diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-02-08 08:10:02 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-08 08:10:02 -0800 |
| commit | b64721b635cfc6293f54ba67510a24412e45c51b (patch) | |
| tree | 54d0de01e4346af01890ac2336521df35eb54cb2 | |
| parent | 58d51169164177ef0463f867b647d878ff438206 (diff) | |
| -rw-r--r-- | 57640-0.txt (renamed from 57640-8.txt) | 460 | ||||
| -rw-r--r-- | 57640-h/57640-h.htm | 406 |
2 files changed, 42 insertions, 824 deletions
diff --git a/57640-8.txt b/57640-0.txt index 12baaa5..c4411f7 100644 --- a/57640-8.txt +++ b/57640-0.txt @@ -1,28 +1,7 @@ -Project Gutenberg's Two Men: A Romance of Sussex, by Alfred Ollivant +*** START OF THE PROJECT GUTENBERG EBOOK 57640 *** -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. -Title: Two Men: A Romance of Sussex -Author: Alfred Ollivant - -Release Date: August 5, 2018 [EBook #57640] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK TWO MEN: A ROMANCE OF SUSSEX *** - - - - -Produced by Al Haines @@ -237,7 +216,7 @@ while the turf, sweet with thyme, was bejewelled with a myriad variety of tiny flowers. In earth and sea and sky there was a universal murmuring content, as -though after labour, enduring for æons, the Mother of Time had at last +though after labour, enduring for æons, the Mother of Time had at last brought forth her Son and, as she nursed him, crooned her thankfulness. Out of the West, along the back of the Downs, dipping and dancing to @@ -354,7 +333,7 @@ certainty for the next staff appointment. When, therefore, while the columns of the Lancet were still hot with the controversy that raged round the famous case, the young man told Sir Audrey Rivers, whose house-surgeon he had been, that he meant to leave London and migrate to -the country, the great orthopædist had said in his grim way to this his +the country, the great orthopædist had said in his grim way to this his favourite pupil: "If you do, I'll never send you a patient." @@ -1269,7 +1248,7 @@ Church as a commercial concern. Look at the business they've built up. Look at the property they've accumulated. Look at the way the Ecclesiastical Commissioners sweat blood out of the foulest slums in Christendom. They deserve to succeed. Do it all in such style too. -House their head-managers in palaces, and pay em £15,000 a year--and +House their head-managers in palaces, and pay em £15,000 a year--and perks--and plenty of em. The Hanseatic League was nothing to em." The young man's eyes became quizzical. Then he began to titter in the @@ -1732,7 +1711,7 @@ he was called in Society. He left the bulk of his vast fortune in trust for the Whitechapel Hospital--with one proviso: that no clergyman was to act as a trustee. -For the rest he bequeathed £300 a year for life, free of Income Tax, to +For the rest he bequeathed £300 a year for life, free of Income Tax, to his daughter-in-law, Mrs. Edward Caspar; and should she pre-decease her husband, the sum was to be continued to his son. @@ -1780,7 +1759,7 @@ uplifted moods. "What-ho, my Annie!" -"Your father's left us £300 a year." +"Your father's left us £300 a year." He chuckled as he painted, one eye on the gleaming mystery of the Downs. @@ -2115,7 +2094,7 @@ OLD AND NEW Edward Caspar went occasionally to chapel in order to gratify his wife. He ceased attending church because his always growing spirit, intensely modern and aspiring in spite of its inherent weakness, no longer found -satisfaction in the ornate ritual, the quaint mediæval formulæ, the +satisfaction in the ornate ritual, the quaint mediæval formulæ, the iterations and reiterations of the sacerdotalism which had held his mother in its grip. @@ -4482,7 +4461,7 @@ The lady handled the sugar-tongs thoughtfully. Her memory travelled back more than twenty years to a great ball in Grosvenor Square, and the timid son of the house, a gawky, awkward fellow with a reputation for shyness and brilliance. He could not dance, but under the palms in -the conservatory, tête-à-tête, he could talk--as Rachel Solomons had +the conservatory, tête-à -tête, he could talk--as Rachel Solomons had never heard a man talk yet--of things she had never heard talked about: of a place called Toynbee Hall somewhere in the East End; of a little parson named Samuel Barnett; of the group of young University @@ -4525,7 +4504,7 @@ pride in their ignorance. Ernie, used to his father's large philosophical outlook on any subject, his scholarly talk, his learning, was amazed at the intellectual apathy -and crustacean self-complacency, sometimes ludicrous, more often naïf, +and crustacean self-complacency, sometimes ludicrous, more often naïf, occasionally offensive, of those set in authority over him. Major Lewknor was the solitary exception. He was the one University @@ -5533,7 +5512,7 @@ with me. Is he as good an engineer as me?