summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--5673-0.txt8425
-rw-r--r--5673-0.zipbin0 -> 115030 bytes
-rw-r--r--5673-h.zipbin0 -> 120592 bytes
-rw-r--r--5673-h/5673-h.htm13835
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/5673.txt8409
-rw-r--r--old/5673.zipbin0 -> 113520 bytes
-rw-r--r--old/tngms10.txt8932
-rw-r--r--old/tngms10.zipbin0 -> 113315 bytes
11 files changed, 39617 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/5673-0.txt b/5673-0.txt
new file mode 100644
index 0000000..53fc363
--- /dev/null
+++ b/5673-0.txt
@@ -0,0 +1,8425 @@
+The Project Gutenberg eBook of The Young Musician, by Horatio Alger
+
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online at
+www.gutenberg.org. If you are not located in the United States, you
+will have to check the laws of the country where you are located before
+using this eBook.
+
+Title: The Young Musician
+ or, Fighting His Way
+
+Author: Horatio Alger
+
+Release Date: August 7, 2002 [eBook #5673]
+[Most recently updated: May 29, 2022]
+
+Language: English
+
+Character set encoding: UTF-8
+
+Produced by: Carrie Fellman
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+
+
+
+The Young Musician
+or
+Fighting His Way
+
+by Horatio Alger
+
+Chicago
+
+
+Contents
+
+ CHAPTER I. A CANDIDATE FOR THE POORHOUSE
+ CHAPTER II. PHILIP AT HOME
+ CHAPTER III. NICK HOLDEN’S CALL
+ CHAPTER IV. THE AUCTION
+ CHAPTER V. AN ALLIANCE AGAINST PHILIP
+ CHAPTER VI. FUSS ABOUT A FIDDLE
+ CHAPTER VII. MR. JOE TUCKER
+ CHAPTER VIII. IN THE ENEMY’S HANDS
+ CHAPTER IX. THE POORHOUSE
+ CHAPTER X. BAD TIDINGS
+ CHAPTER XI. PHILIP’S NEW ROOM
+ CHAPTER XII. A PAUPER’S MEAL
+ CHAPTER XIII. A FRIENDLY MISSION
+ CHAPTER XIV. PHILIP MAKES HIS ESCAPE
+ CHAPTER XV. ESCAPE AND FLIGHT
+ CHAPTER XVI. A NIGHT ADVENTURE
+ CHAPTER XVII. A REFORMED BURGLAR
+ CHAPTER XVIII. A PROFESSIONAL ENGAGEMENT
+ CHAPTER XIX. NEW ACQUAINTANCES
+ CHAPTER XX. A LIVELY EVENING
+ CHAPTER XXI. FORTUNE SMILES AGAIN
+ CHAPTER XXII. RIVAL MUSICIANS
+ CHAPTER XXIII. AN HOUR OF TRIUMPH
+ CHAPTER XXIV. LORENZO RICCABOCCA
+ CHAPTER XXV. A CHANGE OF NAME
+ CHAPTER XXVI. A PROMISING PLAN
+ CHAPTER XXVII. UNEXPECTED HONORS
+ CHAPTER XXVIII. A TRIUMPHANT SUCCESS
+ CHAPTER XXIX. BESET BY CREDITORS
+ CHAPTER XXX. A TIMELY GIFT
+ CHAPTER XXXI. THE PROFESSOR’S FLIGHT
+ CHAPTER XXXII. THE RACE ACROSS FIELDS
+ CHAPTER XXXIII. THE LOST WALLET
+ CHAPTER XXXIV. A NEW BUSINESS PROPOSAL
+ CHAPTER XXXV. SQUIRE POPE IS AMAZED
+ CHAPTER XXXVI. THE PRETENDED GUARDIAN
+ CHAPTER XXXVII. HIS OWN MASTER
+ CHAPTER XXXVIII. AN OFFER DECLINED
+ CHAPTER XXXIX. AN AMBITIOUS WAYFARER
+ CHAPTER XL. THE INDIAN HUNTER
+ CHAPTER XLI. AN ADVENTURE IN THE WOODS
+ CHAPTER XLII. AN INDIAN AT LAST
+ CHAPTER XLIII. A WELCOME LETTER
+ CHAPTER XLIV. A FRESH START
+
+
+
+
+CHAPTER I.
+A CANDIDATE FOR THE POORHOUSE.
+
+
+“As for the boy,” said Squire Pope, with his usual autocratic air, “I
+shall place him in the poorhouse.”
+
+“But, Benjamin,” said gentle Mrs. Pope, who had a kindly and
+sympathetic heart, “isn’t that a little hard?”
+
+“Hard, Almira?” said the squire, arching his eyebrows. “I fail to
+comprehend your meaning.”
+
+“You know Philip has been tenderly reared, and has always had a
+comfortable home—”
+
+“He will have a comfortable home now, Mrs. Pope. Probably you are not
+aware that it cost the town two thousand dollars last year to maintain
+the almshouse. I can show you the item in the town report.”
+
+“I don’t doubt it at all, husband,” said Mrs. Pope gently. “Of course
+you know all about it, being a public man.”
+
+Squire Pope smiled complacently. It pleased him to be spoken of as a
+public man.
+
+“Ahem! Well, yes, I believe I have no inconsiderable influence in town
+affairs,” he responded. “I am on the board of selectmen, and am
+chairman of the overseers of the poor, and in that capacity I shall
+convey Philip Gray to the comfortable and well-ordered institution
+which the town has set apart for the relief of paupers.”
+
+“I don’t like to think of Philip as a pauper,” said Mrs. Pope, in a
+deprecating tone.
+
+“What else is he?” urged her husband. “His father hasn’t left a cent.
+He never was a good manager.”
+
+“Won’t the furniture sell for something, Benjamin?”
+
+“It will sell for about enough to pay the funeral expenses and
+outstanding debts—that is all.”
+
+“But it seems so hard for a boy well brought up to go to the
+poorhouse.”
+
+“You mean well, Almira, but you let your feelings run away with you.
+You may depend upon it, it is the best thing for the boy. But I must
+write a letter in time for the mail.”
+
+Squire Pope rose from the breakfast-table and walked out of the room
+with his usual air of importance. Not even in the privacy of the
+domestic circle did he forget his social and official importance.
+
+Who was Squire Pope?
+
+We already know that he held two important offices in the town of
+Norton. He was a portly man, and especially cultivated dignity of
+deportment. Being in easy circumstances, and even rich for the resident
+of a village, he was naturally looked up to and credited with a worldly
+sagacity far beyond what he actually possessed.
+
+At any rate, he may be considered the magnate of Norton. Occasionally
+he visited New York, and had been very much annoyed to find that his
+rural importance did not avail him there, and that he was treated with
+no sort of deference by those whom he had occasion to meet. Somehow,
+the citizens of the commercial metropolis never suspected for a single
+moment that he was a great man.
+
+When Squire Pope had finished his letter, he took his hat, and with
+measured dignity, walked to the village post-office.
+
+He met several of his neighbors there, and greeted them with affable
+condescension. He was polite to those of all rank, as that was
+essential to his retaining the town offices, which he would have been
+unwilling to resign.
+
+From the post-office the squire, as he remembered the conversation
+which had taken place at the breakfast-table, went to make an official
+call on the boy whose fate he had so summarily decided.
+
+Before the call, it may be well to say a word about Philip Gray, our
+hero, and the circumstances which had led to his present destitution.
+
+His father had once been engaged in mercantile business, but his health
+failed, his business suffered, and he found it best—indeed,
+necessary—to settle up his affairs altogether and live in quiet
+retirement in Norton.
+
+The expenses of living there were small, but his resources were small,
+also, and he lived just long enough to exhaust them.
+
+It was this thought that gave him solicitude on his death-bed, for he
+left a boy of fifteen wholly unprovided for.
+
+Let us go back a week and record what passed at the last interview
+between Philip and his father before the latter passed into the state
+of unconsciousness which preceded death.
+
+“Are you in pain, father?” asked Philip, with earnest sympathy, as his
+father lay outstretched on the bed, his face overspread by the deathly
+pallor which was the harbinger of dissolution.
+
+“Not of the body, Philip,” said Mr. Gray. “That is spared me, but I own
+that my mind is ill at ease.”
+
+“Do you mind telling me why, father!”
+
+“No; for it relates to you, my son, or, rather, to your future. When my
+affairs are settled, I fear there will be nothing left for your
+support. I shall leave you penniless.”
+
+“If that is all, father, don’t let that trouble you.”
+
+“I am afraid, Philip, you don’t realize what it is to be thrown upon
+the cold charities of the world.”
+
+“I shall work for my living,” said Philip confidently.
+
+“You will have to do that, I’m afraid, Philip.”
+
+“But I am not afraid to work, father. Didn’t you tell me one day that
+many of our most successful men had to work their way up from early
+poverty!”
+
+“Yes, that is true; but a boy cannot always get the chance to earn his
+living. Of one thing I am glad; you have a good education for a boy of
+your age. That is always a help.”
+
+“Thanks to you, father.”
+
+“Yes; though an invalid, I have, at all events, been able to give
+private attention to your education, and to do better for you than the
+village school would have done. I wish I had some relative to whom I
+might consign you, but you will be alone in the world.”
+
+“Have I no relatives?” asked Philip.
+
+“Your mother was an only child, and I had but one brother.”
+
+“What became of him, father?”
+
+“He got into trouble when he was a young man, and left the country.
+Where he went to I have no idea. Probably he went first to Europe, and
+I heard a rumor, at one time, that he had visited Australia. But that
+was twenty years ago, and as I have heard nothing of him since, I think
+it probable that he is dead. Even if he were living, and I knew where
+he was, I am not sure whether he would make a safe guardian for you.”
+
+“Have you any advice to give me, father?” asked Philip, after a pause.
+“Whatever your wishes may be, I will try to observe them.”
+
+“I do not doubt it, Philip. You have always been an obedient son, and
+have been considerate of my weakness. I will think it over, and try to
+give you some directions which may be of service to you. Perhaps I may
+be able to think of some business friend to whom I can commend you.”
+
+“You have talked enough, father,” said Philip, noticing his father’s
+increasing pallor and the evident exertion with which he spoke. “Rest
+now, and to-morrow we can talk again.”
+
+Mr. Gray was evidently in need of rest. He closed his eyes and
+apparently slept. But he never awoke to consciousness. The conversation
+above recorded was the last he was able to hold with his son. For two
+days he remained in a kind of stupor, and at the end of that time he
+died.
+
+Philip’s grief was not violent. He had so long anticipated his father’s
+death that it gave him only a mild shock.
+
+Friends and neighbors made the necessary arrangements for the funeral,
+and the last services were performed. Then, at length, Philip realized
+that he had lost his best earthly friend, and that he was henceforth
+alone in the world. He did not as yet know that Squire Pope had
+considerately provided him with a home in the village poorhouse.
+
+
+
+
+CHAPTER II.
+PHILIP AT HOME.
+
+
+When the funeral was over, Frank Dunbar, whom Philip regarded as his
+most intimate friend, came up to him.
+
+“Philip,” he said, “my mother would like to have you spend a few days
+with us while you are deciding what to do.”
+
+“Thank you, Frank!” answered Philip. “But until the auction I shall
+remain at home. I shall soon enough be without a home.”
+
+“But it will be very lonely for you,” objected Frank.
+
+“No; I shall have my thoughts for company. When I am alone I can think
+best of my future plans.”
+
+“Won’t you come to our house to meals, then?”
+
+“Thank you, Frank! I will do that.”
+
+“When is the auction to be?”
+
+“To-day is Monday. It is appointed for Thursday.”
+
+“I hope there will be something left for you.”
+
+“There will be about enough left to pay my father’s small debts and his
+funeral expenses. I would not like to have him indebted to others for
+those. I don’t think there will be anything over.”
+
+Frank looked perplexed.
+
+“I am sorry for you, Phil,” he said. “I wish we were rich, instead of
+having hard work to make both ends meet. You would not lack for
+anything then.”
+
+“Dear Frank,” said Philip earnestly, “I never doubted your true
+friendship. But I am not afraid that I shall suffer. I am sure I can
+earn my living.”
+
+“But why do you shut yourself up alone, Philip?” asked Frank, not
+satisfied to leave his friend in what he considered the gloomy solitude
+of a house just visited by death.
+
+“I want to look over my father’s papers. I may find out something that
+I ought to know, and after the auction it will be too late. Father had
+some directions to give me, but he did not live long enough to do it.
+For three days I have the house to myself. After that I shall perhaps
+never visit it again.”
+
+“Don’t be downhearted, Philip,” said Frank, pressing his hand with
+boyish sympathy.
+
+“I don’t mean to be, Frank. I am naturally cheerful and hopeful. I
+shall miss my poor father sadly: but grieving will not bring him back.
+I must work for my living, and as I have no money to depend upon, I
+cannot afford to lose any time in forming my plans.”
+
+“You will come over to our house and take your meals!”
+
+“Yes, Frank.”
+
+Frank Dunbar’s father was a small farmer, who, as Frank had said, found
+it hard work to make both ends meet. Among all the village boys, he was
+the one whom Philip liked best, though there were many others whose
+fathers were in better circumstances. For this, however, Philip cared
+little. Rich or poor, Frank suited him, and they had always been known
+as chums, to adopt the term used by the boys in the village.
+
+It may be thought that as Philip’s circumstances were no better, such
+an intimacy was natural enough. But Philip Gray possessed special
+gifts, which made his company sought after. He was a fine singer, and
+played with considerable skill on the violin—an accomplishment derived
+from his father, who had acted as his teacher. Then he was of a
+cheerful temperament, and this is a gift which usually renders the
+possessor popular, unless marred by positive defects or bad qualities.
+There were two or three young snobs in the village who looked down upon
+Philip on account of his father’s poverty, but most were very glad to
+associate with our hero, and have him visit their homes. He was
+courteous to all, but made no secret of his preference for Frank
+Dunbar.
+
+When Philip parted from Frank, and entered the humble dwelling which
+had been his own and his father’s home for years, there was a sense of
+loneliness and desolation which came over him at first.
+
+His father was the only relative whom he knew, and his death,
+therefore, left the boy peculiarly, alone in the world. Everything
+reminded him of his dead father. But he did not allow himself to dwell
+upon thoughts that would depress his spirits and unfit him for the work
+that lay before him.
+
+He opened his father’s desk and began to examine his papers. There was
+no will, for there was nothing to leave, but in one compartment of the
+desk was a thick wallet, which he opened.
+
+In it, among some receipted bills, was an envelope, on which was
+written, in his father’s well-known hand:
+
+“The contents of this envelope are probably of no value, but it will be
+as well to preserve the certificate of stock. There is a bare
+possibility that it may some day be worth a trifle.”
+
+Philip opened the envelope and found a certificate for a hundred shares
+of the Excelsior Gold Mine, which appeared to be located in California.
+He had once heard his father speak of it in much the same terms as
+above.
+
+“I may as well keep it,” reflected Philip. “It will probably amount to
+nothing, but there won’t be much trouble in carrying around the
+envelope.” He also found a note of hand for a thousand dollars, signed
+by Thomas Graham.
+
+Attached to it was a slip of paper, on which he read, also in his
+father’s writing:
+
+“This note represents a sum of money lent to Thomas Graham, when I was
+moderately prosperous. It is now outlawed, and payment could not be
+enforced, even if Graham were alive and possessed the ability to pay.
+Five years since, he left this part of the country for some foreign
+country, and is probably dead, and I have heard nothing from him in all
+that time. It will do no harm, and probably no good, to keep his note.”
+
+“I will keep it,” decided Philip. “It seems that this and the mining
+shares are all that father had to leave me. They will probably never
+yield me a cent, but I will keep them in remembrance of him.”
+
+Phillip found his father’s watch. It was an old-fashioned gold watch,
+but of no great value even when new. Now, after twenty years’ use, it
+would command a very small price at the coming sale.
+
+Ever since Philip had been old enough to notice anything, he remembered
+this watch, which was so closely identified with his father that more
+than anything else it called him to mind. Philip looked at it wistfully
+as it lay in his hand. “I wish I could keep it,” he said to himself.
+“No one else will value it much, but it would always speak to me of my
+father. I wonder if I might keep it?”
+
+Philip had a mind to put it into his pocket, but the spirit of honesty
+forbade.
+
+“It must be sold,” he said, with a sigh. “Without it there wouldn’t be
+enough to pay what we owe, and when I leave Norton, I don’t want any
+one to say that my father died in his debt.”
+
+There was nothing else in the desk which called for particular notice
+or appeared to be of any special value. After a careful examination,
+Philip closed it and looked around at the familiar furniture of the few
+rooms which the house contained.
+
+There was one object which he personally valued more than anything
+else. This was his violin, on which he had learned all that he knew of
+playing. His father had bought it for him four years before. It was not
+costly, but it was of good tone, and Philip had passed many pleasant
+hours in practicing on it.
+
+“I can take this violin, at any rate,” said Philip to himself. “It
+belongs to me, and no one else has a claim on it. I think I will take
+it with me and leave it at Frank Dunbar’s, so that it needn’t get into
+the sale.”
+
+He put back the violin into the case and laid it on one side. Then he
+sat down in the arm-chair, which had been his father’s favorite seat,
+and tried to fix his mind upon the unknown future which lay before him.
+
+He had sat there for half an hour, revolving in his mind various
+thoughts and plans, when he heard a tap on the window, and looking up,
+saw through the pane the coarse, red face of Nick Holden, a young
+fellow of eighteen, the son of the village butcher.
+
+“Let me in!” said Nick; “I want to see you on business.”
+
+
+
+
+CHAPTER III.
+NICK HOLDEN’S CALL.
+
+
+Philip had never liked Nick Holden. He was a coarse, rough-looking boy,
+his reddish face one mass of freckles, and about as unattractive as a
+person could be, without absolute deformity. This, however, was not the
+ground for Philip’s dislike.
+
+With all his unattractiveness, Nick might have possessed qualities
+which would have rightly made him popular. So far from this, however,
+he was naturally mean, selfish, and a bully, with very slight regard
+for truth.
+
+Will it be believed that, in spite of his homely face, Nick really
+thought himself good-looking and aspired to be a beau? For this reason
+he had often wished that he possessed Philip’s accomplishment of being
+able to play upon the violin.
+
+His conversational powers were rather limited, and he felt at a loss
+when he undertook to make himself fascinating to the young ladies in
+the village. If he could only play on the violin like Philip he thought
+he would be irresistible.
+
+He had therefore conceived the design of buying Philip’s instrument for
+a trifle, judging that our hero would feel compelled to sell it.
+
+The reader will now understand the object which led to Nick’s call so
+soon after the funeral of Mr. Gray. He was afraid some one else might
+forestall him in gaining possession of the coveted instrument.
+
+When Philip saw who his visitor was, he was not overjoyed. It was with
+reluctance that he rose and gave admission to Nick.
+
+“I thought I would call around and see you, Phil,” said Nick, as he sat
+down in the most comfortable chair in the room.
+
+“Thank you,” responded Phil coldly.
+
+“The old man went off mighty sudden,” continued Nicholas, with
+characteristic delicacy.
+
+“Do you mean my father?” inquired Philip.
+
+“Of course I do. There ain’t any one else dead, is there!”
+
+“I had been expecting my poor father’s death for some time,” said
+Philip gravely.
+
+“Just so! He wa’n’t very rugged. We’ve all got to come to it sooner or
+later. I expect dad’ll die of apoplexy some time—he’s so awful fat,”
+remarked Nicholas cheerfully. “If he does, it’s lucky he’s got me to
+run the business. I’m only eighteen, but I can get along as well as
+anybody. I’m kinder smart in business.”
+
+“I am glad you are smart in anything,” thought Philip; for he knew that
+Nick was a hopeless dunce in school duties.
+
+“I hope your father’ll live a good while,” he said politely.
+
+“Yes, of course,” said Nick lightly. “I’d be sorry to have the old man
+pop off; but then you never can tell about such a thing as that.”
+
+Philip did not relish the light way in which Nick referred to such a
+loss as he was suffering from, and, by way of changing the subject,
+said:
+
+“I believe you said you came on business, Nicholas?”
+
+“Yes; that’s what I wanted to come at. It’s about your fiddle.”
+
+“My violin!” said Philip, rather surprised.
+
+“Oh, well, fiddle or violin! what’s the odds? I want to buy it.”
+
+“What for?”
+
+“To play on, of course! What did you think I wanted it for?”
+
+“But you can’t play, can you?”
+
+“Not yet; but I expect you could show me some—now, couldn’t you?”
+
+“What put it into your head to want to play on the violin?” asked
+Philip, with some curiosity.
+
+“Why, you see, the girls like it. It would be kind of nice when I go to
+a party, or marm has company, to scrape off a tune or two—just like you
+do. It makes a feller kinder pop’lar with the girls, don’t you see?”
+said Nick, with a knowing grin.
+
+“And you want to be popular with the young ladies!” said Philip,
+smiling, in spite of his bereavement, at the idea being entertained by
+such a clumsy-looking caliban as Nick Holden.
+
+“Of course I do!” answered Nick, with another grin. “You see I’m
+gettin’ along—I’ll be nineteen next month, and I might want to get
+married by the time I’m twenty-one, especially if the old man should
+drop off sudden.”
+
+“I understand all that, Nicholas—”
+
+“Call me Nick. I ain’t stuck up if I am most a man. Call me pet names,
+dearest.”
+
+And Nicholas laughed loudly at his witty quotation.
+
+“Just as you prefer. Nick, then, I understand your object. But what
+made you think I wanted to sell the violin?”
+
+It was Nick’s turn to be surprised.
+
+“Ain’t there goin’ to be an auction of your father’s things?” he said.
+
+“Yes; but the violin is mine, and I am not going to sell it.”
+
+“You’ll have to,” said Nick.
+
+“What do you mean by that, Nicholas Holden?” said Philip quickly.
+
+“Because you’ll have to sell everything to pay your father’s debt. My
+father said so this very morning.”
+
+“I think I know my own business best,” said Philip coldly. “I shall
+keep the violin.”
+
+“Maybe it ain’t for you to say,” returned Nick, apparently not aware of
+his insolence. “Come, now, I’ll tell you what I’ll do. My father’s got
+a bill against yours for a dollar and sixty-four cents. I told father I
+had a use for the fiddle, and he says if you’ll give it to me, he’ll
+call it square. There, what do you say to that?”
+
+Nicholas leaned back in his chair and looked at Philip through his
+small, fishy eyes, as if he had made an uncommonly liberal offer. As
+for Philip, he hardly knew whether to be angry or amused.
+
+“You offer me a dollar and sixty-four cents for my violin?” he
+repeated.
+
+“Yes. It’s second-hand, to be sure, but I guess it’s in pretty fair
+condition. Besides, you might help me a little about learnin’ how to
+play.”
+
+“How much do you suppose the violin cost?” inquired Philip.
+
+“Couldn’t say.”
+
+“It cost my father twenty-five dollars.”
+
+“Oh, come, now, that’s too thin! You don’t expect a feller to believe
+such a story as that?”
+
+“I expect to be believed, for I never tell anything but the truth.”
+
+“Oh, well, I don’t expect you do, generally, but when it comes to
+tradin’, most everybody lies,” observed Nick candidly.
+
+“I have no object in misrepresenting, for I don’t want to sell the
+violin.”
+
+“You can’t afford to keep it! The town won’t let you!”
+
+“The town won’t let me?” echoed Philip, now thoroughly mystified.
+
+“Of course they won’t. The idea of a pauper bein’ allowed a fiddle to
+play on! Why, it’s ridiculous!”
+
+“What do you mean?” demanded Philip, who now began to comprehend the
+meaning of this thick-witted visitor. “What have I got to do with the
+town, or with paupers?”
+
+“Why, you’re goin’ to the poorhouse, ain’t you?”
+
+“Certainly not!” answered Philip, with flashing eyes.
+
+“I guess you’re mistaken,” said Nick coolly. “Squire Pope was over to
+our shop this mornin’, and he told dad that the seleckmen were goin’ to
+send you there after the auction.”
+
+Philip’s eyes flashed angrily. He felt insulted and outraged. Never for
+a moment had he conceived the idea that any one would regard him as a
+candidate for the poorhouse.
+
+He had an honorable pride in maintaining himself, and would rather get
+along on one meal a day, earned by himself in honest independence, than
+be indebted to public charity even for a luxurious support.
+
+“Squire Pope doesn’t know what he’s talking about,” retorted Philip,
+who had to exercise some self-restraint not to express himself more
+forcibly “and you can tell him so when you see him. I am no more likely
+to go to the poorhouse than you are!”
+
+“Come, that’s a good one,” chuckled Nick. “Talk of me goin’ to the
+poorhouse, when my father pays one of the biggest taxes in town! Of
+course, it’s different with you.”
+
+“You’ll have to excuse me now,” said Philip, determined to get rid of
+his disagreeable companion. “I have something to do.”
+
+“Then you won’t sell me the fiddle, Phil?”
+
+“No, I won’t,” answered our hero, with scant ceremony.
+
+“Then I’ll have to bid it off at the auction. Maybe I’ll get it
+cheaper.”
+
+And Mr. Nicholas Holden at length relieved Philip of his company.
+
+
+
+
+CHAPTER IV.
+THE AUCTION.
+
+
+It so happened that Nick Holden met Squire Pope on the village street,
+and, being rather disappointed at the result of his negotiations with
+Philip, thought it might be a good idea to broach the subject to the
+squire, who, as he knew, had taken it upon himself to superintend the
+sale of Mr. Gray’s goods.
+
+“I say, squire, I’ve just been over to see Phil Gray.”
+
+“Ahem! Well, how does he seem to feel?”
+
+“Kinder stuck up, I reckon. He said he wouldn’t go to the poorhouse,
+and I might tell you so.”
+
+“I apprehend,” said the squire, in his stately way, “he will be under
+the necessity of going, whether he likes it or not.”
+
+“Just so; that’s what I told him!” interjected Nick.
+
+“And he should be grateful for so comfortable a home,” continued the
+public man.
+
+“Well, I dunno,” said Nick. “They do say that old Tucker most starves
+the paupers. Why his bills with dad are awful small.”
+
+“The town cannot afford to pamper the appetites of its beneficiaries,”
+said the squire. “Where is Philip now?”
+
+“I guess he’s at home. I offered to buy his fiddle, but he said he was
+going to keep it. I offered him a dollar and sixty-four cents—the same
+as dad’s bill against his father, but he wouldn’t take it.”
+
+“Really, Nicholas, your offer was very irregular—extremely irregular.
+It should have been made to me, as the administrator of the late Mr.
+Gray, and not to a boy like Philip.”
+
+“Will you sell me the fiddle for dad’s bill, squire?” asked Nicholas
+eagerly.
+
+“You are premature, Nicholas—”
+
+“What’s that?”
+
+“I mean you must wait till the auction. Then you will have a chance to
+bid on the instrument, if you want to secure it.”
+
+“Phil says it’s his, and won’t be for sale at the auction.”
+
+“Then Philip is mistaken. He is only a boy. The estate will be settled
+by those who are older and wiser than he.”
+
+“I guess you’ll find him hard to manage, squire,” said Nick, laughing.
+
+“We shall see—we shall see,” returned the squire.
+
+And, with a dignified wave of the hand, he continued on his walk.
+
+After the visit of Nicholas, Philip thought it most prudent to convey
+the violin which he prized so much to the house of his friend, Frank
+Dunbar, where he had been invited to take his meals.
+
+He was willing to have the furniture sold to defray his father’s small
+debts, but the violin was his own. It had not even been given him by
+his father. Though the latter purchased it, the money which it cost had
+been given to Philip by a friend of the family. He rightly thought that
+he had no call to sell it now.
+
+“Frank,” said he to his boy-friend, “I want you to put away my violin
+safely, and keep it until after the auction.”
+
+“Of course I will, Phil; but won’t you want to play on it!”
+
+“Not at present. I’ll tell you why I want it put away.”
+
+And Philip told his friend about Nick’s application to purchase it, and
+the liberal offer he had made.
+
+“Nick’s generosity never will hurt him much,” said Frank, laughing.
+“What in the world did he want of your violin?”
+
+“He wants to make himself popular with the girls.”
+
+“He’ll never do that, even if he learns to play like an angel!” said
+Frank. “You ought to hear the girls talk about him. He couldn’t get a
+single one of them to go home with from singing-school last winter. He
+teased my sister to go, but she told him every time she was engaged to
+some one else.”
+
+The two days that intervened between the funeral and the auction
+passed, and the last scene connecting Philip with the little cottage
+which had been his home was to take place.
+
+In a country town, an auction—however inconsiderable—draws together an
+interested company of friends and neighbors; and, though no articles of
+value were to be sold, this was the case at the present sale.
+
+Philip didn’t at first mean to be present. He thought it would only
+give him pain; but at the last moment he came, having been requested to
+do so by Squire Pope, as information might be required which he could
+give.
+
+The bulk of the furniture was soon disposed of, at low prices, to be
+sure, but sufficiently high to make it clear that enough would be
+realized to pay the small bills outstanding.
+
+Philip’s lip quivered when his father’s watch was put up. He would have
+liked to buy it, but this was impossible; for he had only about a
+dollar of his own.
+
+Nick Holden’s eyes sparkled when he saw the watch. He had forgotten
+about that, but as soon as he saw it he coveted it. He had a cheap
+silver watch of his own, which he had bought secondhand about three
+years before. He had thought that he might some day possess a gold
+watch, but he was not willing to lay out the necessary sum of money.
+
+By dint of actual meanness, he had laid up two hundred dollars, which
+he now had in the savings-bank in the next village, and he could
+therefore have bought one if he had chosen; but, like Gilpin,
+
+“Although he was on pleasure bent, he had a frugal mind.”
+
+
+Now, however, there seemed a chance of getting a gold watch at a low
+price. Nick reasoned rightly that at an auction it would go much below
+its value, and it would be a good thing for him to buy it—even as an
+investment—as he would probably have chances enough to trade it off at
+a handsome profit.
+
+“I shouldn’t wonder if I could double my money on it,” he reflected.
+
+Accordingly, when the watch was put up, Nick eagerly bid two dollars.
+
+Philip’s lip curled when he heard this generous bid, and he heartily
+hoped that this treasured possession of his dead father might not fall
+into such hands.
+
+Nick rather hoped that no one would bid against him, but in this he was
+destined to be disappointed.
+
+“Five dollars!” was next heard.
+
+And this bid came from Mr. Dunbar, the father of his friend Frank.
+Philip’s eyes brightened up, for there was no one he would sooner see
+the possessor of the watch than his kind friend.
+
+Nick looked chopfallen when he heard this large increase on his
+original bid, and hesitated to continue, but finally mustered up
+courage to say, in a rather feeble tone:
+
+“Five and a quarter.”
+
+“Five dollars and a quarter bid!” said the auctioneer. “Do I hear
+more?”
+
+“Six dollars,” said Mr. Dunbar quietly.
+
+The bid was repeated, and the auctioneer waited for a higher one, but
+Nick retired ignominiously from the contest.
+
+He wasn’t sure whether he could get much over six dollars for it
+himself, and he foresaw that Mr. Dunbar intended to have it, even if it
+cost considerable more.
+
+“It’s kinder hard on a feller,” he complained to the man standing next
+him. “What does Mr. Dunbar want of the watch? He’s got one already.”
+
+“Perhaps he thinks it is a good bargain at the price.”
+
+“It’s what I’ve been wantin’ all along,” said Nick. “He might have let
+me have it.”
+
+“Why don’t you bid more?”
+
+“I wanted to get it cheap.”
+
+“And the auctioneer wants to get as much as he can for the articles,
+and so do Philip’s friends,” This was a consideration which, of course,
+had no weight with Nicholas. However, he had one comfort. He would bid
+on the violin, and probably no one else would bid against it. He did
+not see it, to be sure, but concluded, of course, that it would be bid
+off. When the sale drew near the end, he went to Philip, and said:
+
+“Whereabouts is the fiddle, Phil?”
+
+“It isn’t here,” answered our hero.
+
+“Ain’t it goin’ to be sold?”
+
+“Of course not! It’s mine. I told you that once already.”
+
+“We’ll see!” said Nicholas angrily.
+
+And going up to Squire Pope, he held a brief conversation with that
+gentleman.
+
+The squire nodded vigorously, and walked over to Philip.
+
+“Philip,” said he, “go and bring your violin.”
+
+“What will I do that for!” asked our hero quietly.
+
+“So that it may be sold.”
+
+“It is not to be sold,” returned Philip quietly. “It belongs to me.”
+
+“Nothing belongs to you except your clothes!” said the squire angrily.
+“I require you to go and fetch the instrument.”
+
+“And I decline to do it,” said Philip.
+
+“Do you know who I am,” demanded the squire, with ruffled dignity.
+
+“I know you perfectly well,” answered Philip “but I am the owner of the
+violin, and I don’t mean to have it sold.”
+
+“YOU will repent this!” said Squire Pope, who felt that his lawful
+authority and official dignity were set at naught.
+
+Philip bowed and left the house. He did not know what steps the squire
+might take, but he was resolved not to give up his cherished violin.
+
+
+
+
+CHAPTER V.
+AN ALLIANCE AGAINST PHILIP.
+
+
+Squire Pope was not a bad man, nor was he by nature a tyrant, but he
+was so fully convinced of his own superior judgment that he was in all
+things obstinately bent on having his own way. He had persuaded himself
+that our young hero, Philip, would be better off in the poorhouse than
+in a place where he could earn his own living, and no one could
+convince him to the contrary.
+
+As to the boy’s feelings on the subject, he considered those of no
+importance. He had good reason to know that Philip would object to
+being an inmate of the almshouse, but he was determined that he should
+go there.
+
+In like manner, before the auction was over, he saw clearly that it
+would realize a sum more than sufficient to pay the funeral expenses of
+the late Mr. Gray and the few small bills outstanding against his
+estate, and that there was no necessity that Philip’s violin should be
+sold, but none the less he resolved that it should be sold.
+
+“Shall I allow a young lad to dictate to me?” Squire Pope asked
+himself, in irritation. “Certainly not! I know better what is right
+than he. It is ridiculous that a town pauper should own a violin. Why,
+the next thing, we shall have to buy pianos for our almshouses, for the
+use of the gentlemen and ladies who occupy them. A violin, indeed!”
+
+This Squire Pope regarded as irresistible logic and withering sarcasm
+combined.
+
+He saw Philip go out of the cottage, but, as the sale was not over, he
+was unable to follow him.
+
+“Never mind, I’ll fix him as soon as I have time,” he said to himself.
+
+“Back so soon? Is the auction over!” asked his friend, Frank Dunbar,
+who was engaged in splitting wood in the rear of the house.
+
+“No, Frank, not quite; but it’s almost over..Who do you think bid on
+father’s gold watch?”
+
+“I don’t know.”
+
+“Nick Holden.”
+
+“He didn’t get it, did he?”
+
+“I am glad to say not. Your father bought it.”
+
+“Did he! Why, he’s got one watch already.”
+
+“I am glad he’s got it. I couldn’t bear to think of Nick Holden
+carrying my father’s watch. He was disappointed about one thing
+besides.”
+
+“What was that?”
+
+“The violin. He went to Squire Pope, and complained that it was not in
+the sale.”
+
+“That’s just like his impudence. What did the squire say?”
+
+“He came to me and ordered me to get it, so that it might be sold.”
+
+“Shall I get it for you, then?”
+
+“Not much!” answered Philip emphatically. “It is mine, as I have
+already told you. If the auction doesn’t bring in enough to settle up
+everything, I may agree to sell it for a fair price; but I am sure,
+from the prices, that it won’t be necessary.”
+
+“Squire Pope’s a dreadful obstinate man,” said Frank doubtfully. “He
+may insist upon your selling the violin.”
+
+“Let him do it!” said Philip contemptuously. “I should like to see him
+get it. Where have you put it, Frank?”
+
+“Where Squire Pope won’t be apt to find it—in an old chest up in the
+garret. It’s full of old clothes, belonging to my grandfather, and
+hasn’t been looked into by any one except me for years. I put it away
+under all the clothes at the bottom. No one knows where it is except
+you and me, not even mother.”
+
+“That’s good. I guess we can defy the squire, then.”
+
+Half an hour later, Mr. Dunbar came home from the auction.
+
+Philip went to meet him.
+
+“Thank you for buying father’s watch,” he said. “But for you, Nick
+Holden would have had it, and I should have been sorry for it.”
+
+“He was badly disappointed,” said Mr. Dunbar smiling. “But I didn’t buy
+the watch for myself, Philip.”
+
+“For whom, then?” asked Philip, in some surprise.
+
+“For the one that has the best right to it—for you,” and the farmer
+took the watch from his pocket, and handed it to Philip.
+
+“But I haven’t the money to pay for it, Mr. Dunbar,” said our hero.
+
+“Then I give it to you as a present,” said Mr. Dunbar.
+
+“I am very grateful,” said Philip; “but I ought not to accept it. You
+are too kind to me.”
+
+“Let me be the judge of that.”
+
+“Besides, it wouldn’t be safe for me to take it. Squire Pope will try
+to get my violin away from me in order to sell it, and he would be sure
+to try to do the same by the watch if he found that I had it.”
+
+“But, Philip, I don’t need the watch myself.”
+
+“Then, Mr. Dunbar, will you be kind enough to keep it for me, and when
+I can afford to pay for it, and there is no danger of its being taken
+from me, I will ask you for it. I shall be very glad, indeed, when I am
+older, to carry my father’s watch, for I have seen it in his hands so
+often that it will constantly remind me of him.”
+
+“Perhaps that will be the best arrangement,” said Mr. Dunbar. “You
+might have it stolen from you, if you carried it yourself just at
+present. As you request, I will keep it, subject to your order; but I
+would rather let it be a gift from me, and not require you to pay for
+it.”
+
+“We won’t talk about that now,” said Philip, smiling. “At any rate, you
+must let me thank you for your great kindness to me.”
+
+“Don’t speak of that, Phil,” said the farmer kindly. “I had a great
+respect and liking for your father, and I verily believe my Frank loves
+you as well as if you were his own brother. So, come what may, you have
+a friend in our family.”
+
+“I indorse all that father says,” Frank said.
+
+And he extended his hand to Philip, who grasped it heartily.
+
+It warmed his heart to think that he had such good friends, though he
+was an orphan and alone in the world.
+
+After supper, Mr. Dunbar went to the village store, while Frank and
+Philip remained at home.
+
+Suddenly Frank said:
+
+“Philip, you are going to have a visitor, I guess.”
+
+“A visitor!”
+
+“Yes; I saw Squire Pope stumping along the road, nourishing his
+gold-headed cane. He is headed this way, and it’s likely he is going to
+honor you with a call. He’s got somebody with him, too. Who is it!”
+
+Philip shaded his eyes with his hand, for the Sun was near its setting,
+and shining with dazzling brightness from the quarter toward which he
+was looking.
+
+“It’s Nick Holden!” he said.
+
+“So it is! What can he want?”
+
+“I understand very well. He wants my violin. He couldn’t get it at the
+sale, so he has come here to see if he can’t make me give it to him.”
+
+“And will you?”
+
+“You ought to know me better than to ask, Frank,” said Philip firmly.
+“Nick might as well have stayed away, for he won’t accomplish
+anything.”
+
+Nick, however, held a different opinion. After Philip left the cottage,
+he had gone to Squire Pope, and cunningly asked:
+
+“Are you going to let Philip keep his fiddle in spite of you, squire?”
+
+“What do you mean, Nicholas?” demanded the squire, in a stately way.
+
+“Why, seems to me he’s kinder settin’ up his will agin yours. You say
+the fiddle shall be sold, and he says it shan’t. He told me he didn’t
+care what you said, he should keep it.”
+
+“Did he say that, Nicholas?” asked the squire, who felt that his
+dignity was outraged by such insolence.
+
+“I’m sartain he did. He’s pretty big feelin’, Phil is. He always wants
+to have his own way.”
+
+“He will find that he can’t defy me with impunity,” said the squire
+stiffly.
+
+“Just so. Then you’ll sell me the fiddle?”
+
+“I will!” said the squire emphatically.
+
+“You won’t ask too much, will you?” asked Nick anxiously.
+
+Now Squire Pope, who knew nothing of the price of violins, and had a
+very inadequate idea of their value, after some haggling on the part of
+Nick, agreed to sell him the instrument for two dollars and a half, and
+to see that it was delivered that evening.
+
+“Do you know where it is, Nicholas?” he asked.
+
+“Why, Phil is staying over at Frank Dunbar’s, and I guess he’s got it
+there somewhere. I guess we’d better go over there and get it.”
+
+“Very well, Nicholas. After supper, if you will come to my house, I
+will go over there, and see that you have the instrument.”
+
+“All right, squire!” said Nick gleefully, “Phil will find that he can’t
+have his own way this time.”
+
+“I apprehend he will,” said the squire complacently.
+
+Now the reader understands how it happened that Squire Pope and Nick
+Holden made a call on Philip. As to what passed at the interview, we
+must refer him to the next chapter.
+
+
+
+
+CHAPTER VI.
+FUSS ABOUT A FIDDLE.
+
+
+“Ahem! Good evening!” said Squire Pope to Frank Dunbar, taking no
+notice of Philip’s cold but polite salutation.
+
+“Good evening! Will you go into the house?” said Frank.
+
+“I believe not. I have not time.”
+
+“I am sorry father isn’t home. He just started for the village.”
+
+“Ahem! it was not to see your father that I called,” answered Squire
+Pope. “I wish to have a few words with this young man,” indicating
+Philip stiffly.
+
+“I am at your service, Squire Pope,” said Philip, with ceremonious
+politeness.
+
+“We came about the fiddle,” interrupted Nick Holden, who always wanted
+to have a share in the conversation.
+
+Squire Pope frowned, for he did not relish Nick’s interference.
+
+“Nicholas,” he said severely, “I apprehend I am competent to manage the
+business we have come upon.”
+
+“Don’t get riled, squire,” said Nick, by no means abashed by this
+rebuke. “I thought you were kinder slow about comin’ to the point.”
+
+“Your interruption was very indecorous. I do not require any assistance
+or any suggestions.”
+
+“All right, squire!”
+
+Squire Pope now turned to our hero, and said:
+
+“As I was about to say, when interrupted by Nicholas, I have come to
+require you to give up the Violin which, without authority and against
+my express command, you withheld from the auction.”
+
+“The violin is mine, Squire Pope,” said Philip firmly, “and I mean to
+keep it!”
+
+“You talk like an ignorant boy. As a minor, you had no claim to the
+possession of any article except your clothing. I judged it best that
+the violin should be sold at the auction, and it is presumptuous for
+you to set up your judgment against mine!”
+
+“I don’t take that view of it,” said Philip, and then he stopped.
+
+He knew it was of no use to argue against the squire, who was obstinate
+to the verge of pig-headedness, if I may be allowed to use the
+expression. He felt that it would be only wasting his breath.
+
+“It is quite immaterial how you view the subject,” said the squire
+pompously. “My mind is made up, and my resolution is not likely to be
+shaken by a boy.”
+
+“Then, sir,” answered Philip, in a respectful tone but with a slight
+smile, “it is hardly worth while for me to say any more.”
+
+“I am glad you have arrived at so sensible a conclusion,” said Squire
+Pope. “I take it that you have the violin here.”
+
+“Yes, sir.”
+
+“Then bring it out and give it to me.”
+
+Now came the critical point, when Philip must array himself in
+determined opposition to Squire Pope. He felt that he was entirely in
+the right; still he regretted the necessity of the antagonism.
+
+Philip had one thing in his favor: He had plenty of self-control, and,
+although he was very indignant at the course of the squire, which he
+regarded as unjustifiable, he made up his mind to be as respectful as
+circumstances would permit.
+
+“I don’t think you understand me, Squire Pope,” he said. “I refuse to
+give up the violin!”
+
+“You refuse to give up the violin!” repeated Squire Pope, scarcely
+believing the testimony of his ears. “Do I hear you aright?”
+
+“Yes, sir.”
+
+“I never saw such impudence!” ejaculated Nick Holden, wishing to egg on
+the squire.
+
+“Do you mean to defy me to my face?” demanded Squire Pope, growing very
+red.
+
+“I don’t wish to defy you or anybody else,” returned Philip; “but I
+shall stand up for my rights.”
+
+“Misguided boy!” said the squire severely; “you will yet rue this rash
+and heedless course. Frank,” he continued, turning to Frank Dunbar, “do
+you know where Philip’s violin is!”
+
+“Yes, sir.”
+
+“Do me the favor to bring it out and place it in my hands.”
+
+“You must excuse me, Squire Pope,” answered Frank. “It belongs to
+Philip, and I have no right to meddle with it.”
+
+“If Philip has told you this, he has misrepresented,” said the squire,
+rather discouraged by this second rebuff. “The violin does not belong
+to Philip. It belongs to this young man.”
+
+And, with a wave of his hand, he designated Nick Holden.
+
+It was not polite, but Frank Dunbar was so surprised by this
+announcement that he whistled.
+
+As for Philip, he regarded Nick calmly; but there didn’t seem to be any
+sign of yielding in his look.
+
+“It belongs to Nicholas, because I have sold it to him,” continued
+Squire Pope doggedly.
+
+“That’s so!” corroborated Nick complacently. “The squire sold me the
+fiddle for two-fifty. It’s mine now, and you’d better fetch it along
+out, or there’ll be trouble.”
+
+Philip turned to Squire Pope, and said quietly:
+
+“As you had no right to sell it, the sale amounts to nothing. If you
+had a right, I should say you were not very shrewd to sell an
+instrument that cost twenty-five dollars—and was considered a bargain
+at the price—for two dollars and fifty cents.”
+
+“The violin cost twenty-five dollars!” ejaculated the squire, in
+genuine surprise.
+
+For, as it has already been stated, he had no idea whatever of the
+usual price for a violin.
+
+“Yes, sir.”
+
+“Don’t you believe him, squire,” said Nicholas, afraid that he would
+lose what he knew to be a good bargain. “No fiddle that was ever made
+cost twenty-five dollars. It’s ridiculous!”
+
+“It does seem a large price,” said the squire guardedly.
+
+Squire Pope would doubtless have been surprised to learn that certain
+violins of celebrated make—such as the Cremonas—have sold for thousands
+of dollars. Probably he would have disbelieved it.
+
+Nevertheless, he began to think that he had been too precipitate in
+accepting Nick Holden’s offer.
+
+If he should sacrifice, or sell at an utterly inadequate price, any
+article belonging to the boy whom he considered his ward, he knew that
+he would be blamed, and he began to consider how he could recede from
+the bargain.
+
+“Nicholas,” he said, “I didn’t exactly sell the violin to you. I will
+ascertain what is a fair price for it, and then I will consider your
+proposal.”
+
+“You sold it right out, squire,” said Nick, “and I can prove it. Didn’t
+you just say it was mine. There, now!”
+
+Nick turned triumphantly to Frank and Phil, but, for very good reasons,
+they did not care to side with him.
+
+“I say, you haven’t treated me right,” persisted Nick, who had no
+particular respect nor veneration for the squire, and was not to be
+deterred from speaking as he felt. “I offered you two-fifty, and you
+said I should have it, and you got me to call at your house to come
+here for it.”
+
+“I cannot sacrifice the property of my ward,” said Squire Pope. “I must
+ascertain how much the violin is worth.”
+
+“A bargain is a bargain, every time!” said Nick, irritated.
+
+“I will let you have it as cheap as anybody,” said the squire, who
+thought it possible that Nick might be the only one who desired to
+purchase it. “That ought to satisfy you. Philip, go and bring me the
+violin, and I will carry it home and dispose of it to the best
+advantage.”
+
+“You must excuse me, Squire Pope. I shall not let it leave my
+possession.” Just then Squire Pope espied Mr. Dunbar returning from the
+village, and hailed him as a probable ally. He laid the matter before
+him, and requested him to compel Philip to get the violin.
+
+“You must excuse me, squire,” said Mr. Dunbar coldly. “Philip is my
+guest, and he shall be protected in his rights as long as he remains
+here.”
+
+Without a word, Squire Pope walked off, in angry discomfiture, in one
+direction, while Nick, equally dissatisfied, walked off in another.
+
+“They don’t seem happy!” said Frank slyly.
+
+“I wish I knew where it was going to end,” returned Philip gravely.
+
+“It seems to me,” said Frank, “the squire is making a great fuss about
+a fiddle, for a man of his dignity.”
+
+“He doesn’t care about the violin. He wants to have his own way,” said
+Philip, thus hitting the nail on the head.
+
+
+
+
+CHAPTER VII.
+MR. JOE TUCKER
+
+
+Before going further, I will introduce to the reader, a citizen of
+Norton, who filled a position for which he was utterly unfitted. This
+man was Joe Tucker, in charge of the almshouse.
+
+He had not been selected by the town authorities on the ground of
+fitness, but simply because he was willing to work cheap. He received a
+certain low weekly sum for each one of his inmates, and the free use of
+apartments for himself and family, with the right to cultivate the ten
+acres of land connected with the establishment, and known as the Town
+Farm.
+
+His family consisted of three persons—himself, his wife, and a son,
+Ezekiel, familiarly known as Zeke, now sixteen years old. The leading
+family trait was meanness.
+
+Mr. Tucker supplied a mean table even for a poorhouse, and some of the
+hapless inmates complained bitterly. One had even had the boldness to
+present a complaint to the selectmen, and that body, rather
+reluctantly, undertook to investigate the justness of the complaint.
+They deputed Squire Pope to visit the poorhouse and inquire into the
+matter.
+
+Now, though Squire Pope thought himself unusually sharp, it was the
+easiest thing in the world for a cunning person like Joe Tucker to
+satisfy him that all was right.
+
+“Mr. Tucker,” said Squire Pope pompously, “I am deputed by the
+selectmen, and I may add by the overseers of the poor, to investigate a
+complaint made by one of the paupers in relation to the fare you offer
+them.”
+
+“Who is it!” inquired Mr. Tucker.
+
+“It is Ann Carter. She says you don’t allow her sugar in her tea, and
+only allow one slice of bread at supper, and that the meat is so bad
+she can’t eat it.”
+
+“Just like the old woman!” exclaimed Mr. Tucker indignantly. “Oh, she’s
+a high-strung pauper, she is! Expects all the delicacies of the season
+for seventy-five cents a week. She’d ought to go to the Fifth Avenoo
+Hotel in New York, and then I’ll bet a cent she wouldn’t be satisfied.”
+
+It is observable that even in his imaginary bets Mr. Tucker maintained
+his economical habits, and seldom bet more than a cent. Once, when very
+much excited, he had bet five cents, but this must be attributed to his
+excited state of mind.
+
+“So you regard her complaints as unreasonable, do you, Mr. Tucker?”
+observed the investigating committee.
+
+“Unreasonable? I should think they was. I allow, Squire Pope, we don’t
+live like a first-class hotel”—Mr. Tucker’s language was rather
+mixed—“but we live as well as we can afford to. As to sugar, we don’t
+allow the paupers to put it in for themselves, or they’d ruin us by
+their extravagance. Mrs. Tucker puts sugar in the teapot before she
+pours it out. I s’pose Ann Carter would put as much in one cup of tea
+as Mrs. T. uses for the whole teapotful, if she had her way.”
+
+This was very probably true, as the frugal Mrs. Tucker only allowed one
+teaspoonful for the entire supply.
+
+“That looks reasonable, Mr. Tucker,” said the squire approvingly. “Now
+about the bread and the meat?”
+
+“The paupers has plenty of bread,” said Mr. Tucker. “Our bread bill is
+actually enormous.”
+
+“And as to the meat?”
+
+“We don’t give ’em roast turkey every day, and we don’t buy tenderloin
+steaks to pamper their appetites,” said Mr. Tucker, “though we’re
+perfectly willing to do it if the town’ll pay us so we can afford it.
+Do you think the town’ll agree to pay me twenty-five cents more a week
+for each one, squire?”
+
+“Certainly not. It can’t be thought of,” said the squire hastily,
+knowing that if the selectmen advocated such a measure they would
+probably lose their reelection.
+
+“If it would, we might live a little better, so that Ann Carter
+wouldn’t have to complain, though, bless your soul! that woman is
+always complainin’.”
+
+“Ahem! Mr. Tucker, you present the matter to me in a new light. I
+really feel that Ann Carter is very unreasonable in her complaints.”
+
+“I knowed you’d do me justice, squire,” said Mr. Tucker effusively.
+“You’re a sharp man. You ain’t a-goin’ to be taken in by any of them
+paupers’ rigmarole. I always said, Squire Pope, that you was the right
+man in the right place, and that the town was lucky to have so
+intelligent and public-spirited a citizen fillin’ her most important
+offices.”
+
+“Mr. Tucker,” said the squire, “you gratify me. It has ever been my aim
+to discharge with conscientious fidelity the important trusts which the
+town has committed to my charge—”
+
+“I’ll bear witness to that, squire.”
+
+“And your sincere tribute gives me great satisfaction.”
+
+“I hope you’ll report things right to the board, Squire Pope?” said Mr.
+Joe Tucker insinuatingly.
+
+“Be assured I will, Mr. Tucker. I consider you a zealous and
+trustworthy official, striving hard to do your duty in the place the
+town has assigned you.”
+
+“I do, indeed, squire,” said Mr. Tucker, pulling on a red handkerchief
+and mopping some imaginary tears. “Excuse my emotions, sir, but your
+generous confidence quite unmans me. I—I—trust now that I shall be able
+to bear meekly the sneers and complaints of Ann Carter and her fellow
+paupers.”
+
+“I will stand by you, Mr. Tucker,” said Squire Pope cordially, for the
+man’s flattery, coarse as it was, had been like incense to his vanity.
+“I will stand by you, and uphold you by my testimony.”
+
+“Thank you, squire. With such an impartial advocate I will continue to
+do my duty and fear nothing.”
+
+As Squire Pope left the almshouse, Mr. Tucker winked at himself in the
+glass, and said quizzically:
+
+“I guess I’m all right now. The vain old fool thinks he’s a second
+Solomon, and thinks I regard him as such. Oh, it takes me to get round
+him!”
+
+Squire Pope wrote an elaborate report, in which he stated that, after
+searching investigation, he had ascertained that the complaints of Ann
+Carter were absolutely groundless, and gave it as his conviction that
+Mr. Tucker’s treatment of her and her associate paupers was
+characterized by remarkable consideration and humanity.
+
+Such officials as he have much to answer for, and yet there are plenty
+just as false to their responsibilities as he.
+
+It was two days after Squire Pope’s ineffectual attempt to possess
+himself of Philip’s violin, that our hero was walking along a country
+road, on his return from an errand which, he had undertaken for his
+friend’s father, when his attention was drawn to the yelping of a small
+dog, that seemed in fear or pain.
+
+Looking over the stone wall, Philip saw Zeke Tucker amusing himself by
+thrusting the dog’s head into a pool of dirty water, and holding it
+there till the animal was nearly strangled. The dog’s suffering
+appeared to yield the most exquisite amusement to the boy, who burst
+into peal after peal of rude laughter as he watched the struggles of
+his victim.
+
+Philip, like every decent boy, had a horror of cruelty, and the sight
+stirred him to immediate anger and disgust.
+
+“What are you doing there, Zeke Tucker?” he demanded sternly.
+
+“None of your business!” answered Zeke, frowning.
+
+“You’d better answer my question,” said Philip, who had by this time
+jumped over the wall.
+
+“Then I will. I’m havin’ a little fun. What have you got to say about
+it?” retorted Zeke.
+
+And once more he plunged the head of the poor dog into the filthy pool.
+
+The next moment he found himself floundering on his back, while the
+dog, slipping from his grasp, was running across the meadows. “What did
+you do that for!” demanded Zeke, springing up, his face flaming with
+rage.
+
+“I rather think you understand well enough,” answered Philip
+contemptuously.
+
+“What business have you to touch me? I can have you arrested, you low
+pauper!”
+
+“What’s that? What did you call me?” demanded Philip.
+
+“I called you a pauper.”
+
+“By what right?”
+
+“Squire Pope told my father he was going to bring you over to the
+poorhouse to live. You just see if my father doesn’t give it to you
+then!”
+
+“Thank you,” said Phil contemptuously; “but I don’t propose to board at
+your establishment, not even to obtain the pleasure of your society.”
+
+“Maybe you can’t help yourself,” said Zeke gleefully.
+
+For he saw what had escaped the notice of Philip, whose back was
+turned—namely, a four-seated carryall, containing his father and Squire
+Pope, which had just halted in the road, hard by.
+
+“Mr. Tucker,” said Squire Pope, in a low tone, “now will be the best
+opportunity to capture the boy and carry him to the almshouse.”
+
+“All right—I’m ready,” said Tucker readily.
+
+For another boarder would bring him sixty cents a week more.
+
+They stopped the horses and prepared for business.
+
+
+
+
+CHAPTER VIII.
+IN THE ENEMY’S HANDS
+
+
+Philip heard a step, and turned to see whose it was; but, when he
+recognized Mr. Tucker, the latter’s hand was already on his collar.
+
+“What have you been doin’ to Zeke? Tell me that, you young rascal,”
+said Mr. Tucker roughly.
+
+“He pitched into me savage, father,” answered Zeke, who had picked
+himself up, and was now engaged in brushing the dust from his coat.
+
+“Pitched into ye, did he?” repeated Joe Tucker grimly. “I reckon he
+didn’t know your father was ’round. What have you got to say for
+yourself, eh?”
+
+Philip regarded his captor contemptuously, and didn’t struggle to
+escape, knowing that he was not a match for a man five inches taller
+than himself. But contempt he could not help showing, for he knew very
+well that Zeke had inherited his mean traits largely from his father.
+
+“I’ll thank you to remove your hand from my collar, sir,” said Philip.
+“When you have done that, I will explain why I pitched into Zeke, as he
+calls it.”
+
+“Don’t you let go, father!” said Zeke hastily. “He’ll run away, if you
+do.”
+
+“If I do, you can catch me between you,” returned Philip coolly.
+
+“I reckon that’s so,” said Mr. Tucker, withdrawing his hand, but
+keeping wary watch of our hero.
+
+“Now go ahead!” said he.
+
+Philip did so.
+
+“I saw Zeke torturing a small dog,” he explained, “and I couldn’t stand
+by and let it go on.”
+
+“What was he doin’ to him?” inquired Mr. Tucker.
+
+“Putting the poor animal’s head into this dirty pool, and keeping it
+there till it was nearly suffocated.”
+
+“Was you doin’ that, Zeke?” asked his father.
+
+“I was havin’ a little fun with him,” said Zeke candidly.
+
+“It might have been fun to you, but it wasn’t to him,” said Phil.
+
+“Why didn’t you ask Zeke to stop, and not fly at him like a tiger?”
+demanded Mr. Tucker.
+
+“I did remonstrate with him, but he only laughed, and did it again.”
+
+“He hadn’t no right to order me,” said Zeke. “It wa’n’t no business of
+his if I was havin’ a little fun with the dog.”
+
+“And I had a little fun with, you,” returned Philip—“You couldn’t have
+complained if I had dipped your head in the water also.”
+
+“I ain’t a dog!” said Zeke.
+
+“I should respect you more if you were,” said Philip.
+
+“Are you goin’ to let him talk to me like that!” asked Zeke, appealing
+to his father.
+
+“No, I ain’t,” said Mr. Tucker angrily. “You’ve committed an assault
+and battery on my son, you rascal, and you’ll find there ain’t no fun
+in it for you. I could have you arrested and put in jail, couldn’t I,
+squire?”
+
+“Ahem! Well, you could have him fined; but, as he is to be under your
+care, Mr. Tucker, you will have a chance of making him conduct himself
+properly.”
+
+“What do you mean by that, Squire Pope?” asked Philip quickly.
+
+“Young man, I do not choose to be catechized,” said Squire Pope, in a
+dignified manner; “but I have no objections to tell you that I have
+made arrangements with Mr. Tucker to take you into the poorhouse.”
+
+“I’ve heard that before, but I couldn’t believe it,” said Philip
+proudly.
+
+“I guess you’ll have to believe it pretty soon, he, he!” laughed Zeke,
+with a grin which indicated his high delight. “I guess dad’ll make you
+stand round when he gits you into the poor-house.”
+
+“Don’t you consider me capable of earning my own living, Squire Pope?”
+asked Philip.
+
+“Ahem! Yes, you will be one of these days. You won’t have to stay in
+the almshouse all your life.”
+
+“You’ll have a chance to earn your livin’ with me.” said Mr. Tucker. “I
+shall give you something to do, you may depend.”
+
+“You can make him saw and split wood, father, and do the chores and
+milk the cow,” suggested Zeke.
+
+“I have no objection to doing any of those things for a farmer,” said
+Philip, “but I am not willing to do it where I shall be considered a
+pauper.”
+
+“Kinder uppish!” suggested Mr. Tucker, turning to Squire Pope. “Most
+all of them paupers is proud; but it’s pride in the wrong place, I
+reckon.”
+
+“If it is pride to want to earn an independent living, and not live on
+charity, then I am proud,” continued Philip.
+
+“Well, squire, how is it to be,” asked Mr. Tucker.
+
+“Philip,” said Squire Pope pompously, “you are very young, and you
+don’t know what is best for you. We do, and you must submit. Mr.
+Tucker, take him and put him in the wagon, and we’ll drive over to the
+poorhouse.”
+
+“What! now?” asked Philip, in dismay.
+
+“Just so,” answered Joe Tucker. “When you’ve got your bird, don’t let
+him go, that’s what I say.”
+
+“That’s the talk, dad!” said Zeke gladfully. “We’ll take down his
+pride, I guess, when we’ve got him home.”
+
+Joe Tucker approached Philip, and was about to lay hold of him, when
+our hero started back.
+
+“You needn’t lay hold of me, Mr. Tucker,” he said. “I will get into the
+wagon if Squire Pope insists upon it.”
+
+“I’m glad you’re gettin’ sensible,” said the squire, congratulating
+himself on finding Philip more tractable than he expected.
+
+“And you will go to the poorhouse peaceful, and without making a fuss?”
+asked Joe.
+
+“Yes, I will go there; but I won’t stay there.”
+
+“You won’t stay there!” ejaculated the squire.
+
+“No, sir! In treating me as a dependent on charity, you are doing what
+neither you nor any other man has a right to do,” said Philip firmly.
+
+“You don’t appear to remember that I am a selectman and overseer of the
+poor,” said the Squire.
+
+“I am aware that you hold those offices; but if so, you ought to save
+money to the town, and not compel them to pay for my support, when I am
+willing and able to support myself.”
+
+Squire Pope looked a little puzzled. This was putting the matter in a
+new light, and he could not help admitting to himself that Philip was
+correct, and that perhaps his fellow citizens might take the same view.
+
+On the other hand, the squire was fond of having his own way, and he
+had now gone so far that he could not recede without loss of dignity.
+
+“I think,” he answered stiffly, “that I understand my duty as well as a
+boy of fifteen. I don’t mean to keep you here long, but it is the best
+arrangement for the present.”
+
+“Of course it is,” said Zeke, well pleased with the humiliation of his
+enemy.
+
+“Shut up, Zeke!” said his father, observing from the squire’s
+expression that he did not fancy Zeke’s interference.
+
+“All right, dad,” said Zeke good-naturedly, seeing that things had
+turned out as he desired.
+
+“Jump in!” said Mr. Tucker to Philip.
+
+Our hero, without a word, obeyed. He was firmly resolved that Squire
+Pope should not have his way, but he did not choose to make himself
+ridiculous by an ineffectual resistance which would only have ended in
+his discomfiture.
+
+Seated between Mr. Tucker and the squire, he was driven rapidly toward
+the poorhouse.
+
+
+
+
+CHAPTER IX.
+THE POORHOUSE.
+
+
+There was no room for Zeke to ride—that is, there was no seat for
+him—but he managed to clamber into the back part of the wagon, where he
+sat, or squatted, rather uncomfortably, but evidently in the best of
+spirits—if any inference could be drawn from his expression.
+
+The poorhouse was not far away. It was a three-story frame house, which
+badly needed painting, with a dilapidated barn, and shed near by.
+
+A three-story farmhouse is not common in the country, but this dwelling
+had been erected by a Mr. Parmenter, in the expectation of making a
+fortune by taking summer boarders.
+
+There was room enough for them, but they did not come. The situation
+was the reverse of pleasant, the soil about was barren, and there were
+no shade or fruit trees. It was a crazy idea, selecting such a spot for
+a summer boarding-house, and failure naturally resulted.
+
+There had, indeed, been two boarders—a man and his wife—who paid one
+week’s board, and managed to owe six before the unlucky landlord
+decided that they were a pair of swindlers. He had spent more money
+than he could afford on his house, and went steadily behind-hand year
+after year, till the town—which was in want of a poorhouse—stepped in
+and purchased the house and farm at a bargain. So it came to be a
+boarding-house, after all, but in a sense not contemplated by the
+proprietor, and, at present, accommodated eleven persons—mostly old and
+infirm—whom hard fortune compelled to subsist on charity.
+
+Mr. Tucker had this advantage, that his boarders, had no recourse
+except to stay with him, however poor his fare or harsh his treatment,
+unless they were in a position to take care of themselves.
+
+When Philip came in sight of the almshouse—which he had often seen, and
+always considered a very dreary-looking building—he was strengthened in
+his determination not long to remain a tenant.
+
+Mr. Tucker drove up to the front door with a flourish.
+
+A hard-featured woman came out, and regarded the contents of the wagon
+with curiosity.
+
+“Well, Abigail, can you take another boarder!” asked Mr. Tucker, as he
+descended from the wagon.
+
+“Who is it?”
+
+“Well, it ain’t likely to be Squire Pope!” said Joe facetiously; “and
+Zeke and I are regular boarders on the free list.”
+
+“Is it that boy?”
+
+“Yes; it’s Phil Gray.”
+
+“Humph! boys are a trial!” remarked Mrs. Tucker, whose experience with
+Zeke had doubtless convinced her of this fact.
+
+“I sha’n’t trouble you long, Mrs. Tucker,” said Philip. “I don’t intend
+to stay.”
+
+“You don’t, hey?” retorted Joe Tucker, with a wolfish grin and an
+emphatic nod of the head. “We’ll see about that—won’t we, Squire Pope?”
+
+“The boy is rather rebellious, Mrs. Tucker,” said the selectman. “He
+appears to think he knows better what is good for him than we do. You
+may look upon him as a permanent boarder. What he says is of no
+account.”
+
+Philip said nothing, but he looked full at the squire with an
+unflinching gaze. If ever determination was written upon any face, it
+was on his.
+
+“Come down there!” said Mrs. Tucker, addressing our hero. “You’re at
+home now.”
+
+“Mr. Dunbar won’t know what has become of me,” said Philip, with a
+sudden thought. “They will be anxious. May I go back there and tell
+them where I am?”
+
+“Do you think I am green enough for that?” Mr. Tucker, touching the
+side of his nose waggishly. “We shouldn’t be likely to set eyes on you
+again.”
+
+“I will promise to come back here this evening,” said Philip.
+
+“And will you promise to stay?” asked Squire Pope doubtfully.
+
+“No, sir,” answered Philip boldly. “I won’t do that, but I will engage
+to come back. Then Mr. Tucker will have to look out for me, for I tell
+you and him frankly I don’t mean to stay.”
+
+“Did you ever hear such talk, squire!” asked Mr. Tucker, with a gasp of
+incredulity. “He actually defies you, who are a selectman and an
+overseer of the poor.”
+
+“So he does, Mr. Tucker. I’m shocked at his conduct.”
+
+“Shall we let him go?”
+
+“No, of course not.”
+
+“I agree with you, squire. I know’d you wouldn’t agree to it. What
+shall I do about his wantin’ to run away?”
+
+“It will be best to confine him just at first, Mr. Tucker.”
+
+“I’ll shut him up in one of the attic rooms,” said Mr. Tucker.
+
+“I think it will be the best thing to do, Mr. Tucker.”
+
+Philip took all this very coolly. As to the way in which they proposed
+to dispose of him for the present he cared very little, as he did not
+intend stay till morning if there was any possible chance of getting
+away. The only thing that troubled him was the doubt and anxiety of his
+good friends, the Dunbars, when he did not return to the house.
+
+“Squire Pope,” he said, turning to that official, “will you do me a
+favor?”
+
+“Ahem! Explain yourself,” said the squire suspiciously.
+
+“Will you call at Mr. Dunbar’s and tell them where I am.”
+
+Now, for obvious reasons, the squire did not like to do this. He knew
+that the Dunbars would manifest great indignation at the arbitrary step
+which he had adopted, and he did not like to face their displeasure,
+especially as his apology would perforce be a lame one.
+
+“I don’t think I am called upon to do you a favor, seeing how you’ve
+acted, Philip,” he said hesitatingly. “Besides, it would be out of my
+way, and I ought to get home as soon as possible.”
+
+“Then you refuse, sir?”
+
+“Well, I’d rather not.”
+
+“Will you get word to them, Mr. Tucker?” asked Philip, turning to him.
+
+“I hain’t got time,” answered Mr. Tucker, who feared that the Dunbars
+would come for Philip and release him in the course of the evening.
+
+Philip was nonplused. Always considerate of the feelings of others, he
+was unwilling that his friends should suffer anxiety on his account.
+
+As Mr. Tucker and Squire Pope walked away together, our hero turned to
+Zeke.
+
+“I suppose it’s no use to ask you to do me a favor, Zeke?” he said.
+
+“Do you want me to tell Frank Dunbar where you are?”
+
+“Yes, I wish you would.”
+
+“Then I’ll do it.”
+
+“You’re a better fellow than I thought you were, Zeke,” said Philip,
+surprised.
+
+“No, I ain’t! Do you want to know why I’m willin’ to go?”
+
+“Why?”
+
+“I know Frank Dunbar’ll feel bad, and I hate him.”
+
+“So that is your object, is it, Zeke?”
+
+“You’ve got it.”
+
+“Well, whatever your motive may be, I shall be much obliged to you if
+you go. Here’s ten cents for you!”
+
+Zeke grasped at the coin with avidity, for his father was very
+parsimonious, and his mother no less so, and he seldom got any ready
+money.
+
+“Thank you!” said Zeke, with unusual politeness. “I’ll go right off.
+But, I say, don’t you tell dad where I’ve gone, or he might prevent me,
+and don’t you let on you’ve given me this dime, or he’d try to get it
+away.”
+
+“No, I won’t say anything about it,” answered Philip.
+
+“A curious family this is!” he thought, “There doesn’t seem to be much
+confidence in each other.”
+
+Zeke sauntered away carelessly, to avert suspicion but when he had got
+round a bend of the road he increased his speed, never looking back,
+lest he should see his father signaling for him.
+
+Philip breathed a sigh of relief.
+
+“I’ve got a messenger at last,” he said. “Now my friends will know what
+has become of me when I don’t come home to supper.”
+
+He was a little curious to learn what they were going to do with him,
+but he was not long kept in suspense.
+
+
+
+
+CHAPTER X.
+BAD TIDINGS.
+
+
+Leaving Philip for a short time in the hands of his captor, we will
+follow Zeke on his errand. He didn’t have to go as far as Mr. Dunbar’s
+house, for he met Frank Dunbar about a quarter of a mile this side of
+it.
+
+Now, between Frank Dunbar and Zeke Tucker there was no love lost. There
+had been a difficulty between them, originating at school, which need
+not be particularly referred to. Enough that it led to Zeke’s cordially
+disliking Frank, while the latter, who was a frank, straightforward
+boy, could not see anything in Mr. Tucker’s promising son to enlist
+either his respect or his liking.
+
+There was a small river running through Norton, which crossed the main
+thoroughfare, and had to be bridged over. Frank Dunbar, fishing-line in
+hand, was leaning over the parapet, engaged in luring the fish from
+their river home. He looked up, when he saw Zeke approaching him. Not
+having any particular desire to hold a conversation with him, he
+withdrew his eyes, and again watched his line. Zeke, however,
+approached him with a grin of anticipated enjoyment, and hailed him in
+the usual style:
+
+“Hello, Frank!”
+
+“Oh, it’s you, is it?” said Frank Dunbar indifferently.
+
+“Yes it’s me. I suppose you thought it was somebody else,” chuckled
+Zeke, though Frank could see no cause for merriment.
+
+“Well, I see who it is now,” he responded.
+
+“Where is Phil Gray?” inquired Zeke, chuckling again.
+
+“Do you want to see him?” asked Frank, rather surprised.
+
+“Oh, no! I shall see him soon enough.”
+
+And again Zeke chuckled.
+
+Frank looked up.
+
+He was expecting Philip to join him, and was, in fact, waiting for him
+now. Zeke’s mysterious merriment suggested that he might have met
+Philip—possibly bore some message from him.
+
+“Do you know anything about Phil?” asked Frank, looking fixedly at his
+visitor.
+
+“I reckon I do. I know all about him,” said Zeke, with evident
+enjoyment.
+
+“Well. If you have any message from him, let me hear it.”
+
+“You can’t guess where he is,” blurted out Zeke.
+
+“He isn’t in any trouble, is he?” asked Frank quickly.
+
+“No; he’s safe enough. But you needn’t expect to see him tonight.”
+
+“Why not?” demanded Frank, not yet guessing what was likely to detain
+his friend.
+
+“Because he’s at our house,” chuckled Zeke. “Dad and Squire Pope have
+carried him to the poorhouse, and he’s goin’ to stay there for good.”
+
+This was a surprise. In his astonishment, Frank nearly let go his rod.
+He was eager now to question Zeke further.
+
+“You don’t mean to say Phil has been carried to the poorhouse against
+his will?” he exclaimed.
+
+“I reckon he was anxious to go,” said Zeke.
+
+“Where was he when your father and Squire Pope committed this outrage?”
+said Frank indignantly.
+
+“I thought you’d be mad,” said Zeke, with the same unpleasant chuckle.
+
+“Answer my question, or I’ll pitch you into the river,” said Frank
+sternly.
+
+He did not mean what he said, but Zeke drew back in alarm.
+
+“Quit now! I didn’t have nothin’ to do with it,” said Zeke hastily. “Me
+and him was over in Haywood’s pasture when dad come along with the
+squire in his wagon. Well, they made Phil get in, and that’s all of it,
+except I promised I’d come and tell your folks, so you needn’t get
+scared or nothin’ when he didn’t come back to-night.”
+
+“He will come back to-night,” said Frank. “He won’t stay in the
+poorhouse.”
+
+“Yes, he will. He can’t help himself. Dad’s goin’ to lock him up in the
+attic. I guess he won’t jump out of the window. Where you goin’! You
+ain’t got through fishin’, be you?”
+
+“Yes, I’m through,” answered Frank, as he drew his line out of the
+water. “Just tell Phil when you go home that he’s got friends outside
+who won’t see him suffer.”
+
+“Say, ain’t you goin’ to give me nothin’ for comin’ to tell you!” asked
+Zeke, who was always intent on the main chance.
+
+Frank flung a nickel in his direction, which Zeke picked up with
+avidity.
+
+“I guess it pays to run errands when you can get paid twice,” he
+reflected complacently.
+
+
+
+
+CHAPTER XI.
+PHILIP’S NEW ROOM.
+
+
+We return to Phil.
+
+“Foller me, boy!” said Mr. Tucker, as he entered the house, and
+proceeded to ascend the front steps.
+
+Philip had formed his plans, and without a word of remonstrance, he
+obeyed. The whole interior was dingy and dirty. Mrs. Tucker was not a
+neat woman, and everything looked neglected and slipshod.
+
+In the common room, to the right, the door of which was partly open,
+Philip saw some old men and women sitting motionless, in a sort of
+weary patience. They were “paupers,” and dependent for comfort on the
+worthy couple, who regarded them merely as human machines, good to them
+for sixty cents a week each.
+
+Mr. Tucker did not stop at the first landing, but turned and began to
+ascend a narrower and steeper staircase leading to the next story.
+
+This was, if anything, dirtier and more squalid than the first and
+second. There were several small rooms on the third floor, into one of
+which Mr. Tucker pushed his way. “Come in,” he said. “Now you’re at
+home. This is goin’ to be your room.”
+
+Philip looked around him in disgust, which he did not even take the
+trouble to conceal.
+
+There was a cot-bed in the corner, with an unsavory heap of
+bed-clothing upon it, and a couple of chairs, both with wooden seats,
+and one with the back gone.
+
+That was about all the furniture. There was one window looking out upon
+the front.
+
+“So this is to be my room, is it?” asked our hero.
+
+“Yes. How do you like it?”
+
+“I don’t see any wash-stand, or any chance to wash.”
+
+“Come, that’s rich!” said Mr. Tucker, appearing to be very much amused.
+“You didn’t think you was stoppin’ in the Fifth Avenoo Hotel, did you?”
+
+“This don’t look like it.”
+
+“We ain’t used to fashionable boarders, and we don’t know how to take
+care of ’em. You’ll have to go downstairs and wash in the trough, like
+the rest of the paupers do.”
+
+“And wipe my face on the grass, I suppose?” said Philip coolly, though
+his heart sank within him at the thought of staying even one night in a
+place so squalid and filthy.
+
+“Come, that’s goin’ too far,” said Mr. Tucker, who felt that the
+reputation of the boarding-house was endangered by such insinuations.
+“We mean to live respectable. There’s two towels a week allowed, and
+that I consider liberal.”
+
+“And do all your boarders use the same towel?” asked Phil, unable to
+suppress an expression of disgust.
+
+“Sartain. You don’t think we allow ’em one apiece, do you!”
+
+“No, I don’t,” said Philip decidedly.
+
+He had ceased to expect anything so civilized in Mr. Tucker’s
+establishment.
+
+“Now you’re safe in your room, I reckon I’d better go downstairs,” said
+Tucker.
+
+“I will go with you.”
+
+“Not much you won’t! We ain’t a-goin’ to give you a chance of runnin’
+away just yet!”
+
+“Do you mean to keep me a prisoner?” demanded Philip.
+
+“That’s just what we do, at present,” answered his genial host.
+
+“It won’t be for long, Mr. Tucker.”
+
+“What’s that you say? I’m master here, I’d have you to know!”
+
+Just then a shrill voice was heard from below:
+
+“Come down, Joe Tucker! Are you goin’ to stay upstairs all day?”
+
+“Comin’, Abigail!” answered Mr. Tucker hastily, as he backed out of the
+room, locking the door behind him. Philip heard the click of the key as
+it turned in the lock, and he realized, for the first time in his life,
+that he was a prisoner.
+
+
+
+
+CHAPTER XII.
+A PAUPER’S MEAL
+
+
+Half an hour later Philip heard a pounding on the door of his room.
+
+He was unable to open it, but he called out, loud enough for the
+outsider to hear:
+
+“Who is it?”
+
+“It’s me—Zeke,” was the answer that came back.
+
+“Did you tell the Dunbars where I was?” asked Philip eagerly.
+
+“Yes.”
+
+“I shouldn’t think you had time to go there and back,” said Philip,
+fearing that Zeke had pocketed his money and then played him false.
+But, as we know, he was mistaken in this.
+
+“I didn’t go there,” shouted Zeke. “I met Frank on the bridge.”
+
+“What did he say?”
+
+“He was mad,” answered Zeke, laughing. “I thought he would be.”
+
+“Did he send any message to me?” asked Philip.
+
+“No; he stopped fishin’ and went home.” Here the conversation was
+interrupted. The loud tones in which Zeke had been speaking, in order
+to be heard through the door, had attracted attention below.
+
+His father came to the foot of the attic stairs and demanded
+suspiciously:
+
+“What you doin’ there, Zeke?”
+
+“Tryin’ to cheer up Phil Gray,” answered Zeke jocosely.
+
+“He don’t need any cheerin’ up. He’s all right. I reckon you’re up to
+some mischief.”
+
+“No, I ain’t.”
+
+“Come along down.”
+
+“All right, dad, if you say so. Lucky he didn’t hear what I was sayin’
+about seein’ Frank Dunbar,” thought Zeke. “He’d be mad.”
+
+Presently there was another caller at Philip’s room, or, rather,
+prison. This time it was Mr. Tucker himself. He turned the key in the
+lock and opened the door. Philip looked up inquiringly.
+
+“Supper’s ready,” announced Joe. “You can come down if you want to.”
+
+Philip was provided with an appetite, but he did not relish the idea of
+going downstairs and joining the rest of Mr. Tucker’s boarders. It
+would seem like a tacit admission that he was one of their number. Of
+course, he couldn’t do without eating, but he had a large apple in his
+pocket when captured, and he thought that this would prevent his
+suffering from hunger for that night, at least, and he did not mean to
+spend another at the Norton poorhouse. The problem of to-morrow’s
+supply of food might be deferred till then.
+
+“I don’t care for any supper,” answered Philip.
+
+“Perhaps you expect your meals will be brought up to you?” said Mr.
+Tucker, with a sneer.
+
+“I haven’t thought about it particularly,” said Philip coolly.
+
+“You may think you’re spitin’ me by not eatin’ anything,” observed Mr.
+Tucker, who was rather alarmed lest Philip might have made up his mind
+to starve himself.
+
+This would be embarrassing, for it would make an investigation
+necessary.
+
+“Oh, no,” answered Philip, smiling; “that never came into my mind.”
+
+“I don’t mind bringin’ you up your supper for once,” said Tucker. “Of
+course, I can’t do it reg’lar, but this is the first night.”
+
+“I suppose I shall be better able to make my escape if I eat,” thought
+Philip. “Probably the most sensible thing is to accept this offer.”
+
+“How much are you to get for my board, Mr. Tucker?” he asked.
+
+“Only sixty cents,” grumbled Tucker. “It ain’t enough, but the town
+won’t pay any more. You’ve no idea what appetites them paupers has.”
+
+“You made a mistake when you agreed to take me,” said Philip gravely.
+“I’m very hearty, you’ll be sure to lose money on me.”
+
+Mr. Tucker looked uneasy.
+
+“Well, you see I expect to have you earn part of your board by doin’
+chores,” he said, after a pause.
+
+“That will give me a good chance to run away,” remarked Philip calmly.
+“You’ll have to let me out of this room to work, you know.”
+
+“You wouldn’t dare to run away!” said Tucker, trying to frighten Philip
+by a blustering manner.
+
+“That shows you don’t know me, Mr. Tucker!” returned our hero. “I give
+you fair warning that I shall run away the first chance I get.”
+
+Philip’s tone was so calm and free from excitement that Mr. Tucker
+could not help seeing that he was in earnest, and he looked perplexed.
+
+“You don’t look at it in the right light,” he said, condescending to
+conciliate his new boarder. “If you don’t make no trouble, you’ll have
+a good time, and I’ll let you off, now an’ then, to play with Zeke. He
+needs a boy to play with.”
+
+Philip smiled, for the offer did not attract him very much.
+
+“You are very kind,” he said, “but I don’t think that even that will
+reconcile me to staying here with you. But, if you’ll agree to let me
+pay you for the supper, you may bring me up some.”
+
+“The town will pay me,” said Tucker.
+
+“That’s just what I don’t want the town to do,” said Philip quickly. “I
+will make you an offer. At sixty cents a week the meals for one day
+will not cost over ten cents. I’ll pay you ten cents for supper and
+breakfast.”
+
+“You’re a cur’us boy,” said Tucker. “You want to pay for your vittles
+in a free boardin’-house.”
+
+“It isn’t free to me. At any rate, I don’t want it to be. What do you
+say?”
+
+“Oh, I ain’t no objections to take your money,” said Tucker, laughing.
+“I didn’t know you was so rich.”
+
+“I am not rich, but I think I can pay my board as long as I stay here.”
+
+This Philip said because he had decided that his stay should be a very
+brief one.
+
+“Just as you say!” chuckled Mr. Tucker.
+
+As he went downstairs he reflected:
+
+“I can take the boy’s money and charge his board to the town, too.
+There’s nothin’ to hender, and it’ll be so much more in my pocket. I
+wish the rest of the paupers would foller his example.”
+
+He went downstairs and explained to Mrs. Tucker that he wanted Philip’s
+supper.
+
+“Tell him to come down to the table like the rest of the folks!”
+retorted Mrs. Tucker. “He ain’t too lazy, is he?”
+
+“No; but it’s safer to keep him in his room for the first twenty-four
+hours. He’s a desperate boy, but I reckon he’ll get tamed after a
+while.”
+
+“I’ll desperate him!” said Mrs. Tucker scornfully. “I don’t believe in
+humorin’ him.”
+
+“Nor I, Abigail. He’d like to come down, but I won’t let him. We can
+manage him between us.”
+
+“I should smile if we couldn’t,” said Mrs. Tucker. “If you want any
+supper for him, you can get it yourself. I’ve got too much to do. No,
+Widder Jones, you can’t have another cup of tea, and you needn’t beg
+for it. One cup’s plenty for you, and it’s all we can afford.”
+
+“Only this once,” pleaded the poor old woman. “I’ve got a headache.”
+
+“Then another cup of tea would only make it worse. If you’ve got
+through your supper, go back to your seat and give more room for the
+rest.”
+
+While Mrs. Tucker was badgering and domineering over her regular
+boarders, her husband put two slices of dry bread on a plate, poured
+out a cup of tea, not strong enough to keep the most delicate child
+awake, and surreptitiously provided an extra luxury in the shape of a
+thin slice of cold meat. He felt that, as he was to receive double
+price, he ought to deal generously by our hero.
+
+He carried this luxurious supper to the third story, and set it down
+before Philip.
+
+Philip promptly produced a dime, which Mr. Tucker pocketed with
+satisfaction. He waited till his young guest had finished his repast,
+in order himself to carry down the dishes.
+
+There was no butter for the bread, and the tea had been sweetened
+scantily. However, Philip had the appetite of a healthy boy, and he ate
+and drank everything that had been provided.
+
+“I’ll be up in the morning,” said Mr. Tucker. “We go to bed early here.
+The paupers go to roost at seven, and me and my wife and Zeke at eight.
+You’d better go to bed early, too.”
+
+
+
+
+CHAPTER XIII.
+A FRIENDLY MISSION.
+
+
+Philip was glad to hear that all in the almshouse went to bed so early.
+He had not yet given up the hope of escaping that night, though he had
+as yet arranged no definite plan of escape.
+
+Meanwhile, he had an active friend outside. I refer, of course, to
+Frank Dunbar. Frank had no sooner heard of his friend’s captivity than
+he instantly determined, if it were a possible thing, to help him to
+escape.
+
+He would not even wait till the next day, but determined after it was
+dark to visit the poor-house and reconnoiter. First, he informed his
+parents what had befallen Phil. Their indignation was scarcely less
+than his.
+
+“Squire Pope is carrying matters with a high hand,” said the farmer.
+“According to my idea, he has done no less than kidnap Philip, without
+the shadow of a legal right.”
+
+“Can’t he be prosecuted?” asked Frank eagerly.
+
+“I am not sure as to that,” answered his father, “but I am confident
+that Philip will not be obliged to remain, unless he chooses, a
+dependent upon the charity of the town.”
+
+“It is outrageous!” said Mrs. Dunbar, who was quite as friendly to
+Philip as her husband and son.
+
+“In my opinion,” said Mr. Dunbar, “Squire Pope has done a very unwise
+thing as regards his own interests. He desires to remain in office, and
+the people will not be likely to reelect him if his policy is to make
+paupers of those who wish to maintain themselves. Voters will be apt to
+think that they are sufficiently taxed already for the support of those
+who are actually unable to maintain themselves.”
+
+“If I were a voter,” exclaimed Frank indignantly, “I wouldn’t vote for
+Squire Pope, even for dog-catcher! The meanest part of it is the
+underhanded way in which he has taken Phil. He must have known he was
+acting illegally, or he would have come here in open day and required
+Phil to go with him.”
+
+“I agree with you, Frank. Squire Pope may be assured that he has lost
+my vote from henceforth. Hitherto I have voted for him annually for
+selectman, knowing that he wanted the office and considering him fairly
+faithful.”
+
+“Father,” said Frank, after a thoughtful pause, “do you think Philip
+would be justified in escaping from the poorhouse?”
+
+“I do,” answered Mr. Dunbar. “In this free country I hold that no one
+ought to be made an object of charity against his will.”
+
+“Philip is strong enough and smart enough to earn his own living,” said
+Frank.
+
+“That is true. I will myself give him his board and clothes if he will
+stay with me and work on the farm.”
+
+“I wish he would. He would be a splendid companion for me; but I think
+he wants to leave Norton, and try his fortune in some larger place.”
+
+“I can’t blame him. If his father were living and he had a good home, I
+should not think it wise; but, as matters stand, it may not be a bad
+plan for him.”
+
+“Father,” said Frank, after supper, “I am going out and I may not be
+back very early.”
+
+“Are you going to see Philip?”
+
+“Yes; but I want to see him alone. If possible, I will see him without
+attracting the attention of Joe Tucker.”
+
+“You won’t get into any trouble, Frank?” said his mother anxiously.
+
+“No, mother; I don’t know what trouble I can get into.”
+
+“You may very likely fail to see Philip,” suggested his father. “I hear
+that Tucker and his boarders go to bed very early.”
+
+“So much the better!” said Frank, in a tone of satisfaction. “The only
+one I want to see is Philip, and he isn’t likely to go to sleep very
+early.”
+
+Mr. Dunbar smiled to himself.
+
+“Frank has got some plan in his head,” he thought. “I won’t inquire
+what it is, for he has good common sense, and won’t do anything
+improper.”
+
+About eight o’clock, Frank, after certain preparations, which will
+hereafter be referred to, set out for the poorhouse, which was about a
+mile distant.
+
+
+
+
+CHAPTER XIV.
+PHILIP MAKES HIS ESCAPE.
+
+
+It grew darker and darker in Philip’s chamber, but no one came to bring
+him a light. It was assumed that he would go to bed before he required
+one.
+
+By seven o’clock the paupers had settled themselves for the night, and
+when eight o’clock struck, Mr. and Mrs. Tucker sought their beds. It
+was no particular trial for Joe Tucker to go to bed early, for he was
+naturally a lazy man, and fond of rest; while his wife, who worked a
+great deal harder than he, after being on her feet from four o’clock in
+the morning, found it a welcome relief to lie down and court friendly
+sleep. Zeke wasn’t always ready to go to bed. In fact, he would much
+rather have gone up to the village now and then, but if he had done so
+he would have had to stay out all night. There was one thing his
+parents were strict about, and that was retiring at eight o’clock.
+
+Philip, however, did not retire at that hour. It was earlier than his
+usual hour for bed. Besides, he was in hopes his friend Frank would
+make his appearance, and help him, though he didn’t exactly understand
+how, to make his escape.
+
+At half-past eight it was dark. The stars were out, and the moon was
+just making its appearance. Philip had opened his window softly, and
+was looking out, when all at once he saw a boyish figure approaching.
+
+Could it be Frank Dunbar?
+
+He hoped so, but in the indistinct light could not be quite certain.
+
+The boy, whoever it might be, approached cautiously, till he stood
+within fifty feet of the house.
+
+Then Philip saw that it was indeed Frank, and his heart beat joyfully.
+It was something to see a friend, even though they were separated by
+what seemed to him to be an impassable gulf.
+
+About the same time, Frank recognized his friend, in the boyish figure
+at the window.
+
+“Is that you, Phil?” he asked, in a guarded voice, yet loud enough to
+be heard.
+
+“Yes, Frank; I have been expecting you. I knew you wouldn’t desert me.”
+
+“I should think not. I didn’t come before, because I didn’t want to be
+seen by any of Tucker’s folks.”
+
+“They are all abed now, and I hope asleep.”
+
+“Can’t you come downstairs, and steal away?”
+
+“No; my chamber door is locked on the outside.”
+
+“That’s what I thought.”
+
+“Can’t you help me in any way?”
+
+“I’ll see. Suppose you had a rope—could you swing out of the window?”
+
+“Yes; I could fasten it to the bedstead, and fix that just against the
+window.”
+
+“Then I think I can help you. Can you catch a ball?”
+
+“Yes; but what good will that do?”
+
+“You’ll see. Make ready now, and don’t miss it.”
+
+He produced a ball of common size, and after taking aim, threw it
+lightly up toward Philip’s window. The first time it didn’t come within
+reach. The second Philip caught it skilfully, and by the moonlight saw
+that a stout piece of twine was attached to it. At the end of the twine
+Frank had connected it with a clothesline which he had borrowed from
+home.
+
+“Now pull away, Phil,” urged Frank.
+
+Philip did, and soon had the stout line in his possession.
+
+“It will hold; it’s new and strong,” said Frank. “Father only bought it
+last week. I didn’t think, then, what use we should have for it.”
+
+Philip, however, was not afraid. He was so anxious to escape that, even
+if there had been any risk to run, he would readily have incurred it
+for the sake of getting away from the poor-house, in which he was
+unwilling to spend a single night. He fastened one end of the rope
+firmly to his bedstead, as he had proposed, then cautiously got upon
+the window-sill and lowered himself, descending hand over hand till he
+reached the ground.
+
+He breathed a sigh of relief as he detached himself from the rope and
+stood beside Frank Dunbar.
+
+Just then the boys heard a second-story window open, and saw Mr.
+Tucker’s head projecting from it.
+
+
+
+
+CHAPTER XV.
+ESCAPE AND FLIGHT.
+
+
+Though the boys had made as little noise as possible, conversing in an
+undertone, they had been heard by Mrs. Tucker. Her husband, as was his
+custom, had gone to sleep; but Mrs. Tucker, who, during the day, had
+discovered the loss of ten cents from her bureau drawer in which she
+kept her savings, had been kept awake by mental trouble. Some of my
+readers may think so small a loss scarcely worth keeping awake for, but
+Mrs. Joe Tucker was a strictly economical and saving woman—some even
+called her penurious—and the loss of ten cents troubled her.
+
+She would have laid it to one of “them paupers,” as she was wont
+contemptuously to refer to them, except that she never allowed one of
+them to enter the sacred precincts of her chamber.
+
+A horrible thought entered her mind. Could it be Zeke, the boy whom she
+thought such a paragon, though no one else had been able to discover
+his virtues or attractions? She did not like to think of it, but it did
+occur to her that Zeke, the previous day, had asked her for ten cents,
+though he would not own the purpose for which he wanted it. The boy
+might have been tempted to take the money. At any rate, she would go
+and see.
+
+Zeke slept in a small room adjoining. When his mother entered, with a
+candle in her hand, he was lying asleep, with his mouth wide open, and
+one arm dropped over the side of the bed.
+
+Mrs. Tucker took a look at him, and saw that he was wrapped in slumber
+and unable to notice what she proposed to do. His clothes were thrown
+down carelessly on a chair near-by.
+
+Mrs. Tucker searched first in the pockets of his pants, and, though she
+discovered a large variety of miscellaneous articles, “of no use to any
+one except the owner,” she didn’t discover any traces of the missing
+dime. She began to hope that he had not taken it, after all, although,
+in that case, the loss would continue to be shrouded in obscurity. But,
+on continuing her search, she discovered in one of the pockets of his
+vest a silver ten-cent piece.
+
+Mrs. Tucker’s eyes flashed, partly with indignation at Zeke’s
+dishonesty, partly with joy at the recovery of the missing coin.
+
+“I’ve found you out, you bad boy!” she said, in a low voice, shaking
+her fist at the sleeping boy. “I wouldn’t have believed that my Zeke
+would have robbed his own mother. We must have a reckoning to-morrow.”
+
+She was half-inclined to wake Zeke up and charge him with his crime,
+confronting him with the evidence of it which she had just discovered;
+but on second thoughts she decided that she might as well let him
+sleep, as the next day would do just as well.
+
+Poor Zeke! he was not guilty, after all, though whether his honesty was
+strict enough to resist a powerful temptation, I am not sure.
+
+The dime which Mrs. Tucker had discovered was the same one that Philip
+had given to Zeke in return for his service in notifying Frank Dunbar
+of his captivity. In another pocket was the five-cent piece given him
+by Frank, but that had escaped his mother’s attention.
+
+The reader will understand now how it happened that Mrs. Tucker was
+kept awake beyond her usual time. She was broad awake when Frank Dunbar
+arrived, and she heard something through the partially open window of
+the conference between the two boys. She heard the voices that is to
+say, but could not tell what was said.
+
+With her mind dwelling upon Zeke’s supposed theft, however, she was
+more easily frightened than usual, and immediately jumped to the
+conclusion that there were burglars outside, trying to get in.
+
+The absurdity of burglars attempting to rob the town poorhouse did not
+occur to her in panic. She sat up in bed, and proceeded to nudge her
+husband in no gentle fashion.
+
+“Mr. Tucker!” she exclaimed.
+
+Her husband responded by an inarticulate murmur, but did not wake.
+
+“Mr. Tucker!” she exclaimed, in a louder voice, giving him a still more
+vigorous shake.
+
+“Eh! What! What’s the matter?” said Tucker, opening his eyes at last,
+and staring vacantly at his wife.
+
+“What’s the matter!” retorted his wife impatiently. “The matter is that
+there’s burglars outside!”
+
+“Let ’em stay outside!” said Joe Tucker, in a sleepy tone.
+
+“Did any one ever hear such a fool?” exclaimed Mrs. Tucker,
+exasperated. “They’re trying to get in. Do you hear that, Mr. Tucker?”
+
+“Trying to get in! Is the door locked?” asked Joe, a little alarmed.
+
+“You must get up and defend the house,” continued Mrs. Tucker.
+
+Now, Mr. Tucker was not a brave man. He had no fancy for having a
+hand-to-hand conflict with burglars, who might be presumed to be
+desperate men. It occurred to him that it would be decidedly better to
+stay where he was and run no risk.
+
+“Never mind, Abigail,” he said, soothingly. “The burglars can’t do us
+any harm. They can’t do any more than carry off a pauper or two, and I
+don’t, believe they’ll do that.”
+
+“I wouldn’t mind that, Mr. Tucker; but I’ve left the spoons
+down-stairs!” answered his wife.
+
+“How many are there!”
+
+“Six. I want you to go down and get them and bring them up here, where
+they will be safe.”
+
+“But suppose I should meet some of the burglars!” suggested Tucker,
+trembling.
+
+“Then you must defend yourself like a man!”
+
+“You might find me in the morning weltering in my gore!” said Joe, with
+an uneasy shudder.
+
+“Are we to have the spoons stolen, then!” demanded Mrs. Tucker sharply.
+
+“If you care so much for the spoons, Abigail, you’d better go
+down-stairs yourself and get ’em. I don’t value them as much as my
+life.”
+
+“I don’t know but I will, if you’ll look out of the window and see
+whether you can see any of the burglars outside,” responded Mrs.
+Tucker. “If they haven’t got in yet, I’ll take the risk.”
+
+“Where did you hear ’em, Abigail?”
+
+“Right outside. Open the window and look out, and you may see ’em.”
+
+Mr. Tucker was not entirely willing to do this, but still he preferred
+it to going down-stairs after the spoons, and accordingly he advanced,
+and, lifting the window, put his head out, as described at the close of
+the last chapter.
+
+Philip and Frank were just ready to go when they heard the window
+rising, and naturally looked up in some trepidation.
+
+“It’s old Tucker!” said Frank, in a low voice.
+
+Philip looked up, and saw that his friend was right.
+
+Mr. Tucker had not yet discovered them, but the whisper caught his ear,
+and looking down he caught sight of the two boys.
+
+In his alarm, and the obscurity of the night, he did not make out that
+they were boys and not men, and was about to withdraw his head in
+alarm, when a mischievous impulse seized Frank Dunbar.
+
+“Give me the ball, Philip!” he said quickly.
+
+Philip complied with his request, not understanding his intention.
+
+Now, Frank belonged to a baseball club, and had a capital aim. He threw
+up the ball and struck Mr. Tucker fairly in the nose. The effect upon
+the terrified Joe was startling.
+
+Full as his mind was of burglars, he fancied that it was something a
+great deal more deadly that had struck him.
+
+“Oh, Abigail! I’m shot through the brain!” he moaned in anguish, as he
+poked in his head and fell back upon the floor.
+
+“What do you mean, Joe?” asked his wife, in alarm, as she hastened to
+her prostrate husband, whose hand was pressed convulsively upon the
+injured organ, which, naturally ached badly with the force of the blow.
+
+“I’m a dead man!” moaned Mr. Tucker; “and it’s all your fault. You made
+me go to the window.”
+
+“I don’t believe you’re shot at all! I didn’t hear any report,” said
+Mrs. Tucker. “Let me see your face.”
+
+Mr. Tucker withdrew his hand mournfully.
+
+“You’ve only been struck with a rock or something,” said she, after a
+careful examination.
+
+“It’s bleeding!” groaned Joe, seeing a dark stain on his night-dress.
+
+“Suppose it is—it won’t kill you. I’ll look out myself.”
+
+But she saw nothing. Philip and Frank had immediately taken to flight,
+and vanished in the darkness.
+
+“They’ve run away!” announced Mrs. Tucker. “My spoons are safe.”
+
+“But my nose isn’t,” groaned Mr. Tucker.
+
+“You won’t die this time,” said Mrs. Tucker, not very sympathetically.
+“Soak your nose in the wash-basin, and you’ll be all right in the
+morning.”
+
+The two boys were destined to have another adventure that night.
+
+
+
+
+CHAPTER XVI.
+A NIGHT ADVENTURE.
+
+
+“I didn’t mean to hit him,” said Frank, as he and Philip hurried away
+from the poorhouse, “I only intended to give him a fright.”
+
+“I think you have. I wonder whether he recognized us!”
+
+“I don’t believe it. He had hardly got his head out of the window
+before I let drive.”
+
+“Then he won’t imagine I have escaped.”
+
+“What are your plans, Phil? Suppose they try to take you back to the
+poorhouse?”
+
+“They won’t get the chance. Before five o’clock to-morrow morning I
+shall leave Norton.”
+
+“Leave town?” exclaimed Frank, in surprise. “And so soon?”
+
+“Yes. There is nothing for me to do here.”
+
+“Father would like to have you stay and assist him on the farm. He said
+so to me. He wouldn’t be able to pay much, but I think we would have a
+good time together.”
+
+Philip pressed his friend’s hand warmly.
+
+“I know we should, Frank,” he said, “but if I remained here, it would
+only remind me of my poor father. I would rather go out into the world
+and try my fortune.”
+
+“Isn’t it risky, Phil?” objected Frank doubtfully.
+
+“I suppose it is; but I am willing to work, and I don’t expect much.”
+
+“Suppose you fall sick?”
+
+“Then, if I can, I will come back to you and your good father and
+mother, and stay till I am well.”
+
+“Promise me that, Phil?”
+
+“I promise.”
