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| author | www-data <www-data@mail.pglaf.org> | 2026-01-30 03:10:01 -0800 |
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| committer | www-data <www-data@mail.pglaf.org> | 2026-01-30 03:10:01 -0800 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/77816-0.txt b/77816-0.txt new file mode 100644 index 0000000..7792276 --- /dev/null +++ b/77816-0.txt @@ -0,0 +1,763 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 77816 *** + + BULLY McGRANE + +[Epigraph: Hardboiled, That Marshall of the Toughest Town in the +West--but Somewhere There Was a Soft Spot in His Heart.] + + Ernest Haycox + + celebrated author of Western stories + gives us + another yarn of “Pistol Gap” + + +In Pistol Gap life was pitched to a key of suddenness and intensity. Men +of this Western land worked with an energy that brought out the salt +sweat; and their hours of play were equally violent. If they drank at +all it was usually to excess and if they gambled they flung the whole of +their labored wealth on the green table in prodigal abandon, never +considering tomorrow. And in Pistol Gap death only infrequently visited +a man in bed; one moment he was alive and in full stride; the next +moment he was quite utterly dead. In such case the coroner’s jury had a +uniform, unvarying verdict: “dead by an act of God.” + +It was therefore natural that when Tud Drury rode into Pistol Gap +leading a pack animal during the latter part of a sultry afternoon that +Bully McGrane, marshal, should ease his massive bulk forward on a hotel +porch chair and watch the newcomer’s successive movements with a sort of +lowering, belligerent interest. Tud had made a trip down to procure +supplies for himself and his three partners only two days previously. +This trip augured something else; and the loaded burro also indicated +something else. So Bully McGrane watched, removing his hat to scratch a +cropped head badly scarred from his prize-ring days. + +Drury went into the stable, remained a while and emerged with a canvas +sack hanging heavily from one arm; Drury returned on the far side of the +street, and entered ’Lisha Funston’s bank. Bully McGrane’s broad jaws +tightened against his cigar and he tugged at the ends of his +downsweeping mustache which gave him considerable physical resemblance +to John L. Sullivan--with whom he once had sparred. A rumble came out of +his chest; he laced his fingers across a vast paunch, at the same time +keeping a direct glance on the bank door. Presently Drury came out +empty-handed and started back. McGrane’s throaty challenge sounded forth +with a bluntness that was at once uncivil and insolent. Drury paused in +apparent unwillingness. + +“Come ’ere, Drury. Want to see you.” + +Drury approached, visibly irritated. He was a young man, dark featured, +straight-spined. About him was the suggestion of a will yet to be +curbed; and though he wore the rig of a miner--stained with shaft +mud--he seemed to belong to another species of Westerner, he seemed +still to carry the air of belonging to the saddle by trade. Coming to a +stand in front of the marshal, he reached for his cigarettes and stared +back at McGrane. If McGrane’s manner was one of overbearing authority, +Drury’s was no less hostile. + +“In early, ain’t you, Tud?” + +Drury only shrugged his shoulders and poured tobacco into the creased +wheat paper. + +“You got grub for them bushjumpin’ pardners of yores just a while ago. +What’s the play now?” + +Drury’s white teeth flashed on the drawstring of the tobacco pouch; his +eyes crossed the marshal’s face, mirroring irony. + +“Looks to me,” went on McGrane, “as if that pack brute was carryin’ yore +forty years’ gatherin’ out of the hills. Must’ve been a quarrel among +thieves. You quittin’?” + +Drury lit a match to his cigarette. “Maybe,” he observed, “I ought to +get a permit from you to be alive, McGrane. You sure seem to expect it. +My business is my business. I don’t owe you anything and I’m mindin’ my +affairs strictly. As to what I’ve been doin’, or intend to do--you go +straight to hell.” Turning definitely on his heels, he walked away, +crossed the street again and entered the Freighter’s Rest. + +McGrane, who was capable of springing out of his chair and crushing +Drury with one lion-like sweep of his fist, relaxed, chuckling. It was +not the mellow, humorous amusement of a man giving vent to inner +kindliness. McGrane was too much of a cynical materialist to be kindly. +Rather, his chuckle came of a malicious satisfaction in knowing Drury +hated him with a full heart. McGrane took savage pleasure in making +others hate him, in making others writhe under his hard dominance and at +last desperately and futilely strike back. Pistol Gap was a tough town. +Down this canyon-walled street came the turbulent characters of the +hills--the miners, the punchers, the teamsters, the soldiers, the +gamblers and gunmen and outcasts. Down this street walked the combings +of the frontier, splitting the town wide open in their revelries and +battles. There never had been a sheriff competent to go out and bring +back a man; the other officials of Pistol Gap were but shadowy figures +in the background. This was McGrane’s town. He ruled it with his gun and +his fist; he ruled it because he understood the wholesome effect of +fear. Bully McGrane had only one thread of philosophy in his bruiser’s +head: might made right. And so while they cursed him, he sat back as +some giant mastiff and jeered them with an arrogant, contemptuous +indifference. + +Meanwhile McGrane’s pale-blue eyes were fastened on the Freighter’s +Rest, turning over in his mind the meaning of Tud Drury’s return. And he +knew that if the man let any significant information drop along the +street, willing ears would pick it up and bring it to him. The cigar in +his mouth sent up intermittent rings of smoke; his two broken-knuckled +fists lay idle on the chair arms. Pistol Gap was held in sultry silence, +broken only by the ringing strokes of Billy Monteith’s blacksmith +hammer. + + * * * * * + +However, Tud Drury was no hand to betray his private affairs. In the +Freighter’s Rest he tarried only long enough to redeem certain pledged +articles in the saloon safe. There was a poker game in progress and one +of the players indicated an empty chair. But Drury shook his head, +bought a cigar out of courtesy to the house, and left. Turning west, he +walked the length of the street and swung into a kind of alley leading +up a lesser canyon. Here was the seamy side of Pistol Gap; along a +meandering creek fronted small cabins, farther up was Chinatown, and in +the immediate foreground rested the three-story bulk of a building cut +into the ravine wall. Across the peeling paint was a semicircular sign: + + PRIDE OF THE HILLS + GENTEEL ENTERTAINMENT + +Drury walked through the main door and into an enormous rink that served +as theater and dance hall. It was dark and stifling and permeated with +the stale odors of tobacco smoke and spilled liquor. Along one side ran +a bar; at the far end stood a stage; opposite the bar and enclosed by +plush curtains were a series of private stalls. Here and there lounged a +few heat-oppressed employees of the place. Drury looked around for a +moment, went on down a side corridor and climbed two flights of stairs. +At a door near the end of a long hall he knocked quietly; it opened and +a tall girl with ash-gold hair and eyes so set in gravity as to seem +never-smiling stood before him. + +At sight of the man her face lightened and an inner worry seemed to +dissolve. As for Tud Drury, he threw his cigar to the floor in sudden +distaste; he spoke with a slow huskiness that was nothing like his clear +and level challenge to Bully McGrane. + +“Here I am, Anna.” + +She motioned him inside the room--a bare, clean room with a single shaft +of sunlight cutting across the curtained darkness. Against this light +her tall body made a round and graceful pattern. + +“I heard you were in town a few days ago, Tud,” said she, a drawling +weariness in the words. + +“I was,” said the man. “But I was busy and went right out. Well, it +wasn’t that, either. But I was figuring out a proposition and I didn’t +want to say anything to you about it until I could come and be sure of +good news.” + +“I thought,” murmured the girl, “you had changed your mind. Forgotten.” + +Drury flung up his head. “Not in a thousand years! Anna, we’re through +with all our troubles. I’ve swung my deal. I got out of that mine with +money enough to see us clear of this crooked country and far enough away +never to think of it again. I despise everything in it. It’s crucified +you and branded me. But it won’t any more. We’re going--we’ve got a +fresh deal ahead of us.” + +“Tud--you made your money straight? Not like you once did, not by +stealing?” + +Drury straightened. His talk quickened and took on a ring of assurance +and strength. “Since the night I saw you six months ago, Anna, I have +never touched a drop of liquor, I have never ridden with the old gang, I +have never roped another man’s cow. Every penny in my pocket came out of +the earth. It’s mine--I worked for it. I’m not sayin’ I liked grubbin’ +in the dirt. I don’t, for it’s not my game. But I did it--and the sooner +we’re married and on our way the better. Down in the Thunder Cloud +country there’s some Indian land open to homestead. There’s where we’ll +go.” + +She turned a little to better study his face. “Your partners--you’ve had +trouble with them. I can see it, Tud.” + +“They were crooked when they bought into my claim. They’re crooked now. +I know what they figured. They aimed to work until we had a stake and +then knock me in the head. There’s been no night in the last four months +I’ve had both eyes shut. Never a time I didn’t keep my gun on me. They +figured it was a sure deal. I knew they figured it that way. But I +needed money to develop the claim and I took ’em in. They paid for their +shares and they agreed to the split--five parts of all dust for me and +one apiece for each of