summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--58837-0.txt (renamed from 58837-8.txt)507
-rw-r--r--58837-h/58837-h.htm410
2 files changed, 64 insertions, 853 deletions
diff --git a/58837-8.txt b/58837-0.txt
index a099538..b17258d 100644
--- a/58837-8.txt
+++ b/58837-0.txt
@@ -1,34 +1,8 @@
-The Project Gutenberg EBook of The Boy Travellers in the Far East. Part
-Fourth, by Thomas W. Knox
+*** START OF THE PROJECT GUTENBERG EBOOK 58837 ***
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-Title: The Boy Travellers in the Far East. Part Fourth
- Adventures of Two Youths in a Journey to Egypt and the Holy Land
-
-Author: Thomas W. Knox
-
-Release Date: February 6, 2019 [EBook #58837]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE BOY TRAVELLERS IN THE ***
-
-
-
-
-Produced by Annie R. McGuire
-
@@ -231,7 +205,7 @@ CONTENTS.
CHAPTER XIX.
- A CAMEL JOURNEY.--THE ISLAND OF PHILÆ, AND THE FIRST CATARACT
+ A CAMEL JOURNEY.--THE ISLAND OF PHILÆ, AND THE FIRST CATARACT
OF THE NILE. 240
CHAPTER XX.
@@ -394,8 +368,8 @@ ILLUSTRATIONS.
Transporting a Mummy on a Sledge. 112
Goddess of Truth, with her Eyes Closed. 113
Lady's Head-dress on a Mummy Case. 113
- Rings, Bracelets, and Scarabæi. 114
- Stone Scarabæus with Wings. 114
+ Rings, Bracelets, and Scarabæi. 114
+ Stone Scarabæus with Wings. 114
Jeweller with Blow-pipe. 115
Egyptian Goldsmiths (from a Painting at Thebes). 115
Golden Baskets (from the Tomb of Rameses III.). 116
@@ -518,10 +492,10 @@ ILLUSTRATIONS.
Foot and Stomach of the Camel. 244
Head of a Camel. 244
The Dromedary Regiment of Napoleon I. 245
- View of Philæ from the Head of the Cataract. 247
- The Bank of the River below Philæ. 248
+ View of Philæ from the Head of the Cataract. 247
+ The Bank of the River below Philæ. 248
Pharaoh's Bed and the Ruins of the Temple. 249
- View from Philæ, looking Up the River. 250
+ View from Philæ, looking Up the River. 250
The Papyrus Jungles of the Nile. 251
An Ancient Poultry-shop. 253
An Arab and his Camel. 255
@@ -811,7 +785,7 @@ is called the _Red_ Sea."
The boys found it as he had predicted, and the temperature for the first
two days after passing Perim led Frank to suggest that the name might be
made more descriptive of its character if it were called the Red-hot
-Sea. The thermometer stood at 101° in the cabin, and was only a little
+Sea. The thermometer stood at 101° in the cabin, and was only a little
lower on deck; the heat was enervating in the extreme, and there was no
way of escaping it; but on the third day the wind began to blow from the
north, and there was a change in the situation. Thin garments were
@@ -823,10 +797,10 @@ of the seizure of Perim, "but when it does come it is very grateful.
Only in January or February is the Red Sea anything but hot; the winds
blow from the sandy desert, or from the region of the equator, and
sometimes it seems as though you were in a furnace. From December to
-March the thermometer averages 76°, from thence to May it is 87°, and
-through the four or five months that follow it is often 100°. I have
-frequently seen it 110° in the cabin of a steamer, and on one occasion,
-when the simoom was blowing from the desert, it was 132°. Steamers
+March the thermometer averages 76°, from thence to May it is 87°, and
+through the four or five months that follow it is often 100°. I have
+frequently seen it 110° in the cabin of a steamer, and on one occasion,
+when the simoom was blowing from the desert, it was 132°. Steamers
going north when the south wind is blowing find themselves running just
with the wind, so that they seem to be in a dead calm; in such cases
they sometimes turn around every ten or twelve hours and run a few miles
@@ -2093,7 +2067,7 @@ simple that it does not require much skill for a burglar to get into a
house. The keys are so large that they must be slung over the shoulder
or fastened to the belt, since they cannot go into an ordinary pocket.
