could do with any real certainty was
+ to make oxygen. But he had ambitions beyond that feat, and was continually
+ experimenting in a reckless way which made the chemistry master look wan
+ and uneasy. He was bending over a complicated mixture of tubes, acids, and
+ Bunsen burners when Dunstable found him. It was after school, so that the
+ laboratory was empty, but for them.
+ </p>
+ <p>
+ "Don't mind me," said Dunstable, taking a seat on the table.
+ </p>
+ <p>
+ "Look out, man, don't jog. Sit tight, and I'll broaden your mind for you.
+ I take this bit of litmus paper, and dip it into this bilge, and if I've
+ done it right, it'll turn blue."
+ </p>
+ <p>
+ "Then I bet it doesn't," said Dunstable.
+ </p>
+ <p>
+ The paper turned red.
+ </p>
+ <p>
+ "Hades," said Linton calmly. "Well, I'm not going to sweat at it any more.
+ Let's go down to Cook's."
+ </p>
+ <p>
+ Cook's is the one school institution which nobody forgets who has been to
+ Wrykyn. It is a little confectioner's shop in the High Street. Its
+ exterior is somewhat forbidding, and the uninitiated would probably
+ shudder and pass on, wondering how on earth such a place could find a
+ public daring enough to support it by eating its wares. But the school
+ went there in flocks. Tea at Cook's was the alternative to a study tea.
+ There was a large room at the back of the shop, and here oceans of hot tea
+ and tons of toast were consumed. The staff of Cook's consisted of Mr.
+ Cook, late sergeant in a line regiment, six foot three, disposition
+ amiable, left leg cut off above the knee by a spirited Fuzzy in the last
+ Soudan war; Mrs. Cook, wife of the above, disposition similar, and
+ possessing the useful gift of being able to listen to five people at one
+ and the same time; and an invisible menial, or menials, who made toast in
+ some nether region at a perfectly dizzy rate of speed. Such was Cook's.
+ </p>
+ <p>
+ "Talking of Cook's," said Dunstable, producing his pamphlet, "have you
+ seen this? It'll be a bit of a knock-out for them, I should think."
+ </p>
+ <p>
+ Linton took the paper, and began to read. Dunstable roamed curiously about
+ the laboratory, examining things.
+ </p>
+ <p>
+ "What are these little crystal sort of bits of stuff?" he asked, coming to
+ a standstill before a large jar and opening it. "They look good to eat.
+ Shall I try one?"
+ </p>
+ <p>
+ "Don't you be an idiot," said the expert, looking up. "What have you got
+ hold of? Great Scott, no, don't eat that stuff."
+ </p>
+ <p>
+ "Why not? Is it poison?"
+ </p>
+ <p>
+ "No. But it would make you sick as a cat. It's Sal Ammoniac."
+ </p>
+ <p>
+ "Sal how much?"
+ </p>
+ <p>
+ "Ammoniac. You'd be awfully bad."
+ </p>
+ <p>
+ "All right, then, I won't. Well, what do you think of that thing? It'll be
+ rough on Cook's, won't it? You see they advertise a special
+ 'public-school' tea, as they call it. It sounds jolly good. I don't know
+ what buckwheat cakes are, but they ought to be decent. I suppose now
+ everybody'll chuck Cook's and go there. It's a beastly shame, considering
+ that Cook's has been a sort of school shop so long. And they really depend
+ on the school. At least, one never sees anybody else going there. Well, I
+ shall stick to Cook's. I don't want any of your beastly Yankee invaders.
+ Support home industries. Be a patriot. The band then played God Save the
+ King, and the meeting dispersed. But, seriously, man, I am rather sick
+ about this. The Cooks are such awfully good sorts, and this is bound to
+ make them lose a tremendous lot. The school's simply crawling with chaps
+ who'd do anything to get a good tea cheaper than they're getting now.
+ They'll simply scrum in to this new place."
+ </p>
+ <p>
+ "Well, I don't see what we can do," said Linton, "except keep on going to
+ Cook's ourselves. Let's be going now, by the way. We'll get as many chaps
+ as we can to promise to stick to them. But we can't prevent the rest going
+ where they like. Come on."
+ </p>
+ <p>
+ The atmosphere at Cook's that evening was heavily charged with gloom.
+ ExSergeant Cook, usually a treasury of jest and anecdote, was silent and
+ thoughtful. Mrs. Cook bustled about with her customary vigour, but she too
+ was disinclined for conversation. The place was ominously empty. A
+ quartette of school house juniors in one corner and a solitary prefect
+ from Donaldson's completed the sum of the customers. Nobody seemed to want
+ to talk a great deal. There was something in the air which
+ </p>
+<pre xml:space="preserve">
+ <i>said as plain as whisper in the ear,
+ "The place is haunted.</i>"
+</pre>
+ <p>
+ and so it was. Haunted by the spectre of that hideous, new, glaring
+ red-brick building down the street, which had opened its doors to the
+ public on the previous afternoon.
+ </p>
+ <p>
+ "Look there," said Dunstable, as they came out. He pointed along the
+ street. The doors of the new establishment were congested. A crowd, made
+ up of members of various houses, was pushing to get past another crowd
+ which was trying to get out. The "public-school tea at one shilling"
+ appeared to have proved attractive.
+ </p>
+ <p>
+ "Look at 'em," said Dunstable. "Sordid beasts! All they care about is
+ filling themselves. There goes that man Merrett. Rand-Brown with him. Here
+ come four more. Come on. It makes me sick."
+ </p>
+ <p>
+ "I wish it would make <i>them</i> sick," said Linton.
+ </p>
+ <p>
+ "Perhaps it will.... By George!"
+ </p>
+ <p>
+ He started.
+ </p>
+ <p>
+ "What's up?" said Linton.
+ </p>
+ <p>
+ "Oh, nothing. I was only thinking of something."
+ </p>
+ <p>
+ They walked on without further conversation. Dunstable's brain was working
+ fast. He had an idea, and was busy developing it.
+ </p>
+ <hr />
+ <p>
+ The manager of the Wrykyn Branch of Ring's Come-one Come-all Stores stood
+ at the entrance to his shop on the following afternoon spitting with
+ energy and precision on to the pavement&mdash;he was a free-born American
+ citizen&mdash;and eyeing the High Street as a monarch might gaze at his
+ kingdom. He had just completed a highly satisfactory report to
+ headquarters, and was feeling contented with the universe, and the way in
+ which it was managed. Even in the short time since the opening of the
+ store he had managed to wake up the sluggish Britishers as if they had had
+ an electric shock.
+ </p>
+ <p>
+ "We," he observed epigrammatically to a passing cat, which had stopped on
+ its way to look at him, "are it."
+ </p>
+ <p>
+ As he spoke he perceived a youth coming towards him down the street. He
+ wore a cap of divers colours, from which the manager argued that he
+ belonged to the school. Evidently a devotee of the advertised
+ "public-school" shillingsworth, and one who, as urged by the small bills,
+ had come early to avoid the rush. "Step right in, mister," he said, moving
+ aside from the doorway. "And what can I do for <i>you</i>?"
+ </p>
+ <p>
+ "Are you the manager of this place?" asked Dunstable&mdash;for the youth
+ was that strategist, and no other.
+ </p>
+ <p>
+ "On the bull's eye first time," replied the manager with easy courtesy.
+ "Will you take a cigar or a cocoa-nut?"
+ </p>
+ <p>
+ "Can I have a bit of a talk with you, if you aren't busy?"
+ </p>
+ <p>
+ "Sure. Step right in."
+ </p>
+ <p>
+ "Now, sir," said the manager, "what's <i>your</i> little trouble?"
+ </p>
+ <p>
+ "It's about this public school tea business," said Dunstable. "It's rather
+ a shame, you see. Before you came bargeing in, everybody used to go to
+ Cook's."
+ </p>
+ <p>
+ "And now," interrupted the manager, "they come to us. Correct, sir. We <i>are</i>
+ the main stem. And why not?"
+ </p>
+ <p>
+ "Cook's such a good sort."
+ </p>
+ <p>
+ "I should like to know him," said the manager politely.
+ </p>
+ <p>
+ "You see," said Dunstable, "it doesn't so much matter about the other
+ things you sell; but Cook's simply relies on giving fellows tea in the
+ afternoon&mdash;&mdash;"
+ </p>
+ <p>
+ "One moment, sir," said the man from the States. "Let me remind you of a
+ little rule which will be useful to you when you butt into the big, cold
+ world. That is, never let sentiment interfere with business. See? Either
+ Ring's Stores or your friend has got to be on top, and, if I know
+ anything, it's going to be We. We! And I'm afraid that's all I can do for
+ you, unless you've that hungry feeling, and want to sample our
+ public-school tea at twenty-five cents."
+ </p>
+ <p>
+ "No, thanks," said Dunstable. "Here come some chaps, though, who look as
+ if they might."
+ </p>
+ <p>
+ He stepped aside as half a dozen School House juniors raced up.
+ </p>
+ <p>
+ "For one day only," said the manager to Dunstable, "you may partake free,
+ if you care to. You have man's most priceless possession, Cool Cheek. And
+ Cool Cheek, when recognised, should not go unrewarded. Step in."
+ </p>
+ <p>
+ "No thanks," said Dunstable. "You'll find me at Cook's if you want me."
+ </p>
+ <p>
+ "Kindness," said he to himself, as Mrs. Cook served him in the depressed
+ way which had now become habitual with her, "kindness having failed, we
+ must try severity."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_PART2" id="link2H_PART2"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PART 2
+ </h2>
+ <p>
+ Those who knew and liked Dunstable were both pained and disgusted at his
+ behaviour during the ensuing three days. He suddenly exhibited a weird
+ fondness for some of Wrykyn's least deserving inmates. He walked over to
+ school with Merrett, of Seymour's, and Ruthven, of Donaldson's, both
+ notorious outsiders. When Linton wanted him to come and play fives after
+ school, he declined on the ground that he was teaing with Chadwick, of
+ Appleby's. Now in the matter of absolute outsiderishness Chadwick, of
+ Appleby's, was to Merrett, of Seymour's, as captain is to subaltern.
+ Linton was horrified, and said so.
+ </p>
+ <p>
+ "What do you want to do it for?" he asked. "What's the point of it? You
+ can't like those chaps."
+ </p>
+ <p>
+ "Awfully good sorts when you get to know them," said Dunstable.
+ </p>
+ <p>
+ "You've been some time finding it out."
+ </p>
+ <p>
+ "I know. Chadwick's an acquired taste. By the way, I'm giving a tea on
+ Thursday. Will you come?"
+ </p>
+ <p>
+ "Who's going to be there?" inquired Linton warily.
+ </p>
+ <p>
+ "Well, Chadwick for one; and Merrett and Ruthven and three other chaps."
+ </p>
+ <p>
+ "Then," said Linton with some warmth, "I think you'll have to do without
+ me. I believe you're mad."
+ </p>
+ <p>
+ And he went off in disgust to the fives-courts.
+ </p>
+ <p>
+ When on the following Thursday Dunstable walked into Ring's Stores with
+ his five guests, and demanded six public-school teas, the manager was
+ perhaps justified in allowing a triumphant smile to wander across his
+ face. It was a signal victory for him. "No free list to-day, sir," he
+ said. "Entirely suspended."
+ </p>
+ <p>
+ "Never mind," said Dunstable, "I'm good for six shillings."
+ </p>
+ <p>
+ "Free list?" said Merrett, as the manager retired, "I didn't know there
+ was one."
+ </p>
+ <p>
+ "There isn't. Only he and I palled up so much the other day that he
+ offered me a tea for nothing."
+ </p>
+ <p>
+ "Didn't you take it?"
+ </p>
+ <p>
+ "No. I went to Cook's."
+ </p>
+ <p>
+ "Rotten hole, Cook's. I'm never going there again," said Chadwick. "You
+ take my tip, Dun, old chap, and come here."
+ </p>
+ <p>
+ "Dun, old chap," smiled amiably.
+ </p>
+ <p>
+ "I don't know," he said, looking up from the tea-pot, into which he had
+ been pouring water; "you can be certain of the food at Cook's."
+ </p>
+ <p>
+ "What do you mean? So you can here."
+ </p>
+ <p>
+ "Oh," said Dunstable, "I didn't know. I've never had tea here before. But
+ I've often heard that American food upsets one sometimes."
+ </p>
+ <p>
+ By this time, the tea having stood long enough, he poured out, and the
+ meal began.
+ </p>
+ <p>
+ Merrett and his friends were hearty feeders, and conversation languished
+ for some time. Then Chadwick leaned back in his chair, and breathed
+ heavily.
+ </p>
+ <p>
+ "You couldn't get stuff like that at Cook's," he said.
+ </p>
+ <p>
+ "I suppose it is a bit different," said Dunstable. "Have any of you ...
+ noticed something queer...?"
+ </p>
+ <p>
+ Merrett stared at Ruthven. Ruthven stared at Merrett.
+ </p>
+ <p>
+ "I...." said Merrett.
+ </p>
+ <p>
+ "D'you know...." said Ruthven.
+ </p>
+ <p>
+ Chadwick's face was a delicate green.
+ </p>
+ <p>
+ "I believe," said Dunstable, "the stuff ... was ... poisoned. I...."
+ </p>
+ <hr />
+ <p>
+ "Drink this," said the school doctor, briskly, bending over Dunstable's
+ bed with a medicine-glass in his hand, "and be ashamed of yourself. The
+ fact is you've over-eaten yourself. Nothing more and nothing less. Why
+ can't you boys be content to feed moderately?"
+ </p>
+ <p>
+ "I don't think I ate much, sir," protested Dunstable. "It must have been
+ what I ate. I went to that new American place."
+ </p>
+ <p>
+ "So <i>you</i> went there, too? Why, I've just come from attending a
+ bilious boy in Mr. Seymour's house. He said he had been at the American
+ place, too."
+ </p>
+ <p>
+ "Was that Merrett, sir? He was one of the party. We were all bad. We can't
+ all have eaten too much."
+ </p>
+ <p>
+ The doctor looked thoughtful.
+ </p>
+ <p>
+ "H'm. Curious. Very curious. Do you remember what you had?"
+ </p>
+ <p>
+ "I had some things the man called buckwheat cakes, with some stuff he said
+ was maple syrup."
+ </p>
+ <p>
+ "Bah. American trash." The doctor was a staunch Briton, conservative in
+ his views both on politics and on food. "Why can't you boys eat good
+ English food? I must tell the headmaster of this. I haven't time to look
+ after the school if all the boys are going to poison themselves. You lie
+ still and try to go to sleep, and you'll be right enough in no time."
+ </p>
+ <p>
+ But Dunstable did not go to sleep. He stayed awake to interview Linton,
+ who came to pay him a visit.
+ </p>
+ <p>
+ "Well," said Linton, looking down at the sufferer with an expression that
+ was a delicate blend of pity and contempt, "you've made a nice sort of ass
+ of yourself, haven't you! I don't know if it's any consolation to you, but
+ Merrett's just as bad as you are. And I hear the others are, too. So now
+ you see what comes of going to Ring's instead of Cook's."
+ </p>
+ <p>
+ "And now," said Dunstable, "if you've quite finished, you can listen to me
+ for a bit...."
+ </p>
+ <p>
+ "So now you know," he concluded.
+ </p>
+ <p>
+ Linton's face beamed with astonishment and admiration.
+ </p>
+ <p>
+ "Well, I'm hanged," he said. "You're a marvel. But how did you know it
+ wouldn't poison you?"
+ </p>
+ <p>
+ "I relied on you. You said it wasn't poison when I asked you in the lab.
+ My faith in you is touching."
+ </p>
+ <p>
+ "But why did you take any yourself?"
+ </p>
+ <p>
+ "Sort of idea of diverting suspicion. But the thing isn't finished yet.
+ Listen."
+ </p>
+ <p>
+ Linton left the dormitory five minutes later with a look of a young
+ disciple engaged on some holy mission.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_PART3" id="link2H_PART3"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PART 3
+ </h2>
+ <p>
+ "You think the food is unwholesome, then?" said the headmaster after
+ dinner that night.
+ </p>
+ <p>
+ "Unwholesome!" said the school doctor. "It must be deadly. It must be
+ positively lethal. Here we have six ordinary, strong, healthy boys struck
+ down at one fell swoop as if there were a pestilence raging. Why&mdash;&mdash;"
+ </p>
+ <p>
+ "One moment," said the headmaster. "Come in."
+ </p>
+ <p>
+ A small figure appeared in the doorway.
+ </p>
+ <p>
+ "Please, sir," said the figure in the strained voice of one speaking a
+ "piece" which he has committed to memory. "Mr. Seymour says please would
+ you mind letting the doctor come to his house at once because Linton is
+ ill."
+ </p>
+ <p>
+ "What!" exclaimed the doctor. "What's the matter with him?"
+ </p>
+ <p>
+ "Please, sir, I believe it's buckwheat cakes."
+ </p>
+ <p>
+ "What! And here's another of them!"
+ </p>
+ <p>
+ A second small figure had appeared in the doorway.
+ </p>
+ <p>
+ "Sir, please, sir," said the newcomer, "Mr. Bradfield says may the doctor&mdash;&mdash;"
+ </p>
+ <p>
+ "And what boy is it <i>this</i> time?"
+ </p>
+ <p>
+ "Please, sir, it's Brown. He went to Ring's Stores&mdash;&mdash;"
+ </p>
+ <p>
+ The headmaster rose.
+ </p>
+ <p>
+ "Perhaps you had better go at once, Oakes," he said. "This is becoming
+ serious. That place is a positive menace to the community. I shall put it
+ out of bounds tomorrow morning."
+ </p>
+ <p>
+ And when Dunstable and Linton, pale but cheerful, made their way&mdash;slowly,
+ as befitted convalescents&mdash;to Cook's two days afterwards, they had to
+ sit on the counter. All the other seats were occupied.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE GUARDIAN
+ </h2>
+ <p>
+ In his Sunday suit (with ten shillings in specie in the right-hand trouser
+ pocket) and a brand-new bowler hat, the youngest of the Shearnes, Thomas
+ Beauchamp Algernon, was being launched by the combined strength of the
+ family on his public-school career. It was a solemn moment. The landscape
+ was dotted with relatives&mdash;here a small sister, awed by the occasion
+ into refraining from insult; there an aunt, vaguely admonitory. "Well,
+ Tom," said Mr. Shearne, "you'll soon be off now. You're sure to like
+ Eckleton. Remember to cultivate your bowling. Everyone can bat nowadays.
+ And play forward, not outside. The outsides get most of the fun,
+ certainly, but then if you're a forward, you've got eight chances of
+ getting into a team."
+ </p>
+ <p>
+ "All right, father."
+ </p>
+ <p>
+ "Oh, and work hard." This by way of an afterthought.
+ </p>
+ <p>
+ "All right, father."
+ </p>
+ <p>
+ "And, Tom," said Mrs. Shearne, "you are sure to be comfortable at school,
+ because I asked Mrs. Davy to write to her sister, Mrs. Spencer, who has a
+ son at Eckleton, and tell her to tell him to look after you when you get
+ there. He is in Mr. Dencroft's house, which is next door to Mr.
+ Blackburn's, so you will be quite close to one another. Mind you write
+ directly you get there."
+ </p>
+ <p>
+ "All right, mother."
+ </p>
+ <p>
+ "And look here, Tom." His eldest brother stepped to the front and spoke
+ earnestly. "Look here, don't you forget what I've been telling you?"
+ </p>
+ <p>
+ "All right."
+ </p>
+ <p>
+ "You'll be right enough if you don't go sticking on side. Don't forget
+ that, however much of a blood you may have been at that rotten little
+ private school of yours, you're not one at Eckleton."
+ </p>
+ <p>
+ "All right."
+ </p>
+ <p>
+ "You look clean, which is the great thing. There's nothing much wrong with
+ you except cheek. You've got enough of that to float a ship. Keep it
+ under."
+ </p>
+ <p>
+ "All right. Keep your hair on."
+ </p>
+ <p>
+ "There you go," said the expert, with gloomy triumph. "If you say that
+ sort of thing at Eckleton, you'll get jolly well sat on, by Jove!"
+ </p>
+ <p>
+ "Bai Jove, old chap!" murmured the younger brother, "we're devils in the
+ Forty-twoth!"
+ </p>
+ <p>
+ The other, whose chief sorrow in life was that he could not get the
+ smaller members of the family to look with proper awe on the fact that he
+ had just passed into Sandhurst, gazed wistfully at the speaker, but,
+ realising that there was a locked door between them, tried no active
+ measures.
+ </p>
+ <p>
+ "Well, anyhow," he said, "you'll soon get it knocked out of you, that's
+ one comfort. Look here, if you do get scrapping with anybody, don't forget
+ all I've taught you. And I should go on boxing there if I were you, so as
+ to go down to Aldershot some day. You ought to make a fairly decent
+ featherweight if you practise."
+ </p>
+ <p>
+ "All right."
+ </p>
+ <p>
+ "Let's know when Eckleton's playing Haileybury, and I'll come and look you
+ up. I want to see that match."
+ </p>
+ <p>
+ "All right."
+ </p>
+ <p>
+ "Good-bye."
+ </p>
+ <p>
+ "Good-bye, Tom."
+ </p>
+ <p>
+ "Good-bye, Tom, dear."
+ </p>
+ <p>
+ Chorus of aunts and other supers: "Goodbye, Tom."
+ </p>
+ <p>
+ Tom (comprehensively): "G'bye."
+ </p>
+ <p>
+ The train left the station.
+ </p>
+ <hr />
+ <p>
+ Kennedy, the head of Dencroft's, said that when he wanted his study turned
+ into a beastly furnace, he would take care to let Spencer know. He pointed
+ out that just because it was his habit to warm the study during the winter
+ months, there was no reason why Spencer should light the gas-stove on an
+ afternoon in the summer term when the thermometer was in the eighties.
+ Spencer thought he might want some muffins cooked for tea, did he? Kennedy
+ earnestly advised Spencer to give up thinking, as Nature had not equipped
+ him for the strain. Thinking necessitated mental effort, and Spencer, in
+ Kennedy's opinion, had no mind, but rubbed along on a cheap substitute of
+ mud and putty.
+ </p>
+ <p>
+ More chatty remarks were exchanged, and then Spencer tore himself away
+ from the pleasant interview, and went downstairs to the junior study,
+ where he remarked to his friend Phipps that Life was getting a bit thick.
+ </p>
+ <p>
+ "What's up now?" inquired Phipps.
+ </p>
+ <p>
+ "Everything. We've just had a week of term, and I've been in extra once
+ already for doing practically nothing, and I've got a hundred lines, and
+ Kennedy's been slanging me for lighting the stove. How was I to know he
+ didn't want it lit? Wish I was fagging for somebody else."
+ </p>
+ <p>
+ "All the while you're jawing," said Phipps, "there's a letter for you on
+ the mantelpiece, staring at you?"
+ </p>
+ <p>
+ "So there is. Hullo!"
+ </p>
+ <p>
+ "What's up? Hullo! is that a postal order? How much for?"
+ </p>
+ <p>
+ "Five bob. I say, who's Shearne?"
+ </p>
+ <p>
+ "New kid in Blackburn's. Why?"
+ </p>
+ <p>
+ "Great Scott! I remember now. They told me to look after him. I haven't
+ seen him yet. And listen to this: 'Mrs. Shearne has sent me the enclosed
+ to give to you. Her son writes to say that he is very happy and getting on
+ very well, so she is sure you must have been looking after him.' Why, I
+ don't know the kid by sight. I clean forgot all about him."
+ </p>
+ <p>
+ "Well, you'd better go and see him now, just to say you've done it."
+ </p>
+ <p>
+ Spencer perpended.
+ </p>
+ <p>
+ "Beastly nuisance having a new kid hanging on to you. He's probably a
+ frightful rotter."
+ </p>
+ <p>
+ "Well, anyway, you ought to," said Phipps, who possessed the <i>scenario</i>
+ of a conscience.
+ </p>
+ <p>
+ "I can't."
+ </p>
+ <p>
+ "All right, don't, then. But you ought to send back that postal order."
+ </p>
+ <p>
+ "Look here, Phipps," said Spencer plaintively, "you needn't be an idiot,
+ you know."
+ </p>
+ <p>
+ And the trivial matter of Thomas B. A. Shearne was shelved.
+ </p>
+ <hr />
+ <p>
+ Thomas, as he had stated in his letter to his mother, was exceedingly
+ happy at Eckleton, and getting on very nicely indeed. It is true that
+ there had been one or two small unpleasantnesses at first, but those were
+ over now, and he had settled down completely. The little troubles alluded
+ to above had begun on his second day at Blackburn's. Thomas, as the reader
+ may have gathered from his glimpse of him at the station, was not a
+ diffident youth. He was quite prepared for anything Fate might have up its
+ sleeve for him, and he entered the junior day-room at Blackburn's ready
+ for emergencies. On the first day nothing happened. One or two people
+ asked him his name, but none inquired what his father was&mdash;a question
+ which, he had understood from books of school life, was invariably put to
+ the new boy. He was thus prevented from replying "coolly, with his eyes
+ fixed on his questioner's": "A gentleman. What's yours?" and this, of
+ course, had been a disappointment. But he reconciled himself to it, and on
+ the whole enjoyed his first day at Eckleton.
+ </p>
+ <p>
+ On the second there occurred an Episode.
+ </p>
+ <p>
+ Thomas had inherited from his mother a pleasant, rather meek cast of
+ countenance. He had pink cheeks and golden hair&mdash;almost indecently
+ golden in one who was not a choirboy.
+ </p>
+ <p>
+ Now, if you are going to look like a Ministering Child or a Little Willie,
+ the Sunbeam of the Home, when you go to a public school, you must take the
+ consequences. As Thomas sat by the window of the junior day-room reading a
+ magazine, and deeply interested in it, there fell upon his face such a
+ rapt, angelic expression that the sight of it, silhouetted against the
+ window, roused Master P. Burge, his fellow-Blackburnite, as it had been a
+ trumpet-blast. To seize a Bradley Arnold's Latin Prose Exercises and hurl
+ it across the room was with Master Burge the work of a moment. It struck
+ Thomas on the ear. He jumped, and turned some shades pinker. Then he put
+ down his magazine, picked up the Bradley Arnold, and sat on it. After
+ which he resumed his magazine.
+ </p>
+ <p>
+ The acute interest of the junior day-room, always fond of a break in the
+ monotony of things, induced Burge to go further into the matter.
+ </p>
+ <p>
+ "You with the face!" said Burge rudely.
+ </p>
+ <p>
+ Thomas looked up.
+ </p>
+ <p>
+ "What the dickens are you going with my book? Pass it back!"
+ </p>
+ <p>
+ "Oh, is this yours?" said Thomas. "Here you are."
+ </p>
+ <p>
+ He walked towards him, carrying the book. At two yards range he fired it
+ in. It hit Burge with some force in the waistcoat, and there was a pause
+ while he collected his wind.
+ </p>
+ <p>
+ Then the thing may be said to have begun.
+ </p>
+ <p>
+ Yes, said Burge, interrogated on the point five minutes later, he <i>had</i>
+ had enough.
+ </p>
+ <p>
+ "Good," said Thomas pleasantly. "Want a handkerchief?"
+ </p>
+ <p>
+ That evening he wrote to his mother and, thanking her for kind inquiries,
+ stated that he was not being bullied. He added, also in answer to
+ inquiries, that he had not been tossed in a blanket, and that&mdash;so far&mdash;no
+ Hulking Senior (with scowl) had let him down from the dormitory window
+ after midnight by a sheet, in order that he might procure gin from the
+ local public-house. As far as he could gather, the seniors were mostly
+ teetotallers. Yes, he had seen Spencer several times. He did not add that
+ he had seen him from a distance.
+ </p>
+ <hr />
+ <p>
+ "I'm so glad I asked Mrs. Davy to get her nephew to look after Tom," said
+ Mrs. Shearne, concluding the reading of the epistle at breakfast. "It
+ makes such a difference to a new boy having somebody to protect him at
+ first."
+ </p>
+ <p>
+ "Only drawback is," said his eldest brother gloomily&mdash;"won't get
+ cheek knocked out of him. Tom's kid wh'ought get'sheadsmacked reg'ly. Be
+ no holding him."
+ </p>
+ <p>
+ And he helped himself to marmalade, of which delicacy his mouth was full,
+ with a sort of magnificent despondency.
+ </p>
+ <p>
+ By the end of the first fortnight of his school career, Thomas Beauchamp
+ Algernon had overcome all the little ruggednesses which relieve the path
+ of the new boy from monotony. He had been taken in by a primaeval "sell"
+ which the junior day-room invariably sprang on the new-comer. But as he
+ had sat on the head of the engineer of the same for the space of ten
+ minutes, despite the latter's complaints of pain and forecasts of what he
+ would do when he got up, the laugh had not been completely against him. He
+ had received the honourable distinction of extra lesson for ragging in
+ French. He had been "touched up" by the prefect of his dormitory for
+ creating a disturbance in the small hours. In fact, he had gone through
+ all the usual preliminaries, and become a full-blown Eckletonian.
+ </p>
+ <p>
+ His letters home were so cheerful at this point that a second postal order
+ relieved the dwindling fortune of Spencer. And it was this, coupled with
+ the remonstrances of Phipps, that induced the Dencroftian to break through
+ his icy reserve.
+ </p>
+ <p>
+ "Look here, Spencer," said Phipps, his conscience thoroughly stirred by
+ this second windfall, "it's all rot. You must either send back that postal
+ order, or go and see the chap. Besides, he's quite a decent kid. We're in
+ the same game at cricket. He's rather a good bowler. I'm getting to know
+ him quite well. I've got a jolly sight more right to those postal orders
+ than you have."
+ </p>
+ <p>
+ "But he's an awful ass to look at," pleaded Spencer.
+ </p>
+ <p>
+ "What's wrong with him? Doesn't look nearly such a goat as you," said
+ Phipps, with the refreshing directness of youth.
+ </p>
+ <p>
+ "He's got yellow hair," argued Spencer.
+ </p>
+ <p>
+ "Why shouldn't he have?"
+ </p>
+ <p>
+ "He looks like a sort of young Sunday-school kid."
+ </p>
+ <p>
+ "Well, he jolly well isn't, then, because I happen to know that he's had
+ scraps with some of the fellows in his house, and simply mopped them."
+ </p>
+ <p>
+ "Well, all right, then," said Spencer reluctantly.
+ </p>
+ <p>
+ The historic meeting took place outside the school shop at the quarter to
+ eleven interval next morning. Thomas was leaning against the wall, eating
+ a bun. Spencer approached him with half a jam sandwich in his hand. There
+ was an awkward pause.
+ </p>
+ <p>
+ "Hullo!" said Spencer at last.
+ </p>
+ <p>
+ "Hullo!" said Thomas.
+ </p>
+ <p>
+ Spencer finished his sandwich and brushed the crumbs off his trousers.
+ Thomas continued operations on the bun with the concentrated expression of
+ a lunching python.
+ </p>
+ <p>
+ "I believe your people know my people," said Spencer.
+ </p>
+ <p>
+ "We have some awfully swell friends," said Thomas. Spencer chewed this
+ thoughtfully awhile.
+ </p>
+ <p>
+ "Beastly cheek," he said at last.
+ </p>
+ <p>
+ "Sorry," said Thomas, not looking it.
+ </p>
+ <p>
+ Spencer produced a bag of gelatines.
+ </p>
+ <p>
+ "Have one?" he asked.
+ </p>
+ <p>
+ "What's wrong with 'em?"
+ </p>
+ <p>
+ "All right, don't."
+ </p>
+ <p>
+ He selected a gelatine and consumed it.
+ </p>
+ <p>
+ "Ever had your head smacked?" he inquired courteously.
+ </p>
+ <p>
+ A slightly strained look came into Thomas's blue eyes.
+ </p>
+ <p>
+ "Not often," he replied politely. "Why?"
+ </p>
+ <p>
+ "Oh, I don't know," said Spencer. "I was only wondering."
+ </p>
+ <p>
+ "Oh?"
+ </p>
+ <p>
+ "Look here," said Spencer, "my mater told me to look after you."
+ </p>
+ <p>
+ "Well, you can look after me now if you want to, because I'm going."
+ </p>
+ <p>
+ And Thomas dissolved the meeting by walking off in the direction of the
+ junior block.
+ </p>
+ <p>
+ "That kid," said Spencer to his immortal soul, "wants his head smacked,
+ badly."
+ </p>
+ <p>
+ At lunch Phipps had questions to ask.
+ </p>
+ <p>
+ "Saw you talking to Shearne in the interval," he said. "What were you
+ talking about?"
+ </p>
+ <p>
+ "Oh, nothing in particular."
+ </p>
+ <p>
+ "What did you think of him?"
+ </p>
+ <p>
+ "Little idiot."
+ </p>
+ <p>
+ "Ask him to tea this afternoon?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "You must. Dash it all, you must do something for him. You've had ten bob
+ out of his people."
+ </p>
+ <p>
+ Spencer made no reply.
+ </p>
+ <p>
+ Going to the school shop that afternoon, he found Thomas seated there with
+ Phipps, behind a pot of tea. As a rule, he and Phipps tea'd together, and
+ he resented this desertion.
+ </p>
+ <p>
+ "Come on," said Phipps. "We were waiting for you."
+ </p>
+ <p>
+ "Pining away," added Thomas unnecessarily.
+ </p>
+ <p>
+ Spencer frowned austerely.
+ </p>
+ <p>
+ "Come and look after me," urged Thomas.
+ </p>
+ <p>
+ Spencer sat down in silence. For a minute no sound could be heard but the
+ champing of Thomas's jaws as he dealt with a slab of gingerbread.
+ </p>
+ <p>
+ "Buck up," said Phipps uneasily.
+ </p>
+ <p>
+ "Give me," said Thomas, "just one loving look."
+ </p>
+ <p>
+ Spencer ignored the request. The silence became tense once more.
+ </p>
+ <p>
+ "Coming to the house net, Phipps?" asked Spencer.
+ </p>
+ <p>
+ "We were going to the baths. Why don't you come?"
+ </p>
+ <p>
+ "All right," said Spencer.
+ </p>
+ <p>
+ Doctors tell us that we should allow one hour to elapse between taking
+ food and bathing, but the rule was not rigidly adhered to at Eckleton. The
+ three proceeded straight from the tea-table to the baths.
+ </p>
+ <p>
+ The place was rather empty when they arrived. It was a little earlier than
+ the majority of Eckletonians bathed. The bath filled up as lock-up drew
+ near. With the exception of a couple of infants splashing about in the
+ shallow end, and a stout youth who dived in from the spring-board,
+ scrambled out, and dived in again, each time flatter than the last, they
+ had the place to themselves.
+ </p>
+ <p>
+ "What's it like, Gorrick," inquired Phipps of the stout youth, who had
+ just appeared above the surface again, blowing like a whale. The question
+ was rendered necessary by the fact that many years before the boiler at
+ the Eckleton baths had burst, and had never been repaired, with the
+ consequence that the temperature of the water was apt to vary. That is to
+ say, most days it was colder than others.
+ </p>
+ <p>
+ "Simply boiling," said the man of weight, climbing out. "I say, did I go
+ in all right then?"
+ </p>
+ <p>
+ "Not bad," said Phipps.
+ </p>
+ <p>
+ "Bit flat," added Thomas critically.
+ </p>
+ <p>
+ Gorrick blinked severely at the speaker. A head-waiter at a fashionable
+ restaurant is cordial in his manner compared with a boy who has been at a
+ public school a year, when addressed familiarly by a new boy. After
+ reflecting on the outrage for a moment, he dived in again.
+ </p>
+ <p>
+ "Worse than ever," said Truthful Thomas.
+ </p>
+ <p>
+ "Look here!" said Gorrick.
+ </p>
+ <p>
+ "Oh, come <i>on</i>!" exclaimed Phipps, and led Thomas away.
+ </p>
+ <p>
+ "That kid," said Gorrick to Spencer, "wants his head smacked, badly."
+ </p>
+ <p>
+ "That's just what I say," agreed Spencer, with the eagerness of a great
+ mind which has found another that thinks alike with itself.
+ </p>
+ <p>
+ Spencer was the first of the trio ready to enter the water. His movements
+ were wary and deliberate. There was nothing of the professional diver
+ about Spencer. First he stood on the edge and rubbed his arms, regarding
+ the green water beneath with suspicion and dislike. Then, crouching down,
+ he inserted three toes of his left foot, drew them back sharply, and said
+ "Oo!" Then he stood up again. His next move was to slap his chest and
+ dance a few steps, after which he put his right foot into the water, again
+ remarked "Oo!" and resumed Position I.
+ </p>
+ <p>
+ "Thought you said it was warm," he shouted to Gorrick.
+ </p>
+ <p>
+ "So it is; hot as anything. Come on in."
+ </p>
+ <p>
+ And Spencer came on in. Not because he wanted to&mdash;for, by rights,
+ there were some twelve more movements to be gone through before he should
+ finally creep in at the shallow end&mdash;but because a cold hand, placed
+ suddenly on the small of his back, urged him forward. Down he went, with
+ the water fizzing and bubbling all over and all round him. He swallowed a
+ good deal of it, but there was still plenty left; and what there was was
+ colder than one would have believed possible.
+ </p>
+ <p>
+ He came to the surface after what seemed to him a quarter of an hour, and
+ struck out for the side. When he got out, Phipps and Thomas had just got
+ in. Gorrick was standing at the end of the cocoanut matting which formed a
+ pathway to the spring-board. Gorrick was blue, but determined.
+ </p>
+ <p>
+ "I say! Did I go in all right then?" inquired Gorrick.
+ </p>
+ <p>
+ "How the dickens do I know?" said Spencer, stung to fresh wrath by the
+ inanity of the question.
+ </p>
+ <p>
+ "Spencer did," said Thomas, appearing in the water below them and holding
+ on to the rail.
+ </p>
+ <p>
+ "Look here!" cried Spencer; "did you shove me in then?"
+ </p>
+ <p>
+ "Me! Shove!" Thomas's voice expressed horror and pain. "Why, you dived in.
+ Jolly good one, too. Reminded me of the diving elephants at the
+ Hippodrome."
+ </p>
+ <p>
+ And he swam off.
+ </p>
+ <p>
+ "That kid," said Gorrick, gazing after him, "wants his head smacked."
+ </p>
+ <p>
+ "Badly," agreed Spencer. "Look here! did he shove me in? Did you see him?"
+ </p>
+ <p>
+ "I was doing my dive. But it must have been him. Phipps never rags in the
+ bath."
+ </p>
+ <p>
+ Spencer grunted&mdash;an expressive grunt&mdash;and, creeping down the
+ steps, entered the water again.
+ </p>
+ <p>
+ It was Spencer's ambition to swim ten lengths of the bath. He was not a
+ young Channel swimmer, and ten lengths represented a very respectable
+ distance to him. He proceeded now to attempt to lower his record. It was
+ not often that he got the bath so much to himself. Usually, there was
+ barely standing-room in the water, and long-distance swimming was
+ impossible. But now, with a clear field, he should, he thought, be able to
+ complete the desired distance.
+ </p>
+ <p>
+ He was beginning the fifth length before interruption came. Just as he
+ reached halfway, a reproachful voice at his side said: "Oh, Percy, you'll
+ tire yourself!" and a hand on the top of his head propelled him firmly
+ towards the bottom.
+ </p>
+ <p>
+ Every schoolboy, as Honble. Macaulay would have put it, knows the
+ sensation of being ducked. It is always unpleasant&mdash;sometimes more,
+ sometimes less. The present case belonged to the former class. There was
+ just room inside Spencer for another half-pint of water. He swallowed it.
+ When he came to the surface, he swam to the side without a word and
+ climbed out. It was the last straw. Honour could now be satisfied only
+ with gore.
+ </p>
+ <p>
+ He hung about outside the baths till Phipps and Thomas appeared, then,
+ with a steadfast expression on his face, he walked up to the latter and
+ kicked him.
+ </p>
+ <p>
+ Thomas seemed surprised, but not alarmed. His eyes grew a little rounder,
+ and the pink on his cheeks deepened. He looked like a choir-boy in a bad
+ temper.
+ </p>
+ <p>
+ "Hullo! What's up, you ass, Spencer?" inquired Phipps.
+ </p>
+ <p>
+ Spencer said nothing.
+ </p>
+ <p>
+ "Where shall we go?" asked Thomas.
+ </p>
+ <p>
+ "Oh, chuck it!" said Phipps the peacemaker.
+ </p>
+ <p>
+ Spencer and Thomas were eyeing each other warily.
+ </p>
+ <p>
+ "You chaps aren't going to fight?" said Phipps.
+ </p>
+ <p>
+ The notion seemed to distress him.
+ </p>
+ <p>
+ "Unless he cares to take a kicking," said Spencer suavely.
+ </p>
+ <p>
+ "Not to-day, I think, thanks," replied Thomas without heat.
+ </p>
+ <p>
+ "Then, look here!" said Phipps briskly, "I know a ripping little place
+ just off the Lelby Road. It isn't five minutes' walk, and there's no
+ chance of being booked there. Rot if someone was to come and stop it
+ half-way through. It's in a field; thick hedges. No one can see. And I
+ tell you what&mdash;I'll keep time. I've got a watch. Two minute rounds,
+ and half-a-minute in between, and I'm the referee; so, if anybody fouls
+ the other chap, I'll stop the fight. See? Come on!"
+ </p>
+ <p>
+ Of the details of that conflict we have no very clear record. Phipps is
+ enthusiastic, but vague. He speaks in eulogistic terms of a "corker" which
+ Spencer brought off in the second round, and, again, of a "tremendous
+ biff" which Thomas appears to have consummated in the fourth. But of the
+ more subtle points of the fighting he is content merely to state
+ comprehensively that they were "top-hole." As to the result, it would seem
+ that, in the capacity of referee, he declared the affair a draw at the end
+ of the seventh round; and, later, in his capacity of second to both
+ parties, helped his principals home by back and secret ways, one on each
+ arm.
+ </p>
+ <p>
+ The next items to which the chronicler would call the attention of the
+ reader are two letters.
+ </p>
+ <p>
+ The first was from Mrs. Shearne to Spencer, and ran as follows&mdash;
+ </p>
+<pre xml:space="preserve">
+ My Dear Spencer,&mdash;I am writing to you direct, instead of through
+ your aunt, because I want to thank you so much for looking after
+ my boy so well. I know what a hard time a new boy has at a public
+ school if he has got nobody to take care of him at first. I heard
+ from Tom this morning. He seems so happy, and so fond of you. He
+ says you are "an awfully decent chap" and "the only chap who has
+ stood up to him at all." I suppose he means "for him." I hope you
+ will come and spend part of your holidays with us. ("Catch <i>me!</i>"
+ said Spencer.)
+
+ <i>Yours sincerely,</i>
+ <i>Isabel Shearne</i>
+
+ P.S.&mdash;I hope you will manage to buy something nice with
+ the enclosed.
+</pre>
+ <p>
+ The enclosed was yet another postal order for five shillings. As somebody
+ wisely observed, a woman's P.S. is always the most important part of her
+ letter.
+ </p>
+ <p>
+ "That kid," murmured Spencer between swollen lips, "has got cheek enough
+ for eighteen! 'Awfully decent chap!'"
+ </p>
+ <p>
+ He proceeded to compose a letter in reply, and for dignity combined with
+ lucidity it may stand as a model to young writers.
+ </p>
+<pre xml:space="preserve">
+ <i>5 College Grounds,</i>
+ <i>Eckleton.</i>
+
+ Mr. C. F. Spencer begs to present his compliments to Mrs. Shearne,
+ and returns the postal order, because he doesn't see why he should
+ have it. He notes your remarks <i>re</i> my being a decent chap in
+ your favour of the 13th <i>prox</i>., but cannot see where it quite
+ comes in, as the only thing I've done to Mrs. Shearne's son is to
+ fight seven rounds with him in a field, W. G. Phipps refereeing. It
+ was a draw. I got a black eye and rather a whack in the mouth, but
+ gave him beans also, particularly in the wind, which I learned to do
+ from reading "Rodney Stone"&mdash;the bit where Bob Whittaker beats the
+ Eyetalian Gondoleery Cove. Hoping that this will be taken in the
+ spirit which is meant,
+
+ <i>I remain</i>
+ <i>Yours sincerely,</i>
+ <i>C. F. Spencer</i>
+ <i>One enclosure.</i>
+</pre>
+ <p>
+ He sent this off after prep., and retired to bed full of spiritual pride.
+ </p>
+ <p>
+ On the following morning, going to the shop during the interval, he came
+ upon Thomas negotiating a hot bun.
+ </p>
+ <p>
+ "Hullo!" said Thomas.
+ </p>
+ <p>
+ As was generally the case after he had had a fair and spirited turn-out
+ with a fellow human being, Thomas had begun to feel that he loved his late
+ adversary as a brother. A wholesome respect, which had hitherto been
+ wanting, formed part of his opinion of him.
+ </p>
+ <p>
+ "Hullo!" said Spencer, pausing.
+ </p>
+ <p>
+ "I say," said Thomas.
+ </p>
+ <p>
+ "What's up?"
+ </p>
+ <p>
+ "I say, I don't believe we shook hands, did we?"
+ </p>
+ <p>
+ "I don't remember doing it."
+ </p>
+ <p>
+ They shook hands. Spencer began to feel that there were points about
+ Thomas, after all.
+ </p>
+ <p>
+ "I say," said Thomas.
+ </p>
+ <p>
+ "Hullo?"
+ </p>
+ <p>
+ "I'm sorry about in the bath, you know. I didn't know you minded being
+ ducked."
+ </p>
+ <p>
+ "Oh, all right!" said Spencer awkwardly.
+ </p>
+ <p>
+ Eight bars rest.
+ </p>
+ <p>
+ "I say," said Thomas.
+ </p>
+ <p>
+ "Hullo!"
+ </p>
+ <p>
+ "Doing anything this afternoon?"
+ </p>
+ <p>
+ "Nothing special, Why?"
+ </p>
+ <p>
+ "Come and have tea?"
+ </p>
+ <p>
+ "All right. Thanks."
+ </p>
+ <p>
+ "I'll wait for you outside the house."
+ </p>
+ <p>
+ "All right."
+ </p>
+ <p>
+ It was just here that Spencer regretted that he had sent back that
+ five-shilling postal order. Five good shillings.
+ </p>
+ <p>
+ Simply chucked away.
+ </p>
+ <p>
+ Oh, Life, Life!
+ </p>
+ <p>
+ But they were not, after all. On his plate at breakfast next day Spencer
+ found a letter. This was the letter&mdash;
+ </p>
+<pre xml:space="preserve">
+ Messrs. J. K. Shearne (father of T. B. A. Shearne) and P. W. Shearne
+ (brother of same) beg to acknowledge receipt of Mr. C. F. Spencer's
+ esteemed communication of yesterday's date, and in reply desire to
+ inform Mr. Spencer of their hearty approval of his attentions to
+ Mr. T. B. A. Shearne's wind. It is their opinion that the above,
+ a nice boy but inclined to cheek, badly needs treatment on these
+ lines occasionally. They therefore beg to return the postal order,
+ together with another for a like sum, and trust that this will meet
+ with Mr. Spencer's approval.
+
+ (Signed) <i>J. K. Shearne,</i>
+ <i>P. W. Shearne.</i>
+ Two enclosures.
+</pre>
+ <p>
+ "Of course, what's up really," said Spencer to himself, after reading
+ this, "is that the whole family's jolly well cracked."
+ </p>
+ <p>
+ His eye fell on the postal orders.
+ </p>
+ <p>
+ "Still&mdash;&mdash;!" he said.
+ </p>
+ <p>
+ That evening he entertained Phipps and Thomas B. A. Shearne lavishly at
+ tea.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ A CORNER IN LINES
+ </h2>
+ <p>
+ Of all the useless and irritating things in this world, lines are probably
+ the most useless and the most irritating. In fact, I only know of two
+ people who ever got any good out of them. Dunstable, of Day's, was one,
+ Linton, of Seymour's, the other. For a portion of one winter term they
+ flourished on lines. The more there were set, the better they liked it.
+ They would have been disappointed if masters had given up the habit of
+ doling them out.
+ </p>
+ <p>
+ Dunstable was a youth of ideas. He saw far more possibilities in the
+ routine of life at Locksley than did the majority of his contemporaries,
+ and every now and then he made use of these possibilities in a way that
+ caused a considerable sensation in the school.
+ </p>
+ <p>
+ In the ordinary way of school work, however, he was not particularly
+ brilliant, and suffered in consequence. His chief foe was his form-master,
+ Mr. Langridge. The feud between them had begun on Dunstable's arrival in
+ the form two terms before, and had continued ever since. The balance of
+ points lay with the master. The staff has ways of scoring which the school
+ has not. This story really begins with the last day but one of the summer
+ term. It happened that Dunstable's people were going to make their annual
+ migration to Scotland on that day, and the Headmaster, approached on the
+ subject both by letter and in person, saw no reason why&mdash;the
+ examinations being over&mdash;Dunstable should not leave Locksley a day
+ before the end of term.
+ </p>
+ <p>
+ He called Dunstable to his study one night after preparation.
+ </p>
+ <p>
+ "Your father has written to me, Dunstable," he said, "to ask that you may
+ be allowed to go home on Wednesday instead of Thursday. I think that,
+ under the special circumstances, there will be no objection to this. You
+ had better see that the matron packs your boxes."
+ </p>
+ <p>
+ "Yes, sir," said Dunstable. "Good business," he added to himself, as he
+ left the room.
+ </p>
+ <p>
+ When he got back to his own den, he began to ponder over the matter, to
+ see if something could not be made out of it. That was Dunstable's way. He
+ never let anything drop until he had made certain that he had exhausted
+ all its possibilities.
+ </p>
+ <p>
+ Just before he went to bed he had evolved a neat little scheme for scoring
+ off Mr. Langridge. The knowledge of his plans was confined to himself and
+ the Headmaster. His dorm-master would imagine that he was going to stay on
+ till the last day of term. Therefore, if he misbehaved himself in form,
+ Mr. Langridge would set him lines in blissful ignorance of the fact that
+ he would not be there next day to show them up. At the beginning of the
+ following term, moreover, he would not be in Mr. Langridge's form, for he
+ was certain of his move up.
+ </p>
+ <p>
+ He acted accordingly.
+ </p>
+ <p>
+ He spent the earlier part of Wednesday morning in breaches of the peace.
+ Mr. Langridge, instead of pulling him up, put him on to translate;
+ Dunstable went on to translate. As he had not prepared the lesson and was
+ not an adept at construing unseen, his performance was poor.
+ </p>
+ <p>
+ After a minute and a half, the form-master wearied.
+ </p>
+ <p>
+ "Have you looked at this, Dunstable?" he asked.
+ </p>
+ <p>
+ There was a time-honoured answer to this question.
+ </p>
+ <p>
+ "Yes, sir," he said.
+ </p>
+ <p>
+ Public-school ethics do not demand that you should reply truthfully to the
+ spirit of a question. The letter of it is all that requires attention.
+ Dunstable had <i>looked</i> at the lesson. He was looking at it then.
+ Masters should practise exactness of speech. A certain form at Harrow were
+ in the habit of walking across a copy of a Latin author before
+ morning-school. They could then say with truth that they "had been over
+ it." This is not an isolated case.
+ </p>
+ <p>
+ "Go on," said Mr. Langridge.
+ </p>
+ <p>
+ Dunstable smiled as he did so.
+ </p>
+ <p>
+ Mr. Langridge was annoyed.
+ </p>
+ <p>
+ "What are you laughing at? What do you mean by it? Stand up. You will
+ write out the lesson in Latin and English, and show it up to me by four
+ this afternoon. I know what you are thinking. You imagine that because
+ this is the end of the term you can do as you please, but you will find
+ yourself mistaken. Mind&mdash;by four o'clock."
+ </p>
+ <p>
+ At four o'clock Dunstable was enjoying an excellent tea in Green Street,
+ Park Lane, and telling his mother that he had had a most enjoyable term,
+ marred by no unpleasantness whatever. His holidays were sweetened by the
+ thought of Mr. Langridge's baffled wrath on discovering the true
+ inwardness of the recent episode.
+ </p>
+ <hr />
+ <p>
+ When he returned to Locksley at the beginning of the winter term, he was
+ at once made aware that that episode was not to be considered closed. On
+ the first evening, Mr. Day, his housemaster, sent for him.
+ </p>
+ <p>
+ "Well, Dunstable," he said, "where is that imposition?"
+ </p>
+ <p>
+ Dunstable affected ignorance.
+ </p>
+ <p>
+ "Please, sir, you set me no imposition."
+ </p>
+ <p>
+ "No, Dunstable, no." Mr. Day peered at him gravely through his spectacles.
+ "<i>I</i> set you no imposition; but Mr. Langridge did."
+ </p>
+ <p>
+ Dunstable imitated that eminent tactician, Br'er Rabbit. He "lay low and
+ said nuffin."
+ </p>
+ <p>
+ "Surely," continued Mr. Day, in tones of mild reproach, "you did not think
+ that you could take Mr. Langridge in?"
+ </p>
+ <p>
+ Dunstable rather thought he <i>had</i> taken Mr. Langridge in; but he made
+ no reply.
+ </p>
+ <p>
+ "Well," said Mr. Day. "I must set you some punishment. I shall give the
+ butler instructions to hand you a note from me at three o'clock
+ to-morrow." (The next day was a half-holiday.) "In that note you will find
+ indicated what I wish you to write out."
+ </p>
+ <p>
+ Why this comic-opera secret-society business, Dunstable wondered. Then it
+ dawned upon him. Mr. Day wished to break up his half-holiday thoroughly.
+ </p>
+ <p>
+ That afternoon Dunstable retired in disgust to his study to brood over his
+ wrongs; to him entered Charles, his friend, one C. J. Linton, to wit, of
+ Seymour's, a very hearty sportsman.
+ </p>
+ <p>
+ "Good," said Linton. "Didn't think I should find you in. Thought you might
+ have gone off somewhere as it's such a ripping day. Tell you what we'll
+ do. Scull a mile or two up the river and have tea somewhere."
+ </p>
+ <p>
+ "I should like to awfully," said Dunstable, "but I'm afraid I can't."
+ </p>
+ <p>
+ And he explained Mr. Day's ingenious scheme for preventing him from
+ straying that afternoon.
+ </p>
+ <p>
+ "Rot, isn't it," he said.
+ </p>
+ <p>
+ "Beastly. Wouldn't have thought old Day had it in him. But I'll tell you
+ what," he said. "Do the impot now, and then you'll be able to start at
+ three sharp, and we shall get in a good time on the river. Day always sets
+ the same thing. I've known scores of chaps get impots from him, and they
+ all had to do the Greek numerals. He's mad on the Greek numerals. Never
+ does anything else. You'll be as safe as anything if you do them. Buck up,
+ I'll help."
+ </p>
+ <p>
+ They accordingly sat down there and then. By three o'clock an imposing
+ array of sheets of foolscap covered with badly-written Greek lay on the
+ study table.
+ </p>
+ <p>
+ "That ought to be enough," said Linton, laying down his pen. "He can't set
+ you more than we've done, I should think."
+ </p>
+ <p>
+ "Rummy how alike our writing looks," said Dunstable, collecting the sheets
+ and examining them. "You can hardly tell which is which even when you
+ know. Well, there goes three. My watch is slow, as it always is. I'll go
+ and get that note."
+ </p>
+ <p>
+ Two minutes later he returned, full of abusive references to Mr. Day. The
+ crafty pedagogue appeared to have foreseen Dunstable's attempt to
+ circumvent him by doing the Greek numerals on the chance of his setting
+ them. The imposition he had set in his note was ten pages of irregular
+ verbs, and they were to be shown up in his study before five o'clock.
+ Linton's programme for the afternoon was out of the question now. But he
+ loyally gave up any other plans which he might have formed in order to
+ help Dunstable with his irregular verbs. Dunstable was too disgusted with
+ fate to be properly grateful.
+ </p>
+ <p>
+ "And the worst of it is," he said, as they adjourned for tea at half-past
+ four, having deposited the verbs on Mr. Day's table, "that all those
+ numerals will be wasted now."
+ </p>
+ <p>
+ "I should keep them, though," said Linton. "They may come in useful. You
+ never know."
+ </p>
+ <hr />
+ <p>
+ Towards the end of the second week of term Fate, by way of compensation,
+ allowed Dunstable a distinct stroke of luck. Mr. Forman, the master of his
+ new form, set him a hundred lines of Virgil, and told him to show them up
+ next day. To Dunstable's delight, the next day passed without mention of
+ them; and when the day after that went by, and still nothing was said, he
+ came to the conclusion that Mr. Forman had forgotten all about them.
+ </p>
+ <p>
+ Which was indeed the case. Mr. Forman was engaged in editing a new edition
+ of the "Bacchae," and was apt to be absent-minded in consequence. So
+ Dunstable, with a glad smile, hove the lines into a cupboard in his study
+ to keep company with the Greek numerals which he had done for Mr. Day, and
+ went out to play fives with Linton.
+ </p>
+ <p>
+ Linton, curiously enough, had also had a stroke of luck in a rather
+ similar way. He told Dunstable about it as they strolled back to the
+ houses after their game.
+ </p>
+ <p>
+ "Bit of luck this afternoon," he said. "You remember Appleby setting me a
+ hundred-and-fifty the day before yesterday? Well, I showed them up to-day,
+ and he looked through them and chucked them into the waste-paper basket
+ under his desk. I thought at the time I hadn't seen him muck them up at
+ all with his pencil, which is his usual game, so after he had gone at the
+ end of school I nipped to the basket and fished them out. They were as
+ good as new, so I saved them up in case I get any more."
+ </p>
+ <p>
+ Dunstable hastened to tell of his own good fortune. Linton was impressed
+ by the coincidence.
+ </p>
+ <p>
+ "I tell you what," he said, "we score either way. Because if we never get
+ any more lines&mdash;&mdash;"
+ </p>
+ <p>
+ Dunstable laughed.
+ </p>
+ <p>
+ "Yes, I know," Linton went on, "we're bound to. But even supposing we
+ don't, what we've got in stock needn't be wasted."
+ </p>
+ <p>
+ "I don't see that," said Dunstable. "Going to have 'em bound in cloth and
+ published? Or were you thinking of framing them?"
+ </p>
+ <p>
+ "Why, don't you see? Sell them, of course. There are dozens of chaps in
+ the school who would be glad of a few hundred lines cheap."
+ </p>
+ <p>
+ "It wouldn't work. They'd be spotted."
+ </p>
+ <p>
+ "Rot. It's been done before, and nobody said anything. A chap in Seymour's
+ who left last Easter sold all his stock lines by auction on the last day
+ of term. They were Virgil mostly and Greek numerals. They sold like hot
+ cakes. There were about five hundred of them altogether. And I happen to
+ know that every word of them has been given up and passed all right."
+ </p>
+ <p>
+ "Well, I shall keep mine," said Dunstable. "I am sure to want all the
+ lines in stock that I can get. I used to think Langridge was fairly bad in
+ the way of impots, but Forman takes the biscuit easily. It seems to be a
+ sort of hobby of his. You can't stop him."
+ </p>
+ <p>
+ But it was not until the middle of preparation that the great idea flashed
+ upon Dunstable's mind.
+ </p>
+ <p>
+ It was the simplicity of the thing that took his breath away. That and its
+ possibilities. This was the idea. Why not start a Lines Trust in the
+ school? An agency for supplying lines at moderate rates to all who desired
+ them? There did not seem to be a single flaw in the scheme. He and Linton
+ between them could turn out enough material in a week to give the Trust a
+ good working capital. And as for the risk of detection when customers came
+ to show up the goods supplied to them, that was very slight. As has been
+ pointed out before, there was practically one handwriting common to the
+ whole school when it came to writing lines. It resembled the movements of
+ a fly that had fallen into an ink-pot, and subsequently taken a little
+ brisk exercise on a sheet of foolscap by way of restoring the circulation.
+ Then, again, the attitude of the master to whom the lines were shown was
+ not likely to be critical. So that everything seemed in favour of
+ Dunstable's scheme.
+ </p>
+ <p>
+ Linton, to whom he confided it, was inclined to scoff at first, but when
+ he had had the beauties of the idea explained to him at length, became an
+ enthusiastic supporter of the scheme.
+ </p>
+ <p>
+ "But," he objected, "it'll take up all our time. Is it worth it? We can't
+ spend every afternoon sweating away at impots for other people."
+ </p>
+ <p>
+ "It's all right," said Dunstable, "I've thought of that. We shall need to
+ pitch in pretty hard for about a week or ten days. That will give us a
+ good big stock, and after that if we turn out a hundred each every day it
+ will be all right. A hundred's not much fag if you spread them over a
+ day."
+ </p>
+ <p>
+ Linton admitted that this was sound, and the Locksley Lines Supplying
+ Trust, Ltd., set to work in earnest.
+ </p>
+ <p>
+ It must not be supposed that the Agency left a great deal to chance. The
+ writing of lines in advance may seem a very speculative business; but both
+ Dunstable and Linton had had a wide experience of Locksley masters, and
+ the methods of the same when roused, and they were thus enabled to reduce
+ the element of chance to a minimum. They knew, for example, that Mr. Day's
+ favourite imposition was the Greek numerals, and that in nine cases out of
+ ten that would be what the youth who had dealings with him would need to
+ ask for from the Lines Trust. Mr. Appleby, on the other hand, invariably
+ set Virgil. The oldest inhabitant had never known him to depart from this
+ custom. For the French masters extracts from the works of Victor Hugo
+ would probably pass muster.
