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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/75219-0.txt b/75219-0.txt new file mode 100644 index 0000000..444b018 --- /dev/null +++ b/75219-0.txt @@ -0,0 +1,324 @@ + +*** START OF THE PROJECT GUTENBERG EBOOK 75219 *** + + + + + + Transcriber’s Note + Italic text displayed as: _italic_ + + + + + COPYRIGHT, 1924, BY AGNES REPPLIER + + ALL RIGHTS RESERVED + + The Riverside Press + CAMBRIDGE · MASSACHUSETTS + PRINTED IN THE U.S.A. + + + + + THE PROMISE OF THE BELL + Christmas in Philadelphia + + By + + Agnes Repplier + + With Illustrations by + + John Wolcott Adams + + [Illustration: Bell] + + BOSTON AND NEW YORK + HOUGHTON MIFFLIN COMPANY + The Riverside Press Cambridge + 1924 + +[Illustration: + + JWA + +THE OLD TOWER OF INDEPENDENCE HALL WHERE RANG THE LIBERTY BELL] + + + + +THE + +PROMISE OF THE BELL + +Christmas in Philadelphia + + +When from the wooden steeple of the Philadelphia State House (the +Nation’s birthplace, and the most sacred spot on American soil) the +Liberty Bell rang out its message of freedom “throughout the land,” it +did more than proclaim the Declaration of Independence, and it did more +than summon the colonists to defend that independence with their lives. +It promised them in a beautiful and borrowed phrase the reward of their +valour. It affirmed their inalienable right to “life, liberty, and the +pursuit of happiness”; thus linking with bare existence two things +which give it worth, thus striving to ennoble and embellish the length +of years which lie between man’s cradle and his grave. + +Never was phrase more profoundly English or more profoundly Greek in +its rational conception of values. It means a vast deal more than the +privilege of casting a ballot, which privilege has been always praised +and glorified beyond its deserts. “The liberty to discover and pursue +a natural happiness,” says Santayana, “the liberty to grow wise, and +live in friendship with the gods and with one another, was the liberty +vindicated by the martyrdom of Thermopylæ, and by the victory of +Salamis.” It is also the liberty which England has always prized and +cherished, and which has promoted the thoroughly English qualities of +“solidity and sense, independence of judgment, and idiosyncrasy of +temperament.” To the colonists it opened a fair vista, a widening of +their somewhat restricted horizon, a very definite and shining goal, +well worth their resolute endeavour. + +When on the 23d of October, 1781, three hours before sunrise, a +watchman called through the quiet streets of Philadelphia, “Past three +o’clock, and Lord Cornwallis is taken,” the city awoke to a refreshing +sense of safety and exhilaration. The war was not over; but victory was +assured, and, with it, life and liberty. There remained the pursuit +of happiness, and it was undertaken in good faith, and without undue +delay. A sober and sedate community, kept in order by Quaker dominance, +Philadelphians had always shown a singular capacity for enjoying +themselves when they had the chance. They had danced twelve hours at +the Mischianza,—a notable achievement. They had promoted horse-racing, +condoned bull-baiting, and had been “decently drunk” from time to time +at punch parties on the river. Now, deeming pleasure to be one approach +to happiness, they opened the old Southwark theatre, which had led a +life of sore vicissitudes, rechristened it cautiously the Academy of +Polite Science, and gave a performance of Beaumarchais’s “Eugénie,” in +honour of Washington, who graced the occasion with his presence. He +was escorted to his box by attendants bearing wax candles in silver +candlesticks, a deferential courtesy which made him distinctly and +desirably visible to the audience in the dimly lit theatre. + +[Illustration: Soldier] + +Nothing in the way of entertainment came amiss to people whose hearts +were at ease, and who were unspoiled by wealth or poverty. They went to +Washington’s rigidly formal receptions. They danced as gaily, if not as +long, at the Assembly balls, and at the less august tradesmen’s balls, +as they had danced at the Mischianza and at the Fête du Dauphin. They +dined well with such hosts as Robert Morris and William Bingham. They +opened hospitable doors to strangers, who sometimes thought them dull; +“the men grave, the women serious,” wrote Brissot de Warville in 1788. +They feasted on Christmas Day, and they built bonfires on the Fourth of +July. They rode to hounds. They began the long career of parades and +processions which have always been dear to the city’s heart, and which +the famous New Year Mummers have by now carried to the wonder point of +gaiety, brilliancy, and burlesque. + +Eating and drinking were the fundamentals of enjoyment in the Quaker +town, as they have been in all cities and in all ages of the world. But +it was eating and drinking relished “as