-"The Doctor proposed that we should sit down in front of a _café_ and
+"The Doctor proposed that we should sit down in front of a _café_ and
drink some of the famous coffee of the East. Of course we were glad to
do so, and our guide took us to a place in a side street where he said
they made excellent coffee, and we could have some music along with it.
@@ -2196,7 +2170,7 @@ CHAPTER V.
A RAMBLE THROUGH THE BAZAARS OF CAIRO.
-From the _café_ Doctor Bronson and his young friends continued their
+From the _café_ Doctor Bronson and his young friends continued their
excursion in the direction of the bazaars, which both the boys were
impatient to visit. They had heard and read of the bazaars of Cairo, and
the strange things to be seen in them, and as they went along the Doctor
@@ -3195,7 +3169,7 @@ Museum which owed its existence to the labors of Mariette Bey.[5]
[5] It was the good fortune of the author of this volume to form the
acquaintance of Mariette Bey in Egypt, in 1874, and to meet him again in
-Paris a few years later. The death of this eminent archæologist is
+Paris a few years later. The death of this eminent archæologist is
greatly regretted by all students of the history of ancient Egypt.
[Illustration: THE NAME OF EGYPT IN HIEROGLYPHICS.]
@@ -3594,32 +3568,32 @@ Doctor turned away from the relic of other days.
"You're wrong there," said the Doctor; "he has not a sweet heart, but a
solid one." Turning to the attendant, he asked him in French to show the
-scarabæus and other things that came from the mummy at the time the case
+scarabæus and other things that came from the mummy at the time the case
was opened.
-[Illustration: RINGS, BRACELETS, AND SCARABÆI.]
+[Illustration: RINGS, BRACELETS, AND SCARABÆI.]
The attendant pointed to a glass case close at hand, containing some
necklaces, and representations of beetles carved in stone. Among them
-was a scarabæus, or beetle, in jasper (one of the hardest stones in the
+was a scarabæus, or beetle, in jasper (one of the hardest stones in the
world), about three inches long and two in width. The rounded portion
represented the back of a beetle with the wings folded, while the flat
surface beneath was covered with hieroglyphics, with an oval line drawn
around them.
-[Illustration: STONE SCARABÆUS WITH WINGS.]
+[Illustration: STONE SCARABÆUS WITH WINGS.]
-"The scarabæus," said the Doctor, "was the symbol of resurrection among
+"The scarabæus," said the Doctor, "was the symbol of resurrection among
the ancient Egyptians, and hence we find it very frequently used about
the mummies, and the places where they were laid away to rest. This
large one was deposited in place of the heart of our desiccated friend
-in the box, and these necklaces, principally composed of scarabæi, were
+in the box, and these necklaces, principally composed of scarabæi, were
around his neck. This flat one lay upon his breast in direct contact
with the flesh; the circle in the centre represents the sun; on each
side of it is the asp, a snake that was sacred to one of the gods, and
the outstretched wings on either side are to indicate the power of the
soul to take flight from the body. The Egyptians had some process of
-cutting stone that is unknown to us, as the carving of these scarabæi,
+cutting stone that is unknown to us, as the carving of these scarabæi,
in the hardest materials as we find them, would defy the skill of modern
lapidaries."
@@ -3644,7 +3618,7 @@ imitation of lapis lazuli; there was a large bracelet, hinged in the
centre, representing a vulture, its wings composed of bits of lapis
lazuli, carnelian, and green glass, in a gold setting, and its back
ornamented with lines of small turquoises; and there was a gold chain
-nearly three feet long, with a scarabæus at the end. This chain, with
+nearly three feet long, with a scarabæus at the end. This chain, with
the other treasures of the queen, was exhibited at the Paris Exposition
of 1867, and attracted much attention. It is composed of links curiously
woven and twisted together, and a committee of French jewellers who
@@ -4541,14 +4515,14 @@ breeze in your favor. On the return the great sail is lowered, and the
crew row the boat with the current. Their rowing is just enough to give
steerage-way, and the flowing river brings you safely back to Cairo.
