From 942f87a42a8c2ed654562175d68496bd911400e7 Mon Sep 17 00:00:00 2001 From: nfenwick Date: Mon, 27 Jan 2025 18:56:52 -0800 Subject: Normalize --- .gitattributes | 4 + LICENSE.txt | 11 + README.md | 2 + old/60995-h.zip | Bin 278333 -> 0 bytes old/60995-h/60995-h.htm | 915 ------------------------------------------- old/60995-h/images/cover.jpg | Bin 264811 -> 0 bytes old/60995.txt | 811 -------------------------------------- old/60995.zip | Bin 13721 -> 0 bytes 8 files changed, 17 insertions(+), 1726 deletions(-) create mode 100644 .gitattributes create mode 100644 LICENSE.txt create mode 100644 README.md delete mode 100644 old/60995-h.zip delete mode 100644 old/60995-h/60995-h.htm delete mode 100644 old/60995-h/images/cover.jpg delete mode 100644 old/60995.txt delete mode 100644 old/60995.zip diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..ad13100 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #60995 (https://www.gutenberg.org/ebooks/60995) diff --git a/old/60995-h.zip b/old/60995-h.zip deleted file mode 100644 index 718dbf8..0000000 Binary files a/old/60995-h.zip and /dev/null differ diff --git a/old/60995-h/60995-h.htm b/old/60995-h/60995-h.htm deleted file mode 100644 index c120fe0..0000000 --- a/old/60995-h/60995-h.htm +++ /dev/null @@ -1,915 +0,0 @@ - - - - - - - The Project Gutenberg eBook of february Strawberries, by Jim Harmon. - - - - - - - - -
-
-The Project Gutenberg EBook of February Strawberries, by Jim Harmon
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever.  You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: February Strawberries
-
-Author: Jim Harmon
-
-Release Date: December 22, 2019 [EBook #60995]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FEBRUARY STRAWBERRIES ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
- - -
- -
- -
- -
- -

FEBRUARY STRAWBERRIES

- -

By JIM HARMON

- -

How much is the impossible worth?

- -

[Transcriber's Note: This etext was produced from
-Worlds of If Science Fiction, March 1961.
-Extensive research did not uncover any evidence that
-the U.S. copyright on this publication was renewed.]

- -
- -
- -

Linton lay down his steel fork beside the massively solid transparency -of the restaurant water glass.

- -

"Isn't that Rogers Snead at that table?" he heard himself say stupidly.

- -

Howell, the man across the table from him, looked embarrassed without -looking. "Not at all. Somebody who looks like him. Twin brother. You -know how it is. Snead's dead, don't you remember?"

- -

Linton remembered. Howell had to know that he would remember. What -were they trying to pull on him? "The man who isn't Snead is leaving," -Linton said, describing the scene over Howell's shoulder. "If that's -Snead's brother, I might catch him to pay my respects."

- -

"No," Howell said, "I wouldn't do that."

- -

"Snead came to Greta's funeral. It's the least I could do."

- -

"I wouldn't. Probably no relation to Snead at all. Somebody who looks -like him."

- -

"He's practically running," Linton said. "He almost ran out of the -restaurant."

- -

"Who? Oh, the man who looked like Snead, you mean."

- -

"Yes," Linton said.

- -

A thick-bodied man at the next table leaned his groaning chair back -intimately against Linton's own chair.

- -

"That fellow who just left looked like a friend of yours, huh?" the -thick man said.

- -

"Couldn't have been him, though," Linton answered automatically. "My -friend's dead."

- -

The thick man rocked forward and came down on all six feet. He threw -paper money on the table as if he were disgusted with it. He plodded -out of the place quickly.

- -

Howell breathed in deeply and sucked back Linton's attention. "Now -you've probably got old Snead into trouble."

- -

"Snead's dead," Linton said.

- -

"Oh, well, 'dead,'" Howell replied.

- -

"What do you say it like that for?" Linton demanded angrily. "The -man's dead. Plain dead. He's not Sherlock Holmes or the Frankenstein -Monster—there's no doubt or semantic leeway to the thing."

- -

"You know how it is," Howell said.

