summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:59 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:59 -0700
commitb9618f0d9eaf038befacbc502485f48016efd804 (patch)
tree322735d3050185ef24fb5562225073ead0e97775
initial commit of ebook 6682HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--6682-h.zipbin0 -> 19343 bytes
-rw-r--r--6682-h/6682-h.htm2024
-rw-r--r--6682.txt1465
-rw-r--r--6682.zipbin0 -> 17427 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/ntctw10.txt1450
-rw-r--r--old/ntctw10.zipbin0 -> 16800 bytes
9 files changed, 4955 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6682-h.zip b/6682-h.zip
new file mode 100644
index 0000000..500cf32
--- /dev/null
+++ b/6682-h.zip
Binary files differ
diff --git a/6682-h/6682-h.htm b/6682-h/6682-h.htm
new file mode 100644
index 0000000..e1292ad
--- /dev/null
+++ b/6682-h/6682-h.htm
@@ -0,0 +1,2024 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
+ "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
+
+<head>
+
+<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+
+<title>
+The Project Gutenberg E-text of Nets to Catch the Wind, by Elinor Wylie
+</title>
+
+<style type="text/css">
+body { color: black;
+ background: white;
+ margin-right: 10%;
+ margin-left: 10%;
+ font-family: "Times New Roman", serif;
+ text-align: justify }
+
+p {text-indent: 4% }
+
+p.noindent {text-indent: 0% }
+
+p.t1 {text-indent: 0% ;
+ font-size: 200%;
+ text-align: center }
+
+p.t2 {text-indent: 0% ;
+ font-size: 150%;
+ text-align: center }
+
+p.t3 {text-indent: 0% ;
+ font-size: 100%;
+ text-align: center }
+
+p.t3b {text-indent: 0% ;
+ font-size: 100%;
+ font-weight: bold;
+ text-align: center }
+
+p.t4 {text-indent: 0% ;
+ font-size: 80%;
+ text-align: center }
+
+p.t4b {text-indent: 0% ;
+ font-size: 80%;
+ font-weight: bold;
+ text-align: center }
+
+p.t5 {text-indent: 0% ;
+ font-size: 60%;
+ text-align: center }
+
+h1 { text-align: center }
+h2 { text-align: center }
+h3 { text-align: center }
+h4 { text-align: center }
+h5 { text-align: center }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%; }
+
+p.contents {text-indent: -3%;
+ margin-left: 5% }
+
+p.thought {text-indent: 0% ;
+ letter-spacing: 4em ;
+ text-align: center }
+
+p.letter {text-indent: 0%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+p.footnote {text-indent: 0% ;
+ font-size: 80%;
+ margin-left: 10% ;
+ margin-right: 10% }
+
+p.transnote {text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+p.intro {font-size: 90% ;
+ text-indent: -5% ;
+ margin-left: 5% ;
+ margin-right: 0% }
+
+p.quote {text-indent: 4% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+p.finis { font-size: larger ;
+ text-align: center ;
+ text-indent: 0% ;
+ margin-left: 0% ;
+ margin-right: 0% }
+
+</style>
+
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Nets to Catch the Wind
+
+Author: Elinor Wylie
+
+Posting Date: March 11, 2014 [EBook #6682]
+Release Date: October, 2004
+First Posted: January 12, 2003
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+
+
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+
+
+
+
+
+</pre>
+
+
+<h1>
+<br /><br /><br />
+NETS TO CATCH THE WIND
+</h1>
+
+<p class="t2">
+By ELINOR WYLIE
+</p>
+
+<p><br /><br /><br /></p>
+
+<p class="t3b">
+CONTENTS
+</p>
+
+<p class="noindent">
+<a href="#beauty">
+BEAUTY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#eagle">
+THE EAGLE AND THE MOLE
+</a>
+</p>
+
+<p class="noindent">
+<a href="#madman">
+MADMAN'S SONG
+</a>
+</p>
+
+<p class="noindent">
+<a href="#leddie">
+THE PRINKIN' LEDDIE
+</a>
+</p>
+
+<p class="noindent">
+<a href="#august">
+AUGUST
+</a>
+</p>
+
+<p class="noindent">
+<a href="#stick">
+THE CROOKED STICK
+</a>
+</p>
+
+<p class="noindent">
+<a href="#atavism">
+ATAVISM
+</a>
+</p>
+
+<p class="noindent">
+<a href="#peaches">
+WILD PEACHES
+</a>
+</p>
+
+<p class="noindent">
+<a href="#sanctuary">
+SANCTUARY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#lion">
+THE LION AND THE LAMB
+</a>
+</p>
+
+<p class="noindent">
+<a href="#bell">
+THE CHURCH-BELL
+</a>
+</p>
+
+<p class="noindent">
+<a href="#trolley">
+A CROWDED TROLLEY CAR
+</a>
+</p>
+
+<p class="noindent">
+<a href="#bells">
+BELLS IN THE RAIN
+</a>
+</p>
+
+<p class="noindent">
+<a href="#winter">
+WINTER SLEEP
+</a>
+</p>
+
+<p class="noindent">
+<a href="#mystery">
+VILLAGE MYSTERY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#sunset">
+SUNSET ON THE SPIRE
+</a>
+</p>
+
+<p class="noindent">
+<a href="#escape">
+ESCAPE
+</a>
+</p>
+
+<p class="noindent">
+<a href="#fairy">
+THE FAIRY GOLDSMITH
+</a>
+</p>
+
+<p class="noindent">
+<a href="#fire">
+"FIRE AND SLEET AND CANDLELIGHT"
+</a>
+</p>
+
+<p class="noindent">
+<a href="#blood">
+BLOOD FEUD
+</a>
+</p>
+
+<p class="noindent">
+<a href="#lullaby">
+SEA LULLABY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#nancy">
+NANCY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#lady">
+A PROUD LADY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#tortoise">
+THE TORTOISE IN ETERNITY
+</a>
+</p>
+
+<p class="noindent">
+<a href="#incantation">
+INCANTATION
+</a>
+</p>
+
+<p class="noindent">
+<a href="#silver">
+SILVER FILIGREE
+</a>
+</p>
+
+<p class="noindent">
+<a href="#falcon">
+THE FALCON
+</a>
+</p>
+
+<p class="noindent">
+<a href="#trumpets">
+BRONZE TRUMPETS AND SEA WATER--ON TURNING LATIN INTO ENGLISH
+</a>
+</p>
+
+<p class="noindent">
+<a href="#spring">
+SPRING PASTORAL
+</a>
+</p>
+
+<p class="noindent">
+<a href="#velvet">
+VELVET SHOES
+</a>
+</p>
+
+<p class="noindent">
+<a href="#valentine">
+VALENTINE
+</a>
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="beauty"></a>
+ BEAUTY<br />
+</h3>
+
+<p class="poem">
+ Say not of Beauty she is good,<br />
+ Or aught but beautiful,<br />
+ Or sleek to doves' wings of the wood<br />
+ Her wild wings of a gull.<br />
+</p>
+
+<p class="poem">
+ Call her not wicked; that word's touch<br />
+ Consumes her like a curse;<br />
+ But love her not too much, too much,<br />
+ For that is even worse.<br />
+</p>
+
+<p class="poem">
+ O, she is neither good nor bad,<br />
+ But innocent and wild!<br />
+ Enshrine her and she dies, who had<br />
+ The hard heart of a child.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="eagle"></a>
+ THE EAGLE AND THE MOLE<br />
+</h3>
+
+<p class="poem">
+ Avoid the reeking herd,<br />
+ Shun the polluted flock,<br />
+ Live like that stoic bird,<br />
+ The eagle of the rock.<br />
+</p>
+
+<p class="poem">
+ The huddled warmth of crowds<br />
+ Begets and fosters hate;<br />
+ He keeps, above the clouds,<br />
+ His cliff inviolate.<br />
+</p>
+
+<p class="poem">
+ When flocks are folded warm,<br />
+ And herds to shelter run,<br />
+ He sails above the storm,<br />
+ He stares into the sun.<br />
+</p>
+
+<p class="poem">
+ If in the eagle's track<br />
+ Your sinews cannot leap,<br />
+ Avoid the lathered pack,<br />
+ Turn from the steaming sheep.<br />
+</p>
+
+<p class="poem">
+ If you would keep your soul<br />
+ From spotted sight or sound,<br />
+ Live like the velvet mole;<br />
+ Go burrow underground.<br />
+</p>
+
+<p class="poem">
+ And there hold intercourse<br />
+ With roots of trees and stones,<br />
+ With rivers at their source,<br />
+ And disembodied bones.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="madman"></a>
+ MADMAN'S SONG<br />
+</h3>
+
+<p class="poem">
+ Better to see your cheek grown hollow,<br />
+ Better to see your temple worn,<br />
+ Than to forget to follow, follow,<br />
+ After the sound of a silver horn.<br />
+</p>
+
+<p class="poem">
+ Better to bind your brow with willow<br />
+ And follow, follow until you die,<br />
+ Than to sleep with your head on a golden pillow,<br />
+ Nor lift it up when the hunt goes by.<br />
+</p>
+
+<p class="poem">
+ Better to see your cheek grown sallow<br />
+ And your hair grown gray, so soon, so soon,<br />
+ Than to forget to hallo, hallo,<br />
+ After the milk-white hounds of the moon.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="leddie"></a>
+ THE PRINKIN' LEDDIE<br />
+</h3>
+
+<p class="poem">
+ _"The Hielan' lassies are a' for spinnin'<br />
+ The Lowlan' lassies for prinkin' and pinnin';<br />
+ My daddie w'u'd chide me, an' so w'u'd my minnie<br />
+ If I s'u'd bring hame sic a prinkin' leddie."_<br />
+</p>
+
+<p class="poem">
+ Now haud your tongue, ye haverin' coward,<br />
+ For whilst I'm young I'll go flounced an' flowered,<br />
+ In lutestring striped like the strings o' a fiddle,<br />
+ Wi' gowden girdles aboot my middle.<br />
+</p>
+
+<p class="poem">
+ In your Hielan' glen, where the rain pours steady,<br />
+ Ye'll be gay an' glad for a prinkin' leddie;<br />
+ Where the rocks are all bare an' the turf is all sodden,<br />
+ An' lassies gae sad in their homespun an' hodden.<br />
+</p>
+
+<p class="poem">
+ My silks are stiff wi' patterns o' siller,<br />
+ I've an ermine hood like the hat o' a miller,<br />
+ I've chains o' coral like rowan berries,<br />
+ An' a cramoisie mantle that cam' frae Paris.<br />
+</p>
+
+<p class="poem">
+ Ye'll be glad for the glint o' its scarlet linin'<br />
+ When the larks are up an' the sun is shinin';<br />
+ When the winds are up an' ower the heather<br />
+ Your heart'll be gay wi' my gowden feather.<br />
+</p>
+
+<p class="poem">
+ When the skies are low an' the earth is frozen,<br />
+ Ye'll be gay an' glad for the leddie ye've chosen,<br />
+ When ower the snow I go prinkin' an' prancin'<br />
+ In my wee red slippers were made for dancin'.<br />
+</p>
+
+<p class="poem">
+ It's better a leddie like Solomon's lily<br />
+ Than one that'll run like a Hielan' gillie<br />
+ A-linkin' it ower the leas, my laddie,<br />
+ In a raggedy kilt an' a belted plaidie!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="august"></a>
+ AUGUST<br />
+</h3>
+
+<p class="poem">
+ Why should this Negro insolently stride<br />
+ Down the red noonday on such noiseless feet?<br />
+ Piled in his barrow, tawnier than wheat,<br />
+ Lie heaps of smoldering daisies, somber-eyed,<br />
+ Their copper petals shriveled up with pride,<br />
+ Hot with a superfluity of heat,<br />
+ Like a great brazier borne along the street<br />
+ By captive leopards, black and burning pied.<br />
+</p>
+
+<p class="poem">
+ Are there no water-lilies, smooth as cream,<br />
+ With long stems dripping crystal? Are there none<br />
+ Like those white lilies, luminous and cool,<br />
+ Plucked from some hemlock-darkened northern stream<br />
+ By fair-haired swimmers, diving where the sun<br />
+ Scarce warms the surface of the deepest pool?<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="stick"></a>
+ THE CROOKED STICK<br />
+</h3>
+
+<p class="poem">
+ First Traveler: What's that lying in the dust?<br />
+ Second Traveler: A crooked stick.<br />
+ First Traveler: What's it worth, if you can trust<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;To arithmetic?<br />
+ Second Traveler: Isn't this a riddle?<br />
+ First Traveler: &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; No, a trick.<br />
+ Second Traveler: It's worthless. Leave it where it lies.<br />
+ First Traveler: Wait; count ten;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Rub a little dust upon your eyes;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Now, look again.<br />
+ Second Traveler: Well, and what the devil is it, then?<br />
+ First Traveler: It's the sort of crooked stick that shepherds know.<br />
+ Second Traveler: Some one's loss!<br />
