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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..2152368 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #68386 (https://www.gutenberg.org/ebooks/68386) diff --git a/old/68386-0.txt b/old/68386-0.txt deleted file mode 100644 index 1dfa6ea..0000000 --- a/old/68386-0.txt +++ /dev/null @@ -1,844 +0,0 @@ -The Project Gutenberg eBook of Book of parlor tricks, Multum in parvo -library, vol. 2, no. 16, April, 1895, by anonymous - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Book of parlor tricks, Multum in parvo library, vol. 2, no. 16, - April, 1895 - How to perform them - -Author: anonymous - -Release Date: June 23, 2022 [eBook #68386] - -Language: English - -Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed - Proofreading Team at https://www.pgdp.net (Images courtesy - of the Digital Library@Villanova University.) - -*** START OF THE PROJECT GUTENBERG EBOOK BOOK OF PARLOR TRICKS, MULTUM -IN PARVO LIBRARY, VOL. 2, NO. 16, APRIL, 1895 *** - - -Transcriber’s Note: - -Text enclosed by underscores is in italics (_italics_) and text -enclosed by equal signs is in bold (=bold=). - -Additional Transcriber’s Notes are at the end. - - * * * * * - -MULTUM IN PARVO LIBRARY. - -Entered at the Boston Post Office as second class matter. - -=Vol. 2.= APRIL, 1895. Published Monthly. =No. 16.= - - - - -Book OF Parlor Tricks. - - - How to Perform Them. - - Smallest Magazine in the world. Subscription price - 50 cts. per year. Single Copies 5 cts. each. - - PUBLISHED BY - A. B. COURTNEY, - Room 74, - - 45 Milk Street, - BOSTON, MASS. - - - - -The Diviner. - - -The point of this trick consists in divining a word which is named, -together with several others. Two of the players commonly agree -between themselves to place it after an object that has four legs; for -instance, a quadruped, a table, etc., etc. - -_Example._--If Emily wishes to have Henry guess the word which Susan -has secretly told her, she says to him, “Susan has been shopping; -she has bought a rose, a dress, some jewelry, a table, a bonnet, a -shawl----” Henry, of course, will easily guess that the object in -question is a _bonnet_, for the word “_table_,” which precedes it, has -four legs. - - - - -To Walk Upon a Hot Iron Bar. - - -Take half an ounce of camphor, dissolve it in two ounces of aqua vitæ, -add to it one of quicksilver, one ounce of liquid storax, which is the -droppings of myrrh, and prevents the camphor from firing; take also two -ounces of hematis, which is a red stone, to be had at the druggists’; -and when you buy it, let them beat it into a powder in their great -mortar, for, being very hard, it cannot well be reduced in a small one; -add this to the ingredients already specified, and when you purpose -to walk upon the bar, anoint your feet well with it, and you may do so -without the slightest danger. - - - - -The Restored Ribbon. - - -Have two pieces of colored ribbon of exactly the same size and -appearance, one of which, being damped, may be secured in the palm of -the hand, previous to exhibiting. The other may be cut in pieces and -burned in a plate by the audience. Taking now the ashes, you call for -a basin of water, with which you moisten them, stating by the magical -influence of the “cold water cure,” the color and form of the burned -ribbon will be restored. Rubbing the damp ashes in the hand, you draw -forth, at the same time, the concealed ribbon, which will appear to be -the same that had been consumed. - - - - -Interesting Problems. - - -By steeping an egg in vinegar for some time it can be made pliable -enough to be stuffed into a bottle. Then restore the egg to its natural -shape by pouring water into the bottle. - - - - -How to Drop a Tumbler on the Floor Without Breaking It. - - -This requires a steady hand and smooth table. You simply set a tumbler -upon a table near the edge and gently push the tumbler with your -forefinger until it is very nicely balanced upon the edge of the table. -Now by giving the tumbler a very gentle push again it will fall to the -floor, striking upon its bottom edge, and remain standing either upon -its bottom or lying upon its side perfectly sound. Be careful and have -no covering upon the table, as the less friction you can get the surer -you are to perform your trick. - - - - -Magic Money. - - -This conjuring trick is performed thus: Procure two quarters and a -half-dollar; conceal one of the quarters in the _right_ hand; lay the -other quarter and the half-dollar on a table, in full view of the -audience; now ask for two handkerchiefs; then take the half-dollar -up, and pretend to roll it in one of the handkerchiefs; but, in lieu -thereof, roll up the quarter, which you had concealed, and retain the -half-dollar; give the handkerchief to one of the company to hold; now -take the quarter off the table, and pretend to roll that up in the -second handkerchief; but put up the half-dollar instead; give this -handkerchief to another person, and beg him to “hold it tight,” while -you utter, “Presto! fly!” On opening the handkerchiefs the money will -appear to have changed places. This is one of the best tricks in this -book. - - - - -Sorcery. - - -This is a somewhat singular trick. One of the party is placed behind -a screen in an adjoining room, where he cannot possibly see the -players--or may be blindfolded. One of the party must then call out, -“Do you know Miss ----?” naming a lady’s name. “Yes.” “Do you know -her dress?” “Yes.” “Her wreath, her slippers, her gloves and her -bracelets?” “Yes.” “Her handkerchief?” “Yes.” “Her fan?” “Yes.” “Well, -then, since you know her dress so well, tell me what article of her -costume I am now touching?” If the one behind the screen is acquainted -with the trick, he will, of