+ </p>
+ <p>
+ A week from the date of the above conversation, everyone in the school,
+ with the exception of the prefects and the sixth form, found in his desk
+ on arriving at his form-room a printed slip of paper. (Spiking, the
+ stationer in the High Street, had printed it.) It was nothing less than
+ the prospectus of the new Trust. It set forth in glowing terms the
+ advantages offered by the agency. Dunstable had written it&mdash;he had a
+ certain amount of skill with his pen&mdash;and Linton had suggested subtle
+ and captivating additions. The whole presented rather a striking
+ appearance.
+ </p>
+ <p>
+ The document was headed with the name of the Trust in large letters. Under
+ this came a number of "scare headlines" such as:
+ </p>
+<pre xml:space="preserve">
+ SEE WHAT YOU SAVE!
+
+ NO MORE WORRY!
+
+ PEACE, PERFECT PEACE!
+
+ WHY DO LINES WHEN WE DO THEM
+ FOR YOU?
+</pre>
+ <p>
+ Then came the real prospectus:
+ </p>
+<pre xml:space="preserve">
+ The Locksley Lines Supplying Trust, Ltd. has been instituted to
+ meet the growing demand for lines and other impositions. While
+ there are masters at our public schools there will always be lines.
+ At Locksley the crop of masters has always flourished&mdash;and still
+ flourishes&mdash;very rankly, and the demand for lines has greatly taxed
+ the powers of those to whom has been assigned the task of supplying
+ them.
+
+ It is for the purpose of affording relief to these that the Lines
+ Trust has been formed. It is proposed that all orders for lines
+ shall be supplied out of our vast stock. Our charges are moderate,
+ and vary between threepence and sixpence per hundred lines. The
+ higher charge is made for Greek impositions, which, for obvious
+ reasons, entail a greater degree of labour on our large and
+ efficient staff of writers.
+
+ All orders, which will be promptly executed, should be forwarded to
+ Mr. P. A. Dunstable, 6 College Grounds, Locksley, or to Mr. C. J.
+ Linton, 10 College Grounds, Locksley. <i>Payment must be inclosed
+ with order, or the latter will not be executed.</i> Under no
+ conditions will notes of hand or cheques be accepted as legal
+ tender. There is no trust about us except the name.
+
+ Come in your thousands. We have lines for all. If the Trust's
+ stock of lines were to be placed end to end it would reach part
+ of the way to London. "You pay the threepence. We do the rest."
+</pre>
+ <p>
+ Then a blank space, after which came a few "unsolicited testimonials":
+ </p>
+<pre xml:space="preserve">
+ "Lower Fifth" writes: "I was set two hundred lines of Virgil on
+ Saturday last at one o'clock. Having laid in a supply from your
+ agency I was enabled to show them up at five minutes past one.
+ The master who gave me the commission was unable to restrain his
+ admiration at the rapidity and neatness of my work. You may make
+ what use of this you please."
+
+ "Dexter's House" writes: "Please send me one hundred (100) lines
+ from <i>Aeneid, Book Two</i>. Mr. Dexter was so delighted with the last
+ I showed him that he has asked me to do some more."
+
+ "Enthusiast" writes: "Thank you for your Greek numerals. Day took
+ them without blinking. So beautifully were they executed that I can
+ hardly believe even now that I did not write them myself."
+
+</pre>
+ <hr />
+ <p>
+ There could be no doubt about the popularity of the Trust. It caught on
+ instantly.
+ </p>
+ <p>
+ Nothing else was discussed in the form-rooms at the quarter to eleven
+ interval, and in the houses after lunch it was the sole topic of
+ conversation. Dunstable and Linton were bombarded with questions and
+ witticisms of the near personal sort. To the latter they replied with
+ directness, to the former evasively.
+ </p>
+ <p>
+ "What's it all <i>about?</i>" someone would ask, fluttering the leaflet
+ before Dunstable's unmoved face.
+ </p>
+ <p>
+ "You should read it carefully," Dunstable would reply. "It's all there."
+ </p>
+ <p>
+ "But what are you playing at?"
+ </p>
+ <p>
+ "We tried to make it clear to the meanest intelligence. Sorry you can't
+ understand it."
+ </p>
+ <p>
+ While at the same time Linton, in his form-room, would be explaining to
+ excited inquirers that he was sorry, but it was impossible to reply to
+ their query as to who was running the Trust. He was not at liberty to
+ reveal business secrets. Suffice it that there the lines were, waiting to
+ be bought, and he was there to sell them. So that if anybody cared to lay
+ in a stock, large or small, according to taste, would he kindly walk up
+ and deposit the necessary coin?
+ </p>
+ <p>
+ But here the public showed an unaccountable disinclination to deal. It was
+ gratifying to have acquaintances coming up and saying admiringly: "You are
+ an ass, you know," as if they were paying the highest of compliments&mdash;as,
+ indeed, they probably imagined that they were. All this was magnificent,
+ but it was not business. Dunstable and Linton felt that the whole attitude
+ of the public towards the new enterprise was wrong. Locksley seemed to
+ regard the Trust as a huge joke, and its prospectus as a literary <i>jeu
+ d'esprit</i>.
+ </p>
+ <p>
+ In fact, it looked very much as if&mdash;from a purely commercial point of
+ view&mdash;the great Lines Supplying Trust was going to be what is known
+ in theatrical circles as a frost.
+ </p>
+ <p>
+ For two whole days the public refused to bite, and Dunstable and Linton,
+ turning over the stacks of lines in their studies, thought gloomily that
+ this world is no place for original enterprise.
+ </p>
+ <p>
+ Then things began to move.
+ </p>
+ <p>
+ It was quite an accident that started them. Jackson, of Dexter's, was
+ teaing with Linton, and, as was his habit, was giving him a condensed
+ history of his life since he last saw him. In the course of this he
+ touched on a small encounter with M. Gaudinois which had occurred that
+ afternoon.
+ </p>
+ <p>
+ "So I got two pages of 'Quatre-Vingt Treize' to write," he concluded, "for
+ doing practically nothing."
+ </p>
+ <p>
+ All Jackson's impositions, according to him, were given him for doing
+ practically nothing. Now and then he got them for doing literally nothing&mdash;when
+ he ought to have been doing form-work.
+ </p>
+ <p>
+ "Done 'em?" asked Linton.
+ </p>
+ <p>
+ "Not yet; no," replied Jackson. "More tea, please."
+ </p>
+ <p>
+ "What you want to do, then," said Linton, "is to apply to the Locksley
+ Lines Supplying Trust. That's what you must do."
+ </p>
+ <p>
+ "You needn't rot a chap on a painful subject," protested Jackson.
+ </p>
+ <p>
+ "I wasn't rotting," said Linton. "Why don't you apply to the Lines Trust?"
+ </p>
+ <p>
+ "Then do you mean to say that there really is such a thing?" Jackson said
+ incredulously. "Why I thought it was all a rag."
+ </p>
+ <p>
+ "I know you did. It's the rotten sort of thing you would think. Rag, by
+ Jove! Look at this. Now do you understand that this is a genuine concern?"
+ </p>
+ <p>
+ He got up and went to the cupboard which filled the space between the
+ stove and the bookshelf. From this resting-place he extracted a great pile
+ of manuscript and dumped it down on the table with a bang which caused a
+ good deal of Jackson's tea to spring from its native cup on to its owner's
+ trousers.
+ </p>
+ <p>
+ "When you've finished," protested Jackson, mopping himself with a
+ handkerchief that had seen better days.
+ </p>
+ <p>
+ "Sorry. But look at these. What did you say your impot was? Oh, I
+ remember. Here you are. Two pages of 'Quatre-Vingt Treize.' I don't know
+ which two pages, but I suppose any will do."
+ </p>
+ <p>
+ Jackson was amazed.
+ </p>
+ <p>
+ "Great Scott! what a wad of stuff! When did you do it all?"
+ </p>
+ <p>
+ "Oh, at odd times. Dunstable's got just as much over at Day's. So you see
+ the Trust is a jolly big show. Here are your two pages. That looks just
+ like your scrawl, doesn't it? These would be fourpence in the ordinary
+ way, but you can have 'em for nothing this time."
+ </p>
+ <p>
+ "Oh, I say," said Jackson gratefully, "that's awfully good of you."
+ </p>
+ <p>
+ After that the Locksley Lines Supplying Trust, Ltd. went ahead with a
+ rush. The brilliant success which attended its first specimen&mdash;M.
+ Gaudinois took Jackson's imposition without a murmur&mdash;promoted
+ confidence in the public, and they rushed to buy. Orders poured in from
+ all the houses, and by the middle of the term the organisers of the scheme
+ were able to divide a substantial sum.
+ </p>
+ <p>
+ "How are you getting on round your way?" asked Linton of Dunstable at the
+ end of the sixth week of term.
+ </p>
+ <p>
+ "Ripping. Selling like hot cakes."
+ </p>
+ <p>
+ "So are mine," said Linton. "I've almost come to the end of my stock. I
+ ought to have written some more, but I've been a bit slack lately."
+ </p>
+ <p>
+ "Yes, buck up. We must keep a lot in hand."
+ </p>
+ <p>
+ "I say, did you hear that about Merrett in our house?" asked Linton.
+ </p>
+ <p>
+ "What about him?"
+ </p>
+ <p>
+ "Why, he tried to start a rival show. Wrote a prospectus and everything.
+ But it didn't catch on a bit. The only chap who bought any of his lines
+ was young Shoeblossom. He wanted a couple of hundred for Appleby. Appleby
+ was on to them like bricks. Spotted Shoeblossom hadn't written them, and
+ asked who had. He wouldn't say, so he got them doubled. Everyone in the
+ house is jolly sick with Merrett. They think he ought to have owned up."
+ </p>
+ <p>
+ "Did that smash up Merrett's show? Is he going to turn out any more?"
+ </p>
+ <p>
+ "Rather not. Who'd buy 'em?"
+ </p>
+ <p>
+ It would have been better for the Lines Supplying Trust if Merrett had not
+ received this crushing blow and had been allowed to carry on a rival
+ business on legitimate lines. Locksley was conservative in its habits, and
+ would probably have continued to support the old firm.
+ </p>
+ <p>
+ As it was, the baffled Merrett, a youth of vindictive nature, brooded over
+ his defeat, and presently hit upon a scheme whereby things might be
+ levelled up.
+ </p>
+ <p>
+ One afternoon, shortly before lock-up, Dunstable was surprised by the
+ advent of Linton to his study in a bruised and dishevelled condition. One
+ of his expressive eyes was closed and blackened. He also wore what is
+ known in ring circles as a thick ear.
+ </p>
+ <p>
+ "What on earth's up?" inquired Dunstable, amazed at these phenomena. "Have
+ you been scrapping?"
+ </p>
+ <p>
+ "Yes&mdash;Merrett&mdash;I won. What are you up to&mdash;writing lines?
+ You may as well save yourself the trouble. They won't be any good."
+ Dunstable stared.
+ </p>
+ <p>
+ "The Trust's bust," said Linton.
+ </p>
+ <p>
+ He never wasted words in moments of emotion.
+ </p>
+ <p>
+ "What!"
+ </p>
+ <p>
+ "'Bust' was what I said. That beast Merrett gave the show away."
+ </p>
+ <p>
+ "What did he do? Surely he didn't tell a master?"
+ </p>
+ <p>
+ "Well, he did the next thing to it. He hauled out that prospectus, and
+ started reading it in form. I watched him do it. He kept it under the desk
+ and made a foul row, laughing over it. Appleby couldn't help spotting him.
+ Of course, he told him to bring him what he was reading. Up went Merrett
+ with the prospectus."
+ </p>
+ <p>
+ "Was Appleby sick?"
+ </p>
+ <p>
+ "I don't believe he was, really. At least, he laughed when he read the
+ thing. But he hauled me up after school and gave me a long jaw, and made
+ me take all the lines I'd got to his house. He burnt them. I had it out
+ with Merrett just now. He swears he didn't mean to get the thing spotted,
+ but I knew he did."
+ </p>
+ <p>
+ "Where did you scrag him!"
+ </p>
+ <p>
+ "In the dormitory. He chucked it after the third round."
+ </p>
+ <p>
+ There was a knock at the door.
+ </p>
+ <p>
+ "Come in," shouted Dunstable.
+ </p>
+ <p>
+ Buxton appeared, a member of Appleby's house.
+ </p>
+ <p>
+ "Oh, Dunstable, Appleby wants to see you."
+ </p>
+ <p>
+ "All right," said Dunstable wearily.
+ </p>
+ <p>
+ Mr. Appleby was in facetious mood. He chaffed Dunstable genially about his
+ prospectus, and admitted that it had amused him. Dunstable smiled without
+ enjoyment. It was a good thing, perhaps, that Mr. Appleby saw the humorous
+ rather than the lawless side of the Trust; but all the quips in the world
+ could not save that institution from ruin.
+ </p>
+ <p>
+ Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he
+ seemed to say; "but duty is duty, and must be done."
+ </p>
+ <p>
+ "How many lines have you at your house, Dunstable?" he asked.
+ </p>
+ <p>
+ "About eight hundred, sir."
+ </p>
+ <p>
+ "Then you had better write me eight hundred lines, and show them up to me
+ in this room at&mdash;shall we say at ten minutes to five? It is now a
+ quarter to, so that you will have plenty of time."
+ </p>
+ <p>
+ Dunstable went, and returned five minutes later, bearing an armful of
+ manuscript.
+ </p>
+ <p>
+ "I don't think I shall need to count them," said Mr. Appleby. "Kindly take
+ them in batches of ten sheets, and tear them in half, Dunstable."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ The last sheet fluttered in two sections into the surfeited waste-paper
+ basket.
+ </p>
+ <p>
+ "It's an awful waste, sir," said Dunstable regretfully.
+ </p>
+ <p>
+ Mr. Appleby beamed.
+ </p>
+ <p>
+ "We must, however," he said, "always endeavour to look on the bright side,
+ Dunstable. The writing of these eight hundred lines will have given you a
+ fine grip of the rhythm of Virgil, the splendid prose of Victor Hugo, and
+ the unstudied majesty of the Greek Numerals. Good-night, Dunstable."
+ </p>
+ <p>
+ "Good-night, sir," said the President of the Locksley Lines Supplying
+ Trust, Ltd.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE AUTOGRAPH HUNTERS
+ </h2>
+ <p>
+ Dunstable had his reasons for wishing to obtain Mr. Montagu Watson's
+ autograph, but admiration for that gentleman's novels was not one of them.
+ </p>
+ <p>
+ It was nothing to him that critics considered Mr. Watson one of the most
+ remarkable figures in English literature since Scott. If you had told him
+ of this, he would merely have wondered in his coarse, material way how
+ much Mr. Watson gave the critics for saying so. To the reviewer of the <i>Weekly
+ Booklover</i> the great man's latest effort, "The Soul of Anthony
+ Carrington" (Popgood and Grooly: 6s.) seemed "a work that speaks
+ eloquently in every line of a genius that time cannot wither nor custom
+ stale." To Dunstable, who got it out of the school library, where it had
+ been placed at the request of a literary prefect, and read the first
+ eleven pages, it seemed rot, and he said as much to the librarian on
+ returning it.
+ </p>
+ <p>
+ Yet he was very anxious to get the novelist's autograph. The fact was that
+ Mr. Day, his house-master, a man whose private life was in other ways
+ unstained by vicious habits, collected autographs. Also Mr. Day had
+ behaved in a square manner towards Dunstable on several occasions in the
+ past, and Dunstable, always ready to punish bad behaviour in a master, was
+ equally anxious to reward and foster any good trait which he might
+ exhibit.
+ </p>
+ <p>
+ On the occasion of the announcement that Mr. Watson had taken the big
+ white house near Chesterton, a couple of miles from the school, Mr. Day
+ had expressed in Dunstable's hearing a wish that he could add that
+ celebrity's signature to his collection. Dunstable had instantly
+ determined to play the part of a benevolent Providence. He would get the
+ autograph and present it to the house-master, as who should say, "see what
+ comes of being good." It would be pleasant to observe the innocent joy of
+ the recipient, his child-like triumph, and his amazement at the donor's
+ ingenuity in securing the treasure. A touching scene&mdash;well worth the
+ trouble involved in the quest.
+ </p>
+ <p>
+ And there would be trouble. For Mr. Montagu Watson was notoriously a foe
+ to the autograph-hunter. His curt, type-written replies (signed by a
+ secretary) had damped the ardour of scores of brave men and&mdash;more or
+ less&mdash;fair women. A genuine Montagu Watson was a prize in the
+ autograph market.
+ </p>
+ <p>
+ Dunstable was a man of action. When Mark, the boot-boy at Day's, carried
+ his burden of letters to the post that evening, there nestled among them
+ one addressed to M. Watson, Esq., The White House, Chesterton. Looking at
+ it casually, few of his friends would have recognised Dunstable's
+ handwriting. For it had seemed good to that man of guile to adopt for the
+ occasion the role of a backward youth of twelve years old. He thought
+ tender years might touch Mr. Watson's heart.
+ </p>
+ <p>
+ This was the letter:
+ </p>
+<pre xml:space="preserve">
+ <i>Dear Sir</i>,&mdash;I am only a littel boy, but I think your
+ books ripping. I often wonder how you think of it all. Will you
+ please send me your ortograf? I like your books very much. I have
+ named my white rabit Montagu after you. I punched Jones II in
+ the eye to-day becos he didn't like your books. I have spent the
+ only penny I have on the stampe for this letter which I might have
+ spent on tuck. I want to be like Maltby in "The Soul of Anthony
+ Carrington" when I grow up.
+
+ <i>Your sincere reader</i>,
+ P. A. Dunstable.
+</pre>
+ <p>
+ It was a little unfortunate, perhaps, that he selected Maltby as his ideal
+ character. That gentleman was considered by critics a masterly portrait of
+ the cynical <i>roui</i>. But it was the only name he remembered.
+ </p>
+ <p>
+ "Hot stuff!" said Dunstable to himself, as he closed the envelope.
+ </p>
+ <p>
+ "Little beast!" said Mr. Watson to himself as he opened it. It arrived by
+ the morning post, and he never felt really himself till after breakfast.
+ </p>
+ <p>
+ "Here, Morrison," he said to his secretary, later in the morning: "just
+ answer this, will you? The usual thing&mdash;thanks and most deeply
+ grateful, y'know."
+ </p>
+ <p>
+ Next day the following was included in Dunstable's correspondence:
+ </p>
+<pre xml:space="preserve">
+ Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable,
+ and begs to thank him for all the kind things he says about his
+ work in his letter of the 18th inst., for which he is deeply grateful.
+</pre>
+ <p>
+ "Foiled!" said Dunstable, and went off to Seymour's to see his friend
+ Linton.
+ </p>
+ <p>
+ "Got any notepaper?" he asked.
+ </p>
+ <p>
+ "Heaps," said Linton. "Why? Want some?"
+ </p>
+ <p>
+ "Then get out a piece. I want to dictate a letter."
+ </p>
+ <p>
+ Linton stared.
+ </p>
+ <p>
+ "What's up? Hurt your hand?"
+ </p>
+ <p>
+ Dunstable explained.
+ </p>
+ <p>
+ "Day collects autographs, you know, and he wants Montagu Watson's badly.
+ Pining away, and all that sort of thing. Won't smile until he gets it. I
+ had a shot at it yesterday, and got this."
+ </p>
+ <p>
+ Linton inspected the document.
+ </p>
+ <p>
+ "So I can't send up another myself, you see."
+ </p>
+ <p>
+ "Why worry?"
+ </p>
+ <p>
+ "Oh, I'd like to put Day one up. He's not been bad this term. Come on."
+ </p>
+ <p>
+ "All right. Let her rip."
+ </p>
+ <p>
+ Dunstable let her rip.
+ </p>
+<pre xml:space="preserve">
+ <i>Dear Sir</i>,&mdash;I cannot refrain from writing to tell you what
+ an inestimable comfort your novels have been to me during years
+ of sore tribulation and distress&mdash;&mdash;
+</pre>
+ <p>
+ "Look here," interrupted Linton with decision at this point. "If you think
+ I'm going to shove my name at the end of this rot, you're making the
+ mistake of a lifetime."
+ </p>
+ <p>
+ "Of course not. You're a widow who has lost two sons in South Africa.
+ We'll think of a good name afterwards. Ready?
+ </p>
+<pre xml:space="preserve">
+ "Ever since my darling Charles Herbert and Percy Lionel were
+ taken from me in that dreadful war, I have turned for consolation
+ to the pages of 'The Soul of Anthony Carrington' and&mdash;&mdash;"
+</pre>
+ <p>
+ "What, another?" asked Linton.
+ </p>
+ <p>
+ "There's one called 'Pancakes.'"
+ </p>
+ <p>
+ "Sure? Sounds rummy."
+ </p>
+ <p>
+ "That's all right. You have to get a queer title nowadays if you want to
+ sell a book."
+ </p>
+ <p>
+ "Go on, then. Jam it down."
+ </p>
+<pre xml:space="preserve">
+ "&mdash;and 'Pancakes.' I hate to bother you, but if you could send me
+ your autograph I should be more grateful than words can say. Yours
+ admiringly."
+</pre>
+ <p>
+ "What's a good name? How would Dorothy Maynard do?"
+ </p>
+ <p>
+ "You want something more aristocratic. What price Hilda Foulke-Ponsonby?"
+ </p>
+ <p>
+ Dunstable made no objection, and Linton signed the letter with a flourish.
+ </p>
+ <p>
+ They installed Mrs. Foulke-Ponsonby at Spiking's in the High Street. It
+ was not a very likely address for a lady whose blood was presumably of the
+ bluest, but they could think of none except that obliging stationer who
+ would take in letters for them.
+ </p>
+ <p>
+ There was a letter for Mrs. Foulke-Ponsonby next day. Whatever his other
+ defects as a correspondent, Mr. Watson was at least prompt with his
+ responses.
+ </p>
+ <p>
+ Mr. Montagu Watson presented his compliments, and was deeply grateful for
+ all the kind things Mrs. Foulke-Ponsonby had said about his work in her
+ letter of the 19th inst. He was, however, afraid that he scarcely deserved
+ them. Her opportunities of deriving consolation from "The Soul of Anthony
+ Carrington" had been limited by the fact that that book had only been
+ published ten days before: while, as for "Pancakes," to which she had
+ referred in such flattering terms, he feared that another author must have
+ the credit of any refreshment her bereaved spirit might have extracted
+ from that volume, for he had written no work of such a name. His own "Pan
+ Wakes" would, he hoped, administer an equal quantity of balm.
+ </p>
+ <p>
+ Mr. Secretary Morrison had slept badly on the night before he wrote this
+ letter, and had expended some venom upon its composition.
+ </p>
+ <p>
+ "Sold again!" said Dunstable.
+ </p>
+ <p>
+ "You'd better chuck it now. It's no good," said Linton.
+ </p>
+ <p>
+ "I'll have another shot. Then I'll try and think of something else."
+ </p>
+ <p>
+ Two days later Mr. Morrison replied to Mr. Edgar Habbesham-Morley, of 3a,
+ Green Street, Park Lane, to the effect that Mr. Montagu Watson was deeply
+ grateful for all the kind things, etc.&mdash;&mdash;
+ </p>
+ <p>
+ 3a, Green Street was Dunstable's home address.
+ </p>
+ <p>
+ At this juncture the Watson-Dunstable correspondence ceases, and the
+ relations become more personal.
+ </p>
+ <p>
+ On the afternoon of the twenty-third of the month, Mr. Watson, taking a
+ meditative stroll through the wood which formed part of his property, was
+ infuriated by the sight of a boy.
+ </p>
+ <p>
+ He was not a man who was fond of boys even in their proper place, and the
+ sight of one in the middle of his wood, prancing lightly about among the
+ nesting pheasants, stirred his never too placid mind to its depths.
+ </p>
+ <p>
+ He shouted.
+ </p>
+ <p>
+ The apparition paused.
+ </p>
+ <p>
+ "Here! Hi! you boy!"
+ </p>
+ <p>
+ "Sir?" said the stripling, with a winning smile, lifting his cap with the
+ air of a D'Orsay.
+ </p>
+ <p>
+ "What business have you in my wood?"
+ </p>
+ <p>
+ "Not business," corrected the visitor, "pleasure."
+ </p>
+ <p>
+ "Come here!" shrilled the novelist.
+ </p>
+ <p>
+ The stranger receded coyly.
+ </p>
+ <p>
+ Mr. Watson advanced at the double.
+ </p>
+ <p>
+ His quarry dodged behind a tree.
+ </p>
+ <p>
+ For five minutes the great man devoted his powerful mind solely to the
+ task of catching his visitor.
+ </p>
+ <p>
+ The latter, however, proved as elusive as the point of a half-formed
+ epigram, and at the end of the five minutes he was no longer within sight.
+ </p>
+ <p>
+ Mr. Watson went off and addressed his keeper in terms which made that
+ worthy envious for a week.
+ </p>
+ <p>
+ "It's eddication," he said subsequently to a friend at the "Cowslip Inn."
+ "You and me couldn't talk like that. It wants eddication."
+ </p>
+ <p>
+ For the next few days the keeper's existence was enlivened by visits from
+ what appeared to be a most enthusiastic bird's-nester. By no other theory
+ could he account for it. Only a boy with a collection to support would run
+ such risks.
+ </p>
+ <p>
+ To the keeper's mind the human boy up to the age of twenty or so had no
+ object in life except to collect eggs. After twenty, of course, he took to
+ poaching. This was a boy of about seventeen.
+ </p>
+ <p>
+ On the fifth day he caught him, and conducted him into the presence of Mr.
+ Montagu Watson.
+ </p>
+ <p>
+ Mr. Watson was brief and to the point. He recognised his visitor as the
+ boy for whose benefit he had made himself stiff for two days.
+ </p>
+ <p>
+ The keeper added further damaging facts.
+ </p>
+ <p>
+ "Bin here every day, he 'as, sir, for the last week. Well, I says to
+ myself, supposition is he'll come once too often. He'll come once too
+ often, I says. And then, I says, I'll cotch him. And I cotched him."
+ </p>
+ <p>
+ The keeper's narrative style had something of the classic simplicity of
+ Julius Caesar's.
+ </p>
+ <p>
+ Mr. Watson bit his pen.
+ </p>
+ <p>
+ "What you boys come for I can't understand," he said irritably. "You're
+ from the school, of course?"
+ </p>
+ <p>
+ "Yes," said the captive.
+ </p>
+ <p>
+ "Well, I shall report you to your house-master. What is your name?"
+ </p>
+ <p>
+ "Dunstable."
+ </p>
+ <p>
+ "Your house?"
+ </p>
+ <p>
+ "Day's."
+ </p>
+ <p>
+ "Very good. That is all."
+ </p>
+ <p>
+ Dunstable retired.
+ </p>
+ <p>
+ His next appearance in public life was in Mr. Day's study. Mr. Day had
+ sent for him after preparation. He held a letter in his hand, and he
+ looked annoyed.
+ </p>
+ <p>
+ "Come in, Dunstable. I have just received a letter complaining of you. It
+ seems that you have been trespassing."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ "I am surprised, Dunstable, that a sensible boy like you should have done
+ such a foolish thing. It seems so objectless. You know how greatly the
+ head-master dislikes any sort of friction between the school and the
+ neighbours, and yet you deliberately trespass in Mr. Watson's wood."
+ </p>
+ <p>
+ "I'm very sorry, sir."
+ </p>
+ <p>
+ "I have had a most indignant letter from him&mdash;you may see what he
+ says. You do not deny it?"
+ </p>
+ <p>
+ Dunstable ran his eye over the straggling, untidy sentences.
+ </p>
+ <p>
+ "No, sir. It's quite true."
+ </p>
+ <p>
+ "In that case I shall have to punish you severely. You will write me out
+ the Greek numerals ten times, and show them up to me on Tuesday."
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ "That will do."
+ </p>
+ <p>
+ At the door Dunstable paused.
+ </p>
+ <p>
+ "Well, Dunstable?" said Mr. Day.
+ </p>
+ <p>
+ "Er&mdash;I'm glad you've got his autograph after all, sir," he said.
+ </p>
+ <p>
+ Then he closed the door.
+ </p>
+ <p>
+ As he was going to bed that night, Dunstable met the house-master on the
+ stairs.
+ </p>
+ <p>
+ "Dunstable," said Mr. Day.
+ </p>
+ <p>
+ "Yes, sir."
+ </p>
+ <p>
+ "On second thoughts, it would be better if, instead of the Greek numerals
+ ten times, you wrote me the first ode of the first book of Horace. The
+ numerals would be a little long, perhaps."
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PILLINGSHOT, DETECTIVE
+ </h2>
+ <p>
+ Life at St. Austin's was rendered somewhat hollow and burdensome for
+ Pillingshot by the fact that he fagged for Scott. Not that Scott was the
+ Beetle-Browed Bully in any way. Far from it. He showed a kindly interest
+ in Pillingshot's welfare, and sometimes even did his Latin verses for him.
+ But the noblest natures have flaws, and Scott's was no exception. He was
+ by way of being a humorist, and Pillingshot, with his rather serious
+ outlook on life, was puzzled and inconvenienced by this.
+ </p>
+ <p>
+ It was through this defect in Scott's character that Pillingshot first
+ became a detective.
+ </p>
+ <p>
+ He was toasting muffins at the study fire one evening, while Scott, seated
+ on two chairs and five cushions, read "Sherlock Holmes," when the Prefect
+ laid down his book and fixed him with an earnest eye.
+ </p>
+ <p>
+ "Do you know, Pillingshot," he said, "you've got a bright, intelligent
+ face. I shouldn't wonder if you weren't rather clever. Why do you hide
+ your light under a bushel?"
+ </p>
+ <p>
+ Pillingshot grunted.
+ </p>
+ <p>
+ "We must find some way of advertising you. Why don't you go in for a
+ Junior Scholarship?"
+ </p>
+ <p>
+ "Too old," said Pillingshot with satisfaction.
+ </p>
+ <p>
+ "Senior, then?"
+ </p>
+ <p>
+ "Too young."
+ </p>
+ <p>
+ "I believe by sitting up all night and swotting&mdash;&mdash;"
+ </p>
+ <p>
+ "Here, I say!" said Pillingshot, alarmed.
+ </p>
+ <p>
+ "You've got no enterprise," said Scott sadly. "What are those? Muffins?
+ Well, well, I suppose I had better try and peck a bit."
+ </p>
+ <p>
+ He ate four in rapid succession, and resumed his scrutiny of Pillingshot's
+ countenance.
+ </p>
+ <p>
+ "The great thing," he said, "is to find out your special line. Till then
+ we are working in the dark. Perhaps it's music? Singing? Sing me a bar or
+ two."
+ </p>
+ <p>
+ Pillingshot wriggled uncomfortably.
+ </p>
+ <p>
+ "Left your music at home?" said Scott. "Never mind, then. Perhaps it's all
+ for the best. What are those? Still muffins? Hand me another. After all,
+ one must keep one's strength up. You can have one if you like."
+ </p>
+ <p>
+ Pillingshot's face brightened. He became more affable. He chatted.
+ </p>
+ <p>
+ "There's rather a row on downstairs," he said. "In the junior day-room."
+ </p>
+ <p>
+ "There always is," said Scott. "If it grows too loud, I shall get in
+ amongst them with a swagger-stick. I attribute half my success at bringing
+ off late-cuts to the practice I have had in the junior day-room. It keeps
+ the wrist supple."
+ </p>
+ <p>
+ "I don't mean that sort of row. It's about Evans."
+ </p>
+ <p>
+ "What about Evans?"
+ </p>
+ <p>
+ "He's lost a sovereign."
+ </p>
+ <p>
+ "Silly young ass."
+ </p>
+ <p>
+ Pillingshot furtively helped himself to another muffin.
+ </p>
+ <p>
+ "He thinks some one's taken it," he said.
+ </p>
+ <p>
+ "What! Stolen it?"
+ </p>
+ <p>
+ Pillingshot nodded.
+ </p>
+ <p>
+ "What makes him think that?"
+ </p>
+ <p>
+ "He doesn't see how else it could have gone."
+ </p>
+ <p>
+ "Oh, I don't&mdash;By Jove!"
+ </p>
+ <p>
+ Scott sat up with some excitement.
+ </p>
+ <p>
+ "I've got it," he said. "I knew we should hit on it sooner or later.
+ Here's a field for your genius. You shall be a detective. Pillingshot, I
+ hand this case over to you. I employ you."
+ </p>
+ <p>
+ Pillingshot gaped.
+ </p>
+ <p>
+ "I feel certain that's your line. I've often noticed you walking over to
+ school, looking exactly like a blood-hound. Get to work. As a start you'd
+ better fetch Evans up here and question him."
+ </p>
+ <p>
+ "But, look here&mdash;&mdash;"
+ </p>
+ <p>
+ "Buck up, man, buck up. Don't you know that every moment is precious?"
+ </p>
+ <p>
+ Evans, a small, stout youth, was not disposed to be reticent. The gist of
+ his rambling statement was as follows. Rich uncle. Impecunious nephew.
+ Visit of former to latter. Handsome tip, one sovereign. Impecunious nephew
+ pouches sovereign, and it vanishes.
+ </p>
+ <p>
+ "And I call it beastly rot," concluded Evans volubly. "And if I could find
+ the cad who's pinched it, I'd jolly well&mdash;&mdash;"
+ </p>
+ <p>
+ "Less of it," said Scott. "Now, then, Pillingshot, I'll begin this thing,
+ just to start you off. What makes you think the quid has been stolen,
+ Evans?"
+ </p>
+ <p>
+ "Because I jolly well know it has."
+ </p>
+ <p>
+ "What you jolly well know isn't evidence. We must thresh this thing out.
+ To begin with, where did you last see it?"
+ </p>
+ <p>
+ "When I put it in my pocket."
+ </p>
+ <p>
+ "Good. Make a note of that, Pillingshot. Where's your notebook? Not got
+ one? Here you are then. You can tear out the first few pages, the ones
+ I've written on. Ready? Carry on, Evans. When?"
+ </p>
+ <p>
+ "When what?"
+ </p>
+ <p>
+ "When did you put it in your pocket?"
+ </p>
+ <p>
+ "Yesterday afternoon."
+ </p>
+ <p>
+ "What time?"
+ </p>
+ <p>
+ "About five."
+ </p>
+ <p>
+ "Same pair of bags you're wearing now?"
+ </p>
+ <p>
+ "No, my cricket bags. I was playing at the nets when my uncle came."
+ </p>
+ <p>
+ "Ah! Cricket bags? Put it down, Pillingshot. That's a clue. Work on it.
+ Where are they?"
+ </p>
+ <p>
+ "They've gone to the wash."
+ </p>
+ <p>
+ "About time, too. I noticed them. How do you know the quid didn't go to
+ the wash as well?"
+ </p>
+ <p>
+ "I turned both the pockets inside out."
+ </p>
+ <p>
+ "Any hole in the pocket?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "Well, when did you take off the bags? Did you sleep in them?"
+ </p>
+ <p>
+ "I wore 'em till bed-time, and then shoved them on a chair by the side of
+ the bed. It wasn't till next morning that I remembered the quid was in
+ them&mdash;&mdash;"
+ </p>
+ <p>
+ "But it wasn't," objected Scott.
+ </p>
+ <p>
+ "I thought it was. It ought to have been."
+ </p>
+ <p>
+ "He thought it was. That's a clue, young Pillingshot. Work on it. Well?"
+ </p>
+ <p>
+ "Well, when I went to take the quid out of my cricket bags, it wasn't
+ there."
+ </p>
+ <p>
+ "What time was that?"
+ </p>
+ <p>
+ "Half-past seven this morning."
+ </p>
+ <p>
+ "What time did you go to bed?"
+ </p>
+ <p>
+ "Ten."
+ </p>
+ <p>
+ "Then the theft occurred between the hours of ten and seven-thirty. Mind
+ you, I'm giving you a jolly good leg-up, young Pillingshot. But as it's
+ your first case I don't mind. That'll be all from you, Evans. Pop off."
+ </p>
+ <p>
+ Evans disappeared. Scott turned to the detective.
+ </p>
+ <p>
+ "Well, young Pillingshot," he said, "what do you make of it?"
+ </p>
+ <p>
+ "I don't know."
+ </p>
+ <p>
+ "What steps do you propose to take?"
+ </p>
+ <p>
+ "I don't know."
+ </p>
+ <p>
+ "You're a lot of use, aren't you? As a start, you'd better examine the
+ scene of the robbery, I should say."
+ </p>
+ <p>
+ Pillingshot reluctantly left the room.
+ </p>
+ <p>
+ "Well?" said Scott, when he returned. "Any clues?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "You thoroughly examined the scene of the robbery?"
+ </p>
+ <p>
+ "I looked under the bed."
+ </p>
+ <p>
+ "<i>Under</i> the bed? What's the good of that? Did you go over every inch
+ of the strip of carpet leading to the chair with a magnifying-glass?"
+ </p>
+ <p>
+ "Hadn't got a magnifying-glass."
+ </p>
+ <p>
+ "Then you'd better buck up and get one, if you're going to be a detective.
+ Do you think Sherlock Holmes ever moved a step without his? Not much.
+ Well, anyhow. Did you find any foot-prints or tobacco-ash?"
+ </p>
+ <p>
+ "There was a jolly lot of dust about."
+ </p>
+ <p>
+ "Did you preserve a sample?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "My word, you've a lot to learn. Now, weighing the evidence, does anything
+ strike you?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "You're a bright sort of sleuth-hound, aren't you! It seems to me I'm
+ doing all the work on this case. I'll have to give you another leg-up.
+ Considering the time when the quid disappeared, I should say that somebody
+ in the dormitory must have collared it. How many fellows are there in
+ Evans' dormitory?"
+ </p>
+ <p>
+ "I don't know."
+ </p>
+ <p>
+ "Cut along and find out."
+ </p>
+ <p>
+ The detective reluctantly trudged off once more.
+ </p>
+ <p>
+ "Well?" said Scott, on his return.
+ </p>
+ <p>
+ "Seven," said Pillingshot. "Counting Evans."
+ </p>
+ <p>
+ "We needn't count Evans. If he's ass enough to steal his own quids, he
+ deserves to lose them. Who are the other six?"
+ </p>
+ <p>
+ "There's Trent. He's prefect."
+ </p>
+ <p>
+ "The Napoleon of Crime. Watch his every move. Yes?"
+ </p>
+ <p>
+ "Simms."
+ </p>
+ <p>
+ "A dangerous man. Sinister to the core."
+ </p>
+ <p>
+ "And Green, Berkeley, Hanson, and Daubeny."
+ </p>
+ <p>
+ "Every one of them well known to the police. Why, the place is a perfect
+ Thieves' Kitchen. Look here, we must act swiftly, young Pillingshot. This
+ is a black business. We'll take them in alphabetical order. Run and fetch
+ Berkeley."
+ </p>
+ <p>
+ Berkeley, interrupted in a game of Halma, came unwillingly.
+ </p>
+ <p>
+ "Now then, Pillingshot, put your questions," said Scott. "This is a black
+ business, Berkeley. Young Evans has lost a sovereign&mdash;&mdash;"
+ </p>
+ <p>
+ "If you think I've taken his beastly quid&mdash;&mdash;!" said Berkeley
+ warmly.
+ </p>
+ <p>
+ "Make a note that, on being questioned, the man Berkeley exhibited
+ suspicious emotion. Go on. Jam it down."
+ </p>
+ <p>
+ Pillingshot reluctantly entered the statement under Berkeley's indignant
+ gaze.
+ </p>
+ <p>
+ "Now then, carry on."
+ </p>
+ <p>
+ "You know, it's all rot," protested Pillingshot. "I never said Berkeley
+ had anything to do with it."
+ </p>
+ <p>
+ "Never mind. Ask him what his movements were on the night of the&mdash;what
+ was yesterday?&mdash;on the night of the sixteenth of July."
+ </p>
+ <p>
+ Pillingshot put the question nervously.
+ </p>
+ <p>
+ "I was in bed, of course, you silly ass."
+ </p>
+ <p>
+ "Were you asleep?" inquired Scott.
+ </p>
+ <p>
+ "Of course I was."
+ </p>
+ <p>
+ "Then how do you know what you were doing? Pillingshot, make a note of the
+ fact that the man Berkeley's statement was confused and contradictory.
+ It's a clue. Work on it. Who's next? Daubeny. Berkeley, send Daubeny up
+ here."
+ </p>
+ <p>
+ "All right, Pillingshot, you wait," was Berkeley's exit speech.
+ </p>
+ <p>
+ Daubeny, when examined, exhibited the same suspicious emotion that
+ Berkeley had shown; and Hanson, Simms, and Green behaved in a precisely
+ similar manner.
+ </p>
+ <p>
+ "This," said Scott, "somewhat complicates the case. We must have further
+ clues. You'd better pop off now, Pillingshot. I've got a Latin Prose to
+ do. Bring me reports of your progress daily, and don't overlook the
+ importance of trifles. Why, in 'Silver Blaze' it was a burnt match that
+ first put Holmes on the scent."
+ </p>
+ <p>
+ Entering the junior day-room with some apprehension, the sleuth-hound
+ found an excited gathering of suspects waiting to interview him.
+ </p>
+ <p>
+ One sentiment animated the meeting. Each of the five wanted to know what
+ Pillingshot meant by it.
+ </p>
+ <p>
+ "What's the row?" queried interested spectators, rallying round.
+ </p>
+ <p>
+ "That cad Pillingshot's been accusing us of bagging Evans' quid."
+ </p>
+ <p>
+ "What's Scott got to do with it?" inquired one of the spectators.
+ </p>
+ <p>
+ Pillingshot explained his position.
+ </p>
+ <p>
+ "All the same," said Daubeny, "you needn't have dragged us into it."
+ </p>
+ <p>
+ "I couldn't help it. He made me."
+ </p>
+ <p>
+ "Awful ass, Scott," admitted Green.
+ </p>
+ <p>
+ Pillingshot welcomed this sign that the focus of popular indignation was
+ being shifted.
+ </p>
+ <p>
+ "Shoving himself into other people's business," grumbled Pillingshot.
+ </p>
+ <p>
+ "Trying to be funny," Berkeley summed up.
+ </p>
+ <p>
+ "Rotten at cricket, too."
+ </p>
+ <p>
+ "Can't play a yorker for nuts."
+ </p>
+ <p>
+ "See him drop that sitter on Saturday?"
+ </p>
+ <p>
+ So that was all right. As far as the junior day-room was concerned,
+ Pillingshot felt himself vindicated.
+ </p>
+ <p>
+ But his employer was less easily satisfied. Pillingshot had hoped that by
+ the next day he would have forgotten the subject. But, when he went into
+ the study to get tea ready, up it came again.
+ </p>
+ <p>
+ "Any clues yet, Pillingshot?"
+ </p>
+ <p>
+ Pillingshot had to admit that there were none.
+ </p>
+ <p>
+ "Hullo, this won't do. You must bustle about. You must get your nose to
+ the trail. Have you cross-examined Trent yet? No? Well, there you are,
+ then. Nip off and do it now."
+ </p>
+ <p>
+ "But, I say, Scott! He's a prefect!"
+ </p>
+ <p>
+ "In the dictionary of crime," said Scott sententiously, "there is no such
+ word as prefect. All are alike. Go and take down Trent's statement."
+ </p>
+ <p>
+ To tax a prefect with having stolen a sovereign was a task at which
+ Pillingshot's imagination boggled. He went to Trent's study in a sort of
+ dream.
+ </p>
+ <p>
+ A hoarse roar answered his feeble tap. There was no doubt about Trent
+ being in. Inspection revealed the fact that the prefect was working and
+ evidently ill-attuned to conversation. He wore a haggard look and his eye,
+ as it caught that of the collector of statements, was dangerous.
+ </p>
+ <p>
+ "Well?" said Trent, scowling murderously.
+ </p>
+ <p>
+ Pillingshot's legs felt perfectly boneless.
+ </p>
+ <p>
+ "<i>Well</i>?" said Trent.
+ </p>
+ <p>
+ Pillingshot yammered.
+ </p>
+ <p>
+ "<i>Well</i>?"
+ </p>
+ <p>
+ The roar shook the window, and Pillingshot's presence of mind deserted him
+ altogether.
+ </p>
+ <p>
+ "Have you bagged a sovereign?" he asked.
+ </p>
+ <p>
+ There was an awful silence, during which the detective, his limbs suddenly
+ becoming active again, banged the door, and shot off down the passage.
+ </p>
+ <p>
+ He re-entered Scott's study at the double.
+ </p>
+ <p>
+ "Well?" said Scott. "What did he say?"
+ </p>
+ <p>
+ "Nothing."
+ </p>
+ <p>
+ "Get out your note-book, and put down, under the heading 'Trent':
+ 'Suspicious silence.' A very bad lot, Trent. Keep him under constant
+ espionage. It's a clue. Work on it."
+ </p>
+ <p>
+ Pillingshot made a note of the silence, but later on, when he and the
+ prefect met in the dormitory, felt inclined to erase it. For silence was
+ the last epithet one would have applied to Trent on that occasion. As he
+ crawled painfully into bed Pillingshot became more than ever convinced
+ that the path of the amateur detective was a thorny one.
+ </p>
+ <p>
+ This conviction deepened next day.
+ </p>
+ <p>
+ Scott's help was possibly well meant, but it was certainly inconvenient.
+ His theories were of the brilliant, dashing order, and Pillingshot could
+ never be certain who and in what rank of life the next suspect would be.
+ He spent that afternoon shadowing the Greaser (the combination of boot-boy
+ and butler who did the odd jobs about the school house), and in the
+ evening seemed likely to be about to move in the very highest circles.
+ This was when Scott remarked in a dreamy voice, "You know, I'm told the
+ old man has been spending a good lot of money lately...."
+ </p>
+ <p>
+ To which the burden of Pillingshot's reply was that he would do anything
+ in reason, but he was blowed if he was going to cross-examine the
+ head-master.
+ </p>
+ <p>
+ "It seems to me," said Scott sadly, "that you don't <i>want</i> to find
+ that sovereign. Don't you like Evans, or what is it?"
+ </p>
+ <p>
+ It was on the following morning, after breakfast, that the close observer
+ might have noticed a change in the detective's demeanour. He no longer
+ looked as if he were weighed down by a secret sorrow. His manner was even
+ jaunty.
+ </p>
+ <p>
+ Scott noticed it.
+ </p>
+ <p>
+ "What's up?" he inquired. "Got a clue?"
+ </p>
+ <p>
+ Pillingshot nodded.
+ </p>
+ <p>
+ "What is it? Let's have a look."
+ </p>
+ <p>
+ "Sh&mdash;h&mdash;h!" said Pillingshot mysteriously.
+ </p>
+ <p>
+ Scott's interest was aroused. When his fag was making tea in the
+ afternoon, he questioned him again.
+ </p>
+ <p>
+ "Out with it," he said. "What's the point of all this silent mystery
+ business?"
+ </p>
+ <p>
+ "Sherlock Holmes never gave anything away."
+ </p>
+ <p>
+ "Out with it."
+ </p>
+ <p>
+ "Walls have ears," said Pillingshot.
+ </p>
+ <p>
+ "So have you," replied Scott crisply, "and I'll smite them in half a
+ second."
+ </p>
+ <p>
+ Pillingshot sighed resignedly, and produced an envelope. From this he
+ poured some dried mud.
+ </p>
+ <p>
+ "Here, steady on with my table-cloth," said Scott. "What's this?"
+ </p>
+ <p>
+ "Mud."
+ </p>
+ <p>
+ "What about it?"
+ </p>
+ <p>
+ "Where do you think it came from?"
+ </p>
+ <p>
+ "How should I know? Road, I suppose."
+ </p>
+ <p>
+ Pillingshot smiled faintly.
+ </p>
+ <p>
+ "Eighteen different kinds of mud about here," he said patronisingly. "This
+ is flower-bed mud from the house front-garden."
+ </p>
+ <p>
+ "Well? What about it?"
+ </p>
+ <p>
+ "Sh&mdash;h&mdash;h!" said Pillingshot, and glided out of the room.
+ </p>
+ <hr />
+ <p>
+ "Well?" asked Scott next day. "Clues pouring in all right?"
+ </p>
+ <p>
+ "Rather."
+ </p>
+ <p>
+ "What? Got another?"
+ </p>
+ <p>
+ Pillingshot walked silently to the door and flung it open. He looked up
+ and down the passage. Then he closed the door and returned to the table,
+ where he took from his waistcoat-pocket a used match.
+ </p>
+ <p>
+ Scott turned it over inquiringly.
+ </p>
+ <p>
+ "What's the idea of this?"
+ </p>
+ <p>
+ "A clue," said Pillingshot. "See anything queer about it? See that rummy
+ brown stain on it?"
+ </p>
+ <p>
+ "Yes."
+ </p>
+ <p>
+ "Blood!" snorted Pillingshot.
+ </p>
+ <p>
+ "What's the good of blood? There's been no murder."
+ </p>
+ <p>
+ Pillingshot looked serious.
+ </p>
+ <p>
+ "I never thought of that."
+ </p>
+ <p>
+ "You must think of everything. The worst mistake a detective can make is
+ to get switched off on to another track while he's working on a case. This
+ match is a clue to something else. You can't work on it."
+ </p>
+ <p>
+ "I suppose not," said Pillingshot.
+ </p>
+ <p>
+ "Don't be discouraged. You're doing fine."
+ </p>
+ <p>
+ "I know," said Pillingshot. "I shall find that quid all right."
+ </p>
+ <p>
+ "Nothing like sticking to it."
+ </p>
+ <p>
+ Pillingshot shuffled, then rose to a point of order.
+ </p>
+ <p>
+ "I've been reading those Sherlock Holmes stories," he said, "and Sherlock
+ Holmes always got a fee if he brought a thing off. I think I ought to,
+ too."
+ </p>
+ <p>
+ "Mercenary young brute."
+ </p>
+ <p>
+ "It has been a beastly sweat."
+ </p>
+ <p>
+ "Done you good. Supplied you with a serious interest in life. Well, I
+ expect Evans will give you something&mdash;a jewelled snuff-box or
+ something&mdash;if you pull the thing off."
+ </p>
+ <p>
+ "<i>I</i> don't."
+ </p>
+ <p>
+ "Well, he'll buy you a tea or something."
+ </p>
+ <p>
+ "He won't. He's not going to break the quid. He's saving up for a camera."
+ </p>
+ <p>
+ "Well, what are you going to do about it?"
+ </p>
+ <p>
+ Pillingshot kicked the leg of the table.
+ </p>
+ <p>
+ "<i>You</i> put me on to the case," he said casually.
+ </p>
+ <p>
+ "What! If you think I'm going to squander&mdash;&mdash;"
+ </p>
+ <p>
+ "I think you ought to let me off fagging for the rest of the term."
+ </p>
+ <p>
+ Scott reflected.
+ </p>
+ <p>
+ "There's something in that. All right."
+ </p>
+ <p>
+ "Thanks."
+ </p>
+ <p>
+ "Don't mention it. You haven't found the quid yet."
+ </p>
+ <p>
+ "I know where it is."
+ </p>
+ <p>
+ "Where?"
+ </p>
+ <p>
+ "Ah!"
+ </p>
+ <p>
+ "Fool," said Scott.
+ </p>
+ <hr />
+ <p>
+ After breakfast next day Scott was seated in his study when Pillingshot
+ entered.
+ </p>
+ <p>
+ "Here you are," said Pillingshot.
+ </p>
+ <p>
+ He unclasped his right hand and exhibited a sovereign. Scott inspected it.
+ </p>
+ <p>
+ "Is this the one?" he said.
+ </p>
+ <p>
+ "Yes," said Pillingshot.
+ </p>
+ <p>
+ "How do you know?"
+ </p>
+ <p>
+ "It <i>is</i>. I've sifted all the evidence."
+ </p>
+ <p>
+ "Who had bagged it?"
+ </p>
+ <p>
+ "I don't want to mention names."
+ </p>
+ <p>
+ "Oh, all right. As he didn't spend any of it, it doesn't much matter. Not
+ that it's much catch having a thief roaming at large about the house.
+ Anyhow, what put you on to him? How did you get on the track? You're a
+ jolly smart kid, young Pillingshot. How did you work it?"
+ </p>
+ <p>
+ "I have my methods," said Pillingshot with dignity.
+ </p>
+ <p>
+ "Buck up. I shall have to be going over to school in a second."
+ </p>
+ <p>
+ "I hardly like to tell you."
+ </p>
+ <p>
+ "Tell me! Dash it all, I put you on to the case. I'm your employer."
+ </p>
+ <p>
+ "You won't touch me up if I tell you?"
+ </p>
+ <p>
+ "I will if you don't."
+ </p>
+ <p>
+ "But not if I do?"
+ </p>
+ <p>
+ "No."
+ </p>
+ <p>
+ "And how about the fee?"
+ </p>
+ <p>
+ "That's all right. Go on."
+ </p>
+ <p>
+ "All right then. Well, I thought the whole thing over, and I couldn't make
+ anything out of it at first, because it didn't seem likely that Trent or
+ any of the other fellows in the dormitory had taken it; and then suddenly
+ something Evans told me the day before yesterday made it all clear."
+ </p>
+ <p>
+ "What was that?"
+ </p>
+ <p>
+ "He said that the matron had just given him back his quid, which one of
+ the housemaids had found on the floor by his bed. It had dropped out of
+ his pocket that first night."
+ </p>
+ <p>
+ Scott eyed him fixedly. Pillingshot coyly evaded his gaze.
+ </p>
+ <p>
+ "That was it, was it?" said Scott.
+ </p>
+ <p>
+ Pillingshot nodded.
+ </p>
+ <p>
+ "It was a clue," he said. "I worked on it."
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of Project Gutenberg's The Politeness of Princes, by P. G. Wodehouse
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+***** This file should be named 8178-h.htm or 8178-h.htm *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/8/1/7/8178/
+
+Etext produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+HTML file produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+ </body>
+</html>
diff --git a/8178.txt b/8178.txt
new file mode 100644
index 0000000..7d357e5
--- /dev/null
+++ b/8178.txt
@@ -0,0 +1,3811 @@
+The Project Gutenberg EBook of The Politeness of Princes, by P. G. Wodehouse
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Politeness of Princes
+ And Other School Stories
+
+Author: P. G. Wodehouse
+
+Posting Date: August 27, 2012 [EBook #8178]
+Release Date: May, 2005
+First Posted: June 26, 2003
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+
+
+
+Produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+
+
+
+
+
+
+
+
+
+THE POLITENESS OF PRINCES
+and Other School Stories
+
+
+
+By
+P. G. Wodehouse
+
+
+
+
+[Transcriber's note: This selection of early Wodehouse stories was
+assembled for Project Gutenberg. The original publication date of
+each story is listed in square brackets in the Table of Contents.]
+
+
+
+
+CONTENTS
+
+
+THE POLITENESS OF PRINCES [1905]
+
+SHIELDS' AND THE CRICKET CUP [1905]
+
+AN INTERNATIONAL AFFAIR [1905]
+
+THE GUARDIAN [1908]
+
+A CORNER IN LINES [1905]
+
+THE AUTOGRAPH HUNTERS [1905]
+
+PILLINGSHOT, DETECTIVE [1910]
+
+
+
+
+THE POLITENESS OF PRINCES
+
+
+The painful case of G. Montgomery Chapple, bachelor, of Seymour's
+house, Wrykyn. Let us examine and ponder over it.
+
+It has been well said that this is the age of the specialist.
+Everybody, if they wish to leave the world a better and happier place
+for their stay in it, should endeavour to adopt some speciality and
+make it their own. Chapple's speciality was being late for breakfast.
+He was late not once or twice, but every day. Sometimes he would
+scramble in about the time of the second cup of coffee, buttoning his
+waistcoat as he sidled to his place. Generally he would arrive just as
+the rest of the house were filing out; when, having lurked hidden
+until Mr. Seymour was out of the way, he would enter into private
+treaty with Herbert, the factotum, who had influence with the cook,
+for Something Hot and maybe a fresh brew of coffee. For there was
+nothing of the amateur late-breakfaster about Chapple. Your amateur
+slinks in with blushes deepening the naturally healthy hue of his
+face, and, bolting a piece of dry bread and gulping down a cup of cold
+coffee, dashes out again, filled more with good resolutions for the
+future than with food. Not so Chapple. He liked his meals. He wanted a
+good deal here below, and wanted it hot and fresh. Conscience had but
+a poor time when it tried to bully Chapple. He had it weak in the
+first round.
+
+But there was one more powerful than Conscience--Mr. Seymour. He had
+marked the constant lateness of our hero, and disapproved of it.
+
+Thus it happened that Chapple, having finished an excellent breakfast
+one morning some twenty minutes after everybody else, was informed as
+he sat in the junior day-room trying, with the help of an illustrated
+article in a boys' paper, to construct a handy model steam-engine out
+of a reel of cotton and an old note-book--for his was in many ways a
+giant brain--that Mr. Seymour would like to have a friendly chat with
+him in his study. Laying aside his handy model steam-engine, he went
+off to the housemaster's study.
+
+"You were late for breakfast to-day," said Mr. Seymour, in the horrid,
+abrupt way housemasters have.
+
+"Why, yes, sir," said Chapple, pleasantly.
+
+"And the day before."
+
+"Yes, sir."
+
+"And the day before that."
+
+Chapple did not deny it. He stood on one foot and smiled a
+propitiating smile. So far Mr. Seymour was entitled to demand a cigar
+or cocoanut every time.
+
+The housemaster walked to the window, looked out, returned to the
+mantelpiece, and shifted the position of a china vase two and a
+quarter inches to the left. Chapple, by way of spirited repartee,
+stood on the other leg and curled the disengaged foot round his ankle.
+The conversation was getting quite intellectual.
+
+"You will write out----"
+
+"Sir, please, sir----" interrupted Chapple in an "I-represent-the
+defendant-m'lud" tone of voice.
+
+"Well?"
+
+"It's awfully hard to hear the bell from where I sleep, sir."
+
+Owing to the increased numbers of the house this term Chapple had been
+removed from his dormitory proper to a small room some distance away.
+
+"Nonsense. The bell can be heard perfectly well all over the house."
+
+There was reason in what he said. Herbert, who woke the house of a
+morning, did so by ringing a bell. It was a big bell, and he enjoyed
+ringing it. Few sleepers, however sound, could dream on peacefully
+through Herbert's morning solo. After five seconds of it they would
+turn over uneasily. After seven they would sit up. At the end of the
+first quarter of a minute they would be out of bed, and you would be
+wondering where they picked up such expressions.
+
+Chapple murmured wordlessly in reply. He realised that his defence was
+a thin one. Mr. Seymour followed up his advantage.
+
+"You will write a hundred lines of Vergil," he said, "and if you are
+late again to-morrow I shall double them."
+
+Chapple retired.
+
+This, he felt, was a crisis. He had been pursuing his career of
+unpunctuality so long that he had never quite realised that a time
+might come when the authorities would drop on him. For a moment he
+felt that it was impossible, that he could not meet Mr. Seymour's
+wishes in the matter; but the bull-dog pluck of the true Englishman
+caused him to reconsider this. He would at least have a dash at it.
+
+"I'll tell you what to do," said his friend, Brodie, when consulted on
+the point over a quiet pot of tea that afternoon. "You ought to sleep
+without so many things on the bed. How many blankets do you use, for
+instance?"
+
+"I don't know," said Chapple. "As many as they shove on."
+
+It had never occurred to him to reckon up the amount of his bedclothes
+before retiring to rest.
+
+"Well, you take my tip," said Brodie, "and only sleep with one on.
+Then the cold'll wake you in the morning, and you'll get up because
+it'll be more comfortable than staying in bed."
+
+This scientific plan might have worked. In fact, to a certain extent
+it did work. It woke Chapple in the morning, as Brodie had predicted;
+but it woke him at the wrong hour. It is no good springing out of bed
+when there are still three hours to breakfast. When Chapple woke at
+five the next morning, after a series of dreams, the scenes of which
+were laid mainly in the Arctic regions, he first sneezed, then he
+piled upon the bed everything he could find, including his boots, and
+then went to sleep again. The genial warmth oozed through his form, and
+continued to ooze until he woke once more, this time at eight-fifteen.
+Breakfast being at eight, it occurred to him that his position with
+Mr. Seymour was not improved. While he was devoting a few moments'
+profound meditation to this point the genial warmth got in its fell
+work once again. When he next woke, the bell was ringing for school.
+He lowered the world's record for rapid dressing, and was just in time
+to accompany the tail of the procession into the form-room.
+
+"You were late again this morning," said Mr. Seymour, after dinner.
+
+"Yes, sir. I overslebbed myselb, sir," replied Chapple, who was
+suffering from a cold in the head.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+Things had now become serious. It was no good going to Brodie again
+for counsel. Brodie had done for himself, proved himself a fraud, an
+idiot. In fine, a rotter. He must try somebody else. Happy thought.
+Spenlow. It was a cold day, when Spenlow got left behind. He would
+know what to do. _There_ was a chap for you, if you liked! Young,
+mind you, but what a brain! Colossal!
+
+"What _I_ should do," said Spenlow, "is this. I should put my
+watch on half an hour."
+
+"What 'ud be the good of that?"
+
+"Why, don't you see? You'd wake up and find it was ten to eight, say,
+by your watch, so you'd shove on the pace dressing, and nip
+downstairs, and then find that you'd really got tons of time. What
+price that?"
+
+"But I should remember I'd put my watch on," objected Chapple.
