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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..b44b5c1 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #69349 (https://www.gutenberg.org/ebooks/69349) diff --git a/old/69349-0.txt b/old/69349-0.txt deleted file mode 100644 index a5939e5..0000000 --- a/old/69349-0.txt +++ /dev/null @@ -1,791 +0,0 @@ -The Project Gutenberg eBook of A story of the sawdust, Multum in -parvo library, vol. 3, no. 25, January, 1896, by Anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: A story of the sawdust, Multum in parvo library, vol. 3, no. 25, - January, 1896 - The pathetic history of "Old Props'" darling - -Author: Anonymous - -Release Date: November 14, 2022 [eBook #69349] - -Language: English - -Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed - Proofreading Team at https://www.pgdp.net (Images courtesy - of the Digital Library@Villanova University.) - -*** START OF THE PROJECT GUTENBERG EBOOK A STORY OF THE SAWDUST, -MULTUM IN PARVO LIBRARY, VOL. 3, NO. 25, JANUARY, 1896 *** - - -Transcriber’s Note: - -Text enclosed by underscores is in italics (_italics_). - -Additional Transcriber’s Notes are at the end. - - * * * * * - -PRICE 5 CENTS. - - - - -A STORY OF THE SAWDUST. - - - The Pathetic History of “Old - Props’” Darling. - - SHE DIED FOR HER LOVE. - - She met her Fate in New Zealand.--Ignorant, - Uncultured, - Who is there who can Blame - Her? - - MULTUM IN PARVO LIBRARY. - - Entered at Boston Post Office as second - class matter. Published by A. B. Courtney, - Room 45, 74 Milk Street, Boston. - - Vol. 3. JANUARY, 1896. Published Monthly. No. 25 - - Subscription Price, 50 Cents Per Year. - - - - -A STORY OF THE SAWDUST. - - -Her mother was a slack-wire performer in the circus, and Patty was born -in that part of the dressing-room reserved for the feminine talent, -the privacy of which was a pleasant piece of fiction due to the strip -of canvas that “Old Props” stretched across the tent in the centre. -Immediately behind the “wall” the male performers struggled into pink -tights, smoked cigarettes and streaked the air with loud-mouthed oaths, -regardless of the proximity of the ladies, whose own language, to tell -the truth, was none too choice. - -Patty came into the world somewhat unexpectedly. Her parent, the only -one she ever knew, had been seized with a sudden dizziness right in -the middle of her great balancing act and had fallen heavily in the -ring, from which she was tenderly carried to the ladies’ dressing-room, -where, two hours later, on a hastily improvised bed of elephant -trappings, camel coverings and spangled suits, snatched from the -property wardrobe, a little mite of humanity was ushered into the world -amid the roaring of the lions, the hoarse bleat of the hippopotamus, -and the savage trumpetings of the elephants in the menagerie adjoining. - -From her birth Patty was a great favorite with Old Props, who, in the -absence of a legitimate father, constituted himself the male protector -of the petite girl baby, whose tiny fingers toyed carelessly with the -grizzled, brick-dusty beard of the gruff circus man whenever he took -her in his arms. For Patty was raised with the circus. When she was two -weeks old her mother resumed her “act” on the slack wire and from that -time until her death, which occurred when Patty was ten years old, the -little girl lived almost continuously in the atmosphere of the sawdust -ring. - -[Illustration: “OLD PROPS.”] - -Patty was a veritable daughter of the arena. At a very tender age -she had been taught to balance herself on the back of a horse, and -when her mother died her education in bareback riding had so far -progressed that she was billed as an infant prodigy, and was the source -of endless entertainment to the youngsters of every town visited by -the circus. Old Props was her guardian, a duty that he had willingly -assumed when Patty’s mother died, leaving her daughter to his care. It -must be confessed that Patty’s education in the polite arts was sadly -neglected. Her grammar was atrocious, and her knowledge of things -in general, not germane to the circus, was deplorably slim. But her -professional studies were pursued with so much earnestness and avidity -that before she was in her teens her daring riding produced a genuine -sensation, and the advent of “Mdle. Patti,” as she was known to the -public, was always the signal for a burst of applause, to which the -young equestrienne responded with one of her most bewitching smiles. - -Although fully up to the latest slang phrases, Patty was by no -means vicious, and only reflected what she had imbibed, since as a -tiny toddler of three she had been lifted on the trick pony’s back -by careful Old Props and jogged around the track, her merry eyes -ablaze with delight, her baby voice echoing the Hi! Ya! Hi! Ya! of -the property boys who clustered around the ring. In spite of her -surroundings Patty’s mind was remarkably pure. The coarse jokes of the -men and the covert allusions of the women seemed to leave no taint in -their wake, while