+ First Traveler: Bend it, and you make of it a bow.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Break it, a cross.<br />
+ Second Traveler: But it's all grown over with moss!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="atavism"></a>
+ ATAVISM<br />
+</h3>
+
+<p class="poem">
+ I always was afraid of Somes's Pond:<br />
+ Not the little pond, by which the willow stands,<br />
+ Where laughing boys catch alewives in their hands<br />
+ In brown, bright shallows; but the one beyond.<br />
+ There, when the frost makes all the birches burn<br />
+ Yellow as cow-lilies, and the pale sky shines<br />
+ Like a polished shell between black spruce and pines,<br />
+ Some strange thing tracks us, turning where we turn.<br />
+</p>
+
+<p class="poem">
+ You'll say I dream it, being the true daughter<br />
+ Of those who in old times endured this dread.<br />
+ Look! Where the lily-stems are showing red<br />
+ A silent paddle moves below the water,<br />
+ A sliding shape has stirred them like a breath;<br />
+ Tall plumes surmount a painted mask of death.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="peaches"></a>
+ WILD PEACHES<br />
+</h3>
+
+<p class="poem">
+ 1<br />
+</p>
+
+<p class="poem">
+ When the world turns completely upside down<br />
+ You say we'll emigrate to the Eastern Shore<br />
+ Aboard a river-boat from Baltimore;<br />
+ We'll live among wild peach trees, miles from town.<br />
+ You'll wear a coonskin cap, and I a gown<br />
+ Homespun, dyed butternut's dark gold color.<br />
+ Lost, like your lotus-eating ancestor,<br />
+ We'll swim in milk and honey till we drown.<br />
+</p>
+
+<p class="poem">
+ The winter will be short, the summer long,<br />
+ The autumn amber-hued, sunny and hot,<br />
+ Tasting of cider and of scuppernong;<br />
+ All seasons sweet, but autumn best of all.<br />
+ The squirrels in their silver fur will fall<br />
+ Like falling leaves, like fruit, before your shot.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ 2<br />
+</p>
+
+<p class="poem">
+ The autumn frosts will lie upon the grass<br />
+ Like bloom on grapes of purple-brown and gold.<br />
+ The misted early mornings will be cold;<br />
+ The little puddles will be roofed with glass.<br />
+ The sun, which burns from copper into brass,<br />
+ Melts these at noon, and makes the boys unfold<br />
+ Their knitted mufflers; full as they can hold,<br />
+ Fat pockets dribble chestnuts as they pass.<br />
+</p>
+
+<p class="poem">
+ Peaches grow wild, and pigs can live in clover;<br />
+ A barrel of salted herrings lasts a year;<br />
+ The spring begins before the winter's over.<br />
+ By February you may find the skins<br />
+ Of garter snakes and water moccasins<br />
+ Dwindled and harsh, dead-white and cloudy-clear.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ 3<br />
+</p>
+
+<p class="poem">
+ When April pours the colors of a shell<br />
+ Upon the hills, when every little creek<br />
+ Is shot with silver from the Chesapeake<br />
+ In shoals new-minted by the ocean swell,<br />
+ When strawberries go begging, and the sleek<br />
+ Blue plums lie open to the blackbird's beak,<br />
+ We shall live well--we shall live very well.<br />
+</p>
+
+<p class="poem">
+ The months between the cherries and the peaches<br />
+ Are brimming cornucopias which spill<br />
+ Fruits red and purple, somber-bloomed and black;<br />
+ Then, down rich fields and frosty river beaches<br />
+ We'll trample bright persimmons, while we kill<br />
+ Bronze partridge, speckled quail, and canvas-back.<br />
+</p>
+
+<p><br /></p>
+
+<p class="poem">
+ 4<br />
+</p>
+
+<p class="poem">
+ Down to the Puritan marrow of my bones<br />
+ There's something in this richness that I hate.<br />
+ I love the look, austere, immaculate,<br />
+ Of landscapes drawn in pearly monotones.<br />
+ There's something in my very blood that owns<br />
+ Bare hills, cold silver on a sky of slate,<br />
+ A thread of water, churned to milky spate<br />
+ Streaming through slanted pastures fenced with stones.<br />
+</p>
+
+<p class="poem">
+ I love those skies, thin blue or snowy gray,<br />
+ Those fields sparse-planted, rendering meager sheaves;<br />
+ That spring, briefer than apple-blossom's breath,<br />
+ Summer, so much too beautiful to stay,<br />
+ Swift autumn, like a bonfire of leaves,<br />
+ And sleepy winter, like the sleep of death.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="sanctuary"></a>
+ SANCTUARY<br />
+</h3>
+
+<p class="poem">
+ This is the bricklayer; hear the thud<br />
+ Of his heavy load dumped down on stone.<br />
+ His lustrous bricks are brighter than blood,<br />
+ His smoking mortar whiter than bone.<br />
+</p>
+
+<p class="poem">
+ Set each sharp-edged, fire-bitten brick<br />
+ Straight by the plumb-line's shivering length;<br />
+ Make my marvelous wall so thick<br />
+ Dead nor living may shake its strength.<br />
+</p>
+
+<p class="poem">
+ Full as a crystal cup with drink<br />
+ Is my cell with dreams, and quiet, and cool....<br />
+ Stop, old man! You must leave a chink;<br />
+ How can I breathe? _You can't, you fool!_<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="lion"></a>
+ THE LION AND THE LAMB<br />
+</h3>
+
+<p class="poem">
+ I saw a Tiger's golden flank,<br />
+ I saw what food he ate,<br />
+ By a desert spring he drank;<br />
+ The Tiger's name was Hate.<br />
+</p>
+
+<p class="poem">
+ Then I saw a placid Lamb<br />
+ Lying fast asleep;<br />
+ Like a river from its dam<br />
+ Flashed the Tiger's leap.<br />
+</p>
+
+<p class="poem">
+ I saw a Lion tawny-red,<br />
+ Terrible and brave;<br />
+ The Tiger's leap overhead<br />
+ Broke like a wave.<br />
+</p>
+
+<p class="poem">
+ In sand below or sun above<br />
+ He faded like a flame.<br />
+ The Lamb said, "I am Love";<br />
+ "Lion, tell your name."<br />
+</p>
+
+<p class="poem">
+ The Lion's voice thundering<br />
+ Shook his vaulted breast,<br />
+ "I am Love. By this spring,<br />
+ Brother, let us rest."<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="bell"></a>
+ THE CHURCH-BELL<br />
+</h3>
+
+<p class="poem">
+ As I was lying in my bed<br />
+ I heard the church-bell ring;<br />
+ Before one solemn word was said<br />
+ A bird began to sing.<br />
+</p>
+
+<p class="poem">
+ I heard a dog begin to bark<br />
+ And a bold crowing cock;<br />
+ The bell, between the cold and dark,<br />
+ Tolled. It was five o'clock.<br />
+</p>
+
+<p class="poem">
+ The church-bell tolled, and the bird sang,<br />
+ A clear true voice he had;<br />
+ The cock crew, and the church-bell rang,<br />
+ I knew it had gone mad.<br />
+</p>
+
+<p class="poem">
+ A hand reached down from the dark skies,<br />
+ It took the bell-rope thong,<br />
+ The bell cried "Look! Lift up your eyes!"<br />
+ The clapper shook to song.<br />
+</p>
+
+<p class="poem">
+ The iron clapper laughed aloud,<br />
+ Like clashing wind and wave;<br />
+ The bell cried out "Be strong and proud!"<br />
+ Then, with a shout, "Be brave!"<br />
+</p>
+
+<p class="poem">
+ The rumbling of the market-carts,<br />
+ The pounding of men's feet<br />
+ Were drowned in song; "Lift up your hearts!"<br />
+ The sound was loud and sweet.<br />
+</p>
+
+<p class="poem">
+ Slow and slow the great bell swung,<br />
+ It hung in the steeple mute;<br />
+ And people tore its living tongue<br />
+ Out by the very root.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="trolley"></a>
+ A CROWDED TROLLEY CAR<br />
+</h3>
+
+<p class="poem">
+ The rain's cold grains are silver-gray<br />
+ Sharp as golden sands,<br />
+ A bell is clanging, people sway<br />
+ Hanging by their hands.<br />
+</p>
+
+<p class="poem">
+ Supple hands, or gnarled and stiff,<br />
+ Snatch and catch and grope;<br />
+ That face is yellow-pale, as if<br />
+ The fellow swung from rope.<br />
+</p>
+
+<p class="poem">
+ Dull like pebbles, sharp like knives,<br />
+ Glances strike and glare,<br />
+ Fingers tangle, Bluebeard's wives<br />
+ Dangle by the hair.<br />
+</p>
+
+<p class="poem">
+ Orchard of the strangest fruits<br />
+ Hanging from the skies;<br />
+ Brothers, yet insensate brutes<br />
+ Who fear each others' eyes.<br />
+</p>
+
+<p class="poem">
+ One man stands as free men stand,<br />
+ As if his soul might be<br />
+ Brave, unbroken; see his hand<br />
+ Nailed to an oaken tree.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="bells"></a>
+ BELLS IN THE RAIN<br />
+</h3>
+
+<p class="poem">
+ Sleep falls, with limpid drops of rain,<br />
+ Upon the steep cliffs of the town.<br />
+ Sleep falls; men are at peace again<br />
+ Awhile the small drops fall softly down.<br />
+</p>
+
+<p class="poem">
+ The bright drops ring like bells of glass<br />
+ Thinned by the wind, and lightly blown;<br />
+ Sleep cannot fall on peaceful grass<br />
+ So softly as it falls on stone.<br />
+</p>
+
+<p class="poem">
+ Peace falls unheeded on the dead<br />
+ Asleep; they have had deep peace to drink;<br />
+ Upon a live man's bloody head<br />
+ It falls most tenderly, I think.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="winter"></a>
+ WINTER SLEEP<br />
+</h3>
+
+<p class="poem">
+ When against earth a wooden heel<br />
+ Clicks as loud as stone and steel,<br />
+ When snow turns flour instead of flakes,<br />
+ And frost bakes clay as fire bakes,<br />
+ When the hard-bitten fields at last<br />
+ Crack like iron flawed in the cast,<br />
+ When the world is wicked and cross and old,<br />
+ I long to be quit of the cruel cold.<br />
+</p>
+
+<p class="poem">
+ Little birds like bubbles of glass<br />
+ Fly to other Americas,<br />
+ Birds as bright as sparkles of wine<br />
+ Fly in the night to the Argentine,<br />
+ Birds of azure and flame-birds go<br />
+ To the tropical Gulf of Mexico:<br />
+ They chase the sun, they follow the heat,<br />
+ It is sweet in their bones, O sweet, sweet, sweet!<br />
+ It's not with them that I'd love to be,<br />
+ But under the roots of the balsam tree.<br />
+</p>
+
+<p class="poem">
+ Just as the spiniest chestnut-burr<br />
+ Is lined within with the finest fur,<br />
+ So the stony-walled, snow-roofed house<br />
+ Of every squirrel and mole and mouse<br />
+ Is lined with thistledown, sea-gull's feather,<br />
+ Velvet mullein-leaf, heaped together<br />
+ With balsam and juniper, dry and curled,<br />
+ Sweeter than anything else in the world.<br />
+ O what a warm and darksome nest<br />
+ Where the wildest things are hidden to rest!<br />
+ It's there that I'd love to lie and sleep,<br />
+ Soft, soft, soft, and deep, deep, deep!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="mystery"></a>
+ VILLAGE MYSTERY<br />
+</h3>
+
+<p class="poem">
+ The woman in the pointed hood<br />
+ And cloak blue-gray like a pigeon's wing,<br />
+ Whose orchard climbs to the balsam-wood,<br />
+ Has done a cruel thing.<br />
+</p>
+
+<p class="poem">
+ To her back door-step came a ghost,<br />
+ A girl who had been ten years dead,<br />
+ She stood by the granite hitching-post<br />
+ And begged for a piece of bread.<br />
+</p>
+
+<p class="poem">
+ Now why should I, who walk alone,<br />
+ Who am ironical and proud,<br />
+ Turn, when a woman casts a stone<br />
+ At a beggar in a shroud?<br />
+</p>
+
+<p class="poem">
+ I saw the dead girl cringe and whine,<br />
+ And cower in the weeping air--<br />
+ But, oh, she was no kin of mine,<br />
+ And so I did not care!<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="sunset"></a>
+ SUNSET ON THE SPIRE<br />
+</h3>
+
+<p class="poem">
+ All that I dream<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;By day or night<br />