-The steamboat fare to the first cataract and back is £50 ($250), and to
-the second cataract £80 ($400). This includes meals, guides, donkeys,
+The steamboat fare to the first cataract and back is £50 ($250), and to
+the second cataract £80 ($400). This includes meals, guides, donkeys,
and some of the fees for seeing temples and tombs, but does not include
saddles for riding the aforesaid donkeys, nor does it embrace the use of
a chair for the deck of the boat. There are constant demands for
backsheesh for various things, and the passengers are expected to make
up a liberal purse at the end of the voyage for distribution among the
-officers, crew, and servants. About £5 ($25) will be needed for these
+officers, crew, and servants. About £5 ($25) will be needed for these
inevitable "extras."
The dahabeeah journey will usually cost $1500 for two persons to the
@@ -5430,7 +5404,7 @@ them knew what the other was doing.
"'One instance that occurs to me is of the use of chloroform and similar
substances for preventing pain during surgical operations. There were no
-less than four claimants to the honor of the discovery of anæsthetics,
+less than four claimants to the honor of the discovery of anæsthetics,
and monuments have been erected to the memory of two of these gentlemen.
There is no ground for believing that either of them encroached on the
other, for their experiments were quite independent, and in different
@@ -5679,10 +5653,10 @@ is placed where there is a current of air, as the evaporation is greatly
increased by the action of the wind. One day the boys made an experiment
with one of these bottles with the following result:
-The temperature of the air was 81° Fahrenheit, and so was that of the
+The temperature of the air was 81° Fahrenheit, and so was that of the
water with which the bottle was filled. It was hung in a shady place,
where there was a good draught, and in half an hour a thermometer
-lowered into the bottle showed that the water had fallen to 63°, or
+lowered into the bottle showed that the water had fallen to 63°, or
eighteen less than the surrounding temperature.
This process, or a similar one, is in use in all hot countries. Doctor
@@ -5912,7 +5886,7 @@ one point of entrance, which was always carefully guarded.
"The procession is just passing the outer gate-way, and leaving the
paved road which leads to it. The gate-way consists of two massive
-towers, or _propylæ_ connected at the top by a broad platform, and the
+towers, or _propylæ_ connected at the top by a broad platform, and the
passage beneath is amply large enough for all the wants of the
processions that enter the place. Beyond the gate-way is another paved
road, guarded on each side by a row of sphinxes, with their faces turned
@@ -5992,10 +5966,10 @@ large business here in antiquities, and there certainly is no way of
supplying the demand except by manufacture. It is currently reported
that many of these things are made in England and France, and sent out
here for sale; and it is also believed that there are factories here
-where false scarabæi are manufactured. Let me tell you something that
+where false scarabæi are manufactured. Let me tell you something that
happened when I was here some years ago:
-"A man offered some scarabæi for sale, and declared they were genuine;
+"A man offered some scarabæi for sale, and declared they were genuine;
to satisfy any doubts on that point, he offered to bring the certificate
of the English consul, or we might go with him to the Consulate and hear
for ourselves. But it was whispered that the consul and the native were
@@ -6632,7 +6606,7 @@ Dead,' showing the progress of the soul after it leaves the body.
short halt, it was ordered to the Hall of Justice. On its way to this
hall it was attacked by demons and wild beasts, but all these were
driven away if the body had been properly provided with prayers written
-on the rolls of papyrus and the scarabæi that are always found with the
+on the rolls of papyrus and the scarabæi that are always found with the
mummies.
"Another picture represents the soul in the Hall of Justice, where its
@@ -6681,13 +6655,13 @@ walls.
[Illustration: A CHAIR FROM BRUCE'S TOMB.]
"We saw half a dozen tombs of the kings, and then went to the tombs of
-the Assaséef. Perhaps you'd like to know what they are?
+the Assaséef. Perhaps you'd like to know what they are?