--Can he strip an engine same as me?--Can he turn to the thousandth part of an inch?--Ask the chaps in the yard. Yet because he's got all the money, been to Rugby and Oxford, they make him deputy-chairman of the Red Cross Syndicate at -£1,000 a year straight from the shop, and Managing Director of +£1,000 a year straight from the shop, and Managing Director of Ball-Bearings, Limited, and I don't know what all." He became a violent Socialist; spent his Sundays attending Labour @@ -5681,7 +5660,7 @@ em." Anne Caspar cherished now no illusions about her second son. She no longer cared for Alf--for he was no longer dependent on her; nor -did she respect him. But his naïveté, the outrageous sincerity of his +did she respect him. But his naïveté, the outrageous sincerity of his egotism, appealed to a certain grim sense of humour she possessed. @@ -5885,7 +5864,7 @@ Mr. Trupp heard of his chauffeur's conversion. "You're church then now, Alf," he said. -"Yes, sir," replied the other with the curious naïveté of blunted +"Yes, sir," replied the other with the curious naïveté of blunted susceptibilities. "More classier. See, I'm getting on now." @@ -5913,7 +5892,7 @@ had painted his face before Sedan. "I don't believe he did." -"Did you never read Zola's _Débâcle_?" asked the other gently. +"Did you never read Zola's _Débâcle_?" asked the other gently. "Nevah!" cried the Archdeacon, on firm church-ground now. "I don't read Zolah!" @@ -6344,7 +6323,7 @@ Trupp to the operation prepared for the head of his family. But if the Hotel changed its name, its reputation remained the same and even grew. In Berlin, Paris, Brussels, Buda-Pesth, men talked of it; -and even in India native princes whispered _risqué_ stories about it to +and even in India native princes whispered _risqué_ stories about it to their Prime Ministers at the Council Table. Wherever men spoke of it, they mentioned with smiles its two @@ -6389,7 +6368,7 @@ copied from a recent Archbishop, "It's only just among ourselves, sir. We call it our 'appy 'our. We just like to meet together the once a week--them and me and the Master." -That pleased the Bishops, who went back to the Athenæum and talked +That pleased the Bishops, who went back to the Athenæum and talked about it over their coffee; it delighted the occupants of the Third Floor, especially on wet Sundays; and, to judge from the attendance, it appeared to be very popular with the staff, who, warmed by the rays @@ -6558,11 +6537,11 @@ A fair chamber-maid emerging from another room winked at Ernie. disappearing girl. The chamber-maid was a little cockney from Clapham who had taken to -herself the name of Céleste. +herself the name of Céleste. "None the worse for that, I dare say," said Ernie with unusual acrimony. -Céleste flirted on her way. +Céleste flirted on her way. "Tra-la-la!--ta-ta-ta!" she taunted with a little mocking flutter of her fingers. "I suppose you're white too, Ernie Boots." @@ -6576,7 +6555,7 @@ Then the Jew's sodden voice came wheezing down the corridor. "Here, kid!--You'll do. You're not a bloody iceberg, are you?" -Céleste shook her carefully-coiffed head. +Céleste shook her carefully-coiffed head. "I'm engaged, Soly. So sorry!--Go back to bed, there's a dear old thing!" @@ -6597,7 +6576,7 @@ like the sound of wings. She said the words quite simply, and he saw she was not chaffing. She honestly believed Boots to be his name. -Céleste, dusting in an adjoining room, looked through an open door. +Céleste, dusting in an adjoining room, looked through an open door. "She's an innocent," she said discontentedly. "She knows nothing. Ought to go back to her mother. Madame's got no business to put her @@ -6818,7 +6797,7 @@ the genuine peasantry of Sussex and Kent than in all the rest of England. Propinquity to the Continent, you see. All the refugees came here first--Dutchmen in the days of Alva; Huguenots after the Revocation; Royalists during the Terror; and smugglers of all sorts all -the time from the days of Cæsar." +the time from the days of Cæsar." That evening, as Anne Caspar brushed her hair in the bedroom before going to bed, she heard her husband in the