summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 21:51:21 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 21:51:21 -0800
commit754c67a7b0918613efb49ad7cd720eaa0fb9ba0b (patch)
tree0f0c65c731983878b4824ee29394569856aad0ed
parentb393e997ad0a467449965809cc8ff9b2a49e4f9a (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/65737-0.txt854
-rw-r--r--old/65737-0.zipbin18041 -> 0 bytes
-rw-r--r--old/65737-h.zipbin290481 -> 0 bytes
-rw-r--r--old/65737-h/65737-h.htm1242
-rw-r--r--old/65737-h/images/cover.jpgbin253512 -> 0 bytes
-rw-r--r--old/65737-h/images/i_title.jpgbin30570 -> 0 bytes
-rw-r--r--old/65737-h/images/i_titlelogo.jpgbin13729 -> 0 bytes
10 files changed, 17 insertions, 2096 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5bf4377
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #65737 (https://www.gutenberg.org/ebooks/65737)
diff --git a/old/65737-0.txt b/old/65737-0.txt
deleted file mode 100644
index 9ca0c21..0000000
--- a/old/65737-0.txt
+++ /dev/null
@@ -1,854 +0,0 @@
-The Project Gutenberg eBook of "Light Ho, Sir!", by Frank Thomas Bullen
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: "Light Ho, Sir!"
-
-Author: Frank Thomas Bullen
-
-Release Date: June 30, 2021 [eBook #65737]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: MWS, David E. Brown, and the Online Distributed Proofreading
- Team at https://www.pgdp.net (This file was produced from
- images generously made available by The Internet
- Archive/American Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK "LIGHT HO, SIR!" ***
-
-
-
-
-“LIGHT HO, SIR!”
-
-
-
-
- “LIGHT HO, SIR!”
-
- BY
- FRANK T. BULLEN
- AUTHOR OF “CRUISE OF THE CACHALOT”
-
- [Illustration]
-
- NEW YORK
- THOMAS Y. CROWELL & CO.
- PUBLISHERS
-
-
-
-
- Copyright, 1901,
- By THOMAS Y. CROWELL & COMPANY.
-
-
-
-
-CONTENTS
-
-
- PAGE
-
- LIGHT HO, SIR! 7
-
- MY NIGHT WATCH IS OVER 21
-
-
-
-
-“LIGHT HO, SIR!”
-
-
-Those people who are always striving to trace back to a man’s early
-training or surroundings the real reason for any startling change in
-his life after he has long grown up, and do not believe in what the
-Bible calls the New Birth, must often be sorely puzzled. They seek
-for that which they wish to find, and often ignore any evidence which
-militates against their preconceived theories. Yet the majority of
-them would be horrified were they told that this method of research is
-dishonest and misleading.
-
-But in spite of what people may feel about the matter, it is of no
-use blinking the fact that very much of the so-called scientific
-investigation (which is not commercial) that is pursued to-day is
-tainted with this radical defect. Especially is this so in matters of
-inquiry into religious experience. There are many exceedingly clever
-and well-educated persons who would have their readers believe that in
-all cases where a man or woman has become a Christian, and from serving
-the devil has turned and consistently served God, the change has been
-due to early impressions, which, accidentally encrusted over for a
-term, have been suddenly revived in all their pristine force, and have
-compelled the mind back into the channels in which it was originally
-taught to move.
-
-Now, if this were all that these reasoners said, one might remind
-them, or inform them gently, that they were only partially right--that
-while it is undoubtedly blessedly true that early influences for good
-do exert themselves most forcefully and unexpectedly in after years
-in a large number of cases, yet it is most untrue and God-dishonoring
-to suggest that Christianity is purely a matter of education, of
-environment, of a long acquaintance with religious persons and matters.
-So far from this being the case, it is a truism with Christian workers
-that very frequently their most hopeful converts have been those who
-never heard the Gospel before, or at least had never listened to it
-with the slightest attention, even though they may have actually caught
-the tones of the preacher’s voice. To such simple ones the Water of the
-Word of Grace comes like the monsoon rains upon the burnt-up breadths
-of India, causing the apparently dead soil to put on at once a glorious
-garment of living green, life-giving, life-sustaining, beautifying and
-blessing all around it.
-
-One of the most striking instances of this wonderful work of God in
-the soul that has ever come under my notice is that of a sailor who,
-strange as it may seem to-day, had never, until the time of which I
-speak, received the remotest idea of the relations of God to man, and
-had not the faintest conception of religion of any kind. Born in the
-squalid slums of a Lancashire town nearly sixty years ago, he became
-at a very early age a waif of the streets, losing all recollection of
-who were his parents, as they had forgotten all about him. It is hardly
-possible to conceive of a mind more perfectly desert than was John
-Wilson’s. Reading and writing were of course out of the question, and
-it is probable that any mental operations that went on in his dark mind
-were more nearly related to brute instincts than to any of the ordinary
-processes of human reasoning.
-
-Now it is no part of my present plan, even if I had the necessary
-material, to trace Johnny’s career from the gutters of ---- until he
-found himself in the position of boy on board a North Country collier
-brig, being then, as he supposed, about thirteen years of age. By some
-inherited tenacity of constitution he had survived those years of
-starvation, cold, and brutality, and was, upon going to sea, like a
-well-seasoned rattan, without an ounce of superfluous flesh upon him,
-and with a capacity for stolid endurance almost equalling a Seminole
-Indian.
-
-Of kindness he knew nothing, and had any one shown him any
-disinterested attention, he would have been as alarmed as are the birds
-in a London garden when a lover of them goes out to scatter crumbs.
-He would have suspected designs upon his liberty, or something worse.
-Of the treatment he endured on board those East Coast colliers I do
-not dare to speak at present. The recital would, I know, arouse an
-almost frantic feeling of resentment that such things should have been
-possible such a handful of years ago, and readers would forget that,
-by the blessing of God, men’s hearts to-day, even in the lowest strata
-of our society, have been marvellously softened towards children. He
-learned many things on board those ships, he told me, but, so far
-as he knew, not one that was good. Blasphemy, drunkenness, cruelty,
-debauchery--all these he became an adept in as he grew up, and besides
-he knew every conceivable trick by means of which he could shirk duty
-and shift it on to the shoulders of others.
-
-At last he reached the dignity of able seaman, but I can bear witness
-that a less useful able seaman than he never darkened the door of a
-shipping office. And why? Because he had devoted all his low animal
-cunning to the avoidance of learning anything, lest he should be
-compelled to put it into practice, at the cost of some trouble to
-himself; and what he was compelled to know he purposely practised as
-badly as possible, so that he should seldom be called upon to do it.
-Briefly, and in order to put the finishing touches to this unattractive
-picture, he was almost as perfect a specimen of unmoral animal as any
-course of training for the purpose of producing such an undesirable
-human being could have resulted in.