them. I reckon they had me counted as an easy +mark until this mornin’. The mine’s peterin’ out and I couldn’t stand +the strain any longer. So I forced the issue. Had to hold a rifle on ’em +while we divided up. I didn’t take an ounce that wasn’t rightfully mine, +but they wanted to kill me. They went into it with their eyes open and +aiming to cut my throat--and I guess they’d have done it in another +couple days. But I’m clear. We can start fresh--and we’ll forget Pistol +Gap ever existed.” + +“If you still want me,” whispered the girl. + +“No matter how many times I change my mind,” said the man, “nothin’ +could ever make it change about you.” + +“Tud--if it is only pity that brings you back I won’t listen.” + +“Here,” muttered Drury, “don’t say that. I won’t stand for it. What was +I when I walked into this place six months ago and saw you singing on +the stage? A no-good drifter. On the down-grade. Shiftless. Takin’ what +didn’t belong to me. And that would have been my story until a bullet +stopped me, if I hadn’t seen you. Do you reckon pity had anything to do +with the change in me? You know better.” + +“You could pick a better girl, Tud.” + +He was silent for a time, but his dark eyes flamed with inner fire. “Not +in a thousand years,” he went on. “When I consider the battle you had to +eat and keep alive I want to go out and kill somebody. It’d broke any +other girl in the land. It ain’t right you’ve got to sing and smile for +the animals that come thunderin’ here every night. Damn a country that +lets things like that happen. But it’s over with now and you’ll walk out +of here as fine a woman as when you came in.” + +“If I were to tell you----” + +“As fine a woman as when you came in,” repeated Tud Drury very slowly +and distinctly. + +Her long calm broke. He crossed the room and took her gently. A sharp +breath sheered the hot and shaded silence. “Tud, you’re a--a fine +gentleman! I’ll see to it you never will be sorry! Never!” + +“You’re gettin’ the worst of this bargain,” muttered Drury. “But it’s +sure good to hear you say that. Get your things together. It’s going on +five o’clock now. I’ll step up the street and buy a rig and team. At six +I’ll be back. We’ll walk to the court house, be married, eat our +dinner--and ride away. It’s a long trip tonight and you’re goin’ to be +tired. But I’d rather cash my chips than sleep in Pistol Gap again.” + +They studied each other for a moment, tremendously sober, tremendously +stirred. Then the man bowed with a queer, half-formal politeness and +turned from the room, going down the worn stairs and through the dismal +gloom of the dance hall. In the street he looked all around the +surrounding hills with the fire of rebellion in his dark eyes; and he +squared his shoulders as if a steadying weight had suddenly settled upon +them. + +“The angels,” he muttered, “ain’t all in heaven, nor the sinners all in +hell.” + + * * * * * + +Tud Drury left the smaller side gulch and entered Pistol Gap’s main +street. Halfway along it and opposite the Freighter’s Rest was the +stable. Crossing the rutted, dusty thoroughfare, he passed Billy +Monteith’s blacksmith shop and paused a brief moment to catch sight of +Monteith standing over the anvil. The man was stripped to the waist, his +black hair curled damply across a white forehead and all the great flat +muscles of his torso rippled to the rhythmic hammer strokes. White +metal flakes shot out, the hot iron crackled in the cooling tub and +Monteith walked to the water pail. When he tipped his head to the dipper +twin ropes of sinew came to a point on his neck and his blue, frank eyes +fell on Tud Drury. The dipper dropped and Monteith drawled a friendly +phrase. + +“Back for a spell, Tud?” + +Some of Drury’s resentment died. He nodded agreeably. “Not for long, +Billy. I’m shakin’ this town’s dust off my feet.” + +“For you,” observed Billy Monteith, “it might not be a bad idea. The Gap +eats up too many good men.” + +Drury inclined his head in silent agreement and continued toward the +stable. He was on the point of turning in when he looked on down the +street to locate Bully McGrane, and by that move he discovered three +riders advancing along the canyon trail. They were too far removed to be +absolutely identified, yet Drury seemed to take root there in the last +of the day’s sunshine and across his dark face flashed an emotion that +was compounded of anger and fear and almost despair. He looked around +the street, like an animal seeking exit from a trap; he scanned the +alleys, the yawning doors and the canyon running off from the Pride of +the Hills. Quite slowly passiveness took the place of those other fitful +expressions and, drawing himself up in the manner of one electing to +play out a bad hand to the bitter end, he aimed for the Freighter’s Rest +and passed inside. The poker game still continued and the empty seat was +still waiting for him. He slid into it, turned to better face the door, +and signaled for a stack of chips. + +He was thus occupied, both hands in plain view on the table top, when +the three newcomers entered, saw him--and stopped. + +One was a whippet of a man, another nondescript of feature, the third +burly and formidable. But whatever physical variance existed between +them the same luster of sullen purpose was stamped in their eyes and the +same sour, lawless slant of jaw appeared beneath the stubbled whiskers. +Thin-lipped, predatory and vindictive men and of a breed common enough +in the fastness of the hills. The weight of their presence brought the +poker game to a full halt and roused the somnolent loiterers in the +saloon. The burly one slowly raised a hand and stretched it toward Tud +Drury. + +“You--come outside a minute. We want to talk this over.” + +Drury’s answer was soft and self-contained. “I’ve got nothing to say to +you fellows. The deal’s done, the record’s closed. I’m busy.” + +“It ain’t done by a dam’ sight,” grunted the big man. “You think it +is--but it ain’t. Don’t figger for a minute yo’re goin’ to get away with +this.” + +“With what?” countered Drury. “You rigged me for a sucker, played me for +a killin’. Now that you fell down on your pirate business you’re +squawkin’ like a bunch of tinhorns.” + +“Nev’less,” said the big man with a cold determination that weighed +oppressively over the saloon, “you ain’t done with us. Nobody’s done +with us that uses a gun to draw out.” + +“I beat you to the gun business,” taunted Drury. “You’d of done it in +another twenty-four hours. It hurts to go honest for a change, don’t it? +I’ve got nothing to say to you buzzards. I kept my part of the bargain +and I’m through. The claim is yours. My share’s mine. I’m lucky to be +alive.” + +“Come outside,” repeated the big one. + +“Not in a thousand years,” said Drury and smiled coldly at them. “Next +time pick a softer sucker for the kil. I knew your earmarks the minute +you eased in on me.” + +“Won’t come, uh?” questioned the big one. His teeth snapped together; +dark blood surged along the weather-blackened skin. “Have it yore way. +But you’re done. Mark this well. Yuh won’t ever leave Pistol Gap alive. +You’re not through with us.” + +They filed from the saloon. Silence remained after them and the last of +the day’s sun slid away from the blurred windows, throwing deeper +shadows across the long room. Tud Drury stared at the cards and never +stirred until one of the players called him back from his somber +thoughts. + +The three men tramped down the street and crossed it, to come before +Bully McGrane who still sat on the hotel porch. McGrane’s vast body was +motionless and his great arms trailed idly. He said nothing but the +chill of the unwinking eyes fell on them and remained there. He waited, +as he usually waited, knowing well enough how the very power of his +presence both confused and enraged others. Yet the three stared back +grimly; and it was the big man who broke the spell. + +“McGrane, there’s a play comin’ up and we’re warnin’ yuh now to keep +out of it. It’s our business and none of yours. Make no attempt to +interfere.” + +“Bold boys,” rumbled McGrane ironically. + +“Put it any way yuh choose,” stated the big man evenly, “but keep out +of it. We’re after a man and we mean to get him. It won’t be the first +time such a thing’s happened in Pistol Gap and it ain’t the last. Stand +aside and don’t interfere.” + +“I reckon the four thieves fell out, uh?” grunted McGrane. + +They waited stolidly, untouched by his sarcasm. McGrane shifted in the +chair, cigar smoke wreathing around his scarred, red-veined face. So +sure of himself was he that their challenge evoked a throaty chuckle; +strange light flickered in his pale eyes. “Not tryin’ to bluff me, +boys?” + +“This is no bluff,” said the big man without emotion. “It ain’t yore +business. It’s ours. We mean to get Drury. He won’t leave Pistol Gap. +We’ll see he don’t. We’re declarin’ ourselves now and here. What about +it?” + +“I never could get sympathetic about a crook,” rumbled McGrane. “One +more or less don’t mean much to me.” + +“Glad to hear you say it. That’s the way we want it.” + +“Maybe,” said McGrane, “you heard what I said. Maybe you only thought +you heard what I said. I never commit myself to a crook, or three +crooks.” + +“Let it ride,” replied the big man bluntly. “And stay clear of this. +Marshals don’t last forever.” And the three wheeled abreast and strode +toward the stable. + + * * * * * + +Dusk’s brief interlude came to Pistol Gap and, even as it came, began to +fade into dark. Lights sprang up and a stream of cool air came filling +into the stifling gulch. Men strolled to supper, the town awoke and +moved more briskly. At the end of the street the Pride of the Hills +suddenly was a-gush with yellow beams. McGrane chewed his cigar to the +frayed end and tossed it away. The down-curving lines of his massive +face began to appear; he closed a fist like a man finding pleasure in +pure strength, and rose. Shouldering through the increasing crowd, he +turned in at the now dark blacksmith shop. Billy Monteith sat by the +door, smoking