- -

Linton had thought he had known how death was. He had buried his wife, -or rather he had watched the two workmen scoop and shove dirt in on -the sawdust-fresh pine box that held the coffin. He had known what he -sincerely felt to be a genuine affection for Greta. Even after they had -let him out of the asylum as cured, he still secretly believed he had -known a genuine affection for her. But it didn't seem he knew about -death at all.

- -

Linton felt that his silence was asking Howell by this time.

- -

"I don't know, mind you," Howell said, puffing out tobacco smoke, "but -I suppose he might have been resurrected."

- -

"Who by?" Linton asked, thinking: God?

- -

"The Mafia, I guess. Who knows who runs it?"

- -

"You mean, somebody has invented a way to bring dead people back to -life?" Linton said.

- -
- -

He knew, of course, that Howell did not mean that. Howell meant that -some people had a system of making it appear that a person had died -in order to gain some illegal advantage. But by saying something so -patently ridiculous, Linton hoped to bring the contradicting truth to -the surface immediately.

- -

"An invention? I guess that's how it is," Howell agreed. "I don't know -much about people like that. I'm an honest businessman."

- -

"But it's wonderful," Linton said, thinking his immediate thoughts. -"Wonderful! Why should a thing like that be illegal? Why don't I know -about it?"

- -

"Sh-h," Howell said uneasily. "This is a public place."

- -

"I don't understand," Linton said helplessly.

- -

"Look, Frank, you can't legalize a thing like resurrection," Howell -said with feigned patience. "There are strong religious convictions to -consider. The undertakers have a lobby. I've heard they got spies right -in the White House, ready to assassinate if they have to. Death is -their whole life. You got to realize that."

- -

"That's not enough. Not nearly enough."

- -

"Think of all the problems it would cause. Insurance, for one thing. -Overpopulation. Birth control is a touchy subject. They'd have to take -it up if everybody got resurrected when they died, wouldn't they?"

- -

"But what do they do about it? Against it?"

- -

"There are a lot of fakes and quacks in the resurrection business. When -the cops find out about a place, they break in, smash all the equipment -and arrest everybody in sight. That's about all they can do. The -charges, if any, come under general vice classification."

- -

"I don't understand," Linton complained. "Why haven't I heard about it?"

- -

"They didn't talk much about white slavery in Victorian England. I read -an article in Time the other day that said 'death' was our dirty -word, not sex. You want to shock somebody, you tell him, 'You're going -to be dead someday,' not anything sexual. You know how it is. The -opposite of 'live' these days is 'video-taped.'"

- -

"I see," Linton said.

- -

He tried to assimilate it. Of course he had, he reminded himself, been -out of touch for some time. It might be true. Then again, they might be -trying to trick him. They used to do that to see if he was really well. -But the temptation was too strong.

- -

"Tell me, Howell, where could I find a resurrectionist?"

- -

Howell looked away. "Frank, I don't have anything to do with that kind -of people and if you're smart, you'll not either."

- -

Linton's fingers imprinted the linen. "Damn you, Howell, you tell me!"

- -

Howell climbed to his feet hurriedly. "I take you out to dinner to -console you over the loss of your wife a half a year ago, and to make -you feel welcome back to the society of your fellows after being in the -hospital for a nervous breakdown. I do all that, and for thanks, you -yell at me and curse me. You kooks are all alike!"

- -

Howell threw money on the table with the same kind of disinterest as -the thick-set man and stalked out.

- -

I've got to hurry too, Linton thought. It's Resurrection Day!

- -
- -

The doctor fluttered his hands and chirped about the office. "Well, -well, Mr. Linton, we understand you've been causing disturbances."

- -

"Not really," Linton said modestly.

- -

"Come, come," the doctor chided. "You started riots in two places, -attempted to bribe an officer. That's disturbing, Mr. Linton, very -disturbing."

- -

"I was only trying to find out something," Linton maintained. "They -could have told me. Everybody seems to know but me."

- -

The doctor clucked his tongue. "Let's not think any such thing. People -don't know more than you do."

- -

Linton rubbed his shoulder. "That cop knew more about Judo holds than I -did."

- -

"A few specific people know a few specific things you don't. But let me -ask you, Mr. Linton, could Einstein bake a pie?"

- -

"I don't know. Who the hell ever wasted Einstein's time asking him a -thing like that?"

- -

"People who want to know the answers to questions have to ask them. You -can find out anything by asking the right questions of the right person -at the right time."