-
-In this manner he passed the years of his life up to the age of thirty,
-drifting, like a derelict log, from ship to ship, and from shore to
-shore, all round the world. He was conversant with the interiors of
-most of the seaport jails in the world, for when under the influence
-of drink he was a madman, only to be restrained from doing deeds of
-violence by force, and utterly careless of the consequences of any
-of his actions. At last, in the course of his wanderings, he came to
-Calcutta, and was enticed by a shipmate up to the Sailors’ Rest in the
-Radha Bazaar one Sunday evening, when he had neither money nor credit
-wherewith to get drink. His shipmate was a Christian of very brief
-experience, but he had the root of the matter in him, and knew that
-the next best thing to preaching the Gospel one’s self was to bring
-one’s friends in contact with some one who could. So it came about that
-Harry Carter, finding Johnny wandering about the bazaars aimlessly and
-hungrily, proposed a feed to him, and by that means got him into the
-Rest, where, after his hunger was appeased, Harry succeeded in keeping
-him until the evening meeting.
-
-At that time the meetings were conducted by two American missionaries
-to whom it was a perfect delight to listen, as they told in quaint
-language, loved and comprehended by sailors, the wonderful story of
-the coming of Jesus to save poor fallen man. Theirs was not preaching
-in a general way--every man in their presence felt that he was being
-individually conversed with, felt that the story of the Cross was a
-simple narration of absolute fact, no mere theory of mysterious import,
-which only men and women who were specially selected and educated for
-the purpose could ever hope to understand. They told the wonderful tale
-in manly fashion, letting the God-given message just flow through them
-on its way from their Father to their brethren.
-
-And Johnny sat with eyes astare and mouth agape, as the straight,
-brave, certain words sank into his awakening mind. Wonder, incredulity,
-shame--all struggled within him, all newly born, for it could hardly be
-said with truth that he had ever realized any of these emotions before.
-
-At last the speaker said: “Oh, my dear boys, some of you here have
-never known what it is to have a friend, yet there has been a Friend by
-your side always, only begging you to be a friend of His. Some of you
-have never had a home, yet this Friend has been for nearly two thousand
-years preparing a home for you that is beyond all your hopes, beyond
-everything that you can imagine. Some of you have never in your lives
-had any real joy; this Friend has in His right hand for you pleasures
-for evermore, and in His presence there is fulness of joy. He can and
-will do for you exceeding abundantly above all that you ask or think.
-All these wonderful privileges may be yours for the taking; you haven’t
-even to ask for them--only say that you will accept them.”
-
-Other sweet words followed, but Johnny hardly heard them. In his
-dark soul there was such a turmoil as he had never before known.
-New needs, new desires were struggling for expression, and when the
-preacher dismissed his congregation with the earnest invitation for
-any to remain behind who felt they would like to know more about this
-wonderful gift, Johnny sat still in his place with wide, starting eyes
-following every movement of the preacher.
-
-At last that good man, passing from bench to bench, came to Johnny, and
-at once saw that here was no ordinary seeker after peace. Laying one
-arm tenderly across Johnny’s bowed shoulders, and with the other hand
-taking one of the seaman’s gnarled and knotted hands, the missionary
-said, “Brother, let Him have you. He wants you to be happy, He does
-want your love. Jesus, gentle Jesus, died for you that you might be
-happy with Him for all eternity.”
-
-With a vehemence that was startling Johnny turned and said, “Does He
-know me?”
-
-“Yes, better than you do,” said the preacher.
-
-“And He’s got all these things for me? I’ll work all the rest o’ th’
-voy’ge but what I’ll have this--I don’t care what it costs me, I’ll
-have it. You see if I don’t. I know now it’s what I been wantin’ all my
-life.”
-
-“Gently, my dear brother,” said the preacher, “you can’t buy it. He
-bought it with His blood to give it to you, and you can’t pay anything
-for it.”
-
-“Why, I never had anythink give me in my life,” said Johnny. “’T ain’t
-right. Everythink’s got ter be paid for, and I’m going ter pay for
-this. I’m no beggar, if I am a bit of a thief when I gets the chance.”
-
-Now, strange as it may seem, the hardest task that man of God had on
-that occasion was to convince this poor white savage that the gift of
-God _was_ a gift. Gladly, joyfully, would he have sold himself into a
-long slavery to have purchased what he felt he must have, yet for a
-long time he would not, could not, believe that it was “without money
-and without price.” At last despairingly he said: “Oh! won’t He take a
-shillin’ for it? I got one in my chest, a lucky shillin’ with a hole in
-it I’ve had for years. Let me go aboard an’ get it.”
-
-At last, with great difficulty, he was convinced that buying salvation
-was impossible, but impressed with the fact that he himself was from
-henceforth bought with a price, even the precious blood of the Son of
-God. And while the weary evangelist was still toiling to explain, the
-Lord took the matter in His own hands. And presently a joyful shout
-burst from Johnny’s lips:
-
-“Light ho, sir! I sees it all. He’s got me, an’ He’ll never let me go.
-Oh! why didn’t I know of this afore?”
-
-He was a saved man. Let those argue who will, dispute who can, Johnny
-Wilson was a standing proof of the power of God to save the most
-ignorant, the most callous of the sons of men. From that day forward,
-without any more teaching, save what he could get from any one who
-would read the Gospels to him, he grew in grace. He was no more trouble
-aboard. His work was always done to the best of his ability, and you
-could safely trust him to work by himself, for, as he said: “My Jesus
-is alonger me alwus.”
-
-Oh, but he was a real saint! Nothing could move him. He used to be
-hated by everybody--now he became the spoiled child of the fo’c’stle,
-at least in intent, for really he was unspoilable; but all hands, no
-matter what they thought, conspired to love Johnny. And when on the
-subsequent voyage he died of a blow received in falling from aloft,
-all hands gathered round his bunk, to hear from him the story that had
-transformed his life. He gushed it out with his latest breath:
-
-“Jesus Christ, God’s Son, come down from heaven to look for me an’ make
-me happy. I wasn’t worth a rope-yarn to anybody, but He come and found
-me, an’ made me so glad. An’ now I’m a-goin’ ter see Him. Dear Jesus
-Christ, the friend of pore devils like me.”
-
-
-
-
-“MY NIGHT WATCH IS OVER”
-
-
-
-
-“MY NIGHT WATCH IS OVER.”
-
-A SAILOR’S CONVERSION.