+
+"Oh, no, probably not. You'd be half asleep, and you'd shoot out of
+bed before you remembered, and that's all you'd want. It's the getting
+out of bed that's so difficult. If you were once out, you wouldn't
+want to get back again."
+
+"Oh, shouldn't I?" said Chapple.
+
+"Well, you might want to, but you'd have the sense not to do it."
+
+"It's not a bad idea," said Chapple. "Thanks."
+
+That night he took his Waterbury, prised open the face with a
+pocket-knife as if he were opening an oyster, put the minute hand
+on exactly half an hour, and retired to bed satisfied. There was
+going to be no nonsense about it this time.
+
+I am sorry to disappoint the reader, but facts are facts, and I must
+not tamper with them. It is, therefore, my duty to state, however
+reluctantly, that Chapple was not in time for breakfast on the
+following morning. He woke at seven o'clock, when the hands of
+the watch pointed to seven-thirty. Primed with virtuous resolutions,
+he was just about to leap from his couch, when his memory began to
+work, and he recollected that he had still an hour. Punctuality, he
+felt, was an excellent thing, a noble virtue, in fact, but it was no
+good overdoing it. He could give himself at least another half hour.
+So he dozed off. He woke again with something of a start. He seemed
+to feel that he had been asleep for a considerable time. But no. A
+glance at the watch showed the hands pointing to twenty-five to eight.
+Twenty-five minutes more. He had a good long doze this time. Then,
+feeling that now he really must be getting up, he looked once more
+at the watch, and rubbed his eyes. It was still twenty-five to eight.
+
+The fact was that, in the exhilaration of putting the hands on, he had
+forgotten that other and even more important operation, winding up.
+The watch had stopped.
+
+There are few more disturbing sensations than that of suddenly
+discovering that one has no means of telling the time. This is
+especially so when one has to be in a certain place by a certain hour.
+It gives the discoverer a weird, lost feeling, as if he had stopped
+dead while all the rest of the world had moved on at the usual rate.
+It is a sensation not unlike that of the man who arrives on the
+platform of a railway station just in time to see the tail-end of his
+train disappear.
+
+Until that morning the world's record for dressing (set up the day
+before) had been five minutes, twenty-three and a fifth seconds. He
+lowered this by two seconds, and went downstairs.
+
+The house was empty. In the passage that led to the dining-room he
+looked at the clock, and his heart turned a somersault. _It was five
+minutes past nine._ Not only was he late for breakfast, but late
+for school, too. Never before had he brought off the double event.
+
+There was a little unpleasantness in his form room when he stole in at
+seven minutes past the hour. Mr. Dexter, his form-master, never a
+jolly sort of man to have dealings with, was rather bitter on the
+subject.
+
+"You are incorrigibly lazy and unpunctual," said Mr. Dexter, towards
+the end of the address. "You will do me a hundred lines."
+
+"Oo-o-o, sir-r," said Chapple. But he felt at the time that it was not
+much of a repartee. After dinner there was the usual interview with
+Mr. Seymour.
+
+"You were late again this morning," he said.
+
+"Yes, sir," said Chapple.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+The thing was becoming monotonous.
+
+Chapple pulled himself together. This must stop. He had said that
+several times previously, but now he meant it. Nor poppy, nor
+mandragora, nor all the drowsy syrups of the world should make him
+oversleep himself again. This time he would try a combination of
+schemes.
+
+Before he went to bed that night he put his watch on half an hour,
+wound it up, and placed it on a chair at his bedside. Then he seized
+his rug and all the blankets except one, and tore them off. Then he
+piled them in an untidy heap in the most distant corner of the room.
+He meant to put temptation out of his reach. There should be no genial
+warmth on this occasion.
+
+Nor was there. He woke at six feeling as if he were one solid chunk of
+ice. He put up with it in a torpid sort of way till seven. Then he
+could stand it no longer. It would not be pleasant getting up and
+going downstairs to the cheerless junior day-room, but it was the only
+thing to do. He knew that if he once wrapped himself in the blankets
+which stared at him invitingly from the opposite corner of the room,
+he was lost. So he crawled out of bed, shivering, washed
+unenthusiastically, and he proceeded to put on his clothes.
+
+Downstairs it was more unpleasant than one would have believed
+possible. The day-room was in its usual state of disorder. The fire
+was not lit. There was a vague smell of apples. Life was very, very
+grey. There seemed no brightness in it at all.
+
+He sat down at the table and began once more the task of constructing
+a handy model steam-engine, but he speedily realised, what he had
+suspected before, that the instructions were the work of a dangerous
+madman. What was the good of going on living when gibbering lunatics
+were allowed to write for weekly papers?
+
+About this time his gloom was deepened by the discovery that a tin
+labelled mixed biscuits, which he had noticed in Brodie's locker, was
+empty.
+
+He thought he would go for a stroll. It would be beastly, of course,
+but not so beastly as sitting in the junior day-room.
+
+It is just here that the tragedy begins to deepen.
+
+Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore
+an earnest, thoughtful expression.
+
+"Hullo, Brooke," said Chapple, "where are you off to?"
+
+It seemed that Brooke was off to the carpenter's shop. Hence the
+earnest, thoughtful expression. His mind was wrestling with certain
+pieces of wood which he proposed to fashion into photograph frames.
+There was always a steady demand in the school for photograph frames,
+and the gifted were in the habit of turning here and there an honest
+penny by means of them.
+
+The artist soul is not always unfavourable to a gallery. Brooke said
+he didn't mind if Chapple came along, only he wasn't to go rotting
+about or anything. So Chapple went along.
+
+Arrived at the carpenter's shop, Brooke was soon absorbed in his
+labours. Chapple watched him for a time with the interest of a
+brother-worker, for had he not tried to construct handy model
+steam-engines in his day? Indeed, yes. After a while, however, the
+_role_ of spectator began to pall. He wanted to _do_ something.
+Wandering round the room he found a chisel, and upon the instant,
+in direct contravention of the treaty respecting rotting, he sat down
+and started carving his name on a smooth deal board which looked
+as if nobody wanted it. The pair worked on in silence, broken only
+by an occasional hard breath as the toil grew exciting. Chapple's
+tongue was out and performing mystic evolutions as he carved the
+letters. He felt inspired.
+
+He was beginning the A when he was brought to earth again by the voice
+of Brooke.
+
+"You _are_ an idiot," said Brooke, complainingly. "That's
+_my_ board, and now you've spoilt it."
+
+Spoilt it! Chapple liked that! Spoilt it, if you please, when he had
+done a beautiful piece of carving on it!
+
+"Well, it can't be helped now," said Brooke, philosophically. "I
+suppose it's not your fault you're such an ass. Anyhow, come on now.
+It's struck eight."
+
+"It's what?" gasped Chapple.
+
+"Struck eight. But it doesn't matter. Appleby never minds one being a
+bit late for breakfast."
+
+"Oh," said Chapple. "Oh, doesn't he!"
+
+ * * * * *
+
+Go into Seymour's at eight sharp any morning and look down the table,
+and you will see the face of G. M. Chapple--obscured every now and
+then, perhaps, by a coffee cup or a slice of bread and marmalade. He
+has not been late for three weeks. The spare room is now occupied by
+Postlethwaite, of the Upper Fourth, whose place in Milton's dormitory
+has been taken by Chapple. Milton is the head of the house, and stands
+alone among the house prefects for the strenuousness of his methods in
+dealing with his dormitory. Nothing in this world is certain, but it
+is highly improbable that Chapple will be late again. There are
+swagger-sticks.
+
+
+
+
+SHIELDS' AND THE CRICKET CUP
+
+
+The house cricket cup at Wrykyn has found itself on some strange
+mantelpieces in its time. New talent has a way of cropping up in the
+house matches. Tail-end men hit up fifties, and bowlers who have never
+taken a wicket before except at the nets go on fifth change, and
+dismiss first eleven experts with deliveries that bounce twice and
+shoot. So that nobody is greatly surprised in the ordinary run of
+things if the cup does not go to the favourites, or even to the second
+or third favourites. But one likes to draw the line. And Wrykyn drew
+it at Shields'. And yet, as we shall proceed to show, Shields' once
+won the cup, and that, too, in a year when Donaldson's had four first
+eleven men and Dexter's three.
+
+Shields' occupied a unique position at the School. It was an
+absolutely inconspicuous house. There were other houses that were
+slack or wild or both, but the worst of these did something. Shields'
+never did anything. It never seemed to want to do anything. This may
+have been due in some degree to Mr. Shields. As the housemaster is, so
+the house is. He was the most inconspicuous master on the staff. He
+taught a minute form in the junior school, where earnest infants
+wrestled with somebody's handy book of easy Latin sentences, and
+depraved infants threw cunningly compounded ink-balls at one another
+and the ceiling. After school he would range the countryside with a
+pickle-bottle in search of polly woggles and other big game, which he
+subsequently transferred to slides and examined through a microscope
+till an advanced hour of the night. The curious part of the matter
+was that his house was never riotous. Perhaps he was looked on as a
+non-combatant, one whom it would be unfair and unsporting to rag. At
+any rate, a weird calm reigned over the place; and this spirit seemed
+to permeate the public lives of the Shieldsites. They said nothing much
+and they did nothing much and they were very inoffensive. As a rule,
+one hardly knew they were there.
+
+Into this abode of lotus-eaters came Clephane, a day boy, owing to the
+departure of his parents for India. Clephane wanted to go to
+Donaldson's. In fact, he said so. His expressions, indeed, when he
+found that the whole thing had been settled, and that he was to spend
+his last term at school at a house which had never turned out so much
+as a member of the Gym. Six, bordered on the unfilial. It appeared
+that his father had met Mr. Shields at dinner in the town--a fact to
+which he seemed to attach a mystic importance. Clephane's criticism of
+this attitude of mind was of such a nature as to lead his father to
+address him as Archibald instead of Archie.
+
+However, the thing was done, and Clephane showed his good sense by
+realising this and turning his energetic mind to the discovery of the
+best way of making life at Shields' endurable. Fortune favoured him by
+sending to the house another day boy, one Mansfield. Clephane had not
+known him intimately before, though they were both members of the
+second eleven; but at Shields' they instantly formed an alliance. And
+in due season--or a little later--the house matches began. Henfrey, of
+Day's, the Wrykyn cricket captain, met Clephane at the nets when the
+drawing for opponents had been done.
+
+"Just the man I wanted to see," said Henfrey. "I suppose you're
+captain of Shields' lot, Clephane? Well, you're going to scratch as
+usual, I suppose?"
+
+For the last five seasons that lamentable house had failed to put a
+team into the field. "You'd better," said Henfrey, "we haven't
+overmuch time as it is. That match with Paget's team has thrown us out
+a lot. We ought to have started the house matches a week ago."
+
+"Scratch!" said Clephane. "Don't you wish we would! My good chap,
+we're going to get the cup."
+
+"You needn't be a funny ass," said Henfrey in his complaining voice,
+"we really are awfully pushed. As it is we shall have to settle the
+opening rounds on the first innings. That's to say, we can only give
+'em a day each; if they don't finish, the winner of the first innings
+wins. You might as well scratch."
+
+"I can't help your troubles. By rotten mismanagement you have got the
+house-matches crowded up into the last ten days of term, and you come
+and expect me to sell a fine side like Shields' to get you out of the
+consequences of your reckless act. My word, Henfrey, you've sunk
+pretty low. Nice young fellow Henfrey was at one time, but seems to
+have got among bad companions. Quite changed now. Avoid him as much as
+I can. Leave me, Henfrey, I would be alone."
+
+"But you can't raise a team."
+
+"Raise a team! Do you happen to know that half the house is
+_biting_ itself with agony because we can't find room for all?
+Shields gives stump-cricket _soirees_ in his study after prep.
+One every time you hit the ball, two into the bowl of goldfish, and
+out if you smash the microscope."
+
+"Well," said Henfrey viciously, "if you want to go through the farce
+of playing one round and making idiots of yourselves, you'll have to
+wait a bit. You've got a bye in the first round."
+
+Clephane told the news to Mansfield after tea. "I've been and let the
+house in for a rollicking time," he said, abstracting the copy of
+Latin verses which his friend was doing, and sitting on them to ensure
+undivided attention to his words. "Wanting to score off old Henfrey--I
+have few pleasures--I told him that Shields' was not going to scratch.
+So we are booked to play in the second round of the housers. We drew a
+bye for the first. It would be an awful rag if we could do something.
+We _must_ raise a team of some sort. Henfrey would score so if we
+didn't. Who's there, d'you think, that can play?"
+
+Mansfield considered the question thoughtfully. "They all _play_,
+I suppose," he said slowly, "if you can call it playing. What I mean
+to say is, cricket's compulsory here, so I suppose they've all had an
+innings or two at one time or another in the eightieth game or so. But
+if you want record-breakers, I shouldn't trust to Shields' too much."
+
+"Not a bit. So long as we put a full team into the field, that's all I
+care about. I've often wondered what it's like to go in first and bowl
+unchanged the whole time."
+
+"You'll do that all right," said Mansfield. "I should think Shields'
+bowling ran to slow grubs, to judge from the look of 'em. You'd better
+go and see Wilkins about raising the team. As head of the house, he
+probably considers himself captain of cricket."
+
+Wilkins, however, took a far more modest view of his position. The
+notion of leading a happy band of cricketers from Shields' into the
+field had, it seemed, small attractions for him. But he went so far as
+to get a house list, and help choose a really representative team. And
+as details about historic teams are always welcome, we may say that
+the averages ranged from 3.005 to 8.14. This last was Wilkins' own and
+was, as he would have been the first to admit, substantially helped by
+a contribution of nineteen in a single innings in the fifth game.
+
+So the team was selected, and Clephane turned out after school next
+day to give them a little fielding-practice. To his surprise the
+fielding was not so outrageous as might have been expected. All the
+simpler catches were held, and one or two of the harder as well. Given
+this form on the day of their appearance in public, and Henfrey might
+be disappointed when he came to watch and smile sarcastically. A
+batting fiasco is not one half so ridiculous as maniac fielding.
+
+In the meantime the first round of the house matches had been played
+off, and it would be as well to describe at this point the positions
+of the rival houses and their prospects. In the first place, there
+were only four teams really in the running for the cup, Day's (headed
+by the redoubtable Henfrey), Spence's, who had Jackson, that season a
+head and shoulders above the other batsmen in the first eleven--he had
+just wound up the school season with an average of 51.3, Donaldson's,
+and Dexter's. All the other house teams were mainly tail.
+
+Now, in the first round the powerful quartette had been diminished by
+the fact that Donaldson's had drawn Dexter's, and had lost to them by
+a couple of wickets.
+
+For the second round Shields' drew Appleby's, a poor team. Space on
+the Wrykyn field being a consideration, with three house matches to be
+played off at the same time, Clephane's men fought their first battle
+on rugged ground in an obscure corner. As the captain of cricket
+ordered these matters, Henfrey had naturally selected the best bit of
+turf for Day's _v_. Dexter's. That section of the ground which
+was sacred to the school second-eleven matches was allotted to
+Spence's _v_. the School House. The idle public divided its
+attention between the two big games, and paid no attention to the
+death struggle in progress at the far end of the field. Whereby it
+missed a deal of quiet fun.
+
+I say death struggle advisedly. Clephane had won his second-eleven cap
+as a fast bowler. He had failed to get into the first eleven because
+he was considered too erratic. Put these two facts together, and you
+will suspect that dark deeds were wrought on the men of Appleby in
+that lonely corner of the Wrykyn meadow.
+
+The pitch was not a good one. As a sample of the groundman's art it
+was sketchy and amateurish; it lacked finish. Clephane won the toss,
+took a hasty glance at the corrugated turf, and decided to bat first.
+The wicket was hardly likely to improve with use.
+
+He and Mansfield opened the batting. He stood three feet out of his
+ground, and smote. The first four balls he took full pitch. The last
+two, owing to a passion for variety on the part of the bowler, were
+long hops. At the end of the over Shields' score was twenty-four.
+Mansfield pursued the same tactics. When the first wicket fell,
+seventy was on the board. A spirit of martial enthusiasm pervaded
+the ranks of the house team. Mild youths with spectacles leaped out
+of their ground like tigers, and snicked fours through the slips.
+When the innings concluded, blood had been spilt--from an injured
+finger--but the total was a hundred and two.
+
+Then Clephane walked across to the School shop for a vanilla ice. He
+said he could get more devil, as it were, into his bowling after a
+vanilla ice. He had a couple.
+
+When he bowled his first ball it was easy to see that there was truth
+in the report of the causes of his inclusion in the second eleven and
+exclusion from the first. The batsman observed somewhat weakly, "Here,
+I _say!_" and backed towards square leg. The ball soared over the
+wicket-keep's head and went to the boundary. The bowler grinned
+pleasantly, and said he was just getting his arm in.
+
+The second ball landed full-pitch on the batsman's right thigh. The
+third was another full pitch, this time on the top of the middle
+stump, which it smashed. With profound satisfaction the batsman
+hobbled to the trees, and sat down. "Let somebody else have a shot,"
+he said kindly.
+
+Appleby's made twenty-eight that innings.
+
+Their defeat by an innings and fifty-three runs they attributed
+subsequently to the fact that only seven of the team could be induced
+to go to the wickets in the second venture.
+
+"So you've managed to win a match," grunted Henfrey, "I should like to
+have been there."
+
+"You might just as well have been," said Clephane, "from what they
+tell me."
+
+At which Henfrey became abusive, for he had achieved an "egg" that
+afternoon, and missed a catch; which things soured him, though Day's
+had polished off Dexter's handsomely.
+
+"Well," he said at length, "you're in the semi-final now, of all weird
+places. You'd better play Spence's next. When can you play?"
+
+"Henfrey," said Clephane, "I have a bright, open, boyish countenance,
+but I was not born yesterday. You want to get a dangerous rival out of
+the way without trouble, so you set Shields' to smash up Spence's. No,
+Henfrey. I do not intend to be your catspaw. We will draw lots who is
+to play which. Here comes Jackson. We'll toss odd man out."
+
+And when the coins fell there were two tails and one head; and the
+head belonged to the coin of Clephane.
+
+"So, you see," he said to Henfrey, "Shields' is in the final. No
+wonder you wanted us to scratch."
+
+I should like this story to end with a vivid description of a tight
+finish. Considering that Day's beat Spence's, and consequently met
+Shields' in the final, that would certainly be the most artistic
+ending. Henfrey batting--Clephane bowling--one to tie, two to win, one
+wicket to fall. Up goes the ball! Will the lad catch it!! He fumbles
+it. It falls. All is over. But look! With a supreme effort--and so on.
+
+The real conclusion was a little sensational in its way, but not
+nearly so exciting as that.
+
+The match between Day's and Shields' opened in a conventional enough
+manner. Day's batted first, and made two hundred and fifty. Henfrey
+carried his bat for seventy-six, and there were some thirties. For
+Shields' Clephane and Mansfield made their usual first-wicket stand,
+and the rest brought the total up to ninety-eight. At this point
+Henfrey introduced a variation on custom. The match was a three days'
+match. In fact, owing to the speed with which the other games had been
+played, it could, if necessary, last four days. The follow-on was,
+therefore, a matter for the discretion of the side which led. Henfrey
+and his team saw no reason why they should not have another pleasant
+spell of batting before dismissing their opponents for the second time
+and acquiring the cup. So in they went again, and made another two
+hundred and fifty odd, Shields' being left with four hundred and
+twelve to make to win.
+
+On the morning after Day's second innings, a fag from Day's brought
+Clephane a message from Henfrey. Henfrey was apparently in bed. He
+would be glad if Clephane would go and see him in the dinner-hour. The
+interview lasted fifteen minutes. Then Clephane burst out of the
+house, and dashed across to Shields' in search of Mansfield.
+
+"I say, _have_ you heard?" he shouted.
+
+"What's up?"
+
+"Why, every man in Day's team, bar two kids, is in bed. Ill. Do you
+mean to say you haven't heard? They thought they'd got that house cup
+safe, so all the team except the two kids, fags, you know, had a feed
+in honour of it in Henfrey's study. Some ass went and bought a bad
+rabbit pie, and now they're laid up. Not badly, but they won't be out
+for a day or two."
+
+"But what about the match?"
+
+"Oh, that'll go on. I made a point of that. They can play subs."
+
+Mansfield looked thoughtful.
+
+"But I say," he said, "it isn't very sporting, is it? Oughtn't we to
+wait or something?"
+
+"Sporting! My dear chap, a case like this mustn't be judged by
+ordinary standards. We can't spoil the giant rag of the century
+because it isn't quite sporting. Think what it means--Shields' getting
+the cup! It'll keep the school laughing for terms. What do you want to
+spoil people's pleasure for?"
+
+"Oh, all right," said Mansfield.
+
+"Besides, think of the moral effect it'll have on the house. It may
+turn it into the blood house of Wrykyn. Shields himself may get quite
+sportive. We mustn't miss the chance."
+
+The news having got about the school, Clephane and Mansfield opened
+their second innings to the somewhat embarrassed trundling of Masters
+Royce and Tibbit, of the Junior School, before a substantial and
+appreciative audience.
+
+Both played carefully at first, but soon getting the measure of the
+bowling (which was not deep) began to hit out, and runs came quickly.
+At fifty, Tibbit, understudying Henfrey as captain of the side,
+summoned to his young friend Todby from short leg, and instructed him
+to "have a go" at the top end.
+
+It was here that Clephane courteously interfered. Substitutes, he
+pointed out, were allowed, by the laws of cricket, only to field, not
+to bowl. He must, therefore, request friend Todby to return to his
+former sphere of utility, where, he added politely, he was a perfect
+demon.
+
+"But, blow it," said Master Tibbit, who (alas!) was addicted to the
+use of strong language, "Royce and I can't bowl the whole blessed
+time."
+
+"You'll have to, I'm afraid," said Clephane with the kindly air of a
+doctor soothing a refractory patient. "Of course, you can take a spell
+at grubs whenever you like."
+
+"Oh, darn!" said Master Tibbit.
+
+Shortly afterwards Clephane made his century.
+
+ * * * * *
+
+The match ended late on the following afternoon in a victory for
+Shields' by nine wickets, and the scene at the School Shop when Royce
+and Tibbit arrived to drown their sorrows and moisten their dry
+throats with ginger beer is said by eyewitnesses to have been
+something quite out of the common run.
+
+The score sheet of the match is also a little unusual. Clephane's
+three hundred and one (not out) is described in the _Wrykinian_
+as a "masterly exhibition of sound yet aggressive batting." How
+Henfrey described it we have never heard.
+
+
+
+
+AN INTERNATIONAL AFFAIR
+
+
+PART 1
+
+The whole thing may be said to have begun when Mr. Oliver Ring of New
+York, changing cars, as he called it, at Wrykyn on his way to London,
+had to wait an hour for his train. He put in that hour by strolling
+about the town and seeing the sights, which were not numerous. Wrykyn,
+except on Market Day, was wont to be wrapped in a primaeval calm which
+very nearly brought tears to the strenuous eyes of the man from
+Manhattan. He had always been told that England was a slow country, and
+his visit, now in its third week, had confirmed this opinion: but even
+in England he had not looked to find such a lotus-eating place as
+Wrykyn. He looked at the shop windows. They resembled the shop windows
+of every other country town in England. There was no dash, no initiative
+about them. They did not leap to the eye and arrest the pedestrian's
+progress. They ordered these things, thought Mr. Ring, better in the
+States. And then something seemed to whisper to him that here was the
+place to set up a branch of Ring's Come-One Come-All Up-to-date Stores.
+During his stroll he had gathered certain pieces of information. To wit,
+that Wrykyn was where the county families for ten miles round did their
+shopping, that the population of the town was larger than would appear
+at first sight to a casual observer, and, finally, that there was a
+school of six hundred boys only a mile away. Nothing could be better.
+Within a month he would take to himself the entire trade of the
+neighbourhood.
+
+"It's a cinch," murmured Mr. Ring with a glad smile, as he boarded his
+train, "a lead-pipe cinch."
+
+Everybody who has moved about the world at all knows Ring's Come-one
+Come-all Up-to-date Stores. The main office is in New York. Broadway,
+to be exact, on the left as you go down, just before you get to Park
+Row, where the newspapers come from. There is another office in
+Chicago. Others in St. Louis, St. Paul, and across the seas in London,
+Paris, Berlin, and, in short, everywhere. The peculiar advantage about
+Ring's Stores is that you can get anything you happen to want there,
+from a motor to a macaroon, and rather cheaper than you could get it
+anywhere else. England had up to the present been ill-supplied with
+these handy paradises, the one in Piccadilly being the only extant
+specimen. But now Mr. Ring in person had crossed the Atlantic on a
+tour of inspection, and things were shortly to be so brisk that you
+would be able to hear them whizz.
+
+So an army of workmen invaded Wrykyn. A trio of decrepit houses in the
+High Street were pulled down with a run, and from the ruins there
+began to rise like a Phoenix the striking building which was to be the
+Wrykyn Branch of Ring's Come-one Come-all Up-to-date Stores.
+
+The sensation among the tradesmen caused by the invasion was, as may
+be imagined, immense and painful. The thing was a public disaster. It
+resembled the advent of a fox in a fowl-run. For years the tradesmen
+of Wrykyn had jogged along in their comfortable way, each making his
+little profits, with no thought of competition or modern hustle. And
+now the enemy was at their doors. Many were the gloomy looks cast at
+the gaudy building as it grew like a mushroom. It was finished with
+incredible speed, and then advertisements began to flood the local
+papers. A special sheaf of bills was despatched to the school.
+
+Dunstable got hold of one, and read it with interest. Then he went in
+search of his friend Linton to find out what he thought of it.
+
+Linton was at work in the laboratory. He was an enthusiastic, but
+unskilful, chemist. The only thing he could do with any real certainty
+was to make oxygen. But he had ambitions beyond that feat, and was
+continually experimenting in a reckless way which made the chemistry
+master look wan and uneasy. He was bending over a complicated mixture
+of tubes, acids, and Bunsen burners when Dunstable found him. It was
+after school, so that the laboratory was empty, but for them.
+
+"Don't mind me," said Dunstable, taking a seat on the table.
+
+"Look out, man, don't jog. Sit tight, and I'll broaden your mind for
+you. I take this bit of litmus paper, and dip it into this bilge, and
+if I've done it right, it'll turn blue."
+
+"Then I bet it doesn't," said Dunstable.
+
+The paper turned red.
+
+"Hades," said Linton calmly. "Well, I'm not going to sweat at it any
+more. Let's go down to Cook's."
+
+Cook's is the one school institution which nobody forgets who has been
+to Wrykyn. It is a little confectioner's shop in the High Street. Its
+exterior is somewhat forbidding, and the uninitiated would probably
+shudder and pass on, wondering how on earth such a place could find a
+public daring enough to support it by eating its wares. But the school
+went there in flocks. Tea at Cook's was the alternative to a study
+tea. There was a large room at the back of the shop, and here oceans
+of hot tea and tons of toast were consumed. The staff of Cook's
+consisted of Mr. Cook, late sergeant in a line regiment, six foot
+three, disposition amiable, left leg cut off above the knee by a
+spirited Fuzzy in the last Soudan war; Mrs. Cook, wife of the above,
+disposition similar, and possessing the useful gift of being able to
+listen to five people at one and the same time; and an invisible
+menial, or menials, who made toast in some nether region at a
+perfectly dizzy rate of speed. Such was Cook's.
+
+"Talking of Cook's," said Dunstable, producing his pamphlet, "have you
+seen this? It'll be a bit of a knock-out for them, I should think."
+
+Linton took the paper, and began to read. Dunstable roamed curiously
+about the laboratory, examining things.
+
+"What are these little crystal sort of bits of stuff?" he asked,
+coming to a standstill before a large jar and opening it. "They look
+good to eat. Shall I try one?"
+
+"Don't you be an idiot," said the expert, looking up. "What have you
+got hold of? Great Scott, no, don't eat that stuff."
+
+"Why not? Is it poison?"
+
+"No. But it would make you sick as a cat. It's Sal Ammoniac."
+
+"Sal how much?"
+
+"Ammoniac. You'd be awfully bad."
+
+"All right, then, I won't. Well, what do you think of that thing?
+It'll be rough on Cook's, won't it? You see they advertise a special
+'public-school' tea, as they call it. It sounds jolly good. I don't
+know what buckwheat cakes are, but they ought to be decent. I suppose
+now everybody'll chuck Cook's and go there. It's a beastly shame,
+considering that Cook's has been a sort of school shop so long. And
+they really depend on the school. At least, one never sees anybody
+else going there. Well, I shall stick to Cook's. I don't want any of
+your beastly Yankee invaders. Support home industries. Be a patriot.
+The band then played God Save the King, and the meeting dispersed.
+But, seriously, man, I am rather sick about this. The Cooks are such
+awfully good sorts, and this is bound to make them lose a tremendous
+lot. The school's simply crawling with chaps who'd do anything to get
+a good tea cheaper than they're getting now. They'll simply scrum in
+to this new place."
+
+"Well, I don't see what we can do," said Linton, "except keep on going
+to Cook's ourselves. Let's be going now, by the way. We'll get as many
+chaps as we can to promise to stick to them. But we can't prevent the
+rest going where they like. Come on."
+
+The atmosphere at Cook's that evening was heavily charged with gloom.
+ExSergeant Cook, usually a treasury of jest and anecdote, was silent
+and thoughtful. Mrs. Cook bustled about with her customary vigour, but
+she too was disinclined for conversation. The place was ominously
+empty. A quartette of school house juniors in one corner and a
+solitary prefect from Donaldson's completed the sum of the customers.
+Nobody seemed to want to talk a great deal. There was something in the
+air which
+
+ _said as plain as whisper in the ear,
+ "The place is haunted._"
+
+and so it was. Haunted by the spectre of that hideous, new, glaring
+red-brick building down the street, which had opened its doors to the
+public on the previous afternoon.
+
+"Look there," said Dunstable, as they came out. He pointed along the
+street. The doors of the new establishment were congested. A crowd,
+made up of members of various houses, was pushing to get past another
+crowd which was trying to get out. The "public-school tea at one
+shilling" appeared to have proved attractive.
+
+"Look at 'em," said Dunstable. "Sordid beasts! All they care about is
+filling themselves. There goes that man Merrett. Rand-Brown with him.
+Here come four more. Come on. It makes me sick."
+
+"I wish it would make _them_ sick," said Linton.
+
+"Perhaps it will.... By George!"
+
+He started.
+
+"What's up?" said Linton.
+
+"Oh, nothing. I was only thinking of something."
+
+They walked on without further conversation. Dunstable's brain was
+working fast. He had an idea, and was busy developing it.
+
+ * * * * *
+
+The manager of the Wrykyn Branch of Ring's Come-one Come-all Stores
+stood at the entrance to his shop on the following afternoon spitting
+with energy and precision on to the pavement--he was a free-born
+American citizen--and eyeing the High Street as a monarch might gaze
+at his kingdom. He had just completed a highly satisfactory report to
+headquarters, and was feeling contented with the universe, and the way
+in which it was managed. Even in the short time since the opening of
+the store he had managed to wake up the sluggish Britishers as if they
+had had an electric shock.
+
+"We," he observed epigrammatically to a passing cat, which had stopped
+on its way to look at him, "are it."
+
+As he spoke he perceived a youth coming towards him down the street.
+He wore a cap of divers colours, from which the manager argued that
+he belonged to the school. Evidently a devotee of the advertised
+"public-school" shillingsworth, and one who, as urged by the small
+bills, had come early to avoid the rush. "Step right in, mister," he
+said, moving aside from the doorway. "And what can I do for _you_?"
+
+"Are you the manager of this place?" asked Dunstable--for the youth
+was that strategist, and no other.
+
+"On the bull's eye first time," replied the manager with easy
+courtesy. "Will you take a cigar or a cocoa-nut?"
+
+"Can I have a bit of a talk with you, if you aren't busy?"
+
+"Sure. Step right in."
+
+"Now, sir," said the manager, "what's _your_ little trouble?"
+
+"It's about this public school tea business," said Dunstable. "It's
+rather a shame, you see. Before you came bargeing in, everybody used
+to go to Cook's."
+
+"And now," interrupted the manager, "they come to us. Correct, sir. We
+_are_ the main stem. And why not?"
+
+"Cook's such a good sort."
+
+"I should like to know him," said the manager politely.
+
+"You see," said Dunstable, "it doesn't so much matter about the other
+things you sell; but Cook's simply relies on giving fellows tea in the
+afternoon----"
+
+"One moment, sir," said the man from the States. "Let me remind you of
+a little rule which will be useful to you when you butt into the big,
+cold world. That is, never let sentiment interfere with business. See?
+Either Ring's Stores or your friend has got to be on top, and, if I
+know anything, it's going to be We. We! And I'm afraid that's all I
+can do for you, unless you've that hungry feeling, and want to sample
+our public-school tea at twenty-five cents."
+
+"No, thanks," said Dunstable. "Here come some chaps, though, who look
+as if they might."
+
+He stepped aside as half a dozen School House juniors raced up.
+
+"For one day only," said the manager to Dunstable, "you may partake
+free, if you care to. You have man's most priceless possession, Cool
+Cheek. And Cool Cheek, when recognised, should not go unrewarded. Step
+in."
+
+"No thanks," said Dunstable. "You'll find me at Cook's if you want
+me."
+
+"Kindness," said he to himself, as Mrs. Cook served him in the
+depressed way which had now become habitual with her, "kindness having
+failed, we must try severity."
+
+
+PART 2
+
+Those who knew and liked Dunstable were both pained and disgusted at
+his behaviour during the ensuing three days. He suddenly exhibited a
+weird fondness for some of Wrykyn's least deserving inmates. He walked
+over to school with Merrett, of Seymour's, and Ruthven, of
+Donaldson's, both notorious outsiders. When Linton wanted him to come
+and play fives after school, he declined on the ground that he was
+teaing with Chadwick, of Appleby's. Now in the matter of absolute
+outsiderishness Chadwick, of Appleby's, was to Merrett, of Seymour's,
+as captain is to subaltern. Linton was horrified, and said so.
+
+"What do you want to do it for?" he asked. "What's the point of it?
+You can't like those chaps."
+
+"Awfully good sorts when you get to know them," said Dunstable.
+
+"You've been some time finding it out."
+
+"I know. Chadwick's an acquired taste. By the way, I'm giving a tea on
+Thursday. Will you come?"
+
+"Who's going to be there?" inquired Linton warily.
+
+"Well, Chadwick for one; and Merrett and Ruthven and three other
+chaps."
+
+"Then," said Linton with some warmth, "I think you'll have to do
+without me. I believe you're mad."
+
+And he went off in disgust to the fives-courts.
+
+When on the following Thursday Dunstable walked into Ring's Stores
+with his five guests, and demanded six public-school teas, the manager
+was perhaps justified in allowing a triumphant smile to wander across
+his face. It was a signal victory for him. "No free list to-day,
+sir," he said. "Entirely suspended."
+
+"Never mind," said Dunstable, "I'm good for six shillings."
+
+"Free list?" said Merrett, as the manager retired, "I didn't know
+there was one."
+
+"There isn't. Only he and I palled up so much the other day that he
+offered me a tea for nothing."
+
+"Didn't you take it?"
+
+"No. I went to Cook's."
+
+"Rotten hole, Cook's. I'm never going there again," said Chadwick.
+"You take my tip, Dun, old chap, and come here."
+
+"Dun, old chap," smiled amiably.
+
+"I don't know," he said, looking up from the tea-pot, into which he
+had been pouring water; "you can be certain of the food at Cook's."
+
+"What do you mean? So you can here."
+
+"Oh," said Dunstable, "I didn't know. I've never had tea here before.
+But I've often heard that American food upsets one sometimes."
+
+By this time, the tea having stood long enough, he poured out, and the
+meal began.
+
+Merrett and his friends were hearty feeders, and conversation
+languished for some time. Then Chadwick leaned back in his chair, and
+breathed heavily.
+
+"You couldn't get stuff like that at Cook's," he said.
+
+"I suppose it is a bit different," said Dunstable. "Have any of
+you ... noticed something queer...?"
+
+Merrett stared at Ruthven. Ruthven stared at Merrett.
+
+"I...." said Merrett.
+
+"D'you know...." said Ruthven.
+
+Chadwick's face was a delicate green.
+
+"I believe," said Dunstable, "the stuff ... was ... poisoned. I...."
+
+ * * * * *
+
+"Drink this," said the school doctor, briskly, bending over
+Dunstable's bed with a medicine-glass in his hand, "and be ashamed of
+yourself. The fact is you've over-eaten yourself. Nothing more and
+nothing less. Why can't you boys be content to feed moderately?"
+
+"I don't think I ate much, sir," protested Dunstable. "It must have
+been what I ate. I went to that new American place."
+
+"So _you_ went there, too? Why, I've just come from attending a
+bilious boy in Mr. Seymour's house. He said he had been at the
+American place, too."
+
+"Was that Merrett, sir? He was one of the party. We were all bad. We
+can't all have eaten too much."
+
+The doctor looked thoughtful.
+
+"H'm. Curious. Very curious. Do you remember what you had?"
+
+"I had some things the man called buckwheat cakes, with some stuff he
+said was maple syrup."
+
+"Bah. American trash." The doctor was a staunch Briton, conservative
+in his views both on politics and on food. "Why can't you boys eat
+good English food? I must tell the headmaster of this. I haven't time
+to look after the school if all the boys are going to poison
+themselves. You lie still and try to go to sleep, and you'll be right
+enough in no time."
+
+But Dunstable did not go to sleep. He stayed awake to interview
+Linton, who came to pay him a visit.
+
+"Well," said Linton, looking down at the sufferer with an expression
+that was a delicate blend of pity and contempt, "you've made a nice
+sort of ass of yourself, haven't you! I don't know if it's any
+consolation to you, but Merrett's just as bad as you are. And I hear
+the others are, too. So now you see what comes of going to Ring's
+instead of Cook's."
+
+"And now," said Dunstable, "if you've quite finished, you can listen
+to me for a bit...."
+
+"So now you know," he concluded.
+
+Linton's face beamed with astonishment and admiration.
+
+"Well, I'm hanged," he said. "You're a marvel. But how did you know it
+wouldn't poison you?"
+
+"I relied on you. You said it wasn't poison when I asked you in the
+lab. My faith in you is touching."
+
+"But why did you take any yourself?"
+
+"Sort of idea of diverting suspicion. But the thing isn't finished
+yet. Listen."
+
+Linton left the dormitory five minutes later with a look of a young
+disciple engaged on some holy mission.
+
+
+PART 3
+
+"You think the food is unwholesome, then?" said the headmaster after
+dinner that night.
+
+"Unwholesome!" said the school doctor. "It must be deadly. It must be
+positively lethal. Here we have six ordinary, strong, healthy boys
+struck down at one fell swoop as if there were a pestilence raging.
+Why----"
+
+"One moment," said the headmaster. "Come in."
+
+A small figure appeared in the doorway.
+
+"Please, sir," said the figure in the strained voice of one speaking a
+"piece" which he has committed to memory. "Mr. Seymour says please
+would you mind letting the doctor come to his house at once because
+Linton is ill."
+
+"What!" exclaimed the doctor. "What's the matter with him?"
+
+"Please, sir, I believe it's buckwheat cakes."
+
+"What! And here's another of them!"
+
+A second small figure had appeared in the doorway.
+
+"Sir, please, sir," said the newcomer, "Mr. Bradfield says may the
+doctor----"
+
+"And what boy is it _this_ time?"
+
+"Please, sir, it's Brown. He went to Ring's Stores----"
+
+The headmaster rose.
+
+"Perhaps you had better go at once, Oakes," he said. "This is becoming
+serious. That place is a positive menace to the community. I shall put
+it out of bounds tomorrow morning."
+
+And when Dunstable and Linton, pale but cheerful, made their way--slowly,
+as befitted convalescents--to Cook's two days afterwards, they had to sit
+on the counter. All the other seats were occupied.
+
+
+
+
+THE GUARDIAN
+
+
+In his Sunday suit (with ten shillings in specie in the right-hand
+trouser pocket) and a brand-new bowler hat, the youngest of the
+Shearnes, Thomas Beauchamp Algernon, was being launched by the
+combined strength of the family on his public-school career. It was a
+solemn moment. The landscape was dotted with relatives--here a small
+sister, awed by the occasion into refraining from insult; there an
+aunt, vaguely admonitory. "Well, Tom," said Mr. Shearne, "you'll soon
+be off now. You're sure to like Eckleton. Remember to cultivate your
+bowling. Everyone can bat nowadays. And play forward, not outside. The
+outsides get most of the fun, certainly, but then if you're a forward,
+you've got eight chances of getting into a team."
+
+"All right, father."
+
+"Oh, and work hard." This by way of an afterthought.
+
+"All right, father."
+
+"And, Tom," said Mrs. Shearne, "you are sure to be comfortable at
+school, because I asked Mrs. Davy to write to her sister, Mrs.
+Spencer, who has a son at Eckleton, and tell her to tell him to look
+after you when you get there. He is in Mr. Dencroft's house, which is
+next door to Mr. Blackburn's, so you will be quite close to one
+another. Mind you write directly you get there."
+
+"All right, mother."
+
+"And look here, Tom." His eldest brother stepped to the front and
+spoke earnestly. "Look here, don't you forget what I've been telling
+you?"
+
+"All right."
+
+"You'll be right enough if you don't go sticking on side. Don't forget
+that, however much of a blood you may have been at that rotten little
+private school of yours, you're not one at Eckleton."
+
+"All right."
+
+"You look clean, which is the great thing. There's nothing much wrong
+with you except cheek. You've got enough of that to float a ship. Keep
+it under."
+
+"All right. Keep your hair on."
+
+"There you go," said the expert, with gloomy triumph. "If you say that
+sort of thing at Eckleton, you'll get jolly well sat on, by Jove!"
+
+"Bai Jove, old chap!" murmured the younger brother, "we're devils in
+the Forty-twoth!"
+
+The other, whose chief sorrow in life was that he could not get the
+smaller members of the family to look with proper awe on the fact that
+he had just passed into Sandhurst, gazed wistfully at the speaker,
+but, realising that there was a locked door between them, tried no
+active measures.
+
+"Well, anyhow," he said, "you'll soon get it knocked out of you,
+that's one comfort. Look here, if you do get scrapping with anybody,
+don't forget all I've taught you. And I should go on boxing there if I
+were you, so as to go down to Aldershot some day. You ought to make a
+fairly decent featherweight if you practise."
+
+"All right."
+
+"Let's know when Eckleton's playing Haileybury, and I'll come and look
+you up. I want to see that match."
+
+"All right."
+
+"Good-bye."
+
+"Good-bye, Tom."
+
+"Good-bye, Tom, dear."
+
+Chorus of aunts and other supers: "Goodbye, Tom."
+
+Tom (comprehensively): "G'bye."
+
+The train left the station.
+
+ * * * * *
+
+Kennedy, the head of Dencroft's, said that when he wanted his study
+turned into a beastly furnace, he would take care to let Spencer know.
+He pointed out that just because it was his habit to warm the study
+during the winter months, there was no reason why Spencer should light
+the gas-stove on an afternoon in the summer term when the thermometer
+was in the eighties. Spencer thought he might want some muffins cooked
+for tea, did he? Kennedy earnestly advised Spencer to give up
+thinking, as Nature had not equipped him for the strain. Thinking
+necessitated mental effort, and Spencer, in Kennedy's opinion, had no
+mind, but rubbed along on a cheap substitute of mud and putty.
+
+More chatty remarks were exchanged, and then Spencer tore himself away
+from the pleasant interview, and went downstairs to the junior study,
+where he remarked to his friend Phipps that Life was getting a bit
+thick.
+
+"What's up now?" inquired Phipps.
+
+"Everything. We've just had a week of term, and I've been in extra
+once already for doing practically nothing, and I've got a hundred
+lines, and Kennedy's been slanging me for lighting the stove. How was
+I to know he didn't want it lit? Wish I was fagging for somebody
+else."
+
+"All the while you're jawing," said Phipps, "there's a letter for you
+on the mantelpiece, staring at you?"
+
+"So there is. Hullo!"
+
+"What's up? Hullo! is that a postal order? How much for?"
+
+"Five bob. I say, who's Shearne?"
+
+"New kid in Blackburn's. Why?"
+
+"Great Scott! I remember now. They told me to look after him. I
+haven't seen him yet. And listen to this: 'Mrs. Shearne has sent me
+the enclosed to give to you. Her son writes to say that he is very
+happy and getting on very well, so she is sure you must have been
+looking after him.' Why, I don't know the kid by sight. I clean forgot
+all about him."
+
+"Well, you'd better go and see him now, just to say you've done it."
+
+Spencer perpended.
+
+"Beastly nuisance having a new kid hanging on to you. He's probably a
+frightful rotter."
+
+"Well, anyway, you ought to," said Phipps, who possessed the
+_scenario_ of a conscience.
+
+"I can't."
+
+"All right, don't, then. But you ought to send back that postal
+order."
+
+"Look here, Phipps," said Spencer plaintively, "you needn't be an
+idiot, you know."
+
+And the trivial matter of Thomas B. A. Shearne was shelved.
+
+ * * * * *
+
+Thomas, as he had stated in his letter to his mother, was exceedingly
+happy at Eckleton, and getting on very nicely indeed. It is true that
+there had been one or two small unpleasantnesses at first, but those
+were over now, and he had settled down completely. The little troubles
+alluded to above had begun on his second day at Blackburn's. Thomas,
+as the reader may have gathered from his glimpse of him at the station,
+was not a diffident youth. He was quite prepared for anything Fate
+might have up its sleeve for him, and he entered the junior day-room at
+Blackburn's ready for emergencies. On the first day nothing happened.
+One or two people asked him his name, but none inquired what his father
+was--a question which, he had understood from books of school life, was
+invariably put to the new boy. He was thus prevented from replying
+"coolly, with his eyes fixed on his questioner's": "A gentleman. What's
+yours?" and this, of course, had been a disappointment. But he reconciled
+himself to it, and on the whole enjoyed his first day at Eckleton.
+
+On the second there occurred an Episode.
+
+Thomas had inherited from his mother a pleasant, rather meek cast of
+countenance. He had pink cheeks and golden hair--almost indecently
+golden in one who was not a choirboy.
+
+Now, if you are going to look like a Ministering Child or a Little
+Willie, the Sunbeam of the Home, when you go to a public school,
+you must take the consequences. As Thomas sat by the window of the
+junior day-room reading a magazine, and deeply interested in it,
+there fell upon his face such a rapt, angelic expression that the
+sight of it, silhouetted against the window, roused Master P. Burge,
+his fellow-Blackburnite, as it had been a trumpet-blast. To seize a
+Bradley Arnold's Latin Prose Exercises and hurl it across the room
+was with Master Burge the work of a moment. It struck Thomas on the
+ear. He jumped, and turned some shades pinker. Then he put down his
+magazine, picked up the Bradley Arnold, and sat on it. After which he
+resumed his magazine.
+
+The acute interest of the junior day-room, always fond of a break in
+the monotony of things, induced Burge to go further into the matter.
+
+"You with the face!" said Burge rudely.
+
+Thomas looked up.
+
+"What the dickens are you going with my book? Pass it back!"
+
+"Oh, is this yours?" said Thomas. "Here you are."
+
+He walked towards him, carrying the book. At two yards range he fired
+it in. It hit Burge with some force in the waistcoat, and there was a
+pause while he collected his wind.
+
+Then the thing may be said to have begun.
+
+Yes, said Burge, interrogated on the point five minutes later, he
+_had_ had enough.
+
+"Good," said Thomas pleasantly. "Want a handkerchief?"
+
+That evening he wrote to his mother and, thanking her for kind
+inquiries, stated that he was not being bullied. He added, also in
+answer to inquiries, that he had not been tossed in a blanket, and
+that--so far--no Hulking Senior (with scowl) had let him down from the
+dormitory window after midnight by a sheet, in order that he might
+procure gin from the local public-house. As far as he could gather,
+the seniors were mostly teetotallers. Yes, he had seen Spencer several
+times. He did not add that he had seen him from a distance.
+
+ * * * * *
+
+"I'm so glad I asked Mrs. Davy to get her nephew to look after Tom,"
+said Mrs. Shearne, concluding the reading of the epistle at breakfast.
+"It makes such a difference to a new boy having somebody to protect
+him at first."
+
+"Only drawback is," said his eldest brother gloomily--"won't get cheek
+knocked out of him. Tom's kid wh'ought get'sheadsmacked reg'ly. Be no
+holding him."
+
+And he helped himself to marmalade, of which delicacy his mouth was
+full, with a sort of magnificent despondency.
+
+By the end of the first fortnight of his school career, Thomas
+Beauchamp Algernon had overcome all the little ruggednesses which
+relieve the path of the new boy from monotony. He had been taken in by
+a primaeval "sell" which the junior day-room invariably sprang on the
+new-comer. But as he had sat on the head of the engineer of the same
+for the space of ten minutes, despite the latter's complaints of pain
+and forecasts of what he would do when he got up, the laugh had not
+been completely against him. He had received the honourable
+distinction of extra lesson for ragging in French. He had been
+"touched up" by the prefect of his dormitory for creating a
+disturbance in the small hours. In fact, he had gone through all the
+usual preliminaries, and become a full-blown Eckletonian.
+
+His letters home were so cheerful at this point that a second postal
+order relieved the dwindling fortune of Spencer. And it was this,
+coupled with the remonstrances of Phipps, that induced the Dencroftian
+to break through his icy reserve.
+
+"Look here, Spencer," said Phipps, his conscience thoroughly stirred
+by this second windfall, "it's all rot. You must either send back that
+postal order, or go and see the chap. Besides, he's quite a decent
+kid. We're in the same game at cricket. He's rather a good bowler. I'm
+getting to know him quite well. I've got a jolly sight more right to
+those postal orders than you have."
+
+"But he's an awful ass to look at," pleaded Spencer.
+
+"What's wrong with him? Doesn't look nearly such a goat as you," said
+Phipps, with the refreshing directness of youth.
+
+"He's got yellow hair," argued Spencer.
+
+"Why shouldn't he have?"
+
+"He looks like a sort of young Sunday-school kid."
+
+"Well, he jolly well isn't, then, because I happen to know that he's
+had scraps with some of the fellows in his house, and simply mopped
+them."
+
+"Well, all right, then," said Spencer reluctantly.
+
+The historic meeting took place outside the school shop at the quarter
+to eleven interval next morning. Thomas was leaning against the wall,
+eating a bun. Spencer approached him with half a jam sandwich in his
+hand. There was an awkward pause.
+
+"Hullo!" said Spencer at last.
+
+"Hullo!" said Thomas.
+
+Spencer finished his sandwich and brushed the crumbs off his trousers.
+Thomas continued operations on the bun with the concentrated
+expression of a lunching python.
+
+"I believe your people know my people," said Spencer.
+
+"We have some awfully swell friends," said Thomas. Spencer chewed this
+thoughtfully awhile.
+
+"Beastly cheek," he said at last.
+
+"Sorry," said Thomas, not looking it.
+
+Spencer produced a bag of gelatines.
+
+"Have one?" he asked.
+
+"What's wrong with 'em?"
+
+"All right, don't."
+
+He selected a gelatine and consumed it.
+
+"Ever had your head smacked?" he inquired courteously.
+
+A slightly strained look came into Thomas's blue eyes.
+
+"Not often," he replied politely. "Why?"
+
+"Oh, I don't know," said Spencer. "I was only wondering."
+
+"Oh?"
+
+"Look here," said Spencer, "my mater told me to look after you."
+
+"Well, you can look after me now if you want to, because I'm going."
+
+And Thomas dissolved the meeting by walking off in the direction of
+the junior block.
+
+"That kid," said Spencer to his immortal soul, "wants his head
+smacked, badly."
+
+At lunch Phipps had questions to ask.
+
+"Saw you talking to Shearne in the interval," he said. "What were you
+talking about?"
+
+"Oh, nothing in particular."
+
+"What did you think of him?"
+
+"Little idiot."
+
+"Ask him to tea this afternoon?"
+
+"No."
+
+"You must. Dash it all, you must do something for him. You've had ten
+bob out of his people."
+
+Spencer made no reply.
+
+Going to the school shop that afternoon, he found Thomas seated there
+with Phipps, behind a pot of tea. As a rule, he and Phipps tea'd
+together, and he resented this desertion.
+
+"Come on," said Phipps. "We were waiting for you."
+
+"Pining away," added Thomas unnecessarily.
+
+Spencer frowned austerely.
+
+"Come and look after me," urged Thomas.
+
+Spencer sat down in silence. For a minute no sound could be heard but
+the champing of Thomas's jaws as he dealt with a slab of gingerbread.
+
+"Buck up," said Phipps uneasily.
+
+"Give me," said Thomas, "just one loving look."
+
+Spencer ignored the request. The silence became tense once more.
+
+"Coming to the house net, Phipps?" asked Spencer.
+
+"We were going to the baths. Why don't you come?"
+
+"All right," said Spencer.
+
+Doctors tell us that we should allow one hour to elapse between taking
+food and bathing, but the rule was not rigidly adhered to at Eckleton.
+The three proceeded straight from the tea-table to the baths.
+
+The place was rather empty when they arrived. It was a little earlier
+than the majority of Eckletonians bathed. The bath filled up as lock-up
+drew near. With the exception of a couple of infants splashing about in
+the shallow end, and a stout youth who dived in from the spring-board,
+scrambled out, and dived in again, each time flatter than the last, they
+had the place to themselves.
+
+"What's it like, Gorrick," inquired Phipps of the stout youth, who had
+just appeared above the surface again, blowing like a whale. The
+question was rendered necessary by the fact that many years before the
+boiler at the Eckleton baths had burst, and had never been repaired,
+with the consequence that the temperature of the water was apt to
+vary. That is to say, most days it was colder than others.
+
+"Simply boiling," said the man of weight, climbing out. "I say, did I
+go in all right then?"
+
+"Not bad," said Phipps.
+
+"Bit flat," added Thomas critically.
+
+Gorrick blinked severely at the speaker. A head-waiter at a
+fashionable restaurant is cordial in his manner compared with a boy
+who has been at a public school a year, when addressed familiarly by a
+new boy. After reflecting on the outrage for a moment, he dived in
+again.
+
+"Worse than ever," said Truthful Thomas.
+
+"Look here!" said Gorrick.
+
+"Oh, come _on_!" exclaimed Phipps, and led Thomas away.
+
+"That kid," said Gorrick to Spencer, "wants his head smacked, badly."
+
+"That's just what I say," agreed Spencer, with the eagerness of a
+great mind which has found another that thinks alike with itself.
+
+Spencer was the first of the trio ready to enter the water. His
+movements were wary and deliberate. There was nothing of the
+professional diver about Spencer. First he stood on the edge and
+rubbed his arms, regarding the green water beneath with suspicion and
+dislike. Then, crouching down, he inserted three toes of his left
+foot, drew them back sharply, and said "Oo!" Then he stood up again.
+His next move was to slap his chest and dance a few steps, after which
+he put his right foot into the water, again remarked "Oo!" and resumed
+Position I.
+
+"Thought you said it was warm," he shouted to Gorrick.
+
+"So it is; hot as anything. Come on in."
+
+And Spencer came on in. Not because he wanted to--for, by rights,
+there were some twelve more movements to be gone through before he
+should finally creep in at the shallow end--but because a cold hand,
+placed suddenly on the small of his back, urged him forward. Down he
+went, with the water fizzing and bubbling all over and all round him.
+He swallowed a good deal of it, but there was still plenty left; and
+what there was was colder than one would have believed possible.
+
+He came to the surface after what seemed to him a quarter of an hour,
+and struck out for the side. When he got out, Phipps and Thomas had
+just got in. Gorrick was standing at the end of the cocoanut matting
+which formed a pathway to the spring-board. Gorrick was blue, but
+determined.
+
+"I say! Did I go in all right then?" inquired Gorrick.
+
+"How the dickens do I know?" said Spencer, stung to fresh wrath by the
+inanity of the question.
+
+"Spencer did," said Thomas, appearing in the water below them and
+holding on to the rail.
+
+"Look here!" cried Spencer; "did you shove me in then?"
+
+"Me! Shove!" Thomas's voice expressed horror and pain. "Why, you dived
+in. Jolly good one, too. Reminded me of the diving elephants at the
+Hippodrome."
+
+And he swam off.
+
+"That kid," said Gorrick, gazing after him, "wants his head smacked."
+
+"Badly," agreed Spencer. "Look here! did he shove me in? Did you see
+him?"
+
+"I was doing my dive. But it must have been him. Phipps never rags in
+the bath."
+
+Spencer grunted--an expressive grunt--and, creeping down the steps,
+entered the water again.
+
+It was Spencer's ambition to swim ten lengths of the bath. He was not
+a young Channel swimmer, and ten lengths represented a very respectable
+distance to him. He proceeded now to attempt to lower his record. It
+was not often that he got the bath so much to himself. Usually, there
+was barely standing-room in the water, and long-distance swimming was
+impossible. But now, with a clear field, he should, he thought, be able
+to complete the desired distance.
+
+He was beginning the fifth length before interruption came. Just as he
+reached halfway, a reproachful voice at his side said: "Oh, Percy,
+you'll tire yourself!" and a hand on the top of his head propelled him
+firmly towards the bottom.
+
+Every schoolboy, as Honble. Macaulay would have put it, knows the
+sensation of being ducked. It is always unpleasant--sometimes more,
+sometimes less. The present case belonged to the former class. There
+was just room inside Spencer for another half-pint of water. He
+swallowed it. When he came to the surface, he swam to the side without
+a word and climbed out. It was the last straw. Honour could now be
+satisfied only with gore.
+
+He hung about outside the baths till Phipps and Thomas appeared, then,
+with a steadfast expression on his face, he walked up to the latter
+and kicked him.
+
+Thomas seemed surprised, but not alarmed. His eyes grew a little
+rounder, and the pink on his cheeks deepened. He looked like a
+choir-boy in a bad temper.
+
+"Hullo! What's up, you ass, Spencer?" inquired Phipps.
+
+Spencer said nothing.
+
+"Where shall we go?" asked Thomas.
+
+"Oh, chuck it!" said Phipps the peacemaker.
+
+Spencer and Thomas were eyeing each other warily.
+
+"You chaps aren't going to fight?" said Phipps.
+
+The notion seemed to distress him.
+
+"Unless he cares to take a kicking," said Spencer suavely.
+
+"Not to-day, I think, thanks," replied Thomas without heat.
+
+"Then, look here!" said Phipps briskly, "I know a ripping little place
+just off the Lelby Road. It isn't five minutes' walk, and there's no
+chance of being booked there. Rot if someone was to come and stop it
+half-way through. It's in a field; thick hedges. No one can see. And I
+tell you what--I'll keep time. I've got a watch. Two minute rounds,
+and half-a-minute in between, and I'm the referee; so, if anybody
+fouls the other chap, I'll stop the fight. See? Come on!"
+
+Of the details of that conflict we have no very clear record. Phipps
+is enthusiastic, but vague. He speaks in eulogistic terms of a
+"corker" which Spencer brought off in the second round, and, again, of
+a "tremendous biff" which Thomas appears to have consummated in the
+fourth. But of the more subtle points of the fighting he is content
+merely to state comprehensively that they were "top-hole." As to the
+result, it would seem that, in the capacity of referee, he declared
+the affair a draw at the end of the seventh round; and, later, in his
+capacity of second to both parties, helped his principals home by back
+and secret ways, one on each arm.
+
+The next items to which the chronicler would call the attention of the
+reader are two letters.
+
+The first was from Mrs. Shearne to Spencer, and ran as follows--
+
+ My Dear Spencer,--I am writing to you direct, instead of through
+ your aunt, because I want to thank you so much for looking after
+ my boy so well. I know what a hard time a new boy has at a public
+ school if he has got nobody to take care of him at first. I heard
+ from Tom this morning. He seems so happy, and so fond of you. He
+ says you are "an awfully decent chap" and "the only chap who has
+ stood up to him at all." I suppose he means "for him." I hope you
+ will come and spend part of your holidays with us. ("Catch _me!_"
+ said Spencer.)
+
+ _Yours sincerely,_
+ _Isabel Shearne_
+
+ P.S.--I hope you will manage to buy something nice with
+ the enclosed.
+
+The enclosed was yet another postal order for five shillings. As
+somebody wisely observed, a woman's P.S. is always the most important
+part of her letter.
+
+"That kid," murmured Spencer between swollen lips, "has got cheek
+enough for eighteen! 'Awfully decent chap!'"
+
+He proceeded to compose a letter in reply, and for dignity combined
+with lucidity it may stand as a model to young writers.
+
+ _5 College Grounds,_
+ _Eckleton._
+
+ Mr. C. F. Spencer begs to present his compliments to Mrs. Shearne,
+ and returns the postal order, because he doesn't see why he should
+ have it. He notes your remarks _re_ my being a decent chap in
+ your favour of the 13th _prox_., but cannot see where it quite
+ comes in, as the only thing I've done to Mrs. Shearne's son is to
+ fight seven rounds with him in a field, W. G. Phipps refereeing. It
+ was a draw. I got a black eye and rather a whack in the mouth, but
+ gave him beans also, particularly in the wind, which I learned to do
+ from reading "Rodney Stone"--the bit where Bob Whittaker beats the
+ Eyetalian Gondoleery Cove. Hoping that this will be taken in the
+ spirit which is meant,
+
+ _I remain_
+ _Yours sincerely,_
+ _C. F. Spencer_
+ _One enclosure._
+
+He sent this off after prep., and retired to bed full of spiritual
+pride.