- -

Linton stared suspiciously. "Do you know where I can find a -resurrectionist?"

- -

"I am a resurrectionist."

- -

"But the policeman brought me to you!"

- -

"Well, that's what you paid him to do, wasn't it? Did you think a -policeman would just steal your money? Cynics—all you young people are -cynics."

- -

Linton scooted forward on the insultingly cold metal chair and really -looked at the doctor for the first time.

- -

"Doctor, can you really resurrect the dead?"

- -

"Will you stop being cynical? Of course I can!"

- -

"Doctor, I'm beginning to believe in you," Linton said, "but tell me, -can you resurrect the long dead?"

- -

"Size has nothing to do with it."

- -

"No, my wife has been dead a long time. Months."

- -

"Months?" The doctor snapped those weeks away with his fingers. "It -could be years. Centuries. It's all mathematics, my boy. I need only -one fragment of the body and my computers can compute what the rest -of it was like and recreate it. It's infallible. Naturally there is a -degree of risk involved."

- -

"Infallible risk, yes," Linton murmured. "Could you go to work right -away?"

- -

"First, I must follow an ancient medical practice. I must bleed you."

- -

Linton grasped the situation immediately. "You mean you want money. You -realize I've just got out of an institution...."

- -

"I've often been in institutions myself, for alcoholism, narcotics -addiction and more."

- -

"What a wonderful professional career," Linton said, when he couldn't -care less.

- -

"Oh, yes—yes, indeed. But I didn't come out broke."

- -

"Neither did I," Linton said hastily. "I invested in shifty stocks, -faltering bonds, and while I was away they sank to rock bottom."

- -

"Then—"

- -

"When they hit rock bottom, they bounced up. If I hadn't found you, I -would have been secure for the rest of my lonely, miserable life."

- -

"All that's ended now," the doctor assured him. "Now we must go dig up -the corpse. The female corpse, eh?"

- -

Resurrection Day!

- -

"Doctor," Linton whispered, "my mind is singing with battalions of -choirs. I hope that doesn't sound irreverent to you."

- -

The doctor stroked his oily palms together. "Oh, but it does. -Beautifully."

- -
- -

The certificate to allow reburial in Virginia hadn't been impossible -to obtain. The doctor had taken the body and Linton's fortune and fed -them both into the maw of his calculators, and by means of the secret, -smuggled formulae, Greta would be cybernetically reborn.

- -

Linton shook his head. It seemed impossible. But Greta opened the -olive-drab slab of metal of the door to the doctor's inner-inner -sanctum and walked out into the medicinal cold fluorescent lighting.

- -

It wasn't fair at all, Linton thought. He should have had some time to -prepare himself.

- -

Greta lifted her arms, stretching the white smock over the lines of her -body. "Darling!" she said.

- -

"Greta!" he said, feeling a slight revulsion but repressing it. No -doubt he would be able to adjust to her once having been dead the same -way he had learned to accept the, to him, distasteful duty of kissing -her ears the way she enjoyed.

- -

Greta swirled across the room and folded her arms across his shoulders. -She kissed his cheek. "It's so wonderful to be back. This calls for a -celebration. We must see Nancy, Oscar, Johnny, all our old friends."

- -

"Yes," he said, his heart lurching for her sad ignorance. "But tell -me—how was it being away?"

- -

The curves and angles of her flesh changed their positions against his -Ivy dacron. Her attitude altered.

- -

"I can't remember," she said. "I can't really remember anything. Not -really. My memories are ghosts...."

- -

"Now, now," Linton said, "we mustn't get excited. You've been through a -trial."

- -

She accepted the verdict. She pulled away and touched at her hair. It -was the same hair, black as evil, contrasting with her inner purity. Of -course it would be; it hadn't changed even in the grave. He remembered -the snaky tendrils of it growing out of the water-logged casket.

- -

"I must see all our old friends," Greta persisted. "Helen and -Johnny...."

- -

"My darling," he said gently, "about Johnny—"

- -

Her fine black brows made Gothic arches. "Yes? What about Johnny?"

- -

"It was a terrible accident right after—that is, about five months -ago. He was killed."

- -

"Killed?" Greta repeated blankly. "Johnny Gorman was killed?"

- -

"Traffic accident. Killed instantly."

