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| author | www-data <www-data@mail.pglaf.org> | 2026-01-15 08:34:36 -0800 |
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| committer | www-data <www-data@mail.pglaf.org> | 2026-01-15 08:34:36 -0800 |
| commit | fcde7af310c9d6a36702377dedcfdbd62a727448 (patch) | |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/77708-0.txt b/77708-0.txt new file mode 100644 index 0000000..2d171c9 --- /dev/null +++ b/77708-0.txt @@ -0,0 +1,3511 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 77708 *** + + + + + WANDA. + + + ❦ + + +------------------------------------------------------------------------ + + + + + WANDA. + + + A DRAMATIC POEM. + + + BY COLONEL J. PRZYIEMSKI, + + AUTHOR OF “SKETCHES OF THE POLISH MIND.” + + + “Noch köstlicheren Samen bergen + Wir, trauernd, in der Erde Schoos, + Und hoffen, dass er aus den Särgen + Erblühen soll zu schönerm Loos.” + SCHILLER. + + + TRANSLATED BY A. M. M. + + + PRIVATELY PRINTED. + 1863. + +------------------------------------------------------------------------ + + + + + INTRODUCTION. + + +As the early history of Poland is almost unknown in England, it may be +necessary to state that this little poem is merely a poetical version of +a real event, the memory of which is dear to every Polish heart. Wanda +(the daughter of the great founder of Cracow), having really devoted +herself to death for the sake of her country, under the circumstances +and from the motives which are here assigned. + +------------------------------------------------------------------------ + + + + + DRAMATIS PERSONÆ. + + + WANDA, _Queen of Poland_. + LESJA, } + HALINA, } _her Maidens_. + RZEWNA, } + LESZEK, _a Polish Officer_. + A BARD. + HERMANN, _Ambassador to_ Rüdiger, _Prince of Germany_. + A FISHERMAN. + + + _Choruses of Maidens, Warriors, People, Goblins, and Water Spirits._ + +------------------------------------------------------------------------ + + + + + PROLOGUE. + + BARD. + + _On the banks of the Vistula opposite the Wawelberg[1] (Cracow)._ + + Bless Poland, bless the poet and his lay! + Look not upon the smallness of his gift, + But as the widow’s mite that gift receive; + Too well thou knowest whose the robber band + That on our treasures ruthlessly hath seized; + Alas! this nameless vampyre long hath quench’d, + In choicest life-blood, and in burning tears, + The lightning kindled fire of sacred song! + A hundred years with muffled tread have pass’d, + Since, by a threefold fetter firmly bound, + The tuneful harp hath ceased its thrilling voice,-- + Since, by a threefold spell, the poet-soul + From home and country hath been exiled far. + Yet good and evil wage their wonted war + Here, as elsewhere, with varying success, + Though rarely may the good victorious rise, + And as the spirit of the age appear, + While the proud powers of darkness vanquish’d bow. + Then, and then only, glows one sudden gleam,-- + Then, and then only, sounds one thrilling tone + From that charm’d cavern of oblivion’s shore + Where burn the poet’s harp and heart unseen; + Unseen as yet, but from those raging flames + Their seeming prey immortal yet shall rise,-- + Rise, Phœnix-like, above the hostile blaze, + And win a wond’ring world’s admiring gaze. + +----- + +Footnote 1: + + As it is at the present day, fortified by the Austrians _against_ + Cracow. + +------------------------------------------------------------------------ + + + + + WANDA. + + + + + ACT I. + + CRACOW, AS IN LEGENDARY TIMES. + + + SCENE I. + + GOBLINS, WATER SPIRITS. + + CHORUS OF GOBLINS. + + Sing on, thou weird old salamander, + In magic fiery mazes wander, + Thy burning song may hurt thyself, + But cannot warm one shivering elf; + ’Twill disenchant thy mind deluded, + And yet our power is not illuded, + In baleful spells we keep thee bound, + And firmly are the fetters wound. + List to that magic spell, and say + If thou canst exorcise its sway, + But for a time, + By foamy froth of hollow hope, + Or reminiscences raised up + Of Poland’s prime!-- + Hither, ye demons dire, + Of rapine, and murder, and spite, + Perjury, falsehood, conspire, + All in one compact unite; + Reach out the hand, + A chosen band + Of mortals shall greet you, + And lovingly treat you, + As brothers in arms; + Who sneer down as vain + Each national claim, + And of right + Make light, + Though pray’d for in common humanity’s name. + What, tremble ye, cowards! delay not, draw near, + If God be a fiction, what is there to fear? + By your gorgon-like aspect, congeal’d into stone, + All helpless and heedless the nations look on. + In the name of all things holy + Desecration shall be bless’d, + Sin itself be canonized, + At the triple crown’s behest. + Hither spirits, powers of evil! + Soon your mighty chief, the Devil, + Gives that watchword to your ring + Which no minstrel can out-sing. + Write then, weak poet, on the changing sand + Which skirts the boasted river of thy land; + Write thy dull song of Poland’s daughters rare, + And all the heroic virtues of the fair; + Oblivion’s waves shall soon engulf thy rhymes, + Siberia’s snows be wafted o’er the lines, + Ashes of Polish bones that moulder’d down, + Where Spielberg and Spandau portentous frown, + Shall closely hide them with a spectral pall, + And from the shuddering eye shall cover all. + Sing, if thou wilt, of patriotic queens, + Of sacrifice of self, and all such themes; + Foreign oppressors soon, short-sighted fool, + Triumphantly shall reign with iron rule, + Though fearing, hating you with deadly hate, + And kindling you to hatred all too late: + When ye shall see the Vistula, beside + Her hundred sisters, with your life-blood dyed, + And when the Polish Wawel’s cannon shows + A front ’gainst Poland, not ’gainst Poland’s foes. + Then to your poets, into exile driven + Will time and leisure bounteously be given + To groan in cadence drear a worthless song, + To wail those foreign hills and groves among; + There, where a happy ignorance of grief + Forbids e’en sympathy to lend relief, + Where echo only answers with a groan, + The language and the woe alike unknown. + + CHORUS OF WATER SPIRITS _from the Vistula_. + + Away, ye dark spirits, in vain are your cries, + Who mock at misfortune, and virtue despise. + Ye symbols of hard and material prose, + Of poetry _living_ or _rhyming_ the foes; + Away! for the poet’s vocation sublime + To you is a problem unsolved for all time; + Heaven’s bolts lifeless fall when they reach the morass, + And thus the ideal with minds of your class. + Look up then, and know that your reign’s at an end; + From the Wawel see Wanda’s fair maidens descend; + At the aspect of innocence, beauty and love, + Quail, quail, ye dark demons! and shrinking remove; + Haste ere your weak vision be quench’d by the light, + Ye birds of ill-omen, ye owls of the night! [_Exeunt._ + + + SCENE II. + + A BARD (_lost in meditation_); LESJA, _at the head of a train of + Maidens_; WANDA _soon after_; RZEWNA _later_. + + LESJA. + + Hail to thee, Bard, thou favour’d of the gods! + Their very language not unknown to thee, + Through whom the aspirations of mankind, + Formless and voiceless, dreaming i’ the dark, + Instinctive upward, shape immortal find, + And, dumb no longer, blossom into song. + We seek thee, Wanda seeks thee, she, our queen, + Would fain from thy experience counsel draw, + And in the labyrinth where she walks perplext, + Sighs for the clue of wisdom; as I speak, + See she approaches with enquiring face. + + WANDA. + + Friend of my father, servant of our gods! + Thou knowest well the answer I have given + To all the messengers by princes sent, + Who thirst for power, not love, who thinly veil + ’Neath flattering smiles ambition’s anxious eye, + Seeking not Wanda’s heart, but Poland’s throne. + Yet may I always distance suitors thus, + And can I, ’mid the gaudy counterfeits + Round me, sincerity’s fair form discern, + And know to whom through very love for ME, + My _dearer_ self, my people, will be dear? + Say, on what altars shall I incense burn? + What oracle consult? I stand in doubt, + In me the maiden and the queen contend. + Fain to the gods would I be consecrate + In vestal purity, as priestess dwell, + Tending the sacred fire; yet can it be? + Say, minstrel, may such blissful lot be mine? + + BARD. + + Nay, nay, my queen, th’ eternal law of love, + In earth and heaven the same, such choice forbids; + Blessing and fruitfulness are e’er twin terms; + Society is usefulness and pleasure; + Queens have a high vocation, to uphold-- + Pure morals, fervent zeal for public good, + And glad obedience to their country’s laws, + By eloquent example; ’tis the soul + Of precept, words must cold and lifeless fall, + When contradicted by the life, my queen. + Thy blessed mother with myself, her friend, + Have taught thee both to shun hypocrisy, + And own the faith sincere and true of love, + Obeying thus the dread celestial powers. + Unfruitfulness is their most dreadful curse + To mother earth, and to her earthly daughters; + Look round where’er thy eye, thy thoughts can bear thee, + Where do the gods command to loneliness? + Where rather do they not with blessing join + Their ancient edict, “Love and multiply?” + The grain of sand beside the Vistula, + The vast Carpathians round our land that rise, + The lowly worm that creeps unnoticed by, + The lordly eagle soaring to the sun, + All things in earth and air, and in the seas, + Obey alike the great primeval law. + Let but the will of gods be reverenced, + And sin to nature wears a stranger’s face. + _Free-will_, our highest gift, confuse thou not + With self-will, which is sin, and learn to know, + “In union there is strength.” The marriage bond, + By Heaven appointed, is a sacred tie; + Contempt of it, a devilish invention. + Heart-chills and conscience-stings seek solitude, + And immorality her cloak assumes; + Despite the many sanctimonious names + ’Neath which cold-heartedness and egotism, + The weak, the timid, or the bad, invite, + To seek withdrawal from our human claims: + Celibacy is still and _must_ be sin! + + [_Confused voices are heard outside, + and presently_ RZEWNA _enters_. + + RZEWNA. + + My queen! + Rüdiger’s messenger is here, the same + Who ten days since sued for your sovereign hand; + Fiercely he storms, demanding to be heard. + The sacred rules of hospitality + Alone deter the offended sentinels + From striking down the swearing ruffian; + The tumult grows, they wait their queen’s commands. + + WANDA. + + Let him come in, though a bird of omen ill, + Yet bread and salt should never be denied. + + [_Exeunt_ RZEWNA, LESJA, _and the_ MAIDENS. + + + SCENE III. + + WANDA, THE BARD, _later_ HERMANN. + + WANDA (_with emotion_). + + Minstrel! thou seest, not causelessly I seek thee; + Now, from the store experience provides, + Give me a crumb of counsel; youth so proud + In knowledge, yet in wisdom is but poor. + Oh! of thy inspiration let one beam + Illume a mind oppress’d by fogs of doubt. + + BARD. + + Be thy own heart thy guide, thence issues forth + The fount of inspiration, and there holds + Conscience her awful oracle, and there + Honour to duty hath an altar rear’d. + Our best adviser is our conscience still, + Though often to her voice our ears are deaf, + To honied flattery list’ning ’stead of truth. + Bad counsellors are poisoners of our bliss, + And dig the grave of honour; this concerns + Princes yet more than peoples. + + [HERMANN _enters_. + + HERMANN. + + No greetings, queen, for courtesies have ceased + Between my lord and you; he, Rüdiger, + The mighty Prince of Germany, brooks not + From you the insult of a daring “No!” + But on the frontier of your Poland stands-- + Soon, soon to be its frontier no more-- + To quench with trusty steel his vengeance thirst, + To tame your pride down into lack of will, + Through utter helplessness of slavery, yet still + Pitying, he lingers, graciously declares + Yet once again, if you will now receive + His proffer’d hand, the gathering cloud shall clear, + And ’twixt the rival hosts no blood shall flow. + But if your bold defiance you repeat, + Woe to you then, rash woman, and false queen. + The German armies, ranged in dread array, + Uplift the sword already, which will teach + That right is to the strongest. + + WANDA (_with dignity, and in a tone of proud contempt_). + + “As is the master, so the servant,” thus + Our proverb says, and truly, if I judge + Your lord from you, your people from you both, + I needs must deem, as neighbours you are bad, + As men unpolish’d, and as warriors!-- + Why that’s to prove!--we’ll test your skill in arms. + Conquest and spoil we seek not, Poland’s sons + Take no fierce pleasure in the clang of war, + And know too well what love of country means + To stretch with greedy grip toward other lands. + The plough, the pruning hook, the poet’s dream, + The minstrel’s harp, and sweet domestic joys, + These are their dear delight; but dearer yet, + Dearer than life itself, is liberty! + And when their peaceful industry is marr’d, + And hostile voices thunder, duty’s call + Presses the sword in the reluctant grasp, + And rings our watchword, “Trust th’ immortal gods!” + Threats and the threat’ner alike we scorn! + + HERMANN. + + What! scorn to Rüdiger? + + WANDA. + + Peace! servant of a master who would fain + Subdue a feeble woman through her fears; + Know that our virtue to weakmindedness + Degenerates not, nor to the coward soul; + And if the guest insults the ancient rules, + Which form the code of hospitality, + From all its duties is the host set free. + In you I see the unblushing messenger + Of jarring words, uncourteous and harsh; + One moment, and you cease to be my guest, + And of my neighbour, the ambassador. + Say to your prince, my _no_ still no remains; + _With us_ a word once given is never changed. + + [_Exit_ HERMANN. + + + SCENE IV. + + WANDA, LESZEK. + + _The clang of arms is heard in the distance._ + + LESZEK (_entering hurriedly_.) + + My queen! I bring this strange intelligence: + The German army, with a vast array, + Have cross’d the weakly guarded frontier; + Havoc and sacrilege their march attend. + + WANDA. + + Let all the dukes their varied corps assemble, + Wanda herself will lead them to the field; + The bravest people that the world can boast, + Shall never murmur at their timid queen, + But rather say, she burns to be our guide; + To combat for our country, and our gods; + Dread powers! be this, our rightful cause, your care, + ’Tis yours to award us victory, or death! + + [_Exeunt omnes._ + +------------------------------------------------------------------------ + + + + + ACT II. + + _The scene changes to the bank of the Vistula, opposite the tomb of + Krakus, at Cracow. Divisions of cavalry and infantry march with music + and flying banners towards Cracow. The last division of infantry + draws up in line of battle._ + + + SCENE I. + + WARRIORS, MAIDENS, _later_, WANDA. + + CHORUS OF WARRIORS. + + Great were the numbers of the foe, + Their haughtiness as great, + Soon, soon they thought to lay us low, + In boastful scorn elate; + Yet still floats Poland’s banner + Triumphant to the wind; + The snow-white eagle soars unscathed, + And leaves the field behind; + The field where insolence gave way + To valour true and bold, + And love of country held her sway + O’er lust of power and gold. + Praise, praise the great celestial powers, + Th’ almighty gods adore, + For the foe that long hath threaten’d us, + Shall threaten us no more. + + Wanda has proved herself a Pole, + A hero in the fight, + Though a modest maiden in her home, + Where gentleness is might. + All through his life mourn’d Krakus, + And in his dying hour, + That, when the oak should fall, there lived + But the wreathing fragile flower; + That no young chieftain of his name + Might wear his father’s crown; + That to a tender maiden’s hand + The sceptre must go down: + But as reflected sunbeams + Within the planet shine, + Thus, thus within thy daughter’s soul, + Oh, Krakus! dwelleth thine. + Thank’d be the gods, bless’d be the gods, + All hail, immortal powers! + The foe must hide his vanquish’d head, + And Poland yet is ours. + + CHORUS OF MAIDENS (_approaching mounted_). + + Alone rode forth Wanda, and left us behind her, + Stern foe to all fetters, yet duty can bind her; + “But deem not that battle is woman’s vocation, + Oh ye! to whom gods grant a happier station, + The duties of queens ever form an exception, + Retirement quit ne’er, save at Heaven’s direction.” + Thus saying, she mounted; her fair figure tracing + We watch’d, till it met th’ horizon’s embracing, + Noon melting the clouds away, fold after fold, + Enwrapt her in raiment of azure and gold. + The tumult of battle she hid from our sight, + But we saw her when vict’ry succeeded to fight, + With hands upward raised and with knees lowly bending, + ’Twixt enemies flying and warriors home wending; + She follows us now, while in praise we unite, + The last on the field, and the first in the fight. + Thank, thank the great gods! we are free as the air, + See Cracow once more, and the Vistula hear-- + The silver-voiced Vistula--gliding along, + The pride of our land, of our minstrels the song. + The sun’s parting beams on old Wawel’s head play, + Their gold-wreath is hiding his time-honour’d grey, + Glad symbol inviting our thoughts to ascend, + For light is eternal, though time hath an end. + + Yet as the muttering thunder-clouds + Deep silence follow, + Thus to peaceful joy succeed + Sharp thrills of sorrow; + And the rapture of the present, + Too glad for earth, + Tells, since gods are even-handed, + Of coming dearth. + Ever must life’s cup be mingled, + Pain is our due, + Purest nectar we have tasted, + Now for the rue! + Dark foreboding pales the glowing + Of parting day, + In those creeping mists embodied + Dun and grey. + + WANDA (_dismounting_). + + Dismount, my sisters, give your steeds the rein, + And let us kiss our country’s precious soil; + Hail to thee, Wawel! hail, fair Vistula! + Ye are our parents, reverence and love + Rise in our hearts whene’er we gaze on you; + For you the Pole girds on his sword; for you + Each Polish mother, from its very birth, + Teaches her child that to renounce oneself + From love of country is the loftiest aim: + With patriotic songs the infant ear + Is soothed to slumber, and again they thrill + When morning sun-beams scatter happy dreams, + His laughing eyes unsealing; woe to those + Who, chill’d in heart by numbing selfishness, + In private interests wrap their meagre souls, + With eyes averted from the public weal! + Embitter’d are their lives by conscience-stings, + And general contempt: when death arrests, + And bears them trembling to the viewless world, + The gods avert their faces; unrestrain’d, + Darkness and chaos claim their lawful prey, + For selfishness is hateful to the gods. + Ah! dying words from dear paternal lips! + Though twelve long weary months have drifted by, + Since they were utter’d, yet I hear them still + In yon broad river’s eager rushing tide, + Re-echoing as a glorious welcome back; + The winds repeat them as they hurry past, + Borne from Carpathian summits; and methought + The deep-mouth’d trumpets thrill’d them in mine ear, + When raged the conflict. Dearest father, hear! + Soul of my soul! ’tis with thy heart I love + My country, worthily to serve her cause. + This is my only wish-- [_After a pause._ + Yet no aspiring _wish_, but iron _will_ + Has won the day; thy long embattled hosts, + Who know defeat in theory alone, + Have quell’d the boasting voice of insolence + In thunderings of valour, teaching thus + Big words not always mate with lofty deeds. + Though by a woman led, the Poles are free! + Not through _my_ virtue; _thy_ remembrance fired + Each warrior breast with superhuman zeal; + Krakus, though viewless, was their leader still. + Yet oh, these battles! they may bring us fame, + Yet are the curse of nations, for renown + May dim our love of peace, as golden lures + May chill the peasant toward his humble cot + I’the rural valley, industry must droop, + The car of triumph override the plough; + War tears the husband from his wife and child, + The lord of home becomes a stranger there. + Woe, woe to those with whom the thirst for fame + Exceeds the love of country! yet, alas! + ’Tis through this wretched wrangling for my hand + That clang of arms and tramp of hosts are heard: + This feeble hand the sceptre cannot wield. + Sharp are the winds round mountain peaks that blow;-- + The isolated splendour of a throne + Is dreary for a woman; not for her + The glory and the pomp, but modest shade, + Far otherwise her lot by Heaven decreed, + To watch o’er children, nestling to her side; + To smooth care-furrows from her husband’s brow, + Wafting around the perfume sweet of love, + And meekness, as the wilding clematis + Clasps the dark fir-tree with caressing wreath. + Wanda can never be her country’s shield: + Her weakness still new discords will awake, + Midst cowards round her, clam’rous for her crown. + Alas! that heroes should have grown so rare + Among our neighbours! Oh, the weariness + Of ruling! Poland needs a worthy head, + And yet no chieftain will her sons elect, + While lives the daughter of their darling prince. + Though yearning for a king, they long to see + The snow-white banner by his grandson rear’d. + My sorrows and my orphan-hood alone + Deter the generous people from complaint + Of Wanda’s hesitation to adopt + The holy marriage vow. Immortal gods! + Be witness that ’tis not cold-heartedness + That bids me still delay, but rather fear + Lest through ill-choice I mar my country’s weal. + Forbid it, Heaven, that, through a fatal error, + Wanda should set a tyrant o’er her land. + Yet who, alas! to Krakus can succeed + Nor seem unworthy? To the brilliant sun, + The brightest star gives but a glow-worm’s light. + + HALINA (_earnestly and affectionately_). + + My lovely foster-sister, and my queen, + Why of thyself and thine these dreary doubts + On such a day of glorious victory? + In whose clear brilliancy the golden bond + ’Twixt queen and people shines with added glow. + Say, have the Poles less bravely fought to-day + Than is their wont, or was thy leadership + Inferior to a sterner chieftain’s? No! + The timid harebell, and the modest fern, + Seek the same spot that rests the ardent wing + Of sunward soaring bird in upward flight; + Thus grace and valour, maid and warrior, meet + In thee, thou gifted darling of the gods. + Death for their fatherland is sweet to those + Who to thy rule a glad obedience yield; + And danger with her trumpet-call shall rouse + But to a firmer union, kindling all + The singly-scatter’d fires of ardent souls + To _one_ bright flame of power invincible. + The shrouding silence of the solemn past + Thrills into echo at the voice of fame, + Which, roused to memory of thy ancestors, + By deeds of thine, attesting thy descent, + Recounts their glory, bids them live again + In thee embodied; in the midnight heaven, + We hail a newly-risen star with praise, + And for our Wanda thank the immortal gods. + To them we yield the keeping of our land, + Secure and trusting, though their choice elect + Not the proud eagle, but the brooding dove. + And, rather than the eyrie, choose the nest + To guard from desecration; fear thou not, + No sable feathers of ill-omen’d birds + That croak around thee, shall contrast with thine + In hated union, while grey Wawel stands + To blunt the feeble lances of our foes, + And cool their rashness in the rolling flood. + + [_Exeunt omnes._ + +------------------------------------------------------------------------ + + + + + ACT III. + + + SCENE I. + + _The Castle on the Wawel._ WANDA _surrounded by her Maidens_. LESZEK + _enters_. + + LESZEK. + + All hail! accept my reverence, gracious queen! + Behold me from the field return’d, where all + The nation, minstrels, priests, and warriors, + In concourse vast assembled, offer’d praise + And thanks most heartfelt for the vict’ry won. + Your queenly message faithfully I bore, + Commanding to elect a worthy king, + And grant you from the cares of power release. + Vain the command; a murmur low replied, + That swiftly grew to tumult: “Choose a king! + It shall not, cannot be! For though, in truth, + Our Wanda’s lightest wish should be obey’d + With eager loyalty, _this_ wish we hold + To militate against the country’s weal, + She loves beyond her life.” Then rose the Bard, + First of our minstrel sages, and declared, + “The daughter’s wish must to the father’s will + Yield filial obedience, and that will + Bade on her choice depend her country’s fate.” + He ceased; loud rose the general applause, + And each and all in this response unite: + “Whatever prince by Wanda’s queenly hand + Shall be ennobled, him we hail our king; + If none be worthy found, it matters not, + Our maiden queen remains our honour’d chief. + While yet her father lived, his word was law + To every Pole, shall it be less so _now_, + Stamp’d with the impress of eternity? + In the dark night of loss, each single word, + Before but slightly heeded, gem-like shines. + While Wanda lives, no meaner prince shall rule; + Thus swears the nation: is it falsely said, + The voice of peoples is the voice of gods?” + + WANDA (_turning away_). + + Enough! I must submit; and yet ’tis strange, + That voice makes discord with the whisper’d tones + Of conscience, which unceasingly repeat + My people’s love is fatal to their weal. + The very name of such a king as once + Held sway o’er Poland, would restrain our foes; + While Wanda’s name allures to bloody war, + Where greedy tyrants wrangle for the prize. + Return, good Leszek, but accept my thanks; + ’Tis good to break a hope whose agonies, + Stretch’d on the rack of terrible suspense, + Crave from despair the death-stroke. Leave me now; + The gods be with thee. [_Exit_ LESZEK. + + + SCENE II. + + WANDA, HALINA, MAIDENS. + + CHORUS OF MAIDENS. + + Her people’s voice vainly would Wanda withstand, + The glory of Poland, the pride of our land, + Though her father’s proud war horse her gentle hand reins, + Our modest companion in peace she remains. + To her warriors a chieftain, by duty made strong, + Though joining with us in the dance and the song; + To the good who surround us, a rainbow of light, + To the evil, a thunderbolt crashing with might. + As the dawn-waken’d bird, on the blossoming spray, + Heralds in with soft warblings the coming of day, + Thus, Wanda, the deeds of thy future shall ring, + In the song which we hasten in chorus to sing. + “Up, snow-white eagle, up, + The sable wings destroy + That flutter round thy lofty home, + All eager to annoy; + To desecrate thy eyrie + The foe shall not prevail, + Safe in the keeping of the gods, + Thy cause shall never fail.” + + WANDA. + + Songs, O my sisters, are like ardent sunbeams, + Children of light, they kindle fires of joy! + The conscience of a nation speaks in song, + Fame warbles of the past with silver voice, + And to the dawning future hope sings clear. + Virtues of heroes, and their lofty deeds, + Give to the minstrel an inspiring theme; + Who round those hero brows his glorious songs, + Binds in immortal wreath; from song and fame + Spring the fair roses of eternal worth, + Which, bud on bud, shall ever richer grow, + And fill succeeding ages with perfume. + + HALINA. + + Then will we cheer thee with melodious voice. + Say, shall we sing of Lech th’ aspiring one, + The finder of the snow-white eagle’s nest? + Or how thy father Krakus fought and slew + The dragon of grey Wawel’s dreary caves. + + WANDA (_sorrowfully_). + + Nay! break not thus the quiet of reflection, + Say, rather, of sad musings, like a mist, + Damp, cold, and deadly, creeping o’er my heart; + Within an unrelated element, + We lose our very breath, much more our ardour. + For manly deeds the nation praises me, + But Wanda’s glory is in womanhood. + Well says our proverb, “To remain unknown + Is woman’s happiest calling, and her best.” + All, all admire the sunward soaring eagle, + And upward gaze to watch his daring flight; + But with caressing smile the little swallow + By every heart is welcom’d, when she builds + Her soft and humble nest beneath the eaves. + + HALINA. + + Then shall we say that men are earth’s sole rulers, + _No_ fame for us? This, surely, is injustice! + + WANDA. + + Shall we, weak mortals, dare to call unjust + The dreadful powers who rule the universe? + Nay, rather let us hold as false and vain + Our own opinions; could our wills arrest + The torch of inspiration, and compel + The sudden gleam to yield a steady light + For years, instead of moments, by its rays + We well might read the book of nature, writ + In golden characters of truth and justice; + But in the grey of earthly dusk, ’tis vain + To strain our eyeballs. ’Tis enough to know, + That duty urges men into the field + When danger waits their country, that the world, + The wide, cold world, alone can yield them scope. + While our alloted sphere is