the sane and exhilarating basis +of everything else”; and its most precious asset was companionship. +When the Chevalier de Luzerne drank twelve cups of tea during the +course of a winter afternoon call upon Mrs. Robert Morris, it was not +because he doted on the beverage. No Frenchman has ever shared Dr. +Johnson’s passion for tea. It was for love of the warm brightly lit +rooms (warm rooms were no everyday indulgence in the era of open fires +and Franklin stoves), and for love of his agreeable hostess, and of the +animated and purposeful conversation. When John Adams “drank Madeira +at a great rate” at the house of Chief Justice Chew, “and found no +inconvenience in it,” it was not because he was a tippler; but because +the generous wine quieted his anxious thoughts, and stimulated him to +match mind with mind in the sympathetic society of his friends. + +Indeed, the drinking of Madeira was in the nature of a ceremonial rite. +Even in the days of Penn no serious business was enacted, no compact +sealed, no social gathering complete without this glass of wine. +It signified good-fellowship and good-will; and when Penn returned +to England for the last time, he left his little store of wine in +the cellar of the Letitia House “for the use and entertainment of +strangers,” which was a gracious thing to do. + +According to Dr. Weir Mitchell, Philadelphia was famous for its +Madeira, which, being a temperamental wine, throve best in that serene +atmosphere, and in the careful hands of Philadelphians. It was kept by +preference in demijohns, and lived in moderate darkness under the roof, +where it “accumulated virtues like a hermit.” For seventy years—the +allotted years of man—it could be trusted to acquire merit. After that +period, it began—like man—to deteriorate. When its owner was compelled +by circumstance to house it in the cellar, it was suffered to rest and +revive for a day or two in a warm room on its way to the dining-table; +and the bottles were carried with infinite tenderness lest the wine be +bruised in the transit. A crust of bread was placed by every glass to +“clean the palate” before drinking. Elizabeth Robins Pennell tells us +that, in her grandfather’s old-fashioned household, Madeira was the +wine of ceremony, dedicated to the rites of hospitality, sacred to the +stranger, to whom it was offered like the bread and salt of the Arab, +and with whom it established (if the stranger knew anything about wine) +a bond of sympathy and understanding. + +When in the winter of 1799 the directors of the Mutual or “Green Tree” +Assurance Company were holding their annual dinner, word was brought +them of Washington’s death. They charged their glasses, rose to their +feet, and gravely drank to his memory. In the century and a quarter +which have intervened since then, the rite has been yearly repeated. +Even to-day, though the toast may no longer be drunk, the diners rise, +the words are spoken, and the dead leader is honoured by the living. + +[Illustration: People eating at a table] + +How cordial, how dignified, how intelligent was this hospitality +practised by men who were pursuing happiness along tranquil and +rational lines! How immaculately free from the grossness of Georgian +drunkenness, and from the grossness of Victorian gluttony! It is true +that boned turkey and terrapin were making their way to tables where +wild ducks and venison had always been plentiful, and where dairy +products, made perfect by practice, were admittedly the finest in the +land. But it was companionship and conversation, “the liberty to grow +wise and live in friendship with one another,” which citizens prized, +and which strangers recognized and remembered. Philadelphia, said the +poet Moore, was the only American city in which he felt tempted to +linger. It was the silver talk, alternating with golden silence, which +made the nights speed by when friend met friend, and the wreckage of +years was forgotten. + + “_And the men that were boys when I was a boy + Shall sit and drink with me._” + +The Wistar parties were born naturally into a world where social +intercourse was pleasant and esteemed. First a few friends dropped +casually in upon Dr. Caspar Wistar, and sat by his fire on winter +nights. Then he asked a few more. By 1811 the custom was an established +one, and every Saturday night Dr. Wistar entertained his guests, +among them any foreigners of distinction who chanced to be visiting +Philadelphia. His house at Fourth and Prune Streets was spacious; the +supper he provided was simple and sufficient. In 1818 he died, and +his friends wisely resolved to perpetuate his name by perpetuating +his hospitality. A hundred years is a respectable age for any social +observance to reach in the United States; but Philadelphians reckon +such things by centuries. Their tenacity in clinging to old customs, +and maintaining them unchanged, is a