summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:50 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:27:50 -0700
commit160be1cd987bbc6e64b887b86b3d632743c25aa7 (patch)
tree4454a359f666f64c51d38fc6e4bb1a53093d7b70
initial commit of ebook 6607HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--6607.txt1228
-rw-r--r--6607.zipbin0 -> 26928 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/cs02w10.txt1216
-rw-r--r--old/cs02w10.zipbin0 -> 26633 bytes
7 files changed, 2460 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/6607.txt b/6607.txt
new file mode 100644
index 0000000..30b2f7b
--- /dev/null
+++ b/6607.txt
@@ -0,0 +1,1228 @@
+Project Gutenberg's The Isle of Manhattoes and Nearby, by Charles M. Skinner
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Isle of Manhattoes and Nearby
+ Myths And Legends Of Our Own Land, Volume 2.
+
+Author: Charles M. Skinner
+
+Release Date: October 22, 2006 [EBook #6607]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE ISLE OF MANHATTOES AND NEARBY ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+ MYTHS AND LEGENDS
+ OF
+ OUR OWN LAND
+
+ By
+ Charles M. Skinner
+
+ Vol. 2.
+
+
+ THE ISLE OF MANHATTOES AND NEARBY
+
+
+
+
+CONTENTS:
+
+Dolph Heyliger
+The Knell at the Wedding
+Roistering Dirck Van Dara
+The Party from Gibbet Island
+Miss Britton's Poker
+The Devil's Stepping-Stones
+The Springs of Blood and Water
+The Crumbling Silver
+The Cortelyou Elopement
+Van Wempel's Goose
+The Weary Watcher
+The Rival Fiddlers
+Wyandank
+Mark of the Spirit Hand
+The First Liberal Church
+
+
+
+
+
+THE ISLE OF MANHATTOES AND NEARBY
+
+
+
+DOLPH HEYLIGER
+
+New York was New Amsterdam when Dolph Heyliger got himself born there,--a
+graceless scamp, though a brave, good-natured one, and being left
+penniless on his father's death he was fain to take service with a
+doctor, while his mother kept a shop. This doctor had bought a farm on
+the island of Manhattoes--away out of town, where Twenty-third Street now
+runs, most likely--and, because of rumors that its tenants had noised
+about it, he seemed likely to enjoy the responsibilities of landholding
+and none of its profits. It suited Dolph's adventurous disposition that
+he should be deputed to investigate the reason for these rumors, and for
+three nights he kept his abode in the desolate old manor, emerging after
+daybreak in a lax and pallid condition, but keeping his own counsel, to
+the aggravation of the populace, whose ears were burning for his news.
+
+Not until long after did he tell of the solemn tread that woke him in the
+small hours, of his door softly opening, though he had bolted and locked
+it, of a portly Fleming, with curly gray hair, reservoir boots, slouched
+hat, trunk and doublet, who entered and sat in the arm-chair, watching
+him until the cock crew. Nor did he tell how on the third night he
+summoned courage, hugging a Bible and a catechism to his breast for
+confidence, to ask the meaning of the visit, and how the Fleming arose,
+and drawing Dolph after him with his eyes, led him downstairs, went
+through the front door without unbolting it, leaving that task for the
+trembling yet eager youth, and how, after he had proceeded to a disused
+well at the bottom of the garden, he vanished from sight.
+
+Dolph brooded long upon these things and dreamed of them in bed. He
+alleged that it was in obedience to his dreams that he boarded a schooner
+bound up the Hudson, without the formality of adieu to his employer, and
+after being spilled ashore in a gale at the foot of Storm King, he fell
+into the company of Anthony Vander Hevden, a famous landholder and
+hunter, who achieved a fancy for Dolph as a lad who could shoot, fish,
+row, and swim, and took him home with him to Albany. The Heer had
+commodious quarters, good liquor, and a pretty daughter, and Dolph felt
+himself in paradise until led to the room he was to occupy, for one of
+the first things that he set eyes on in that apartment was a portrait of
+the very person who had kept him awake for the worse part of three nights
+at the bowerie in Manhattoes. He demanded to know whose picture it was,
+and learned that it was that of Killian Vander Spiegel, burgomaster and
+curmudgeon, who buried his money when the English seized New Amsterdam
+and fretted himself to death lest it should be discovered. He remembered
+that his mother had spoken of this Spiegel and that her father was the
+miser's rightful heir, and it now appeared that he was one of Heyden's
+forbears too. In his dream that night the Fleming stepped out of the
+portrait, led him, as he had done before, to the well, where he smiled
+and vanished. Dolph reflected, next morning, that these things had been
+ordered to bring together the two branches of the family and disclose the
+whereabouts of the treasure that it should inherit. So full was he of
+this idea that he went back to New Amsterdam by the first schooner, to
+the surprise of the Heer and the regret of his daughter.
+
+After the truant had been received with execrations by the doctor and
+with delight by his mother, who believed that spooks had run off with
+him, and with astonishment, as a hero of romance, by the public, he made
+for the haunted premises at the first opportunity and began to angle at
+the disused well. Presently he found his hook entangled in something at
+the bottom, and on lifting slowly he discovered that he had secured a
+fine silver porringer, with lid held down by twisted wire. It was the
+work of a moment to wrench off the lid, when he found the vessel to be
+filled with golden pieces. His fishing that day was attended with such
+luck as never fell to an angler before, for there were other pieces of
+plate down there, all engraved with the Spiegel arms and all containing
+treasure.
+
+By encouraging the most dreadful stories about the spot, in order to keep
+the people wide away from it, he accomplished the removal of his prizes
+bit by bit from their place of concealment to his home. His unaccounted
+absence in Albany and his dealings with the dead had prepared his
+neighbors for any change in himself or his condition, and now that he
+always had a bottle of schnapps for the men and a pot of tea for the
+women, and was good to his mother, they said that they had always known
+that when he changed it would be for the better,--at which his old
+detractors lifted their eyebrows significantly--and when asked to dinner
+by him they always accepted.
+
+Moreover, they made merry when the day came round for his wedding with
+the little maid of Albany. They likewise elected him a member of the
+corporation, to which he bequeathed some of the Spiegel plate and often
+helped the other city fathers to empty the big punch-bowl. Indeed, it was
+at one of these corporation feasts that he died of apoplexy. He was
+buried with honors in the yard of the Dutch church in Garden Street.
+
+
+
+
+THE KNELL AT THE WEDDING
+
+A young New Yorker had laid such siege to the heart of a certain
+belle--this was back in the Knickerbocker days when people married for
+love--that everybody said the banns were as good as published; but
+everybody did not know, for one fine morning my lady went to church with
+another gentleman--not her father, though old enough to be--and when the
+two came out they were man and wife. The elderly man was rich. After the
+first paroxysm of rage and disappointment had passed, the lover withdrew
+from the world and devoted himself to study; nor when he learned that she
+had become a widow, with comfortable belongings derived from the estate
+of the late lamented, did he renew acquaintance with her, and he smiled
+bitterly when he heard of her second marriage to a young adventurer who
+led her a wretched life, but atoned for his sins, in a measure, by dying
+soon enough afterward to leave a part of her fortune unspent.
+
+In the lapse of time the doubly widowed returned to New York, where she
+met again the lover of her youth. Mr. Ellenwood had acquired the reserve
+of a scholar, and had often puzzled his friends with his eccentricities;
+but after a few meetings with the object of his young affection he came
+out of his glooms, and with respectful formality laid again at her feet
+the heart she had trampled on forty years before. Though both of them
+were well on in life, the news of their engagement made little of a
+sensation. The widow was still fair; the wooer was quiet, refined, and
+courtly, and the union of their fortunes would assure a competence for
+the years that might be left to them. The church of St. Paul, on
+Broadway, was appointed for the wedding, and it was a whim of the groom
+that his bride should meet him there. At the appointed hour a company of
+the curious had assembled in the edifice; a rattle of wheels was heard,
+and a bevy of bridesmaids and friends in hoop, patch, velvet, silk,
+powder, swords, and buckles walked down the aisle; but just as the bride
+had come within the door, out of the sunlight that streamed so
+brilliantly on the mounded turf and tombstones in the churchyard, the
+bell in the steeple gave a single boom.
+
+The bride walked to the altar, and as she took her place before it
+another clang resounded from the belfry. The bridegroom was not there.
+Again and again the brazen throat and iron tongue sent out a doleful
+knell, and faces grew pale and anxious, for the meaning of it could not
+be guessed. With eyes fixed on the marble tomb of her first husband, the
+woman tremblingly awaited the solution of the mystery, until the door was
+darkened by something that made her catch her breath--a funeral. The
+organ began a solemn dirge as a black-cloaked cortege came through the
+aisle, and it was with amazement that the bride discovered it to be
+formed of her oldest friends,--bent, withered; paired, man and woman, as
+in mockery--while behind, with white face, gleaming eyes, disordered
+hair, and halting step, came the bridegroom, in his shroud.
+
+"Come," he said,--"let us be married. The coffins are ready. Then, home to
+the tomb."
+
+"Cruel!" murmured the woman.
+
+"Now, Heaven judge which of us has been cruel. Forty years ago you took
+away my faith, destroyed my hopes, and gave to others your youth and
+beauty. Our lives have nearly run their course, so I am come to wed you
+as with funeral rites." Then, in a softer manner, he took her hand, and
+said, "All is forgiven. If we cannot live together we will at least be
+wedded in death. Time is almost at its end. We will marry for eternity.
+Come." And tenderly embracing her, he led her forward. Hard as was the
+ordeal, confusing, frightening, humiliating, the bride came through it a
+better woman.
+
+"It is true," she said, "I have been vain and worldly, but now, in my
+age, the truest love I ever knew has come back to me. It is a holy love.
+I will cherish it forever." Their eyes met, and they saw each other
+through tears. Solemnly the clergyman read the marriage service, and when
+it was concluded the low threnody that had come from the organ in key
+with the measured clang of the bell, merged into a nobler motive, until
+at last the funeral measures were lost in a burst of exultant harmony.
+Sobs of pent feeling and sighs of relief were heard as the bridal party
+moved away, and when the newmade wife and husband reached the portal the
+bell was silent and the sun was shining.