quietude; + Nor powerless for that, nor lacking grandeur. + Say! is the awful power of tempests hid + In _silent_ lightning, or in roaring thunder? + Does rosy morn with rash and noisy touch + Withdraw the curtains of the shrouding night, + Or melt them with her smiles, unveiling thus + Alike the eyes and energies of mortals. + The mighty work with tumult, but the _mightiest_ + Can stoop to meekness, nor be less divine. + On us the gods bestow their highest gift; + Brave men befit great actions, loud renown, + But god-like is availing sympathy. + ’Tis ours to mourn with mourners, to rejoice + With joyous souls, to polish into beauty + The rough unchisell’d gem that else were wasted; + The noble to caress, the wounded heart + With richly flowing love to soothe, and thus, + Through self-denial and untiring meekness, + To rule the mighty masters of the world. + And if we deem th’ alloted sphere of home + Too narrow for our restless energies, and seek + A wider range, we lose our magic sway. + But since to me the dread celestial powers + A woman’s sweetest privilege deny, + I own myself excepted, though from far + With deep-drawn sigh I view your happier lot. + I take the gods to witness that my heart, + My woman’s heart, thirsts not for empty fame, + But rather aches for love! this weary brow + Throbs bleeding from the leaden crown of power, + And fain would seek repose, forgetfulness, + Upon a loving breast; it may not be! + Why squander words? ’tis time the theme were done. + Adieu, my sisters, by grey Wawel’s walls + Remain protected, rest till morn shall kiss + Soft slumber from your eyelids, then come forth + And seek your Wanda on the tumulus + That covers Krakus; thither now I go + To seek for counsel from the immortal gods, + And learn the final answer I must give + To my expectant people! + + + SCENE III. + + WANDA, LESZEK, PEOPLE. + + WANDA _ascends the hill, the Chorus retires to the left, a vast crowd + assembles on the right, and stands opposite the tumulus of Krakus_. + + CHORUS OF THE PEOPLE. + + Twixt queen and people how firm the tie + Of mutual love and loyalty! + Seek ye that magic the wide earth round, + And own that in Poland ’tis strongest found. + Yon mound, half hidden in shadowy haze, + Stands as a herald of better days, + As a word to nations as yet unborn, + An episode bright as the star of morn, + Gilding our history’s chequer’d page, + With beams that shall glitter from age to age. + Ah, better than sounding names and fair + Is the title the kings of Poland bear-- + “Loved and loving,” their dearest aim + The hearts of the people to win and claim. + A Polish word is full of meaning, + For the Polish heart is rich in feeling; + Esteem and affection dictate our choice, + When a king is made by the nation’s voice; + And thus, elected by force of merit, + Is safer than those who thrones inherit. + If truth-loving, pious, and brave he prove, + He will ever be served with devotion and love, + And his children’s children we gladly choose, + When at Heaven’s decree the father we lose; + When national the monarch the people is royal, + To king and to fatherland equally loyal, + Since the two are united and blended in one, + And thus our palladium unconquer’d become. + Such! such! was our Krakus, and therefore we swear, + That Wanda, and Wanda alone is his heir! + High rises the tomb where his ashes repose, + Which handfuls of earth all unnumbered compose, + Each brought by a subject and friend as a token + Of fealty and love that can never be broken. + By its green covering sods, lo! we swear it again, + No monarch save Wanda o’er Poland shall reign! + + [_A thunderstorm approaches_; WANDA _appears on the summit of the tomb, + kneeling, and with hands uplifted in prayer_. LESZEK _steps forward + from the midst of the People_. + + LESZEK. + + Around the dreary tomb the night wind moans,-- + Moans like the voice of some despairing ghost, + Bearing from Cracow most mysterious echoes; + On thunder wheels the frowning storm rolls on, + Towards hoary Wawel, yet from yonder height + Shines our fair Wanda, like a ’wilder’d star. + What doth the dauntless maiden there alone? + On such a night fell spectres stalk abroad; + Methinks she communes with her father’s shade, + Nor trembles; wherefore no? To angel souls + The spirit world is more a home than ours, + Its forms of light to all their thoughts akin, + And Wanda is an angel! + + [WANDA _rises, descends towards the Vistula, and disappears from the + eyes of the spectators, hidden by the declivity. The_ BARD _alone + appears before the People; at the same time the sun rises, and_ + WANDA’S _Maidens appear for a moment on the tumulus, and then run + down the hill to the Vistula. Meanwhile the People’s Chorus is again + heard._ + + PEOPLE’S CHORUS. + + As the sunbeams scatter the early dew, + See Wanda’s train, to her orders true! + Yet they seek in vain where she bade them find her; + Each maiden glances before, behind her. + Now the banks of the Vistula rivet their eyes, + And the breeze bears toward us impassion’d cries; + With nameless horror our spirits quail, + What mean those gestures, that frantic wail? + + + SCENE IV. + + LESZEK, THE PEOPLE, FISHERMAN, _afterwards_ THE BARD. + + A FISHERMAN (_coming in hastily_). + + A glorious star hath fallen from the heaven, + That heaven our fatherland, the star our queen. + Yes, ours that _was_. Alas! our queen no more, + Save in her people’s hearts; the deed was done + Ere I could rescue, and the waters chill + Round Wanda’s lovely form embraced a corpse; + With reverence from that dreary winding-sheet + I raised it as a sad but sacred charge, + Yielding it over to her stricken train. + Oh mourn for Poland! for her light is quench’d. + + LESZEK (_to the_ BARD, _who just appears_). + + Minstrel, yon fisherman brings evil tidings. + + BARD. + + Whose grievous import, scarce one hour ago, + One fleeting hour, from Wanda’s lips I heard. + + THE PEOPLE (_impatiently_). + + How did you meet with her--where, minstrel, say? + Why did you not prevent the dreadful deed? + + BARD. + + Throng me not thus with questions, countrymen; + List’ners hear more than eager questioners, + When hearts for mutual satisfaction seek, + The ear must leave the mouth its share of time; + Not in thought only, but in speech and life, + Yield his own way to each; the poet’s soul + Lives ever in another world, although + In outward presence he may dwell with you, + Give him free scope, his words will bring you calmness. + While you choose kings, the bard admires a flower, + And while from pressure of the busy brain + Your full heads ache, his soul responsive thrills + To graceful aspens, trembling, zephyr-kiss’d, + And in the depths of downy dreams soft nestling + Sinks, lost in luxury of reverie. + My dearest hours glide by in yonder wood, + The moon’s pale face down-gazing, and the wind + With the dark fir trees wrestling as it shouts + Its war cry through the shadows: yestere’en, + When all glad mortals were in slumber wrapt, + That wild song deepen’d to a dreary howl; + The storm, approaching, drove me from the wood; + The lofty tomb of Krakus I ascended, + To pray with Manes of the great and good; + The kneeling form of Wanda startled me. + “Minstrel,” she said, “I pray’d th’ immortal gods + To bring thee hither; in the forest depths + I would not seek thee, for it is decreed, + That whilst I linger here one way alone + Is open for me, from this verdant mound + To where the Vistula’s dark waters flow, + To yield me burial; not in vain my prayer: + The sudden tempest, driving thee away + From thy beloved retreat, affords me proof + That Poswist, ruler of the viewless winds, + Hath heard my prayer, and that the powers above + Approve my dread resolve;--my choice shall be + Of Poland’s fate the final arbiter; + So runs my father’s will, and while I live, + Thus swears the people--mine shall be the throne; + Well! I _have_ chosen, and my choice is death. + This very morn my good and loyal people + May crown a worthier king, nor break their faith. + I promised to their prayer a swift reply, + My lifeless corse, borne on the Vistula, + Shall give an answer, dumbly eloquent. + Thou, trusty friend, canst read my inner soul, + And make my motives to the people clear, + Bid them from me a warm and last farewell.” + Thus Wanda! Whosoe’er from his own heart + Hath learnt to read the hearts of other men, + Knows that heroic fire, by words persuasive, + Can be nor quench’d, nor kindled; I avow, + In silence I had listen’d and fulfill’d + The charge entrusted, with a dumb obedience, + Save that, long since, imperious opinion + Hath learnt to moderate her haughty voice + On much once held indubitably clear, + And thus a god-sent caution gave me pause; + My tongue was loosen’d: “Wanda, hear,” I said, + “The voice of conscience oft hath whisper’d me + That all below have their alloted posts, + Nor from these stations guiltless can withdraw, + Till death, the messenger of Heaven, shall come. + The soldier, hasting from the battle-field + Without his general’s express command, + The shameful stigma of deserter bears. + Life is the _loan_, but not the _gift_, of gods; + To them we owe its interest; but who, + Save they, shall dare resume it? Oh, my queen! + If rashly given back, all unrequired, + The gods, perchance, may grant no other boon.” + + [WANDA’S _Maidens are seen in the background, carrying her corpse + towards Cracow_. + + THE PEOPLE. + + Haste! let us yonder sad procession join, + And to our queen, for the last time, give escort; + Make way! and let us go! + + LESZEK (_in a tone of reproof_). + + Stay! yon cold form is but our Wanda’s body,-- + Her spirit lingers in the poet’s words: + Curb your hot haste, and to the nobler part + Give audience; afterward the dear remains + Claim fitting care; forgive the slight delay, + Kind minstrel, and resume the broken thread. + + BARD. + + Wanda was silent, but her earnest face + Upon my words intent, some courage kindled: + “In hours of inspiration I can see,” + Thus I continued, “gleams of far-off light, + That, when its perfect splendour is attained, + Shall fill the world with sunbeams; by its blaze + Our boasted present shall be greyest twilight, + And theories which have won our praise shall be + From truth’s fair circle banish’d, as delusions. + Prove thyself, Wanda, well, lest lack of courage, + Or weariness of life, with fair disguise, + Deceive thy mental vision, and assume + The form of patriotic sacrifice.” + “In light, in darkness, truth is still the same; + Should Poland in the future give her verdict, + That Wanda, in her self devotion, err’d, + Example’s voice shall not have vainly sounded. + Obedience to a father’s last commands, + Fulfilment of the people’s solemn oath, + Zeal for my country’s welfare, all conspire + To claim the sacrifice; I yield it freely. + Kind minstrel, cease thine efforts to dissuade, + Give me a father’s blessing, and farewell!” + I bless’d her, turn’d and hasted from the spot, + Pondering the message she had bade me bear. + The brief remainder of the mournful story + Yon fisher told, and all too well ye know it. + My countrymen! it is in vain to murmur,-- + One day we all shall see that nought befalls, + Without the will of the immortal gods. + + + SCENE V. + + LESZEK, THE PEOPLE, THE BARD, RZEWNA, MAIDENS. + + RZEWNA. + + The mournful train of Wanda follows me; + Already we had ta’en the road to Cracow, + But without you, ye fathers of the land, + We would not bear our burden to the city, + Our steps retraced, to you we now confide + The precious relics of our martyred queen! + + [_The Funeral passes along the Stage._ + + CHORUS OF THE PEOPLE. + + Save us, her people, how few beside + Will honour the motive for which she died! + How few our Wanda will understand, + In offering her life for her fatherland! + + CHORUS OF MAIDENS. + + Wanda! Wanda! shall ever our watchword be, + Wanda, martyr and priestess of liberty; + Should time ever tarnish our virtue’s pure gold, + So lovingly cherish’d, so precious of old, + Should maidenly modesty slacken her sway, + Should gentleness vanish, and meekness decay, + All, all shall revive in their glory again, + As the summer-dried verdure, ’neath soft-gushing rain, + When the harp-strings shall thrill to our Wanda’s name, + When echoes the lute to the mournful sound, + Our Wanda reposes ’neath Polish ground. + + BARD. + + Last sad home, + Fronting the tumulus where rests the father, + For this, his peerless daughter, we will rear + Its likeness, since their memories blend in one; + Listen, my countrymen! The dreadful future-- + Dreadful, though glorious,--yet shall give to Cracow + A third sad sepulchre, most drear possession! + Three grassy funeral mounds, in which are hid + The hopes, the sorrows, and the fame of Poland. + Long shall these two in mournful grandeur stand, + Altars to fear of gods and love of men, + Till ancient virtue darken towards its setting: + An awful martyrdom awaits our country, + And when the tumult wild of battle ceases, + Through the clear’d air, and ’mid the rigid stillness, + The third last witness shall be seen uprising! + Yet spring shall follow in the wake of winter, + And through the virtue pure of Poland’s daughters, + Swaying, unconsciously, her hardy sons, + Once more shall they arise and prove their valour; + Our fatherland shall rouse to second life, + And thus the evil spell shall disappear, + Which long o’erwhelm’d her with infernal blight. + Thus, thus decrees the certain voice of fate, + Through the unworthy lips of me, your bard: + We minstrels are the heralds of the gods. + In the sad prelude of the oracle + Lose not the consolation which succeeds: + Listen, ye mourners at the tomb of Krakus, + For him and for his daughter, on the verge + Of the far future’s dim horizon glancing, + I see a star which rays out beams of hope! + List! and your bard shall read its mystic meaning: + “_From the dark earth the golden corn shall spring._” + + LESZEK. + + Now let us seek a spot the bard shall choose, + Meet to receive our Wanda’s precious clay! + + CHORUS OF MAIDENS. + + ’Mid the flowers of Poland our Wanda shall rest, + As a seed-corn of virtue her mem’ry is blest; + It will bud, it will blossom, with sweetest perfume, + And her glorious example for ages illume, + Teaching childlike obedience, modesty pure, + Fear of gods, love to men, truth and faith to endure; + And to our redemption devoting the song, + Wanda slumbers the flowers of Poland among: + From the seed which to earth we now weeping confide, + The bright corn shall spring in its glory and pride. + + [_The Curtain falls._ + + + + + CHISWICK PRESS:--PRINTED BY WHITTINGHAM AND WILKINS, + TOOKS COURT, CHANCERY LANE. + +------------------------------------------------------------------------ + + + + + 186, FLEET STREET, + _December, 1863_. + + MESSRS. 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New original + cover art included with this ebook is granted to the public domain. + + The following changes and corrections have been made: + + • Title page: Added comma in phrase “Und hoffen, dass er aus den + Särgen.” + • Title page: Replaced “schöneren” with “schönerm” in phrase “Erblühen + soll zu schönerm Loos.” + • p. 35: Replaced “chieftains” with “chieftain’s” in phrase “was thy + leadership / Inferior to a sterner chieftain’s?” + • Advertisement page 1: Replaced “arranngement” with “arrangement” in + phrase “and the Order of their arrangement in the Herbarium.” + • Advertisement page 1: Added closing quotation mark in phrase + “‘Teuton,’ a Poem.” + • Advertisement page 11: Added period after title “Very Little Tales + for Very Little Children.” + • Advertisement page 14: Removed period from phrase “By F. S. 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Long, Esq., M.A.” + +*** END OF THE PROJECT GUTENBERG EBOOK 77708 *** diff --git a/77708-h/77708-h.htm b/77708-h/77708-h.htm new file mode 100644 index 0000000..7b3b25f --- /dev/null +++ b/77708-h/77708-h.htm @@ -0,0 +1,6223 @@ +<!DOCTYPE html> +<html lang="en"> + <head> + <meta name="viewport" content="width=device-width, initial-scale=1"> + <meta charset="UTF-8"> + <title>Wanda | Project Gutenberg</title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + body { margin-left: 8%; margin-right: 10%; } + h1 { text-align: center; font-weight: normal; font-size: 1.4em; } + h2 { text-align: center; font-weight: normal; font-size: 1.2em; } + h3 { text-align: center; font-weight: normal; font-size: 1.2em; } + .pageno { right: 1%; font-size: x-small; background-color: inherit; color: silver; + text-indent: 0em; text-align: right; position: absolute; + border: thin solid silver; padding: .1em .2em; font-style: normal; + font-variant: normal; font-weight: normal; text-decoration: none; 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} + div.cbox {margin:auto;display:inline-block;text-align:center; } + div.pv {float:left;display:inline-block; } + div.spaced {margin-left:1em; } + img.pv {width:3em;display:inline; } + .x-ebookmaker div.pv {display:inline;float:none; } + .x-ebookmaker img.pv {display:none; } + .transcribers-notes { width: 80%; margin: auto; padding: 0 1em; + color:black; background-color: #E3E4FA; border: 1px solid silver; + page-break-before:always;margin-top:4em; } + </style> + </head> + <body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 77708 ***</div> + +<div class='c000 figcenter id001'> +<img src='images/bar-1.jpg' alt='' class='ig001'> +</div> + +<div class='nf-center-c1'> + <div class='nf-center'> + <div><span class="half-title">WANDA</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div>❦</div> + </div> +</div> + +<div class='pbb'> + <hr class='pb c001'> +</div> + +<div> + <h1 class='c002'><span class="h1g">WANDA</span>.</h1> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div>A DRAMATIC POEM.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div><span class='large'>BY COLONEL J. PRZYIEMSKI,</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c003'> + <div><span class='small'>AUTHOR OF “SKETCHES OF THE POLISH MIND.”</span></div> + </div> +</div> + +<div class='lg-container-b c001'> + <div class='linegroup'> + <div class='group'> + <div class='line'>“Noch köstlicheren Samen bergen</div> + <div class='line'>Wir, trauernd, in der Erde Schoos,</div> + <div class='line'><a id='tn-hoffen'></a>Und hoffen, dass er aus den Särgen</div> + <div class='line'><a id='tn-loos'></a>Erblühen soll zu schönerm Loos.”</div> + <div class='c004'><span class='sc'>Schiller.</span></div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div><span class='large'>TRANSLATED BY A. M. M.</span></div> + </div> +</div> + +<div class='c001 figcenter id001'> +<img src='images/bar-2.jpg' alt='' class='ig001'> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c001'> + <div>PRIVATELY PRINTED.</div> + <div><span class='large'>1863.</span></div> + </div> +</div> + +<div class='pbb'> + <hr class='pb c003'> +</div> + +<div class='figcenter id002'> +<img src='images/big-bar-1.jpg' alt='' class='ig001'> +</div> + +<div> + <h2 class='c005'>INTRODUCTION.</h2> +</div> + +<div class='drop-wrap-p'> + +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c007'><span class="drop-hide">A</span><span class="drop-uppercase">s</span> the early history of Poland is almost +unknown in England, it may be necessary +to state that this little poem is +merely a poetical version of a real event, the +memory of which is dear to every Polish heart. +Wanda (the daughter of the great founder of +Cracow), having really devoted herself to death +for the sake of her country, under the circumstances +and from the motives which are here assigned.</p> + +</div> + +<div class='pbb'> + <hr class='pb c003'> +</div> +<div class='c000 figcenter id003'> +<img src='images/big-flower-1.jpg' alt='' class='ig001'> +</div> + +<div class='pbb'> + <hr class='pb c000'> +</div> + +<div> + <h2 class='c005'>DRAMATIS PERSONÆ.</h2> +</div> + +<div class='dramatis'> + +<div class='lg-container-l c008'> + <div class='linegroup'> + <div class='group'> + <div class='line'><span class='sc'>Wanda</span>, <i>Queen of Poland</i>.</div> + </div> + </div> +</div> + +<div class='lg-container-l c009'> + <div class='linegroup'> + <div class='group'> + <div class='line'><div class="floating-bracket"><span class="big-bracket">}</span> <span class="bracket-balance"><i>her Maidens</i>.</span></div></div> + <div class='line'><span class='sc'>Lesja</span>,</div> + <div class='line'><span class='sc'>Halina</span>,</div> + <div class='line'><span class='sc'>Rzewna</span>,</div> + </div> + </div> +</div> + +<div class='lg-container-l c009'> + <div class='linegroup'> + <div class='group'> + <div class='line'><span class='sc'>Leszek</span>, <i>a Polish Officer</i>.</div> + <div class='line'><span class='sc'>A Bard.</span></div> + <div class='line'><span class='sc'>Hermann</span>, <i>Ambassador to</i> Rüdiger, <i>Prince of Germany</i>.</div> + <div class='line'><span class='sc'>A Fisherman.</span></div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c008'> + <div><i>Choruses of Maidens, Warriors, People, Goblins, and Water Spirits.</i></div> + </div> +</div> + +<div class='pbb'> + <hr class='pb c003'> +</div> +<div class='c000 figcenter id003'> +<img src='images/big-flower-2.jpg' alt='' class='ig001'> +</div> + +<div class='wanda'> + +<div class='pbb'> + <hr class='pb c000'> +</div> + +<div class='figcenter id002'> +<span class='pageno' id='Page_9'>9</span> +<img src='images/big-bar-2.jpg' alt='' class='ig001'> +</div> + +<div> + <h2 class='c005'>PROLOGUE.</h2> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c008'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><i>On the banks of the Vistula opposite the Wawelberg<a id='r1'></a><a href='#f1' class='c010'><sup>[1]</sup></a> (Cracow).</i></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-b.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">B</span><span class="drop-uppercase">less</span> Poland, bless the poet and his lay!</div> + <div class='line'>Look not upon the smallness of his gift,</div> + <div class='line'>But as the widow’s mite that gift receive;</div> + <div class='line'>Too well thou knowest whose the robber band</div> + <div class='line'>That on our treasures ruthlessly hath seized;</div> + <div class='line'>Alas! this nameless vampyre long hath quench’d,</div> + <div class='line'>In choicest life-blood, and in burning tears,</div> + <div class='line'>The lightning kindled fire of sacred song!</div> + <div class='line'>A hundred years with muffled tread have pass’d,</div> + <div class='line'>Since, by a threefold fetter firmly bound,</div> + <div class='line'><span class='pageno' id='Page_10'>10</span>The tuneful harp hath ceased its thrilling voice,—</div> + <div class='line'>Since, by a threefold spell, the poet-soul</div> + <div class='line'>From home and country hath been exiled far.</div> + <div class='line'>Yet good and evil wage their wonted war</div> + <div class='line'>Here, as elsewhere, with varying success,</div> + <div class='line'>Though rarely may the good victorious rise,</div> + <div class='line'>And as the spirit of the age appear,</div> + <div class='line'>While the proud powers of darkness vanquish’d bow.</div> + <div class='line'>Then, and then only, glows one sudden gleam,—</div> + <div class='line'>Then, and then only, sounds one thrilling tone</div> + <div class='line'>From that charm’d cavern of oblivion’s shore</div> + <div class='line'>Where burn the poet’s harp and heart unseen;</div> + <div class='line'>Unseen as yet, but from those raging flames</div> + <div class='line'>Their seeming prey immortal yet shall rise,—</div> + <div class='line'>Rise, Phœnix-like, above the hostile blaze,</div> + <div class='line'>And win a wond’ring world’s admiring gaze.</div> + </div> + </div> +</div> + +</div> + +<div class='c001 figcenter id004'> +<img src='images/small-flower-1.jpg' alt='' class='ig001'> +</div> + +<hr class='c012'> + +<div class='footnote' id='f1'> +<p class='c013'><span class='label'><a href='#r1'>1</a>.  </span>As it is at the present day, fortified by the Austrians +<em>against</em> Cracow.</p> +</div> + +<div class='pbb'> + <hr class='pb c003'> +</div> + +<div class='figcenter id002'> +<span class='pageno' id='Page_11'>11</span> +<img src='images/big-bar-3.jpg' alt='' class='ig001'> +</div> + +<div class='title'> + +<div class='nf-center-c1'> +<div class='nf-center c014'> + <div>WANDA.</div> + </div> +</div> + +</div> + +<div> + <h2 class='c005'>ACT I.</h2> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c008'> + <div>CRACOW, AS IN LEGENDARY TIMES.</div> + </div> +</div> + +<h3 class='c015'><span class='sc'>Scene I.</span></h3> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Goblins, Water Spirits.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Goblins.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-s.jpg" class="drop-cap" alt=""></div> + <div class='line in2'><span class="drop-hide">S</span><span class="drop-uppercase">ing</span> on, thou weird old salamander,</div> + <div class='line in2'>In magic fiery mazes wander,</div> + <div class='line in2'>Thy burning song may hurt thyself,</div> + <div class='line in2'>But cannot warm one shivering elf;</div> + <div class='line in2'>’Twill disenchant thy mind deluded,</div> + <div class='line in2'>And yet our power is not illuded,</div> + <div class='line in2'>In baleful spells we keep thee bound,</div> + <div class='line in2'>And firmly are the fetters wound.</div> + <div class='line in6'><span class='pageno' id='Page_12'>12</span>List to that magic spell, and say</div> + <div class='line in6'>If thou canst exorcise its sway,</div> + <div class='line in16'>But for a time,</div> + <div class='line in6'>By foamy froth of hollow hope,</div> + <div class='line in6'>Or reminiscences raised up</div> + <div class='line in16'>Of Poland’s prime!—</div> + <div class='line in8'>Hither, ye demons dire,</div> + <div class='line in6'>Of rapine, and murder, and spite,</div> + <div class='line in8'>Perjury, falsehood, conspire,</div> + <div class='line in6'>All in one compact unite;</div> + <div class='line in16'>Reach out the hand,</div> + <div class='line in16'>A chosen band</div> + <div class='line in8'>Of mortals shall greet you,</div> + <div class='line in8'>And lovingly treat you,</div> + <div class='line in8'>As brothers in arms;</div> + <div class='line in8'>Who sneer down as vain</div> + <div class='line in8'>Each national claim,</div> + <div class='line in16'>And of right</div> + <div class='line in16'>Make light,</div> + <div class='line in2'>Though pray’d for in common humanity’s name.</div> + <div class='line'>What, tremble ye, cowards! delay not, draw near,</div> + <div class='line'>If God be a fiction, what is there to fear?</div> + <div class='line'><span class='pageno' id='Page_13'>13</span>By your gorgon-like aspect, congeal’d into stone,</div> + <div class='line'>All helpless and heedless the nations look on.</div> + <div class='line in4'>In the name of all things holy</div> + <div class='line in4'>Desecration shall be bless’d,</div> + <div class='line in4'>Sin itself be canonized,</div> + <div class='line in4'>At the triple crown’s behest.</div> + <div class='line in4'>Hither spirits, powers of evil!</div> + <div class='line in4'>Soon your mighty chief, the Devil,</div> + <div class='line in4'>Gives that watchword to your ring</div> + <div class='line in4'>Which no minstrel can out-sing.</div> + <div class='line'>Write then, weak poet, on the changing sand</div> + <div class='line'>Which skirts the boasted river of thy land;</div> + <div class='line'>Write thy dull song of Poland’s daughters rare,</div> + <div class='line'>And all the heroic virtues of the fair;</div> + <div class='line'>Oblivion’s waves shall soon engulf thy rhymes,</div> + <div class='line'>Siberia’s snows be wafted o’er the lines,</div> + <div class='line'>Ashes of Polish bones that moulder’d down,</div> + <div class='line'>Where Spielberg and Spandau portentous frown,</div> + <div class='line'>Shall closely hide them with a spectral pall,</div> + <div class='line'>And from the shuddering eye shall cover all.</div> + <div class='line'>Sing, if thou wilt, of patriotic queens,</div> + <div class='line'>Of sacrifice of self, and all such themes;</div> + <div class='line'><span class='pageno' id='Page_14'>14</span>Foreign oppressors soon, short-sighted fool,</div> + <div class='line'>Triumphantly shall reign with iron rule,</div> + <div class='line'>Though fearing, hating you with deadly hate,</div> + <div class='line'>And kindling you to hatred all too late:</div> + <div class='line'>When ye shall see the Vistula, beside</div> + <div class='line'>Her hundred sisters, with your life-blood dyed,</div> + <div class='line'>And when the Polish Wawel’s cannon shows</div> + <div class='line'>A front ’gainst Poland, not ’gainst Poland’s foes.