summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:26:12 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:26:12 -0700
commitbd6e3ac8f97bf784f985e205ffda3eac3692ec77 (patch)
treeafe59cdcccdd9155d1da69d14e8f9a3029e62271
initial commit of ebook 5794HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--5794-h.zipbin0 -> 25911 bytes
-rw-r--r--5794-h/5794-h.htm1223
-rw-r--r--5794.txt1100
-rw-r--r--5794.zipbin0 -> 24392 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/rslcm10.txt1064
-rw-r--r--old/rslcm10.zipbin0 -> 23905 bytes
9 files changed, 3403 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/5794-h.zip b/5794-h.zip
new file mode 100644
index 0000000..ab519f2
--- /dev/null
+++ b/5794-h.zip
Binary files differ
diff --git a/5794-h/5794-h.htm b/5794-h/5794-h.htm
new file mode 100644
index 0000000..2b3a7a9
--- /dev/null
+++ b/5794-h/5794-h.htm
@@ -0,0 +1,1223 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Rosa Alchemica, by W.b. Yeats
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ .side { float: right; font-size: 75%; width: 25%; padding-left: 0.8em;
+ border-left: dashed thin; margin-left: 0.8em; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Rosa Alchemica
+
+Author: W. B. Yeats
+
+
+Release Date: May, 2004 [EBook #5794]
+This file was first posted on September 1, 2002
+Last Updated: July 3, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+
+
+
+Text file produced by Charles Franks and the Online Distributed
+Proofreading Team
+
+HTML file produced by David Widger
+
+
+
+</pre>
+
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ ROSA ALCHEMICA
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By W.B. Yeats
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <div class="middle">
+ <p>
+ O blessed and happy he, who knowing the mysteries of the gods,
+ sanctifies his life, and purifies his soul, celebrating orgies in the
+ mountains with holy purifications.&mdash;<i>Euripides.</i>
+ </p>
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> ROSA ALCHEMICA. </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> IV </a>
+ </p>
+<p class="toc">
+ <a href="#link2H_4_0005a"> V </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ROSA ALCHEMICA.
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ It is now more than ten years since I met, for the last time, Michael
+ Robartes, and for the first time and the last time his friends and fellow
+ students; and witnessed his and their tragic end, and endured those
+ strange experiences, which have changed me so that my writings have grown
+ less popular and less intelligible, and driven me almost to the verge of
+ taking the habit of St. Dominic. I had just published Rosa Alchemica, a
+ little work on the Alchemists, somewhat in the manner of Sir Thomas
+ Browne, and had received many letters from believers in the arcane
+ sciences, upbraiding what they called my timidity, for they could not
+ believe so evident sympathy but the sympathy of the artist, which is half
+ pity, for everything which has moved men's hearts in any age. I had
+ discovered, early in my researches, that their doctrine was no merely
+ chemical phantasy, but a philosophy they applied to the world, to the
+ elements and to man himself; and that they sought to fashion gold out of
+ common metals merely as part of an universal transmutation of all things
+ into some divine and imperishable substance; and this enabled me to make
+ my little book a fanciful reverie over the transmutation of life into art,
+ and a cry of measureless desire for a world made wholly of essences.
+ </p>
+ <p>
+ I was sitting dreaming of what I had written, in my house in one of the
+ old parts of Dublin; a house my ancestors had made almost famous through
+ their part in the politics of the city and their friendships with the
+ famous men of their generations; and was feeling an unwonted happiness at
+ having at last accomplished a long-cherished design, and made my rooms an
+ expression of this favourite doctrine. The portraits, of more historical
+ than artistic interest, had gone; and tapestry, full of the blue and
+ bronze of peacocks, fell over the doors, and shut out all history and
+ activity untouched with beauty and peace; and now when I looked at my
+ Crevelli and pondered on the rose in the hand of the Virgin, wherein the
+ form was so delicate and precise that it seemed more like a thought than a
+ flower, or at the grey dawn and rapturous faces of my Francesca, I knew
+ all a Christian's ecstasy without his slavery to rule and custom; when I
+ pondered over the antique bronze gods and goddesses, which I had mortgaged
+ my house to buy, I had all a pagan's delight in various beauty and without
+ his terror at sleepless destiny and his labour with many sacrifices; and I
+ had only to go to my bookshelf, where every book was bound in leather,
+ stamped with intricate ornament, and of a carefully chosen colour:
+ Shakespeare in the orange of the glory of the world, Dante in the dull red
+ of his anger, Milton in the blue grey of his formal calm; and I could
+ experience what I would of human passions without their bitterness and
+ without satiety. I had gathered about me all gods because I believed in
+ none, and experienced every pleasure because I gave myself to none, but
+ held myself apart, individual, indissoluble, a mirror of polished steel: I
+ looked in the triumph of this imagination at the birds of Hera, glowing in
+ the firelight as though they were wrought of jewels; and to my mind, for
+ which symbolism was a necessity, they seemed the doorkeepers of my world,
+ shutting out all that was not of as affluent a beauty as their own; and
+ for a moment I thought as I had thought in so many other moments, that it
+ was possible to rob life of every bitterness except the bitterness of
+ death; and then a thought which had followed this thought, time after
+ time, filled me with a passionate sorrow. All those forms: that Madonna
+ with her brooding purity, those rapturous faces singing in the morning
+ light, those bronze divinities with their passionless dignity, those wild
+ shapes rushing from despair to despair, belonged to a divine world wherein
+ I had no part; and every experience, however profound, every perception,
+ however exquisite, would bring me the bitter dream of a limitless energy I
+ could never know, and even in my most perfect moment I would be two
+ selves, the one watching with heavy eyes the other's moment of content. I
+ had heaped about me the gold born in the crucibles of others; but the
+ supreme dream of the alchemist, the transmutation of the weary heart into
+ a weariless spirit, was as far from me as, I doubted not, it had been from
+ him also. I turned to my last purchase, a set of alchemical apparatus
+ which, the dealer in the Rue le Peletier had assured me, once belonged to
+ Raymond Lully, and as I joined the <i>alembic</i> to the <i>athanor</i>
+ and laid the <i>lavacrum maris</i> at their side, I understood the
+ alchemical doctrine, that all beings, divided from the great deep where
+ spirits wander, one and yet a multitude, are weary; and sympathized, in
+ the pride of my connoisseurship, with the consuming thirst for destruction
+ which made the alchemist veil under his symbols of lions and dragons, of
+ eagles and ravens, of dew and of nitre, a search for an essence which
+ would dissolve all mortal things. I repeated to myself the ninth key of
+ Basilius Valentinus, in which he compares the fire of the last day to the
+ fire of the alchemist, and the world to the alchemist's furnace, and would
+ have us know that all must be dissolved before the divine substance,
+ material gold or immaterial ecstasy, awake. I had dissolved indeed the
+ mortal world and lived amid immortal essences, but had obtained no
+ miraculous ecstasy. As I thought of these things, I drew aside the
+ curtains and looked out into the darkness, and it seemed to my troubled
+ fancy that all those little points of light filling the sky were the
+ furnaces of innumerable divine alchemists, who labour continually, turning
+ lead into gold, weariness into ecstasy, bodies into souls, the darkness
+ into God; and at their perfect labour my mortality grew heavy, and I cried
+ out, as so many dreamers and men of letters in our age have cried, for the
+ birth of that elaborate spiritual beauty which could alone uplift souls
+ weighted with so many dreams.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ My reverie was broken by a loud knocking at the door, and I wondered the
+ more at this because I had no visitors, and had bid my servants do all
+ things silently, lest they broke the dream of my inner life. Feeling a
+ little curious, I resolved to go to the door myself, and, taking one of
+ the silver candlesticks from the mantlepiece, began to descend the stairs.
+ The servants appeared to be out, for though the sound poured through every
+ corner and crevice of the house there was no stir in the lower rooms. I
+ remembered that because my needs were so few, my part in life so little,
+ they had begun to come and go as they would, often leaving me alone for
+ hours. The emptiness and silence of a world from which I had driven
+ everything but dreams suddenly overwhelmed me, and I shuddered as I drew
+ the bolt. I found before me Michael Robartes, whom I had not seen for
+ years, and whose wild red hair, fierce eyes, sensitive, tremulous lips and
+ rough clothes, made him look now, just as they used to do fifteen years
+ before, something between a debauchee, a saint, and a peasant. He had
+ recently come to Ireland, he said, and wished to see me on a matter of
+ importance: indeed, the only matter of importance for him and for me. His
+ voice brought up before me our student years in Paris, and remembering the
+ magnetic power he had once possessed over me, a little fear mingled with
+ much annoyance at this irrelevant intrusion, as I led the way up the wide
+ staircase, where Swift had passed joking and railing, and Curran telling
+ stories and quoting Greek, in simpler days, before men's minds, subtilized
+ and complicated by the romantic movement in art and literature, began to
+ tremble on the verge of some unimagined revelation. I felt that my hand
+ shook, and saw that the light of the candle wavered and quivered more than
+ it need have upon the Maenads on the old French panels, making them look
+ like the first beings slowly shaping in the formless and void darkness.
+ When the door had closed, and the peacock curtain, glimmering like
+ many-coloured flame, fell between us and the world, I felt, in a way I
+ could not understand, that some singular and unexpected thing was about to
+ happen. I went over to the mantlepiece, and finding that a little
+ chainless bronze censer, set, upon the outside, with pieces of painted
+ china by Orazio Fontana, which I had filled with antique amulets, had
+ fallen upon its side and poured out its contents, I began to gather the
+ amulets into the bowl, partly to collect my thoughts and partly with that
+ habitual reverence which seemed to me the due of things so long connected
+ with secret hopes and fears. 'I see,' said Michael Robartes, 'that you are
+ still fond of incense, and I can show you an incense more precious than
+ any you have ever seen,' and as he spoke he took the censer out of my hand
+ and put the amulets in a little heap between the <i>athanor</i> and the <i>alembic</i>.
+ I sat down, and he sat down at the side of the fire, and sat there for
+ awhile looking into the fire, and holding the censer in his hand. 'I have
+ come to ask you something,' he said, 'and the incense will fill the room,
+ and our thoughts, with its sweet odour while we are talking. I got it from
+ an old man in Syria, who said it was made from flowers, of one kind with
+ the flowers that laid their heavy purple petals upon the hands and upon
+ the hair and upon the feet of Christ in the Garden of Gethsemane, and
+ folded Him in their heavy breath, until He cried against the cross and his
+ destiny.' He shook some dust into the censer out of a small silk bag, and
+ set the censer upon the floor and lit the dust which sent up a blue stream
+ of smoke, that spread out over the ceiling, and flowed downwards again
+ until it was like Milton's banyan tree. It filled me, as incense often
+ does, with a faint sleepiness, so that I started when he said, 'I have
+ come to ask you that question which I asked you in Paris, and which you
+ left Paris rather than answer.'
+ </p>
+ <p>
+ He had turned his eyes towards me, and I saw them glitter in the
+ firelight, and through the incense, as I replied: 'You mean, will I become
+ an initiate of your Order of the Alchemical Rose? I would not consent in
+ Paris, when I was full of unsatisfied desire, and now that I have at last
+ fashioned my life according to my desire, am I likely to consent?'
+ </p>
+ <p>
+ 'You have changed greatly since then,' he answered. 'I have read your
+ books, and now I see you among all these images, and I understand you
+ better than you do yourself, for I have been with many and many dreamers
+ at the same cross-ways. You have shut away the world and gathered the gods
+ about you, and if you do not throw yourself at their feet, you will be
+ always full of lassitude, and of wavering purpose, for a man must forget
+ he is miserable in the bustle and noise of the multitude in this world and
+ in time; or seek a mystical union with the multitude who govern this world
+ and time.' And then he murmured something I could not hear, and as though
+ to someone I could not see.
+ </p>
+ <p>
+ For a moment the room appeared to darken, as it used to do when he was
+ about to perform some singular experiment, and in the darkness the
+ peacocks upon the doors seemed to glow with a more intense colour. I cast
+ off the illusion, which was, I believe, merely caused by memory, and by
+ the twilight of incense, for I would not acknowledge that he could
+ overcome my now mature intellect; and I said: 'Even if I grant that I need
+ a spiritual belief and some form of worship, why should I go to Eleusis
+ and not to Calvary?' He leaned forward and began speaking with a slightly
+ rhythmical intonation, and as he spoke I had to struggle again with the
+ shadow, as of some older night than the night of the sun, which began to
+ dim the light of the candles and to blot out the little gleams upon the
+ corner of picture-frames and on the bronze divinities, and to turn the
+ blue of the incense to a heavy purple; while it left the peacocks to
+ glimmer and glow as though each separate colour were a living spirit. I
+ had fallen into a profound dream-like reverie in which I heard him
+ speaking as at a distance. 'And yet there is no one who communes with only
+ one god,' he was saying, 'and the more a man lives in imagination and in a
+ refined understanding, the more gods does he meet with and talk with, and
+ the more does he come under the power of Roland, who sounded in the Valley
+ of Roncesvalles the last trumpet of the body's will and pleasure; and of
+ Hamlet, who saw them perishing away, and sighed; and of Faust, who looked
+ for them up and down the world and could not find them; and under the
+ power of all those countless divinities who have taken upon themselves
+ spiritual bodies in the minds of the modern poets and romance writers, and
+ under the power of the old divinities, who since the Renaissance have won
+ everything of their ancient worship except the sacrifice of birds and
+ fishes, the fragrance of garlands and the smoke of incense. The many think
+ humanity made these divinities, and that it can unmake them again; but we
+ who have seen them pass in rattling harness, and in soft robes, and heard
+ them speak with articulate voices while we lay in deathlike trance, know
+ that they are always making and unmaking humanity, which is indeed but the
+ trembling of their lips.'