- -

"But Johnny was your friend, your best friend. Why didn't you have him -resurrected the same way you did me?"

- -

"Darling, resurrection is a risky business and an expensive one. You -have to pay premium prices for strawberries in February. I no longer -have the money to pay for a resurrection of Johnny."

- -

Greta turned her back to him. "It's just as well. You shouldn't bring -back Johnny to this dream of life, give him a ghost of mind and the -photograph of a soul. It's monstrous. No one should do that. No one. -But you're sure you haven't the money to do it?"

- -

"No," Linton said. "I'm sold out. I've borrowed on my insurance to the -hilt. It won't pay any more until I'm buried, and then, of course, you -can resurrect me."

- -

"Of course," Greta said. She sighed. "Poor Johnny. He was such a good -friend of yours. You must miss him. I'm so sorry for you."

- -

"I have you," he said with great simplicity.

- -

"Frank," she said, "you should see that place in there. There are -foaming acid baths, great whale-toothed disposals, barrels of chemicals -to quench death and smother decay. It's perfect."

- -

"It sounds carnal," he said uneasily.

- -

"No, dear, it's perfect for some things that have to be done."

- -

Her eyes flashed around the doctor's office and settled somewhere, on -something.

- -

Linton followed the direction of Greta's gaze and found only an ashtray -stand, looking vaguely like a fanatic's idol to a heathen religion on a -pedestal.

- -

Greta pounced on the stand, hefted it at the base and ran toward him -with it over her head.

- -

Linton leaped aside and Greta hit the edge of the desk instead of him.

- -

Brain damage, he concluded nervously. Cell deterioration.

- -
- -

Greta raised it again and he caught her wrists high over her head. She -writhed against him provocatively. "Frank, I'm sorry, dear, but I have -to have that insurance money. It's hell!"

- -

Linton understood immediately. He felt foolish, humiliated. All that -money! He had resurrected a gold ring that had turned his knuckles -green. No one must ever know.

- -

Linton twisted the stand away from his wife and watched her face -in some appalled form of satisfaction as it registered horror and -acceptance of the crumpled metal disk falling toward it.

- -

He split her head open and watched her float to the floor.

- -

Linton was surprised at the fine wire mesh just below the skin and -those shiny little tabs that looked like pictures of transistors in -institutional advertising.

- -

He knelt beside the body and poked into the bleeding, smoldering -wreckage.

- -

Yes, it seemed they had to automate and modify the bodies somewhat -in resurrection. They couldn't chemically revive the old corpse like -pouring water on a wilted geranium.

- -

Or—

- -

Did they use the old bodies at all? What were all those acid baths for -if the bodies were used? Didn't the resurrectionists just destroy the -old corpses and make androids, synthetic creatures, to take their place?

- -

But it didn't matter. Not a bit.

- -

She had thought she was his wife, sharing her viewpoint down to the -finest detail, and he had thought she was his wife.

- -

It was what you thought was real that made it so, not the other way -around.

- -

"I've killed my wife!" Linton called, rising from his knees, stretching -his hands out to something.

- -

The pain stung him to sleep—a pain in his neck like a needle that left -a hole big enough for a camel to pass through and big enough for him to -follow the camel in his turn.

- -
- -

He opened his eyes to the doctor's spotless, well-ordered office. The -doctor looked down at him consolingly. "You'll have to go back, Mr. -Linton. But they'll cure you. You'll be cured of ever thinking your -wife was brought back to life and that you killed her all over again."

- -

"Do you really think so, Doctor?" Linton asked hopefully.