</div> + <div class='line'>Then to your poets, into exile driven</div> + <div class='line'>Will time and leisure bounteously be given</div> + <div class='line'>To groan in cadence drear a worthless song,</div> + <div class='line'>To wail those foreign hills and groves among;</div> + <div class='line'>There, where a happy ignorance of grief</div> + <div class='line'>Forbids e’en sympathy to lend relief,</div> + <div class='line'>Where echo only answers with a groan,</div> + <div class='line'>The language and the woe alike unknown.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Water Spirits</span> <i>from the Vistula</i>.</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Away, ye dark spirits, in vain are your cries,</div> + <div class='line'>Who mock at misfortune, and virtue despise.</div> + <div class='line'>Ye symbols of hard and material prose,</div> + <div class='line'>Of poetry <em>living</em> or <em>rhyming</em> the foes;</div> + <div class='line'><span class='pageno' id='Page_15'>15</span>Away! for the poet’s vocation sublime</div> + <div class='line'>To you is a problem unsolved for all time;</div> + <div class='line'>Heaven’s bolts lifeless fall when they reach the morass,</div> + <div class='line'>And thus the ideal with minds of your class.</div> + <div class='line'>Look up then, and know that your reign’s at an end;</div> + <div class='line'>From the Wawel see Wanda’s fair maidens descend;</div> + <div class='line'>At the aspect of innocence, beauty and love,</div> + <div class='line'>Quail, quail, ye dark demons! and shrinking remove;</div> + <div class='line'>Haste ere your weak vision be quench’d by the light,</div> + <div class='line'>Ye birds of ill-omen, ye owls of the night! <div class="float-sd">[<i>Exeunt.</i></div><div class="clear"></div></div> + </div> + </div> +</div> + +<h3 class='c015'><span class='sc'>Scene II.</span></h3> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>A Bard</span> (<i>lost in meditation</i>); <span class='sc'>Lesja</span>, <i>at the head of a train of Maidens</i>; <span class='sc'>Wanda</span> <i>soon after</i>; <span class='sc'>Rzewna</span> <i>later</i>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Lesja.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-h.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">H</span><span class="drop-uppercase">ail</span> to thee, Bard, thou favour’d of the gods!</div> + <div class='line'>Their very language not unknown to thee,</div> + <div class='line'>Through whom the aspirations of mankind,</div> + <div class='line'><span class='pageno' id='Page_16'>16</span>Formless and voiceless, dreaming i’ the dark,</div> + <div class='line'>Instinctive upward, shape immortal find,</div> + <div class='line'>And, dumb no longer, blossom into song.</div> + <div class='line'>We seek thee, Wanda seeks thee, she, our queen,</div> + <div class='line'>Would fain from thy experience counsel draw,</div> + <div class='line'>And in the labyrinth where she walks perplext,</div> + <div class='line'>Sighs for the clue of wisdom; as I speak,</div> + <div class='line'>See she approaches with enquiring face.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Friend of my father, servant of our gods!</div> + <div class='line'>Thou knowest well the answer I have given</div> + <div class='line'>To all the messengers by princes sent,</div> + <div class='line'>Who thirst for power, not love, who thinly veil</div> + <div class='line'>’Neath flattering smiles ambition’s anxious eye,</div> + <div class='line'>Seeking not Wanda’s heart, but Poland’s throne.</div> + <div class='line'>Yet may I always distance suitors thus,</div> + <div class='line'>And can I, ’mid the gaudy counterfeits</div> + <div class='line'>Round me, sincerity’s fair form discern,</div> + <div class='line'>And know to whom through very love for <span class='fss'>ME</span>,</div> + <div class='line'>My <em>dearer</em> self, my people, will be dear?</div> + <div class='line'>Say, on what altars shall I incense burn?</div> + <div class='line'><span class='pageno' id='Page_17'>17</span>What oracle consult? I stand in doubt,</div> + <div class='line'>In me the maiden and the queen contend.</div> + <div class='line'>Fain to the gods would I be consecrate</div> + <div class='line'>In vestal purity, as priestess dwell,</div> + <div class='line'>Tending the sacred fire; yet can it be?</div> + <div class='line'>Say, minstrel, may such blissful lot be mine?</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Nay, nay, my queen, th’ eternal law of love,</div> + <div class='line'>In earth and heaven the same, such choice forbids;</div> + <div class='line'>Blessing and fruitfulness are e’er twin terms;</div> + <div class='line'>Society is usefulness and pleasure;</div> + <div class='line'>Queens have a high vocation, to uphold—</div> + <div class='line'>Pure morals, fervent zeal for public good,</div> + <div class='line'>And glad obedience to their country’s laws,</div> + <div class='line'>By eloquent example; ’tis the soul</div> + <div class='line'>Of precept, words must cold and lifeless fall,</div> + <div class='line'>When contradicted by the life, my queen.</div> + <div class='line'>Thy blessed mother with myself, her friend,</div> + <div class='line'>Have taught thee both to shun hypocrisy,</div> + <div class='line'>And own the faith sincere and true of love,</div> + <div class='line'>Obeying thus the dread celestial powers.</div> + <div class='line'><span class='pageno' id='Page_18'>18</span>Unfruitfulness is their most dreadful curse</div> + <div class='line'>To mother earth, and to her earthly daughters;</div> + <div class='line'>Look round where’er thy eye, thy thoughts can bear thee,</div> + <div class='line'>Where do the gods command to loneliness?</div> + <div class='line'>Where rather do they not with blessing join</div> + <div class='line'>Their ancient edict, “Love and multiply?”</div> + <div class='line'>The grain of sand beside the Vistula,</div> + <div class='line'>The vast Carpathians round our land that rise,</div> + <div class='line'>The lowly worm that creeps unnoticed by,</div> + <div class='line'>The lordly eagle soaring to the sun,</div> + <div class='line'>All things in earth and air, and in the seas,</div> + <div class='line'>Obey alike the great primeval law.</div> + <div class='line'>Let but the will of gods be reverenced,</div> + <div class='line'>And sin to nature wears a stranger’s face.</div> + <div class='line'><em>Free-will</em>, our highest gift, confuse thou not</div> + <div class='line'>With self-will, which is sin, and learn to know,</div> + <div class='line'>“In union there is strength.” The marriage bond,</div> + <div class='line'>By Heaven appointed, is a sacred tie;</div> + <div class='line'>Contempt of it, a devilish invention.</div> + <div class='line'>Heart-chills and conscience-stings seek solitude,</div> + <div class='line'>And immorality her cloak assumes;</div> + <div class='line'><span class='pageno' id='Page_19'>19</span>Despite the many sanctimonious names</div> + <div class='line'>’Neath which cold-heartedness and egotism,</div> + <div class='line'>The weak, the timid, or the bad, invite,</div> + <div class='line'>To seek withdrawal from our human claims:</div> + <div class='line'>Celibacy is still and <em>must</em> be sin!</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>Confused voices are heard outside, +and presently</i> <span class='sc'>Rzewna</span> <i>enters</i>.</p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Rzewna.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'><span class="dropped-line">Celibacy is still and <em>must</em> be sin!</span>My queen!</div> + <div class='line'>Rüdiger’s messenger is here, the same</div> + <div class='line'>Who ten days since sued for your sovereign hand;</div> + <div class='line'>Fiercely he storms, demanding to be heard.</div> + <div class='line'>The sacred rules of hospitality</div> + <div class='line'>Alone deter the offended sentinels</div> + <div class='line'>From striking down the swearing ruffian;</div> + <div class='line'>The tumult grows, they wait their queen’s commands.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Let him come in, though a bird of omen ill,</div> + <div class='line'>Yet bread and salt should never be denied.</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>Exeunt</i> <span class='sc'>Rzewna</span>, <span class='sc'>Lesja</span>, <i>and the</i> <span class='sc'>Maidens</span>.</p> + +</div> + +<div> + <span class='pageno' id='Page_20'>20</span> + <h3 class='c015'><span class='sc'>Scene III.</span></h3> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Wanda</span>, <span class='sc'>the Bard</span>, <i>later</i> <span class='sc'>Hermann</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda</span> (<i>with emotion</i>).</div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-m.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">M</span><span class="drop-uppercase">instrel</span>! thou seest, not causelessly I seek thee;</div> + <div class='line'>Now, from the store experience provides,</div> + <div class='line'>Give me a crumb of counsel; youth so proud</div> + <div class='line'>In knowledge, yet in wisdom is but poor.</div> + <div class='line'>Oh! of thy inspiration let one beam</div> + <div class='line'>Illume a mind oppress’d by fogs of doubt.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Be thy own heart thy guide, thence issues forth</div> + <div class='line'>The fount of inspiration, and there holds</div> + <div class='line'>Conscience her awful oracle, and there</div> + <div class='line'>Honour to duty hath an altar rear’d.</div> + <div class='line'>Our best adviser is our conscience still,</div> + <div class='line'><span class='pageno' id='Page_21'>21</span>Though often to her voice our ears are deaf,</div> + <div class='line'>To honied flattery list’ning ’stead of truth.</div> + <div class='line'>Bad counsellors are poisoners of our bliss,</div> + <div class='line'>And dig the grave of honour; this concerns</div> + <div class='line'>Princes yet more than peoples.</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<span class='sc'>Hermann</span> <i>enters</i>.</p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Hermann.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>No greetings, queen, for courtesies have ceased</div> + <div class='line'>Between my lord and you; he, Rüdiger,</div> + <div class='line'>The mighty Prince of Germany, brooks not</div> + <div class='line'>From you the insult of a daring “No!”</div> + <div class='line'>But on the frontier of your Poland stands—</div> + <div class='line'>Soon, soon to be its frontier no more—</div> + <div class='line'>To quench with trusty steel his vengeance thirst,</div> + <div class='line'>To tame your pride down into lack of will,</div> + <div class='line'>Through utter helplessness of slavery, yet still</div> + <div class='line'>Pitying, he lingers, graciously declares</div> + <div class='line'>Yet once again, if you will now receive</div> + <div class='line'>His proffer’d hand, the gathering cloud shall clear,</div> + <div class='line'>And ’twixt the rival hosts no blood shall flow.</div> + <div class='line'>But if your bold defiance you repeat,</div> + <div class='line'><span class='pageno' id='Page_22'>22</span>Woe to you then, rash woman, and false queen.</div> + <div class='line'>The German armies, ranged in dread array,</div> + <div class='line'>Uplift the sword already, which will teach</div> + <div class='line'>That right is to the strongest.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda</span> (<i>with dignity, and in a tone of proud contempt</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>“As is the master, so the servant,” thus</div> + <div class='line'>Our proverb says, and truly, if I judge</div> + <div class='line'>Your lord from you, your people from you both,</div> + <div class='line'>I needs must deem, as neighbours you are bad,</div> + <div class='line'>As men unpolish’d, and as warriors!—</div> + <div class='line'>Why that’s to prove!—we’ll test your skill in arms.</div> + <div class='line'>Conquest and spoil we seek not, Poland’s sons</div> + <div class='line'>Take no fierce pleasure in the clang of war,</div> + <div class='line'>And know too well what love of country means</div> + <div class='line'>To stretch with greedy grip toward other lands.</div> + <div class='line'>The plough, the pruning hook, the poet’s dream,</div> + <div class='line'>The minstrel’s harp, and sweet domestic joys,</div> + <div class='line'>These are their dear delight; but dearer yet,</div> + <div class='line'>Dearer than life itself, is liberty!</div> + <div class='line'><span class='pageno' id='Page_23'>23</span>And when their peaceful industry is marr’d,</div> + <div class='line'>And hostile voices thunder, duty’s call</div> + <div class='line'>Presses the sword in the reluctant grasp,</div> + <div class='line'>And rings our watchword, “Trust th’ immortal gods!”</div> + <div class='line'>Threats and the threat’ner alike we scorn!</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Hermann.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>What! scorn to Rüdiger?</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Peace! servant of a master who would fain</div> + <div class='line'>Subdue a feeble woman through her fears;</div> + <div class='line'>Know that our virtue to weakmindedness</div> + <div class='line'>Degenerates not, nor to the coward soul;</div> + <div class='line'>And if the guest insults the ancient rules,</div> + <div class='line'>Which form the code of hospitality,</div> + <div class='line'>From all its duties is the host set free.</div> + <div class='line'>In you I see the unblushing messenger</div> + <div class='line'>Of jarring words, uncourteous and harsh;</div> + <div class='line'>One moment, and you cease to be my guest,</div> + <div class='line'><span class='pageno' id='Page_24'>24</span>And of my neighbour, the ambassador.</div> + <div class='line'>Say to your prince, my <em>no</em> still no remains;</div> + <div class='line'><em>With us</em> a word once given is never changed.</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>Exit</i> <span class='sc'>Hermann</span>.</p> + +</div> + +<h3 class='c015'><span class='sc'>Scene IV.</span></h3> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Wanda</span>, <span class='sc'>Leszek</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><i>The clang of arms is heard in the distance.</i></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Leszek</span> (<i>entering hurriedly</i>.)</div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-m.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">M</span><span class="drop-uppercase">y</span> queen! I bring this strange intelligence:</div> + <div class='line'>The German army, with a vast array,</div> + <div class='line'>Have cross’d the weakly guarded frontier;</div> + <div class='line'>Havoc and sacrilege their march attend.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Let all the dukes their varied corps assemble,</div> + <div class='line'>Wanda herself will lead them to the field;</div> + <div class='line'><span class='pageno' id='Page_25'>25</span>The bravest people that the world can boast,</div> + <div class='line'>Shall never murmur at their timid queen,</div> + <div class='line'>But rather say, she burns to be our guide;</div> + <div class='line'>To combat for our country, and our gods;</div> + <div class='line'>Dread powers! be this, our rightful cause, your care,</div> + <div class='line'>’Tis yours to award us victory, or death!</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>Exeunt omnes.</i></p> + +</div> + +<div class='c001 figcenter id004'> +<img src='images/small-flower-2.jpg' alt='' class='ig001'> +</div> + +<div class='pbb'> + <hr class='pb c001'> +</div> + +<div class='figcenter id002'> +<span class='pageno' id='Page_26'>26</span> +<img src='images/big-bar-4.jpg' alt='' class='ig001'> +</div> + +<div> + <h2 class='c005'>ACT II.</h2> +</div> + +<p class='c017'><i>The scene changes to the bank of the Vistula, opposite +the tomb of Krakus, at Cracow. Divisions +of cavalry and infantry march with music and +flying banners towards Cracow. The last division +of infantry draws up in line of battle.</i></p> + +<h3 class='c015'><span class='sc'>Scene I.</span></h3> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Warriors</span>, <span class='sc'>Maidens</span>, <i>later</i>, <span class='sc'>Wanda</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Warriors.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-g.jpg" class="drop-cap" alt=""></div> + <div class='line in2'><span class="drop-hide">G</span><span class="drop-uppercase">reat</span> were the numbers of the foe,</div> + <div class='line in6'>Their haughtiness as great,</div> + <div class='line in2'>Soon, soon they thought to lay us low,</div> + <div class='line in6'>In boastful scorn elate;</div> + <div class='line in2'>Yet still floats Poland’s banner</div> + <div class='line in6'>Triumphant to the wind;</div> + <div class='line in2'><span class='pageno' id='Page_27'>27</span>The snow-white eagle soars unscathed,</div> + <div class='line in6'>And leaves the field behind;</div> + <div class='line in2'>The field where insolence gave way</div> + <div class='line in6'>To valour true and bold,</div> + <div class='line in2'>And love of country held her sway</div> + <div class='line in6'>O’er lust of power and gold.</div> + <div class='line in2'>Praise, praise the great celestial powers,</div> + <div class='line in6'>Th’ almighty gods adore,</div> + <div class='line in2'>For the foe that long hath threaten’d us,</div> + <div class='line in6'>Shall threaten us no more.</div> + </div> + <div class='group'> + <div class='line in2'>Wanda has proved herself a Pole,</div> + <div class='line in6'>A hero in the fight,</div> + <div class='line in2'>Though a modest maiden in her home,</div> + <div class='line in6'>Where gentleness is might.</div> + <div class='line in2'>All through his life mourn’d Krakus,</div> + <div class='line in6'>And in his dying hour,</div> + <div class='line in2'>That, when the oak should fall, there lived</div> + <div class='line in6'>But the wreathing fragile flower;</div> + <div class='line in2'>That no young chieftain of his name</div> + <div class='line in6'>Might wear his father’s crown;</div> + <div class='line in2'><span class='pageno' id='Page_28'>28</span>That to a tender maiden’s hand</div> + <div class='line in6'>The sceptre must go down:</div> + <div class='line in2'>But as reflected sunbeams</div> + <div class='line in6'>Within the planet shine,</div> + <div class='line in2'>Thus, thus within thy daughter’s soul,</div> + <div class='line in6'>Oh, Krakus! dwelleth thine.</div> + <div class='line in2'>Thank’d be the gods, bless’d be the gods,</div> + <div class='line in6'>All hail, immortal powers!</div> + <div class='line in2'>The foe must hide his vanquish’d head,</div> + <div class='line in6'>And Poland yet is ours.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Maidens</span> (<i>approaching mounted</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Alone rode forth Wanda, and left us behind her,</div> + <div class='line'>Stern foe to all fetters, yet duty can bind her;</div> + <div class='line'>“But deem not that battle is woman’s vocation,</div> + <div class='line'>Oh ye! to whom gods grant a happier station,</div> + <div class='line'>The duties of queens ever form an exception,</div> + <div class='line'>Retirement quit ne’er, save at Heaven’s direction.”</div> + <div class='line'>Thus saying, she mounted; her fair figure tracing</div> + <div class='line'>We watch’d, till it met th’ horizon’s embracing,</div> + <div class='line'>Noon melting the clouds away, fold after fold,</div> + <div class='line'>Enwrapt her in raiment of azure and gold.</div> + <div class='line'><span class='pageno' id='Page_29'>29</span>The tumult of battle she hid from our sight,</div> + <div class='line'>But we saw her when vict’ry succeeded to fight,</div> + <div class='line'>With hands upward raised and with knees lowly bending,</div> + <div class='line'>’Twixt enemies flying and warriors home wending;</div> + <div class='line'>She follows us now, while in praise we unite,</div> + <div class='line'>The last on the field, and the first in the fight.</div> + <div class='line'>Thank, thank the great gods! we are free as the air,</div> + <div class='line'>See Cracow once more, and the Vistula hear—</div> + <div class='line'>The silver-voiced Vistula—gliding along,</div> + <div class='line'>The pride of our land, of our minstrels the song.</div> + <div class='line'>The sun’s parting beams on old Wawel’s head play,</div> + <div class='line'>Their gold-wreath is hiding his time-honour’d grey,</div> + <div class='line'>Glad symbol inviting our thoughts to ascend,</div> + <div class='line'>For light is eternal, though time hath an end.</div> + </div> + <div class='group'> + <div class='line in6'>Yet as the muttering thunder-clouds</div> + <div class='line in10'>Deep silence follow,</div> + <div class='line in6'>Thus to peaceful joy succeed</div> + <div class='line in10'>Sharp thrills of sorrow;</div> + <div class='line in6'>And the rapture of the present,</div> + <div class='line in10'>Too glad for earth,</div> + <div class='line in6'><span class='pageno' id='Page_30'>30</span>Tells, since gods are even-handed,</div> + <div class='line in10'>Of coming dearth.</div> + <div class='line in6'>Ever must life’s cup be mingled,</div> + <div class='line in10'>Pain is our due,</div> + <div class='line in6'>Purest nectar we have tasted,</div> + <div class='line in10'>Now for the rue!</div> + <div class='line in6'>Dark foreboding pales the glowing</div> + <div class='line in10'>Of parting day,</div> + <div class='line in6'>In those creeping mists embodied</div> + <div class='line in10'>Dun and grey.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda</span> (<i>dismounting</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Dismount, my sisters, give your steeds the rein,</div> + <div class='line'>And let us kiss our country’s precious soil;</div> + <div class='line'>Hail to thee, Wawel! hail, fair Vistula!</div> + <div class='line'>Ye are our parents, reverence and love</div> + <div class='line'>Rise in our hearts whene’er we gaze on you;</div> + <div class='line'>For you the Pole girds on his sword; for you</div> + <div class='line'>Each Polish mother, from its very birth,</div> + <div class='line'>Teaches her child that to renounce oneself</div> + <div class='line'>From love of country is the loftiest aim:</div> + <div class='line'>With patriotic songs the infant ear</div> + <div class='line'><span class='pageno' id='Page_31'>31</span>Is soothed to slumber, and again they thrill</div> + <div class='line'>When morning sun-beams scatter happy dreams,</div> + <div class='line'>His laughing eyes unsealing; woe to those</div> + <div class='line'>Who, chill’d in heart by numbing selfishness,</div> + <div class='line'>In private interests wrap their meagre souls,</div> + <div class='line'>With eyes averted from the public weal!</div> + <div class='line'>Embitter’d are their lives by conscience-stings,</div> + <div class='line'>And general contempt: when death arrests,</div> + <div class='line'>And bears them trembling to the viewless world,</div> + <div class='line'>The gods avert their faces; unrestrain’d,</div> + <div class='line'>Darkness and chaos claim their lawful prey,</div> + <div class='line'>For selfishness is hateful to the gods.</div> + <div class='line'>Ah! dying words from dear paternal lips!</div> + <div class='line'>Though twelve long weary months have drifted by,</div> + <div class='line'>Since they were utter’d, yet I hear them still</div> + <div class='line'>In yon broad river’s eager rushing tide,</div> + <div class='line'>Re-echoing as a glorious welcome back;</div> + <div class='line'>The winds repeat them as they hurry past,</div> + <div class='line'>Borne from Carpathian summits; and methought</div> + <div class='line'>The deep-mouth’d trumpets thrill’d them in mine ear,</div> + <div class='line'>When raged the conflict. Dearest father, hear!</div> + <div class='line'><span class='pageno' id='Page_32'>32</span>Soul of my soul! ’tis with thy heart I love</div> + <div class='line'>My country, worthily to serve her cause.</div> + <div class='line'>This is my only wish— <div class="float-sd">[<i>After a pause.</i></div><div class="clear"></div></div> + <div class='line'>Yet no aspiring <em>wish</em>, but iron <em>will</em></div> + <div class='line'>Has won the day; thy long embattled hosts,</div> + <div class='line'>Who know defeat in theory alone,</div> + <div class='line'>Have quell’d the boasting voice of insolence</div> + <div class='line'>In thunderings of valour, teaching thus</div> + <div class='line'>Big words not always mate with lofty deeds.</div> + <div class='line'>Though by a woman led, the Poles are free!</div> + <div class='line'>Not through <em>my</em> virtue; <em>thy</em> remembrance fired</div> + <div class='line'>Each warrior breast with superhuman zeal;</div> + <div class='line'>Krakus, though viewless, was their leader still.</div> + <div class='line'>Yet oh, these battles! they may bring us fame,</div> + <div class='line'>Yet are the curse of nations, for renown</div> + <div class='line'>May dim our love of peace, as golden lures</div> + <div class='line'>May chill the peasant toward his humble cot</div> + <div class='line'>I’the rural valley, industry must droop,</div> + <div class='line'>The car of triumph override the plough;</div> + <div class='line'>War tears the husband from his wife and child,</div> + <div class='line'>The lord of home becomes a stranger there.</div> + <div class='line'>Woe, woe to those with whom the thirst for fame</div> + <div class='line'><span class='pageno' id='Page_33'>33</span>Exceeds the love of country! yet, alas!</div> + <div class='line'>’Tis through this wretched wrangling for my hand</div> + <div class='line'>That clang of arms and tramp of hosts are heard:</div> + <div class='line'>This feeble hand the sceptre cannot wield.</div> + <div class='line'>Sharp are the winds round mountain peaks that blow;—</div> + <div class='line'>The isolated splendour of a throne</div> + <div class='line'>Is dreary for a woman; not for her</div> + <div class='line'>The glory and the pomp, but modest shade,</div> + <div class='line'>Far otherwise her lot by Heaven decreed,</div> + <div class='line'>To watch o’er children, nestling to her side;</div> + <div class='line'>To smooth care-furrows from her husband’s brow,</div> + <div class='line'>Wafting around the perfume sweet of love,</div> + <div class='line'>And meekness, as the wilding clematis</div> + <div class='line'>Clasps the dark fir-tree with caressing wreath.</div> + <div class='line'>Wanda can never be her country’s shield:</div> + <div class='line'>Her weakness still new discords will awake,</div> + <div class='line'>Midst cowards round her, clam’rous for her crown.</div> + <div class='line'>Alas! that heroes should have grown so rare</div> + <div class='line'>Among our neighbours! Oh, the weariness</div> + <div class='line'>Of ruling! Poland needs a worthy head,</div> + <div class='line'>And yet no chieftain will her sons elect,</div> + <div class='line'><span class='pageno' id='Page_34'>34</span>While lives the daughter of their darling prince.</div> + <div class='line'>Though yearning for a king, they long to see</div> + <div class='line'>The snow-white banner by his grandson rear’d.</div> + <div class='line'>My sorrows and my orphan-hood alone</div> + <div class='line'>Deter the generous people from complaint</div> + <div class='line'>Of Wanda’s hesitation to adopt</div> + <div class='line'>The holy marriage vow. Immortal gods!</div> + <div class='line'>Be witness that ’tis not cold-heartedness</div> + <div class='line'>That bids me still delay, but rather fear</div> + <div class='line'>Lest through ill-choice I mar my country’s weal.</div> + <div class='line'>Forbid it, Heaven, that, through a fatal error,</div> + <div class='line'>Wanda should set a tyrant o’er her land.</div> + <div class='line'>Yet who, alas! to Krakus can succeed</div> + <div class='line'>Nor seem unworthy? To the brilliant sun,</div> + <div class='line'>The brightest star gives but a glow-worm’s light.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Halina</span> (<i>earnestly and affectionately</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>My lovely foster-sister, and my queen,</div> + <div class='line'>Why of thyself and thine these dreary doubts</div> + <div class='line'>On such a day of glorious victory?</div> + <div class='line'>In whose clear brilliancy the golden bond</div> + <div class='line'>’Twixt queen and people shines with added glow.</div> + <div class='line'><span class='pageno' id='Page_35'>35</span>Say, have the Poles less bravely fought to-day</div> + <div class='line'>Than is their wont, or <a id='tn-chieftains'></a>was thy leadership</div> + <div class='line'>Inferior to a sterner chieftain’s? No!