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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/77621-0.txt b/77621-0.txt new file mode 100644 index 0000000..5ffd2f3 --- /dev/null +++ b/77621-0.txt @@ -0,0 +1,352 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 77621 *** + + + Magnolia Flower + + By + + Zora Neale Hurston + + The Spokesman July, 1925 + + +The brook laughed and sang. When it encountered hard places in its bed, +it hurled its water in sparkling dance figures up into the moonlight. + +It sang louder, louder; danced faster, faster, with a coquettish +splash! at the vegetation on its banks. + +At last it danced boisterously into the bosom of the St. John’s, +upsetting the whispering hyacinths who shivered and blushed, drunk with +the delight of moon kisses. + +The Mighty One turned peevishly in his bed and washed the feet of +the Palmetto palms so violently that they awoke and began again the +gossip they had left off when the Wind went to bed. A palm cannot speak +without wind. The river had startled it also, for the winds sleep on +the bosom of waters. + +The palms murmured noisily of seasons and centuries, mating and birth +and the transplanting of life. Nature knows nothing of death. + +The river spoke to the brook. + +“Why, O Young Water, do you hurry and hurl yourself so riotously about +with your chatter and song? You disturb my sleep.” + +“Because, O Venerable One,” replied the brook, “I am young. The flowers +bloom, the trees and wind say beautiful things to me: there are lovers +beneath the orange trees on my banks,--but most of all because the moon +shines upon me with a full face.” + +“That is not sufficient reason for you to disturb my sleep,” the river +retorted. “I have cut down mountains and moved whole valleys into the +sea, and I am not so noisy as _you_ are.” + +The river slapped its banks angrily. + +“But,” added the brook diffidently, “I passed numbers of lovers as I +came on. There was also a sweet-voiced night-bird.” + +“No matter, no matter!” scolded the river. “I have seen millions of +lovers, child. I have borne them up and down, listened to those things +that are uttered more with the breath than with the lips, gathered +infinite tears, and some lovers have even flung themselves upon the +soft couch I keep in my bosom, and slept.” + +“Tell me about some of them!” eagerly begged the brook. + +“Oh, well,” the river muttered, “I am wide awake now, and I suppose +brooks must be humored.” + + + + + THE RIVER’S STORY + +“Long ago, as men count years, men who were pale of skin held a dark +race of men in a bondage. The dark ones cried out in sorrow and +travail,--not here in my country, but farther north. Many rivers +carried their tears to the sea and the tide would bring some of them to +me. The Wind brought cries without end. + +“But there were some among the slaves who did not weep, but fled in the +night to safety,--some to the far north, some to the far south, for +here the red man, the panther, and the bear alone were to be feared. +One of them from the banks of the Savannah came here. He was large and +black and strong. His heart was strong and thudded with an iron sound +in his breast. The forest made way for him, the beasts were afraid of +him, and he built a house. He gathered stones and bits of metal, yellow +and white--such as men love and for which they die--and grew wealthy. +How? I do not know. Rivers take no notice of such things. We sweep men, +stones, metal--all, ALL to the sea. All are as grass; all must to the +sea in the end. + +“He married Swift Deer, a Cherokee Maiden, and five years--as men love +to clip Time into bits--passed. + +“They had now a daughter, Magnolia Flower they called her, for she came +at the time of their opening. + +“When they had been married five years, she was four years old. + +“Then the tide brought trouble rumors to me of hate, strife and +destruction,--war, war, war. + +“The blood of those born in the North flowed to sea, mingled with that +of the southern-born. Bitter Waters, Troubled Winds. Rains that washed +the dust from Heaven but could not beat back the wails of anguish, the +thirst for blood and glory; the prayers for that which God gives not +into the hands of man--Vengeance,--fires of hate to sear and scorch the +ground: wells of acid tears to blight the leaf. + +“Then all men walked free in the land, and Wind and Water again grew +sweet. + +“The man-made time notches flew by, and Magnolia Flower was in +full-bloom. Her large eyes burned so brightly in her dark-brown face +that the Negroes trembled when she looked angrily upon them. ‘She +curses with her eyes,’ they said. ‘Some evil surely will follow.’ + +“Black men came and went now as they pleased and the father had many to +serve him, for now he had built a house such as white men owned when he +was in bondage. + +“His heart, of the ex-slave Bentley, was iron to all but Magnolia +Flower. Swift Deer was no longer swift. Too many kicks and blows, too +many grim chokings had slowed her feet and heart. + +“He had done violence to workmen. There was little law in this jungle, +and that was his,--‘Do as I bid you or suffer my punishment.’ + +“He was hated, but feared more. + +“He hated anything that bore the slightest resemblance to his former +oppressors. His servants must be black, very black or Cherokee. + +“The flower was seventeen and beautiful. Bentley thought often of a +mate for her now, but one that would not offend him either in spirit or +flesh. He must be full of humility, and black. + +“One day, as the sun gave me a good-night kiss and the stars began +their revels, I bore a young Negro yet not a Negro, for his skin was +the color of freshly barked cypress, golden with the curly black hair +of the white man. + +“There were many Negroes in Bentley’s Village and he wished to build a +school that would teach them useful things. + +“Bentley hated him at once; but ordered a school-house to be built, for +he wished Magnolia to read and write. + +“But before two weeks had passed, the teacher had taught the Flower to +read strange marvels with her dark eyes, and she had taught the teacher +to sing with his eyes, his hands, his whole body in her presence or +whenever he thought of her,--not in her father’s house, but beneath +that clump of palms, those three that bathe their toes eternally and +talk. + +“They busied themselves with dreams of creation, while Bentley swore +the foundation of the school-room into place. + +“‘Nothing remains for me to do, now that I have your consent, but to +ask your father for your sweet self. I know I am poor, but I have a +great Vision, a high purpose, and he shall not be ashamed of me!’ + +“She clung fearfully to him. + +“‘No, don’t, John, don’t. He’ll say ‘Naw!’ and cuss. He--he don’t like +you at all. Youse too white.’ + +“‘I’ll get him out of that, just trust me, precious. Then I can just +_own_ you--just let me talk to him!’ + +“She wept and pleaded with him--told him of Bentley’s terrible anger +and his violence, begged him to take her away and send her father word; +but he refused to hear her, and walked up to her house and seated +himself upon the broad verandah to wait for the father of Magnolia +Flower. + +“She flew to Swift Deer and begged her to persuade her lover not to +brave Bentley’s anger. The older woman crept out and tearfully implored +him to go. He stayed. + +“At dusk Bentley came swearing in. It had been a hot day; the men had +cut several poor pieces of timber and seemed all bent on driving him to +the crazy-house, he complained. + +“Swift Deer slunk into the house at his approach, dragging her daughter +after her. + +“What followed was too violent for words to tell,--strength against +strength, steel against steel. Threats bellowed from Bentley’s bull +throat seemed no more than little puffs of air to the lover. Of course, +he would leave Bentley’s house; but he would stay in the vicinity +until he was told to leave by the Flower,--his Flower of sweetness and +purity--and he would marry her unless hell froze over. + +“‘Better eat up dem words an’ git out whilst ah letcher,’ the old man +growled. + +“Bentley drew up his lips in a great roll glare. + +“‘No!’ John shouted, giving him glare for his rage boiling and tumbling +out from behind these ramparts, as it were. His eye reddened, a vessel +in the center of his forehead stood out, gorged with blood, and his +great hands twitched. For good or evil, Bentley was a strong man, mind +and body. + +“Swift Deer could no longer restrain her daughter. Magnolia Flower +burst triumphantly upon the verandah. + +“‘Well, papa, you don’t say that I haven’t picked a man. No one else in +forty miles round would stand up to you like John!’ + +“‘Ham! Jim! Israel!’ Bentley howled, on the verge of apoplexy. The men +appeared. ‘Take dis here yaller skunk an’ lock him in dat back-room. +I’m a gonna hang ’im high as Hamon come sun up, law uh no law.’ + +“A short struggle, and John was tied hand and foot. + +“‘Stop!’ cried Magnolia Flower, fighting, clawing, biting, kicking like +a brown fiend for her lover. One brawny worker held her until John was +helplessly bound. + +“But when she looked at all three of the men with her eye of fire, they +shook in superstitious fear. + +“‘Oh, Moh Gawd!’ breathed Ham, terrified. ‘She’s cussing us, she’s +cussing us all wid her eyes. Sump’m sho gwine happen.’ + +“Her eye was indeed something to affright the timid and even give the +strong heart pause. A woman robbed of her love is more terrible than an +army with banners. + +“‘Oh, I wish I could!’ she uttered in a voice flat with intensity. +‘You’d all drop dead on the spot.’ + +“Swift Deer had crept out and stood beside the child. She screamed and +clasped her hands over her daughter’s lips. + +“‘Say not such words, Magnolia,’” she pleaded. ‘Take them back into +your bosom unsaid.’ + +“‘Leave her be,’ Bentley laughed acidly. ‘Ah got a dose uh mah medicine +ready for her too. Befo’ ah hangs dis yaller pole-cat ahm gwinter marry +her to crazy Joe, an’ John kin look on; den ah’ll hang _him_, and +she kin look on. Magnolia and Joe oughter have fine black chillen. Ha! +Ha!’ + +“The girl never uttered a sound. She smiled with her lips but her eyes +burned every bit of courage to cinders in those who saw her. + +“John was locked in the stout back-room. The windows were guarded and +Ham sat with a loaded gun at the door. + +“Magnolia was locked in the parlor where she ran up and down, tearing +her heavy black hair. She beat helplessly upon the doors, she hammered +the windows, making little mewing noises in her throat like a cat +deprived of her litter. + +“The house grew grimly still. Bentley had forced his wife to accompany +him to their bedroom. She lay fearfully awake but he slept peacefully, +if noisily. + +“‘Magnolia Flower!’ Ham called softly as he turned the key stealthily +in the lock of her prison. ‘Come on out. Ah caint stan’ dis here +weekedness uh yo pappy!’ + +“‘No thank you, Ham. I’ll stay right here and make him kill me long +with John, if you don’t let him out too.’ + +“‘Lawd a mussy knows ah wisht ah could, but de ole man’s got de key in +his britches.’ + +“‘I’m going and get it, Ham,’ she announced as she stepped over the +threshold to freedom. + +“‘Lawd! He’ll kill me sho’s you born.’ + +“Her feet were already on the stairs. + +“‘I’ll have that key or die. Ham, you put some victuals in that +rowboat.’ + +“Half for love, half for fear, Ham obeyed. + +“No one but Magnolia Flower would have entered Bentley’s bed-room as +she did, under the circumstances but to her the circumstances were her +reasons for going. The big horse pistol under his pillow, the rack of +guns in the hall, and her father’s giant hands--none of these stopped +her. She knew three lives,--her own, her lover’s, and Ham’s--hung on +her success; but she went and returned with that key. + +“One minute more and they flew down the path to the three leaning palms +into the boat away northward. + +“The morning came. Bentley ate hugely. The new rope hung ominously +from the arm of the giant oak in the yard. Preacher Ike had eaten his +breakfast with Bentley and the idiot, Crazy Joe, had forced himself +into a pair of clean hickory pants. + +“Bentley turned the key and flung open the door, stood still a moment +in a grey rage and stalked to the back-room door, feeling for the key +meanwhile. + +“When he had fully convinced himself that the key was gone, he did not +bother to open the door. + +“‘Ham, it pears dat Magnolia an’ dat yaller dog aint heah dis mawnin’, +so you an’ Swift Deer will hafta do, being ez y’all let ’em git away.’ +He said this calmly and stalked toward the gun rack; but his anger was +too large to be contained in one human heart. His arteries corded his +face, his eyes popped, and he fell senseless as he stretched his hand +for the gun. Rage had burst his heart at being outwitted by a girl. + +“This all happened more than forty years ago, as men reckon time. Soon +Swift Deer died, and the house built by strong Bentley fell to decay. +White men came and built a town and Magnolia Flower and her eyes passed +from the hearts of people who had known her.” + + * * * * * + +The brook had listened, tensely thrilled to its very bottom at times. +The river flowed calmly on, shimmering under the moon as it moved +ceaselessly to the sea. + +An old couple