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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..0155e81 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #64378 (https://www.gutenberg.org/ebooks/64378) diff --git a/old/64378-0.txt b/old/64378-0.txt deleted file mode 100644 index abccabc..0000000 --- a/old/64378-0.txt +++ /dev/null @@ -1,538 +0,0 @@ -The Project Gutenberg eBook of The Smoky Valley, by Birger Sandzen - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: The Smoky Valley - Reproductions of a series of Lithographs of the Smoky Valley in - Kansas - -Author: Birger Sandzen - -Contributor: Minna K. Powell - -Release Date: January 24, 2021 [eBook #64378] - -Language: English - -Character set encoding: UTF-8 - -Produced by: Chuck Greif (This file was produced from images available at - The Internet Archive) - -*** START OF THE PROJECT GUTENBERG EBOOK THE SMOKY VALLEY *** - - - - - The Smoky Valley - - [Illustration: Birger Sandzen] - - - - - THE SMOKY VALLEY - -Reproductions of a Series of Lithographs of the Smoky Valley in Kansas - - By Birger Sandzen - - An Introduction by Minna K. Powell - - CARL J. SMALLEY Kansas City, Missouri 1922 - - -Copyright, 1922, by Carl J. Smalley Kansas City, Mo. Published December, - 1922 - - - Printed by the Republican Press, at McPherson, Kansas, in the United - States of America - - - - - Sandzen and His Friend, the Smoky. - - -When Birger Sandzen looks into the seamed face of a pioneer farmer of -Kansas, he sees the conquest of a spirit. When he looks upon the face of -the Kansas prairie, he sees the conquest of the Wilderness and he makes -the World feel the courage of the Kansas spirit and the power of Kansas -sinews. - -An artist who penetrates below the surface of his subject and sees the -soul of it looking out, Birger Sandzen Was foreordained to celebrate in -black and white and in color, the moods and the meaning of the Smoky -Hill River, which winds so peacefully in and out among the farms of -central Kansas. - -The Smoky Hill River is not much wider than a creek, and the early -homesteader valued it chiefly because it watered his land and his stock. - -Then came Birger Sandzen, artist, who settled near the stream in the -town of Lindsborg. Almost immediately a deep affection sprang up between -the artist and the river. Accustomed to a land of many streams and -lakes, the artist haunted the banks of the river that seemed to speak to -him of home. He served the friendly stream by celebrating its moods and -sudden turnings, and the stream taught the artist by gentle gradations -its own affinity for the prairie. - -It was so that Birger Sandzen learned to love the Kansas landscape. But -first he sought the shadowed banks of the Smoky. By sunlight and -moonlight he studied it. Following its graceful windings, he caught the -poetry of Kansas,--the tired droop of cattle as they came to drink at -dusk, the grouping of horses in hillside pastures, huddled cottonwoods -like shy children along the clean banks of the stream. - -Finally the river taught him to see the masterpieces of art in the -strong and rugged faces of the pioneer farmers whose land stretched -along the river’s bank. - -He saw faces in which courage had drawn with a true hand lines of -self-conquest. He saw the beauty of fingers knotted and bent with much -serving and the glory of dimmed eyes. The pioneer men and women of -Kansas were crowned by Sandzen with the splendor of their deeds. - -But always he returned to the quiet river, grateful for the woods that -hugged its banks and were mirrored in the water. His passion for the -Smoky grew and deepened. It became to him the heart of Kansas, and -Kansas, through the Smoky, became his friend. - -And always, as he tramped up and down the river’s banks, he saw in -miniature the grandeur he was later on to find in the Rockies and the -mastery he was to sense in the Grand Canyon of the Colorado. - -As he painted outcroppings of rock in the hilly pastures, he was -preparing unconsciously for his work of giving expression to the -gigantic cliffs and mountains of the great West. Tributaries of the -Smoky, overflowing their banks in the spring freshets, ran dry in summer -and provided the artist with beds deeply fissured like their titanic -model, the Grand Canyon. - -The hills near Lindsborg, are small replicas of the Rockies. They slope -to the very bank of the Smoky and Birger Sandzen climbed from bank to -summit where he looked out over the wide prairie and saw how lovely it -was. - -Since then he has never tired of painting the landscape that is the -heart of Kansas, vibrating with the heroic toil and patience of the past -and the hope of the future. - -Thus it is that when Mr. Sandzen makes a study of the moon stealing up -behind the willows before the flush of afternoon is quite gone, he puts -into the picture not only the objects a stranger might see, but also the -deep love he bears the river and the land it has enriched. - -As a lithographer Mr. Sandzen has no rivals in this country, perhaps -none anywhere. His love of the open is that of a poet, to whom the -out-of-doors tells something of the immanence of God. - -Sometimes his landscapes express the poignant loneliness that broods -over the Kansas prairie. Oftener he sees the delightful homeliness of -the farmsteads, changing the Smoky River Valley from a wilderness to a -place of hearthstones and human happiness. - - MINNA