valiant and poignant protest +against the ills done to their town by modernity. + +For more than any other American city, Philadelphia has suffered the +loss of her comeliness, a comeliness that was very dear to those +who first heard the promise of the Bell. “After our cares for the +necessities of life are over,” said the wise Franklin, “we shall +come to think of its embellishments.” In the pursuit of a rational +happiness, Philadelphians devoted time, thought, and money to the +embellishment of their daily lives. They had an unerring taste in +architecture and decoration. Their portraits were painted by good +artists, Peale and Stuart and Sully. Trim gardens lent brilliancy of +colour to their handsome, sober homes. They made of “Faire Mount” hill +a thing of beauty, a little spot of classic grace and charm, which +artists loved, and politicians ruthlessly destroyed—perhaps because +it was the only thing in the nature of an eminence to break the level +surface on which Penn laid out his checkerboard town. + +To the casual visitor of to-day, Philadelphia seems an ugly and shabby +city, set in the fields of Paradise. Surroundings of exceptional +loveliness have lured the town-dweller from his narrow streets, from +soot and grime and perpetual racket, to pursue happiness in the clean +and composed life of the country. And as more and more citizens seek +every year this method of escape, the abandoned city grows more and +more downcast and forlorn. It is to be forever regretted that its +oldest streets, lined with houses of unsurpassable dignity, should have +degenerated into filthy slums, where an alien population violates every +tradition of reticence and propriety. Christ Church, Gloria Dei, and +Saint Peter’s still stand inviolate, keeping their dirty neighbours +at arm’s length with green churchyards and cherished slips of lawn. +Indeed, churchyards, which were once in disfavour, have come to be +highly commended. They interpose their undesecrated neatness between +many an ancient place of worship and its elbowing associates. + +To the visitor who is not casual, to a few careful observers like +Mrs. Pennell and Christopher Morley, and to those Philadelphians who +love her pavements better than turf, and her brick walls better than +trees, Penn’s city has a charm which enterprise and immigrant are +equally powerless to destroy. It is a beauty faded with years, and +dimmed by neglect, and it lies hidden away in quiet nooks and corners; +but none the less is it apparent to the eye of the artist and the +antiquarian. The Bell, the joyous, old Liberty Bell, is, indeed, housed +with appropriate splendour. It has been carried over the country in +a series of triumphant processions, and many thousands of Americans +have greeted it with reverence. But the deepening fissure in its side +now calls imperatively for rest; and Independence Hall—a remarkably +agreeable example of colonial architecture—is the Mecca of patriotic +pilgrims. All the year round they come to look upon the room where the +Declaration of Independence was signed, and upon the Bell which rang +its message to the land. + +[Illustration: Fancy old-fashioned party] + +To-day that message rings the knell of the past, and the deathless +promise of the future: + + “_Tho’ much is taken, much abides._” + +Life, though it is beset by greater perils; liberty, though it is +restricted by an excess of legislation; and the pursuit of happiness, +though it is turned into new, and possibly nobler, channels. The old +society “in which men looked up without envy or malice, and even found +life richer from the thought that there were degrees of excellency and +honour,” has been replaced by a society in which perpetual change has +bred dissatisfaction and insecurity. But more clearly than before the +note of a real Democracy, of a sense of comradeship, of a natural, +cheerful, irresponsible interest in one another, has been struck +in what was once the City of Brotherly Love. It gives to Christmas +something which earlier Christmases never knew; a coming-together of +people whose lives are, by force of circumstance, apart, a closing-in +of circles which are commonly and necessarily remote. + +For a week before the feast, the great pioneer department store of +America sets aside a half-hour in the morning and a half-hour at +dusk for community singing of Christmas hymns and carols. The rush +of business is suspended, the giant organ peals forth the familiar +strains, and men, women, and children, crowded into every inch of +available space, sing with all their might, “God Rest Ye Merry, +Gentlemen,” “Come, All Ye Faithful,” and “While Shepherds Watch’d Their +Flocks by Night.” Nobody claims the sounds they make are beautiful; but +nobody denies they are inspiriting. + + “_If unmelodious was the song, + It was a hearty note, and strong._” + +People who surge around counters to do their