picked their way down to the water’s edge. He had once +been tall--he still bore himself well. The little old woman clung +lovingly to his arm. + +“It’s been forty-seven years, John,” she said sweetly, her voice full +of fear. “Do you think we can find the place?” + +“Why yes, Magnolia, my Flower, unless they have cut down our trees; but +if they are standing, we’ll know ’em--couldn’t help it.” + +“Yes, sweetheart, there they are. Hurry and let’s sit on the roots like +we used to and trail our fingers in the water. Love is wonderful, isn’t +it, dear?” + +They hugged the trunks of the three clustering palms lovingly; then +hugged each other and sat down shyly upon the heaped up roots. + +“You never have regretted, Magnolia?” + +“Of course not! But, John, listen, did you ever hear a river make such +a sound? Why it seems almost as if it were talking--that murmuring +noise, you know.” + +“Maybe, it’s welcoming us back. I always felt that it loved you and me, +somehow.” + + + + + =Transcriber’s Notes= + + Perceived typographical errors have been silently corrected. + + New original cover art included with this eBook is granted to the + public domain. +*** END OF THE PROJECT GUTENBERG EBOOK 77621 *** diff --git a/77621-h/77621-h.htm b/77621-h/77621-h.htm new file mode 100644 index 0000000..b1ee65c --- /dev/null +++ b/77621-h/77621-h.htm @@ -0,0 +1,429 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="UTF-8"> + <meta name="viewport" content="width=device-width, initial-scale=1"> + <title> + Magnolia Flower | Project Gutenberg + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + +body { + margin-left: 10%; + margin-right: 10%; +} + +h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} + +table { + margin-left: auto; + margin-right: auto; +} + + +blockquote { + margin-top: 0; + margin-bottom: 0; + margin-left: 5%; + margin-right: 10%; +} + +.center {text-align: center;} + +.bold {font-weight: bold} + +.large {font-size: large;} + +figcaption {font-weight: bold;} +figcaption p {margin-top: 0; margin-bottom: .2em; text-align: inherit;} + +/* Images */ + +img { + max-width: 100%; + height: auto; +} + +.transnote {background-color: #E6E6FA; + color: black; + font-size:small; + padding:0.5em; + margin-bottom:5em; + font-family:sans-serif, serif; +} + + </style> +</head> +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 77621 ***</div> + + +<h1> +Magnolia Flower +</h1> + + +<p class="center large bold">By Zora Neale Hurston<br></p> + +<p class="center bold">The Spokesman July, 1925</p><br> + + +<p>The brook laughed and sang. When it encountered hard places in its bed, +it hurled its water in sparkling dance figures up into the moonlight.</p> + +<p>It sang louder, louder; danced faster, faster, with a coquettish +splash! at the vegetation on its banks.</p> + +<p>At last it danced boisterously into the bosom of the St. John’s, +upsetting the whispering hyacinths who shivered and blushed, drunk with +the delight of moon kisses.</p> + +<p>The Mighty One turned peevishly in his bed and washed the feet of +the Palmetto palms so violently that they awoke and began again the +gossip they had left off when the Wind went to bed. A palm cannot speak +without wind. The river had startled it also, for the winds sleep on +the bosom of waters.</p> + +<p>The palms murmured noisily of seasons and centuries, mating and birth +and the transplanting of life. Nature knows nothing of death.</p> + +<p>The river spoke to the brook.</p> + +<p>“Why, O Young Water, do you hurry and hurl yourself so riotously about +with your chatter and song? You disturb my sleep.”</p> + +<p>“Because, O Venerable One,” replied the brook, “I am young. The flowers +bloom, the trees and wind say beautiful things to me: there are lovers +beneath the orange trees on my banks,—but most of all because the moon +shines upon me with a full face.”</p> + +<p>“That is not sufficient reason for you to disturb my sleep,” the river +retorted. “I have cut down mountains and moved whole valleys into the +sea, and I am not so noisy as <i>you</i> are.”</p> + +<p>The river slapped its banks angrily.</p> + +<p>“But,” added the brook diffidently, “I passed numbers of lovers as I +came on. There was also a sweet-voiced night-bird.”</p> + +<p>“No matter, no matter!” scolded the river. “I have seen millions of +lovers, child. I have borne them up and down, listened to those things +that are uttered more with the breath than with the lips, gathered +infinite tears, and some lovers have even flung themselves upon the +soft couch I keep in my bosom, and slept.”