little dressing-room talking @@ -6893,7 +6872,7 @@ surpassed himself. "You!" stertorously. "What good are you to me? Send that Spanish gypsy here! She's the one I want. I like 'em brown." -Just outside the door Ernie met Céleste. +Just outside the door Ernie met Céleste. "He wants you, Miss," he said, and admired the readiness of his lie. @@ -6949,7 +6928,7 @@ the women. They were coarse, commonplace. -Céleste passed him with a quip. +Céleste passed him with a quip. What she said he didn't know, but he thought how opaque and material she was in such a spiritual world; and what a pity it was; and how @@ -7764,7 +7743,7 @@ accidents. He spent nothing on himself, and studied the stock-markets with the same meticulous care which he gave to the human mouth. On his fiftieth birthday he totted up his capital account and found he -had made £25,000--just six months ahead of scheduled time. +had made £25,000--just six months ahead of scheduled time. His end had been attained. The first part of the Programme had now been accomplished. @@ -7863,7 +7842,7 @@ His mother was presentable and dressed extremely well. Young Royal had no objection to being seen about with her, and even invited her down to Speech-day and introduced her to his friends at Lords. It was not to be wondered at that when she died she left the -whole of the £25,000 to her only-born. +whole of the £25,000 to her only-born. Hildebrand bore this second bereavement with characteristic fortitude. He was just at the age when the possession of money was rare as it was @@ -8137,7 +8116,7 @@ He stopped. There was a bundle of mending beside her, and among it he recognized his own pyjamas. Royal knew there was a sitting-room for the maids, called by the -habitués of the Third Floor, "the Nunnery," and wondered. +habitués of the Third Floor, "the Nunnery," and wondered. That evening, when she came to put out his evening clothes, he said to her, @@ -8198,7 +8177,7 @@ He read in his bed-room; Ruth worked in the dressing-room; sometimes the door between the two rooms was open; and sometimes they talked. One evening Ernie, descending from a higher floor in the lift, marked -Céleste listening at the dressing-room door. She saw him, winked, and +Céleste listening at the dressing-room door. She saw him, winked, and tripped away. "It's a caise!" she whispered, making a hollow of her hand. "A @@ -8571,7 +8550,7 @@ gentleman. The question that troubled him was, however, soon to answer itself. One afternoon, when Ruth was out to Ernie's knowledge, he was surprised -to hear in the dressing-room the familiar voices of Céleste and another +to hear in the dressing-room the familiar voices of Céleste and another maid, hushed and whispering. "She keeps the key her side," one was saying. @@ -8599,14 +8578,14 @@ Ernie opened the door. The two girls turned in a scared flutter. -"There!--It's only old Ernie Boots!" cried Céleste relieved. "He don't +"There!--It's only old Ernie Boots!" cried Céleste relieved. "He don't count, Ernie don't.--But you give me the palpitations though." Ernie held the door wide. "You've no business in here," he said sternly. -"No one has--only the Captain, old cock," retorted Céleste flippantly. +"No one has--only the Captain, old cock," retorted Céleste flippantly. The two girls flirted away with high noses and a rustle of silken underwear. @@ -8690,7 +8669,7 @@ himself. Therefore he would stand: therefore he would fight. There grew upon him a dignity, a restraint, above all a sternness that men and women alike remarked and respected. -Céleste ceased to mock him; Don John kept his distance; and the Captain +Céleste ceased to mock him; Don John kept his distance; and the Captain was on his guard. Ernie was sure of it: for Royal was nothing of a diplomatist when @@ -8932,7 +8911,7 @@ made no advances to her. But hope was quickening in his heart, for September was on them now, and the leave-season was drawing to an end. -One afternoon Céleste flitted past him like a wagtail. +One afternoon Céleste flitted past him like a wagtail. "Cheer, Ernie-boy," she mocked. "He's going away." @@ -9435,7 +9414,7 @@ Mooney was mocking him. A few days later Ernie missed Ruth from the Third Floor. -He asked Céleste where she had gone. +He asked Céleste where she had gone. "Gone to the Second Floor," the girl answered. "She's waiting on a missionary. Makes a nice change after the Captain." @@ -9579,7 +9558,7 @@ garden in Rectory Walk daffodils made a brave show. All through the dark months