summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--7448-h.zipbin0 -> 17348 bytes
-rw-r--r--7448-h/7448-h.htm1191
-rw-r--r--7448.txt996
-rw-r--r--7448.zipbin0 -> 16370 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/2005-02-hrgls10.txt966
-rw-r--r--old/2005-02-hrgls10.zipbin0 -> 15920 bytes
9 files changed, 3169 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/7448-h.zip b/7448-h.zip
new file mode 100644
index 0000000..9c24dea
--- /dev/null
+++ b/7448-h.zip
Binary files differ
diff --git a/7448-h/7448-h.htm b/7448-h/7448-h.htm
new file mode 100644
index 0000000..1bb7b4d
--- /dev/null
+++ b/7448-h/7448-h.htm
@@ -0,0 +1,1191 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Hour-glass, by W. B. Yeats
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Hour Glass, by W. B. Yeats
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Hour Glass
+
+Author: W. B. Yeats
+
+Release Date: February, 2005 [EBook #7448]
+Last Updated: February 7, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+
+
+
+Produced by Nichole Apostola and David Widger
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ THE HOUR-GLASS
+ </h1>
+ <h2>
+ A MORALITY
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By W. B. Yeats
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> DRAMATIS PERSONAE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> THE HOUR-GLASS </a>
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ DRAMATIS PERSONAE
+ </h2>
+<pre xml:space="preserve">
+ A WISE MAN
+ A FOOL
+ SOME PUPILS
+ AN ANGEL
+ THE WISE MAN'S WIFE AND TWO CHILDREN
+</pre>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a> <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ THE HOUR-GLASS
+ </h2>
+ <p>
+ SCENE: A large room with a door at the back and another at the side
+ opening to an inner room. A desk and a chair in the middle. An hour-glass
+ on a bracket near the door. A creepy stool near it. Some benches. The WISE
+ MAN sitting at his desk.
+ </p>
+ <p>
+ WISE MAN [turning over the pages of a book]. Where is that passage I am to
+ explain to my pupils to-day? Here it is, and the book says that it was
+ written by a beggar on the walls of Babylon: "There are two living
+ countries, the one visible and the one invisible; and when it is winter
+ with us it is summer in that country; and when the November winds are up
+ among us it is lambing-time there." I wish that my pupils had asked me to
+ explain any other passage, for this is a hard passage. [The FOOL comes in
+ and stands at the door, holding out his hat. He has a pair of shears in
+ the other hand.] It sounds to me like foolishness; and yet that cannot be,
+ for the writer of this book, where I have found so much knowledge, would
+ not have set it by itself on this page, and surrounded it with so many
+ images and so many deep colors and so much fine gilding, if it had been
+ foolishness.
+ </p>
+ <p>
+ FOOL. Give me a penny.
+ </p>
+ <p>
+ WISE MAN. [Turns to another page.] Here he has written: "The learned in
+ old times forgot the visible country." That I understand, but I have
+ taught my learners better.
+ </p>
+ <p>
+ FOOL. Won't you give me a penny?
+ </p>
+ <p>
+ WISE MAN. What do you want? The words of the wise Saracen will not teach
+ you much.
+ </p>
+ <p>
+ FOOL. Such a great wise teacher as you are will not refuse a penny to a
+ Fool.
+ </p>
+ <p>
+ WISE MAN. What do you know about wisdom?
+ </p>
+ <p>
+ FOOL. Oh, I know! I know what I have seen.
+ </p>
+ <p>
+ WISE MAN. What is it you have seen?
+ </p>
+ <p>
+ FOOL. When I went by Kilcluan where the bells used to be ringing at the
+ break of every day, I could hear nothing but the people snoring in their
+ houses. When I went by Tubbervanach where the young men used to be
+ climbing the hill to the blessed well, they were sitting at the crossroads
+ playing cards. When I went by Carrigoras where the friars used to be
+ fasting and serving the poor, I saw them drinking wine and obeying their
+ wives. And when I asked what misfortune had brought all these changes,
+ they said it was no misfortune, but it was the wisdom they had learned
+ from your teaching.
+ </p>
+ <p>
+ WISE MAN. Run round to the kitchen, and my wife will give you something to
+ eat.
+ </p>
+ <p>
+ FOOL. That is foolish advice for a wise man to give.
+ </p>
+ <p>
+ WISE MAN. Why, Fool?
+ </p>
+ <p>
+ FOOL. What is eaten is gone. I want pennies for my bag. I must buy bacon
+ in the shops, and nuts in the market, and strong drink for the time when
+ the sun is weak. And I want snares to catch the rabbits and the squirrels
+ and the bares, and a pot to cook them in.
+ </p>
+ <p>
+ WISE MAN. Go away. I have other things to think of now than giving you
+ pennies.
+ </p>
+ <p>
+ FOOL. Give me a penny and I will bring you luck. Bresal the Fisherman lets
+ me sleep among the nets in his loft in the winter-time because he says I
+ bring him luck; and in the summer-time the wild creatures let me sleep
+ near their nests and their holes. It is lucky even to look at me or to
+ touch me, but it is much more lucky to give me a penny. [Holds out his
+ hand.] If I wasn't lucky, I'd starve.
+ </p>
+ <p>
+ WISE MAN. What have you got the shears for?
+ </p>
+ <p>
+ FOOL. I won't tell you. If I told you, you would drive them away.
+ </p>
+ <p>
+ WISE MAN. Whom would I drive away?
+ </p>
+ <p>
+ FOOL. I won't tell you.
+ </p>
+ <p>
+ WISE MAN. Not if I give you a penny?
+ </p>
+ <p>
+ FOOL. No.
+ </p>
+ <p>
+ WISE MAN. Not if I give you two pennies.
+ </p>
+ <p>
+ FOOL. You will be very lucky if you give me two pennies, but I won't tell
+ you.
+ </p>
+ <p>
+ WISE MAN. Three pennies?
+ </p>
+ <p>
+ FOOL. Four, and I will tell you!
+ </p>
+ <p>
+ WISE MAN. Very well, four. But I will not call you Teigue the Fool any
+ longer.
+ </p>
+ <p>
+ FOOL. Let me come close to you where nobody will hear me. But first you
+ must promise you will not drive them away. [WISE MAN nods.] Every day men
+ go out dressed in black and spread great black nets over the hill, great
+ black nets.
+ </p>
+ <p>
+ WISE MAN. Why do they do that?
+ </p>
+ <p>
+ FOOL. That they may catch the feet of the angels. But every morning, just
+ before the dawn, I go out and cut the nets with my shears, and the angels
+ fly away.
+ </p>
+ <p>
+ WISE MAN. Ah, now I know that you are Teigue the Fool. You have told me
+ that I am wise, and I have never seen an angel.
+ </p>
+ <p>
+ FOOL. I have seen plenty of angels.
+ </p>
+ <p>
+ WISE MAN. Do you bring luck to the angels too.
+ </p>
+ <p>
+ FOOL. Oh, no, no! No one could do that. But they are always there if one
+ looks about one; they are like the blades of grass.
+ </p>
+ <p>
+ WISE MAN. When do you see them?
+ </p>
+ <p>
+ FOOL. When one gets quiet; then something wakes up inside one, something
+ happy and quiet like the stars&mdash;not like the seven that move, but
+ like the fixed stars. [He points upward.]
+ </p>
+ <p>
+ WISE MAN. And what happens then?
+ </p>
+ <p>
+ FOOL. Then all in a minute one smells summer flowers, and tall people go
+ by, happy and laughing, and their clothes are the color of burning sods.
+ </p>
+ <p>
+ WISE MAN. Is it long since you have seen them, Teigue the Fool?
+ </p>
+ <p>
+ FOOL. Not long, glory be to God! I saw one coming behind me just now. It
+ was not laughing, but it had clothes the color of burning sods, and there
+ was something shining about its head.
+ </p>
+ <p>
+ WISE MAN. Well, there are your four pennies. You, a fool, say "Glory be to
+ God," but before I came the wise men said it. Run away now. I must ring
+ the bell for my scholars.
+ </p>
+ <p>
+ FOOL. Four pennies! That means a great deal of luck. Great teacher, I have
+ brought you plenty of luck! [He goes out shaking the bag.]
+ </p>
+ <p>
+ WISE MAN. Though they call him Teigue the Fool, he is not more foolish
+ than everybody used to be, with their dreams and their preachings and
+ their three worlds; but I have overthrown their three worlds with the
+ seven sciences. [He touches the books with his hands.] With Philosophy
+ that was made for the lonely star, I have taught them to forget Theology;
+ with Architecture, I have hidden the ramparts of their cloudy heaven; with
+ Music, the fierce planets' daughter whose hair is always on fire, and with
+ Grammar that is the moon's daughter, I have shut their ears to the
+ imaginary harpings and speech of the angels; and I have made formations of
+ battle with Arithmetic that have put the hosts of heaven to the rout. But,
+ Rhetoric and Dialectic, that have been born out of the light star and out
+ of the amorous star, you have been my spearman and my catapult! Oh! my
+ swift horseman! Oh! my keen darting arguments, it is because of you that I
+ have overthrown the hosts of foolishness! [An ANGEL, in a dress the color
+ of embers, and carrying a blossoming apple bough in his hand and with a
+ gilded halo about his head, stands upon the threshold.] Before I came,
+ men's minds were stuffed with folly about a heaven where birds sang the
+ hours, and about angels that came and stood upon men's thresholds. But I
+ have locked the visions into heaven and turned the key upon them. Well, I
+ must consider this passage about the two countries. My mother used to say
+ something of the kind. She would say that when our bodies sleep our souls
+ awake, and that whatever withers here ripens yonder, and that harvests are
+ snatched from us that they may feed invisible people. But the meaning of
+ the book must be different, for only fools and women have thoughts like
+ that; their thoughts were never written upon the walls of Babylon. [He
+ sees the ANGEL.] What are you? Who are you? I think I saw some that were
+ like you in my dreams when I was a child&mdash;that bright thing, that
+ dress that is the color of embers! But I have done with dreams, I have
+ done with dreams.
