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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..96f0ef5 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #60787 (https://www.gutenberg.org/ebooks/60787) diff --git a/old/60787-h.zip b/old/60787-h.zip Binary files differdeleted file mode 100644 index 9768946..0000000 --- a/old/60787-h.zip +++ /dev/null diff --git a/old/60787-h/60787-h.htm b/old/60787-h/60787-h.htm deleted file mode 100644 index 278b678..0000000 --- a/old/60787-h/60787-h.htm +++ /dev/null @@ -1,613 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - The Project Gutenberg eBook of Old Shag, by Bob Farnham. - </title> - <link rel="coverpage" href="images/cover.jpg" /> - - <style type="text/css"> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1,h2 { - text-align: center; /* all headings centered */ - clear: both; -} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} - -.center {text-align: center;} - -.right {text-align: right;} - -.caption {font-weight: bold;} - -/* Images */ -.figcenter { - margin: auto; - text-align: center; -} - -div.titlepage { - text-align: center; - page-break-before: always; - page-break-after: always; -} - -div.titlepage p { - text-align: center; - text-indent: 0em; - font-weight: bold; - line-height: 1.5; - margin-top: 3em; -} - -.ph1 { text-align: center; text-indent: 0em; font-weight: bold; } -.ph1 { font-size: large; margin: .83em auto; } - -.ph2 { text-align: center; text-indent: 0em; } -.ph2 { font-size: medium; margin: .83em auto; } - - - </style> - </head> -<body> - - -<pre> - -The Project Gutenberg EBook of Old Shag, by Bob Farnham - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll -have to check the laws of the country where you are located before using -this ebook. - - - -Title: Old Shag - -Author: Bob Farnham - -Release Date: November 26, 2019 [EBook #60787] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK OLD SHAG *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - - -<div class="figcenter"> - <img src="images/cover.jpg" width="340" height="500" alt=""/> -</div> - -<hr class="chap" /> - -<div class="titlepage"> - -<h1>Old Shag</h1> - -<h2>By BOB FARNHAM</h2> - -<p class="ph1"><i>There's no knowing what a man can<br /> -do until the chips are down—especially<br /> -with a helper like the shaggy man!</i></p> - -<p>[Transcriber's Note: This etext was produced from<br /> -Worlds of If Science Fiction, March 1960.<br /> -Extensive research did not uncover any evidence that<br /> -the U.S. copyright on this publication was renewed.]</p> - -</div> - -<hr class="chap" /> - -<p>Maybe a guy shouldn't believe everything he hears, but the trouble with -some people is that they don't even believe a true story. Let me buy -you a beer and tell you about it.</p> - -<p>After working some years in the baggage room of the local depot, I -decided to transfer to the train service, and made application for it. -The application was approved. I was sent to the city offices for the -course of study and training which all trainmen undergo, and after -a time I was sent out as brakeman on a freight. I stayed for a year -and a half. Then I succeeded in being assigned as head brakeman on a -fast food special called The Red Ball Special. It made no stop between -Chicago and New York except for water and fuel. The big Diesel in which -I rode as head brakie was a high-speed locomotive, used exclusively for -hauling the food special.</p> - -<p>Our first stop was Detroit, where we cut off all but three cars, and -took on five more scheduled in New York at 9 the next morning. In New -York, I strolled along Broadway, gawking at the sights exactly like any -other yokel.</p> - -<p>After a twelve-hour rest, the return trip began. I stood in my place in -the big Diesel till we had cleared for the main line, and then settled -back to enjoy the ride.</p> - -<p>It was close to midnight. I sat at the cab window half asleep, my -senses somewhat dulled by the steady rhythm of train movement. I'd -finished an extra good cigar and had started to doze off when the -engineer gave a low moan and toppled from his seat to the floor of the -cab.</p> - -<p>The fireman, much against the rules, but feeling safe with the engineer -and myself to watch in his place, had gone back to inspect a suspected -leaking air hose without waiting for the train to stop.</p> - -<p>I got the engineer back on his seat. He was dead.</p> - -<hr class="tb" /> - -<p>I tied him in place and then began pulling on the whistle cord like -mad. It was not my work to operate a Diesel. I'd not troubled to learn.</p> - -<p>I wondered why the fireman did not get back. I was going to jump, -although I didn't like my chances at that speed, when I suddenly -discovered a strange man in the cab with me. He was a pretty ordinary -little guy, except for a wild, shaggy head of hair.</p> - -<p>"You chump!" he squeaked at me. "Maybe next time you'll obey the rules, -and not sneak by without finding out things! See that short rod with -the spring-clip? Squeeze that clip and pull the rod back. Move, you -fathead!"</p> - -<p>I did as the shaggy man told me, and felt the speed of the train -slacken slightly as the power went off.</p> - -<p>"Now, that brass handle sticking out of that pipe—move it to the right -slowly. <i>Slowly</i>, you dunce!"</p> - -<p>Nine cars and the Diesel ground slowly to a stop. The wheels shuddered -and skidded slightly because of my inexperienced hand, but the train -did stop.</p> - -<p>The stranger nodded in satisfaction. "When you get back home, bone up -on things. But right now you go take a close look at the manifest card -on the sides of the second and third cars...."