diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/66372-0.txt | 1008 | ||||
| -rw-r--r-- | old/66372-0.zip | bin | 15895 -> 0 bytes | |||
| -rw-r--r-- | old/66372-h.zip | bin | 757632 -> 0 bytes | |||
| -rw-r--r-- | old/66372-h/66372-h.htm | 1406 | ||||
| -rw-r--r-- | old/66372-h/images/cover.jpg | bin | 251773 -> 0 bytes | |||
| -rw-r--r-- | old/66372-h/images/i007.jpg | bin | 249398 -> 0 bytes | |||
| -rw-r--r-- | old/66372-h/images/i021.jpg | bin | 246447 -> 0 bytes |
10 files changed, 17 insertions, 2414 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..9268429 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #66372 (https://www.gutenberg.org/ebooks/66372) diff --git a/old/66372-0.txt b/old/66372-0.txt deleted file mode 100644 index e2f8629..0000000 --- a/old/66372-0.txt +++ /dev/null @@ -1,1008 +0,0 @@ -The Project Gutenberg eBook of Daffydowndilly and the Golden Touch, by -Alpha Banta Benson - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Daffydowndilly and the Golden Touch - -Author: Alpha Banta Benson - James Harvey Dulin - -Release Date: September 24, 2021 [eBook #66372] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Charlene Taylor, Barry Abrahamsen, and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The Internet - Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK DAFFYDOWNDILLY AND THE GOLDEN -TOUCH *** - - - - - Daffydowndilly and the Golden Touch - - - - ------------------------------------------------------------------------- - - - - - The Little Classic Series - - The most popular works of standard authors and poets - arranged for use in schools, with introductions, - explanatory notes, biographical sketches, portraits, - and illustrations. Also elementary stories of - nature, myth, history, industry, geography, - biography, and literature. The grading suggested has - been extensively followed by teachers with very - satisfactory results, but may be varied to suit - special conditions. - - The books have been carefully edited, are clearly - printed on good paper, and have extra strong paper - cover. Each book in the LITTLE CLASSIC SERIES - contains thirty-two pages. - - SEVEN CENTS PER COPY - - Twenty Copies for $1.20 - - - =First and Second Grades= - - No. - 2719 Aesop’s Fables. - 2713 Old Time Stories. - 2725 Favorite Mother Goose Rhymes. - 2707 First Steps in Reading. - 2701 Jack and the Beanstalk. - 2726 Favorite Mother Goose Jingles. - 2720 Little Red Riding Hood. - 2727 Story of Little Black Sambo. - 2708 Bunny Cottontail Stories. - 2728 Ten Little Indian Stories. - 2721 Hiawatha and Henry W. Longfellow. - 2730 Twelve Little Indian Stories. - 2716 Bunny Boy. - 2731 The Jenny Wren Book. - 2704 Bob the Cat. - 2723 Whitter and His Snow-Bound. - 2732 The Bluebird Book. - 2717 Thanksgiving Stories. - 2733 Four Favorite Stories. - 2705 The Story of Two Little Rabbits. - 2724 The Three Misses Cottontail and King Rabbit. - 2734 My Shadow, and Other Poems. - 2718 Modern Fables. - 2735 My Treasures, and Other Poems. - 2706 Famous Poems of Famous Poets—First and Second Grades. - 2819 Squirrel and Other Animal Stories. - - - =Second and Third Grades= - - No. - 2736 Three Popular Stories. - 2714 The Story of Joseph. - 2807 Beauty and the Beast and Other Favorite Fairy Tales. - 2702 Susan Cottontail Stories. - 2802 Cinderella and Other Favorite Fairy Tales. - 2715 Robinson Crusoe. - 2738 Stories from Grimm. - 2729 Sixteen Little Indian Stories. - 2809 The Coming of the Christ-Child. - 2709 Our Three Little Sisters and Hiawatha. - 2803 Christmas Stories. - 2722 Pussy Willow and other Tree Stories. - 2740 The Story of Peter Rabbit. - 2710 Stories About Animals. - 2810 The Little Story Reader. - 2711 Mr. and Mrs. Stout of Beaver Dam and How Jackrabbit Lost His - Tail. - 2823 Stories About Birds. - 2712 The Tale of Bunny Cottontail—Abridged. - 2825 Who Stole the Bird’s Nest, and Other Poems. - 2824 Famous Poems of Famous Poets—For Third Grade. - 2826 The Robin Redbreast Book. - 2812 The Toyland of Santa Claus. - 2827 The Chickadee Book. - 2828 Brownie’s Ride and Brownie and the Cook. - 2829 Escape at Bedtime, and Other Poems. - 2830 My Ship and I, and Other Poems. - - PUBLISHED BY - - A. FLANAGAN COMPANY - - CHICAGO - - ------------------------------------------------------------------------- - - - Daffydowndilly and the - Golden Touch - - - - - ADAPTED BY - ALPHA BANTA BENSON - - - - - ILLUSTRATED BY - JAMES HARVEY DULIN - - - - - 1923 - _A. FLANAGAN COMPANY - CHICAGO_ - - ------------------------------------------------------------------------- - - - - - COPYRIGHT, 1922, BY A. FLANAGAN COMPANY - - - - - Printed in the United States of America - - - - ------------------------------------------------------------------------- - - - DAFFYDOWNDILLY AND THE GOLDEN TOUCH - - - - - THE GOLDEN TOUCH. - - -There was once a king who was very rich. His name was Midas. King Midas -loved gold better than anything else in the world. There was nothing he -loved half so well except his little daughter, Marygold. He thought, -foolish man, that the way to show this love, was to get for her as much -gold as he could. - -Down deep under his castle, was a small, dark room. In this room King -Midas kept his gold. Every day he went there to look at it. - -He was always careful to lock the door, so that no one could follow him. -This room was a very dreary place. Only one little sunbeam ever thought -of peeping into it. King Midas loved this little sunbeam, because his -gold could not shine without it. - -He used to put his treasure right where the little ray would fall upon -it. Then he would play with the pieces of gold, throwing them up and -catching them again. He had a large bowl of solid gold. It was so bright -that he could see himself in it. He would sit for hours and look at his -face in this rich mirror. Sometimes the face seemed to be making fun of -him. Then he would lay it aside. - -Next, he would bring out his bags of gold dust and let the dust run -through his fingers, as a child plays with sand. He often said to -himself: - -“Oh, I wish I had the whole world for my treasure-room, and full of gold -all my own; then I could be happy.” - -One day while he was looking at his gold, he thought the sunbeam grew -larger. It seemed to fill the whole room. The rays danced in the corners -like fairies. King Midas looked up. There stood a beautiful young man -near the door. His face was so bright that the king shaded his eyes with -his hands as he looked. - -“You are a very rich man, friend Midas. With all this gold you ought to -be the happiest man in the world.” - -“Yes,” said Midas, “I have done very well; but it has taken almost a -lifetime to get this. Now, if I could live a thousand years, I might get -rich!” - -“Why, haven’t you enough yet?” asked the young man, opening his eyes -very wide. - -“No,” said Midas. - -“Well,” said the stranger, “I should like to know what would satisfy -you. Will you be kind enough to tell me?” - -The king thought for a time and then said: - -“If I could have my way, everything I touch would turn to gold.” - -“Are you quite sure this would satisfy you?” asked the young man. - -“Sure of it?” cried