her naive expressions were a constant delight to -Old Props, who secretly exulted in the innocence of his protegee and -jealously guarded her from the insidious advances of those in whom the -baser passions were uppermost. - -Patty was _sui generis_. Of the world beyond the circus she was totally -ignorant. If she had a passion it was for gay dresses and stunning -jewelry, while the “bravas,” elicited from an admiring audience, was -the sweetest music that her ears ever knew. At the age of seventeen -she was a strikingly beautiful girl, overflowing with animal spirits -and enjoying perfect health, a robust young goddess to whom all the -other sawdust subjects paid homage. Hers was a beauty that lacked soul, -however. Patty, poor girl, had never known the refining influences -of a home and the effect of her environment was potent to the close -observer. Love was something foreign to her nature; that is the love -born of a tender passion. For Old Props she possessed a strong sense of -gratitude and a sort of filial affection, but for the genuine article -she seemed to be incapable of its entertainment. - -When Patty was eighteen the circus to which she was attached arranged -for a tour of the Australian continent, and at San Francisco the -“main guy” engaged a lot of fresh talent, some of the old-timers not -relishing the salt water voyage. Several of these new performers were -adepts in their particular lines, and one was especially so, as Old -Props had bitter cause to remember. The circus showed all through New -Zealand with remarkable financial success and Patty won unbounded -honors from the colonials, and was, besides, the life of the troupe. -It was at this period--perhaps the semi-tropical climate was partially -responsible for it--that Patty was the recipient of numerous proposals -for her hand, both from within and without the circus. But each new -suitor was received in much the same manner. A merry laugh spoiled -all their sentimental speeches; they were referred to the ringmaster; -she excused herself on the plea of practising a new jig-step for the -side-show, or with the utmost unconcern declined the offer and went on -feeding the monkeys in the menagerie as if nothing unusual had happened -to disturb her tranquility. On one occasion when Old Props was leading -her horse around the ring while the clown was working the risibilities -of the audience she received a most impassioned proposal from one of -the balloon holders who was assisting her in her “act” and near whom -the horse was halted just as the clown reached the climax of his joke. -The offer came during the yelling of the delighted colonials, the sharp -snapping of the ring-master’s whip and the eccentric tumbling of the -professional joker, but for all that it was a fervid appeal. Yet her -sole answer was a derisive laugh as she spurred on her horse with a -“Hi! ya,” and the next minute she was jumping, not into her suitor’s -arms, but through the paper balloon he held outstretched in his hand. - -But Patty’s days of freedom were rapidly diminishing, and before the -troupe reached Melbourne Old Props made a discovery that rendered him -very uneasy. At San Francisco the management had engaged among others -a handsome dashing young Apollo of perhaps twenty-five, who was a -perfect prodigy in his way. He was considered the cleverest leaper, the -most skillful rider, and the best all-round man in the troupe, and to -crown all, he possessed a college education, having, it is said, been -graduated at Harvard. His specialty was riding four horses bareback, -and owing to his prowess and fine presence he was soon styled the -“Adonis of the arena.” - -It was not until the circus had unloaded at Auckland, N. Z., and -had toured through the middle island that Patty seemed cognizant of -the young fellow’s varied attractions, but before long she began to -manifest in many ways her approval of his society, much to the dismay -of her guardian, who scented trouble from the outset. The young Adonis -of the ring was quick to discover the interest he had awakened, and -deliberately applied himself to the task of winning Patty’s affections. -By a hundred delicate attentions and insinuating ways, such as Patty, -poor child, had never known in her previous career, he paved his way -into her good graces and aroused in her that feeling which lies latent -in the soul of every maiden, but which few would have supposed Patty -possessed. - -It was to this heartless scamp that Patty unreservedly lost her heart. -To the warnings of Old Props, who, better versed in human nature, -penetrated her lover’s evil designs, the girl returned an indignant -protest, and for a time there was a coolness between the two that -grieved the old property man sorely. Those whom Patty had snubbed now -began to take a mean revenge by sneeringly alluding to her love affair -and hinting that all was not as it should be. Their remarks when made -in the hearing of Old Props drove him nearly frantic, and for several -weeks he was so ugly and crabbled that he was unbearable and even the -main