+ Lives in that stream<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Of lovely light.<br />
+ Here is the earth,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And there is the spire;<br />
+ This is my hearth,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And that is my fire.<br />
+ From the sun's dome<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;I am shouted proof<br />
+ That this is my home,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And that is my roof.<br />
+ Here is my food,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And here is my drink,<br />
+ And I am wooed<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;From the moon's brink.<br />
+ And the days go over,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And the nights end;<br />
+ Here is my lover,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Here is my friend.<br />
+ All that I<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Could ever ask<br />
+ Wears that sky<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Like a thin gold mask.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="escape"></a>
+ ESCAPE<br />
+</h3>
+
+<p class="poem">
+ When foxes eat the last gold grape,<br />
+ And the last white antelope is killed,<br />
+ I shall stop fighting and escape<br />
+ Into a little house I'll build.<br />
+</p>
+
+<p class="poem">
+ But first I'll shrink to fairy size,<br />
+ With a whisper no one understands,<br />
+ Making blind moons of all your eyes,<br />
+ And muddy roads of all your hands.<br />
+</p>
+
+<p class="poem">
+ And you may grope for me in vain<br />
+ In hollows under the mangrove root,<br />
+ Or where, in apple-scented rain,<br />
+ The silver wasp-nests hang like fruit.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="fairy"></a>
+ THE FAIRY GOLDSMITH<br />
+</h3>
+
+<p class="poem">
+ Here's a wonderful thing,<br />
+ A humming-bird's wing<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In hammered gold,<br />
+ And store well chosen<br />
+ Of snowflakes frozen<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In crystal cold.<br />
+</p>
+
+<p class="poem">
+ Black onyx cherries<br />
+ And mistletoe berries<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Of chrysoprase,<br />
+ Jade buds, tight shut,<br />
+ All carven and cut<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In intricate ways.<br />
+</p>
+
+<p class="poem">
+ Here, if you please<br />
+ Are little gilt bees<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In amber drops<br />
+ Which look like honey,<br />
+ Translucent and sunny,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;From clover-tops.<br />
+</p>
+
+<p class="poem">
+ Here's an elfin girl<br />
+ Of mother-of-pearl<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And moonshine made,<br />
+ With tortoise-shell hair<br />
+ Both dusky and fair<br />
+ In its light and shade.<br />
+</p>
+
+<p class="poem">
+ Here's lacquer laid thin,<br />
+ Like a scarlet skin<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;On an ivory fruit;<br />
+ And a filigree frost<br />
+ Of frail notes lost<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;From a fairy lute.<br />
+</p>
+
+<p class="poem">
+ Here's a turquoise chain<br />
+ Of sun-shower rain<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;To wear if you wish;<br />
+ And glimmering green<br />
+ With aquamarine,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;A silvery fish.<br />
+</p>
+
+<p class="poem">
+ Here are pearls all strung<br />
+ On a thread among<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Pretty pink shells;<br />
+ And bubbles blown<br />
+ From the opal stone<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Which ring like bells.<br />
+</p>
+
+<p class="poem">
+ Touch them and take them,<br />
+ But do not break them!<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Beneath your hand<br />
+ They will wither like foam<br />
+ If you carry them home<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Out of fairy-land.<br />
+</p>
+
+<p class="poem">
+ O, they never can last<br />
+ Though you hide them fast<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;From moth and from rust;<br />
+ In your monstrous day<br />
+ They will crumble away<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Into quicksilver dust.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="fire"></a>
+ "FIRE AND SLEET AND CANDLELIGHT"<br />
+</h3>
+
+<p class="poem">
+ For this you've striven<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Daring, to fail:<br />
+ Your sky is riven<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Like a tearing veil.<br />
+</p>
+
+<p class="poem">
+ For this, you've wasted<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Wings of your youth;<br />
+ Divined, and tasted<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Bitter springs of truth.<br />
+</p>
+
+<p class="poem">
+ From sand unslaked<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Twisted strong cords,<br />
+ And wandered naked<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Among trysted swords.<br />
+</p>
+
+<p class="poem">
+ There's a word unspoken,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;A knot untied.<br />
+ Whatever is broken<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;The earth may hide.<br />
+</p>
+
+<p class="poem">
+ The road was jagged<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Over sharp stones:<br />
+ Your body's too ragged<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;To cover your bones.<br />
+</p>
+
+<p class="poem">
+ The wind scatters<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Tears upon dust;<br />
+ Your soul's in tatters<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Where the spears thrust.<br />
+</p>
+
+<p class="poem">
+ Your race is ended--<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;See, it is run:<br />
+ Nothing is mended<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Under the sun.<br />
+</p>
+
+<p class="poem">
+ Straight as an arrow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;You fall to a sleep<br />
+ Not too narrow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And not too deep.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="blood"></a>
+ BLOOD FEUD<br />
+</h3>
+
+<p class="poem">
+ Once, when my husband was a child, there came<br />
+ To his father's table, one who called him kin,<br />
+ In sunbleached corduroys paler than his skin.<br />
+ His look was grave and kind; he bore the name<br />
+ Of the dead singer of Senlac, and his smile.<br />
+ Shyly and courteously he smiled and spoke;<br />
+ "I've been in the laurel since the winter broke;<br />
+ Four months, I reckon; yes, sir, quite a while."<br />
+</p>
+
+<p class="poem">
+ He'd killed a score of foemen in the past,<br />
+ In some blood-feud, a dark and monstrous thing;<br />
+ To him it seemed his duty. At the last<br />
+ His enemies found him by a forest spring,<br />
+ Which, as he died, lay bright beneath his head,<br />
+ A silver shield that slowly turned to red.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="lullaby"></a>
+ SEA LULLABY<br />
+</h3>
+
+<p class="poem">
+ The old moon is tarnished<br />
+ With smoke of the flood,<br />
+ The dead leaves are varnished<br />
+ With color like blood,<br />
+</p>
+
+<p class="poem">
+ A treacherous smiler<br />
+ With teeth white as milk,<br />
+ A savage beguiler<br />
+ In sheathings of silk,<br />
+</p>
+
+<p class="poem">
+ The sea creeps to pillage,<br />
+ She leaps on her prey;<br />
+ A child of the village<br />
+ Was murdered to-day.<br />
+</p>
+
+<p class="poem">
+ She came up to meet him<br />
+ In a smooth golden cloak,<br />
+ She choked him and beat him<br />
+ To death, for a joke.<br />
+</p>
+
+<p class="poem">
+ Her bright locks were tangled,<br />
+ She shouted for joy,<br />
+ With one hand she strangled<br />
+ A strong little boy.<br />
+</p>
+
+<p class="poem">
+ Now in silence she lingers<br />
+ Beside him all night<br />
+ To wash her long fingers<br />
+ In silvery light.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="nancy"></a>
+ NANCY<br />
+</h3>
+
+<p class="poem">
+ You are a rose, but set with sharpest spine;<br />
+ You are a pretty bird that pecks at me;<br />
+ You are a little squirrel on a tree,<br />
+ Pelting me with the prickly fruit of the pine;<br />
+ A diamond, torn from a crystal mine,<br />
+ Not like that milky treasure of the sea<br />
+ A smooth, translucent pearl, but skilfully<br />
+ Carven to cut, and faceted to shine.<br />
+</p>
+
+<p class="poem">
+ If you are flame, it dances and burns blue;<br />
+ If you are light, it pierces like a star<br />
+ Intenser than a needlepoint of ice.<br />
+ The dexterous touch that shaped the soul of you,<br />
+ Mingled, to mix, and make you what you are,<br />
+ Magic between the sugar and the spice.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="lady"></a>
+ A PROUD LADY<br />
+</h3>
+
+<p class="poem">
+ Hate in the world's hand<br />
+ Can carve and set its seal<br />
+ Like the strong blast of sand<br />
+ Which cuts into steel.<br />
+</p>
+
+<p class="poem">
+ I have seen how the finger of hate<br />
+ Can mar and mold<br />
+ Faces burned passionate<br />
+ And frozen cold.<br />
+</p>
+
+<p class="poem">
+ Sorrowful faces worn<br />
+ As stone with rain,<br />
+ Faces writhing with scorn<br />
+ And sullen with pain.<br />
+</p>
+
+<p class="poem">
+ But you have a proud face<br />
+ Which the world cannot harm,<br />
+ You have turned the pain to a grace<br />
+ And the scorn to a charm.<br />
+</p>
+
+<p class="poem">
+ You have taken the arrows and slings<br />
+ Which prick and bruise<br />
+ And fashioned them into wings<br />
+ For the heels of your shoes.<br />
+</p>
+
+<p class="poem">
+ From the world's hand which tries<br />
+ To tear you apart<br />
+ You have stolen the falcon's eyes<br />
+ And the lion's heart.<br />
+</p>
+
+<p class="poem">
+ What has it done, this world,<br />
+ With hard finger tips,<br />
+ But sweetly chiseled and curled<br />
+ Your inscrutable lips?<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="tortoise"></a>
+ THE TORTOISE IN ETERNITY<br />
+</h3>
+
+<p class="poem">
+ Within my house of patterned horn<br />
+ I sleep in such a bed<br />
+ As men may keep before they're born<br />
+ And after they are dead.<br />
+</p>
+
+<p class="poem">
+ Sticks and stones may break their bones,<br />
+ And words may make them bleed;<br />
+ There is not one of them who owns<br />
+ An armor to his need.<br />
+</p>
+
+<p class="poem">
+ Tougher than hide or lozenged bark,<br />
+ Snow-storm and thunder proof,<br />
+ And quick with sun, and thick with dark,<br />
+ Is this my darling roof.<br />
+</p>
+
+<p class="poem">
+ Men's troubled dreams of death and birth<br />
+ Pulse mother-o'-pearl to black;<br />
+ I bear the rainbow bubble Earth<br />
+ Square on my scornful back.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="incantation"></a>
+ INCANTATION<br />
+</h3>
+
+<p class="poem">
+ A white well<br />
+ In a black cave;<br />
+ A bright shell<br />
+ In a dark wave.<br />
+</p>
+
+<p class="poem">
+ A white rose<br />
+ Black brambles hood;<br />
+ Smooth bright snows<br />
+ In a dark wood.<br />
+</p>
+
+<p class="poem">
+ A flung white glove<br />
+ In a dark fight;<br />
+ A white dove<br />
+ On a wild black night.<br />