Midas. “Why shouldn’t it satisfy me?” - -“And are you sure you would never be sorry you made such a wish?” said -the stranger. - -“How could I be sorry? I tell you I should be the happiest man in the -world.” - -“Very well,” said the stranger, “to-morrow, at sunrise, you will have -the Golden Touch.” - -[Illustration: - - “IN THIS ROOM KING MIDAS KEPT HIS GOLD” -] - -When King Midas awoke the next morning a little sunbeam shone on his -bed. He put out his hand and touched the coverlet. It was changed to -gold. With a cry of joy he sprang from his bed. - -“Hurrah! I have the Golden Touch,” he cried. - -He ran about touching everything in the room. Of course they all turned -to gold. Then he dressed himself and was delighted to find that his -clothes had become beautiful garments of gold. He put on his spectacles, -but could not see through them. Taking them off and rubbing them he saw -that the glass had become plates of gold. - -As he went down stairs, he put his hand on the railing. It turned to -gold. - -He opened the door and went into the garden. The roses were nodding in -the fresh morning breeze; the air was filled with their sweet perfume. -But King Midas did not care for this. What do you think he did? Why, he -changed everyone of those roses into hard, shining gold. The dew drops -became diamonds. - -Then he went back to the house. Breakfast was ready. Marygold had not -yet come in, so he had her called. She always had bread and milk for her -breakfast. She ate it out of a beautiful china bowl. This bowl had -strange trees and houses painted upon it. While the father waited for -her, he thought he would change her bowl to gold. - -“That will please her,” thought he. - -Just then he heard her coming. The door opened and she came in. She had -her apron to her eyes and was crying as if her heart would break. - -“Why, what is the matter my dear child?” asked the king. - -“Oh, my beautiful roses! They are all ugly and yellow,” cried she. “When -I try to smell them, their hard petals prick my nose.” - -“Well, dear, don’t cry about it. Sit down and eat your bread and milk.” - -They both sat down to the table. He thought she would forget about the -roses, when she saw her golden bowl; but she was too sad to notice it. -Perhaps it was best that she did not, for she had always been so fond of -looking at the pictures upon it. These faded as soon as the bowl was -changed to gold. - -His walk in the garden had given the king a good appetite. His breakfast -of baked potatoes, fish, hot cakes and coffee looked very good indeed. - -“Well, this is nice,” he said, as he poured out a cup of coffee. He -smiled when he saw the coffee pot turn to gold. - -“I shall soon have nothing but gold on my table,” thought he, and began -to wonder where he could keep his treasure. - -He raised the cup of coffee to his lips. That, too, turned to gold. Of -course he could not drink it. He set the cup down quickly. Marygold -looked up and asked, - -“What is the matter, father?” - -“Nothing, child, nothing,” said the king. - -He thought he would try one of the fish. As soon as he touched it, it -became hard and bright. Then he broke one of the cakes. It became yellow -and heavy. - -“I don’t quite see how I am to get any breakfast,” thought the king. - -He looked at Marygold. She was quietly eating her bread and milk. How he -longed to have just one bite! What good would all this gold do him, if -he could not eat anything? - -The potatoes looked so tempting that he thought he would try again. - -“Perhaps I can swallow so quickly, that a potato will not have time to -turn to gold,” thought he. - -Poor foolish Midas! He popped one into his mouth, but it changed as soon -as he touched it. The hot gold burned him so that he jumped up and cried -out with pain. - -“Why, what is the matter, dear father?” cried Marygold. “Have you burned -yourself?” - -“Oh, my child,” said the king, “I don’t know what is to become of your -poor father!” - -Marygold got down from her chair and ran to him. By this time Midas -hated the very sight of gold. He felt that Marygold was all he had to -love now. He took her in his arms and kissed her. - -Oh, unhappy Midas! Marygold, too, had become hard, shining gold. There -were the tears still on her cheeks; they were little lumps of gold now. -Everything was the same, even the pretty dimple in her chin. - -Poor Midas! His heart was almost broken. He threw himself upon the floor -and tried to pray. The words would not come. - -All at once the room grew very bright. Midas raised his head. There -stood the stranger who had given him the Golden Touch. His face was sad, -yet Midas thought he saw a smile there, too, as he said: - -“Well, friend Midas, how do you like the Golden Touch?” - -“Hush!” cried the king. “I hate the very name of gold!” - -“Why, how is this?” asked the stranger. “Have you not enough yet?” - -“Enough!” cried the king. “Too much! I wish I might never see gold -again. Gold is not everything. See,” said he, pointing to Marygold. “I -would give all the gold in the world, just to see her smile again.” - -“You are sure you have had enough of the Golden Touch?” asked the -stranger. - -Midas’ look showed that he thought the question a very foolish one. - -“Take a vase,” said the young man, “and go to the river that runs by -your garden; jump head first into the river and fill the vase with the -water; then put a few drops of it on anything you have changed to gold. -It will become as it was before,” and the stranger was gone. - -You may be sure the king lost no time. He took a vase, and running to -the river, jumped in. As soon as he touched the water his heart seemed -to grow light. He was glad to see the vase become china again. - -He filled it and went quickly to the house. The first thing he did was -to sprinkle a little water over Marygold. As soon as it touched her, her -cheeks became pink and her blue eyes opened wide. - -“Why are you throwing water on me, father?” she cried. “You will soil my -pretty dress.” - -The king said nothing. He did not want her to know how foolish he had -been. He took her in his arms and kissed her many times. - -While she went to put on another dress, he took the vase into the garden -and put a few drops of water on each flower. When Marygold came out she -was delighted to see them bowing to her as if nothing had been wrong. - -The king did not stop until he had put water on everything he had turned -to gold. Then he remembered that he was very hungry. Never had he eaten -anything half so good as that breakfast. He was a happy man now. - -Two things were left to remind him of the Golden Touch. The sand in the -river sparkled like gold, and Marygold’s hair, which had once been -brown, now had a tinge of gold. As this made her more beautiful, Midas -was not sorry. He used to say it was the only gold he cared for now. - - ------------------------------------------------------------------------- - - - - - LITTLE DAFFYDOWNDILLY. - - -There was once a little boy whose name was Daffydowndilly. Isn’t that a -pretty name? Well, Daffydowndilly was a very pretty little boy. He had -bright blue eyes and his cheeks were like