+
+“I wish I could go with you, Phil,” said Frank, with a boyish impulse.
+
+“No, it wouldn’t be wise for you. You have a good home, and you will be
+better off there than among strangers.”
+
+“It might be your home, too, Phil.”
+
+“Thank you; but I shall be better away from Norton for a time.”
+
+A minute later, Frank said suddenly:
+
+“There’s Squire Pope coming. He will see you.”
+
+“I don’t care. He won’t take me back.”
+
+“Get behind the stone wall, and I will wait and interview him.”
+
+Philip immediately followed the advice of his friend. He was curious to
+hear what the squire would say.
+
+Squire Pope’s eyesight was not good, and it was only when he came near
+that he recognized Frank Dunbar. He stopped short, for there was a
+subject on which he wished to speak.
+
+“Frank Dunbar!” he said.
+
+“Do you wish to speak to me, sir?” inquired Frank coldly.
+
+“Yes. Where have you been?”
+
+“Out walking,” answered Frank shortly.
+
+“Have you been to the poorhouse?”
+
+“I have.”
+
+“Did you see Philip?”
+
+“I saw him looking out of a third-story window.”
+
+Squire Pope chuckled, if, indeed, such a dignified man can be said to
+chuckle.
+
+“What did he say?” he condescended to inquire.
+
+“That he wouldn’t stay.”
+
+“He will have to,” responded Squire Pope complacently. “Mr. Tucker will
+see to that.”
+
+“Probably Mr. Tucker will wake up some fine morning and find Phil’s
+room empty,” said Frank quietly.
+
+“I’ll take the risk of it,” returned the squire serenely. “But there’s
+a matter I want to speak to you about. You’ve got Philip’s fiddle in
+your possession.”
+
+“Suppose I have.”
+
+“I wish you to bring it round to my house in the morning, and I’ll give
+you something for your trouble.”
+
+“You must excuse me, Squire Pope. If it were your property, I would
+bring it to you and charge nothing for my trouble.”
+
+“Young man,” said the squire sternly. “I am Philip’s legal guardian,
+and I have a right to receive his violin. You will get into trouble if
+you resist my authority.”
+
+“If you will give me Philip’s order for it, you shall have it, sir.”
+
+“Frank Dunbar, you are trifling with me. Philip is now a pauper, and
+has no right to hold property of any kind. He cannot give a legal
+order.”
+
+“Then you are guardian to a pauper?”
+
+“In my capacity of overseer of the poor.”
+
+“In my capacity as Philip’s friend, I refuse to consider you his
+guardian. You may call him a pauper, but that doesn’t make him one.”
+
+“He is an inmate of the Norton Poorhouse.”
+
+Frank laughed.
+
+“I don’t want to be disrespectful, Squire Pope,” he said; “but I can’t
+help telling you that you undertook a bigger job than you thought for,
+when you made up your mind to make a pauper of Philip Gray.”
+
+Squire Pope was indignant at the coolness of Frank.
+
+“I shall come to your house to-morrow morning,” he said, “and convince
+you to the contrary.”
+
+“Very well, sir.”
+
+Frank Dunbar bowed, and the squire went his way.
+
+“That’s a very impudent boy!” he soliloquized. “Just like the Gray boy.
+It wouldn’t do him any harm to put him under Joe Tucker’s care, too.”
+
+After the squire had passed on, Philip came out from behind the stone
+wall.
+
+“Did you hear what passed between your guardian and myself?” asked
+Frank.
+
+“Yes, I heard every word.”
+
+“He little thought that the bird had flown, Phil.”
+
+“He will make all the trouble he can. That is one more reason why I
+think it best to leave town.”
+
+“I wouldn’t let Squire Pope drive you out of town.”
+
+“I would stay and face the music if it suited me, but I want to go
+away.”
+
+“Suppose we cut across this field. It will be a little nearer.”
+
+“All right.”
+
+There was a pathway through a pasture-lot, comprising some ten acres,
+poor land, covered with puny bushes, and a few gnarled trees, producing
+cider-apples. It belonged to an old bachelor farmer, who lived in
+solitary fashion, doing his own cooking, and in general taking care of
+himself. He was reputed to have money concealed about his premises,
+which was quite probable, as he spent little, and was known to have
+received, four years before, a considerable legacy from the estate of a
+brother who had died, a successful merchant in the city of New York.
+
+The boys had to pass by the small and weather-stained house where he
+lived, as the path ran very near it.
+
+When within a few rods of the house, the boys were startled by a sharp
+cry of terror, which appeared to proceed from inside the house.
+
+Both simultaneously stood still.
+
+“What’s that!” exclaimed both in concert.
+
+“Somebody must be trying to rob Mr. Lovett,” suggested Frank.
+
+“Can’t we do something!” said Phil quickly.
+
+“We can try.”
+
+There were two stout sticks or clubs lying on the ground at their feet.
+They stooped, picked them up, and ran to the house. A glance showed
+that one of the windows on the north side had been raised.
+
+The window sill was low. Pausing a moment before springing over it into
+the room, they looked in and this was what they saw:
+
+The farmer lay half-prostrate on the floor, half supporting himself by
+a chair, which he had mechanically grasped as he was forced downward.
+Over him stood a ruffianly looking tramp, whom Phil remembered to have
+seen about the streets during the day, with a stick uplifted. He had
+not heard the approach of the boys.
+
+“Give me two hundred dollars, and I’ll go,” he said to the man at his
+feet.
+
+“I cannot do it. I haven’t got as much here.”
+
+“That’s a lie!” said the other coarsely. “I heard all about you to-day.
+You’re a miser, and you’ve got no end of money stowed away here. Get it
+for me, quick, or I’ll dash your brains out.”
+
+Just then the prostrate farmer saw what the tramp could not see, his
+back being turned to the window, the faces of the two boys looking
+through the window. Fresh courage came to him. Single-handed, and taken
+at advantage, he was no match for the ruffian who had entered his
+house; but with these two young auxiliaries he felt that all was not
+lost.
+
+
+
+
+CHAPTER XVII.
+A REFORMED BURGLAR.
+
+
+“What do you say!” demanded the tramp impatiently. “Speak quick! I
+can’t stay here all night.”
+
+“Let me up, and I’ll see if I can find the money for you.”
+
+“I thought I’d bring you to terms,” said the tramp, laughing grimly.
+
+He allowed his victim to rise, as he certainly would not have done if
+he had looked behind him and seen the two boys at the window.
+
+“Now’s our time,” answered Philip.
+
+He gave a light spring into the room, followed by Frank.
+
+Of course, the tramp heard them, and turned in sudden alarm. As he
+turned, the farmer snatched the club from his hand, and he found
+himself unexpectedly unarmed and confronted by three enemies.
+
+“It’s my turn now,” said Lovett. “Do you surrender?”
+
+The tramp saw that the game was up and made a dash for the open window,
+but Philip skillfully inserted a stick between his legs, and tripped
+him up, and, with the help of Mr. Lovett, held him, struggling
+desperately, till Frank fetched a rope, with which he was securely
+bound.
+
+“Confound you!” he said, scowling at the two boys. “But for you I would
+have succeeded and got away with my booty.”
+
+“That’s true!” said the farmer. “I owe my escape from robbery, and,
+perhaps, bodily injury, to you.”
+
+“I am glad we were at hand,” said Philip.
+
+“And now, my friend,” said the farmer, “I may as well say that you were
+quite mistaken in supposing I kept a large amount of money in this
+lonely house. I should be a fool to do it, and I am not such a fool as
+that.”
+
+“Where do you keep your money, then?” growled the tramp.
+
+“In different savings-banks. I am ready to tell you, for it will do you
+no good.”
+
+“I wish I’d known it sooner. I came here on a fool’s errand.”
+
+“I am glad you have found it out.”
+
+“Now, what are you going to do with me!”
+
+“Keep you here till I can deliver you into the hands of the law.”
+
+“That won’t do you any good.”
+
+“It will give you a home, where you cannot prey on the community.”
+
+“I don’t mean to do so any more. I’m going to turn over a new leaf and
+become an honest man—that is, if you’ll let me go.”
+
+“Your conversion is rather sudden. I haven’t any faith in it.”
+
+“Listen to me,” said the man, “and then decide. Do you think I am a
+confirmed lawbreaker?”
+
+“You look like it.”
+
+“Yes, I do; but I am not. Never in my life have I been confined in any
+prison or penitentiary. I have never been arrested on any charge. I see
+you don’t believe me. Let me tell you how I came to be what I am: Two
+years since I was a mechanic, tolerably well-to-do, owning a house with
+a small mortgage upon it. It was burned to the ground one night. I
+built another, but failed to insure it. Six months since, that, too,
+burned down, and left me penniless and in debt. Under this last blow I
+lost all courage. I left the town where I had long lived, and began a
+wandering life. In other words, I became a tramp. Steadily I lost my
+self-respect till I was content to live on such help as the charitable
+chose to bestow on me. It was not until to-day that I formed the plan
+of stealing. I heard in the village that you kept a large sum of money
+in your house, and an evil temptation assailed me. I had become tired
+of wandering, and determined to raise a sum which would enable me to
+live at ease for a time, I should have succeeded but for these two
+boys.”
+
+“And you are sorry you did not succeed?”
+
+“I was, five minutes since, but I feel differently now. I have been
+saved from crime. Now, I have told you my story. Do with me as you
+will.”
+
+The man’s appearance was rough, but there was something in his tone
+which led Mr. Lovett to think that he was speaking the truth.
+
+“Boys,” he said, “you have heard what this man says. What do you think
+of it?”
+
+“I believe him!” said Philip promptly.
+
+“Thank you, boy,” said the tramp. “I am glad some one has confidence in
+me.”
+
+“I believe you, too,” said Frank.
+
+“I have not deceived you. Your words have done me more good than you
+think. It is my first attempt to steal, and it shall be my last.”
+
+“If you want to become an honest man, God forbid that I should do aught
+to prevent you!” said the farmer. “I may be acting unwisely, but I mean
+to cut this rope and let you go.”
+
+“Will you really do this?” said the tramp, his face lighting up with
+mingled joy and surprise.
+
+“I will.”
+
+He knelt on the floor, and drawing from his pocket a large jack-knife,
+cut the rope.
+
+The tramp sprang to his feet.
+
+“Thank you,” he said, in a husky voice. “I believe you are a good man.
+There are not many who would treat me as generously, considering what I
+tried to do just now. You sha’n’t repent it. Will you give me your
+hand!”
+
+“Gladly,” said the farmer; and he placed his hand in that of the
+visitor, lately so unwelcome. “I wish you better luck.”
+
+“Boys, will you give me your hands, too?” asked tke tramp, turning to
+Philip and Frank.
+
+Tke boys readily complied with his request, and repeated the good
+wishes of the farmer.
+
+The stranger was about to leave the house, when Lovett said:
+
+“Stay, my friend, I wish to ask you a question.”
+
+“Very well, sir.”
+
+“Have you any money?”
+
+“Not a cent.”
+
+“Then take this,” said the farmer, drawing from his vest pocket a
+five-dollar bill. “I lend it to you. Some time you will be able to
+repay it, if you keep to your resolution of leading an honest life.
+When that time comes, lend it to some man who needs it as you do now.”
+
+“Thank you, sir. I will take it, for it will help me greatly at this
+time. Good-by! If you ever see me again, you will see a different man.”
+
+He leaped through the window and was gone.
+
+“I don’t know if I have done a wise thing, but I will take the risk,”
+said the farmer. “And now, boys, I want to make you some return for
+your assistance to-night.” Both Frank and Philip earnestly protested
+that they would receive nothing in the conversation that ensued. Philip
+made known his intention to leave Norton the next morning.
+
+“What are your plans? Where do you mean to go?” asked the farmer.
+
+“I don’t know, sir. I shall make up my mind as I go along. I think I
+can make my living somehow.”
+
+“Wait here five minutes,” said Lovett, and he went into an adjoining
+room.
+
+Within the time mentioned, he returned, holding in his hand a sealed
+letter.
+
+“Philip,” he said, “put this envelope in your pocket, and don’t open it
+till you are fifty miles from here.”
+
+“Very well, sir,” answered Philip, rather puzzled, but not so much
+surprised as he might have been if he had not known the farmer’s
+reputation for eccentricity.
+
+“I suppose it contains some good advice,” he thought. “Well, good
+advice is what I need.”
+
+The two boys went home immediately upon leaving the farmhouse. Though
+so much had happened, it was not late, being not quite half-past nine.
+
+Philip received a cordial welcome from Mr. and Mrs. Dunbar, who,
+however, hardly expected to see him so soon. “Are you willing to
+receive a pauper beneath your roof?” asked Philip, smiling.
+
+“That you will never be while you have health and strength, I’ll be
+bound,” said Mr. Dunbar. “I like your pride and independence, Philip.”
+
+They tried to induce Philip to give up his resolution to leave Norton
+the next morning, but did not succeed.
+
+“I will come back some time,” he said. “Now I feel better to go.”
+
+At five o’clock the next morning, with a small bundle swung over his
+shoulder, attached to a stick, Philip Gray, carrying his violin, left
+the village, which, for some years, had been his home. Frank
+accompanied him for the first mile of his journey. Then the two friends
+shook hands and parted—not without sorrow, for who could tell when they
+would meet again?
+
+
+
+
+CHAPTER XVIII.
+A PROFESSIONAL ENGAGEMENT.
+
+
+A depressing feeling of loneliness came to Phil after he had parted
+with Frank. He was going out into the world with no one to lean upon,
+and no one to sympathize with him or lend him a helping hand. No wonder
+he felt friendless and alone. But this mood did not last long.
+
+“I shall find friends if I deserve them,” he reflected, “and I don’t
+mean to do anything dishonorable or wrong. I am willing to work, and I
+believe I can make a living.”
+
+Leaving him to proceed, we go back to the poor-house, where his absence
+was not noticed till morning.
+
+Joe Tucker, in spite of the blow which his nasal organ had received,
+slept pretty comfortably, and was awakened at an early hour by his
+vigilant spouse.
+
+“You’d better go up and wake that boy and set him to work, Mr. Tucker,”
+she said. “There are plenty of chores for him to do.”
+
+“You are right, Abigail,” said Mr. Tucker, with approval. He reflected
+that he could assign to Philip some of the work which generally fell to
+himself, and the reflection was an agreeable one. He had tried to get
+work out of Zeke, but he generally found that it was harder to keep him
+at work than it was to do the job himself.
+
+After he had made his toilet—not a very elaborate one—Mr. Tucker went
+up-stairs to arouse his young prisoner. He found the key in the outside
+of the door. Everything seemed right.
+
+“I wonder how he feels this morning?” chuckled Mr. Tucker. “Wonder
+whether he’s tamed down a little?”
+
+He turned the key in the lock and threw open the door. He glanced at
+the bed, started in amazement to find that it had not been slept in,
+and then his wonder ceased, for the telltale rope explained how the boy
+had escaped.
+
+He ran down-stairs in anger and excitement.
+
+“What’s the matter with you, Joe Tucker?” demanded his wife. “Are you
+drunk or crazy?”
+
+“Enough to make me both, wife,” he answered. “The boy’s gone!”
+
+“Gone!” exclaimed Mrs. Tucker, stopping short, with a saucepan in her
+hand.
+
+“Gone!” ejaculated Zeke, his mouth wide open.
+
+“I don’t believe it,” said Mrs. Tucker positively. “He couldn’t go.
+He’d have to jump out of the third-story window.”
+
+“Sure enough!” said Zeke.
+
+“I can’t help it—he’s gone,” declared Mr. Tucker. “He tied a
+clothesline to the bedstead and let himself down from the window. Now,
+I want to know who left a clothesline in the room?”
+
+“There wasn’t any,” said Mrs. Tucker.
+
+“Maybe he had one in his pocket,” suggested Zeke.
+
+But this suggestion was not considered worthy of notice by his parents.
+
+“Now I know who hit me in the nose!” exclaimed Mr. Tucker, light
+flashing upon him. “There was two of ’em—the ones I took for burglars.”
+
+“Then the other one must have been Frank Dunbar,” said Mrs. Tucker.
+
+“Zeke,” said his father, “go right off and tell Squire Pope that Philip
+Gray has escaped. Ask him if I can’t have him arrested for assault and
+battery. It’s likely he’s at Frank Dunbar’s now. We’ll have him back
+before the day is out, and then I’ll see he don’t get out!”
+
+“All right, dad! As soon as I’ve had breakfast I’ll go.”
+
+The result of Zeke’s message was that Squire Pope hurried over to the
+poorhouse and held a conference with Mr. and Mrs. Tucker.
+
+The next step was that he and Joe rode over to Mr. Dunbar’s, to demand
+the return of the fugitive.
+
+They found Frank splitting wood in the yard. To him they made known
+their errand, requesting him to call Philip out.
+
+“He isn’t here,” answered Frank.
+
+“Isn’t here? I don’t believe it!” said the squire hastily.
+
+“Sorry you doubt my word, Squire Pope, but it’s just as I say.”
+
+“Where is he, then?” demanded the squire suspiciously.
+
+“He has left town.”
+
+“Left town?” repeated the squire and Joe Tucker, in dismay. “Where is
+he gone!”
+
+“He’s probably ten miles away by this time,” answered Frank, enjoying
+their perplexity. “I guess you’d better wait till he comes back.”
+
+Joe and the squire conferred together, but no satisfactory result was
+arrived at, except it wouldn’t pay to pursue Philip, for two
+reasons—one, because they were quite uncertain in what direction he had
+gone; another, because, even if overtaken, they would have no authority
+to apprehend him, since he had been guilty of no crime.
+
+Finally a bright idea came to the squire.
+
+“Bring me out his fiddle,” he said to Frank. “I’m his guardian, and I
+will take care of it for him.”
+
+“He carried it away with him,” said Frank. The squire’s lower jaw fell.
+He was defeated at all points. “I guess we can’t do nothing, under the
+circumstances, squire,” said Joe Tucker, scratching his head.
+
+“I shall have to reflect upon it,” said Squire Pope, in a crestfallen
+tone.
+
+“That’s as good as a circus,” thought Frank, as his roguish glance
+followed the two baffled conspirators as they rode out of the yard.
+“It’s a pity Phil was not here to enjoy it.”
+
+At the end of the second day, Philip was some forty miles distant from
+Norton. He had not walked all the way, but had got a lift for a few
+miles from a tin-peddler, with whom he had a social chat.
+
+It cannot be said that he was depressed, or that he regretted having
+left Norton, but he certainly did feel uncomfortable, and his
+discomfort sprang from a very homely cause.
+
+To tell the plain truth, he was hungry. He had not had anything to eat
+for six hours except an apple, which he had picked up by the roadside,
+and during those six hours he had walked not far from fifteen miles.
+
+“I believe I never was so hungry before,” thought Philip. “The question
+is, where is my supper to come from?”
+
+Although he knew pretty well the state of his finances, he began to
+search his pockets to see if he could not somewhere find a stray dime,
+or, better still, a quarter, with which to purchase the meal of which
+he stood so much in need. But his search was unproductive, or, rather,
+it only resulted in the discovery of a battered cent.
+
+“So that penny constitutes my whole fortune,” thought Philip.
+
+There were two houses in sight, one on each side of the road.
+
+Probably they would have given Philip a supper at either, but our
+hero’s honest pride revolted at the idea of begging for a meal, much as
+he stood in need of it. He might as well be a pauper, as he justly
+reflected. So he pushed on.
+
+Evidently he was drawing near a village, for houses began to appear at
+nearer intervals.
+
+“Hello, my boy! Where are you traveling!” asked a hearty voice.
+
+Philip turned round, and his glance rested on a stout young farmer,
+whose face, though very much sunburned, was pleasant and good-natured.
+
+“I don’t know,” answered Philip.
+
+“Don’t know?” was repeated in surprise.
+
+“I am in search of work.”
+
+“Oh, that’s it! Are you a musician?” asked the young man, looking at
+the violin.
+
+“Yes; a little of one.”
+
+“Are you looking for a job at fiddling?” asked the young man.
+
+“Yes, if I can find one,” answered Philip, smiling.
+
+“Can you play dancing-music?”
+
+“Yes.”
+
+“Then I guess I can get you a job for this evening.”
+
+“I wish you could,” said Philip hopefully, catching at a way out of his
+troubles.
+
+“You see, there’s to be a little dance in School-house Hall to-night,”
+said the farmer; “or there was to be one, but the fiddler’s took sick,
+and we was afraid we’d have to give it up. Now, if you’ll take his
+place, we can have it, after all.”
+
+“I’ll do it,” said Philip promptly.
+
+“What’ll you charge?”
+
+“How much was the other one going to charge?”
+
+“Five dollars. You see, he would have to come six miles.”
+
+“I’ll come for three dollars and my supper and lodging,” said Philip.
+
+“All right! You shall have supper and lodging at our house. There it
+is, down that lane. Come right along, for supper must be on the table.
+After supper I’ll go and tell the committee I’ve engaged you.”
+
+Philip’s spirits rose. Help had come from an unexpected quarter. He
+felt that a new career was opening before him.
+
+
+
+
+CHAPTER XIX.
+NEW ACQUAINTANCES.
+
+
+On his way to the farmhouse, Philip ascertained that his companion’s
+name was Abner Webb, and that he and his brother Jonas carried on a
+farm of about a hundred acres. Abner appeared to be about twenty-five
+years old.
+
+“You seem pretty young to be a fiddler,” said the young man, surveying
+Philip with a glance of curiosity.
+
+“I am almost sixteen.”
+
+“I am twenty-five, and I can’t play at all.”
+
+“It isn’t all in the age,” returned our hero. “Did you ever try to
+learn?”
+
+“Yes, I took one or two lessons, but I had to give it up for a bad job.
+I couldn’t get into it somehow.”
+
+“You didn’t try very long,” said Philip, smiling.
+
+“I reckon I’d never do much at it. How long have you been a fiddler?”
+
+“I’ve been playing three or four years.”
+
+“Sho! You don’t say so! Do you like it?”
+
+“Yes; very much.”
+
+“Well, I’m glad you happened along. It would have been a pity to have
+our dance spoiled.”
+
+By this time they had reached the farmhouse, and Abner went in,
+followed by our hero.
+
+A young woman, his brother’s wife, looked at Philip in some surprise.
+
+“You see, I’ve got a fiddler, after all,” said Abner gleefully. “We
+won’t have to put off the dance.”
+
+As he spoke, his brother Jonas came into the room, and the explanation
+was repeated.
+
+“That’s good,” said Jonas heartily. “You’d better go down to the store
+after supper, Abner, and tell the boys, for they’ve just heard that
+Paul Beck can’t come.”
+
+“You just save me some supper, and I’ll go now. The boy’ll stay with us
+to-night. That’s the bargain I made with him.”
+
+“He’s heartily welcome,” said Jonas Webb, a pleasant-faced man, with
+sandy complexion, who was probably from two to three years older than
+his brother. “You’ve happened along just at the right time.”
+
+“I am glad of it,” said Philip; and there is no doubt he was sincere,
+for we know how much he stood in need of employment, though he
+naturally did not care to let his new friends know of his destitution.
+
+“My brother didn’t tell me your name,” said Jonas.
+
+“My name is Philip Gray,” answered our hero.
+
+“Do you go round playing for dances?” inquired Jonas.
+
+“I have only just begun.”
+
+Philip didn’t think it necessary to say that the idea of making money
+in this way had never occurred to him till this very day.
+
+“Sit right up to supper, Jonas, and you, too, Mr. Gray,” said Mrs.
+Webb.
+
+Philip was by no means loath, for the dishes which he saw on the table
+had had the effect of stimulating his appetite, already sharpened by
+his long walk and long fast.
+
+Philip, as the guest, was first helped to a bountiful supply of cold
+meat, a hot biscuit, and some golden butter, not to mention two kinds
+of preserves, for the Webbs always lived well. He was not slow in doing
+justice to the good supper spread before him. He was almost afraid to
+eat as much as he wanted, lest his appetite should attract attention,
+and, therefore, was pleased to see that Jonas quite kept pace with him.
+
+Indeed, when he had already eaten as much as he dared, Mrs. Webb said,
+hospitably:
+
+“I am afraid, Mr. Gray, you won’t make out a supper.”
+
+“I don’t think there is any danger of that,” said Philip, smiling. “I
+have enjoyed my supper very much.”
+
+The young woman looked gratified by this tribute to her cooking, and
+just then Abner came in.
+
+“Did you see the boys, Abner?” asked Jonas.
+
+“Yes, I saw them all. They were awfully glad we could have the dance,
+after all. You see, we’ve been lookin’ forward to it, and didn’t like
+to be disappointed. And now I must hurry down my supper, for I’ve got
+to slick up and go for Mary Ann Temple. Are you goin’, Lucy?”
+
+“Of course she is,” answered Jonas. “I don’t have so far to go for my
+girl as you do,” he added slyly.
+
+“You used to go farther once, Jonas—six miles, where I have only to go
+two.”
+
+When supper was over, Philip inquired:
+
+“How early will the dance commence?”
+
+“About eight. We keep early hours in the country, and we like to get
+our money’s worth.”
+
+“If you have no objection, I will go out to the barn and try my violin
+a little to see if it is in good tune.”
+
+“Try it in the next room,” said the farmer’s wife.
+
+“Yes, do!” said her husband. “We’d like to hear you.”
+
+He was a little afraid, judging from Philip’s youth, that he could not
+play very well, and this would give him an opportunity of deciding how
+competent the boy was to take the place of Paul Beck, of Pomfret, who
+had quite a reputation in the towns around.
+
+Philip went into the next room and began to prepare himself for his
+evening’s task. Though his training had by no means been confined to
+dancing-tunes, he was quite proficient in that department, having more
+than once been called upon in Norton to officiate in a similar
+capacity.
+
+When Jonas had listened for five minutes to Philip, he turned to Abner
+with a satisfied look.
+
+“He understands his business,” he said, nodding with emphasis. “He
+ain’t no new beginner.”
+
+“I think he beats Paul Beck,” said Abner, delighted to find his choice
+approved.
+
+“I don’t know but he does. I feel as if I wanted to start off now.”
+
+“I don’t see how he does it,” said Abner, with a puzzled look. “I never
+could do anything at it, though I’m almost twice as old.”
+
+He passed into the room where Philip was practising.
+
+“You’re a tip-top player,” said he, to Philip admiringly. “Why, you
+beat Paul Beck.”
+
+“Is he the one you expected to have?”
+
+“Yes. Paul’s got a big name for fiddlin’.”
+
+“I am glad you like my playing,” said Philip, who was naturally pleased
+to find that he was likely to give satisfaction in his new business.
+
+“The boys will be pleased, I can tell you.”
+
+“I will do all I can to give them satisfaction,” said Philip modestly.
+
+“Oh, you will! there’s no doubt about that. How much did you pay for
+your fiddle?”
+
+“I believe it cost twenty-five dollars. My father gave it to me.”
+
+“Sho! I didn’t think fiddles cost so much.”
+
+“Some cost a great deal more.”
+
+“Seems a good deal to lay out, but you’ll get your money back, if you
+can get enough to do.”
+
+“I hope so.”
+
+“Well, you must excuse me now. I’ve got to slick up, and go after Mary
+Ann Temple. She’d have been awfully disappointed if we’d had to give it
+up.”
+
+“Is she fond of dancing?”
+
+“You’d better believe she is. Why, that girl could dance for four hours
+stiddy—without wiltin’!”
+
+“How late do you keep it up?”
+
+“Till eleven or twelve. You won’t be sleepy, will you?”
+
+“If I am, I will get up later to-morrow morning.”
+
+“That’s all right. You can get up jest as late as you like. Lucy will
+save you some breakfast. We don’t allow no one to go hungry here. But I
+must be off. You will go to the hall along with Jonas and Lucy. They’ll
+introduce you round and see that you are taken care of.” Philip
+congratulated himself on being so well provided for, at least for one
+night. The future was uncertain, but with the money which he was to
+receive for his services, he would be able to get along for two or
+three days, and he might, perhaps, if successful, obtain another
+similar engagement.
+
+He had a new reason for being thankful that Squire Pope had not
+succeeded in depriving him of his violin, for this was likely to prove
+a breadwinner.
+
+He continued to practice till it was time to go over to the hall.
+
+
+
+
+CHAPTER XX.
+A LIVELY EVENING.
+
+
+Schoolhouse Hall, as may be inferred, was a large hall, occupying the
+second story of the Center Schoolhouse, and though not originally
+intended for dancing-parties, answered very well for that purpose.
+
+The hall was tolerably well filled when Philip entered in company with
+Jonas Webb and his wife.
+
+Philip had effaced, as well as he could, the stains of travel, had
+arrayed himself in a clean shirt and collar, brushed his hair neatly,
+and, being naturally a very good-looking boy, appeared to very good
+advantage, though he certainly did look young.
+
+As he walked through the hall, with his violin under his arm, he
+attracted the attention of all, it having been already made known that
+in place of the veteran Paul Beck—a man of fifty or more—an unknown boy
+would furnish the music for the evening.
+
+Philip could not avoid hearing some of the remarks which his appearance
+excited. “What! that little runt play the fiddle?” said one countrified
+young man, in a short-waisted blue coat, and tow-colored hair,
+plastered down on either side of his head with tallow. “I don’t believe
+he can play any more than I can.”
+
+“I hope he can,” retained his partner—a plump, red-cheeked, young
+farmer’s daughter. “He’s very good-looking, anyhow.”
+
+“He isn’t anything to brag of,” said her partner jealously.
+
+“Oh, how can you say so, Jedidiah? See what beautiful black hair and
+eyes he’s got, and such a lovely color on his cheeks!”
+
+Now, Jedidiah, in appearance, was just the reverse of Philip. His hair,
+as already stated, was tow-color, his face was tanned, and the color
+rather resembled brick-dust than the deep red of our hero’s cheeks.
+
+His partner was a rustic flirt, and he was disposed to be jealous, not
+being certain how far she favored him. He, therefore, took offense at
+his partner’s admiration of the young fiddler.
+
+“He looks very common to me,” said Jedidiah pettishly. “You’ve got a
+strange taste, Maria.”
+
+“Perhaps I have, and perhaps I haven’t,” retorted Maria, tossing her
+head.
+
+“Perhaps you’re in love with him?” continued Jedidiah, in a tone meant
+to be sarcastic.
+
+“I should be if he was a little older,” said the young lady, rather
+enjoying her lover’s displeasure.
+
+“I don’t believe he can play at all,” growled Jedidiah. “He’s fooled
+Abner Webb, like as not. It’s a pity we couldn’t have Paul Beck.”
+
+“Very likely he can play better than Paul Beck,” said Maria—not because
+she thought so, but because she knew it would tease her partner.
+
+“Don’t be a fool, Maria,” said Jedidiah, scarcely conscious of the
+impoliteness of his speech.
+
+The young lady, however, resented it at once.
+
+“I am sure you are very polite, Mr. Jedidiah Burbank—so polite that I
+think you had better find another partner!”
+
+“Excuse me, Maria,” said Jedidiah hastily, alarmed at the prospect of
+being left without a partner. “Of course, I didn’t mean anything.”
+
+“If you didn’t mean it, what made you say it?” retorted Maria, tossing
+her head. “I ain’t used to being called a fool. I never knew a
+gentleman to make such a remark to a lady. I think you’d better find
+some other partner.”
+
+“I take it all back,” said Jedidiah, in alarm. “I was only in fun.”
+
+“I don’t like that kind of fun,” said Maria, in a tone of dignified
+coldness.
+
+“Then I won’t joke you again. I guess he can play well enough, if Abner
+says so.”
+
+Miss Maria Snodgrass allowed herself to be propitiated, more especially
+as she herself might have been left without a partner, had she adhered
+to her determination and sent Jedidiah adrift.
+
+He took his place in a quadrille, not exactly wishing Philip to fail,
+but rather hoping that he would prove a poor performer, in order that
+he might have a little triumph over Maria, who had the bad taste to
+prefer the young musician’s appearance to his.
+
+Meanwhile Philip, following Jonas Webb across the room, had been
+introduced to Frank Ingalls, who acted as manager.
+
+“I am glad to see you, Mr. Gray,” said Ingalls. “I hope we sha’n’t make
+you work too hard. We are very fond of dancing here.”
+
+“I don’t get tired very easily,” answered Philip. “I hope you will be
+satisfied with my playing.”
+
+“No fear of that, Mr. Ingalls, I’ve heerd him play at home, and I tell
+you he can do it.”
+
+“Thank you, Mr. Webb,” said Philip, bowing his acknowledgment of the
+compliment.
+
+“I guess we may as well commence, Mr. Gray,” said Mr. Ingalls. “The
+boys seem to be getting impatient. Here’s the order of dances for the
+evening.”
+
+“Very well, Mr. Ingalls.”
+
+The manager raised his voice, and said, “Gentlemen and ladies, you
+already know that Beck is sick, and cannot be with us this evening, as
+he engaged to do. In his place we have engaged a young musician, who
+has already gained a great reputation in his profession—”
+
+Philip was rather surprised to hear this, but it was not for him to
+gainsay it.
+
+“Let me introduce to you Mr. Philip Gray.”
+
+Philip bowed and smiled, and, putting his violin in position,
+immediately commenced a lively air.
+
+In less than five minutes the manager felt perfectly at ease concerning
+the young musician. It was clear that Philip understood his business.
+Philip himself entered into the spirit of his performance. His cheek
+flushed, his eyes sparkled, and he almost outdid himself.
+
+When the first dance was concluded, there was a murmur of approval
+throughout the ballroom. The dancers were both surprised and pleased.
+
+“He’s a smart boy!” said more than one. “He plays as well as Paul Beck,
+and Paul’s been play-in’ for more’n twenty years.”
+
+“As well? I never heard Paul Beck play as well as that,” said another.
+
+Among those who were most pleased was Miss Maria Snodgrass.
+
+“What do you think now, Mr. Burbank?” she said, addressing her partner.
+“Do you think the boy can play now?”
+
+“Yes, he can play most as well as Paul Beck,” admitted Jedidiah.
+
+“Most as well? Paul Beck can’t begin to play as well as him,” returned
+Maria, who was not educated, and occasionally made slips in grammar.
+
+“Just as you say, Maria,” answered Jedidiah, submissively; “only don’t
+call me Mr. Burbank.”
+
+“Why? Ain’t that your name?” asked the young lady demurely.
+
+“Not to you, Maria.”
+
+“Well, I won’t, if you’ll take me up and introduce me to Mr. Gray.”
+
+“What for?” asked Jedidiah jealously.
+
+“Because I want to know him.”
+
+Mr. Burbank was obliged to obey the request of his partner.
+
+“Oh, Mr. Gray, you play just lovely!” said Miss Snodgrass rapturously.
+
+“Thank you for the compliment,” said Philip, with a low bow.
+
+“I like your playing ever so much better than Paul Beck’s.”
+
+“You are too kind,” said Philip, with another bow.
+
+“Isn’t he just lovely, Jedidiah!” said Maria, as she walked away with
+her lover.
+
+“Maybe he is—I ain’t a judge!” said Mr. Burbank, not very
+enthusiastically.
+
+So the evening passed. Philip continued to win the favorable opinion of
+the merry party by his animated style of playing.
+
+When at half-past eleven the last dance was announced, he was glad, for
+after his long walk, and the efforts of the evening, he felt tired.
+
+At the conclusion, Mr. Ingalls handed him three dollars, saying:
+
+“Here’s your money, Mr. Gray, and we are much obliged to you besides.”
+
+“Thank you!” said our hero, carelessly slipping the money into his vest
+pocket.
+
+The manager little imagined that it constituted his entire capital.
+
+“I hope we may have you here again some time, Mr. Gray,” continued the
+manager.
+
+“Perhaps so,” said Philip; “but I am not sure when I shall come this
+way again.”
+
+“Good night, Mr. Gray,” said Miss Snodgrass effusively. “I should be
+glad to have you call at our house.”
+
+Philip bowed his thanks. He did not notice the dark cloud on the brow
+of the young lady’s escort.
+
+
+
+
+CHAPTER XXI.
+FORTUNE SMILES AGAIN.
+
+
+Notwithstanding his exertions during the day and evening, Philip rose
+the next day at his usual hour, and was in time for the family
+breakfast, at seven o’clock.
+
+“Don’t you feel tired, Mr. Gray?” asked Mrs. Webb.
+
+“No, thank you. I slept well, and feel quite refreshed.”
+
+“He’s used to it, Lucy,” remarked her husband.
+
+“They look upon me as a professional player,” thought Philip.
+
+“I think you and I ought to be more tired, for we were dancing all the
+evening,” continued the farmer.
+
+When they rose from the table, Philip looked for his hat.
+
+“You’re not going to leave us so soon, Mr. Gray?” said Mrs. Webb
+hospitably. “We shall be glad to have you stay with us a day or two, if
+you can content yourself.”
+
+“That’s right, Lucy. I’m glad you thought to ask him,” said her
+husband.
+
+Philip was tempted to accept this kind invitation. He would have free
+board, and be at no expense, instead of spending the small sum he had
+earned the evening previous; but he reflected that he would be no
+nearer solving the problem of how he was to maintain himself, and while
+this was in uncertainty, he was naturally anxious.
+
+“I am very much obliged to you both,” he said. “If I come this way
+again, I shall be glad to call upon you, but now I think I must be
+pushing on.”
+
+“You’ll always be welcome, Mr. Gray,” said Mrs. Webb.
+
+Philip thanked her, and soon after set out on his way.
+
+He was more cheerful and hopeful than the day before, for then he was
+well nigh penniless, and now he had three dollars in his pocket.
+
+Three dollars was not a very large sum, to be sure, but to one who had
+been so near destitution as Philip it seemed very important.
+
+Besides, he had discovered in his violin a source of income, whereas,
+hitherto, he had looked upon it merely as a source of amusement. This
+made him feel more independent and self-reliant.
+
+He had walked perhaps two miles, when he heard the rattle of wheels
+behind him. He did not turn his head, for there was nothing strange in
+this sound upon a frequented road. He did turn his head, however, when
+he heard a strong voice calling “Hello!”
+
+Turning, he saw that a young man who was driving had slackened the
+speed of his horse, and was looking toward him.
+
+Philip halted, and regarded the driver inquiringly.
+
+“You’re the young chap that played for a dance last night, ain’t you!”
+said the newcomer.
+
+“Yes, sir.”
+
+“Then you’re the one I want to see—jump in, and we’ll talk as we are
+going along.”
+
+Philip had no objection to a ride, and he accepted the invitation with
+alacrity. The driver, he noticed, was a young man, of pleasant manners,
+though dressed in a coarse suit.
+
+“I drove over to Jonas Webb’s to see you, and they told me you had just
+gone,” he continued. “I thought maybe you’d get up late, but you was up
+on time. Are you engaged for this evening?”
+
+Philip began to prick up his ears and become interested. Was it
+possible that his good luck was to continue, and that he was to have an
+opportunity of earning some more money through his faithful friend, the
+violin? He didn’t think it well to exhibit the satisfaction he felt,
+and answered, in a matter-of-fact tone;
+
+“No, I have no engagement for this evening.”
+
+“I’m glad of it,” responded the young man, evidently well pleased. “You
+see, we had arranged to have a dance over to our place, but Mr. Beck,
+being sick, we thought we’d have to give it up. One of my neighbors was
+over last evening and heard you play, and he thought maybe we could
+secure you.”
+
+“I shall be glad to play for you,” said Philip politely.
+
+“What are your terms?” asked his companion.
+
+“Three dollars and board and lodging for the time I need to stay.”
+
+“That’s satisfactory. I’ll engage you.”
+
+“Is it near here?” asked Philip.
+
+“It’s in Conway—only four miles from here. I’ll take you right over
+now, and you shall stay at my house.”
+
+“Thank you, I shall find that very agreeable,” said Philip.
+
+“Does Mr. Beck live near you?” asked our hero, a little later.
+
+“Bless you! he lives in our place.”
+
+“I suppose his services are in demand?”
+
+“Yes, he is sent for to all the towns around. Fact is, there isn’t
+anybody but he that can play to suit; but I expect, from what I’ve
+heard, that you can come up to him.”
+
+“I couldn’t expect to do that,” said Philip modestly. “I am very young
+yet.”
+
+“Folks do say you beat Paul. It seems wonderful, too, considering how
+young you are. What might be your age, now?”
+
+“Just sixteen.”
+
+“Sho! you don’t say so? Why, Paul Beck’s over fifty.”
+
+“Mr. Beck won’t think I’m interfering with him, will he?” asked Philip.
+
+“Of course, he can’t. We’d a had him if he was well. We can’t be
+expected to put off the party because he’s sick. That wouldn’t be
+reasonable, now, would it?”
+
+“I should think not.”
+
+Just then Philip became sensible that a light wagon was approaching,
+driven by a young lady.
+
+He did not, however, suppose it was any one he knew till the carriage
+stopped, and he heard a voice saying:
+
+“Good morning, Mr. Gray!”
+
+Then he discovered that it was the same young lady who had asked for an
+introduction to him the evening previous.
+
+“Good morning, Miss Snodgrass!” he said politely, remembering,
+fortunately, the young lady’s name.
+
+Meanwhile, Maria and Philip’s drivers had also exchanged salutations,
+for they were acquainted.
+
+“And where are you carrying Mr. Gray, Mr. Blake?” she asked.
+
+“I’m carrying him over to our place. He’s going to play for us this
+evening.”
+
+“Is there going to be a dance in Conway this evening?” inquired Miss
+Snodgrass, with sudden interest.
+
+“Yes. Won’t you come over?”
+
+“I will, if I can get Jedidiah to bring me,” answered Maria.
+
+“I guess there’s no doubt about that,” answered Andrew Blake, who knew
+very well Jedidiah’s devotion to the young lady.
+
+“Oh, I don’t know!” answered Maria coquettishly. “Perhaps he won’t care
+for my company.”
+
+“If he doesn’t, you won’t have any trouble in finding another beau.”
+
+After a little more conversation, the young lady drove away; but not
+without expressing to Philip her delight at having another chance to
+hear his beautiful playing.
+
+“She’ll be there,” said Andrew Blake, as they drove away. “She makes
+Jedidiah Burbank do just as she orders him.”
+
+“Are they engaged?” asked our hero.
+
+“Yes, I expect so; but there may be some chance of your cutting him
+out, if you try. The young lady seems to admire you.”
+
+Philip smiled.
+
+“I am only a boy of sixteen,” he said. “I am too young to think of such
+things. I won’t interfere with Mr. Burbank.”
+
+“Jedidiah’s apt to be jealous,” said Blake, “and Maria likes to torment
+him. However, she’ll end by marrying him, I guess.”
+
+In half an hour or thereabouts, Andrew Blake drew up at the gate of a
+small but neat house on the main street in Conway. He was a carpenter,
+as Philip afterward found, and had built the house himself. He was
+probably of about the same age as Jonas Webb, and like him was married
+to a young wife.
+
+During the afternoon, Philip, being left pretty much to his own
+devices, took a walk in and about the village, ascending a hill at one
+side, which afforded him a fine view of that and neighboring villages.
+
+He was pleasantly received and hospitably entertained at the house of
+Mr. Blake, and about quarter of eight started out for the hall, at
+which he was to play, in company with his host and hostess.
+
+As they approached the hall, a young man approached them with a
+perplexed face.
+
+“What do you think, Andrew?” he said. “Paul Beck’s in the hall, as mad
+as a hatter, and he vows he’ll play himself. He says he was engaged,
+and no one shall take his place.”
+
+Andrew Blake looked disturbed, and Philip shared in his feeling. Was he
+to lose his engagement, after all?
+
+
+
+
+CHAPTER XXII.
+RIVAL MUSICIANS.
+
+
+They entered the hall, which was already well filled, for the young
+people of both sexes liked to have as long a time for enjoyment as
+possible.
+
+At the head of the hall, in the center of a group, stood a tall, thin
+man, dressed in solemn black, with a violin under his arm. His face,
+which looked like that of a sick man, was marked by an angry
+expression, and this, indeed, was his feeling.
+
+“I suppose that’s Mr. Beck?” said Philip.
+
+“Yes, it is,” answered Andrew Blake, in evident discomposure. “What on
+earth brings him here from a sick-bed, I can’t understand. I heard that
+he had a fever.”
+
+The fact was that Paul Beck was jealous of his reputation as a
+musician. It was satisfactory to him to think that he was so
+indispensable that no one could take his place. He had sent word to the
+committee that he should be unable to play for them, supposing, of
+course, that they would be compelled to give up the party. When
+intelligence was brought to him during the afternoon that it would come
+off, and that another musician had been engaged in his place, he was
+not only disturbed, but angry, though, of course, the latter feeling
+was wholly unreasonable. He determined that he would be present, at any
+rate, no matter how unfit his sickness rendered him for the evening’s
+work. He resolved to have no rival, and to permit no one to take his
+place in his own town.
+
+It did not seem to occur to Mr. Beck that, having formally declined the
+engagement on account of sickness, he had no claim whatever on the
+committee, and was, in fact, an interloper. It was in vain that his
+sister protested against his imprudence. (He was an old bachelor and
+his sister kept house for him.) He insisted on dressing himself and
+making his way to the hall, where, as was to be expected, his arrival
+produced considerable embarrassment.
+
+Paul Beck stood in sullen impatience awaiting the arrival of his rival.
+
+It so happened that no one had thought to mention to him that it was a
+boy. He was prepared to see a full-grown man.
+
+Philip followed Andrew Blake up to the central group.
+
+“Who is it, I say,” Mr. Beck was inquiring, “that engaged another
+musician to take my place?”
+
+“No one, sir,” answered Andrew Blake firmly, for Mr. Beck’s
+unreasonableness provoked him. “I engaged a musician to play this
+evening, but it was not in your place, for you had sent us word that
+you could not appear.”
+
+“Where is he, I say?” continued Paul Beck sourly.
+
+“Here he is,” replied Blake, drawing toward our hero, who felt that he
+was placed in an awkward position.
+
+“Why, he’s only a baby!” said Beck, surveying our hero contemptuously.
+
+Philip’s cheek flushed, and he, too, began to feel angry.
+
+“He isn’t as old as you are, Mr. Beck,” said Andrew Blake manfully,
+“but you’ll find he understands his business.”
+
+“I certainly didn’t expect you to get a child in my place,” said Paul
+Beck scornfully.
+
+“I suppose a musician may know how to play, if he isn’t sixty-five,”
+said Miss Maria Snod-grass, who had listened indignantly to Mr. Beck’s
+contemptuous remarks about our hero, whose cause she so
+enthusiastically championed.
+
+Poor Mr. Beck! He was sensitive about his age, and nothing could have
+cut him more cruelly than this exaggeration of it. He was really
+fifty-five, and looked at least sixty, but he fondly flattered himself
+that he looked under fifty. “Sixty-five!” he repeated furiously. “Who
+says I am sixty-five?”
+
+“Well, you look about that age,” said Maria, with malicious pleasure.
+
+“I shall have to live a good many years before I am sixty,” said Paul
+Beck angrily. “But that’s either here nor there. You engaged me to play
+to-night, and I am ready to do it.”
+
+Andrew Blake felt the difficulty of his position, but he did not mean
+to desert the boy-musician whom he had engaged.
+
+“Mr. Beck,” said he, “we shall be glad to have you serve us on another
+occasion, but to-night Mr. Gray, here, is engaged. You gave up the
+engagement of your own accord, and that ended the matter, so far as you
+are concerned.”
+
+“Do you refuse to let me play?” demanded Paul Beck, his pale cheek
+glowing with anger and mortification.
+
+“You understand why,” answered Blake. “This young man is engaged, and
+we have no right to break the engagement.”
+
+Philip, who had felt the embarrassment of his position, had meanwhile
+made up his mind what to do. The three dollars he expected to earn were
+important to him, but he didn’t care to make trouble. He did not doubt
+that his lodging and meals would be given him, and that would be
+something. Accordingly, he spoke:
+
+“I have been engaged, it is true,” he said, “but if Mr. Beck wants to
+play I will resign my engagement and stay and hear him.”
+
+“No, no!” exclaimed several—Mr. Blake and Miss Snodgrass being among
+them.
+
+“Mr. Gray, you were regularly engaged,” said one of the committee.
+
+“That’s true,” answered Philip, “and,” he couldn’t help adding, “I
+should be justified in insisting upon playing; but since Mr. Beck seems
+to feel so bad about it, I will give way to him.”
+
+He spoke manfully, and there was no sign of weakness or submission
+about him. He asserted his rights, while he expressed his willingness
+to surrender them.
+
+There was a little consultation among the committee. They were all
+disgusted with the conduct of Paul Beck, and were unwilling that he
+should triumph. At the same time, as they might need his services at
+some future time, they did not wish wholly to alienate him.
+
+Finally, they announced their decision through Andrew Blake.
+
+“We are not willing to accept Mr. Gray’s resignation wholly,” he said,
+“but we propose that he and Mr. Beck shall divide the evening’s work
+between them—each to receive half the usual compensation.”
+
+There was considerable applause, for it seemed to be a suitable
+compromise, and would enable the company to compare the merits of the
+rival musicians.
+
+“I agree,” said Philip promptly.
+
+“What do you say, Mr. Beck?” asked Andrew Blake.
+
+Now, while Paul Beck did not like to give up half the honor, he felt
+thoroughly convinced that Philip was only a beginner, and that he, as
+an experienced player, could easily eclipse him, and thus gain a
+triumph which would be very gratifying to his pride.
+
+As for the compensation, to do him justice, he did not much care for
+that, being a man of very good means. He played more for glory than for
+pay—though he, of course, had no objection to receiving compensation.
+
+“I have no objections,” he said. “If you want to give the boy a chance
+to practice a little, I am willing.”
+
+Philip understood the sneer, and he secretly determined to do his best.
+
+The committee was much pleased at the satisfactory conclusion of what
+had threatened to be a very troublesome dispute, and it was arranged,
+Philip consenting, that Mr. Beck should play first.
+
+The old musician played, in a confident manner, a familiar
+dancing-tune, accompanying his playing with various contortions of the
+face and twistings of his figure, supposed to express feeling. It was a
+fair performance, but mechanical, and did not indicate anything but
+very ordinary talent. His time was good, and dancers always found his
+playing satisfactory.
+
+When Paul Beck had completed his task, he looked about him
+complacently, as if to say, “Let the boy beat that if he can,” and sat
+down.
+
+Philip had listened to Mr. Beck with attention. He was anxious to learn
+how powerful a rival he had to compete with. What he heard did not
+alarm him, but rather gave him confidence.
+
+
+
+
+CHAPTER XXIII.
+AN HOUR OF TRIUMPH.
+
+
+When Paul rose and stood before this audience, violin in hand, he
+certainly presented quite a strong contrast to his rival.
+
+Paul Beck, as we have already said, was a tall, thin, lantern-jawed
+man, clad in solemn black, his face of a sickly, sallow hue.
+
+Philip was of fair height, for his age, with a bright, expressive face,
+his hair of a chestnut shade, and looking the very picture of boyish
+health. His very appearance made a pleasant impression upon those
+present.
+
+“He’s a nice-looking boy,” thought more than one, “but he looks too
+young to know much about the violin.”
+
+But when Philip began to play, there was general surprise. In a
+dancing-tune there was not much chance for the exhibition of talent,
+but his delicate touch and evident perfect mastery of his instrument
+were immediately apparent. In comparison, the playing of Paul Beck
+seemed wooden and mechanical.
+
+There was a murmur of approbation, and when Philip had finished his
+first part of the program, he was saluted by hearty applause, which he
+acknowledged by a modest and graceful bow.
+
+Paul Beck’s face, as his young rival proceeded in his playing, was an
+interesting study. He was very disagreeably surprised. He had made up
+his mind that Philip could not play at all, or, at any rate, would
+prove to be a mere tyro and bungler, and he could hardly believe his
+ears when he heard the sounds which Philip evoked from his violin.
+
+In spite of his self-conceit, he secretly acknowledged that Philip even
+now was his superior, and in time would leave him so far behind that
+there could be no comparison between them.
+
+It was not a pleasant discovery for a man who had prided himself for
+many years on his superiority as a musician. If it had been a man of
+established fame it would have been different, but to be compelled to
+yield the palm to an unknown boy, was certainly mortifying.
+
+When he heard the applause that followed Philip’s performance, and
+remembered that none had been called forth by his own, he determined
+that he would not play again that evening. He did not like to risk the
+comparison which he was sure would be made between himself and Philip.
+So, when Andrew Blake came up to him and asked him to play for the next
+dance, he shook his head. “I don’t feel well enough,” he said “I
+thought I was stronger than I am.”
+
+“Do you want the boy to play all the rest of the evening?”
+
+“Yes; he plays very fairly,” said Beck, in a patronizing manner, which
+implied his own superiority.
+
+“There can be no doubt about that,” said Andrew Blake, with emphasis,
+for he understood Mr. Beck’s meaning, and resented it as one of the
+warmest admirers of the boy-musician whom he had engaged.
+
+But Paul Beck would not for the world have revealed his real opinion of
+Philip’s merits.
+
+“Yes,” he continued, “he plays better than I expected. I guess you can
+get along with him.”
+
+“How shall we arrange about the compensation, Mr. Beck?” asked Blake.
+“We ought in that case to give him more than half.”
+
+“Oh, you can give him the whole,” answered Beck carelessly. “If I felt
+well enough to play, I would do my part, but I think it will be better
+for me to go home and go to bed.”
+
+His decision was communicated to Philip, who felt impelled by
+politeness to express his regrets to Mr. Beck.
+
+“I am sorry you don’t feel able to play, Mr. Beck,” he said politely.
+
+“Oh, it’s of no consequence, as they’ve got some one to take my place,”
+returned Beck coldly.
+
+“I should be glad to hear you play again,” continued Philip.
+
+Paul Beck nodded slightly, but he felt too much mortified to
+reciprocate Philip’s friendly advances. Half an hour later he left the
+hall.
+
+The dancers by no means regretted the change of arrangement. They
+evidently preferred the young musician to his elderly rival. The only
+one to express regret was Miss Maria Snodgrass.
+
+“I declare it’s a shame Mr. Beck has given up,” she said. “I wanted you
+to dance with me, Mr. Gray. I am sure if you can dance as well as you
+can play, you would get along perfectly lovely. Now you’ve got to play,
+and can’t dance at all.”
+
+“It isn’t leap-year, Maria,” said Jedidiah Burbank, in a jealous tone.
+
+Miss Snodgrass turned upon him angrily:
+
+“You needn’t put in your oar, Jedidiah Burbank!” she said. “I guess I
+know what I’m about. If it was leap-year fifty times over, I wouldn’t
+offer myself to you!”
+
+And the young lady tossed her head in a very decided manner.
+
+“Now don’t get mad, Maria!” implored Jedidiah, feeling that at the
+prompting of jealousy; he had put his foot in it. “I didn’t mean
+nothing.”
+
+“Then you’d better say nothing next time,” retorted the young lady.
+
+Meanwhile, Philip acknowledged the young lady’s politeness by a smile
+and a bow, assuring her that if it had been possible, it would have
+given him great pleasure to dance with her.
+
+“If Mr. Burbank will play for me,” he said with a glance at the young
+man, “I shall be glad to dance.”
+
+Miss Snodgrass burst out laughing.
+
+“Jedidiah couldn’t play well enough for an old cow to dance by,” she
+said.
+
+“There ain’t any old cows here,” said Jedidiah, vexed at being
+ridiculed.
+
+“Well, there are some calves, anyway,” retorted Maria, laughing
+heartily.
+
+Poor Jedidiah! It is to be feared that he will have a hard time when he
+becomes the husband of the fair Maria. She will undoubtedly be the head
+of the new matrimonial firm.
+
+There was nothing further to mar the harmony of the evening. It had
+begun with indications of a storm, but the clouds had vanished, and
+when Mr. Beck left the hall, there was nothing left to disturb the
+enjoyment of those present.
+
+The favorable opinions expressed when Philip commenced playing were
+repeated again and again, as the evening slipped away.
+
+“I tell you, he’s a regular genius!” one enthusiastic admirer said to
+his companion. “Paul Beck can’t hold a candle to him.”
+
+“That’s so. He’s smart, and no mistake.”
+
+Poor Mr. Beck! It was fortunate he was unable to hear these comparisons
+made. He could not brook a rival near the throne, and had gone home in
+low spirits, feeling that he could never again hold his head as high as
+he had done.
+
+When the dancing was over, there was a brief conference of the
+committee of management, the subject of which was soon made known.
+
+Andrew Blake approached Philip and said:
+
+“Mr. Gray, some of us would like to hear you play something else, if
+you are not tired—not a dancing-tune.”
+
+“I shall be very happy to comply with your request,” answered Philip.
+
+He spoke sincerely, for he saw that all were pleased with him, and it
+is gratifying to be appreciated.
+
+He paused a moment in thought, and then began to play the “Carnival of
+Venice,” with variations. It had been taught him by his father, and he
+had played it so often that his execution was all that could be
+desired. The variations were of a showy and popular character, and very
+well adapted to impress an audience like that to which he was playing.
+
+“Beautiful! Beautiful!” exclaimed the young ladies, while their
+partners pronounced it “tip-top” and “first-rate,” by which they
+probably meant very much the same thing.
+
+“Oh, Mr. Gray!” exclaimed Miss Snodgrass fervently. “You play like a
+seraphim!”
+
+“Thank you!” said Philip, smiling. “I never heard a seraphim play on
+the violin, but I am sure your remark is very complimentary.”
+
+“I wish you could play like that, Jedidiah,” said Maria.
+
+“I’ll learn to play, if you want me to,” said Mr. Burbank.
+
+“Thank you! You’re very obliging,” said Maria; “but I won’t trouble
+you. You haven’t got a genius for it, like Mr. Gray.”
+
+The evening was over at length, and again Philip was made the happy
+recipient of three dollars. His first week had certainly been
+unexpectedly prosperous.
+
+“This is better than staying in the Norton Poorhouse!” he said to
+himself.
+
+
+
+
+CHAPTER XXIV.
+LORENZO RICCABOCCA.
+
+
+Philip’s reputation as a musician was materially increased by his
+second night’s performance. To adopt a military term, he had crossed
+swords with the veteran fiddler, Paul Beck, and, in the opinion of all
+who heard both, had far surpassed him.
+
+This was said openly to Philip by more than one; but he was modest, and
+had too much tact and good taste to openly agree with them. This
+modesty raised him higher in the opinion of his admirers.
+
+He was invited by the Blakes to prolong his visit, but preferred to
+continue on his journey—though his plans were, necessarily, not clearly
+defined.
+
+Andrew Blake carried him five miles on his way, and from that point our
+hero used the means of locomotion with which nature had supplied him.
+
+Some six miles farther on there was a manufacturing town of
+considerable size, named Wilkesville, and it occurred to him that this
+would be a good place at which to pass the night.
+
+Something might turn up for him there. He hardly knew what, but the two
+unexpected strokes of luck which he had had thus far encouraged him to
+think that a third might come to him.
+
+Philip continued on his way—his small pack of clothing in one hand and
+his violin under his arm. Being in no especial hurry—for it was only
+the middle of the forenoon—he bethought himself to sit down and rest at
+the first convenient and inviting place.
+
+He soon came to a large elm tree, which, with its spreading branches,
+offered a pleasant and grateful shade.
+
+He threw himself down and lay back on the greensward, in pleasant
+contemplation, when he heard a gentle cough—as of one who wished to
+attract attention. Looking up he observed close at hand, a tall man,
+dressed in black, with long hair, which fell over his shirt collar and
+shoulders.
+
+He wore a broad collar and black satin necktie, and his hair was parted
+in the middle. His appearance was certainly peculiar, and excited our
+hero’s curiosity.
+
+“My young friend,” he said, “you have chosen a pleasant resting-place
+beneath this umbrageous monarch of the grove.” “Yes, sir,” answered
+Philip, wondering whether the stranger was a poet.
+
+“May I also recline beneath it?” asked the newcomer.
+
+“Certainly, sir. It is large enough to shelter us both.”
+
+“Quite true; but I did not wish to intrude upon your meditations.”
+
+“My meditations are not of much account,” answered Philip, laughing.
+
+“I see you are modest. Am I right in supposing that yonder case
+contains a violin?”
+
+“Yes, sir.”
+
+“Then you are a musician?”
+
+“A little of one,” replied Philip.
+
+“May I ask—excuse my curiosity—if you play professionally?”
+
+“Perhaps he may help me to an engagement,” thought our hero, and he
+said readily, “I do.”
+
+“Indeed!” said the stranger, appearing pleased. “What style of music do
+you play?”
+
+“For each of the last two evenings I have played for dancing-parties.”
+
+“Alone?”
+
+“Yes.”
+
+“You do not confine yourself to dancing-music?”
+
+“Oh, no! I prefer other kinds; but dancing-tunes seem most in demand,
+and I have my living to make.” The stranger seemed still more
+gratified.
+
+“I am delighted to have met you, Mr.—— Ahem!” he paused, and looked
+inquiringly at Philip.
+
+“Gray.”
+
+“Mr. Gray, I believe Providence has brought us together. I see you are
+surprised.”
+
+Philip certainly did look puzzled, as he well might.
+
+“I must explain myself more clearly. I am Professor Lorenzo Riccabocca,
+the famous elocutionist and dramatic reader.”
+
+Philip bowed.
+
+“Doubtless you have heard of me?” said the professor inquiringly.
+
+“I have never lived in large places,” answered Philip, in some
+embarrassment, “or no doubt your name would be familiar to me.”
+
+“To be sure, that must make a difference. For years,” said the
+professor, “I have given dramatic readings to crowded houses, and
+everywhere my merits have been conceded by the educated and refined.”
+
+Philip could not help wondering how it happened in that case that the
+professor should look so seedy. A genius appreciated so highly ought to
+have brought in more gold and silver.
+
+Perhaps Professor Riccabocca understood Philip’s expressive look, for
+he went to to say:
+
+“The public has repaid me richly for the exercise of my talent; but,
+alas, my young friend, I must confess that I have no head for business.
+I invested my savings unwisely, and ascertained a month since that I
+had lost all.”
+
+“That was a great pity!” said Philip sympathizingly.
+
+“It was, indeed! It quite unmanned me!” said the professor, wiping away
+a tear. “I felt that all ambition was quite gone, and I was mad and
+sick. Indeed, only a week since I rose from a sick-bed. But Lorenzo is
+himself again!” he exclaimed, striking his breast energetically. “I
+will not succumb to Fate. I will again court the favor of the public,
+and this time I will take care of the ducats my admirers bestow upon
+me.”
+
+“I should think that was a good plan,” said Philip.
+
+“I will begin at once. Nearby is a town devoted to the mammon of trade,
+yet among its busy thousands there must be many that will appreciate
+the genius of Lorenzo Riccabocca.”
+
+“I hope so,” answered Philip politely.
+
+He could not help thinking that the professor was rather
+self-conceited, and he hardly thought it in good taste for him to refer
+so boastfully to his genius.
+
+“I wish you, Mr. Gray, to assist me in my project,” continued the
+professor.
+
+“How can I do so, sir?” inquired Philip.
+
+“Let me tell you. I propose that we enter into a professional
+partnership, that we give an entertainment partly musical, partly
+dramatic. I will draw up a program, including some of my most humorous
+recitations and impersonations, while interspersed among them will be
+musical selections contributed by yourself. Do you comprehend?”
+
+“Yes,” answered Philip, nodding.
+
+“And what do you think of it?”
+
+“I think well of it,” replied the boy-musician.
+
+He did think well of it. It might not draw a large audience, this mixed
+entertainment, but it would surely pay something; and it would
+interfere with no plans of his own, for, in truth, he had none.
+
+“Then you will cooperate with me?” said the professor.
+
+“Yes, professor.”
+
+“Give me your hand!” exclaimed Riccabocca dramatically. “Mr. Gray, it
+is a perfect bonanza of an idea. I may tell you, in confidence, I was
+always a genius for ideas. Might I ask a favor of you?”
+
+“Certainly, sir.”
+
+“Give me a touch of your quality. Let me hear you play.”
+
+Philip drew his violin from its case and played for his new
+professional partner “The Carnival of Venice,” with variations—the same
+which had been received with so much favor the evening previous.
+
+Professor Riccabocca listened attentively, and was evidently agreeably
+surprised. He was not a musician, but he saw that Philip was a much
+better player than he had anticipated, and this, of course, was likely
+to improve their chances of pecuniary success.
+
+“You are a splendid performer,” he said enthusiastically. “You shall
+come out under my auspices and win fame. I predict for you a
+professional triumph.”
+
+“Thank you,” said Philip, gratified by this tribute from a man of
+worldly experience. “I hope you will prove a true prophet.”
+
+“And now, Mr. Gray, let us proceed on our way. We must get lodgings in
+Wilkesville, and make arrangements for our entertainment. I feel new
+courage, now that I have obtained so able a partner. Wilkesville little
+knows what is in store for her. We shall go, see, and conquer!”
+
+An hour later Philip and his new partner entered Wilkesville.
+
+
+
+
+CHAPTER XXV.
+A CHANGE OF NAME.
+
+
+Wilkesville was an inland city, of from fifteen to twenty thousand
+inhabitants.
+
+As Philip and the professor passed along the principal street, they saw
+various stores of different kinds, with here and there a large, high,
+plain-looking structure, which they were told was used for the
+manufacture of shoes.
+
+“Wilkesville will give us a large audience,” he said, in a tone of
+satisfaction.
+
+“I hope so,” said our hero.
+
+“Hope so? I know so!” said the professor confidently. “The town is full
+of young men, employed in shoe-making. They are fond of amusement, and
+they will gladly seize an opportunity of patronizing a first-class
+entertainment like ours.”
+
+The professor’s reasoning seemed good, but logic sometimes fails, and
+Philip was not quite so sanguine. He said nothing, however, to dampen
+the ardor of his partner.
+
+“Let me see,” said the professor, pausing, “yonder stands the
+Wilkesville Hotel. We had better put up there.”
+
+It was a brick structure of considerable size, and seemed to have some
+pretensions to fashion.
+
+“Do you know how much they charge?” asked Philip prudently.
+
+“No; I neither know nor care,” answered Professor Riccabocca loftily.
+
+“But,” said Philip, “I haven’t much money.”
+
+“Nor I,” admitted Riccabocca. “But it is absolutely necessary for us to
+stop at a first-class place. We must not let the citizens suppose that
+we are tramps or vagabonds. They will judge us by our surroundings.”
+
+“There is something in that,” said Philip. “But suppose we don’t
+succeed!”
+
+“Succeed? We must succeed!” said the professor, striking an attitude.
+“In the vocabulary of youth, there’s no such word as ‘fail’! Away with
+timid caution! Our watchword be success!”
+
+“Of course, you have much more experience than I,” said Philip.
+
+“Certainly I have! We must keep up appearances. Be guided by me, and
+all will come right.”
+
+Philip reflected that they could not very well make less than their
+expenses, and accordingly he acceded to the professor’s plans. They
+entered the hotel, and Professor Riccabocca, assuming a dignified,
+important step, walked up to the office. “Sir,” said he, to the clerk,
+“my companion and myself would like an apartment, one eligibly located,
+and of ample size.”
+
+“You can be accommodated, sir,” answered the young man politely. “Will
+you enter your names?”
+
+Opening the hotel register, the elocutionist, with various flourishes,
+entered, this name: “Professor Lorenzo Riccabocca, Elocutionist and
+Dramatic Reader.”
+
+“Shall I enter your name?” he asked of Philip.
+
+“If you please.”
+
+This was the way Professor Riccabocca complied with his request:
+“Philip de Gray, the Wonderful Boy-musician.”
+
+He turned the book, so that the clerk could see the entries.
+
+“We propose to give an entertainment in Wilkesville,” he said.
+
+“I am glad to hear it,” said the clerk politely.
+
+“After dinner I will consult you as to what steps to take. Is there
+anything in the way of amusement going on in town this evening?”
+
+“Yes, there is a concert, chiefly of home-talent, in Music Hall. There
+is nothing announced for to-morrow evening.”
+
+“Then we will fix upon to-morrow evening. It will give us more time to
+get out hand-bills, etc. Is there a printing-office in town?”
+
+“Oh, yes, sir. We have a daily paper.”
+
+“Is the office near at hand?”
+
+“Yes, sir. It is on the corner of the next street.”
+
+“That will do for the present. We will go up to our apartment. Will
+dinner be ready soon?”
+
+“In half an hour.”
+
+Here the servant made his appearance, and the professor, with a wave of
+his hand, said:
+
+“Lead on, Mr. de Gray! I will follow.”
+
+
+
+
+CHAPTER XXVI.
+A PROMISING PLAN.
+
+
+They were shown into a front room, of good size, containing two beds.
+The servant handed them the key, and left them.
+
+“This looks very comfortable, Mr. de Gray,” said the professor, rubbing
+his hands with satisfaction.
+
+“Why do you call me Mr. de Gray?” asked Philip, thinking he had been
+misunderstood. “It is plain Gray, without any de.”
+
+“I am only using your professional name,” answered the professor.
+“Don’t you know people will think a great deal more of you if they
+suppose you to be a foreigner?”
+
+Philip laughed.
+
+“Is Lorenzo Riccabocca your true or professional name, professor?” he
+asked.
+
+“Professional, of course. My real name—I impart it to you in the
+strictest confidence—is Lemuel Jones. Think of it. How would that look
+on a poster?”
+
+“It would not be so impressive as the other.”
+
+“Of course not; and the public need to be impressed. I thank thee for
+that word, Mr. de Gray. By the way, it’s rather a pity I didn’t give
+you a Spanish or Italian name.”
+
+“But I can’t speak either language. It would be seen through at once.”
+
+“People wouldn’t think of asking. You’d be safe enough. They will
+generally swallow all you choose to say.”
+
+They went down to dinner presently, and the professor—Philip could not
+help thinking—ate as if he were half-starved. He explained afterward
+that elocutionary effort taxes the strength severely, and makes hearty
+eating a necessity.
+
+After dinner was over the professor said:
+
+“Are you content, Mr. de Gray, to leave me to make the necessary
+arrangements?”
+
+“I should prefer that you would,” said Philip, and he spoke sincerely.
+“Probably you understand much better than I what needs to be done.”
+
+“’Tis well! Your confidence is well placed,” said the professor, with a
+wave of his hand. “Shall you remain in the hotel?”
+
+“No, I think I will walk about the town and see a little of it. I have
+never been here before.”
+
+Philip took a walk through the principal streets, surveying with
+curiosity the principal buildings, for, though there was nothing
+particularly remarkable about them, he was a young traveler, to whom
+everything was new. He could not help thinking of his late home, and in
+particular of Frank Dunbar, his special friend, and he resolved during
+the afternoon to write a letter to Frank, apprising him of his luck
+thus far. He knew that Frank would feel anxious about him, and would be
+delighted to hear of his success as a musician.
+
+He went into a book-store and bought a sheet of paper and an envelope.
+
+He had just completed his letter, when his partner entered the
+reading-room of the hotel with a brisk step.
+
+“Mr. de Gray,” he said, “I have made all necessary arrangements. I have
+hired the hall for to-morrow evening—five dollars—ordered some tickets
+and posters at the printing-office, and secured a first-class notice in
+to-morrow morning’s paper. Everybody in Wilkesville will know before
+to-morrow night that they will have the opportunity of attending a
+first-class performance at the Music Hall.”
+
+“It seems to me the necessary expenses are considerable,” said Philip
+uneasily.
+
+“Of course they are; but what does that matter?”
+
+“What is to be the price of tickets?”
+
+“General admission, twenty-five cents; reserved seats, fifty cents, and
+children under twelve, fifteen cents. How does that strike you!”
+
+“Will anyone be willing to pay fifty cents to hear us?” asked Philip.
+
+“Fifty cents! It will be richly worth a dollar!” said the professor
+loftily.
+
+“I suppose he knows best,” thought Philip. “I hope all will come out
+right. If it does we can try the combination in other places.”
+
+
+
+
+CHAPTER XXVII.
+UNEXPECTED HONORS.
+
+
+The next morning at breakfast, Professor Riccabocca handed Philip a
+copy of the Wilkesville Daily Bulletin. Pointing to a paragraph on the
+editorial page, he said, in a tone of pride and satisfaction:
+
+“Read that, Mr. de Gray.”
+
+It ran thus:
+
+“We congratulate the citizens of Wilkesville on the remarkable
+entertainment which they will have an opportunity of enjoying this
+evening at the Music Hall. Professor Lorenzo Riccabocca, whose fame as
+an elocutionist and dramatic reader has made his name a household word
+throughout Europe and America, will give some of his choice recitals
+and personations, assisted by Philip de Gray, the wonderful
+boy-musician, whose talent as a violin-player has been greeted with
+rapturous applause in all parts of the United States. It is universally
+acknowledged that no one of his age has ever equaled him. He, as well
+as Professor Riccabocca, will give but a limited series of
+entertainments in this country, having received flattering inducements
+to cross the Atlantic, and appear professionally in London, Paris, and
+the chief cities of the Continent. Fifty cents is the pitiful sum for
+which our citizens will have it put in their power to hear this
+wonderful combination of talent. This secures a reserved seat.”
+
+Philip read this notice with increasing amazement.
+
+“What do you think of that, Mr. de Gray?” asked the professor
+gleefully. “Won’t that make Wilkesville open its eyes, eh?”
+
+“It has made me open my eyes, professor,” said Philip.
+
+“Ha, ha!” said the professor, appearing amused.
+
+“How soon are we to sail for Europe?” asked Philip, smiling.
+
+“When Queen Victoria sends our passage-money,” answered Riccabocca,
+laughing.
+
+“I see that your name is a household word in Europe. Were you ever
+there?”
+
+“Never.”
+
+“Then how can that be?”
+
+“Mr. de Gray, your performances have been greeted with applause in all
+parts of the United States. How do you explain that?”
+
+“I don’t pretend to explain it. I wasn’t aware that my name had ever
+been heard of a hundred miles from here.”
+
+“It has not, but it will be. I have only been predicting a little. The
+paragraph isn’t true now, but it will be some time, if we live and
+prosper.”
+
+“But I don’t like to be looked upon as a humbug, professor,” said
+Philip uneasily.
+
+“You won’t be. You are really a fine player, or I wouldn’t consent to
+appear with you. The name of Riccabocca, Mr. de Gray, I may truthfully
+say, is well known. I have appeared in the leading cities of America.
+They were particularly enthusiastic in Chicago,” he added pensively. “I
+wish I could find a paragraph from one of their leading papers,
+comparing my rendering of the soliloquy in ‘Hamlet’ to Edwin Booth’s,
+rather to the disadvantage of that tragedian.”
+
+“I would like to read the notice,” said Philip, who had very strong
+doubts as to whether such a paragraph had ever appeared in print.
+
+“You shall see it. It will turn up somewhere. I laid it aside
+carefully, for I confess, Mr. de Gray, it gratified me much. I have
+only one thing to regret: I should myself have gone on the stage, and
+essayed leading tragic roles. It may not be too late now. What do you
+think?”
+
+“I can tell better after I have heard you, professor,” answered Philip.
+
+“True, you can. Mr. de Gray,” continued the professor, lowering his
+voice, “notice how much attention we are receiving from the guests at
+the tables. They have doubtless read the notice of our evening
+entertainment.”
+
+Philip looked round the room, which was of good size, and contained
+some thirty or more guests, and he saw that the professor was right.
+
+He met several curious glances, some fair ladies expressing interest as
+well as curiosity, and his face flushed.
+
+“Gratifying, isn’t it?” said the professor, smiling.
+
+“No, I don’t think it is,” answered our hero.
+
+“Why not?” demanded Professor Riccabocca, appearing amazed.
+
+“If all were true, it might be,” replied Philip. “As it is, I feel like
+a humbug.”
+
+“Humbug pays in this world,” said the professor cheerfully. “By the
+way, there’s another little paragraph to which I will call your
+attention.”
+
+Philip read this additional item:
+
+“We understand that Professor Riecabocca and Mr. Philip de Gray have
+received a cable despatch from the Prince of Wales, inviting them to
+instruct his sons in elocution and music, at a very liberal salary.
+They have this proposal under consideration, though they are naturally
+rather reluctant to give up the plaudits of the public, even for so
+honorable a position.”
+
+“Professor Riccabocca,” said Philip, considerably annoyed by this
+audacious invention, “you ought to have consulted me before publishing
+such a falsehood as this.”
+
+“Falsehood, Mr. de Gray? Really I’m shocked! Gentlemen don’t use such
+words, or make such charges.”
+
+“You don’t mean to say it’s true that we have received any such
+telegram?”
+
+“No; of course not.”
+
+“Then why didn’t I use the right word?”
+
+“It’s an innocent little fiction, my young friend—a fiction that will
+do no one any harm, but will cause us to be regarded with extraordinary
+interest.”
+
+Here the thought occurred to Philip that he, the future instructor of
+British royalty, had only just escaped from a poorhouse, and it seemed
+to him so droll that he burst out laughing.
+
+“Why do you laugh, Mr. de Gray?” asked the professor, a little
+suspiciously.
+
+“I was thinking of something amusing,” said Philip.
+
+“Well, well! We shall have cause to laugh when we play this evening to
+a crowded house.”
+
+“I hope so. But, professor, if we keep together, you mustn’t print any
+more such paragraphs about me. Of course, I am not responsible for what
+you say about yourself.”
+
+“Oh, it will be all right!” said Riccabocca. “What are you going to do
+with yourself?”
+
+“I shall practice a little in my room, for I want to play well
+to-night. When I get tired I shall take a walk.”
+
+“Very wise—very judicious. I don’t need to do it, being, as I may say,
+a veteran reader. I wouldn’t rehearse if I were to play this evening
+before the president and all the distinguished men of the nation.”
+
+“I don’t feel so confident of myself,” said Philip.
+
+“No, of course not. By the way, can you lend me fifty cents, Mr. de
+Gray?”
+
+“Certainly.”
+
+“I don’t want to break a ten.”
+
+Professor Riccabocca didn’t mention that the only ten he had was a
+ten-cent piece.
+
+Slipping Philip’s half-dollar into his vest pocket, he said carelessly:
+
+“We’ll take this into the account when we divide the proceeds of the
+entertainment.”
+
+“Very well,” said Philip.
+
+He went up to his room and played for an hour or more, rehearsing the
+different pieces he had selected for the evening, and then, feeling the
+need of a little fresh air, he took a walk.
+
+In different parts of the town he saw posters, on which his name was
+printed in large letters.
+
+“It seems almost like a joke!” he said to himself.
+
+Just then he heard his name called, and, looking up, he recognized a
+young fellow, of sixteen or thereabouts, who had formerly lived in
+Norton. It seemed pleasant to see a familiar face.
+
+“Why, Morris Lovett,” he exclaimed “I didn’t know you were here!”
+
+“Yes; I’m clerk in a store. Are you the one that is going to give an
+entertainment tonight?”
+
+“Yes,” answered Philip, smiling.
+
+“I didn’t know you were such a great player,” said Morris, regarding
+our hero with new respect.
+
+He had read the morning paper.
+
+“Nor I,” said Philip, laughing.
+
+“Are you going to Europe soon?”
+
+“It isn’t decided yet!” Philip answered, laughing.
+
+“I wish I had your chance.”
+
+“Come and hear me this evening, at any rate,” said Philip. “Call at the
+hotel, at six o’clock, and I’ll give you a ticket.”
+
+“I’ll be sure to come,” said Morris, well pleased.
+
+
+
+
+CHAPTER XXVIII.
+A TRIUMPHANT SUCCESS.
+
+
+Philip took another walk in the afternoon, and was rather amused to see
+how much attention he received. When he drew near the hotel he was
+stared at by several gaping youngsters, who apparently were stationed
+there for no other purpose. He overheard their whispers:
+
+“That’s him! That’s Philip de Gray, the wonderful fiddler!”
+
+“I never suspected, when I lived at Norton, that I was so much of a
+curiosity,” he said to himself. “I wish I knew what they’ll say about
+me to-morrow.”
+
+At six o’clock Morris Lovett called and received his ticket.
+
+“You’ll have a big house to-night, Philip,” he said. “I know a lot of
+fellows that are going.”
+
+“I am glad to hear it,” said Philip, well pleased, for he concluded
+that if such were the case his purse would be considerably heavier the
+next day.
+
+“It’s strange how quick you’ve come up;” said Morris. “I never expected
+you’d be so famous.”
+
+“Nor I,” said Philip, laughing.
+
+“I’d give anything if I could have my name posted round like yours.”
+
+“Perhaps you will have, some time.”
+
+“Oh, no! I couldn’t play more’n a pig,” said Morris decidedly. “I’ll
+have to be a clerk, and stick to business.”
+
+“You’ll make more money in the end that way, Morris, even if your name
+isn’t printed in capitals.”
+
+They retired into a small room adjoining the stage, to prepare for
+their appearance.
+
+The professor rubbed his hands in glee.
+
+“Did you see what a house we have, Mr. de Gray?”
+
+“Yes, professor.”
+
+“I think there’ll be a hundred dollars over and above expenses.”
+
+“That will be splendid!” said Philip, naturally elated.
+
+“The firm of Riccabocca and De Gray is starting swimmingly.”
+
+“So it is. I hope it will continue so.”
+
+“Here is the program, Mr. de Gray. You will observe that I appear
+first, in my famous soliloquy. You will follow, with the ‘Carnival of
+Venice.’ Do you feel agitated?”
+
+“Oh, no. I am so used to playing that I shall not feel at all bashful.”
+
+“That is well.”
+
+“I would like to be on the stage, professor, to hear you.”
+
+“Certainly. I have anticipated your desire, and provided an extra
+chair.”
+
+The time came, and Professor Riccabocca stepped upon the stage, his
+manner full of dignity, and advanced to the desk. Philip took a chair a
+little to the rear.
+
+Their entrance was greeted by hearty applause. The professor made a
+stately bow, and a brief introductory speech, in which he said several
+things about Philip and himself which rather astonished our hero. Then
+he began to recite the soliloquy.
+
+Probably it was never before so amazingly recited. Professor
+Riccabocca’s gestures, facial contortions, and inflections were very
+remarkable. Philip almost suspected that he was essaying a burlesque
+role.
+
+The mature portion of the audience were evidently puzzled, but the
+small boys were delighted, and with some of the young men, stamped
+vigorously at the close.
+
+Professor Riccabocea bowed modestly, and said:
+
+“Gentlemen and ladies, you will now have the pleasure of listening to
+the young and talented Philip de Gray, the wonderful boy-musician, in
+his unrivaled rendition of the ‘Carnival of Venice.’”
+
+Philip rose, coloring a little with shame at this high-flown
+introduction, and came forward.
+
+All applauded heartily, for sympathy is always felt for a young
+performer, especially when he has a manly bearing and an attractive
+face, such as our hero possessed.
+
+Philip was determined to do his best. Indeed, after being advertised
+and announced as a boy wonder, he felt that he could not do otherwise.
+
+He commenced, and soon lost himself in the music he loved so well, so
+that before he had half finished he had quite forgotten his audience,
+and half started at the boisterous applause which followed. He bowed
+his acknowledgments, but found this would not do.
+
+He was forced to play it a second time, greatly to the apparent
+satisfaction of the audience. It was clear that, whatever might be
+thought of Professor Riccabocea’s recitation, the young violinist had
+not disappointed his audience.
+
+Philip could see, in a seat near the stage, the beaming face of his
+friend Morris Lovett, who was delighted at the success of his old
+acquaintance, and anticipated the reflected glory which he received,
+from its being known that he was a friend of the wonderful young
+musician.
+
+Professor Riccabocca came forward again, and recited a poem called “The
+Maniac,” each stanza ending with the line: “I am not mad, but soon
+shall be.”
+
+He stamped, raved, tore his hair, and made altogether a very grotesque
+appearance.
+
+Philip could hardly forbear laughing, and some of the boys in the front
+seats didn’t restrain themselves. Some of the older people wondered how
+such a man should be selected by the Prince of Wales to instruct his
+sons in elocution—not suspecting that the newspaper paragraph making
+mention of this was only a daring invention of the eminent professor.
+
+Next came another musical selection by Philip, which was as cordially
+received as the first.
+
+I do not propose to weary the reader by a recital of the program and a
+detailed account of each performance. It is enough to say that
+Professor Riccabocca excited some amusement, but was only tolerated for
+the sake of Philip’s playing.
+
+Naturally, our hero was better received on account of his youth, but
+had he been twice as old his playing would have given satisfaction and
+pleasure.
+
+So passed an hour and a half, and the musical entertainment was over.
+Philip felt that he had reason to be satisfied. Highly as he had been
+heralded, no one appeared to feel disappointed by his part of the
+performance.
+
+“Mr. de Gray,” said the professor, when they reached the hotel, “you
+did splendidly. We have made a complete success.”
+
+“It is very gratifying,” said Philip.
+
+“I felt sure that the public would appreciate us. I think I managed
+everything shrewdly.”
+
+“How much was paid in at the door?” asked Philip, who naturally felt
+interested in this phase of success.
+
+“One hundred and forty-five dollars and a half!” answered the
+professor.
+
+Philip’s eyes sparkled.
+
+“And how much will that be over and above expenses?” he asked.
+
+“My dear Mr. de Gray, we will settle all bills, and make a fair and
+equitable division, in the morning. I think there will be a little more
+than fifty dollars to come to each of us.”
+
+“Fifty dollars for one evening’s work!” repeated Philip, his eyes
+sparkling.
+
+“Oh, I have done much better than that,” said the professor. “I
+remember once at St. Louis I made for myself alone one hundred and
+eighty dollars net, and in Chicago a little more.”
+
+“I didn’t think it was such a money-making business,” said Philip,
+elated.
+
+“Yes, Mr. de Gray, the American people are willing to recognize talent,
+when it is genuine. You are on the threshold of a great career, my dear
+young friend.”
+
+“And only a week since I was in the Norton Poorhouse,” thought Philip.
+“It is certainly a case of romance in real life.”
+
+The two went to bed soon, being fatigued by their exertions. The
+apartment was large, and contained two beds, a larger and smaller one.
+The latter was occupied by our hero.
+
+When he awoke in the morning, the sun was shining brightly into the
+room. Philip looked toward the opposite bed. It was empty.
+
+“Professor Riccabocca must have got up early,” he thought. “Probably he
+did not wish to wake me.”
+
+He dressed and went downstairs.
+
+“Where is the professor?” he asked of the clerk.
+
+“He started away two hours since—said he was going to take a walk. Went
+away without his breakfast, too. He must be fond of walking.”
+
+Philip turned pale. He was disturbed by a terrible suspicion. Had the
+professor gone off for good, carrying all the money with him?
+
+
+
+
+CHAPTER XXIX.
+BESET BY CREDITORS.
+
+
+Philip was still a boy, and though he had discovered that the professor
+was something of a humbug, and a good deal of a braggart, it had not
+for a moment occurred to him that he would prove dishonest. Even now he
+did not want to believe it, though he was nervously apprehensive that
+it might prove true.
+
+“I will take my breakfast,” he said, as coolly as was possible, “and
+the professor will probably join me before I am through.”
+
+The clerk and the landlord thought otherwise. They were pretty well
+convinced that Riccabocca was dishonest, and quietly sent for those to
+whom the “combination” was indebted: namely, the printer and publisher
+of the Daily Bulletin, the agent of the music-hall, and the
+bill-sticker who had posted notices of the entertainment. These parties
+arrived while Philip was at breakfast.
+
+“Gentlemen,” said the landlord, “the boy is at breakfast. I think he is
+all right, but I don’t know. The professor, I fear, is a swindle.”
+
+“The boy is liable for our debts,” said the agent. “He belongs to the
+combination.”
+
+“I am afraid he is a victim as well as you,” said the landlord. “He
+seemed surprised to hear that the professor had gone out.”
+
+“It may all be put on. Perhaps he is in the plot, and is to meet the
+old fraud at some place fixed upon, and divide the booty,” suggested
+the agent.
+
+“The boy looks honest,” said the landlord. “I like his appearance. We
+will see what he has to say.”
+
+So when Philip had finished his breakfast he was summoned to the
+parlor, where he met the creditors of the combination.
+
+“These gentlemen,” said the landlord, “have bills against you and the
+professor. It makes no difference whether they receive pay from you or
+him.”
+
+Poor Philip’s heart sank within him.
+
+“I was hoping Professor Riccabocca had settled your bills,” he said.
+“Please show them to me.”
+
+This was done with alacrity.
+
+Philip found that they owed five dollars for the hall, five dollars for
+advertising and printing, and one dollar for bill-posting—eleven
+dollars in all.
+
+“Mr. Gates,” said our hero uneasily, to the landlord, “did Professor
+Riccabocca say anything about coming back when he went out this
+morning?”
+
+“He told my clerk he would be back to breakfast,” said the landlord;
+adding, with a shrug of the shoulders: “That was two hours and a half
+ago. He can’t be very hungry.”
+
+“He didn’t pay his bill, I suppose?”
+
+“No, of course not. He had not given up his room.”
+
+Philip became more and more uneasy.
+
+“Didn’t you know anything about his going out?” asked the landlord.
+
+“No, sir. I was fast asleep.”
+
+“Is the professor in the habit of taking long morning walks?”
+
+“I don’t know.”
+
+“That is strange, since you travel together,” remarked the publisher.
+
+“I never saw him till day before yesterday,” said Philip.
+
+The creditors looked at each other significantly. They began to suspect
+that Philip also was a victim.
+
+“Do you know how much money was received for tickets last evening?”
+
+“About a hundred and fifty dollars.”
+
+“How much of this were you to receive?”
+
+“Half of what was left after the bills were paid.”
+
+“Have you received it?” asked the agent.
+
+“Not a cent,” answered Philip.
+
+“What do you think about the situation?”
+
+“I think that Professor Riccabocca has swindled us all,” answered
+Philip promptly.
+
+“Our bills ought to be paid,” said the agent, who was rather a hard man
+in his dealings.
+
+“I agree with you,” said Philip. “I wish I were able to pay them, but I
+have only six dollars in my possession.”
+
+“That will pay me, and leave a dollar over,” suggested the agent.
+
+“If it comes to that,” said the printer, “I claim that I ought to be
+paid first.”
+
+“I am a poor man,” said the bill-sticker. “I need my money.”
+
+Poor Philip was very much disconcerted. It was a new thing for him to
+owe money which he could not repay.
+
+“Gentlemen,” he said, “I have myself been cheated out of fifty dollars,
+at least—my share of the profits. I wish I could pay you all. I cannot
+do so now. Whenever I can I will certainly do it.”
+
+“You can pay us a part with the money you have,” said the agent.
+
+“I owe Mr. Gates for nearly two days’ board,” he said. “That is my own
+affair, and I must pay him first.”
+
+“I don’t see why he should be preferred to me,” grumbled the agent;
+then, with a sudden, happy thought, as he termed it, he said: “I will
+tell you how you can pay us all.”
+
+“How?” asked Philip.
+
+“You have a violin. You can sell that for enough to pay our bills.”
+
+Poor Philip! His violin was his dependence. Besides the natural
+attachment he felt for it, he relied upon it to secure him a living,
+and the thought of parting with it was bitter.
+
+“Gentlemen,” he said, “if you take my violin, I have no way of making a
+living. If you will consider that I, too, am a victim of this man, I
+think you will not wish to inflict such an injury upon me.”
+
+“I do not, for one,” said the publisher. “I am not a rich man, and I
+need all the money that is due me, but I wouldn’t deprive the boy of
+his violin.”
+
+“Nor I,” said the bill-sticker.
+
+“That’s all very fine,” said the agent; “but I am not so soft as you
+two. Who knows but the boy is in league with the professor?”
+
+“I know it!” said the landlord stoutly. “The boy is all right, or I am
+no judge of human nature.”
+
+“Thank you, Mr. Gates,” said Philip, extending his hand to his generous
+defender.
+
+“Do you expect we will let you off without paying anything?” demanded
+the agent harshly.
+
+“If I live, sir, you shall lose nothing by me,” said Philip.
+
+“That won’t do!” said the man coarsely. “I insist upon the fiddle being
+sold. I’ll give five dollars for it, and call it square.”
+
+“Mr. Gunn,” said the landlord, in a tone of disgust, “since you are
+disposed to persecute this boy, I will myself pay your bill, and trust
+to him to repay me when he can.”
+
+“But, Mr. Gates—” said Philip.
+
+“I accept!” said the agent, with alacrity.
+
+“Receipt your bill,” said the landlord.
+
+Mr. Gunn did so, and received a five-dollar bill in return.
+
+“Now sir,” said the landlord coldly, “if you have no further business
+here, we can dispense with your company.”
+
+“It strikes me you are rather hard on a man because he wants to be paid
+his honest dues!” whined Gunn, rather uncomfortably.
+
+“We understand you, sir,” said the landlord. “We have not forgotten how
+you turned a poor family into the street, in the dead of winter,
+because they could not pay their rent.”
+
+“Could I afford to give them house-room?” inquired Gunn.
+
+“Perhaps not. At any rate, I don’t feel inclined to give you house-room
+any longer.”
+
+Mr. Gunn slunk out of the room, under the impression that his company
+was no longer desired.
+
+“Mr. Gray,” said the publisher, “I hope you don’t class me with the man
+who has just gone out. I would sooner never be paid than deprive you of
+your violin. Let the account stand, and if you are ever able to pay me
+half of my bill—your share—I shall be glad to receive it.”
+
+“Thank you, sir!” said Philip, “You shall not repent your confidence in
+me.”
+
+“I say ditto to my friend, the publisher,” said the bill-poster.
+
+“Wait a moment, gentlemen,” said Philip. “There is a bare possibility
+that I can do something for you.”
+
+For the first time since he left Norton he thought of the letter which
+he was not to open till he was fifty miles from Norton.
+
+“Mr. Gates,” he said, “can you tell me how far Norton is from here?”
+
+“About sixty miles,” answered the landlord in surprise.
+
+“Then it’s all right.”
+
+
+
+
+CHAPTER XXX.
+A TIMELY GIFT.
+
+
+The reader has not forgotten that Farmer Lovett, when Philip refused to
+accept any compensation for assisting to frustrate the attempt at
+burglary, handed him a sealed envelope, which he requested him not to
+open till he was fifty miles away from Norton.
+
+Philip had carried this about in his pocket ever since. He had thought
+of it as likely to contain some good advice at the time; but it had
+since occurred to him that the farmer had not had time to write down
+anything in that line.
+
+He was disposed to think that the mysterious envelope might contain a
+five-dollar bill, as a slight acknowledgment of his services.
+
+Though Philip had declined receiving any payment, it did seem to him
+now that this amount of money would relieve him from considerable
+embarrassment. He therefore drew a penknife from his pocket and cut
+open the envelope.
+
+What was his amazement when he drew out three bills—two twenties and a
+ten—fifty dollars in all! There was a slip of paper, on which was
+written, in pencil:
+
+“Don’t hesitate to use this money, if you need it, as you doubtless
+will. I can spare it as well as not, and shall be glad if it proves of
+use to one who has done me a great service. JOHN LOVETT.”
+
+“What’s that!” asked the landlord, regarding Philip with interest.
+
+“Some money which I did not know I possessed,” answered Philip.
+
+“How much is there?”
+
+“Fifty dollars.”
+
+“And you didn’t know you had it?” asked the publisher—rather
+incredulously, it must be owned.
+
+“No, sir; I was told not to open this envelope till I was fifty miles
+away from where it was given me. Of course, Mr. Gates, I am now able to
+pay all my bills, and to repay you for what you handed Mr. Gunn.”
+
+“I am pleased with your good fortune,” said the landlord cordially.
+
+“Thank you, sir.”
+
+“But I am sorry your knavish partner has cheated you out of so much
+money.”
+
+“I shall make him pay it if I can,” said Philip resolutely.
+
+“I approve your pluck, and I wish you success.”
+
+“He owes you money, too, Mr. Gates. Give me the bill, and I will do my
+best to collect it.”
+
+“If you collect it, you may have it,” said Gates. “I don’t care much
+for the money, but I should like to have the scamp compelled to fork it
+over.”
+
+“I wish I knew where he was likely to be,” said Philip.
+
+“He may go to Knoxville,” suggested the publisher.
+
+“How far is that?”
+
+“Ten miles.”
+
+“What makes you think he will go to Knoxville?” asked the landlord.
+
+“He may think of giving a performance there. It is a pretty large
+place.”
+
+“But wouldn’t he be afraid to do it, after the pranks he has played
+here?”
+
+“Perhaps so. At any rate, he is very likely to go there.”
+
+“I will go there and risk it,” said Philip. “He needn’t think he is
+going to get off so easily, even if it is only a boy he has cheated.”
+
+“That’s the talk, Mr. Gray!” said the landlord. “How are you going?” he
+asked, a minute later.
+
+“I can walk ten miles well enough,” answered Philip.
+
+He had considerable money now, but he reflected that he should probably
+need it all, especially if he did not succeed in making the professor
+refund, and decided that it would be well to continue to practice
+economy.
+
+“I have no doubt you can,” said the landlord, “but it will be better
+not to let the professor get too much the start of you. I will myself
+have a horse harnessed, and take you most of the distance in my buggy.”
+
+“But, Mr. Gates, won’t it be putting you to a great deal of trouble?”
+
+“Not at all. I shall enjoy a ride this morning, and the road to
+Knoxville is a very pleasant one.”
+
+“Let me pay something for the ride, then.”
+
+“Not a cent. You will need all your money, and I can carry you just as
+well as not,” said the landlord heartily.
+
+“I am very fortunate in such a kind friend,” said Philip gratefully.
+
+“Oh, it isn’t worth talking about! Here, Jim, go out and harness the
+horse directly.”
+
+When the horse was brought round, Philip was all ready, and jumped in.
+
+“Would you like to drive, Mr. Gray?” asked the landlord.
+
+“Yes,” answered Philip, with alacrity.
+
+“Take the lines, then,” said the landlord.
+
+Most boys of Philip’s age are fond of driving, and our hero was no
+exception to the rule, as the landlord supposed.
+
+“You’ll promise not to upset me,” said Mr. Gates, smiling. “I am
+getting stout, and the consequences might be serious.”
+
+“Oh, I am used to driving,” said Philip, “and I will take care not to
+tip over.”
+
+The horse was a good one, and to Philip’s satisfaction, went over the
+road in good style.
+
+Philip enjoyed driving, but, of course, his mind could not help
+dwelling on the special object of his journey.
+
+“I hope we are on the right track,” he said. “I shouldn’t like to miss
+the professor.”
+
+“You will soon know, at any rate,” said Gates. “It seems to me,” he
+continued, “that Riccabocca made a great mistake in running off with
+that money.”
+
+“He thought it would be safe to cheat a boy.”
+
+“Yes; but admitting all that, you two were likely to make money. In
+Wilkesville your profits were a hundred dollars in one evening. Half of
+that belonged to the professor, at any rate. He has lost his partner,
+and gained only fifty dollars, which would not begin to pay him for
+your loss.”
+
+“Perhaps he thought he would draw as well alone.”
+
+“Then he is very much mistaken. To tell the plain truth, our people
+thought very little of his share of the performance. I saw some of them
+laughing when he was ranting away. It was you they enjoyed hearing.”
+
+“I am glad of that,” said Philip, gratified.
+
+“There’s no humbug about your playing. You understand it. It was you
+that saved the credit of the evening, and sent people away well
+satisfied.”
+
+“I am glad of that, at any rate, even if I didn’t get a cent for my
+playing,” said Philip, well pleased.
+
+“The money’s the practical part of it,” said the landlord. “Of course,
+I am glad when travelers like my hotel, but if they should run off
+without paying, like the professor, I shouldn’t enjoy it so much.”
+
+“No, I suppose not,” said Philip, with a laugh.
+
+They had ridden some seven miles, and were, therefore, only three miles
+from Knoxville, without the slightest intimation as to whether or not
+they were on the right track.
+
+To be sure, they had not expected to obtain any clue so soon, but it
+would have been very satisfactory, of course, to obtain one.
+
+A little farther on they saw approaching a buggy similar to their own,
+driven by a man of middle age. It turned out to be an acquaintance of
+the landlord’s, and the two stopped to speak.
+
+“Going to Knoxville on business, Mr. Gates?” asked the newcomer.
+
+“Well, not exactly. I am driving this young man over. By the way, have
+you seen anything of a tall man, with long, black hair, dressed in
+black?”
+
+“Yes. Do you want to see him?”
+
+“This young man has some business with him. Where did you see him?”
+
+“He arrived at our hotel about an hour since, I calculate.”
+
+Philip’s heart bounded with satisfaction at this important news.
+
+“Did he put up there?”
+
+“Yes. I believe he is going to give a reading this evening.”
+
+“Thank you!”
+
+“The professor must be a fool!” said the landlord, as they drove away.
+
+“I begin to think so myself,” replied Philip.
+
+“That’s all in our favor, however. We shall get back that money yet.”
+
+The horse was put to his speed, and in fifteen minutes they reached
+Knoxville.
+
+
+
+
+CHAPTER XXXI.
+THE PROFESSOR’S FLIGHT.
+
+
+Professor Lorenzo Riccabocca was not a wise man. It would have been
+much more to his interest to deal honestly with Philip, paying his
+share of the profits of the first performance, and retaining his
+services as associate and partner.
+
+But the professor was dazzled by the money, and unwilling to give it
+up. Moreover, he had the vanity to think that he would draw nearly as
+well alone, thus retaining in his own hands the entire proceeds of any
+entertainments he might give.
+
+When he met Philip on the road he was well-nigh penniless. Now,
+including the sum of which he had defrauded our hero and his creditors
+in Wilkesville, he had one hundred and fifty dollars.
+
+When the professor went to bed, he had not formed the plan of deserting
+Philip; but, on awaking in the morning, it flashed upon him as an
+excellent step which would put money in his pocket.
+
+He accordingly rose, dressed himself quietly, and, with one cautious
+look at Philip—who was fast asleep—descended the stairs to the office.
+
+Only the bookkeeper was in the office.
+
+“You are stirring early, professor,” he said.
+
+“Yes,” answered Riccabocca, “I generally take a morning walk, to get an
+appetite for breakfast.”
+
+“My appetite comes without the walk,” said the bookkeeper, smiling.
+
+“If Mr. de Gray comes downstairs, please tell him I will be back soon,”
+said Riccabocca.
+
+The bookkeeper readily promised to do this, not having the slightest
+suspicion that the distinguished professor was about to take French
+leave.
+
+When Professor Riccabocca had walked half a mile he began to feel
+faint. His appetite had come.
