diff options
| -rw-r--r-- | 57507-0.txt (renamed from 57507-8.txt) | 503 | ||||
| -rw-r--r-- | 57507-h/57507-h.htm | 414 |
2 files changed, 60 insertions, 857 deletions
diff --git a/57507-8.txt b/57507-0.txt index 86d08c8..9f16559 100644 --- a/57507-8.txt +++ b/57507-0.txt @@ -1,31 +1,7 @@ -The Project Gutenberg EBook of The Hopi Indians, by Walter Hough +*** START OF THE PROJECT GUTENBERG EBOOK 57507 *** -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. -Title: The Hopi Indians -Author: Walter Hough - -Release Date: July 14, 2018 [EBook #57507] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE HOPI INDIANS *** - - - - -Produced by Brian Sogard, Rachael Schultz, Sam W. and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) @@ -200,7 +176,7 @@ valley in New Mexico more than two centuries ago. There are a number of ways of reaching the Hopi pueblos. If one would go in by the east, he may choose to start from Holbrook on the Santa -Fé Pacific Railroad, or Winslow (two days each), or by the west from +Fé Pacific Railroad, or Winslow (two days each), or by the west from Canyon Diablo (two days), or Flagstaff (three days). The estimates of time are based on "traveling light" and with few interruptions. A longer journey may be made from Gallup, during which the Canyon de @@ -225,7 +201,7 @@ thunder-storms, Tusayan would be a desert indeed. The hardy grasses and desert plants do their best to cover the nakedness of the country; along the washes are a few cottonwoods; on -the mesas are junipers and piñons; and in the higher lands to the +the mesas are junipers and piñons; and in the higher lands to the north small oaks strive for an existence. At times, when the rains are favoring, plants spring up and the desert is painted with great masses of color; here and there are stretches green with grass or yellow with @@ -490,16 +466,16 @@ brave who seeks a Hopi maiden to wife, coming to live with her people, but rarely does a Hopi youth lead a "Teshab" girl to his hearth as did Anowita of Walpi. -A few Zuñi have cast their lot at Tusayan and several of the latter -live at Zuñi and in some of the Rio Grande pueblos. Not many years +A few Zuñi have cast their lot at Tusayan and several of the latter +live at Zuñi and in some of the Rio Grande pueblos. Not many years ago, a Hopi was chief of an important fraternity at Sia, a pueblo on -the Jemez River in New Mexico. The Zuñi are quite neighborly and visit +the Jemez River in New Mexico. The Zuñi are quite neighborly and visit Tusayan to witness the ceremonies or to exchange necklaces of shell and turquoise beads for blankets. Tradition has it that some of the -clans from the Rio Grande came by way of Zuñi and that Sichomovi has a +clans from the Rio Grande came by way of Zuñi and that Sichomovi has a strong admixture from that pueblo. In support of this it may be said -that the Zuñi visitors are usually domiciled at Sichomovi, where they -seem very much at home, and many of the people there speak the Zuñi +that the Zuñi visitors are usually domiciled at Sichomovi, where they +seem very much at home, and many of the people there speak the Zuñi language. At the time of the ceremonies, especially those performed in summer, @@ -625,7 +601,7 @@ performed by the New Fire Society. By December, Tusayan is hard in the grip of winter, and as the spirits are held fast beneath the frozen ground, they cannot do ill to anyone who speaks about them, so that many legends and stories and much sacred lore are freely divulged -around the glowing fires of fat piñon wood in the Hopi houses. +around the glowing fires of fat piñon wood in the Hopi houses. Everyone is also on the qui vive for the Soyaluna, in many respects the most important ceremony in the Hopi calendar, when the first kachinas appear. December is called the "Hoe moon" because in this @@ -796,7 +772,7 @@ surveyor knows where his lines ran. Every once in a while the Hopi have a "raising," but instead of the kind and willing neighbors of the "bee" in the States, here the -workers are clan relations. Coöperation or communal effort goes a long +workers are clan relations. Coöperation or communal effort goes a long way toward explaining why the days of the Pueblo dweller are long in the land and the Mormon settlers in the Southwest also followed this primitive law which goes into effect wherever men are gathered for the @@ -894,7 +870,7 @@ with the house chief, has the privilege of frequenting the Mong-kiva or council chamber of the pueblo. The town crier's announcements attracted the notice of the Spanish conquerors in the early days as they have that of modern travelers. In the quaint language of -Castañeda, speaking