diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/66659-0.txt | 2225 | ||||
| -rw-r--r-- | old/66659-0.zip | bin | 47344 -> 0 bytes | |||
| -rw-r--r-- | old/66659-h.zip | bin | 333732 -> 0 bytes | |||
| -rw-r--r-- | old/66659-h/66659-h.htm | 3164 | ||||
| -rw-r--r-- | old/66659-h/images/cover.jpg | bin | 238734 -> 0 bytes | |||
| -rw-r--r-- | old/66659-h/images/header.jpg | bin | 47012 -> 0 bytes |
9 files changed, 17 insertions, 5389 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..861c10c --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #66659 (https://www.gutenberg.org/ebooks/66659) diff --git a/old/66659-0.txt b/old/66659-0.txt deleted file mode 100644 index 67d41fc..0000000 --- a/old/66659-0.txt +++ /dev/null @@ -1,2225 +0,0 @@ -The Project Gutenberg eBook of Chambers's Journal of Popular Literature, -Science, and Art, Fifth Series, No. 50, Vol. I, December 13, 1884, by -Various - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Chambers's Journal of Popular Literature, Science, and Art, - Fifth Series, No. 50, Vol. I, December 13, 1884 - -Author: Various - -Release Date: November 3, 2021 [eBook #66659] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Susan Skinner, Eric Hutton and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The Internet - Archive) - -*** START OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR -LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 50, VOL. I, DECEMBER 13, -1884 *** - - - - -[Illustration: - -CHAMBERS’S JOURNAL - -OF - -POPULAR - -LITERATURE, SCIENCE, AND ART - -Fifth Series - -ESTABLISHED BY WILLIAM AND ROBERT CHAMBERS, 1832 - -CONDUCTED BY R. CHAMBERS (SECUNDUS) - -NO. 50.—VOL. I. SATURDAY, DECEMBER 13, 1884. PRICE 1½_d._] - - - - -A GLACIER GARDEN. - - -The glacier garden lies far away on a steep hillside by the Lake of -the Forest Cantons. Close to the picturesque town of Lucerne, a little -path leads past the sandstone crag on which is hewn Thorwaldsen’s -famous monument, to the small inclosed space, overshadowed by trees, -where have recently been discovered vestiges of the most remote days -in the youth of our old mother-earth. Hidden away amongst tangled fern -and bright green grass, we see huge surfaces of native rock, some -furrowed with parallel lines, others, with curious petrifactions of -the sea; and giant boulders smoothed and polished that do not in the -least resemble the surrounding rocks, but which are travellers from the -Alps, left stranded here by the glaciers in the last great Ice Age. It -is indeed a wonderful garden, with a wonderful history, and although, -as unscientific observers, we cannot trace the different phases of -its development in the dim geological past, still, standing by these -gray old stones on which have been laid the softening and romantic -influences of countless ages, it is as if we had pages of the world’s -history unrolled before our eyes. - -The proofs of past glaciers are all around us in the grindings and -scratchings on the rocks—in the ice-worn stones—and still more in -the deep smooth circular hollows, which are perhaps the most perfect -known specimens of the singular phenomena called glacier-mills. These -erosions have been found also in Scandinavia and in the Jura Mountains, -and are caused by the rapid whirling of a stone by a stream from the -melting ice, which in the course of ages scoops out ever deeper and -wider these cavities in the rock. But in this little garden we can -trace the origin of the glacier-mills, from the tiny erosion just -commenced, to the grand basin, twenty feet in diameter, and more than -thirty feet deep, on whose smooth walls are clearly marked the spiral -windings caused by the whirling of the stone perpetually from east to -west. If you take up the glacier-stone that lies at the bottom of this -mill, you will see not only how strangely round and polished it has -become, but also that it is composed of totally different rock, and -must have been transported hither by the great Reuss glacier from the -granite slopes of the St Gothard. - -To look at these polished cavities, nobody would dream that they were -the mere evidences of the eddying action of an ice-stream upon a small -fragment of rock, and yet this is exactly what geology teaches us they -really are; indeed, there is no rock or mineral, even the flint and -agate, but what is permeable in some degree by the action of water; and -like granite and marble, most stones are softer and more easily wrought -before they are dried and hardened by air-seasoning. Are not similar -effects of the action of torrents in the erosion of rock seen in almost -every gorge through which rushes a mountain torrent? It seems all but -incredible that to a little rippling rivulet is due the tremendous -erosion of many alpine ravines, with their great height and precipitous -walls. But science tells us very strange tales, even that the mountain -streams in the present day are depressing the ridges of the Alps -and the Apennines, raising the plains of Lombardy and Provence, and -extending the coasts far into the waters of the Adriatic and the -Mediterranean. Thus it is easy to understand how, at that remote period -when a vast ice-sheet covered not only our garden but all Switzerland -from the Alps to the Jura, the loose stones which had become detached -from the moraine, and were met by some barrier in the ice whirled about -by rushing water, ground down first the ice, then the rock, and in the -wear and tear of unnumbered centuries grew round and smooth like the -basins in which they revolved. - -It is very seldom that loose fragments of rock exercise a protective -power upon the ice; but instances have been met with on the higher -glaciers of large stones warding off the rain and the radiation of -the sun from the ice immediately beneath them; so that as the glacier -wastes and lowers in the course of time, these glacier-tables remain -fixed upon elevated pillars of ice, which sometimes reach to a height -of ten or twelve feet above the general level. - -At Lucerne, it is impossible to forget, as we wander about the paths -in this archaic garden, that countless years before the great glaciers -planed away the old flora from off the face of the land, there was a -period of tropical heat and tropical vegetation which succeeded the -earliest epoch in the existence of our globe. Petrifactions of the -first stages of life are distinctly visible upon, the rocks—relics of a -primeval ocean. - -But with the story of the rocks there is mingled no trace of human -interest. For them Time has stood still and the seasons brought no -change, until a few years ago, when the ground being excavated for the -foundations of a new house, these unsuspected relics were brought to -light from amongst the sand and pebbles and ice-worn boulders. These -relics are unconnected even with the first traditions of the people of -the Alps, and had remained in quiet slumber beneath the glacial débris -for long ages before the earliest settlers raised their pile-dwellings -above the blue waters of the lake. Evidence, indeed, has been afforded -that the lacustrine dwelling-places were inhabited by generations of -men two thousand, or, as some authorities affirm, six thousand years -before the Christian era. Amongst the piles of oak, or beech, or fir -wood, rising occasionally in three or four tiers, one above another, in -the accumulated waste of animal and vegetable life found at the bottom -of the lake, were stone celts and other implements of bone or flint, -memorials of a people who perished at a period beyond the reach of the -most distant annals; very old, in an historical point of view, although -in a geological estimate they are but of yesterday. For what is the -antiquity of the earliest of these relics compared with that of the -latest records plainly written upon the smooth surface of the rocks? - -In the glacier garden we find not only the indefinable charm of a vast -antiquity, but a suggestiveness of the strange contrast between the -present and the past. On the one hand there is busy life, noise, warmth -upon the winding shores of the placid lake, magnificent mountains -girdled by forest trees, and woven in and out with verdant pastures and -far-off snow—all things lovely of the earth present before our eyes; on -the other hand, we have a glimpse into the remote and mysterious past, -when the sun shone down upon an illimitable white world of snow and ice. - - - - -ONE WOMAN’S HISTORY. - - -CHAPTER XII. - -Miss Gaisford had found a quiet nook in the lower grounds of the hotel, -well out of view from the windows, where there was little likelihood of -being disturbed by the ordinary run of visitors. Now and then, a newly -married couple, or a pair of turtle-doves who were not yet married, but -hoped to be before long, would invade her solitude; but such momentary -interruptions served rather to amuse her than otherwise. ‘Here comes -another peripatetic romance,’ she would remark to herself. ‘Now, if -those two young people would only come and sit down beside me, and -tell me all about it, first one telling me a bit and then the other, -till I knew their story by heart, they would do me a real kindness, -and save me a lot of invention. All newly married couples ought to be -compelled to write their Love Memoirs, which should afterwards be bound -in volumes (calf), and kept in a sort of Record Office, where we poor -story-tellers could have access to them whenever we happened to be hard -up for a plot.’ - -To this sheltered nook a table and chair had been brought from the -hotel, and here, on this Friday forenoon, Miss Gaisford was busy -writing. But she laid down her pen more frequently than was usual with -her when so employed, and had little fits of musing between times. - -‘I’m not i’ the mood this morning, that’s certain,’ she said at last. -‘My thoughts seem all in a muddle. I can’t get Mora out of my head. -She puzzles me and makes me uneasy. It’s mental illness, not bodily, -that keeps her to her room. Colonel Woodruffe had a long talk with her -on Wednesday, and then drove her back to the hotel, which he would -scarcely have done, I think, if he had been decisively and finally -rejected. There’s a mystery somewhere; but Mora is a woman whom one -cannot question. I have no doubt she will tell me all about it when she -feels herself at liberty to do so. Meanwhile, it’s a good lesson in -curbing that curiosity which certain cynical moralists of the inferior -sex have had the unblushing effrontery to affirm to be the bane of -ours.—But this is frivolity.’ She dipped her pen in the inkstand, and -running her eyes over the few lines last written, read them half aloud: - -‘“Next moment, Montblazon’s equipage, which was drawn by six coal-black -steeds, and preceded by two outriders in livery, drew up at the -palace gates. As the Duc alighted from his chariot, a woman, young -and beautiful, though in rags, pressed through the crowd till she -was almost near enough to have touched him. ‘For the love of heaven, -monseigneur!’ she cried in piteous accents. A gorgeously attired lackey -would have thrust her back, but an imperious gesture of Montblazon’s -jewelled hand arrested him. There was something in the expression of -the woman’s face which struck him as though it were a face seen in a -dream long ago. Montblazon, who knew not what it was to carry money -about his person, extracted from the pocket of his embroidered vest a -diamond—one of a handful which he was in the habit of carrying loose -about him to give away as whim or charity dictated—and dropped it -into the woman’s extended palm. Then without waiting for her thanks, -he strode forward up the palace stairs, and a few moments later found -himself in a saloon which was lighted by myriads of perfumed wax tapers -set in sconces of burnished silver. Montblazon, who towered a head -taller than any one there, gazed round him with a lurid smile.”’ - -‘Yes, I think that will do,’ said Miss Pen as she took another dip of -ink. ‘“Lurid smile” is not amiss.’ - -She was interrupted by the sound of footsteps. She looked up, and as -she did so, a shade of annoyance flitted across her face. ‘I thought -that I was safe from her here. I wonder how she has found me out,’ she -said to herself. - -The object of these remarks was none other than Lady Renshaw. It was -quite by accident that she had discovered Miss Gaisford. The news -told her by Mr Etheridge had excited her in no common degree; there -was no one in the hotel that she cared to talk to; so, finding it -impossible to stay indoors, she had sought relief in the open air. She -was expecting Bella and Mr Golightly back every minute; meanwhile, she -was wandering aimlessly about the grounds, and brightened up at the -sight of Miss Penelope. Here at least was some one she knew—some one -to talk to. She advanced smilingly. ‘What a number of correspondents -you must have, dear Miss Gaisford,’ said her ladyship after a few words -of greeting. ‘You seem to spend half your time in writing.’ She was -glancing sharply at Miss Pen’s closely covered sheets of manuscript. - -‘Yes, I do write a good deal,’ answered the latter as she began to -put her sheets in order. ‘I rather like it. Between you and me, when -Septimus is busy other ways, or is enjoying his holiday, I sometimes -try my hand at writing a sermon for him.’ - -‘Really now! And do the congregation never detect the difference -between your discourses and his?’ - -‘I don’t think they trouble their heads a bit about it. So long as we -don’t make use of too many hard words, and get the sermon well over in -twenty minutes, they are perfectly satisfied.’ - -Lady Renshaw was in possession of a certain secret, and although she -had given her word that she would not reveal it for the present, it -was too much to expect of poor human nature that she should not make -some allusion to it, if the opportunity were given her, especially in -conversation with another of her own sex. - -‘I understand that we are likely to have one or two important arrivals -at the hotel this evening,’ she remarked with studied indifference, as -she shook a little dust off the flounces of her dress. - -‘Indeed. A Russian Prince, an Ambassador, an Emperor travelling incog., -or whom?’ - -‘Dear me, no!—nobody of that kind. But my lips are sealed. I must not -say more.’ - -‘Then why did you say anything?’ remarked Miss Pen to herself. - -‘Still, when you come to know, I feel sure that you will be -surprised—very greatly surprised. Strange events may happen here before -to-morrow. But I dare not say more, so you must not press me.’ - -‘I won’t,’ responded Miss Pen emphatically. - -‘Why, I declare, yonder come my darling Bella and Mr Golightly! I’ve -been looking out for them this hour or more.—You will excuse me, my -dear Miss Gaisford, I’m sure.’ - -‘Certainly,’ was the uncompromising reply. - -Her ladyship smiled and nodded, and then tripped away as lightly and -gracefully as a youthful elephant might have done. - -‘Now, what _can_ the old nincompoop mean?’ asked Miss Pen of herself. -‘That there is some meaning in her words, I do not doubt. She is no -friend of Mora, I feel sure. Can what she said have any reference to -her? But I’m altogether in the dark, and it’s no use worrying. If -there’s trouble in the wind, we shall know about it soon enough.’ - - * * * * * - -‘He has proposed—I know it from his manner,’ exclaimed Lady Renshaw to -her niece as soon as they were alone in the hotel; ‘so it’s no use your -telling me that he hasn’t.’ - -‘I had no intention of telling you anything of the kind,’ answered the -girl demurely. - -‘What did you say to him in reply?’ - -‘Very little. You told me not to say much. Besides,’ added Bella slily, -‘he seemed to like to do most of the talking himself.’ - -‘Men generally do at such times.—But didn’t the young man say anything -about speaking to me?’ - -‘O yes, aunt.’ - -‘And very properly so, too. But you need not refer him to me just -at present; I will give you a hint when the proper time arrives. -Meanwhile, I hope you will not allow yourself to get entangled to such -an extent that you won’t be able to extricate yourself, should it -become necessary to do so.’ - -Bella was taken with a sudden fit of sneezing. - -‘Mr Archie Ridsdale’s affair is by no means a _fait accompli_,’ -continued her ladyship; ‘and we shall see what we shall see in the -course of the next few hours.’ She nodded her head with an air of -mystery and tried to look oracular. - -Presently Bella pleaded a headache and escaped to her own room. - - * * * * * - -Clarice was at the station at least twenty minutes before the train by -which Archie was to travel could by any possibility arrive. It showed -great remissness on the part of the railway people, considering how -anxious she was for her sweetheart’s arrival, that this very train -should be five minutes and fourteen seconds late. Such gross disregard -of the feelings of young ladies in love ought to be severely dealt with. - -At length the train steamed slowly in, with Archie’s head and half his -long body protruding from the window, to the annoyance of every other -passenger in the compartment. He was out of the train before any one -else, and as it glided slowly forward before coming to a stand, those -inside were favoured with a sort of panoramic glimpse of a very pretty -girl being seized, hugged, and unblushingly kissed by a young fellow, -to whom, at that moment, the code of small social proprieties was -evidently a dead letter. - -‘What about your father?’ asked Clarice as soon as she had recovered -her breath in some measure and had given a tug or two to her -disarranged attire. - -‘What about him?’ queried Archie, who was looking after his portmanteau. - -‘Of course he has not come down by this train, or you would have -travelled together. But I suppose you know he’s expected at the -_Palatine_ to-night—at least so Mr Etheridge told me.’ - -‘Etheridge! is he here?’ - -‘Yes; didn’t you know? He reached here a few hours after you left for -London. He brought a letter for you from your father all the way from -Spa.’ - -Archie scratched his head: even heroes go through that undignified -process occasionally. ‘Upon my word, I don’t know what to make of the -governor,’ he said. ‘He seems to get more crotchety every day. Here, -according to what you say, he sends poor Etheridge all the way from Spa -as the bearer of a letter which any other man would have intrusted to -the post; then he apparently changes his mind and telegraphs for me to -meet him in London. To London I go, and there wait, dangling my heels; -but no Mr Governor turns up. Then Blatchett receives a telegram from -somewhere—by-the-bye, he never told me where he did receive it from—in -which I am instructed to return to Windermere immediately, and am told -that my long-lost papa will meet his boy there. It’s jolly aggravating, -to say the least of it.’ - -‘Mr Etheridge says that Sir William may perhaps want to see me. O -Archie, I was never so frightened in my life!’ - -He soothed and petted her after the fashion which young men are -supposed to find effectual in such cases, and presently they drew up at -the hotel. - -They went at once to the sitting-room, the only inmates of which they -found to be Lady Renshaw, Bella, and Mr Golightly. The last had come -to inquire whether Miss Wynter would go for a row on the lake after -dinner. If she would, there was a particular boat which he would like -to engage beforehand. - -Lady Renshaw was doubtful. She was inclined to think that Bella had -caught cold on the lake in the morning. She had sneezed more than once. -It would scarcely be advisable, her ladyship thought, for Miss Wynter -to venture on the water again in the chill of the evening. Besides, the -clouds looked threatening, and to be caught in a storm on the lake, she -had been told, was dangerous. - -In short, without exactly wishing to discourage Mr Golightly, she was -desirous of damping his ardour in some measure for the time being. Till -she should be able to judge how events were likely to shape themselves, -he must not be allowed too many opportunities of being alone with -Bella; perhaps even, at the end, it might become necessary to give him -the cold shoulder altogether. - -Lady Renshaw was in the midst of her platitudes when Archie and Clarice -entered the room. On their way from the station Clarice had spoken of -her sister’s indisposition, so that Archie was prepared not to find -Madame De Vigne downstairs; but probably he had hardly counted upon -coming so unexpectedly on her ladyship. As, however, she was there, the -only possibility left him was to look as pleasant as possible. - -He greeted her with as much cordiality as he could summon up at a -moment’s notice, and then he turned to Miss Wynter, whose pretty -face he was really pleased to see again. There was a hidden meaning -laughing out of his eyes as he shook hands with her. It was as though -he had said: ‘You naughty girl, I should like to spoil your little -game, just for the fun of the thing, but I won’t.’ - -He did spoil it, however, a moment later, all unwittingly. Turning to -Dick, who appeared to be gazing abstractedly out of one of the windows, -he gave him a hearty slap on the shoulder. ‘Dulcimer, old chappie, how -are you? Delighted to see you again.’ - -Next moment he could have bitten his tongue out. - -‘Dulcimer!’ shrieked her ladyship, whose ears had caught the name. - -The young people turned and stared at each other in blank dismay. Dick -shrugged his shoulders, and was the first to recover his _sang-froid_. -The moment had come for him to take the bull by the horns. - -‘Dulcimer!’ again exclaimed her ladyship in a tone of hopeless -bewilderment, that was at once both ludicrous and pathetic, as she -glanced at the dismayed faces around her. - -‘Even so, Lady Renshaw. I am Richard Dulcimer, at your service.’ He -spoke as quietly as though he were mentioning some fact of everyday -occurrence. - -‘You, that Richard Dulcimer—that impudent pretender—that—that -cockatrice, who used to follow my niece about in London wherever she -went! No, no’—peering into his face—‘I cannot believe it. You are -amusing yourself at my expense.’ - -‘Nevertheless, unless I was changed at nurse, I am that cockatrice, -Richard Dulcimer. As any further attempt at concealment would be -useless, if your ladyship will permit me, I will enlighten you in a few -words.’ - -She only stared at him, breathing very hard, but otherwise showing by -no sign that she heard what he was saying. - -‘I had the pleasure of meeting Miss Wynter on several occasions in -London,’ resumed Dick. ‘Whether your ladyship believes it or not, I -fell in love with her, hopelessly and irremediably. I am a poor man, -and you scouted my pretensions, and forbade your niece ever to speak -to me again. It is not in my province to blame your ladyship for doing -that which you deemed to be for Miss Wynter’s advantage; but it by no -means followed that I should fall in with your views. I heard that you -and Miss Wynter were coming to this place, and I determined to follow -you. Had I not made some change in my appearance, you would at once -have recognised me, and my plans would have been frustrated. I took off -my beard and moustache, dyed my hair and eyebrows, donned a clerical -costume which I happened to have by me for another purpose, and trusted -to my good fortune to escape detection. The rest is known to your -ladyship.’ - -‘The rest—yes. You said that your name was Golightly, and you -introduced yourself to me as the son of the Bishop of Melminster, which -shows plainly what a wicked wretch you must be.’ - -‘Your ladyship must excuse me if I set you right as regards the facts -of the case. I said that my name was Golightly. So it is—Richard -Golightly Dulcimer; but I never said, nor even hinted, that I was -the son of Bishop Golightly. It was your ladyship who arrived at that -conclusion by some process of reasoning best known to yourself.’ - -‘Oh!’ was all that her ladyship could find to say at the moment. - -Archie and Clarice stole quietly out of the room. - -Lady Renshaw turned to her niece. ‘Am I to presume, Miss Wynter, that -you have been a party to this vile fraud?’ she asked in her iciest -tones. ‘Am I to understand that you have known all along that this -person was Mr Dulcimer, and that you have been cognisant of this wicked -conspiracy?’ - -Bella hung her head. - -‘Your silence convicts you. It is even so, then. I have nourished a -viper, and knew it not. But, understand me, from this time I discard -you; I cast you off; I have done with you for ever!’ - -Tears sprang to the girl’s eyes. ‘O aunt, forgive me!’ she exclaimed as -she sprang forward and tried to clasp her ladyship’s hand. - -The latter drew back a step or two and waved her away. ‘Touch me not!’ -she said. ‘Henceforth, you and I are strangers. You have chosen to -sacrifice me for the sake of this impostor. Marry him—you can do no -less now—and become a pauper’s wife for the rest of your days. That is -your fate.’ - -Lady Renshaw turned without another word, drew her skirts closer around -her, and stalked slowly out of the room. - -The weeping girl would have hurried after her, had not Dick put his arm -round her and held her fast. - -‘No,’ he said; ‘you shall not go just yet. She wants to make you -believe that she is an ill-used victim, whereas it is you who have been -the victim all along. Yes, the victim of her greed, her selfishness, -and her willingness to sacrifice you for the sake of her own social -advancement. What would she have cared whom you married, or whether you -were happy or miserable, if only, by your means, she could have climbed -one rung higher on the ladder of her ambition! Here is the proof: Now -that she finds you are no longer of use to her for the furtherance of -her schemes, she casts you off with as little compunction as she would -an old glove. Dearest, she is not worth your tears!’ - -But Bella’s tears were not so readily stanched, and for a time she -refused to be comforted. - - -CHAPTER XIII. - -Half an hour later, as Lady Renshaw was sitting alone in her room, -musing in bitterness of spirit on the mutability of human affairs, a -message was brought her. Sir William Ridsdale’s compliments to Lady -Renshaw, and would her ladyship favour him with her company for a few -minutes in his apartments? - -She rose with a sigh. Her anticipated triumph was shorn of half its -glory. Archie Ridsdale might be a free man to-morrow, and it would -matter nothing now, as far as she was concerned. Bella had made a fool -of herself, and doubtless Archie had all along been a party to the -deception. This thought coming suddenly, revived her like a stimulant. -What would her disappointment be in comparison with his humiliation -when he should learn that which his father had to tell him! Then there -was that haughty Madame De Vigne. For her, too, the hour of humiliation -was at hand. As she thought of these things, while on her way to Sir -William’s room, Lady Renshaw’s spirits rose again. She felt that life -had still some compensations for her. - -A staid-looking man-servant ushered her into the room. She gazed round; -but there was no one to be seen save Colonel Woodruffe, who was a -stranger to her, and Mr Etheridge. The latter rose and advanced with -his thin, faint smile. - -‘I was given to understand that I should find Sir William Ridsdale -here,’ said her ladyship in a somewhat aggrieved tone. - -‘I am Sir William Ridsdale, very much at your service,’ was the quiet -reply of the smiling, white-haired gentleman before her. - -Probably in the whole course of her life Lady Renshaw had never been so -much taken aback as she was at that moment. She literally gasped for -words, but none came. - -‘Will you not be seated?’ said the baronet; and with that he led her to -a chair, and then he drew up another for himself a little distance away. - -‘I will give your ladyship credit for at once appreciating the motives -by which I was influenced in acting as I have acted. I came here -incognito in order that I might be able to see and judge for myself -respecting certain matters which might possibly very materially affect -both my son’s future and my own. Archie was got out of the way for a -day or two; and the only person who knew me not to be Mr Etheridge was -my old friend here, Colonel Woodruffe, to whom, by-the-bye, I must -introduce your ladyship.’ - -‘It was really too bad of you, Sir William, to hoax us all in the way -you have done,’ simpered her ladyship when the process of introduction -to the colonel was over. She did not forget that elderly baronets have -occasionally fallen victims to the wiles of good-looking widows. ‘But -for my part, I must confess that from the first I had my suspicions -that you were not the person you gave yourself out to be. There was -about you a sort of _je ne sais quoi_, an impalpable something, which -caused me more than once to say to myself: “Any one can see that that -dear Mr Etheridge is a gentleman born and bred—one who has been in -the habit of moving in superior circles. He must have known reverses. -Evidently, at one period of his life, he has occupied a position very -different from that of an amanuensis.”’ - -‘Madam, you flatter me,’ replied the baronet with a grave inclination -of the head. ‘As I have had occasion to remark before, your ladyship’s -acumen is something phenomenal.’ - -The widow was rather doubtful as to the meaning of ‘acumen;’ but she -accepted it as a compliment. ‘And now, dear Sir William, that you have -come and seen and judged for yourself, you will have no difficulty in -making up your mind how to act.’ - -‘My mind is already made up, Lady Renshaw.’ - -‘Ah—just so. Under the painful circumstances of the case, you could -have no hesitation as to the conclusion at which you ought to arrive. -What a fortunate thing that I happened to find that scrap of paper in -the way I did!’ - -‘Very fortunate indeed, because, as I remarked this morning, it might -have fallen into the hands of some one much less discreet than your -ladyship. As it happened, however, although I did not say so to you at -the time, it told me nothing that I did not know already.’ - -‘Nothing that you did not know already!’ gasped her ladyship. - -‘Nothing. Madame De Vigne, of her own free will, had already -commissioned her friend, Colonel Woodruffe, to tell me without -reservation the whole history of her most unhappy married life.’ - -‘What an idiot the woman must be!’ was her ladyship’s unspoken comment; -but she only stared into the baronet’s face in blank amazement. -Recovering herself with an effort, she said with a cunning smile: -‘People sometimes make a merit of confessing that which they can no -longer conceal. You will know how to appraise such a statement at its -proper worth. You say that your mind is already made up, Sir William. I -think that from the first there could be no doubt as to what the result -would be.’ - -‘Very little doubt, indeed,’ he answered drily. ‘For instance, here is -a proof of it.’ - -He rose as he spoke, and crossed to the opposite side of the room, -where was a window set in an alcove, which just at present was -partially shrouded by a heavy curtain. With a quick movement of -the hand, Sir William drew back the curtain, and revealed, to Lady -Renshaw’s astonished gaze, Mr Archie Ridsdale sitting with a skein of -silk on his uplifted hands in close proximity to Miss Loraine, who was -in the act of winding the silk into a ball. The young people started -to their feet in dismay as the curtain was drawn back. It was a pretty -picture. ‘There’s no need to disturb yourselves,’ said Sir William -smilingly; ‘I only wanted to give her ladyship a pleasant surprise.’ -With that he let fall the curtain and went back to his chair. - -‘A pleasant surprise, indeed! You don’t mean to say, Sir William’—— Her -ladyship choked and stopped. - -‘I mean to say, Lady Renshaw, that in Miss Loraine you behold my son’s -future wife. He has chosen wisely and well; and that his married life -will be a happy one, I do not doubt. In the assumed character of Mr -Etheridge, I made the acquaintance of Miss Loraine, so that I am no -stranger to her sweet temper and fine disposition. If anything, she is -just a leetle too good for Master Archie.’ - -Lady Renshaw felt as if the ground were heaving under her feet. In -fact, at that moment an earthquake would hardly have astonished her. -Most truly had Sir William been termed an eccentric man: he was more -than eccentric—he was mad! She had only one shaft more left in her -quiver, but that was tipped with venom. - -‘Then poor Archie, when he marries, will be brother-in-law to a person -whose husband was or is a convict,’ she murmured presently, more as if -communing sorrowfully with herself, than addressing Sir William. Her -eyes were fixed on the cornice pole of one of the windows; and when she -shook her head, which she did with an air of profound melancholy, she -seemed to be shaking it at that useful piece of furniture. Sir William -and Colonel Woodruffe exchanged glances. Then the baronet said: ‘Will -you oblige me, Lady Renshaw?’ - -He led the way to the opposite end of the room, where anything they -might say would be less likely to be overheard by the young people -behind the curtain. ‘Yes, as your ladyship very justly observes,’ -said the baronet, ‘when my son marries Miss Loraine, he will be -brother-in-law to an ex-convict—for the fellow is alive—to a man whom I -verily believe to be one of the biggest scoundrels on the face of the -earth. It will be a great misfortune, I grant you, but one which, under -the circumstances, can in nowise be helped.’ - -‘It will be one that the world will never tire of talking about.’ - -‘Poor Madame De Vigne! I pity her from the bottom of my heart; and you -yourself, as a woman, Lady Renshaw, can hardly fail to do the same.’ - -Lady Renshaw shrugged her shoulders, but was silent. - -‘What a misfortune for her, to be entrapped through a father’s -selfishness, when a girl just fresh from school, into marriage with -such a villain!’ resumed the baronet. ‘But in what way could she -possibly have helped herself? Alas! in such a case there is no help -for a woman. When—years after he had robbed and deserted her, and had -fallen into the clutches of the law—she received the news of his death, -it was impossible that she should feel anything but thankfulness for -her release. Time went on, and she had no reason to doubt the fact of -her widowhood, when suddenly, only three days ago, her husband turned -up—here! I have told you all this, Lady Renshaw, in order that you may -know the truth of the case as it now stands, and not be led away by any -distorted version of it. Ah, poor Madame De Vigne! How was she to help -herself?’ - -‘That is not a question I am called upon to answer—it is not one that -the world will even condescend to ask. The fact still remains that she -is a convict’s wife, and as such the world will judge her.’ - -‘Yes, yes; I know that what we term the world deals very hardly in such -matters—that the innocent are too often confounded with the guilty. -But in this case at least, the world need never be any wiser than it -is now. The secret of Madame De Vigne’s life is known to three people -only—to you, whom a singular accident put in possession of part of it; -to Colonel Woodruffe; and to myself. Not even her sister is acquainted -with the story of her married life. Such being the case, we three have -only to keep our own counsel; we have only to determine that not one -word of what we know respecting this most unhappy history shall ever -pass our lips, and loyally and faithfully carry out that determination, -and the world need never know more of the past life of Madame De Vigne -than it knows at the present moment. As for the fellow himself, I shall -know how to keep his tongue quiet. I am sure that you agree with me, -dear Lady Renshaw.’ - -A vindictive gleam came into her ladyship’s eyes. The time had come -for her to show her claws. Such a moment compensated for much that had -preceded it. - -She laughed a little discordant laugh. ‘Really, Sir William, who would -have thought there was so much latent romance in your composition? -Who would have dreamt of your setting up as the champion of Beauty in -distress? To be sure, if you persevere in your present arrangements, -this Madame De Vigne will become a connection of your own, and regarded -from that point of view, I can quite understand your anxiety to hush -up the particulars of her very ugly story. Family scandals are things -always to be avoided, are they not, Sir William?’ - -‘Always, Lady Renshaw—when practicable.’ - -‘Just so. But as Madame De Vigne, thank heaven! will be no connection -of mine either near or distant, you will pardon me if I hardly see -the necessity for such extreme reticence on my part. The world will -get to know that I have been mixed up to a certain extent in this -affair—somehow, it always does get to know such things—and I shall -be questioned on every side. What am I to say? What reply am I to -make to such questions? Am I to tell an untruth, and say that I know -nothing—that I am in absolute ignorance? Or am I to prevaricate, and -insinuate, for instance, that Madame De Vigne is a lady of the highest -respectability and of unblemished antecedents—a person, in short, whom -any family might be proud to count as one of themselves? You will -admit, Sir William, that the position in which I shall be placed will -be a most embarrassing one?’ - -‘Most embarrassing indeed, Lady Renshaw—almost as much so, in fact, as -if some one were to say to you: “I was past your grandfather’s shop in -Drury Lane the other day. The place looks precisely as it did forty -years ago. Nothing is changed except the name over the door.” That -might be rather embarrassing to you, might it not?’ - -All at once Lady Renshaw looked as if she were about to faint. The -rouge on her cheeks showed up in ghastly mockery of the death-like -pallor which had overspread the rest of her face. Her lips twitched -convulsively. She sat staring at Sir William, unable to utter a word. - -‘In most families, Lady Renshaw, nay, in most individual lives, -there are certain secrets, certain private matters, which concern -ourselves alone, and about which we would infinitely prefer that the -world, and perhaps even our most intimate friends, should remain in -happy ignorance. It could be no gratification to your ladyship, for -instance, if the circle of your acquaintance were made aware that -your grandfather started in life as a rag and bone merchant in the -fashionable locality just named—“Solomon Izzard” was the name painted -over his door—and that your ladyship first saw the light under the -roof of that unsavoury emporium. No; certainly that could be no -gratification to you. Your father at that time was just beginning to -lay the foundation of the fortune which he subsequently accumulated as -a speculative builder. My father owned certain house property in the -neighbourhood, and he employed your father to look after the repairs. -Hence it was that, on two occasions when little more than a youth, I -was sent with business messages to the Lane, and it was on one of those -occasions that I first had the distinguished pleasure of meeting your -ladyship. You were a mere child at the time, and your father used to -call you “Peggy,” if I mistake not. He was holding you in his arms, -and you struggled to get down; but he would not let you go. “She wants -to be off with the other children,” he said to me; “and then she gets -playing in the gutter, and makes a nice mess of herself.” Those were -his exact words. Your ladyship will pardon me for saying that you -struck me at the time as being a remarkably pretty child, although it -is possible that your face might with advantage have been a little -cleaner than it was.’ - -Never before in the whole course of her life had Lady Renshaw had -the tables turned on her in such fashion. Scalding tears of rage and -mortification sprang to her eyes, but she bit her lip hard and kept -them back. At the moment, she felt as if she could willingly have -stabbed Sir William to the heart. - -She sat without uttering a word. What, indeed, could she find to say? - -‘Come, come, Lady Renshaw,’ resumed Sir William smilingly; ‘there is -no occasion for you to be downhearted. The best thing that you and I -can do will be to draw up and sign—metaphorically—a treaty of peace, -to which Woodruffe here shall act as witness. The terms of the treaty -shall be these: you on your part shall promise to keep locked up in -your bosom as a sacred secret, not even to be hinted at to your dearest -friend, that knowledge respecting the married life of Madame De Vigne -which has come so strangely into your possession; while I on my part -will promise faithfully to keep undivulged those particulars concerning -your ladyship’s early career of which I have just made mention—which, -and others too that I could mention, although you could in nowise help -them, I feel sure that you would not care to have published on the -housetops. Come, what say you, shall it be a compact between us?’ - -‘As you please,’ she answered sullenly as she rose from her chair, -adding with a contemptuous shrug, ‘I have no wish to injure Madame De -Vigne.’ - -‘Nor I the slightest desire to humiliate Lady Renshaw.’ - -Was it possible that this man, whose tongue knew how to stab so keenly, -could really be the same individual as mild-mannered, soft-spoken Mr -Etheridge, who had seemed as if he could hardly say Bo to a goose! - -Her ladyship seemed to hesitate for a moment or two; then she said: -‘I will see you again to-morrow—when you are alone,’ with a little -vindictive glance at the impassive Colonel Woodruffe. - -‘I shall be at your ladyship’s command whenever and wherever may suit -you best.’ - -He crossed to the door, opened it, and made her one of his most stately -bows as she walked slowly out, with head erect and eyes that stared -straight before her, but with rage and bitter mortification gnawing at -her heartstrings. - -‘We have still that scoundrel of a Laroche to reckon with,’ said Sir -William quietly to the colonel as he shut the door upon her ladyship. - - - - -RECOLLECTIONS OF AN ANGLO-INDIAN CHAPLAIN. - -BANGALORE—THE ENGLISH CANTONMENT. - - -About a mile distant from the old fort and city of Bangalore are -the English cantonment and modern native town. Conceive a field or -parade-ground a mile and a half in length and a quarter of a mile -in breadth, lined on each side by avenues of large beautiful trees, -overshadowing the encircling footpath and carriage-drive. Along the -southern boundary of this parade-ground are the houses and shops of -the Europeans and Eurasians; whilst to the north are lines of barracks -for both European and native troops, from the midst of which rises -prominently the tower of St Andrew’s Church, which is, or was, the -finest and highest building in Bangalore. Many are the beautiful roads -stretching away from this parade-ground into the country, where are the -picturesque dwelling-houses of civilians and officers, whose encircling -gardens all the year round are in perpetual bloom—for Bangalore, -though in a tropical region, has an Italian climate. The fortunate -Europeans who are stationed there are not scorched up by the terrible -heat under which their unlucky countrymen must swelter at Madras and -in the southern plains; and Christmas comes to them at Bangalore, not -wreathed with snowflakes and pendent with icicles, as it does to us, -but beautiful with roses and variegated garlands of flowers. - -It was rather a novel thing for my friends Dr Norman Macleod and Dr -Watson to be taken on a New-year’s day, as I took them in 1868, to a -magnificent show of flowers and fruits in the ‘Lall-baugh’ Gardens of -Bangalore. In his usual happy style, the celebrated Norman thus relates -his visit: ‘The European quarter is as different from the Pettah as -Belgravia is from the east end of London. Here the houses are in their -own compounds with shrubs and flower-gardens quite fresh and blooming. -Open park-like spaces meet the eye everywhere, with broad roads as -smooth and beautiful as the most finished in England. Equipages whirl -along, and ladies and gentlemen ride by on horseback. One catches a -glimpse of a church tower or steeple; and these things, together with -the genial air, make one feel once more at home; at all events, in a -bit of territory which seems cut out of home and settled in India. -There are delightful drives, one to the Lall-baugh laid out in the -last century by Hyder Ali. Our home feeling was greatly intensified -by attending a flower-show. There was the usual military band; and -crowds of carriages conveyed fashionable parties to the entrance. -Military officers and civil servants of every grade were there, up -to Mr Bowring, Chief Commissioner of Mysore. The most remarkable and -interesting spectacles to me were the splendid vegetables of every -kind, including potatoes which would have delighted an Irishman; leeks -and onions to be remembered, like those of Egypt; cabbages, turnips, -cauliflowers, peas, beans, such as England could hardly equal; splendid -fruit, apples, peaches, oranges, figs, and pomegranates; the display -culminating in a magnificent array of flowers, none of which pleased -me more than the beautiful roses, so redolent of home. Such were the -sights of a winter’s day at Bangalore.’ - -Around the English cantonment, more especially on the north side of -it, is the modern town of Bangalore, containing about sixty or seventy -thousand inhabitants, who are chiefly Tamulians, the descendants of -those native camp-followers and adherents who accompanied the British -forces from Madras and the plains of the Carnatic when they conquered -and took possession of the land. There are likewise at Bangalore a -goodly number of English and Irish pensioners, who have chosen rather -to abide in India than come back to this country; and certainly, with -scanty means, they are better off there in a warm and genial clime than -they would be here, with our long and dreary cold and icy winters. And -when those pensioners are sober and industrious, they have abundant -opportunities in India to enable them to support themselves and their -families in great comfort, and even to become what we Scotch people -call ‘bein folk.’ I could give many pleasing instances from amongst -them of ‘success in life.’ I knew three Scotch gentlemen who were -highly respected bank agents, and who had gone to India as artillerymen -in the Honourable East India Company’s service. But although it be -thus a pleasant fact that many of our pensioned soldiers have done -well and prospered in India, yet it is melancholy to relate that a -goodly portion of them are sadly wanting in sobriety and industry, and -consequently their continued stay in that country is not for good, -but for evil. So impressed was I with this that, when asked by a high -military official for my opinion as to whether the government ought -to give greater encouragement to the time-served soldiers to settle -permanently in India, I at once and decidedly said No; because, when -freed from military discipline, their lives too frequently were such -that they lowered the prestige of the English name, and helped to -injure the salutary respect which the natives have hitherto had for -their white-faced rulers. - -In a pretty little village near Madras, called Poonamalee, as well -as in Bangalore, there dwell very many of those pensioners with -their families. I was wont to pay periodical visits to this place on -professional duty; and certainly I found it at first not only strange -but grotesque to see young men and maidens and numerous children, -with faces as black as a minister’s coat, but yet bearing some good -old Scottish name, and speaking the English with an accent as if they -had been born and bred in the wilds of Lochaber. My beadle, as sable -a youth as could be, was a M‘Cormick, and proudly claimed to be an -Inverness-shire man. I remember, towards the close of the Mutiny, -of driving with my wife, on a moonlight evening through a beautiful -‘tope’ of palm-trees, when suddenly our ears caught the distant strain -of the bagpipes. There was no mistaking it; faint though it was, we -could distinguish it floating and wailing through the silent night as -_M‘Clymont’s Lament_. Gradually the music became louder, until we were -able to discover whence it emanated. I got out of the carriage before -an opening in the trees, and winding my way by a narrow path, I came -at last to a small bungalow where a man was strutting up and down the -veranda playing on a genuine pair of Scottish bagpipes. His garments -were white, but his face was perfectly black. He was astonished at my -appearance, and so was I at his; and my astonishment was not diminished -when in answer to a question as to his name, he replied to me in a -pleasant Argyllshire accent: ‘My name is Coll M‘Gregor, sir; and my -father was a piper in the forty-second Highlanders, and I believe he -came from a place they called Inveraray.’ Poor M‘Gregor! from that -night I knew him well. Black though he was, he was a most worthy man; -and one of the last sad duties I performed ere leaving India was to -visit him when dying in the hospital, and to bury him when dead amongst -the sleeping Scotchmen in St Andrew’s churchyard. - -In the _Illustrated London News_ there is a picture entitled ‘Recruits’ -which gives a very faithful representation of the composition of the -British army. A smart recruiting sergeant is leading away captive a -batch of young men—the thoughtless, reckless shopboy, the clownish -rustic, the discontented artisan, and the downcast ‘young gentleman’ -who has wasted his substance in riotous living. The picture rekindles -in my memory several instances of the last-mentioned type. In the -following stories, it will be seen, from obvious reasons, that where -names are mentioned, these are fictitious. - -There is a clump of trees in the immediate vicinity of Bangalore which -is known as ‘the Dead-man’s Tope.’ In it there is a solitary grave, -that of a young Scotchman. For many years the natives alleged that his -‘ghost’ was to be seen walking mournfully amongst the trees, for they -said he could not rest until his appointed years had been fulfilled. -He had been a corporal in a Scotch regiment stationed in Bangalore, -beloved by all his comrades, but unfortunately hated by the sergeant -of his company. At last, goaded by the unjust treatment he received -from this sergeant, he struck him down in a moment of passion. In those -days, discipline was stern; the young corporal was tried, and condemned -to be hanged in the presence of the whole garrison. The execution -took place; but so great was the feeling against the sergeant, that -he had to be sent away from the regiment down to Madras, protected -by a military escort. The general officer who told me this story was -a witness of this sad scene, and was the interpreter to the native -soldiers of the reason of the execution. That young corporal belonged -to Glasgow, and was connected with many respectable families in the -city. - -Here is a happier tale. John Home, after many years’ service in the -Honourable Company’s artillery, retired on a pension, and settled at -Bangalore. He became editor of a small local paper, and so for a few -years was a prominent member of the community. He married, and had an -only son. This boy was but an infant when the father died, his death -being hastened by intemperate living. On Home’s private writing-desk -being opened, his relations found, to their amazement, a sheet of -paper with the handwriting of the deceased telling his real name—for -Home was a fictitious one he had assumed on his enlistment—and whence -he came, and where his relatives were to be found. These disclosures -were made, so the paper said, for the only reason that perhaps on some -future day they might benefit his boy; and were it not for this hope, -the secret would have gone down with him to the grave. Strange to say, -not many months elapsed when an advertisement appeared in an Edinburgh -paper signed by a legal firm, asking for information about this very -man, giving his real name. Of course the Edinburgh gentlemen were at -once communicated with; and after all the evidences were submitted, -and no doubt well scrutinised, the claim of the widow and her child -was acknowledged. The boy was brought home and educated; and I trust -still is, what he was a few years ago, the proprietor of a ‘snug little -estate.’ Such is some of the romance of the ‘rank and file’ of our army. - - - - -COLONEL REDGRAVE’S LEGACY. - - -IN FOUR CHAPTERS.—CHAPTER III. - -The spinster sisters held a council of war on the day following the -events we have described. They were not disappointed at the failure of -the marriage proposals to Miss Fraser; for that young lady was by no -means the kind of guardian they would select for their brother as a -bulwark against the troubles and vexations of this mortal life. The way -was now more clear than ever for the success of their original plan. -Septimus had learned their ideas and wishes, and had gradually become -more amenable to reason. The beauty and talent of the handsome widow -had been fully descanted upon. Nor were her monetary qualifications -lost sight of by the practical Penelope. The question of suitability as -to age had been delicately but firmly touched upon by both the sisters. - -‘Mrs Fraser is only ten years your junior, Septimus, and that is the -difference which should always exist between husband and wife. Indeed, -I see no objection to even a greater disproportion, but that is the -minimum necessary to conjugal happiness. I am certain that Mrs Fraser -has a _tendresse_ for you, and that any proposal from you would meet -with every encouragement.’ - -Septimus left the room considerably mollified, and immediately after -he had done so, Penelope turned to her sister, and said: ‘I trust, -Lavinia, you approve of all I have been saying to dear Septimus?’ - -‘Entirely, my dear sister; but’—— Lavinia paused. - -‘You have always a “but,” Lavinia. Pray, speak out.’ - -‘Well, I have a suspicion that Mrs Fraser has a lurking sentiment for -Mr Lockwood.’ - -‘Good gracious, Lavinia! you certainly conceive the most extraordinary -notions.’ - -‘I do not say for a single moment that the sentiment is reciprocated,’ -replied Lavinia. - -‘Why, Frank Lockwood is young enough to be her son!’ indignantly -exclaimed Penelope. - -‘Hardly, Penelope, unless Mrs Fraser was marriageable at the age of -six,’ Lavinia continued. ‘Then I cannot help thinking that Frank is in -love with Blanche.’ - -Penelope made a gesture of assent. ‘That is highly probable, and would -account for her rejection of Septimus.’ - -Finally, the sisters mutually agreed that it would be politic to -prepare Mrs Fraser for the possible proposal of their brother. - -We trust the reader will not contemptuously label the spinster sisters -as ‘matchmakers;’ for surely matchmaking is a fitting task for the -angels, if it be true, as we are often told, that marriages are made in -heaven. - -At this moment the widow chanced to enter the drawing-room where -the sisters were sitting. Her features still showed traces of the -disappointment she had recently experienced. - -‘We have not seen you all the morning, Mrs Fraser.’ - -‘I awoke with a slight headache, and sought the solitude of the Chine, -my sole companion a book,’ replied the widow. - -‘I trust you are better?’ said Lavinia. - -‘Yes, thanks. I never enjoy Tennyson so much as when surrounded by -murmuring foliage, and my ears filled with the sound of falling waters.’ - -‘How charming to have preserved your sentiment till _now_,’ said -Penelope in marked tones. - -This remark may seem ill calculated to put the widow in a good-tempered -frame of mind. But Miss Redgrave had uttered it advisedly. The more -fully Mrs Fraser was impressed with her own increasing years and -fading charms, the more likely she was to listen to the suit of the -elderly-looking Septimus. - -For a moment the widow coloured, as if in anger. ‘That is not exactly a -complimentary remark, my dear Miss Redgrave.—Now, don’t apologise, for -I am not in the least offended. How can I be, when I have a daughter, -not only marriageable, but actually engaged to be married!’ - -The sisters simultaneously left off their needlework, and gazing in -astonishment at the speaker, sat as mute as the twin sisters carved in -stone in the sandy Egyptian desert. - -‘Yes; Mr Lockwood has asked my consent to his marriage with Blanche, -and I have graciously accorded the same. Heigh-ho! it will be a great -trial for me, when the hour of parting comes.’ - -‘I congratulate you most sincerely, my dear Mrs Fraser,’ exclaimed -Penelope. ‘We have known Frank from a child. He is everything that a -man should be, clever, accomplished, with good prospects, and of high -moral principles.’ - -The widow sighed. ‘I shall be very lonely. I have not an affectionate -sister as you have; and when a woman has once known the happiness -of married life, and the comfort and protection of an affectionate -husband, life is indeed a blank when she is left utterly alone.’ - -Like a second Wellington, Penelope saw her chances of a successful -attack. In love and war, the occasion is everything. She gently laid -her spare fingers on the plump hand of the widow, and softly whispered: -‘Why should you be utterly alone, dear friend?’ - -Mrs Fraser directed an inquiring glance in response at the speaker. - -‘We know of one who would be only too happy to be your companion for -life,’ pursued Penelope. ‘Of a suitable age, amiable, and rich.’ - -The countenance of the widow was suffused with a soft blush as she -said: ‘Where shall I find this earthly treasure?’ - -‘In this house, Mrs Fraser. Our beloved brother, Septimus.’ - -Mrs Fraser had much ado to avoid making a wry face, as she mentally -contrasted the white-haired ‘brother’ with his vacuous expression of -countenance, and the black-haired Frank Lockwood, with his bright -intelligent glance and fascinating smile. But it was now quite as -probable that she would marry the Emperor of China as the solicitor of -the Redgrave family; so she softly murmured; ‘I had no suspicion of -anything of the kind.’ - -Rapidly the widow reviewed all the attendant circumstances of the case. -Von Moltke himself would have envied her comprehensive glance at the -pros and cons of an important conjuncture of events. Septimus was of -good family, of suitable age, possessed of ample means, and last, but -not least in the eyes of the widow, was not too clever; and therefore, -in all probability easily manageable, that indispensable desideratum in -a husband. We are not sure that Mrs Fraser was correct in her deduction -on this point, for foolish people are frequently obstinate, under the -false idea that they are thereby displaying firmness. - -‘If I were to accept Mr Redgrave on the instant, in consequence of your -recommendation, my dear Penelope, neither he nor his sisters would -respect me. I have always found great pleasure in the society of your -brother, and have a great respect for his character. More, I am sure, -my dear Penelope, you would neither expect, nor wish me to say.’ - -Both the sisters cordially kissed the blushing widow, and expressed -themselves as quite satisfied with the avowal, Penelope adding: ‘I have -more than a presentiment that in a few weeks we shall be enabled to -give you the kiss of a sister.’ - -No more was said on the present occasion. - -The widow retired to her chamber, and as she contemplated her -features in the glass, soliloquised: ‘No—at forty, one must not be -too particular; and there are twenty thousand excellent reasons why I -should change my name from Fraser to that of Redgrave.’ - -It is needless to say that the sisters did not allow the grass to grow -under their feet with respect to the proposed alliance between the -families of Redgrave and Fraser. Much stress was laid by them in their -conversations with the widow as to the shyness of their brother, and -the necessity of some encouragement being extended to him. At length -Septimus screwed his courage to the sticking-place and resolved to -learn his fate. By a singular coincidence, he found the widow seated -on the identical bench occupied on a similar occasion by her youthful -daughter. An involuntary sigh escaped him as he mentally instituted a -comparison between the sylph-like figure of Blanche and the more portly -form of her mother. As he sat down by her side in response to her -invitation, he felt his courage oozing away. On the former occasion, -he had been bold as a lion; but in the presence of the keen-witted -woman of the world, he fully realised his mental inferiority. Some -commonplaces ensued, and then Mrs Fraser, laying down the newspaper -which she held in her hand, suddenly observed: ‘What is your opinion of -thought-reading, Mr Redgrave? Do you believe in it?’ - -‘I scarcely know whether I do or not,’ responded Septimus. ‘Do you?’ - -‘Implicitly,’ replied the widow. ‘Shall I give you a specimen of my -powers?’ - -‘I should be delighted. Can you read my thoughts?’ said Septimus. - -‘I can. But you must promise two things: That you won’t be offended at -my guess; and that you candidly admit whether I am correct in my guess.’ - -‘I promise.’ - -‘Give me your hand.’ - -Septimus placed his trembling fingers in the strong grasp of the widow. -‘You are at this moment contemplating matrimony.’ - -‘That is correct,’ said Septimus. - -‘The lady is a widow.’ - -‘Wonderful!’ cried Septimus. ‘Can you tell me her name?’ - -‘My powers do not extend so far,’ returned Mrs Fraser. - -‘Your successful guess, my dear Mrs Fraser, has helped me out of a -great difficulty.’ - -‘How so?’ - -‘You have half-performed my task for me. Do you think a lady, handsome, -rich, and well-bred, and still comparatively young, would consent -to unite her fortunes with mine? I am some ten or a dozen years her -senior. I have been a bachelor all my life, and may have thus acquired -peculiar ways. But I would settle the whole of my cousin’s legacy upon -her, if she would take pity on my solitary state. Dear Fanny, can you -not guess, without thought-reading, the name of my enslaver?’ - -The widow looked down and managed to blush becomingly, and impart a -slight tremor to the hand which still held that of Septimus. - -‘I will not affect to misunderstand you, Mr Redgrave; you are making my -unworthy self an offer of marriage.’ - -‘And you accept it?’ - -‘I do.’ - -Septimus sealed the contract by a chaste kiss on the cheek of the -widow, and felt a sensation of inexpressible relief that the Rubicon, -for good or evil, was passed. - -‘I may now tell you, dear Septimus, that Blanche is also engaged.’ - -‘I know it.’ - -‘Impossible! I only knew it myself forty-eight hours ago!’ - -‘Do not ask me at present, dear Fanny. I learned the fact by an -accident.’ - -The widow presently retired to her chamber, under the plea of nervous -agitation, but in reality to inform her daughter of her engagement. But -it was reserved for Septimus to perform that pleasant duty. Scarcely -had Mrs Fraser retired, when Blanche appeared on the terrace. ‘Have you -seen mamma, Mr Redgrave?’ - -‘Mrs Fraser has this moment left me.—Blanche, I have a favour to ask of -you.’ - -‘Of me!’ - -‘That you will not breathe a syllable to your mamma that I proposed to -you three days ago; at least, not for the present.’ - -‘Certainly, Mr Redgrave.’ - -‘You will at once see the necessity for my request, when I tell you -that I have this day proposed to another lady and been accepted.’ - -Blanche indulged in a merry peal of laughter, which she found it -impossible to repress. ‘Pray, forgive me, Mr Redgrave. I congratulate -you that you have so speedily recovered from your late rejection.’ - -‘Yes, Blanche, as I could not be your husband, I have resolved on being -your father.’ - -Blanche remained petrified with astonishment for a few seconds, then -exclaiming: ‘I must go at once to dear mamma and congratulate her,’ -prepared to enter the house. - -But Septimus seized her hand and said: ‘Now, tell me the name of _your_ -future partner. Though I shrewdly suspect, yet I think in my new -position as your father I am entitled to know for certain?’ - -‘Mr Frank Lockwood,’ replied the blushing girl, as she broke away and -ran into the house. - -There was not a happier circle round a dinner-table in the island than -that assembled in Oswald Villa that evening. The engaged couples were -mutually satisfied with their matrimonial prospects, while the spinster -sisters saw the wish of their hearts gratified in the engagement of -their beloved brother with so suitable a person as Mrs Fraser. But at -that moment a cloud was forming on the horizon which was destined to -effect a great change in the fortunes of the betrothed couples. - - - - -A SAMPLE OF MARSALA. - - -Time was, long ago, when certain of us thought that Spain was the place -where the then despised Marsala wine was made. Struggling to obtain -the favour and recognition of the public, and held as a kind of humble -cousin of sherry, cheaper to buy and meaner in all its conditions, -Marsala had no honour in England some thirty years or so ago. Those who -gave it gave it for need; and for the most part tried to pawn it off -as its more aristocratic relation, thinking that no one would suspect -the truth when that silver label, shaped like a vine-leaf with ‘Sherry’ -cut out in Roman capitals in the centre, was hung round the neck of the -heavy cut-glass bottle. And as sherry was certainly a Spanish wine, -the false reasoning born of association of ideas made one think that -Marsala also was a Spanish wine. - -The way to Marsala from Palermo is exceedingly interesting. The country -is beautiful with all the grand Sicilian beauty—broken foregrounds, -noble mountain forms, the dark-blue sea, of which the splendour is -enhanced by the gray green of the olives and the contrast of the golden -hue given by the lemon-trees hanging thick with fruit. All the waysides -along the railroad are rich in flowers, making the land look as if -enamelled. Rugged capes and fertile plains, small smooth exquisite bays -and inland mountains, orange-gardens and vineyards, fields of pale -lilac flax, woods of beech and ilex, and rivers running down in song -to the sea—there is not a feature of Southern scenery wanting on this -lovely way. And the sea, where the white sails of passing ships gleam -in the sunlight like the wings of birds, is as beautiful as the land, -where here a ruined temple crowns a height, and there a modern mansion -stands sheltered on the slopes. Among the beautiful things of the sea -is the uninhabited rocky island called ‘The Island of Women’ (_L’isola -delle femmine_). The legend is that in old times, when pirates -abounded, the ‘Barbari’ used to seize such hapless Sicilian women as -they found wandering by the shore, and lodge them on this island till -they had finished their fighting on shore; when they would return and -carry off their prey. - -In time the beauty of the lovely road fades away, and the country -becomes utterly uninteresting. Still, even when there is no more -flowery charm and no more golden colour, there is always association, -and the way up to Segesta and Solinunto, with the ruined temple visible -on the crest of the mountain, brings before the mind the long train of -glorious images by which the ancient history of Sicily is thronged. -For we are skirting the base of Mount Eryx, now Monte Giuliano, -whence Acestes the king came down to meet Æneas when he landed on his -return from Carthage; and where Æneas—so they say—founded the town of -Acesta, which afterwards became Egesta, and is now Segesta. And all -the well-known story repeats itself. ‘Selinus rich in palms,’ and ‘the -shallow waters of Lilybæum’ which were ‘left behind;’ the race, and the -beauty of the contending youths; poor Dido’s sad story; the death and -burial of Anchises, the father whom Æneas saved from burning Troy by -carrying on his shoulders—it is all living and palpitating as in those -youthful days when imagination touched the pages with light, and made -the dead words breathe with love and sorrow and passion. It is worth -coming here, if only to realise Virgil and his matchless poem! But we -draw up at a station, and the present puts the past to flight—the real -blots out the ideal born of imagination and poetry. - -Armed _carabinieri_ are at every station. This is not usual either -in Sicily or elsewhere in Italy, where soldiers keep order at the -stations, but are not so numerous nor so heavily armed as these. The -district about Trapani, however, in which we are, has not a good -name; and the government knows what it is about when it takes extra -measures of precaution for the safety of travellers. That it does take -these extra measures insures the safety of the wayfarers. At Marsala -itself, the whole train is taken possession of before it has well come -to a stand, and long before the passengers have got out. The crowd -swarms into all three classes indiscriminately; and there is much -rough pushing and hustling, but no actual brutality. Still, it is -sufficiently like the return of ’Arry from a Crystal Palace fête to be -unpleasant; though for all that, the Italian ’Arry is a good-natured -soul, with no malice in him. What he wants in malice, however, he makes -up in garlic. There has been an Easter-week procession here—it is -‘Holy Thursday’—and all the neighbourhood has sent its young men, each -township and village its quota, till they have come in their hundreds, -and have to be taken back again the best way they can. - -Near Marsala is one of the three promontories which give Sicily its -name of Trinacria—Cape Lilybeo, the very Lilybæum whose ‘shallows -blind,’ ‘dangerous through their hidden rocks,’ caused Æneas to land on -the ‘unlucky shore’ of Drepanum. Here in calm weather you can see the -remains of houses beneath the sea, as at Pozzuoli, near Naples. But the -point of the whole visit is the wine-stores of Ingham—the largest and -most important of all the Marsala wine-factories. These stores seem to -be interminable; and the perspective of arches, from each side of which -branch out these huge above-ground cellars, is a sight at once strange -and picturesque. The _balio_ or inclosure wherein the whole concern -stands—storehouses, workshops, dwelling-house, garden, fields, &c.—is -really like a fair-sized estate. To ‘walk in the grounds’ is quite -enough exercise for any moderate-minded pedestrian. The oldest two -stores date from 1812, and are the parents of all that have come after. -They are picturesque little places now, covered with glossy dark-green -ivy and flame-coloured bougainvillia; but, like the fathers and mothers -of prosperous families, they are set aside as comparatively useless in -the presence of their stalwart children. - -In going through the stores, one is struck not only with the number, -but also with the enormous size of the wine-vats. Some are of huge -proportions, not quite equalling the famous Tun of Heidelberg perhaps, -but coming pretty close to it, and holding wine to the worth of an -astounding figure. The value of one store alone comes up to a moderate -fortune; and there are thirty in all. Once a boy went to sleep in one -of those weird receptacles, and was not found till the next morning. -The fumes had overpowered him, but he came out none the worse. Some -of the wine given us to taste is fifty years old, and is delicious in -proportion to its age and preciousness; and some of the finer sorts -of younger date are unsurpassed in any wine-store extant. Then there -is the huge vat of _vino cotto_ or _vino madre_; and there is the -distilling apparatus, which is very beautiful and dainty. The Custom -House is jealous and exact. It seals up all with a letter-lock, waxen -seals and silken threads; so that no tampering is possible with the -retorts or the receivers. The cool obscurity of the cellars, where -these immense vats are ranged like so many transformed giants, gives -one a sense of restfulness and shelter; while out of doors, the sun, -lying keen and bright on wall and pavement, casting shadows as sharply -defined as if purple paper had been cut with a pair of scissors and -thrown on the ground, has the sentiment of passionate vitality peculiar -to Sicily. Men in coloured shirts, with blue or red sashes round their -waists, add to the general picturesqueness of the scene; and the white -wings of the pigeons shining like silver against the blue sky, complete -a chord of colour to be seen only in the South—that fervid South where -to live is sufficient enjoyment, and where artificial wants as we -have them are neither known nor appreciated, being of the nature of -encumbrances and superfluities. For what else is wanted than the sun -and the sky, the fruits and the flowers, the charm and the glory of -nature? Nevertheless, the material luxury of the North and West is -invading the hitherto frugal and, in one way, ascetic South; and France -and England both, are being imitated even so far as Marsala, where once -the house was held as merely a place of refuge where tired Christians -might sleep at noon and at night, but in nowise as a place of enjoyment -worth the spending of thought or money to make beautiful. - -From the vats full of their golden treasure to the casks in process of -making, the transition is natural. Here, again, light and colour give -a certain charm, making a novelty of that which is so well known at -home. For cask-making in Marsala is very much the same as cask-making -in England; and only the men, with very minor details in the method -of manipulation, are different. It is the same drying of the wood, -the same setting of the staves, the same hammering on of the hoops in -regular succession of blows, and we fancy the same kind of white oak, -of which the staves are made, shipped from America for England as well -as for Marsala. Hans Christian Andersen might have written a sprightly -sketch of the oak as it stood in its virgin forest, with grizzlies and -panthers, pretty woodchunks and sweet wild birds all about, till it was -cut down by the forester; packed into a raft and started down the Big -River by the lumberman; brought over to Europe by the huge steamship; -made into casks, and filled with the golden juice of grapes beneath -the glorious sky of Sicily—the wine to be drunk at the marriage of the -bride, the birth of the heir, the death of the master. The place where -they clean the barrels, some in the old-fashioned way of hand-rocking, -with chains inside; the sheds where they cut the hoops and make the -bolts—the drill and the circular saw going through iron and wood like -so much butter or cheese; those where they steam the barrels and those -where they mark them—these, too, come into the day’s work of visiting -and inspection; as well as the cooking-place and the dining-shed for -the three hundred men employed. - -These men are noticeably clean and smart in appearance; they are, too, -as industrious as they look; for no loafers are allowed, and he who -does not know how to work with a will soon receives his dismissal. -The touch of English energy and English precision is plainly visible -throughout—with one result, that, unlike Southern workmen, as generally -found, these do not care to keep all the holidays which are so frequent -in Roman Catholic countries. They work about ten and a half hours in -the day; and each man is searched and numbered on coming in and going -out. - -The word Marsala recalls the time when the Saracens ruled the land, -just as Mongibello for Etna, Gibbel Rossa at Palermo, and all -Sicilian agricultural and irrigatory terms recall them. It is really -_Marsh-Allah_, ‘the port of God.’ Round about our _balio_ are many -interesting things, principally the caves where, not so long ago, a -murderer hid in perfect safety, and where in lawless times brigands and -outcasts took refuge and found security. They are interminable, and it -is impossible to visit them all; but our guide takes us through some of -the most practicable, where we have occasion for a little gymnastic -exercise here and there among the broken rocks and steep sharp pitches. -An army of brigands might hide away here undetected and unseen. -Fortunately, at this time there are none to hide. No organised band of -brigands exists anywhere in Sicily, and the stranger is absolutely safe. - -Besides these caves, there is a strange folly in the shape of a -ballroom and banqueting-room cut out of the living rock. There are -tables and the place for the musicians, benches and divisions, all -made in the rock underground. These odd rooms have been used, and it -is to be supposed enjoyed. When we see them, the only guests are black -beetles, a couple of dirty little lads as unkempt as wild Highland -cattle, and a half-maniacal shock-headed Dugald kind of creature, with -an atmosphere of garlic, which makes us rejoice when we turn out once -more into the fresh air blowing over the breezy flower-clad upland, -with the blue sea in front and the bright sun overhead. - - - - -CONCERNING FLORIDA. - - -A contributor, who is conversant with his subject, sends us the -following important items, which we commend to young men who -contemplate emigration. - -‘Heads of families,’ says our correspondent, ‘with “little to earn -and many to keep,” with several sons growing up and having a desire -to go abroad and see the world, will be glad to know that there are -ways for providing for the olive branches other than sending them to -Australia or Manitoba to earn merely nominal wages as farm-labourers. -Until recently, the United States depended almost wholly upon the -enterprise of foreigners for their supply of oranges; but, as if by an -inspiration, the discovery has been made that they can, amongst the -numerous other industries for which they are remarkable, grow their own -oranges, and that, too, of better quality, both in size and flavour, -than those which are imported. The great and unequalled facilities for -cheap and rapid transportation have opened up nearly the whole of the -peninsula of Florida to settlement; and what was only recently very -correctly described as a vast expanse of swamps, lakes, and sluggish -rivers, is now a vast system of drainage-canals and railways. - -In Florida, four hundred pounds will buy forty acres of land, ten of -which may be cleared, fenced, and planted with orange-trees. A house -may be inexpensively erected at an average cost of ten pounds per room. -The orange-tree will bear five years from the bud, or ten years from -seed; but a man left in charge—say the son of the owner—would have no -difficulty in supporting himself by the sale of small fruit, which, -coming to perfection in the middle of winter, commands the best prices -in the New York and other Northern markets. In ten years, oranges are -handsomely remunerative, and the crop steadily increases in value with -every succeeding year. For those who cannot wait so long, the lemon -and lime may prove more attractive, as they bear much sooner. They are -almost as profitable, though not quite so hardy. - -The list of things which can be grown profitably in Florida is -so long and various as to include such dissimilar articles as -potatoes, cocoa-nuts, plantains, guavas, mangoes, tomatoes, -pine-apples, pumpkins, water-melons—which frequently weigh a -hundredweight—grape-fruit, citron, cotton, sugar, strawberries, coffee, -tea, tobacco, mulberries, pears, quinces, apples, Scuppernong grapes, -&c. The woods and forests which have been slumbering all these years -are now alive with settlers, who are actively employed felling timber, -clearing land, erecting fences, planting groves, building houses, and -in numerous ways expending their energy on the improvement of the -land. The old cry, “Go west,” has been changed to, “Go south;” and -now thousands of families from the Northern States are there, having -orange and lemon groves, with pretty cottages simply but comfortably -furnished, situated on the banks of rivers and lakes. - -For the man who is fond of outdoor exercise and has a taste for -gardening, the life in Florida has a charm all its own, for -fruit-growing is nothing but gardening on an extensive scale. The soil -in Florida has the most unpromising appearance, looking like nothing -so much as silver sand. Yet what a charm it possesses! Seeds put in -this apparently hopeless material spring up almost immediately; and -cabbages, lettuces, radishes, and turnips may be eaten three weeks from -sowing in the middle of January. Fish of large size, from ten pounds -upwards, abound in the rivers and lakes, and being easily caught, make -a very welcome addition to the larder. Deer, wild turkeys, quail, and -numerous other kinds of game have not yet learned to shun the haunts of -men. - -Extensive drainage-works have made available for settlement vast tracts -of land which have probably been submerged for centuries, but which -now, thanks to the remarkable system of drainage-canals, is as dry -and firm and as healthy to live upon as the best land in the State. A -pretty site judiciously chosen on the banks of a lake will eventually -enormously enhance the value of the property when the surrounding -country is settled up. The plan suggested for persons of small means is -to take up forty acres. Having ten acres cleared and planted at once, -the whole might be fenced in, and a comfortable house built in the -middle of the allotment. The remaining thirty acres can be brought into -cultivation by degrees, and in the meantime will serve to graze cattle -and sheep, which, being turned into the grove at night, fertilise it in -the most effectual and inexpensive manner.’ - - * * * * * - -Another correspondent has favoured us with the following notes: - -‘Upon landing at New York City in the beginning of April of the present -year, the weather was particularly disagreeable—cold, rainy, and -sleety, and I was only too glad to leave the inclement North for the -bright sunny South. - -On the morning after landing at New York, I took my ticket for -Jacksonville, Florida, and on the journey, stopped a few hours at -Washington, and also spent a night at Savannah, Georgia; reaching -Florida, the land of flowers, romance, and orange groves, in three days -from the time of leaving New York. - -Florida was first discovered by Sebastian Cabot in 1497, and after -various vicissitudes in its history, became one of the United States -in 1845. It is gratifying to know that the undoubted advantages and -attractions of this country are becoming better known, and more and -more appreciated, by all classes both in the United States and England. -A great amount of English capital and English energy is now being -attracted to Florida, which is a country offering inducements to the -capitalist, sport to the sportsman, novel and romantic scenery to -the tourist, health to the invalid, and very considerable advantages -to the intelligent emigrant. The area of Florida comprises sixty -thousand square miles; and the soil is adapted to an infinite variety -of products, such, for instance, as corn, oats, rice, beans, peas, -potatoes, turnips, cabbages, strawberries, tomatoes, melons, cucumbers, -oranges, lemons, limes, peaches, figs, &c.; and in South Florida, -cocoa-nuts, pine-apples, bananas, and other fruits and vegetables -too numerous to mention. The climate is charming. In winter, the -thermometer seldom goes below thirty degrees, or in summer above -ninety; and although the State is the most southern of the United -States, hot nights or oppressive days are comparatively rare. This is -accounted for by its peculiar position, shape, and surroundings. The -constant breezes, either from the Atlantic Ocean or the Gulf of Mexico, -purify the atmosphere, and render the Floridian climate enjoyable the -whole year; and I may add, that after a four years’ residence in the -State, I know of no disease that is indigenous or prevalent. - -Jacksonville is situated on the grand St John’s River, and is the -largest and most important city in Florida. It has a population of -over twenty thousand, and will ere long take rank with Savannah or -Charleston in commercial importance. This is the point at which all -Northern visitors enter the State, and from which they radiate in -search of health, work, or sport. Here there are fine buildings, shops, -churches, schools, and about one hundred and fifty boarding-houses and -hotels, the latter being filled during the winter months with invalids, -principally consumptives. - -The most absorbing question of interest to the greatest number now, -however, is the great money-making business of orange-growing, which -is peculiarly adapted to the Florida soil and climate. Since I first -visited the State (in 1873), this industry has gone far beyond the -commercially experimental stage, and I have been an eye-witness to its -undoubted success. It is particularly interesting and instructive to -travel over districts now, and observe _bearing_ orange groves, the -owners of which are securing handsome incomes, where ten years ago not -a tree was planted. In Orange County, many emigrants who first went -to Florida for their health, have improved sufficiently to earn their -living and raise an orange grove in addition. Many of them took up one -hundred and sixty acres of land under the Homestead Law, and selling -off portions of it to later comers, have realised enough money to -cultivate the balance retained. Others, who knew a trade, worked part -of their time for their neighbours, and spent their unemployed hours -in planting an orange-tree here or there for themselves, until they -finally had a five or ten acre grove, of sixty trees to the acre, which -when bearing would give them an annual income of from three hundred to -one thousand pounds. Owing to recent railway and shipping facilities, -a man nowadays may—if his land is well selected—grow early vegetables, -&c., without interfering with his orange-trees, and ship them north to -Baltimore, Philadelphia, or New York, and realise profit sufficient to -enable him to pay his expenses whilst his grove is coming into bearing; -for it must be borne in mind that the Floridians can grow any vegetable -in winter which the Northerners grow in summer; and the Northern people -are quite willing to pay a high price for such luxuries as peas, -tomatoes, or strawberries at Christmas. - -These are some of the attractions Florida holds out to the man who has -industry, perseverance, and ordinary intelligence.’ - - - - -ARSENIC IN DOMESTIC FABRICS. - - -Chronic poisoning by arsenic in domestic fabrics is without doubt -an important subject, affecting the public to such an extent as to -render attention to the question essential. Serious illness frequently -arises from this cause, in some cases even attended by fatal results. -A very general effect is a lowered condition of the system, such as -to render the individual more susceptible to the attacks of other -diseases. Action has been taken by the Medical Society of London, the -Society of Arts, and the National Health Society, on the question of -the prohibition of arsenic in articles manufactured for domestic use, -such as wall-papers, dyed furniture materials, paint, distemper, &c. -The fact is remarkable, that although this question has been thus -brought prominently before the public, those supposed to be interested -in the sale and use of arsenic have hitherto maintained a judicious -silence, manufacturers abandoning the use of arsenical colours to a -very large extent, instead of defending it. This silence has, however, -now been broken by Mr Galloway, M.R.I.A., who deals with the question -from a chemical point of view, describing his own special mode of -manufacturing emerald green in an article in the _Journal of Science_. -Mr Galloway asks: ‘Has it ever been conclusively proved that persons -who inhabit rooms stained with emerald green suffer from arsenical -poisoning?’ Notwithstanding the fact that Mr Galloway leaves the -question unanswered, as though it were unanswerable, the reply shall -now be given—though in certain quarters it is still doubted—that it -_has_ been proved, and that by the careful observation of medical men -of eminence in all parts of the country. - -Proof of the injurious effect of arsenic in domestic fabrics is found -in the development of certain symptoms in the patient exposed to an -arsenical fabric, followed by recovery on removal of the fabric in -question. The occurrence of these circumstances in a sufficient number -of cases leads to the conviction that the arsenical fabric was the -cause of the malady. We act on similar proof with regard to sewer-gas; -no one has ever absolutely seen the injurious action, but the fact -of various diseases of a particular character frequently following -a discharge of sewer-gas into a residence, has convinced medical -men that the gas, or some germ contained in the gas, is the cause of -illness, and that it is therefore desirable to exclude it from our -homes. - -As above stated, the same conclusion is arrived at, from the same -line of argument, with regard to arsenic; and this proof alone would -be sufficient. But with regard to arsenic, there are opportunities -of observing what may be classed as experimental proofs, such as -could not possibly occur in illness arising from sewer-gas. This -further proof consists in the frequent alternate recurrence of illness -and recovery—illness on exposure to, and recovery on removal from, -arsenical surroundings, followed by final recovery on substitution of a -non-arsenical fabric in place of that containing the poison. - -Change of air is in all probability often credited with the benefits -arising from removal from some unsanitary condition of residence, -office, or workshop. - -The effect on men employed in hanging or removing arsenical wall-papers -is another proof of their injurious quality: men have frequently to -leave their work unfinished, being too ill to continue under the -poisonous influence. - -Arsenic in domestic fabrics is so easily dispensed with, that there -is no valid reason for the continued use of these poisonous colours. -Several paper-stainers have for years conscientiously excluded all -arsenical colours from their works, yet have still maintained their -position in the open market, thus deciding the question both as to cost -and quality of non-arsenical wall-papers. It is an interesting question -to medical men and chemists, how it is that these minute quantities of -arsenic, or of some combination of arsenic with other ingredients, when -breathed, should be so injurious, when larger quantities can be taken -into the stomach as a medicine with advantage. This question, however, -is of no consequence to the patient. His course is simple enough: -having found out the cause of illness, get rid of it, and be thankful -it can be got rid of at so small a cost. - -Arsenic also is found in the dust of rooms papered with arsenical -papers, thus proving the presence of arsenic in the atmosphere. - -Mr Galloway alludes to a curious and interesting fact, namely, that men -can be employed on arsenical works, some without being affected at all, -others suffering much less than might be expected. The same singular -fact of the immunity of those constantly exposed to evil influences -is illustrated in the case of men employed in cleansing sewers; they -work continually in the very atmosphere of the sewers, but do not -suffer from those diseases which arise from the escape of sewer-gas -into houses. No one, however, in consequence of this fact, doubts -the importance of good sanitary arrangements, notwithstanding that -these involve a considerable outlay. The exclusion of arsenic, on the -contrary, costs nothing, and, moreover, there is nothing to be gained -by the admission of these poisonous colours into our houses. The simple -antidote for arsenic in domestic fabrics is therefore—exclusion. - -Those desiring to see further details, illustrative cases, and modes -of testing for arsenic, will find them in the pamphlet _Our Domestic -Poisons_ (Ridgway), or in the lecture under the same title, delivered -at the International Health Exhibition, and published by the Executive -Council. For more numerous cases of illness, especially in the families -of medical men, see the Report of the Committee of the Medical Society -of London. - - - - -WASHING BY STEAM. - - -It may interest many housewives to know that dirty clothes can be -thoroughly and effectively washed by means of steam, with a much -less expenditure of time and trouble than by the old way of boiling -and rubbing. Anything that lessens the labour and discomfort of -washing-day will be welcomed as a boon by every housewife. Numerous -washing-machines have been before the public for many years, and -have been used with more or less success, and we venture to describe -one constructed on this principle which has given satisfaction to -ourselves. The chief merits of the Steam-washers made by Fletcher of -Warrington, and Fingland, Leeds, &c. are—rubbing and boiling of clothes -are done away with, and with their method, no servant or housewife -need spend more than three hours over a fair fortnight’s washing. -Fingland’s Washer (Morton’s patent) consists of a fluted copper -cylinder, made to revolve in a strong polished copper case or box. -Into the cistern-shaped box, water is put to a depth of three inches, -then caused to boil by means of a gas-fire below. The construction of -the Washer is based upon the fact of the expansion of the water into -steam. The water is continually throwing off a large quantity of steam, -which forces its way through all parts of the clothes in the cylinder, -and in so doing slackens and carries away the dirt. The articles, duly -soaked in water overnight, are put into the cylinder; a few finely cut -pieces of soap are laid between each layer; then the lids of cylinder -and box are closed, and the handle is turned once or twice. It now -stands until the water is boiling, when the handle may be slowly turned -for ten or fifteen minutes, reversing the motion occasionally. The -steam having permeated the clothes in the cylinder, they may be taken -out and rinsed first in cold, and afterwards in blued cold water. The -water in the cistern needs to be changed every fourth or fifth boiling. -Prints, flannels, and woollens require slightly different treatment. -The clothes come out pure and clean after rinsing, and an ordinary -washing can be accomplished in one-third of the usual time, and at less -expense. Attachment with an india-rubber tube to an ordinary gas-pipe -will usually give sufficient gas; but sometimes it is better to have a -thicker pipe than usual with a special connection. - - - - -PARTING WORDS. - - - Although my early dream is o’er, - I ask no parting token; - Nor would I clasp thy hand before - My last farewell is spoken. - How coldly fair, thy thrice-false face - Dawns on my sad awaking; - No anguish there mine eyes can trace, - Though this fond heart is breaking. - - Be as thou wert before we met; - Heave not one sigh, but leave me; - Those studied looks, that feigned regret, - Can nevermore deceive me. - The faltering tones that mock me so, - Betray the fears that move thee; - Cease to degrade thy manhood.—Go! - I scorn thee while I love thee. - - Shall I forget the rapturous hours - Of my too radiant morning— - The hand that culled the dewy flowers - My girlish brow adorning? - Ah, no! for she who scorns thee now, - Will miss its dear caresses; - And sorrow to remember how - It decks another’s tresses. - - Alas! this tortured soul of mine, - Though by thy treason riven, - Can never cast thee from its shrine - Unwept, or unforgiven. - Nay, I, when youth and hope depart, - The mournful willow wearing, - Must still deplore that shallow heart - That was not worth the sharing. - - And have I sold my peace for this? - Or am I only dreaming? - To wake beneath thy thrilling kiss - From this most cruel seeming. - Oh, bid my fainting heart rejoice; - One word would make it stronger; - Then wherefore mute, thou magic voice? - Say, am I loved no longer? - - The world thou hast deceived so long - May smile on thee to-morrow; - While I alone must bear the wrong, - The bitterness and sorrow! - O cruel world! O world unjust! - That passes by unheeding, - Where love betrayed and blasted trust - Low in the dust lies bleeding! - - Go thou thy way; deceive it still! - (Its praise is false and hollow); - Ascend to fortune’s loftiest hill, - No ban of mine shall follow. - The memory of these days will be - To me a life’s regretting. - Most faithless lover! what to thee?— - Only an hour’s coquetting. - - Shame, shame! to look, to breathe, to live, - To mock my loving madness! - The thought alone that I forgive, - Should fill thy soul with sadness. - No wonder heaven should strike thee blind, - To see me bowed before thee; - Most shameless wretch of all mankind - How, how could I adore thee? - - In haste to go! Oh, cruel one! - Stay, stay, a moment only! - How shall I face, when thou art gone, - The world, so vast, so lonely? - Thy words are like my passing knell: - Ah me, and must we sever? - Forget that I have loved thee well— - Adieu! adieu for ever! - - * * * * * - -Printed and Published by W. & R. CHAMBERS, 47 Paternoster Row, LONDON, -and 339 High Street, EDINBURGH. - - * * * * * - -_All Rights Reserved._ - - * * * * * - -[Transcriber’s note—the following changes have been made to this text. - -Page 799: arsensic to arsenic—“testing for arsenic”.] - -*** END OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR -LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 50, VOL. I, DECEMBER 13, -1884 *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/66659-0.zip b/old/66659-0.zip Binary files differdeleted file mode 100644 index 45c0179..0000000 --- a/old/66659-0.zip +++ /dev/null diff --git a/old/66659-h.zip b/old/66659-h.zip Binary files differdeleted file mode 100644 index ee21ed3..0000000 --- a/old/66659-h.zip +++ /dev/null diff --git a/old/66659-h/66659-h.htm b/old/66659-h/66659-h.htm deleted file mode 100644 index b95790e..0000000 --- a/old/66659-h/66659-h.htm +++ /dev/null @@ -1,3164 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - Chamber’s Journal, by Various—A Project Gutenberg eBook - </title> - <link rel="coverpage" href="images/cover.jpg" /> - <style type="text/css"> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2,h3,h4,h5,h6 { - text-align: center; /* all headings centered */ - clear: both; -} - -.ph3{ - text-align: center; - font-size: large; - font-weight: bold; -} - - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -@media print { hr.chap {display: none; visibility: hidden;} } -hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} - -.header {text-align: center; margin-top: 0;} -.header p {text-align: center; text-indent: 0;} -.header .floatl {float: left;} -.header .floatr {float: right;} -.header .floatc {padding-top: .5em;} - -@media handheld -{ -.header {text-align: center; margin-top: 0;} -.header p {text-align: center; text-indent: 0;} -.header .floatl {float: left;} -.header .floatr {float: right;} -.header .floatc {padding-top: .5em;} -} - - -div.chapter {page-break-before: always;} -h2.nobreak {page-break-before: avoid;} - -.pagenum { /* uncomment the next line for invisible page numbers */ - /* visibility: hidden; */ - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} /* page numbers */ - - -.center {text-align: center;} - -.smcap {font-variant: small-caps;} - - -/* Images */ - -img { - max-width: 100%; - height: auto; -} -img.w100 {width: 100%;} - - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - - -/* Poetry */ -.poetry-container {text-align: center;} -.poetry {text-align: left; margin-left: 5%; margin-right: 5%;} -/* uncomment the next line for centered poetry in browsers */ -.poetry {display: inline-block;} -.poetry .stanza {margin: 1em auto;} -.poetry .verse {text-indent: -3em; padding-left: 3em;} -/* large inline blocks don't split well on paged devices */ -@media print { .poetry {display: block;} } -.x-ebookmaker .poetry {display: block;} - -/* Poetry indents */ -.poetry .indent0 {text-indent: -3em;} -.poetry .indent2 {text-indent: -2em;} - - - - - </style> - </head> -<body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 50, Vol. I, December 13, 1884, by Various</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 50, Vol. I, December 13, 1884</p> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Various</div> - -<div style='display:block; margin:1em 0'>Release Date: November 3, 2021 [eBook #66659]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Susan Skinner, Eric Hutton and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 50, VOL. I, DECEMBER 13, 1884 ***</div> -<p><span class="pagenum" id="Page_785">{785}</span></p> - -<h1>CHAMBERS’S JOURNAL<br /> -OF<br /> -POPULAR<br /> -LITERATURE, SCIENCE, AND ART.</h1> - -<div class="chapter"> -<h2 class="nobreak">CONTENTS</h2> -</div> - -<p class='center'> - - -<!-- Autogenerated TOC. Modify or delete as required. --> - -<a href="#A_GLACIER_GARDEN">A GLACIER GARDEN.</a><br /> -<a href="#ONE_WOMANS_HISTORY">ONE WOMAN’S HISTORY.</a><br /> -<a href="#RECOLLECTIONS_OF_AN_ANGLO-INDIAN">RECOLLECTIONS OF AN ANGLO-INDIAN CHAPLAIN.</a><br /> -<a href="#COLONEL_REDGRAVES_LEGACY">COLONEL REDGRAVE’S LEGACY.</a><br /> -<a href="#A_SAMPLE_OF_MARSALA">A SAMPLE OF MARSALA.</a><br /> -<a href="#CONCERNING_FLORIDA">CONCERNING FLORIDA.</a><br /> -<a href="#ARSENIC_IN_DOMESTIC_FABRICS">ARSENIC IN DOMESTIC FABRICS.</a><br /> -<a href="#WASHING_BY_STEAM">WASHING BY STEAM.</a><br /> -<a href="#PARTING_WORDS">PARTING WORDS.</a><br /> - -<!-- End Autogenerated TOC. --> - -</p> - - -<hr class="full" /> - -<div class="chapter"> -<div class="figcenter w100" id="header" style="max-width: 43.75em;"> - <img class="w100" src="images/header.jpg" alt="Chambers’s Journal of Popular Literature, Science, -and Art. Fifth Series. Established by William and Robert Chambers, 1832. Conducted by R. Chambers (Secundus)." /> -</div> - - -<hr class="full" /> -<div class="center"> -<div class="header"> -<p class="floatl"><span class="smcap">No. 50.—Vol. I.</span></p> -<p class="floatr"><span class="smcap">Price</span> 1½<em>d.</em></p> -<p class="floatc">SATURDAY, DECEMBER 13, 1884.</p> -</div></div></div> - -<hr class="full" /> - - -<div class="chapter"> -<h2 class="nobreak" id="A_GLACIER_GARDEN">A GLACIER GARDEN.