an evening pipe. + +It was a strange thing that McGrane, whose nature instantly bridled at +the thought of any strength equal to or superior to his own, should like +Monteith above any other man in the country. The youthful, mild-mannered +blacksmith was everything McGrane was not. He trusted people and was +trusted by them; he despised the very physical force he represented in +so great a degree; and on one occasion he had stood up to McGrane and +whipped the marshal--the only individual in all that wild country who +ever had met the bruising, mauling ex-prizefighter on his own ground and +came out uncrushed. Yet perhaps McGrane’s liking was not strange. For if +he ruled by fear and violence it was also true he respected a man who +refused to quail before him. So he found himself a fresh cigar and spoke +idly. + +“What’d Drury have to say to you, Billy?” + +“He’s leavin’ the country,” drawled Monteith. + +McGrane grunted. “He thinks he is. He’ll never make it. He’s trapped. +Notice them three tough nuts that just came in? They’re layin’ for him. +They’ll get him.” + +Monteith sat up and clucked his tongue. “Now that’s bad. You ought to +stop it, McGrane. I sort of like Drury. He’s played pretty straight +recently.” + +“Straight?” boomed McGrane. “Teamed up with them three? Don’t think it. +Once a crook always a crook. I knowed the time when he was wanted by six +different sheriffs. They don’t change. That mild manner don’t fool me +none whatsoever. They been robbin’ sluiceboxes. There’s my guess. Now +they’ve fell out. Drury probably got away with the dust and they’re +after him. Crooks always fall out. They’ll get him.” + +“Still think you’re wrong,” mused Monteith. + +“Soft!” snorted McGrane, contemptuous of any kind of sympathy. Then he +chuckled. “They warned me to stay out of it. Me! Jack McGrane! Imagine +that. High, wide an’ handsome, that’s their style.” And the chuckle +dissolved to a growl. + +“Well, what do you figure?” the blacksmith asked. + +“Show ’em who runs this town, Billy. They’re all four crooks. I’ll stay +clear, all right. They can have Drury. He’s no good and never was. But +when they get him I’ll get them. I’ll have ’em for murder--and there’s +the end of four more tough nuts.” + +Monteith smoked in silence for a long spell, then spoke regretfully. +“Seems to me you’re forcin’ the hand of Providence some. It ain’t +right.” + +“Forcin’ nothin’,” retorted McGrane, enjoying his plan hugely. “I’m +standin’ aside. Lettin’ nature take its due course. Might’s right and +dog eat dog. There ain’t nothin’ pretty about a gunslinger or a rustler +or a sluicebox robber. They’ll get what they got comin’ to ’em.” + +“I think Drury’s straight,” repeated Monteith, knocking out his pipe. “I +think it because he’s got a girl down at the Pride of the Hills.” + +“Anna--a dance hall girl.” + +“Anna--a good dance hall girl,” amended Monteith softly. + +“There never was a good dance hall girl,” snorted McGrane. + +“Considerin’ a multitude of circumstances and necessities,” was +Monteith’s grave answer, “I sometimes think there never were many bad +ones. Anyhow, I like Anna and I like Tud. They’ve got a stretch of good +luck comin’ to ’em for a change. If Drury’s pullin’ stakes, that means +she’s going with him. McGrane, you ought to stop those buzzards.” + +“They made their bed and they’ll lay in it--stiff and cold,” said +McGrane. + +The big marshal swung away, moving with a rapidity unlooked for in a man +of his bulk. At a dark alley mouth he paused and considered the street. +Presently he saw the three men come from the stable and break in +differing directions. One posted himself in front of the Freighter’s +Rest, one stepped back into the outer darkness, the third walked toward +the Pride of the Hills. McGrane weighed this tactical shifting with a +critical eye, waiting with grim patience and grim enjoyment. Perhaps ten +minutes later the man by the Freighter’s Rest seemed to abruptly +discover something or receive some covert message; turning, he hurried +off for the Pride of the Hills. McGrane’s big head nodded. + +“They got wind he wouldn’t pull out unless he took the girl.” And his +scorn for Drury deepened. “The dam’ fool! It’s his skin he’s riskin’ for +the kind of a woman he could buy anywhere dirt cheap. They’ve got him +hipped. He won’t never make it. Now I’ll take a hand.” Leaving the alley +mouth, he repassed the blacksmith shop and headed for the dance hall. +Monteith, he observed, had gone. + + * * * * * + +Tud Drury still sat at the poker table, but the game had broken up and +his hands idly stacked and divided the chips before him. It was +six-thirty. His hour of appointment with Anna had come and gone, his +plans were smashed by the ruthless three waiting in the street with a +cold, patient stolidness that seemed like the inevitable signal of +death. The saloon was filling, other tables occupied. Yet the word was +out and he was let alone. Men watched him in catlike attention and all +this while he sat with his head slightly bowed, his dark cheeks passive, +unmoved. + +But under the cover of that outward indifference his thought raced along +in futile swiftness, running down one blind alley and another, striking +barriers at every turn, and collecting again with ever mounting +desperation. There was no hope for him on Pistol Gap’s main street, no +possible chance of reaching his horse. Perhaps he might slip quietly +through the rear of the saloon and leave town afoot, perhaps he might +reach timber if he elected to try his solitary fortune. Yet in so doing +he abandoned Anna, and when he abandoned her he also threw over whatever +of hope and self-respect there was left in him. + +At a gesture Tud Drury swept the chips from the table and rose. The +rumble of talk in the saloon sagged as he walked to the bar, took his +drink, and seemed to collect himself. There was a glinting anger in his +eyes and all his features tightened down--the expression of one staking +everything on the turn of a card. Then, without warning, he strode to +the back door of the saloon, placed his hand on the knob and paused. A +chair scraped, accenting the stillness that gripped every soul in the +place. Drury squared his shoulders, stared behind him and spoke +bitterly. + +“If this town’s waitin’ to watch me die--see how I do it. Damn Pistol +Gap and all that it means!” + +With that, he ripped the door open and lunged into darkness, falling on +all fours. Crouched there he awaited the bullet. But it never came. No +prowling sound disturbed the back lots, no lurking body moved across the +thin lanes of light winking down from the residences high placed on the +canyon wall. Judgment still was suspended, still ominously withdrawn and +waiting. Drury cursed with a rising rage. But even as he cursed he felt +the first flare of hope in the long dragging hours of the afternoon. +Getting on his feet, he ran beside the back building line, cut across +the gap existing between the main street and the smaller gulch of +Chinatown, and halted again. Over the creek lay the Pride of the Hills, +filled with sound of music and men; the tide of traffic streamed into it +and the voice of the announcer at the door rose stridently. + +“They know,” he muttered. “They know to come there. And that’s where +they’ll be. No use to avoid it now. Can’t stay in the dark much longer, +can’t sidestep a showdown.” + +A Chinaman trudged along the creek, leading a belled burro. Drury +skirted a pair of cabins and approached the trail at a dark angle. The +Chinaman came abreast, saw the figure of the man dimly in front of him, +and halted defensively. + +“Sen Yat?” said Drury. + +“Ah,” said the Chinaman and peered closer. “Dluly. Long time no see.” + +“I’m no hand to beg,” muttered Drury. “But I did you a favor one time, +and I need help now.” + +“You say, Dluly.” + +“I need two horses placed back of the dance hall, Sen Yat. Away up on +the slope. I need ’em now. Right where the trail cuts down from old +Number Two below Discovery. You do that?” + +“Can do, Dluly.” + +“Don’t go to the stable for horses. Use your own. Here’s a hundred +dollars. Let nobody see you.” + +The Chinaman took the money and plodded deeper into Chinatown. Drury +watched him wind through the maze of shacks and disappear. He held his +position as the lagging, dreary minutes went by, never letting his eyes +stray from the upper end of the gulch. In his mind he reconstructed +every step of the Chinaman’s way--getting the horses, saddling up, +leading them around the throat of the gulch, laboriously climbing the +steep slopes. All these acts he allotted a space of time, throttling his +uneasy impatience. Half a dozen miners tramped by at arm’s length and +curved into a chop suey joint. A youthful Oriental slipped forward as if +he were balancing a basket on his head. Drury stepped farther into the +dark shelter, but the Chinaman swerved and came against him. A soft +phrase passed between. “You go now.” And then the Chinaman padded on. + +Drury took a deep breath and left his shelter. He crossed the creek +without recourse to the bridge lower down. He climbed the bank and, +still using the shadows, arrived at the corner of the dance hall. +Another step meant coming into the full light and mixing into the +eddying crowd. Nowhere did he see his three ex-partners. That they were +nearby he never doubted; they had laid their trap with skill, leaving no +footprints to show. + +“I’ve done my last dodgin’,” he murmured to himself. “I may die, and +God help the girl if I do. But here’s jump-off for Tud Drury.” On the +heels of the thought he walked into the light and was carried through +the door to the dance hall. + +Once inside, Drury stepped out of the milling current of men, back to +the wall; and his first glance went forward to the stage, thinking that +Anna might have gone on with her part of the evening’s entertainment to +cover the breech of time. But she was not there, nor anywhere along the +smoke crowded vastness of the room. A hundred faces shifted before his +eyes, none of them of importance to him. So he slid