-
-
-Sitting upon the capstan in the centre of the fo’c’s’le-head of a huge
-four-masted ship rushing swiftly along the wide, wild stretch of the
-Southern Ocean, bound to England round Cape Horn, a young able seaman
-in the prime of life was engaged in the unusual mental exercise for
-seamen of meditating upon God. His name does not matter; it must be
-sufficient to say that he was brought up in a respectable middle-class
-home in the north of England, one of a family of seven,--four boys and
-three girls. He had been christened at the parish church, attended
-Sunday-school and family prayers with the utmost regularity, and had
-been confirmed at an early age. In spite of occasional outbreaks of
-wildness, he had won prizes for exemplary conduct at Sunday-school,
-and had felt, with the mistaken idea of so many, when he received them,
-as if somebody were trying to bribe him to give up all the fun in life
-and become a strait-laced, long-visaged humbug. But he also felt, thank
-God! that in his life there were two solid facts that could never
-be explained away, standing up like bastions of native rock in his
-life,--the love of his mother and the kindness of his father.
-
-All that he heard in church and Sunday-school was readily relegated
-by him to the category of things that ought to be done, even if you
-couldn’t see the use of them; but as to trying to understand them,
-well, that was the merest nonsense. Not that he ever put these thoughts
-and feelings into words, but they were none the less real to him.
-
-Then, suddenly, without any previous preparation discernible by him, a
-foreign element came into his life. Coming home from the village school
-one afternoon (he was then thirteen years old), he met a bronzed,
-weather-beaten man who inquired of him the way to a neighboring town;
-and as that way for some little distance happened to be his own, they
-walked together. Within ten minutes the boy had imbibed from the
-wayfarer an intense desire to go a-roving. For the weather-beaten
-stranger was a sailor returning home after an absence of many years;
-and the plain recital of his adventures, without any attempt to enhance
-their interest, fired the country boy’s blood to such an extent that
-his breath came in short gasps, and he gazed at the seamed and sunburnt
-face beside him as if he could see in it some reflection of the
-wondrous scenes through which it had passed apparently unheeding. They
-parted; but the boy, his brain all in a ferment with wonder and desire,
-returned to his home as one that treads the clouds. And that night he
-waylaid his father, saying stammeringly: “Dad, I want to go to sea.”
-
-Now the father, although a home-keeping man, had long faced the
-probability of losing his nestlings as soon as they felt their wings
-growing, the more since he knew well that opportunities for their
-attaining any position worth considering in the small town of their
-birth would almost certainly be wanting. Moreover, he had a severe
-struggle to keep them in comfort on his very small though constant
-earnings, and any lightening of his burden, even though in the process
-his heart-strings were strained, was to be welcomed. But as each child
-had been born to him he had commended it unreservedly to the care of
-his Heavenly Father, whose love to him had been the pivot of his own
-life ever since he was sixteen years old. And so it came about that,
-after a touching scene with his mother, the boy was helped to his
-desire, and by the most heroic efforts on the part of his father he
-found himself, six months after giving utterance to his wish, a member
-of the apprentice portion of the crew of a huge four-masted ship, bound
-from Liverpool to San Francisco.
-
-His first month at sea was a revelation to the country-bred lad. In
-place of the home hedged in by love, into which the foulnesses so
-prevalent in great cities never penetrated, he found himself met at
-every point by profanity and worse. In place of having all his bodily
-needs cared for, all the decencies of life made easy for him, he was
-left to his own ignorant devices, and all the dreadful consequences
-of being his own master in his own time descended upon him without
-warning. The captain was a careless, callous man, who only looked upon
-the apprentices as an inefficient supplement to a scanty crew. And
-while he worked them mercilessly in consequence, he found it no part
-of his duty to look after the welfare of either their bodies or their
-souls.
-
-Under this treatment the boy soon became a finished young blackguard
-in thought, and so soon as the opportunity arrived to put the evil
-theories he had so readily absorbed into practice, he flung himself
-into all forms of evil within his reach with a recklessness and zest
-that were horrible to contemplate. Finally, he ran away from his ship
-in company with an older apprentice, breaking his indentures, and
-cutting off definitely the last hold his home had upon him.
-
-A wild time of sin, suffering, and sorrow followed. Yes, sorrow;
-although, in the same Spartan fashion practised by so many thousands
-of wanderers like himself, he concealed it under an assumption of
-utter indifference, utter godlessness. At last, when in the throes of
-a prolonged debauch he was staggering along one of the lowest streets
-in Callao, he was seized by a gang of predatory ruffians, beaten out
-of what little sense he had left, and conveyed on board an American
-ship bound thence to England. This is the process called by seamen
-“Shanghai-ing.”
-
-It would be impossible to convey to people living sheltered lives on
-shore how terrible were the physical sufferings of the poor lad now,
-bruised from head to heel, shaking from illness brought on by his
-excesses, yet compelled to toil in superhuman fashion under pain of
-being savagely beaten again. But he felt no repentance, he only cursed
-his “luck,” and dumbly endured, as seamen do. Then one night, during
-the keeping of his lookout, one of his watchmates whom he had hitherto
-despised as a mild, say-nothing-to-nobody sort of a duffer, came
-quietly up on to the forecastle head, and, standing near him, gazed
-steadfastly out upon the loneliness of the midnight ocean, for some
-time saying not a word. The full moon had just emerged from a dense
-black cloud, driving before her, apparently, the darkness that had
-so recently reigned, and paling the lustrous stars with her glorious
-radiance, while every tiny wavelet rippling the peaceful sea became
-instantly edged with molten silver. And the influence of the hour, amid
-all the eternal immensity of the environment, made for breathless awe,
-silent involuntary worship of the unseen yet palpably present God.
-
-Suddenly the new-comer spoke quietly, yet with a certain force, as if
-unable to hold his peace any longer. “Jemmy, lad, don’t ye feel as if
-we was a-sailing inter the very presence of Almighty God--as if He
-wanted t’ show men ’at won’t think, how glorious He is, an’ how great
-is His peace?”
-
-There was no reply, but as the speaker paused to look for the effect
-of his words, he saw glittering in the moon-ray two big drops stealing
-down Jemmy’s sorrow-seamed young face.
-
-Immediately the Christian, following his Master’s example, took a quick
-stride to the youth, and laying his hand upon the trembling shoulder,
-said softly: “Dear boy, let ’em run. They’re a sign that your heart
-ain’t got too hard yet to feel the sweet influence that God puts out to
-win His wandering ones back. But if there’s anything I can do to help
-you, do let me, won’t you?”
-
-He came nearer as he spoke, until his arm was round Jemmy’s neck. And
-then he waited patiently until the broken words came: “I--I--feel so
-miserable. I’ve forgotten my mother and father, my home and my God. But
-p’raps I never knew Him.”
-
-“No, dear boy, I don’t suppose you ever did; but now is your time to
-know Him. He’s been waiting for your proud heart to bend down and
-own that it wants Him--can’t do without Him. Oh, Jemmy, how He loves
-you! Your mother and father love you, and are heartbroken over you,
-no doubt, but He, your Father God, loves you from everlasting to
-everlasting, and spared not His own Son, that you might be made welcome
-to His peace, that you might know how happy a child of God can be who
-has found out from God Himself how much He is longed and waited for.”
