summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/68584-0.txt3338
-rw-r--r--old/68584-0.zipbin54238 -> 0 bytes
-rw-r--r--old/68584-h.zipbin2899201 -> 0 bytes
-rw-r--r--old/68584-h/68584-h.htm5712
-rw-r--r--old/68584-h/images/img-010.jpgbin333853 -> 0 bytes
-rw-r--r--old/68584-h/images/img-021.jpgbin296834 -> 0 bytes
-rw-r--r--old/68584-h/images/img-035.jpgbin335535 -> 0 bytes
-rw-r--r--old/68584-h/images/img-046.jpgbin328812 -> 0 bytes
-rw-r--r--old/68584-h/images/img-070.jpgbin259684 -> 0 bytes
-rw-r--r--old/68584-h/images/img-074.jpgbin331123 -> 0 bytes
-rw-r--r--old/68584-h/images/img-119.jpgbin390409 -> 0 bytes
-rw-r--r--old/68584-h/images/img-cover.jpgbin261900 -> 0 bytes
-rw-r--r--old/68584-h/images/img-front.jpgbin303066 -> 0 bytes
16 files changed, 17 insertions, 9050 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..b681cfc
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #68584 (https://www.gutenberg.org/ebooks/68584)
diff --git a/old/68584-0.txt b/old/68584-0.txt
deleted file mode 100644
index 694cc1e..0000000
--- a/old/68584-0.txt
+++ /dev/null
@@ -1,3338 +0,0 @@
-The Project Gutenberg eBook of Lost in the backwoods, by Edith C.
-Kenyon
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Lost in the backwoods
-
-Author: Edith C. Kenyon
-
-Illustrator: William Rainey
-
-Release Date: July 21, 2022 [eBook #68584]
-
-Language: English
-
-Produced by: Al Haines
-
-*** START OF THE PROJECT GUTENBERG EBOOK LOST IN THE BACKWOODS ***
-
-
-
-
-
-
-
-[Illustration: Cover art]
-
-
-
-[Frontispiece: "'God bless you!' he said fervently." _p._ 62]
-
-
-
-LOST IN THE BACKWOODS
-
-
-BY
-
-EDITH C. KENYON
-
-AUTHOR OF "JACK'S HEROISM"; "BRAVE BERTIE," ETC.
-
-
-
-_ILLUSTRATIONS BY W. RAINEY, R.I._
-
-
-
- LONDON
- S. W. PARTRIDGE & CO.
- 8 & 9, PATERNOSTER ROW
-
-
-
-
-_FOURTEENTH THOUSAND_
-
-
-
-
-CONTENTS.
-
-
-CHAPTER I.
-
-ATTACKED BY ROBBERS
-
-
-CHAPTER II.
-
-ALONE IN THE FOREST
-
-
-CHAPTER III.
-
-RESCUED
-
-
-CHAPTER IV.
-
-TEMPTED
-
-
-CHAPTER V.
-
-CYRIL'S SENTENCE
-
-
-CHAPTER VI.
-
-DELIVERANCE
-
-
-CHAPTER VII.
-
-A FALSE ALARM
-
-
-CHAPTER VIII.
-
-GREEN MEETS HIS FATHER
-
-
-CHAPTER IX.
-
-AT THE SAW-MILL
-
-
-CHAPTER X.
-
-ATTACKED BY BEARS
-
-
-CHAPTER XI.
-
-CYRIL SPEAKS UP FOR THE INDIANS
-
-
-CHAPTER XII.
-
-A JOYFUL MEETING
-
-
-CHAPTER XIII.
-
-LEAVING THE SAW-MILL
-
-
-CHAPTER XIV.
-
-LOST IN THE SNOW
-
-
-CHAPTER XV.
-
-A CONFESSION OF GUILT
-
-
-CHAPTER XVI.
-
-THE DISCOVERY IN THE LOFT
-
-
-CHAPTER XVII.
-
-THE GHOST
-
-
-CHAPTER XVIII.
-
-THE MEETING IN THE FOREST
-
-
-
-
-LOST IN THE BACKWOODS.
-
-
-
-CHAPTER I.
-
-_ATTACKED BY ROBBERS._
-
-"Your money or your life! Quick! Your money or your life!"
-
-Cyril Morton gave a cry of horror and alarm. A masked brigand was
-pointing a revolver at his father, whose pale face confronted it with
-unnatural calmness.
-
-Cyril had never passed through such a terrible minute in his whole
-life as that one during which his father remained silent, instead of
-replying to his fierce assailant's demand. A short while before the
-train-boy, passing down the outside passage of the comfortable
-American train, bearing his tray of chocolate, biscuits, fruit, etc.,
-had waited on them and promised to return in a few minutes with
-illustrated papers wherewith to beguile the tedium of the journey.
-The train, which was a very slow one, was going from Menominee
-northwards. Cyril and his father had come to North America in search
-of the latter's brother, now long absent from his home. When last
-heard of Gerald Morton was in Michigan, so to that State they came on
-the death of Cyril's mother, whose last request was that her husband
-should go and look up his only brother. Cyril was twelve years old;
-he was an only child, and his father, in his sorrow, could not bear
-the thought of leaving him behind in England, so the two travelled
-together and were "chums," as the boy called it. After a delightful
-sail from Chicago over the calm grey waters of Lake Michigan they
-were enjoying their slow journey through immense pine forests, when
-suddenly a band of robbers galloped up to the train, flung themselves
-from their horses, and clambered on to it. First they struck down
-the engine-driver, reversed the engine, and stopped the train. Then
-they began to search the passengers, demanding of all their money or
-their life.
-
-On receiving no answer the ruffian who was threatening Mr. Morton
-repeated his words in a voice of thunder.
-
-"Oh, father," cried Cyril, "give him the money, or he will kill you!
-Father, _please_." He screamed the last words in his agony of
-apprehension.
-
-His attention being diverted by the boy the man glanced aside at him,
-and in that moment Mr. Morton, with a sudden movement, wrested the
-pistol from his grasp.
-
-The other instantly snatched at it, and a struggle commenced between
-the two men for its possession. Backwards and forwards they swayed,
-now locked in each other's arms, now flung apart. Once the revolver
-fell upon the soft-cushioned seat, when Cyril instantly caught hold
-of it, and, watching his opportunity, slipped it back into his
-father's hand.
-
-Maddened with rage the brigand struck the boy down with his huge
-fist. Then Cyril lay like a log upon the floor of the carriage, and
-knew no more.
-
-A few moments and the struggle between the men was ended by the
-brigand's firing point-blank at Mr. Morton, who fell back on the seat
-apparently lifeless.
-
-The robber proceeded to rapidly search his victim. Quickly he
-pocketed a gold watch and chain, a well-filled purse, and also a
-pocket-book containing notes. Then he stooped over the boy, looking
-in his pockets. As he did so something in the white upturned face
-touched even his hard heart.
-
-"He's not unlike my Harry," he muttered, thrusting back the little
-purse his fingers had just closed on. "No, I'll not take his money.
-He'll come to, and maybe want it."
-
-Turning away he went on to rob someone else; and presently, with his
-pockets full of notes and gold, returned to his first victims, still
-lying where he had left them.
-
-The other outlaws were leaving the train and mounting their horses;
-they were all in a hurry to get away.
-
-The man who had struck down poor Cyril stood over him now, with a
-softened look in his hard face as he felt anxiously for the boy's
-pulse.
-
-"Living!" he exclaimed, when his rough fingers had found it. "Well,
-he's a plucky little lad. I'll take him with me. His father's
-dead," he added, glancing at him. "I'll adopt the lad. He shall be
-my son, instead of poor Harry." So saying he lifted Cyril in his
-arms, carried him to where he had left his horse, and when he rode
-off with the others the boy, still unconscious, was on the saddle
-before him, his curly head drooping against his shoulder.
-
-[Illustration: "The boy was on the saddle before him."]
-
-Now it happened that under the double burden the brigand's horse
-lagged behind the others, and although its master whipped and spurred
-it cruelly it could not keep up with them.
-
-"Whiterock," cried the captain of the band more than once, "come on.
-Why do you linger?"
-
-"Coming, sir," answered Whiterock, redoubling his efforts, but in
-vain.
-
-At last the captain, turning in anger to see why he was disobeyed,
-perceived the boy, and cried impatiently--
-
-"What have you got there? A lad? Ridiculous! Absurd! Fling him
-down. Leave him. We want no babies."
-
-Outlaw though he was--strong, desperate too--the brigand dared not
-disobey his chief. Reluctantly, therefore, he stopped short, sprang
-off his horse, and lifted the boy down in his arms. Muttering that
-he had once a son like him he laid Cyril down under a forest tree,
-and then, turning quickly, remounted his horse and rode rapidly after
-his captain.
-
-All the horsemen rode away. The sound of their horses' hoofs died
-out in the distance.
-
-Presently, as evening drew on, a huge grey bear, stealing through the
-bushes, stood looking down on the unconscious boy. After a few
-minutes the bear stooped, and almost poked him with his nose.
-
-If Cyril had awoke then, if he had moved one hand, or in any way
-"shown fight," it would have been all over with him. Unless very
-hungry, however, these North American bears do not attack human
-beings if they make no aggressive movement; so Cyril remaining
-perfectly still the bear, having satisfied his curiosity, moved
-slowly away.
-
-The shades of night stole over the forest. It became quite dark.
-The wild beasts sought their prey. All sorts of dangers were on
-every side; but, quite unconscious still, the boy lay there, a faint
-stirring of his pulse alone showing that life was still within his
-slight young frame.
-
-He had no mother at home praying for him, but it might be in the
-Paradise above she was pleading for her boy, over whom a merciful
-Providence was watching.
-
-
-
-
-CHAPTER II.
-
-_ALONE IN THE FOREST._
-
-About midday Cyril came to himself, opening wondering eyes upon an
-unknown world. Where was he? What had happened? Where was his
-father? Why were his limbs when he tried to move them so stiff and
-cramped? Raising himself with difficulty he leaned upon one elbow,
-and looked round searchingly.
-
-He was alone in these unknown wilds. Where was his father? Why had
-he left him?
-
-Suddenly the boy gave a great cry; he remembered all. His father was
-killed, must have been killed, or he would never have parted from
-him. He had put the pistol in his father's hand before the robber
-struck him; he did not know what had happened after that. But he
-felt convinced that his father was dead, and he lay down again upon
-the ground, crying as if his heart would break. There was a very
-tender love between him and his father; since the mother's death they
-had been all in all to one another. But a new thought came to Cyril
-by-and-by, and that was that someone must have brought him to the
-place where he was lying. For there was no railway line to be seen
-near there; indeed, the trees grew too thickly to admit of such a
-possibility. Who, then, had brought him away from the train, away
-from the railway line? Was it, could it possibly have been his
-father? But if so, where was he now?
-
-Animated by the hope of finding him Cyril struggled to his feet.
-Then he called as loudly as he could, which was not very loud, for
-his throat was parched and dry, and he himself felt very faint.
-"Father! Father!" he cried. "Father, where are you? Father, speak;
-tell me you are here! Father! Father!"
-
-But there was no answer.
-
-Despairingly the boy turned in first one direction and then another,
-repeating his cries until he could not utter another word. But all
-in vain. There was no trace of a human being in any direction. He
-was alone, quite alone in the forest.
-
-In silence now he wandered up and down, finding some wild
-raspberries, or what looked like them, and eating them quite
-ravenously. The soft fruit allayed his thirst, and then he could
-shout again, which he did repeatedly. At first it had been his
-intention to remain near the place where he had been lying, that if
-his father or whoever brought him there returned he might be found.
-But he lost his way very soon and could not find the place again.
-
-"Father! Father! Help! help!" he cried, pushing his way through
-the long grass and bushes, and running along narrow tracks in first
-one direction and then another. "Oh, help, I am perishing! Save me!"
-
-For now a despairing feeling came over him that help would never
-come, that he would wander up and down there until he died--perhaps
-killed by some wild beast. He knew there were bears in that part of
-America, and presently he came across a young one. It did not appear
-to see him, and he ran away from its neighbourhood as fast as he
-could. He had no weapon of any kind, and the thought of that made
-him presently get out his pocket-knife and cut himself a stout stick.
-Then it was that he discovered that after all he had not been robbed.
-His purse was still in his pocket. He took it out, opened it, and
-examined its contents ruefully. One piece of gold, a sovereign, and
-a good many shillings and sixpences were all there. But of what use
-was money to him now? How gladly, thankfully, he would give the
-whole of his money to anyone who would show him the way out of that
-fearful solitude! However, he was in a place where money availed
-not. What could he do? He was in despair.
-
-Then he remembered his heavenly Father, and, kneeling down just where
-he was in the lonely forest, he prayed to Him for help and guidance,
-and especially that, if his father still lived, they two might
-speedily find each other.
-
-He felt somewhat comforted when, at length, he rose from his knees,
-for he knew that he had done the very best thing he could for himself
-and his dear father by laying all their concerns before God in prayer.
-
-Looking round for more berries he soon found some, ate, and was again
-refreshed. Then he walked on once more in the hope that he would get
-to some inhabited place. But he was very tired; and presently, when
-his foot slipped over a tree-root and he fell heavily to the ground,
-he did not feel able to rise again. He therefore lay still where he
-was, and soon fell fast asleep.
-
-Again the shades of night crept over the tall trees of the forest,
-veiling them and the sleeping boy in darkness. And once again the
-beasts of prey stole forth in search of food, but did not come near
-Cyril to harm him, whilst, unconscious of his danger, he slept on.
-
-He was happy now, for he was dreaming of his mother. She looked as
-sweet as ever and far happier, for the lines of pain and trouble on
-her face had been all smoothed away. "Cyril, my boy," she said to
-him, stooping to kiss his brow, "it was brave of you to help your
-father as you did yesterday. You suffered for it. Yes, but that is
-all over. Now you must be brave in searching for your father and
-waiting patiently until God, in His good providence, permits you both
-to meet again."
-
-"I will, I will, mother," Cyril cried in his dream; and then it
-ceased, and he lay in heavy, dreamless slumber until he awoke with a
-consciousness of its being very hot, and that there was a strong
-smell of something burning.
-
-Starting up and looking round he found that it was morning, and that
-away to the right of him there was a mighty cloud of smoke mingled
-with flames, out of which great showers of sparks flew up into the
-sky. A tremendous roaring as of thunder announced the burning of
-great forest trees. The noise of it almost drowned the pitiful cries
-and screams, roars and screeches of wild animals and birds as, in
-their flight for their lives, the cruel flames caught hold of them
-and burnt them.
-
-"The forest is on fire!" cried Cyril aloud in terror-stricken
-accents, "and I, where shall I go? Oh, God," he murmured, "help me!"
-and set off running fast in the opposite direction from that in which
-the fire was advancing.
-
-The air had become exceedingly hot. It dried up everything before
-the fire, so that when the flames came up they caught hold of the
-great pine trees without a moment's loss. The very ground seemed
-scorched.
-
-Cyril found the fire gaining upon him. Of what use was it to run?
-Oh, if he could only come to some open space, or a sheet of water
-into which he could hasten!
-
-But no. There were no signs of either. Cyril became hotter and
-hotter. Soon, very soon, the fire would overtake him. He almost
-felt its hot breath on his cheeks. Wringing his hands he sank down
-with a loud, despairing cry.
-
-
-
-
-CHAPTER III.
-
-_RESCUED._
-
-Now it happened that Whiterock and his companions had been fleeing
-before the fire for at least an hour, when its direction brought them
-to the place where Cyril fell.
-
-The boy's wild, despairing cry was unheeded by most of the men, who
-were only bent on saving their own lives, but on Whiterock's ears it
-fell with powerful appeal. Swiftly he galloped up, espied the boy,
-leaped from his horse, flung Cyril upon the saddle, remounted, and
-once more rode off with him at full speed.
-
-[Illustration: "The boy's wild, despairing cry was unheeded."]
-
-The men knew of a large clearing extending for several miles, where
-lumbermen had felled and carried away the great pines. They rode
-straight there, and in the course of an hour reached the place.
-
-There was no fear of any fire following them into the clearing, for
-nothing remained there upon which it could feed. It took another
-direction, more to the north-west, and the men and boy were safe.
-
-With noisy jests and much jeering at the fears which now were over
-the company made their way to the deserted camp of the lumberers.
-This proved to be a big frame-building, run up for the temporary
-convenience of the men who felled the trees, and then deserted when
-their work was done and the timber conveyed away. All round the
-inside of the building were sleeping-bunks, half filled still with
-dry grass and ferns.
-
-They set to work with alacrity to kindle a fire, make coffee, cook
-some meat, and spread out their biscuits.
-
-No one took any notice of Cyril, who stood in a corner watching them
-furtively. What powerful men they were! And how wicked some of them
-looked! But others seemed quite pleasant and kind. He watched
-Whiterock closely with very mingled feelings. He would have been
-most grateful to him for saving his life if it were not for the
-strong suspicion he had that he was the very man who had attacked his
-father. At that time he wore a mask. Now his dark-bearded face was
-uncovered. But there was something in his build and manner, and
-especially in the tones of his voice, which made Cyril confident that
-he was his poor father's assailant. How the boy longed to ask him if
-he had left his father living still! Would he be very angry if he
-were asked the question?
-
-"Whiterock!" Cyril called timidly to him, stealing nearer as he did
-so.
-
-The man had constituted himself cook, and was stooping over a
-battered frying-pan, whereon spluttered great slices of meat. Being
-much absorbed in his cooking he only noticed Cyril's call by giving
-him a nod.
-
-Cyril did not return the nod. For just as he was about to do so it
-occurred to him that if the man were really his poor father's cruel
-assailant he could return no greeting of his.
-
-Whiterock did not notice the boy's lack of cordiality; he was talking
-to one of the stewards now about the meat, which had run short.
-There would not be sufficient to go round. This was a great
-difficulty which could not be got over by talking.
-
-When at last the men sat and lay down in a sort of circle round the
-stewards, who helped out the food straight from two central dishes
-into the men's hands, Cyril was called up by Whiterock and received a
-share of biscuit only.
-
-"Biscuit is good enough for bairns," said the steward, laughing.
-
-But Whiterock, grumbling, thrust a small piece of meat upon the boy's
-biscuit. It was his own. But how could Cyril eat it? He pushed it
-back into the man's hand. Whiterock looked annoyed, and made no
-further attempt to improve his meal. The men drank their coffee out
-of little cups belonging to their flasks. Cyril had not one, so
-would have had to go without if the steward had not kindly lent him
-his.
-
-After the breakfast all the men but two or three, who remained to
-look after the horses, collect wood, and so forth, went off on foot
-to hunt. They returned, late in the afternoon, with an immense
-quantity of game. The men who had not been hunting were sent, with a
-couple of horses, to fetch home some of the best parts of the deer
-which the others had shot.
-
-There was a great feast that evening, and much work afterwards in
-cutting and hanging up strips of meat to be smoked and dried by the
-fire during the night. Then the men divided the sleeping-bunks.
-Cyril shared one with Whiterock.
-
-"There, get in, youngster," said Whiterock. "I'm awful sleepy. Want
-to say something? No, I can't hear it to-night. To-morrow some time
-will do. Good-night." He fell asleep, or appeared to do so, almost
-as he spoke.
-
-Cyril dared not disturb him to inquire about his father's fate. He,
-too, was very sleepy, and in spite of his anxiety speedily followed
-his companion's example.
-
-He was awoke suddenly in the night by shouts from the men, and then
-much loud talking and exclaiming. What was the matter? The men were
-flying wildly out of their bunks, on all sides, and making for the
-door. At that moment something soft, smooth, and slippery wound
-itself round Cyril's neck. With a cry for help he caught hold of
-Whiterock's hand.
-
-The man sat up and astonished the boy by laughing loudly.
-
-
-
-
-CHAPTER IV.
-
-_TEMPTED._
-
-Whiterock flung something from the boy, and, jumping out of the bunk,
-still laughing loudly, lifted him on to the ground.
-
-"Captain," he called out, "these old bunks here are full of
-pine-snakes, which have crawled into them for warmth. Fortunately
-they are quite harmless. Now then, men, they won't hurt you!"
-
-When all the men had returned they declared that it was impossible to
-sleep any more that night. So more coffee was made, and they all sat
-and lay about near the fire, talking of their future plans. Cyril
-began to count the men, but was still so sleepy that he could not
-quite decide whether their number was nearer twenty than thirty.
-
-For some time no one took any notice of the boy. But at last the
-Captain did so, and jeered at Whiterock for turning nursemaid.
-
-Then they all began to talk of Cyril, much to his discomfiture.
-
-Presently Whiterock asked him if he would like to remain with them as
-his adopted son, and in time would become one of the band.
-
-"Ah, like Wolfgang," said the Captain, stroking his long beard. "He
-was a lad of about your age. We found him. I won't say where, but
-he grew up amongst us, and for cleverness and pluck there wasn't a
-man of us all that could beat him. Ah, he would have been captain if
-he had lived! He was killed in a scuffle with the police. He died
-fighting nobly."
-
-Cyril had his own opinion about the nobleness of fighting the public
-officers of law and order. But he felt sorry for Wolfgang. The lad
-probably knew no better.
-
-"Well, little 'un," said Whiterock, "would you like to stay with us
-and be my boy?"
-
-"But my father?" said Cyril tremulously, looking appealingly at him.
-
-"Oh, he's dead," said Whiterock hastily. "Now come, boy, don't make
-a scene."
-
-Cyril turned his back on him. He was struggling with all his might
-to keep back the tears which would not be suppressed. His father,
-his dear, kind father, slain by that coarse, ruffianly fellow! Oh,
-it was too cruel!
-
-"What's the matter?" demanded the Captain.
-
-Whiterock crossed over to him, and said something rather low in his
-ear.
-
-"Oh!" cried the Captain. "But that's only the fortune of war. Come
-here, my boy," he added to Cyril.
-
-Cyril went up to him with a pale, resolute face.
-
-"Whiterock saved your life, lad," said the Captain. "You must
-remember that. There wasn't one of us who would have done so much
-for you at such a time."
-
-"He took my father's life," replied Cyril, looking up with flashing
-eyes, the hot blood mounting to his very brow.
-
-"But he saved _your_ life, lad," remonstrated the Captain.
-
-"I know he saved my life," cried Cyril, "and I just wish he hadn't!
-As he killed my father, I would rather have died than----"
-
-"Be quiet!" thundered the Captain. "Will you stay with us or no?"
-
-"No, a thousand times no!" answered the boy boldly.
-
-"I won't have him," muttered Whiterock sulkily.
-
-"But I will," cried the Captain. "Look here, my lad, I honour you.
-Yes, I honour you for loving and respecting your father. You're a
-plucky lad! And if you like to stay with us you shall be my adopted
-son. Do you hear what I say?"
-
-The men uttered various exclamations, tending to show that what they
-considered "a piece of rare luck" had come in Cyril's way.
-
-Then they all waited for the boy's answer.
-
-"No, thank you, Captain," he said politely, "I cannot."
-
-"What for, lad? Why not?" demanded the Captain wrathfully.
-
-"Oh, because '_Noblesse oblige_!'" replied the boy.
-
-"What do you say?"
-
-Cyril repeated "_Noblesse oblige_" distinctly, in tones which were
-heard all over the great room.
-
-"How do you explain those words?" asked the Captain.
-
-"Oh, don't you understand them?" said Cyril, surprised that such a
-great man as the Captain should be ignorant of their meaning. "My
-father"--his voice shook a little as he said the name--"told me
-_Noblesse oblige_ means rank imposes obligations, and that much is
-expected from one in a good position. You see, Captain, _gentlemen
-can't do mean, dishonourable things_. I'm sorry to disappoint you,
-but you see I come of a race of honourable gentlemen who would scorn
-to rob and plunder."
-
-The Captain laughed loudly, rudely. "What a fine gentleman we've got
-here!" said he; "let's look at him." He dragged Cyril forward into
-the middle of the room. "There, my fine fellow, look around you,"
-cried he. "Do you know several of these men are gentlemen of birth
-and breeding?"
-
-"Then they've forgotten it," said Cyril calmly.
-
-A murmur of anger went round the room. "Forgotten what?" cried one
-man.
-
-"_Noblesse oblige_," replied Cyril.
-
-"Absurd," cried the Captain. "Have you no better reason than that
-for refusing my offer?"
-
-Cyril was silent.
-
-"Speak out," cried the Captain.
-
-Slowly but bravely Cyril said that there was yet another reason. He
-could not join them because he was a follower of Christ, who made the
-law of love, saying, "_By this shall all men know that ye are My
-disciples, if ye have love one to another._"
-
-A cry of rage burst from most of the men upon hearing this. But one
-or two drew rough hands across their faces, as if to hide them for a
-moment.
-
-
-
-
-CHAPTER V.
-
-_CYRIL'S SENTENCE._
-
-"You little prig!" sneered the Captain of the band. But he did not
-look at Cyril. "Preaching at us!" cried another man indignantly.
-
-"He wants taking down a peg or two," said a third.
-
-"What sinners we must be!" scoffed a fourth.
-
-"Leave him alone," growled one whose heart the boy's brave, noble
-words had touched. "Let him be."
-
-"Aye, do," said a younger man. But he spoke timidly, looking down on
-the ground as he did so. "In case--in case," he added, "the
-youngster may be right."
-
-"Right! Hark at him! Hark at Green!" jeered two or three rough
-voices.
-
-The Captain looked angrily around at the men, and then at the boy.
-He felt thoroughly out of temper.
-
-"A good thrashing would do the lad no harm," he muttered.
-
-"Thrashing's too good for him," grumbled Whiterock, all his kind
-feeling for Cyril having changed to bitter dislike.
-
-"Boy, come here," cried the Captain.
-
-Cyril went up to him. He was very pale now, and trembling. He did
-not feel at all brave as he clasped his hands nervously together. It
-was terrible to feel that he stood alone, unarmed, helpless in the
-midst of all these men.
-
-The Captain looked searchingly at him. "Your name, lad?" he demanded
-in stern tones.
-
-"Cyril Morton," answered the boy.
-
-"Cyril! A girl's name! Pooh!"
-
-With a sudden change of mood the Captain laughed derisively. He
-passed his big, rough hand over the boy's soft curly hair and down
-his slim young figure.
-
-"All the same," he said, "I like you, boy, and believe that we can
-make a man of you yet. After all, I will repeat my offer. Will you
-stay and be my son?"
-
-Cyril shook his head. He could not speak at the moment, for the
-right words would not come. Was he to go through the ordeal again?
-
-"He won't!" cried one of the men indignantly. "Did you ever know
-such defiance?"
-
-"Speak," demanded the Captain, his hand resting heavily now on
-Cyril's shoulder as if he would compel his obedience. "Do you still
-refuse?"
-
-"Yes. I cannot--oh, I cannot accept your offer! I cannot!" cried
-the boy.
-
-"Very well," shouted the Captain angrily. "You defy us! Here, you,
-Whiterock, you brought the youngster. Take him outside a bit while
-we decide what is to be done. Take him away, I say, for ten minutes.
-Then bring him back to hear his sentence."
-
-Cyril trembled. Would they kill him? Out here in the backwoods they
-could do whatever they liked. There were no policemen here.
-
-"Come on," said Whiterock, seizing hold of Cyril's collar and
-dragging him out of the place.
-
-Outside he flung the boy down on the ground at his feet.
-
-"Oh, Whiterock," pleaded Cyril, "though you killed my father--my
-dear, good father, will you not save me, his son?"
-
-[Illustration: "Oh, Whiterock, will you not save me?"]
-
-It was the best plea the boy could have made, for since those words
-of his to the Captain, and his terrible distress about his poor
-father, Whiterock had felt something like compunction for what he had
-done.
-
-"The matter lies in your own hands, Cyril," he said, not unkindly.
-"You, and only you, can save your life. Accept the Captain's
-offer--it is a generous one."
-
-"But I can't," said Cyril. "Oh, Whiterock, I can't!"
-
-"Well, come back with me inside."
-
-"One moment," cried poor Cyril. "What will they do to me?"
-
-"You'll hear that soon enough," muttered Whiterock, leading him
-inside the huge shanty.
-
-"Come here," called the Captain loudly, "and hear our decision."
-
-Cyril stood tremblingly before him.
-
-"It is," cried the man, "that if you do not change your mind by
-morning and consent to become one of our band, we shall tie you to a
-bunk and leave you here imprisoned in this camp, with only the snakes
-for your companions."
-
-A cry of horror escaped from Cyril's lips. Then eagerly,
-passionately, he pleaded with the Captain to punish him in any other
-way he liked than that.
-
-But to all and everything he urged the Captain had only one answer,
-Cyril must accept his offer, and then all would be well with him.
-
-The boy, however, although greatly tempted to dissemble for a while
-and pretend to comply with the Captain's wishes until they reached a
-more civilised place where he might gain succour, remained firm.
-
-So did the Captain. At the break of day he and the men breakfasted
-without giving one morsel of food to the boy. Then they made their
-preparations for leaving the place, which consisted mainly in packing
-up the best of the game and deer flesh.
-
-When they were quite ready to start the Captain strode up to Cyril,
-asking if he had changed his mind.
-
-"No, sir," answered the boy.
-
-Then the Captain made two of his men lay Cyril down in a bunk and tie
-him to it securely.
-
-The horrified boy, looking round nervously, perceived a snake at the
-foot of the bunk, and another larger reptile at one side of it.
-
-Was he to be left exposed to their unwelcome embraces? Harmless they
-might be, but most unpleasant.
-
-Vainly he begged and implored for mercy.
-
-To all and everything he said the Captain's reply was always, "Do you
-change your mind? Will you be one of us?"
-
-"I cannot! Oh, I cannot!" cried the poor boy every time.
-
-Last of all Whiterock came up, and once more advised him not to throw
-his life away.
-
-Cyril, however, would not yield.
-
-Then they left him, and going outside mounted their horses and rode
-off.
-
-There was a great silence in the deserted camp.
-
-Cyril prayed to God for help.
-
-Suddenly he felt a cold, slimy body slipping round his leg and
-gliding up his waist. He could not reach it with his hands, which
-were tied to the side of the bunk. Shouting at it to frighten it
-away was not of any use.
-
-With a piercing scream he gave himself up for lost and knew no more.
-
-
-
-
-CHAPTER VI.
-
-_DELIVERANCE._
-
-"Poor little chap!" said a rough but kindly voice, as a young man
-unwound the snake from Cyril's body and dashed it on the ground.
-"Pluckier than any of us men after all. Here, my lad, drink this."
-Whilst speaking he had unfastened Cyril's collar, and was now holding
-a flask to his lips.
-
-Opening his eyes Cyril looked with a troubled gaze into the man's
-weather-beaten face. What had happened? Slowly he remembered. It
-was the young man called Green, who had tried to speak up for him
-when the others were so angry. What was he doing here?
-
-Green cut away the ropes, and lifting the boy out of the bunk carried
-him away from the gloomy place altogether into the sunshine outside.
-Then he laid him down on some long grass, and going to his horse,
-which was tied to a fence near by, got a packet of food out of his
-saddle-bag.
-
-The sweet, fresh air revived Cyril; the sunshine warmed him and did
-him good. In his heart he thanked God for the blessed change.
-
-As Cyril ate and drank the repentant outlaw watched him with hungry
-eyes. There had been a time once when he was an innocent boy like
-him. Ah, well! that was long ago, and the good mother, whose pride
-and joy he had been in those days, had been dead for many years.
-There was no one to care so much what he did when she had gone, and
-the tempter enticed him along the downward path of idleness and
-self-pleasing. He had forgotten his mother's God, and had turned
-away his mind from all thoughts of Him! That was the beginning and
-the end of all the evil.
-
-But this boy, Cyril, had done very differently. Alone, unarmed, he
-had been brave in the most terrible danger, he had resisted the
-greatest temptation.
-
-The robber sighed deeply.
-
-Cyril, looking up, saw two great tears rolling down the man's face.
-He turned his head away quickly lest the boy should see them.
-
-Jumping up he threw his arms round the man's neck.