course, answer directly, “her bracelet,” -the only article mentioned which has the word “and” before it. - - - - -Odd or Even. - - -To tell in which hand of a person, having an odd number in one hand -and an even number in the other, the odd or even number is. Desire the -person to multiply the number in his right hand by a figure which is an -odd number, and the number in his left by an even one; and to say if -the products added together are odd or even. If even, the even number -is in the right hand; if odd, the even number is in the left hand. - - - - -To Discover Card by Weight. - - -Desire any person in company to draw a card from the pack, and when he -has looked at it, to return it to you with its face downward; then, -pretending to weigh it nicely, take notice of any particular mark on -the back of the card, which, having done, put it among the rest of the -cards, and desire the person to shuffle them as much as he pleases; -then, receiving the pack from his hands, you pretend to weigh each card -as before, and proceed in this way until you discover, from the back of -it, the particular card he selected. - - - - -How Money is Saved. - - -Why pay a dollar, or even twenty-five cents each for books when we -offer to send you the following set of twelve volumes on receipt of -only ten cents. Read the list. - -Book of Short Stories. A collection of interesting sketches. - -Mormonism Exposed, by a Mormon Slave Wife. Telling about the secret -rites of the Danites, doings of Polygamists with their numerous wives, -etc., etc. This book is of thrilling interest. - -Prize Cook Book. A collection of valuable household recipes from the -best cooks in America. If you don’t need this book yourself, some lady -will appreciate it. - -Dr. Parkhurst’s Exposures. This book tells about the celebrated -exposure of dens of iniquity in N. Y. Low life in the Metropolis is -laid bare. - -Art of Love Making, and Guide to Etiquette. This little volume is -indeed interesting. - -Book of Brief Narratives. Never before published. Very interesting. - -Guide to Fortune Telling and Dream Book, compiled from the secrets of -Madame Le Normand. - -Book of Detective Stories. Thrilling adventures of detectives in -ferreting out crime. - -Secrets of the Harem. A description of the beautiful wives and slaves -of the Sultan, by one who has been there. - -How to Get Rich. Secrets for coining wealth, many of which have never -been published before. - -Marriage Manual. If you are married, or expect to be, you should get -this important book and keep it securely under lock and key. - -How to Become a Lightning Calculator. By a glance at this book you can -learn to add, subtract, multiply and divide instantaneously. - -To get the complete set, send ten cents, silver or stamps, to Keystone -Book Co., P. O. Box 1634, Philadelphia, Pa., or to the firm from whom -you purchased this book. You will receive the books promptly and will -be well pleased with them. - - - - -Eatable Candle-Ends. - - -Take a large apple and cut out a few pieces in the shape of -candle-ends, round at the bottom and flat at the top, in fact, as much -like a piece of candle as possible. Now cut some slips from a sweet -almond, as near as you can to resemble a wick, and stick them into the -imitation candles. Light them for an instant to make the tops black, -blow them out, and they are ready for the trick. One or two should be -artfully placed in a snuffer-tray, or candlestick; you then inform your -friends that during your “travels in the Russian Empire,” you learned, -like the Russians, to be fond of candles; at the same time lighting -your artificial candles (the almonds will readily take fire and flame -for a few seconds), pop them into your mouth, and swallow them one -after the other. - - - - -The Wonderful Hat. - - -Upon a table place three pieces of bread, or any other eatable, at a -little distance from each other, and cover each with a hat, take up -the first hat, and removing the bread put it into your mouth, letting -the company see that you swallow it, then raise the second hat, and -eat the bread which was under that, then proceed to the third hat in -the same manner. Having eaten the three pieces, ask any person in the -company to choose which hat he would like the three pieces of bread to -be under, and when he has made his choice of one of the hats, put it -on your head, and ask him if he does not think they are under it. By -the way, if you are interested in tricks, let us call your attention to -Prof. Roltair’s celebrated cabinet of magic. It contains twenty-five -new and startling tricks with complete apparatus, so that you can -easily give a two hour’s entertainment. Among the numerous tricks -are: The load of articles from a borrowed hat, such as cannon balls, -cabbages, boxes, etc.; the famous ink and water trick, with apparatus, -so that you can instantly change a glass of ink to clear water, new and -surprising card tricks including a pack of wizard’s cards, the famous -dancing skeleton, true secret of ventriloquism, by means of which you -can learn to throw the voice into hay-lofts, closets, trunks, etc., -magic wand, and many other wonderful sleight of hand marvels are all -contained in Prof. Roltair’s cabinet. The regular price is two dollars, -but you can now obtain it, complete, postpaid, by sending fifty cents -in stamps or money order to W. S. Everett & Co., 113 Munroe Street, -Lynn, Mass., or the firm from whom you purchased this book. - - - - -The Invisible Coin. - - -“Is silver a visible or invisible thing?” What a singular question! -You will reply, certainly silver is a visible thing. A good many poor -creatures, however, are of a different opinion; and possibly they are -not altogether wrong, as we are about to show. - -Will you