of Zuñi: "They have priests who preach to them +Castañeda, speaking of Zuñi: "They have priests who preach to them whom they call papas. These are the elders. They go up on the highest roof of the village and preach to the village from there, like public criers in the morning while the sun is rising, the whole village @@ -978,7 +954,7 @@ the Hopi have poor memories for dates. No one knows his age, and many of these villages seem to live within the shifting horizons of yesterday and tomorrow. The priests, however, keep a record of the ceremonies by adding to their _tiponi_, or palladium of their society, -a feather for each celebration. At Zuñi a record of the death of +a feather for each celebration. At Zuñi a record of the death of priests of the war society is kept by making scratches on the face of a large rock near a shrine, and by this method a Hopi woman keeps count of the days from the child's birth to the natal ceremony. Ask a @@ -1539,7 +1515,7 @@ heart of agave in water. This writer says: Hopi women assiduously gather the seeds of grasses and other plants, which they grind up and add to corn-meal to improve the flavor of the bread, or, perhaps, a prized bread is made entirely of the ground seed -of some desert plant. Oily seeds, such as those of the piñon, pumpkin, +of some desert plant. Oily seeds, such as those of the piñon, pumpkin, and melons are ground to form shortening in various cakes and to add richness to stews. Often food is colored with harmless vegetable dyes, no doubt with the deep-laid scheme on the part of the mother of @@ -1667,7 +1643,7 @@ simplest way of giving color to the leather is to rub red ocher or other clay into the soft-tanned skin, as is seen in the red moccasins of the Snake dancers. A warm brown is given to the leather with an infusion of the bark of the water birch, and a black dye is made by -burning piñon resin with crude native alum. Sometimes the esthetic +burning piñon resin with crude native alum. Sometimes the esthetic tastes of a young man are gratified by moccasins dyed with aniline red or blue according to his fancy. @@ -2003,7 +1979,7 @@ that hang from the rafters of the houses. "Dolls," they are usually called, but the Hopi know that they are representations of the spiritual beings who live in the unseen world, and a great variety there is of them. Thousands of these figures are made by the Hopi, -many to be sold to visitors, a thing no Zuñi would do, because in that +many to be sold to visitors, a thing no Zuñi would do, because in that pueblo these images have a religious character and are hidden away, while the Hopi decorate the houses with them. @@ -2287,7 +2263,7 @@ which has long been forgotten. The walls are laid in irregular courses, mortar being sparingly used. The addition of plastering to the outside and inside of the house awaits some future time, though sometimes work on the outside coat is -put off to an ever vanishing _mañana_. When the house walls, seven or +put off to an ever vanishing _mañana_. When the house walls, seven or eight feet in height and of irregular thickness from seventeen to twenty-two inches are completed, the women begin on the roof. The beams are laid across the side walls at intervals of two feet; above @@ -2299,7 +2275,7 @@ complicated and ingenious, is nearly level, but provision is made for carrying off the water by means of spouts. When the roof is finished the women put a thick coating of mud on the -floor and plaster the walls. At Zuñi floors are nearly always made of +floor and plaster the walls. At Zuñi floors are nearly always made of slabs of stone, but in Hopi mud is the rule. The process of plastering a floor is interesting to an onlooker. Clay dug from under the cliffs, crushed and softened in water and tempered with sand is smeared on the @@ -2509,7 +2485,7 @@ Walpi. With all these games the Hopi are not gamblers and appear to have the same aversion to it as they have to fire-water, differing in this -respect from the Navaho, Zuñi, and many other tribes of Indians. Most +respect from the Navaho, Zuñi, and many other tribes of Indians. Most of their games, like those of the ancient Greeks, are full of the exhilaration of life, the glow of physical training, the doing of something to win the favor of the gods. @@ -2531,7 +2507,7 @@ One morning about seven o'clock at Winslow, Arizona, a message was brought to the hotel that an Indian wished to see the leader of an exploring party. On stepping out on the street the Indian was found sitting on the curbstone, mouth agape with wonder at the trains moving -about on the Santa Fé Pacific Railroad. +about on the Santa Fé Pacific Railroad. He