+
+
+
+
+ROISTERING DIRCK VAN DARA
+
+In the days when most of New York stood below Grand Street, a roistering
+fellow used to make the rounds of the taverns nightly, accompanied by a
+friend named Rooney. This brave drinker was Dirck Van Dara, one of the
+last of those swag-bellied topers that made merry with such solemnity
+before the English seized their unoffending town. It chanced that Dirck
+and his chum were out later than usual one night, and by eleven o'clock,
+when all good people were abed, a drizzle set in that drove the watch to
+sleep in doorways and left Broadway tenantless. As the two choice spirits
+reeled out of a hostelry near Wall Street and saw the lights go out in
+the tap-room windows they started up town to their homes in Leonard
+Street, but hardly had they come abreast of old St. Paul's when a strange
+thing stayed them: crying was heard in the churchyard and a
+phosphorescent light shone among the tombs. Rooney was sober in a moment,
+but not so Dirck Van Dara, who shouted, "Here is sport, friend Rooney.
+Let's climb the wall. If the dead are for a dance, we will take partners
+and show them how pigeons' wings are cut nowadays."
+
+"No," exclaimed the other; "those must perish who go among the dead when
+they come out of their graves. I've heard that if you get into their
+clutches, you must stay in purgatory for a hundred years, and no priest
+can pray you out."
+
+"Bah! old wives' tales! Come on!" And pulling his friend with him, they
+were over the fence. "Hello! what have we here?" As he spoke a haggard
+thing arose from behind a tombstone, a witchlike creature, with rags
+falling about her wasted form and hair that almost hid her face. The
+twain were set a-sneezing by the fumes of sulphur, and Rooney swore
+afterwards that there were little things at the end of the yard with
+grinning faces and lights on the ends of their tails. Old Hollands are
+heady. Dirck began to chaff the beldam on her dilapidation, but she
+stopped his talk by dipping something from a caldron behind her and
+flinging it over both of her visitors. Whatever it was, it burned
+outrageously, and with a yell of pain they leaped the wall more briskly
+than they had jumped it the other way, and were soon in full flight. They
+had not gone far when the clock struck twelve.
+
+"Arrah! there's a crowd of them coming after," panted Rooney. "Ave Mary!
+I've heard that if you die with witch broth being thrown over you, you're
+done for in the next world, as well as this. Let us get to Father
+Donagan's. Wow!"
+
+As he made this exclamation the fugitives found their way opposed by a
+woman, who looked at them with immodest eyes and said, "Dirck Van Dara,
+your sire, in wig and bob, turned us Cyprians out of New York, after
+ducking us in the Collect. But we forgive him, and to prove it we ask you
+to our festival."
+
+At the stroke of midnight the street before the church had swarmed with a
+motley throng, that now came onward, waving torches that sparkled like
+stars. They formed a ring about Dirck and began to dance, and he, nothing
+loth, seized the nymph who had addressed him and joined in the revel. Not
+a soul was out or awake except themselves, and no words were said as the
+dance went wilder to strains of weird and unseen instruments. Now and
+then one would apply a torch to the person of Dirck, meanly assailing him
+in the rear, and the smart of the burn made him feet it the livelier. At
+last they turned toward the Battery as by common consent, and went
+careering along the street in frolic fashion. Rooney, whose senses had
+thus far been pent in a stupor, fled with a yell of terror, and as he
+looked back he saw the unholy troop disappearing in the mist like a
+moving galaxy. Never from that night was Dirck Van Data seen or heard of
+more, and the publicans felt that they had less reason for living.
+
+
+
+
+THE PARTY FROM GIBBET ISLAND
+
+Ellis Island, in New York harbor, once bore the name of Gibbet Island,
+because pirates and mutineers were hanged there in chains. During the
+times when it was devoted to this fell purpose there stood in Communipaw
+the Wild Goose tavern, where Dutch burghers resorted, to smoke, drink
+Hollands, and grow fat, wise, and sleepy in each others' company. The
+plague of this inn was Yan Yost Vanderscamp, a nephew of the landlord,
+who frequently alarmed the patrons of the house by putting powder into
+their pipes and attaching briers beneath their horses' tails, and who
+naturally turned pirate when he became older, taking with him to sea his
+boon companion, an ill-disposed, ill-favored blackamoor named Pluto, who
+had been employed about the tavern. When the landlord died, Vanderscamp
+possessed himself of this property, fitted it up with plunder, and at
+intervals he had his gang ashore,--such a crew of singing, swearing,
+drinking, gaming devils as Communipaw had never seen the like of; yet the
+residents could not summon activity enough to stop the goings-on that
+made the Wild Goose a disgrace to their village. The British authorities,
+however, caught three of the swashbucklers and strung them up on Gibbet
+Island, and things that went on badly in Communipaw after that went on
+with quiet and secrecy.
+
+The pirate and his henchmen were returning to the tavern one night, after
+a visit to a rakish-looking vessel in the offing, when a squall broke in
+such force as to give their skiff a leeway to the place of executions. As
+they rounded that lonely reef a creaking noise overhead caused
+Vanderscamp to look up, and he could not repress a shudder as he saw the
+bodies of his three messmates, their rags fluttering and their chains
+grinding in the wind.
+
+"Don't you want to see your friends?" sneered Pluto. "You, who are never
+afraid of living men, what do you fear from the dead?"
+
+"Nothing," answered the pirate. Then, lugging forth his bottle, he took a
+long pull at it, and holding it toward the dead felons, he shouted,
+"Here's fair weather to you, my lads in the wind, and if you should be
+walking the rounds to-night, come in to supper."
+
+A clatter of bones and a creak of chains sounded like a laugh. It was
+midnight when the boat pulled in at Communipaw, and as the storm
+continued Vanderscamp, drenched to the skin, made quick time to the Wild
+Goose. As he entered, a sound of revelry overhead smote his ear, and,
+being no less astonished than in need of cordials, he hastened up-stairs
+and flung open the door. A table stood there, furnished with jugs and
+pipes and cans, and by light of candles that burned as blue as brimstone
+could be seen the three gallows-birds from Gibbet Island, with halters on
+their necks, clinking their tankards together and trolling forth a
+drinking-song.
+
+Starting back with affright as the corpses hailed him with lifted arms
+and turned their fishy eyes on him, Vanderscamp slipped at the door and
+fell headlong to the bottom of the stairs. Next morning he was found
+there by the neighbors, dead to a certainty, and was put away in the
+Dutch churchyard at Bergen on the Sunday following. As the house was
+rifled and deserted by its occupants, it was hinted that the negro had
+betrayed his master to his fellow-buccaneers, and that he, Pluto, was no
+other than the devil in disguise. But he was not, for his skiff was seen
+floating bottom up in the bay soon after, and his drowned body lodged
+among the rocks at the foot of the pirates' gallows.
+
+For a long time afterwards the island was regarded as a place that
+required purging with bell, book, and candle, for shadows were reported
+there and faint lights that shot into the air, and to this day, with the
+great immigrant station on it and crowds going and coming all the time,
+the Battery boatmen prefer not to row around it at night, for they are
+likely to see the shades of the soldier and his mistress who were drowned
+off the place one windy night, when the girl was aiding the fellow to
+escape confinement in the guard-house, to say nothing of Vanderscamp and
+his felons.
+
+
+
+
+MISS BRITTON'S POKER
+
+The maids of Staten Island wrought havoc among the royal troops who were
+quartered among them during the Revolution. Near quarantine, in an old
+house,--the Austen mansion,--a soldier of King George hanged himself
+because a Yankee maid who lived there would not have him for a husband,
+nor any gentleman whose coat was of his color; and, until ghosts went out
+of fashion, his spirit, in somewhat heavy boots, with jingling spurs,
+often disturbed the nightly quiet of the place.
+
+The conduct of a damsel in the old town of Richmond was even more stern.
+She was the granddaughter, and a pretty one, of a farmer named Britton;
+but though Britton by descent and name, she was no friend of Britons,
+albeit she might have had half the officers in the neighboring camp at
+her feet, if she had wished them there. Once, while mulling a cup of
+cider for her grandfather, she was interrupted by a self-invited
+myrmidon, who undertook, in a fashion rude and unexpected, to show the
+love in which he held her. Before he could kiss her, the girl drew the
+hot poker from the mug of drink and jabbed at the vitals of her amorous
+foe, burning a hole through his scarlet uniform and printing on his burly
+person a lasting memento of the adventure. With a howl of pain the fellow
+rushed away, and the privacy of the Britton family was never again
+invaded, at least whilst cider was being mulled.
+
+
+
+
+THE DEVIL'S STEPPING-STONES
+
+When the devil set a claim to the fair lands at the north of Long Island
+Sound, his claim was disputed by the Indians, who prepared to fight for
+their homes should he attempt to serve his writ of ejectment. Parley
+resulted in nothing, so the bad one tried force, but he was routed in
+open fight and found it desirable to get away from the scene of action as
+soon as possible. He retreated across the Sound near the head of East
+River. The tide was out, so he stepped from island to island, without
+trouble, and those reefs and islands are to this day the Devil's
+Stepping-Stones. On reaching Throgg's Neck he sat down in a despairing
+attitude and brooded on his defeat, until, roused to a frenzy at the
+thought of it, he resolved to renew the war on terms advantageous
+entirely to himself. In that day Connecticut was free from rocks, but
+Long Island was covered with them; so he gathered all he could lay his
+hands on and tossed them at the Indians that he could see across the
+Sound near Cold Spring until the supply had given out. The red men who
+last inhabited Connecticut used to show white men where the missiles
+landed and where the devil struck his heel into the ground as he sprang
+from the shore in his haste to reach Long Island. At Cold Spring other
+footprints and one of his toes are shown. Establishing himself at Coram,
+he troubled the people of the country for many years, so that between the
+devil on the west and the Montauks on the east they were plagued indeed;
+for though their guard at Watch Hill, Rhode Island, and other places
+often apprised them of the coming of the Montauks, they never knew which
+way to look for the devil.
+
+
+
+
+THE SPRINGS OF BLOOD AND WATER
+
+A great drought had fallen on Long Island, and the red men prayed for
+water. It is true that they could get it at Lake Ronkonkoma, but some of
+them were many miles from there, and, beside, they feared the spirits at
+that place: the girl who plied its waters in a phosphor-shining birch,
+seeking her recreant lover; and the powerful guardians that the Great
+Spirit had put in charge to keep the fish from being caught, for these
+fish were the souls of men, awaiting deliverance into another form. The
+people gathered about their villages in bands and besought the Great
+Spirit to give them drink. His voice was heard at last, bidding their
+chief to shoot an arrow into the air and to watch where it fell, for
+there would water gush out. The chief obeyed the deity, and as the arrow
+touched the earth a spring of sweet water spouted into the air. Running
+forward with glad cries the red men drank eagerly of the liquor, laved
+their faces in it, and were made strong again; and in memory of that
+event they called the place the Hill of God, or Manitou Hill, and Manet
+or Manetta Hill it is to this day. Hereabouts the Indians settled and
+lived in peace, thriving under the smile of their deity, making wampum
+for the inland tribes and waxing rich with gains from it. They made the
+canal from bay to sea at Canoe Place, that they might reach open water
+without dragging their boats across the sand-bars, and in other ways they
+proved themselves ingenious and strong.