-
-"You have saved my life," he cried, "and now you are in trouble
-yourself. Yes, I know you are. Is there anything I can do? Will
-you--will you tell me what is the matter?"
-
-Deeply touched, Green sank down on the grass beside Cyril and told
-him the whole story of his life, from the time when, as a child, he
-said his prayers at his mother's knee to the hour when, with his
-companions, he heard Cyril's outspoken condemnation of their wicked
-life.
-
-"All night long," he said in conclusion--"all night long I've been
-thinking, thinking as I never thought before, and I've made up my
-mind, lad, that I'll try to lead a different life. If I can't earn
-my bread and cheese in future--well, I'll go without it. And I'll
-ask God's forgiveness for all my wrong-doing as long as I've breath
-in me to ask it."
-
-After a pause, during which Green sat pondering, his horse made an
-impatient movement, which reminded him that they ought to set off.
-
-"But where shall we go?" asked Cyril wonderingly.
-
-Green replied that his father still lived, and happened to be working
-in a great saw-mill not twenty miles away from where they were. "If
-we go to him," he said, "I know he will get me work to do."
-
-Then Cyril asked if Green could put him in the way of returning to
-England to his friends.
-
-Green felt very sorry for him as he listened. But as Cyril had not
-nearly enough money, and he had very little himself, he did not see
-how he could possibly assist the boy to return home. However, the
-first thing was to get him into a place of safety, for the robbers
-might return when they missed their comrade, or possibly, relenting,
-they might come back to liberate Cyril.
-
-Mounting his horse, therefore, Green took up Cyril before him on the
-saddle and rode off.
-
-After proceeding about five miles through the forest, without any
-greater adventure than the frequent difficulty of finding a path
-through the dense trees, they unfortunately came out into an open
-sandy plain, across which they had not gone far before they were
-perceived by some horsemen who happened to be crossing the plain in
-another direction.
-
-With wild cries the men turned their horses about and set off after
-Green and Cyril.
-
-It was a most unequal chase. The doubly-laden horse could not by any
-chance escape the pursuers, who gained ground every moment.
-
-Encouraging it by word and by every other means in his power Green
-rode on, but with little hope in his heart.
-
-Nearer and nearer came the pursuers, laughing and shouting as their
-horses flew over the plain.
-
-"Come, Jack! Jack, old fellow, for pity's sake!" cried Green.
-
-Tossing his head, with flakes of foam flying from his mouth, the
-horse dashed on.
-
-But still the followers gained a little more.
-
-"Jack, old fellow!" There was something despairing now in Green's
-appeal to the animal.
-
-Neighing loudly, as if in answer, the horse galloped even faster than
-before. His hoofs scarcely seemed to touch the ground. It was all
-Cyril could do to hold on to his friend.
-
-"Stop! stop! stop, or we fire!" cried a stentorian voice.
-
-"Jack!" Green's appeal was almost frantic now.
-
-With a bound the horse responded, plunging forward with greater speed
-than ever.
-
-A shot rang through the air. Jack swerved heavily to one side; then
-he rolled over dead.
-
-
-
-
-CHAPTER VII.
-
-_A FALSE ALARM._
-
-The good horse Jack was dead, but neither Green nor Cyril were hurt.
-Fortunately for them the last violent movement of the animal threw
-them quite clear of its body.
-
-"Cowards!" exclaimed Green, rising, and looking indignantly through a
-cloud of dust in the direction whence the shot had been fired.
-
-[Illustration: "'Cowards!' exclaimed Green, rising, and looking
-indignantly."]
-
-"Why, Green! Green! They're off!" cried Cyril, who was already on
-his feet. "They're off!"
-
-"Off! Leaving us!"
-
-Green could scarcely believe his eyes. Instead of coming up to seize
-them the pursuers were galloping away.
-
-"Oh! Look, look!" Cyril pointed in another direction.
-
-A little company of horsemen had entered the sandy plain, and were
-riding rapidly towards them.
-
-"They've scared our enemies. Aye, but we'd better be off too," cried
-Green in alarm.
-
-"But we needn't run away from these men," said Cyril. "They are our
-friends."
-
-"Friends? Not they! I should have a bad time of it if they caught
-me," said Green. "You see, they're Government men on the look-out
-for train-robbers and horse-stealers. Jack was a stolen horse.
-They'd make short work once they laid hands on me. Come on, lad."
-He caught hold of Cyril's hand and set off running back towards the
-forest.
-
-"But, Green, stop. Let us tell them all. You are no outlaw now.
-You can say you have done with all that sort of thing--that you are
-repentant!" protested Cyril as they ran.
-
-"That would make no difference. They'd punish me for what I've done
-already."
-
-Cyril could not help feeling that if he told his story to these
-new-comers they would be sorry for him, and would befriend him. But
-he did not like to suggest that he should separate from his companion
-and wait for them.
-
-Green, however, seemed to be thinking of it "They would not believe
-even you," he said. "You see, you'd be found in my company, and they
-would think you were one of us."
-
-Across the boy's mind flashed the copybook precept he had written
-many a time, "A man is known by the company he keeps." And he
-remembered he could give no proof that his narrative was true.
-
-"It's impossible to keep this up," panted Green after a while. "I'm
-dead beat! I can run no further."
-
-The perspiration poured down his red face; he was thoroughly
-exhausted.
-
-"Nor can I," cried Cyril, who, although more used to running than
-Green, was not in his usual health. "Let's give up."
-
-They stopped short, and timidly, very timidly, looked round. They
-were alone. Not a creature--neither horse nor man--had followed
-them. With the exception of a few birds not a living thing could
-they see.
-
-"Why, wherever be they?" exclaimed Green.
-
-"Where? Where are they?" echoed Cyril.
-
-There was no answer. Where, indeed, were their pursuers? Had the
-earth swallowed them?
-
-"Something must have made the new-comers fear to attack them after
-all," said Green. "They must have been as afraid of the others as
-t'others was of them! Did you ever know such a thing?"
-
-"And we've been just as bad," said Cyril in a tone of disgust, "for
-we've been running away from nobody at all!" He sat down dejectedly
-on a sandhill.
-
-"Three parties all running away from each other, without ever
-stopping to look round! Well, that was mighty queer," cried Green.
-
-"You were wrong about them being men in pursuit of you and your
-friends," said Cyril.
-
-"I was indeed. They weren't after us at all. They must have been
-just quiet, peaceable travellers who heard the firing, and, being
-alarmed, made off back again as fast as they could!"
-
-"Well, they saved us, anyway," said Cyril.
-
-"Yes, that's true enough."
-
-"But how shall we get on without a horse?"
-
-"Poor Jack!" sighed Green. "Captain gave him to me because I was the
-means of his getting a whole lot----" he stopped abruptly. "What a
-rascal I've been!" he reflected.
-
-"I'm ravenously hungry," said Cyril.
-
-"And we've left nearly all our food in the saddlebags. But not
-quite, I've a little here!" Green got a packet out of his pocket,
-and, opening it, disclosed some slices of cooked meat.
-
-"Oh, thank you!" Cyril said, gratefully taking his share.
-
-For a few moments they ate in silence, then Green said they must push
-ahead as fast as possible before night came on.
-
-"But which way shall we take?"
-
-"Oh, we can't be so very far from the saw-mill where my father works,
-if I could only find the way there," said Green.
-
-However, it turned out that he really did not know where they
-were--so many turnings had confused him. But they could not remain
-there, and so set off walking towards the forest. In the shelter of
-the trees, at least, they would not be so conspicuous if the pursuers
-again came near. Besides, Green was certain the saw-mill, which he
-had once been to, was near trees.
-
-In an hour they found themselves again entering the forest, and
-walking along a broad track made by deer or other large animals. It
-was dark below the great pine trees, and before long the shades of
-evening made it still darker.
-
-"Oh, Green, I can walk no further!" said Cyril at length, sinking
-down at the foot of a tree.
-
-"Well, I think we're both about tired out," rejoined Green, leaning
-wearily against another tree, and looking down compassionately on the
-tired boy. "We'll stop here, lad, for the night."
-
-"Yes. But shall we be safe? What about the wild animals?"
-
-"Oh, we must have a fire! There's plenty of dry wood about."
-
-He went forward and began to heap up some broken boughs.
-
-"It won't do to light it here though," he went on. "We might set
-fire to the forest; everything is so burnt up."
-
-"I'm afraid I can't go any further," said Cyril.
-
-"No, you stay there. I'll just take a look round." He walked off as
-he spoke, and disappeared amongst the trees.
-
-It was very still after he had gone. The twittering of birds and the
-occasional snarl of some wild animal, or the breaking of twigs as one
-stealthily approached, were the only sounds to be heard. At another
-time Cyril, who was unarmed, might have been nervous had not bodily
-fatigue overcome every other sensation. As it was, by the time Green
-returned to him he was fast asleep.
-
-"Poor lad, I won't wake him," said the kindly man, lifting Cyril in
-his strong arms, and carrying him off as if he were a baby.
-
-When Cyril awoke an hour later he saw a great wood fire burning, and
-sending up showers of sparks into the still night air. He was lying
-in an open space at one side of the fire, and Green was stooping down
-near it, attending to the roasting of a bird.
-
-"Supper's ready, my lad," he was calling. "And a blessing it is I've
-got some supper for you. Jump up."
-
-"What is it? How did you get it, Green?" asked Cyril eagerly, for
-all at once he felt uncommonly hungry.
-
-"Never mind," said Green briefly, "you eat it."
-
-He poked it out of the fire, and served it on a smooth flat stone.
-Then he divided it with his pocket-knife, handing Cyril the best of
-it with the same useful article.
-
-The two made a good meal, for the food was very welcome. Then they
-lay down on the ground near the fire and were soon fast asleep.
-
-
-
-
-CHAPTER VIII.
-
-_GREEN MEETS HIS FATHER._
-
-It was scarcely light when Cyril was awakened by Green shaking him
-vigorously.
-
-"Wake up, lad. Wake up!" he cried. "There's something queer near
-us! Listen."
-
-Cyril sat up, rubbing his eyes, and heard the sound of horses
-galloping along, and then crashing through the brushwood. He saw
-strange lights gleaming through the trees, and now shots were fired,
-and loud and excited voices bewailed the escape of some prey.
-
-"Green," said the boy in a low tone, "are those men after us again?"
-
-"No, no. It's some huntsmen. I see now; they're hunting deer with
-head-lights."
-
-Even as he spoke one of the lights dashed through the bushes up to
-them, and Cyril saw, to his amazement, that it was a lighted lantern
-strapped on to the head of a stout pony. A man with a skin cap on
-his head rode the pony.
-
-"Hullo!" shouted he, "what's this? What are you fellows doing?
-Camping out, eh?"
-
-"Of course we are," said Green cautiously. "And who may you be?"
-
-"Oh, we're just a party of men from Ellison's saw-mill----"
-
-"Ellison's saw-mill! That's good hearing!" cried Green. "We're on
-our way there, but have got lost. How far off are we now?"
-
-"About six miles or so. Where are your horses?"
-
-Green looked embarrassed. Then he said, "We fell in with a rough
-lot--they shot our horse----"
-
-"Shot your horse? Had you only _one_?"
-
-Before Green could reply, much to his relief two or three other men
-came up, who, after asking a few questions, swung themselves from
-their saddles, and, opening their saddle-bags, began to take out
-sundry packages.
-
-"We might as well have our breakfast here," said one. "Any objection
-to our using your fire to boil our kettle, master?"
-
-"None whatever. Make yourselves at home," answered Green heartily.
-
-"Any water hereabouts?" asked the man.
-
-"There's a spring just round those trees, about ten yards off."
-
-"Hurrah! Fetch some, Jem. We'll make coffee. You and the lad will
-join us, stranger?"
-
-"That's so," replied Green, "and thank you."
-
-In a quarter of an hour the five huntsmen, Cyril, and Green were
-partaking of a good breakfast, consisting of coffee, tinned meat, and
-bread.
-
-Cyril learnt from the men's talk that they had been hunting all night
-and had shot two reindeer, which some of their party had taken home,
-whilst the others pressed on in search of more. The light of the
-lanterns fastened to their horses' heads attracted the deer, who, on
-coming forward to look at it, were shot point-blank by the men.
-
-The boy thought it a very cruel way of entrapping the beautiful
-creatures, but all the others said it was "fine sport."
-
-Presently the men, who had lingered too long over their breakfast,
-jumped up, and mounting their horses rode as fast as they could back
-towards the mill. Very little was said upon the way. One of the men
-took Cyril up behind him, and he found it difficult enough to hold on
-to the saddle he bestrode. He had no strength left for talking.
-
-By-and-by they arrived at their destination--a group of houses and
-outbuildings, and a huge saw-mill, with heaps of timber and
-roughly-hewn planks.
-
-The master of the mill, who was a tall man, with hair thickly
-sprinkled with grey, came to the door of his office--a small building
-at one side of the yard--as they rode up.
-
-"Well, men?" he said laconically.
-
-"We've killed two head of deer, that's all," replied the spokesman of
-the party, "and we've picked up a man and a boy who were on their way
-here."
-
-"Dismount," said the master briefly, addressing the strangers.
-
-Green jumped down and took off his skin cap.
-
-"Beg pardon, Mr. Ellison, sir," said he, "but can you tell me, is
-Josh Davidson, my father, still living here?"
-
-"Yes," replied the master. "You are his son Ben?" he added.
-
-"That's so," said Green, whose real name was Ben Davidson. "Can I
-see him?"
-
-The master sent for the prodigal's father. Then looking at Ben, he
-said inquiringly--
-
-"Turned over a new leaf?"
-
-"Yes," Ben nodded. His face was very red, and great tears were in
-his eyes. The man before whom he stood knew all about him. He knew
-of the shameful years of robbery and violence; he knew of the
-father's broken heart.
-
-Suddenly the saw-miller laid his hand on Ben's shoulder.
-
-"Go meet him, lad," he said. "See, he's crossing the yard."
-
-Ben hurried out. The two in the office heard a great glad cry--
-
-"My son! My son! 'He was dead, and is alive again. He was lost,
-and is found!' Thank God. Oh, thank God!"
-
-"Now," said Mr. Ellison to Cyril, "tell me who you are. Do you
-belong to that man?"
-
-"No, sir; oh, no!"
-
-"Then how came you to be here with him?"
-
-Cyril looked up into the man's grave, kind face. He wanted to tell
-him all that had befallen him since the time that he sat by his
-father's side in the train going northwards from Menominee, but
-remembered that he must not betray the ex-robber. And although it
-was evident Mr. Ellison knew something of the latter's wrong-doing,
-Cyril was not aware how far that knowledge extended.
-
-A shade of sternness crept over Mr. Ellison's face as he noticed the
-boy's hesitancy.
-
-"Well?" he said impatiently.
-
-Cyril was greatly perplexed. How much could he tell the saw-miller
-without compromising the man who had saved his life?
-
-
-
-
-CHAPTER IX.
-
-_AT THE SAW-MILL._
-
-"It was in a train. It was attacked by rough, cruel men, and one of
-them killed my father."
-
-Cyril's voice shook as he spoke, and for a moment he paused.
-
-"I fell into the hands of the men, and they were leaving me to die,
-when Green--I mean Ben Davidson, rescued me."
-
-"Ah! Just so! Well, I won't ask you questions about that. But say,
-what is your name? Where do you come from?"
-
-"My name is Cyril Morton. My father was an English gentleman, with
-an estate in Cornwall. We came to this country in search of my
-uncle, Gerald Morton. Have you ever known him, do you think?"
-
-Cyril asked the question with sudden eagerness. Who was so likely as
-the great saw-miller to know a sojourner in those parts?
-
-The saw-miller shook his head. "Ours is an immense country," he
-said. "Unless you have some clue to his whereabouts I'm afraid you
-won't be likely to find that uncle of yours, my boy."
-
-"Then, if you please," said Cyril, "can you help me to return to my
-friends in England?"
-
-The saw-miller said nothing. He looked discouragingly at the boy.
-
-"You see," said Cyril, "I've scarcely any money with me. But my
-father had plenty. When I get back to England I shall just go to Mr.
-Betts, our lawyer, and get him to send your money back, with
-interest--that is, if you will be so very kind as to lend me some."
-
-"Just so," said the saw-miller. "But how can a little chap like you
-travel all those thousands of miles alone? No, no, my boy, it's not
-so easily done."
-
-"But I must return home," protested Cyril.
-
-"Yes, of course. All in good time. But you must wait here until
-someone going to Chicago comes this way."
-
-"But----" began Cyril.
-
-"Now, I can't argue with you, boy," said the saw-miller shortly.
-"You're very welcome to stay here with us until it's convenient to
-send you along to England. More than that I cannot do for you."
-
-He touched the bell.
-
-"Thank you," said Cyril, "but----"
-
-"Jim, take this youngster to the cook," said Mr. Ellison to his
-errand-boy, "and tell him to give the lad something to eat and drink."
-
-"Yes, boss. Come along." The last two words were addressed to
-Cyril, who followed him from the office immediately.
-
-The boy conducted Cyril into a large room in the great house where
-the master saw-miller lived with such of his men as were unmarried.
-Then a man wearing a white cap placed a dish of hot meat, bread, and
-coffee before him, at one end of a very long table.
-
-Just as Cyril was sitting down to the meal Ben and his father
-entered, and came quickly towards him.
-
-"Here he is, father. Here is the boy whose brave true words spoke a
-message from heaven to my soul," said Ben.
-
-The old man laid a hard but gentle hand on Cyril's head.
-
-"God bless you!" he said fervently; "God bless you!"
-
-"Thank you," said Cyril in a low tone. He felt very glad to think he
-had done so much good, but it was a little embarrassing too; so he
-hastened to speak of other things. "Green--I mean Ben," said he,
-"aren't you going to have some breakfast? Oh, yes, here comes the
-cook with another plate."
-
-The man with the white cap laid the plate before Ben, regarding him
-curiously as he did so.
-
-After he had gone the old man spoke. "Ben," he said, "my son, you've
-repented; yes, but the consequences of your wrong-doing remain. Your
-band has done a good deal of mischief in this neighbourhood, and at
-any moment you may be recognised. You'll have to be disguised in
-some way."
-
-"I'll shave my beard and whiskers off, and you must cut my hair quite
-close, father," said Ben. "Then if you'll kindly get me some clothes
-like yours, you'll see I shall look very different. If any of my old
-associates ever come this way, it must be quite impossible for them
-ever to recognise me."
-
-"Aye, my lad. What would that desperate Captain do if he came across
-you?"
-
-"Shoot me as soon as think of it," replied his son.
-
-Cyril trembled. From what he had seen of the Captain he was sure it
-would be so. "But these saw-millers are very powerful, Ben, aren't
-they?" he asked. "They couldn't easily be overcome, could they?"
-
-"Not likely," Ben answered, "if it came to a fair fight."
-
-After the meal was over Ben shaved, and his father cut his hair quite
-close to his head. Then he dressed in the rough garments worn by the
-men at the saw-mill. His transformation was so complete that even
-Cyril did not know him when he returned to the big room.
-
-Then, and not till then, did the old man take him to the master.
-
-A little later in the day, when Cyril had been shown over all "the
-works," and had seen the different operations whereby great forest
-trees were sawn into boards, smoothed, planed, and piled up in mighty
-heaps ready for transportation, he learnt that Mr. Ellison had been
-very kind to Ben, and had engaged his services, that he might remain
-there and work with his father. The old man was most pleased and
-thankful; and his son and he made very much of Cyril, and were never
-tired of telling him how grateful they were to him for being the
-means of their present happiness. The boy did not like to disturb
-and distress them by letting them know of his own bitter
-disappointment in not being assisted at once to return to England.
-
-Mr. Ellison was very kind to him in other ways. He allowed him to
-sleep in a tiny room opening into his own bedroom, and at meal times
-Cyril's plate was always set near the master's.
-
-"He's a little gentleman," said the rough saw-miller; "he shall sit
-near me."
-
-Sometimes, when "the boss" was resting, he would talk kindly to
-Cyril, explaining to him all about the wonderful work which went on
-in the heart of that strange, wild land.
-
-"You would never think, lad," said he, "that houses built in London,
-York, Sheffield, Liverpool, and so on, in the old country, are
-floored and partly 'run up' with boards made of our forest pines.
-Yet it is so; our timber goes to the wood markets of old England."
-
-Then he related graphically how large parties of men, called
-lumberers, came over to Michigan and Canada just before the long
-winter and set up great camps, at which they lived a hard, rough
-life, going out long before light on intensely cold winter mornings
-to fell the giant pine trees, and returning early in the evenings to
-eat and sleep heavily until it was again time to go to work. In the
-winter months when the ground was covered with snow and ice the
-forest would resound with the blows of the axe, and the trees would
-lie prone on the ground until they were chained together into rough
-sleighs and dragged over the frozen snow to the banks of the frozen
-rivers. There they would lie waiting until the spring, when the ice
-would melt, and the timber would be slipped into the river and borne
-by the force of the current on, on, for many miles until it reached
-its destination.
-
-"Yes," he said, "our timber comes floating down to us on our river.
-We stop it when it reaches us, and saw it up as you have seen.
-Afterwards the same river bears it away towards its distant market."
-
-"Then the river is your road, your railway, and everything," said
-Cyril.
-
-"Yes. And we make the water serve us doubly. It is our carriage or
-boat, as well as our road or river." And then Mr. Ellison told him
-of greater wonders still, of timber being formed into gigantic rafts,
-these "shooting the rapids" and being "tugged" across lakes by
-steamers.
-
-It was all very wonderful; Cyril was deeply interested. But still he
-longed to leave that marvellous country to return to his friends and
-his father's friends in old England.
-
-
-
-
-CHAPTER X.
-
-_ATTACKED BY BEARS._
-
-"Cyril! Cyril! Where are you?" called Mr. Ellison one morning.
-
-"Coming," answered Cyril, from the top of a huge pile of logs. He
-had found a comfortable, sheltered seat up there, which he called his
-"retreat," and, though it was hard to climb up to it, he often sat
-there, thinking about England and the father he had lost. That
-morning he felt more sorrowful than usual, and his eyes were red and
-swollen when at last he reached Mr. Ellison's side.
-
-The saw-miller was standing in the middle of the yard, looking at a
-pretty black pony which a strange man was holding by the bridle.
-
-"Good. You shall have your price," said the saw-miller. "Now, my
-lad," he added, turning to Cyril, "can you ride?"
-
-"Yes," replied the boy at once, "I have a pony at home." He looked
-sad as he thought what a long way off that was.
-
-"Well, this shall be your pony then," said Mr. Ellison, smiling;
-"Blackie--that's his name--is for you. I've just bought him for you."
-
-"Oh, thank you, thank you! How very kind!" exclaimed Cyril
-delightedly. "Blackie! Woa, my beauty!" He stroked the pretty
-creature, patting his arched neck.
-
-"Well, sir, take him--take him!" said the man, slipping the bridle
-into Cyril's hand. "I guess you may ride him bare-back, or any way
-you like. He's quiet enough, you'll find."
-
-The pony had no saddle on, and Cyril did not wait for one to be
-brought. Jumping lightly on Blackie's sleek, bare back, he trotted
-quickly round the yard. His pleasure in the welcome gift, and the
-pleasant movement through the clear, frosty air, brought a bright
-colour to his cheeks. He sat erect, and the dark skin cap Mr.
-Ellison had given him contrasted with his fair, curly hair, and made
-his face appear brighter than ever.
-
-Mr. Ellison looked admiringly at the boy. He had no child of his
-own. His wife had long been dead. He was all alone. Like the
-Captain of the brigands he thought it might be well for him to adopt
-Cyril, and so felt less inclined than before to hasten his departure
-to England.
-
-Certainly after that day the boy seemed happier and more settled. He
-was generally on Blackie's back, trotting about all over the place,
-and often riding some distance into the forest on the roads made by
-the lumberers. Blackie was a capital companion. When Cyril was not
-riding him he followed his young master about like a dog. Sometimes
-Cyril found himself talking to the animal as if it could understand
-him. He told Blackie about his distant home in England, and his
-great wish to return to it, even though no kind father would be there
-now to welcome him. And sometimes as he talked his tears dropped
-down over Blackie's head, upon which the pony would poke his nose
-quietly against the boy's shoulder.
-
-One day when Cyril was alone with Blackie in a part of the forest
-where the trees had just been felled, about two miles from the
-saw-mill, he saw something which made him throw himself from his
-saddle and run to the rescue. A baby bear had been entrapped by a
-falling tree, one branch of which lay over one of its hind legs,
-which was broken. The poor beast's moans were pitiful, but when
-Cyril approached it snarled at him fiercely.
-
-The boy found, to his distress, that he could not move the heavy
-bough, and he was just stooping over it, preparatory to making
-another tremendous effort to do so, when an angry growl behind him
-caused him to look round quickly.
-
-Close by him was the young cub's dam, in a towering rage, one mighty
-paw upraised to strike him down.
-
-Cyril thought his last hour had come. Having no weapon with him, he
-was quite defenceless. The bear, imagining he had injured her
-offspring, was bent upon killing him.
-
-[Illustration: "The bear was bent upon killing him."]
-
-One moment she towered over him, a huge, grey monster; then, just as
-he was breathing a prayer to his Heavenly Father for the help which
-in his heart he despaired of, a voice cried loudly--
-
-"Drop on your face, lad! Down on your face, and let me get a shot at
-her."
-
-Cyril flung himself down as he was bidden; the bear growled again
-fiercely, and turned to look at the intruder.
-
-A shot rang through the air, another, and yet another.
-
-With an anguished snarl the bear dropped down beside her young one,
-mortally wounded.
-
-Cyril jumped up to look in the face of his deliverer. It was Mr.
-Ellison, who had come up just in the nick of time.
-
-"Eh, my lad," said the saw-miller with emotion, "you had a narrow
-escape that time."
-
-"Thank you--oh, thank you for saving my life!" cried Cyril.
-
-The saw-miller sat down on a fallen tree to rest for a minute. "You
-must have the skin," he said, trying to speak coolly, though his
-voice still shook with emotion.
-
-"But look at the poor little one! I believe it's dying. Oh, do
-look!" exclaimed Cyril.
-
-The young bear was indeed expiring. As Cyril bent over it another
-large bear, with a terrific growl, rushed upon the scene.
-
-Mr. Ellison's weapon was unloaded now. They were quite defenceless.
-The bear had the deaths of his poor mate and their cub to avenge. He
-was full of fury.
-
-The saw-miller looked fixedly at the beast, trying to cow it with his
-eyes; but the bear's eyes were turned in the direction of Cyril.
-With a low growl it watched him angrily.
-
-
-
-
-CHAPTER XI.
-
-_CYRIL SPEAKS UP FOR THE INDIANS._
-
-As Cyril looked round hastily he perceived Mr. Ellison's box of
-matches, with which he had just been lighting his pipe, and at the
-same moment the thought flashed across his mind that fire was a
-mighty power. Perhaps the bear could by its means be scared away.
-
-Suddenly he snatched up the match-box, struck a light, and applied it
-to the dry leaves and withered boughs beside him.
-
-An instant conflagration was the result. A wave of fire leaped up
-between them and the bear.
-
-The beast, snarling, drew back a yard or so, then sat up watching the
-flames with much distrust.
-
-"Bravo, lad!" shouted Mr. Ellison, stirring up the fire and spreading
-it out between them and the bear, which retreated still further, with
-a prolonged growl.
-
-[Illustration: "The bear retreated still further with a prolonged
-growl."]
-
-That fire saved two lives. It did not spread very far, because the
-trees were felled and piled up in places, ready to be removed. But
-it answered its purpose. The bear was driven off, and the saw-miller
-and Cyril returned home in safety.
-
-Mr. Ellison had the skin of the she-bear dressed and cured for Cyril.
-He lavished favours upon the boy, and thought of him almost as his
-own son; only in regard to the matter of sending him to England he
-was stern, unyielding. Why could not Cyril give up the wish and
-remain with him? But Cyril thought longingly of the old country. If
-he could only get there, and could tell Mr. Betts, the lawyer,
-everything that had happened, that gentleman might be able to find
-out what his father's ultimate fate had been.
-
-One morning, just before the long winter commenced, half a dozen poor
-Indian women (squaws they were called) came to the saw-mill with
-three ponies laden with goods they wished to sell to the men.
-
-It happened to be the dinner hour, and a number of young fellows were
-crossing the yard on their way to the house when they saw the poor
-Indians. They shouted merry greetings and laughed boisterously.
-
-"Now we shall have some fun," said they.
-
-"What sort of fun?" asked Cyril, who happened to be near.
-
-"Oh, you will see," was the answer. "They are so simple, these
-queer-looking squaws."
-
-Cyril did see, and very indignant he became.
-
-The poor squaws had brought warm wool mittens and skin caps, for
-which they asked a fair price, and hoped to do a good business. But
-the squaws had one great weakness, and the men at the saw-mill knew
-it well. They could not refuse a glass of beer, and they were so
-unused to it and so constituted that a very small quantity of alcohol
-completely upset them. Even one glass of beer would make them quite
-foolish.
-
-The young men therefore refused to trade with them until they had
-refreshed themselves, as they called it, with a little beer. After
-that they easily persuaded the Indians to part with their goods for
-the most trifling sum, in some cases for only another glass, or
-perhaps two, of beer.
-
-Cyril looked on in amazement. Would no one interfere? Were these
-men who were trading on the folly and sin of a few poor women?
-
-"Oh! Davidson, see," cried Cyril, "that fellow, Jem, is trying to
-get one of their ponies now! That poor woman will be quite ruined!
-Just look at her."
-
-Davidson had no objection to looking; but "I can't interfere," said
-he slowly. "It's a shame, though I can't help it."
-
-Cyril's colour rose. If no one would venture to interfere--well, he
-must do it himself. Davidson, glancing at him, read his thought, and
-laid a detaining hand upon his shoulder.
-
-"You mustn't speak," he said. "The man wouldn't stand it--least of
-all from a little fellow like you."
-
-Cyril's eyes flashed. "I may be small," said he, "but right is
-right, and must--_must_ triumph," and he ran forward, crying out
-aloud, "Stop! Stop! Stop! You're not acting fairly!"
-
-Half an hour later, when Cyril lay on his hard, straw mattress in his
-little bedroom, aching and sore all over from the rough treatment he
-had met with, he did not think the right had triumphed at all, and he
-sobbed his heart out there in his loneliness and despair.
-
-The men would not brook interference. What their master and old
-Davidson dare not attempt the boy, armed only with his consciousness
-of right, had ventured upon doing. The consequences were grievous to
-himself, and might have been fatal if it had not been for the
-Davidsons, aided by their master, who suddenly opened his office door
-for them to rush into with the boy. There were no police within many
-miles of the lonely saw-mill. The master ruled alone over the
-lawless roughs who, in a great measure, composed his staff.
-
-The occurrence of that morning made Mr. Ellison see that the saw-mill
-was not a safe home for such a boy as Cyril. He began to think of
-plans for sending him back to England. Unfortunately, however, the
-sky was already black with threatening snow-storms; the weather would
-probably be such that it would be impossible to take Cyril thirty
-miles to the nearest station. And then, he had been so cuffed and
-knocked about by the men, it was most likely that he would be ill.
-
-The idea of that made the saw-miller go back to Cyril's bedside.
-
-"Are you any better, my lad?" he asked anxiously.
-
-Cyril could scarcely say he was; all his bruises smarted, and his
-bones ached. He looked up at Mr. Ellison without speaking.
-
-"I'm sorry this has happened," said the latter, very feelingly.
-
-"Oh, it doesn't matter about me," said Cyril quickly. "I don't mind
-being knocked about a bit. But the pity is that it has done _no
-good_--no good," and he sighed deeply, thinking of the hard, cruel
-hearts of the men, and the wrongs of the poor Indian women.
-
-"You can't say that," said the master, "you can't say that. Some of
-the men will feel ashamed when they think over what happened. They
-will see you were in the right, and--well, I fancy the next time the
-poor squaws come they will not be treated so badly."
-
-"If that is so," said Cyril, smiling in spite of his pain, "I shan't
-mind having been knocked about a little, Mr. Ellison."