-
-The speaker paused for breath, for his energetic outburst had so
-carried him away that he was like a man who had been running a race,
-and as he did so Jemmy said shyly, and in a low voice: “How did you
-know that I was wishing with all my heart that in some way, somehow, I
-might get my soul put right, that I was longin’ for a message from God,
-without any idea how it was to come?”
-
-There was a happy ring in the Christian’s voice as he answered: “Me
-know? I don’t know anything, except that God the Father is my Father,
-that God the Son is my Saviour, who died that I might live, and that
-God the Holy Ghost, whose work it is to impress these wonderful matters
-on men’s hearts, is always at hand arranging the time, the messenger,
-and the message. He found me as He finds you--hopeless, heart-sick,
-hungry for peace and love; and as soon as He made me feel my need of
-Him He had some one there to tell me the glad story.”
-
-Then and there Jemmy slid down to his knees, and lifting his streaming
-face to heaven he murmured, “O God my Father, forgive me my sins, and
-make me what I ought to be. Dear Jesus, put your own precious life into
-me and drive the unclean life out. I do believe in you, my Saviour,
-because you compel me to by your love. Teach me your way--I’ll make it
-mine. Bless my poor father and mother at home, and let me get back and
-comfort them; and bless this dear brother here who you’ve made use of
-to tell me, for Christ’s sake. Amen.”
-
-Deep and solemn was the response from his new-found friend kneeling
-beside him. As they rose from their knees Jemmy reached for his hand,
-and clasping it in both of his own, said brokenly, “How real and true
-all comes back to me now, what I heard when I was a little chap at home
-and at Sunday-school! How can I ever thank God enough for sending you
-to me? But how silly I must have been not to see it before! Oh, thank
-God, thank God I see it now! God my Father waiting for me, Christ my
-Saviour knocking at my heart, and the Comforter sending you into this
-place, on to this fo’c’s’le-head at the right minute to give me the
-right word.”
-
-“Eight bells” rang out clearly from the tiny bell aft, and as Jemmy
-hastened to strike the big bell responsively he murmured: “Thank God my
-night watch is over--the morning has come.”
-
-Thenceforward he and his brother in the Lord were inseparable, whenever
-it was possible for them to enjoy the communion they both needed.
-Their heavy tasks on board remained really the same, but they did not
-feel them. They worked cheerfully as unto God, upheld by His wonderful
-sustaining power, and everything around and about them seemed changed
-for the better.
-
-So it is when, after long buffeting the gale that is blowing fair for
-home, because the captain is uncertain of his position and dares not
-run before it, the pilot comes on board, orders the helm to be put
-up, and the good ship fleeing homeward with a fair wind seems to have
-suddenly sprung into fine weather. Jesus, the Heavenly Pilot, comes on
-board of a man and takes charge, bringing light for darkness, joy for
-misery, and, embracing all these, the peace of God which passeth all
-understanding.
-
-Night after night found Jemmy as we found him at the beginning of this
-story, day after day saw him sturdily and more deeply digging into the
-treasure of the Word, until that blessed day when with his beloved chum
-at his side he burst into the old home, to receive that welcome that
-only a loving mother and father can give to a son restored to them by
-God’s mercy in answer to many prayers.
-
-
-
-
-TRANSCRIBER’S NOTES:
-
-
- Italicized text is surrounded by underscores: _italics_.
-
- Inconsistencies in hyphenation have been standardized.
-
-*** END OF THE PROJECT GUTENBERG EBOOK "LIGHT HO, SIR!" ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/65737-0.zip b/old/65737-0.zip
deleted file mode 100644
index 34f51be..0000000
--- a/old/65737-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/65737-h.zip b/old/65737-h.zip
deleted file mode 100644
index 4385483..0000000
--- a/old/65737-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/65737-h/65737-h.htm b/old/65737-h/65737-h.htm
deleted file mode 100644
index a210f54..0000000
--- a/old/65737-h/65737-h.htm
+++ /dev/null
@@ -1,1242 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- "Light Ho, Sir!", by Frank T. Bullen&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2{
- text-align: center;
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-div.titlepage {text-align: center; page-break-before: always; page-break-after: always;}
-div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-@media print { hr.chap {display: none; visibility: hidden;} }
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-.tdr {text-align: right;}
-
-.pagenum {
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
-}
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-.ph1 {text-align: center; font-size: large; font-weight: bold;}
-.ph2 {text-align: center; font-size: x-large; font-weight: bold;}
-
-.xlarge {font-size: 175%;}
-.large {font-size: 125%;}
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:smaller;
- padding:1em;
- margin-bottom:5em;
- margin-left: 17.5%; margin-right: 17.5%;
- font-family:sans-serif, serif; }
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of "Light Ho, Sir!", by Frank Thomas Bullen</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: "Light Ho, Sir!"</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Frank Thomas Bullen</div>
-
-<div style='display:block; margin:1em 0'>Release Date: June 30, 2021 [eBook #65737]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: MWS, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK "LIGHT HO, SIR!" ***</div>
-
-<div class="figcenter"><img src="images/cover.jpg" width="40%" alt="" /></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<h1>&#8220;LIGHT HO, SIR!&#8221;</h1>
-
-<hr class="chap x-ebookmaker-drop" />
-
-
-<div class="figcenter"><img src="images/i_title.jpg" alt="" /></div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="titlepage">
-<p><span class="xlarge">&#8220;LIGHT HO, SIR!&#8221;</span></p>
-
-<p>BY<br />
-<span class="large">FRANK T. BULLEN</span><br />
-<span class="smcap">Author of &#8220;Cruise of the Cachalot&#8221;</span></p>
-
-<div class="figcenter"><img src="images/i_titlelogo.jpg" alt="" /></div>
-
-<p>NEW YORK<br />
-THOMAS Y. CROWELL &amp; CO.<br />
-PUBLISHERS</p>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-<div class="chapter">
-<p class="center">
-Copyright, 1901,<br />
-By <span class="smcap">Thomas Y. Crowell</span> &amp; <span class="smcap">Company</span>.</p>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak">CONTENTS</h2>
-</div>
-
-<table border="0" cellpadding="4" cellspacing="4" summary="table">
-
-<tr><td>&nbsp;</td><td class="tdr"><small>PAGE</small></td></tr>
-
-<tr><td><span class="smcap">Light Ho, Sir!</span></td><td class="tdr"><a href="#Page_7"> 7</a></td></tr>
-
-<tr><td><span class="smcap">My Night Watch is Over</span></td><td class="tdr"><a href="#Page_21"> 21</a></td></tr>
-</table>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_7">[7]</span>
-
-<h2 class="nobreak">&#8220;LIGHT HO, SIR!&#8221;</h2>
-</div>
-
-
-<p><span class="smcap">Those</span> people who are always striving to
-trace back to a man&#8217;s early training or surroundings
-the real reason for any startling change in
-his life after he has long grown up, and do not
-believe in what the Bible calls the New Birth,
-must often be sorely puzzled. They seek for
-that which they wish to find, and often ignore
-any evidence which militates against their preconceived
-theories. Yet the majority of them
-would be horrified were they told that this
-method of research is dishonest and misleading.</p>
-
-<p>But in spite of what people may feel about
-the matter, it is of no use blinking the fact that
-very much of the so-called scientific investigation
-(which is not commercial) that is pursued
-to-day is tainted with this radical defect.