</p> + +<p>“Tell me about some of them!” eagerly begged the brook.</p> + +<p>“Oh, well,” the river muttered, “I am wide awake now, and I suppose +brooks must be humored.”</p> + + +<h2>THE RIVER’S STORY</h2> + +<p>“Long ago, as men count years, men who were pale of skin held a dark +race of men in a bondage. The dark ones cried out in sorrow and +travail,—not here in my country, but farther north. Many rivers +carried their tears to the sea and the tide would bring some of them to +me. The Wind brought cries without end.</p> + +<p>“But there were some among the slaves who did not weep, but fled in the +night to safety,—some to the far north, some to the far south, for +here the red man, the panther, and the bear alone were to be feared. +One of them from the banks of the Savannah came here. He was large and +black and strong. His heart was strong and thudded with an iron sound +in his breast. The forest made way for him, the beasts were afraid of +him, and he built a house. He gathered stones and bits of metal, yellow +and white—such as men love and for which they die—and grew wealthy. +How? I do not know. Rivers take no notice of such things. We sweep men, +stones, metal—all, ALL to the sea. All are as grass; all must to the +sea in the end.</p> + +<p>“He married Swift Deer, a Cherokee Maiden, and five years—as men love +to clip Time into bits—passed.</p> + +<p>“They had now a daughter, Magnolia Flower they called her, for she came +at the time of their opening.</p> + +<p>“When they had been married five years, she was four years old.</p> + +<p>“Then the tide brought trouble rumors to me of hate, strife and +destruction,—war, war, war.</p> + +<p>“The blood of those born in the North flowed to sea, mingled with that +of the southern-born. Bitter Waters, Troubled Winds. Rains that washed +the dust from Heaven but could not beat back the wails of anguish, the +thirst for blood and glory; the prayers for that which God gives not +into the hands of man—Vengeance,—fires of hate to sear and scorch the +ground: wells of acid tears to blight the leaf.</p> + +<p>“Then all men walked free in the land, and Wind and Water again grew +sweet.</p> + +<p>“The man-made time notches flew by, and Magnolia Flower was in +full-bloom. Her large eyes burned so brightly in her dark-brown face +that the Negroes trembled when she looked angrily upon them. ‘She +curses with her eyes,’ they said. ‘Some evil surely will follow.’</p> + +<p>“Black men came and went now as they pleased and the father had many to +serve him, for now he had built a house such as white men owned when he +was in bondage.</p> + +<p>“His heart, of the ex-slave Bentley, was iron to all but Magnolia +Flower. Swift Deer was no longer swift. Too many kicks and blows, too +many grim chokings had slowed her feet and heart.</p> + +<p>“He had done violence to workmen. There was little law in this jungle, +and that was his,—‘Do as I bid you or suffer my punishment.’</p> + +<p>“He was hated, but feared more.</p> + +<p>“He hated anything that bore the slightest resemblance to his former +oppressors. His servants must be black, very black or Cherokee.</p> + +<p>“The flower was seventeen and beautiful. Bentley thought often of a +mate for her now, but one that would not offend him either in spirit or +flesh. He must be full of humility, and black.</p> + +<p>“One day, as the sun gave me a good-night kiss and the stars began +their revels, I bore a young Negro yet not a Negro, for his skin was +the color of freshly barked cypress, golden with the curly black hair +of the white man.</p> + +<p>“There were many Negroes in Bentley’s Village and he wished to build a +school that would teach them useful things.</p> + +<p>“Bentley hated him at once; but ordered a school-house to be built, for +he wished Magnolia to read and write.</p> + +<p>“But before two weeks had passed, the teacher had taught the Flower to +read strange marvels with her dark eyes, and she had taught the teacher +to sing with his eyes, his hands, his whole body in her presence or +whenever he thought of her,—not in her father’s house, but beneath +that clump of palms, those three that bathe their toes eternally and +talk.</p> + +<p>“They busied themselves with dreams of creation, while Bentley swore +the foundation of the school-room into place.