-
-The saw-miller looked at his bright, if discoloured, face, and felt
-it hard to say the next words. "I've made up my mind, my lad; you
-shall go straight away to England as soon as it can be arranged."
-
-Cyril was very glad to hear that. It comforted him immensely in his
-pain to think that he might soon be on his way home.
-
-
-
-
-CHAPTER XII.
-
-_A JOYFUL MEETING._
-
-Cyril was ill for several weeks after the assault upon him by the
-angry men at Mr. Ellison's saw-mill. When at last he crept out of
-his bedroom, looking pale and thin, winter had begun in good earnest,
-and the rough roads through the forest were quite impassable. The
-snow was coming down as if it never meant to stop, and the keen, cold
-wind blew it in great drifts on every side.
-
-Whilst Cyril lay ill on his hard mattress two travellers going south
-to Chicago had called at the saw-mill; with either of them he might
-have travelled had he been well enough to do so. It was all very
-trying, and sometimes the boy was inclined to murmur at the cruel
-results which had followed his well-meant attempt to defend the cause
-of the poor Indians. But then again he was reassured, as his
-constant attendant, old Davidson, told him of first one and then
-another of the men having expressed contrition about their treatment,
-not only of the boy, but also of the poor Indian women. It had never
-struck them before, they said, that it was wrong to cheat a redskin.
-Until the English boy stood up and called their conduct monstrous it
-had seemed quite the proper thing. They had bitterly resented being
-corrected, and had beaten their monitor for doing it, but afterwards,
-as Mr. Ellison had foretold, they saw that he was in the right.
-Under the influence of these better feelings they were easily led by
-the Davidsons to unite in sending Cyril a message that they
-apologised for thrashing him, and promised that in future they would
-respect the rights even of poor Indians.
-
-The thought of all this greatly consoled Cyril, and helped him to
-bear patiently his pain and weakness, and the disappointment about
-his delayed return home.
-
-When at last he was strong enough to travel, and the roads were not
-so bad, no one happened to be going south, and Mr. Ellison really
-could not send him just then. As the time went on, therefore, he
-felt very sad and lonely.
-
-One evening, however, as he sat musing sorrowfully in the men's
-sitting-room--his heart too sore to allow him to join in the usual
-fun--he heard the sound of approaching horses clattering over the
-frozen yard. Then there was a loud rap at the door, followed by many
-others, louder and louder still, as the person outside endeavoured to
-make himself heard within the house.
-
-Mr. Ellison strode to the door and threw it open.
-
-"Who is there?" he demanded.
-
-"I have come in search of--" began a rich, courteous voice.
-
-"Father!" The cry, so joyous, so eloquent with tenderness, rang
-through the room. Then Cyril flew across the boarded floor and flung
-himself into the open arms of the new-comer.
-
-"Oh, father! father! father!"
-
-"My dear boy! My Cyril! Thank God! Oh, thank God!" and the tall,
-fur-clad man in the doorway clasped his child to his heart.
-
-* * * * * *
-
-"But, father," asked Cyril an hour later, as they sat together
-talking in his little bedroom, which Mr. Morton had obtained Mr.
-Ellison's permission to share with his son that night--"but, father,
-I can understand your coming round after everyone had thought you
-dead, and also your having quite a long illness after that, but I
-don't know yet how it was you found me. Why have you not told me
-that, father dear?"
-
-"We have been so very happy, Cyril, for this last hour, and that is a
-sad story. Must you hear it to-night, my boy? Can you not wait till
-to-morrow?"
-
-"Oh! tell me now, please," said Cyril wistfully.
-
-"Very well, my boy." But the father sighed. "You know the police
-were busy a long time, trying to find the scoundrels who attacked the
-train. They did so at last, and after a desperate fight some of them
-were secured. They were tried in the police-court in Menominee,
-where I and some others had to bear witness against them. It was
-proved that two of them had been guilty of murder. The captain was
-one and Whiterock, the man who attacked me, was another."
-
-"But, father, Whiterock didn't kill you after all!" said Cyril
-quickly.
-
-"No, not me. But unfortunately he killed someone else, and he was
-condemned to die. Shortly before the hour of his death the prison
-chaplain sent me a note to tell me that the criminal, Whiterock,
-greatly desired to see me. Of course I visited his cell as soon as I
-could. Then Whiterock told me that he wished to do one just deed
-before he died. He had carried you away from the train and caused
-you to fall into the brigands' power; he would try to atone for that
-by telling me all about you and where you were."
-
-"But how did he know----" began Cyril.
-
-"Oh, he said he and his party generally got to hear all that they
-wanted to know about people. You and the man who left them had not
-been here very long before they were aware of it. However, it did
-not suit their purpose to molest either of you, although they meant
-to punish their renegade comrade at some future date. I was deeply
-thankful to know that you were here in safety, and I came for you as
-soon as I could. Whiterock left this message for you, Cyril--'Tell
-your son,' he said, 'that I've found at last that honesty _is_ the
-best policy. And tell him, too, that he did right to speak those
-brave, true words to us, and right, too, not to pretend, even for an
-hour, that he could be one of us--villains.'"
-
-"Poor Whiterock," said Cyril softly. "He saved my life once, father!
-He was good to me then."
-
-"We will only think of that," said Mr. Morton, "and of his kindness
-in telling me where I might find you. And now, my boy, we must go to
-bed. To-morrow, as I have had to give up my fruitless search for
-your uncle, we will start for home."
-
-"Home," murmured Cyril, as his head touched the pillow, "with
-father," and he fell asleep. A smile rested on his face. He was a
-happy boy.
-
-
-
-
-CHAPTER XIII.
-
-_LEAVING THE SAW-MILL._
-
-"This is very awkward! Very!" exclaimed Mr. Morton the next day,
-when, on joining his host at the great breakfast-table, he heard that
-his guide of the day before had changed his mind about returning with
-him to the nearest railway station, twenty miles away. The man
-wished to remain at the saw-mill, having found an old mate there.
-
-"I can do with him very well," said the saw-miller, "as I am rather
-short of hands just now. All the same, I don't wish to take the
-fellow from you."
-
-"Well, of course, I engaged him to guide me here and back, and I can
-make it worth his while to return with me."
-
-"Oh, I'll compel him to do that, if you like!" said Mr. Ellison.
-"But you might find him a bit nasty. I know the man, who has been
-here before; he has an ugly temper."
-
-"Then we are better without him. After all, I believe I can remember
-the way; we can scarcely call it a road. It is in nearly a straight
-line, is it not?"
-
-"Yes, for about half the distance. Then you come to a place where
-the track, or way, branches out in two directions. You must take the
-turn to the right--you'll remember right's right--and go straight on.
-There is no difficulty."
-
-"Well, then, I'll dispense with Smith's services."
-
-"I should if I were you. It's nice weather, clear and frosty, the
-snow as hard as any road. You'll find your horses, animated by the
-fine exhilarating air, will gallop over it splendidly."
-
-"Will you sell me a mount for the boy?" asked Mr. Morton.
-
-"He has his own pony. Of course he will take that."
-
-"May I?" asked Cyril eagerly. "Oh, Mr. Ellison, may I really take
-Blackie?"
-
-His eyes shone with delight. He had been thinking that morning how
-hard it would be for him to leave his dear pony, notwithstanding his
-great happiness.
-
-"Why, of course, Cyril. The pony is your own. I gave it to you long
-ago," answered Mr. Ellison.
-
-"And he's such a stunning pony, father. He follows me like a dog,
-and he's never tired; he goes like the wind. And such a beauty!
-There isn't one like him in England, I'm sure; at least, I don't
-think there can be."
-
-"I must see him," said his father. "You've been very kind to my
-boy," he added gratefully to the saw-miller.
-
-The big man laid his hand on Cyril's head as he sat beside him. "I
-would give half of all that I possess," he said to Mr. Morton, "to
-have a boy like him. My wife and infant son died thirteen years
-ago," he added rather huskily.
-
-Mr. Ellison grasped his hand. "I have lost Cyril's mother too, for a
-time," he said very softly.
-
-"A time? What do you mean?"
-
-"Please God, we shall meet again in a better world," replied Mr.
-Morton in low tones full of deep feeling.
-
-"Ah, you are a happy man!" said the saw-miller, so low that no one
-else could hear. "It's all plain sailing with you. You'll get to
-heaven, I've no doubt. But with me it's very different. It's a
-rough life this of mine, trying to wrest a living out of the heart of
-the forest, far from any help of religion or even civilisation; I try
-to keep straight, but----"
-
-"I know you do," exclaimed Mr. Morton. "You've been so good to my
-boy. You know our Lord's words, 'Inasmuch as ye have done it unto
-one of the least of these My brethren, ye have done it unto Me.'"
-
-The saw-miller's eyes filled with tears of surprise and joy; he
-brushed his hand across them hastily lest they should be seen. At
-heart he was a very humble man, although he had to appear stern and
-proud to the men, who, generally, obeyed him as if he were a sort of
-king over them.
-
-"And you are not really alone," continued Mr. Morton, still speaking
-in the low tones which could not be heard by the others at the table.
-"Although you have no outside spiritual aids, no place of worship,
-and no clergyman, you have the promise, 'Lo, I am with you always.'"
-
-"But was that meant for me?" asked the saw-miller. "I always thought
-that was only meant for the parsons."
-
-"It was meant for everyone who, in all future times, should endeavour
-ever so humbly to tread in the steps of our great Exemplar, the Lord
-Jesus Christ."
-
-That was all that passed just then. The "boss" was obliged to turn
-to his men, and dismiss them to their work with a few pointed
-directions. But when Mr. Morton was ready to ride away, after having
-looked round the place where his little son had lived so long,
-thanked the Davidsons for their kindness to him, and seen the
-affectionate way in which they and some of the other men parted from
-him, the saw-miller came up hastily and wrung his hand, saying,
-"Good-bye. I can understand now how it is Cyril became what he is.
-I shall think of your words after you have gone."
-
-"Good-bye. God bless you!" said the grateful father.
-
-Cyril threw his arms round the saw-miller's neck and kissed him for
-the first and last time on his hard, bronzed face. "Good-bye, dear
-Mr. Ellison," he said, "I shall write you ever such long letters from
-England. And I'll tell you all about how Blackie likes the old
-country. I can't thank you enough for giving me Blackie. I can't
-indeed." For he estimated the gift of Blackie more highly than any
-other kindness the great saw-miller had shown him.
-
-Then he had to follow his father, who had already ridden on, and the
-saw-miller stood looking after them until they were out of sight
-among the trees.
-
-"I'm afraid, boss," remarked Ben Davidson, meeting him as he crossed
-the yard to his office, "that we shall have snow again, after all,
-before long. It has begun to grow darker during the last five
-minutes," and he scanned the sky with a troubled face.
-
-"Well, I hope it won't come until they have arrived at the station.
-I did not think there would be snow, or I should not have allowed
-them to go, although Mr. Morton was most anxious to be off home."
-
-And with these words the saw-miller passed into his office, looking
-disturbed and not altogether happy.
-
-
-
-
-CHAPTER XIV.
-
-LOST IN THE SNOW.
-
-Mr. Morton and Cyril rode on briskly, Blackie keeping up most
-cleverly with the larger horse, until when they were about eight
-miles on their way the snow which Ben Davidson had prognosticated
-began to fall heavily and in the most bewildering manner.
-
-"I never saw such snow in my life!" exclaimed Mr. Morton. "It does
-not come down straight, it whirls all about and rises again and beats
-upon one in such a blinding fashion. Stay near me, Cyril, my boy.
-Can you keep your pony up?"
-
-"Yes, father. He stumbles rather, but he won't fall. He's such a
-good pony, isn't he, father?"
-
-"Splendid! And you're a capital rider!"
-
-They pushed on as rapidly as possible, but it soon became exceedingly
-difficult for their horses to advance. The newly fallen snow was so
-much softer than the hard iced snow covering the track, it rolled
-into balls under the horse's hoofs, making them stumble and flounder
-sadly. At last Mr. Morton's horse fell down, slightly crushing his
-foot, which he had not time to release from the stirrup. He turned
-very white with the pain, and it was a few moments before he could
-extricate himself from the horse. Cyril was in an agony of
-apprehension.
-
-"Oh, father, are you hurt?" he cried. Then, as Mr. Morton made no
-reply, he jumped off his pony and caught hold of him by the arm.
-
-"I shall be all right soon," his father replied with an effort,
-leaning heavily on him. "My foot is sprained, I think. It rather
-pains me, that's all." But he grew pale to the lips.
-
-His horse stood by, hanging his head and looking quite ashamed.
-
-"My Blackie wouldn't have done that!" cried Cyril, and as if the pony
-understood him he came poking his nose into his master's hands.
-
-All the time the snow was falling fast, whirling round, and beating
-in their faces. It had covered the track now, so that except for the
-opening in the trees they could not tell where it was.
-
-Mr. Morton endeavoured to mount his horse again, but in vain.
-Frightened by his fall and the bewildering snow the animal jumped
-about and would not stand still, whilst the pain his master's foot
-gave him when he stood upon it crippled all his efforts.
-
-Letting go Blackie's bridle--the pony would not stir without
-him--Cyril held his father's horse, patted his neck, and endeavoured
-to pacify him, but in vain.
-
-It grew darker; the snow rose in great drifts now, and flung itself
-upon them with stinging force.
-
-Mr. Morton struggled hard against the faintness and drowsiness which
-was stealing over him. "My boy," he said, "it is no use. I cannot
-ride. The horse would only fall again."
-
-"But, father, what shall we do?" cried Cyril. "I've heard of people
-in this country being buried in the snow whilst yet alive, and of
-their being starved to death too."
-
-"If only there were some shelter!" sighed his father, "a hollow tree,
-or a cave, or something. Look round, Cyril, can't you see anything?"
-
-Cyril endeavoured to look through the snow, but could see nothing
-except snow--snow in all directions, whirling about, drifting high,
-covering the trees till it made them look gigantic cloud-like
-mountains, and piling itself up against them as they stood until it
-really seemed to be trying to bury them all alive.
-
-Tinkle! Tinkle! Tinkle! The sound of sleigh bells, proceeding
-slowly in their direction, was the most welcome music to their ears
-that they had ever heard.
-
-"Thank God!" exclaimed Mr. Morton, making a renewed effort to resist
-the faintness stealing over him, "thank God!"
-
-"Oh, father, it's a sleigh! I know the sound of sleigh bells!"
-exclaimed Cyril, "and there will be people, and they will take us
-somewhere!" In his glad excitement he let go of the bridle he was
-holding, upon which the horse immediately turned tail and bolted,
-floundering through the snow.
-
-"Oh, dear! I couldn't help it!" cried the boy.
-
-"Never mind; he was of no use. Who--who is coming?" faltered his
-father, still struggling with the deadly weakness.
-
-"Hullo! Hey! What's up?" exclaimed a sharp, girlish voice, as a
-two-horse sleigh came up with frantic plunges and great difficulty on
-the part of the horses. A girl, warmly clad in furs, who was
-shovelling snow off the sleigh with one hand, whilst with the other
-she held the reins, peered through her wraps at the obstruction on
-the road.
-
-"We've had an accident," answered Cyril, in shrill tones of
-excitement. "We were riding to the station at Iron Mountain when my
-father's horse fell. He's badly hurt and faint. _My_ pony didn't
-fall!" he added quickly, in spite of his trouble, still proud of
-Blackie. "But I don't know what to do about my father. His horse
-finished off with bolting, you know."
-
-The girl was staring through the blinding snow at Cyril as he spoke.
-"Why, it's only a child!" she ejaculated.
-
-Cyril thought her rude, and felt hurt she should imagine he was
-small, but that was no time for thinking of himself. He was alarmed
-because his father did not speak, though he stood swaying in first
-one direction and then another as the snow beat upon him.
-
-"Bless me!" cried the girl. "We must get your dad on my sleigh,
-though I doubt whether the horses can pull him." She jumped off the
-sleigh as she spoke and towered above Cyril, being a fine, tall young
-woman, as she offered her arm to his father. "You must rouse
-yourself, sir," she said commandingly, "and get into this sleigh.
-See! I'll help you! Make a great effort. For your life, sir!"
-
-Her loud voice reached the injured traveller in the far-away region
-into which he seemed to have sunk; he made a great effort, and with
-the help of the girl and Cyril succeeded in getting on the sleigh.
-There he sank down unconscious, and the girl pulled a big skin rug
-over him.
-
-"Now, little one," she cried sharply, "jump on your pony and show us
-what stuff you are made of! If you can ride on in front my horses
-will follow you!"
-
-It was no time to resent the freedom of her speech. Cyril knew their
-lives depended upon getting through that terrible snow as speedily as
-possible.
-
-"Blackie, Blackie," he cried in his pony's ear. "My dear old
-Blackie, do your best!"
-
-The pony neighed and struggled on as best he could, but it was
-terribly hard work and he floundered about miserably. It was all
-Cyril could do to stick on. Once he thought it would be impossible
-to do so any longer, and looked back.
-
-Then he saw the girl who had come so opportunely to their aid had a
-still harder task than his. Leaving the horses to follow his pony,
-she was working hard with both hands at shovelling the snow off the
-sleigh, which jumped about and jolted up and down owing to the
-plunges of the horses and the drifts of snow it encountered.
-
-"I don't care if she does call me a little one!" said Cyril to
-himself, forgiving her everything at that moment. "She's a heroine,
-a real, splendid heroine!" And again he urged Blackie forward.
-
-He was absorbed in the difficulties of the way, and so blinded by the
-snow that he was quite unconscious they had passed the place where
-the track parted in two directions, and were now pursuing the left
-one instead of the right. But the girl knew what she was doing, and
-when at last even Blackie fell on his knees and Cyril alighted on his
-hands and feet, unhurt, on the snow and a yard ahead of his pony, she
-called out encouragingly--
-
-"It's all right. We're just close to a house. You're a brave lad,
-for all you are so small!"
-
-Cyril got up, leaving Blackie to recover his feet as he could, and
-made his way to her side.
-
-"Do you say there is a house?" he asked eagerly.
-
-"Yes; through those trees. Do you see that narrow opening? There.
-Look! 'Tis a path that leads to the door. It isn't many yards."
-
-"Hurrah!" cried Cyril. "How can we get father there?" he asked.
-
-"I don't know. We must be sharp. I guess you had better run to the
-house and see if there's anybody there. It's just a chance there may
-be. And bring them back to help us carry your father. Woa!" she
-cried to the horses, which, stung by the snow, were plunging about
-again. "Steady there! Look sharp, boy."
-
-Cyril made his way as fast as he could over the snow-path through the
-trees; fortunately for him it was so sheltered that not much new snow
-had fallen upon it. After proceeding a few yards he stepped out of
-the shelter of the trees into what seemed a great snow-drift, which
-at first appeared impassable; by degrees, however, he perceived a way
-round it, which eventually brought him suddenly to the window-frame
-of a wooden house.
-
-Looking in Cyril perceived a man dressed as a hunter kneeling on the
-floor, apparently digging a hole in the earth about the centre of the
-room; some boards he had taken up lay beside him.
-
-"Come," cried Cyril to him, "come, my father----"
-
-He was interrupted by a great cry, as the man, springing to his feet,
-flung up his arms in extreme terror.
-
-
-
-
-CHAPTER XV.
-
-_A CONFESSION OF GUILT_
-
-Cyril stared at the terrified man in amazement. The latter's cry
-rang through the empty house and filled his ears. What had so
-frightened him?
-
-"My father," began Cyril again, wishing to explain his sudden
-appearance by saying that his father was lying out in the snow,
-waiting to be carried into shelter.
-
-"Oh! Stop, stop!" cried the man, interrupting him in apparent
-anguish. "Mercy, father! Father, have mercy!" He turned wildly as
-if to flee, but thought better of it, and coming to the window threw
-himself down on his knees before it, looking up into Cyril's face
-with wild, unseeing eyes. "I didn't mean to kill yer, my father," he
-said. "I only wanted the gold. And I can't find it. I can't find
-it. And the snow-blindness is coming over me. I can scarcely see!
-Oh, my punishment is great enough! Have pity on me! Have pity on
-me!"
-
-"What have you done?" The voice that asked the question was not
-Cyril's. It was that of the girl, who had followed him to the house,
-and her tone was loud and very angry. "Tell me again," she demanded.
-"I must hear it in your own words again."
-
-"I will tell yer. Oh, I will! Have mercy, father!" wailed the
-unhappy man. "I wanted money so much, father, so very much. I'd
-lost a wager--a hundred pounds--to some men at Iron Mountain, who
-said they would duck me in a pond if I did not pay them it. And I
-begged yer on my knees, but yer wouldn't give me any. So I thought
-I'd help myself. I knew yer hid your money in a hole under the
-flooring 'ere, and was looking for it when yer came to me. I
-shouldn't 'ave killed yer if yer 'adn't angered me with bad words.
-Then I was that put to, it seemed as if I killed yer before I knew
-what I was doing."
-
-"And Mr. Gerald? What did he do?"
-
-"Oh, 'e knew nothing about it. I guess I blamed 'im to get the blame
-off myself. Now I've told yer all," the wretched man whimpered.
-"I've told yer all. Mercy! Mercy, I beg!" Lifting up his hands, he
-cried still louder for mercy.
-
-"Begone, then!" exclaimed the girl. "Begone this moment! No, not
-that way. Out of the door at the back of the house, and then fly
-southwards. If you ever return it will be at your own risk--your own
-risk!"
-
-"I never will, father! I never will!" The wretched man fled through
-the house, out of the back door into the snow, running against trees
-and stumbling over drifts in his hurry to be gone.
-
-The girl leaned against the window-frame, looking extremely pale.
-
-"What does it mean?" asked Cyril. "What does it all mean?"
-
-"Mean?" she said, and now once more she spoke in her natural
-voice--the one she had been using to the man was shrill and hard.
-"Mean? Why, just this. There is an old saying, 'Conscience makes
-cowards of us all.' 'Tis true in this case. His guilty conscience
-made a coward of yon man. His father, a rich old miser, who lived in
-this house, was killed six months ago--it was supposed for his money.
-Yon wretch accused a hunter, who had been lodging with them, of the
-crime. His name was Gerald; he was a nice man, a real gentleman,
-though very poor. Appearances seemed against him and he fled. 'Twas
-the worst thing he could do. Everyone, nearly, thought he must be
-guilty then. The house has been considered haunted by the old man's
-ghost ever since. It is lonely enough. And yon wretch, returning to
-find the money which he had not got after all, saw you, and being
-half blind--if it's true he has snow-blindness[1] coming on--and
-frightened almost out of his wits, he thought you were his father.
-But," she changed her voice, "we must now return to your father. We
-shall have to get him here the best way we can."
-
-
-[1] Snow-blindness is rather common in those parts.--E.C.K.
-
-
-To their surprise and delight, however, they met Mr. Morton coming
-towards them a minute later. He had recovered consciousness, and
-finding himself alone on a strange sleigh, wrapped in rugs, whilst
-its two horses stood quite still, stupefied now with fatigue and
-cold, he arose and made the best of his way along the only semblance
-of a path visible.
-
-"Where am I? What has happened?" were his first questions.
-
-The girl looked up into his face and smiled. "'Pears like I have
-seen you before," she said. "But come in. Don't talk now. Come
-straight in and sit down. We'll have a fire in no time, and some hot
-water for your poor foot." She led the way into the house as she
-spoke.
-
-A few articles of furniture, too poor or too heavy to be worth
-carrying away, had been left in the room with the hole in the floor.
-The girl dragged forward an ancient arm-chair of the most elementary
-workmanship and begged Mr. Morton to sit down in it, near a strong
-table supported on what looked like tree-trunks instead of legs.
-
-"Now, my boy," she said to Cyril, "let's make a fire. There'll be
-wood in that chimney-corner, I'll be bound. Here's a match. Oh, and
-here's some paper!" She pulled the latter articles out of a huge
-pocket under her furs. "Can you make a fire, boy?"
-
-"Yes, I can," he replied quickly. "I've often done it at the
-saw-mill."
-
-"His name is Cyril Morton," interposed his father. "I should like to
-know yours," he added to the girl.
-
-"Mine's Cynthy--Cynthy Wood," she said, taking an old kettle she had
-found to a running spring in the kitchen. "I'll rinse this old thing
-out, then the water will be sweeter," she said cheerily.
-
-"I ought to thank you," began Mr. Morton.
-
-"Don't now. Don't thank me," she said. "I've been repaid a
-thousandfold for coming here."
-
-Cyril looked round at her wonderingly. A vivid blush had overspread
-one of the prettiest faces he had ever seen. Her blue eyes shone
-with gladness. Her voice betrayed its happiness every time she
-spoke. She seemed altogether a different person from the girl who
-had driven his father there.
-
-"Now, you're wondering what has repaid me," she said to Cyril.
-"Shouldn't be surprised if I tell you after tea. You make that
-kettle boil sharp."
-
-The boy laughed and poked the wood, which was nice and dry, with his
-boot. But Cynthy reproved him for that, "Waste not, want not!" she
-exclaimed. "It's wrong to burn holes in good leather. Now, sir,"
-she added to Mr. Morton, "let me try to take your boot off."
-
-With gentle hands, in spite of his protest, she deftly removed Mr.
-Morton's boot from his injured foot, then, fetching a basin from the
-inner room, she bathed it in warm water, filling the kettle up again
-after she had emptied it.
-
-"It's swollen, sir," she said to her patient, "but I think it's more
-bruised than sprained; I'll bind it up for you."
-
-"You are very kind, Miss Wood," said Mr. Morton.
-
-"Now don't," she said. "Call me Cynthy, everyone does. Cyril, you
-fetch me that stool," pointing to one with three legs. "Now, sir,
-you must keep your foot up on the stool. Cyril, you and I must go
-back to the sleigh for some things I left there."
-
-It was no easy task, but they struggled through the snow back to the
-sleigh, which was already nearly buried in it.
-
-"The poor horses," said Cynthy; "I'd forgotten them. I shall cut
-them loose; they must look after themselves. I have no food for
-them. I think they will go home. Then my father will send to seek
-us."
-
-Blackie was delighted to see Cyril again; he had stood still, waiting
-for him to return, and now he put his cold nose in the boy's hands,
-and seemed to ask him not to go away again.
-
-"What shall I do with my dear old pony?" asked Cyril. "He has
-nowhere to go--he loves me so, he will never leave me!"
-
-"Can you get him along the path to the house?"
-
-"Oh! yes. He followed me before, but I sent him back. He's very
-intelligent."
-
-"Seems so," said Cynthy. "Well, you bring him along. I guess he'll
-be able to get into the kitchen."
-
-"Oh! do you think so?--but the people of the house----"
-
-"There are none. The old man who owned it is dead. And his son and
-heir daren't come back, because he thinks his father's ghost has
-returned!" Cynthy laughed. "Remember this, Cyril," she added,
-"there's nothing like a guilty conscience to make an out-and-out
-coward."
-
-
-
-
-CHAPTER XVI.
-
-_THE DISCOVERY IN THE LOFT._
-
-Blackie followed Cyril into the house through the back door when they
-entered it on their return from visiting the sleigh.
-
-He did more; not content with his strange quarters in the kitchen he
-followed his master into the larger room, and trotted round it,
-looking hard at everything, including Mr. Morton in the arm-chair,
-and poking his nose into the hole in the middle of the floor as if to
-see why it was left there.
-
-"I guess he's a smart pony, but you must take him right out, Cyril,"
-said Cynthy.
-
-"Oh, yes, of course. Come, Blackie." He led him into the little
-kitchen, telling him repeatedly that he was to be a good pony and
-stay quietly there. But Blackie whinnied a little, seeing no
-prospect of food.
-
-"Oh, poor Blackie!" cried the boy sympathisingly; "what will you do
-without food?" He returned to Cynthy, who was spreading out a nice
-little repast of sandwiches, bottled milk, cheese, and bread and
-butter on the rough table.
-
-"Were all these things in that basket?" asked Cyril, looking at the
-one they had fetched from the sleigh.
-
-"All except the sandwiches. Your father provided those," she replied.
-
-"But I say, Cyril," she added, "aren't you going to feed that pony of
-yours?"
-
-"I only wish I could," he replied earnestly. "But unless you would
-give me a slice of bread for him, I don't know what there is for him
-to eat."
-
-"Why, what do you imagine there is in this bag?" asked the girl,
-producing a coarse canvas bag from amongst the rugs she had thrown
-down in a corner.
-
-"Oh! is it corn?"
-
-"Corn and chopped hay," she replied. "The very thing for Blackie. I
-brought it for my horses, but didn't give it to them, for they can
-find their way home."
-
-Cyril seized the bag eagerly, and with a grateful look, without
-waiting to thank her, he ran to Blackie and spread its contents out
-upon the floor. Then he really enjoyed seeing his pony eating the
-food with relish.
-
-"Cyril! Cyril!" called Cynthy at last. "Come and have some dinner
-yourself."
-
-All at once, feeling very hungry, Cyril returned to the other room
-and joined the others at the nice impromptu meal.
-
-After it was over, and the things were cleared away--what was left of
-the food being carefully put by--Cynthy told Mr. Morton what she had
-already explained to Cyril, about the late owner of the house and his
-wicked successor. "He might have killed us too," she said in
-conclusion, "or at any rate have been very awkward, if I had not
-terrified him by pretending to be his late father. That was the only
-plan I could think of to frighten him away--yes, I see you look
-grave; it was trading on his fears, I know. But we really were in a
-desperate case. The horses could not possibly drag the sleigh
-another inch, and it was absolutely necessary we should have shelter
-from the snow."
-
-"But what did that mean about Mr. Gerald? I did not quite
-understand," interposed Cyril. "Who is Mr. Gerald?"
-
-"He is one of the best and gentlest of men," answered the girl, "so
-generous that he can never keep a cent in his pocket if he thinks
-anyone else has need of it. He told me once he had been extravagant
-and foolish in his youth away in England, and had done harm to a few
-people without really meaning it, and that made him very anxious to
-do all the good he could to others."
-
-"A beautiful way of retrieving the past!" said Mr. Morton. "Would
-that everyone tried to do that sort of thing!"
-
-"You said that exactly as Mr. Gerald might have done," exclaimed
-Cynthy, looking searchingly at her patient. "You do remind me of
-him."
-
-"I believe you like Mr. Gerald a great deal," observed Cyril.
-
-"I do indeed," said Cynthy, very earnestly.
-
-"Can you tell us why?" asked Mr. Morton, regarding her with great
-interest.
-
-Cynthy blushed deeply. "I'm engaged to be married," she said, "to a
-young man named Harry Quilter. He got into difficulties, and would
-have been ruined by some men, up at Iron Mountain, if it hadn't been
-for Mr. Gerald. He took his part and stuck up for him, besides
-paying some money Harry owed. And afterwards he got my Harry to go
-about hunting with him until he'd got all sorts of Mr. Gerald's wise
-maxims and good thoughts into his head. Now Harry has set up a
-store--a shop, you know, only they call them all stores here--and
-he's doing well. My father says Mr. Gerald has been the making of
-him."
-
-"I am not surprised you think gratefully of him," said Mr. Morton.
-"But how did such a man come to be lodging in this lonely house?"
-
-"Well, I don't know exactly, but I think he took compassion on old
-Jabez, who always posed as a very poor, half-starved old man, and
-thought it would be kind to lodge with him and pay him well for it
-when he hunted in this neighbourhood. He was always doing kind
-things like that. Pete, the old man's son, was a hunter too, and
-perhaps he helped to persuade Mr. Gerald to lodge here, telling him
-it was a good centre from which to hunt deer in the forest round. He
-used to go out hunting with Mr. Gerald. Perhaps he thought even then
-that if he killed the old man whilst Mr. Gerald was with them he
-might swear the latter did it. He's that cunning, is Pete."
-
-"How was the old man killed?"
-
-"No one knows rightly. Pete declared that Mr. Gerald had knocked him
-down with the butt end of his gun and thrown him into the river--the
-body was never recovered."
-
-"But how was it such a man as Pete could be believed before this Mr.
-Gerald?"