- - - - - - - - -
-
-
-
-
-
-End of the Project Gutenberg EBook of February Strawberries, by Jim Harmon
-
-*** END OF THIS PROJECT GUTENBERG EBOOK FEBRUARY STRAWBERRIES ***
-
-***** This file should be named 60995-h.htm or 60995-h.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/6/0/9/9/60995/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties.  Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark.  Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission.  If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy.  You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research.  They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks.  Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A.  By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement.  If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B.  "Project Gutenberg" is a registered trademark.  It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement.  There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement.  See
-paragraph 1.C below.  There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works.  See paragraph 1.E below.
-
-1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works.  Nearly all the individual works in the
-collection are in the public domain in the United States.  If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed.  Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work.  You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D.  The copyright laws of the place where you are located also govern
-what you can do with this work.  Copyright laws in most countries are in
-a constant state of change.  If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work.  The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E.  Unless you have removed all references to Project Gutenberg:
-
-1.E.1.  The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever.  You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges.  If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder.  Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5.  Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6.  You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form.  However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form.  Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7.  Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8.  You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
-     the use of Project Gutenberg-tm works calculated using the method
-     you already use to calculate your applicable taxes.  The fee is
-     owed to the owner of the Project Gutenberg-tm trademark, but he
-     has agreed to donate royalties under this paragraph to the
-     Project Gutenberg Literary Archive Foundation.  Royalty payments
-     must be paid within 60 days following each date on which you
-     prepare (or are legally required to prepare) your periodic tax
-     returns.  Royalty payments should be clearly marked as such and
-     sent to the Project Gutenberg Literary Archive Foundation at the
-     address specified in Section 4, "Information about donations to
-     the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
-     you in writing (or by e-mail) within 30 days of receipt that s/he
-     does not agree to the terms of the full Project Gutenberg-tm
-     License.  You must require such a user to return or
-     destroy all copies of the works possessed in a physical medium
-     and discontinue all use of and all access to other copies of
-     Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
-     money paid for a work or a replacement copy, if a defect in the
-     electronic work is discovered and reported to you within 90 days
-     of receipt of the work.
-
-- You comply with all other terms of this agreement for free
-     distribution of Project Gutenberg-tm works.
-
-1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1.  Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection.  Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from.  If you
-received the work on a physical medium, you must return the medium with
-your written explanation.  The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund.  If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund.  If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4.  Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5.  Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law.  The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section  2.  Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers.  It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come.  In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3.  Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service.  The Foundation's EIN or federal tax identification
-number is 64-6221541.  Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations.  Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org.  Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
-     Dr. Gregory B. Newby
-     Chief Executive and Director
-     gbnewby@pglaf.org
-
-
-Section 4.  Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment.  Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States.  Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements.  We do not solicit donations in locations
-where we have not received written confirmation of compliance.  To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States.  U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses.  Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5.  General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone.  For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included.  Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