+ </p>
+ <p>
+ He had stood up and begun to walk to and fro, and had become in my waking
+ dream a shuttle weaving an immense purple web whose folds had begun to
+ fill the room. The room seemed to have become inexplicably silent, as
+ though all but the web and the weaving were at an end in the world. 'They
+ have come to us; they have come to us,' the voice began again; 'all that
+ have ever been in your reverie, all that you have met with in books. There
+ is Lear, his head still wet with the thunder-storm, and he laughs because
+ you thought yourself an existence who are but a shadow, and him a shadow
+ who is an eternal god; and there is Beatrice, with her lips half parted in
+ a smile, as though all the stars were about to pass away in a sigh of
+ love; and there is the mother of the God of humility who cast so great a
+ spell over men that they have tried to unpeople their hearts that he might
+ reign alone, but she holds in her hand the rose whose every petal is a
+ god; and there, O swiftly she comes! is Aphrodite under a twilight falling
+ from the wings of numberless sparrows, and about her feet are the grey and
+ white doves.' In the midst of my dream I saw him hold out his left arm and
+ pass his right hand over it as though he stroked the wings of doves. I
+ made a violent effort which seemed almost to tear me in two, and said with
+ forced determination: 'You would sweep me away into an indefinite world
+ which fills me with terror; and yet a man is a great man just in so far as
+ he can make his mind reflect everything with indifferent precision like a
+ mirror.' I seemed to be perfectly master of myself, and went on, but more
+ rapidly: 'I command you to leave me at once, for your ideas and phantasies
+ are but the illusions that creep like maggots into civilizations when they
+ begin to decline, and into minds when they begin to decay.' I had grown
+ suddenly angry, and seizing the <i>alembic</i> from the table, was about
+ to rise and strike him with it, when the peacocks on the door behind him
+ appeared to grow immense; and then the <i>alembic</i> fell from my fingers
+ and I was drowned in a tide of green and blue and bronze feathers, and as
+ I struggled hopelessly I heard a distant voice saying: 'Our master
+ Avicenna has written that all life proceeds out of corruption.' The
+ glittering feathers had now covered me completely, and I knew that I had
+ struggled for hundreds of years, and was conquered at last. I was sinking
+ into the depth when the green and blue and bronze that seemed to fill the
+ world became a sea of flame and swept me away, and as I was swirled along
+ I heard a voice over my head cry, 'The mirror is broken in two pieces,'
+ and another voice answer, 'The mirror is broken in four pieces,' and a
+ more distant voice cry with an exultant cry, 'The mirror is broken into
+ numberless pieces'; and then a multitude of pale hands were reaching
+ towards me, and strange gentle faces bending above me, and half wailing
+ and half caressing voices uttering words that were forgotten the moment
+ they were spoken. I was being lifted out of the tide of flame, and felt my
+ memories, my hopes, my thoughts, my will, everything I held to be myself,
+ melting away; then I seemed to rise through numberless companies of beings
+ who were, I understood, in some way more certain than thought, each
+ wrapped in his eternal moment, in the perfect lifting of an arm, in a
+ little circlet of rhythmical words, in dreaming with dim eyes and
+ half-closed eyelids. And then I passed beyond these forms, which were so
+ beautiful they had almost ceased to be, and, having endured strange moods,
+ melancholy, as it seemed, with the weight of many worlds, I passed into
+ that Death which is Beauty herself, and into that Loneliness which all the
+ multitudes desire without ceasing. All things that had ever lived seemed
+ to come and dwell in my heart, and I in theirs; and I had never again
+ known mortality or tears, had I not suddenly fallen from the certainty of
+ vision into the uncertainty of dream, and become a drop of molten gold
+ falling with immense rapidity, through a night elaborate with stars, and
+ all about me a melancholy exultant wailing. I fell and fell and fell, and
+ then the wailing was but the wailing of the wind in the chimney, and I
+ awoke to find myself leaning upon the table and supporting my head with my
+ hands. I saw the <i>alembic</i> swaying from side to side in the distant
+ corner it had rolled to, and Michael Robartes watching me and waiting. 'I
+ will go wherever you will,' I said, 'and do whatever you bid me, for I
+ have been with eternal things.' 'I knew,' he replied, 'you must need
+ answer as you have answered, when I heard the storm begin. You must come
+ to a great distance, for we were commanded to build our temple between the
+ pure multitude by the waves and the impure multitude of men.'
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ I did not speak as we drove through the deserted streets, for my mind was
+ curiously empty of familiar thoughts and experiences; it seemed to have
+ been plucked out of the definite world and cast naked upon a shoreless
+ sea. There were moments when the vision appeared on the point of
+ returning, and I would half-remember, with an ecstasy of joy or sorrow,
+ crimes and heroisms, fortunes and misfortunes; or begin to contemplate,
+ with a sudden leaping of the heart, hopes and terrors, desires and
+ ambitions, alien to my orderly and careful life; and then I would awake
+ shuddering at the thought that some great imponderable being had swept
+ through my mind. It was indeed days before this feeling passed perfectly
+ away, and even now, when I have sought refuge in the only definite faith,
+ I feel a great tolerance for those people with incoherent personalities,
+ who gather in the chapels and meeting-places of certain obscure sects,
+ because I also have felt fixed habits and principles dissolving before a
+ power, which was <i>hysterica passio</i> or sheer madness, if you will,
+ but was so powerful in its melancholy exultation that I tremble lest it
+ wake again and drive me from my new-found peace.
+ </p>
+ <p>
+ When we came in the grey light to the great half-empty terminus, it seemed
+ to me I was so changed that I was no more, as man is, a moment shuddering
+ at eternity, but eternity weeping and laughing over a moment; and when we
+ had started and Michael Robartes had fallen asleep, as he soon did, his
+ sleeping face, in which there was no sign of all that had so shaken me and
+ that now kept me wakeful, was to my excited mind more like a mask than a
+ face. The fancy possessed me that the man behind it had dissolved away
+ like salt in water, and that it laughed and sighed, appealed and denounced
+ at the bidding of beings greater or less than man. 'This is not Michael
+ Robartes at all: Michael Robartes is dead; dead for ten, for twenty years
+ perhaps,' I kept repeating to myself. I fell at last into a feverish
+ sleep, waking up from time to time when we rushed past some little town,
+ its slated roofs shining with wet, or still lake gleaming in the cold
+ morning light. I had been too pre-occupied to ask where we were going, or
+ to notice what tickets Michael Robartes had taken, but I knew now from the
+ direction of the sun that we were going westward; and presently I knew
+ also, by the way in which the trees had grown into the semblance of
+ tattered beggars flying with bent heads towards the east, that we were
+ approaching the western coast. Then immediately I saw the sea between the
+ low hills upon the left, its dull grey broken into white patches and
+ lines.
+ </p>
+ <p>
+ When we left the train we had still, I found, some way to go, and set out,
+ buttoning our coats about us, for the wind was bitter and violent. Michael
+ Robartes was silent, seeming anxious to leave me to my thoughts; and as we
+ walked between the sea and the rocky side of a great promontory, I
+ realized with a new perfection what a shock had been given to all my
+ habits of thought and of feelings, if indeed some mysterious change had
+ not taken place in the substance of my mind, for the grey waves, plumed
+ with scudding foam, had grown part of a teeming, fantastic inner life; and
+ when Michael Robartes pointed to a square ancient-looking house, with a
+ much smaller and newer building under its lee, set out on the very end of
+ a dilapidated and almost deserted pier, and said it was the Temple of the
+ Alchemical Rose, I was possessed with the phantasy that the sea, which
+ kept covering it with showers of white foam, was claiming it as part of
+ some indefinite and passionate life, which had begun to war upon our
+ orderly and careful days, and was about to plunge the world into a night
+ as obscure as that which followed the downfall of the classical world. One
+ part of my mind mocked this phantastic terror, but the other, the part
+ that still lay half plunged in vision, listened to the clash of unknown
+ armies, and shuddered at unimaginable fanaticisms, that hung in those grey
+ leaping waves.
+ </p>
+ <p>
+ We had gone but a few paces along the pier when we came upon an old man,
+ who was evidently a watchman, for he sat in an overset barrel, close to a
+ place where masons had been lately working upon a break in the pier, and
+ had in front of him a fire such as one sees slung under tinkers' carts. I
+ saw that he was also a voteen, as the peasants say, for there was a rosary
+ hanging from a nail on the rim of the barrel, and I saw I shuddered, and I
+ did not know why I shuddered. We had passed him a few yards when I heard
+ him cry in Gaelic, 'Idolaters, idolaters, go down to Hell with your
+ witches and your devils; go down to Hell that the herrings may come again
+ into the bay'; and for some moments I could hear him half screaming and
+ half muttering behind us. 'Are you not afraid,' I said, 'that these wild
+ fishing people may do some desperate thing against you?'
+ </p>
+ <p>
+ 'I and mine,' he answered, 'are long past human hurt or help, being
+ incorporate with immortal spirits, and when we die it shall be the
+ consummation of the supreme work. A time will come for these people also,
+ and they will sacrifice a mullet to Artemis, or some other fish to some
+ new divinity, unless indeed their own divinities, the Dagda, with his
+ overflowing cauldron, Lug, with his spear dipped in poppy-juice lest it
+ rush forth hot for battle. Aengus, with the three birds on his shoulder,
+ Bodb and his red swineherd, and all the heroic children of Dana, set up
+ once more their temples of grey stone. Their reign has never ceased, but
+ only waned in power a little, for the Sidhe still pass in every wind, and
+ dance and play at hurley, and fight their sudden battles in every hollow
+ and on every hill; but they cannot build their temples again till there
+ have been martyrdoms and victories, and perhaps even that long-foretold
+ battle in the Valley of the Black Pig.'
+ </p>
+ <p>
+ Keeping close to the wall that went about the pier on the seaward side, to
+ escape the driving foam and the wind, which threatened every moment to
+ lift us off our feet, we made our way in silence to the door of the square
+ building. Michael Robartes opened it with a key, on which I saw the rust
+ of many salt winds, and led me along a bare passage and up an uncarpeted
+ stair to a little room surrounded with bookshelves. A meal would be
+ brought, but only of fruit, for I must submit to a tempered fast before
+ the ceremony, he explained, and with it a book on the doctrine and method
+ of the Order, over which I was to spend what remained of the winter
+ daylight. He then left me, promising to return an hour before the
+ ceremony. I began searching among the bookshelves, and found one of the
+ most exhaustive alchemical libraries I have ever seen. There were the
+ works of Morienus, who hid his immortal body under a shirt of hair-cloth;
+ of Avicenna, who was a drunkard and yet controlled numberless legions of
+ spirits; of Alfarabi, who put so many spirits into his lute that he could
+ make men laugh, or weep, or fall in deadly trance as he would; of Lully,
+ who transformed himself into the likeness of a red cock; of Flamel, who
+ with his wife Parnella achieved the elixir many hundreds of years ago, and
+ is fabled to live still in Arabia among the Dervishes; and of many of less
+ fame. There were very few mystics but alchemical mystics, and because, I
+ had little doubt, of the devotion to one god of the greater number and of
+ the limited sense of beauty, which Robartes would hold an inevitable
+ consequence; but I did notice a complete set of facsimiles of the
+ prophetical writings of William Blake, and probably because of the
+ multitudes that thronged his illumination and were 'like the gay fishes on
+ the wave when the moon sucks up the dew.' I noted also many poets and
+ prose writers of every age, but only those who were a little weary of
+ life, as indeed the greatest have been everywhere, and who cast their
+ imagination to us, as a something they needed no longer now that they were
+ going up in their fiery chariots.
+ </p>
+ <p>
+ Presently I heard a tap at the door, and a woman came in and laid a little
+ fruit upon the table. I judged that she had once been handsome, but her
+ cheeks were hollowed by what I would have held, had I seen her anywhere
+ else, an excitement of the flesh and a thirst for pleasure, instead of
+ which it doubtless was an excitement of the imagination and a thirst for
+ beauty. I asked her some question concerning the ceremony, but getting no
+ answer except a shake of the head, saw that I must await initiation in
+ silence. When I had eaten, she came again, and having laid a curiously
+ wrought bronze box on the table, lighted the candles, and took away the
+ plates and the remnants. So soon as I was alone, I turned to the box, and
+ found that the peacocks of Hera spread out their tails over the sides and
+ lid, against a background, on which were wrought great stars, as though to
+ affirm that the heavens were a part of their glory. In the box was a book
+ bound in vellum, and having upon the vellum and in very delicate colours,
+ and in gold, the alchemical rose with many spears thrusting against it,
+ but in vain, as was shown by the shattered points of those nearest to the
+ petals. The book was written upon vellum, and in beautiful clear letters,
+ interspersed with symbolical pictures and illuminations, after the manner
+ of the <i>Splendor Solis</i>.