</h2> -</div> - - -<p><span class="smcap">The</span> glacier garden lies far away on a steep hillside -by the Lake of the Forest Cantons. Close -to the picturesque town of Lucerne, a little path -leads past the sandstone crag on which is hewn -Thorwaldsen’s famous monument, to the small -inclosed space, overshadowed by trees, where have -recently been discovered vestiges of the most -remote days in the youth of our old mother-earth. -Hidden away amongst tangled fern and bright -green grass, we see huge surfaces of native rock, -some furrowed with parallel lines, others, with -curious petrifactions of the sea; and giant boulders -smoothed and polished that do not in the least -resemble the surrounding rocks, but which are -travellers from the Alps, left stranded here by -the glaciers in the last great Ice Age. It is -indeed a wonderful garden, with a wonderful -history, and although, as unscientific observers, we -cannot trace the different phases of its development -in the dim geological past, still, standing -by these gray old stones on which have been -laid the softening and romantic influences of -countless ages, it is as if we had pages of the -world’s history unrolled before our eyes.</p> - -<p>The proofs of past glaciers are all around us -in the grindings and scratchings on the rocks—in -the ice-worn stones—and still more in the -deep smooth circular hollows, which are perhaps -the most perfect known specimens of the singular -phenomena called glacier-mills. These erosions -have been found also in Scandinavia and in -the Jura Mountains, and are caused by the rapid -whirling of a stone by a stream from the melting -ice, which in the course of ages scoops out ever -deeper and wider these cavities in the rock. -But in this little garden we can trace the origin -of the glacier-mills, from the tiny erosion just -commenced, to the grand basin, twenty feet in -diameter, and more than thirty feet deep, on -whose smooth walls are clearly marked the spiral -windings caused by the whirling of the stone -perpetually from east to west. If you take up -the glacier-stone that lies at the bottom of this -mill, you will see not only how strangely round -and polished it has become, but also that it is -composed of totally different rock, and must have -been transported hither by the great Reuss glacier -from the granite slopes of the St Gothard.</p> - -<p>To look at these polished cavities, nobody -would dream that they were the mere evidences -of the eddying action of an ice-stream upon a -small fragment of rock, and yet this is exactly -what geology teaches us they really are; indeed, -there is no rock or mineral, even the flint -and agate, but what is permeable in some -degree by the action of water; and like granite -and marble, most stones are softer and more -easily wrought before they are dried and -hardened by air-seasoning. Are not similar -effects of the action of torrents in the erosion -of rock seen in almost every gorge through -which rushes a mountain torrent? It seems -all but incredible that to a little rippling rivulet -is due the tremendous erosion of many alpine -ravines, with their great height and precipitous -walls. But science tells us very strange tales, -even that the mountain streams in the present -day are depressing the ridges of the Alps and -the Apennines, raising the plains of Lombardy -and Provence, and extending the coasts far into -the waters of the Adriatic and the Mediterranean. -Thus it is easy to understand how, at that remote -period when a vast ice-sheet covered not only -our garden but all Switzerland from the Alps -to the Jura, the loose stones which had become -detached from the moraine, and were met by -some barrier in the ice whirled about by rushing -water, ground down first the ice, then the rock, -and in the wear and tear of unnumbered centuries -grew round and smooth like the basins in which -they revolved.</p> - -<p>It is very seldom that loose fragments of rock -exercise a protective power upon the ice; but -instances have been met with on the higher -glaciers of large stones warding off the rain and -the radiation of the sun from the ice immediately -beneath them; so that as the glacier wastes -and lowers in the course of time, these glacier-tables<span class="pagenum" id="Page_786">{786}</span> -remain fixed upon elevated pillars of ice, -which sometimes reach to a height of ten or -twelve feet above the general level.</p> - -<p>At Lucerne, it is impossible to forget, as we -wander about the paths in this archaic garden, -that countless years before the great glaciers -planed away the old flora from off the face of -the land, there was a period of tropical heat and -tropical vegetation which succeeded the earliest -epoch in the existence of our globe. Petrifactions -of the first stages of life are distinctly visible -upon, the rocks—relics of a primeval ocean.</p> - -<p>But with the story of the rocks there is -mingled no trace of human interest. For them -Time has stood still and the seasons brought no -change, until a few years ago, when the ground -being excavated for the foundations of a new -house, these unsuspected relics were brought to -light from amongst the sand and pebbles and ice-worn -boulders. These relics are unconnected even -with the first traditions of the people of the -Alps, and had remained in quiet slumber beneath -the glacial débris for long ages before the earliest -settlers raised their pile-dwellings above the blue -waters of the lake. Evidence, indeed, has been -afforded that the lacustrine dwelling-places were -inhabited by generations of men two thousand, -or, as some authorities affirm, six thousand -years before the Christian era. Amongst the -piles of oak, or beech, or fir wood, rising occasionally -in three or four tiers, one above another, -in the accumulated waste of animal and vegetable -life found at the bottom of the lake, -were stone celts and other implements of bone -or flint, memorials of a people who perished -at a period beyond the reach of the most distant -annals; very old, in an historical point of view, -although in a geological estimate they are but of -yesterday. For what is the antiquity of the -earliest of these relics compared with that of the -latest records plainly written upon the smooth -surface of the rocks?</p> - -<p>In the glacier garden we find not only the -indefinable charm of a vast antiquity, but a -suggestiveness of the strange contrast between -the present and the past. On the one hand there -is busy life, noise, warmth upon the winding -shores of the placid lake, magnificent mountains -girdled by forest trees, and woven in and out -with verdant pastures and far-off snow—all things -lovely of the earth present before our eyes; on -the other hand, we have a glimpse into the -remote and mysterious past, when the sun shone -down upon an illimitable white world of snow -and ice.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="ONE_WOMANS_HISTORY">ONE WOMAN’S HISTORY.</h2> -</div> - - -<h3>CHAPTER XII.</h3> - -<p><span class="smcap">Miss Gaisford</span> had found a quiet nook in the -lower grounds of the hotel, well out of view from -the windows, where there was little likelihood -of being disturbed by the ordinary run of visitors. -Now and then, a newly married couple, or a pair -of turtle-doves who were not yet married, but -hoped to be before long, would invade her solitude; -but such momentary interruptions served -rather to amuse her than otherwise. ‘Here comes -another peripatetic romance,’ she would remark -to herself. ‘Now, if those two young people -would only come and sit down beside me, and -tell me all about it, first one telling me a bit -and then the other, till I knew their story by -heart, they would do me a real kindness, and -save me a lot of invention. All newly married -couples ought to be compelled to write their Love -Memoirs, which should afterwards be bound in -volumes (calf), and kept in a sort of Record -Office, where we poor story-tellers could have -access to them whenever we happened to be -hard up for a plot.’</p> - -<p>To this sheltered nook a table and chair had -been brought from the hotel, and here, on this -Friday forenoon, Miss Gaisford was busy writing. -But she laid down her pen more frequently than -was usual with her when so employed, and had -little fits of musing between times.</p> - -<p>‘I’m not i’ the mood this morning, that’s -certain,’ she said at last. ‘My thoughts seem all -in a muddle. I can’t get Mora out of my head. -She puzzles me and makes me uneasy. It’s -mental illness, not bodily, that keeps her to her -room. Colonel Woodruffe had a long talk with -her on Wednesday, and then drove her back to -the hotel, which he would scarcely have done, -I think, if he had been decisively and finally -rejected. There’s a mystery somewhere; but Mora -is a woman whom one cannot question. I have -no doubt she will tell me all about it when she -feels herself at liberty to do so. Meanwhile, it’s -a good lesson in curbing that curiosity which -certain cynical moralists of the inferior sex have -had the unblushing effrontery to affirm to be -the bane of ours.—But this is frivolity.’ She -dipped her pen in the inkstand, and running her -eyes over the few lines last written, read them -half aloud:</p> - -<p>‘“Next moment, Montblazon’s equipage, which -was drawn by six coal-black steeds, and preceded -by two outriders in livery, drew up at -the palace gates. As the Duc alighted from his -chariot, a woman, young and beautiful, though -in rags, pressed through the crowd till she was -almost near enough to have touched him. ‘For -the love of heaven, monseigneur!’ she cried in -piteous accents. A gorgeously attired lackey would -have thrust her back, but an imperious gesture -of Montblazon’s jewelled hand arrested him. -There was something in the expression of the -woman’s face which struck him as though it -were a face seen in a dream long ago. Montblazon, -who knew not what it was to carry -money about his person, extracted from the -pocket of his embroidered vest a diamond—one -of a handful which he was in the habit of carrying -loose about him to give away as whim or -charity dictated—and dropped it into the woman’s -extended palm. Then without waiting for her -thanks, he strode forward up the palace stairs, -and a few moments later found himself in a -saloon which was lighted by myriads of perfumed -wax tapers set in sconces of burnished silver. -Montblazon, who towered a head taller than<span class="pagenum" id="Page_787">{787}</span> -any one there, gazed round him with a lurid -smile.”’</p> - -<p>‘Yes, I think that will do,’ said Miss Pen as -she took another dip of ink. ‘“Lurid smile” is -not amiss.’</p> - -<p>She was interrupted by the sound of footsteps. -She looked up, and as she did so, a shade of -annoyance flitted across her face. ‘I thought -that I was safe from her here. I wonder how -she has found me out,’ she said to herself.</p> - -<p>The object of these remarks was none other -than Lady Renshaw. It was quite by accident -that she had discovered Miss Gaisford. The -news told her by Mr Etheridge had excited her -in no common degree; there was no one in the -hotel that she cared to talk to; so, finding it -impossible to stay indoors, she had sought relief -in the open air. She was expecting Bella and -Mr Golightly back every minute; meanwhile, she -was wandering aimlessly about the grounds, and -brightened up at the sight of Miss Penelope. -Here at least was some one she knew—some one -to talk to. She advanced smilingly. ‘What a -number of correspondents you must have, dear -Miss Gaisford,’ said her ladyship after a few words -of greeting. ‘You seem to spend half your time -in writing.’ She was glancing sharply at Miss -Pen’s closely covered sheets of manuscript.</p> - -<p>‘Yes, I do write a good deal,’ answered the -latter as she began to put her sheets in order. -‘I rather like it. Between you and me, when -Septimus is busy other ways, or is enjoying his -holiday, I sometimes try my hand at writing a -sermon for him.’</p> - -<p>‘Really now! And do the congregation never -detect the difference between your discourses and -his?’</p> - -<p>‘I don’t think they trouble their heads a bit -about it. So long as we don’t make use of too -many hard words, and get the sermon well over -in twenty minutes, they are perfectly satisfied.’</p> - -<p>Lady Renshaw was in possession of a certain -secret, and although she had given her word that -she would not reveal it for the present, it was -too much to expect of poor human nature that -she should not make some allusion to it, if the -opportunity were given her, especially in conversation -with another of her own sex.</p> - -<p>‘I understand that we are likely to have one -or two important arrivals at the hotel this -evening,’ she remarked with studied indifference, -as she shook a little dust off the flounces of her -dress.</p> - -<p>‘Indeed. A Russian Prince, an Ambassador, -an Emperor travelling incog., or whom?’</p> - -<p>‘Dear me, no!—nobody of that kind. But my -lips are sealed. I must not say more.’</p> - -<p>‘Then why did you say anything?’ remarked -Miss Pen to herself.</p> - -<p>‘Still, when you come to know, I feel sure -that you will be surprised—very greatly surprised. -Strange events may happen here before -to-morrow. But I dare not say more, so you -must not press me.’</p> - -<p>‘I won’t,’ responded Miss Pen emphatically.</p> - -<p>‘Why, I declare, yonder come my darling -Bella and Mr Golightly! I’ve been looking -out for them this hour or more.—You will -excuse me, my dear Miss Gaisford, I’m sure.’</p> - -<p>‘Certainly,’ was the uncompromising reply.</p> - -<p>Her ladyship smiled and nodded, and then -tripped away as lightly and gracefully as a youthful -elephant might have done.</p> - -<p>‘Now, what <i>can</i> the old nincompoop mean?’ -asked Miss Pen of herself. ‘That there is some -meaning in her words, I do not doubt. She is -no friend of Mora, I feel sure. Can what she -said have any reference to her? But I’m altogether -in the dark, and it’s no use worrying. -If there’s trouble in the wind, we shall know -about it soon enough.’</p> - -<hr class="tb" /> - -<p>‘He has proposed—I know it from his manner,’ -exclaimed Lady Renshaw to her niece as soon -as they were alone in the hotel; ‘so it’s no use -your telling me that he hasn’t.’</p> - -<p>‘I had no intention of telling you anything of -the kind,’ answered the girl demurely.</p> - -<p>‘What did you say to him in reply?’</p> - -<p>‘Very little. You told me not to say much. -Besides,’ added Bella slily, ‘he seemed to like to -do most of the talking himself.’</p> - -<p>‘Men generally do at such times.—But didn’t -the young man say anything about speaking to -me?’</p> - -<p>‘O yes, aunt.’</p> - -<p>‘And very properly so, too. But you need -not refer him to me just at present; I will give -you a hint when the proper time arrives. Meanwhile, -I hope you will not allow yourself to get -entangled to such an extent that you won’t be -able to extricate yourself, should it become necessary -to do so.’</p> - -<p>Bella was taken with a sudden fit of sneezing.</p> - -<p>‘Mr Archie Ridsdale’s affair is by no means -a <i>fait accompli</i>,’ continued her ladyship; ‘and we -shall see what we shall see in the course of the -next few hours.’ She nodded her head with an -air of mystery and tried to look oracular.</p> - -<p>Presently Bella pleaded a headache and escaped -to her own room.</p> - -<hr class="tb" /> - -<p>Clarice was at the station at least twenty -minutes before the train by which Archie was -to travel could by any possibility arrive. It -showed great remissness on the part of the railway -people, considering how anxious she was -for her sweetheart’s arrival, that this very train -should be five minutes and fourteen seconds -late. Such gross disregard of the feelings of -young ladies in love ought to be severely dealt -with.</p> - -<p>At length the train steamed slowly in, with -Archie’s head and half his long body protruding -from the window, to the annoyance of every other -passenger in the compartment. He was out of -the train before any one else, and as it glided -slowly forward before coming to a stand, those -inside were favoured with a sort of panoramic -glimpse of a very pretty girl being seized, -hugged, and unblushingly kissed by a young -fellow, to whom, at that moment, the code of -small social proprieties was evidently a dead -letter.</p> - -<p>‘What about your father?’ asked Clarice as -soon as she had recovered her breath in some -measure and had given a tug or two to her -disarranged attire.</p> - -<p>‘What about him?’ queried Archie, who was -looking after his portmanteau.</p> - -<p>‘Of course he has not come down by this -train, or you would have travelled together.<span class="pagenum" id="Page_788">{788}</span> -But I suppose you know he’s expected at the -<i>Palatine</i> to-night—at least so Mr Etheridge told -me.’</p> - -<p>‘Etheridge! is he here?’</p> - -<p>‘Yes; didn’t you know? He reached here a -few hours after you left for London. He brought -a letter for you from your father all the way -from Spa.’</p> - -<p>Archie scratched his head: even heroes go -through that undignified process occasionally. -‘Upon my word, I don’t know what to make -of the governor,’ he said. ‘He seems to get more -crotchety every day. Here, according to what -you say, he sends poor Etheridge all the way -from Spa as the bearer of a letter which any -other man would have intrusted to the post; then -he apparently changes his mind and telegraphs -for me to meet him in London. To London I -go, and there wait, dangling my heels; but no -Mr Governor turns up. Then Blatchett receives -a telegram from somewhere—by-the-bye, he never -told me where he did receive it from—in which -I am instructed to return to Windermere immediately, -and am told that my long-lost papa will -meet his boy there. It’s jolly aggravating, to -say the least of it.’</p> - -<p>‘Mr Etheridge says that Sir William may -perhaps want to see me. O Archie, I was never -so frightened in my life!’</p> - -<p>He soothed and petted her after the fashion -which young men are supposed to find effectual -in such cases, and presently they drew up at the -hotel.</p> - -<p>They went at once to the sitting-room, the -only inmates of which they found to be Lady -Renshaw, Bella, and Mr Golightly. The last -had come to inquire whether Miss Wynter would -go for a row on the lake after dinner. If she -would, there was a particular boat which he -would like to engage beforehand.</p> - -<p>Lady Renshaw was doubtful. She was inclined -to think that Bella had caught cold on the lake -in the morning. She had sneezed more than -once. It would scarcely be advisable, her ladyship -thought, for Miss Wynter to venture on the -water again in the chill of the evening. Besides, -the clouds looked threatening, and to be caught -in a storm on the lake, she had been told, was -dangerous.</p> - -<p>In short, without exactly wishing to discourage -Mr Golightly, she was desirous of damping his -ardour in some measure for the time being. -Till she should be able to judge how events -were likely to shape themselves, he must not be -allowed too many opportunities of being alone -with Bella; perhaps even, at the end, it might -become necessary to give him the cold shoulder -altogether.</p> - -<p>Lady Renshaw was in the midst of her platitudes -when Archie and Clarice entered the room. -On their way from the station Clarice had spoken -of her sister’s indisposition, so that Archie was -prepared not to find Madame De Vigne downstairs; -but probably he had hardly counted upon -coming so unexpectedly on her ladyship. As, -however, she was there, the only possibility left -him was to look as pleasant as possible.</p> - -<p>He greeted her with as much cordiality as he -could summon up at a moment’s notice, and then -he turned to Miss Wynter, whose pretty face -he was really pleased to see again. There was -a hidden meaning laughing out of his eyes as -he shook hands with her. It was as though he -had said: ‘You naughty girl, I should like to -spoil your little game, just for the fun of the -thing, but I won’t.’</p> - -<p>He did spoil it, however, a moment later, all -unwittingly. Turning to Dick, who appeared -to be gazing abstractedly out of one of the -windows, he gave him a hearty slap on the -shoulder. ‘Dulcimer, old chappie, how are you? -Delighted to see you again.’</p> - -<p>Next moment he could have bitten his tongue -out.</p> - -<p>‘Dulcimer!’ shrieked her ladyship, whose ears -had caught the name.</p> - -<p>The young people turned and stared at each -other in blank dismay. Dick shrugged his shoulders, -and was the first to recover his <i>sang-froid</i>. -The moment had come for him to take the bull -by the horns.</p> - -<p>‘Dulcimer!’ again exclaimed her ladyship in -a tone of hopeless bewilderment, that was at -once both ludicrous and pathetic, as she glanced -at the dismayed faces around her.</p> - -<p>‘Even so, Lady Renshaw. I am Richard -Dulcimer, at your service.’ He spoke as quietly -as though he were mentioning some fact of everyday -occurrence.</p> - -<p>‘You, that Richard Dulcimer—that impudent -pretender—that—that cockatrice, who used to -follow my niece about in London wherever she -went! No, no’—peering into his face—‘I cannot -believe it. You are amusing yourself at my -expense.’</p> - -<p>‘Nevertheless, unless I was changed at nurse, -I am that cockatrice, Richard Dulcimer. As any -further attempt at concealment would be useless, -if your ladyship will permit me, I will enlighten -you in a few words.’</p> - -<p>She only stared at him, breathing very hard, -but otherwise showing by no sign that she heard -what he was saying.</p> - -<p>‘I had the pleasure of meeting Miss Wynter -on several occasions in London,’ resumed Dick. -‘Whether your ladyship believes it or not, I fell -in love with her, hopelessly and irremediably. I -am a poor man, and you scouted my pretensions, -and forbade your niece ever to speak to me again. -It is not in my province to blame your ladyship -for doing that which you deemed to be for Miss -Wynter’s advantage; but it by no means followed -that I should fall in with your views. I heard -that you and Miss Wynter were coming to this -place, and I determined to follow you. Had I -not made some change in my appearance, you -would at once have recognised me, and my plans -would have been frustrated. I took off my beard -and moustache, dyed my hair and eyebrows, -donned a clerical costume which I happened to -have by me for another purpose, and trusted to -my good fortune to escape detection. The rest -is known to your ladyship.’</p> - -<p>‘The rest—yes. You said that your name -was Golightly, and you introduced yourself to -me as the son of the Bishop of Melminster, -which shows plainly what a wicked wretch you -must be.’</p> - -<p>‘Your ladyship must excuse me if I set you -right as regards the facts of the case. I said -that my name was Golightly. So it is—Richard -Golightly Dulcimer; but I never said, nor even<span class="pagenum" id="Page_789">{789}</span> -hinted, that I was the son of Bishop Golightly. -It was your ladyship who arrived at that conclusion -by some process of reasoning best known -to yourself.’</p> - -<p>‘Oh!’ was all that her ladyship could find to -say at the moment.</p> - -<p>Archie and Clarice stole quietly out of the -room.</p> - -<p>Lady Renshaw turned to her niece. ‘Am I -to presume, Miss Wynter, that you have been a -party to this vile fraud?’ she asked in her -iciest tones. ‘Am I to understand that you have -known all along that this person was Mr -Dulcimer, and that you have been cognisant of -this wicked conspiracy?’</p> - -<p>Bella hung her head.</p> - -<p>‘Your silence convicts you. It is even so, -then. I have nourished a viper, and knew it not. -But, understand me, from this time I discard -you; I cast you off; I have done with you for -ever!’</p> - -<p>Tears sprang to the girl’s eyes. ‘O aunt, -forgive me!’ she exclaimed as she sprang forward -and tried to clasp her ladyship’s hand.</p> - -<p>The latter drew back a step or two and waved -her away. ‘Touch me not!’ she said. ‘Henceforth, -you and I are strangers. You have chosen -to sacrifice me for the sake of this impostor. -Marry him—you can do no less now—and -become a pauper’s wife for the rest of your days. -That is your fate.’</p> - -<p>Lady Renshaw turned without another word, -drew her skirts closer around her, and stalked -slowly out of the room.</p> - -<p>The weeping girl would have hurried after -her, had not Dick put his arm round her and -held her fast.</p> - -<p>‘No,’ he said; ‘you shall not go just yet. She -wants to make you believe that she is an ill-used -victim, whereas it is you who have been the -victim all along. Yes, the victim of her greed, -her selfishness, and her willingness to sacrifice -you for the sake of her own social advancement. -What would she have cared whom you married, -or whether you were happy or miserable, if only, -by your means, she could have climbed one rung -higher on the ladder of her ambition! Here is -the proof: Now that she finds you are no longer -of use to her for the furtherance of her schemes, -she casts you off with as little compunction as -she would an old glove. Dearest, she is not -worth your tears!’</p> - -<p>But Bella’s tears were not so readily stanched, -and for a time she refused to be comforted.</p> - - -<h3>CHAPTER XIII.</h3> - -<p>Half an hour later, as Lady Renshaw was -sitting alone in her room, musing in bitterness -of spirit on the mutability of human affairs, a -message was brought her. Sir William Ridsdale’s -compliments to Lady Renshaw, and would her -ladyship favour him with her company for a few -minutes in his apartments?</p> - -<p>She rose with a sigh. Her anticipated triumph -was shorn of half its glory. Archie Ridsdale -might be a free man to-morrow, and it would -matter nothing now, as far as she was concerned. -Bella had made a fool of herself, and doubtless -Archie had all along been a party to the deception. -This thought coming suddenly, revived -her like a stimulant. What would her disappointment -be in comparison with his humiliation -when he should learn that which his father -had to tell him! Then there was that haughty -Madame De Vigne. For her, too, the hour of -humiliation was at hand. As she thought of -these things, while on her way to Sir William’s -room, Lady Renshaw’s spirits rose again. She -felt that life had still some compensations for -her.