delivered a note from a white man at Oraibi and it was ascertained that he had started from that place at four on the previous afternoon, @@ -3058,7 +3034,7 @@ some of the pueblos. The Navaho, in pursuance of this custom, throw down the earth-covered hogan over the dead, and in the course of time a mound filled with decaying timbers marks the spot. Hopi burial customs have not changed for centuries; they have never burned their -dead, as formerly did the Zuñi and the peoples of the Gila valley. The +dead, as formerly did the Zuñi and the peoples of the Gila valley. The ancient Hopi ceremonies contain almost the only records of their past history in the pottery, ornaments, weapons, and relics of bone, shell, stone, traces of prayer-sticks, cloth, baskets, and matting. These @@ -3460,7 +3436,7 @@ second in the afternoon. There are many _kachinas_ in rich costumes, wearing strange helmets and adorned in many striking ways. They carry planting sticks, hoes, and other emblematic paraphernalia. A number are dressed as female _kachinas_. These furnished an accompaniment to -the song by rasping sheep's scapulæ over notched sticks placed on +the song by rasping sheep's scapulæ over notched sticks placed on wooden sounding boxes. The male and female dancers stand in two lines and posture to the music, and the former turn around repeatedly during the dance. The children especially enjoy the dance, because the @@ -3482,7 +3458,7 @@ Southwest, and by mutual concessions the clans making up the Hopi would arrange their rites to fit in the month when the rain-makers are needed. Thus, the women's ceremonies in September and October would not need to be disturbed, perhaps to the relief of the obscure Hopi -who, like Julius Cæsar, reformed the calendar. +who, like Julius Cæsar, reformed the calendar. The Snake and Flute ceremonies of the Hopi are most widely known, since at this season of the year most travelers visit Tusayan, and @@ -4024,7 +4000,7 @@ at the upper end of Keam's Canyon; the Bear clan those at the mouth of the same canyon; the Tobacco clan those on the crags of Awatobi; the Rain Cloud clan the nests in the Moki Buttes; the Reed clan those in the region of their old town forty miles north of Navajo Springs on -the Santa Fé railroad; the Lizard clan the nests on Bitahuchi or Red +the Santa Fé railroad; the Lizard clan the nests on Bitahuchi or Red Rocks, about forty miles south of Walpi; or that the eagle nests west of the pueblos along the Little Colorado and Great Colorado belong to the Oraibi and Middle Mesa villagers. He would disdain the fact that @@ -4222,7 +4198,7 @@ water is brought is Clear Creek near the town of Winslow, seventy-five miles south of Walpi. Each field has a shrine and _pahos_ are often seen there; this is also -the custom among the Zuñi and other of the Pueblos. In the center of +the custom among the Zuñi and other of the Pueblos. In the center of the main plaza of each pueblo may be seen a stone box with a slab of stone for a door which opens to the east. This is called the _pahoki_, or "house of the pahos," the central shrine of the village, and it is @@ -4290,7 +4266,7 @@ and possessed special weapons of tremendous power to assist them in their supernatural craft. Long the people groaned under the ravages of the monsters, and the time and manner of their deliverance they delight to recount in many weird stories during the winter nights by -their flickering fires of piñon wood. +their flickering fires of piñon wood. In the earth lived the Spider Woman, ancient of days, full of wisdom, and having a tender regard for her people, the Hopi. Born to her from @@ -4310,19 +4286,19 @@ In the above, in the heart of the sky, lived the Man-Eagle. On the people of the whole earth he swooped down, carrying aloft women and maidens to his house, where after four days he devoured them. The Youth, journeying to the San Francisco Mountains, met at the -foot-hills the Piñon maids dressed in mantles of piñon bark and grass, +foot-hills the Piñon maids dressed in mantles of piñon bark and grass, and here likewise he met the Spider Woman and the Mole. "You have come," said they in greeting; "sit down; whence go you?" Then said the Youth, "Man-Eagle has carried away my bride and I seek to bring her back." "I will aid you," said the Spider Woman. -She bade the Piñon maids to gather piñon gum, wash it, and make a +She bade the Piñon maids to gather piñon gum, wash it, and make a garment in exact imitation of the flint arrow head armor which rendered Man-Eagle invulnerable. So did they, and the Spider Woman gave it, with charm flour, to the Youth. As a spider, then, so small as to be invisible, she