+
+When the English landed on the island they saw that the Indians were not
+a people to be trifled with, and in order to properly impress them with
+their superiority, they told them that John Bull desired a treaty with
+them. The officers got them to sit in line in front of a cannon, the
+nature of which instrument was unknown to them, and during the talk the
+gun was fired, mowing down so many of the red people that the survivors
+took to flight, leaving the English masters at the north shore, for this
+heartless and needless massacre took place at Whale's Neck. So angry was
+the Great Spirit at this act of cruelty and treachery that he caused
+blood to ooze from the soil, as he had made water leap for his thirsting
+children, and never again would grass grow on the spot where the murder
+had been done.
+
+
+
+
+THE CRUMBLING SILVER
+
+There is a clay bank on Little Neck, Long Island, where metallic nodules
+are now and then exposed by rain. Rustics declare them to be silver, and
+account for their crumbling on the theory that the metal is under a
+curse. A century ago the Montauks mined it, digging over enough soil to
+unearth these pellets now and again, and exchanging them at the nearest
+settlements for tobacco and rum. The seeming abundance of these lumps of
+silver aroused the cupidity of one Gardiner, a dweller in the central
+wilderness of the island, but none of the Indians would reveal the source
+of their treasure. One day Gardiner succeeded in getting an old chief so
+tipsy that, without realizing what he was doing, he led the white man to
+the clay bed and showed him the metallic spots glittering in the sun.
+With a cry of delight Gardiner sprang forward and tore at the earth with
+his fingers, while the Indian stood by laughing at his eagerness.
+
+Presently a shade crossed the white man's face, for he thought that this
+vast treasure would have to be shared by others. It was too much to
+endure. He wanted all. He would be the richest man on earth. Stealing
+behind the Indian as he stood swaying and chuckling, he wrenched the
+hatchet from his belt and clove his skull at a blow. Then, dragging the
+body to a thicket and hiding it under stones and leaves, he hurried to
+his house for cart and pick and shovel, and returning with speed he dug
+out a half ton of the silver before sunset. The cart was loaded, and he
+set homeward, trembling with excitement and conjuring bright visions for
+his future, when a wailing sound from a thicket made him halt and turn
+pale. Noiselessly a figure glided from the bush. It was the Indian he had
+killed. The form approached the treasure, flung up its arm, uttered a few
+guttural words; then a rising wind seemed to lift it from the ground and
+it drifted toward the Sound, fading like a cloud as it receded.
+
+Full of misgiving, Gardiner drove to his home, and, by light of a
+lantern, transferred his treasure to his cellar. Was it the dulness of
+the candle that made the metal look so black? After a night of feverish
+tossing on his bed he arose and went to the cellar to gloat upon his
+wealth. The light of dawn fell on a heap of gray dust, a few brassy
+looking particles showing here and there. The curse of the ghost had been
+of power and the silver was silver no more. Mineralogists say that the
+nodules are iron pyrites. Perhaps so; but old residents know that they
+used to be silver.
+
+
+
+
+THE CORTELYOU ELOPEMENT
+
+In the Bath district of Brooklyn stands Cortelyou manor, built one
+hundred and fifty years ago, and a place of defence during the Revolution
+when the British made sallies from their camp in Flatbush and worried the
+neighborhood. It was in one of these forays on pigs and chickens that a
+gallant officer of red-coats met a pretty lass in the fields of
+Cortelyou. He stilled her alarm by aiding her to gather wild-flowers, and
+it came about that the girl often went into the fields and came back with
+prodigious bouquets of daisies. The elder Cortelyou had no inkling of
+this adventure until one of his sons saw her tryst with the red-coat at a
+distance. Be sure the whole family joined him in remonstrance. As the
+girl declared that she would not forego the meetings with her lover, the
+father swore that she should never leave his roof again, and he tried to
+be as good, or bad, as his word. The damsel took her imprisonment as any
+girl of spirit would, but was unable to effect her escape until one
+evening, as she sat at her window, watching the moon go down and paint
+the harbor with a path of light. A tap at the pane, as of a pebble thrown
+against it, roused her from her revery. It was her lover on the lawn.
+
+At her eager signal he ran forward with a light ladder, planted it
+against the window-sill, and in less than a minute the twain were running
+toward the beach; but the creak of the ladder had been heard, and
+grasping their muskets two of the men hurried out. In the track of the
+moon the pursuers descried a moving form, and, without waiting to
+challenge, they levelled the guns and fired. A woman's cry followed the
+report; then a dip of oars was heard that fast grew fainter until it
+faded from hearing. On returning to the house they found the girl's room
+empty, and next morning her slipper was brought in from the mud at the
+landing. Nobody inside of the American lines ever learned what that shot
+had done, but if it failed to take a life it robbed Cortelyou of his
+mind. He spent the rest of his days in a single room, chained to a staple
+in the floor, tramping around and around, muttering and gesturing, and
+sometimes startling the passer-by as he showed his white face and ragged
+beard at the window.
+
+
+
+
+VAN WEMPEL'S GOOSE
+
+Allow us to introduce Nicholas Van Wempel, of Flatbush: fat, phlegmatic,
+rich, and henpecked. He would like to be drunk because he is henpecked,
+but the wife holds the purse-strings and only doles out money to him when
+she wants groceries or he needs clothes. It was New Year's eve, the eve
+of 1739, when Vrouw Van Wempel gave to her lord ten English shillings and
+bade him hasten to Dr. Beck's for the fat goose that had been bespoken.
+"And mind you do not stop at the tavern," she screamed after him in her
+shrillest tone. But poor Nicholas! As he went waddling down the road,
+snapping through an ice-crust at every step, a roguish wind--or perhaps
+it was one of the bugaboos that were known to haunt the shores of
+Gravesend Bay--snatched off his hat and rolled it into the very doorway
+of the tavern that he had been warned, under terrible penalties, to
+avoid.
+
+As he bent to pick it up the door fell ajar, and a pungency of schnapps
+and tobacco went into his nostrils. His resolution, if he had one,
+vanished. He ordered one glass of schnapps; friends came in and treated
+him to another; he was bound to do as much for them; shilling by shilling
+the goose money passed into the till of the landlord. Nicholas was heard
+to make a muttered assertion that it was his own money anyhow, and that
+while he lived he would be the head of his own house; then the mutterings
+grew faint and merged into snores. When he awoke it was at the low sound
+of voices in the next room, and drowsily turning his head he saw there
+two strangers,--sailors, he thought, from their leather jackets, black
+beards, and the rings in their ears. What was that they said? Gold? On
+the marshes? At the old Flatlands tide-mill? The talkers had gone before
+his slow and foggy brain could grasp it all, but when the idea had fairly
+eaten its way into his intellect, he arose with the nearest approach to
+alacrity that he had exhibited in years, and left the place. He crunched
+back to his home, and seeing nobody astir went softly into his shed,
+where he secured a shovel and lantern, and thence continued with all
+consistent speed to the tumbledown tide-mill on the marsh,--a trying
+journey for his fat legs on a sharp night, but hope and schnapps impelled
+him.
+
+He reached the mill, and, hastening to the cellar, began to probe in the
+soft, unfrozen earth. Presently his spade struck something, and he dug
+and dug until he had uncovered the top of a canvas bag,--the sort that
+sailors call a "round stern-chest." It took all his strength to lug it
+out, and as he did so a seam burst, letting a shower of gold pieces over
+the ground. He loosed the band of his breeches, and was filling the legs
+thereof with coin, when a tread of feet sounded overhead and four men
+came down the stair. Two of them he recognized as the fellows of the
+tavern. They saw the bag, the lantern, then Nicholas. Laden though he was
+with gold until he could hardly budge, these pirates, for such they were,
+got him up-stairs, forced him to drink hot Hollands to the success of
+their flag, then shot him through the window into the creek. As he was
+about to make this unceremonious exit he clutched something to save
+himself, and it proved to be a plucked goose that the pirates had stolen
+from a neighboring farm and were going to sup on when they had scraped
+their gold together. He felt the water and mud close over him; he
+struggled desperately; he was conscious of breathing more freely and of
+staggering off at a vigorous gait; then the power of all the schnapps
+seemed to get into his head, and he remembered no more until he heard his
+wife shrilling in his ears, when he sat up and found himself in a
+snow-bank close to his house, with a featherless goose tight in his
+grasp.
+
+Vrouw Van Wempel cared less about the state of her spouse when she saw
+that he had secured the bird, and whenever he told his tale of the
+pirates she turned a deaf ear to him, for if he had found the gold why
+did he not manage to bring home a few pieces of it? He, in answer, asked
+how, as he had none of his own money, she could have come by the goose?
+He often told his tale to sympathetic ears, and would point to the old
+mill to prove that it was true.
+
+
+
+
+THE WEARY WATCHER
+
+Before the opening of the great bridge sent commerce rattling up
+Washington Street in Brooklyn that thoroughfare was a shaded and
+beautiful avenue, and among the houses that attested its respectability
+was one, between Tillary and Concord Streets, that was long declared to
+be haunted. A man and his wife dwelt there who seemed to be fondly
+attached to each other, and whose love should have been the stronger
+because of their three children none grew to years. A mutual sorrow is as
+close a tie as a common affection. One day, while on a visit to a friend,
+the wife saw her husband drive by in a carriage with a showy woman beside
+him. She went home at once, and when the supposed recreant returned she
+met him with bitter reproaches. He answered never a word, but took his
+hat and left the house, never to be seen again in the places that had
+known him.
+
+The wife watched and waited, daily looking for his return, but days
+lengthened into weeks, months, years, and still he came not. Sometimes
+she lamented that she had spoken hastily and harshly, thinking that, had
+she known all, she might have found him blameless. There was no family to
+look after, no wholesome occupation that she sought, so the days went by
+in listening and watching, until, at last, her body and mind gave way,
+and the familiar sight of her face, watching from a second floor window,
+was seen no longer. Her last day came. She had risen from her bed; life
+and mind seemed for a moment to be restored to her; and standing where
+she had stood so often, her form supported by a half-closed shutter and a
+grasp on the sash, she looked into the street once more, sighed
+hopelessly, and so died. It was her shade that long watched at the
+windows; it was her waxen face, heavy with fatigue and pain, that was
+dimly seen looking over the balusters in the evening.