+ </p>
+ <p>
+ The first chapter described how six students, of Celtic descent, gave
+ themselves separately to the study of alchemy, and solved, one the mystery
+ of the Pelican, another the mystery of the green Dragon, another the
+ mystery of the Eagle, another that of Salt and Mercury. What seemed a
+ succession of accidents, but was, the book declared, the contrivance of
+ preternatural powers, brought them together in the garden of an inn in the
+ South of France, and while they talked together the thought came to them
+ that alchemy was the gradual distillation of the contents of the soul,
+ until they were ready to put off the mortal and put on the immortal. An
+ owl passed, rustling among the vine-leaves overhead, and then an old woman
+ came, leaning upon a stick, and, sitting close to them, took up the
+ thought where they had dropped it. Having expounded the whole principle of
+ spiritual alchemy, and bid them found the Order of the Alchemical Rose,
+ she passed from among them, and when they would have followed she was
+ nowhere to be seen. They formed themselves into an Order, holding their
+ goods and making their researches in common, and, as they became perfect
+ in the alchemical doctrine, apparitions came and went among them, and
+ taught them more and more marvellous mysteries. The book then went on to
+ expound so much of these as the neophyte was permitted to know, dealing at
+ the outset and at considerable length with the independent reality of our
+ thoughts, which was, it declared, the doctrine from which all true
+ doctrines rose. If you imagine, it said, the semblance of a living being,
+ it is at once possessed by a wandering soul, and goes hither and thither
+ working good or evil, until the moment of its death has come; and gave
+ many examples, received, it said, from many gods. Eros had taught them how
+ to fashion forms in which a divine soul could dwell, and whisper what they
+ would into sleeping minds; and Ate, forms from which demonic beings could
+ pour madness, or unquiet dreams, into sleeping blood; and Hermes, that if
+ you powerfully imagined a hound at your bedside it would keep watch there
+ until you woke, and drive away all but the mightiest demons, but that if
+ your imagination was weakly, the hound would be weakly also, and the
+ demons prevail, and the hound soon die; and Aphrodite, that if you made,
+ by a strong imagining, a dove crowned with silver and had it flutter over
+ your head, its soft cooing would make sweet dreams of immortal love gather
+ and brood over mortal sleep; and all divinities alike had revealed with
+ many warnings and lamentations that all minds are continually giving birth
+ to such beings, and sending them forth to work health or disease, joy or
+ madness. If you would give forms to the evil powers, it went on, you were
+ to make them ugly, thrusting out a lip, with the thirsts of life, or
+ breaking the proportions of a body with the burdens of life; but the
+ divine powers would only appear in beautiful shapes, which are but, as it
+ were, shapes trembling out of existence, folding up into a timeless
+ ecstasy, drifting with half-shut eyes, into a sleepy stillness. The
+ bodiless souls who descended into these forms were what men called the
+ moods; and worked all great changes in the world; for just as the magician
+ or the artist could call them when he would, so they could call out of the
+ mind of the magician or the artist, or if they were demons, out of the
+ mind of the mad or the ignoble, what shape they would, and through its
+ voice and its gestures pour themselves out upon the world. In this way all
+ great events were accomplished; a mood, a divinity, or a demon, first
+ descending like a faint sigh into men's minds and then changing their
+ thoughts and their actions until hair that was yellow had grown black, or
+ hair that was black had grown yellow, and empires moved their border, as
+ though they were but drifts of leaves. The rest of the book contained
+ symbols of form, and sound, and colour, and their attribution to
+ divinities and demons, so that the initiate might fashion a shape for any
+ divinity or any demon, and be as powerful as Avicenna among those who live
+ under the roots of tears and of laughter.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ A couple of hours after Sunset Michael Robartes returned and told me that
+ I would have to learn the steps of an exceedingly antique dance, because
+ before my initiation could be perfected I had to join three times in a
+ magical dance, for rhythm was the wheel of Eternity, on which alone the
+ transient and accidental could be broken, and the spirit set free. I found
+ that the steps, which were simple enough, resembled certain antique Greek
+ dances, and having been a good dancer in my youth and the master of many
+ curious Gaelic steps, I soon had them in my memory. He then robed me and
+ himself in a costume which suggested by its shape both Greece and Egypt,
+ but by its crimson colour a more passionate life than theirs; and having
+ put into my hands a little chainless censer of bronze, wrought into the
+ likeness of a rose, by some modern craftsman, he told me to open a small
+ door opposite to the door by which I had entered. I put my hand to the
+ handle, but the moment I did so the fumes of the incense, helped perhaps
+ by his mysterious glamour, made me fall again into a dream, in which I
+ seemed to be a mask, lying on the counter of a little Eastern shop. Many
+ persons, with eyes so bright and still that I knew them for more than
+ human, came in and tried me on their faces, but at last flung me into a
+ corner with a little laughter; but all this passed in a moment, for when I
+ awoke my hand was still upon the handle. I opened the door, and found
+ myself in a marvellous passage, along whose sides were many divinities
+ wrought in a mosaic, not less beautiful than the mosaic in the Baptistery
+ at Ravenna, but of a less severe beauty; the predominant colour of each
+ divinity, which was surely a symbolic colour, being repeated in the lamps
+ that hung from the ceiling, a curiously-scented lamp before every
+ divinity. I passed on, marvelling exceedingly how these enthusiasts could
+ have created all this beauty in so remote a place, and half persuaded to
+ believe in a material alchemy, by the sight of so much hidden wealth; the
+ censer filling the air, as I passed, with smoke of ever-changing colour.
+ </p>
+ <p>
+ I stopped before a door, on whose bronze panels were wrought great waves
+ in whose shadow were faint suggestions of terrible faces. Those beyond it
+ seemed to have heard our steps, for a voice cried: 'Is the work of the
+ Incorruptible Fire at an end?' and immediately Michael Robartes answered:
+ 'The perfect gold has come from the <i>athanor</i>.' The door swung open,
+ and we were in a great circular room, and among men and women who were
+ dancing slowly in crimson robes. Upon the ceiling was an immense rose
+ wrought in mosaic; and about the walls, also in mosaic, was a battle of
+ gods and angels, the gods glimmering like rubies and sapphires, and the
+ angels of the one greyness, because, as Michael Robartes whispered, they
+ had renounced their divinity, and turned from the unfolding of their
+ separate hearts, out of love for a God of humility and sorrow. Pillars
+ supported the roof and made a kind of circular cloister, each pillar being
+ a column of confused shapes, divinities, it seemed, of the wind, who rose
+ as in a whirling dance of more than human vehemence, and playing upon
+ pipes and cymbals; and from among these shapes were thrust out hands, and
+ in these hands were censers. I was bid place my censer also in a hand and
+ take my place and dance, and as I turned from the pillars towards the
+ dancers, I saw that the floor was of a green stone, and that a pale Christ
+ on a pale cross was wrought in the midst. I asked Robartes the meaning of
+ this, and was told that they desired 'To trouble His unity with their
+ multitudinous feet.' The dance wound in and out, tracing upon the floor
+ the shapes of petals that copied the petals in the rose overhead, and to
+ the sound of hidden instruments which were perhaps of an antique pattern,
+ for I have never heard the like; and every moment the dance was more
+ passionate, until all the winds of the world seemed to have awakened under
+ our feet. After a little I had grown weary, and stood under a pillar
+ watching the coming and going of those flame-like figures; until gradually
+ I sank into a half-dream, from which I was awakened by seeing the petals
+ of the great rose, which had no longer the look of mosaic, falling slowly
+ through the incense-heavy air, and, as they fell, shaping into the
+ likeness of living beings of an extraordinary beauty. Still faint and
+ cloud-like, they began to dance, and as they danced took a more and more
+ definite shape, so that I was able to distinguish beautiful Grecian faces
+ and august Egyptian faces, and now and again to name a divinity by the
+ staff in his hand or by a bird fluttering over his head; and soon every
+ mortal foot danced by the white foot of an immortal; and in the troubled
+ eyes that looked into untroubled shadowy eyes, I saw the brightness of
+ uttermost desire as though they had found at length, after unreckonable
+ wandering, the lost love of their youth. Sometimes, but only for a moment,
+ I saw a faint solitary figure with a Rosa veiled face, and carrying a
+ faint torch, flit among the dancers, but like a dream within a dream, like
+ a shadow of a shadow, and I knew by an understanding born from a deeper
+ fountain than thought, that it was Eros himself, and that his face was
+ veiled because no man or woman from the beginning of the world has ever
+ known what love is, or looked into his eyes, for Eros alone of divinities
+ is altogether a spirit, and hides in passions not of his essence if he
+ would commune with a mortal heart. So that if a man love nobly he knows
+ love through infinite pity, unspeakable trust, unending sympathy; and if
+ ignobly through vehement jealousy, sudden hatred, and unappeasable desire;
+ but unveiled love he never knows. While I thought these things, a voice
+ cried to me from the crimson figures: 'Into the dance! there is none that
+ can be spared out of the dance; into the dance! into the dance! that the
+ gods may make them bodies out of the substance of our hearts'; and before
+ I could answer, a mysterious wave of passion, that seemed like the soul of
+ the dance moving within our souls, Alchemica took hold of me, and I was
+ swept, neither consenting nor refusing, into the midst. I was dancing with
+ an immortal august woman, who had black lilies in her hair, and her dreamy
+ gesture seemed laden with a wisdom more profound than the darkness that is
+ between star and star, and with a love like the love that breathed upon
+ the waters; and as we danced on and on, the incense drifted over us and
+ round us, covering us away as in the heart of the world, and ages seemed
+ to pass, and tempests to awake and perish in the folds of our robes and in
+ her heavy hair.
+ </p>
+ <p>
+ Suddenly I remembered that her eyelids had never quivered, and that her
+ lilies had not dropped a black petal, or shaken from their places, and
+ understood with a great horror that I danced with one who was more or less
+ than human, and who was drinking up my soul as an ox drinks up a wayside
+ pool; and I fell, and darkness passed over me.
+ </p>
+
+<p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0005a" id="link2H_4_0005a"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+
+
+ <p>
+ I awoke suddenly as though something had awakened me, and saw that I was
+ lying on a roughly painted floor, and that on the ceiling, which was at no
+ great distance, was a roughly painted rose, and about me on the walls
+ half-finished paintings. The pillars and the censers had gone; and near me
+ a score of sleepers lay wrapped in disordered robes, their upturned faces
+ looking to my imagination like hollow masks; and a chill dawn was shining
+ down upon them from a long window I had not noticed before; and outside
+ the sea roared. I saw Michael Robartes lying at a little distance and
+ beside him an overset bowl of wrought bronze which looked as though it had
+ once held incense. As I sat thus, I heard a sudden tumult of angry men and
+ women's voices mix with the roaring of the sea; and leaping to my feet, I
+ went quickly to Michael Robartes, and tried to shake him out of his sleep.
+ I then seized him by the shoulder and tried to lift him, but he fell
+ backwards, and sighed faintly; and the voices became louder and angrier;
+ and there was a sound of heavy blows upon the door, which opened on to the
+ pier. Suddenly I heard a sound of rending wood, and I knew it had begun to
+ give, and I ran to the door of the room. I pushed it open and came out
+ upon a passage whose bare boards clattered under my feet, and found in the
+ passage another door which led into an empty kitchen; and as I passed
+ through the door I heard two crashes in quick succession, and knew by the
+ sudden noise of feet and the shouts that the door which opened on to the
+ pier had fallen inwards. I ran from the kitchen and out into a small yard,
+ and from this down some steps which descended the seaward and sloping side
+ of the pier, and from the steps clambered along the water's edge, with the
+ angry voices ringing in my ears. This part of the pier had been but lately
+ refaced with blocks of granite, so that it was almost clear of seaweed;
+ but when I came to the old part, I found it so slippery with green weed
+ that I had to climb up on to the roadway. I looked towards the Temple of
+ the Alchemical Rose, where the fishermen and the women were still
+ shouting, but somewhat more faintly, and saw that there was no one about
+ the door or upon the pier; but as I looked, a little crowd hurried out of
+ the door and began gathering large stones from where they were heaped up
+ in readiness for the next time a storm shattered the pier, when they would
+ be laid under blocks of granite. While I stood watching the crowd, an old
+ man, who was, I think, the voteen, pointed to me, and screamed out
+ something, and the crowd whitened, for all the faces had turned towards
+ me. I ran, and it was well for me that pullers of the oar are poorer men
+ with their feet than with their arms and their bodies; and yet while I ran
+ I scarcely heard the following feet or the angry voices, for many voices
+ of exultation and lamentation, which were forgotten as a dream is
+ forgotten the moment they were heard, seemed to be ringing in the air over
+ my head.
+ </p>
+ <p>
+ There are moments even now when I seem to hear those voices of exultation
+ and lamentation, and when the indefinite world, which has but half lost
+ its mastery over my heart and my intellect, seems about to claim a perfect
+ mastery; but I carry the rosary about my neck, and when I hear, or seem to
+ hear them, I press it to my heart and say: 'He whose name is Legion is at
+ our doors deceiving our intellects with subtlety and flattering our hearts
+ with beauty, and we have no trust but in Thee'; and then the war that
+ rages within me at other times is still, and I am at peace.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+***** This file should be named 5794-h.htm or 5794-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/7/9/5794/
+
+
+Text file produced by Charles Franks and the Online Distributed
+Proofreading Team
+
+HTML file produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+
+ </body>
+</html>
diff --git a/5794.txt b/5794.txt
new file mode 100644
index 0000000..dc3ba05
--- /dev/null
+++ b/5794.txt
@@ -0,0 +1,1100 @@
+The Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Rosa Alchemica
+
+Author: W. B. Yeats
+
+
+Release Date: May, 2004 [EBook #5794]
+This file was first posted on September 1, 2002
+Last Updated: July 3, 2013
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed Proofreading Team
+
+
+
+
+
+
+
+ROSA ALCHEMICA
+
+
+By W.B. Yeats
+
+
+
+O blessed and happy he, who knowing the mysteries of the gods,
+sanctifies his life, and purifies his soul, celebrating orgies in the
+mountains with holy purifications.--_Euripides._
+
+
+
+
+ROSA ALCHEMICA.
+
+
+
+
+I
+
+
+It is now more than ten years since I met, for the last time, Michael
+Robartes, and for the first time and the last time his friends and
+fellow students; and witnessed his and their tragic end, and endured
+those strange experiences, which have changed me so that my writings
+have grown less popular and less intelligible, and driven me almost
+to the verge of taking the habit of St. Dominic. I had just published
+Rosa Alchemica, a little work on the Alchemists, somewhat in the
+manner of Sir Thomas Browne, and had received many letters from
+believers in the arcane sciences, upbraiding what they called my
+timidity, for they could not believe so evident sympathy but the
+sympathy of the artist, which is half pity, for everything which has
+moved men's hearts in any age. I had discovered, early in my
+researches, that their doctrine was no merely chemical phantasy, but
+a philosophy they applied to the world, to the elements and to man
+himself; and that they sought to fashion gold out of common metals
+merely as part of an universal transmutation of all things into some
+divine and imperishable substance; and this enabled me to make my
+little book a fanciful reverie over the transmutation of life into
+art, and a cry of measureless desire for a world made wholly of
+essences.
