summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-23 17:16:02 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-23 17:16:02 -0800
commit328bbbdbaafcb240b2ae5ac8617fbf2018e84ca1 (patch)
treef7d0702a1c660b8a86ceaa5ca6d6c0de858d839a
parent279acfb6e1093a642ec31fc89c019a7edcd1a95b (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/64094-0.txt698
-rw-r--r--old/64094-0.zipbin14298 -> 0 bytes
-rw-r--r--old/64094-h.zipbin266401 -> 0 bytes
-rw-r--r--old/64094-h/64094-h.htm827
-rw-r--r--old/64094-h/images/a.pngbin4272 -> 0 bytes
-rw-r--r--old/64094-h/images/cover.jpgbin214727 -> 0 bytes
-rw-r--r--old/64094-h/images/title.pngbin39546 -> 0 bytes
10 files changed, 17 insertions, 1525 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..369fc36
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #64094 (https://www.gutenberg.org/ebooks/64094)
diff --git a/old/64094-0.txt b/old/64094-0.txt
deleted file mode 100644
index 99dc9a9..0000000
--- a/old/64094-0.txt
+++ /dev/null
@@ -1,698 +0,0 @@
-The Project Gutenberg eBook of Christmas on Wheels, by Willis Boyd Allen
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Christmas on Wheels
-
-Author: Willis Boyd Allen
-
-Release Date: December 22, 2020 [eBook #64094]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Chuck Greif, MWS and the Online Distributed Proofreading Team
- at https://www.pgdp.net (This file was produced from images
- generously made available by The Internet Archive/American
- Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK CHRISTMAS ON WHEELS ***
-
-
-
-
- CHRISTMAS
- ON WHEELS
-
- By
- WILLIS BOYD ALLEN
-
- Boston
- MDCCCXCV
-
-
-
-
- CHRISTMAS ON WHEELS.
-
-
-
-
-I.
-
-
-A railroad station in a large city is hardly an inviting spot, at its
-best; but at the close of a cheerless, blustering December day, when
-biting draughts of wind come scurrying in at every open door, filling
-the air with a gray compound of dust and fine snow; when passengers
-tramp up and down the long platform, waiting impatiently for their
-trains; when newsboys wander about with disconsolate, red faces, hands
-in pockets and bundles of unsold papers under their ragged and shivering
-arms; when, in general, human-kind presents itself as altogether a
-frozen, forlorn, discouraged, and hopeless race, condemned to be swept
-about on the nipping, dusty wind, like Francesca and her lover, at the
-rate of thirty miles an hour--then the station becomes positively
-unendurable.
-
-So thought Bob Estabrook as he paced to and fro in the Boston & Albany
-depot, traveling-bag in hand, on just such a night as I have described.
-Beside him, locomotives puffed and plunged and backed on the shining
-rails, as if they, too, felt compelled to trot up and down to keep
-themselves warm, and in even tolerably good humor.
-
-“Just my luck!” growled Bob with a misanthropic glare at a loud-voiced
-family who were passing; “Christmas coming, two jolly Brighton parties
-and an oratorio thrown up, and here am I, fired off to San Francisco. So
-much for being junior member of a law firm. Wonder what”--
-
-Here the ruffled current of his meditations ran plump against a rock,
-and as suddenly diverged from its former course. The rock was no less
-than a young person who at that moment approached with a gray-haired man
-and inquired the way to the ticket office.
-
-“Just beyond the waiting-room, on the right,” replied Bob, pointing to
-the office and lifting his hat courteously, in response to the lady’s
-question.
-
-He watched them with growing interest as they followed his directions
-and stood before the lighted window. The two silhouettes were decidedly
-out of the common. The voice, whose delicate tones still lingered
-pleasantly about Mr. Robert Estabrook’s fastidious ears, was an
-individual voice, as distinguishable from any other he remembered as was
-the owner’s bright face, the little fur collar beneath it, the
-daintily-gloved hands, and the pretty brown traveling suit.
-
-“Dignified old fellow!” mused Bob, irrelevantly, as the couple moved
-toward the train gates. “Probably her father. Perhaps--hallo! by
-George, they’re going on my car!”
-
-With which breath of summer in his winter of discontent the young man
-proceeded to finish his cigar, consult his watch, and, as the last
-warning bell rang, step upon the platform of the already moving Pullman.
-
-It must be admitted that as he entered he gave an expectant glance down
-the aisle of the car; but the sombre curtains hanging from ceiling to
-floor told no tales. Too sleepy to speculate and too learned in the
-marvelous acoustic properties of a sleeping-car to engage the porter in
-conversation on the subject, he found his berth, arranged himself for
-the night with the nonchalance of an old traveler, and, laying his head
-upon his vibrating atom of a pillow, was soon plunged into a dream at
-least fifty miles long.
-
-
-
-
-II.