kindly lend me a quarter, having first marked it, that you -may know it again. Very well! There is a little handkerchief which -will serve for me to make the experiment I have promised you. In -the middle of this handkerchief, as you will perceive, I will put -the quarter, which you have marked with a small cross. I am only -folding the handkerchief that the quarter may be well wrapped up in -it; you can have no difficulty in recognizing its shape. However! -You are suspicious! I will make an improvement. There, sir, hold the -handkerchief yourself, first above the little parcel formed by the -coin. You may touch it, and convince yourself that it is still in its -place. Now, I take the handkerchief by the opposite corner, I draw it -toward me, unfolding it entirely; I then turn it over, shake it, and -wave it in the air, to convince you that the coin has disappeared. The -fact is evident. But, did you see it go? No! Certainly, then, silver is -sometimes an invisible body. - -Which fact you may prove by the foregoing process, if you have a -handkerchief in one corner of which a quarter dollar has been sewed. -You appear to put the borrowed quarter in the middle of the said -handkerchief; then, instead of this coin, which you retain in your -hand, concealed between the fore and middle fingers, you fold the -handkerchief making the little parcel in the middle with the quarter -sewed in the corner, in a sort of hem, so that the coin is not seen, -and cannot drop out. When you quickly pull the handkerchief out of the -hand which held it, the illusion is complete. - -As to the marked coin which it is easy for you to have put on the -table, or in your pocket, you may make it reappear in a cup, a box, or -anything else, which adds to the effect of the trick you have performed. - - - - -The Wizard Skeleton. - - -This is an animated figure, fourteen inches high. It represents a -skeleton, miniature but lifelike in appearance. You may pass it around -for examination, then stand it upon the floor and it will begin to -dance without any visible motive power. Just think of it! People will -imagine that ghosts or demons are near. This trick can be done in any -room very easily. The skeleton will dance to music, jump, lie down, -etc., just as you command. We will send the apparatus and secret of -Wizard Skeleton for 6 cents in stamps. Address, A. B. Courtney & Co., -493 Washington street, Lynn, Mass., or the firm from whom you purchased -this book. - - - - -Magic Writing. - - -Present a person with a slip of paper, a pen and a tumbler of water, -and desire him to dip the pen in the tumbler, and write down whatever -he pleases. When dry, the words will be invisible, but, if the paper -is immersed in the contents of the tumbler, the writing will make its -appearance quite distinctly. To perform this the pen should be a quill -one, and new, and the water in the tumbler should have one or two -crystals of sulphate of iron (green vitriol) previously dissolved in -it, while the writer should be careful the pen does not get dry in use. -When the writing has been executed, the tumbler should be taken away, -on pretence of the water being rather dirty, and wanting changing; -another similar tumbler is brought back, filled to the same height with -water, in which a few drops of tincture of galls have been poured. When -the paper is immersed in this, the writing will quickly appear. - - - - -The Columbus Egg Trick. - - -To make an egg stand on one end on any polished surface seems very -extraordinary, yet it can be done, even on a looking-glass. Now, from -the form of an egg, nothing is more liable to roll, and on nothing more -so than on a looking-glass. To accomplish this trick, let the performer -take an egg in his hand, and while he keeps talking and staring in the -face of his audience give it two or three hearty shakes; this will -break the yolk, which will sink to one end, and consequently make it -more heavy, by which when it is settled you may make it, with a steady -hand, stand upon the glass; this would be impossible while it continued -in its proper state. - - - - -The Ring and the Handkerchief. - - -Previously provide yourself with a piece of brass wire pointed at -both ends, and bent round so as to form a ring about the size of -a wedding-ring, which conceal in your hand; then commence your -performance by borrowing from a gentleman a silk pocket-handkerchief, -and from a lady a wedding-ring; request some person to hold two of -the corners of the handkerchief, and another to hold the other two, -keeping them at full stretch. You next exhibit the wedding-ring to -the company, and announce to them that you will make it pass through -the handkerchief. Then place your hand under the handkerchief, and -substituting the false ring which you have previously concealed, press -it against the centre of the handkerchief, and desire a third person -to take hold of the ring through the handkerchief, and to close his -finger and thumb through the middle of the ring. Hold the handkerchief -in this manner to show that the ring has not been placed within a fold. -Now desire the persons holding the corners of the handkerchief to let -go, the person holding the ring (through the handkerchief as already -described) still retaining his hold. Let another person now grasp -the handkerchief as tight as he pleases three or four inches below -the ring, and tell the person holding the ring to let it go, when it -will be quite evident to the company that the ring is secure within -the centre of the handkerchief. Then request the person who grasps -the handkerchief to hold a hat over it, pass your hand underneath and -open the false ring, by bending one of its points a little aside, and -bring one point gently through the handkerchief, the