+
+On the following morning, going to the shop during the interval, he
+came upon Thomas negotiating a hot bun.
+
+"Hullo!" said Thomas.
+
+As was generally the case after he had had a fair and spirited turn-out
+with a fellow human being, Thomas had begun to feel that he loved his
+late adversary as a brother. A wholesome respect, which had hitherto
+been wanting, formed part of his opinion of him.
+
+"Hullo!" said Spencer, pausing.
+
+"I say," said Thomas.
+
+"What's up?"
+
+"I say, I don't believe we shook hands, did we?"
+
+"I don't remember doing it."
+
+They shook hands. Spencer began to feel that there were points about
+Thomas, after all.
+
+"I say," said Thomas.
+
+"Hullo?"
+
+"I'm sorry about in the bath, you know. I didn't know you minded being
+ducked."
+
+"Oh, all right!" said Spencer awkwardly.
+
+Eight bars rest.
+
+"I say," said Thomas.
+
+"Hullo!"
+
+"Doing anything this afternoon?"
+
+"Nothing special, Why?"
+
+"Come and have tea?"
+
+"All right. Thanks."
+
+"I'll wait for you outside the house."
+
+"All right."
+
+It was just here that Spencer regretted that he had sent back that
+five-shilling postal order. Five good shillings.
+
+Simply chucked away.
+
+Oh, Life, Life!
+
+But they were not, after all. On his plate at breakfast next day Spencer
+found a letter. This was the letter--
+
+ Messrs. J. K. Shearne (father of T. B. A. Shearne) and P. W. Shearne
+ (brother of same) beg to acknowledge receipt of Mr. C. F. Spencer's
+ esteemed communication of yesterday's date, and in reply desire to
+ inform Mr. Spencer of their hearty approval of his attentions to
+ Mr. T. B. A. Shearne's wind. It is their opinion that the above,
+ a nice boy but inclined to cheek, badly needs treatment on these
+ lines occasionally. They therefore beg to return the postal order,
+ together with another for a like sum, and trust that this will meet
+ with Mr. Spencer's approval.
+
+ (Signed) _J. K. Shearne,_
+ _P. W. Shearne._
+ Two enclosures.
+
+"Of course, what's up really," said Spencer to himself, after reading
+this, "is that the whole family's jolly well cracked."
+
+His eye fell on the postal orders.
+
+"Still----!" he said.
+
+That evening he entertained Phipps and Thomas B. A. Shearne lavishly
+at tea.
+
+
+
+
+A CORNER IN LINES
+
+
+Of all the useless and irritating things in this world, lines are
+probably the most useless and the most irritating. In fact, I only
+know of two people who ever got any good out of them. Dunstable, of
+Day's, was one, Linton, of Seymour's, the other. For a portion of one
+winter term they flourished on lines. The more there were set, the
+better they liked it. They would have been disappointed if masters had
+given up the habit of doling them out.
+
+Dunstable was a youth of ideas. He saw far more possibilities in the
+routine of life at Locksley than did the majority of his
+contemporaries, and every now and then he made use of these
+possibilities in a way that caused a considerable sensation in the
+school.
+
+In the ordinary way of school work, however, he was not particularly
+brilliant, and suffered in consequence. His chief foe was his
+form-master, Mr. Langridge. The feud between them had begun on
+Dunstable's arrival in the form two terms before, and had continued
+ever since. The balance of points lay with the master. The staff has
+ways of scoring which the school has not. This story really begins
+with the last day but one of the summer term. It happened that
+Dunstable's people were going to make their annual migration to
+Scotland on that day, and the Headmaster, approached on the subject
+both by letter and in person, saw no reason why--the examinations
+being over--Dunstable should not leave Locksley a day before the
+end of term.
+
+He called Dunstable to his study one night after preparation.
+
+"Your father has written to me, Dunstable," he said, "to ask that you
+may be allowed to go home on Wednesday instead of Thursday. I think
+that, under the special circumstances, there will be no objection to
+this. You had better see that the matron packs your boxes."
+
+"Yes, sir," said Dunstable. "Good business," he added to himself, as
+he left the room.
+
+When he got back to his own den, he began to ponder over the matter,
+to see if something could not be made out of it. That was Dunstable's
+way. He never let anything drop until he had made certain that he had
+exhausted all its possibilities.
+
+Just before he went to bed he had evolved a neat little scheme for
+scoring off Mr. Langridge. The knowledge of his plans was confined to
+himself and the Headmaster. His dorm-master would imagine that he was
+going to stay on till the last day of term. Therefore, if he
+misbehaved himself in form, Mr. Langridge would set him lines in
+blissful ignorance of the fact that he would not be there next day to
+show them up. At the beginning of the following term, moreover, he
+would not be in Mr. Langridge's form, for he was certain of his move
+up.
+
+He acted accordingly.
+
+He spent the earlier part of Wednesday morning in breaches of the
+peace. Mr. Langridge, instead of pulling him up, put him on to
+translate; Dunstable went on to translate. As he had not prepared the
+lesson and was not an adept at construing unseen, his performance was
+poor.
+
+After a minute and a half, the form-master wearied.
+
+"Have you looked at this, Dunstable?" he asked.
+
+There was a time-honoured answer to this question.
+
+"Yes, sir," he said.
+
+Public-school ethics do not demand that you should reply truthfully to
+the spirit of a question. The letter of it is all that requires
+attention. Dunstable had _looked_ at the lesson. He was looking
+at it then. Masters should practise exactness of speech. A certain
+form at Harrow were in the habit of walking across a copy of a Latin
+author before morning-school. They could then say with truth that they
+"had been over it." This is not an isolated case.
+
+"Go on," said Mr. Langridge.
+
+Dunstable smiled as he did so.
+
+Mr. Langridge was annoyed.
+
+"What are you laughing at? What do you mean by it? Stand up. You will
+write out the lesson in Latin and English, and show it up to me by
+four this afternoon. I know what you are thinking. You imagine that
+because this is the end of the term you can do as you please, but you
+will find yourself mistaken. Mind--by four o'clock."
+
+At four o'clock Dunstable was enjoying an excellent tea in Green
+Street, Park Lane, and telling his mother that he had had a most
+enjoyable term, marred by no unpleasantness whatever. His holidays
+were sweetened by the thought of Mr. Langridge's baffled wrath on
+discovering the true inwardness of the recent episode.
+
+ * * * * *
+
+When he returned to Locksley at the beginning of the winter term, he
+was at once made aware that that episode was not to be considered
+closed. On the first evening, Mr. Day, his housemaster, sent for him.
+
+"Well, Dunstable," he said, "where is that imposition?"
+
+Dunstable affected ignorance.
+
+"Please, sir, you set me no imposition."
+
+"No, Dunstable, no." Mr. Day peered at him gravely through his
+spectacles. "_I_ set you no imposition; but Mr. Langridge did."
+
+Dunstable imitated that eminent tactician, Br'er Rabbit. He "lay low
+and said nuffin."
+
+"Surely," continued Mr. Day, in tones of mild reproach, "you did not
+think that you could take Mr. Langridge in?"
+
+Dunstable rather thought he _had_ taken Mr. Langridge in; but he
+made no reply.
+
+"Well," said Mr. Day. "I must set you some punishment. I shall give
+the butler instructions to hand you a note from me at three o'clock
+to-morrow." (The next day was a half-holiday.) "In that note you will
+find indicated what I wish you to write out."
+
+Why this comic-opera secret-society business, Dunstable wondered. Then
+it dawned upon him. Mr. Day wished to break up his half-holiday
+thoroughly.
+
+That afternoon Dunstable retired in disgust to his study to brood over
+his wrongs; to him entered Charles, his friend, one C. J. Linton, to
+wit, of Seymour's, a very hearty sportsman.
+
+"Good," said Linton. "Didn't think I should find you in. Thought you
+might have gone off somewhere as it's such a ripping day. Tell you
+what we'll do. Scull a mile or two up the river and have tea
+somewhere."
+
+"I should like to awfully," said Dunstable, "but I'm afraid I can't."
+
+And he explained Mr. Day's ingenious scheme for preventing him from
+straying that afternoon.
+
+"Rot, isn't it," he said.
+
+"Beastly. Wouldn't have thought old Day had it in him. But I'll tell
+you what," he said. "Do the impot now, and then you'll be able to
+start at three sharp, and we shall get in a good time on the river.
+Day always sets the same thing. I've known scores of chaps get impots
+from him, and they all had to do the Greek numerals. He's mad on the
+Greek numerals. Never does anything else. You'll be as safe as
+anything if you do them. Buck up, I'll help."
+
+They accordingly sat down there and then. By three o'clock an imposing
+array of sheets of foolscap covered with badly-written Greek lay on
+the study table.
+
+"That ought to be enough," said Linton, laying down his pen. "He can't
+set you more than we've done, I should think."
+
+"Rummy how alike our writing looks," said Dunstable, collecting the
+sheets and examining them. "You can hardly tell which is which even
+when you know. Well, there goes three. My watch is slow, as it always
+is. I'll go and get that note."
+
+Two minutes later he returned, full of abusive references to Mr. Day.
+The crafty pedagogue appeared to have foreseen Dunstable's attempt to
+circumvent him by doing the Greek numerals on the chance of his
+setting them. The imposition he had set in his note was ten pages of
+irregular verbs, and they were to be shown up in his study before five
+o'clock. Linton's programme for the afternoon was out of the question
+now. But he loyally gave up any other plans which he might have formed
+in order to help Dunstable with his irregular verbs. Dunstable was too
+disgusted with fate to be properly grateful.
+
+"And the worst of it is," he said, as they adjourned for tea at
+half-past four, having deposited the verbs on Mr. Day's table, "that
+all those numerals will be wasted now."
+
+"I should keep them, though," said Linton. "They may come in useful.
+You never know."
+
+ * * * * *
+
+Towards the end of the second week of term Fate, by way of
+compensation, allowed Dunstable a distinct stroke of luck. Mr. Forman,
+the master of his new form, set him a hundred lines of Virgil, and
+told him to show them up next day. To Dunstable's delight, the next
+day passed without mention of them; and when the day after that went
+by, and still nothing was said, he came to the conclusion that Mr.
+Forman had forgotten all about them.
+
+Which was indeed the case. Mr. Forman was engaged in editing a new
+edition of the "Bacchae," and was apt to be absent-minded in
+consequence. So Dunstable, with a glad smile, hove the lines into a
+cupboard in his study to keep company with the Greek numerals which he
+had done for Mr. Day, and went out to play fives with Linton.
+
+Linton, curiously enough, had also had a stroke of luck in a rather
+similar way. He told Dunstable about it as they strolled back to the
+houses after their game.
+
+"Bit of luck this afternoon," he said. "You remember Appleby setting
+me a hundred-and-fifty the day before yesterday? Well, I showed
+them up to-day, and he looked through them and chucked them into the
+waste-paper basket under his desk. I thought at the time I hadn't seen
+him muck them up at all with his pencil, which is his usual game, so
+after he had gone at the end of school I nipped to the basket and
+fished them out. They were as good as new, so I saved them up in case
+I get any more."
+
+Dunstable hastened to tell of his own good fortune. Linton was
+impressed by the coincidence.
+
+"I tell you what," he said, "we score either way. Because if we never
+get any more lines----"
+
+Dunstable laughed.
+
+"Yes, I know," Linton went on, "we're bound to. But even supposing we
+don't, what we've got in stock needn't be wasted."
+
+"I don't see that," said Dunstable. "Going to have 'em bound in cloth
+and published? Or were you thinking of framing them?"
+
+"Why, don't you see? Sell them, of course. There are dozens of chaps
+in the school who would be glad of a few hundred lines cheap."
+
+"It wouldn't work. They'd be spotted."
+
+"Rot. It's been done before, and nobody said anything. A chap in
+Seymour's who left last Easter sold all his stock lines by auction on
+the last day of term. They were Virgil mostly and Greek numerals. They
+sold like hot cakes. There were about five hundred of them altogether.
+And I happen to know that every word of them has been given up and
+passed all right."
+
+"Well, I shall keep mine," said Dunstable. "I am sure to want all the
+lines in stock that I can get. I used to think Langridge was fairly
+bad in the way of impots, but Forman takes the biscuit easily. It
+seems to be a sort of hobby of his. You can't stop him."
+
+But it was not until the middle of preparation that the great idea
+flashed upon Dunstable's mind.
+
+It was the simplicity of the thing that took his breath away. That and
+its possibilities. This was the idea. Why not start a Lines Trust in
+the school? An agency for supplying lines at moderate rates to all who
+desired them? There did not seem to be a single flaw in the scheme. He
+and Linton between them could turn out enough material in a week to
+give the Trust a good working capital. And as for the risk of
+detection when customers came to show up the goods supplied to them,
+that was very slight. As has been pointed out before, there was
+practically one handwriting common to the whole school when it came to
+writing lines. It resembled the movements of a fly that had fallen
+into an ink-pot, and subsequently taken a little brisk exercise on a
+sheet of foolscap by way of restoring the circulation. Then, again,
+the attitude of the master to whom the lines were shown was not likely
+to be critical. So that everything seemed in favour of Dunstable's
+scheme.
+
+Linton, to whom he confided it, was inclined to scoff at first, but
+when he had had the beauties of the idea explained to him at length,
+became an enthusiastic supporter of the scheme.
+
+"But," he objected, "it'll take up all our time. Is it worth it? We
+can't spend every afternoon sweating away at impots for other people."
+
+"It's all right," said Dunstable, "I've thought of that. We shall need
+to pitch in pretty hard for about a week or ten days. That will give
+us a good big stock, and after that if we turn out a hundred each
+every day it will be all right. A hundred's not much fag if you spread
+them over a day."
+
+Linton admitted that this was sound, and the Locksley Lines Supplying
+Trust, Ltd., set to work in earnest.
+
+It must not be supposed that the Agency left a great deal to chance.
+The writing of lines in advance may seem a very speculative business;
+but both Dunstable and Linton had had a wide experience of Locksley
+masters, and the methods of the same when roused, and they were thus
+enabled to reduce the element of chance to a minimum. They knew, for
+example, that Mr. Day's favourite imposition was the Greek numerals,
+and that in nine cases out of ten that would be what the youth who had
+dealings with him would need to ask for from the Lines Trust. Mr.
+Appleby, on the other hand, invariably set Virgil. The oldest
+inhabitant had never known him to depart from this custom. For the
+French masters extracts from the works of Victor Hugo would probably
+pass muster.
+
+A week from the date of the above conversation, everyone in the
+school, with the exception of the prefects and the sixth form, found
+in his desk on arriving at his form-room a printed slip of paper.
+(Spiking, the stationer in the High Street, had printed it.) It was
+nothing less than the prospectus of the new Trust. It set forth in
+glowing terms the advantages offered by the agency. Dunstable had
+written it--he had a certain amount of skill with his pen--and Linton
+had suggested subtle and captivating additions. The whole presented
+rather a striking appearance.
+
+The document was headed with the name of the Trust in large letters.
+Under this came a number of "scare headlines" such as:
+
+ SEE WHAT YOU SAVE!
+
+ NO MORE WORRY!
+
+ PEACE, PERFECT PEACE!
+
+ WHY DO LINES WHEN WE DO THEM
+ FOR YOU?
+
+Then came the real prospectus:
+
+ The Locksley Lines Supplying Trust, Ltd. has been instituted to
+ meet the growing demand for lines and other impositions. While
+ there are masters at our public schools there will always be lines.
+ At Locksley the crop of masters has always flourished--and still
+ flourishes--very rankly, and the demand for lines has greatly taxed
+ the powers of those to whom has been assigned the task of supplying
+ them.
+
+ It is for the purpose of affording relief to these that the Lines
+ Trust has been formed. It is proposed that all orders for lines
+ shall be supplied out of our vast stock. Our charges are moderate,
+ and vary between threepence and sixpence per hundred lines. The
+ higher charge is made for Greek impositions, which, for obvious
+ reasons, entail a greater degree of labour on our large and
+ efficient staff of writers.
+
+ All orders, which will be promptly executed, should be forwarded to
+ Mr. P. A. Dunstable, 6 College Grounds, Locksley, or to Mr. C. J.
+ Linton, 10 College Grounds, Locksley. _Payment must be inclosed
+ with order, or the latter will not be executed._ Under no
+ conditions will notes of hand or cheques be accepted as legal
+ tender. There is no trust about us except the name.
+
+ Come in your thousands. We have lines for all. If the Trust's
+ stock of lines were to be placed end to end it would reach part
+ of the way to London. "You pay the threepence. We do the rest."
+
+Then a blank space, after which came a few "unsolicited testimonials":
+
+ "Lower Fifth" writes: "I was set two hundred lines of Virgil on
+ Saturday last at one o'clock. Having laid in a supply from your
+ agency I was enabled to show them up at five minutes past one.
+ The master who gave me the commission was unable to restrain his
+ admiration at the rapidity and neatness of my work. You may make
+ what use of this you please."
+
+ "Dexter's House" writes: "Please send me one hundred (100) lines
+ from _Aeneid, Book Two_. Mr. Dexter was so delighted with the last
+ I showed him that he has asked me to do some more."
+
+ "Enthusiast" writes: "Thank you for your Greek numerals. Day took
+ them without blinking. So beautifully were they executed that I can
+ hardly believe even now that I did not write them myself."
+
+ * * * * *
+
+There could be no doubt about the popularity of the Trust. It caught
+on instantly.
+
+Nothing else was discussed in the form-rooms at the quarter to eleven
+interval, and in the houses after lunch it was the sole topic of
+conversation. Dunstable and Linton were bombarded with questions and
+witticisms of the near personal sort. To the latter they replied with
+directness, to the former evasively.
+
+"What's it all _about?_" someone would ask, fluttering the
+leaflet before Dunstable's unmoved face.
+
+"You should read it carefully," Dunstable would reply. "It's all
+there."
+
+"But what are you playing at?"
+
+"We tried to make it clear to the meanest intelligence. Sorry you
+can't understand it."
+
+While at the same time Linton, in his form-room, would be explaining
+to excited inquirers that he was sorry, but it was impossible to reply
+to their query as to who was running the Trust. He was not at liberty
+to reveal business secrets. Suffice it that there the lines were,
+waiting to be bought, and he was there to sell them. So that if
+anybody cared to lay in a stock, large or small, according to taste,
+would he kindly walk up and deposit the necessary coin?
+
+But here the public showed an unaccountable disinclination to deal. It
+was gratifying to have acquaintances coming up and saying admiringly:
+"You are an ass, you know," as if they were paying the highest of
+compliments--as, indeed, they probably imagined that they were. All
+this was magnificent, but it was not business. Dunstable and Linton
+felt that the whole attitude of the public towards the new enterprise
+was wrong. Locksley seemed to regard the Trust as a huge joke, and its
+prospectus as a literary _jeu d'esprit_.
+
+In fact, it looked very much as if--from a purely commercial point of
+view--the great Lines Supplying Trust was going to be what is known in
+theatrical circles as a frost.
+
+For two whole days the public refused to bite, and Dunstable and
+Linton, turning over the stacks of lines in their studies, thought
+gloomily that this world is no place for original enterprise.
+
+Then things began to move.
+
+It was quite an accident that started them. Jackson, of Dexter's, was
+teaing with Linton, and, as was his habit, was giving him a condensed
+history of his life since he last saw him. In the course of this he
+touched on a small encounter with M. Gaudinois which had occurred that
+afternoon.
+
+"So I got two pages of 'Quatre-Vingt Treize' to write," he concluded,
+"for doing practically nothing."
+
+All Jackson's impositions, according to him, were given him for doing
+practically nothing. Now and then he got them for doing literally
+nothing--when he ought to have been doing form-work.
+
+"Done 'em?" asked Linton.
+
+"Not yet; no," replied Jackson. "More tea, please."
+
+"What you want to do, then," said Linton, "is to apply to the Locksley
+Lines Supplying Trust. That's what you must do."
+
+"You needn't rot a chap on a painful subject," protested Jackson.
+
+"I wasn't rotting," said Linton. "Why don't you apply to the Lines
+Trust?"
+
+"Then do you mean to say that there really is such a thing?" Jackson
+said incredulously. "Why I thought it was all a rag."
+
+"I know you did. It's the rotten sort of thing you would think. Rag,
+by Jove! Look at this. Now do you understand that this is a genuine
+concern?"
+
+He got up and went to the cupboard which filled the space between the
+stove and the bookshelf. From this resting-place he extracted a great
+pile of manuscript and dumped it down on the table with a bang which
+caused a good deal of Jackson's tea to spring from its native cup on
+to its owner's trousers.
+
+"When you've finished," protested Jackson, mopping himself with a
+handkerchief that had seen better days.
+
+"Sorry. But look at these. What did you say your impot was? Oh, I
+remember. Here you are. Two pages of 'Quatre-Vingt Treize.' I don't
+know which two pages, but I suppose any will do."
+
+Jackson was amazed.
+
+"Great Scott! what a wad of stuff! When did you do it all?"
+
+"Oh, at odd times. Dunstable's got just as much over at Day's. So you
+see the Trust is a jolly big show. Here are your two pages. That looks
+just like your scrawl, doesn't it? These would be fourpence in the
+ordinary way, but you can have 'em for nothing this time."
+
+"Oh, I say," said Jackson gratefully, "that's awfully good of you."
+
+After that the Locksley Lines Supplying Trust, Ltd. went ahead with
+a rush. The brilliant success which attended its first specimen--M.
+Gaudinois took Jackson's imposition without a murmur--promoted
+confidence in the public, and they rushed to buy. Orders poured in
+from all the houses, and by the middle of the term the organisers of
+the scheme were able to divide a substantial sum.
+
+"How are you getting on round your way?" asked Linton of Dunstable at
+the end of the sixth week of term.
+
+"Ripping. Selling like hot cakes."
+
+"So are mine," said Linton. "I've almost come to the end of my stock.
+I ought to have written some more, but I've been a bit slack lately."
+
+"Yes, buck up. We must keep a lot in hand."
+
+"I say, did you hear that about Merrett in our house?" asked Linton.
+
+"What about him?"
+
+"Why, he tried to start a rival show. Wrote a prospectus and
+everything. But it didn't catch on a bit. The only chap who bought any
+of his lines was young Shoeblossom. He wanted a couple of hundred for
+Appleby. Appleby was on to them like bricks. Spotted Shoeblossom
+hadn't written them, and asked who had. He wouldn't say, so he got
+them doubled. Everyone in the house is jolly sick with Merrett. They
+think he ought to have owned up."
+
+"Did that smash up Merrett's show? Is he going to turn out any more?"
+
+"Rather not. Who'd buy 'em?"
+
+It would have been better for the Lines Supplying Trust if Merrett had
+not received this crushing blow and had been allowed to carry on a
+rival business on legitimate lines. Locksley was conservative in its
+habits, and would probably have continued to support the old firm.
+
+As it was, the baffled Merrett, a youth of vindictive nature, brooded
+over his defeat, and presently hit upon a scheme whereby things might
+be levelled up.
+
+One afternoon, shortly before lock-up, Dunstable was surprised by the
+advent of Linton to his study in a bruised and dishevelled condition.
+One of his expressive eyes was closed and blackened. He also wore what
+is known in ring circles as a thick ear.
+
+"What on earth's up?" inquired Dunstable, amazed at these phenomena.
+"Have you been scrapping?"
+
+"Yes--Merrett--I won. What are you up to--writing lines? You may as
+well save yourself the trouble. They won't be any good." Dunstable
+stared.
+
+"The Trust's bust," said Linton.
+
+He never wasted words in moments of emotion.
+
+"What!"
+
+"'Bust' was what I said. That beast Merrett gave the show away."
+
+"What did he do? Surely he didn't tell a master?"
+
+"Well, he did the next thing to it. He hauled out that prospectus, and
+started reading it in form. I watched him do it. He kept it under the
+desk and made a foul row, laughing over it. Appleby couldn't help
+spotting him. Of course, he told him to bring him what he was reading.
+Up went Merrett with the prospectus."
+
+"Was Appleby sick?"
+
+"I don't believe he was, really. At least, he laughed when he read the
+thing. But he hauled me up after school and gave me a long jaw, and
+made me take all the lines I'd got to his house. He burnt them. I had
+it out with Merrett just now. He swears he didn't mean to get the
+thing spotted, but I knew he did."
+
+"Where did you scrag him!"
+
+"In the dormitory. He chucked it after the third round."
+
+There was a knock at the door.
+
+"Come in," shouted Dunstable.
+
+Buxton appeared, a member of Appleby's house.
+
+"Oh, Dunstable, Appleby wants to see you."
+
+"All right," said Dunstable wearily.
+
+Mr. Appleby was in facetious mood. He chaffed Dunstable genially about
+his prospectus, and admitted that it had amused him. Dunstable smiled
+without enjoyment. It was a good thing, perhaps, that Mr. Appleby saw
+the humorous rather than the lawless side of the Trust; but all the
+quips in the world could not save that institution from ruin.
+
+Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he
+seemed to say; "but duty is duty, and must be done."
+
+"How many lines have you at your house, Dunstable?" he asked.
+
+"About eight hundred, sir."
+
+"Then you had better write me eight hundred lines, and show them up to
+me in this room at--shall we say at ten minutes to five? It is now a
+quarter to, so that you will have plenty of time."
+
+Dunstable went, and returned five minutes later, bearing an armful of
+manuscript.
+
+"I don't think I shall need to count them," said Mr. Appleby. "Kindly
+take them in batches of ten sheets, and tear them in half, Dunstable."
+
+"Yes, sir."
+
+The last sheet fluttered in two sections into the surfeited
+waste-paper basket.
+
+"It's an awful waste, sir," said Dunstable regretfully.
+
+Mr. Appleby beamed.
+
+"We must, however," he said, "always endeavour to look on the bright
+side, Dunstable. The writing of these eight hundred lines will have
+given you a fine grip of the rhythm of Virgil, the splendid prose of
+Victor Hugo, and the unstudied majesty of the Greek Numerals. Good-night,
+Dunstable."
+
+"Good-night, sir," said the President of the Locksley Lines Supplying
+Trust, Ltd.
+
+
+
+
+THE AUTOGRAPH HUNTERS
+
+
+Dunstable had his reasons for wishing to obtain Mr. Montagu Watson's
+autograph, but admiration for that gentleman's novels was not one of
+them.
+
+It was nothing to him that critics considered Mr. Watson one of the
+most remarkable figures in English literature since Scott. If you had
+told him of this, he would merely have wondered in his coarse,
+material way how much Mr. Watson gave the critics for saying so. To
+the reviewer of the _Weekly Booklover_ the great man's latest
+effort, "The Soul of Anthony Carrington" (Popgood and Grooly: 6s.)
+seemed "a work that speaks eloquently in every line of a genius that
+time cannot wither nor custom stale." To Dunstable, who got it out of
+the school library, where it had been placed at the request of a
+literary prefect, and read the first eleven pages, it seemed rot, and
+he said as much to the librarian on returning it.
+
+Yet he was very anxious to get the novelist's autograph. The fact was
+that Mr. Day, his house-master, a man whose private life was in other
+ways unstained by vicious habits, collected autographs. Also Mr. Day
+had behaved in a square manner towards Dunstable on several occasions
+in the past, and Dunstable, always ready to punish bad behaviour in a
+master, was equally anxious to reward and foster any good trait which
+he might exhibit.
+
+On the occasion of the announcement that Mr. Watson had taken the big
+white house near Chesterton, a couple of miles from the school, Mr.
+Day had expressed in Dunstable's hearing a wish that he could add that
+celebrity's signature to his collection. Dunstable had instantly
+determined to play the part of a benevolent Providence. He would get
+the autograph and present it to the house-master, as who should say,
+"see what comes of being good." It would be pleasant to observe the
+innocent joy of the recipient, his child-like triumph, and his
+amazement at the donor's ingenuity in securing the treasure. A
+touching scene--well worth the trouble involved in the quest.
+
+And there would be trouble. For Mr. Montagu Watson was notoriously a
+foe to the autograph-hunter. His curt, type-written replies (signed by
+a secretary) had damped the ardour of scores of brave men and--more or
+less--fair women. A genuine Montagu Watson was a prize in the
+autograph market.
+
+Dunstable was a man of action. When Mark, the boot-boy at Day's,
+carried his burden of letters to the post that evening, there nestled
+among them one addressed to M. Watson, Esq., The White House,
+Chesterton. Looking at it casually, few of his friends would have
+recognised Dunstable's handwriting. For it had seemed good to that man
+of guile to adopt for the occasion the role of a backward youth of
+twelve years old. He thought tender years might touch Mr. Watson's
+heart.
+
+This was the letter:
+
+ _Dear Sir_,--I am only a littel boy, but I think your
+ books ripping. I often wonder how you think of it all. Will you
+ please send me your ortograf? I like your books very much. I have
+ named my white rabit Montagu after you. I punched Jones II in
+ the eye to-day becos he didn't like your books. I have spent the
+ only penny I have on the stampe for this letter which I might have
+ spent on tuck. I want to be like Maltby in "The Soul of Anthony
+ Carrington" when I grow up.
+
+ _Your sincere reader_,
+ P. A. Dunstable.
+
+It was a little unfortunate, perhaps, that he selected Maltby as his
+ideal character. That gentleman was considered by critics a masterly
+portrait of the cynical _roue_. But it was the only name he
+remembered.
+
+"Hot stuff!" said Dunstable to himself, as he closed the envelope.
+
+"Little beast!" said Mr. Watson to himself as he opened it. It arrived
+by the morning post, and he never felt really himself till after
+breakfast.
+
+"Here, Morrison," he said to his secretary, later in the morning:
+"just answer this, will you? The usual thing--thanks and most deeply
+grateful, y'know."
+
+Next day the following was included in Dunstable's correspondence:
+
+ Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable,
+ and begs to thank him for all the kind things he says about his
+ work in his letter of the 18th inst., for which he is deeply grateful.
+
+"Foiled!" said Dunstable, and went off to Seymour's to see his friend
+Linton.
+
+"Got any notepaper?" he asked.
+
+"Heaps," said Linton. "Why? Want some?"
+
+"Then get out a piece. I want to dictate a letter."
+
+Linton stared.
+
+"What's up? Hurt your hand?"
+
+Dunstable explained.
+
+"Day collects autographs, you know, and he wants Montagu Watson's
+badly. Pining away, and all that sort of thing. Won't smile until he
+gets it. I had a shot at it yesterday, and got this."
+
+Linton inspected the document.
+
+"So I can't send up another myself, you see."
+
+"Why worry?"
+
+"Oh, I'd like to put Day one up. He's not been bad this term. Come
+on."
+
+"All right. Let her rip."
+
+Dunstable let her rip.
+
+ _Dear Sir_,--I cannot refrain from writing to tell you what
+ an inestimable comfort your novels have been to me during years
+ of sore tribulation and distress----
+
+"Look here," interrupted Linton with decision at this point. "If you
+think I'm going to shove my name at the end of this rot, you're making
+the mistake of a lifetime."
+
+"Of course not. You're a widow who has lost two sons in South Africa.
+We'll think of a good name afterwards. Ready?
+
+ "Ever since my darling Charles Herbert and Percy Lionel were
+ taken from me in that dreadful war, I have turned for consolation
+ to the pages of 'The Soul of Anthony Carrington' and----"
+
+"What, another?" asked Linton.
+
+"There's one called 'Pancakes.'"
+
+"Sure? Sounds rummy."
+
+"That's all right. You have to get a queer title nowadays if you want
+to sell a book."
+
+"Go on, then. Jam it down."
+
+ "--and 'Pancakes.' I hate to bother you, but if you could send me
+ your autograph I should be more grateful than words can say. Yours
+ admiringly."
+
+"What's a good name? How would Dorothy Maynard do?"
+
+"You want something more aristocratic. What price Hilda Foulke-Ponsonby?"
+
+Dunstable made no objection, and Linton signed the letter with a
+flourish.
+
+They installed Mrs. Foulke-Ponsonby at Spiking's in the High Street.
+It was not a very likely address for a lady whose blood was presumably
+of the bluest, but they could think of none except that obliging
+stationer who would take in letters for them.
+
+There was a letter for Mrs. Foulke-Ponsonby next day. Whatever his
+other defects as a correspondent, Mr. Watson was at least prompt with
+his responses.
+
+Mr. Montagu Watson presented his compliments, and was deeply grateful
+for all the kind things Mrs. Foulke-Ponsonby had said about his work
+in her letter of the 19th inst. He was, however, afraid that he
+scarcely deserved them. Her opportunities of deriving consolation from
+"The Soul of Anthony Carrington" had been limited by the fact that
+that book had only been published ten days before: while, as for
+"Pancakes," to which she had referred in such flattering terms, he
+feared that another author must have the credit of any refreshment her
+bereaved spirit might have extracted from that volume, for he had
+written no work of such a name. His own "Pan Wakes" would, he hoped,
+administer an equal quantity of balm.
+
+Mr. Secretary Morrison had slept badly on the night before he wrote
+this letter, and had expended some venom upon its composition.
+
+"Sold again!" said Dunstable.
+
+"You'd better chuck it now. It's no good," said Linton.
+
+"I'll have another shot. Then I'll try and think of something else."
+
+Two days later Mr. Morrison replied to Mr. Edgar Habbesham-Morley, of
+3a, Green Street, Park Lane, to the effect that Mr. Montagu Watson was
+deeply grateful for all the kind things, etc.----
+
+3a, Green Street was Dunstable's home address.
+
+At this juncture the Watson-Dunstable correspondence ceases, and the
+relations become more personal.
+
+On the afternoon of the twenty-third of the month, Mr. Watson, taking
+a meditative stroll through the wood which formed part of his
+property, was infuriated by the sight of a boy.
+
+He was not a man who was fond of boys even in their proper place, and
+the sight of one in the middle of his wood, prancing lightly about
+among the nesting pheasants, stirred his never too placid mind to its
+depths.
+
+He shouted.
+
+The apparition paused.
+
+"Here! Hi! you boy!"
+
+"Sir?" said the stripling, with a winning smile, lifting his cap with
+the air of a D'Orsay.
+
+"What business have you in my wood?"
+
+"Not business," corrected the visitor, "pleasure."
+
+"Come here!" shrilled the novelist.
+
+The stranger receded coyly.
+
+Mr. Watson advanced at the double.
+
+His quarry dodged behind a tree.
+
+For five minutes the great man devoted his powerful mind solely to the
+task of catching his visitor.
+
+The latter, however, proved as elusive as the point of a half-formed
+epigram, and at the end of the five minutes he was no longer within
+sight.
+
+Mr. Watson went off and addressed his keeper in terms which made that
+worthy envious for a week.
+
+"It's eddication," he said subsequently to a friend at the "Cowslip
+Inn." "You and me couldn't talk like that. It wants eddication."
+
+For the next few days the keeper's existence was enlivened by visits
+from what appeared to be a most enthusiastic bird's-nester. By no
+other theory could he account for it. Only a boy with a collection to
+support would run such risks.
+
+To the keeper's mind the human boy up to the age of twenty or so had
+no object in life except to collect eggs. After twenty, of course, he
+took to poaching. This was a boy of about seventeen.
+
+On the fifth day he caught him, and conducted him into the presence of
+Mr. Montagu Watson.
+
+Mr. Watson was brief and to the point. He recognised his visitor as
+the boy for whose benefit he had made himself stiff for two days.
+
+The keeper added further damaging facts.
+
+"Bin here every day, he 'as, sir, for the last week. Well, I says to
+myself, supposition is he'll come once too often. He'll come once too
+often, I says. And then, I says, I'll cotch him. And I cotched him."
+
+The keeper's narrative style had something of the classic simplicity
+of Julius Caesar's.
+
+Mr. Watson bit his pen.
+
+"What you boys come for I can't understand," he said irritably.
+"You're from the school, of course?"
+
+"Yes," said the captive.
+
+"Well, I shall report you to your house-master. What is your name?"
+
+"Dunstable."
+
+"Your house?"
+
+"Day's."
+
+"Very good. That is all."
+
+Dunstable retired.
+
+His next appearance in public life was in Mr. Day's study. Mr. Day had
+sent for him after preparation. He held a letter in his hand, and he
+looked annoyed.
+
+"Come in, Dunstable. I have just received a letter complaining of you.
+It seems that you have been trespassing."
+
+"Yes, sir."
+
+"I am surprised, Dunstable, that a sensible boy like you should have
+done such a foolish thing. It seems so objectless. You know how
+greatly the head-master dislikes any sort of friction between the
+school and the neighbours, and yet you deliberately trespass in Mr.
+Watson's wood."
+
+"I'm very sorry, sir."
+
+"I have had a most indignant letter from him--you may see what he
+says. You do not deny it?"
+
+Dunstable ran his eye over the straggling, untidy sentences.
+
+"No, sir. It's quite true."
+
+"In that case I shall have to punish you severely. You will write me
+out the Greek numerals ten times, and show them up to me on Tuesday."
+
+"Yes, sir."
+
+"That will do."
+
+At the door Dunstable paused.
+
+"Well, Dunstable?" said Mr. Day.
+
+"Er--I'm glad you've got his autograph after all, sir," he said.
+
+Then he closed the door.
+
+As he was going to bed that night, Dunstable met the house-master on
+the stairs.
+
+"Dunstable," said Mr. Day.
+
+"Yes, sir."
+
+"On second thoughts, it would be better if, instead of the Greek
+numerals ten times, you wrote me the first ode of the first book of
+Horace. The numerals would be a little long, perhaps."
+
+
+
+
+PILLINGSHOT, DETECTIVE
+
+
+Life at St. Austin's was rendered somewhat hollow and burdensome for
+Pillingshot by the fact that he fagged for Scott. Not that Scott was
+the Beetle-Browed Bully in any way. Far from it. He showed a kindly
+interest in Pillingshot's welfare, and sometimes even did his Latin
+verses for him. But the noblest natures have flaws, and Scott's was no
+exception. He was by way of being a humorist, and Pillingshot, with
+his rather serious outlook on life, was puzzled and inconvenienced by
+this.
+
+It was through this defect in Scott's character that Pillingshot first
+became a detective.
+
+He was toasting muffins at the study fire one evening, while Scott,
+seated on two chairs and five cushions, read "Sherlock Holmes," when
+the Prefect laid down his book and fixed him with an earnest eye.
+
+"Do you know, Pillingshot," he said, "you've got a bright, intelligent
+face. I shouldn't wonder if you weren't rather clever. Why do you hide
+your light under a bushel?"
+
+Pillingshot grunted.
+
+"We must find some way of advertising you. Why don't you go in for a
+Junior Scholarship?"
+
+"Too old," said Pillingshot with satisfaction.
+
+"Senior, then?"
+
+"Too young."
+
+"I believe by sitting up all night and swotting----"
+
+"Here, I say!" said Pillingshot, alarmed.
+
+"You've got no enterprise," said Scott sadly. "What are those?
+Muffins? Well, well, I suppose I had better try and peck a bit."
+
+He ate four in rapid succession, and resumed his scrutiny of
+Pillingshot's countenance.
+
+"The great thing," he said, "is to find out your special line. Till
+then we are working in the dark. Perhaps it's music? Singing? Sing me
+a bar or two."
+
+Pillingshot wriggled uncomfortably.
+
+"Left your music at home?" said Scott. "Never mind, then. Perhaps it's
+all for the best. What are those? Still muffins? Hand me another.
+After all, one must keep one's strength up. You can have one if you
+like."
+
+Pillingshot's face brightened. He became more affable. He chatted.
+
+"There's rather a row on downstairs," he said. "In the junior day-room."
+
+"There always is," said Scott. "If it grows too loud, I shall get in
+amongst them with a swagger-stick. I attribute half my success at
+bringing off late-cuts to the practice I have had in the junior
+day-room. It keeps the wrist supple."
+
+"I don't mean that sort of row. It's about Evans."
+
+"What about Evans?"
+
+"He's lost a sovereign."
+
+"Silly young ass."
+
+Pillingshot furtively helped himself to another muffin.
+
+"He thinks some one's taken it," he said.
+
+"What! Stolen it?"
+
+Pillingshot nodded.
+
+"What makes him think that?"
+
+"He doesn't see how else it could have gone."
+
+"Oh, I don't--By Jove!"
+
+Scott sat up with some excitement.
+
+"I've got it," he said. "I knew we should hit on it sooner or later.
+Here's a field for your genius. You shall be a detective. Pillingshot,
+I hand this case over to you. I employ you."
+
+Pillingshot gaped.
+
+"I feel certain that's your line. I've often noticed you walking over
+to school, looking exactly like a blood-hound. Get to work. As a start
+you'd better fetch Evans up here and question him."
+
+"But, look here----"
+
+"Buck up, man, buck up. Don't you know that every moment is precious?"
+
+Evans, a small, stout youth, was not disposed to be reticent. The gist
+of his rambling statement was as follows. Rich uncle. Impecunious
+nephew. Visit of former to latter. Handsome tip, one sovereign.
+Impecunious nephew pouches sovereign, and it vanishes.
+
+"And I call it beastly rot," concluded Evans volubly. "And if I could
+find the cad who's pinched it, I'd jolly well----"
+
+"Less of it," said Scott. "Now, then, Pillingshot, I'll begin this
+thing, just to start you off. What makes you think the quid has been
+stolen, Evans?"
+
+"Because I jolly well know it has."
+
+"What you jolly well know isn't evidence. We must thresh this thing
+out. To begin with, where did you last see it?"
+
+"When I put it in my pocket."
+
+"Good. Make a note of that, Pillingshot. Where's your notebook? Not
+got one? Here you are then. You can tear out the first few pages, the
+ones I've written on. Ready? Carry on, Evans. When?"
+
+"When what?"
+
+"When did you put it in your pocket?"
+
+"Yesterday afternoon."
+
+"What time?"
+
+"About five."
+
+"Same pair of bags you're wearing now?"
+
+"No, my cricket bags. I was playing at the nets when my uncle came."
+
+"Ah! Cricket bags? Put it down, Pillingshot. That's a clue. Work on
+it. Where are they?"
+
+"They've gone to the wash."
+
+"About time, too. I noticed them. How do you know the quid didn't go
+to the wash as well?"
+
+"I turned both the pockets inside out."
+
+"Any hole in the pocket?"
+
+"No."
+
+"Well, when did you take off the bags? Did you sleep in them?"
+
+"I wore 'em till bed-time, and then shoved them on a chair by the side
+of the bed. It wasn't till next morning that I remembered the quid was
+in them----"
+
+"But it wasn't," objected Scott.
+
+"I thought it was. It ought to have been."
+
+"He thought it was. That's a clue, young Pillingshot. Work on it.
+Well?"
+
+"Well, when I went to take the quid out of my cricket bags, it wasn't
+there."
+
+"What time was that?"
+
+"Half-past seven this morning."
+
+"What time did you go to bed?"
+
+"Ten."
+
+"Then the theft occurred between the hours of ten and seven-thirty.
+Mind you, I'm giving you a jolly good leg-up, young Pillingshot. But
+as it's your first case I don't mind. That'll be all from you, Evans.
+Pop off."
+
+Evans disappeared. Scott turned to the detective.
+
+"Well, young Pillingshot," he said, "what do you make of it?"
+
+"I don't know."
+
+"What steps do you propose to take?"
+
+"I don't know."
+
+"You're a lot of use, aren't you? As a start, you'd better examine the
+scene of the robbery, I should say."
+
+Pillingshot reluctantly left the room.
+
+"Well?" said Scott, when he returned. "Any clues?"
+
+"No."
+
+"You thoroughly examined the scene of the robbery?"
+
+"I looked under the bed."
+
+"_Under_ the bed? What's the good of that? Did you go over every inch
+of the strip of carpet leading to the chair with a magnifying-glass?"
+
+"Hadn't got a magnifying-glass."
+
+"Then you'd better buck up and get one, if you're going to be a
+detective. Do you think Sherlock Holmes ever moved a step without his?
+Not much. Well, anyhow. Did you find any foot-prints or tobacco-ash?"
+
+"There was a jolly lot of dust about."
+
+"Did you preserve a sample?"
+
+"No."
+
+"My word, you've a lot to learn. Now, weighing the evidence, does
+anything strike you?"
+
+"No."
+
+"You're a bright sort of sleuth-hound, aren't you! It seems to me I'm
+doing all the work on this case. I'll have to give you another leg-up.
+Considering the time when the quid disappeared, I should say that
+somebody in the dormitory must have collared it. How many fellows are
+there in Evans' dormitory?"
+
+"I don't know."
+
+"Cut along and find out."
+
+The detective reluctantly trudged off once more.
+
+"Well?" said Scott, on his return.
+
+"Seven," said Pillingshot. "Counting Evans."
+
+"We needn't count Evans. If he's ass enough to steal his own quids, he
+deserves to lose them. Who are the other six?"
+
+"There's Trent. He's prefect."
+
+"The Napoleon of Crime. Watch his every move. Yes?"
+
+"Simms."
+
+"A dangerous man. Sinister to the core."
+
+"And Green, Berkeley, Hanson, and Daubeny."
+
+"Every one of them well known to the police. Why, the place is a
+perfect Thieves' Kitchen. Look here, we must act swiftly, young
+Pillingshot. This is a black business. We'll take them in alphabetical
+order. Run and fetch Berkeley."
+
+Berkeley, interrupted in a game of Halma, came unwillingly.
+
+"Now then, Pillingshot, put your questions," said Scott. "This is a
+black business, Berkeley. Young Evans has lost a sovereign----"
+
+"If you think I've taken his beastly quid----!" said Berkeley warmly.
+
+"Make a note that, on being questioned, the man Berkeley exhibited
+suspicious emotion. Go on. Jam it down."
+
+Pillingshot reluctantly entered the statement under Berkeley's
+indignant gaze.
+
+"Now then, carry on."
+
+"You know, it's all rot," protested Pillingshot. "I never said
+Berkeley had anything to do with it."
+
+"Never mind. Ask him what his movements were on the night of the--what
+was yesterday?--on the night of the sixteenth of July."
+
+Pillingshot put the question nervously.
+
+"I was in bed, of course, you silly ass."
+
+"Were you asleep?" inquired Scott.
+
+"Of course I was."
+
+"Then how do you know what you were doing? Pillingshot, make a note of
+the fact that the man Berkeley's statement was confused and
+contradictory. It's a clue. Work on it. Who's next? Daubeny. Berkeley,
+send Daubeny up here."
+
+"All right, Pillingshot, you wait," was Berkeley's exit speech.
+
+Daubeny, when examined, exhibited the same suspicious emotion that
+Berkeley had shown; and Hanson, Simms, and Green behaved in a
+precisely similar manner.
+
+"This," said Scott, "somewhat complicates the case. We must have
+further clues. You'd better pop off now, Pillingshot. I've got a Latin
+Prose to do. Bring me reports of your progress daily, and don't
+overlook the importance of trifles. Why, in 'Silver Blaze' it was a
+burnt match that first put Holmes on the scent."
+
+Entering the junior day-room with some apprehension, the sleuth-hound
+found an excited gathering of suspects waiting to interview him.
+
+One sentiment animated the meeting. Each of the five wanted to know
+what Pillingshot meant by it.
+
+"What's the row?" queried interested spectators, rallying round.
+
+"That cad Pillingshot's been accusing us of bagging Evans' quid."
+
+"What's Scott got to do with it?" inquired one of the spectators.
+
+Pillingshot explained his position.
+
+"All the same," said Daubeny, "you needn't have dragged us into it."
+
+"I couldn't help it. He made me."
+
+"Awful ass, Scott," admitted Green.
+
+Pillingshot welcomed this sign that the focus of popular indignation
+was being shifted.
+
+"Shoving himself into other people's business," grumbled Pillingshot.
+
+"Trying to be funny," Berkeley summed up.
+
+"Rotten at cricket, too."
+
+"Can't play a yorker for nuts."
+
+"See him drop that sitter on Saturday?"
+
+So that was all right. As far as the junior day-room was concerned,
+Pillingshot felt himself vindicated.
+
+But his employer was less easily satisfied. Pillingshot had hoped that
+by the next day he would have forgotten the subject. But, when he went
+into the study to get tea ready, up it came again.
+
+"Any clues yet, Pillingshot?"
+
+Pillingshot had to admit that there were none.
+
+"Hullo, this won't do. You must bustle about. You must get your nose
+to the trail. Have you cross-examined Trent yet? No? Well, there you
+are, then. Nip off and do it now."
+
+"But, I say, Scott! He's a prefect!"
+
+"In the dictionary of crime," said Scott sententiously, "there is no
+such word as prefect. All are alike. Go and take down Trent's
+statement."
+
+To tax a prefect with having stolen a sovereign was a task at which
+Pillingshot's imagination boggled. He went to Trent's study in a sort
+of dream.
+
+A hoarse roar answered his feeble tap. There was no doubt about Trent
+being in. Inspection revealed the fact that the prefect was working
+and evidently ill-attuned to conversation. He wore a haggard look and
+his eye, as it caught that of the collector of statements, was
+dangerous.
+
+"Well?" said Trent, scowling murderously.
+
+Pillingshot's legs felt perfectly boneless.
+
+"_Well_?" said Trent.
+
+Pillingshot yammered.
+
+"_Well_?"
+
+The roar shook the window, and Pillingshot's presence of mind deserted
+him altogether.
+
+"Have you bagged a sovereign?" he asked.
+
+There was an awful silence, during which the detective, his limbs
+suddenly becoming active again, banged the door, and shot off down the
+passage.
+
+He re-entered Scott's study at the double.
+
+"Well?" said Scott. "What did he say?"
+
+"Nothing."
+
+"Get out your note-book, and put down, under the heading 'Trent':
+'Suspicious silence.' A very bad lot, Trent. Keep him under constant
+espionage. It's a clue. Work on it."
+
+Pillingshot made a note of the silence, but later on, when he and the
+prefect met in the dormitory, felt inclined to erase it. For silence
+was the last epithet one would have applied to Trent on that occasion.
+As he crawled painfully into bed Pillingshot became more than ever
+convinced that the path of the amateur detective was a thorny one.
+
+This conviction deepened next day.
+
+Scott's help was possibly well meant, but it was certainly
+inconvenient. His theories were of the brilliant, dashing order, and
+Pillingshot could never be certain who and in what rank of life the
+next suspect would be. He spent that afternoon shadowing the Greaser
+(the combination of boot-boy and butler who did the odd jobs about the
+school house), and in the evening seemed likely to be about to move in
+the very highest circles. This was when Scott remarked in a dreamy
+voice, "You know, I'm told the old man has been spending a good lot of
+money lately...."
+
+To which the burden of Pillingshot's reply was that he would do
+anything in reason, but he was blowed if he was going to cross-examine
+the head-master.
+
+"It seems to me," said Scott sadly, "that you don't _want_ to
+find that sovereign. Don't you like Evans, or what is it?"
+
+It was on the following morning, after breakfast, that the close
+observer might have noticed a change in the detective's demeanour. He
+no longer looked as if he were weighed down by a secret sorrow. His
+manner was even jaunty.
+
+Scott noticed it.
+
+"What's up?" he inquired. "Got a clue?"
+
+Pillingshot nodded.
+
+"What is it? Let's have a look."
+
+"Sh--h--h!" said Pillingshot mysteriously.
+
+Scott's interest was aroused. When his fag was making tea in the
+afternoon, he questioned him again.
+
+"Out with it," he said. "What's the point of all this silent mystery
+business?"
+
+"Sherlock Holmes never gave anything away."
+
+"Out with it."
+
+"Walls have ears," said Pillingshot.
+
+"So have you," replied Scott crisply, "and I'll smite them in half a
+second."
+
+Pillingshot sighed resignedly, and produced an envelope. From this he
+poured some dried mud.
+
+"Here, steady on with my table-cloth," said Scott. "What's this?"
+
+"Mud."
+
+"What about it?"
+
+"Where do you think it came from?"
+
+"How should I know? Road, I suppose."
+
+Pillingshot smiled faintly.
+
+"Eighteen different kinds of mud about here," he said patronisingly.
+"This is flower-bed mud from the house front-garden."
+
+"Well? What about it?"
+
+"Sh--h--h!" said Pillingshot, and glided out of the room.
+
+ * * * * *
+
+"Well?" asked Scott next day. "Clues pouring in all right?"
+
+"Rather."
+
+"What? Got another?"
+
+Pillingshot walked silently to the door and flung it open. He looked
+up and down the passage. Then he closed the door and returned to the
+table, where he took from his waistcoat-pocket a used match.
+
+Scott turned it over inquiringly.
+
+"What's the idea of this?"
+
+"A clue," said Pillingshot. "See anything queer about it? See that
+rummy brown stain on it?"
+
+"Yes."
+
+"Blood!" snorted Pillingshot.
+
+"What's the good of blood? There's been no murder."
+
+Pillingshot looked serious.
+
+"I never thought of that."
+
+"You must think of everything. The worst mistake a detective can make
+is to get switched off on to another track while he's working on a
+case. This match is a clue to something else. You can't work on it."
+
+"I suppose not," said Pillingshot.
+
+"Don't be discouraged. You're doing fine."
+
+"I know," said Pillingshot. "I shall find that quid all right."
+
+"Nothing like sticking to it."
+
+Pillingshot shuffled, then rose to a point of order.
+
+"I've been reading those Sherlock Holmes stories," he said, "and
+Sherlock Holmes always got a fee if he brought a thing off. I think I
+ought to, too."
+
+"Mercenary young brute."
+
+"It has been a beastly sweat."
+
+"Done you good. Supplied you with a serious interest in life. Well, I
+expect Evans will give you something--a jewelled snuff-box or
+something--if you pull the thing off."
+
+"_I_ don't."
+
+"Well, he'll buy you a tea or something."
+
+"He won't. He's not going to break the quid. He's saving up for a
+camera."
+
+"Well, what are you going to do about it?"
+
+Pillingshot kicked the leg of the table.
+
+"_You_ put me on to the case," he said casually.
+
+"What! If you think I'm going to squander----"
+
+"I think you ought to let me off fagging for the rest of the term."
+
+Scott reflected.
+
+"There's something in that. All right."
+
+"Thanks."
+
+"Don't mention it. You haven't found the quid yet."
+
+"I know where it is."
+
+"Where?"
+
+"Ah!"
+
+"Fool," said Scott.
+
+ * * * * *
+
+After breakfast next day Scott was seated in his study when
+Pillingshot entered.
+
+"Here you are," said Pillingshot.
+
+He unclasped his right hand and exhibited a sovereign. Scott inspected
+it.
+
+"Is this the one?" he said.
+
+"Yes," said Pillingshot.
+
+"How do you know?"
+
+"It _is_. I've sifted all the evidence."
+
+"Who had bagged it?"
+
+"I don't want to mention names."
+
+"Oh, all right. As he didn't spend any of it, it doesn't much matter.
+Not that it's much catch having a thief roaming at large about the
+house. Anyhow, what put you on to him? How did you get on the track?
+You're a jolly smart kid, young Pillingshot. How did you work it?"
+
+"I have my methods," said Pillingshot with dignity.
+
+"Buck up. I shall have to be going over to school in a second."
+
+"I hardly like to tell you."
+
+"Tell me! Dash it all, I put you on to the case. I'm your employer."
+
+"You won't touch me up if I tell you?"
+
+"I will if you don't."
+
+"But not if I do?"
+
+"No."
+
+"And how about the fee?"
+
+"That's all right. Go on."
+
+"All right then. Well, I thought the whole thing over, and I couldn't
+make anything out of it at first, because it didn't seem likely that
+Trent or any of the other fellows in the dormitory had taken it; and
+then suddenly something Evans told me the day before yesterday made it
+all clear."
+
+"What was that?"
+
+"He said that the matron had just given him back his quid, which one
+of the housemaids had found on the floor by his bed. It had dropped
+out of his pocket that first night."
+
+Scott eyed him fixedly. Pillingshot coyly evaded his gaze.
+
+"That was it, was it?" said Scott.
+
+Pillingshot nodded.
+
+"It was a clue," he said. "I worked on it."
+
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Politeness of Princes, by P. G. Wodehouse
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+***** This file should be named 8178.txt or 8178.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/8/1/7/8178/
+
+Produced by Suzanne L. Shell, Charles Franks and the Online
+Distributed Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/8178.zip b/8178.zip
new file mode 100644
index 0000000..5791e4b
--- /dev/null
+++ b/8178.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..0ad0bde
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #8178 (https://www.gutenberg.org/ebooks/8178)
diff --git a/old/7schl10.txt b/old/7schl10.txt
new file mode 100644
index 0000000..0f2bcf8
--- /dev/null
+++ b/old/7schl10.txt
@@ -0,0 +1,3784 @@
+The Project Gutenberg EBook of The Politeness of Princes, by P. G. Wodehouse
+#29 in our series by P. G. Wodehouse
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Politeness of Princes
+ and Other School Stories
+
+Author: P. G. Wodehouse
+
+Release Date: May, 2005 [EBook #8178]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on June 26, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+
+
+
+Produced by Suzanne L. Shell, Charles Franks
+and the Online Distributed Proofreading Team
+
+
+
+
+THE POLITENESS OF PRINCES
+and Other School Stories
+
+
+
+By
+P. G. Wodehouse
+
+
+
+
+[Transcriber's note: This selection of early Wodehouse stories was
+assembled for Project Gutenberg. The original publication date of
+each story is listed in square brackets in the Table of Contents.]
+
+
+
+
+CONTENTS
+
+
+THE POLITENESS OF PRINCES [1905]
+
+SHIELDS' AND THE CRICKET CUP [1905]
+
+AN INTERNATIONAL AFFAIR [1905]
+
+THE GUARDIAN [1908]
+
+A CORNER IN LINES [1905]
+
+THE AUTOGRAPH HUNTERS [1905]
+
+PILLINGSHOT, DETECTIVE [1910]
+
+
+
+
+THE POLITENESS OF PRINCES
+
+
+The painful case of G. Montgomery Chapple, bachelor, of Seymour's
+house, Wrykyn. Let us examine and ponder over it.
+
+It has been well said that this is the age of the specialist.
+Everybody, if they wish to leave the world a better and happier place
+for their stay in it, should endeavour to adopt some speciality and
+make it their own. Chapple's speciality was being late for breakfast.
+He was late not once or twice, but every day. Sometimes he would
+scramble in about the time of the second cup of coffee, buttoning his
+waistcoat as he sidled to his place. Generally he would arrive just as
+the rest of the house were filing out; when, having lurked hidden
+until Mr. Seymour was out of the way, he would enter into private
+treaty with Herbert, the factotum, who had influence with the cook,
+for Something Hot and maybe a fresh brew of coffee. For there was
+nothing of the amateur late-breakfaster about Chapple. Your amateur
+slinks in with blushes deepening the naturally healthy hue of his
+face, and, bolting a piece of dry bread and gulping down a cup of cold
+coffee, dashes out again, filled more with good resolutions for the
+future than with food. Not so Chapple. He liked his meals. He wanted a
+good deal here below, and wanted it hot and fresh. Conscience had but
+a poor time when it tried to bully Chapple. He had it weak in the
+first round.
+
+But there was one more powerful than Conscience--Mr. Seymour. He had
+marked the constant lateness of our hero, and disapproved of it.
+
+Thus it happened that Chapple, having finished an excellent breakfast
+one morning some twenty minutes after everybody else, was informed as
+he sat in the junior day-room trying, with the help of an illustrated
+article in a boys' paper, to construct a handy model steam-engine out
+of a reel of cotton and an old note-book--for his was in many ways a
+giant brain--that Mr. Seymour would like to have a friendly chat with
+him in his study. Laying aside his handy model steam-engine, he went
+off to the housemaster's study.
+
+"You were late for breakfast to-day," said Mr. Seymour, in the horrid,
+abrupt way housemasters have.
+
+"Why, yes, sir," said Chapple, pleasantly.
+
+"And the day before."
+
+"Yes, sir."
+
+"And the day before that."
+
+Chapple did not deny it. He stood on one foot and smiled a
+propitiating smile. So far Mr. Seymour was entitled to demand a cigar
+or cocoanut every time.
+
+The housemaster walked to the window, looked out, returned to the
+mantelpiece, and shifted the position of a china vase two and a
+quarter inches to the left. Chapple, by way of spirited repartee,
+stood on the other leg and curled the disengaged foot round his ankle.
+The conversation was getting quite intellectual.
+
+"You will write out----"
+
+"Sir, please, sir----" interrupted Chapple in an "I-represent-the
+defendant-m'lud" tone of voice.
+
+"Well?"
+
+"It's awfully hard to hear the bell from where I sleep, sir."
+
+Owing to the increased numbers of the house this term Chapple had been
+removed from his dormitory proper to a small room some distance away.
+
+"Nonsense. The bell can be heard perfectly well all over the house."
+
+There was reason in what he said. Herbert, who woke the house of a
+morning, did so by ringing a bell. It was a big bell, and he enjoyed
+ringing it. Few sleepers, however sound, could dream on peacefully
+through Herbert's morning solo. After five seconds of it they would
+turn over uneasily. After seven they would sit up. At the end of the
+first quarter of a minute they would be out of bed, and you would be
+wondering where they picked up such expressions.
+
+Chapple murmured wordlessly in reply. He realised that his defence was
+a thin one. Mr. Seymour followed up his advantage.
+
+"You will write a hundred lines of Vergil," he said, "and if you are
+late again to-morrow I shall double them."
+
+Chapple retired.
+
+This, he felt, was a crisis. He had been pursuing his career of
+unpunctuality so long that he had never quite realised that a time
+might come when the authorities would drop on him. For a moment he
+felt that it was impossible, that he could not meet Mr. Seymour's
+wishes in the matter; but the bull-dog pluck of the true Englishman
+caused him to reconsider this. He would at least have a dash at it.