-
-
-It was snowing, and snowing hard. Moreover, it had been snowing all
-night, and all the afternoon before. The wind rioted furiously over the
-broad Missouri plains, alternately building up huge castles of snow and
-throwing them down again like a fretful child; overtaking the belated
-teamster on his homeward journey, clutching him with its icy hand, and
-leaving him buried in a tomb spotless as the fairest marble; howling,
-shrieking, racing madly to and fro, never out of breath, always the same
-tireless, pitiless, awful power. Rocks, fields, sometimes even forests
-were blotted out of the landscape.
-
-A mere hyphen upon the broad white page lay the Western-bound
-train, held fast by the soft but firm hand. The fires in the
-locomotives--there were two of them--had been suffered to go out, the
-fuel in the tenders was exhausted, and the great creatures waited
-silently together, left alone in the storm, while the snow drifted
-higher and higher upon their patient backs.
-
-When Bob had waked that morning, to find the tempest more furious than
-ever, and the train stuck fast in a huge snowbank, his first thought was
-of dismay at the possible detention in the narrow limits of the Pullman,
-which seemed much colder than it had before; his next was to wonder how
-the change of fortune would affect Gertrude Raymond. Of course he had
-long ago become acquainted with the brown traveling suit and fur collar.
-Of course there had been numberless little services for him to perform
-for her and the old gentleman, who had indeed proved to be her father.
-Bob had already begun to dread the end of the journey. He had gone to
-his berth the night before wishing that San Francisco were ten days
-from Boston instead of six. Providence having taken him at his word and
-indicated that the journey would be of at least that duration, if not
-more, he was disposed, like no few of his fellow-mortals, to grumble.
-
-Once more he became misanthropic. “There’s Miss Raymond, now,” he
-growled to himself, knocking his head savagely against the upper berth
-in his attempt to look out through the frosty pane, “sitting over across
-the aisle day after day with her kid gloves and all that. Nice enough,
-of course,” recalling one or two spirited conversations where hours had
-slipped by like minutes, “but confoundedly useless like the rest of ’em.
-If she were like mother, now, there’d be no trouble. She’d take care of
-herself. But as it is, the whole car will be turned upside down for her
-to-day, for fear she’ll freeze or starve or spoil her complexion, or
-something.”
-
-Here Bob turned an extremely cold shoulder on the window, and having
-performed a sort of horizontal toilet, emerged from his berth, his hair
-on end, and his face expressive of utter defiance to the world in
-general and contempt of fashionable young ladies in particular.
-
-At that moment Miss Raymond appeared in the aisle, sweet and rosy as a
-June morning, her cheeks glowing and her eyes sparkling with fun.
-
-“Good-morning, Mr. Estabrook,” she said demurely, settling the fur
-collar about her neck.
-
-Bob endeavored to look dignified and was conscious of failure.
-
-“Good mo-morning,” he replied with some stiffness, and a shiver which
-took him by surprise. It was cold, jumping out of that warm berth.
-
-“I understand we must stay--but don’t let me detain you,” she added with
-a sly glance at his hair.
-
-Bob turned and marched off solemnly to the masculine end of the car,
-washed in ice-water, completed his toilet, and came back refreshed.
-Breakfast was formally served as usual, and then a council of war was
-held. Conductor, engineers, and brakemen being consulted, and
-inventories taken, it was found that while food was abundant, the stock
-of wood in the bins would not last till noon. There were twelve railroad
-men and thirty-five passengers on board, some twenty of the latter being
-emigrants in a second-class behind the two Pullmans.
-
-The little company gathered in the snow-bound car looked blankly at each
-other, some of them instinctively drawing their wraps more tightly about
-their shoulders, as if they already felt the approaching chill.
-
-It was miles to the nearest station in either direction. Above, below,
-on all sides, was the white blur of tumultuous, wind-lashed snow.
-
-The silence was broken pleasantly. Once more Bob felt the power of those
-clear, sweet tones.
-
-“The men must make up a party to hunt for wood,” she said. “While you’re
-gone we women will do what we can for those who are left.”
-
-The necessity for immediate action was evident, and without further
-words the council broke up, to obey her suggestion.
-
-A dozen men, looking like amateur Esquimaux, and floundering up to their
-armpits at the first step, started off through the drifts. One of the
-train-men who knew the line of the road thoroughly, was sure they must
-be near a certain clump of trees where plenty of wood could be obtained.
-Taking the precaution to move in single line, one of the engineers, a
-broad-shouldered six-footer, leading the way, and steering by compass,
-they were soon out of sight. As they struck off at right angles to the
-track, Bob thought he recognized a face pressed close to the pane and
-watching them anxiously; but he could not be sure.
-
-Two hours later the men appeared once more, some staggering under huge
-logs, some with axes, some with bundles of lighter boughs for kindling.
-In another five minutes smoke was going up cheerily from the whole line
-of cars, for the trees had proved to be less than a quarter of a mile
-distant and the supply would be plentiful before night.