</p> - -<p>A staid-looking man-servant ushered her into -the room. She gazed round; but there was no -one to be seen save Colonel Woodruffe, who was -a stranger to her, and Mr Etheridge. The -latter rose and advanced with his thin, faint -smile.</p> - -<p>‘I was given to understand that I should find -Sir William Ridsdale here,’ said her ladyship in -a somewhat aggrieved tone.</p> - -<p>‘I am Sir William Ridsdale, very much at -your service,’ was the quiet reply of the smiling, -white-haired gentleman before her.</p> - -<p>Probably in the whole course of her life Lady -Renshaw had never been so much taken aback -as she was at that moment. She literally gasped -for words, but none came.</p> - -<p>‘Will you not be seated?’ said the baronet; -and with that he led her to a chair, and then -he drew up another for himself a little distance -away.</p> - -<p>‘I will give your ladyship credit for at once -appreciating the motives by which I was influenced -in acting as I have acted. I came here -incognito in order that I might be able to see -and judge for myself respecting certain matters -which might possibly very materially affect both -my son’s future and my own. Archie was got -out of the way for a day or two; and the only -person who knew me not to be Mr Etheridge -was my old friend here, Colonel Woodruffe, to -whom, by-the-bye, I must introduce your ladyship.’</p> - -<p>‘It was really too bad of you, Sir William, to -hoax us all in the way you have done,’ simpered -her ladyship when the process of introduction to -the colonel was over. She did not forget that -elderly baronets have occasionally fallen victims to -the wiles of good-looking widows. ‘But for my -part, I must confess that from the first I had my -suspicions that you were not the person you gave -yourself out to be. There was about you a sort -of <i>je ne sais quoi</i>, an impalpable something, which -caused me more than once to say to myself: -“Any one can see that that dear Mr Etheridge -is a gentleman born and bred—one who has -been in the habit of moving in superior circles. -He must have known reverses. Evidently, at -one period of his life, he has occupied a position -very different from that of an amanuensis.”’</p> - -<p>‘Madam, you flatter me,’ replied the baronet -with a grave inclination of the head. ‘As I -have had occasion to remark before, your ladyship’s -acumen is something phenomenal.’</p> - -<p>The widow was rather doubtful as to the -meaning of ‘acumen;’ but she accepted it as a -compliment. ‘And now, dear Sir William, that -you have come and seen and judged for yourself, -you will have no difficulty in making up your -mind how to act.’</p> - -<p>‘My mind is already made up, Lady Renshaw.’</p> - -<p><span class="pagenum" id="Page_790">{790}</span></p> - -<p>‘Ah—just so. Under the painful circumstances -of the case, you could have no hesitation -as to the conclusion at which you ought to -arrive. What a fortunate thing that I happened -to find that scrap of paper in the way I did!’</p> - -<p>‘Very fortunate indeed, because, as I remarked -this morning, it might have fallen into the hands -of some one much less discreet than your ladyship. -As it happened, however, although I did not -say so to you at the time, it told me nothing -that I did not know already.’</p> - -<p>‘Nothing that you did not know already!’ -gasped her ladyship.</p> - -<p>‘Nothing. Madame De Vigne, of her own -free will, had already commissioned her friend, -Colonel Woodruffe, to tell me without reservation -the whole history of her most unhappy -married life.’</p> - -<p>‘What an idiot the woman must be!’ was her -ladyship’s unspoken comment; but she only -stared into the baronet’s face in blank amazement. -Recovering herself with an effort, she -said with a cunning smile: ‘People sometimes -make a merit of confessing that which they can -no longer conceal. You will know how to -appraise such a statement at its proper worth. -You say that your mind is already made up, -Sir William. I think that from the first there -could be no doubt as to what the result would be.’</p> - -<p>‘Very little doubt, indeed,’ he answered drily. -‘For instance, here is a proof of it.’</p> - -<p>He rose as he spoke, and crossed to the opposite -side of the room, where was a window set in -an alcove, which just at present was partially -shrouded by a heavy curtain. With a quick -movement of the hand, Sir William drew back -the curtain, and revealed, to Lady Renshaw’s -astonished gaze, Mr Archie Ridsdale sitting with -a skein of silk on his uplifted hands in close -proximity to Miss Loraine, who was in the act -of winding the silk into a ball. The young -people started to their feet in dismay as the -curtain was drawn back. It was a pretty picture. -‘There’s no need to disturb yourselves,’ -said Sir William smilingly; ‘I only wanted to -give her ladyship a pleasant surprise.’ With -that he let fall the curtain and went back to -his chair.</p> - -<p>‘A pleasant surprise, indeed! You don’t -mean to say, Sir William’—— Her ladyship -choked and stopped.</p> - -<p>‘I mean to say, Lady Renshaw, that in Miss -Loraine you behold my son’s future wife. He -has chosen wisely and well; and that his married -life will be a happy one, I do not doubt. In -the assumed character of Mr Etheridge, I made -the acquaintance of Miss Loraine, so that I am -no stranger to her sweet temper and fine disposition. -If anything, she is just a leetle too -good for Master Archie.’</p> - -<p>Lady Renshaw felt as if the ground were heaving -under her feet. In fact, at that moment an -earthquake would hardly have astonished her. -Most truly had Sir William been termed an -eccentric man: he was more than eccentric—he -was mad! She had only one shaft more left in -her quiver, but that was tipped with venom.</p> - -<p>‘Then poor Archie, when he marries, will be -brother-in-law to a person whose husband was -or is a convict,’ she murmured presently, more -as if communing sorrowfully with herself, than -addressing Sir William. Her eyes were fixed -on the cornice pole of one of the windows; and -when she shook her head, which she did with -an air of profound melancholy, she seemed to -be shaking it at that useful piece of furniture. -Sir William and Colonel Woodruffe exchanged -glances. Then the baronet said: ‘Will you oblige -me, Lady Renshaw?’</p> - -<p>He led the way to the opposite end of the -room, where anything they might say would -be less likely to be overheard by the young -people behind the curtain. ‘Yes, as your ladyship -very justly observes,’ said the baronet, -‘when my son marries Miss Loraine, he will be -brother-in-law to an ex-convict—for the fellow -is alive—to a man whom I verily believe to be -one of the biggest scoundrels on the face of the -earth. It will be a great misfortune, I grant -you, but one which, under the circumstances, -can in nowise be helped.’</p> - -<p>‘It will be one that the world will never tire -of talking about.’</p> - -<p>‘Poor Madame De Vigne! I pity her from the -bottom of my heart; and you yourself, as a -woman, Lady Renshaw, can hardly fail to do -the same.’</p> - -<p>Lady Renshaw shrugged her shoulders, but was -silent.</p> - -<p>‘What a misfortune for her, to be entrapped -through a father’s selfishness, when a girl just -fresh from school, into marriage with such a -villain!’ resumed the baronet. ‘But in what -way could she possibly have helped herself? Alas! -in such a case there is no help for a woman. -When—years after he had robbed and deserted -her, and had fallen into the clutches of the law—she -received the news of his death, it was impossible -that she should feel anything but thankfulness -for her release. Time went on, and she had -no reason to doubt the fact of her widowhood, -when suddenly, only three days ago, her husband -turned up—here! I have told you all this, -Lady Renshaw, in order that you may know the -truth of the case as it now stands, and not -be led away by any distorted version of it. Ah, -poor Madame De Vigne! How was she to help -herself?’</p> - -<p>‘That is not a question I am called upon to -answer—it is not one that the world will even -condescend to ask. The fact still remains that -she is a convict’s wife, and as such the world -will judge her.’</p> - -<p>‘Yes, yes; I know that what we term the -world deals very hardly in such matters—that -the innocent are too often confounded with the -guilty. But in this case at least, the world need -never be any wiser than it is now. The secret of -Madame De Vigne’s life is known to three people -only—to you, whom a singular accident put in -possession of part of it; to Colonel Woodruffe; -and to myself. Not even her sister is acquainted -with the story of her married life. Such being -the case, we three have only to keep our own -counsel; we have only to determine that not one -word of what we know respecting this most -unhappy history shall ever pass our lips, and -loyally and faithfully carry out that determination, -and the world need never know more of -the past life of Madame De Vigne than it knows -at the present moment. As for the fellow himself, -I shall know how to keep his tongue quiet.<span class="pagenum" id="Page_791">{791}</span> -I am sure that you agree with me, dear Lady -Renshaw.’</p> - -<p>A vindictive gleam came into her ladyship’s -eyes. The time had come for her to show her -claws. Such a moment compensated for much -that had preceded it.</p> - -<p>She laughed a little discordant laugh. ‘Really, -Sir William, who would have thought there was -so much latent romance in your composition? -Who would have dreamt of your setting up as the -champion of Beauty in distress? To be sure, if -you persevere in your present arrangements, this -Madame De Vigne will become a connection of -your own, and regarded from that point of view, -I can quite understand your anxiety to hush up -the particulars of her very ugly story. Family -scandals are things always to be avoided, are they -not, Sir William?’</p> - -<p>‘Always, Lady Renshaw—when practicable.’</p> - -<p>‘Just so. But as Madame De Vigne, thank -heaven! will be no connection of mine either near -or distant, you will pardon me if I hardly see -the necessity for such extreme reticence on my -part. The world will get to know that I have -been mixed up to a certain extent in this affair—somehow, -it always does get to know such -things—and I shall be questioned on every side. -What am I to say? What reply am I to make -to such questions? Am I to tell an untruth, -and say that I know nothing—that I am in absolute -ignorance? Or am I to prevaricate, and -insinuate, for instance, that Madame De Vigne is a -lady of the highest respectability and of unblemished -antecedents—a person, in short, whom any -family might be proud to count as one of themselves? -You will admit, Sir William, that the -position in which I shall be placed will be a -most embarrassing one?’</p> - -<p>‘Most embarrassing indeed, Lady Renshaw—almost -as much so, in fact, as if some one were -to say to you: “I was past your grandfather’s -shop in Drury Lane the other day. The place -looks precisely as it did forty years ago. Nothing -is changed except the name over the door.” That -might be rather embarrassing to you, might it -not?’</p> - -<p>All at once Lady Renshaw looked as if she -were about to faint. The rouge on her cheeks -showed up in ghastly mockery of the death-like -pallor which had overspread the rest of -her face. Her lips twitched convulsively. She -sat staring at Sir William, unable to utter a -word.</p> - -<p>‘In most families, Lady Renshaw, nay, in most -individual lives, there are certain secrets, certain -private matters, which concern ourselves alone, -and about which we would infinitely prefer that -the world, and perhaps even our most intimate -friends, should remain in happy ignorance. It -could be no gratification to your ladyship, for -instance, if the circle of your acquaintance were -made aware that your grandfather started in life -as a rag and bone merchant in the fashionable -locality just named—“Solomon Izzard” was the -name painted over his door—and that your ladyship -first saw the light under the roof of that -unsavoury emporium. No; certainly that could -be no gratification to you. Your father at that -time was just beginning to lay the foundation -of the fortune which he subsequently accumulated -as a speculative builder. My father owned -certain house property in the neighbourhood, and -he employed your father to look after the repairs. -Hence it was that, on two occasions when little -more than a youth, I was sent with business -messages to the Lane, and it was on one of those -occasions that I first had the distinguished -pleasure of meeting your ladyship. You were -a mere child at the time, and your father used -to call you “Peggy,” if I mistake not. He -was holding you in his arms, and you struggled -to get down; but he would not let you go. -“She wants to be off with the other children,” -he said to me; “and then she gets playing in -the gutter, and makes a nice mess of herself.” -Those were his exact words. Your ladyship will -pardon me for saying that you struck me at the -time as being a remarkably pretty child, although -it is possible that your face might with advantage -have been a little cleaner than it was.’</p> - -<p>Never before in the whole course of her life -had Lady Renshaw had the tables turned on her -in such fashion. Scalding tears of rage and -mortification sprang to her eyes, but she bit her -lip hard and kept them back. At the moment, -she felt as if she could willingly have stabbed -Sir William to the heart.</p> - -<p>She sat without uttering a word. What, -indeed, could she find to say?</p> - -<p>‘Come, come, Lady Renshaw,’ resumed Sir -William smilingly; ‘there is no occasion for you -to be downhearted. The best thing that you -and I can do will be to draw up and sign—metaphorically—a -treaty of peace, to which -Woodruffe here shall act as witness. The terms -of the treaty shall be these: you on your part -shall promise to keep locked up in your bosom -as a sacred secret, not even to be hinted at to -your dearest friend, that knowledge respecting -the married life of Madame De Vigne which has -come so strangely into your possession; while I -on my part will promise faithfully to keep -undivulged those particulars concerning your -ladyship’s early career of which I have just made -mention—which, and others too that I could -mention, although you could in nowise help -them, I feel sure that you would not care to -have published on the housetops. Come, what -say you, shall it be a compact between us?’</p> - -<p>‘As you please,’ she answered sullenly as she -rose from her chair, adding with a contemptuous -shrug, ‘I have no wish to injure Madame De -Vigne.’</p> - -<p>‘Nor I the slightest desire to humiliate Lady -Renshaw.’</p> - -<p>Was it possible that this man, whose tongue -knew how to stab so keenly, could really be the -same individual as mild-mannered, soft-spoken -Mr Etheridge, who had seemed as if he could -hardly say Bo to a goose!</p> - -<p>Her ladyship seemed to hesitate for a moment -or two; then she said: ‘I will see you again -to-morrow—when you are alone,’ with a little -vindictive glance at the impassive Colonel Woodruffe.</p> - -<p>‘I shall be at your ladyship’s command whenever -and wherever may suit you best.’</p> - -<p>He crossed to the door, opened it, and made -her one of his most stately bows as she walked -slowly out, with head erect and eyes that stared -straight before her, but with rage and bitter -mortification gnawing at her heartstrings.</p> - -<p><span class="pagenum" id="Page_792">{792}</span></p> - -<p>‘We have still that scoundrel of a Laroche to -reckon with,’ said Sir William quietly to the -colonel as he shut the door upon her ladyship.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="RECOLLECTIONS_OF_AN_ANGLO-INDIAN">RECOLLECTIONS OF AN ANGLO-INDIAN -CHAPLAIN.</h2> -</div> -<p class="ph3">BANGALORE—THE ENGLISH CANTONMENT.</p> - - -<p><span class="smcap">About</span> a mile distant from the old fort and -city of Bangalore are the English cantonment -and modern native town. Conceive a field or -parade-ground a mile and a half in length and -a quarter of a mile in breadth, lined on each -side by avenues of large beautiful trees, overshadowing -the encircling footpath and carriage-drive. -Along the southern boundary of this -parade-ground are the houses and shops of the -Europeans and Eurasians; whilst to the north -are lines of barracks for both European and -native troops, from the midst of which rises -prominently the tower of St Andrew’s Church, -which is, or was, the finest and highest building -in Bangalore. Many are the beautiful roads -stretching away from this parade-ground into -the country, where are the picturesque dwelling-houses -of civilians and officers, whose encircling -gardens all the year round are in perpetual -bloom—for Bangalore, though in a tropical region, -has an Italian climate. The fortunate Europeans -who are stationed there are not scorched up by -the terrible heat under which their unlucky -countrymen must swelter at Madras and in the -southern plains; and Christmas comes to them -at Bangalore, not wreathed with snowflakes and -pendent with icicles, as it does to us, but -beautiful with roses and variegated garlands of -flowers.</p> - -<p>It was rather a novel thing for my friends -Dr Norman Macleod and Dr Watson to be taken -on a New-year’s day, as I took them in 1868, to -a magnificent show of flowers and fruits in the -‘Lall-baugh’ Gardens of Bangalore. In his usual -happy style, the celebrated Norman thus relates -his visit: ‘The European quarter is as different -from the Pettah as Belgravia is from the east -end of London. Here the houses are in their -own compounds with shrubs and flower-gardens -quite fresh and blooming. Open park-like spaces -meet the eye everywhere, with broad roads as -smooth and beautiful as the most finished in -England. Equipages whirl along, and ladies and -gentlemen ride by on horseback. One catches a -glimpse of a church tower or steeple; and these -things, together with the genial air, make one -feel once more at home; at all events, in a bit -of territory which seems cut out of home and -settled in India. There are delightful drives, -one to the Lall-baugh laid out in the last century -by Hyder Ali. Our home feeling was greatly -intensified by attending a flower-show. There was -the usual military band; and crowds of carriages -conveyed fashionable parties to the entrance. -Military officers and civil servants of every grade -were there, up to Mr Bowring, Chief Commissioner -of Mysore. The most remarkable and -interesting spectacles to me were the splendid -vegetables of every kind, including potatoes -which would have delighted an Irishman; leeks -and onions to be remembered, like those of -Egypt; cabbages, turnips, cauliflowers, peas, -beans, such as England could hardly equal; -splendid fruit, apples, peaches, oranges, figs, and -pomegranates; the display culminating in a -magnificent array of flowers, none of which -pleased me more than the beautiful roses, so -redolent of home. Such were the sights of a -winter’s day at Bangalore.’</p> - -<p>Around the English cantonment, more especially -on the north side of it, is the modern town -of Bangalore, containing about sixty or seventy -thousand inhabitants, who are chiefly Tamulians, -the descendants of those native camp-followers -and adherents who accompanied the British -forces from Madras and the plains of the Carnatic -when they conquered and took possession of the -land. There are likewise at Bangalore a goodly -number of English and Irish pensioners, who -have chosen rather to abide in India than come -back to this country; and certainly, with scanty -means, they are better off there in a warm and -genial clime than they would be here, with our -long and dreary cold and icy winters. And -when those pensioners are sober and industrious, -they have abundant opportunities in India to -enable them to support themselves and their -families in great comfort, and even to become -what we Scotch people call ‘bein folk.’ I could -give many pleasing instances from amongst them -of ‘success in life.’ I knew three Scotch gentlemen -who were highly respected bank agents, and -who had gone to India as artillerymen in the -Honourable East India Company’s service. But -although it be thus a pleasant fact that many -of our pensioned soldiers have done well and -prospered in India, yet it is melancholy to relate -that a goodly portion of them are sadly wanting -in sobriety and industry, and consequently their -continued stay in that country is not for good, -but for evil. So impressed was I with this that, -when asked by a high military official for my -opinion as to whether the government ought to -give greater encouragement to the time-served -soldiers to settle permanently in India, I at once -and decidedly said No; because, when freed -from military discipline, their lives too frequently -were such that they lowered the prestige of the -English name, and helped to injure the salutary -respect which the natives have hitherto had for -their white-faced rulers.</p> - -<p>In a pretty little village near Madras, called -Poonamalee, as well as in Bangalore, there dwell -very many of those pensioners with their families. -I was wont to pay periodical visits to this place -on professional duty; and certainly I found it at -first not only strange but grotesque to see young -men and maidens and numerous children, with -faces as black as a minister’s coat, but yet bearing -some good old Scottish name, and speaking the -English with an accent as if they had been born -and bred in the wilds of Lochaber. My beadle, -as sable a youth as could be, was a M‘Cormick, -and proudly claimed to be an Inverness-shire man. -I remember, towards the close of the Mutiny, -of driving with my wife, on a moonlight evening -through a beautiful ‘tope’ of palm-trees, when -suddenly our ears caught the distant strain -of the bagpipes. There was no mistaking it; -faint though it was, we could distinguish it -floating and wailing through the silent night as -<i>M‘Clymont’s Lament</i>. Gradually the music became<span class="pagenum" id="Page_793">{793}</span> -louder, until we were able to discover whence it -emanated. I got out of the carriage before an -opening in the trees, and winding my way by -a narrow path, I came at last to a small bungalow -where a man was strutting up and down the -veranda playing on a genuine pair of Scottish -bagpipes. His garments were white, but his face -was perfectly black. He was astonished at my -appearance, and so was I at his; and my astonishment -was not diminished when in answer to a -question as to his name, he replied to me in a -pleasant Argyllshire accent: ‘My name is Coll -M‘Gregor, sir; and my father was a piper in -the forty-second Highlanders, and I believe he -came from a place they called Inveraray.’ Poor -M‘Gregor! from that night I knew him well. -Black though he was, he was a most worthy man; -and one of the last sad duties I performed ere -leaving India was to visit him when dying in -the hospital, and to bury him when dead amongst -the sleeping Scotchmen in St Andrew’s churchyard.</p> - -<p>In the <i>Illustrated London News</i> there is a -picture entitled ‘Recruits’ which gives a very -faithful representation of the composition of -the British army. A smart recruiting sergeant -is leading away captive a batch of young men—the -thoughtless, reckless shopboy, the clownish -rustic, the discontented artisan, and the downcast -‘young gentleman’ who has wasted his substance -in riotous living. The picture rekindles in my -memory several instances of the last-mentioned -type. In the following stories, it will be seen, -from obvious reasons, that where names are -mentioned, these are fictitious.</p> - -<p>There is a clump of trees in the immediate -vicinity of Bangalore which is known as ‘the -Dead-man’s Tope.’ In it there is a solitary grave, -that of a young Scotchman. For many years -the natives alleged that his ‘ghost’ was to be -seen walking mournfully amongst the trees, for -they said he could not rest until his appointed -years had been fulfilled. He had been a corporal -in a Scotch regiment stationed in Bangalore, -beloved by all his comrades, but unfortunately -hated by the sergeant of his company. At last, -goaded by the unjust treatment he received from -this sergeant, he struck him down in a moment -of passion. In those days, discipline was stern; -the young corporal was tried, and condemned to -be hanged in the presence of the whole garrison. -The execution took place; but so great was the -feeling against the sergeant, that he had to be -sent away from the regiment down to Madras, -protected by a military escort. The general -officer who told me this story was a witness of -this sad scene, and was the interpreter to the -native soldiers of the reason of the execution. -That young corporal belonged to Glasgow, and -was connected with many respectable families in -the city.