+</p>
+
+<p class="poem">
+ A white door<br />
+ In a dark lane;<br />
+ A bright core<br />
+ To bitter black pain.<br />
+</p>
+
+<p class="poem">
+ A white hand<br />
+ Waved from dark walls;<br />
+ In a burnt black land<br />
+ Bright waterfalls.<br />
+</p>
+
+<p class="poem">
+ A bright spark<br />
+ Where black ashes are;<br />
+ In the smothering dark<br />
+ One white star.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="silver"></a>
+ SILVER FILIGREE<br />
+</h3>
+
+<p class="poem">
+ The icicles wreathing<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;On trees in festoon<br />
+ Swing, swayed to our breathing:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;They're made of the moon.<br />
+</p>
+
+<p class="poem">
+ She's a pale, waxen taper;<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And these seem to drip<br />
+ Transparent as paper<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;From the flame of her tip.<br />
+</p>
+
+<p class="poem">
+ Molten, smoking a little,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Into crystal they pass;<br />
+ Falling, freezing, to brittle<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And delicate glass.<br />
+</p>
+
+<p class="poem">
+ Each a sharp-pointed flower,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Each a brief stalactite<br />
+ Which hangs for an hour<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In the blue cave of night.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="falcon"></a>
+ THE FALCON<br />
+</h3>
+
+<p class="poem">
+ Why should my sleepy heart be taught<br />
+ To whistle mocking-bird replies?<br />
+ This is another bird you've caught,<br />
+ Soft-feathered, with a falcon's eyes.<br />
+</p>
+
+<p class="poem">
+ The bird Imagination,<br />
+ That flies so far, that dies so soon;<br />
+ Her wings are colored like the sun,<br />
+ Her breast is colored like the moon.<br />
+</p>
+
+<p class="poem">
+ Weave her a chain of silver twist,<br />
+ And a little hood of scarlet wool,<br />
+ And let her perch upon your wrist,<br />
+ And tell her she is beautiful.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="trumpets"></a>
+ BRONZE TRUMPETS AND SEA WATER--<br />
+ ON TURNING LATIN INTO ENGLISH<br />
+</h3>
+
+<p class="poem">
+ Alembics turn to stranger things<br />
+ Strange things, but never while we live<br />
+ Shall magic turn this bronze that sings<br />
+ To singing water in a sieve.<br />
+</p>
+
+<p class="poem">
+ The trumpeters of Caesar's guard<br />
+ Salute his rigorous bastions<br />
+ With ordered bruit; the bronze is hard<br />
+ Though there is silver in the bronze.<br />
+</p>
+
+<p class="poem">
+ Our mutable tongue is like the sea,<br />
+ Curled wave and shattering thunder-fit;<br />
+ Dangle in strings of sand shall be<br />
+ Who smooths the ripples out of it.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="spring"></a>
+ SPRING PASTORAL<br />
+</h3>
+
+<p class="poem">
+ Liza, go steep your long white hands<br />
+ In the cool waters of that spring<br />
+ Which bubbles up through shiny sands<br />
+ The color of a wild-dove's wing.<br />
+</p>
+
+<p class="poem">
+ Dabble your hands, and steep them well<br />
+ Until those nails are pearly white<br />
+ Now rosier than a laurel bell;<br />
+ Then come to me at candle-light.<br />
+</p>
+
+<p class="poem">
+ Lay your cold hands across my brows,<br />
+ And I shall sleep, and I shall dream<br />
+ Of silver-pointed willow boughs<br />
+ Dipping their fingers in a stream.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="velvet"></a>
+ VELVET SHOES<br />
+</h3>
+
+<p class="poem">
+ Let us walk in the white snow<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In a soundless space;<br />
+ With footsteps quiet and slow,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;At a tranquil pace,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Under veils of white lace.<br />
+</p>
+
+<p class="poem">
+ I shall go shod in silk,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;And you in wool,<br />
+ White as a white cow's milk,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;More beautiful<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Than the breast of a gull.<br />
+</p>
+
+<p class="poem">
+ We shall walk through the still town<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;In a windless peace;<br />
+ We shall step upon white down,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Upon silver fleece,<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Upon softer than these.<br />
+</p>
+
+<p class="poem">
+ We shall walk in velvet shoes:<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;Wherever we go<br />
+ Silence will fall like dews<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;On white silence below.<br />
+ &nbsp;&nbsp;&nbsp;&nbsp;We shall walk in the snow.<br />
+</p>
+
+<p><br /><br /><br /></p>
+
+<h3>
+<a id="valentine"></a>
+ VALENTINE<br />
+</h3>
+
+<p class="poem">
+ Too high, too high to pluck<br />
+ My heart shall swing.<br />
+ A fruit no bee shall suck,<br />
+ No wasp shall sting.<br />
+</p>
+
+<p class="poem">
+ If on some night of cold<br />
+ It falls to ground<br />
+ In apple-leaves of gold<br />
+ I'll wrap it round.<br />
+</p>
+
+<p class="poem">
+ And I shall seal it up<br />
+ With spice and salt,<br />
+ In a carven silver cup,<br />
+ In a deep vault.<br />
+</p>
+
+<p class="poem">
+ Before my eyes are blind<br />
+ And my lips mute,<br />
+ I must eat core and rind<br />
+ Of that same fruit.<br />
+</p>
+
+<p class="poem">
+ Before my heart is dust<br />
+ At the end of all,<br />
+ Eat it I must, I must<br />
+ Were it bitter gall.<br />
+</p>
+
+<p class="poem">
+ But I shall keep it sweet<br />
+ By some strange art;<br />
+ Wild honey I shall eat<br />
+ When I eat my heart.<br />
+</p>
+
+<p class="poem">
+ O honey cool and chaste<br />
+ As clover's breath!<br />
+ Sweet Heaven I shall taste<br />
+ Before my death.<br />
+</p>
+
+<p><br /><br /><br /><br /></p>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+***** This file should be named 6682-h.htm or 6682-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/6/6/8/6682/
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+
+</html>
+
+
diff --git a/6682.txt b/6682.txt
new file mode 100644
index 0000000..00f54a4
--- /dev/null
+++ b/6682.txt
@@ -0,0 +1,1465 @@
+The Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Nets to Catch the Wind
+
+Author: Elinor Wylie
+
+Posting Date: March 11, 2014 [EBook #6682]
+Release Date: October, 2004
+First Posted: January 12, 2003
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+
+
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+
+
+
+
+
+
+
+
+
+NETS TO CATCH THE WIND
+
+By ELINOR WYLIE
+
+
+
+
+CONTENTS
+
+
+BEAUTY
+
+THE EAGLE AND THE MOLE
+
+MADMAN'S SONG
+
+THE PRINKIN' LEDDIE
+
+AUGUST
+
+THE CROOKED STICK
+
+ATAVISM
+
+WILD PEACHES
+
+SANCTUARY
+
+THE LION AND THE LAMB
+
+THE CHURCH-BELL
+
+A CROWDED TROLLEY CAR
+
+BELLS IN THE RAIN
+
+WINTER SLEEP
+
+VILLAGE MYSTERY
+
+SUNSET ON THE SPIRE
+
+ESCAPE
+
+THE FAIRY GOLDSMITH
+
+"FIRE AND SLEET AND CANDLELIGHT"
+
+BLOOD FEUD
+
+SEA LULLABY
+
+NANCY
+
+A PROUD LADY
+
+THE TORTOISE IN ETERNITY
+
+INCANTATION
+
+SILVER FILIGREE
+
+THE FALCON
+
+BRONZE TRUMPETS AND SEA WATER--ON TURNING LATIN INTO ENGLISH
+
+SPRING PASTORAL
+
+VELVET SHOES
+
+VALENTINE
+
+
+
+
+ BEAUTY
+
+
+ Say not of Beauty she is good,
+ Or aught but beautiful,
+ Or sleek to doves' wings of the wood
+ Her wild wings of a gull.
+
+ Call her not wicked; that word's touch
+ Consumes her like a curse;
+ But love her not too much, too much,
+ For that is even worse.
+
+ O, she is neither good nor bad,
+ But innocent and wild!
+ Enshrine her and she dies, who had
+ The hard heart of a child.
+
+
+
+
+ THE EAGLE AND THE MOLE
+
+
+ Avoid the reeking herd,
+ Shun the polluted flock,
+ Live like that stoic bird,
+ The eagle of the rock.
+
+ The huddled warmth of crowds
+ Begets and fosters hate;
+ He keeps, above the clouds,
+ His cliff inviolate.
+
+ When flocks are folded warm,
+ And herds to shelter run,
+ He sails above the storm,
+ He stares into the sun.
+
+ If in the eagle's track
+ Your sinews cannot leap,
+ Avoid the lathered pack,
+ Turn from the steaming sheep.
+
+ If you would keep your soul
+ From spotted sight or sound,
+ Live like the velvet mole;
+ Go burrow underground.
+
+ And there hold intercourse
+ With roots of trees and stones,
+ With rivers at their source,
+ And disembodied bones.
+
+
+
+
+ MADMAN'S SONG
+
+
+ Better to see your cheek grown hollow,
+ Better to see your temple worn,
+ Than to forget to follow, follow,
+ After the sound of a silver horn.
+
+ Better to bind your brow with willow
+ And follow, follow until you die,
+ Than to sleep with your head on a golden pillow,
+ Nor lift it up when the hunt goes by.
+
+ Better to see your cheek grown sallow
+ And your hair grown gray, so soon, so soon,
+ Than to forget to hallo, hallo,
+ After the milk-white hounds of the moon.
+
+
+
+
+ THE PRINKIN' LEDDIE
+
+
+ _"The Hielan' lassies are a' for spinnin'
+ The Lowlan' lassies for prinkin' and pinnin';
+ My daddie w'u'd chide me, an' so w'u'd my minnie
+ If I s'u'd bring hame sic a prinkin' leddie."_
+
+ Now haud your tongue, ye haverin' coward,
+ For whilst I'm young I'll go flounced an' flowered,
+ In lutestring striped like the strings o' a fiddle,
+ Wi' gowden girdles aboot my middle.
+
+ In your Hielan' glen, where the rain pours steady,
+ Ye'll be gay an' glad for a prinkin' leddie;
+ Where the rocks are all bare an' the turf is all sodden,
+ An' lassies gae sad in their homespun an' hodden.
+
+ My silks are stiff wi' patterns o' siller,
+ I've an ermine hood like the hat o' a miller,
+ I've chains o' coral like rowan berries,
+ An' a cramoisie mantle that cam' frae Paris.
+
+ Ye'll be glad for the glint o' its scarlet linin'
+ When the larks are up an' the sun is shinin';
+ When the winds are up an' ower the heather
+ Your heart'll be gay wi' my gowden feather.
+
+ When the skies are low an' the earth is frozen,
+ Ye'll be gay an' glad for the leddie ye've chosen,
+ When ower the snow I go prinkin' an' prancin'
+ In my wee red slippers were made for dancin'.
+
+ It's better a leddie like Solomon's lily
+ Than one that'll run like a Hielan' gillie
+ A-linkin' it ower the leas, my laddie,
+ In a raggedy kilt an' a belted plaidie!
+
+
+
+
+ AUGUST
+
+
+ Why should this Negro insolently stride
+ Down the red noonday on such noiseless feet?
+ Piled in his barrow, tawnier than wheat,
+ Lie heaps of smoldering daisies, somber-eyed,
+ Their copper petals shriveled up with pride,
+ Hot with a superfluity of heat,
+ Like a great brazier borne along the street
+ By captive leopards, black and burning pied.
+
+ Are there no water-lilies, smooth as cream,
+ With long stems dripping crystal? Are there none
+ Like those white lilies, luminous and cool,
+ Plucked from some hemlock-darkened northern stream
+ By fair-haired swimmers, diving where the sun
+ Scarce warms the surface of the deepest pool?
+
+
+
+
+ THE CROOKED STICK
+
+
+ First Traveler: What's that lying in the dust?
+ Second Traveler: A crooked stick.
+ First Traveler: What's it worth, if you can trust
+ To arithmetic?
+ Second Traveler: Isn't this a riddle?
+ First Traveler: No, a trick.
+ Second Traveler: It's worthless. Leave it where it lies.
+ First Traveler: Wait; count ten;
+ Rub a little dust upon your eyes;
+ Now, look again.
+ Second Traveler: Well, and what the devil is it, then?