+ </p>
+ <p>
+ ANGEL. I am the Angel of the Most High God.
+ </p>
+ <p>
+ WISE MAN. Why have you come to me?
+ </p>
+ <p>
+ ANGEL. I have brought you a message.
+ </p>
+ <p>
+ WISE MAN. What message have you got for me?
+ </p>
+ <p>
+ ANGEL. You will die within the hour. You will die when the last grains
+ have fallen in this glass. [He turns the hour-glass.]
+ </p>
+ <p>
+ WISE MAN. My time to die has not come. I have my pupils. I have a young
+ wife and children that I cannot leave. Why must I die?
+ </p>
+ <p>
+ ANGEL. You must die because no souls have passed over the threshold of
+ heaven since you came into this country. The threshold is grassy, and the
+ gates are rusty, and the angels that keep watch there are lonely.
+ </p>
+ <p>
+ WISE MAN. Where will death bring me to?
+ </p>
+ <p>
+ ANGEL. The doors of heaven will not open to you, for you have denied the
+ existence of heaven; and the doors of purgatory will not open to you, for
+ you have denied the existence of purgatory.
+ </p>
+ <p>
+ WISE MAN. But I have also denied the existence of hell!
+ </p>
+ <p>
+ ANGEL. Hell is the place of those who deny.
+ </p>
+ <p>
+ WISE MAN [kneeling]. I have indeed denied everything and have taught
+ others to deny. I have believed in nothing but what my senses told me.
+ But, oh! beautiful Angel, forgive me, forgive me!
+ </p>
+ <p>
+ ANGEL. You should have asked forgiveness long ago.
+ </p>
+ <p>
+ WISE MAN. Had I seen your face as I see it now, oh! beautiful Angel, I
+ would have believed, I would have asked forgiveness. Maybe you do not know
+ how easy it is to doubt. Storm, death, the grass rotting, many sicknesses,
+ those are the messengers that came to me. Oh! why are you silent? You
+ carry the pardon of the Most High; give it to me! I would kiss your hands
+ if I were not afraid&mdash; no, no, the hem of your dress!
+ </p>
+ <p>
+ ANGEL. You let go undying hands too long ago to take hold of them now.
+ </p>
+ <p>
+ WISE MAN. You cannot understand. You live in that country people only see
+ in their dreams. You live in a country that we can only dream about. Maybe
+ it is as hard for you to understand why we disbelieve as it is for us to
+ believe. Oh! what have I said! You know everything! Give me time to undo
+ what I have done. Give me a year&mdash;a month&mdash;a day&mdash;an hour!
+ Give me this hour's end, that I may undo what I have done!
+ </p>
+ <p>
+ ANGEL. You cannot undo what you have done. Yet I have this power with my
+ message. If you can find one that believes before the hour's end, you
+ shall come to heaven after the years of purgatory. For, from one fiery
+ seed, watched over by those that sent me, the harvest can come again to
+ heap the golden threshing-floor. But now farewell, for I am weary of the
+ weight of time.
+ </p>
+ <p>
+ WISE MAN. Blessed be the Father, blessed be the Son, blessed be the
+ Spirit, blessed be the Messenger They have sent!
+ </p>
+ <p>
+ ANGEL [at the door and pointing at the hour-glass]. In a little while the
+ uppermost glass will be empty. [Goes out.]
+ </p>
+ <p>
+ WISE MAN. Everything will be well with me. I will call my pupils; they
+ only say they doubt. [Pulls the bell.] They will be here in a moment. I
+ hear their feet outside on the path. They want to please me; they pretend
+ that they disbelieve. Belief is too old to be overcome all in a minute.
+ Besides, I can prove what I once disproved. [Another pull at the bell.]
+ They are coming now. I will go to my desk. I will speak quietly, as if
+ nothing had happened.
+ </p>
+ <p>
+ [He stands at the desk with a fixed look in his eyes.]
+ </p>
+ <p>
+ [Enter PUPILS and the FOOL.]
+ </p>
+ <p>
+ FOOL. Leave me alone. Leave me alone. Who is that pulling at my bag?
+ King's son, do not pull at my bag.
+ </p>
+ <p>
+ A YOUNG MAN. Did your friends the angels give you that bag? Why don't they
+ fill your bag for you?
+ </p>
+ <p>
+ FOOL. Give me pennies! Give me some pennies!
+ </p>
+ <p>
+ A YOUNG MAN. Let go his cloak, it is coming to pieces. What do you want
+ pennies for, with that great bag at your waist?
+ </p>
+ <p>
+ FOOL. I want to buy bacon in the shops, and nuts in the market, and strong
+ drink for the time when the sun is weak, and snares to catch rabbits and
+ the squirrels that steal the nuts, and hares, and a great pot to cook them
+ in.
+ </p>
+ <p>
+ A YOUNG MAN. Why don't your friends tell you where buried treasures are?
+ </p>
+ <p>
+ ANOTHER. Why don't they make you dream about treasures? If one dreams
+ three times, there is always treasure.
+ </p>
+ <p>
+ FOOL [holding out his hat]. Give me pennies! Give me pennies!
+ </p>
+ <p>
+ [They throw pennies into his hat. He is standing close to the door, that
+ he may hold out his hat to each newcomer.]
+ </p>
+ <p>
+ A YOUNG MAN. Master, will you have Teigue the Fool for a scholar?
+ </p>
+ <p>
+ ANOTHER YOUNG MAN. Teigue, will you give us pennies if we teach you
+ lessons? No, he goes to school for nothing on the mountains. Tell us what
+ you learn on the mountains, Teigue?
+ </p>
+ <p>
+ WISE MAN. Be silent all. [He has been standing silent, looking away.]
+ Stand still in your places, for there is something I would have you tell
+ me.
+ </p>
+ <p>
+ [A moment's pause. They all stand round in their places. TEIGUE still
+ stands at the door.]
+ </p>
+ <p>
+ WISE MAN. Is there any one amongst you who believes in God? In heaven? Or
+ in purgatory? Or in hell?
+ </p>
+ <p>
+ ALL THE YOUNG MEN. No one; Master! No one!
+ </p>
+ <p>
+ WISE MAN. I knew you would all say that; but do not be afraid. I will not
+ be angry. Tell me the truth. Do you not believe?
+ </p>
+ <p>
+ A YOUNG MAN. We once did, but you have taught us to know better.
+ </p>
+ <p>
+ WISE MAN. Oh! teaching, teaching does not go very deep! The heart remains
+ unchanged under it all. You believe just as you always did, and you are
+ afraid to tell me.
+ </p>
+ <p>
+ A YOUNG MAN. No, no, master.
+ </p>
+ <p>
+ WISE MAN. If you tell me that you believe I shall be glad and not angry.
+ </p>
+ <p>
+ A YOUNG MAN. [To his neighbor.] He wants somebody to dispute with.
+ </p>
+ <p>
+ HIS NEIGHBOR. I knew that from the beginning.
+ </p>
+ <p>
+ A YOUNG MAN. That is not the subject for to-day; you were going to talk
+ about the words the beggar wrote upon the walls of Babylon.
+ </p>
+ <p>
+ WISE MAN. If there is one amongst you that believes, he will be my best
+ friend. Surely there is one amongst you. [They are all silent.] Surely
+ what you learned at your mother's knees has not been so soon forgotten.
+ </p>
+ <p>
+ A YOUNG MAN. Master, till you came, no teacher in this land was able to
+ get rid of foolishness and ignorance. But every one has listened to you,
+ every one has learned the truth. You have had your last disputation.
+ </p>
+ <p>
+ ANOTHER. What a fool you made of that monk in the market-place! He had not
+ a word to say.
+ </p>
+ <p>
+ WISE MAN. [Comes from his desk and stands among them in the middle of the
+ room.] Pupils, dear friends, I have deceived you all this time. It was I
+ myself who was ignorant. There is a God. There is a heaven. There is fire
+ that passes, and there is fire that lasts for ever.
+ </p>
+ <p>
+ [TEIGUE, through all this, is sitting on a stool by the door, reckoning on
+ his fingers what he will buy with his money.]
+ </p>
+ <p>
+ A YOUNG MAN [to another]. He will not be satisfied till we dispute with
+ him. [To the WISE MAN.] Prove it, master. Have you seen them?
+ </p>
+ <p>
+ WISE MAN [in a low, solemn voice]. Just now, before you came in, some one
+ came to the door, and when I looked up I saw an angel standing there.
+ </p>
+ <p>
+ A YOUNG MAN. You were in a dream. Anybody can see an angel in his dreams.
+ </p>
+ <p>
+ WISE MAN. Oh, my God! it was not a dream. I was awake, waking as I am now.
+ I tell you I was awake as I am now.
+ </p>
+ <p>
+ A YOUNG MAN. Some dream when they are awake, but they are the crazy, and
+ who would believe what they say? Forgive me, master, but that is what you
+ taught me to say. That is what you said to the monk when he spoke of the
+ visions of the saints and the martyrs.
+ </p>
+ <p>
+ ANOTHER YOUNG MAN. You see how well we remember your teaching.
+ </p>
+ <p>
+ WISE MAN. Out, out from my sight! I want some one with belief. I must find
+ that grain the Angel spoke of before I die. I tell you I must find it, and
+ you answer me with arguments. Out with you, or I will beat you with my
+ stick! [The young men laugh.]
+ </p>
+ <p>
+ A YOUNG MAN. How well he plays at faith! He is like the monk when he had
+ nothing more to say.
+ </p>
+ <p>
+ WISE MAN. Out, out, or I will lay this stick about your shoulders! Out
+ with you, though you are a king's son!
+ </p>
+ <p>
+ [They begin to hurry out.]
+ </p>
+ <p>
+ A YOUNG MAN. Come, come; he wants us to find some one who will dispute
+ with him. [All go out.]
+ </p>
+ <p>
+ WISE MAN [alone. He goes to the door at the side]. I will call my wife.