-Especially is this so in matters of inquiry into<span class="pagenum" id="Page_8">[8]</span>
-religious experience. There are many exceedingly
-clever and well-educated persons who
-would have their readers believe that in all
-cases where a man or woman has become a
-Christian, and from serving the devil has turned
-and consistently served God, the change has
-been due to early impressions, which, accidentally
-encrusted over for a term, have been suddenly
-revived in all their pristine force, and
-have compelled the mind back into the channels
-in which it was originally taught to move.</p>
-
-<p>Now, if this were all that these reasoners said,
-one might remind them, or inform them gently,
-that they were only partially right&mdash;that while
-it is undoubtedly blessedly true that early influences
-for good do exert themselves most
-forcefully and unexpectedly in after years in a
-large number of cases, yet it is most untrue and
-God-dishonoring to suggest that Christianity is
-purely a matter of education, of environment,
-of a long acquaintance with religious persons
-and matters. So far from this being the case,
-it is a truism with Christian workers that very
-frequently their most hopeful converts have<span class="pagenum" id="Page_9">[9]</span>
-been those who never heard the Gospel before,
-or at least had never listened to it with the
-slightest attention, even though they may have
-actually caught the tones of the preacher&#8217;s voice.
-To such simple ones the Water of the Word of
-Grace comes like the monsoon rains upon the
-burnt-up breadths of India, causing the apparently
-dead soil to put on at once a glorious garment
-of living green, life-giving, life-sustaining,
-beautifying and blessing all around it.</p>
-
-<p>One of the most striking instances of this
-wonderful work of God in the soul that has ever
-come under my notice is that of a sailor who,
-strange as it may seem to-day, had never, until
-the time of which I speak, received the remotest
-idea of the relations of God to man, and had not
-the faintest conception of religion of any kind.
-Born in the squalid slums of a Lancashire town
-nearly sixty years ago, he became at a very early
-age a waif of the streets, losing all recollection
-of who were his parents, as they had forgotten
-all about him. It is hardly possible to conceive
-of a mind more perfectly desert than was John
-Wilson&#8217;s. Reading and writing were of course<span class="pagenum" id="Page_10">[10]</span>
-out of the question, and it is probable that any
-mental operations that went on in his dark mind
-were more nearly related to brute instincts than
-to any of the ordinary processes of human reasoning.</p>
-
-<p>Now it is no part of my present plan, even if
-I had the necessary material, to trace Johnny&#8217;s
-career from the gutters of &mdash;&mdash; until he found
-himself in the position of boy on board a North
-Country collier brig, being then, as he supposed,
-about thirteen years of age. By some inherited
-tenacity of constitution he had survived those
-years of starvation, cold, and brutality, and was,
-upon going to sea, like a well-seasoned rattan,
-without an ounce of superfluous flesh upon him,
-and with a capacity for stolid endurance almost
-equalling a Seminole Indian.</p>
-
-<p>Of kindness he knew nothing, and had any
-one shown him any disinterested attention, he
-would have been as alarmed as are the birds in a
-London garden when a lover of them goes out
-to scatter crumbs. He would have suspected
-designs upon his liberty, or something worse.
-Of the treatment he endured on board those<span class="pagenum" id="Page_11">[11]</span>
-East Coast colliers I do not dare to speak at
-present. The recital would, I know, arouse an
-almost frantic feeling of resentment that such
-things should have been possible such a handful
-of years ago, and readers would forget that, by
-the blessing of God, men&#8217;s hearts to-day, even in
-the lowest strata of our society, have been marvellously
-softened towards children. He learned
-many things on board those ships, he told me,
-but, so far as he knew, not one that was good.
-Blasphemy, drunkenness, cruelty, debauchery&mdash;all
-these he became an adept in as he grew up,
-and besides he knew every conceivable trick by
-means of which he could shirk duty and shift it
-on to the shoulders of others.</p>
-
-<p>At last he reached the dignity of able seaman,
-but I can bear witness that a less useful
-able seaman than he never darkened the door
-of a shipping office. And why? Because he
-had devoted all his low animal cunning to the
-avoidance of learning anything, lest he should
-be compelled to put it into practice, at the cost
-of some trouble to himself; and what he was
-compelled to know he purposely practised as<span class="pagenum" id="Page_12">[12]</span>
-badly as possible, so that he should seldom be
-called upon to do it. Briefly, and in order to
-put the finishing touches to this unattractive
-picture, he was almost as perfect a specimen of
-unmoral animal as any course of training for the
-purpose of producing such an undesirable human
-being could have resulted in.</p>
-
-<p>In this manner he passed the years of his life
-up to the age of thirty, drifting, like a derelict
-log, from ship to ship, and from shore to shore,
-all round the world. He was conversant with
-the interiors of most of the seaport jails in the
-world, for when under the influence of drink
-he was a madman, only to be restrained from
-doing deeds of violence by force, and utterly
-careless of the consequences of any of his actions.