Ernie had only caught an occasional glimpse of Ruth. Now he lost sight of her entirely. -One afternoon Céleste stopped him on the Third Floor. +One afternoon Céleste stopped him on the Third Floor. She looked at him curiously, with a touch of gauche diffidence he had never marked in her before. @@ -9600,7 +9579,7 @@ Ernie stared at her. "Some time since. Afore Christmas." -He saw that Céleste, the kindest of creatures, was genuinely moved. +He saw that Céleste, the kindest of creatures, was genuinely moved. She turned her back, and moved to the window, biting her handkerchief to restrain her tears. @@ -9613,7 +9592,7 @@ Ernie devoured her with dark eyes. "Where's she gone?" he asked. -"London, I expect," Céleste answered. "They always do." +"London, I expect," Céleste answered. "They always do." The flighty little creature dried her eyes and spread her wings in the sun once more. "Poor old Ern!" she cried. "But there's better fish in @@ -9644,7 +9623,7 @@ at Brussels. "Could you tell me where she's gone, 'm?" Quite suddenly her large fair face wrought. She rose out of the cloud -of her own smoke, and just as Céleste had done a few minutes before, +of her own smoke, and just as Céleste had done a few minutes before, went to the window and looked out. Her great shoulders heaved. "I don't know," she said. "She has not gone home to Aldwoldston. I @@ -9960,7 +9939,7 @@ Around it, their backs against the brick pediment, gathered the village worthies as they and their fathers had gathered at that hour, under those skies, amid those hills, on Sabbath mornings for centuries innumerable. Standing round the four sides of it, men all, in Sunday -negligé and easy attitudes, buttressing the Cross, they smoked and +negligé and easy attitudes, buttressing the Cross, they smoked and chewed and spat and ruminated. On the fringe of the centre-piece were groups of youths and boys, silent as their elders and as absorbed, whose age and worth did not yet entitle them to a place among the @@ -10726,7 +10705,7 @@ as the more experienced man. _Church_ of all places? Will she open to you?" Mr. Pigott disliked the Reverend Spink almost as much as he disliked -the curate's protégé. Next day the contrary man sent for Ernie and +the curate's protégé. Next day the contrary man sent for Ernie and offered him a job as lorry-man in the Transport Company. "I know you and you know me," he said in his most aggressive manner. @@ -13079,7 +13058,7 @@ Alf cackled horribly. "Likely!" sneered Alf, his pride swift to arms. "Likely she'd ha took you and said no to me." He pressed closer, his face mottled. "_Do_ -you know what I'm worth as I stand here in me shoes? I got £3,000 +you know what I'm worth as I stand here in me shoes? I got £3,000 saved away in the Bank, and makin all the time. If I liked I could retire on meself--at 28--and be a gentleman. That's what I am! That's what I done! That's Alf Caspar! And you tell me she'd ha took up with @@ -13402,363 +13381,4 @@ Two Men_, next spring. End of Project Gutenberg's Two Men: A Romance of Sussex, by Alfred Ollivant -*** END OF THIS PROJECT GUTENBERG EBOOK TWO MEN: A ROMANCE OF SUSSEX *** - -***** This file should be named 57640-8.txt or 57640-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/7/6/4/57640/ - -Produced by Al Haines -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - +*** END OF THE PROJECT GUTENBERG EBOOK 57640 *** diff --git a/57640-h/57640-h.htm b/57640-h/57640-h.htm index 961ee00..5a02fa6 100644 --- a/57640-h/57640-h.htm +++ b/57640-h/57640-h.htm @@ -100,39 +100,7 @@ p.finis { font-size: larger ; <body> -<pre> - -Project Gutenberg's Two Men: A Romance of Sussex, by Alfred Ollivant - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: Two Men: A Romance of Sussex - -Author: Alfred Ollivant - -Release Date: August 5, 2018 [EBook #57640] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK TWO MEN: A ROMANCE OF SUSSEX *** - - - - -Produced by Al Haines - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 57640 ***</div> <h1> @@ -23070,377 +23038,7 @@ being the sequel to Two Men</i>, next spring. -<pre> - - - - - -End of Project Gutenberg's Two Men: A Romance of Sussex, by Alfred Ollivant - -*** END OF THIS PROJECT GUTENBERG EBOOK TWO MEN: A ROMANCE OF SUSSEX *** - -***** This file should be named 57640-h.htm or 57640-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/7/6/4/57640/ - -Produced by Al Haines -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 57640 ***</div> </body> |