casually through a +side door and started up the stairs; in one cautious backward glance he +caught sight of Bully McGrane’s features fixed on him, cynically amused; +and it seemed to Drury that the marshal was waiting for the inevitable +burst of shots. It brought him to a pause. He studied the dim inner hall +sharply, ran his hand across the butt of his gun. Chill touched his +nerves. Shaking it off, he ascended the two flights and went toward the +girl’s room. The door was ajar and through the opening he saw her +waiting. + + * * * * * + +Drury scarcely had cleared the dance hall when Bully McGrane stepped out +of a corner and crossed the same inner door. Framed there, he turned to +consider the crowd. The three gunmen had been in sight until a few +minutes back and he knew they had seen Drury. Subsequently they had +departed, not by the front but by a stage exit. McGrane considered this +a sure indication as to the scene of the kill. Yet he was curiously +inclined and he wondered if Drury’s next move would be in accordance +with the arrangements. Being a shrewd, weather-wise man he knew that in +life’s everlasting rabbit chase the pursued occasionally tricked the +pursuer. Whatever the case, he meant to be on hand; for to him it was a +grim jest, another piece of sport to feed his blunt and frankly brutal +nature. So he went up the stairs, treading near the banister to check +the squeaking of the boards. On the second landing he heard the murmur +of voices and he went down on his toes until he stood near enough to +make out the rapid play of talk. The girl’s voice rose clearly. + +“You never should have come here. What does it matter? Go ahead--any way +to get away from them. I’ll come later. In a few days.” + +“And let ’em take their spite out on you?” came a deeper, male voice. +“Not in a thousand years. That’s what they’d do. They’re a pack of +savages.” + +“They’ll kill you, Tud!” + +Drury’s answer was small and indistinct. McGrane shifted, a scowl coming +over his face. Then the girl broke in. + +“I won’t go! You’ve got to do it without me! Oh, Tud, I will not drag +you down like that. What does it matter about me? But if they kill you, +then I have nothing left.” + +“I’m through dodgin’,” said the man. “And I ain’t leavin’ you behind. +I’ve got to stand up like any man would who’s worth his salt. I been +through enough torment thinkin’ of you here. We’ll stick together from +now on, and if I can’t take care of you, then I reckon I ain’t worth +botherin’ about. Get your grip. There’s a small back door at the foot of +the stairs....” + +McGrane retreated quietly and descended the first flight. There he +halted, scowling massively into the dingy shadows as if displeased at +what he had overheard; as if this man and this girl had refused to play +the part assigned them. Drury was a crook, Anna a dance hall girl. They +had made their bed, now let them lie in it. All people in this world +were the same. Every man struggled for himself, every man looked to the +main chance and pushed the other fellow over the cliff in the showdown. +There was mighty little difference between the best and the worst and +every last soul crawled before the gods of fear and greed and appetite. +What right had either of those two people to act as if they were any +different? + +He heard them coming and he crept on down the next flight of stairs. +There was a single lamp bracketed to the side of the hall. He dimmed the +wick and hurried on to the back door, opening it and stepping swiftly +aside. A gust of cold air scoured through and the night wind rattled the +brush all along the gulch. Some woman was singing from the main room and +the tramp of feet shook the structure, but out yonder a kind of bated +stillness held the shadows. McGrane’s sharp eyes raked the cloaked +foreground; very softly he lifted his gun; and the next moment he had +closed the door behind him and was flat on his stomach, ten yards away. +No sooner was he settled than the door opened again, letting out Drury +and the girl. He saw their bodies sway aside from the opening and he +heard Drury’s soft murmur of reassurance run into her suppressed sigh. +Suddenly they broke into a run, and passed him. + +The soft echo of their steps came back in a straight line and he knew +then what they meant to do. Over the summit lay old Discovery and from +there it was a clear road out to the high desert, out to a different +land. Probably Drury had managed to picket horses along the gulch and +probably he thought himself safe. But McGrane, growling softly and +strangely irritated, understood very well how few were the moments +stretching between that delusion and gunplay. Somewhere in this tricky +blackness the three crooks were waiting. + + * * * * * + +All sound, all echoes died off; A palpitating stillness flowed down the +slope. McGrane rose to his knees, big fist tightening about his gun. +“Once a crook always a crook,” he rumbled. Anger rose vastly in him, the +old desire to sweep out with his massive fists and destroy took hold. He +got to his feet, big body swaying, forward as if his very will sought to +tear away the impenetrable blanket of that night. A faint murmur of +rattling brush came to him. Distinctly a voice said, “You’re done for.” +McGrane let out a roar and charged onward up the incline. + +A bullet’s flat smash broke across the gulch, the echo rolling wider. +The girl screamed and hard on that sound a pair of explosions rocketed +together. McGrane saw the muzzle flashes; he heard Anna crying, +“Tud--Tud!” And; placing those two, he opened up on the point he had +seen the more remote mushrooming of powder light, still beating inward, +still booming his rage into the mystery of the night. The outline of a +pair of horses lay across the path, Tud’s gun answered from another +angle. Then there was no more firing. The brush crackled beneath a +threshing body and Bully McGrane, blowing like an engine, halted in his +tracks. + +“Who’s that?” challenged Drury. “By the good God, if you’ve touched this +girl----!” + +“Tud--I’m all right.” + +“Who’s that?” repeated Drury. + +“Shut-up,” grumbled McGrane. “Them yore horses?” + +“Yes.” + +“Well, get on ’em and go. Yuh deserve to be hung but there ain’t no +reason I should see you do it. Get on ’em and go.” + +Drury’s voice jerked out a halting phrase. + +“McGrane--I’m in no shape to pay my obligation to you. But----” + +“Damn the obligations. Get on them horses and go! You know what I +think about you.” + +The girl’s arm touched his great shoulder. McGrane stiffened. Her lips +brushed his cheeks and he felt a tear fall on his rigid hand. “After all +the hurt and cruelty of Pistol Gap,” said she, “you leave us this +kindness. Somewhere there is a guiding star for us--and for you.” + +“Be good,” said McGrane in the ancient farewell and stood quite still as +he heard them mount and climb the trail. The hoofbeats diminished and +died. McGrane stirred himself, shook his burly shoulders and walked off +the trail. The figure of a man lay there and the marshal touched him +with the toe of a boot. “Now where,” he rumbled, “is the others?” + +An unexpected voice cut in. “Right at my feet,” said Billy Monteith. +“Knocked cold with an ax handle. I figured you’d come.” + +“Damned sure of yourself, ain’t you?” muttered McGrane. + +“I liked Tud and I liked Anna,” was Monteith’s quiet reply. “They had +good luck comin’.” + +“I dunno,” growled McGrane. “But there’s one crook less, anyhow. The +best of folks in this world are none too good and the worst of ’em ain’t +always so bad. Not that it makes any difference. Sentiment don’t get you +anywhere, Monteith. Might’s right and tonight proves it. Bring those two +tough nuts to the jug and we’ll let ’em cool off while that pair of +young fools gets a good start from the country.” + +He turned down the slope, swinging his arms--morose and fuming and ready +to vent the loose ends of his temper on whoever crossed his path; for +Bully McGrane hated to have his grim philosophy of life disturbed and in +that philosophy there was no place for a man like Tud nor a girl like +Anna. So he kicked open the dance hall door and stamped down the hall. +Music and revelry came unabated from the Pride of the Hills and the +sound of firing had brought no curiosity seekers to the slope. In Pistol +Gap life ran to suddenness and intensity. + + +[Transcriber’s note: This story appeared in the November 25, 1930 issue +of _Short Stories_ magazine.] + +*** END OF THE PROJECT GUTENBERG EBOOK 77816 *** diff --git a/77816-h/77816-h.htm b/77816-h/77816-h.htm new file mode 100644 index 0000000..6b52bd8 --- /dev/null +++ b/77816-h/77816-h.htm @@ -0,0 +1,652 @@ +<!DOCTYPE html> +<html lang="en"> +<head> +<meta charset="UTF-8"> +<meta name="viewport" content="width=device-width, initial-scale=1"> +<title>Bully McGrane</title> +<style> + body { margin-left: 11%; margin-right: 11%; line-height: 1.25; } + h1 { margin-bottom: 0; font-weight: normal; text-align: center; + font-size: 1.4em; margin-top: 1em;} + p { text-indent: 1.15em; margin-top: 0.1em; margin-bottom: 0.1em; + text-align: justify; } + .tn { text-indent:0; margin-top: 2em; font-size: 0.9em; + border:none; border-top: 1px solid silver; } + .tac { text-align:center; } + hr.tb { border:none; margin-top:1em; } + hr + p, .titlepage + p { text-indent: 0; } + div.titlepage { margin-top: 2em; margin-bottom: 1em; } +</style> +</head> +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 77816 ***</div> +<div class='titlepage'> +<h1>BULLY McGRANE</h1> + +<img src="images/illus-fpc.jpg" alt="Marshal of Pistol Gap" style="margin-left:25%; width:50%"> + +<div style='margin:1em 15%; font-size:0.9em;'> +Hardboiled, That Marshall of the Toughest Town in the West—but Somewhere There Was a Soft Spot in His Heart. +</div> + +<div style='margin-bottom:0.2em; font-size:1.2em; text-align:center;'>Ernest Haycox</div> +<div style='text-align:center; margin-bottom:1.25em; font-size:0.9em;'> +celebrated author of Western stories<br> +gives us<br> +another yarn of “Pistol Gap” +</div> +</div> +<p>In Pistol Gap life was pitched to a key of suddenness and intensity. Men +of this Western land worked with an energy that brought out the salt +sweat; and their hours of play were equally violent. If they drank at +all it was usually to excess and if they gambled they flung the whole of +their labored wealth on the green table in prodigal abandon, never +considering tomorrow. And in Pistol Gap death only infrequently visited +a man in bed; one moment he was alive and in full stride; the next +moment he was quite utterly dead. In such case the coroner’s jury had a +uniform, unvarying verdict: “dead by an act of God.”