+
+I was sitting dreaming of what I had written, in my house in one of
+the old parts of Dublin; a house my ancestors had made almost famous
+through their part in the politics of the city and their friendships
+with the famous men of their generations; and was feeling an unwonted
+happiness at having at last accomplished a long-cherished design, and
+made my rooms an expression of this favourite doctrine. The
+portraits, of more historical than artistic interest, had gone; and
+tapestry, full of the blue and bronze of peacocks, fell over the
+doors, and shut out all history and activity untouched with beauty
+and peace; and now when I looked at my Crevelli and pondered on the
+rose in the hand of the Virgin, wherein the form was so delicate and
+precise that it seemed more like a thought than a flower, or at the
+grey dawn and rapturous faces of my Francesca, I knew all a
+Christian's ecstasy without his slavery to rule and custom; when I
+pondered over the antique bronze gods and goddesses, which I had
+mortgaged my house to buy, I had all a pagan's delight in various
+beauty and without his terror at sleepless destiny and his labour
+with many sacrifices; and I had only to go to my bookshelf, where
+every book was bound in leather, stamped with intricate ornament, and
+of a carefully chosen colour: Shakespeare in the orange of the glory
+of the world, Dante in the dull red of his anger, Milton in the blue
+grey of his formal calm; and I could experience what I would of human
+passions without their bitterness and without satiety. I had gathered
+about me all gods because I believed in none, and experienced every
+pleasure because I gave myself to none, but held myself apart,
+individual, indissoluble, a mirror of polished steel: I looked in the
+triumph of this imagination at the birds of Hera, glowing in the
+firelight as though they were wrought of jewels; and to my mind, for
+which symbolism was a necessity, they seemed the doorkeepers of my
+world, shutting out all that was not of as affluent a beauty as their
+own; and for a moment I thought as I had thought in so many other
+moments, that it was possible to rob life of every bitterness except
+the bitterness of death; and then a thought which had followed this
+thought, time after time, filled me with a passionate sorrow. All
+those forms: that Madonna with her brooding purity, those rapturous
+faces singing in the morning light, those bronze divinities with
+their passionless dignity, those wild shapes rushing from despair to
+despair, belonged to a divine world wherein I had no part; and every
+experience, however profound, every perception, however exquisite,
+would bring me the bitter dream of a limitless energy I could never
+know, and even in my most perfect moment I would be two selves, the
+one watching with heavy eyes the other's moment of content. I had
+heaped about me the gold born in the crucibles of others; but the
+supreme dream of the alchemist, the transmutation of the weary heart
+into a weariless spirit, was as far from me as, I doubted not, it had
+been from him also. I turned to my last purchase, a set of alchemical
+apparatus which, the dealer in the Rue le Peletier had assured me,
+once belonged to Raymond Lully, and as I joined the _alembic_ to
+the _athanor_ and laid the _lavacrum maris_ at their side,
+I understood the alchemical doctrine, that all beings, divided from
+the great deep where spirits wander, one and yet a multitude, are
+weary; and sympathized, in the pride of my connoisseurship, with the
+consuming thirst for destruction which made the alchemist veil under
+his symbols of lions and dragons, of eagles and ravens, of dew and of
+nitre, a search for an essence which would dissolve all mortal
+things. I repeated to myself the ninth key of Basilius Valentinus, in
+which he compares the fire of the last day to the fire of the
+alchemist, and the world to the alchemist's furnace, and would have
+us know that all must be dissolved before the divine substance,
+material gold or immaterial ecstasy, awake. I had dissolved indeed
+the mortal world and lived amid immortal essences, but had obtained
+no miraculous ecstasy. As I thought of these things, I drew aside the
+curtains and looked out into the darkness, and it seemed to my
+troubled fancy that all those little points of light filling the sky
+were the furnaces of innumerable divine alchemists, who labour
+continually, turning lead into gold, weariness into ecstasy, bodies
+into souls, the darkness into God; and at their perfect labour my
+mortality grew heavy, and I cried out, as so many dreamers and men of
+letters in our age have cried, for the birth of that elaborate
+spiritual beauty which could alone uplift souls weighted with so many
+dreams.
+
+
+
+
+II
+
+
+My reverie was broken by a loud knocking at the door, and I wondered
+the more at this because I had no visitors, and had bid my servants
+do all things silently, lest they broke the dream of my inner life.
+Feeling a little curious, I resolved to go to the door myself, and,
+taking one of the silver candlesticks from the mantlepiece, began to
+descend the stairs. The servants appeared to be out, for though the
+sound poured through every corner and crevice of the house there was
+no stir in the lower rooms. I remembered that because my needs were
+so few, my part in life so little, they had begun to come and go as
+they would, often leaving me alone for hours. The emptiness and
+silence of a world from which I had driven everything but dreams
+suddenly overwhelmed me, and I shuddered as I drew the bolt. I found
+before me Michael Robartes, whom I had not seen for years, and whose
+wild red hair, fierce eyes, sensitive, tremulous lips and rough
+clothes, made him look now, just as they used to do fifteen years
+before, something between a debauchee, a saint, and a peasant. He had
+recently come to Ireland, he said, and wished to see me on a matter
+of importance: indeed, the only matter of importance for him and for
+me. His voice brought up before me our student years in Paris, and
+remembering the magnetic power he had once possessed over me, a
+little fear mingled with much annoyance at this irrelevant intrusion,
+as I led the way up the wide staircase, where Swift had passed joking
+and railing, and Curran telling stories and quoting Greek, in simpler
+days, before men's minds, subtilized and complicated by the romantic
+movement in art and literature, began to tremble on the verge of some
+unimagined revelation. I felt that my hand shook, and saw that the
+light of the candle wavered and quivered more than it need have upon
+the Maenads on the old French panels, making them look like the first
+beings slowly shaping in the formless and void darkness. When the
+door had closed, and the peacock curtain, glimmering like many-coloured
+flame, fell between us and the world, I felt, in a way I
+could not understand, that some singular and unexpected thing was
+about to happen. I went over to the mantlepiece, and finding that a
+little chainless bronze censer, set, upon the outside, with pieces of
+painted china by Orazio Fontana, which I had filled with antique
+amulets, had fallen upon its side and poured out its contents, I
+began to gather the amulets into the bowl, partly to collect my
+thoughts and partly with that habitual reverence which seemed to me
+the due of things so long connected with secret hopes and fears. 'I
+see,' said Michael Robartes, 'that you are still fond of incense, and
+I can show you an incense more precious than any you have ever seen,'
+and as he spoke he took the censer out of my hand and put the amulets
+in a little heap between the _athanor_ and the _alembic_. I
+sat down, and he sat down at the side of the fire, and sat there for
+awhile looking into the fire, and holding the censer in his hand. 'I
+have come to ask you something,' he said, 'and the incense will fill
+the room, and our thoughts, with its sweet odour while we are
+talking. I got it from an old man in Syria, who said it was made from
+flowers, of one kind with the flowers that laid their heavy purple
+petals upon the hands and upon the hair and upon the feet of Christ
+in the Garden of Gethsemane, and folded Him in their heavy breath,
+until He cried against the cross and his destiny.' He shook some dust
+into the censer out of a small silk bag, and set the censer upon the
+floor and lit the dust which sent up a blue stream of smoke, that
+spread out over the ceiling, and flowed downwards again until it was
+like Milton's banyan tree. It filled me, as incense often does, with
+a faint sleepiness, so that I started when he said, 'I have come to
+ask you that question which I asked you in Paris, and which you left
+Paris rather than answer.'
+
+He had turned his eyes towards me, and I saw them glitter in the
+firelight, and through the incense, as I replied: 'You mean, will I
+become an initiate of your Order of the Alchemical Rose? I would not
+consent in Paris, when I was full of unsatisfied desire, and now that
+I have at last fashioned my life according to my desire, am I likely
+to consent?'
+
+'You have changed greatly since then,' he answered. 'I have read your
+books, and now I see you among all these images, and I understand you
+better than you do yourself, for I have been with many and many
+dreamers at the same cross-ways. You have shut away the world and
+gathered the gods about you, and if you do not throw yourself at
+their feet, you will be always full of lassitude, and of wavering
+purpose, for a man must forget he is miserable in the bustle and
+noise of the multitude in this world and in time; or seek a mystical
+union with the multitude who govern this world and time.' And then he
+murmured something I could not hear, and as though to someone I could
+not see.
+
+For a moment the room appeared to darken, as it used to do when he
+was about to perform some singular experiment, and in the darkness
+the peacocks upon the doors seemed to glow with a more intense
+colour. I cast off the illusion, which was, I believe, merely caused
+by memory, and by the twilight of incense, for I would not
+acknowledge that he could overcome my now mature intellect; and I
+said: 'Even if I grant that I need a spiritual belief and some form
+of worship, why should I go to Eleusis and not to Calvary?' He leaned
+forward and began speaking with a slightly rhythmical intonation, and
+as he spoke I had to struggle again with the shadow, as of some older
+night than the night of the sun, which began to dim the light of the
+candles and to blot out the little gleams upon the corner of
+picture-frames and on the bronze divinities, and to turn the blue of the
+incense to a heavy purple; while it left the peacocks to glimmer and
+glow as though each separate colour were a living spirit. I had
+fallen into a profound dream-like reverie in which I heard him
+speaking as at a distance. 'And yet there is no one who communes with
+only one god,' he was saying, 'and the more a man lives in
+imagination and in a refined understanding, the more gods does he
+meet with and talk with, and the more does he come under the power of
+Roland, who sounded in the Valley of Roncesvalles the last trumpet of
+the body's will and pleasure; and of Hamlet, who saw them perishing
+away, and sighed; and of Faust, who looked for them up and down the
+world and could not find them; and under the power of all those
+countless divinities who have taken upon themselves spiritual bodies
+in the minds of the modern poets and romance writers, and under the
+power of the old divinities, who since the Renaissance have won
+everything of their ancient worship except the sacrifice of birds and
+fishes, the fragrance of garlands and the smoke of incense. The many
+think humanity made these divinities, and that it can unmake them
+again; but we who have seen them pass in rattling harness, and in
+soft robes, and heard them speak with articulate voices while we lay
+in deathlike trance, know that they are always making and unmaking
+humanity, which is indeed but the trembling of their lips.'
+
+He had stood up and begun to walk to and fro, and had become in my
+waking dream a shuttle weaving an immense purple web whose folds had
+begun to fill the room. The room seemed to have become inexplicably
+silent, as though all but the web and the weaving were at an end in
+the world. 'They have come to us; they have come to us,' the voice
+began again; 'all that have ever been in your reverie, all that you
+have met with in books. There is Lear, his head still wet with the
+thunder-storm, and he laughs because you thought yourself an
+existence who are but a shadow, and him a shadow who is an eternal
+god; and there is Beatrice, with her lips half parted in a smile, as
+though all the stars were about to pass away in a sigh of love; and
+there is the mother of the God of humility who cast so great a spell
+over men that they have tried to unpeople their hearts that he might
+reign alone, but she holds in her hand the rose whose every petal is
+a god; and there, O swiftly she comes! is Aphrodite under a twilight
+falling from the wings of numberless sparrows, and about her feet are
+the grey and white doves.' In the midst of my dream I saw him hold
+out his left arm and pass his right hand over it as though he stroked
+the wings of doves. I made a violent effort which seemed almost to
+tear me in two, and said with forced determination: 'You would sweep
+me away into an indefinite world which fills me with terror; and yet
+a man is a great man just in so far as he can make his mind reflect
+everything with indifferent precision like a mirror.' I seemed to be
+perfectly master of myself, and went on, but more rapidly: 'I command
+you to leave me at once, for your ideas and phantasies are but the
+illusions that creep like maggots into civilizations when they begin
+to decline, and into minds when they begin to decay.' I had grown
+suddenly angry, and seizing the _alembic_ from the table, was
+about to rise and strike him with it, when the peacocks on the door
+behind him appeared to grow immense; and then the _alembic_ fell
+from my fingers and I was drowned in a tide of green and blue and
+bronze feathers, and as I struggled hopelessly I heard a distant
+voice saying: 'Our master Avicenna has written that all life proceeds
+out of corruption.' The glittering feathers had now covered me
+completely, and I knew that I had struggled for hundreds of years,
+and was conquered at last. I was sinking into the depth when the
+green and blue and bronze that seemed to fill the world became a sea
+of flame and swept me away, and as I was swirled along I heard a
+voice over my head cry, 'The mirror is broken in two pieces,' and
+another voice answer, 'The mirror is broken in four pieces,' and a
+more distant voice cry with an exultant cry, 'The mirror is broken
+into numberless pieces'; and then a multitude of pale hands were
+reaching towards me, and strange gentle faces bending above me, and
+half wailing and half caressing voices uttering words that were
+forgotten the moment they were spoken. I was being lifted out of the
+tide of flame, and felt my memories, my hopes, my thoughts, my will,
+everything I held to be myself, melting away; then I seemed to rise
+through numberless companies of beings who were, I understood, in
+some way more certain than thought, each wrapped in his eternal
+moment, in the perfect lifting of an arm, in a little circlet of
+rhythmical words, in dreaming with dim eyes and half-closed eyelids.
+And then I passed beyond these forms, which were so beautiful they
+had almost ceased to be, and, having endured strange moods,
+melancholy, as it seemed, with the weight of many worlds, I passed
+into that Death which is Beauty herself, and into that Loneliness
+which all the multitudes desire without ceasing. All things that had
+ever lived seemed to come and dwell in my heart, and I in theirs; and
+I had never again known mortality or tears, had I not suddenly fallen
+from the certainty of vision into the uncertainty of dream, and
+become a drop of molten gold falling with immense rapidity, through a
+night elaborate with stars, and all about me a melancholy exultant
+wailing. I fell and fell and fell, and then the wailing was but the
+wailing of the wind in the chimney, and I awoke to find myself
+leaning upon the table and supporting my head with my hands. I saw
+the _alembic_ swaying from side to side in the distant corner it
+had rolled to, and Michael Robartes watching me and waiting. 'I will
+go wherever you will,' I said, 'and do whatever you bid me, for I
+have been with eternal things.' 'I knew,' he replied, 'you must need
+answer as you have answered, when I heard the storm begin. You must
+come to a great distance, for we were commanded to build our temple
+between the pure multitude by the waves and the impure multitude of
+men.'
+
+
+
+
+III
+
+
+I did not speak as we drove through the deserted streets, for my mind
+was curiously empty of familiar thoughts and experiences; it seemed
+to have been plucked out of the definite world and cast naked upon a
+shoreless sea. There were moments when the vision appeared on the
+point of returning, and I would half-remember, with an ecstasy of joy
+or sorrow, crimes and heroisms, fortunes and misfortunes; or begin to
+contemplate, with a sudden leaping of the heart, hopes and terrors,
+desires and ambitions, alien to my orderly and careful life; and then
+I would awake shuddering at the thought that some great imponderable
+being had swept through my mind. It was indeed days before this
+feeling passed perfectly away, and even now, when I have sought
+refuge in the only definite faith, I feel a great tolerance for those
+people with incoherent personalities, who gather in the chapels and
+meeting-places of certain obscure sects, because I also have felt
+fixed habits and principles dissolving before a power, which was
+_hysterica passio_ or sheer madness, if you will, but was so
+powerful in its melancholy exultation that I tremble lest it wake
+again and drive me from my new-found peace.