guy was compelled to reprimand him for his surliness. As the -affair progressed Patty gradually lost all interest in her former -amusements, and even her little pet monkey in the menagerie was wholly -neglected. Instead of lingering before his cage to pet and caress -him as was her wont, she now hurried by to meet her lover, utterly -oblivious of the tiny outstretched paw or head cunningly askew waiting -for its accustomed caress. Poor “Mimi,” like Old Props, was forgotten. - -That grizzled veteran knew too well how it would end. As the weeks -grew into months, and the foreign tour was drawing to a close, Old -Props, who watched Patty closer than any mother would her child, saw -with poignant regret how changed the girl had become. Seldom was heard -the old, mellow, ringing laugh that was wont to cheer his seared and -toughened heart, and the former jaunty step and vivacious air had -completely vanished. Yet to her guardian, who ached to receive her -confidence, Patty never vouchsafed a word. - -It was at Wagga Wagga, in Australia, noted as the residence of the -once-famous Tichborne claimant, that Patty was taken ill, caused by -over-exertion in the ring, and a doctor who was called imperatively -forbade her proceeding any further. The circus was then on its way to -Sydney from Melbourne, overland, and as the vessel on which the return -journey was to be made was due to sail on a certain day the management -was compelled to leave Patty behind to follow on later. With the circus -went the contemptible wretch who was the cause of her undoing, and when -Old Props, who remained to take care of his darling, told poor Patty of -the fellow’s heartlessness, she gave a great gulp and then hid her face -on the old man’s breast and cried as she had never cried before. Her -whole pitiful story was unfolded in that bitter, heartbroken wail. - -Patty was very ill for many weeks, during which time Old Props was her -sole and constant attendant. But the girl never rallied, and when her -baby was born, long after the circus was back in the States, she had -barely strength left to turn her head to gaze at the innocent mite. It -was a poor, weak, sick specimen, that lived for a few days only, and -then its light went quietly out with scarcely a perceptible struggle. -There were no tears in Patty’s eyes when her dead baby was lifted to -her face by the kind sister to receive a farewell kiss, but when Old -Props returned from the sad task of laying the little one away he was -alarmed at the ghastly change in Patty’s pinched, wasted features, and -realized that in a few days at the farthest she would rejoin her babe. - -[Illustration: THE DEATH-BED.] - -Poor, ignorant little Patty! Surely her sin will not be visited on her -head in the great hereafter, but rather on the one who deliberately -led her to ruin. She lies in the quiet little cemetery adjoining the -English church at Wagga Wagga, in the same grave with her baby, a plain -white stone erected by her heartbroken guardian marking the spot where -she is at rest. As for Old Props, he will never go out with the red -wagon again. - - - - -What He Thought. - - -“Sometimes,” sighed the man who is wedded to a woman with a mind of her -own, “I think my wife must take me for a pneumatic tire, the way she is -blowing me up all the time.”--Boston Transcript. - - - - -Thought She Was Safe. - - -Judge--Your age? - -Lady--Thirty years. - -Judge (incredulously)--You will have some difficulty in proving that. - -Lady (excitedly)--You’ll find hard to prove the contrary, as the church -register which contained the entry of my name was burned in the year -1845. - - - - -His Tale of Woe. - - -The little boy was crying and his tears touched the heart of the -charitably inclined lady; he was so small and seemed to be in such -distress. - -“Don’t cry, little boy,” she said, soothingly. “Dry your eyes and tell -me what the trouble is. Did some of the big boys hurt you?” - -“No’m,” replied the waif, still sobbing. - -“Are you sick or hungry?” she persisted. - -“No’m.” - -“Did your father beat you for something?” - -“No’m, but he will.” - -“Oh, that’s the trouble, is it?” - -“Yes’m.” - -“Well, it’s a shame,” she exclaimed, angrily. “Why will he beat you?” - -“’Cause I lost ten cents.” - -“Did he send you to buy something with it?” - -“Yes’m.” - -“And you lost it on the way?” - -“Yes’m.” - -“Oh, well, I guess we can fix that,” she said in her kindly way, as she -took a dime from her purse and handed it to the boy. “Now he won’t beat -you, will he?” - -“No’m.” - -“What did he send you to buy with it?” - -“Beer.” - -“Beer!” The good lady gasped at the thought. - -“Yes’m.” - -“And how did you lose it?” - -“Matchin’ pennies.” - -Before she had sufficiently recovered to demand the return of her dime -the boy was gone. - - - - -He Knew the Place. - - -The man with his coat collar turned up and his hat pulled down over his -eyes, who was slouching alone in the shadow of the buildings, suddenly -beckoned to the man on the other side of the street. - -“Here’s a graft, Bill,” he said when the other had crossed