-     http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
- - - diff --git a/old/60995-h/images/cover.jpg b/old/60995-h/images/cover.jpg deleted file mode 100644 index f8be5e7..0000000 Binary files a/old/60995-h/images/cover.jpg and /dev/null differ diff --git a/old/60995.txt b/old/60995.txt deleted file mode 100644 index 978e67b..0000000 --- a/old/60995.txt +++ /dev/null @@ -1,811 +0,0 @@ -The Project Gutenberg EBook of February Strawberries, by Jim Harmon - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: February Strawberries - -Author: Jim Harmon - -Release Date: December 22, 2019 [EBook #60995] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK FEBRUARY STRAWBERRIES *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - - - - - _FEBRUARY STRAWBERRIES_ - - By JIM HARMON - - _How much is the impossible worth?_ - - [Transcriber's Note: This etext was produced from - Worlds of If Science Fiction, March 1961. - Extensive research did not uncover any evidence that - the U.S. copyright on this publication was renewed.] - - -Linton lay down his steel fork beside the massively solid transparency -of the restaurant water glass. - -"Isn't that Rogers Snead at that table?" he heard himself say stupidly. - -Howell, the man across the table from him, looked embarrassed without -looking. "Not at all. Somebody who looks like him. Twin brother. You -know how it is. Snead's dead, don't you remember?" - -Linton remembered. Howell had to know that he would remember. What -were they trying to pull on him? "The man who isn't Snead is leaving," -Linton said, describing the scene over Howell's shoulder. "If that's -Snead's brother, I might catch him to pay my respects." - -"No," Howell said, "I wouldn't do that." - -"Snead came to Greta's funeral. It's the least I could do." - -"I wouldn't. Probably no relation to Snead at all. Somebody who looks -like him." - -"He's practically running," Linton said. "He almost ran out of the -restaurant." - -"Who? Oh, the man who looked like Snead, you mean." - -"Yes," Linton said. - -A thick-bodied man at the next table leaned his groaning chair back -intimately against Linton's own chair. - -"That fellow who just left looked like a friend of yours, huh?" the -thick man said. - -"Couldn't have been him, though," Linton answered automatically. "My -friend's dead." - -The thick man rocked forward and came down on all six feet. He threw -paper money on the table as if he were disgusted with it. He plodded -out of the place quickly. - -Howell breathed in deeply and sucked back Linton's attention. "Now -you've probably got old Snead into trouble." - -"Snead's dead," Linton said. - -"Oh, well, 'dead,'" Howell replied. - -"What do you say it like that for?" Linton demanded angrily. "The -man's dead. Plain dead. He's not Sherlock Holmes or the Frankenstein -Monster--there's no doubt or semantic leeway to the thing." - -"You know how it is," Howell said. - -Linton had thought he had known how death was. He had buried his wife, -or rather he had watched the two workmen scoop and shove dirt in on -the sawdust-fresh pine box that held the coffin. He had known what he -sincerely felt to be a genuine affection for Greta. Even after they had -let him out of the asylum as cured, he still secretly believed he had -known a genuine affection for her. But it didn't seem he knew about -death at all. - -Linton felt that his silence was asking Howell by this time. - -"I don't know, mind you," Howell said, puffing out tobacco smoke, "but -I suppose he might have been resurrected." - -"Who by?" Linton asked, thinking: _God?_ - -"The Mafia, I guess. Who knows who runs it?" - -"You mean, somebody has invented a way to bring dead people back to -life?" Linton said. - - * * * * * - -He knew, of course, that Howell did not mean that. Howell meant that -some people had a system of making it appear that a person had died -in order to gain some illegal advantage. But by saying something so -patently ridiculous, Linton hoped to bring the contradicting truth to -the surface immediately. - -"An invention? I guess that's how it is," Howell agreed. "I don't know -much about people like that. I'm an honest businessman." - -"But it's wonderful," Linton said, thinking his immediate thoughts. -"Wonderful! Why should a thing like that be illegal? Why don't I know -about it?" - -"Sh-h," Howell said uneasily. "This is a public place." - -"I don't understand," Linton said helplessly. - -"Look, Frank, you can't legalize a thing like resurrection," Howell -said with feigned patience. "There are strong religious convictions to -consider. The undertakers have a lobby. I've heard they got spies right -in the White House, ready to assassinate if they have to. Death is -their whole life. You got to realize that." - -"That's not enough. Not nearly enough." - -"Think of all the problems it would cause. Insurance, for one thing. -Overpopulation. Birth control is a touchy subject. They'd have to take -it up if everybody got resurrected when they died, wouldn't they?" - -"But what do they do about it? Against it?" - -"There are a lot of fakes and quacks in the resurrection business. When -the cops find out about a place, they break in, smash all the equipment -and arrest everybody in sight. That's about all they can do. The -charges, if any, come under general vice classification." - -"I don't understand," Linton