roses, while his hair made one -think of spun gold. - -You think his name sounds like the name of a flower? So it does. That is -why it was such a good name for this little boy. He looked like a bright -flower. He often played in the meadows all day long. He liked to do only -what was easy and pleasant. - -Daffydowndilly’s mother was very kind to him. Her sweet face always wore -a smile for the little boy. Indeed, I do not think he knew what a frown -was. - -But Daffydowndilly could not always play. Like all little boys, he was -soon old enough to go to school, and then was sent away from his -pleasant home to a school so many miles away, that he had to stay there -all the time. The schoolmaster’s name was Mr. Toil. - -Daffydowndilly had never before seen a face like Mr. Toil’s. There were -such deep lines in it. How he frowned on the lazy boys! How harsh his -voice was when he spoke to them! - -Daffydowndilly had been at school but a week when he said to himself, “I -don’t like to go to school. I’m afraid of Mr. Toil. I don’t like to -work. I want to play. I’ll run away.” - -So the very next morning, Daffydowndilly ran away. He had some bread and -cheese for his breakfast and a little money in his pocket. - -How glad he was to get away from school! He felt like a bird out of its -cage. - -He had not gone far when he overtook a man who, also, was walking. - -“Good morning, my boy,” said the stranger. “Where are you going so -early?” - -Now, Daffydowndilly had never told a falsehood in his life and would not -tell one now. After looking at the stranger for a moment he said, - -“I am running away from school because I do not like the master. His -name is Mr. Toil, and oh, he is so cross! I want to go where I shall -never hear of him again.” - -[Illustration: - - “I AM RUNNING AWAY FROM SCHOOL BECAUSE I DO NOT LIKE THE MASTER,” HE - SAID -] - -“Oh, very well, my little friend,” said the stranger. “We will go -together. I, too, know Mr. Toil, and should like to find a place where -he has never been heard of.” - -This did not quite please Daffydowndilly. He would like a little boy for -his companion much better. Then they could stop and gather flowers or -chase butterflies. That would be so pleasant. But he thought, - -“This man will know better which way to go. He will take care of me and -keep me from harm.” - -So he trudged along with the stranger. They had not gone far, when they -came to a field where men were at work, cutting the tall grass. Then -they spread it out in the sun to dry. - -Daffydowndilly was delighted with the sweet smell of the new-mown grass. -The sun shown down on the field. The birds sang in the trees near by. - -“Oh, how beautiful!” cried he. “Let us stop and watch them. I wish I -might stay here always. How much nicer it is here, than in that old -school room.” - -Just then he saw something that made him start back and catch his -companion’s hand. - -“Quick, quick!” cried he. “Let us run away or he will catch us!” - -“Who will catch us?” asked the stranger. - -“Mr. Toil, the old schoolmaster,” answered Daffydowndilly. “Don’t you -see him in the field there?” - -He pointed to an old man who seemed to be the owner of the field. He had -taken off his coat and was working in his shirt sleeves. He did not rest -a moment. All the time he kept saying, - -“Make hay while the sun shines, my men.” - -Sure enough, he did look just like Mr. Toil. His voice, too, was the -same, yet Mr. Toil must have been in the school room at that time. - -“Don’t be afraid,” said the stranger. “This is not Mr. Toil, the -schoolmaster. It is one of his brothers. He is a farmer. People say he -is worse than the schoolmaster. But he won’t trouble you, unless you go -to work on his farm.” - -Daffydowndilly believed this, yet was glad to get away. By-and-by they -saw some carpenters building a house. Daffydowndilly wanted to stop -again. He loved to watch the men making doors and putting in windows. -How neatly they did their work. - -It was a pretty sight to see the shavings roll from under the plane. -They looked like ribbons. - -“How nice it would be to have a saw, a hammer, and a plane, and build a -little house for myself,” thought he. - -While he was thinking what fine fun this would be, he saw something -which made him cry out, - -“Make haste. Quick, quick! There he is again!” - -“Who?” asked the stranger. - -“Old Mr. Toil,” said Daffydowndilly. “There! Don’t you see him among the -carpenters? That’s my old schoolmaster, as sure as I live!” - -The stranger looked where he pointed. He saw an old man with a -carpenter’s rule in his hand. He was marking out the work to be done. -All the time he was telling the men to work hard. And they sawed and -hammered and planed as if for their lives. - -“Oh, no!” said the stranger, “this is not Mr. Toil, the schoolmaster. It -is another brother of his. He is a carpenter.” - -“I’m very glad to hear it,” said Daffydowndilly. “But I’d like to get -out of his way as soon as I can.” - -So on they went. Soon they heard the sound of a drum and fife. -Daffydowndilly knew there must be soldiers coming. - -“Let us make haste,” said he, “I want to see the soldiers.” - -They walked as fast as they could, and soon met a company of soldiers. -They were gayly dressed, with beautiful feathers in their caps and -carried bright guns on their shoulders. - -In front marched two drummers and fifers. How they beat their drums and -played their fifes! What lively music they made! Daffydowndilly thought -he would like to follow them to the end of the world. - -“If I were a soldier,” he thought, “Mr. Toil would never dare to look me -in the face.” - -“Quick step! Forward march!” shouted a gruff voice. - -Daffydowndilly started to run. - -“There he is again,” he cried. “I know his voice.” - -Daffydowndilly pointed to the captain. He was, indeed, the very image of -Mr. Toil. To be sure he wore a cap and feather, and carried a sword -instead of a stick. But Daffydowndilly was sure it was his old -schoolmaster. - -“You are mistaken again, my little friend,” said the stranger. “This is -not Mr. Toil, the schoolmaster, but another brother of his. He is a -soldier and has been in the army all his life. You and I need not fear -him.” - -“Well,” said Daffydowndilly, “I’m glad to hear it; but, if you please -sir, I don’t want to see the soldiers any more.” - -On they went and, by-and-by, came to a house by the roadside. They could -hear the sound of a fiddle within and, through the open doorway could -see boys and girls dancing. They were having a merry time. -Daffydowndilly thought he had never seen anything half so pretty. - -“Oh, let us stop here,” he said. “Mr. Toil would never dare show his -face where there is music and dancing. We shall be safe enough here.” - -Just then he looked at the fiddler. Whom should he see again but old Mr. -Toil. He had a violin bow instead of a stick, but looked exactly like -the old schoolmaster. - -“Oh, dear me!” said Daffydowndilly, turning pale. “Is there nobody but -Mr. Toil in the whole world! Who would have thought he could play a -fiddle!” - -“This is not your old schoolmaster,” said the stranger. “This is another -brother of his. He calls himself Mr. Pleasure, but his real name is -Toil. Those who know him best, say he is worse than any of his -brothers.” - -“Let us go a little farther,” said Daffydowndilly. “I don’t like the -looks of this fiddler at all.” - -So they went on through shady lanes and pleasant villages. Everywhere -the sky was blue, the sun shone, and the birds sang. But go where they -would, there was the image of old Mr. Toil. Whether they stopped at a -cottage or a mansion, it was all the same. Sometimes they found him in -the parlor, very often in the kitchen. He was sure to be there -somewhere. - -Daffydowndilly was very tired, and seeing some men lying in a shady -place by the roadside, he cried, - -“Oh, let us sit down and rest. Mr. Toil will never come here. He hates -to see people resting.” - -Just then he looked at one of the men. He seemed to be the laziest of -all. Who should it be again, but the very image of old Mr. Toil. - -“There is a very large family of these Toils,” said the stranger. “This -is another one of the schoolmaster’s brothers. He is a very idle fellow -and does nothing but have, what he calls, a good time, but I think he -has a harder time than any of the others.” - -Daffydowndilly began to cry. - -“Oh, take me back! Take me back!” said he. “If there is nothing but toil -in the world, I may as well go back to the school house!” - -“Well, there it is,” said the stranger. And, sure enough, there it was. - -You see they had been going in a circle, instead of a straight line. - -“Come, we will go back to school together.” - -Something in the stranger’s voice made Daffydowndilly look at him. -There, again, was the face of old Mr. Toil! So the poor boy had been -with him all day, even while he was trying so hard to get away from him. - -When he came to know the schoolmaster better, he found that he was not -so bad, after all. And when he learned his lessons well, the old -schoolmaster’s smile was almost as pleasant as was that of his own -mother. - - ------------------------------------------------------------------------- - - - - - ● Transcriber’s Notes: - ○ Missing or obscured punctuation was silently corrected. - ○ Typographical errors were silently corrected. - ○ Inconsistent spelling and hyphenation were made consistent only - when a predominant form was found in this book. - ○ Text that: - was in italics is enclosed by underscores (_italics_); - was in bold by is enclosed by “equal” signs (=bold=). - - - -*** END OF THE PROJECT GUTENBERG EBOOK DAFFYDOWNDILLY AND THE GOLDEN -TOUCH *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/66372-0.zip b/old/66372-0.zip Binary files differdeleted file mode 100644 index 89540e6..0000000 --- a/old/66372-0.zip +++ /dev/null diff --git a/old/66372-h.zip b/old/66372-h.zip Binary files differdeleted file mode 100644 index 355f525..0000000 --- a/old/66372-h.zip +++ /dev/null diff --git a/old/66372-h/66372-h.htm b/old/66372-h/66372-h.htm deleted file mode 100644 index 0de2c92..0000000 --- a/old/66372-h/66372-h.htm +++ /dev/null @@ -1,1406 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" /> - <title>Daffydowndilly and the Golden Touch, by Alpha Banta Benson—A Project Gutenberg eBook</title> - <link rel="coverpage" href="images/cover.jpg" /> - <style type="text/css"> - body { margin-left: 8%; margin-right: 8%; } - h1 { text-align: center; font-weight: normal; font-size: 1.4em; } - h2 { text-align: center; font-weight: normal; font-size: 1.2em; } - p { text-indent: 0; margin-top: 0.5em; margin-bottom: 0.5em; text-align: justify; } - .small { font-size: small; } - .under { text-decoration: underline; } - .lg-container-l { text-align: left; } - @media handheld { .lg-container-l { clear: both; } } - .linegroup { display: inline-block; text-align: left; } - @media handheld { .linegroup { display: block; margin-left: 1.5em; } } - .linegroup .group { margin: 1em auto; } - .linegroup .line { text-indent: -3em; padding-left: 3em; } - div.linegroup > :first-child { margin-top: 0; } - ul.ul_1 {padding-left: 0; margin-left: 2.78%; margin-top: .5em; - margin-bottom: .5em; list-style-type: disc; } - ul.ul_2 {padding-left: 0; margin-left: 6.94%; margin-top: .5em; - margin-bottom: .5em; list-style-type: circle; } - em.gesperrt { font-style: normal; letter-spacing: 0.2em; margin-right: -0.2em; } - @media handheld { em.gesperrt { font-style: italic; letter-spacing: 0; - margin-right: 0;} } - div.pbb { page-break-before: always; } - hr.pb { border: none; border-bottom: thin solid; margin-bottom: 1em; } - @media handheld { hr.pb { display: none; } } - .chapter { clear: both; page-break-before: always; } - .figcenter { clear: both; max-width: 100%; margin: 2em auto; text-align: center; } - div.figcenter p { text-align: center; text-indent: 0; } - .figcenter img { max-width: 100%; height: auto; } - .id001 { width:800px; } - @media handheld { .id001 { margin-left:0%; width:100%; } } - .ic002 { width:100%; } - .ig001 { width:100%; } - .nf-center { text-align: center; } - .nf-center-c0 { text-align: left; margin: 0.5em 0; } - .c000 { margin-top: 1em; } - .c001 { page-break-before: always; margin-top: 4em; } - .c002 { margin-top: 4em; } - .c003 { font-size: 3em; } - .c004 { margin-left: 13.89%; margin-right: 13.89%; text-indent: 1em; - margin-top: 0.5em; margin-bottom: 0.5em; } - .c005 { font-size: 2.0em; } - .c006 { font-size: 1.5em; } - .c007 { text-indent: 6.94%; margin-top: 2em; margin-bottom: 0.5em; } - .c008 { font-size: 1.2em; } - .c009 { margin-top: 2em; } - .c010 { font-size: 1.3em; } - .c011 { page-break-before:auto; margin-top: 4em; } - .c012 { margin-top: 2em; text-indent: 1em; margin-bottom: 0.5em; } - .c013 { text-indent: 1em; margin-top: 0.5em; margin-bottom: 0.5em; } - body {width:80%; margin:auto; } - .tnbox {background-color:#E3E4FA;border:1px solid silver;padding: 0.5em; - margin:2em 10% 0 10%; } - .box1 {border-style: solid; border-width:thick; padding: 1em; margin: 0 10% 0 10% } - h1 {font-size: 2em; text-align: center; } - h2 {font-size: 1.50em; } - </style> - </head> - <body> - -<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Daffydowndilly and the Golden Touch, by Alpha Banta Benson</div> - -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Daffydowndilly and the Golden Touch</p> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Alpha Banta Benson and James Harvey Dulin</div> - -<div style='display:block; margin:1em 0'>Release Date: September 24, 2021 [eBook #66372]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Charlene Taylor, Barry Abrahamsen, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK DAFFYDOWNDILLY AND THE GOLDEN TOUCH ***</div> - -<div class='figcenter id001'> -<img src='images/cover.jpg' alt='' class='ig001' /> -</div> -<div class='pbb'> - <hr class='pb c000' /> -</div> -<div> - <h1 class='c001'>Daffydowndilly and the Golden Touch</h1> -</div> -<div class='pbb'> - <hr class='pb c002' /> -</div> -<div class='box1'> - -<div class='nf-center-c0'> -<div class='nf-center c002'> - <div><span class='c003'>The Little Classic Series</span></div> - </div> -</div> - -<p class='c004'>The most popular works of standard authors and poets -arranged for use in schools, with introductions, explanatory -notes, biographical sketches, portraits, and illustrations. -Also elementary stories of nature, myth, history, industry, -geography, biography, and literature. The grading suggested -has been extensively followed by teachers with very -satisfactory results, but may be varied to suit special -conditions.