+ First Traveler: It's the sort of crooked stick that shepherds know.
+ Second Traveler: Some one's loss!
+ First Traveler: Bend it, and you make of it a bow.
+ Break it, a cross.
+ Second Traveler: But it's all grown over with moss!
+
+
+
+
+ ATAVISM
+
+
+ I always was afraid of Somes's Pond:
+ Not the little pond, by which the willow stands,
+ Where laughing boys catch alewives in their hands
+ In brown, bright shallows; but the one beyond.
+ There, when the frost makes all the birches burn
+ Yellow as cow-lilies, and the pale sky shines
+ Like a polished shell between black spruce and pines,
+ Some strange thing tracks us, turning where we turn.
+
+ You'll say I dream it, being the true daughter
+ Of those who in old times endured this dread.
+ Look! Where the lily-stems are showing red
+ A silent paddle moves below the water,
+ A sliding shape has stirred them like a breath;
+ Tall plumes surmount a painted mask of death.
+
+
+
+
+ WILD PEACHES
+
+
+ 1
+
+ When the world turns completely upside down
+ You say we'll emigrate to the Eastern Shore
+ Aboard a river-boat from Baltimore;
+ We'll live among wild peach trees, miles from town.
+ You'll wear a coonskin cap, and I a gown
+ Homespun, dyed butternut's dark gold color.
+ Lost, like your lotus-eating ancestor,
+ We'll swim in milk and honey till we drown.
+
+ The winter will be short, the summer long,
+ The autumn amber-hued, sunny and hot,
+ Tasting of cider and of scuppernong;
+ All seasons sweet, but autumn best of all.
+ The squirrels in their silver fur will fall
+ Like falling leaves, like fruit, before your shot.
+
+
+ 2
+
+ The autumn frosts will lie upon the grass
+ Like bloom on grapes of purple-brown and gold.
+ The misted early mornings will be cold;
+ The little puddles will be roofed with glass.
+ The sun, which burns from copper into brass,
+ Melts these at noon, and makes the boys unfold
+ Their knitted mufflers; full as they can hold,
+ Fat pockets dribble chestnuts as they pass.
+
+ Peaches grow wild, and pigs can live in clover;
+ A barrel of salted herrings lasts a year;
+ The spring begins before the winter's over.
+ By February you may find the skins
+ Of garter snakes and water moccasins
+ Dwindled and harsh, dead-white and cloudy-clear.
+
+
+ 3
+
+ When April pours the colors of a shell
+ Upon the hills, when every little creek
+ Is shot with silver from the Chesapeake
+ In shoals new-minted by the ocean swell,
+ When strawberries go begging, and the sleek
+ Blue plums lie open to the blackbird's beak,
+ We shall live well--we shall live very well.
+
+ The months between the cherries and the peaches
+ Are brimming cornucopias which spill
+ Fruits red and purple, somber-bloomed and black;
+ Then, down rich fields and frosty river beaches
+ We'll trample bright persimmons, while we kill
+ Bronze partridge, speckled quail, and canvas-back.
+
+
+ 4
+
+ Down to the Puritan marrow of my bones
+ There's something in this richness that I hate.
+ I love the look, austere, immaculate,
+ Of landscapes drawn in pearly monotones.
+ There's something in my very blood that owns
+ Bare hills, cold silver on a sky of slate,
+ A thread of water, churned to milky spate
+ Streaming through slanted pastures fenced with stones.
+
+ I love those skies, thin blue or snowy gray,
+ Those fields sparse-planted, rendering meager sheaves;
+ That spring, briefer than apple-blossom's breath,
+ Summer, so much too beautiful to stay,
+ Swift autumn, like a bonfire of leaves,
+ And sleepy winter, like the sleep of death.
+
+
+
+
+ SANCTUARY
+
+
+ This is the bricklayer; hear the thud
+ Of his heavy load dumped down on stone.
+ His lustrous bricks are brighter than blood,
+ His smoking mortar whiter than bone.
+
+ Set each sharp-edged, fire-bitten brick
+ Straight by the plumb-line's shivering length;
+ Make my marvelous wall so thick
+ Dead nor living may shake its strength.
+
+ Full as a crystal cup with drink
+ Is my cell with dreams, and quiet, and cool....
+ Stop, old man! You must leave a chink;
+ How can I breathe? _You can't, you fool!_
+
+
+
+
+ THE LION AND THE LAMB
+
+
+ I saw a Tiger's golden flank,
+ I saw what food he ate,
+ By a desert spring he drank;
+ The Tiger's name was Hate.
+
+ Then I saw a placid Lamb
+ Lying fast asleep;
+ Like a river from its dam
+ Flashed the Tiger's leap.
+
+ I saw a Lion tawny-red,
+ Terrible and brave;
+ The Tiger's leap overhead
+ Broke like a wave.
+
+ In sand below or sun above
+ He faded like a flame.
+ The Lamb said, "I am Love";
+ "Lion, tell your name."
+
+ The Lion's voice thundering
+ Shook his vaulted breast,
+ "I am Love. By this spring,
+ Brother, let us rest."
+
+
+
+
+ THE CHURCH-BELL
+
+
+ As I was lying in my bed
+ I heard the church-bell ring;
+ Before one solemn word was said
+ A bird began to sing.
+
+ I heard a dog begin to bark
+ And a bold crowing cock;
+ The bell, between the cold and dark,
+ Tolled. It was five o'clock.
+
+ The church-bell tolled, and the bird sang,
+ A clear true voice he had;
+ The cock crew, and the church-bell rang,
+ I knew it had gone mad.
+
+ A hand reached down from the dark skies,
+ It took the bell-rope thong,
+ The bell cried "Look! Lift up your eyes!"
+ The clapper shook to song.
+
+ The iron clapper laughed aloud,
+ Like clashing wind and wave;
+ The bell cried out "Be strong and proud!"
+ Then, with a shout, "Be brave!"
+
+ The rumbling of the market-carts,
+ The pounding of men's feet
+ Were drowned in song; "Lift up your hearts!"
+ The sound was loud and sweet.
+
+ Slow and slow the great bell swung,
+ It hung in the steeple mute;
+ And people tore its living tongue
+ Out by the very root.
+
+
+
+
+ A CROWDED TROLLEY CAR
+
+
+ The rain's cold grains are silver-gray
+ Sharp as golden sands,
+ A bell is clanging, people sway
+ Hanging by their hands.
+
+ Supple hands, or gnarled and stiff,
+ Snatch and catch and grope;
+ That face is yellow-pale, as if
+ The fellow swung from rope.
+
+ Dull like pebbles, sharp like knives,
+ Glances strike and glare,
+ Fingers tangle, Bluebeard's wives
+ Dangle by the hair.
+
+ Orchard of the strangest fruits
+ Hanging from the skies;
+ Brothers, yet insensate brutes
+ Who fear each others' eyes.
+
+ One man stands as free men stand,
+ As if his soul might be
+ Brave, unbroken; see his hand
+ Nailed to an oaken tree.
+
+
+
+
+ BELLS IN THE RAIN
+
+
+ Sleep falls, with limpid drops of rain,
+ Upon the steep cliffs of the town.
+ Sleep falls; men are at peace again
+ Awhile the small drops fall softly down.
+
+ The bright drops ring like bells of glass
+ Thinned by the wind, and lightly blown;
+ Sleep cannot fall on peaceful grass
+ So softly as it falls on stone.
+
+ Peace falls unheeded on the dead
+ Asleep; they have had deep peace to drink;
+ Upon a live man's bloody head
+ It falls most tenderly, I think.
+
+
+
+
+ WINTER SLEEP
+
+
+ When against earth a wooden heel
+ Clicks as loud as stone and steel,
+ When snow turns flour instead of flakes,
+ And frost bakes clay as fire bakes,
+ When the hard-bitten fields at last
+ Crack like iron flawed in the cast,
+ When the world is wicked and cross and old,
+ I long to be quit of the cruel cold.
+
+ Little birds like bubbles of glass
+ Fly to other Americas,
+ Birds as bright as sparkles of wine
+ Fly in the night to the Argentine,
+ Birds of azure and flame-birds go
+ To the tropical Gulf of Mexico:
+ They chase the sun, they follow the heat,
+ It is sweet in their bones, O sweet, sweet, sweet!
+ It's not with them that I'd love to be,
+ But under the roots of the balsam tree.
+
+ Just as the spiniest chestnut-burr
+ Is lined within with the finest fur,
+ So the stony-walled, snow-roofed house
+ Of every squirrel and mole and mouse
+ Is lined with thistledown, sea-gull's feather,
+ Velvet mullein-leaf, heaped together
+ With balsam and juniper, dry and curled,
+ Sweeter than anything else in the world.
+ O what a warm and darksome nest
+ Where the wildest things are hidden to rest!
+ It's there that I'd love to lie and sleep,
+ Soft, soft, soft, and deep, deep, deep!
+
+
+
+
+ VILLAGE MYSTERY
+
+
+ The woman in the pointed hood
+ And cloak blue-gray like a pigeon's wing,
+ Whose orchard climbs to the balsam-wood,
+ Has done a cruel thing.
+
+ To her back door-step came a ghost,
+ A girl who had been ten years dead,
+ She stood by the granite hitching-post
+ And begged for a piece of bread.
+
+ Now why should I, who walk alone,
+ Who am ironical and proud,
+ Turn, when a woman casts a stone
+ At a beggar in a shroud?
+
+ I saw the dead girl cringe and whine,
+ And cower in the weeping air--
+ But, oh, she was no kin of mine,
+ And so I did not care!
+
+
+
+
+ SUNSET ON THE SPIRE
+
+
+ All that I dream
+ By day or night
+ Lives in that stream
+ Of lovely light.
+ Here is the earth,
+ And there is the spire;
+ This is my hearth,
+ And that is my fire.
+ From the sun's dome
+ I am shouted proof
+ That this is my home,
+ And that is my roof.
+ Here is my food,
+ And here is my drink,
+ And I am wooed
+ From the moon's brink.
+ And the days go over,
+ And the nights end;
+ Here is my lover,
+ Here is my friend.
+ All that I
+ Could ever ask
+ Wears that sky
+ Like a thin gold mask.
+
+
+
+
+ ESCAPE
+
+
+ When foxes eat the last gold grape,
+ And the last white antelope is killed,
+ I shall stop fighting and escape
+ Into a little house I'll build.
+
+ But first I'll shrink to fairy size,
+ With a whisper no one understands,
+ Making blind moons of all your eyes,
+ And muddy roads of all your hands.
+
+ And you may grope for me in vain
+ In hollows under the mangrove root,
+ Or where, in apple-scented rain,
+ The silver wasp-nests hang like fruit.
+
+
+
+
+ THE FAIRY GOLDSMITH
+
+
+ Here's a wonderful thing,
+ A humming-bird's wing
+ In hammered gold,
+ And store well chosen
+ Of snowflakes frozen
+ In crystal cold.
+
+ Black onyx cherries
+ And mistletoe berries
+ Of chrysoprase,
+ Jade buds, tight shut,
+ All carven and cut
+ In intricate ways.
+
+ Here, if you please
+ Are little gilt bees
+ In amber drops
+ Which look like honey,
+ Translucent and sunny,
+ From clover-tops.
+
+ Here's an elfin girl
+ Of mother-of-pearl
+ And moonshine made,
+ With tortoise-shell hair
+ Both dusky and fair
+ In its light and shade.
+
+ Here's lacquer laid thin,
+ Like a scarlet skin
+ On an ivory fruit;
+ And a filigree frost
+ Of frail notes lost
+ From a fairy lute.
+
+ Here's a turquoise chain
+ Of sun-shower rain
+ To wear if you wish;
+ And glimmering green
+ With aquamarine,
+ A silvery fish.
+
+ Here are pearls all strung
+ On a thread among
+ Pretty pink shells;
+ And bubbles blown
+ From the opal stone
+ Which ring like bells.
+
+ Touch them and take them,
+ But do not break them!
+ Beneath your hand
+ They will wither like foam
+ If you carry them home
+ Out of fairy-land.