perched on the right ear of the Youth that she might whisper advice. Mole led the way to the top of the mountains, -but the Piñon maids remained behind. +but the Piñon maids remained behind. When they reached the summit, Eagle swooped down; they got on his back and he soared aloft with them till he was tired. Hawk came close by, @@ -4341,7 +4317,7 @@ Youth rubbed the sharp rungs with the chewed berries and they became dull at once, and he was able to climb the ladder without cutting himself. When he entered the house of Man-Eagle he saw hanging the monster's flint arrow head armor, on a peg in a recess, and he at once -exchanged it for the false armor the Piñon maids had given him. In +exchanged it for the false armor the Piñon maids had given him. In another recess he saw Man-Eagle and his lost wife. He called out to her that he had come to rescue her from the monster, and she replied that she was glad, but that he could not do so, as no one ever left @@ -5014,7 +4990,7 @@ who run away, not even "to fight another day," desirous to live in contentment and happy to exist on the earth, after the fierce enemies have jostled many tribes out of existence. Still, the Hopi keep up in a feeble, traditional way a warrior society, which corresponds to the -powerful Priesthood of the Bow who are said to rule Zuñi. So in the +powerful Priesthood of the Bow who are said to rule Zuñi. So in the villages of Tusayan the warriors are merely ornamental and dance bravely in some ceremonies, though at some critical period of invasion the necessity of drawing the "dead line" might fall upon the warrior @@ -5311,9 +5287,9 @@ play-instruction by kind teachers of things useful in active life. He is wrapped in the customs which have become religion, he is initiated into manhood, and takes his place, perhaps inherited, in the fraternities. With all these he is taught the lore, the practices, and -the songs--minutiæ which require a strong memory. He learns the plants +the songs--minutiæ which require a strong memory. He learns the plants and the animals to which the Hopi had given descriptive names long -before Linnæus or Cuvier. The sun is his clock, and all nature is near +before Linnæus or Cuvier. The sun is his clock, and all nature is near to him. He must work also in the fields if he would eat--no drones are tolerated. In short, there is a surprising complexity in this life, and its demands are weighty. Thus Kopeli at the head of the most @@ -5608,7 +5584,7 @@ There is a good deal of feeling, mingled with a large element of jealousy, against Honani in the minds of his fellow villagers, because of his friendliness toward the white man and his stand in favor of educating the children in the schools provided by the Government. At -Zuñi, through some pretext or other, Honani would be hung as a wizard, +Zuñi, through some pretext or other, Honani would be hung as a wizard, whereas the amicable Hopi merely ignore him for a while. On another occasion, while the party was encamped in a sheltered @@ -5745,7 +5721,7 @@ Still, in the iridescent interworld between smiles and tears Wupa has a romantic and sad history. The _dramatis personae_ woven into this history are white men, -Mexicans, Zuñi Indians, and his fellow Hopi. The first misfortune that +Mexicans, Zuñi Indians, and his fellow Hopi. The first misfortune that befell Wupa was to be born at the time when famine harried the Peaceful People in their seven villages to the north of the Little Colorado. Famine is an old story with the Hopi. For two years no rain @@ -5760,22 +5736,22 @@ lot among the Navaho shepherds, the Havasupai of Cataract Canyon, and other more fortunate tribes of friendly people. So it happened that Wupa's mother with her hungry babe took the -well-known trail to Zuñi 100 miles away, and nerved with the strength +well-known trail to Zuñi 100 miles away, and nerved with the strength of desperation at last reached the pueblo under "Corn Mountain." Indian philanthropy rarely extends outside the circle of relatives, -and the Zuñi had no mind to give corn to the poor Hopi woman beyond +and the Zuñi had no mind to give corn to the poor Hopi woman beyond enough to keep her from starving. But little Wupa was worth a bushel of the precious ears, and for that amount he was exchanged, becoming, -without being consulted, a Zuñi, while his mother trudged back to +without being consulted, a Zuñi, while his mother trudged back to Hopiland with food for her starving kinsfolk, feeling, no doubt, little sorrow at the loss of her babe, so great is the levelling power of famine and misfortune. There are usually strays at all Indian villages, and thus the presence of the little