-
-When Bob Estabrook stamped into his own car, hugging up a big armful of
-wood, he was a different looking fellow from the trim young lawyer who
-was wont to stand before the jury seats in the Boston Court House. He
-had on a pair of immense blue yarn mittens loaned by a kindly brakeman,
-his face was scratched with refractory twigs, his eyebrows were
-frosted, his moustache an icy caret.
-
-The average tramp might well have hesitated before acknowledging kinship
-with him.
-
-His eye roved through the length of the car as it had that first night
-in the depot. She was not there. He was as anxious as a boy for her
-praise.
-
-“Guess I’ll take it into the next car,” he said apologetically to the
-nearest passenger; “there’s more coming just behind.”
-
-She was not in the second Pullman. Of course she wasn’t in the baggage
-car. Was it possible--? He entered the third and last car, recoiling
-just a bit at the odor of crowded and unclean poverty which met him at
-the door.
-
-Sure enough, there she sat--his idle, fashionable type of
-inutility--with one frowzy child upon the seat beside her, two very
-rumpled-looking boys in front, and a baby with terracotta hair in her
-arms. Somehow, the baby’s hair against the fur collar didn’t look so
-badly as you would expect, either. She seemed to be singing it to sleep,
-and kept on with her soft crooning as she glanced up over the tangled
-red locks at snowy Bob and his armful of wood, with a look in her eyes
-that would have sent him cheerfully to Alaska for more, had there been
-need. A few seats off, I ought to say, her father was talking kindly and
-earnestly to a rough-looking man and his wife, the latter of whom wore
-the dear old gentleman’s cloak. Fathers and daughters are apt to be
-pretty much alike in these things, you see.
-
-
-
-
-III.
-
-
-With the cheerful heat of the fires, the kind offices of nearly all the
-well-dressed people to the poorer ones,--for they were not slow, these
-kid-gloved Pullman passengers, to follow Miss Raymond’s example,--the
-day wore on quietly and not unpleasantly toward its close. Then some one
-suddenly remembered that it was Christmas Eve.
-
-“Dear me!” cried Miss Raymond delightedly, reaching round the baby to
-clap her hands; “let’s have a Christmas party!”
-
-A few sighed and shook their heads as they thought of their own home
-firesides; one or two smiled indulgently on the small enthusiast;
-several chimed in at once. Conductor and baggage-master were consulted,
-and the spacious baggage car “specially engaged for the occasion,” the
-originator of the scheme triumphantly announced. Preparations commenced
-without delay. All the young people put their heads together in one
-corner, and many were the explosions of laughter as the programme grew.
-Trunks were visited by their owners and small articles abstracted
-therefrom to serve as gifts for the emigrants and train-men, to whose
-particular entertainment the evening was by common consent to be
-devoted.
-
-Just as the lamps were lighted in the train, our hero, who had
-disappeared early in the afternoon, returned, dragging after him a small
-stunted pine tree, which seemed to have strayed away from its native
-forests on purpose for the celebration. On being admitted to the grand
-hall, Bob further added to the decorations a few strings of a queer,
-mossy sort of evergreen. Hereupon a very young man with light eyebrows,
-who had hitherto been inconspicuous, suddenly appeared from the depths
-of a battered trunk, over the edge of which he had for some time been
-bent like a siphon, and with a beaming face produced a box of veritable
-tiny wax candles! He was “on the road,” he explained, for a large
-wholesale toyshop, and these were samples. He guessed he could make it
-all right with the firm.
-
-Of course the affair was a great success. I have no space to tell of the
-sheltered walk that Bob constructed of rugs from car to car; of the
-beautified interior of the old baggage car, draped with shawls and
-brightened with bits of ribbon; of the mute wonder of the poor
-emigrants, a number of whom had but just arrived from Germany, and could
-not speak a word of English; of their unbounded delight when the
-glistening tree was disclosed, and the cries of “Weihnachtsbaum!
-Weihnachtsbaum!” from their rumpled children, whose faces waked into a
-glow of blissful recollection at the sight. Ah! if you could have seen
-the pretty gifts, the brave little pine (which all the managers agreed
-couldn’t possibly have been used had it been an inch taller); the
-improvised tableaux, wherein Bob successively personated an
-organ-grinder, a pug dog, and Hamlet, amid thunders of applause from the
-brakemen and engineers! Then the passengers sang a simple Christmas
-carol, Miss Raymond leading with her pure soprano, and Bob chiming in
-like the diapason of an organ.
-
-Just as the last words died away a sudden hush came over the audience.
-Could it be an illusion, or did they hear the muffled but sweet notes of
-a church bell faintly sounding without? Tears came into the eyes of some
-of the roughest of the emigrants as they listened, and thought of a wee
-belfry somewhere in the Fatherland, where the Christmas bells were
-calling to prayers that night. The sound of the bells ceased, and the
-merriment went on, while the young man, with eyebrows lighter than ever,
-but with radiant face, let himself quietly into the car unnoticed. It
-had been his own thought to creep out into the storm, clear away the
-snow from the nearest locomotive bell, and ring it while the gayety was
-at its height.