+
+ O, they never can last
+ Though you hide them fast
+ From moth and from rust;
+ In your monstrous day
+ They will crumble away
+ Into quicksilver dust.
+
+
+
+
+ "FIRE AND SLEET AND CANDLELIGHT"
+
+
+ For this you've striven
+ Daring, to fail:
+ Your sky is riven
+ Like a tearing veil.
+
+ For this, you've wasted
+ Wings of your youth;
+ Divined, and tasted
+ Bitter springs of truth.
+
+ From sand unslaked
+ Twisted strong cords,
+ And wandered naked
+ Among trysted swords.
+
+ There's a word unspoken,
+ A knot untied.
+ Whatever is broken
+ The earth may hide.
+
+ The road was jagged
+ Over sharp stones:
+ Your body's too ragged
+ To cover your bones.
+
+ The wind scatters
+ Tears upon dust;
+ Your soul's in tatters
+ Where the spears thrust.
+
+ Your race is ended--
+ See, it is run:
+ Nothing is mended
+ Under the sun.
+
+ Straight as an arrow
+ You fall to a sleep
+ Not too narrow
+ And not too deep.
+
+
+
+
+ BLOOD FEUD
+
+
+ Once, when my husband was a child, there came
+ To his father's table, one who called him kin,
+ In sunbleached corduroys paler than his skin.
+ His look was grave and kind; he bore the name
+ Of the dead singer of Senlac, and his smile.
+ Shyly and courteously he smiled and spoke;
+ "I've been in the laurel since the winter broke;
+ Four months, I reckon; yes, sir, quite a while."
+
+ He'd killed a score of foemen in the past,
+ In some blood-feud, a dark and monstrous thing;
+ To him it seemed his duty. At the last
+ His enemies found him by a forest spring,
+ Which, as he died, lay bright beneath his head,
+ A silver shield that slowly turned to red.
+
+
+
+
+ SEA LULLABY
+
+
+ The old moon is tarnished
+ With smoke of the flood,
+ The dead leaves are varnished
+ With color like blood,
+
+ A treacherous smiler
+ With teeth white as milk,
+ A savage beguiler
+ In sheathings of silk,
+
+ The sea creeps to pillage,
+ She leaps on her prey;
+ A child of the village
+ Was murdered to-day.
+
+ She came up to meet him
+ In a smooth golden cloak,
+ She choked him and beat him
+ To death, for a joke.
+
+ Her bright locks were tangled,
+ She shouted for joy,
+ With one hand she strangled
+ A strong little boy.
+
+ Now in silence she lingers
+ Beside him all night
+ To wash her long fingers
+ In silvery light.
+
+
+
+
+ NANCY
+
+
+ You are a rose, but set with sharpest spine;
+ You are a pretty bird that pecks at me;
+ You are a little squirrel on a tree,
+ Pelting me with the prickly fruit of the pine;
+ A diamond, torn from a crystal mine,
+ Not like that milky treasure of the sea
+ A smooth, translucent pearl, but skilfully
+ Carven to cut, and faceted to shine.
+
+ If you are flame, it dances and burns blue;
+ If you are light, it pierces like a star
+ Intenser than a needlepoint of ice.
+ The dexterous touch that shaped the soul of you,
+ Mingled, to mix, and make you what you are,
+ Magic between the sugar and the spice.
+
+
+
+
+ A PROUD LADY
+
+
+ Hate in the world's hand
+ Can carve and set its seal
+ Like the strong blast of sand
+ Which cuts into steel.
+
+ I have seen how the finger of hate
+ Can mar and mold
+ Faces burned passionate
+ And frozen cold.
+
+ Sorrowful faces worn
+ As stone with rain,
+ Faces writhing with scorn
+ And sullen with pain.
+
+ But you have a proud face
+ Which the world cannot harm,
+ You have turned the pain to a grace
+ And the scorn to a charm.
+
+ You have taken the arrows and slings
+ Which prick and bruise
+ And fashioned them into wings
+ For the heels of your shoes.
+
+ From the world's hand which tries
+ To tear you apart
+ You have stolen the falcon's eyes
+ And the lion's heart.
+
+ What has it done, this world,
+ With hard finger tips,
+ But sweetly chiseled and curled
+ Your inscrutable lips?
+
+
+
+
+ THE TORTOISE IN ETERNITY
+
+
+ Within my house of patterned horn
+ I sleep in such a bed
+ As men may keep before they're born
+ And after they are dead.
+
+ Sticks and stones may break their bones,
+ And words may make them bleed;
+ There is not one of them who owns
+ An armor to his need.
+
+ Tougher than hide or lozenged bark,
+ Snow-storm and thunder proof,
+ And quick with sun, and thick with dark,
+ Is this my darling roof.
+
+ Men's troubled dreams of death and birth
+ Pulse mother-o'-pearl to black;
+ I bear the rainbow bubble Earth
+ Square on my scornful back.
+
+
+
+
+ INCANTATION
+
+
+ A white well
+ In a black cave;
+ A bright shell
+ In a dark wave.
+
+ A white rose
+ Black brambles hood;
+ Smooth bright snows
+ In a dark wood.
+
+ A flung white glove
+ In a dark fight;
+ A white dove
+ On a wild black night.
+
+ A white door
+ In a dark lane;
+ A bright core
+ To bitter black pain.
+
+ A white hand
+ Waved from dark walls;
+ In a burnt black land
+ Bright waterfalls.
+
+ A bright spark
+ Where black ashes are;
+ In the smothering dark
+ One white star.
+
+
+
+
+ SILVER FILIGREE
+
+
+ The icicles wreathing
+ On trees in festoon
+ Swing, swayed to our breathing:
+ They're made of the moon.
+
+ She's a pale, waxen taper;
+ And these seem to drip
+ Transparent as paper
+ From the flame of her tip.
+
+ Molten, smoking a little,
+ Into crystal they pass;
+ Falling, freezing, to brittle
+ And delicate glass.
+
+ Each a sharp-pointed flower,
+ Each a brief stalactite
+ Which hangs for an hour
+ In the blue cave of night.
+
+
+
+
+ THE FALCON
+
+
+ Why should my sleepy heart be taught
+ To whistle mocking-bird replies?
+ This is another bird you've caught,
+ Soft-feathered, with a falcon's eyes.
+
+ The bird Imagination,
+ That flies so far, that dies so soon;
+ Her wings are colored like the sun,
+ Her breast is colored like the moon.
+
+ Weave her a chain of silver twist,
+ And a little hood of scarlet wool,
+ And let her perch upon your wrist,
+ And tell her she is beautiful.
+
+
+
+
+ BRONZE TRUMPETS AND SEA WATER--
+ ON TURNING LATIN INTO ENGLISH
+
+
+ Alembics turn to stranger things
+ Strange things, but never while we live
+ Shall magic turn this bronze that sings
+ To singing water in a sieve.
+
+ The trumpeters of Caesar's guard
+ Salute his rigorous bastions
+ With ordered bruit; the bronze is hard
+ Though there is silver in the bronze.
+
+ Our mutable tongue is like the sea,
+ Curled wave and shattering thunder-fit;
+ Dangle in strings of sand shall be
+ Who smooths the ripples out of it.
+
+
+
+
+ SPRING PASTORAL
+
+
+ Liza, go steep your long white hands
+ In the cool waters of that spring
+ Which bubbles up through shiny sands
+ The color of a wild-dove's wing.
+
+ Dabble your hands, and steep them well
+ Until those nails are pearly white
+ Now rosier than a laurel bell;
+ Then come to me at candle-light.
+
+ Lay your cold hands across my brows,
+ And I shall sleep, and I shall dream
+ Of silver-pointed willow boughs
+ Dipping their fingers in a stream.
+
+
+
+
+ VELVET SHOES
+
+
+ Let us walk in the white snow
+ In a soundless space;
+ With footsteps quiet and slow,
+ At a tranquil pace,
+ Under veils of white lace.
+
+ I shall go shod in silk,
+ And you in wool,
+ White as a white cow's milk,
+ More beautiful
+ Than the breast of a gull.
+
+ We shall walk through the still town
+ In a windless peace;
+ We shall step upon white down,
+ Upon silver fleece,
+ Upon softer than these.
+
+ We shall walk in velvet shoes:
+ Wherever we go
+ Silence will fall like dews
+ On white silence below.
+ We shall walk in the snow.
+
+
+
+
+ VALENTINE
+
+
+ Too high, too high to pluck
+ My heart shall swing.
+ A fruit no bee shall suck,
+ No wasp shall sting.
+
+ If on some night of cold
+ It falls to ground
+ In apple-leaves of gold
+ I'll wrap it round.
+
+ And I shall seal it up
+ With spice and salt,
+ In a carven silver cup,
+ In a deep vault.
+
+ Before my eyes are blind
+ And my lips mute,
+ I must eat core and rind
+ Of that same fruit.
+
+ Before my heart is dust
+ At the end of all,
+ Eat it I must, I must
+ Were it bitter gall.
+
+ But I shall keep it sweet
+ By some strange art;
+ Wild honey I shall eat
+ When I eat my heart.
+
+ O honey cool and chaste
+ As clover's breath!
+ Sweet Heaven I shall taste
+ Before my death.
+
+
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+***** This file should be named 6682.txt or 6682.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/6/6/8/6682/
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/6682.zip b/6682.zip
new file mode 100644
index 0000000..cfbc917
--- /dev/null
+++ b/6682.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..bfc236b
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6682 (https://www.gutenberg.org/ebooks/6682)
diff --git a/old/ntctw10.txt b/old/ntctw10.txt
new file mode 100644
index 0000000..ed03c66
--- /dev/null
+++ b/old/ntctw10.txt
@@ -0,0 +1,1450 @@
+The Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Nets to Catch the Wind
+
+Author: Elinor Wylie
+
+Release Date: October, 2004 [EBook #6682]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on January 12, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+
+
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+
+
+
+
+
+
+
+
+
+NETS TO CATCH THE WIND
+
+
+
+
+By ELINOR WYLIE
+
+
+
+
+
+
+CONTENTS
+
+
+BEAUTY
+
+THE EAGLE AND THE MOLE
+
+MADMAN'S SONG
+
+THE PRINKIN' LEDDIE
+
+AUGUST
+
+THE CROOKED STICK
+
+ATAVISM
+
+WILD PEACHES
+
+SANCTUARY
+
+THE LION AND THE LAMB
+
+THE CHURCH-BELL
+
+A CROWDED TROLLEY CAR
+
+BELLS IN THE RAIN
+
+WINTER SLEEP
+
+VILLAGE MYSTERY
+
+SUNSET ON THE SPIRE
+
+ESCAPE
+
+THE FAIRY GOLDSMITH
+
+"FIRE AND SLEET AND CANDLELIGHT"
+
+BLOOD FEUD
+
+SEA LULLABY
+
+NANCY
+
+A PROUD LADY
+
+THE TORTOISE IN ETERNITY
+
+INCANTATION
+
+SILVER FILIGREE
+
+THE FALCON
+
+BRONZE TRUMPETS AND SEA WATER--ON TURNING LATIN INTO ENGLISH
+
+SPRING PASTORAL
+
+VELVET SHOES
+
+VALENTINE
+
+
+
+
+BEAUTY
+
+
+Say not of Beauty she is good,
+Or aught but beautiful,
+Or sleek to doves' wings of the wood
+Her wild wings of a gull.
+
+Call her not wicked; that word's touch
+Consumes her like a curse;
+But love her not too much, too much,
+For that is even worse.
+
+O, she is neither good nor bad,
+But innocent and wild!
+Enshrine her and she dies, who had
+The hard heart of a child.
+
+
+
+
+THE EAGLE AND THE MOLE
+
+
+Avoid the reeking herd,
+Shun the polluted flock,
+Live like that stoic bird,
+The eagle of the rock.
+
+The huddled warmth of crowds
+Begets and fosters hate;
+He keeps, above the clouds,
+His cliff inviolate.
+
+When flocks are folded warm,
+And herds to shelter run,
+He sails above the storm,
+He stares into the sun.