Christmas shopping are +indifferent, not to say inimical, to one another; but people who stand +shoulder to shoulder singing the same words are impelled by the force +of crowd psychology to good feeling and mutual understanding. + +Charity is an old, old virtue, and Christmas has always been its +sacred season; but it is not charity which now makes the householder +put Christmas candles in his windows, to give the passer-by a sense +of recognition and intimacy. It is not charity which rears the great +municipal Christmas Tree for all the town to see, or provides the great +municipal concert on Christmas Eve for all the town to hear—and join in +if it pleases. It is not charity which lights the “Community Christmas +Trees” on country roads, and leaves them shining softly in the darkness +as a reminder of good-will. It is not charity which sends little groups +of men and women, accompanied by a sober deaconess to sing carols in +the few quiet streets which Philadelphia has preserved unspoiled. These +singers ask for no recompense. They are forging a link in the bond +of healthy human emotions. They are adding their share to the little +intimacies of the world. + +“Life, liberty, and the pursuit of happiness.” “Inalienable rights” the +Signers termed them, which yet have never been without assailants. What +strange vicissitudes the Bell has witnessed, and what strange meanings +have been read into its message! But its promise still holds good. If +we never grow wise as the Greeks grew wise, if we never lay hold of +the “natural happiness” which is the birthright of Englishmen, we may +yet surpass Greece and England in the grace of friendship. It will +be something different from friendship with our friends; it will be +friendship with our neighbours. It will be—I hope—disunited from duty, +and composed of simple, durable materials,—tolerance, good-nature, and +a sweet reasonableness of approach. It will read a generous meaning +into qualities which are common to all of us, displeasing to most of +us, and intelligible only to the wide-eyed few who interpret the heart +of humanity. + + + +*** END OF THE PROJECT GUTENBERG EBOOK 75219 *** diff --git a/75219-h/75219-h.htm b/75219-h/75219-h.htm new file mode 100644 index 0000000..223eed4 --- /dev/null +++ b/75219-h/75219-h.htm @@ -0,0 +1,561 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="UTF-8"> + <title> + The Promise of the Bell | Project Gutenberg + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover"> + <style> + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; + text-indent: 1em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: 33.5%; + margin-right: 33.5%; + clear: both; +} + +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} + +div.chapter {page-break-before: always;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: small; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-indent: 0; + color: #A9A9A9; +} /* page numbers */ + +.center {text-align: center;} + +.right {text-align: right;} + +.caption {font-weight: normal;} + +/* Images */ + +img { + max-width: 100%; + height: auto; +} +img.w100 {width: 100%;} + + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +/* Poetry */ +/* uncomment the next line for centered poetry */ +.poetry-container {display: flex; justify-content: center;} +.poetry-container {text-align: center;} +.poetry {text-align: left; margin-left: 5%; margin-right: 5%;} +.poetry .stanza {margin: 1em auto;} +.poetry .verse {text-indent: -3em; padding-left: 3em;} + +.fs80 {font-size: 80%} +.fs120 {font-size: 120%} +.fs150 {font-size: 150%} + +.no-indent {text-indent: 0em;} +.bold {font-weight: bold;} +.wsp {word-spacing: 0.3em;} + +h2 {font-size: 100%; font-weight: bold; line-height: 1.6em; word-spacing: .3em;} + +/* Poetry indents */ +.poetry .indent0 {text-indent: -3em;} +.poetry .indent1 {text-indent: -2.5em;} + +/* Illustration classes */ +.illowp15 {width: 15%;} +.illowp85 {width: 85%;} + + </style> +</head> + + +<body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 75219 ***</div> +<div class="figcenter" style="width: 85%"> +<img src="images/cover.jpg" alt="Cover"> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p class="center no-indent fs80">COPYRIGHT, 1924, BY AGNES REPPLIER</p> + +<p class="center no-indent fs80">ALL RIGHTS RESERVED</p> +<br> +<br> + +<p class="center no-indent fs80"><span class="bold">The Riverside Press</span><br> +CAMBRIDGE · MASSACHUSETTS<br> +PRINTED IN THE U.S.A. +</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<h1>THE PROMISE OF THE BELL</h1> + +<p class="center no-indent bold fs120 wsp">Christmas in Philadelphia</p> +<br> +<p class="center no-indent wsp"><span class="fs80">By</span><br> +<span class="fs120">Agnes Repplier</span><br> +<br> + +<span class="fs80">With Illustrations by</span><br> +John Wolcott Adams</p> +<br> + +<figure class="figcenter illowp15" id="title" style="max-width: 