remainder may -easily be drawn out,--be careful to rub the hole you have made in -the handkerchief with your finger and thumb to conceal the fracture. -You then put the wedding-ring you borrowed over the outside of the -handkerchief, and desiring the person who holds the hat to take it -away, exhibit the ring (placed as described) to the company, and while -their attention is engaged, taking the opportunity of concealing, or -getting rid of the brass ring. - - - - -The Smashed Watch. - - -You request some one of the company to lend you a watch, and put it -immediately into a mortar; a few moments afterward you cause it to be -pounded, by another person, with a pestle; you exhibit the wheels, -face, mainspring, and drum barrel broken and smashed; and finally, -after a few minutes, you return the watch, whole and safe, to the -proprietor, who recognizes it. - -After all that we have said, it will easily be perceived that the -mortar must be placed near the trap in the table of which we spoke -in the last trick, and covered with a napkin, in order that the -confederate may substitute another watch. - -To produce a complete illusion in this case, you must take care to -put in the mortar a second watch, the hands, works, and case of which -should, in some degree, resemble those of the borrowed one. And this is -by no means difficult; for you can either have an understanding with -the person lending the watch, or you may manage to ask the loan of some -one whom you have seen elsewhere, and whose watch you may have had an -opportunity of examining shortly before, with a view of procuring a -similar one. - -After replacing the fragments in the mortar, cover them a second time -with the napkin, and amuse the company with a riddle or conundrum, or -by some other tricks, to give your partner time to collect all the -bits, and replace the perfect watch in the mortar. - - - - -The Magic Stick. - - -The principal actor in this trick takes his place in the center of the -room armed with a long stick, with which he describes several circles, -etc., on the carpet, at the same time muttering a mock incantation, -after which he touches one of the company (his accomplice) on the -shoulder, bidding him quit the room, preparatory to guessing on whom -the magic stick would pause in its evolutions. The magician then -touches several of the company, one after another, lightly, with his -wand, each time saying, “The wand passes,” until he allows it to pause -at one particular person, saying, “The wand rests.” His accomplice -immediately names the person _who has spoken last_; this being the one -indicated by the stick. The person leaving the room must, of course, be -within hearing, and the magician must artfully encourage the company to -keep up a conversation. - - * * * * * - -Transcriber’s Notes: - -Variations in spelling and hyphenation were retained as they appear in -the original publication, except that obvious typographical errors -have been corrected. - -Punctuation has been made consistent. - -*** END OF THE PROJECT GUTENBERG EBOOK BOOK OF PARLOR TRICKS, MULTUM -IN PARVO LIBRARY, VOL. 2, NO. 16, APRIL, 1895 *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. 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Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/68386-0.zip b/old/68386-0.zip Binary files differdeleted file mode 100644 index f054e97..0000000 --- a/old/68386-0.zip +++ /dev/null diff --git a/old/68386-h.zip b/old/68386-h.zip Binary files differdeleted file mode 100644 index 60fa5b8..0000000 --- a/old/68386-h.zip +++ /dev/null diff --git a/old/68386-h/68386-h.htm b/old/68386-h/68386-h.htm deleted file mode 100644 index 94bb88b..0000000 --- a/old/68386-h/68386-h.htm +++ /dev/null @@ -1,1200 +0,0 @@ -<!DOCTYPE html> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> -<head> - <meta charset="UTF-8" /> - <title> - Book of parlor tricks, by Anonymous—A Project Gutenberg eBook - </title> - <style> /* <![CDATA[ */ - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2 { - text-align: center; /* all headings centered */ - clear: both; -} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -.pminus1 {margin-top: -0.25em;} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tight{margin-top: 0em; margin-bottom: 0em;} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -@media print { hr.chap {display: none; visibility: hidden;} } -hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} - -div.chapter {page-break-before: always;} -.nobreak {page-break-before: avoid; - padding-top: 0;} - -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} /* page numbers */ - -.boxit{ - max-width: 23em; - padding: 1em; - border: 0.15em solid black; - margin: 0 auto; } - -.displayinline{display:inline-block; line-height:1} - -.center {text-align: center;} - -/* Images */ - -img { - max-width: 100%; - height: auto; -} - -img.w100 {width: 100%;} - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - -/* Transcriber's notes */ -.transnote {background-color: #E6E6FA; - color: black; - font-size:smaller; - padding:0.5em; - margin-bottom:5em; - font-family:sans-serif, serif; } - -/*CSS to set font sizes*/ -/*font sizes for non-header font changes*/ -.xlargefont{font-size: x-large} -.largefont{font-size: large} -.smallfont{font-size: small} -.boldfont{font-weight:bold} -.sansseriffont{font-family:sans-serif} - -/* Illustration classes */ -.illowp49 {width: 49%;} -.x-ebookmaker .illowp49 {width: 100%;} - - /* ]]> */ </style> - </head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Book of parlor tricks, Multum in parvo library, vol. 2, no. 16, April, 1895, by anonymous</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Book of parlor tricks, Multum in parvo library, vol. 2, no. 16, April, 1895</p> -<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>How to perform them</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: anonymous</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: June 23, 2022 [eBook #68386]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Demian Katz, Craig Kirkwood, and the Online Distributed Proofreading Team at https://www.pgdp.net (Images courtesy of the Digital Library@Villanova University.