+
+
+
+
+THE RIVAL FIDDLERS
+
+Before Brooklyn had spread itself beyond Greenwood Cemetery a stone could
+be seen in Martense's Lane, south of that burial-ground, that bore a hoof
+mark. A negro named Joost, in the service of the Van Der
+Something-or-others, was plodding home on Saturday night, his fiddle
+under his arm. He had been playing for a wedding in Flatbush and had been
+drinking schnapps until he saw stars on the ground and fences in the sky;
+in fact, the universe seemed so out of order that he seated himself
+rather heavily on this rock to think about it. The behavior of the stars
+in swimming and rolling struck him as especially curious, and he
+conceived the notion that they wanted to dance. Putting his fiddle to his
+chin, he began a wild jig, and though he made it up as he went along, he
+was conscious of doing finely, when the boom of a bell sent a shiver down
+his spine. It was twelve o'clock, and here he was playing a dance tune on
+Sunday. However, the sin of playing for one second on the Sabbath was as
+great as that of playing all day; so, as long as he was in for it, he
+resolved to carry the tune to the end, and he fiddled away with a
+reckless vehemence. Presently he became aware that the music was both
+wilder and sweeter than before, and that there was more of it. Not until
+then did he observe that a tall, thin stranger stood beside him; and that
+he was fiddling too,--composing a second to Joost's air, as if he could
+read his thought before he put it into execution on the strings. Joost
+paused, and the stranger did likewise.
+
+"Where de debble did you come frum?" asked the first. The other smiled.
+
+"And how did you come to know dat music?" Joost pursued.
+
+"Oh, I've known that tune for years," was the reply. "It's called 'The
+Devil's joy at Sabbath Breaking.'"
+
+"You're a liar!" cried the negro. The stranger bowed and burst into a
+roar of laughter. "A liar!" repeated Joost,--"for I made up dat music dis
+very minute."
+
+"Yet you notice that I could follow when you played."
+
+"Humph! Yes, you can follow."
+
+"And I can lead, too. Do you know the tune 'Go to the Devil and Shake
+Yourself?'"
+
+"Yes; but I play second to nobody."
+
+"Very well, I'll beat you at any air you try."
+
+"Done!" said Joost. And then began a contest that lasted until daybreak.
+The stranger was an expert, but Joost seemed to be inspired, and just as
+the sun appeared he sounded, in broad and solemn harmonies, the hymn of
+Von Catts:
+
+"Now behold, at dawn of day, Pious Dutchmen sing and pray."
+
+At that the stranger exclaimed, "Well, that beats the devil!" and
+striking his foot angrily on the rock, disappeared in a flash of fire
+like a burst bomb. Joost was hurled twenty feet by the explosion, and lay
+on the ground insensible until a herdsman found him some hours later. As
+he suffered no harm from the contest and became a better fiddler than
+ever, it is supposed that the recording angel did not inscribe his feat
+of Sabbath breaking against him in large letters. There were a few who
+doubted his story, but they had nothing more to say when he showed them
+the hoof-mark on the rock. Moreover, there are fewer fiddlers among the
+negroes than there used to be, because they say that the violin is the
+devil's instrument.
+
+
+
+
+WYANDANK
+
+From Brooklyn Heights, or Ihpetonga, "highplace of trees," where the
+Canarsie Indians made wampum or sewant, and where they contemplated the
+Great Spirit in the setting of the sun across the meeting waters, to
+Montauk Point, Long Island has been swept by the wars of red men, and
+many are the tokens of their occupancy. A number of their graves were to
+be seen until within fifty years, as clearly marked as when the warriors
+were laid there in the hope of resurrection among the happy hunting
+grounds that lay to the west and south. The casting of stones on the
+death-spots or graves of some revered or beloved Indians was long
+continued, and was undoubtedly for the purpose of raising monuments to
+them, though at Monument Mountain, Massachusetts, Sacrifice Rock, between
+Plymouth and Sandwich, Massachusetts, and some other places the cairns
+merely mark a trail. Even the temporary resting-place of Sachem
+Poggatacut, near Sag Harbor, was kept clear of weeds and leaves by
+Indians who passed it in the two centuries that lapsed between the death
+of the chief and the laying of the road across it in 1846. This spot is
+not far from Whooping Boy's Hollow, so named because of a boy who was
+killed by Indians, and because the rubbing of two trees there in a storm
+gave forth a noise like crying. An older legend has it that this noise is
+the angry voice of the magician who tried to slay Wyandank, the
+"Washington of the Montauks," who is buried on the east end of the
+island. Often he led his men into battle, sounding the warwhoop, copied
+from the scream of the eagle, so loudly that those who heard it said that
+the Montauks were crying for prey.
+
+It was while killing an eagle on Block Island, that he might use the
+plumes for his hair, that this chief disclosed himself to the hostiles
+and brought on a fight in which every participant except himself was
+slain. He was secretly followed back to Long Island by a magician who had
+hopes of enlisting the evil ones of that region against him,--the giants
+that left their tracks in "Blood-stone Rock" and "Printed Rock," near
+Napeague, and such renegades as he who, having betrayed his people, was
+swallowed by the earth, his last agony being marked by a stamp of the
+foot that left its print on a slab near the Indian burial-ground at
+Kongonok. Failing in these alliances the wizard hid among the hollows of
+the moors, and there worked spells of such malice that the chief's hand
+lost steadiness in the hunt and his voice was seldom heard in council.
+When the haunt of this evil one was made known, a number of young men
+undertook to trap him. They went to the hills by night, and moved
+stealthily through the shrubbery until they were almost upon him; but his
+familiars had warned him of their approach, though they had wakened him
+only to betray him for a cloud swept in from the sea, fell about the
+wretch, burst into flame, and rolled back toward the ocean, bearing him
+in the centre of its burning folds. Because of the cry he uttered the
+place long bore the name of Whooping Hollow, and it used to be said that
+the magician visited the scene of his ill-doing every winter, when his
+shrieks could be heard ringing over the hills.
+
+
+
+
+MARK OF THE SPIRIT HAND
+
+Andover, New Jersey, was quaint and quiet in the days before the
+Revolution--it is not a roaring metropolis, even yet--and as it offered
+few social advantages there was more gathering in taprooms and more
+drinking of flip than there should have been. Among those who were not
+averse to a cheering cup were three boon companions, Bailey, Hill, and
+Evans, farmers of the neighborhood. They loved the tavern better than the
+church, and in truth the church folk did not love them well, for they
+were suspected of entertaining heresies of the most forbidden character.
+It was while they were discussing matters of belief over their glasses
+that one of them proposed, in a spirit of bravado, that whichever of the
+trio might be first to die should come back from the grave and reveal
+himself to the others--if he could--thus settling the question as to
+whether there was a future.
+
+Not long after this agreement--for consent was unanimous--Hill departed
+this life. His friends lamented his absence, especially at the tavern,
+but they anticipated no attempt on his part to express the distinguished
+consideration that he had felt for his old chums. Some weeks passed, yet
+there was no sign, and the two survivors of the party, as they jogged
+homeward to the house where both lived, had begun to think and speak less
+frequently of the absent one. But one night the household was alarmed by
+a terrible cry. Bailey got a light and hurried to the bedside of his
+friend, whom he found deathly white and holding his chest as if in pain.
+"He has been here!" gasped Evans. "He stood here just now."
+
+"Who?" asked Bailey, a creep passing down his spine.
+
+"Hill! He stood there, where you are now, and touched me with a hand that
+was so cold--cold--" and Evans shivered violently. On turning back the
+collar of his shirt the impression of a hand appeared on the flesh near
+the shoulder: a hand in white, with one finger missing. Hill had lost a
+finger. There was less of taverns after that night, for Evans carried the
+token of that ghostly visit on his person until he, too, had gone to
+solve the great secret.
+
+
+
+
+THE FIRST LIBERAL CHURCH
+
+In 1770 the brig Hand-in-Hand went ashore at Good Luck, New Jersey. Among
+the passengers on board the vessel, that it would perhaps be wrong to
+call ill fated, was John Murray, founder of Universalism in America. He
+had left England in despair, for his wife and children were dead, and so
+broken was he in his power of thought and purpose that he felt as if he
+should never preach again.
+
+In fact, his rescue from the wreck was passive, on his part, and he
+suffered himself to be carried ashore, recking little whether he reached
+it or no. After he had been for half an hour or so on the soil of the new
+country, to which he had made his entrance in so unexpected a manner, he
+began to feel hungry, and set off afoot along the desolate beach. He came
+to a cabin where an old man stood in a doorway with a basket of fish
+beside him. "Will you sell me a fish?" asked Murray.
+
+"No. The fish is all yours. I expected you."
+
+"You do not know me."
+
+"You are the man who is to tell us of God."
+
+"I will never preach of Him again."
+
+"I built that log church yonder. Don't say that you will not preach in
+it. Whenever a clergyman, Presbyterian, Methody, or Baptist, came here, I
+asked him to preach in my kitchen. I tried to get him to stay; but no--he
+always had work elsewhere. Last night I saw the brig driven on the bar,
+and a voice said to me, 'In that ship is the man who will teach of God.
+Not the old God of terrors, but one of love and mercy. He has come
+through great sorrow to do this work.' I have made ready for you. Do not
+go away."
+
+The minister felt a strange lifting in his heart. He fell on his knees
+before the little house and offered up a prayer. Long he staid in that
+place, preaching gentle doctrines and ministering to the men and women of
+that lonely village, and when the fisherman apostle, Thomas Potter, died
+he left the church to Murray, who, in turn, bequeathed it, "free, for the
+use of all Christian people."