</p> - -<p class='c004'>The books have been carefully edited, are clearly printed on -good paper, and have extra strong paper cover. Each book -in the LITTLE CLASSIC SERIES contains thirty-two pages.</p> - -<div class='nf-center-c0'> - <div class='nf-center'> - <div><span class='c005'>SEVEN CENTS PER COPY</span></div> - <div class='c000'><span class='c006'>Twenty Copies for $1.20</span></div> - </div> -</div> - -<p class='c007'><b>First and Second Grades</b></p> -<div class='lg-container-l c000'> - <div class='linegroup'> - <div class='group'> - <div class='line'>No.</div> - <div class='line'>2719 Aesop’s Fables.</div> - <div class='line'>2713 Old Time Stories.</div> - <div class='line'>2725 Favorite Mother Goose Rhymes.</div> - <div class='line'>2707 First Steps in Reading.</div> - <div class='line'>2701 Jack and the Beanstalk.</div> - <div class='line'>2726 Favorite Mother Goose Jingles.</div> - <div class='line'>2720 Little Red Riding Hood.</div> - <div class='line'>2727 Story of Little Black Sambo.</div> - <div class='line'>2708 Bunny Cottontail Stories.</div> - <div class='line'>2728 Ten Little Indian Stories.</div> - <div class='line'>2721 Hiawatha and Henry W. Longfellow.</div> - <div class='line'>2730 Twelve Little Indian Stories.</div> - <div class='line'>2716 Bunny Boy.</div> - <div class='line'>2731 The Jenny Wren Book.</div> - <div class='line'>2704 Bob the Cat.</div> - <div class='line'>2723 Whitter and His Snow-Bound.</div> - <div class='line'>2732 The Bluebird Book.</div> - <div class='line'>2717 Thanksgiving Stories.</div> - <div class='line'>2733 Four Favorite Stories.</div> - <div class='line'>2705 The Story of Two Little Rabbits.</div> - <div class='line'>2724 The Three Misses Cottontail and King Rabbit.</div> - <div class='line'>2734 My Shadow, and Other Poems.</div> - <div class='line'>2718 Modern Fables.</div> - <div class='line'>2735 My Treasures, and Other Poems.</div> - <div class='line'>2706 Famous Poems of Famous Poets—First and Second Grades.</div> - <div class='line'>2819 Squirrel and Other Animal Stories.</div> - </div> - </div> -</div> - -<p class='c007'><b>Second and Third Grades</b></p> -<div class='lg-container-l c000'> - <div class='linegroup'> - <div class='group'> - <div class='line'>No.</div> - <div class='line'>2736 Three Popular Stories.</div> - <div class='line'>2714 The Story of Joseph.</div> - <div class='line'>2807 Beauty and the Beast and Other Favorite Fairy Tales.</div> - <div class='line'>2702 Susan Cottontail Stories.</div> - <div class='line'>2802 Cinderella and Other Favorite Fairy Tales.</div> - <div class='line'>2715 Robinson Crusoe.</div> - <div class='line'>2738 Stories from Grimm.</div> - <div class='line'>2729 Sixteen Little Indian Stories.</div> - <div class='line'>2809 The Coming of the Christ-Child.</div> - <div class='line'>2709 Our Three Little Sisters and Hiawatha.</div> - <div class='line'>2803 Christmas Stories.</div> - <div class='line'>2722 Pussy Willow and other Tree Stories.</div> - <div class='line'>2740 The Story of Peter Rabbit.</div> - <div class='line'>2710 Stories About Animals.</div> - <div class='line'>2810 The Little Story Reader.</div> - <div class='line'>2711 Mr. and Mrs. Stout of Beaver Dam and How Jackrabbit Lost His Tail.</div> - <div class='line'>2823 Stories About Birds.</div> - <div class='line'>2712 The Tale of Bunny Cottontail—Abridged.</div> - <div class='line'>2825 Who Stole the Bird’s Nest, and Other Poems.</div> - <div class='line'>2824 Famous Poems of Famous Poets—For Third Grade.</div> - <div class='line'>2826 The Robin Redbreast Book.</div> - <div class='line'>2812 The Toyland of Santa Claus.</div> - <div class='line'>2827 The Chickadee Book.</div> - <div class='line'>2828 Brownie’s Ride and Brownie and the Cook.</div> - <div class='line'>2829 Escape at Bedtime, and Other Poems.</div> - <div class='line'>2830 My Ship and I, and Other Poems.</div> - </div> - </div> -</div> - -<div class='nf-center-c0'> -<div class='nf-center c000'> - <div>PUBLISHED BY</div> - <div class='c000'><span class='c008'>A. FLANAGAN COMPANY</span></div> - <div class='c000'>CHICAGO</div> - </div> -</div> - -</div> -<div class='pbb'> - <hr class='pb c009' /> -</div> - -<div class='nf-center-c0'> -<div class='nf-center c009'> - <div><span class='c005'>Daffydowndilly and the</span></div> - <div><span class='c005'>Golden Touch</span></div> - <div class='c002'><span class='small'>ADAPTED BY</span></div> - <div><span class='c008'>ALPHA BANTA BENSON</span></div> - <div class='c002'><span class='small'>ILLUSTRATED BY</span></div> - <div><span class='c008'>JAMES HARVEY DULIN</span></div> - <div class='c002'>1923</div> - <div><em class='gesperrt'><span class='c010'>A. FLANAGAN COMPANY</span></em></div> - <div><em class='gesperrt'>CHICAGO</em></div> - </div> -</div> - -<div class='pbb'> - <hr class='pb c009' /> -</div> - -<div class='nf-center-c0'> -<div class='nf-center c002'> - <div><span class='under'>COPYRIGHT, 1922, BY A. FLANAGAN COMPANY</span></div> - <div class='c002'>Printed in the United States of America</div> - </div> -</div> - -<div class='pbb'> - <hr class='pb c002' /> -</div> - -<div class='nf-center-c0'> -<div class='nf-center c009'> - <div><span class='under'>DAFFYDOWNDILLY AND THE GOLDEN TOUCH</span></div> - </div> -</div> - -<div class='chapter'> - <h2 class='c011'>THE GOLDEN TOUCH.</h2> -</div> -<p class='c012'>There was once a king who was very -rich. His name was Midas. King -Midas loved gold better than anything -else in the world. There was nothing -he loved half so well except his little -daughter, Marygold. He thought, foolish -man, that the way to show this -love, was to get for her as much gold -as he could.</p> - -<p class='c013'>Down deep under his castle, was a -small, dark room. In this room King -Midas kept his gold. Every day he -went there to look at it.</p> - -<p class='c013'>He was always careful to lock the -door, so that no one could follow him. -This room was a very dreary place. -Only one little sunbeam ever thought -of peeping into it. King Midas loved -this little sunbeam, because his gold -could not shine without it.</p> - -<p class='c013'>He used to put his treasure right -where the little ray would fall upon it. -Then he would play with the pieces of -gold, throwing them up and catching -them again. He had a large bowl of -solid gold. It was so bright that he -could see himself in it. He would sit -for hours and look at his face in this -rich mirror. Sometimes the face seemed -to be making fun of him. Then he -would lay it aside.</p> - -<p class='c013'>Next, he would bring out his bags -of gold dust and let the dust run -through his fingers, as a child plays -with sand. He often said to himself:</p> - -<p class='c013'>“Oh, I wish I had the whole world -for my treasure-room, and full of gold -all my own; then I could be happy.”