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK BOOK OF PARLOR TRICKS, MULTUM IN PARVO LIBRARY, VOL. 2, NO. 16, APRIL, 1895 ***</div> - -<div class="figcenter illowp49" style="max-width: 57.0625em;"> - <img id="coverpage" class="w100" src="images/cover.jpg" alt="Cover." /> -</div> - -<div style="padding-top:2em"> -<div class="boxit"> -<p class="center xlargefont sansseriffont boldfont">MULTUM IN PARVO LIBRARY.</p> - -<p class="center pminus1">Entered at the Boston Post Office as second class matter.</p> - -<hr class="full tight" /> - -<div class="center"> -<p class="displayinline xlargefont sansseriffont" style="vertical-align:top"><b>Vol. 2.</b></p> -<p class="displayinline center" style="vertical-align:top; margin-left:1.5em; margin-right:1.5em">APRIL, 1895.<br /> -Published Monthly.</p> -<p class="displayinline xlargefont sansseriffont" style="vertical-align:top"><b>No. 16.</b></p> -</div> - -<hr class="full tight" /> - -<h1 class="nobreak" style="font-size:3em; margin-top:0.25em; margin-bottom:0.5em;line-height:1.1">Book<br /> -<span class="xlargefont sansseriffont" style="vertical-align:0.25em">OF</span><br /> -Parlor<br /> -Tricks.</h1> - - -<p class="center boldfont xlargefont sansseriffont" style="margin-bottom:1em">How to Perform Them.</p> - -<hr class="full tight" style="margin-top:0.5em" /> - -<p class="center">Smallest Magazine in the world. Subscription price<br /> -50 cts. per year. Single Copies 5 cts. each.</p> - -<p class="center boldfont largefont"><span class="smallfont">PUBLISHED BY</span><br /> -A. B. COURTNEY,<br /> -Room 74, - - 45 Milk Street,<br /> -BOSTON, MASS.</p> -</div></div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum">[2]</span></p> - -<h2 class="nobreak">The Diviner.</h2> -</div> - - -<p>The point of this trick consists in divining a -word which is named, together with several others. -Two of the players commonly agree between -themselves to place it after an object that has four -legs; for instance, a quadruped, a table, etc., etc.</p> - -<p><em>Example.</em>—If Emily wishes to have Henry guess -the word which Susan has secretly told her, she -says to him, “Susan has been shopping; she has -bought a rose, a dress, some jewelry, a table, a -bonnet, a shawl——” Henry, of course, will easily -guess that the object in question is a <em>bonnet</em>, -for the word “<em>table</em>,” which precedes it, has four -legs.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">To Walk Upon a Hot Iron Bar.</h2> -</div> - - -<p>Take half an ounce of camphor, dissolve it in -two ounces of aqua vitæ, add to it one of quicksilver, -one ounce of liquid storax, which is the -droppings of myrrh, and prevents the camphor -from firing; take also two ounces of hematis, -which is a red stone, to be had at the druggists’; -and when you buy it, let them beat it into a powder -in their great mortar, for, being very hard, it cannot -well be reduced in a small one; add this to the<span class="pagenum">[3]</span> -ingredients already specified, and when you purpose -to walk upon the bar, anoint your feet well -with it, and you may do so without the slightest -danger.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Restored Ribbon.</h2> -</div> - - -<p>Have two pieces of colored ribbon of exactly the -same size and appearance, one of which, being -damped, may be secured in the palm of the hand, -previous to exhibiting. The other may be cut in -pieces and burned in a plate by the audience. -Taking now the ashes, you call for a basin of -water, with which you moisten them, stating by -the magical influence of the “cold water cure,” -the color and form of the burned ribbon will be -restored. Rubbing the damp ashes in the hand, -you draw forth, at the same time, the concealed -ribbon, which will appear to be the same that had -been consumed.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">Interesting Problems.</h2> -</div> - - -<p>By steeping an egg in vinegar for some time it -can be made pliable enough to be stuffed into a -bottle. Then restore the egg to its natural shape -by pouring water into the bottle.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">How to Drop a Tumbler on the Floor -Without Breaking It.</h2> -</div> - - -<p>This requires a steady hand and smooth table.<span class="pagenum">[4]</span> -You simply set a tumbler upon a table near the -edge and gently push the tumbler with your forefinger -until it is very nicely balanced upon the -edge of the table. Now by giving the tumbler a -very gentle push again it will fall to the floor, -striking upon its bottom edge, and remain standing -either upon its bottom or lying upon its side -perfectly sound. Be careful and have no covering -upon the table, as the less friction you can get -the surer you are to perform your trick.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">Magic Money.</h2> -</div> - - -<p>This conjuring trick is performed thus: Procure -two quarters and a half-dollar; conceal one of the -quarters in the <em>right</em> hand; lay the other quarter -and the half-dollar on a table, in full view of the -audience; now ask for two handkerchiefs; then -take the half-dollar up, and pretend to roll it in -one of the handkerchiefs; but, in lieu thereof, roll -up the quarter, which you had concealed, and retain -the half-dollar; give the handkerchief to one -of the company to hold; now take the quarter off -the table, and pretend to roll that up in the second -handkerchief; but put up the half-dollar instead; -give this handkerchief to another person, and beg -him to “hold it tight,” while you utter, “Presto! -fly!” On opening the handkerchiefs the money -will appear to have changed places. This is one -of the best tricks in this book.