+
+
+
+
+
+End of the Project Gutenberg EBook of The Isle of Manhattoes and Nearby
+by Charles M. Skinner
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE ISLE OF MANHATTOES AND NEARBY ***
+
+***** This file should be named 6607.txt or 6607.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/6/6/0/6607/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/6607.zip b/6607.zip
new file mode 100644
index 0000000..a022d22
--- /dev/null
+++ b/6607.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..897e061
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #6607 (https://www.gutenberg.org/ebooks/6607)
diff --git a/old/cs02w10.txt b/old/cs02w10.txt
new file mode 100644
index 0000000..36de726
--- /dev/null
+++ b/old/cs02w10.txt
@@ -0,0 +1,1216 @@
+The Project Gutenberg EBook Myths And Legends Of Our Own Land, v2
+#2 in our series by Charles M. Skinner
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**EBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These EBooks Were Prepared By Thousands of Volunteers*****
+
+
+Title: Myths And Legends Of Our Own Land (The Isle of Manhattoes and Nearby)
+
+Author: Charles M. Skinner
+
+Release Date: October, 2004 [EBook #6607]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on December 31, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+
+
+
+
+*** START OF THE PROJECT GUTENBERG EBOOK MYTHS-LEGENDS, BY SKINNER, V2 ***
+
+
+
+This eBook was produced by David Widger <widger@cecomet.net>
+
+
+
+
+
+ MYTHS AND LEGENDS
+ OF
+ OUR OWN LAND
+
+ By
+ Charles M. Skinner
+
+ Vol. 2.
+
+
+ THE ISLE OF MANHATTOES AND NEARBY
+
+
+
+
+CONTENTS:
+
+Dolph Heyliger
+The Knell at the Wedding
+Roistering Dirck Van Dara
+The Party from Gibbet Island
+Miss Britton's Poker
+The Devil's Stepping-Stones
+The Springs of Blood and Water
+The Crumbling Silver
+The Cortelyou Elopement
+Van Wempel's Goose
+The Weary Watcher
+The Rival Fiddlers
+Wyandank
+Mark of the Spirit Hand
+The First Liberal Church
+
+
+
+
+ THE ISLE OF MANHATTOES AND NEARBY
+
+ DOLPH HEYLIGER
+
+New York was New Amsterdam when Dolph Heyliger got himself born there,
+--a graceless scamp, though a brave, good-natured one, and being left
+penniless on his father's death he was fain to take service with a
+doctor, while his mother kept a shop. This doctor had bought a farm on
+the island of Manhattoes--away out of town, where Twenty-third Street
+now runs, most likely--and, because of rumors that its tenants had
+noised about it, he seemed likely to enjoy the responsibilities of
+landholding and none of its profits. It suited Dolph's adventurous
+disposition that he should be deputed to investigate the reason for
+these rumors, and for three nights he kept his abode in the desolate old
+manor, emerging after daybreak in a lax and pallid condition, but
+keeping his own counsel, to the aggravation of the populace, whose ears
+were burning for his news.
+
+Not until long after did he tell of the solemn tread that woke him in
+the small hours, of his door softly opening, though he had bolted and
+locked it, of a portly Fleming, with curly gray hair, reservoir boots,
+slouched hat, trunk and doublet, who entered and sat in the arm-chair,
+watching him until the cock crew. Nor did he tell how on the third
+night he summoned courage, hugging a Bible and a catechism to his breast
+for confidence, to ask the meaning of the visit, and how the Fleming
+arose, and drawing Dolph after him with his eyes, led him downstairs,
+went through the front door without unbolting it, leaving that task for
+the trembling yet eager youth, and how, after he had proceeded to a
+disused well at the bottom of the garden, he vanished from sight.
+
+Dolph brooded long upon these things and dreamed of them in bed. He
+alleged that it was in obedience to his dreams that he boarded a
+schooner bound up the Hudson, without the formality of adieu to his
+employer, and after being spilled ashore in a gale at the foot of Storm
+King, he fell into the company of Anthony Vander Hevden, a famous
+landholder and hunter, who achieved a fancy for Dolph as a lad who could
+shoot, fish, row, and swim, and took him home with him to Albany. The
+Heer had commodious quarters, good liquor, and a pretty daughter, and
+Dolph felt himself in paradise until led to the room he was to occupy,
+for one of the first things that he set eyes on in that apartment was a
+portrait of the very person who had kept him awake for the worse part of
+three nights at the bowerie in Manhattoes. He demanded to know whose
+picture it was, and learned that it was that of Killian Vander Spiegel,
+burgomaster and curmudgeon, who buried his money when the English seized
+New Amsterdam and fretted himself to death lest it should be discovered.
+He remembered that his mother had spoken of this Spiegel and that her
+father was the miser's rightful heir, and it now appeared that he was
+one of Heyden's forbears too. In his dream that night the Fleming
+stepped out of the portrait, led him, as he had done before, to the
+well, where he smiled and vanished. Dolph reflected, next morning, that
+these things had been ordered to bring together the two branches of the
+family and disclose the whereabouts of the treasure that it should
+inherit. So full was he of this idea that he went back to New Amsterdam
+by the first schooner, to the surprise of the Heer and the regret of his
+daughter.
+
+After the truant had been received with execrations by the doctor and
+with delight by his mother, who believed that spooks had run off with
+him, and with astonishment, as a hero of romance, by the public, he made
+for the haunted premises at the first opportunity and began to angle at
+the disused well. Presently he found his hook entangled in something at
+the bottom, and on lifting slowly he discovered that he had secured a
+fine silver porringer, with lid held down by twisted wire. It was the
+work of a moment to wrench off the lid, when he found the vessel to be
+filled with golden pieces. His fishing that day was attended with such
+luck as never fell to an angler before, for there were other pieces of
+plate down there, all engraved with the Spiegel arms and all containing
+treasure.
+
+By encouraging the most dreadful stories about the spot, in order to
+keep the people wide away from it, he accomplished the removal of his
+prizes bit by bit from their place of concealment to his home. His
+unaccounted absence in Albany and his dealings with the dead had
+prepared his neighbors for any change in himself or his condition, and
+now that he always had a bottle of schnapps for the men and a pot of tea
+for the women, and was good to his mother, they said that they had
+always known that when he changed it would be for the better,--at which
+his old detractors lifted their eyebrows significantly--and when asked
+to dinner by him they always accepted.
+
+Moreover, they made merry when the day came round for his wedding with
+the little maid of Albany. They likewise elected him a member of the
+corporation, to which he bequeathed some of the Spiegel plate and often
+helped the other city fathers to empty the big punch-bowl. Indeed, it
+was at one of these corporation feasts that he died of apoplexy. He was
+buried with honors in the yard of the Dutch church in Garden Street.
+
+
+
+
+ THE KNELL AT THE WEDDING
+
+A young New Yorker had laid such siege to the heart of a certain belle--
+this was back in the Knickerbocker days when people married for love--
+that everybody said the banns were as good as published; but everybody
+did not know, for one fine morning my lady went to church with another
+gentleman--not her father, though old enough to be--and when the two
+came out they were man and wife. The elderly man was rich. After the
+first paroxysm of rage and disappointment had passed, the lover withdrew
+from the world and devoted himself to study; nor when he learned that
+she had become a widow, with comfortable belongings derived from the
+estate of the late lamented, did he renew acquaintance with her, and
+he smiled bitterly when he heard of her second marriage to a young
+adventurer who led her a wretched life, but atoned for his sins, in a
+measure, by dying soon enough afterward to leave a part of her fortune
+unspent.
+
+In the lapse of time the doubly widowed returned to New York, where
+she met again the lover of her youth. Mr. Ellenwood had acquired the
+reserve of a scholar, and had often puzzled his friends with his
+eccentricities; but after a few meetings with the object of his young
+affection he came out of his glooms, and with respectful formality laid
+again at her feet the heart she had trampled on forty years before.
+Though both of them were well on in life, the news of their engagement
+made little of a sensation. The widow was still fair; the wooer was
+quiet, refined, and courtly, and the union of their fortunes would
+assure a competence for the years that might be left to them. The
+church of St. Paul, on Broadway, was appointed for the wedding, and it
+was a whim of the groom that his bride should meet him there. At the
+appointed hour a company of the curious had assembled in the edifice;
+a rattle of wheels was heard, and a bevy of bridesmaids and friends in
+hoop, patch, velvet, silk, powder, swords, and buckles walked down the
+aisle; but just as the bride had come within the door, out of the
+sunlight that streamed so brilliantly on the mounded turf and tombstones
+in the churchyard, the bell in the steeple gave a single boom.
+
+The bride walked to the altar, and as she took her place before it
+another clang resounded from the belfry. The bridegroom was not there.
+Again and again the brazen throat and iron tongue sent out a doleful
+knell, and faces grew pale and anxious, for the meaning of it could not
+be guessed. With eyes fixed on the marble tomb of her first husband,
+the woman tremblingly awaited the solution of the mystery, until the
+door was darkened by something that made her catch her breath--
+a funeral. The organ began a solemn dirge as a black-cloaked cortege
+came through the aisle, and it was with amazement that the bride
+discovered it to be formed of her oldest friends,--bent, withered;
+paired, man and woman, as in mockery--while behind, with white face,
+gleaming eyes, disordered hair, and halting step, came the bridegroom,
+in his shroud.
+
+"Come," he said,--let us be married. The coffins are ready. Then, home
+to the tomb."
+
+"Cruel!" murmured the woman.
+
+"Now, Heaven judge which of us has been cruel. Forty years ago you took
+away my faith, destroyed my hopes, and gave to others your youth and
+beauty. Our lives have nearly run their course, so I am come to wed you
+as with funeral rites." Then, in a softer manner, he took her hand, and
+said, "All is forgiven. If we cannot live together we will at least be
+wedded in death. Time is almost at its end. We will marry for
+eternity. Come." And tenderly embracing her, he led her forward. Hard
+as was the ordeal, confusing, frightening, humiliating, the bride came
+through it a better woman.
+
+"It is true," she said, "I have been vain and worldly, but now, in my
+age, the truest love I ever knew has come back to me. It is a holy
+love. I will cherish it forever." Their eyes met, and they saw each
+other through tears. Solemnly the clergyman read the marriage service,
+and when it was concluded the low threnody that had come from the organ
+in key with the measured clang of the bell, merged into a nobler motive,
+until at last the funeral measures were lost in a burst of exultant
+harmony. Sobs of pent feeling and sighs of relief were heard as the
+bridal party moved away, and when the newmade wife and husband reached
+the portal the bell was silent and the sun was shining.