over. - -“Wot is?” asked Bill, gruffly. - -“This here house,” replied the first speaker. “It’s just like finding -things all fixed for you. Some bloomin’ idiot has gone away and left -his latchkey in the door.” - -Bill took a long look at the house and then shook his head. - -“You kin have it,” he said. “I don’t want nuthin’ to do with the game.” - -“Wot’s the matter?” - -“The feller wot lives here ain’t to be trusted. He’s a low-down, mean, -tricky cuss. He ain’t got no feelin’s at all.” - -“D’ye know him?” - -“No; but I was here onct before, an’ I’m onto his game. He left the key -just like that before, an’ I thought it was dead easy. I went up and -tried to turn it, an’ I thought I was bein’ electrocuted sure.” - - - - -Johnny’s Apt Illustration. - - -Teacher (to class in philosophy)--What are the properties of heat, -Willie? - -Willie--The properties of heat are to bake, cook, roast---- - -Teacher--Stop--next. What are the properties of heat? - -Johnny--The properties of heat is that it expands bodies, while cold -contracts them. - -Teacher--Very good. Can you give me an example? - -Johnny--Yes, sir. In summer, when it is very hot, the day is long; in -winter, when it is cold, it gets to be very short. - - - - -Easy Enough. - - -Tramp--Yes’m, it’s hard to break away from all yer bad habits at once; -but I’ve given up some of ’em. - -Lady--Which ones have you given up? - -Tramp--Well, mum, I don’t get shaved on Sunday any more. - - - - -A Tempting Offer. - - -We will give either a $2.00 gold ring or a dozen silver spoons to any -person who sells a dollar’s worth of our standard goods. They are -needed in every household and we will send you the outfit when you send -us your name and address. After you have sold the goods, send us the -dollar and receive your gift. This is an honest offer for honest people -only. Address REX COMPANY, 1111 Arch St., PHILADELPHIA, PA. - - - - -Superfluous Hair. - - -Ladies who have superfluous hair will be happy to know that I have a -quick and sure remedy; doesn’t leave the slightest trace, nor injure -the skin. I will send (securely sealed) a $1.00 bottle Free to a few -ladies in each locality. Write to Mrs. J. DE VERE, P. O. Box 494, -Philadelphia, Pa. - - * * * * * - -Transcriber’s Notes: - -Punctuation has been made consistent. - -Obvious typographical errors have been corrected. - -*** END OF THE PROJECT GUTENBERG EBOOK A STORY OF THE SAWDUST, MULTUM -IN PARVO LIBRARY, VOL. 3, NO. 25, JANUARY, 1896 *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. 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Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/69349-0.zip b/old/69349-0.zip Binary files differdeleted file mode 100644 index 9722fcb..0000000 --- a/old/69349-0.zip +++ /dev/null diff --git a/old/69349-h.zip b/old/69349-h.zip Binary files differdeleted file mode 100644 index 4774cd3..0000000 --- a/old/69349-h.zip +++ /dev/null diff --git a/old/69349-h/69349-h.htm b/old/69349-h/69349-h.htm deleted file mode 100644 index 84e0366..0000000 --- a/old/69349-h/69349-h.htm +++ /dev/null @@ -1,1135 +0,0 @@ -<!DOCTYPE html> -<html xml:lang="en" lang="en"> -<head> - <meta charset="UTF-8"> - <title> - The pathetic history of "Old Props'" darling, by Anonymous—A Project Gutenberg eBook - </title> - <style> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2 { - text-align: center; /* all headings centered */ - clear: both; -} - -h2{font-size:large} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -.pminus1 {margin-top: -0.25em;} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -@media print { hr.chap {display: none; visibility: hidden;} } -hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;margin-top:0.5em;margin-bottom:0.5em} - -hr.r5 {width: 5%; margin-top: 0.5em; margin-bottom: 0.5em; margin-left: 47.5%; margin-right: 47.5%;} - -div.chapter {page-break-before: always;} -.nobreak {page-break-before: avoid; - padding-top: 0;} - -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} /* page numbers */ - -.boxit{ - max-width: 24em; - padding: 1em; - border: 0.15em solid black; - margin: 0 auto; } - -.displayinline{display:inline-block; line-height:1} - -.center {text-align: center;} - -.smcap {font-variant: small-caps;} - -.caption {font-weight: bold;} - -/* Images */ - -img { - max-width: 100%; - height: auto; -} - -img.w100 {width: 100%;} - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - -/* Transcriber's notes */ -.transnote {background-color: #E6E6FA; - color: black; - font-size:smaller; - padding:0.5em; - margin-bottom:5em; - font-family:sans-serif, serif; } - -/*CSS to set font sizes*/ -/*font sizes for non-header font changes*/ -.xlargefont{font-size: x-large} -.boldfont{font-weight:bold} - -/* Illustration classes */ -.illowp49 {width: 49%;} -.x-ebookmaker .illowp49 {width: 100%;} -.illowp54 {width: 54%;} -.x-ebookmaker .illowp54 {width: 100%;} -.illowp58 {width: 58%;} -.x-ebookmaker .illowp58 {width: 100%;} - </style> - </head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of A story of the sawdust, Multum in parvo library, vol. 3, no. 25, January, 1896, by Anonymous</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: A story of the sawdust, Multum in parvo library, vol. 3, no. 25, January, 1896</p> -<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>The pathetic history of "Old Props'" darling</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Anonymous</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: November 14, 2022 [eBook #69349]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed Proofreading Team at https://www.pgdp.net (Images courtesy of the Digital Library@Villanova University.