+
+“I wish I had stopped to breakfast,” he reflected. “I don’t believe De
+Gray will be down for an hour or two.”
+
+It was too late to go back and repair his mistake. That would spoil
+all. He saw across the street a baker’s shop, just opening for the day,
+and this gave him an idea.
+
+He entered, bought some rolls, and obtained a glass of milk, and,
+fortified with these, he resumed his journey.
+
+He had walked three miles, when he was over-taken by a farm wagon,
+which was going his way.
+
+He hailed the driver—a young man of nineteen or thereabouts—ascertained
+that he was driving to Knoxville, and, for a small sum, secured passage
+there.
+
+This brings us to the point of time when Philip and Mr. Gates drove up
+to the hotel at Knoxville.
+
+“I can see the professor,” said Philip, in eager excitement, when they
+had come within a few rods of the inn.
+
+“Where is he?”
+
+“He is in the office, sitting with his back to the front window. I
+wonder what he will have to say for himself?”
+
+“So do I,” said the landlord curiously.
+
+“Shall we go in together?” questioned Philip.
+
+“No; let us surprise him a little. I will drive around to the sheds
+back of the hotel, and fasten my horse. Then we will go round to the
+front, and you can go in, while I stand outside, ready to appear a
+little later.”
+
+Philip thought this a good plan. He enjoyed the prospect of confronting
+the rogue who had taken advantage of his inexperience, and attempted
+such a bold scheme of fraud. He didn’t feel in the least nervous, or
+afraid to encounter the professor, though Riccabocca was a man and he
+but a boy. When all was ready, Philip entered through the front door,
+which was open, and, turning into the office, stood before the
+astonished professor.
+
+The latter started in dismay at the sight of our hero. He thought he
+might be quietly eating breakfast ten miles away, unsuspiciously
+waiting for his return. Was his brilliant scheme to fail? He quickly
+took his resolution—a foolish one. He would pretend not to know Philip.
+
+“Well, Professor Riccabocca,” Philip said, in a sarcastic tone, “you
+took rather a long walk this morning.”
+
+The professor looked at him vacantly.
+
+“Were you addressing me?” he inquired.
+
+“Yes, sir,” answered Philip, justly provoked.
+
+“I haven’t the pleasure of your acquaintance, young man.”
+
+“I wish I hadn’t the pleasure of yours,” retorted Philip.
+
+“Do you come here to insult me?” demanded Riccabocca, frowning.
+
+“I came here to demand my share of the money received for the
+entertainment last evening, as well as the money paid for the hall, the
+printer, and bill-poster.”
+
+“You must be crazy!” said Riccabocca, shrugging his shoulders. “I don’t
+know you. I don’t owe you any money.”
+
+“Do you mean to say we didn’t give an entertainment together last
+evening at Wilkesville?” asked Philip, rather taken aback by the man’s
+sublime impudence.
+
+“My young friend, you have been dreaming. Prove what you say and I will
+admit your claim.”
+
+Up to this point those present, deceived by the professor’s coolness,
+really supposed him to be in the right. That was what Riccabocca
+anticipated, and hoped to get off before the discovery of the truth
+could be made. But he did not know that Philip had a competent witness
+at hand.
+
+“Mr. Gates!” called Philip.
+
+The portly landlord of the Wilkesville Hotel entered the room, and
+Riccabocca saw that the game was up.
+
+“Mr. Gates, will you be kind enough to convince this gentleman that he
+owes me money?” asked Philip.
+
+“I think he won’t deny it now,” said Gates significantly. “He walked
+off from my hotel this morning, leaving his bill unpaid. Professor
+Riccabocca, it strikes me you had better settle with us, unless you
+wish to pass the night in the lockup.”
+
+Professor Riccabocca gave a forced laugh.
+
+“Why, Mr. de Gray,” he said, “you ought to have known that I was only
+playing a trick on you.”
+
+“I supposed you were,” said Philip.
+
+“No, I don’t mean that. I was only pretending I didn’t know you, to see
+if I could act naturally enough, to deceive you.”
+
+“Why did you desert me?” asked Philip suspiciously.
+
+“I started to take a walk—didn’t the bookkeeper tell you?—and finding a
+chance to ride over here, thought I would do so, and make arrangements
+for our appearance here. Of course, I intended to come back, and pay
+our good friend, the landlord, and give you your share of the common
+fund.”
+
+Neither Gates nor Philip believed a word of this. It seemed to them
+quite too transparent.
+
+“You may as well pay us now, Professor Riccabocca,” said the landlord
+dryly.
+
+“I hope you don’t suspect my honor or integrity,” said Riccabocca,
+appearing to be wounded at the thought.
+
+“Never mind about that,” said Mr. Gates shortly. “Actions speak louder
+than words.”
+
+“I am quite ready to settle—quite,” said the professor. “The money is
+in my room. I will go up and get it.”
+
+There seemed to be no objection to this, and our two friends saw him
+ascend the staircase to the second story. Philip felt pleased to think
+that he had succeeded in his quest, for his share of the concert money
+would be nearly seventy dollars. That, with the balance of the money;
+received from Farmer Lovett, would make over a hundred dollars.
+
+They waited five minutes, and the professor did not come down.
+
+“What can keep him?” said Philip.
+
+Just then one of the hostlers entered and caught what our hero had
+said.
+
+“A man has just run out of the back door,” he said, “and is cutting
+across the fields at a great rate.”
+
+“He must have gone down the back stairs,” said the clerk.
+
+“In what direction would he go?” asked Philip hastily.
+
+“To the railroad station. There is a train leaves in fifteen minutes.”
+
+“What shall we do, Mr. Gates?” asked Philip, in dismay.
+
+“Jump into my buggy. We’ll get to the depot before the train starts. We
+must intercept the rascal.”
+
+
+
+
+CHAPTER XXXII.
+THE RACE ACROSS FIELDS.
+
+
+It so happened that Professor Riccabocca had once before visited
+Knoxville, and remembered the location of the railroad station.
+Moreover, at the hotel, before the arrival of Philip, he had consulted
+a schedule of trains posted up in the office, and knew that one would
+leave precisely at ten o’clock.
+
+The impulse to leave town by this train was sudden. He had in his
+pocket the wallet containing the hundred and fifty dollars, of which a
+large part belonged to Philip, and could have settled at once, without
+the trouble of going upstairs to his room.
+
+He only asked leave to go up there in order to gain time for thought.
+At the head of the staircase he saw another narrower flight of stairs
+descending to the back of the house. That gave him the idea of eluding
+his two creditors by flight.
+
+I have said before that Professor Riccabocca was not a wise man, or he
+would have reflected that he was only postponing the inevitable
+reckoning. Moreover, it would destroy the last chance of making an
+arrangement with Philip to continue the combination, which thus far had
+proved so profitable.
+
+The professor did not take this into consideration, but dashed down the
+back stairs, and opened the back door into the yard.
+
+“Do you want anything, sir?” asked a maidservant, eyeing the professor
+suspiciously.
+
+“Nothing at all, my good girl,” returned the professor.
+
+“You seem to be in a hurry,” she continued, with renewed suspicion.
+
+“So I am. I am in a great hurry to meet an engagement.”
+
+“Why didn’t you go out the front door?” asked the girl.
+
+“Oh, bother! What business is it of yours?” demanded the professor
+impatiently.
+
+And, not stopping for further inquiries, he vaulted over a fence and
+took his way across the fields to the station.
+
+“Here, Sam,” called the girl, her suspicions confirmed that something
+was wrong, “go after that man as fast as you can!”
+
+This was addressed to a boy who was employed at the hotel to go on
+errands and do odd jobs.
+
+“What’s he done?” asked Sam.
+
+“I don’t know; but he’s either run off without paying his bill, or he’s
+stolen something.”
+
+“What good’ll it do me to chase him?” asked Sam.
+
+“If he’s cheated master, he’ll pay you for catching the man.”
+
+“That’s so,” thought Sam. “Besides, I’ll be a detective, just like that
+boy I read about in the paper. I’m off!”
+
+Fired by youthful ambition, Sam also vaulted the fence, and ran along
+the foot-path in pursuit of the professor.
+
+Lorenzo Riccabocca did not know he was pursued. He felt himself so safe
+from this, on account of the secrecy of his departure, that he never
+took the trouble to look behind him. He knew the way well enough, for
+the fields he was crossing were level, and half a mile away, perhaps a
+little more, he could see the roof of the brown-painted depot, which
+was his destination. Once there, he would buy a ticket, get on the
+train, and get started away from Knoxville before the troublesome
+acquaintances who were waiting for him to come down-stairs had any idea
+where he was gone.
+
+The professor ran at a steady, even pace, looking straight before him.
+His eyes were fixed on the haven of his hopes, and he did not notice a
+stone, of considerable size, which lay in his path. The result was that
+he stumbled over it, and fell forward with considerable force. He rose,
+jarred and sore, but there was no time to take account of his physical
+damages. He must wait till he got on the train.
+
+The force with which he was thrown forward was such that the wallet was
+thrown from his pocket, and fell in the grass beside the path. The
+professor went on his way, quite unconscious of his loss, but there
+were other eyes that did not overlook it.
+
+Sam, who was thirty rods behind, noticed Professor Riccabocca’s fall,
+and he likewise noticed the wallet when he reached the spot of the
+catastrophe.
+
+“My eyes!” he exclaimed, opening those organs wide in delight; “here’s
+luck! The old gentleman has dropped his pocketbook. Most likely it’s
+stolen. I’ll carry it back and give it to Mr. Perry.”
+
+Sam very sensibly decided that it wasn’t worth while to continue the
+pursuit, now that the thief, as he supposed Riccabocca to be, had
+dropped his booty.
+
+Sam was led by curiosity to open the wallet. When he saw the thick roll
+of bills, he was filled with amazement and delight.
+
+“Oh, what a rascal he was!” ejaculated the boy. “I guess he’s been
+robbing a safe. I wonder how much is here?”
+
+He was tempted to sit down on the grass and count the bills, but he was
+prevented by the thought that the professor might discover his loss,
+and returning upon his track, question him as to whether he had found
+it. Sam determined that he wouldn’t give it up, at any rate.
+
+“I guess I could wrastle with him,” he thought. “He looks rather
+spindlin’, but then he’s bigger than I am, and he might lick me, after
+all.”
+
+I desire to say emphatically that Sam was strictly honest, and never
+for a moment thought of appropriating any of the money to his own use.
+He felt that as a detective he had been successful, and this made him
+feel proud and happy.
+
+“I may as well go home,” he said. “If he’s stolen this money from Mr.
+Perry, I’ll come in for a reward.”
+
+Sam did not hurry, however. He was not now in pursuit of any one, and
+could afford to loiter and recover his breath.
+
+Meanwhile, Professor Riccabocca, in happy unconsciousness of his loss,
+continued his run to the station. He arrived there breathless, and
+hurried to the ticket-office.
+
+“Give me a ticket to Chambersburg,” he said.
+
+“All right, sir. Ninety cents.”
+
+If Riccabocca had been compelled to take out his wallet, he would at
+once have discovered his loss, and the ticket would not have been
+bought. But he had a two-dollar bill in his vest, and it was out of
+this that he paid for the ticket to Chambersburg. Armed with the
+ticket, he waited anxiously for the train. He had five minutes to
+wait—five anxious moments in which his flight might be discovered. He
+paced the platform, looking out anxiously for the train.
+
+At length he heard the welcome sound of the approaching locomotive. The
+train came to a stop, and among the first to enter it was the eminent
+elocutionist. He took a seat beside the window looking out toward the
+village. What did he see that brought such an anxious look in his face?
+
+A buggy was approaching the depot at breakneck speed. It contained Mr.
+Gates, the landlord, and the young musician. Mr. Gates was lashing the
+horse, and evidently was exceedingly anxious to arrive at the depot
+before the train started.
+
+Beads of perspiration stood on the anxious brow of the professor. His
+heart was filled with panic terror.
+
+“The girl must have told them of my flight,” he said to himself. “Oh,
+why didn’t I think to give her a quarter to keep her lips closed? Why
+doesn’t the train start?”
+
+The buggy was only about ten rods away. It looked as if Philip and his
+companion would be able to intercept the fugitive.
+
+Just then the scream of the locomotive was heard. The train began to
+move. Professor Riccabocca gave a sigh of relief.
+
+“I shall escape them after all,” he said triumphantly, to himself.
+
+He opened the window, and, with laughing face, nodded to his pursuers.
+
+“We’ve lost him!” said Philip, in a tone of disappointment. “What can
+we do?”
+
+“Find out where he is going, and telegraph to have him stopped,” said
+Mr. Gates. “That will put a spoke in his wheel.”
+
+
+
+
+CHAPTER XXXIII.
+THE LOST WALLET.
+
+
+Mr. Gates was acquainted with the depot-master, and lost no time in
+seeking him.
+
+“Too late for the train?” asked the latter, who observed in the
+landlord evidences of haste.
+
+“Not for the train, but for one of the passengers by the train,”
+responded the landlord. “Did you take notice of a man dressed in a
+shabby suit of black, wearing a soft hat and having very long black
+hair?”
+
+“Yes.”
+
+“Where is he going?” asked Mr. Gates eagerly.
+
+“He bought a ticket for Chambersburg.”
+
+“Ha! Well, I want you to telegraph for me to Chambersburg.”
+
+The station-master was also the telegraph-operator, as it chanced.
+
+“Certainly. Just write out your message and I will send it at once.”
+
+Mr. Gates telegraphed to a deputy sheriff at Chambersburg to be at the
+depot on arrival of the train, and to arrest and detain the professor
+till he could communicate further with him.
+
+“Now,” said he, turning to Philip, “I think we shall be able to stop
+the flight of your friend.”
+
+“Don’t call him my friend,” said Philip. “He is anything but a friend.”
+
+“You are right there. Well, I will amend and call him your partner.
+Now, Mr. de Gray—”
+
+“My name is Gray—not de Gray. The professor put in the ‘de’ because he
+thought it would sound foreign.”
+
+“I presume you have as much right to the name as he has to the title of
+professor,” said Gates.
+
+“I don’t doubt it,” returned Philip, smiling.
+
+“Well, as I was about to say, we may as well go back to the hotel, and
+await the course of events. I think there is some chance of your
+getting your money back.”
+
+When they reached the hotel, they found a surprise in store for them.
+
+Sam had carried the professor’s wallet to Mr. Perry, and been told by
+them to wait and hand it in person to Philip and his friend, Mr. Gates,
+who were then at the depot.
+
+When they arrived, Sam was waiting on the stoop, wallet in hand.
+
+“What have you got there, Sam?” asked Mr. Gates, who often came to
+Knoxville, and knew the boy. “It’s the wallet of that man you were
+after,” said Sam.
+
+“How did you get it?” asked Philip eagerly.
+
+“I chased him ’cross lots,” said Sam.
+
+“You didn’t knock him over and take the wallet from him, did you, Sam?”
+asked Mr. Gates.
+
+“Not so bad as that,” answered Sam, grinning. “You see, he tripped over
+a big rock, and came down on his hands and knees. The wallet jumped out
+of his pocket, but he didn’t see it. I picked it up and brought it
+home.”
+
+“Didn’t he know you were chasing him?”
+
+“I guess not. He never looked back.”
+
+“What made you think of running after him?”
+
+“One of the girls told me to. The way he ran out of the back door made
+her think there was something wrong.”
+
+“Suppose he had turned round?”
+
+“I guess I could have wrastled with him,” said Sam, to the amusement of
+those who heard him.
+
+“It is well you were not obliged to.”
+
+“Who shall I give the wallet to?” asked Sam.
+
+“Mr. Gray, here, is the professor’s partner, and half the money belongs
+to him. You can give it to him.”
+
+“Have I a right to take it?” asked Philip, who did not wish to do
+anything unlawful.
+
+He was assured that, as the business partner of the professor, he had
+as much right as Riccabocca to the custody of the common fund.
+
+“But half of it belongs to the professor.”
+
+“He’ll come back for it, in the custody of the sheriff. I didn’t think
+I was doing the man a good turn when I telegraphed to have him
+stopped.”
+
+The first thing Philip did was to take from his own funds a five-dollar
+bill, which he tendered to Sam.
+
+“Is it all for me?” asked the boy, his eyes sparkling his joy.
+
+“Yes; but for you I should probably have lost a good deal more. Thank
+you, besides.”
+
+And Philip offered his hand to Sam, who grasped it fervently.
+
+“I say, you’re a tip-top chap,” said Sam. “You ain’t like a man that
+lost a pocketbook last summer, with a hundred dollars in it, and gave
+me five cents for finding it.”
+
+“No; I hope I’m not as mean as that,” said Philip, smiling.
+
+He opened the wallet and found a memorandum containing an exact
+statement of the proceeds of the concert. This was of great service to
+him, as it enabled him to calculate his own share of the profits.
+
+The aggregate receipts were one hundred and fifty dollars and fifty
+cents. Deducting bills paid, viz.:
+
+Rent of hall........................ $5.00
+
+Printing, etc........................ 5.00
+
+Bill-poster......................... 1.00
+
+Total...........................$11.00
+
+there was a balance of $138.50, of which Philip was entitled to
+one-half, namely, $69.25. This he took, together with the eleven
+dollars which he had himself paid to the creditors of the combination,
+and handed the wallet, with the remainder of the money, to Mr. Perry,
+landlord of the Knoxville Hotel, with a request that he would keep it
+till called for by Professor Riccabocca.
+
+“You may hand me three dollars and a half, Mr. Perry,” said Mr. Gates.
+“That is the amount the professor owes me for a day and three-quarters
+at my hotel. If he makes a fuss, you can tell him he is quite at
+liberty to go to law about it.”
+
+Meanwhile, where was the professor, and when did he discover his loss?
+
+After the train was a mile or two on its way he felt in his pocket for
+the wallet, meaning to regale himself with a sight of its contents—now,
+as he considered, all his own.
+
+Thrusting his hand into his pocket, it met—vacancy.
+
+Pale with excitement, he continued his search, extending it to all his
+other pockets. But the treasure had disappeared!
+
+Professor Riccabocca was panic-stricken. He could hardly suppress a
+groan.
+
+A good woman sitting opposite, judging from his pallor that he was ill,
+leaned over and asked, in a tone of sympathy:
+
+“Are you took sick?”
+
+“No, ma’am,” answered the professor sharply.
+
+“You look as if you was goin’ to have a fit,” continued the
+sympathizing woman. “Jest take some chamomile tea the first chance you
+get. It’s the sovereignest thing I know of—”
+
+“Will chamomile tea bring back a lost pocket-book?” demanded the
+professor sharply.
+
+“Oh, Lor’! you don’t say you lost your money?”
+
+“Yes, I do!” said Riccabocca, glaring at her.
+
+“Oh, dear! do you think there’s pickpockets in the car?” asked the old
+lady nervously.
+
+“Very likely,” answered the professor tragically.
+
+The good woman kept her hand in her pocket all the rest of the way,
+eyeing all her fellow passengers sharply.
+
+But the professor guessed the truth. He had lost his wallet when he
+stumbled in the field. He was in a fever of impatience to return and
+hunt for it. Instead of going on to Chambersburg, he got out at the
+next station—five miles from Knoxville—and walked back on the
+railroad-track. So it happened that the telegram did no good.
+
+The professor walked back to the hotel across the fields, hunting
+diligently, but saw nothing of the lost wallet. He entered the hotel,
+footsore, weary, and despondent. The first person he saw was Philip,
+sitting tranquilly in the office.
+
+“Did you just come down from your room?” asked our hero coolly.
+
+“I am a most unfortunate man!” sighed Riccabocca, sinking into a seat.
+
+“What’s the matter?”
+
+“I’ve lost all our money.”
+
+“I am glad you say ‘our money.’ I began to think you considered it all
+yours. Didn’t I see you on the train?”
+
+“I had a bad headache,” stammered the professor, “and I didn’t know
+what I was doing.”
+
+“Does riding in the cars benefit your head?”
+
+Professor Riccabocca looked confused.
+
+“The wallet was found,” said Philip, not wishing to keep him any longer
+in suspense.
+
+“Where is it?” asked the professor eagerly.
+
+“Mr. Perry will give it to you. I have taken out my share of the money,
+and Mr. Gates has received the amount of his bill. It would have been
+better for you to attend to these matters yourself like an honest man.”
+
+Professor Riccabocca was so overjoyed to have back his own money that
+he made no fuss about Philip’s proceedings. Indeed, his own intended
+dishonesty was so apparent that it would have required even more
+assurance than he possessed to make a protest.
+
+
+
+
+CHAPTER XXXIV.
+A NEW BUSINESS PROPOSAL.
+
+
+Professor Riccabocca put the wallet in his pocket with a sigh of
+satisfaction. There were still sixty dollars or more in it, and it was
+long since he had been so rich.
+
+He began to think now that it might be well to revive the combination.
+There was some doubt, however, as to how Philip would receive the
+proposal.
+
+He looked at his young partner and was not much encouraged. He felt
+that he must conciliate him.
+
+“Mr. de Gray,” he began.
+
+“Call me Gray. My name is not de Gray.”
+
+“Well, Mr. Gray, then. I hope you don’t have any hard feelings.”
+
+“About what?” inquired Philip, surveying the professor curiously.
+
+“About—the past,” stammered the professor.
+
+“You mean about your running off with my money?” returned Philip
+plainly.
+
+Professor Riccabocca winced. He did not quite like this form of
+statement. “I am afraid you misjudge me,” he said, rather confused.
+
+“I shall be glad to listen to any explanation you have to offer,” said
+our hero.
+
+“I will explain it all to you, in time,” said the professor, recovering
+his old assurance. “In the meantime, I have a proposition to make to
+you.”
+
+“What is it?”
+
+“Suppose we give an entertainment in Knoxville—on the same terms as the
+last.”
+
+“I shouldn’t think you would like to appear before an audience here,
+Professor Riccabocca.”
+
+“Why not?”
+
+“Before night everybody will have heard of your running away with the
+proceeds of the last concert.”
+
+“Public men are always misjudged. They must expect it,” said the
+professor, with the air of a martyr.
+
+“I should think you would be more afraid of being justly judged.”
+
+“Mr. Gray,” said the professor, “I have done wrong, I admit; but it was
+under the influence of neuralgia. When I have a neuralgic headache, I
+am not myself. I do things which, in a normal condition, I should not
+dream of. I am the victim of a terrible physical malady.”
+
+Philip did not believe a word of this, but he felt amused at the
+professor’s singular excuse.
+
+“Come, Mr. Gray, what do you say?”
+
+“I think I must decline,” returned Philip.
+
+But here Professor Riccabocca received unexpected help.
+
+Mr. Perry, the landlord, who had listened to the colloquy, approached
+the two speakers and said:
+
+“Gentlemen, I have a proposal to make to you both.”
+
+Both Philip and the professor looked up, with interest.
+
+“Some of the young men in the village,” said the landlord, “have formed
+a literary club, meeting weekly. They have hired and furnished a room
+over one of our stores, provided it with, games and subscribed for a
+few periodicals. They find, however, that the outlay has been greater
+than they anticipated and are in debt. I have been talking with the
+secretary, and he thinks he would like to engage you to give an
+entertainment, the proceeds, beyond a fixed sum, to go to the benefit
+of the club. What do you say?”
+
+“When is it proposed to have the entertainment?” asked Philip.
+
+“I suppose we should have to name to-morrow evening, in order to
+advertise it sufficiently.”
+
+“I am willing to make any engagement that will suit the club,” said
+Philip.
+
+“And I, too,” said Professor Riccabocca.
+
+“The secretary authorizes me to offer you ten dollars each, and to pay
+your hotel expenses in the meantime,” said Mr. Perry.
+
+“That is satisfactory,” said our hero.
+
+“I agree,” said the professor.
+
+“Then I will at once notify the secretary, and he will take steps to
+advertise the entertainment.”
+
+Ten dollars was a small sum compared with what Philip had obtained for
+his evening in Wilkesville, but a week since he would have regarded it
+as very large for one week’s work. He felt that it was for his interest
+to accept the proposal.
+
+He secretly resolved that if the entertainment should not prove as
+successful as was anticipated, he would give up a part of the sum which
+was promised him for his services.
+
+Professor Riccabocca assented the more readily to the proposal, because
+he thought it might enable him again to form a business alliance with
+our hero, from whom his conduct had estranged him.
+
+“Suppose we take a room together, Mr. de Gray,” he said, with an
+ingratiating smile.
+
+“Gray, if you please, professor. I don’t like sailing under false
+colors.”
+
+“Excuse me; the force of habit, you know. Well, do you agree?”
+
+“The professor has more assurance than any man I ever heard of,”
+thought Philip. “You must excuse me, professor,” he said. “After what
+has happened, I should feel safer in a room by myself.”
+
+“Why will you dwell upon the past, Mr. Gray?” said the professor
+reproachfully.
+
+“Because I am prudent, and learn from experience,” answered Philip.
+
+“I assure you, you will have nothing to complain of,” said Riccabocca
+earnestly. “If we are together, we can consult about the program.”
+
+“We shall have plenty of time to do that during the day, professor.”
+
+“Then you don’t care to room with me?” said Riccabocca, looking
+disappointed.
+
+“No, I don’t.”
+
+“What are you afraid of?”
+
+“I am afraid you might have an attack of neuralgic headache during the
+night,” said Philip, laughing.
+
+Professor Riccabocca saw that it would be of no use for him to press
+the request, and allowed himself to be conducted to the same room which
+he had so unceremoniously left a short time before.
+
+During the afternoon, Philip had a call from John Turner, the secretary
+of the Young Men’s Club. He was a pleasant, straightforward young man,
+of perhaps twenty.
+
+“We are very much obliged to you, Mr. Gray,” he said, “for kindly
+consenting to play for our benefit.”
+
+“It is for my interest,” said Philip frankly. “I may as well remain
+here and earn ten dollars as to be idle.”
+
+“But you made a great deal more, I understand, in Wilkesville?”
+
+“Yes; but I might not be as fortunate here. I had not intended to
+appear here at all, and should not have done so unless you had invited
+me. How many have you in your club?”
+
+“Only about twenty-five, so far, and some of us are not able to pay
+much.”
+
+“How long has your club been formed?” asked Philip.
+
+“Only about three months. We wanted a place where we could meet
+together socially in the evening, and have a good time. Before, we had
+only the stores and barrooms to go to, and there we were tempted to
+drink. Our club was started in the interests of temperance, and we can
+see already that it is exerting a good influence.”
+
+“Then I am very glad to assist you,” said Philip cordially.
+
+“You must come round and see our room. Are you at leisure now?”
+
+“Yes, Mr. Turner.”
+
+Philip accompanied his new friend to the neatly furnished room leased
+by the society. He was so well pleased with its appearance that he
+thought he should himself like to belong to such an association,
+whenever he found a permanent home. At present he was only a wanderer.
+
+“Our debt is thirty-four dollars,” said the secretary. “You may not
+think it large, but it’s large for us.”
+
+“I hope our entertainment will enable you to clear it off.”
+
+“If it should it will give us new courage.”
+
+On the evening of the next day Philip and the professor entered the
+hall engaged for the entertainment, and took seats on the platform.
+
+The hall was well filled, the scale of prices being the same as at
+Wilkesville.
+
+“Mr. Gray,” whispered the secretary joyfully, “it is a great success!
+After paying all bills the club will clear fifty dollars.”
+
+“I am delighted to hear it,” said Philip.
+
+The professor commenced the entertainment, and was followed by Philip.
+
+As Philip began to play his attention was drawn to three persons who
+were entering the hall.
+
+These were a lady, a little girl, and a stout gentleman, in whom
+Philip, almost petrified with amazement, recognized his old
+acquaintance, Squire Pope, of Norton, who had shown himself so anxious
+to provide him a home in the poor-house.
+
+
+
+
+CHAPTER XXXV.
+SQUIRE POPE IS AMAZED.
+
+
+Though Philip did not know it, it chanced that Squire Pope’s only
+sister, Mrs. Cunningham, lived in Knoxville. She was a widow, fairly
+well off, with a young daughter, Carrie—a girl of twelve. Squire Pope
+had long thought of visiting his sister, and happening about this time
+to have a little business in a town near-by, he decided to carry out
+his long-deferred plan. He arrived by the afternoon train, in time for
+supper.
+
+“I am glad you are here to-night, brother,” said Mrs. Cunningham.
+
+“Why particularly to-night, Sister Ellen?” asked the squire.
+
+“Because there is to be an entertainment for the benefit of the Young
+Men’s Literary Club. It is expected to be very interesting.”
+
+“What sort of an entertainment, Ellen?” asked the squire.
+
+“The celebrated elocutionist, Professor Riccabocca, is to give some
+readings—”
+
+“Riccabocca!” repeated the squire, in a musing tone. “I can’t say I
+ever heard of him.”
+
+“Nor I; but I hear he’s very celebrated.”
+
+“Is there anything else?”
+
+“Yes, there’s a young musician going to play. He is said to be
+wonderful. He plays on the violin.”
+
+“He’s a very handsome boy,” said Carrie enthusiastically. “He’s staying
+at the hotel. I saw him this afternoon when I was passing.”
+
+“So he’s good-looking, is he, Carrie?” asked the squire, laughing.
+
+“He’s ever so good-looking,” answered Carrie emphatically.
+
+“Then we must certainly go, for Carrie’s sake,” said the squire.
+
+Squire Pope had not the slightest idea that the young musician, about
+whom his niece spoke so enthusiastically, was the boy whom he had so
+recently persecuted.
+
+If Carrie had mentioned his name, the secret would have been out, but
+she had not yet heard it.
+
+In honor of her brother’s arrival, Mrs. Cunningham prepared a more
+elaborate supper than usual, and to this it was owing that the three
+entered the hall late, just as Philip was about to commence playing.
+
+The squire and his companions were obliged to take seats some distance
+away from the platform, and as his eyesight was poor, he didn’t
+immediately recognize as an old acquaintance the boy who was standing
+before the audience with his violin in his hand.
+
+“That’s he! That’s the young violin-player!” whispered Carrie, in a
+tone of delight. “Isn’t he handsome, uncle!”
+
+“Wait till I get my glasses on,” said the squire, fumbling in his
+pocket for his spectacle-case.
+
+Adjusting his glasses, Squire Pope directed a glance at the stage. He
+instantly recognized Philip, and his surprise was boundless. He gave a
+sudden start.
+
+“By gracious, I couldn’t have believed it!” he ejaculated.
+
+“Couldn’t have believed what, brother?” asked Mrs. Cunningham.
+
+“I know that boy!” he said, in a tone of excitement.
+
+“You know him, uncle?” said Carrie, delighted. “Then you must introduce
+me to him. I want to meet him ever so much. Where did you ever see
+him?”
+
+“Where did I see him? I’m his guardian. He ran away from me a little
+more than a week since, and I never knew where he went.”
+
+“You the guardian of the wonderful boy-player?” said Carrie,
+astonished. “Isn’t it strange?”
+
+“His father died a short time since and left him in my care,” said the
+squire, not scrupling to make a misstatement. “But I’ll tell you more
+about it when the performance is over.”
+
+When Philip first saw Squire Pope entering the hall it disconcerted
+him, but he reflected that the squire really had no authority over him,
+and consequently he had nothing to fear from him.
+
+Should his pretended guardian make any effort to recover him, he was
+resolved to make a desperate resistance, and even, if necessary, to
+invoke the help of the law.
+
+Meanwhile, his pride stimulated him to play his best, and the hearty
+applause of the audience when he had finished his piece encouraged him.
+
+As he was bowing his thanks he could not help directing a triumphant
+glance at Squire Pope, who was carefully scrutinizing him through his
+gold-bowed spectacles.
+
+He was glad that the squire had a chance to see for himself that he was
+well able to make his own way, with the help of the violin of which the
+Norton official had attempted to deprive him.
+
+In truth, Squire Pope, who knew little of Philip’s playing, except that
+he did play, was amazed to find him so proficient. Instead, however, of
+concluding that a boy so gifted was abundantly able to “paddle his own
+canoe,” as the saying is, he was the more resolved to carry him back to
+Norton, and to take into his own care any the boy might have earned. In
+the middle of the entertainment was a recess of ten minutes, which most
+of the audience spent in conversation.
+
+Miss Carrie began again to speak of Philip.
+
+“Oh,—uncle,” she said, “I’m so glad you know that lovely boy-player! He
+is earning lots of money.”
+
+“Is he!” asked the squire, pricking up his ears. “Who told you so?”
+
+“One of the young men that belongs to the club told me they were to pay
+him ten dollars for playing to-night.”
+
+“Ten dollars!” ejaculated the squire, in amazement. “I don’t believe
+it! It’s ridiculous!”
+
+“Oh, yes, it is true!” said Mrs. Cunningham. “John Turner told Carrie;
+and he is secretary, and ought to know.”
+
+“That isn’t all,” continued Carrie. “Mr. Turner says it is very kind of
+Mr. Gray—”
+
+“Mr. Gray!” repeated the squire, amused.
+
+“Well, Philip, then. I suppose you call him Philip, as you are his
+guardian.”
+
+“Well, what were you going to say?”
+
+“Mr. Turner says that it is very kind of Philip to play for so little,
+for he made a good deal more money by his entertainment in
+Wilkesville.”
+
+“Did he give a concert in Wilkesville?” asked the squire quickly.
+
+“Yes, he and the professor. He was liked very much there.”
+
+“And you heard that he made a good deal of money there?”
+
+“Yes; lots of it.”
+
+“Then,” thought the squire, “he must have considerable money with him.
+As his guardian I ought to have the care of it. He’s a boy, and isn’t
+fit to have the charge of money. It’s very lucky I came here just as I
+did. It’s my duty, as his guardian, to look after him.”
+
+The squire determined to seek an interview with our hero as soon as the
+entertainment was over.
+
+
+
+
+CHAPTER XXXVI.
+THE PRETENDED GUARDIAN.
+
+
+Philip played with excellent effect, and his efforts were received with
+as much favor at Knoxville as at Wilkesville. He was twice encored, and
+at the end of each of his selections he was greeted with applause.
+
+As for Professor Riccabocca, people hardly knew what to make of him. He
+was as eccentric and extravagant as ever, and his recitations were
+received with good-natured amusement. He didn’t lack for applause,
+however. There were some boys on the front seats who applauded him,
+just for the fun of it. Though the applause was ironical, the professor
+persuaded himself that it was genuine, and posed before the audience at
+each outburst, with his hand on his heart, and his head bent so far
+over that he seemed likely to lose his balance.
+
+“We are making a grand success, Mr. Gray,” he said, during the interval
+of ten minutes already referred to. “Did you notice how they applauded
+me?”
+
+“Yes,” answered Philip, with a smile.
+
+“They evidently appreciate true genius. It reminds me of the ovation
+they gave me at Cincinnati last winter.”
+
+“Does it?” asked Philip, still smiling.
+
+“Yes. I was a great favorite in that intellectual city. By the way, I
+noticed that they seemed well pleased with your playing also.”
+
+This he said carelessly, as if Philip’s applause was not to be compared
+to his.
+
+“Yes, they treat me very kindly,” answered Philip.
+
+“You are fortunate in having me to introduce you to the public,” said
+the professor emphatically. “The name of Riccabocca is so well known,
+that it is of great advantage to you.”
+
+The professor deluded himself with the idea that he was a great
+elocutionist, and that the public rated him as highly as he did
+himself. When anything occurred that did not seem to favor this view,
+he closed his eyes to it, preferring to believe that he was a popular
+favorite.
+
+“I hope I shall never be so deceived about myself,” thought Philip.
+
+When the entertainment was over, Mr. Caswell, president of the club,
+came up to Philip and said cordially:
+
+“Mr. Gray, we are very much indebted to you. Thanks to you, we are out
+of debt, and shall have a balance of from twelve to fifteen dollars in
+the treasury.”
+
+“I am very glad of it,” said Philip.
+
+“So am I,” said the professor, pushing forward, jealous lest Philip
+should get more than his share of credit.
+
+“And we are indebted to you also, Professor Riccabocca,” said the
+president, taking the hint.
+
+“You are entirely welcome, sir,” said Riccabocca loftily. “My help has
+often been asked in behalf of charitable organizations. I remember
+once, in Philadelphia, I alone raised five hundred dollars for a—a—I
+think it was a hospital.”
+
+This was an invention, but Professor Riccabocca had no scruple in
+getting up little fictions which he thought likely to redound to his
+credit and increase his reputation.
+
+“Doubtless you are often called upon also, Mr. Gray,” suggested Mr.
+Caswell with a smile.
+
+“No,” answered Philip. “This is the first time that I have ever had the
+opportunity.”
+
+“There’s no humbug about the boy,” thought Mr. Caswell. “As for the
+professor, he is full of it.”
+
+“I have pleasure in handing you the price agreed upon,” said the
+president, presenting each with a ten-dollar bill.
+
+“Thank you,” said Philip.
+
+Professor Riccabocca carelessly tucked the bill into his vest pocket,
+as if it were a mere trifle.
+
+At this moment, Mr. Turner came up with all the other gentleman. “Mr.
+Gray,” he said, “here is a gentleman who wishes to speak to you.”
+
+Philip looked up, and saw the well-known figure of Squire Pope.
+
+
+
+
+CHAPTER XXXVII.
+HIS OWN MASTER.
+
+
+“Ahem, Philip,” said the squire. “I should like a little conversation
+with you.”
+
+“Good evening, Squire Pope,” said our hero, not pretending to be
+cordial, but with suitable politeness.
+
+“I didn’t expect to see you here,” pursued the squire.
+
+“Nor I you, sir.”
+
+“I am visiting my sister, Mrs. Cunningham, who lives in Knoxville. Will
+you come around with me, and make a call?”
+
+Now, considering the treatment which Philip had received from the
+squire before he left Norton, the reader can hardly feel surprised that
+our hero didn’t care to trust himself with his unscrupulous fellow
+townsman.
+
+“Thank you, Squire Pope,” said Philip, “but it is rather late for me to
+call at a private house. I am staying at the hotel, and if you will
+take the trouble to go around there with me, we will have a chance to
+converse.”
+
+“Very well,” said the squire, hesitating. Just then up came his niece,
+Carrie, who was determined to get acquainted with Philip.
+
+“Uncle,” she said, “introduce me to Mr. Gray.”
+
+“This is my niece, Caroline Cunningham,” said the squire stiffly.
+
+“I am glad to meet Miss Cunningham,” said Philip, extending his hand,
+with a smile.
+
+“What a lovely player you are, Mr. Gray!” she said impulsively.
+
+“I am afraid you are flattering me, Miss Cunningham.”
+
+“Don’t call me Miss Cunningham. My name is Carrie.”
+
+“Miss Carrie, then.”
+
+“I was ever so much surprised to hear that uncle was your guardian.”
+
+Philip looked quickly at the squire, but did not contradict it. He only
+said:
+
+“We used to live in the same town.”
+
+During this conversation Squire Pope looked embarrassed and impatient.
+
+“It’s getting late, Carrie,” he said. “You had better go home.”
+
+“Aren’t you coming, too, uncle?”
+
+“I am going to the hotel to settle some business with Philip.”
+
+“What business, I wonder?” thought our hero.
+
+Arrived at the hotel, they went up-stairs to Philip’s chamber. “You
+left Norton very abruptly, Philip,” commenced the squire.
+
+“There was good reason for it,” answered Philip significantly.
+
+“It appears to me you are acting as if you were your own master,”
+observed the squire.
+
+“I am my own master,” replied Philip firmly.
+
+“You seem to forget that I am your guardian.”
+
+“I don’t forget it, for I never knew it,” said our hero.
+
+“It is generally understood that such is the case.”
+
+“I can’t help it. I don’t need a guardian, and shall get along without
+one.”
+
+“Ahem! Perhaps that isn’t to be decided by you.”
+
+“If I am to have a guardian, Squire Pope,” said Philip bluntly, “I
+sha’n’t select you. I shall select Mr. Dunbar.”
+
+“I have much more knowledge of business than Mr. Dunbar,” said the
+squire, shifting his ground.
+
+“That may be, but there is one important objection.”
+
+“What is that?”
+
+“You are not my friend, and Mr. Dunbar is.”
+
+“Really this is very extraordinary!” ejaculated the squire. “I am not
+your friend? How do you know that?”
+
+“You tried to make a pauper out of me, when, as you must perceive, I am
+entirely able to earn my own living.”
+
+“Is it true that you were paid ten dollars for playing this evening?”
+asked the squire curiously.
+
+“Yes, sir.”
+
+“It beats all!” said the squire, in amazement.
+
+“Yet you wanted to sell my violin for a good deal less than I have
+earned in one evening,” said Philip, enjoying his enemy’s surprise.
+
+“You gave an entertainment at Wilkesville also, I hear?”
+
+“Yes, sir.”
+
+“Did you make as much there?”
+
+“I made between sixty and seventy dollars over and above expenses.”
+
+“You don’t expect me to believe that!” said the squire.
+
+“I don’t care whether you believe it or not; it’s true.”
+
+“Have you got the money with you?”
+
+“Yes.”
+
+“Then you’d better give it to me to keep for you.”
+
+“Thank you; I feel capable of taking care of it myself.”
+
+“But it’s improper for a boy of your age to carry round so much money,”
+said the squire sharply.
+
+“If I need help to take care of it, I will ask Mr. Dunbar.”
+
+“Come, Philip,” said the squire, condescending to assume a persuasive
+manner, “you must remember that I am your guardian.”
+
+“I dispute that,” said Philip.
+
+“I won’t insist upon your going back with me to Norton, as long as you
+are able to support yourself.”
+
+“Then you wouldn’t advise me to go back to the poorhouse,” said Philip,
+with some sarcasm in his voice.
+
+“I didn’t mean to have you stay there long,” said the squire, rather
+confused. “You’d better give me most of your money, and I’ll take care
+of it for you, and when you’re twenty-one you’ll have quite a little
+sum.”
+
+“I am much obliged to you, sir, but I won’t put you to the trouble of
+taking care of my money,” answered Philip coldly.
+
+Squire Pope continued to argue with Philip, but made no impression. At
+length he was obliged to say good night.
+
+“I will call round in the morning,” he said, at parting. “Perhaps
+you’ll listen to reason then.”
+
+When he called round in the morning he learned to his disappointment
+that Philip was gone.
+
+
+
+
+CHAPTER XXXVIII.
+AN OFFER DECLINED.
+
+
+After his interview with Squire Pope, Philip came down to the office,
+where he saw Professor Riccabocca, apparently waiting for him.
+
+“Well, Mr. Gray, where shall we go next?” asked the professor, with
+suavity.
+
+“I haven’t decided where to go—have you?” asked Philip coolly.
+
+“I suppose we had better go to Raymond. That is a good-sized place. I
+think we can get together a good audience there.”
+
+“You seem to be under the impression that we are in partnership,” said
+Philip.
+
+“Of course,” answered Riccabocca.
+
+“I have made no agreement of that sort, professor.”
+
+“But, of course, it is understood,” said Riccabocca quickly, “as long
+as we draw so well.”
+
+“You must excuse me, Professor Riccabocca. I must decline the
+proposal.”
+
+“But why?” inquired the professor anxiously.
+
+“I hope you won’t press me for an explanation.”
+
+“But I do. I can’t understand why you should act so against your own
+interest. You can’t expect people will come just to hear you play. You
+need me to help you.”
+
+“It may be as you say, professor, but if you insist upon my speaking
+plainly, I don’t care to travel with a man who has treated me as you
+have.”
+
+“I don’t understand you,” said Riccabocca nervously; but it was
+evident, from his expression, that he did.
+
+“Then you seem very forgetful,” said Philip. “You tried to deprive me
+of my share of the proceeds of the entertainment at Wilkesville, and
+would have succeeded but for a lucky accident.”
+
+“I told you that it was all owing to neuralgia,” said Professor
+Riccabocca. “I had such an attack of neuralgic headache that it nearly
+drove me wild.”
+
+“Then,” said Philip, “I would rather find a partner who is not troubled
+with neuralgic headache. I think it would be safer.”
+
+“It won’t happen again, Mr. Gray, I assure you,” said the professor
+apologetically.
+
+He endeavored to persuade Philip to renew the combination, but our hero
+steadily refused. He admitted that it might be to his pecuniary
+advantage, but he had lost all confidence in the eminent professor, and
+he thought it better to part now than to give him another opportunity
+of playing a similar trick upon him.
+
+The professor thereupon consulted the landlord as to whether it would
+be advisable for him to give another entertainment unaided, and was
+assured very emphatically that it would not pay expenses.
+
+“You make a great mistake, Mr. Gray,” said Riccabocca. “It would be a
+great advantage for you to have my assistance at this stage of your
+professional career.”
+
+“I don’t expect to have any professional career,” answered Philip.
+
+“Don’t you intend to become a professional musician?” asked the
+professor, surprised.
+
+“Probably not. I have only been playing because I needed money, and my
+violin helped me to a living.”
+
+“You can’t make as much money in any other way.”
+
+“Not at present; but I want to get a chance to enter upon some kind of
+business. I am going to New York.”
+
+“You will some time have a chance to hear me there, in the Academy of
+Music,” said Riccabocca pompously.
+
+“I will go and hear you,” said Philip, laughing, “if I can afford a
+ticket.”
+
+“Say the word and we will appear there together, Mr. Gray.”
+
+“I think not, professor.”
+
+In fact, though Philip had found himself unexpectedly successful as a
+musician, he knew very well that he was only a clever amateur, and that
+years of study would be needed to make him distinguished.
+
+He was glad that he had the means of paying his expenses for a
+considerable time, and had in his violin a trusty friend upon which he
+could rely in case he got into financial trouble. Directly after
+breakfast he set out on his journey.
+
+
+
+
+CHAPTER XXXIX.
+AN AMBITIOUS WAYFARER.
+
+
+The large sums which Philip had received for his playing might have
+dazzled a less sensible boy. He was quite conscious that he played
+unusually well for a boy, but when it came to selecting music as a
+profession, he felt it would not be wise to come to too hasty a
+decision. To be a commonplace performer did not seem to him very
+desirable, and would not have satisfied his ambition.
+
+He had told Professor Riccabocca that he intended to go to New York.
+This design had not been hastily formed. He had heard a great deal of
+the great city in his home in the western part of the State of which it
+was the metropolis, and he was desirous of seeing it. Perhaps there
+might be some opening for him in its multitude of business houses.
+
+Philip had plenty of money, and could easily have bought a railroad
+ticket, which would have landed him in New York inside of twenty-four
+hours, for he was only about four hundred miles distant; but he was in
+no hurry, and rather enjoyed traveling leisurely through the country
+towns, with his violin in his hand.
+
+It reminded him of a biography he had read of the famous Doctor
+Goldsmith, author of the “Vicar of Wakefield,” who made a tour on the
+continent of Europe, paying his way with music evoked from a similar
+instrument.
+
+Three days later, he found himself on the outskirts of a village, which
+I will call Cranston. It was afternoon, and he had walked far enough to
+be tired.
+
+He was looking about for a pleasant place to lounge, when his attention
+was drawn to a boy of about his own age, who was sitting on the stone
+wall under a large tree.
+
+He was rather a slender boy, and had originally been well dressed, but
+his suit was travel-stained, and covered with dust.
+
+Now, boys have a natural attraction for each other, and Philip
+determined to introduce himself to the stranger. This he did in
+boy-fashion, by saying:
+
+“Hello!”
+
+“Hello!” said the stranger, looking up.
+
+But he spoke slowly and wearily, and to Philip he seemed out of
+spirits.
+
+“Do you live in Cranston?” asked Philip, taking a seat beside the other
+boy, upon the top of the stone wall.
+
+“No; do you?”
+
+“No.”
+
+“Where do you live?”
+
+“I don’t live anywhere just at present,” answered Philip, with a smile.
+“I am traveling.”
+
+“So am I,” said the other boy.
+
+“I am traveling to New York,” Philip continued.
+
+“And I am traveling from there,” said his new acquaintance.
+
+Then both boys surveyed each other curiously.
+
+“What’s your name?” asked the stranger.
+
+“Philip Gray. What’s your’s?”
+
+“Mine is Henry Taylor. What have you got there?”
+
+“A violin.”
+
+“Do you play on it?”
+
+“Yes; a little.”
+
+“I should think you’d be tired lugging it round.”
+
+Philip smiled.
+
+“It is about all the property I have,” he said; “so it won’t do for me
+to get tired of it.”
+
+“You’re richer than I am, then,” said Henry.
+
+“Are you poor, then?” asked Philip, in a tone of sympathy.
+
+“I haven’t got a cent in my pocket, and I haven’t had anything to eat
+since breakfast.”
+
+“Then I’m glad I met you,” said Philip warmly. “I will see that you
+have a good supper. How long is it since you left New York?”
+
+“About a week.”
+
+“What made you leave it?”
+
+Henry Taylor hesitated, and finally answered, in a confused tone:
+
+“I’ve run away from home. I wanted to go out West to kill Indians.”
+
+Philip stared at his new acquaintance in astonishment.
+
+
+
+
+CHAPTER XL.
+THE INDIAN HUNTER.
+
+
+Philip had lived so long in a country village that he had never chanced
+to read any of those absorbing romances in which one boy, of tender
+years, proves himself a match for a dozen Indians, more or less, and,
+therefore, he was very much amazed at Henry Taylor’s avowal that he was
+going out West to kill Indians.
+
+“What do you want to kill Indians for?” he asked, after an astonished
+pause.
+
+Now it was Henry’s turn to be astonished.
+
+“Every boy wants to kill Indians,” he answered, looking pityingly at
+our hero.
+
+“What for? What good will it do?” asked Philip.
+
+“It shows he’s brave,” answered his new friend. “Didn’t you ever read
+the story of ‘Bully Bill’; or, The Hero of the Plains’?”
+
+“I never heard of it,” said Philip.
+
+“You must have lived in the woods, then,” said Henry Taylor, rather
+contemptuously. “It’s a tip-top story. Bully Bill was only fourteen,
+and killed ever so many Indians—twenty or thirty, I guess—as well as a
+lot of lions and bears. Oh, he must have had lots of fun!”
+
+“Why didn’t the Indians kill him?” asked Philip, desirous of being
+enlightened. “They didn’t stand still and let him kill them, did they?”
+
+“No; of course not. They fought awful hard.”
+
+“How did one young boy manage to overcome so many Indians?”
+
+“Oh, you’ll have to read the story to find out! Bully Bill was a great
+hero, and everybody admired him.”
+
+“So you wanted to imitate his example?” asked Philip.
+
+“To be sure I did.”
+
+“How did you happen to get out of money?”
+
+“Well,” said Henry, “you see me and another boy got awful excited after
+reading the story, and both concluded nothing could make us so happy as
+to go out West together, and do as Bill did. Of course, it was no use
+to ask the old man—”
+
+“The old man?” queried Philip.
+
+“The gov’nor—father, of course! So we got hold of some money—”
+
+“You got hold of some money?” queried Philip.
+
+“That’s what I said, didn’t I?” rejoined Henry irritably.
+
+“Yes.”
+
+“Then what’s the use of repeating it?”
+
+Philip intended to ask where or how Henry got hold of the money, but he
+saw pretty clearly that this would not be agreeable to his new
+acquaintance. Though without much experience in the world, he suspected
+that the money was not obtained honestly, and did not press the
+question.
+
+“Well, me and Tom started about a week ago. First of all, we bought
+some revolvers, as, of course, we should need them to shoot Indians.
+They cost more than we expected, and then we found it cost more to
+travel than we thought.”
+
+“How much money did you have?”
+
+“After paying for our revolvers, Tom and me had about thirty dollars,”
+said Henry.
+
+“Only thirty dollars to go west with!” exclaimed Philip, in amazement.
+
+“Why, you see, the revolvers cost more than we expected. Then we
+stopped at a hotel in Albany, where they charged us frightfully. That
+is where Tom left me.”
+
+“Tom left you at Albany?”
+
+“Yes, he got homesick!” said Henry contemptuously. “He thought we
+hadn’t money enough, and he said he didn’t know as he cared so much
+about killing Indians.”
+
+“I agree with Tom,” said Philip. “I don’t think I should care very much
+about killing Indians myself, and I should decidedly object to being
+killed by an Indian. I shouldn’t like to be scalped. Would you?”
+
+“Oh, I’d take care of that,” said Henry. “I wouldn’t let them have the
+chance.”
+
+“It seems to me the best way would be to stay at home,” said Philip,
+smiling.
+
+“If I stayed at home I’d have to go to school and study. I don’t care
+much about studying.”
+
+“I like it,” said Philip. “So Tom left you, did he?”
+
+“Yes; but I wasn’t going to give up so easy. He took half the money
+that was left, though I thought he ought to have given it to me, as I
+needed it more. I wasn’t going home just as I’d started.”
+
+“Then you’ve spent all your money now?”
+
+“Yes,” answered Henry gloomily. “Have you got much money?” he asked,
+after a pause.
+
+“Yes, I have about a hundred dollars-say, ninety-five.”
+
+“You don’t mean it!” ejaculated Henry, hie eyes sparkling.
+
+“Yes, I do.”
+
+“How did you get it?”
+
+“I earned most of it by playing on the violin.”
+
+“I say,” exclaimed Henry, in excitement, “suppose you and me go into
+partnership together, and go out West—”
+
+“To kill Indians?” asked Philip, smiling.
+
+“Yes! With all that money we’ll get along. Besides, if we get short,
+you can earn some more.”
+
+“But what advantage am I to get out of it? I am to furnish all the
+capital and pay all expenses, as far as I can understand. Generally,
+both partners put in something.”
+
+“I put in my revolver,” said Henry.
+
+“One revolver won’t do for us both.”
+
+“Oh, well, you can buy one. Come, what do you say?” asked Henry
+eagerly.
+
+“Let me ask you a few questions first. Where does your father live?”
+
+“In New York.”
+
+“What is his business?”
+
+“He is a broker in Wall Street.”
+
+“I suppose he is rich?”
+
+“Oh, he’s got plenty of money, I expect! We live in a nice house on
+Madison Avenue. That’s one of the best streets, I suppose you know!”
+
+“I never was in New York. Is your mother living?”
+
+“No,” answered Henry. “She died three years ago.”
+
+If his mother had been living, probably the boy would never have made
+such an escapade, but his father, being engrossed by business cares,
+was able to give very little attention to his son, and this accounts in
+part for the folly of which he had been guilty.
+
+“Have you got any brothers or sisters?” he asked.
+
+“I have one sister, about three years younger than I. Her name is
+Jennie.”
+
+“I wish I were as well off as you,” said Philip.
+
+“How do you mean?”
+
+“I mean I wish I had a father and sister.”
+
+“Haven’t you?”
+
+“My father is dead,” said Philip gravely, “and I never had a sister.”
+
+“Oh, well, I don’t know as I’m so lucky,” said Henry. “Sisters are a
+bother. They want you to go round with them, and the old man is always
+finding fault.”
+
+Philip’s relations with his father had always been so affectionate that
+he could not understand how Henry could talk in such a way of his.
+
+“I don’t know what makes you ask me such a lot of questions,” said
+Henry, showing impatience. “Come, what do you say to my offer?”
+
+“About forming a partnership?”
+
+“Yes.”
+
+“I’d rather not—in that way.”
+
+“In what way?”
+
+“I mean for the purpose of going out West to kill Indians.”
+
+“You’ve no idea what fun it would be,” said Henry, disappointed.
+
+“No, I suppose not,” said Philip, smiling.
+
+“Then I suppose I shall have to give it up,” said Henry.
+
+“Now I have a proposal to make to you,” said Philip.
+
+“What is it?”
+
+“If you agree to go home, I’ll pay your expenses and go along with you.
+I’ve never been to New York, and I’d like to have some one with me that
+could show me round the city.”
+
+“I can do that,” said Henry. “I know the way all about.”
+
+“Then will you agree?”
+
+“Yes.”
+
+“Then come along, and we’ll stop at the first convenient place and get
+some supper.”
+
+
+
+
+CHAPTER XLI.
+AN ADVENTURE IN THE WOODS.
+
+
+“I shall do a good thing if I induce Henry to go home,” thought Philip.
+“That is rather a queer idea of his about wanting to kill Indians. It
+seems to me as much murder to kill an Indian as any one else.”
+
+He only thought this, but did not express it, as he did not care to get
+into a discussion with his new acquaintance, lest the latter should
+recall his consent to go home.
+
+“I say, Philip,” said Henry, who had now learned our hero’s name, “we
+ain’t in any hurry to go to New York, are we?”
+
+“I thought we might take a train to-morrow morning, and go straight
+through.”
+
+“But I’d rather take it easy, and travel through the country, and have
+adventures.”
+
+“But you forget that your father will be anxious about you.”
+
+“Yes, I suppose he will.”
+
+“I’ll tell you what I’ll do. If you’ll write a letter to your father,
+and let him know that you are safe with me, I’ll do as you say.”
+
+“All right,” said Henry, in a tone of satisfaction; “I’ll do it.”
+
+“Father’ll pay you all you have to spend for me,” Henry added, after a
+moment’s pause.
+
+“Very well; then I will be your banker.”
+
+Philip was not foolish enough to protest that he did not care to be
+repaid. All he had in the world was a little less than a hundred
+dollars, and when that was gone he was not absolutely sure of making
+any more at once, though he felt tolerably confident that he could.
+
+“Suppose you let me have ten dollars now,” suggested Henry.
+
+“I think I would rather keep the money and pay the bills,” said Philip
+quietly.
+
+He was not sure but that Henry, if he had a supply of money in his
+pockets, would reconsider his promise to go home and take French leave.
+
+Of course, it would be extremely foolish, but his present expedition
+did not indicate the possession of much wisdom.
+
+“I don’t see what difference it makes,” said Henry, looking
+dissatisfied.
+
+“I won’t argue the point,” answered Philip good-naturedly.
+
+“I wish I was in New York, near a good restaurant,” said Henry, after a
+pause.
+
+“Oh. I forgot! You are hungry.”
+
+“Awfully. I don’t believe there’s a hotel within two or three miles. I
+don’t think I can hold out to walk much farther.”
+
+A few rods farther on was a farmhouse standing back from the road,
+old-fashioned-looking, but of comfortable aspect.
+
+A young girl appeared at the side door and rang a noisy bell with great
+vigor.
+
+“They’re going to have supper,” said Henry wistfully. “I wish it was a
+hotel!”
+
+Philip had lived in the country, and understood the hospitable ways of
+country people.
+
+“Come along, Henry,” he said. “I’ll ask them to sell us some supper. I
+am sure they will be willing.”
+
+Followed by his new acquaintance, he walked up to the side door and
+knocked—for there was no bell.
+
+The young girl—probably about Philip’s age—opened the door and regarded
+them with some surprise.
+
+Philip bowed.
+
+“Will you be kind enough to tell us if there is any hotel near-by?” he
+asked.
+
+“There’s one about three miles and a half farther on.”
+
+Henry groaned inwardly.
+
+“I am going to ask you a favor,” said Philip. “My friend and I have
+traveled a considerable distance, and stand in need of supper. We are
+willing to pay as much as we should have to at a hotel, if you will let
+us take supper here.”
+
+“I’ll ask mother,” said the young girl.
+
+And forthwith she disappeared. She came back in company with a stout,
+motherly-looking woman. Philip repeated his request.
+
+“Why, to be sure,” she said heartily. “We always have enough, and to
+spare. Come right in, and we’ll have supper as soon as the men-folks
+come in.”
+
+They entered a neat kitchen, in the middle of which was set out a
+table, with a savory supper upon it. Henry’s eyes sparkled, and his
+mouth watered, for the poor boy was almost famished.
+
+“If you want to wash come right in here,” said the farmer’s wife,
+leading the way into a small room adjoining.
+
+The two boys gladly availed themselves of the permission, though Henry
+would not have minded sitting right down, dusty as he was. However, he
+felt better after he had washed his face and bands and wiped them on
+the long roll towel that hung beside the sink.
+
+They were scarcely through, when their places were taken by the farmer
+and his son, the latter a tall, sun-burned young man, of about twenty,
+who had just come in from a distant field. The farmer’s wife soon
+explained the presence of the two young strangers.
+
+“Sho!” said the farmer. “You’re pretty young to be travelin’. You ain’t
+in any business, be you?”
+
+Henry was rather ashamed to mention that his business was killing
+Indians, though, as yet, he had not done anything in that line. He had
+an idea that he might be laughed at.
+
+“I am a little of a musician,” said Philip modestly.
+
+“Sho! do you make it pay?”
+
+“Pretty well, so far; but I think when I get to New York I shall try
+something else.”
+
+“Are you a musician as well as he?” asked the farmer of Henry.
+
+“No, sir.”
+
+“Come, father, you’d better sit down to supper, and do your talking
+afterward,” said the farmer’s wife.
+
+So they sat down to the table, and all did full justice to the
+wholesome fare, particularly Henry, who felt absolutely ravenous.
+
+Never at the luxurious home of his father, in Madison Avenue, had the
+wandering city boy enjoyed his supper as much as at the plain table of
+this country farmer.
+
+The good mistress of the household was delighted at the justice done to
+her viands, considering it a tribute to her qualities as a cook.
+
+When Philip produced his purse to pay for their supper, the farmer
+absolutely refused to receive anything. “But I would rather pay,”
+persisted our hero.
+
+“Then I’ll tell you how you may pay. Give us one or two tunes on your
+violin.”
+
+This Philip was quite willing to do, and it is needless to say that his
+small audience was very much pleased.
+
+“I say,” said Henry, “you play well enough to give concerts.”
+
+“I have done it before now,” answered Philip, smiling.
+
+They were invited to spend the night, but desired to push on to the
+hotel, being refreshed by their supper and feeling able to walk three
+or four miles farther.
+
+About half-way their attention was drawn to what appeared a deserted
+cabin in the edge of the woods, some twenty rods back from the road.
+
+“I say, Philip,” said Henry, “there’s an old hut that looks as if
+nobody lived in it. Wouldn’t it be a lark for us to sleep there
+to-night? It would save the expense of lodging at the hotel, and would
+be an adventure. I haven’t had any adventures yet.”
+
+“I have no objection,” said Philip. “We’ll go, at any rate, and look at
+it.”
+
+They crossed the field, which seemed to have been only partially
+cleared, and soon reached the hut.
+
+It was very bare within, but on the floor, in one corner, was a blanket
+spread out. There was a place for a window, but the sash had been
+removed, and it was easy to step in.
+
+“I wonder how this blanket came here?” said Philip.
+
+“Oh, I guess the last people that lived here left it!” returned Henry.
+“I say, Phil, I begin to feel tired. Suppose we lie down? I’m glad I
+haven’t got to walk any farther.”
+
+Philip sympathized with his new friend; and so, without much parley,
+the two boys threw themselves down on the blanket, and were soon fast
+asleep.
+
+How long Philip slept he didn’t know, but he was awakened by a terrible
+screech, and, opening his eyes, say Henry sitting bolt upright, with
+trembling limbs and distended eyeballs, gazing fearfully at a tall,
+muscular-looking Indian, who had just stepped into the cabin through
+the open window.
+
+
+
+
+CHAPTER XLII.
+AN INDIAN AT LAST.
+
+
+“What’s the matter?” asked Philip, rubbing his eyes, for he was hardly
+able—so suddenly had he been roused from sleep—to comprehend the
+situation.
+
+Henry, as white as a sheet, could only point at the tall Indian, who,
+standing motionless, was gazing as intently at the boys.
+
+He made one step forward, and Henry thought he was about to be killed
+and scalped forthwith.
+
+“Oh, Mr. Indian Chief,” he exclaimed, in tremulous accents, “don’t kill
+me! I—I ain’t ready to die!”
+
+The Indian looked amazed, and laughed gutturally, but did not speak.
+His laugh increased Henry’s dismay.
+
+“I’ve got a revolver. I’ll give it to you if you won’t kill me,”
+continued Henry.
+
+Then the Indian spoke.
+
+“Why should I kill white boy?” he asked in a mild tone, which ought to
+have convinced Henry that he had nothing to fear.
+
+But the boy was so frenzied with terror, and so possessed of the
+thought that the Indian was just like the savage warriors of the
+plains, of whom he had read so much, that he still felt his life to be
+in danger, and answered the question in a way not expected.
+
+“I suppose you want my scalp,” he said; “but I am only a boy, and I
+don’t mean any harm. I hope you’ll spare my life.”
+
+Another fit of guttural laughter from the Indian, which perplexed
+Henry, and after a pause he said:
+
+“Me no want white boy’s scalp! Me good Indian!”
+
+An immense burden seemed lifted from poor Henry’s breast.
+
+“Then you don’t want to kill me?” he said.
+
+“No!”
+
+“Then why do you come here?”
+
+“Me live here.”
+
+The secret was out—a secret which Philip had suspected from the first,
+though Henry had not dreamed of it.
+
+They had lain down in the Indian’s cabin, appropriating his blanket,
+and were simply intruders.
+
+Philip thought it was time for him to take part in the conversation,
+
+“I hope you’ll excuse us,” he said, “for coming here. We had no idea
+any one lived here.”
+
+“No matter,” said the Indian civilly—that being one of the phrases
+which his knowledge of English included.
+
+“Henry,” said Philip, “let us get up. We are sleeping in this—this
+gentleman’s bed.”
+
+He felt a little at a loss how to designate the Indian, but felt that
+it was best to be as polite as possible.
+
+The two boys started up, in order to yield to the master of the house
+the bed which properly belonged to him.
+
+“No,” said the Indian, with a wave of his hand. “White boys stay there.
+Indian sleep anywhere.”
+
+So saying, he lay down in one corner of the cabin, and settled himself
+apparently to repose.
+
+“But,” said Philip, “we don’t want to take your bed.”
+
+“No matter!” said the Indian once more.
+
+“You are very kind,” said Philip. “Henry, we may as well lay down
+again.”
+
+Henry obeyed directions, but he was not altogether free from alarm. He
+had read that the Indians are very crafty. How did he know but their
+copper-colored host might get up in the night, skillfully remove their
+scalps, and leave them in a very uncomfortable plight?
+
+“Hadn’t we better get up, and run away as soon as he is asleep?” he
+whispered to Philip.
+
+“No; he’s friendly,” answered Philip confidently.
+
+As Henry had read about friendly Indians—all he knew about Indians, by
+the way, was derived from reading stories written by authors little
+wiser than himself—he concluded that perhaps there was nothing to fear,
+and after a while fell asleep again.
+
+When the boys awoke it was morning. They looked toward the corner where
+the Indian had lain down, but it was vacant.
+
+“He’s gone.” said Henry, rather relieved.
+
+“You were pretty well frightened last night,” said Philip, smiling.
+
+“Who wouldn’t be!” asked Henry; “to wake up and see a big Indian in the
+room?”
+
+“I dare say many boys would be frightened,” said Philip, “but I don’t
+think a boy who left home to go out West to kill Indians ought to be
+afraid of one.”
+
+“I guess I’ll give up going,” said Henry, rather abashed.
+
+“I think myself it would be as well,” observed Philip quietly. “You’d
+find it rather serious business if you should meet any real Indian
+warriors.”
+
+“I don’t know but I should,” Henry admitted, rather awkwardly. “I
+didn’t think much about it when I left home.”
+
+“I suppose you thought you’d be a match for half a dozen Indian
+warriors?” said Philip, laughing.
+
+“That was the way with ‘Bully Bill’; or, ‘The Hero of the Plains,’”
+said Henry. “He always came off best when he fought with the Indians.”
+
+“I don’t think either you or I will ever prove a Bully Bill,” said
+Philip. “I might enjoy going out West some time, but I shouldn’t expect
+to kill many Indians. I think they would stand a good deal better
+chance of shooting me.”
+
+Henry said nothing, but looked thoughtful. His romantic ideas seemed to
+have received a sudden shock, and he was trying to adjust his ideas to
+the new light he had received.
+
+The boys were preparing to go out, when their Indian host suddenly
+reappeared. He carried in his hand a large-sized loaf of baker’s bread,
+which he had procured at the village store. He was alive to the duties
+of hospitality, and did not intend to let his guests go, uninvited
+though they were, without a breakfast.
+
+Though his stock of English was limited, he made out to invite the boys
+to breakfast with him.
+
+Henry would have preferred to go to the hotel, but Philip signed to him
+to accept graciously the Indian’s hospitality.
+
+As the bread was fresh, they partook of it with relish, washing it down
+with drafts of clear spring water.
+
+The Indian looked on, well pleased to see the justice done to his
+hospitality. He explained to the boys that he made baskets, caught
+fish, and sometimes engaged in hunting, managing, in one way and
+another, to satisfy his simple wants. His name was Winuca, but his
+white neighbors called him Tom.
+
+When the boys were ready to go, Philip drew from his pocket a
+jack-knife, nearly new, of which he asked the Indian’s acceptance.
+
+Winuca seemed very much pleased, and shook hands heartily with his
+young guests, wishing them good-by.
+
+The boys kept on to the hotel, where they spent a few hours, taking
+dinner there. Their breakfast had been so simple that they had a very
+good appetite for their midday meal.
+
+“While we are here, Henry, suppose you write to your father and relieve
+his anxiety?” suggested Philip.
+
+“Why can’t you write?” asked Henry, who cherished the general boyish
+distaste for letter-writing.
+
+“Because it will be more proper for you to write. I am a stranger to
+him.”
+
+“You won’t be long, Philip? I shall want you to come and make me a
+visit.”
+
+“Perhaps you’ll be tired of me before we get to New York,” suggested
+Philip, with a smile.
+
+“There isn’t much chance of it. I like you better than any boy I know.
+You’re awful brave, too. You didn’t seem to be at all scared last night
+when the Indian came in.”
+
+“It was because I felt sure that any Indian to be found about here
+would be harmless.”
+
+“I wish we could make a journey together some time. I’d like to go
+West—”
+
+“To kill Indians?”
+
+“No. If they’ll let me alone, I’ll let them alone; but there must be a
+lot of fun out on the prairies.”
+
+“Well, Henry, go and write your letter, and we can talk about that
+afterward.”
+
+The letter was written and mailed, and arrived in New York several days
+before the boys did.
+
+
+
+
+CHAPTER XLIII.
+A WELCOME LETTER.
+
+
+Alexander Taylor, a Wall Street broker, sat at breakfast in his fine
+house on Madison Avenue. His daughter, Jennie, about thirteen years
+old, was the only other person at the table.
+
+“Papa, have you heard nothing of Henry?” asked the little girl
+anxiously.
+
+“Only that the boy who got started with him on his foolish tramp got
+back three days since.”
+
+“Is Tom Murray back, then?”
+
+“Yes; he showed himself more sensible than Henry.”
+
+“Oh, I’m afraid something’s happened to him, papa! Why don’t you
+advertise for him, or send out a detective, or something?”
+
+“I will tell you, Jennie,” said Mr. Taylor, laying down the morning
+paper. “I want your brother to stay away long enough to see his folly.”
+
+“But perhaps he may get out of money, and not be able to get anything
+to eat. You wouldn’t want him to starve, papa?”
+
+“There isn’t much chance of it. If he is in danger of that, he will
+have sense enough to ask for food, or to write to me for help. I rather
+hope he will have a hard time.”
+
+“Oh, papa!”
+
+“It will do him good. If I sent for him and brought him back against
+his will, he would probably start off again when he has a good chance.”
+
+Jennie could not quite follow her father in his reasoning, and was
+inclined to think him hard and unfeeling. She missed her brother, who,
+whatever his faults, treated her tolerably well, and was at any rate a
+good deal of company, being the only other young person in the house.
+
+Just then the servant entered with three letters, which he laid down
+beside his master’s plate.
+
+Mr. Taylor hastily scanned the addresses.
+
+“Here is a letter from Henry,” he said, in a tone of satisfaction.
+
+“Oh, read it quick, papa!”
+
+This was the letter which Mr. Taylor read aloud, almost too
+deliberately for the impatience of his daughter:
+
+“Dear Father: I am alive and well, and hope to see you in a few days. I
+guess I made a mistake in running away, though I didn’t think so at the
+time, for I wanted to see life, and have adventures. I don’t know how I
+should have got along if I hadn’t met Philip Gray. He’s a tip-top
+fellow, and is paying my expenses. I told him you would pay him back.
+He has got me off the idea of going West to kill Indians.”
+
+“Oh, papa!” exclaimed Jennie, opening her eyes wide. “I didn’t know
+that was what Henry went for.”
+
+“I don’t think the Indians would have felt very much frightened if they
+had heard of his intention. However, I will proceed:
+
+“I was all out of money when Philip met me, and I hadn’t had anything
+to eat since morning, he bought me some supper, and is paying my
+expenses. He is a poor boy, coming to New York to get a place, if he
+can. He has got a violin, and he plays beautifully. He earned all the
+money he has by giving concerts.”
+
+“I should like to see Philip,” said Jennie, with interest.
+
+“I asked him if he wouldn’t go out West with me, but he wouldn’t. He
+told me he wouldn’t do anything for me unless I would agree to come
+home.”
+
+“He is a sensible boy,” commented Mr. Taylor, in a tone of approval.
+
+“We thought at first of coming right home on the cars, but I wanted to
+walk and see something of the country, and Philip said he didn’t mind.
+He told me I must write and tell you, so that you needn’t feel anxious.
+
+“You will see us in a few days. I will bring Philip to the house. Your
+son, HENRY TAYLOR.”
+
+“Is that all?” asked Jennie.
+
+“Yes; I consider it a very fair letter. It is evident Henry has made
+the acquaintance of a sensible boy. I shall take care that he doesn’t
+let it drop.”
+
+
+
+
+CHAPTER XLIV.
+A FRESH START.
+
+
+Five days later, just as Mr. Taylor was sitting down to dinner, at the
+close of the day, the door-bell rang violently.
+
+There was a hurried step heard in the hall, and the door opening
+quickly Henry Taylor rushed in, his face beaming with smiles.
+
+“Oh, I’m so glad to see you, Henry!” said Jennie, embracing him. “I
+missed you awfully.”
+
+Henry looked at his father, a little doubtful of his reception.
+
+“Are you well, father?” he asked.
+
+“Quite well,” responded Mr. Taylor coolly. “Where did you leave your
+scalps?”
+
+“What?” ejaculated Henry, bewildered.
+
+“I thought you left home to kill Indians.”
+
+“Oh!” said Henry, smiling faintly. “I didn’t meet any Indians—except
+one—and he was friendly.”
+
+“Then your expedition was a failure?”
+
+“I guess I’ll leave the Indians alone,” said Henry sheepishly.
+
+“That strikes me as a sensible remark. Of course, a few Indian scalps
+would be of great use to you. I fully expected a present of one, as a
+trophy of my son’s valor; but still, in case the Indian objected to
+being scalped, there might be a little risk in performing the
+operation.”
+
+“I see you are laughing at me, father,” said Henry.
+
+“Not at all. You can see that I am very sober. If you think you can
+make a good living hunting Indians—I don’t know myself how much their
+scalps bring in the market—I might set you up in the business.”
+
+“I am not so foolish as I was. I prefer some other business. Philip
+told me—”
+
+“Where is Philip?” asked Jennie eagerly.
+
+“I left him in the parlor. He said I had better come in first.”
+
+“Go and call him. Invite him, with my compliments, to stay to dinner.”
+
+Henry left the room, and reappeared almost immediately with Philip.
+
+Both boys were perfectly neat in appearance, for Philip had insisted on
+going to a hotel and washing and dressing themselves.
+
+As he followed Henry into the room, with modest self-possession, his
+cheeks glowing with a healthy color, both Jennie and Mr. Taylor were
+instantly prepossessed in his favor.
+
+“I am glad to see you, Philip,” said the broker, “and beg to thank you,
+not only for the material help you gave Henry, but also for the good
+advice, which I consider of still greater importance and value.”
+
+“Thank you, sir. I don’t feel competent to give much advice, but I
+thought his best course was to come home.”
+
+“You haven’t as high an idea of hunting Indians as Henry, I infer?”
+
+“No, sir,” answered Philip, smiling. “It seems to me they have as much
+right to live as we, if they behave themselves.”
+
+“I think so, too,” said Henry, who was rather ashamed of what had once
+been his great ambition.
+
+“You haven’t introduced me to Philip—I mean Mr. Gray,” said Jennie.
+
+“This is my sister Jennie, Phil,” said Henry, in an off-hand manner.
+
+“I am very glad to see you, Mr. Gray,” said Jennie, extending her hand.
+
+“I am hardly used to that name,” said Philip, smiling.
+
+“When I get well acquainted with you I shall call you Philip.”
+
+“I hope you will.”
+
+Within an hour Miss Jennie appeared to feel well acquainted with her
+brother’s friend, for she dropped “Mr. Gray” altogether, and called him
+Philip.
+
+At her solicitation he played on his violin. Both Mr. Taylor and Jennie
+were surprised at the excellence of his execution.
+
+When Philip rose to go, Mr. Taylor said cordially:
+
+“I cannot permit you to leave us, Philip. You must remain here as our
+guest.”
+
+“But, sir, I left my things at a hotel.”
+
+“Then Henry will go with you and get them.”
+
+So Philip found himself established in a fine house on Madison Avenue
+as a favored guest.
+
+The next morning, when Mr. Taylor went to his office, he asked Philip
+to go with him. Arrived in Wall Street, he sent a boy to the bank with
+a check. On his return, he selected five twenty-dollar bills, and
+handed them to Philip.
+
+“You have expended some money for Henry,” he said.
+
+“Yes, sir; but not quarter as much as this.”
+
+“Then accept the rest as a gift. You will probably need some new
+clothes. Henry will take you to our tailor. Don’t spare expense. The
+bill will be sent to me.”
+
+“But, Mr. Taylor, I do not deserve such kindness.”
+
+“Let me be the judge of that. In a few days I shall have a proposal to
+make to you.”
+
+This was the proposal, and the way it was made:
+
+“I find, Philip,” said Mr. Taylor, some days later, “that Henry is much
+attached to you, and that your influence over him is excellent. He has
+agreed to go to an academy in Connecticut, and study hard for a year,
+provided you will go with him. I take it for granted you haven’t
+completed your education?”
+
+“No, sir.”
+
+“I shall pay all the bills and provide for you in every way, exactly as
+I do for Henry.”
+
+“But, Mr. Taylor, how can I ever repay you?” asked Philip.
+
+“By being Henry’s friend and adviser—perhaps, I may say, guardian—for,
+although you are about the same age, you are far wiser and more
+judicious.”
+
+“I will certainly do the best I can for him, sir.”
+
+During the next week the two boys left New York, and became pupils at
+Doctor Shelley’s private academy, at Elmwood—a pleasant country town
+not far from Long Island Sound—and there we bid them adieu.
+
+THE END.
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+Updated editions will replace the previous one--the old editions will
+be renamed.
+
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the
+United States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+
+START: FULL LICENSE
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full
+Project Gutenberg-tm License available with this file or online at
+www.gutenberg.org/license.
+
+Section 1. General Terms of Use and Redistributing Project
+Gutenberg-tm electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg-tm electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg-tm electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the
+person or entity to whom you paid the fee as set forth in paragraph
+1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg-tm
+electronic works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the
+Foundation" or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg-tm electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg-tm mission of promoting
+free access to electronic works by freely sharing Project Gutenberg-tm
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg-tm name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg-tm License when
+you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg-tm work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg-tm License must appear
+prominently whenever any copy of a Project Gutenberg-tm work (any work
+on which the phrase "Project Gutenberg" appears, or with which the
+phrase "Project Gutenberg" is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+
+ This eBook is for the use of anyone anywhere in the United States and
+ most other parts of the world at no cost and with almost no
+ restrictions whatsoever. You may copy it, give it away or re-use it
+ under the terms of the Project Gutenberg License included with this
+ eBook or online at www.gutenberg.org. If you are not located in the
+ United States, you will have to check the laws of the country where
+ you are located before using this eBook.
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase "Project
+Gutenberg" associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg-tm
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg-tm License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg-tm work in a format
+other than "Plain Vanilla ASCII" or other format used in the official
+version posted on the official Project Gutenberg-tm website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original "Plain
+Vanilla ASCII" or other form. Any alternate format must include the
+full Project Gutenberg-tm License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works
+provided that:
+
+* You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg-tm trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, "Information about donations to the Project Gutenberg
+ Literary Archive Foundation."
+
+* You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg-tm
+ works.
+
+* You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+
+* You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg-tm electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg-tm trademark. Contact the Foundation as set
+forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
+electronic works, and the medium on which they may be stored, may
+contain "Defects," such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg-tm
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg-tm work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg-tm work, and (c) any
+Defect you cause.
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at
+www.gutenberg.org
+
+Section 3. Information about the Project Gutenberg Literary
+Archive Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state's laws.
+
+The Foundation's business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation's website
+and official page at www.gutenberg.org/contact
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without
+widespread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular
+state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+
+Section 5. General Information About Project Gutenberg-tm electronic works
+
+Professor Michael S. Hart was the originator of the Project
+Gutenberg-tm concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg-tm eBooks with only a loose network of
+volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+
+Most people start at our website which has the main PG search
+facility: www.gutenberg.org
+
+This website includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
diff --git a/5673-0.zip b/5673-0.zip
new file mode 100644
index 0000000..6a64298
--- /dev/null
+++ b/5673-0.zip
Binary files differ
diff --git a/5673-h.zip b/5673-h.zip
new file mode 100644
index 0000000..3a46695
--- /dev/null
+++ b/5673-h.zip
Binary files differ
diff --git a/5673-h/5673-h.htm b/5673-h/5673-h.htm
new file mode 100644
index 0000000..d2a4388
--- /dev/null
+++ b/5673-h/5673-h.htm
@@ -0,0 +1,13835 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of The Young Musician, by Horatio Alger</title>
+
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: 90%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+
+</head>
+
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of The Young Musician, by Horatio Alger</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: The Young Musician<br />
+  or, Fighting His Way</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Horatio Alger</div>
+<div style='display:block; margin:1em 0'>Release Date: August 7, 2002 [eBook #5673]<br />
+[Most recently updated: May 29, 2022]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Carrie Fellman</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***</div>
+
+<h1>The Young Musician<br /><br />
+or<br />
+Fighting His Way</h1>
+
+<h2 class="no-break">by Horatio Alger</h2>
+
+<h3>Chicago</h3>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#link2HCH0001">CHAPTER I. A CANDIDATE FOR THE POORHOUSE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0002">CHAPTER II. PHILIP AT HOME</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0003">CHAPTER III. NICK HOLDEN&rsquo;S CALL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0004">CHAPTER IV. THE AUCTION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0005">CHAPTER V. AN ALLIANCE AGAINST PHILIP</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0006">CHAPTER VI. FUSS ABOUT A FIDDLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0007">CHAPTER VII. MR. JOE TUCKER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0008">CHAPTER VIII. IN THE ENEMY&rsquo;S HANDS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0009">CHAPTER IX. THE POORHOUSE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0010">CHAPTER X. BAD TIDINGS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0011">CHAPTER XI. PHILIP&rsquo;S NEW ROOM</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0012">CHAPTER XII. A PAUPER&rsquo;S MEAL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0013">CHAPTER XIII. A FRIENDLY MISSION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0014">CHAPTER XIV. PHILIP MAKES HIS ESCAPE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0015">CHAPTER XV. ESCAPE AND FLIGHT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0016">CHAPTER XVI. A NIGHT ADVENTURE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0017">CHAPTER XVII. A REFORMED BURGLAR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0018">CHAPTER XVIII. A PROFESSIONAL ENGAGEMENT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0019">CHAPTER XIX. NEW ACQUAINTANCES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0020">CHAPTER XX. A LIVELY EVENING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0021">CHAPTER XXI. FORTUNE SMILES AGAIN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0022">CHAPTER XXII. RIVAL MUSICIANS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0023">CHAPTER XXIII. AN HOUR OF TRIUMPH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0024">CHAPTER XXIV. LORENZO RICCABOCCA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0025">CHAPTER XXV. A CHANGE OF NAME</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0026">CHAPTER XXVI. A PROMISING PLAN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0027">CHAPTER XXVII. UNEXPECTED HONORS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0028">CHAPTER XXVIII. A TRIUMPHANT SUCCESS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0029">CHAPTER XXIX. BESET BY CREDITORS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0030">CHAPTER XXX. A TIMELY GIFT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0031">CHAPTER XXXI. THE PROFESSOR&rsquo;S FLIGHT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0032">CHAPTER XXXII. THE RACE ACROSS FIELDS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0033">CHAPTER XXXIII. THE LOST WALLET</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0034">CHAPTER XXXIV. A NEW BUSINESS PROPOSAL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0035">CHAPTER XXXV. SQUIRE POPE IS AMAZED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0036">CHAPTER XXXVI. THE PRETENDED GUARDIAN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0037">CHAPTER XXXVII. HIS OWN MASTER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0038">CHAPTER XXXVIII. AN OFFER DECLINED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0039">CHAPTER XXXIX. AN AMBITIOUS WAYFARER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0040">CHAPTER XL. THE INDIAN HUNTER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0041">CHAPTER XLI. AN ADVENTURE IN THE WOODS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0042">CHAPTER XLII. AN INDIAN AT LAST</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0043">CHAPTER XLIII. A WELCOME LETTER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#link2HCH0044">CHAPTER XLIV. A FRESH START</a></td>
+</tr>
+
+</table>
+
+<hr />
+
+<div class="chapter">
+
+<h2><a name="link2HCH0001" id="link2HCH0001"></a>
+CHAPTER I.<br/>
+A CANDIDATE FOR THE POORHOUSE.</h2>
+
+<p>
+&ldquo;As for the boy,&rdquo; said Squire Pope, with his usual autocratic air,
+&ldquo;I shall place him in the poorhouse.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Benjamin,&rdquo; said gentle Mrs. Pope, who had a kindly and
+sympathetic heart, &ldquo;isn&rsquo;t that a little hard?&rdquo;
+</p>
+
+<p>
+&ldquo;Hard, Almira?&rdquo; said the squire, arching his eyebrows. &ldquo;I
+fail to comprehend your meaning.&rdquo;
+</p>
+
+<p>
+&ldquo;You know Philip has been tenderly reared, and has always had a
+comfortable home&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;He will have a comfortable home now, Mrs. Pope. Probably you are not
+aware that it cost the town two thousand dollars last year to maintain the
+almshouse. I can show you the item in the town report.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t doubt it at all, husband,&rdquo; said Mrs. Pope gently.
+&ldquo;Of course you know all about it, being a public man.&rdquo;
+</p>
+
+<p>
+Squire Pope smiled complacently. It pleased him to be spoken of as a public
+man.
+</p>
+
+<p>
+&ldquo;Ahem! Well, yes, I believe I have no inconsiderable influence in town
+affairs,&rdquo; he responded. &ldquo;I am on the board of selectmen, and am
+chairman of the overseers of the poor, and in that capacity I shall convey
+Philip Gray to the comfortable and well-ordered institution which the town has
+set apart for the relief of paupers.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t like to think of Philip as a pauper,&rdquo; said Mrs.
+Pope, in a deprecating tone.
+</p>
+
+<p>
+&ldquo;What else is he?&rdquo; urged her husband. &ldquo;His father
+hasn&rsquo;t left a cent. He never was a good manager.&rdquo;
+</p>
+
+<p>
+&ldquo;Won&rsquo;t the furniture sell for something, Benjamin?&rdquo;
+</p>
+
+<p>
+&ldquo;It will sell for about enough to pay the funeral expenses and
+outstanding debts&mdash;that is all.&rdquo;
+</p>
+
+<p>
+&ldquo;But it seems so hard for a boy well brought up to go to the
+poorhouse.&rdquo;
+</p>
+
+<p>
+&ldquo;You mean well, Almira, but you let your feelings run away with you. You
+may depend upon it, it is the best thing for the boy. But I must write a letter
+in time for the mail.&rdquo;
+</p>
+
+<p>
+Squire Pope rose from the breakfast-table and walked out of the room with his
+usual air of importance. Not even in the privacy of the domestic circle did he
+forget his social and official importance.
+</p>
+
+<p>
+Who was Squire Pope?
+</p>
+
+<p>
+We already know that he held two important offices in the town of Norton. He
+was a portly man, and especially cultivated dignity of deportment. Being in
+easy circumstances, and even rich for the resident of a village, he was
+naturally looked up to and credited with a worldly sagacity far beyond what he
+actually possessed.
+</p>
+
+<p>
+At any rate, he may be considered the magnate of Norton. Occasionally he
+visited New York, and had been very much annoyed to find that his rural
+importance did not avail him there, and that he was treated with no sort of
+deference by those whom he had occasion to meet. Somehow, the citizens of the
+commercial metropolis never suspected for a single moment that he was a great
+man.
+</p>
+
+<p>
+When Squire Pope had finished his letter, he took his hat, and with measured
+dignity, walked to the village post-office.
+</p>
+
+<p>
+He met several of his neighbors there, and greeted them with affable
+condescension. He was polite to those of all rank, as that was essential to his
+retaining the town offices, which he would have been unwilling to resign.
+</p>
+
+<p>
+From the post-office the squire, as he remembered the conversation which had
+taken place at the breakfast-table, went to make an official call on the boy
+whose fate he had so summarily decided.
+</p>
+
+<p>
+Before the call, it may be well to say a word about Philip Gray, our hero, and
+the circumstances which had led to his present destitution.
+</p>
+
+<p>
+His father had once been engaged in mercantile business, but his health failed,
+his business suffered, and he found it best&mdash;indeed, necessary&mdash;to
+settle up his affairs altogether and live in quiet retirement in Norton.
+</p>
+
+<p>
+The expenses of living there were small, but his resources were small, also,
+and he lived just long enough to exhaust them.
+</p>
+
+<p>
+It was this thought that gave him solicitude on his death-bed, for he left a
+boy of fifteen wholly unprovided for.
+</p>
+
+<p>
+Let us go back a week and record what passed at the last interview between
+Philip and his father before the latter passed into the state of
+unconsciousness which preceded death.
+</p>
+
+<p>
+&ldquo;Are you in pain, father?&rdquo; asked Philip, with earnest sympathy, as
+his father lay outstretched on the bed, his face overspread by the deathly
+pallor which was the harbinger of dissolution.
+</p>
+
+<p>
+&ldquo;Not of the body, Philip,&rdquo; said Mr. Gray. &ldquo;That is spared me,
+but I own that my mind is ill at ease.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you mind telling me why, father!&rdquo;
+</p>
+
+<p>
+&ldquo;No; for it relates to you, my son, or, rather, to your future. When my
+affairs are settled, I fear there will be nothing left for your support. I
+shall leave you penniless.&rdquo;
+</p>
+
+<p>
+&ldquo;If that is all, father, don&rsquo;t let that trouble you.&rdquo;
+</p>
+
+<p>
+&ldquo;I am afraid, Philip, you don&rsquo;t realize what it is to be thrown
+upon the cold charities of the world.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall work for my living,&rdquo; said Philip confidently.
+</p>
+
+<p>
+&ldquo;You will have to do that, I&rsquo;m afraid, Philip.&rdquo;
+</p>
+
+<p>
+&ldquo;But I am not afraid to work, father. Didn&rsquo;t you tell me one day
+that many of our most successful men had to work their way up from early
+poverty!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, that is true; but a boy cannot always get the chance to earn his
+living. Of one thing I am glad; you have a good education for a boy of your
+age. That is always a help.&rdquo;
+</p>
+
+<p>
+&ldquo;Thanks to you, father.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; though an invalid, I have, at all events, been able to give private
+attention to your education, and to do better for you than the village school
+would have done. I wish I had some relative to whom I might consign you, but
+you will be alone in the world.&rdquo;
+</p>
+
+<p>
+&ldquo;Have I no relatives?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;Your mother was an only child, and I had but one brother.&rdquo;
+</p>
+
+<p>
+&ldquo;What became of him, father?&rdquo;
+</p>
+
+<p>
+&ldquo;He got into trouble when he was a young man, and left the country. Where
+he went to I have no idea. Probably he went first to Europe, and I heard a
+rumor, at one time, that he had visited Australia. But that was twenty years
+ago, and as I have heard nothing of him since, I think it probable that he is
+dead. Even if he were living, and I knew where he was, I am not sure whether he
+would make a safe guardian for you.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you any advice to give me, father?&rdquo; asked Philip, after a
+pause. &ldquo;Whatever your wishes may be, I will try to observe them.&rdquo;
+</p>
+
+<p>
+&ldquo;I do not doubt it, Philip. You have always been an obedient son, and
+have been considerate of my weakness. I will think it over, and try to give you
+some directions which may be of service to you. Perhaps I may be able to think
+of some business friend to whom I can commend you.&rdquo;
+</p>
+
+<p>
+&ldquo;You have talked enough, father,&rdquo; said Philip, noticing his
+father&rsquo;s increasing pallor and the evident exertion with which he spoke.
+&ldquo;Rest now, and to-morrow we can talk again.&rdquo;
+</p>
+
+<p>
+Mr. Gray was evidently in need of rest. He closed his eyes and apparently
+slept. But he never awoke to consciousness. The conversation above recorded was
+the last he was able to hold with his son. For two days he remained in a kind
+of stupor, and at the end of that time he died.
+</p>
+
+<p>
+Philip&rsquo;s grief was not violent. He had so long anticipated his
+father&rsquo;s death that it gave him only a mild shock.
+</p>
+
+<p>
+Friends and neighbors made the necessary arrangements for the funeral, and the
+last services were performed. Then, at length, Philip realized that he had lost
+his best earthly friend, and that he was henceforth alone in the world. He did
+not as yet know that Squire Pope had considerately provided him with a home in
+the village poorhouse.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0002" id="link2HCH0002"></a>
+CHAPTER II.<br/>
+PHILIP AT HOME.</h2>
+
+<p>
+When the funeral was over, Frank Dunbar, whom Philip regarded as his most
+intimate friend, came up to him.
+</p>
+
+<p>
+&ldquo;Philip,&rdquo; he said, &ldquo;my mother would like to have you spend a
+few days with us while you are deciding what to do.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, Frank!&rdquo; answered Philip. &ldquo;But until the auction I
+shall remain at home. I shall soon enough be without a home.&rdquo;
+</p>
+
+<p>
+&ldquo;But it will be very lonely for you,&rdquo; objected Frank.
+</p>
+
+<p>
+&ldquo;No; I shall have my thoughts for company. When I am alone I can think
+best of my future plans.&rdquo;
+</p>
+
+<p>
+&ldquo;Won&rsquo;t you come to our house to meals, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, Frank! I will do that.&rdquo;
+</p>
+
+<p>
+&ldquo;When is the auction to be?&rdquo;
+</p>
+
+<p>
+&ldquo;To-day is Monday. It is appointed for Thursday.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope there will be something left for you.&rdquo;
+</p>
+
+<p>
+&ldquo;There will be about enough left to pay my father&rsquo;s small debts and
+his funeral expenses. I would not like to have him indebted to others for
+those. I don&rsquo;t think there will be anything over.&rdquo;
+</p>
+
+<p>
+Frank looked perplexed.
+</p>
+
+<p>
+&ldquo;I am sorry for you, Phil,&rdquo; he said. &ldquo;I wish we were rich,
+instead of having hard work to make both ends meet. You would not lack for
+anything then.&rdquo;
+</p>
+
+<p>
+&ldquo;Dear Frank,&rdquo; said Philip earnestly, &ldquo;I never doubted your
+true friendship. But I am not afraid that I shall suffer. I am sure I can earn
+my living.&rdquo;
+</p>
+
+<p>
+&ldquo;But why do you shut yourself up alone, Philip?&rdquo; asked Frank, not
+satisfied to leave his friend in what he considered the gloomy solitude of a
+house just visited by death.
+</p>
+
+<p>
+&ldquo;I want to look over my father&rsquo;s papers. I may find out something
+that I ought to know, and after the auction it will be too late. Father had
+some directions to give me, but he did not live long enough to do it. For three
+days I have the house to myself. After that I shall perhaps never visit it
+again.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t be downhearted, Philip,&rdquo; said Frank, pressing his hand
+with boyish sympathy.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t mean to be, Frank. I am naturally cheerful and hopeful. I
+shall miss my poor father sadly: but grieving will not bring him back. I must
+work for my living, and as I have no money to depend upon, I cannot afford to
+lose any time in forming my plans.&rdquo;
+</p>
+
+<p>
+&ldquo;You will come over to our house and take your meals!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, Frank.&rdquo;
+</p>
+
+<p>
+Frank Dunbar&rsquo;s father was a small farmer, who, as Frank had said, found
+it hard work to make both ends meet. Among all the village boys, he was the one
+whom Philip liked best, though there were many others whose fathers were in
+better circumstances. For this, however, Philip cared little. Rich or poor,
+Frank suited him, and they had always been known as chums, to adopt the term
+used by the boys in the village.
+</p>
+
+<p>
+It may be thought that as Philip&rsquo;s circumstances were no better, such an
+intimacy was natural enough. But Philip Gray possessed special gifts, which
+made his company sought after. He was a fine singer, and played with
+considerable skill on the violin&mdash;an accomplishment derived from his
+father, who had acted as his teacher. Then he was of a cheerful temperament,
+and this is a gift which usually renders the possessor popular, unless marred
+by positive defects or bad qualities. There were two or three young snobs in
+the village who looked down upon Philip on account of his father&rsquo;s
+poverty, but most were very glad to associate with our hero, and have him visit
+their homes. He was courteous to all, but made no secret of his preference for
+Frank Dunbar.
+</p>
+
+<p>
+When Philip parted from Frank, and entered the humble dwelling which had been
+his own and his father&rsquo;s home for years, there was a sense of loneliness
+and desolation which came over him at first.
+</p>
+
+<p>
+His father was the only relative whom he knew, and his death, therefore, left
+the boy peculiarly, alone in the world. Everything reminded him of his dead
+father. But he did not allow himself to dwell upon thoughts that would depress
+his spirits and unfit him for the work that lay before him.
+</p>
+
+<p>
+He opened his father&rsquo;s desk and began to examine his papers. There was no
+will, for there was nothing to leave, but in one compartment of the desk was a
+thick wallet, which he opened.
+</p>
+
+<p>
+In it, among some receipted bills, was an envelope, on which was written, in
+his father&rsquo;s well-known hand:
+</p>
+
+<p>
+&ldquo;The contents of this envelope are probably of no value, but it will be
+as well to preserve the certificate of stock. There is a bare possibility that
+it may some day be worth a trifle.&rdquo;
+</p>
+
+<p>
+Philip opened the envelope and found a certificate for a hundred shares of the
+Excelsior Gold Mine, which appeared to be located in California. He had once
+heard his father speak of it in much the same terms as above.
+</p>
+
+<p>
+&ldquo;I may as well keep it,&rdquo; reflected Philip. &ldquo;It will probably
+amount to nothing, but there won&rsquo;t be much trouble in carrying around the
+envelope.&rdquo; He also found a note of hand for a thousand dollars, signed by
+Thomas Graham.
+</p>
+
+<p>
+Attached to it was a slip of paper, on which he read, also in his
+father&rsquo;s writing:
+</p>
+
+<p>
+&ldquo;This note represents a sum of money lent to Thomas Graham, when I was
+moderately prosperous. It is now outlawed, and payment could not be enforced,
+even if Graham were alive and possessed the ability to pay. Five years since,
+he left this part of the country for some foreign country, and is probably
+dead, and I have heard nothing from him in all that time. It will do no harm,
+and probably no good, to keep his note.&rdquo;
+</p>
+
+<p>
+&ldquo;I will keep it,&rdquo; decided Philip. &ldquo;It seems that this and the
+mining shares are all that father had to leave me. They will probably never
+yield me a cent, but I will keep them in remembrance of him.&rdquo;
+</p>
+
+<p>
+Phillip found his father&rsquo;s watch. It was an old-fashioned gold watch, but
+of no great value even when new. Now, after twenty years&rsquo; use, it would
+command a very small price at the coming sale.
+</p>
+
+<p>
+Ever since Philip had been old enough to notice anything, he remembered this
+watch, which was so closely identified with his father that more than anything
+else it called him to mind. Philip looked at it wistfully as it lay in his
+hand. &ldquo;I wish I could keep it,&rdquo; he said to himself. &ldquo;No one
+else will value it much, but it would always speak to me of my father. I wonder
+if I might keep it?&rdquo;
+</p>
+
+<p>
+Philip had a mind to put it into his pocket, but the spirit of honesty forbade.
+</p>
+
+<p>
+&ldquo;It must be sold,&rdquo; he said, with a sigh. &ldquo;Without it there
+wouldn&rsquo;t be enough to pay what we owe, and when I leave Norton, I
+don&rsquo;t want any one to say that my father died in his debt.&rdquo;
+</p>
+
+<p>
+There was nothing else in the desk which called for particular notice or
+appeared to be of any special value. After a careful examination, Philip closed
+it and looked around at the familiar furniture of the few rooms which the house
+contained.
+</p>
+
+<p>
+There was one object which he personally valued more than anything else. This
+was his violin, on which he had learned all that he knew of playing. His father
+had bought it for him four years before. It was not costly, but it was of good
+tone, and Philip had passed many pleasant hours in practicing on it.
+</p>
+
+<p>
+&ldquo;I can take this violin, at any rate,&rdquo; said Philip to himself.
+&ldquo;It belongs to me, and no one else has a claim on it. I think I will take
+it with me and leave it at Frank Dunbar&rsquo;s, so that it needn&rsquo;t get
+into the sale.&rdquo;
+</p>
+
+<p>
+He put back the violin into the case and laid it on one side. Then he sat down
+in the arm-chair, which had been his father&rsquo;s favorite seat, and tried to
+fix his mind upon the unknown future which lay before him.
+</p>
+
+<p>
+He had sat there for half an hour, revolving in his mind various thoughts and
+plans, when he heard a tap on the window, and looking up, saw through the pane
+the coarse, red face of Nick Holden, a young fellow of eighteen, the son of the
+village butcher.
+</p>
+
+<p>
+&ldquo;Let me in!&rdquo; said Nick; &ldquo;I want to see you on
+business.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0003" id="link2HCH0003"></a>
+CHAPTER III.<br/>
+NICK HOLDEN&rsquo;S CALL.</h2>
+
+<p>
+Philip had never liked Nick Holden. He was a coarse, rough-looking boy, his
+reddish face one mass of freckles, and about as unattractive as a person could
+be, without absolute deformity. This, however, was not the ground for
+Philip&rsquo;s dislike.
+</p>
+
+<p>
+With all his unattractiveness, Nick might have possessed qualities which would
+have rightly made him popular. So far from this, however, he was naturally
+mean, selfish, and a bully, with very slight regard for truth.