+ She will believe; women always believe. [He opens the door and calls.]
+ Bridget! Bridget! [BRIDGET comes in wearing her apron, her sleeves turned
+ up from her floury arms.] Bridget, tell me the truth; do not say what you
+ think will please me. Do you sometimes say your prayers?
+ </p>
+ <p>
+ BRIDGET. Prayers! No, you taught me to leave them off long ago. At first I
+ was sorry, but I am glad now, for I am sleepy in the evenings.
+ </p>
+ <p>
+ WISE MAN. But do you not believe in God?
+ </p>
+ <p>
+ BRIDGET. Oh, a good wife only believes what her husband tells her!
+ </p>
+ <p>
+ WISE MAN. But sometimes when you are alone, when I am in the school and
+ the children asleep, do you not think about the saints, about the things
+ you used to believe in? What do you think of when you are alone?
+ </p>
+ <p>
+ BRIDGET [considering]. I think about nothing. Sometimes I wonder if the
+ pig is fattening well, or I go out to see if the crows are picking up the
+ chickens' food.
+ </p>
+ <p>
+ WISE MAN. Oh, what can I do! Is there nobody who believes? I must go and
+ find somebody! [He goes toward the door but with his eyes fixed on the
+ hour-glass.] I cannot go out; I cannot leave that!
+ </p>
+ <p>
+ BRIDGET. You want somebody to get up argument with.
+ </p>
+ <p>
+ WISE MAN. Oh, look out of the door and tell me if there is anybody there
+ in the street. I cannot leave this glass; somebody might shake it! Then
+ the sand would fall quickly.
+ </p>
+ <p>
+ BRIDGET. I don't understand what you are saying. [Looks out.] There is a
+ crowd of people talking to your pupils.
+ </p>
+ <p>
+ WISE MAN. Oh, run out, Bridget, and see if they have found somebody that
+ believes!
+ </p>
+ <p>
+ BRIDGET [wiping her arms in her apron and pulling down her sleeves]. It's
+ a hard thing to be married to a man of learning that must be always having
+ arguments. [Goes out and shouts through the kitchen door.] Don't be
+ meddling with the bread, children, while I'm out.
+ </p>
+ <p>
+ WISE MAN. [Kneels down.] "Salvum me fac, Deus&mdash;salvum&mdash;salvum...."
+ I have forgotten it all. It is thirty years since I said a prayer. I must
+ pray in the common tongue, like a clown begging in the market like Teigue
+ the Fool! [He prays.] Help me, Father, Son, and Spirit!
+ </p>
+ <p>
+ [BRIDGET enters, followed by the FOOL, who is holding out his hat to her.]
+ </p>
+ <p>
+ FOOL. Give me something; give me a penny to buy bacon in the shops, and
+ nuts in the market, and strong drink for the time when the sun grows weak.
+ </p>
+ <p>
+ BRIDGET. I have no pennies. [To the WISE MAN.] Your pupils cannot find
+ anybody to argue with you. There is nobody in the whole country who had
+ enough belief to fill a pipe with since you put down the monk. Can't you
+ be quiet now and not always be wanting to have arguments? It must be
+ terrible to have a mind like that.
+ </p>
+ <p>
+ WISE MAN. I am lost! I am lost!
+ </p>
+ <p>
+ BRIDGET. Leave me alone now; I have to make the bread for you and the
+ children.
+ </p>
+ <p>
+ WISE MAN. Out of this, woman, out of this, I say! [BRIDGET goes through
+ the kitchen door.] Will nobody find a way to help me! But she spoke of my
+ children. I had forgotten them. They will believe. It is only those who
+ have reason that doubt; the young are full of faith. Bridget, Bridget,
+ send my children to me!
+ </p>
+ <p>
+ BRIDGET [inside]. Your father wants you, run to him now.
+ </p>
+ <p>
+ [The two children came in. They stand together a little way from the
+ threshold of the kitchen door, looking timidly at their father.]
+ </p>
+ <p>
+ WISE MAN. Children, what do you believe? Is there a heaven? Is there a
+ hell? Is there a purgatory?
+ </p>
+ <p>
+ FIRST CHILD. We haven't forgotten, father.
+ </p>
+ <p>
+ THE OTHER CHILD. Oh, no, father. [They both speak together as if in
+ school.] There is no heaven; there is no hell; there is nothing we cannot
+ see.
+ </p>
+ <p>
+ FIRST CHILD. Foolish people used to think that there were, but you are
+ very learned and you have taught us better.
+ </p>
+ <p>
+ WISE MAN. You are just as bad as the others, just as bad as the others!
+ Out of the room with you, out of the room! [The children begin to cry and
+ run away.] Go away, go away! I will teach you better&mdash;no, I will
+ never teach you again. Go to your mother&mdash;no, she will not be able to
+ teach them.... Help them, O God! [Alone.] The grains are going very
+ quickly. There is very little sand in the uppermost glass. Somebody will
+ come for me in a moment; perhaps he is at the door now! All creatures that
+ have reason doubt. O that the grass and the planets could speak! Somebody
+ has said that they would wither if they doubted. O speak to me, O grass
+ blades! O fingers of God's certainty, speak to me. You are millions and
+ you will not speak. I dare not know the moment the messenger will come for
+ me. I will cover the glass. [He covers it and brings it to the desk, and
+ the FOOL, is sitting by the door fiddling with some flowers which he has
+ stuck in his hat. He has begun to blow a dandelion head.] What are you
+ doing?
+ </p>
+ <p>
+ FOOL. Wait a moment. [He blows.] Four, five, six.
+ </p>
+ <p>
+ WISE MAN. What are you doing that for?
+ </p>
+ <p>
+ FOOL. I am blowing at the dandelion to find out what time it is.
+ </p>
+ <p>
+ WISE MAN. You have heard everything! That is why you want to find out what
+ hour it is! You are waiting to see them coming through the door to carry
+ me away. [FOOL goes on blowing.] Out through the door with you! I will
+ have no one here when they come. [He seizes the FOOL by the shoulders, and
+ begins to force him out through the door, then suddenly changes his mind.]
+ No, I have something to ask you. [He drags him back into the room.] Is
+ there a heaven? Is there a hell? Is there a purgatory?
+ </p>
+ <p>
+ FOOL. So you ask me now. I thought when you were asking your pupils, I
+ said to myself, if he would ask Teigue the Fool, Teigue could tell him all
+ about it, for Teigue has learned all about it when he has been cutting the
+ nets.
+ </p>
+ <p>
+ WISE MAN. Tell me; tell me!
+ </p>
+ <p>
+ FOOL. I said, Teigue knows everything. Not even the owls and the hares
+ that milk the cows have Teigue's wisdom. But Teigue will not speak; he
+ says nothing.
+ </p>
+ <p>
+ WISE MAN. Tell me, tell me! For under the cover the grains are falling,
+ and when they are all fallen I shall die; and my soul will be lost if I
+ have not found somebody that believes! Speak, speak!
+ </p>
+ <p>
+ FOOL [looking wise]. No, no, I won't tell you what is in my mind, and I
+ won't tell you what is in my bag. You might steal away my thoughts. I met
+ a bodach on the road yesterday, and he said, "Teigue, tell me how many
+ pennies are in your bag. I will wager three pennies that there are not
+ twenty pennies in your bag; let me put in my hand and count them." But I
+ pulled the strings tighter, like this; and when I go to sleep every night
+ I hide the bag where no one knows.
+ </p>
+ <p>
+ WISE MAN. [Goes toward the hour-glass as if to uncover it.] No, no, I have
+ not the courage! [He kneels.] Have pity upon me, Fool, and tell me!
+ </p>
+ <p>
+ FOOL. Ah! Now, that is different. I am not afraid of you now. But I must
+ come near you; somebody in there might hear what the Angel said.
+ </p>
+ <p>
+ WISE MAN. Oh, what did the Angel tell you?
+ </p>
+ <p>
+ FOOL. Once I was alone on the hills, and an Angel came by and he said,
+ "Teigue the Fool, do not forget the Three Fires: the Fire that punishes,
+ the Fire that purifies, and the Fire wherein the soul rejoices for ever!"
+ </p>
+ <p>
+ WISE MAN. He believes! I am saved! Help me. The sand has run out. I am
+ dying.... [FOOL helps him to his chair.] I am going from the country of
+ the seven wandering stars, and I am going to the country of the fixed
+ stars! Ring the bell. [FOOL rings the bell.] Are they coming ? Ah! now I
+ hear their feet.... I will speak to them. I understand it all now. One
+ sinks in on God: we do not see the truth; God sees the truth in us. I
+ cannot speak, I am too weak. Tell them, Fool, that when the life and the
+ mind are broken, the truth comes through them like peas through a broken
+ peascod. But no, I will pray&mdash;yet I cannot pray. Pray Fool, that they
+ may be given a sign and save their souls alive. Your prayers are better
+ than mine.
+ </p>
+ <p>
+ [FOOL bows his head. WISE MAN'S head sinks on his arm on the books. PUPILS
+ enter.]
+ </p>
+ <p>
+ A YOUNG MAN. Look at the Fool turned bell-ringer!
+ </p>
+ <p>
+ ANOTHER. What have you called us in for, Teigue? What are you going to
+ tell us?
+ </p>
+ <p>
+ ANOTHER. No wonder he has had dreams! See, he is fast asleep now. [Goes
+ over and touches the WISE MAN.] Oh, he is dead!
+ </p>
+ <p>
+ FOOL. Do not stir! He asked for a sign that you might be saved. [All are
+ silent for a moment.] Look what has come from his mouth... a little winged
+ thing... a little shining thing. It has gone to the door. [The ANGEL
+ appears in the doorway, stretches out her hands and closes them again.]
+ The Angel has taken it in her hands... she will open her hands in the
+ Garden of Paradise.
+ </p>
+ <p>
+ [They all kneel.]