</p> - -<p>Here is a happier tale. John Home, after -many years’ service in the Honourable Company’s -artillery, retired on a pension, and settled at -Bangalore. He became editor of a small local -paper, and so for a few years was a prominent -member of the community. He married, and had -an only son. This boy was but an infant when -the father died, his death being hastened by -intemperate living. On Home’s private writing-desk -being opened, his relations found, to their -amazement, a sheet of paper with the handwriting -of the deceased telling his real name—for -Home was a fictitious one he had assumed -on his enlistment—and whence he came, and -where his relatives were to be found. These disclosures -were made, so the paper said, for the -only reason that perhaps on some future day -they might benefit his boy; and were it not -for this hope, the secret would have gone down -with him to the grave. Strange to say, not -many months elapsed when an advertisement -appeared in an Edinburgh paper signed by a -legal firm, asking for information about this -very man, giving his real name. Of course the -Edinburgh gentlemen were at once communicated -with; and after all the evidences were submitted, -and no doubt well scrutinised, the claim of the -widow and her child was acknowledged. The -boy was brought home and educated; and I trust -still is, what he was a few years ago, the proprietor -of a ‘snug little estate.’ Such is some of -the romance of the ‘rank and file’ of our army.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="COLONEL_REDGRAVES_LEGACY">COLONEL REDGRAVE’S LEGACY.</h2> -</div> - - -<h3 title="CHAPTER III.">IN FOUR CHAPTERS.—CHAPTER III.</h3> - -<p><span class="smcap">The</span> spinster sisters held a council of war on -the day following the events we have described. -They were not disappointed at the failure of the -marriage proposals to Miss Fraser; for that young -lady was by no means the kind of guardian -they would select for their brother as a bulwark -against the troubles and vexations of this mortal -life. The way was now more clear than ever -for the success of their original plan. Septimus -had learned their ideas and wishes, and had -gradually become more amenable to reason. The -beauty and talent of the handsome widow had -been fully descanted upon. Nor were her -monetary qualifications lost sight of by the -practical Penelope. The question of suitability -as to age had been delicately but firmly touched -upon by both the sisters.</p> - -<p>‘Mrs Fraser is only ten years your junior, -Septimus, and that is the difference which should -always exist between husband and wife. Indeed, -I see no objection to even a greater disproportion, -but that is the minimum necessary to conjugal -happiness. I am certain that Mrs Fraser has a -<i>tendresse</i> for you, and that any proposal from you -would meet with every encouragement.’</p> - -<p>Septimus left the room considerably mollified, -and immediately after he had done so, Penelope -turned to her sister, and said: ‘I trust, Lavinia, -you approve of all I have been saying to dear -Septimus?’</p> - -<p>‘Entirely, my dear sister; but’—— Lavinia -paused.</p> - -<p>‘You have always a “but,” Lavinia. Pray, speak -out.’</p> - -<p>‘Well, I have a suspicion that Mrs Fraser has -a lurking sentiment for Mr Lockwood.’</p> - -<p>‘Good gracious, Lavinia! you certainly conceive -the most extraordinary notions.’</p> - -<p>‘I do not say for a single moment that the -sentiment is reciprocated,’ replied Lavinia.</p> - -<p>‘Why, Frank Lockwood is young enough to -be her son!’ indignantly exclaimed Penelope.</p> - -<p>‘Hardly, Penelope, unless Mrs Fraser was -marriageable at the age of six,’ Lavinia continued.<span class="pagenum" id="Page_794">{794}</span> -‘Then I cannot help thinking that Frank is in -love with Blanche.’</p> - -<p>Penelope made a gesture of assent. ‘That is -highly probable, and would account for her -rejection of Septimus.’</p> - -<p>Finally, the sisters mutually agreed that it -would be politic to prepare Mrs Fraser for the -possible proposal of their brother.</p> - -<p>We trust the reader will not contemptuously -label the spinster sisters as ‘matchmakers;’ -for surely matchmaking is a fitting task for the -angels, if it be true, as we are often told, that -marriages are made in heaven.</p> - -<p>At this moment the widow chanced to enter -the drawing-room where the sisters were sitting. -Her features still showed traces of the disappointment -she had recently experienced.</p> - -<p>‘We have not seen you all the morning, Mrs -Fraser.’</p> - -<p>‘I awoke with a slight headache, and sought -the solitude of the Chine, my sole companion a -book,’ replied the widow.</p> - -<p>‘I trust you are better?’ said Lavinia.</p> - -<p>‘Yes, thanks. I never enjoy Tennyson so much -as when surrounded by murmuring foliage, and -my ears filled with the sound of falling waters.’</p> - -<p>‘How charming to have preserved your sentiment -till <i>now</i>,’ said Penelope in marked tones.</p> - -<p>This remark may seem ill calculated to put -the widow in a good-tempered frame of mind. -But Miss Redgrave had uttered it advisedly. The -more fully Mrs Fraser was impressed with her -own increasing years and fading charms, the -more likely she was to listen to the suit of the -elderly-looking Septimus.</p> - -<p>For a moment the widow coloured, as if in -anger. ‘That is not exactly a complimentary -remark, my dear Miss Redgrave.—Now, don’t -apologise, for I am not in the least offended. -How can I be, when I have a daughter, not -only marriageable, but actually engaged to be -married!’</p> - -<p>The sisters simultaneously left off their needlework, -and gazing in astonishment at the speaker, -sat as mute as the twin sisters carved in stone in -the sandy Egyptian desert.</p> - -<p>‘Yes; Mr Lockwood has asked my consent -to his marriage with Blanche, and I have graciously -accorded the same. Heigh-ho! it will be -a great trial for me, when the hour of parting -comes.’</p> - -<p>‘I congratulate you most sincerely, my dear -Mrs Fraser,’ exclaimed Penelope. ‘We have -known Frank from a child. He is everything -that a man should be, clever, accomplished, with -good prospects, and of high moral principles.’</p> - -<p>The widow sighed. ‘I shall be very lonely. I -have not an affectionate sister as you have; and -when a woman has once known the happiness of -married life, and the comfort and protection of -an affectionate husband, life is indeed a blank -when she is left utterly alone.’</p> - -<p>Like a second Wellington, Penelope saw her -chances of a successful attack. In love and war, -the occasion is everything. She gently laid her -spare fingers on the plump hand of the widow, -and softly whispered: ‘Why should you be -utterly alone, dear friend?’</p> - -<p>Mrs Fraser directed an inquiring glance in -response at the speaker.</p> - -<p>‘We know of one who would be only too -happy to be your companion for life,’ pursued -Penelope. ‘Of a suitable age, amiable, and -rich.’</p> - -<p>The countenance of the widow was suffused -with a soft blush as she said: ‘Where shall I -find this earthly treasure?’</p> - -<p>‘In this house, Mrs Fraser. Our beloved -brother, Septimus.’</p> - -<p>Mrs Fraser had much ado to avoid making -a wry face, as she mentally contrasted the -white-haired ‘brother’ with his vacuous expression -of countenance, and the black-haired Frank -Lockwood, with his bright intelligent glance -and fascinating smile. But it was now quite -as probable that she would marry the Emperor of -China as the solicitor of the Redgrave family; -so she softly murmured; ‘I had no suspicion of -anything of the kind.’</p> - -<p>Rapidly the widow reviewed all the attendant -circumstances of the case. Von Moltke himself -would have envied her comprehensive glance at -the pros and cons of an important conjuncture of -events. Septimus was of good family, of suitable -age, possessed of ample means, and last, but not -least in the eyes of the widow, was not too -clever; and therefore, in all probability easily -manageable, that indispensable desideratum in -a husband. We are not sure that Mrs Fraser -was correct in her deduction on this point, for -foolish people are frequently obstinate, under -the false idea that they are thereby displaying -firmness.</p> - -<p>‘If I were to accept Mr Redgrave on the -instant, in consequence of your recommendation, -my dear Penelope, neither he nor his -sisters would respect me. I have always found -great pleasure in the society of your brother, -and have a great respect for his character. More, -I am sure, my dear Penelope, you would neither -expect, nor wish me to say.’</p> - -<p>Both the sisters cordially kissed the blushing -widow, and expressed themselves as quite satisfied -with the avowal, Penelope adding: ‘I have -more than a presentiment that in a few weeks -we shall be enabled to give you the kiss of a -sister.’</p> - -<p>No more was said on the present occasion.</p> - -<p>The widow retired to her chamber, and as -she contemplated her features in the glass, soliloquised: -‘No—at forty, one must not be too particular; -and there are twenty thousand excellent -reasons why I should change my name from -Fraser to that of Redgrave.’</p> - -<p>It is needless to say that the sisters did not -allow the grass to grow under their feet with -respect to the proposed alliance between the -families of Redgrave and Fraser. Much stress -was laid by them in their conversations with -the widow as to the shyness of their brother, -and the necessity of some encouragement being -extended to him. At length Septimus screwed -his courage to the sticking-place and resolved -to learn his fate. By a singular coincidence, he -found the widow seated on the identical bench -occupied on a similar occasion by her youthful -daughter. An involuntary sigh escaped him as -he mentally instituted a comparison between the -sylph-like figure of Blanche and the more portly -form of her mother. As he sat down by her -side in response to her invitation, he felt his -courage oozing away. On the former occasion,<span class="pagenum" id="Page_795">{795}</span> -he had been bold as a lion; but in the presence -of the keen-witted woman of the world, he fully -realised his mental inferiority. Some commonplaces -ensued, and then Mrs Fraser, laying down -the newspaper which she held in her hand, -suddenly observed: ‘What is your opinion of -thought-reading, Mr Redgrave? Do you believe -in it?’</p> - -<p>‘I scarcely know whether I do or not,’ responded -Septimus. ‘Do you?’</p> - -<p>‘Implicitly,’ replied the widow. ‘Shall I give -you a specimen of my powers?’</p> - -<p>‘I should be delighted. Can you read my -thoughts?’ said Septimus.</p> - -<p>‘I can. But you must promise two things: -That you won’t be offended at my guess; and -that you candidly admit whether I am correct -in my guess.’</p> - -<p>‘I promise.’</p> - -<p>‘Give me your hand.’</p> - -<p>Septimus placed his trembling fingers in the -strong grasp of the widow. ‘You are at this -moment contemplating matrimony.’</p> - -<p>‘That is correct,’ said Septimus.</p> - -<p>‘The lady is a widow.’</p> - -<p>‘Wonderful!’ cried Septimus. ‘Can you tell -me her name?’</p> - -<p>‘My powers do not extend so far,’ returned Mrs -Fraser.</p> - -<p>‘Your successful guess, my dear Mrs Fraser, -has helped me out of a great difficulty.’</p> - -<p>‘How so?’</p> - -<p>‘You have half-performed my task for me. -Do you think a lady, handsome, rich, and well-bred, -and still comparatively young, would consent -to unite her fortunes with mine? I am -some ten or a dozen years her senior. I have -been a bachelor all my life, and may have thus -acquired peculiar ways. But I would settle the -whole of my cousin’s legacy upon her, if she -would take pity on my solitary state. Dear -Fanny, can you not guess, without thought-reading, -the name of my enslaver?’</p> - -<p>The widow looked down and managed to blush -becomingly, and impart a slight tremor to the -hand which still held that of Septimus.</p> - -<p>‘I will not affect to misunderstand you, Mr -Redgrave; you are making my unworthy self -an offer of marriage.’</p> - -<p>‘And you accept it?’</p> - -<p>‘I do.’</p> - -<p>Septimus sealed the contract by a chaste kiss -on the cheek of the widow, and felt a sensation -of inexpressible relief that the Rubicon, for good -or evil, was passed.</p> - -<p>‘I may now tell you, dear Septimus, that -Blanche is also engaged.’</p> - -<p>‘I know it.’</p> - -<p>‘Impossible! I only knew it myself forty-eight -hours ago!’</p> - -<p>‘Do not ask me at present, dear Fanny. I -learned the fact by an accident.’</p> - -<p>The widow presently retired to her chamber, -under the plea of nervous agitation, but in -reality to inform her daughter of her engagement. -But it was reserved for Septimus to perform that -pleasant duty. Scarcely had Mrs Fraser retired, -when Blanche appeared on the terrace. ‘Have -you seen mamma, Mr Redgrave?’</p> - -<p>‘Mrs Fraser has this moment left me.—Blanche, -I have a favour to ask of you.’</p> - -<p>‘Of me!’</p> - -<p>‘That you will not breathe a syllable to your -mamma that I proposed to you three days ago; -at least, not for the present.’</p> - -<p>‘Certainly, Mr Redgrave.’</p> - -<p>‘You will at once see the necessity for my -request, when I tell you that I have this day -proposed to another lady and been accepted.’</p> - -<p>Blanche indulged in a merry peal of laughter, -which she found it impossible to repress. ‘Pray, -forgive me, Mr Redgrave. I congratulate you -that you have so speedily recovered from your -late rejection.’</p> - -<p>‘Yes, Blanche, as I could not be your husband, -I have resolved on being your father.’</p> - -<p>Blanche remained petrified with astonishment -for a few seconds, then exclaiming: ‘I must go -at once to dear mamma and congratulate her,’ -prepared to enter the house.</p> - -<p>But Septimus seized her hand and said: ‘Now, -tell me the name of <i>your</i> future partner. Though -I shrewdly suspect, yet I think in my new position -as your father I am entitled to know for -certain?’</p> - -<p>‘Mr Frank Lockwood,’ replied the blushing -girl, as she broke away and ran into the house.</p> - -<p>There was not a happier circle round a dinner-table -in the island than that assembled in Oswald -Villa that evening. The engaged couples were -mutually satisfied with their matrimonial prospects, -while the spinster sisters saw the wish of -their hearts gratified in the engagement of their -beloved brother with so suitable a person as -Mrs Fraser. But at that moment a cloud was -forming on the horizon which was destined to -effect a great change in the fortunes of the -betrothed couples.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="A_SAMPLE_OF_MARSALA">A SAMPLE OF MARSALA.</h2> -</div> - - -<p><span class="smcap">Time</span> was, long ago, when certain of us thought -that Spain was the place where the then despised -Marsala wine was made. Struggling to obtain -the favour and recognition of the public, and -held as a kind of humble cousin of sherry, -cheaper to buy and meaner in all its conditions, -Marsala had no honour in England some -thirty years or so ago. Those who gave it gave -it for need; and for the most part tried to -pawn it off as its more aristocratic relation, -thinking that no one would suspect the truth -when that silver label, shaped like a vine-leaf -with ‘Sherry’ cut out in Roman capitals in the -centre, was hung round the neck of the heavy -cut-glass bottle. And as sherry was certainly a -Spanish wine, the false reasoning born of association -of ideas made one think that Marsala also -was a Spanish wine.</p> - -<p>The way to Marsala from Palermo is exceedingly -interesting. The country is beautiful with -all the grand Sicilian beauty—broken foregrounds, -noble mountain forms, the dark-blue sea, -of which the splendour is enhanced by the gray -green of the olives and the contrast of the golden -hue given by the lemon-trees hanging thick -with fruit. All the waysides along the railroad -are rich in flowers, making the land look as if -enamelled. Rugged capes and fertile plains, -small smooth exquisite bays and inland mountains, -orange-gardens and vineyards, fields of<span class="pagenum" id="Page_796">{796}</span> -pale lilac flax, woods of beech and ilex, and -rivers running down in song to the sea—there -is not a feature of Southern scenery wanting on -this lovely way. And the sea, where the white -sails of passing ships gleam in the sunlight like -the wings of birds, is as beautiful as the land, -where here a ruined temple crowns a height, -and there a modern mansion stands sheltered on -the slopes. Among the beautiful things of the -sea is the uninhabited rocky island called ‘The -Island of Women’ (<i>L’isola delle femmine</i>). The -legend is that in old times, when pirates -abounded, the ‘Barbari’ used to seize such hapless -Sicilian women as they found wandering by the -shore, and lodge them on this island till they -had finished their fighting on shore; when they -would return and carry off their prey.</p> - -<p>In time the beauty of the lovely road fades -away, and the country becomes utterly uninteresting. -Still, even when there is no more -flowery charm and no more golden colour, there -is always association, and the way up to Segesta -and Solinunto, with the ruined temple visible -on the crest of the mountain, brings before the -mind the long train of glorious images by which -the ancient history of Sicily is thronged. For -we are skirting the base of Mount Eryx, now -Monte Giuliano, whence Acestes the king came -down to meet Æneas when he landed on his -return from Carthage; and where Æneas—so they -say—founded the town of Acesta, which afterwards -became Egesta, and is now Segesta. And -all the well-known story repeats itself. ‘Selinus -rich in palms,’ and ‘the shallow waters of Lilybæum’ -which were ‘left behind;’ the race, and -the beauty of the contending youths; poor Dido’s -sad story; the death and burial of Anchises, the -father whom Æneas saved from burning Troy by -carrying on his shoulders—it is all living and -palpitating as in those youthful days when -imagination touched the pages with light, and -made the dead words breathe with love and -sorrow and passion. It is worth coming here, if -only to realise Virgil and his matchless poem! -But we draw up at a station, and the present -puts the past to flight—the real blots out the -ideal born of imagination and poetry.</p> - -<p>Armed <i>carabinieri</i> are at every station. This -is not usual either in Sicily or elsewhere in Italy, -where soldiers keep order at the stations, but are -not so numerous nor so heavily armed as these. -The district about Trapani, however, in which -we are, has not a good name; and the government -knows what it is about when it takes -extra measures of precaution for the safety of -travellers. That it does take these extra measures -insures the safety of the wayfarers. At Marsala -itself, the whole train is taken possession of before -it has well come to a stand, and long before the -passengers have got out. The crowd swarms -into all three classes indiscriminately; and there -is much rough pushing and hustling, but no -actual brutality. Still, it is sufficiently like the -return of ’Arry from a Crystal Palace fête to -be unpleasant; though for all that, the Italian -’Arry is a good-natured soul, with no malice -in him. What he wants in malice, however, -he makes up in garlic. There has been an -Easter-week procession here—it is ‘Holy Thursday’—and -all the neighbourhood has sent its -young men, each township and village its quota, -till they have come in their hundreds, and have -to be taken back again the best way they can.</p> - -<p>Near Marsala is one of the three promontories -which give Sicily its name of Trinacria—Cape -Lilybeo, the very Lilybæum whose ‘shallows -blind,’ ‘dangerous through their hidden rocks,’ -caused Æneas to land on the ‘unlucky shore’ of -Drepanum. Here in calm weather you can see -the remains of houses beneath the sea, as at -Pozzuoli, near Naples. But the point of the -whole visit is the wine-stores of Ingham—the -largest and most important of all the Marsala -wine-factories. These stores seem to be interminable; -and the perspective of arches, from -each side of which branch out these huge -above-ground cellars, is a sight at once strange -and picturesque. The <i>balio</i> or inclosure wherein -the whole concern stands—storehouses, workshops, -dwelling-house, garden, fields, &c.—is -really like a fair-sized estate. To ‘walk in the -grounds’ is quite enough exercise for any moderate-minded -pedestrian. The oldest two stores -date from 1812, and are the parents of all that -have come after. They are picturesque little -places now, covered with glossy dark-green ivy -and flame-coloured bougainvillia; but, like the -fathers and mothers of prosperous families, they -are set aside as comparatively useless in the -presence of their stalwart children.</p> - -<p>In going through the stores, one is struck not -only with the number, but also with the enormous -size of the wine-vats. Some are of huge proportions, -not quite equalling the famous Tun of -Heidelberg perhaps, but coming pretty close to -it, and holding wine to the worth of an astounding -figure. The value of one store alone comes -up to a moderate fortune; and there are thirty -in all. Once a boy went to sleep in one of those -weird receptacles, and was not found till the -next morning. The fumes had overpowered -him, but he came out none the worse. Some of -the wine given us to taste is fifty years old, and -is delicious in proportion to its age and preciousness; -and some of the finer sorts of younger date -are unsurpassed in any wine-store extant. Then -there is the huge vat of <i>vino cotto</i> or <i>vino madre</i>; -and there is the distilling apparatus, which is -very beautiful and dainty. The Custom House -is jealous and exact. It seals up all with a letter-lock, -waxen seals and silken threads; so that no -tampering is possible with the retorts or the -receivers. The cool obscurity of the cellars, -where these immense vats are ranged like so -many transformed giants, gives one a sense of -restfulness and shelter; while out of doors, the -sun, lying keen and bright on wall and pavement, -casting shadows as sharply defined as if -purple paper had been cut with a pair of scissors -and thrown on the ground, has the sentiment of -passionate vitality peculiar to Sicily. Men in -coloured shirts, with blue or red sashes round -their waists, add to the general picturesqueness of -the scene; and the white wings of the pigeons -shining like silver against the blue sky, complete -a chord of colour to be seen only in the South—that -fervid South where to live is sufficient -enjoyment, and where artificial wants as we have -them are neither known nor appreciated, being -of the nature of encumbrances and superfluities. -For what else is wanted than the sun and the -sky, the fruits and the flowers, the charm and<span class="pagenum" id="Page_797">{797}</span> -the glory of nature? Nevertheless, the material -luxury of the North and West is invading the -hitherto frugal and, in one way, ascetic South; -and France and England both, are being imitated -even so far as Marsala, where once the house -was held as merely a place of refuge where -tired Christians might sleep at noon and at -night, but in nowise as a place of enjoyment -worth the spending of thought or money to -make beautiful.</p> - -<p>From the vats full of their golden treasure to -the casks in process of making, the transition is -natural. Here, again, light and colour give a -certain charm, making a novelty of that which -is so well known at home. For cask-making -in Marsala is very much the same as cask-making -in England; and only the men, with -very minor details in the method of manipulation, -are different. It is the same drying of the -wood, the same setting of the staves, the same -hammering on of the hoops in regular succession -of blows, and we fancy the same kind of white -oak, of which the staves are made, shipped from -America for England as well as for Marsala. -Hans Christian Andersen might have written a -sprightly sketch of the oak as it stood in its virgin -forest, with grizzlies and panthers, pretty woodchunks -and sweet wild birds all about, till it -was cut down by the forester; packed into a -raft and started down the Big River by the -lumberman; brought over to Europe by the -huge steamship; made into casks, and filled with -the golden juice of grapes beneath the glorious -sky of Sicily—the wine to be drunk at the -marriage of the bride, the birth of the heir, the -death of the master. The place where they clean -the barrels, some in the old-fashioned way of -hand-rocking, with chains inside; the sheds where -they cut the hoops and make the bolts—the drill -and the circular saw going through iron and -wood like so much butter or cheese; those where -they steam the barrels and those where they -mark them—these, too, come into the day’s work -of visiting and inspection; as well as the cooking-place -and the dining-shed for the three hundred -men employed.</p> - -<p>These men are noticeably clean and smart in -appearance; they are, too, as industrious as they -look; for no loafers are allowed, and he who -does not know how to work with a will soon -receives his dismissal. The touch of English -energy and English precision is plainly visible -throughout—with one result, that, unlike -Southern workmen, as generally found, these -do not care to keep all the holidays which are -so frequent in Roman Catholic countries. They -work about ten and a half hours in the day; and -each man is searched and numbered on coming -in and going out.</p> - -<p>The word Marsala recalls the time when the -Saracens ruled the land, just as Mongibello for -Etna, Gibbel Rossa at Palermo, and all Sicilian -agricultural and irrigatory terms recall them. It -is really <i>Marsh-Allah</i>, ‘the port of God.’ Round -about our <i>balio</i> are many interesting things, principally -the caves where, not so long ago, a murderer -hid in perfect safety, and where in lawless -times brigands and outcasts took refuge and found -security. They are interminable, and it is impossible -to visit them all; but our guide takes us -through some of the most practicable, where we -have occasion for a little gymnastic exercise here -and there among the broken rocks and steep sharp -pitches. An army of brigands might hide away -here undetected and unseen. Fortunately, at this -time there are none to hide. No organised band -of brigands exists anywhere in Sicily, and the -stranger is absolutely safe.</p> - -<p>Besides these caves, there is a strange folly in -the shape of a ballroom and banqueting-room cut -out of the living rock. There are tables and the -place for the musicians, benches and divisions, -all made in the rock underground. These odd -rooms have been used, and it is to be supposed -enjoyed. When we see them, the only guests -are black beetles, a couple of dirty little lads -as unkempt as wild Highland cattle, and a half-maniacal -shock-headed Dugald kind of creature, -with an atmosphere of garlic, which makes us -rejoice when we turn out once more into the -fresh air blowing over the breezy flower-clad -upland, with the blue sea in front and the -bright sun overhead.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="CONCERNING_FLORIDA">CONCERNING FLORIDA.</h2> -</div> - - -<p><span class="smcap">A contributor</span>, who is conversant with his -subject, sends us the following important items, -which we commend to young men who contemplate -emigration.</p> - -<p>‘Heads of families,’ says our correspondent, -‘with “little to earn and many to keep,” with -several sons growing up and having a desire to -go abroad and see the world, will be glad to know -that there are ways for providing for the olive -branches other than sending them to Australia -or Manitoba to earn merely nominal wages as -farm-labourers. Until recently, the United States -depended almost wholly upon the enterprise of -foreigners for their supply of oranges; but, as -if by an inspiration, the discovery has been made -that they can, amongst the numerous other industries -for which they are remarkable, grow their -own oranges, and that, too, of better quality, -both in size and flavour, than those which are -imported. The great and unequalled facilities -for cheap and rapid transportation have opened -up nearly the whole of the peninsula of Florida -to settlement; and what was only recently very -correctly described as a vast expanse of swamps, -lakes, and sluggish rivers, is now a vast system -of drainage-canals and railways.</p> - -<p>In Florida, four hundred pounds will buy -forty acres of land, ten of which may be cleared, -fenced, and planted with orange-trees. A house -may be inexpensively erected at an average -cost of ten pounds per room. The orange-tree -will bear five years from the bud, or ten -years from seed; but a man left in charge—say -the son of the owner—would have no difficulty -in supporting himself by the sale of small fruit, -which, coming to perfection in the middle of -winter, commands the best prices in the New -York and other Northern markets. In ten -years, oranges are handsomely remunerative, and -the crop steadily increases in value with every -succeeding year. For those who cannot wait -so long, the lemon and lime may prove more -attractive, as they bear much sooner. They are -almost as profitable, though not quite so hardy.</p> - -<p>The list of things which can be grown profitably -in Florida is so long and various as<span class="pagenum" id="Page_798">{798}</span> -to include such dissimilar articles as potatoes, -cocoa-nuts, plantains, guavas, mangoes, tomatoes, -pine-apples, pumpkins, water-melons—which -frequently weigh a hundredweight—grape-fruit, -citron, cotton, sugar, strawberries, coffee, tea, -tobacco, mulberries, pears, quinces, apples, Scuppernong -grapes, &c. The woods and forests which -have been slumbering all these years are now -alive with settlers, who are actively employed -felling timber, clearing land, erecting fences, -planting groves, building houses, and in numerous -ways expending their energy on the improvement -of the land. The old cry, “Go west,” has been -changed to, “Go south;” and now thousands of -families from the Northern States are there, -having orange and lemon groves, with pretty -cottages simply but comfortably furnished, situated -on the banks of rivers and lakes.</p> - -<p>For the man who is fond of outdoor exercise -and has a taste for gardening, the life in Florida -has a charm all its own, for fruit-growing is -nothing but gardening on an extensive scale. -The soil in Florida has the most unpromising -appearance, looking like nothing so much as -silver sand. Yet what a charm it possesses! -Seeds put in this apparently hopeless material -spring up almost immediately; and cabbages, -lettuces, radishes, and turnips may be eaten -three weeks from sowing in the middle of -January. Fish of large size, from ten pounds -upwards, abound in the rivers and lakes, and -being easily caught, make a very welcome addition -to the larder. Deer, wild turkeys, quail, -and numerous other kinds of game have not -yet learned to shun the haunts of men.</p> - -<p>Extensive drainage-works have made available -for settlement vast tracts of land which have -probably been submerged for centuries, but which -now, thanks to the remarkable system of drainage-canals, -is as dry and firm and as healthy to -live upon as the best land in the State. A -pretty site judiciously chosen on the banks of a -lake will eventually enormously enhance the value -of the property when the surrounding country -is settled up. The plan suggested for persons -of small means is to take up forty acres. Having -ten acres cleared and planted at once, the whole -might be fenced in, and a comfortable house built -in the middle of the allotment. The remaining -thirty acres can be brought into cultivation by -degrees, and in the meantime will serve to graze -cattle and sheep, which, being turned into the -grove at night, fertilise it in the most effectual -and inexpensive manner.’</p> - -<hr class="tb" /> - -<p>Another correspondent has favoured us with -the following notes:</p> - -<p>‘Upon landing at New York City in the beginning -of April of the present year, the weather -was particularly disagreeable—cold, rainy, and -sleety, and I was only too glad to leave the -inclement North for the bright sunny South.</p> - -<p>On the morning after landing at New York, -I took my ticket for Jacksonville, Florida, and -on the journey, stopped a few hours at Washington, -and also spent a night at Savannah, Georgia; -reaching Florida, the land of flowers, romance, -and orange groves, in three days from the time -of leaving New York.</p> - -<p>Florida was first discovered by Sebastian Cabot -in 1497, and after various vicissitudes in its -history, became one of the United States in 1845. -It is gratifying to know that the undoubted -advantages and attractions of this country are -becoming better known, and more and more -appreciated, by all classes both in the United -States and England. A great amount of English -capital and English energy is now being attracted -to Florida, which is a country offering inducements -to the capitalist, sport to the sportsman, -novel and romantic scenery to the tourist, health -to the invalid, and very considerable advantages -to the intelligent emigrant. The area of Florida -comprises sixty thousand square miles; and the -soil is adapted to an infinite variety of products, -such, for instance, as corn, oats, rice, beans, peas, -potatoes, turnips, cabbages, strawberries, tomatoes, -melons, cucumbers, oranges, lemons, limes, peaches, -figs, &c.; and in South Florida, cocoa-nuts, pine-apples, -bananas, and other fruits and vegetables -too numerous to mention. The climate is charming. -In winter, the thermometer seldom goes -below thirty degrees, or in summer above ninety; -and although the State is the most southern -of the United States, hot nights or oppressive -days are comparatively rare. This is accounted -for by its peculiar position, shape, and surroundings. -The constant breezes, either from the -Atlantic Ocean or the Gulf of Mexico, purify -the atmosphere, and render the Floridian climate -enjoyable the whole year; and I may add, that -after a four years’ residence in the State, I know -of no disease that is indigenous or prevalent.</p> - -<p>Jacksonville is situated on the grand St John’s -River, and is the largest and most important -city in Florida. It has a population of over -twenty thousand, and will ere long take rank -with Savannah or Charleston in commercial -importance. This is the point at which all -Northern visitors enter the State, and from -which they radiate in search of health, work, -or sport. Here there are fine buildings, shops, -churches, schools, and about one hundred and -fifty boarding-houses and hotels, the latter being -filled during the winter months with invalids, -principally consumptives.</p> - -<p>The most absorbing question of interest to -the greatest number now, however, is the great -money-making business of orange-growing, which -is peculiarly adapted to the Florida soil and -climate. Since I first visited the State (in 1873), -this industry has gone far beyond the commercially -experimental stage, and I have been an -eye-witness to its undoubted success. It is particularly -interesting and instructive to travel over -districts now, and observe <i>bearing</i> orange groves, -the owners of which are securing handsome -incomes, where ten years ago not a tree was -planted. In Orange County, many emigrants -who first went to Florida for their health, have -improved sufficiently to earn their living and -raise an orange grove in addition. Many of -them took up one hundred and sixty acres of -land under the Homestead Law, and selling off -portions of it to later comers, have realised enough -money to cultivate the balance retained. Others, -who knew a trade, worked part of their time for -their neighbours, and spent their unemployed -hours in planting an orange-tree here or there -for themselves, until they finally had a five or -ten acre grove, of sixty trees to the acre, which -when bearing would give them an annual income<span class="pagenum" id="Page_799">{799}</span> -of from three hundred to one thousand pounds. -Owing to recent railway and shipping facilities, -a man nowadays may—if his land is well selected—grow -early vegetables, &c., without interfering -with his orange-trees, and ship them north to -Baltimore, Philadelphia, or New York, and realise -profit sufficient to enable him to pay his expenses -whilst his grove is coming into bearing; for -it must be borne in mind that the Floridians -can grow any vegetable in winter which the -Northerners grow in summer; and the Northern -people are quite willing to pay a high price for -such luxuries as peas, tomatoes, or strawberries -at Christmas.</p> - -<p>These are some of the attractions Florida holds -out to the man who has industry, perseverance, -and ordinary intelligence.’</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="ARSENIC_IN_DOMESTIC_FABRICS">ARSENIC IN DOMESTIC FABRICS.</h2> -</div> - - -<p><span class="smcap">Chronic</span> poisoning by arsenic in domestic fabrics -is without doubt an important subject, affecting -the public to such an extent as to render -attention to the question essential. Serious -illness frequently arises from this cause, in -some cases even attended by fatal results. A -very general effect is a lowered condition of -the system, such as to render the individual -more susceptible to the attacks of other diseases. -Action has been taken by the Medical Society of -London, the Society of Arts, and the National -Health Society, on the question of the prohibition -of arsenic in articles manufactured for -domestic use, such as wall-papers, dyed furniture -materials, paint, distemper, &c. The fact -is remarkable, that although this question has -been thus brought prominently before the public, -those supposed to be interested in the sale and -use of arsenic have hitherto maintained a judicious -silence, manufacturers abandoning the use -of arsenical colours to a very large extent, instead -of defending it. This silence has, however, now -been broken by Mr Galloway, M.R.I.A., who -deals with the question from a chemical point of -view, describing his own special mode of manufacturing -emerald green in an article in the <i>Journal -of Science</i>. Mr Galloway asks: ‘Has it ever been -conclusively proved that persons who inhabit -rooms stained with emerald green suffer from -arsenical poisoning?’ Notwithstanding the fact -that Mr Galloway leaves the question unanswered, -as though it were unanswerable, the reply shall -now be given—though in certain quarters it is -still doubted—that it <i>has</i> been proved, and that -by the careful observation of medical men of -eminence in all parts of the country.</p> - -<p>Proof of the injurious effect of arsenic in -domestic fabrics is found in the development -of certain symptoms in the patient exposed to -an arsenical fabric, followed by recovery on -removal of the fabric in question. The occurrence -of these circumstances in a sufficient number -of cases leads to the conviction that the -arsenical fabric was the cause of the malady. -We act on similar proof with regard to sewer-gas; -no one has ever absolutely seen the injurious -action, but the fact of various diseases of a particular -character frequently following a discharge -of sewer-gas into a residence, has convinced -medical men that the gas, or some germ contained -in the gas, is the cause of illness, and -that it is therefore desirable to exclude it from -our homes.</p> - -<p>As above stated, the same conclusion is arrived -at, from the same line of argument, with regard -to arsenic; and this proof alone would be sufficient. -But with regard to arsenic, there are -opportunities of observing what may be classed -as experimental proofs, such as could not possibly -occur in illness arising from sewer-gas. -This further proof consists in the frequent alternate -recurrence of illness and recovery—illness -on exposure to, and recovery on removal from, -arsenical surroundings, followed by final recovery -on substitution of a non-arsenical fabric in place -of that containing the poison.</p> - -<p>Change of air is in all probability often credited -with the benefits arising from removal from some -unsanitary condition of residence, office, or workshop.</p> - -<p>The effect on men employed in hanging or -removing arsenical wall-papers is another proof -of their injurious quality: men have frequently -to leave their work unfinished, being too ill to -continue under the poisonous influence.</p> - -<p>Arsenic in domestic fabrics is so easily dispensed -with, that there is no valid reason for -the continued use of these poisonous colours. -Several paper-stainers have for years conscientiously -excluded all arsenical colours from their -works, yet have still maintained their position in -the open market, thus deciding the question both -as to cost and quality of non-arsenical wall-papers. -It is an interesting question to medical -men and chemists, how it is that these minute -quantities of arsenic, or of some combination of -arsenic with other ingredients, when breathed, -should be so injurious, when larger quantities -can be taken into the stomach as a medicine -with advantage. This question, however, is of no -consequence to the patient. His course is simple -enough: having found out the cause of illness, -get rid of it, and be thankful it can be got rid -of at so small a cost.</p> - -<p>Arsenic also is found in the dust of rooms -papered with arsenical papers, thus proving the -presence of arsenic in the atmosphere.</p> - -<p>Mr Galloway alludes to a curious and interesting -fact, namely, that men can be employed on -arsenical works, some without being affected at -all, others suffering much less than might be -expected. The same singular fact of the immunity -of those constantly exposed to evil influences -is illustrated in the case of men employed in -cleansing sewers; they work continually in the -very atmosphere of the sewers, but do not suffer -from those diseases which arise from the escape -of sewer-gas into houses. No one, however, in -consequence of this fact, doubts the importance -of good sanitary arrangements, notwithstanding -that these involve a considerable outlay. The -exclusion of arsenic, on the contrary, costs nothing, -and, moreover, there is nothing to be gained -by the admission of these poisonous colours into -our houses. The simple antidote for arsenic in -domestic fabrics is therefore—exclusion.</p> - -<p>Those desiring to see further details, illustrative -cases, and modes of testing for arsenic, -will find them in the pamphlet <i>Our Domestic -Poisons</i> (Ridgway), or in the lecture under the<span class="pagenum" id="Page_800">{800}</span> -same title, delivered at the International Health -Exhibition, and published by the Executive -Council. For more numerous cases of illness, -especially in the families of medical men, see -the Report of the Committee of the Medical -Society of London.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="WASHING_BY_STEAM">WASHING BY STEAM.</h2> -</div> - - -<p>It may interest many housewives to know that -dirty clothes can be thoroughly and effectively -washed by means of steam, with a much less -expenditure of time and trouble than by the -old way of boiling and rubbing. Anything that -lessens the labour and discomfort of washing-day -will be welcomed as a boon by every housewife. -Numerous washing-machines have been -before the public for many years, and have -been used with more or less success, and we -venture to describe one constructed on this -principle which has given satisfaction to ourselves. -The chief merits of the Steam-washers -made by Fletcher of Warrington, and Fingland, -Leeds, &c. are—rubbing and boiling of -clothes are done away with, and with their -method, no servant or housewife need spend -more than three hours over a fair fortnight’s -washing. Fingland’s Washer (Morton’s patent) consists -of a fluted copper cylinder, made to revolve -in a strong polished copper case or box. Into -the cistern-shaped box, water is put to a depth -of three inches, then caused to boil by means -of a gas-fire below. The construction of the -Washer is based upon the fact of the expansion -of the water into steam. The water is continually -throwing off a large quantity of steam, which -forces its way through all parts of the clothes -in the cylinder, and in so doing slackens and -carries away the dirt. The articles, duly soaked -in water overnight, are put into the cylinder; -a few finely cut pieces of soap are laid between -each layer; then the lids of cylinder and box -are closed, and the handle is turned once or -twice. It now stands until the water is boiling, -when the handle may be slowly turned for ten -or fifteen minutes, reversing the motion occasionally. -The steam having permeated the clothes -in the cylinder, they may be taken out and -rinsed first in cold, and afterwards in blued -cold water. The water in the cistern needs -to be changed every fourth or fifth boiling. -Prints, flannels, and woollens require slightly different -treatment. The clothes come out pure and -clean after rinsing, and an ordinary washing can -be accomplished in one-third of the usual time, -and at less expense. Attachment with an india-rubber -tube to an ordinary gas-pipe will usually -give sufficient gas; but sometimes it is better -to have a thicker pipe than usual with a special -connection.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak" id="PARTING_WORDS">PARTING WORDS.</h2> -</div> - - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0"><span class="smcap">Although</span> my early dream is o’er,</div> - <div class="verse indent2">I ask no parting token;</div> - <div class="verse indent0">Nor would I clasp thy hand before</div> - <div class="verse indent2">My last farewell is spoken.</div> - <div class="verse indent0">How coldly fair, thy thrice-false face</div> - <div class="verse indent2">Dawns on my sad awaking;</div> - <div class="verse indent0">No anguish there mine eyes can trace,</div> - <div class="verse indent2">Though this fond heart is breaking.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Be as thou wert before we met;</div> - <div class="verse indent2">Heave not one sigh, but leave me;</div> - <div class="verse indent0">Those studied looks, that feigned regret,</div> - <div class="verse indent2">Can nevermore deceive me.</div> - <div class="verse indent0">The faltering tones that mock me so,</div> - <div class="verse indent2">Betray the fears that move thee;</div> - <div class="verse indent0">Cease to degrade thy manhood.—Go!</div> - <div class="verse indent2">I scorn thee while I love thee.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Shall I forget the rapturous hours</div> - <div class="verse indent2">Of my too radiant morning—</div> - <div class="verse indent0">The hand that culled the dewy flowers</div> - <div class="verse indent2">My girlish brow adorning?</div> - <div class="verse indent0">Ah, no! for she who scorns thee now,</div> - <div class="verse indent2">Will miss its dear caresses;</div> - <div class="verse indent0">And sorrow to remember how</div> - <div class="verse indent2">It decks another’s tresses.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Alas! this tortured soul of mine,</div> - <div class="verse indent2">Though by thy treason riven,</div> - <div class="verse indent0">Can never cast thee from its shrine</div> - <div class="verse indent2">Unwept, or unforgiven.</div> - <div class="verse indent0">Nay, I, when youth and hope depart,</div> - <div class="verse indent2">The mournful willow wearing,</div> - <div class="verse indent0">Must still deplore that shallow heart</div> - <div class="verse indent2">That was not worth the sharing.</div> - </div> - <div class="stanza"> - <div class="verse indent0">And have I sold my peace for this?</div> - <div class="verse indent2">Or am I only dreaming?</div> - <div class="verse indent0">To wake beneath thy thrilling kiss</div> - <div class="verse indent2">From this most cruel seeming.</div> - <div class="verse indent0">Oh, bid my fainting heart rejoice;</div> - <div class="verse indent2">One word would make it stronger;</div> - <div class="verse indent0">Then wherefore mute, thou magic voice?</div> - <div class="verse indent2">Say, am I loved no longer?</div> - </div> - <div class="stanza"> - <div class="verse indent0">The world thou hast deceived so long</div> - <div class="verse indent2">May smile on thee to-morrow;</div> - <div class="verse indent0">While I alone must bear the wrong,</div> - <div class="verse indent2">The bitterness and sorrow!</div> - <div class="verse indent0">O cruel world! O world unjust!</div> - <div class="verse indent2">That passes by unheeding,</div> - <div class="verse indent0">Where love betrayed and blasted trust</div> - <div class="verse indent2">Low in the dust lies bleeding!</div> - </div> - <div class="stanza"> - <div class="verse indent0">Go thou thy way; deceive it still!</div> - <div class="verse indent2">(Its praise is false and hollow);</div> - <div class="verse indent0">Ascend to fortune’s loftiest hill,</div> - <div class="verse indent2">No ban of mine shall follow.</div> - <div class="verse indent0">The memory of these days will be</div> - <div class="verse indent2">To me a life’s regretting.</div> - <div class="verse indent0">Most faithless lover! what to thee?—</div> - <div class="verse indent2">Only an hour’s coquetting.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Shame, shame! to look, to breathe, to live,</div> - <div class="verse indent2">To mock my loving madness!</div> - <div class="verse indent0">The thought alone that I forgive,</div> - <div class="verse indent2">Should fill thy soul with sadness.</div> - <div class="verse indent0">No wonder heaven should strike thee blind,</div> - <div class="verse indent2">To see me bowed before thee;</div> - <div class="verse indent0">Most shameless wretch of all mankind</div> - <div class="verse indent2">How, how could I adore thee?</div> - </div> - <div class="stanza"> - <div class="verse indent0">In haste to go! Oh, cruel one!</div> - <div class="verse indent2">Stay, stay, a moment only!</div> - <div class="verse indent0">How shall I face, when thou art gone,</div> - <div class="verse indent2">The world, so vast, so lonely?</div> - <div class="verse indent0">Thy words are like my passing knell:</div> - <div class="verse indent2">Ah me, and must we sever?</div> - <div class="verse indent0">Forget that I have loved thee well—</div> - <div class="verse indent2">Adieu! adieu for ever!</div> - </div> -</div> -</div> - -<hr class="full" /> - -<p class="center">Printed and Published by <span class="smcap">W. & R. Chambers</span>, 47 Paternoster -Row, <span class="smcap">London</span>, and 339 High Street, <span class="smcap">Edinburgh</span>.</p> - -<hr class="full" /> - -<p class="center"><i>All rights reserved.</i></p> - -<hr class="full" /> - -<p>[Transcriber’s note—the following changes have been made to this text.</p> - -<p>Page 799: arsensic to arsenic—“testing for arsenic”.]</p> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 50, VOL. I, DECEMBER 13, 1884 ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> - -</body> -</html> diff --git a/old/66659-h/images/cover.jpg b/old/66659-h/images/cover.jpg Binary files differdeleted file mode 100644 index 004234f..0000000 --- a/old/66659-h/images/cover.jpg +++ /dev/null diff --git a/old/66659-h/images/header.jpg b/old/66659-h/images/header.jpg Binary files differdeleted file mode 100644 index 7892f08..0000000 --- a/old/66659-h/images/header.jpg +++ /dev/null |