</p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum">[5]</span></p> - -<h2 class="nobreak">Sorcery.</h2> -</div> - - -<p>This is a somewhat singular trick. One of the -party is placed behind a screen in an adjoining -room, where he cannot possibly see the players—or -may be blindfolded. One of the party must -then call out, “Do you know Miss ——?” naming -a lady’s name. “Yes.” “Do you know her -dress?” “Yes.” “Her wreath, her slippers, -her gloves and her bracelets?” “Yes.” “Her -handkerchief?” “Yes.” “Her fan?” “Yes.” -“Well, then, since you know her dress so well, tell -me what article of her costume I am now touching?” -If the one behind the screen is acquainted -with the trick, he will, of course, answer directly, -“her bracelet,” the only article mentioned which -has the word “and” before it.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">Odd or Even.</h2> -</div> - - -<p>To tell in which hand of a person, having an odd -number in one hand and an even number in the -other, the odd or even number is. Desire the person -to multiply the number in his right hand by a -figure which is an odd number, and the number in -his left by an even one; and to say if the products -added together are odd or even. If even, the even -number is in the right hand; if odd, the even number -is in the left hand.</p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum">[6]</span></p> - -<h2 class="nobreak">To Discover Card by Weight.</h2> -</div> - - -<p>Desire any person in company to draw a card -from the pack, and when he has looked at it, to -return it to you with its face downward; then, -pretending to weigh it nicely, take notice of any -particular mark on the back of the card, which, -having done, put it among the rest of the cards, -and desire the person to shuffle them as much as -he pleases; then, receiving the pack from his -hands, you pretend to weigh each card as before, -and proceed in this way until you discover, from -the back of it, the particular card he selected.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">How Money is Saved.</h2> -</div> - - -<p>Why pay a dollar, or even twenty-five cents -each for books when we offer to send you the following -set of twelve volumes on receipt of only -ten cents. Read the list.</p> - -<p>Book of Short Stories. A collection of interesting -sketches.</p> - -<p>Mormonism Exposed, by a Mormon Slave Wife. -Telling about the secret rites of the Danites, -doings of Polygamists with their numerous wives, -etc., etc. This book is of thrilling interest.</p> - -<p>Prize Cook Book. A collection of valuable -household recipes from the best cooks in America. -If you don’t need this book yourself, some lady -will appreciate it.</p> - -<p><span class="pagenum">[7]</span></p> - -<p>Dr. Parkhurst’s Exposures. This book tells -about the celebrated exposure of dens of iniquity -in N. Y. Low life in the Metropolis is laid bare.</p> - -<p>Art of Love Making, and Guide to Etiquette. -This little volume is indeed interesting.</p> - -<p>Book of Brief Narratives. Never before published. -Very interesting.</p> - -<p>Guide to Fortune Telling and Dream Book, compiled -from the secrets of Madame Le Normand.</p> - -<p>Book of Detective Stories. Thrilling adventures -of detectives in ferreting out crime.</p> - -<p>Secrets of the Harem. A description of the -beautiful wives and slaves of the Sultan, by one -who has been there.</p> - -<p>How to Get Rich. Secrets for coining wealth, -many of which have never been published before.</p> - -<p>Marriage Manual. If you are married, or expect -to be, you should get this important book and -keep it securely under lock and key.</p> - -<p>How to Become a Lightning Calculator. By a -glance at this book you can learn to add, subtract, -multiply and divide instantaneously.</p> - -<p>To get the complete set, send ten cents, silver or -stamps, to Keystone Book Co., P. O. Box 1634, -Philadelphia, Pa., or to the firm from whom you -purchased this book. You will receive the books -promptly and will be well pleased with them.</p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p><span class="pagenum">[8]</span></p> - -<h2 class="nobreak">Eatable Candle-Ends.</h2> -</div> - - -<p>Take a large apple and cut out a few pieces in -the shape of candle-ends, round at the bottom and -flat at the top, in fact, as much like a piece of -candle as possible. Now cut some slips from a -sweet almond, as near as you can to resemble a -wick, and stick them into the imitation candles. -Light them for an instant to make the tops black, -blow them out, and they are ready for the trick. -One or two should be artfully placed in a snuffer-tray, -or candlestick; you then inform your friends -that during your “travels in the Russian Empire,” -you learned, like the Russians, to be fond of candles; -at the same time lighting your artificial -candles (the almonds will readily take fire and -flame for a few seconds), pop them into your -mouth, and swallow them one after the other.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Wonderful Hat.