complained. "Why haven't I heard about it?" - -"They didn't talk much about white slavery in Victorian England. I read -an article in _Time_ the other day that said 'death' was our dirty -word, not sex. You want to shock somebody, you tell him, 'You're going -to be dead someday,' not anything sexual. You know how it is. The -opposite of 'live' these days is 'video-taped.'" - -"I see," Linton said. - -He tried to assimilate it. Of course he had, he reminded himself, been -out of touch for some time. It might be true. Then again, they might be -trying to trick him. They used to do that to see if he was really well. -But the temptation was too strong. - -"Tell me, Howell, where could I find a resurrectionist?" - -Howell looked away. "Frank, I don't have anything to do with that kind -of people and if you're smart, you'll not either." - -Linton's fingers imprinted the linen. "Damn you, Howell, you tell me!" - -Howell climbed to his feet hurriedly. "I take you out to dinner to -console you over the loss of your wife a half a year ago, and to make -you feel welcome back to the society of your fellows after being in the -hospital for a nervous breakdown. I do all that, and for thanks, you -yell at me and curse me. You kooks are all alike!" - -Howell threw money on the table with the same kind of disinterest as -the thick-set man and stalked out. - -I've got to hurry too, Linton thought. It's Resurrection Day! - - * * * * * - -The doctor fluttered his hands and chirped about the office. "Well, -well, Mr. Linton, we understand you've been causing disturbances." - -"Not really," Linton said modestly. - -"Come, come," the doctor chided. "You started riots in two places, -attempted to bribe an officer. That's disturbing, Mr. Linton, very -disturbing." - -"I was only trying to find out something," Linton maintained. "They -could have told me. Everybody seems to know but me." - -The doctor clucked his tongue. "Let's not think any such thing. People -don't know more than you do." - -Linton rubbed his shoulder. "That cop knew more about Judo holds than I -did." - -"A few specific people know a few specific things you don't. But let me -ask you, Mr. Linton, could Einstein bake a pie?" - -"I don't know. Who the hell ever wasted Einstein's time asking him a -thing like that?" - -"People who want to know the answers to questions have to ask them. You -can find out anything by asking the right questions of the right person -at the right time." - -Linton stared suspiciously. "Do you know where I can find a -resurrectionist?" - -"I am a resurrectionist." - -"But the policeman brought me to you!" - -"Well, that's what you paid him to do, wasn't it? Did you think a -policeman would just steal your money? Cynics--all you young people are -cynics." - -Linton scooted forward on the insultingly cold metal chair and really -looked at the doctor for the first time. - -"Doctor, can you _really_ resurrect the dead?" - -"Will you stop being cynical? Of course I can!" - -"Doctor, I'm beginning to believe in you," Linton said, "but tell me, -can you resurrect the _long_ dead?" - -"Size has nothing to do with it." - -"No, my wife has been dead a long time. Months." - -"Months?" The doctor snapped those weeks away with his fingers. "It -could be years. Centuries. It's all mathematics, my boy. I need only -one fragment of the body and my computers can compute what the rest -of it was like and recreate it. It's infallible. Naturally there is a -degree of risk involved." - -"Infallible risk, yes," Linton murmured. "Could you go to work right -away?" - -"First, I must follow an ancient medical practice. I must bleed you." - -Linton grasped the situation immediately. "You mean you want money. You -realize I've just got out of an institution...." - -"I've often been in institutions myself, for alcoholism, narcotics -addiction and more." - -"What a wonderful professional career," Linton said, when he couldn't -care less. - -"Oh, yes--yes, indeed. But I didn't come out broke." - -"Neither did I," Linton said hastily. "I invested in shifty stocks, -faltering bonds, and while I was away they sank to rock bottom." - -"Then--" - -"When they hit rock bottom, they bounced up. If I hadn't found you, I -would have been secure for the rest of my lonely, miserable life." - -"All that's ended now," the doctor assured him. "Now we must go dig up -the corpse. The female corpse, eh?" - -Resurrection Day! - -"Doctor," Linton whispered, "my mind is singing with battalions of -choirs. I hope that doesn't sound irreverent to you." - -The doctor stroked his oily palms together. "Oh, but it does. -Beautifully." - - * * * * * - -The certificate to allow reburial in Virginia hadn't been impossible -to obtain. The doctor had taken the body and Linton's fortune and fed -them both into the maw of his calculators, and by means of the secret, -smuggled formulae, Greta would be cybernetically reborn. - -Linton shook his head. It seemed impossible. But Greta opened the -olive-drab slab of metal of the door to the doctor's inner-inner -sanctum and walked out into the medicinal cold fluorescent lighting. - -It wasn't fair at all, Linton thought. He should have had some time to -prepare himself. - -Greta lifted her arms, stretching the white smock over the lines of her -body. "Darling!" she said. - -"Greta!" he said, feeling a slight revulsion but repressing it. No -doubt he would be able to adjust to her once having been dead the same -way he had learned to accept the, to him, distasteful duty of kissing -her ears the way she enjoyed. - -Greta swirled across the room