+
+When we came in the grey light to the great half-empty terminus, it
+seemed to me I was so changed that I was no more, as man is, a moment
+shuddering at eternity, but eternity weeping and laughing over a
+moment; and when we had started and Michael Robartes had fallen
+asleep, as he soon did, his sleeping face, in which there was no sign
+of all that had so shaken me and that now kept me wakeful, was to my
+excited mind more like a mask than a face. The fancy possessed me
+that the man behind it had dissolved away like salt in water, and
+that it laughed and sighed, appealed and denounced at the bidding of
+beings greater or less than man. 'This is not Michael Robartes at
+all: Michael Robartes is dead; dead for ten, for twenty years
+perhaps,' I kept repeating to myself. I fell at last into a feverish
+sleep, waking up from time to time when we rushed past some little
+town, its slated roofs shining with wet, or still lake gleaming in
+the cold morning light. I had been too pre-occupied to ask where we
+were going, or to notice what tickets Michael Robartes had taken, but
+I knew now from the direction of the sun that we were going westward;
+and presently I knew also, by the way in which the trees had grown
+into the semblance of tattered beggars flying with bent heads towards
+the east, that we were approaching the western coast. Then
+immediately I saw the sea between the low hills upon the left, its
+dull grey broken into white patches and lines.
+
+When we left the train we had still, I found, some way to go, and set
+out, buttoning our coats about us, for the wind was bitter and
+violent. Michael Robartes was silent, seeming anxious to leave me to
+my thoughts; and as we walked between the sea and the rocky side of a
+great promontory, I realized with a new perfection what a shock had
+been given to all my habits of thought and of feelings, if indeed
+some mysterious change had not taken place in the substance of my
+mind, for the grey waves, plumed with scudding foam, had grown part
+of a teeming, fantastic inner life; and when Michael Robartes pointed
+to a square ancient-looking house, with a much smaller and newer
+building under its lee, set out on the very end of a dilapidated and
+almost deserted pier, and said it was the Temple of the Alchemical
+Rose, I was possessed with the phantasy that the sea, which kept
+covering it with showers of white foam, was claiming it as part of
+some indefinite and passionate life, which had begun to war upon our
+orderly and careful days, and was about to plunge the world into a
+night as obscure as that which followed the downfall of the classical
+world. One part of my mind mocked this phantastic terror, but the
+other, the part that still lay half plunged in vision, listened to
+the clash of unknown armies, and shuddered at unimaginable
+fanaticisms, that hung in those grey leaping waves.
+
+We had gone but a few paces along the pier when we came upon an old
+man, who was evidently a watchman, for he sat in an overset barrel,
+close to a place where masons had been lately working upon a break in
+the pier, and had in front of him a fire such as one sees slung under
+tinkers' carts. I saw that he was also a voteen, as the peasants say,
+for there was a rosary hanging from a nail on the rim of the barrel,
+and I saw I shuddered, and I did not know why I shuddered. We had
+passed him a few yards when I heard him cry in Gaelic, 'Idolaters,
+idolaters, go down to Hell with your witches and your devils; go down
+to Hell that the herrings may come again into the bay'; and for some
+moments I could hear him half screaming and half muttering behind us.
+'Are you not afraid,' I said, 'that these wild fishing people may do
+some desperate thing against you?'
+
+'I and mine,' he answered, 'are long past human hurt or help, being
+incorporate with immortal spirits, and when we die it shall be the
+consummation of the supreme work. A time will come for these people
+also, and they will sacrifice a mullet to Artemis, or some other fish
+to some new divinity, unless indeed their own divinities, the Dagda,
+with his overflowing cauldron, Lug, with his spear dipped in
+poppy-juice lest it rush forth hot for battle. Aengus, with the three
+birds on his shoulder, Bodb and his red swineherd, and all the heroic
+children of Dana, set up once more their temples of grey stone. Their
+reign has never ceased, but only waned in power a little, for the Sidhe
+still pass in every wind, and dance and play at hurley, and fight their
+sudden battles in every hollow and on every hill; but they cannot build
+their temples again till there have been martyrdoms and victories, and
+perhaps even that long-foretold battle in the Valley of the Black Pig.'
+
+Keeping close to the wall that went about the pier on the seaward
+side, to escape the driving foam and the wind, which threatened every
+moment to lift us off our feet, we made our way in silence to the
+door of the square building. Michael Robartes opened it with a key,
+on which I saw the rust of many salt winds, and led me along a bare
+passage and up an uncarpeted stair to a little room surrounded with
+bookshelves. A meal would be brought, but only of fruit, for I must
+submit to a tempered fast before the ceremony, he explained, and with
+it a book on the doctrine and method of the Order, over which I was
+to spend what remained of the winter daylight. He then left me,
+promising to return an hour before the ceremony. I began searching
+among the bookshelves, and found one of the most exhaustive
+alchemical libraries I have ever seen. There were the works of
+Morienus, who hid his immortal body under a shirt of hair-cloth; of
+Avicenna, who was a drunkard and yet controlled numberless legions of
+spirits; of Alfarabi, who put so many spirits into his lute that he
+could make men laugh, or weep, or fall in deadly trance as he would;
+of Lully, who transformed himself into the likeness of a red cock; of
+Flamel, who with his wife Parnella achieved the elixir many hundreds
+of years ago, and is fabled to live still in Arabia among the
+Dervishes; and of many of less fame. There were very few mystics but
+alchemical mystics, and because, I had little doubt, of the devotion
+to one god of the greater number and of the limited sense of beauty,
+which Robartes would hold an inevitable consequence; but I did notice
+a complete set of facsimiles of the prophetical writings of William
+Blake, and probably because of the multitudes that thronged his
+illumination and were 'like the gay fishes on the wave when the moon
+sucks up the dew.' I noted also many poets and prose writers of every
+age, but only those who were a little weary of life, as indeed the
+greatest have been everywhere, and who cast their imagination to us,
+as a something they needed no longer now that they were going up in
+their fiery chariots.
+
+Presently I heard a tap at the door, and a woman came in and laid a
+little fruit upon the table. I judged that she had once been
+handsome, but her cheeks were hollowed by what I would have held, had
+I seen her anywhere else, an excitement of the flesh and a thirst for
+pleasure, instead of which it doubtless was an excitement of the
+imagination and a thirst for beauty. I asked her some question
+concerning the ceremony, but getting no answer except a shake of the
+head, saw that I must await initiation in silence. When I had eaten,
+she came again, and having laid a curiously wrought bronze box on the
+table, lighted the candles, and took away the plates and the
+remnants. So soon as I was alone, I turned to the box, and found that
+the peacocks of Hera spread out their tails over the sides and lid,
+against a background, on which were wrought great stars, as though to
+affirm that the heavens were a part of their glory. In the box was a
+book bound in vellum, and having upon the vellum and in very delicate
+colours, and in gold, the alchemical rose with many spears thrusting
+against it, but in vain, as was shown by the shattered points of
+those nearest to the petals. The book was written upon vellum, and in
+beautiful clear letters, interspersed with symbolical pictures and
+illuminations, after the manner of the _Splendor Solis_.
+
+The first chapter described how six students, of Celtic descent, gave
+themselves separately to the study of alchemy, and solved, one the
+mystery of the Pelican, another the mystery of the green Dragon,
+another the mystery of the Eagle, another that of Salt and Mercury.
+What seemed a succession of accidents, but was, the book declared,
+the contrivance of preternatural powers, brought them together in the
+garden of an inn in the South of France, and while they talked
+together the thought came to them that alchemy was the gradual
+distillation of the contents of the soul, until they were ready to
+put off the mortal and put on the immortal. An owl passed, rustling
+among the vine-leaves overhead, and then an old woman came, leaning
+upon a stick, and, sitting close to them, took up the thought where
+they had dropped it. Having expounded the whole principle of
+spiritual alchemy, and bid them found the Order of the Alchemical
+Rose, she passed from among them, and when they would have followed
+she was nowhere to be seen. They formed themselves into an Order,
+holding their goods and making their researches in common, and, as
+they became perfect in the alchemical doctrine, apparitions came and
+went among them, and taught them more and more marvellous mysteries.
+The book then went on to expound so much of these as the neophyte was
+permitted to know, dealing at the outset and at considerable length
+with the independent reality of our thoughts, which was, it declared,
+the doctrine from which all true doctrines rose. If you imagine, it
+said, the semblance of a living being, it is at once possessed by a
+wandering soul, and goes hither and thither working good or evil,
+until the moment of its death has come; and gave many examples,
+received, it said, from many gods. Eros had taught them how to
+fashion forms in which a divine soul could dwell, and whisper what
+they would into sleeping minds; and Ate, forms from which demonic
+beings could pour madness, or unquiet dreams, into sleeping blood;
+and Hermes, that if you powerfully imagined a hound at your bedside
+it would keep watch there until you woke, and drive away all but the
+mightiest demons, but that if your imagination was weakly, the hound
+would be weakly also, and the demons prevail, and the hound soon die;
+and Aphrodite, that if you made, by a strong imagining, a dove
+crowned with silver and had it flutter over your head, its soft
+cooing would make sweet dreams of immortal love gather and brood over
+mortal sleep; and all divinities alike had revealed with many
+warnings and lamentations that all minds are continually giving birth
+to such beings, and sending them forth to work health or disease, joy
+or madness. If you would give forms to the evil powers, it went on,
+you were to make them ugly, thrusting out a lip, with the thirsts of
+life, or breaking the proportions of a body with the burdens of life;
+but the divine powers would only appear in beautiful shapes, which
+are but, as it were, shapes trembling out of existence, folding up
+into a timeless ecstasy, drifting with half-shut eyes, into a sleepy
+stillness. The bodiless souls who descended into these forms were
+what men called the moods; and worked all great changes in the world;
+for just as the magician or the artist could call them when he would,
+so they could call out of the mind of the magician or the artist, or
+if they were demons, out of the mind of the mad or the ignoble, what
+shape they would, and through its voice and its gestures pour
+themselves out upon the world. In this way all great events were
+accomplished; a mood, a divinity, or a demon, first descending like a
+faint sigh into men's minds and then changing their thoughts and
+their actions until hair that was yellow had grown black, or hair
+that was black had grown yellow, and empires moved their border, as
+though they were but drifts of leaves. The rest of the book contained
+symbols of form, and sound, and colour, and their attribution to
+divinities and demons, so that the initiate might fashion a shape for
+any divinity or any demon, and be as powerful as Avicenna among those
+who live under the roots of tears and of laughter.
+
+
+
+
+IV
+
+
+A couple of hours after Sunset Michael Robartes returned and told me
+that I would have to learn the steps of an exceedingly antique dance,
+because before my initiation could be perfected I had to join three
+times in a magical dance, for rhythm was the wheel of Eternity, on
+which alone the transient and accidental could be broken, and the
+spirit set free. I found that the steps, which were simple enough,
+resembled certain antique Greek dances, and having been a good dancer
+in my youth and the master of many curious Gaelic steps, I soon had
+them in my memory. He then robed me and himself in a costume which
+suggested by its shape both Greece and Egypt, but by its crimson
+colour a more passionate life than theirs; and having put into my
+hands a little chainless censer of bronze, wrought into the likeness
+of a rose, by some modern craftsman, he told me to open a small door
+opposite to the door by which I had entered. I put my hand to the
+handle, but the moment I did so the fumes of the incense, helped
+perhaps by his mysterious glamour, made me fall again into a dream,
+in which I seemed to be a mask, lying on the counter of a little
+Eastern shop. Many persons, with eyes so bright and still that I knew
+them for more than human, came in and tried me on their faces, but at
+last flung me into a corner with a little laughter; but all this
+passed in a moment, for when I awoke my hand was still upon the
+handle. I opened the door, and found myself in a marvellous passage,
+along whose sides were many divinities wrought in a mosaic, not less
+beautiful than the mosaic in the Baptistery at Ravenna, but of a less
+severe beauty; the predominant colour of each divinity, which was
+surely a symbolic colour, being repeated in the lamps that hung from
+the ceiling, a curiously-scented lamp before every divinity. I passed
+on, marvelling exceedingly how these enthusiasts could have created
+all this beauty in so remote a place, and half persuaded to believe
+in a material alchemy, by the sight of so much hidden wealth; the
+censer filling the air, as I passed, with smoke of ever-changing
+colour.
+
+I stopped before a door, on whose bronze panels were wrought great
+waves in whose shadow were faint suggestions of terrible faces. Those
+beyond it seemed to have heard our steps, for a voice cried: 'Is the
+work of the Incorruptible Fire at an end?' and immediately Michael
+Robartes answered: 'The perfect gold has come from the
+_athanor_.' The door swung open, and we were in a great circular
+room, and among men and women who were dancing slowly in crimson
+robes. Upon the ceiling was an immense rose wrought in mosaic; and
+about the walls, also in mosaic, was a battle of gods and angels, the
+gods glimmering like rubies and sapphires, and the angels of the one
+greyness, because, as Michael Robartes whispered, they had renounced
+their divinity, and turned from the unfolding of their separate
+hearts, out of love for a God of humility and sorrow. Pillars
+supported the roof and made a kind of circular cloister, each pillar
+being a column of confused shapes, divinities, it seemed, of the
+wind, who rose as in a whirling dance of more than human vehemence,
+and playing upon pipes and cymbals; and from among these shapes were
+thrust out hands, and in these hands were censers. I was bid place my
+censer also in a hand and take my place and dance, and as I turned
+from the pillars towards the dancers, I saw that the floor was of a
+green stone, and that a pale Christ on a pale cross was wrought in
+the midst. I asked Robartes the meaning of this, and was told that
+they desired 'To trouble His unity with their multitudinous feet.'