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hour Glass, by W. B. Yeats
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+***** This file should be named 7448-h.htm or 7448-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/4/4/7448/
+
+Produced by Nichole Apostola and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+ </body>
+</html>
diff --git a/7448.txt b/7448.txt
new file mode 100644
index 0000000..3f67a6b
--- /dev/null
+++ b/7448.txt
@@ -0,0 +1,996 @@
+The Project Gutenberg EBook of The Hour Glass, by W. B. Yeats
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Hour Glass
+
+Author: W. B. Yeats
+
+Release Date: February, 2005 [EBook #7448]
+Last Updated: August 28, 2012
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+
+
+
+Produced by Nichole Apostola
+
+
+
+
+
+
+
+THE HOUR-GLASS
+
+A MORALITY
+
+By W. B. Yeats
+
+
+
+
+DRAMATIS PERSONAE
+
+ A WISE MAN
+ A FOOL
+ SOME PUPILS
+ AN ANGEL
+ THE WISE MAN'S WIFE AND TWO CHILDREN
+
+
+
+
+THE HOUR-GLASS
+
+
+SCENE: A large room with a door at the back and another at the side
+opening to an inner room. A desk and a chair in the middle. An
+hour-glass on a bracket near the door. A creepy stool near it. Some
+benches. The WISE MAN sitting at his desk.
+
+
+WISE MAN [turning over the pages of a book]. Where is that passage
+I am to explain to my pupils to-day? Here it is, and the book says
+that it was written by a beggar on the walls of Babylon: "There are
+two living countries, the one visible and the one invisible; and
+when it is winter with us it is summer in that country; and when
+the November winds are up among us it is lambing-time there." I
+wish that my pupils had asked me to explain any other passage, for
+this is a hard passage. [The FOOL comes in and stands at the door,
+holding out his hat. He has a pair of shears in the other hand.] It
+sounds to me like foolishness; and yet that cannot be, for the
+writer of this book, where I have found so much knowledge,
+would not have set it by itself on this page, and surrounded it
+with so many images and so many deep colors and so much fine
+gilding, if it had been foolishness.
+
+FOOL. Give me a penny.
+
+WISE MAN. [Turns to another page.] Here he has written: "The
+learned in old times forgot the visible country." That I
+understand, but I have taught my learners better.
+
+FOOL. Won't you give me a penny?
+
+WISE MAN. What do you want? The words of the wise Saracen will not
+teach you much.
+
+FOOL. Such a great wise teacher as you are will not refuse a penny
+to a Fool.
+
+WISE MAN. What do you know about wisdom?
+
+FOOL. Oh, I know! I know what I have seen.
+
+WISE MAN. What is it you have seen?
+
+FOOL. When I went by Kilcluan where the bells used to be ringing at
+the break of every day, I could hear nothing but the people snoring
+in their houses. When I went by Tubbervanach where the young men
+used to be climbing the hill to the blessed well, they were sitting
+at the crossroads playing cards. When I went by Carrigoras where
+the friars used to be fasting and serving the poor, I saw them
+drinking wine and obeying their wives. And when I asked what
+misfortune had brought all these changes, they said it was no
+misfortune, but it was the wisdom they had learned from your
+teaching.
+
+WISE MAN. Run round to the kitchen, and my wife will give you
+something to eat.
+
+FOOL. That is foolish advice for a wise man to give.
+
+WISE MAN. Why, Fool?
+
+FOOL. What is eaten is gone. I want pennies for my bag. I must buy
+bacon in the shops, and nuts in the market, and strong drink for
+the time when the sun is weak. And I want snares to catch the
+rabbits and the squirrels and the bares, and a pot to cook them in.
+
+WISE MAN. Go away. I have other things to think of now than giving
+you pennies.
+
+FOOL. Give me a penny and I will bring you luck. Bresal the
+Fisherman lets me sleep among the nets in his loft in the
+winter-time because he says I bring him luck; and in the
+summer-time the wild creatures let me sleep near their nests
+and their holes. It is lucky even to look at me or to touch me,
+but it is much more lucky to give me a penny. [Holds out his
+hand.] If I wasn't lucky, I'd starve.
+
+WISE MAN. What have you got the shears for?
+
+FOOL. I won't tell you. If I told you, you would drive them away.
+
+WISE MAN. Whom would I drive away?
+
+FOOL. I won't tell you.
+
+WISE MAN. Not if I give you a penny?
+
+FOOL. No.
+
+WISE MAN. Not if I give you two pennies.
+
+FOOL. You will be very lucky if you give me two pennies, but I
+won't tell you.
+
+WISE MAN. Three pennies?
+
+FOOL. Four, and I will tell you!
+
+WISE MAN. Very well, four. But I will not call you Teigue the Fool
+any longer.
+
+FOOL. Let me come close to you where nobody will hear me. But first
+you must promise you will not drive them away. [WISE MAN nods.]
+Every day men go out dressed in black and spread great black nets
+over the hill, great black nets.
+
+WISE MAN. Why do they do that?
+
+FOOL. That they may catch the feet of the angels. But every
+morning, just before the dawn, I go out and cut the nets with my
+shears, and the angels fly away.
+
+WISE MAN. Ah, now I know that you are Teigue the Fool. You have
+told me that I am wise, and I have never seen an angel.
+
+FOOL. I have seen plenty of angels.
+
+WISE MAN. Do you bring luck to the angels too.
+
+FOOL. Oh, no, no! No one could do that. But they are always there
+if one looks about one; they are like the blades of grass.
+
+WISE MAN. When do you see them?
+
+FOOL. When one gets quiet; then something wakes up inside one,
+something happy and quiet like the stars--not like the seven that
+move, but like the fixed stars. [He points upward.]
+
+WISE MAN. And what happens then?
+
+FOOL. Then all in a minute one smells summer flowers, and tall
+people go by, happy and laughing, and their clothes are the color
+of burning sods.
+
+WISE MAN. Is it long since you have seen them, Teigue the Fool?
+
+FOOL. Not long, glory be to God! I saw one coming behind me just
+now. It was not laughing, but it had clothes the color of burning
+sods, and there was something shining about its head.
+
+WISE MAN. Well, there are your four pennies. You, a fool, say
+"Glory be to God," but before I came the wise men said it. Run away
+now. I must ring the bell for my scholars.
+
+FOOL. Four pennies! That means a great deal of luck. Great teacher,
+I have brought you plenty of luck! [He goes out shaking the bag.]
+
+WISE MAN. Though they call him Teigue the Fool, he is not more
+foolish than everybody used to be, with their dreams and their
+preachings and their three worlds; but I have overthrown their
+three worlds with the seven sciences. [He touches the books with
+his hands.] With Philosophy that was made for the lonely star, I
+have taught them to forget Theology; with Architecture, I have
+hidden the ramparts of their cloudy heaven; with Music, the fierce
+planets' daughter whose hair is always on fire, and with Grammar
+that is the moon's daughter, I have shut their ears to the
+imaginary harpings and speech of the angels; and I have made
+formations of battle with Arithmetic that have put the hosts of
+heaven to the rout. But, Rhetoric and Dialectic, that have been
+born out of the light star and out of the amorous star, you have
+been my spearman and my catapult! Oh! my swift horseman! Oh! my
+keen darting arguments, it is because of you that I have overthrown
+the hosts of foolishness! [An ANGEL, in a dress the color of
+embers, and carrying a blossoming apple bough in his hand and with
+a gilded halo about his head, stands upon the threshold.] Before I
+came, men's minds were stuffed with folly about a heaven where
+birds sang the hours, and about angels that came and stood upon
+men's thresholds. But I have locked the visions into heaven and
+turned the key upon them. Well, I must consider this passage about
+the two countries. My mother used to say something of the kind. She
+would say that when our bodies sleep our souls awake, and that
+whatever withers here ripens yonder, and that harvests are snatched
+from us that they may feed invisible people. But the meaning of the
+book must be different, for only fools and women have thoughts like
+that; their thoughts were never written upon the walls of Babylon.
+[He sees the ANGEL.] What are you? Who are you? I think I saw some
+that were like you in my dreams when I was a child--that bright
+thing, that dress that is the color of embers! But I have done with
+dreams, I have done with dreams.
+
+ANGEL. I am the Angel of the Most High God.
+
+WISE MAN. Why have you come to me?
+
+ANGEL. I have brought you a message.
+
+WISE MAN. What message have you got for me?
+
+ANGEL. You will die within the hour. You will die when the last
+grains have fallen in this glass. [He turns the hour-glass.]
+
+WISE MAN. My time to die has not come. I have my pupils. I have a
+young wife and children that I cannot leave. Why must I die?
+
+ANGEL. You must die because no souls have passed over the threshold
+of heaven since you came into this country. The threshold is
+grassy, and the gates are rusty, and the angels that keep watch
+there are lonely.
+
+WISE MAN. Where will death bring me to?
+
+ANGEL. The doors of heaven will not open to you, for you have
+denied the existence of heaven; and the doors of purgatory will not
+open to you, for you have denied the existence of purgatory.
+
+WISE MAN. But I have also denied the existence of hell!
+
+ANGEL. Hell is the place of those who deny.
+
+WISE MAN [kneeling]. I have indeed denied everything and have
+taught others to deny. I have believed in nothing but what my
+senses told me. But, oh! beautiful Angel, forgive me, forgive me!
+
+ANGEL. You should have asked forgiveness long ago.
+
+WISE MAN. Had I seen your face as I see it now, oh! beautiful
+Angel, I would have believed, I would have asked forgiveness.
+Maybe you do not know how easy it is to doubt. Storm, death, the
+grass rotting, many sicknesses, those are the messengers that came
+to me. Oh! why are you silent? You carry the pardon of the Most
+High; give it to me! I would kiss your hands if I were not afraid--
+no, no, the hem of your dress!
+
+ANGEL. You let go undying hands too long ago to take hold of them now.
+
+WISE MAN. You cannot understand. You live in that country people
+only see in their dreams. You live in a country that we can only
+dream about. Maybe it is as hard for you to understand why we
+disbelieve as it is for us to believe. Oh! what have I said! You
+know everything! Give me time to undo what I have done. Give me a
+year--a month--a day--an hour! Give me this hour's end, that I may
+undo what I have done!