-
-"Well, you see the folks about here had known Pete from a child; he
-had grown up amongst them, and they never thought he could do it.
-Then the trappers and hunters and such-like all hang together, and
-what one man says the others always hold by. Besides, Mr. Gerald was
-an Englishman--and some of the people here are rather set against the
-English just now--and he had made himself a bit unpopular by taking
-the cause of the weak and despised against the richer, stronger men,
-and these last couldn't make out what he did it for. 'We shall see
-through his little game one day,' they said. So when Pete said Mr.
-Gerald had killed his father and taken all his money--a very
-considerable amount--they believed him. But there weren't any police
-here, and there was some delay, during which Mr. Gerald got away! It
-was a pity he did that. But he never cared much for people's
-opinion, and he may have thought he would rather go away than fight
-the matter out." But Cynthy sighed. "It always makes a man look
-guilty," she added, "when he runs away. However, Cyril, you've heard
-as well as I Pete's confession, that he committed the crime himself."
-
-"Yes, he said so! What a fright he was in!" cried the boy. "I never
-saw anyone so much afraid in my life!"
-
-"A guilty conscience is a terrible thing," remarked Mr. Morton.
-"But, Cynthy," he added to the American girl, "it is rather a
-coincidence that the reason we came to North America was to find a
-brother of mine, who went there many years ago, named Gerald Morton."
-
-"What was he like?" asked the girl at once, for she had been greatly
-struck by Mr. Morton's resemblance to her hero. "Tell me just what
-he was like."
-
-"He was five feet ten inches in height," said Mr. Morton. "His hair
-a blend between gold and red, his eyes were blue, and he used to look
-very young and boyish."
-
-Cynthy nodded. "Mr. Gerald was all that you have said, except the
-last," she remarked. "He looked anything but boyish, but then he had
-had a hard struggle to get on. You know this country is not so easy
-for gentlemen without money to get on in. Poor men do better,
-because they have strength with which to labour, and they often know
-a trade. Mr. Gerald had knocked about a great deal, I know, before
-he settled down as a hunter."
-
-"I wonder if he can possibly be my brother," said Mr. Morton. "I
-should like to see the room he occupied when he was here. There
-might be some traces of him in it."
-
-"Oh, it is the bedroom he had. Up that ladder it will be," said
-Cynthy. "No, sir, please sit still. I can't let you try to get up
-with that foot. Cyril can go up with me, and we will look round and
-see if Mr. Gerald has left anything."
-
-Cyril had already jumped up and run to the wooden ladder leading up
-to a trap-door in the boarded ceiling. He climbed up before Cynthy,
-and pushing open the trap-door, entered the loft-like bedroom.
-
-Cynthy followed him in, and they looked round. A bed on the floor, a
-three-legged stool, a table of very amateurish construction, and some
-torn papers in a heap behind the door seemed to be all.
-
-"What a poor place!" cried Cyril. "Oh, I don't think my Uncle Gerald
-can have lived here!"
-
-"Let us look at these papers," said Cynthy, kneeling down beside the
-heap on the floor. "I'd scorn to look at any man's torn letters,"
-she said; "but if there should be Mr. Gerald's real name on these,
-and it should lead to his friends finding him, why it would be such a
-good thing! These, however, are mostly torn memoranda and receipted
-bills. See, there is my father's name on one. He keeps a big store
-at Monkton, six miles off. But what's this?" She held up an
-envelope with the words written upon it, "Cyril Morton, Esq.," and
-the name Brooklands below, and on the next line the letter T and a
-blot, as if the address had never been completed."
-
-"Why, that is papa's address!" exclaimed Cyril. "Do you see the
-writer was just beginning to write Truro when he stopped? The next
-word would have been Cornwall, and then it would have been finished.
-And my father will know the writing."
-
-"That he will. We'll take all these papers to him," said Cynthy,
-gathering them up.
-
-
-
-
-CHAPTER XVII.
-
-_THE GHOST._
-
-Mr. Morton was much affected when they placed in his hands the
-handwriting of his long-lost brother, and he perceived that Gerald
-had at least been thinking of him and beginning a communication to
-him. There was no longer any doubt about the matter, his only
-brother had lived in that poor frame-house for weeks together, and
-had fled from it under suspicion of a terrible crime. That the
-suspicion was utterly false could now be proved, thanks to Cyril and
-Cynthy's having surprised and frightened the real culprit. But
-Gerald had gone, and it might be long before the good news reached
-him.
-
-"We will not go home, Cyril," said Mr. Morton, "until we have found
-your uncle. That is of the most importance now."
-
-"If he has gone to the lumberers, as Pete said," remarked Cynthy, "I
-have an idea in which direction we must go to find him. If only the
-snow has ceased to-morrow I will guide you to the place. I should
-like nothing better," she added, as Mr. Morton demurred about giving
-her so much trouble. "They are used to my going away for a few days
-at once, at my home; I have relations scattered about the country,
-and they will conclude I am visiting them."
-
-Then, as night was drawing in, the clever girl made up a good
-fire--fortunately there was a sufficiency of wood in the house--and
-arranged the rugs for Mr. Morton and Cyril to sleep on near the fire.
-
-"I guess I'm going upstairs," she said, when this had been done, and
-she ran lightly up the ladder to the loft above before they could
-stop her.
-
-"She'll be so cold up there, father!" exclaimed Cyril. "She'll
-freeze. There isn't a fireplace in the room, or anything but a poor
-bed on the floor."
-
-"Run after her with this rug, Cyril," said Mr. Morton, choosing the
-largest skin-rug. "Tell her I won't have it and neither will you.
-We shall be miserable if she starves herself."
-
-Cyril did as he was told with great willingness, but he had immense
-difficulty in making the generous-hearted girl consent to take the
-rug.
-
-"I'm young and strong, Cyril," she said, "and you and your father are
-delicate. Besides, you belong to Mr. Gerald, so you ought to have
-the best of everything." But Cyril insisted, and she had to yield at
-last. The tired travellers slept well and long, being much exhausted
-with all they had gone through.
-
-Mr. Morton awoke first, and had lighted the fire before Cynthy
-appeared.
-
-"I have been awake some time, but did not like to disturb you too
-soon," she said, busying herself with filling the kettle. "Oh, now,
-sir," she added, "you'll hurt your foot standing about on it so, and
-there is no need. I can soon do everything."
-
-"I'm glad to say my foot is much better," rejoined Mr. Morton, "and I
-am not going to allow you to do everything."
-
-Cynthy smiled brightly. "I am glad you are better," she said. "But
-oh, look at the snow!" she added, removing one of the boards with
-which she had filled in the empty window-frame.
-
-The snow was piled up until it almost reached the top of the window,
-and they could see that more was still coming down. It was
-impossible to open the door, which Cynthy tried next; a great
-snow-drift was piled up against it.
-
-"We are snowed in!" she exclaimed. "And no one will think of looking
-for us here in the haunted house--unless my Harry does. He knows I'm
-not a bit superstitious. Still, I don't think he'll suppose we are
-here," and she grew thoughtful, weighing the pros and cons.
-
-They had to be very economical of food that day, and there was none
-left for poor Blackie, much to Cyril's grief. Cynthy gave him some
-lumps of sugar for his pony, but she could not spare any bread.
-
-They all talked a great deal about Gerald Morton in the course of the
-day, Cynthy relating many anecdotes of the kindly deeds he had done
-for other people, all of which much delighted Mr. Morton, who asked
-many questions about them. He told Cynthy his brother had been left
-to his charge by a dying mother, and it was a great grief to him
-when, having failed in business and become ruined in fortune, Gerald
-left England, as he said, to seek his fortune in another country. "I
-shall not return until I have found it," were his parting words, "and
-it is of no use your writing, for I am going to try to travel about."
-
-Mr. Morton, therefore, did not know where to write, and neither did
-he like to leave his delicate wife to go in search of him when he
-heard from a traveller that a gentleman like Gerald Morton had been
-seen in the forest country north of Lake Michigan. But when she was
-dying, Mrs. Morton, thinking of his dying mother's request, begged
-him to go in search of his brother, and he had started with Cyril for
-that purpose after her death.
-
-Cyril then related his adventures. Cynthy was exceedingly interested
-in them all. She had heard of the trial of robbers at Menominee,
-when Whiterock and his captain were condemned to death, and knew what
-an immense amount of harm the band of robbers had done. It seemed to
-her a wonderful thing that one of the band--Davidson--should have
-repented and returned to a civilised life. "You'll be glad all your
-life that you helped him, Cyril," she said in her hearty way, "and I
-hope, sir," she added to Mr. Morton, "that when you have found Mr.
-Gerald you will tell him. He'll like to hear that."
-
-Last thing that evening, just when they were all endeavouring to
-persuade each other that they were not at all hungry, because there
-was no food left, they all at once heard a great knocking at the very
-top of the outer door.
-
-Who could it be? It was beginning to get dark. Was it the ghost?
-Cyril asked the question half laughingly, but he looked considerably
-startled. When people have resigned themselves to the fact that they
-are many miles away from any other person, it is rather queer to find
-someone knocking at the door. It was Cynthy who cried out first,
-"What do you want? Who is there?"
-
-[Illustration: "'What do you want? Who is there?'"]
-
-The others could not hear the answer, but it evidently reassured her,
-for she gave a cry of joy, and her eyes shone with delight as she
-again tried to open the door, but in vain. Then she turned to
-explain to the others. "It's my Harry," she said. "He's found us.
-I thought he would."
-
-"Yes," sang out a hearty voice from the other side of the door. "No
-matter what difficulties intervene love can find a way."
-
-Cynthy blushed, and tried to hide her face from her companions, but
-Mr. Morton reassured her by kind words and a reminiscence of a
-far-off time when the dear lady who became his wife was lost with
-some others on a mountain, and he alone was able to find her, because
-he persevered after the others gave up the search. All this time the
-man outside was digging the snow away from the door. As he did so he
-called out, "Why, Cynthy, I hear you've Mr. Gerald inside there.
-'Tis his voice, I'm sure."
-
-"No 'tisn't," returned she, "but it is his brother and nephew, whom I
-came across in the snow some little time before getting here."
-
-"That's lucky," cried the man outside, "for I've found out where Mr.
-Gerald is!"
-
-They were all very glad to hear that, and when at length the snow was
-cleared off sufficiently to admit a fine, tall young man they
-besieged him with questions.
-
-Harry Quilter related with much pleasure, as he shook hands with Mr.
-Morton and Cyril, that a hunter had informed him at which lumberer's
-camp he had lately seen the missing man. "It was only about ten
-miles off as the bird might fly," he said, which caused Cynthy to
-exclaim it would be nearly double that distance if they rode there.
-
-Harry then proceeded to empty his pockets, which were stuffed with
-tea, dried deer-flesh, salt bacon, and a great hunk of bread. Asked
-how it was he knew of the whereabouts of his young lady, he answered
-that a trapper he had met had informed him that he had seen a great
-quantity of smoke issuing from the chimney of the haunted house. It
-was impossible to believe that a mere ghost could have lighted a fire
-so large as to cause all that smoke, and as Harry was anxious about
-the non-appearance of Cynthy Wood at her home he had put on his
-moccasins and plodded through the snow. He had brought as much food
-as he could carry, in case there should be a difficulty about
-returning that night.
-
-They would have been almost merry, as they sat round the rough table
-enjoying the welcome food, if it had not been for the thought of the
-tragedy which had deprived that poor house of its owner, and also the
-fact that Blackie was still calling out for food, which made the
-tears come into his master's eyes every now and then. He would have
-taken his own plate into the kitchen if Cynthy had not forbidden it.
-
-"You need support more than that fat pony of yours does, Cyril," she
-said in her brisk way. "But here is some more lump sugar. Now I
-can't spare anything else. Sugar is very feeding, you know."
-
-"And Blackie loves it. Thank you, Cynthy. Oh, just come and see my
-pony, will you, Mr. Harry?" he added to the stranger.
-
-"What! Do you keep ponies in my house?" cried a harsh voice behind
-them.
-
-They all turned to look at the door, which had silently opened. In
-the doorway stood an old man, with a hooked nose and long, neglected
-hair. He was so thin that he looked almost like a skeleton, and he
-leaned heavily upon a strong, notched stick. On his feet he wore
-moccasins, with which he had been able to walk through the snow.
-
-"Is it the ghost?" faltered Cyril, whose imagination had been much
-exercised about the haunted house.
-
-Cynthy did not smile; she looked at the figure in the doorway with a
-pale, frightened face. "It is Mr. Jabez Jones," she faltered.
-
-"Aye, it's Jabez Jones, at your service," said the old man, coming
-forward. "And he would like to know what you are doing in his house,
-and what a horse is doing in his kitchen?" He almost screamed the
-last words as Blackie neighed more loudly than ever.
-
-"We are travellers who have come here for shelter from the snow,"
-said Mr. Morton wonderingly.
-
-"And I've come in search of one of them," said Harry Quilter, finding
-his voice at length. "You know me, Jabez Jones, don't you?"
-
-"Aye, aye, and I know her," said the old man, pointing to Cynthy,
-"but I don't know these," looking at the Mortons. "However, never
-mind. I guess I'll have a cup o' yon tea."
-
-"Take my place," said Harry, offering his three-legged stool.
-
-"Nay, I'll ha' my own arm-chair," said the old man rudely.
-
-Mr. Morton at once rose, and placed it for him with gentle courtesy.
-
-"Well, you can't be a ghost, for you're just old Jabez and no one
-else!" cried Cynthy. "But everyone thinks you were drowned in the
-river six months ago," she added. "Do tell us how you escaped."
-
-"I wasn't drowned," said the old man. "But who has been after my
-money?" He put down the cup he was just raising to his lips and went
-up to the hole in the floor to investigate it, chuckling as he did so.
-
-Cynthy, reassured that it was really Jabez Jones in life exactly as
-he had ever been, described to him the scene that she and Cyril
-witnessed on their arrival at the house, which the old man heard with
-grunts of satisfaction.
-
-"So Pete has begun to repent!" he said. "I'm glad of that. And see
-now, my money isn't here after all. I took it away to the bank at
-Menominee last fall, and when I got out of the river--for I was able
-to float in it until washed on shore miles away lower down--having
-some gold with me, I just went across country to Menominee to see if
-it was safe. Happening to read in a newspaper that I had been
-killed, and my house was haunted, I thought I'd stay away a bit and
-frighten my graceless son well, and let him seek the money in vain.
-You see, everyone thought I kept it hid in a hole somewhere, because
-I always talked against banks, saying they were the worst places in
-which a man could keep his money. But talking is one thing and
-doing's another." He returned to the table and drank his tea.
-
-Mr. Morton shook his head sadly over the hardened old man, and as the
-lovers sat together in the chimney-corner, talking after tea, whilst
-Cyril gave Blackie its lump sugar, he tried to make him see that the
-love of money is a great evil, and that in his case it had led his
-son into sin. But the old man's mental state was a very dark and
-unenlightened one, and not much impression could be made.
-
-
-
-
-CHAPTER XVIII.
-
-_THE MEETING IN THE FOREST._
-
-All through the winter the lumberers work in the woods, from sunrise
-to sunset, making the forest resound with the strokes of their axes
-as they fell tree after tree in amazing quantities. Often they
-divide into bands of six or eight men, each company striving to
-outrival the other in the amount of work it gets through. At night
-they return to the great wooden shanty, in which they sleep in the
-bunks arranged on two tiers of wooden shelves all around the place.
-They eat salt pork and drink strong tea, and at night sit round the
-huge log fires, smoking and chewing tobacco, and sometimes singing
-and telling stories.
-
-Men who are strong and used to physical exertion enjoy the work, and
-return to it again and again, for the wages are good, and the bold,
-free life out of doors is not without its charms. But Gerald Morton
-was not strong enough, or yet rough enough, for the labour and the
-company it entailed. The men perceived this, and did not like to
-work with him, in spite of his pleasant, cheery ways. They nicknamed
-him "the gentleman," and at last their foreman was obliged to admit
-that it would be well for him to go to some other sphere of labour.
-
-"You're not adapted to this life, nor yet strong enough for it," he
-said to Gerald, "so you had better go."
-
-Gerald was thinking of these words as he spent his last day in the
-woods at the lumbering. On the morrow he must again set out on the
-wearying search for work. He was no nearer finding a fortune than on
-the first day of his life in America, but he thanked God in his heart
-as he worked that he had found in those huge American forests that
-which was of more value than any earthly money. Through his head
-were ringing the words of an old, old Book, which he carried
-everywhere with him, at first because it was his mother's, and
-afterwards for its own sake:--
-
-"_The fear of the Lord is clean, enduring for ever: the judgments of
-the Lord are true, and righteous altogether._
-
-"_More to be desired are they than gold, yea, than much fine gold:
-sweeter also than honey, or the honeycomb._
-
-"_Moreover, by them is Thy servant warned: and in keeping of them
-there is great reward._"
-
-"Father! Father! That must be Uncle Gerald! Look! See! He's just
-like your and Cynthy's description of him!"
-
-Cyril's glad cry caused the axe to drop from the tired lumberer's
-hand. He turned and saw a little company of equestrians coming
-quickly up to him, their horses crunching the hard snow and the
-broken boughs strewing the ground.
-
-"Gerald! Gerald! My dear Gerald!" cried Mr. Morton, dismounting and
-holding out an eager hand.
-
-"Cyril! Cyril!"
-
-Gerald clasped the hand as if he would never let it go.
-
-* * * * * * *
-
-"We have both been lost in the backwoods, Uncle Gerald," said Cyril,
-with a fine sense of comradeship, as they returned home in a great
-Transatlantic steamer.
-
-"And you have both been found," said his father, with deep
-thankfulness. "My two beloved ones," he added mentally, looking at
-them with glad eyes, as he thought that neither would have been
-restored to his friends if it had not been for his strenuous efforts
-to do right and serve God when to do so was an extremely difficult
-task. "Truly there is a reward for the righteous," he said to
-himself, and he was not thinking merely of the earthly result of
-their conduct.
-
-
-
-THE END.
-
-
-
- PLYMOUTH
- WILLIAM BRENDON AND SON, PRINTERS
-
-
-
-
-
-
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK LOST IN THE BACKWOODS ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/68584-0.zip b/old/68584-0.zip
deleted file mode 100644
index aca9762..0000000
--- a/old/68584-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/68584-h.zip b/old/68584-h.zip
deleted file mode 100644
index 7ecbfa6..0000000
--- a/old/68584-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/68584-h.htm b/old/68584-h/68584-h.htm
deleted file mode 100644
index 2480899..0000000
--- a/old/68584-h/68584-h.htm
+++ /dev/null
@@ -1,5712 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
- "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
-
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
-
-<head>
-
-<link rel="icon" href="images/img-cover.jpg" type="image/x-cover" />
-
-<meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
-
-<title>
-The Project Gutenberg eBook of Lost in the Backwoods,
-by Edith C. Kenyon
-</title>
-
-<style type="text/css">
-body { color: black;
- background: white;
- margin-right: 10%;
- margin-left: 10%;
- font-family: "Times New Roman", serif;
- text-align: justify }
-
-p {text-indent: 4% }
-
-p.noindent {text-indent: 0% }
-
-p.t1 {text-indent: 0% ;
- font-size: 200%;
- text-align: center }
-
-p.t2 {text-indent: 0% ;
- font-size: 150%;
- text-align: center }
-
-p.t2b {text-indent: 0% ;
- font-size: 150%;
- font-weight: bold;
- text-align: center }
-
-p.t3 {text-indent: 0% ;
- font-size: 100%;
- text-align: center }
-
-p.t3b {text-indent: 0% ;
- font-size: 100%;
- font-weight: bold;
- text-align: center }
-
-p.t4 {text-indent: 0% ;
- font-size: 80%;
- text-align: center }
-
-p.t4b {text-indent: 0% ;
- font-size: 80%;
- font-weight: bold;
- text-align: center }
-
-p.t5 {text-indent: 0% ;
- font-size: 60%;
- text-align: center }
-
-h1 { text-align: center }
-h2 { text-align: center }
-h3 { text-align: center }
-h4 { text-align: center }
-h5 { text-align: center }
-
-p.poem {text-indent: 0%;
- margin-left: 10%; }
-
-p.thought {text-indent: 0% ;
- letter-spacing: 4em ;
- text-align: center }
-
-p.letter {text-indent: 0%;
- margin-left: 10% ;
- margin-right: 10% }
-
-p.footnote {text-indent: 0% ;
- font-size: 80%;
- margin-left: 10% ;
- margin-right: 10% }
-
-.smcap { font-variant: small-caps }
-
-p.transnote {text-indent: 0% ;
- margin-left: 10% ;
- margin-right: 10% }
-
-p.intro {font-size: 90% ;
- text-indent: -5% ;
- margin-left: 5% ;
- margin-right: 0% }
-
-p.quote {text-indent: 4% ;
- margin-left: 0% ;
- margin-right: 0% }
-
-p.chap { margin-left: 10% }
-
-p.finis { font-size: larger ;
- text-align: center ;
- text-indent: 0% ;
- margin-left: 0% ;
- margin-right: 0% }
-
-p.capcenter { margin-left: 0;
- margin-right: 0 ;
- margin-bottom: .5% ;
- margin-top: 0;
- font-weight: bold;
- float: none ;
- clear: both ;
- text-indent: 0%;
- text-align: center }
-
-img.imgcenter { margin-left: auto;
- margin-bottom: 0;
- margin-top: 1%;
- margin-right: auto; }
-
-</style>
-
-</head>
-
-<body>
-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Lost in the backwoods, by Edith C. Kenyon</p>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Lost in the backwoods</p>
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Edith C. Kenyon</p>
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Illustrator: William Rainey</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: July 21, 2022 [eBook #68584]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Al Haines</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK LOST IN THE BACKWOODS ***</div>
-
-<p><br /><br /></p>
-
-<p class="capcenter">
-<a id="img-cover"></a>
-<img class="imgcenter" src="images/img-cover.jpg" alt="Cover art" />
-</p>
-
-<p><br /><br /></p>
-
-<p class="capcenter">
-<a id="img-front"></a>
-<img class="imgcenter" src="images/img-front.jpg" alt="&quot;'God bless you!' he said fervently.&quot; p. 62" />
-<br />
-&quot;'God bless you!' he said fervently.&quot; <a href="#p62"><i>p.</i> 62</a>
-</p>
-
-<h1>
-<br /><br />
-LOST IN THE BACKWOODS
-</h1>
-
-<p><br /></p>
-
-<p class="t3b">
-BY
-</p>
-
-<p class="t2">
-EDITH C. KENYON
-</p>
-
-<p class="t4">
-AUTHOR OF "JACK'S HEROISM"; "BRAVE BERTIE," ETC.
-</p>
-
-<p><br /><br /></p>
-
-<p class="t3">
-<i>ILLUSTRATIONS BY W. RAINEY, R.I.</i>
-</p>
-
-<p><br /><br /></p>
-
-<p class="t3">
- LONDON<br />
- S. W. PARTRIDGE &amp; CO.<br />
- 8 &amp; 9, PATERNOSTER ROW<br />
-</p>
-
-<p><br /><br /><br /></p>
-
-<p class="t3">
-<i>FOURTEENTH THOUSAND</i>
-</p>
-
-<p><br /><br /><br /></p>
-
-<p class="t3b">
-CONTENTS.
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER I.
-</p>
-
-<p class="noindent">
-<a href="#chap01">ATTACKED BY ROBBERS</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER II.
-</p>
-
-<p class="noindent">
-<a href="#chap02">ALONE IN THE FOREST</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER III.
-</p>
-
-<p class="noindent">
-<a href="#chap03">RESCUED</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER IV.
-</p>
-
-<p class="noindent">
-<a href="#chap04">TEMPTED</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER V.
-</p>
-
-<p class="noindent">
-<a href="#chap05">CYRIL'S SENTENCE</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER VI.
-</p>
-
-<p class="noindent">
-<a href="#chap06">DELIVERANCE</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER VII.
-</p>
-
-<p class="noindent">
-<a href="#chap07">A FALSE ALARM</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER VIII.
-</p>
-
-<p class="noindent">
-<a href="#chap08">GREEN MEETS HIS FATHER</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER IX.
-</p>
-
-<p class="noindent">
-<a href="#chap09">AT THE SAW-MILL</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER X.
-</p>
-
-<p class="noindent">
-<a href="#chap10">ATTACKED BY BEARS</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XI.
-</p>
-
-<p class="noindent">
-<a href="#chap11">CYRIL SPEAKS UP FOR THE INDIANS</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XII.
-</p>
-
-<p class="noindent">
-<a href="#chap12">A JOYFUL MEETING</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XIII.
-</p>
-
-<p class="noindent">
-<a href="#chap13">LEAVING THE SAW-MILL</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XIV.
-</p>
-
-<p class="noindent">
-<a href="#chap14">LOST IN THE SNOW</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XV.
-</p>
-
-<p class="noindent">
-<a href="#chap15">A CONFESSION OF GUILT</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XVI.
-</p>
-
-<p class="noindent">
-<a href="#chap16">THE DISCOVERY IN THE LOFT</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XVII.
-</p>
-
-<p class="noindent">
-<a href="#chap17">THE GHOST</a>
-</p>
-
-<p><br /></p>
-
-<p class="chap">
-CHAPTER XVIII.
-</p>
-
-<p class="noindent">
-<a href="#chap18">THE MEETING IN THE FOREST</a>
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap01"></a></p>
-
-<p class="t2">
-LOST IN THE BACKWOODS.
-</p>
-
-<p><br /><br /></p>
-
-<h3>
-CHAPTER I.
-<br /><br />
-<i>ATTACKED BY ROBBERS.</i>
-</h3>
-
-<p>
-"Your money or your life! Quick! Your
-money or your life!"
-</p>
-
-<p>
-Cyril Morton gave a cry of horror and
-alarm. A masked brigand was pointing a revolver
-at his father, whose pale face confronted it with
-unnatural calmness.
-</p>
-
-<p>
-Cyril had never passed through such a terrible
-minute in his whole life as that one during which
-his father remained silent, instead of replying to his
-fierce assailant's demand. A short while before
-the train-boy, passing down the outside passage of
-the comfortable American train, bearing his tray
-of chocolate, biscuits, fruit, etc., had waited on them
-and promised to return in a few minutes with illustrated
-papers wherewith to beguile the tedium of
-the journey. The train, which was a very slow one,
-was going from Menominee northwards. Cyril and
-his father had come to North America in search of
-the latter's brother, now long absent from his home.
-When last heard of Gerald Morton was in Michigan,
-so to that State they came on the death of Cyril's
-mother, whose last request was that her husband
-should go and look up his only brother. Cyril was
-twelve years old; he was an only child, and his
-father, in his sorrow, could not bear the thought of
-leaving him behind in England, so the two travelled
-together and were "chums," as the boy called it.
-After a delightful sail from Chicago over the calm
-grey waters of Lake Michigan they were enjoying
-their slow journey through immense pine forests,
-when suddenly a band of robbers galloped up to
-the train, flung themselves from their horses, and
-clambered on to it. First they struck down the
-engine-driver, reversed the engine, and stopped the
-train. Then they began to search the passengers,
-demanding of all their money or their life.
-</p>
-
-<p>
-On receiving no answer the ruffian who was
-threatening Mr. Morton repeated his words in a
-voice of thunder.
-</p>
-
-<p>
-"Oh, father," cried Cyril, "give him the money, or
-he will kill you! Father, <i>please</i>." He screamed the
-last words in his agony of apprehension.
-</p>
-
-<p>
-His attention being diverted by the boy the
-man glanced aside at him, and in that moment
-Mr. Morton, with a sudden movement, wrested the
-pistol from his grasp.
-</p>
-
-<p>
-The other instantly snatched at it, and a struggle
-commenced between the two men for its possession.
-Backwards and forwards they swayed, now locked
-in each other's arms, now flung apart. Once the
-revolver fell upon the soft-cushioned seat, when
-Cyril instantly caught hold of it, and, watching
-his opportunity, slipped it back into his father's
-hand.
-</p>
-
-<p>
-Maddened with rage the brigand struck the boy
-down with his huge fist. Then Cyril lay like a log
-upon the floor of the carriage, and knew no
-more.
-</p>
-
-<p>
-A few moments and the struggle between the
-men was ended by the brigand's firing point-blank
-at Mr. Morton, who fell back on the seat apparently
-lifeless.
-</p>
-
-<p>
-The robber proceeded to rapidly search his victim.
-Quickly he pocketed a gold watch and chain, a
-well-filled purse, and also a pocket-book containing notes.
-Then he stooped over the boy, looking in his pockets.
-As he did so something in the white upturned face
-touched even his hard heart.
-</p>
-
-<p>
-"He's not unlike my Harry," he muttered, thrusting
-back the little purse his fingers had just closed
-on. "No, I'll not take his money. He'll come to,
-and maybe want it."
-</p>
-
-<p>
-Turning away he went on to rob someone else;
-and presently, with his pockets full of notes and
-gold, returned to his first victims, still lying where
-he had left them.
-</p>
-
-<p>
-The other outlaws were leaving the train and
-mounting their horses; they were all in a hurry to
-get away.
-</p>
-
-<p>
-The man who had struck down poor Cyril stood
-over him now, with a softened look in his hard face
-as he felt anxiously for the boy's pulse.
-</p>
-
-<p>
-"Living!" he exclaimed, when his rough fingers
-had found it. "Well, he's a plucky little lad. I'll
-take him with me. His father's dead," he added,
-glancing at him. "I'll adopt the lad. He shall be
-my son, instead of poor Harry." So saying he
-lifted Cyril in his arms, carried him to where he
-had left his horse, and when he rode off with the
-others the boy, still unconscious, was on the saddle
-before him, his curly head drooping against his
-shoulder.
-</p>
-
-<p class="capcenter">
-<a id="img-010"></a>
-<img class="imgcenter" src="images/img-010.jpg" alt="&quot;The boy was on the saddle before him.&quot;" />
-<br />
-&quot;The boy was on the saddle before him.&quot;
-</p>
-
-<p>
-Now it happened that under the double burden
-the brigand's horse lagged behind the others, and
-although its master whipped and spurred it cruelly
-it could not keep up with them.
-</p>
-
-<p>
-"Whiterock," cried the captain of the band more
-than once, "come on. Why do you linger?"
-</p>
-
-<p>
-"Coming, sir," answered Whiterock, redoubling his
-efforts, but in vain.
-</p>
-
-<p>
-At last the captain, turning in anger to see why
-he was disobeyed, perceived the boy, and cried
-impatiently&mdash;
-</p>
-
-<p>
-"What have you got there? A lad? Ridiculous!
-Absurd! Fling him down. Leave him.
-We want no babies."
-</p>
-
-<p>
-Outlaw though he was&mdash;strong, desperate too&mdash;the
-brigand dared not disobey his chief. Reluctantly,
-therefore, he stopped short, sprang off his
-horse, and lifted the boy down in his arms. Muttering
-that he had once a son like him he laid Cyril
-down under a forest tree, and then, turning quickly,
-remounted his horse and rode rapidly after his
-captain.
-</p>
-
-<p>
-All the horsemen rode away. The sound of their
-horses' hoofs died out in the distance.
-</p>
-
-<p>
-Presently, as evening drew on, a huge grey bear,
-stealing through the bushes, stood looking down on
-the unconscious boy. After a few minutes the bear
-stooped, and almost poked him with his nose.
-</p>
-
-<p>
-If Cyril had awoke then, if he had moved one
-hand, or in any way "shown fight," it would have
-been all over with him. Unless very hungry,
-however, these North American bears do not attack
-human beings if they make no aggressive movement;
-so Cyril remaining perfectly still the bear,
-having satisfied his curiosity, moved slowly away.
-</p>
-
-<p>
-The shades of night stole over the forest. It
-became quite dark. The wild beasts sought their
-prey. All sorts of dangers were on every side; but,
-quite unconscious still, the boy lay there, a faint
-stirring of his pulse alone showing that life was still
-within his slight young frame.