-
-All this indeed there was, and more; but to Bob the joy and sweetness of
-the evening centred in one bright face. What mattered it if the wind
-roared and moaned about the lonely snow-drifted train, while he could
-look into those brown eyes and listen to that voice for whose every tone
-he was fast learning to watch?
-
-Well, the blockade was raised, and the long railroad trip finished at
-last. But two of its passengers, at least, have agreed to enter upon a
-still longer journey.
-
-
-
-
-IV.
-
-
-She says it all began when he came staggering in with his armful of wood
-and his blue mittens; and he? he doesn’t care at all when it began. He
-only realizes the joy that has come to him, and believes that after a
-certain day next May it will be Christmas for him all the year round.
-
-*** END OF THE PROJECT GUTENBERG EBOOK CHRISTMAS ON WHEELS ***
-
-***** This file should be named 64094-0.txt or 64094-0.zip *****
-This and all associated files of various formats will be found in:
- https://www.gutenberg.org/6/4/0/9/64094/
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/64094-0.zip b/old/64094-0.zip
deleted file mode 100644
index 145eb53..0000000
--- a/old/64094-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/64094-h.zip b/old/64094-h.zip
deleted file mode 100644
index fe028b8..0000000
--- a/old/64094-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/64094-h/64094-h.htm b/old/64094-h/64094-h.htm
deleted file mode 100644
index f28200f..0000000
--- a/old/64094-h/64094-h.htm
+++ /dev/null
@@ -1,827 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
-"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-
-<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
- <head> <link rel="coverpage" href="images/cover.jpg" />
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<title>
- The Project Gutenberg eBook of Christmas on Wheels, by Willis Boyd Allen.
-</title>
-<style type="text/css">
-big {font-size: 155%;color:#C62E0D;}
-
-body{margin-left:4%;margin-right:6%;background:#ffffff;color:black;font-family:"Times New Roman", serif;font-size:medium;}
-
-.c {text-align:center;text-indent:0%;}
-
-.cb {text-align:center;text-indent:0%;font-weight:bold;}
-
- h1 {margin-top:5%;text-align:center;clear:both;
-font-weight:normal;}
-
- h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both;
- font-size:100%;font-weight:normal;}
-
- hr {width:90%;margin:2em auto 2em auto;clear:both;color:black;}
-
- hr.full {width: 60%;margin:2% auto 2% auto;border-top:1px solid black;
-padding:.1em;border-bottom:1px solid black;border-left:none;border-right:none;}
-
- img {border:none;}
-
-.letra {font-size:250%;float:left;color:#C62E0D;}
-
-.nind {text-indent:0%;}
-
- p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;}
-
-.pagenum {font-style:normal;position:absolute;
-left:95%;font-size:55%;text-align:right;color:gray;
-background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;}
-@media print, handheld
-{.pagenum
- {display: none;}
- }
-
-small {font-size: 70%;}
-</style>
- </head>
-<body>
-<div style='text-align:center; font-size:1.2em; font-weight:bold;'>The Project Gutenberg eBook of Christmas on Wheels, by Willis Boyd Allen</div>
-<div style='display:block;margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Christmas on Wheels</div>
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Willis Boyd Allen</div>
-<div style='display:block;margin:1em 0'>Release Date: December 22, 2020 [eBook #64094]</div>
-<div style='display:block;margin:1em 0'>Language: English</div>
-<div style='display:block;margin:1em 0'>Character set encoding: UTF-8</div>
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Chuck Greif, MWS and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</div>
-<div style='margin-top:2em;margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK CHRISTMAS ON WHEELS ***</div>
-<hr class="full" />
-
-<div class="c">
-<img src="images/cover.jpg" height="550" alt="" />
-</div>
-
-<h1><img src="images/title.png"
-width="400"
-alt="CHRISTMAS
-ON WHEELS" /></h1>
-
-<p class="c">By
-WILLIS BOYD ALLEN<br /><br /><br />
-Boston<br />
-MDCCCXCV
-
-<span class="pagenum"><a name="page_1" id="page_1">{1}</a></span><br /><br /><br />
-<br /><br />
-
-<big><b>CHRISTMAS ON WHEELS.</b></big></p>
-
-<h2><a name="I" id="I"></a>I.</h2>
-
-<p class="nind">
-<span class="letra"><img src="images/a.png"
-width="125"
-alt="A"
-/></span> RAILROAD station in a large city is hardly an inviting spot, at its
-best; but at the close of a cheerless, blustering December day, when
-biting draughts of wind come scurrying in at every open door, filling
-the air with a gray compound of dust and fine snow; when passengers
-tramp up and down the long platform, waiting impatiently for their
-trains; when newsboys wander about with disconsolate, red faces, hands
-in pockets and bundles of unsold papers under their ragged and shivering
-arms; when, in general, human-kind presents itself as altogether a
-frozen, forlorn, discouraged, and hopeless race, condemned to be swept
-about on the nipping, dusty<span class="pagenum"><a name="page_2" id="page_2">{2}</a></span> wind, like Francesca and her lover, at the
-rate of thirty miles an hour&mdash;then the station becomes positively
-unendurable.</p>
-
-<p>So thought Bob Estabrook as he paced to and fro in the Boston &amp; Albany
-depot, traveling-bag in hand, on just such a night as I have described.