15em;"> + <img class="w100" src="images/title.jpg" alt="Bell"> +</figure> +<br> +<br> + +<p class="center no-indent wsp"> +<span class="fs80">BOSTON AND NEW YORK</span><br> +<span class="fs120">HOUGHTON MIFFLIN COMPANY</span><br> +<span class="bold">The Riverside Press Cambridge</span><br> +1924</p> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> + +<figure class="figcenter illowp85" id="frontis" style="max-width: 45.1875em;"> + <img class="w100" src="images/frontis.jpg" alt=""> + <figcaption class="caption"> +<p class="right"> +JWA<br> +</p> + +<p class="center no-indent">THE OLD TOWER OF INDEPENDENCE HALL +WHERE RANG THE LIBERTY BELL</p></figcaption> +</figure> +</div> + + +<hr class="chap x-ebookmaker-drop"> + +<div class="chapter"> +<p><span class="pagenum" id="Page_3">[Pg 3]</span></p> + +<p class="center no-indent fs150 wsp">THE<br> +PROMISE OF THE BELL</p> + +<h2>Christmas in Philadelphia</h2> +</div> + +<p class="no-indent">When from the wooden steeple of the Philadelphia +State House (the Nation’s birthplace, and the most +sacred spot on American soil) the Liberty Bell rang +out its message of freedom “throughout the land,” it +did more than proclaim the Declaration of Independence, +and it did more than summon the colonists +to defend that independence with their lives. It +promised them in a beautiful and borrowed phrase the +reward of their valour. It affirmed their inalienable +right to “life, liberty, and the pursuit of happiness”; +thus linking with bare existence two things which +give it worth, thus striving to ennoble and embellish +the length of years which lie between man’s cradle +and his grave.</p> + +<p>Never was phrase more profoundly English or more +profoundly Greek in its rational conception of values. +It means a vast deal more than the privilege of casting +a ballot, which privilege has been always praised and +glorified beyond its deserts. “The liberty to discover +and pursue a natural happiness,” says Santayana, +“the liberty to grow wise, and live in friendship with +the gods and with one another, was the liberty<span class="pagenum" id="Page_4">[Pg 4]</span> +vindicated by the martyrdom of Thermopylæ, and by +the victory of Salamis.” It is also the liberty which +England has always prized and cherished, and which +has promoted the thoroughly English qualities of +“solidity and sense, independence of judgment, and +idiosyncrasy of temperament.” To the colonists it +opened a fair vista, a widening of their somewhat restricted +horizon, a very definite and shining goal, well +worth their resolute endeavour.</p> + +<p>When on the 23d of October, 1781, three hours before +sunrise, a watchman called through the quiet +streets of Philadelphia, “Past three o’clock, and Lord +Cornwallis is taken,” the city awoke to a refreshing +sense of safety and exhilaration. The war was not +over; but victory was assured, and, with it, life and +liberty. There remained the pursuit of happiness, and +it was undertaken in good faith, and without undue delay. +A sober and sedate community, kept in order by +Quaker dominance, Philadelphians had always shown +a singular capacity for enjoying themselves when they +had the chance. They had danced twelve hours at the +Mischianza,—a notable achievement. They had +promoted horse-racing, condoned bull-baiting, and +had been “decently drunk” from time to time at +punch parties on the river. Now, deeming pleasure +to be one approach to happiness, they opened the old +Southwark theatre, which had led a life of sore +vicissitudes, rechristened it cautiously the Academy +of Polite Science, and gave a performance of Beaumarchais’s +“Eugénie,” in honour of Washington, who +<span class="pagenum" id="Page_6">[Pg 6]</span>graced the occasion with his presence. He was escorted +to his box by attendants bearing wax candles in silver +candlesticks, a deferential courtesy which made him +distinctly and desirably visible to the audience in the +dimly lit theatre.</p> +<br> + +<figure class="figcenter illowp85" id="i_005" style="max-width: 34.1875em;"> + <img class="w100" src="images/i_005.jpg" alt="Soldier"> +</figure> +<br> + +<p>Nothing in the way of entertainment came amiss to +people whose hearts were at ease, and who were unspoiled +by wealth or poverty. They went to Washington’s +rigidly formal receptions. They danced as gaily, +if not as long, at the Assembly balls, and at the less +august tradesmen’s balls, as they had danced at the +Mischianza and at the Fête du Dauphin. They dined +well with such hosts as Robert Morris and William +Bingham. They opened hospitable doors to strangers, +who sometimes thought them dull; “the men grave, +the women serious,” wrote Brissot de Warville in +1788. They feasted on Christmas Day, and they built +bonfires on the Fourth of July. They rode to hounds. +They began the long career of parades and processions +which have always been dear to the city’s heart, and +which the famous New Year Mummers have by now +carried to the wonder point of gaiety, brilliancy, and +burlesque.