-</p>
-
-<p>
-He had no mother at home praying for him, but
-it might be in the Paradise above she was pleading
-for her boy, over whom a merciful Providence was
-watching.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap02"></a></p>
-
-<h3>
-CHAPTER II.
-<br /><br />
-<i>ALONE IN THE FOREST.</i>
-</h3>
-
-<p>
-About midday Cyril came to himself,
-opening wondering eyes upon an
-unknown world. Where was he? What
-had happened? Where was his father? Why
-were his limbs when he tried to move them so
-stiff and cramped? Raising himself with difficulty
-he leaned upon one elbow, and looked round
-searchingly.
-</p>
-
-<p>
-He was alone in these unknown wilds. Where
-was his father? Why had he left him?
-</p>
-
-<p>
-Suddenly the boy gave a great cry; he remembered
-all. His father was killed, must have been
-killed, or he would never have parted from him. He
-had put the pistol in his father's hand before the
-robber struck him; he did not know what had
-happened after that. But he felt convinced that his
-father was dead, and he lay down again upon the
-ground, crying as if his heart would break. There
-was a very tender love between him and his father;
-since the mother's death they had been all in all
-to one another. But a new thought came to Cyril
-by-and-by, and that was that someone must have
-brought him to the place where he was lying. For
-there was no railway line to be seen near there;
-indeed, the trees grew too thickly to admit of such
-a possibility. Who, then, had brought him away
-from the train, away from the railway line? Was
-it, could it possibly have been his father? But if so,
-where was he now?
-</p>
-
-<p>
-Animated by the hope of finding him Cyril
-struggled to his feet. Then he called as loudly
-as he could, which was not very loud, for his
-throat was parched and dry, and he himself felt
-very faint. "Father! Father!" he cried. "Father,
-where are you? Father, speak; tell me you are
-here! Father! Father!"
-</p>
-
-<p>
-But there was no answer.
-</p>
-
-<p>
-Despairingly the boy turned in first one direction
-and then another, repeating his cries until he could
-not utter another word. But all in vain. There was
-no trace of a human being in any direction. He
-was alone, quite alone in the forest.
-</p>
-
-<p>
-In silence now he wandered up and down, finding
-some wild raspberries, or what looked like them, and
-eating them quite ravenously. The soft fruit allayed
-his thirst, and then he could shout again, which he
-did repeatedly. At first it had been his intention
-to remain near the place where he had been lying,
-that if his father or whoever brought him there
-returned he might be found. But he lost his way
-very soon and could not find the place again.
-</p>
-
-<p>
-"Father! Father! Help! help!" he cried, pushing
-his way through the long grass and bushes, and
-running along narrow tracks in first one direction
-and then another. "Oh, help, I am perishing! Save
-me!"
-</p>
-
-<p>
-For now a despairing feeling came over him that
-help would never come, that he would wander up
-and down there until he died&mdash;perhaps killed by
-some wild beast. He knew there were bears in
-that part of America, and presently he came across
-a young one. It did not appear to see him, and
-he ran away from its neighbourhood as fast as he
-could. He had no weapon of any kind, and the
-thought of that made him presently get out his
-pocket-knife and cut himself a stout stick. Then
-it was that he discovered that after all he had not
-been robbed. His purse was still in his pocket. He
-took it out, opened it, and examined its contents
-ruefully. One piece of gold, a sovereign, and a good
-many shillings and sixpences were all there. But
-of what use was money to him now? How gladly,
-thankfully, he would give the whole of his money
-to anyone who would show him the way out of that
-fearful solitude! However, he was in a place where
-money availed not. What could he do? He was in
-despair.
-</p>
-
-<p>
-Then he remembered his heavenly Father, and,
-kneeling down just where he was in the lonely
-forest, he prayed to Him for help and guidance,
-and especially that, if his father still lived, they
-two might speedily find each other.
-</p>
-
-<p>
-He felt somewhat comforted when, at length, he
-rose from his knees, for he knew that he had done
-the very best thing he could for himself and his dear
-father by laying all their concerns before God in
-prayer.
-</p>
-
-<p>
-Looking round for more berries he soon found
-some, ate, and was again refreshed. Then he walked
-on once more in the hope that he would get to
-some inhabited place. But he was very tired; and
-presently, when his foot slipped over a tree-root
-and he fell heavily to the ground, he did not feel
-able to rise again. He therefore lay still where he
-was, and soon fell fast asleep.
-</p>
-
-<p>
-Again the shades of night crept over the tall trees
-of the forest, veiling them and the sleeping boy in
-darkness. And once again the beasts of prey stole
-forth in search of food, but did not come near Cyril
-to harm him, whilst, unconscious of his danger, he
-slept on.
-</p>
-
-<p>
-He was happy now, for he was dreaming of his
-mother. She looked as sweet as ever and far
-happier, for the lines of pain and trouble on her
-face had been all smoothed away. "Cyril, my boy,"
-she said to him, stooping to kiss his brow, "it was
-brave of you to help your father as you did yesterday.
-You suffered for it. Yes, but that is all over.
-Now you must be brave in searching for your father
-and waiting patiently until God, in His good
-providence, permits you both to meet again."
-</p>
-
-<p>
-"I will, I will, mother," Cyril cried in his dream;
-and then it ceased, and he lay in heavy, dreamless
-slumber until he awoke with a consciousness of its
-being very hot, and that there was a strong smell
-of something burning.
-</p>
-
-<p>
-Starting up and looking round he found that it
-was morning, and that away to the right of him
-there was a mighty cloud of smoke mingled with
-flames, out of which great showers of sparks flew
-up into the sky. A tremendous roaring as of
-thunder announced the burning of great forest
-trees. The noise of it almost drowned the pitiful
-cries and screams, roars and screeches of wild
-animals and birds as, in their flight for their lives,
-the cruel flames caught hold of them and burnt them.
-</p>
-
-<p>
-"The forest is on fire!" cried Cyril aloud in
-terror-stricken accents, "and I, where shall I go? Oh,
-God," he murmured, "help me!" and set off running
-fast in the opposite direction from that in which the
-fire was advancing.
-</p>
-
-<p>
-The air had become exceedingly hot. It dried
-up everything before the fire, so that when the
-flames came up they caught hold of the great pine
-trees without a moment's loss. The very ground
-seemed scorched.
-</p>
-
-<p>
-Cyril found the fire gaining upon him. Of what
-use was it to run? Oh, if he could only come to
-some open space, or a sheet of water into which he
-could hasten!
-</p>
-
-<p>
-But no. There were no signs of either. Cyril
-became hotter and hotter. Soon, very soon, the fire
-would overtake him. He almost felt its hot breath
-on his cheeks. Wringing his hands he sank down
-with a loud, despairing cry.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap03"></a></p>
-
-<h3>
-CHAPTER III.
-<br /><br />
-<i>RESCUED.</i>
-</h3>
-
-<p>
-Now it happened that Whiterock and his
-companions had been fleeing before the
-fire for at least an hour, when its direction
-brought them to the place where Cyril fell.
-</p>
-
-<p>
-The boy's wild, despairing cry was unheeded by
-most of the men, who were only bent on saving
-their own lives, but on Whiterock's ears it fell with
-powerful appeal. Swiftly he galloped up, espied
-the boy, leaped from his horse, flung Cyril upon
-the saddle, remounted, and once more rode off
-with him at full speed.
-</p>
-
-<p class="capcenter">
-<a id="img-021"></a>
-<img class="imgcenter" src="images/img-021.jpg" alt="&quot;The boy's wild, despairing cry was unheeded.&quot;" />
-<br />
-&quot;The boy's wild, despairing cry was unheeded.&quot;
-</p>
-
-<p>
-The men knew of a large clearing extending for
-several miles, where lumbermen had felled and
-carried away the great pines. They rode straight
-there, and in the course of an hour reached the
-place.
-</p>
-
-<p>
-There was no fear of any fire following them
-into the clearing, for nothing remained there upon
-which it could feed. It took another direction,
-more to the north-west, and the men and boy
-were safe.
-</p>
-
-<p>
-With noisy jests and much jeering at the fears
-which now were over the company made their
-way to the deserted camp of the lumberers. This
-proved to be a big frame-building, run up for the
-temporary convenience of the men who felled the
-trees, and then deserted when their work was done
-and the timber conveyed away. All round the
-inside of the building were sleeping-bunks, half
-filled still with dry grass and ferns.
-</p>
-
-<p>
-They set to work with alacrity to kindle a fire,
-make coffee, cook some meat, and spread out their
-biscuits.
-</p>
-
-<p>
-No one took any notice of Cyril, who stood in
-a corner watching them furtively. What powerful
-men they were! And how wicked some of them
-looked! But others seemed quite pleasant and kind.
-He watched Whiterock closely with very mingled
-feelings. He would have been most grateful to
-him for saving his life if it were not for the strong
-suspicion he had that he was the very man who
-had attacked his father. At that time he wore a
-mask. Now his dark-bearded face was uncovered.
-But there was something in his build and manner,
-and especially in the tones of his voice, which made
-Cyril confident that he was his poor father's assailant.
-How the boy longed to ask him if he had left his
-father living still! Would he be very angry if he
-were asked the question?
-</p>
-
-<p>
-"Whiterock!" Cyril called timidly to him, stealing
-nearer as he did so.
-</p>
-
-<p>
-The man had constituted himself cook, and was
-stooping over a battered frying-pan, whereon
-spluttered great slices of meat. Being much absorbed
-in his cooking he only noticed Cyril's call by giving
-him a nod.
-</p>
-
-<p>
-Cyril did not return the nod. For just as he
-was about to do so it occurred to him that if the
-man were really his poor father's cruel assailant he
-could return no greeting of his.
-</p>
-
-<p>
-Whiterock did not notice the boy's lack of
-cordiality; he was talking to one of the stewards now
-about the meat, which had run short. There would
-not be sufficient to go round. This was a great
-difficulty which could not be got over by talking.
-</p>
-
-<p>
-When at last the men sat and lay down in a
-sort of circle round the stewards, who helped out
-the food straight from two central dishes into the
-men's hands, Cyril was called up by Whiterock and
-received a share of biscuit only.
-</p>
-
-<p>
-"Biscuit is good enough for bairns," said the
-steward, laughing.
-</p>
-
-<p>
-But Whiterock, grumbling, thrust a small piece
-of meat upon the boy's biscuit. It was his own.
-But how could Cyril eat it? He pushed it back
-into the man's hand. Whiterock looked annoyed,
-and made no further attempt to improve his meal.
-The men drank their coffee out of little cups
-belonging to their flasks. Cyril had not one, so would
-have had to go without if the steward had not
-kindly lent him his.
-</p>
-
-<p>
-After the breakfast all the men but two or three,
-who remained to look after the horses, collect wood,
-and so forth, went off on foot to hunt. They returned,
-late in the afternoon, with an immense quantity of
-game. The men who had not been hunting were
-sent, with a couple of horses, to fetch home some
-of the best parts of the deer which the others had
-shot.
-</p>
-
-<p>
-There was a great feast that evening, and much
-work afterwards in cutting and hanging up strips
-of meat to be smoked and dried by the fire during
-the night. Then the men divided the sleeping-bunks.
-Cyril shared one with Whiterock.
-</p>
-
-<p>
-"There, get in, youngster," said Whiterock. "I'm
-awful sleepy. Want to say something? No, I can't
-hear it to-night. To-morrow some time will do.
-Good-night." He fell asleep, or appeared to do so,
-almost as he spoke.
-</p>
-
-<p>
-Cyril dared not disturb him to inquire about his
-father's fate. He, too, was very sleepy, and in spite
-of his anxiety speedily followed his companion's
-example.
-</p>
-
-<p>
-He was awoke suddenly in the night by shouts
-from the men, and then much loud talking and
-exclaiming. What was the matter? The men were
-flying wildly out of their bunks, on all sides, and
-making for the door. At that moment something
-soft, smooth, and slippery wound itself round Cyril's
-neck. With a cry for help he caught hold of
-Whiterock's hand.
-</p>
-
-<p>
-The man sat up and astonished the boy by
-laughing loudly.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap04"></a></p>
-
-<h3>
-CHAPTER IV.
-<br /><br />
-<i>TEMPTED.</i>
-</h3>
-
-<p>
-Whiterock flung something from the
-boy, and, jumping out of the bunk,
-still laughing loudly, lifted him on to
-the ground.
-</p>
-
-<p>
-"Captain," he called out, "these old bunks here
-are full of pine-snakes, which have crawled into
-them for warmth. Fortunately they are quite
-harmless. Now then, men, they won't hurt you!"
-</p>
-
-<p>
-When all the men had returned they declared that
-it was impossible to sleep any more that night. So
-more coffee was made, and they all sat and lay about
-near the fire, talking of their future plans. Cyril
-began to count the men, but was still so sleepy
-that he could not quite decide whether their number
-was nearer twenty than thirty.
-</p>
-
-<p>
-For some time no one took any notice of the boy.
-But at last the Captain did so, and jeered at
-Whiterock for turning nursemaid.
-</p>
-
-<p>
-Then they all began to talk of Cyril, much to his
-discomfiture.
-</p>
-
-<p>
-Presently Whiterock asked him if he would like
-to remain with them as his adopted son, and in
-time would become one of the band.
-</p>
-
-<p>
-"Ah, like Wolfgang," said the Captain, stroking
-his long beard. "He was a lad of about your age.
-We found him. I won't say where, but he grew
-up amongst us, and for cleverness and pluck there
-wasn't a man of us all that could beat him. Ah,
-he would have been captain if he had lived! He
-was killed in a scuffle with the police. He died
-fighting nobly."
-</p>
-
-<p>
-Cyril had his own opinion about the nobleness of
-fighting the public officers of law and order. But
-he felt sorry for Wolfgang. The lad probably knew
-no better.
-</p>
-
-<p>
-"Well, little 'un," said Whiterock, "would you like
-to stay with us and be my boy?"
-</p>
-
-<p>
-"But my father?" said Cyril tremulously, looking
-appealingly at him.
-</p>
-
-<p>
-"Oh, he's dead," said Whiterock hastily. "Now
-come, boy, don't make a scene."
-</p>
-
-<p>
-Cyril turned his back on him. He was struggling
-with all his might to keep back the tears which
-would not be suppressed. His father, his dear, kind
-father, slain by that coarse, ruffianly fellow! Oh, it
-was too cruel!
-</p>
-
-<p>
-"What's the matter?" demanded the Captain.
-</p>
-
-<p>
-Whiterock crossed over to him, and said something
-rather low in his ear.
-</p>
-
-<p>
-"Oh!" cried the Captain. "But that's only the
-fortune of war. Come here, my boy," he added to
-Cyril.
-</p>
-
-<p>
-Cyril went up to him with a pale, resolute face.
-</p>
-
-<p>
-"Whiterock saved your life, lad," said the Captain.
-"You must remember that. There wasn't one of us
-who would have done so much for you at such a
-time."
-</p>
-
-<p>
-"He took my father's life," replied Cyril, looking
-up with flashing eyes, the hot blood mounting to
-his very brow.
-</p>
-
-<p>
-"But he saved <i>your</i> life, lad," remonstrated the
-Captain.
-</p>
-
-<p>
-"I know he saved my life," cried Cyril, "and I
-just wish he hadn't! As he killed my father, I
-would rather have died than&mdash;&mdash;"
-</p>
-
-<p>
-"Be quiet!" thundered the Captain. "Will you
-stay with us or no?"
-</p>
-
-<p>
-"No, a thousand times no!" answered the boy
-boldly.
-</p>
-
-<p>
-"I won't have him," muttered Whiterock sulkily.
-</p>
-
-<p>
-"But I will," cried the Captain. "Look here, my
-lad, I honour you. Yes, I honour you for loving
-and respecting your father. You're a plucky lad!
-And if you like to stay with us you shall be my
-adopted son. Do you hear what I say?"
-</p>
-
-<p>
-The men uttered various exclamations, tending
-to show that what they considered "a piece of rare
-luck" had come in Cyril's way.
-</p>
-
-<p>
-Then they all waited for the boy's answer.
-</p>
-
-<p>
-"No, thank you, Captain," he said politely, "I
-cannot."
-</p>
-
-<p>
-"What for, lad? Why not?" demanded the
-Captain wrathfully.
-</p>
-
-<p>
-"Oh, because '<i>Noblesse oblige</i>!'" replied the boy.
-</p>
-
-<p>
-"What do you say?"
-</p>
-
-<p>
-Cyril repeated "<i>Noblesse oblige</i>" distinctly, in
-tones which were heard all over the great room.
-</p>
-
-<p>
-"How do you explain those words?" asked the
-Captain.
-</p>
-
-<p>
-"Oh, don't you understand them?" said Cyril,
-surprised that such a great man as the Captain
-should be ignorant of their meaning. "My father"&mdash;his
-voice shook a little as he said the name&mdash;"told
-me <i>Noblesse oblige</i> means rank imposes obligations,
-and that much is expected from one in a
-good position. You see, Captain, <i>gentlemen can't
-do mean, dishonourable things</i>. I'm sorry to
-disappoint you, but you see I come of a race of
-honourable gentlemen who would scorn to rob and
-plunder."
-</p>
-
-<p>
-The Captain laughed loudly, rudely. "What a
-fine gentleman we've got here!" said he; "let's
-look at him." He dragged Cyril forward into the
-middle of the room. "There, my fine fellow, look
-around you," cried he. "Do you know several of
-these men are gentlemen of birth and breeding?"
-</p>
-
-<p>
-"Then they've forgotten it," said Cyril calmly.
-</p>
-
-<p>
-A murmur of anger went round the room. "Forgotten
-what?" cried one man.
-</p>
-
-<p>
-"<i>Noblesse oblige</i>," replied Cyril.
-</p>
-
-<p>
-"Absurd," cried the Captain. "Have you no
-better reason than that for refusing my offer?"
-</p>
-
-<p>
-Cyril was silent.
-</p>
-
-<p>
-"Speak out," cried the Captain.
-</p>
-
-<p>
-Slowly but bravely Cyril said that there was yet
-another reason. He could not join them because
-he was a follower of Christ, who made the law of
-love, saying, "<i>By this shall all men know that ye
-are My disciples, if ye have love one to another.</i>"
-</p>
-
-<p>
-A cry of rage burst from most of the men
-upon hearing this. But one or two drew rough
-hands across their faces, as if to hide them for a
-moment.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap05"></a></p>
-
-<h3>
-CHAPTER V.
-<br /><br />
-<i>CYRIL'S SENTENCE.</i>
-</h3>
-
-<p>
-"You little prig!" sneered the Captain
-of the band. But he did not look
-at Cyril. "Preaching at us!" cried
-another man indignantly.
-</p>
-
-<p>
-"He wants taking down a peg or two," said a
-third.
-</p>
-
-<p>
-"What sinners we must be!" scoffed a fourth.
-</p>
-
-<p>
-"Leave him alone," growled one whose heart the
-boy's brave, noble words had touched. "Let him
-be."
-</p>
-
-<p>
-"Aye, do," said a younger man. But he spoke
-timidly, looking down on the ground as he did so.
-"In case&mdash;in case," he added, "the youngster may be
-right."
-</p>
-
-<p>
-"Right! Hark at him! Hark at Green!" jeered
-two or three rough voices.
-</p>
-
-<p>
-The Captain looked angrily around at the men,
-and then at the boy. He felt thoroughly out of
-temper.
-</p>
-
-<p>
-"A good thrashing would do the lad no harm,"
-he muttered.
-</p>
-
-<p>
-"Thrashing's too good for him," grumbled Whiterock,
-all his kind feeling for Cyril having changed to
-bitter dislike.
-</p>
-
-<p>
-"Boy, come here," cried the Captain.
-</p>
-
-<p>
-Cyril went up to him. He was very pale now,
-and trembling. He did not feel at all brave as he
-clasped his hands nervously together. It was terrible
-to feel that he stood alone, unarmed, helpless in the
-midst of all these men.
-</p>
-
-<p>
-The Captain looked searchingly at him. "Your
-name, lad?" he demanded in stern tones.
-</p>
-
-<p>
-"Cyril Morton," answered the boy.
-</p>
-
-<p>
-"Cyril! A girl's name! Pooh!"
-</p>
-
-<p>
-With a sudden change of mood the Captain
-laughed derisively. He passed his big, rough hand
-over the boy's soft curly hair and down his slim
-young figure.
-</p>
-
-<p>
-"All the same," he said, "I like you, boy, and
-believe that we can make a man of you yet.
-After all, I will repeat my offer. Will you stay
-and be my son?"
-</p>
-
-<p>
-Cyril shook his head. He could not speak at the
-moment, for the right words would not come. Was
-he to go through the ordeal again?
-</p>
-
-<p>
-"He won't!" cried one of the men indignantly.
-"Did you ever know such defiance?"
-</p>
-
-<p>
-"Speak," demanded the Captain, his hand resting
-heavily now on Cyril's shoulder as if he would
-compel his obedience. "Do you still refuse?"
-</p>
-
-<p>
-"Yes. I cannot&mdash;oh, I cannot accept your offer!
-I cannot!" cried the boy.
-</p>
-
-<p>
-"Very well," shouted the Captain angrily. "You
-defy us! Here, you, Whiterock, you brought the
-youngster. Take him outside a bit while we decide
-what is to be done. Take him away, I say, for
-ten minutes. Then bring him back to hear his
-sentence."
-</p>
-
-<p>
-Cyril trembled. Would they kill him? Out here
-in the backwoods they could do whatever they liked.
-There were no policemen here.
-</p>
-
-<p>
-"Come on," said Whiterock, seizing hold of Cyril's
-collar and dragging him out of the place.
-</p>
-
-<p>
-Outside he flung the boy down on the ground at
-his feet.
-</p>
-
-<p>
-"Oh, Whiterock," pleaded Cyril, "though you killed
-my father&mdash;my dear, good father, will you not save
-me, his son?"
-</p>
-
-<p class="capcenter">
-<a id="img-035"></a>
-<img class="imgcenter" src="images/img-035.jpg" alt="&quot;Oh, Whiterock, will you not save me?&quot;" />
-<br />
-&quot;Oh, Whiterock, will you not save me?&quot;
-</p>
-
-<p>
-It was the best plea the boy could have made, for
-since those words of his to the Captain, and his
-terrible distress about his poor father, Whiterock
-had felt something like compunction for what he
-had done.
-</p>
-
-<p>
-"The matter lies in your own hands, Cyril," he
-said, not unkindly. "You, and only you, can save
-your life. Accept the Captain's offer&mdash;it is a generous
-one."
-</p>
-
-<p>
-"But I can't," said Cyril. "Oh, Whiterock, I
-can't!"
-</p>
-
-<p>
-"Well, come back with me inside."
-</p>
-
-<p>
-"One moment," cried poor Cyril. "What will they
-do to me?"
-</p>
-
-<p>
-"You'll hear that soon enough," muttered Whiterock,
-leading him inside the huge shanty.
-</p>
-
-<p>
-"Come here," called the Captain loudly, "and hear
-our decision."
-</p>
-
-<p>
-Cyril stood tremblingly before him.
-</p>
-
-<p>
-"It is," cried the man, "that if you do not change
-your mind by morning and consent to become one
-of our band, we shall tie you to a bunk and leave
-you here imprisoned in this camp, with only the
-snakes for your companions."
-</p>
-
-<p>
-A cry of horror escaped from Cyril's lips. Then
-eagerly, passionately, he pleaded with the Captain
-to punish him in any other way he liked than
-that.
-</p>
-
-<p>
-But to all and everything he urged the Captain
-had only one answer, Cyril must accept his offer, and
-then all would be well with him.
-</p>
-
-<p>
-The boy, however, although greatly tempted to
-dissemble for a while and pretend to comply with
-the Captain's wishes until they reached a more
-civilised place where he might gain succour,
-remained firm.
-</p>
-
-<p>
-So did the Captain. At the break of day
-he and the men breakfasted without giving one
-morsel of food to the boy. Then they made their
-preparations for leaving the place, which consisted
-mainly in packing up the best of the game and
-deer flesh.
-</p>
-
-<p>
-When they were quite ready to start the Captain
-strode up to Cyril, asking if he had changed his
-mind.
-</p>
-
-<p>
-"No, sir," answered the boy.
-</p>
-
-<p>
-Then the Captain made two of his men lay Cyril
-down in a bunk and tie him to it securely.
-</p>
-
-<p>
-The horrified boy, looking round nervously,
-perceived a snake at the foot of the bunk, and another
-larger reptile at one side of it.
-</p>
-
-<p>
-Was he to be left exposed to their unwelcome
-embraces? Harmless they might be, but most
-unpleasant.
-</p>
-
-<p>
-Vainly he begged and implored for mercy.
-</p>
-
-<p>
-To all and everything he said the Captain's reply
-was always, "Do you change your mind? Will you
-be one of us?"
-</p>
-
-<p>
-"I cannot! Oh, I cannot!" cried the poor boy
-every time.
-</p>
-
-<p>
-Last of all Whiterock came up, and once more
-advised him not to throw his life away.
-</p>
-
-<p>
-Cyril, however, would not yield.
-</p>
-
-<p>
-Then they left him, and going outside mounted
-their horses and rode off.
-</p>
-
-<p>
-There was a great silence in the deserted camp.
-</p>
-
-<p>
-Cyril prayed to God for help.
-</p>
-
-<p>
-Suddenly he felt a cold, slimy body slipping round
-his leg and gliding up his waist. He could not reach
-it with his hands, which were tied to the side of the
-bunk. Shouting at it to frighten it away was not
-of any use.
-</p>
-
-<p>
-With a piercing scream he gave himself up for
-lost and knew no more.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap06"></a></p>
-
-<h3>
-CHAPTER VI.
-<br /><br />
-<i>DELIVERANCE.</i>
-</h3>
-
-<p>
-"Poor little chap!" said a rough but kindly
-voice, as a young man unwound the
-snake from Cyril's body and dashed it
-on the ground. "Pluckier than any of us men
-after all. Here, my lad, drink this." Whilst
-speaking he had unfastened Cyril's collar, and was now
-holding a flask to his lips.
-</p>
-
-<p>
-Opening his eyes Cyril looked with a troubled
-gaze into the man's weather-beaten face. What
-had happened? Slowly he remembered. It was
-the young man called Green, who had tried to
-speak up for him when the others were so angry.
-What was he doing here?
-</p>
-
-<p>
-Green cut away the ropes, and lifting the boy out
-of the bunk carried him away from the gloomy
-place altogether into the sunshine outside. Then
-he laid him down on some long grass, and going
-to his horse, which was tied to a fence near by,
-got a packet of food out of his saddle-bag.
-</p>
-
-<p>
-The sweet, fresh air revived Cyril; the sunshine
-warmed him and did him good. In his heart he
-thanked God for the blessed change.
-</p>
-
-<p>
-As Cyril ate and drank the repentant outlaw
-watched him with hungry eyes. There had been
-a time once when he was an innocent boy like him.
-Ah, well! that was long ago, and the good mother,
-whose pride and joy he had been in those days,
-had been dead for many years. There was no one
-to care so much what he did when she had gone,
-and the tempter enticed him along the downward
-path of idleness and self-pleasing. He had forgotten
-his mother's God, and had turned away his mind
-from all thoughts of Him! That was the beginning
-and the end of all the evil.
-</p>
-
-<p>
-But this boy, Cyril, had done very differently.
-Alone, unarmed, he had been brave in the most
-terrible danger, he had resisted the greatest
-temptation.
-</p>
-
-<p>
-The robber sighed deeply.
-</p>
-
-<p>
-Cyril, looking up, saw two great tears rolling
-down the man's face. He turned his head away
-quickly lest the boy should see them.
-</p>
-
-<p>
-Jumping up he threw his arms round the man's
-neck.
-</p>
-
-<p>
-"You have saved my life," he cried, "and now
-you are in trouble yourself. Yes, I know you are.
-Is there anything I can do? Will you&mdash;will you tell
-me what is the matter?"
-</p>
-
-<p>
-Deeply touched, Green sank down on the grass
-beside Cyril and told him the whole story of his
-life, from the time when, as a child, he said his
-prayers at his mother's knee to the hour when, with
-his companions, he heard Cyril's outspoken
-condemnation of their wicked life.
-</p>
-
-<p>
-"All night long," he said in conclusion&mdash;"all night
-long I've been thinking, thinking as I never thought
-before, and I've made up my mind, lad, that I'll
-try to lead a different life. If I can't earn my
-bread and cheese in future&mdash;well, I'll go without
-it. And I'll ask God's forgiveness for all my
-wrong-doing as long as I've breath in me to ask it."
-</p>
-
-<p>
-After a pause, during which Green sat pondering,
-his horse made an impatient movement, which
-reminded him that they ought to set off.
-</p>
-
-<p>
-"But where shall we go?" asked Cyril wonderingly.
-</p>
-
-<p>
-Green replied that his father still lived, and
-happened to be working in a great saw-mill not
-twenty miles away from where they were. "If we
-go to him," he said, "I know he will get me work
-to do."
-</p>
-
-<p>
-Then Cyril asked if Green could put him in the
-way of returning to England to his friends.
-</p>
-
-<p>
-Green felt very sorry for him as he listened. But
-as Cyril had not nearly enough money, and he had
-very little himself, he did not see how he could
-possibly assist the boy to return home. However,
-the first thing was to get him into a place of safety,
-for the robbers might return when they missed their
-comrade, or possibly, relenting, they might come
-back to liberate Cyril.
-</p>
-
-<p>
-Mounting his horse, therefore, Green took up Cyril
-before him on the saddle and rode off.
-</p>
-
-<p>
-After proceeding about five miles through the
-forest, without any greater adventure than the
-frequent difficulty of finding a path through the dense
-trees, they unfortunately came out into an open
-sandy plain, across which they had not gone far
-before they were perceived by some horsemen who
-happened to be crossing the plain in another
-direction.
-</p>
-
-<p>
-With wild cries the men turned their horses about
-and set off after Green and Cyril.
-</p>
-
-<p>
-It was a most unequal chase. The doubly-laden
-horse could not by any chance escape the pursuers,
-who gained ground every moment.
-</p>
-
-<p>
-Encouraging it by word and by every other means
-in his power Green rode on, but with little hope
-in his heart.
-</p>
-
-<p>
-Nearer and nearer came the pursuers, laughing
-and shouting as their horses flew over the plain.
-</p>
-
-<p>
-"Come, Jack! Jack, old fellow, for pity's sake!"
-cried Green.
-</p>
-
-<p>
-Tossing his head, with flakes of foam flying from
-his mouth, the horse dashed on.
-</p>
-
-<p>
-But still the followers gained a little more.
-</p>
-
-<p>
-"Jack, old fellow!" There was something despairing
-now in Green's appeal to the animal.
-</p>
-
-<p>
-Neighing loudly, as if in answer, the horse galloped
-even faster than before. His hoofs scarcely seemed
-to touch the ground. It was all Cyril could do to
-hold on to his friend.
-</p>
-
-<p>
-"Stop! stop! stop, or we fire!" cried a stentorian
-voice.
-</p>
-
-<p>
-"Jack!" Green's appeal was almost frantic now.
-</p>
-
-<p>
-With a bound the horse responded, plunging
-forward with greater speed than ever.
-</p>
-
-<p>
-A shot rang through the air. Jack swerved heavily
-to one side; then he rolled over dead.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap07"></a></p>
-
-<h3>
-CHAPTER VII.
-<br /><br />
-<i>A FALSE ALARM.</i>
-</h3>
-
-<p>
-The good horse Jack was dead, but neither
-Green nor Cyril were hurt. Fortunately
-for them the last violent movement of the
-animal threw them quite clear of its body.
-</p>
-
-<p>
-"Cowards!" exclaimed Green, rising, and looking
-indignantly through a cloud of dust in the direction
-whence the shot had been fired.
-</p>
-
-<p class="capcenter">
-<a id="img-046"></a>
-<img class="imgcenter" src="images/img-046.jpg" alt="&quot;'Cowards!' exclaimed Green, rising, and looking indignantly.&quot;" />
-<br />
-&quot;'Cowards!' exclaimed Green, rising, and looking indignantly.&quot;
-</p>
-
-<p>
-"Why, Green! Green! They're off!" cried
-Cyril, who was already on his feet. "They're
-off!"