"They were the tombs of certain high-priests of Thebes, who are reputed
to have been very wealthy and powerful, and certainly they must have
been pretty nearly as important as the king under whom they lived. Their
tombs are even larger than any of the tombs of the kings: the greatest
-of the Assaséef tombs has a lineal distance from the entrance to the
+of the Assaséef tombs has a lineal distance from the entrance to the
farthest point of eight hundred and sixty-two feet, and the floors of
the various passages, rooms, and pits include an area of about an acre
and a quarter. Isn't that a pretty large tomb for one person--even
@@ -6773,7 +6747,7 @@ of M. Maspero, the able successor of Mariette Pasha:
however, tried in vain, and Abd-er-Ranoul was consigned to the
district prison at Keneh, the chief town of the province. Here for
two months he maintained an obstinate silence. In the mean while
- Professor Maspero offered a reward of £500 for the discovery of
+ Professor Maspero offered a reward of £500 for the discovery of
the secret, and returned to Europe. Scarcely had he embarked when
the elder brother of Abd-er-Ranoul went privately before the
Governor of Keneh, offered to betray the secret, and claimed the
@@ -7211,7 +7185,7 @@ the curiosity of the travellers concerning Egyptian temples had
somewhat diminished since their stay at Thebes, and the many
explorations they had made. After seeing the temple they strolled
through the town, and listened to the songs of a group of Arabs at the
-_cafés_ which line the bank of the river near the landing-place.
+_cafés_ which line the bank of the river near the landing-place.
Just as the whistle of the steamer gave the signal for continuing the
journey, Frank's attention was attracted by what he pronounced a thing
@@ -7219,7 +7193,7 @@ of beauty.
[Illustration: A THING OF BEAUTY.]
-It was not a girl, or a painting, or a temple, or even a scarabæus: it
+It was not a girl, or a painting, or a temple, or even a scarabæus: it
was a mule.
Both the boys pronounced it the handsomest beast of the kind they had
@@ -7319,7 +7293,7 @@ remembered by man or beast.
It was late in the afternoon when our friends arrived at Assouan, and
there was only time to stroll through the bazaars before sunset. Plans
-were made for an excursion to the island of Philæ on the following day,
+were made for an excursion to the island of Philæ on the following day,
and everybody went early to bed.
@@ -7327,15 +7301,15 @@ and everybody went early to bed.
CHAPTER XIX.
-A CAMEL JOURNEY.--THE ISLAND OF PHILÆ, AND THE FIRST CATARACT OF THE
+A CAMEL JOURNEY.--THE ISLAND OF PHILÆ, AND THE FIRST CATARACT OF THE
NILE.
Frank and Fred were destined to enjoy a novelty in the way of
-travelling. They were to make their excursion to the island of Philæ on
+travelling. They were to make their excursion to the island of Philæ on
the backs of camels.
-It is about five miles from Assouan to Philæ, and the road is chiefly
+It is about five miles from Assouan to Philæ, and the road is chiefly
through the rocky desert, or along the equally rocky bank of the river.
The travellers had the choice of camels or donkeys for the journey, and
the two youths unhesitatingly decided in favor of the former.
@@ -7516,16 +7490,16 @@ parts of India, and the stones for the construction of King Solomon's
Temple at Jerusalem were quarried in the same way.
From the quarries the ride was continued to the bank of the Nile,
-opposite the island of Philæ. The boys were elated to think they were
+opposite the island of Philæ. The boys were elated to think they were
really in Nubia, a country of which they had read and heard, but
considered so far away that they were not very likely to see it. They
had crossed the boundary between Egypt and Nubia, and, by a free use of
their imaginations, found no great difficulty in placing themselves in
Central Africa.
-[Illustration: VIEW OF PHILÆ FROM THE HEAD OF THE CATARACT.]
+[Illustration: VIEW OF PHILÆ FROM THE HEAD OF THE CATARACT.]
-The approach to Philæ was the occasion of many expressions of
+The approach to Philæ was the occasion of many expressions of
admiration, as the scenery was different from any on which their eyes
had yet rested. The river is set in an irregular basin of desert hills,
and their barren sides contrast, in a very marked degree, with the
@@ -7535,9 +7509,9 @@ suddenly into view, it gives an impression to be long remembered.
Remarkable as the view is from the bank of the Nile, it is still unequal
to that from the ruins of the temple on the island itself.
-[Illustration: THE BANK OF THE RIVER BELOW PHILÆ.]
+[Illustration: THE BANK OF THE RIVER BELOW PHILÆ.]