+</p>
+
+<p>
+Will it be believed that, in spite of his homely face, Nick really thought
+himself good-looking and aspired to be a beau? For this reason he had often
+wished that he possessed Philip&rsquo;s accomplishment of being able to play
+upon the violin.
+</p>
+
+<p>
+His conversational powers were rather limited, and he felt at a loss when he
+undertook to make himself fascinating to the young ladies in the village. If he
+could only play on the violin like Philip he thought he would be irresistible.
+</p>
+
+<p>
+He had therefore conceived the design of buying Philip&rsquo;s instrument for a
+trifle, judging that our hero would feel compelled to sell it.
+</p>
+
+<p>
+The reader will now understand the object which led to Nick&rsquo;s call so
+soon after the funeral of Mr. Gray. He was afraid some one else might forestall
+him in gaining possession of the coveted instrument.
+</p>
+
+<p>
+When Philip saw who his visitor was, he was not overjoyed. It was with
+reluctance that he rose and gave admission to Nick.
+</p>
+
+<p>
+&ldquo;I thought I would call around and see you, Phil,&rdquo; said Nick, as he
+sat down in the most comfortable chair in the room.
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; responded Phil coldly.
+</p>
+
+<p>
+&ldquo;The old man went off mighty sudden,&rdquo; continued Nicholas, with
+characteristic delicacy.
+</p>
+
+<p>
+&ldquo;Do you mean my father?&rdquo; inquired Philip.
+</p>
+
+<p>
+&ldquo;Of course I do. There ain&rsquo;t any one else dead, is there!&rdquo;
+</p>
+
+<p>
+&ldquo;I had been expecting my poor father&rsquo;s death for some time,&rdquo;
+said Philip gravely.
+</p>
+
+<p>
+&ldquo;Just so! He wa&rsquo;n&rsquo;t very rugged. We&rsquo;ve all got to come
+to it sooner or later. I expect dad&rsquo;ll die of apoplexy some
+time&mdash;he&rsquo;s so awful fat,&rdquo; remarked Nicholas cheerfully.
+&ldquo;If he does, it&rsquo;s lucky he&rsquo;s got me to run the business.
+I&rsquo;m only eighteen, but I can get along as well as anybody. I&rsquo;m
+kinder smart in business.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad you are smart in anything,&rdquo; thought Philip; for he knew
+that Nick was a hopeless dunce in school duties.
+</p>
+
+<p>
+&ldquo;I hope your father&rsquo;ll live a good while,&rdquo; he said politely.
+</p>
+
+<p>
+&ldquo;Yes, of course,&rdquo; said Nick lightly. &ldquo;I&rsquo;d be sorry to
+have the old man pop off; but then you never can tell about such a thing as
+that.&rdquo;
+</p>
+
+<p>
+Philip did not relish the light way in which Nick referred to such a loss as he
+was suffering from, and, by way of changing the subject, said:
+</p>
+
+<p>
+&ldquo;I believe you said you came on business, Nicholas?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; that&rsquo;s what I wanted to come at. It&rsquo;s about your
+fiddle.&rdquo;
+</p>
+
+<p>
+&ldquo;My violin!&rdquo; said Philip, rather surprised.
+</p>
+
+<p>
+&ldquo;Oh, well, fiddle or violin! what&rsquo;s the odds? I want to buy
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;What for?&rdquo;
+</p>
+
+<p>
+&ldquo;To play on, of course! What did you think I wanted it for?&rdquo;
+</p>
+
+<p>
+&ldquo;But you can&rsquo;t play, can you?&rdquo;
+</p>
+
+<p>
+&ldquo;Not yet; but I expect you could show me some&mdash;now, couldn&rsquo;t
+you?&rdquo;
+</p>
+
+<p>
+&ldquo;What put it into your head to want to play on the violin?&rdquo; asked
+Philip, with some curiosity.
+</p>
+
+<p>
+&ldquo;Why, you see, the girls like it. It would be kind of nice when I go to a
+party, or marm has company, to scrape off a tune or two&mdash;just like you do.
+It makes a feller kinder pop&rsquo;lar with the girls, don&rsquo;t you
+see?&rdquo; said Nick, with a knowing grin.
+</p>
+
+<p>
+&ldquo;And you want to be popular with the young ladies!&rdquo; said Philip,
+smiling, in spite of his bereavement, at the idea being entertained by such a
+clumsy-looking caliban as Nick Holden.
+</p>
+
+<p>
+&ldquo;Of course I do!&rdquo; answered Nick, with another grin. &ldquo;You see
+I&rsquo;m gettin&rsquo; along&mdash;I&rsquo;ll be nineteen next month, and I
+might want to get married by the time I&rsquo;m twenty-one, especially if the
+old man should drop off sudden.&rdquo;
+</p>
+
+<p>
+&ldquo;I understand all that, Nicholas&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Call me Nick. I ain&rsquo;t stuck up if I am most a man. Call me pet
+names, dearest.&rdquo;
+</p>
+
+<p>
+And Nicholas laughed loudly at his witty quotation.
+</p>
+
+<p>
+&ldquo;Just as you prefer. Nick, then, I understand your object. But what made
+you think I wanted to sell the violin?&rdquo;
+</p>
+
+<p>
+It was Nick&rsquo;s turn to be surprised.
+</p>
+
+<p>
+&ldquo;Ain&rsquo;t there goin&rsquo; to be an auction of your father&rsquo;s
+things?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Yes; but the violin is mine, and I am not going to sell it.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have to,&rdquo; said Nick.
+</p>
+
+<p>
+&ldquo;What do you mean by that, Nicholas Holden?&rdquo; said Philip quickly.
+</p>
+
+<p>
+&ldquo;Because you&rsquo;ll have to sell everything to pay your father&rsquo;s
+debt. My father said so this very morning.&rdquo;
+</p>
+
+<p>
+&ldquo;I think I know my own business best,&rdquo; said Philip coldly. &ldquo;I
+shall keep the violin.&rdquo;
+</p>
+
+<p>
+&ldquo;Maybe it ain&rsquo;t for you to say,&rdquo; returned Nick, apparently
+not aware of his insolence. &ldquo;Come, now, I&rsquo;ll tell you what
+I&rsquo;ll do. My father&rsquo;s got a bill against yours for a dollar and
+sixty-four cents. I told father I had a use for the fiddle, and he says if
+you&rsquo;ll give it to me, he&rsquo;ll call it square. There, what do you say
+to that?&rdquo;
+</p>
+
+<p>
+Nicholas leaned back in his chair and looked at Philip through his small, fishy
+eyes, as if he had made an uncommonly liberal offer. As for Philip, he hardly
+knew whether to be angry or amused.
+</p>
+
+<p>
+&ldquo;You offer me a dollar and sixty-four cents for my violin?&rdquo; he
+repeated.
+</p>
+
+<p>
+&ldquo;Yes. It&rsquo;s second-hand, to be sure, but I guess it&rsquo;s in
+pretty fair condition. Besides, you might help me a little about learnin&rsquo;
+how to play.&rdquo;
+</p>
+
+<p>
+&ldquo;How much do you suppose the violin cost?&rdquo; inquired Philip.
+</p>
+
+<p>
+&ldquo;Couldn&rsquo;t say.&rdquo;
+</p>
+
+<p>
+&ldquo;It cost my father twenty-five dollars.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, come, now, that&rsquo;s too thin! You don&rsquo;t expect a feller to
+believe such a story as that?&rdquo;
+</p>
+
+<p>
+&ldquo;I expect to be believed, for I never tell anything but the truth.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well, I don&rsquo;t expect you do, generally, but when it comes to
+tradin&rsquo;, most everybody lies,&rdquo; observed Nick candidly.
+</p>
+
+<p>
+&ldquo;I have no object in misrepresenting, for I don&rsquo;t want to sell the
+violin.&rdquo;
+</p>
+
+<p>
+&ldquo;You can&rsquo;t afford to keep it! The town won&rsquo;t let you!&rdquo;
+</p>
+
+<p>
+&ldquo;The town won&rsquo;t let me?&rdquo; echoed Philip, now thoroughly
+mystified.
+</p>
+
+<p>
+&ldquo;Of course they won&rsquo;t. The idea of a pauper bein&rsquo; allowed a
+fiddle to play on! Why, it&rsquo;s ridiculous!&rdquo;
+</p>
+
+<p>
+&ldquo;What do you mean?&rdquo; demanded Philip, who now began to comprehend
+the meaning of this thick-witted visitor. &ldquo;What have I got to do with the
+town, or with paupers?&rdquo;
+</p>
+
+<p>
+&ldquo;Why, you&rsquo;re goin&rsquo; to the poorhouse, ain&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly not!&rdquo; answered Philip, with flashing eyes.
+</p>
+
+<p>
+&ldquo;I guess you&rsquo;re mistaken,&rdquo; said Nick coolly. &ldquo;Squire
+Pope was over to our shop this mornin&rsquo;, and he told dad that the
+seleckmen were goin&rsquo; to send you there after the auction.&rdquo;
+</p>
+
+<p>
+Philip&rsquo;s eyes flashed angrily. He felt insulted and outraged. Never for a
+moment had he conceived the idea that any one would regard him as a candidate
+for the poorhouse.
+</p>
+
+<p>
+He had an honorable pride in maintaining himself, and would rather get along on
+one meal a day, earned by himself in honest independence, than be indebted to
+public charity even for a luxurious support.
+</p>
+
+<p>
+&ldquo;Squire Pope doesn&rsquo;t know what he&rsquo;s talking about,&rdquo;
+retorted Philip, who had to exercise some self-restraint not to express himself
+more forcibly &ldquo;and you can tell him so when you see him. I am no more
+likely to go to the poorhouse than you are!&rdquo;
+</p>
+
+<p>
+&ldquo;Come, that&rsquo;s a good one,&rdquo; chuckled Nick. &ldquo;Talk of me
+goin&rsquo; to the poorhouse, when my father pays one of the biggest taxes in
+town! Of course, it&rsquo;s different with you.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have to excuse me now,&rdquo; said Philip, determined to
+get rid of his disagreeable companion. &ldquo;I have something to do.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you won&rsquo;t sell me the fiddle, Phil?&rdquo;
+</p>
+
+<p>
+&ldquo;No, I won&rsquo;t,&rdquo; answered our hero, with scant ceremony.
+</p>
+
+<p>
+&ldquo;Then I&rsquo;ll have to bid it off at the auction. Maybe I&rsquo;ll get
+it cheaper.&rdquo;
+</p>
+
+<p>
+And Mr. Nicholas Holden at length relieved Philip of his company.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0004" id="link2HCH0004"></a>
+CHAPTER IV.<br/>
+THE AUCTION.</h2>
+
+<p>
+It so happened that Nick Holden met Squire Pope on the village street, and,
+being rather disappointed at the result of his negotiations with Philip,
+thought it might be a good idea to broach the subject to the squire, who, as he
+knew, had taken it upon himself to superintend the sale of Mr. Gray&rsquo;s
+goods.
+</p>
+
+<p>
+&ldquo;I say, squire, I&rsquo;ve just been over to see Phil Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! Well, how does he seem to feel?&rdquo;
+</p>
+
+<p>
+&ldquo;Kinder stuck up, I reckon. He said he wouldn&rsquo;t go to the
+poorhouse, and I might tell you so.&rdquo;
+</p>
+
+<p>
+&ldquo;I apprehend,&rdquo; said the squire, in his stately way, &ldquo;he will
+be under the necessity of going, whether he likes it or not.&rdquo;
+</p>
+
+<p>
+&ldquo;Just so; that&rsquo;s what I told him!&rdquo; interjected Nick.
+</p>
+
+<p>
+&ldquo;And he should be grateful for so comfortable a home,&rdquo; continued
+the public man.
+</p>
+
+<p>
+&ldquo;Well, I dunno,&rdquo; said Nick. &ldquo;They do say that old Tucker most
+starves the paupers. Why his bills with dad are awful small.&rdquo;
+</p>
+
+<p>
+&ldquo;The town cannot afford to pamper the appetites of its
+beneficiaries,&rdquo; said the squire. &ldquo;Where is Philip now?&rdquo;
+</p>
+
+<p>
+&ldquo;I guess he&rsquo;s at home. I offered to buy his fiddle, but he said he
+was going to keep it. I offered him a dollar and sixty-four cents&mdash;the
+same as dad&rsquo;s bill against his father, but he wouldn&rsquo;t take
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Really, Nicholas, your offer was very irregular&mdash;extremely
+irregular. It should have been made to me, as the administrator of the late Mr.
+Gray, and not to a boy like Philip.&rdquo;
+</p>
+
+<p>
+&ldquo;Will you sell me the fiddle for dad&rsquo;s bill, squire?&rdquo; asked
+Nicholas eagerly.
+</p>
+
+<p>
+&ldquo;You are premature, Nicholas&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s that?&rdquo;
+</p>
+
+<p>
+&ldquo;I mean you must wait till the auction. Then you will have a chance to
+bid on the instrument, if you want to secure it.&rdquo;
+</p>
+
+<p>
+&ldquo;Phil says it&rsquo;s his, and won&rsquo;t be for sale at the
+auction.&rdquo;
+</p>
+
+<p>
+&ldquo;Then Philip is mistaken. He is only a boy. The estate will be settled by
+those who are older and wiser than he.&rdquo;
+</p>
+
+<p>
+&ldquo;I guess you&rsquo;ll find him hard to manage, squire,&rdquo; said Nick,
+laughing.
+</p>
+
+<p>
+&ldquo;We shall see&mdash;we shall see,&rdquo; returned the squire.
+</p>
+
+<p>
+And, with a dignified wave of the hand, he continued on his walk.
+</p>
+
+<p>
+After the visit of Nicholas, Philip thought it most prudent to convey the
+violin which he prized so much to the house of his friend, Frank Dunbar, where
+he had been invited to take his meals.
+</p>
+
+<p>
+He was willing to have the furniture sold to defray his father&rsquo;s small
+debts, but the violin was his own. It had not even been given him by his
+father. Though the latter purchased it, the money which it cost had been given
+to Philip by a friend of the family. He rightly thought that he had no call to
+sell it now.
+</p>
+
+<p>
+&ldquo;Frank,&rdquo; said he to his boy-friend, &ldquo;I want you to put away
+my violin safely, and keep it until after the auction.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course I will, Phil; but won&rsquo;t you want to play on it!&rdquo;
+</p>
+
+<p>
+&ldquo;Not at present. I&rsquo;ll tell you why I want it put away.&rdquo;
+</p>
+
+<p>
+And Philip told his friend about Nick&rsquo;s application to purchase it, and
+the liberal offer he had made.
+</p>
+
+<p>
+&ldquo;Nick&rsquo;s generosity never will hurt him much,&rdquo; said Frank,
+laughing. &ldquo;What in the world did he want of your violin?&rdquo;
+</p>
+
+<p>
+&ldquo;He wants to make himself popular with the girls.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;ll never do that, even if he learns to play like an
+angel!&rdquo; said Frank. &ldquo;You ought to hear the girls talk about him. He
+couldn&rsquo;t get a single one of them to go home with from singing-school
+last winter. He teased my sister to go, but she told him every time she was
+engaged to some one else.&rdquo;
+</p>
+
+<p>
+The two days that intervened between the funeral and the auction passed, and
+the last scene connecting Philip with the little cottage which had been his
+home was to take place.
+</p>
+
+<p>
+In a country town, an auction&mdash;however inconsiderable&mdash;draws together
+an interested company of friends and neighbors; and, though no articles of
+value were to be sold, this was the case at the present sale.
+</p>
+
+<p>
+Philip didn&rsquo;t at first mean to be present. He thought it would only give
+him pain; but at the last moment he came, having been requested to do so by
+Squire Pope, as information might be required which he could give.
+</p>
+
+<p>
+The bulk of the furniture was soon disposed of, at low prices, to be sure, but
+sufficiently high to make it clear that enough would be realized to pay the
+small bills outstanding.
+</p>
+
+<p>
+Philip&rsquo;s lip quivered when his father&rsquo;s watch was put up. He would
+have liked to buy it, but this was impossible; for he had only about a dollar
+of his own.
+</p>
+
+<p>
+Nick Holden&rsquo;s eyes sparkled when he saw the watch. He had forgotten about
+that, but as soon as he saw it he coveted it. He had a cheap silver watch of
+his own, which he had bought secondhand about three years before. He had
+thought that he might some day possess a gold watch, but he was not willing to
+lay out the necessary sum of money.
+</p>
+
+<p>
+By dint of actual meanness, he had laid up two hundred dollars, which he now
+had in the savings-bank in the next village, and he could therefore have bought
+one if he had chosen; but, like Gilpin,
+</p>
+
+<p class="poem">
+&ldquo;Although he was on pleasure bent, he had a frugal mind.&rdquo;
+</p>
+
+<p>
+Now, however, there seemed a chance of getting a gold watch at a low price.
+Nick reasoned rightly that at an auction it would go much below its value, and
+it would be a good thing for him to buy it&mdash;even as an investment&mdash;as
+he would probably have chances enough to trade it off at a handsome profit.
+</p>
+
+<p>
+&ldquo;I shouldn&rsquo;t wonder if I could double my money on it,&rdquo; he
+reflected.
+</p>
+
+<p>
+Accordingly, when the watch was put up, Nick eagerly bid two dollars.
+</p>
+
+<p>
+Philip&rsquo;s lip curled when he heard this generous bid, and he heartily
+hoped that this treasured possession of his dead father might not fall into
+such hands.
+</p>
+
+<p>
+Nick rather hoped that no one would bid against him, but in this he was
+destined to be disappointed.
+</p>
+
+<p>
+&ldquo;Five dollars!&rdquo; was next heard.
+</p>
+
+<p>
+And this bid came from Mr. Dunbar, the father of his friend Frank.
+Philip&rsquo;s eyes brightened up, for there was no one he would sooner see the
+possessor of the watch than his kind friend.
+</p>
+
+<p>
+Nick looked chopfallen when he heard this large increase on his original bid,
+and hesitated to continue, but finally mustered up courage to say, in a rather
+feeble tone:
+</p>
+
+<p>
+&ldquo;Five and a quarter.&rdquo;
+</p>
+
+<p>
+&ldquo;Five dollars and a quarter bid!&rdquo; said the auctioneer. &ldquo;Do I
+hear more?&rdquo;
+</p>
+
+<p>
+&ldquo;Six dollars,&rdquo; said Mr. Dunbar quietly.
+</p>
+
+<p>
+The bid was repeated, and the auctioneer waited for a higher one, but Nick
+retired ignominiously from the contest.
+</p>
+
+<p>
+He wasn&rsquo;t sure whether he could get much over six dollars for it himself,
+and he foresaw that Mr. Dunbar intended to have it, even if it cost
+considerable more.
+</p>
+
+<p>
+&ldquo;It&rsquo;s kinder hard on a feller,&rdquo; he complained to the man
+standing next him. &ldquo;What does Mr. Dunbar want of the watch? He&rsquo;s
+got one already.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps he thinks it is a good bargain at the price.&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s what I&rsquo;ve been wantin&rsquo; all along,&rdquo; said
+Nick. &ldquo;He might have let me have it.&rdquo;
+</p>
+
+<p>
+&ldquo;Why don&rsquo;t you bid more?&rdquo;
+</p>
+
+<p>
+&ldquo;I wanted to get it cheap.&rdquo;
+</p>
+
+<p>
+&ldquo;And the auctioneer wants to get as much as he can for the articles, and
+so do Philip&rsquo;s friends,&rdquo; This was a consideration which, of course,
+had no weight with Nicholas. However, he had one comfort. He would bid on the
+violin, and probably no one else would bid against it. He did not see it, to be
+sure, but concluded, of course, that it would be bid off. When the sale drew
+near the end, he went to Philip, and said:
+</p>
+
+<p>
+&ldquo;Whereabouts is the fiddle, Phil?&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t here,&rdquo; answered our hero.
+</p>
+
+<p>
+&ldquo;Ain&rsquo;t it goin&rsquo; to be sold?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course not! It&rsquo;s mine. I told you that once already.&rdquo;
+</p>
+
+<p>
+&ldquo;We&rsquo;ll see!&rdquo; said Nicholas angrily.
+</p>
+
+<p>
+And going up to Squire Pope, he held a brief conversation with that gentleman.
+</p>
+
+<p>
+The squire nodded vigorously, and walked over to Philip.
+</p>
+
+<p>
+&ldquo;Philip,&rdquo; said he, &ldquo;go and bring your violin.&rdquo;
+</p>
+
+<p>
+&ldquo;What will I do that for!&rdquo; asked our hero quietly.
+</p>
+
+<p>
+&ldquo;So that it may be sold.&rdquo;
+</p>
+
+<p>
+&ldquo;It is not to be sold,&rdquo; returned Philip quietly. &ldquo;It belongs
+to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Nothing belongs to you except your clothes!&rdquo; said the squire
+angrily. &ldquo;I require you to go and fetch the instrument.&rdquo;
+</p>
+
+<p>
+&ldquo;And I decline to do it,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Do you know who I am,&rdquo; demanded the squire, with ruffled dignity.
+</p>
+
+<p>
+&ldquo;I know you perfectly well,&rdquo; answered Philip &ldquo;but I am the
+owner of the violin, and I don&rsquo;t mean to have it sold.&rdquo;
+</p>
+
+<p>
+&ldquo;YOU will repent this!&rdquo; said Squire Pope, who felt that his lawful
+authority and official dignity were set at naught.
+</p>
+
+<p>
+Philip bowed and left the house. He did not know what steps the squire might
+take, but he was resolved not to give up his cherished violin.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0005" id="link2HCH0005"></a>
+CHAPTER V.<br/>
+AN ALLIANCE AGAINST PHILIP.</h2>
+
+<p>
+Squire Pope was not a bad man, nor was he by nature a tyrant, but he was so
+fully convinced of his own superior judgment that he was in all things
+obstinately bent on having his own way. He had persuaded himself that our young
+hero, Philip, would be better off in the poorhouse than in a place where he
+could earn his own living, and no one could convince him to the contrary.
+</p>
+
+<p>
+As to the boy&rsquo;s feelings on the subject, he considered those of no
+importance. He had good reason to know that Philip would object to being an
+inmate of the almshouse, but he was determined that he should go there.
+</p>
+
+<p>
+In like manner, before the auction was over, he saw clearly that it would
+realize a sum more than sufficient to pay the funeral expenses of the late Mr.
+Gray and the few small bills outstanding against his estate, and that there was
+no necessity that Philip&rsquo;s violin should be sold, but none the less he
+resolved that it should be sold.
+</p>
+
+<p>
+&ldquo;Shall I allow a young lad to dictate to me?&rdquo; Squire Pope asked
+himself, in irritation. &ldquo;Certainly not! I know better what is right than
+he. It is ridiculous that a town pauper should own a violin. Why, the next
+thing, we shall have to buy pianos for our almshouses, for the use of the
+gentlemen and ladies who occupy them. A violin, indeed!&rdquo;
+</p>
+
+<p>
+This Squire Pope regarded as irresistible logic and withering sarcasm combined.
+</p>
+
+<p>
+He saw Philip go out of the cottage, but, as the sale was not over, he was
+unable to follow him.
+</p>
+
+<p>
+&ldquo;Never mind, I&rsquo;ll fix him as soon as I have time,&rdquo; he said to
+himself.
+</p>
+
+<p>
+&ldquo;Back so soon? Is the auction over!&rdquo; asked his friend, Frank
+Dunbar, who was engaged in splitting wood in the rear of the house.
+</p>
+
+<p>
+&ldquo;No, Frank, not quite; but it&rsquo;s almost over..Who do you think bid
+on father&rsquo;s gold watch?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know.&rdquo;
+</p>
+
+<p>
+&ldquo;Nick Holden.&rdquo;
+</p>
+
+<p>
+&ldquo;He didn&rsquo;t get it, did he?&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad to say not. Your father bought it.&rdquo;
+</p>
+
+<p>
+&ldquo;Did he! Why, he&rsquo;s got one watch already.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad he&rsquo;s got it. I couldn&rsquo;t bear to think of Nick
+Holden carrying my father&rsquo;s watch. He was disappointed about one thing
+besides.&rdquo;
+</p>
+
+<p>
+&ldquo;What was that?&rdquo;
+</p>
+
+<p>
+&ldquo;The violin. He went to Squire Pope, and complained that it was not in
+the sale.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s just like his impudence. What did the squire say?&rdquo;
+</p>
+
+<p>
+&ldquo;He came to me and ordered me to get it, so that it might be sold.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall I get it for you, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Not much!&rdquo; answered Philip emphatically. &ldquo;It is mine, as I
+have already told you. If the auction doesn&rsquo;t bring in enough to settle
+up everything, I may agree to sell it for a fair price; but I am sure, from the
+prices, that it won&rsquo;t be necessary.&rdquo;
+</p>
+
+<p>
+&ldquo;Squire Pope&rsquo;s a dreadful obstinate man,&rdquo; said Frank
+doubtfully. &ldquo;He may insist upon your selling the violin.&rdquo;
+</p>
+
+<p>
+&ldquo;Let him do it!&rdquo; said Philip contemptuously. &ldquo;I should like
+to see him get it. Where have you put it, Frank?&rdquo;
+</p>
+
+<p>
+&ldquo;Where Squire Pope won&rsquo;t be apt to find it&mdash;in an old chest up
+in the garret. It&rsquo;s full of old clothes, belonging to my grandfather, and
+hasn&rsquo;t been looked into by any one except me for years. I put it away
+under all the clothes at the bottom. No one knows where it is except you and
+me, not even mother.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s good. I guess we can defy the squire, then.&rdquo;
+</p>
+
+<p>
+Half an hour later, Mr. Dunbar came home from the auction.
+</p>
+
+<p>
+Philip went to meet him.
+</p>
+
+<p>
+&ldquo;Thank you for buying father&rsquo;s watch,&rdquo; he said. &ldquo;But
+for you, Nick Holden would have had it, and I should have been sorry for
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;He was badly disappointed,&rdquo; said Mr. Dunbar smiling. &ldquo;But I
+didn&rsquo;t buy the watch for myself, Philip.&rdquo;
+</p>
+
+<p>
+&ldquo;For whom, then?&rdquo; asked Philip, in some surprise.
+</p>
+
+<p>
+&ldquo;For the one that has the best right to it&mdash;for you,&rdquo; and the
+farmer took the watch from his pocket, and handed it to Philip.
+</p>
+
+<p>
+&ldquo;But I haven&rsquo;t the money to pay for it, Mr. Dunbar,&rdquo; said our
+hero.
+</p>
+
+<p>
+&ldquo;Then I give it to you as a present,&rdquo; said Mr. Dunbar.
+</p>
+
+<p>
+&ldquo;I am very grateful,&rdquo; said Philip; &ldquo;but I ought not to accept
+it. You are too kind to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me be the judge of that.&rdquo;
+</p>
+
+<p>
+&ldquo;Besides, it wouldn&rsquo;t be safe for me to take it. Squire Pope will
+try to get my violin away from me in order to sell it, and he would be sure to
+try to do the same by the watch if he found that I had it.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Philip, I don&rsquo;t need the watch myself.&rdquo;
+</p>
+
+<p>
+&ldquo;Then, Mr. Dunbar, will you be kind enough to keep it for me, and when I
+can afford to pay for it, and there is no danger of its being taken from me, I
+will ask you for it. I shall be very glad, indeed, when I am older, to carry my
+father&rsquo;s watch, for I have seen it in his hands so often that it will
+constantly remind me of him.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps that will be the best arrangement,&rdquo; said Mr. Dunbar.
+&ldquo;You might have it stolen from you, if you carried it yourself just at
+present. As you request, I will keep it, subject to your order; but I would
+rather let it be a gift from me, and not require you to pay for it.&rdquo;
+</p>
+
+<p>
+&ldquo;We won&rsquo;t talk about that now,&rdquo; said Philip, smiling.
+&ldquo;At any rate, you must let me thank you for your great kindness to
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t speak of that, Phil,&rdquo; said the farmer kindly. &ldquo;I
+had a great respect and liking for your father, and I verily believe my Frank
+loves you as well as if you were his own brother. So, come what may, you have a
+friend in our family.&rdquo;
+</p>
+
+<p>
+&ldquo;I indorse all that father says,&rdquo; Frank said.
+</p>
+
+<p>
+And he extended his hand to Philip, who grasped it heartily.
+</p>
+
+<p>
+It warmed his heart to think that he had such good friends, though he was an
+orphan and alone in the world.
+</p>
+
+<p>
+After supper, Mr. Dunbar went to the village store, while Frank and Philip
+remained at home.
+</p>
+
+<p>
+Suddenly Frank said:
+</p>
+
+<p>
+&ldquo;Philip, you are going to have a visitor, I guess.&rdquo;
+</p>
+
+<p>
+&ldquo;A visitor!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; I saw Squire Pope stumping along the road, nourishing his
+gold-headed cane. He is headed this way, and it&rsquo;s likely he is going to
+honor you with a call. He&rsquo;s got somebody with him, too. Who is it!&rdquo;
+</p>
+
+<p>
+Philip shaded his eyes with his hand, for the Sun was near its setting, and
+shining with dazzling brightness from the quarter toward which he was looking.
+</p>
+
+<p>
+&ldquo;It&rsquo;s Nick Holden!&rdquo; he said.
+</p>
+
+<p>
+&ldquo;So it is! What can he want?&rdquo;
+</p>
+
+<p>
+&ldquo;I understand very well. He wants my violin. He couldn&rsquo;t get it at
+the sale, so he has come here to see if he can&rsquo;t make me give it to
+him.&rdquo;
+</p>
+
+<p>
+&ldquo;And will you?&rdquo;
+</p>
+
+<p>
+&ldquo;You ought to know me better than to ask, Frank,&rdquo; said Philip
+firmly. &ldquo;Nick might as well have stayed away, for he won&rsquo;t
+accomplish anything.&rdquo;
+</p>
+
+<p>
+Nick, however, held a different opinion. After Philip left the cottage, he had
+gone to Squire Pope, and cunningly asked:
+</p>
+
+<p>
+&ldquo;Are you going to let Philip keep his fiddle in spite of you,
+squire?&rdquo;
+</p>
+
+<p>
+&ldquo;What do you mean, Nicholas?&rdquo; demanded the squire, in a stately
+way.
+</p>
+
+<p>
+&ldquo;Why, seems to me he&rsquo;s kinder settin&rsquo; up his will agin yours.
+You say the fiddle shall be sold, and he says it shan&rsquo;t. He told me he
+didn&rsquo;t care what you said, he should keep it.&rdquo;
+</p>
+
+<p>
+&ldquo;Did he say that, Nicholas?&rdquo; asked the squire, who felt that his
+dignity was outraged by such insolence.
+</p>
+
+<p>
+&ldquo;I&rsquo;m sartain he did. He&rsquo;s pretty big feelin&rsquo;, Phil is.
+He always wants to have his own way.&rdquo;
+</p>
+
+<p>
+&ldquo;He will find that he can&rsquo;t defy me with impunity,&rdquo; said the
+squire stiffly.
+</p>
+
+<p>
+&ldquo;Just so. Then you&rsquo;ll sell me the fiddle?&rdquo;
+</p>
+
+<p>
+&ldquo;I will!&rdquo; said the squire emphatically.
+</p>
+
+<p>
+&ldquo;You won&rsquo;t ask too much, will you?&rdquo; asked Nick anxiously.
+</p>
+
+<p>
+Now Squire Pope, who knew nothing of the price of violins, and had a very
+inadequate idea of their value, after some haggling on the part of Nick, agreed
+to sell him the instrument for two dollars and a half, and to see that it was
+delivered that evening.
+</p>
+
+<p>
+&ldquo;Do you know where it is, Nicholas?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Why, Phil is staying over at Frank Dunbar&rsquo;s, and I guess
+he&rsquo;s got it there somewhere. I guess we&rsquo;d better go over there and
+get it.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well, Nicholas. After supper, if you will come to my house, I will
+go over there, and see that you have the instrument.&rdquo;
+</p>
+
+<p>
+&ldquo;All right, squire!&rdquo; said Nick gleefully, &ldquo;Phil will find
+that he can&rsquo;t have his own way this time.&rdquo;
+</p>
+
+<p>
+&ldquo;I apprehend he will,&rdquo; said the squire complacently.
+</p>
+
+<p>
+Now the reader understands how it happened that Squire Pope and Nick Holden
+made a call on Philip. As to what passed at the interview, we must refer him to
+the next chapter.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0006" id="link2HCH0006"></a>
+CHAPTER VI.<br/>
+FUSS ABOUT A FIDDLE.</h2>
+
+<p>
+&ldquo;Ahem! Good evening!&rdquo; said Squire Pope to Frank Dunbar, taking no
+notice of Philip&rsquo;s cold but polite salutation.
+</p>
+
+<p>
+&ldquo;Good evening! Will you go into the house?&rdquo; said Frank.
+</p>
+
+<p>
+&ldquo;I believe not. I have not time.&rdquo;
+</p>
+
+<p>
+&ldquo;I am sorry father isn&rsquo;t home. He just started for the
+village.&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! it was not to see your father that I called,&rdquo; answered
+Squire Pope. &ldquo;I wish to have a few words with this young man,&rdquo;
+indicating Philip stiffly.
+</p>
+
+<p>
+&ldquo;I am at your service, Squire Pope,&rdquo; said Philip, with ceremonious
+politeness.
+</p>
+
+<p>
+&ldquo;We came about the fiddle,&rdquo; interrupted Nick Holden, who always
+wanted to have a share in the conversation.
+</p>
+
+<p>
+Squire Pope frowned, for he did not relish Nick&rsquo;s interference.
+</p>
+
+<p>
+&ldquo;Nicholas,&rdquo; he said severely, &ldquo;I apprehend I am competent to
+manage the business we have come upon.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t get riled, squire,&rdquo; said Nick, by no means abashed by
+this rebuke. &ldquo;I thought you were kinder slow about comin&rsquo; to the
+point.&rdquo;
+</p>
+
+<p>
+&ldquo;Your interruption was very indecorous. I do not require any assistance
+or any suggestions.&rdquo;
+</p>
+
+<p>
+&ldquo;All right, squire!&rdquo;
+</p>
+
+<p>
+Squire Pope now turned to our hero, and said:
+</p>
+
+<p>
+&ldquo;As I was about to say, when interrupted by Nicholas, I have come to
+require you to give up the Violin which, without authority and against my
+express command, you withheld from the auction.&rdquo;
+</p>
+
+<p>
+&ldquo;The violin is mine, Squire Pope,&rdquo; said Philip firmly, &ldquo;and I
+mean to keep it!&rdquo;
+</p>
+
+<p>
+&ldquo;You talk like an ignorant boy. As a minor, you had no claim to the
+possession of any article except your clothing. I judged it best that the
+violin should be sold at the auction, and it is presumptuous for you to set up
+your judgment against mine!&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t take that view of it,&rdquo; said Philip, and then he
+stopped.
+</p>
+
+<p>
+He knew it was of no use to argue against the squire, who was obstinate to the
+verge of pig-headedness, if I may be allowed to use the expression. He felt
+that it would be only wasting his breath.
+</p>
+
+<p>
+&ldquo;It is quite immaterial how you view the subject,&rdquo; said the squire
+pompously. &ldquo;My mind is made up, and my resolution is not likely to be
+shaken by a boy.&rdquo;
+</p>
+
+<p>
+&ldquo;Then, sir,&rdquo; answered Philip, in a respectful tone but with a
+slight smile, &ldquo;it is hardly worth while for me to say any more.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad you have arrived at so sensible a conclusion,&rdquo; said
+Squire Pope. &ldquo;I take it that you have the violin here.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Then bring it out and give it to me.&rdquo;
+</p>
+
+<p>
+Now came the critical point, when Philip must array himself in determined
+opposition to Squire Pope. He felt that he was entirely in the right; still he
+regretted the necessity of the antagonism.
+</p>
+
+<p>
+Philip had one thing in his favor: He had plenty of self-control, and, although
+he was very indignant at the course of the squire, which he regarded as
+unjustifiable, he made up his mind to be as respectful as circumstances would
+permit.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think you understand me, Squire Pope,&rdquo; he said.
+&ldquo;I refuse to give up the violin!&rdquo;
+</p>
+
+<p>
+&ldquo;You refuse to give up the violin!&rdquo; repeated Squire Pope, scarcely
+believing the testimony of his ears. &ldquo;Do I hear you aright?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;I never saw such impudence!&rdquo; ejaculated Nick Holden, wishing to
+egg on the squire.
+</p>
+
+<p>
+&ldquo;Do you mean to defy me to my face?&rdquo; demanded Squire Pope, growing
+very red.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t wish to defy you or anybody else,&rdquo; returned Philip;
+&ldquo;but I shall stand up for my rights.&rdquo;
+</p>
+
+<p>
+&ldquo;Misguided boy!&rdquo; said the squire severely; &ldquo;you will yet rue
+this rash and heedless course. Frank,&rdquo; he continued, turning to Frank
+Dunbar, &ldquo;do you know where Philip&rsquo;s violin is!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Do me the favor to bring it out and place it in my hands.&rdquo;
+</p>
+
+<p>
+&ldquo;You must excuse me, Squire Pope,&rdquo; answered Frank. &ldquo;It
+belongs to Philip, and I have no right to meddle with it.&rdquo;
+</p>
+
+<p>
+&ldquo;If Philip has told you this, he has misrepresented,&rdquo; said the
+squire, rather discouraged by this second rebuff. &ldquo;The violin does not
+belong to Philip. It belongs to this young man.&rdquo;
+</p>
+
+<p>
+And, with a wave of his hand, he designated Nick Holden.
+</p>
+
+<p>
+It was not polite, but Frank Dunbar was so surprised by this announcement that
+he whistled.
+</p>
+
+<p>
+As for Philip, he regarded Nick calmly; but there didn&rsquo;t seem to be any
+sign of yielding in his look.
+</p>
+
+<p>
+&ldquo;It belongs to Nicholas, because I have sold it to him,&rdquo; continued
+Squire Pope doggedly.
+</p>
+
+<p>
+&ldquo;That&rsquo;s so!&rdquo; corroborated Nick complacently. &ldquo;The
+squire sold me the fiddle for two-fifty. It&rsquo;s mine now, and you&rsquo;d
+better fetch it along out, or there&rsquo;ll be trouble.&rdquo;
+</p>
+
+<p>
+Philip turned to Squire Pope, and said quietly:
+</p>
+
+<p>
+&ldquo;As you had no right to sell it, the sale amounts to nothing. If you had
+a right, I should say you were not very shrewd to sell an instrument that cost
+twenty-five dollars&mdash;and was considered a bargain at the price&mdash;for
+two dollars and fifty cents.&rdquo;
+</p>
+
+<p>
+&ldquo;The violin cost twenty-five dollars!&rdquo; ejaculated the squire, in
+genuine surprise.
+</p>
+
+<p>
+For, as it has already been stated, he had no idea whatever of the usual price
+for a violin.
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you believe him, squire,&rdquo; said Nicholas, afraid that
+he would lose what he knew to be a good bargain. &ldquo;No fiddle that was ever
+made cost twenty-five dollars. It&rsquo;s ridiculous!&rdquo;
+</p>
+
+<p>
+&ldquo;It does seem a large price,&rdquo; said the squire guardedly.
+</p>
+
+<p>
+Squire Pope would doubtless have been surprised to learn that certain violins
+of celebrated make&mdash;such as the Cremonas&mdash;have sold for thousands of
+dollars. Probably he would have disbelieved it.
+</p>
+
+<p>
+Nevertheless, he began to think that he had been too precipitate in accepting
+Nick Holden&rsquo;s offer.
+</p>
+
+<p>
+If he should sacrifice, or sell at an utterly inadequate price, any article
+belonging to the boy whom he considered his ward, he knew that he would be
+blamed, and he began to consider how he could recede from the bargain.
+</p>
+
+<p>
+&ldquo;Nicholas,&rdquo; he said, &ldquo;I didn&rsquo;t exactly sell the violin
+to you. I will ascertain what is a fair price for it, and then I will consider
+your proposal.&rdquo;
+</p>
+
+<p>
+&ldquo;You sold it right out, squire,&rdquo; said Nick, &ldquo;and I can prove
+it. Didn&rsquo;t you just say it was mine. There, now!&rdquo;
+</p>
+
+<p>
+Nick turned triumphantly to Frank and Phil, but, for very good reasons, they
+did not care to side with him.
+</p>
+
+<p>
+&ldquo;I say, you haven&rsquo;t treated me right,&rdquo; persisted Nick, who
+had no particular respect nor veneration for the squire, and was not to be
+deterred from speaking as he felt. &ldquo;I offered you two-fifty, and you said
+I should have it, and you got me to call at your house to come here for
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;I cannot sacrifice the property of my ward,&rdquo; said Squire Pope.
+&ldquo;I must ascertain how much the violin is worth.&rdquo;
+</p>
+
+<p>
+&ldquo;A bargain is a bargain, every time!&rdquo; said Nick, irritated.
+</p>
+
+<p>
+&ldquo;I will let you have it as cheap as anybody,&rdquo; said the squire, who
+thought it possible that Nick might be the only one who desired to purchase it.
+&ldquo;That ought to satisfy you. Philip, go and bring me the violin, and I
+will carry it home and dispose of it to the best advantage.&rdquo;
+</p>
+
+<p>
+&ldquo;You must excuse me, Squire Pope. I shall not let it leave my
+possession.&rdquo; Just then Squire Pope espied Mr. Dunbar returning from the
+village, and hailed him as a probable ally. He laid the matter before him, and
+requested him to compel Philip to get the violin.
+</p>
+
+<p>
+&ldquo;You must excuse me, squire,&rdquo; said Mr. Dunbar coldly. &ldquo;Philip
+is my guest, and he shall be protected in his rights as long as he remains
+here.&rdquo;
+</p>
+
+<p>
+Without a word, Squire Pope walked off, in angry discomfiture, in one
+direction, while Nick, equally dissatisfied, walked off in another.
+</p>
+
+<p>
+&ldquo;They don&rsquo;t seem happy!&rdquo; said Frank slyly.
+</p>
+
+<p>
+&ldquo;I wish I knew where it was going to end,&rdquo; returned Philip gravely.
+</p>
+
+<p>
+&ldquo;It seems to me,&rdquo; said Frank, &ldquo;the squire is making a great
+fuss about a fiddle, for a man of his dignity.&rdquo;
+</p>
+
+<p>
+&ldquo;He doesn&rsquo;t care about the violin. He wants to have his own
+way,&rdquo; said Philip, thus hitting the nail on the head.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0007" id="link2HCH0007"></a>
+CHAPTER VII.<br/>
+MR. JOE TUCKER</h2>
+
+<p>
+Before going further, I will introduce to the reader, a citizen of Norton, who
+filled a position for which he was utterly unfitted. This man was Joe Tucker,
+in charge of the almshouse.
+</p>
+
+<p>
+He had not been selected by the town authorities on the ground of fitness, but
+simply because he was willing to work cheap. He received a certain low weekly
+sum for each one of his inmates, and the free use of apartments for himself and
+family, with the right to cultivate the ten acres of land connected with the
+establishment, and known as the Town Farm.
+</p>
+
+<p>
+His family consisted of three persons&mdash;himself, his wife, and a son,
+Ezekiel, familiarly known as Zeke, now sixteen years old. The leading family
+trait was meanness.
+</p>
+
+<p>
+Mr. Tucker supplied a mean table even for a poorhouse, and some of the hapless
+inmates complained bitterly. One had even had the boldness to present a
+complaint to the selectmen, and that body, rather reluctantly, undertook to
+investigate the justness of the complaint. They deputed Squire Pope to visit
+the poorhouse and inquire into the matter.
+</p>
+
+<p>
+Now, though Squire Pope thought himself unusually sharp, it was the easiest
+thing in the world for a cunning person like Joe Tucker to satisfy him that all
+was right.
+</p>
+
+<p>
+&ldquo;Mr. Tucker,&rdquo; said Squire Pope pompously, &ldquo;I am deputed by
+the selectmen, and I may add by the overseers of the poor, to investigate a
+complaint made by one of the paupers in relation to the fare you offer
+them.&rdquo;
+</p>
+
+<p>
+&ldquo;Who is it!&rdquo; inquired Mr. Tucker.
+</p>
+
+<p>
+&ldquo;It is Ann Carter. She says you don&rsquo;t allow her sugar in her tea,
+and only allow one slice of bread at supper, and that the meat is so bad she
+can&rsquo;t eat it.&rdquo;
+</p>
+
+<p>
+&ldquo;Just like the old woman!&rdquo; exclaimed Mr. Tucker indignantly.
+&ldquo;Oh, she&rsquo;s a high-strung pauper, she is! Expects all the delicacies
+of the season for seventy-five cents a week. She&rsquo;d ought to go to the
+Fifth Avenoo Hotel in New York, and then I&rsquo;ll bet a cent she
+wouldn&rsquo;t be satisfied.&rdquo;
+</p>
+
+<p>
+It is observable that even in his imaginary bets Mr. Tucker maintained his
+economical habits, and seldom bet more than a cent. Once, when very much
+excited, he had bet five cents, but this must be attributed to his excited
+state of mind.
+</p>
+
+<p>
+&ldquo;So you regard her complaints as unreasonable, do you, Mr. Tucker?&rdquo;
+observed the investigating committee.
+</p>
+
+<p>
+&ldquo;Unreasonable? I should think they was. I allow, Squire Pope, we
+don&rsquo;t live like a first-class hotel&rdquo;&mdash;Mr. Tucker&rsquo;s
+language was rather mixed&mdash;&ldquo;but we live as well as we can afford to.
+As to sugar, we don&rsquo;t allow the paupers to put it in for themselves, or
+they&rsquo;d ruin us by their extravagance. Mrs. Tucker puts sugar in the
+teapot before she pours it out. I s&rsquo;pose Ann Carter would put as much in
+one cup of tea as Mrs. T. uses for the whole teapotful, if she had her
+way.&rdquo;
+</p>
+
+<p>
+This was very probably true, as the frugal Mrs. Tucker only allowed one
+teaspoonful for the entire supply.
+</p>
+
+<p>
+&ldquo;That looks reasonable, Mr. Tucker,&rdquo; said the squire approvingly.
+&ldquo;Now about the bread and the meat?&rdquo;
+</p>
+
+<p>
+&ldquo;The paupers has plenty of bread,&rdquo; said Mr. Tucker. &ldquo;Our
+bread bill is actually enormous.&rdquo;
+</p>
+
+<p>
+&ldquo;And as to the meat?&rdquo;
+</p>
+
+<p>
+&ldquo;We don&rsquo;t give &rsquo;em roast turkey every day, and we don&rsquo;t
+buy tenderloin steaks to pamper their appetites,&rdquo; said Mr. Tucker,
+&ldquo;though we&rsquo;re perfectly willing to do it if the town&rsquo;ll pay
+us so we can afford it. Do you think the town&rsquo;ll agree to pay me
+twenty-five cents more a week for each one, squire?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly not. It can&rsquo;t be thought of,&rdquo; said the squire
+hastily, knowing that if the selectmen advocated such a measure they would
+probably lose their reelection.
+</p>
+
+<p>
+&ldquo;If it would, we might live a little better, so that Ann Carter
+wouldn&rsquo;t have to complain, though, bless your soul! that woman is always
+complainin&rsquo;.&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! Mr. Tucker, you present the matter to me in a new light. I really
+feel that Ann Carter is very unreasonable in her complaints.&rdquo;
+</p>
+
+<p>
+&ldquo;I knowed you&rsquo;d do me justice, squire,&rdquo; said Mr. Tucker
+effusively. &ldquo;You&rsquo;re a sharp man. You ain&rsquo;t a-goin&rsquo; to
+be taken in by any of them paupers&rsquo; rigmarole. I always said, Squire
+Pope, that you was the right man in the right place, and that the town was
+lucky to have so intelligent and public-spirited a citizen fillin&rsquo; her
+most important offices.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Tucker,&rdquo; said the squire, &ldquo;you gratify me. It has ever
+been my aim to discharge with conscientious fidelity the important trusts which
+the town has committed to my charge&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll bear witness to that, squire.&rdquo;
+</p>
+
+<p>
+&ldquo;And your sincere tribute gives me great satisfaction.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope you&rsquo;ll report things right to the board, Squire
+Pope?&rdquo; said Mr. Joe Tucker insinuatingly.
+</p>
+
+<p>
+&ldquo;Be assured I will, Mr. Tucker. I consider you a zealous and trustworthy
+official, striving hard to do your duty in the place the town has assigned
+you.&rdquo;
+</p>
+
+<p>
+&ldquo;I do, indeed, squire,&rdquo; said Mr. Tucker, pulling on a red
+handkerchief and mopping some imaginary tears. &ldquo;Excuse my emotions, sir,
+but your generous confidence quite unmans me. I&mdash;I&mdash;trust now that I
+shall be able to bear meekly the sneers and complaints of Ann Carter and her
+fellow paupers.&rdquo;
+</p>
+
+<p>
+&ldquo;I will stand by you, Mr. Tucker,&rdquo; said Squire Pope cordially, for
+the man&rsquo;s flattery, coarse as it was, had been like incense to his
+vanity. &ldquo;I will stand by you, and uphold you by my testimony.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, squire. With such an impartial advocate I will continue to do
+my duty and fear nothing.&rdquo;
+</p>
+
+<p>
+As Squire Pope left the almshouse, Mr. Tucker winked at himself in the glass,
+and said quizzically:
+</p>
+
+<p>
+&ldquo;I guess I&rsquo;m all right now. The vain old fool thinks he&rsquo;s a
+second Solomon, and thinks I regard him as such. Oh, it takes me to get round
+him!&rdquo;
+</p>
+
+<p>
+Squire Pope wrote an elaborate report, in which he stated that, after searching
+investigation, he had ascertained that the complaints of Ann Carter were
+absolutely groundless, and gave it as his conviction that Mr. Tucker&rsquo;s
+treatment of her and her associate paupers was characterized by remarkable
+consideration and humanity.
+</p>
+
+<p>
+Such officials as he have much to answer for, and yet there are plenty just as
+false to their responsibilities as he.
+</p>
+
+<p>
+It was two days after Squire Pope&rsquo;s ineffectual attempt to possess
+himself of Philip&rsquo;s violin, that our hero was walking along a country
+road, on his return from an errand which, he had undertaken for his
+friend&rsquo;s father, when his attention was drawn to the yelping of a small
+dog, that seemed in fear or pain.
+</p>
+
+<p>
+Looking over the stone wall, Philip saw Zeke Tucker amusing himself by
+thrusting the dog&rsquo;s head into a pool of dirty water, and holding it there
+till the animal was nearly strangled. The dog&rsquo;s suffering appeared to
+yield the most exquisite amusement to the boy, who burst into peal after peal
+of rude laughter as he watched the struggles of his victim.
+</p>
+
+<p>
+Philip, like every decent boy, had a horror of cruelty, and the sight stirred
+him to immediate anger and disgust.
+</p>
+
+<p>
+&ldquo;What are you doing there, Zeke Tucker?&rdquo; he demanded sternly.
+</p>
+
+<p>
+&ldquo;None of your business!&rdquo; answered Zeke, frowning.
+</p>
+
+<p>
+&ldquo;You&rsquo;d better answer my question,&rdquo; said Philip, who had by
+this time jumped over the wall.
+</p>
+
+<p>
+&ldquo;Then I will. I&rsquo;m havin&rsquo; a little fun. What have you got to
+say about it?&rdquo; retorted Zeke.
+</p>
+
+<p>
+And once more he plunged the head of the poor dog into the filthy pool.
+</p>
+
+<p>
+The next moment he found himself floundering on his back, while the dog,
+slipping from his grasp, was running across the meadows. &ldquo;What did you do
+that for!&rdquo; demanded Zeke, springing up, his face flaming with rage.
+</p>
+
+<p>
+&ldquo;I rather think you understand well enough,&rdquo; answered Philip
+contemptuously.
+</p>
+
+<p>
+&ldquo;What business have you to touch me? I can have you arrested, you low
+pauper!&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s that? What did you call me?&rdquo; demanded Philip.
+</p>
+
+<p>
+&ldquo;I called you a pauper.&rdquo;
+</p>
+
+<p>
+&ldquo;By what right?&rdquo;
+</p>
+
+<p>
+&ldquo;Squire Pope told my father he was going to bring you over to the
+poorhouse to live. You just see if my father doesn&rsquo;t give it to you
+then!&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; said Phil contemptuously; &ldquo;but I don&rsquo;t
+propose to board at your establishment, not even to obtain the pleasure of your
+society.&rdquo;
+</p>
+
+<p>
+&ldquo;Maybe you can&rsquo;t help yourself,&rdquo; said Zeke gleefully.
+</p>
+
+<p>
+For he saw what had escaped the notice of Philip, whose back was
+turned&mdash;namely, a four-seated carryall, containing his father and Squire
+Pope, which had just halted in the road, hard by.
+</p>
+
+<p>
+&ldquo;Mr. Tucker,&rdquo; said Squire Pope, in a low tone, &ldquo;now will be
+the best opportunity to capture the boy and carry him to the almshouse.&rdquo;
+</p>
+
+<p>
+&ldquo;All right&mdash;I&rsquo;m ready,&rdquo; said Tucker readily.
+</p>
+
+<p>
+For another boarder would bring him sixty cents a week more.
+</p>
+
+<p>
+They stopped the horses and prepared for business.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0008" id="link2HCH0008"></a>
+CHAPTER VIII.<br/>
+IN THE ENEMY&rsquo;S HANDS</h2>
+
+<p>
+Philip heard a step, and turned to see whose it was; but, when he recognized
+Mr. Tucker, the latter&rsquo;s hand was already on his collar.
+</p>
+
+<p>
+&ldquo;What have you been doin&rsquo; to Zeke? Tell me that, you young
+rascal,&rdquo; said Mr. Tucker roughly.
+</p>
+
+<p>
+&ldquo;He pitched into me savage, father,&rdquo; answered Zeke, who had picked
+himself up, and was now engaged in brushing the dust from his coat.
+</p>
+
+<p>
+&ldquo;Pitched into ye, did he?&rdquo; repeated Joe Tucker grimly. &ldquo;I
+reckon he didn&rsquo;t know your father was &rsquo;round. What have you got to
+say for yourself, eh?&rdquo;
+</p>
+
+<p>
+Philip regarded his captor contemptuously, and didn&rsquo;t struggle to escape,
+knowing that he was not a match for a man five inches taller than himself. But
+contempt he could not help showing, for he knew very well that Zeke had
+inherited his mean traits largely from his father.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll thank you to remove your hand from my collar, sir,&rdquo;
+said Philip. &ldquo;When you have done that, I will explain why I pitched into
+Zeke, as he calls it.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you let go, father!&rdquo; said Zeke hastily.
+&ldquo;He&rsquo;ll run away, if you do.&rdquo;
+</p>
+
+<p>
+&ldquo;If I do, you can catch me between you,&rdquo; returned Philip coolly.
+</p>
+
+<p>
+&ldquo;I reckon that&rsquo;s so,&rdquo; said Mr. Tucker, withdrawing his hand,
+but keeping wary watch of our hero.
+</p>
+
+<p>
+&ldquo;Now go ahead!&rdquo; said he.
+</p>
+
+<p>
+Philip did so.
+</p>
+
+<p>
+&ldquo;I saw Zeke torturing a small dog,&rdquo; he explained, &ldquo;and I
+couldn&rsquo;t stand by and let it go on.&rdquo;
+</p>
+
+<p>
+&ldquo;What was he doin&rsquo; to him?&rdquo; inquired Mr. Tucker.
+</p>
+
+<p>
+&ldquo;Putting the poor animal&rsquo;s head into this dirty pool, and keeping
+it there till it was nearly suffocated.&rdquo;
+</p>
+
+<p>
+&ldquo;Was you doin&rsquo; that, Zeke?&rdquo; asked his father.
+</p>
+
+<p>
+&ldquo;I was havin&rsquo; a little fun with him,&rdquo; said Zeke candidly.
+</p>
+
+<p>
+&ldquo;It might have been fun to you, but it wasn&rsquo;t to him,&rdquo; said
+Phil.
+</p>
+
+<p>
+&ldquo;Why didn&rsquo;t you ask Zeke to stop, and not fly at him like a
+tiger?&rdquo; demanded Mr. Tucker.
+</p>
+
+<p>
+&ldquo;I did remonstrate with him, but he only laughed, and did it
+again.&rdquo;
+</p>
+
+<p>
+&ldquo;He hadn&rsquo;t no right to order me,&rdquo; said Zeke. &ldquo;It
+wa&rsquo;n&rsquo;t no business of his if I was havin&rsquo; a little fun with
+the dog.&rdquo;
+</p>
+
+<p>
+&ldquo;And I had a little fun with, you,&rdquo; returned
+Philip&mdash;&ldquo;You couldn&rsquo;t have complained if I had dipped your
+head in the water also.&rdquo;
+</p>
+
+<p>
+&ldquo;I ain&rsquo;t a dog!&rdquo; said Zeke.
+</p>
+
+<p>
+&ldquo;I should respect you more if you were,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Are you goin&rsquo; to let him talk to me like that!&rdquo; asked Zeke,
+appealing to his father.
+</p>
+
+<p>
+&ldquo;No, I ain&rsquo;t,&rdquo; said Mr. Tucker angrily. &ldquo;You&rsquo;ve
+committed an assault and battery on my son, you rascal, and you&rsquo;ll find
+there ain&rsquo;t no fun in it for you. I could have you arrested and put in
+jail, couldn&rsquo;t I, squire?&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! Well, you could have him fined; but, as he is to be under your
+care, Mr. Tucker, you will have a chance of making him conduct himself
+properly.&rdquo;
+</p>
+
+<p>
+&ldquo;What do you mean by that, Squire Pope?&rdquo; asked Philip quickly.
+</p>
+
+<p>
+&ldquo;Young man, I do not choose to be catechized,&rdquo; said Squire Pope, in
+a dignified manner; &ldquo;but I have no objections to tell you that I have
+made arrangements with Mr. Tucker to take you into the poorhouse.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve heard that before, but I couldn&rsquo;t believe it,&rdquo;
+said Philip proudly.
+</p>
+
+<p>
+&ldquo;I guess you&rsquo;ll have to believe it pretty soon, he, he!&rdquo;
+laughed Zeke, with a grin which indicated his high delight. &ldquo;I guess
+dad&rsquo;ll make you stand round when he gits you into the poor-house.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you consider me capable of earning my own living, Squire
+Pope?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;Ahem! Yes, you will be one of these days. You won&rsquo;t have to stay
+in the almshouse all your life.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have a chance to earn your livin&rsquo; with me.&rdquo;
+said Mr. Tucker. &ldquo;I shall give you something to do, you may
+depend.&rdquo;
+</p>
+
+<p>
+&ldquo;You can make him saw and split wood, father, and do the chores and milk
+the cow,&rdquo; suggested Zeke.
+</p>
+
+<p>
+&ldquo;I have no objection to doing any of those things for a farmer,&rdquo;
+said Philip, &ldquo;but I am not willing to do it where I shall be considered a
+pauper.&rdquo;
+</p>
+
+<p>
+&ldquo;Kinder uppish!&rdquo; suggested Mr. Tucker, turning to Squire Pope.
+&ldquo;Most all of them paupers is proud; but it&rsquo;s pride in the wrong
+place, I reckon.&rdquo;
+</p>
+
+<p>
+&ldquo;If it is pride to want to earn an independent living, and not live on
+charity, then I am proud,&rdquo; continued Philip.
+</p>
+
+<p>
+&ldquo;Well, squire, how is it to be,&rdquo; asked Mr. Tucker.
+</p>
+
+<p>
+&ldquo;Philip,&rdquo; said Squire Pope pompously, &ldquo;you are very young,
+and you don&rsquo;t know what is best for you. We do, and you must submit. Mr.
+Tucker, take him and put him in the wagon, and we&rsquo;ll drive over to the
+poorhouse.&rdquo;
+</p>
+
+<p>
+&ldquo;What! now?&rdquo; asked Philip, in dismay.
+</p>
+
+<p>
+&ldquo;Just so,&rdquo; answered Joe Tucker. &ldquo;When you&rsquo;ve got your
+bird, don&rsquo;t let him go, that&rsquo;s what I say.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s the talk, dad!&rdquo; said Zeke gladfully.
+&ldquo;We&rsquo;ll take down his pride, I guess, when we&rsquo;ve got him
+home.&rdquo;
+</p>
+
+<p>
+Joe Tucker approached Philip, and was about to lay hold of him, when our hero
+started back.
+</p>
+
+<p>
+&ldquo;You needn&rsquo;t lay hold of me, Mr. Tucker,&rdquo; he said. &ldquo;I
+will get into the wagon if Squire Pope insists upon it.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m glad you&rsquo;re gettin&rsquo; sensible,&rdquo; said the
+squire, congratulating himself on finding Philip more tractable than he
+expected.
+</p>
+
+<p>
+&ldquo;And you will go to the poorhouse peaceful, and without making a
+fuss?&rdquo; asked Joe.
+</p>
+
+<p>
+&ldquo;Yes, I will go there; but I won&rsquo;t stay there.&rdquo;
+</p>
+
+<p>
+&ldquo;You won&rsquo;t stay there!&rdquo; ejaculated the squire.
+</p>
+
+<p>
+&ldquo;No, sir! In treating me as a dependent on charity, you are doing what
+neither you nor any other man has a right to do,&rdquo; said Philip firmly.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t appear to remember that I am a selectman and overseer of
+the poor,&rdquo; said the Squire.
+</p>
+
+<p>
+&ldquo;I am aware that you hold those offices; but if so, you ought to save
+money to the town, and not compel them to pay for my support, when I am willing
+and able to support myself.&rdquo;
+</p>
+
+<p>
+Squire Pope looked a little puzzled. This was putting the matter in a new
+light, and he could not help admitting to himself that Philip was correct, and
+that perhaps his fellow citizens might take the same view.
+</p>
+
+<p>
+On the other hand, the squire was fond of having his own way, and he had now
+gone so far that he could not recede without loss of dignity.
+</p>
+
+<p>
+&ldquo;I think,&rdquo; he answered stiffly, &ldquo;that I understand my duty as
+well as a boy of fifteen. I don&rsquo;t mean to keep you here long, but it is
+the best arrangement for the present.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course it is,&rdquo; said Zeke, well pleased with the humiliation of
+his enemy.
+</p>
+
+<p>
+&ldquo;Shut up, Zeke!&rdquo; said his father, observing from the squire&rsquo;s
+expression that he did not fancy Zeke&rsquo;s interference.
+</p>
+
+<p>
+&ldquo;All right, dad,&rdquo; said Zeke good-naturedly, seeing that things had
+turned out as he desired.
+</p>
+
+<p>
+&ldquo;Jump in!&rdquo; said Mr. Tucker to Philip.
+</p>
+
+<p>
+Our hero, without a word, obeyed. He was firmly resolved that Squire Pope
+should not have his way, but he did not choose to make himself ridiculous by an
+ineffectual resistance which would only have ended in his discomfiture.
+</p>
+
+<p>
+Seated between Mr. Tucker and the squire, he was driven rapidly toward the
+poorhouse.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0009" id="link2HCH0009"></a>
+CHAPTER IX.<br/>
+THE POORHOUSE.</h2>
+
+<p>
+There was no room for Zeke to ride&mdash;that is, there was no seat for
+him&mdash;but he managed to clamber into the back part of the wagon, where he
+sat, or squatted, rather uncomfortably, but evidently in the best of
+spirits&mdash;if any inference could be drawn from his expression.
+</p>
+
+<p>
+The poorhouse was not far away. It was a three-story frame house, which badly
+needed painting, with a dilapidated barn, and shed near by.
+</p>
+
+<p>
+A three-story farmhouse is not common in the country, but this dwelling had
+been erected by a Mr. Parmenter, in the expectation of making a fortune by
+taking summer boarders.
+</p>
+
+<p>
+There was room enough for them, but they did not come. The situation was the
+reverse of pleasant, the soil about was barren, and there were no shade or
+fruit trees. It was a crazy idea, selecting such a spot for a summer
+boarding-house, and failure naturally resulted.
+</p>
+
+<p>
+There had, indeed, been two boarders&mdash;a man and his wife&mdash;who paid
+one week&rsquo;s board, and managed to owe six before the unlucky landlord
+decided that they were a pair of swindlers. He had spent more money than he
+could afford on his house, and went steadily behind-hand year after year, till
+the town&mdash;which was in want of a poorhouse&mdash;stepped in and purchased
+the house and farm at a bargain. So it came to be a boarding-house, after all,
+but in a sense not contemplated by the proprietor, and, at present,
+accommodated eleven persons&mdash;mostly old and infirm&mdash;whom hard fortune
+compelled to subsist on charity.
+</p>
+
+<p>
+Mr. Tucker had this advantage, that his boarders, had no recourse except to
+stay with him, however poor his fare or harsh his treatment, unless they were
+in a position to take care of themselves.
+</p>
+
+<p>
+When Philip came in sight of the almshouse&mdash;which he had often seen, and
+always considered a very dreary-looking building&mdash;he was strengthened in
+his determination not long to remain a tenant.
+</p>
+
+<p>
+Mr. Tucker drove up to the front door with a flourish.
+</p>
+
+<p>
+A hard-featured woman came out, and regarded the contents of the wagon with
+curiosity.
+</p>
+
+<p>
+&ldquo;Well, Abigail, can you take another boarder!&rdquo; asked Mr. Tucker, as
+he descended from the wagon.
+</p>
+
+<p>
+&ldquo;Who is it?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, it ain&rsquo;t likely to be Squire Pope!&rdquo; said Joe
+facetiously; &ldquo;and Zeke and I are regular boarders on the free
+list.&rdquo;
+</p>
+
+<p>
+&ldquo;Is it that boy?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; it&rsquo;s Phil Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;Humph! boys are a trial!&rdquo; remarked Mrs. Tucker, whose experience
+with Zeke had doubtless convinced her of this fact.
+</p>
+
+<p>
+&ldquo;I sha&rsquo;n&rsquo;t trouble you long, Mrs. Tucker,&rdquo; said Philip.
+&ldquo;I don&rsquo;t intend to stay.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t, hey?&rdquo; retorted Joe Tucker, with a wolfish grin
+and an emphatic nod of the head. &ldquo;We&rsquo;ll see about
+that&mdash;won&rsquo;t we, Squire Pope?&rdquo;
+</p>
+
+<p>
+&ldquo;The boy is rather rebellious, Mrs. Tucker,&rdquo; said the selectman.
+&ldquo;He appears to think he knows better what is good for him than we do. You
+may look upon him as a permanent boarder. What he says is of no account.&rdquo;
+</p>
+
+<p>
+Philip said nothing, but he looked full at the squire with an unflinching gaze.
+If ever determination was written upon any face, it was on his.
+</p>
+
+<p>
+&ldquo;Come down there!&rdquo; said Mrs. Tucker, addressing our hero.
+&ldquo;You&rsquo;re at home now.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Dunbar won&rsquo;t know what has become of me,&rdquo; said Philip,
+with a sudden thought. &ldquo;They will be anxious. May I go back there and
+tell them where I am?&rdquo;
+</p>
+
+<p>
+&ldquo;Do you think I am green enough for that?&rdquo; Mr. Tucker, touching the
+side of his nose waggishly. &ldquo;We shouldn&rsquo;t be likely to set eyes on
+you again.&rdquo;
+</p>
+
+<p>
+&ldquo;I will promise to come back here this evening,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;And will you promise to stay?&rdquo; asked Squire Pope doubtfully.
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; answered Philip boldly. &ldquo;I won&rsquo;t do that,
+but I will engage to come back. Then Mr. Tucker will have to look out for me,
+for I tell you and him frankly I don&rsquo;t mean to stay.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you ever hear such talk, squire!&rdquo; asked Mr. Tucker, with a
+gasp of incredulity. &ldquo;He actually defies you, who are a selectman and an
+overseer of the poor.&rdquo;
+</p>
+
+<p>
+&ldquo;So he does, Mr. Tucker. I&rsquo;m shocked at his conduct.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall we let him go?&rdquo;
+</p>
+
+<p>
+&ldquo;No, of course not.&rdquo;
+</p>
+
+<p>
+&ldquo;I agree with you, squire. I know&rsquo;d you wouldn&rsquo;t agree to it.
+What shall I do about his wantin&rsquo; to run away?&rdquo;
+</p>
+
+<p>
+&ldquo;It will be best to confine him just at first, Mr. Tucker.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll shut him up in one of the attic rooms,&rdquo; said Mr.
+Tucker.
+</p>
+
+<p>
+&ldquo;I think it will be the best thing to do, Mr. Tucker.&rdquo;
+</p>
+
+<p>
+Philip took all this very coolly. As to the way in which they proposed to
+dispose of him for the present he cared very little, as he did not intend stay
+till morning if there was any possible chance of getting away. The only thing
+that troubled him was the doubt and anxiety of his good friends, the Dunbars,
+when he did not return to the house.
+</p>
+
+<p>
+&ldquo;Squire Pope,&rdquo; he said, turning to that official, &ldquo;will you
+do me a favor?&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! Explain yourself,&rdquo; said the squire suspiciously.
+</p>
+
+<p>
+&ldquo;Will you call at Mr. Dunbar&rsquo;s and tell them where I am.&rdquo;
+</p>
+
+<p>
+Now, for obvious reasons, the squire did not like to do this. He knew that the
+Dunbars would manifest great indignation at the arbitrary step which he had
+adopted, and he did not like to face their displeasure, especially as his
+apology would perforce be a lame one.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think I am called upon to do you a favor, seeing how
+you&rsquo;ve acted, Philip,&rdquo; he said hesitatingly. &ldquo;Besides, it
+would be out of my way, and I ought to get home as soon as possible.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you refuse, sir?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I&rsquo;d rather not.&rdquo;
+</p>
+
+<p>
+&ldquo;Will you get word to them, Mr. Tucker?&rdquo; asked Philip, turning to
+him.
+</p>
+
+<p>
+&ldquo;I hain&rsquo;t got time,&rdquo; answered Mr. Tucker, who feared that the
+Dunbars would come for Philip and release him in the course of the evening.
+</p>
+
+<p>
+Philip was nonplused. Always considerate of the feelings of others, he was
+unwilling that his friends should suffer anxiety on his account.
+</p>
+
+<p>
+As Mr. Tucker and Squire Pope walked away together, our hero turned to Zeke.
+</p>
+
+<p>
+&ldquo;I suppose it&rsquo;s no use to ask you to do me a favor, Zeke?&rdquo; he
+said.
+</p>
+
+<p>
+&ldquo;Do you want me to tell Frank Dunbar where you are?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I wish you would.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I&rsquo;ll do it.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re a better fellow than I thought you were, Zeke,&rdquo; said
+Philip, surprised.
+</p>
+
+<p>
+&ldquo;No, I ain&rsquo;t! Do you want to know why I&rsquo;m willin&rsquo; to
+go?&rdquo;
+</p>
+
+<p>
+&ldquo;Why?&rdquo;
+</p>
+
+<p>
+&ldquo;I know Frank Dunbar&rsquo;ll feel bad, and I hate him.&rdquo;
+</p>
+
+<p>
+&ldquo;So that is your object, is it, Zeke?&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ve got it.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, whatever your motive may be, I shall be much obliged to you if you
+go. Here&rsquo;s ten cents for you!&rdquo;
+</p>
+
+<p>
+Zeke grasped at the coin with avidity, for his father was very parsimonious,
+and his mother no less so, and he seldom got any ready money.
+</p>
+
+<p>
+&ldquo;Thank you!&rdquo; said Zeke, with unusual politeness. &ldquo;I&rsquo;ll
+go right off. But, I say, don&rsquo;t you tell dad where I&rsquo;ve gone, or he
+might prevent me, and don&rsquo;t you let on you&rsquo;ve given me this dime,
+or he&rsquo;d try to get it away.&rdquo;
+</p>
+
+<p>
+&ldquo;No, I won&rsquo;t say anything about it,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;A curious family this is!&rdquo; he thought, &ldquo;There doesn&rsquo;t
+seem to be much confidence in each other.&rdquo;
+</p>
+
+<p>
+Zeke sauntered away carelessly, to avert suspicion but when he had got round a
+bend of the road he increased his speed, never looking back, lest he should see
+his father signaling for him.
+</p>
+
+<p>
+Philip breathed a sigh of relief.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve got a messenger at last,&rdquo; he said. &ldquo;Now my
+friends will know what has become of me when I don&rsquo;t come home to
+supper.&rdquo;
+</p>
+
+<p>
+He was a little curious to learn what they were going to do with him, but he
+was not long kept in suspense.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0010" id="link2HCH0010"></a>
+CHAPTER X.<br/>
+BAD TIDINGS.</h2>
+
+<p>
+Leaving Philip for a short time in the hands of his captor, we will follow Zeke
+on his errand. He didn&rsquo;t have to go as far as Mr. Dunbar&rsquo;s house,
+for he met Frank Dunbar about a quarter of a mile this side of it.
+</p>
+
+<p>
+Now, between Frank Dunbar and Zeke Tucker there was no love lost. There had
+been a difficulty between them, originating at school, which need not be
+particularly referred to. Enough that it led to Zeke&rsquo;s cordially
+disliking Frank, while the latter, who was a frank, straightforward boy, could
+not see anything in Mr. Tucker&rsquo;s promising son to enlist either his
+respect or his liking.
+</p>
+
+<p>
+There was a small river running through Norton, which crossed the main
+thoroughfare, and had to be bridged over. Frank Dunbar, fishing-line in hand,
+was leaning over the parapet, engaged in luring the fish from their river home.
+He looked up, when he saw Zeke approaching him. Not having any particular
+desire to hold a conversation with him, he withdrew his eyes, and again watched
+his line. Zeke, however, approached him with a grin of anticipated enjoyment,
+and hailed him in the usual style:
+</p>
+
+<p>
+&ldquo;Hello, Frank!&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, it&rsquo;s you, is it?&rdquo; said Frank Dunbar indifferently.
+</p>
+
+<p>
+&ldquo;Yes it&rsquo;s me. I suppose you thought it was somebody else,&rdquo;
+chuckled Zeke, though Frank could see no cause for merriment.
+</p>
+
+<p>
+&ldquo;Well, I see who it is now,&rdquo; he responded.
+</p>
+
+<p>
+&ldquo;Where is Phil Gray?&rdquo; inquired Zeke, chuckling again.
+</p>
+
+<p>
+&ldquo;Do you want to see him?&rdquo; asked Frank, rather surprised.
+</p>
+
+<p>
+&ldquo;Oh, no! I shall see him soon enough.&rdquo;
+</p>
+
+<p>
+And again Zeke chuckled.
+</p>
+
+<p>
+Frank looked up.
+</p>
+
+<p>
+He was expecting Philip to join him, and was, in fact, waiting for him now.
+Zeke&rsquo;s mysterious merriment suggested that he might have met
+Philip&mdash;possibly bore some message from him.
+</p>
+
+<p>
+&ldquo;Do you know anything about Phil?&rdquo; asked Frank, looking fixedly at
+his visitor.
+</p>
+
+<p>
+&ldquo;I reckon I do. I know all about him,&rdquo; said Zeke, with evident
+enjoyment.
+</p>
+
+<p>
+&ldquo;Well. If you have any message from him, let me hear it.&rdquo;
+</p>
+
+<p>
+&ldquo;You can&rsquo;t guess where he is,&rdquo; blurted out Zeke.
+</p>
+
+<p>
+&ldquo;He isn&rsquo;t in any trouble, is he?&rdquo; asked Frank quickly.
+</p>
+
+<p>
+&ldquo;No; he&rsquo;s safe enough. But you needn&rsquo;t expect to see him
+tonight.&rdquo;
+</p>
+
+<p>
+&ldquo;Why not?&rdquo; demanded Frank, not yet guessing what was likely to
+detain his friend.
+</p>
+
+<p>
+&ldquo;Because he&rsquo;s at our house,&rdquo; chuckled Zeke. &ldquo;Dad and
+Squire Pope have carried him to the poorhouse, and he&rsquo;s goin&rsquo; to
+stay there for good.&rdquo;
+</p>
+
+<p>
+This was a surprise. In his astonishment, Frank nearly let go his rod. He was
+eager now to question Zeke further.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t mean to say Phil has been carried to the poorhouse
+against his will?&rdquo; he exclaimed.
+</p>
+
+<p>
+&ldquo;I reckon he was anxious to go,&rdquo; said Zeke.
+</p>
+
+<p>
+&ldquo;Where was he when your father and Squire Pope committed this
+outrage?&rdquo; said Frank indignantly.
+</p>
+
+<p>
+&ldquo;I thought you&rsquo;d be mad,&rdquo; said Zeke, with the same unpleasant
+chuckle.
+</p>
+
+<p>
+&ldquo;Answer my question, or I&rsquo;ll pitch you into the river,&rdquo; said
+Frank sternly.
+</p>
+
+<p>
+He did not mean what he said, but Zeke drew back in alarm.
+</p>
+
+<p>
+&ldquo;Quit now! I didn&rsquo;t have nothin&rsquo; to do with it,&rdquo; said
+Zeke hastily. &ldquo;Me and him was over in Haywood&rsquo;s pasture when dad
+come along with the squire in his wagon. Well, they made Phil get in, and
+that&rsquo;s all of it, except I promised I&rsquo;d come and tell your folks,
+so you needn&rsquo;t get scared or nothin&rsquo; when he didn&rsquo;t come back
+to-night.&rdquo;
+</p>
+
+<p>
+&ldquo;He will come back to-night,&rdquo; said Frank. &ldquo;He won&rsquo;t
+stay in the poorhouse.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, he will. He can&rsquo;t help himself. Dad&rsquo;s goin&rsquo; to
+lock him up in the attic. I guess he won&rsquo;t jump out of the window. Where
+you goin&rsquo;! You ain&rsquo;t got through fishin&rsquo;, be you?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I&rsquo;m through,&rdquo; answered Frank, as he drew his line out
+of the water. &ldquo;Just tell Phil when you go home that he&rsquo;s got
+friends outside who won&rsquo;t see him suffer.&rdquo;
+</p>
+
+<p>
+&ldquo;Say, ain&rsquo;t you goin&rsquo; to give me nothin&rsquo; for
+comin&rsquo; to tell you!&rdquo; asked Zeke, who was always intent on the main
+chance.
+</p>
+
+<p>
+Frank flung a nickel in his direction, which Zeke picked up with avidity.
+</p>
+
+<p>
+&ldquo;I guess it pays to run errands when you can get paid twice,&rdquo; he
+reflected complacently.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0011" id="link2HCH0011"></a>
+CHAPTER XI.<br/>
+PHILIP&rsquo;S NEW ROOM.</h2>
+
+<p>
+We return to Phil.
+</p>
+
+<p>
+&ldquo;Foller me, boy!&rdquo; said Mr. Tucker, as he entered the house, and
+proceeded to ascend the front steps.
+</p>
+
+<p>
+Philip had formed his plans, and without a word of remonstrance, he obeyed. The
+whole interior was dingy and dirty. Mrs. Tucker was not a neat woman, and
+everything looked neglected and slipshod.
+</p>
+
+<p>
+In the common room, to the right, the door of which was partly open, Philip saw
+some old men and women sitting motionless, in a sort of weary patience. They
+were &ldquo;paupers,&rdquo; and dependent for comfort on the worthy couple, who
+regarded them merely as human machines, good to them for sixty cents a week
+each.
+</p>
+
+<p>
+Mr. Tucker did not stop at the first landing, but turned and began to ascend a
+narrower and steeper staircase leading to the next story.
+</p>
+
+<p>
+This was, if anything, dirtier and more squalid than the first and second.
+There were several small rooms on the third floor, into one of which Mr. Tucker
+pushed his way. &ldquo;Come in,&rdquo; he said. &ldquo;Now you&rsquo;re at
+home. This is goin&rsquo; to be your room.&rdquo;
+</p>
+
+<p>
+Philip looked around him in disgust, which he did not even take the trouble to
+conceal.
+</p>
+
+<p>
+There was a cot-bed in the corner, with an unsavory heap of bed-clothing upon
+it, and a couple of chairs, both with wooden seats, and one with the back gone.
+</p>
+
+<p>
+That was about all the furniture. There was one window looking out upon the
+front.
+</p>
+
+<p>
+&ldquo;So this is to be my room, is it?&rdquo; asked our hero.
+</p>
+
+<p>
+&ldquo;Yes. How do you like it?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see any wash-stand, or any chance to wash.&rdquo;
+</p>
+
+<p>
+&ldquo;Come, that&rsquo;s rich!&rdquo; said Mr. Tucker, appearing to be very
+much amused. &ldquo;You didn&rsquo;t think you was stoppin&rsquo; in the Fifth
+Avenoo Hotel, did you?&rdquo;
+</p>
+
+<p>
+&ldquo;This don&rsquo;t look like it.&rdquo;
+</p>
+
+<p>
+&ldquo;We ain&rsquo;t used to fashionable boarders, and we don&rsquo;t know how
+to take care of &rsquo;em. You&rsquo;ll have to go downstairs and wash in the
+trough, like the rest of the paupers do.&rdquo;
+</p>
+
+<p>
+&ldquo;And wipe my face on the grass, I suppose?&rdquo; said Philip coolly,
+though his heart sank within him at the thought of staying even one night in a
+place so squalid and filthy.
+</p>
+
+<p>
+&ldquo;Come, that&rsquo;s goin&rsquo; too far,&rdquo; said Mr. Tucker, who felt
+that the reputation of the boarding-house was endangered by such insinuations.
+&ldquo;We mean to live respectable. There&rsquo;s two towels a week allowed,
+and that I consider liberal.&rdquo;
+</p>
+
+<p>
+&ldquo;And do all your boarders use the same towel?&rdquo; asked Phil, unable
+to suppress an expression of disgust.
+</p>
+
+<p>
+&ldquo;Sartain. You don&rsquo;t think we allow &rsquo;em one apiece, do
+you!&rdquo;
+</p>
+
+<p>
+&ldquo;No, I don&rsquo;t,&rdquo; said Philip decidedly.
+</p>
+
+<p>
+He had ceased to expect anything so civilized in Mr. Tucker&rsquo;s
+establishment.
+</p>
+
+<p>
+&ldquo;Now you&rsquo;re safe in your room, I reckon I&rsquo;d better go
+downstairs,&rdquo; said Tucker.
+</p>
+
+<p>
+&ldquo;I will go with you.&rdquo;
+</p>
+
+<p>
+&ldquo;Not much you won&rsquo;t! We ain&rsquo;t a-goin&rsquo; to give you a
+chance of runnin&rsquo; away just yet!&rdquo;
+</p>
+
+<p>
+&ldquo;Do you mean to keep me a prisoner?&rdquo; demanded Philip.
+</p>
+
+<p>
+&ldquo;That&rsquo;s just what we do, at present,&rdquo; answered his genial
+host.
+</p>
+
+<p>
+&ldquo;It won&rsquo;t be for long, Mr. Tucker.&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s that you say? I&rsquo;m master here, I&rsquo;d have you to
+know!&rdquo;
+</p>
+
+<p>
+Just then a shrill voice was heard from below:
+</p>
+
+<p>
+&ldquo;Come down, Joe Tucker! Are you goin&rsquo; to stay upstairs all
+day?&rdquo;
+</p>
+
+<p>
+&ldquo;Comin&rsquo;, Abigail!&rdquo; answered Mr. Tucker hastily, as he backed
+out of the room, locking the door behind him. Philip heard the click of the key
+as it turned in the lock, and he realized, for the first time in his life, that
+he was a prisoner.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0012" id="link2HCH0012"></a>
+CHAPTER XII.<br/>
+A PAUPER&rsquo;S MEAL</h2>
+
+<p>
+Half an hour later Philip heard a pounding on the door of his room.
+</p>
+
+<p>
+He was unable to open it, but he called out, loud enough for the outsider to
+hear:
+</p>
+
+<p>
+&ldquo;Who is it?&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s me&mdash;Zeke,&rdquo; was the answer that came back.
+</p>
+
+<p>
+&ldquo;Did you tell the Dunbars where I was?&rdquo; asked Philip eagerly.
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;I shouldn&rsquo;t think you had time to go there and back,&rdquo; said
+Philip, fearing that Zeke had pocketed his money and then played him false.
+But, as we know, he was mistaken in this.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t go there,&rdquo; shouted Zeke. &ldquo;I met Frank on the
+bridge.&rdquo;
+</p>
+
+<p>
+&ldquo;What did he say?&rdquo;
+</p>
+
+<p>
+&ldquo;He was mad,&rdquo; answered Zeke, laughing. &ldquo;I thought he would
+be.&rdquo;
+</p>
+
+<p>
+&ldquo;Did he send any message to me?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;No; he stopped fishin&rsquo; and went home.&rdquo; Here the conversation
+was interrupted. The loud tones in which Zeke had been speaking, in order to be
+heard through the door, had attracted attention below.
+</p>
+
+<p>
+His father came to the foot of the attic stairs and demanded suspiciously:
+</p>
+
+<p>
+&ldquo;What you doin&rsquo; there, Zeke?&rdquo;
+</p>
+
+<p>
+&ldquo;Tryin&rsquo; to cheer up Phil Gray,&rdquo; answered Zeke jocosely.
+</p>
+
+<p>
+&ldquo;He don&rsquo;t need any cheerin&rsquo; up. He&rsquo;s all right. I
+reckon you&rsquo;re up to some mischief.&rdquo;
+</p>
+
+<p>
+&ldquo;No, I ain&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;Come along down.&rdquo;
+</p>
+
+<p>
+&ldquo;All right, dad, if you say so. Lucky he didn&rsquo;t hear what I was
+sayin&rsquo; about seein&rsquo; Frank Dunbar,&rdquo; thought Zeke.
+&ldquo;He&rsquo;d be mad.&rdquo;
+</p>
+
+<p>
+Presently there was another caller at Philip&rsquo;s room, or, rather, prison.
+This time it was Mr. Tucker himself. He turned the key in the lock and opened
+the door. Philip looked up inquiringly.
+</p>
+
+<p>
+&ldquo;Supper&rsquo;s ready,&rdquo; announced Joe. &ldquo;You can come down if
+you want to.&rdquo;
+</p>
+
+<p>
+Philip was provided with an appetite, but he did not relish the idea of going
+downstairs and joining the rest of Mr. Tucker&rsquo;s boarders. It would seem
+like a tacit admission that he was one of their number. Of course, he
+couldn&rsquo;t do without eating, but he had a large apple in his pocket when
+captured, and he thought that this would prevent his suffering from hunger for
+that night, at least, and he did not mean to spend another at the Norton
+poorhouse. The problem of to-morrow&rsquo;s supply of food might be deferred
+till then.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t care for any supper,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;Perhaps you expect your meals will be brought up to you?&rdquo; said Mr.
+Tucker, with a sneer.
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t thought about it particularly,&rdquo; said Philip
+coolly.
+</p>
+
+<p>
+&ldquo;You may think you&rsquo;re spitin&rsquo; me by not eatin&rsquo;
+anything,&rdquo; observed Mr. Tucker, who was rather alarmed lest Philip might
+have made up his mind to starve himself.
+</p>
+
+<p>
+This would be embarrassing, for it would make an investigation necessary.
+</p>
+
+<p>
+&ldquo;Oh, no,&rdquo; answered Philip, smiling; &ldquo;that never came into my
+mind.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t mind bringin&rsquo; you up your supper for once,&rdquo;
+said Tucker. &ldquo;Of course, I can&rsquo;t do it reg&rsquo;lar, but this is
+the first night.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose I shall be better able to make my escape if I eat,&rdquo;
+thought Philip. &ldquo;Probably the most sensible thing is to accept this
+offer.&rdquo;
+</p>
+
+<p>
+&ldquo;How much are you to get for my board, Mr. Tucker?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Only sixty cents,&rdquo; grumbled Tucker. &ldquo;It ain&rsquo;t enough,
+but the town won&rsquo;t pay any more. You&rsquo;ve no idea what appetites them
+paupers has.&rdquo;
+</p>
+
+<p>
+&ldquo;You made a mistake when you agreed to take me,&rdquo; said Philip
+gravely. &ldquo;I&rsquo;m very hearty, you&rsquo;ll be sure to lose money on
+me.&rdquo;
+</p>
+
+<p>
+Mr. Tucker looked uneasy.
+</p>
+
+<p>
+&ldquo;Well, you see I expect to have you earn part of your board by
+doin&rsquo; chores,&rdquo; he said, after a pause.
+</p>
+
+<p>
+&ldquo;That will give me a good chance to run away,&rdquo; remarked Philip
+calmly. &ldquo;You&rsquo;ll have to let me out of this room to work, you
+know.&rdquo;
+</p>
+
+<p>
+&ldquo;You wouldn&rsquo;t dare to run away!&rdquo; said Tucker, trying to
+frighten Philip by a blustering manner.
+</p>
+
+<p>
+&ldquo;That shows you don&rsquo;t know me, Mr. Tucker!&rdquo; returned our
+hero. &ldquo;I give you fair warning that I shall run away the first chance I
+get.&rdquo;
+</p>
+
+<p>
+Philip&rsquo;s tone was so calm and free from excitement that Mr. Tucker could
+not help seeing that he was in earnest, and he looked perplexed.
+</p>
+
+<p>
+&ldquo;You don&rsquo;t look at it in the right light,&rdquo; he said,
+condescending to conciliate his new boarder. &ldquo;If you don&rsquo;t make no
+trouble, you&rsquo;ll have a good time, and I&rsquo;ll let you off, now
+an&rsquo; then, to play with Zeke. He needs a boy to play with.&rdquo;
+</p>
+
+<p>
+Philip smiled, for the offer did not attract him very much.
+</p>
+
+<p>
+&ldquo;You are very kind,&rdquo; he said, &ldquo;but I don&rsquo;t think that
+even that will reconcile me to staying here with you. But, if you&rsquo;ll
+agree to let me pay you for the supper, you may bring me up some.&rdquo;
+</p>
+
+<p>
+&ldquo;The town will pay me,&rdquo; said Tucker.
+</p>
+
+<p>
+&ldquo;That&rsquo;s just what I don&rsquo;t want the town to do,&rdquo; said
+Philip quickly. &ldquo;I will make you an offer. At sixty cents a week the
+meals for one day will not cost over ten cents. I&rsquo;ll pay you ten cents
+for supper and breakfast.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re a cur&rsquo;us boy,&rdquo; said Tucker. &ldquo;You want to
+pay for your vittles in a free boardin&rsquo;-house.&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t free to me. At any rate, I don&rsquo;t want it to be.
+What do you say?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I ain&rsquo;t no objections to take your money,&rdquo; said Tucker,
+laughing. &ldquo;I didn&rsquo;t know you was so rich.&rdquo;
+</p>
+
+<p>
+&ldquo;I am not rich, but I think I can pay my board as long as I stay
+here.&rdquo;
+</p>
+
+<p>
+This Philip said because he had decided that his stay should be a very brief
+one.
+</p>
+
+<p>
+&ldquo;Just as you say!&rdquo; chuckled Mr. Tucker.
+</p>
+
+<p>
+As he went downstairs he reflected:
+</p>
+
+<p>
+&ldquo;I can take the boy&rsquo;s money and charge his board to the town, too.
+There&rsquo;s nothin&rsquo; to hender, and it&rsquo;ll be so much more in my
+pocket. I wish the rest of the paupers would foller his example.&rdquo;
+</p>
+
+<p>
+He went downstairs and explained to Mrs. Tucker that he wanted Philip&rsquo;s
+supper.
+</p>
+
+<p>
+&ldquo;Tell him to come down to the table like the rest of the folks!&rdquo;
+retorted Mrs. Tucker. &ldquo;He ain&rsquo;t too lazy, is he?&rdquo;
+</p>
+
+<p>
+&ldquo;No; but it&rsquo;s safer to keep him in his room for the first
+twenty-four hours. He&rsquo;s a desperate boy, but I reckon he&rsquo;ll get
+tamed after a while.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll desperate him!&rdquo; said Mrs. Tucker scornfully. &ldquo;I
+don&rsquo;t believe in humorin&rsquo; him.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I, Abigail. He&rsquo;d like to come down, but I won&rsquo;t let him.
+We can manage him between us.&rdquo;
+</p>
+
+<p>
+&ldquo;I should smile if we couldn&rsquo;t,&rdquo; said Mrs. Tucker. &ldquo;If
+you want any supper for him, you can get it yourself. I&rsquo;ve got too much
+to do. No, Widder Jones, you can&rsquo;t have another cup of tea, and you
+needn&rsquo;t beg for it. One cup&rsquo;s plenty for you, and it&rsquo;s all
+we can afford.&rdquo;
+</p>
+
+<p>
+&ldquo;Only this once,&rdquo; pleaded the poor old woman. &ldquo;I&rsquo;ve got
+a headache.&rdquo;
+</p>
+
+<p>
+&ldquo;Then another cup of tea would only make it worse. If you&rsquo;ve got
+through your supper, go back to your seat and give more room for the
+rest.&rdquo;
+</p>
+
+<p>
+While Mrs. Tucker was badgering and domineering over her regular boarders, her
+husband put two slices of dry bread on a plate, poured out a cup of tea, not
+strong enough to keep the most delicate child awake, and surreptitiously
+provided an extra luxury in the shape of a thin slice of cold meat. He felt
+that, as he was to receive double price, he ought to deal generously by our
+hero.
+</p>
+
+<p>
+He carried this luxurious supper to the third story, and set it down before
+Philip.
+</p>
+
+<p>
+Philip promptly produced a dime, which Mr. Tucker pocketed with satisfaction.
+He waited till his young guest had finished his repast, in order himself to
+carry down the dishes.
+</p>
+
+<p>
+There was no butter for the bread, and the tea had been sweetened scantily.
+However, Philip had the appetite of a healthy boy, and he ate and drank
+everything that had been provided.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll be up in the morning,&rdquo; said Mr. Tucker. &ldquo;We go to
+bed early here. The paupers go to roost at seven, and me and my wife and Zeke
+at eight. You&rsquo;d better go to bed early, too.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0013" id="link2HCH0013"></a>
+CHAPTER XIII.<br/>
+A FRIENDLY MISSION.</h2>
+
+<p>
+Philip was glad to hear that all in the almshouse went to bed so early. He had
+not yet given up the hope of escaping that night, though he had as yet arranged
+no definite plan of escape.
+</p>
+
+<p>
+Meanwhile, he had an active friend outside. I refer, of course, to Frank
+Dunbar. Frank had no sooner heard of his friend&rsquo;s captivity than he
+instantly determined, if it were a possible thing, to help him to escape.
+</p>
+
+<p>
+He would not even wait till the next day, but determined after it was dark to
+visit the poor-house and reconnoiter. First, he informed his parents what had
+befallen Phil. Their indignation was scarcely less than his.
+</p>
+
+<p>
+&ldquo;Squire Pope is carrying matters with a high hand,&rdquo; said the
+farmer. &ldquo;According to my idea, he has done no less than kidnap Philip,
+without the shadow of a legal right.&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t he be prosecuted?&rdquo; asked Frank eagerly.
+</p>
+
+<p>
+&ldquo;I am not sure as to that,&rdquo; answered his father, &ldquo;but I am
+confident that Philip will not be obliged to remain, unless he chooses, a
+dependent upon the charity of the town.&rdquo;
+</p>
+
+<p>
+&ldquo;It is outrageous!&rdquo; said Mrs. Dunbar, who was quite as friendly to
+Philip as her husband and son.
+</p>
+
+<p>
+&ldquo;In my opinion,&rdquo; said Mr. Dunbar, &ldquo;Squire Pope has done a
+very unwise thing as regards his own interests. He desires to remain in office,
+and the people will not be likely to reelect him if his policy is to make
+paupers of those who wish to maintain themselves. Voters will be apt to think
+that they are sufficiently taxed already for the support of those who are
+actually unable to maintain themselves.&rdquo;
+</p>
+
+<p>
+&ldquo;If I were a voter,&rdquo; exclaimed Frank indignantly, &ldquo;I
+wouldn&rsquo;t vote for Squire Pope, even for dog-catcher! The meanest part of
+it is the underhanded way in which he has taken Phil. He must have known he was
+acting illegally, or he would have come here in open day and required Phil to
+go with him.&rdquo;
+</p>
+
+<p>
+&ldquo;I agree with you, Frank. Squire Pope may be assured that he has lost my
+vote from henceforth. Hitherto I have voted for him annually for selectman,
+knowing that he wanted the office and considering him fairly faithful.&rdquo;
+</p>
+
+<p>
+&ldquo;Father,&rdquo; said Frank, after a thoughtful pause, &ldquo;do you think
+Philip would be justified in escaping from the poorhouse?&rdquo;
+</p>
+
+<p>
+&ldquo;I do,&rdquo; answered Mr. Dunbar. &ldquo;In this free country I hold
+that no one ought to be made an object of charity against his will.&rdquo;
+</p>
+
+<p>
+&ldquo;Philip is strong enough and smart enough to earn his own living,&rdquo;
+said Frank.
+</p>
+
+<p>
+&ldquo;That is true. I will myself give him his board and clothes if he will
+stay with me and work on the farm.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish he would. He would be a splendid companion for me; but I think he
+wants to leave Norton, and try his fortune in some larger place.&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t blame him. If his father were living and he had a good
+home, I should not think it wise; but, as matters stand, it may not be a bad
+plan for him.&rdquo;
+</p>
+
+<p>
+&ldquo;Father,&rdquo; said Frank, after supper, &ldquo;I am going out and I may
+not be back very early.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you going to see Philip?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; but I want to see him alone. If possible, I will see him without
+attracting the attention of Joe Tucker.&rdquo;
+</p>
+
+<p>
+&ldquo;You won&rsquo;t get into any trouble, Frank?&rdquo; said his mother
+anxiously.
+</p>
+
+<p>
+&ldquo;No, mother; I don&rsquo;t know what trouble I can get into.&rdquo;
+</p>
+
+<p>
+&ldquo;You may very likely fail to see Philip,&rdquo; suggested his father.
+&ldquo;I hear that Tucker and his boarders go to bed very early.&rdquo;
+</p>
+
+<p>
+&ldquo;So much the better!&rdquo; said Frank, in a tone of satisfaction.
+&ldquo;The only one I want to see is Philip, and he isn&rsquo;t likely to go to
+sleep very early.&rdquo;
+</p>
+
+<p>
+Mr. Dunbar smiled to himself.
+</p>
+
+<p>
+&ldquo;Frank has got some plan in his head,&rdquo; he thought. &ldquo;I
+won&rsquo;t inquire what it is, for he has good common sense, and won&rsquo;t
+do anything improper.&rdquo;
+</p>
+
+<p>
+About eight o&rsquo;clock, Frank, after certain preparations, which will
+hereafter be referred to, set out for the poorhouse, which was about a mile
+distant.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0014" id="link2HCH0014"></a>
+CHAPTER XIV.<br/>
+PHILIP MAKES HIS ESCAPE.</h2>
+
+<p>
+It grew darker and darker in Philip&rsquo;s chamber, but no one came to bring
+him a light. It was assumed that he would go to bed before he required one.
+</p>
+
+<p>
+By seven o&rsquo;clock the paupers had settled themselves for the night, and
+when eight o&rsquo;clock struck, Mr. and Mrs. Tucker sought their beds. It was
+no particular trial for Joe Tucker to go to bed early, for he was naturally a
+lazy man, and fond of rest; while his wife, who worked a great deal harder than
+he, after being on her feet from four o&rsquo;clock in the morning, found it a
+welcome relief to lie down and court friendly sleep. Zeke wasn&rsquo;t always
+ready to go to bed. In fact, he would much rather have gone up to the village
+now and then, but if he had done so he would have had to stay out all night.
+There was one thing his parents were strict about, and that was retiring at
+eight o&rsquo;clock.
+</p>
+
+<p>
+Philip, however, did not retire at that hour. It was earlier than his usual
+hour for bed. Besides, he was in hopes his friend Frank would make his
+appearance, and help him, though he didn&rsquo;t exactly understand how, to
+make his escape.
+</p>
+
+<p>
+At half-past eight it was dark. The stars were out, and the moon was just
+making its appearance. Philip had opened his window softly, and was looking
+out, when all at once he saw a boyish figure approaching.
+</p>
+
+<p>
+Could it be Frank Dunbar?
+</p>
+
+<p>
+He hoped so, but in the indistinct light could not be quite certain.
+</p>
+
+<p>
+The boy, whoever it might be, approached cautiously, till he stood within fifty
+feet of the house.
+</p>
+
+<p>
+Then Philip saw that it was indeed Frank, and his heart beat joyfully. It was
+something to see a friend, even though they were separated by what seemed to
+him to be an impassable gulf.
+</p>
+
+<p>
+About the same time, Frank recognized his friend, in the boyish figure at the
+window.
+</p>
+
+<p>
+&ldquo;Is that you, Phil?&rdquo; he asked, in a guarded voice, yet loud enough
+to be heard.
+</p>
+
+<p>
+&ldquo;Yes, Frank; I have been expecting you. I knew you wouldn&rsquo;t desert
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;I should think not. I didn&rsquo;t come before, because I didn&rsquo;t
+want to be seen by any of Tucker&rsquo;s folks.&rdquo;
+</p>
+
+<p>
+&ldquo;They are all abed now, and I hope asleep.&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t you come downstairs, and steal away?&rdquo;
+</p>
+
+<p>
+&ldquo;No; my chamber door is locked on the outside.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s what I thought.&rdquo;
+</p>
+
+<p>
+&ldquo;Can&rsquo;t you help me in any way?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll see. Suppose you had a rope&mdash;could you swing out of the
+window?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; I could fasten it to the bedstead, and fix that just against the
+window.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I think I can help you. Can you catch a ball?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; but what good will that do?&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll see. Make ready now, and don&rsquo;t miss it.&rdquo;
+</p>
+
+<p>
+He produced a ball of common size, and after taking aim, threw it lightly up
+toward Philip&rsquo;s window. The first time it didn&rsquo;t come within reach.
+The second Philip caught it skilfully, and by the moonlight saw that a stout
+piece of twine was attached to it. At the end of the twine Frank had connected
+it with a clothesline which he had borrowed from home.
+</p>
+
+<p>
+&ldquo;Now pull away, Phil,&rdquo; urged Frank.
+</p>
+
+<p>
+Philip did, and soon had the stout line in his possession.