+
+ANGEL. You cannot undo what you have done. Yet I have this power
+with my message. If you can find one that believes before the
+hour's end, you shall come to heaven after the years of purgatory.
+For, from one fiery seed, watched over by those that sent me, the
+harvest can come again to heap the golden threshing-floor. But now
+farewell, for I am weary of the weight of time.
+
+WISE MAN. Blessed be the Father, blessed be the Son, blessed be the
+Spirit, blessed be the Messenger They have sent!
+
+ANGEL [at the door and pointing at the hour-glass]. In a little
+while the uppermost glass will be empty. [Goes out.]
+
+WISE MAN. Everything will be well with me. I will call my pupils;
+they only say they doubt. [Pulls the bell.] They will be here in a
+moment. I hear their feet outside on the path. They want to please
+me; they pretend that they disbelieve. Belief is too old to be
+overcome all in a minute. Besides, I can prove what I once
+disproved. [Another pull at the bell.] They are coming now. I will
+go to my desk. I will speak quietly, as if nothing had happened.
+
+[He stands at the desk with a fixed look in his eyes.]
+
+[Enter PUPILS and the FOOL.]
+
+FOOL. Leave me alone. Leave me alone. Who is that pulling at my
+bag? King's son, do not pull at my bag.
+
+A YOUNG MAN. Did your friends the angels give you that bag? Why
+don't they fill your bag for you?
+
+FOOL. Give me pennies! Give me some pennies!
+
+A YOUNG MAN. Let go his cloak, it is coming to pieces. What do you
+want pennies for, with that great bag at your waist?
+
+FOOL. I want to buy bacon in the shops, and nuts in the market, and
+strong drink for the time when the sun is weak, and snares to catch
+rabbits and the squirrels that steal the nuts, and hares, and a
+great pot to cook them in.
+
+A YOUNG MAN. Why don't your friends tell you where buried treasures
+are?
+
+ANOTHER. Why don't they make you dream about treasures? If one
+dreams three times, there is always treasure.
+
+FOOL [holding out his hat]. Give me pennies! Give me pennies!
+
+[They throw pennies into his hat. He is standing close to the
+door, that he may hold out his hat to each newcomer.]
+
+A YOUNG MAN. Master, will you have Teigue the Fool for a scholar?
+
+ANOTHER YOUNG MAN. Teigue, will you give us pennies if we teach you
+lessons? No, he goes to school for nothing on the mountains. Tell
+us what you learn on the mountains, Teigue?
+
+WISE MAN. Be silent all. [He has been standing silent, looking
+away.] Stand still in your places, for there is something I would
+have you tell me.
+
+[A moment's pause. They all stand round in their places.
+TEIGUE still stands at the door.]
+
+WISE MAN. Is there any one amongst you who believes in God? In
+heaven? Or in purgatory? Or in hell?
+
+ALL THE YOUNG MEN. No one; Master! No one!
+
+WISE MAN. I knew you would all say that; but do not be afraid. I
+will not be angry. Tell me the truth. Do you not believe?
+
+A YOUNG MAN. We once did, but you have taught us to know better.
+
+WISE MAN. Oh! teaching, teaching does not go very deep! The heart
+remains unchanged under it all. You believe just as you always did,
+and you are afraid to tell me.
+
+A YOUNG MAN. No, no, master.
+
+WISE MAN. If you tell me that you believe I shall be glad and not
+angry.
+
+A YOUNG MAN. [To his neighbor.] He wants somebody to dispute with.
+
+HIS NEIGHBOR. I knew that from the beginning.
+
+A YOUNG MAN. That is not the subject for to-day; you were going to
+talk about the words the beggar wrote upon the walls of Babylon.
+
+WISE MAN. If there is one amongst you that believes, he will be my
+best friend. Surely there is one amongst you. [They are all
+silent.] Surely what you learned at your mother's knees has not
+been so soon forgotten.
+
+A YOUNG MAN. Master, till you came, no teacher in this land was
+able to get rid of foolishness and ignorance. But every one has
+listened to you, every one has learned the truth. You have had your
+last disputation.
+
+ANOTHER. What a fool you made of that monk in the market-place! He
+had not a word to say.
+
+WISE MAN. [Comes from his desk and stands among them in the middle
+of the room.] Pupils, dear friends, I have deceived you all this
+time. It was I myself who was ignorant. There is a God. There is a
+heaven. There is fire that passes, and there is fire that lasts for
+ever.
+
+[TEIGUE, through all this, is sitting on a stool by the door,
+reckoning on his fingers what he will buy with his money.]
+
+A YOUNG MAN [to another]. He will not be satisfied till we dispute
+with him. [To the WISE MAN.] Prove it, master. Have you seen them?
+
+WISE MAN [in a low, solemn voice]. Just now, before you came in,
+some one came to the door, and when I looked up I saw an angel
+standing there.
+
+A YOUNG MAN. You were in a dream. Anybody can see an angel in his
+dreams.
+
+WISE MAN. Oh, my God! it was not a dream. I was awake, waking as I
+am now. I tell you I was awake as I am now.
+
+A YOUNG MAN. Some dream when they are awake, but they are the
+crazy, and who would believe what they say? Forgive me, master, but
+that is what you taught me to say. That is what you said to the
+monk when he spoke of the visions of the saints and the martyrs.
+
+ANOTHER YOUNG MAN. You see how well we remember your teaching.
+
+WISE MAN. Out, out from my sight! I want some one with belief. I
+must find that grain the Angel spoke of before I die. I tell you I
+must find it, and you answer me with arguments. Out with you, or I
+will beat you with my stick! [The young men laugh.]
+
+A YOUNG MAN. How well he plays at faith! He is like the monk when
+he had nothing more to say.
+
+WISE MAN. Out, out, or I will lay this stick about your shoulders!
+Out with you, though you are a king's son!
+
+[They begin to hurry out.]
+
+A YOUNG MAN. Come, come; he wants us to find some one who will
+dispute with him. [All go out.]
+
+WISE MAN [alone. He goes to the door at the side]. I will call
+my wife. She will believe; women always believe. [He opens the door
+and calls.] Bridget! Bridget! [BRIDGET comes in wearing her apron,
+her sleeves turned up from her floury arms.] Bridget, tell me the
+truth; do not say what you think will please me. Do you sometimes
+say your prayers?
+
+BRIDGET. Prayers! No, you taught me to leave them off long ago. At
+first I was sorry, but I am glad now, for I am sleepy in the
+evenings.
+
+WISE MAN. But do you not believe in God?
+
+BRIDGET. Oh, a good wife only believes what her husband tells her!
+
+WISE MAN. But sometimes when you are alone, when I am in the school
+and the children asleep, do you not think about the saints, about
+the things you used to believe in? What do you think of when you
+are alone?
+
+BRIDGET [considering]. I think about nothing. Sometimes I wonder if
+the pig is fattening well, or I go out to see if the crows are
+picking up the chickens' food.
+
+WISE MAN. Oh, what can I do! Is there nobody who believes? I must
+go and find somebody! [He goes toward the door but with his eyes
+fixed on the hour-glass.] I cannot go out; I cannot leave that!
+
+BRIDGET. You want somebody to get up argument with.
+
+WISE MAN. Oh, look out of the door and tell me if there is anybody
+there in the street. I cannot leave this glass; somebody might
+shake it! Then the sand would fall quickly.
+
+BRIDGET. I don't understand what you are saying. [Looks out.] There
+is a crowd of people talking to your pupils.
+
+WISE MAN. Oh, run out, Bridget, and see if they have found somebody
+that believes!
+
+BRIDGET [wiping her arms in her apron and pulling down her
+sleeves]. It's a hard thing to be married to a man of learning
+that must be always having arguments. [Goes out and shouts through
+the kitchen door.] Don't be meddling with the bread, children,
+while I'm out.
+
+WISE MAN. [Kneels down.] "Salvum me fac, Deus--salvum--salvum...."
+I have forgotten it all. It is thirty years since I said a prayer.
+I must pray in the common tongue, like a clown begging in the
+market like Teigue the Fool! [He prays.] Help me, Father, Son, and
+Spirit!
+
+[BRIDGET enters, followed by the FOOL, who is holding out his hat
+to her.]
+
+FOOL. Give me something; give me a penny to buy bacon in the shops,
+and nuts in the market, and strong drink for the time when the sun
+grows weak.
+
+BRIDGET. I have no pennies. [To the WISE MAN.] Your pupils cannot
+find anybody to argue with you. There is nobody in the whole
+country who had enough belief to fill a pipe with since you put
+down the monk. Can't you be quiet now and not always be wanting to
+have arguments? It must be terrible to have a mind like that.
+
+WISE MAN. I am lost! I am lost!
+
+BRIDGET. Leave me alone now; I have to make the bread for you and
+the children.
+
+WISE MAN. Out of this, woman, out of this, I say! [BRIDGET goes
+through the kitchen door.] Will nobody find a way to help me! But
+she spoke of my children. I had forgotten them. They will believe.
+It is only those who have reason that doubt; the young are full of
+faith. Bridget, Bridget, send my children to me!
+
+BRIDGET [inside]. Your father wants you, run to him now.
+
+[The two children came in. They stand together a little way from
+the threshold of the kitchen door, looking timidly at their
+father.]
+
+WISE MAN. Children, what do you believe? Is there a heaven? Is
+there a hell? Is there a purgatory?
+
+FIRST CHILD. We haven't forgotten, father.
+
+THE OTHER CHILD. Oh, no, father. [They both speak together as if in
+school.] There is no heaven; there is no hell; there is nothing
+we cannot see.
+
+FIRST CHILD. Foolish people used to think that there were, but you
+are very learned and you have taught us better.
+
+WISE MAN. You are just as bad as the others, just as bad as the
+others! Out of the room with you, out of the room! [The children
+begin to cry and run away.] Go away, go away! I will teach you
+better--no, I will never teach you again. Go to your mother--no,
+she will not be able to teach them.... Help them, O God! [Alone.]