-Beside him, locomotives puffed and plunged and backed on the shining
-rails, as if they, too, felt compelled to trot up and down to keep
-themselves warm, and in even tolerably good humor.</p>
-
-<p>“Just my luck!” growled Bob with a misanthropic glare at a loud-voiced
-family who were passing; “Christmas coming, two jolly Brighton parties
-and an oratorio thrown up, and here am I, fired off to San Francisco. So
-much for being junior member of a law firm. Wonder what”&mdash;</p>
-
-<p>Here the ruffled current of his meditations ran plump against a rock,
-and as suddenly diverged from its former<span class="pagenum"><a name="page_3" id="page_3">{3}</a></span> course. The rock was no less
-than a young person who at that moment approached with a gray-haired man
-and inquired the way to the ticket office.</p>
-
-<p>“Just beyond the waiting-room, on the right,” replied Bob, pointing to
-the office and lifting his hat courteously, in response to the lady’s
-question.</p>
-
-<p>He watched them with growing interest as they followed his directions
-and stood before the lighted window. The two silhouettes were decidedly
-out of the common. The voice, whose delicate tones still lingered
-pleasantly about Mr. Robert Estabrook’s fastidious ears, was an
-individual voice, as distinguishable from any other he remembered as was
-the owner’s bright face, the little fur collar beneath it, the
-daintily-gloved hands, and the pretty brown traveling suit.</p>
-
-<p>“Dignified old fellow!” mused Bob, irrelevantly, as the couple moved
-to<span class="pagenum"><a name="page_4" id="page_4">{4}</a></span>ward the train gates. “Probably her father. Perhaps&mdash;hallo! by
-George, they’re going on my car!”</p>
-
-<p>With which breath of summer in his winter of discontent the young man
-proceeded to finish his cigar, consult his watch, and, as the last
-warning bell rang, step upon the platform of the already moving Pullman.</p>
-
-<p>It must be admitted that as he entered he gave an expectant glance down
-the aisle of the car; but the sombre curtains hanging from ceiling to
-floor told no tales. Too sleepy to speculate and too learned in the
-marvelous acoustic properties of a sleeping-car to engage the porter in
-conversation on the subject, he found his berth, arranged himself for
-the night with the nonchalance of an old traveler, and, laying his head
-upon his vibrating atom of a pillow, was soon plunged into a dream at
-least fifty miles long.<span class="pagenum"><a name="page_5" id="page_5">{5}</a></span></p>
-
-<h2><a name="II" id="II"></a>II.</h2>
-
-<p>It was snowing, and snowing hard. Moreover, it had been snowing all
-night, and all the afternoon before. The wind rioted furiously over the
-broad Missouri plains, alternately building up huge castles of snow and
-throwing them down again like a fretful child; overtaking the belated
-teamster on his homeward journey, clutching him with its icy hand, and
-leaving him buried in a tomb spotless as the fairest marble; howling,
-shrieking, racing madly to and fro, never out of breath, always the same
-tireless, pitiless, awful power. Rocks, fields, sometimes even forests
-were blotted out of the landscape.</p>
-
-<p>A mere hyphen upon the broad white page lay the Western-bound train,
-held fast by the soft but firm hand. The fires in the
-locomotives<span class="pagenum"><a name="page_6" id="page_6">{6}</a></span>&mdash;there were two of them&mdash;had been suffered to go out, the
-fuel in the tenders was exhausted, and the great creatures waited
-silently together, left alone in the storm, while the snow drifted
-higher and higher upon their patient backs.</p>
-
-<p>When Bob had waked that morning, to find the tempest more furious than
-ever, and the train stuck fast in a huge snowbank, his first thought was
-of dismay at the possible detention in the narrow limits of the Pullman,
-which seemed much colder than it had before; his next was to wonder how
-the change of fortune would affect Gertrude Raymond. Of course he had
-long ago become acquainted with the brown traveling suit and fur collar.
-Of course there had been numberless little services for him to perform
-for her and the old gentleman, who had indeed proved to be her father.
-Bob had already begun to dread the end of the journey. He had gone to
-his berth<span class="pagenum"><a name="page_7" id="page_7">{7}</a></span> the night before wishing that San Francisco were ten days
-from Boston instead of six. Providence having taken him at his word and
-indicated that the journey would be of at least that duration, if not
-more, he was disposed, like no few of his fellow-mortals, to grumble.</p>
-
-<p>Once more he became misanthropic. “There’s Miss Raymond, now,” he
-growled to himself, knocking his head savagely against the upper berth
-in his attempt to look out through the frosty pane, “sitting over across
-the aisle day after day with her kid gloves and all that. Nice enough,
-of course,” recalling one or two spirited conversations where hours had
-slipped by like minutes, “but confoundedly useless like the rest of ’em.