+</p>
+
+<p>
+&ldquo;It will hold; it&rsquo;s new and strong,&rdquo; said Frank.
+&ldquo;Father only bought it last week. I didn&rsquo;t think, then, what use we
+should have for it.&rdquo;
+</p>
+
+<p>
+Philip, however, was not afraid. He was so anxious to escape that, even if
+there had been any risk to run, he would readily have incurred it for the sake
+of getting away from the poor-house, in which he was unwilling to spend a
+single night. He fastened one end of the rope firmly to his bedstead, as he had
+proposed, then cautiously got upon the window-sill and lowered himself,
+descending hand over hand till he reached the ground.
+</p>
+
+<p>
+He breathed a sigh of relief as he detached himself from the rope and stood
+beside Frank Dunbar.
+</p>
+
+<p>
+Just then the boys heard a second-story window open, and saw Mr. Tucker&rsquo;s
+head projecting from it.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0015" id="link2HCH0015"></a>
+CHAPTER XV.<br/>
+ESCAPE AND FLIGHT.</h2>
+
+<p>
+Though the boys had made as little noise as possible, conversing in an
+undertone, they had been heard by Mrs. Tucker. Her husband, as was his custom,
+had gone to sleep; but Mrs. Tucker, who, during the day, had discovered the
+loss of ten cents from her bureau drawer in which she kept her savings, had
+been kept awake by mental trouble. Some of my readers may think so small a loss
+scarcely worth keeping awake for, but Mrs. Joe Tucker was a strictly economical
+and saving woman&mdash;some even called her penurious&mdash;and the loss of ten
+cents troubled her.
+</p>
+
+<p>
+She would have laid it to one of &ldquo;them paupers,&rdquo; as she was wont
+contemptuously to refer to them, except that she never allowed one of them to
+enter the sacred precincts of her chamber.
+</p>
+
+<p>
+A horrible thought entered her mind. Could it be Zeke, the boy whom she thought
+such a paragon, though no one else had been able to discover his virtues or
+attractions? She did not like to think of it, but it did occur to her that
+Zeke, the previous day, had asked her for ten cents, though he would not own
+the purpose for which he wanted it. The boy might have been tempted to take the
+money. At any rate, she would go and see.
+</p>
+
+<p>
+Zeke slept in a small room adjoining. When his mother entered, with a candle in
+her hand, he was lying asleep, with his mouth wide open, and one arm dropped
+over the side of the bed.
+</p>
+
+<p>
+Mrs. Tucker took a look at him, and saw that he was wrapped in slumber and
+unable to notice what she proposed to do. His clothes were thrown down
+carelessly on a chair near-by.
+</p>
+
+<p>
+Mrs. Tucker searched first in the pockets of his pants, and, though she
+discovered a large variety of miscellaneous articles, &ldquo;of no use to any
+one except the owner,&rdquo; she didn&rsquo;t discover any traces of the
+missing dime. She began to hope that he had not taken it, after all, although,
+in that case, the loss would continue to be shrouded in obscurity. But, on
+continuing her search, she discovered in one of the pockets of his vest a
+silver ten-cent piece.
+</p>
+
+<p>
+Mrs. Tucker&rsquo;s eyes flashed, partly with indignation at Zeke&rsquo;s
+dishonesty, partly with joy at the recovery of the missing coin.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve found you out, you bad boy!&rdquo; she said, in a low voice,
+shaking her fist at the sleeping boy. &ldquo;I wouldn&rsquo;t have believed
+that my Zeke would have robbed his own mother. We must have a reckoning
+to-morrow.&rdquo;
+</p>
+
+<p>
+She was half-inclined to wake Zeke up and charge him with his crime,
+confronting him with the evidence of it which she had just discovered; but on
+second thoughts she decided that she might as well let him sleep, as the next
+day would do just as well.
+</p>
+
+<p>
+Poor Zeke! he was not guilty, after all, though whether his honesty was strict
+enough to resist a powerful temptation, I am not sure.
+</p>
+
+<p>
+The dime which Mrs. Tucker had discovered was the same one that Philip had
+given to Zeke in return for his service in notifying Frank Dunbar of his
+captivity. In another pocket was the five-cent piece given him by Frank, but
+that had escaped his mother&rsquo;s attention.
+</p>
+
+<p>
+The reader will understand now how it happened that Mrs. Tucker was kept awake
+beyond her usual time. She was broad awake when Frank Dunbar arrived, and she
+heard something through the partially open window of the conference between the
+two boys. She heard the voices that is to say, but could not tell what was
+said.
+</p>
+
+<p>
+With her mind dwelling upon Zeke&rsquo;s supposed theft, however, she was more
+easily frightened than usual, and immediately jumped to the conclusion that
+there were burglars outside, trying to get in.
+</p>
+
+<p>
+The absurdity of burglars attempting to rob the town poorhouse did not occur to
+her in panic. She sat up in bed, and proceeded to nudge her husband in no
+gentle fashion.
+</p>
+
+<p>
+&ldquo;Mr. Tucker!&rdquo; she exclaimed.
+</p>
+
+<p>
+Her husband responded by an inarticulate murmur, but did not wake.
+</p>
+
+<p>
+&ldquo;Mr. Tucker!&rdquo; she exclaimed, in a louder voice, giving him a still
+more vigorous shake.
+</p>
+
+<p>
+&ldquo;Eh! What! What&rsquo;s the matter?&rdquo; said Tucker, opening his eyes
+at last, and staring vacantly at his wife.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the matter!&rdquo; retorted his wife impatiently.
+&ldquo;The matter is that there&rsquo;s burglars outside!&rdquo;
+</p>
+
+<p>
+&ldquo;Let &rsquo;em stay outside!&rdquo; said Joe Tucker, in a sleepy tone.
+</p>
+
+<p>
+&ldquo;Did any one ever hear such a fool?&rdquo; exclaimed Mrs. Tucker,
+exasperated. &ldquo;They&rsquo;re trying to get in. Do you hear that, Mr.
+Tucker?&rdquo;
+</p>
+
+<p>
+&ldquo;Trying to get in! Is the door locked?&rdquo; asked Joe, a little
+alarmed.
+</p>
+
+<p>
+&ldquo;You must get up and defend the house,&rdquo; continued Mrs. Tucker.
+</p>
+
+<p>
+Now, Mr. Tucker was not a brave man. He had no fancy for having a hand-to-hand
+conflict with burglars, who might be presumed to be desperate men. It occurred
+to him that it would be decidedly better to stay where he was and run no risk.
+</p>
+
+<p>
+&ldquo;Never mind, Abigail,&rdquo; he said, soothingly. &ldquo;The burglars
+can&rsquo;t do us any harm. They can&rsquo;t do any more than carry off a
+pauper or two, and I don&rsquo;t, believe they&rsquo;ll do that.&rdquo;
+</p>
+
+<p>
+&ldquo;I wouldn&rsquo;t mind that, Mr. Tucker; but I&rsquo;ve left the spoons
+down-stairs!&rdquo; answered his wife.
+</p>
+
+<p>
+&ldquo;How many are there!&rdquo;
+</p>
+
+<p>
+&ldquo;Six. I want you to go down and get them and bring them up here, where
+they will be safe.&rdquo;
+</p>
+
+<p>
+&ldquo;But suppose I should meet some of the burglars!&rdquo; suggested Tucker,
+trembling.
+</p>
+
+<p>
+&ldquo;Then you must defend yourself like a man!&rdquo;
+</p>
+
+<p>
+&ldquo;You might find me in the morning weltering in my gore!&rdquo; said Joe,
+with an uneasy shudder.
+</p>
+
+<p>
+&ldquo;Are we to have the spoons stolen, then!&rdquo; demanded Mrs. Tucker
+sharply.
+</p>
+
+<p>
+&ldquo;If you care so much for the spoons, Abigail, you&rsquo;d better go
+down-stairs yourself and get &rsquo;em. I don&rsquo;t value them as much as my
+life.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know but I will, if you&rsquo;ll look out of the window
+and see whether you can see any of the burglars outside,&rdquo; responded Mrs.
+Tucker. &ldquo;If they haven&rsquo;t got in yet, I&rsquo;ll take the
+risk.&rdquo;
+</p>
+
+<p>
+&ldquo;Where did you hear &rsquo;em, Abigail?&rdquo;
+</p>
+
+<p>
+&ldquo;Right outside. Open the window and look out, and you may see
+&rsquo;em.&rdquo;
+</p>
+
+<p>
+Mr. Tucker was not entirely willing to do this, but still he preferred it to
+going down-stairs after the spoons, and accordingly he advanced, and, lifting
+the window, put his head out, as described at the close of the last chapter.
+</p>
+
+<p>
+Philip and Frank were just ready to go when they heard the window rising, and
+naturally looked up in some trepidation.
+</p>
+
+<p>
+&ldquo;It&rsquo;s old Tucker!&rdquo; said Frank, in a low voice.
+</p>
+
+<p>
+Philip looked up, and saw that his friend was right.
+</p>
+
+<p>
+Mr. Tucker had not yet discovered them, but the whisper caught his ear, and
+looking down he caught sight of the two boys.
+</p>
+
+<p>
+In his alarm, and the obscurity of the night, he did not make out that they
+were boys and not men, and was about to withdraw his head in alarm, when a
+mischievous impulse seized Frank Dunbar.
+</p>
+
+<p>
+&ldquo;Give me the ball, Philip!&rdquo; he said quickly.
+</p>
+
+<p>
+Philip complied with his request, not understanding his intention.
+</p>
+
+<p>
+Now, Frank belonged to a baseball club, and had a capital aim. He threw up the
+ball and struck Mr. Tucker fairly in the nose. The effect upon the terrified
+Joe was startling.
+</p>
+
+<p>
+Full as his mind was of burglars, he fancied that it was something a great deal
+more deadly that had struck him.
+</p>
+
+<p>
+&ldquo;Oh, Abigail! I&rsquo;m shot through the brain!&rdquo; he moaned in
+anguish, as he poked in his head and fell back upon the floor.
+</p>
+
+<p>
+&ldquo;What do you mean, Joe?&rdquo; asked his wife, in alarm, as she hastened
+to her prostrate husband, whose hand was pressed convulsively upon the injured
+organ, which, naturally ached badly with the force of the blow.
+</p>
+
+<p>
+&ldquo;I&rsquo;m a dead man!&rdquo; moaned Mr. Tucker; &ldquo;and it&rsquo;s
+all your fault. You made me go to the window.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t believe you&rsquo;re shot at all! I didn&rsquo;t hear any
+report,&rdquo; said Mrs. Tucker. &ldquo;Let me see your face.&rdquo;
+</p>
+
+<p>
+Mr. Tucker withdrew his hand mournfully.
+</p>
+
+<p>
+&ldquo;You&rsquo;ve only been struck with a rock or something,&rdquo; said she,
+after a careful examination.
+</p>
+
+<p>
+&ldquo;It&rsquo;s bleeding!&rdquo; groaned Joe, seeing a dark stain on his
+night-dress.
+</p>
+
+<p>
+&ldquo;Suppose it is&mdash;it won&rsquo;t kill you. I&rsquo;ll look out
+myself.&rdquo;
+</p>
+
+<p>
+But she saw nothing. Philip and Frank had immediately taken to flight, and
+vanished in the darkness.
+</p>
+
+<p>
+&ldquo;They&rsquo;ve run away!&rdquo; announced Mrs. Tucker. &ldquo;My spoons
+are safe.&rdquo;
+</p>
+
+<p>
+&ldquo;But my nose isn&rsquo;t,&rdquo; groaned Mr. Tucker.
+</p>
+
+<p>
+&ldquo;You won&rsquo;t die this time,&rdquo; said Mrs. Tucker, not very
+sympathetically. &ldquo;Soak your nose in the wash-basin, and you&rsquo;ll be
+all right in the morning.&rdquo;
+</p>
+
+<p>
+The two boys were destined to have another adventure that night.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0016" id="link2HCH0016"></a>
+CHAPTER XVI.<br/>
+A NIGHT ADVENTURE.</h2>
+
+<p>
+&ldquo;I didn&rsquo;t mean to hit him,&rdquo; said Frank, as he and Philip
+hurried away from the poorhouse, &ldquo;I only intended to give him a
+fright.&rdquo;
+</p>
+
+<p>
+&ldquo;I think you have. I wonder whether he recognized us!&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t believe it. He had hardly got his head out of the window
+before I let drive.&rdquo;
+</p>
+
+<p>
+&ldquo;Then he won&rsquo;t imagine I have escaped.&rdquo;
+</p>
+
+<p>
+&ldquo;What are your plans, Phil? Suppose they try to take you back to the
+poorhouse?&rdquo;
+</p>
+
+<p>
+&ldquo;They won&rsquo;t get the chance. Before five o&rsquo;clock to-morrow
+morning I shall leave Norton.&rdquo;
+</p>
+
+<p>
+&ldquo;Leave town?&rdquo; exclaimed Frank, in surprise. &ldquo;And so
+soon?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. There is nothing for me to do here.&rdquo;
+</p>
+
+<p>
+&ldquo;Father would like to have you stay and assist him on the farm. He said
+so to me. He wouldn&rsquo;t be able to pay much, but I think we would have a
+good time together.&rdquo;
+</p>
+
+<p>
+Philip pressed his friend&rsquo;s hand warmly.
+</p>
+
+<p>
+&ldquo;I know we should, Frank,&rdquo; he said, &ldquo;but if I remained here,
+it would only remind me of my poor father. I would rather go out into the world
+and try my fortune.&rdquo;
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t it risky, Phil?&rdquo; objected Frank doubtfully.
+</p>
+
+<p>
+&ldquo;I suppose it is; but I am willing to work, and I don&rsquo;t expect
+much.&rdquo;
+</p>
+
+<p>
+&ldquo;Suppose you fall sick?&rdquo;
+</p>
+
+<p>
+&ldquo;Then, if I can, I will come back to you and your good father and mother,
+and stay till I am well.&rdquo;
+</p>
+
+<p>
+&ldquo;Promise me that, Phil?&rdquo;
+</p>
+
+<p>
+&ldquo;I promise.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish I could go with you, Phil,&rdquo; said Frank, with a boyish
+impulse.
+</p>
+
+<p>
+&ldquo;No, it wouldn&rsquo;t be wise for you. You have a good home, and you
+will be better off there than among strangers.&rdquo;
+</p>
+
+<p>
+&ldquo;It might be your home, too, Phil.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you; but I shall be better away from Norton for a time.&rdquo;
+</p>
+
+<p>
+A minute later, Frank said suddenly:
+</p>
+
+<p>
+&ldquo;There&rsquo;s Squire Pope coming. He will see you.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t care. He won&rsquo;t take me back.&rdquo;
+</p>
+
+<p>
+&ldquo;Get behind the stone wall, and I will wait and interview him.&rdquo;
+</p>
+
+<p>
+Philip immediately followed the advice of his friend. He was curious to hear
+what the squire would say.
+</p>
+
+<p>
+Squire Pope&rsquo;s eyesight was not good, and it was only when he came near
+that he recognized Frank Dunbar. He stopped short, for there was a subject on
+which he wished to speak.
+</p>
+
+<p>
+&ldquo;Frank Dunbar!&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Do you wish to speak to me, sir?&rdquo; inquired Frank coldly.
+</p>
+
+<p>
+&ldquo;Yes. Where have you been?&rdquo;
+</p>
+
+<p>
+&ldquo;Out walking,&rdquo; answered Frank shortly.
+</p>
+
+<p>
+&ldquo;Have you been to the poorhouse?&rdquo;
+</p>
+
+<p>
+&ldquo;I have.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you see Philip?&rdquo;
+</p>
+
+<p>
+&ldquo;I saw him looking out of a third-story window.&rdquo;
+</p>
+
+<p>
+Squire Pope chuckled, if, indeed, such a dignified man can be said to chuckle.
+</p>
+
+<p>
+&ldquo;What did he say?&rdquo; he condescended to inquire.
+</p>
+
+<p>
+&ldquo;That he wouldn&rsquo;t stay.&rdquo;
+</p>
+
+<p>
+&ldquo;He will have to,&rdquo; responded Squire Pope complacently. &ldquo;Mr.
+Tucker will see to that.&rdquo;
+</p>
+
+<p>
+&ldquo;Probably Mr. Tucker will wake up some fine morning and find Phil&rsquo;s
+room empty,&rdquo; said Frank quietly.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll take the risk of it,&rdquo; returned the squire serenely.
+&ldquo;But there&rsquo;s a matter I want to speak to you about. You&rsquo;ve
+got Philip&rsquo;s fiddle in your possession.&rdquo;
+</p>
+
+<p>
+&ldquo;Suppose I have.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish you to bring it round to my house in the morning, and I&rsquo;ll
+give you something for your trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;You must excuse me, Squire Pope. If it were your property, I would bring
+it to you and charge nothing for my trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;Young man,&rdquo; said the squire sternly. &ldquo;I am Philip&rsquo;s
+legal guardian, and I have a right to receive his violin. You will get into
+trouble if you resist my authority.&rdquo;
+</p>
+
+<p>
+&ldquo;If you will give me Philip&rsquo;s order for it, you shall have it,
+sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Frank Dunbar, you are trifling with me. Philip is now a pauper, and has
+no right to hold property of any kind. He cannot give a legal order.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you are guardian to a pauper?&rdquo;
+</p>
+
+<p>
+&ldquo;In my capacity of overseer of the poor.&rdquo;
+</p>
+
+<p>
+&ldquo;In my capacity as Philip&rsquo;s friend, I refuse to consider you his
+guardian. You may call him a pauper, but that doesn&rsquo;t make him
+one.&rdquo;
+</p>
+
+<p>
+&ldquo;He is an inmate of the Norton Poorhouse.&rdquo;
+</p>
+
+<p>
+Frank laughed.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want to be disrespectful, Squire Pope,&rdquo; he said;
+&ldquo;but I can&rsquo;t help telling you that you undertook a bigger job than
+you thought for, when you made up your mind to make a pauper of Philip
+Gray.&rdquo;
+</p>
+
+<p>
+Squire Pope was indignant at the coolness of Frank.
+</p>
+
+<p>
+&ldquo;I shall come to your house to-morrow morning,&rdquo; he said, &ldquo;and
+convince you to the contrary.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well, sir.&rdquo;
+</p>
+
+<p>
+Frank Dunbar bowed, and the squire went his way.
+</p>
+
+<p>
+&ldquo;That&rsquo;s a very impudent boy!&rdquo; he soliloquized. &ldquo;Just
+like the Gray boy. It wouldn&rsquo;t do him any harm to put him under Joe
+Tucker&rsquo;s care, too.&rdquo;
+</p>
+
+<p>
+After the squire had passed on, Philip came out from behind the stone wall.
+</p>
+
+<p>
+&ldquo;Did you hear what passed between your guardian and myself?&rdquo; asked
+Frank.
+</p>
+
+<p>
+&ldquo;Yes, I heard every word.&rdquo;
+</p>
+
+<p>
+&ldquo;He little thought that the bird had flown, Phil.&rdquo;
+</p>
+
+<p>
+&ldquo;He will make all the trouble he can. That is one more reason why I think
+it best to leave town.&rdquo;
+</p>
+
+<p>
+&ldquo;I wouldn&rsquo;t let Squire Pope drive you out of town.&rdquo;
+</p>
+
+<p>
+&ldquo;I would stay and face the music if it suited me, but I want to go
+away.&rdquo;
+</p>
+
+<p>
+&ldquo;Suppose we cut across this field. It will be a little nearer.&rdquo;
+</p>
+
+<p>
+&ldquo;All right.&rdquo;
+</p>
+
+<p>
+There was a pathway through a pasture-lot, comprising some ten acres, poor
+land, covered with puny bushes, and a few gnarled trees, producing
+cider-apples. It belonged to an old bachelor farmer, who lived in solitary
+fashion, doing his own cooking, and in general taking care of himself. He was
+reputed to have money concealed about his premises, which was quite probable,
+as he spent little, and was known to have received, four years before, a
+considerable legacy from the estate of a brother who had died, a successful
+merchant in the city of New York.
+</p>
+
+<p>
+The boys had to pass by the small and weather-stained house where he lived, as
+the path ran very near it.
+</p>
+
+<p>
+When within a few rods of the house, the boys were startled by a sharp cry of
+terror, which appeared to proceed from inside the house.
+</p>
+
+<p>
+Both simultaneously stood still.
+</p>
+
+<p>
+&ldquo;What&rsquo;s that!&rdquo; exclaimed both in concert.
+</p>
+
+<p>
+&ldquo;Somebody must be trying to rob Mr. Lovett,&rdquo; suggested Frank.
+</p>
+
+<p>
+&ldquo;Can&rsquo;t we do something!&rdquo; said Phil quickly.
+</p>
+
+<p>
+&ldquo;We can try.&rdquo;
+</p>
+
+<p>
+There were two stout sticks or clubs lying on the ground at their feet. They
+stooped, picked them up, and ran to the house. A glance showed that one of the
+windows on the north side had been raised.
+</p>
+
+<p>
+The window sill was low. Pausing a moment before springing over it into the
+room, they looked in and this was what they saw:
+</p>
+
+<p>
+The farmer lay half-prostrate on the floor, half supporting himself by a chair,
+which he had mechanically grasped as he was forced downward. Over him stood a
+ruffianly looking tramp, whom Phil remembered to have seen about the streets
+during the day, with a stick uplifted. He had not heard the approach of the
+boys.
+</p>
+
+<p>
+&ldquo;Give me two hundred dollars, and I&rsquo;ll go,&rdquo; he said to the
+man at his feet.
+</p>
+
+<p>
+&ldquo;I cannot do it. I haven&rsquo;t got as much here.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s a lie!&rdquo; said the other coarsely. &ldquo;I heard all
+about you to-day. You&rsquo;re a miser, and you&rsquo;ve got no end of money
+stowed away here. Get it for me, quick, or I&rsquo;ll dash your brains
+out.&rdquo;
+</p>
+
+<p>
+Just then the prostrate farmer saw what the tramp could not see, his back being
+turned to the window, the faces of the two boys looking through the window.
+Fresh courage came to him. Single-handed, and taken at advantage, he was no
+match for the ruffian who had entered his house; but with these two young
+auxiliaries he felt that all was not lost.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0017" id="link2HCH0017"></a>
+CHAPTER XVII.<br/>
+A REFORMED BURGLAR.</h2>
+
+<p>
+&ldquo;What do you say!&rdquo; demanded the tramp impatiently. &ldquo;Speak
+quick! I can&rsquo;t stay here all night.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me up, and I&rsquo;ll see if I can find the money for you.&rdquo;
+</p>
+
+<p>
+&ldquo;I thought I&rsquo;d bring you to terms,&rdquo; said the tramp, laughing
+grimly.
+</p>
+
+<p>
+He allowed his victim to rise, as he certainly would not have done if he had
+looked behind him and seen the two boys at the window.
+</p>
+
+<p>
+&ldquo;Now&rsquo;s our time,&rdquo; answered Philip.
+</p>
+
+<p>
+He gave a light spring into the room, followed by Frank.
+</p>
+
+<p>
+Of course, the tramp heard them, and turned in sudden alarm. As he turned, the
+farmer snatched the club from his hand, and he found himself unexpectedly
+unarmed and confronted by three enemies.
+</p>
+
+<p>
+&ldquo;It&rsquo;s my turn now,&rdquo; said Lovett. &ldquo;Do you
+surrender?&rdquo;
+</p>
+
+<p>
+The tramp saw that the game was up and made a dash for the open window, but
+Philip skillfully inserted a stick between his legs, and tripped him up, and,
+with the help of Mr. Lovett, held him, struggling desperately, till Frank
+fetched a rope, with which he was securely bound.
+</p>
+
+<p>
+&ldquo;Confound you!&rdquo; he said, scowling at the two boys. &ldquo;But for
+you I would have succeeded and got away with my booty.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s true!&rdquo; said the farmer. &ldquo;I owe my escape from
+robbery, and, perhaps, bodily injury, to you.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad we were at hand,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;And now, my friend,&rdquo; said the farmer, &ldquo;I may as well say
+that you were quite mistaken in supposing I kept a large amount of money in
+this lonely house. I should be a fool to do it, and I am not such a fool as
+that.&rdquo;
+</p>
+
+<p>
+&ldquo;Where do you keep your money, then?&rdquo; growled the tramp.
+</p>
+
+<p>
+&ldquo;In different savings-banks. I am ready to tell you, for it will do you
+no good.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish I&rsquo;d known it sooner. I came here on a fool&rsquo;s
+errand.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad you have found it out.&rdquo;
+</p>
+
+<p>
+&ldquo;Now, what are you going to do with me!&rdquo;
+</p>
+
+<p>
+&ldquo;Keep you here till I can deliver you into the hands of the law.&rdquo;
+</p>
+
+<p>
+&ldquo;That won&rsquo;t do you any good.&rdquo;
+</p>
+
+<p>
+&ldquo;It will give you a home, where you cannot prey on the community.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t mean to do so any more. I&rsquo;m going to turn over a new
+leaf and become an honest man&mdash;that is, if you&rsquo;ll let me go.&rdquo;
+</p>
+
+<p>
+&ldquo;Your conversion is rather sudden. I haven&rsquo;t any faith in
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Listen to me,&rdquo; said the man, &ldquo;and then decide. Do you think
+I am a confirmed lawbreaker?&rdquo;
+</p>
+
+<p>
+&ldquo;You look like it.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I do; but I am not. Never in my life have I been confined in any
+prison or penitentiary. I have never been arrested on any charge. I see you
+don&rsquo;t believe me. Let me tell you how I came to be what I am: Two years
+since I was a mechanic, tolerably well-to-do, owning a house with a small
+mortgage upon it. It was burned to the ground one night. I built another, but
+failed to insure it. Six months since, that, too, burned down, and left me
+penniless and in debt. Under this last blow I lost all courage. I left the town
+where I had long lived, and began a wandering life. In other words, I became a
+tramp. Steadily I lost my self-respect till I was content to live on such help
+as the charitable chose to bestow on me. It was not until to-day that I formed
+the plan of stealing. I heard in the village that you kept a large sum of money
+in your house, and an evil temptation assailed me. I had become tired of
+wandering, and determined to raise a sum which would enable me to live at ease
+for a time, I should have succeeded but for these two boys.&rdquo;
+</p>
+
+<p>
+&ldquo;And you are sorry you did not succeed?&rdquo;
+</p>
+
+<p>
+&ldquo;I was, five minutes since, but I feel differently now. I have been saved
+from crime. Now, I have told you my story. Do with me as you will.&rdquo;
+</p>
+
+<p>
+The man&rsquo;s appearance was rough, but there was something in his tone which
+led Mr. Lovett to think that he was speaking the truth.
+</p>
+
+<p>
+&ldquo;Boys,&rdquo; he said, &ldquo;you have heard what this man says. What do
+you think of it?&rdquo;
+</p>
+
+<p>
+&ldquo;I believe him!&rdquo; said Philip promptly.
+</p>
+
+<p>
+&ldquo;Thank you, boy,&rdquo; said the tramp. &ldquo;I am glad some one has
+confidence in me.&rdquo;
+</p>
+
+<p>
+&ldquo;I believe you, too,&rdquo; said Frank.
+</p>
+
+<p>
+&ldquo;I have not deceived you. Your words have done me more good than you
+think. It is my first attempt to steal, and it shall be my last.&rdquo;
+</p>
+
+<p>
+&ldquo;If you want to become an honest man, God forbid that I should do aught
+to prevent you!&rdquo; said the farmer. &ldquo;I may be acting unwisely, but I
+mean to cut this rope and let you go.&rdquo;
+</p>
+
+<p>
+&ldquo;Will you really do this?&rdquo; said the tramp, his face lighting up
+with mingled joy and surprise.
+</p>
+
+<p>
+&ldquo;I will.&rdquo;
+</p>
+
+<p>
+He knelt on the floor, and drawing from his pocket a large jack-knife, cut the
+rope.
+</p>
+
+<p>
+The tramp sprang to his feet.
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; he said, in a husky voice. &ldquo;I believe you are a
+good man. There are not many who would treat me as generously, considering what
+I tried to do just now. You sha&rsquo;n&rsquo;t repent it. Will you give me
+your hand!&rdquo;
+</p>
+
+<p>
+&ldquo;Gladly,&rdquo; said the farmer; and he placed his hand in that of the
+visitor, lately so unwelcome. &ldquo;I wish you better luck.&rdquo;
+</p>
+
+<p>
+&ldquo;Boys, will you give me your hands, too?&rdquo; asked tke tramp, turning
+to Philip and Frank.
+</p>
+
+<p>
+Tke boys readily complied with his request, and repeated the good wishes of the
+farmer.
+</p>
+
+<p>
+The stranger was about to leave the house, when Lovett said:
+</p>
+
+<p>
+&ldquo;Stay, my friend, I wish to ask you a question.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you any money?&rdquo;
+</p>
+
+<p>
+&ldquo;Not a cent.&rdquo;
+</p>
+
+<p>
+&ldquo;Then take this,&rdquo; said the farmer, drawing from his vest pocket a
+five-dollar bill. &ldquo;I lend it to you. Some time you will be able to repay
+it, if you keep to your resolution of leading an honest life. When that time
+comes, lend it to some man who needs it as you do now.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, sir. I will take it, for it will help me greatly at this
+time. Good-by! If you ever see me again, you will see a different man.&rdquo;
+</p>
+
+<p>
+He leaped through the window and was gone.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know if I have done a wise thing, but I will take the
+risk,&rdquo; said the farmer. &ldquo;And now, boys, I want to make you some
+return for your assistance to-night.&rdquo; Both Frank and Philip earnestly
+protested that they would receive nothing in the conversation that ensued.
+Philip made known his intention to leave Norton the next morning.
+</p>
+
+<p>
+&ldquo;What are your plans? Where do you mean to go?&rdquo; asked the farmer.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know, sir. I shall make up my mind as I go along. I think
+I can make my living somehow.&rdquo;
+</p>
+
+<p>
+&ldquo;Wait here five minutes,&rdquo; said Lovett, and he went into an
+adjoining room.
+</p>
+
+<p>
+Within the time mentioned, he returned, holding in his hand a sealed letter.
+</p>
+
+<p>
+&ldquo;Philip,&rdquo; he said, &ldquo;put this envelope in your pocket, and
+don&rsquo;t open it till you are fifty miles from here.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well, sir,&rdquo; answered Philip, rather puzzled, but not so much
+surprised as he might have been if he had not known the farmer&rsquo;s
+reputation for eccentricity.
+</p>
+
+<p>
+&ldquo;I suppose it contains some good advice,&rdquo; he thought. &ldquo;Well,
+good advice is what I need.&rdquo;
+</p>
+
+<p>
+The two boys went home immediately upon leaving the farmhouse. Though so much
+had happened, it was not late, being not quite half-past nine.
+</p>
+
+<p>
+Philip received a cordial welcome from Mr. and Mrs. Dunbar, who, however,
+hardly expected to see him so soon. &ldquo;Are you willing to receive a pauper
+beneath your roof?&rdquo; asked Philip, smiling.
+</p>
+
+<p>
+&ldquo;That you will never be while you have health and strength, I&rsquo;ll be
+bound,&rdquo; said Mr. Dunbar. &ldquo;I like your pride and independence,
+Philip.&rdquo;
+</p>
+
+<p>
+They tried to induce Philip to give up his resolution to leave Norton the next
+morning, but did not succeed.
+</p>
+
+<p>
+&ldquo;I will come back some time,&rdquo; he said. &ldquo;Now I feel better to
+go.&rdquo;
+</p>
+
+<p>
+At five o&rsquo;clock the next morning, with a small bundle swung over his
+shoulder, attached to a stick, Philip Gray, carrying his violin, left the
+village, which, for some years, had been his home. Frank accompanied him for
+the first mile of his journey. Then the two friends shook hands and
+parted&mdash;not without sorrow, for who could tell when they would meet again?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0018" id="link2HCH0018"></a>
+CHAPTER XVIII.<br/>
+A PROFESSIONAL ENGAGEMENT.</h2>
+
+<p>
+A depressing feeling of loneliness came to Phil after he had parted with Frank.
+He was going out into the world with no one to lean upon, and no one to
+sympathize with him or lend him a helping hand. No wonder he felt friendless
+and alone. But this mood did not last long.
+</p>
+
+<p>
+&ldquo;I shall find friends if I deserve them,&rdquo; he reflected, &ldquo;and
+I don&rsquo;t mean to do anything dishonorable or wrong. I am willing to work,
+and I believe I can make a living.&rdquo;
+</p>
+
+<p>
+Leaving him to proceed, we go back to the poor-house, where his absence was not
+noticed till morning.
+</p>
+
+<p>
+Joe Tucker, in spite of the blow which his nasal organ had received, slept
+pretty comfortably, and was awakened at an early hour by his vigilant spouse.
+</p>
+
+<p>
+&ldquo;You&rsquo;d better go up and wake that boy and set him to work, Mr.
+Tucker,&rdquo; she said. &ldquo;There are plenty of chores for him to
+do.&rdquo;
+</p>
+
+<p>
+&ldquo;You are right, Abigail,&rdquo; said Mr. Tucker, with approval. He
+reflected that he could assign to Philip some of the work which generally fell
+to himself, and the reflection was an agreeable one. He had tried to get work
+out of Zeke, but he generally found that it was harder to keep him at work than
+it was to do the job himself.
+</p>
+
+<p>
+After he had made his toilet&mdash;not a very elaborate one&mdash;Mr. Tucker
+went up-stairs to arouse his young prisoner. He found the key in the outside of
+the door. Everything seemed right.
+</p>
+
+<p>
+&ldquo;I wonder how he feels this morning?&rdquo; chuckled Mr. Tucker.
+&ldquo;Wonder whether he&rsquo;s tamed down a little?&rdquo;
+</p>
+
+<p>
+He turned the key in the lock and threw open the door. He glanced at the bed,
+started in amazement to find that it had not been slept in, and then his wonder
+ceased, for the telltale rope explained how the boy had escaped.
+</p>
+
+<p>
+He ran down-stairs in anger and excitement.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the matter with you, Joe Tucker?&rdquo; demanded his wife.
+&ldquo;Are you drunk or crazy?&rdquo;
+</p>
+
+<p>
+&ldquo;Enough to make me both, wife,&rdquo; he answered. &ldquo;The boy&rsquo;s
+gone!&rdquo;
+</p>
+
+<p>
+&ldquo;Gone!&rdquo; exclaimed Mrs. Tucker, stopping short, with a saucepan in
+her hand.
+</p>
+
+<p>
+&ldquo;Gone!&rdquo; ejaculated Zeke, his mouth wide open.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t believe it,&rdquo; said Mrs. Tucker positively. &ldquo;He
+couldn&rsquo;t go. He&rsquo;d have to jump out of the third-story
+window.&rdquo;
+</p>
+
+<p>
+&ldquo;Sure enough!&rdquo; said Zeke.
+</p>
+
+<p>
+&ldquo;I can&rsquo;t help it&mdash;he&rsquo;s gone,&rdquo; declared Mr. Tucker.
+&ldquo;He tied a clothesline to the bedstead and let himself down from the
+window. Now, I want to know who left a clothesline in the room?&rdquo;
+</p>
+
+<p>
+&ldquo;There wasn&rsquo;t any,&rdquo; said Mrs. Tucker.
+</p>
+
+<p>
+&ldquo;Maybe he had one in his pocket,&rdquo; suggested Zeke.
+</p>
+
+<p>
+But this suggestion was not considered worthy of notice by his parents.
+</p>
+
+<p>
+&ldquo;Now I know who hit me in the nose!&rdquo; exclaimed Mr. Tucker, light
+flashing upon him. &ldquo;There was two of &rsquo;em&mdash;the ones I took for
+burglars.&rdquo;
+</p>
+
+<p>
+&ldquo;Then the other one must have been Frank Dunbar,&rdquo; said Mrs. Tucker.
+</p>
+
+<p>
+&ldquo;Zeke,&rdquo; said his father, &ldquo;go right off and tell Squire Pope
+that Philip Gray has escaped. Ask him if I can&rsquo;t have him arrested for
+assault and battery. It&rsquo;s likely he&rsquo;s at Frank Dunbar&rsquo;s now.
+We&rsquo;ll have him back before the day is out, and then I&rsquo;ll see he
+don&rsquo;t get out!&rdquo;
+</p>
+
+<p>
+&ldquo;All right, dad! As soon as I&rsquo;ve had breakfast I&rsquo;ll
+go.&rdquo;
+</p>
+
+<p>
+The result of Zeke&rsquo;s message was that Squire Pope hurried over to the
+poorhouse and held a conference with Mr. and Mrs. Tucker.
+</p>
+
+<p>
+The next step was that he and Joe rode over to Mr. Dunbar&rsquo;s, to demand
+the return of the fugitive.
+</p>
+
+<p>
+They found Frank splitting wood in the yard. To him they made known their
+errand, requesting him to call Philip out.
+</p>
+
+<p>
+&ldquo;He isn&rsquo;t here,&rdquo; answered Frank.
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t here? I don&rsquo;t believe it!&rdquo; said the squire
+hastily.
+</p>
+
+<p>
+&ldquo;Sorry you doubt my word, Squire Pope, but it&rsquo;s just as I
+say.&rdquo;
+</p>
+
+<p>
+&ldquo;Where is he, then?&rdquo; demanded the squire suspiciously.
+</p>
+
+<p>
+&ldquo;He has left town.&rdquo;
+</p>
+
+<p>
+&ldquo;Left town?&rdquo; repeated the squire and Joe Tucker, in dismay.
+&ldquo;Where is he gone!&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s probably ten miles away by this time,&rdquo; answered Frank,
+enjoying their perplexity. &ldquo;I guess you&rsquo;d better wait till he comes
+back.&rdquo;
+</p>
+
+<p>
+Joe and the squire conferred together, but no satisfactory result was arrived
+at, except it wouldn&rsquo;t pay to pursue Philip, for two reasons&mdash;one,
+because they were quite uncertain in what direction he had gone; another,
+because, even if overtaken, they would have no authority to apprehend him,
+since he had been guilty of no crime.
+</p>
+
+<p>
+Finally a bright idea came to the squire.
+</p>
+
+<p>
+&ldquo;Bring me out his fiddle,&rdquo; he said to Frank. &ldquo;I&rsquo;m his
+guardian, and I will take care of it for him.&rdquo;
+</p>
+
+<p>
+&ldquo;He carried it away with him,&rdquo; said Frank. The squire&rsquo;s lower
+jaw fell. He was defeated at all points. &ldquo;I guess we can&rsquo;t do
+nothing, under the circumstances, squire,&rdquo; said Joe Tucker, scratching
+his head.
+</p>
+
+<p>
+&ldquo;I shall have to reflect upon it,&rdquo; said Squire Pope, in a
+crestfallen tone.
+</p>
+
+<p>
+&ldquo;That&rsquo;s as good as a circus,&rdquo; thought Frank, as his roguish
+glance followed the two baffled conspirators as they rode out of the yard.
+&ldquo;It&rsquo;s a pity Phil was not here to enjoy it.&rdquo;
+</p>
+
+<p>
+At the end of the second day, Philip was some forty miles distant from Norton.
+He had not walked all the way, but had got a lift for a few miles from a
+tin-peddler, with whom he had a social chat.
+</p>
+
+<p>
+It cannot be said that he was depressed, or that he regretted having left
+Norton, but he certainly did feel uncomfortable, and his discomfort sprang from
+a very homely cause.
+</p>
+
+<p>
+To tell the plain truth, he was hungry. He had not had anything to eat for six
+hours except an apple, which he had picked up by the roadside, and during those
+six hours he had walked not far from fifteen miles.
+</p>
+
+<p>
+&ldquo;I believe I never was so hungry before,&rdquo; thought Philip.
+&ldquo;The question is, where is my supper to come from?&rdquo;
+</p>
+
+<p>
+Although he knew pretty well the state of his finances, he began to search his
+pockets to see if he could not somewhere find a stray dime, or, better still, a
+quarter, with which to purchase the meal of which he stood so much in need. But
+his search was unproductive, or, rather, it only resulted in the discovery of a
+battered cent.
+</p>
+
+<p>
+&ldquo;So that penny constitutes my whole fortune,&rdquo; thought Philip.
+</p>
+
+<p>
+There were two houses in sight, one on each side of the road.
+</p>
+
+<p>
+Probably they would have given Philip a supper at either, but our hero&rsquo;s
+honest pride revolted at the idea of begging for a meal, much as he stood in
+need of it. He might as well be a pauper, as he justly reflected. So he pushed
+on.
+</p>
+
+<p>
+Evidently he was drawing near a village, for houses began to appear at nearer
+intervals.
+</p>
+
+<p>
+&ldquo;Hello, my boy! Where are you traveling!&rdquo; asked a hearty voice.
+</p>
+
+<p>
+Philip turned round, and his glance rested on a stout young farmer, whose face,
+though very much sunburned, was pleasant and good-natured.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t know?&rdquo; was repeated in surprise.
+</p>
+
+<p>
+&ldquo;I am in search of work.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, that&rsquo;s it! Are you a musician?&rdquo; asked the young man,
+looking at the violin.
+</p>
+
+<p>
+&ldquo;Yes; a little of one.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you looking for a job at fiddling?&rdquo; asked the young man.
+</p>
+
+<p>
+&ldquo;Yes, if I can find one,&rdquo; answered Philip, smiling.
+</p>
+
+<p>
+&ldquo;Can you play dancing-music?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I guess I can get you a job for this evening.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish you could,&rdquo; said Philip hopefully, catching at a way out of
+his troubles.
+</p>
+
+<p>
+&ldquo;You see, there&rsquo;s to be a little dance in School-house Hall
+to-night,&rdquo; said the farmer; &ldquo;or there was to be one, but the
+fiddler&rsquo;s took sick, and we was afraid we&rsquo;d have to give it up.
+Now, if you&rsquo;ll take his place, we can have it, after all.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll do it,&rdquo; said Philip promptly.
+</p>
+
+<p>
+&ldquo;What&rsquo;ll you charge?&rdquo;
+</p>
+
+<p>
+&ldquo;How much was the other one going to charge?&rdquo;
+</p>
+
+<p>
+&ldquo;Five dollars. You see, he would have to come six miles.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll come for three dollars and my supper and lodging,&rdquo; said
+Philip.
+</p>
+
+<p>
+&ldquo;All right! You shall have supper and lodging at our house. There it is,
+down that lane. Come right along, for supper must be on the table. After supper
+I&rsquo;ll go and tell the committee I&rsquo;ve engaged you.&rdquo;
+</p>
+
+<p>
+Philip&rsquo;s spirits rose. Help had come from an unexpected quarter. He felt
+that a new career was opening before him.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0019" id="link2HCH0019"></a>
+CHAPTER XIX.<br/>
+NEW ACQUAINTANCES.</h2>
+
+<p>
+On his way to the farmhouse, Philip ascertained that his companion&rsquo;s name
+was Abner Webb, and that he and his brother Jonas carried on a farm of about a
+hundred acres. Abner appeared to be about twenty-five years old.
+</p>
+
+<p>
+&ldquo;You seem pretty young to be a fiddler,&rdquo; said the young man,
+surveying Philip with a glance of curiosity.
+</p>
+
+<p>
+&ldquo;I am almost sixteen.&rdquo;
+</p>
+
+<p>
+&ldquo;I am twenty-five, and I can&rsquo;t play at all.&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t all in the age,&rdquo; returned our hero. &ldquo;Did you
+ever try to learn?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I took one or two lessons, but I had to give it up for a bad job. I
+couldn&rsquo;t get into it somehow.&rdquo;
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t try very long,&rdquo; said Philip, smiling.
+</p>
+
+<p>
+&ldquo;I reckon I&rsquo;d never do much at it. How long have you been a
+fiddler?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve been playing three or four years.&rdquo;
+</p>
+
+<p>
+&ldquo;Sho! You don&rsquo;t say so! Do you like it?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; very much.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I&rsquo;m glad you happened along. It would have been a pity to
+have our dance spoiled.&rdquo;
+</p>
+
+<p>
+By this time they had reached the farmhouse, and Abner went in, followed by our
+hero.
+</p>
+
+<p>
+A young woman, his brother&rsquo;s wife, looked at Philip in some surprise.
+</p>
+
+<p>
+&ldquo;You see, I&rsquo;ve got a fiddler, after all,&rdquo; said Abner
+gleefully. &ldquo;We won&rsquo;t have to put off the dance.&rdquo;
+</p>
+
+<p>
+As he spoke, his brother Jonas came into the room, and the explanation was
+repeated.
+</p>
+
+<p>
+&ldquo;That&rsquo;s good,&rdquo; said Jonas heartily. &ldquo;You&rsquo;d better
+go down to the store after supper, Abner, and tell the boys, for they&rsquo;ve
+just heard that Paul Beck can&rsquo;t come.&rdquo;
+</p>
+
+<p>
+&ldquo;You just save me some supper, and I&rsquo;ll go now. The boy&rsquo;ll
+stay with us to-night. That&rsquo;s the bargain I made with him.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s heartily welcome,&rdquo; said Jonas Webb, a pleasant-faced
+man, with sandy complexion, who was probably from two to three years older than
+his brother. &ldquo;You&rsquo;ve happened along just at the right time.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad of it,&rdquo; said Philip; and there is no doubt he was
+sincere, for we know how much he stood in need of employment, though he
+naturally did not care to let his new friends know of his destitution.
+</p>
+
+<p>
+&ldquo;My brother didn&rsquo;t tell me your name,&rdquo; said Jonas.
+</p>
+
+<p>
+&ldquo;My name is Philip Gray,&rdquo; answered our hero.
+</p>
+
+<p>
+&ldquo;Do you go round playing for dances?&rdquo; inquired Jonas.
+</p>
+
+<p>
+&ldquo;I have only just begun.&rdquo;
+</p>
+
+<p>
+Philip didn&rsquo;t think it necessary to say that the idea of making money in
+this way had never occurred to him till this very day.
+</p>
+
+<p>
+&ldquo;Sit right up to supper, Jonas, and you, too, Mr. Gray,&rdquo; said Mrs.
+Webb.
+</p>
+
+<p>
+Philip was by no means loath, for the dishes which he saw on the table had had
+the effect of stimulating his appetite, already sharpened by his long walk and
+long fast.
+</p>
+
+<p>
+Philip, as the guest, was first helped to a bountiful supply of cold meat, a
+hot biscuit, and some golden butter, not to mention two kinds of preserves, for
+the Webbs always lived well. He was not slow in doing justice to the good
+supper spread before him. He was almost afraid to eat as much as he wanted,
+lest his appetite should attract attention, and, therefore, was pleased to see
+that Jonas quite kept pace with him.
+</p>
+
+<p>
+Indeed, when he had already eaten as much as he dared, Mrs. Webb said,
+hospitably:
+</p>
+
+<p>
+&ldquo;I am afraid, Mr. Gray, you won&rsquo;t make out a supper.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think there is any danger of that,&rdquo; said Philip,
+smiling. &ldquo;I have enjoyed my supper very much.&rdquo;
+</p>
+
+<p>
+The young woman looked gratified by this tribute to her cooking, and just then
+Abner came in.
+</p>
+
+<p>
+&ldquo;Did you see the boys, Abner?&rdquo; asked Jonas.
+</p>
+
+<p>
+&ldquo;Yes, I saw them all. They were awfully glad we could have the dance,
+after all. You see, we&rsquo;ve been lookin&rsquo; forward to it, and
+didn&rsquo;t like to be disappointed. And now I must hurry down my supper, for
+I&rsquo;ve got to slick up and go for Mary Ann Temple. Are you goin&rsquo;,
+Lucy?&rdquo;
+</p>
+
+<p>
+&ldquo;Of course she is,&rdquo; answered Jonas. &ldquo;I don&rsquo;t have so
+far to go for my girl as you do,&rdquo; he added slyly.
+</p>
+
+<p>
+&ldquo;You used to go farther once, Jonas&mdash;six miles, where I have only to
+go two.&rdquo;
+</p>
+
+<p>
+When supper was over, Philip inquired:
+</p>
+
+<p>
+&ldquo;How early will the dance commence?&rdquo;
+</p>
+
+<p>
+&ldquo;About eight. We keep early hours in the country, and we like to get our
+money&rsquo;s worth.&rdquo;
+</p>
+
+<p>
+&ldquo;If you have no objection, I will go out to the barn and try my violin a
+little to see if it is in good tune.&rdquo;
+</p>
+
+<p>
+&ldquo;Try it in the next room,&rdquo; said the farmer&rsquo;s wife.
+</p>
+
+<p>
+&ldquo;Yes, do!&rdquo; said her husband. &ldquo;We&rsquo;d like to hear
+you.&rdquo;
+</p>
+
+<p>
+He was a little afraid, judging from Philip&rsquo;s youth, that he could not
+play very well, and this would give him an opportunity of deciding how
+competent the boy was to take the place of Paul Beck, of Pomfret, who had quite
+a reputation in the towns around.
+</p>
+
+<p>
+Philip went into the next room and began to prepare himself for his
+evening&rsquo;s task. Though his training had by no means been confined to
+dancing-tunes, he was quite proficient in that department, having more than
+once been called upon in Norton to officiate in a similar capacity.
+</p>
+
+<p>
+When Jonas had listened for five minutes to Philip, he turned to Abner with a
+satisfied look.
+</p>
+
+<p>
+&ldquo;He understands his business,&rdquo; he said, nodding with emphasis.
+&ldquo;He ain&rsquo;t no new beginner.&rdquo;
+</p>
+
+<p>
+&ldquo;I think he beats Paul Beck,&rdquo; said Abner, delighted to find his
+choice approved.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know but he does. I feel as if I wanted to start off
+now.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see how he does it,&rdquo; said Abner, with a puzzled
+look. &ldquo;I never could do anything at it, though I&rsquo;m almost twice as
+old.&rdquo;
+</p>
+
+<p>
+He passed into the room where Philip was practising.
+</p>
+
+<p>
+&ldquo;You&rsquo;re a tip-top player,&rdquo; said he, to Philip admiringly.
+&ldquo;Why, you beat Paul Beck.&rdquo;
+</p>
+
+<p>
+&ldquo;Is he the one you expected to have?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. Paul&rsquo;s got a big name for fiddlin&rsquo;.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad you like my playing,&rdquo; said Philip, who was naturally
+pleased to find that he was likely to give satisfaction in his new business.
+</p>
+
+<p>
+&ldquo;The boys will be pleased, I can tell you.&rdquo;
+</p>
+
+<p>
+&ldquo;I will do all I can to give them satisfaction,&rdquo; said Philip
+modestly.
+</p>
+
+<p>
+&ldquo;Oh, you will! there&rsquo;s no doubt about that. How much did you pay
+for your fiddle?&rdquo;
+</p>
+
+<p>
+&ldquo;I believe it cost twenty-five dollars. My father gave it to me.&rdquo;
+</p>
+
+<p>
+&ldquo;Sho! I didn&rsquo;t think fiddles cost so much.&rdquo;
+</p>
+
+<p>
+&ldquo;Some cost a great deal more.&rdquo;
+</p>
+
+<p>
+&ldquo;Seems a good deal to lay out, but you&rsquo;ll get your money back, if
+you can get enough to do.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope so.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, you must excuse me now. I&rsquo;ve got to slick up, and go after
+Mary Ann Temple. She&rsquo;d have been awfully disappointed if we&rsquo;d had
+to give it up.&rdquo;
+</p>
+
+<p>
+&ldquo;Is she fond of dancing?&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;d better believe she is. Why, that girl could dance for four
+hours stiddy&mdash;without wiltin&rsquo;!&rdquo;
+</p>
+
+<p>
+&ldquo;How late do you keep it up?&rdquo;
+</p>
+
+<p>
+&ldquo;Till eleven or twelve. You won&rsquo;t be sleepy, will you?&rdquo;
+</p>
+
+<p>
+&ldquo;If I am, I will get up later to-morrow morning.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s all right. You can get up jest as late as you like. Lucy
+will save you some breakfast. We don&rsquo;t allow no one to go hungry here.
+But I must be off. You will go to the hall along with Jonas and Lucy.
+They&rsquo;ll introduce you round and see that you are taken care of.&rdquo;
+Philip congratulated himself on being so well provided for, at least for one
+night. The future was uncertain, but with the money which he was to receive for
+his services, he would be able to get along for two or three days, and he
+might, perhaps, if successful, obtain another similar engagement.
+</p>
+
+<p>
+He had a new reason for being thankful that Squire Pope had not succeeded in
+depriving him of his violin, for this was likely to prove a breadwinner.
+</p>
+
+<p>
+He continued to practice till it was time to go over to the hall.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0020" id="link2HCH0020"></a>
+CHAPTER XX.<br/>
+A LIVELY EVENING.</h2>
+
+<p>
+Schoolhouse Hall, as may be inferred, was a large hall, occupying the second
+story of the Center Schoolhouse, and though not originally intended for
+dancing-parties, answered very well for that purpose.
+</p>
+
+<p>
+The hall was tolerably well filled when Philip entered in company with Jonas
+Webb and his wife.
+</p>
+
+<p>
+Philip had effaced, as well as he could, the stains of travel, had arrayed
+himself in a clean shirt and collar, brushed his hair neatly, and, being
+naturally a very good-looking boy, appeared to very good advantage, though he
+certainly did look young.
+</p>
+
+<p>
+As he walked through the hall, with his violin under his arm, he attracted the
+attention of all, it having been already made known that in place of the
+veteran Paul Beck&mdash;a man of fifty or more&mdash;an unknown boy would
+furnish the music for the evening.
+</p>
+
+<p>
+Philip could not avoid hearing some of the remarks which his appearance
+excited. &ldquo;What! that little runt play the fiddle?&rdquo; said one
+countrified young man, in a short-waisted blue coat, and tow-colored hair,
+plastered down on either side of his head with tallow. &ldquo;I don&rsquo;t
+believe he can play any more than I can.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope he can,&rdquo; retained his partner&mdash;a plump, red-cheeked,
+young farmer&rsquo;s daughter. &ldquo;He&rsquo;s very good-looking,
+anyhow.&rdquo;
+</p>
+
+<p>
+&ldquo;He isn&rsquo;t anything to brag of,&rdquo; said her partner jealously.
+</p>
+
+<p>
+&ldquo;Oh, how can you say so, Jedidiah? See what beautiful black hair and eyes
+he&rsquo;s got, and such a lovely color on his cheeks!&rdquo;
+</p>
+
+<p>
+Now, Jedidiah, in appearance, was just the reverse of Philip. His hair, as
+already stated, was tow-color, his face was tanned, and the color rather
+resembled brick-dust than the deep red of our hero&rsquo;s cheeks.
+</p>
+
+<p>
+His partner was a rustic flirt, and he was disposed to be jealous, not being
+certain how far she favored him. He, therefore, took offense at his
+partner&rsquo;s admiration of the young fiddler.
+</p>
+
+<p>
+&ldquo;He looks very common to me,&rdquo; said Jedidiah pettishly.
+&ldquo;You&rsquo;ve got a strange taste, Maria.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps I have, and perhaps I haven&rsquo;t,&rdquo; retorted Maria,
+tossing her head.
+</p>
+
+<p>
+&ldquo;Perhaps you&rsquo;re in love with him?&rdquo; continued Jedidiah, in a
+tone meant to be sarcastic.
+</p>
+
+<p>
+&ldquo;I should be if he was a little older,&rdquo; said the young lady, rather
+enjoying her lover&rsquo;s displeasure.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t believe he can play at all,&rdquo; growled Jedidiah.
+&ldquo;He&rsquo;s fooled Abner Webb, like as not. It&rsquo;s a pity we
+couldn&rsquo;t have Paul Beck.&rdquo;
+</p>
+
+<p>
+&ldquo;Very likely he can play better than Paul Beck,&rdquo; said
+Maria&mdash;not because she thought so, but because she knew it would tease her
+partner.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t be a fool, Maria,&rdquo; said Jedidiah, scarcely conscious
+of the impoliteness of his speech.
+</p>
+
+<p>
+The young lady, however, resented it at once.
+</p>
+
+<p>
+&ldquo;I am sure you are very polite, Mr. Jedidiah Burbank&mdash;so polite that
+I think you had better find another partner!&rdquo;
+</p>
+
+<p>
+&ldquo;Excuse me, Maria,&rdquo; said Jedidiah hastily, alarmed at the prospect
+of being left without a partner. &ldquo;Of course, I didn&rsquo;t mean
+anything.&rdquo;
+</p>
+
+<p>
+&ldquo;If you didn&rsquo;t mean it, what made you say it?&rdquo; retorted
+Maria, tossing her head. &ldquo;I ain&rsquo;t used to being called a fool. I
+never knew a gentleman to make such a remark to a lady. I think you&rsquo;d
+better find some other partner.&rdquo;
+</p>
+
+<p>
+&ldquo;I take it all back,&rdquo; said Jedidiah, in alarm. &ldquo;I was only in
+fun.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t like that kind of fun,&rdquo; said Maria, in a tone of
+dignified coldness.
+</p>
+
+<p>
+&ldquo;Then I won&rsquo;t joke you again. I guess he can play well enough, if
+Abner says so.&rdquo;
+</p>
+
+<p>
+Miss Maria Snodgrass allowed herself to be propitiated, more especially as she
+herself might have been left without a partner, had she adhered to her
+determination and sent Jedidiah adrift.
+</p>
+
+<p>
+He took his place in a quadrille, not exactly wishing Philip to fail, but
+rather hoping that he would prove a poor performer, in order that he might have
+a little triumph over Maria, who had the bad taste to prefer the young
+musician&rsquo;s appearance to his.
+</p>
+
+<p>
+Meanwhile Philip, following Jonas Webb across the room, had been introduced to
+Frank Ingalls, who acted as manager.
+</p>
+
+<p>
+&ldquo;I am glad to see you, Mr. Gray,&rdquo; said Ingalls. &ldquo;I hope we
+sha&rsquo;n&rsquo;t make you work too hard. We are very fond of dancing
+here.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t get tired very easily,&rdquo; answered Philip. &ldquo;I
+hope you will be satisfied with my playing.&rdquo;
+</p>
+
+<p>
+&ldquo;No fear of that, Mr. Ingalls, I&rsquo;ve heerd him play at home, and I
+tell you he can do it.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, Mr. Webb,&rdquo; said Philip, bowing his acknowledgment of
+the compliment.
+</p>
+
+<p>
+&ldquo;I guess we may as well commence, Mr. Gray,&rdquo; said Mr. Ingalls.
+&ldquo;The boys seem to be getting impatient. Here&rsquo;s the order of dances
+for the evening.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well, Mr. Ingalls.&rdquo;
+</p>
+
+<p>
+The manager raised his voice, and said, &ldquo;Gentlemen and ladies, you
+already know that Beck is sick, and cannot be with us this evening, as he
+engaged to do. In his place we have engaged a young musician, who has already
+gained a great reputation in his profession&mdash;&rdquo;
+</p>
+
+<p>
+Philip was rather surprised to hear this, but it was not for him to gainsay it.
+</p>
+
+<p>
+&ldquo;Let me introduce to you Mr. Philip Gray.&rdquo;
+</p>
+
+<p>
+Philip bowed and smiled, and, putting his violin in position, immediately
+commenced a lively air.
+</p>
+
+<p>
+In less than five minutes the manager felt perfectly at ease concerning the
+young musician. It was clear that Philip understood his business. Philip
+himself entered into the spirit of his performance. His cheek flushed, his eyes
+sparkled, and he almost outdid himself.
+</p>
+
+<p>
+When the first dance was concluded, there was a murmur of approval throughout
+the ballroom. The dancers were both surprised and pleased.
+</p>
+
+<p>
+&ldquo;He&rsquo;s a smart boy!&rdquo; said more than one. &ldquo;He plays as
+well as Paul Beck, and Paul&rsquo;s been play-in&rsquo; for more&rsquo;n twenty
+years.&rdquo;
+</p>
+
+<p>
+&ldquo;As well? I never heard Paul Beck play as well as that,&rdquo; said
+another.
+</p>
+
+<p>
+Among those who were most pleased was Miss Maria Snodgrass.
+</p>
+
+<p>
+&ldquo;What do you think now, Mr. Burbank?&rdquo; she said, addressing her
+partner. &ldquo;Do you think the boy can play now?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, he can play most as well as Paul Beck,&rdquo; admitted Jedidiah.
+</p>
+
+<p>
+&ldquo;Most as well? Paul Beck can&rsquo;t begin to play as well as him,&rdquo;
+returned Maria, who was not educated, and occasionally made slips in grammar.
+</p>
+
+<p>
+&ldquo;Just as you say, Maria,&rdquo; answered Jedidiah, submissively;
+&ldquo;only don&rsquo;t call me Mr. Burbank.&rdquo;
+</p>
+
+<p>
+&ldquo;Why? Ain&rsquo;t that your name?&rdquo; asked the young lady demurely.
+</p>
+
+<p>
+&ldquo;Not to you, Maria.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, I won&rsquo;t, if you&rsquo;ll take me up and introduce me to Mr.
+Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;What for?&rdquo; asked Jedidiah jealously.
+</p>
+
+<p>
+&ldquo;Because I want to know him.&rdquo;
+</p>
+
+<p>
+Mr. Burbank was obliged to obey the request of his partner.
+</p>
+
+<p>
+&ldquo;Oh, Mr. Gray, you play just lovely!&rdquo; said Miss Snodgrass
+rapturously.
+</p>
+
+<p>
+&ldquo;Thank you for the compliment,&rdquo; said Philip, with a low bow.
+</p>
+
+<p>
+&ldquo;I like your playing ever so much better than Paul Beck&rsquo;s.&rdquo;
+</p>
+
+<p>
+&ldquo;You are too kind,&rdquo; said Philip, with another bow.
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t he just lovely, Jedidiah!&rdquo; said Maria, as she walked
+away with her lover.
+</p>
+
+<p>
+&ldquo;Maybe he is&mdash;I ain&rsquo;t a judge!&rdquo; said Mr. Burbank, not
+very enthusiastically.
+</p>
+
+<p>
+So the evening passed. Philip continued to win the favorable opinion of the
+merry party by his animated style of playing.
+</p>
+
+<p>
+When at half-past eleven the last dance was announced, he was glad, for after
+his long walk, and the efforts of the evening, he felt tired.
+</p>
+
+<p>
+At the conclusion, Mr. Ingalls handed him three dollars, saying:
+</p>
+
+<p>
+&ldquo;Here&rsquo;s your money, Mr. Gray, and we are much obliged to you
+besides.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you!&rdquo; said our hero, carelessly slipping the money into his
+vest pocket.
+</p>
+
+<p>
+The manager little imagined that it constituted his entire capital.
+</p>
+
+<p>
+&ldquo;I hope we may have you here again some time, Mr. Gray,&rdquo; continued
+the manager.
+</p>
+
+<p>
+&ldquo;Perhaps so,&rdquo; said Philip; &ldquo;but I am not sure when I shall
+come this way again.&rdquo;
+</p>
+
+<p>
+&ldquo;Good night, Mr. Gray,&rdquo; said Miss Snodgrass effusively. &ldquo;I
+should be glad to have you call at our house.&rdquo;
+</p>
+
+<p>
+Philip bowed his thanks. He did not notice the dark cloud on the brow of the
+young lady&rsquo;s escort.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0021" id="link2HCH0021"></a>
+CHAPTER XXI.<br/>
+FORTUNE SMILES AGAIN.</h2>
+
+<p>
+Notwithstanding his exertions during the day and evening, Philip rose the next
+day at his usual hour, and was in time for the family breakfast, at seven
+o&rsquo;clock.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you feel tired, Mr. Gray?&rdquo; asked Mrs. Webb.
+</p>
+
+<p>
+&ldquo;No, thank you. I slept well, and feel quite refreshed.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s used to it, Lucy,&rdquo; remarked her husband.
+</p>
+
+<p>
+&ldquo;They look upon me as a professional player,&rdquo; thought Philip.
+</p>
+
+<p>
+&ldquo;I think you and I ought to be more tired, for we were dancing all the
+evening,&rdquo; continued the farmer.
+</p>
+
+<p>
+When they rose from the table, Philip looked for his hat.
+</p>
+
+<p>
+&ldquo;You&rsquo;re not going to leave us so soon, Mr. Gray?&rdquo; said Mrs.
+Webb hospitably. &ldquo;We shall be glad to have you stay with us a day or two,
+if you can content yourself.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s right, Lucy. I&rsquo;m glad you thought to ask him,&rdquo;
+said her husband.
+</p>
+
+<p>
+Philip was tempted to accept this kind invitation. He would have free board,
+and be at no expense, instead of spending the small sum he had earned the
+evening previous; but he reflected that he would be no nearer solving the
+problem of how he was to maintain himself, and while this was in uncertainty,
+he was naturally anxious.
+</p>
+
+<p>
+&ldquo;I am very much obliged to you both,&rdquo; he said. &ldquo;If I come
+this way again, I shall be glad to call upon you, but now I think I must be
+pushing on.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll always be welcome, Mr. Gray,&rdquo; said Mrs. Webb.
+</p>
+
+<p>
+Philip thanked her, and soon after set out on his way.
+</p>
+
+<p>
+He was more cheerful and hopeful than the day before, for then he was well nigh
+penniless, and now he had three dollars in his pocket.
+</p>
+
+<p>
+Three dollars was not a very large sum, to be sure, but to one who had been so
+near destitution as Philip it seemed very important.
+</p>
+
+<p>
+Besides, he had discovered in his violin a source of income, whereas, hitherto,
+he had looked upon it merely as a source of amusement. This made him feel more
+independent and self-reliant.
+</p>
+
+<p>
+He had walked perhaps two miles, when he heard the rattle of wheels behind him.
+He did not turn his head, for there was nothing strange in this sound upon a
+frequented road. He did turn his head, however, when he heard a strong voice
+calling &ldquo;Hello!&rdquo;
+</p>
+
+<p>
+Turning, he saw that a young man who was driving had slackened the speed of his
+horse, and was looking toward him.
+</p>
+
+<p>
+Philip halted, and regarded the driver inquiringly.
+</p>
+
+<p>
+&ldquo;You&rsquo;re the young chap that played for a dance last night,
+ain&rsquo;t you!&rdquo; said the newcomer.
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you&rsquo;re the one I want to see&mdash;jump in, and we&rsquo;ll
+talk as we are going along.&rdquo;
+</p>
+
+<p>
+Philip had no objection to a ride, and he accepted the invitation with
+alacrity. The driver, he noticed, was a young man, of pleasant manners, though
+dressed in a coarse suit.
+</p>
+
+<p>
+&ldquo;I drove over to Jonas Webb&rsquo;s to see you, and they told me you had
+just gone,&rdquo; he continued. &ldquo;I thought maybe you&rsquo;d get up late,
+but you was up on time. Are you engaged for this evening?&rdquo;
+</p>
+
+<p>
+Philip began to prick up his ears and become interested. Was it possible that
+his good luck was to continue, and that he was to have an opportunity of
+earning some more money through his faithful friend, the violin? He
+didn&rsquo;t think it well to exhibit the satisfaction he felt, and answered,
+in a matter-of-fact tone;
+</p>
+
+<p>
+&ldquo;No, I have no engagement for this evening.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;m glad of it,&rdquo; responded the young man, evidently well
+pleased. &ldquo;You see, we had arranged to have a dance over to our place, but
+Mr. Beck, being sick, we thought we&rsquo;d have to give it up. One of my
+neighbors was over last evening and heard you play, and he thought maybe we
+could secure you.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall be glad to play for you,&rdquo; said Philip politely.
+</p>
+
+<p>
+&ldquo;What are your terms?&rdquo; asked his companion.
+</p>
+
+<p>
+&ldquo;Three dollars and board and lodging for the time I need to stay.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s satisfactory. I&rsquo;ll engage you.&rdquo;
+</p>
+
+<p>
+&ldquo;Is it near here?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;It&rsquo;s in Conway&mdash;only four miles from here. I&rsquo;ll take
+you right over now, and you shall stay at my house.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, I shall find that very agreeable,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Does Mr. Beck live near you?&rdquo; asked our hero, a little later.
+</p>
+
+<p>
+&ldquo;Bless you! he lives in our place.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose his services are in demand?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, he is sent for to all the towns around. Fact is, there isn&rsquo;t
+anybody but he that can play to suit; but I expect, from what I&rsquo;ve heard,
+that you can come up to him.&rdquo;
+</p>
+
+<p>
+&ldquo;I couldn&rsquo;t expect to do that,&rdquo; said Philip modestly.
+&ldquo;I am very young yet.&rdquo;
+</p>
+
+<p>
+&ldquo;Folks do say you beat Paul. It seems wonderful, too, considering how
+young you are. What might be your age, now?&rdquo;
+</p>
+
+<p>
+&ldquo;Just sixteen.&rdquo;
+</p>
+
+<p>
+&ldquo;Sho! you don&rsquo;t say so? Why, Paul Beck&rsquo;s over fifty.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Beck won&rsquo;t think I&rsquo;m interfering with him, will
+he?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;Of course, he can&rsquo;t. We&rsquo;d a had him if he was well. We
+can&rsquo;t be expected to put off the party because he&rsquo;s sick. That
+wouldn&rsquo;t be reasonable, now, would it?&rdquo;
+</p>
+
+<p>
+&ldquo;I should think not.&rdquo;
+</p>
+
+<p>
+Just then Philip became sensible that a light wagon was approaching, driven by
+a young lady.
+</p>
+
+<p>
+He did not, however, suppose it was any one he knew till the carriage stopped,
+and he heard a voice saying:
+</p>
+
+<p>
+&ldquo;Good morning, Mr. Gray!&rdquo;
+</p>
+
+<p>
+Then he discovered that it was the same young lady who had asked for an
+introduction to him the evening previous.
+</p>
+
+<p>
+&ldquo;Good morning, Miss Snodgrass!&rdquo; he said politely, remembering,
+fortunately, the young lady&rsquo;s name.
+</p>
+
+<p>
+Meanwhile, Maria and Philip&rsquo;s drivers had also exchanged salutations, for
+they were acquainted.
+</p>
+
+<p>
+&ldquo;And where are you carrying Mr. Gray, Mr. Blake?&rdquo; she asked.
+</p>
+
+<p>
+&ldquo;I&rsquo;m carrying him over to our place. He&rsquo;s going to play for
+us this evening.&rdquo;
+</p>
+
+<p>
+&ldquo;Is there going to be a dance in Conway this evening?&rdquo; inquired
+Miss Snodgrass, with sudden interest.
+</p>
+
+<p>
+&ldquo;Yes. Won&rsquo;t you come over?&rdquo;
+</p>
+
+<p>
+&ldquo;I will, if I can get Jedidiah to bring me,&rdquo; answered Maria.
+</p>
+
+<p>
+&ldquo;I guess there&rsquo;s no doubt about that,&rdquo; answered Andrew Blake,
+who knew very well Jedidiah&rsquo;s devotion to the young lady.
+</p>
+
+<p>
+&ldquo;Oh, I don&rsquo;t know!&rdquo; answered Maria coquettishly.
+&ldquo;Perhaps he won&rsquo;t care for my company.&rdquo;
+</p>
+
+<p>
+&ldquo;If he doesn&rsquo;t, you won&rsquo;t have any trouble in finding another
+beau.&rdquo;
+</p>
+
+<p>
+After a little more conversation, the young lady drove away; but not without
+expressing to Philip her delight at having another chance to hear his beautiful
+playing.
+</p>
+
+<p>
+&ldquo;She&rsquo;ll be there,&rdquo; said Andrew Blake, as they drove away.
+&ldquo;She makes Jedidiah Burbank do just as she orders him.&rdquo;
+</p>
+
+<p>
+&ldquo;Are they engaged?&rdquo; asked our hero.
+</p>
+
+<p>
+&ldquo;Yes, I expect so; but there may be some chance of your cutting him out,
+if you try. The young lady seems to admire you.&rdquo;
+</p>
+
+<p>
+Philip smiled.
+</p>
+
+<p>
+&ldquo;I am only a boy of sixteen,&rdquo; he said. &ldquo;I am too young to
+think of such things. I won&rsquo;t interfere with Mr. Burbank.&rdquo;
+</p>
+
+<p>
+&ldquo;Jedidiah&rsquo;s apt to be jealous,&rdquo; said Blake, &ldquo;and Maria
+likes to torment him. However, she&rsquo;ll end by marrying him, I
+guess.&rdquo;
+</p>
+
+<p>
+In half an hour or thereabouts, Andrew Blake drew up at the gate of a small but
+neat house on the main street in Conway. He was a carpenter, as Philip
+afterward found, and had built the house himself. He was probably of about the
+same age as Jonas Webb, and like him was married to a young wife.
+</p>
+
+<p>
+During the afternoon, Philip, being left pretty much to his own devices, took a
+walk in and about the village, ascending a hill at one side, which afforded him
+a fine view of that and neighboring villages.
+</p>
+
+<p>
+He was pleasantly received and hospitably entertained at the house of Mr.
+Blake, and about quarter of eight started out for the hall, at which he was to
+play, in company with his host and hostess.
+</p>
+
+<p>
+As they approached the hall, a young man approached them with a perplexed face.
+</p>
+
+<p>
+&ldquo;What do you think, Andrew?&rdquo; he said. &ldquo;Paul Beck&rsquo;s in
+the hall, as mad as a hatter, and he vows he&rsquo;ll play himself. He says he
+was engaged, and no one shall take his place.&rdquo;
+</p>
+
+<p>
+Andrew Blake looked disturbed, and Philip shared in his feeling. Was he to lose
+his engagement, after all?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0022" id="link2HCH0022"></a>
+CHAPTER XXII.<br/>
+RIVAL MUSICIANS.</h2>
+
+<p>
+They entered the hall, which was already well filled, for the young people of
+both sexes liked to have as long a time for enjoyment as possible.
+</p>
+
+<p>
+At the head of the hall, in the center of a group, stood a tall, thin man,
+dressed in solemn black, with a violin under his arm. His face, which looked
+like that of a sick man, was marked by an angry expression, and this, indeed,
+was his feeling.
+</p>
+
+<p>
+&ldquo;I suppose that&rsquo;s Mr. Beck?&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Yes, it is,&rdquo; answered Andrew Blake, in evident discomposure.
+&ldquo;What on earth brings him here from a sick-bed, I can&rsquo;t understand.
+I heard that he had a fever.&rdquo;
+</p>
+
+<p>
+The fact was that Paul Beck was jealous of his reputation as a musician. It was
+satisfactory to him to think that he was so indispensable that no one could
+take his place. He had sent word to the committee that he should be unable to
+play for them, supposing, of course, that they would be compelled to give up
+the party. When intelligence was brought to him during the afternoon that it
+would come off, and that another musician had been engaged in his place, he was
+not only disturbed, but angry, though, of course, the latter feeling was wholly
+unreasonable. He determined that he would be present, at any rate, no matter
+how unfit his sickness rendered him for the evening&rsquo;s work. He resolved
+to have no rival, and to permit no one to take his place in his own town.
+</p>
+
+<p>
+It did not seem to occur to Mr. Beck that, having formally declined the
+engagement on account of sickness, he had no claim whatever on the committee,
+and was, in fact, an interloper. It was in vain that his sister protested
+against his imprudence. (He was an old bachelor and his sister kept house for
+him.) He insisted on dressing himself and making his way to the hall, where, as
+was to be expected, his arrival produced considerable embarrassment.
+</p>
+
+<p>
+Paul Beck stood in sullen impatience awaiting the arrival of his rival.
+</p>
+
+<p>
+It so happened that no one had thought to mention to him that it was a boy. He
+was prepared to see a full-grown man.
+</p>
+
+<p>
+Philip followed Andrew Blake up to the central group.
+</p>
+
+<p>
+&ldquo;Who is it, I say,&rdquo; Mr. Beck was inquiring, &ldquo;that engaged
+another musician to take my place?&rdquo;
+</p>
+
+<p>
+&ldquo;No one, sir,&rdquo; answered Andrew Blake firmly, for Mr. Beck&rsquo;s
+unreasonableness provoked him. &ldquo;I engaged a musician to play this
+evening, but it was not in your place, for you had sent us word that you could
+not appear.&rdquo;
+</p>
+
+<p>
+&ldquo;Where is he, I say?&rdquo; continued Paul Beck sourly.
+</p>
+
+<p>
+&ldquo;Here he is,&rdquo; replied Blake, drawing toward our hero, who felt that
+he was placed in an awkward position.
+</p>
+
+<p>
+&ldquo;Why, he&rsquo;s only a baby!&rdquo; said Beck, surveying our hero
+contemptuously.
+</p>
+
+<p>
+Philip&rsquo;s cheek flushed, and he, too, began to feel angry.
+</p>
+
+<p>
+&ldquo;He isn&rsquo;t as old as you are, Mr. Beck,&rdquo; said Andrew Blake
+manfully, &ldquo;but you&rsquo;ll find he understands his business.&rdquo;
+</p>
+
+<p>
+&ldquo;I certainly didn&rsquo;t expect you to get a child in my place,&rdquo;
+said Paul Beck scornfully.
+</p>
+
+<p>
+&ldquo;I suppose a musician may know how to play, if he isn&rsquo;t
+sixty-five,&rdquo; said Miss Maria Snod-grass, who had listened indignantly to
+Mr. Beck&rsquo;s contemptuous remarks about our hero, whose cause she so
+enthusiastically championed.
+</p>
+
+<p>
+Poor Mr. Beck! He was sensitive about his age, and nothing could have cut him
+more cruelly than this exaggeration of it. He was really fifty-five, and looked
+at least sixty, but he fondly flattered himself that he looked under fifty.
+&ldquo;Sixty-five!&rdquo; he repeated furiously. &ldquo;Who says I am
+sixty-five?&rdquo;
+</p>
+
+<p>
+&ldquo;Well, you look about that age,&rdquo; said Maria, with malicious
+pleasure.
+</p>
+
+<p>
+&ldquo;I shall have to live a good many years before I am sixty,&rdquo; said
+Paul Beck angrily. &ldquo;But that&rsquo;s either here nor there. You engaged
+me to play to-night, and I am ready to do it.&rdquo;
+</p>
+
+<p>
+Andrew Blake felt the difficulty of his position, but he did not mean to desert
+the boy-musician whom he had engaged.
+</p>
+
+<p>
+&ldquo;Mr. Beck,&rdquo; said he, &ldquo;we shall be glad to have you serve us
+on another occasion, but to-night Mr. Gray, here, is engaged. You gave up the
+engagement of your own accord, and that ended the matter, so far as you are
+concerned.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you refuse to let me play?&rdquo; demanded Paul Beck, his pale cheek
+glowing with anger and mortification.
+</p>
+
+<p>
+&ldquo;You understand why,&rdquo; answered Blake. &ldquo;This young man is
+engaged, and we have no right to break the engagement.&rdquo;
+</p>
+
+<p>
+Philip, who had felt the embarrassment of his position, had meanwhile made up
+his mind what to do. The three dollars he expected to earn were important to
+him, but he didn&rsquo;t care to make trouble. He did not doubt that his
+lodging and meals would be given him, and that would be something. Accordingly,
+he spoke:
+</p>
+
+<p>
+&ldquo;I have been engaged, it is true,&rdquo; he said, &ldquo;but if Mr. Beck
+wants to play I will resign my engagement and stay and hear him.&rdquo;
+</p>
+
+<p>
+&ldquo;No, no!&rdquo; exclaimed several&mdash;Mr. Blake and Miss Snodgrass
+being among them.
+</p>
+
+<p>
+&ldquo;Mr. Gray, you were regularly engaged,&rdquo; said one of the committee.
+</p>
+
+<p>
+&ldquo;That&rsquo;s true,&rdquo; answered Philip, &ldquo;and,&rdquo; he
+couldn&rsquo;t help adding, &ldquo;I should be justified in insisting upon
+playing; but since Mr. Beck seems to feel so bad about it, I will give way to
+him.&rdquo;
+</p>
+
+<p>
+He spoke manfully, and there was no sign of weakness or submission about him.
+He asserted his rights, while he expressed his willingness to surrender them.
+</p>
+
+<p>
+There was a little consultation among the committee. They were all disgusted
+with the conduct of Paul Beck, and were unwilling that he should triumph. At
+the same time, as they might need his services at some future time, they did
+not wish wholly to alienate him.
+</p>
+
+<p>
+Finally, they announced their decision through Andrew Blake.
+</p>
+
+<p>
+&ldquo;We are not willing to accept Mr. Gray&rsquo;s resignation wholly,&rdquo;
+he said, &ldquo;but we propose that he and Mr. Beck shall divide the
+evening&rsquo;s work between them&mdash;each to receive half the usual
+compensation.&rdquo;
+</p>
+
+<p>
+There was considerable applause, for it seemed to be a suitable compromise, and
+would enable the company to compare the merits of the rival musicians.
+</p>
+
+<p>
+&ldquo;I agree,&rdquo; said Philip promptly.
+</p>
+
+<p>
+&ldquo;What do you say, Mr. Beck?&rdquo; asked Andrew Blake.
+</p>
+
+<p>
+Now, while Paul Beck did not like to give up half the honor, he felt thoroughly
+convinced that Philip was only a beginner, and that he, as an experienced
+player, could easily eclipse him, and thus gain a triumph which would be very
+gratifying to his pride.
+</p>
+
+<p>
+As for the compensation, to do him justice, he did not much care for that,
+being a man of very good means. He played more for glory than for
+pay&mdash;though he, of course, had no objection to receiving compensation.
+</p>
+
+<p>
+&ldquo;I have no objections,&rdquo; he said. &ldquo;If you want to give the boy
+a chance to practice a little, I am willing.&rdquo;
+</p>
+
+<p>
+Philip understood the sneer, and he secretly determined to do his best.
+</p>
+
+<p>
+The committee was much pleased at the satisfactory conclusion of what had
+threatened to be a very troublesome dispute, and it was arranged, Philip
+consenting, that Mr. Beck should play first.
+</p>
+
+<p>
+The old musician played, in a confident manner, a familiar dancing-tune,
+accompanying his playing with various contortions of the face and twistings of
+his figure, supposed to express feeling. It was a fair performance, but
+mechanical, and did not indicate anything but very ordinary talent. His time
+was good, and dancers always found his playing satisfactory.
+</p>
+
+<p>
+When Paul Beck had completed his task, he looked about him complacently, as if
+to say, &ldquo;Let the boy beat that if he can,&rdquo; and sat down.
+</p>
+
+<p>
+Philip had listened to Mr. Beck with attention. He was anxious to learn how
+powerful a rival he had to compete with. What he heard did not alarm him, but
+rather gave him confidence.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0023" id="link2HCH0023"></a>
+CHAPTER XXIII.<br/>
+AN HOUR OF TRIUMPH.</h2>
+
+<p>
+When Paul rose and stood before this audience, violin in hand, he certainly
+presented quite a strong contrast to his rival.
+</p>
+
+<p>
+Paul Beck, as we have already said, was a tall, thin, lantern-jawed man, clad
+in solemn black, his face of a sickly, sallow hue.
+</p>
+
+<p>
+Philip was of fair height, for his age, with a bright, expressive face, his
+hair of a chestnut shade, and looking the very picture of boyish health. His
+very appearance made a pleasant impression upon those present.
+</p>
+
+<p>
+&ldquo;He&rsquo;s a nice-looking boy,&rdquo; thought more than one, &ldquo;but
+he looks too young to know much about the violin.&rdquo;
+</p>
+
+<p>
+But when Philip began to play, there was general surprise. In a dancing-tune
+there was not much chance for the exhibition of talent, but his delicate touch
+and evident perfect mastery of his instrument were immediately apparent. In
+comparison, the playing of Paul Beck seemed wooden and mechanical.
+</p>
+
+<p>
+There was a murmur of approbation, and when Philip had finished his first part
+of the program, he was saluted by hearty applause, which he acknowledged by a
+modest and graceful bow.
+</p>
+
+<p>
+Paul Beck&rsquo;s face, as his young rival proceeded in his playing, was an
+interesting study. He was very disagreeably surprised. He had made up his mind
+that Philip could not play at all, or, at any rate, would prove to be a mere
+tyro and bungler, and he could hardly believe his ears when he heard the sounds
+which Philip evoked from his violin.
+</p>
+
+<p>
+In spite of his self-conceit, he secretly acknowledged that Philip even now was
+his superior, and in time would leave him so far behind that there could be no
+comparison between them.
+</p>
+
+<p>
+It was not a pleasant discovery for a man who had prided himself for many years
+on his superiority as a musician. If it had been a man of established fame it
+would have been different, but to be compelled to yield the palm to an unknown
+boy, was certainly mortifying.
+</p>
+
+<p>
+When he heard the applause that followed Philip&rsquo;s performance, and
+remembered that none had been called forth by his own, he determined that he
+would not play again that evening. He did not like to risk the comparison which
+he was sure would be made between himself and Philip. So, when Andrew Blake
+came up to him and asked him to play for the next dance, he shook his head.
+&ldquo;I don&rsquo;t feel well enough,&rdquo; he said &ldquo;I thought I was
+stronger than I am.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you want the boy to play all the rest of the evening?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; he plays very fairly,&rdquo; said Beck, in a patronizing manner,
+which implied his own superiority.
+</p>
+
+<p>
+&ldquo;There can be no doubt about that,&rdquo; said Andrew Blake, with
+emphasis, for he understood Mr. Beck&rsquo;s meaning, and resented it as one of
+the warmest admirers of the boy-musician whom he had engaged.
+</p>
+
+<p>
+But Paul Beck would not for the world have revealed his real opinion of
+Philip&rsquo;s merits.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; he continued, &ldquo;he plays better than I expected. I
+guess you can get along with him.&rdquo;
+</p>
+
+<p>
+&ldquo;How shall we arrange about the compensation, Mr. Beck?&rdquo; asked
+Blake. &ldquo;We ought in that case to give him more than half.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, you can give him the whole,&rdquo; answered Beck carelessly.
+&ldquo;If I felt well enough to play, I would do my part, but I think it will
+be better for me to go home and go to bed.&rdquo;
+</p>
+
+<p>
+His decision was communicated to Philip, who felt impelled by politeness to
+express his regrets to Mr. Beck.
+</p>
+
+<p>
+&ldquo;I am sorry you don&rsquo;t feel able to play, Mr. Beck,&rdquo; he said
+politely.
+</p>
+
+<p>
+&ldquo;Oh, it&rsquo;s of no consequence, as they&rsquo;ve got some one to take
+my place,&rdquo; returned Beck coldly.
+</p>
+
+<p>
+&ldquo;I should be glad to hear you play again,&rdquo; continued Philip.
+</p>
+
+<p>
+Paul Beck nodded slightly, but he felt too much mortified to reciprocate
+Philip&rsquo;s friendly advances. Half an hour later he left the hall.
+</p>
+
+<p>
+The dancers by no means regretted the change of arrangement. They evidently
+preferred the young musician to his elderly rival. The only one to express
+regret was Miss Maria Snodgrass.
+</p>
+
+<p>
+&ldquo;I declare it&rsquo;s a shame Mr. Beck has given up,&rdquo; she said.
+&ldquo;I wanted you to dance with me, Mr. Gray. I am sure if you can dance as
+well as you can play, you would get along perfectly lovely. Now you&rsquo;ve
+got to play, and can&rsquo;t dance at all.&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t leap-year, Maria,&rdquo; said Jedidiah Burbank, in a
+jealous tone.
+</p>
+
+<p>
+Miss Snodgrass turned upon him angrily:
+</p>
+
+<p>
+&ldquo;You needn&rsquo;t put in your oar, Jedidiah Burbank!&rdquo; she said.
+&ldquo;I guess I know what I&rsquo;m about. If it was leap-year fifty times
+over, I wouldn&rsquo;t offer myself to you!&rdquo;
+</p>
+
+<p>
+And the young lady tossed her head in a very decided manner.
+</p>
+
+<p>
+&ldquo;Now don&rsquo;t get mad, Maria!&rdquo; implored Jedidiah, feeling that
+at the prompting of jealousy; he had put his foot in it. &ldquo;I didn&rsquo;t
+mean nothing.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you&rsquo;d better say nothing next time,&rdquo; retorted the young
+lady.
+</p>
+
+<p>
+Meanwhile, Philip acknowledged the young lady&rsquo;s politeness by a smile and
+a bow, assuring her that if it had been possible, it would have given him great
+pleasure to dance with her.
+</p>
+
+<p>
+&ldquo;If Mr. Burbank will play for me,&rdquo; he said with a glance at the
+young man, &ldquo;I shall be glad to dance.&rdquo;
+</p>
+
+<p>
+Miss Snodgrass burst out laughing.
+</p>
+
+<p>
+&ldquo;Jedidiah couldn&rsquo;t play well enough for an old cow to dance
+by,&rdquo; she said.
+</p>
+
+<p>
+&ldquo;There ain&rsquo;t any old cows here,&rdquo; said Jedidiah, vexed at
+being ridiculed.
+</p>
+
+<p>
+&ldquo;Well, there are some calves, anyway,&rdquo; retorted Maria, laughing
+heartily.
+</p>
+
+<p>
+Poor Jedidiah! It is to be feared that he will have a hard time when he becomes
+the husband of the fair Maria. She will undoubtedly be the head of the new
+matrimonial firm.
+</p>
+
+<p>
+There was nothing further to mar the harmony of the evening. It had begun with
+indications of a storm, but the clouds had vanished, and when Mr. Beck left the
+hall, there was nothing left to disturb the enjoyment of those present.
+</p>
+
+<p>
+The favorable opinions expressed when Philip commenced playing were repeated
+again and again, as the evening slipped away.
+</p>
+
+<p>
+&ldquo;I tell you, he&rsquo;s a regular genius!&rdquo; one enthusiastic admirer
+said to his companion. &ldquo;Paul Beck can&rsquo;t hold a candle to
+him.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so. He&rsquo;s smart, and no mistake.&rdquo;
+</p>
+
+<p>
+Poor Mr. Beck! It was fortunate he was unable to hear these comparisons made.
+He could not brook a rival near the throne, and had gone home in low spirits,
+feeling that he could never again hold his head as high as he had done.
+</p>
+
+<p>
+When the dancing was over, there was a brief conference of the committee of
+management, the subject of which was soon made known.
+</p>
+
+<p>
+Andrew Blake approached Philip and said:
+</p>
+
+<p>
+&ldquo;Mr. Gray, some of us would like to hear you play something else, if you
+are not tired&mdash;not a dancing-tune.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall be very happy to comply with your request,&rdquo; answered
+Philip.
+</p>
+
+<p>
+He spoke sincerely, for he saw that all were pleased with him, and it is
+gratifying to be appreciated.
+</p>
+
+<p>
+He paused a moment in thought, and then began to play the &ldquo;Carnival of
+Venice,&rdquo; with variations. It had been taught him by his father, and he
+had played it so often that his execution was all that could be desired. The
+variations were of a showy and popular character, and very well adapted to
+impress an audience like that to which he was playing.
+</p>
+
+<p>
+&ldquo;Beautiful! Beautiful!&rdquo; exclaimed the young ladies, while their
+partners pronounced it &ldquo;tip-top&rdquo; and &ldquo;first-rate,&rdquo; by
+which they probably meant very much the same thing.
+</p>
+
+<p>
+&ldquo;Oh, Mr. Gray!&rdquo; exclaimed Miss Snodgrass fervently. &ldquo;You play
+like a seraphim!&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you!&rdquo; said Philip, smiling. &ldquo;I never heard a seraphim
+play on the violin, but I am sure your remark is very complimentary.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish you could play like that, Jedidiah,&rdquo; said Maria.
+</p>
+
+<p>
+&ldquo;I&rsquo;ll learn to play, if you want me to,&rdquo; said Mr. Burbank.
+</p>
+
+<p>
+&ldquo;Thank you! You&rsquo;re very obliging,&rdquo; said Maria; &ldquo;but I
+won&rsquo;t trouble you. You haven&rsquo;t got a genius for it, like Mr.
+Gray.&rdquo;
+</p>
+
+<p>
+The evening was over at length, and again Philip was made the happy recipient
+of three dollars. His first week had certainly been unexpectedly prosperous.
+</p>
+
+<p>
+&ldquo;This is better than staying in the Norton Poorhouse!&rdquo; he said to
+himself.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0024" id="link2HCH0024"></a>
+CHAPTER XXIV.<br/>
+LORENZO RICCABOCCA.</h2>
+
+<p>
+Philip&rsquo;s reputation as a musician was materially increased by his second
+night&rsquo;s performance. To adopt a military term, he had crossed swords with
+the veteran fiddler, Paul Beck, and, in the opinion of all who heard both, had
+far surpassed him.
+</p>
+
+<p>
+This was said openly to Philip by more than one; but he was modest, and had too
+much tact and good taste to openly agree with them. This modesty raised him
+higher in the opinion of his admirers.
+</p>
+
+<p>
+He was invited by the Blakes to prolong his visit, but preferred to continue on
+his journey&mdash;though his plans were, necessarily, not clearly defined.
+</p>
+
+<p>
+Andrew Blake carried him five miles on his way, and from that point our hero
+used the means of locomotion with which nature had supplied him.
+</p>
+
+<p>
+Some six miles farther on there was a manufacturing town of considerable size,
+named Wilkesville, and it occurred to him that this would be a good place at
+which to pass the night.
+</p>
+
+<p>
+Something might turn up for him there. He hardly knew what, but the two
+unexpected strokes of luck which he had had thus far encouraged him to think
+that a third might come to him.
+</p>
+
+<p>
+Philip continued on his way&mdash;his small pack of clothing in one hand and
+his violin under his arm. Being in no especial hurry&mdash;for it was only the
+middle of the forenoon&mdash;he bethought himself to sit down and rest at the
+first convenient and inviting place.
+</p>
+
+<p>
+He soon came to a large elm tree, which, with its spreading branches, offered a
+pleasant and grateful shade.
+</p>
+
+<p>
+He threw himself down and lay back on the greensward, in pleasant
+contemplation, when he heard a gentle cough&mdash;as of one who wished to
+attract attention. Looking up he observed close at hand, a tall man, dressed in
+black, with long hair, which fell over his shirt collar and shoulders.
+</p>
+
+<p>
+He wore a broad collar and black satin necktie, and his hair was parted in the
+middle. His appearance was certainly peculiar, and excited our hero&rsquo;s
+curiosity.
+</p>
+
+<p>
+&ldquo;My young friend,&rdquo; he said, &ldquo;you have chosen a pleasant
+resting-place beneath this umbrageous monarch of the grove.&rdquo; &ldquo;Yes,
+sir,&rdquo; answered Philip, wondering whether the stranger was a poet.
+</p>
+
+<p>
+&ldquo;May I also recline beneath it?&rdquo; asked the newcomer.
+</p>
+
+<p>
+&ldquo;Certainly, sir. It is large enough to shelter us both.&rdquo;
+</p>
+
+<p>
+&ldquo;Quite true; but I did not wish to intrude upon your meditations.&rdquo;
+</p>
+
+<p>
+&ldquo;My meditations are not of much account,&rdquo; answered Philip,
+laughing.
+</p>
+
+<p>
+&ldquo;I see you are modest. Am I right in supposing that yonder case contains
+a violin?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you are a musician?&rdquo;
+</p>
+
+<p>
+&ldquo;A little of one,&rdquo; replied Philip.
+</p>
+
+<p>
+&ldquo;May I ask&mdash;excuse my curiosity&mdash;if you play
+professionally?&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps he may help me to an engagement,&rdquo; thought our hero, and he
+said readily, &ldquo;I do.&rdquo;
+</p>
+
+<p>
+&ldquo;Indeed!&rdquo; said the stranger, appearing pleased. &ldquo;What style
+of music do you play?&rdquo;
+</p>
+
+<p>
+&ldquo;For each of the last two evenings I have played for
+dancing-parties.&rdquo;
+</p>
+
+<p>
+&ldquo;Alone?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;You do not confine yourself to dancing-music?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no! I prefer other kinds; but dancing-tunes seem most in demand, and
+I have my living to make.&rdquo; The stranger seemed still more gratified.
+</p>
+
+<p>
+&ldquo;I am delighted to have met you, Mr.&mdash;&mdash; Ahem!&rdquo; he
+paused, and looked inquiringly at Philip.
+</p>
+
+<p>
+&ldquo;Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Gray, I believe Providence has brought us together. I see you are
+surprised.&rdquo;
+</p>
+
+<p>
+Philip certainly did look puzzled, as he well might.
+</p>
+
+<p>
+&ldquo;I must explain myself more clearly. I am Professor Lorenzo Riccabocca,
+the famous elocutionist and dramatic reader.&rdquo;
+</p>
+
+<p>
+Philip bowed.
+</p>
+
+<p>
+&ldquo;Doubtless you have heard of me?&rdquo; said the professor inquiringly.
+</p>
+
+<p>
+&ldquo;I have never lived in large places,&rdquo; answered Philip, in some
+embarrassment, &ldquo;or no doubt your name would be familiar to me.&rdquo;
+</p>
+
+<p>
+&ldquo;To be sure, that must make a difference. For years,&rdquo; said the
+professor, &ldquo;I have given dramatic readings to crowded houses, and
+everywhere my merits have been conceded by the educated and refined.&rdquo;
+</p>
+
+<p>
+Philip could not help wondering how it happened in that case that the professor
+should look so seedy. A genius appreciated so highly ought to have brought in
+more gold and silver.
+</p>
+
+<p>
+Perhaps Professor Riccabocca understood Philip&rsquo;s expressive look, for he
+went to to say:
+</p>
+
+<p>
+&ldquo;The public has repaid me richly for the exercise of my talent; but,
+alas, my young friend, I must confess that I have no head for business. I
+invested my savings unwisely, and ascertained a month since that I had lost
+all.&rdquo;
+</p>
+
+<p>
+&ldquo;That was a great pity!&rdquo; said Philip sympathizingly.
+</p>
+
+<p>
+&ldquo;It was, indeed! It quite unmanned me!&rdquo; said the professor, wiping
+away a tear. &ldquo;I felt that all ambition was quite gone, and I was mad and
+sick. Indeed, only a week since I rose from a sick-bed. But Lorenzo is himself
+again!&rdquo; he exclaimed, striking his breast energetically. &ldquo;I will
+not succumb to Fate. I will again court the favor of the public, and this time
+I will take care of the ducats my admirers bestow upon me.&rdquo;
+</p>
+
+<p>
+&ldquo;I should think that was a good plan,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;I will begin at once. Nearby is a town devoted to the mammon of trade,
+yet among its busy thousands there must be many that will appreciate the genius
+of Lorenzo Riccabocca.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope so,&rdquo; answered Philip politely.
+</p>
+
+<p>
+He could not help thinking that the professor was rather self-conceited, and he
+hardly thought it in good taste for him to refer so boastfully to his genius.
+</p>
+
+<p>
+&ldquo;I wish you, Mr. Gray, to assist me in my project,&rdquo; continued the
+professor.
+</p>
+
+<p>
+&ldquo;How can I do so, sir?&rdquo; inquired Philip.
+</p>
+
+<p>
+&ldquo;Let me tell you. I propose that we enter into a professional
+partnership, that we give an entertainment partly musical, partly dramatic. I
+will draw up a program, including some of my most humorous recitations and
+impersonations, while interspersed among them will be musical selections
+contributed by yourself. Do you comprehend?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Philip, nodding.
+</p>
+
+<p>
+&ldquo;And what do you think of it?&rdquo;
+</p>
+
+<p>
+&ldquo;I think well of it,&rdquo; replied the boy-musician.
+</p>
+
+<p>
+He did think well of it. It might not draw a large audience, this mixed
+entertainment, but it would surely pay something; and it would interfere with
+no plans of his own, for, in truth, he had none.
+</p>
+
+<p>
+&ldquo;Then you will cooperate with me?&rdquo; said the professor.
+</p>
+
+<p>
+&ldquo;Yes, professor.&rdquo;
+</p>
+
+<p>
+&ldquo;Give me your hand!&rdquo; exclaimed Riccabocca dramatically. &ldquo;Mr.
+Gray, it is a perfect bonanza of an idea. I may tell you, in confidence, I was
+always a genius for ideas. Might I ask a favor of you?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Give me a touch of your quality. Let me hear you play.&rdquo;
+</p>
+
+<p>
+Philip drew his violin from its case and played for his new professional
+partner &ldquo;The Carnival of Venice,&rdquo; with variations&mdash;the same
+which had been received with so much favor the evening previous.
+</p>
+
+<p>
+Professor Riccabocca listened attentively, and was evidently agreeably
+surprised. He was not a musician, but he saw that Philip was a much better
+player than he had anticipated, and this, of course, was likely to improve
+their chances of pecuniary success.
+</p>
+
+<p>
+&ldquo;You are a splendid performer,&rdquo; he said enthusiastically.
+&ldquo;You shall come out under my auspices and win fame. I predict for you a
+professional triumph.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; said Philip, gratified by this tribute from a man of
+worldly experience. &ldquo;I hope you will prove a true prophet.&rdquo;
+</p>
+
+<p>
+&ldquo;And now, Mr. Gray, let us proceed on our way. We must get lodgings in
+Wilkesville, and make arrangements for our entertainment. I feel new courage,
+now that I have obtained so able a partner. Wilkesville little knows what is in
+store for her. We shall go, see, and conquer!&rdquo;
+</p>
+
+<p>
+An hour later Philip and his new partner entered Wilkesville.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0025" id="link2HCH0025"></a>
+CHAPTER XXV.<br/>
+A CHANGE OF NAME.</h2>
+
+<p>
+Wilkesville was an inland city, of from fifteen to twenty thousand inhabitants.
+</p>
+
+<p>
+As Philip and the professor passed along the principal street, they saw various
+stores of different kinds, with here and there a large, high, plain-looking
+structure, which they were told was used for the manufacture of shoes.
+</p>
+
+<p>
+&ldquo;Wilkesville will give us a large audience,&rdquo; he said, in a tone of
+satisfaction.
+</p>
+
+<p>
+&ldquo;I hope so,&rdquo; said our hero.
+</p>
+
+<p>
+&ldquo;Hope so? I know so!&rdquo; said the professor confidently. &ldquo;The
+town is full of young men, employed in shoe-making. They are fond of amusement,
+and they will gladly seize an opportunity of patronizing a first-class
+entertainment like ours.&rdquo;
+</p>
+
+<p>
+The professor&rsquo;s reasoning seemed good, but logic sometimes fails, and
+Philip was not quite so sanguine. He said nothing, however, to dampen the ardor
+of his partner.