+
+
+
+
+ ROISTERING DIRCK VAN DARA
+
+In the days when most of New York stood below Grand Street, a roistering
+fellow used to make the rounds of the taverns nightly, accompanied by a
+friend named Rooney. This brave drinker was Dirck Van Dara, one of the
+last of those swag-bellied topers that made merry with such solemnity
+before the English seized their unoffending town. It chanced that Dirck
+and his chum were out later than usual one night, and by eleven o'clock,
+when all good people were abed, a drizzle set in that drove the watch to
+sleep in doorways and left Broadway tenantless. As the two choice
+spirits reeled out of a hostelry near Wall Street and saw the lights go
+out in the tap-room windows they started up town to their homes in
+Leonard Street, but hardly had they come abreast of old St. Paul's when
+a strange thing stayed them: crying was heard in the churchyard and a
+phosphorescent light shone among the tombs. Rooney was sober in a
+moment, but not so Dirck Van Dara, who shouted, "Here is sport, friend
+Rooney. Let's climb the wall. If the dead are for a dance, we will
+take partners and show them how pigeons' wings are cut nowadays."
+
+"No," exclaimed the other; "those must perish who go among the dead
+when they come out of their graves. I've heard that if you get into
+their clutches, you must stay in purgatory for a hundred years, and no
+priest can pray you out."
+
+"Bah! old wives' tales! Come on!" And pulling his friend with him,
+they were over the fence. "Hello! what have we here?" As he spoke a
+haggard thing arose from behind a tombstone, a witchlike creature, with
+rags falling about her wasted form and hair that almost hid her face.
+The twain were set a-sneezing by the fumes of sulphur, and Rooney swore
+afterwards that there were little things at the end of the yard with
+grinning faces and lights on the ends of their tails. Old Hollands are
+heady. Dirck began to chaff the beldam on her dilapidation, but she
+stopped his talk by dipping something from a caldron behind her and
+flinging it over both of her visitors. Whatever it was, it burned
+outrageously, and with a yell of pain they leaped the wall more briskly
+than they had jumped it the other way, and were soon in full flight.
+They had not gone far when the clock struck twelve.
+
+"Arrah! there's a crowd of them coming after," panted Rooney. "Ave
+Mary! I've heard that if you die with witch broth being thrown over
+you, you're done for in the next world, as well as this. Let us get to
+Father Donagan's. Wow!"
+
+As he made this exclamation the fugitives found their way opposed by a
+woman, who looked at them with immodest eyes and said, "Dirck Van Dara,
+your sire, in wig and bob, turned us Cyprians out of New York, after
+ducking us in the Collect. But we forgive him, and to prove it we ask
+you to our festival."
+
+At the stroke of midnight the street before the church had swarmed with
+a motley throng, that now came onward, waving torches that sparkled like
+stars. They formed a ring about Dirck and began to dance, and he,
+nothing loth, seized the nymph who had addressed him and joined in the
+revel. Not a soul was out or awake except themselves, and no words were
+said as the dance went wilder to strains of weird and unseen
+instruments. Now and then one would apply a torch to the person of
+Dirck, meanly assailing him in the rear, and the smart of the burn made
+him feet it the livelier. At last they turned toward the Battery as by
+common consent, and went careering along the street in frolic fashion.
+Rooney, whose senses had thus far been pent in a stupor, fled with a
+yell of terror, and as he looked back he saw the unholy troop
+disappearing in the mist like a moving galaxy. Never from that night
+was Dirck Van Data seen or heard of more, and the publicans felt that
+they had less reason for living.
+
+
+
+
+ THE PARTY FROM GIBBET ISLAND
+
+Ellis Island, in New York harbor, once bore the name of Gibbet Island,
+because pirates and mutineers were hanged there in chains. During the
+times when it was devoted to this fell purpose there stood in Communipaw
+the Wild Goose tavern, where Dutch burghers resorted, to smoke, drink
+Hollands, and grow fat, wise, and sleepy in each others' compaay. The
+plague of this inn was Yan Yost Vanderscamp, a nephew of the landlord,
+who frequently alarmed the patrons of the house by putting powder into
+their pipes and attaching briers beneath their horses' tails, and who
+naturally turned pirate when he became older, taking with him to sea his
+boon companion, an ill-disposed, ill-favored blackamoor named Pluto, who
+had been employed about the tavern. When the landlord died, Vanderscamp
+possessed himself of this property, fitted it up with plunder, and at
+intervals he had his gang ashore,--such a crew of singing, swearing,
+drinking, gaming devils as Communipaw had never seen the like of; yet
+the residents could not summon activity enough to stop the goings-on
+that made the Wild Goose a disgrace to their village. The British
+authorities, however, caught three of the swashbucklers and strung them
+up on Gibbet Island, and things that went on badly in Communipaw after
+that went on with quiet and secrecy.
+
+The pirate and his henchmen were returning to the tavern one night,
+after a visit to a rakish-looking vessel in the offing, when a squall
+broke in such force as to give their skiff a leeway to the place of
+executions. As they rounded that lonely reef a creaking noise overhead
+caused Vanderscamp to look up, and he could not repress a shudder as he
+saw the bodies of his three messmates, their rags fluttering and their
+chains grinding in the wind.
+
+"Don't you want to see your friends?" sneered Pluto. "You, who are
+never afraid of living men, what do you fear from the dead?"
+
+"Nothing," answered the pirate. Then, lugging forth his bottle, he took
+a long pull at it, and holding it toward the dead felons, he shouted,
+"Here's fair weather to you, my lads in the wind, and if you should be
+walking the rounds to-night, come in to supper."
+
+A clatter of bones and a creak of chains sounded like a laugh. It was
+midnight when the boat pulled in at Communipaw, and as the storm
+continued Vanderscamp, drenched to the skin, made quick time to the Wild
+Goose. As he entered, a sound of revelry overhead smote his ear, and,
+being no less astonished than in need of cordials, he hastened up-stairs
+and flung open the door. A table stood there, furnished with jugs and
+pipes and cans, and by light of candles that burned as blue as brimstone
+could be seen the three gallows-birds from Gibbet Island, with halters
+on their necks, clinking their tankards together and trolling forth a
+drinking-song.
+
+Starting back with affright as the corpses hailed him with lifted arms
+and turned their fishy eyes on him, Vanderscamp slipped at the door and
+fell headlong to the bottom of the stairs. Next morning he was found
+there by the neighbors, dead to a certainty, and was put away in the
+Dutch churchyard at Bergen on the Sunday following. As the house was
+rifled and deserted by its occupants, it was hinted that the negro had
+betrayed his master to his fellow-buccaneers, and that he, Pluto, was no
+other than the devil in disguise. But he was not, for his skiff was
+seen floating bottom up in the bay soon after, and his drowned body
+lodged among the rocks at the foot of the pirates' gallows.
+
+For a long time afterwards the island was regarded as a place that
+required purging with bell, book, and candle, for shadows were reported
+there and faint lights that shot into the air, and to this day, with the
+great immigrant station on it and crowds going and coming all the time,
+the Battery boatmen prefer not to row around it at night, for they are
+likely to see the shades of the soldier and his mistress who were
+drowned off the place one windy night, when the girl was aiding the
+fellow to escape confinement in the guard-house, to say nothing of
+Vanderscamp and his felons.
+
+
+
+
+ MISS BRITTON'S POKER
+
+The maids of Staten Island wrought havoc among the royal troops who were
+quartered among them during the Revolution. Near quarantine, in an old
+house,--the Austen mansion,--a soldier of King George hanged himself
+because a Yankee maid who lived there would not have him for a husband,
+nor any gentleman whose coat was of his color; and, until ghosts went
+out of fashion, his spirit, in somewhat heavy boots, with jingling
+spurs, often disturbed the nightly quiet of the place.
+
+The conduct of a damsel in the old town of Richmond was even more stern.
+She was the granddaughter, and a pretty one, of a farmer named Britton;
+but though Britton by descent and name, she was no friend of Britons,
+albeit she might have had half the officers in the neighboring camp at
+her feet, if she had wished them there. Once, while mulling a cup of
+cider for her grandfather, she was interrupted by a self-invited
+myrmidon, who undertook, in a fashion rude and unexpected, to show the
+love in which he held her. Before he could kiss her, the girl drew the
+hot poker from the mug of drink and jabbed at the vitals of her amorous
+foe, burning a hole through his scarlet uniform and printing on his
+burly person a lasting memento of the adventure. With a howl of pain
+the fellow rushed away, and the privacy of the Britton family was never
+again invaded, at least whilst cider was being mulled.
+
+
+
+
+ THE DEVIL'S STEPPING-STONES
+
+When the devil set a claim to the fair lands at the north of Long Island
+Sound, his claim was disputed by the Indians, who prepared to fight for
+their homes should he attempt to serve his writ of ejectment. Parley
+resulted in nothing, so the bad one tried force, but he was routed in
+open fight and found it desirable to get away from the scene of action
+as soon as possible. He retreated across the Sound near the head of
+East River. The tide was out, so he stepped from island to island,
+without trouble, and those reefs and islands are to this day the Devil's
+Stepping-Stones. On reaching Throgg's Neck he sat down in a despairing
+attitude and brooded on his defeat, until, roused to a frenzy at the
+thought of it, he resolved to renew the war on terms advantageous
+entirely to himself. In that day Connecticut was free from rocks, but
+Long Island was covered with them; so he gathered all he could lay his
+hands on and tossed them at the Indians that he could see across the
+Sound near Cold Spring until the supply had given out. The red men who
+last inhabited Connecticut used to show white men where the missiles
+landed and where the devil struck his heel into the ground as he sprang
+from the shore in his haste to reach Long Island. At Cold Spring other
+footprints and one of his toes are shown. Establishing himself at
+Coram, he troubled the people of the country for many years, so that
+between the devil on the west and the Montauks on the east they were
+plagued indeed; for though their guard at Watch Hill, Rhode Island, and
+other places often apprised them of the coming of the Montauks, they
+never knew which way to look for the devil.
+
+
+
+
+ THE SPRINGS OF BLOOD AND WATER
+
+A great drought had fallen on Long Island, and the red men prayed for
+water. It is true that they could get it at Lake Ronkonkoma, but some
+of them were many miles from there, and, beside, they feared the spirits
+at that place: the girl who plied its waters in a phosphor-shining
+birch, seeking her recreant lover; and the powerful guardians that the
+Great Spirit had put in charge to keep the fish from being caught, for
+these fish were the souls of men, awaiting deliverance into another
+form. The people gathered about their villages in bands and besought
+the Great Spirit to give them drink. His voice was heard at last,
+bidding their chief to shoot an arrow into the air and to watch where it
+fell, for there would water gush out. The chief obeyed the deity, and
+as the arrow touched the earth a spring of sweet water spouted into the
+air. Running forward with glad cries the red men drank eagerly of the
+liquor, laved their faces in it, and were made strong again; and in
+memory of that event they called the place the Hill of God, or Manitou
+Hill, and Manet or Manetta Hill it is to this day. Hereabouts the
+Indians settled and lived in peace, thriving under the smile of their
+deity, making wampum for the inland tribes and waxing rich with gains
+from it. They made the canal from bay to sea at Canoe Place, that they
+might reach open water without dragging their boats across the sand-
+bars, and in other ways they proved themselves ingenious and strong.