</p> + +<p>Eating and drinking were the fundamentals of enjoyment +in the Quaker town, as they have been in all +cities and in all ages of the world. But it was eating +and drinking relished “as the sane and exhilarating +basis of everything else”; and its most precious asset +was companionship. When the Chevalier de Luzerne +drank twelve cups of tea during the course of a winter<span class="pagenum" id="Page_7">[Pg 7]</span> +afternoon call upon Mrs. Robert Morris, it was not +because he doted on the beverage. No Frenchman +has ever shared Dr. Johnson’s passion for tea. It was +for love of the warm brightly lit rooms (warm rooms +were no everyday indulgence in the era of open fires +and Franklin stoves), and for love of his agreeable +hostess, and of the animated and purposeful conversation. +When John Adams “drank Madeira at a +great rate” at the house of Chief Justice Chew, “and +found no inconvenience in it,” it was not because he +was a tippler; but because the generous wine quieted +his anxious thoughts, and stimulated him to match +mind with mind in the sympathetic society of his +friends.</p> + +<p>Indeed, the drinking of Madeira was in the nature of +a ceremonial rite. Even in the days of Penn no serious +business was enacted, no compact sealed, no social +gathering complete without this glass of wine. It +signified good-fellowship and good-will; and when +Penn returned to England for the last time, he left his +little store of wine in the cellar of the Letitia House +“for the use and entertainment of strangers,” which +was a gracious thing to do.</p> + +<p>According to Dr. Weir Mitchell, Philadelphia was +famous for its Madeira, which, being a temperamental +wine, throve best in that serene atmosphere, and in +the careful hands of Philadelphians. It was kept by +preference in demijohns, and lived in moderate darkness +under the roof, where it “accumulated virtues +like a hermit.” For seventy years—the allotted<span class="pagenum" id="Page_8">[Pg 8]</span> +years of man—it could be trusted to acquire merit. +After that period, it began—like man—to deteriorate. +When its owner was compelled by circumstance +to house it in the cellar, it was suffered to rest and revive +for a day or two in a warm room on its way to the +dining-table; and the bottles were carried with infinite +tenderness lest the wine be bruised in the transit. A +crust of bread was placed by every glass to “clean the +palate” before drinking. Elizabeth Robins Pennell +tells us that, in her grandfather’s old-fashioned household, +Madeira was the wine of ceremony, dedicated to +the rites of hospitality, sacred to the stranger, to +whom it was offered like the bread and salt of the +Arab, and with whom it established (if the stranger +knew anything about wine) a bond of sympathy and +understanding.</p> + +<p>When in the winter of 1799 the directors of the +Mutual or “Green Tree” Assurance Company were +holding their annual dinner, word was brought them +of Washington’s death. They charged their glasses, +rose to their feet, and gravely drank to his memory. +In the century and a quarter which have intervened +since then, the rite has been yearly repeated. Even +to-day, though the toast may no longer be drunk, the +diners rise, the words are spoken, and the dead leader +is honoured by the living.</p> +<br> + +<figure class="figcenter illowp85" id="i_009" style="max-width: 38.25em;"> + <img class="w100" src="images/i_009.jpg" alt="People eating at a table"> +</figure> +<br> + +<p>How cordial, how dignified, how intelligent was this +hospitality practised by men who were pursuing +happiness along tranquil and rational lines! How +immaculately free from the grossness of Georgian +<span class="pagenum" id="Page_10">[Pg 10]</span>drunkenness, and from the grossness of Victorian +gluttony! It is true that boned turkey and terrapin +were making their way to tables where wild ducks and +venison had always been plentiful, and where dairy +products, made perfect by practice, were admittedly +the finest in the land. But it was companionship and +conversation, “the liberty to grow wise and live in +friendship with one another,” which citizens prized, +and which strangers recognized and remembered. +Philadelphia, said the poet Moore, was the only American +city in which he felt tempted to linger. It was the +silver talk, alternating with golden silence, which +made the nights speed by when friend met friend, and +the wreckage of years was forgotten.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<em>And the men that were boys when I was a boy</em></div> + <div class="verse indent1"><em>Shall sit and drink with me.