+</p>
+
+<p>
+&ldquo;Let me see,&rdquo; said the professor, pausing, &ldquo;yonder stands the
+Wilkesville Hotel. We had better put up there.&rdquo;
+</p>
+
+<p>
+It was a brick structure of considerable size, and seemed to have some
+pretensions to fashion.
+</p>
+
+<p>
+&ldquo;Do you know how much they charge?&rdquo; asked Philip prudently.
+</p>
+
+<p>
+&ldquo;No; I neither know nor care,&rdquo; answered Professor Riccabocca
+loftily.
+</p>
+
+<p>
+&ldquo;But,&rdquo; said Philip, &ldquo;I haven&rsquo;t much money.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I,&rdquo; admitted Riccabocca. &ldquo;But it is absolutely necessary
+for us to stop at a first-class place. We must not let the citizens suppose
+that we are tramps or vagabonds. They will judge us by our surroundings.&rdquo;
+</p>
+
+<p>
+&ldquo;There is something in that,&rdquo; said Philip. &ldquo;But suppose we
+don&rsquo;t succeed!&rdquo;
+</p>
+
+<p>
+&ldquo;Succeed? We must succeed!&rdquo; said the professor, striking an
+attitude. &ldquo;In the vocabulary of youth, there&rsquo;s no such word as
+&lsquo;fail&rsquo;! Away with timid caution! Our watchword be success!&rdquo;
+</p>
+
+<p>
+&ldquo;Of course, you have much more experience than I,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Certainly I have! We must keep up appearances. Be guided by me, and all
+will come right.&rdquo;
+</p>
+
+<p>
+Philip reflected that they could not very well make less than their expenses,
+and accordingly he acceded to the professor&rsquo;s plans. They entered the
+hotel, and Professor Riccabocca, assuming a dignified, important step, walked
+up to the office. &ldquo;Sir,&rdquo; said he, to the clerk, &ldquo;my companion
+and myself would like an apartment, one eligibly located, and of ample
+size.&rdquo;
+</p>
+
+<p>
+&ldquo;You can be accommodated, sir,&rdquo; answered the young man politely.
+&ldquo;Will you enter your names?&rdquo;
+</p>
+
+<p>
+Opening the hotel register, the elocutionist, with various flourishes, entered,
+this name: &ldquo;Professor Lorenzo Riccabocca, Elocutionist and Dramatic
+Reader.&rdquo;
+</p>
+
+<p>
+&ldquo;Shall I enter your name?&rdquo; he asked of Philip.
+</p>
+
+<p>
+&ldquo;If you please.&rdquo;
+</p>
+
+<p>
+This was the way Professor Riccabocca complied with his request: &ldquo;Philip
+de Gray, the Wonderful Boy-musician.&rdquo;
+</p>
+
+<p>
+He turned the book, so that the clerk could see the entries.
+</p>
+
+<p>
+&ldquo;We propose to give an entertainment in Wilkesville,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;I am glad to hear it,&rdquo; said the clerk politely.
+</p>
+
+<p>
+&ldquo;After dinner I will consult you as to what steps to take. Is there
+anything in the way of amusement going on in town this evening?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, there is a concert, chiefly of home-talent, in Music Hall. There is
+nothing announced for to-morrow evening.&rdquo;
+</p>
+
+<p>
+&ldquo;Then we will fix upon to-morrow evening. It will give us more time to
+get out hand-bills, etc. Is there a printing-office in town?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes, sir. We have a daily paper.&rdquo;
+</p>
+
+<p>
+&ldquo;Is the office near at hand?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir. It is on the corner of the next street.&rdquo;
+</p>
+
+<p>
+&ldquo;That will do for the present. We will go up to our apartment. Will
+dinner be ready soon?&rdquo;
+</p>
+
+<p>
+&ldquo;In half an hour.&rdquo;
+</p>
+
+<p>
+Here the servant made his appearance, and the professor, with a wave of his
+hand, said:
+</p>
+
+<p>
+&ldquo;Lead on, Mr. de Gray! I will follow.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0026" id="link2HCH0026"></a>
+CHAPTER XXVI.<br/>
+A PROMISING PLAN.</h2>
+
+<p>
+They were shown into a front room, of good size, containing two beds. The
+servant handed them the key, and left them.
+</p>
+
+<p>
+&ldquo;This looks very comfortable, Mr. de Gray,&rdquo; said the professor,
+rubbing his hands with satisfaction.
+</p>
+
+<p>
+&ldquo;Why do you call me Mr. de Gray?&rdquo; asked Philip, thinking he had
+been misunderstood. &ldquo;It is plain Gray, without any de.&rdquo;
+</p>
+
+<p>
+&ldquo;I am only using your professional name,&rdquo; answered the professor.
+&ldquo;Don&rsquo;t you know people will think a great deal more of you if they
+suppose you to be a foreigner?&rdquo;
+</p>
+
+<p>
+Philip laughed.
+</p>
+
+<p>
+&ldquo;Is Lorenzo Riccabocca your true or professional name, professor?&rdquo;
+he asked.
+</p>
+
+<p>
+&ldquo;Professional, of course. My real name&mdash;I impart it to you in the
+strictest confidence&mdash;is Lemuel Jones. Think of it. How would that look on
+a poster?&rdquo;
+</p>
+
+<p>
+&ldquo;It would not be so impressive as the other.&rdquo;
+</p>
+
+<p>
+&ldquo;Of course not; and the public need to be impressed. I thank thee for
+that word, Mr. de Gray. By the way, it&rsquo;s rather a pity I didn&rsquo;t
+give you a Spanish or Italian name.&rdquo;
+</p>
+
+<p>
+&ldquo;But I can&rsquo;t speak either language. It would be seen through at
+once.&rdquo;
+</p>
+
+<p>
+&ldquo;People wouldn&rsquo;t think of asking. You&rsquo;d be safe enough. They
+will generally swallow all you choose to say.&rdquo;
+</p>
+
+<p>
+They went down to dinner presently, and the professor&mdash;Philip could not
+help thinking&mdash;ate as if he were half-starved. He explained afterward that
+elocutionary effort taxes the strength severely, and makes hearty eating a
+necessity.
+</p>
+
+<p>
+After dinner was over the professor said:
+</p>
+
+<p>
+&ldquo;Are you content, Mr. de Gray, to leave me to make the necessary
+arrangements?&rdquo;
+</p>
+
+<p>
+&ldquo;I should prefer that you would,&rdquo; said Philip, and he spoke
+sincerely. &ldquo;Probably you understand much better than I what needs to be
+done.&rdquo;
+</p>
+
+<p>
+&ldquo;&rsquo;Tis well! Your confidence is well placed,&rdquo; said the
+professor, with a wave of his hand. &ldquo;Shall you remain in the
+hotel?&rdquo;
+</p>
+
+<p>
+&ldquo;No, I think I will walk about the town and see a little of it. I have
+never been here before.&rdquo;
+</p>
+
+<p>
+Philip took a walk through the principal streets, surveying with curiosity the
+principal buildings, for, though there was nothing particularly remarkable
+about them, he was a young traveler, to whom everything was new. He could not
+help thinking of his late home, and in particular of Frank Dunbar, his special
+friend, and he resolved during the afternoon to write a letter to Frank,
+apprising him of his luck thus far. He knew that Frank would feel anxious about
+him, and would be delighted to hear of his success as a musician.
+</p>
+
+<p>
+He went into a book-store and bought a sheet of paper and an envelope.
+</p>
+
+<p>
+He had just completed his letter, when his partner entered the reading-room of
+the hotel with a brisk step.
+</p>
+
+<p>
+&ldquo;Mr. de Gray,&rdquo; he said, &ldquo;I have made all necessary
+arrangements. I have hired the hall for to-morrow evening&mdash;five
+dollars&mdash;ordered some tickets and posters at the printing-office, and
+secured a first-class notice in to-morrow morning&rsquo;s paper. Everybody in
+Wilkesville will know before to-morrow night that they will have the
+opportunity of attending a first-class performance at the Music Hall.&rdquo;
+</p>
+
+<p>
+&ldquo;It seems to me the necessary expenses are considerable,&rdquo; said
+Philip uneasily.
+</p>
+
+<p>
+&ldquo;Of course they are; but what does that matter?&rdquo;
+</p>
+
+<p>
+&ldquo;What is to be the price of tickets?&rdquo;
+</p>
+
+<p>
+&ldquo;General admission, twenty-five cents; reserved seats, fifty cents, and
+children under twelve, fifteen cents. How does that strike you!&rdquo;
+</p>
+
+<p>
+&ldquo;Will anyone be willing to pay fifty cents to hear us?&rdquo; asked
+Philip.
+</p>
+
+<p>
+&ldquo;Fifty cents! It will be richly worth a dollar!&rdquo; said the professor
+loftily.
+</p>
+
+<p>
+&ldquo;I suppose he knows best,&rdquo; thought Philip. &ldquo;I hope all will
+come out right. If it does we can try the combination in other places.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0027" id="link2HCH0027"></a>
+CHAPTER XXVII.<br/>
+UNEXPECTED HONORS.</h2>
+
+<p>
+The next morning at breakfast, Professor Riccabocca handed Philip a copy of the
+Wilkesville Daily Bulletin. Pointing to a paragraph on the editorial page, he
+said, in a tone of pride and satisfaction:
+</p>
+
+<p>
+&ldquo;Read that, Mr. de Gray.&rdquo;
+</p>
+
+<p>
+It ran thus:
+</p>
+
+<p>
+&ldquo;We congratulate the citizens of Wilkesville on the remarkable
+entertainment which they will have an opportunity of enjoying this evening at
+the Music Hall. Professor Lorenzo Riccabocca, whose fame as an elocutionist and
+dramatic reader has made his name a household word throughout Europe and
+America, will give some of his choice recitals and personations, assisted by
+Philip de Gray, the wonderful boy-musician, whose talent as a violin-player has
+been greeted with rapturous applause in all parts of the United States. It is
+universally acknowledged that no one of his age has ever equaled him. He, as
+well as Professor Riccabocca, will give but a limited series of entertainments
+in this country, having received flattering inducements to cross the Atlantic,
+and appear professionally in London, Paris, and the chief cities of the
+Continent. Fifty cents is the pitiful sum for which our citizens will have it
+put in their power to hear this wonderful combination of talent. This secures a
+reserved seat.&rdquo;
+</p>
+
+<p>
+Philip read this notice with increasing amazement.
+</p>
+
+<p>
+&ldquo;What do you think of that, Mr. de Gray?&rdquo; asked the professor
+gleefully. &ldquo;Won&rsquo;t that make Wilkesville open its eyes, eh?&rdquo;
+</p>
+
+<p>
+&ldquo;It has made me open my eyes, professor,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Ha, ha!&rdquo; said the professor, appearing amused.
+</p>
+
+<p>
+&ldquo;How soon are we to sail for Europe?&rdquo; asked Philip, smiling.
+</p>
+
+<p>
+&ldquo;When Queen Victoria sends our passage-money,&rdquo; answered Riccabocca,
+laughing.
+</p>
+
+<p>
+&ldquo;I see that your name is a household word in Europe. Were you ever
+there?&rdquo;
+</p>
+
+<p>
+&ldquo;Never.&rdquo;
+</p>
+
+<p>
+&ldquo;Then how can that be?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. de Gray, your performances have been greeted with applause in all
+parts of the United States. How do you explain that?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t pretend to explain it. I wasn&rsquo;t aware that my name
+had ever been heard of a hundred miles from here.&rdquo;
+</p>
+
+<p>
+&ldquo;It has not, but it will be. I have only been predicting a little. The
+paragraph isn&rsquo;t true now, but it will be some time, if we live and
+prosper.&rdquo;
+</p>
+
+<p>
+&ldquo;But I don&rsquo;t like to be looked upon as a humbug, professor,&rdquo;
+said Philip uneasily.
+</p>
+
+<p>
+&ldquo;You won&rsquo;t be. You are really a fine player, or I wouldn&rsquo;t
+consent to appear with you. The name of Riccabocca, Mr. de Gray, I may
+truthfully say, is well known. I have appeared in the leading cities of
+America. They were particularly enthusiastic in Chicago,&rdquo; he added
+pensively. &ldquo;I wish I could find a paragraph from one of their leading
+papers, comparing my rendering of the soliloquy in &lsquo;Hamlet&rsquo; to
+Edwin Booth&rsquo;s, rather to the disadvantage of that tragedian.&rdquo;
+</p>
+
+<p>
+&ldquo;I would like to read the notice,&rdquo; said Philip, who had very strong
+doubts as to whether such a paragraph had ever appeared in print.
+</p>
+
+<p>
+&ldquo;You shall see it. It will turn up somewhere. I laid it aside carefully,
+for I confess, Mr. de Gray, it gratified me much. I have only one thing to
+regret: I should myself have gone on the stage, and essayed leading tragic
+roles. It may not be too late now. What do you think?&rdquo;
+</p>
+
+<p>
+&ldquo;I can tell better after I have heard you, professor,&rdquo; answered
+Philip.
+</p>
+
+<p>
+&ldquo;True, you can. Mr. de Gray,&rdquo; continued the professor, lowering his
+voice, &ldquo;notice how much attention we are receiving from the guests at the
+tables. They have doubtless read the notice of our evening
+entertainment.&rdquo;
+</p>
+
+<p>
+Philip looked round the room, which was of good size, and contained some thirty
+or more guests, and he saw that the professor was right.
+</p>
+
+<p>
+He met several curious glances, some fair ladies expressing interest as well as
+curiosity, and his face flushed.
+</p>
+
+<p>
+&ldquo;Gratifying, isn&rsquo;t it?&rdquo; said the professor, smiling.
+</p>
+
+<p>
+&ldquo;No, I don&rsquo;t think it is,&rdquo; answered our hero.
+</p>
+
+<p>
+&ldquo;Why not?&rdquo; demanded Professor Riccabocca, appearing amazed.
+</p>
+
+<p>
+&ldquo;If all were true, it might be,&rdquo; replied Philip. &ldquo;As it is, I
+feel like a humbug.&rdquo;
+</p>
+
+<p>
+&ldquo;Humbug pays in this world,&rdquo; said the professor cheerfully.
+&ldquo;By the way, there&rsquo;s another little paragraph to which I will call
+your attention.&rdquo;
+</p>
+
+<p>
+Philip read this additional item:
+</p>
+
+<p>
+&ldquo;We understand that Professor Riecabocca and Mr. Philip de Gray have
+received a cable despatch from the Prince of Wales, inviting them to instruct
+his sons in elocution and music, at a very liberal salary. They have this
+proposal under consideration, though they are naturally rather reluctant to
+give up the plaudits of the public, even for so honorable a position.&rdquo;
+</p>
+
+<p>
+&ldquo;Professor Riccabocca,&rdquo; said Philip, considerably annoyed by this
+audacious invention, &ldquo;you ought to have consulted me before publishing
+such a falsehood as this.&rdquo;
+</p>
+
+<p>
+&ldquo;Falsehood, Mr. de Gray? Really I&rsquo;m shocked! Gentlemen don&rsquo;t
+use such words, or make such charges.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t mean to say it&rsquo;s true that we have received any
+such telegram?&rdquo;
+</p>
+
+<p>
+&ldquo;No; of course not.&rdquo;
+</p>
+
+<p>
+&ldquo;Then why didn&rsquo;t I use the right word?&rdquo;
+</p>
+
+<p>
+&ldquo;It&rsquo;s an innocent little fiction, my young friend&mdash;a fiction
+that will do no one any harm, but will cause us to be regarded with
+extraordinary interest.&rdquo;
+</p>
+
+<p>
+Here the thought occurred to Philip that he, the future instructor of British
+royalty, had only just escaped from a poorhouse, and it seemed to him so droll
+that he burst out laughing.
+</p>
+
+<p>
+&ldquo;Why do you laugh, Mr. de Gray?&rdquo; asked the professor, a little
+suspiciously.
+</p>
+
+<p>
+&ldquo;I was thinking of something amusing,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Well, well! We shall have cause to laugh when we play this evening to a
+crowded house.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope so. But, professor, if we keep together, you mustn&rsquo;t print
+any more such paragraphs about me. Of course, I am not responsible for what you
+say about yourself.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, it will be all right!&rdquo; said Riccabocca. &ldquo;What are you
+going to do with yourself?&rdquo;
+</p>
+
+<p>
+&ldquo;I shall practice a little in my room, for I want to play well to-night.
+When I get tired I shall take a walk.&rdquo;
+</p>
+
+<p>
+&ldquo;Very wise&mdash;very judicious. I don&rsquo;t need to do it, being, as I
+may say, a veteran reader. I wouldn&rsquo;t rehearse if I were to play this
+evening before the president and all the distinguished men of the
+nation.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t feel so confident of myself,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;No, of course not. By the way, can you lend me fifty cents, Mr. de
+Gray?&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want to break a ten.&rdquo;
+</p>
+
+<p>
+Professor Riccabocca didn&rsquo;t mention that the only ten he had was a
+ten-cent piece.
+</p>
+
+<p>
+Slipping Philip&rsquo;s half-dollar into his vest pocket, he said carelessly:
+</p>
+
+<p>
+&ldquo;We&rsquo;ll take this into the account when we divide the proceeds of
+the entertainment.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; said Philip.
+</p>
+
+<p>
+He went up to his room and played for an hour or more, rehearsing the different
+pieces he had selected for the evening, and then, feeling the need of a little
+fresh air, he took a walk.
+</p>
+
+<p>
+In different parts of the town he saw posters, on which his name was printed in
+large letters.
+</p>
+
+<p>
+&ldquo;It seems almost like a joke!&rdquo; he said to himself.
+</p>
+
+<p>
+Just then he heard his name called, and, looking up, he recognized a young
+fellow, of sixteen or thereabouts, who had formerly lived in Norton. It seemed
+pleasant to see a familiar face.
+</p>
+
+<p>
+&ldquo;Why, Morris Lovett,&rdquo; he exclaimed &ldquo;I didn&rsquo;t know you
+were here!&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; I&rsquo;m clerk in a store. Are you the one that is going to give
+an entertainment tonight?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Philip, smiling.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t know you were such a great player,&rdquo; said Morris,
+regarding our hero with new respect.
+</p>
+
+<p>
+He had read the morning paper.
+</p>
+
+<p>
+&ldquo;Nor I,&rdquo; said Philip, laughing.
+</p>
+
+<p>
+&ldquo;Are you going to Europe soon?&rdquo;
+</p>
+
+<p>
+&ldquo;It isn&rsquo;t decided yet!&rdquo; Philip answered, laughing.
+</p>
+
+<p>
+&ldquo;I wish I had your chance.&rdquo;
+</p>
+
+<p>
+&ldquo;Come and hear me this evening, at any rate,&rdquo; said Philip.
+&ldquo;Call at the hotel, at six o&rsquo;clock, and I&rsquo;ll give you a
+ticket.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll be sure to come,&rdquo; said Morris, well pleased.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0028" id="link2HCH0028"></a>
+CHAPTER XXVIII.<br/>
+A TRIUMPHANT SUCCESS.</h2>
+
+<p>
+Philip took another walk in the afternoon, and was rather amused to see how
+much attention he received. When he drew near the hotel he was stared at by
+several gaping youngsters, who apparently were stationed there for no other
+purpose. He overheard their whispers:
+</p>
+
+<p>
+&ldquo;That&rsquo;s him! That&rsquo;s Philip de Gray, the wonderful
+fiddler!&rdquo;
+</p>
+
+<p>
+&ldquo;I never suspected, when I lived at Norton, that I was so much of a
+curiosity,&rdquo; he said to himself. &ldquo;I wish I knew what they&rsquo;ll
+say about me to-morrow.&rdquo;
+</p>
+
+<p>
+At six o&rsquo;clock Morris Lovett called and received his ticket.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll have a big house to-night, Philip,&rdquo; he said. &ldquo;I
+know a lot of fellows that are going.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad to hear it,&rdquo; said Philip, well pleased, for he concluded
+that if such were the case his purse would be considerably heavier the next
+day.
+</p>
+
+<p>
+&ldquo;It&rsquo;s strange how quick you&rsquo;ve come up;&rdquo; said Morris.
+&ldquo;I never expected you&rsquo;d be so famous.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I,&rdquo; said Philip, laughing.
+</p>
+
+<p>
+&ldquo;I&rsquo;d give anything if I could have my name posted round like
+yours.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps you will have, some time.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no! I couldn&rsquo;t play more&rsquo;n a pig,&rdquo; said Morris
+decidedly. &ldquo;I&rsquo;ll have to be a clerk, and stick to business.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ll make more money in the end that way, Morris, even if your
+name isn&rsquo;t printed in capitals.&rdquo;
+</p>
+
+<p>
+They retired into a small room adjoining the stage, to prepare for their
+appearance.
+</p>
+
+<p>
+The professor rubbed his hands in glee.
+</p>
+
+<p>
+&ldquo;Did you see what a house we have, Mr. de Gray?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, professor.&rdquo;
+</p>
+
+<p>
+&ldquo;I think there&rsquo;ll be a hundred dollars over and above
+expenses.&rdquo;
+</p>
+
+<p>
+&ldquo;That will be splendid!&rdquo; said Philip, naturally elated.
+</p>
+
+<p>
+&ldquo;The firm of Riccabocca and De Gray is starting swimmingly.&rdquo;
+</p>
+
+<p>
+&ldquo;So it is. I hope it will continue so.&rdquo;
+</p>
+
+<p>
+&ldquo;Here is the program, Mr. de Gray. You will observe that I appear first,
+in my famous soliloquy. You will follow, with the &lsquo;Carnival of
+Venice.&rsquo; Do you feel agitated?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, no. I am so used to playing that I shall not feel at all
+bashful.&rdquo;
+</p>
+
+<p>
+&ldquo;That is well.&rdquo;
+</p>
+
+<p>
+&ldquo;I would like to be on the stage, professor, to hear you.&rdquo;
+</p>
+
+<p>
+&ldquo;Certainly. I have anticipated your desire, and provided an extra
+chair.&rdquo;
+</p>
+
+<p>
+The time came, and Professor Riccabocca stepped upon the stage, his manner full
+of dignity, and advanced to the desk. Philip took a chair a little to the rear.
+</p>
+
+<p>
+Their entrance was greeted by hearty applause. The professor made a stately
+bow, and a brief introductory speech, in which he said several things about
+Philip and himself which rather astonished our hero. Then he began to recite
+the soliloquy.
+</p>
+
+<p>
+Probably it was never before so amazingly recited. Professor Riccabocca&rsquo;s
+gestures, facial contortions, and inflections were very remarkable. Philip
+almost suspected that he was essaying a burlesque role.
+</p>
+
+<p>
+The mature portion of the audience were evidently puzzled, but the small boys
+were delighted, and with some of the young men, stamped vigorously at the
+close.
+</p>
+
+<p>
+Professor Riccabocea bowed modestly, and said:
+</p>
+
+<p>
+&ldquo;Gentlemen and ladies, you will now have the pleasure of listening to the
+young and talented Philip de Gray, the wonderful boy-musician, in his unrivaled
+rendition of the &lsquo;Carnival of Venice.&rsquo;&rdquo;
+</p>
+
+<p>
+Philip rose, coloring a little with shame at this high-flown introduction, and
+came forward.
+</p>
+
+<p>
+All applauded heartily, for sympathy is always felt for a young performer,
+especially when he has a manly bearing and an attractive face, such as our hero
+possessed.
+</p>
+
+<p>
+Philip was determined to do his best. Indeed, after being advertised and
+announced as a boy wonder, he felt that he could not do otherwise.
+</p>
+
+<p>
+He commenced, and soon lost himself in the music he loved so well, so that
+before he had half finished he had quite forgotten his audience, and half
+started at the boisterous applause which followed. He bowed his
+acknowledgments, but found this would not do.
+</p>
+
+<p>
+He was forced to play it a second time, greatly to the apparent satisfaction of
+the audience. It was clear that, whatever might be thought of Professor
+Riccabocea&rsquo;s recitation, the young violinist had not disappointed his
+audience.
+</p>
+
+<p>
+Philip could see, in a seat near the stage, the beaming face of his friend
+Morris Lovett, who was delighted at the success of his old acquaintance, and
+anticipated the reflected glory which he received, from its being known that he
+was a friend of the wonderful young musician.
+</p>
+
+<p>
+Professor Riccabocca came forward again, and recited a poem called &ldquo;The
+Maniac,&rdquo; each stanza ending with the line: &ldquo;I am not mad, but soon
+shall be.&rdquo;
+</p>
+
+<p>
+He stamped, raved, tore his hair, and made altogether a very grotesque
+appearance.
+</p>
+
+<p>
+Philip could hardly forbear laughing, and some of the boys in the front seats
+didn&rsquo;t restrain themselves. Some of the older people wondered how such a
+man should be selected by the Prince of Wales to instruct his sons in
+elocution&mdash;not suspecting that the newspaper paragraph making mention of
+this was only a daring invention of the eminent professor.
+</p>
+
+<p>
+Next came another musical selection by Philip, which was as cordially received
+as the first.
+</p>
+
+<p>
+I do not propose to weary the reader by a recital of the program and a detailed
+account of each performance. It is enough to say that Professor Riccabocca
+excited some amusement, but was only tolerated for the sake of Philip&rsquo;s
+playing.
+</p>
+
+<p>
+Naturally, our hero was better received on account of his youth, but had he
+been twice as old his playing would have given satisfaction and pleasure.
+</p>
+
+<p>
+So passed an hour and a half, and the musical entertainment was over. Philip
+felt that he had reason to be satisfied. Highly as he had been heralded, no one
+appeared to feel disappointed by his part of the performance.
+</p>
+
+<p>
+&ldquo;Mr. de Gray,&rdquo; said the professor, when they reached the hotel,
+&ldquo;you did splendidly. We have made a complete success.&rdquo;
+</p>
+
+<p>
+&ldquo;It is very gratifying,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;I felt sure that the public would appreciate us. I think I managed
+everything shrewdly.&rdquo;
+</p>
+
+<p>
+&ldquo;How much was paid in at the door?&rdquo; asked Philip, who naturally
+felt interested in this phase of success.
+</p>
+
+<p>
+&ldquo;One hundred and forty-five dollars and a half!&rdquo; answered the
+professor.
+</p>
+
+<p>
+Philip&rsquo;s eyes sparkled.
+</p>
+
+<p>
+&ldquo;And how much will that be over and above expenses?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;My dear Mr. de Gray, we will settle all bills, and make a fair and
+equitable division, in the morning. I think there will be a little more than
+fifty dollars to come to each of us.&rdquo;
+</p>
+
+<p>
+&ldquo;Fifty dollars for one evening&rsquo;s work!&rdquo; repeated Philip, his
+eyes sparkling.
+</p>
+
+<p>
+&ldquo;Oh, I have done much better than that,&rdquo; said the professor.
+&ldquo;I remember once at St. Louis I made for myself alone one hundred and
+eighty dollars net, and in Chicago a little more.&rdquo;
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t think it was such a money-making business,&rdquo; said
+Philip, elated.
+</p>
+
+<p>
+&ldquo;Yes, Mr. de Gray, the American people are willing to recognize talent,
+when it is genuine. You are on the threshold of a great career, my dear young
+friend.&rdquo;
+</p>
+
+<p>
+&ldquo;And only a week since I was in the Norton Poorhouse,&rdquo; thought
+Philip. &ldquo;It is certainly a case of romance in real life.&rdquo;
+</p>
+
+<p>
+The two went to bed soon, being fatigued by their exertions. The apartment was
+large, and contained two beds, a larger and smaller one. The latter was
+occupied by our hero.
+</p>
+
+<p>
+When he awoke in the morning, the sun was shining brightly into the room.
+Philip looked toward the opposite bed. It was empty.
+</p>
+
+<p>
+&ldquo;Professor Riccabocca must have got up early,&rdquo; he thought.
+&ldquo;Probably he did not wish to wake me.&rdquo;
+</p>
+
+<p>
+He dressed and went downstairs.
+</p>
+
+<p>
+&ldquo;Where is the professor?&rdquo; he asked of the clerk.
+</p>
+
+<p>
+&ldquo;He started away two hours since&mdash;said he was going to take a walk.
+Went away without his breakfast, too. He must be fond of walking.&rdquo;
+</p>
+
+<p>
+Philip turned pale. He was disturbed by a terrible suspicion. Had the professor
+gone off for good, carrying all the money with him?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0029" id="link2HCH0029"></a>
+CHAPTER XXIX.<br/>
+BESET BY CREDITORS.</h2>
+
+<p>
+Philip was still a boy, and though he had discovered that the professor was
+something of a humbug, and a good deal of a braggart, it had not for a moment
+occurred to him that he would prove dishonest. Even now he did not want to
+believe it, though he was nervously apprehensive that it might prove true.
+</p>
+
+<p>
+&ldquo;I will take my breakfast,&rdquo; he said, as coolly as was possible,
+&ldquo;and the professor will probably join me before I am through.&rdquo;
+</p>
+
+<p>
+The clerk and the landlord thought otherwise. They were pretty well convinced
+that Riccabocca was dishonest, and quietly sent for those to whom the
+&ldquo;combination&rdquo; was indebted: namely, the printer and publisher of
+the Daily Bulletin, the agent of the music-hall, and the bill-sticker who had
+posted notices of the entertainment. These parties arrived while Philip was at
+breakfast.
+</p>
+
+<p>
+&ldquo;Gentlemen,&rdquo; said the landlord, &ldquo;the boy is at breakfast. I
+think he is all right, but I don&rsquo;t know. The professor, I fear, is a
+swindle.&rdquo;
+</p>
+
+<p>
+&ldquo;The boy is liable for our debts,&rdquo; said the agent. &ldquo;He
+belongs to the combination.&rdquo;
+</p>
+
+<p>
+&ldquo;I am afraid he is a victim as well as you,&rdquo; said the landlord.
+&ldquo;He seemed surprised to hear that the professor had gone out.&rdquo;
+</p>
+
+<p>
+&ldquo;It may all be put on. Perhaps he is in the plot, and is to meet the old
+fraud at some place fixed upon, and divide the booty,&rdquo; suggested the
+agent.
+</p>
+
+<p>
+&ldquo;The boy looks honest,&rdquo; said the landlord. &ldquo;I like his
+appearance. We will see what he has to say.&rdquo;
+</p>
+
+<p>
+So when Philip had finished his breakfast he was summoned to the parlor, where
+he met the creditors of the combination.
+</p>
+
+<p>
+&ldquo;These gentlemen,&rdquo; said the landlord, &ldquo;have bills against you
+and the professor. It makes no difference whether they receive pay from you or
+him.&rdquo;
+</p>
+
+<p>
+Poor Philip&rsquo;s heart sank within him.
+</p>
+
+<p>
+&ldquo;I was hoping Professor Riccabocca had settled your bills,&rdquo; he
+said. &ldquo;Please show them to me.&rdquo;
+</p>
+
+<p>
+This was done with alacrity.
+</p>
+
+<p>
+Philip found that they owed five dollars for the hall, five dollars for
+advertising and printing, and one dollar for bill-posting&mdash;eleven dollars
+in all.
+</p>
+
+<p>
+&ldquo;Mr. Gates,&rdquo; said our hero uneasily, to the landlord, &ldquo;did
+Professor Riccabocca say anything about coming back when he went out this
+morning?&rdquo;
+</p>
+
+<p>
+&ldquo;He told my clerk he would be back to breakfast,&rdquo; said the
+landlord; adding, with a shrug of the shoulders: &ldquo;That was two hours and
+a half ago. He can&rsquo;t be very hungry.&rdquo;
+</p>
+
+<p>
+&ldquo;He didn&rsquo;t pay his bill, I suppose?&rdquo;
+</p>
+
+<p>
+&ldquo;No, of course not. He had not given up his room.&rdquo;
+</p>
+
+<p>
+Philip became more and more uneasy.
+</p>
+
+<p>
+&ldquo;Didn&rsquo;t you know anything about his going out?&rdquo; asked the
+landlord.
+</p>
+
+<p>
+&ldquo;No, sir. I was fast asleep.&rdquo;
+</p>
+
+<p>
+&ldquo;Is the professor in the habit of taking long morning walks?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know.&rdquo;
+</p>
+
+<p>
+&ldquo;That is strange, since you travel together,&rdquo; remarked the
+publisher.
+</p>
+
+<p>
+&ldquo;I never saw him till day before yesterday,&rdquo; said Philip.
+</p>
+
+<p>
+The creditors looked at each other significantly. They began to suspect that
+Philip also was a victim.
+</p>
+
+<p>
+&ldquo;Do you know how much money was received for tickets last evening?&rdquo;
+</p>
+
+<p>
+&ldquo;About a hundred and fifty dollars.&rdquo;
+</p>
+
+<p>
+&ldquo;How much of this were you to receive?&rdquo;
+</p>
+
+<p>
+&ldquo;Half of what was left after the bills were paid.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you received it?&rdquo; asked the agent.
+</p>
+
+<p>
+&ldquo;Not a cent,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;What do you think about the situation?&rdquo;
+</p>
+
+<p>
+&ldquo;I think that Professor Riccabocca has swindled us all,&rdquo; answered
+Philip promptly.
+</p>
+
+<p>
+&ldquo;Our bills ought to be paid,&rdquo; said the agent, who was rather a hard
+man in his dealings.
+</p>
+
+<p>
+&ldquo;I agree with you,&rdquo; said Philip. &ldquo;I wish I were able to pay
+them, but I have only six dollars in my possession.&rdquo;
+</p>
+
+<p>
+&ldquo;That will pay me, and leave a dollar over,&rdquo; suggested the agent.
+</p>
+
+<p>
+&ldquo;If it comes to that,&rdquo; said the printer, &ldquo;I claim that I
+ought to be paid first.&rdquo;
+</p>
+
+<p>
+&ldquo;I am a poor man,&rdquo; said the bill-sticker. &ldquo;I need my
+money.&rdquo;
+</p>
+
+<p>
+Poor Philip was very much disconcerted. It was a new thing for him to owe money
+which he could not repay.
+</p>
+
+<p>
+&ldquo;Gentlemen,&rdquo; he said, &ldquo;I have myself been cheated out of
+fifty dollars, at least&mdash;my share of the profits. I wish I could pay you
+all. I cannot do so now. Whenever I can I will certainly do it.&rdquo;
+</p>
+
+<p>
+&ldquo;You can pay us a part with the money you have,&rdquo; said the agent.
+</p>
+
+<p>
+&ldquo;I owe Mr. Gates for nearly two days&rsquo; board,&rdquo; he said.
+&ldquo;That is my own affair, and I must pay him first.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see why he should be preferred to me,&rdquo; grumbled the
+agent; then, with a sudden, happy thought, as he termed it, he said: &ldquo;I
+will tell you how you can pay us all.&rdquo;
+</p>
+
+<p>
+&ldquo;How?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;You have a violin. You can sell that for enough to pay our bills.&rdquo;
+</p>
+
+<p>
+Poor Philip! His violin was his dependence. Besides the natural attachment he
+felt for it, he relied upon it to secure him a living, and the thought of
+parting with it was bitter.
+</p>
+
+<p>
+&ldquo;Gentlemen,&rdquo; he said, &ldquo;if you take my violin, I have no way
+of making a living. If you will consider that I, too, am a victim of this man,
+I think you will not wish to inflict such an injury upon me.&rdquo;
+</p>
+
+<p>
+&ldquo;I do not, for one,&rdquo; said the publisher. &ldquo;I am not a rich
+man, and I need all the money that is due me, but I wouldn&rsquo;t deprive the
+boy of his violin.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I,&rdquo; said the bill-sticker.
+</p>
+
+<p>
+&ldquo;That&rsquo;s all very fine,&rdquo; said the agent; &ldquo;but I am not
+so soft as you two. Who knows but the boy is in league with the
+professor?&rdquo;
+</p>
+
+<p>
+&ldquo;I know it!&rdquo; said the landlord stoutly. &ldquo;The boy is all
+right, or I am no judge of human nature.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, Mr. Gates,&rdquo; said Philip, extending his hand to his
+generous defender.
+</p>
+
+<p>
+&ldquo;Do you expect we will let you off without paying anything?&rdquo;
+demanded the agent harshly.
+</p>
+
+<p>
+&ldquo;If I live, sir, you shall lose nothing by me,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;That won&rsquo;t do!&rdquo; said the man coarsely. &ldquo;I insist upon
+the fiddle being sold. I&rsquo;ll give five dollars for it, and call it
+square.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Gunn,&rdquo; said the landlord, in a tone of disgust, &ldquo;since
+you are disposed to persecute this boy, I will myself pay your bill, and trust
+to him to repay me when he can.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Mr. Gates&mdash;&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;I accept!&rdquo; said the agent, with alacrity.
+</p>
+
+<p>
+&ldquo;Receipt your bill,&rdquo; said the landlord.
+</p>
+
+<p>
+Mr. Gunn did so, and received a five-dollar bill in return.
+</p>
+
+<p>
+&ldquo;Now sir,&rdquo; said the landlord coldly, &ldquo;if you have no further
+business here, we can dispense with your company.&rdquo;
+</p>
+
+<p>
+&ldquo;It strikes me you are rather hard on a man because he wants to be paid
+his honest dues!&rdquo; whined Gunn, rather uncomfortably.
+</p>
+
+<p>
+&ldquo;We understand you, sir,&rdquo; said the landlord. &ldquo;We have not
+forgotten how you turned a poor family into the street, in the dead of winter,
+because they could not pay their rent.&rdquo;
+</p>
+
+<p>
+&ldquo;Could I afford to give them house-room?&rdquo; inquired Gunn.
+</p>
+
+<p>
+&ldquo;Perhaps not. At any rate, I don&rsquo;t feel inclined to give you
+house-room any longer.&rdquo;
+</p>
+
+<p>
+Mr. Gunn slunk out of the room, under the impression that his company was no
+longer desired.
+</p>
+
+<p>
+&ldquo;Mr. Gray,&rdquo; said the publisher, &ldquo;I hope you don&rsquo;t class
+me with the man who has just gone out. I would sooner never be paid than
+deprive you of your violin. Let the account stand, and if you are ever able to
+pay me half of my bill&mdash;your share&mdash;I shall be glad to receive
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, sir!&rdquo; said Philip, &ldquo;You shall not repent your
+confidence in me.&rdquo;
+</p>
+
+<p>
+&ldquo;I say ditto to my friend, the publisher,&rdquo; said the bill-poster.
+</p>
+
+<p>
+&ldquo;Wait a moment, gentlemen,&rdquo; said Philip. &ldquo;There is a bare
+possibility that I can do something for you.&rdquo;
+</p>
+
+<p>
+For the first time since he left Norton he thought of the letter which he was
+not to open till he was fifty miles from Norton.
+</p>
+
+<p>
+&ldquo;Mr. Gates,&rdquo; he said, &ldquo;can you tell me how far Norton is from
+here?&rdquo;
+</p>
+
+<p>
+&ldquo;About sixty miles,&rdquo; answered the landlord in surprise.
+</p>
+
+<p>
+&ldquo;Then it&rsquo;s all right.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0030" id="link2HCH0030"></a>
+CHAPTER XXX.<br/>
+A TIMELY GIFT.</h2>
+
+<p>
+The reader has not forgotten that Farmer Lovett, when Philip refused to accept
+any compensation for assisting to frustrate the attempt at burglary, handed him
+a sealed envelope, which he requested him not to open till he was fifty miles
+away from Norton.
+</p>
+
+<p>
+Philip had carried this about in his pocket ever since. He had thought of it as
+likely to contain some good advice at the time; but it had since occurred to
+him that the farmer had not had time to write down anything in that line.
+</p>
+
+<p>
+He was disposed to think that the mysterious envelope might contain a
+five-dollar bill, as a slight acknowledgment of his services.
+</p>
+
+<p>
+Though Philip had declined receiving any payment, it did seem to him now that
+this amount of money would relieve him from considerable embarrassment. He
+therefore drew a penknife from his pocket and cut open the envelope.
+</p>
+
+<p>
+What was his amazement when he drew out three bills&mdash;two twenties and a
+ten&mdash;fifty dollars in all! There was a slip of paper, on which was
+written, in pencil:
+</p>
+
+<p>
+&ldquo;Don&rsquo;t hesitate to use this money, if you need it, as you doubtless
+will. I can spare it as well as not, and shall be glad if it proves of use to
+one who has done me a great service. JOHN LOVETT.&rdquo;
+</p>
+
+<p>
+&ldquo;What&rsquo;s that!&rdquo; asked the landlord, regarding Philip with
+interest.
+</p>
+
+<p>
+&ldquo;Some money which I did not know I possessed,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;How much is there?&rdquo;
+</p>
+
+<p>
+&ldquo;Fifty dollars.&rdquo;
+</p>
+
+<p>
+&ldquo;And you didn&rsquo;t know you had it?&rdquo; asked the
+publisher&mdash;rather incredulously, it must be owned.
+</p>
+
+<p>
+&ldquo;No, sir; I was told not to open this envelope till I was fifty miles
+away from where it was given me. Of course, Mr. Gates, I am now able to pay all
+my bills, and to repay you for what you handed Mr. Gunn.&rdquo;
+</p>
+
+<p>
+&ldquo;I am pleased with your good fortune,&rdquo; said the landlord cordially.
+</p>
+
+<p>
+&ldquo;Thank you, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;But I am sorry your knavish partner has cheated you out of so much
+money.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall make him pay it if I can,&rdquo; said Philip resolutely.
+</p>
+
+<p>
+&ldquo;I approve your pluck, and I wish you success.&rdquo;
+</p>
+
+<p>
+&ldquo;He owes you money, too, Mr. Gates. Give me the bill, and I will do my
+best to collect it.&rdquo;
+</p>
+
+<p>
+&ldquo;If you collect it, you may have it,&rdquo; said Gates. &ldquo;I
+don&rsquo;t care much for the money, but I should like to have the scamp
+compelled to fork it over.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish I knew where he was likely to be,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;He may go to Knoxville,&rdquo; suggested the publisher.
+</p>
+
+<p>
+&ldquo;How far is that?&rdquo;
+</p>
+
+<p>
+&ldquo;Ten miles.&rdquo;
+</p>
+
+<p>
+&ldquo;What makes you think he will go to Knoxville?&rdquo; asked the landlord.
+</p>
+
+<p>
+&ldquo;He may think of giving a performance there. It is a pretty large
+place.&rdquo;
+</p>
+
+<p>
+&ldquo;But wouldn&rsquo;t he be afraid to do it, after the pranks he has played
+here?&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps so. At any rate, he is very likely to go there.&rdquo;
+</p>
+
+<p>
+&ldquo;I will go there and risk it,&rdquo; said Philip. &ldquo;He needn&rsquo;t
+think he is going to get off so easily, even if it is only a boy he has
+cheated.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s the talk, Mr. Gray!&rdquo; said the landlord. &ldquo;How
+are you going?&rdquo; he asked, a minute later.
+</p>
+
+<p>
+&ldquo;I can walk ten miles well enough,&rdquo; answered Philip.
+</p>
+
+<p>
+He had considerable money now, but he reflected that he should probably need it
+all, especially if he did not succeed in making the professor refund, and
+decided that it would be well to continue to practice economy.
+</p>
+
+<p>
+&ldquo;I have no doubt you can,&rdquo; said the landlord, &ldquo;but it will be
+better not to let the professor get too much the start of you. I will myself
+have a horse harnessed, and take you most of the distance in my buggy.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Mr. Gates, won&rsquo;t it be putting you to a great deal of
+trouble?&rdquo;
+</p>
+
+<p>
+&ldquo;Not at all. I shall enjoy a ride this morning, and the road to Knoxville
+is a very pleasant one.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me pay something for the ride, then.&rdquo;
+</p>
+
+<p>
+&ldquo;Not a cent. You will need all your money, and I can carry you just as
+well as not,&rdquo; said the landlord heartily.
+</p>
+
+<p>
+&ldquo;I am very fortunate in such a kind friend,&rdquo; said Philip
+gratefully.
+</p>
+
+<p>
+&ldquo;Oh, it isn&rsquo;t worth talking about! Here, Jim, go out and harness
+the horse directly.&rdquo;
+</p>
+
+<p>
+When the horse was brought round, Philip was all ready, and jumped in.
+</p>
+
+<p>
+&ldquo;Would you like to drive, Mr. Gray?&rdquo; asked the landlord.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Philip, with alacrity.
+</p>
+
+<p>
+&ldquo;Take the lines, then,&rdquo; said the landlord.
+</p>
+
+<p>
+Most boys of Philip&rsquo;s age are fond of driving, and our hero was no
+exception to the rule, as the landlord supposed.
+</p>
+
+<p>
+&ldquo;You&rsquo;ll promise not to upset me,&rdquo; said Mr. Gates, smiling.
+&ldquo;I am getting stout, and the consequences might be serious.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I am used to driving,&rdquo; said Philip, &ldquo;and I will take
+care not to tip over.&rdquo;
+</p>
+
+<p>
+The horse was a good one, and to Philip&rsquo;s satisfaction, went over the
+road in good style.
+</p>
+
+<p>
+Philip enjoyed driving, but, of course, his mind could not help dwelling on the
+special object of his journey.
+</p>
+
+<p>
+&ldquo;I hope we are on the right track,&rdquo; he said. &ldquo;I
+shouldn&rsquo;t like to miss the professor.&rdquo;
+</p>
+
+<p>
+&ldquo;You will soon know, at any rate,&rdquo; said Gates. &ldquo;It seems to
+me,&rdquo; he continued, &ldquo;that Riccabocca made a great mistake in running
+off with that money.&rdquo;
+</p>
+
+<p>
+&ldquo;He thought it would be safe to cheat a boy.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; but admitting all that, you two were likely to make money. In
+Wilkesville your profits were a hundred dollars in one evening. Half of that
+belonged to the professor, at any rate. He has lost his partner, and gained
+only fifty dollars, which would not begin to pay him for your loss.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps he thought he would draw as well alone.&rdquo;
+</p>
+
+<p>
+&ldquo;Then he is very much mistaken. To tell the plain truth, our people
+thought very little of his share of the performance. I saw some of them
+laughing when he was ranting away. It was you they enjoyed hearing.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad of that,&rdquo; said Philip, gratified.
+</p>
+
+<p>
+&ldquo;There&rsquo;s no humbug about your playing. You understand it. It was
+you that saved the credit of the evening, and sent people away well
+satisfied.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad of that, at any rate, even if I didn&rsquo;t get a cent for my
+playing,&rdquo; said Philip, well pleased.
+</p>
+
+<p>
+&ldquo;The money&rsquo;s the practical part of it,&rdquo; said the landlord.
+&ldquo;Of course, I am glad when travelers like my hotel, but if they should
+run off without paying, like the professor, I shouldn&rsquo;t enjoy it so
+much.&rdquo;
+</p>
+
+<p>
+&ldquo;No, I suppose not,&rdquo; said Philip, with a laugh.
+</p>
+
+<p>
+They had ridden some seven miles, and were, therefore, only three miles from
+Knoxville, without the slightest intimation as to whether or not they were on
+the right track.
+</p>
+
+<p>
+To be sure, they had not expected to obtain any clue so soon, but it would have
+been very satisfactory, of course, to obtain one.
+</p>
+
+<p>
+A little farther on they saw approaching a buggy similar to their own, driven
+by a man of middle age. It turned out to be an acquaintance of the
+landlord&rsquo;s, and the two stopped to speak.
+</p>
+
+<p>
+&ldquo;Going to Knoxville on business, Mr. Gates?&rdquo; asked the newcomer.
+</p>
+
+<p>
+&ldquo;Well, not exactly. I am driving this young man over. By the way, have
+you seen anything of a tall man, with long, black hair, dressed in
+black?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. Do you want to see him?&rdquo;
+</p>
+
+<p>
+&ldquo;This young man has some business with him. Where did you see him?&rdquo;
+</p>
+
+<p>
+&ldquo;He arrived at our hotel about an hour since, I calculate.&rdquo;
+</p>
+
+<p>
+Philip&rsquo;s heart bounded with satisfaction at this important news.
+</p>
+
+<p>
+&ldquo;Did he put up there?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes. I believe he is going to give a reading this evening.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you!&rdquo;
+</p>
+
+<p>
+&ldquo;The professor must be a fool!&rdquo; said the landlord, as they drove
+away.
+</p>
+
+<p>
+&ldquo;I begin to think so myself,&rdquo; replied Philip.
+</p>
+
+<p>
+&ldquo;That&rsquo;s all in our favor, however. We shall get back that money
+yet.&rdquo;
+</p>
+
+<p>
+The horse was put to his speed, and in fifteen minutes they reached Knoxville.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0031" id="link2HCH0031"></a>
+CHAPTER XXXI.<br/>
+THE PROFESSOR&rsquo;S FLIGHT.</h2>
+
+<p>
+Professor Lorenzo Riccabocca was not a wise man. It would have been much more
+to his interest to deal honestly with Philip, paying his share of the profits
+of the first performance, and retaining his services as associate and partner.
+</p>
+
+<p>
+But the professor was dazzled by the money, and unwilling to give it up.
+Moreover, he had the vanity to think that he would draw nearly as well alone,
+thus retaining in his own hands the entire proceeds of any entertainments he
+might give.
+</p>
+
+<p>
+When he met Philip on the road he was well-nigh penniless. Now, including the
+sum of which he had defrauded our hero and his creditors in Wilkesville, he had
+one hundred and fifty dollars.
+</p>
+
+<p>
+When the professor went to bed, he had not formed the plan of deserting Philip;
+but, on awaking in the morning, it flashed upon him as an excellent step which
+would put money in his pocket.
+</p>
+
+<p>
+He accordingly rose, dressed himself quietly, and, with one cautious look at
+Philip&mdash;who was fast asleep&mdash;descended the stairs to the office.
+</p>
+
+<p>
+Only the bookkeeper was in the office.
+</p>
+
+<p>
+&ldquo;You are stirring early, professor,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Riccabocca, &ldquo;I generally take a morning walk,
+to get an appetite for breakfast.&rdquo;
+</p>
+
+<p>
+&ldquo;My appetite comes without the walk,&rdquo; said the bookkeeper, smiling.
+</p>
+
+<p>
+&ldquo;If Mr. de Gray comes downstairs, please tell him I will be back
+soon,&rdquo; said Riccabocca.
+</p>
+
+<p>
+The bookkeeper readily promised to do this, not having the slightest suspicion
+that the distinguished professor was about to take French leave.
+</p>
+
+<p>
+When Professor Riccabocca had walked half a mile he began to feel faint. His
+appetite had come.
+</p>
+
+<p>
+&ldquo;I wish I had stopped to breakfast,&rdquo; he reflected. &ldquo;I
+don&rsquo;t believe De Gray will be down for an hour or two.&rdquo;
+</p>
+
+<p>
+It was too late to go back and repair his mistake. That would spoil all. He saw
+across the street a baker&rsquo;s shop, just opening for the day, and this gave
+him an idea.
+</p>
+
+<p>
+He entered, bought some rolls, and obtained a glass of milk, and, fortified
+with these, he resumed his journey.
+</p>
+
+<p>
+He had walked three miles, when he was over-taken by a farm wagon, which was
+going his way.
+</p>
+
+<p>
+He hailed the driver&mdash;a young man of nineteen or
+thereabouts&mdash;ascertained that he was driving to Knoxville, and, for a
+small sum, secured passage there.
+</p>
+
+<p>
+This brings us to the point of time when Philip and Mr. Gates drove up to the
+hotel at Knoxville.
+</p>
+
+<p>
+&ldquo;I can see the professor,&rdquo; said Philip, in eager excitement, when
+they had come within a few rods of the inn.
+</p>
+
+<p>
+&ldquo;Where is he?&rdquo;
+</p>
+
+<p>
+&ldquo;He is in the office, sitting with his back to the front window. I wonder
+what he will have to say for himself?&rdquo;
+</p>
+
+<p>
+&ldquo;So do I,&rdquo; said the landlord curiously.
+</p>
+
+<p>
+&ldquo;Shall we go in together?&rdquo; questioned Philip.
+</p>
+
+<p>
+&ldquo;No; let us surprise him a little. I will drive around to the sheds back
+of the hotel, and fasten my horse. Then we will go round to the front, and you
+can go in, while I stand outside, ready to appear a little later.&rdquo;
+</p>
+
+<p>
+Philip thought this a good plan. He enjoyed the prospect of confronting the
+rogue who had taken advantage of his inexperience, and attempted such a bold
+scheme of fraud. He didn&rsquo;t feel in the least nervous, or afraid to
+encounter the professor, though Riccabocca was a man and he but a boy. When all
+was ready, Philip entered through the front door, which was open, and, turning
+into the office, stood before the astonished professor.
+</p>
+
+<p>
+The latter started in dismay at the sight of our hero. He thought he might be
+quietly eating breakfast ten miles away, unsuspiciously waiting for his return.
+Was his brilliant scheme to fail? He quickly took his resolution&mdash;a
+foolish one. He would pretend not to know Philip.
+</p>
+
+<p>
+&ldquo;Well, Professor Riccabocca,&rdquo; Philip said, in a sarcastic tone,
+&ldquo;you took rather a long walk this morning.&rdquo;
+</p>
+
+<p>
+The professor looked at him vacantly.
+</p>
+
+<p>
+&ldquo;Were you addressing me?&rdquo; he inquired.
+</p>
+
+<p>
+&ldquo;Yes, sir,&rdquo; answered Philip, justly provoked.
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t the pleasure of your acquaintance, young man.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish I hadn&rsquo;t the pleasure of yours,&rdquo; retorted Philip.
+</p>
+
+<p>
+&ldquo;Do you come here to insult me?&rdquo; demanded Riccabocca, frowning.
+</p>
+
+<p>
+&ldquo;I came here to demand my share of the money received for the
+entertainment last evening, as well as the money paid for the hall, the
+printer, and bill-poster.&rdquo;
+</p>
+
+<p>
+&ldquo;You must be crazy!&rdquo; said Riccabocca, shrugging his shoulders.
+&ldquo;I don&rsquo;t know you. I don&rsquo;t owe you any money.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you mean to say we didn&rsquo;t give an entertainment together last
+evening at Wilkesville?&rdquo; asked Philip, rather taken aback by the
+man&rsquo;s sublime impudence.
+</p>
+
+<p>
+&ldquo;My young friend, you have been dreaming. Prove what you say and I will
+admit your claim.&rdquo;
+</p>
+
+<p>
+Up to this point those present, deceived by the professor&rsquo;s coolness,
+really supposed him to be in the right. That was what Riccabocca anticipated,
+and hoped to get off before the discovery of the truth could be made. But he
+did not know that Philip had a competent witness at hand.
+</p>
+
+<p>
+&ldquo;Mr. Gates!&rdquo; called Philip.
+</p>
+
+<p>
+The portly landlord of the Wilkesville Hotel entered the room, and Riccabocca
+saw that the game was up.
+</p>
+
+<p>
+&ldquo;Mr. Gates, will you be kind enough to convince this gentleman that he
+owes me money?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;I think he won&rsquo;t deny it now,&rdquo; said Gates significantly.
+&ldquo;He walked off from my hotel this morning, leaving his bill unpaid.
+Professor Riccabocca, it strikes me you had better settle with us, unless you
+wish to pass the night in the lockup.&rdquo;
+</p>
+
+<p>
+Professor Riccabocca gave a forced laugh.
+</p>
+
+<p>
+&ldquo;Why, Mr. de Gray,&rdquo; he said, &ldquo;you ought to have known that I
+was only playing a trick on you.&rdquo;
+</p>
+
+<p>
+&ldquo;I supposed you were,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;No, I don&rsquo;t mean that. I was only pretending I didn&rsquo;t know
+you, to see if I could act naturally enough, to deceive you.&rdquo;
+</p>
+
+<p>
+&ldquo;Why did you desert me?&rdquo; asked Philip suspiciously.
+</p>
+
+<p>
+&ldquo;I started to take a walk&mdash;didn&rsquo;t the bookkeeper tell
+you?&mdash;and finding a chance to ride over here, thought I would do so, and
+make arrangements for our appearance here. Of course, I intended to come back,
+and pay our good friend, the landlord, and give you your share of the common
+fund.&rdquo;
+</p>
+
+<p>
+Neither Gates nor Philip believed a word of this. It seemed to them quite too
+transparent.
+</p>
+
+<p>
+&ldquo;You may as well pay us now, Professor Riccabocca,&rdquo; said the
+landlord dryly.
+</p>
+
+<p>
+&ldquo;I hope you don&rsquo;t suspect my honor or integrity,&rdquo; said
+Riccabocca, appearing to be wounded at the thought.
+</p>
+
+<p>
+&ldquo;Never mind about that,&rdquo; said Mr. Gates shortly. &ldquo;Actions
+speak louder than words.&rdquo;
+</p>
+
+<p>
+&ldquo;I am quite ready to settle&mdash;quite,&rdquo; said the professor.
+&ldquo;The money is in my room. I will go up and get it.&rdquo;
+</p>
+
+<p>
+There seemed to be no objection to this, and our two friends saw him ascend the
+staircase to the second story. Philip felt pleased to think that he had
+succeeded in his quest, for his share of the concert money would be nearly
+seventy dollars. That, with the balance of the money; received from Farmer
+Lovett, would make over a hundred dollars.
+</p>
+
+<p>
+They waited five minutes, and the professor did not come down.
+</p>
+
+<p>
+&ldquo;What can keep him?&rdquo; said Philip.
+</p>
+
+<p>
+Just then one of the hostlers entered and caught what our hero had said.
+</p>
+
+<p>
+&ldquo;A man has just run out of the back door,&rdquo; he said, &ldquo;and is
+cutting across the fields at a great rate.&rdquo;
+</p>
+
+<p>
+&ldquo;He must have gone down the back stairs,&rdquo; said the clerk.
+</p>
+
+<p>
+&ldquo;In what direction would he go?&rdquo; asked Philip hastily.
+</p>
+
+<p>
+&ldquo;To the railroad station. There is a train leaves in fifteen
+minutes.&rdquo;
+</p>
+
+<p>
+&ldquo;What shall we do, Mr. Gates?&rdquo; asked Philip, in dismay.
+</p>
+
+<p>
+&ldquo;Jump into my buggy. We&rsquo;ll get to the depot before the train
+starts. We must intercept the rascal.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0032" id="link2HCH0032"></a>
+CHAPTER XXXII.<br/>
+THE RACE ACROSS FIELDS.</h2>
+
+<p>
+It so happened that Professor Riccabocca had once before visited Knoxville, and
+remembered the location of the railroad station. Moreover, at the hotel, before
+the arrival of Philip, he had consulted a schedule of trains posted up in the
+office, and knew that one would leave precisely at ten o&rsquo;clock.
+</p>
+
+<p>
+The impulse to leave town by this train was sudden. He had in his pocket the
+wallet containing the hundred and fifty dollars, of which a large part belonged
+to Philip, and could have settled at once, without the trouble of going
+upstairs to his room.
+</p>
+
+<p>
+He only asked leave to go up there in order to gain time for thought. At the
+head of the staircase he saw another narrower flight of stairs descending to
+the back of the house. That gave him the idea of eluding his two creditors by
+flight.
+</p>
+
+<p>
+I have said before that Professor Riccabocca was not a wise man, or he would
+have reflected that he was only postponing the inevitable reckoning. Moreover,
+it would destroy the last chance of making an arrangement with Philip to
+continue the combination, which thus far had proved so profitable.
+</p>
+
+<p>
+The professor did not take this into consideration, but dashed down the back
+stairs, and opened the back door into the yard.
+</p>
+
+<p>
+&ldquo;Do you want anything, sir?&rdquo; asked a maidservant, eyeing the
+professor suspiciously.
+</p>
+
+<p>
+&ldquo;Nothing at all, my good girl,&rdquo; returned the professor.
+</p>
+
+<p>
+&ldquo;You seem to be in a hurry,&rdquo; she continued, with renewed suspicion.
+</p>
+
+<p>
+&ldquo;So I am. I am in a great hurry to meet an engagement.&rdquo;
+</p>
+
+<p>
+&ldquo;Why didn&rsquo;t you go out the front door?&rdquo; asked the girl.
+</p>
+
+<p>
+&ldquo;Oh, bother! What business is it of yours?&rdquo; demanded the professor
+impatiently.
+</p>
+
+<p>
+And, not stopping for further inquiries, he vaulted over a fence and took his
+way across the fields to the station.
+</p>
+
+<p>
+&ldquo;Here, Sam,&rdquo; called the girl, her suspicions confirmed that
+something was wrong, &ldquo;go after that man as fast as you can!&rdquo;
+</p>
+
+<p>
+This was addressed to a boy who was employed at the hotel to go on errands and
+do odd jobs.
+</p>
+
+<p>
+&ldquo;What&rsquo;s he done?&rdquo; asked Sam.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know; but he&rsquo;s either run off without paying his
+bill, or he&rsquo;s stolen something.&rdquo;
+</p>
+
+<p>
+&ldquo;What good&rsquo;ll it do me to chase him?&rdquo; asked Sam.
+</p>
+
+<p>
+&ldquo;If he&rsquo;s cheated master, he&rsquo;ll pay you for catching the
+man.&rdquo;
+</p>
+
+<p>
+&ldquo;That&rsquo;s so,&rdquo; thought Sam. &ldquo;Besides, I&rsquo;ll be a
+detective, just like that boy I read about in the paper. I&rsquo;m off!&rdquo;
+</p>
+
+<p>
+Fired by youthful ambition, Sam also vaulted the fence, and ran along the
+foot-path in pursuit of the professor.
+</p>
+
+<p>
+Lorenzo Riccabocca did not know he was pursued. He felt himself so safe from
+this, on account of the secrecy of his departure, that he never took the
+trouble to look behind him. He knew the way well enough, for the fields he was
+crossing were level, and half a mile away, perhaps a little more, he could see
+the roof of the brown-painted depot, which was his destination. Once there, he
+would buy a ticket, get on the train, and get started away from Knoxville
+before the troublesome acquaintances who were waiting for him to come
+down-stairs had any idea where he was gone.
+</p>
+
+<p>
+The professor ran at a steady, even pace, looking straight before him. His eyes
+were fixed on the haven of his hopes, and he did not notice a stone, of
+considerable size, which lay in his path. The result was that he stumbled over
+it, and fell forward with considerable force. He rose, jarred and sore, but
+there was no time to take account of his physical damages. He must wait till he
+got on the train.
+</p>
+
+<p>
+The force with which he was thrown forward was such that the wallet was thrown
+from his pocket, and fell in the grass beside the path. The professor went on
+his way, quite unconscious of his loss, but there were other eyes that did not
+overlook it.
+</p>
+
+<p>
+Sam, who was thirty rods behind, noticed Professor Riccabocca&rsquo;s fall, and
+he likewise noticed the wallet when he reached the spot of the catastrophe.
+</p>
+
+<p>
+&ldquo;My eyes!&rdquo; he exclaimed, opening those organs wide in delight;
+&ldquo;here&rsquo;s luck! The old gentleman has dropped his pocketbook. Most
+likely it&rsquo;s stolen. I&rsquo;ll carry it back and give it to Mr.
+Perry.&rdquo;
+</p>
+
+<p>
+Sam very sensibly decided that it wasn&rsquo;t worth while to continue the
+pursuit, now that the thief, as he supposed Riccabocca to be, had dropped his
+booty.
+</p>
+
+<p>
+Sam was led by curiosity to open the wallet. When he saw the thick roll of
+bills, he was filled with amazement and delight.
+</p>
+
+<p>
+&ldquo;Oh, what a rascal he was!&rdquo; ejaculated the boy. &ldquo;I guess
+he&rsquo;s been robbing a safe. I wonder how much is here?&rdquo;
+</p>
+
+<p>
+He was tempted to sit down on the grass and count the bills, but he was
+prevented by the thought that the professor might discover his loss, and
+returning upon his track, question him as to whether he had found it. Sam
+determined that he wouldn&rsquo;t give it up, at any rate.
+</p>
+
+<p>
+&ldquo;I guess I could wrastle with him,&rdquo; he thought. &ldquo;He looks
+rather spindlin&rsquo;, but then he&rsquo;s bigger than I am, and he might lick
+me, after all.&rdquo;
+</p>
+
+<p>
+I desire to say emphatically that Sam was strictly honest, and never for a
+moment thought of appropriating any of the money to his own use. He felt that
+as a detective he had been successful, and this made him feel proud and happy.
+</p>
+
+<p>
+&ldquo;I may as well go home,&rdquo; he said. &ldquo;If he&rsquo;s stolen this
+money from Mr. Perry, I&rsquo;ll come in for a reward.&rdquo;
+</p>
+
+<p>
+Sam did not hurry, however. He was not now in pursuit of any one, and could
+afford to loiter and recover his breath.
+</p>
+
+<p>
+Meanwhile, Professor Riccabocca, in happy unconsciousness of his loss,
+continued his run to the station. He arrived there breathless, and hurried to
+the ticket-office.
+</p>
+
+<p>
+&ldquo;Give me a ticket to Chambersburg,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;All right, sir. Ninety cents.&rdquo;
+</p>
+
+<p>
+If Riccabocca had been compelled to take out his wallet, he would at once have
+discovered his loss, and the ticket would not have been bought. But he had a
+two-dollar bill in his vest, and it was out of this that he paid for the ticket
+to Chambersburg. Armed with the ticket, he waited anxiously for the train. He
+had five minutes to wait&mdash;five anxious moments in which his flight might
+be discovered. He paced the platform, looking out anxiously for the train.
+</p>
+
+<p>
+At length he heard the welcome sound of the approaching locomotive. The train
+came to a stop, and among the first to enter it was the eminent elocutionist.
+He took a seat beside the window looking out toward the village. What did he
+see that brought such an anxious look in his face?
+</p>
+
+<p>
+A buggy was approaching the depot at breakneck speed. It contained Mr. Gates,
+the landlord, and the young musician. Mr. Gates was lashing the horse, and
+evidently was exceedingly anxious to arrive at the depot before the train
+started.
+</p>
+
+<p>
+Beads of perspiration stood on the anxious brow of the professor. His heart was
+filled with panic terror.
+</p>
+
+<p>
+&ldquo;The girl must have told them of my flight,&rdquo; he said to himself.
+&ldquo;Oh, why didn&rsquo;t I think to give her a quarter to keep her lips
+closed? Why doesn&rsquo;t the train start?&rdquo;
+</p>
+
+<p>
+The buggy was only about ten rods away. It looked as if Philip and his
+companion would be able to intercept the fugitive.
+</p>
+
+<p>
+Just then the scream of the locomotive was heard. The train began to move.
+Professor Riccabocca gave a sigh of relief.
+</p>
+
+<p>
+&ldquo;I shall escape them after all,&rdquo; he said triumphantly, to himself.
+</p>
+
+<p>
+He opened the window, and, with laughing face, nodded to his pursuers.
+</p>
+
+<p>
+&ldquo;We&rsquo;ve lost him!&rdquo; said Philip, in a tone of disappointment.
+&ldquo;What can we do?&rdquo;
+</p>
+
+<p>
+&ldquo;Find out where he is going, and telegraph to have him stopped,&rdquo;
+said Mr. Gates. &ldquo;That will put a spoke in his wheel.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0033" id="link2HCH0033"></a>
+CHAPTER XXXIII.<br/>
+THE LOST WALLET.</h2>
+
+<p>
+Mr. Gates was acquainted with the depot-master, and lost no time in seeking
+him.
+</p>
+
+<p>
+&ldquo;Too late for the train?&rdquo; asked the latter, who observed in the
+landlord evidences of haste.
+</p>
+
+<p>
+&ldquo;Not for the train, but for one of the passengers by the train,&rdquo;
+responded the landlord. &ldquo;Did you take notice of a man dressed in a shabby
+suit of black, wearing a soft hat and having very long black hair?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Where is he going?&rdquo; asked Mr. Gates eagerly.
+</p>
+
+<p>
+&ldquo;He bought a ticket for Chambersburg.&rdquo;
+</p>
+
+<p>
+&ldquo;Ha! Well, I want you to telegraph for me to Chambersburg.&rdquo;
+</p>
+
+<p>
+The station-master was also the telegraph-operator, as it chanced.
+</p>
+
+<p>
+&ldquo;Certainly. Just write out your message and I will send it at
+once.&rdquo;
+</p>
+
+<p>
+Mr. Gates telegraphed to a deputy sheriff at Chambersburg to be at the depot on
+arrival of the train, and to arrest and detain the professor till he could
+communicate further with him.
+</p>
+
+<p>
+&ldquo;Now,&rdquo; said he, turning to Philip, &ldquo;I think we shall be able
+to stop the flight of your friend.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t call him my friend,&rdquo; said Philip. &ldquo;He is
+anything but a friend.&rdquo;
+</p>
+
+<p>
+&ldquo;You are right there. Well, I will amend and call him your partner. Now,
+Mr. de Gray&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;My name is Gray&mdash;not de Gray. The professor put in the
+&lsquo;de&rsquo; because he thought it would sound foreign.&rdquo;
+</p>
+
+<p>
+&ldquo;I presume you have as much right to the name as he has to the title of
+professor,&rdquo; said Gates.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t doubt it,&rdquo; returned Philip, smiling.
+</p>
+
+<p>
+&ldquo;Well, as I was about to say, we may as well go back to the hotel, and
+await the course of events. I think there is some chance of your getting your
+money back.&rdquo;
+</p>
+
+<p>
+When they reached the hotel, they found a surprise in store for them.
+</p>
+
+<p>
+Sam had carried the professor&rsquo;s wallet to Mr. Perry, and been told by
+them to wait and hand it in person to Philip and his friend, Mr. Gates, who
+were then at the depot.
+</p>
+
+<p>
+When they arrived, Sam was waiting on the stoop, wallet in hand.
+</p>
+
+<p>
+&ldquo;What have you got there, Sam?&rdquo; asked Mr. Gates, who often came to
+Knoxville, and knew the boy. &ldquo;It&rsquo;s the wallet of that man you were
+after,&rdquo; said Sam.
+</p>
+
+<p>
+&ldquo;How did you get it?&rdquo; asked Philip eagerly.
+</p>
+
+<p>
+&ldquo;I chased him &rsquo;cross lots,&rdquo; said Sam.
+</p>
+
+<p>
+&ldquo;You didn&rsquo;t knock him over and take the wallet from him, did you,
+Sam?&rdquo; asked Mr. Gates.
+</p>
+
+<p>
+&ldquo;Not so bad as that,&rdquo; answered Sam, grinning. &ldquo;You see, he
+tripped over a big rock, and came down on his hands and knees. The wallet
+jumped out of his pocket, but he didn&rsquo;t see it. I picked it up and
+brought it home.&rdquo;
+</p>
+
+<p>
+&ldquo;Didn&rsquo;t he know you were chasing him?&rdquo;
+</p>
+
+<p>
+&ldquo;I guess not. He never looked back.&rdquo;
+</p>
+
+<p>
+&ldquo;What made you think of running after him?&rdquo;
+</p>
+
+<p>
+&ldquo;One of the girls told me to. The way he ran out of the back door made
+her think there was something wrong.&rdquo;
+</p>
+
+<p>
+&ldquo;Suppose he had turned round?&rdquo;
+</p>
+
+<p>
+&ldquo;I guess I could have wrastled with him,&rdquo; said Sam, to the
+amusement of those who heard him.
+</p>
+
+<p>
+&ldquo;It is well you were not obliged to.&rdquo;
+</p>
+
+<p>
+&ldquo;Who shall I give the wallet to?&rdquo; asked Sam.
+</p>
+
+<p>
+&ldquo;Mr. Gray, here, is the professor&rsquo;s partner, and half the money
+belongs to him. You can give it to him.&rdquo;
+</p>
+
+<p>
+&ldquo;Have I a right to take it?&rdquo; asked Philip, who did not wish to do
+anything unlawful.
+</p>
+
+<p>
+He was assured that, as the business partner of the professor, he had as much
+right as Riccabocca to the custody of the common fund.
+</p>
+
+<p>
+&ldquo;But half of it belongs to the professor.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;ll come back for it, in the custody of the sheriff. I
+didn&rsquo;t think I was doing the man a good turn when I telegraphed to have
+him stopped.&rdquo;
+</p>
+
+<p>
+The first thing Philip did was to take from his own funds a five-dollar bill,
+which he tendered to Sam.
+</p>
+
+<p>
+&ldquo;Is it all for me?&rdquo; asked the boy, his eyes sparkling his joy.
+</p>
+
+<p>
+&ldquo;Yes; but for you I should probably have lost a good deal more. Thank
+you, besides.&rdquo;
+</p>
+
+<p>
+And Philip offered his hand to Sam, who grasped it fervently.
+</p>
+
+<p>
+&ldquo;I say, you&rsquo;re a tip-top chap,&rdquo; said Sam. &ldquo;You
+ain&rsquo;t like a man that lost a pocketbook last summer, with a hundred
+dollars in it, and gave me five cents for finding it.&rdquo;
+</p>
+
+<p>
+&ldquo;No; I hope I&rsquo;m not as mean as that,&rdquo; said Philip, smiling.
+</p>
+
+<p>
+He opened the wallet and found a memorandum containing an exact statement of
+the proceeds of the concert. This was of great service to him, as it enabled
+him to calculate his own share of the profits.
+</p>
+
+<p>
+The aggregate receipts were one hundred and fifty dollars and fifty cents.
+Deducting bills paid, viz.:
+</p>
+
+<p>
+Rent of hall........................ $5.00
+</p>
+
+<p>
+Printing, etc........................ 5.00
+</p>
+
+<p>
+Bill-poster......................... 1.00
+</p>
+
+<p>
+Total...........................$11.00
+</p>
+
+<p>
+there was a balance of $138.50, of which Philip was entitled to one-half,
+namely, $69.25. This he took, together with the eleven dollars which he had
+himself paid to the creditors of the combination, and handed the wallet, with
+the remainder of the money, to Mr. Perry, landlord of the Knoxville Hotel, with
+a request that he would keep it till called for by Professor Riccabocca.
+</p>
+
+<p>
+&ldquo;You may hand me three dollars and a half, Mr. Perry,&rdquo; said Mr.
+Gates. &ldquo;That is the amount the professor owes me for a day and
+three-quarters at my hotel. If he makes a fuss, you can tell him he is quite at
+liberty to go to law about it.&rdquo;
+</p>
+
+<p>
+Meanwhile, where was the professor, and when did he discover his loss?
+</p>
+
+<p>
+After the train was a mile or two on its way he felt in his pocket for the
+wallet, meaning to regale himself with a sight of its contents&mdash;now, as he
+considered, all his own.
+</p>
+
+<p>
+Thrusting his hand into his pocket, it met&mdash;vacancy.
+</p>
+
+<p>
+Pale with excitement, he continued his search, extending it to all his other
+pockets. But the treasure had disappeared!
+</p>
+
+<p>
+Professor Riccabocca was panic-stricken. He could hardly suppress a groan.
+</p>
+
+<p>
+A good woman sitting opposite, judging from his pallor that he was ill, leaned
+over and asked, in a tone of sympathy:
+</p>
+
+<p>
+&ldquo;Are you took sick?&rdquo;
+</p>
+
+<p>
+&ldquo;No, ma&rsquo;am,&rdquo; answered the professor sharply.
+</p>
+
+<p>
+&ldquo;You look as if you was goin&rsquo; to have a fit,&rdquo; continued the
+sympathizing woman. &ldquo;Jest take some chamomile tea the first chance you
+get. It&rsquo;s the sovereignest thing I know of&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Will chamomile tea bring back a lost pocket-book?&rdquo; demanded the
+professor sharply.
+</p>
+
+<p>
+&ldquo;Oh, Lor&rsquo;! you don&rsquo;t say you lost your money?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I do!&rdquo; said Riccabocca, glaring at her.
+</p>
+
+<p>
+&ldquo;Oh, dear! do you think there&rsquo;s pickpockets in the car?&rdquo;
+asked the old lady nervously.
+</p>
+
+<p>
+&ldquo;Very likely,&rdquo; answered the professor tragically.
+</p>
+
+<p>
+The good woman kept her hand in her pocket all the rest of the way, eyeing all
+her fellow passengers sharply.
+</p>
+
+<p>
+But the professor guessed the truth. He had lost his wallet when he stumbled in
+the field. He was in a fever of impatience to return and hunt for it. Instead
+of going on to Chambersburg, he got out at the next station&mdash;five miles
+from Knoxville&mdash;and walked back on the railroad-track. So it happened that
+the telegram did no good.
+</p>
+
+<p>
+The professor walked back to the hotel across the fields, hunting diligently,
+but saw nothing of the lost wallet. He entered the hotel, footsore, weary, and
+despondent. The first person he saw was Philip, sitting tranquilly in the
+office.
+</p>
+
+<p>
+&ldquo;Did you just come down from your room?&rdquo; asked our hero coolly.
+</p>
+
+<p>
+&ldquo;I am a most unfortunate man!&rdquo; sighed Riccabocca, sinking into a
+seat.
+</p>
+
+<p>
+&ldquo;What&rsquo;s the matter?&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ve lost all our money.&rdquo;
+</p>
+
+<p>
+&ldquo;I am glad you say &lsquo;our money.&rsquo; I began to think you
+considered it all yours. Didn&rsquo;t I see you on the train?&rdquo;
+</p>
+
+<p>
+&ldquo;I had a bad headache,&rdquo; stammered the professor, &ldquo;and I
+didn&rsquo;t know what I was doing.&rdquo;
+</p>
+
+<p>
+&ldquo;Does riding in the cars benefit your head?&rdquo;
+</p>
+
+<p>
+Professor Riccabocca looked confused.
+</p>
+
+<p>
+&ldquo;The wallet was found,&rdquo; said Philip, not wishing to keep him any
+longer in suspense.
+</p>
+
+<p>
+&ldquo;Where is it?&rdquo; asked the professor eagerly.
+</p>
+
+<p>
+&ldquo;Mr. Perry will give it to you. I have taken out my share of the money,
+and Mr. Gates has received the amount of his bill. It would have been better
+for you to attend to these matters yourself like an honest man.&rdquo;
+</p>
+
+<p>
+Professor Riccabocca was so overjoyed to have back his own money that he made
+no fuss about Philip&rsquo;s proceedings. Indeed, his own intended dishonesty
+was so apparent that it would have required even more assurance than he
+possessed to make a protest.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0034" id="link2HCH0034"></a>
+CHAPTER XXXIV.<br/>
+A NEW BUSINESS PROPOSAL.</h2>
+
+<p>
+Professor Riccabocca put the wallet in his pocket with a sigh of satisfaction.
+There were still sixty dollars or more in it, and it was long since he had been
+so rich.
+</p>
+
+<p>
+He began to think now that it might be well to revive the combination. There
+was some doubt, however, as to how Philip would receive the proposal.
+</p>
+
+<p>
+He looked at his young partner and was not much encouraged. He felt that he
+must conciliate him.
+</p>
+
+<p>
+&ldquo;Mr. de Gray,&rdquo; he began.
+</p>
+
+<p>
+&ldquo;Call me Gray. My name is not de Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, Mr. Gray, then. I hope you don&rsquo;t have any hard
+feelings.&rdquo;
+</p>
+
+<p>
+&ldquo;About what?&rdquo; inquired Philip, surveying the professor curiously.
+</p>
+
+<p>
+&ldquo;About&mdash;the past,&rdquo; stammered the professor.
+</p>
+
+<p>
+&ldquo;You mean about your running off with my money?&rdquo; returned Philip
+plainly.
+</p>
+
+<p>
+Professor Riccabocca winced. He did not quite like this form of statement.
+&ldquo;I am afraid you misjudge me,&rdquo; he said, rather confused.
+</p>
+
+<p>
+&ldquo;I shall be glad to listen to any explanation you have to offer,&rdquo;
+said our hero.
+</p>
+
+<p>
+&ldquo;I will explain it all to you, in time,&rdquo; said the professor,
+recovering his old assurance. &ldquo;In the meantime, I have a proposition to
+make to you.&rdquo;
+</p>
+
+<p>
+&ldquo;What is it?&rdquo;
+</p>
+
+<p>
+&ldquo;Suppose we give an entertainment in Knoxville&mdash;on the same terms as
+the last.&rdquo;
+</p>
+
+<p>
+&ldquo;I shouldn&rsquo;t think you would like to appear before an audience
+here, Professor Riccabocca.&rdquo;
+</p>
+
+<p>
+&ldquo;Why not?&rdquo;
+</p>
+
+<p>
+&ldquo;Before night everybody will have heard of your running away with the
+proceeds of the last concert.&rdquo;
+</p>
+
+<p>
+&ldquo;Public men are always misjudged. They must expect it,&rdquo; said the
+professor, with the air of a martyr.
+</p>
+
+<p>
+&ldquo;I should think you would be more afraid of being justly judged.&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Gray,&rdquo; said the professor, &ldquo;I have done wrong, I admit;
+but it was under the influence of neuralgia. When I have a neuralgic headache,
+I am not myself. I do things which, in a normal condition, I should not dream
+of. I am the victim of a terrible physical malady.&rdquo;
+</p>
+
+<p>
+Philip did not believe a word of this, but he felt amused at the
+professor&rsquo;s singular excuse.
+</p>
+
+<p>
+&ldquo;Come, Mr. Gray, what do you say?&rdquo;
+</p>
+
+<p>
+&ldquo;I think I must decline,&rdquo; returned Philip.
+</p>
+
+<p>
+But here Professor Riccabocca received unexpected help.
+</p>
+
+<p>
+Mr. Perry, the landlord, who had listened to the colloquy, approached the two
+speakers and said:
+</p>
+
+<p>
+&ldquo;Gentlemen, I have a proposal to make to you both.&rdquo;
+</p>
+
+<p>
+Both Philip and the professor looked up, with interest.
+</p>
+
+<p>
+&ldquo;Some of the young men in the village,&rdquo; said the landlord,
+&ldquo;have formed a literary club, meeting weekly. They have hired and
+furnished a room over one of our stores, provided it with, games and subscribed
+for a few periodicals. They find, however, that the outlay has been greater
+than they anticipated and are in debt. I have been talking with the secretary,
+and he thinks he would like to engage you to give an entertainment, the
+proceeds, beyond a fixed sum, to go to the benefit of the club. What do you
+say?&rdquo;
+</p>
+
+<p>
+&ldquo;When is it proposed to have the entertainment?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;I suppose we should have to name to-morrow evening, in order to
+advertise it sufficiently.&rdquo;
+</p>
+
+<p>
+&ldquo;I am willing to make any engagement that will suit the club,&rdquo; said
+Philip.
+</p>
+
+<p>
+&ldquo;And I, too,&rdquo; said Professor Riccabocca.
+</p>
+
+<p>
+&ldquo;The secretary authorizes me to offer you ten dollars each, and to pay
+your hotel expenses in the meantime,&rdquo; said Mr. Perry.
+</p>
+
+<p>
+&ldquo;That is satisfactory,&rdquo; said our hero.
+</p>
+
+<p>
+&ldquo;I agree,&rdquo; said the professor.
+</p>
+
+<p>
+&ldquo;Then I will at once notify the secretary, and he will take steps to
+advertise the entertainment.&rdquo;
+</p>
+
+<p>
+Ten dollars was a small sum compared with what Philip had obtained for his
+evening in Wilkesville, but a week since he would have regarded it as very
+large for one week&rsquo;s work. He felt that it was for his interest to accept
+the proposal.
+</p>
+
+<p>
+He secretly resolved that if the entertainment should not prove as successful
+as was anticipated, he would give up a part of the sum which was promised him
+for his services.
+</p>
+
+<p>
+Professor Riccabocca assented the more readily to the proposal, because he
+thought it might enable him again to form a business alliance with our hero,
+from whom his conduct had estranged him.
+</p>
+
+<p>
+&ldquo;Suppose we take a room together, Mr. de Gray,&rdquo; he said, with an
+ingratiating smile.
+</p>
+
+<p>
+&ldquo;Gray, if you please, professor. I don&rsquo;t like sailing under false
+colors.&rdquo;
+</p>
+
+<p>
+&ldquo;Excuse me; the force of habit, you know. Well, do you agree?&rdquo;
+</p>
+
+<p>
+&ldquo;The professor has more assurance than any man I ever heard of,&rdquo;
+thought Philip. &ldquo;You must excuse me, professor,&rdquo; he said.
+&ldquo;After what has happened, I should feel safer in a room by myself.&rdquo;
+</p>
+
+<p>
+&ldquo;Why will you dwell upon the past, Mr. Gray?&rdquo; said the professor
+reproachfully.
+</p>
+
+<p>
+&ldquo;Because I am prudent, and learn from experience,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;I assure you, you will have nothing to complain of,&rdquo; said
+Riccabocca earnestly. &ldquo;If we are together, we can consult about the
+program.&rdquo;
+</p>
+
+<p>
+&ldquo;We shall have plenty of time to do that during the day,
+professor.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you don&rsquo;t care to room with me?&rdquo; said Riccabocca,
+looking disappointed.
+</p>
+
+<p>
+&ldquo;No, I don&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;What are you afraid of?&rdquo;
+</p>
+
+<p>
+&ldquo;I am afraid you might have an attack of neuralgic headache during the
+night,&rdquo; said Philip, laughing.
+</p>
+
+<p>
+Professor Riccabocca saw that it would be of no use for him to press the
+request, and allowed himself to be conducted to the same room which he had so
+unceremoniously left a short time before.
+</p>
+
+<p>
+During the afternoon, Philip had a call from John Turner, the secretary of the
+Young Men&rsquo;s Club. He was a pleasant, straightforward young man, of
+perhaps twenty.
+</p>
+
+<p>
+&ldquo;We are very much obliged to you, Mr. Gray,&rdquo; he said, &ldquo;for
+kindly consenting to play for our benefit.&rdquo;
+</p>
+
+<p>
+&ldquo;It is for my interest,&rdquo; said Philip frankly. &ldquo;I may as well
+remain here and earn ten dollars as to be idle.&rdquo;
+</p>
+
+<p>
+&ldquo;But you made a great deal more, I understand, in Wilkesville?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; but I might not be as fortunate here. I had not intended to appear
+here at all, and should not have done so unless you had invited me. How many
+have you in your club?&rdquo;
+</p>
+
+<p>
+&ldquo;Only about twenty-five, so far, and some of us are not able to pay
+much.&rdquo;
+</p>
+
+<p>
+&ldquo;How long has your club been formed?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;Only about three months. We wanted a place where we could meet together
+socially in the evening, and have a good time. Before, we had only the stores
+and barrooms to go to, and there we were tempted to drink. Our club was started
+in the interests of temperance, and we can see already that it is exerting a
+good influence.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I am very glad to assist you,&rdquo; said Philip cordially.
+</p>
+
+<p>
+&ldquo;You must come round and see our room. Are you at leisure now?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, Mr. Turner.&rdquo;
+</p>
+
+<p>
+Philip accompanied his new friend to the neatly furnished room leased by the
+society. He was so well pleased with its appearance that he thought he should
+himself like to belong to such an association, whenever he found a permanent
+home. At present he was only a wanderer.
+</p>
+
+<p>
+&ldquo;Our debt is thirty-four dollars,&rdquo; said the secretary. &ldquo;You
+may not think it large, but it&rsquo;s large for us.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope our entertainment will enable you to clear it off.&rdquo;
+</p>
+
+<p>
+&ldquo;If it should it will give us new courage.&rdquo;
+</p>
+
+<p>
+On the evening of the next day Philip and the professor entered the hall
+engaged for the entertainment, and took seats on the platform.
+</p>
+
+<p>
+The hall was well filled, the scale of prices being the same as at Wilkesville.
+</p>
+
+<p>
+&ldquo;Mr. Gray,&rdquo; whispered the secretary joyfully, &ldquo;it is a great
+success! After paying all bills the club will clear fifty dollars.&rdquo;
+</p>
+
+<p>
+&ldquo;I am delighted to hear it,&rdquo; said Philip.
+</p>
+
+<p>
+The professor commenced the entertainment, and was followed by Philip.
+</p>
+
+<p>
+As Philip began to play his attention was drawn to three persons who were
+entering the hall.
+</p>
+
+<p>
+These were a lady, a little girl, and a stout gentleman, in whom Philip, almost
+petrified with amazement, recognized his old acquaintance, Squire Pope, of
+Norton, who had shown himself so anxious to provide him a home in the
+poor-house.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0035" id="link2HCH0035"></a>
+CHAPTER XXXV.<br/>
+SQUIRE POPE IS AMAZED.</h2>
+
+<p>
+Though Philip did not know it, it chanced that Squire Pope&rsquo;s only sister,
+Mrs. Cunningham, lived in Knoxville. She was a widow, fairly well off, with a
+young daughter, Carrie&mdash;a girl of twelve. Squire Pope had long thought of
+visiting his sister, and happening about this time to have a little business in
+a town near-by, he decided to carry out his long-deferred plan. He arrived by
+the afternoon train, in time for supper.
+</p>
+
+<p>
+&ldquo;I am glad you are here to-night, brother,&rdquo; said Mrs. Cunningham.
+</p>
+
+<p>
+&ldquo;Why particularly to-night, Sister Ellen?&rdquo; asked the squire.
+</p>
+
+<p>
+&ldquo;Because there is to be an entertainment for the benefit of the Young
+Men&rsquo;s Literary Club. It is expected to be very interesting.&rdquo;
+</p>
+
+<p>
+&ldquo;What sort of an entertainment, Ellen?&rdquo; asked the squire.
+</p>
+
+<p>
+&ldquo;The celebrated elocutionist, Professor Riccabocca, is to give some
+readings&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Riccabocca!&rdquo; repeated the squire, in a musing tone. &ldquo;I
+can&rsquo;t say I ever heard of him.&rdquo;
+</p>
+
+<p>
+&ldquo;Nor I; but I hear he&rsquo;s very celebrated.&rdquo;
+</p>
+
+<p>
+&ldquo;Is there anything else?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, there&rsquo;s a young musician going to play. He is said to be
+wonderful. He plays on the violin.&rdquo;
+</p>
+
+<p>
+&ldquo;He&rsquo;s a very handsome boy,&rdquo; said Carrie enthusiastically.
+&ldquo;He&rsquo;s staying at the hotel. I saw him this afternoon when I was
+passing.&rdquo;
+</p>
+
+<p>
+&ldquo;So he&rsquo;s good-looking, is he, Carrie?&rdquo; asked the squire,
+laughing.
+</p>
+
+<p>
+&ldquo;He&rsquo;s ever so good-looking,&rdquo; answered Carrie emphatically.
+</p>
+
+<p>
+&ldquo;Then we must certainly go, for Carrie&rsquo;s sake,&rdquo; said the
+squire.
+</p>
+
+<p>
+Squire Pope had not the slightest idea that the young musician, about whom his
+niece spoke so enthusiastically, was the boy whom he had so recently
+persecuted.
+</p>
+
+<p>
+If Carrie had mentioned his name, the secret would have been out, but she had
+not yet heard it.
+</p>
+
+<p>
+In honor of her brother&rsquo;s arrival, Mrs. Cunningham prepared a more
+elaborate supper than usual, and to this it was owing that the three entered
+the hall late, just as Philip was about to commence playing.
+</p>
+
+<p>
+The squire and his companions were obliged to take seats some distance away
+from the platform, and as his eyesight was poor, he didn&rsquo;t immediately
+recognize as an old acquaintance the boy who was standing before the audience
+with his violin in his hand.
+</p>
+
+<p>
+&ldquo;That&rsquo;s he! That&rsquo;s the young violin-player!&rdquo; whispered
+Carrie, in a tone of delight. &ldquo;Isn&rsquo;t he handsome, uncle!&rdquo;
+</p>
+
+<p>
+&ldquo;Wait till I get my glasses on,&rdquo; said the squire, fumbling in his
+pocket for his spectacle-case.
+</p>
+
+<p>
+Adjusting his glasses, Squire Pope directed a glance at the stage. He instantly
+recognized Philip, and his surprise was boundless. He gave a sudden start.
+</p>
+
+<p>
+&ldquo;By gracious, I couldn&rsquo;t have believed it!&rdquo; he ejaculated.
+</p>
+
+<p>
+&ldquo;Couldn&rsquo;t have believed what, brother?&rdquo; asked Mrs.
+Cunningham.
+</p>
+
+<p>
+&ldquo;I know that boy!&rdquo; he said, in a tone of excitement.
+</p>
+
+<p>
+&ldquo;You know him, uncle?&rdquo; said Carrie, delighted. &ldquo;Then you must
+introduce me to him. I want to meet him ever so much. Where did you ever see
+him?&rdquo;
+</p>
+
+<p>
+&ldquo;Where did I see him? I&rsquo;m his guardian. He ran away from me a
+little more than a week since, and I never knew where he went.&rdquo;
+</p>
+
+<p>
+&ldquo;You the guardian of the wonderful boy-player?&rdquo; said Carrie,
+astonished. &ldquo;Isn&rsquo;t it strange?&rdquo;
+</p>
+
+<p>
+&ldquo;His father died a short time since and left him in my care,&rdquo; said
+the squire, not scrupling to make a misstatement. &ldquo;But I&rsquo;ll tell
+you more about it when the performance is over.&rdquo;
+</p>
+
+<p>
+When Philip first saw Squire Pope entering the hall it disconcerted him, but he
+reflected that the squire really had no authority over him, and consequently he
+had nothing to fear from him.
+</p>
+
+<p>
+Should his pretended guardian make any effort to recover him, he was resolved
+to make a desperate resistance, and even, if necessary, to invoke the help of
+the law.
+</p>
+
+<p>
+Meanwhile, his pride stimulated him to play his best, and the hearty applause
+of the audience when he had finished his piece encouraged him.
+</p>
+
+<p>
+As he was bowing his thanks he could not help directing a triumphant glance at
+Squire Pope, who was carefully scrutinizing him through his gold-bowed
+spectacles.
+</p>
+
+<p>
+He was glad that the squire had a chance to see for himself that he was well
+able to make his own way, with the help of the violin of which the Norton
+official had attempted to deprive him.
+</p>
+
+<p>
+In truth, Squire Pope, who knew little of Philip&rsquo;s playing, except that
+he did play, was amazed to find him so proficient. Instead, however, of
+concluding that a boy so gifted was abundantly able to &ldquo;paddle his own
+canoe,&rdquo; as the saying is, he was the more resolved to carry him back to
+Norton, and to take into his own care any the boy might have earned. In the
+middle of the entertainment was a recess of ten minutes, which most of the
+audience spent in conversation.
+</p>
+
+<p>
+Miss Carrie began again to speak of Philip.
+</p>
+
+<p>
+&ldquo;Oh,&mdash;uncle,&rdquo; she said, &ldquo;I&rsquo;m so glad you know that
+lovely boy-player! He is earning lots of money.&rdquo;
+</p>
+
+<p>
+&ldquo;Is he!&rdquo; asked the squire, pricking up his ears. &ldquo;Who told
+you so?&rdquo;
+</p>
+
+<p>
+&ldquo;One of the young men that belongs to the club told me they were to pay
+him ten dollars for playing to-night.&rdquo;
+</p>
+
+<p>
+&ldquo;Ten dollars!&rdquo; ejaculated the squire, in amazement. &ldquo;I
+don&rsquo;t believe it! It&rsquo;s ridiculous!&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, yes, it is true!&rdquo; said Mrs. Cunningham. &ldquo;John Turner
+told Carrie; and he is secretary, and ought to know.&rdquo;
+</p>
+
+<p>
+&ldquo;That isn&rsquo;t all,&rdquo; continued Carrie. &ldquo;Mr. Turner says it
+is very kind of Mr. Gray&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Gray!&rdquo; repeated the squire, amused.
+</p>
+
+<p>
+&ldquo;Well, Philip, then. I suppose you call him Philip, as you are his
+guardian.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, what were you going to say?&rdquo;
+</p>
+
+<p>
+&ldquo;Mr. Turner says that it is very kind of Philip to play for so little,
+for he made a good deal more money by his entertainment in Wilkesville.&rdquo;
+</p>
+
+<p>
+&ldquo;Did he give a concert in Wilkesville?&rdquo; asked the squire quickly.
+</p>
+
+<p>
+&ldquo;Yes, he and the professor. He was liked very much there.&rdquo;
+</p>
+
+<p>
+&ldquo;And you heard that he made a good deal of money there?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; lots of it.&rdquo;
+</p>
+
+<p>
+&ldquo;Then,&rdquo; thought the squire, &ldquo;he must have considerable money
+with him. As his guardian I ought to have the care of it. He&rsquo;s a boy, and
+isn&rsquo;t fit to have the charge of money. It&rsquo;s very lucky I came here
+just as I did. It&rsquo;s my duty, as his guardian, to look after him.&rdquo;
+</p>
+
+<p>
+The squire determined to seek an interview with our hero as soon as the
+entertainment was over.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0036" id="link2HCH0036"></a>
+CHAPTER XXXVI.<br/>
+THE PRETENDED GUARDIAN.</h2>
+
+<p>
+Philip played with excellent effect, and his efforts were received with as much
+favor at Knoxville as at Wilkesville. He was twice encored, and at the end of
+each of his selections he was greeted with applause.
+</p>
+
+<p>
+As for Professor Riccabocca, people hardly knew what to make of him. He was as
+eccentric and extravagant as ever, and his recitations were received with
+good-natured amusement. He didn&rsquo;t lack for applause, however. There were
+some boys on the front seats who applauded him, just for the fun of it. Though
+the applause was ironical, the professor persuaded himself that it was genuine,
+and posed before the audience at each outburst, with his hand on his heart, and
+his head bent so far over that he seemed likely to lose his balance.
+</p>
+
+<p>
+&ldquo;We are making a grand success, Mr. Gray,&rdquo; he said, during the
+interval of ten minutes already referred to. &ldquo;Did you notice how they
+applauded me?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Philip, with a smile.
+</p>
+
+<p>
+&ldquo;They evidently appreciate true genius. It reminds me of the ovation they
+gave me at Cincinnati last winter.&rdquo;
+</p>
+
+<p>
+&ldquo;Does it?&rdquo; asked Philip, still smiling.
+</p>
+
+<p>
+&ldquo;Yes. I was a great favorite in that intellectual city. By the way, I
+noticed that they seemed well pleased with your playing also.&rdquo;
+</p>
+
+<p>
+This he said carelessly, as if Philip&rsquo;s applause was not to be compared
+to his.
+</p>
+
+<p>
+&ldquo;Yes, they treat me very kindly,&rdquo; answered Philip.
+</p>
+
+<p>
+&ldquo;You are fortunate in having me to introduce you to the public,&rdquo;
+said the professor emphatically. &ldquo;The name of Riccabocca is so well
+known, that it is of great advantage to you.&rdquo;
+</p>
+
+<p>
+The professor deluded himself with the idea that he was a great elocutionist,
+and that the public rated him as highly as he did himself. When anything
+occurred that did not seem to favor this view, he closed his eyes to it,
+preferring to believe that he was a popular favorite.
+</p>
+
+<p>
+&ldquo;I hope I shall never be so deceived about myself,&rdquo; thought Philip.
+</p>
+
+<p>
+When the entertainment was over, Mr. Caswell, president of the club, came up to
+Philip and said cordially:
+</p>
+
+<p>
+&ldquo;Mr. Gray, we are very much indebted to you. Thanks to you, we are out of
+debt, and shall have a balance of from twelve to fifteen dollars in the
+treasury.&rdquo;
+</p>
+
+<p>
+&ldquo;I am very glad of it,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;So am I,&rdquo; said the professor, pushing forward, jealous lest Philip
+should get more than his share of credit.
+</p>
+
+<p>
+&ldquo;And we are indebted to you also, Professor Riccabocca,&rdquo; said the
+president, taking the hint.
+</p>
+
+<p>
+&ldquo;You are entirely welcome, sir,&rdquo; said Riccabocca loftily. &ldquo;My
+help has often been asked in behalf of charitable organizations. I remember
+once, in Philadelphia, I alone raised five hundred dollars for
+a&mdash;a&mdash;I think it was a hospital.&rdquo;
+</p>
+
+<p>
+This was an invention, but Professor Riccabocca had no scruple in getting up
+little fictions which he thought likely to redound to his credit and increase
+his reputation.
+</p>
+
+<p>
+&ldquo;Doubtless you are often called upon also, Mr. Gray,&rdquo; suggested Mr.
+Caswell with a smile.
+</p>
+
+<p>
+&ldquo;No,&rdquo; answered Philip. &ldquo;This is the first time that I have
+ever had the opportunity.&rdquo;
+</p>
+
+<p>
+&ldquo;There&rsquo;s no humbug about the boy,&rdquo; thought Mr. Caswell.
+&ldquo;As for the professor, he is full of it.&rdquo;
+</p>
+
+<p>
+&ldquo;I have pleasure in handing you the price agreed upon,&rdquo; said the
+president, presenting each with a ten-dollar bill.
+</p>
+
+<p>
+&ldquo;Thank you,&rdquo; said Philip.
+</p>
+
+<p>
+Professor Riccabocca carelessly tucked the bill into his vest pocket, as if it
+were a mere trifle.
+</p>
+
+<p>
+At this moment, Mr. Turner came up with all the other gentleman. &ldquo;Mr.
+Gray,&rdquo; he said, &ldquo;here is a gentleman who wishes to speak to
+you.&rdquo;
+</p>
+
+<p>
+Philip looked up, and saw the well-known figure of Squire Pope.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0037" id="link2HCH0037"></a>
+CHAPTER XXXVII.<br/>
+HIS OWN MASTER.</h2>
+
+<p>
+&ldquo;Ahem, Philip,&rdquo; said the squire. &ldquo;I should like a little
+conversation with you.&rdquo;
+</p>
+
+<p>
+&ldquo;Good evening, Squire Pope,&rdquo; said our hero, not pretending to be
+cordial, but with suitable politeness.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t expect to see you here,&rdquo; pursued the squire.
+</p>
+
+<p>
+&ldquo;Nor I you, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;I am visiting my sister, Mrs. Cunningham, who lives in Knoxville. Will
+you come around with me, and make a call?&rdquo;
+</p>
+
+<p>
+Now, considering the treatment which Philip had received from the squire before
+he left Norton, the reader can hardly feel surprised that our hero didn&rsquo;t
+care to trust himself with his unscrupulous fellow townsman.
+</p>
+
+<p>
+&ldquo;Thank you, Squire Pope,&rdquo; said Philip, &ldquo;but it is rather late
+for me to call at a private house. I am staying at the hotel, and if you will
+take the trouble to go around there with me, we will have a chance to
+converse.&rdquo;
+</p>
+
+<p>
+&ldquo;Very well,&rdquo; said the squire, hesitating. Just then up came his
+niece, Carrie, who was determined to get acquainted with Philip.