</div> + <div class='line'>The timid harebell, and the modest fern,</div> + <div class='line'>Seek the same spot that rests the ardent wing</div> + <div class='line'>Of sunward soaring bird in upward flight;</div> + <div class='line'>Thus grace and valour, maid and warrior, meet</div> + <div class='line'>In thee, thou gifted darling of the gods.</div> + <div class='line'>Death for their fatherland is sweet to those</div> + <div class='line'>Who to thy rule a glad obedience yield;</div> + <div class='line'>And danger with her trumpet-call shall rouse</div> + <div class='line'>But to a firmer union, kindling all</div> + <div class='line'>The singly-scatter’d fires of ardent souls</div> + <div class='line'>To <em>one</em> bright flame of power invincible.</div> + <div class='line'>The shrouding silence of the solemn past</div> + <div class='line'>Thrills into echo at the voice of fame,</div> + <div class='line'>Which, roused to memory of thy ancestors,</div> + <div class='line'>By deeds of thine, attesting thy descent,</div> + <div class='line'>Recounts their glory, bids them live again</div> + <div class='line'>In thee embodied; in the midnight heaven,</div> + <div class='line'>We hail a newly-risen star with praise,</div> + <div class='line'>And for our Wanda thank the immortal gods.</div> + <div class='line'><span class='pageno' id='Page_36'>36</span>To them we yield the keeping of our land,</div> + <div class='line'>Secure and trusting, though their choice elect</div> + <div class='line'>Not the proud eagle, but the brooding dove.</div> + <div class='line'>And, rather than the eyrie, choose the nest</div> + <div class='line'>To guard from desecration; fear thou not,</div> + <div class='line'>No sable feathers of ill-omen’d birds</div> + <div class='line'>That croak around thee, shall contrast with thine</div> + <div class='line'>In hated union, while grey Wawel stands</div> + <div class='line'>To blunt the feeble lances of our foes,</div> + <div class='line'>And cool their rashness in the rolling flood.</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>Exeunt omnes.</i></p> + +</div> + +<div class='c001 figcenter id004'> +<img src='images/small-flower-3.jpg' alt='' class='ig001'> +</div> + +<div class='pbb'> + <hr class='pb c001'> +</div> + +<div class='figcenter id002'> +<span class='pageno' id='Page_37'>37</span> +<img src='images/big-bar-5.jpg' alt='' class='ig001'> +</div> + +<div> + <h2 class='c005'>ACT III.</h2> +</div> + +<h3 class='c015'><span class='sc'>Scene I.</span></h3> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><i>The Castle on the Wawel.</i> <span class='sc'>Wanda</span> <i>surrounded by her Maidens</i>. <span class='sc'>Leszek</span> <i>enters</i>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Leszek.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">A</span><span class="drop-uppercase">ll</span> hail! accept my reverence, gracious queen!</div> + <div class='line'>Behold me from the field return’d, where all</div> + <div class='line'>The nation, minstrels, priests, and warriors,</div> + <div class='line'>In concourse vast assembled, offer’d praise</div> + <div class='line'>And thanks most heartfelt for the vict’ry won.</div> + <div class='line'>Your queenly message faithfully I bore,</div> + <div class='line'>Commanding to elect a worthy king,</div> + <div class='line'><span class='pageno' id='Page_38'>38</span>And grant you from the cares of power release.</div> + <div class='line'>Vain the command; a murmur low replied,</div> + <div class='line'>That swiftly grew to tumult: “Choose a king!</div> + <div class='line'>It shall not, cannot be! For though, in truth,</div> + <div class='line'>Our Wanda’s lightest wish should be obey’d</div> + <div class='line'>With eager loyalty, <em>this</em> wish we hold</div> + <div class='line'>To militate against the country’s weal,</div> + <div class='line'>She loves beyond her life.” Then rose the Bard,</div> + <div class='line'>First of our minstrel sages, and declared,</div> + <div class='line'>“The daughter’s wish must to the father’s will</div> + <div class='line'>Yield filial obedience, and that will</div> + <div class='line'>Bade on her choice depend her country’s fate.”</div> + <div class='line'>He ceased; loud rose the general applause,</div> + <div class='line'>And each and all in this response unite:</div> + <div class='line'>“Whatever prince by Wanda’s queenly hand</div> + <div class='line'>Shall be ennobled, him we hail our king;</div> + <div class='line'>If none be worthy found, it matters not,</div> + <div class='line'>Our maiden queen remains our honour’d chief.</div> + <div class='line'>While yet her father lived, his word was law</div> + <div class='line'>To every Pole, shall it be less so <em>now</em>,</div> + <div class='line'>Stamp’d with the impress of eternity?</div> + <div class='line'>In the dark night of loss, each single word,</div> + <div class='line'><span class='pageno' id='Page_39'>39</span>Before but slightly heeded, gem-like shines.</div> + <div class='line'>While Wanda lives, no meaner prince shall rule;</div> + <div class='line'>Thus swears the nation: is it falsely said,</div> + <div class='line'>The voice of peoples is the voice of gods?”</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda</span> (<i>turning away</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Enough! I must submit; and yet ’tis strange,</div> + <div class='line'>That voice makes discord with the whisper’d tones</div> + <div class='line'>Of conscience, which unceasingly repeat</div> + <div class='line'>My people’s love is fatal to their weal.</div> + <div class='line'>The very name of such a king as once</div> + <div class='line'>Held sway o’er Poland, would restrain our foes;</div> + <div class='line'>While Wanda’s name allures to bloody war,</div> + <div class='line'>Where greedy tyrants wrangle for the prize.</div> + <div class='line'>Return, good Leszek, but accept my thanks;</div> + <div class='line'>’Tis good to break a hope whose agonies,</div> + <div class='line'>Stretch’d on the rack of terrible suspense,</div> + <div class='line'>Crave from despair the death-stroke. Leave me now;</div> + <div class='line'>The gods be with thee. <div class="float-sd">[<i>Exit</i> <span class='sc'>Leszek</span>.</div><div class="clear"></div></div> + </div> + </div> +</div> + +<div> + <span class='pageno' id='Page_40'>40</span> + <h3 class='c015'><span class='sc'>Scene II.</span></h3> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Wanda</span>, <span class='sc'>Halina</span>, <span class='sc'>Maidens</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Maidens.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-h.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">H</span><span class="drop-uppercase">er</span> people’s voice vainly would Wanda withstand,</div> + <div class='line'>The glory of Poland, the pride of our land,</div> + <div class='line'>Though her father’s proud war horse her gentle hand reins,</div> + <div class='line'>Our modest companion in peace she remains.</div> + <div class='line'>To her warriors a chieftain, by duty made strong,</div> + <div class='line'>Though joining with us in the dance and the song;</div> + <div class='line'>To the good who surround us, a rainbow of light,</div> + <div class='line'>To the evil, a thunderbolt crashing with might.</div> + <div class='line'>As the dawn-waken’d bird, on the blossoming spray,</div> + <div class='line'>Heralds in with soft warblings the coming of day,</div> + <div class='line'>Thus, Wanda, the deeds of thy future shall ring,</div> + <div class='line'>In the song which we hasten in chorus to sing.</div> + <div class='line in6'><span class='pageno' id='Page_41'>41</span>“Up, snow-white eagle, up,</div> + <div class='line in8'>The sable wings destroy</div> + <div class='line in6'>That flutter round thy lofty home,</div> + <div class='line in8'>All eager to annoy;</div> + <div class='line in6'>To desecrate thy eyrie</div> + <div class='line in8'>The foe shall not prevail,</div> + <div class='line in6'>Safe in the keeping of the gods,</div> + <div class='line in8'>Thy cause shall never fail.”</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Songs, O my sisters, are like ardent sunbeams,</div> + <div class='line'>Children of light, they kindle fires of joy!</div> + <div class='line'>The conscience of a nation speaks in song,</div> + <div class='line'>Fame warbles of the past with silver voice,</div> + <div class='line'>And to the dawning future hope sings clear.</div> + <div class='line'>Virtues of heroes, and their lofty deeds,</div> + <div class='line'>Give to the minstrel an inspiring theme;</div> + <div class='line'>Who round those hero brows his glorious songs,</div> + <div class='line'>Binds in immortal wreath; from song and fame</div> + <div class='line'>Spring the fair roses of eternal worth,</div> + <div class='line'>Which, bud on bud, shall ever richer grow,</div> + <div class='line'>And fill succeeding ages with perfume.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='pageno' id='Page_42'>42</span><span class='sc'>Halina.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Then will we cheer thee with melodious voice.</div> + <div class='line'>Say, shall we sing of Lech th’ aspiring one,</div> + <div class='line'>The finder of the snow-white eagle’s nest?</div> + <div class='line'>Or how thy father Krakus fought and slew</div> + <div class='line'>The dragon of grey Wawel’s dreary caves.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda</span> (<i>sorrowfully</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Nay! break not thus the quiet of reflection,</div> + <div class='line'>Say, rather, of sad musings, like a mist,</div> + <div class='line'>Damp, cold, and deadly, creeping o’er my heart;</div> + <div class='line'>Within an unrelated element,</div> + <div class='line'>We lose our very breath, much more our ardour.</div> + <div class='line'>For manly deeds the nation praises me,</div> + <div class='line'>But Wanda’s glory is in womanhood.</div> + <div class='line'>Well says our proverb, “To remain unknown</div> + <div class='line'>Is woman’s happiest calling, and her best.”</div> + <div class='line'>All, all admire the sunward soaring eagle,</div> + <div class='line'>And upward gaze to watch his daring flight;</div> + <div class='line'>But with caressing smile the little swallow</div> + <div class='line'>By every heart is welcom’d, when she builds</div> + <div class='line'>Her soft and humble nest beneath the eaves.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='pageno' id='Page_43'>43</span><span class='sc'>Halina.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Then shall we say that men are earth’s sole rulers,</div> + <div class='line'><em>No</em> fame for us? This, surely, is injustice!</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Wanda.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Shall we, weak mortals, dare to call unjust</div> + <div class='line'>The dreadful powers who rule the universe?</div> + <div class='line'>Nay, rather let us hold as false and vain</div> + <div class='line'>Our own opinions; could our wills arrest</div> + <div class='line'>The torch of inspiration, and compel</div> + <div class='line'>The sudden gleam to yield a steady light</div> + <div class='line'>For years, instead of moments, by its rays</div> + <div class='line'>We well might read the book of nature, writ</div> + <div class='line'>In golden characters of truth and justice;</div> + <div class='line'>But in the grey of earthly dusk, ’tis vain</div> + <div class='line'>To strain our eyeballs. ’Tis enough to know,</div> + <div class='line'>That duty urges men into the field</div> + <div class='line'>When danger waits their country, that the world,</div> + <div class='line'>The wide, cold world, alone can yield them scope.</div> + <div class='line'>While our alloted sphere is quietude;</div> + <div class='line'>Nor powerless for that, nor lacking grandeur.</div> + <div class='line'>Say! is the awful power of tempests hid</div> + <div class='line'><span class='pageno' id='Page_44'>44</span>In <em>silent</em> lightning, or in roaring thunder?</div> + <div class='line'>Does rosy morn with rash and noisy touch</div> + <div class='line'>Withdraw the curtains of the shrouding night,</div> + <div class='line'>Or melt them with her smiles, unveiling thus</div> + <div class='line'>Alike the eyes and energies of mortals.</div> + <div class='line'>The mighty work with tumult, but the <em>mightiest</em></div> + <div class='line'>Can stoop to meekness, nor be less divine.</div> + <div class='line'>On us the gods bestow their highest gift;</div> + <div class='line'>Brave men befit great actions, loud renown,</div> + <div class='line'>But god-like is availing sympathy.</div> + <div class='line'>’Tis ours to mourn with mourners, to rejoice</div> + <div class='line'>With joyous souls, to polish into beauty</div> + <div class='line'>The rough unchisell’d gem that else were wasted;</div> + <div class='line'>The noble to caress, the wounded heart</div> + <div class='line'>With richly flowing love to soothe, and thus,</div> + <div class='line'>Through self-denial and untiring meekness,</div> + <div class='line'>To rule the mighty masters of the world.</div> + <div class='line'>And if we deem th’ alloted sphere of home</div> + <div class='line'>Too narrow for our restless energies, and seek</div> + <div class='line'>A wider range, we lose our magic sway.</div> + <div class='line'>But since to me the dread celestial powers</div> + <div class='line'>A woman’s sweetest privilege deny,</div> + <div class='line'><span class='pageno' id='Page_45'>45</span>I own myself excepted, though from far</div> + <div class='line'>With deep-drawn sigh I view your happier lot.</div> + <div class='line'>I take the gods to witness that my heart,</div> + <div class='line'>My woman’s heart, thirsts not for empty fame,</div> + <div class='line'>But rather aches for love! this weary brow</div> + <div class='line'>Throbs bleeding from the leaden crown of power,</div> + <div class='line'>And fain would seek repose, forgetfulness,</div> + <div class='line'>Upon a loving breast; it may not be!</div> + <div class='line'>Why squander words? ’tis time the theme were done.</div> + <div class='line'>Adieu, my sisters, by grey Wawel’s walls</div> + <div class='line'>Remain protected, rest till morn shall kiss</div> + <div class='line'>Soft slumber from your eyelids, then come forth</div> + <div class='line'>And seek your Wanda on the tumulus</div> + <div class='line'>That covers Krakus; thither now I go</div> + <div class='line'>To seek for counsel from the immortal gods,</div> + <div class='line'>And learn the final answer I must give</div> + <div class='line'>To my expectant people!</div> + </div> + </div> +</div> + +<div> + <span class='pageno' id='Page_46'>46</span> + <h3 class='c015'><span class='sc'>Scene III.</span></h3> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Wanda</span>, <span class='sc'>Leszek</span>, <span class='sc'>People</span>.</div> + </div> +</div> + +<p class='c018'><span class='sc'>Wanda</span> <i>ascends the hill, the Chorus retires to the +left, a vast crowd assembles on the right, and +stands opposite the tumulus of Krakus</i>.</p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of the People.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">T</span><span class="drop-uppercase">wixt</span> queen and people how firm the tie</div> + <div class='line'>Of mutual love and loyalty!</div> + <div class='line'>Seek ye that magic the wide earth round,</div> + <div class='line'>And own that in Poland ’tis strongest found.</div> + <div class='line'>Yon mound, half hidden in shadowy haze,</div> + <div class='line'>Stands as a herald of better days,</div> + <div class='line'>As a word to nations as yet unborn,</div> + <div class='line'>An episode bright as the star of morn,</div> + <div class='line'>Gilding our history’s chequer’d page,</div> + <div class='line'>With beams that shall glitter from age to age.</div> + <div class='line'>Ah, better than sounding names and fair</div> + <div class='line'><span class='pageno' id='Page_47'>47</span>Is the title the kings of Poland bear—</div> + <div class='line'>“Loved and loving,” their dearest aim</div> + <div class='line'>The hearts of the people to win and claim.</div> + <div class='line'>A Polish word is full of meaning,</div> + <div class='line'>For the Polish heart is rich in feeling;</div> + <div class='line'>Esteem and affection dictate our choice,</div> + <div class='line'>When a king is made by the nation’s voice;</div> + <div class='line'>And thus, elected by force of merit,</div> + <div class='line'>Is safer than those who thrones inherit.</div> + <div class='line'>If truth-loving, pious, and brave he prove,</div> + <div class='line'>He will ever be served with devotion and love,</div> + <div class='line'>And his children’s children we gladly choose,</div> + <div class='line'>When at Heaven’s decree the father we lose;</div> + <div class='line'>When national the monarch the people is royal,</div> + <div class='line'>To king and to fatherland equally loyal,</div> + <div class='line'>Since the two are united and blended in one,</div> + <div class='line'>And thus our palladium unconquer’d become.</div> + <div class='line'>Such! such! was our Krakus, and therefore we swear,</div> + <div class='line'>That Wanda, and Wanda alone is his heir!</div> + <div class='line'>High rises the tomb where his ashes repose,</div> + <div class='line'>Which handfuls of earth all unnumbered compose,</div> + <div class='line'><span class='pageno' id='Page_48'>48</span>Each brought by a subject and friend as a token</div> + <div class='line'>Of fealty and love that can never be broken.</div> + <div class='line'>By its green covering sods, lo! we swear it again,</div> + <div class='line'>No monarch save Wanda o’er Poland shall reign!</div> + </div> + </div> +</div> + +</div> + +<p class='c018'>[<i>A thunderstorm approaches</i>; <span class='sc'>Wanda</span> <i>appears +on the summit of the tomb, kneeling, and with +hands uplifted in prayer</i>. <span class='sc'>Leszek</span> <i>steps forward +from the midst of the People</i>.</p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Leszek.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Around the dreary tomb the night wind moans,—</div> + <div class='line'>Moans like the voice of some despairing ghost,</div> + <div class='line'>Bearing from Cracow most mysterious echoes;</div> + <div class='line'>On thunder wheels the frowning storm rolls on,</div> + <div class='line'>Towards hoary Wawel, yet from yonder height</div> + <div class='line'>Shines our fair Wanda, like a ’wilder’d star.</div> + <div class='line'>What doth the dauntless maiden there alone?</div> + <div class='line'>On such a night fell spectres stalk abroad;</div> + <div class='line'>Methinks she communes with her father’s shade,</div> + <div class='line'>Nor trembles; wherefore no? To angel souls</div> + <div class='line'>The spirit world is more a home than ours,</div> + <div class='line'><span class='pageno' id='Page_49'>49</span>Its forms of light to all their thoughts akin,</div> + <div class='line'>And Wanda is an angel!</div> + </div> + </div> +</div> + +<p class='c018'>[<span class='sc'>Wanda</span> <i>rises, descends towards the Vistula, +and disappears from the eyes of the spectators, +hidden by the declivity. The</i> <span class='sc'>Bard</span> <i>alone +appears before the People; at the same time +the sun rises, and</i> <span class='sc'>Wanda’s</span> <i>Maidens appear +for a moment on the tumulus, and then run +down the hill to the Vistula. Meanwhile +the People’s Chorus is again heard.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>People’s Chorus.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>As the sunbeams scatter the early dew,</div> + <div class='line'>See Wanda’s train, to her orders true!</div> + <div class='line'>Yet they seek in vain where she bade them find her;</div> + <div class='line'>Each maiden glances before, behind her.</div> + <div class='line'>Now the banks of the Vistula rivet their eyes,</div> + <div class='line'>And the breeze bears toward us impassion’d cries;</div> + <div class='line'>With nameless horror our spirits quail,</div> + <div class='line'>What mean those gestures, that frantic wail?</div> + </div> + </div> +</div> + +<div> + <span class='pageno' id='Page_50'>50</span> + <h3 class='c015'><span class='sc'>Scene IV.</span></h3> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Leszek</span>, <span class='sc'>the People</span>, <span class='sc'>Fisherman</span>, <i>afterwards</i> <span class='sc'>the Bard</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>A Fisherman</span> (<i>coming in hastily</i>).</div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">A</span> <span class="drop-uppercase">glorious</span> star hath fallen from the heaven,</div> + <div class='line'>That heaven our fatherland, the star our queen.</div> + <div class='line'>Yes, ours that <em>was</em>. Alas! our queen no more,</div> + <div class='line'>Save in her people’s hearts; the deed was done</div> + <div class='line'>Ere I could rescue, and the waters chill</div> + <div class='line'>Round Wanda’s lovely form embraced a corpse;</div> + <div class='line'>With reverence from that dreary winding-sheet</div> + <div class='line'>I raised it as a sad but sacred charge,</div> + <div class='line'>Yielding it over to her stricken train.</div> + <div class='line'>Oh mourn for Poland! for her light is quench’d.</div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='pageno' id='Page_51'>51</span><span class='sc'>Leszek</span> (<i>to the</i> <span class='sc'>Bard</span>, <i>who just appears</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Minstrel, yon fisherman brings evil tidings.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Whose grievous import, scarce one hour ago,</div> + <div class='line'>One fleeting hour, from Wanda’s lips I heard.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>The People</span> (<i>impatiently</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>How did you meet with her—where, minstrel, say?</div> + <div class='line'>Why did you not prevent the dreadful deed?</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Throng me not thus with questions, countrymen;</div> + <div class='line'>List’ners hear more than eager questioners,</div> + <div class='line'>When hearts for mutual satisfaction seek,</div> + <div class='line'>The ear must leave the mouth its share of time;</div> + <div class='line'>Not in thought only, but in speech and life,</div> + <div class='line'>Yield his own way to each; the poet’s soul</div> + <div class='line'>Lives ever in another world, although</div> + <div class='line'>In outward presence he may dwell with you,</div> + <div class='line'>Give him free scope, his words will bring you calmness.</div> + <div class='line'><span class='pageno' id='Page_52'>52</span>While you choose kings, the bard admires a flower,</div> + <div class='line'>And while from pressure of the busy brain</div> + <div class='line'>Your full heads ache, his soul responsive thrills</div> + <div class='line'>To graceful aspens, trembling, zephyr-kiss’d,</div> + <div class='line'>And in the depths of downy dreams soft nestling</div> + <div class='line'>Sinks, lost in luxury of reverie.</div> + <div class='line'>My dearest hours glide by in yonder wood,</div> + <div class='line'>The moon’s pale face down-gazing, and the wind</div> + <div class='line'>With the dark fir trees wrestling as it shouts</div> + <div class='line'>Its war cry through the shadows: yestere’en,</div> + <div class='line'>When all glad mortals were in slumber wrapt,</div> + <div class='line'>That wild song deepen’d to a dreary howl;</div> + <div class='line'>The storm, approaching, drove me from the wood;</div> + <div class='line'>The lofty tomb of Krakus I ascended,</div> + <div class='line'>To pray with Manes of the great and good;</div> + <div class='line'>The kneeling form of Wanda startled me.</div> + <div class='line'>“Minstrel,” she said, “I pray’d th’ immortal gods</div> + <div class='line'>To bring thee hither; in the forest depths</div> + <div class='line'>I would not seek thee, for it is decreed,</div> + <div class='line'>That whilst I linger here one way alone</div> + <div class='line'>Is open for me, from this verdant mound</div> + <div class='line'>To where the Vistula’s dark waters flow,</div> + <div class='line'><span class='pageno' id='Page_53'>53</span>To yield me burial; not in vain my prayer:</div> + <div class='line'>The sudden tempest, driving thee away</div> + <div class='line'>From thy beloved retreat, affords me proof</div> + <div class='line'>That Poswist, ruler of the viewless winds,</div> + <div class='line'>Hath heard my prayer, and that the powers above</div> + <div class='line'>Approve my dread resolve;—my choice shall be</div> + <div class='line'>Of Poland’s fate the final arbiter;</div> + <div class='line'>So runs my father’s will, and while I live,</div> + <div class='line'>Thus swears the people—mine shall be the throne;</div> + <div class='line'>Well! I <em>have</em> chosen, and my choice is death.</div> + <div class='line'>This very morn my good and loyal people</div> + <div class='line'>May crown a worthier king, nor break their faith.</div> + <div class='line'>I promised to their prayer a swift reply,</div> + <div class='line'>My lifeless corse, borne on the Vistula,</div> + <div class='line'>Shall give an answer, dumbly eloquent.</div> + <div class='line'>Thou, trusty friend, canst read my inner soul,</div> + <div class='line'>And make my motives to the people clear,</div> + <div class='line'>Bid them from me a warm and last farewell.”</div> + <div class='line'>Thus Wanda! Whosoe’er from his own heart</div> + <div class='line'>Hath learnt to read the hearts of other men,</div> + <div class='line'>Knows that heroic fire, by words persuasive,</div> + <div class='line'>Can be nor quench’d, nor kindled; I avow,</div> + <div class='line'><span class='pageno' id='Page_54'>54</span>In silence I had listen’d and fulfill’d</div> + <div class='line'>The charge entrusted, with a dumb obedience,</div> + <div class='line'>Save that, long since, imperious opinion</div> + <div class='line'>Hath learnt to moderate her haughty voice</div> + <div class='line'>On much once held indubitably clear,</div> + <div class='line'>And thus a god-sent caution gave me pause;</div> + <div class='line'>My tongue was loosen’d: “Wanda, hear,” I said,</div> + <div class='line'>“The voice of conscience oft hath whisper’d me</div> + <div class='line'>That all below have their alloted posts,</div> + <div class='line'>Nor from these stations guiltless can withdraw,</div> + <div class='line'>Till death, the messenger of Heaven, shall come.</div> + <div class='line'>The soldier, hasting from the battle-field</div> + <div class='line'>Without his general’s express command,</div> + <div class='line'>The shameful stigma of deserter bears.</div> + <div class='line'>Life is the <em>loan</em>, but not the <em>gift</em>, of gods;</div> + <div class='line'>To them we owe its interest; but who,</div> + <div class='line'>Save they, shall dare resume it? Oh, my queen!</div> + <div class='line'>If rashly given back, all unrequired,</div> + <div class='line'>The gods, perchance, may grant no other boon.”</div> + </div> + </div> +</div> + +<p class='c018'>[<span class='sc'>Wanda’s</span> <i>Maidens are seen in the background, +carrying her corpse towards +Cracow</i>.</p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='pageno' id='Page_55'>55</span><span class='sc'>The People.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Haste! let us yonder sad procession join,</div> + <div class='line'>And to our queen, for the last time, give escort;</div> + <div class='line'>Make way! and let us go!</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Leszek</span> (<i>in a tone of reproof</i>).</div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Stay! yon cold form is but our Wanda’s body,—</div> + <div class='line'>Her spirit lingers in the poet’s words:</div> + <div class='line'>Curb your hot haste, and to the nobler part</div> + <div class='line'>Give audience; afterward the dear remains</div> + <div class='line'>Claim fitting care; forgive the slight delay,</div> + <div class='line'>Kind minstrel, and resume the broken thread.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Wanda was silent, but her earnest face</div> + <div class='line'>Upon my words intent, some courage kindled:</div> + <div class='line'>“In hours of inspiration I can see,”</div> + <div class='line'>Thus I continued, “gleams of far-off light,</div> + <div class='line'>That, when its perfect splendour is attained,</div> + <div class='line'>Shall fill the world with sunbeams; by its blaze</div> + <div class='line'>Our boasted present shall be greyest twilight,</div> + <div class='line'>And theories which have won our praise shall be</div> + <div class='line'><span class='pageno' id='Page_56'>56</span>From truth’s fair circle banish’d, as delusions.