</p> - -<p class='c013'>One day while he was looking at his -gold, he thought the sunbeam grew -larger. It seemed to fill the whole -room. The rays danced in the corners -like fairies. King Midas looked up. -There stood a beautiful young man -near the door. His face was so bright -that the king shaded his eyes with his -hands as he looked.</p> - -<p class='c013'>“You are a very rich man, friend -Midas. With all this gold you ought -to be the happiest man in the world.”</p> - -<p class='c013'>“Yes,” said Midas, “I have done -very well; but it has taken almost a -lifetime to get this. Now, if I could -live a thousand years, I might get rich!”</p> - -<p class='c013'>“Why, haven’t you enough yet?” -asked the young man, opening his eyes -very wide.</p> - -<p class='c013'>“No,” said Midas.</p> - -<p class='c013'>“Well,” said the stranger, “I should -like to know what would satisfy you. -Will you be kind enough to tell me?”</p> - -<p class='c013'>The king thought for a time and -then said:</p> - -<p class='c013'>“If I could have my way, everything -I touch would turn to gold.”</p> - -<p class='c013'>“Are you quite sure this would -satisfy you?” asked the young man.</p> - -<p class='c013'>“Sure of it?” cried Midas. “Why -shouldn’t it satisfy me?”</p> - -<p class='c013'>“And are you sure you would never -be sorry you made such a wish?” said -the stranger.</p> - -<p class='c013'>“How could I be sorry? I tell you I -should be the happiest man in the world.”</p> - -<p class='c013'>“Very well,” said the stranger, “to-morrow, -at sunrise, you will have the -Golden Touch.”</p> - -<div class='figcenter id001'> -<img src='images/i007.jpg' alt='' class='ig001' /> -<div class='ic002'> -<p><span class='small'>“IN THIS ROOM KING MIDAS KEPT HIS GOLD”</span></p> -</div> -</div> - -<p class='c013'>When King Midas awoke the next -morning a little sunbeam shone on his -bed. He put out his hand and touched -the coverlet. It was changed to gold. -With a cry of joy he sprang from his -bed.</p> - -<p class='c013'>“Hurrah! I have the Golden Touch,” -he cried.</p> - -<p class='c013'>He ran about touching everything in -the room. Of course they all turned -to gold. Then he dressed himself and -was delighted to find that his clothes -had become beautiful garments of gold. -He put on his spectacles, but could not -see through them. Taking them off -and rubbing them he saw that the glass -had become plates of gold.</p> - -<p class='c013'>As he went down stairs, he put his -hand on the railing. It turned to gold.</p> - -<p class='c013'>He opened the door and went into -the garden. The roses were nodding -in the fresh morning breeze; the air -was filled with their sweet perfume. -But King Midas did not care for this. -What do you think he did? Why, he -changed everyone of those roses into -hard, shining gold. The dew drops -became diamonds.</p> - -<p class='c013'>Then he went back to the house. -Breakfast was ready. Marygold had -not yet come in, so he had her called. -She always had bread and milk for her -breakfast. She ate it out of a beautiful -china bowl. This bowl had strange -trees and houses painted upon it. While -the father waited for her, he thought -he would change her bowl to gold.</p> - -<p class='c013'>“That will please her,” thought he.</p> - -<p class='c013'>Just then he heard her coming. The -door opened and she came in. She had -her apron to her eyes and was crying -as if her heart would break.</p> - -<p class='c013'>“Why, what is the matter my dear -child?” asked the king.</p> - -<p class='c013'>“Oh, my beautiful roses! They are -all ugly and yellow,” cried she. “When -I try to smell them, their hard petals -prick my nose.”</p> - -<p class='c013'>“Well, dear, don’t cry about it. Sit -down and eat your bread and milk.”</p> - -<p class='c013'>They both sat down to the table. He -thought she would forget about the -roses, when she saw her golden bowl; -but she was too sad to notice it. Perhaps -it was best that she did not, for -she had always been so fond of looking -at the pictures upon it. These faded -as soon as the bowl was changed to -gold.</p> - -<p class='c013'>His walk in the garden had given -the king a good appetite. His breakfast -of baked potatoes, fish, hot cakes -and coffee looked very good indeed.</p> - -<p class='c013'>“Well, this is nice,” he said, as he -poured out a cup of coffee. He smiled -when he saw the coffee pot turn to gold.</p> - -<p class='c013'>“I shall soon have nothing but gold -on my table,” thought he, and began to -wonder where he could keep his -treasure.</p> - -<p class='c013'>He raised the cup of coffee to his -lips. That, too, turned to gold. Of -course he could not drink it. He set -the cup down quickly. Marygold looked -up and asked,</p> - -<p class='c013'>“What is the matter, father?”</p> - -<p class='c013'>“Nothing, child, nothing,” said the -king.</p> - -<p class='c013'>He thought he would try one of the -fish. As soon as he touched it, it became -hard and bright. Then he broke -one of the cakes. It became yellow -and heavy.</p> - -<p class='c013'>“I don’t quite see how I am to get -any breakfast,” thought the king.</p> - -<p class='c013'>He looked at Marygold. She was -quietly eating her bread and milk. How -he longed to have just one bite! What -good would all this gold do him, if he -could not eat anything?</p> - -<p class='c013'>The potatoes looked so tempting that -he thought he would try again.</p> - -<p class='c013'>“Perhaps I can swallow so quickly, -that a potato will not have time to -turn to gold,” thought he.</p> - -<p class='c013'>Poor foolish Midas! He popped one -into his mouth, but it changed as soon -as he touched it. The hot gold burned -him so that he jumped up and cried -out with pain.</p> - -<p class='c013'>“Why, what is the matter, dear -father?” cried Marygold. “Have you -burned yourself?”</p> - -<p class='c013'>“Oh, my child,” said the king, “I -don’t know what is to become of your -poor father!”</p> - -<p class='c013'>Marygold got down from her chair -and ran to him. By this time Midas -hated the very sight of gold. He felt -that Marygold was all he had to love -now. He took her in his arms and -kissed her.</p> - -<p class='c013'>Oh, unhappy Midas! Marygold, too, -had become hard, shining gold. There -were the tears still on her cheeks; -they were little lumps of gold now. -Everything was the same, even the -pretty dimple in her chin.</p> - -<p class='c013'>Poor Midas! His heart was almost -broken. He threw himself upon the -floor and tried to pray. The words -would not come.</p> - -<p class='c013'>All at once the room grew very -bright. Midas raised his head. There -stood the stranger who had given him -the Golden Touch. His face was sad, -yet Midas thought he saw a smile there, -too, as he said:</p> - -<p class='c013'>“Well, friend Midas, how do you like -the Golden Touch?”</p> - -<p class='c013'>“Hush!” cried the king. “I hate the -very name of gold!”</p> - -<p class='c013'>“Why, how is this?” asked the -stranger. “Have you not enough yet?”</p> - -<p class='c013'>“Enough!” cried the king. “Too -much! I wish I might never see gold -again. Gold is not everything. See,” -said he, pointing to Marygold. “I -would give all the gold in the world, -just to see her smile again.”