+</p>
+
+<p>
+&ldquo;Uncle,&rdquo; she said, &ldquo;introduce me to Mr. Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;This is my niece, Caroline Cunningham,&rdquo; said the squire stiffly.
+</p>
+
+<p>
+&ldquo;I am glad to meet Miss Cunningham,&rdquo; said Philip, extending his
+hand, with a smile.
+</p>
+
+<p>
+&ldquo;What a lovely player you are, Mr. Gray!&rdquo; she said impulsively.
+</p>
+
+<p>
+&ldquo;I am afraid you are flattering me, Miss Cunningham.&rdquo;
+</p>
+
+<p>
+&ldquo;Don&rsquo;t call me Miss Cunningham. My name is Carrie.&rdquo;
+</p>
+
+<p>
+&ldquo;Miss Carrie, then.&rdquo;
+</p>
+
+<p>
+&ldquo;I was ever so much surprised to hear that uncle was your
+guardian.&rdquo;
+</p>
+
+<p>
+Philip looked quickly at the squire, but did not contradict it. He only said:
+</p>
+
+<p>
+&ldquo;We used to live in the same town.&rdquo;
+</p>
+
+<p>
+During this conversation Squire Pope looked embarrassed and impatient.
+</p>
+
+<p>
+&ldquo;It&rsquo;s getting late, Carrie,&rdquo; he said. &ldquo;You had better
+go home.&rdquo;
+</p>
+
+<p>
+&ldquo;Aren&rsquo;t you coming, too, uncle?&rdquo;
+</p>
+
+<p>
+&ldquo;I am going to the hotel to settle some business with Philip.&rdquo;
+</p>
+
+<p>
+&ldquo;What business, I wonder?&rdquo; thought our hero.
+</p>
+
+<p>
+Arrived at the hotel, they went up-stairs to Philip&rsquo;s chamber. &ldquo;You
+left Norton very abruptly, Philip,&rdquo; commenced the squire.
+</p>
+
+<p>
+&ldquo;There was good reason for it,&rdquo; answered Philip significantly.
+</p>
+
+<p>
+&ldquo;It appears to me you are acting as if you were your own master,&rdquo;
+observed the squire.
+</p>
+
+<p>
+&ldquo;I am my own master,&rdquo; replied Philip firmly.
+</p>
+
+<p>
+&ldquo;You seem to forget that I am your guardian.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t forget it, for I never knew it,&rdquo; said our hero.
+</p>
+
+<p>
+&ldquo;It is generally understood that such is the case.&rdquo;
+</p>
+
+<p>
+&ldquo;I can&rsquo;t help it. I don&rsquo;t need a guardian, and shall get
+along without one.&rdquo;
+</p>
+
+<p>
+&ldquo;Ahem! Perhaps that isn&rsquo;t to be decided by you.&rdquo;
+</p>
+
+<p>
+&ldquo;If I am to have a guardian, Squire Pope,&rdquo; said Philip bluntly,
+&ldquo;I sha&rsquo;n&rsquo;t select you. I shall select Mr. Dunbar.&rdquo;
+</p>
+
+<p>
+&ldquo;I have much more knowledge of business than Mr. Dunbar,&rdquo; said the
+squire, shifting his ground.
+</p>
+
+<p>
+&ldquo;That may be, but there is one important objection.&rdquo;
+</p>
+
+<p>
+&ldquo;What is that?&rdquo;
+</p>
+
+<p>
+&ldquo;You are not my friend, and Mr. Dunbar is.&rdquo;
+</p>
+
+<p>
+&ldquo;Really this is very extraordinary!&rdquo; ejaculated the squire.
+&ldquo;I am not your friend? How do you know that?&rdquo;
+</p>
+
+<p>
+&ldquo;You tried to make a pauper out of me, when, as you must perceive, I am
+entirely able to earn my own living.&rdquo;
+</p>
+
+<p>
+&ldquo;Is it true that you were paid ten dollars for playing this
+evening?&rdquo; asked the squire curiously.
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;It beats all!&rdquo; said the squire, in amazement.
+</p>
+
+<p>
+&ldquo;Yet you wanted to sell my violin for a good deal less than I have earned
+in one evening,&rdquo; said Philip, enjoying his enemy&rsquo;s surprise.
+</p>
+
+<p>
+&ldquo;You gave an entertainment at Wilkesville also, I hear?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Did you make as much there?&rdquo;
+</p>
+
+<p>
+&ldquo;I made between sixty and seventy dollars over and above expenses.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t expect me to believe that!&rdquo; said the squire.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t care whether you believe it or not; it&rsquo;s
+true.&rdquo;
+</p>
+
+<p>
+&ldquo;Have you got the money with you?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you&rsquo;d better give it to me to keep for you.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you; I feel capable of taking care of it myself.&rdquo;
+</p>
+
+<p>
+&ldquo;But it&rsquo;s improper for a boy of your age to carry round so much
+money,&rdquo; said the squire sharply.
+</p>
+
+<p>
+&ldquo;If I need help to take care of it, I will ask Mr. Dunbar.&rdquo;
+</p>
+
+<p>
+&ldquo;Come, Philip,&rdquo; said the squire, condescending to assume a
+persuasive manner, &ldquo;you must remember that I am your guardian.&rdquo;
+</p>
+
+<p>
+&ldquo;I dispute that,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;I won&rsquo;t insist upon your going back with me to Norton, as long as
+you are able to support yourself.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you wouldn&rsquo;t advise me to go back to the poorhouse,&rdquo;
+said Philip, with some sarcasm in his voice.
+</p>
+
+<p>
+&ldquo;I didn&rsquo;t mean to have you stay there long,&rdquo; said the squire,
+rather confused. &ldquo;You&rsquo;d better give me most of your money, and
+I&rsquo;ll take care of it for you, and when you&rsquo;re twenty-one
+you&rsquo;ll have quite a little sum.&rdquo;
+</p>
+
+<p>
+&ldquo;I am much obliged to you, sir, but I won&rsquo;t put you to the trouble
+of taking care of my money,&rdquo; answered Philip coldly.
+</p>
+
+<p>
+Squire Pope continued to argue with Philip, but made no impression. At length
+he was obliged to say good night.
+</p>
+
+<p>
+&ldquo;I will call round in the morning,&rdquo; he said, at parting.
+&ldquo;Perhaps you&rsquo;ll listen to reason then.&rdquo;
+</p>
+
+<p>
+When he called round in the morning he learned to his disappointment that
+Philip was gone.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0038" id="link2HCH0038"></a>
+CHAPTER XXXVIII.<br/>
+AN OFFER DECLINED.</h2>
+
+<p>
+After his interview with Squire Pope, Philip came down to the office, where he
+saw Professor Riccabocca, apparently waiting for him.
+</p>
+
+<p>
+&ldquo;Well, Mr. Gray, where shall we go next?&rdquo; asked the professor, with
+suavity.
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t decided where to go&mdash;have you?&rdquo; asked Philip
+coolly.
+</p>
+
+<p>
+&ldquo;I suppose we had better go to Raymond. That is a good-sized place. I
+think we can get together a good audience there.&rdquo;
+</p>
+
+<p>
+&ldquo;You seem to be under the impression that we are in partnership,&rdquo;
+said Philip.
+</p>
+
+<p>
+&ldquo;Of course,&rdquo; answered Riccabocca.
+</p>
+
+<p>
+&ldquo;I have made no agreement of that sort, professor.&rdquo;
+</p>
+
+<p>
+&ldquo;But, of course, it is understood,&rdquo; said Riccabocca quickly,
+&ldquo;as long as we draw so well.&rdquo;
+</p>
+
+<p>
+&ldquo;You must excuse me, Professor Riccabocca. I must decline the
+proposal.&rdquo;
+</p>
+
+<p>
+&ldquo;But why?&rdquo; inquired the professor anxiously.
+</p>
+
+<p>
+&ldquo;I hope you won&rsquo;t press me for an explanation.&rdquo;
+</p>
+
+<p>
+&ldquo;But I do. I can&rsquo;t understand why you should act so against your
+own interest. You can&rsquo;t expect people will come just to hear you play.
+You need me to help you.&rdquo;
+</p>
+
+<p>
+&ldquo;It may be as you say, professor, but if you insist upon my speaking
+plainly, I don&rsquo;t care to travel with a man who has treated me as you
+have.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t understand you,&rdquo; said Riccabocca nervously; but it
+was evident, from his expression, that he did.
+</p>
+
+<p>
+&ldquo;Then you seem very forgetful,&rdquo; said Philip. &ldquo;You tried to
+deprive me of my share of the proceeds of the entertainment at Wilkesville, and
+would have succeeded but for a lucky accident.&rdquo;
+</p>
+
+<p>
+&ldquo;I told you that it was all owing to neuralgia,&rdquo; said Professor
+Riccabocca. &ldquo;I had such an attack of neuralgic headache that it nearly
+drove me wild.&rdquo;
+</p>
+
+<p>
+&ldquo;Then,&rdquo; said Philip, &ldquo;I would rather find a partner who is
+not troubled with neuralgic headache. I think it would be safer.&rdquo;
+</p>
+
+<p>
+&ldquo;It won&rsquo;t happen again, Mr. Gray, I assure you,&rdquo; said the
+professor apologetically.
+</p>
+
+<p>
+He endeavored to persuade Philip to renew the combination, but our hero
+steadily refused. He admitted that it might be to his pecuniary advantage, but
+he had lost all confidence in the eminent professor, and he thought it better
+to part now than to give him another opportunity of playing a similar trick
+upon him.
+</p>
+
+<p>
+The professor thereupon consulted the landlord as to whether it would be
+advisable for him to give another entertainment unaided, and was assured very
+emphatically that it would not pay expenses.
+</p>
+
+<p>
+&ldquo;You make a great mistake, Mr. Gray,&rdquo; said Riccabocca. &ldquo;It
+would be a great advantage for you to have my assistance at this stage of your
+professional career.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t expect to have any professional career,&rdquo; answered
+Philip.
+</p>
+
+<p>
+&ldquo;Don&rsquo;t you intend to become a professional musician?&rdquo; asked
+the professor, surprised.
+</p>
+
+<p>
+&ldquo;Probably not. I have only been playing because I needed money, and my
+violin helped me to a living.&rdquo;
+</p>
+
+<p>
+&ldquo;You can&rsquo;t make as much money in any other way.&rdquo;
+</p>
+
+<p>
+&ldquo;Not at present; but I want to get a chance to enter upon some kind of
+business. I am going to New York.&rdquo;
+</p>
+
+<p>
+&ldquo;You will some time have a chance to hear me there, in the Academy of
+Music,&rdquo; said Riccabocca pompously.
+</p>
+
+<p>
+&ldquo;I will go and hear you,&rdquo; said Philip, laughing, &ldquo;if I can
+afford a ticket.&rdquo;
+</p>
+
+<p>
+&ldquo;Say the word and we will appear there together, Mr. Gray.&rdquo;
+</p>
+
+<p>
+&ldquo;I think not, professor.&rdquo;
+</p>
+
+<p>
+In fact, though Philip had found himself unexpectedly successful as a musician,
+he knew very well that he was only a clever amateur, and that years of study
+would be needed to make him distinguished.
+</p>
+
+<p>
+He was glad that he had the means of paying his expenses for a considerable
+time, and had in his violin a trusty friend upon which he could rely in case he
+got into financial trouble. Directly after breakfast he set out on his journey.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0039" id="link2HCH0039"></a>
+CHAPTER XXXIX.<br/>
+AN AMBITIOUS WAYFARER.</h2>
+
+<p>
+The large sums which Philip had received for his playing might have dazzled a
+less sensible boy. He was quite conscious that he played unusually well for a
+boy, but when it came to selecting music as a profession, he felt it would not
+be wise to come to too hasty a decision. To be a commonplace performer did not
+seem to him very desirable, and would not have satisfied his ambition.
+</p>
+
+<p>
+He had told Professor Riccabocca that he intended to go to New York. This
+design had not been hastily formed. He had heard a great deal of the great city
+in his home in the western part of the State of which it was the metropolis,
+and he was desirous of seeing it. Perhaps there might be some opening for him
+in its multitude of business houses.
+</p>
+
+<p>
+Philip had plenty of money, and could easily have bought a railroad ticket,
+which would have landed him in New York inside of twenty-four hours, for he was
+only about four hundred miles distant; but he was in no hurry, and rather
+enjoyed traveling leisurely through the country towns, with his violin in his
+hand.
+</p>
+
+<p>
+It reminded him of a biography he had read of the famous Doctor Goldsmith,
+author of the &ldquo;Vicar of Wakefield,&rdquo; who made a tour on the
+continent of Europe, paying his way with music evoked from a similar
+instrument.
+</p>
+
+<p>
+Three days later, he found himself on the outskirts of a village, which I will
+call Cranston. It was afternoon, and he had walked far enough to be tired.
+</p>
+
+<p>
+He was looking about for a pleasant place to lounge, when his attention was
+drawn to a boy of about his own age, who was sitting on the stone wall under a
+large tree.
+</p>
+
+<p>
+He was rather a slender boy, and had originally been well dressed, but his suit
+was travel-stained, and covered with dust.
+</p>
+
+<p>
+Now, boys have a natural attraction for each other, and Philip determined to
+introduce himself to the stranger. This he did in boy-fashion, by saying:
+</p>
+
+<p>
+&ldquo;Hello!&rdquo;
+</p>
+
+<p>
+&ldquo;Hello!&rdquo; said the stranger, looking up.
+</p>
+
+<p>
+But he spoke slowly and wearily, and to Philip he seemed out of spirits.
+</p>
+
+<p>
+&ldquo;Do you live in Cranston?&rdquo; asked Philip, taking a seat beside the
+other boy, upon the top of the stone wall.
+</p>
+
+<p>
+&ldquo;No; do you?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Where do you live?&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t live anywhere just at present,&rdquo; answered Philip,
+with a smile. &ldquo;I am traveling.&rdquo;
+</p>
+
+<p>
+&ldquo;So am I,&rdquo; said the other boy.
+</p>
+
+<p>
+&ldquo;I am traveling to New York,&rdquo; Philip continued.
+</p>
+
+<p>
+&ldquo;And I am traveling from there,&rdquo; said his new acquaintance.
+</p>
+
+<p>
+Then both boys surveyed each other curiously.
+</p>
+
+<p>
+&ldquo;What&rsquo;s your name?&rdquo; asked the stranger.
+</p>
+
+<p>
+&ldquo;Philip Gray. What&rsquo;s your&rsquo;s?&rdquo;
+</p>
+
+<p>
+&ldquo;Mine is Henry Taylor. What have you got there?&rdquo;
+</p>
+
+<p>
+&ldquo;A violin.&rdquo;
+</p>
+
+<p>
+&ldquo;Do you play on it?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; a little.&rdquo;
+</p>
+
+<p>
+&ldquo;I should think you&rsquo;d be tired lugging it round.&rdquo;
+</p>
+
+<p>
+Philip smiled.
+</p>
+
+<p>
+&ldquo;It is about all the property I have,&rdquo; he said; &ldquo;so it
+won&rsquo;t do for me to get tired of it.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;re richer than I am, then,&rdquo; said Henry.
+</p>
+
+<p>
+&ldquo;Are you poor, then?&rdquo; asked Philip, in a tone of sympathy.
+</p>
+
+<p>
+&ldquo;I haven&rsquo;t got a cent in my pocket, and I haven&rsquo;t had
+anything to eat since breakfast.&rdquo;
+</p>
+
+<p>
+&ldquo;Then I&rsquo;m glad I met you,&rdquo; said Philip warmly. &ldquo;I will
+see that you have a good supper. How long is it since you left New York?&rdquo;
+</p>
+
+<p>
+&ldquo;About a week.&rdquo;
+</p>
+
+<p>
+&ldquo;What made you leave it?&rdquo;
+</p>
+
+<p>
+Henry Taylor hesitated, and finally answered, in a confused tone:
+</p>
+
+<p>
+&ldquo;I&rsquo;ve run away from home. I wanted to go out West to kill
+Indians.&rdquo;
+</p>
+
+<p>
+Philip stared at his new acquaintance in astonishment.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0040" id="link2HCH0040"></a>
+CHAPTER XL.<br/>
+THE INDIAN HUNTER.</h2>
+
+<p>
+Philip had lived so long in a country village that he had never chanced to read
+any of those absorbing romances in which one boy, of tender years, proves
+himself a match for a dozen Indians, more or less, and, therefore, he was very
+much amazed at Henry Taylor&rsquo;s avowal that he was going out West to kill
+Indians.
+</p>
+
+<p>
+&ldquo;What do you want to kill Indians for?&rdquo; he asked, after an
+astonished pause.
+</p>
+
+<p>
+Now it was Henry&rsquo;s turn to be astonished.
+</p>
+
+<p>
+&ldquo;Every boy wants to kill Indians,&rdquo; he answered, looking pityingly
+at our hero.
+</p>
+
+<p>
+&ldquo;What for? What good will it do?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;It shows he&rsquo;s brave,&rdquo; answered his new friend.
+&ldquo;Didn&rsquo;t you ever read the story of &lsquo;Bully Bill&rsquo;; or,
+The Hero of the Plains&rsquo;?&rdquo;
+</p>
+
+<p>
+&ldquo;I never heard of it,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;You must have lived in the woods, then,&rdquo; said Henry Taylor, rather
+contemptuously. &ldquo;It&rsquo;s a tip-top story. Bully Bill was only
+fourteen, and killed ever so many Indians&mdash;twenty or thirty, I
+guess&mdash;as well as a lot of lions and bears. Oh, he must have had lots of
+fun!&rdquo;
+</p>
+
+<p>
+&ldquo;Why didn&rsquo;t the Indians kill him?&rdquo; asked Philip, desirous of
+being enlightened. &ldquo;They didn&rsquo;t stand still and let him kill them,
+did they?&rdquo;
+</p>
+
+<p>
+&ldquo;No; of course not. They fought awful hard.&rdquo;
+</p>
+
+<p>
+&ldquo;How did one young boy manage to overcome so many Indians?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, you&rsquo;ll have to read the story to find out! Bully Bill was a
+great hero, and everybody admired him.&rdquo;
+</p>
+
+<p>
+&ldquo;So you wanted to imitate his example?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;To be sure I did.&rdquo;
+</p>
+
+<p>
+&ldquo;How did you happen to get out of money?&rdquo;
+</p>
+
+<p>
+&ldquo;Well,&rdquo; said Henry, &ldquo;you see me and another boy got awful
+excited after reading the story, and both concluded nothing could make us so
+happy as to go out West together, and do as Bill did. Of course, it was no use
+to ask the old man&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;The old man?&rdquo; queried Philip.
+</p>
+
+<p>
+&ldquo;The gov&rsquo;nor&mdash;father, of course! So we got hold of some
+money&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;You got hold of some money?&rdquo; queried Philip.
+</p>
+
+<p>
+&ldquo;That&rsquo;s what I said, didn&rsquo;t I?&rdquo; rejoined Henry
+irritably.
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Then what&rsquo;s the use of repeating it?&rdquo;
+</p>
+
+<p>
+Philip intended to ask where or how Henry got hold of the money, but he saw
+pretty clearly that this would not be agreeable to his new acquaintance. Though
+without much experience in the world, he suspected that the money was not
+obtained honestly, and did not press the question.
+</p>
+
+<p>
+&ldquo;Well, me and Tom started about a week ago. First of all, we bought some
+revolvers, as, of course, we should need them to shoot Indians. They cost more
+than we expected, and then we found it cost more to travel than we
+thought.&rdquo;
+</p>
+
+<p>
+&ldquo;How much money did you have?&rdquo;
+</p>
+
+<p>
+&ldquo;After paying for our revolvers, Tom and me had about thirty
+dollars,&rdquo; said Henry.
+</p>
+
+<p>
+&ldquo;Only thirty dollars to go west with!&rdquo; exclaimed Philip, in
+amazement.
+</p>
+
+<p>
+&ldquo;Why, you see, the revolvers cost more than we expected. Then we stopped
+at a hotel in Albany, where they charged us frightfully. That is where Tom left
+me.&rdquo;
+</p>
+
+<p>
+&ldquo;Tom left you at Albany?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, he got homesick!&rdquo; said Henry contemptuously. &ldquo;He
+thought we hadn&rsquo;t money enough, and he said he didn&rsquo;t know as he
+cared so much about killing Indians.&rdquo;
+</p>
+
+<p>
+&ldquo;I agree with Tom,&rdquo; said Philip. &ldquo;I don&rsquo;t think I
+should care very much about killing Indians myself, and I should decidedly
+object to being killed by an Indian. I shouldn&rsquo;t like to be scalped.
+Would you?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I&rsquo;d take care of that,&rdquo; said Henry. &ldquo;I
+wouldn&rsquo;t let them have the chance.&rdquo;
+</p>
+
+<p>
+&ldquo;It seems to me the best way would be to stay at home,&rdquo; said
+Philip, smiling.
+</p>
+
+<p>
+&ldquo;If I stayed at home I&rsquo;d have to go to school and study. I
+don&rsquo;t care much about studying.&rdquo;
+</p>
+
+<p>
+&ldquo;I like it,&rdquo; said Philip. &ldquo;So Tom left you, did he?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; but I wasn&rsquo;t going to give up so easy. He took half the money
+that was left, though I thought he ought to have given it to me, as I needed it
+more. I wasn&rsquo;t going home just as I&rsquo;d started.&rdquo;
+</p>
+
+<p>
+&ldquo;Then you&rsquo;ve spent all your money now?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; answered Henry gloomily. &ldquo;Have you got much
+money?&rdquo; he asked, after a pause.
+</p>
+
+<p>
+&ldquo;Yes, I have about a hundred dollars-say, ninety-five.&rdquo;
+</p>
+
+<p>
+&ldquo;You don&rsquo;t mean it!&rdquo; ejaculated Henry, hie eyes sparkling.
+</p>
+
+<p>
+&ldquo;Yes, I do.&rdquo;
+</p>
+
+<p>
+&ldquo;How did you get it?&rdquo;
+</p>
+
+<p>
+&ldquo;I earned most of it by playing on the violin.&rdquo;
+</p>
+
+<p>
+&ldquo;I say,&rdquo; exclaimed Henry, in excitement, &ldquo;suppose you and me
+go into partnership together, and go out West&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;To kill Indians?&rdquo; asked Philip, smiling.
+</p>
+
+<p>
+&ldquo;Yes! With all that money we&rsquo;ll get along. Besides, if we get
+short, you can earn some more.&rdquo;
+</p>
+
+<p>
+&ldquo;But what advantage am I to get out of it? I am to furnish all the
+capital and pay all expenses, as far as I can understand. Generally, both
+partners put in something.&rdquo;
+</p>
+
+<p>
+&ldquo;I put in my revolver,&rdquo; said Henry.
+</p>
+
+<p>
+&ldquo;One revolver won&rsquo;t do for us both.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well, you can buy one. Come, what do you say?&rdquo; asked Henry
+eagerly.
+</p>
+
+<p>
+&ldquo;Let me ask you a few questions first. Where does your father
+live?&rdquo;
+</p>
+
+<p>
+&ldquo;In New York.&rdquo;
+</p>
+
+<p>
+&ldquo;What is his business?&rdquo;
+</p>
+
+<p>
+&ldquo;He is a broker in Wall Street.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose he is rich?&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, he&rsquo;s got plenty of money, I expect! We live in a nice house on
+Madison Avenue. That&rsquo;s one of the best streets, I suppose you
+know!&rdquo;
+</p>
+
+<p>
+&ldquo;I never was in New York. Is your mother living?&rdquo;
+</p>
+
+<p>
+&ldquo;No,&rdquo; answered Henry. &ldquo;She died three years ago.&rdquo;
+</p>
+
+<p>
+If his mother had been living, probably the boy would never have made such an
+escapade, but his father, being engrossed by business cares, was able to give
+very little attention to his son, and this accounts in part for the folly of
+which he had been guilty.
+</p>
+
+<p>
+&ldquo;Have you got any brothers or sisters?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;I have one sister, about three years younger than I. Her name is
+Jennie.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish I were as well off as you,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;How do you mean?&rdquo;
+</p>
+
+<p>
+&ldquo;I mean I wish I had a father and sister.&rdquo;
+</p>
+
+<p>
+&ldquo;Haven&rsquo;t you?&rdquo;
+</p>
+
+<p>
+&ldquo;My father is dead,&rdquo; said Philip gravely, &ldquo;and I never had a
+sister.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, well, I don&rsquo;t know as I&rsquo;m so lucky,&rdquo; said Henry.
+&ldquo;Sisters are a bother. They want you to go round with them, and the old
+man is always finding fault.&rdquo;
+</p>
+
+<p>
+Philip&rsquo;s relations with his father had always been so affectionate that
+he could not understand how Henry could talk in such a way of his.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know what makes you ask me such a lot of questions,&rdquo;
+said Henry, showing impatience. &ldquo;Come, what do you say to my
+offer?&rdquo;
+</p>
+
+<p>
+&ldquo;About forming a partnership?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;d rather not&mdash;in that way.&rdquo;
+</p>
+
+<p>
+&ldquo;In what way?&rdquo;
+</p>
+
+<p>
+&ldquo;I mean for the purpose of going out West to kill Indians.&rdquo;
+</p>
+
+<p>
+&ldquo;You&rsquo;ve no idea what fun it would be,&rdquo; said Henry,
+disappointed.
+</p>
+
+<p>
+&ldquo;No, I suppose not,&rdquo; said Philip, smiling.
+</p>
+
+<p>
+&ldquo;Then I suppose I shall have to give it up,&rdquo; said Henry.
+</p>
+
+<p>
+&ldquo;Now I have a proposal to make to you,&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;What is it?&rdquo;
+</p>
+
+<p>
+&ldquo;If you agree to go home, I&rsquo;ll pay your expenses and go along with
+you. I&rsquo;ve never been to New York, and I&rsquo;d like to have some one
+with me that could show me round the city.&rdquo;
+</p>
+
+<p>
+&ldquo;I can do that,&rdquo; said Henry. &ldquo;I know the way all
+about.&rdquo;
+</p>
+
+<p>
+&ldquo;Then will you agree?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes.&rdquo;
+</p>
+
+<p>
+&ldquo;Then come along, and we&rsquo;ll stop at the first convenient place and
+get some supper.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0041" id="link2HCH0041"></a>
+CHAPTER XLI.<br/>
+AN ADVENTURE IN THE WOODS.</h2>
+
+<p>
+&ldquo;I shall do a good thing if I induce Henry to go home,&rdquo; thought
+Philip. &ldquo;That is rather a queer idea of his about wanting to kill
+Indians. It seems to me as much murder to kill an Indian as any one
+else.&rdquo;
+</p>
+
+<p>
+He only thought this, but did not express it, as he did not care to get into a
+discussion with his new acquaintance, lest the latter should recall his consent
+to go home.
+</p>
+
+<p>
+&ldquo;I say, Philip,&rdquo; said Henry, who had now learned our hero&rsquo;s
+name, &ldquo;we ain&rsquo;t in any hurry to go to New York, are we?&rdquo;
+</p>
+
+<p>
+&ldquo;I thought we might take a train to-morrow morning, and go straight
+through.&rdquo;
+</p>
+
+<p>
+&ldquo;But I&rsquo;d rather take it easy, and travel through the country, and
+have adventures.&rdquo;
+</p>
+
+<p>
+&ldquo;But you forget that your father will be anxious about you.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I suppose he will.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll tell you what I&rsquo;ll do. If you&rsquo;ll write a letter
+to your father, and let him know that you are safe with me, I&rsquo;ll do as
+you say.&rdquo;
+</p>
+
+<p>
+&ldquo;All right,&rdquo; said Henry, in a tone of satisfaction;
+&ldquo;I&rsquo;ll do it.&rdquo;
+</p>
+
+<p>
+&ldquo;Father&rsquo;ll pay you all you have to spend for me,&rdquo; Henry
+added, after a moment&rsquo;s pause.
+</p>
+
+<p>
+&ldquo;Very well; then I will be your banker.&rdquo;
+</p>
+
+<p>
+Philip was not foolish enough to protest that he did not care to be repaid. All
+he had in the world was a little less than a hundred dollars, and when that was
+gone he was not absolutely sure of making any more at once, though he felt
+tolerably confident that he could.
+</p>
+
+<p>
+&ldquo;Suppose you let me have ten dollars now,&rdquo; suggested Henry.
+</p>
+
+<p>
+&ldquo;I think I would rather keep the money and pay the bills,&rdquo; said
+Philip quietly.
+</p>
+
+<p>
+He was not sure but that Henry, if he had a supply of money in his pockets,
+would reconsider his promise to go home and take French leave.
+</p>
+
+<p>
+Of course, it would be extremely foolish, but his present expedition did not
+indicate the possession of much wisdom.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t see what difference it makes,&rdquo; said Henry, looking
+dissatisfied.
+</p>
+
+<p>
+&ldquo;I won&rsquo;t argue the point,&rdquo; answered Philip good-naturedly.
+</p>
+
+<p>
+&ldquo;I wish I was in New York, near a good restaurant,&rdquo; said Henry,
+after a pause.
+</p>
+
+<p>
+&ldquo;Oh. I forgot! You are hungry.&rdquo;
+</p>
+
+<p>
+&ldquo;Awfully. I don&rsquo;t believe there&rsquo;s a hotel within two or three
+miles. I don&rsquo;t think I can hold out to walk much farther.&rdquo;
+</p>
+
+<p>
+A few rods farther on was a farmhouse standing back from the road,
+old-fashioned-looking, but of comfortable aspect.
+</p>
+
+<p>
+A young girl appeared at the side door and rang a noisy bell with great vigor.
+</p>
+
+<p>
+&ldquo;They&rsquo;re going to have supper,&rdquo; said Henry wistfully.
+&ldquo;I wish it was a hotel!&rdquo;
+</p>
+
+<p>
+Philip had lived in the country, and understood the hospitable ways of country
+people.
+</p>
+
+<p>
+&ldquo;Come along, Henry,&rdquo; he said. &ldquo;I&rsquo;ll ask them to sell us
+some supper. I am sure they will be willing.&rdquo;
+</p>
+
+<p>
+Followed by his new acquaintance, he walked up to the side door and
+knocked&mdash;for there was no bell.
+</p>
+
+<p>
+The young girl&mdash;probably about Philip&rsquo;s age&mdash;opened the door
+and regarded them with some surprise.
+</p>
+
+<p>
+Philip bowed.
+</p>
+
+<p>
+&ldquo;Will you be kind enough to tell us if there is any hotel near-by?&rdquo;
+he asked.
+</p>
+
+<p>
+&ldquo;There&rsquo;s one about three miles and a half farther on.&rdquo;
+</p>
+
+<p>
+Henry groaned inwardly.
+</p>
+
+<p>
+&ldquo;I am going to ask you a favor,&rdquo; said Philip. &ldquo;My friend and
+I have traveled a considerable distance, and stand in need of supper. We are
+willing to pay as much as we should have to at a hotel, if you will let us take
+supper here.&rdquo;
+</p>
+
+<p>
+&ldquo;I&rsquo;ll ask mother,&rdquo; said the young girl.
+</p>
+
+<p>
+And forthwith she disappeared. She came back in company with a stout,
+motherly-looking woman. Philip repeated his request.
+</p>
+
+<p>
+&ldquo;Why, to be sure,&rdquo; she said heartily. &ldquo;We always have enough,
+and to spare. Come right in, and we&rsquo;ll have supper as soon as the
+men-folks come in.&rdquo;
+</p>
+
+<p>
+They entered a neat kitchen, in the middle of which was set out a table, with a
+savory supper upon it. Henry&rsquo;s eyes sparkled, and his mouth watered, for
+the poor boy was almost famished.
+</p>
+
+<p>
+&ldquo;If you want to wash come right in here,&rdquo; said the farmer&rsquo;s
+wife, leading the way into a small room adjoining.
+</p>
+
+<p>
+The two boys gladly availed themselves of the permission, though Henry would
+not have minded sitting right down, dusty as he was. However, he felt better
+after he had washed his face and bands and wiped them on the long roll towel
+that hung beside the sink.
+</p>
+
+<p>
+They were scarcely through, when their places were taken by the farmer and his
+son, the latter a tall, sun-burned young man, of about twenty, who had just
+come in from a distant field. The farmer&rsquo;s wife soon explained the
+presence of the two young strangers.
+</p>
+
+<p>
+&ldquo;Sho!&rdquo; said the farmer. &ldquo;You&rsquo;re pretty young to be
+travelin&rsquo;. You ain&rsquo;t in any business, be you?&rdquo;
+</p>
+
+<p>
+Henry was rather ashamed to mention that his business was killing Indians,
+though, as yet, he had not done anything in that line. He had an idea that he
+might be laughed at.
+</p>
+
+<p>
+&ldquo;I am a little of a musician,&rdquo; said Philip modestly.
+</p>
+
+<p>
+&ldquo;Sho! do you make it pay?&rdquo;
+</p>
+
+<p>
+&ldquo;Pretty well, so far; but I think when I get to New York I shall try
+something else.&rdquo;
+</p>
+
+<p>
+&ldquo;Are you a musician as well as he?&rdquo; asked the farmer of Henry.
+</p>
+
+<p>
+&ldquo;No, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Come, father, you&rsquo;d better sit down to supper, and do your talking
+afterward,&rdquo; said the farmer&rsquo;s wife.
+</p>
+
+<p>
+So they sat down to the table, and all did full justice to the wholesome fare,
+particularly Henry, who felt absolutely ravenous.
+</p>
+
+<p>
+Never at the luxurious home of his father, in Madison Avenue, had the wandering
+city boy enjoyed his supper as much as at the plain table of this country
+farmer.
+</p>
+
+<p>
+The good mistress of the household was delighted at the justice done to her
+viands, considering it a tribute to her qualities as a cook.
+</p>
+
+<p>
+When Philip produced his purse to pay for their supper, the farmer absolutely
+refused to receive anything. &ldquo;But I would rather pay,&rdquo; persisted
+our hero.
+</p>
+
+<p>
+&ldquo;Then I&rsquo;ll tell you how you may pay. Give us one or two tunes on
+your violin.&rdquo;
+</p>
+
+<p>
+This Philip was quite willing to do, and it is needless to say that his small
+audience was very much pleased.
+</p>
+
+<p>
+&ldquo;I say,&rdquo; said Henry, &ldquo;you play well enough to give
+concerts.&rdquo;
+</p>
+
+<p>
+&ldquo;I have done it before now,&rdquo; answered Philip, smiling.
+</p>
+
+<p>
+They were invited to spend the night, but desired to push on to the hotel,
+being refreshed by their supper and feeling able to walk three or four miles
+farther.
+</p>
+
+<p>
+About half-way their attention was drawn to what appeared a deserted cabin in
+the edge of the woods, some twenty rods back from the road.
+</p>
+
+<p>
+&ldquo;I say, Philip,&rdquo; said Henry, &ldquo;there&rsquo;s an old hut that
+looks as if nobody lived in it. Wouldn&rsquo;t it be a lark for us to sleep
+there to-night? It would save the expense of lodging at the hotel, and would be
+an adventure. I haven&rsquo;t had any adventures yet.&rdquo;
+</p>
+
+<p>
+&ldquo;I have no objection,&rdquo; said Philip. &ldquo;We&rsquo;ll go, at any
+rate, and look at it.&rdquo;
+</p>
+
+<p>
+They crossed the field, which seemed to have been only partially cleared, and
+soon reached the hut.
+</p>
+
+<p>
+It was very bare within, but on the floor, in one corner, was a blanket spread
+out. There was a place for a window, but the sash had been removed, and it was
+easy to step in.
+</p>
+
+<p>
+&ldquo;I wonder how this blanket came here?&rdquo; said Philip.
+</p>
+
+<p>
+&ldquo;Oh, I guess the last people that lived here left it!&rdquo; returned
+Henry. &ldquo;I say, Phil, I begin to feel tired. Suppose we lie down?
+I&rsquo;m glad I haven&rsquo;t got to walk any farther.&rdquo;
+</p>
+
+<p>
+Philip sympathized with his new friend; and so, without much parley, the two
+boys threw themselves down on the blanket, and were soon fast asleep.
+</p>
+
+<p>
+How long Philip slept he didn&rsquo;t know, but he was awakened by a terrible
+screech, and, opening his eyes, say Henry sitting bolt upright, with trembling
+limbs and distended eyeballs, gazing fearfully at a tall, muscular-looking
+Indian, who had just stepped into the cabin through the open window.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0042" id="link2HCH0042"></a>
+CHAPTER XLII.<br/>
+AN INDIAN AT LAST.</h2>
+
+<p>
+&ldquo;What&rsquo;s the matter?&rdquo; asked Philip, rubbing his eyes, for he
+was hardly able&mdash;so suddenly had he been roused from sleep&mdash;to
+comprehend the situation.
+</p>
+
+<p>
+Henry, as white as a sheet, could only point at the tall Indian, who, standing
+motionless, was gazing as intently at the boys.
+</p>
+
+<p>
+He made one step forward, and Henry thought he was about to be killed and
+scalped forthwith.
+</p>
+
+<p>
+&ldquo;Oh, Mr. Indian Chief,&rdquo; he exclaimed, in tremulous accents,
+&ldquo;don&rsquo;t kill me! I&mdash;I ain&rsquo;t ready to die!&rdquo;
+</p>
+
+<p>
+The Indian looked amazed, and laughed gutturally, but did not speak. His laugh
+increased Henry&rsquo;s dismay.
+</p>
+
+<p>
+&ldquo;I&rsquo;ve got a revolver. I&rsquo;ll give it to you if you won&rsquo;t
+kill me,&rdquo; continued Henry.
+</p>
+
+<p>
+Then the Indian spoke.
+</p>
+
+<p>
+&ldquo;Why should I kill white boy?&rdquo; he asked in a mild tone, which ought
+to have convinced Henry that he had nothing to fear.
+</p>
+
+<p>
+But the boy was so frenzied with terror, and so possessed of the thought that
+the Indian was just like the savage warriors of the plains, of whom he had read
+so much, that he still felt his life to be in danger, and answered the question
+in a way not expected.
+</p>
+
+<p>
+&ldquo;I suppose you want my scalp,&rdquo; he said; &ldquo;but I am only a boy,
+and I don&rsquo;t mean any harm. I hope you&rsquo;ll spare my life.&rdquo;
+</p>
+
+<p>
+Another fit of guttural laughter from the Indian, which perplexed Henry, and
+after a pause he said:
+</p>
+
+<p>
+&ldquo;Me no want white boy&rsquo;s scalp! Me good Indian!&rdquo;
+</p>
+
+<p>
+An immense burden seemed lifted from poor Henry&rsquo;s breast.
+</p>
+
+<p>
+&ldquo;Then you don&rsquo;t want to kill me?&rdquo; he said.
+</p>
+
+<p>
+&ldquo;No!&rdquo;
+</p>
+
+<p>
+&ldquo;Then why do you come here?&rdquo;
+</p>
+
+<p>
+&ldquo;Me live here.&rdquo;
+</p>
+
+<p>
+The secret was out&mdash;a secret which Philip had suspected from the first,
+though Henry had not dreamed of it.
+</p>
+
+<p>
+They had lain down in the Indian&rsquo;s cabin, appropriating his blanket, and
+were simply intruders.
+</p>
+
+<p>
+Philip thought it was time for him to take part in the conversation,
+</p>
+
+<p>
+&ldquo;I hope you&rsquo;ll excuse us,&rdquo; he said, &ldquo;for coming here.
+We had no idea any one lived here.&rdquo;
+</p>
+
+<p>
+&ldquo;No matter,&rdquo; said the Indian civilly&mdash;that being one of the
+phrases which his knowledge of English included.
+</p>
+
+<p>
+&ldquo;Henry,&rdquo; said Philip, &ldquo;let us get up. We are sleeping in
+this&mdash;this gentleman&rsquo;s bed.&rdquo;
+</p>
+
+<p>
+He felt a little at a loss how to designate the Indian, but felt that it was
+best to be as polite as possible.
+</p>
+
+<p>
+The two boys started up, in order to yield to the master of the house the bed
+which properly belonged to him.
+</p>
+
+<p>
+&ldquo;No,&rdquo; said the Indian, with a wave of his hand. &ldquo;White boys
+stay there. Indian sleep anywhere.&rdquo;
+</p>
+
+<p>
+So saying, he lay down in one corner of the cabin, and settled himself
+apparently to repose.
+</p>
+
+<p>
+&ldquo;But,&rdquo; said Philip, &ldquo;we don&rsquo;t want to take your
+bed.&rdquo;
+</p>
+
+<p>
+&ldquo;No matter!&rdquo; said the Indian once more.
+</p>
+
+<p>
+&ldquo;You are very kind,&rdquo; said Philip. &ldquo;Henry, we may as well lay
+down again.&rdquo;
+</p>
+
+<p>
+Henry obeyed directions, but he was not altogether free from alarm. He had read
+that the Indians are very crafty. How did he know but their copper-colored host
+might get up in the night, skillfully remove their scalps, and leave them in a
+very uncomfortable plight?
+</p>
+
+<p>
+&ldquo;Hadn&rsquo;t we better get up, and run away as soon as he is
+asleep?&rdquo; he whispered to Philip.
+</p>
+
+<p>
+&ldquo;No; he&rsquo;s friendly,&rdquo; answered Philip confidently.
+</p>
+
+<p>
+As Henry had read about friendly Indians&mdash;all he knew about Indians, by
+the way, was derived from reading stories written by authors little wiser than
+himself&mdash;he concluded that perhaps there was nothing to fear, and after a
+while fell asleep again.
+</p>
+
+<p>
+When the boys awoke it was morning. They looked toward the corner where the
+Indian had lain down, but it was vacant.
+</p>
+
+<p>
+&ldquo;He&rsquo;s gone.&rdquo; said Henry, rather relieved.
+</p>
+
+<p>
+&ldquo;You were pretty well frightened last night,&rdquo; said Philip, smiling.
+</p>
+
+<p>
+&ldquo;Who wouldn&rsquo;t be!&rdquo; asked Henry; &ldquo;to wake up and see a
+big Indian in the room?&rdquo;
+</p>
+
+<p>
+&ldquo;I dare say many boys would be frightened,&rdquo; said Philip, &ldquo;but
+I don&rsquo;t think a boy who left home to go out West to kill Indians ought to
+be afraid of one.&rdquo;
+</p>
+
+<p>
+&ldquo;I guess I&rsquo;ll give up going,&rdquo; said Henry, rather abashed.
+</p>
+
+<p>
+&ldquo;I think myself it would be as well,&rdquo; observed Philip quietly.
+&ldquo;You&rsquo;d find it rather serious business if you should meet any real
+Indian warriors.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know but I should,&rdquo; Henry admitted, rather
+awkwardly. &ldquo;I didn&rsquo;t think much about it when I left home.&rdquo;
+</p>
+
+<p>
+&ldquo;I suppose you thought you&rsquo;d be a match for half a dozen Indian
+warriors?&rdquo; said Philip, laughing.
+</p>
+
+<p>
+&ldquo;That was the way with &lsquo;Bully Bill&rsquo;; or, &lsquo;The Hero of
+the Plains,&rsquo;&rdquo; said Henry. &ldquo;He always came off best when he
+fought with the Indians.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think either you or I will ever prove a Bully Bill,&rdquo;
+said Philip. &ldquo;I might enjoy going out West some time, but I
+shouldn&rsquo;t expect to kill many Indians. I think they would stand a good
+deal better chance of shooting me.&rdquo;
+</p>
+
+<p>
+Henry said nothing, but looked thoughtful. His romantic ideas seemed to have
+received a sudden shock, and he was trying to adjust his ideas to the new light
+he had received.
+</p>
+
+<p>
+The boys were preparing to go out, when their Indian host suddenly reappeared.
+He carried in his hand a large-sized loaf of baker&rsquo;s bread, which he had
+procured at the village store. He was alive to the duties of hospitality, and
+did not intend to let his guests go, uninvited though they were, without a
+breakfast.
+</p>
+
+<p>
+Though his stock of English was limited, he made out to invite the boys to
+breakfast with him.
+</p>
+
+<p>
+Henry would have preferred to go to the hotel, but Philip signed to him to
+accept graciously the Indian&rsquo;s hospitality.
+</p>
+
+<p>
+As the bread was fresh, they partook of it with relish, washing it down with
+drafts of clear spring water.
+</p>
+
+<p>
+The Indian looked on, well pleased to see the justice done to his hospitality.
+He explained to the boys that he made baskets, caught fish, and sometimes
+engaged in hunting, managing, in one way and another, to satisfy his simple
+wants. His name was Winuca, but his white neighbors called him Tom.
+</p>
+
+<p>
+When the boys were ready to go, Philip drew from his pocket a jack-knife,
+nearly new, of which he asked the Indian&rsquo;s acceptance.
+</p>
+
+<p>
+Winuca seemed very much pleased, and shook hands heartily with his young
+guests, wishing them good-by.
+</p>
+
+<p>
+The boys kept on to the hotel, where they spent a few hours, taking dinner
+there. Their breakfast had been so simple that they had a very good appetite
+for their midday meal.
+</p>
+
+<p>
+&ldquo;While we are here, Henry, suppose you write to your father and relieve
+his anxiety?&rdquo; suggested Philip.
+</p>
+
+<p>
+&ldquo;Why can&rsquo;t you write?&rdquo; asked Henry, who cherished the general
+boyish distaste for letter-writing.
+</p>
+
+<p>
+&ldquo;Because it will be more proper for you to write. I am a stranger to
+him.&rdquo;
+</p>
+
+<p>
+&ldquo;You won&rsquo;t be long, Philip? I shall want you to come and make me a
+visit.&rdquo;
+</p>
+
+<p>
+&ldquo;Perhaps you&rsquo;ll be tired of me before we get to New York,&rdquo;
+suggested Philip, with a smile.
+</p>
+
+<p>
+&ldquo;There isn&rsquo;t much chance of it. I like you better than any boy I
+know. You&rsquo;re awful brave, too. You didn&rsquo;t seem to be at all scared
+last night when the Indian came in.&rdquo;
+</p>
+
+<p>
+&ldquo;It was because I felt sure that any Indian to be found about here would
+be harmless.&rdquo;
+</p>
+
+<p>
+&ldquo;I wish we could make a journey together some time. I&rsquo;d like to go
+West&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;To kill Indians?&rdquo;
+</p>
+
+<p>
+&ldquo;No. If they&rsquo;ll let me alone, I&rsquo;ll let them alone; but there
+must be a lot of fun out on the prairies.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, Henry, go and write your letter, and we can talk about that
+afterward.&rdquo;
+</p>
+
+<p>
+The letter was written and mailed, and arrived in New York several days before
+the boys did.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0043" id="link2HCH0043"></a>
+CHAPTER XLIII.<br/>
+A WELCOME LETTER.</h2>
+
+<p>
+Alexander Taylor, a Wall Street broker, sat at breakfast in his fine house on
+Madison Avenue. His daughter, Jennie, about thirteen years old, was the only
+other person at the table.
+</p>
+
+<p>
+&ldquo;Papa, have you heard nothing of Henry?&rdquo; asked the little girl
+anxiously.
+</p>
+
+<p>
+&ldquo;Only that the boy who got started with him on his foolish tramp got back
+three days since.&rdquo;
+</p>
+
+<p>
+&ldquo;Is Tom Murray back, then?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; he showed himself more sensible than Henry.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, I&rsquo;m afraid something&rsquo;s happened to him, papa! Why
+don&rsquo;t you advertise for him, or send out a detective, or
+something?&rdquo;
+</p>
+
+<p>
+&ldquo;I will tell you, Jennie,&rdquo; said Mr. Taylor, laying down the morning
+paper. &ldquo;I want your brother to stay away long enough to see his
+folly.&rdquo;
+</p>
+
+<p>
+&ldquo;But perhaps he may get out of money, and not be able to get anything to
+eat. You wouldn&rsquo;t want him to starve, papa?&rdquo;
+</p>
+
+<p>
+&ldquo;There isn&rsquo;t much chance of it. If he is in danger of that, he will
+have sense enough to ask for food, or to write to me for help. I rather hope he
+will have a hard time.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, papa!&rdquo;
+</p>
+
+<p>
+&ldquo;It will do him good. If I sent for him and brought him back against his
+will, he would probably start off again when he has a good chance.&rdquo;
+</p>
+
+<p>
+Jennie could not quite follow her father in his reasoning, and was inclined to
+think him hard and unfeeling. She missed her brother, who, whatever his faults,
+treated her tolerably well, and was at any rate a good deal of company, being
+the only other young person in the house.
+</p>
+
+<p>
+Just then the servant entered with three letters, which he laid down beside his
+master&rsquo;s plate.
+</p>
+
+<p>
+Mr. Taylor hastily scanned the addresses.
+</p>
+
+<p>
+&ldquo;Here is a letter from Henry,&rdquo; he said, in a tone of satisfaction.
+</p>
+
+<p>
+&ldquo;Oh, read it quick, papa!&rdquo;
+</p>
+
+<p>
+This was the letter which Mr. Taylor read aloud, almost too deliberately for
+the impatience of his daughter:
+</p>
+
+<p>
+&ldquo;Dear Father: I am alive and well, and hope to see you in a few days. I
+guess I made a mistake in running away, though I didn&rsquo;t think so at the
+time, for I wanted to see life, and have adventures. I don&rsquo;t know how I
+should have got along if I hadn&rsquo;t met Philip Gray. He&rsquo;s a tip-top
+fellow, and is paying my expenses. I told him you would pay him back. He has
+got me off the idea of going West to kill Indians.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh, papa!&rdquo; exclaimed Jennie, opening her eyes wide. &ldquo;I
+didn&rsquo;t know that was what Henry went for.&rdquo;
+</p>
+
+<p>
+&ldquo;I don&rsquo;t think the Indians would have felt very much frightened if
+they had heard of his intention. However, I will proceed:
+</p>
+
+<p>
+&ldquo;I was all out of money when Philip met me, and I hadn&rsquo;t had
+anything to eat since morning, he bought me some supper, and is paying my
+expenses. He is a poor boy, coming to New York to get a place, if he can. He
+has got a violin, and he plays beautifully. He earned all the money he has by
+giving concerts.&rdquo;
+</p>
+
+<p>
+&ldquo;I should like to see Philip,&rdquo; said Jennie, with interest.
+</p>
+
+<p>
+&ldquo;I asked him if he wouldn&rsquo;t go out West with me, but he
+wouldn&rsquo;t. He told me he wouldn&rsquo;t do anything for me unless I would
+agree to come home.&rdquo;
+</p>
+
+<p>
+&ldquo;He is a sensible boy,&rdquo; commented Mr. Taylor, in a tone of
+approval.
+</p>
+
+<p>
+&ldquo;We thought at first of coming right home on the cars, but I wanted to
+walk and see something of the country, and Philip said he didn&rsquo;t mind. He
+told me I must write and tell you, so that you needn&rsquo;t feel anxious.
+</p>
+
+<p>
+&ldquo;You will see us in a few days. I will bring Philip to the house. Your
+son, HENRY TAYLOR.&rdquo;
+</p>
+
+<p>
+&ldquo;Is that all?&rdquo; asked Jennie.
+</p>
+
+<p>
+&ldquo;Yes; I consider it a very fair letter. It is evident Henry has made the
+acquaintance of a sensible boy. I shall take care that he doesn&rsquo;t let it
+drop.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="link2HCH0044" id="link2HCH0044"></a>
+CHAPTER XLIV.<br/>
+A FRESH START.</h2>
+
+<p>
+Five days later, just as Mr. Taylor was sitting down to dinner, at the close of
+the day, the door-bell rang violently.
+</p>
+
+<p>
+There was a hurried step heard in the hall, and the door opening quickly Henry
+Taylor rushed in, his face beaming with smiles.
+</p>
+
+<p>
+&ldquo;Oh, I&rsquo;m so glad to see you, Henry!&rdquo; said Jennie, embracing
+him. &ldquo;I missed you awfully.&rdquo;
+</p>
+
+<p>
+Henry looked at his father, a little doubtful of his reception.
+</p>
+
+<p>
+&ldquo;Are you well, father?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;Quite well,&rdquo; responded Mr. Taylor coolly. &ldquo;Where did you
+leave your scalps?&rdquo;
+</p>
+
+<p>
+&ldquo;What?&rdquo; ejaculated Henry, bewildered.
+</p>
+
+<p>
+&ldquo;I thought you left home to kill Indians.&rdquo;
+</p>
+
+<p>
+&ldquo;Oh!&rdquo; said Henry, smiling faintly. &ldquo;I didn&rsquo;t meet any
+Indians&mdash;except one&mdash;and he was friendly.&rdquo;
+</p>
+
+<p>
+&ldquo;Then your expedition was a failure?&rdquo;
+</p>
+
+<p>
+&ldquo;I guess I&rsquo;ll leave the Indians alone,&rdquo; said Henry
+sheepishly.
+</p>
+
+<p>
+&ldquo;That strikes me as a sensible remark. Of course, a few Indian scalps
+would be of great use to you. I fully expected a present of one, as a trophy of
+my son&rsquo;s valor; but still, in case the Indian objected to being scalped,
+there might be a little risk in performing the operation.&rdquo;
+</p>
+
+<p>
+&ldquo;I see you are laughing at me, father,&rdquo; said Henry.
+</p>
+
+<p>
+&ldquo;Not at all. You can see that I am very sober. If you think you can make
+a good living hunting Indians&mdash;I don&rsquo;t know myself how much their
+scalps bring in the market&mdash;I might set you up in the business.&rdquo;
+</p>
+
+<p>
+&ldquo;I am not so foolish as I was. I prefer some other business. Philip told
+me&mdash;&rdquo;
+</p>
+
+<p>
+&ldquo;Where is Philip?&rdquo; asked Jennie eagerly.
+</p>
+
+<p>
+&ldquo;I left him in the parlor. He said I had better come in first.&rdquo;
+</p>
+
+<p>
+&ldquo;Go and call him. Invite him, with my compliments, to stay to
+dinner.&rdquo;
+</p>
+
+<p>
+Henry left the room, and reappeared almost immediately with Philip.
+</p>
+
+<p>
+Both boys were perfectly neat in appearance, for Philip had insisted on going
+to a hotel and washing and dressing themselves.
+</p>
+
+<p>
+As he followed Henry into the room, with modest self-possession, his cheeks
+glowing with a healthy color, both Jennie and Mr. Taylor were instantly
+prepossessed in his favor.
+</p>
+
+<p>
+&ldquo;I am glad to see you, Philip,&rdquo; said the broker, &ldquo;and beg to
+thank you, not only for the material help you gave Henry, but also for the good
+advice, which I consider of still greater importance and value.&rdquo;
+</p>
+
+<p>
+&ldquo;Thank you, sir. I don&rsquo;t feel competent to give much advice, but I
+thought his best course was to come home.&rdquo;
+</p>
+
+<p>
+&ldquo;You haven&rsquo;t as high an idea of hunting Indians as Henry, I
+infer?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; answered Philip, smiling. &ldquo;It seems to me they
+have as much right to live as we, if they behave themselves.&rdquo;
+</p>
+
+<p>
+&ldquo;I think so, too,&rdquo; said Henry, who was rather ashamed of what had
+once been his great ambition.
+</p>
+
+<p>
+&ldquo;You haven&rsquo;t introduced me to Philip&mdash;I mean Mr. Gray,&rdquo;
+said Jennie.
+</p>
+
+<p>
+&ldquo;This is my sister Jennie, Phil,&rdquo; said Henry, in an off-hand
+manner.
+</p>
+
+<p>
+&ldquo;I am very glad to see you, Mr. Gray,&rdquo; said Jennie, extending her
+hand.
+</p>
+
+<p>
+&ldquo;I am hardly used to that name,&rdquo; said Philip, smiling.
+</p>
+
+<p>
+&ldquo;When I get well acquainted with you I shall call you Philip.&rdquo;
+</p>
+
+<p>
+&ldquo;I hope you will.&rdquo;
+</p>
+
+<p>
+Within an hour Miss Jennie appeared to feel well acquainted with her
+brother&rsquo;s friend, for she dropped &ldquo;Mr. Gray&rdquo; altogether, and
+called him Philip.
+</p>
+
+<p>
+At her solicitation he played on his violin. Both Mr. Taylor and Jennie were
+surprised at the excellence of his execution.
+</p>
+
+<p>
+When Philip rose to go, Mr. Taylor said cordially:
+</p>
+
+<p>
+&ldquo;I cannot permit you to leave us, Philip. You must remain here as our
+guest.&rdquo;
+</p>
+
+<p>
+&ldquo;But, sir, I left my things at a hotel.&rdquo;
+</p>
+
+<p>
+&ldquo;Then Henry will go with you and get them.&rdquo;
+</p>
+
+<p>
+So Philip found himself established in a fine house on Madison Avenue as a
+favored guest.
+</p>
+
+<p>
+The next morning, when Mr. Taylor went to his office, he asked Philip to go
+with him. Arrived in Wall Street, he sent a boy to the bank with a check. On
+his return, he selected five twenty-dollar bills, and handed them to Philip.
+</p>
+
+<p>
+&ldquo;You have expended some money for Henry,&rdquo; he said.
+</p>
+
+<p>
+&ldquo;Yes, sir; but not quarter as much as this.&rdquo;
+</p>
+
+<p>
+&ldquo;Then accept the rest as a gift. You will probably need some new clothes.
+Henry will take you to our tailor. Don&rsquo;t spare expense. The bill will be
+sent to me.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Mr. Taylor, I do not deserve such kindness.&rdquo;
+</p>
+
+<p>
+&ldquo;Let me be the judge of that. In a few days I shall have a proposal to
+make to you.&rdquo;
+</p>
+
+<p>
+This was the proposal, and the way it was made:
+</p>
+
+<p>
+&ldquo;I find, Philip,&rdquo; said Mr. Taylor, some days later, &ldquo;that
+Henry is much attached to you, and that your influence over him is excellent.
+He has agreed to go to an academy in Connecticut, and study hard for a year,
+provided you will go with him. I take it for granted you haven&rsquo;t
+completed your education?&rdquo;
+</p>
+
+<p>
+&ldquo;No, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;I shall pay all the bills and provide for you in every way, exactly as I
+do for Henry.&rdquo;
+</p>
+
+<p>
+&ldquo;But, Mr. Taylor, how can I ever repay you?&rdquo; asked Philip.
+</p>
+
+<p>
+&ldquo;By being Henry&rsquo;s friend and adviser&mdash;perhaps, I may say,
+guardian&mdash;for, although you are about the same age, you are far wiser and
+more judicious.&rdquo;
+</p>
+
+<p>
+&ldquo;I will certainly do the best I can for him, sir.&rdquo;
+</p>
+
+<p>
+During the next week the two boys left New York, and became pupils at Doctor
+Shelley&rsquo;s private academy, at Elmwood&mdash;a pleasant country town not
+far from Long Island Sound&mdash;and there we bid them adieu.
+</p>
+
+<p>
+THE END.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+
+</html>
+
+
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7c9fb45
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #5673 (https://www.gutenberg.org/ebooks/5673)
diff --git a/old/5673.txt b/old/5673.txt
new file mode 100644
index 0000000..f7f1643
--- /dev/null
+++ b/old/5673.txt
@@ -0,0 +1,8409 @@
+The Project Gutenberg EBook of The Young Musician, by Horatio Alger
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Young Musician
+ or, Fighting His Way
+
+Author: Horatio Alger
+
+Release Date: May, 2004 [EBook #5673]
+Posting Date: June 5, 2009
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+
+
+
+Produced by Carrie Fellman
+
+
+
+
+
+
+
+
+THE YOUNG MUSICIAN
+
+or
+
+FIGHTING HIS WAY
+
+
+By Horatio Alger
+
+
+Chicago
+
+
+
+CONTENTS
+
+
+ I. A Candidate for the Poorhouse
+
+ II. Philip at Home
+
+ III. Nick Holden's Call
+
+ IV. The Auction
+
+ V. An Alliance Against Philip
+
+ VI. "A Fuss About a Fiddle"
+
+ VII. Mr. Joe Tucker
+
+ VIII. In the Enemy's Hands
+
+ IX. The Poorhouse
+
+ X. Bad Tidings
+
+ XI. Philip's New Room
+
+ XII. A Pauper's Meal
+
+ XIII. A Friendly Mission
+
+ XIV. Philip Makes His Escape
+
+ XV. Escape and Flight
+
+ XVI. A Night Adventure
+
+ XVII. A Reformed Burglar
+
+ XVIII. A Professional Engagement
+
+ XIX. New Acquaintances
+
+ XX. A Lively Evening
+
+ XXI. Fortune Smiles Again
+
+ XXII. Rival Musicians
+
+ XXIII. An Hour of Triumph
+
+ XXIV. Lorenzo Riccabocca
+
+ XXV. A Change of Name
+
+ XXVI. A Promising Plan
+
+ XXVII. Unexpected Honors
+
+ XXVIII. A Triumphant Success
+
+ XXIX. Beset by Creditors
+
+ XXX. A Timely Gift
+
+ XXXI. The Professor's Flight
+
+ XXXII. The Race Across Fields
+
+ XXXIII. The Lost Wallet
+
+ XXXIV. A New Business Proposal
+
+ XXXV. Squire Pope Is Amazed
+
+ XXXVI. The Pretended Guardian
+
+ XXXVII. His Own Master
+
+ XXXVIII. An Offer Declined
+
+ XXXIX. An Ambitious Wayfarer
+
+ XL. The Indian Hunter
+
+ XXI. An Adventure in the Woods
+
+ XLII. An Indian at Last
+
+ XLIII. A Welcome Letter
+
+ XLIV. A Fresh Start
+
+
+
+
+CHAPTER I. A CANDIDATE FOR THE POORHOUSE.
+
+
+"As for the boy," said Squire Pope, with his usual autocratic air, "I
+shall place him in the poorhouse."
+
+"But, Benjamin," said gentle Mrs. Pope, who had a kindly and sympathetic
+heart, "isn't that a little hard?"
+
+"Hard, Almira?" said the squire, arching his eyebrows. "I fail to
+comprehend your meaning."
+
+"You know Philip has been tenderly reared, and has always had a
+comfortable home--"
+
+"He will have a comfortable home now, Mrs. Pope. Probably you are not
+aware that it cost the town two thousand dollars last year to maintain
+the almshouse. I can show you the item in the town report."
+
+"I don't doubt it at all, husband," said Mrs. Pope gently. "Of course
+you know all about it, being a public man."
+
+Squire Pope smiled complacently. It pleased him to be spoken of as a
+public man.
+
+"Ahem! Well, yes, I believe I have no inconsiderable influence in town
+affairs," he responded. "I am on the board of selectmen, and am chairman
+of the overseers of the poor, and in that capacity I shall convey Philip
+Gray to the comfortable and well-ordered institution which the town has
+set apart for the relief of paupers."
+
+"I don't like to think of Philip as a pauper," said Mrs. Pope, in a
+deprecating tone.
+
+"What else is he?" urged her husband. "His father hasn't left a cent. He
+never was a good manager."
+
+"Won't the furniture sell for something, Benjamin?"
+
+"It will sell for about enough to pay the funeral expenses and
+outstanding debts-that is all."
+
+"But it seems so hard for a boy well brought up to go to the poorhouse."
+
+"You mean well, Almira, but you let your feelings run away with you. You
+may depend upon it, it is the best thing for the boy. But I must write a
+letter in time for the mail."
+
+Squire Pope rose from the breakfast-table and walked out of the room
+with his usual air of importance. Not even in the privacy of the
+domestic circle did he forget his social and official importance.
+
+Who was Squire Pope?
+
+We already know that he held two important offices in the town of
+Norton. He was a portly man, and especially cultivated dignity of
+deportment. Being in easy circumstances, and even rich for the resident
+of a village, he was naturally looked up to and credited with a worldly
+sagacity far beyond what he actually possessed.
+
+At any rate, he may be considered the magnate of Norton. Occasionally he
+visited New York, and had been very much annoyed to find that his rural
+importance did not avail him there, and that he was treated with no
+sort of deference by those whom he had occasion to meet. Somehow, the
+citizens of the commercial metropolis never suspected for a single
+moment that he was a great man.
+
+When Squire Pope had finished his letter, he took his hat, and with
+measured dignity, walked to the village post-office.
+
+He met several of his neighbors there, and greeted them with affable
+condescension. He was polite to those of all rank, as that was essential
+to his retaining the town offices, which he would have been unwilling to
+resign.
+
+From the post-office the squire, as he remembered the conversation which
+had taken place at the breakfast-table, went to make an official call on
+the boy whose fate he had so summarily decided.
+
+Before the call, it may be well to say a word about Philip Gray, our
+hero, and the circumstances which had led to his present destitution.
+
+His father had once been engaged in mercantile business, but his
+health failed, his business suffered, and he found it best-indeed,
+necessary--to settle up his affairs altogether and live in quiet
+retirement in Norton.
+
+The expenses of living there were small, but his resources were small,
+also, and he lived just long enough to exhaust them.
+
+It was this thought that gave him solicitude on his death-bed, for he
+left a boy of fifteen wholly unprovided for.
+
+Let us go back a week and record what passed at the last interview
+between Philip and his father before the latter passed into the state of
+unconsciousness which preceded death.
+
+"Are you in pain, father?" asked Philip, with earnest sympathy, as his
+father lay outstretched on the bed, his face overspread by the deathly
+pallor which was the harbinger of dissolution.
+
+"Not of the body, Philip," said Mr. Gray. "That is spared me, but I own
+that my mind is ill at ease."
+
+"Do you mind telling me why, father!"
+
+"No; for it relates to you, my son, or, rather, to your future. When my
+affairs are settled, I fear there will be nothing left for your support.
+I shall leave you penniless."
+
+"If that is all, father, don't let that trouble you."
+
+"I am afraid, Philip, you don't realize what it is to be thrown upon the
+cold charities of the world."
+
+"I shall work for my living," said Philip confidently.
+
+"You will have to do that, I'm afraid, Philip."
+
+"But I am not afraid to work, father. Didn't you tell me one day that
+many of our most successful men had to work their way up from early
+poverty!"
+
+"Yes, that is true; but a boy cannot always get the chance to earn his
+living. Of one thing I am glad; you have a good education for a boy of
+your age. That is always a help."
+
+"Thanks to you, father."
+
+"Yes; though an invalid, I have, at all events, been able to give
+private attention to your education, and to do better for you than the
+village school would have done. I wish I had some relative to whom I
+might consign you, but you will be alone in the world."
+
+"Have I no relatives?" asked Philip.
+
+"Your mother was an only child, and I had but one brother."
+
+"What became of him, father?"
+
+"He got into trouble when he was a young man, and left the country.
+Where he went to I have no idea. Probably he went first to Europe, and I
+heard a rumor, at one time, that he had visited Australia. But that was
+twenty years ago, and as I have heard nothing of him since, I think it
+probable that he is dead. Even if he were living, and I knew where he
+was, I am not sure whether he would make a safe guardian for you."
+
+"Have you any advice to give me, father?" asked Philip, after a pause.
+"Whatever your wishes may be, I will try to observe them."
+
+"I do not doubt it, Philip. You have always been an obedient son, and
+have been considerate of my weakness. I will think it over, and try to
+give you some directions which may be of service to you. Perhaps I may
+be able to think of some business friend to whom I can commend you."
+
+"You have talked enough, father," said Philip, noticing his father's
+increasing pallor and the evident exertion with which he spoke. "Rest
+now, and to-morrow we can talk again."
+
+Mr. Gray was evidently in need of rest. He closed his eyes and
+apparently slept. But he never awoke to consciousness. The conversation
+above recorded was the last he was able to hold with his son. For two
+days he remained in a kind of stupor, and at the end of that time he
+died.
+
+Philip's grief was not violent. He had so long anticipated his father's
+death that it gave him only a mild shock.
+
+Friends and neighbors made the necessary arrangements for the funeral,
+and the last services were performed. Then, at length, Philip realized
+that he had lost his best earthly friend, and that he was henceforth
+alone in the world. He did not as yet know that Squire Pope had
+considerately provided him with a home in the village poorhouse.
+
+
+
+
+CHAPTER II. PHILIP AT HOME.
+
+
+
+When the funeral was over, Frank Dunbar, whom Philip regarded as his
+most intimate friend, came up to him.
+
+"Philip," he said, "my mother would like to have you spend a few days
+with us while you are deciding what to do."
+
+"Thank you, Frank!" answered Philip. "But until the auction I shall
+remain at home. I shall soon enough be without a home."
+
+"But it will be very lonely for you," objected Frank.
+
+"No; I shall have my thoughts for company. When I am alone I can think
+best of my future plans."
+
+"Won't you come to our house to meals, then?"
+
+"Thank you, Frank! I will do that."
+
+"When is the auction to be?"
+
+"To-day is Monday. It is appointed for Thursday."
+
+"I hope there will be something left for you."
+
+"There will be about enough left to pay my father's small debts and his
+funeral expenses. I would not like to have him indebted to others for
+those. I don't think there will be anything over."
+
+Frank looked perplexed.
+
+"I am sorry for you, Phil," he said. "I wish we were rich, instead of
+having hard work to make both ends meet. You would not lack for anything
+then."
+
+"Dear Frank," said Philip earnestly, "I never doubted your true
+friendship. But I am not afraid that I shall suffer. I am sure I can
+earn my living."
+
+"But why do you shut yourself up alone, Philip?" asked Frank, not
+satisfied to leave his friend in what he considered the gloomy solitude
+of a house just visited by death.
+
+"I want to look over my father's papers. I may find out something that
+I ought to know, and after the auction it will be too late. Father had
+some directions to give me, but he did not live long enough to do it.
+For three days I have the house to myself. After that I shall perhaps
+never visit it again."
+
+"Don't be downhearted, Philip," said Frank, pressing his hand with
+boyish sympathy.
+
+"I don't mean to be, Frank. I am naturally cheerful and hopeful. I shall
+miss my poor father sadly: but grieving will not bring him back. I must
+work for my living, and as I have no money to depend upon, I cannot
+afford to lose any time in forming my plans."
+
+"You will come over to our house and take your meals!"
+
+"Yes, Frank."
+
+Frank Dunbar's father was a small farmer, who, as Frank had said, found
+it hard work to make both ends meet. Among all the village boys, he
+was the one whom Philip liked best, though there were many others whose
+fathers were in hotter circumstances. For this, however, Philip cared
+little. Rich or poor, Frank suited him, and they had always been known
+as chums, to adopt the term used by the boys in the village.
+
+It may be thought that as Philip's circumstances were no better, such
+an intimacy was natural enough. But Philip Gray possessed special gifts,
+which made his company sought after. He was a fine singer, and played
+with considerable skill on the violin--an accomplishment derived from
+his father, who had acted as his teacher. Then he was of a cheerful
+temperament, and this is a gift which usually renders the possessor
+popular, unless marred by positive defects or bad qualities. There were
+two or three young snobs in the village who looked down upon Philip on
+account of his father's poverty, but most were very glad to associate
+with our hero, and have him visit their homes. He was courteous to all,
+but made--no secret of his preference for Frank Dunbar.
+
+When Philip parted from Frank, and entered the humble dwelling which
+had been his own and his father's home for years, there was a sense of
+loneliness and desolation which came over him at first.
+
+His father was the only relative whom he knew, and his death, therefore,
+left the boy peculiarly, alone in the world. Everything reminded him
+of his dead father. But he did not allow himself to dwell upon thoughts
+that would depress his spirits and unfit him for the work that lay
+before him.
+
+He opened his father's desk and began to examine his papers. There was
+no will, for there was nothing to leave, but in one compartment of the
+desk was a thick wallet, which he opened.
+
+In it, among some receipted bills, was an envelope, on which was
+written, in his father's well-known hand:
+
+"The contents of this envelope are probably of no value, but it will
+be as well to preserve the certificate of stock. There is a bare
+possibility that it may some day be worth a trifle."
+
+Philip opened the envelope and found a certificate for a hundred shares
+of the Excelsior Gold Mine, which appeared to be located in California.
+He had once heard his father speak of it in much the same terms as
+above.
+
+"I may as well keep it," reflected Philip. "It will probably amount
+to nothing, but there won't be much trouble in carrying around the
+envelope." He also found a note of hand for a thousand dollars, signed
+by Thomas Graham.
+
+Attached to it was a slip of paper, on which he read, also in his
+father's writing:
+
+"This note represents a sum of money lent to Thomas Graham, when I was
+moderately prosperous. It is now outlawed, and payment could not be
+enforced, even if Graham were alive and possessed the ability to pay.
+Five years since, he left this part of the country for some foreign
+country, and is probably dead, and I have heard nothing from him in all
+that time. It will do no harm, and probably no good, to keep his note."
+
+"I will keep it," decided Philip. "It seems that this and the mining
+shares are all that father had to leave me. They will probably never
+yield me a cent, but I will keep them in remembrance of him."
+
+Phillip found his father's watch. It was an old-fashioned gold watch,
+but of no great value even when new. Now, after twenty years' use, it
+would command a very small price at the coming sale.
+
+Ever since Philip had been old enough to notice anything, he remembered
+this watch, which was so closely identified with his father that more
+than anything else it called him to mind. Philip looked at it wistfully
+as it lay in his hand. "I wish I could keep it," he said to himself.
+"No one else will value it much, but it would always speak to me of my
+father. I wonder if I might keep it?"
+
+Philip had a mind to put it into his pocket, but the spirit of honesty
+forbade.
+
+"It must be sold," he said, with a sigh. "Without it there wouldn't be
+enough to pay what we owe, and when I leave Norton, I don't want any one
+to say that my father died in his debt."
+
+There was nothing else in the desk which called for particular notice or
+appeared to be of any special value. After a careful examination, Philip
+closed it and looked around at the familiar furniture of the few rooms
+which the house contained.
+
+There was one object which he personally valued more than anything
+else. This was his violin, on which he had learned all that he knew of
+playing. His father had bought it for him four years before. It was not
+costly, but it was of good tone, and Philip had passed many pleasant
+hours in practicing on it.
+
+"I can take this violin, at any rate," said Philip to himself. "It
+belongs to me, and no one else has a claim on it. I think I will take it
+with me and leave it at Frank Dunbar's, so that it needn't get into the
+sale."
+
+He put back the violin into the case and laid it on one side. Then he
+sat down in the arm-chair, which had been his father's favorite seat,
+and tried to fix his mind upon the unknown future which lay before him.
+
+He had sat there for half an hour, revolving in his mind various
+thoughts and plans, when he heard a tap on the window, and looking up,
+saw through the pane the coarse, red face of Nick Holden, a young fellow
+of eighteen, the son of the village butcher.
+
+"Let me in!" said Nick; "I want to see you on business."
+
+
+
+CHAPTER III. NICK HOLDEN'S CALL.
+
+
+
+Philip had never liked Nick Holden. He was a coarse, rough-looking boy,
+his reddish face one mass of freckles, and about as unattractive as a
+person could be, without absolute deformity. This, however, was not the
+ground for Philip's dislike.
+
+With all his unattractiveness, Nick might have possessed qualities which
+would have rightly made him popular. So far from this, however, he was
+naturally mean, selfish, and a bully, with very slight regard for truth.
+
+Will it be believed that, in spite of his homely face, Nick really
+thought himself good-looking and aspired to be a beau? For this reason
+he had often wished that he possessed Philip's accomplishment of being
+able to play upon the violin.
+
+His conversational powers were rather limited, and he felt at a loss
+when he undertook to make himself fascinating to the young ladies in the
+village. If he could only play on the violin like Philip he thought he
+would be irresistible.
+
+He had therefore conceived the design of buying Philip's instrument for
+a trifle, judging that our hero would feel compelled to sell it.
+
+The reader will now understand the object which led to Nick's call so
+soon after the funeral of Mr. Gray. He was afraid some one else might
+forestall him in gaining possession of the coveted instrument.
+
+When Philip saw who his visitor was, he was not overjoyed. It was with
+reluctance that he rose and gave admission to Nick.
+
+"I thought I would call around and see you, Phil," said Nick, as he sat
+down in the most comfortable chair in the room.
+
+"Thank you," responded Phil coldly.
+
+"The old man went off mighty sudden," continued Nicholas, with
+characteristic delicacy.
+
+"Do you mean my father?" inquired Philip.
+
+"Of course I do. There ain't any one else dead, is there!"
+
+"I had been expecting my poor father's death for some time," said Philip
+gravely.
+
+"Just so! He wa'n't very rugged. We've all got to come to it sooner or
+later. I expect dad'll die of apoplexy some time-he's so awful fat,"
+remarked Nicholas cheerfully. "If he does, it's lucky he's got me to run
+the business. I'm only eighteen, but I can get along as well as anybody.
+I'm kinder smart in business."
+
+"I am glad you are smart in anything," thought Philip; for he knew that
+Nick was a hopeless dunce in school duties.
+
+"I hope your father'll live a good while," he said politely.
+
+"Yes, of course," said Nick lightly. "I'd be sorry to have the old man
+pop off; but then you never can tell about such a thing as that."
+
+Philip did not relish the light way in which Nick referred to such a
+loss as he was suffering from, and, by way of changing the subject,
+said:
+
+"I believe you said you came on business, Nicholas?"
+
+"Yes; that's what I wanted to come at. It's about your fiddle."
+
+"My violin!" said Philip, rather surprised.
+
+"Oh, well, fiddle or violin! what's the odds? I want to buy it."
+
+"What for?"
+
+"To play on, of course! What did you think I wanted it for?"
+
+"But you can't play, can you?"
+
+"Not yet; but I expect you could show me some--now, couldn't you?"
+
+"What put it into your head to want to play on the violin?" asked
+Philip, with some curiosity.
+
+"Why, you see, the girls like it. It would be kind of nice when I go to
+a party, or marm has company, to scrape off a tune or two-just like you
+do. It makes a feller kinder pop'lar with the girls, don't you see?"
+said Nick, with a knowing grin.
+
+"And you want to be popular with the young ladies!" said Philip,
+smiling, in spite of his bereavement, at the idea being entertained by
+such a clumsy-looking caliban as Nick Holden.
+
+"Of course I do!" answered Nick, with another grin. "You see I'm gettin'
+along-I'll be nineteen next month, and I might want to get married
+by the time I'm twenty-one, especially if the old man should drop off
+sudden."
+
+"I understand all that, Nicholas--"
+
+"Call me Nick. I ain't stuck up if I am most a man. Call me pet names,
+dearest."
+
+And Nicholas laughed loudly at his witty quotation.
+
+"Just as you prefer. Nick, then, I understand your object. But what made
+you think I wanted to sell the violin?"
+
+It was Nick's turn to be surprised.
+
+"Ain't there goin' to be an auction of your father's things?" he said.
+
+"Yes; but the violin is mine, and I am not going to sell it."
+
+"You'll have to," said Nick.
+
+"What do you mean by that, Nicholas Holden?" said Philip quickly.
+
+"Because you'll have to sell everything to pay your father's debt. My
+father said so this very morning."
+
+"I think I know my own business best," said Philip coldly. "I shall keep
+the violin."
+
+"Maybe it ain't for you to say," returned Nick, apparently not aware of
+his insolence. "Come, now, I'll tell you what I'll do. My father's got
+a bill against yours for a dollar and sixty-four cents. I told father
+I had a use for the fiddle, and he says if you'll give it to me, he'll
+call it square. There, what do you say to that?"
+
+Nicholas leaned back in his chair and looked at Philip through his
+small, fishy eyes, as if he had made an uncommonly liberal offer. As for
+Philip, he hardly knew whether to be angry or amused.
+
+"You offer me a dollar and sixty-four cents for my violin?" he repeated.
+
+"Yes. It's second-hand, to be sure, but I guess it's in pretty fair
+condition. Besides, you might help me a little about learnin' how to
+play."
+
+"How much do you suppose the violin cost?" inquired Philip.
+
+"Couldn't say."
+
+"It cost my father twenty-five dollars."
+
+"Oh, come, now, that's too thin! You don't expect a feller to believe
+such a story as that?"
+
+"I expect to be believed, for I never tell anything but the truth."
+
+"Oh, well, I don't expect you do, generally, but when it comes to
+tradin', most everybody lies," observed Nick candidly.
+
+"I have no object in misrepresenting, for I don't want to sell the
+violin."
+
+"You can't afford to keep it! The town won't let you!"
+
+"The town won't let me?" echoed Philip, now thoroughly mystified.
+
+"Of course they won't. The idea of a pauper bein' allowed a fiddle to
+play on! Why, it's ridiculous!"
+
+"What do you mean?" demanded Philip, who now began to comprehend the
+meaning of this thick-witted visitor. "What have I got to do with the
+town, or with paupers?"
+
+"Why, you're goin' to the poorhouse, ain't you?"
+
+"Certainly not!" answered Philip, with flashing eyes.
+
+"I guess you're mistaken," said Nick coolly. "Squire Pope was over to
+our shop this mornin', and he told dad that the seleckmen were goin' to
+send you there after the auction."
+
+Philip's eyes flashed angrily. He felt insulted and outraged. Never for
+a moment had he conceived the idea that any one would regard him as a
+candidate for the poorhouse.
+
+He had an honorable pride in maintaining himself, and would rather get
+along on one meal a day, earned by himself in honest independence, than
+be indebted to public charity even for a luxurious support.
+
+"Squire Pope doesn't know what he's talking about," retorted Philip, who
+had to exercise some self-restraint not to express himself more forcibly
+"and you can tell him so when you see him. I am no more likely to go to
+the poorhouse than you are!"
+
+"Come, that's a good one," chuckled Nick. "Talk of me goin' to the
+poorhouse, when my father pays one of the biggest taxes in town! Of
+course, it's different with you."
+
+"You'll have to excuse me now," said Philip, determined to get rid of
+his disagreeable companion. "I have something to do."
+
+"Then you won't sell me the fiddle, Phil?"
+
+"No, I won't," answered our hero, with scant ceremony.
+
+"Then I'll have to bid it off at the auction. Maybe I'll get it
+cheaper."
+
+And Mr. Nicholas Holden at length relieved Philip of his company.
+
+
+
+CHAPTER IV. THE AUCTION.
+
+
+
+It so happened that Nick Holden met Squire Pope on the village street,
+and, being rather disappointed at the result of his negotiations with
+Philip, thought it might be a good idea to broach the subject to the
+squire, who, as he knew, had taken it upon himself to superintend the
+sale of Mr. Gray's goods.
+
+"I say, squire, I've just been over to see Phil Gray."
+
+"Ahem! Well, how does he seem to feel?"
+
+"Kinder stuck up, I reckon. He said he wouldn't go to the poorhouse, and
+I might tell you so."
+
+"I apprehend," said the squire, in his stately way, "he will be under
+the necessity of going, whether he likes it or not."
+
+"Just so; that's what I told him!" interjected Nick.
+
+"And he should be grateful for so comfortable a home," continued the
+public man.
+
+"Well, I dunno," said Nick. "They do say that old Tucker most starves
+the paupers. Why his bills with dad are awful small."
+
+"The town cannot afford to pamper the appetites of its beneficiaries,"
+said the squire. "Where is Philip now?"
+
+"I guess he's at home. I offered to buy his fiddle, but he said he was
+going to keep it. I offered him a dollar and sixty-four cents--the same
+as dad's bill against his father, but he wouldn't take it."
+
+"Really, Nicholas, your offer was very irregular--extremely irregular.
+It should have been made to me, as the administrator of the late Mr.
+Gray, and not to a boy like Philip."
+
+"Will you sell me the fiddle for dad's bill, squire?" asked Nicholas
+eagerly.
+
+"You are premature, Nicholas--"
+
+"What's that?"
+
+"I mean you must wait till the auction. Then you will have a chance to
+bid on the instrument, if you want to secure it."
+
+"Phil says it's his, and won't be for sale at the auction."
+
+"Then Philip is mistaken. He is only a boy. The estate will be settled
+by those who are older and wiser than he."
+
+"I guess you'll find him hard to manage, squire," said Nick, laughing.
+
+"We shall see--we shall see," returned the squire.
+
+And, with a dignified wave of the hand, he continued on his walk.
+
+After the visit of Nicholas, Philip thought it most prudent to convey
+the violin which he prized so much to the house of his friend, Frank
+Dunbar, where he had been invited to take his meals.
+
+He was willing to have the furniture sold to defray his father's small
+debts, but the violin was his own. It had not even been given him by his
+father. Though the latter purchased it, the money which it cost had been
+given to Philip by a friend of the family. He rightly thought that he
+had no call to sell it now.
+
+"Frank," said he to his boy-friend, "I want you to put away my violin
+safely, and keep it until after the auction."
+
+"Of course I will, Phil; but won't you want to play on it!"
+
+"Not at present. I'll tell you why I want it put away."
+
+And Philip told his friend about Nick's application to purchase it, and
+the liberal offer he had made.
+
+"Nick's generosity never will hurt him much," said Frank, laughing.
+"What in the world did he want of your violin?"
+
+"He wants to make himself popular with the girls."
+
+"He'll never do that, even if he learns to play like an angel!" said
+Frank. "You ought to hear the girls talk about him. He couldn't get a
+single one of them to go home with from singing-school last winter. He
+teased my sister to go, but she told him every time she was engaged to
+some one else."
+
+The two days that intervened between the funeral and the auction passed,
+and the last scene connecting Philip with the little cottage which had
+been his home was to take place.
+
+In a country town, an auction-however inconsiderable-draws together an
+interested company of friends and neighbors; and, though no articles of
+value were to be sold, this was the case at the present sale.
+
+Philip didn't at first mean to be present. He thought it would only give
+him pain; but at the last moment he came, having been requested to do so
+by Squire Pope, as information might be required which he could give.
+
+The bulk of the furniture was soon disposed of, at low prices, to
+be sure, but sufficiently high to make it clear that enough would be
+realized to pay the small bills outstanding.
+
+Philip's lip quivered when his father's watch was put up. He would have
+liked to buy it, but this was impossible; for he had only about a dollar
+of his own.
+
+Nick Holden's eyes sparkled when he saw the watch. He had forgotten
+about that, but as soon as he saw it he coveted it. He had a cheap
+silver watch of his own, which he had bought secondhand about three
+years before. He had thought that he might some day possess a gold
+watch, but he was not willing to lay out the necessary sum of money.
+
+By dint of actual meanness, he had laid up two hundred dollars, which he
+now had in the savings-bank in the next village, and he could therefore
+have bought one if he had chosen; but, like Gilpin,
+
+ "Though on pleasure bent, he had a frugal mind."
+
+Now, however, there seemed a chance of getting a gold watch at a low
+price. Nick reasoned rightly that at an auction it would go much below
+its value, and it would be a good thing for him to buy it--even as an
+investment--as he would probably have chances enough to trade it off at
+a handsome profit.
+
+"I shouldn't wonder if I could double my money on it," he reflected.
+
+Accordingly, when the watch was put up, Nick eagerly bid two dollars.
+
+Philip's lip curled when he heard this generous bid, and he heartily
+hoped that this treasured possession of his dead father might not fall
+into such hands.
+
+Nick rather hoped that no one would bid against him, but in this he was
+destined to be disappointed.
+
+"Five dollars!" was next heard.
+
+And this bid came from Mr. Dunbar, the father of his friend Frank.
+Philip's eyes brightened up, for there was no one he would sooner see
+the possessor of the watch than his kind friend.
+
+Nick looked chopfallen when he heard this large increase on his original
+bid, and hesitated to continue, but finally mustered up courage to say,
+in a rather feeble tone:
+
+"Five and a quarter."
+
+"Five dollars and a quarter bid!" said the auctioneer. "Do I hear more?"
+
+"Six dollars," said Mr. Dunbar quietly.
+
+The bid was repeated, and the auctioneer waited for a higher one, but
+Nick retired ignominiously from the contest.
+
+He wasn't sure whether he could get much over six dollars for it
+himself, and he foresaw that Mr. Dunbar intended to have it, even if it
+cost considerable more.
+
+"It's kinder hard on a feller," he complained to the man standing next
+him. "What does Mr. Dunbar want of the watch? He's got one already."
+
+"Perhaps he thinks it is a good bargain at the price."
+
+"It's what I've been wantin' all along," said Nick. "He might have let
+me have it."
+
+"Why don't you bid more?"
+
+"I wanted to get it cheap."
+
+"And the auctioneer wants to get as much as he can for the articles, and
+so do Philip's friends," This was a consideration which, of course, had
+no weight with Nicholas. However, he had one comfort. He would bid on
+the violin, and probably no one else would bid against it. He did not
+see it, to be sure, but concluded, of course, that it would be bid off.
+When the sale drew near the end, he went to Philip, and said:
+
+"Whereabouts is the fiddle, Phil?"
+
+"It isn't here," answered our hero.
+
+"Ain't it goin' to be sold?"
+
+"Of course not! It's mine. I told you that once already."
+
+"We'll see!" said Nicholas angrily.
+
+And going up to Squire Pope, he held a brief conversation with that
+gentleman.
+
+The squire nodded vigorously, and walked over to Philip.
+
+"Philip," said he, "go and bring your violin."
+
+"What will I do that for!" asked our hero quietly.
+
+"So that it may be sold."
+
+"It is not to be sold," returned Philip quietly. "It belongs to me."
+
+"Nothing belongs to you except your clothes!" said the squire angrily.
+"I require you to go and fetch the instrument."
+
+"And I decline to do it," said Philip.
+
+"Do you know who I am," demanded the squire, with ruffled dignity.
+
+"I know you perfectly well," answered Philip "but I am the owner of the
+violin, and I don't mean to have it sold."
+
+"YOU will repent this!" said Squire Pope, who felt that his lawful
+authority and official dignity were set at naught.
+
+Philip bowed and left the house. He did not know what steps the squire
+might take, but he was resolved not to give up his cherished violin.
+
+
+
+CHAPTER V. AN ALLIANCE AGAINST PHILIP.
+
+
+
+Squire Pope was not a bad man, nor was he by nature a tyrant, but he
+was so fully convinced of his own superior judgment that he was in all
+things obstinately bent on having his own way. He had persuaded himself
+that our young hero, Philip, would be better off in the poorhouse than
+in a place where he could earn his own living, and no one could convince
+him to the contrary.
+
+As to the boy's feelings on the subject, he considered those of no
+importance. He had good reason to know that Philip would object to being
+an inmate of the almshouse, but he was determined that he should go
+there.
+
+In like manner, before the auction was over, he saw clearly that it
+would realize a sum more than sufficient to pay the funeral expenses
+of the late Mr. Gray and the few small bills outstanding against his
+estate, and that there was no necessity that Philip's violin should be
+sold, but none the less he resolved that it should be sold.
+
+"Shall I allow a young lad to dictate to me?" Squire Pope asked himself,
+in irritation. "Certainly not! I know better what is right than he.
+It is ridiculous that a town pauper should own a violin. Why, the next
+thing, we shall have to buy pianos for our almshouses, for the use of
+the gentlemen and ladies who occupy them. A violin, indeed!"
+
+This Squire Pope regarded as irresistible logic and withering sarcasm
+combined.
+
+He saw Philip go out of the cottage, but, as the sale was not over, he
+was unable to follow him.
+
+"Never mind, I'll fix him as soon as I have time," he said to himself.
+
+"Back so soon? Is the auction over!" asked his friend, Frank Dunbar, who
+was engaged in splitting wood in the rear of the house.
+
+"No, Frank, not quite; but it's almost over..Who do you think bid on
+father's gold watch?"
+
+"I don't know."
+
+"Nick Holden."
+
+"He didn't get it, did he?"
+
+"I am glad to say not. Your father bought it."
+
+"Did he! Why, he's got one watch already."
+
+"I am glad he's got it. I couldn't bear to think of Nick Holden carrying
+my father's watch. He was disappointed about one thing besides."
+
+"What was that?"
+
+"The violin. He went to Squire Pope, and complained that it was not in
+the sale."
+
+"That's just like his impudence. What did the squire say?"
+
+"He came to me and ordered me to get it, so that it might be sold."
+
+"Shall I get it for you, then?"
+
+"Not much!" answered Philip emphatically. "It is mine, as I have
+already told you. If the auction doesn't bring in enough to settle up
+everything, I may agree to sell it for a fair price; but I am sure, from
+the prices, that it won't be necessary."
+
+"Squire Pope's a dreadful obstinate man," said Frank doubtfully. "He may
+insist upon your selling the violin."
+
+"Let him do it!" said Philip contemptuously. "I should like to see him
+get it. Where have you put it, Frank?"
+
+"Where Squire Pope won't be apt to find it--in an old chest up in the
+garret. It's full of old clothes, belonging to my grandfather, and
+hasn't been looked into by any one except me for years. I put it away
+under all the clothes at the bottom. No one knows where it is except you
+and me, not even mother."
+
+"That's good. I guess we can defy the squire, then."
+
+Half an hour later, Mr. Dunbar came home from the auction.
+
+Philip went to meet him.
+
+"Thank you for buying father's watch," he said. "But for you, Nick
+Holden would have had it, and I should have been sorry for it."
+
+"He was badly disappointed," said Mr. Dunbar smiling. "But I didn't buy
+the watch for myself, Philip."
+
+"For whom, then?" asked Philip, in some surprise.
+
+"For the one that has the best right to it--for you," and the farmer
+took the watch from his pocket, and handed it to Philip.
+
+"But I haven't the money to pay for it, Mr. Dunbar," said our hero.
+
+"Then I give it to you as a present," said Mr. Dunbar.
+
+"I am very grateful," said Philip; "but I ought not to accept it. You
+are too kind to me."
+
+"Let me be the judge of that."
+
+"Besides, it wouldn't be safe for me to take it. Squire Pope will try to
+get my violin away from me in order to sell it, and he would be sure to
+try to do the same by the watch if he found that I had it."
+
+"But, Philip, I don't need the watch myself."
+
+"Then, Mr. Dunbar, will you be kind enough to keep it for me, and when I
+can afford to pay for it, and there is no danger of its being taken
+from me, I will ask you for it. I shall be very glad, indeed, when I am
+older, to carry my father's watch, for I have seen it in his hands so
+often that it will constantly remind me of him."
+
+"Perhaps that will be the best arrangement," said Mr. Dunbar. "You might
+have it stolen from you, if you carried it yourself just at present. As
+you request, I will keep it, subject to your order; but I would rather
+let it be a gift from me, and not require you to pay for it."
+
+"We won't talk about that now," said Philip, smiling. "At any rate, you
+must let me thank you for your great kindness to me."
+
+"Don't speak of that, Phil," said the farmer kindly. "I had a great
+respect and liking for your father, and I verily believe my Frank loves
+you as well as if you were his own brother. So, come what may, you have
+a friend in our family."
+
+"I indorse all that father says," Frank said.
+
+And he extended his hand to Philip, who grasped it heartily.
+
+It warmed his heart to think that he had such good friends, though he
+was an orphan and alone in the world.
+
+After supper, Mr. Dunbar went to the village store, while Frank and
+Philip remained at home.
+
+Suddenly Frank said:
+
+"Philip, you are going to have a visitor, I guess."
+
+"A visitor!"
+
+"Yes; I saw Squire Pope stumping along the road, nourishing his
+gold-headed cane. He is headed this way, and it's likely he is going to
+honor you with a call. He's got somebody with him, too. Who is it!"
+
+Philip shaded his eyes with his hand, for the Sun was near its setting,
+and shining with dazzling brightness from the quarter toward which he
+was looking.
+
+"It's Nick Holden!" he said.
+
+"So it is! What can he want?"
+
+"I understand very well. He wants my violin. He couldn't get it at the
+sale, so he has come here to see if he can't make me give it to him."
+
+"And will you?"
+
+"You ought to know me better than to ask, Frank," said Philip firmly.
+"Nick might as well have stayed away, for he won't accomplish anything."
+
+Nick, however, held a different opinion. After Philip left the cottage,
+he had gone to Squire Pope, and cunningly asked:
+
+"Are you going to let Philip keep his fiddle in spite of you, squire?"
+
+"What do you mean, Nicholas?" demanded the squire, in a stately way.
+
+"Why, seems to me he's kinder settin' up his will agin yours. You say
+the fiddle shall be sold, and he says it shan't. He told me he didn't
+care what you said, he should keep it."
+
+"Did he say that, Nicholas?" asked the squire, who felt that his dignity
+was outraged by such insolence.
+
+"I'm sartain he did. He's pretty big feelin', Phil is. He always wants
+to have his own way."
+
+"He will find that he can't defy me with impunity," said the squire
+stiffly.
+
+"Just so. Then you'll sell me the fiddle?"
+
+"I will!" said the squire emphatically.
+
+"You won't ask too much, will you?" asked Nick anxiously.
+
+Now Squire Pope, who knew nothing of the price of violins, and had a
+very inadequate idea of their value, after some haggling on the part of
+Nick, agreed to sell him the instrument for two dollars and a half, and
+to see that it was delivered that evening.
+
+"Do you know where it is, Nicholas?" he asked.
+
+"Why, Phil is staying over at Frank Dunbar's, and I guess he's got it
+there somewhere. I guess we'd better go over there and get it."
+
+"Very well, Nicholas. After supper, if you will come to my house, I will
+go over there, and see that you have the instrument."
+
+"All right, squire!" said Nick gleefully, "Phil will find that he can't
+have his own way this time."
+
+"I apprehend he will," said the squire complacently.
+
+Now the reader understands how it happened that Squire Pope and Nick
+Holden made a call on Philip. As to what passed at the interview, we
+must refer him to the next chapter.
+
+
+
+CHAPTER VI. FUSS ABOUT A FIDDLE.
+
+
+
+"Ahem! Good evening!" said Squire Pope to Frank Dunbar, taking no notice
+of Philip's cold but polite salutation.
+
+"Good evening! Will you go into the house?" said Frank.
+
+"I believe not. I have not time."
+
+"I am sorry father isn't home. He just started for the village."
+
+"Ahem! it was not to see your father that I called," answered Squire
+Pope. "I wish to have a few words with this young man," indicating
+Philip stiffly.
+
+"I am at your service, Squire Pope," said Philip, with ceremonious
+politeness.
+
+"We came about the fiddle," interrupted Nick Holden, who always wanted
+to have a share in the conversation.
+
+Squire Pope frowned, for he did not relish Nick's interference.
+
+"Nicholas," he said severely, "I apprehend I am competent to manage the
+business we have come upon."
+
+"Don't get riled, squire," said Nick, by no means abashed by this
+rebuke. "I thought you were kinder slow about comin' to the point."
+
+"Your interruption was very indecorous. I do not require any assistance
+or any suggestions."
+
+"All right, squire!"
+
+Squire Pope now turned to our hero, and said:
+
+"As I was about to say, when interrupted by Nicholas, I have come to
+require you to give up--the Violin which, without authority and against
+my express command, you withheld from the auction."
+
+"The violin is mine, Squire Pope," said Philip firmly, "and I mean to
+keep it!"
+
+"You talk like an ignorant boy. As a minor, you had no claim to the
+possession of any article except your clothing. I judged it best that
+the violin should be sold at the auction, and it is presumptuous for you
+to set up your judgment against mine!"
+
+"I don't take that view of it," said Philip, and then he stopped.
+
+He knew it was of no use to argue against the squire, who was obstinate
+to the verge of pig-headedness, if I may be allowed to use the
+expression. He felt that it would be only wasting his breath.
+
+"It is quite immaterial how you view the subject," said the squire
+pompously. "My mind is made up, and my resolution is not likely to be
+shaken by a boy."
+
+"Then, sir," answered Philip, in a respectful tone but with a slight
+smile, "it is hardly worth while for me to say any more."
+
+"I am glad you have arrived at so sensible a conclusion," said Squire
+Pope. "I take it that you have the violin here."
+
+"Yes, sir."
+
+"Then bring it out and give it to me."
+
+Now came the critical point, when Philip must array himself in
+determined opposition to Squire Pope. He felt that he was entirely in
+the right; still he regretted the necessity of the antagonism.
+
+Philip had one thing in his favor: He had plenty of self-control, and,
+although he was very indignant at the course of the squire, which he
+regarded as unjustifiable, he made up his mind to be as respectful as
+circumstances would permit.
+
+"I don't think you understand me, Squire Pope," he said. "I refuse to
+give up the violin!"
+
+"You refuse to give up the violin!" repeated Squire Pope, scarcely
+believing the testimony of his ears. "Do I hear you aright?"
+
+"Yes, sir."
+
+"I never see such impudence!" ejaculated Nick Holden, wishing to egg on
+the squire.
+
+"Do you mean to defy me to my face?" demoded Squire Pope, growing very
+red.
+
+"I don't wish to defy you or anybody else," returned Philip; "but I
+shall stand up for my rights."
+
+"Misguided boy!" said the squire severely; "you will yet rue this rash
+and heedless course. Frank," he continued, turning to Frank Dunbar, "do
+you know where Philip's violin is!"
+
+"Yes, sir."
+
+"Do me the favor to bring it out and place it in my hands."
+
+"You must excuse me, Squire Pope," answered Frank. "It belongs to
+Philip, and I have no right to meddle with it."
+
+"If Philip has told you this, he has misrepresented," said the squire,
+rather discouraged by this second rebuff. "The violin does not belong to
+Philip. It belongs to this young man."
+
+And, with a wave of his hand, he designated Nick Holden.
+
+It was not polite, but Frank Dunbar was so surprised by this
+announcement that he whistled.
+
+As for Philip, he regarded Nick calmly; but there didn't seem to be any
+sign of yielding in his look.
+
+"It belongs to Nicholas, because I have sold it to him," continued
+Squire Pope doggedly.
+
+"That's so!" corroborated Nick complacently. "The squire sold me the
+fiddle for two-fifty. It's mine now, and you'd better fetch it along
+out, or there'll be trouble."
+
+Philip turned to Squire Pope, and said quietly:
+
+"As you had no right to sell it, the sale amounts to nothing. If you
+had a right, I should say you were not very shrewd to sell an instrument
+that cost twenty-five dollars--and was considered a bargain at the
+price--for two dollars and fifty cents."
+
+"The violin cost twenty-five dollars!" ejaculated the squire, in genuine
+surprise.
+
+For, as it has already been stated, he had no idea whatever of the usual
+price for a violin.
+
+"Yes, sir."
+
+"Don't you believe him, squire," said Nicholas, afraid that he would
+lose what he knew to be a good bargain. "No fiddle that was ever made
+cost twenty-five dollars. It's ridiculous!"