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK A STORY OF THE SAWDUST, MULTUM IN PARVO LIBRARY, VOL. 3, NO. 25, JANUARY, 1896 ***</div> - -<div class="figcenter illowp49" style="max-width: 58.6875em;"> - <img id="coverpage" class="w100" src="images/cover.jpg" alt="Cover."> -</div> - -<hr class="chap x-ebookmaker-drop"> - - -<div class="chapter"> -<div class="boxit"> -<p class="center xlargefont boldfont">PRICE 5 CENTS.</p> - -<hr class="full"> - -<h1 class="nobreak pminus1" style="margin-bottom:0em"><span class="xlargefont">A STORY OF</span><br> -THE SAWDUST.</h1> - -<hr class="r5"> - -<p class="center boldfont">The Pathetic History of “Old<br> -Props’” Darling.</p> - -<hr class="r5"> - -<p class="center boldfont">SHE DIED FOR HER LOVE.</p> - -<hr class="r5"> - -<p class="center boldfont">She met her Fate in New Zealand.—Ignorant, -Uncultured,<br> -Who is there who can Blame -Her?</p> - -<hr class="full"> - -<p class="center xlargefont">MULTUM IN PARVO LIBRARY.</p> - -<p class="center">Entered at Boston Post Office as second -class matter. Published by A. B. Courtney, -Room 45, 74 Milk Street, Boston.</p> - -<div class="center"> -<p class="displayinline xlargefont" style="vertical-align:top">Vol. 3.</p> -<p class="displayinline center" style="vertical-align:top; margin-left:1em; margin-right:1em">January, 1896.<br> -Published Monthly.</p> -<p class="displayinline xlargefont" style="vertical-align:top">No. 25</p> -</div> - -<p class="center">Subscription Price, 50 Cents Per Year.</p> -</div></div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum">[2]</span></p> - -<h2 class="nobreak">A STORY OF THE SAWDUST.</h2> -</div> - - -<p>Her mother was a slack-wire performer in the -circus, and Patty was born in that part of the -dressing-room reserved for the feminine talent, -the privacy of which was a pleasant piece of fiction -due to the strip of canvas that “Old Props” -stretched across the tent in the centre. Immediately -behind the “wall” the male performers -struggled into pink tights, smoked cigarettes and -streaked the air with loud-mouthed oaths, regardless -of the proximity of the ladies, whose own -language, to tell the truth, was none too choice.</p> - -<p>Patty came into the world somewhat unexpectedly. -Her parent, the only one she ever knew, -had been seized with a sudden dizziness right in -the middle of her great balancing act and had -fallen heavily in the ring, from which she was tenderly -carried to the ladies’ dressing-room, where, -two hours later, on a hastily improvised bed of -elephant trappings, camel coverings and spangled -suits, snatched from the property wardrobe, a little -mite of humanity was ushered into the world -amid the roaring of the lions, the hoarse bleat of -the hippopotamus, and the savage trumpetings of -the elephants in the menagerie adjoining.</p> - -<p><span class="pagenum">[3]</span></p> - -<p>From her birth Patty was a great favorite with -Old Props, who, in the absence of a legitimate -father, constituted himself the male protector of -the petite girl baby, whose tiny fingers toyed carelessly -with the grizzled, brick-dusty beard of the -gruff circus man whenever he took her in his arms. -For Patty was raised with the circus. When she -was two weeks old her mother resumed her “act” -on the slack wire and from that time until her -death, which occurred when Patty was ten years -old, the little girl lived almost continuously in the -atmosphere of the sawdust ring.</p> - -<div class="figcenter illowp58" style="max-width: 40.625em;"> - <img class="w100" src="images/i007.jpg" alt=""> - <div class="caption"><p class="center">“OLD PROPS.”</p></div> -</div> - -<p>Patty was a veritable daughter of the arena. At -a very tender age she had been taught to balance -herself on the back of a horse, and when her -mother died her education in bareback riding had -so far progressed that she was billed as an infant -prodigy, and was the source of endless entertainment -to the youngsters of every town visited by -the circus. Old Props was her guardian, a duty -that he had willingly assumed when Patty’s -mother died, leaving her daughter to his care. It -must be confessed that Patty’s education in the -polite arts was sadly neglected. Her grammar -was atrocious, and her knowledge of things in -general, not germane to the circus, was deplorably -slim. But her professional studies were pursued -with so much earnestness and avidity that<span class="pagenum">[4]</span> -before she was in her teens her daring riding produced -a genuine sensation, and the advent of -“Mdle. Patti,” as she was known to the public, -was always the signal for a burst of applause, to -which the young equestrienne responded with one -of her most bewitching smiles.