</em>”</div> + </div> +</div> +</div> + +<p>The Wistar parties were born naturally into a world +where social intercourse was pleasant and esteemed. +First a few friends dropped casually in upon Dr. +Caspar Wistar, and sat by his fire on winter nights. +Then he asked a few more. By 1811 the custom was +an established one, and every Saturday night Dr. +Wistar entertained his guests, among them any +foreigners of distinction who chanced to be visiting +Philadelphia. His house at Fourth and Prune Streets +was spacious; the supper he provided was simple and +sufficient. In 1818 he died, and his friends wisely +resolved to perpetuate his name by perpetuating his +hospitality. A hundred years is a respectable age for<span class="pagenum" id="Page_11">[Pg 11]</span> +any social observance to reach in the United States; +but Philadelphians reckon such things by centuries. +Their tenacity in clinging to old customs, and maintaining +them unchanged, is a valiant and poignant +protest against the ills done to their town by modernity.</p> + +<p>For more than any other American city, Philadelphia +has suffered the loss of her comeliness, a comeliness +that was very dear to those who first heard the +promise of the Bell. “After our cares for the necessities +of life are over,” said the wise Franklin, “we shall +come to think of its embellishments.” In the pursuit +of a rational happiness, Philadelphians devoted time, +thought, and money to the embellishment of their +daily lives. They had an unerring taste in architecture +and decoration. Their portraits were painted by +good artists, Peale and Stuart and Sully. Trim +gardens lent brilliancy of colour to their handsome, +sober homes. They made of “Faire Mount” hill a +thing of beauty, a little spot of classic grace and charm, +which artists loved, and politicians ruthlessly destroyed—perhaps +because it was the only thing in +the nature of an eminence to break the level surface +on which Penn laid out his checkerboard town.</p> + +<p>To the casual visitor of to-day, Philadelphia seems +an ugly and shabby city, set in the fields of Paradise. +Surroundings of exceptional loveliness have lured the +town-dweller from his narrow streets, from soot and +grime and perpetual racket, to pursue happiness in +the clean and composed life of the country. And as<span class="pagenum" id="Page_12">[Pg 12]</span> +more and more citizens seek every year this method +of escape, the abandoned city grows more and more +downcast and forlorn. It is to be forever regretted +that its oldest streets, lined with houses of unsurpassable +dignity, should have degenerated into filthy +slums, where an alien population violates every +tradition of reticence and propriety. Christ Church, +Gloria Dei, and Saint Peter’s still stand inviolate, +keeping their dirty neighbours at arm’s length with +green churchyards and cherished slips of lawn. Indeed, +churchyards, which were once in disfavour, +have come to be highly commended. They interpose +their undesecrated neatness between many an ancient +place of worship and its elbowing associates.</p> + +<p>To the visitor who is not casual, to a few careful +observers like Mrs. Pennell and Christopher Morley, +and to those Philadelphians who love her pavements +better than turf, and her brick walls better than trees, +Penn’s city has a charm which enterprise and immigrant +are equally powerless to destroy. It is a beauty +faded with years, and dimmed by neglect, and it lies +hidden away in quiet nooks and corners; but none the +less is it apparent to the eye of the artist and the +antiquarian. The Bell, the joyous, old Liberty Bell, +is, indeed, housed with appropriate splendour. It has +been carried over the country in a series of triumphant +processions, and many thousands of Americans have +greeted it with reverence. But the deepening fissure +in its side now calls imperatively for rest; and Independence +Hall—a remarkably agreeable example of +<span class="pagenum" id="Page_14">[Pg 14]</span>colonial architecture—is the Mecca of patriotic +pilgrims. All the year round they come to look upon +the room where the Declaration of Independence was +signed, and upon the Bell which rang its message to +the land.</p> +<br> + +<figure class="figcenter illowp85" id="i_013" style="max-width: 38.6875em;"> + <img class="w100" src="images/i_013.jpg" alt="Fancy old-fashioned party"> +</figure> +<br> + +<p>To-day that message rings the knell of the past, and +the deathless promise of the future:</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<em>Tho’ much is taken, much abides.