-If she were like mother, now, there’d be no trouble. She’d take care of
-herself. But as it is, the whole car will be turned upside down for her
-to-day, for fear she’ll freeze or starve or spoil her complexion, or
-something.<span class="pagenum"><a name="page_8" id="page_8">{8}</a></span>”</p>
-
-<p>Here Bob turned an extremely cold shoulder on the window, and having
-performed a sort of horizontal toilet, emerged from his berth, his hair
-on end, and his face expressive of utter defiance to the world in
-general and contempt of fashionable young ladies in particular.</p>
-
-<p>At that moment Miss Raymond appeared in the aisle, sweet and rosy as a
-June morning, her cheeks glowing and her eyes sparkling with fun.</p>
-
-<p>“Good-morning, Mr. Estabrook,” she said demurely, settling the fur
-collar about her neck.</p>
-
-<p>Bob endeavored to look dignified and was conscious of failure.</p>
-
-<p>“Good mo-morning,” he replied with some stiffness, and a shiver which
-took him by surprise. It was cold, jumping out of that warm berth.</p>
-
-<p>“I understand we must stay&mdash;but don’t let me detain you,” she added with
-a sly glance at his hair.<span class="pagenum"><a name="page_9" id="page_9">{9}</a></span></p>
-
-<p>Bob turned and marched off solemnly to the masculine end of the car,
-washed in ice-water, completed his toilet, and came back refreshed.
-Breakfast was formally served as usual, and then a council of war was
-held. Conductor, engineers, and brakemen being consulted, and
-inventories taken, it was found that while food was abundant, the stock
-of wood in the bins would not last till noon. There were twelve railroad
-men and thirty-five passengers on board, some twenty of the latter being
-emigrants in a second-class behind the two Pullmans.</p>
-
-<p>The little company gathered in the snow-bound car looked blankly at each
-other, some of them instinctively drawing their wraps more tightly about
-their shoulders, as if they already felt the approaching chill.</p>
-
-<p>It was miles to the nearest station in either direction. Above, below,
-on<span class="pagenum"><a name="page_10" id="page_10">{10}</a></span> all sides, was the white blur of tumultuous, wind-lashed snow.</p>
-
-<p>The silence was broken pleasantly. Once more Bob felt the power of those
-clear, sweet tones.</p>
-
-<p>“The men must make up a party to hunt for wood,” she said. “While you’re
-gone we women will do what we can for those who are left.”</p>
-
-<p>The necessity for immediate action was evident, and without further
-words the council broke up, to obey her suggestion.</p>
-
-<p>A dozen men, looking like amateur Esquimaux, and floundering up to their
-armpits at the first step, started off through the drifts. One of the
-train-men who knew the line of the road thoroughly, was sure they must
-be near a certain clump of trees where plenty of wood could be obtained.
-Taking the precaution to move in single line, one of the engineers, a
-broad-shouldered six-footer, leading the way, and steering by compass,
-they<span class="pagenum"><a name="page_11" id="page_11">{11}</a></span> were soon out of sight. As they struck off at right angles to the
-track, Bob thought he recognized a face pressed close to the pane and
-watching them anxiously; but he could not be sure.</p>
-
-<p>Two hours later the men appeared once more, some staggering under huge
-logs, some with axes, some with bundles of lighter boughs for kindling.
-In another five minutes smoke was going up cheerily from the whole line
-of cars, for the trees had proved to be less than a quarter of a mile
-distant and the supply would be plentiful before night.</p>
-
-<p>When Bob Estabrook stamped into his own car, hugging up a big armful of
-wood, he was a different looking fellow from the trim young lawyer who
-was wont to stand before the jury seats in the Boston Court House. He
-had on a pair of immense blue yarn mittens loaned by a kindly brakeman,
-his face was scratched with<span class="pagenum"><a name="page_12" id="page_12">{12}</a></span> refractory twigs, his eyebrows were
-frosted, his moustache an icy caret.</p>
-
-<p>The average tramp might well have hesitated before acknowledging kinship
-with him.</p>
-
-<p>His eye roved through the length of the car as it had that first night
-in the depot. She was not there. He was as anxious as a boy for her
-praise.</p>
-
-<p>“Guess I’ll take it into the next car,” he said apologetically to the
-nearest passenger; “there’s more coming just behind.”</p>
-
-<p>She was not in the second Pullman. Of course she wasn’t in the baggage