Hopi stranger passed without notice. When the crops were assured in the fields of the -famine-stricken Hopi, they ceased coming to Zuñi, and Wupa seems to +famine-stricken Hopi, they ceased coming to Zuñi, and Wupa seems to have been unclaimed and forgotten. -When he was five or six, the Zuñi in turn sold him to some Mexicans, +When he was five or six, the Zuñi in turn sold him to some Mexicans, and the next account there is of him he was living at Albuquerque, a stout young _peon_, with cropped hair, a devout Catholic, speaking Castilian after the fashion of the "Greasers." Wupa thus became, to @@ -5796,12 +5772,12 @@ favor. Wupa quickly picked up the language and associations of his accidental compatriots, and soon the Padre rejoiced in another brand plucked from -the burning. His next step was to find a señorita and to marry her, +the burning. His next step was to find a señorita and to marry her, and after the semi-barbarous wedding his woes really begin. In explanation of the description given of Wupa as he appears at present, it may be fair to say that twenty years off his age would leave him a passably young man, but even with this gloss, one cannot form a very -high estimate of the señorita's taste. +high estimate of the señorita's taste. During the period of Wupa's exile, one knowing the Hopi would be curious to find out how he bore himself and whether an inherited love @@ -5815,9 +5791,9 @@ home-coming of Wupa, for he returned again to his native pueblo after one of the most varied and remarkable series of adventures that ever filled out a true story. The events that led up to the home-coming of Wupa form not the least interesting episodes in his history and -occurred along the old Santa Fé Trail, immortalized by Josiah Gregg. +occurred along the old Santa Fé Trail, immortalized by Josiah Gregg. The railroad builders had labored across the plains, up the steep -slopes of the Rockies, following the famous trail to old Santa Fé, +slopes of the Rockies, following the famous trail to old Santa Fé, leaving behind two bands of steel. Blasting, cutting, filling, and bridging, they were advancing toward quiet Albuquerque on the lazy Rio Grande, and the news of these activities stirred that ancient town @@ -5835,7 +5811,7 @@ is not difficult to imagine; his skill in "rustling" wood and water in later years gives a good clue as to his work on the railroad. As messenger and general utility boy where steady labor was not required, he no doubt proved useful and picked up sundry pieces of silver for -his señora. Perhaps not the least of his services lay in his +his señora. Perhaps not the least of his services lay in his unfailing good-humor expressed in cheering songs with which he softened the trials of railroad pioneering through that almost desert country. @@ -5850,7 +5826,7 @@ could be gotten out of him was a disarming laugh and a disappearance, as soon as that move could be made. Picturesque as was the construction camp, the stern side of life came very near, and the wonderful hues of the landscape were but mockery to the tired and -thirsty men, who prepared the Santa Fé Trail for the iron horse. Poor +thirsty men, who prepared the Santa Fé Trail for the iron horse. Poor food, worse water, alkali dust, parching heat and chilly nights of summer and the severity of winter were living realities; there were health and vigor in the air of the mountains and elevated plateaus, @@ -5886,7 +5862,7 @@ did not understand the tongue of his people. "Yes, come; they sit up there waiting for you." This ought to have stirred in Wupa a desire to go at once, but he "no sabe." Finally, -after parleying in a mixture of Hopi, Zuñi, and Spanish, pieced out +after parleying in a mixture of Hopi, Zuñi, and Spanish, pieced out here and there with sign language, they persuaded him to desert the camp and set out with them for his native town a hundred miles to the north. @@ -5908,16 +5884,16 @@ While Wupa was willing to desert and become a pagan, as were his ancestors, exchanging the quaint cathedral of Albuquerque with its figures of saints and grewsome Corpus Cristi in a glass case for a dimly lighted room underground and familiarity with rattlesnakes, his -señora had other ideas. Wupa mourned that his señora would not cast +señora had other ideas. Wupa mourned that his señora would not cast her lot with the "Peaceful People" of Tusayan; but money was scarce and the distance too great for a personal interview; the letters written by a laborious Mexican scribe were productive of no results. -Though the señora might have done worse, who will blame her? During +Though the señora might have done worse, who will blame