+
+When the English landed on the island they saw that the Indians were not
+a people to be trifled with, and in order to properly impress them with
+their superiority, they told them that John Bull desired a treaty with
+them. The officers got them to sit in line in front of a cannon, the
+nature of which instrument was unknown to them, and during the talk the
+gun was fired, mowing down so many of the red people that the survivors
+took to flight, leaving the English masters at the north shore, for this
+heartless and needless massacre took place at Whale's Neck. So angry
+was the Great Spirit at this act of cruelty and treachery that he caused
+blood to ooze from the soil, as he had made water leap for his thirsting
+children, and never again would grass grow on the spot where the murder
+had been done.
+
+
+
+
+ THE CRUMBLING SILVER
+
+There is a clay bank on Little Neck, Long Island, where metallic nodules
+are now and then exposed by rain. Rustics declare them to be silver,
+and account for their crumbling on the theory that the metal is under a
+curse. A century ago the Montauks mined it, digging over enough soil to
+unearth these pellets now and again, and exchanging them at the nearest
+settlements for tobacco and rum. The seeming abundance of these lumps
+of silver aroused the cupidity of one Gardiner, a dweller in the central
+wilderness of the island, but none of the Indians would reveal the
+source of their treasure. One day Gardiner succeeded in getting an old
+chief so tipsy that, without realizing what he was doing, he led the
+white man to the clay bed and showed him the metallic spots glittering
+in the sun. With a cry of delight Gardiner sprang forward and tore at
+the earth with his fingers, while the Indian stood by laughing at his
+eagerness.
+
+Presently a shade crosssed the white man's face, for he thought that
+this vast treasure would have to be shared by others. It was too much
+to endure. He wanted all. He would be the richest man on earth.
+Stealing behind the Indian as he stood swaying and chuckling, he
+wrenched the hatchet from his belt and clove his skull at a blow. Then,
+dragging the body to a thicket and hiding it under stones and leaves, he
+hurried to his house for cart and pick and shovel, and returning with
+speed he dug out a half ton of the silver before sunset. The cart was
+loaded, and he set homeward, trembling with excitement and conjuring
+bright visions for his future, when a wailing sound from a thicket made
+him halt and turn pale. Noiselessly a figure glided from the bush. It
+was the Indian he had killed. The form approached the treasure, flung
+up its arm, uttered a few guttural words; then a rising wind seemed to
+lift it from the ground and it drifted toward the Sound, fading like a
+cloud as it receded.
+
+Full of misgiving, Gardiner drove to his home, and, by light of a
+lantern, transferred his treasure to his cellar. Was it the dulness of
+the candle that made the metal look so black? After a night of feverish
+tossing on his bed he arose and went to the cellar to gloat upon his
+wealth. The light of dawn fell on a heap of gray dust, a few brassy
+looking particles showing here and there. The curse of the ghost had
+been of power and the silver was silver no more. Mineralogists say that
+the nodules are iron pyrites. Perhaps so; but old residents know that
+they used to be silver.
+
+
+
+
+ THE CORTELYOU ELOPEMENT
+
+In the Bath district of Brooklyn stands Cortelyou manor, built one
+hundred and fifty years ago, and a place of defence during the
+Revolution when the British made sallies from their camp in Flatbush
+and worried the neighborhood. It was in one of these forays on pigs and
+chickens that a gallant officer of red-coats met a pretty lass in the
+fields of Cortelyou. He stilled her alarm by aiding her to gather wild-
+flowers, and it came about that the girl often went into the fields and
+came back with prodigious bouquets of daisies. The elder Cortelyou had
+no inkling of this adventure until one of his sons saw her tryst with
+the red-coat at a distance. Be sure the whole family joined him in
+remonstrance. As the girl declared that she would not forego the
+meetings with her lover, the father swore that she should never leave
+his roof again, and he tried to be as good, or bad, as his word. The
+damsel took her imprisonment as any girl of spirit would, but was unable
+to effect her escape until one evening, as she sat at her window,
+watching the moon go down and paint the harbor with a path of light.
+A tap at the pane, as of a pebble thrown against it, roused her from
+her revery. It was her lover on the lawn.
+
+At her eager signal he ran forward with a light ladder, planted it
+against the window-sill, and in less than a minute the twain were
+running toward the beach; but the creak of the ladder had been heard,
+and grasping their muskets two of the men hurried out. In the track of
+the moon the pursuers descried a moving form, and, without waiting to
+challenge, they levelled the guns and fired. A woman's cry followed the
+report; then a dip of oars was heard that fast grew fainter until it
+faded from hearing. On returning to the house they found the girl's
+room empty, and next morning her slipper was brought in from the mud at
+the landing. Nobody inside of the American lines ever learned what that
+shot had done, but if it failed to take a life it robbed Cortelyou of
+his mind. He spent the rest of his days in a single room, chained to a
+staple in the floor, tramping around and around, muttering and
+gesturing, and sometimes startling the passer-by as he showed his white
+face and ragged beard at the window.
+
+
+
+
+ VAN WEMPEL'S GOOSE
+
+Allow us to introduce Nicholas Van Wempel, of Flatbush: fat, phlegmatic,
+rich, and henpecked. He would like to be drunk because he is henpecked,
+but the wife holds the purse-strings and only doles out money to him
+when she wants groceries or he needs clothes. It was New Year's eve,
+the eve of 1739, when Vrouw Van Wempel gave to her lord ten English
+shillings and bade him hasten to Dr. Beck's for the fat goose that had
+been bespoken. "And mind you do not stop at the tavern," she screamed
+after him in her shrillest tone. But poor Nicholas! As he went
+waddling down the road, snapping through an ice-crust at every step, a
+roguish wind--or perhaps it was one of the bugaboos that were known to
+haunt the shores of Gravesend Bay--snatched off his hat and rolled it
+into the very doorway of the tavern that he had been warned, under
+terrible penalties, to avoid.
+
+As he bent to pick it up the door fell ajar, and a pungency of schnapps
+and tobacco went into his nostrils. His resolution, if he had one,
+vanished. He ordered one glass of schnapps; friends came in and treated
+him to another; he was bound to do as much for them; shilling by
+shilling the goose money passed into the till of the landlord. Nicholas
+was heard to make a muttered assertion that it was his own money anyhow,
+and that while he lived he would be the head of his own house; then the
+mutterings grew faint and merged into snores. When he awoke it was at
+the low sound of voices in the next room, and drowsily turning his head
+he saw there two strangers,--sailors, he thought, from their leather
+jackets, black beards, and the rings in their ears. What was that they
+said? Gold? On the marshes? At the old Flatlands tide-mill? The
+talkers had gone before his slow and foggy brain could grasp it all, but
+when the idea had fairly eaten its way into his intellect, he arose with
+the nearest approach to alacrity that he had exhibited in years, and
+left the place. He crunched back to his home, and seeing nobody astir
+went softly into his shed, where he secured a shovel and lantern, and
+thence continued with all consistent speed to the tumbledown tide-mill
+on the marsh,--a trying journey for his fat legs on a sharp night, but
+hope and schnapps impelled him.
+
+He reached the mill, and, hastening to the cellar, began to probe in the
+soft, unfrozen earth. Presently his spade struck something, and he dug
+and dug until he had uncovered the top of a canvas bag,--the sort that
+sailors call a "round stern-chest." It took all his strength to lug it
+out, and as he did so a seam burst, letting a shower of gold pieces over
+the ground. He loosed the band of his breeches, and was filling the
+legs thereof with coin, when a tread of feet sounded overhead and four
+men came down the stair. Two of them he recognized as the fellows of
+the tavern. They saw the bag, the lantern, then Nicholas. Laden though
+he was with gold until he could hardly budge, these pirates, for such
+they were, got him up-stairs, forced him to drink hot Hollands to the
+success of their flag, then shot him through the window into the creek.
+As he was about to make this unceremonious exit he clutched something to
+save himself, and it proved to be a plucked goose that the pirates had
+stolen from a neighboring farm and were going to sup on when they had
+scraped their gold together. He felt the water and mud close over him;
+he struggled desperately; he was conscious of breathing more freely and
+of staggering off at a vigorous gait; then the power of all the schnapps
+seemed to get into his head, and he remembered no more until he heard
+his wife shrilling in his ears, when he sat up and found himself in a
+snow-bank close to his house, with a featherless goose tight in his
+grasp.
+
+Vrouw Van Wempel cared less about the state of her spouse when she saw
+that he had secured the bird, and whenever he told his tale of the
+pirates she turned a deaf ear to him, for if he had found the gold why
+did he not manage to bring home a few pieces of it? He, in answer,
+asked how, as he had none of his own money, she could have come by the
+goose? He often told his tale to sympathetic ears, and would point to
+the old mill to prove that it was true.
+
+
+
+
+ THE WEARY WATCHER
+
+Before the opening of the great bridge sent commerce rattling up
+Washington Street in Brooklyn that thoroughfare was a shaded and
+beautiful avenue, and among the houses that attested its respectability
+was one, between Tillary and Concord Streets, that was long declared to
+be haunted. A man and his wife dwelt there who seemed to be fondly
+attached to each other, and whose love should have been the stronger
+because of their three children none grew to years. A mutual sorrow is
+as close a tie as a common affection. One day, while on a visit to a
+friend, the wife saw her husband drive by in a carriage with a showy
+woman beside him. She went home at once, and when the supposed recreant
+returned she met him with bitter reproaches. He answered never a word,
+but took his hat and left the house, never to be seen again in the
+places that had known him.
+
+The wife watched and waited, daily looking for his return, but days
+lengthened into weeks, months, years, and still he came not. Sometimes
+she lamented that she had spoken hastily and harshly, thinking that, had
+she known all, she might have found him blameless. There was no family
+to look after, no wholesome occupation that she sought, so the days went
+by in listening and watching, until, at last, her body and mind gave
+way, and the familiar sight of her face, watching from a second floor
+window, was seen no longer. Her last day came. She had risen from her
+bed; life and mind seemed for a moment to be restored to her; and
+standing where she had stood so often, her form supported by a half-
+closed shutter and a grasp on the sash, she looked into the street once
+more, sighed hopelessly, and so died. It was her shade that long
+watched at the windows; it was her waxen face, heavy with fatigue and
+pain, that was dimly seen looking over the balusters in the evening.