</p> +<p>It was therefore natural that when Tud Drury rode into Pistol Gap +leading a pack animal during the latter part of a sultry afternoon that +Bully McGrane, marshal, should ease his massive bulk forward on a hotel +porch chair and watch the newcomer’s successive movements with a sort of +lowering, belligerent interest. Tud had made a trip down to procure +supplies for himself and his three partners only two days previously. +This trip augured something else; and the loaded burro also indicated +something else. So Bully McGrane watched, removing his hat to scratch a +cropped head badly scarred from his prize-ring days.</p> +<p>Drury went into the stable, remained a while and emerged with a canvas +sack hanging heavily from one arm; Drury returned on the far side of the +street, and entered ’Lisha Funston’s bank. Bully McGrane’s broad jaws +tightened against his cigar and he tugged at the ends of his +downsweeping mustache which gave him considerable physical resemblance +to John L. Sullivan—with whom he once had sparred. A rumble came out of +his chest; he laced his fingers across a vast paunch, at the same time +keeping a direct glance on the bank door. Presently Drury came out +empty-handed and started back. McGrane’s throaty challenge sounded forth +with a bluntness that was at once uncivil and insolent. Drury paused in +apparent unwillingness.</p> +<p>“Come ’ere, Drury. Want to see you.”</p> +<p>Drury approached, visibly irritated. He was a young man, dark featured, +straight-spined. About him was the suggestion of a will yet to be +curbed; and though he wore the rig of a miner—stained with shaft +mud—he seemed to belong to another species of Westerner, he seemed +still to carry the air of belonging to the saddle by trade. Coming to a +stand in front of the marshal, he reached for his cigarettes and stared +back at McGrane. If McGrane’s manner was one of overbearing authority, +Drury’s was no less hostile.</p> +<p>“In early, ain’t you, Tud?”</p> +<p>Drury only shrugged his shoulders and poured tobacco into the creased +wheat paper.</p> +<p>“You got grub for them bushjumpin’ pardners of yores just a while ago. +What’s the play now?”</p> +<p>Drury’s white teeth flashed on the drawstring of the tobacco pouch; his +eyes crossed the marshal’s face, mirroring irony.</p> +<p>“Looks to me,” went on McGrane, “as if that pack brute was carryin’ yore +forty years’ gatherin’ out of the hills. Must’ve been a quarrel among +thieves. You quittin’?”</p> +<p>Drury lit a match to his cigarette. “Maybe,” he observed, “I ought to +get a permit from you to be alive, McGrane. You sure seem to expect it. +My business is my business. I don’t owe you anything and I’m mindin’ my +affairs strictly. As to what I’ve been doin’, or intend to do—you go +straight to hell.” Turning definitely on his heels, he walked away, +crossed the street again and entered the Freighter’s Rest.</p> +<p>McGrane, who was capable of springing out of his chair and crushing +Drury with one lion-like sweep of his fist, relaxed, chuckling. It was +not the mellow, humorous amusement of a man giving vent to inner +kindliness. McGrane was too much of a cynical materialist to be kindly. +Rather, his chuckle came of a malicious satisfaction in knowing Drury +hated him with a full heart. McGrane took savage pleasure in making +others hate him, in making others writhe under his hard dominance and at +last desperately and futilely strike back. Pistol Gap was a tough town. +Down this canyon-walled street came the turbulent characters of the +hills—the miners, the punchers, the teamsters, the soldiers, the +gamblers and gunmen and outcasts. Down this street walked the combings +of the frontier, splitting the town wide open in their revelries and +battles. There never had been a sheriff competent to go out and bring +back a man; the other officials of Pistol Gap were but shadowy figures +in the background. This was McGrane’s town. He ruled it with his gun and +his fist; he ruled it because he understood the wholesome effect of +fear. Bully McGrane had only one thread of philosophy in his bruiser’s +head: might made right. And so while they cursed him, he sat back as +some giant mastiff and jeered them with an arrogant, contemptuous +indifference.</p> +<p>Meanwhile McGrane’s pale-blue eyes were fastened on the Freighter’s +Rest, turning over in his mind the meaning of Tud Drury’s return. And he +knew that if the man let any significant information drop along the +street, willing ears would pick it up and bring it to him. The cigar in +his mouth sent up intermittent rings of smoke; his two broken-knuckled +fists lay idle on the chair arms. Pistol Gap was held in sultry silence, +broken only by the ringing strokes of Billy Monteith’s blacksmith +hammer.</p> +<hr class='tb'> +<p>However, Tud Drury was no hand to betray his private affairs. In the +Freighter’s Rest he tarried only long enough to redeem certain pledged +articles in the saloon safe. There was a poker game in progress and one +of the players indicated an empty chair. But Drury shook his head, +bought a cigar out of courtesy to the house, and left. Turning west, he +walked the length of the street and swung into a kind of alley leading +up a lesser canyon. Here was the seamy side of Pistol Gap; along a +meandering creek fronted small cabins, farther up was Chinatown, and in +the immediate foreground rested the three-story bulk of a building cut +into the ravine wall. Across the peeling paint was a semicircular sign:</p> +<div style='text-align:center; margin-top:0.7em; margin-bottom:0.7em;'> +<span style='font-size:1.1em'>PRIDE OF THE HILLS</span><br> +<span style='font-size:0.9em'>GENTEEL ENTERTAINMENT</span> +</div> +<p>Drury walked through the main door and into an enormous rink that served +as theater and dance hall. It was dark and stifling and permeated with +the stale odors of tobacco smoke and spilled liquor. Along one side ran +a bar; at the far end stood a stage; opposite the bar and enclosed by +plush curtains were a series of private stalls. Here and there lounged a +few heat-oppressed employees of the place. Drury looked around for a +moment, went on down a side corridor and climbed two flights of stairs. +At a door near the end of a long hall he knocked quietly; it opened and +a tall girl with ash-gold hair and eyes so set in gravity as to seem +never-smiling stood before him.</p> +<p>At sight of the man her face lightened and an inner worry seemed to +dissolve. As for Tud Drury, he threw his cigar to the floor in sudden +distaste; he spoke with a slow huskiness that was nothing like his clear +and level challenge to Bully McGrane.</p> +<p>“Here I am, Anna.”</p> +<p>She motioned him inside the room—a bare, clean room with a single shaft +of sunlight cutting across the curtained darkness. Against this light +her tall body made a round and graceful pattern.</p> +<p>“I heard you were in town a few days ago, Tud,” said she, a drawling +weariness in the words.</p> +<p>“I was,” said the man. “But I was busy and went right out. Well, it +wasn’t that, either. But I was figuring out a proposition and I didn’t +want to say anything to you about it until I could come and be sure of +good news.”</p> +<p>“I thought,” murmured the girl, “you had changed your mind. Forgotten.”</p> +<p>Drury flung up his head. “Not in a thousand years! Anna, we’re through +with all our troubles. I’ve swung my deal. I got out of that mine with +money enough to see us clear of this crooked country and far enough away +never to think of it again. I despise everything in it. It’s crucified +you and branded me. But it won’t any more. We’re going—we’ve got a +fresh deal ahead of us.”</p> +<p>“Tud—you made your money straight? Not like you once did, not by +stealing?”</p> +<p>Drury straightened. His talk quickened and took on a ring of assurance +and strength. “Since the night I saw you six months ago, Anna, I have +never touched a drop of liquor, I have never ridden with the old gang, I +have never roped another man’s cow. Every penny in my pocket came out of +the earth. It’s mine—I worked for it. I’m not sayin’ I liked grubbin’ +in the dirt. I don’t, for it’s not my game. But I did it—and the sooner +we’re married and on our way the better. Down in the Thunder Cloud +country there’s some Indian land open to homestead. There’s where we’ll +go.”</p> +<img src="images/illus-058.jpg" alt="man holding rifle" style="float: left; margin-right: 15px; width: 40%"> +<p>She turned a little to better study his face. “Your partners—you’ve had +trouble with them. I can see it, Tud.”</p> +<p>“They were crooked when they bought into my claim. They’re crooked now. +I know what they figured. They aimed to work until we had a stake and +then knock me in the head. There’s been no night in the last four months +I’ve had both eyes shut. Never a time I didn’t keep my gun on me. They +figured it was a sure deal. I knew they figured it that way. But I +needed money to develop the claim and I took ’em in. They paid for their +shares and they agreed to the split—five parts of all dust for me and +one apiece for each of them. I reckon they had me counted as an easy +mark until this mornin’. The mine’s peterin’ out and I couldn’t stand +the strain any longer. So I forced the issue. Had to hold a rifle on ’em +while we divided up. I didn’t take an ounce that wasn’t rightfully mine, +but they wanted to kill me. They went into it with their eyes open and +aiming to cut my throat—and I guess they’d have done it in another +couple days. But I’m clear. We can start fresh—and we’ll forget Pistol +Gap ever existed.”