</p> - -<p class='c013'>“You are sure you have had enough -of the Golden Touch?” asked the -stranger.</p> - -<p class='c013'>Midas’ look showed that he thought -the question a very foolish one.</p> - -<p class='c013'>“Take a vase,” said the young man, -“and go to the river that runs by your -garden; jump head first into the river -and fill the vase with the water; then -put a few drops of it on anything you -have changed to gold. It will become -as it was before,” and the stranger was -gone.</p> - -<p class='c013'>You may be sure the king lost no -time. He took a vase, and running to -the river, jumped in. As soon as he -touched the water his heart seemed to -grow light. He was glad to see the -vase become china again.</p> - -<p class='c013'>He filled it and went quickly to the -house. The first thing he did was to -sprinkle a little water over Marygold. -As soon as it touched her, her cheeks -became pink and her blue eyes opened -wide.</p> - -<p class='c013'>“Why are you throwing water on -me, father?” she cried. “You will soil -my pretty dress.”</p> - -<p class='c013'>The king said nothing. He did not -want her to know how foolish he had -been. He took her in his arms and -kissed her many times.</p> - -<p class='c013'>While she went to put on another -dress, he took the vase into the garden -and put a few drops of water on each -flower. When Marygold came out she -was delighted to see them bowing to -her as if nothing had been wrong.</p> - -<p class='c013'>The king did not stop until he had -put water on everything he had turned -to gold. Then he remembered that he -was very hungry. Never had he eaten -anything half so good as that breakfast. -He was a happy man now.</p> - -<p class='c013'>Two things were left to remind him -of the Golden Touch. The sand in the -river sparkled like gold, and Marygold’s -hair, which had once been brown, now -had a tinge of gold. As this made her -more beautiful, Midas was not sorry. -He used to say it was the only gold he -cared for now.</p> -<div class='pbb'> - <hr class='pb c009' /> -</div> -<div class='chapter'> - <h2 class='c011'>LITTLE DAFFYDOWNDILLY.</h2> -</div> -<p class='c012'>There was once a little boy whose -name was Daffydowndilly. Isn’t that a -pretty name? Well, Daffydowndilly -was a very pretty little boy. He had -bright blue eyes and his cheeks were -like roses, while his hair made one -think of spun gold.</p> - -<p class='c013'>You think his name sounds like the -name of a flower? So it does. That -is why it was such a good name for -this little boy. He looked like a bright -flower. He often played in the meadows -all day long. He liked to do only -what was easy and pleasant.</p> - -<p class='c013'>Daffydowndilly’s mother was very -kind to him. Her sweet face always -wore a smile for the little boy. Indeed, -I do not think he knew what a frown -was.</p> - -<p class='c013'>But Daffydowndilly could not always -play. Like all little boys, he was soon -old enough to go to school, and then -was sent away from his pleasant home -to a school so many miles away, that -he had to stay there all the time. The -schoolmaster’s name was Mr. Toil.</p> - -<p class='c013'>Daffydowndilly had never before seen -a face like Mr. Toil’s. There were such -deep lines in it. How he frowned on -the lazy boys! How harsh his voice -was when he spoke to them!</p> - -<p class='c013'>Daffydowndilly had been at school -but a week when he said to himself, “I -don’t like to go to school. I’m afraid -of Mr. Toil. I don’t like to work. I -want to play. I’ll run away.”</p> - -<p class='c013'>So the very next morning, Daffydowndilly -ran away. He had some -bread and cheese for his breakfast and -a little money in his pocket.</p> - -<p class='c013'>How glad he was to get away from -school! He felt like a bird out of its cage.</p> - -<p class='c013'>He had not gone far when he overtook -a man who, also, was walking.</p> - -<p class='c013'>“Good morning, my boy,” said the -stranger. “Where are you going so -early?”</p> - -<p class='c013'>Now, Daffydowndilly had never told -a falsehood in his life and would not -tell one now. After looking at the -stranger for a moment he said,</p> - -<p class='c013'>“I am running away from school because -I do not like the master. His -name is Mr. Toil, and oh, he is so cross! -I want to go where I shall never hear of -him again.”</p> - -<div class='figcenter id001'> -<img src='images/i021.jpg' alt='' class='ig001' /> -<div class='ic002'> -<p><span class='small'>“I AM RUNNING AWAY FROM SCHOOL BECAUSE I DO NOT LIKE THE MASTER,” HE SAID</span></p> -</div> -</div> - -<p class='c013'>“Oh, very well, my little friend,” said -the stranger. “We will go together. I, -too, know Mr. Toil, and should like to -find a place where he has never been -heard of.”</p> - -<p class='c013'>This did not quite please Daffydowndilly. -He would like a little boy for -his companion much better. Then they -could stop and gather flowers or chase -butterflies. That would be so pleasant. -But he thought,</p> - -<p class='c013'>“This man will know better which -way to go. He will take care of me -and keep me from harm.”</p> - -<p class='c013'>So he trudged along with the stranger. -They had not gone far, when they -came to a field where men were at -work, cutting the tall grass. Then they -spread it out in the sun to dry.</p> - -<p class='c013'>Daffydowndilly was delighted with -the sweet smell of the new-mown grass. -The sun shown down on the field. The -birds sang in the trees near by.</p> - -<p class='c013'>“Oh, how beautiful!” cried he. “Let -us stop and watch them. I wish I -might stay here always. How much -nicer it is here, than in that old school room.”</p> - -<p class='c013'>Just then he saw something that -made him start back and catch his -companion’s hand.</p> - -<p class='c013'>“Quick, quick!” cried he. “Let us -run away or he will catch us!”</p> - -<p class='c013'>“Who will catch us?” asked the -stranger.</p> - -<p class='c013'>“Mr. Toil, the old schoolmaster,” -answered Daffydowndilly. “Don’t you -see him in the field there?”</p> - -<p class='c013'>He pointed to an old man who -seemed to be the owner of the field. -He had taken off his coat and was -working in his shirt sleeves. He did -not rest a moment. All the time he -kept saying,</p> - -<p class='c013'>“Make hay while the sun shines, my -men.”</p> - -<p class='c013'>Sure enough, he did look just like -Mr. Toil. His voice, too, was the same, -yet Mr. Toil must have been in the -school room at that time.</p> - -<p class='c013'>“Don’t be afraid,” said the stranger. -“This is not Mr. Toil, the schoolmaster. -It is one of his brothers. He is a farmer. -People say he is worse than the -schoolmaster. But he won’t trouble -you, unless you go to work on his -farm.”</p> - -<p class='c013'>Daffydowndilly believed this, yet was -glad to get away. By-and-by they saw -some carpenters building a house. -Daffydowndilly wanted to stop again. -He loved to watch the men making -doors and putting in windows. How -neatly they did their work.</p> - -<p class='c013'>It was a pretty sight to see the shavings -roll from under the plane. They -looked like ribbons.