+
+
+
+
+ THE RIVAL FIDDLERS
+
+Before Brooklyn had spread itself beyond Greenwood Cemetery a stone
+could be seen in Martense's Lane, south of that burial-ground, that bore
+a hoof mark. A negro named Joost, in the service of the Van Der
+Something-or-others, was plodding home on Saturday night, his fiddle
+under his arm. He had been playing for a wedding in Flatbush and had
+been drinking schnapps until he saw stars on the ground and fences in
+the sky; in fact, the universe seemed so out of order that he seated
+himself rather heavily on this rock to think about it. The behavior of
+the stars in swimming and rolling struck him as especially curious, and
+he conceived the notion that they wanted to dance. Putting his fiddle
+to his chin, he began a wild jig, and though he made it up as he went
+along, he was conscious of doing finely, when the boom of a bell sent a
+shiver down his spine. It was twelve o'clock, and here he was playing a
+dance tune on Sunday. However, the sin of playing for one second on the
+Sabbath was as great as that of playing all day; so, as long as he was
+in for it, he resolved to carry the tune to the end, and he fiddled away
+with a reckless vehemence. Presently he became aware that the music was
+both wilder and sweeter than before, and that there was more of it. Not
+until then did he observe that a tall, thin stranger stood beside him;
+and that he was fiddling too,--composing a second to Joost's air, as if
+he could read his thought before he put it into execution on the
+strings. Joost paused, and the stranger did likewise.
+
+"Where de debble did you come frum?" asked the first. The other
+smiled.
+
+"And how did you come to know dat music?" Joost pursued.
+
+"Oh, I've known that tune for years," was the reply. "It's called 'The
+Devil's joy at Sabbath Breaking.'"
+
+"You're a liar!" cried the negro. The stranger bowed and burst into a
+roar of laughter. "A liar!" repeated Joost,--for I made up dat music
+dis very minute."
+
+"Yet you notice that I could follow when you played."
+
+"Humph! Yes, you can follow."
+
+"And I can lead, too. Do you know the tune Go to the Devil and Shake
+Yourself?'"
+
+"Yes; but I play second to nobody."
+
+"Very well, I'll beat you at any air you try."
+
+"Done!" said Joost. And then began a contest that lasted until
+daybreak. The stranger was an expert, but Joost seemed to be inspired,
+and just as the sun appeared he sounded, in broad and solemn harmonies,
+the hymn of Von Catts:
+
+ "Now behold, at dawn of day,
+ Pious Dutchmen sing and pray."
+
+At that the stranger exclaimed, "Well, that beats the devil!" and
+striking his foot angrily on the rock, disappeared in a flash of fire
+like a burst bomb. Joost was hurled twenty feet by the explosion, and
+lay on the ground insensible until a herdsman found him some hours
+later. As he suffered no harm from the contest and became a better
+fiddler than ever, it is supposed that the recording angel did not
+inscribe his feat of Sabbath breaking against him in large letters.
+There were a few who doubted his story, but they had nothing more to say
+when he showed them the hoof-mark on the rock. Moreover, there are
+fewer fiddlers among the negroes than there used to be, because they say
+that the violin is the devil's instrument.
+
+
+
+
+ WYANDANK
+
+From Brooklyn Heights, or Ihpetonga, "highplace of trees," where the
+Canarsie Indians made wampum or sewant, and where they contemplated the
+Great Spirit in the setting of the sun across the meeting waters, to
+Montauk Point, Long Island has been swept by the wars of red men, and
+many are the tokens of their occupancy. A number of their graves were
+to be seen until within fifty years, as clearly marked as when the
+warriors were laid there in the hope of resurrection among the happy
+hunting grounds that lay to the west and south. The casting of stones
+on the death-spots or graves of some revered or beloved Indians was long
+continued, and was undoubtedly for the purpose of raising monuments to
+them, though at Monument Mountain, Massachusetts, Sacrifice Rock,
+between Plymouth and Sandwich, Massachusetts, and some other places the
+cairns merely mark a trail. Even the temporary resting-place of Sachem
+Poggatacut, near Sag Harbor, was kept clear of weeds and leaves by
+Indians who passed it in the two centuries that lapsed between the death
+of the chief and the laying of the road across it in 1846. This spot is
+not far from Whooping Boy's Hollow, so named because of a boy who was
+killed by Indians, and because the rubbing of two trees there in a storm
+gave forth a noise like crying. An older legend has it that this noise
+is the angry voice of the magician who tried to slay Wyandank, the
+"Washington of the Montauks," who is buried on the east end of the
+island. Often he led his men into battle, sounding the warwhoop, copied
+from the scream of the eagle, so loudly that those who heard it said
+that the Montauks were crying for prey.
+
+It was while killing an eagle on Block Island, that he might use the
+plumes for his hair, that this chief disclosed himself to the hostiles
+and brought on a fight in which every participant except himself was
+slain. He was secretly followed back to Long Island by a magician who
+had hopes of enlisting the evil ones of that region against him,--the
+giants that left their tracks in "Blood-stone Rock" and "Printed Rock,"
+near Napeague, and such renegades as he who, having betrayed his people,
+was swallowed by the earth, his last agony being marked by a stamp of
+the foot that left its print on a slab near the Indian burial-ground at
+Kongonok. Failing in these alliances the wizard hid among the hollows
+of the moors, and there worked spells of such malice that the chief's
+hand lost steadiness in the hunt and his voice was seldom heard in
+council. When the haunt of this evil one was made known, a number of
+young men undertook to trap him. They went to the hills by night, and
+moved stealthily through the shrubbery until they were almost upon him;
+but his familiars had warned him of their approach, though they had
+wakened him only to betray him for a cloud swept in from the sea, fell
+about the wretch, burst into flame, and rolled back toward the ocean,
+bearing him in the centre of its burning folds. Because of the cry he
+uttered the place long bore the name of Whooping Hollow, and it used to
+be said that the magician visited the scene of his illdoing every
+winter, when his shrieks could be heard ringing over the hills.
+
+
+
+
+ MARK OF THE SPIRIT HAND
+
+Andover, New Jersey, was quaint and quiet in the days before the
+Revolution--it is not a roaring metropolis, even yet--and as it offered
+few social advantages there was more gathering in taprooms and more
+drinking of flip than there should have been. Among those who were not
+averse to a cheering cup were three boon companions, Bailey, Hill, and
+Evans, farmers of the neighborhood. They loved the tavern better than
+the church, and in truth the church folk did not love them well, for
+they were suspected of entertaining heresies of the most forbidden
+character. It was while they were discussing matters of belief over
+their glasses that one of them proposed, in a spirit of bravado, that
+whichever of the trio might be first to die should come back from the
+grave and reveal himself to the others--if he could--thus settling the
+question as to whether there was a future.
+
+Not long after this agreement--for consent was unanimous--Hill departed
+this life. His friends lamented his absence, especially at the tavern,
+but they anticipated no attempt on his part to express the distinguished
+consideration that he had felt for his old chums. Some weeks passed,
+yet there was no sign, and the two survivors of the party, as they
+jogged homeward to the house where both lived, had begun to think and
+speak less frequently of the absent one. But one night the household
+was alarmed by a terrible cry. Bailey got a light and hurried to the
+bedside of his friend, whom he found deathly white and holding his chest
+as if in pain. "He has been here!" gasped Evans. "He stood here just
+now."
+
+"Who?" asked Bailey, a creep passing down his spine.
+
+"Hill! He stood there, where you are now, and touched me with a hand
+that was so cold--cold--" and Evans shivered violently. On turning back
+the collar of his shirt the impression of a hand appeared on the flesh
+near the shoulder: a hand in white, with one finger missing. Hill had
+lost a finger. There was less of taverns after that night, for Evans
+carried the token of that ghostly visit on his person until he, too, had
+gone to solve the great secret.
+
+
+
+
+ THE FIRST LIBERAL CHURCH
+
+In 1770 the brig Hand-in-Hand went ashore at Good Luck, New Jersey.
+Among the passengers on board the vessel, that it would perhaps be wrong
+to call ill fated, was John Murray, founder of Universalism in America.
+He had left England in despair, for his wife and children were dead, and
+so broken was he in his power of thought and purpose that he felt as if
+he should never preach again.
+
+In fact, his rescue from the wreck was passive, on his part, and he
+suffered himself to be carried ashore, recking little whether he reached
+it or no. After he had been for half an hour or so on the soil of the
+new country, to which he had made his entrance in so unexpected a
+manner, he began to feel hungry, and set off afoot along the desolate
+beach. He came to a cabin where an old man stood in a doorway with a
+basket of fish beside him. "Will you sell me a fish?" asked Murray.
+
+"No. The fish is all yours. I expected you."
+
+"You do not know me."
+
+"You are the man who is to tell us of God."
+
+"I will never preach of Him again."
+
+"I built that log church yonder. Don't say that you will not preach in
+it. Whenever a clergyman, Presbyterian, Methody, or Baptist, came here,
+I asked him to preach in my kitchen. I tried to get him to stay; but
+no--he always had work elsewhere. Last night I saw the brig driven on
+the bar, and a voice said to me, 'In that ship is the man who will teach
+of God. Not the old God of terrors, but one of love and mercy. He has
+come through great sorrow to do this work.' I have made ready for you.
+Do not go away."
+
+The minister felt a strange lifting in his heart. He fell on his knees
+before the little house and offered up a prayer. Long he staid in that
+place, preaching gentle doctrines and ministering to the men and women
+of that lonely village, and when the fisherman apostle, Thomas Potter,
+died he left the church to Murray, who, in turn, bequeathed it, "free,
+for the use of all Christian people."
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK MYTHS-LEGENDS, BY SKINNER, V2 ***
+
+********* This file should be named cs02w10.txt or cs02w10.zip *********
+
+Corrected EDITIONS of our eBooks get a new NUMBER, cs02w11.txt
+VERSIONS based on separate sources get new LETTER, cs02w10a.txt
+
+This eBook was produced by David Widger <widger@cecomet.net>
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
diff --git a/old/cs02w10.zip b/old/cs02w10.zip
new file mode 100644
index 0000000..f8404c7
--- /dev/null
+++ b/old/cs02w10.zip
Binary files differ