-</p>
-
-<p>
-"Off! Leaving us!"
-</p>
-
-<p>
-Green could scarcely believe his eyes. Instead
-of coming up to seize them the pursuers were
-galloping away.
-</p>
-
-<p>
-"Oh! Look, look!" Cyril pointed in another
-direction.
-</p>
-
-<p>
-A little company of horsemen had entered the
-sandy plain, and were riding rapidly towards
-them.
-</p>
-
-<p>
-"They've scared our enemies. Aye, but we'd
-better be off too," cried Green in alarm.
-</p>
-
-<p>
-"But we needn't run away from these men," said
-Cyril. "They are our friends."
-</p>
-
-<p>
-"Friends? Not they! I should have a bad time
-of it if they caught me," said Green. "You see,
-they're Government men on the look-out for
-train-robbers and horse-stealers. Jack was a stolen
-horse. They'd make short work once they laid
-hands on me. Come on, lad." He caught hold
-of Cyril's hand and set off running back towards
-the forest.
-</p>
-
-<p>
-"But, Green, stop. Let us tell them all. You
-are no outlaw now. You can say you have done
-with all that sort of thing&mdash;that you are repentant!"
-protested Cyril as they ran.
-</p>
-
-<p>
-"That would make no difference. They'd punish
-me for what I've done already."
-</p>
-
-<p>
-Cyril could not help feeling that if he told his
-story to these new-comers they would be sorry for
-him, and would befriend him. But he did not like
-to suggest that he should separate from his
-companion and wait for them.
-</p>
-
-<p>
-Green, however, seemed to be thinking of it
-"They would not believe even you," he said. "You
-see, you'd be found in my company, and they would
-think you were one of us."
-</p>
-
-<p>
-Across the boy's mind flashed the copybook
-precept he had written many a time, "A man is
-known by the company he keeps." And he remembered
-he could give no proof that his narrative
-was true.
-</p>
-
-<p>
-"It's impossible to keep this up," panted Green
-after a while. "I'm dead beat! I can run no
-further."
-</p>
-
-<p>
-The perspiration poured down his red face; he
-was thoroughly exhausted.
-</p>
-
-<p>
-"Nor can I," cried Cyril, who, although more used
-to running than Green, was not in his usual health.
-"Let's give up."
-</p>
-
-<p>
-They stopped short, and timidly, very timidly,
-looked round. They were alone. Not a creature&mdash;neither
-horse nor man&mdash;had followed them. With
-the exception of a few birds not a living thing could
-they see.
-</p>
-
-<p>
-"Why, wherever be they?" exclaimed Green.
-</p>
-
-<p>
-"Where? Where are they?" echoed Cyril.
-</p>
-
-<p>
-There was no answer. Where, indeed, were their
-pursuers? Had the earth swallowed them?
-</p>
-
-<p>
-"Something must have made the new-comers
-fear to attack them after all," said Green. "They
-must have been as afraid of the others as
-t'others was of them! Did you ever know such
-a thing?"
-</p>
-
-<p>
-"And we've been just as bad," said Cyril in a
-tone of disgust, "for we've been running away
-from nobody at all!" He sat down dejectedly on
-a sandhill.
-</p>
-
-<p>
-"Three parties all running away from each other,
-without ever stopping to look round! Well, that
-was mighty queer," cried Green.
-</p>
-
-<p>
-"You were wrong about them being men in pursuit
-of you and your friends," said Cyril.
-</p>
-
-<p>
-"I was indeed. They weren't after us at all. They
-must have been just quiet, peaceable travellers who
-heard the firing, and, being alarmed, made off back
-again as fast as they could!"
-</p>
-
-<p>
-"Well, they saved us, anyway," said Cyril.
-</p>
-
-<p>
-"Yes, that's true enough."
-</p>
-
-<p>
-"But how shall we get on without a horse?"
-</p>
-
-<p>
-"Poor Jack!" sighed Green. "Captain gave him
-to me because I was the means of his getting a
-whole lot&mdash;&mdash;" he stopped abruptly. "What a
-rascal I've been!" he reflected.
-</p>
-
-<p>
-"I'm ravenously hungry," said Cyril.
-</p>
-
-<p>
-"And we've left nearly all our food in the saddlebags.
-But not quite, I've a little here!" Green got
-a packet out of his pocket, and, opening it, disclosed
-some slices of cooked meat.
-</p>
-
-<p>
-"Oh, thank you!" Cyril said, gratefully taking his
-share.
-</p>
-
-<p>
-For a few moments they ate in silence, then Green
-said they must push ahead as fast as possible before
-night came on.
-</p>
-
-<p>
-"But which way shall we take?"
-</p>
-
-<p>
-"Oh, we can't be so very far from the saw-mill
-where my father works, if I could only find the way
-there," said Green.
-</p>
-
-<p>
-However, it turned out that he really did not
-know where they were&mdash;so many turnings had confused
-him. But they could not remain there, and
-so set off walking towards the forest. In the shelter
-of the trees, at least, they would not be so
-conspicuous if the pursuers again came near. Besides,
-Green was certain the saw-mill, which he had once
-been to, was near trees.
-</p>
-
-<p>
-In an hour they found themselves again entering
-the forest, and walking along a broad track made by
-deer or other large animals. It was dark below the
-great pine trees, and before long the shades of
-evening made it still darker.
-</p>
-
-<p>
-"Oh, Green, I can walk no further!" said Cyril at
-length, sinking down at the foot of a tree.
-</p>
-
-<p>
-"Well, I think we're both about tired out,"
-rejoined Green, leaning wearily against another tree,
-and looking down compassionately on the tired boy.
-"We'll stop here, lad, for the night."
-</p>
-
-<p>
-"Yes. But shall we be safe? What about the
-wild animals?"
-</p>
-
-<p>
-"Oh, we must have a fire! There's plenty of
-dry wood about."
-</p>
-
-<p>
-He went forward and began to heap up some
-broken boughs.
-</p>
-
-<p>
-"It won't do to light it here though," he went
-on. "We might set fire to the forest; everything
-is so burnt up."
-</p>
-
-<p>
-"I'm afraid I can't go any further," said Cyril.
-</p>
-
-<p>
-"No, you stay there. I'll just take a look round." He
-walked off as he spoke, and disappeared amongst
-the trees.
-</p>
-
-<p>
-It was very still after he had gone. The twittering
-of birds and the occasional snarl of some wild
-animal, or the breaking of twigs as one stealthily
-approached, were the only sounds to be heard. At
-another time Cyril, who was unarmed, might have
-been nervous had not bodily fatigue overcome every
-other sensation. As it was, by the time Green
-returned to him he was fast asleep.
-</p>
-
-<p>
-"Poor lad, I won't wake him," said the kindly
-man, lifting Cyril in his strong arms, and carrying
-him off as if he were a baby.
-</p>
-
-<p>
-When Cyril awoke an hour later he saw a great
-wood fire burning, and sending up showers of sparks
-into the still night air. He was lying in an open
-space at one side of the fire, and Green was stooping
-down near it, attending to the roasting of a bird.
-</p>
-
-<p>
-"Supper's ready, my lad," he was calling. "And
-a blessing it is I've got some supper for you. Jump
-up."
-</p>
-
-<p>
-"What is it? How did you get it, Green?" asked
-Cyril eagerly, for all at once he felt uncommonly
-hungry.
-</p>
-
-<p>
-"Never mind," said Green briefly, "you eat it."
-</p>
-
-<p>
-He poked it out of the fire, and served it on a
-smooth flat stone. Then he divided it with his
-pocket-knife, handing Cyril the best of it with the
-same useful article.
-</p>
-
-<p>
-The two made a good meal, for the food was very
-welcome. Then they lay down on the ground near
-the fire and were soon fast asleep.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap08"></a></p>
-
-<h3>
-CHAPTER VIII.
-<br /><br />
-<i>GREEN MEETS HIS FATHER.</i>
-</h3>
-
-<p>
-It was scarcely light when Cyril was
-awakened by Green shaking him vigorously.
-</p>
-
-<p>
-"Wake up, lad. Wake up!" he cried. "There's
-something queer near us! Listen."
-</p>
-
-<p>
-Cyril sat up, rubbing his eyes, and heard the
-sound of horses galloping along, and then crashing
-through the brushwood. He saw strange lights
-gleaming through the trees, and now shots were
-fired, and loud and excited voices bewailed the
-escape of some prey.
-</p>
-
-<p>
-"Green," said the boy in a low tone, "are those
-men after us again?"
-</p>
-
-<p>
-"No, no. It's some huntsmen. I see now;
-they're hunting deer with head-lights."
-</p>
-
-<p>
-Even as he spoke one of the lights dashed through
-the bushes up to them, and Cyril saw, to his
-amazement, that it was a lighted lantern strapped on to
-the head of a stout pony. A man with a skin cap
-on his head rode the pony.
-</p>
-
-<p>
-"Hullo!" shouted he, "what's this? What are
-you fellows doing? Camping out, eh?"
-</p>
-
-<p>
-"Of course we are," said Green cautiously. "And
-who may you be?"
-</p>
-
-<p>
-"Oh, we're just a party of men from Ellison's
-saw-mill&mdash;&mdash;"
-</p>
-
-<p>
-"Ellison's saw-mill! That's good hearing!" cried
-Green. "We're on our way there, but have got lost.
-How far off are we now?"
-</p>
-
-<p>
-"About six miles or so. Where are your horses?"
-</p>
-
-<p>
-Green looked embarrassed. Then he said, "We
-fell in with a rough lot&mdash;they shot our horse&mdash;&mdash;"
-</p>
-
-<p>
-"Shot your horse? Had you only <i>one</i>?"
-</p>
-
-<p>
-Before Green could reply, much to his relief two
-or three other men came up, who, after asking a
-few questions, swung themselves from their saddles,
-and, opening their saddle-bags, began to take out
-sundry packages.
-</p>
-
-<p>
-"We might as well have our breakfast here," said
-one. "Any objection to our using your fire to boil
-our kettle, master?"
-</p>
-
-<p>
-"None whatever. Make yourselves at home,"
-answered Green heartily.
-</p>
-
-<p>
-"Any water hereabouts?" asked the man.
-</p>
-
-<p>
-"There's a spring just round those trees, about
-ten yards off."
-</p>
-
-<p>
-"Hurrah! Fetch some, Jem. We'll make coffee.
-You and the lad will join us, stranger?"
-</p>
-
-<p>
-"That's so," replied Green, "and thank you."
-</p>
-
-<p>
-In a quarter of an hour the five huntsmen, Cyril,
-and Green were partaking of a good breakfast,
-consisting of coffee, tinned meat, and bread.
-</p>
-
-<p>
-Cyril learnt from the men's talk that they had
-been hunting all night and had shot two reindeer,
-which some of their party had taken home, whilst
-the others pressed on in search of more. The light
-of the lanterns fastened to their horses' heads
-attracted the deer, who, on coming forward to look
-at it, were shot point-blank by the men.
-</p>
-
-<p>
-The boy thought it a very cruel way of entrapping
-the beautiful creatures, but all the others said it was
-"fine sport."
-</p>
-
-<p>
-Presently the men, who had lingered too long
-over their breakfast, jumped up, and mounting their
-horses rode as fast as they could back towards the
-mill. Very little was said upon the way. One of
-the men took Cyril up behind him, and he found
-it difficult enough to hold on to the saddle he
-bestrode. He had no strength left for talking.
-</p>
-
-<p>
-By-and-by they arrived at their destination&mdash;a
-group of houses and outbuildings, and a huge saw-mill,
-with heaps of timber and roughly-hewn planks.
-</p>
-
-<p>
-The master of the mill, who was a tall man, with
-hair thickly sprinkled with grey, came to the door
-of his office&mdash;a small building at one side of the
-yard&mdash;as they rode up.
-</p>
-
-<p>
-"Well, men?" he said laconically.
-</p>
-
-<p>
-"We've killed two head of deer, that's all," replied
-the spokesman of the party, "and we've picked up a
-man and a boy who were on their way here."
-</p>
-
-<p>
-"Dismount," said the master briefly, addressing
-the strangers.
-</p>
-
-<p>
-Green jumped down and took off his skin cap.
-</p>
-
-<p>
-"Beg pardon, Mr. Ellison, sir," said he, "but can
-you tell me, is Josh Davidson, my father, still living
-here?"
-</p>
-
-<p>
-"Yes," replied the master. "You are his son
-Ben?" he added.
-</p>
-
-<p>
-"That's so," said Green, whose real name was
-Ben Davidson. "Can I see him?"
-</p>
-
-<p>
-The master sent for the prodigal's father. Then
-looking at Ben, he said inquiringly&mdash;
-</p>
-
-<p>
-"Turned over a new leaf?"
-</p>
-
-<p>
-"Yes," Ben nodded. His face was very red, and
-great tears were in his eyes. The man before whom
-he stood knew all about him. He knew of the
-shameful years of robbery and violence; he knew
-of the father's broken heart.
-</p>
-
-<p>
-Suddenly the saw-miller laid his hand on Ben's
-shoulder.
-</p>
-
-<p>
-"Go meet him, lad," he said. "See, he's crossing
-the yard."
-</p>
-
-<p>
-Ben hurried out. The two in the office heard a
-great glad cry&mdash;
-</p>
-
-<p>
-"My son! My son! 'He was dead, and is alive
-again. He was lost, and is found!' Thank God.
-Oh, thank God!"
-</p>
-
-<p>
-"Now," said Mr. Ellison to Cyril, "tell me who
-you are. Do you belong to that man?"
-</p>
-
-<p>
-"No, sir; oh, no!"
-</p>
-
-<p>
-"Then how came you to be here with him?"
-</p>
-
-<p>
-Cyril looked up into the man's grave, kind face.
-He wanted to tell him all that had befallen him
-since the time that he sat by his father's side in
-the train going northwards from Menominee, but
-remembered that he must not betray the ex-robber.
-And although it was evident Mr. Ellison knew
-something of the latter's wrong-doing, Cyril was
-not aware how far that knowledge extended.
-</p>
-
-<p>
-A shade of sternness crept over Mr. Ellison's face
-as he noticed the boy's hesitancy.
-</p>
-
-<p>
-"Well?" he said impatiently.
-</p>
-
-<p>
-Cyril was greatly perplexed. How much could
-he tell the saw-miller without compromising the
-man who had saved his life?
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap09"></a></p>
-
-<h3>
-CHAPTER IX.
-<br /><br />
-<i>AT THE SAW-MILL.</i>
-</h3>
-
-<p>
-"It was in a train. It was attacked by
-rough, cruel men, and one of them killed
-my father."
-</p>
-
-<p>
-Cyril's voice shook as he spoke, and for a moment
-he paused.
-</p>
-
-<p>
-"I fell into the hands of the men, and they
-were leaving me to die, when Green&mdash;I mean Ben
-Davidson, rescued me."
-</p>
-
-<p>
-"Ah! Just so! Well, I won't ask you questions
-about that. But say, what is your name? Where
-do you come from?"
-</p>
-
-<p>
-"My name is Cyril Morton. My father was an
-English gentleman, with an estate in Cornwall.
-We came to this country in search of my uncle,
-Gerald Morton. Have you ever known him, do
-you think?"
-</p>
-
-<p>
-Cyril asked the question with sudden eagerness.
-Who was so likely as the great saw-miller to know
-a sojourner in those parts?
-</p>
-
-<p>
-The saw-miller shook his head. "Ours is an
-immense country," he said. "Unless you have some
-clue to his whereabouts I'm afraid you won't be
-likely to find that uncle of yours, my boy."
-</p>
-
-<p>
-"Then, if you please," said Cyril, "can you help
-me to return to my friends in England?"
-</p>
-
-<p>
-The saw-miller said nothing. He looked
-discouragingly at the boy.
-</p>
-
-<p>
-"You see," said Cyril, "I've scarcely any money
-with me. But my father had plenty. When I get
-back to England I shall just go to Mr. Betts, our
-lawyer, and get him to send your money back, with
-interest&mdash;that is, if you will be so very kind as to
-lend me some."
-</p>
-
-<p>
-"Just so," said the saw-miller. "But how can a
-little chap like you travel all those thousands of
-miles alone? No, no, my boy, it's not so easily
-done."
-</p>
-
-<p>
-"But I must return home," protested Cyril.
-</p>
-
-<p>
-"Yes, of course. All in good time. But you
-must wait here until someone going to Chicago
-comes this way."
-</p>
-
-<p>
-"But&mdash;&mdash;" began Cyril.
-</p>
-
-<p>
-"Now, I can't argue with you, boy," said the
-saw-miller shortly. "You're very welcome to stay
-here with us until it's convenient to send you
-along to England. More than that I cannot do
-for you."
-</p>
-
-<p>
-He touched the bell.
-</p>
-
-<p>
-"Thank you," said Cyril, "but&mdash;&mdash;"
-</p>
-
-<p>
-"Jim, take this youngster to the cook," said
-Mr. Ellison to his errand-boy, "and tell him to give
-the lad something to eat and drink."
-</p>
-
-<p>
-"Yes, boss. Come along." The last two words
-were addressed to Cyril, who followed him from the
-office immediately.
-</p>
-
-<p>
-The boy conducted Cyril into a large room in the
-great house where the master saw-miller lived with
-such of his men as were unmarried. Then a man
-wearing a white cap placed a dish of hot meat,
-bread, and coffee before him, at one end of a very
-long table.
-</p>
-
-<p>
-Just as Cyril was sitting down to the meal Ben
-and his father entered, and came quickly towards
-him.
-</p>
-
-<p>
-"Here he is, father. Here is the boy whose
-brave true words spoke a message from heaven to
-my soul," said Ben.
-</p>
-
-<p>
-The old man laid a hard but gentle hand on
-Cyril's head.
-</p>
-
-<p>
-<a id="p62"></a>
-"God bless you!" he said fervently; "God bless
-you!"
-</p>
-
-<p>
-"Thank you," said Cyril in a low tone. He felt
-very glad to think he had done so much good, but
-it was a little embarrassing too; so he hastened
-to speak of other things. "Green&mdash;I mean Ben,"
-said he, "aren't you going to have some breakfast?
-Oh, yes, here comes the cook with another plate."
-</p>
-
-<p>
-The man with the white cap laid the plate before
-Ben, regarding him curiously as he did so.
-</p>
-
-<p>
-After he had gone the old man spoke. "Ben,"
-he said, "my son, you've repented; yes, but the
-consequences of your wrong-doing remain. Your
-band has done a good deal of mischief in this
-neighbourhood, and at any moment you may be
-recognised. You'll have to be disguised in some
-way."
-</p>
-
-<p>
-"I'll shave my beard and whiskers off, and you
-must cut my hair quite close, father," said Ben.
-"Then if you'll kindly get me some clothes like
-yours, you'll see I shall look very different. If
-any of my old associates ever come this way, it
-must be quite impossible for them ever to recognise
-me."
-</p>
-
-<p>
-"Aye, my lad. What would that desperate Captain
-do if he came across you?"
-</p>
-
-<p>
-"Shoot me as soon as think of it," replied his
-son.
-</p>
-
-<p>
-Cyril trembled. From what he had seen of the
-Captain he was sure it would be so. "But these
-saw-millers are very powerful, Ben, aren't they?"
-he asked. "They couldn't easily be overcome, could
-they?"
-</p>
-
-<p>
-"Not likely," Ben answered, "if it came to a fair
-fight."
-</p>
-
-<p>
-After the meal was over Ben shaved, and his
-father cut his hair quite close to his head. Then
-he dressed in the rough garments worn by the
-men at the saw-mill. His transformation was so
-complete that even Cyril did not know him when
-he returned to the big room.
-</p>
-
-<p>
-Then, and not till then, did the old man take
-him to the master.
-</p>
-
-<p>
-A little later in the day, when Cyril had been
-shown over all "the works," and had seen the
-different operations whereby great forest trees were
-sawn into boards, smoothed, planed, and piled up
-in mighty heaps ready for transportation, he learnt
-that Mr. Ellison had been very kind to Ben, and
-had engaged his services, that he might remain
-there and work with his father. The old man was
-most pleased and thankful; and his son and he
-made very much of Cyril, and were never tired of
-telling him how grateful they were to him for being
-the means of their present happiness. The boy did
-not like to disturb and distress them by letting
-them know of his own bitter disappointment in not
-being assisted at once to return to England.
-</p>
-
-<p>
-Mr. Ellison was very kind to him in other ways.
-He allowed him to sleep in a tiny room opening
-into his own bedroom, and at meal times Cyril's
-plate was always set near the master's.
-</p>
-
-<p>
-"He's a little gentleman," said the rough
-saw-miller; "he shall sit near me."
-</p>
-
-<p>
-Sometimes, when "the boss" was resting, he would
-talk kindly to Cyril, explaining to him all about the
-wonderful work which went on in the heart of that
-strange, wild land.
-</p>
-
-<p>
-"You would never think, lad," said he, "that
-houses built in London, York, Sheffield, Liverpool,
-and so on, in the old country, are floored and partly
-'run up' with boards made of our forest pines. Yet
-it is so; our timber goes to the wood markets of old
-England."
-</p>
-
-<p>
-Then he related graphically how large parties of
-men, called lumberers, came over to Michigan and
-Canada just before the long winter and set up great
-camps, at which they lived a hard, rough life, going
-out long before light on intensely cold winter mornings
-to fell the giant pine trees, and returning early
-in the evenings to eat and sleep heavily until it was
-again time to go to work. In the winter months
-when the ground was covered with snow and ice the
-forest would resound with the blows of the axe, and
-the trees would lie prone on the ground until they
-were chained together into rough sleighs and dragged
-over the frozen snow to the banks of the frozen rivers.
-There they would lie waiting until the spring, when
-the ice would melt, and the timber would be slipped
-into the river and borne by the force of the current
-on, on, for many miles until it reached its destination.
-</p>
-
-<p>
-"Yes," he said, "our timber comes floating down to
-us on our river. We stop it when it reaches us, and
-saw it up as you have seen. Afterwards the same
-river bears it away towards its distant market."
-</p>
-
-<p>
-"Then the river is your road, your railway, and
-everything," said Cyril.
-</p>
-
-<p>
-"Yes. And we make the water serve us doubly.
-It is our carriage or boat, as well as our road or
-river." And then Mr. Ellison told him of greater
-wonders still, of timber being formed into gigantic
-rafts, these "shooting the rapids" and being "tugged"
-across lakes by steamers.
-</p>
-
-<p>
-It was all very wonderful; Cyril was deeply
-interested. But still he longed to leave that marvellous
-country to return to his friends and his father's friends
-in old England.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap10"></a></p>
-
-<h3>
-CHAPTER X.
-<br /><br />
-<i>ATTACKED BY BEARS.</i>
-</h3>
-
-<p>
-"Cyril! Cyril! Where are you?" called
-Mr. Ellison one morning.
-</p>
-
-<p>
-"Coming," answered Cyril, from the
-top of a huge pile of logs. He had found a comfortable,
-sheltered seat up there, which he called his
-"retreat," and, though it was hard to climb up to
-it, he often sat there, thinking about England and
-the father he had lost. That morning he felt more
-sorrowful than usual, and his eyes were red and
-swollen when at last he reached Mr. Ellison's side.
-</p>
-
-<p>
-The saw-miller was standing in the middle of the
-yard, looking at a pretty black pony which a strange
-man was holding by the bridle.
-</p>
-
-<p>
-"Good. You shall have your price," said the
-saw-miller. "Now, my lad," he added, turning to
-Cyril, "can you ride?"
-</p>
-
-<p>
-"Yes," replied the boy at once, "I have a pony
-at home." He looked sad as he thought what a long
-way off that was.
-</p>
-
-<p>
-"Well, this shall be your pony then," said
-Mr. Ellison, smiling; "Blackie&mdash;that's his name&mdash;is for
-you. I've just bought him for you."
-</p>
-
-<p>
-"Oh, thank you, thank you! How very kind!"
-exclaimed Cyril delightedly. "Blackie! Woa, my
-beauty!" He stroked the pretty creature, patting
-his arched neck.
-</p>
-
-<p>
-"Well, sir, take him&mdash;take him!" said the man,
-slipping the bridle into Cyril's hand. "I guess you
-may ride him bare-back, or any way you like. He's
-quiet enough, you'll find."
-</p>
-
-<p>
-The pony had no saddle on, and Cyril did not
-wait for one to be brought. Jumping lightly on
-Blackie's sleek, bare back, he trotted quickly round
-the yard. His pleasure in the welcome gift, and
-the pleasant movement through the clear, frosty air,
-brought a bright colour to his cheeks. He sat erect,
-and the dark skin cap Mr. Ellison had given him
-contrasted with his fair, curly hair, and made his face
-appear brighter than ever.
-</p>
-
-<p>
-Mr. Ellison looked admiringly at the boy. He had
-no child of his own. His wife had long been dead.
-He was all alone. Like the Captain of the brigands
-he thought it might be well for him to adopt Cyril,
-and so felt less inclined than before to hasten his
-departure to England.
-</p>
-
-<p>
-Certainly after that day the boy seemed happier
-and more settled. He was generally on Blackie's back,
-trotting about all over the place, and often riding
-some distance into the forest on the roads made by
-the lumberers. Blackie was a capital companion.
-When Cyril was not riding him he followed his young
-master about like a dog. Sometimes Cyril found
-himself talking to the animal as if it could understand
-him. He told Blackie about his distant home in
-England, and his great wish to return to it, even
-though no kind father would be there now to welcome
-him. And sometimes as he talked his tears dropped
-down over Blackie's head, upon which the pony
-would poke his nose quietly against the boy's
-shoulder.
-</p>
-
-<p>
-One day when Cyril was alone with Blackie in a
-part of the forest where the trees had just been felled,
-about two miles from the saw-mill, he saw something
-which made him throw himself from his saddle and
-run to the rescue. A baby bear had been entrapped
-by a falling tree, one branch of which lay over one of
-its hind legs, which was broken. The poor beast's
-moans were pitiful, but when Cyril approached it
-snarled at him fiercely.
-</p>
-
-<p>
-The boy found, to his distress, that he could not
-move the heavy bough, and he was just stooping over
-it, preparatory to making another tremendous effort
-to do so, when an angry growl behind him caused
-him to look round quickly.
-</p>
-
-<p>
-Close by him was the young cub's dam, in a
-towering rage, one mighty paw upraised to strike
-him down.
-</p>
-
-<p>
-Cyril thought his last hour had come. Having
-no weapon with him, he was quite defenceless. The
-bear, imagining he had injured her offspring, was
-bent upon killing him.
-</p>
-
-<p class="capcenter">
-<a id="img-070"></a>
-<img class="imgcenter" src="images/img-070.jpg" alt="&quot;The bear was bent upon killing him.&quot;" />
-<br />
-&quot;The bear was bent upon killing him.&quot;
-</p>
-
-<p>
-One moment she towered over him, a huge, grey
-monster; then, just as he was breathing a prayer
-to his Heavenly Father for the help which in his
-heart he despaired of, a voice cried loudly&mdash;
-</p>
-
-<p>
-"Drop on your face, lad! Down on your face,
-and let me get a shot at her."
-</p>
-
-<p>
-Cyril flung himself down as he was bidden; the
-bear growled again fiercely, and turned to look at
-the intruder.
-</p>
-
-<p>
-A shot rang through the air, another, and yet
-another.
-</p>
-
-<p>
-With an anguished snarl the bear dropped down
-beside her young one, mortally wounded.
-</p>
-
-<p>
-Cyril jumped up to look in the face of his deliverer.
-It was Mr. Ellison, who had come up just in the nick
-of time.
-</p>
-
-<p>
-"Eh, my lad," said the saw-miller with emotion,
-"you had a narrow escape that time."
-</p>
-
-<p>
-"Thank you&mdash;oh, thank you for saving my life!"
-cried Cyril.
-</p>
-
-<p>
-The saw-miller sat down on a fallen tree to rest
-for a minute. "You must have the skin," he said,
-trying to speak coolly, though his voice still shook
-with emotion.
-</p>
-
-<p>
-"But look at the poor little one! I believe it's
-dying. Oh, do look!" exclaimed Cyril.
-</p>
-
-<p>
-The young bear was indeed expiring. As Cyril
-bent over it another large bear, with a terrific growl,
-rushed upon the scene.
-</p>
-
-<p>
-Mr. Ellison's weapon was unloaded now. They
-were quite defenceless. The bear had the deaths
-of his poor mate and their cub to avenge. He was
-full of fury.
-</p>
-
-<p>
-The saw-miller looked fixedly at the beast, trying
-to cow it with his eyes; but the bear's eyes were
-turned in the direction of Cyril. With a low growl
-it watched him angrily.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap11"></a></p>
-
-<h3>
-CHAPTER XI.
-<br /><br />
-<i>CYRIL SPEAKS UP FOR THE INDIANS.</i>
-</h3>
-
-<p>
-As Cyril looked round hastily he perceived
-Mr. Ellison's box of matches, with which
-he had just been lighting his pipe, and at
-the same moment the thought flashed across his
-mind that fire was a mighty power. Perhaps the
-bear could by its means be scared away.
-</p>
-
-<p>
-Suddenly he snatched up the match-box, struck a
-light, and applied it to the dry leaves and withered
-boughs beside him.
-</p>
-
-<p>
-An instant conflagration was the result. A wave
-of fire leaped up between them and the bear.
-</p>
-
-<p>
-The beast, snarling, drew back a yard or so, then
-sat up watching the flames with much distrust.
-</p>
-
-<p>
-"Bravo, lad!" shouted Mr. Ellison, stirring up
-the fire and spreading it out between them and the
-bear, which retreated still further, with a prolonged
-growl.
-</p>
-
-<p class="capcenter">
-<a id="img-074"></a>
-<img class="imgcenter" src="images/img-074.jpg" alt="&quot;The bear retreated still further with a prolonged growl.&quot;" />
-<br />
-&quot;The bear retreated still further with a prolonged growl.&quot;
-</p>
-
-<p>
-That fire saved two lives. It did not spread very
-far, because the trees were felled and piled up in
-places, ready to be removed. But it answered its
-purpose. The bear was driven off, and the
-saw-miller and Cyril returned home in safety.
-</p>
-
-<p>
-Mr. Ellison had the skin of the she-bear dressed
-and cured for Cyril. He lavished favours upon the
-boy, and thought of him almost as his own son;
-only in regard to the matter of sending him to
-England he was stern, unyielding. Why could not
-Cyril give up the wish and remain with him? But
-Cyril thought longingly of the old country. If he
-could only get there, and could tell Mr. Betts, the
-lawyer, everything that had happened, that gentleman
-might be able to find out what his father's
-ultimate fate had been.
-</p>
-
-<p>
-One morning, just before the long winter
-commenced, half a dozen poor Indian women (squaws
-they were called) came to the saw-mill with three
-ponies laden with goods they wished to sell to the
-men.
-</p>
-
-<p>
-It happened to be the dinner hour, and a number
-of young fellows were crossing the yard on
-their way to the house when they saw the poor
-Indians. They shouted merry greetings and laughed
-boisterously.
-</p>
-
-<p>
-"Now we shall have some fun," said they.
-</p>
-
-<p>
-"What sort of fun?" asked Cyril, who happened
-to be near.
-</p>
-
-<p>
-"Oh, you will see," was the answer. "They are so
-simple, these queer-looking squaws."
-</p>
-
-<p>
-Cyril did see, and very indignant he became.
-</p>
-
-<p>
-The poor squaws had brought warm wool mittens
-and skin caps, for which they asked a fair price, and
-hoped to do a good business. But the squaws had one
-great weakness, and the men at the saw-mill knew
-it well. They could not refuse a glass of beer, and
-they were so unused to it and so constituted that a
-very small quantity of alcohol completely upset
-them. Even one glass of beer would make them
-quite foolish.
-</p>
-
-<p>
-The young men therefore refused to trade with
-them until they had refreshed themselves, as they
-called it, with a little beer. After that they easily
-persuaded the Indians to part with their goods
-for the most trifling sum, in some cases for only
-another glass, or perhaps two, of beer.