-While waiting for the boat to carry them over to Philæ, Frank and Fred
+While waiting for the boat to carry them over to Philæ, Frank and Fred
amused themselves with the antics of the natives in the water. They had
observed several short logs on the bank as they arrived, and wondered
what they were for. As soon as they had dismounted the Doctor explained
@@ -7577,7 +7551,7 @@ unable to ascertain if any of the monarchs of that name ever slept
there, and, if so, how late they slept. We thought the place a very
pretty one, and Fred wished he could sit down and write some verses
about it, as everything around seemed to favor such a performance.
-Doctor Bronson says the island of Philæ has been the theme of the poets
+Doctor Bronson says the island of Philæ has been the theme of the poets
for many centuries, and farthermore, that a great deal of poetical prose
has been composed concerning it. On learning this Fred concluded that he
could not improve on what had been done before him, and wisely desisted
@@ -7600,9 +7574,9 @@ the temple was built the lotos flower seems to have been very popular
among the artists, as it was extensively used in the ornamentation, and
for the tops of the pillars that supported the roof of the grand hall.
-[Illustration: VIEW FROM PHILÆ LOOKING UP THE RIVER.]
+[Illustration: VIEW FROM PHILÆ LOOKING UP THE RIVER.]
-"Philæ was one of the most sacred spots known to the ancient Egyptians,
+"Philæ was one of the most sacred spots known to the ancient Egyptians,
as it was the resting-place of the god Osiris, to whom they attributed
the annual overflow of the Nile, and the consequent fertility of the
land. There was a fable that his body was deposited beneath the
@@ -7653,9 +7627,9 @@ bamboo is to the native of China and Japan to-day.
"Wherever there was space to scratch or write a name on the walls, we
found that previous travellers had not scrupled to convert the Temple of
-Philæ into an autograph album. Names of those who had come there in the
+Philæ into an autograph album. Names of those who had come there in the
last two hundred years were visible in great numbers; the most prominent
-memorial of this kind was a tablet recording the occupation of Philæ by
+memorial of this kind was a tablet recording the occupation of Philæ by
General Desaix's army at the time Egypt was held by Napoleon I. This
tablet was defaced by some Englishmen in 1848, but was afterward
restored by French visitors, and has since been undisturbed.
@@ -7740,7 +7714,7 @@ longing and lingering look behind them. They were consoled with the
reflection that they had seen a great deal in their journey from Cairo,
and were farther relieved when Doctor Bronson informed them that
comparatively few travellers ever went beyond the first cataract. "Down
-to within twenty years," said he, "the island of Philæ was the _Ultima
+to within twenty years," said he, "the island of Philæ was the _Ultima
Thule_ of nearly all tourists on the Nile, and any one who had
penetrated farther was regarded as a sort of Mungo Park or Dr.
Livingstone. Once in a while somebody went to the second cataract, two
@@ -11243,7 +11217,7 @@ victims of war. The soil is fertile, or would be if it were well
cultivated, but it has shared the fate of other parts of Palestine, and
is suffering from neglect."
-At the suggestion of the guide they made a slight détour from their
+At the suggestion of the guide they made a slight détour from their
route in order to visit the village of Nain, which is celebrated in
Scripture as the scene of the raising of the widow's son (Luke vii.
7-15). There is nothing of interest in the village itself, and it is
@@ -11580,7 +11554,7 @@ These baths were famous among the Romans, and were believed to possess
many curative qualities; the water is very salt and bitter to the taste,
and is certainly disagreeable enough to be good for invalids, provided
they can stand it. We put a thermometer into the water, and found its
-temperature 144° Fahrenheit. There are four springs altogether, and
+temperature 144° Fahrenheit. There are four springs altogether, and
there is a building over the largest of them. The baths are taken almost
entirely by strangers, as the residents of Tiberias have an antipathy
for water except for drinking purposes: they never bathe except when
@@ -11878,7 +11852,7 @@ earthquake, says not a single Jewish house remained when the shocks
were ended, and several persons were saved from the rubbish two or three
days after the occurrence; they had been unable to extricate themselves,
and suffered greatly from hunger and thirst. Others were less fortunate,
-and perished of hunger beneath the fallen débris of the houses where
+and perished of hunger beneath the fallen débris of the houses where
they had resided.
There was nothing of special interest in Safed, as the town is nearly
@@ -12052,7 +12026,7 @@ The city was of Phoenician origin, and contained temples dedicated to
the worship of the heathen deity _Pan_, from which it was named Paneas.