+
+"I'll tell you what to do," said his friend, Brodie, when consulted on
+the point over a quiet pot of tea that afternoon. "You ought to sleep
+without so many things on the bed. How many blankets do you use, for
+instance?"
+
+"I don't know," said Chapple. "As many as they shove on."
+
+It had never occurred to him to reckon up the amount of his bedclothes
+before retiring to rest.
+
+"Well, you take my tip," said Brodie, "and only sleep with one on.
+Then the cold'll wake you in the morning, and you'll get up because
+it'll be more comfortable than staying in bed."
+
+This scientific plan might have worked. In fact, to a certain extent
+it did work. It woke Chapple in the morning, as Brodie had predicted;
+but it woke him at the wrong hour. It is no good springing out of bed
+when there are still three hours to breakfast. When Chapple woke at
+five the next morning, after a series of dreams, the scenes of which
+were laid mainly in the Arctic regions, he first sneezed, then he
+piled upon the bed everything he could find, including his boots, and
+then went to sleep again. The genial warmth oozed through his form, and
+continued to ooze until he woke once more, this time at eight-fifteen.
+Breakfast being at eight, it occurred to him that his position with
+Mr. Seymour was not improved. While he was devoting a few moments'
+profound meditation to this point the genial warmth got in its fell
+work once again. When he next woke, the bell was ringing for school.
+He lowered the world's record for rapid dressing, and was just in time
+to accompany the tail of the procession into the form-room.
+
+"You were late again this morning," said Mr. Seymour, after dinner.
+
+"Yes, sir. I overslebbed myselb, sir," replied Chapple, who was
+suffering from a cold in the head.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+Things had now become serious. It was no good going to Brodie again
+for counsel. Brodie had done for himself, proved himself a fraud, an
+idiot. In fine, a rotter. He must try somebody else. Happy thought.
+Spenlow. It was a cold day, when Spenlow got left behind. He would
+know what to do. _There_ was a chap for you, if you liked! Young,
+mind you, but what a brain! Colossal!
+
+"What _I_ should do," said Spenlow, "is this. I should put my
+watch on half an hour."
+
+"What 'ud be the good of that?"
+
+"Why, don't you see? You'd wake up and find it was ten to eight, say,
+by your watch, so you'd shove on the pace dressing, and nip
+downstairs, and then find that you'd really got tons of time. What
+price that?"
+
+"But I should remember I'd put my watch on," objected Chapple.
+
+"Oh, no, probably not. You'd be half asleep, and you'd shoot out of
+bed before you remembered, and that's all you'd want. It's the getting
+out of bed that's so difficult. If you were once out, you wouldn't
+want to get back again."
+
+"Oh, shouldn't I?" said Chapple.
+
+"Well, you might want to, but you'd have the sense not to do it."
+
+"It's not a bad idea," said Chapple. "Thanks."
+
+That night he took his Waterbury, prised open the face with a
+pocket-knife as if he were opening an oyster, put the minute hand
+on exactly half an hour, and retired to bed satisfied. There was
+going to be no nonsense about it this time.
+
+I am sorry to disappoint the reader, but facts are facts, and I must
+not tamper with them. It is, therefore, my duty to state, however
+reluctantly, that Chapple was not in time for breakfast on the
+following morning. He woke at seven o'clock, when the hands of
+the watch pointed to seven-thirty. Primed with virtuous resolutions,
+he was just about to leap from his couch, when his memory began to
+work, and he recollected that he had still an hour. Punctuality, he
+felt, was an excellent thing, a noble virtue, in fact, but it was no
+good overdoing it. He could give himself at least another half hour.
+So he dozed off. He woke again with something of a start. He seemed
+to feel that he had been asleep for a considerable time. But no. A
+glance at the watch showed the hands pointing to twenty-five to eight.
+Twenty-five minutes more. He had a good long doze this time. Then,
+feeling that now he really must be getting up, he looked once more
+at the watch, and rubbed his eyes. It was still twenty-five to eight.
+
+The fact was that, in the exhilaration of putting the hands on, he had
+forgotten that other and even more important operation, winding up.
+The watch had stopped.
+
+There are few more disturbing sensations than that of suddenly
+discovering that one has no means of telling the time. This is
+especially so when one has to be in a certain place by a certain hour.
+It gives the discoverer a weird, lost feeling, as if he had stopped
+dead while all the rest of the world had moved on at the usual rate.
+It is a sensation not unlike that of the man who arrives on the
+platform of a railway station just in time to see the tail-end of his
+train disappear.
+
+Until that morning the world's record for dressing (set up the day
+before) had been five minutes, twenty-three and a fifth seconds. He
+lowered this by two seconds, and went downstairs.
+
+The house was empty. In the passage that led to the dining-room he
+looked at the clock, and his heart turned a somersault. _It was five
+minutes past nine._ Not only was he late for breakfast, but late
+for school, too. Never before had he brought off the double event.
+
+There was a little unpleasantness in his form room when he stole in at
+seven minutes past the hour. Mr. Dexter, his form-master, never a
+jolly sort of man to have dealings with, was rather bitter on the
+subject.
+
+"You are incorrigibly lazy and unpunctual," said Mr. Dexter, towards
+the end of the address. "You will do me a hundred lines."
+
+"Oo-o-o, sir-r," said Chapple. But he felt at the time that it was not
+much of a repartee. After dinner there was the usual interview with
+Mr. Seymour.
+
+"You were late again this morning," he said.
+
+"Yes, sir," said Chapple.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+The thing was becoming monotonous.
+
+Chapple pulled himself together. This must stop. He had said that
+several times previously, but now he meant it. Nor poppy, nor
+mandragora, nor all the drowsy syrups of the world should make him
+oversleep himself again. This time he would try a combination of
+schemes.
+
+Before he went to bed that night he put his watch on half an hour,
+wound it up, and placed it on a chair at his bedside. Then he seized
+his rug and all the blankets except one, and tore them off. Then he
+piled them in an untidy heap in the most distant corner of the room.
+He meant to put temptation out of his reach. There should be no genial
+warmth on this occasion.
+
+Nor was there. He woke at six feeling as if he were one solid chunk of
+ice. He put up with it in a torpid sort of way till seven. Then he
+could stand it no longer. It would not be pleasant getting up and
+going downstairs to the cheerless junior day-room, but it was the only
+thing to do. He knew that if he once wrapped himself in the blankets
+which stared at him invitingly from the opposite corner of the room,
+he was lost. So he crawled out of bed, shivering, washed
+unenthusiastically, and he proceeded to put on his clothes.
+
+Downstairs it was more unpleasant than one would have believed
+possible. The day-room was in its usual state of disorder. The fire
+was not lit. There was a vague smell of apples. Life was very, very
+grey. There seemed no brightness in it at all.
+
+He sat down at the table and began once more the task of constructing
+a handy model steam-engine, but he speedily realised, what he had
+suspected before, that the instructions were the work of a dangerous
+madman. What was the good of going on living when gibbering lunatics
+were allowed to write for weekly papers?
+
+About this time his gloom was deepened by the discovery that a tin
+labelled mixed biscuits, which he had noticed in Brodie's locker, was
+empty.
+
+He thought he would go for a stroll. It would be beastly, of course,
+but not so beastly as sitting in the junior day-room.
+
+It is just here that the tragedy begins to deepen.
+
+Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore
+an earnest, thoughtful expression.
+
+"Hullo, Brooke," said Chapple, "where are you off to?"
+
+It seemed that Brooke was off to the carpenter's shop. Hence the
+earnest, thoughtful expression. His mind was wrestling with certain
+pieces of wood which he proposed to fashion into photograph frames.
+There was always a steady demand in the school for photograph frames,
+and the gifted were in the habit of turning here and there an honest
+penny by means of them.
+
+The artist soul is not always unfavourable to a gallery. Brooke said
+he didn't mind if Chapple came along, only he wasn't to go rotting
+about or anything. So Chapple went along.
+
+Arrived at the carpenter's shop, Brooke was soon absorbed in his
+labours. Chapple watched him for a time with the interest of a
+brother-worker, for had he not tried to construct handy model
+steam-engines in his day? Indeed, yes. After a while, however, the
+_role_ of spectator began to pall. He wanted to _do_ something.
+Wandering round the room he found a chisel, and upon the instant,
+in direct contravention of the treaty respecting rotting, he sat down
+and started carving his name on a smooth deal board which looked
+as if nobody wanted it. The pair worked on in silence, broken only
+by an occasional hard breath as the toil grew exciting. Chapple's
+tongue was out and performing mystic evolutions as he carved the
+letters. He felt inspired.
+
+He was beginning the A when he was brought to earth again by the voice
+of Brooke.
+
+"You _are_ an idiot," said Brooke, complainingly. "That's
+_my_ board, and now you've spoilt it."
+
+Spoilt it! Chapple liked that! Spoilt it, if you please, when he had
+done a beautiful piece of carving on it!
+
+"Well, it can't be helped now," said Brooke, philosophically. "I
+suppose it's not your fault you're such an ass. Anyhow, come on now.
+It's struck eight."
+
+"It's what?" gasped Chapple.
+
+"Struck eight. But it doesn't matter. Appleby never minds one being a
+bit late for breakfast."
+
+"Oh," said Chapple. "Oh, doesn't he!"
+
+ * * * * *
+
+Go into Seymour's at eight sharp any morning and look down the table,
+and you will see the face of G. M. Chapple--obscured every now and
+then, perhaps, by a coffee cup or a slice of bread and marmalade. He
+has not been late for three weeks. The spare room is now occupied by
+Postlethwaite, of the Upper Fourth, whose place in Milton's dormitory
+has been taken by Chapple. Milton is the head of the house, and stands
+alone among the house prefects for the strenuousness of his methods in
+dealing with his dormitory. Nothing in this world is certain, but it
+is highly improbable that Chapple will be late again. There are
+swagger-sticks.
+
+
+
+
+SHIELDS' AND THE CRICKET CUP
+
+
+The house cricket cup at Wrykyn has found itself on some strange
+mantelpieces in its time. New talent has a way of cropping up in the
+house matches. Tail-end men hit up fifties, and bowlers who have never
+taken a wicket before except at the nets go on fifth change, and
+dismiss first eleven experts with deliveries that bounce twice and
+shoot. So that nobody is greatly surprised in the ordinary run of
+things if the cup does not go to the favourites, or even to the second
+or third favourites. But one likes to draw the line. And Wrykyn drew
+it at Shields'. And yet, as we shall proceed to show, Shields' once
+won the cup, and that, too, in a year when Donaldson's had four first
+eleven men and Dexter's three.
+
+Shields' occupied a unique position at the School. It was an
+absolutely inconspicuous house. There were other houses that were
+slack or wild or both, but the worst of these did something. Shields'
+never did anything. It never seemed to want to do anything. This may
+have been due in some degree to Mr. Shields. As the housemaster is, so
+the house is. He was the most inconspicuous master on the staff. He
+taught a minute form in the junior school, where earnest infants
+wrestled with somebody's handy book of easy Latin sentences, and
+depraved infants threw cunningly compounded ink-balls at one another
+and the ceiling. After school he would range the countryside with a
+pickle-bottle in search of polly woggles and other big game, which he
+subsequently transferred to slides and examined through a microscope
+till an advanced hour of the night. The curious part of the matter
+was that his house was never riotous. Perhaps he was looked on as a
+non-combatant, one whom it would be unfair and unsporting to rag. At
+any rate, a weird calm reigned over the place; and this spirit seemed
+to permeate the public lives of the Shieldsites. They said nothing much
+and they did nothing much and they were very inoffensive. As a rule,
+one hardly knew they were there.
+
+Into this abode of lotus-eaters came Clephane, a day boy, owing to the
+departure of his parents for India. Clephane wanted to go to
+Donaldson's. In fact, he said so. His expressions, indeed, when he
+found that the whole thing had been settled, and that he was to spend
+his last term at school at a house which had never turned out so much
+as a member of the Gym. Six, bordered on the unfilial. It appeared
+that his father had met Mr. Shields at dinner in the town--a fact to
+which he seemed to attach a mystic importance. Clephane's criticism of
+this attitude of mind was of such a nature as to lead his father to
+address him as Archibald instead of Archie.
+
+However, the thing was done, and Clephane showed his good sense by
+realising this and turning his energetic mind to the discovery of the
+best way of making life at Shields' endurable. Fortune favoured him by
+sending to the house another day boy, one Mansfield. Clephane had not
+known him intimately before, though they were both members of the
+second eleven; but at Shields' they instantly formed an alliance. And
+in due season--or a little later--the house matches began. Henfrey, of
+Day's, the Wrykyn cricket captain, met Clephane at the nets when the
+drawing for opponents had been done.
+
+"Just the man I wanted to see," said Henfrey. "I suppose you're
+captain of Shields' lot, Clephane? Well, you're going to scratch as
+usual, I suppose?"
+
+For the last five seasons that lamentable house had failed to put a
+team into the field. "You'd better," said Henfrey, "we haven't
+overmuch time as it is. That match with Paget's team has thrown us out
+a lot. We ought to have started the house matches a week ago."
+
+"Scratch!" said Clephane. "Don't you wish we would! My good chap,
+we're going to get the cup."
+
+"You needn't be a funny ass," said Henfrey in his complaining voice,
+"we really are awfully pushed. As it is we shall have to settle the
+opening rounds on the first innings. That's to say, we can only give
+'em a day each; if they don't finish, the winner of the first innings
+wins. You might as well scratch."
+
+"I can't help your troubles. By rotten mismanagement you have got the
+house-matches crowded up into the last ten days of term, and you come
+and expect me to sell a fine side like Shields' to get you out of the
+consequences of your reckless act. My word, Henfrey, you've sunk
+pretty low. Nice young fellow Henfrey was at one time, but seems to
+have got among bad companions. Quite changed now. Avoid him as much as
+I can. Leave me, Henfrey, I would be alone."
+
+"But you can't raise a team."
+
+"Raise a team! Do you happen to know that half the house is
+_biting_ itself with agony because we can't find room for all?
+Shields gives stump-cricket _soirees_ in his study after prep.
+One every time you hit the ball, two into the bowl of goldfish, and
+out if you smash the microscope."
+
+"Well," said Henfrey viciously, "if you want to go through the farce
+of playing one round and making idiots of yourselves, you'll have to
+wait a bit. You've got a bye in the first round."
+
+Clephane told the news to Mansfield after tea. "I've been and let the
+house in for a rollicking time," he said, abstracting the copy of
+Latin verses which his friend was doing, and sitting on them to ensure
+undivided attention to his words. "Wanting to score off old Henfrey--I
+have few pleasures--I told him that Shields' was not going to scratch.
+So we are booked to play in the second round of the housers. We drew a
+bye for the first. It would be an awful rag if we could do something.
+We _must_ raise a team of some sort. Henfrey would score so if we
+didn't. Who's there, d'you think, that can play?"
+
+Mansfield considered the question thoughtfully. "They all _play_,
+I suppose," he said slowly, "if you can call it playing. What I mean
+to say is, cricket's compulsory here, so I suppose they've all had an
+innings or two at one time or another in the eightieth game or so. But
+if you want record-breakers, I shouldn't trust to Shields' too much."
+
+"Not a bit. So long as we put a full team into the field, that's all I
+care about. I've often wondered what it's like to go in first and bowl
+unchanged the whole time."
+
+"You'll do that all right," said Mansfield. "I should think Shields'
+bowling ran to slow grubs, to judge from the look of 'em. You'd better
+go and see Wilkins about raising the team. As head of the house, he
+probably considers himself captain of cricket."
+
+Wilkins, however, took a far more modest view of his position. The
+notion of leading a happy band of cricketers from Shields' into the
+field had, it seemed, small attractions for him. But he went so far as
+to get a house list, and help choose a really representative team. And
+as details about historic teams are always welcome, we may say that
+the averages ranged from 3.005 to 8.14. This last was Wilkins' own and
+was, as he would have been the first to admit, substantially helped by
+a contribution of nineteen in a single innings in the fifth game.
+
+So the team was selected, and Clephane turned out after school next
+day to give them a little fielding-practice. To his surprise the
+fielding was not so outrageous as might have been expected. All the
+simpler catches were held, and one or two of the harder as well. Given
+this form on the day of their appearance in public, and Henfrey might
+be disappointed when he came to watch and smile sarcastically. A
+batting fiasco is not one half so ridiculous as maniac fielding.
+
+In the meantime the first round of the house matches had been played
+off, and it would be as well to describe at this point the positions
+of the rival houses and their prospects. In the first place, there
+were only four teams really in the running for the cup, Day's (headed
+by the redoubtable Henfrey), Spence's, who had Jackson, that season a
+head and shoulders above the other batsmen in the first eleven--he had
+just wound up the school season with an average of 51.3, Donaldson's,
+and Dexter's. All the other house teams were mainly tail.
+
+Now, in the first round the powerful quartette had been diminished by
+the fact that Donaldson's had drawn Dexter's, and had lost to them by
+a couple of wickets.
+
+For the second round Shields' drew Appleby's, a poor team. Space on
+the Wrykyn field being a consideration, with three house matches to be
+played off at the same time, Clephane's men fought their first battle
+on rugged ground in an obscure corner. As the captain of cricket
+ordered these matters, Henfrey had naturally selected the best bit of
+turf for Day's _v_. Dexter's. That section of the ground which
+was sacred to the school second-eleven matches was allotted to
+Spence's _v_. the School House. The idle public divided its
+attention between the two big games, and paid no attention to the
+death struggle in progress at the far end of the field. Whereby it
+missed a deal of quiet fun.
+
+I say death struggle advisedly. Clephane had won his second-eleven cap
+as a fast bowler. He had failed to get into the first eleven because
+he was considered too erratic. Put these two facts together, and you
+will suspect that dark deeds were wrought on the men of Appleby in
+that lonely corner of the Wrykyn meadow.
+
+The pitch was not a good one. As a sample of the groundman's art it
+was sketchy and amateurish; it lacked finish. Clephane won the toss,
+took a hasty glance at the corrugated turf, and decided to bat first.
+The wicket was hardly likely to improve with use.
+
+He and Mansfield opened the batting. He stood three feet out of his
+ground, and smote. The first four balls he took full pitch. The last
+two, owing to a passion for variety on the part of the bowler, were
+long hops. At the end of the over Shields' score was twenty-four.
+Mansfield pursued the same tactics. When the first wicket fell,
+seventy was on the board. A spirit of martial enthusiasm pervaded
+the ranks of the house team. Mild youths with spectacles leaped out
+of their ground like tigers, and snicked fours through the slips.
+When the innings concluded, blood had been spilt--from an injured
+finger--but the total was a hundred and two.
+
+Then Clephane walked across to the School shop for a vanilla ice. He
+said he could get more devil, as it were, into his bowling after a
+vanilla ice. He had a couple.
+
+When he bowled his first ball it was easy to see that there was truth
+in the report of the causes of his inclusion in the second eleven and
+exclusion from the first. The batsman observed somewhat weakly, "Here,
+I _say!_" and backed towards square leg. The ball soared over the
+wicket-keep's head and went to the boundary. The bowler grinned
+pleasantly, and said he was just getting his arm in.
+
+The second ball landed full-pitch on the batsman's right thigh. The
+third was another full pitch, this time on the top of the middle
+stump, which it smashed. With profound satisfaction the batsman
+hobbled to the trees, and sat down. "Let somebody else have a shot,"
+he said kindly.
+
+Appleby's made twenty-eight that innings.
+
+Their defeat by an innings and fifty-three runs they attributed
+subsequently to the fact that only seven of the team could be induced
+to go to the wickets in the second venture.
+
+"So you've managed to win a match," grunted Henfrey, "I should like to
+have been there."
+
+"You might just as well have been," said Clephane, "from what they
+tell me."
+
+At which Henfrey became abusive, for he had achieved an "egg" that
+afternoon, and missed a catch; which things soured him, though Day's
+had polished off Dexter's handsomely.
+
+"Well," he said at length, "you're in the semi-final now, of all weird
+places. You'd better play Spence's next. When can you play?"
+
+"Henfrey," said Clephane, "I have a bright, open, boyish countenance,
+but I was not born yesterday. You want to get a dangerous rival out of
+the way without trouble, so you set Shields' to smash up Spence's. No,
+Henfrey. I do not intend to be your catspaw. We will draw lots who is
+to play which. Here comes Jackson. We'll toss odd man out."
+
+And when the coins fell there were two tails and one head; and the
+head belonged to the coin of Clephane.
+
+"So, you see," he said to Henfrey, "Shields' is in the final. No
+wonder you wanted us to scratch."
+
+I should like this story to end with a vivid description of a tight
+finish. Considering that Day's beat Spence's, and consequently met
+Shields' in the final, that would certainly be the most artistic
+ending. Henfrey batting--Clephane bowling--one to tie, two to win, one
+wicket to fall. Up goes the ball! Will the lad catch it!! He fumbles
+it. It falls. All is over. But look! With a supreme effort--and so on.
+
+The real conclusion was a little sensational in its way, but not
+nearly so exciting as that.
+
+The match between Day's and Shields' opened in a conventional enough
+manner. Day's batted first, and made two hundred and fifty. Henfrey
+carried his bat for seventy-six, and there were some thirties. For
+Shields' Clephane and Mansfield made their usual first-wicket stand,
+and the rest brought the total up to ninety-eight. At this point
+Henfrey introduced a variation on custom. The match was a three days'
+match. In fact, owing to the speed with which the other games had been
+played, it could, if necessary, last four days. The follow-on was,
+therefore, a matter for the discretion of the side which led. Henfrey
+and his team saw no reason why they should not have another pleasant
+spell of batting before dismissing their opponents for the second time
+and acquiring the cup. So in they went again, and made another two
+hundred and fifty odd, Shields' being left with four hundred and
+twelve to make to win.
+
+On the morning after Day's second innings, a fag from Day's brought
+Clephane a message from Henfrey. Henfrey was apparently in bed. He
+would be glad if Clephane would go and see him in the dinner-hour. The
+interview lasted fifteen minutes. Then Clephane burst out of the
+house, and dashed across to Shields' in search of Mansfield.
+
+"I say, _have_ you heard?" he shouted.
+
+"What's up?"
+
+"Why, every man in Day's team, bar two kids, is in bed. Ill. Do you
+mean to say you haven't heard? They thought they'd got that house cup
+safe, so all the team except the two kids, fags, you know, had a feed
+in honour of it in Henfrey's study. Some ass went and bought a bad
+rabbit pie, and now they're laid up. Not badly, but they won't be out
+for a day or two."
+
+"But what about the match?"
+
+"Oh, that'll go on. I made a point of that. They can play subs."
+
+Mansfield looked thoughtful.
+
+"But I say," he said, "it isn't very sporting, is it? Oughtn't we to
+wait or something?"
+
+"Sporting! My dear chap, a case like this mustn't be judged by
+ordinary standards. We can't spoil the giant rag of the century
+because it isn't quite sporting. Think what it means--Shields' getting
+the cup! It'll keep the school laughing for terms. What do you want to
+spoil people's pleasure for?"
+
+"Oh, all right," said Mansfield.
+
+"Besides, think of the moral effect it'll have on the house. It may
+turn it into the blood house of Wrykyn. Shields himself may get quite
+sportive. We mustn't miss the chance."
+
+The news having got about the school, Clephane and Mansfield opened
+their second innings to the somewhat embarrassed trundling of Masters
+Royce and Tibbit, of the Junior School, before a substantial and
+appreciative audience.
+
+Both played carefully at first, but soon getting the measure of the
+bowling (which was not deep) began to hit out, and runs came quickly.
+At fifty, Tibbit, understudying Henfrey as captain of the side,
+summoned to his young friend Todby from short leg, and instructed him
+to "have a go" at the top end.
+
+It was here that Clephane courteously interfered. Substitutes, he
+pointed out, were allowed, by the laws of cricket, only to field, not
+to bowl. He must, therefore, request friend Todby to return to his
+former sphere of utility, where, he added politely, he was a perfect
+demon.
+
+"But, blow it," said Master Tibbit, who (alas!) was addicted to the
+use of strong language, "Royce and I can't bowl the whole blessed
+time."
+
+"You'll have to, I'm afraid," said Clephane with the kindly air of a
+doctor soothing a refractory patient. "Of course, you can take a spell
+at grubs whenever you like."
+
+"Oh, darn!" said Master Tibbit.
+
+Shortly afterwards Clephane made his century.
+
+ * * * * *
+
+The match ended late on the following afternoon in a victory for
+Shields' by nine wickets, and the scene at the School Shop when Royce
+and Tibbit arrived to drown their sorrows and moisten their dry
+throats with ginger beer is said by eyewitnesses to have been
+something quite out of the common run.
+
+The score sheet of the match is also a little unusual. Clephane's
+three hundred and one (not out) is described in the _Wrykinian_
+as a "masterly exhibition of sound yet aggressive batting." How
+Henfrey described it we have never heard.
+
+
+
+
+AN INTERNATIONAL AFFAIR
+
+
+PART 1
+
+The whole thing may be said to have begun when Mr.
+
+Oliver Ring of New York, changing cars, as he called it, at Wrykyn on
+his way to London, had to wait an hour for his train. He put in that
+hour by strolling about the town and seeing the sights, which were not
+numerous. Wrykyn, except on Market Day, was wont to be wrapped in a
+primaeval calm which very nearly brought tears to the strenuous eyes
+of the man from Manhattan. He had always been told that England was
+a slow country, and his visit, now in its third week, had confirmed
+this opinion: but even in England he had not looked to find such a
+lotus-eating place as Wrykyn. He looked at the shop windows. They
+resembled the shop windows of every other country town in England.
+There was no dash, no initiative about them. They did not leap to the
+eye and arrest the pedestrian's progress. They ordered these things,
+thought Mr. Ring, better in the States. And then something seemed to
+whisper to him that here was the place to set up a branch of Ring's
+Come-One Come-All Up-to-date Stores. During his stroll he had gathered
+certain pieces of information. To wit, that Wrykyn was where the county
+families for ten miles round did their shopping, that the population
+of the town was larger than would appear at first sight to a casual
+observer, and, finally, that there was a school of six hundred boys
+only a mile away. Nothing could be better. Within a month he would
+take to himself the entire trade of the neighbourhood.
+
+"It's a cinch," murmured Mr. Ring with a glad smile, as he boarded his
+train, "a lead-pipe cinch."
+
+Everybody who has moved about the world at all knows Ring's Come-one
+Come-all Up-to-date Stores. The main office is in New York. Broadway,
+to be exact, on the left as you go down, just before you get to Park
+Row, where the newspapers come from. There is another office in
+Chicago. Others in St. Louis, St. Paul, and across the seas in London,
+Paris, Berlin, and, in short, everywhere. The peculiar advantage about
+Ring's Stores is that you can get anything you happen to want there,
+from a motor to a macaroon, and rather cheaper than you could get it
+anywhere else. England had up to the present been ill-supplied with
+these handy paradises, the one in Piccadilly being the only extant
+specimen. But now Mr. Ring in person had crossed the Atlantic on a
+tour of inspection, and things were shortly to be so brisk that you
+would be able to hear them whizz.
+
+So an army of workmen invaded Wrykyn. A trio of decrepit houses in the
+High Street were pulled down with a run, and from the ruins there
+began to rise like a Phoenix the striking building which was to be the
+Wrykyn Branch of Ring's Come-one Come-all Up-to-date Stores.
+
+The sensation among the tradesmen caused by the invasion was, as may
+be imagined, immense and painful. The thing was a public disaster. It
+resembled the advent of a fox in a fowl-run. For years the tradesmen
+of Wrykyn had jogged along in their comfortable way, each making his
+little profits, with no thought of competition or modern hustle. And
+now the enemy was at their doors. Many were the gloomy looks cast at
+the gaudy building as it grew like a mushroom. It was finished with
+incredible speed, and then advertisements began to flood the local
+papers. A special sheaf of bills was despatched to the school.
+
+Dunstable got hold of one, and read it with interest. Then he went in
+search of his friend Linton to find out what he thought of it.
+
+Linton was at work in the laboratory. He was an enthusiastic, but
+unskilful, chemist. The only thing he could do with any real certainty
+was to make oxygen. But he had ambitions beyond that feat, and was
+continually experimenting in a reckless way which made the chemistry
+master look wan and uneasy. He was bending over a complicated mixture
+of tubes, acids, and Bunsen burners when Dunstable found him. It was
+after school, so that the laboratory was empty, but for them.
+
+"Don't mind me," said Dunstable, taking a seat on the table.
+
+"Look out, man, don't jog. Sit tight, and I'll broaden your mind for
+you. I take this bit of litmus paper, and dip it into this bilge, and
+if I've done it right, it'll turn blue."
+
+"Then I bet it doesn't," said Dunstable.
+
+The paper turned red.
+
+"Hades," said Linton calmly. "Well, I'm not going to sweat at it any
+more. Let's go down to Cook's."
+
+Cook's is the one school institution which nobody forgets who has been
+to Wrykyn. It is a little confectioner's shop in the High Street. Its
+exterior is somewhat forbidding, and the uninitiated would probably
+shudder and pass on, wondering how on earth such a place could find a
+public daring enough to support it by eating its wares. But the school
+went there in flocks. Tea at Cook's was the alternative to a study
+tea. There was a large room at the back of the shop, and here oceans
+of hot tea and tons of toast were consumed. The staff of Cook's
+consisted of Mr. Cook, late sergeant in a line regiment, six foot
+three, disposition amiable, left leg cut off above the knee by a
+spirited Fuzzy in the last Soudan war; Mrs. Cook, wife of the above,
+disposition similar, and possessing the useful gift of being able to
+listen to five people at one and the same time; and an invisible
+menial, or menials, who made toast in some nether region at a
+perfectly dizzy rate of speed. Such was Cook's.
+
+"Talking of Cook's," said Dunstable, producing his pamphlet, "have you
+seen this? It'll be a bit of a knock-out for them, I should think."
+
+Linton took the paper, and began to read. Dunstable roamed curiously
+about the laboratory, examining things.
+
+"What are these little crystal sort of bits of stuff?" he asked,
+coming to a standstill before a large jar and opening it. "They look
+good to eat. Shall I try one?"
+
+"Don't you be an idiot," said the expert, looking up. "What have you
+got hold of? Great Scott, no, don't eat that stuff."
+
+"Why not? Is it poison?"
+
+"No. But it would make you sick as a cat. It's Sal Ammoniac."
+
+"Sal how much?"
+
+"Ammoniac. You'd be awfully bad."
+
+"All right, then, I won't. Well, what do you think of that thing?
+It'll be rough on Cook's, won't it? You see they advertise a special
+'public-school' tea, as they call it. It sounds jolly good. I don't
+know what buckwheat cakes are, but they ought to be decent. I suppose
+now everybody'll chuck Cook's and go there. It's a beastly shame,
+considering that Cook's has been a sort of school shop so long. And
+they really depend on the school. At least, one never sees anybody
+else going there. Well, I shall stick to Cook's. I don't want any of
+your beastly Yankee invaders. Support home industries. Be a patriot.
+The band then played God Save the King, and the meeting dispersed.
+But, seriously, man, I am rather sick about this. The Cooks are such
+awfully good sorts, and this is bound to make them lose a tremendous
+lot. The school's simply crawling with chaps who'd do anything to get
+a good tea cheaper than they're getting now. They'll simply scrum in
+to this new place."
+
+"Well, I don't see what we can do," said Linton, "except keep on going
+to Cook's ourselves. Let's be going now, by the way. We'll get as many
+chaps as we can to promise to stick to them. But we can't prevent the
+rest going where they like. Come on."
+
+The atmosphere at Cook's that evening was heavily charged with gloom.
+ExSergeant Cook, usually a treasury of jest and anecdote, was silent
+and thoughtful. Mrs. Cook bustled about with her customary vigour, but
+she too was disinclined for conversation. The place was ominously
+empty. A quartette of school house juniors in one corner and a
+solitary prefect from Donaldson's completed the sum of the customers.
+Nobody seemed to want to talk a great deal. There was something in the
+air which
+
+ _said as plain as whisper in the ear,
+ "The place is haunted._"
+
+and so it was. Haunted by the spectre of that hideous, new, glaring
+red-brick building down the street, which had opened its doors to the
+public on the previous afternoon.
+
+"Look there," said Dunstable, as they came out. He pointed along the
+street. The doors of the new establishment were congested. A crowd,
+made up of members of various houses, was pushing to get past another
+crowd which was trying to get out. The "public-school tea at one
+shilling" appeared to have proved attractive.
+
+"Look at 'em," said Dunstable. "Sordid beasts! All they care about is
+filling themselves. There goes that man Merrett. Rand-Brown with him.
+Here come four more. Come on. It makes me sick."
+
+"I wish it would make _them_ sick," said Linton.
+
+"Perhaps it will.... By George!"
+
+He started.
+
+"What's up?" said Linton.
+
+"Oh, nothing. I was only thinking of something."
+
+They walked on without further conversation. Dunstable's brain was
+working fast. He had an idea, and was busy developing it.
+
+ * * * * *
+
+The manager of the Wrykyn Branch of Ring's Come-one Come-all Stores
+stood at the entrance to his shop on the following afternoon spitting
+with energy and precision on to the pavement--he was a free-born
+American citizen--and eyeing the High Street as a monarch might gaze
+at his kingdom. He had just completed a highly satisfactory report to
+headquarters, and was feeling contented with the universe, and the way
+in which it was managed. Even in the short time since the opening of
+the store he had managed to wake up the sluggish Britishers as if they
+had had an electric shock.
+
+"We," he observed epigrammatically to a passing cat, which had stopped
+on its way to look at him, "are it."
+
+As he spoke he perceived a youth coming towards him down the street.
+He wore a cap of divers colours, from which the manager argued that
+he belonged to the school. Evidently a devotee of the advertised
+"public-school" shillingsworth, and one who, as urged by the small
+bills, had come early to avoid the rush. "Step right in, mister," he
+said, moving aside from the doorway. "And what can I do for _you_?"
+
+"Are you the manager of this place?" asked Dunstable--for the youth
+was that strategist, and no other.
+
+"On the bull's eye first time," replied the manager with easy
+courtesy. "Will you take a cigar or a cocoa-nut?"
+
+"Can I have a bit of a talk with you, if you aren't busy?"
+
+"Sure. Step right in."
+
+"Now, sir," said the manager, "what's _your_ little trouble?"
+
+"It's about this public school tea business," said Dunstable. "It's
+rather a shame, you see. Before you came bargeing in, everybody used
+to go to Cook's."
+
+"And now," interrupted the manager, "they come to us. Correct, sir. We
+_are_ the main stem. And why not?"
+
+"Cook's such a good sort."
+
+"I should like to know him," said the manager politely.
+
+"You see," said Dunstable, "it doesn't so much matter about the other
+things you sell; but Cook's simply relies on giving fellows tea in the
+afternoon----"
+
+"One moment, sir," said the man from the States. "Let me remind you of
+a little rule which will be useful to you when you butt into the big,
+cold world. That is, never let sentiment interfere with business. See?
+Either Ring's Stores or your friend has got to be on top, and, if I
+know anything, it's going to be We. We! And I'm afraid that's all I
+can do for you, unless you've that hungry feeling, and want to sample
+our public-school tea at twenty-five cents."
+
+"No, thanks," said Dunstable. "Here come some chaps, though, who look
+as if they might."
+
+He stepped aside as half a dozen School House juniors raced up.
+
+"For one day only," said the manager to Dunstable, "you may partake
+free, if you care to. You have man's most priceless possession, Cool
+Cheek. And Cool Cheek, when recognised, should not go unrewarded. Step
+in."
+
+"No thanks," said Dunstable. "You'll find me at Cook's if you want
+me."
+
+"Kindness," said he to himself, as Mrs. Cook served him in the
+depressed way which had now become habitual with her, "kindness having
+failed, we must try severity."
+
+
+PART 2
+
+Those who knew and liked Dunstable were both pained and disgusted at
+his behaviour during the ensuing three days. He suddenly exhibited a
+weird fondness for some of Wrykyn's least deserving inmates. He walked
+over to school with Merrett, of Seymour's, and Ruthven, of
+Donaldson's, both notorious outsiders. When Linton wanted him to come
+and play fives after school, he declined on the ground that he was
+teaing with Chadwick, of Appleby's. Now in the matter of absolute
+outsiderishness Chadwick, of Appleby's, was to Merrett, of Seymour's,
+as captain is to subaltern. Linton was horrified, and said so.
+
+"What do you want to do it for?" he asked. "What's the point of it?
+You can't like those chaps."
+
+"Awfully good sorts when you get to know them," said Dunstable.
+
+"You've been some time finding it out."
+
+"I know. Chadwick's an acquired taste. By the way, I'm giving a tea on
+Thursday. Will you come?"
+
+"Who's going to be there?" inquired Linton warily.
+
+"Well, Chadwick for one; and Merrett and Ruthven and three other
+chaps."
+
+"Then," said Linton with some warmth, "I think you'll have to do
+without me. I believe you're mad."
+
+And he went off in disgust to the fives-courts.
+
+When on the following Thursday Dunstable walked into Ring's Stores
+with his five guests, and demanded six public-school teas, the manager
+was perhaps justified in allowing a triumphant smile to wander across
+his face. It was a signal victory for him. "No free list to-day,
+sir," he said. "Entirely suspended."
+
+"Never mind," said Dunstable, "I'm good for six shillings."
+
+"Free list?" said Merrett, as the manager retired, "I didn't know
+there was one."
+
+"There isn't. Only he and I palled up so much the other day that he
+offered me a tea for nothing."
+
+"Didn't you take it?"
+
+"No. I went to Cook's."
+
+"Rotten hole, Cook's. I'm never going there again," said Chadwick.
+"You take my tip, Dun, old chap, and come here."
+
+"Dun, old chap," smiled amiably.
+
+"I don't know," he said, looking up from the tea-pot, into which he
+had been pouring water; "you can be certain of the food at Cook's."
+
+"What do you mean? So you can here."
+
+"Oh," said Dunstable, "I didn't know. I've never had tea here before.
+But I've often heard that American food upsets one sometimes."
+
+By this time, the tea having stood long enough, he poured out, and the
+meal began.
+
+Merrett and his friends were hearty feeders, and conversation
+languished for some time. Then Chadwick leaned back in his chair, and
+breathed heavily.
+
+"You couldn't get stuff like that at Cook's," he said.
+
+"I suppose it is a bit different," said Dunstable. "Have any of
+you ... noticed something queer...?"
+
+Merrett stared at Ruthven. Ruthven stared at Merrett.
+
+"I...." said Merrett.
+
+"D'you know...." said Ruthven.
+
+Chadwick's face was a delicate green.
+
+"I believe," said Dunstable, "the stuff ... was ... poisoned. I...."
+
+ * * * * *
+
+"Drink this," said the school doctor, briskly, bending over
+Dunstable's bed with a medicine-glass in his hand, "and be ashamed of
+yourself. The fact is you've over-eaten yourself. Nothing more and
+nothing less. Why can't you boys be content to feed moderately?"
+
+"I don't think I ate much, sir," protested Dunstable. "It must have
+been what I ate. I went to that new American place."
+
+"So _you_ went there, too? Why, I've just come from attending a
+bilious boy in Mr. Seymour's house. He said he had been at the
+American place, too."
+
+"Was that Merrett, sir? He was one of the party. We were all bad. We
+can't all have eaten too much."
+
+The doctor looked thoughtful.
+
+"H'm. Curious. Very curious. Do you remember what you had?"
+
+"I had some things the man called buckwheat cakes, with some stuff he
+said was maple syrup."
+
+"Bah. American trash." The doctor was a staunch Briton, conservative
+in his views both on politics and on food. "Why can't you boys eat
+good English food? I must tell the headmaster of this. I haven't time
+to look after the school if all the boys are going to poison
+themselves. You lie still and try to go to sleep, and you'll be right
+enough in no time."
+
+But Dunstable did not go to sleep. He stayed awake to interview
+Linton, who came to pay him a visit.
+
+"Well," said Linton, looking down at the sufferer with an expression
+that was a delicate blend of pity and contempt, "you've made a nice
+sort of ass of yourself, haven't you! I don't know if it's any
+consolation to you, but Merrett's just as bad as you are. And I hear
+the others are, too. So now you see what comes of going to Ring's
+instead of Cook's."
+
+"And now," said Dunstable, "if you've quite finished, you can listen
+to me for a bit...."
+
+"So now you know," he concluded.
+
+Linton's face beamed with astonishment and admiration.
+
+"Well, I'm hanged," he said. "You're a marvel. But how did you know it
+wouldn't poison you?"
+
+"I relied on you. You said it wasn't poison when I asked you in the
+lab. My faith in you is touching."
+
+"But why did you take any yourself?"
+
+"Sort of idea of diverting suspicion. But the thing isn't finished
+yet. Listen."
+
+Linton left the dormitory five minutes later with a look of a young
+disciple engaged on some holy mission.
+
+
+PART 3
+
+"You think the food is unwholesome, then?" said the headmaster after
+dinner that night.
+
+"Unwholesome!" said the school doctor. "It must be deadly. It must be
+positively lethal. Here we have six ordinary, strong, healthy boys
+struck down at one fell swoop as if there were a pestilence raging.
+Why----"
+
+"One moment," said the headmaster. "Come in."
+
+A small figure appeared in the doorway.
+
+"Please, sir," said the figure in the strained voice of one speaking a
+"piece" which he has committed to memory. "Mr. Seymour says please
+would you mind letting the doctor come to his house at once because
+Linton is ill."
+
+"What!" exclaimed the doctor. "What's the matter with him?"
+
+"Please, sir, I believe it's buckwheat cakes."
+
+"What! And here's another of them!"
+
+A second small figure had appeared in the doorway.
+
+"Sir, please, sir," said the newcomer, "Mr. Bradfield says may the
+doctor----"
+
+"And what boy is it _this_ time?"
+
+"Please, sir, it's Brown. He went to Ring's Stores----"
+
+The headmaster rose.
+
+"Perhaps you had better go at once, Oakes," he said. "This is becoming
+serious. That place is a positive menace to the community. I shall put
+it out of bounds tomorrow morning."
+
+And when Dunstable and Linton, pale but cheerful, made their way--slowly,
+as befitted convalescents--to Cook's two days afterwards, they had to sit
+on the counter. All the other seats were occupied.
+
+
+
+
+THE GUARDIAN
+
+
+In his Sunday suit (with ten shillings in specie in the right-hand
+trouser pocket) and a brand-new bowler hat, the youngest of the
+Shearnes, Thomas Beauchamp Algernon, was being launched by the
+combined strength of the family on his public-school career. It was a
+solemn moment. The landscape was dotted with relatives--here a small
+sister, awed by the occasion into refraining from insult; there an
+aunt, vaguely admonitory. "Well, Tom," said Mr. Shearne, "you'll soon
+be off now. You're sure to like Eckleton. Remember to cultivate your
+bowling. Everyone can bat nowadays. And play forward, not outside. The
+outsides get most of the fun, certainly, but then if you're a forward,
+you've got eight chances of getting into a team."
+
+"All right, father."
+
+"Oh, and work hard." This by way of an afterthought.
+
+"All right, father."
+
+"And, Tom," said Mrs. Shearne, "you are sure to be comfortable at
+school, because I asked Mrs. Davy to write to her sister, Mrs.
+Spencer, who has a son at Eckleton, and tell her to tell him to look
+after you when you get there. He is in Mr. Dencroft's house, which is
+next door to Mr. Blackburn's, so you will be quite close to one
+another. Mind you write directly you get there."
+
+"All right, mother."
+
+"And look here, Tom." His eldest brother stepped to the front and
+spoke earnestly. "Look here, don't you forget what I've been telling
+you?"
+
+"All right."
+
+"You'll be right enough if you don't go sticking on side. Don't forget
+that, however much of a blood you may have been at that rotten little
+private school of yours, you're not one at Eckleton."
+
+"All right."
+
+"You look clean, which is the great thing. There's nothing much wrong
+with you except cheek. You've got enough of that to float a ship. Keep
+it under."
+
+"All right. Keep your hair on."
+
+"There you go," said the expert, with gloomy triumph. "If you say that
+sort of thing at Eckleton, you'll get jolly well sat on, by Jove!"
+
+"Bai Jove, old chap!" murmured the younger brother, "we're devils in
+the Forty-twoth!"
+
+The other, whose chief sorrow in life was that he could not get the
+smaller members of the family to look with proper awe on the fact that
+he had just passed into Sandhurst, gazed wistfully at the speaker,
+but, realising that there was a locked door between them, tried no
+active measures.
+
+"Well, anyhow," he said, "you'll soon get it knocked out of you,
+that's one comfort. Look here, if you do get scrapping with anybody,
+don't forget all I've taught you. And I should go on boxing there if I
+were you, so as to go down to Aldershot some day. You ought to make a
+fairly decent featherweight if you practise."
+
+"All right."
+
+"Let's know when Eckleton's playing Haileybury, and I'll come and look
+you up. I want to see that match."
+
+"All right."
+
+"Good-bye."
+
+"Good-bye, Tom."
+
+"Good-bye, Tom, dear."
+
+Chorus of aunts and other supers: "Goodbye, Tom."
+
+Tom (comprehensively): "G'bye."
+
+The train left the station.
+
+ * * * * *
+
+Kennedy, the head of Dencroft's, said that when he wanted his study
+turned into a beastly furnace, he would take care to let Spencer know.
+He pointed out that just because it was his habit to warm the study
+during the winter months, there was no reason why Spencer should light
+the gas-stove on an afternoon in the summer term when the thermometer
+was in the eighties. Spencer thought he might want some muffins cooked
+for tea, did he? Kennedy earnestly advised Spencer to give up
+thinking, as Nature had not equipped him for the strain. Thinking
+necessitated mental effort, and Spencer, in Kennedy's opinion, had no
+mind, but rubbed along on a cheap substitute of mud and putty.
+
+More chatty remarks were exchanged, and then Spencer tore himself away
+from the pleasant interview, and went downstairs to the junior study,
+where he remarked to his friend Phipps that Life was getting a bit
+thick.
+
+"What's up now?" inquired Phipps.
+
+"Everything. We've just had a week of term, and I've been in extra
+once already for doing practically nothing, and I've got a hundred
+lines, and Kennedy's been slanging me for lighting the stove. How was
+I to know he didn't want it lit? Wish I was fagging for somebody
+else."
+
+"All the while you're jawing," said Phipps, "there's a letter for you
+on the mantelpiece, staring at you?"
+
+"So there is. Hullo!"
+
+"What's up? Hullo! is that a postal order? How much for?"
+
+"Five bob. I say, who's Shearne?"
+
+"New kid in Blackburn's. Why?"
+
+"Great Scott! I remember now. They told me to look after him. I
+haven't seen him yet. And listen to this: 'Mrs. Shearne has sent me
+the enclosed to give to you. Her son writes to say that he is very
+happy and getting on very well, so she is sure you must have been
+looking after him.' Why, I don't know the kid by sight. I clean forgot
+all about him."
+
+"Well, you'd better go and see him now, just to say you've done it."
+
+Spencer perpended.
+
+"Beastly nuisance having a new kid hanging on to you. He's probably a
+frightful rotter."
+
+"Well, anyway, you ought to," said Phipps, who possessed the
+_scenario_ of a conscience.
+
+"I can't."
+
+"All right, don't, then. But you ought to send back that postal
+order."
+
+"Look here, Phipps," said Spencer plaintively, "you needn't be an
+idiot, you know."
+
+And the trivial matter of Thomas B. A. Shearne was shelved.
+
+ * * * * *
+
+Thomas, as he had stated in his letter to his mother, was exceedingly
+happy at Eckleton, and getting on very nicely indeed. It is true that
+there had been one or two small unpleasantnesses at first, but those
+were over now, and he had settled down completely. The little troubles
+alluded to above had begun on his second day at Blackburn's. Thomas,
+as the reader may have gathered from his glimpse of him at the station,
+was not a diffident youth. He was quite prepared for anything Fate
+might have up its sleeve for him, and he entered the junior day-room at
+Blackburn's ready for emergencies. On the first day nothing happened.
+One or two people asked him his name, but none inquired what his father
+was--a question which, he had understood from books of school life, was
+invariably put to the new boy. He was thus prevented from replying
+"coolly, with his eyes fixed on his questioner's": "A gentleman. What's
+yours?" and this, of course, had been a disappointment. But he reconciled
+himself to it, and on the whole enjoyed his first day at Eckleton.
+
+On the second there occurred an Episode.
+
+Thomas had inherited from his mother a pleasant, rather meek cast of
+countenance. He had pink cheeks and golden hair--almost indecently
+golden in one who was not a choirboy.
+
+Now, if you are going to look like a Ministering Child or a Little
+Willie, the Sunbeam of the Home, when you go to a public school,
+you must take the consequences. As Thomas sat by the window of the
+junior day-room reading a magazine, and deeply interested in it,
+there fell upon his face such a rapt, angelic expression that the
+sight of it, silhouetted against the window, roused Master P. Burge,
+his fellow-Blackburnite, as it had been a trumpet-blast. To seize a
+Bradley Arnold's Latin Prose Exercises and hurl it across the room
+was with Master Burge the work of a moment. It struck Thomas on the
+ear. He jumped, and turned some shades pinker. Then he put down his
+magazine, picked up the Bradley Arnold, and sat on it. After which he
+resumed his magazine.
+
+The acute interest of the junior day-room, always fond of a break in
+the monotony of things, induced Burge to go further into the matter.
+
+"You with the face!" said Burge rudely.
+
+Thomas looked up.
+
+"What the dickens are you going with my book? Pass it back!"
+
+"Oh, is this yours?" said Thomas. "Here you are."
+
+He walked towards him, carrying the book. At two yards range he fired
+it in. It hit Burge with some force in the waistcoat, and there was a
+pause while he collected his wind.
+
+Then the thing may be said to have begun.
+
+Yes, said Burge, interrogated on the point five minutes later, he
+_had_ had enough.
+
+"Good," said Thomas pleasantly. "Want a handkerchief?"
+
+That evening he wrote to his mother and, thanking her for kind
+inquiries, stated that he was not being bullied. He added, also in
+answer to inquiries, that he had not been tossed in a blanket, and
+that--so far--no Hulking Senior (with scowl) had let him down from the
+dormitory window after midnight by a sheet, in order that he might
+procure gin from the local public-house. As far as he could gather,
+the seniors were mostly teetotallers. Yes, he had seen Spencer several
+times. He did not add that he had seen him from a distance.
+
+ * * * * *
+
+"I'm so glad I asked Mrs. Davy to get her nephew to look after Tom,"
+said Mrs. Shearne, concluding the reading of the epistle at breakfast.
+"It makes such a difference to a new boy having somebody to protect
+him at first."
+
+"Only drawback is," said his eldest brother gloomily--"won't get cheek
+knocked out of him. Tom's kid wh'ought get'sheadsmacked reg'ly. Be no
+holding him."
+
+And he helped himself to marmalade, of which delicacy his mouth was
+full, with a sort of magnificent despondency.
+
+By the end of the first fortnight of his school career, Thomas
+Beauchamp Algernon had overcome all the little ruggednesses which
+relieve the path of the new boy from monotony. He had been taken in by
+a primaeval "sell" which the junior day-room invariably sprang on the
+new-comer. But as he had sat on the head of the engineer of the same
+for the space of ten minutes, despite the latter's complaints of pain
+and forecasts of what he would do when he got up, the laugh had not
+been completely against him. He had received the honourable
+distinction of extra lesson for ragging in French. He had been
+"touched up" by the prefect of his dormitory for creating a
+disturbance in the small hours. In fact, he had gone through all the
+usual preliminaries, and become a full-blown Eckletonian.
+
+His letters home were so cheerful at this point that a second postal
+order relieved the dwindling fortune of Spencer. And it was this,
+coupled with the remonstrances of Phipps, that induced the Dencroftian
+to break through his icy reserve.
+
+"Look here, Spencer," said Phipps, his conscience thoroughly stirred
+by this second windfall, "it's all rot. You must either send back that
+postal order, or go and see the chap. Besides, he's quite a decent
+kid. We're in the same game at cricket. He's rather a good bowler. I'm
+getting to know him quite well. I've got a jolly sight more right to
+those postal orders than you have."
+
+"But he's an awful ass to look at," pleaded Spencer.
+
+"What's wrong with him? Doesn't look nearly such a goat as you," said
+Phipps, with the refreshing directness of youth.
+
+"He's got yellow hair," argued Spencer.
+
+"Why shouldn't he have?"
+
+"He looks like a sort of young Sunday-school kid."
+
+"Well, he jolly well isn't, then, because I happen to know that he's
+had scraps with some of the fellows in his house, and simply mopped
+them."
+
+"Well, all right, then," said Spencer reluctantly.
+
+The historic meeting took place outside the school shop at the quarter
+to eleven interval next morning. Thomas was leaning against the wall,
+eating a bun. Spencer approached him with half a jam sandwich in his
+hand. There was an awkward pause.
+
+"Hullo!" said Spencer at last.
+
+"Hullo!" said Thomas.
+
+Spencer finished his sandwich and brushed the crumbs off his trousers.
+Thomas continued operations on the bun with the concentrated
+expression of a lunching python.
+
+"I believe your people know my people," said Spencer.
+
+"We have some awfully swell friends," said Thomas. Spencer chewed this
+thoughtfully awhile.
+
+"Beastly cheek," he said at last.
+
+"Sorry," said Thomas, not looking it.
+
+Spencer produced a bag of gelatines.
+
+"Have one?" he asked.
+
+"What's wrong with 'em?"
+
+"All right, don't."
+
+He selected a gelatine and consumed it.
+
+"Ever had your head smacked?" he inquired courteously.
+
+A slightly strained look came into Thomas's blue eyes.
+
+"Not often," he replied politely. "Why?"
+
+"Oh, I don't know," said Spencer. "I was only wondering."
+
+"Oh?"
+
+"Look here," said Spencer, "my mater told me to look after you."
+
+"Well, you can look after me now if you want to, because I'm going."
+
+And Thomas dissolved the meeting by walking off in the direction of
+the junior block.
+
+"That kid," said Spencer to his immortal soul, "wants his head
+smacked, badly."
+
+At lunch Phipps had questions to ask.
+
+"Saw you talking to Shearne in the interval," he said. "What were you
+talking about?"
+
+"Oh, nothing in particular."
+
+"What did you think of him?"
+
+"Little idiot."
+
+"Ask him to tea this afternoon?"
+
+"No."
+
+"You must. Dash it all, you must do something for him. You've had ten
+bob out of his people."
+
+Spencer made no reply.
+
+Going to the school shop that afternoon, he found Thomas seated there
+with Phipps, behind a pot of tea. As a rule, he and Phipps tea'd
+together, and he resented this desertion.
+
+"Come on," said Phipps. "We were waiting for you."
+
+"Pining away," added Thomas unnecessarily.
+
+Spencer frowned austerely.
+
+"Come and look after me," urged Thomas.
+
+Spencer sat down in silence. For a minute no sound could be heard but
+the champing of Thomas's jaws as he dealt with a slab of gingerbread.
+
+"Buck up," said Phipps uneasily.
+
+"Give me," said Thomas, "just one loving look."
+
+Spencer ignored the request. The silence became tense once more.
+
+"Coming to the house net, Phipps?" asked Spencer.
+
+"We were going to the baths. Why don't you come?"
+
+"All right," said Spencer.
+
+Doctors tell us that we should allow one hour to elapse between taking
+food and bathing, but the rule was not rigidly adhered to at Eckleton.
+The three proceeded straight from the tea-table to the baths.
+
+The place was rather empty when they arrived. It was a little earlier
+than the majority of Eckletonians bathed. The bath filled up as lock-up
+drew near. With the exception of a couple of infants splashing about in
+the shallow end, and a stout youth who dived in from the spring-board,
+scrambled out, and dived in again, each time flatter than the last, they
+had the place to themselves.
+
+"What's it like, Gorrick," inquired Phipps of the stout youth, who had
+just appeared above the surface again, blowing like a whale. The
+question was rendered necessary by the fact that many years before the
+boiler at the Eckleton baths had burst, and had never been repaired,
+with the consequence that the temperature of the water was apt to
+vary. That is to say, most days it was colder than others.
+
+"Simply boiling," said the man of weight, climbing out. "I say, did I
+go in all right then?"
+
+"Not bad," said Phipps.
+
+"Bit flat," added Thomas critically.
+
+Gorrick blinked severely at the speaker. A head-waiter at a
+fashionable restaurant is cordial in his manner compared with a boy
+who has been at a public school a year, when addressed familiarly by a
+new boy. After reflecting on the outrage for a moment, he dived in
+again.
+
+"Worse than ever," said Truthful Thomas.
+
+"Look here!" said Gorrick.
+
+"Oh, come _on_!" exclaimed Phipps, and led Thomas away.
+
+"That kid," said Gorrick to Spencer, "wants his head smacked, badly."
+
+"That's just what I say," agreed Spencer, with the eagerness of a
+great mind which has found another that thinks alike with itself.
+
+Spencer was the first of the trio ready to enter the water. His
+movements were wary and deliberate. There was nothing of the
+professional diver about Spencer. First he stood on the edge and
+rubbed his arms, regarding the green water beneath with suspicion and
+dislike. Then, crouching down, he inserted three toes of his left
+foot, drew them back sharply, and said "Oo!" Then he stood up again.
+His next move was to slap his chest and dance a few steps, after which
+he put his right foot into the water, again remarked "Oo!" and resumed
+Position I.
+
+"Thought you said it was warm," he shouted to Gorrick.
+
+"So it is; hot as anything. Come on in."
+
+And Spencer came on in. Not because he wanted to--for, by rights,
+there were some twelve more movements to be gone through before he
+should finally creep in at the shallow end--but because a cold hand,
+placed suddenly on the small of his back, urged him forward. Down he
+went, with the water fizzing and bubbling all over and all round him.
+He swallowed a good deal of it, but there was still plenty left; and
+what there was was colder than one would have believed possible.
+
+He came to the surface after what seemed to him a quarter of an hour,
+and struck out for the side. When he got out, Phipps and Thomas had
+just got in. Gorrick was standing at the end of the cocoanut matting
+which formed a pathway to the spring-board. Gorrick was blue, but
+determined.
+
+"I say! Did I go in all right then?" inquired Gorrick.
+
+"How the dickens do I know?" said Spencer, stung to fresh wrath by the
+inanity of the question.
+
+"Spencer did," said Thomas, appearing in the water below them and
+holding on to the rail.
+
+"Look here!" cried Spencer; "did you shove me in then?"
+
+"Me! Shove!" Thomas's voice expressed horror and pain. "Why, you dived
+in. Jolly good one, too. Reminded me of the diving elephants at the
+Hippodrome."
+
+And he swam off.
+
+"That kid," said Gorrick, gazing after him, "wants his head smacked."
+
+"Badly," agreed Spencer. "Look here! did he shove me in? Did you see
+him?"
+
+"I was doing my dive. But it must have been him. Phipps never rags in
+the bath."
+
+Spencer grunted--an expressive grunt--and, creeping down the steps,
+entered the water again.
+
+It was Spencer's ambition to swim ten lengths of the bath. He was not
+a young Channel swimmer, and ten lengths represented a very respectable
+distance to him. He proceeded now to attempt to lower his record. It
+was not often that he got the bath so much to himself. Usually, there
+was barely standing-room in the water, and long-distance swimming was
+impossible. But now, with a clear field, he should, he thought, be able
+to complete the desired distance.
+
+He was beginning the fifth length before interruption came. Just as he
+reached halfway, a reproachful voice at his side said: "Oh, Percy,
+you'll tire yourself!" and a hand on the top of his head propelled him
+firmly towards the bottom.
+
+Every schoolboy, as Honble. Macaulay would have put it, knows the
+sensation of being ducked. It is always unpleasant--sometimes more,
+sometimes less. The present case belonged to the former class. There
+was just room inside Spencer for another half-pint of water. He
+swallowed it. When he came to the surface, he swam to the side without
+a word and climbed out. It was the last straw. Honour could now be
+satisfied only with gore.
+
+He hung about outside the baths till Phipps and Thomas appeared, then,
+with a steadfast expression on his face, he walked up to the latter
+and kicked him.
+
+Thomas seemed surprised, but not alarmed. His eyes grew a little
+rounder, and the pink on his cheeks deepened. He looked like a
+choir-boy in a bad temper.
+
+"Hullo! What's up, you ass, Spencer?" inquired Phipps.
+
+Spencer said nothing.
+
+"Where shall we go?" asked Thomas.
+
+"Oh, chuck it!" said Phipps the peacemaker.
+
+Spencer and Thomas were eyeing each other warily.
+
+"You chaps aren't going to fight?" said Phipps.
+
+The notion seemed to distress him.
+
+"Unless he cares to take a kicking," said Spencer suavely.
+
+"Not to-day, I think, thanks," replied Thomas without heat.
+
+"Then, look here!" said Phipps briskly, "I know a ripping little place
+just off the Lelby Road. It isn't five minutes' walk, and there's no
+chance of being booked there. Rot if someone was to come and stop it
+half-way through. It's in a field; thick hedges. No one can see. And I
+tell you what--I'll keep time. I've got a watch. Two minute rounds,
+and half-a-minute in between, and I'm the referee; so, if anybody
+fouls the other chap, I'll stop the fight. See? Come on!"