-car. Was it possible&mdash;? He entered the third and last car, recoiling
-just a bit at the odor of crowded and unclean poverty which met him at
-the door.</p>
-
-<p>Sure enough, there she sat&mdash;his idle, fashionable type of
-inutility&mdash;with one frowzy child upon the seat beside her, two very
-rumpled-looking boys in front, and a baby with terracotta hair in her
-arms. Somehow, the<span class="pagenum"><a name="page_13" id="page_13">{13}</a></span> baby’s hair against the fur collar didn’t look so
-badly as you would expect, either. She seemed to be singing it to sleep,
-and kept on with her soft crooning as she glanced up over the tangled
-red locks at snowy Bob and his armful of wood, with a look in her eyes
-that would have sent him cheerfully to Alaska for more, had there been
-need. A few seats off, I ought to say, her father was talking kindly and
-earnestly to a rough-looking man and his wife, the latter of whom wore
-the dear old gentleman’s cloak. Fathers and daughters are apt to be
-pretty much alike in these things, you see.<span class="pagenum"><a name="page_14" id="page_14">{14}</a></span></p>
-
-<h2><a name="III" id="III"></a>III.</h2>
-
-<p>With the cheerful heat of the fires, the kind offices of nearly all the
-well-dressed people to the poorer ones,&mdash;for they were not slow, these
-kid-gloved Pullman passengers, to follow Miss Raymond’s example,&mdash;the
-day wore on quietly and not unpleasantly toward its close. Then some one
-suddenly remembered that it was Christmas Eve.</p>
-
-<p>“Dear me!” cried Miss Raymond delightedly, reaching round the baby to
-clap her hands; “let’s have a Christmas party!”</p>
-
-<p>A few sighed and shook their heads as they thought of their own home
-firesides; one or two smiled indulgently on the small enthusiast;
-several chimed in at once. Conductor and baggage-master were consulted,
-and the spacious baggage car “specially<span class="pagenum"><a name="page_15" id="page_15">{15}</a></span> engaged for the occasion,” the
-originator of the scheme triumphantly announced. Preparations commenced
-without delay. All the young people put their heads together in one
-corner, and many were the explosions of laughter as the programme grew.
-Trunks were visited by their owners and small articles abstracted
-therefrom to serve as gifts for the emigrants and train-men, to whose
-particular entertainment the evening was by common consent to be
-devoted.</p>
-
-<p>Just as the lamps were lighted in the train, our hero, who had
-disappeared early in the afternoon, returned, dragging after him a small
-stunted pine tree, which seemed to have strayed away from its native
-forests on purpose for the celebration. On being admitted to the grand
-hall, Bob further added to the decorations a few strings of a queer,
-mossy sort of evergreen. Hereupon a very young man with light eyebrows,
-who had hitherto been<span class="pagenum"><a name="page_16" id="page_16">{16}</a></span> inconspicuous, suddenly appeared from the depths
-of a battered trunk, over the edge of which he had for some time been
-bent like a siphon, and with a beaming face produced a box of veritable
-tiny wax candles! He was “on the road,” he explained, for a large
-wholesale toyshop, and these were samples. He guessed he could make it
-all right with the firm.</p>
-
-<p>Of course the affair was a great success. I have no space to tell of the
-sheltered walk that Bob constructed of rugs from car to car; of the
-beautified interior of the old baggage car, draped with shawls and
-brightened with bits of ribbon; of the mute wonder of the poor
-emigrants, a number of whom had but just arrived from Germany, and could
-not speak a word of English; of their unbounded delight when the
-glistening tree was disclosed, and the cries of “Weihnachtsbaum!
-Weihnachtsbaum!” from their rumpled children, whose faces waked into<span class="pagenum"><a name="page_17" id="page_17">{17}</a></span> a
-glow of blissful recollection at the sight. Ah! if you could have seen
-the pretty gifts, the brave little pine (which all the managers agreed
-couldn’t possibly have been used had it been an inch taller); the
-improvised tableaux, wherein Bob successively personated an
-organ-grinder, a pug dog, and Hamlet, amid thunders of applause from the
-brakemen and engineers! Then the passengers sang a simple Christmas
-carol, Miss Raymond leading with her pure soprano, and Bob chiming in
-like the diapason of an organ.</p>
-
-<p>Just as the last words died away a sudden hush came over the audience.