This afterward became Banias, and in the time of the Romans the worship
of the Greek god was continued. The name was changed to
-Cesarea-Philippi, first in honor of Cæsar, and secondly to distinguish
+Cesarea-Philippi, first in honor of Cæsar, and secondly to distinguish
it from the other Cesarea on the sea-coast.
"We read in the New Testament," said the Doctor, "that Christ came into
@@ -12242,7 +12216,7 @@ possession of Persia.
"It would take several pages for me to tell you the history of Damascus,
and as it might be tedious, and you can find it in any good
-encyclopædia, we will take a jump of three thousand years or less and
+encyclopædia, we will take a jump of three thousand years or less and
come down to our own times. The most exciting event of modern days in
Damascus was the massacre of the Christians in 1860, when five or six
thousand people were killed for no other reason than their belief in the
@@ -13029,7 +13003,7 @@ HUNTING ADVENTURES ON LAND AND SEA. Part II. The Young Nimrods Around
the World. A Book for Boys. By THOMAS W. KNOX. Copiously Illustrated.
8vo, Cloth, $2.50.
-THE HISTORY OF A MOUNTAIN. By ÉLISÉE RECLUS. Illustrated by L. Bennett.
+THE HISTORY OF A MOUNTAIN. By ÉLISÉE RECLUS. Illustrated by L. Bennett.
12mo, Cloth, $1.25.
WHAT MR. DARWIN SAW IN HIS VOYAGE ROUND THE WORLD IN THE SHIP "BEAGLE."
@@ -13176,10 +13150,10 @@ STORIES OF THE OLD DOMINION. From the Settlement to the End of the
Revolution. By JOHN ESTEN COOKE. Illustrated. 12mo, Cloth, $1.50.
THE HISTORY OF A MOUTHFUL OF BREAD, and its Effect on the Organization
-of Men and Animals. By JEAN MACÉ. Translated from the Eighth French
+of Men and Animals. By JEAN MACÉ. Translated from the Eighth French
Edition by Mrs. ALFRED GATTY. 12mo, Cloth, $1.75.
-THE SERVANTS OF THE STOMACH. By JEAN MACÉ. Reprinted from the London
+THE SERVANTS OF THE STOMACH. By JEAN MACÉ. Reprinted from the London
Edition, Revised and Corrected. 12mo, Cloth, $1.75.
FRED MARKHAM IN RUSSIA; or, The Boy Travellers in the Land of the Czar.
@@ -13239,361 +13213,4 @@ the United States, on receipt of the price._
End of the Project Gutenberg EBook of The Boy Travellers in the Far East.
Part Fourth, by Thomas W. Knox
-*** END OF THIS PROJECT GUTENBERG EBOOK THE BOY TRAVELLERS IN THE ***
-
-***** This file should be named 58837-8.txt or 58837-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/8/8/3/58837/
-
-Produced by Annie R. McGuire
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
+*** END OF THE PROJECT GUTENBERG EBOOK 58837 ***
diff --git a/58837-h/58837-h.htm b/58837-h/58837-h.htm
index cb39984..58a2a58 100644
--- a/58837-h/58837-h.htm
+++ b/58837-h/58837-h.htm
@@ -113,44 +113,7 @@ table {
<body>
-<pre>
-
-The Project Gutenberg EBook of The Boy Travellers in the Far East. Part
-Fourth, by Thomas W. Knox
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll
-have to check the laws of the country where you are located before using
-this ebook.
-
-
-
-Title: The Boy Travellers in the Far East. Part Fourth
- Adventures of Two Youths in a Journey to Egypt and the Holy Land
-
-Author: Thomas W. Knox
-
-Release Date: February 6, 2019 [EBook #58837]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE BOY TRAVELLERS IN THE ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-</pre>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 58837 ***</div>
<div class="figcenter" style="width: 508px;">
@@ -14538,376 +14501,7 @@ followed by Frank and Fred is not given from personal observation.</p></div></di
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of The Boy Travellers in the Far East.
-Part Fourth, by Thomas W. Knox
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE BOY TRAVELLERS IN THE ***
-
-***** This file should be named 58837-h.htm or 58837-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/8/8/3/58837/
-
-Produced by Annie R. McGuire
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 58837 ***</div>
</body>
</html>