</div> + <div class='line'>Prove thyself, Wanda, well, lest lack of courage,</div> + <div class='line'>Or weariness of life, with fair disguise,</div> + <div class='line'>Deceive thy mental vision, and assume</div> + <div class='line'>The form of patriotic sacrifice.”</div> + <div class='line'>“In light, in darkness, truth is still the same;</div> + <div class='line'>Should Poland in the future give her verdict,</div> + <div class='line'>That Wanda, in her self devotion, err’d,</div> + <div class='line'>Example’s voice shall not have vainly sounded.</div> + <div class='line'>Obedience to a father’s last commands,</div> + <div class='line'>Fulfilment of the people’s solemn oath,</div> + <div class='line'>Zeal for my country’s welfare, all conspire</div> + <div class='line'>To claim the sacrifice; I yield it freely.</div> + <div class='line'>Kind minstrel, cease thine efforts to dissuade,</div> + <div class='line'>Give me a father’s blessing, and farewell!”</div> + <div class='line'>I bless’d her, turn’d and hasted from the spot,</div> + <div class='line'>Pondering the message she had bade me bear.</div> + <div class='line'>The brief remainder of the mournful story</div> + <div class='line'>Yon fisher told, and all too well ye know it.</div> + <div class='line'>My countrymen! it is in vain to murmur,—</div> + <div class='line'>One day we all shall see that nought befalls,</div> + <div class='line'>Without the will of the immortal gods.</div> + </div> + </div> +</div> + +<div> + <span class='pageno' id='Page_57'>57</span> + <h3 class='c015'><span class='sc'>Scene V.</span></h3> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='sc'>Leszek</span>, <span class='sc'>the People</span>, <span class='sc'>the Bard</span>, <span class='sc'>Rzewna</span>, <span class='sc'>Maidens</span>.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Rzewna.</span></div> + </div> +</div> + +<div class='cap-wrap'> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + <div class='line'><span class="drop-hide">T</span><span class="drop-uppercase">he</span> mournful train of Wanda follows me;</div> + <div class='line'>Already we had ta’en the road to Cracow,</div> + <div class='line'>But without you, ye fathers of the land,</div> + <div class='line'>We would not bear our burden to the city,</div> + <div class='line'>Our steps retraced, to you we now confide</div> + <div class='line'>The precious relics of our martyred queen!</div> + </div> + </div> +</div> + +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>The Funeral passes along the Stage.</i></p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of the People.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Save us, her people, how few beside</div> + <div class='line'>Will honour the motive for which she died!</div> + <div class='line'><span class='pageno' id='Page_58'>58</span>How few our Wanda will understand,</div> + <div class='line'>In offering her life for her fatherland!</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Maidens.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Wanda! Wanda! shall ever our watchword be,</div> + <div class='line'>Wanda, martyr and priestess of liberty;</div> + <div class='line'>Should time ever tarnish our virtue’s pure gold,</div> + <div class='line'>So lovingly cherish’d, so precious of old,</div> + <div class='line'>Should maidenly modesty slacken her sway,</div> + <div class='line'>Should gentleness vanish, and meekness decay,</div> + <div class='line'>All, all shall revive in their glory again,</div> + <div class='line'>As the summer-dried verdure, ’neath soft-gushing rain,</div> + <div class='line'>When the harp-strings shall thrill to our Wanda’s name,</div> + <div class='line'>When echoes the lute to the mournful sound,</div> + <div class='line'>Our Wanda reposes ’neath Polish ground.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bard.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Last sad home,</div> + <div class='line'>Fronting the tumulus where rests the father,</div> + <div class='line'>For this, his peerless daughter, we will rear</div> + <div class='line'><span class='pageno' id='Page_59'>59</span>Its likeness, since their memories blend in one;</div> + <div class='line'>Listen, my countrymen! The dreadful future—</div> + <div class='line'>Dreadful, though glorious,—yet shall give to Cracow</div> + <div class='line'>A third sad sepulchre, most drear possession!</div> + <div class='line'>Three grassy funeral mounds, in which are hid</div> + <div class='line'>The hopes, the sorrows, and the fame of Poland.</div> + <div class='line'>Long shall these two in mournful grandeur stand,</div> + <div class='line'>Altars to fear of gods and love of men,</div> + <div class='line'>Till ancient virtue darken towards its setting:</div> + <div class='line'>An awful martyrdom awaits our country,</div> + <div class='line'>And when the tumult wild of battle ceases,</div> + <div class='line'>Through the clear’d air, and ’mid the rigid stillness,</div> + <div class='line'>The third last witness shall be seen uprising!</div> + <div class='line'>Yet spring shall follow in the wake of winter,</div> + <div class='line'>And through the virtue pure of Poland’s daughters,</div> + <div class='line'>Swaying, unconsciously, her hardy sons,</div> + <div class='line'>Once more shall they arise and prove their valour;</div> + <div class='line'>Our fatherland shall rouse to second life,</div> + <div class='line'>And thus the evil spell shall disappear,</div> + <div class='line'>Which long o’erwhelm’d her with infernal blight.</div> + <div class='line'><span class='pageno' id='Page_60'>60</span>Thus, thus decrees the certain voice of fate,</div> + <div class='line'>Through the unworthy lips of me, your bard:</div> + <div class='line'>We minstrels are the heralds of the gods.</div> + <div class='line'>In the sad prelude of the oracle</div> + <div class='line'>Lose not the consolation which succeeds:</div> + <div class='line'>Listen, ye mourners at the tomb of Krakus,</div> + <div class='line'>For him and for his daughter, on the verge</div> + <div class='line'>Of the far future’s dim horizon glancing,</div> + <div class='line'>I see a star which rays out beams of hope!</div> + <div class='line'>List! and your bard shall read its mystic meaning:</div> + <div class='line'>“<em>From the dark earth the golden corn shall spring.</em>”</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Leszek.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Now let us seek a spot the bard shall choose,</div> + <div class='line'>Meet to receive our Wanda’s precious clay!</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Chorus of Maidens.</span></div> + </div> +</div> + +<div class='lg-container-l c011'> + <div class='linegroup'> + <div class='group'> + <div class='line'>’Mid the flowers of Poland our Wanda shall rest,</div> + <div class='line'>As a seed-corn of virtue her mem’ry is blest;</div> + <div class='line'>It will bud, it will blossom, with sweetest perfume,</div> + <div class='line'>And her glorious example for ages illume,</div> + <div class='line'>Teaching childlike obedience, modesty pure,</div> + <div class='line'><span class='pageno' id='Page_61'>61</span>Fear of gods, love to men, truth and faith to endure;</div> + <div class='line'>And to our redemption devoting the song,</div> + <div class='line'>Wanda slumbers the flowers of Poland among:</div> + <div class='line'>From the seed which to earth we now weeping confide,</div> + <div class='line'>The bright corn shall spring in its glory and pride.</div> + </div> + </div> +</div> + +<div class='rjsd'> + +<p class='c013'>[<i>The Curtain falls.</i></p> + +</div> + +<div class='c001 figcenter id004'> +<img src='images/small-flower-4.jpg' alt='' class='ig001'> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c014'> + <div><span class='small'>CHISWICK PRESS:—PRINTED BY WHITTINGHAM AND WILKINS,</span></div> + <div><span class='small'>TOOKS COURT, CHANCERY LANE.</span></div> + </div> +</div> + +</div> + +<div class='pbb'> + <hr class='pb c003'> +</div> + +<div class='c019'><span class='pageno' id='Ad_Page_1'>1</span><span class='sc'>186, Fleet Street</span>,</div> +<div class='c020'><i>December, 1863</i>.</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='xxlarge'><span class='sc'>Messrs.</span> BELL <span class='fss'>AND</span> DALDY’S</span></div> + <div><span class='xlarge'>NEW AND STANDARD PUBLICATIONS.</span></div> + </div> +</div> + +<div class='figcenter id005'> +<img src='images/bell.jpg' alt='An illustration of a bell and an anchor.' class='ig001'> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c008'> + <div><span class='large'>New Books.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-j.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">J</span><span class="drop-uppercase">erusalem</span> Explored; being a Description of the +Ancient and Modern City, with upwards of One Hundred +Illustrations, consisting of Views, Ground-plans, and Sections. +By Dr. Ermete Pierotti, Doctor of Mathematics, +Architect-Engineer to His Excellency Soorraya Pasha of +Jerusalem, and Architect of the Holy Land. (Translated +by the Rev. T. G. Bonney, M.A., Fellow of St. John’s College, Cambridge.) +2 vols. impl. 4to. 5<i>l.</i> 5<i>s.</i><span class="float-ad">[<i>Immediately.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>The Customs and Traditions of Palestine compared with the +Bible, from Observations made during a Residence of Eight Years. By +Dr. Ermete Pierotti. 8vo.<span class="float-ad">[<i>Preparing.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>British Seaweeds. 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By the same Author. 3<i>s.</i></div> + <div class='line'>Southey’s Life of Nelson. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Longfellow’s Poems. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Lamb’s Tales from Shakspeare. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>George Herbert’s Poems. 2<i>s.</i></div> + <div class='line'>George Herbert’s Works. 3<i>s.</i></div> + <div class='line'>Milton’s Paradise Lost. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Milton’s Paradise Regained and other Poems. 2<i>s.</i> 6<i>d.</i></div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c028'> + <div><i>Preparing.</i></div> + </div> +</div> + +<div class='lg-container-b c028'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Walton’s Lives of Donne, Wotton, Hooker, &c.</div> + <div class='line'>The Conquest of India. By Capt. Basil Hall, R.N.</div> + <div class='line'>Gray’s Poems.</div> + <div class='line'>Goldsmith’s Poems.</div> + <div class='line'>Goldsmith’s Vicar of Wakefield.</div> + <div class='line'>Henry Vaughan’s Poems.</div> + <div class='line in2'>And others.</div> + </div> + </div> +</div> + +<p class='c022'>In cloth, top edge gilt, at 6<i>d.</i> per volume extra; in half morocco, Roxburgh +style, at 1<i>s.</i> extra; in antique or best plain morocco (Hayday) at 4<i>s.</i> extra.</p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-d.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">D</span><span class="drop-uppercase">r. Richardson’s</span> New Dictionary of the English +Language. Combining Explanation with Etymology, and +copiously illustrated by Quotations from the best authorities. +<i>New Edition</i>, with a Supplement containing additional Words +and further Illustrations. In Two Vols. 4to. 4<i>l.</i> 14<i>s.</i> 6<i>d.</i> Half +bound in russia, 5<i>l.</i> 15<i>s.</i> 6<i>d.</i> Russia, 6<i>l.</i> 12<i>s.</i></p> + +<p class='c029'>The <span class='sc'>Words</span>—with those of the same Family—are traced to their +Origin.</p> + +<p class='c029'>The <span class='sc'>Explanations</span> are deduced from the Primitive Meaning through +the various Usages.</p> + +<p class='c029'>The <span class='sc'>Quotations</span> are arranged Chronologically, from the Earliest Period +to the Present Time.</p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ The Supplement separately, 4to. 12<i>s.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'><i>Also</i>, AN EDITION TO BE COMPLETED in 20 Monthly +Parts. Price 4<i>s.</i> 6<i>d.</i> each. Parts 1 to 11 <i>now ready</i>.</p> + +<div class='clear'> + +</div> +<p class='c021'><span class='sc'>An 8vo. Edition</span>, without the Quotations, 15<i>s.</i> Half-russia, 20<i>s.</i> Russia, 24<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>“It is an admirable addition to our Lexicography, supplying a great +desideratum, as exhibiting the biography of each word—its birth, parentage +and education, the changes that have befallen it, the company it +has kept, and the connexions it has formed—by rich series of quotations, +all in chronological order. This is such a Dictionary as perhaps no other +language could ever boast.”—<i>Quarterly Review.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Dr. Richardson on the Study of Language: an Exposition of +Horne Tooke’s Diversions of Purley. Fcap. 8vo. 4<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_5'>5</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>The Library of English Worthies.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div>A Series of reprints of the best Authors carefully edited and collated with the Early Copies, and handsomely printed by Whittingham in Octavo.</div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-s.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">S</span><span class="drop-uppercase">penser’s</span> Complete Works; with Life, Notes, and +Glossary, by John Payne Collier, Esq., F.S.A. 5 vols. 3<i>l.</i> 15<i>s.</i> +Antique calf, 6<i>l.</i> 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Herbert’s Poems and Remains; with S. T. Coleridge’s +Notes, and Life by Izaak Walton. Revised, with additional Notes, by +Mr. J. Yeowell. 2 vols. 1<i>l.</i> 1<i>s.</i> Morocco, antique calf or morocco, 2<i>l.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Butler’s Analogy of Religion; with Analytical Index, by +the Rev. Edward Steere, LL.D. 12<i>s.</i> Antique calf, 1<i>l.</i> 1<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>“The present edition has been furnished with an Index of the Texts of +Scripture quoted, and an Index of Words and Things considerably fuller +than any hitherto published.”—<i>Editor’s Preface.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Jeremy Taylor’s Rule and Exercises of Holy Living and +Dying. 2 vols. 1<i>l.</i> 1<i>s.</i> Morocco, antique calf or morocco, 2<i>l.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Gower’s Confessio Amantis, with Life by Dr. Pauli, and a +Glossary. 3 vols. 2<i>l.</i> 2<i>s.</i> Antique calf, 3<i>l.</i> 6<i>s.</i> Only a limited number +of Copies printed.</p> + +<div class='blurb'> + +<p class='c022'><i>This important work is so scarce that it can seldom be met with even in +large libraries. It is wanting in nearly every collection of English Poetry.</i></p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div><i>Uniform with the above.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Physical Theory of Another Life. By Isaac Taylor, Esq. +Author of “Logic in Theology,” “Ultimate Civilization, &c.” <i>New +Edition.</i> 10<i>s.</i> 6<i>d.</i> Antique calf, 21<i>s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-h.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">H</span><span class="drop-uppercase">istory</span> of England, from the Invasion of Julius Cæsar +to the end of the Reign of George II., by Hume and Smollett. +With the Continuation, to the Accession of Queen Victoria, by +the Rev. T. S. Hughes, B.D. late Canon of Peterborough. <i>New +Edition</i>, containing Historical Illustrations, Autographs, and +Portraits, copious Notes, and the Author’s last Corrections and Improvements. +In 18 vols. crown 8vo. 4<i>s.</i> each.</p> + +<div class='blurb'> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Vols. I. to VI. (Hume’s portion), 1<i>l.</i> 4<i>s.</i></div> + <div class='line'>Vols. VII. to X. (Smollett’s ditto), 16<i>s.</i></div> + <div class='line'>Vols. XI. to XVIII. (Hughes’s ditto), 1<i>l.</i> 12<i>s.</i></div> + </div> + </div> +</div> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>History of England, from the Accession of George III. to the +Accession of Queen Victoria. By the Rev. T. S. Hughes, B.D. <i>New +Edition</i>, almost entirely re-written. In 7 vols. 8vo. 3<i>l.</i> 13<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_6'>6</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>The Aldine Edition of the British Poets.</span></div> + </div> +</div> + +<p class='c030'>The Publishers have been induced, by the scarcity and increasing +value of this admired Series of the Poets, to prepare a New +Edition, very carefully corrected, and improved by such additions +as recent literary research has placed within their reach.</p> + +<p class='c030'>The general principle of Editing which has been adopted is <i>to +give the entire Poems of each author in strict conformity with the Edition +which received his final revision, to prefix a Memoir</i>, and <i>to add such +notes as may be necessary to elucidate the sense of obsolete words or explain +obscure allusions</i>. Each author will be placed in the hands of +a competent editor specially acquainted with the literature and +bibliography of the period.</p> + +<p class='c030'>Externally this new edition will resemble the former, but with +some improvements. It will be elegantly printed by Whittingham, +on toned paper manufactured expressly for it; and a highly-finished +portrait of each author will be given.</p> + +<p class='c030'>The <i>Aldine Edition of the British Poets</i> has hitherto been the +favourite Series with the admirers of choice books, and every +effort will be made to increase its claims as a comprehensive and +faithful mirror of the poetic genius of the nation.</p> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">A</span><span class="drop-uppercase">kenside’s</span> Poetical Works, with Memoir by the Rev. +A. Dyce, and additional Letters, carefully revised. 5<i>s.</i> Morocco, +or antique morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Collins’s Poems, with Memoir and Notes by W. Moy +Thomas, Esq. 3<i>s.</i> 6<i>d.</i> Morocco, or antique morocco, 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Gray’s Poetical Works, with Notes and Memoir by the Rev. +John Mitford. 5<i>s.</i> Morocco, or antique morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Kirke White’s Poems, with Memoir by Sir H. Nicolas, and additional +notes. Carefully revised. 5<i>s.</i> Morocco, or antique morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Shakespeare’s Poems, with Memoir by the Rev. A. Dyce, 5<i>s.</i> +Morocco, or antique morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Young’s Poems, with Memoir by the Rev. John Mitford, and +additional Poems. 2 vols. 10<i>s.</i> Morocco, or antique morocco, 1<i>l.</i> 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Thomson’s Poems, with Memoir by Sir H. Nicolas, annotated by +Peter Cunningham, Esq., F.S.A., and additional Poems, carefully revised. +2 vols. 10<i>s.</i> Morocco, or antique morocco, 1<i>l.</i> 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Thomson’s Seasons, and Castle of Indolence, with Memoir. 6<i>s.</i> +Morocco, or antique morocco, 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Dryden’s Poetical Works, with Memoir by the Rev. R. Hooper, +F.S.A. Carefully revised. 5 vols.<span class="float-ad">[<i>In the Press.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Cowper’s Poetical Works, including his Translations. Edited, +with Memoir, by John Bruce, Esq., F.S.A. 3 vols.<span class="float-ad">[<i>In the Press.</i></span></p> + +<div class='nf-center-c1'> +<div class='nf-center c031'> + <div><span class='pageno' id='Ad_Page_7'>7</span><i>Uniform with the Aldine Edition of the Poets.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Works of Gray, edited by the Rev. John Mitford. With +his Correspondence with Mr. Chute and others, Journal kept at Rome, +Criticism on the Sculptures, &c. <i>New Edition.</i> 5 vols. 1<i>l.</i> 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Temple and other Poems. By George Herbert, with Coleridge’s +Notes. <i>New Edition.</i> 5<i>s.</i> Morocco, antique calf or morocco, +10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Vaughan’s Sacred Poems and Pious Ejaculations, with Memoir +by the Rev. H. F. Lyte. <i>New Edition.</i> 5<i>s.</i> Antique calf or morocco, +10<i>s.</i> 6<i>d.</i> <i>Large Paper</i>, 7<i>s.</i> 6<i>d.</i> Antique calf, 14<i>s.</i> Antique morocco, +15<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>“Preserving all the piety of George Herbert, they have less of his +quaint and fantastic turns, with a much larger infusion of poetic feeling +and expression.”—<i>Lyte.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Jeremy Taylor’s Rule and Exercises of Holy Living and +Holy Dying. 2 vols. 2<i>s.</i> 6<i>d.</i> each. Morocco, antique calf or morocco, 7<i>s.</i> 6<i>d.</i> +each. In one volume, 5<i>s.</i> Morocco, antique calf or morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Butler’s Analogy of Religion; with Analytical Introduction +and copious Index, by the Rev. Dr. Steere. 6<i>s.</i> Antique calf, 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Butler’s Sermons and Remains; with Memoir, by the Rev. +E. Steere, LL.D. 6<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>⁂ This volume contains some additional remains, which are copyright, +and render it the most complete edition extant.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Butler’s Complete Works; with Memoir by the Rev. Dr. +Steere. 2 vols. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bacon’s Advancement of Learning. Edited, with short Notes, +by the Rev. G. W. Kitchin, M.A., Christ Church, Oxford. 6<i>s.</i>; antique +calf, 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bacon’s Essays; or, Counsels Civil and Moral, with the Wisdom +of the Ancients. With References and Notes by S. W. Singer, F.S.A. 5<i>s.</i> +Morocco, or antique calf, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bacon’s Novum Organum. Newly translated, with short Notes, +by the Rev. Andrew Johnson, M.A. 6<i>s.</i> Antique calf, 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Locke on the Conduct of the Human Understanding; edited by +Bolton Corney, Esq., M. R. S. L. 3<i>s.</i> 6<i>d.</i> Antique calf, 8<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>“I cannot think any parent or instructor justified in neglecting to put +this little treatise into the hands of a boy about the time when the reasoning +faculties become developed.”—<i>Hallam.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Ultimate Civilization. By Isaac Taylor, Esq. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Logic in Theology, and other Essays. By Isaac Taylor, Esq. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Thoughts of the Emperor M. Aurelius Antoninus. Translated +by George Long. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Schole Master. By Roger Ascham. Edited, with copious +Notes and a Glossary, by the Rev. J. E. B. Mayor, M.A. 6<i>s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_8'>8</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-d.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">D</span><span class="drop-uppercase">omestic</span> Life in Palestine. By M. E. Rogers. <i>Second +Edition.</i> Post 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Servia and the Servians. By the Rev. W. Denton, +M.A. With Illustrations. Crown 8vo. 9<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>By-Roads and Battle Fields in Picardy: with Incidents and +Gatherings by the Way between Ambleteuse and Ham; including Agincourt +and Crécy. By G. M. Musgrave, M.A., Illustrated. Super-royal +8vo. 16<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Boat and the Caravan. A Family Tour through Egypt and +Syria. <i>New and cheaper Edition.</i> Fcap. 8vo. 5<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Fragments of Voyages and Travels. By Captain Basil Hall, +R.N. 1st, 2nd, and 3rd Series in 1 vol. complete. Royal 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>An Old Man’s Thoughts about Many Things. Being Essays on +Schools, Riches, Statues, Books, Place and Power, The Final Cause, &c. +Crown 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Frederick Lucas. A Biography. By C. J. Riethmüller, author +of “Teuton,” a Poem. Crown 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Adventures of Baron Wenceslas Wratislaw of Mitrowitz; what +he saw in the Turkish Metropolis, Constantinople, experienced in his +Captivity, and, after his happy return to his country, committed to +writing, in the year of our Lord, 1599. Literally translated from the +original Bohemian by A. H. Wratislaw, M.A. Crown 8vo. 6<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Legends of the Lintel and the Ley. By Walter Cooper Dendy. +Crown 8vo. 9<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Gem of Thorney Island; or, The Historical Associations of +Westminster Abbey. By the Rev. J. Ridgway, M.A. Crown 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Gifts and Graces. A new Tale, by the Author of “The Rose and +the Lotus.” Post 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Childhood and Youth. By Count Nicola Tolstoi. Translated +from the Russian by Malwida von Meysenbug. Post 8vo. 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Baronscliffe; or, the Deed of other Days. By Mrs. P. M. +Latham, Author of “The Wayfarers.” Crown 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Manse of Mastland. Sketches: Serious and Humorous, in +the Life of a Village Pastor in the Netherlands. Translated from the +Dutch by Thomas Keightley, M.A. Post 8vo. 9<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Leadbeater Papers: a Selection from the MSS. and Correspondence +of Mary Leadbeater, containing her Annals of Ballitore, +with a Memoir of the Author; Unpublished Letters of Edmund Burke; +and the Correspondence of Mrs. R. Trench and Rev. G. Crabbe. <i>Second +Edition.</i> 2 vols. crown 8vo. 14<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Home Life of English Ladies in the Seventeenth Century. +By the Author of “Magdalen Stafford.” <i>Second Edition, enlarged.</i> +Fcap. 8vo. 6<i>s.</i> Calf, 9<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Romance and its Hero. By the Author of “Magdalen Stafford.” +2 vols. Fcap. 8vo. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Magdalen Stafford. A Tale. Fcap. 8vo. <i>5s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_9'>9</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Mrs. Alfred Gatty’s Popular Works.</span></div> + </div> +</div> + +<p class='c030'>“Mrs. Gatty is <i>facile princeps</i> in the art of writing for the young. She is to +the altered tastes of this generation almost what Miss Edgeworth was to +the last. And we have the rare satisfaction of knowing that Mrs. Gatty’s +usefulness will not terminate with herself. Her peculiar talent is hereditary. +‘Melchior’s Dream’ is the production of the veritable ‘Aunt Judy’ +herself, and the very pretty illustrations which adorn it are from the pencil +of another sister.”—<i>Guardian.</i></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-p.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">P</span><span class="drop-uppercase">arables</span> from Nature; with Notes on the Natural +History. Illustrated by W. Holman Hunt, Otto Speckter, +C. W. Cope, R.A., E. Warren, W. Millais, G. Thomas, and +H. Calderon. 8vo. Ornamental cloth, 10<i>s.</i> 6<i>d.</i> Antique +morocco elegant, 1<i>l.</i> 1<i>s.</i></p> + +<p class='c022'>Parables from Nature. 16mo. with Illustrations. First Series. +<i>Eleventh Edition.</i> 1<i>s.</i> 6<i>d.</i> Second Series. <i>Sixth Edition.</i> 2<i>s.</i> Or the +two Series in one volume. 3<i>s.</i> 6<i>d.</i> Third Series (Red Snow and other +Parables). <i>Second Edition.</i> 2<i>s.</i> Fourth Series.<span class="float-ad">[<i>In the press.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Worlds not Realized. 16mo. <i>Third Edition.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Proverbs Illustrated. 16mo. with Illustrations. <i>3rd Edition.</i> 2<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>⁂ <i>These little works have been found useful for Sunday reading in the +family circle, and instructive and interesting to school children.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Aunt Judy’s Tales. Illustrated by Clara S. Lane. Fcap. 8vo. +<i>Fourth Edition.