K. POWELL. - -[Illustration: Summer] - -[Illustration: Stony Pasture With Cottonwood Grove] - -[Illustration: The Old Homestead] - -[Illustration: Portrait Study] - -[Illustration: Twilight] - -[Illustration: In The Meadow]] - -[Illustration: Home of A Pioneer] - -[Illustration: Smoky River] - -[Illustration: Hilltop] - -[Illustration: Willow] - -[Illustration: Horses in a Hilly Pasture] - -[Illustration: River Motif] - -[Illustration: Abandoned Farmhouse] - -[Illustration: Trees and Hills] - -[Illustration: Willows by The Smoky River] - -[Illustration: Olof Olson’s Homestead] - -[Illustration: Pond With Cottonwood Trees] - -[Illustration: Hilly Pasture With Cows] - -[Illustration: In The Park] - -[Illustration: Riverbank] - -Copies of the lithographs reproduced in this volume, limited to fifty -proofs each, may be obtained from the publisher. Prices from six to -fifty dollars each. - -CARL J. SMALLEY. -Kansas City. Mo. - - - -*** END OF THE PROJECT GUTENBERG EBOOK THE SMOKY VALLEY *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. 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You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<table style='padding:0; margin-left:0; border-collapse:collapse'> - <tr><td>Title:</td><td>The Smoky Valley</td></tr> - <tr><td></td><td>Reproductions of a series of Lithographs of the Smoky Valley in Kansas</td></tr> -</table> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Birger Sandzen</div> - -<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Contributor: Minna K. Powell</div> - -<div style='display:block; margin:1em 0'>Release Date: January 24, 2021 [eBook #64378]</div> - -<div style='display:block; margin:1em 0'>Language: English</div> - -<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div> - -<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Chuck Greif (This file was produced from images available at The Internet Archive)</div> - -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE SMOKY VALLEY ***</div> -<hr class="full" /> - -<div class="figcenter"> -<img src="images/cover.jpg" height="550" alt="" /> -</div> - -<p class="c">The Smoky Valley</p> - -<div class="figcenter"> -<a href="images/sandzen.jpg"> -<img src="images/sandzen.jpg" -height="550" -alt="[Birger Sandzen portrait unavailable.]" -/></a> -<br /> -<p class="caption">Birger Sandzen</p> -</div> - -<h1>THE SMOKY VALLEY</h1> - -<p class="c">Reproductions of a Series of Lithographs of the Smoky Valley -<br />in Kansas<br /><br /> -By<br /> -Birger Sandzen<br /><br /> -An Introduction by Minna K. Powell<br /><br /><br /> - -CARL J. SMALLEY<br /> -Kansas City, Missouri -<br /> -1922<br /><br /><br /><small> -Copyright, 1922, by Carl J. Smalley<br /> -Kansas City, Mo.<br /> -Published December, 1922<br /><br /><br /> -Printed by the Republican Press,<br /> -at McPherson, Kansas,<br /> -in the United -States of America</small></p> - -<h2>Sandzen and His Friend, the Smoky.</h2> - -<p>When Birger Sandzen looks into the seamed face of a pioneer farmer of -Kansas, he sees the conquest of a spirit. When he looks upon the face of -the Kansas prairie, he sees the conquest of the Wilderness and he makes -the World feel the courage of the Kansas spirit and the power of Kansas -sinews.</p> - -<p>An artist who penetrates below the surface of his subject and sees the -soul of it looking out, Birger Sandzen Was foreordained to celebrate in -black and white and in color, the moods and the meaning of the Smoky -Hill River, which winds so peacefully in and out among the farms of -central Kansas.</p> - -<p>The Smoky Hill River is not much wider than a creek, and the early -homesteader valued it chiefly because it watered his land and his stock.</p> - -<p>Then came Birger Sandzen, artist, who settled near the stream in the -town of Lindsborg. Almost immediately a deep affection sprang up between -the artist and the river. Accustomed to a land of many streams and -lakes, the artist haunted the banks of the river that seemed to speak to -him of home. He served the friendly stream by celebrating its moods and -sudden turnings, and the stream taught the artist by gentle gradations -its own affinity for the prairie.</p> - -<p>It was so that Birger Sandzen learned to love the Kansas landscape. But -first he sought the shadowed banks of the Smoky. By sunlight and -moonlight he studied it. Following its graceful windings, he caught the -poetry of Kansas,—the tired droop of cattle as they came to drink at -dusk, the grouping of horses in hillside pastures, huddled cottonwoods -like shy children along the clean banks of the stream.</p> - -<p>Finally the river taught him to see the masterpieces of art in the -strong and rugged faces of the pioneer farmers whose land stretched -along the river’s bank.</p> - -<p>He saw faces in which courage had drawn with a true hand lines of -self-conquest. He saw the beauty of fingers knotted and bent with much -serving and the glory of dimmed eyes. The pioneer men and women of -Kansas were crowned by Sandzen with the splendor of their deeds.</p> - -<p>But always he returned to the quiet river, grateful for the woods that -hugged its banks and were mirrored in the water. His passion for the -Smoky grew and deepened. It became to him the heart of Kansas, and -Kansas, through the Smoky, became his friend.</p> - -<p>And always, as he tramped up and down the river’s banks, he saw in -miniature the grandeur he was later on to find in the Rockies and the -mastery he was to sense in the Grand Canyon of the Colorado.