</p> +<p>“If you still want me,” whispered the girl.</p> +<p>“No matter how many times I change my mind,” said the man, “nothin’ +could ever make it change about you.”</p> +<p>“Tud—if it is only pity that brings you back I won’t listen.”</p> +<p>“Here,” muttered Drury, “don’t say that. I won’t stand for it. What was +I when I walked into this place six months ago and saw you singing on +the stage? A no-good drifter. On the down-grade. Shiftless. Takin’ what +didn’t belong to me. And that would have been my story until a bullet +stopped me, if I hadn’t seen you. Do you reckon pity had anything to do +with the change in me? You know better.”</p> +<p>“You could pick a better girl, Tud.”</p> +<p>He was silent for a time, but his dark eyes flamed with inner fire. “Not +in a thousand years,” he went on. “When I consider the battle you had to +eat and keep alive I want to go out and kill somebody. It’d broke any +other girl in the land. It ain’t right you’ve got to sing and smile for +the animals that come thunderin’ here every night. Damn a country that +lets things like that happen. But it’s over with now and you’ll walk out +of here as fine a woman as when you came in.”</p> +<p>“If I were to tell you——”</p> +<p>“As fine a woman as when you came in,” repeated Tud Drury very slowly +and distinctly.</p> +<p>Her long calm broke. He crossed the room and took her gently. A sharp +breath sheered the hot and shaded silence. “Tud, you’re a—a fine +gentleman! I’ll see to it you never will be sorry! Never!”</p> +<p>“You’re gettin’ the worst of this bargain,” muttered Drury. “But it’s +sure good to hear you say that. Get your things together. It’s going on +five o’clock now. I’ll step up the street and buy a rig and team. At six +I’ll be back. We’ll walk to the court house, be married, eat our +dinner—and ride away. It’s a long trip tonight and you’re goin’ to be +tired. But I’d rather cash my chips than sleep in Pistol Gap again.”</p> +<p>They studied each other for a moment, tremendously sober, tremendously +stirred. Then the man bowed with a queer, half-formal politeness and +turned from the room, going down the worn stairs and through the dismal +gloom of the dance hall. In the street he looked all around the +surrounding hills with the fire of rebellion in his dark eyes; and he +squared his shoulders as if a steadying weight had suddenly settled upon +them.</p> +<p>“The angels,” he muttered, “ain’t all in heaven, nor the sinners all in +hell.”</p> +<hr class='tb'> +<p>Tud Drury left the smaller side gulch and entered Pistol Gap’s main +street. Halfway along it and opposite the Freighter’s Rest was the +stable. Crossing the rutted, dusty thoroughfare, he passed Billy +Monteith’s blacksmith shop and paused a brief moment to catch sight of +Monteith standing over the anvil. The man was stripped to the waist, his +black hair curled damply across a white forehead and all the great flat +muscles of his torso rippled to the rhythmic hammer strokes. White +metal flakes shot out, the hot iron crackled in the cooling tub and +Monteith walked to the water pail. When he tipped his head to the dipper +twin ropes of sinew came to a point on his neck and his blue, frank eyes +fell on Tud Drury. The dipper dropped and Monteith drawled a friendly +phrase.</p> +<p>“Back for a spell, Tud?”</p> +<p>Some of Drury’s resentment died. He nodded agreeably. “Not for long, +Billy. I’m shakin’ this town’s dust off my feet.”</p> +<p>“For you,” observed Billy Monteith, “it might not be a bad idea. The Gap +eats up too many good men.”</p> +<p>Drury inclined his head in silent agreement and continued toward the +stable. He was on the point of turning in when he looked on down the +street to locate Bully McGrane, and by that move he discovered three +riders advancing along the canyon trail. They were too far removed to be +absolutely identified, yet Drury seemed to take root there in the last +of the day’s sunshine and across his dark face flashed an emotion that +was compounded of anger and fear and almost despair. He looked around +the street, like an animal seeking exit from a trap; he scanned the +alleys, the yawning doors and the canyon running off from the Pride of +the Hills. Quite slowly passiveness took the place of those other fitful +expressions and, drawing himself up in the manner of one electing to +play out a bad hand to the bitter end, he aimed for the Freighter’s Rest +and passed inside. The poker game still continued and the empty seat was +still waiting for him. He slid into it, turned to better face the door, +and signaled for a stack of chips.</p> +<p>He was thus occupied, both hands in plain view on the table top, when +the three newcomers entered, saw him—and stopped.</p> +<p>One was a whippet of a man, another nondescript of feature, the third +burly and formidable. But whatever physical variance existed between +them the same luster of sullen purpose was stamped in their eyes and the +same sour, lawless slant of jaw appeared beneath the stubbled whiskers. +Thin-lipped, predatory and vindictive men and of a breed common enough +in the fastness of the hills. The weight of their presence brought the +poker game to a full halt and roused the somnolent loiterers in the +saloon. The burly one slowly raised a hand and stretched it toward Tud +Drury.</p> +<p>“You—come outside a minute. We want to talk this over.”</p> +<p>Drury’s answer was soft and self-contained. “I’ve got nothing to say to +you fellows. The deal’s done, the record’s closed. I’m busy.”</p> +<p>“It ain’t done by a dam’ sight,” grunted the big man. “You think it +is—but it ain’t. Don’t figger for a minute yo’re goin’ to get away with +this.”</p> +<p>“With what?” countered Drury. “You rigged me for a sucker, played me for +a killin’. Now that you fell down on your pirate business you’re +squawkin’ like a bunch of tinhorns.”</p> +<p>“Nev’less,” said the big man with a cold determination that weighed +oppressively over the saloon, “you ain’t done with us. Nobody’s done +with us that uses a gun to draw out.”</p> +<p>“I beat you to the gun business,” taunted Drury. “You’d of done it in +another twenty-four hours. It hurts to go honest for a change, don’t it? +I’ve got nothing to say to you buzzards. I kept my part of the bargain +and I’m through. The claim is yours. My share’s mine. I’m lucky to be +alive.”</p> +<p>“Come outside,” repeated the big one.</p> +<p>“Not in a thousand years,” said Drury and smiled coldly at them. “Next +time pick a softer sucker for the kil. I knew your earmarks the minute +you eased in on me.”</p> +<p>“Won’t come, uh?” questioned the big one. His teeth snapped together; +dark blood surged along the weather-blackened skin. “Have it yore way. +But you’re done. Mark this well. Yuh won’t ever leave Pistol Gap alive. +You’re not through with us.”</p> +<p>They filed from the saloon. Silence remained after them and the last of +the day’s sun slid away from the blurred windows, throwing deeper +shadows across the long room. Tud Drury stared at the cards and never +stirred until one of the players called him back from his somber +thoughts.</p> +<p>The three men tramped down the street and crossed it, to come before +Bully McGrane who still sat on the hotel porch. McGrane’s vast body was +motionless and his great arms trailed idly. He said nothing but the +chill of the unwinking eyes fell on them and remained there. He waited, +as he usually waited, knowing well enough how the very power of his +presence both confused and enraged others. Yet the three stared back +grimly; and it was the big man who broke the spell.</p> +<p>“McGrane, there’s a play comin’ up and we’re warnin’ yuh now to keep +out of it. It’s our business and none of yours. Make no attempt to +interfere.”</p> +<p>“Bold boys,” rumbled McGrane ironically.</p> +<p>“Put it any way yuh choose,” stated the big man evenly, “but keep out +of it. We’re after a man and we mean to get him. It won’t be the first +time such a thing’s happened in Pistol Gap and it ain’t the last. Stand +aside and don’t interfere.”</p> +<p>“I reckon the four thieves fell out, uh?” grunted McGrane.</p> +<p>They waited stolidly, untouched by his sarcasm. McGrane shifted in the +chair, cigar smoke wreathing around his scarred, red-veined face. So +sure of himself was he that their challenge evoked a throaty chuckle; +strange light flickered in his pale eyes. “Not tryin’ to bluff me, +boys?”</p> +<p>“This is no bluff,” said the big man without emotion. “It ain’t yore +business. It’s ours. We mean to get Drury. He won’t leave Pistol Gap. +We’ll see he don’t. We’re declarin’ ourselves now and here. What about +it?”</p> +<p>“I never could get sympathetic about a crook,” rumbled McGrane. “One +more or less don’t mean much to me.”</p> +<p>“Glad to hear you say it. That’s the way we want it.”</p> +<p>“Maybe,” said McGrane, “you heard what I said. Maybe you only thought +you heard what I said. I never commit myself to a crook, or three +crooks.”</p> +<p>“Let it ride,” replied the big man bluntly. “And stay clear of this. +Marshals don’t last forever.” And the three wheeled abreast and strode +toward the stable.</p> +<hr class='tb'> +<p>Dusk’s brief interlude came to Pistol Gap and, even as it came, began to +fade into dark. Lights sprang up and a stream of cool air came filling +into the stifling gulch. Men strolled to supper, the town awoke and +moved more briskly. At the end of the street the Pride of the Hills +suddenly was a-gush with yellow beams. McGrane chewed his cigar to the +frayed end and tossed it away. The down-curving lines of his massive +face began to appear; he closed a fist like a man finding pleasure in +pure strength, and rose. Shouldering through the increasing crowd, he +turned in at the now dark blacksmith shop. Billy Monteith sat by the +door, smoking an evening pipe.