+
+Of the details of that conflict we have no very clear record. Phipps
+is enthusiastic, but vague. He speaks in eulogistic terms of a
+"corker" which Spencer brought off in the second round, and, again, of
+a "tremendous biff" which Thomas appears to have consummated in the
+fourth. But of the more subtle points of the fighting he is content
+merely to state comprehensively that they were "top-hole." As to the
+result, it would seem that, in the capacity of referee, he declared
+the affair a draw at the end of the seventh round; and, later, in his
+capacity of second to both parties, helped his principals home by back
+and secret ways, one on each arm.
+
+The next items to which the chronicler would call the attention of the
+reader are two letters.
+
+The first was from Mrs. Shearne to Spencer, and ran as follows--
+
+ My Dear Spencer,--I am writing to you direct, instead of through
+ your aunt, because I want to thank you so much for looking after
+ my boy so well. I know what a hard time a new boy has at a public
+ school if he has got nobody to take care of him at first. I heard
+ from Tom this morning. He seems so happy, and so fond of you. He
+ says you are "an awfully decent chap" and "the only chap who has
+ stood up to him at all." I suppose he means "for him." I hope you
+ will come and spend part of your holidays with us. ("Catch _me!_"
+ said Spencer.)
+
+ _Yours sincerely,_
+ _Isabel Shearne_
+
+ P.S.--I hope you will manage to buy something nice with
+ the enclosed.
+
+The enclosed was yet another postal order for five shillings. As
+somebody wisely observed, a woman's P.S. is always the most important
+part of her letter.
+
+"That kid," murmured Spencer between swollen lips, "has got cheek
+enough for eighteen! 'Awfully decent chap!'"
+
+He proceeded to compose a letter in reply, and for dignity combined
+with lucidity it may stand as a model to young writers.
+
+ _5 College Grounds,_
+ _Eckleton._
+
+ Mr. C. F. Spencer begs to present his compliments to Mrs. Shearne,
+ and returns the postal order, because he doesn't see why he should
+ have it. He notes your remarks _re_ my being a decent chap in
+ your favour of the 13th _prox_., but cannot see where it quite
+ comes in, as the only thing I've done to Mrs. Shearne's son is to
+ fight seven rounds with him in a field, W. G. Phipps refereeing. It
+ was a draw. I got a black eye and rather a whack in the mouth, but
+ gave him beans also, particularly in the wind, which I learned to do
+ from reading "Rodney Stone"--the bit where Bob Whittaker beats the
+ Eyetalian Gondoleery Cove. Hoping that this will be taken in the
+ spirit which is meant,
+
+ _I remain_
+ _Yours sincerely,_
+ _C. F. Spencer_
+ _One enclosure._
+
+He sent this off after prep., and retired to bed full of spiritual
+pride.
+
+On the following morning, going to the shop during the interval, he
+came upon Thomas negotiating a hot bun.
+
+"Hullo!" said Thomas.
+
+As was generally the case after he had had a fair and spirited turn-out
+with a fellow human being, Thomas had begun to feel that he loved his
+late adversary as a brother. A wholesome respect, which had hitherto
+been wanting, formed part of his opinion of him.
+
+"Hullo!" said Spencer, pausing.
+
+"I say," said Thomas.
+
+"What's up?"
+
+"I say, I don't believe we shook hands, did we?"
+
+"I don't remember doing it."
+
+They shook hands. Spencer began to feel that there were points about
+Thomas, after all.
+
+"I say," said Thomas.
+
+"Hullo?"
+
+"I'm sorry about in the bath, you know. I didn't know you minded being
+ducked."
+
+"Oh, all right!" said Spencer awkwardly.
+
+Eight bars rest.
+
+"I say," said Thomas.
+
+"Hullo!"
+
+"Doing anything this afternoon?"
+
+"Nothing special, Why?"
+
+"Come and have tea?"
+
+"All right. Thanks."
+
+"I'll wait for you outside the house."
+
+"All right."
+
+It was just here that Spencer regretted that he had sent back that
+five-shilling postal order. Five good shillings.
+
+Simply chucked away.
+
+Oh, Life, Life!
+
+But they were not, after all. On his plate at breakfast next day Spencer
+found a letter. This was the letter--
+
+ Messrs. J. K. Shearne (father of T. B. A. Shearne) and P. W. Shearne
+ (brother of same) beg to acknowledge receipt of Mr. C. F. Spencer's
+ esteemed communication of yesterday's date, and in reply desire to
+ inform Mr. Spencer of their hearty approval of his attentions to
+ Mr. T. B. A. Shearne's wind. It is their opinion that the above,
+ a nice boy but inclined to cheek, badly needs treatment on these
+ lines occasionally. They therefore beg to return the postal order,
+ together with another for a like sum, and trust that this will meet
+ with Mr. Spencer's approval.
+
+ (Signed) _J. K. Shearne,_
+ _P. W. Shearne._
+ Two enclosures.
+
+"Of course, what's up really," said Spencer to himself, after reading
+this, "is that the whole family's jolly well cracked."
+
+His eye fell on the postal orders.
+
+"Still----!" he said.
+
+That evening he entertained Phipps and Thomas B. A. Shearne lavishly
+at tea.
+
+
+
+
+A CORNER IN LINES
+
+
+Of all the useless and irritating things in this world, lines are
+probably the most useless and the most irritating. In fact, I only
+know of two people who ever got any good out of them. Dunstable, of
+Day's, was one, Linton, of Seymour's, the other. For a portion of one
+winter term they flourished on lines. The more there were set, the
+better they liked it. They would have been disappointed if masters had
+given up the habit of doling them out.
+
+Dunstable was a youth of ideas. He saw far more possibilities in the
+routine of life at Locksley than did the majority of his
+contemporaries, and every now and then he made use of these
+possibilities in a way that caused a considerable sensation in the
+school.
+
+In the ordinary way of school work, however, he was not particularly
+brilliant, and suffered in consequence. His chief foe was his
+form-master, Mr. Langridge. The feud between them had begun on
+Dunstable's arrival in the form two terms before, and had continued
+ever since. The balance of points lay with the master. The staff has
+ways of scoring which the school has not. This story really begins
+with the last day but one of the summer term. It happened that
+Dunstable's people were going to make their annual migration to
+Scotland on that day, and the Headmaster, approached on the subject
+both by letter and in person, saw no reason why--the examinations
+being over--Dunstable should not leave Locksley a day before the
+end of term.
+
+He called Dunstable to his study one night after preparation.
+
+"Your father has written to me, Dunstable," he said, "to ask that you
+may be allowed to go home on Wednesday instead of Thursday. I think
+that, under the special circumstances, there will be no objection to
+this. You had better see that the matron packs your boxes."
+
+"Yes, sir," said Dunstable. "Good business," he added to himself, as
+he left the room.
+
+When he got back to his own den, he began to ponder over the matter,
+to see if something could not be made out of it. That was Dunstable's
+way. He never let anything drop until he had made certain that he had
+exhausted all its possibilities.
+
+Just before he went to bed he had evolved a neat little scheme for
+scoring off Mr. Langridge. The knowledge of his plans was confined to
+himself and the Headmaster. His dorm-master would imagine that he was
+going to stay on till the last day of term. Therefore, if he
+misbehaved himself in form, Mr. Langridge would set him lines in
+blissful ignorance of the fact that he would not be there next day to
+show them up. At the beginning of the following term, moreover, he
+would not be in Mr. Langridge's form, for he was certain of his move
+up.
+
+He acted accordingly.
+
+He spent the earlier part of Wednesday morning in breaches of the
+peace. Mr. Langridge, instead of pulling him up, put him on to
+translate; Dunstable went on to translate. As he had not prepared the
+lesson and was not an adept at construing unseen, his performance was
+poor.
+
+After a minute and a half, the form-master wearied.
+
+"Have you looked at this, Dunstable?" he asked.
+
+There was a time-honoured answer to this question.
+
+"Yes, sir," he said.
+
+Public-school ethics do not demand that you should reply truthfully to
+the spirit of a question. The letter of it is all that requires
+attention. Dunstable had _looked_ at the lesson. He was looking
+at it then. Masters should practise exactness of speech. A certain
+form at Harrow were in the habit of walking across a copy of a Latin
+author before morning-school. They could then say with truth that they
+"had been over it." This is not an isolated case.
+
+"Go on," said Mr. Langridge.
+
+Dunstable smiled as he did so.
+
+Mr. Langridge was annoyed.
+
+"What are you laughing at? What do you mean by it? Stand up. You will
+write out the lesson in Latin and English, and show it up to me by
+four this afternoon. I know what you are thinking. You imagine that
+because this is the end of the term you can do as you please, but you
+will find yourself mistaken. Mind--by four o'clock."
+
+At four o'clock Dunstable was enjoying an excellent tea in Green
+Street, Park Lane, and telling his mother that he had had a most
+enjoyable term, marred by no unpleasantness whatever. His holidays
+were sweetened by the thought of Mr. Langridge's baffled wrath on
+discovering the true inwardness of the recent episode.
+
+ * * * * *
+
+When he returned to Locksley at the beginning of the winter term, he
+was at once made aware that that episode was not to be considered
+closed. On the first evening, Mr. Day, his housemaster, sent for him.
+
+"Well, Dunstable," he said, "where is that imposition?"
+
+Dunstable affected ignorance.
+
+"Please, sir, you set me no imposition."
+
+"No, Dunstable, no." Mr. Day peered at him gravely through his
+spectacles. "_I_ set you no imposition; but Mr. Langridge did."
+
+Dunstable imitated that eminent tactician, Br'er Rabbit. He "lay low
+and said nuffin."
+
+"Surely," continued Mr. Day, in tones of mild reproach, "you did not
+think that you could take Mr. Langridge in?"
+
+Dunstable rather thought he _had_ taken Mr. Langridge in; but he
+made no reply.
+
+"Well," said Mr. Day. "I must set you some punishment. I shall give
+the butler instructions to hand you a note from me at three o'clock
+to-morrow." (The next day was a half-holiday.) "In that note you will
+find indicated what I wish you to write out."
+
+Why this comic-opera secret-society business, Dunstable wondered. Then
+it dawned upon him. Mr. Day wished to break up his half-holiday
+thoroughly.
+
+That afternoon Dunstable retired in disgust to his study to brood over
+his wrongs; to him entered Charles, his friend, one C. J. Linton, to
+wit, of Seymour's, a very hearty sportsman.
+
+"Good," said Linton. "Didn't think I should find you in. Thought you
+might have gone off somewhere as it's such a ripping day. Tell you
+what we'll do. Scull a mile or two up the river and have tea
+somewhere."
+
+"I should like to awfully," said Dunstable, "but I'm afraid I can't."
+
+And he explained Mr. Day's ingenious scheme for preventing him from
+straying that afternoon.
+
+"Rot, isn't it," he said.
+
+"Beastly. Wouldn't have thought old Day had it in him. But I'll tell
+you what," he said. "Do the impot now, and then you'll be able to
+start at three sharp, and we shall get in a good time on the river.
+Day always sets the same thing. I've known scores of chaps get impots
+from him, and they all had to do the Greek numerals. He's mad on the
+Greek numerals. Never does anything else. You'll be as safe as
+anything if you do them. Buck up, I'll help."
+
+They accordingly sat down there and then. By three o'clock an imposing
+array of sheets of foolscap covered with badly-written Greek lay on
+the study table.
+
+"That ought to be enough," said Linton, laying down his pen. "He can't
+set you more than we've done, I should think."
+
+"Rummy how alike our writing looks," said Dunstable, collecting the
+sheets and examining them. "You can hardly tell which is which even
+when you know. Well, there goes three. My watch is slow, as it always
+is. I'll go and get that note."
+
+Two minutes later he returned, full of abusive references to Mr. Day.
+The crafty pedagogue appeared to have foreseen Dunstable's attempt to
+circumvent him by doing the Greek numerals on the chance of his
+setting them. The imposition he had set in his note was ten pages of
+irregular verbs, and they were to be shown up in his study before five
+o'clock. Linton's programme for the afternoon was out of the question
+now. But he loyally gave up any other plans which he might have formed
+in order to help Dunstable with his irregular verbs. Dunstable was too
+disgusted with fate to be properly grateful.
+
+"And the worst of it is," he said, as they adjourned for tea at
+half-past four, having deposited the verbs on Mr. Day's table, "that
+all those numerals will be wasted now."
+
+"I should keep them, though," said Linton. "They may come in useful.
+You never know."
+
+ * * * * *
+
+Towards the end of the second week of term Fate, by way of
+compensation, allowed Dunstable a distinct stroke of luck. Mr. Forman,
+the master of his new form, set him a hundred lines of Virgil, and
+told him to show them up next day. To Dunstable's delight, the next
+day passed without mention of them; and when the day after that went
+by, and still nothing was said, he came to the conclusion that Mr.
+Forman had forgotten all about them.
+
+Which was indeed the case. Mr. Forman was engaged in editing a new
+edition of the "Bacchae," and was apt to be absent-minded in
+consequence. So Dunstable, with a glad smile, hove the lines into a
+cupboard in his study to keep company with the Greek numerals which he
+had done for Mr. Day, and went out to play fives with Linton.
+
+Linton, curiously enough, had also had a stroke of luck in a rather
+similar way. He told Dunstable about it as they strolled back to the
+houses after their game.
+
+"Bit of luck this afternoon," he said. "You remember Appleby setting
+me a hundred-and-fifty the day before yesterday? Well, I showed
+them up to-day, and he looked through them and chucked them into the
+waste-paper basket under his desk. I thought at the time I hadn't seen
+him muck them up at all with his pencil, which is his usual game, so
+after he had gone at the end of school I nipped to the basket and
+fished them out. They were as good as new, so I saved them up in case
+I get any more."
+
+Dunstable hastened to tell of his own good fortune. Linton was
+impressed by the coincidence.
+
+"I tell you what," he said, "we score either way. Because if we never
+get any more lines----"
+
+Dunstable laughed.
+
+"Yes, I know," Linton went on, "we're bound to. But even supposing we
+don't, what we've got in stock needn't be wasted."
+
+"I don't see that," said Dunstable. "Going to have 'em bound in cloth
+and published? Or were you thinking of framing them?"
+
+"Why, don't you see? Sell them, of course. There are dozens of chaps
+in the school who would be glad of a few hundred lines cheap."
+
+"It wouldn't work. They'd be spotted."
+
+"Rot. It's been done before, and nobody said anything. A chap in
+Seymour's who left last Easter sold all his stock lines by auction on
+the last day of term. They were Virgil mostly and Greek numerals. They
+sold like hot cakes. There were about five hundred of them altogether.
+And I happen to know that every word of them has been given up and
+passed all right."
+
+"Well, I shall keep mine," said Dunstable. "I am sure to want all the
+lines in stock that I can get. I used to think Langridge was fairly
+bad in the way of impots, but Forman takes the biscuit easily. It
+seems to be a sort of hobby of his. You can't stop him."
+
+But it was not until the middle of preparation that the great idea
+flashed upon Dunstable's mind.
+
+It was the simplicity of the thing that took his breath away. That and
+its possibilities. This was the idea. Why not start a Lines Trust in
+the school? An agency for supplying lines at moderate rates to all who
+desired them? There did not seem to be a single flaw in the scheme. He
+and Linton between them could turn out enough material in a week to
+give the Trust a good working capital. And as for the risk of
+detection when customers came to show up the goods supplied to them,
+that was very slight. As has been pointed out before, there was
+practically one handwriting common to the whole school when it came to
+writing lines. It resembled the movements of a fly that had fallen
+into an ink-pot, and subsequently taken a little brisk exercise on a
+sheet of foolscap by way of restoring the circulation. Then, again,
+the attitude of the master to whom the lines were shown was not likely
+to be critical. So that everything seemed in favour of Dunstable's
+scheme.
+
+Linton, to whom he confided it, was inclined to scoff at first, but
+when he had had the beauties of the idea explained to him at length,
+became an enthusiastic supporter of the scheme.
+
+"But," he objected, "it'll take up all our time. Is it worth it? We
+can't spend every afternoon sweating away at impots for other people."
+
+"It's all right," said Dunstable, "I've thought of that. We shall need
+to pitch in pretty hard for about a week or ten days. That will give
+us a good big stock, and after that if we turn out a hundred each
+every day it will be all right. A hundred's not much fag if you spread
+them over a day."
+
+Linton admitted that this was sound, and the Locksley Lines Supplying
+Trust, Ltd., set to work in earnest.
+
+It must not be supposed that the Agency left a great deal to chance.
+The writing of lines in advance may seem a very speculative business;
+but both Dunstable and Linton had had a wide experience of Locksley
+masters, and the methods of the same when roused, and they were thus
+enabled to reduce the element of chance to a minimum. They knew, for
+example, that Mr. Day's favourite imposition was the Greek numerals,
+and that in nine cases out of ten that would be what the youth who had
+dealings with him would need to ask for from the Lines Trust. Mr.
+Appleby, on the other hand, invariably set Virgil. The oldest
+inhabitant had never known him to depart from this custom. For the
+French masters extracts from the works of Victor Hugo would probably
+pass muster.
+
+A week from the date of the above conversation, everyone in the
+school, with the exception of the prefects and the sixth form, found
+in his desk on arriving at his form-room a printed slip of paper.
+(Spiking, the stationer in the High Street, had printed it.) It was
+nothing less than the prospectus of the new Trust. It set forth in
+glowing terms the advantages offered by the agency. Dunstable had
+written it--he had a certain amount of skill with his pen--and Linton
+had suggested subtle and captivating additions. The whole presented
+rather a striking appearance.
+
+The document was headed with the name of the Trust in large letters.
+Under this came a number of "scare headlines" such as:
+
+ SEE WHAT YOU SAVE!
+
+ NO MORE WORRY!
+
+ PEACE, PERFECT PEACE!
+
+ WHY DO LINES WHEN WE DO THEM
+ FOR YOU?
+
+Then came the real prospectus:
+
+ The Locksley Lines Supplying Trust, Ltd. has been instituted to
+ meet the growing demand for lines and other impositions. While
+ there are masters at our public schools there will always be lines.
+ At Locksley the crop of masters has always flourished--and still
+ flourishes--very rankly, and the demand for lines has greatly taxed
+ the powers of those to whom has been assigned the task of supplying
+ them.
+
+ It is for the purpose of affording relief to these that the Lines
+ Trust has been formed. It is proposed that all orders for lines
+ shall be supplied out of our vast stock. Our charges are moderate,
+ and vary between threepence and sixpence per hundred lines. The
+ higher charge is made for Greek impositions, which, for obvious
+ reasons, entail a greater degree of labour on our large and
+ efficient staff of writers.
+
+ All orders, which will be promptly executed, should be forwarded to
+ Mr. P. A. Dunstable, 6 College Grounds, Locksley, or to Mr. C. J.
+ Linton, 10 College Grounds, Locksley. _Payment must be inclosed
+ with order, or the latter will not be executed._ Under no
+ conditions will notes of hand or cheques be accepted as legal
+ tender. There is no trust about us except the name.
+
+ Come in your thousands. We have lines for all. If the Trust's
+ stock of lines were to be placed end to end it would reach part
+ of the way to London. "You pay the threepence. We do the rest."
+
+Then a blank space, after which came a few "unsolicited testimonials":
+
+ "Lower Fifth" writes: "I was set two hundred lines of Virgil on
+ Saturday last at one o'clock. Having laid in a supply from your
+ agency I was enabled to show them up at five minutes past one.
+ The master who gave me the commission was unable to restrain his
+ admiration at the rapidity and neatness of my work. You may make
+ what use of this you please."
+
+ "Dexter's House" writes: "Please send me one hundred (100) lines
+ from _Aeneid, Book Two_. Mr. Dexter was so delighted with the last
+ I showed him that he has asked me to do some more."
+
+ "Enthusiast" writes: "Thank you for your Greek numerals. Day took
+ them without blinking. So beautifully were they executed that I can
+ hardly believe even now that I did not write them myself."
+
+ * * * * *
+
+There could be no doubt about the popularity of the Trust. It caught
+on instantly.
+
+Nothing else was discussed in the form-rooms at the quarter to eleven
+interval, and in the houses after lunch it was the sole topic of
+conversation. Dunstable and Linton were bombarded with questions and
+witticisms of the near personal sort. To the latter they replied with
+directness, to the former evasively.
+
+"What's it all _about?_" someone would ask, fluttering the
+leaflet before Dunstable's unmoved face.
+
+"You should read it carefully," Dunstable would reply. "It's all
+there."
+
+"But what are you playing at?"
+
+"We tried to make it clear to the meanest intelligence. Sorry you
+can't understand it."
+
+While at the same time Linton, in his form-room, would be explaining
+to excited inquirers that he was sorry, but it was impossible to reply
+to their query as to who was running the Trust. He was not at liberty
+to reveal business secrets. Suffice it that there the lines were,
+waiting to be bought, and he was there to sell them. So that if
+anybody cared to lay in a stock, large or small, according to taste,
+would he kindly walk up and deposit the necessary coin?
+
+But here the public showed an unaccountable disinclination to deal. It
+was gratifying to have acquaintances coming up and saying admiringly:
+"You are an ass, you know," as if they were paying the highest of
+compliments--as, indeed, they probably imagined that they were. All
+this was magnificent, but it was not business. Dunstable and Linton
+felt that the whole attitude of the public towards the new enterprise
+was wrong. Locksley seemed to regard the Trust as a huge joke, and its
+prospectus as a literary _jeu d'esprit_.
+
+In fact, it looked very much as if--from a purely commercial point of
+view--the great Lines Supplying Trust was going to be what is known in
+theatrical circles as a frost.
+
+For two whole days the public refused to bite, and Dunstable and
+Linton, turning over the stacks of lines in their studies, thought
+gloomily that this world is no place for original enterprise.
+
+Then things began to move.
+
+It was quite an accident that started them. Jackson, of Dexter's, was
+teaing with Linton, and, as was his habit, was giving him a condensed
+history of his life since he last saw him. In the course of this he
+touched on a small encounter with M. Gaudinois which had occurred that
+afternoon.
+
+"So I got two pages of 'Quatre-Vingt Treize' to write," he concluded,
+"for doing practically nothing."
+
+All Jackson's impositions, according to him, were given him for doing
+practically nothing. Now and then he got them for doing literally
+nothing--when he ought to have been doing form-work.
+
+"Done 'em?" asked Linton.
+
+"Not yet; no," replied Jackson. "More tea, please."
+
+"What you want to do, then," said Linton, "is to apply to the Locksley
+Lines Supplying Trust. That's what you must do."
+
+"You needn't rot a chap on a painful subject," protested Jackson.
+
+"I wasn't rotting," said Linton. "Why don't you apply to the Lines
+Trust?"
+
+"Then do you mean to say that there really is such a thing?" Jackson
+said incredulously. "Why I thought it was all a rag."
+
+"I know you did. It's the rotten sort of thing you would think. Rag,
+by Jove! Look at this. Now do you understand that this is a genuine
+concern?"
+
+He got up and went to the cupboard which filled the space between the
+stove and the bookshelf. From this resting-place he extracted a great
+pile of manuscript and dumped it down on the table with a bang which
+caused a good deal of Jackson's tea to spring from its native cup on
+to its owner's trousers.
+
+"When you've finished," protested Jackson, mopping himself with a
+handkerchief that had seen better days.
+
+"Sorry. But look at these. What did you say your impot was? Oh, I
+remember. Here you are. Two pages of 'Quatre-Vingt Treize.' I don't
+know which two pages, but I suppose any will do."
+
+Jackson was amazed.
+
+"Great Scott! what a wad of stuff! When did you do it all?"
+
+"Oh, at odd times. Dunstable's got just as much over at Day's. So you
+see the Trust is a jolly big show. Here are your two pages. That looks
+just like your scrawl, doesn't it? These would be fourpence in the
+ordinary way, but you can have 'em for nothing this time."
+
+"Oh, I say," said Jackson gratefully, "that's awfully good of you."
+
+After that the Locksley Lines Supplying Trust, Ltd. went ahead with
+a rush. The brilliant success which attended its first specimen--M.
+Gaudinois took Jackson's imposition without a murmur--promoted
+confidence in the public, and they rushed to buy. Orders poured in
+from all the houses, and by the middle of the term the organisers of
+the scheme were able to divide a substantial sum.
+
+"How are you getting on round your way?" asked Linton of Dunstable at
+the end of the sixth week of term.
+
+"Ripping. Selling like hot cakes."
+
+"So are mine," said Linton. "I've almost come to the end of my stock.
+I ought to have written some more, but I've been a bit slack lately."
+
+"Yes, buck up. We must keep a lot in hand."
+
+"I say, did you hear that about Merrett in our house?" asked Linton.
+
+"What about him?"
+
+"Why, he tried to start a rival show. Wrote a prospectus and
+everything. But it didn't catch on a bit. The only chap who bought any
+of his lines was young Shoeblossom. He wanted a couple of hundred for
+Appleby. Appleby was on to them like bricks. Spotted Shoeblossom
+hadn't written them, and asked who had. He wouldn't say, so he got
+them doubled. Everyone in the house is jolly sick with Merrett. They
+think he ought to have owned up."
+
+"Did that smash up Merrett's show? Is he going to turn out any more?"
+
+"Rather not. Who'd buy 'em?"
+
+It would have been better for the Lines Supplying Trust if Merrett had
+not received this crushing blow and had been allowed to carry on a
+rival business on legitimate lines. Locksley was conservative in its
+habits, and would probably have continued to support the old firm.
+
+As it was, the baffled Merrett, a youth of vindictive nature, brooded
+over his defeat, and presently hit upon a scheme whereby things might
+be levelled up.
+
+One afternoon, shortly before lock-up, Dunstable was surprised by the
+advent of Linton to his study in a bruised and dishevelled condition.
+One of his expressive eyes was closed and blackened. He also wore what
+is known in ring circles as a thick ear.
+
+"What on earth's up?" inquired Dunstable, amazed at these phenomena.
+"Have you been scrapping?"
+
+"Yes--Merrett--I won. What are you up to--writing lines? You may as
+well save yourself the trouble. They won't be any good." Dunstable
+stared.
+
+"The Trust's bust," said Linton.
+
+He never wasted words in moments of emotion.
+
+"What!"
+
+"'Bust' was what I said. That beast Merrett gave the show away."
+
+"What did he do? Surely he didn't tell a master?"
+
+"Well, he did the next thing to it. He hauled out that prospectus, and
+started reading it in form. I watched him do it. He kept it under the
+desk and made a foul row, laughing over it. Appleby couldn't help
+spotting him. Of course, he told him to bring him what he was reading.
+Up went Merrett with the prospectus."
+
+"Was Appleby sick?"
+
+"I don't believe he was, really. At least, he laughed when he read the
+thing. But he hauled me up after school and gave me a long jaw, and
+made me take all the lines I'd got to his house. He burnt them. I had
+it out with Merrett just now. He swears he didn't mean to get the
+thing spotted, but I knew he did."
+
+"Where did you scrag him!"
+
+"In the dormitory. He chucked it after the third round."
+
+There was a knock at the door.
+
+"Come in," shouted Dunstable.
+
+Buxton appeared, a member of Appleby's house.
+
+"Oh, Dunstable, Appleby wants to see you."
+
+"All right," said Dunstable wearily.
+
+Mr. Appleby was in facetious mood. He chaffed Dunstable genially about
+his prospectus, and admitted that it had amused him. Dunstable smiled
+without enjoyment. It was a good thing, perhaps, that Mr. Appleby saw
+the humorous rather than the lawless side of the Trust; but all the
+quips in the world could not save that institution from ruin.
+
+Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he
+seemed to say; "but duty is duty, and must be done."
+
+"How many lines have you at your house, Dunstable?" he asked.
+
+"About eight hundred, sir."
+
+"Then you had better write me eight hundred lines, and show them up to
+me in this room at--shall we say at ten minutes to five? It is now a
+quarter to, so that you will have plenty of time."
+
+Dunstable went, and returned five minutes later, bearing an armful of
+manuscript.
+
+"I don't think I shall need to count them," said Mr. Appleby. "Kindly
+take them in batches of ten sheets, and tear them in half, Dunstable."
+
+"Yes, sir."
+
+The last sheet fluttered in two sections into the surfeited
+waste-paper basket.
+
+"It's an awful waste, sir," said Dunstable regretfully.
+
+Mr. Appleby beamed.
+
+"We must, however," he said, "always endeavour to look on the bright
+side, Dunstable. The writing of these eight hundred lines will have
+given you a fine grip of the rhythm of Virgil, the splendid prose of
+Victor Hugo, and the unstudied majesty of the Greek Numerals. Good-night,
+Dunstable."
+
+"Good-night, sir," said the President of the Locksley Lines Supplying
+Trust, Ltd.
+
+
+
+
+THE AUTOGRAPH HUNTERS
+
+
+Dunstable had his reasons for wishing to obtain Mr. Montagu Watson's
+autograph, but admiration for that gentleman's novels was not one of
+them.
+
+It was nothing to him that critics considered Mr. Watson one of the
+most remarkable figures in English literature since Scott. If you had
+told him of this, he would merely have wondered in his coarse,
+material way how much Mr. Watson gave the critics for saying so. To
+the reviewer of the _Weekly Booklover_ the great man's latest
+effort, "The Soul of Anthony Carrington" (Popgood and Grooly: 6s.)
+seemed "a work that speaks eloquently in every line of a genius that
+time cannot wither nor custom stale." To Dunstable, who got it out of
+the school library, where it had been placed at the request of a
+literary prefect, and read the first eleven pages, it seemed rot, and
+he said as much to the librarian on returning it.
+
+Yet he was very anxious to get the novelist's autograph. The fact was
+that Mr. Day, his house-master, a man whose private life was in other
+ways unstained by vicious habits, collected autographs. Also Mr. Day
+had behaved in a square manner towards Dunstable on several occasions
+in the past, and Dunstable, always ready to punish bad behaviour in a
+master, was equally anxious to reward and foster any good trait which
+he might exhibit.
+
+On the occasion of the announcement that Mr. Watson had taken the big
+white house near Chesterton, a couple of miles from the school, Mr.
+Day had expressed in Dunstable's hearing a wish that he could add that
+celebrity's signature to his collection. Dunstable had instantly
+determined to play the part of a benevolent Providence. He would get
+the autograph and present it to the house-master, as who should say,
+"see what comes of being good." It would be pleasant to observe the
+innocent joy of the recipient, his child-like triumph, and his
+amazement at the donor's ingenuity in securing the treasure. A
+touching scene--well worth the trouble involved in the quest.
+
+And there would be trouble. For Mr. Montagu Watson was notoriously a
+foe to the autograph-hunter. His curt, type-written replies (signed by
+a secretary) had damped the ardour of scores of brave men and--more or
+less--fair women. A genuine Montagu Watson was a prize in the
+autograph market.
+
+Dunstable was a man of action. When Mark, the boot-boy at Day's,
+carried his burden of letters to the post that evening, there nestled
+among them one addressed to M. Watson, Esq., The White House,
+Chesterton. Looking at it casually, few of his friends would have
+recognised Dunstable's handwriting. For it had seemed good to that man
+of guile to adopt for the occasion the role of a backward youth of
+twelve years old. He thought tender years might touch Mr. Watson's
+heart.
+
+This was the letter:
+
+ _Dear Sir_,--I am only a littel boy, but I think your
+ books ripping. I often wonder how you think of it all. Will you
+ please send me your ortograf? I like your books very much. I have
+ named my white rabit Montagu after you. I punched Jones II in
+ the eye to-day becos he didn't like your books. I have spent the
+ only penny I have on the stampe for this letter which I might have
+ spent on tuck. I want to be like Maltby in "The Soul of Anthony
+ Carrington" when I grow up.
+
+ _Your sincere reader_,
+ P. A. Dunstable.
+
+It was a little unfortunate, perhaps, that he selected Maltby as his
+ideal character. That gentleman was considered by critics a masterly
+portrait of the cynical _roue_. But it was the only name he
+remembered.
+
+"Hot stuff!" said Dunstable to himself, as he closed the envelope.
+
+"Little beast!" said Mr. Watson to himself as he opened it. It arrived
+by the morning post, and he never felt really himself till after
+breakfast.
+
+"Here, Morrison," he said to his secretary, later in the morning:
+"just answer this, will you? The usual thing--thanks and most deeply
+grateful, y'know."
+
+Next day the following was included in Dunstable's correspondence:
+
+ Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable,
+ and begs to thank him for all the kind things he says about his
+ work in his letter of the 18th inst., for which he is deeply grateful.
+
+"Foiled!" said Dunstable, and went off to Seymour's to see his friend
+Linton.
+
+"Got any notepaper?" he asked.
+
+"Heaps," said Linton. "Why? Want some?"
+
+"Then get out a piece. I want to dictate a letter."
+
+Linton stared.
+
+"What's up? Hurt your hand?"
+
+Dunstable explained.
+
+"Day collects autographs, you know, and he wants Montagu Watson's
+badly. Pining away, and all that sort of thing. Won't smile until he
+gets it. I had a shot at it yesterday, and got this."
+
+Linton inspected the document.
+
+"So I can't send up another myself, you see."
+
+"Why worry?"
+
+"Oh, I'd like to put Day one up. He's not been bad this term. Come
+on."
+
+"All right. Let her rip."
+
+Dunstable let her rip.
+
+ _Dear Sir_,--I cannot refrain from writing to tell you what
+ an inestimable comfort your novels have been to me during years
+ of sore tribulation and distress----
+
+"Look here," interrupted Linton with decision at this point. "If you
+think I'm going to shove my name at the end of this rot, you're making
+the mistake of a lifetime."
+
+"Of course not. You're a widow who has lost two sons in South Africa.
+We'll think of a good name afterwards. Ready?
+
+ "Ever since my darling Charles Herbert and Percy Lionel were
+ taken from me in that dreadful war, I have turned for consolation
+ to the pages of 'The Soul of Anthony Carrington' and----"
+
+"What, another?" asked Linton.
+
+"There's one called 'Pancakes.'"
+
+"Sure? Sounds rummy."
+
+"That's all right. You have to get a queer title nowadays if you want
+to sell a book."
+
+"Go on, then. Jam it down."
+
+ "--and 'Pancakes.' I hate to bother you, but if you could send me
+ your autograph I should be more grateful than words can say. Yours
+ admiringly."
+
+"What's a good name? How would Dorothy Maynard do?"
+
+"You want something more aristocratic. What price Hilda Foulke-Ponsonby?"
+
+Dunstable made no objection, and Linton signed the letter with a
+flourish.
+
+They installed Mrs. Foulke-Ponsonby at Spiking's in the High Street.
+It was not a very likely address for a lady whose blood was presumably
+of the bluest, but they could think of none except that obliging
+stationer who would take in letters for them.
+
+There was a letter for Mrs. Foulke-Ponsonby next day. Whatever his
+other defects as a correspondent, Mr. Watson was at least prompt with
+his responses.
+
+Mr. Montagu Watson presented his compliments, and was deeply grateful
+for all the kind things Mrs. Foulke-Ponsonby had said about his work
+in her letter of the 19th inst. He was, however, afraid that he
+scarcely deserved them. Her opportunities of deriving consolation from
+"The Soul of Anthony Carrington" had been limited by the fact that
+that book had only been published ten days before: while, as for
+"Pancakes," to which she had referred in such flattering terms, he
+feared that another author must have the credit of any refreshment her
+bereaved spirit might have extracted from that volume, for he had
+written no work of such a name. His own "Pan Wakes" would, he hoped,
+administer an equal quantity of balm.
+
+Mr. Secretary Morrison had slept badly on the night before he wrote
+this letter, and had expended some venom upon its composition.
+
+"Sold again!" said Dunstable.
+
+"You'd better chuck it now. It's no good," said Linton.
+
+"I'll have another shot. Then I'll try and think of something else."
+
+Two days later Mr. Morrison replied to Mr. Edgar Habbesham-Morley, of
+3a, Green Street, Park Lane, to the effect that Mr. Montagu Watson was
+deeply grateful for all the kind things, etc.----
+
+3a, Green Street was Dunstable's home address.
+
+At this juncture the Watson-Dunstable correspondence ceases, and the
+relations become more personal.
+
+On the afternoon of the twenty-third of the month, Mr. Watson, taking
+a meditative stroll through the wood which formed part of his
+property, was infuriated by the sight of a boy.
+
+He was not a man who was fond of boys even in their proper place, and
+the sight of one in the middle of his wood, prancing lightly about
+among the nesting pheasants, stirred his never too placid mind to its
+depths.
+
+He shouted.
+
+The apparition paused.
+
+"Here! Hi! you boy!"
+
+"Sir?" said the stripling, with a winning smile, lifting his cap with
+the air of a D'Orsay.
+
+"What business have you in my wood?"
+
+"Not business," corrected the visitor, "pleasure."
+
+"Come here!" shrilled the novelist.
+
+The stranger receded coyly.
+
+Mr. Watson advanced at the double.
+
+His quarry dodged behind a tree.
+
+For five minutes the great man devoted his powerful mind solely to the
+task of catching his visitor.
+
+The latter, however, proved as elusive as the point of a half-formed
+epigram, and at the end of the five minutes he was no longer within
+sight.
+
+Mr. Watson went off and addressed his keeper in terms which made that
+worthy envious for a week.
+
+"It's eddication," he said subsequently to a friend at the "Cowslip
+Inn." "You and me couldn't talk like that. It wants eddication."
+
+For the next few days the keeper's existence was enlivened by visits
+from what appeared to be a most enthusiastic bird's-nester. By no
+other theory could he account for it. Only a boy with a collection to
+support would run such risks.
+
+To the keeper's mind the human boy up to the age of twenty or so had
+no object in life except to collect eggs. After twenty, of course, he
+took to poaching. This was a boy of about seventeen.
+
+On the fifth day he caught him, and conducted him into the presence of
+Mr. Montagu Watson.
+
+Mr. Watson was brief and to the point. He recognised his visitor as
+the boy for whose benefit he had made himself stiff for two days.
+
+The keeper added further damaging facts.
+
+"Bin here every day, he 'as, sir, for the last week. Well, I says to
+myself, supposition is he'll come once too often. He'll come once too
+often, I says. And then, I says, I'll cotch him. And I cotched him."
+
+The keeper's narrative style had something of the classic simplicity
+of Julius Caesar's.
+
+Mr. Watson bit his pen.
+
+"What you boys come for I can't understand," he said irritably.
+"You're from the school, of course?"
+
+"Yes," said the captive.
+
+"Well, I shall report you to your house-master. What is your name?"
+
+"Dunstable."
+
+"Your house?"
+
+"Day's."
+
+"Very good. That is all."
+
+Dunstable retired.
+
+His next appearance in public life was in Mr. Day's study. Mr. Day had
+sent for him after preparation. He held a letter in his hand, and he
+looked annoyed.
+
+"Come in, Dunstable. I have just received a letter complaining of you.
+It seems that you have been trespassing."
+
+"Yes, sir."
+
+"I am surprised, Dunstable, that a sensible boy like you should have
+done such a foolish thing. It seems so objectless. You know how
+greatly the head-master dislikes any sort of friction between the
+school and the neighbours, and yet you deliberately trespass in Mr.
+Watson's wood."
+
+"I'm very sorry, sir."
+
+"I have had a most indignant letter from him--you may see what he
+says. You do not deny it?"
+
+Dunstable ran his eye over the straggling, untidy sentences.
+
+"No, sir. It's quite true."
+
+"In that case I shall have to punish you severely. You will write me
+out the Greek numerals ten times, and show them up to me on Tuesday."
+
+"Yes, sir."
+
+"That will do."
+
+At the door Dunstable paused.
+
+"Well, Dunstable?" said Mr. Day.
+
+"Er--I'm glad you've got his autograph after all, sir," he said.
+
+Then he closed the door.
+
+As he was going to bed that night, Dunstable met the house-master on
+the stairs.
+
+"Dunstable," said Mr. Day.
+
+"Yes, sir."
+
+"On second thoughts, it would be better if, instead of the Greek
+numerals ten times, you wrote me the first ode of the first book of
+Horace. The numerals would be a little long, perhaps."
+
+
+
+
+PILLINGSHOT, DETECTIVE
+
+
+Life at St. Austin's was rendered somewhat hollow and burdensome for
+Pillingshot by the fact that he fagged for Scott. Not that Scott was
+the Beetle-Browed Bully in any way. Far from it. He showed a kindly
+interest in Pillingshot's welfare, and sometimes even did his Latin
+verses for him. But the noblest natures have flaws, and Scott's was no
+exception. He was by way of being a humorist, and Pillingshot, with
+his rather serious outlook on life, was puzzled and inconvenienced by
+this.
+
+It was through this defect in Scott's character that Pillingshot first
+became a detective.
+
+He was toasting muffins at the study fire one evening, while Scott,
+seated on two chairs and five cushions, read "Sherlock Holmes," when
+the Prefect laid down his book and fixed him with an earnest eye.
+
+"Do you know, Pillingshot," he said, "you've got a bright, intelligent
+face. I shouldn't wonder if you weren't rather clever. Why do you hide
+your light under a bushel?"
+
+Pillingshot grunted.
+
+"We must find some way of advertising you. Why don't you go in for a
+Junior Scholarship?"
+
+"Too old," said Pillingshot with satisfaction.
+
+"Senior, then?"
+
+"Too young."
+
+"I believe by sitting up all night and swotting----"
+
+"Here, I say!" said Pillingshot, alarmed.
+
+"You've got no enterprise," said Scott sadly. "What are those?
+Muffins? Well, well, I suppose I had better try and peck a bit."
+
+He ate four in rapid succession, and resumed his scrutiny of
+Pillingshot's countenance.
+
+"The great thing," he said, "is to find out your special line. Till
+then we are working in the dark. Perhaps it's music? Singing? Sing me
+a bar or two."
+
+Pillingshot wriggled uncomfortably.
+
+"Left your music at home?" said Scott. "Never mind, then. Perhaps it's
+all for the best. What are those? Still muffins? Hand me another.
+After all, one must keep one's strength up. You can have one if you
+like."
+
+Pillingshot's face brightened. He became more affable. He chatted.
+
+"There's rather a row on downstairs," he said. "In the junior day-room."
+
+"There always is," said Scott. "If it grows too loud, I shall get in
+amongst them with a swagger-stick. I attribute half my success at
+bringing off late-cuts to the practice I have had in the junior
+day-room. It keeps the wrist supple."
+
+"I don't mean that sort of row. It's about Evans."
+
+"What about Evans?"
+
+"He's lost a sovereign."
+
+"Silly young ass."
+
+Pillingshot furtively helped himself to another muffin.
+
+"He thinks some one's taken it," he said.
+
+"What! Stolen it?"
+
+Pillingshot nodded.
+
+"What makes him think that?"
+
+"He doesn't see how else it could have gone."
+
+"Oh, I don't--By Jove!"
+
+Scott sat up with some excitement.
+
+"I've got it," he said. "I knew we should hit on it sooner or later.
+Here's a field for your genius. You shall be a detective. Pillingshot,
+I hand this case over to you. I employ you."
+
+Pillingshot gaped.
+
+"I feel certain that's your line. I've often noticed you walking over
+to school, looking exactly like a blood-hound. Get to work. As a start
+you'd better fetch Evans up here and question him."
+
+"But, look here----"
+
+"Buck up, man, buck up. Don't you know that every moment is precious?"
+
+Evans, a small, stout youth, was not disposed to be reticent. The gist
+of his rambling statement was as follows. Rich uncle. Impecunious
+nephew. Visit of former to latter. Handsome tip, one sovereign.
+Impecunious nephew pouches sovereign, and it vanishes.
+
+"And I call it beastly rot," concluded Evans volubly. "And if I could
+find the cad who's pinched it, I'd jolly well----"
+
+"Less of it," said Scott. "Now, then, Pillingshot, I'll begin this
+thing, just to start you off. What makes you think the quid has been
+stolen, Evans?"
+
+"Because I jolly well know it has."
+
+"What you jolly well know isn't evidence. We must thresh this thing
+out. To begin with, where did you last see it?"
+
+"When I put it in my pocket."
+
+"Good. Make a note of that, Pillingshot. Where's your notebook? Not
+got one? Here you are then. You can tear out the first few pages, the
+ones I've written on. Ready? Carry on, Evans. When?"
+
+"When what?"
+
+"When did you put it in your pocket?"
+
+"Yesterday afternoon."
+
+"What time?"
+
+"About five."
+
+"Same pair of bags you're wearing now?"
+
+"No, my cricket bags. I was playing at the nets when my uncle came."
+
+"Ah! Cricket bags? Put it down, Pillingshot. That's a clue. Work on
+it. Where are they?"
+
+"They've gone to the wash."
+
+"About time, too. I noticed them. How do you know the quid didn't go
+to the wash as well?"
+
+"I turned both the pockets inside out."
+
+"Any hole in the pocket?"
+
+"No."
+
+"Well, when did you take off the bags? Did you sleep in them?"
+
+"I wore 'em till bed-time, and then shoved them on a chair by the side
+of the bed. It wasn't till next morning that I remembered the quid was
+in them----"
+
+"But it wasn't," objected Scott.
+
+"I thought it was. It ought to have been."
+
+"He thought it was. That's a clue, young Pillingshot. Work on it.
+Well?"
+
+"Well, when I went to take the quid out of my cricket bags, it wasn't
+there."
+
+"What time was that?"
+
+"Half-past seven this morning."
+
+"What time did you go to bed?"
+
+"Ten."
+
+"Then the theft occurred between the hours of ten and seven-thirty.
+Mind you, I'm giving you a jolly good leg-up, young Pillingshot. But
+as it's your first case I don't mind. That'll be all from you, Evans.
+Pop off."
+
+Evans disappeared. Scott turned to the detective.
+
+"Well, young Pillingshot," he said, "what do you make of it?"
+
+"I don't know."
+
+"What steps do you propose to take?"
+
+"I don't know."
+
+"You're a lot of use, aren't you? As a start, you'd better examine the
+scene of the robbery, I should say."
+
+Pillingshot reluctantly left the room.
+
+"Well?" said Scott, when he returned. "Any clues?"
+
+"No."
+
+"You thoroughly examined the scene of the robbery?"
+
+"I looked under the bed."
+
+"_Under_ the bed? What's the good of that? Did you go over every inch
+of the strip of carpet leading to the chair with a magnifying-glass?"
+
+"Hadn't got a magnifying-glass."
+
+"Then you'd better buck up and get one, if you're going to be a
+detective. Do you think Sherlock Holmes ever moved a step without his?
+Not much. Well, anyhow. Did you find any foot-prints or tobacco-ash?"
+
+"There was a jolly lot of dust about."
+
+"Did you preserve a sample?"
+
+"No."
+
+"My word, you've a lot to learn. Now, weighing the evidence, does
+anything strike you?"
+
+"No."
+
+"You're a bright sort of sleuth-hound, aren't you! It seems to me I'm
+doing all the work on this case. I'll have to give you another leg-up.
+Considering the time when the quid disappeared, I should say that
+somebody in the dormitory must have collared it. How many fellows are
+there in Evans' dormitory?"
+
+"I don't know."
+
+"Cut along and find out."
+
+The detective reluctantly trudged off once more.
+
+"Well?" said Scott, on his return.
+
+"Seven," said Pillingshot. "Counting Evans."
+
+"We needn't count Evans. If he's ass enough to steal his own quids, he
+deserves to lose them. Who are the other six?"
+
+"There's Trent. He's prefect."
+
+"The Napoleon of Crime. Watch his every move. Yes?"
+
+"Simms."
+
+"A dangerous man. Sinister to the core."
+
+"And Green, Berkeley, Hanson, and Daubeny."
+
+"Every one of them well known to the police. Why, the place is a
+perfect Thieves' Kitchen. Look here, we must act swiftly, young
+Pillingshot. This is a black business. We'll take them in alphabetical
+order. Run and fetch Berkeley."
+
+Berkeley, interrupted in a game of Halma, came unwillingly.
+
+"Now then, Pillingshot, put your questions," said Scott. "This is a
+black business, Berkeley. Young Evans has lost a sovereign----"
+
+"If you think I've taken his beastly quid----!" said Berkeley warmly.
+
+"Make a note that, on being questioned, the man Berkeley exhibited
+suspicious emotion. Go on. Jam it down."
+
+Pillingshot reluctantly entered the statement under Berkeley's
+indignant gaze.
+
+"Now then, carry on."
+
+"You know, it's all rot," protested Pillingshot. "I never said
+Berkeley had anything to do with it."
+
+"Never mind. Ask him what his movements were on the night of the--what
+was yesterday?--on the night of the sixteenth of July."
+
+Pillingshot put the question nervously.
+
+"I was in bed, of course, you silly ass."
+
+"Were you asleep?" inquired Scott.
+
+"Of course I was."
+
+"Then how do you know what you were doing? Pillingshot, make a note of
+the fact that the man Berkeley's statement was confused and
+contradictory. It's a clue. Work on it. Who's next? Daubeny. Berkeley,
+send Daubeny up here."
+
+"All right, Pillingshot, you wait," was Berkeley's exit speech.
+
+Daubeny, when examined, exhibited the same suspicious emotion that
+Berkeley had shown; and Hanson, Simms, and Green behaved in a
+precisely similar manner.
+
+"This," said Scott, "somewhat complicates the case. We must have
+further clues. You'd better pop off now, Pillingshot. I've got a Latin
+Prose to do. Bring me reports of your progress daily, and don't
+overlook the importance of trifles. Why, in 'Silver Blaze' it was a
+burnt match that first put Holmes on the scent."
+
+Entering the junior day-room with some apprehension, the sleuth-hound
+found an excited gathering of suspects waiting to interview him.
+
+One sentiment animated the meeting. Each of the five wanted to know
+what Pillingshot meant by it.
+
+"What's the row?" queried interested spectators, rallying round.
+
+"That cad Pillingshot's been accusing us of bagging Evans' quid."
+
+"What's Scott got to do with it?" inquired one of the spectators.
+
+Pillingshot explained his position.
+
+"All the same," said Daubeny, "you needn't have dragged us into it."
+
+"I couldn't help it. He made me."
+
+"Awful ass, Scott," admitted Green.
+
+Pillingshot welcomed this sign that the focus of popular indignation
+was being shifted.
+
+"Shoving himself into other people's business," grumbled Pillingshot.
+
+"Trying to be funny," Berkeley summed up.
+
+"Rotten at cricket, too."
+
+"Can't play a yorker for nuts."
+
+"See him drop that sitter on Saturday?"
+
+So that was all right. As far as the junior day-room was concerned,
+Pillingshot felt himself vindicated.
+
+But his employer was less easily satisfied. Pillingshot had hoped that
+by the next day he would have forgotten the subject. But, when he went
+into the study to get tea ready, up it came again.
+
+"Any clues yet, Pillingshot?"
+
+Pillingshot had to admit that there were none.
+
+"Hullo, this won't do. You must bustle about. You must get your nose
+to the trail. Have you cross-examined Trent yet? No? Well, there you
+are, then. Nip off and do it now."
+
+"But, I say, Scott! He's a prefect!"
+
+"In the dictionary of crime," said Scott sententiously, "there is no
+such word as prefect. All are alike. Go and take down Trent's
+statement."
+
+To tax a prefect with having stolen a sovereign was a task at which
+Pillingshot's imagination boggled. He went to Trent's study in a sort
+of dream.
+
+A hoarse roar answered his feeble tap. There was no doubt about Trent
+being in. Inspection revealed the fact that the prefect was working
+and evidently ill-attuned to conversation. He wore a haggard look and
+his eye, as it caught that of the collector of statements, was
+dangerous.
+
+"Well?" said Trent, scowling murderously.
+
+Pillingshot's legs felt perfectly boneless.
+
+"_Well_?" said Trent.
+
+Pillingshot yammered.
+
+"_Well_?"
+
+The roar shook the window, and Pillingshot's presence of mind deserted
+him altogether.
+
+"Have you bagged a sovereign?" he asked.
+
+There was an awful silence, during which the detective, his limbs
+suddenly becoming active again, banged the door, and shot off down the
+passage.
+
+He re-entered Scott's study at the double.
+
+"Well?" said Scott. "What did he say?"
+
+"Nothing."
+
+"Get out your note-book, and put down, under the heading 'Trent':
+'Suspicious silence.' A very bad lot, Trent. Keep him under constant
+espionage. It's a clue. Work on it."
+
+Pillingshot made a note of the silence, but later on, when he and the
+prefect met in the dormitory, felt inclined to erase it. For silence
+was the last epithet one would have applied to Trent on that occasion.
+As he crawled painfully into bed Pillingshot became more than ever
+convinced that the path of the amateur detective was a thorny one.
+
+This conviction deepened next day.
+
+Scott's help was possibly well meant, but it was certainly
+inconvenient. His theories were of the brilliant, dashing order, and
+Pillingshot could never be certain who and in what rank of life the
+next suspect would be. He spent that afternoon shadowing the Greaser
+(the combination of boot-boy and butler who did the odd jobs about the
+school house), and in the evening seemed likely to be about to move in
+the very highest circles. This was when Scott remarked in a dreamy
+voice, "You know, I'm told the old man has been spending a good lot of
+money lately...."
+
+To which the burden of Pillingshot's reply was that he would do
+anything in reason, but he was blowed if he was going to cross-examine
+the head-master.
+
+"It seems to me," said Scott sadly, "that you don't _want_ to
+find that sovereign. Don't you like Evans, or what is it?"
+
+It was on the following morning, after breakfast, that the close
+observer might have noticed a change in the detective's demeanour. He
+no longer looked as if he were weighed down by a secret sorrow. His
+manner was even jaunty.
+
+Scott noticed it.
+
+"What's up?" he inquired. "Got a clue?"
+
+Pillingshot nodded.
+
+"What is it? Let's have a look."
+
+"Sh--h--h!" said Pillingshot mysteriously.
+
+Scott's interest was aroused. When his fag was making tea in the
+afternoon, he questioned him again.
+
+"Out with it," he said. "What's the point of all this silent mystery
+business?"
+
+"Sherlock Holmes never gave anything away."
+
+"Out with it."
+
+"Walls have ears," said Pillingshot.
+
+"So have you," replied Scott crisply, "and I'll smite them in half a
+second."
+
+Pillingshot sighed resignedly, and produced an envelope. From this he
+poured some dried mud.
+
+"Here, steady on with my table-cloth," said Scott. "What's this?"
+
+"Mud."
+
+"What about it?"
+
+"Where do you think it came from?"
+
+"How should I know? Road, I suppose."
+
+Pillingshot smiled faintly.
+
+"Eighteen different kinds of mud about here," he said patronisingly.
+"This is flower-bed mud from the house front-garden."
+
+"Well? What about it?"
+
+"Sh--h--h!" said Pillingshot, and glided out of the room.
+
+ * * * * *
+
+"Well?" asked Scott next day. "Clues pouring in all right?"
+
+"Rather."
+
+"What? Got another?"
+
+Pillingshot walked silently to the door and flung it open. He looked
+up and down the passage. Then he closed the door and returned to the
+table, where he took from his waistcoat-pocket a used match.
+
+Scott turned it over inquiringly.
+
+"What's the idea of this?"
+
+"A clue," said Pillingshot. "See anything queer about it? See that
+rummy brown stain on it?"
+
+"Yes."
+
+"Blood!" snorted Pillingshot.
+
+"What's the good of blood? There's been no murder."
+
+Pillingshot looked serious.
+
+"I never thought of that."
+
+"You must think of everything. The worst mistake a detective can make
+is to get switched off on to another track while he's working on a
+case. This match is a clue to something else. You can't work on it."
+
+"I suppose not," said Pillingshot.
+
+"Don't be discouraged. You're doing fine."
+
+"I know," said Pillingshot. "I shall find that quid all right."
+
+"Nothing like sticking to it."
+
+Pillingshot shuffled, then rose to a point of order.
+
+"I've been reading those Sherlock Holmes stories," he said, "and
+Sherlock Holmes always got a fee if he brought a thing off. I think I
+ought to, too."
+
+"Mercenary young brute."
+
+"It has been a beastly sweat."
+
+"Done you good. Supplied you with a serious interest in life. Well, I
+expect Evans will give you something--a jewelled snuff-box or
+something--if you pull the thing off."
+
+"_I_ don't."
+
+"Well, he'll buy you a tea or something."
+
+"He won't. He's not going to break the quid. He's saving up for a
+camera."
+
+"Well, what are you going to do about it?"
+
+Pillingshot kicked the leg of the table.
+
+"_You_ put me on to the case," he said casually.
+
+"What! If you think I'm going to squander----"
+
+"I think you ought to let me off fagging for the rest of the term."
+
+Scott reflected.
+
+"There's something in that. All right."
+
+"Thanks."
+
+"Don't mention it. You haven't found the quid yet."
+
+"I know where it is."
+
+"Where?"
+
+"Ah!"
+
+"Fool," said Scott.
+
+ * * * * *
+
+After breakfast next day Scott was seated in his study when
+Pillingshot entered.
+
+"Here you are," said Pillingshot.
+
+He unclasped his right hand and exhibited a sovereign. Scott inspected
+it.
+
+"Is this the one?" he said.
+
+"Yes," said Pillingshot.
+
+"How do you know?"
+
+"It _is_. I've sifted all the evidence."
+
+"Who had bagged it?"
+
+"I don't want to mention names."
+
+"Oh, all right. As he didn't spend any of it, it doesn't much matter.
+Not that it's much catch having a thief roaming at large about the
+house. Anyhow, what put you on to him? How did you get on the track?
+You're a jolly smart kid, young Pillingshot. How did you work it?"
+
+"I have my methods," said Pillingshot with dignity.
+
+"Buck up. I shall have to be going over to school in a second."
+
+"I hardly like to tell you."
+
+"Tell me! Dash it all, I put you on to the case. I'm your employer."
+
+"You won't touch me up if I tell you?"
+
+"I will if you don't."
+
+"But not if I do?"
+
+"No."
+
+"And how about the fee?"
+
+"That's all right. Go on."
+
+"All right then. Well, I thought the whole thing over, and I couldn't
+make anything out of it at first, because it didn't seem likely that
+Trent or any of the other fellows in the dormitory had taken it; and
+then suddenly something Evans told me the day before yesterday made it
+all clear."
+
+"What was that?"
+
+"He said that the matron had just given him back his quid, which one
+of the housemaids had found on the floor by his bed. It had dropped
+out of his pocket that first night."
+
+Scott eyed him fixedly. Pillingshot coyly evaded his gaze.
+
+"That was it, was it?" said Scott.
+
+Pillingshot nodded.
+
+"It was a clue," he said. "I worked on it."
+
+
+
+
+
+End of Project Gutenberg's The Politeness of Princes, by P. G. Wodehouse
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+This file should be named 7schl10.txt or 7schl10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, 7schl11.txt
+VERSIONS based on separate sources get new LETTER, 7schl10a.txt
+
+Produced by Suzanne L. Shell, Charles Franks
+and the Online Distributed Proofreading Team
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/7schl10.zip b/old/7schl10.zip
new file mode 100644
index 0000000..6e9dd06
--- /dev/null
+++ b/old/7schl10.zip
Binary files differ
diff --git a/old/8schl10.txt b/old/8schl10.txt
new file mode 100644
index 0000000..daad4d9
--- /dev/null
+++ b/old/8schl10.txt
@@ -0,0 +1,3784 @@
+The Project Gutenberg EBook of The Politeness of Princes, by P. G. Wodehouse
+#29 in our series by P. G. Wodehouse
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Politeness of Princes
+ and Other School Stories
+
+Author: P. G. Wodehouse
+
+Release Date: May, 2005 [EBook #8178]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on June 26, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ISO-Latin-1
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+
+
+
+Produced by Suzanne L. Shell, Charles Franks
+and the Online Distributed Proofreading Team
+
+
+
+
+THE POLITENESS OF PRINCES
+and Other School Stories
+
+
+
+By
+P. G. Wodehouse
+
+
+
+
+[Transcriber's note: This selection of early Wodehouse stories was
+assembled for Project Gutenberg. The original publication date of
+each story is listed in square brackets in the Table of Contents.]
+
+
+
+
+CONTENTS
+
+
+THE POLITENESS OF PRINCES [1905]
+
+SHIELDS' AND THE CRICKET CUP [1905]
+
+AN INTERNATIONAL AFFAIR [1905]
+
+THE GUARDIAN [1908]
+
+A CORNER IN LINES [1905]
+
+THE AUTOGRAPH HUNTERS [1905]
+
+PILLINGSHOT, DETECTIVE [1910]
+
+
+
+
+THE POLITENESS OF PRINCES
+
+
+The painful case of G. Montgomery Chapple, bachelor, of Seymour's
+house, Wrykyn. Let us examine and ponder over it.
+
+It has been well said that this is the age of the specialist.
+Everybody, if they wish to leave the world a better and happier place
+for their stay in it, should endeavour to adopt some speciality and
+make it their own. Chapple's speciality was being late for breakfast.
+He was late not once or twice, but every day. Sometimes he would
+scramble in about the time of the second cup of coffee, buttoning his
+waistcoat as he sidled to his place. Generally he would arrive just as
+the rest of the house were filing out; when, having lurked hidden
+until Mr. Seymour was out of the way, he would enter into private
+treaty with Herbert, the factotum, who had influence with the cook,
+for Something Hot and maybe a fresh brew of coffee. For there was
+nothing of the amateur late-breakfaster about Chapple. Your amateur
+slinks in with blushes deepening the naturally healthy hue of his
+face, and, bolting a piece of dry bread and gulping down a cup of cold
+coffee, dashes out again, filled more with good resolutions for the
+future than with food. Not so Chapple. He liked his meals. He wanted a
+good deal here below, and wanted it hot and fresh. Conscience had but
+a poor time when it tried to bully Chapple. He had it weak in the
+first round.
+
+But there was one more powerful than Conscience--Mr. Seymour. He had
+marked the constant lateness of our hero, and disapproved of it.