-</p>
-
-<p>
-Cyril looked on in amazement. Would no one
-interfere? Were these men who were trading on the
-folly and sin of a few poor women?
-</p>
-
-<p>
-"Oh! Davidson, see," cried Cyril, "that fellow,
-Jem, is trying to get one of their ponies now!
-That poor woman will be quite ruined! Just look
-at her."
-</p>
-
-<p>
-Davidson had no objection to looking; but "I
-can't interfere," said he slowly. "It's a shame,
-though I can't help it."
-</p>
-
-<p>
-Cyril's colour rose. If no one would venture to
-interfere&mdash;well, he must do it himself. Davidson,
-glancing at him, read his thought, and laid a
-detaining hand upon his shoulder.
-</p>
-
-<p>
-"You mustn't speak," he said. "The man
-wouldn't stand it&mdash;least of all from a little fellow
-like you."
-</p>
-
-<p>
-Cyril's eyes flashed. "I may be small," said he,
-"but right is right, and must&mdash;<i>must</i> triumph," and he
-ran forward, crying out aloud, "Stop! Stop! Stop!
-You're not acting fairly!"
-</p>
-
-<p>
-Half an hour later, when Cyril lay on his hard,
-straw mattress in his little bedroom, aching and sore
-all over from the rough treatment he had met with,
-he did not think the right had triumphed at all, and
-he sobbed his heart out there in his loneliness and
-despair.
-</p>
-
-<p>
-The men would not brook interference. What
-their master and old Davidson dare not attempt
-the boy, armed only with his consciousness of right,
-had ventured upon doing. The consequences were
-grievous to himself, and might have been fatal if it
-had not been for the Davidsons, aided by their
-master, who suddenly opened his office door for them
-to rush into with the boy. There were no police
-within many miles of the lonely saw-mill. The
-master ruled alone over the lawless roughs who, in
-a great measure, composed his staff.
-</p>
-
-<p>
-The occurrence of that morning made Mr. Ellison
-see that the saw-mill was not a safe home for such a
-boy as Cyril. He began to think of plans for
-sending him back to England. Unfortunately, however,
-the sky was already black with threatening
-snow-storms; the weather would probably be such that it
-would be impossible to take Cyril thirty miles to the
-nearest station. And then, he had been so cuffed
-and knocked about by the men, it was most likely
-that he would be ill.
-</p>
-
-<p>
-The idea of that made the saw-miller go back to
-Cyril's bedside.
-</p>
-
-<p>
-"Are you any better, my lad?" he asked
-anxiously.
-</p>
-
-<p>
-Cyril could scarcely say he was; all his bruises
-smarted, and his bones ached. He looked up at
-Mr. Ellison without speaking.
-</p>
-
-<p>
-"I'm sorry this has happened," said the latter, very
-feelingly.
-</p>
-
-<p>
-"Oh, it doesn't matter about me," said Cyril
-quickly. "I don't mind being knocked about a bit.
-But the pity is that it has done <i>no good</i>&mdash;no good,"
-and he sighed deeply, thinking of the hard, cruel
-hearts of the men, and the wrongs of the poor
-Indian women.
-</p>
-
-<p>
-"You can't say that," said the master, "you can't
-say that. Some of the men will feel ashamed when
-they think over what happened. They will see you
-were in the right, and&mdash;well, I fancy the next time
-the poor squaws come they will not be treated so
-badly."
-</p>
-
-<p>
-"If that is so," said Cyril, smiling in spite of his
-pain, "I shan't mind having been knocked about a
-little, Mr. Ellison."
-</p>
-
-<p>
-The saw-miller looked at his bright, if discoloured,
-face, and felt it hard to say the next words. "I've
-made up my mind, my lad; you shall go straight
-away to England as soon as it can be arranged."
-</p>
-
-<p>
-Cyril was very glad to hear that. It comforted
-him immensely in his pain to think that he might
-soon be on his way home.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap12"></a></p>
-
-<h3>
-CHAPTER XII.
-<br /><br />
-<i>A JOYFUL MEETING.</i>
-</h3>
-
-<p>
-Cyril was ill for several weeks after the
-assault upon him by the angry men at
-Mr. Ellison's saw-mill. When at last he
-crept out of his bedroom, looking pale and thin,
-winter had begun in good earnest, and the rough
-roads through the forest were quite impassable.
-The snow was coming down as if it never meant
-to stop, and the keen, cold wind blew it in great
-drifts on every side.
-</p>
-
-<p>
-Whilst Cyril lay ill on his hard mattress two
-travellers going south to Chicago had called at the
-saw-mill; with either of them he might have travelled
-had he been well enough to do so. It was all very
-trying, and sometimes the boy was inclined to
-murmur at the cruel results which had followed
-his well-meant attempt to defend the cause of the
-poor Indians. But then again he was reassured, as
-his constant attendant, old Davidson, told him of
-first one and then another of the men having
-expressed contrition about their treatment, not only
-of the boy, but also of the poor Indian women.
-It had never struck them before, they said, that
-it was wrong to cheat a redskin. Until the
-English boy stood up and called their conduct
-monstrous it had seemed quite the proper thing.
-They had bitterly resented being corrected, and
-had beaten their monitor for doing it, but afterwards,
-as Mr. Ellison had foretold, they saw that
-he was in the right. Under the influence of these
-better feelings they were easily led by the Davidsons
-to unite in sending Cyril a message that they
-apologised for thrashing him, and promised that in
-future they would respect the rights even of poor
-Indians.
-</p>
-
-<p>
-The thought of all this greatly consoled Cyril, and
-helped him to bear patiently his pain and weakness,
-and the disappointment about his delayed return
-home.
-</p>
-
-<p>
-When at last he was strong enough to travel,
-and the roads were not so bad, no one happened
-to be going south, and Mr. Ellison really could not
-send him just then. As the time went on, therefore,
-he felt very sad and lonely.
-</p>
-
-<p>
-One evening, however, as he sat musing sorrowfully
-in the men's sitting-room&mdash;his heart too sore
-to allow him to join in the usual fun&mdash;he heard
-the sound of approaching horses clattering over the
-frozen yard. Then there was a loud rap at the door,
-followed by many others, louder and louder still,
-as the person outside endeavoured to make himself
-heard within the house.
-</p>
-
-<p>
-Mr. Ellison strode to the door and threw it open.
-</p>
-
-<p>
-"Who is there?" he demanded.
-</p>
-
-<p>
-"I have come in search of&mdash;" began a rich,
-courteous voice.
-</p>
-
-<p>
-"Father!" The cry, so joyous, so eloquent with
-tenderness, rang through the room. Then Cyril flew
-across the boarded floor and flung himself into the
-open arms of the new-comer.
-</p>
-
-<p>
-"Oh, father! father! father!"
-</p>
-
-<p>
-"My dear boy! My Cyril! Thank God! Oh,
-thank God!" and the tall, fur-clad man in the
-doorway clasped his child to his heart.
-</p>
-
-<p class="t3">
-* * * * * *
-</p>
-
-<p>
-"But, father," asked Cyril an hour later, as they
-sat together talking in his little bedroom, which
-Mr. Morton had obtained Mr. Ellison's permission
-to share with his son that night&mdash;"but, father, I can
-understand your coming round after everyone had
-thought you dead, and also your having quite a long
-illness after that, but I don't know yet how it was
-you found me. Why have you not told me that,
-father dear?"
-</p>
-
-<p>
-"We have been so very happy, Cyril, for this
-last hour, and that is a sad story. Must you hear
-it to-night, my boy? Can you not wait till
-to-morrow?"
-</p>
-
-<p>
-"Oh! tell me now, please," said Cyril wistfully.
-</p>
-
-<p>
-"Very well, my boy." But the father sighed.
-"You know the police were busy a long time,
-trying to find the scoundrels who attacked the
-train. They did so at last, and after a desperate
-fight some of them were secured. They were tried
-in the police-court in Menominee, where I and
-some others had to bear witness against them. It
-was proved that two of them had been guilty of
-murder. The captain was one and Whiterock, the
-man who attacked me, was another."
-</p>
-
-<p>
-"But, father, Whiterock didn't kill you after all!"
-said Cyril quickly.
-</p>
-
-<p>
-"No, not me. But unfortunately he killed someone
-else, and he was condemned to die. Shortly
-before the hour of his death the prison chaplain
-sent me a note to tell me that the criminal, Whiterock,
-greatly desired to see me. Of course I visited
-his cell as soon as I could. Then Whiterock told
-me that he wished to do one just deed before he
-died. He had carried you away from the train and
-caused you to fall into the brigands' power; he
-would try to atone for that by telling me all about
-you and where you were."
-</p>
-
-<p>
-"But how did he know&mdash;&mdash;" began Cyril.
-</p>
-
-<p>
-"Oh, he said he and his party generally got to
-hear all that they wanted to know about people.
-You and the man who left them had not been here
-very long before they were aware of it. However,
-it did not suit their purpose to molest either of you,
-although they meant to punish their renegade
-comrade at some future date. I was deeply
-thankful to know that you were here in safety, and
-I came for you as soon as I could. Whiterock
-left this message for you, Cyril&mdash;'Tell your son,'
-he said, 'that I've found at last that honesty <i>is</i>
-the best policy. And tell him, too, that he did
-right to speak those brave, true words to us, and
-right, too, not to pretend, even for an hour, that
-he could be one of us&mdash;villains.'"
-</p>
-
-<p>
-"Poor Whiterock," said Cyril softly. "He saved
-my life once, father! He was good to me then."
-</p>
-
-<p>
-"We will only think of that," said Mr. Morton,
-"and of his kindness in telling me where I might
-find you. And now, my boy, we must go to bed.
-To-morrow, as I have had to give up my fruitless
-search for your uncle, we will start for home."
-</p>
-
-<p>
-"Home," murmured Cyril, as his head touched
-the pillow, "with father," and he fell asleep. A
-smile rested on his face. He was a happy boy.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap13"></a></p>
-
-<h3>
-CHAPTER XIII.
-<br /><br />
-<i>LEAVING THE SAW-MILL.</i>
-</h3>
-
-<p>
-"This is very awkward! Very!" exclaimed
-Mr. Morton the next day, when, on
-joining his host at the great breakfast-table,
-he heard that his guide of the day before
-had changed his mind about returning with him
-to the nearest railway station, twenty miles away.
-The man wished to remain at the saw-mill, having
-found an old mate there.
-</p>
-
-<p>
-"I can do with him very well," said the saw-miller,
-"as I am rather short of hands just now.
-All the same, I don't wish to take the fellow from
-you."
-</p>
-
-<p>
-"Well, of course, I engaged him to guide me
-here and back, and I can make it worth his while
-to return with me."
-</p>
-
-<p>
-"Oh, I'll compel him to do that, if you like!"
-said Mr. Ellison. "But you might find him a bit
-nasty. I know the man, who has been here before;
-he has an ugly temper."
-</p>
-
-<p>
-"Then we are better without him. After all,
-I believe I can remember the way; we can scarcely
-call it a road. It is in nearly a straight line, is it
-not?"
-</p>
-
-<p>
-"Yes, for about half the distance. Then you
-come to a place where the track, or way, branches
-out in two directions. You must take the turn to
-the right&mdash;you'll remember right's right&mdash;and go
-straight on. There is no difficulty."
-</p>
-
-<p>
-"Well, then, I'll dispense with Smith's services."
-</p>
-
-<p>
-"I should if I were you. It's nice weather, clear
-and frosty, the snow as hard as any road. You'll
-find your horses, animated by the fine exhilarating
-air, will gallop over it splendidly."
-</p>
-
-<p>
-"Will you sell me a mount for the boy?" asked
-Mr. Morton.
-</p>
-
-<p>
-"He has his own pony. Of course he will take
-that."
-</p>
-
-<p>
-"May I?" asked Cyril eagerly. "Oh, Mr. Ellison,
-may I really take Blackie?"
-</p>
-
-<p>
-His eyes shone with delight. He had been
-thinking that morning how hard it would be for him
-to leave his dear pony, notwithstanding his great
-happiness.
-</p>
-
-<p>
-"Why, of course, Cyril. The pony is your own.
-I gave it to you long ago," answered Mr. Ellison.
-</p>
-
-<p>
-"And he's such a stunning pony, father. He
-follows me like a dog, and he's never tired; he
-goes like the wind. And such a beauty! There
-isn't one like him in England, I'm sure; at least,
-I don't think there can be."
-</p>
-
-<p>
-"I must see him," said his father. "You've been
-very kind to my boy," he added gratefully to the
-saw-miller.
-</p>
-
-<p>
-The big man laid his hand on Cyril's head as
-he sat beside him. "I would give half of all that
-I possess," he said to Mr. Morton, "to have a boy
-like him. My wife and infant son died thirteen
-years ago," he added rather huskily.
-</p>
-
-<p>
-Mr. Ellison grasped his hand. "I have lost Cyril's
-mother too, for a time," he said very softly.
-</p>
-
-<p>
-"A time? What do you mean?"
-</p>
-
-<p>
-"Please God, we shall meet again in a better
-world," replied Mr. Morton in low tones full of
-deep feeling.
-</p>
-
-<p>
-"Ah, you are a happy man!" said the saw-miller,
-so low that no one else could hear. "It's all plain
-sailing with you. You'll get to heaven, I've no
-doubt. But with me it's very different. It's a
-rough life this of mine, trying to wrest a living
-out of the heart of the forest, far from any help of
-religion or even civilisation; I try to keep straight,
-but&mdash;&mdash;"
-</p>
-
-<p>
-"I know you do," exclaimed Mr. Morton. "You've
-been so good to my boy. You know our Lord's
-words, 'Inasmuch as ye have done it unto one of the
-least of these My brethren, ye have done it unto Me.'"
-</p>
-
-<p>
-The saw-miller's eyes filled with tears of surprise
-and joy; he brushed his hand across them hastily
-lest they should be seen. At heart he was a very
-humble man, although he had to appear stern and
-proud to the men, who, generally, obeyed him as if
-he were a sort of king over them.
-</p>
-
-<p>
-"And you are not really alone," continued Mr. Morton,
-still speaking in the low tones which could
-not be heard by the others at the table. "Although
-you have no outside spiritual aids, no place of
-worship, and no clergyman, you have the promise,
-'Lo, I am with you always.'"
-</p>
-
-<p>
-"But was that meant for me?" asked the saw-miller.
-"I always thought that was only meant for
-the parsons."
-</p>
-
-<p>
-"It was meant for everyone who, in all future
-times, should endeavour ever so humbly to tread in
-the steps of our great Exemplar, the Lord Jesus
-Christ."
-</p>
-
-<p>
-That was all that passed just then. The "boss"
-was obliged to turn to his men, and dismiss them
-to their work with a few pointed directions. But
-when Mr. Morton was ready to ride away, after
-having looked round the place where his little son
-had lived so long, thanked the Davidsons for their
-kindness to him, and seen the affectionate way in
-which they and some of the other men parted from
-him, the saw-miller came up hastily and wrung his
-hand, saying, "Good-bye. I can understand now
-how it is Cyril became what he is. I shall think
-of your words after you have gone."
-</p>
-
-<p>
-"Good-bye. God bless you!" said the grateful
-father.
-</p>
-
-<p>
-Cyril threw his arms round the saw-miller's neck
-and kissed him for the first and last time on his
-hard, bronzed face. "Good-bye, dear Mr. Ellison,"
-he said, "I shall write you ever such long letters
-from England. And I'll tell you all about how
-Blackie likes the old country. I can't thank you
-enough for giving me Blackie. I can't indeed." For
-he estimated the gift of Blackie more highly than
-any other kindness the great saw-miller had shown
-him.
-</p>
-
-<p>
-Then he had to follow his father, who had
-already ridden on, and the saw-miller stood looking
-after them until they were out of sight among the
-trees.
-</p>
-
-<p>
-"I'm afraid, boss," remarked Ben Davidson, meeting
-him as he crossed the yard to his office, "that
-we shall have snow again, after all, before long. It
-has begun to grow darker during the last five
-minutes," and he scanned the sky with a troubled
-face.
-</p>
-
-<p>
-"Well, I hope it won't come until they have
-arrived at the station. I did not think there would
-be snow, or I should not have allowed them to go,
-although Mr. Morton was most anxious to be off
-home."
-</p>
-
-<p>
-And with these words the saw-miller passed
-into his office, looking disturbed and not altogether
-happy.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap14"></a></p>
-
-<h3>
-CHAPTER XIV.
-<br /><br />
-LOST IN THE SNOW.
-</h3>
-
-<p>
-Mr. Morton and Cyril rode on briskly,
-Blackie keeping up most cleverly with
-the larger horse, until when they were
-about eight miles on their way the snow which
-Ben Davidson had prognosticated began to fall
-heavily and in the most bewildering manner.
-</p>
-
-<p>
-"I never saw such snow in my life!" exclaimed
-Mr. Morton. "It does not come down straight, it
-whirls all about and rises again and beats upon one
-in such a blinding fashion. Stay near me, Cyril, my
-boy. Can you keep your pony up?"
-</p>
-
-<p>
-"Yes, father. He stumbles rather, but he won't
-fall. He's such a good pony, isn't he, father?"
-</p>
-
-<p>
-"Splendid! And you're a capital rider!"
-</p>
-
-<p>
-They pushed on as rapidly as possible, but it soon
-became exceedingly difficult for their horses to
-advance. The newly fallen snow was so much softer
-than the hard iced snow covering the track, it rolled
-into balls under the horse's hoofs, making them
-stumble and flounder sadly. At last Mr. Morton's
-horse fell down, slightly crushing his foot, which he
-had not time to release from the stirrup. He turned
-very white with the pain, and it was a few moments
-before he could extricate himself from the horse.
-Cyril was in an agony of apprehension.
-</p>
-
-<p>
-"Oh, father, are you hurt?" he cried. Then, as
-Mr. Morton made no reply, he jumped off his pony
-and caught hold of him by the arm.
-</p>
-
-<p>
-"I shall be all right soon," his father replied with
-an effort, leaning heavily on him. "My foot is
-sprained, I think. It rather pains me, that's
-all." But he grew pale to the lips.
-</p>
-
-<p>
-His horse stood by, hanging his head and looking
-quite ashamed.
-</p>
-
-<p>
-"My Blackie wouldn't have done that!" cried
-Cyril, and as if the pony understood him he came
-poking his nose into his master's hands.
-</p>
-
-<p>
-All the time the snow was falling fast, whirling
-round, and beating in their faces. It had covered
-the track now, so that except for the opening in
-the trees they could not tell where it was.
-</p>
-
-<p>
-Mr. Morton endeavoured to mount his horse again,
-but in vain. Frightened by his fall and the
-bewildering snow the animal jumped about and would
-not stand still, whilst the pain his master's foot gave
-him when he stood upon it crippled all his efforts.
-</p>
-
-<p>
-Letting go Blackie's bridle&mdash;the pony would not
-stir without him&mdash;Cyril held his father's horse,
-patted his neck, and endeavoured to pacify him, but
-in vain.
-</p>
-
-<p>
-It grew darker; the snow rose in great drifts now,
-and flung itself upon them with stinging force.
-</p>
-
-<p>
-Mr. Morton struggled hard against the faintness
-and drowsiness which was stealing over him. "My
-boy," he said, "it is no use. I cannot ride. The
-horse would only fall again."
-</p>
-
-<p>
-"But, father, what shall we do?" cried Cyril.
-"I've heard of people in this country being buried
-in the snow whilst yet alive, and of their being
-starved to death too."
-</p>
-
-<p>
-"If only there were some shelter!" sighed his
-father, "a hollow tree, or a cave, or something.
-Look round, Cyril, can't you see anything?"
-</p>
-
-<p>
-Cyril endeavoured to look through the snow, but
-could see nothing except snow&mdash;snow in all directions,
-whirling about, drifting high, covering the
-trees till it made them look gigantic cloud-like
-mountains, and piling itself up against them as
-they stood until it really seemed to be trying to
-bury them all alive.
-</p>
-
-<p>
-Tinkle! Tinkle! Tinkle! The sound of sleigh
-bells, proceeding slowly in their direction, was the
-most welcome music to their ears that they had ever
-heard.
-</p>
-
-<p>
-"Thank God!" exclaimed Mr. Morton, making
-a renewed effort to resist the faintness stealing over
-him, "thank God!"
-</p>
-
-<p>
-"Oh, father, it's a sleigh! I know the sound of
-sleigh bells!" exclaimed Cyril, "and there will be
-people, and they will take us somewhere!" In his
-glad excitement he let go of the bridle he was
-holding, upon which the horse immediately turned
-tail and bolted, floundering through the snow.
-</p>
-
-<p>
-"Oh, dear! I couldn't help it!" cried the boy.
-</p>
-
-<p>
-"Never mind; he was of no use. Who&mdash;who is
-coming?" faltered his father, still struggling with the
-deadly weakness.
-</p>
-
-<p>
-"Hullo! Hey! What's up?" exclaimed a sharp,
-girlish voice, as a two-horse sleigh came up with
-frantic plunges and great difficulty on the part of
-the horses. A girl, warmly clad in furs, who was
-shovelling snow off the sleigh with one hand, whilst
-with the other she held the reins, peered through
-her wraps at the obstruction on the road.
-</p>
-
-<p>
-"We've had an accident," answered Cyril, in shrill
-tones of excitement. "We were riding to the station
-at Iron Mountain when my father's horse fell. He's
-badly hurt and faint. <i>My</i> pony didn't fall!" he
-added quickly, in spite of his trouble, still proud of
-Blackie. "But I don't know what to do about my
-father. His horse finished off with bolting, you
-know."
-</p>
-
-<p>
-The girl was staring through the blinding snow
-at Cyril as he spoke. "Why, it's only a child!"
-she ejaculated.
-</p>
-
-<p>
-Cyril thought her rude, and felt hurt she should
-imagine he was small, but that was no time for
-thinking of himself. He was alarmed because his
-father did not speak, though he stood swaying in
-first one direction and then another as the snow beat
-upon him.
-</p>
-
-<p>
-"Bless me!" cried the girl. "We must get your
-dad on my sleigh, though I doubt whether the horses
-can pull him." She jumped off the sleigh as she
-spoke and towered above Cyril, being a fine, tall
-young woman, as she offered her arm to his father.
-"You must rouse yourself, sir," she said commandingly,
-"and get into this sleigh. See! I'll help you!
-Make a great effort. For your life, sir!"
-</p>
-
-<p>
-Her loud voice reached the injured traveller in the
-far-away region into which he seemed to have sunk;
-he made a great effort, and with the help of the girl
-and Cyril succeeded in getting on the sleigh. There
-he sank down unconscious, and the girl pulled a big
-skin rug over him.
-</p>
-
-<p>
-"Now, little one," she cried sharply, "jump on your
-pony and show us what stuff you are made of! If
-you can ride on in front my horses will follow
-you!"
-</p>
-
-<p>
-It was no time to resent the freedom of her speech.
-Cyril knew their lives depended upon getting through
-that terrible snow as speedily as possible.
-</p>
-
-<p>
-"Blackie, Blackie," he cried in his pony's ear. "My
-dear old Blackie, do your best!"
-</p>
-
-<p>
-The pony neighed and struggled on as best he
-could, but it was terribly hard work and he floundered
-about miserably. It was all Cyril could do to stick on.
-Once he thought it would be impossible to do so
-any longer, and looked back.
-</p>
-
-<p>
-Then he saw the girl who had come so opportunely
-to their aid had a still harder task than his. Leaving
-the horses to follow his pony, she was working hard
-with both hands at shovelling the snow off the sleigh,
-which jumped about and jolted up and down owing
-to the plunges of the horses and the drifts of snow it
-encountered.
-</p>
-
-<p>
-"I don't care if she does call me a little one!" said
-Cyril to himself, forgiving her everything at that
-moment. "She's a heroine, a real, splendid
-heroine!" And again he urged Blackie forward.
-</p>
-
-<p>
-He was absorbed in the difficulties of the way, and
-so blinded by the snow that he was quite unconscious
-they had passed the place where the track parted in
-two directions, and were now pursuing the left one
-instead of the right. But the girl knew what she
-was doing, and when at last even Blackie fell on
-his knees and Cyril alighted on his hands and feet,
-unhurt, on the snow and a yard ahead of his pony,
-she called out encouragingly&mdash;
-</p>
-
-<p>
-"It's all right. We're just close to a house.
-You're a brave lad, for all you are so small!"
-</p>
-
-<p>
-Cyril got up, leaving Blackie to recover his feet
-as he could, and made his way to her side.
-</p>
-
-<p>
-"Do you say there is a house?" he asked eagerly.
-</p>
-
-<p>
-"Yes; through those trees. Do you see that
-narrow opening? There. Look! 'Tis a path that
-leads to the door. It isn't many yards."
-</p>
-
-<p>
-"Hurrah!" cried Cyril. "How can we get father
-there?" he asked.
-</p>
-
-<p>
-"I don't know. We must be sharp. I guess you
-had better run to the house and see if there's
-anybody there. It's just a chance there may be. And
-bring them back to help us carry your father. Woa!"
-she cried to the horses, which, stung by the snow,
-were plunging about again. "Steady there! Look
-sharp, boy."
-</p>
-
-<p>
-Cyril made his way as fast as he could over the
-snow-path through the trees; fortunately for him it
-was so sheltered that not much new snow had fallen
-upon it. After proceeding a few yards he stepped
-out of the shelter of the trees into what seemed a
-great snow-drift, which at first appeared impassable;
-by degrees, however, he perceived a way round it,
-which eventually brought him suddenly to the
-window-frame of a wooden house.
-</p>
-
-<p>
-Looking in Cyril perceived a man dressed as a
-hunter kneeling on the floor, apparently digging a
-hole in the earth about the centre of the room; some
-boards he had taken up lay beside him.
-</p>
-
-<p>
-"Come," cried Cyril to him, "come, my father&mdash;&mdash;"
-</p>
-
-<p>
-He was interrupted by a great cry, as the man,
-springing to his feet, flung up his arms in extreme
-terror.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap15"></a></p>
-
-<h3>
-CHAPTER XV.
-<br /><br />
-<i>A CONFESSION OF GUILT</i>
-</h3>
-
-<p>
-Cyril stared at the terrified man in
-amazement. The latter's cry rang through the
-empty house and filled his ears. What
-had so frightened him?
-</p>
-
-<p>
-"My father," began Cyril again, wishing to explain
-his sudden appearance by saying that his father was
-lying out in the snow, waiting to be carried into
-shelter.
-</p>
-
-<p>
-"Oh! Stop, stop!" cried the man, interrupting
-him in apparent anguish. "Mercy, father! Father,
-have mercy!" He turned wildly as if to flee, but
-thought better of it, and coming to the window
-threw himself down on his knees before it, looking
-up into Cyril's face with wild, unseeing eyes. "I
-didn't mean to kill yer, my father," he said. "I only
-wanted the gold. And I can't find it. I can't find
-it. And the snow-blindness is coming over me. I
-can scarcely see! Oh, my punishment is great
-enough! Have pity on me! Have pity on me!"
-</p>
-
-<p>
-"What have you done?" The voice that asked
-the question was not Cyril's. It was that of the girl,
-who had followed him to the house, and her tone
-was loud and very angry. "Tell me again," she
-demanded. "I must hear it in your own words
-again."
-</p>
-
-<p>
-"I will tell yer. Oh, I will! Have mercy,
-father!" wailed the unhappy man. "I wanted
-money so much, father, so very much. I'd lost a
-wager&mdash;a hundred pounds&mdash;to some men at Iron
-Mountain, who said they would duck me in a pond
-if I did not pay them it. And I begged yer on my
-knees, but yer wouldn't give me any. So I thought
-I'd help myself. I knew yer hid your money in a
-hole under the flooring 'ere, and was looking for it
-when yer came to me. I shouldn't 'ave killed yer
-if yer 'adn't angered me with bad words. Then
-I was that put to, it seemed as if I killed yer before
-I knew what I was doing."
-</p>
-
-<p>
-"And Mr. Gerald? What did he do?"
-</p>
-
-<p>
-"Oh, 'e knew nothing about it. I guess I blamed
-'im to get the blame off myself. Now I've told
-yer all," the wretched man whimpered. "I've told
-yer all. Mercy! Mercy, I beg!" Lifting up his
-hands, he cried still louder for mercy.
-</p>
-
-<p>
-"Begone, then!" exclaimed the girl. "Begone
-this moment! No, not that way. Out of the door
-at the back of the house, and then fly southwards.
-If you ever return it will be at your own risk&mdash;your
-own risk!"
-</p>
-
-<p>
-"I never will, father! I never will!" The
-wretched man fled through the house, out of the
-back door into the snow, running against trees and
-stumbling over drifts in his hurry to be gone.
-</p>
-
-<p>
-The girl leaned against the window-frame, looking
-extremely pale.
-</p>
-
-<p>
-"What does it mean?" asked Cyril. "What does
-it all mean?"
-</p>
-
-<p>
-"Mean?" she said, and now once more she spoke
-in her natural voice&mdash;the one she had been using to
-the man was shrill and hard. "Mean? Why, just
-this. There is an old saying, 'Conscience makes
-cowards of us all.' 'Tis true in this case. His
-guilty conscience made a coward of yon man. His
-father, a rich old miser, who lived in this house, was
-killed six months ago&mdash;it was supposed for his
-money. Yon wretch accused a hunter, who had
-been lodging with them, of the crime. His name
-was Gerald; he was a nice man, a real gentleman,
-though very poor. Appearances seemed against
-him and he fled. 'Twas the worst thing he could
-do. Everyone, nearly, thought he must be guilty
-then. The house has been considered haunted by
-the old man's ghost ever since. It is lonely enough.
-And yon wretch, returning to find the money which
-he had not got after all, saw you, and being half
-blind&mdash;if it's true he has snow-blindness[<a id="chap15fn1text"></a><a href="#chap15fn1">1</a>] coming
-on&mdash;and frightened almost out of his wits, he thought
-you were his father. But," she changed her voice,
-"we must now return to your father. We shall have
-to get him here the best way we can."
-</p>
-
-<p><br /></p>
-
-<p class="footnote">
-<a id="chap15fn1"></a>
-[<a href="#chap15fn1text">1</a>] Snow-blindness is rather common in those parts.&mdash;E.C.K.
-</p>
-
-<p><br /></p>
-
-<p>
-To their surprise and delight, however, they met
-Mr. Morton coming towards them a minute later.
-He had recovered consciousness, and finding himself
-alone on a strange sleigh, wrapped in rugs, whilst
-its two horses stood quite still, stupefied now with
-fatigue and cold, he arose and made the best of
-his way along the only semblance of a path
-visible.
-</p>
-
-<p>
-"Where am I? What has happened?" were his
-first questions.
-</p>
-
-<p>
-The girl looked up into his face and smiled.
-"'Pears like I have seen you before," she said. "But
-come in. Don't talk now. Come straight in and
-sit down. We'll have a fire in no time, and some
-hot water for your poor foot." She led the way into
-the house as she spoke.
-</p>
-
-<p>
-A few articles of furniture, too poor or too heavy
-to be worth carrying away, had been left in the
-room with the hole in the floor. The girl dragged
-forward an ancient arm-chair of the most elementary
-workmanship and begged Mr. Morton to sit down
-in it, near a strong table supported on what looked
-like tree-trunks instead of legs.
-</p>
-
-<p>
-"Now, my boy," she said to Cyril, "let's make
-a fire. There'll be wood in that chimney-corner,
-I'll be bound. Here's a match. Oh, and here's
-some paper!" She pulled the latter articles out of
-a huge pocket under her furs. "Can you make a
-fire, boy?"
-</p>
-
-<p>
-"Yes, I can," he replied quickly. "I've often
-done it at the saw-mill."
-</p>
-
-<p>
-"His name is Cyril Morton," interposed his father.
-"I should like to know yours," he added to the girl.
-</p>
-
-<p>
-"Mine's Cynthy&mdash;Cynthy Wood," she said, taking
-an old kettle she had found to a running spring
-in the kitchen. "I'll rinse this old thing out, then
-the water will be sweeter," she said cheerily.