</p> - -<p>I jumped to the ground to go back and look at the second and third -cars. As I passed the rear of the Diesel I saw why the fireman had not -come back to the engine cab. All that was left of him was the lower -part of his body. He had slipped, caught one foot and gone under the -wheels.</p> - -<p>I came to the second car and read the manifest label. My hair stood -straight up.</p> - -<p>The cars were marked:</p> - -<p class="ph2">Danger<br /> -DYNAMITE<br /> -<i>High Explosive</i></p> - -<p>The shaggy man was at my side. "You've got questions. But let me ask -you one: Ever hear a story about how if you travel back to the time of -an ancestor and you let him die you never get born?"</p> - -<p>"What about it?" I said.</p> - -<p>"It's true," said the shaggy man.</p> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Old Shag, by Bob Farnham - -*** END OF THIS PROJECT GUTENBERG EBOOK OLD SHAG *** - -***** This file should be named 60787-h.htm or 60787-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/0/7/8/60787/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll -have to check the laws of the country where you are located before using -this ebook. - - - -Title: Old Shag - -Author: Bob Farnham - -Release Date: November 26, 2019 [EBook #60787] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK OLD SHAG *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - - - - - Old Shag - - By BOB FARNHAM - - _There's no knowing what a man can - do until the chips are down--especially - with a helper like the shaggy man!_ - - [Transcriber's Note: This etext was produced from - Worlds of If Science Fiction, March 1960. - Extensive research did not uncover any evidence that - the U.S. copyright on this publication was renewed.] - - -Maybe a guy shouldn't believe everything he hears, but the trouble with -some people is that they don't even believe a true story. Let me buy -you a beer and tell you about it. - -After working some years in the baggage room of the local depot, I -decided to transfer to the train service, and made application for it. -The application was approved. I was sent to the city offices for the -course of study and training which all trainmen undergo, and after -a time I was sent out as brakeman on a freight. I stayed for a year -and a half. Then I succeeded in being assigned as head brakeman on a -fast food special called The Red Ball Special. It made no stop between -Chicago and New York except for water and fuel. The big Diesel in which -I rode as head brakie was a high-speed locomotive, used exclusively for -hauling the food special. - -Our first stop was Detroit, where we cut off all but three cars, and -took on five more scheduled in New York at 9 the next morning. In New -York, I strolled along Broadway, gawking at the sights exactly like any -other yokel. - -After a twelve-hour rest, the return trip began. I stood in my place in -the big Diesel till we had cleared for the main line, and then settled -back to enjoy the ride. - -It was close to midnight. I sat at the cab window half asleep, my -senses somewhat dulled by the steady rhythm of train movement. I'd -finished an extra good cigar and had started to doze off when the -engineer gave a low moan and toppled from his seat to the floor of the -cab. - -The fireman, much against the rules, but feeling safe with the engineer -and myself to watch in his place, had gone back to inspect a suspected -leaking air hose without waiting for the train to stop. - -I got the engineer back on his seat. He was dead. - - * * * * * - -I tied him in place and then began pulling on the whistle cord like -mad. It was not my work to operate a Diesel. I'd not troubled to learn. - -I wondered why the fireman did not get back. I was going to jump, -although I didn't like my chances at that speed, when I suddenly -discovered a strange man in the cab with me. He was a pretty ordinary -little guy, except for a wild, shaggy head of hair. - -"You chump!" he squeaked at me. "Maybe next time you'll obey the rules, -and not sneak by without finding out things! See that short rod with -the spring-clip? Squeeze that clip and pull the rod back. Move, you -fathead!" - -I did as the shaggy man told me, and felt the speed of the train -slacken slightly as the power went off. - -"Now, that brass handle sticking out of that pipe--move it to the right -slowly. _Slowly_, you dunce!" - -Nine cars and the Diesel ground slowly to a stop. The wheels shuddered -and skidded slightly because of my inexperienced hand, but the train -did stop. - -The stranger nodded in satisfaction. "When you get back home, bone up -on things. But right now you go take a close look at the manifest card -on the sides of the second and third cars...." - -I jumped to the ground to go back and look at the second and third -cars. As I passed the rear of the Diesel I saw why the fireman had not -come back to the engine cab. All that was left of him was the lower -part of his body. He had slipped, caught one foot and gone under the -wheels. - -I came to the second car and read the manifest label. My hair stood -straight up. - -The cars were marked: - - Danger - DYNAMITE - _High Explosive_ - -The shaggy man was at my side. "You've got questions. But let me ask -you one: Ever hear a story about how if you travel back to the time of -an ancestor and you let him die you never get born?" - -"What about it?" I said. - -"It's true," said the shaggy man. - - - - - -End of the Project Gutenberg EBook of Old Shag, by Bob Farnham - -*** END OF THIS PROJECT GUTENBERG EBOOK OLD SHAG *** - -***** This file should be named 60787.txt or 60787.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/6/0/7/8/60787/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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