+The grains are going very quickly. There is very little sand in the
+uppermost glass. Somebody will come for me in a moment; perhaps he
+is at the door now! All creatures that have reason doubt. O that
+the grass and the planets could speak! Somebody has said that they
+would wither if they doubted. O speak to me, O grass blades! O
+fingers of God's certainty, speak to me. You are millions and you
+will not speak. I dare not know the moment the messenger will come
+for me. I will cover the glass. [He covers it and brings it to the
+desk, and the FOOL, is sitting by the door fiddling with some
+flowers which he has stuck in his hat. He has begun to blow a
+dandelion head.] What are you doing?
+
+FOOL. Wait a moment. [He blows.] Four, five, six.
+
+WISE MAN. What are you doing that for?
+
+FOOL. I am blowing at the dandelion to find out what time it is.
+
+WISE MAN. You have heard everything! That is why you want to find
+out what hour it is! You are waiting to see them coming through the
+door to carry me away. [FOOL goes on blowing.] Out through the door
+with you! I will have no one here when they come. [He seizes the
+FOOL by the shoulders, and begins to force him out through the
+door, then suddenly changes his mind.] No, I have something to ask
+you. [He drags him back into the room.] Is there a heaven? Is there
+a hell? Is there a purgatory?
+
+FOOL. So you ask me now. I thought when you were asking your
+pupils, I said to myself, if he would ask Teigue the Fool, Teigue
+could tell him all about it, for Teigue has learned all about it
+when he has been cutting the nets.
+
+WISE MAN. Tell me; tell me!
+
+FOOL. I said, Teigue knows everything. Not even the owls and the
+hares that milk the cows have Teigue's wisdom. But Teigue will not
+speak; he says nothing.
+
+WISE MAN. Tell me, tell me! For under the cover the grains are
+falling, and when they are all fallen I shall die; and my soul will
+be lost if I have not found somebody that believes! Speak, speak!
+
+FOOL [looking wise]. No, no, I won't tell you what is in my mind,
+and I won't tell you what is in my bag. You might steal away my
+thoughts. I met a bodach on the road yesterday, and he said,
+"Teigue, tell me how many pennies are in your bag. I will wager
+three pennies that there are not twenty pennies in your bag; let me
+put in my hand and count them." But I pulled the strings tighter,
+like this; and when I go to sleep every night I hide the bag where
+no one knows.
+
+WISE MAN. [Goes toward the hour-glass as if to uncover it.] No, no,
+I have not the courage! [He kneels.] Have pity upon me, Fool, and
+tell me!
+
+FOOL. Ah! Now, that is different. I am not afraid of you now. But I
+must come near you; somebody in there might hear what the Angel
+said.
+
+WISE MAN. Oh, what did the Angel tell you?
+
+FOOL. Once I was alone on the hills, and an Angel came by and he
+said, "Teigue the Fool, do not forget the Three Fires: the Fire
+that punishes, the Fire that purifies, and the Fire wherein the
+soul rejoices for ever!"
+
+WISE MAN. He believes! I am saved! Help me. The sand has run out.
+I am dying.... [FOOL helps him to his chair.] I am going from the
+country of the seven wandering stars, and I am going to the country
+of the fixed stars! Ring the bell. [FOOL rings the bell.] Are they
+coming ? Ah! now I hear their feet.... I will speak to them. I
+understand it all now. One sinks in on God: we do not see the
+truth; God sees the truth in us. I cannot speak, I am too weak.
+Tell them, Fool, that when the life and the mind are broken, the
+truth comes through them like peas through a broken peascod. But
+no, I will pray--yet I cannot pray. Pray Fool, that they may be
+given a sign and save their souls alive. Your prayers are better
+than mine.
+
+[FOOL bows his head. WISE MAN'S head sinks on his arm on the books.
+PUPILS enter.]
+
+A YOUNG MAN. Look at the Fool turned bell-ringer!
+
+ANOTHER. What have you called us in for, Teigue? What are you going
+to tell us?
+
+ANOTHER. No wonder he has had dreams! See, he is fast asleep now.
+[Goes over and touches the WISE MAN.] Oh, he is dead!
+
+FOOL. Do not stir! He asked for a sign that you might be saved.
+[All are silent for a moment.] Look what has come from his mouth...
+a little winged thing... a little shining thing. It has gone to
+the door. [The ANGEL appears in the doorway, stretches out her
+hands and closes them again.] The Angel has taken it in her hands...
+she will open her hands in the Garden of Paradise.
+
+[They all kneel.]
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hour Glass, by W. B. Yeats
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+***** This file should be named 7448.txt or 7448.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/4/4/7448/
+
+Produced by Nichole Apostola
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/7448.zip b/7448.zip
new file mode 100644
index 0000000..129eb6a
--- /dev/null
+++ b/7448.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..8cca9b3
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #7448 (https://www.gutenberg.org/ebooks/7448)
diff --git a/old/2005-02-hrgls10.txt b/old/2005-02-hrgls10.txt
new file mode 100644
index 0000000..41c05e8
--- /dev/null
+++ b/old/2005-02-hrgls10.txt
@@ -0,0 +1,966 @@
+The Project Gutenberg EBook of The Hour Glass, by W.B.Yeats
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Hour Glass
+
+Author: W.B.Yeats
+
+Release Date: February, 2005 [EBook #7448]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on May 1, 2003]
+[Date last updated: March 6, 2006]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+
+
+
+Produced by Nichole Apostola
+
+
+
+
+THE HOUR-GLASS
+A MORALITY
+BY W. B. YEATS
+
+
+
+DRAMATIS PERSONAE
+
+A WISE MAN
+A FOOL
+SOME PUPILS
+AN ANGEL
+THE WISE MAN'S WIFE AND TWO CHILDREN
+
+
+SCENE: A large room with a door at the back and another at the side
+opening to an inner room. A desk and a chair in the middle. An
+hour-glass on a bracket near the door. A creepy stool near it. Some
+benches. The WISE MAN sitting at his desk.
+
+WISE MAN [turning over the pages of a book]. Where is that passage
+I am to explain to my pupils to-day? Here it is, and the book says
+that it was written by a beggar on the walls of Babylon: "There are
+two living countries, the one visible and the one invisible; and
+when it is winter with us it is summer in that country; and when
+the November winds are up among us it is lambing-time there." I
+wish that my pupils had asked me to explain any other passage, for
+this is a hard passage. [The FOOL comes in and stands at the door,
+holding out his hat. He has a pair of shears in the other hand.] It
+sounds to me like foolishness; and yet that cannot be, for the
+writer of this book, where I have found so much knowledge,
+would not have set it by itself on this page, and surrounded it
+with so many images and so many deep colors and so much fine
+gilding, if it had been foolishness.
+
+FOOL. Give me a penny.
+
+WISE MAN. [Turns to another page.] Here he has written: "The
+learned in old times forgot the visible country." That I
+understand, but I have taught my learners better.
+
+FOOL. Won't you give me a penny?
+
+WISE MAN. What do you want? The words of the wise Saracen will not
+teach you much.
+
+FOOL. Such a great wise teacher as you are will not refuse a penny
+to a Fool.
+
+WISE MAN. What do you know about wisdom?
+
+FOOL. Oh, I know! I know what I have seen.
+
+WISE MAN. What is it you have seen?
+
+FOOL. When I went by Kilcluan where the bells used to be ringing at
+the break of every day, I could hear nothing but the people snoring
+in their houses. When I went by Tubbervanach where the young men
+used to be climbing the hill to the blessed well, they were sitting
+at the crossroads playing cards. When I went by Carrigoras where
+the friars used to be fasting and serving the poor, I saw them
+drinking wine and obeying their wives. And when I asked what
+misfortune had brought all these changes, they said it was no
+misfortune, but it was the wisdom they had learned from your
+teaching.
+
+WISE MAN. Run round to the kitchen, and my wife will give you
+something to eat.
+
+FOOL. That is foolish advice for a wise man to give.
+
+WISE MAN. Why, Fool?
+
+FOOL. What is eaten is gone. I want pennies for my bag. I must buy
+bacon in the shops, and nuts in the market, and strong drink for
+the time when the sun is weak. And I want snares to catch the
+rabbits and the squirrels and the bares, and a pot to cook them in.
+
+WISE MAN. Go away. I have other things to think of now than giving
+you pennies.
+
+FOOL. Give me a penny and I will bring you luck. Bresal the
+Fisherman lets me sleep among the nets in his loft in the
+winter-time because he says I bring him luck; and in the
+summer-time the wild creatures let me sleep near their nests
+and their holes. It is lucky even to look at me or to touch me,
+but it is much more lucky to give me a penny. [Holds out his
+hand.] If I wasn't lucky, I'd starve.
+
+WISE MAN. What have you got the shears for?
+
+FOOL. I won't tell you. If I told you, you would drive them away.
+
+WISE MAN. Whom would I drive away?
+
+FOOL. I won't tell you.
+
+WISE MAN. Not if I give you a penny?
+
+FOOL. No.
+
+WISE MAN. Not if I give you two pennies.
+
+FOOL. You will be very lucky if you give me two pennies, but I
+won't tell you.
+
+WISE MAN. Three pennies?
+
+FOOL. Four, and I will tell you!
+
+WISE MAN. Very well, four. But I will not call you Teigue the Fool
+any longer.
+
+FOOL. Let me come close to you where nobody will hear me. But first
+you must promise you will not drive them away. [WISE MAN nods.]
+Every day men go out dressed in black and spread great black nets
+over the hill, great black nets.
+
+WISE MAN. Why do they do that?
+
+FOOL. That they may catch the feet of the angels. But every
+morning, just before the dawn, I go out and cut the nets with my
+shears, and the angels fly away.
+
+WISE MAN. Ah, now I know that you are Teigue the Fool. You have
+told me that I am wise, and I have never seen an angel.