</p> + +<p>“‘Nothing remains for me to do, now that I have your consent, but to +ask your father for your sweet self. I know I am poor, but I have a +great Vision, a high purpose, and he shall not be ashamed of me!’</p> + +<p>“She clung fearfully to him.</p> + +<p>“‘No, don’t, John, don’t. He’ll say ‘Naw!’ and cuss. He—he don’t like +you at all. Youse too white.’</p> + +<p>“‘I’ll get him out of that, just trust me, precious. Then I can just +<i>own</i> you—just let me talk to him!’</p> + +<p>“She wept and pleaded with him—told him of Bentley’s terrible anger +and his violence, begged him to take her away and send her father word; +but he refused to hear her, and walked up to her house and seated +himself upon the broad verandah to wait for the father of Magnolia +Flower.</p> + +<p>“She flew to Swift Deer and begged her to persuade her lover not to +brave Bentley’s anger. The older woman crept out and tearfully implored +him to go. He stayed.</p> + +<p>“At dusk Bentley came swearing in. It had been a hot day; the men had +cut several poor pieces of timber and seemed all bent on driving him to +the crazy-house, he complained.</p> + +<p>“Swift Deer slunk into the house at his approach, dragging her daughter +after her.</p> + +<p>“What followed was too violent for words to tell,—strength against +strength, steel against steel. Threats bellowed from Bentley’s bull +throat seemed no more than little puffs of air to the lover. Of course, +he would leave Bentley’s house; but he would stay in the vicinity +until he was told to leave by the Flower,—his Flower of sweetness and +purity—and he would marry her unless hell froze over.</p> + +<p>“‘Better eat up dem words an’ git out whilst ah letcher,’ the old man +growled.</p> + +<p>“Bentley drew up his lips in a great roll glare.</p> + +<p>“‘No!’ John shouted, giving him glare for his rage boiling and tumbling +out from behind these ramparts, as it were. His eye reddened, a vessel +in the center of his forehead stood out, gorged with blood, and his +great hands twitched. For good or evil, Bentley was a strong man, mind +and body.</p> + +<p>“Swift Deer could no longer restrain her daughter. Magnolia Flower +burst triumphantly upon the verandah.</p> + +<p>“‘Well, papa, you don’t say that I haven’t picked a man. No one else in +forty miles round would stand up to you like John!’</p> + +<p>“‘Ham! Jim! Israel!’ Bentley howled, on the verge of apoplexy. The men +appeared. ‘Take dis here yaller skunk an’ lock him in dat back-room. +I’m a gonna hang ’im high as Hamon come sun up, law uh no law.’</p> + +<p>“A short struggle, and John was tied hand and foot.</p> + +<p>“‘Stop!’ cried Magnolia Flower, fighting, clawing, biting, kicking like +a brown fiend for her lover. One brawny worker held her until John was +helplessly bound.</p> + +<p>“But when she looked at all three of the men with her eye of fire, they +shook in superstitious fear.</p> + +<p>“‘Oh, Moh Gawd!’ breathed Ham, terrified. ‘She’s cussing us, she’s +cussing us all wid her eyes. Sump’m sho gwine happen.’</p> + +<p>“Her eye was indeed something to affright the timid and even give the +strong heart pause. A woman robbed of her love is more terrible than an +army with banners.</p> + +<p>“‘Oh, I wish I could!’ she uttered in a voice flat with intensity. +‘You’d all drop dead on the spot.’</p> + +<p>“Swift Deer had crept out and stood beside the child. She screamed and +clasped her hands over her daughter’s lips.</p> + +<p>“‘Say not such words, Magnolia,’” she pleaded. ‘Take them back into +your bosom unsaid.’</p> + +<p>“‘Leave her be,’ Bentley laughed acidly. ‘Ah got a dose uh mah medicine +ready for her too. Befo’ ah hangs dis yaller pole-cat ahm gwinter marry +her to crazy Joe, an’ John kin look on; den ah’ll hang <i>him</i>, and +she kin look on. Magnolia and Joe oughter have fine black chillen. Ha! +Ha!’</p> + +<p>“The girl never uttered a sound. She smiled with her lips but her eyes +burned every bit of courage to cinders in those who saw her.</p> + +<p>“John was locked in the stout back-room. The windows were guarded and +Ham sat with a loaded gun at the door.</p> + +<p>“Magnolia was locked in the parlor where she ran up and down, tearing +her heavy black hair. She beat helplessly upon the doors, she hammered +the windows, making little mewing noises in her throat like a cat +deprived of her litter.</p> + +<p>“The house grew grimly still. Bentley had forced his wife to accompany +him to their bedroom. She lay fearfully awake but he slept peacefully, +if noisily.