</i> 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Aunt Judy’s Letters. Illustrated by Clara S. Lane. Fcap. +8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Human Face Divine, and other Tales. With Illustrations +by C. S. Lane. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Fairy Godmothers and other Tales. <i>Fourth Edition.</i> Fcap. +8vo. with Frontispiece. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Legendary Tales. With Illustrations by Phiz. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Poor Incumbent. Fcap. 8vo. Sewed, 1<i>s.</i> Cloth, 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Old Folks from Home; or, a Holiday in Ireland. <i>Second +Edition.</i> Post 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c032'>Melchior’s Dream, and other Tales. By J. H. G. Edited by +Mrs. Gatty. Illustrated. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>By the late Mrs. Woodrooffe.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-c.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">C</span><span class="drop-uppercase">ottage Dialogues</span>. <i>New Edition.</i> 12mo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Michael Kemp, the Happy Farmer’s Lad. <i>8th Edition.</i> +12mo. 4<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Sequel to Michael Kemp. <i>New Edition.</i> 12mo. 6<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_10'>10</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> + +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">T</span><span class="drop-uppercase">he</span> Adventures of a Little French Boy. With 50 +Illustrations. Crown 8vo. Cloth, gilt edges. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Life and Adventures of Robinson Crusoe. By +Daniel Defoe. With 100 Illustrations by E. H. Wehnert. +Uniform with the above. Crown 8vo. Cloth, gilt edges. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Andersen’s Tales for Children. Translated by A. Wehnert. +With 105 Illustrations by E. H. Wehnert, W. Thomas, and others. +Uniform with the above. Crown 8vo. Cloth, gilt edges. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Among the Tartar Tents; or, the Lost Fathers. A Tale By +Anne Bowman, Author of “Esperanza,” “The Boy Voyagers,” &c. +With Illustrations. Crown 8vo 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Little Maggie and her Brother. By Mrs. G. Hooper, Author of +“Recollections of Mrs. Anderson’s School,” “Arbell,” &c. With a +Frontispiece. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Church Stories. Edited by the Rev. J. E. Clarke. Crown 8vo. +2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Cavaliers and Round Heads. By J. G. Edgar, Author of “Sea +Kings and Naval Heroes.” Illustrated by Amy Butts. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sea-Kings and Naval Heroes. A Book for Boys. By J. G. +Edgar. With Illustrations by C. K. Johnson and C. Keene. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The White Lady and Undine, translated from the German by the +Hon. C. L. Lyttelton. With numerous Illustrations. Fcap. 8vo. 5<i>s.</i> Or, +separately, 2<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Lights of the Will o’ the Wisp. Translated by Lady Maxwell +Wallace. With a coloured Frontispiece. Imperial 16mo. Cloth, gilt +edges, 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Life of Christopher Columbus, in Short Words. By Sarah +Crompton. Super royal 16mo. 2<i>s.</i> 6<i>d.</i> Also an Edition for Schools, 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Life of Martin Luther, in Short Words. By the same Author. +Super royal 16mo. 1<i>s.</i> 6<i>d.</i> Stiff cover, 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Guessing Stories; or, the Surprising Adventures of the Man +with the Extra Pair of Eyes. A Book for Young People. By the Rev. +Philip Freeman. Imperial 16mo. Cloth, gilt edges, 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Redfield; or, a Visit to the Country. A Story for Children. +With Four Illustrations by John Absolon. Super royal 16mo. 2<i>s.</i> 6<i>d.</i> +Coloured, 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Giles Witherne; or, The Reward of Disobedience. A Village +Tale for the Young. By the Rev. J. P. Parkinson, D.C.L. <i>Sixth +Edition.</i> Illustrated by the Rev. F. W. Mann. Super-royal 16mo. 1<i>s.</i> +Cloth, gilt edges, 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Disorderly Family; or, the Village of R****. A Tale for +Young Persons. In Two Parts. By a Father. 6<i>d.</i>; Cloth, gilt edges, 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Nursery Tales. By Mrs. Motherly. With Illustrations by C. +S. Lane. Imperial 16mo. 2<i>s.</i> 6<i>d.</i> Coloured, gilt edges, 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Nursery Poetry. By Mrs. Motherly. With Eight Illustrations +by C. S. Lane. Imperial 16mo. 2<i>s.</i> 6<i>d.</i> Coloured, gilt edges, 3<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_11'>11</span> +<div class='clear'> + +</div> +<p class='c021'>A Poetry Book for Children. Illustrated with Thirty-seven +highly-finished Engravings, by C. W. Cope, R.A., Helmsley, Palmer, +Skill, Thomas, and H. Weir. <i>New Edition.</i> Crown 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Nursery Carols. Illustrated with 120 Pictures. By Ludwig +Ricther and Oscar Pletsch. Imperial 16mo. Ornamental Binding. 3<i>s.</i> 6<i>d.</i> +Coloured, 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Poetry for Play-Hours. By Gerda Fay. With Eight large +Illustrations. Imperial 16mo. 3<i>s.</i> 6<i>d.</i> Coloured, gilt edges, 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'><a id='tn-verylittle'></a>Very Little Tales for Very Little Children. In single Syllables +of <i>Four</i> and <i>Five</i> letters. <i>New Edition.</i> Illustrated. 2 vols. 16mo. 1<i>s.</i> 6<i>d.</i> +each, or in 1 vol. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Progressive Tales for Little Children. In words of <i>One</i> and <i>Two</i> +Syllables. Forming the sequel to “Very Little Tales.” <i>New Edition.</i> +Illustrated. 2 vols. 16mo. 1<i>s.</i> 6<i>d.</i> each, or in 1 vol. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Karl and the Six Little Dwarfs. By Julia Goddard. Illustrated. +16mo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Charades, Enigmas, and Riddles. Collected by a Cantab. <i>Fourth +Edition, enlarged.</i> Illustrated. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>The Children’s Picture Book Series.</span></div> + <div>Written expressly for Young People, super-royal 16mo.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><i>Cloth, gilt edges, price 5s. each.</i></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-b.jpg" class="drop-cap" alt=""></div> + +<p class='c022'>Bible Picture Book. Eighty Illustrations. (Coloured, +9<i>s.</i>)</p> + +<div class='clear'> + +</div> +<p class='c021'>Scripture Parables and Bible Miracles. Thirty-two +Illustrations. (Coloured, 7<i>s.</i> 6<i>d.</i>)</p> + +<div class='clear'> + +</div> +<p class='c021'>English History. Sixty Illustrations. (Coloured, 9<i>s.</i>)</p> + +<div class='clear'> + +</div> +<p class='c021'>Good and Great Men. Fifty Illustrations. (Coloured, 9<i>s.</i>)</p> + +<div class='clear'> + +</div> +<p class='c021'>Useful Knowledge. One Hundred and Thirty Figures.</p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div><i>Cloth, red edges, price 2s 6d. each.</i> (<i>Coloured, gilt edges, 3s. 6d.</i>)</div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>Scripture Parables. By Rev. J. E. Clarke. 16 Illustrations.</p> + +<div class='clear'> + +</div> +<p class='c021'>Bible Miracles. By Rev. J. E. Clarke, M.A. 16 Illustrations.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Life of Joseph. Sixteen Illustrations.</p> + +<div class='clear'> + +</div> +<p class='c021'>Bunyan’s Pilgrim’s Progress. Sixteen Illustrations.</p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_12'>12</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-c.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">C</span><span class="drop-uppercase">lark’s</span> Introduction to Heraldry.—Containing Rules +for Blazoning and Marshalling Coats of Armour—Dictionary +of Terms—Orders of Knighthood explained—Degrees of the +Nobility and Gentry—Tables of Precedency; 48 Engravings, +including upwards of 1,000 Examples, and the Arms of numerous +Families. <i>Sixteenth Edition improved.</i> Small 8vo. 7<i>s.</i> 6<i>d.</i> Coloured, +18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Book of Family Crests and Mottoes, with <i>Four Thousand Engravings</i> +of the Crests of the Peers, Baronets, and Gentry of England and +Wales, and Scotland and Ireland. A Dictionary of Mottos, &c. <i>Tenth +Edition, enlarged.</i> 2 vols. small 8vo. 1<i>l.</i> 4<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>“Perhaps the best recommendation to its utility and correctness (in +the main) is, that it has been used as a work of reference in the Heralds +College. No wonder it sells.”—<i>Spectator.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Architectural History of Chichester Cathedral, with an Introductory +Essay on the Fall of the Tower and Spire. By the Rev. R. +Willis, M.A., F.R.S., &c.—Of Boxgrove Priory, by the Rev. J. L. Petit, +M.A., F.S.A.—And of Shoreham Collegiate Church, together with the +Collective Architectural History of the foregoing buildings, as indicated +by their mouldings, by Edmund Sharpe, M.A., F.R.I.B.A. Illustrated +by one hundred Plates, Diagrams, Plans and Woodcuts. Super-royal +4to. 1<i>l.</i> 10<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Architectural Studies in France. By the Rev. J. L. Petit, M.A., +F.S.A. With Illustrations from Drawings by the Author and P. H. +Delamotte. Imp. 8vo. 2<i>l.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Remarks on Church Architecture. With Illustrations. By the +Rev. J. L. Petit, M.A. 2 vols. 8vo. 1<i>l.</i> 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Few Notes on the Temple Organ. By Edmund Macrory, M.A. +<i>Second Edition.</i> Super-royal 16mo. Half morocco, Roxburgh, 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Scudamore Organs, or Practical Hints respecting Organs for Village +Churches and small Chancels, on improved principles. By the Rev. +John Baron, M.A., Rector of Upton Scudamore, Wilts. With Designs by +G. E. Street, F.S.A. <i>Second Edition, revised and enlarged.</i> 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Bell; its Origin, History, and Uses. By Rev. A. Gatty. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Practical Remarks on Belfries and Ringers. By the Rev. H. T. +Ellacombe, M.A., F.A.S., Rector of Clyst St. George, Devonshire. <i>Second +Edition</i>, with an Appendix on Chiming. Illustrated. 8vo. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Engravings of Unedited or Rare Greek Coins. With Descriptions. +By General C. R. Fox. 4to. Part I, Europe. Part II, Asia and +Africa. 7<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>Proceedings of the Archæological Institute at Newcastle, in 1853. +With Numerous Engravings. 2 vols. 8vo. 2<i>l.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Handbook for Visitors to Cambridge. By Norris Deck. +With 8 Steel Engravings, 97 Woodcuts, and a Map. Crown 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Canterbury in the Olden Time: from the Municipal Archives +and other Sources. By John Brent, F.S.A. With Illustrations. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Whirlwinds and Dust-Storms of India. By P. F. H. Baddeley. +Large 8vo. With Illustrations, 8<i>s.</i> 6<i>d.</i>; without Illustrations, 3<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>Two Transparent Wind Cards in Horn, adapted to the Northern and +Southern Hemispheres, for the use of Sailors. 2<i>s.</i></p> + +</div> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_13'>13</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-w.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">W</span><span class="drop-uppercase">ebster’s</span> Complete Dictionary of the English Language. +<i>New Edition</i>, revised and greatly enlarged, by +<span class='sc'>Chauncey A. Goodrich</span>, Professor in Yale College. 4to. +(1624 pp.) 1<i>l.</i> 11<i>s.</i> 6<i>d.</i>; half calf, 2<i>l.</i>; calf, or half russia, +2<i>l.</i> 2<i>s.</i>; russia, 2<i>l.</i> 10<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>Though the circulation of Dr. Webster’s celebrated Dictionary, in its +various forms, in the United States, in England, and in every country +where the English Language is spoken, may be counted by hundreds of +thousands, it is believed that there are many persons to whom the book +is yet unknown, and who, if seeking for a Dictionary which should supply +all reasonable wants, would be at a loss to select one from the numerous +competitors in the field.</p> + +<p class='c022'>In announcing this New Edition, the Proprietors desire to call attention +to the features which distinguish it, and to put before those who are in +want of such a book, the points in which it excels all other Dictionaries, +and which render it the best that has as yet been issued for the practical +purposes of daily use:—</p> + +<p class='c022'>1. Accuracy of Definition. 2. Pronunciation intelligibly marked. 3. +Completeness. 4. Etymology. 5. Obsolete Words. 6. Uniformity in the +Mode of Spelling. 7. Quotations. 8. Cheapness.</p> + +<p class='c022'>With the determination that the superiority of the work shall be fully +maintained, and that it shall keep pace with the requirements of the age +and the universal increase of education, the Proprietors have added to +this New Edition, under the editorship of Professor Goodrich,—</p> + +<p class='c022'>A Table of Synonyms. An Appendix of New Words. Table of Quotations, +Words, Phrases, &c.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Tables of Interest, enlarged and Improved; calculated at Five +per Cent.; Showing at one view the Interest of any Sum, from £1 to +£365: they are also carried on by hundreds to £1,000, and by thousands +to £10,000, from one day to 365 days. To which are added, Tables of +Interest, from one to 12 months, and from two to 13 years. Also Tables +for calculating Commission on Sales of Goods or Banking Accounts, from +⅛ to 5 per Cent., with several useful additions, among which are Tables +for calculating Interest on large sums for 1 day, at the several rates of 4 +and 5 per Cent. to £100,000,000. By Joseph King, of Liverpool. <i>24th +Edition.</i> With a Table showing the number of days from any one day +to any other day in the Year. 8vo. 1<i>l.</i> 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Housekeeping Book, or Family Ledger. An Improved +Principle, by which an exact Account can be kept of Income and Expenditure; +suitable for any Year, and may be begun at any time. With +Hints on Household Management, Receipts, &c. By Mrs. Hamilton. +8vo. Cloth, 1<i>s.</i> 6<i>d.</i> sewed, 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Executor’s Account Book, with short Practical Instructions +for the guidance of Executors. By a Solicitor. Folio. 4<i>s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-n.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">N</span><span class="drop-uppercase">ightingale</span> Valley; a Collection of Choice Lyrics +and Short Poems. From the time of Shakespeare to the present +day. Edited by William Allingham. Fcap. 8vo. 5<i>s.</i>; +mor., antique calf or mor., 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Legends and Lyrics, by Adelaide Anne Procter. <i>Seventh Edition.</i> +Fcap. 5<i>s.</i> Antique or best plain morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>⸺ <i>Second Series. Third Edition.</i> Fcap. 8vo. 5<i>s.</i>; antique +or best plain morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Latin Translations of English Hymns. By Charles Buchanan +Pearson, M. A., Rector of Knebworth. Fcap. 8vo. 5<i>s.</i></p> + +<span class='pageno' id='Ad_Page_14'>14</span> +<div class='clear'> + +</div> +<p class='c021'>Verses for Holy Seasons. By C. F. Alexander. Edited by the +Very Rev. W. F. Hook, D.D. <i>4th Edition.</i> Fcap. 3<i>s.</i> 6<i>d.</i>; morocco, antique +calf or morocco, 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Legend of the Golden Prayers, and other Poems. By the +Same Author. Fcap. 8vo. 5<i>s.</i>; antique or best plain morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Ballads and Songs. By Bessie Rayner Parkes. Fcap. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Story of Queen Isabel, and other Verses. By M. S. Fcap. +8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Love and Mammon, and other Poems. <a id='tn-wyvill'></a>By F. S. Wyvill, +Author of “Pansies.” Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Frithiof Saga. A Poem. Translated from the Norwegian. +By the Rev. R. Mucklestone, M.A., Rector of Dinedor. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Saul, a Dramatic Poem; Elizabeth, an Historical Ode; and other +Poems. By William Fulford, M.A. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Lays and Poems on Italy. By F. A. Mackay. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Poems from the German. By Richard Garnett, Author of “Io +in Egypt, and other Poems.” Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Io in Egypt, and other Poems. By R. Garnett. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Monks of Kilcrea, and other Poems. <i>3rd Edition.</i> Post. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Teuton. A Poem. By C. J. Riethmüller. Crown 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Dryope, and other Poems. By T. Ashe. Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Wild Thyme. By E. M. Mitchell. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Lyrics and Idylls. By Gerda Fay. Fcap. 8vo. 4<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>David Mallet’s Poems. With Notes and Illustrations by F. Dinsdale, +LL.D., F.S.A. <i>New Edition.</i> Post 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Ballads and Songs of Yorkshire. Transcribed from private MSS., +rare Broadsides, and scarce Publications; with Notes and a Glossary. +By C. J. D. Ingledew, M.A., Ph.D., F.G.H.S., author of “The History +of North Allerton.” Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Percy’s Reliques of Ancient English Poetry. 3 vols. sm. 8vo. 15<i>s.</i> +Half-bound, 18<i>s.</i> Antique calf, or morocco, 1<i>l.</i> 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Book of Ancient Ballad Poetry of Great Britain, Historical, +Traditional and Romantic: with Modern Imitations, Translations, Notes +and Glossary, &c. <i>New and Improved Edition.</i> 8vo. Half-bound, 14<i>s.</i> +Antique morocco, 21<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Promises of Jesus Christ. Illuminated by Albert H. Warren, +<i>Second Edition</i>. Ornamental cloth, 15<i>s.</i> Antique morocco elegant, 21<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Christmas with the Poets: a Collection of English Poetry +relating to the Festival of Christmas. Illustrated by Birket Foster, and +with numerous initial letters and borders beautifully printed in gold and +colours by Edmund Evans. <i>New and improved Edition.</i> Super royal 8vo. +Ornamental binding, 21<i>s.</i> Antique morocco, 31<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_15'>15</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">A</span><span class="drop-uppercase">thenæ Cantabrigienses</span>. By C. H. Cooper, F.S.A., +and Thompson Cooper. Volume I. 1500-1585. 8vo. 18<i>s.</i> +Vol. II. 1586-1609. 8vo. 18<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>This work, in illustration of the biography of notable and +eminent men who have been members of the University of Cambridge, +comprehends notices of:—1. Authors. 2. Cardinals, archbishops, bishops, +abbots, heads of religious houses and other church dignitaries. 3. Statesmen, +diplomatists, military and naval commanders. 4. Judges and eminent +practitioners of the civil or common law. 5. Sufferers for religious +or political opinions. 6. Persons distinguished for success in tuition. 7. +Eminent physicians and medical practitioners. 8. Artists, musicians, +and heralds. 9. Heads of colleges, professors, and principal officers of the +university. 10. Benefactors to the university and colleges, or to the +public at large.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Early and Middle Ages of England. By C. H. Pearson, +M.A., Fellow of Oriel College, Oxford, and Professor of Modern History, +King’s College, London. 8vo. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Choice Notes from “Notes and Queries,” by the Editor. Fcap. +8vo. 5<i>s.</i> each.</p> + +<div class='blurb'> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'><span class='sc'>Vol. I.—History.</span></div> + <div class='line'><span class='sc'>Vol. II.—Folk Lore.</span></div> + </div> + </div> +</div> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Master Wace’s Chronicle of the Conquest of England. Translated +from the Norman by Sir Alexander Malet, Bart., H.B.M. Plenipotentiary, +Frankfort. With Photograph Illustrations of the Bayeaux +Tapestry. Medium 4to. Half-morocco, Roxburgh, 2<i>l.</i> 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Prince Consort’s Addresses on Different Public Occasions. +Beautifully printed by Whittingham. 4to. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Life and Books; or, Records of Thought and Reading. By J. F. +Boyes, M.A. Fcap. 8vo. 5<i>s.</i>; calf, 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Life’s Problems. By Sir Rutherford Alcock, K.C.B. <i>Second +Edition</i>, revised and enlarged. Fcap. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Parliamentary Short-Hand (Official System). By Thompson +Cooper. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>This is the system <i>universally practised by the Government Official Reporters</i>. +It has many advantages over the system ordinarily adopted, +and has hitherto been inaccessible, except in a high-priced volume.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>English Retraced; or, Remarks, Critical and Philological, founded +on a Comparison of the Breeches Bible with the English of the present +day. Crown 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Pleasures of Literature. By R. Aris Willmott, M.A. <i>Fifth +Edition</i>, enlarged. Fcap. 8vo. 5<i>s.</i> Morocco, 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Hints and Helps for Youths leaving School. By the Rev. J. S. +Gilderdale, M.A. Fcap. 8vo. 5<i>s.</i> Calf, 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Hints for Pedestrians, Practical and Medical. By G. C. Watson, +M.D. <i>Third Edition, enlarged.</i> Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_16'>16</span> +<div class='clear'> + +</div> +<p class='c021'>Hints to Maid Servants in Small Households, on Manners, Dress, +and Duties. By Mrs. Motherly. Fcap. 8vo. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Wife’s Home Duties; containing Hints to inexperienced +Housekeepers. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Geology in the Garden: or, The Fossils in the Flint Pebbles. +With 106 Illustrations. By the Rev. Henry Eley, M.A. Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>British Beetles. Transferred in 259 plates from Curtis’s “British +Entomology;” with Descriptions by E. W. Janson, Esq., Secretary of +the Entomological Society. 4to. 18<i>s.</i> Coloured, 1<i>l.</i> 11<i>s.</i> 6<i>d.</i><span class="float-ad">[<i>Ready.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Halcyon: or Rod-Fishing with Fly, Minnow, and Worm. To +which is added a short and easy method of dressing Flies, with a description +of the materials used. By Henry Wade, Honorary Secretary to the +Wear Valley Angling Association. With 8 Coloured Plates, containing +117 Specimens of natural and artificial Flies, Materials, &c., and 4 Plates +illustrating Fishes, Baiting, &c. Cr. 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Handy Book of the Chemistry of Soils: Explanatory of their +Composition, and the Influence of Manures in ameliorating them, with +Outlines of the various Processes of Agricultural Analysis. By John +Scoffern, M.B. Crown 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Flax and its Products in Ireland. By William Charley, J. P., +Juror and Reporter Class XIV, Great Exhibition 1851; also appointed +in 1862 for Class XIX. With a Frontispiece. Crown 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Odes and Carmen Sæculare of Horace. Translated into +English Verse by John Conington, M.A., Corpus Professor of Latin in +the University of Oxford. <i>Second Edition.</i> Fcap. 8vo. Roxburgh binding. +5<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'><i>SERMONS.</i></span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-p.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">P</span><span class="drop-uppercase">arish Sermons</span>. By the Rev. M. F. Sadler, M.A., +Vicar of Bridgwater. Author of “The Second Adam and the +New Birth.” Fcap. 8vo. Vol. I, Advent to Trinity; Vol. II, +Trinity to Advent. 7<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>Twenty-four Sermons on Christian Doctrine and Practice, and +on the Church, By C. J. Blomfield, D.D., late Lord Bishop of London. +(<i>Hitherto unpublished.</i>) 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>King’s College Sermons. By the Rev. E. H. Plumptre, M.A., +Divinity Professor. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons preached in Westminster. By the Rev. C. F. Secretan, +M.A., Incumbent of Holy Trinity, Vauxhall-Bridge Road. Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons. By the Rev. A. Gatty, D.D., Vicar of Ecclesfield. +12mo. 8<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Twenty Plain Sermons for Country Congregations and Family +Reading. By the Rev. A. Gatty, D.D., Vicar of Ecclesfield. Fcap. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons to a Country Congregation—Advent to Trinity. By the +Rev. Hastings Gordon, M.A. 12mo. 6<i>s.</i></p> + +<span class='pageno' id='Ad_Page_17'>17</span> +<div class='clear'> + +</div> +<p class='c021'>Sermons Suggested by the Miracles of our Lord and Saviour Jesus +Christ. By the Very Rev. Dean Hook. 2 vols. Fcap. 8vo. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Five Sermons Preached before the University of Oxford. By the +Very Rev. W. F. Hook, D.D., Dean of Chichester. <i>Third Edition.</i> 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Last Days of our Lord’s Ministry: a Course of Lectures on +the principal events of Passion Week. By Walter Farquhar Hook, D.D., +F.R.S., Dean of Chichester. <i>New Edition.</i> Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons, chiefly Practical. By the Rev. T. Nunns, M.A. Edited +by the Very Rev. W. F. Hook, D.D., Dean of Chichester. Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons on Popular Subjects, preached in the Collegiate Church, +Wolverhampton. By the Rev. Julius Lloyd, M.A. 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Prodigal Son. Sermons by W. R. Clark, M.A., Vicar of +Taunton, S. Mary Magdalene. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Redeemer: a Series of Sermons on Certain Aspects of the +Person and Work of our Lord Jesus Christ. By W. R. Clark, M.A., +Vicar of Taunton. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Fulness of the Manifestation of Jesus Christ; being a Course +of Epiphany Lectures. By Hilkiah Bedford Hall, B.C.L., Afternoon +Lecturer of the Parish Church, Halifax, Author of <a id='tn-authorized'></a>“A Companion to the +Authorized Version of the New Testament.” Fcap. 8vo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Parochial Sermons. By the Rev. D. G. Stacy, Vicar of Hornchurch, +Essex. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Plain Parochial Sermons. By the Rev. C. F. C. Pigott, B.A., +late Curate of St. Michael’s, Handsworth. Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Our Privileges, Responsibilities, and Trials. By the Rev. E. +Phillips, M.A. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons, Preached in the Parish Church of Godalming, Surrey, +by the Rev. E. J. Boyce, M.A., Vicar. <i>Second Edition.</i> Fcap. 8vo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Life in Christ. By the Rev. J. Llewellyn Davies, M.A., Rector +of Christ Church, Marylebone. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Church of England; its Constitution, Mission, and Trials. +By the Rt. Rev. Bishop Broughton. Edited, with a Prefatory Memoir, by +the Ven. Archdeacon Harrison. 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Plain Sermons, Addressed to a Country Congregation. By the +late E. Blencowe, M.A. 1st and 3rd Series, fcap. 8vo. 7<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>Missionary Sermons preached at Hagley. Fcap. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Sufficiency of Christ. Sermons preached during the Reading +Lenten Mission of 1860. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Westminster Abbey Sermons for the Working Classes. Fcap. +<i>Authorized Edition.</i> 1858. 2<i>s.</i>: 1859. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sermons preached at St. Paul’s Cathedral. <i>Authorized Edition.</i> +1859. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_18'>18</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-d.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">D</span><span class="drop-uppercase">aily</span> Readings for a Year, on the Life of Our Lord and +Saviour Jesus Christ. By the Rev. Peter Young, M.A. <i>Third +Edition</i>, improved. 2 vols. 8vo. 1<i>l.</i> 1<i>s.</i> Antique calf, +1<i>l.</i> 16<i>s.</i> Morocco, Hayday, 2<i>l.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Short Sunday Evening Readings, Selected and Abridged from +various Authors by the Dowager Countess of Cawdor. In large type. +8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Commentary on the Gospels for the Sundays and other Holy +Days of the Christian Year. By the Rev. W. Denton, A.M., Worcester +College, Oxford, and Incumbent of St. Bartholomew’s, Cripplegate. +3 vols. 8vo. 42<i>s.</i> Vol. I. Advent to Easter, 15<i>s.</i> Vol. II. Easter to the +Sixteenth Sunday after Trinity, 14<i>s.</i> Vol. III. Seventeenth Sunday +after Trinity to Advent, and other Holy Days, 13<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Commentary, Critical, Exegetical, and Doctrinal, on St. Paul’s +Epistle to the Galatians: with a revised Translation. By George John +Gwynne, A.B., Ex-Schol. T.C.D., Rector and Vicar of Wallstown, Diocese +of Cloyne. 8vo. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Second Adam, and the New Birth; or, the Doctrine of Baptism +as contained in Holy Scripture. <a id='tn-sadler'></a>By the Rev. M. F. Sadler, M.A., +Vicar of Bridgewater, Author of “The Sacrament of Responsibility.” +<i>Third Edition</i>, greatly enlarged. Fcap. 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Sacrament of Responsibility; or, Testimony of the Scripture +to the teaching of the Church on Holy Baptism, with especial reference to +the Cases of Infants, and Answers to Objections. <i>Sixth Edition.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Popular Illustrations of some Remarkable Events recorded in the +Old Testament. By the Rev. J. F. Dawson, LL.B., Rector of Toynton. +Post 8vo. 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Acts and Writings of the Apostles. By C. Pickering +Clarke, M.A. Post 8vo. Vol. I., with Map., 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Manual for Communion Classes and Communicant Meetings. +Addressed specially to the Parish Priests and Deacons of the Church of +England. By C. Pickering Clarke, M.A. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Memoir of a French New Testament, in which the Mass and +Purgatory are found in the Sacred Text; together with Bishop Kidder’s +“Reflections” on the same. By Henry Cotton, D.C.L., Archdeacon of +Cashel. <i>Second Edition, enlarged.</i> 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Spirit of the Hebrew Poetry. By Isaac Taylor, Esq., Author +of “The Natural History of Enthusiasm,” “Ultimate Civilization,” +&c. 8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Wisdom of the Son of David: an Exposition of the First +Nine Chapters of the Book of Proverbs. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Companion to the Authorized Version of the New Testament: +being Explanatory Notes, together with Explanatory Observations and +an Introduction. By the Rev. H. B. Hall, B.C.L. <a id='tn-cheaper'></a><i>Second and cheaper +Edition</i>, revised and enlarged. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_19'>19</span> +<div class='clear'> + +</div> +<p class='c021'>Readings on the Morning and Evening Prayer and the Litany. +By J. S. Blunt. <i>Third Edition.</i> Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Confirmation. By J. S. Blunt, Author of “Readings on the +Morning and Evening Prayer,” &c. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Life after Confirmation. By the same Author. 18mo. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A History of the Church of England from the Accession of +James II. to the Rise of the Bangorian Controversy in 1717. By the +Rev. T. Debary, M.A. 8vo. 14<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Treatise on Metaphysics in Connection with Revealed Religion. +By the Rev. J. H. MacMahon. 8vo. 14<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Aids to Pastoral Visitation, selected and arranged by the Rev. +H. B. Browning, M.A., Curate of St. George, Stamford. <i>Second Edition.</i> +Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Remarks on Certain Offices of the Church of England, popularly +termed the Occasional Services. By the Rev. W. J. Dampier. 12mo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Sympathy of Christ. Six Readings for the Sundays in Lent, +or for the Days of the Holy Week. By the Rev. W. J. Dampier, M.A., +Vicar of Coggeshall. <i>Second Edition.</i> 18mo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Reasons of Faith; or, the Order of the Christian Argument developed +and explained. By the Rev. G. S. Drew, M.A. Fcap. 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Charles and Josiah; or, Friendly Conversations between a Churchman +and a Quaker. Crown 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The English Churchman’s Signal. By the Writer of “A Plain +Word to the Wise in Heart.” Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Plain Word to the Wise in Heart on our Duties at Church, and +on our Prayer Book. <i>Fourth Edition.</i> Sewed, 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Book of Psalms (Prayer Book Version). With Short Headings +and Explanatory Notes. By the Rev. Ernest Hawkins, B.D., Prebendary +of St. Paul’s. <i>Second and cheaper Edition, revised and enlarged</i>. +Fcap. 8vo., cloth limp, red edges, 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Family Prayers:—containing Psalms, Lessons, and Prayers, for +every Morning and Evening in the Week. By the Rev. Ernest Hawkins, +B.D., Prebendary of St. Paul’s. <i>Eighth Edition.</i> Fcap. 8vo. 1<i>s.</i>; sewed, 9<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Household Prayers on Scriptural Subjects, for Four Weeks. +With Forms for various occasions. By a Member of the Church of England. +<i>Second Edition, enlarged.</i> 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Forms of Prayer adapted to each Day of the Week. For use +in Families or Households. By the Rev. John Jebb, D.D., 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_20'>20</span> +<div class='clear'> + +</div> +<p class='c021'>Walton’s Lives of Donne, Wotton, Hooker, Herbert, and Sanderson. +A New Edition, to which is now added a Memoir of Mr. Isaac +Walton, by William Dowling, Esq. of the Inner Temple, Barrister-at-Law. +With Illustrative Notes, numerous Portraits, and other Engravings, +Index, &c. Crown 8vo. 10<i>s.</i> 6<i>d.</i> Calf antique, 15<i>s.</i> Morocco, 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Life of Martin Luther. By H. Worsley, M.A., Rector of +Easton, Suffolk. 2 vols. 8vo. 1<i>l.</i> 4<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Papers on Preaching and Public Speaking. By a Wykehamist. +Fcap. 8vo. 5<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>This volume is an enlargement and extension, with corrections, of the +Papers which appeared in the “Guardian” in 1858-9.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Speaker at Home. Chapters on Public Speaking and Reading +aloud, by the Rev. J. J. Halcombe, M.A., and on the Physiology of Speech, +by W. H. Stone, M.A., M.B. <i>Second Edition.</i> Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Civilization considered as a Science in Relation to its Essence, its +Elements, and its End. By George Harris, F.S.A., of the Middle Temple, +Barrister at Law, Author of “The Life of Lord Chancellor Hardwicke.” +8vo. 12<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Church Hymnal, (with or without Psalms.) 12mo. Large +Type, 1<i>s.</i> 6<i>d.</i> 18mo. 1<i>s.</i> 32mo. for Parochial Schools, 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>This book is now in use in every English Diocese, and is the <i>Authorized</i> +Book in some of the Colonial Dioceses.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Three Lectures on Archbishop Cranmer. By the Rev. C. J. +Burton, M.A., Chancellor of Carlisle. 12mo. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Church Reading: according to the method advised by Thomas +Sheridan. By the Rev. J. J. Halcombe, M.A. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Bishop of Worcester’s Primary Charge, August, 1862. +8vo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Offertory: the most excellent way of contributing Money +for Christian Purposes. By J. H. Markland, D.C.L., F.R.S., S.A. <i>Second +Edition, enlarged, 2d.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ Messrs. Bell and Daldy are agents for the Publications of the Society for the Propagation of the Gospel in Foreign Parts.</div> + </div> +</div> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>By the Rev. J. Erskine Clarke</span>, <i>of Derby</i>.</div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-h.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">H</span><span class="drop-uppercase">eart</span> Music, for the Hearth-Ring; the Street-Walk; +the Country Stroll; the Work-Hours; the Rest-Day; the +Trouble-Time. <i>New Edition.</i> 1<i>s.</i> paper; 1<i>s.</i> 6<i>d.</i> cloth limp.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Giant’s Arrows. A Book for the Children of +Working People. 16mo. 6<i>d.</i>; cloth, 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Children at Church. Twelve Simple Sermons. 2 vols. 1<i>s.</i> each; +1<i>s.</i> 6<i>d.</i> cloth, gilt; or together in 1 vol. cloth gilt, 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Plain Papers on the Social Economy of the People. Fcap. 8vo. +2<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>No. 1. Recreations of the People.—No. 2. Penny Banks.—No. 3. Labourers’ +Clubs and Working Men’s Refreshment Rooms.—No. 4. Children +of the People. 6<i>d.</i> each.</p> + +</div> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_21'>21</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>The Devotional Library.</span></div> + </div> +</div> + +<p class='c013'>Edited by the Very Rev. <span class='sc'>W. F. Hook</span>, D.D., Dean of Chichester.</p> + +<p class='c033'><span class='small'>A Series of Works, original or selected from well-known Church of England +Divines, published at the lowest price, and suitable, from +their practical character and cheapness, for +Parochial distribution.</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-s.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">S</span><span class="drop-uppercase">hort</span> Meditations for Every Day in the Year. 2 vols. +(1260 pages,) 32mo. Cloth, 5<i>s.</i>; calf, gilt edges, 9<i>s.</i> Calf +antique, 12<i>s.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div><i>In Separate Parts.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>ADVENT to LENT, cloth, 1<i>s.</i>; limp calf, gilt edges, 2<i>s.</i> 6<i>d.</i>; +LENT, cloth, 9<i>d.</i>; calf, 2<i>s.</i> 3<i>d.</i> EASTER, cloth, 9<i>d.</i>; calf, 2<i>s.</i> 3<i>d.</i> TRINITY, +Part I. 1<i>s.</i>; calf, 2<i>s.</i> 6<i>d.</i> TRINITY, Part II. 1<i>s.</i>; calf, 2<i>s.</i> 6<i>d.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ <i>Large Paper Edition</i>, 4 vols. fcap. 8vo. large type. 14<i>s.</i> Morocco, 30<i>s.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Christian taught by the Church’s Services. (490 pages), +royal 32mo. Cloth, 2<i>s.</i> 6<i>d.</i>; calf, gilt edges, 4<i>s.</i> 6<i>d.</i> Calf antique, 6<i>s.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div><i>In Separate Parts.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>ADVENT TO TRINITY, cloth, 1<i>s.</i>; limp calf, gilt edges, 2<i>s.</i> 6<i>d.</i> TRINITY, +cloth, 8<i>d.</i>; calf, 2<i>s.</i> 2<i>d.</i> MINOR FESTIVALS, 8<i>d.</i>; calf, 2<i>s.</i> 2<i>d.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ <i>Large Paper Edition</i>, Fcap. 8vo. large type. 6<i>s.</i> 6<i>d.</i> Calf antique, or morocco, 11<i>s.</i> 6<i>d.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>Devotions for Domestic Use. 32mo. cloth, 2<i>s.</i>; calf, gilt edges, +4<i>s.</i> Calf antique, 5<i>s.</i> 6<i>d.</i> Containing:—</p> + +<div class='blurb'> + +<div class='lg-container-l c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>The Common Prayer Book the best Companion in the Family as well</div> + <div class='line'>as in the Temple. 3<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Litanies for Domestic Use, 2<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Family Prayers; or, Morning and Evening Services for every Day in</div> + <div class='line'>the Week. By the Bishop of Salisbury; cloth, 6<i>d.</i>; calf, 2<i>s.</i></div> + </div> + <div class='group'> + <div class='line'>Bishop Hall’s Sacred Aphorisms. Selected and arranged with the</div> + <div class='line'>Texts to which they refer. By the Rev. R. B. Exton, M.A.; cloth, 9<i>d.</i></div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ These are arranged together as being suitable for Domestic Use; but they may be had separately at the prices affixed.</div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>Aids to a Holy Life. First Series. 32mo. Cloth, 1<i>s.</i> 6<i>d.</i>; calf, +gilt edges, 3<i>s.</i> 6<i>d.</i> Calf antique, 5<i>s.</i> Containing:—</p> + +<div class='blurb'> + +<div class='lg-container-l c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Prayers for the Young. By Dr. Hook, ½<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Pastoral Address to a Young Communicant. By Dr. Hook, ½<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Helps to Self-Examination. By W. F. Hook, D.D., ½<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Directions for Spending One Day Well. By Archbishop Synge, ½<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Rules for the Conduct of Human Life. By Archbishop Synge, 1<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>The Sum of Christianity, wherein a short and plain Account is given</div> + <div class='line'>of the Christian Faith; Christian’s Duty; Christian Prayer; Christian</div> + <div class='line'>Sacrament. By C. Ellis, 1<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Ejaculatory Prayer; or, the Duty of Offering up Short Prayers to God</div> + <div class='line'>on all Occasions. By R. Cook, 2<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Prayers for a Week. From J. Sorocold, 2<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Companion to the Altar; being Prayers, Thanksgivings, and Meditations.</div> + <div class='line'>Edited by Dr. Hook. Cloth, 6<i>d.</i></div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ Any of the above may be had for distribution at the prices affixed; they are arranged together as being suitable for Young Persons and for Private Devotion.</div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div><span class='pageno' id='Ad_Page_22'>22</span><i>The Devotional Library continued.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>Aids to a Holy Life. Second Series. 32mo. Cloth, 2<i>s.</i>; calf, +gilt edges, 4<i>s.</i> Calf antique, 5<i>s.</i> 6<i>d.</i> Containing:—</p> + +<div class='blurb'> + +<div class='lg-container-l c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Holy Thoughts and Prayers, arranged for Daily Use on each Day in</div> + <div class='line'>the Week, 3<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>The Retired Christian exercised on Divine Thoughts and Heavenly</div> + <div class='line'>Meditations. By Bishop Ken. 3<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Penitential Reflections for the Holy Season of Lent, and other Days of</div> + <div class='line'>Fasting and Abstinence during the Year. 6<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>The Crucified Jesus; a Devotional Commentary on the XXII and</div> + <div class='line'>XXIII Chapters of St. Luke. By A. Horneck, D.D. 3<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>Short Reflections for every Morning and Evening during the Week.</div> + <div class='line'>By N. Spinckes, 2<i>d.</i></div> + </div> + <div class='group'> + <div class='line'>The Sick Man Visited; or, Meditations and Prayers for the Sick Room.</div> + <div class='line'>By N. Spinckes, 3<i>d.</i></div> + </div> + </div> +</div> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ These are arranged together as being suitable for Private Meditation and Prayer: they may be had separately at the prices affixed.</div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>Helps to Daily Devotion. 32mo. Cloth, 8<i>d.</i> Containing:—</p> + +<div class='blurb'> + +<div class='lg-container-l c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>The Sum of Christianity, 1<i>d.</i></div> + <div class='line'>Directions for spending One Day Well, ½<i>d.</i></div> + <div class='line'>Helps to Self-Examination, ½<i>d.</i></div> + <div class='line'>Short Reflections for Morning and Evening, 2<i>d.</i></div> + <div class='line'>Prayers for a Week, 2<i>d.</i></div> + </div> + </div> +</div> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The History of our Lord and Saviour Jesus Christ; in Three +Parts, with suitable Meditations and Prayers. By W. Reading, M.A. +32mo. Cloth, 2<i>s.</i>; calf, gilt edges, 4<i>s.</i> Calf antique, 5<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Hall’s Sacred Aphorisms. Selected and arranged with the Texts +to which they refer, by the Rev. R. B. Exton, M.A. 32mo. cloth, 9<i>d.</i>; +limp calf, gilt edges, 2<i>s.</i> 3<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Devout Musings on the Book of Psalms. 2 vols. 32mo. Cloth, +5<i>s.</i>; calf, gilt edges, 9<i>s.</i>; calf antique, 12<i>s.</i> Or, in four parts, price 1<i>s.</i> +each; limp calf, gilt edges, 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Church Sunday School Hymn Book. 32mo. cloth, 8<i>d.</i>; calf, +gilt edges, 2<i>s.</i> 6<i>d.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ A <i>Large Paper Edition</i> for Prizes, &c. 1<i>s.</i> 6<i>d.</i>; calf, gilt edges, 3<i>s.</i> 6<i>d.</i></div> + </div> +</div> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-s.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">S</span><span class="drop-uppercase">hort</span> Meditations for Every Day in the Year. Edited +by the Very Rev. W. F. Hook, D.D. <i>New Edition.</i> 4 vols. +fcap. 8vo., large type, 14<i>s.</i>; morocco, 30<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Christian taught by the Church’s Services. Edited +by the Very Rev. W. F. Hook, D.D. <i>New Edition</i>, fcap. 8vo. large type. +6<i>s.</i> 6<i>d.</i> Antique calf, or morocco, 11<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Holy Thoughts and Prayers, arranged for Daily Use on each +Day of the Week, according to the stated Hours of Prayer. <i>Fifth Edition</i>, +with additions. 16mo. Cloth, red edges, 2<i>s.</i>; calf, gilt edges, 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Companion to the Altar. Being Prayers, Thanksgivings, and +Meditations, and the Office of the Holy Communion. Edited by the Very +Rev. W. F. Hook, D.D. <i>Second Edition.</i> Handsomely printed in red +and black. 32mo. Cloth, red edges, 2<i>s.</i> Morocco, 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Church Sunday School Hymn Book. Edited by W. F. +Hook, D.D. <i>Large paper.</i> Cloth, 1<i>s.</i> 6<i>d.</i>; calf, gilt edges, 3<i>s.</i> 6<i>d.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>⁂ For cheap editions of the above Five Books, see List of the Devotional Library.</div> + </div> +</div> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_23'>23</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='xlarge'>EDUCATIONAL BOOKS.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>Bibliotheca Classica.</span></div> + </div> +</div> + +<p class='c018'>A Series of Greek and Latin Authors. With English Notes. 8vo. Edited +by various Scholars, under the direction of <a id='tn-glong'></a>G. Long, Esq., M.A., Classical +Lecturer of Brighton College: and the late Rev. A. J. Macleane, M.A., +Head Master of King Edward’s School, Bath.</p> + +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">A</span><span class="drop-uppercase">eschylus</span>. By F. A. Paley, M.A. 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Cicero’s Orations. Edited by G. Long, M.A. 4 vols. +Vol. I. 16<i>s.</i>; Vol. II. 14<i>s</i>; Vol. III. 16<i>s.</i>; Vol. IV. 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'><a id='tn-preparing'></a>Demosthenes. By R. Whiston, M.A., Head Master of Rochester +Grammar School. Vol. I. 16<i>s.</i> Vol. II.<span class="float-ad">[<i>Preparing.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Euripides. By F. A. Paley, M.A. 3 vols. 16<i>s.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>Herodotus. By J. W. Blakesley, B.D., late Fellow and Tutor of +Trinity College, Cambridge. 2 vols. 32<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Hesiod. By F. A. Paley, M.A. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Homer. By F. A. Paley, M.A. Vol. I.<span class="float-ad">[<i>Preparing.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Horace. By A. J. Macleane, M.A. 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Juvenal and Persius. By A. J. Macleane, M.A. 14<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Plato. By W. H. Thompson, M.A. Vol. I.<span class="float-ad">[<i>Preparing.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Sophocles. By F. H. Blaydes, M.A. Vol. I. 18<i>s.</i> Vol. II.<span class="float-ad">[<i>Preparing.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Terence. By E. St. J. Parry, M.A., Balliol College, Oxford. 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Virgil. By J. Conington, M.A., Professor of Latin at Oxford. +Vol. I. containing the Bucolics and Georgics. 12<i>s.</i> Vol. II. containing +the Æneid, Books I. to VI. 14<i>s.</i> Vol. III.<span class="float-ad">[<i>Preparing.</i></span></p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>Grammar-School Classics.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div>A Series of Greek and Latin Authors. Newly Edited, with English Notes for Schools. Fcap. 8vo.</div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-j.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">J</span>. <span class="drop-uppercase">Caesaris</span> Commentarii de Bello Gallico. <i>Second +Edition.</i> By G. Long, M.A. 5<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Caesar de Bello Gallico, Books 1 to 3. With English +Notes for Junior Classes. By G. Long, M.A. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>M. Tullii Ciceronis Cato Major, Sive de Senectute, Laelius, Sive +de Amicitia, et Epistolae Selectae. By G. Long, M.A. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Quinti Horatii Flacci Opera Omnia. By A. J. Macleane, 6<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Juvenalis Satirae XVI. By H. Prior, M.A. (Expurgated +Edition.) 4<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_24'>24</span> +<div class='clear'> + +</div> +<p class='c021'>P. Ovidii Nasonis Fastorum Libri Sex. By F. A. Paley. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>C. Sallustii Crispi Catilina et Jugurtha. By G. Long, M.A. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Taciti Germania et Agricola. By P. Frost, M.A. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Xenophontis Anabasis, with Introduction; Geographical and +other Notes, Itinerary, and Three Maps compiled from recent surveys. +By J. F. Macmichael, B.A. <i>New Edition.</i> 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Xenophontis Cyropaedia. By G. M. Gorham, M.A., late Fellow +of Trinity College, Cambridge. 6<i>s.</i></p> + +<div class='nf-center-c1'> +<div class='nf-center c031'> + <div><i>Uniform with the above.</i></div> + </div> +</div> + +<div class='clear'> + +</div> +<p class='c021'>The New Testament in Greek. With English Notes and Prefaces +by J. F. Macmichael, B.A. 730 pages. 7<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>Cambridge Greek and Latin Texts.</span></div> + </div> +</div> + +<p class='c030'>This series is intended to supply for the use of Schools and Students cheap +and accurate editions of the Classics, which shall be superior in mechanical +execution to the small German editions now current in this country, and more +convenient in form.</p> + +<p class='c030'>The texts of the <i>Bibliotheca Classica</i> and <i>Grammar School Classics</i>, so far +as they have been published, will be adopted. These editions have taken +their place amongst scholars as valuable contributions to the Classical Literature +of this country, and are admitted to be good examples of the judicious +and practical nature of English scholarship; and as the editors have formed +their texts from a careful examination of the best editions extant, it is believed +that no texts better for general use can be found.</p> + +<p class='c030'>The volumes will be well printed at the Cambridge University Press, in a +16mo. size, and will be issued at short intervals.</p> + +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">A</span><span class="drop-uppercase">eschylus</span>, ex novissima recensione F. A. Paley. 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Cæsar do Bello Gallico, recensuit G. Long, A.M. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Cicero de Senectute et de Amicitia et Epistolæ Selectæ, +recensuit G. Long, A.M. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Euripides, ex recensione F. A. Paley, A.M. 3 vols. 3<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>Herodotus, recensuit J. W. Blakesley, S.T.B. 2 vols. 7<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Horatius, ex recensione A. J. Macleane, A.M. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Lucretius, recognovit H. A. J. Munro, A.M. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sallusti Crispi Catilina et Jugurtha, recognovit G. Long, A.M. +1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Thucydides, recensuit J. G. Donaldson, S.T.P. 2 vols. 7<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Vergilius, ex recensione J. Conington, A.M. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Xenophontis Anabasis recensuit J. F. Macmichael, A.B. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Novum Testamentum Graecum Textus Stephanici, 1550. Accedunt +variae Lectiones editionum Bezae, Elzeviri, Lachmanni, Tischendorfii, +Tregellesii, curante F. H. Scrivener, A.M. 4<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>Also, on 4to. writing paper, for MSS. notes. Half bound, gilt top, 12<i>s.</i></p> + +</div> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_25'>25</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>Foreign Classics.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div>With English Notes for Schools. Uniform with the <span class='sc'>Grammar School Classics</span>. Fcap. 8vo.</div> + </div> +</div> + +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-g.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">G</span><span class="drop-uppercase">erman</span> Ballads from Uhland, Goethe, and Schiller, +with Introductions to each Poem, copious Explanatory Notes, +and Biographical Notices. Edited by C. L. Bielefeld. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Schiller’s Wallenstein, complete Text. Edited by Dr. +A. Buchheim. 6<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Picciola, by X. B. Saintine. Edited by Dr. Dubuc. <i>Second +Edition, revised.</i> 3<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>This interesting story has been selected with the intention of providing +for schools and young persons a good specimen of contemporary French +literature, free from the solecisms which are frequently met with in writers +of a past age.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Select Fables of La Fontaine. <i>Third Edition, revised.</i> Edited by +F. Gasc, M.A. 3<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>“None need now be afraid to introduce this eminently French author, +either on account of the difficulty of translating him, or the occasional +licence of thought and expression in which he indulges. The renderings +of idiomatic passages are unusually good, and the purity of English perfect.”—<i>Athenæum.