-Could it be an illusion, or did they hear the muffled but sweet notes of
-a church bell faintly sounding without? Tears came into the eyes of some
-of the roughest of the emigrants as they listened, and thought of a wee
-belfry somewhere in the Fatherland, where the Christmas bells were
-calling to prayers that night. The sound of the<span class="pagenum"><a name="page_18" id="page_18">{18}</a></span> bells ceased, and the
-merriment went on, while the young man, with eyebrows lighter than ever,
-but with radiant face, let himself quietly into the car unnoticed. It
-had been his own thought to creep out into the storm, clear away the
-snow from the nearest locomotive bell, and ring it while the gayety was
-at its height.</p>
-
-<p>All this indeed there was, and more; but to Bob the joy and sweetness of
-the evening centred in one bright face. What mattered it if the wind
-roared and moaned about the lonely snow-drifted train, while he could
-look into those brown eyes and listen to that voice for whose every tone
-he was fast learning to watch?</p>
-
-<p>Well, the blockade was raised, and the long railroad trip finished at
-last. But two of its passengers, at least, have agreed to enter upon a
-still longer journey.<span class="pagenum"><a name="page_19" id="page_19">{19}</a></span></p>
-
-<h2><a name="IV" id="IV"></a>IV.</h2>
-
-<p>She says it all began when he came staggering in with his armful of wood
-and his blue mittens; and he? he doesn’t care at all when it began. He
-only realizes the joy that has come to him, and believes that after a
-certain day next May it will be Christmas for him all the year round.</p>
-
-<hr class="full" />
-<div style='display:block;margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK CHRISTMAS ON WHEELS ***</div>
-<div style='display:block;margin:1em 0;'>This file should be named 64094-h.htm or 64094-h.zip</div>
-<div style='display:block;margin:1em 0;'>This and all associated files of various formats will be found in https://www.gutenberg.org/6/4/0/9/64094/</div>
-<div style='display:block;margin:1em 0'>
-Updated editions will replace the previous one&mdash;the old editions will
-be renamed.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&trade; electronic works to protect the PROJECT GUTENBERG&trade;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away&mdash;you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller;'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block;margin:1em 0'>
-To protect the Project Gutenberg&trade; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &ldquo;Project
-Gutenberg&rdquo;), you agree to comply with all the terms of the Full
-Project Gutenberg&trade; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block;font-size:1.1em;margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&trade; electronic works
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&trade;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&trade; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&trade; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&trade; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&trade; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&trade;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the
-Foundation&rdquo; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&trade; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&trade; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&trade;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&trade; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&trade; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&trade; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&trade; License must appear
-prominently whenever any copy of a Project Gutenberg&trade; work (any work
-on which the phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the
-phrase &ldquo;Project Gutenberg&rdquo; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block;margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block;margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&trade; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &ldquo;Project
-Gutenberg&rdquo; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&trade;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&trade; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&trade; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&trade;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&trade;.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&trade; License.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&trade; work in a format
-other than &ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official
-version posted on the official Project Gutenberg&trade; web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &ldquo;Plain
-Vanilla ASCII&rdquo; or other form. Any alternate format must include the
-full Project Gutenberg&trade; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&trade; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&trade; electronic works
-provided that
-</div>
-
-<ul style='display: block;list-style-type: disc;margin-top: 1em;margin-bottom: 1em;margin-left: 0;margin-right: 0;padding-left: 40px;'>
- <li style='display: list-item;'>
- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&trade; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&trade; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &ldquo;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&rdquo;
- </li>
-
- <li style='display: list-item;'>
- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&trade;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&trade;
- works.
- </li>
-
- <li style='display: list-item;'>
- You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </li>
-
- <li style='display: list-item;'>
- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&trade; works.
- </li>
-</ul>
-
-<div style='display:block;margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&trade; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg&trade;
-trademark. Contact the Foundation as set forth in Section 3 below.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&trade; collection. Despite these efforts, Project Gutenberg&trade;
-electronic works, and the medium on which they may be stored, may
-contain &ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
-of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&trade; trademark, and any other party distributing a Project
-Gutenberg&trade; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block;margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&trade; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&trade;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&trade; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&trade; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block;font-size:1.1em;margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&trade;
-</div>
-
-<div style='display:block;margin:1em 0'>
-Project Gutenberg&trade; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&trade;&rsquo;s
-goals and ensuring that the Project Gutenberg&trade; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&trade; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block;font-size:1.1em;margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block;margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&rsquo;s laws.
-</div>
-
-<div style='display:block;margin:1em 0'>
-The Foundation&rsquo;s principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation&rsquo;s web site and
-official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block;margin:1em 0'>
-For additional contact information:
-</div>
-
-<div style='display:block;margin-top:1em;margin-bottom:1em; margin-left:2em;'>
-Dr. Gregory B. Newby<br />
-Chief Executive and Director<br />
-gbnewby@pglaf.org
-</div>
-
-<div style='display:block;font-size:1.1em;margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block;margin:1em 0'>
-Project Gutenberg&trade; depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block;margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block;margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block;margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block;font-size:1.1em;margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&trade; electronic works.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&trade; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&trade; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Project Gutenberg&trade; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block;margin:1em 0'>
-Most people start at our Web site which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block;margin:1em 0'>
-This Web site includes information about Project Gutenberg&trade;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</body>
-</html>
diff --git a/old/64094-h/images/a.png b/old/64094-h/images/a.png
deleted file mode 100644
index 27cc6b2..0000000
--- a/old/64094-h/images/a.png
+++ /dev/null
Binary files differ
diff --git a/old/64094-h/images/cover.jpg b/old/64094-h/images/cover.jpg
deleted file mode 100644
index 2c12ead..0000000
--- a/old/64094-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/64094-h/images/title.png b/old/64094-h/images/title.png
deleted file mode 100644
index 127aacc..0000000
--- a/old/64094-h/images/title.png
+++ /dev/null
Binary files differ