</p> + +<p>“‘Magnolia Flower!’ Ham called softly as he turned the key stealthily +in the lock of her prison. ‘Come on out. Ah caint stan’ dis here +weekedness uh yo pappy!’</p> + +<p>“‘No thank you, Ham. I’ll stay right here and make him kill me long +with John, if you don’t let him out too.’</p> + +<p>“‘Lawd a mussy knows ah wisht ah could, but de ole man’s got de key in +his britches.’</p> + +<p>“‘I’m going and get it, Ham,’ she announced as she stepped over the +threshold to freedom.</p> + +<p>“‘Lawd! He’ll kill me sho’s you born.’</p> + +<p>“Her feet were already on the stairs.</p> + +<p>“‘I’ll have that key or die. Ham, you put some victuals in that +rowboat.’</p> + +<p>“Half for love, half for fear, Ham obeyed.</p> + +<p>“No one but Magnolia Flower would have entered Bentley’s bed-room as +she did, under the circumstances but to her the circumstances were her +reasons for going. The big horse pistol under his pillow, the rack of +guns in the hall, and her father’s giant hands—none of these stopped +her. She knew three lives,—her own, her lover’s, and Ham’s—hung on +her success; but she went and returned with that key.</p> + +<p>“One minute more and they flew down the path to the three leaning palms +into the boat away northward.</p> + +<p>“The morning came. Bentley ate hugely. The new rope hung ominously +from the arm of the giant oak in the yard. Preacher Ike had eaten his +breakfast with Bentley and the idiot, Crazy Joe, had forced himself +into a pair of clean hickory pants.</p> + +<p>“Bentley turned the key and flung open the door, stood still a moment +in a grey rage and stalked to the back-room door, feeling for the key +meanwhile.</p> + +<p>“When he had fully convinced himself that the key was gone, he did not +bother to open the door.</p> + +<p>“‘Ham, it pears dat Magnolia an’ dat yaller dog aint heah dis mawnin’, +so you an’ Swift Deer will hafta do, being ez y’all let ’em git away.’ +He said this calmly and stalked toward the gun rack; but his anger was +too large to be contained in one human heart. His arteries corded his +face, his eyes popped, and he fell senseless as he stretched his hand +for the gun. Rage had burst his heart at being outwitted by a girl.</p> + +<p>“This all happened more than forty years ago, as men reckon time. Soon +Swift Deer died, and the house built by strong Bentley fell to decay. +White men came and built a town and Magnolia Flower and her eyes passed +from the hearts of people who had known her.”</p> + +<hr class="tb"> + +<p>The brook had listened, tensely thrilled to its very bottom at times. +The river flowed calmly on, shimmering under the moon as it moved +ceaselessly to the sea.</p> + +<p>An old couple picked their way down to the water’s edge. He had once +been tall—he still bore himself well. The little old woman clung +lovingly to his arm.</p> + +<p>“It’s been forty-seven years, John,” she said sweetly, her voice full +of fear. “Do you think we can find the place?”</p> + +<p>“Why yes, Magnolia, my Flower, unless they have cut down our trees; but +if they are standing, we’ll know ’em—couldn’t help it.”</p> + +<p>“Yes, sweetheart, there they are. Hurry and let’s sit on the roots like +we used to and trail our fingers in the water. Love is wonderful, isn’t +it, dear?”</p> + +<p>They hugged the trunks of the three clustering palms lovingly; then +hugged each other and sat down shyly upon the heaped up roots.</p> + +<p>“You never have regretted, Magnolia?”</p> + +<p>“Of course not! But, John, listen, did you ever hear a river make such +a sound? Why it seems almost as if it were talking—that murmuring +noise, you know.”</p> + +<p>“Maybe, it’s welcoming us back. I always felt that it loved you and me, +somehow.”</p><br> + +<div class="transnote"> +<p class="center"><b>Transcriber’s Notes</b></p> +<p>Perceived typographical errors have been silently corrected.</p> +<p>New original cover art included with this eBook is granted to the +public domain.</p> +</div> + +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 77621 ***</div> +</body> +</html> diff --git a/77621-h/images/cover.jpg b/77621-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..5330ad7 --- /dev/null +++ b/77621-h/images/cover.jpg diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6c72794 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This book, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. 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