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>Histoire de Charles XII. par Voltaire. Edited by L. Direy. +<i>Third Edition, revised.</i> 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Aventures de Télémaque, par Fénélon. Edited by C. J. Delille. +<i>Second Edition, revised.</i> 4<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>Classical Tables. 8vo.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-n.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">N</span><span class="drop-uppercase">otabilia</span> Quædam: or, the principal tenses of such +Irregular Greek Verbs and such elementary Greek, Latin, +and French Constructions as are of constant occurrence. 1<i>s</i>. 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Greek Accidence. By the Rev. P. Frost, M.A. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Latin Accidence. By the Rev. P. Frost, M.A. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Latin Versification. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Principles of Latin Syntax. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Homeric Dialect: its leading Forms and Peculiarities. By J. S. +Baird, T.C.D. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Catalogue of Greek Verbs, Irregular and Defective; their +leading formations, tenses in use, and dialectic inflexions; with a copious +Appendix, containing Paradigms for conjugation, Rules for formation of +tenses, &c. &c. By J. S. Baird, T.C.D. <i>New Edition, revised.</i> 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Richmond Rules to form the Ovidian Distich, &c. By J. Tate, +M.A. <i>New Edition, revised.</i> 1<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-a.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">A</span><span class="drop-uppercase">n</span> Atlas of Classical Geography, containing 24 Maps; +constructed by W. Hughes, and edited by G. Long. <i>New Edition</i>, +with coloured outlines, and an Index of Places. 12<i>s</i>. 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Grammar School Atlas of Classical Geography. The +Maps constructed by W. Hughes, and edited by G. Long. Imp. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>First Classical Maps, with Chronological Tables of Grecian and +Roman History, Tables of Jewish Chronology, and a Map of Palestine. +By the Rev. J. Tate, M.A. <i>Third Edition.</i> Imp. 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_26'>26</span> +<div class='clear'> + +</div> +<p class='c021'>Analecta Graeca Minora. With Introductory Sentences, English +Notes, and a Dictionary. By the Rev. P. Frost, late Fellow of St. John’s +College, Cambridge. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Materials for Greek Prose Composition. By the Rev. P. Frost, +M.A. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i> Key, 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Materials for Latin Prose Composition. By the Rev. P. Frost, +M.A. <i>Third Edition.</i> 12mo. 2<i>s.</i> 6<i>d.</i> Key, 4<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Choephorae of Æschylus and Scholia. Revised and interpreted +by J. F. Davies, Esq., B.A., Trin. Coll., Dublin. 8vo. 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Auxilia Graeca: containing Forms of Parsing and Greek Trees, +the Greek Prepositions, Rules of Accentuation, Greek Idioms, &c. &c. +By the Rev. H. Fowler, M.A. 12mo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Homer and English Metre. An Essay on the Translating of the +Iliad and Odyssey. With a Literal Rendering in the Spenserian +Stanza of the First Book of the Odyssey, and Specimens of the Iliad. +By William G. T. Barter, Esq., Author of “A Literal Translation, in +Spenserian Stanza, of the Iliad of Homer.” Crown 8vo. 6<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Latin Grammar. By T. Hewitt Key, M.A., F.R.S., Professor +of Comparative Grammar, and Head Master of the Junior School, in +University College. <i>Third Edition, revised.</i> Post 8vo. 8<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Short Latin Grammar, for Schools. By T. H. Key, M.A., +F.R.S. <i>Third Edition.</i> Post 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Latin Accidence. Consisting of the Forms, and intended to prepare +boys for Key’s Short Latin Grammar. Post 8vo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A First Cheque Book for Latin Verse Makers. By the Rev. +F. Gretton, Stamford Free Grammar School. 1<i>s.</i> 6<i>d.</i> Key, 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Reddenda; or Passages with Parallel Hints for translation into +Latin Prose and Verse. By the Rev. F. E. Gretton. Crown 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Rules for the Genders of Latin Nouns, and the Perfects and Supines +of Verbs; with hints on Construing, &c. By H. Haines, M.A. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Latin Prose Lessons. By the Rev. A. Church, M.A., one of the +Masters of Merchant Taylors’ School. Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Works of Virgil, closely rendered into English Rhythm, and +illustrated from British Poets of the 16th, 17th, and 18th Centuries. By +the Rev. R. C. Singleton, M.A. 2 vols. post 8vo. 18<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Quintus Horatius Flaccus. Illustrated with 50 Engravings from +the Antique. Fcap. 8vo. 5<i>s.</i> Morocco, 9<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Selections from Ovid: Amores, Tristia, Heroides, Metamorphoses. +With English Notes, by the Rev. A. J. Macleane, M.A. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Sabrinae Corolla in hortulis Regiae Scholae Salopiensis contexuerunt +tres viri floribus legendis. <i>Editio Altera.</i> 8vo. 12<i>s.</i> Morocco, 21<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Dual Arithmetic, a New Art, by Oliver Byrne, formerly Professor +of Mathematics at the late College of Civil Engineers, Putney. +8vo. 10<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Graduated Series of Exercises in Elementary Algebra, with an +Appendix containing Miscellaneous Examples. By the Rev. G. F. Wright, +M.A., Mathematical Master at Wellington College. Crown 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Elements of Euclid. Books I.-VI. XI. 1-21; XII. 1, 2; +a new text, based on that of Simson, with Exercises. Edited by H. J. +Hose, late Mathematical Master of Westminster School. Fcap. 4<i>s.</i> 6<i>d.</i></p> + +<span class='pageno' id='Ad_Page_27'>27</span> +<div class='clear'> + +</div> +<p class='c021'>A Graduated Series of Exercises on the Elements of Euclid: +Books I.-VI.; XI. 1-21; XII. 1, 2. Selected and arranged by Henry +J. Hose, M.A. 12mo. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Enunciations and Figures belonging to the Propositions in +the First Six and part of the Eleventh Books of Euclid’s Elements, +(usually read in the Universities,) prepared for Students in Geometry. +By the Rev. J. Brasse, D.D. <i>New Edition.</i> Fcap. 8vo. 1<i>s.</i> On cards, +in case, 5<i>s.</i> 6<i>d.</i>; without the Figures, 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Compendium of Facts and Formulæ in Pure and Mixed +Mathematics. For the use of Mathematical Students. By G. R. +Smalley, B.A., F.R.A.S. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Table of Anti-Logarithms; containing to seven places of decimals, +natural numbers, answering to all Logarithms from ·00001 to ·99999; +and an improved table of Gauss’ Logarithms, by which may be found the +Logarithm of the sum or difference of two quantities. With an Appendix, +containing a Table of Annuities for three Joint Lives at 3 per cent. Carlisle. +By H. E. Filipowski. <i>Third Edition.</i> 8vo. 15<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Handbook of the Slide Rule: showing its applicability to Arithmetic, +including Interest and Annuities; Mensuration, including Land +Surveying. With numerous Examples and useful Tables. By W. H. +Bayley, H. M. East India Civil Service. 12mo. 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Mechanics of Construction; including the Theories on the +Strength of Materials, Roofs, Arches, and Suspension Bridges. With +numerous Examples. By Stephen Fenwick, Esq., of the Royal Military +Academy, Woolwich. 8vo. 12<i>s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>A New French Course, by Mons. F. E. A. Gasc, M.A.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-f.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">F</span><span class="drop-uppercase">irst</span> French Book; being a New, Practical, and Easy +Method of Learning the Elements of the French Language. +<i>New Edition.</i> Fcap. 8vo. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>French Fables, for Beginners, in Prose, with an Index +of all the words at the end of the work. <i>New Edition.</i> Fcap. 8vo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Second French Book; being a Grammar and Exercise Book, on +a new and practical plan, and intended as a sequel to the “First French +Book.” <i>New Edition.</i> Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Key to the First and Second French Books. Fcap. 8vo. 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Histoires Amusantes et Instructives; or, Selections of Complete +Stories from the best French Modern Authors who have written for the +Young. With English Notes. <i>New Edition.</i> Fcap. 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Practical Guide to Modern French Conversation: containing:—I. +The most current and useful Phrases in Every-Day Talk; II. Everybody’s +Necessary Questions and Answers in Travel-Talk. <i>New Edition.</i> +Fcap. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>French Poetry for the Young. With English Notes, and preceded +by a few plain Rules of French Prosody. Fcap. 8vo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Materials for French Prose Composition; or, Selections from the +best English Prose Writers. With copious Foot Notes, and Hints for +Idiomatic Renderings. <i>New Edition.</i> Fcap. 8vo. 4<i>s.</i> 6<i>d.</i> Key, 6<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Prosateurs Contemporains: or Selections in Prose, chiefly from +contemporary French Literature. With English Notes. Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Le Petit Compagnon: a French Talk-book for Little Children. +With 52 Illustrations. 16mo. 2<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_28'>28</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">T</span><span class="drop-uppercase">he</span> French Drama; being a Selection of the best Tragedies +and Comedies of Molière, Racine, P. Corneille, T. +Corneille, and Voltaire. With Arguments in English at the +head of each scene, and Notes, Critical and Explanatory, by +A. Gombert. 18mo. Sold separately at 1<i>s.</i> each. Half-bound, +1<i>s.</i> 6<i>d.</i> each.</p> + +<div class='blurb'> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>COMEDIES BY MOLIERE.</div> + </div> +</div> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Le Misanthrope.</div> + <div class='line'>L’Avare.</div> + <div class='line'>Le Bourgeois Gentilhomme.</div> + <div class='line'>Le Tartuffe.</div> + <div class='line'>Le Malade Imaginaire.</div> + <div class='line'>Les Femmes Savantes.</div> + <div class='line'>Les Fourberies de Scapin.</div> + <div class='line'>Les Précieuses Ridicules.</div> + <div class='line'>L’Ecole des Femmes.</div> + <div class='line'>L’Ecole des Maris.</div> + <div class='line'>Le Médecin Malgré Lui.</div> + <div class='line'>M. de Pouceaugnac.</div> + <div class='line'>Amphitryon.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>TRAGEDIES, &c. BY RACINE.</div> + </div> +</div> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>La Thébaïde, ou les Frères Ennemis.</div> + <div class='line'>Alexandre le Grand.</div> + <div class='line'>Andromaque.</div> + <div class='line'>Les Plaideurs, (<i>Com.</i>)</div> + <div class='line'>Britannicus.</div> + <div class='line'>Bérénice.</div> + <div class='line'>Bajazet.</div> + <div class='line'>Mithridate.</div> + <div class='line'>Iphigénie.</div> + <div class='line'>Phédre.</div> + <div class='line'>Esther.</div> + <div class='line'>Athalie.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>TRAGEDIES, &c. BY P. CORNEILLE.</div> + </div> +</div> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Le Cid.</div> + <div class='line'>Horace.</div> + <div class='line'>Cinna.</div> + <div class='line'>Polyeucte.</div> + <div class='line'>Pompée.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>BY T. CORNEILLE.</div> + </div> +</div> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Ariane.</div> + </div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c023'> + <div>PLAYS BY VOLTAIRE.</div> + </div> +</div> + +<div class='lg-container-b c023'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Brutus.</div> + <div class='line'>Zaire.</div> + <div class='line'>Alzire.</div> + <div class='line'>Orestes.</div> + <div class='line'>Le Fanatisme.</div> + <div class='line'>Mérope.</div> + <div class='line'>La Mort de César.</div> + <div class='line'>Semiramis.</div> + </div> + </div> +</div> + +</div> + +<hr class='c026'> +<p class='c034'></p> + +<div class='clear'> + +</div> +<p class='c021'>Le Nouveau Trésor: or, French Student’s Companion: designed +to facilitate the Translation of English into French at Sight. <i>Fifteenth +Edition</i>, with Additions. By M. E*** S*****. 12mo. Roan, 3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Test-Book for Students: Examination Papers for Students +preparing for the Universities or for Appointments in the Army and +Civil Service, and arranged for General Use in Schools. By the Rev. +Thomas Stantial, M.A., Head Master of the Grammar School, Bridgwater. +Part I.—History and Geography. 2<i>s.</i> 6<i>d.</i> Part II.—Language +and Literature. 2<i>s.</i> 6<i>d.</i> Part III.—Mathematical Science. 2<i>s.</i> 6<i>d.</i> Part +IV.—Physical Science. 1<i>s.</i> 6<i>d.</i> Or in 1 vol., Crown 8vo., 7<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Tables of Comparative Chronology, illustrating the division of +Universal History into Ancient, Mediæval, and Modern History; and +containing a System of Combinations, distinguished by a particular type, +to assist the Memory in retaining Dates. By W. E. Bickmore and the +Rev. C. Bickmore, M.A. <i>Third Edition.</i> 4to. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Course of Historical and Chronological Instruction. By W. +E. Bickmore. 2 Parts. 12mo. 3<i>s.</i> 6<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>A Practical Synopsis of English History: or, A General Summary +of Dates and Events for the use of Schools, Families, and Candidates +for Public Examinations. By Arthur Bowes. <i>Fourth Edition.</i> 8vo. 2<i>s.</i></p> + +<span class='pageno' id='Ad_Page_29'>29</span> +<div class='clear'> + +</div> +<p class='c021'>Under Government: an Official Key to the Civil Service, and +Guide for Candidates seeking Appointments under the Crown. By J. C. +Parkinson, Inland Revenue, Somerset House. <i>Third Edition.</i> Cr. 8vo. +3<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Government Examinations; being a Companion to “Under +Government,” and a Guide to the Civil Service Examinations. By J. C. +Parkinson. Crown 8vo. 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Student’s Text-Book of English and General History, from +<span class='fss'>B. C.</span> 100 to the present time. With Genealogical Tables, and a Sketch +of the English Constitution. By D. Beale. <i>Sixth Edition.</i> Post 8vo. +Sewed, 2<i>s.</i> Cloth, 2<i>s.</i> 6<i>d.</i></p> + +<div class='blurb'> + +<p class='c022'>“This is very much in advance of most works we have seen devoted to +similar purposes. We can award very high praise to a volume which +may prove invaluable to teachers and taught.”—<i>Athenæum.</i></p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Elements of the English Language for Schools and Colleges. +By Ernest Adams, Ph. D. University College School. <i>New Edition, enlarged, +and improved.</i> Crown 8vo. 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The Geographical Text-Book; a Practical Geography, calculated +to facilitate the study of that useful science, by a constant reference to +the Blank Maps. By M. E... S..... <i>Second Edition.</i> 12mo. 2<i>s.</i></p> + +<div class='blurb'> + +<p class='c022'>II. The Blank Maps done up separately. 4to. 2<i>s.</i> coloured.</p> + +</div> + +<div class='clear'> + +</div> +<p class='c021'>The Manual of Book-keeping; by an Experienced Clerk. 12mo. +<i>Eighth Edition.</i> 4<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Double Entry Elucidated. By B. W. Foster. <i>Eighth Edition.</i> +4to. 8<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Penmanship, Theoretical and Practical, Illustrated and Explained. +By B. F. Foster. 12mo. <i>New Edition.</i> 2<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Goldsmith’s (J.) Copy Books: five sorts, large, text, round, small, +and mixed. Post 4to. on fine paper. 6<i>s.</i> per dozen.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Young Ladies’ School Record: or, Register of Studies and +conduct. 12mo. 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Welchman on the Thirty-nine Articles of the Church of England, +with Scriptural Proofs, &c. 18mo. 2<i>s.</i> or interleaved for Students, 3<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Bishop Jewel’s Apology for the Church of England, with his +famous Epistle on the Council of Trent, and a Memoir. 32mo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>A Short Explanation of the Epistles and Gospels of the Christian +Year, with Questions for Schools. Royal 32mo. 2<i>s.</i> 6<i>d.</i>; calf, 4<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Manual of Astronomy: a Popular Treatise on Descriptive, Physical, +and Practical Astronomy. By John Drew, F.R.A.S. <i>Second Edition.</i> +Fcap. 8vo. 5<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>The First Book of Botany. Being a Plain and Brief Introduction +to that Science for Schools and Young Persons. By Mrs. Loudon. Illustrated +with 36 Wood Engravings. <i>Second Edition.</i> 18mo. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>English Poetry for Classical Schools; or, Florilegium Poeticum +Anglicanum. 12mo. 1<i>s.</i> 6<i>d.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_30'>30</span></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Bell and Daldy’s Illustrated School Books.</span></div> + </div> +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div>Royal 16mo.</div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-s.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">S</span><span class="drop-uppercase">chool Primer</span>. 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>School Reader.<span class="float-ad">[<i>Shortly.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>Poetry Book for Schools. 1<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Old Testament History, in Simple Language. By the Rev. J. G. +Wood, M.A. 1<i>s.</i><span class="float-ad">[<i>Ready.</i></span></p> + +<div class='clear'> + +</div> +<p class='c021'>New Testament History, in Simple Language. By the Rev. J. +G. Wood, M.A.<span class="float-ad">[<i>Shortly.</i></span></p> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='sc'>Course of Instruction for the Young, by Horace Grant.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-e.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">E</span><span class="drop-uppercase">xercises</span> for the Improvement of the Senses; for +Young Children. 18mo. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Geography for Young Children. <i>New Edition.</i> 18mo. 2<i>s.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Arithmetic for Young Children. <i>New Edition.</i> 18mo. 1<i>s.</i> 6<i>d.</i></p> + +<div class='clear'> + +</div> +<p class='c021'>Arithmetic. Second Stage. <i>New Edition.</i> 18mo. 3<i>s.</i></p> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>PERIODICALS.</span></div> + </div> +</div> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">T</span><span class="drop-uppercase">he</span> Parish Magazine. Edited by J. Erskine Clarke, +M.A., Derby. Monthly, price 1<i>d.</i> Volumes for 1859, 1860, 1861, +and 1862, 1<i>s.</i> 6<i>d.</i> and 2<i>s.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Mission Field: a Monthly Record of the Proceedings +of the Society for the Propagation of the Gospel. Vols. II. to +VII. post 8vo. 3<i>s.</i> each. (Vol. I. is out of print.) Continued in Numbers, +2<i>d.</i> each.</p> + +<div class='clear'> + +</div> +<p class='c021'>The Gospel Missionary. Published for the Society for the Propagation +of the Gospel in Foreign Parts, Monthly at ½<i>d.</i> Vols. II. to +XII. in cloth, 1<i>s.</i> each. (Vol. I. is out of print.)</p> + +<div class='clear'> + +</div> +<p class='c021'>Missions to the Heathen; being Records of the Progress of the +Efforts made by the Society for the Propagation of the Gospel in Foreign +Parts for the Conversion of the Heathen. Published occasionally in a +cheap form for distribution, at prices varying from 1<i>d.</i> to 1<i>s.</i> 6<i>d.</i> each. +Nos. 1 to 43 are already published.</p> + +<div class='clear'> + +</div> +<p class='c021'>Church in the Colonies, consisting chiefly of Journals by the +Colonial Bishops of their Progress and Special Visitations. Published +occasionally at prices varying from 2<i>d.</i> to 1<i>s.</i> 6<i>d.</i> each. Nos. 1 to 37 are +already published.</p> + +</div> + +<hr class='c026'> +<p class='c027'><span class='pageno' id='Ad_Page_31'>31</span></p> + +<div class='booklist'> + +<div class='clear'> + +</div> +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-c.jpg" class="drop-cap" alt=""></div> + +<p class='c022'><span class="drop-hide">C</span>LARKE’S COMMERCIAL COPY-BOOKS. +Price 4<i>d.</i> A liberal allowance to Schools and +Colleges.</p> + +<div class='blurb'> + +<p class='c029'>The <span class='sc'>First Copy-Book</span> contains <i>elementary turns</i>, with a broad +mark like a T, which divides a well-formed turn into two equal parts. This +exercise enables the learner to judge of <i>form, distance, and proportion</i>.</p> + +<p class='c029'>The <span class='sc'>Second</span> contains <i>large-hand letters</i>, and the means by which such +letters may be properly combined; the joinings in writing being probably as +difficult to learn as the form of each character. This book also gives the whole +alphabet, not in separate letters, but rather as one <i>word</i>; and, at the end of +the alphabet, the difficult letters are repeated so as to render the writing of the +pupil more thorough and <i>uniform</i>.</p> + +<p class='c029'>The <span class='sc'>Third</span> contains additional <i>large-hand practice</i>.</p> + +<p class='c029'>The <span class='sc'>Fourth</span> contains <i>large-hand words</i>, commencing with <i>unflourished</i> +capitals; and the words being short, the capitals in question receive the +attention they demand. As Large, and Extra Large-text, to which the fingers +of the learner are not equal, have been dispensed with in this series, the +popular objection of having <i>too many Copy-books</i> for the pupil to drudge +through, is now fairly met. When letters are very large, the scholar cannot +compass them without stopping to change the position of his hand, which +<i>destroys</i> the <i>freedom</i> which such writing is intended to promote.</p> + +<p class='c029'>The <span class='sc'>Fifth</span> contains the essentials of a useful kind of <i>small-hand</i>. There +are first, as in large-hand, five easy letters of the alphabet, forming four +copies, which of course are repeated. Then follows the remainder of the +alphabet, with the difficult characters alluded to. The letters in this hand, +especially the <i>a</i>, <i>c</i>, <i>d</i>, <i>g</i>, <i>o</i>, and <i>q</i>, are so formed that when the learner will +have to correspond, his writing will not appear stiff. The copies in this book +are not <i>mere Large-hand reduced</i>.</p> + +<p class='c029'>The <span class='sc'>Sixth</span> contains <i>small-hand copies</i>, with instructions as to the manner +in which the pupil should hold his pen, so that when he leaves school he may +not merely have some facility in copying, but really possess the information +on the subject of writing which he may need at any future time.</p> + +<p class='c029'>The <span class='sc'>Seventh</span> contains the foundation for a style of <i>small-hand</i>, adapted to +females, <i>moderately pointed</i>.</p> + +<p class='c029'>The <span class='sc'>Eighth</span> contains copies for females; and the holding of the pen is, of +course, the subject to which they specially relate.</p> + +<p class='c035'><i>This Series is specially adapted for those who are preparing for a commercial +life. It is generally found when a boy leaves school that his writing is of such +a character that it is some months before it is available for book-keeping or +accounts. The special object of this Series of Copy-Books is to form his writing +in such a style that he may be put to the work of a counting-house at once. By +following this course from the first the writing is kept free and legible, whilst it +avoids unnecessary flourishing.</i></p> + +<p class='c029'><i>Specimens of hand-writing after a short course may be seen on application to +the Publishers.</i></p> + +</div> + +</div> + +<hr class='c026'> +<p class='c027'></p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><span class='large'>BELL AND DALDY’S</span></div> + </div> +</div> + +<div class='centerbox'> + +<div class='cbox'> + +<div class="pv"><img src="images/drop-pp.jpg" class="pv" alt=""></div> +<div class="pv"><span class='xlarge'><span class="drop-hide">P</span>OCKET </span></div> +<div class="pv spaced"><img src="images/drop-vv.jpg" class="pv" alt=""></div> +<div class="pv"><span class='xlarge'><span class="drop-hide">V</span>OLUMES.</span></div> + +</div> + +</div> +<div class='clear'> + +</div> + +<div class='nf-center-c1'> +<div class='nf-center c016'> + <div><span class='large'>A SERIES OF SELECT WORKS OF</span></div> + <div><span class='large'>FAVOURITE AUTHORS.</span></div> + </div> +</div> + +<div class="drop-cap x-ebookmaker-drop"><img src="images/drop-t.jpg" class="drop-cap" alt=""></div> + +<p class='c013'><span class="drop-hide">T</span><span class="drop-uppercase">he</span> intention of the Publishers is to produce a Series of +Volumes adapted for general reading, moderate in price, +compact and elegant in form, and executed in a style +fitting them to be permanently preserved.</p> + +<p class='c030'>They do not profess to compete with the so-called cheap volumes. +They believe that a cheapness which is attained by the use of +inferior type and paper, and absence of editorial care, and which +results in volumes that no one cares to keep, is a false cheapness. +They desire rather to produce books superior in quality, and +relatively as cheap.</p> + +<p class='c030'>Each volume will be carefully revised by a competent editor, +and printed at the Chiswick Press, on fine paper, with new type, +and ornaments and initial letters specially designed for the series.</p> + +<p class='c030'>The <i>Pocket Volumes</i> will include all classes of Literature, both +copyright and non-copyright;—Biography, History, Voyages, +Travels, Poetry, sacred and secular, Books of Adventure and +Fiction. They will include Translations of Foreign Books, and +also such American Literature as may be considered worthy of +adoption.</p> + +<p class='c030'>The Publishers desire to respect the moral claims of authors +who cannot secure legal copyright in this country, and to remunerate +equitably those whose works they may reprint.</p> + +<p class='c030'>The books will be issued at short intervals, in paper covers, at +various prices, from 1<i>s.</i> to 3<i>s.</i> 6<i>d.</i>, and in cloth, top edge gilt, at +6<i>d.</i> per volume extra, in half morocco, Roxburgh style, at 1<i>s.</i> +extra, in antique or best plain morocco (Hayday), at 4<i>s.</i> extra.</p> + +<div class='nf-center-c1'> +<div class='nf-center c009'> + <div><i>Now Ready.</i></div> + </div> +</div> + +<div class='lg-container-b c009'> + <div class='linegroup'> + <div class='group'> + <div class='line'>Burns’s Poems. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Burns’s Songs. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Walton’s Complete Angler. Illustrated. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>Sea Songs and Ballads. By Charles Dibdin, and others. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>White’s Natural History of Selborne. 3<i>s.</i></div> + <div class='line'>Coleridge’s Poems. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>The Robin Hood Ballads. 2<i>s.</i> 6<i>d.</i></div> + <div class='line'>The Midshipman. By Capt. 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