</em>”</div> + </div> +</div> +</div> + +<p class="no-indent">Life, though it is beset by greater perils; liberty, +though it is restricted by an excess of legislation; and +the pursuit of happiness, though it is turned into new, +and possibly nobler, channels. The old society “in +which men looked up without envy or malice, and +even found life richer from the thought that there +were degrees of excellency and honour,” has been replaced +by a society in which perpetual change has +bred dissatisfaction and insecurity. But more clearly +than before the note of a real Democracy, of a sense +of comradeship, of a natural, cheerful, irresponsible +interest in one another, has been struck in what was +once the City of Brotherly Love. It gives to Christmas +something which earlier Christmases never knew; +a coming-together of people whose lives are, by force +of circumstance, apart, a closing-in of circles which +are commonly and necessarily remote.</p> + +<p>For a week before the feast, the great pioneer department +store of America sets aside a half-hour in +the morning and a half-hour at dusk for community +singing of Christmas hymns and carols. The rush of<span class="pagenum" id="Page_15">[Pg 15]</span> +business is suspended, the giant organ peals forth the +familiar strains, and men, women, and children, +crowded into every inch of available space, sing with +all their might, “God Rest Ye Merry, Gentlemen,” +“Come, All Ye Faithful,” and “While Shepherds +Watch’d Their Flocks by Night.” Nobody claims the +sounds they make are beautiful; but nobody denies +they are inspiriting.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“<em>If unmelodious was the song,</em></div> + <div class="verse indent1"><em>It was a hearty note, and strong.</em>”</div> + </div> +</div> +</div> + +<p class="no-indent">People who surge around counters to do their Christmas +shopping are indifferent, not to say inimical, to +one another; but people who stand shoulder to +shoulder singing the same words are impelled by the +force of crowd psychology to good feeling and mutual +understanding.</p> + +<p>Charity is an old, old virtue, and Christmas has always +been its sacred season; but it is not charity which +now makes the householder put Christmas candles in +his windows, to give the passer-by a sense of recognition +and intimacy. It is not charity which rears the +great municipal Christmas Tree for all the town to +see, or provides the great municipal concert on Christmas +Eve for all the town to hear—and join in if it +pleases. It is not charity which lights the “Community +Christmas Trees” on country roads, and leaves +them shining softly in the darkness as a reminder of +good-will. It is not charity which sends little groups +of men and women, accompanied by a sober deaconess<span class="pagenum" id="Page_16">[Pg 16]</span> +to sing carols in the few quiet streets which Philadelphia +has preserved unspoiled. These singers ask for +no recompense. They are forging a link in the bond +of healthy human emotions. They are adding their +share to the little intimacies of the world.</p> + +<p>“Life, liberty, and the pursuit of happiness.” “Inalienable +rights” the Signers termed them, which yet +have never been without assailants. What strange +vicissitudes the Bell has witnessed, and what strange +meanings have been read into its message! But its +promise still holds good. If we never grow wise as the +Greeks grew wise, if we never lay hold of the “natural +happiness” which is the birthright of Englishmen, we +may yet surpass Greece and England in the grace of +friendship. It will be something different from friendship +with our friends; it will be friendship with our +neighbours. It will be—I hope—disunited from +duty, and composed of simple, durable materials,—tolerance, +good-nature, and a sweet reasonableness of +approach. It will read a generous meaning into +qualities which are common to all of us, displeasing +to most of us, and intelligible only to the wide-eyed +few who interpret the heart of humanity. +</p> +<br> +<br> + +<div style='text-align:center'>*** END OF THE PROJECT GUTENBERG EBOOK 75219 ***</div> +</body> +</html> + diff --git a/75219-h/images/cover.jpg b/75219-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..26c537e --- /dev/null +++ b/75219-h/images/cover.jpg diff --git a/75219-h/images/frontis.jpg b/75219-h/images/frontis.jpg Binary files differnew file mode 100644 index 0000000..6e9c8f9 --- /dev/null +++ b/75219-h/images/frontis.jpg diff --git a/75219-h/images/i_005.jpg b/75219-h/images/i_005.jpg Binary files differnew file mode 100644 index 0000000..c163d7f --- /dev/null +++ b/75219-h/images/i_005.jpg diff --git a/75219-h/images/i_009.jpg b/75219-h/images/i_009.jpg Binary files differnew file mode 100644 index 0000000..229cc30 --- /dev/null +++ b/75219-h/images/i_009.jpg diff --git a/75219-h/images/i_013.jpg b/75219-h/images/i_013.jpg Binary files differnew file mode 100644 index 0000000..6d490a8 --- /dev/null +++ b/75219-h/images/i_013.jpg diff --git a/75219-h/images/title.jpg b/75219-h/images/title.jpg Binary files differnew file mode 100644 index 0000000..fc80488 --- /dev/null +++ b/75219-h/images/title.jpg diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..a6c7640 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #75219 (https://www.gutenberg.org/ebooks/75219) |