</p> - -<p>Although fully up to the latest slang phrases, -Patty was by no means vicious, and only reflected -what she had imbibed, since as a tiny toddler of -three she had been lifted on the trick pony’s back -by careful Old Props and jogged around the track, -her merry eyes ablaze with delight, her baby voice -echoing the Hi! Ya! Hi! Ya! of the property boys -who clustered around the ring. In spite of her -surroundings Patty’s mind was remarkably pure. -The coarse jokes of the men and the covert allusions -of the women seemed to leave no taint in -their wake, while her naive expressions were a -constant delight to Old Props, who secretly exulted -in the innocence of his protegee and jealously -guarded her from the insidious advances of those -in whom the baser passions were uppermost.</p> - -<p>Patty was <i lang="la" xml:lang="la">sui generis</i>. Of the world beyond the -circus she was totally ignorant. If she had a passion -it was for gay dresses and stunning jewelry, -while the “bravas,” elicited from an admiring -audience, was the sweetest music that her ears -ever knew. At the age of seventeen she was a<span class="pagenum">[5]</span> -strikingly beautiful girl, overflowing with animal -spirits and enjoying perfect health, a robust young -goddess to whom all the other sawdust subjects -paid homage. Hers was a beauty that lacked -soul, however. Patty, poor girl, had never known -the refining influences of a home and the effect of -her environment was potent to the close observer. -Love was something foreign to her nature; that is -the love born of a tender passion. For Old Props -she possessed a strong sense of gratitude and a -sort of filial affection, but for the genuine article -she seemed to be incapable of its entertainment.</p> - -<p>When Patty was eighteen the circus to which -she was attached arranged for a tour of the Australian -continent, and at San Francisco the “main -guy” engaged a lot of fresh talent, some of the -old-timers not relishing the salt water voyage. -Several of these new performers were adepts in -their particular lines, and one was especially so, -as Old Props had bitter cause to remember. The -circus showed all through New Zealand with remarkable -financial success and Patty won unbounded -honors from the colonials, and was, besides, -the life of the troupe. It was at this period—perhaps -the semi-tropical climate was partially -responsible for it—that Patty was the recipient of -numerous proposals for her hand, both from within -and without the circus. But each new suitor<span class="pagenum">[6]</span> -was received in much the same manner. A merry -laugh spoiled all their sentimental speeches; they -were referred to the ringmaster; she excused herself -on the plea of practising a new jig-step for -the side-show, or with the utmost unconcern declined -the offer and went on feeding the monkeys -in the menagerie as if nothing unusual had happened -to disturb her tranquility. On one occasion -when Old Props was leading her horse around the -ring while the clown was working the risibilities -of the audience she received a most impassioned -proposal from one of the balloon holders who was -assisting her in her “act” and near whom the -horse was halted just as the clown reached the -climax of his joke. The offer came during the -yelling of the delighted colonials, the sharp snapping -of the ring-master’s whip and the eccentric -tumbling of the professional joker, but for all that -it was a fervid appeal. Yet her sole answer was a -derisive laugh as she spurred on her horse with a -“Hi! ya,” and the next minute she was jumping, -not into her suitor’s arms, but through the paper -balloon he held outstretched in his hand.</p> - -<p>But Patty’s days of freedom were rapidly diminishing, -and before the troupe reached Melbourne -Old Props made a discovery that rendered -him very uneasy. At San Francisco the management -had engaged among others a handsome<span class="pagenum">[8]</span> -dashing young Apollo of perhaps twenty-five, -who was a perfect prodigy in his way. He was -considered the cleverest leaper, the most skillful -rider, and the best all-round man in the troupe, -and to crown all, he possessed a college education, -having, it is said, been graduated at Harvard. -His specialty was riding four horses bareback, -and owing to his prowess and fine presence -he was soon styled the “Adonis of the arena.”</p> - -<p>It was not until the circus had unloaded at -Auckland, N. Z., and had toured through the -middle island that Patty seemed cognizant of the -young fellow’s varied attractions, but before long -she began to manifest in many ways her approval -of his society, much to the dismay of her -guardian, who scented trouble from the outset. -The young Adonis of the ring was quick to discover -the interest he had awakened, and deliberately -applied himself to the task of winning -Patty’s affections. By a hundred delicate attentions -and insinuating ways, such as Patty, poor -child, had never known in her previous career, he -paved his way into her good graces and aroused -in her that feeling which lies latent in the soul of -every maiden, but which few would have supposed -Patty possessed.