+
+FOOL. I have seen plenty of angels.
+
+WISE MAN. Do you bring luck to the angels too.
+
+FOOL. Oh, no, no! No one could do that. But they are always there
+if one looks about one; they are like the blades of grass.
+
+WISE MAN. When do you see them?
+
+FOOL. When one gets quiet; then something wakes up inside one,
+something happy and quiet like the stars--not like the seven that
+move, but like the fixed stars. [He points upward.]
+
+WISE MAN. And what happens then?
+
+FOOL. Then all in a minute one smells summer flowers, and tall
+people go by, happy and laughing, and their clothes are the color
+of burning sods.
+
+WISE MAN. Is it long since you have seen them, Teigue the Fool?
+
+FOOL. Not long, glory be to God! I saw one coming behind me just
+now. It was not laughing, but it had clothes the color of burning
+sods, and there was something shining about its head.
+
+WISE MAN. Well, there are your four pennies. You, a fool, say
+"Glory be to God," but before I came the wise men said it. Run away
+now. I must ring the bell for my scholars.
+
+FOOL. Four pennies! That means a great deal of luck. Great teacher,
+I have brought you plenty of luck! [He goes out shaking the bag.]
+
+WISE MAN. Though they call him Teigue the Fool, he is not more
+foolish than everybody used to be, with their dreams and their
+preachings and their three worlds; but I have overthrown their
+three worlds with the seven sciences. [He touches the books with
+his hands.] With Philosophy that was made for the lonely star, I
+have taught them to forget Theology; with Architecture, I have
+hidden the ramparts of their cloudy heaven; with Music, the fierce
+planets' daughter whose hair is always on fire, and with Grammar
+that is the moon's daughter, I have shut their ears to the
+imaginary harpings and speech of the angels; and I have made
+formations of battle with Arithmetic that have put the hosts of
+heaven to the rout. But, Rhetoric and Dialectic, that have been
+born out of the light star and out of the amorous star, you have
+been my spearman and my catapult! Oh! my swift horseman! Oh! my
+keen darting arguments, it is because of you that I have overthrown
+the hosts of foolishness! [An ANGEL, in a dress the color of
+embers, and carrying a blossoming apple bough in his hand and with
+a gilded halo about his head, stands upon the threshold.] Before I
+came, men's minds were stuffed with folly about a heaven where
+birds sang the hours, and about angels that came and stood upon
+men's thresholds. But I have locked the visions into heaven and
+turned the key upon them. Well, I must consider this passage about
+the two countries. My mother used to say something of the kind. She
+would say that when our bodies sleep our souls awake, and that
+whatever withers here ripens yonder, and that harvests are snatched
+from us that they may feed invisible people. But the meaning of the
+book must be different, for only fools and women have thoughts like
+that; their thoughts were never written upon the walls of Babylon.
+[He sees the ANGEL.] What are you? Who are you? I think I saw some
+that were like you in my dreams when I was a child--that bright
+thing, that dress that is the color of embers! But I have done with
+dreams, I have done with dreams.
+
+ANGEL. I am the Angel of the Most High God.
+
+WISE MAN. Why have you come to me?
+
+ANGEL. I have brought you a message.
+
+WISE MAN. What message have yon got for me?
+
+ANGEL. You will die within the hour. You will die when the last
+grains have fallen in this glass. [He turns the hour-glass.]
+
+WISE MAN. My time to die has not come. I have my pupils. I have a
+young wife and children that I cannot leave. Why must I die?
+
+ANGEL. You must die because no souls have passed over the threshold
+of heaven since you came into this country. The threshold is
+grassy, and the gates are rusty, and the angels that keep watch
+there are lonely.
+
+WISE MAN. Where will death bring me to?
+
+ANGEL. The doors of heaven will not open to you, for you have
+denied the existence of heaven; and the doors of purgatory will not
+open to you, for you have denied the existence of purgatory.
+
+WISE MAN. But I have also denied the existence of hell!
+
+ANGEL. Hell is the place of those who deny.
+
+WISE MAN [kneeling]. I have indeed denied everything and have
+taught others to deny. I have believed in nothing but what my
+senses told me. But, oh! beautiful Angel, forgive me, forgive me!
+
+ANGEL. You should have asked forgiveness long ago.
+
+WISE MAN. Had I seen your face as I see it now, oh! beautiful
+Angel, I would have believed, I would have asked forgiveness.
+Maybe you do not know how easy it is to doubt. Storm, death, the
+grass rotting, many sicknesses, those are the messengers that came
+to me. Oh! why are you silent? You carry the pardon of the Most
+High; give it to me! I would kiss your hands if I were not afraid--
+no, no, the hem of your dress!
+
+ANGEL. You let go undying hands too long ago to take hold of them now.
+
+WISE MAN. You cannot understand. You live in that country people
+only see in their dreams. You live in a country that we can only
+dream about. Maybe it is as hard for you to understand why we
+disbelieve as it is for us to believe. Oh! what have I said! You
+know everything! Give me time to undo what I have done. Give me a
+year--a month--a day--an hour! Give me this hour's end, that I may
+undo what I have done!
+
+ANGEL. You cannot undo what you have done. Yet I have this power
+with my message. If you can find one that believes before the
+hour's end, you shall come to heaven after the years of purgatory.
+For, from one fiery seed, watched over by those that sent me, the
+harvest can come again to heap the golden threshing-floor. But now
+farewell, for I am weary of the weight of time.
+
+WISE MAN. Blessed be the Father, blessed be the Son, blessed be the
+Spirit, blessed be the Messenger They have sent!
+
+ANGEL [at the door and pointing at the hour-glass]. In a little
+while the uppermost glass will be empty. [Goes out.]
+
+WISE MAN. Everything will be well with me. I will call my pupils;
+they only say they doubt. [Pulls the bell.] They will be here in a
+moment. I hear their feet outside on the path. They want to please
+me; they pretend that they disbelieve. Belief is too old to be
+overcome all in a minute. Besides, I can prove what I once
+disproved. [Another pull at the bell.] They are coming now. I will
+go to my desk. I will speak quietly, as if nothing had happened.
+
+[He stands at the desk with a fixed look in his eyes.]
+
+[Enter PUPILS and the FOOL.]
+
+FOOL. Leave me alone. Leave me alone. Who is that pulling at my
+bag? King's son, do not pull at my bag.
+
+A YOUNG MAN. Did your friends the angels give you that bag? Why
+don't they fill your bag for you?
+
+FOOL. Give me pennies! Give me some pennies!
+
+A YOUNG MAN. Let go his cloak, it is coming to pieces. What do you
+want pennies for, with that great bag at your waist?
+
+FOOL. I want to buy bacon in the shops, and nuts in the market, and
+strong drink for the time when the sun is weak, and snares to catch
+rabbits and the squirrels that steal the nuts, and hares, and a
+great pot to cook them in.
+
+A YOUNG MAN. Why don't your friends tell you where buried treasures
+are?
+
+ANOTHER. Why don't they make you dream about treasures? If one
+dreams three times, there is always treasure.
+
+FOOL [holding out his hat]. Give me pennies! Give me pennies!
+
+[They throw pennies into his hat. He is standing close to the
+door, that he may hold out his hat to each newcomer.]
+
+A YOUNG MAN. Master, will you have Teigue the Fool for a scholar?
+
+ANOTHER YOUNG MAN. Teigue, will you give us pennies if we teach you
+lessons? No, be goes to school for nothing on the mountains. Tell
+us what you learn on the mountains, Teigue?
+
+WISE MAN. Be silent all. [He has been standing silent, looking
+away.] Stand still in your places, for there is something I would
+have you tell me.
+
+[A moment's pause. They all stand round in their places.
+TEIGUE still stands at the door.]
+
+WISE MAN. Is there any one amongst you who believes in God? In
+heaven? Or in purgatory? Or in hell?
+
+ALL THE YOUNG MEN. No one; Master! No one!
+
+WISE MAN. I knew you would all say that; but do not be afraid. I
+will not be angry. Tell me the truth. Do you not believe?
+
+A YOUNG MAN. We once did, but you have taught us to know better.
+
+WISE MAN. Oh! teaching, teaching does not go very deep! The heart
+remains unchanged under it all. You believe just as yon always did,
+and you are afraid to tell me.
+
+A YOUNG MAN. No, no, master.
+
+WISE MAN. If you tell me that you believe I shall be glad and not
+angry.
+
+A YOUNG MAN. [To his neighbor.] He wants somebody to dispute with.
+
+HIS NEIGHBOR. I knew that from the beginning.
+
+A YOUNG MAN. That is not the subject for to-day; you were going to
+talk about the words the beggar wrote upon the walls of Babylon.
+
+WISE MAN. If there is one amongst you that believes, he will be my
+best friend. Surely there is one amongst you. [They are all
+silent.] Surely what you learned at your mother's knees has not
+been so soon forgotten.
+
+A YOUNG MAN. Master, till you came, no teacher in this land was
+able to get rid of foolishness and ignorance. But every one has
+listened to you, every one has learned the truth. You have had your
+last disputation.
+
+ANOTHER. What a fool you made of that monk in the market-place! He
+had not a word to say.
+
+WISE MAN. [Comes from his desk and stands among them in the middle
+of the room.] Pupils, dear friends, I have deceived you all this
+time. It was I myself who was ignorant. There is a God. There is a
+heaven. There is fire that passes, and there is fire that lasts for
+ever.
+
+[TEIGUE, through all this, is sitting on a stool by the door,
+reckoning on his fingers what he will buy with his money.]
+
+A YOUNG MAN [to another]. He will not be satisfied till we dispute
+with him. [To the WISE MAN.] Prove it, master. Have you seen them?
+
+WISE MAN [in a low, solemn voice]. Just now, before you came in,
+some one came to the door, and when I looked up I saw an angel
+standing there.
+
+A YOUNG MAN. You were in a dream. Anybody can see an angel in his
+dreams.
+
+WISE MAN. Oh, my God! it was not a dream. I was awake, waking as I
+am now. I tell you I was awake as I am now.