+
+Thus it happened that Chapple, having finished an excellent breakfast
+one morning some twenty minutes after everybody else, was informed as
+he sat in the junior day-room trying, with the help of an illustrated
+article in a boys' paper, to construct a handy model steam-engine out
+of a reel of cotton and an old note-book--for his was in many ways a
+giant brain--that Mr. Seymour would like to have a friendly chat with
+him in his study. Laying aside his handy model steam-engine, he went
+off to the housemaster's study.
+
+"You were late for breakfast to-day," said Mr. Seymour, in the horrid,
+abrupt way housemasters have.
+
+"Why, yes, sir," said Chapple, pleasantly.
+
+"And the day before."
+
+"Yes, sir."
+
+"And the day before that."
+
+Chapple did not deny it. He stood on one foot and smiled a
+propitiating smile. So far Mr. Seymour was entitled to demand a cigar
+or cocoanut every time.
+
+The housemaster walked to the window, looked out, returned to the
+mantelpiece, and shifted the position of a china vase two and a
+quarter inches to the left. Chapple, by way of spirited repartee,
+stood on the other leg and curled the disengaged foot round his ankle.
+The conversation was getting quite intellectual.
+
+"You will write out----"
+
+"Sir, please, sir----" interrupted Chapple in an "I-represent-the
+defendant-m'lud" tone of voice.
+
+"Well?"
+
+"It's awfully hard to hear the bell from where I sleep, sir."
+
+Owing to the increased numbers of the house this term Chapple had been
+removed from his dormitory proper to a small room some distance away.
+
+"Nonsense. The bell can be heard perfectly well all over the house."
+
+There was reason in what he said. Herbert, who woke the house of a
+morning, did so by ringing a bell. It was a big bell, and he enjoyed
+ringing it. Few sleepers, however sound, could dream on peacefully
+through Herbert's morning solo. After five seconds of it they would
+turn over uneasily. After seven they would sit up. At the end of the
+first quarter of a minute they would be out of bed, and you would be
+wondering where they picked up such expressions.
+
+Chapple murmured wordlessly in reply. He realised that his defence was
+a thin one. Mr. Seymour followed up his advantage.
+
+"You will write a hundred lines of Vergil," he said, "and if you are
+late again to-morrow I shall double them."
+
+Chapple retired.
+
+This, he felt, was a crisis. He had been pursuing his career of
+unpunctuality so long that he had never quite realised that a time
+might come when the authorities would drop on him. For a moment he
+felt that it was impossible, that he could not meet Mr. Seymour's
+wishes in the matter; but the bull-dog pluck of the true Englishman
+caused him to reconsider this. He would at least have a dash at it.
+
+"I'll tell you what to do," said his friend, Brodie, when consulted on
+the point over a quiet pot of tea that afternoon. "You ought to sleep
+without so many things on the bed. How many blankets do you use, for
+instance?"
+
+"I don't know," said Chapple. "As many as they shove on."
+
+It had never occurred to him to reckon up the amount of his bedclothes
+before retiring to rest.
+
+"Well, you take my tip," said Brodie, "and only sleep with one on.
+Then the cold'll wake you in the morning, and you'll get up because
+it'll be more comfortable than staying in bed."
+
+This scientific plan might have worked. In fact, to a certain extent
+it did work. It woke Chapple in the morning, as Brodie had predicted;
+but it woke him at the wrong hour. It is no good springing out of bed
+when there are still three hours to breakfast. When Chapple woke at
+five the next morning, after a series of dreams, the scenes of which
+were laid mainly in the Arctic regions, he first sneezed, then he
+piled upon the bed everything he could find, including his boots, and
+then went to sleep again. The genial warmth oozed through his form, and
+continued to ooze until he woke once more, this time at eight-fifteen.
+Breakfast being at eight, it occurred to him that his position with
+Mr. Seymour was not improved. While he was devoting a few moments'
+profound meditation to this point the genial warmth got in its fell
+work once again. When he next woke, the bell was ringing for school.
+He lowered the world's record for rapid dressing, and was just in time
+to accompany the tail of the procession into the form-room.
+
+"You were late again this morning," said Mr. Seymour, after dinner.
+
+"Yes, sir. I overslebbed myselb, sir," replied Chapple, who was
+suffering from a cold in the head.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+Things had now become serious. It was no good going to Brodie again
+for counsel. Brodie had done for himself, proved himself a fraud, an
+idiot. In fine, a rotter. He must try somebody else. Happy thought.
+Spenlow. It was a cold day, when Spenlow got left behind. He would
+know what to do. _There_ was a chap for you, if you liked! Young,
+mind you, but what a brain! Colossal!
+
+"What _I_ should do," said Spenlow, "is this. I should put my
+watch on half an hour."
+
+"What 'ud be the good of that?"
+
+"Why, don't you see? You'd wake up and find it was ten to eight, say,
+by your watch, so you'd shove on the pace dressing, and nip
+downstairs, and then find that you'd really got tons of time. What
+price that?"
+
+"But I should remember I'd put my watch on," objected Chapple.
+
+"Oh, no, probably not. You'd be half asleep, and you'd shoot out of
+bed before you remembered, and that's all you'd want. It's the getting
+out of bed that's so difficult. If you were once out, you wouldn't
+want to get back again."
+
+"Oh, shouldn't I?" said Chapple.
+
+"Well, you might want to, but you'd have the sense not to do it."
+
+"It's not a bad idea," said Chapple. "Thanks."
+
+That night he took his Waterbury, prised open the face with a
+pocket-knife as if he were opening an oyster, put the minute hand
+on exactly half an hour, and retired to bed satisfied. There was
+going to be no nonsense about it this time.
+
+I am sorry to disappoint the reader, but facts are facts, and I must
+not tamper with them. It is, therefore, my duty to state, however
+reluctantly, that Chapple was not in time for breakfast on the
+following morning. He woke at seven o'clock, when the hands of
+the watch pointed to seven-thirty. Primed with virtuous resolutions,
+he was just about to leap from his couch, when his memory began to
+work, and he recollected that he had still an hour. Punctuality, he
+felt, was an excellent thing, a noble virtue, in fact, but it was no
+good overdoing it. He could give himself at least another half hour.
+So he dozed off. He woke again with something of a start. He seemed
+to feel that he had been asleep for a considerable time. But no. A
+glance at the watch showed the hands pointing to twenty-five to eight.
+Twenty-five minutes more. He had a good long doze this time. Then,
+feeling that now he really must be getting up, he looked once more
+at the watch, and rubbed his eyes. It was still twenty-five to eight.
+
+The fact was that, in the exhilaration of putting the hands on, he had
+forgotten that other and even more important operation, winding up.
+The watch had stopped.
+
+There are few more disturbing sensations than that of suddenly
+discovering that one has no means of telling the time. This is
+especially so when one has to be in a certain place by a certain hour.
+It gives the discoverer a weird, lost feeling, as if he had stopped
+dead while all the rest of the world had moved on at the usual rate.
+It is a sensation not unlike that of the man who arrives on the
+platform of a railway station just in time to see the tail-end of his
+train disappear.
+
+Until that morning the world's record for dressing (set up the day
+before) had been five minutes, twenty-three and a fifth seconds. He
+lowered this by two seconds, and went downstairs.
+
+The house was empty. In the passage that led to the dining-room he
+looked at the clock, and his heart turned a somersault. _It was five
+minutes past nine._ Not only was he late for breakfast, but late
+for school, too. Never before had he brought off the double event.
+
+There was a little unpleasantness in his form room when he stole in at
+seven minutes past the hour. Mr. Dexter, his form-master, never a
+jolly sort of man to have dealings with, was rather bitter on the
+subject.
+
+"You are incorrigibly lazy and unpunctual," said Mr. Dexter, towards
+the end of the address. "You will do me a hundred lines."
+
+"Oo-o-o, sir-r," said Chapple. But he felt at the time that it was not
+much of a repartee. After dinner there was the usual interview with
+Mr. Seymour.
+
+"You were late again this morning," he said.
+
+"Yes, sir," said Chapple.
+
+"Two hundred lines."
+
+"Yes, sir."
+
+The thing was becoming monotonous.
+
+Chapple pulled himself together. This must stop. He had said that
+several times previously, but now he meant it. Nor poppy, nor
+mandragora, nor all the drowsy syrups of the world should make him
+oversleep himself again. This time he would try a combination of
+schemes.
+
+Before he went to bed that night he put his watch on half an hour,
+wound it up, and placed it on a chair at his bedside. Then he seized
+his rug and all the blankets except one, and tore them off. Then he
+piled them in an untidy heap in the most distant corner of the room.
+He meant to put temptation out of his reach. There should be no genial
+warmth on this occasion.
+
+Nor was there. He woke at six feeling as if he were one solid chunk of
+ice. He put up with it in a torpid sort of way till seven. Then he
+could stand it no longer. It would not be pleasant getting up and
+going downstairs to the cheerless junior day-room, but it was the only
+thing to do. He knew that if he once wrapped himself in the blankets
+which stared at him invitingly from the opposite corner of the room,
+he was lost. So he crawled out of bed, shivering, washed
+unenthusiastically, and he proceeded to put on his clothes.
+
+Downstairs it was more unpleasant than one would have believed
+possible. The day-room was in its usual state of disorder. The fire
+was not lit. There was a vague smell of apples. Life was very, very
+grey. There seemed no brightness in it at all.
+
+He sat down at the table and began once more the task of constructing
+a handy model steam-engine, but he speedily realised, what he had
+suspected before, that the instructions were the work of a dangerous
+madman. What was the good of going on living when gibbering lunatics
+were allowed to write for weekly papers?
+
+About this time his gloom was deepened by the discovery that a tin
+labelled mixed biscuits, which he had noticed in Brodie's locker, was
+empty.
+
+He thought he would go for a stroll. It would be beastly, of course,
+but not so beastly as sitting in the junior day-room.
+
+It is just here that the tragedy begins to deepen.
+
+Passing out of Seymour's gate he met Brooke, of Appleby's. Brooke wore
+an earnest, thoughtful expression.
+
+"Hullo, Brooke," said Chapple, "where are you off to?"
+
+It seemed that Brooke was off to the carpenter's shop. Hence the
+earnest, thoughtful expression. His mind was wrestling with certain
+pieces of wood which he proposed to fashion into photograph frames.
+There was always a steady demand in the school for photograph frames,
+and the gifted were in the habit of turning here and there an honest
+penny by means of them.
+
+The artist soul is not always unfavourable to a gallery. Brooke said
+he didn't mind if Chapple came along, only he wasn't to go rotting
+about or anything. So Chapple went along.
+
+Arrived at the carpenter's shop, Brooke was soon absorbed in his
+labours. Chapple watched him for a time with the interest of a
+brother-worker, for had he not tried to construct handy model
+steam-engines in his day? Indeed, yes. After a while, however, the
+_rôle_ of spectator began to pall. He wanted to _do_ something.
+Wandering round the room he found a chisel, and upon the instant,
+in direct contravention of the treaty respecting rotting, he sat down
+and started carving his name on a smooth deal board which looked
+as if nobody wanted it. The pair worked on in silence, broken only
+by an occasional hard breath as the toil grew exciting. Chapple's
+tongue was out and performing mystic evolutions as he carved the
+letters. He felt inspired.
+
+He was beginning the A when he was brought to earth again by the voice
+of Brooke.
+
+"You _are_ an idiot," said Brooke, complainingly. "That's
+_my_ board, and now you've spoilt it."
+
+Spoilt it! Chapple liked that! Spoilt it, if you please, when he had
+done a beautiful piece of carving on it!
+
+"Well, it can't be helped now," said Brooke, philosophically. "I
+suppose it's not your fault you're such an ass. Anyhow, come on now.
+It's struck eight."
+
+"It's what?" gasped Chapple.
+
+"Struck eight. But it doesn't matter. Appleby never minds one being a
+bit late for breakfast."
+
+"Oh," said Chapple. "Oh, doesn't he!"
+
+ * * * * *
+
+Go into Seymour's at eight sharp any morning and look down the table,
+and you will see the face of G. M. Chapple--obscured every now and
+then, perhaps, by a coffee cup or a slice of bread and marmalade. He
+has not been late for three weeks. The spare room is now occupied by
+Postlethwaite, of the Upper Fourth, whose place in Milton's dormitory
+has been taken by Chapple. Milton is the head of the house, and stands
+alone among the house prefects for the strenuousness of his methods in
+dealing with his dormitory. Nothing in this world is certain, but it
+is highly improbable that Chapple will be late again. There are
+swagger-sticks.
+
+
+
+
+SHIELDS' AND THE CRICKET CUP
+
+
+The house cricket cup at Wrykyn has found itself on some strange
+mantelpieces in its time. New talent has a way of cropping up in the
+house matches. Tail-end men hit up fifties, and bowlers who have never
+taken a wicket before except at the nets go on fifth change, and
+dismiss first eleven experts with deliveries that bounce twice and
+shoot. So that nobody is greatly surprised in the ordinary run of
+things if the cup does not go to the favourites, or even to the second
+or third favourites. But one likes to draw the line. And Wrykyn drew
+it at Shields'. And yet, as we shall proceed to show, Shields' once
+won the cup, and that, too, in a year when Donaldson's had four first
+eleven men and Dexter's three.
+
+Shields' occupied a unique position at the School. It was an
+absolutely inconspicuous house. There were other houses that were
+slack or wild or both, but the worst of these did something. Shields'
+never did anything. It never seemed to want to do anything. This may
+have been due in some degree to Mr. Shields. As the housemaster is, so
+the house is. He was the most inconspicuous master on the staff. He
+taught a minute form in the junior school, where earnest infants
+wrestled with somebody's handy book of easy Latin sentences, and
+depraved infants threw cunningly compounded ink-balls at one another
+and the ceiling. After school he would range the countryside with a
+pickle-bottle in search of polly woggles and other big game, which he
+subsequently transferred to slides and examined through a microscope
+till an advanced hour of the night. The curious part of the matter
+was that his house was never riotous. Perhaps he was looked on as a
+non-combatant, one whom it would be unfair and unsporting to rag. At
+any rate, a weird calm reigned over the place; and this spirit seemed
+to permeate the public lives of the Shieldsites. They said nothing much
+and they did nothing much and they were very inoffensive. As a rule,
+one hardly knew they were there.
+
+Into this abode of lotus-eaters came Clephane, a day boy, owing to the
+departure of his parents for India. Clephane wanted to go to
+Donaldson's. In fact, he said so. His expressions, indeed, when he
+found that the whole thing had been settled, and that he was to spend
+his last term at school at a house which had never turned out so much
+as a member of the Gym. Six, bordered on the unfilial. It appeared
+that his father had met Mr. Shields at dinner in the town--a fact to
+which he seemed to attach a mystic importance. Clephane's criticism of
+this attitude of mind was of such a nature as to lead his father to
+address him as Archibald instead of Archie.
+
+However, the thing was done, and Clephane showed his good sense by
+realising this and turning his energetic mind to the discovery of the
+best way of making life at Shields' endurable. Fortune favoured him by
+sending to the house another day boy, one Mansfield. Clephane had not
+known him intimately before, though they were both members of the
+second eleven; but at Shields' they instantly formed an alliance. And
+in due season--or a little later--the house matches began. Henfrey, of
+Day's, the Wrykyn cricket captain, met Clephane at the nets when the
+drawing for opponents had been done.
+
+"Just the man I wanted to see," said Henfrey. "I suppose you're
+captain of Shields' lot, Clephane? Well, you're going to scratch as
+usual, I suppose?"
+
+For the last five seasons that lamentable house had failed to put a
+team into the field. "You'd better," said Henfrey, "we haven't
+overmuch time as it is. That match with Paget's team has thrown us out
+a lot. We ought to have started the house matches a week ago."
+
+"Scratch!" said Clephane. "Don't you wish we would! My good chap,
+we're going to get the cup."
+
+"You needn't be a funny ass," said Henfrey in his complaining voice,
+"we really are awfully pushed. As it is we shall have to settle the
+opening rounds on the first innings. That's to say, we can only give
+'em a day each; if they don't finish, the winner of the first innings
+wins. You might as well scratch."
+
+"I can't help your troubles. By rotten mismanagement you have got the
+house-matches crowded up into the last ten days of term, and you come
+and expect me to sell a fine side like Shields' to get you out of the
+consequences of your reckless act. My word, Henfrey, you've sunk
+pretty low. Nice young fellow Henfrey was at one time, but seems to
+have got among bad companions. Quite changed now. Avoid him as much as
+I can. Leave me, Henfrey, I would be alone."
+
+"But you can't raise a team."
+
+"Raise a team! Do you happen to know that half the house is
+_biting_ itself with agony because we can't find room for all?
+Shields gives stump-cricket _soirées_ in his study after prep.
+One every time you hit the ball, two into the bowl of goldfish, and
+out if you smash the microscope."
+
+"Well," said Henfrey viciously, "if you want to go through the farce
+of playing one round and making idiots of yourselves, you'll have to
+wait a bit. You've got a bye in the first round."
+
+Clephane told the news to Mansfield after tea. "I've been and let the
+house in for a rollicking time," he said, abstracting the copy of
+Latin verses which his friend was doing, and sitting on them to ensure
+undivided attention to his words. "Wanting to score off old Henfrey--I
+have few pleasures--I told him that Shields' was not going to scratch.
+So we are booked to play in the second round of the housers. We drew a
+bye for the first. It would be an awful rag if we could do something.
+We _must_ raise a team of some sort. Henfrey would score so if we
+didn't. Who's there, d'you think, that can play?"
+
+Mansfield considered the question thoughtfully. "They all _play_,
+I suppose," he said slowly, "if you can call it playing. What I mean
+to say is, cricket's compulsory here, so I suppose they've all had an
+innings or two at one time or another in the eightieth game or so. But
+if you want record-breakers, I shouldn't trust to Shields' too much."
+
+"Not a bit. So long as we put a full team into the field, that's all I
+care about. I've often wondered what it's like to go in first and bowl
+unchanged the whole time."
+
+"You'll do that all right," said Mansfield. "I should think Shields'
+bowling ran to slow grubs, to judge from the look of 'em. You'd better
+go and see Wilkins about raising the team. As head of the house, he
+probably considers himself captain of cricket."
+
+Wilkins, however, took a far more modest view of his position. The
+notion of leading a happy band of cricketers from Shields' into the
+field had, it seemed, small attractions for him. But he went so far as
+to get a house list, and help choose a really representative team. And
+as details about historic teams are always welcome, we may say that
+the averages ranged from 3.005 to 8.14. This last was Wilkins' own and
+was, as he would have been the first to admit, substantially helped by
+a contribution of nineteen in a single innings in the fifth game.
+
+So the team was selected, and Clephane turned out after school next
+day to give them a little fielding-practice. To his surprise the
+fielding was not so outrageous as might have been expected. All the
+simpler catches were held, and one or two of the harder as well. Given
+this form on the day of their appearance in public, and Henfrey might
+be disappointed when he came to watch and smile sarcastically. A
+batting fiasco is not one half so ridiculous as maniac fielding.
+
+In the meantime the first round of the house matches had been played
+off, and it would be as well to describe at this point the positions
+of the rival houses and their prospects. In the first place, there
+were only four teams really in the running for the cup, Day's (headed
+by the redoubtable Henfrey), Spence's, who had Jackson, that season a
+head and shoulders above the other batsmen in the first eleven--he had
+just wound up the school season with an average of 51.3, Donaldson's,
+and Dexter's. All the other house teams were mainly tail.
+
+Now, in the first round the powerful quartette had been diminished by
+the fact that Donaldson's had drawn Dexter's, and had lost to them by
+a couple of wickets.
+
+For the second round Shields' drew Appleby's, a poor team. Space on
+the Wrykyn field being a consideration, with three house matches to be
+played off at the same time, Clephane's men fought their first battle
+on rugged ground in an obscure corner. As the captain of cricket
+ordered these matters, Henfrey had naturally selected the best bit of
+turf for Day's _v_. Dexter's. That section of the ground which
+was sacred to the school second-eleven matches was allotted to
+Spence's _v_. the School House. The idle public divided its
+attention between the two big games, and paid no attention to the
+death struggle in progress at the far end of the field. Whereby it
+missed a deal of quiet fun.
+
+I say death struggle advisedly. Clephane had won his second-eleven cap
+as a fast bowler. He had failed to get into the first eleven because
+he was considered too erratic. Put these two facts together, and you
+will suspect that dark deeds were wrought on the men of Appleby in
+that lonely corner of the Wrykyn meadow.
+
+The pitch was not a good one. As a sample of the groundman's art it
+was sketchy and amateurish; it lacked finish. Clephane won the toss,
+took a hasty glance at the corrugated turf, and decided to bat first.
+The wicket was hardly likely to improve with use.
+
+He and Mansfield opened the batting. He stood three feet out of his
+ground, and smote. The first four balls he took full pitch. The last
+two, owing to a passion for variety on the part of the bowler, were
+long hops. At the end of the over Shields' score was twenty-four.
+Mansfield pursued the same tactics. When the first wicket fell,
+seventy was on the board. A spirit of martial enthusiasm pervaded
+the ranks of the house team. Mild youths with spectacles leaped out
+of their ground like tigers, and snicked fours through the slips.
+When the innings concluded, blood had been spilt--from an injured
+finger--but the total was a hundred and two.
+
+Then Clephane walked across to the School shop for a vanilla ice. He
+said he could get more devil, as it were, into his bowling after a
+vanilla ice. He had a couple.
+
+When he bowled his first ball it was easy to see that there was truth
+in the report of the causes of his inclusion in the second eleven and
+exclusion from the first. The batsman observed somewhat weakly, "Here,
+I _say!_" and backed towards square leg. The ball soared over the
+wicket-keep's head and went to the boundary. The bowler grinned
+pleasantly, and said he was just getting his arm in.
+
+The second ball landed full-pitch on the batsman's right thigh. The
+third was another full pitch, this time on the top of the middle
+stump, which it smashed. With profound satisfaction the batsman
+hobbled to the trees, and sat down. "Let somebody else have a shot,"
+he said kindly.
+
+Appleby's made twenty-eight that innings.
+
+Their defeat by an innings and fifty-three runs they attributed
+subsequently to the fact that only seven of the team could be induced
+to go to the wickets in the second venture.
+
+"So you've managed to win a match," grunted Henfrey, "I should like to
+have been there."
+
+"You might just as well have been," said Clephane, "from what they
+tell me."
+
+At which Henfrey became abusive, for he had achieved an "egg" that
+afternoon, and missed a catch; which things soured him, though Day's
+had polished off Dexter's handsomely.
+
+"Well," he said at length, "you're in the semi-final now, of all weird
+places. You'd better play Spence's next. When can you play?"
+
+"Henfrey," said Clephane, "I have a bright, open, boyish countenance,
+but I was not born yesterday. You want to get a dangerous rival out of
+the way without trouble, so you set Shields' to smash up Spence's. No,
+Henfrey. I do not intend to be your catspaw. We will draw lots who is
+to play which. Here comes Jackson. We'll toss odd man out."
+
+And when the coins fell there were two tails and one head; and the
+head belonged to the coin of Clephane.
+
+"So, you see," he said to Henfrey, "Shields' is in the final. No
+wonder you wanted us to scratch."
+
+I should like this story to end with a vivid description of a tight
+finish. Considering that Day's beat Spence's, and consequently met
+Shields' in the final, that would certainly be the most artistic
+ending. Henfrey batting--Clephane bowling--one to tie, two to win, one
+wicket to fall. Up goes the ball! Will the lad catch it!! He fumbles
+it. It falls. All is over. But look! With a supreme effort--and so on.
+
+The real conclusion was a little sensational in its way, but not
+nearly so exciting as that.
+
+The match between Day's and Shields' opened in a conventional enough
+manner. Day's batted first, and made two hundred and fifty. Henfrey
+carried his bat for seventy-six, and there were some thirties. For
+Shields' Clephane and Mansfield made their usual first-wicket stand,
+and the rest brought the total up to ninety-eight. At this point
+Henfrey introduced a variation on custom. The match was a three days'
+match. In fact, owing to the speed with which the other games had been
+played, it could, if necessary, last four days. The follow-on was,
+therefore, a matter for the discretion of the side which led. Henfrey
+and his team saw no reason why they should not have another pleasant
+spell of batting before dismissing their opponents for the second time
+and acquiring the cup. So in they went again, and made another two
+hundred and fifty odd, Shields' being left with four hundred and
+twelve to make to win.
+
+On the morning after Day's second innings, a fag from Day's brought
+Clephane a message from Henfrey. Henfrey was apparently in bed. He
+would be glad if Clephane would go and see him in the dinner-hour. The
+interview lasted fifteen minutes. Then Clephane burst out of the
+house, and dashed across to Shields' in search of Mansfield.
+
+"I say, _have_ you heard?" he shouted.
+
+"What's up?"
+
+"Why, every man in Day's team, bar two kids, is in bed. Ill. Do you
+mean to say you haven't heard? They thought they'd got that house cup
+safe, so all the team except the two kids, fags, you know, had a feed
+in honour of it in Henfrey's study. Some ass went and bought a bad
+rabbit pie, and now they're laid up. Not badly, but they won't be out
+for a day or two."
+
+"But what about the match?"
+
+"Oh, that'll go on. I made a point of that. They can play subs."
+
+Mansfield looked thoughtful.
+
+"But I say," he said, "it isn't very sporting, is it? Oughtn't we to
+wait or something?"
+
+"Sporting! My dear chap, a case like this mustn't be judged by
+ordinary standards. We can't spoil the giant rag of the century
+because it isn't quite sporting. Think what it means--Shields' getting
+the cup! It'll keep the school laughing for terms. What do you want to
+spoil people's pleasure for?"
+
+"Oh, all right," said Mansfield.
+
+"Besides, think of the moral effect it'll have on the house. It may
+turn it into the blood house of Wrykyn. Shields himself may get quite
+sportive. We mustn't miss the chance."
+
+The news having got about the school, Clephane and Mansfield opened
+their second innings to the somewhat embarrassed trundling of Masters
+Royce and Tibbit, of the Junior School, before a substantial and
+appreciative audience.
+
+Both played carefully at first, but soon getting the measure of the
+bowling (which was not deep) began to hit out, and runs came quickly.
+At fifty, Tibbit, understudying Henfrey as captain of the side,
+summoned to his young friend Todby from short leg, and instructed him
+to "have a go" at the top end.
+
+It was here that Clephane courteously interfered. Substitutes, he
+pointed out, were allowed, by the laws of cricket, only to field, not
+to bowl. He must, therefore, request friend Todby to return to his
+former sphere of utility, where, he added politely, he was a perfect
+demon.
+
+"But, blow it," said Master Tibbit, who (alas!) was addicted to the
+use of strong language, "Royce and I can't bowl the whole blessed
+time."
+
+"You'll have to, I'm afraid," said Clephane with the kindly air of a
+doctor soothing a refractory patient. "Of course, you can take a spell
+at grubs whenever you like."
+
+"Oh, darn!" said Master Tibbit.
+
+Shortly afterwards Clephane made his century.
+
+ * * * * *
+
+The match ended late on the following afternoon in a victory for
+Shields' by nine wickets, and the scene at the School Shop when Royce
+and Tibbit arrived to drown their sorrows and moisten their dry
+throats with ginger beer is said by eyewitnesses to have been
+something quite out of the common run.
+
+The score sheet of the match is also a little unusual. Clephane's
+three hundred and one (not out) is described in the _Wrykinian_
+as a "masterly exhibition of sound yet aggressive batting." How
+Henfrey described it we have never heard.
+
+
+
+
+AN INTERNATIONAL AFFAIR
+
+
+PART 1
+
+The whole thing may be said to have begun when Mr.
+
+Oliver Ring of New York, changing cars, as he called it, at Wrykyn on
+his way to London, had to wait an hour for his train. He put in that
+hour by strolling about the town and seeing the sights, which were not
+numerous. Wrykyn, except on Market Day, was wont to be wrapped in a
+primaeval calm which very nearly brought tears to the strenuous eyes
+of the man from Manhattan. He had always been told that England was
+a slow country, and his visit, now in its third week, had confirmed
+this opinion: but even in England he had not looked to find such a
+lotus-eating place as Wrykyn. He looked at the shop windows. They
+resembled the shop windows of every other country town in England.
+There was no dash, no initiative about them. They did not leap to the
+eye and arrest the pedestrian's progress. They ordered these things,
+thought Mr. Ring, better in the States. And then something seemed to
+whisper to him that here was the place to set up a branch of Ring's
+Come-One Come-All Up-to-date Stores. During his stroll he had gathered
+certain pieces of information. To wit, that Wrykyn was where the county
+families for ten miles round did their shopping, that the population
+of the town was larger than would appear at first sight to a casual
+observer, and, finally, that there was a school of six hundred boys
+only a mile away. Nothing could be better. Within a month he would
+take to himself the entire trade of the neighbourhood.
+
+"It's a cinch," murmured Mr. Ring with a glad smile, as he boarded his
+train, "a lead-pipe cinch."
+
+Everybody who has moved about the world at all knows Ring's Come-one
+Come-all Up-to-date Stores. The main office is in New York. Broadway,
+to be exact, on the left as you go down, just before you get to Park
+Row, where the newspapers come from. There is another office in
+Chicago. Others in St. Louis, St. Paul, and across the seas in London,
+Paris, Berlin, and, in short, everywhere. The peculiar advantage about
+Ring's Stores is that you can get anything you happen to want there,
+from a motor to a macaroon, and rather cheaper than you could get it
+anywhere else. England had up to the present been ill-supplied with
+these handy paradises, the one in Piccadilly being the only extant
+specimen. But now Mr. Ring in person had crossed the Atlantic on a
+tour of inspection, and things were shortly to be so brisk that you
+would be able to hear them whizz.
+
+So an army of workmen invaded Wrykyn. A trio of decrepit houses in the
+High Street were pulled down with a run, and from the ruins there
+began to rise like a Phoenix the striking building which was to be the
+Wrykyn Branch of Ring's Come-one Come-all Up-to-date Stores.
+
+The sensation among the tradesmen caused by the invasion was, as may
+be imagined, immense and painful. The thing was a public disaster. It
+resembled the advent of a fox in a fowl-run. For years the tradesmen
+of Wrykyn had jogged along in their comfortable way, each making his
+little profits, with no thought of competition or modern hustle. And
+now the enemy was at their doors. Many were the gloomy looks cast at
+the gaudy building as it grew like a mushroom. It was finished with
+incredible speed, and then advertisements began to flood the local
+papers. A special sheaf of bills was despatched to the school.
+
+Dunstable got hold of one, and read it with interest. Then he went in
+search of his friend Linton to find out what he thought of it.
+
+Linton was at work in the laboratory. He was an enthusiastic, but
+unskilful, chemist. The only thing he could do with any real certainty
+was to make oxygen. But he had ambitions beyond that feat, and was
+continually experimenting in a reckless way which made the chemistry
+master look wan and uneasy. He was bending over a complicated mixture
+of tubes, acids, and Bunsen burners when Dunstable found him. It was
+after school, so that the laboratory was empty, but for them.
+
+"Don't mind me," said Dunstable, taking a seat on the table.
+
+"Look out, man, don't jog. Sit tight, and I'll broaden your mind for
+you. I take this bit of litmus paper, and dip it into this bilge, and
+if I've done it right, it'll turn blue."
+
+"Then I bet it doesn't," said Dunstable.
+
+The paper turned red.
+
+"Hades," said Linton calmly. "Well, I'm not going to sweat at it any
+more. Let's go down to Cook's."
+
+Cook's is the one school institution which nobody forgets who has been
+to Wrykyn. It is a little confectioner's shop in the High Street. Its
+exterior is somewhat forbidding, and the uninitiated would probably
+shudder and pass on, wondering how on earth such a place could find a
+public daring enough to support it by eating its wares. But the school
+went there in flocks. Tea at Cook's was the alternative to a study
+tea. There was a large room at the back of the shop, and here oceans
+of hot tea and tons of toast were consumed. The staff of Cook's
+consisted of Mr. Cook, late sergeant in a line regiment, six foot
+three, disposition amiable, left leg cut off above the knee by a
+spirited Fuzzy in the last Soudan war; Mrs. Cook, wife of the above,
+disposition similar, and possessing the useful gift of being able to
+listen to five people at one and the same time; and an invisible
+menial, or menials, who made toast in some nether region at a
+perfectly dizzy rate of speed. Such was Cook's.
+
+"Talking of Cook's," said Dunstable, producing his pamphlet, "have you
+seen this? It'll be a bit of a knock-out for them, I should think."
+
+Linton took the paper, and began to read. Dunstable roamed curiously
+about the laboratory, examining things.
+
+"What are these little crystal sort of bits of stuff?" he asked,
+coming to a standstill before a large jar and opening it. "They look
+good to eat. Shall I try one?"
+
+"Don't you be an idiot," said the expert, looking up. "What have you
+got hold of? Great Scott, no, don't eat that stuff."
+
+"Why not? Is it poison?"
+
+"No. But it would make you sick as a cat. It's Sal Ammoniac."
+
+"Sal how much?"
+
+"Ammoniac. You'd be awfully bad."
+
+"All right, then, I won't. Well, what do you think of that thing?
+It'll be rough on Cook's, won't it? You see they advertise a special
+'public-school' tea, as they call it. It sounds jolly good. I don't
+know what buckwheat cakes are, but they ought to be decent. I suppose
+now everybody'll chuck Cook's and go there. It's a beastly shame,
+considering that Cook's has been a sort of school shop so long. And
+they really depend on the school. At least, one never sees anybody
+else going there. Well, I shall stick to Cook's. I don't want any of
+your beastly Yankee invaders. Support home industries. Be a patriot.
+The band then played God Save the King, and the meeting dispersed.
+But, seriously, man, I am rather sick about this. The Cooks are such
+awfully good sorts, and this is bound to make them lose a tremendous
+lot. The school's simply crawling with chaps who'd do anything to get
+a good tea cheaper than they're getting now. They'll simply scrum in
+to this new place."
+
+"Well, I don't see what we can do," said Linton, "except keep on going
+to Cook's ourselves. Let's be going now, by the way. We'll get as many
+chaps as we can to promise to stick to them. But we can't prevent the
+rest going where they like. Come on."
+
+The atmosphere at Cook's that evening was heavily charged with gloom.
+ExSergeant Cook, usually a treasury of jest and anecdote, was silent
+and thoughtful. Mrs. Cook bustled about with her customary vigour, but
+she too was disinclined for conversation. The place was ominously
+empty. A quartette of school house juniors in one corner and a
+solitary prefect from Donaldson's completed the sum of the customers.
+Nobody seemed to want to talk a great deal. There was something in the
+air which
+
+ _said as plain as whisper in the ear,
+ "The place is haunted._"
+
+and so it was. Haunted by the spectre of that hideous, new, glaring
+red-brick building down the street, which had opened its doors to the
+public on the previous afternoon.
+
+"Look there," said Dunstable, as they came out. He pointed along the
+street. The doors of the new establishment were congested. A crowd,
+made up of members of various houses, was pushing to get past another
+crowd which was trying to get out. The "public-school tea at one
+shilling" appeared to have proved attractive.
+
+"Look at 'em," said Dunstable. "Sordid beasts! All they care about is
+filling themselves. There goes that man Merrett. Rand-Brown with him.
+Here come four more. Come on. It makes me sick."
+
+"I wish it would make _them_ sick," said Linton.
+
+"Perhaps it will.... By George!"
+
+He started.
+
+"What's up?" said Linton.
+
+"Oh, nothing. I was only thinking of something."
+
+They walked on without further conversation. Dunstable's brain was
+working fast. He had an idea, and was busy developing it.
+
+ * * * * *
+
+The manager of the Wrykyn Branch of Ring's Come-one Come-all Stores
+stood at the entrance to his shop on the following afternoon spitting
+with energy and precision on to the pavement--he was a free-born
+American citizen--and eyeing the High Street as a monarch might gaze
+at his kingdom. He had just completed a highly satisfactory report to
+headquarters, and was feeling contented with the universe, and the way
+in which it was managed. Even in the short time since the opening of
+the store he had managed to wake up the sluggish Britishers as if they
+had had an electric shock.
+
+"We," he observed epigrammatically to a passing cat, which had stopped
+on its way to look at him, "are it."
+
+As he spoke he perceived a youth coming towards him down the street.
+He wore a cap of divers colours, from which the manager argued that
+he belonged to the school. Evidently a devotee of the advertised
+"public-school" shillingsworth, and one who, as urged by the small
+bills, had come early to avoid the rush. "Step right in, mister," he
+said, moving aside from the doorway. "And what can I do for _you_?"
+
+"Are you the manager of this place?" asked Dunstable--for the youth
+was that strategist, and no other.
+
+"On the bull's eye first time," replied the manager with easy
+courtesy. "Will you take a cigar or a cocoa-nut?"
+
+"Can I have a bit of a talk with you, if you aren't busy?"
+
+"Sure. Step right in."
+
+"Now, sir," said the manager, "what's _your_ little trouble?"
+
+"It's about this public school tea business," said Dunstable. "It's
+rather a shame, you see. Before you came bargeing in, everybody used
+to go to Cook's."
+
+"And now," interrupted the manager, "they come to us. Correct, sir. We
+_are_ the main stem. And why not?"
+
+"Cook's such a good sort."
+
+"I should like to know him," said the manager politely.
+
+"You see," said Dunstable, "it doesn't so much matter about the other
+things you sell; but Cook's simply relies on giving fellows tea in the
+afternoon----"
+
+"One moment, sir," said the man from the States. "Let me remind you of
+a little rule which will be useful to you when you butt into the big,
+cold world. That is, never let sentiment interfere with business. See?
+Either Ring's Stores or your friend has got to be on top, and, if I
+know anything, it's going to be We. We! And I'm afraid that's all I
+can do for you, unless you've that hungry feeling, and want to sample
+our public-school tea at twenty-five cents."
+
+"No, thanks," said Dunstable. "Here come some chaps, though, who look
+as if they might."
+
+He stepped aside as half a dozen School House juniors raced up.
+
+"For one day only," said the manager to Dunstable, "you may partake
+free, if you care to. You have man's most priceless possession, Cool
+Cheek. And Cool Cheek, when recognised, should not go unrewarded. Step
+in."
+
+"No thanks," said Dunstable. "You'll find me at Cook's if you want
+me."
+
+"Kindness," said he to himself, as Mrs. Cook served him in the
+depressed way which had now become habitual with her, "kindness having
+failed, we must try severity."
+
+
+PART 2
+
+Those who knew and liked Dunstable were both pained and disgusted at
+his behaviour during the ensuing three days. He suddenly exhibited a
+weird fondness for some of Wrykyn's least deserving inmates. He walked
+over to school with Merrett, of Seymour's, and Ruthven, of
+Donaldson's, both notorious outsiders. When Linton wanted him to come
+and play fives after school, he declined on the ground that he was
+teaing with Chadwick, of Appleby's. Now in the matter of absolute
+outsiderishness Chadwick, of Appleby's, was to Merrett, of Seymour's,
+as captain is to subaltern. Linton was horrified, and said so.
+
+"What do you want to do it for?" he asked. "What's the point of it?
+You can't like those chaps."
+
+"Awfully good sorts when you get to know them," said Dunstable.
+
+"You've been some time finding it out."
+
+"I know. Chadwick's an acquired taste. By the way, I'm giving a tea on
+Thursday. Will you come?"
+
+"Who's going to be there?" inquired Linton warily.
+
+"Well, Chadwick for one; and Merrett and Ruthven and three other
+chaps."
+
+"Then," said Linton with some warmth, "I think you'll have to do
+without me. I believe you're mad."
+
+And he went off in disgust to the fives-courts.
+
+When on the following Thursday Dunstable walked into Ring's Stores
+with his five guests, and demanded six public-school teas, the manager
+was perhaps justified in allowing a triumphant smile to wander across
+his face. It was a signal victory for him. "No free list to-day,
+sir," he said. "Entirely suspended."
+
+"Never mind," said Dunstable, "I'm good for six shillings."
+
+"Free list?" said Merrett, as the manager retired, "I didn't know
+there was one."
+
+"There isn't. Only he and I palled up so much the other day that he
+offered me a tea for nothing."
+
+"Didn't you take it?"
+
+"No. I went to Cook's."
+
+"Rotten hole, Cook's. I'm never going there again," said Chadwick.
+"You take my tip, Dun, old chap, and come here."
+
+"Dun, old chap," smiled amiably.
+
+"I don't know," he said, looking up from the tea-pot, into which he
+had been pouring water; "you can be certain of the food at Cook's."
+
+"What do you mean? So you can here."
+
+"Oh," said Dunstable, "I didn't know. I've never had tea here before.
+But I've often heard that American food upsets one sometimes."
+
+By this time, the tea having stood long enough, he poured out, and the
+meal began.
+
+Merrett and his friends were hearty feeders, and conversation
+languished for some time. Then Chadwick leaned back in his chair, and
+breathed heavily.
+
+"You couldn't get stuff like that at Cook's," he said.
+
+"I suppose it is a bit different," said Dunstable. "Have any of
+you ... noticed something queer...?"
+
+Merrett stared at Ruthven. Ruthven stared at Merrett.
+
+"I...." said Merrett.
+
+"D'you know...." said Ruthven.
+
+Chadwick's face was a delicate green.
+
+"I believe," said Dunstable, "the stuff ... was ... poisoned. I...."
+
+ * * * * *
+
+"Drink this," said the school doctor, briskly, bending over
+Dunstable's bed with a medicine-glass in his hand, "and be ashamed of
+yourself. The fact is you've over-eaten yourself. Nothing more and
+nothing less. Why can't you boys be content to feed moderately?"
+
+"I don't think I ate much, sir," protested Dunstable. "It must have
+been what I ate. I went to that new American place."
+
+"So _you_ went there, too? Why, I've just come from attending a
+bilious boy in Mr. Seymour's house. He said he had been at the
+American place, too."
+
+"Was that Merrett, sir? He was one of the party. We were all bad. We
+can't all have eaten too much."
+
+The doctor looked thoughtful.
+
+"H'm. Curious. Very curious. Do you remember what you had?"
+
+"I had some things the man called buckwheat cakes, with some stuff he
+said was maple syrup."
+
+"Bah. American trash." The doctor was a staunch Briton, conservative
+in his views both on politics and on food. "Why can't you boys eat
+good English food? I must tell the headmaster of this. I haven't time
+to look after the school if all the boys are going to poison
+themselves. You lie still and try to go to sleep, and you'll be right
+enough in no time."
+
+But Dunstable did not go to sleep. He stayed awake to interview
+Linton, who came to pay him a visit.
+
+"Well," said Linton, looking down at the sufferer with an expression
+that was a delicate blend of pity and contempt, "you've made a nice
+sort of ass of yourself, haven't you! I don't know if it's any
+consolation to you, but Merrett's just as bad as you are. And I hear
+the others are, too. So now you see what comes of going to Ring's
+instead of Cook's."
+
+"And now," said Dunstable, "if you've quite finished, you can listen
+to me for a bit...."
+
+"So now you know," he concluded.
+
+Linton's face beamed with astonishment and admiration.
+
+"Well, I'm hanged," he said. "You're a marvel. But how did you know it
+wouldn't poison you?"
+
+"I relied on you. You said it wasn't poison when I asked you in the
+lab. My faith in you is touching."
+
+"But why did you take any yourself?"
+
+"Sort of idea of diverting suspicion. But the thing isn't finished
+yet. Listen."
+
+Linton left the dormitory five minutes later with a look of a young
+disciple engaged on some holy mission.
+
+
+PART 3
+
+"You think the food is unwholesome, then?" said the headmaster after
+dinner that night.
+
+"Unwholesome!" said the school doctor. "It must be deadly. It must be
+positively lethal. Here we have six ordinary, strong, healthy boys
+struck down at one fell swoop as if there were a pestilence raging.
+Why----"
+
+"One moment," said the headmaster. "Come in."
+
+A small figure appeared in the doorway.
+
+"Please, sir," said the figure in the strained voice of one speaking a
+"piece" which he has committed to memory. "Mr. Seymour says please
+would you mind letting the doctor come to his house at once because
+Linton is ill."
+
+"What!" exclaimed the doctor. "What's the matter with him?"
+
+"Please, sir, I believe it's buckwheat cakes."
+
+"What! And here's another of them!"
+
+A second small figure had appeared in the doorway.
+
+"Sir, please, sir," said the newcomer, "Mr. Bradfield says may the
+doctor----"
+
+"And what boy is it _this_ time?"
+
+"Please, sir, it's Brown. He went to Ring's Stores----"
+
+The headmaster rose.
+
+"Perhaps you had better go at once, Oakes," he said. "This is becoming
+serious. That place is a positive menace to the community. I shall put
+it out of bounds tomorrow morning."
+
+And when Dunstable and Linton, pale but cheerful, made their way--slowly,
+as befitted convalescents--to Cook's two days afterwards, they had to sit
+on the counter. All the other seats were occupied.
+
+
+
+
+THE GUARDIAN
+
+
+In his Sunday suit (with ten shillings in specie in the right-hand
+trouser pocket) and a brand-new bowler hat, the youngest of the
+Shearnes, Thomas Beauchamp Algernon, was being launched by the
+combined strength of the family on his public-school career. It was a
+solemn moment. The landscape was dotted with relatives--here a small
+sister, awed by the occasion into refraining from insult; there an
+aunt, vaguely admonitory. "Well, Tom," said Mr. Shearne, "you'll soon
+be off now. You're sure to like Eckleton. Remember to cultivate your
+bowling. Everyone can bat nowadays. And play forward, not outside. The
+outsides get most of the fun, certainly, but then if you're a forward,
+you've got eight chances of getting into a team."
+
+"All right, father."
+
+"Oh, and work hard." This by way of an afterthought.
+
+"All right, father."
+
+"And, Tom," said Mrs. Shearne, "you are sure to be comfortable at
+school, because I asked Mrs. Davy to write to her sister, Mrs.
+Spencer, who has a son at Eckleton, and tell her to tell him to look
+after you when you get there. He is in Mr. Dencroft's house, which is
+next door to Mr. Blackburn's, so you will be quite close to one
+another. Mind you write directly you get there."
+
+"All right, mother."
+
+"And look here, Tom." His eldest brother stepped to the front and
+spoke earnestly. "Look here, don't you forget what I've been telling
+you?"
+
+"All right."
+
+"You'll be right enough if you don't go sticking on side. Don't forget
+that, however much of a blood you may have been at that rotten little
+private school of yours, you're not one at Eckleton."
+
+"All right."
+
+"You look clean, which is the great thing. There's nothing much wrong
+with you except cheek. You've got enough of that to float a ship. Keep
+it under."
+
+"All right. Keep your hair on."
+
+"There you go," said the expert, with gloomy triumph. "If you say that
+sort of thing at Eckleton, you'll get jolly well sat on, by Jove!"
+
+"Bai Jove, old chap!" murmured the younger brother, "we're devils in
+the Forty-twoth!"
+
+The other, whose chief sorrow in life was that he could not get the
+smaller members of the family to look with proper awe on the fact that
+he had just passed into Sandhurst, gazed wistfully at the speaker,
+but, realising that there was a locked door between them, tried no
+active measures.
+
+"Well, anyhow," he said, "you'll soon get it knocked out of you,
+that's one comfort. Look here, if you do get scrapping with anybody,
+don't forget all I've taught you. And I should go on boxing there if I
+were you, so as to go down to Aldershot some day. You ought to make a
+fairly decent featherweight if you practise."
+
+"All right."
+
+"Let's know when Eckleton's playing Haileybury, and I'll come and look
+you up. I want to see that match."
+
+"All right."
+
+"Good-bye."
+
+"Good-bye, Tom."
+
+"Good-bye, Tom, dear."
+
+Chorus of aunts and other supers: "Goodbye, Tom."
+
+Tom (comprehensively): "G'bye."
+
+The train left the station.
+
+ * * * * *
+
+Kennedy, the head of Dencroft's, said that when he wanted his study
+turned into a beastly furnace, he would take care to let Spencer know.
+He pointed out that just because it was his habit to warm the study
+during the winter months, there was no reason why Spencer should light
+the gas-stove on an afternoon in the summer term when the thermometer
+was in the eighties. Spencer thought he might want some muffins cooked
+for tea, did he? Kennedy earnestly advised Spencer to give up
+thinking, as Nature had not equipped him for the strain. Thinking
+necessitated mental effort, and Spencer, in Kennedy's opinion, had no
+mind, but rubbed along on a cheap substitute of mud and putty.
+
+More chatty remarks were exchanged, and then Spencer tore himself away
+from the pleasant interview, and went downstairs to the junior study,
+where he remarked to his friend Phipps that Life was getting a bit
+thick.
+
+"What's up now?" inquired Phipps.
+
+"Everything. We've just had a week of term, and I've been in extra
+once already for doing practically nothing, and I've got a hundred
+lines, and Kennedy's been slanging me for lighting the stove. How was
+I to know he didn't want it lit? Wish I was fagging for somebody
+else."
+
+"All the while you're jawing," said Phipps, "there's a letter for you
+on the mantelpiece, staring at you?"
+
+"So there is. Hullo!"
+
+"What's up? Hullo! is that a postal order? How much for?"
+
+"Five bob. I say, who's Shearne?"
+
+"New kid in Blackburn's. Why?"
+
+"Great Scott! I remember now. They told me to look after him. I
+haven't seen him yet. And listen to this: 'Mrs. Shearne has sent me
+the enclosed to give to you. Her son writes to say that he is very
+happy and getting on very well, so she is sure you must have been
+looking after him.' Why, I don't know the kid by sight. I clean forgot
+all about him."
+
+"Well, you'd better go and see him now, just to say you've done it."
+
+Spencer perpended.
+
+"Beastly nuisance having a new kid hanging on to you. He's probably a
+frightful rotter."
+
+"Well, anyway, you ought to," said Phipps, who possessed the
+_scenario_ of a conscience.
+
+"I can't."
+
+"All right, don't, then. But you ought to send back that postal
+order."
+
+"Look here, Phipps," said Spencer plaintively, "you needn't be an
+idiot, you know."
+
+And the trivial matter of Thomas B. A. Shearne was shelved.
+
+ * * * * *
+
+Thomas, as he had stated in his letter to his mother, was exceedingly
+happy at Eckleton, and getting on very nicely indeed. It is true that
+there had been one or two small unpleasantnesses at first, but those
+were over now, and he had settled down completely. The little troubles
+alluded to above had begun on his second day at Blackburn's. Thomas,
+as the reader may have gathered from his glimpse of him at the station,
+was not a diffident youth. He was quite prepared for anything Fate
+might have up its sleeve for him, and he entered the junior day-room at
+Blackburn's ready for emergencies. On the first day nothing happened.
+One or two people asked him his name, but none inquired what his father
+was--a question which, he had understood from books of school life, was
+invariably put to the new boy. He was thus prevented from replying
+"coolly, with his eyes fixed on his questioner's": "A gentleman. What's
+yours?" and this, of course, had been a disappointment. But he reconciled
+himself to it, and on the whole enjoyed his first day at Eckleton.
+
+On the second there occurred an Episode.
+
+Thomas had inherited from his mother a pleasant, rather meek cast of
+countenance. He had pink cheeks and golden hair--almost indecently
+golden in one who was not a choirboy.
+
+Now, if you are going to look like a Ministering Child or a Little
+Willie, the Sunbeam of the Home, when you go to a public school,
+you must take the consequences. As Thomas sat by the window of the
+junior day-room reading a magazine, and deeply interested in it,
+there fell upon his face such a rapt, angelic expression that the
+sight of it, silhouetted against the window, roused Master P. Burge,
+his fellow-Blackburnite, as it had been a trumpet-blast. To seize a
+Bradley Arnold's Latin Prose Exercises and hurl it across the room
+was with Master Burge the work of a moment. It struck Thomas on the
+ear. He jumped, and turned some shades pinker. Then he put down his
+magazine, picked up the Bradley Arnold, and sat on it. After which he
+resumed his magazine.
+
+The acute interest of the junior day-room, always fond of a break in
+the monotony of things, induced Burge to go further into the matter.
+
+"You with the face!" said Burge rudely.
+
+Thomas looked up.
+
+"What the dickens are you going with my book? Pass it back!"
+
+"Oh, is this yours?" said Thomas. "Here you are."
+
+He walked towards him, carrying the book. At two yards range he fired
+it in. It hit Burge with some force in the waistcoat, and there was a
+pause while he collected his wind.
+
+Then the thing may be said to have begun.
+
+Yes, said Burge, interrogated on the point five minutes later, he
+_had_ had enough.
+
+"Good," said Thomas pleasantly. "Want a handkerchief?"
+
+That evening he wrote to his mother and, thanking her for kind
+inquiries, stated that he was not being bullied. He added, also in
+answer to inquiries, that he had not been tossed in a blanket, and
+that--so far--no Hulking Senior (with scowl) had let him down from the
+dormitory window after midnight by a sheet, in order that he might
+procure gin from the local public-house. As far as he could gather,
+the seniors were mostly teetotallers. Yes, he had seen Spencer several
+times. He did not add that he had seen him from a distance.
+
+ * * * * *
+
+"I'm so glad I asked Mrs. Davy to get her nephew to look after Tom,"
+said Mrs. Shearne, concluding the reading of the epistle at breakfast.
+"It makes such a difference to a new boy having somebody to protect
+him at first."
+
+"Only drawback is," said his eldest brother gloomily--"won't get cheek
+knocked out of him. Tom's kid wh'ought get'sheadsmacked reg'ly. Be no
+holding him."
+
+And he helped himself to marmalade, of which delicacy his mouth was
+full, with a sort of magnificent despondency.
+
+By the end of the first fortnight of his school career, Thomas
+Beauchamp Algernon had overcome all the little ruggednesses which
+relieve the path of the new boy from monotony. He had been taken in by
+a primaeval "sell" which the junior day-room invariably sprang on the
+new-comer. But as he had sat on the head of the engineer of the same
+for the space of ten minutes, despite the latter's complaints of pain
+and forecasts of what he would do when he got up, the laugh had not
+been completely against him. He had received the honourable
+distinction of extra lesson for ragging in French. He had been
+"touched up" by the prefect of his dormitory for creating a
+disturbance in the small hours. In fact, he had gone through all the
+usual preliminaries, and become a full-blown Eckletonian.
+
+His letters home were so cheerful at this point that a second postal
+order relieved the dwindling fortune of Spencer. And it was this,
+coupled with the remonstrances of Phipps, that induced the Dencroftian
+to break through his icy reserve.
+
+"Look here, Spencer," said Phipps, his conscience thoroughly stirred
+by this second windfall, "it's all rot. You must either send back that
+postal order, or go and see the chap. Besides, he's quite a decent
+kid. We're in the same game at cricket. He's rather a good bowler. I'm
+getting to know him quite well. I've got a jolly sight more right to
+those postal orders than you have."
+
+"But he's an awful ass to look at," pleaded Spencer.
+
+"What's wrong with him? Doesn't look nearly such a goat as you," said
+Phipps, with the refreshing directness of youth.
+
+"He's got yellow hair," argued Spencer.
+
+"Why shouldn't he have?"
+
+"He looks like a sort of young Sunday-school kid."
+
+"Well, he jolly well isn't, then, because I happen to know that he's
+had scraps with some of the fellows in his house, and simply mopped
+them."
+
+"Well, all right, then," said Spencer reluctantly.
+
+The historic meeting took place outside the school shop at the quarter
+to eleven interval next morning. Thomas was leaning against the wall,
+eating a bun. Spencer approached him with half a jam sandwich in his
+hand. There was an awkward pause.
+
+"Hullo!" said Spencer at last.
+
+"Hullo!" said Thomas.
+
+Spencer finished his sandwich and brushed the crumbs off his trousers.
+Thomas continued operations on the bun with the concentrated
+expression of a lunching python.
+
+"I believe your people know my people," said Spencer.
+
+"We have some awfully swell friends," said Thomas. Spencer chewed this
+thoughtfully awhile.
+
+"Beastly cheek," he said at last.
+
+"Sorry," said Thomas, not looking it.
+
+Spencer produced a bag of gelatines.
+
+"Have one?" he asked.
+
+"What's wrong with 'em?"
+
+"All right, don't."
+
+He selected a gelatine and consumed it.
+
+"Ever had your head smacked?" he inquired courteously.
+
+A slightly strained look came into Thomas's blue eyes.
+
+"Not often," he replied politely. "Why?"
+
+"Oh, I don't know," said Spencer. "I was only wondering."
+
+"Oh?"
+
+"Look here," said Spencer, "my mater told me to look after you."
+
+"Well, you can look after me now if you want to, because I'm going."
+
+And Thomas dissolved the meeting by walking off in the direction of
+the junior block.
+
+"That kid," said Spencer to his immortal soul, "wants his head
+smacked, badly."
+
+At lunch Phipps had questions to ask.
+
+"Saw you talking to Shearne in the interval," he said. "What were you
+talking about?"
+
+"Oh, nothing in particular."
+
+"What did you think of him?"
+
+"Little idiot."
+
+"Ask him to tea this afternoon?"
+
+"No."
+
+"You must. Dash it all, you must do something for him. You've had ten
+bob out of his people."
+
+Spencer made no reply.
+
+Going to the school shop that afternoon, he found Thomas seated there
+with Phipps, behind a pot of tea. As a rule, he and Phipps tea'd
+together, and he resented this desertion.
+
+"Come on," said Phipps. "We were waiting for you."
+
+"Pining away," added Thomas unnecessarily.
+
+Spencer frowned austerely.
+
+"Come and look after me," urged Thomas.
+
+Spencer sat down in silence. For a minute no sound could be heard but
+the champing of Thomas's jaws as he dealt with a slab of gingerbread.
+
+"Buck up," said Phipps uneasily.
+
+"Give me," said Thomas, "just one loving look."
+
+Spencer ignored the request. The silence became tense once more.
+
+"Coming to the house net, Phipps?" asked Spencer.
+
+"We were going to the baths. Why don't you come?"
+
+"All right," said Spencer.
+
+Doctors tell us that we should allow one hour to elapse between taking
+food and bathing, but the rule was not rigidly adhered to at Eckleton.
+The three proceeded straight from the tea-table to the baths.
+
+The place was rather empty when they arrived. It was a little earlier
+than the majority of Eckletonians bathed. The bath filled up as lock-up
+drew near. With the exception of a couple of infants splashing about in
+the shallow end, and a stout youth who dived in from the spring-board,
+scrambled out, and dived in again, each time flatter than the last, they
+had the place to themselves.
+
+"What's it like, Gorrick," inquired Phipps of the stout youth, who had
+just appeared above the surface again, blowing like a whale. The
+question was rendered necessary by the fact that many years before the
+boiler at the Eckleton baths had burst, and had never been repaired,
+with the consequence that the temperature of the water was apt to
+vary. That is to say, most days it was colder than others.
+
+"Simply boiling," said the man of weight, climbing out. "I say, did I
+go in all right then?"
+
+"Not bad," said Phipps.
+
+"Bit flat," added Thomas critically.
+
+Gorrick blinked severely at the speaker. A head-waiter at a
+fashionable restaurant is cordial in his manner compared with a boy
+who has been at a public school a year, when addressed familiarly by a
+new boy. After reflecting on the outrage for a moment, he dived in
+again.
+
+"Worse than ever," said Truthful Thomas.
+
+"Look here!" said Gorrick.
+
+"Oh, come _on_!" exclaimed Phipps, and led Thomas away.
+
+"That kid," said Gorrick to Spencer, "wants his head smacked, badly."
+
+"That's just what I say," agreed Spencer, with the eagerness of a
+great mind which has found another that thinks alike with itself.
+
+Spencer was the first of the trio ready to enter the water. His
+movements were wary and deliberate. There was nothing of the
+professional diver about Spencer. First he stood on the edge and
+rubbed his arms, regarding the green water beneath with suspicion and
+dislike. Then, crouching down, he inserted three toes of his left
+foot, drew them back sharply, and said "Oo!" Then he stood up again.
+His next move was to slap his chest and dance a few steps, after which
+he put his right foot into the water, again remarked "Oo!" and resumed
+Position I.
+
+"Thought you said it was warm," he shouted to Gorrick.
+
+"So it is; hot as anything. Come on in."
+
+And Spencer came on in. Not because he wanted to--for, by rights,
+there were some twelve more movements to be gone through before he
+should finally creep in at the shallow end--but because a cold hand,
+placed suddenly on the small of his back, urged him forward. Down he
+went, with the water fizzing and bubbling all over and all round him.
+He swallowed a good deal of it, but there was still plenty left; and
+what there was was colder than one would have believed possible.
+
+He came to the surface after what seemed to him a quarter of an hour,
+and struck out for the side. When he got out, Phipps and Thomas had
+just got in. Gorrick was standing at the end of the cocoanut matting
+which formed a pathway to the spring-board. Gorrick was blue, but
+determined.
+
+"I say! Did I go in all right then?" inquired Gorrick.
+
+"How the dickens do I know?" said Spencer, stung to fresh wrath by the
+inanity of the question.
+
+"Spencer did," said Thomas, appearing in the water below them and
+holding on to the rail.
+
+"Look here!" cried Spencer; "did you shove me in then?"
+
+"Me! Shove!" Thomas's voice expressed horror and pain. "Why, you dived
+in. Jolly good one, too. Reminded me of the diving elephants at the
+Hippodrome."
+
+And he swam off.
+
+"That kid," said Gorrick, gazing after him, "wants his head smacked."
+
+"Badly," agreed Spencer. "Look here! did he shove me in? Did you see
+him?"