+
+If in the eagle's track
+Your sinews cannot leap,
+Avoid the lathered pack,
+Turn from the steaming sheep.
+
+If you would keep your soul
+From spotted sight or sound,
+Live like the velvet mole;
+Go burrow underground.
+
+And there hold intercourse
+With roots of trees and stones,
+With rivers at their source,
+And disembodied bones.
+
+
+
+
+MADMAN'S SONG
+
+
+Better to see your cheek grown hollow,
+Better to see your temple worn,
+Than to forget to follow, follow,
+After the sound of a silver horn.
+
+Better to bind your brow with willow
+And follow, follow until you die,
+Than to sleep with your head on a golden pillow,
+Nor lift it up when the hunt goes by.
+
+Better to see your cheek grown sallow
+And your hair grown gray, so soon, so soon,
+Than to forget to hallo, hallo,
+After the milk-white hounds of the moon.
+
+
+
+
+THE PRINKIN' LEDDIE
+
+
+_"The Hielan' lassies are a' for spinnin'
+The Lowlan' lassies for prinkin' and pinnin';
+My daddie w'u'd chide me, an' so w'u'd my minnie
+If I s'u'd bring hame sic a prinkin' leddie."_
+
+Now haud your tongue, ye haverin' coward,
+For whilst I'm young I'll go flounced an' flowered,
+In lutestring striped like the strings o' a fiddle,
+Wi' gowden girdles aboot my middle.
+
+In your Hielan' glen, where the rain pours steady,
+Ye'll be gay an' glad for a prinkin' leddie;
+Where the rocks are all bare an' the turf is all sodden,
+An' lassies gae sad in their homespun an' hodden.
+
+My silks are stiff wi' patterns o' siller,
+I've an ermine hood like the hat o' a miller,
+I've chains o' coral like rowan berries,
+An' a cramoisie mantle that cam' frae Paris.
+
+Ye'll be glad for the glint o' its scarlet linin'
+When the larks are up an' the sun is shinin';
+When the winds are up an' ower the heather
+Your heart'll be gay wi' my gowden feather.
+
+When the skies are low an' the earth is frozen,
+Ye'll be gay an' glad for the leddie ye've chosen,
+When ower the snow I go prinkin' an' prancin'
+In my wee red slippers were made for dancin'.
+
+It's better a leddie like Solomon's lily
+Than one that'll run like a Hielan' gillie
+A-linkin' it ower the leas, my laddie,
+In a raggedy kilt an' a belted plaidie!
+
+
+
+
+AUGUST
+
+
+Why should this Negro insolently stride
+Down the red noonday on such noiseless feet?
+Piled in his barrow, tawnier than wheat,
+Lie heaps of smoldering daisies, somber-eyed,
+Their copper petals shriveled up with pride,
+Hot with a superfluity of heat,
+Like a great brazier borne along the street
+By captive leopards, black and burning pied.
+
+Are there no water-lilies, smooth as cream,
+With long stems dripping crystal? Are there none
+Like those white lilies, luminous and cool,
+Plucked from some hemlock-darkened northern stream
+By fair-haired swimmers, diving where the sun
+Scarce warms the surface of the deepest pool?
+
+
+
+
+THE CROOKED STICK
+
+
+First Traveler: What's that lying in the dust?
+Second Traveler: A crooked stick.
+First Traveler: What's it worth, if you can trust
+ To arithmetic?
+Second Traveler: Isn't this a riddle?
+First Traveler: No, a trick.
+Second Traveler: It's worthless. Leave it where it lies.
+First Traveler: Wait; count ten;
+ Rub a little dust upon your eyes;
+ Now, look again.
+Second Traveler: Well, and what the devil is it, then?
+First Traveler: It's the sort of crooked stick that shepherds know.
+Second Traveler: Some one's loss!
+First Traveler: Bend it, and you make of it a bow.
+ Break it, a cross.
+Second Traveler: But it's all grown over with moss!
+
+
+
+
+ATAVISM
+
+
+I always was afraid of Somes's Pond:
+Not the little pond, by which the willow stands,
+Where laughing boys catch alewives in their hands
+In brown, bright shallows; but the one beyond.
+There, when the frost makes all the birches burn
+Yellow as cow-lilies, and the pale sky shines
+Like a polished shell between black spruce and pines,
+Some strange thing tracks us, turning where we turn.
+
+You'll say I dream it, being the true daughter
+Of those who in old times endured this dread.
+Look! Where the lily-stems are showing red
+A silent paddle moves below the water,
+A sliding shape has stirred them like a breath;
+Tall plumes surmount a painted mask of death.
+
+
+
+
+WILD PEACHES
+
+
+1
+
+When the world turns completely upside down
+You say we'll emigrate to the Eastern Shore
+Aboard a river-boat from Baltimore;
+We'll live among wild peach trees, miles from town.
+You'll wear a coonskin cap, and I a gown
+Homespun, dyed butternut's dark gold color.
+Lost, like your lotus-eating ancestor,
+We'll swim in milk and honey till we drown.
+
+The winter will be short, the summer long,
+The autumn amber-hued, sunny and hot,
+Tasting of cider and of scuppernong;
+All seasons sweet, but autumn best of all.
+The squirrels in their silver fur will fall
+Like falling leaves, like fruit, before your shot.
+
+
+2
+
+The autumn frosts will lie upon the grass
+Like bloom on grapes of purple-brown and gold.
+The misted early mornings will be cold;
+The little puddles will be roofed with glass.
+The sun, which burns from copper into brass,
+Melts these at noon, and makes the boys unfold
+Their knitted mufflers; full as they can hold,
+Fat pockets dribble chestnuts as they pass.
+
+Peaches grow wild, and pigs can live in clover;
+A barrel of salted herrings lasts a year;
+The spring begins before the winter's over.
+By February you may find the skins
+Of garter snakes and water moccasins
+Dwindled and harsh, dead-white and cloudy-clear.
+
+
+3
+
+When April pours the colors of a shell
+Upon the hills, when every little creek
+Is shot with silver from the Chesapeake
+In shoals new-minted by the ocean swell,
+When strawberries go begging, and the sleek
+Blue plums lie open to the blackbird's beak,
+We shall live well--we shall live very well.
+
+The months between the cherries and the peaches
+Are brimming cornucopias which spill
+Fruits red and purple, somber-bloomed and black;
+Then, down rich fields and frosty river beaches
+We'll trample bright persimmons, while we kill
+Bronze partridge, speckled quail, and canvas-back.
+
+
+4
+
+Down to the Puritan marrow of my bones
+There's something in this richness that I hate.
+I love the look, austere, immaculate,
+Of landscapes drawn in pearly monotones.
+There's something in my very blood that owns
+Bare hills, cold silver on a sky of slate,
+A thread of water, churned to milky spate
+Streaming through slanted pastures fenced with stones.
+
+I love those skies, thin blue or snowy gray,
+Those fields sparse-planted, rendering meager sheaves;
+That spring, briefer than apple-blossom's breath,
+Summer, so much too beautiful to stay,
+Swift autumn, like a bonfire of leaves,
+And sleepy winter, like the sleep of death.
+
+
+
+
+SANCTUARY
+
+
+This is the bricklayer; hear the thud
+Of his heavy load dumped down on stone.
+His lustrous bricks are brighter than blood,
+His smoking mortar whiter than bone.
+
+Set each sharp-edged, fire-bitten brick
+Straight by the plumb-line's shivering length;
+Make my marvelous wall so thick
+Dead nor living may shake its strength.
+
+Full as a crystal cup with drink
+Is my cell with dreams, and quiet, and cool....
+Stop, old man! You must leave a chink;
+How can I breathe? _You can't, you fool!_
+
+
+
+
+THE LION AND THE LAMB
+
+
+I saw a Tiger's golden flank,
+I saw what food he ate,
+By a desert spring he drank;
+The Tiger's name was Hate.
+
+Then I saw a placid Lamb
+Lying fast asleep;
+Like a river from its dam
+Flashed the Tiger's leap.
+
+I saw a Lion tawny-red,
+Terrible and brave;
+The Tiger's leap overhead
+Broke like a wave.
+
+In sand below or sun above
+He faded like a flame.
+The Lamb said, "I am Love";
+"Lion, tell your name."
+
+The Lion's voice thundering
+Shook his vaulted breast,
+"I am Love. By this spring,
+Brother, let us rest."
+
+
+
+
+THE CHURCH-BELL
+
+
+As I was lying in my bed
+I heard the church-bell ring;
+Before one solemn word was said
+A bird began to sing.
+
+I heard a dog begin to bark
+And a bold crowing cock;
+The bell, between the cold and dark,
+Tolled. It was five o'clock.
+
+The church-bell tolled, and the bird sang,
+A clear true voice he had;
+The cock crew, and the church-bell rang,
+I knew it had gone mad.
+
+A hand reached down from the dark skies,
+It took the bell-rope thong,
+The bell cried "Look! Lift up your eyes!"
+The clapper shook to song.
+
+The iron clapper laughed aloud,
+Like clashing wind and wave;
+The bell cried out "Be strong and proud!"
+Then, with a shout, "Be brave!"
+
+The rumbling of the market-carts,
+The pounding of men's feet
+Were drowned in song; "Lift up your hearts!"
+The sound was loud and sweet.
+
+Slow and slow the great bell swung,
+It hung in the steeple mute;
+And people tore its living tongue
+Out by the very root.
+
+
+
+
+A CROWDED TROLLEY CAR
+
+
+The rain's cold grains are silver-gray
+Sharp as golden sands,
+A bell is clanging, people sway
+Hanging by their hands.
+
+Supple hands, or gnarled and stiff,
+Snatch and catch and grope;
+That face is yellow-pale, as if
+The fellow swung from rope.
+
+Dull like pebbles, sharp like knives,
+Glances strike and glare,
+Fingers tangle, Bluebeard's wives
+Dangle by the hair.
+
+Orchard of the strangest fruits
+Hanging from the skies;
+Brothers, yet insensate brutes
+Who fear each others' eyes.
+
+One man stands as free men stand,
+As if his soul might be
+Brave, unbroken; see his hand
+Nailed to an oaken tree.
+
+
+
+
+BELLS IN THE RAIN
+
+
+Sleep falls, with limpid drops of rain,
+Upon the steep cliffs of the town.
+Sleep falls; men are at peace again
+Awhile the small drops fall softly down.
+
+The bright drops ring like bells of glass
+Thinned by the wind, and lightly blown;
+Sleep cannot fall on peaceful grass
+So softly as it falls on stone.
+
+Peace falls unheeded on the dead
+Asleep; they have had deep peace to drink;
+Upon a live man's bloody head
+It falls most tenderly, I think.
+
+
+
+
+WINTER SLEEP
+
+
+When against earth a wooden heel
+Clicks as loud as stone and steel,
+When snow turns flour instead of flakes,
+And frost bakes clay as fire bakes,
+When the hard-bitten fields at last
+Crack like iron flawed in the cast,
+When the world is wicked and cross and old,
+I long to be quit of the cruel cold.
+
+Little birds like bubbles of glass
+Fly to other Americas,
+Birds as bright as sparkles of wine
+Fly in the night to the Argentine,
+Birds of azure and flame-birds go
+To the tropical Gulf of Mexico:
+They chase the sun, they follow the heat,
+It is sweet in their bones, O sweet, sweet, sweet!
+It's not with them that I'd love to be,
+But under the roots of the balsam tree.
+
+Just as the spiniest chestnut-burr
+Is lined within with the finest fur,
+So the stony-walled, snow-roofed house
+Of every squirrel and mole and mouse
+Is lined with thistledown, sea-gull's feather,
+Velvet mullein-leaf, heaped together
+With balsam and juniper, dry and curled,
+Sweeter than anything else in the world.
+O what a warm and darksome nest
+Where the wildest things are hidden to rest!
+It's there that I'd love to lie and sleep,
+Soft, soft, soft, and deep, deep, deep!
+
+
+
+
+VILLAGE MYSTERY
+
+
+The woman in the pointed hood
+And cloak blue-gray like a pigeon's wing,
+Whose orchard climbs to the balsam-wood,
+Has done a cruel thing.