+
+A YOUNG MAN. Some dream when they are awake, but they are the
+crazy, and who would believe what they say? Forgive me, master, but
+that is what you taught me to say. That is what you said to the
+monk when he spoke of the visions of the saints and the martyrs.
+
+ANOTHER YOUNG MAN. You see how well we remember your teaching.
+
+WISE MAN. Out, out from my sight! I want some one with belief. I
+must find that grain the Angel spoke of before I die. I tell you I
+must find it, and you answer me with arguments. Out with you, or I
+will beat you with my stick! [The young men laugh.]
+
+A YOUNG MAN. How well he plays at faith! He is like the monk when
+he had nothing more to say.
+
+WISE MAN. Out, out, or I will lay this stick about your shoulders!
+Out with you, though you are a king's son!
+
+[They begin to hurry out.]
+
+A YOUNG MAN. Come, come; he wants us to find some one who will
+dispute with him. [All go out.]
+
+WISE MAN [alone. He goes to the door at the side]. I will call
+my wife. She will believe; women always believe. [He opens the door
+and calls.] Bridget! Bridget! [BRIDGET comes in wearing her apron,
+her sleeves turned up from her floury arms.] Bridget, tell me the
+truth; do not say what you think will please me. Do you sometimes
+say your prayers?
+
+BRIDGET. Prayers! No, you taught me to leave them off long ago. At
+first I was sorry, but I am glad now, for I am sleepy in the
+evenings.
+
+WISE MAN. But do you not believe in God?
+
+BRIDGET. Oh, a good wife only believes what her husband tells her!
+
+WISE MAN. But sometimes when you are alone, when I am in the school
+and the children asleep, do you not think about the saints, about
+the things you used to believe in? What do you think of when you
+are alone?
+
+BRIDGET [considering]. I think about nothing. Sometimes I wonder if
+the pig is fattening well, or I go out to see if the crows are
+picking up the chickens' food.
+
+WISE MAN. Oh, what can I do! Is there nobody who believes? I must
+go and find somebody! [He goes toward the door but with his eyes
+fixed on the hour-glass.] I cannot go out; I cannot leave that!
+
+BRIDGET. You want somebody to get up argument with.
+
+WISE MAN. Oh, look out of the door and tell me if there is anybody
+there in the street. I cannot leave this glass; somebody might
+shake it! Then the sand would fall quickly.
+
+BRIDGET. I don't understand what you are saying. [Looks out.] There
+is a crowd of people talking to your pupils.
+
+WISE MAN. Oh, run out, Bridget, and see if they have found somebody
+that believes!
+
+BRIDGET [wiping her arms in her apron and pulling down her
+sleeves]. It's a hard thing to be married to a man of learning
+that must be always having arguments. [Goes out and shouts through
+the kitchen door.] Don't be meddling with the bread, children,
+while I'm out.
+
+WISE MAN. [Kneels down.] "Salvum me fac, Deus--salvum--salvum. ..."
+I have forgotten it all. It is thirty years since I said a prayer.
+I must pray in the common tongue, like a clown begging in the
+market like Teigue the Fool! [He prays.] Help me, Father, Son, and
+Spirit!
+
+[BRIDGET enters, followed by the FOOL, who is holding out his hat
+to her.]
+
+FOOL. Give me something; give me a penny to buy bacon in the shops,
+and nuts in the market, and strong drink for the time when the sun
+grows weak.
+
+BRIDGET. I have no pennies. [To the WISE MAN.] Your pupils cannot
+find anybody to argue with you. There is nobody in the whole
+country who had enough belief to fill a pipe with since you put
+down the monk. Can't you be quiet now and not always be wanting to
+have arguments? It must be terrible to have a mind like that.
+
+WISE MAN. I am lost! I am lost!
+
+BRIDGET. Leave me alone now; I have to make the bread for you and
+the children.
+
+WISE MAN. Out of this, woman, out of this, I say! [BRIDGET goes
+through the kitchen door.] Will nobody find a way to help me! But
+she spoke of my children. I had forgotten them. They will believe.
+It is only those who have reason that doubt; the young are full of
+faith. Bridget, Bridget, send my children to me!
+
+BRIDGET [inside]. Your father wants you, run to him now.
+
+[The two children came in. They stand together a little way from
+the threshold of the kitchen door, looking timidly at their
+father.]
+
+WISE MAN. Children, what do you believe? Is there a heaven? Is
+there a hell? Is there a purgatory?
+
+FIRST CHILD. We haven't forgotten, father.
+
+THE OTHER CHILD. Oh, no, father. [They both speak together as if in
+school.] There is no heaven; there is no hell; there is nothing
+we cannot see.
+
+FIRST CHILD. Foolish people used to think that there were, but you
+are very learned and you have taught us better.
+
+WISE MAN. You are just as bad as the others, just as bad as the
+others! Out of the room with you, out of the room! [The children
+begin to cry and run away.] Go away, go away! I will teach you
+better--no, I will never teach you again. Go to your mother--no,
+she will not be able to teach them. ... Help them, O God! [Alone.]
+The grains are going very quickly. There is very little sand in the
+uppermost glass. Somebody will come for me in a moment; perhaps he
+is at the door now! All creatures that have reason doubt. O that
+the grass and the planets could speak! Somebody has said that they
+would wither if they doubted. O speak to me, O grass blades! O
+fingers of God's certainty, speak to me. You are millions and you
+will not speak. I dare not know the moment the messenger will come
+for me. I will cover the glass. [He covers it and brings it to the
+desk, and the FOOL, is sitting by the door fiddling with some
+flowers which he has stuck in his hat. He has begun to blow a
+dandelion head.] What are you doing?
+
+FOOL. Wait a moment. [He blows.] Four, five, six.
+
+WISE MAN. What are you doing that for?
+
+FOOL. I am blowing at the dandelion to find out what time it is.
+
+WISE MAN. You have heard everything! That is why you want to find
+out what hour it is! You are waiting to see them coming through the
+door to carry me away. [FOOL goes on blowing.] Out through the door
+with you! I will have no one here when they come. [He seizes the
+FOOL by the shoulders, and begins to force him out through the
+door, then suddenly changes his mind.] No, I have something to ask
+you. [He drags him back into the room.] Is there a heaven? Is there
+a hell? Is there a purgatory?
+
+FOOL. So you ask me now. I thought when you were asking your
+pupils, I said to myself, if he would ask Teigue the Fool, Teigue
+could tell him all about it, for Teigue has learned all about it
+when he has been cutting the nets.
+
+WISE MAN. Tell me; tell me!
+
+FOOL. I said, Teigue knows everything. Not even the owls and the
+hares that milk the cows have Teigue's wisdom. But Teigue will not
+speak; he says nothing.
+
+WISE MAN. Tell me, tell me! For under the cover the grains are
+falling, and when they are all fallen I shall die; and my soul will
+be lost if I have not found somebody that believes! Speak, speak!
+
+FOOL [looking wise]. No, no, I won't tell you what is in my mind,
+and I won't tell you what is in my bag. You might steal away my
+thoughts. I met a bodach on the road yesterday, and he said,
+"Teigue, tell me how many pennies are in your bag. I will wager
+three pennies that there are not twenty pennies in your bag; let me
+put in my hand and count them." But I pulled the strings tighter,
+like this; and when I go to sleep every night I hide the bag where
+no one knows.
+
+WISE MAN. [Goes toward the hour-glass as if to uncover it.] No, no,
+I have not the courage! [He kneels.] Have pity upon me, Fool, and
+tell me!
+
+FOOL. Ah! Now, that is different. I am not afraid of you now. But I
+must come near you; somebody in there might hear what the Angel
+said.
+
+WISE MAN. Oh, what did the Angel tell you?
+
+FOOL. Once I was alone on the hills, and an Angel came by and he
+said, "Teigue the Fool, do not forget the Three Fires: the Fire
+that punishes, the Fire that purifies, and the Fire wherein the
+soul rejoices for ever!"
+
+WISE MAN. He believes! I am saved! Help me. The sand has run out.
+I am dying. ... [FOOL helps him to his chair.] I am going from the
+country of the seven wandering stars, and I am going to the country
+of the fixed stars! Ring the bell. [FOOL rings the bell.] Are they
+coming ? Ah! now I hear their feet. ... I will speak to them. I
+understand it all now. One sinks in on God: we do not see the
+truth; God sees the truth in us. I cannot speak, I am too weak.
+Tell them, Fool, that when the life and the mind are broken, the
+truth comes through them like peas through a broken peascod. But
+no, I will pray--yet I cannot pray. Pray Fool, that they may be
+given a sign and save their souls alive. Your prayers are better
+than mine.
+
+[FOOL bows his head. WISE MAN'S head sinks on his arm on the books.
+PUPILS enter.]
+
+A YOUNG MAN. Look at the Fool turned bell-ringer!
+
+ANOTHER. What have you called us in for, Teigue? What are you going
+to tell us?
+
+ANOTHER. No wonder he has had dreams! See, he is fast asleep now.
+[Goes over and touches the WISE MAN.] Oh, he is dead!
+
+FOOL. Do not stir! He asked for a sign that you might be saved.
+[All are silent for a moment.] Look what has come from his mouth. ...
+a little winged thing ... a little shining thing. It has gone to
+the door. [The ANGEL appears in the doorway, stretches out her
+hands and closes them again.] The Angel has taken it in her hands...
+she will open her hands in the Garden of Paradise.
+
+[They all kneel.]
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hour Glass, by W.B.Yeats
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE HOUR GLASS ***
+
+This file should be named hrgls10.txt or hrgls10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, hrgls11.txt
+VERSIONS based on separate sources get new LETTER, hrgls10a.txt
+
+Produced by Nichole Apostola
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/2005-02-hrgls10.zip b/old/2005-02-hrgls10.zip
new file mode 100644
index 0000000..41c7137
--- /dev/null
+++ b/old/2005-02-hrgls10.zip
Binary files differ