+The dance wound in and out, tracing upon the floor the shapes of
+petals that copied the petals in the rose overhead, and to the sound
+of hidden instruments which were perhaps of an antique pattern, for I
+have never heard the like; and every moment the dance was more
+passionate, until all the winds of the world seemed to have awakened
+under our feet. After a little I had grown weary, and stood under a
+pillar watching the coming and going of those flame-like figures;
+until gradually I sank into a half-dream, from which I was awakened
+by seeing the petals of the great rose, which had no longer the look
+of mosaic, falling slowly through the incense-heavy air, and, as
+they fell, shaping into the likeness of living beings of an
+extraordinary beauty. Still faint and cloud-like, they began to
+dance, and as they danced took a more and more definite shape, so
+that I was able to distinguish beautiful Grecian faces and august
+Egyptian faces, and now and again to name a divinity by the staff in
+his hand or by a bird fluttering over his head; and soon every mortal
+foot danced by the white foot of an immortal; and in the troubled
+eyes that looked into untroubled shadowy eyes, I saw the brightness
+of uttermost desire as though they had found at length, after
+unreckonable wandering, the lost love of their youth. Sometimes, but
+only for a moment, I saw a faint solitary figure with a Rosa veiled
+face, and carrying a faint torch, flit among the dancers, but like a
+dream within a dream, like a shadow of a shadow, and I knew by an
+understanding born from a deeper fountain than thought, that it was
+Eros himself, and that his face was veiled because no man or woman
+from the beginning of the world has ever known what love is, or
+looked into his eyes, for Eros alone of divinities is altogether a
+spirit, and hides in passions not of his essence if he would commune
+with a mortal heart. So that if a man love nobly he knows love
+through infinite pity, unspeakable trust, unending sympathy; and if
+ignobly through vehement jealousy, sudden hatred, and unappeasable
+desire; but unveiled love he never knows. While I thought these
+things, a voice cried to me from the crimson figures: 'Into the
+dance! there is none that can be spared out of the dance; into the
+dance! into the dance! that the gods may make them bodies out of the
+substance of our hearts'; and before I could answer, a mysterious
+wave of passion, that seemed like the soul of the dance moving within
+our souls, Alchemica took hold of me, and I was swept, neither
+consenting nor refusing, into the midst. I was dancing with an immortal
+august woman, who had black lilies in her hair, and her dreamy gesture
+seemed laden with a wisdom more profound than the darkness that is
+between star and star, and with a love like the love that breathed upon
+the waters; and as we danced on and on, the incense drifted over us
+and round us, covering us away as in the heart of the world, and ages
+seemed to pass, and tempests to awake and perish in the folds of our
+robes and in her heavy hair.
+
+Suddenly I remembered that her eyelids had never quivered, and that
+her lilies had not dropped a black petal, or shaken from their
+places, and understood with a great horror that I danced with one who
+was more or less than human, and who was drinking up my soul as an ox
+drinks up a wayside pool; and I fell, and darkness passed over me.
+
+
+
+
+V
+
+
+I awoke suddenly as though something had awakened me, and saw that I
+was lying on a roughly painted floor, and that on the ceiling, which
+was at no great distance, was a roughly painted rose, and about me on
+the walls half-finished paintings. The pillars and the censers had
+gone; and near me a score of sleepers lay wrapped in disordered
+robes, their upturned faces looking to my imagination like hollow
+masks; and a chill dawn was shining down upon them from a long window
+I had not noticed before; and outside the sea roared. I saw Michael
+Robartes lying at a little distance and beside him an overset bowl of
+wrought bronze which looked as though it had once held incense. As I
+sat thus, I heard a sudden tumult of angry men and women's voices mix
+with the roaring of the sea; and leaping to my feet, I went quickly
+to Michael Robartes, and tried to shake him out of his sleep. I then
+seized him by the shoulder and tried to lift him, but he fell
+backwards, and sighed faintly; and the voices became louder and
+angrier; and there was a sound of heavy blows upon the door, which
+opened on to the pier. Suddenly I heard a sound of rending wood, and
+I knew it had begun to give, and I ran to the door of the room. I
+pushed it open and came out upon a passage whose bare boards
+clattered under my feet, and found in the passage another door which
+led into an empty kitchen; and as I passed through the door I heard
+two crashes in quick succession, and knew by the sudden noise of feet
+and the shouts that the door which opened on to the pier had fallen
+inwards. I ran from the kitchen and out into a small yard, and from
+this down some steps which descended the seaward and sloping side of
+the pier, and from the steps clambered along the water's edge, with
+the angry voices ringing in my ears. This part of the pier had been
+but lately refaced with blocks of granite, so that it was almost
+clear of seaweed; but when I came to the old part, I found it so
+slippery with green weed that I had to climb up on to the roadway. I
+looked towards the Temple of the Alchemical Rose, where the fishermen
+and the women were still shouting, but somewhat more faintly, and saw
+that there was no one about the door or upon the pier; but as I
+looked, a little crowd hurried out of the door and began gathering
+large stones from where they were heaped up in readiness for the next
+time a storm shattered the pier, when they would be laid under blocks
+of granite. While I stood watching the crowd, an old man, who was, I
+think, the voteen, pointed to me, and screamed out something, and the
+crowd whitened, for all the faces had turned towards me. I ran, and
+it was well for me that pullers of the oar are poorer men with their
+feet than with their arms and their bodies; and yet while I ran I
+scarcely heard the following feet or the angry voices, for many
+voices of exultation and lamentation, which were forgotten as a dream
+is forgotten the moment they were heard, seemed to be ringing in the
+air over my head.
+
+There are moments even now when I seem to hear those voices of
+exultation and lamentation, and when the indefinite world, which has
+but half lost its mastery over my heart and my intellect, seems about
+to claim a perfect mastery; but I carry the rosary about my neck, and
+when I hear, or seem to hear them, I press it to my heart and say:
+'He whose name is Legion is at our doors deceiving our intellects
+with subtlety and flattering our hearts with beauty, and we have no
+trust but in Thee'; and then the war that rages within me at other
+times is still, and I am at peace.
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+***** This file should be named 5794.txt or 5794.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/7/9/5794/
+
+Produced by Charles Franks and the Online Distributed Proofreading Team
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
diff --git a/5794.zip b/5794.zip
new file mode 100644
index 0000000..60725b5
--- /dev/null
+++ b/5794.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..845d637
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #5794 (https://www.gutenberg.org/ebooks/5794)
diff --git a/old/rslcm10.txt b/old/rslcm10.txt
new file mode 100644
index 0000000..ea6ed90
--- /dev/null
+++ b/old/rslcm10.txt
@@ -0,0 +1,1064 @@
+The Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+#4 in our series by W. B. Yeats
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: Rosa Alchemica
+
+Author: W. B. Yeats
+
+Release Date: May, 2004 [EBook #5794]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on September 1, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+
+
+
+Produced by Charles Franks and the Online Distributed Proofreading Team
+
+
+
+
+ROSA ALCHEMICA
+
+BY
+
+W.B. YEATS
+
+ O blessed and happy he, who knowing the mysteries of the gods,
+sanctifies his life, and purifies his soul, celebrating orgies in the
+mountains with holy purifications.--_Euripides._
+
+
+
+ ROSA ALCHEMICA. I
+
+It is now more than ten years since I met, for the last time, Michael
+Robartes, and for the first time and the last time his friends and
+fellow students; and witnessed his and their tragic end, and endured
+those strange experiences, which have changed me so that my writings
+have grown less popular and less intelligible, and driven me almost
+to the verge of taking the habit of St. Dominic. I had just published
+Rosa Alchemica, a little work on the Alchemists, somewhat in the
+manner of Sir Thomas Browne, and had received many letters from
+believers in the arcane sciences, upbraiding what they called my
+timidity, for they could not believe so evident sympathy but the
+sympathy of the artist, which is half pity, for everything which has
+moved men's hearts in any age. I had discovered, early in my
+researches, that their doctrine was no merely chemical phantasy, but
+a philosophy they applied to the world, to the elements and to man
+himself; and that they sought to fashion gold out of common metals
+merely as part of an universal transmutation of all things into some
+divine and imperishable substance; and this enabled me to make my
+little book a fanciful reverie over the transmutation of life into
+art, and a cry of measureless desire for a world made wholly of
+essences.
+
+I was sitting dreaming of what I had written, in my house in one of
+the old parts of Dublin; a house my ancestors had made almost famous
+through their part in the politics of the city and their friendships
+with the famous men of their generations; and was feeling an unwonted
+happiness at having at last accomplished a long-cherished design, and
+made my rooms an expression of this favourite doctrine. The
+portraits, of more historical than artistic interest, had gone; and
+tapestry, full of the blue and bronze of peacocks, fell over the
+doors, and shut out all history and activity untouched with beauty
+and peace; and now when I looked at my Crevelli and pondered on the
+rose in the hand of the Virgin, wherein the form was so delicate and
+precise that it seemed more like a thought than a flower, or at the
+grey dawn and rapturous faces of my Francesca, I knew all a
+Christian's ecstasy without his slavery to rule and custom; when I
+pondered over the antique bronze gods and goddesses, which I had
+mortgaged my house to buy, I had all a pagan's delight in various
+beauty and without his terror at sleepless destiny and his labour
+with many sacrifices; and I had only to go to my bookshelf, where
+every book was bound in leather, stamped with intricate ornament, and
+of a carefully chosen colour: Shakespeare in the orange of the glory
+of the world, Dante in the dull red of his anger, Milton in the blue
+grey of his formal calm; and I could experience what I would of human
+passions without their bitterness and without satiety. I had gathered
+about me all gods because I believed in none, and experienced every
+pleasure because I gave myself to none, but held myself apart,
+individual, indissoluble, a mirror of polished steel: I looked in the
+triumph of this imagination at the birds of Hera, glowing in the
+firelight as though they were wrought of jewels; and to my mind, for
+which symbolism was a necessity, they seemed the doorkeepers of my
+world, shutting out all that was not of as affluent a beauty as their
+own; and for a moment I thought as I had thought in so many other
+moments, that it was possible to rob life of every bitterness except
+the bitterness of death; and then a thought which had followed this
+thought, time after time, filled me with a passionate sorrow. All
+those forms: that Madonna with her brooding purity, those rapturous
+faces singing in the morning light, those bronze divinities with
+their passionless dignity, those wild shapes rushing from despair to
+despair, belonged to a divine world wherein I had no part; and every
+experience, however profound, every perception, however exquisite,
+would bring me the bitter dream of a limitless energy I could never
+know, and even in my most perfect moment I would be two selves, the
+one watching with heavy eyes the other's moment of content. I had
+heaped about me the gold born in the crucibles of others; but the
+supreme dream of the alchemist, the transmutation of the weary heart
+into a weariless spirit, was as far from me as, I doubted not, it had
+been from him also. I turned to my last purchase, a set of alchemical
+apparatus which, the dealer in the Rue le Peletier had assured me,
+once belonged to Raymond Lully, and as I joined the _alembic_ to
+the _athanor_ and laid the _lavacrum maris_ at their side,
+I understood the alchemical doctrine, that all beings, divided from
+the great deep where spirits wander, one and yet a multitude, are
+weary; and sympathized, in the pride of my connoisseurship, with the
+consuming thirst for destruction which made the alchemist veil under
+his symbols of lions and dragons, of eagles and ravens, of dew and of
+nitre, a search for an essence which would dissolve all mortal
+things. I repeated to myself the ninth key of Basilius Valentinus, in
+which he compares the fire of the last day to the fire of the
+alchemist, and the world to the alchemist's furnace, and would have
+us know that all must be dissolved before the divine substance,
+material gold or immaterial ecstasy, awake. I had dissolved indeed
+the mortal world and lived amid immortal essences, but had obtained
+no miraculous ecstasy. As I thought of these things, I drew aside the
+curtains and looked out into the darkness, and it seemed to my
+troubled fancy that all those little points of light filling the sky
+were the furnaces of innumerable divine alchemists, who labour
+continually, turning lead into gold, weariness into ecstasy, bodies
+into souls, the darkness into God; and at their perfect labour my
+mortality grew heavy, and I cried out, as so many dreamers and men of
+letters in our age have cried, for the birth of that elaborate
+spiritual beauty which could alone uplift souls weighted with so many
+dreams.
+
+
+
+
+II
+
+
+My reverie was broken by a loud knocking at the door, and I wondered
+the more at this because I had no visitors, and had bid my servants
+do all things silently, lest they broke the dream of my inner life.
+Feeling a little curious, I resolved to go to the door myself, and,
+taking one of the silver candlesticks from the mantlepiece, began to
+descend the stairs. The servants appeared to be out, for though the
+sound poured through every corner and crevice of the house there was
+no stir in the lower rooms. I remembered that because my needs were
+so few, my part in life so little, they had begun to come and go as
+they would, often leaving me alone for hours. The emptiness and
+silence of a world from which I had driven everything but dreams
+suddenly overwhelmed me, and I shuddered as I drew the bolt. I found
+before me Michael Robartes, whom I had not seen for years, and whose
+wild red hair, fierce eyes, sensitive, tremulous lips and rough
+clothes, made him look now, just as they used to do fifteen years
+before, something between a debauchee, a saint, and a peasant. He had
+recently come to Ireland, he said, and wished to see me on a matter
+of importance: indeed, the only matter of importance for him and for
+me. His voice brought up before me our student years in Paris, and
+remembering the magnetic power ne had once possessed over me, a
+little fear mingled with much annoyance at this irrelevant intrusion,
+as I led the way up the wide staircase, where Swift had passed joking
+and railing, and Curran telling stories and quoting Greek, in simpler
+days, before men's minds, subtilized and complicated by the romantic
+movement in art and literature, began to tremble on the verge of some
+unimagined revelation. I felt that my hand shook, and saw that the
+light of the candle wavered and quivered more than it need have upon
+the Maenads on the old French panels, making them look like the first
+beings slowly shaping in the formless and void darkness. When the
+door had closed, and the peacock curtain, glimmering like many-
+coloured flame, fell between us and the world, I felt, in a way I
+could not understand, that some singular and unexpected thing was
+about to happen. I went over to the mantlepiece, and finding that a
+little chainless bronze censer, set, upon the outside, with pieces of
+painted china by Orazio Fontana, which I had filled with antique
+amulets, had fallen upon its side and poured out its contents, I
+began to gather the amulets into the bowl, partly to collect my
+thoughts and partly with that habitual reverence which seemed to me
+the due of things so long connected with secret hopes and fears. 'I
+see,' said Michael Robartes, 'that you are still fond of incense, and
+I can show you an incense more precious than any you have ever seen,'
+and as he spoke he took the censer out of my hand and put the amulets
+in a little heap between the _athanor_ and the _alembic_. I
+sat down, and he sat down at the side of the fire, and sat there for
+awhile looking into the fire, and holding the censer in his hand. 'I
+have come to ask you something,' he said, 'and the incense will fill
+the room, and our thoughts, with its sweet odour while we are
+talking. I got it from an old man in Syria, who said it was made from
+flowers, of one kind with the flowers that laid their heavy purple
+petals upon the hands and upon the hair and upon the feet of Christ
+in the Garden of Gethsemane, and folded Him in their heavy breath,
+until he cried against the cross and his destiny.' He shook some dust
+into the censer out of a small silk bag, and set the censer upon the
+floor and lit the dust which sent up a blue stream of smoke, that
+spread out over the ceiling, and flowed downwards again until it was
+like Milton's banyan tree. It filled me, as incense often does, with
+a faint sleepiness, so that I started when he said, 'I have come to
+ask you that question which I asked you in Paris, and which you left
+Paris rather than answer.'