and folded her arms across his shoulders. -She kissed his cheek. "It's so wonderful to be back. This calls for a -celebration. We must see Nancy, Oscar, Johnny, all our old friends." - -"Yes," he said, his heart lurching for her sad ignorance. "But tell -me--how was it being _away_?" - -The curves and angles of her flesh changed their positions against his -Ivy dacron. Her attitude altered. - -"I can't remember," she said. "I can't really remember anything. Not -really. My memories are ghosts...." - -"Now, now," Linton said, "we mustn't get excited. You've been through a -trial." - -She accepted the verdict. She pulled away and touched at her hair. It -was the same hair, black as evil, contrasting with her inner purity. Of -course it would be; it hadn't changed even in the grave. He remembered -the snaky tendrils of it growing out of the water-logged casket. - -"I must see all our old friends," Greta persisted. "Helen and -Johnny...." - -"My darling," he said gently, "about Johnny--" - -Her fine black brows made Gothic arches. "Yes? What about Johnny?" - -"It was a terrible accident right after--that is, about five months -ago. He was killed." - -"Killed?" Greta repeated blankly. "Johnny Gorman was killed?" - -"Traffic accident. Killed instantly." - -"But Johnny was your friend, your best friend. Why didn't you have him -resurrected the same way you did me?" - -"Darling, resurrection is a risky business and an expensive one. You -have to pay premium prices for strawberries in February. I no longer -have the money to pay for a resurrection of Johnny." - -Greta turned her back to him. "It's just as well. You shouldn't bring -back Johnny to this dream of life, give him a ghost of mind and the -photograph of a soul. It's monstrous. No one should do that. No one. -But you're _sure_ you haven't the money to do it?" - -"No," Linton said. "I'm sold out. I've borrowed on my insurance to the -hilt. It won't pay any more until I'm buried, and then, of course, you -can resurrect me." - -"Of course," Greta said. She sighed. "Poor Johnny. He was such a good -friend of yours. You must miss him. I'm so sorry for you." - -"I have you," he said with great simplicity. - -"Frank," she said, "you should see that place in there. There are -foaming acid baths, great whale-toothed disposals, barrels of chemicals -to quench death and smother decay. It's _perfect_." - -"It sounds carnal," he said uneasily. - -"No, dear, it's perfect for some things that have to be done." - -Her eyes flashed around the doctor's office and settled somewhere, on -something. - -Linton followed the direction of Greta's gaze and found only an ashtray -stand, looking vaguely like a fanatic's idol to a heathen religion on a -pedestal. - -Greta pounced on the stand, hefted it at the base and ran toward him -with it over her head. - -Linton leaped aside and Greta hit the edge of the desk instead of him. - -Brain damage, he concluded nervously. Cell deterioration. - - * * * * * - -Greta raised it again and he caught her wrists high over her head. She -writhed against him provocatively. "Frank, I'm sorry, dear, but I have -to have that insurance money. It's hell!" - -Linton understood immediately. He felt foolish, humiliated. All that -money! He had resurrected a gold ring that had turned his knuckles -green. No one must ever know. - -Linton twisted the stand away from his wife and watched her face -in some appalled form of satisfaction as it registered horror and -acceptance of the crumpled metal disk falling toward it. - -He split her head open and watched her float to the floor. - -Linton was surprised at the fine wire mesh just below the skin and -those shiny little tabs that looked like pictures of transistors in -institutional advertising. - -He knelt beside the body and poked into the bleeding, smoldering -wreckage. - -Yes, it seemed they had to automate and modify the bodies somewhat -in resurrection. They couldn't chemically revive the old corpse like -pouring water on a wilted geranium. - -Or-- - -Did they use the old bodies at all? What were all those acid baths for -if the bodies were used? Didn't the resurrectionists just destroy the -old corpses and make androids, synthetic creatures, to take their place? - -But it didn't matter. Not a bit. - -She had thought she was his wife, sharing her viewpoint down to the -finest detail, and he had thought she was his wife. - -It was what you thought was real that made it so, not the other way -around. - -"I've killed my wife!" Linton called, rising from his knees, stretching -his hands out to something. - -The pain stung him to sleep--a pain in his neck like a needle that left -a hole big enough for a camel to pass through and big enough for him to -follow the camel in his turn. - - * * * * * - -He opened his eyes to the doctor's spotless, well-ordered office. The -doctor looked down at him consolingly. "You'll have to go back, Mr. -Linton. But they'll cure you. You'll be cured of ever thinking your -wife was brought back to life and that you killed her all over again." - -"Do you _really_ think so, Doctor?" Linton asked hopefully. - - - - - -End of the Project Gutenberg EBook of February Strawberries, by Jim Harmon - -*** END OF THIS PROJECT GUTENBERG EBOOK FEBRUARY STRAWBERRIES *** - -***** This file should be named 60995.txt or 60995.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/0/9/9/60995/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/60995.zip b/old/60995.zip deleted file mode 100644 index 4b0e496..0000000 Binary files a/old/60995.zip and /dev/null differ -- cgit v1.2.3