</p> +<img src="images/illus-060.jpg" alt="man with hammer and anvil" style="float: right; margin-left: 15px; width: 40%"> +<p>It was a strange thing that McGrane, whose nature instantly bridled at +the thought of any strength equal to or superior to his own, should like +Monteith above any other man in the country. The youthful, mild-mannered +blacksmith was everything McGrane was not. He trusted people and was +trusted by them; he despised the very physical force he represented in +so great a degree; and on one occasion he had stood up to McGrane and +whipped the marshal—the only individual in all that wild country who +ever had met the bruising, mauling ex-prizefighter on his own ground and +came out uncrushed. Yet perhaps McGrane’s liking was not strange. For if +he ruled by fear and violence it was also true he respected a man who +refused to quail before him. So he found himself a fresh cigar and spoke +idly.</p> +<p>“What’d Drury have to say to you, Billy?”</p> +<p>“He’s leavin’ the country,” drawled Monteith.</p> +<p>McGrane grunted. “He thinks he is. He’ll never make it. He’s trapped. +Notice them three tough nuts that just came in? They’re layin’ for him. +They’ll get him.”</p> +<p>Monteith sat up and clucked his tongue. “Now that’s bad. You ought to +stop it, McGrane. I sort of like Drury. He’s played pretty straight +recently.”</p> +<p>“Straight?” boomed McGrane. “Teamed up with them three? Don’t think it. +Once a crook always a crook. I knowed the time when he was wanted by six +different sheriffs. They don’t change. That mild manner don’t fool me +none whatsoever. They been robbin’ sluiceboxes. There’s my guess. Now +they’ve fell out. Drury probably got away with the dust and they’re +after him. Crooks always fall out. They’ll get him.”</p> +<p>“Still think you’re wrong,” mused Monteith.</p> +<p>“Soft!” snorted McGrane, contemptuous of any kind of sympathy. Then he +chuckled. “They warned me to stay out of it. Me! Jack McGrane! Imagine +that. High, wide an’ handsome, that’s their style.” And the chuckle +dissolved to a growl.</p> +<p>“Well, what do you figure?” the blacksmith asked.</p> +<p>“Show ’em who runs this town, Billy. They’re all four crooks. I’ll stay +clear, all right. They can have Drury. He’s no good and never was. But +when they get him I’ll get them. I’ll have ’em for murder—and there’s +the end of four more tough nuts.”</p> +<p>Monteith smoked in silence for a long spell, then spoke regretfully. +“Seems to me you’re forcin’ the hand of Providence some. It ain’t +right.”</p> +<p>“Forcin’ nothin’,” retorted McGrane, enjoying his plan hugely. “I’m +standin’ aside. Lettin’ nature take its due course. Might’s right and +dog eat dog. There ain’t nothin’ pretty about a gunslinger or a rustler +or a sluicebox robber. They’ll get what they got comin’ to ’em.”</p> +<p>“I think Drury’s straight,” repeated Monteith, knocking out his pipe. “I +think it because he’s got a girl down at the Pride of the Hills.”</p> +<p>“Anna—a dance hall girl.”</p> +<p>“Anna—a good dance hall girl,” amended Monteith softly.</p> +<p>“There never was a good dance hall girl,” snorted McGrane.</p> +<p>“Considerin’ a multitude of circumstances and necessities,” was +Monteith’s grave answer, “I sometimes think there never were many bad +ones. Anyhow, I like Anna and I like Tud. They’ve got a stretch of good +luck comin’ to ’em for a change. If Drury’s pullin’ stakes, that means +she’s going with him. McGrane, you ought to stop those buzzards.”</p> +<p>“They made their bed and they’ll lay in it—stiff and cold,” said +McGrane.</p> +<p>The big marshal swung away, moving with a rapidity unlooked for in a man +of his bulk. At a dark alley mouth he paused and considered the street. +Presently he saw the three men come from the stable and break in +differing directions. One posted himself in front of the Freighter’s +Rest, one stepped back into the outer darkness, the third walked toward +the Pride of the Hills. McGrane weighed this tactical shifting with a +critical eye, waiting with grim patience and grim enjoyment. Perhaps ten +minutes later the man by the Freighter’s Rest seemed to abruptly +discover something or receive some covert message; turning, he hurried +off for the Pride of the Hills. McGrane’s big head nodded.</p> +<p>“They got wind he wouldn’t pull out unless he took the girl.” And his +scorn for Drury deepened. “The dam’ fool! It’s his skin he’s riskin’ for +the kind of a woman he could buy anywhere dirt cheap. They’ve got him +hipped. He won’t never make it. Now I’ll take a hand.” Leaving the alley +mouth, he repassed the blacksmith shop and headed for the dance hall. +Monteith, he observed, had gone.</p> +<hr class='tb'> +<p>Tud Drury still sat at the poker table, but the game had broken up and +his hands idly stacked and divided the chips before him. It was +six-thirty. His hour of appointment with Anna had come and gone, his +plans were smashed by the ruthless three waiting in the street with a +cold, patient stolidness that seemed like the inevitable signal of +death. The saloon was filling, other tables occupied. Yet the word was +out and he was let alone. Men watched him in catlike attention and all +this while he sat with his head slightly bowed, his dark cheeks passive, +unmoved.</p> +<p>But under the cover of that outward indifference his thought raced along +in futile swiftness, running down one blind alley and another, striking +barriers at every turn, and collecting again with ever mounting +desperation. There was no hope for him on Pistol Gap’s main street, no +possible chance of reaching his horse. Perhaps he might slip quietly +through the rear of the saloon and leave town afoot, perhaps he might +reach timber if he elected to try his solitary fortune. Yet in so doing +he abandoned Anna, and when he abandoned her he also threw over whatever +of hope and self-respect there was left in him.</p> +<p>At a gesture Tud Drury swept the chips from the table and rose. The +rumble of talk in the saloon sagged as he walked to the bar, took his +drink, and seemed to collect himself. There was a glinting anger in his +eyes and all his features tightened down—the expression of one staking +everything on the turn of a card. Then, without warning, he strode to +the back door of the saloon, placed his hand on the knob and paused. A +chair scraped, accenting the stillness that gripped every soul in the +place. Drury squared his shoulders, stared behind him and spoke +bitterly.</p> +<p>“If this town’s waitin’ to watch me die—see how I do it. Damn Pistol +Gap and all that it means!”</p> +<p>With that, he ripped the door open and lunged into darkness, falling on +all fours. Crouched there he awaited the bullet. But it never came. No +prowling sound disturbed the back lots, no lurking body moved across the +thin lanes of light winking down from the residences high placed on the +canyon wall. Judgment still was suspended, still ominously withdrawn and +waiting. Drury cursed with a rising rage. But even as he cursed he felt +the first flare of hope in the long dragging hours of the afternoon. +Getting on his feet, he ran beside the back building line, cut across +the gap existing between the main street and the smaller gulch of +Chinatown, and halted again. Over the creek lay the Pride of the Hills, +filled with sound of music and men; the tide of traffic streamed into it +and the voice of the announcer at the door rose stridently.</p> +<p>“They know,” he muttered. “They know to come there. And that’s where +they’ll be. No use to avoid it now. Can’t stay in the dark much longer, +can’t sidestep a showdown.”</p> +<p>A Chinaman trudged along the creek, leading a belled burro. Drury +skirted a pair of cabins and approached the trail at a dark angle. The +Chinaman came abreast, saw the figure of the man dimly in front of him, +and halted defensively.</p> +<p>“Sen Yat?” said Drury.</p> +<p>“Ah,” said the Chinaman and peered closer. “Dluly. Long time no see.”</p> +<p>“I’m no hand to beg,” muttered Drury. “But I did you a favor one time, +and I need help now.”</p> +<p>“You say, Dluly.”</p> +<p>“I need two horses placed back of the dance hall, Sen Yat. Away up on +the slope. I need ’em now. Right where the trail cuts down from old +Number Two below Discovery. You do that?”</p> +<p>“Can do, Dluly.”</p> +<p>“Don’t go to the stable for horses. Use your own. Here’s a hundred +dollars. Let nobody see you.”</p> +<p>The Chinaman took the money and plodded deeper into Chinatown. Drury +watched him wind through the maze of shacks and disappear. He held his +position as the lagging, dreary minutes went by, never letting his eyes +stray from the upper end of the gulch. In his mind he reconstructed +every step of the Chinaman’s way—getting the horses, saddling up, +leading them around the throat of the gulch, laboriously climbing the +steep slopes. All these acts he allotted a space of time, throttling his +uneasy impatience. Half a dozen miners tramped by at arm’s length and +curved into a chop suey joint. A youthful Oriental slipped forward as if +he were balancing a basket on his head. Drury stepped farther into the +dark shelter, but the Chinaman swerved and came against him. A soft +phrase passed between. “You go now.” And then the Chinaman padded on.</p> +<p>Drury took a deep breath and left his shelter. He crossed the creek +without recourse to the bridge lower down. He climbed the bank and, +still using the shadows, arrived at the corner of the dance hall. +Another step meant coming into the full light and mixing into the +eddying crowd. Nowhere did he see his three ex-partners. That they were +nearby he never doubted; they had laid their trap with skill, leaving no +footprints to show.</p> +<p>“I’ve done my last dodgin’,” he murmured to himself. “I may die, and +God help the girl if I do. But here’s jump-off for Tud Drury.” On the +heels of the thought he walked into the light and was carried through +the door to the dance hall.