</p> - -<p>It was to this heartless scamp that Patty unreservedly -lost her heart. To the warnings of Old<span class="pagenum">[9]</span> -Props, who, better versed in human nature, penetrated -her lover’s evil designs, the girl returned -an indignant protest, and for a time there was a -coolness between the two that grieved the old -property man sorely. Those whom Patty had -snubbed now began to take a mean revenge by -sneeringly alluding to her love affair and hinting -that all was not as it should be. Their remarks -when made in the hearing of Old Props drove him -nearly frantic, and for several weeks he was so -ugly and crabbled that he was unbearable and -even the main guy was compelled to reprimand -him for his surliness. As the affair progressed -Patty gradually lost all interest in her former -amusements, and even her little pet monkey in -the menagerie was wholly neglected. Instead of -lingering before his cage to pet and caress him as -was her wont, she now hurried by to meet her -lover, utterly oblivious of the tiny outstretched -paw or head cunningly askew waiting for its accustomed -caress. Poor “Mimi,” like Old Props, -was forgotten.</p> - -<p>That grizzled veteran knew too well how it would -end. As the weeks grew into months, and the -foreign tour was drawing to a close, Old Props, -who watched Patty closer than any mother would -her child, saw with poignant regret how changed -the girl had become. Seldom was heard the old,<span class="pagenum">[10]</span> -mellow, ringing laugh that was wont to cheer his -seared and toughened heart, and the former -jaunty step and vivacious air had completely -vanished. Yet to her guardian, who ached to -receive her confidence, Patty never vouchsafed a -word.</p> - -<p>It was at Wagga Wagga, in Australia, noted as -the residence of the once-famous Tichborne claimant, -that Patty was taken ill, caused by over-exertion -in the ring, and a doctor who was called -imperatively forbade her proceeding any further. -The circus was then on its way to Sydney from -Melbourne, overland, and as the vessel on which the -return journey was to be made was due to sail on a -certain day the management was compelled to -leave Patty behind to follow on later. With the -circus went the contemptible wretch who was the -cause of her undoing, and when Old Props, who -remained to take care of his darling, told poor -Patty of the fellow’s heartlessness, she gave a -great gulp and then hid her face on the old man’s -breast and cried as she had never cried before. -Her whole pitiful story was unfolded in that bitter, -heartbroken wail.</p> - -<p>Patty was very ill for many weeks, during which -time Old Props was her sole and constant attendant. -But the girl never rallied, and when her -baby was born, long after the circus was back in<span class="pagenum">[12]</span> -the States, she had barely strength left to turn -her head to gaze at the innocent mite. It was a -poor, weak, sick specimen, that lived for a few -days only, and then its light went quietly out with -scarcely a perceptible struggle. There were no -tears in Patty’s eyes when her dead baby was -lifted to her face by the kind sister to receive a -farewell kiss, but when Old Props returned from -the sad task of laying the little one away he was -alarmed at the ghastly change in Patty’s pinched, -wasted features, and realized that in a few days -at the farthest she would rejoin her babe.</p> - -<div class="figcenter illowp54" style="max-width: 40.625em;"> - <img class="w100" src="images/i011.jpg" alt=""> - <div class="caption"><p class="center">THE DEATH-BED.</p></div> -</div> - -<p>Poor, ignorant little Patty! Surely her sin will -not be visited on her head in the great hereafter, -but rather on the one who deliberately led her to -ruin. She lies in the quiet little cemetery adjoining -the English church at Wagga Wagga, in the -same grave with her baby, a plain white stone -erected by her heartbroken guardian marking the -spot where she is at rest. As for Old Props, he -will never go out with the red wagon again.</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">What He Thought.</h2> -</div> - - -<p>“Sometimes,” sighed the man who is wedded -to a woman with a mind of her own, “I think my -wife must take me for a pneumatic tire, the way -she is blowing me up all the time.”—Boston Transcript.</p> -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum">[13]</span></p> - -<h2 class="nobreak">Thought She Was Safe.</h2> -</div> - - -<p>Judge—Your age?</p> - -<p>Lady—Thirty years.</p> - -<p>Judge (incredulously)—You will have some difficulty -in proving that.</p> - -<p>Lady (excitedly)—You’ll find hard to prove the -contrary, as the church register which contained -the entry of my name was burned in the year -1845.