-At last, in the course of his wanderings,
-he came to Calcutta, and was enticed by a shipmate
-up to the Sailors&#8217; Rest in the Radha Bazaar
-one Sunday evening, when he had neither money
-nor credit wherewith to get drink. His shipmate
-was a Christian of very brief experience,
-but he had the root of the matter in him, and
-knew that the next best thing to preaching the<span class="pagenum" id="Page_13">[13]</span>
-Gospel one&#8217;s self was to bring one&#8217;s friends in
-contact with some one who could. So it came
-about that Harry Carter, finding Johnny wandering
-about the bazaars aimlessly and hungrily,
-proposed a feed to him, and by that means got
-him into the Rest, where, after his hunger was
-appeased, Harry succeeded in keeping him until
-the evening meeting.</p>
-
-<p>At that time the meetings were conducted by
-two American missionaries to whom it was a
-perfect delight to listen, as they told in quaint
-language, loved and comprehended by sailors,
-the wonderful story of the coming of Jesus to
-save poor fallen man. Theirs was not preaching
-in a general way&mdash;every man in their presence
-felt that he was being individually conversed
-with, felt that the story of the Cross was a simple
-narration of absolute fact, no mere theory of mysterious
-import, which only men and women who
-were specially selected and educated for the purpose
-could ever hope to understand. They told
-the wonderful tale in manly fashion, letting the
-God-given message just flow through them on
-its way from their Father to their brethren.</p>
-
-
-
-<p><span class="pagenum" id="Page_14">[14]</span>And Johnny sat with eyes astare and mouth
-agape, as the straight, brave, certain words sank
-into his awakening mind. Wonder, incredulity,
-shame&mdash;all struggled within him, all newly born,
-for it could hardly be said with truth that he
-had ever realized any of these emotions before.</p>
-
-<p>At last the speaker said: &#8220;Oh, my dear boys,
-some of you here have never known what it is to
-have a friend, yet there has been a Friend by
-your side always, only begging you to be a friend
-of His. Some of you have never had a home,
-yet this Friend has been for nearly two thousand
-years preparing a home for you that is beyond
-all your hopes, beyond everything that you can
-imagine. Some of you have never in your lives
-had any real joy; this Friend has in His right
-hand for you pleasures for evermore, and in His
-presence there is fulness of joy. He can and
-will do for you exceeding abundantly above all
-that you ask or think. All these wonderful
-privileges may be yours for the taking; you
-haven&#8217;t even to ask for them&mdash;only say that
-you will accept them.&#8221;</p>
-
-<p>Other sweet words followed, but Johnny<span class="pagenum" id="Page_15">[15]</span>
-hardly heard them. In his dark soul there was
-such a turmoil as he had never before known.
-New needs, new desires were struggling for expression,
-and when the preacher dismissed his
-congregation with the earnest invitation for any
-to remain behind who felt they would like to
-know more about this wonderful gift, Johnny
-sat still in his place with wide, starting eyes
-following every movement of the preacher.</p>
-
-<p>At last that good man, passing from bench to
-bench, came to Johnny, and at once saw that
-here was no ordinary seeker after peace. Laying
-one arm tenderly across Johnny&#8217;s bowed shoulders,
-and with the other hand taking one of
-the seaman&#8217;s gnarled and knotted hands, the
-missionary said, &#8220;Brother, let Him have you.
-He wants you to be happy, He does want your
-love. Jesus, gentle Jesus, died for you that you
-might be happy with Him for all eternity.&#8221;</p>
-
-<p>With a vehemence that was startling Johnny
-turned and said, &#8220;Does He know me?&#8221;</p>
-
-<p>&#8220;Yes, better than you do,&#8221; said the preacher.</p>
-
-<p>&#8220;And He&#8217;s got all these things for me? I&#8217;ll
-work all the rest o&#8217; th&#8217; voy&#8217;ge but what I&#8217;ll have<span class="pagenum" id="Page_16">[16]</span>
-this&mdash;I don&#8217;t care what it costs me, I&#8217;ll have
-it. You see if I don&#8217;t. I know now it&#8217;s what I
-been wantin&#8217; all my life.&#8221;</p>
-
-<p>&#8220;Gently, my dear brother,&#8221; said the preacher,
-&#8220;you can&#8217;t buy it. He bought it with His blood
-to give it to you, and you can&#8217;t pay anything
-for it.&#8221;</p>
-
-<p>&#8220;Why, I never had anythink give me in my
-life,&#8221; said Johnny. &#8220;&#8217;T ain&#8217;t right. Everythink&#8217;s
-got ter be paid for, and I&#8217;m going ter pay for
-this. I&#8217;m no beggar, if I am a bit of a thief when
-I gets the chance.&#8221;</p>
-
-<p>Now, strange as it may seem, the hardest task
-that man of God had on that occasion was to
-convince this poor white savage that the gift of
-God <i>was</i> a gift. Gladly, joyfully, would he have
-sold himself into a long slavery to have purchased
-what he felt he must have, yet for a long time
-he would not, could not, believe that it was &#8220;without
-money and without price.&#8221; At last despairingly
-he said: &#8220;Oh! won&#8217;t He take a shillin&#8217;
-for it? I got one in my chest, a lucky shillin&#8217;
-with a hole in it I&#8217;ve had for years. Let me go
-aboard an&#8217; get it.&#8221;</p>
-
-
-
-<p><span class="pagenum" id="Page_17">[17]</span>At last, with great difficulty, he was convinced
-that buying salvation was impossible, but impressed
-with the fact that he himself was from
-henceforth bought with a price, even the precious
-blood of the Son of God. And while the weary
-evangelist was still toiling to explain, the Lord
-took the matter in His own hands. And presently
-a joyful shout burst from Johnny&#8217;s lips:</p>
-
-<p>&#8220;Light ho, sir! I sees it all. He&#8217;s got me,
-an&#8217; He&#8217;ll never let me go. Oh! why didn&#8217;t I
-know of this afore?&#8221;</p>
-
-<p>He was a saved man. Let those argue who
-will, dispute who can, Johnny Wilson was a
-standing proof of the power of God to save
-the most ignorant, the most callous of the sons
-of men. From that day forward, without any
-more teaching, save what he could get from any
-one who would read the Gospels to him, he grew
-in grace. He was no more trouble aboard. His
-work was always done to the best of his ability,
-and you could safely trust him to work by himself,
-for, as he said: &#8220;My Jesus is alonger me
-alwus.&#8221;</p>
-
-<p>Oh, but he was a real saint! Nothing could<span class="pagenum" id="Page_18">[18]</span>
-move him. He used to be hated by everybody&mdash;now
-he became the spoiled child of the fo&#8217;c&#8217;stle,
-at least in intent, for really he was unspoilable;
-but all hands, no matter what they thought, conspired
-to love Johnny. And when on the subsequent
-voyage he died of a blow received in
-falling from aloft, all hands gathered round his
-bunk, to hear from him the story that had transformed
-his life. He gushed it out with his latest
-breath:</p>
-
-<p>&#8220;Jesus Christ, God&#8217;s Son, come down from
-heaven to look for me an&#8217; make me happy. I
-wasn&#8217;t worth a rope-yarn to anybody, but He
-come and found me, an&#8217; made me so glad. An&#8217;
-now I&#8217;m a-goin&#8217; ter see Him. Dear Jesus
-Christ, the friend of pore devils like me.&#8221;</p>
-
-
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_19">[19]</span>
-
-<p class="ph2">&#8220;MY NIGHT WATCH IS OVER&#8221;</p>
-</div>
-
-<p><span class="pagenum" id="Page_20">[20]</span></p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<span class="pagenum" id="Page_21">[21]</span>
-<h2 class="nobreak">&#8220;MY NIGHT WATCH IS OVER.&#8221;</h2>
-</div>
-
-<p class="center"><span class="ph1">A SAILOR&#8217;S CONVERSION.</span></p>
-
-
-<p><span class="smcap">Sitting</span> upon the capstan in the centre of the
-fo&#8217;c&#8217;s&#8217;le-head of a huge four-masted ship rushing
-swiftly along the wide, wild stretch of the
-Southern Ocean, bound to England round Cape
-Horn, a young able seaman in the prime of life
-was engaged in the unusual mental exercise
-for seamen of meditating upon God. His name
-does not matter; it must be sufficient to say
-that he was brought up in a respectable middle-class
-home in the north of England, one of a
-family of seven,&mdash;four boys and three girls. He
-had been christened at the parish church, attended
-Sunday-school and family prayers with
-the utmost regularity, and had been confirmed
-at an early age. In spite of occasional outbreaks
-of wildness, he had won prizes for exemplary<span class="pagenum" id="Page_22">[22]</span>
-conduct at Sunday-school, and had felt,
-with the mistaken idea of so many, when he received
-them, as if somebody were trying to
-bribe him to give up all the fun in life and
-become a strait-laced, long-visaged humbug.