+
+"I was doing my dive. But it must have been him. Phipps never rags in
+the bath."
+
+Spencer grunted--an expressive grunt--and, creeping down the steps,
+entered the water again.
+
+It was Spencer's ambition to swim ten lengths of the bath. He was not
+a young Channel swimmer, and ten lengths represented a very respectable
+distance to him. He proceeded now to attempt to lower his record. It
+was not often that he got the bath so much to himself. Usually, there
+was barely standing-room in the water, and long-distance swimming was
+impossible. But now, with a clear field, he should, he thought, be able
+to complete the desired distance.
+
+He was beginning the fifth length before interruption came. Just as he
+reached halfway, a reproachful voice at his side said: "Oh, Percy,
+you'll tire yourself!" and a hand on the top of his head propelled him
+firmly towards the bottom.
+
+Every schoolboy, as Honble. Macaulay would have put it, knows the
+sensation of being ducked. It is always unpleasant--sometimes more,
+sometimes less. The present case belonged to the former class. There
+was just room inside Spencer for another half-pint of water. He
+swallowed it. When he came to the surface, he swam to the side without
+a word and climbed out. It was the last straw. Honour could now be
+satisfied only with gore.
+
+He hung about outside the baths till Phipps and Thomas appeared, then,
+with a steadfast expression on his face, he walked up to the latter
+and kicked him.
+
+Thomas seemed surprised, but not alarmed. His eyes grew a little
+rounder, and the pink on his cheeks deepened. He looked like a
+choir-boy in a bad temper.
+
+"Hullo! What's up, you ass, Spencer?" inquired Phipps.
+
+Spencer said nothing.
+
+"Where shall we go?" asked Thomas.
+
+"Oh, chuck it!" said Phipps the peacemaker.
+
+Spencer and Thomas were eyeing each other warily.
+
+"You chaps aren't going to fight?" said Phipps.
+
+The notion seemed to distress him.
+
+"Unless he cares to take a kicking," said Spencer suavely.
+
+"Not to-day, I think, thanks," replied Thomas without heat.
+
+"Then, look here!" said Phipps briskly, "I know a ripping little place
+just off the Lelby Road. It isn't five minutes' walk, and there's no
+chance of being booked there. Rot if someone was to come and stop it
+half-way through. It's in a field; thick hedges. No one can see. And I
+tell you what--I'll keep time. I've got a watch. Two minute rounds,
+and half-a-minute in between, and I'm the referee; so, if anybody
+fouls the other chap, I'll stop the fight. See? Come on!"
+
+Of the details of that conflict we have no very clear record. Phipps
+is enthusiastic, but vague. He speaks in eulogistic terms of a
+"corker" which Spencer brought off in the second round, and, again, of
+a "tremendous biff" which Thomas appears to have consummated in the
+fourth. But of the more subtle points of the fighting he is content
+merely to state comprehensively that they were "top-hole." As to the
+result, it would seem that, in the capacity of referee, he declared
+the affair a draw at the end of the seventh round; and, later, in his
+capacity of second to both parties, helped his principals home by back
+and secret ways, one on each arm.
+
+The next items to which the chronicler would call the attention of the
+reader are two letters.
+
+The first was from Mrs. Shearne to Spencer, and ran as follows--
+
+ My Dear Spencer,--I am writing to you direct, instead of through
+ your aunt, because I want to thank you so much for looking after
+ my boy so well. I know what a hard time a new boy has at a public
+ school if he has got nobody to take care of him at first. I heard
+ from Tom this morning. He seems so happy, and so fond of you. He
+ says you are "an awfully decent chap" and "the only chap who has
+ stood up to him at all." I suppose he means "for him." I hope you
+ will come and spend part of your holidays with us. ("Catch _me!_"
+ said Spencer.)
+
+ _Yours sincerely,_
+ _Isabel Shearne_
+
+ P.S.--I hope you will manage to buy something nice with
+ the enclosed.
+
+The enclosed was yet another postal order for five shillings. As
+somebody wisely observed, a woman's P.S. is always the most important
+part of her letter.
+
+"That kid," murmured Spencer between swollen lips, "has got cheek
+enough for eighteen! 'Awfully decent chap!'"
+
+He proceeded to compose a letter in reply, and for dignity combined
+with lucidity it may stand as a model to young writers.
+
+ _5 College Grounds,_
+ _Eckleton._
+
+ Mr. C. F. Spencer begs to present his compliments to Mrs. Shearne,
+ and returns the postal order, because he doesn't see why he should
+ have it. He notes your remarks _re_ my being a decent chap in
+ your favour of the 13th _prox_., but cannot see where it quite
+ comes in, as the only thing I've done to Mrs. Shearne's son is to
+ fight seven rounds with him in a field, W. G. Phipps refereeing. It
+ was a draw. I got a black eye and rather a whack in the mouth, but
+ gave him beans also, particularly in the wind, which I learned to do
+ from reading "Rodney Stone"--the bit where Bob Whittaker beats the
+ Eyetalian Gondoleery Cove. Hoping that this will be taken in the
+ spirit which is meant,
+
+ _I remain_
+ _Yours sincerely,_
+ _C. F. Spencer_
+ _One enclosure._
+
+He sent this off after prep., and retired to bed full of spiritual
+pride.
+
+On the following morning, going to the shop during the interval, he
+came upon Thomas negotiating a hot bun.
+
+"Hullo!" said Thomas.
+
+As was generally the case after he had had a fair and spirited turn-out
+with a fellow human being, Thomas had begun to feel that he loved his
+late adversary as a brother. A wholesome respect, which had hitherto
+been wanting, formed part of his opinion of him.
+
+"Hullo!" said Spencer, pausing.
+
+"I say," said Thomas.
+
+"What's up?"
+
+"I say, I don't believe we shook hands, did we?"
+
+"I don't remember doing it."
+
+They shook hands. Spencer began to feel that there were points about
+Thomas, after all.
+
+"I say," said Thomas.
+
+"Hullo?"
+
+"I'm sorry about in the bath, you know. I didn't know you minded being
+ducked."
+
+"Oh, all right!" said Spencer awkwardly.
+
+Eight bars rest.
+
+"I say," said Thomas.
+
+"Hullo!"
+
+"Doing anything this afternoon?"
+
+"Nothing special, Why?"
+
+"Come and have tea?"
+
+"All right. Thanks."
+
+"I'll wait for you outside the house."
+
+"All right."
+
+It was just here that Spencer regretted that he had sent back that
+five-shilling postal order. Five good shillings.
+
+Simply chucked away.
+
+Oh, Life, Life!
+
+But they were not, after all. On his plate at breakfast next day Spencer
+found a letter. This was the letter--
+
+ Messrs. J. K. Shearne (father of T. B. A. Shearne) and P. W. Shearne
+ (brother of same) beg to acknowledge receipt of Mr. C. F. Spencer's
+ esteemed communication of yesterday's date, and in reply desire to
+ inform Mr. Spencer of their hearty approval of his attentions to
+ Mr. T. B. A. Shearne's wind. It is their opinion that the above,
+ a nice boy but inclined to cheek, badly needs treatment on these
+ lines occasionally. They therefore beg to return the postal order,
+ together with another for a like sum, and trust that this will meet
+ with Mr. Spencer's approval.
+
+ (Signed) _J. K. Shearne,_
+ _P. W. Shearne._
+ Two enclosures.
+
+"Of course, what's up really," said Spencer to himself, after reading
+this, "is that the whole family's jolly well cracked."
+
+His eye fell on the postal orders.
+
+"Still----!" he said.
+
+That evening he entertained Phipps and Thomas B. A. Shearne lavishly
+at tea.
+
+
+
+
+A CORNER IN LINES
+
+
+Of all the useless and irritating things in this world, lines are
+probably the most useless and the most irritating. In fact, I only
+know of two people who ever got any good out of them. Dunstable, of
+Day's, was one, Linton, of Seymour's, the other. For a portion of one
+winter term they flourished on lines. The more there were set, the
+better they liked it. They would have been disappointed if masters had
+given up the habit of doling them out.
+
+Dunstable was a youth of ideas. He saw far more possibilities in the
+routine of life at Locksley than did the majority of his
+contemporaries, and every now and then he made use of these
+possibilities in a way that caused a considerable sensation in the
+school.
+
+In the ordinary way of school work, however, he was not particularly
+brilliant, and suffered in consequence. His chief foe was his
+form-master, Mr. Langridge. The feud between them had begun on
+Dunstable's arrival in the form two terms before, and had continued
+ever since. The balance of points lay with the master. The staff has
+ways of scoring which the school has not. This story really begins
+with the last day but one of the summer term. It happened that
+Dunstable's people were going to make their annual migration to
+Scotland on that day, and the Headmaster, approached on the subject
+both by letter and in person, saw no reason why--the examinations
+being over--Dunstable should not leave Locksley a day before the
+end of term.
+
+He called Dunstable to his study one night after preparation.
+
+"Your father has written to me, Dunstable," he said, "to ask that you
+may be allowed to go home on Wednesday instead of Thursday. I think
+that, under the special circumstances, there will be no objection to
+this. You had better see that the matron packs your boxes."
+
+"Yes, sir," said Dunstable. "Good business," he added to himself, as
+he left the room.
+
+When he got back to his own den, he began to ponder over the matter,
+to see if something could not be made out of it. That was Dunstable's
+way. He never let anything drop until he had made certain that he had
+exhausted all its possibilities.
+
+Just before he went to bed he had evolved a neat little scheme for
+scoring off Mr. Langridge. The knowledge of his plans was confined to
+himself and the Headmaster. His dorm-master would imagine that he was
+going to stay on till the last day of term. Therefore, if he
+misbehaved himself in form, Mr. Langridge would set him lines in
+blissful ignorance of the fact that he would not be there next day to
+show them up. At the beginning of the following term, moreover, he
+would not be in Mr. Langridge's form, for he was certain of his move
+up.
+
+He acted accordingly.
+
+He spent the earlier part of Wednesday morning in breaches of the
+peace. Mr. Langridge, instead of pulling him up, put him on to
+translate; Dunstable went on to translate. As he had not prepared the
+lesson and was not an adept at construing unseen, his performance was
+poor.
+
+After a minute and a half, the form-master wearied.
+
+"Have you looked at this, Dunstable?" he asked.
+
+There was a time-honoured answer to this question.
+
+"Yes, sir," he said.
+
+Public-school ethics do not demand that you should reply truthfully to
+the spirit of a question. The letter of it is all that requires
+attention. Dunstable had _looked_ at the lesson. He was looking
+at it then. Masters should practise exactness of speech. A certain
+form at Harrow were in the habit of walking across a copy of a Latin
+author before morning-school. They could then say with truth that they
+"had been over it." This is not an isolated case.
+
+"Go on," said Mr. Langridge.
+
+Dunstable smiled as he did so.
+
+Mr. Langridge was annoyed.
+
+"What are you laughing at? What do you mean by it? Stand up. You will
+write out the lesson in Latin and English, and show it up to me by
+four this afternoon. I know what you are thinking. You imagine that
+because this is the end of the term you can do as you please, but you
+will find yourself mistaken. Mind--by four o'clock."
+
+At four o'clock Dunstable was enjoying an excellent tea in Green
+Street, Park Lane, and telling his mother that he had had a most
+enjoyable term, marred by no unpleasantness whatever. His holidays
+were sweetened by the thought of Mr. Langridge's baffled wrath on
+discovering the true inwardness of the recent episode.
+
+ * * * * *
+
+When he returned to Locksley at the beginning of the winter term, he
+was at once made aware that that episode was not to be considered
+closed. On the first evening, Mr. Day, his housemaster, sent for him.
+
+"Well, Dunstable," he said, "where is that imposition?"
+
+Dunstable affected ignorance.
+
+"Please, sir, you set me no imposition."
+
+"No, Dunstable, no." Mr. Day peered at him gravely through his
+spectacles. "_I_ set you no imposition; but Mr. Langridge did."
+
+Dunstable imitated that eminent tactician, Br'er Rabbit. He "lay low
+and said nuffin."
+
+"Surely," continued Mr. Day, in tones of mild reproach, "you did not
+think that you could take Mr. Langridge in?"
+
+Dunstable rather thought he _had_ taken Mr. Langridge in; but he
+made no reply.
+
+"Well," said Mr. Day. "I must set you some punishment. I shall give
+the butler instructions to hand you a note from me at three o'clock
+to-morrow." (The next day was a half-holiday.) "In that note you will
+find indicated what I wish you to write out."
+
+Why this comic-opera secret-society business, Dunstable wondered. Then
+it dawned upon him. Mr. Day wished to break up his half-holiday
+thoroughly.
+
+That afternoon Dunstable retired in disgust to his study to brood over
+his wrongs; to him entered Charles, his friend, one C. J. Linton, to
+wit, of Seymour's, a very hearty sportsman.
+
+"Good," said Linton. "Didn't think I should find you in. Thought you
+might have gone off somewhere as it's such a ripping day. Tell you
+what we'll do. Scull a mile or two up the river and have tea
+somewhere."
+
+"I should like to awfully," said Dunstable, "but I'm afraid I can't."
+
+And he explained Mr. Day's ingenious scheme for preventing him from
+straying that afternoon.
+
+"Rot, isn't it," he said.
+
+"Beastly. Wouldn't have thought old Day had it in him. But I'll tell
+you what," he said. "Do the impot now, and then you'll be able to
+start at three sharp, and we shall get in a good time on the river.
+Day always sets the same thing. I've known scores of chaps get impots
+from him, and they all had to do the Greek numerals. He's mad on the
+Greek numerals. Never does anything else. You'll be as safe as
+anything if you do them. Buck up, I'll help."
+
+They accordingly sat down there and then. By three o'clock an imposing
+array of sheets of foolscap covered with badly-written Greek lay on
+the study table.
+
+"That ought to be enough," said Linton, laying down his pen. "He can't
+set you more than we've done, I should think."
+
+"Rummy how alike our writing looks," said Dunstable, collecting the
+sheets and examining them. "You can hardly tell which is which even
+when you know. Well, there goes three. My watch is slow, as it always
+is. I'll go and get that note."
+
+Two minutes later he returned, full of abusive references to Mr. Day.
+The crafty pedagogue appeared to have foreseen Dunstable's attempt to
+circumvent him by doing the Greek numerals on the chance of his
+setting them. The imposition he had set in his note was ten pages of
+irregular verbs, and they were to be shown up in his study before five
+o'clock. Linton's programme for the afternoon was out of the question
+now. But he loyally gave up any other plans which he might have formed
+in order to help Dunstable with his irregular verbs. Dunstable was too
+disgusted with fate to be properly grateful.
+
+"And the worst of it is," he said, as they adjourned for tea at
+half-past four, having deposited the verbs on Mr. Day's table, "that
+all those numerals will be wasted now."
+
+"I should keep them, though," said Linton. "They may come in useful.
+You never know."
+
+ * * * * *
+
+Towards the end of the second week of term Fate, by way of
+compensation, allowed Dunstable a distinct stroke of luck. Mr. Forman,
+the master of his new form, set him a hundred lines of Virgil, and
+told him to show them up next day. To Dunstable's delight, the next
+day passed without mention of them; and when the day after that went
+by, and still nothing was said, he came to the conclusion that Mr.
+Forman had forgotten all about them.
+
+Which was indeed the case. Mr. Forman was engaged in editing a new
+edition of the "Bacchae," and was apt to be absent-minded in
+consequence. So Dunstable, with a glad smile, hove the lines into a
+cupboard in his study to keep company with the Greek numerals which he
+had done for Mr. Day, and went out to play fives with Linton.
+
+Linton, curiously enough, had also had a stroke of luck in a rather
+similar way. He told Dunstable about it as they strolled back to the
+houses after their game.
+
+"Bit of luck this afternoon," he said. "You remember Appleby setting
+me a hundred-and-fifty the day before yesterday? Well, I showed
+them up to-day, and he looked through them and chucked them into the
+waste-paper basket under his desk. I thought at the time I hadn't seen
+him muck them up at all with his pencil, which is his usual game, so
+after he had gone at the end of school I nipped to the basket and
+fished them out. They were as good as new, so I saved them up in case
+I get any more."
+
+Dunstable hastened to tell of his own good fortune. Linton was
+impressed by the coincidence.
+
+"I tell you what," he said, "we score either way. Because if we never
+get any more lines----"
+
+Dunstable laughed.
+
+"Yes, I know," Linton went on, "we're bound to. But even supposing we
+don't, what we've got in stock needn't be wasted."
+
+"I don't see that," said Dunstable. "Going to have 'em bound in cloth
+and published? Or were you thinking of framing them?"
+
+"Why, don't you see? Sell them, of course. There are dozens of chaps
+in the school who would be glad of a few hundred lines cheap."
+
+"It wouldn't work. They'd be spotted."
+
+"Rot. It's been done before, and nobody said anything. A chap in
+Seymour's who left last Easter sold all his stock lines by auction on
+the last day of term. They were Virgil mostly and Greek numerals. They
+sold like hot cakes. There were about five hundred of them altogether.
+And I happen to know that every word of them has been given up and
+passed all right."
+
+"Well, I shall keep mine," said Dunstable. "I am sure to want all the
+lines in stock that I can get. I used to think Langridge was fairly
+bad in the way of impots, but Forman takes the biscuit easily. It
+seems to be a sort of hobby of his. You can't stop him."
+
+But it was not until the middle of preparation that the great idea
+flashed upon Dunstable's mind.
+
+It was the simplicity of the thing that took his breath away. That and
+its possibilities. This was the idea. Why not start a Lines Trust in
+the school? An agency for supplying lines at moderate rates to all who
+desired them? There did not seem to be a single flaw in the scheme. He
+and Linton between them could turn out enough material in a week to
+give the Trust a good working capital. And as for the risk of
+detection when customers came to show up the goods supplied to them,
+that was very slight. As has been pointed out before, there was
+practically one handwriting common to the whole school when it came to
+writing lines. It resembled the movements of a fly that had fallen
+into an ink-pot, and subsequently taken a little brisk exercise on a
+sheet of foolscap by way of restoring the circulation. Then, again,
+the attitude of the master to whom the lines were shown was not likely
+to be critical. So that everything seemed in favour of Dunstable's
+scheme.
+
+Linton, to whom he confided it, was inclined to scoff at first, but
+when he had had the beauties of the idea explained to him at length,
+became an enthusiastic supporter of the scheme.
+
+"But," he objected, "it'll take up all our time. Is it worth it? We
+can't spend every afternoon sweating away at impots for other people."
+
+"It's all right," said Dunstable, "I've thought of that. We shall need
+to pitch in pretty hard for about a week or ten days. That will give
+us a good big stock, and after that if we turn out a hundred each
+every day it will be all right. A hundred's not much fag if you spread
+them over a day."
+
+Linton admitted that this was sound, and the Locksley Lines Supplying
+Trust, Ltd., set to work in earnest.
+
+It must not be supposed that the Agency left a great deal to chance.
+The writing of lines in advance may seem a very speculative business;
+but both Dunstable and Linton had had a wide experience of Locksley
+masters, and the methods of the same when roused, and they were thus
+enabled to reduce the element of chance to a minimum. They knew, for
+example, that Mr. Day's favourite imposition was the Greek numerals,
+and that in nine cases out of ten that would be what the youth who had
+dealings with him would need to ask for from the Lines Trust. Mr.
+Appleby, on the other hand, invariably set Virgil. The oldest
+inhabitant had never known him to depart from this custom. For the
+French masters extracts from the works of Victor Hugo would probably
+pass muster.
+
+A week from the date of the above conversation, everyone in the
+school, with the exception of the prefects and the sixth form, found
+in his desk on arriving at his form-room a printed slip of paper.
+(Spiking, the stationer in the High Street, had printed it.) It was
+nothing less than the prospectus of the new Trust. It set forth in
+glowing terms the advantages offered by the agency. Dunstable had
+written it--he had a certain amount of skill with his pen--and Linton
+had suggested subtle and captivating additions. The whole presented
+rather a striking appearance.
+
+The document was headed with the name of the Trust in large letters.
+Under this came a number of "scare headlines" such as:
+
+ SEE WHAT YOU SAVE!
+
+ NO MORE WORRY!
+
+ PEACE, PERFECT PEACE!
+
+ WHY DO LINES WHEN WE DO THEM
+ FOR YOU?
+
+Then came the real prospectus:
+
+ The Locksley Lines Supplying Trust, Ltd. has been instituted to
+ meet the growing demand for lines and other impositions. While
+ there are masters at our public schools there will always be lines.
+ At Locksley the crop of masters has always flourished--and still
+ flourishes--very rankly, and the demand for lines has greatly taxed
+ the powers of those to whom has been assigned the task of supplying
+ them.
+
+ It is for the purpose of affording relief to these that the Lines
+ Trust has been formed. It is proposed that all orders for lines
+ shall be supplied out of our vast stock. Our charges are moderate,
+ and vary between threepence and sixpence per hundred lines. The
+ higher charge is made for Greek impositions, which, for obvious
+ reasons, entail a greater degree of labour on our large and
+ efficient staff of writers.
+
+ All orders, which will be promptly executed, should be forwarded to
+ Mr. P. A. Dunstable, 6 College Grounds, Locksley, or to Mr. C. J.
+ Linton, 10 College Grounds, Locksley. _Payment must be inclosed
+ with order, or the latter will not be executed._ Under no
+ conditions will notes of hand or cheques be accepted as legal
+ tender. There is no trust about us except the name.
+
+ Come in your thousands. We have lines for all. If the Trust's
+ stock of lines were to be placed end to end it would reach part
+ of the way to London. "You pay the threepence. We do the rest."
+
+Then a blank space, after which came a few "unsolicited testimonials":
+
+ "Lower Fifth" writes: "I was set two hundred lines of Virgil on
+ Saturday last at one o'clock. Having laid in a supply from your
+ agency I was enabled to show them up at five minutes past one.
+ The master who gave me the commission was unable to restrain his
+ admiration at the rapidity and neatness of my work. You may make
+ what use of this you please."
+
+ "Dexter's House" writes: "Please send me one hundred (100) lines
+ from _Aeneid, Book Two_. Mr. Dexter was so delighted with the last
+ I showed him that he has asked me to do some more."
+
+ "Enthusiast" writes: "Thank you for your Greek numerals. Day took
+ them without blinking. So beautifully were they executed that I can
+ hardly believe even now that I did not write them myself."
+
+ * * * * *
+
+There could be no doubt about the popularity of the Trust. It caught
+on instantly.
+
+Nothing else was discussed in the form-rooms at the quarter to eleven
+interval, and in the houses after lunch it was the sole topic of
+conversation. Dunstable and Linton were bombarded with questions and
+witticisms of the near personal sort. To the latter they replied with
+directness, to the former evasively.
+
+"What's it all _about?_" someone would ask, fluttering the
+leaflet before Dunstable's unmoved face.
+
+"You should read it carefully," Dunstable would reply. "It's all
+there."
+
+"But what are you playing at?"
+
+"We tried to make it clear to the meanest intelligence. Sorry you
+can't understand it."
+
+While at the same time Linton, in his form-room, would be explaining
+to excited inquirers that he was sorry, but it was impossible to reply
+to their query as to who was running the Trust. He was not at liberty
+to reveal business secrets. Suffice it that there the lines were,
+waiting to be bought, and he was there to sell them. So that if
+anybody cared to lay in a stock, large or small, according to taste,
+would he kindly walk up and deposit the necessary coin?
+
+But here the public showed an unaccountable disinclination to deal. It
+was gratifying to have acquaintances coming up and saying admiringly:
+"You are an ass, you know," as if they were paying the highest of
+compliments--as, indeed, they probably imagined that they were. All
+this was magnificent, but it was not business. Dunstable and Linton
+felt that the whole attitude of the public towards the new enterprise
+was wrong. Locksley seemed to regard the Trust as a huge joke, and its
+prospectus as a literary _jeu d'esprit_.
+
+In fact, it looked very much as if--from a purely commercial point of
+view--the great Lines Supplying Trust was going to be what is known in
+theatrical circles as a frost.
+
+For two whole days the public refused to bite, and Dunstable and
+Linton, turning over the stacks of lines in their studies, thought
+gloomily that this world is no place for original enterprise.
+
+Then things began to move.
+
+It was quite an accident that started them. Jackson, of Dexter's, was
+teaing with Linton, and, as was his habit, was giving him a condensed
+history of his life since he last saw him. In the course of this he
+touched on a small encounter with M. Gaudinois which had occurred that
+afternoon.
+
+"So I got two pages of 'Quatre-Vingt Treize' to write," he concluded,
+"for doing practically nothing."
+
+All Jackson's impositions, according to him, were given him for doing
+practically nothing. Now and then he got them for doing literally
+nothing--when he ought to have been doing form-work.
+
+"Done 'em?" asked Linton.
+
+"Not yet; no," replied Jackson. "More tea, please."
+
+"What you want to do, then," said Linton, "is to apply to the Locksley
+Lines Supplying Trust. That's what you must do."
+
+"You needn't rot a chap on a painful subject," protested Jackson.
+
+"I wasn't rotting," said Linton. "Why don't you apply to the Lines
+Trust?"
+
+"Then do you mean to say that there really is such a thing?" Jackson
+said incredulously. "Why I thought it was all a rag."
+
+"I know you did. It's the rotten sort of thing you would think. Rag,
+by Jove! Look at this. Now do you understand that this is a genuine
+concern?"
+
+He got up and went to the cupboard which filled the space between the
+stove and the bookshelf. From this resting-place he extracted a great
+pile of manuscript and dumped it down on the table with a bang which
+caused a good deal of Jackson's tea to spring from its native cup on
+to its owner's trousers.
+
+"When you've finished," protested Jackson, mopping himself with a
+handkerchief that had seen better days.
+
+"Sorry. But look at these. What did you say your impot was? Oh, I
+remember. Here you are. Two pages of 'Quatre-Vingt Treize.' I don't
+know which two pages, but I suppose any will do."
+
+Jackson was amazed.
+
+"Great Scott! what a wad of stuff! When did you do it all?"
+
+"Oh, at odd times. Dunstable's got just as much over at Day's. So you
+see the Trust is a jolly big show. Here are your two pages. That looks
+just like your scrawl, doesn't it? These would be fourpence in the
+ordinary way, but you can have 'em for nothing this time."
+
+"Oh, I say," said Jackson gratefully, "that's awfully good of you."
+
+After that the Locksley Lines Supplying Trust, Ltd. went ahead with
+a rush. The brilliant success which attended its first specimen--M.
+Gaudinois took Jackson's imposition without a murmur--promoted
+confidence in the public, and they rushed to buy. Orders poured in
+from all the houses, and by the middle of the term the organisers of
+the scheme were able to divide a substantial sum.
+
+"How are you getting on round your way?" asked Linton of Dunstable at
+the end of the sixth week of term.
+
+"Ripping. Selling like hot cakes."
+
+"So are mine," said Linton. "I've almost come to the end of my stock.
+I ought to have written some more, but I've been a bit slack lately."
+
+"Yes, buck up. We must keep a lot in hand."
+
+"I say, did you hear that about Merrett in our house?" asked Linton.
+
+"What about him?"
+
+"Why, he tried to start a rival show. Wrote a prospectus and
+everything. But it didn't catch on a bit. The only chap who bought any
+of his lines was young Shoeblossom. He wanted a couple of hundred for
+Appleby. Appleby was on to them like bricks. Spotted Shoeblossom
+hadn't written them, and asked who had. He wouldn't say, so he got
+them doubled. Everyone in the house is jolly sick with Merrett. They
+think he ought to have owned up."
+
+"Did that smash up Merrett's show? Is he going to turn out any more?"
+
+"Rather not. Who'd buy 'em?"
+
+It would have been better for the Lines Supplying Trust if Merrett had
+not received this crushing blow and had been allowed to carry on a
+rival business on legitimate lines. Locksley was conservative in its
+habits, and would probably have continued to support the old firm.
+
+As it was, the baffled Merrett, a youth of vindictive nature, brooded
+over his defeat, and presently hit upon a scheme whereby things might
+be levelled up.
+
+One afternoon, shortly before lock-up, Dunstable was surprised by the
+advent of Linton to his study in a bruised and dishevelled condition.
+One of his expressive eyes was closed and blackened. He also wore what
+is known in ring circles as a thick ear.
+
+"What on earth's up?" inquired Dunstable, amazed at these phenomena.
+"Have you been scrapping?"
+
+"Yes--Merrett--I won. What are you up to--writing lines? You may as
+well save yourself the trouble. They won't be any good." Dunstable
+stared.
+
+"The Trust's bust," said Linton.
+
+He never wasted words in moments of emotion.
+
+"What!"
+
+"'Bust' was what I said. That beast Merrett gave the show away."
+
+"What did he do? Surely he didn't tell a master?"
+
+"Well, he did the next thing to it. He hauled out that prospectus, and
+started reading it in form. I watched him do it. He kept it under the
+desk and made a foul row, laughing over it. Appleby couldn't help
+spotting him. Of course, he told him to bring him what he was reading.
+Up went Merrett with the prospectus."
+
+"Was Appleby sick?"
+
+"I don't believe he was, really. At least, he laughed when he read the
+thing. But he hauled me up after school and gave me a long jaw, and
+made me take all the lines I'd got to his house. He burnt them. I had
+it out with Merrett just now. He swears he didn't mean to get the
+thing spotted, but I knew he did."
+
+"Where did you scrag him!"
+
+"In the dormitory. He chucked it after the third round."
+
+There was a knock at the door.
+
+"Come in," shouted Dunstable.
+
+Buxton appeared, a member of Appleby's house.
+
+"Oh, Dunstable, Appleby wants to see you."
+
+"All right," said Dunstable wearily.
+
+Mr. Appleby was in facetious mood. He chaffed Dunstable genially about
+his prospectus, and admitted that it had amused him. Dunstable smiled
+without enjoyment. It was a good thing, perhaps, that Mr. Appleby saw
+the humorous rather than the lawless side of the Trust; but all the
+quips in the world could not save that institution from ruin.
+
+Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he
+seemed to say; "but duty is duty, and must be done."
+
+"How many lines have you at your house, Dunstable?" he asked.
+
+"About eight hundred, sir."
+
+"Then you had better write me eight hundred lines, and show them up to
+me in this room at--shall we say at ten minutes to five? It is now a
+quarter to, so that you will have plenty of time."
+
+Dunstable went, and returned five minutes later, bearing an armful of
+manuscript.
+
+"I don't think I shall need to count them," said Mr. Appleby. "Kindly
+take them in batches of ten sheets, and tear them in half, Dunstable."
+
+"Yes, sir."
+
+The last sheet fluttered in two sections into the surfeited
+waste-paper basket.
+
+"It's an awful waste, sir," said Dunstable regretfully.
+
+Mr. Appleby beamed.
+
+"We must, however," he said, "always endeavour to look on the bright
+side, Dunstable. The writing of these eight hundred lines will have
+given you a fine grip of the rhythm of Virgil, the splendid prose of
+Victor Hugo, and the unstudied majesty of the Greek Numerals. Good-night,
+Dunstable."
+
+"Good-night, sir," said the President of the Locksley Lines Supplying
+Trust, Ltd.
+
+
+
+
+THE AUTOGRAPH HUNTERS
+
+
+Dunstable had his reasons for wishing to obtain Mr. Montagu Watson's
+autograph, but admiration for that gentleman's novels was not one of
+them.
+
+It was nothing to him that critics considered Mr. Watson one of the
+most remarkable figures in English literature since Scott. If you had
+told him of this, he would merely have wondered in his coarse,
+material way how much Mr. Watson gave the critics for saying so. To
+the reviewer of the _Weekly Booklover_ the great man's latest
+effort, "The Soul of Anthony Carrington" (Popgood and Grooly: 6s.)
+seemed "a work that speaks eloquently in every line of a genius that
+time cannot wither nor custom stale." To Dunstable, who got it out of
+the school library, where it had been placed at the request of a
+literary prefect, and read the first eleven pages, it seemed rot, and
+he said as much to the librarian on returning it.
+
+Yet he was very anxious to get the novelist's autograph. The fact was
+that Mr. Day, his house-master, a man whose private life was in other
+ways unstained by vicious habits, collected autographs. Also Mr. Day
+had behaved in a square manner towards Dunstable on several occasions
+in the past, and Dunstable, always ready to punish bad behaviour in a
+master, was equally anxious to reward and foster any good trait which
+he might exhibit.
+
+On the occasion of the announcement that Mr. Watson had taken the big
+white house near Chesterton, a couple of miles from the school, Mr.
+Day had expressed in Dunstable's hearing a wish that he could add that
+celebrity's signature to his collection. Dunstable had instantly
+determined to play the part of a benevolent Providence. He would get
+the autograph and present it to the house-master, as who should say,
+"see what comes of being good." It would be pleasant to observe the
+innocent joy of the recipient, his child-like triumph, and his
+amazement at the donor's ingenuity in securing the treasure. A
+touching scene--well worth the trouble involved in the quest.
+
+And there would be trouble. For Mr. Montagu Watson was notoriously a
+foe to the autograph-hunter. His curt, type-written replies (signed by
+a secretary) had damped the ardour of scores of brave men and--more or
+less--fair women. A genuine Montagu Watson was a prize in the
+autograph market.
+
+Dunstable was a man of action. When Mark, the boot-boy at Day's,
+carried his burden of letters to the post that evening, there nestled
+among them one addressed to M. Watson, Esq., The White House,
+Chesterton. Looking at it casually, few of his friends would have
+recognised Dunstable's handwriting. For it had seemed good to that man
+of guile to adopt for the occasion the role of a backward youth of
+twelve years old. He thought tender years might touch Mr. Watson's
+heart.
+
+This was the letter:
+
+ _Dear Sir_,--I am only a littel boy, but I think your
+ books ripping. I often wonder how you think of it all. Will you
+ please send me your ortograf? I like your books very much. I have
+ named my white rabit Montagu after you. I punched Jones II in
+ the eye to-day becos he didn't like your books. I have spent the
+ only penny I have on the stampe for this letter which I might have
+ spent on tuck. I want to be like Maltby in "The Soul of Anthony
+ Carrington" when I grow up.
+
+ _Your sincere reader_,
+ P. A. Dunstable.
+
+It was a little unfortunate, perhaps, that he selected Maltby as his
+ideal character. That gentleman was considered by critics a masterly
+portrait of the cynical _roué_. But it was the only name he
+remembered.
+
+"Hot stuff!" said Dunstable to himself, as he closed the envelope.
+
+"Little beast!" said Mr. Watson to himself as he opened it. It arrived
+by the morning post, and he never felt really himself till after
+breakfast.
+
+"Here, Morrison," he said to his secretary, later in the morning:
+"just answer this, will you? The usual thing--thanks and most deeply
+grateful, y'know."
+
+Next day the following was included in Dunstable's correspondence:
+
+ Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable,
+ and begs to thank him for all the kind things he says about his
+ work in his letter of the 18th inst., for which he is deeply grateful.
+
+"Foiled!" said Dunstable, and went off to Seymour's to see his friend
+Linton.
+
+"Got any notepaper?" he asked.
+
+"Heaps," said Linton. "Why? Want some?"
+
+"Then get out a piece. I want to dictate a letter."
+
+Linton stared.
+
+"What's up? Hurt your hand?"
+
+Dunstable explained.
+
+"Day collects autographs, you know, and he wants Montagu Watson's
+badly. Pining away, and all that sort of thing. Won't smile until he
+gets it. I had a shot at it yesterday, and got this."
+
+Linton inspected the document.
+
+"So I can't send up another myself, you see."
+
+"Why worry?"
+
+"Oh, I'd like to put Day one up. He's not been bad this term. Come
+on."
+
+"All right. Let her rip."
+
+Dunstable let her rip.
+
+ _Dear Sir_,--I cannot refrain from writing to tell you what
+ an inestimable comfort your novels have been to me during years
+ of sore tribulation and distress----
+
+"Look here," interrupted Linton with decision at this point. "If you
+think I'm going to shove my name at the end of this rot, you're making
+the mistake of a lifetime."
+
+"Of course not. You're a widow who has lost two sons in South Africa.
+We'll think of a good name afterwards. Ready?
+
+ "Ever since my darling Charles Herbert and Percy Lionel were
+ taken from me in that dreadful war, I have turned for consolation
+ to the pages of 'The Soul of Anthony Carrington' and----"
+
+"What, another?" asked Linton.
+
+"There's one called 'Pancakes.'"
+
+"Sure? Sounds rummy."
+
+"That's all right. You have to get a queer title nowadays if you want
+to sell a book."
+
+"Go on, then. Jam it down."
+
+ "--and 'Pancakes.' I hate to bother you, but if you could send me
+ your autograph I should be more grateful than words can say. Yours
+ admiringly."
+
+"What's a good name? How would Dorothy Maynard do?"
+
+"You want something more aristocratic. What price Hilda Foulke-Ponsonby?"
+
+Dunstable made no objection, and Linton signed the letter with a
+flourish.
+
+They installed Mrs. Foulke-Ponsonby at Spiking's in the High Street.
+It was not a very likely address for a lady whose blood was presumably
+of the bluest, but they could think of none except that obliging
+stationer who would take in letters for them.
+
+There was a letter for Mrs. Foulke-Ponsonby next day. Whatever his
+other defects as a correspondent, Mr. Watson was at least prompt with
+his responses.
+
+Mr. Montagu Watson presented his compliments, and was deeply grateful
+for all the kind things Mrs. Foulke-Ponsonby had said about his work
+in her letter of the 19th inst. He was, however, afraid that he
+scarcely deserved them. Her opportunities of deriving consolation from
+"The Soul of Anthony Carrington" had been limited by the fact that
+that book had only been published ten days before: while, as for
+"Pancakes," to which she had referred in such flattering terms, he
+feared that another author must have the credit of any refreshment her
+bereaved spirit might have extracted from that volume, for he had
+written no work of such a name. His own "Pan Wakes" would, he hoped,
+administer an equal quantity of balm.
+
+Mr. Secretary Morrison had slept badly on the night before he wrote
+this letter, and had expended some venom upon its composition.
+
+"Sold again!" said Dunstable.
+
+"You'd better chuck it now. It's no good," said Linton.
+
+"I'll have another shot. Then I'll try and think of something else."
+
+Two days later Mr. Morrison replied to Mr. Edgar Habbesham-Morley, of
+3a, Green Street, Park Lane, to the effect that Mr. Montagu Watson was
+deeply grateful for all the kind things, etc.----
+
+3a, Green Street was Dunstable's home address.
+
+At this juncture the Watson-Dunstable correspondence ceases, and the
+relations become more personal.
+
+On the afternoon of the twenty-third of the month, Mr. Watson, taking
+a meditative stroll through the wood which formed part of his
+property, was infuriated by the sight of a boy.
+
+He was not a man who was fond of boys even in their proper place, and
+the sight of one in the middle of his wood, prancing lightly about
+among the nesting pheasants, stirred his never too placid mind to its
+depths.
+
+He shouted.
+
+The apparition paused.
+
+"Here! Hi! you boy!"
+
+"Sir?" said the stripling, with a winning smile, lifting his cap with
+the air of a D'Orsay.
+
+"What business have you in my wood?"
+
+"Not business," corrected the visitor, "pleasure."
+
+"Come here!" shrilled the novelist.
+
+The stranger receded coyly.
+
+Mr. Watson advanced at the double.
+
+His quarry dodged behind a tree.
+
+For five minutes the great man devoted his powerful mind solely to the
+task of catching his visitor.
+
+The latter, however, proved as elusive as the point of a half-formed
+epigram, and at the end of the five minutes he was no longer within
+sight.
+
+Mr. Watson went off and addressed his keeper in terms which made that
+worthy envious for a week.
+
+"It's eddication," he said subsequently to a friend at the "Cowslip
+Inn." "You and me couldn't talk like that. It wants eddication."
+
+For the next few days the keeper's existence was enlivened by visits
+from what appeared to be a most enthusiastic bird's-nester. By no
+other theory could he account for it. Only a boy with a collection to
+support would run such risks.
+
+To the keeper's mind the human boy up to the age of twenty or so had
+no object in life except to collect eggs. After twenty, of course, he
+took to poaching. This was a boy of about seventeen.
+
+On the fifth day he caught him, and conducted him into the presence of
+Mr. Montagu Watson.
+
+Mr. Watson was brief and to the point. He recognised his visitor as
+the boy for whose benefit he had made himself stiff for two days.
+
+The keeper added further damaging facts.
+
+"Bin here every day, he 'as, sir, for the last week. Well, I says to
+myself, supposition is he'll come once too often. He'll come once too
+often, I says. And then, I says, I'll cotch him. And I cotched him."
+
+The keeper's narrative style had something of the classic simplicity
+of Julius Caesar's.
+
+Mr. Watson bit his pen.
+
+"What you boys come for I can't understand," he said irritably.
+"You're from the school, of course?"
+
+"Yes," said the captive.
+
+"Well, I shall report you to your house-master. What is your name?"
+
+"Dunstable."
+
+"Your house?"
+
+"Day's."
+
+"Very good. That is all."
+
+Dunstable retired.
+
+His next appearance in public life was in Mr. Day's study. Mr. Day had
+sent for him after preparation. He held a letter in his hand, and he
+looked annoyed.
+
+"Come in, Dunstable. I have just received a letter complaining of you.
+It seems that you have been trespassing."
+
+"Yes, sir."
+
+"I am surprised, Dunstable, that a sensible boy like you should have
+done such a foolish thing. It seems so objectless. You know how
+greatly the head-master dislikes any sort of friction between the
+school and the neighbours, and yet you deliberately trespass in Mr.
+Watson's wood."
+
+"I'm very sorry, sir."
+
+"I have had a most indignant letter from him--you may see what he
+says. You do not deny it?"
+
+Dunstable ran his eye over the straggling, untidy sentences.
+
+"No, sir. It's quite true."
+
+"In that case I shall have to punish you severely. You will write me
+out the Greek numerals ten times, and show them up to me on Tuesday."
+
+"Yes, sir."
+
+"That will do."
+
+At the door Dunstable paused.
+
+"Well, Dunstable?" said Mr. Day.
+
+"Er--I'm glad you've got his autograph after all, sir," he said.
+
+Then he closed the door.
+
+As he was going to bed that night, Dunstable met the house-master on
+the stairs.
+
+"Dunstable," said Mr. Day.
+
+"Yes, sir."
+
+"On second thoughts, it would be better if, instead of the Greek
+numerals ten times, you wrote me the first ode of the first book of
+Horace. The numerals would be a little long, perhaps."
+
+
+
+
+PILLINGSHOT, DETECTIVE
+
+
+Life at St. Austin's was rendered somewhat hollow and burdensome for
+Pillingshot by the fact that he fagged for Scott. Not that Scott was
+the Beetle-Browed Bully in any way. Far from it. He showed a kindly
+interest in Pillingshot's welfare, and sometimes even did his Latin
+verses for him. But the noblest natures have flaws, and Scott's was no
+exception. He was by way of being a humorist, and Pillingshot, with
+his rather serious outlook on life, was puzzled and inconvenienced by
+this.
+
+It was through this defect in Scott's character that Pillingshot first
+became a detective.
+
+He was toasting muffins at the study fire one evening, while Scott,
+seated on two chairs and five cushions, read "Sherlock Holmes," when
+the Prefect laid down his book and fixed him with an earnest eye.
+
+"Do you know, Pillingshot," he said, "you've got a bright, intelligent
+face. I shouldn't wonder if you weren't rather clever. Why do you hide
+your light under a bushel?"
+
+Pillingshot grunted.
+
+"We must find some way of advertising you. Why don't you go in for a
+Junior Scholarship?"
+
+"Too old," said Pillingshot with satisfaction.
+
+"Senior, then?"
+
+"Too young."
+
+"I believe by sitting up all night and swotting----"
+
+"Here, I say!" said Pillingshot, alarmed.
+
+"You've got no enterprise," said Scott sadly. "What are those?
+Muffins? Well, well, I suppose I had better try and peck a bit."
+
+He ate four in rapid succession, and resumed his scrutiny of
+Pillingshot's countenance.
+
+"The great thing," he said, "is to find out your special line. Till
+then we are working in the dark. Perhaps it's music? Singing? Sing me
+a bar or two."
+
+Pillingshot wriggled uncomfortably.
+
+"Left your music at home?" said Scott. "Never mind, then. Perhaps it's
+all for the best. What are those? Still muffins? Hand me another.
+After all, one must keep one's strength up. You can have one if you
+like."
+
+Pillingshot's face brightened. He became more affable. He chatted.
+
+"There's rather a row on downstairs," he said. "In the junior day-room."
+
+"There always is," said Scott. "If it grows too loud, I shall get in
+amongst them with a swagger-stick. I attribute half my success at
+bringing off late-cuts to the practice I have had in the junior
+day-room. It keeps the wrist supple."
+
+"I don't mean that sort of row. It's about Evans."
+
+"What about Evans?"
+
+"He's lost a sovereign."
+
+"Silly young ass."
+
+Pillingshot furtively helped himself to another muffin.
+
+"He thinks some one's taken it," he said.
+
+"What! Stolen it?"
+
+Pillingshot nodded.
+
+"What makes him think that?"
+
+"He doesn't see how else it could have gone."
+
+"Oh, I don't--By Jove!"
+
+Scott sat up with some excitement.
+
+"I've got it," he said. "I knew we should hit on it sooner or later.
+Here's a field for your genius. You shall be a detective. Pillingshot,
+I hand this case over to you. I employ you."
+
+Pillingshot gaped.
+
+"I feel certain that's your line. I've often noticed you walking over
+to school, looking exactly like a blood-hound. Get to work. As a start
+you'd better fetch Evans up here and question him."
+
+"But, look here----"
+
+"Buck up, man, buck up. Don't you know that every moment is precious?"
+
+Evans, a small, stout youth, was not disposed to be reticent. The gist
+of his rambling statement was as follows. Rich uncle. Impecunious
+nephew. Visit of former to latter. Handsome tip, one sovereign.
+Impecunious nephew pouches sovereign, and it vanishes.
+
+"And I call it beastly rot," concluded Evans volubly. "And if I could
+find the cad who's pinched it, I'd jolly well----"
+
+"Less of it," said Scott. "Now, then, Pillingshot, I'll begin this
+thing, just to start you off. What makes you think the quid has been
+stolen, Evans?"
+
+"Because I jolly well know it has."
+
+"What you jolly well know isn't evidence. We must thresh this thing
+out. To begin with, where did you last see it?"
+
+"When I put it in my pocket."
+
+"Good. Make a note of that, Pillingshot. Where's your notebook? Not
+got one? Here you are then. You can tear out the first few pages, the
+ones I've written on. Ready? Carry on, Evans. When?"
+
+"When what?"
+
+"When did you put it in your pocket?"
+
+"Yesterday afternoon."
+
+"What time?"
+
+"About five."
+
+"Same pair of bags you're wearing now?"
+
+"No, my cricket bags. I was playing at the nets when my uncle came."
+
+"Ah! Cricket bags? Put it down, Pillingshot. That's a clue. Work on
+it. Where are they?"
+
+"They've gone to the wash."
+
+"About time, too. I noticed them. How do you know the quid didn't go
+to the wash as well?"
+
+"I turned both the pockets inside out."
+
+"Any hole in the pocket?"
+
+"No."
+
+"Well, when did you take off the bags? Did you sleep in them?"
+
+"I wore 'em till bed-time, and then shoved them on a chair by the side
+of the bed. It wasn't till next morning that I remembered the quid was
+in them----"
+
+"But it wasn't," objected Scott.
+
+"I thought it was. It ought to have been."
+
+"He thought it was. That's a clue, young Pillingshot. Work on it.
+Well?"
+
+"Well, when I went to take the quid out of my cricket bags, it wasn't
+there."
+
+"What time was that?"
+
+"Half-past seven this morning."
+
+"What time did you go to bed?"
+
+"Ten."
+
+"Then the theft occurred between the hours of ten and seven-thirty.
+Mind you, I'm giving you a jolly good leg-up, young Pillingshot. But
+as it's your first case I don't mind. That'll be all from you, Evans.
+Pop off."
+
+Evans disappeared. Scott turned to the detective.
+
+"Well, young Pillingshot," he said, "what do you make of it?"
+
+"I don't know."
+
+"What steps do you propose to take?"
+
+"I don't know."
+
+"You're a lot of use, aren't you? As a start, you'd better examine the
+scene of the robbery, I should say."
+
+Pillingshot reluctantly left the room.
+
+"Well?" said Scott, when he returned. "Any clues?"
+
+"No."
+
+"You thoroughly examined the scene of the robbery?"
+
+"I looked under the bed."
+
+"_Under_ the bed? What's the good of that? Did you go over every inch
+of the strip of carpet leading to the chair with a magnifying-glass?"
+
+"Hadn't got a magnifying-glass."
+
+"Then you'd better buck up and get one, if you're going to be a
+detective. Do you think Sherlock Holmes ever moved a step without his?
+Not much. Well, anyhow. Did you find any foot-prints or tobacco-ash?"
+
+"There was a jolly lot of dust about."
+
+"Did you preserve a sample?"
+
+"No."
+
+"My word, you've a lot to learn. Now, weighing the evidence, does
+anything strike you?"
+
+"No."
+
+"You're a bright sort of sleuth-hound, aren't you! It seems to me I'm
+doing all the work on this case. I'll have to give you another leg-up.
+Considering the time when the quid disappeared, I should say that
+somebody in the dormitory must have collared it. How many fellows are
+there in Evans' dormitory?"
+
+"I don't know."
+
+"Cut along and find out."
+
+The detective reluctantly trudged off once more.
+
+"Well?" said Scott, on his return.
+
+"Seven," said Pillingshot. "Counting Evans."
+
+"We needn't count Evans. If he's ass enough to steal his own quids, he
+deserves to lose them. Who are the other six?"
+
+"There's Trent. He's prefect."
+
+"The Napoleon of Crime. Watch his every move. Yes?"
+
+"Simms."
+
+"A dangerous man. Sinister to the core."
+
+"And Green, Berkeley, Hanson, and Daubeny."
+
+"Every one of them well known to the police. Why, the place is a
+perfect Thieves' Kitchen. Look here, we must act swiftly, young
+Pillingshot. This is a black business. We'll take them in alphabetical
+order. Run and fetch Berkeley."
+
+Berkeley, interrupted in a game of Halma, came unwillingly.
+
+"Now then, Pillingshot, put your questions," said Scott. "This is a
+black business, Berkeley. Young Evans has lost a sovereign----"
+
+"If you think I've taken his beastly quid----!" said Berkeley warmly.
+
+"Make a note that, on being questioned, the man Berkeley exhibited
+suspicious emotion. Go on. Jam it down."
+
+Pillingshot reluctantly entered the statement under Berkeley's
+indignant gaze.
+
+"Now then, carry on."
+
+"You know, it's all rot," protested Pillingshot. "I never said
+Berkeley had anything to do with it."
+
+"Never mind. Ask him what his movements were on the night of the--what
+was yesterday?--on the night of the sixteenth of July."
+
+Pillingshot put the question nervously.
+
+"I was in bed, of course, you silly ass."
+
+"Were you asleep?" inquired Scott.
+
+"Of course I was."
+
+"Then how do you know what you were doing? Pillingshot, make a note of
+the fact that the man Berkeley's statement was confused and
+contradictory. It's a clue. Work on it. Who's next? Daubeny. Berkeley,
+send Daubeny up here."
+
+"All right, Pillingshot, you wait," was Berkeley's exit speech.
+
+Daubeny, when examined, exhibited the same suspicious emotion that
+Berkeley had shown; and Hanson, Simms, and Green behaved in a
+precisely similar manner.
+
+"This," said Scott, "somewhat complicates the case. We must have
+further clues. You'd better pop off now, Pillingshot. I've got a Latin
+Prose to do. Bring me reports of your progress daily, and don't
+overlook the importance of trifles. Why, in 'Silver Blaze' it was a
+burnt match that first put Holmes on the scent."
+
+Entering the junior day-room with some apprehension, the sleuth-hound
+found an excited gathering of suspects waiting to interview him.
+
+One sentiment animated the meeting. Each of the five wanted to know
+what Pillingshot meant by it.
+
+"What's the row?" queried interested spectators, rallying round.
+
+"That cad Pillingshot's been accusing us of bagging Evans' quid."
+
+"What's Scott got to do with it?" inquired one of the spectators.
+
+Pillingshot explained his position.
+
+"All the same," said Daubeny, "you needn't have dragged us into it."
+
+"I couldn't help it. He made me."
+
+"Awful ass, Scott," admitted Green.
+
+Pillingshot welcomed this sign that the focus of popular indignation
+was being shifted.
+
+"Shoving himself into other people's business," grumbled Pillingshot.
+
+"Trying to be funny," Berkeley summed up.
+
+"Rotten at cricket, too."
+
+"Can't play a yorker for nuts."
+
+"See him drop that sitter on Saturday?"
+
+So that was all right. As far as the junior day-room was concerned,
+Pillingshot felt himself vindicated.
+
+But his employer was less easily satisfied. Pillingshot had hoped that
+by the next day he would have forgotten the subject. But, when he went
+into the study to get tea ready, up it came again.
+
+"Any clues yet, Pillingshot?"
+
+Pillingshot had to admit that there were none.
+
+"Hullo, this won't do. You must bustle about. You must get your nose
+to the trail. Have you cross-examined Trent yet? No? Well, there you
+are, then. Nip off and do it now."
+
+"But, I say, Scott! He's a prefect!"
+
+"In the dictionary of crime," said Scott sententiously, "there is no
+such word as prefect. All are alike. Go and take down Trent's
+statement."
+
+To tax a prefect with having stolen a sovereign was a task at which
+Pillingshot's imagination boggled. He went to Trent's study in a sort
+of dream.
+
+A hoarse roar answered his feeble tap. There was no doubt about Trent
+being in. Inspection revealed the fact that the prefect was working
+and evidently ill-attuned to conversation. He wore a haggard look and
+his eye, as it caught that of the collector of statements, was
+dangerous.
+
+"Well?" said Trent, scowling murderously.
+
+Pillingshot's legs felt perfectly boneless.
+
+"_Well_?" said Trent.
+
+Pillingshot yammered.
+
+"_Well_?"
+
+The roar shook the window, and Pillingshot's presence of mind deserted
+him altogether.
+
+"Have you bagged a sovereign?" he asked.
+
+There was an awful silence, during which the detective, his limbs
+suddenly becoming active again, banged the door, and shot off down the
+passage.
+
+He re-entered Scott's study at the double.
+
+"Well?" said Scott. "What did he say?"
+
+"Nothing."
+
+"Get out your note-book, and put down, under the heading 'Trent':
+'Suspicious silence.' A very bad lot, Trent. Keep him under constant
+espionage. It's a clue. Work on it."
+
+Pillingshot made a note of the silence, but later on, when he and the
+prefect met in the dormitory, felt inclined to erase it. For silence
+was the last epithet one would have applied to Trent on that occasion.
+As he crawled painfully into bed Pillingshot became more than ever
+convinced that the path of the amateur detective was a thorny one.
+
+This conviction deepened next day.
+
+Scott's help was possibly well meant, but it was certainly
+inconvenient. His theories were of the brilliant, dashing order, and
+Pillingshot could never be certain who and in what rank of life the
+next suspect would be. He spent that afternoon shadowing the Greaser
+(the combination of boot-boy and butler who did the odd jobs about the
+school house), and in the evening seemed likely to be about to move in
+the very highest circles. This was when Scott remarked in a dreamy
+voice, "You know, I'm told the old man has been spending a good lot of
+money lately...."
+
+To which the burden of Pillingshot's reply was that he would do
+anything in reason, but he was blowed if he was going to cross-examine
+the head-master.
+
+"It seems to me," said Scott sadly, "that you don't _want_ to
+find that sovereign. Don't you like Evans, or what is it?"
+
+It was on the following morning, after breakfast, that the close
+observer might have noticed a change in the detective's demeanour. He
+no longer looked as if he were weighed down by a secret sorrow. His
+manner was even jaunty.
+
+Scott noticed it.
+
+"What's up?" he inquired. "Got a clue?"
+
+Pillingshot nodded.
+
+"What is it? Let's have a look."
+
+"Sh--h--h!" said Pillingshot mysteriously.
+
+Scott's interest was aroused. When his fag was making tea in the
+afternoon, he questioned him again.
+
+"Out with it," he said. "What's the point of all this silent mystery
+business?"
+
+"Sherlock Holmes never gave anything away."
+
+"Out with it."
+
+"Walls have ears," said Pillingshot.
+
+"So have you," replied Scott crisply, "and I'll smite them in half a
+second."
+
+Pillingshot sighed resignedly, and produced an envelope. From this he
+poured some dried mud.
+
+"Here, steady on with my table-cloth," said Scott. "What's this?"
+
+"Mud."
+
+"What about it?"
+
+"Where do you think it came from?"
+
+"How should I know? Road, I suppose."
+
+Pillingshot smiled faintly.
+
+"Eighteen different kinds of mud about here," he said patronisingly.
+"This is flower-bed mud from the house front-garden."
+
+"Well? What about it?"
+
+"Sh--h--h!" said Pillingshot, and glided out of the room.
+
+ * * * * *
+
+"Well?" asked Scott next day. "Clues pouring in all right?"
+
+"Rather."
+
+"What? Got another?"
+
+Pillingshot walked silently to the door and flung it open. He looked
+up and down the passage. Then he closed the door and returned to the
+table, where he took from his waistcoat-pocket a used match.
+
+Scott turned it over inquiringly.
+
+"What's the idea of this?"
+
+"A clue," said Pillingshot. "See anything queer about it? See that
+rummy brown stain on it?"
+
+"Yes."
+
+"Blood!" snorted Pillingshot.
+
+"What's the good of blood? There's been no murder."
+
+Pillingshot looked serious.
+
+"I never thought of that."
+
+"You must think of everything. The worst mistake a detective can make
+is to get switched off on to another track while he's working on a
+case. This match is a clue to something else. You can't work on it."
+
+"I suppose not," said Pillingshot.
+
+"Don't be discouraged. You're doing fine."
+
+"I know," said Pillingshot. "I shall find that quid all right."
+
+"Nothing like sticking to it."
+
+Pillingshot shuffled, then rose to a point of order.
+
+"I've been reading those Sherlock Holmes stories," he said, "and
+Sherlock Holmes always got a fee if he brought a thing off. I think I
+ought to, too."
+
+"Mercenary young brute."
+
+"It has been a beastly sweat."
+
+"Done you good. Supplied you with a serious interest in life. Well, I
+expect Evans will give you something--a jewelled snuff-box or
+something--if you pull the thing off."
+
+"_I_ don't."
+
+"Well, he'll buy you a tea or something."
+
+"He won't. He's not going to break the quid. He's saving up for a
+camera."
+
+"Well, what are you going to do about it?"
+
+Pillingshot kicked the leg of the table.
+
+"_You_ put me on to the case," he said casually.
+
+"What! If you think I'm going to squander----"
+
+"I think you ought to let me off fagging for the rest of the term."
+
+Scott reflected.
+
+"There's something in that. All right."
+
+"Thanks."
+
+"Don't mention it. You haven't found the quid yet."
+
+"I know where it is."
+
+"Where?"
+
+"Ah!"
+
+"Fool," said Scott.
+
+ * * * * *
+
+After breakfast next day Scott was seated in his study when
+Pillingshot entered.
+
+"Here you are," said Pillingshot.
+
+He unclasped his right hand and exhibited a sovereign. Scott inspected
+it.
+
+"Is this the one?" he said.
+
+"Yes," said Pillingshot.
+
+"How do you know?"
+
+"It _is_. I've sifted all the evidence."
+
+"Who had bagged it?"
+
+"I don't want to mention names."
+
+"Oh, all right. As he didn't spend any of it, it doesn't much matter.
+Not that it's much catch having a thief roaming at large about the
+house. Anyhow, what put you on to him? How did you get on the track?
+You're a jolly smart kid, young Pillingshot. How did you work it?"
+
+"I have my methods," said Pillingshot with dignity.
+
+"Buck up. I shall have to be going over to school in a second."
+
+"I hardly like to tell you."
+
+"Tell me! Dash it all, I put you on to the case. I'm your employer."
+
+"You won't touch me up if I tell you?"
+
+"I will if you don't."
+
+"But not if I do?"
+
+"No."
+
+"And how about the fee?"
+
+"That's all right. Go on."
+
+"All right then. Well, I thought the whole thing over, and I couldn't
+make anything out of it at first, because it didn't seem likely that
+Trent or any of the other fellows in the dormitory had taken it; and
+then suddenly something Evans told me the day before yesterday made it
+all clear."
+
+"What was that?"
+
+"He said that the matron had just given him back his quid, which one
+of the housemaids had found on the floor by his bed. It had dropped
+out of his pocket that first night."
+
+Scott eyed him fixedly. Pillingshot coyly evaded his gaze.
+
+"That was it, was it?" said Scott.
+
+Pillingshot nodded.
+
+"It was a clue," he said. "I worked on it."
+
+
+
+
+
+End of Project Gutenberg's The Politeness of Princes, by P. G. Wodehouse
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE POLITENESS OF PRINCES ***
+
+This file should be named 8schl10.txt or 8schl10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, 8schl11.txt
+VERSIONS based on separate sources get new LETTER, 8schl10a.txt
+
+Produced by Suzanne L. Shell, Charles Franks
+and the Online Distributed Proofreading Team
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/8schl10.zip b/old/8schl10.zip
new file mode 100644
index 0000000..44e8c16
--- /dev/null
+++ b/old/8schl10.zip
Binary files differ