+
+To her back door-step came a ghost,
+A girl who had been ten years dead,
+She stood by the granite hitching-post
+And begged for a piece of bread.
+
+Now why should I, who walk alone,
+Who am ironical and proud,
+Turn, when a woman casts a stone
+At a beggar in a shroud?
+
+I saw the dead girl cringe and whine,
+And cower in the weeping air--
+But, oh, she was no kin of mine,
+And so I did not care!
+
+
+
+
+SUNSET ON THE SPIRE
+
+
+All that I dream
+ By day or night
+Lives in that stream
+ Of lovely light.
+Here is the earth,
+ And there is the spire;
+This is my hearth,
+ And that is my fire.
+From the sun's dome
+ I am shouted proof
+That this is my home,
+ And that is my roof.
+Here is my food,
+ And here is my drink,
+And I am wooed
+ From the moon's brink.
+And the days go over,
+ And the nights end;
+Here is my lover,
+ Here is my friend.
+All that I
+ Could ever ask
+Wears that sky
+ Like a thin gold mask.
+
+
+
+
+ESCAPE
+
+
+When foxes eat the last gold grape,
+And the last white antelope is killed,
+I shall stop fighting and escape
+Into a little house I'll build.
+
+But first I'll shrink to fairy size,
+With a whisper no one understands,
+Making blind moons of all your eyes,
+And muddy roads of all your hands.
+
+And you may grope for me in vain
+In hollows under the mangrove root,
+Or where, in apple-scented rain,
+The silver wasp-nests hang like fruit.
+
+
+
+
+THE FAIRY GOLDSMITH
+
+
+Here's a wonderful thing,
+A humming-bird's wing
+ In hammered gold,
+And store well chosen
+Of snowflakes frozen
+ In crystal cold.
+
+Black onyx cherries
+And mistletoe berries
+ Of chrysoprase,
+Jade buds, tight shut,
+All carven and cut
+ In intricate ways.
+
+Here, if you please
+Are little gilt bees
+ In amber drops
+Which look like honey,
+Translucent and sunny,
+ From clover-tops.
+
+Here's an elfin girl
+Of mother-of-pearl
+ And moonshine made,
+With tortoise-shell hair
+Both dusky and fair
+In its light and shade.
+
+Here's lacquer laid thin,
+Like a scarlet skin
+ On an ivory fruit;
+And a filigree frost
+Of frail notes lost
+ From a fairy lute.
+
+Here's a turquoise chain
+Of sun-shower rain
+ To wear if you wish;
+And glimmering green
+With aquamarine,
+ A silvery fish.
+
+Here are pearls all strung
+On a thread among
+ Pretty pink shells;
+And bubbles blown
+From the opal stone
+ Which ring like bells.
+
+Touch them and take them,
+But do not break them!
+ Beneath your hand
+They will wither like foam
+If you carry them home
+ Out of fairy-land.
+
+O, they never can last
+Though you hide them fast
+ From moth and from rust;
+In your monstrous day
+They will crumble away
+ Into quicksilver dust.
+
+
+
+
+"FIRE AND SLEET AND CANDLELIGHT"
+
+
+For this you've striven
+ Daring, to fail:
+Your sky is riven
+ Like a tearing veil.
+
+For this, you've wasted
+ Wings of your youth;
+Divined, and tasted
+ Bitter springs of truth.
+
+From sand unslaked
+ Twisted strong cords,
+And wandered naked
+ Among trysted swords.
+
+There's a word unspoken,
+ A knot untied.
+Whatever is broken
+ The earth may hide.
+
+The road was jagged
+ Over sharp stones:
+Your body's too ragged
+ To cover your bones.
+
+The wind scatters
+ Tears upon dust;
+Your soul's in tatters
+ Where the spears thrust.
+
+Your race is ended--
+ See, it is run:
+Nothing is mended
+ Under the sun.
+
+Straight as an arrow
+ You fall to a sleep
+Not too narrow
+ And not too deep.
+
+
+
+
+BLOOD FEUD
+
+
+Once, when my husband was a child, there came
+To his father's table, one who called him kin,
+In sunbleached corduroys paler than his skin.
+His look was grave and kind; he bore the name
+Of the dead singer of Senlac, and his smile.
+Shyly and courteously he smiled and spoke;
+"I've been in the laurel since the winter broke;
+Four months, I reckon; yes, sir, quite a while."
+
+He'd killed a score of foemen in the past,
+In some blood-feud, a dark and monstrous thing;
+To him it seemed his duty. At the last
+His enemies found him by a forest spring,
+Which, as he died, lay bright beneath his head,
+A silver shield that slowly turned to red.
+
+
+
+
+SEA LULLABY
+
+
+The old moon is tarnished
+With smoke of the flood,
+The dead leaves are varnished
+With color like blood,
+
+A treacherous smiler
+With teeth white as milk,
+A savage beguiler
+In sheathings of silk,
+
+The sea creeps to pillage,
+She leaps on her prey;
+A child of the village
+Was murdered to-day.
+
+She came up to meet him
+In a smooth golden cloak,
+She choked him and beat him
+To death, for a joke.
+
+Her bright locks were tangled,
+She shouted for joy,
+With one hand she strangled
+A strong little boy.
+
+Now in silence she lingers
+Beside him all night
+To wash her long fingers
+In silvery light.
+
+
+
+
+NANCY
+
+
+You are a rose, but set with sharpest spine;
+You are a pretty bird that pecks at me;
+You are a little squirrel on a tree,
+Pelting me with the prickly fruit of the pine;
+A diamond, torn from a crystal mine,
+Not like that milky treasure of the sea
+A smooth, translucent pearl, but skilfully
+Carven to cut, and faceted to shine.
+
+If you are flame, it dances and burns blue;
+If you are light, it pierces like a star
+Intenser than a needlepoint of ice.
+The dexterous touch that shaped the soul of you,
+Mingled, to mix, and make you what you are,
+Magic between the sugar and the spice.
+
+
+
+
+A PROUD LADY
+
+
+Hate in the world's hand
+Can carve and set its seal
+Like the strong blast of sand
+Which cuts into steel.
+
+I have seen how the finger of hate
+Can mar and mold
+Faces burned passionate
+And frozen cold.
+
+Sorrowful faces worn
+As stone with rain,
+Faces writhing with scorn
+And sullen with pain.
+
+But you have a proud face
+Which the world cannot harm,
+You have turned the pain to a grace
+And the scorn to a charm.
+
+You have taken the arrows and slings
+Which prick and bruise
+And fashioned them into wings
+For the heels of your shoes.
+
+From the world's hand which tries
+To tear you apart
+You have stolen the falcon's eyes
+And the lion's heart.
+
+What has it done, this world,
+With hard finger tips,
+But sweetly chiseled and curled
+Your inscrutable lips?
+
+
+
+
+THE TORTOISE IN ETERNITY
+
+
+Within my house of patterned horn
+I sleep in such a bed
+As men may keep before they're born
+And after they are dead.
+
+Sticks and stones may break their bones,
+And words may make them bleed;
+There is not one of them who owns
+An armor to his need.
+
+Tougher than hide or lozenged bark,
+Snow-storm and thunder proof,
+And quick with sun, and thick with dark,
+Is this my darling roof.
+
+Men's troubled dreams of death and birth
+Pulse mother-o'-pearl to black;
+I bear the rainbow bubble Earth
+Square on my scornful back.
+
+
+
+
+INCANTATION
+
+
+A white well
+In a black cave;
+A bright shell
+In a dark wave.
+
+A white rose
+Black brambles hood;
+Smooth bright snows
+In a dark wood.
+
+A flung white glove
+In a dark fight;
+A white dove
+On a wild black night.
+
+A white door
+In a dark lane;
+A bright core
+To bitter black pain.
+
+A white hand
+Waved from dark walls;
+In a burnt black land
+Bright waterfalls.
+
+A bright spark
+Where black ashes are;
+In the smothering dark
+One white star.
+
+
+
+
+SILVER FILIGREE
+
+
+The icicles wreathing
+ On trees in festoon
+Swing, swayed to our breathing:
+ They're made of the moon.
+
+She's a pale, waxen taper;
+ And these seem to drip
+Transparent as paper
+ From the flame of her tip.
+
+Molten, smoking a little,
+ Into crystal they pass;
+Falling, freezing, to brittle
+ And delicate glass.
+
+Each a sharp-pointed flower,
+ Each a brief stalactite
+Which hangs for an hour
+ In the blue cave of night.
+
+
+
+
+THE FALCON
+
+
+Why should my sleepy heart be taught
+To whistle mocking-bird replies?
+This is another bird you've caught,
+Soft-feathered, with a falcon's eyes.
+
+The bird Imagination,
+That flies so far, that dies so soon;
+Her wings are colored like the sun,
+Her breast is colored like the moon.
+
+Weave her a chain of silver twist,
+And a little hood of scarlet wool,
+And let her perch upon your wrist,
+And tell her she is beautiful.
+
+
+
+
+BRONZE TRUMPETS AND SEA WATER--
+ON TURNING LATIN INTO ENGLISH
+
+
+Alembics turn to stranger things
+Strange things, but never while we live
+Shall magic turn this bronze that sings
+To singing water in a sieve.
+
+The trumpeters of Caesar's guard
+Salute his rigorous bastions
+With ordered bruit; the bronze is hard
+Though there is silver in the bronze.
+
+Our mutable tongue is like the sea,
+Curled wave and shattering thunder-fit;
+Dangle in strings of sand shall be
+Who smooths the ripples out of it.
+
+
+
+
+SPRING PASTORAL
+
+
+Liza, go steep your long white hands
+In the cool waters of that spring
+Which bubbles up through shiny sands
+The color of a wild-dove's wing.
+
+Dabble your hands, and steep them well
+Until those nails are pearly white
+Now rosier than a laurel bell;
+Then come to me at candle-light.
+
+Lay your cold hands across my brows,
+And I shall sleep, and I shall dream
+Of silver-pointed willow boughs
+Dipping their fingers in a stream.
+
+
+
+
+VELVET SHOES
+
+
+Let us walk in the white snow
+ In a soundless space;
+With footsteps quiet and slow,
+ At a tranquil pace,
+ Under veils of white lace.
+
+I shall go shod in silk,
+ And you in wool,
+White as a white cow's milk,
+ More beautiful
+ Than the breast of a gull.
+
+We shall walk through the still town
+ In a windless peace;
+We shall step upon white down,
+ Upon silver fleece,
+ Upon softer than these.
+
+We shall walk in velvet shoes:
+ Wherever we go
+Silence will fall like dews
+ On white silence below.
+ We shall walk in the snow.
+
+
+
+
+VALENTINE
+
+
+Too high, too high to pluck
+My heart shall swing.
+A fruit no bee shall suck,
+No wasp shall sting.
+
+If on some night of cold
+It falls to ground
+In apple-leaves of gold
+I'll wrap it round.
+
+And I shall seal it up
+With spice and salt,
+In a carven silver cup,
+In a deep vault.
+
+Before my eyes are blind
+And my lips mute,
+I must eat core and rind
+Of that same fruit.
+
+Before my heart is dust
+At the end of all,
+Eat it I must, I must
+Were it bitter gall.
+
+But I shall keep it sweet
+By some strange art;
+Wild honey I shall eat
+When I eat my heart.
+
+O honey cool and chaste
+As clover's breath!
+Sweet Heaven I shall taste
+Before my death.
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Nets to Catch the Wind, by Elinor Wylie
+
+*** END OF THE PROJECT GUTENBERG EBOOK NETS TO CATCH THE WIND ***
+
+This file should be named ntctw10.txt or ntctw10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, ntctw11.txt
+VERSIONS based on separate sources get new LETTER, ntctw10a.txt
+
+Produced by Suzanne L. Shell, Tom Allen, Charles Franks
+and the Online Distributed Proofreading Team.
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/ntctw10.zip b/old/ntctw10.zip
new file mode 100644
index 0000000..8e3a7d5
--- /dev/null
+++ b/old/ntctw10.zip
Binary files differ