-But he also felt, thank God! that in his life
-there were two solid facts that could never be
-explained away, standing up like bastions of
-native rock in his life,&mdash;the love of his mother
-and the kindness of his father.</p>
-
-<p>All that he heard in church and Sunday-school
-was readily relegated by him to the category
-of things that ought to be done, even if
-you couldn&#8217;t see the use of them; but as to
-trying to understand them, well, that was the
-merest nonsense. Not that he ever put these
-thoughts and feelings into words, but they were
-none the less real to him.</p>
-
-<p>Then, suddenly, without any previous preparation
-discernible by him, a foreign element
-came into his life. Coming home from the
-village school one afternoon (he was then thirteen
-years old), he met a bronzed, weather-beaten
-man who inquired of him the way to a<span class="pagenum" id="Page_23">[23]</span>
-neighboring town; and as that way for some
-little distance happened to be his own, they
-walked together. Within ten minutes the boy
-had imbibed from the wayfarer an intense desire
-to go a-roving. For the weather-beaten
-stranger was a sailor returning home after an
-absence of many years; and the plain recital of
-his adventures, without any attempt to enhance
-their interest, fired the country boy&#8217;s blood to
-such an extent that his breath came in short
-gasps, and he gazed at the seamed and sunburnt
-face beside him as if he could see in it some
-reflection of the wondrous scenes through which
-it had passed apparently unheeding. They
-parted; but the boy, his brain all in a ferment
-with wonder and desire, returned to his home
-as one that treads the clouds. And that night
-he waylaid his father, saying stammeringly:
-&#8220;Dad, I want to go to sea.&#8221;</p>
-
-<p>Now the father, although a home-keeping man,
-had long faced the probability of losing his nestlings
-as soon as they felt their wings growing,
-the more since he knew well that opportunities
-for their attaining any position worth considering<span class="pagenum" id="Page_24">[24]</span>
-in the small town of their birth would almost
-certainly be wanting. Moreover, he had a severe
-struggle to keep them in comfort on his very
-small though constant earnings, and any lightening
-of his burden, even though in the process
-his heart-strings were strained, was to be welcomed.
-But as each child had been born to him
-he had commended it unreservedly to the care
-of his Heavenly Father, whose love to him had
-been the pivot of his own life ever since he was
-sixteen years old. And so it came about that,
-after a touching scene with his mother, the boy
-was helped to his desire, and by the most heroic
-efforts on the part of his father he found himself,
-six months after giving utterance to his
-wish, a member of the apprentice portion of the
-crew of a huge four-masted ship, bound from
-Liverpool to San Francisco.</p>
-
-<p>His first month at sea was a revelation to the
-country-bred lad. In place of the home hedged
-in by love, into which the foulnesses so prevalent
-in great cities never penetrated, he found himself
-met at every point by profanity and worse.
-In place of having all his bodily needs cared for,<span class="pagenum" id="Page_25">[25]</span>
-all the decencies of life made easy for him, he
-was left to his own ignorant devices, and all the
-dreadful consequences of being his own master
-in his own time descended upon him without
-warning. The captain was a careless, callous
-man, who only looked upon the apprentices as
-an inefficient supplement to a scanty crew. And
-while he worked them mercilessly in consequence,
-he found it no part of his duty to look
-after the welfare of either their bodies or their
-souls.</p>
-
-<p>Under this treatment the boy soon became a
-finished young blackguard in thought, and so
-soon as the opportunity arrived to put the evil
-theories he had so readily absorbed into practice,
-he flung himself into all forms of evil within his
-reach with a recklessness and zest that were horrible
-to contemplate. Finally, he ran away from
-his ship in company with an older apprentice,
-breaking his indentures, and cutting off definitely
-the last hold his home had upon him.</p>
-
-<p>A wild time of sin, suffering, and sorrow followed.
-Yes, sorrow; although, in the same
-Spartan fashion practised by so many thousands<span class="pagenum" id="Page_26">[26]</span>
-of wanderers like himself, he concealed it under
-an assumption of utter indifference, utter godlessness.
-At last, when in the throes of a prolonged
-debauch he was staggering along one of
-the lowest streets in Callao, he was seized by a
-gang of predatory ruffians, beaten out of what
-little sense he had left, and conveyed on board an
-American ship bound thence to England. This
-is the process called by seamen &#8220;Shanghai-ing.&#8221;</p>
-
-<p>It would be impossible to convey to people
-living sheltered lives on shore how terrible
-were the physical sufferings of the poor lad
-now, bruised from head to heel, shaking from
-illness brought on by his excesses, yet compelled
-to toil in superhuman fashion under pain of
-being savagely beaten again. But he felt no
-repentance, he only cursed his &#8220;luck,&#8221; and
-dumbly endured, as seamen do. Then one
-night, during the keeping of his lookout, one
-of his watchmates whom he had hitherto despised
-as a mild, say-nothing-to-nobody sort of
-a duffer, came quietly up on to the forecastle
-head, and, standing near him, gazed steadfastly
-out upon the loneliness of the midnight ocean,<span class="pagenum" id="Page_27">[27]</span>
-for some time saying not a word. The full
-moon had just emerged from a dense black
-cloud, driving before her, apparently, the darkness
-that had so recently reigned, and paling
-the lustrous stars with her glorious radiance,
-while every tiny wavelet rippling the peaceful
-sea became instantly edged with molten silver.