</h2> -</div> - - -<p>Upon a table place three pieces of bread, or any -other eatable, at a little distance from each other, -and cover each with a hat, take up the first hat, -and removing the bread put it into your mouth, -letting the company see that you swallow it, then -raise the second hat, and eat the bread which was -under that, then proceed to the third hat in the -same manner. Having eaten the three pieces,<span class="pagenum">[9]</span> -ask any person in the company to choose which -hat he would like the three pieces of bread to be -under, and when he has made his choice of one of -the hats, put it on your head, and ask him if he -does not think they are under it. By the way, if -you are interested in tricks, let us call your attention -to Prof. Roltair’s celebrated cabinet of magic. -It contains twenty-five new and startling tricks -with complete apparatus, so that you can easily -give a two hour’s entertainment. Among the numerous -tricks are: The load of articles from a -borrowed hat, such as cannon balls, cabbages, -boxes, etc.; the famous ink and water trick, with -apparatus, so that you can instantly change a -glass of ink to clear water, new and surprising -card tricks including a pack of wizard’s cards, the -famous dancing skeleton, true secret of ventriloquism, -by means of which you can learn to throw -the voice into hay-lofts, closets, trunks, etc., magic -wand, and many other wonderful sleight of hand -marvels are all contained in Prof. Roltair’s cabinet. -The regular price is two dollars, but you can -now obtain it, complete, postpaid, by sending fifty -cents in stamps or money order to W. S. Everett -& Co., 113 Munroe Street, Lynn, Mass., or the -firm from whom you purchased this book.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Invisible Coin.</h2> -</div> - - -<p>“Is silver a visible or invisible thing?” What a<span class="pagenum">[10]</span> -singular question! You will reply, certainly silver -is a visible thing. A good many poor creatures, -however, are of a different opinion; and possibly -they are not altogether wrong, as we are about to -show.</p> - -<p>Will you kindly lend me a quarter, having first -marked it, that you may know it again. Very -well! There is a little handkerchief which will -serve for me to make the experiment I have promised -you. In the middle of this handkerchief, as -you will perceive, I will put the quarter, which -you have marked with a small cross. I am only -folding the handkerchief that the quarter may be -well wrapped up in it; you can have no difficulty -in recognizing its shape. However! You are suspicious! -I will make an improvement. There, sir, -hold the handkerchief yourself, first above the -little parcel formed by the coin. You may touch -it, and convince yourself that it is still in its place. -Now, I take the handkerchief by the opposite corner, -I draw it toward me, unfolding it entirely; I -then turn it over, shake it, and wave it in the air, -to convince you that the coin has disappeared. -The fact is evident. But, did you see it go? No! -Certainly, then, silver is sometimes an invisible -body.</p> - -<p>Which fact you may prove by the foregoing -process, if you have a handkerchief in one corner<span class="pagenum">[11]</span> -of which a quarter dollar has been sewed. You -appear to put the borrowed quarter in the middle -of the said handkerchief; then, instead of this -coin, which you retain in your hand, concealed between -the fore and middle fingers, you fold the -handkerchief making the little parcel in the middle -with the quarter sewed in the corner, in a sort -of hem, so that the coin is not seen, and cannot -drop out. When you quickly pull the handkerchief -out of the hand which held it, the illusion is -complete.</p> - -<p>As to the marked coin which it is easy for you to -have put on the table, or in your pocket, you may -make it reappear in a cup, a box, or anything -else, which adds to the effect of the trick you have -performed.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Wizard Skeleton.</h2> -</div> - - -<p>This is an animated figure, fourteen inches high. -It represents a skeleton, miniature but lifelike in -appearance. You may pass it around for examination, -then stand it upon the floor and it will begin -to dance without any visible motive power. -Just think of it! People will imagine that ghosts -or demons are near. This trick can be done in any -room very easily. The skeleton will dance to -music, jump, lie down, etc., just as you command. -We will send the apparatus and secret of Wizard<span class="pagenum">[12]</span> -Skeleton for 6 cents in stamps. Address, A. B. -Courtney & Co., 493 Washington street, Lynn, -Mass., or the firm from whom you purchased this -book.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">Magic Writing.</h2> -</div> - - -<p>Present a person with a slip of paper, a pen and -a tumbler of water, and desire him to dip the pen -in the tumbler, and write down whatever he -pleases. When dry, the words will be invisible, -but, if the paper is immersed in the contents of -the tumbler, the writing will make its appearance -quite distinctly. To perform this the pen should -be a quill one, and new, and the water in the tumbler -should have one or two crystals of sulphate of -iron (green vitriol) previously dissolved in it, while -the writer should be careful the pen does not get -dry in use. When the writing has been executed, -the tumbler should be taken away, on pretence of -the water being rather dirty, and wanting changing; -another similar tumbler is brought back, -filled to the same height with water, in which a -few drops of tincture of galls have been poured. -When the paper is immersed in this, the writing -will quickly appear.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Columbus Egg Trick.