</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">His Tale of Woe.</h2> -</div> - - -<p>The little boy was crying and his tears touched -the heart of the charitably inclined lady; he was -so small and seemed to be in such distress.</p> - -<p>“Don’t cry, little boy,” she said, soothingly. -“Dry your eyes and tell me what the trouble is. -Did some of the big boys hurt you?”</p> - -<p>“No’m,” replied the waif, still sobbing.</p> - -<p>“Are you sick or hungry?” she persisted.</p> - -<p>“No’m.”</p> - -<p>“Did your father beat you for something?”</p> - -<p>“No’m, but he will.”</p> - -<p>“Oh, that’s the trouble, is it?”</p> - -<p>“Yes’m.”</p> - -<p>“Well, it’s a shame,” she exclaimed, angrily. -“Why will he beat you?”</p> - -<p>“’Cause I lost ten cents.”</p> - -<p>“Did he send you to buy something with it?”</p> - -<p><span class="pagenum">[14]</span></p> - -<p>“Yes’m.”</p> - -<p>“And you lost it on the way?”</p> - -<p>“Yes’m.”</p> - -<p>“Oh, well, I guess we can fix that,” she said in -her kindly way, as she took a dime from her purse -and handed it to the boy. “Now he won’t beat -you, will he?”</p> - -<p>“No’m.”</p> - -<p>“What did he send you to buy with it?”</p> - -<p>“Beer.”</p> - -<p>“Beer!” The good lady gasped at the thought.</p> - -<p>“Yes’m.”</p> - -<p>“And how did you lose it?”</p> - -<p>“Matchin’ pennies.”</p> - -<p>Before she had sufficiently recovered to demand -the return of her dime the boy was gone.</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">He Knew the Place.</h2> -</div> - - -<p>The man with his coat collar turned up and his -hat pulled down over his eyes, who was slouching -alone in the shadow of the buildings, suddenly -beckoned to the man on the other side of the -street.</p> - -<p>“Here’s a graft, Bill,” he said when the other -had crossed over.</p> - -<p>“Wot is?” asked Bill, gruffly.</p> - -<p>“This here house,” replied the first speaker. -“It’s just like finding things all fixed for you.<span class="pagenum">[15]</span> -Some bloomin’ idiot has gone away and left his -latchkey in the door.”</p> - -<p>Bill took a long look at the house and then shook -his head.</p> - -<p>“You kin have it,” he said. “I don’t want -nuthin’ to do with the game.”</p> - -<p>“Wot’s the matter?”</p> - -<p>“The feller wot lives here ain’t to be trusted. -He’s a low-down, mean, tricky cuss. He ain’t -got no feelin’s at all.”</p> - -<p>“D’ye know him?”</p> - -<p>“No; but I was here onct before, an’ I’m onto -his game. He left the key just like that before, -an’ I thought it was dead easy. I went up and -tried to turn it, an’ I thought I was bein’ electrocuted -sure.”</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">Johnny’s Apt Illustration.</h2> -</div> - - -<p>Teacher (to class in philosophy)—What are the -properties of heat, Willie?</p> - -<p>Willie—The properties of heat are to bake, cook, -roast——</p> - -<p>Teacher—Stop—next. What are the properties -of heat?</p> - -<p>Johnny—The properties of heat is that it expands -bodies, while cold contracts them.</p> - -<p>Teacher—Very good. Can you give me an example?</p> - -<p><span class="pagenum">[16]</span></p> - -<p>Johnny—Yes, sir. In summer, when it is very -hot, the day is long; in winter, when it is cold, it -gets to be very short.</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">Easy Enough.</h2> -</div> - - -<p>Tramp—Yes’m, it’s hard to break away from all -yer bad habits at once; but I’ve given up some of -’em.</p> - -<p>Lady—Which ones have you given up?</p> - -<p>Tramp—Well, mum, I don’t get shaved on Sunday -any more.</p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">A Tempting Offer.</h2> -</div> - - -<p>We will give either a $2.00 gold ring or a dozen -silver spoons to any person who sells a dollar’s -worth of our standard goods. They are needed in -every household and we will send you the outfit -when you send us your name and address. After -you have sold the goods, send us the dollar and -receive your gift. This is an honest offer for -honest people only. Address <span class="smcap">Rex Company</span>, 1111 -Arch St., <span class="smcap">Philadelphia, Pa.</span></p> - - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<h2 class="nobreak">Superfluous Hair.</h2> -</div> - - -<p>Ladies who have superfluous hair will be happy -to know that I have a quick and sure remedy; -doesn’t leave the slightest trace, nor injure the -skin. I will send (securely sealed) a $1.00 bottle -Free to a few ladies in each locality. Write to -Mrs. <span class="smcap">J. De Vere</span>, P. O. Box 494, Philadelphia, Pa.</p> - -<hr class="tb x-ebookmaker-drop"> - -<div class="chapter"> -<div class="transnote"> -<h2 style="margin-top: 0em">Transcriber’s Notes:</h2> - -<p>Punctuation has been made consistent.</p> - -<p>Obvious typographical errors -have been corrected.</p> -</div></div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK A STORY OF THE SAWDUST, MULTUM IN PARVO LIBRARY, VOL. 3, NO. 25, JANUARY, 1896 ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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