+
+He had turned his eyes towards me, and I saw them glitter in the
+firelight, and through the incense, as I replied: 'You mean, will I
+become an initiate of your Order of the Alchemical Rose? I would not
+consent in Paris, when I was full of unsatisfied desire, and now that
+I have at last fashioned my life according to my desire, am I likely
+to consent?'
+
+'You have changed greatly since then,' he answered. 'I have read your
+books, and now I see you among all these images, and I understand you
+better than you do yourself, for I have been with many and many
+dreamers at the same cross-ways. You have shut away the world and
+gathered the gods about you, and if you do not throw yourself at
+their feet, you will be always full of lassitude, and of wavering
+purpose, for a man must forget he is miserable in the bustle and
+noise of the multitude in this world and in time; or seek a mystical
+union with the multitude who govern this world and time.' And then he
+murmured something I could not hear, and as though to someone I could
+not see.
+
+For a moment the room appeared to darken, as it used to do when he
+was about to perform some singular experiment, and in the darkness
+the peacocks upon the doors seemed to glow with a more intense
+colour. I cast off the illusion, which was, I believe, merely caused
+by memory, and by the twilight of incense, for I would not
+acknowledge that he could overcome my now mature intellect; and I
+said: 'Even if I grant that I need a spiritual belief and some form
+of worship, why should I go to Eleusis and not to Calvary?' He leaned
+forward and began speaking with a slightly rhythmical intonation, and
+as he spoke I had to struggle again with the shadow, as of some older
+night than the night of the sun, which began to dim the light of the
+candles and to blot out the little gleams upon the corner of picture-
+frames and on the bronze divinities, and to turn the blue of the
+incense to a heavy purple; while it left the peacocks to glimmer and
+glow as though each separate colour were a living spirit. I had
+fallen into a profound dream-like reverie in which I heard him
+speaking as at a distance. 'And yet there is no one who communes with
+only one god,' he was saying, 'and the more a man lives in
+imagination and in a refined understanding, the more gods does he
+meet with and talk with, and the more does he come under the power of
+Roland, who sounded in the Valley of Roncesvalles the last trumpet of
+the body's will and pleasure; and of Hamlet, who saw them perishing
+away, and sighed; and of Faust, who looked for them up and down the
+world and could not find them; and under the power of all those
+countless divinities who have taken upon themselves spiritual bodies
+in the minds of the modern poets and romance writers, and under the
+power of the old divinities, who since the Renaissance have won
+everything of their ancient worship except the sacrifice of birds and
+fishes, the fragrance of garlands and the smoke of incense. The many
+think humanity made these divinities, and that it can unmake them
+again; but we who have seen them pass in rattling harness, and in
+soft robes, and heard them speak with articulate voices while we lay
+in deathlike trance, know that they are always making and unmaking
+humanity, which is indeed but the trembling of their lips.'
+
+He had stood up and begun to walk to and fro, and had become in my
+waking dream a shuttle weaving an immense purple web whose folds had
+begun to fill the room. The room seemed to have become inexplicably
+silent, as though all but the web and the weaving were at an end in
+the world. 'They have come to us; they have come to us,' the voice
+began again; 'all that have ever been in your reverie, all that you
+have met with in books. There is Lear, his head still wet with the
+thunder-storm, and he laughs because you thought yourself an
+existence who are but a shadow, and him a shadow who is an eternal
+god; and there is Beatrice, with her lips half parted in a smile, as
+though all the stars were about to pass away in a sigh of love; and
+there is the mother of the God of humility who cast so great a spell
+over men that they have tried to unpeople their hearts that he might
+reign alone, but she holds in her hand the rose whose every petal is
+a god; and there, O swiftly she comes! is Aphrodite under a twilight
+falling from the wings of numberless sparrows, and about her feet are
+the grey and white doves.' In the midst of my dream I saw him hold
+out his left arm and pass his right hand over it as though he stroked
+the wings of doves. I made a violent effort which seemed almost to
+tear me in two, and said with forced determination: 'You would sweep
+me away into an indefinite world which fills me with terror; and yet
+a man is a great man just in so far as he can make his mind reflect
+everything with indifferent precision like a mirror.' I seemed to be
+perfectly master of myself, and went on, but more rapidly: 'I command
+you to leave me at once, for your ideas and phantasies are but the
+illusions that creep like maggots into civilizations when they begin
+to decline, and into minds when they begin to decay.' I had grown
+suddenly angry, and seizing the _alembic_ from the table, was
+about to rise and strike him with it, when the peacocks on the door
+behind him appeared to grow immense; and then the _alembic_ fell
+from my fingers and I was drowned in a tide of green and blue and
+bronze feathers, and as I struggled hopelessly I heard a distant
+voice saying: 'Our master Avicenna has written that all life proceeds
+out of corruption.' The glittering feathers had now covered me
+completely, and I knew that I had struggled for hundreds of years,
+and was conquered at last. I was sinking into the depth when the
+green and blue and bronze that seemed to fill the world became a sea
+of flame and swept me away, and as I was swirled along I heard a
+voice over my head cry, 'The mirror is broken in two pieces,' and
+another voice answer, 'The mirror is broken in four pieces,' and a
+more distant voice cry with an exultant cry, 'The mirror is broken
+into numberless pieces'; and then a multitude of pale hands were
+reaching towards me, and strange gentle faces bending above me, and
+half wailing and half caressing voices uttering words that were
+forgotten the moment they were spoken. I was being lifted out of the
+tide of flame, and felt my memories, my hopes, my thoughts, my will,
+everything I held to be myself, melting away; then I seemed to rise
+through numberless companies of beings who were, I understood, in
+some way more certain than thought, each wrapped in his eternal
+moment, in the perfect lifting of an arm, in a little circlet of
+rhythmical words, in dreaming with dim eyes and half-closed eyelids.
+And then I passed beyond these forms, which were so beautiful they
+had almost ceased to be, and, having endured strange moods,
+melancholy, as it seemed, with the weight of many worlds, I passed
+into that Death which is Beauty herself, and into that Loneliness
+which all the multitudes desire without ceasing. All things that had
+ever lived seemed to come and dwell in my heart, and I in theirs; and
+I had never again known mortality or tears, had I not suddenly fallen
+from the certainty of vision into the uncertainty of dream, and
+become a drop of molten gold falling with immense rapidity, through a
+night elaborate with stars, and all about me a melancholy exultant
+wailing. I fell and fell and fell, and then the wailing was but the
+wailing of the wind in the chimney, and I awoke to find myself
+leaning upon the table and supporting my head with my hands. I saw
+the _alembic_ swaying from side to side in the distant corner it
+had rolled to, and Michael Robartes watching me and waiting. 'I will
+go wherever you will,' I said, 'and do whatever you bid me, for I
+have been with eternal things.' 'I knew,' he replied, 'you must need
+answer as you have answered, when I heard the storm begin. You must
+come to a great distance, for we were commanded to build our temple
+between the pure multitude by the waves and the impure multitude of
+men.'
+
+
+
+
+III
+
+
+I did not speak as we drove through the deserted streets, for my mind
+was curiously empty of familiar thoughts and experiences; it seemed
+to have been plucked out of the definite world and cast naked upon a
+shoreless sea. There were moments when the vision appeared on the
+point of returning, and I would half-remember, with an ecstasy of joy
+or sorrow, crimes and heroisms, fortunes and misfortunes; or begin to
+contemplate, with a sudden leaping of the heart, hopes and terrors,
+desires and ambitions, alien to my orderly and careful life; and then
+I would awake shuddering at the thought that some great imponderable
+being had swept through my mind. It was indeed days before this
+feeling passed perfectly away, and even now, when I have sought
+refuge in the only definite faith, I feel a great tolerance for those
+people with incoherent personalities, who gather in the chapels and
+meeting-places of certain obscure sects, because I also have felt
+fixed habits and principles dissolving before a power, which was
+_hysterica passio_ or sheer madness, if you will, but was so
+powerful in its melancholy exultation that I tremble lest it wake
+again and drive me from my new-found peace.
+
+When we came in the grey light to the great half-empty terminus, it
+seemed to me I was so changed that I was no more, as man is, a moment
+shuddering at eternity, but eternity weeping and laughing over a
+moment; and when we had started and Michael Robartes had fallen
+asleep, as he soon did, his sleeping face, in which there was no sign
+of all that had so shaken me and that now kept me wakeful, was to my
+excited mind more like a mask than a face. The fancy possessed me
+that the man behind it had dissolved away like salt in water, and
+that it laughed and sighed, appealed and denounced at the bidding of
+beings greater or less than man. 'This is not Michael Robartes at
+all: Michael Robartes is dead; dead for ten, for twenty years
+perhaps,' I kept repeating to myself. I fell at last into a feverish
+sleep, waking up from time to time when we rushed past some little
+town, its slated roofs shining with wet, or still lake gleaming in
+the cold morning light. I had been too pre-occupied to ask where we
+were going, or to notice what tickets Michael Robartes had taken, but
+I knew now from the direction of the sun that we were going westward;
+and presently I knew also, by the way in which the trees had grown
+into the semblance of tattered beggars flying with bent heads towards
+the east, that we were approaching the western coast. Then
+immediately I saw the sea between the low hills upon the left, its
+dull grey broken into white patches and lines.
+
+When we left the train we had still, I found, some way to go, and set
+out, buttoning our coats about us, for the wind was bitter and
+violent. Michael Robartes was silent, seeming anxious to leave me to
+my thoughts; and as we walked between the sea and the rocky side of a
+great promontory, I realized with a new perfection what a shock had
+been given to all my habits of thought and of feelings, if indeed
+some mysterious change had not taken place in the substance of my
+mind, for the grey waves, plumed with scudding foam, had grown part
+of a teeming, fantastic inner life; and when Michael Robartes pointed
+to a square ancient-looking house, with a much smaller and newer
+building under its lee, set out on the very end of a dilapidated and
+almost deserted pier, and said it was the Temple of the Alchemical
+Rose, I was possessed with the phantasy that the sea, which kept
+covering it with showers of white foam, was claiming it as part of
+some indefinite and passionate life, which had begun to war upon our
+orderly and careful days, and was about to plunge the world into a
+night as obscure as that which followed the downfall of the classical
+world. One part of my mind mocked this phantastic terror, but the
+other, the part that still lay half plunged in vision, listened to
+the clash of unknown armies, and shuddered at unimaginable
+fanaticisms, that hung in those grey leaping waves.
+
+We had gone but a few paces along the pier when we came upon an old
+man, who was evidently a watchman, for he sat in an overset barrel,
+close to a place where masons had been lately working upon a break in
+the pier, and had in front of him a fire such as one sees slung under
+tinkers' carts. I saw that he was also a voteen, as the peasants say,
+for there was a rosary hanging from a nail on the rim of the barrel,
+and I saw I shuddered, and I did not know why I shuddered. We had
+passed him a few yards when I heard him cry in Gaelic, 'Idolaters,
+idolaters, go down to Hell with your witches and your devils; go down
+to Hell that the herrings may come again into the bay'; and for some
+moments I could hear him half screaming and half muttering behind us.
+'Are you not afraid,' I said, 'that these wild fishing people may do
+some desperate thing against you?'
+
+'I and mine,' he answered, 'are long past human hurt or help, being
+incorporate with immortal spirits, and when we die it shall be the
+consummation of the supreme work. A time will come for these people
+also, and they will sacrifice a mullet to Artemis, or some other fish
+to some new divinity, unless indeed their own divinities, the Dagda,
+with his overflowing cauldron, Lug, with his spear dipped in poppy-
+juice lest it rush forth hot for battle. Aengus, with the three birds
+on his shoulder, Bodb and his red swineherd, and all the heroic
+children of Dana, set up once more their temples of grey stone. Their
+reign has never ceased, but only waned in power a little, for the
+Sidhe still pass in every wind, and dance and play at hurley, and
+fight their sudden battles in every hollow and on every hill; but
+they cannot build their temples again till there have been martyrdoms
+and victories, and perhaps even that long-foretold battle in the
+Valley of the Black Pig.'
+
+Keeping close to the wall that went about the pier on the seaward
+side, to escape the driving foam and the wind, which threatened every
+moment to lift us off our feet, we made our way in silence to the
+door of the square building. Michael Robartes opened it with a key,
+on which I saw the rust of many salt winds, and led me along a bare
+passage and up an uncarpeted stair to a little room surrounded with
+bookshelves. A meal would be brought, but only of fruit, for I must
+submit to a tempered fast before the ceremony, he explained, and with
+it a book on the doctrine and method of the Order, over which I was
+to spend what remained of the winter daylight. He then left me,
+promising to return an hour before the ceremony. I began searching
+among the bookshelves, and found one of the most exhaustive
+alchemical libraries I have ever seen. There were the works of
+Morienus, who hid his immortal body under a shirt of hair-cloth; of
+Avicenna, who was a drunkard and yet controlled numberless legions of
+spirits; of Alfarabi, who put so many spirits into his lute that he
+could make men laugh, or weep, or fall in deadly trance as he would;
+of Lully, who transformed himself into the likeness of a red cock; of
+Flamel, who with his wife Parnella achieved the elixir many hundreds
+of years ago, and is fabled to live still in Arabia among the
+Dervishes; and of many of less fame. There were very few mystics but
+alchemical mystics, and because, I had little doubt, of the devotion
+to one god of the greater number and of the limited sense of beauty,
+which Robartes would hold an inevitable consequence; but I did notice
+a complete set of facsimiles of the prophetical writings of William
+Blake, and probably because of the multitudes that thronged his
+illumination and were 'like the gay fishes on the wave when the moon
+sucks up the dew.' I noted also many poets and prose writers of every
+age, but only those who were a little weary of life, as indeed the
+greatest have been everywhere, and who cast their imagination to us,
+as a something they needed no longer now that they were going up in
+their fiery chariots.