</h2> -</div> - - -<p>To make an egg stand on one end on any polished -surface seems very extraordinary, yet it can<span class="pagenum">[13]</span> -be done, even on a looking-glass. Now, from the -form of an egg, nothing is more liable to roll, and -on nothing more so than on a looking-glass. To -accomplish this trick, let the performer take an -egg in his hand, and while he keeps talking and -staring in the face of his audience give it two or -three hearty shakes; this will break the yolk, -which will sink to one end, and consequently make -it more heavy, by which when it is settled you -may make it, with a steady hand, stand upon the -glass; this would be impossible while it continued -in its proper state.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Ring and the Handkerchief.</h2> -</div> - - -<p>Previously provide yourself with a piece of brass -wire pointed at both ends, and bent round so as to -form a ring about the size of a wedding-ring, -which conceal in your hand; then commence your -performance by borrowing from a gentleman a silk -pocket-handkerchief, and from a lady a wedding-ring; -request some person to hold two of the -corners of the handkerchief, and another to hold -the other two, keeping them at full stretch. You -next exhibit the wedding-ring to the company, -and announce to them that you will make it pass -through the handkerchief. Then place your hand -under the handkerchief, and substituting the false -ring which you have previously concealed, press<span class="pagenum">[14]</span> -it against the centre of the handkerchief, and desire -a third person to take hold of the ring through -the handkerchief, and to close his finger and -thumb through the middle of the ring. Hold the -handkerchief in this manner to show that the -ring has not been placed within a fold. Now desire -the persons holding the corners of the handkerchief -to let go, the person holding the ring -(through the handkerchief as already described) -still retaining his hold. Let another person now -grasp the handkerchief as tight as he pleases -three or four inches below the ring, and tell the -person holding the ring to let it go, when it will be -quite evident to the company that the ring is secure -within the centre of the handkerchief. Then -request the person who grasps the handkerchief -to hold a hat over it, pass your hand underneath -and open the false ring, by bending one of its -points a little aside, and bring one point gently -through the handkerchief, the remainder may -easily be drawn out,—be careful to rub the hole -you have made in the handkerchief with your -finger and thumb to conceal the fracture. You -then put the wedding-ring you borrowed over the -outside of the handkerchief, and desiring the person -who holds the hat to take it away, exhibit the -ring (placed as described) to the company, and -while their attention is engaged, taking the opportunity<span class="pagenum">[15]</span> -of concealing, or getting rid of the brass -ring.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Smashed Watch.</h2> -</div> - - -<p>You request some one of the company to lend -you a watch, and put it immediately into a mortar; -a few moments afterward you cause it to be -pounded, by another person, with a pestle; you -exhibit the wheels, face, mainspring, and drum -barrel broken and smashed; and finally, after a -few minutes, you return the watch, whole and -safe, to the proprietor, who recognizes it.</p> - -<p>After all that we have said, it will easily be perceived -that the mortar must be placed near the -trap in the table of which we spoke in the last -trick, and covered with a napkin, in order that the -confederate may substitute another watch.</p> - -<p>To produce a complete illusion in this case, you -must take care to put in the mortar a second -watch, the hands, works, and case of which should, -in some degree, resemble those of the borrowed -one. And this is by no means difficult; for you -can either have an understanding with the person -lending the watch, or you may manage to ask the -loan of some one whom you have seen elsewhere, -and whose watch you may have had an opportunity -of examining shortly before, with a view -of procuring a similar one.</p> - -<p><span class="pagenum">[16]</span></p> - -<p>After replacing the fragments in the mortar, -cover them a second time with the napkin, and -amuse the company with a riddle or conundrum, -or by some other tricks, to give your partner time -to collect all the bits, and replace the perfect -watch in the mortar.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">The Magic Stick.</h2> -</div> - - -<p>The principal actor in this trick takes his place -in the center of the room armed with a long stick, -with which he describes several circles, etc., on -the carpet, at the same time muttering a mock -incantation, after which he touches one of the -company (his accomplice) on the shoulder, bidding -him quit the room, preparatory to guessing -on whom the magic stick would pause in its evolutions. -The magician then touches several of the -company, one after another, lightly, with his -wand, each time saying, “The wand passes,” until -he allows it to pause at one particular person, -saying, “The wand rests.” His accomplice immediately -names the person <em>who has spoken last</em>; -this being the one indicated by the stick. The -person leaving the room must, of course, be -within hearing, and the magician must artfully -encourage the company to keep up a conversation.</p> - -<hr class="tb x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="transnote"> -<h2 style="margin-top: 0em">Transcriber’s Notes:</h2> - -<p>Variations in spelling and hyphenation were retained as they appear -in the original publication, except that obvious typographical errors -have been corrected.</p> - -<p>Punctuation has been made consistent.</p> -</div></div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK BOOK OF PARLOR TRICKS, MULTUM IN PARVO LIBRARY, VOL. 2, NO. 16, APRIL, 1895 ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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