-</p>
-
-<p>
-"I ought to thank you," began Mr. Morton.
-</p>
-
-<p>
-"Don't now. Don't thank me," she said. "I've
-been repaid a thousandfold for coming here."
-</p>
-
-<p>
-Cyril looked round at her wonderingly. A vivid
-blush had overspread one of the prettiest faces he
-had ever seen. Her blue eyes shone with gladness.
-Her voice betrayed its happiness every time she
-spoke. She seemed altogether a different person
-from the girl who had driven his father there.
-</p>
-
-<p>
-"Now, you're wondering what has repaid me,"
-she said to Cyril. "Shouldn't be surprised if I
-tell you after tea. You make that kettle boil
-sharp."
-</p>
-
-<p>
-The boy laughed and poked the wood, which
-was nice and dry, with his boot. But Cynthy
-reproved him for that, "Waste not, want not!" she
-exclaimed. "It's wrong to burn holes in good
-leather. Now, sir," she added to Mr. Morton, "let
-me try to take your boot off."
-</p>
-
-<p>
-With gentle hands, in spite of his protest, she
-deftly removed Mr. Morton's boot from his injured
-foot, then, fetching a basin from the inner room,
-she bathed it in warm water, filling the kettle up
-again after she had emptied it.
-</p>
-
-<p>
-"It's swollen, sir," she said to her patient, "but
-I think it's more bruised than sprained; I'll bind
-it up for you."
-</p>
-
-<p>
-"You are very kind, Miss Wood," said Mr. Morton.
-</p>
-
-<p>
-"Now don't," she said. "Call me Cynthy, everyone
-does. Cyril, you fetch me that stool," pointing
-to one with three legs. "Now, sir, you must keep
-your foot up on the stool. Cyril, you and I must
-go back to the sleigh for some things I left there."
-</p>
-
-<p>
-It was no easy task, but they struggled through
-the snow back to the sleigh, which was already nearly
-buried in it.
-</p>
-
-<p>
-"The poor horses," said Cynthy; "I'd forgotten
-them. I shall cut them loose; they must look
-after themselves. I have no food for them. I
-think they will go home. Then my father will
-send to seek us."
-</p>
-
-<p>
-Blackie was delighted to see Cyril again; he had
-stood still, waiting for him to return, and now he
-put his cold nose in the boy's hands, and seemed
-to ask him not to go away again.
-</p>
-
-<p>
-"What shall I do with my dear old pony?" asked
-Cyril. "He has nowhere to go&mdash;he loves me so, he
-will never leave me!"
-</p>
-
-<p>
-"Can you get him along the path to the house?"
-</p>
-
-<p>
-"Oh! yes. He followed me before, but I sent him
-back. He's very intelligent."
-</p>
-
-<p>
-"Seems so," said Cynthy. "Well, you bring him
-along. I guess he'll be able to get into the kitchen."
-</p>
-
-<p>
-"Oh! do you think so?&mdash;but the people of the
-house&mdash;&mdash;"
-</p>
-
-<p>
-"There are none. The old man who owned it is
-dead. And his son and heir daren't come back,
-because he thinks his father's ghost has returned!" Cynthy
-laughed. "Remember this, Cyril," she added,
-"there's nothing like a guilty conscience to make an
-out-and-out coward."
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap16"></a></p>
-
-<h3>
-CHAPTER XVI.
-<br /><br />
-<i>THE DISCOVERY IN THE LOFT.</i>
-</h3>
-
-<p>
-Blackie followed Cyril into the house
-through the back door when they entered
-it on their return from visiting the sleigh.
-</p>
-
-<p>
-He did more; not content with his strange
-quarters in the kitchen he followed his master into
-the larger room, and trotted round it, looking hard at
-everything, including Mr. Morton in the arm-chair,
-and poking his nose into the hole in the middle of
-the floor as if to see why it was left there.
-</p>
-
-<p>
-"I guess he's a smart pony, but you must take
-him right out, Cyril," said Cynthy.
-</p>
-
-<p>
-"Oh, yes, of course. Come, Blackie." He led him
-into the little kitchen, telling him repeatedly that he
-was to be a good pony and stay quietly there. But
-Blackie whinnied a little, seeing no prospect of food.
-</p>
-
-<p>
-"Oh, poor Blackie!" cried the boy sympathisingly;
-"what will you do without food?" He returned to
-Cynthy, who was spreading out a nice little repast
-of sandwiches, bottled milk, cheese, and bread and
-butter on the rough table.
-</p>
-
-<p>
-"Were all these things in that basket?" asked
-Cyril, looking at the one they had fetched from the
-sleigh.
-</p>
-
-<p>
-"All except the sandwiches. Your father provided
-those," she replied.
-</p>
-
-<p>
-"But I say, Cyril," she added, "aren't you going to
-feed that pony of yours?"
-</p>
-
-<p>
-"I only wish I could," he replied earnestly. "But
-unless you would give me a slice of bread for him,
-I don't know what there is for him to eat."
-</p>
-
-<p>
-"Why, what do you imagine there is in this bag?"
-asked the girl, producing a coarse canvas bag from
-amongst the rugs she had thrown down in a corner.
-</p>
-
-<p>
-"Oh! is it corn?"
-</p>
-
-<p>
-"Corn and chopped hay," she replied. "The very
-thing for Blackie. I brought it for my horses, but
-didn't give it to them, for they can find their way
-home."
-</p>
-
-<p>
-Cyril seized the bag eagerly, and with a grateful look,
-without waiting to thank her, he ran to Blackie and
-spread its contents out upon the floor. Then he really
-enjoyed seeing his pony eating the food with relish.
-</p>
-
-<p>
-"Cyril! Cyril!" called Cynthy at last. "Come
-and have some dinner yourself."
-</p>
-
-<p>
-All at once, feeling very hungry, Cyril returned to
-the other room and joined the others at the nice
-impromptu meal.
-</p>
-
-<p>
-After it was over, and the things were cleared
-away&mdash;what was left of the food being carefully put
-by&mdash;Cynthy told Mr. Morton what she had already
-explained to Cyril, about the late owner of the house
-and his wicked successor. "He might have killed us
-too," she said in conclusion, "or at any rate have
-been very awkward, if I had not terrified him by
-pretending to be his late father. That was the only
-plan I could think of to frighten him away&mdash;yes, I
-see you look grave; it was trading on his fears, I
-know. But we really were in a desperate case. The
-horses could not possibly drag the sleigh another
-inch, and it was absolutely necessary we should have
-shelter from the snow."
-</p>
-
-<p>
-"But what did that mean about Mr. Gerald? I
-did not quite understand," interposed Cyril. "Who
-is Mr. Gerald?"
-</p>
-
-<p>
-"He is one of the best and gentlest of men,"
-answered the girl, "so generous that he can never
-keep a cent in his pocket if he thinks anyone else
-has need of it. He told me once he had been
-extravagant and foolish in his youth away in
-England, and had done harm to a few people
-without really meaning it, and that made him
-very anxious to do all the good he could to
-others."
-</p>
-
-<p>
-"A beautiful way of retrieving the past!" said
-Mr. Morton. "Would that everyone tried to do
-that sort of thing!"
-</p>
-
-<p>
-"You said that exactly as Mr. Gerald might have
-done," exclaimed Cynthy, looking searchingly at her
-patient. "You do remind me of him."
-</p>
-
-<p>
-"I believe you like Mr. Gerald a great deal,"
-observed Cyril.
-</p>
-
-<p>
-"I do indeed," said Cynthy, very earnestly.
-</p>
-
-<p>
-"Can you tell us why?" asked Mr. Morton,
-regarding her with great interest.
-</p>
-
-<p>
-Cynthy blushed deeply. "I'm engaged to be
-married," she said, "to a young man named Harry
-Quilter. He got into difficulties, and would have
-been ruined by some men, up at Iron Mountain, if
-it hadn't been for Mr. Gerald. He took his part
-and stuck up for him, besides paying some money
-Harry owed. And afterwards he got my Harry
-to go about hunting with him until he'd got all
-sorts of Mr. Gerald's wise maxims and good thoughts
-into his head. Now Harry has set up a store&mdash;a
-shop, you know, only they call them all stores
-here&mdash;and he's doing well. My father says Mr. Gerald
-has been the making of him."
-</p>
-
-<p>
-"I am not surprised you think gratefully of him,"
-said Mr. Morton. "But how did such a man come
-to be lodging in this lonely house?"
-</p>
-
-<p>
-"Well, I don't know exactly, but I think he took
-compassion on old Jabez, who always posed as a
-very poor, half-starved old man, and thought it
-would be kind to lodge with him and pay him well
-for it when he hunted in this neighbourhood. He
-was always doing kind things like that. Pete, the
-old man's son, was a hunter too, and perhaps he
-helped to persuade Mr. Gerald to lodge here, telling
-him it was a good centre from which to hunt deer
-in the forest round. He used to go out hunting
-with Mr. Gerald. Perhaps he thought even then
-that if he killed the old man whilst Mr. Gerald
-was with them he might swear the latter did it.
-He's that cunning, is Pete."
-</p>
-
-<p>
-"How was the old man killed?"
-</p>
-
-<p>
-"No one knows rightly. Pete declared that
-Mr. Gerald had knocked him down with the butt end
-of his gun and thrown him into the river&mdash;the body
-was never recovered."
-</p>
-
-<p>
-"But how was it such a man as Pete could be
-believed before this Mr. Gerald?"
-</p>
-
-<p>
-"Well, you see the folks about here had known
-Pete from a child; he had grown up amongst them,
-and they never thought he could do it. Then the
-trappers and hunters and such-like all hang together,
-and what one man says the others always hold by.
-Besides, Mr. Gerald was an Englishman&mdash;and some
-of the people here are rather set against the English
-just now&mdash;and he had made himself a bit unpopular
-by taking the cause of the weak and despised against
-the richer, stronger men, and these last couldn't make
-out what he did it for. 'We shall see through his
-little game one day,' they said. So when Pete said
-Mr. Gerald had killed his father and taken all his
-money&mdash;a very considerable amount&mdash;they believed
-him. But there weren't any police here, and there
-was some delay, during which Mr. Gerald got away!
-It was a pity he did that. But he never cared much
-for people's opinion, and he may have thought he
-would rather go away than fight the matter out." But
-Cynthy sighed. "It always makes a man look
-guilty," she added, "when he runs away. However,
-Cyril, you've heard as well as I Pete's confession,
-that he committed the crime himself."
-</p>
-
-<p>
-"Yes, he said so! What a fright he was in!"
-cried the boy. "I never saw anyone so much afraid
-in my life!"
-</p>
-
-<p>
-"A guilty conscience is a terrible thing," remarked
-Mr. Morton. "But, Cynthy," he added to the
-American girl, "it is rather a coincidence that the
-reason we came to North America was to find a
-brother of mine, who went there many years ago,
-named Gerald Morton."
-</p>
-
-<p>
-"What was he like?" asked the girl at once, for
-she had been greatly struck by Mr. Morton's
-resemblance to her hero. "Tell me just what he was
-like."
-</p>
-
-<p>
-"He was five feet ten inches in height," said
-Mr. Morton. "His hair a blend between gold and
-red, his eyes were blue, and he used to look very
-young and boyish."
-</p>
-
-<p>
-Cynthy nodded. "Mr. Gerald was all that you
-have said, except the last," she remarked. "He
-looked anything but boyish, but then he had had
-a hard struggle to get on. You know this country
-is not so easy for gentlemen without money to get
-on in. Poor men do better, because they have
-strength with which to labour, and they often know
-a trade. Mr. Gerald had knocked about a great
-deal, I know, before he settled down as a hunter."
-</p>
-
-<p>
-"I wonder if he can possibly be my brother," said
-Mr. Morton. "I should like to see the room he
-occupied when he was here. There might be some
-traces of him in it."
-</p>
-
-<p>
-"Oh, it is the bedroom he had. Up that ladder
-it will be," said Cynthy. "No, sir, please sit still.
-I can't let you try to get up with that foot. Cyril
-can go up with me, and we will look round and
-see if Mr. Gerald has left anything."
-</p>
-
-<p>
-Cyril had already jumped up and run to the
-wooden ladder leading up to a trap-door in the
-boarded ceiling. He climbed up before Cynthy,
-and pushing open the trap-door, entered the loft-like
-bedroom.
-</p>
-
-<p>
-Cynthy followed him in, and they looked round.
-A bed on the floor, a three-legged stool, a table of
-very amateurish construction, and some torn papers
-in a heap behind the door seemed to be all.
-</p>
-
-<p>
-"What a poor place!" cried Cyril. "Oh, I don't
-think my Uncle Gerald can have lived here!"
-</p>
-
-<p>
-"Let us look at these papers," said Cynthy, kneeling
-down beside the heap on the floor. "I'd scorn to
-look at any man's torn letters," she said; "but if there
-should be Mr. Gerald's real name on these, and it
-should lead to his friends finding him, why it would
-be such a good thing! These, however, are mostly
-torn memoranda and receipted bills. See, there is
-my father's name on one. He keeps a big store at
-Monkton, six miles off. But what's this?" She held
-up an envelope with the words written upon it, "Cyril
-Morton, Esq.," and the name Brooklands below, and
-on the next line the letter T and a blot, as if the
-address had never been completed."
-</p>
-
-<p>
-"Why, that is papa's address!" exclaimed Cyril.
-"Do you see the writer was just beginning to write
-Truro when he stopped? The next word would have
-been Cornwall, and then it would have been finished.
-And my father will know the writing."
-</p>
-
-<p>
-"That he will. We'll take all these papers to
-him," said Cynthy, gathering them up.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap17"></a></p>
-
-<h3>
-CHAPTER XVII.
-<br /><br />
-<i>THE GHOST.</i>
-</h3>
-
-<p>
-Mr. Morton was much affected when
-they placed in his hands the handwriting
-of his long-lost brother, and he perceived
-that Gerald had at least been thinking of him and
-beginning a communication to him. There was no
-longer any doubt about the matter, his only brother
-had lived in that poor frame-house for weeks together,
-and had fled from it under suspicion of a terrible
-crime. That the suspicion was utterly false could
-now be proved, thanks to Cyril and Cynthy's having
-surprised and frightened the real culprit. But Gerald
-had gone, and it might be long before the good news
-reached him.
-</p>
-
-<p>
-"We will not go home, Cyril," said Mr. Morton,
-"until we have found your uncle. That is of the
-most importance now."
-</p>
-
-<p>
-"If he has gone to the lumberers, as Pete said,"
-remarked Cynthy, "I have an idea in which direction
-we must go to find him. If only the snow has ceased
-to-morrow I will guide you to the place. I should
-like nothing better," she added, as Mr. Morton
-demurred about giving her so much trouble. "They
-are used to my going away for a few days at once,
-at my home; I have relations scattered about the
-country, and they will conclude I am visiting them."
-</p>
-
-<p>
-Then, as night was drawing in, the clever girl
-made up a good fire&mdash;fortunately there was a
-sufficiency of wood in the house&mdash;and arranged the rugs
-for Mr. Morton and Cyril to sleep on near the fire.
-</p>
-
-<p>
-"I guess I'm going upstairs," she said, when this
-had been done, and she ran lightly up the ladder
-to the loft above before they could stop her.
-</p>
-
-<p>
-"She'll be so cold up there, father!" exclaimed
-Cyril. "She'll freeze. There isn't a fireplace in the
-room, or anything but a poor bed on the floor."
-</p>
-
-<p>
-"Run after her with this rug, Cyril," said
-Mr. Morton, choosing the largest skin-rug. "Tell her
-I won't have it and neither will you. We shall
-be miserable if she starves herself."
-</p>
-
-<p>
-Cyril did as he was told with great willingness,
-but he had immense difficulty in making the
-generous-hearted girl consent to take the rug.
-</p>
-
-<p>
-"I'm young and strong, Cyril," she said, "and you
-and your father are delicate. Besides, you belong to
-Mr. Gerald, so you ought to have the best of
-everything." But Cyril insisted, and she had to yield at last.
-The tired travellers slept well and long, being
-much exhausted with all they had gone through.
-</p>
-
-<p>
-Mr. Morton awoke first, and had lighted the fire
-before Cynthy appeared.
-</p>
-
-<p>
-"I have been awake some time, but did not like
-to disturb you too soon," she said, busying herself
-with filling the kettle. "Oh, now, sir," she added,
-"you'll hurt your foot standing about on it so, and
-there is no need. I can soon do everything."
-</p>
-
-<p>
-"I'm glad to say my foot is much better," rejoined
-Mr. Morton, "and I am not going to allow you to do
-everything."
-</p>
-
-<p>
-Cynthy smiled brightly. "I am glad you are
-better," she said. "But oh, look at the snow!" she
-added, removing one of the boards with which she
-had filled in the empty window-frame.
-</p>
-
-<p>
-The snow was piled up until it almost reached the
-top of the window, and they could see that more was
-still coming down. It was impossible to open the
-door, which Cynthy tried next; a great snow-drift was
-piled up against it.
-</p>
-
-<p>
-"We are snowed in!" she exclaimed. "And no one
-will think of looking for us here in the haunted
-house&mdash;unless my Harry does. He knows I'm not a bit
-superstitious. Still, I don't think he'll suppose we
-are here," and she grew thoughtful, weighing the pros
-and cons.
-</p>
-
-<p>
-They had to be very economical of food that day,
-and there was none left for poor Blackie, much to
-Cyril's grief. Cynthy gave him some lumps of sugar
-for his pony, but she could not spare any bread.
-</p>
-
-<p>
-They all talked a great deal about Gerald Morton
-in the course of the day, Cynthy relating many
-anecdotes of the kindly deeds he had done for other
-people, all of which much delighted Mr. Morton, who
-asked many questions about them. He told Cynthy
-his brother had been left to his charge by a dying
-mother, and it was a great grief to him when, having
-failed in business and become ruined in fortune,
-Gerald left England, as he said, to seek his fortune
-in another country. "I shall not return until I have
-found it," were his parting words, "and it is of no use
-your writing, for I am going to try to travel about."
-</p>
-
-<p>
-Mr. Morton, therefore, did not know where to
-write, and neither did he like to leave his delicate
-wife to go in search of him when he heard from a
-traveller that a gentleman like Gerald Morton had
-been seen in the forest country north of Lake
-Michigan. But when she was dying, Mrs. Morton,
-thinking of his dying mother's request, begged him
-to go in search of his brother, and he had started
-with Cyril for that purpose after her death.
-</p>
-
-<p>
-Cyril then related his adventures. Cynthy was
-exceedingly interested in them all. She had heard
-of the trial of robbers at Menominee, when Whiterock
-and his captain were condemned to death, and knew
-what an immense amount of harm the band of
-robbers had done. It seemed to her a wonderful
-thing that one of the band&mdash;Davidson&mdash;should have
-repented and returned to a civilised life. "You'll be
-glad all your life that you helped him, Cyril," she
-said in her hearty way, "and I hope, sir," she added
-to Mr. Morton, "that when you have found Mr. Gerald
-you will tell him. He'll like to hear that."
-</p>
-
-<p>
-Last thing that evening, just when they were all
-endeavouring to persuade each other that they were
-not at all hungry, because there was no food left,
-they all at once heard a great knocking at the very
-top of the outer door.
-</p>
-
-<p>
-Who could it be? It was beginning to get dark.
-Was it the ghost? Cyril asked the question half
-laughingly, but he looked considerably startled.
-When people have resigned themselves to the fact
-that they are many miles away from any other
-person, it is rather queer to find someone knocking
-at the door. It was Cynthy who cried out first,
-"What do you want? Who is there?"
-</p>
-
-<p class="capcenter">
-<a id="img-119"></a>
-<img class="imgcenter" src="images/img-119.jpg" alt="&quot;'What do you want? Who is there?'&quot;" />
-<br />
-&quot;'What do you want? Who is there?'&quot;
-</p>
-
-<p>
-The others could not hear the answer, but it
-evidently reassured her, for she gave a cry of joy,
-and her eyes shone with delight as she again tried
-to open the door, but in vain. Then she turned to
-explain to the others. "It's my Harry," she said.
-"He's found us. I thought he would."
-</p>
-
-<p>
-"Yes," sang out a hearty voice from the other
-side of the door. "No matter what difficulties
-intervene love can find a way."
-</p>
-
-<p>
-Cynthy blushed, and tried to hide her face from
-her companions, but Mr. Morton reassured her by
-kind words and a reminiscence of a far-off time when
-the dear lady who became his wife was lost with
-some others on a mountain, and he alone was able
-to find her, because he persevered after the others
-gave up the search. All this time the man outside
-was digging the snow away from the door. As he
-did so he called out, "Why, Cynthy, I hear you've
-Mr. Gerald inside there. 'Tis his voice, I'm sure."
-</p>
-
-<p>
-"No 'tisn't," returned she, "but it is his brother
-and nephew, whom I came across in the snow some
-little time before getting here."
-</p>
-
-<p>
-"That's lucky," cried the man outside, "for I've
-found out where Mr. Gerald is!"
-</p>
-
-<p>
-They were all very glad to hear that, and when at
-length the snow was cleared off sufficiently to admit a
-fine, tall young man they besieged him with questions.
-</p>
-
-<p>
-Harry Quilter related with much pleasure, as he
-shook hands with Mr. Morton and Cyril, that a
-hunter had informed him at which lumberer's camp
-he had lately seen the missing man. "It was only
-about ten miles off as the bird might fly," he said,
-which caused Cynthy to exclaim it would be nearly
-double that distance if they rode there.
-</p>
-
-<p>
-Harry then proceeded to empty his pockets, which
-were stuffed with tea, dried deer-flesh, salt bacon,
-and a great hunk of bread. Asked how it was he
-knew of the whereabouts of his young lady, he
-answered that a trapper he had met had informed
-him that he had seen a great quantity of smoke
-issuing from the chimney of the haunted house.
-It was impossible to believe that a mere ghost could
-have lighted a fire so large as to cause all that
-smoke, and as Harry was anxious about the
-non-appearance of Cynthy Wood at her home he had
-put on his moccasins and plodded through the snow.
-He had brought as much food as he could carry,
-in case there should be a difficulty about returning
-that night.
-</p>
-
-<p>
-They would have been almost merry, as they sat
-round the rough table enjoying the welcome food,
-if it had not been for the thought of the tragedy
-which had deprived that poor house of its owner,
-and also the fact that Blackie was still calling out
-for food, which made the tears come into his master's
-eyes every now and then. He would have taken
-his own plate into the kitchen if Cynthy had not
-forbidden it.
-</p>
-
-<p>
-"You need support more than that fat pony of
-yours does, Cyril," she said in her brisk way. "But
-here is some more lump sugar. Now I can't spare
-anything else. Sugar is very feeding, you know."
-</p>
-
-<p>
-"And Blackie loves it. Thank you, Cynthy. Oh,
-just come and see my pony, will you, Mr. Harry?"
-he added to the stranger.
-</p>
-
-<p>
-"What! Do you keep ponies in my house?"
-cried a harsh voice behind them.
-</p>
-
-<p>
-They all turned to look at the door, which had
-silently opened. In the doorway stood an old man,
-with a hooked nose and long, neglected hair. He
-was so thin that he looked almost like a skeleton,
-and he leaned heavily upon a strong, notched stick.
-On his feet he wore moccasins, with which he had
-been able to walk through the snow.
-</p>
-
-<p>
-"Is it the ghost?" faltered Cyril, whose imagination
-had been much exercised about the haunted house.
-</p>
-
-<p>
-Cynthy did not smile; she looked at the figure
-in the doorway with a pale, frightened face. "It is
-Mr. Jabez Jones," she faltered.
-</p>
-
-<p>
-"Aye, it's Jabez Jones, at your service," said the
-old man, coming forward. "And he would like to
-know what you are doing in his house, and what a
-horse is doing in his kitchen?" He almost screamed
-the last words as Blackie neighed more loudly than
-ever.
-</p>
-
-<p>
-"We are travellers who have come here for shelter
-from the snow," said Mr. Morton wonderingly.
-</p>
-
-<p>
-"And I've come in search of one of them," said
-Harry Quilter, finding his voice at length. "You
-know me, Jabez Jones, don't you?"
-</p>
-
-<p>
-"Aye, aye, and I know her," said the old man,
-pointing to Cynthy, "but I don't know these," looking
-at the Mortons. "However, never mind. I guess
-I'll have a cup o' yon tea."
-</p>
-
-<p>
-"Take my place," said Harry, offering his
-three-legged stool.
-</p>
-
-<p>
-"Nay, I'll ha' my own arm-chair," said the old
-man rudely.
-</p>
-
-<p>
-Mr. Morton at once rose, and placed it for him
-with gentle courtesy.
-</p>
-
-<p>
-"Well, you can't be a ghost, for you're just old
-Jabez and no one else!" cried Cynthy. "But everyone
-thinks you were drowned in the river six months
-ago," she added. "Do tell us how you escaped."
-</p>
-
-<p>
-"I wasn't drowned," said the old man. "But who
-has been after my money?" He put down the cup
-he was just raising to his lips and went up to the
-hole in the floor to investigate it, chuckling as he
-did so.
-</p>
-
-<p>
-Cynthy, reassured that it was really Jabez Jones
-in life exactly as he had ever been, described to
-him the scene that she and Cyril witnessed on their
-arrival at the house, which the old man heard with
-grunts of satisfaction.
-</p>
-
-<p>
-"So Pete has begun to repent!" he said. "I'm
-glad of that. And see now, my money isn't here
-after all. I took it away to the bank at Menominee
-last fall, and when I got out of the river&mdash;for I was
-able to float in it until washed on shore miles away
-lower down&mdash;having some gold with me, I just went
-across country to Menominee to see if it was safe.
-Happening to read in a newspaper that I had been
-killed, and my house was haunted, I thought I'd
-stay away a bit and frighten my graceless son well,
-and let him seek the money in vain. You see,
-everyone thought I kept it hid in a hole somewhere,
-because I always talked against banks, saying they
-were the worst places in which a man could keep
-his money. But talking is one thing and doing's
-another." He returned to the table and drank his tea.
-</p>
-
-<p>
-Mr. Morton shook his head sadly over the
-hardened old man, and as the lovers sat together
-in the chimney-corner, talking after tea, whilst
-Cyril gave Blackie its lump sugar, he tried to
-make him see that the love of money is a great
-evil, and that in his case it had led his son into
-sin. But the old man's mental state was a very
-dark and unenlightened one, and not much
-impression could be made.
-</p>
-
-<p><br /><br /><br /></p>
-
-<p><a id="chap18"></a></p>
-
-<h3>
-CHAPTER XVIII.
-<br /><br />
-<i>THE MEETING IN THE FOREST.</i>
-</h3>
-
-<p>
-All through the winter the lumberers work
-in the woods, from sunrise to sunset,
-making the forest resound with the strokes
-of their axes as they fell tree after tree in amazing
-quantities. Often they divide into bands of six or
-eight men, each company striving to outrival the
-other in the amount of work it gets through. At
-night they return to the great wooden shanty, in
-which they sleep in the bunks arranged on two
-tiers of wooden shelves all around the place. They
-eat salt pork and drink strong tea, and at night
-sit round the huge log fires, smoking and chewing
-tobacco, and sometimes singing and telling stories.
-</p>
-
-<p>
-Men who are strong and used to physical exertion
-enjoy the work, and return to it again and again, for
-the wages are good, and the bold, free life out of
-doors is not without its charms. But Gerald Morton
-was not strong enough, or yet rough enough, for the
-labour and the company it entailed. The men
-perceived this, and did not like to work with him, in
-spite of his pleasant, cheery ways. They nicknamed
-him "the gentleman," and at last their foreman was
-obliged to admit that it would be well for him to
-go to some other sphere of labour.
-</p>
-
-<p>
-"You're not adapted to this life, nor yet strong
-enough for it," he said to Gerald, "so you had better
-go."
-</p>
-
-<p>
-Gerald was thinking of these words as he spent his
-last day in the woods at the lumbering. On the
-morrow he must again set out on the wearying
-search for work. He was no nearer finding a fortune
-than on the first day of his life in America, but he
-thanked God in his heart as he worked that he had
-found in those huge American forests that which
-was of more value than any earthly money. Through
-his head were ringing the words of an old, old Book,
-which he carried everywhere with him, at first because
-it was his mother's, and afterwards for its own sake:&mdash;
-</p>
-
-<p>
-"<i>The fear of the Lord is clean, enduring for ever: the
-judgments of the Lord are true, and righteous altogether.</i>
-</p>
-
-<p>
-"<i>More to be desired are they than gold, yea, than much
-fine gold: sweeter also than honey, or the honeycomb.</i>
-</p>
-
-<p>
-"<i>Moreover, by them is Thy servant warned: and in
-keeping of them there is great reward.</i>"
-</p>
-
-<p>
-"Father! Father! That must be Uncle Gerald!
-Look! See! He's just like your and Cynthy's
-description of him!"
-</p>
-
-<p>
-Cyril's glad cry caused the axe to drop from the
-tired lumberer's hand. He turned and saw a little
-company of equestrians coming quickly up to him,
-their horses crunching the hard snow and the broken
-boughs strewing the ground.
-</p>
-
-<p>
-"Gerald! Gerald! My dear Gerald!" cried Mr. Morton,
-dismounting and holding out an eager hand.
-</p>
-
-<p>
-"Cyril! Cyril!"
-</p>
-
-<p>
-Gerald clasped the hand as if he would never let
-it go.
-</p>
-
-<p class="t3">
-* * * * * * *
-</p>
-
-<p>
-"We have both been lost in the backwoods, Uncle
-Gerald," said Cyril, with a fine sense of comradeship,
-as they returned home in a great Transatlantic
-steamer.
-</p>
-
-<p>
-"And you have both been found," said his father,
-with deep thankfulness. "My two beloved ones," he
-added mentally, looking at them with glad eyes, as
-he thought that neither would have been restored to
-his friends if it had not been for his strenuous efforts
-to do right and serve God when to do so was an
-extremely difficult task. "Truly there is a reward
-for the righteous," he said to himself, and he was
-not thinking merely of the earthly result of their
-conduct.
-</p>
-
-<p><br /><br /></p>
-
-<p class="t3">
-THE END.
-</p>
-
-<p><br /><br /></p>
-
-<p class="t4">
- PLYMOUTH<br />
- WILLIAM BRENDON AND SON, PRINTERS<br />
-</p>
-
-<p><br /><br /><br /><br /></p>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK LOST IN THE BACKWOODS ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away&#8212;you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-</body>
-
-</html>
-
diff --git a/old/68584-h/images/img-010.jpg b/old/68584-h/images/img-010.jpg
deleted file mode 100644
index daaa2b4..0000000
--- a/old/68584-h/images/img-010.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-021.jpg b/old/68584-h/images/img-021.jpg
deleted file mode 100644
index 13a8498..0000000
--- a/old/68584-h/images/img-021.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-035.jpg b/old/68584-h/images/img-035.jpg
deleted file mode 100644
index 9a53c83..0000000
--- a/old/68584-h/images/img-035.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-046.jpg b/old/68584-h/images/img-046.jpg
deleted file mode 100644
index 90d4fe1..0000000
--- a/old/68584-h/images/img-046.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-070.jpg b/old/68584-h/images/img-070.jpg
deleted file mode 100644
index d6b7d9d..0000000
--- a/old/68584-h/images/img-070.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-074.jpg b/old/68584-h/images/img-074.jpg
deleted file mode 100644
index 4d1dcc9..0000000
--- a/old/68584-h/images/img-074.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-119.jpg b/old/68584-h/images/img-119.jpg
deleted file mode 100644
index c354bda..0000000
--- a/old/68584-h/images/img-119.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-cover.jpg b/old/68584-h/images/img-cover.jpg
deleted file mode 100644
index d1c06a2..0000000
--- a/old/68584-h/images/img-cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/68584-h/images/img-front.jpg b/old/68584-h/images/img-front.jpg
deleted file mode 100644
index 17ac374..0000000
--- a/old/68584-h/images/img-front.jpg
+++ /dev/null
Binary files differ