</p> - -<p class='c013'>“How nice it would be to have a -saw, a hammer, and a plane, and build -a little house for myself,” thought he.</p> - -<p class='c013'>While he was thinking what fine fun -this would be, he saw something which -made him cry out,</p> - -<p class='c013'>“Make haste. Quick, quick! There -he is again!”</p> - -<p class='c013'>“Who?” asked the stranger.</p> - -<p class='c013'>“Old Mr. Toil,” said Daffydowndilly. -“There! Don’t you see him among the -carpenters? That’s my old schoolmaster, -as sure as I live!”</p> - -<p class='c013'>The stranger looked where he pointed. -He saw an old man with a carpenter’s -rule in his hand. He was -marking out the work to be done. All -the time he was telling the men to -work hard. And they sawed and hammered -and planed as if for their lives.</p> - -<p class='c013'>“Oh, no!” said the stranger, “this is -not Mr. Toil, the schoolmaster. It is -another brother of his. He is a carpenter.”</p> - -<p class='c013'>“I’m very glad to hear it,” said -Daffydowndilly. “But I’d like to get -out of his way as soon as I can.”</p> - -<p class='c013'>So on they went. Soon they heard -the sound of a drum and fife. Daffydowndilly -knew there must be soldiers -coming.</p> - -<p class='c013'>“Let us make haste,” said he, “I want -to see the soldiers.”</p> - -<p class='c013'>They walked as fast as they could, -and soon met a company of soldiers. -They were gayly dressed, with beautiful -feathers in their caps and carried -bright guns on their shoulders.</p> - -<p class='c013'>In front marched two drummers and -fifers. How they beat their drums and -played their fifes! What lively music -they made! Daffydowndilly thought he -would like to follow them to the end of -the world.</p> - -<p class='c013'>“If I were a soldier,” he thought, -“Mr. Toil would never dare to look me -in the face.”</p> - -<p class='c013'>“Quick step! Forward march!” -shouted a gruff voice.</p> - -<p class='c013'>Daffydowndilly started to run.</p> - -<p class='c013'>“There he is again,” he cried. “I -know his voice.”</p> - -<p class='c013'>Daffydowndilly pointed to the captain. -He was, indeed, the very image -of Mr. Toil. To be sure he wore a cap -and feather, and carried a sword instead -of a stick. But Daffydowndilly -was sure it was his old schoolmaster.</p> - -<p class='c013'>“You are mistaken again, my little -friend,” said the stranger. “This is not -Mr. Toil, the schoolmaster, but another -brother of his. He is a soldier and has -been in the army all his life. You and -I need not fear him.”</p> - -<p class='c013'>“Well,” said Daffydowndilly, “I’m -glad to hear it; but, if you please sir, I -don’t want to see the soldiers any -more.”</p> - -<p class='c013'>On they went and, by-and-by, came -to a house by the roadside. They could -hear the sound of a fiddle within and, -through the open doorway could see -boys and girls dancing. They were -having a merry time. Daffydowndilly -thought he had never seen anything -half so pretty.</p> - -<p class='c013'>“Oh, let us stop here,” he said. “Mr. -Toil would never dare show his face -where there is music and dancing. We -shall be safe enough here.”</p> - -<p class='c013'>Just then he looked at the fiddler. -Whom should he see again but old Mr. -Toil. He had a violin bow instead of -a stick, but looked exactly like the old -schoolmaster.</p> - -<p class='c013'>“Oh, dear me!” said Daffydowndilly, -turning pale. “Is there nobody but -Mr. Toil in the whole world! Who -would have thought he could play a -fiddle!”</p> - -<p class='c013'>“This is not your old schoolmaster,” -said the stranger. “This is another -brother of his. He calls himself Mr. -Pleasure, but his real name is Toil. -Those who know him best, say he is -worse than any of his brothers.”</p> - -<p class='c013'>“Let us go a little farther,” said -Daffydowndilly. “I don’t like the looks -of this fiddler at all.”</p> - -<p class='c013'>So they went on through shady lanes -and pleasant villages. Everywhere the -sky was blue, the sun shone, and the -birds sang. But go where they would, -there was the image of old Mr. Toil. -Whether they stopped at a cottage or -a mansion, it was all the same. Sometimes -they found him in the parlor, -very often in the kitchen. He was sure -to be there somewhere.</p> - -<p class='c013'>Daffydowndilly was very tired, and -seeing some men lying in a shady place -by the roadside, he cried,</p> - -<p class='c013'>“Oh, let us sit down and rest. Mr. -Toil will never come here. He hates -to see people resting.”</p> - -<p class='c013'>Just then he looked at one of the -men. He seemed to be the laziest of -all. Who should it be again, but the -very image of old Mr. Toil.</p> - -<p class='c013'>“There is a very large family of these -Toils,” said the stranger. “This is another -one of the schoolmaster’s brothers. -He is a very idle fellow and does -nothing but have, what he calls, a good -time, but I think he has a harder time -than any of the others.”</p> - -<p class='c013'>Daffydowndilly began to cry.</p> - -<p class='c013'>“Oh, take me back! Take me back!” -said he. “If there is nothing but toil -in the world, I may as well go back to -the school house!”</p> - -<p class='c013'>“Well, there it is,” said the stranger. -And, sure enough, there it was.</p> - -<p class='c013'>You see they had been going in a -circle, instead of a straight line.</p> - -<p class='c013'>“Come, we will go back to school -together.”</p> - -<p class='c013'>Something in the stranger’s voice -made Daffydowndilly look at him. -There, again, was the face of old Mr. -Toil! So the poor boy had been with -him all day, even while he was trying -so hard to get away from him.</p> - -<p class='c013'>When he came to know the schoolmaster -better, he found that he was not -so bad, after all. And when he learned -his lessons well, the old schoolmaster’s -smile was almost as pleasant as was -that of his own mother.</p> -<div class='pbb'> - <hr class='pb c009' /> -</div> -<p class='c013'> </p> -<div class='tnbox'> - - <ul class='ul_1 c009'> - <li>Transcriber’s Notes: - <ul class='ul_2'> - <li>Missing or obscured punctuation was silently corrected. - </li> - <li>Typographical errors were silently corrected. - </li> - <li>Inconsistent spelling and hyphenation were made consistent only when a predominant - form was found in this book. - </li> - </ul> - </li> - </ul> - -</div> -<p class='c013'> </p> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK DAFFYDOWNDILLY AND THE GOLDEN TOUCH ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> - -</body> -</html> diff --git a/old/66372-h/images/cover.jpg b/old/66372-h/images/cover.jpg Binary files differdeleted file mode 100644 index 288156d..0000000 --- a/old/66372-h/images/cover.jpg +++ /dev/null diff --git a/old/66372-h/images/i007.jpg b/old/66372-h/images/i007.jpg Binary files differdeleted file mode 100644 index 2a67f75..0000000 --- a/old/66372-h/images/i007.jpg +++ /dev/null diff --git a/old/66372-h/images/i021.jpg b/old/66372-h/images/i021.jpg Binary files differdeleted file mode 100644 index 29ffad3..0000000 --- a/old/66372-h/images/i021.jpg +++ /dev/null |