</p> - -<p>As he painted outcroppings of rock in the hilly pastures, he was -preparing unconsciously for his work of giving expression to the -gigantic cliffs and mountains of the great West. Tributaries of the -Smoky, overflowing their banks in the spring freshets, ran dry in summer -and provided the artist with beds deeply fissured like their titanic -model, the Grand Canyon.</p> - -<p>The hills near Lindsborg, are small replicas of the Rockies. They slope -to the very bank of the Smoky and Birger Sandzen climbed from bank to -summit where he looked out over the wide prairie and saw how lovely it -was.</p> - -<p>Since then he has never tired of painting the landscape that is the -heart of Kansas, vibrating with the heroic toil and patience of the past -and the hope of the future.</p> - -<p>Thus it is that when Mr. Sandzen makes a study of the moon stealing up -behind the willows before the flush of afternoon is quite gone, he puts -into the picture not only the objects a stranger might see, but also the -deep love he bears the river and the land it has enriched.</p> - -<p>As a lithographer Mr. Sandzen has no rivals in this country, perhaps -none anywhere. His love of the open is that of a poet, to whom the -out-of-doors tells something of the immanence of God.</p> - -<p>Sometimes his landscapes express the poignant loneliness that broods -over the Kansas prairie. Oftener he sees the delightful homeliness of -the farmsteads, changing the Smoky River Valley from a wilderness to a -place of hearthstones and human happiness.</p> - -<p class="r"> -MINNA K. POWELL.<br /> -</p> - -<div class="figcenter"> -<a href="images/ill_001.jpg"> -<img src="images/ill_001.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Summer</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_002.jpg"> -<img src="images/ill_002.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Stony Pasture With Cottonwood Grove</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_003.jpg"> -<img src="images/ill_003.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> The Old Homestead</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_004.jpg"> -<img src="images/ill_004.jpg" -height="550" -alt="[Image unavailable.]" /></a> -<p class="caption"> Portrait Study</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_005.jpg"> -<img src="images/ill_005.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Twilight</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_006.jpg"> -<img src="images/ill_006.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> In The Meadow</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_007.jpg"> -<img src="images/ill_007.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Home of A Pioneer</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_008.jpg"> -<img src="images/ill_008.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Smoky River</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_009.jpg"> -<img src="images/ill_009.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Hilltop</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_010.jpg"> -<img src="images/ill_010.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Willow</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_011.jpg"> -<img src="images/ill_011.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Horses in a Hilly Pasture</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_012.jpg"> -<img src="images/ill_012.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> River Motif</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_013.jpg"> -<img src="images/ill_013.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Abandoned Farmhouse</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_014.jpg"> -<img src="images/ill_014.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Trees and Hills</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_015.jpg"> -<img src="images/ill_015.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Willows by The Smoky River</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_016.jpg"> -<img src="images/ill_016.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Olof Olson’s Homestead</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_017.jpg"> -<img src="images/ill_017.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Pond With Cottonwood Trees</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_018.jpg"> -<img src="images/ill_018.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Hilly Pasture With Cows</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_019.jpg"> -<img src="images/ill_019.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> In The Park</p></div> - -<hr /> - -<div class="figcenter"> -<a href="images/ill_020.jpg"> -<img src="images/ill_020.jpg" -width="600" -alt="[Image unavailable.]" /></a> -<p class="caption"> Riverbank</p></div> - -<hr /> - -<div class="bbox"> -<p>Copies of the lithographs reproduced in this volume, limited to fifty -proofs each, may be obtained from the publisher. Prices from six to -fifty dollars each.</p> -<p> </p> -<p class="c">CARL J. SMALLEY.<br /> -Kansas City. Mo.</p> -</div> - -<hr class="full" /> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE SMOKY VALLEY ***</div> -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. 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