-And the influence of the hour, amid all the
-eternal immensity of the environment, made
-for breathless awe, silent involuntary worship
-of the unseen yet palpably present God.</p>
-
-<p>Suddenly the new-comer spoke quietly, yet
-with a certain force, as if unable to hold his
-peace any longer. &#8220;Jemmy, lad, don&#8217;t ye feel
-as if we was a-sailing inter the very presence of
-Almighty God&mdash;as if He wanted t&#8217; show men
-&#8217;at won&#8217;t think, how glorious He is, an&#8217; how
-great is His peace?&#8221;</p>
-
-<p>There was no reply, but as the speaker paused
-to look for the effect of his words, he saw
-glittering in the moon-ray two big drops stealing
-down Jemmy&#8217;s sorrow-seamed young face.</p>
-
-<p>Immediately the Christian, following his
-Master&#8217;s example, took a quick stride to the<span class="pagenum" id="Page_28">[28]</span>
-youth, and laying his hand upon the trembling
-shoulder, said softly: &#8220;Dear boy, let &#8217;em run.
-They&#8217;re a sign that your heart ain&#8217;t got too
-hard yet to feel the sweet influence that God
-puts out to win His wandering ones back. But
-if there&#8217;s anything I can do to help you, do let
-me, won&#8217;t you?&#8221;</p>
-
-<p>He came nearer as he spoke, until his arm
-was round Jemmy&#8217;s neck. And then he waited
-patiently until the broken words came: &#8220;I&mdash;I&mdash;feel
-so miserable. I&#8217;ve forgotten my mother
-and father, my home and my God. But p&#8217;raps
-I never knew Him.&#8221;</p>
-
-<p>&#8220;No, dear boy, I don&#8217;t suppose you ever did;
-but now is your time to know Him. He&#8217;s been
-waiting for your proud heart to bend down and
-own that it wants Him&mdash;can&#8217;t do without
-Him. Oh, Jemmy, how He loves you! Your
-mother and father love you, and are heartbroken
-over you, no doubt, but He, your Father
-God, loves you from everlasting to everlasting,
-and spared not His own Son, that you might be
-made welcome to His peace, that you might
-know how happy a child of God can be who<span class="pagenum" id="Page_29">[29]</span>
-has found out from God Himself how much He
-is longed and waited for.&#8221;</p>
-
-<p>The speaker paused for breath, for his energetic
-outburst had so carried him away that
-he was like a man who had been running a
-race, and as he did so Jemmy said shyly, and in
-a low voice: &#8220;How did you know that I was
-wishing with all my heart that in some way,
-somehow, I might get my soul put right, that I
-was longin&#8217; for a message from God, without
-any idea how it was to come?&#8221;</p>
-
-<p>There was a happy ring in the Christian&#8217;s
-voice as he answered: &#8220;Me know? I don&#8217;t know
-anything, except that God the Father is my
-Father, that God the Son is my Saviour, who
-died that I might live, and that God the Holy
-Ghost, whose work it is to impress these wonderful
-matters on men&#8217;s hearts, is always at hand
-arranging the time, the messenger, and the message.
-He found me as He finds you&mdash;hopeless,
-heart-sick, hungry for peace and love; and as
-soon as He made me feel my need of Him He
-had some one there to tell me the glad story.&#8221;</p>
-
-<p>Then and there Jemmy slid down to his knees,<span class="pagenum" id="Page_30">[30]</span>
-and lifting his streaming face to heaven he murmured,
-&#8220;O God my Father, forgive me my sins,
-and make me what I ought to be. Dear Jesus,
-put your own precious life into me and drive the
-unclean life out. I do believe in you, my
-Saviour, because you compel me to by your
-love. Teach me your way&mdash;I&#8217;ll make it mine.
-Bless my poor father and mother at home, and
-let me get back and comfort them; and bless this
-dear brother here who you&#8217;ve made use of to
-tell me, for Christ&#8217;s sake. Amen.&#8221;</p>
-
-<p>Deep and solemn was the response from his
-new-found friend kneeling beside him. As they
-rose from their knees Jemmy reached for his hand,
-and clasping it in both of his own, said brokenly,
-&#8220;How real and true all comes back to me now,
-what I heard when I was a little chap at home
-and at Sunday-school! How can I ever thank
-God enough for sending you to me? But how
-silly I must have been not to see it before!
-Oh, thank God, thank God I see it now! God
-my Father waiting for me, Christ my Saviour
-knocking at my heart, and the Comforter sending
-you into this place, on to this fo&#8217;c&#8217;s&#8217;le-head<span class="pagenum" id="Page_31">[31]</span>
-at the right minute to give me the right
-word.&#8221;</p>
-
-<p>&#8220;Eight bells&#8221; rang out clearly from the tiny
-bell aft, and as Jemmy hastened to strike the
-big bell responsively he murmured: &#8220;Thank
-God my night watch is over&mdash;the morning has
-come.&#8221;</p>
-
-<p>Thenceforward he and his brother in the Lord
-were inseparable, whenever it was possible for
-them to enjoy the communion they both needed.
-Their heavy tasks on board remained really the
-same, but they did not feel them. They worked
-cheerfully as unto God, upheld by His wonderful
-sustaining power, and everything around
-and about them seemed changed for the better.</p>
-
-<p>So it is when, after long buffeting the gale that
-is blowing fair for home, because the captain is
-uncertain of his position and dares not run before
-it, the pilot comes on board, orders the helm
-to be put up, and the good ship fleeing homeward
-with a fair wind seems to have suddenly
-sprung into fine weather. Jesus, the Heavenly
-Pilot, comes on board of a man and takes charge,
-bringing light for darkness, joy for misery, and,<span class="pagenum" id="Page_32">[32]</span>
-embracing all these, the peace of God which
-passeth all understanding.</p>
-
-<p>Night after night found Jemmy as we found
-him at the beginning of this story, day after day
-saw him sturdily and more deeply digging into
-the treasure of the Word, until that blessed day
-when with his beloved chum at his side he burst
-into the old home, to receive that welcome that
-only a loving mother and father can give to a
-son restored to them by God&#8217;s mercy in answer
-to many prayers.</p>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<div class="transnote">
-<p class="ph1">TRANSCRIBER&#8217;S NOTE:</p>
-
-
-
-<p>Inconsistencies in hyphenation have been standardized.</p>
-</div></div>
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK "LIGHT HO, SIR!" ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &bull; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &bull; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-
-</body>
-</html>
diff --git a/old/65737-h/images/cover.jpg b/old/65737-h/images/cover.jpg
deleted file mode 100644
index ef0d2b9..0000000
--- a/old/65737-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/65737-h/images/i_title.jpg b/old/65737-h/images/i_title.jpg
deleted file mode 100644
index d3d679d..0000000
--- a/old/65737-h/images/i_title.jpg
+++ /dev/null
Binary files differ
diff --git a/old/65737-h/images/i_titlelogo.jpg b/old/65737-h/images/i_titlelogo.jpg
deleted file mode 100644
index 89dcaaf..0000000
--- a/old/65737-h/images/i_titlelogo.jpg
+++ /dev/null
Binary files differ