</p> +<p>Once inside, Drury stepped out of the milling current of men, back to +the wall; and his first glance went forward to the stage, thinking that +Anna might have gone on with her part of the evening’s entertainment to +cover the breech of time. But she was not there, nor anywhere along the +smoke crowded vastness of the room. A hundred faces shifted before his +eyes, none of them of importance to him. So he slid casually through a +side door and started up the stairs; in one cautious backward glance he +caught sight of Bully McGrane’s features fixed on him, cynically amused; +and it seemed to Drury that the marshal was waiting for the inevitable +burst of shots. It brought him to a pause. He studied the dim inner hall +sharply, ran his hand across the butt of his gun. Chill touched his +nerves. Shaking it off, he ascended the two flights and went toward the +girl’s room. The door was ajar and through the opening he saw her +waiting.</p> +<hr class='tb'> +<p>Drury scarcely had cleared the dance hall when Bully McGrane stepped out +of a corner and crossed the same inner door. Framed there, he turned to +consider the crowd. The three gunmen had been in sight until a few +minutes back and he knew they had seen Drury. Subsequently they had +departed, not by the front but by a stage exit. McGrane considered this +a sure indication as to the scene of the kill. Yet he was curiously +inclined and he wondered if Drury’s next move would be in accordance +with the arrangements. Being a shrewd, weather-wise man he knew that in +life’s everlasting rabbit chase the pursued occasionally tricked the +pursuer. Whatever the case, he meant to be on hand; for to him it was a +grim jest, another piece of sport to feed his blunt and frankly brutal +nature. So he went up the stairs, treading near the banister to check +the squeaking of the boards. On the second landing he heard the murmur +of voices and he went down on his toes until he stood near enough to +make out the rapid play of talk. The girl’s voice rose clearly.</p> +<p>“You never should have come here. What does it matter? Go ahead—any way +to get away from them. I’ll come later. In a few days.”</p> +<p>“And let ’em take their spite out on you?” came a deeper, male voice. +“Not in a thousand years. That’s what they’d do. They’re a pack of +savages.”</p> +<p>“They’ll kill you, Tud!”</p> +<p>Drury’s answer was small and indistinct. McGrane shifted, a scowl coming +over his face. Then the girl broke in.</p> +<p>“I won’t go! You’ve got to do it without me! Oh, Tud, I will not drag +you down like that. What does it matter about me? But if they kill you, +then I have nothing left.”</p> +<img src="images/illus-063.jpg" alt="man with hammer and anvil" style="float: left; margin-right: 15px; width: 40%"> +<p>“I’m through dodgin’,” said the man. “And I ain’t leavin’ you behind. +I’ve got to stand up like any man would who’s worth his salt. I been +through enough torment thinkin’ of you here. We’ll stick together from +now on, and if I can’t take care of you, then I reckon I ain’t worth +botherin’ about. Get your grip. There’s a small back door at the foot of +the stairs....”</p> +<p>McGrane retreated quietly and descended the first flight. There he +halted, scowling massively into the dingy shadows as if displeased at +what he had overheard; as if this man and this girl had refused to play +the part assigned them. Drury was a crook, Anna a dance hall girl. They +had made their bed, now let them lie in it. All people in this world +were the same. Every man struggled for himself, every man looked to the +main chance and pushed the other fellow over the cliff in the showdown. +There was mighty little difference between the best and the worst and +every last soul crawled before the gods of fear and greed and appetite. +What right had either of those two people to act as if they were any +different?</p> +<p>He heard them coming and he crept on down the next flight of stairs. +There was a single lamp bracketed to the side of the hall. He dimmed the +wick and hurried on to the back door, opening it and stepping swiftly +aside. A gust of cold air scoured through and the night wind rattled the +brush all along the gulch. Some woman was singing from the main room and +the tramp of feet shook the structure, but out yonder a kind of bated +stillness held the shadows. McGrane’s sharp eyes raked the cloaked +foreground; very softly he lifted his gun; and the next moment he had +closed the door behind him and was flat on his stomach, ten yards away. +No sooner was he settled than the door opened again, letting out Drury +and the girl. He saw their bodies sway aside from the opening and he +heard Drury’s soft murmur of reassurance run into her suppressed sigh. +Suddenly they broke into a run, and passed him.</p> +<p>The soft echo of their steps came back in a straight line and he knew +then what they meant to do. Over the summit lay old Discovery and from +there it was a clear road out to the high desert, out to a different +land. Probably Drury had managed to picket horses along the gulch and +probably he thought himself safe. But McGrane, growling softly and +strangely irritated, understood very well how few were the moments +stretching between that delusion and gunplay. Somewhere in this tricky +blackness the three crooks were waiting.</p> +<hr class='tb'> +<p>All sound, all echoes died off; A palpitating stillness flowed down the +slope. McGrane rose to his knees, big fist tightening about his gun. +“Once a crook always a crook,” he rumbled. Anger rose vastly in him, the +old desire to sweep out with his massive fists and destroy took hold. He +got to his feet, big body swaying, forward as if his very will sought to +tear away the impenetrable blanket of that night. A faint murmur of +rattling brush came to him. Distinctly a voice said, “You’re done for.” +McGrane let out a roar and charged onward up the incline.</p> +<p>A bullet’s flat smash broke across the gulch, the echo rolling wider. +The girl screamed and hard on that sound a pair of explosions rocketed +together. McGrane saw the muzzle flashes; he heard Anna crying, +“Tud—Tud!” And; placing those two, he opened up on the point he had +seen the more remote mushrooming of powder light, still beating inward, +still booming his rage into the mystery of the night. The outline of a +pair of horses lay across the path, Tud’s gun answered from another +angle. Then there was no more firing. The brush crackled beneath a +threshing body and Bully McGrane, blowing like an engine, halted in his +tracks.</p> +<p>“Who’s that?” challenged Drury. “By the good God, if you’ve touched this +girl——!”</p> +<p>“Tud—I’m all right.”</p> +<p>“Who’s that?” repeated Drury.</p> +<p>“Shut-up,” grumbled McGrane. “Them yore horses?”</p> +<p>“Yes.”</p> +<p>“Well, get on ’em and go. Yuh deserve to be hung but there ain’t no +reason I should see you do it. Get on ’em and go.”</p> +<p>Drury’s voice jerked out a halting phrase.</p> +<p>“McGrane—I’m in no shape to pay my obligation to you. But——”</p> +<p>“Damn the obligations. Get on them horses and go! You know what I +think about you.”</p> +<p>The girl’s arm touched his great shoulder. McGrane stiffened. Her lips +brushed his cheeks and he felt a tear fall on his rigid hand. “After all +the hurt and cruelty of Pistol Gap,” said she, “you leave us this +kindness. Somewhere there is a guiding star for us—and for you.”</p> +<p>“Be good,” said McGrane in the ancient farewell and stood quite still as +he heard them mount and climb the trail. The hoofbeats diminished and +died. McGrane stirred himself, shook his burly shoulders and walked off +the trail. The figure of a man lay there and the marshal touched him +with the toe of a boot. “Now where,” he rumbled, “is the others?”</p> +<p>An unexpected voice cut in. “Right at my feet,” said Billy Monteith. +“Knocked cold with an ax handle. I figured you’d come.”</p> +<p>“Damned sure of yourself, ain’t you?” muttered McGrane.</p> +<p>“I liked Tud and I liked Anna,” was Monteith’s quiet reply. “They had +good luck comin’.”</p> +<p>“I dunno,” growled McGrane. “But there’s one crook less, anyhow. The +best of folks in this world are none too good and the worst of ’em ain’t +always so bad. Not that it makes any difference. Sentiment don’t get you +anywhere, Monteith. Might’s right and tonight proves it. Bring those two +tough nuts to the jug and we’ll let ’em cool off while that pair of +young fools gets a good start from the country.”</p> +<p>He turned down the slope, swinging his arms—morose and fuming and ready +to vent the loose ends of his temper on whoever crossed his path; for +Bully McGrane hated to have his grim philosophy of life disturbed and in +that philosophy there was no place for a man like Tud nor a girl like +Anna. So he kicked open the dance hall door and stamped down the hall. +Music and revelry came unabated from the Pride of the Hills and the +sound of firing had brought no curiosity seekers to the slope. In Pistol +Gap life ran to suddenness and intensity.</p> +<div class="tn">Transcriber’s note: This story appeared in the +November 25, 1930 issue of <i>Short Stories</i> magazine.</div> +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 77816 ***</div> +</body> +</html> diff --git a/77816-h/images/cover.jpg b/77816-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..9b8eefd --- /dev/null +++ b/77816-h/images/cover.jpg diff --git a/77816-h/images/illus-058.jpg b/77816-h/images/illus-058.jpg Binary files differnew file mode 100644 index 0000000..6997cae --- /dev/null +++ b/77816-h/images/illus-058.jpg diff --git a/77816-h/images/illus-060.jpg b/77816-h/images/illus-060.jpg Binary files differnew file mode 100644 index 0000000..e0dcf63 --- /dev/null +++ b/77816-h/images/illus-060.jpg diff --git a/77816-h/images/illus-063.jpg b/77816-h/images/illus-063.jpg Binary files differnew file mode 100644 index 0000000..eae11b2 --- /dev/null +++ b/77816-h/images/illus-063.jpg diff --git a/77816-h/images/illus-fpc.jpg b/77816-h/images/illus-fpc.jpg Binary files differnew file mode 100644 index 0000000..1a53d0a --- /dev/null +++ b/77816-h/images/illus-fpc.jpg diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6c72794 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This book, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. 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