her? During the years that passed one might think that Wupa would have forgotten his wife on the Rio Grande, but it was always the dream of his life to bring her to him at Walpi. It was pathetic to hear his schemes and to see the way in which he treasured letters from her written in the -scrawl of the town scribe and addressed to Señor Don José Padilla, +scrawl of the town scribe and addressed to Señor Don José Padilla, which is Wupa's high-sounding Castilian name. His constancy seemed admirable, for he did not take an Indian wife, granting that he could have secured one of the Hopi belles for spouse. @@ -5952,7 +5928,7 @@ unripe, according to un-Hopi standards, but were received in the spirit in which they were given, and later some natives met on the road to Keam's Canyon had an unexpected feast. -The romance of Wupa's devotion to his Mexican señora and the fine +The romance of Wupa's devotion to his Mexican señora and the fine flavor of constancy he showed toward her received a rude shattering the year after the commencement of this account. He took unto himself a Hopi helpmeet,--an albino,--and a whimsical pair they looked when @@ -6112,7 +6088,7 @@ Through them it has been learned that each pueblo preserves with faithful care the history of its beginnings and the wanderings of its clans. This at proper times the old men repeat and the story often takes a poetical form chanted with great effect in the ceremonies. As -an example of these interesting myths, one should read the Zuñi Ritual +an example of these interesting myths, one should read the Zuñi Ritual of Creation, that Saga of the Americans which reveals a beauty and depth of thought and form surprising to those who have a limited view of the ability of the Indian. @@ -6163,7 +6139,7 @@ later, leaving the dead to the ministrations of the drifting sand. Nor with the coming of the white people did the wandering cease. There were Seven Cities of Cibola in the subsequent stretch of time, these -seven towns were fused into the Pueblo of Zuñi and again came a +seven towns were fused into the Pueblo of Zuñi and again came a dispersal and from this great pueblo formed the small summer villages of Nutria, Pescado, and Ojo Caliente. A human swarm built Laguna two centuries ago to swarm again other times. Acoma is mistress of @@ -6425,7 +6401,7 @@ INDEX Constellations named, 44 - Coöperation, 37 + Coöperation, 37 Corn, cooking of, 66; cultivation and care of, 61, 62; @@ -6757,7 +6733,7 @@ INDEX Yeast, chewed, 64 - Zuñi, association with, 25 + Zuñi, association with, 25 @@ -6800,8 +6776,8 @@ Saalako, and this is preserved as printed. The following amendments have been made: - Page 14--pinyons amended to piñons--... on the mesas are junipers - and piñons; ... + Page 14--pinyons amended to piñons--... on the mesas are junipers + and piñons; ... Page 30--Soyalana amended to Soyaluna--... and after the Soyaluna ceremony ... @@ -6900,367 +6876,4 @@ have been moved to follow the title page. End of the Project Gutenberg EBook of The Hopi Indians, by Walter Hough -*** END OF THIS PROJECT GUTENBERG EBOOK THE HOPI INDIANS *** - -***** This file should be named 57507-8.txt or 57507-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/7/5/0/57507/ - -Produced by Brian Sogard, Rachael Schultz, Sam W. and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - +*** END OF THE PROJECT GUTENBERG EBOOK 57507 *** diff --git a/57507-h/57507-h.htm b/57507-h/57507-h.htm index d91b58f..7cea7ce 100644 --- a/57507-h/57507-h.htm +++ b/57507-h/57507-h.htm @@ -102,43 +102,7 @@ <body> -<pre> - -The Project Gutenberg EBook of The Hopi Indians, by Walter Hough - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: The Hopi Indians - -Author: Walter Hough - -Release Date: July 14, 2018 [EBook #57507] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE HOPI INDIANS *** - - - - -Produced by Brian Sogard, Rachael Schultz, Sam W. and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - - - - - - -</pre> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 57507 ***</div> @@ -8997,381 +8961,7 @@ have been moved to follow the title page.</p> -<pre> - - - - - -End of the Project Gutenberg EBook of The Hopi Indians, by Walter Hough - -*** END OF THIS PROJECT GUTENBERG EBOOK THE HOPI INDIANS *** - -***** This file should be named 57507-h.htm or 57507-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/7/5/0/57507/ - -Produced by Brian Sogard, Rachael Schultz, Sam W. and the -Online Distributed Proofreading Team at http://www.pgdp.net -(This file was produced from images generously made -available by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 57507 ***</div> </body> </html> |