+
+Presently I heard a tap at the door, and a woman came in and laid a
+little fruit upon the table. I judged that she had once been
+handsome, but her cheeks were hollowed by what I would have held, had
+I seen her anywhere else, an excitement of the flesh and a thirst for
+pleasure, instead of which it doubtless was an excitement of the
+imagination and a thirst for beauty. I asked her some question
+concerning the ceremony, but getting no answer except a shake of the
+head, saw that I must await initiation in silence. When I had eaten,
+she came again, and having laid a curiously wrought bronze box on the
+table, lighted the candles, and took away the plates and the
+remnants. So soon as I was alone, I turned to the box, and found that
+the peacocks of Hera spread out their tails over the sides and lid,
+against a background, on which were wrought great stars, as though to
+affirm that the heavens were a part of their glory. In the box was a
+book bound in vellum, and having upon the vellum and in very delicate
+colours, and in gold, the alchemical rose with many spears thrusting
+against it, but in vain, as was shown by the shattered points of
+those nearest to the petals. The book was written upon vellum, and in
+beautiful clear letters, interspersed with symbolical pictures and
+illuminations, after the manner of the Splendor Soils.
+
+The first chapter described how six students, of Celtic descent, gave
+themselves separately to the study of alchemy, and solved, one the
+mystery of the Pelican, another the mystery of the green Dragon,
+another the mystery of the Eagle, another that of Salt and Mercury.
+What seemed a succession of accidents, but was, the book declared,
+the contrivance of preternatural powers, brought them together in the
+garden of an inn in the South of France, and while they talked
+together the thought came to them that alchemy was the gradual
+distillation of the contents of the soul, until they were ready to
+put off the mortal and put on the immortal. An owl passed, rustling
+among the vine-leaves overhead, and then an old woman came, leaning
+upon a stick, and, sitting close to them, took up the thought where
+they had dropped it. Having expounded the whole principle of
+spiritual alchemy, and bid them found the Order of the Alchemical
+Rose, she passed from among them, and when they would have followed
+she was nowhere to be seen. They formed themselves into an Order,
+holding their goods and making their researches in common, and, as
+they became perfect in the alchemical doctrine, apparitions came and
+went among them, and taught them more and more marvellous mysteries.
+The book then went on to expound so much of these as the neophyte was
+permitted to know, dealing at the outset and at considerable length
+with the independent reality of our thoughts, which was, it declared,
+the doctrine from which all true doctrines rose. If you imagine, it
+said, the semblance of a living being, it is at once possessed by a
+wandering soul, and goes hither and thither working good or evil,
+until the moment of its death has come; and gave many examples,
+received, it said, from many gods. Eros had taught them how to
+fashion forms in which a divine soul could dwell, and whisper what
+they would into sleeping minds; and Ate forms from which demonic
+beings could pour madness, or unquiet dreams, into sleeping blood;
+and Hermes, that if you powerfully imagined a hound at your bedside
+it would keep watch there until you woke, and drive away all but the
+mightiest demons, but that if your imagination was weakly, the hound
+would be weakly also, and the demons prevail, and the hound soon die;
+and Aphrodite, that if you made, by a strong imagining, a dove
+crowned with silver and had it flutter over your head, its soft
+cooing would make sweet dreams of immortal love gather and brood over
+mortal sleep; and all divinities alike had revealed with many
+warnings and lamentations that all minds are continually giving birth
+to such beings, and sending them forth to work health or disease, joy
+or madness. If you would give forms to the evil powers, it went on,
+you were to make them ugly, thrusting out a lip, with the thirsts of
+life, or breaking the proportions of a body with the burdens of life;
+but the divine powers would only appear in beautiful shapes, which
+are but, as it were, shapes trembling out of existence, folding up
+into a timeless ecstasy, drifting with half-shut eyes, into a sleepy
+stillness. The bodiless souls who descended into these forms were
+what men called the moods; and worked all great changes in the world;
+for just as the magician or the artist could call them when he would,
+so they could call out of the mind of the magician or the artist, or
+if they were demons, out of the mind of the mad or the ignoble, what
+shape they would, and through its voice and its gestures pour
+themselves out upon the world. In this way all great events were
+accomplished; a mood, a divinity, or a demon, first descending like a
+faint sigh into men's minds and then changing their thoughts and
+their actions until hair that was yellow had grown black, or hair
+that was black had grown yellow, and empires moved their border, as
+though they were but drifts of leaves. The rest of the book contained
+symbols of form, and sound, and colour, and their attribution to
+divinities and demons, so that the initiate might fashion a shape for
+any divinity or any demon, and be as powerful as Avicenna among those
+who live under the roots of tears and of laughter.
+
+
+
+
+IV
+
+
+A couple of hours after Sunset Michael Robartes returned and told me
+that I would have to learn the steps of an exceedingly antique dance,
+because before my initiation could be perfected I had to join three
+times in a magical dance, for rhythm was the wheel of Eternity, on
+which alone the transient and accidental could be broken, and the
+spirit set free. I found that the steps, which were simple enough,
+resembled certain antique Greek dances, and having been a good dancer
+in my youth and the master of many curious Gaelic steps, I soon had
+them in my memory. He then robed me and himself in a costume which
+suggested by its shape both Greece and Egypt, but by its crimson
+colour a more passionate life than theirs; and having put into my
+hands a little chainless censer of bronze, wrought into the likeness
+of a rose, by some modern craftsman, he told me to open a small door
+opposite to the door by which I had entered. I put my hand to the
+handle, but the moment I did so the fumes of the incense, helped
+perhaps by his mysterious glamour, made me fall again into a dream,
+in which I seemed to be a mask, lying on the counter of a little
+Eastern shop. Many persons, with eyes so bright and still that I knew
+them for more than human, came in and tried me on their faces, but at
+last flung me into a corner with a little laughter; but all this
+passed in a moment, for when I awoke my hand was still upon the
+handle. I opened the door, and found myself in a marvellous passage,
+along whose sides were many divinities wrought in a mosaic, not less
+beautiful than the mosaic in the Baptistery at Ravenna, but of a less
+severe beauty; the predominant colour of each divinity, which was
+surely a symbolic colour, being repeated in the lamps that hung from
+the ceiling, a curiously-scented lamp before every divinity. I passed
+on, marvelling exceedingly how these enthusiasts could have created
+all this beauty in so remote a place, and half persuaded to believe
+in a material alchemy, by the sight of so much hidden wealth; the
+censer filling the air, as I passed, with smoke of ever-changing
+colour.
+
+I stopped before a door, on whose bronze panels were wrought great
+waves in whose shadow were faint suggestions of terrible faces. Those
+beyond it seemed to have heard our steps, for a voice cried: 'Is the
+work of the Incorruptible Fire at an end?' and immediately Michael
+Robartes answered: 'The perfect gold has come from the
+_atbanor_.' The door swung open, and we were in a great circular
+room, and among men and women who were dancing slowly in crimson
+robes. Upon the ceiling was an immense rose wrought in mosaic; and
+about the walls, also in mosaic, was a battle of gods and angels, the
+gods glimmering like rubies and sapphires, and the angels of the one
+greyness, because, as Michael Robartes whispered, they had renounced
+their divinity, and turned from the unfolding of their separate
+hearts, out of love for a God of humility and sorrow. Pillars
+supported the roof and made a kind of circular cloister, each pillar
+being a column of confused shapes, divinities, it seemed, of the
+wind, who rose as in a whirling dance of more than human vehemence,
+and playing upon pipes and cymbals; and from among these shapes were
+thrust out hands, and in these hands were censers. I was bid place my
+censer also in a hand and take my place and dance, and as I turned
+from the pillars towards the dancers, I saw that the floor was of a
+green stone, and that a pale Christ on a pale cross was wrought in
+the midst. I asked Robartes the meaning of this, and was told that
+they desired 'To trouble His unity with their multitudinous feet.'
+The dance wound in and out, tracing upon the floor the shapes of
+petals that copied the petals in the rose overhead, and to the sound
+of hidden instruments which were perhaps of an antique pattern, for I
+have never heard the like; and every moment the dance was more
+passionate, until all the winds of the world seemed to have awakened
+under our feet. After a little I had grown weary, and stood under a
+pillar watching the coming and going of those flame-like figures;
+until gradually I sank into a half-dream, from which I was awakened
+by seeing the petals of the great rose, which had no longer the look
+of mosaic, falling slowly through the incense-heavy air, and, as
+they fell, shaping into the likeness of living beings of an
+extraordinary beauty. Still faint and cloud-like, they began to
+dance, and as they danced took a more and more definite shape, so
+that I was able to distinguish beautiful Grecian faces and august
+Egyptian faces, and now and again to name a divinity by the staff in
+his hand or by a bird fluttering over his head; and soon every mortal
+foot danced by the white foot of an immortal; and in the troubled
+eyes that looked into untroubled shadowy eyes, I saw the brightness
+of uttermost desire as though they had found at length, after
+unreckonable wandering, the lost love of their youth. Sometimes, but
+only for a moment, I saw a faint solitary figure with a Rosa veiled
+face, and carrying a faint torch, flit among the dancers, but like a
+dream within a dream, like a shadow of a shadow, and I knew by an
+understanding born from a deeper fountain than thought, that it was
+Eros himself, and that his face was veiled because no man or woman
+from the beginning of the world has ever known what love is, or
+looked into his eyes, for Eros alone of divinities is altogether a
+spirit, and hides in passions not of his essence if he would commune
+with a mortal heart. So that if a man love nobly he knows love
+through infinite pity, unspeakable trust, unending sympathy; and if
+ignobly through vehement jealousy, sudden hatred, and unappeasable
+desire; but unveiled love he never knows. While I thought these
+things, a voice cried to me from the crimson figures: 'Into the
+dance! there is none that can be spared out of the dance; into the
+dance! into the dance! that the gods may make them bodies out of the
+substance of our hearts'; and before I could answer, a mysterious
+wave of passion, that seemed like the soul of the dance moving within
+our souls, took Alchemica. hold of me, and I was swept, neither
+consenting nor refusing, into the midst. I was dancing with an immortal
+august woman, who had black lilies in her hair, and her dreamy gesture
+seemed laden with a wisdom more profound than the darkness that is
+between star and star, and with a love like the love that breathed upon
+the waters; and as we danced on and on, the incense drifted over us
+and round us, covering us away as in the heart of the world, and ages
+seemed to pass, and tempests to awake and perish in the folds of our
+robes and in her heavy hair.
+
+Suddenly I remembered that her eyelids had never quivered, and that
+her lilies had not dropped a black petal, or shaken from their
+places, and understood with a great horror that I danced with one who
+was more or less than human, and who was drinking up my soul as an ox
+drinks up a wayside pool; and I fell, and darkness passed over me.
+
+I awoke suddenly as though something had awakened me, and saw that I
+was lying on a roughly painted floor, and that on the ceiling, which
+was at no great distance, was a roughly painted rose, and about me on
+the walls half-finished paintings. The pillars and the censers had
+gone; and near me a score of sleepers lay wrapped in disordered
+robes, their upturned faces looking to my imagination like hollow
+masks; and a chill dawn was shining down upon them from a long window
+I had not noticed before; and outside the sea roared. I saw Michael
+Robartes lying at a little distance and beside him an overset bowl of
+wrought bronze which looked as though it had once held incense. As I
+sat thus, I heard a sudden tumult of angry men and women's voices mix
+with the roaring of the sea; and leaping to my feet, I went quickly
+to Michael Robartes, and tried to shake him out of his sleep. I then
+seized him by the shoulder and tried to lift him, but he fell
+backwards, and sighed faintly; and the voices became louder and
+angrier; and there was a sound of heavy blows upon the door, which
+opened on to the pier. Suddenly I heard a sound of rending wood, and
+I knew it had begun to give, and I ran to the door of the room. I
+pushed it open and came out upon a passage whose bare boards
+clattered under my feet, and found in the passage another door which
+led into an empty kitchen; and as I passed through the door I heard
+two crashes in quick succession, and knew by the sudden noise of feet
+and the shouts that the door which opened on to the pier had fallen
+inwards. I ran from the kitchen and out into a small yard, and from
+this down some steps which descended the seaward and sloping side of
+the pier, and from the steps clambered along the water's edge, with
+the angry voices ringing in my ears. This part of the pier had been
+but lately refaced with blocks of granite, so that it was almost
+clear of seaweed; but when I came to the old part, I found it so
+slippery with green weed that I had to climb up on to the roadway. I
+looked towards the Temple of the Alchemical Rose, where the fishermen
+and the women were still shouting, but somewhat more faintly, and saw
+that there was no one about the door or upon the pier; but as I
+looked, a little crowd hurried out of the door and began gathering
+large stones from where they were heaped up in readiness for the next
+time a storm shattered the pier, when they would be laid under blocks
+of granite. While I stood watching the crowd, an old man, who was, I
+think, the voteen, pointed to me, and screamed out something, and the
+crowd whitened, for all the faces had turned towards me. I ran, and
+it was well for me that pullers of the oar are poorer men with their
+feet than with their arms and their bodies; and yet while I ran I
+scarcely heard the following feet or the angry voices, for many
+voices of exultation and lamentation, which were forgotten as a dream
+is forgotten the moment they were heard, seemed to be ringing in the
+air over my head.
+
+There are moments even now when I seem to hear those voices of
+exultation and lamentation, and when the indefinite world, which has
+but half lost its mastery over my heart and my intellect, seems about
+to claim a perfect mastery; but I carry the rosary about my neck, and
+when I hear, or seem to hear them, I press it to my heart and say:
+'He whose name is Legion is at our doors deceiving our intellects
+with subtlety and flattering our hearts with beauty, and we have no
+trust but in Thee'; and then the war that rages within me at other
+times is still, and I am at peace.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Rosa Alchemica, by W. B. Yeats
+
+*** END OF THE PROJECT GUTENBERG EBOOK ROSA ALCHEMICA ***
+
+This file should be named rslcm10.txt or rslcm10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, rslcm11.txt
+VERSIONS based on separate sources get new LETTER, rslcm10a.txt
+
+Produced by Charles Franks and the Online Distributed Proofreading Team
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/rslcm10.zip b/old/rslcm10.zip
new file mode 100644
index 0000000..8084c9f
--- /dev/null
+++ b/old/rslcm10.zip
Binary files differ