+
+"It does seem a large price," said the squire guardedly.
+
+Squire Pope would doubtless have been surprised to learn that certain
+violins of celebrated make--such as the Cremonas--have sold for
+thousands of dollars. Probably he would have disbelieved it.
+
+Nevertheless, he began to think that he had been too precipitate in
+accepting Nick Holden's offer.
+
+If he should sacrifice, or sell at an utterly inadequate price, any
+article belonging to the boy whom he considered his ward, he knew that
+he would be blamed, and he began to consider how he could recede from
+the bargain.
+
+"Nicholas," he said, "I didn't exactly sell the violin to you. I will
+ascertain what is a fair price for it, and then I will consider your
+proposal."
+
+"You sold it right out, squire," said Nick, "and I can prove it. Didn't
+you just say it was mine. There, now!"
+
+Nick turned triumphantly to Frank and Phil, but, for very good reasons,
+they did not care to side with him.
+
+"I say, you haven't treated me right," persisted Nick, who had no
+particular respect nor veneration for the squire, and was not to be
+deterred from speaking as he felt. "I offered you two-fifty, and you
+said I should have it, and you got me to call at your house to come here
+for it."
+
+"I cannot sacrifice the property of my ward," said Squire Pope. "I must
+ascertain how much the violin is worth."
+
+"A bargain is a bargain, every time!" said Nick, irritated.
+
+"I will let you have it as cheap as anybody," said the squire, who
+thought it possible that Nick might be the only one who desired to
+purchase it. "That ought to satisfy you. Philip, go and bring me
+the violin, and I will carry it home and dispose of it to the best
+advantage."
+
+"You must excuse me, Squire Pope. I shall not let it leave my
+possession." Just then Squire Pope espied Mr. Dunbar returning from the
+village, and hailed him as a probable ally. He laid the matter before
+him, and requested him to compel Philip to get the violin.
+
+"You must excuse me, squire," said Mr. Dunbar coldly. "Philip is my
+guest, and he shall be protected in his rights as long as he remains
+here."
+
+Without a word, Squire Pope walked off, in angry discomfiture, in one
+direction, while Nick, equally dissatisfied, walked off in another.
+
+"They don't seem happy!" said Frank slyly.
+
+"I wish I knew where it was going to end," returned Philip gravely.
+
+"It seems to me," said Frank, "the squire is making a great fuss about a
+fiddle, for a man of his dignity."
+
+"He doesn't care about the violin. He wants to have his own way," said
+Philip, thus hitting the nail on the head.
+
+
+
+CHAPTER VII. MR. JOE TUCKER
+
+
+
+Before going further, I will introduce to the reader, a citizen of
+Norton, who filled a position for which he was utterly unfitted. This
+man was Joe Tucker, in charge of the almshouse.
+
+He had not been selected by the town authorities on the ground of
+fitness, but simply because he was willing to work cheap. He received a
+certain low weekly sum for each one of his inmates, and the free use of
+apartments for himself and family, with the right to cultivate the ten
+acres of land connected with the establishment, and known as the Town
+Farm.
+
+His family consisted of three persons--himself, his wife, and a son,
+Ezekiel, familiarly known as Zeke, now sixteen years old. The leading
+family trait was meanness.
+
+Mr. Tucker supplied a mean table even for a poorhouse, and some of the
+hapless inmates complained bitterly. One had even had the boldness to
+present a complaint to the selectmen, and that body, rather reluctantly,
+undertook to investigate the justness of the complaint. They deputed
+Squire Pope to visit the poorhouse and inquire into the matter.
+
+Now, though Squire Pope thought himself unusually sharp, it was the
+easiest thing in the world for a cunning person like Joe Tucker to
+satisfy him that all was right.
+
+"Mr. Tucker," said Squire Pope pompously, "I am deputed by the
+selectmen, and I may add by the overseers of the poor, to investigate a
+complaint made by one of the paupers in relation to the fare you offer
+them."
+
+"Who is it!" inquired Mr. Tucker.
+
+"It is Ann Carter. She says you don't allow her sugar in her tea, and
+only allow one slice of bread at supper, and that the meat is so bad she
+can't eat it."
+
+"Just like the old woman!" exclaimed Mr. Tucker indignantly. "Oh, she's
+a high-strung pauper, she is! Expects all the delicacies of the season
+for seventy-five cents a week. She'd ought to go to the Fifth Avenoo
+Hotel in New York, and then I'll bet a cent she wouldn't be satisfied."
+
+It is observable that even in his imaginary bets Mr. Tucker maintained
+his economical habits, and seldom bet more than a cent. Once, when very
+much excited, he had bet five cents, but this must be attributed to his
+excited state of mind.
+
+"So you regard her complaints as unreasonable, do you, Mr. Tucker?"
+observed the investigating committee.
+
+"Unreasonable? I should think they was. I allow, Squire Pope, we
+don't live like a first-class hotel"--Mr. Tucker's language was rather
+mixed--"but we live as well as we can afford to. As to sugar, we don't
+allow the paupers to put it in for themselves, or they'd ruin us by
+their extravagance. Mrs. Tucker puts sugar in the teapot before she
+pours it out. I s'pose Ann Carter would put as much in one cup of tea as
+Mrs. T. uses for the whole teapotful, if she had her way."
+
+This was very probably true, as the frugal Mrs. Tucker only allowed one
+teaspoonful for the entire supply.
+
+"That looks reasonable, Mr. Tucker," said the squire approvingly. "Now
+about the bread and the meat?"
+
+"The paupers has plenty of bread," said Mr. Tucker. "Our bread bill is
+actually enormous."
+
+"And as to the meat?"
+
+"We don't give 'em roast turkey every day, and we don't buy tenderloin
+steaks to pamper their appetites," said Mr. Tucker, "though we're
+perfectly willing to do it if the town'll pay us so we can afford it. Do
+you think the town'll agree to pay me twenty-five cents more a week for
+each one, squire?"
+
+"Certainly not. It can't be thought of," said the squire hastily,
+knowing that if the selectmen advocated such a measure they would
+probably lose their reelection.
+
+"If it would, we might live a little better, so that Ann Carter
+wouldn't have to complain, though, bless your soul! that woman is always
+complainin'."
+
+"Ahem! Mr. Tucker, you present the matter to me in a new light. I really
+feel that Ann Carter is very unreasonable in her complaints."
+
+"I knowed you'd do me justice, squire," said Mr. Tucker effusively.
+"You're a sharp man. You ain't a-goin' to be taken in by any of them
+paupers' rigmarole. I always said, Squire Pope, that you was the
+right man in the right place, and that the town was lucky to have so
+intelligent and public-spirited a citizen fillin' her most important
+offices."
+
+"Mr. Tucker," said the squire, "you gratify me. It has ever been my aim
+to discharge with conscientious fidelity the important trusts which the
+town has committed to my charge--"
+
+"I'll bear witness to that, squire."
+
+"And your sincere tribute gives me great satisfaction."
+
+"I hope you'll report things right to the board, Squire Pope?" said Mr.
+Joe Tucker insinuatingly.
+
+"Be assured I will, Mr. Tucker. I consider you a zealous and trustworthy
+official, striving hard to do your duty in the place the town has
+assigned you."
+
+"I do, indeed, squire," said Mr. Tucker, pulling on a red handkerchief
+and mopping some imaginary tears. "Excuse my emotions, sir, but your
+generous confidence quite unmans me. I--I--trust now that I shall be
+able to bear meekly the sneers and complaints of Ann Carter and her
+fellow paupers."
+
+"I will stand by you, Mr. Tucker," said Squire Pope cordially, for the
+man's flattery, coarse as it was, had been like incense to his vanity.
+"I will stand by you, and uphold you by my testimony."
+
+"Thank you, squire. With such an impartial advocate I will continue to
+do my duty and fear nothing."
+
+As Squire Pope left the almshouse, Mr. Tucker winked at himself in the
+glass, and said quizzically:
+
+"I guess I'm all right now. The vain old fool thinks he's a second
+Solomon, and thinks I regard him as such. Oh, it takes me to get round
+him!"
+
+Squire Pope wrote an elaborate report, in which he stated that, after
+searching investigation, he had ascertained that the complaints of Ann
+Carter were absolutely groundless, and gave it as his conviction
+that Mr. Tucker's treatment of her and her associate paupers was
+characterized by remarkable consideration and humanity.
+
+Such officials as he have much to answer for, and yet there are plenty
+just as false to their responsibilities as he.
+
+It was two days after Squire Pope's ineffectual attempt to possess
+himself of Philip's violin, that our hero was walking along a country
+road, on his return from an errand which, he had undertaken for his
+friend's father, when his attention was drawn to the yelping of a small
+dog, that seemed in fear or pain.
+
+Looking over the stone wall, Philip saw Zeke Tucker amusing himself
+by thrusting the dog's head into a pool of dirty water, and holding it
+there till the animal was nearly strangled. The dog's suffering appeared
+to yield the most exquisite amusement to the boy, who burst into peal
+after peal of rude laughter as he watched the struggles of his victim.
+
+Philip, like every decent boy, had a horror of cruelty, and the sight
+stirred him to immediate anger and disgust.
+
+"What are you doing there, Zeke Tucker?" he demanded sternly.
+
+"None of your business!" answered Zeke, frowning.
+
+"You'd better answer my question," said Philip, who had by this time
+jumped over the wall.
+
+"Then I will. I'm havin' a little fun. What have you got to say about
+it?" retorted Zeke.
+
+And once more he plunged the head of the poor dog into the filthy pool.
+
+The next moment he found himself floundering on his back, while the dog,
+slipping from his grasp, was running across the meadows. "What did you
+do that for!" demanded Zeke, springing up, his face flaming with rage.
+
+"I rather think you understand well enough," answered Philip
+contemptuously.
+
+"What business have you to touch me? I can have you arrested, you low
+pauper!"
+
+"What's that? What did you call me?" demanded Philip.
+
+"I called you a pauper."
+
+"By what right?"
+
+"Squire Pope told my father he was going to bring you over to the
+poorhouse to live. You just see if my father doesn't give it to you
+then!"
+
+"Thank you," said Phil contemptuously; "but I don't propose to board at
+your establishment, not even to obtain the pleasure of your society."
+
+"Maybe you can't help yourself," said Zeke gleefully.
+
+For he saw what had escaped the notice of Philip, whose back was
+turned--namely, a four-seated carryall, containing his father and Squire
+Pope, which had just halted in the road, hard by.
+
+"Mr. Tucker," said Squire Pope, in a low tone, "now will be the best
+opportunity to capture the boy and carry him to the almshouse."
+
+"All right--I'm ready," said Tucker readily.
+
+For another boarder would bring him sixty cents a week more.
+
+They stopped the horses and prepared for business.
+
+
+
+CHAPTER XIII. IN THE ENEMY'S HANDS
+
+
+
+Philip heard a step, and turned to see whose it was; but, when he
+recognized Mr. Tucker, the latter's hand was already on his collar.
+
+"What have you been doin' to Zeke? Tell me that, you young rascal," said
+Mr. Tucker roughly.
+
+"He pitched into me savage, father," answered Zeke, who had picked
+himself up, and was now engaged in brushing the dust from his coat.
+
+"Pitched into ye, did he?" repeated Joe Tucker grimly. "I reckon
+he didn't know your father was 'round. What have you got to say for
+yourself, eh?"
+
+Philip regarded his captor contemptuously, and didn't struggle to
+escape, knowing that he was not a match for a man five inches taller
+than himself. But contempt he could not help showing, for he knew very
+well that Zeke had inherited his mean traits largely from his father.
+
+"I'll thank you to remove your hand from my collar, sir," said Philip.
+"When you have done that, I will explain why I pitched into Zeke, as he
+calls it."
+
+"Don't you let go, father!" said Zeke hastily. "He'll run away, if you
+do."
+
+"If I do, you can catch me between you," returned Philip coolly.
+
+"I reckon that's so," said Mr. Tucker, withdrawing his hand, but keeping
+wary watch of our hero.
+
+"Now go ahead!" said he.
+
+Philip did so.
+
+"I saw Zeke torturing a small dog," he explained, "and I couldn't stand
+by and let it go on."
+
+"What was he doin' to him?" inquired Mr. Tucker.
+
+"Putting the poor animal's head into this dirty pool, and keeping it
+there till it was nearly suffocated."
+
+"Was you doin' that, Zeke?" asked his father.
+
+"I was havin' a little fun with him," said Zeke candidly.
+
+"It might have been fun to you, but it wasn't to him," said Phil.
+
+"Why didn't you ask Zeke to stop, and not fly at him like a tiger?"
+demanded Mr. Tucker.
+
+"I did remonstrate with him, but he only laughed, and did it again."
+
+"He hadn't no right to order me," said Zeke. "It wa'n't no business of
+his if I was havin' a little fun with the dog."
+
+"And I had a little fun with, you," returned Philip--"You couldn't have
+complained if I had dipped your head in the water also."
+
+"I ain't a dog!" said Zeke.
+
+"I should respect you more if you were," said Philip.
+
+"Are you goin' to let him talk to me like that!" asked Zeke, appealing
+to his father.
+
+"No, I ain't," said Mr. Tucker angrily. "You've committed an assault and
+battery on my son, you rascal, and you'll find there ain't no fun in it
+for you. I could have you arrested and put in jail, couldn't I, squire?"
+
+"Ahem! Well, you could have him fined; but, as he is to be under your
+care, Mr. Tucker, you will have a chance of making him conduct himself
+properly."
+
+"What do you mean by that, Squire Pope?" asked Philip quickly.
+
+"Young man, I do not choose to be catechized," said Squire Pope, in a
+dignified manner; "but I have no objections to tell you that I have made
+arrangements with Mr. Tucker to take you into the poorhouse."
+
+"I've heard that before, but I couldn't believe it," said Philip
+proudly.
+
+"I guess you'll have to believe it pretty soon, he, he!" laughed Zeke,
+with a grin which indicated his high delight. "I guess dad'll make you
+stand round when he gits you into the poor-house."
+
+"Don't you consider me capable of earning my own living, Squire Pope?"
+asked Philip.
+
+"Ahem! Yes, you will be one of these days. You won't have to stay in the
+almshouse all your life."
+
+"You'll have a chance to earn your livin' with me." said Mr. Tucker. "I
+shall give you something to do, you may depend."
+
+"You can make him saw and split wood, father, and do the chores and milk
+the cow," suggested Zeke.
+
+"I have no objection to doing any of those things for a farmer," said
+Philip, "but I am not willing to do it where I shall be considered a
+pauper."
+
+"Kinder uppish!" suggested Mr. Tucker, turning to Squire Pope. "Most all
+of them paupers is proud; but it's pride in the wrong place, I reckon."
+
+"If it is pride to want to earn an independent living, and not live on
+charity, then I am proud," continued Philip.
+
+"Well, squire, how is it to be," asked Mr. Tucker.
+
+"Philip," said Squire Pope pompously, "you are very young, and you don't
+know what is best for you. We do, and you must submit. Mr. Tucker, take
+him and put him in the wagon, and we'll drive over to the poorhouse."
+
+"What! now?" asked Philip, in dismay.
+
+"Just so," answered Joe Tucker. "When you've got your bird, don't let
+him go, that's what I say."
+
+"That's the talk, dad!" said Zeke gladfully. "We'll take down his pride,
+I guess, when we've got him home."
+
+Joe Tucker approached Philip, and was about to lay hold of him, when our
+hero started back.
+
+"You needn't lay hold of me, Mr. Tucker," he said. "I will get into the
+wagon if Squire Pope insists upon it."
+
+"I'm glad you're gettin' sensible," said the squire, congratulating
+himself on finding Philip more tractable than he expected.
+
+"And you will go to the poorhouse peaceful, and without making a fuss?"
+asked Joe.
+
+"Yes, I will go there; but I won't stay there."
+
+"You won't stay there!" ejaculated the squire.
+
+"No, sir! In treating me as a dependent on charity, you are doing what
+neither you nor any other man has a right to do," said Philip firmly.
+
+"You don't appear to remember that I am a selectman and overseer of the
+poor," said the Squire.
+
+"I am aware that you hold those offices; but if so, you ought to save
+money to the town, and not compel them to pay for my support, when I am
+willing and able to support myself."
+
+Squire Pope looked a little puzzled. This was putting the matter in a
+new light, and he could not help admitting to himself that Philip was
+correct, and that perhaps his fellow citizens might take the same view.
+
+On the other hand, the squire was fond of having his own way, and he had
+now gone so far that he could not recede without loss of dignity.
+
+"I think," he answered stiffly, "that I understand my duty as well as a
+boy of fifteen. I don't mean to keep you here long, but it is the best
+arrangement for the present."
+
+"Of course it is," said Zeke, well pleased with the humiliation of his
+enemy.
+
+"Shut up, Zeke!" said his father, observing from the squire's expression
+that he did not fancy Zeke's interference.
+
+"All right, dad," said Zeke good-naturedly, seeing that things had
+turned out as he desired.
+
+"Jump in!" said Mr. Tucker to Philip.
+
+Our hero, without a word, obeyed. He was firmly resolved that Squire
+Pope should not have his way, but he did not choose to make himself
+ridiculous by an ineffectual resistance which would only have ended in
+his discomfiture.
+
+Seated between Mr. Tucker and the squire, he was driven rapidly toward
+the poorhouse.
+
+
+
+CHAPTER IX. THE POORHOUSE.
+
+
+
+There was no room for Zeke to ride--that is, there was no seat for
+him--but he managed to clamber into the back part of the wagon, where
+he sat, or squatted, rather uncomfortably, but evidently in the best of
+spirits--if any inference could be drawn from his expression.
+
+The poorhouse was not far away. It was a three-story frame house, which
+badly needed painting, with a dilapidated barn, and shed near by.
+
+A three-story farmhouse is not common in the country, but this dwelling
+had been erected by a Mr. Parmenter, in the expectation of making a
+fortune by taking summer boarders.
+
+There was room enough for them, but they did not come. The situation was
+the reverse of pleasant, the soil about was barren, and there were no
+shade or fruit trees. It was a crazy idea, selecting such a spot for a
+summer boarding-house, and failure naturally resulted.
+
+There had, indeed, been two boarders--a man and his wife--who paid one
+week's board, and managed to owe six before the unlucky landlord decided
+that they were a pair of swindlers. He had spent more money than he
+could afford on his house, and went steadily behind-hand year after
+year, till the town--which was in want of a poorhouse--stepped in
+and purchased the house and farm at a bargain. So it came to be a
+boarding-house, after all, but in a sense not contemplated by the
+proprietor, and, at present, accommodated eleven persons--mostly old and
+infirm--whom hard fortune compelled to subsist on charity.
+
+Mr. Tucker had this advantage, that his boarders, had no recourse except
+to stay with him, however poor his fare or harsh his treatment, unless
+they were in a position to take care of themselves.
+
+When Philip came in sight of the almshouse--which he had often seen, and
+always considered a very dreary-looking building--he was strengthened in
+his determination not long to remain a tenant.
+
+Mr. Tucker drove up to the front door with a flourish.
+
+A hard-featured woman came out, and regarded the contents of the wagon
+with curiosity.
+
+"Well, Abigail, can you take another boarder!" asked Mr. Tucker, as he
+descended from the wagon.
+
+"Who is it?"
+
+"Well, it ain't likely to be Squire Pope!" said Joe facetiously; "and
+Zeke and I are regular boarders on the free list."
+
+"Is it that boy?"
+
+"Yes; it's Phil Gray."
+
+"Humph! boys are a trial!" remarked Mrs. Tucker, whose experience with
+Zeke had doubtless convinced her of this fact.
+
+"I sha'n't trouble you long, Mrs. Tucker," said Philip. "I don't intend
+to stay."
+
+"You don't, hey?" retorted Joe Tucker, with a wolfish grin and an
+emphatic nod of the head. "We'll see about that--won't we, Squire Pope?"
+
+"The boy is rather rebellious, Mrs. Tucker," said the selectman. "He
+appears to think he knows better what is good for him than we do.
+You may look upon him as a permanent boarder. What he says is of no
+account."
+
+Philip said nothing, but he looked full at the squire with an
+unflinching gaze. If ever determination was written upon any face, it
+was on his.
+
+"Come down there!" said Mrs. Tucker, addressing our hero. "You're at
+home now."
+
+"Mr. Dunbar won't know what has become of me," said Philip, with a
+sudden thought. "They will be anxious. May I go back there and tell them
+where I am?"
+
+"Do you think I am green enough for that?" Mr. Tucker, touching the
+side of his nose waggishly. "We shouldn't be likely to set eyes on you
+again."
+
+"I will promise to come back here this evening," said Philip.
+
+"And will you promise to stay?" asked Squire Pope doubtfully.
+
+"No, sir," answered Philip boldly. "I won't do that, but I will engage
+to come back. Then Mr. Tucker will have to look out for me, for I tell
+you and him frankly I don't mean to stay."
+
+"Did you ever hear such talk, squire!" asked Mr. Tucker, with a gasp
+of incredulity. "He actually defies you, who are a selectman and an
+overseer of the poor."
+
+"So he does, Mr. Tucker. I'm shocked at his conduct."
+
+"Shall we let him go?"
+
+"No, of course not."
+
+"I agree with you, squire. I know'd you wouldn't agree to it. What shall
+I do about his wantin' to run away?"
+
+"It will be best to confine him just at first, Mr. Tucker."
+
+"I'll shut him up in one of the attic rooms," said Mr. Tucker.
+
+"I think it will be the best thing to do, Mr. Tucker."
+
+Philip took all this very coolly. As to the way in which they proposed
+to dispose of him for the present he cared very little, as he did not
+intend stay till morning if there was any possible chance of getting
+away. The only thing that troubled him was the doubt and anxiety of his
+good friends, the Dunbars, when he did not return to the house.
+
+"Squire Pope," he said, turning to that official, "will you do me a
+favor?"
+
+"Ahem! Explain yourself," said the squire suspiciously.
+
+"Will you call at Mr. Dunbar's and tell them where I am."
+
+Now, for obvious reasons, the squire did not like to do this. He knew
+that the Dunbars would manifest great indignation at the arbitrary step
+which he had adopted, and he did not like to face their displeasure,
+especially as his apology would perforce be a lame one.
+
+"I don't think I am called upon to do you a favor, seeing how you've
+acted, Philip," he said hesitatingly. "Besides, it would be out of my
+way, and I ought to get home as soon as possible."
+
+"Then you refuse, sir?"
+
+"Well, I'd rather not."
+
+"Will you get word to them, Mr. Tucker?" asked Philip, turning to him.
+
+"I hain't got time," answered Mr. Tucker, who feared that the Dunbars
+would come for Philip and release him in the course of the evening.
+
+Philip was nonplused. Always considerate of the feelings of others, he
+was unwilling that his friends should suffer anxiety on his account.
+
+As Mr. Tucker and Squire Pope walked away together, our hero turned to
+Zeke.
+
+"I suppose it's no use to ask you to do me a favor, Zeke?" he said.
+
+"Do you want me to tell Frank Dunbar where you are?"
+
+"Yes, I wish you would."
+
+"Then I'll do it."
+
+"You're a better fellow than I thought you were, Zeke," said Philip,
+surprised.
+
+"No, I ain't! Do you want to know why I'm willin' to go?"
+
+"Why?"
+
+"I know Frank Dunbar'll feel bad, and I hate him."
+
+"So that is your object, is it, Zeke?"
+
+"You've got it."
+
+"Well, whatever your motive may be, I shall be much obliged to you if
+you go. Here's ten cents for you!"
+
+Zeke grasped at the coin with avidity, for his father was very
+parsimonious, and his mother no less so, and he seldom got any ready
+money.
+
+"Thank you!" said Zeke, with unusual politeness. "I'll go right off.
+But, I say, don't you tell dad where I've gone, or he might prevent me,
+and don't you let on you've given me this dime, or he'd try to get it
+away."
+
+"No, I won't say anything about it," answered Philip.
+
+"A curious family this is!" he thought, "There doesn't seem to be much
+confidence in each other."
+
+Zeke sauntered away carelessly, to avert suspicion but when he had got
+round a bend of the road he increased his speed, never looking back,
+lest he should see his father signaling for him.
+
+Philip breathed a sigh of relief.
+
+"I've got a messenger at last," he said. "Now my friends will know what
+has become of me when I don't come home to supper."
+
+He was a little curious to learn what they were going to do with him,
+but he was not long kept in suspense.
+
+
+
+CHAPTER X. BAD TIDINGS.
+
+
+
+Leaving Philip for a short time in the hands of his captor, we will
+follow Zeke on his errand. He didn't have to go as far as Mr. Dunbar's
+house, for he met Frank Dunbar about a quarter of a mile this side of
+it.
+
+Now, between Frank Dunbar and Zeke Tucker there was no love lost. There
+had been a difficulty between them, originating at school, which need
+not be particularly referred to. Enough that it led to Zeke's cordially
+disliking Frank, while the latter, who was a frank, straightforward boy,
+could not see anything in Mr. Tucker's promising son to enlist either
+his respect or his liking.
+
+There was a small river running through Norton, which crossed the main
+thoroughfare, and had to be bridged over. Frank Dunbar, fishing-line
+in hand, was leaning over the parapet, engaged in luring the fish from
+their river home. He looked up, when he saw Zeke approaching him.
+Not having any particular desire to hold a conversation with him, he
+withdrew his eyes, and again watched his line. Zeke, however, approached
+him with a grin of anticipated enjoyment, and hailed him in the usual
+style:
+
+"Hello, Frank!"
+
+"Oh, it's you, is it?" said Frank Dunbar indifferently.
+
+"Yes it's me. I suppose you thought it was somebody else," chuckled
+Zeke, though Frank could see no cause for merriment.
+
+"Well, I see who it is now," he responded.
+
+"Where is Phil Gray?" inquired Zeke, chuckling again.
+
+"Do you want to see him?" asked Frank, rather surprised.
+
+"Oh, no! I shall see him soon enough."
+
+And again Zeke chuckled.
+
+Frank looked up.
+
+He was expecting Philip to join him, and was, in fact, waiting for
+him now. Zeke's mysterious merriment suggested that he might have met
+Philip--possibly bore some message from him.
+
+"Do you know anything about Phil?" asked Frank, looking fixedly at his
+visitor.
+
+"I reckon I do. I know all about him," said Zeke, with evident
+enjoyment.
+
+"Well. If you have any message from him, let me hear it."
+
+"You can't guess where he is," blurted out Zeke.
+
+"He isn't in any trouble, is he?" asked Frank quickly.
+
+"No; he's safe enough. But you needn't expect to see him tonight."
+
+"Why not?" demanded Frank, not yet guessing what was likely to detain
+his friend.
+
+"Because he's at our house," chuckled Zeke. "Dad and Squire Pope have
+carried him to the poorhouse, and he's goin' to stay there for good."
+
+This was a surprise. In his astonishment, Frank nearly let go his rod.
+He was eager now to question Zeke further.
+
+"You don't mean to say Phil has been carried to the poorhouse against
+his will?" he exclaimed.
+
+"I reckon he was anxious to go," said Zeke.
+
+"Where was he when your father and Squire Pope committed this outrage?"
+said Frank indignantly.
+
+"I thought you'd be mad," said Zeke, with the same unpleasant chuckle.
+
+"Answer my question, or I'll pitch you into the river," said Frank
+sternly.
+
+He did not mean what he said, but Zeke drew back in alarm.
+
+"Quit now! I didn't have nothin' to do with it," said Zeke hastily.
+"Me and him was over in Haywood's pasture when dad come along with the
+squire in his wagon. Well, they made Phil get in, and that's all of
+it, except I promised I'd come and tell your folks, so you needn't get
+scared or nothin' when he didn't come back to-night."
+
+"He will come back to-night," said Frank. "He won't stay in the
+poorhouse."
+
+"Yes, he will. He can't help himself. Dad's goin' to lock him up in the
+attic. I guess he won't jump out of the window. Where you go-in'! You
+ain't got through fishin', be you?"
+
+"Yes, I'm through," answered Frank, as he drew his line out of the
+water. "Just tell Phil when you go home that he's got friends outside
+who won't see him suffer."
+
+"Say, ain't you goin' to give me nothin' for comin' to tell you!" asked
+Zeke, who was always intent on the main chance.
+
+Frank flung a nickel in his direction, which Zeke picked up with
+avidity.
+
+"I guess it pays to run errands when you can get paid twice," he
+reflected complacently.
+
+
+
+CHAPTER XI. PHILIP'S NEW ROOM.
+
+
+
+We return to Phil.
+
+"Foller me, boy!" said Mr. Tucker, as he entered the house, and
+proceeded to ascend the front steps.
+
+Philip had formed his plans, and without a word of remonstrance, he
+obeyed. The whole interior was dingy and dirty. Mrs. Tucker was not a
+neat woman, and everything looked neglected and slipshod.
+
+In the common room, to the right, the door of which was partly open,
+Philip saw some old men and women sitting motionless, in a sort of weary
+patience. They were "paupers," and dependent for comfort on the worthy
+couple, who regarded them merely as human machines, good to them for
+sixty cents a week each.
+
+Mr. Tucker did not stop at the first landing, but turned and began to
+ascend a narrower and steeper staircase leading to the next story.
+
+This was, if anything, dirtier and more squalid than the first and
+second. There were several small rooms on the third floor, into one
+of which Mr. Tucker pushed his way. "Come in," he said. "Now you're at
+home. This is goin' to be your room."
+
+Philip looked around him in disgust, which he did not even take the
+trouble to conceal.
+
+There was a cot-bed in the corner, with an unsavory heap of bed-clothing
+upon it, and a couple of chairs, both with wooden seats, and one with
+the back gone.
+
+That was about all the furniture. There was one window looking out upon
+the front.
+
+"So this is to be my room, is it?" asked our hero.
+
+"Yes. How do you like it?"
+
+"I don't see any wash-stand, or any chance to wash."
+
+"Come, that's rich!" said Mr. Tucker, appearing to be very much amused.
+"You didn't think you was stoppin' in the Fifth Avenoo Hotel, did you?"
+
+"This don't look like it."
+
+"We ain't used to fashionable boarders, and we don't know how to take
+care of 'em. You'll have to go downstairs and wash in the trough, like
+the rest of the paupers do."
+
+"And wipe my face on the grass, I suppose?" said Philip coolly, though
+his heart sank within him at the thought of staying even one night in a
+place so squalid and filthy.
+
+"Come, that's goin' too far," said Mr. Tucker, who felt that the
+reputation of the boarding-house was endangered by such insinuations.
+"We mean to live respectable. There's two towels a week allowed, and
+that I consider liberal."
+
+"And do all your boarders use the same towel?" asked Phil, unable to
+suppress an expression of disgust.
+
+"Sartain. You don't think we allow 'em one apiece, do you!"
+
+"No, I don't," said Philip decidedly.
+
+He had ceased to expect anything so civilized in Mr. Tucker's
+establishment.
+
+"Now you're safe in your room, I reckon I'd better go downstairs," said
+Tucker.
+
+"I will go with you."
+
+"Not much you won't! We ain't a-goin' to give you a chance of runnin'
+away just yet!"
+
+"Do you mean to keep me a prisoner?" demanded Philip.
+
+"That's just what we do, at present," answered his genial host.
+
+"It won't be for long, Mr. Tucker."
+
+"What's that you say? I'm master here, I'd have you to know!"
+
+Just then a shrill voice was heard from below:
+
+"Come down, Joe Tucker! Are you goin' to stay upstairs all day?"
+
+"Comin', Abigail!" answered Mr. Tucker hastily, as he backed out of the
+room, locking the door behind him. Philip heard the click of the key as
+it turned in the lock, and he realized, for the first time in his life,
+that he was a prisoner.
+
+
+
+CHAPTER XII. A PAUPER'S MEAL
+
+
+
+Half an hour later Philip heard a pounding on the door of his room.
+
+He was unable to open it, but he called out, loud enough for the
+outsider to hear:
+
+"Who is it?"
+
+"It's me--Zeke," was the answer that came back.
+
+"Did you tell the Dunbars where I was?" asked Philip eagerly.
+
+"Yes."
+
+"I shouldn't think you had time to go there and back," said Philip,
+fearing that Zeke had pocketed his money and then played him false. But,
+as we know, he was mistaken in this.
+
+"I didn't go there," shouted Zeke. "I met Frank on the bridge."
+
+"What did he say?"
+
+"He was mad," answered Zeke, laughing. "I thought he would be."
+
+"Did he send any message to me?" asked Philip.
+
+"No; he stopped fishin' and went home." Here the conversation was
+interrupted. The loud tones in which Zeke had been speaking, in order to
+be heard through the door, had attracted attention below.
+
+His father came to the foot of the attic stairs and demanded
+suspiciously:
+
+"What you doin' there, Zeke?"
+
+"Tryin' to cheer up Phil Gray," answered Zeke jocosely.
+
+"He don't need any cheerin' up. He's all right. I reckon you're up to
+some mischief."
+
+"No, I ain't."
+
+"Come along down."
+
+"All right, dad, if you say so. Lucky he didn't hear what I was sayin'
+about seein' Frank Dunbar," thought Zeke. "He'd be mad."
+
+Presently there was another caller at Philip's room, or, rather, prison.
+This time it was Mr. Tucker himself. He turned the key in the lock and
+opened the door. Philip looked up inquiringly.
+
+"Supper's ready," announced Joe. "You can come down if you want to."
+
+Philip was provided with an appetite, but he did not relish the idea of
+going downstairs and joining the rest of Mr. Tucker's boarders. It would
+seem like a tacit admission that he was one of their number. Of course,
+he couldn't do without eating, but he had a large apple in his pocket
+when captured, and he thought that this would prevent his suffering from
+hunger for that night, at least, and he did not mean to spend another at
+the Norton poorhouse. The problem of to-morrow's supply of food might be
+deferred till then.
+
+"I don't care for any supper," answered Philip.
+
+"Perhaps you expect your meals will be brought up to you?" said Mr.
+Tucker, with a sneer.
+
+"I haven't thought about it particularly," said Philip coolly.
+
+"You may think you're spitin' me by not eatin' anything," observed Mr.
+Tucker, who was rather alarmed lest Philip might have made up his mind
+to starve himself.
+
+This would be embarrassing, for it would make an investigation
+necessary.
+
+"Oh, no," answered Philip, smiling; "that never came into my mind."
+
+"I don't mind bringin' you up your supper for once," said Tucker. "Of
+course, I can't do it reg'lar, but this is the first night."
+
+"I suppose I shall be better able to make my escape if I eat," thought
+Philip. "Probably the most sensible thing is to accept this offer."
+
+"How much are you to get for my board, Mr. Tucker?" he asked.
+
+"Only sixty cents," grumbled Tucker. "It ain't enough, but the town
+won't pay any more. You've no idea what appetites them paupers has."
+
+"You made a mistake when you agreed to take me," said Philip gravely.
+"I'm very hearty, you'll be sure to lose money on me."
+
+Mr. Tucker looked uneasy.
+
+"Well, you see I expect to have you earn part of your board by doin'
+chores," he said, after a pause.
+
+"That will give me a good chance to run away," remarked Philip calmly.
+"You'll have to let me out of this room to work, you know."
+
+"You wouldn't dare to run away!" said Tucker, trying to frighten Philip
+by a blustering manner.
+
+"That shows you don't know me, Mr. Tucker!" returned our hero. "I give
+you fair warning that I shall run away the first chance I get."
+
+Philip's tone was so calm and free from excitement that Mr. Tucker could
+not help seeing that he was in earnest, and he looked perplexed.
+
+"You don't look at it in the right light," he said, condescending to
+conciliate his new boarder. "If you don't make no trouble, you'll have
+a good time, and I'll let you off, now an' then, to play with Zeke. He
+needs a boy to play with."
+
+Philip smiled, for the offer did not attract him very much.
+
+"You are very kind," he said, "but I don't think that even that will
+reconcile me to staying here with you. But, if you'll agree to let me
+pay you for the supper, you may bring me up some."
+
+"The town will pay me," said Tucker.
+
+"That's just what I don't want the town to do," said Philip quickly. "I
+will make you an offer. At sixty cents a week the meals for one day
+will not cost over ten cents. I'll pay you ten cents for supper and
+breakfast."
+
+"You're a cur'us boy," said Tucker. "You want to pay for your vittles in
+a free boardin'-house."
+
+"It isn't free to me. At any rate, I don't want it to be. What do you
+say?"
+
+"Oh, I ain't no objections to take your money," said Tucker, laughing.
+"I didn't know you was so rich."
+
+"I am not rich, but I think I can pay my board as long as I stay here."
+
+This Philip said because he had decided that his stay should be a very
+brief one.
+
+"Just as you say!" chuckled Mr. Tucker.
+
+As he went downstairs he reflected:
+
+"I can take the boy's money and charge his board to the town, too.
+There's nothin' to hen-der, and it'll be so much more in my pocket. I
+wish the rest of the paupers would foller his example."
+
+He went downstairs and explained to Mrs. Tucker that he wanted Philip's
+supper.
+
+"Tell him to come down to the table like the rest of the folks!"
+retorted Mrs. Tucker. "He ain't too lazy, is he?"
+
+"No; but it's safer to keep him in his room for the first twenty-four
+hours. He's a desperate boy, but I reckon he'll get tamed after a
+while."
+
+"I'll desperate him!" said Mrs. Tucker scornfully. "I don't believe in
+humorin' him."
+
+"Nor I, Abigail. He'd like to come down, but I won't let him. We can
+manage him between us."
+
+"I should smile if we couldn't," said Mrs. Tucker. "If you want any
+supper for him, you can get it yourself. I've got too much to do. No,
+Widder Jones, you can't have another cup of tea, and you needn't beg for
+it. One clip's plenty for you, and it's all we can afford."
+
+"Only this once," pleaded the poor old woman. "I've got a headache."
+
+"Then another cup of tea would only make it worse. If you've got through
+your supper, go back to your seat and give more room for the rest."
+
+While Mrs. Tucker was badgering and domineering over her regular
+boarders, her husband put two slices of dry bread on a plate, poured out
+a cup of tea, not strong enough to keep the most delicate child awake,
+and surreptitiously provided an extra luxury in the shape of a thin
+slice of cold meat. He felt that, as he was to receive double price, he
+ought to deal generously by our hero.
+
+He carried this luxurious supper to the third story, and set it down
+before Philip.
+
+Philip promptly produced a dime, which Mr. Tucker pocketed with
+satisfaction. He waited till his young guest had finished his repast, in
+order himself to carry down the dishes.
+
+There was no butter for the bread, and the tea had been sweetened
+scantily. However, Philip had the appetite of a healthy boy, and he ate
+and drank everything that had been provided.
+
+"I'll be up in the morning," said Mr. Tucker. "We go to bed early here.
+The paupers go to roost at seven, and me and my wife and Zeke at eight.
+You'd better go to bed early, too."
+
+
+
+CHAPTER XIII. A FRIENDLY MISSION.
+
+
+
+Philip was glad to hear that all in the almshouse went to bed so early.
+He had not yet given up the hope of escaping that night, though he had
+as yet arranged no definite plan of escape.
+
+Meanwhile, he had an active friend outside. I refer, of course, to Frank
+Dunbar. Frank had no sooner heard of his friend's captivity than he
+instantly determined, if it were a possible thing, to help him to
+escape.
+
+He would not even wait till the next day, but determined after it was
+dark to visit the poor-house and reconnoiter. First, he informed his
+parents what had befallen Phil. Their indignation was scarcely less than
+his.
+
+"Squire Pope is carrying matters with a high hand," said the farmer.
+"According to my idea, he has done no less than kidnap Philip, without
+the shadow of a legal right."
+
+"Can't he be prosecuted?" asked Frank eagerly.
+
+"I am not sure as to that," answered his father, "but I am confident
+that Philip will not be obliged to remain, unless he chooses, a
+dependent upon the charity of the town."
+
+"It is outrageous!" said Mrs. Dunbar, who was quite as friendly to
+Philip as her husband and son.
+
+"In my opinion," said Mr. Dunbar, "Squire Pope has done a very unwise
+thing as regards his own interests. He desires to remain in office, and
+the people will not be likely to reelect him if his policy is to make
+paupers of those who wish to maintain themselves. Voters will be apt to
+think that they are sufficiently taxed already for the support of those
+who are actually unable to maintain themselves."
+
+"If I were a voter," exclaimed Frank indignantly, "I wouldn't vote
+for Squire Pope, even for dog-catcher! The meanest part of it is the
+underhanded way in which he has taken Phil. He must have known he was
+acting illegally, or he would have come here in open day and required
+Phil to go with him."
+
+"I agree with you, Frank. Squire Pope may be assured that he has lost
+my vote from henceforth. Hitherto I have voted for him annually for
+selectman, knowing that he wanted the office and considering him fairly
+faithful."
+
+"Father," said Frank, after a thoughtful pause, "do you think Philip
+would be justified in escaping from the poorhouse?"
+
+"I do," answered Mr. Dunbar. "In this free country I hold that no one
+ought to be made an object of charity against his will."
+
+"Philip is strong enough and smart enough to earn his own living," said
+Frank.
+
+"That is true. I will myself give him his board and clothes if he will
+stay with me and work on the farm."
+
+"I wish he would. He would be a splendid companion for me; but I think
+he wants to leave Norton, and try his fortune in some larger place."
+
+"I can't blame him. If his father were living and he had a good home,
+I should not think it wise; but, as matters stand, it may not be a bad
+plan for him."
+
+"Father," said Frank, after supper, "I am going out and I may not be
+back very early."
+
+"Are you going to see Philip?"
+
+"Yes; but I want to see him alone. If possible, I will see him without
+attracting the attention of Joe Tucker."
+
+"You won't get into any trouble, Frank?" said his mother anxiously.
+
+"No, mother; I don't know what trouble I can get into."
+
+"You may very likely fail to see Philip," suggested his father. "I hear
+that Tucker and his boarders go to bed very early."
+
+"So much the better!" said Frank, in a tone of satisfaction. "The only
+one I want to see is Philip, and he isn't likely to go to sleep very
+early."
+
+Mr. Dunbar smiled to himself.
+
+"Frank has got some plan in his head," he thought. "I won't inquire what
+it is, for he has good common sense, and won't do anything improper."
+
+About eight o'clock, Frank, after certain preparations, which will
+hereafter be referred to, set out for the poorhouse, which was about a
+mile distant.
+
+
+
+CHAPTER XIV. PHILIP MAKES HIS ESCAPE.
+
+
+
+It grew darker and darker in Philip's chamber, but no one came to bring
+him a light. It was assumed that he would go to bed before he required
+one.
+
+By seven o'clock the paupers had settled themselves for the night, and
+when eight o'clock struck, Mr. and Mrs. Tucker sought their beds. It
+was no particular trial for Joe Tucker to go to bed early, for he was
+naturally a lazy man, and fond of rest; while his wife, who worked a
+great deal harder than he, after being on her feet from four o'clock in
+the morning, found it a welcome relief to lie down and court friendly
+sleep. Zeke wasn't always ready to go to bed. In fact, he would much
+rather have gone up to the village now and then, but if he had done so
+he would have had to stay out all night. There was one thing his parents
+were strict about, and that was retiring at eight o'clock.
+
+Philip, however, did not retire at that hour. It was earlier than his
+usual hour for bed. Besides, he was in hopes his friend Frank would make
+his appearance, and help him, though he didn't exactly understand how,
+to make his escape.
+
+At half-past eight it was dark. The stars were out, and the moon was
+just making its appearance. Philip had opened his window softly, and was
+looking out, when all at once he saw a boyish figure approaching.
+
+Couldn't be Frank Dunbar.
+
+He hoped so, but in the indistinct light could not be quite certain.
+
+The boy, whoever it might be, approached cautiously, till he stood
+within fifty feet of the house.
+
+Then Philip saw that it was indeed Frank, and his heart beat joyfully.
+It was something to see a friend, even though they were separated by
+what seemed to him to be an impassable gulf.
+
+About the same time, Frank recognized his friend, in the boyish figure
+at the window.
+
+"Is that you, Phil?" he asked, in a guarded voice, yet loud enough to be
+heard.
+
+"Yes, Frank; I have been expecting you. I knew you wouldn't desert me."
+
+"I should think not. I didn't come before, because I didn't want to be
+seen by any of Tucker's folks."
+
+"They are all abed now, and I hope asleep."
+
+"Can't you come downstairs, and steal away?"
+
+"No; my chamber door is locked on the outside."
+
+"That's what I thought."
+
+"Can't you help me in any way?"
+
+"I'll see. Suppose you had a rope--could you swing out of the window?"
+
+"Yes; I could fasten it to the bedstead, and fix that just against the
+window."
+
+"Then I think I can help you. Can you catch a ball?"
+
+"Yes; but what good will that do?"
+
+"You'll see. Make ready now, and don't miss it."
+
+He produced a ball of common size, and after taking aim, threw it
+lightly up toward Philip's window. The first time it didn't come within
+reach. The second Philip caught it skilfully, and by the moonlight saw
+that a stout piece of twine was attached to it. At the end of the twine
+Frank had connected it with a clothesline which he had borrowed from
+home.
+
+"Now pull away, Phil," urged Frank.
+
+Philip did, and soon had the stout line in his possession.
+
+"It will hold; it's new and strong," said Frank. "Father only bought it
+last week. I didn't think, then, what use we should have for it."
+
+Philip, however, was not afraid. He was so anxious to escape that, even
+if there had been any risk to run, he would readily have incurred it for
+the sake of getting away from the poor-house, in which he was unwilling
+to spend a single night. He fastened one end of the rope firmly to his
+bedstead, as he had proposed, then cautiously got upon the window-sill
+and lowered himself, descending hand over hand till he reached the
+ground.
+
+He breathed a sigh of relief as he detached himself from the rope and
+stood beside Frank Dunbar.
+
+Just then the boys heard a second-story window open, and saw Mr.
+Tucker's head projecting from it.
+
+
+
+CHAPTER XV. ESCAPE AND FLIGHT.
+
+
+
+Though the boys had made as little noise as possible, conversing in an
+undertone, they had been heard by Mrs. Tucker. Her husband, as was his
+custom, had gone to sleep; but Mrs. Tucker, who, during the day, had
+discovered the loss of ten cents from her bureau drawer in which she
+kept her savings, had been kept awake by mental trouble. Some of my
+readers may think so small a loss scarcely worth keeping awake for, but
+Mrs. Joe Tucker was a strictly economical and saving woman--some even
+called her penurious--and the loss of ten cents troubled her.
+
+She would have laid it to one of "them paupers," as she was wont
+contemptuously to refer to them, except that she never allowed one of
+them to enter the sacred precincts of her chamber.
+
+A horrible thought entered her mind. Could it be Zeke, the boy whom she
+thought such a paragon, though no one else had been able to discover
+his virtues or attractions! She did not like to think of it, but it did
+occur to her that Zeke, the previous day, had asked her for ten cents,
+though he would not own the purpose for which he wanted it. The boy
+might have been tempted to take the money. At any rate, she would go and
+see.
+
+Zeke slept in a small room adjoining. When his mother entered, with a
+candle in her hand, he was lying asleep, with his mouth wide open, and
+one arm dropped over the side of the bed.
+
+Mrs. Tucker took a look at him, and saw that he was wrapped in slumber
+and unable to notice what she proposed to do. His clothes were thrown
+down carelessly on a chair near-by.
+
+Mrs. Tucker searched first in the pockets of his pants, and, though she
+discovered a large variety of miscellaneous articles, "of no use to any
+one except the owner," she didn't discover any traces of the missing
+dime. She began to hope that he had not taken it, after all, although,
+in that case, the loss would continue to be shrouded in obscurity. But,
+on continuing her search, she discovered in one of the pockets of his
+vest a silver ten-cent piece.
+
+Mrs. Tucker's eyes flashed, partly with indignation at Zeke's
+dishonesty, partly with joy at the recovery of the missing coin.
+
+"I've found you out, you bad boy!" she said, in a low voice, shaking her
+fist at the sleeping boy. "I wouldn't have believed that my Zeke would
+have robbed his own mother. We must have a reckoning to-morrow."
+
+She was half-inclined to wake Zeke up and charge him with his crime,
+confronting him with the evidence of it which she had just discovered;
+but on second thoughts she decided that she might as well let him sleep,
+as the next day would do just as well.
+
+Poor Zeke! he was not guilty, after all, though whether his honesty was
+strict enough to resist a powerful temptation, I am not sure.
+
+The dime which Mrs. Tucker had discovered was the same one that Philip
+had given to Zeke in return for his service in notifying Frank Dunbar
+of his captivity. In another pocket was the five-cent piece given him by
+Frank, but that had escaped his mother's attention.
+
+The reader will understand now how it happened that Mrs. Tucker was
+kept awake beyond her usual time. She was broad awake when Frank Dunbar
+arrived, and she heard something through the partially open window of
+the conference between the two boys. She heard the voices that is to
+say, but could not tell what was said.
+
+With her mind dwelling upon Zeke's supposed theft, however, she was more
+easily frightened than usual, and immediately jumped to the conclusion
+that there were burglars outside, trying to get in.
+
+The absurdity of burglars attempting to rob the town poorhouse did not
+occur to her in panic. She sat up in bed, and proceeded to nudge her
+husband in no gentle fashion.
+
+"Mr. Tucker!" she exclaimed.
+
+Her husband responded by an inarticulate murmur, but did not wake.
+
+"Mr. Tucker!" she exclaimed, in a louder voice, giving him a still more
+vigorous shake.
+
+"Eh! What! What's the matter?" said Tucker, opening his eyes at last,
+and staring vacantly at his wife.
+
+"What's the matter!" retorted his wife impatiently. "The matter is that
+there's burglars outside!"
+
+"Let 'em stay outside!" said Joe Tucker, in a sleepy tone.
+
+"Did any one ever hear such a fool?" exclaimed Mrs. Tucker, exasperated.
+"They're trying to get in. Do you hear that, Mr. Tucker?"
+
+"Trying to get in! Is the door locked?" asked Joe, a little alarmed.
+
+"You must get up and defend the house," continued Mrs. Tucker.
+
+Now, Mr. Tucker was not a brave man. He had no fancy for having a
+hand-to-hand conflict with burglars, who might be presumed to be
+desperate men. It occurred to him that it would be decidedly better to
+stay where he was and ran no risk.
+
+"Never mind, Abigail," he said, soothingly. "The burglars can't do us
+any harm. They can't do any more than carry off a pauper or two, and I
+don't, believe they'll do that."
+
+"I wouldn't mind that, Mr. Tucker; but I've left the spoons
+down-stairs!" answered his wife.
+
+"How many are there!"
+
+"Six. I want you to go down and get them and bring them up here, where
+they will be safe."
+
+"But suppose I should meet some of the burglars!" suggested Tucker,
+trembling.
+
+"Then you must defend yourself like a man!"
+
+"You might find me in the morning weltering in my gore!" said Joe, with
+an uneasy shudder.
+
+"Are we to have the spoons stolen, then!" demanded Mrs. Tucker sharply.
+
+"If you care so much for the spoons, Abigail, you'd better go
+down-stairs yourself and get 'em. I don't value them as much as my
+life."
+
+"I don't know but I will, if you'll look out of the window and see
+whether you can see any of the burglars outside," responded Mrs. Tucker.
+"If they haven't got in yet, I'll take the risk."
+
+"Where did you hear 'em, Abigail?"
+
+"Eight outside. Open the window and look out, and you may see 'em."
+
+Mr. Tucker was not entirely willing to do this, but still he preferred
+it to going down-stairs after the spoons, and accordingly he advanced,
+and, lifting the window, put his head out, as described at the close of
+the last chapter.
+
+Philip and Frank were just ready to go when they heard the window
+rising, and naturally looked up in some trepidation.
+
+"It's old Tucker!" said Frank, in a low voice.
+
+Philip looked up, and saw that his friend was right.
+
+Mr. Tucker had not yet discovered them, but the whisper caught his ear,
+and looking down he caught sight of the two boys.
+
+In his alarm, and the obscurity of the night, he did not make out that
+they were boys and not men, and was about to withdraw his head in alarm,
+when a mischievous impulse seized Frank Dunbar.
+
+"Give me the ball, Philip!" he said quickly.
+
+Philip complied with his request, not understanding his intention.
+
+Now, Frank belonged to a baseball club, and had a capital aim. He threw
+up the ball and struck Mr. Tucker fairly in the nose. The effect upon
+the terrified Joe was startling.
+
+Full as his mind was of burglars, he fancied that it was something a
+great deal more deadly that had struck him.
+
+"Oh, Abigail! I'm shot through the brain!" he moaned in anguish, as he
+poked in his head and fell back upon the floor.
+
+"What do you mean, Joe?" asked his wife, in alarm, as she hastened to
+her prostrate husband, whose hand was pressed convulsively upon the
+injured organ, which, naturally ached badly with the force of the blow.
+
+"I'm a dead man!" moaned Mr. Tucker; "and it's all your fault. You made
+me go to the window."
+
+"I don't believe you're shot at all! I didn't hear any report," said
+Mrs. Tucker. "Let me see your face."
+
+Mr. Tucker withdrew his hand mournfully.
+
+"You've only been struck with a rock or something," said she, after a
+careful examination.
+
+"It's bleeding!" groaned Joe, seeing a dark stain on his night-dress.
+
+"Suppose it is--it won't kill you. I'll look out myself."
+
+But she saw nothing. Philip and Frank had immediately taken to flight,
+and vanished in the darkness.
+
+"They've run away!" announced Mrs. Tucker. "My spoons are safe."
+
+"But my nose isn't," groaned Mr. Tucker.
+
+"You won't die this time," said Mrs. Tucker, not very sympathetically.
+"Soak your nose in the wash-basin, and you'll be all right in the
+morning."
+
+The two boys were destined to have another adventure that night.
+
+
+
+CHAPTER XVI. A NIGHT ADVENTURE.
+
+
+
+"I didn't mean to hit him," said Frank, as he and Philip hurried away
+from the poorhouse, "I only intended to give him a fright."
+
+"I think you have. I wonder whether he recognized us!"
+
+"I don't believe it. He had hardly got his head out of the window before
+I let drive."
+
+"Then he won't imagine I have escaped."
+
+"What are your plans, Phil? Suppose they try to take you back to the
+poorhouse?"
+
+"They won't get the chance. Before five o'clock to-morrow morning I
+shall leave Norton."
+
+"Leave town?" exclaimed Frank, in surprise. "And so soon?"
+
+"Yes. There is nothing for me to do here."
+
+"Father would like to have you stay and assist him on the farm. He said
+so to me. He wouldn't be able to pay much, but I think we would have a
+good time together."
+
+Philip pressed his friend's hand warmly.
+
+"I know we should, Frank," he said, "but if I remained here, it would
+only remind me of my poor father. I would rather go out into the world
+and try my fortune."
+
+"Isn't it risky, Phil?" objected Frank doubtfully.
+
+"I suppose it is; but I am willing to work, and I don't expect much."
+
+"Suppose you fall sick?"
+
+"Then, if I can, I will come back to you and your good father and
+mother, and stay till I am well."
+
+"Promise me that, Phil?"
+
+"I promise."
+
+"I wish I could go with you, Phil," said Frank, with a boyish impulse.
+
+"No, it wouldn't be wise for you. You have a good home, and you will be
+better off there than among strangers."
+
+"It might be your home, too, Phil."
+
+"Thank you; but I shall be better away from Norton for a time."
+
+A minute later, Frank said suddenly:
+
+"There's Squire Pope coming. He will see you."
+
+"I don't care. He won't take me back."
+
+"Get behind the stone wall, and I will wait and interview him."
+
+Philip immediately followed the advice of his friend. He was curious to
+hear what the squire would say.
+
+Squire Pope's eyesight was not good, and it was only when he came near
+that he recognized Frank Dunbar. He stopped short, for there was a
+subject on which he wished to speak.
+
+"Frank Dunbar!" he said.
+
+"Do you wish to speak to me, sir?" inquired Frank coldly.
+
+"Yes. Where have you been?"
+
+"Out walking," answered Frank shortly.
+
+"Have you been to the poorhouse?"
+
+"I have."
+
+"Did you see Philip?"
+
+"I saw him looking out of a third-story window."
+
+Squire Pope chuckled, if, indeed, such a dignified man can be said to
+chuckle.
+
+"What did he say?" he condescended to inquire.
+
+"That he wouldn't stay."
+
+"He will have to," responded Squire Pope complacently. "Mr. Tucker will
+see to that."
+
+"Probably Mr. Tucker will wake up some fine morning and find Phil's room
+empty," said Frank quietly.
+
+"I'll take the risk of it," returned the squire serenely. "But there's a
+matter I want to speak to you about. You've got Philip's fiddle in your
+possession."
+
+"Suppose I have."
+
+"I wish you to bring it round to my house in the morning, and I'll give
+you something for your trouble."
+
+"You must excuse me, Squire Pope. If it were your property, I would
+bring it to you and charge nothing for my trouble."
+
+"Young man," said the squire sternly. "I am Philip's legal guardian, and
+I have a right to receive his violin. You will get into trouble if you
+resist my authority."
+
+"If you will give me Philip's order for it, you shall have it, sir."
+
+"Frank Dunbar, you are trifling with me. Philip is now a pauper, and has
+no right to hold property of any kind. He cannot give a legal order."
+
+"Then you are guardian to a pauper?"
+
+"In my capacity of overseer of the poor."
+
+"In my capacity as Philip's friend, I refuse to consider you his
+guardian. You may call him a pauper, but that doesn't make him one."
+
+"He is an inmate of the Norton Poorhouse."
+
+Frank laughed.
+
+"I don't want to be disrespectful, Squire Pope," he said; "but I can't
+help telling you that you undertook a bigger job than you thought for,
+when you made up your mind to make a pauper of Philip Gray."
+
+Squire Pope was indignant at the coolness of Frank.
+
+"I shall come to your house to-morrow morning," he said, "and convince
+you to the contrary."
+
+"Very well, sir."
+
+Frank Dunbar bowed, and the squire went his way.
+
+"That's a very impudent boy!" he soliloquized. "Just like the Gray boy.
+It wouldn't do him any harm to put him under Joe Tucker's care, too."
+
+After the squire had passed on, Philip came out from behind the stone
+wall.
+
+"Did you hear what passed between your guardian and myself?" asked
+Frank.
+
+"Yes, I heard every word."
+
+"He little thought that the bird had flown, Phil."
+
+"He will make all the trouble he can. That is one more reason why I
+think it best to leave town."
+
+"I wouldn't let Squire Pope drive you out of town."
+
+"I would stay and face the music if it suited me, but I want to go
+away."
+
+"Suppose we cut across this field. It will be a little nearer."
+
+"All right."
+
+There was a pathway through a pasture-lot, comprising some ten acres,
+poor land, covered with puny bushes, and a few gnarled trees, producing
+cider-apples. It belonged to an old bachelor farmer, who lived in
+solitary fashion, doing his own cooking, and in general taking care
+of himself. He was reputed to have money concealed about his premises,
+which was quite probable, as he spent little, and was known to have
+received, four years before, a considerable legacy from the estate of a
+brother who had died, a successful merchant in the city of New York.
+
+The boys had to pass by the small and weather-stained house where he
+lived, as the path ran very near it.
+
+When within a few rods of the house, the boys were startled by a sharp
+cry of terror, which appeared to proceed from inside the house.
+
+Both simultaneously stood still.
+
+"What's that!" exclaimed both in concert.
+
+"Somebody must be trying to rob Mr. Lovett," suggested Frank.
+
+"Can't we do something!" said Phil quickly.
+
+"We can try."
+
+There were two stout sticks or clubs lying on the ground at their feet.
+They stooped, picked them up, and ran to the house. A glance showed that
+one of the windows on the north side had been raised.
+
+The window sill was low. Pausing a moment before springing over it into
+the room, they looked in and this was what they saw:
+
+The farmer lay half-prostrate on the floor, half supporting himself by a
+chair, which he had mechanically grasped as he was forced downward. Over
+him stood a ruffianly looking tramp, whom Phil remembered to have seen
+about the streets during the day, with a stick uplifted. He had not
+heard the approach of the boys.
+
+"Give me two hundred dollars, and I'll go," he said to the man at his
+feet.
+
+"I cannot do it. I haven't got as much here."
+
+"That's a lie!" said the other coarsely. "I heard all about you to-day.
+You're a miser, and you've got no end of money stowed away here. Get it
+for me, quick, or I'll dash your brains out."
+
+Just then the prostrate farmer saw what the tramp could not see, his
+back being turned to the window, the faces of the two boys looking
+through the window. Fresh courage came to him. Single-handed, and taken
+at advantage, he was no match for the ruffian who had entered his house;
+but with these two young auxiliaries he felt that all was not lost.
+
+
+
+CHAPTER XVII. A REFORMED BURGLAR.
+
+
+
+"What do you say!" demanded the tramp impatiently. "Speak quick! I can't
+stay here all night."
+
+"Let me up, and I'll see if I can find the money for you."
+
+"I thought I'd bring you to terms," said the tramp, laughing grimly.
+
+He allowed his victim to rise, as he certainly would not have done if he
+had looked behind him and seen the two boys at the window.
+
+"Now's our time," answered Philip.
+
+He gave a light spring into the room, followed by Frank.
+
+Of course, the tramp heard them, and turned in sudden alarm. As he
+turned, the farmer snatched the club from his hand, and he found himself
+unexpectedly unarmed and confronted by three enemies.
+
+"It's my turn now," said Lovett. "Do you surrender?"
+
+The tramp saw that the game was up and made a dash for the open window,
+but Philip skillfully inserted a stick between his legs, and tripped him
+up, and, with the help of Mr. Lovett, held him, struggling desperately,
+till Frank fetched a rope, with which he was securely bound.
+
+"Confound you!" he said, scowling at the two boys. "But for you I would
+have succeeded and got away with my booty."
+
+"That's true!" said the farmer. "I owe my escape from robbery, and,
+perhaps, bodily injury, to you."
+
+"I am glad we were at hand," said Philip.
+
+"And now, my friend," said the farmer, "I may as well say that you
+were quite mistaken in supposing I kept a large amount of money in this
+lonely house. I should be a fool to do it, and I am not such a fool as
+that."
+
+"Where do you keep your money, then?" growled the tramp.
+
+"In different savings-banks. I am ready to tell you, for it will do you
+no good."
+
+"I wish I'd known it sooner. I came here on a fool's errand."
+
+"I am glad you have found it out."
+
+"Now, what are you going to do with me!"
+
+"Keep you here till I can deliver you into the hands of the law."
+
+"That won't do you any good."
+
+"It will give you a home, where you cannot prey on the community."
+
+"I don't mean to do so any more. I'm going to turn over a new leaf and
+become an honest man--that is, if you'll let me go."
+
+"Your conversion is rather sudden. I haven't any faith in it."
+
+"Listen to me," said the man, "and then decide. Do you think I am a
+confirmed lawbreaker?"
+
+"You look like it."
+
+"Yes, I do; but I am not. Never in my life have I been confined in any
+prison or penitentiary. I have never been arrested on any charge. I see
+you don't believe me. Let me tell you how I came to be what I am: Two
+years since I was a mechanic, tolerably well-to-do, owning a house with
+a small mortgage upon it. It was burned to the ground one night. I built
+another, but failed to insure it. Six months since, that, too, burned
+down, and left me penniless and in debt. Under this last blow I lost all
+courage. I left the town where I had long lived, and began a wandering
+life. In other words, I became a tramp. Steadily I lost my self-respect
+till I was content to live on such help as the charitable chose
+to bestow on me. It was not until to-day that I formed the plan of
+stealing. I heard in the village that you kept a large sum of money in
+your house, and an evil temptation assailed me. I had become tired of
+wandering, and determined to raise a sum which would enable me to live
+at ease for a time, I should have succeeded but for these two boys."
+
+"And you are sorry you did not succeed?"
+
+"I was, five minutes since, but I feel differently now. I have been
+saved from crime. Now, I have told you my story. Do with me as you
+will."
+
+The man's appearance was rough, but there was something in his tone
+which led Mr. Lovett to think that he was speaking the truth.
+
+"Boys," he said, "you have heard what this man says. What do you think
+of it?"
+
+"I believe him!" said Philip promptly.
+
+"Thank you, boy," said the tramp. "I am glad some one has confidence in
+me."
+
+"I believe you, too," said Frank.
+
+"I have not deceived you. Your words have done me more good than you
+think. It is my first attempt to steal, and it shall be my last."
+
+"If you want to become an honest man, God forbid that I should do aught
+to prevent you!" said the farmer. "I may be acting unwisely, but I mean
+to cut this rope and let you go."
+
+"Will you really do this?" said the tramp, his face lighting up with
+mingled joy and surprise.
+
+"I will."
+
+He knelt on the floor, and drawing from his pocket a large jack-knife,
+cut the rope.
+
+The tramp sprang to his feet.
+
+"Thank you," he said, in a husky voice. "I believe you are a good man.
+There are not many who would treat me as generously, considering what
+I tried to do just now. You sha'n't repent it. Will you give me your
+hand!"
+
+"Gladly," said the farmer; and he placed his hand in that of the
+visitor, lately so unwelcome. "I wish you better luck."
+
+"Boys, will you give me your hands, too?" asked tke tramp, turning to
+Philip and Frank.
+
+Tke boys readily complied with his request, and repeated the good wishes
+of the farmer.
+
+The stranger was about to leave the house, when Lovett said:
+
+"Stay, my friend, I wish to ask you a question."
+
+"Very well, sir."
+
+"Have you any money?"
+
+"Not a cent."
+
+"Then take this," said the farmer, drawing from his vest pocket a
+five-dollar bill. "I lend it to you. Some time you will be able to repay
+it, if you keep to your resolution of leading an honest life. When that
+time comes, lend it to some man who needs it as you do now."
+
+"Thank you, sir. I will take it, for it will help me greatly at this
+time. Good-by! If you ever see me again, you will see a different man."
+
+He leaped through the window and was gone.
+
+"I don't know if I have done a wise thing, but I will take the risk,"
+said the farmer. "And now, boys, I want to make you some return for your
+assistance to-night." Both Frank and Philip earnestly protested that
+they would receive nothing in the conversation that ensued. Philip made
+known his intention to leave Norton the next morning.
+
+"What are your plans? Where do you mean to go?" asked the farmer.
+
+"I don't know, sir. I shall make up my mind as I go along. I think I can
+make my living somehow."
+
+"Wait here five minutes," said Lovett, and he went into an adjoining
+room.
+
+Within the time mentioned, he returned, holding in his hand a sealed
+letter.
+
+"Philip," he said, "put this envelope in your pocket, and don't open it
+till you are fifty miles from here."
+
+"Very well, sir," answered Philip, rather puzzled, but not so much
+surprised as he might have been if he had not known the farmer's
+reputation for eccentricity.
+
+"I suppose it contains some good advice," he thought. "Well, good advice
+is what I need."
+
+The two boys went home immediately upon leaving the farmhouse. Though so
+much had happened, it was not late, being not quite half-past nine.
+
+Philip received a cordial welcome from Mr. and Mrs. Dunbar, who,
+however, hardly expected to see him so soon. "Are you willing to receive
+a pauper beneath your roof?" asked Philip, smiling.
+
+"That you will never be while you have health and strength, I'll be
+bound," said Mr. Dunbar. "I like your pride and independence, Philip."
+
+They tried to induce Philip to give up his resolution to leave Norton
+the next morning, but did not succeed.
+
+"I will come back some time," he said. "Now I feel better to go."
+
+At five o'clock the next morning, with a small bundle swung over his
+shoulder, attached to a stick, Philip Gray, carrying his violin, left
+the village, which, for some years, had been his home. Frank accompanied
+him for the first mile of his journey. Then the two friends shook hands
+and parted--not without sorrow, for who could tell when they would meet
+again?
+
+
+
+CHAPTER XVIII. A PROFESSIONAL ENGAGEMENT.
+
+
+
+A depressing feeling of loneliness came to Phil after he had parted with
+Frank. He was going out into the world with no one to lean upon, and no
+one to sympathize with him or lend him a helping hand. No wonder he felt
+friendless and alone. But this mood did not last long.
+
+"I shall find friends if I deserve them," he reflected, "and I don't
+mean to do anything dishonorable or wrong. I am willing to work, and I
+believe I can make a living."
+
+Leaving him to proceed, we go back to the poor-house, where his absence
+was not noticed till morning.
+
+Joe Tucker, in spite of the blow which his nasal organ had received,
+slept pretty comfortably, and was awakened at an early hour by his
+vigilant spouse.
+
+"You'd better go up and wake that boy and set him to work, Mr. Tucker,"
+she said. "There are plenty of chores for him to do."
+
+"You are right, Abigail," said Mr. Tucker, with approval. He reflected
+that he could assign to Philip some of the work which generally fell to
+himself, and the reflection was an agreeable one. He had tried to get
+work out of Zeke, but he generally found that it was harder to keep him
+at work than it was to do the job himself.
+
+After he had made his toilet--not a very elaborate one--Mr. Tucker went
+up-stairs to arouse his young prisoner. He found the key in the outside
+of the door. Everything seemed right.
+
+"I wonder how he feels this morning?" chuckled Mr. Tucker. "Wonder
+whether he's tamed down a little?"
+
+He turned the key in the lock and threw open the door. He glanced at
+the bed, started in amazement to find that it had not been slept in, and
+then his wonder ceased, for the telltale rope explained how the boy had
+escaped.
+
+He ran down-stairs in anger and excitement.
+
+"What's the matter with you, Joe Tucker?" demanded his wife. "Are you
+drunk or crazy?"
+
+"Enough to make me both, wife," he answered. "The boy's gone!"
+
+"Gone!" exclaimed Mrs. Tucker, stopping short, with a saucepan in her
+hand.
+
+"Gone!" ejaculated Zeke, his mouth wide open.
+
+"I don't believe it," said Mrs. Tucker positively. "He couldn't go. He'd
+have to jump out of the third-story window."
+
+"Sure enough!" said Zeke.
+
+"I can't help it--he's gone," declared Mr. Tucker. "He tied a
+clothesline to the bedstead and let himself down from the window. Now, I
+want to know who left a clothesline in the room?"
+
+"There wasn't any," said Mrs. Tucker.
+
+"Maybe he had one in his pocket," suggested Zeke.
+
+But this suggestion was not considered worthy of notice by his parents.
+
+"Now I know who hit me in the nose!" exclaimed Mr. Tucker, light
+flashing upon him. "There was two of 'em--the ones I took for burglars."
+
+"Then the other one must have been Frank Dunbar," said Mrs. Tucker.
+
+"Zeke," said his father, "go right off and tell Squire Pope that Philip
+Gray has escaped. Ask him if I can't have him arrested for assault and
+battery. It's likely he's at Frank Dunbar's now. We'll have him back
+before the day is out, and then I'll see he don't get out!"
+
+"All right, dad! As soon as I've had breakfast I'll go."
+
+The result of Zeke's message was that Squire Pope hurried over to the
+poorhouse and held a conference with Mr. and Mrs. Tucker.
+
+The next step was that he and Joe rode over to Mr. Dunbar's, to demand
+the return of the fugitive.
+
+They found Frank splitting wood in the yard. To him they made known
+their errand, requesting him to call Philip out.
+
+"He isn't here," answered Frank.
+
+"Isn't here? I don't believe it!" said the squire hastily.
+
+"Sorry you doubt my word, Squire Pope, but it's just as I say."
+
+"Where is he, then?" demanded the squire suspiciously.
+
+"He has left town."
+
+"Left town?" repeated the squire and Joe Tucker, in dismay. "Where is he
+gone!"
+
+"He's probably ten miles away by this time," answered Frank, enjoying
+their perplexity. "I guess you'd better wait till he comes back."
+
+Joe and the squire conferred together, but no satisfactory result
+was arrived at, except it wouldn't pay to pursue Philip, for two
+reasons--one, because they were quite uncertain in what direction he had
+gone; another, because, even if overtaken, they would have no authority
+to apprehend him, since he had been guilty of no crime.
+
+Finally a bright idea came to the squire.
+
+"Bring me out his fiddle," he said to Frank. "I'm his guardian, and I
+will take care of it for him."
+
+"He carried it away with him," said Frank. The squire's lower jaw fell.
+He was defeated at all points. "I guess we can't do nothing, under the
+circumstances, squire," said Joe Tucker, scratching his head.
+
+"I shall have to reflect upon it," said Squire Pope, in a crestfallen
+tone.
+
+"That's as good as a circus," thought Frank, as his roguish glance
+followed the two baffled conspirators as they rode out of the yard.
+"It's a pity Phil was not here to enjoy it."
+
+At the end of the second day, Philip was some forty miles distant from
+Norton. He had not walked all the way, but had got a lift for a few
+miles from a tin-peddler, with whom he had a social chat.
+
+It cannot be said that he was depressed, or that he regretted having
+left Norton, but he certainly did feel uncomfortable, and his discomfort
+sprang from a very homely cause.
+
+To tell the plain truth, he was hungry. He had not had anything to eat
+for six hours except an apple, which he had picked up by the roadside,
+and during those six hours he had walked not far from fifteen miles.
+
+"I believe I never was so hungry before," thought Philip. "The question
+is, where is my supper to come from?"
+
+Although he knew pretty well the state of his finances, he began to
+search his pockets to see if he could not somewhere find a stray dime,
+or, better still, a quarter, with which to purchase the meal of which he
+stood so much in need. But his search was unproductive, or, rather, it
+only resulted in the discovery of a battered cent.
+
+"So that penny constitutes my whole fortune," thought Philip.
+
+There were two houses in sight, one on each side of the road.
+
+Probably they would have given Philip a supper at either, but our hero's
+honest pride revolted at the idea of begging for a meal, much as
+he stood in need of it. He might as well be a pauper, as he justly
+reflected. So he pushed on.
+
+Evidently he was drawing near a village, for houses began to appear at
+nearer intervals.
+
+"Hello, my boy! Where are you traveling!" asked a hearty voice.
+
+Philip turned round, and his glance rested on a stout young farmer,
+whose face, though very much sunburned, was pleasant and good-natured.
+
+"I don't know," answered Philip.
+
+"Don't know?" was repeated in surprise.
+
+"I am in search of work."
+
+"Oh, that's it! Are you a musician?" asked the young man, looking at the
+violin.
+
+"Yes; a little of one."
+
+"Are you looking for a job at fiddling?" asked the young man.
+
+"Yes, if I can find one," answered Philip, smiling.
+
+"Can you play dancing-music?"
+
+"Yes."
+
+"Then I guess I can get you a job for this evening."
+
+"I wish you could," said Philip hopefully, catching at a way out of his
+troubles.
+
+"You see, there's to be a little dance in School-house Hall to-night,"
+said the farmer; "or there was to be one, but the fiddler's took sick,
+and we was afraid we'd have to give it up. Now, if you'll take his
+place, we can have it, after all."
+
+"I'll do it," said Philip promptly.
+
+"What'll you charge?"
+
+"How much was the other one going to charge?"
+
+"Five dollars. You see, he would have to come six miles."
+
+"I'll come for three dollars and my supper and lodging," said Philip.
+
+"All right! You shall have supper and lodging at our house. There it is,
+down that lane. Come right along, for supper must be on the table. After
+supper I'll go and tell the committee I've engaged you."
+
+Philip's spirits rose. Help had come from an unexpected quarter. He felt
+that a new career was opening before him.
+
+
+
+CHAPTER XIX. NEW ACQUAINTANCES.
+
+
+
+On his way to the farmhouse, Philip ascertained that his companion's
+name was Abner Webb, and that he and his brother Jonas carried on a farm
+of about a hundred acres. Abner appeared to be about twenty-five years
+old.
+
+"You seem pretty young to be a fiddler," said the young man, surveying
+Philip with a glance of curiosity.
+
+"I am almost sixteen."
+
+"I am twenty-five, and I can't play at all."
+
+"It isn't all in the age," returned our hero. "Did you ever try to
+learn?"
+
+"Yes, I took one or two lessons, but I had to give it up for a bad job.
+I couldn't get into it somehow."
+
+"You didn't try very long," said Philip, smiling.
+
+"I reckon I'd never do much at it. How long have you been a fiddler?"
+
+"I've been playing three or four years."
+
+"Sho! You don't say so! Do you like it?"
+
+"Yes; very much."
+
+"Well, I'm glad you happened along. It would have been a pity to have
+our dance spoiled."
+
+By this time they had reached the farmhouse, and Abner went in, followed
+by our hero.
+
+A young woman, his brother's wife, looked at Philip in some surprise.
+
+"You see, I've got a fiddler, after all," said Abner gleefully. "We
+won't have to put off the dance."
+
+As he spoke, his brother Jonas came into the room, and the explanation
+was repeated.
+
+"That's good," said Jonas heartily. "You'd better go down to the store
+after supper, Abner, and tell the boys, for they've just heard that Paul
+Beck can't come."
+
+"You just save me some supper, and I'll go now. The boy'll stay with us
+to-night. That's the bargain I made with him."
+
+"He's heartily welcome," said Jonas Webb, a pleasant-faced man, with
+sandy complexion, who was probably from two to three years older than
+his brother. "You've happened along just at the right time."
+
+"I am glad of it," said Philip; and there is no doubt he was sincere,
+for we know how much he stood in need of employment, though he naturally
+did not care to let his new friends know of his destitution.
+
+"My brother didn't tell me your name," said Jonas.
+
+"My name is Philip Gray," answered our hero.
+
+"Do you go round playing for dances?" inquired Jonas.
+
+"I have only just begun."
+
+Philip didn't think it necessary to say that the idea of making money in
+this way had never occurred to him till this very day.
+
+"Sit right up to supper, Jonas, and you, too, Mr. Gray," said Mrs. Webb.
+
+Philip was by no means loath, for the dishes which he saw on the table
+had had the effect of stimulating his appetite, already sharpened by his
+long walk and long fast.
+
+Philip, as the guest, was first helped to a bountiful supply of cold
+meat, a hot biscuit, and some golden butter, not to mention two kinds
+of preserves, for the Webbs always lived well. He was not slow in doing
+justice to the good supper spread before him. He was almost afraid to
+eat as much as he wanted, lest his appetite should attract attention,
+and, therefore, was pleased to see that Jonas quite kept pace with him.
+
+Indeed, when he had already eaten as much as he dared, Mrs. Webb said,
+hospitably:
+
+"I am afraid, Mr. Gray, you won't make out a supper."
+
+"I don't think there is any danger of that," said Philip, smiling. "I
+have enjoyed my supper very much."
+
+The young woman looked gratified by this tribute to her cooking, and
+just then Abner came in.
+
+"Did you see the boys, Abner?" asked Jonas.
+
+"Yes, I saw them all. They were awfully glad we could have the dance,
+after all. You see, we've been lookin' forward to it, and didn't like
+to be disappointed. And now I must hurry down my supper, for I've got to
+slick up and go for Mary Ann Temple. Are you goin', Lucy?"
+
+"Of course she is," answered Jonas. "I don't have so far to go for my
+girl as you do," he added slyly.
+
+"You used to go farther once, Jonas--six miles, where I have only to go
+two."
+
+When supper was over, Philip inquired:
+
+"How early will the dance commence?"
+
+"About eight. We keep early hours in the country, and we like to get our
+money's worth."
+
+"If you have no objection, I will go out to the barn and try my violin a
+little to see if it is in good tune."
+
+"Try it in the next room," said the farmer's wife.
+
+"Yes, do!" said her husband. "We'd like to hear you."
+
+He was a little afraid, judging from Philip's youth, that he could not
+play very well, and this would give him an opportunity of deciding how
+competent the boy was to take the place of Paul Beck, of Pomfret, who
+had quite a reputation in the towns around.
+
+Philip went into the next room and began to prepare himself for his
+evening's task. Though lus training had by no means been confined to
+dancing-tunes, he was quite proficient in that department, having more
+than once been called upon in Norton to officiate in a similar capacity.
+
+When Jonas had listened for five minutes to Philip, he turned to Abner
+with a satisfied look.
+
+"He understands his business," he said, nodding with emphasis. "He ain't
+no new beginner."
+
+"I think he beats Paul Beck," said Abner, delighted to find his choice
+approved.
+
+"I don't know but he does. I feel as if I wanted to start off now."
+
+"I don't see how he does it," said Abner, with a puzzled look. "I never
+could do anything at it, though I'm almost twice as old."
+
+He passed into the room where Philip was practising.
+
+"You're a tip-top player," said he, to Philip admiringly. "Why, you beat
+Paul Beck."
+
+"Is he the one you expected to have?"
+
+"Yes. Paul's got a big name for fiddlin'."
+
+"I am glad you like my playing," said Philip, who was naturally pleased
+to find that he was likely to give satisfaction in his new business.
+
+"The boys will be pleased, I can tell you."
+
+"I will do all I can to give them satisfaction," said Philip modestly.
+
+"Oh, you will! there's no doubt about that. How much did you pay for
+your fiddle?"
+
+"I believe it cost twenty-five dollars. My father gave it to me."
+
+"Sho! I didn't think fiddles cost so much."
+
+"Some cost a great deal more."
+
+"Seems a good deal to lay out, but you'll get your money back, if you
+can get enough to do."
+
+"I hope so."
+
+"Well, you must excuse me now. I've got to slick up, and go after Mary
+Ann Temple. She'd have been awfully disappointed if we'd had to give it
+up."
+
+"Is she fond of dancing?"
+
+"You'd better believe she is. Why, that girl could dance for four hours
+stiddy--without wiltin'!"
+
+"How late do you keep it up?"
+
+"Till eleven or twelve. You won't be sleepy, will you?"
+
+"If I am, I will get up later to-morrow morning."
+
+"That's all right. You can get up jest as late as you like. Lucy will
+save you some breakfast. We don't allow no one to go hungry here. But I
+must be off. You will go to the hall along with Jonas and Lucy.
+They'll introduce you round and see that you are taken care of." Philip
+congratulated himself on being so well provided for, at least for one
+night. The future was uncertain, but with the money which he was to
+receive for his services, he would be able to get along for two or
+three days, and he might, perhaps, if successful, obtain another similar
+engagement.
+
+He had a new reason for being thankful that Squire Pope had not
+succeeded in depriving him of his violin, for this was likely to prove a
+breadwinner.
+
+He continued to practice till it was time to go over to the hall.
+
+
+
+CHAPTER XX. A LIVELY EVENING.
+
+
+
+Schoolhouse Hall, as may be inferred, was a large hall, occupying
+the second story of the Center Schoolhouse, and though not originally
+intended for dancing-parties, answered very well for that purpose.
+
+The hall was tolerably well filled when Philip entered in company with
+Jonas Webb and his wife.
+
+Philip had effaced, as well as he could, the stains of travel, had
+arrayed himself in a clean shirt and collar, brushed his hair neatly,
+and, being naturally a very good-looking boy, appeared to very good
+advantage, though he certainly did look young.
+
+As he walked through the hall, with his violin under his arm, he
+attracted the attention of all, it having been already made known that
+in place of the veteran Paul Beck--a man of fifty or more--an unknown
+boy would furnish the music for the evening.
+
+Philip could not avoid hearing some of the remarks which his appearance
+excited. "What! that little runt play the fiddle?" said one countrified
+young man, in a short-waisted blue coat, and tow-colored hair, plastered
+down on either side of his head with tallow. "I don't believe he can
+play any more than I can."
+
+"I hope he can," retained his partner--a plump, red-cheeked, young
+farmer's daughter. "He's very good-looking, anyhow."
+
+"He isn't anything to brag of," said her partner jealously.
+
+"Oh, how can you say so, Jedidiah. I See what beautiful black hair and
+eyes he's got, and such a lovely color on his cheeks!"
+
+Now, Jedidiah, in appearance, was just the reverse of Philip. His hair,
+as already stated, was tow-color, his face was tanned, and the color
+rather resembled brick-dust than the deep red of our hero's cheeks.
+
+His partner was a rustic flirt, and he was disposed to be jealous, not
+being certain how far she favored him. He, therefore, took offense at
+his partner's admiration of the young fiddler.
+
+"He looks very common to me," said Jedidiah pettishly. "You've got a
+strange taste, Maria."
+
+"Perhaps I have, and perhaps I haven't," retorted Maria, tossing her
+head.
+
+"Perhaps you're in love with him?" continued Jedidiah, in a tone meant
+to be sarcastic.
+
+"I should be if he was a little older," said the young lady, rather
+enjoying her lover's displeasure.
+
+"I don't believe he can play at all," growled Jedidiah. "He's fooled
+Abner Webb, like as not. It's a pity we couldn't have Paul Beck."
+
+"Very likely he can play better than Paul Beck," said Maria--not because
+she thought so, but because she knew it would tease her partner.
+
+"Don't be a fool, Maria," said Jedidiah, scarcely conscious of the
+impoliteness of his speech.
+
+The young lady, however, resented it at once.
+
+"I am sure you are very polite, Mr. Jedidiah Burbank--so polite that I
+think you had better find another partner!"
+
+"Excuse me, Maria," said Jedidiah hastily, alarmed at the prospect of
+being left without a partner. "Of course, I didn't mean anything."
+
+"If you didn't mean it, what made you say it?" retorted Maria, tossing
+her head. "I ain't used to being called a fool. I never knew a gentleman
+to make such a remark to a lady. I think you'd better find some other
+partner."
+
+"I take it all back," said Jedidiah, in alarm. "I was only in fun."
+
+"I don't like that kind of fun," said Maria, in a tone of dignified
+coldness.
+
+"Then I won't joke you again. I guess he can play well enough, if Abner
+says so."
+
+Miss Maria Snodgrass allowed herself to be propitiated, more especially
+as she herself might have been left without a partner, had she adhered
+to her determination and sent Jedidiah adrift.
+
+He took his place in a quadrille, not exactly wishing Philip to fail,
+but rather hoping that he would prove a poor performer, in order that he
+might have a little triumph over Maria, who had the bad taste to prefer
+the young musician's appearance to his.
+
+Meanwhile Philip, following Jonas Webb across the room, had been
+introduced to Frank Ingalls, who acted as manager.
+
+"I am glad to see you, Mr. Gray," said Ingalls. "I hope we sha'n't make
+you work too hard. We are very fond of dancing here."
+
+"I don't get tired very easily," answered Philip. "I hope you will be
+satisfied with my playing."
+
+"No fear of that, Mr. Ingalls, I've heerd him play at home, and I tell
+you he can do it."
+
+"Thank you, Mr. Webb," said Philip, bowing his acknowledgment of the
+compliment.
+
+"I guess we may as well commence, Mr. Gray," said Mr. Ingalls. "The
+boys seem to be getting impatient. Here's the order of dances for the
+evening."
+
+"Very well, Mr. Ingalls."
+
+The manager raised his voice, and said, "Gentlemen and ladies, you
+already know that Beck is sick, and cannot be with us this evening, as
+he engaged to do. In his place we have engaged a young musician, who has
+already gained a great reputation in his profession--"
+
+Philip was rather surprised to hear this, but it was not for him to
+gainsay it.
+
+"Let me introduce to you Mr. Philip Gray."
+
+Philip bowed and smiled, and, putting his violin in position,
+immediately commenced a lively air.
+
+In less than five minutes the manager felt perfectly at ease concerning
+the young musician. It was clear that Philip understood his business.
+Philip himself entered into the spirit of his performance. His cheek
+flushed, his eyes sparkled, and he almost outdid himself.
+
+When the first dance was concluded, there was a murmur of approval
+throughout the ballroom. The dancers were both surprised and pleased.
+
+"He's a smart boy!" said more than one. "He plays as well as Paul Beck,
+and Paul's been play-in' for more'n twenty years."
+
+"As well? I never heard Paul Beck play as well as that," said another.
+
+Among those who were most pleased was Miss Maria Snodgrass.
+
+"What do you think now, Mr. Burbank?" she said, addressing her partner.
+"Do you think the boy can play now?"
+
+"Yes, he can play most as well as Paul Beck," admitted Jedidiah.
+
+"Most as well? Paul Beck can't begin to play as well as him," returned
+Maria, who was not educated, and occasionally made slips in grammar.
+
+"Just as you say, Maria," answered Jedidiah, submissively; "only don't
+call me Mr. Burbank."
+
+"Why? Ain't that your name?" asked the young lady demurely.
+
+"Not to you, Maria."
+
+"Well, I won't, if you'll take me up and introduce me to Mr. Gray."
+
+"What for?" asked Jedidiah jealously.
+
+"Because I want to know him."
+
+Mr. Burbank was obliged to obey the request of his partner.
+
+"Oh, Mr. Gray, you play just lovely!" said Miss Snodgrass rapturously.
+
+"Thank you for the compliment," said Philip, with a low bow.
+
+"I like your playing ever so much better than Paul Beck's."
+
+"You are too kind," said Philip, with another bow.
+
+"Isn't he just lovely, Jedidiah!" said Maria, as she walked away with
+her lover.
+
+"Maybe he is--I ain't a judge!" said Mr. Burbank, not very
+enthusiastically.
+
+So the evening passed. Philip continued to win the favorable opinion of
+the merry party by his animated style of playing.
+
+When at half-past eleven the last dance was announced, he was glad, for
+after his long walk, and the efforts of the evening, he felt tired.
+
+At the conclusion, Mr. Ingalls handed him three dollars, saying:
+
+"Here's your money, Mr. Gray, and we are much obliged to you besides."
+
+"Thank you!" said our hero, carelessly slipping the money into his vest
+pocket.
+
+The manager little imagined that it constituted his entire capital.
+
+"I hope we may have you here again some time, Mr. Gray," continued the
+manager.
+
+"Perhaps so," said Philip; "but I am not sure when I shall come this way
+again."
+
+"Good night, Mr. Gray," said Miss Snodgrass effusively. "I should be
+glad to have you call at our house."
+
+Philip bowed his thanks. He did not notice the dark cloud on the brow of
+the young lady's escort.
+
+
+
+CHAPTER XXI. FORTUNE SMILES AGAIN.
+
+
+
+Notwithstanding his exertions during the day and evening, Philip
+rose the next day at his usual hour, and was in time for the family
+breakfast, at seven o'clock.
+
+"Don't you feel tired, Mr. Gray?" asked Mrs. Webb.
+
+"No, thank you. I slept well, and feel quite refreshed."
+
+"He's used to it, Lucy," remarked her husband.
+
+"They look upon me as a professional player," thought Philip.
+
+"I think you and I ought to be more tired, for we were dancing all the
+evening," continued the farmer.
+
+When they rose from the table, Philip looked for his hat.
+
+"You're not going to leave us so soon, Mr. Gray?" said Mrs. Webb
+hospitably. "We shall be glad to have you stay with us a day or two, if
+you can content yourself."
+
+"That's right, Lucy. I'm glad you thought to ask him," said her husband.
+
+Philip was tempted to accept this kind invitation. He would have free
+board, and be at no expense, instead of spending the small sum he had
+earned the evening previous; but he reflected that he would be no nearer
+solving the problem of how he was to maintain himself, and while this
+was in uncertainty, he was naturally anxious.
+
+"I am very much obliged to you both," he said. "If I come this way
+again, I shall be glad to call upon you, but now I think I must be
+pushing on."
+
+"You'll always be welcome, Mr. Gray," said Mrs. Webb.
+
+Philip thanked her, and soon after set out on his way.
+
+He was more cheerful and hopeful than the day before, for then he was
+well nigh penniless, and now he had three dollars in his pocket.
+
+Three dollars was not a very large sum, to be sure, but to one who had
+been so near destitution as Philip it seemed very important.
+
+Besides, he had discovered in his violin a source of income, whereas,
+hitherto, he had looked upon it merely as a source of amusement. This
+made him feel more independent and self-reliant.
+
+He had walked perhaps two miles, when he heard the rattle of wheels
+behind him. He did not turn his head, for there was nothing strange in
+this sound upon a frequented road. He did turn his head, however, when
+he heard a strong voice calling "Hello!"
+
+Turning, he saw that a young man who was driving had slackened the speed
+of his horse, and was looking toward him.
+
+Philip halted, and regarded the driver inquiringly.
+
+"You're the young chap that played for a dance last night, ain't you!"
+said the newcomer.
+
+"Yes, sir."
+
+"Then you're the one I want to see--jump in, and we'll talk as we are
+going along."
+
+Philip had no objection to a ride, and he accepted the invitation with
+alacrity. The driver, he noticed, was a young man, of pleasant manners,
+though dressed in a coarse suit.
+
+"I drove over to Jonas Webb's to see you, and they told me you had just
+gone," he continued. "I thought maybe you'd get up late, but you was up
+on time. Are you engaged for this evening?"
+
+Philip began to prick up his ears and become interested. Was it
+possible that his good luck was to continue, and that he was to have an
+opportunity of earning some more money through his faithful friend, the
+violin? He didn't think it well to exhibit the satisfaction he felt, and
+answered, in a matter-of-fact tone;
+
+"No, I have no engagement for this evening."
+
+"I'm glad of it," responded the young man, evidently well pleased. "You
+see, we had arranged to have a dance over to our place, but Mr. Beck,
+being sick, we thought we'd have to give it up. One of my neighbors
+was over last evening and heard you play, and he thought maybe we could
+secure you."
+
+"I shall be glad to play for you," said Philip politely.
+
+"What are your terms?" asked his companion.
+
+"Three dollars and board and lodging for the time I need to stay."
+
+"That's satisfactory. I'll engage you."
+
+"Is it near here?" asked Philip.
+
+"It's in Conway--only four miles from here. I'll take you right over
+now, and you shall stay at my house."
+
+"Thank you, I shall find that very agreeable," said Philip.
+
+"Does Mr. Beck live near you?" asked our hero, a little later.
+
+"Bless you! he lives in our place."
+
+"I suppose his services are in demand?"
+
+"Yes, he is sent for to all the towns around. Fact is, there isn't
+anybody but he that can play to suit; but I expect, from what I've
+heard, that you can come up to him."
+
+"I couldn't expect to do that," said Philip modestly. "I am very young
+yet."
+
+"Folks do say you beat Paul. It seems wonderful, too, considering how
+young you are. What might be your age, now?"
+
+"Just sixteen."
+
+"Sho! you don't say so? Why, Paul Beck's over fifty."
+
+"Mr. Beck won't think I'm interfering with him, will he?" asked Philip.
+
+"Of course, he can't. We'd a had him if he was well. We can't be
+expected to put off the party because he's sick. That wouldn't be
+reasonable, now, would it?"
+
+"I should think not."
+
+Just then Philip became sensible that a light wagon was approaching,
+driven by a young lady.
+
+He did not, however, suppose it was any one he knew till the carriage
+stopped, and he heard a voice saying:
+
+"Good morning, Mr. Gray!"
+
+Then he discovered that it was the same young lady who had asked for an
+introduction to him the evening previous.
+
+"Good morning, Miss Snodgrass!" he said politely, remembering,
+fortunately, the young lady's name.
+
+Meanwhile, Maria and Philip's drivers had also exchanged salutations,
+for they were acquainted.
+
+"And where are you carrying Mr. Gray, Mr. Blake?" she asked.
+
+"I'm carrying him over to our place. He's going to play for us this
+evening."
+
+"Is there going to be a dance in Conway this evening?" inquired Miss
+Snodgrass, with sudden interest.
+
+"Yes. Won't you come over?"
+
+"I will, if I can get Jedidiah to bring me," answered Maria.
+
+"I guess there's no doubt about that," answered Andrew Blake, who knew
+very well Jedidiah's devotion to the young lady.
+
+"Oh, I don't know!" answered Maria coquettishly. "Perhaps he won't care
+for my company."
+
+"If he doesn't, you won't have any trouble in finding another beau."
+
+After a little more conversation, the young lady drove away; but not
+without expressing to Philip her delight at having another chance to
+hear his beautiful playing.
+
+"She'll be there," said Andrew Blake, as they drove away. "She makes
+Jedidiah Burbank do just as she orders him."
+
+"Are they engaged?" asked our hero.
+
+"Yes, I expect so; but there may be some chance of your cutting him out,
+if you try. The young lady seems to admire you."
+
+Philip smiled.
+
+"I am only a boy of sixteen," he said. "I am too young to think of such
+things. I won't interfere with Mr. Burbank."
+
+"Jedidiah's apt to be jealous," said Blake, "and Maria likes to torment
+him. However, she'll end by marrying him, I guess."
+
+In half an hour or thereabouts, Andrew Blake drew up at the gate of a
+small but neat house on the main street in Conway. He was a carpenter,
+as Philip afterward found, and had built the house himself. He was
+probably of about the same age as Jonas Webb, and like him was married
+to a young wife.
+
+During the afternoon, Philip, being left pretty much to his own devices,
+took a walk in and about the village, ascending a hill at one side,
+which afforded him a fine view of that and neighboring villages.
+
+He was pleasantly received and hospitably entertained at the house of
+Mr. Blake, and about quarter of eight started out for the hall, at which
+he was to play, in company with his host and hostess.
+
+As they approached the hall, a young man approached them with a
+perplexed face.
+
+"What do you think, Andrew?" he said. "Paul Beck's in the hall, as mad
+as a hatter, and he vows he'll play himself. He says he was engaged, and
+no one shall take his place."
+
+Andrew Blake looked disturbed, and Philip shared in his feeling. Was he
+to lose his engagement, after all?
+
+
+
+CHAPTER XXII. RIVAL MUSICIANS.
+
+
+
+They entered the hall, which was already well filled, for the young
+people of both sexes liked to have as long a time for enjoyment as
+possible.
+
+At the head of the hall, in the center of a group, stood a tall, thin
+man, dressed in solemn black, with a violin under his arm. His face,
+which looked like that of a sick man, was marked by an angry expression,
+and this, indeed, was his feeling.
+
+"I suppose that's Mr. Beck?" said Philip.
+
+"Yes, it is," answered Andrew Blake, in evident discomposure. "What on
+earth brings him here from a sick-bed, I can't understand. I heard that
+he had a fever."
+
+The fact was that Paul Beck was jealous of his reputation as a musician.
+It was satisfactory to him to think that he was so indispensable that
+no one could take his place. He had sent word to the committee that he
+should be unable to play for them, supposing, of course, that they would
+be compelled to give up the party. When intelligence was brought to him
+during the afternoon that it would come off, and that another musician
+had been engaged in his place, he was not only disturbed, but angry,
+though, of course, the latter feeling was wholly unreasonable. He
+determined that he would be present, at any rate, no matter how unfit
+his sickness rendered him for the evening's work. He resolved to have no
+rival, and to permit no one to take his place in his own town.
+
+It did not seem to occur to Mr. Beck that, having formally declined
+the engagement on account of sickness, he had no claim whatever on the
+committee, and was, in fact, an interloper. It was in vain that his
+sister protested against his imprudence. (He was an old bachelor and his
+sister kept house for him.) He insisted on dressing himself and making
+his way to the hall, where, as was to be expected, his arrival produced
+considerable embarrassment.
+
+Paul Beck stood in sullen impatience awaiting the arrival of his rival.
+
+It so happened that no one had thought to mention to him that it was a
+boy. He was prepared to see a full-grown man.
+
+Philip followed Andrew Blake up to the central group.
+
+"Who is it, I say," Mr. Beck was inquiring, "that engaged another
+musician to take my place?"
+
+"No one, sir," answered Andrew Blake firmly, for Mr. Beck's
+unreasonableness provoked him. "I engaged a musician to play this
+evening, but it was not in your place, for you had sent us word that you
+could not appear."
+
+"Where is he, I say?" continued Paul Beck sourly.
+
+"Here he is," replied Blake, drawing toward our hero, who felt that he
+was placed in an awkward position.
+
+"Why, he's only a baby!" said Beck, surveying our hero contemptuously.
+
+Philip's cheek flushed, and he, too, began to feel angry.
+
+"He isn't as old as you are, Mr. Beck," said Andrew Blake manfully, "but
+you'll find he understands his business."
+
+"I certainly didn't expect you to get a child in my place," said Paul
+Beck scornfully.
+
+"I suppose a musician may know how to play, if he isn't sixty-five,"
+said Miss Maria Snod-grass, who had listened indignantly to Mr. Beck's
+contemptuous remarks about our hero, whose cause she so enthusiastically
+championed.
+
+Poor Mr. Beck! He was sensitive about his age, and nothing could
+have cut him more cruelly than this exaggeration of it. He was really
+fifty-five, and looked at least sixty, but he fondly flattered himself
+that he looked under fifty. "Sixty-five!" he repeated furiously. "Who
+says I am sixty-five?"
+
+"Well, you look about that age," said Maria, with malicious pleasure.
+
+"I shall have to live a good many years before I am sixty," said Paul
+Beck angrily. "But that's either here nor there. You engaged me to play
+to-night, and I am ready to do it."
+
+Andrew Blake felt the difficulty of his position, but he did not mean to
+desert the boy-musician whom he had engaged.
+
+"Mr. Beck," said he, "we shall be glad to have you serve us on another
+occasion, but to-night Mr. Gray, here, is engaged. You gave up the
+engagement of your own accord, and that ended the matter, so far as you
+are concerned."
+
+"Do you refuse to let me play?" demanded Paul Beck, his pale cheek
+glowing with anger and mortification.
+
+"You understand why," answered Blake. "This young man is engaged, and we
+have no right to break the engagement."
+
+Philip, who had felt the embarrassment of his position, had meanwhile
+made up his mind what to do. The three dollars he expected to earn were
+important to him, but he didn't care to make trouble. He did not
+doubt that his lodging and meals would be given him, and that would be
+something. Accordingly, he spoke:
+
+"I have been engaged, it is true," he said, "but if Mr. Beck wants to
+play I will resign my engagement and stay and hear him."
+
+"No, no!" exclaimed several--Mr. Blake and Miss Snodgrass being among
+them.
+
+"Mr. Gray, you were regularly engaged," said one of the committee.
+
+"That's true," answered Philip, "and," he couldn't help adding, "I
+should be justified in insisting upon playing; but since Mr. Beck seems
+to feel so bad about it, I will give way to him."
+
+He spoke manfully, and there was no sign of weakness or submission
+about him. He asserted his rights, while he expressed his willingness to
+surrender them.
+
+There was a little consultation among the committee. They were all
+disgusted with the conduct of Paul Beck, and were unwilling that he
+should triumph. At the same time, as they might need his services at
+some future time, they did not wish wholly to alienate him.
+
+Finally, they announced their decision through Andrew Blake.
+
+"We are not willing to accept Mr. Gray's resignation wholly," he said,
+"but we propose that he and Mr. Beck shall divide the evening's work
+between them--each to receive half the usual compensation."
+
+There was considerable applause, for it seemed to be a suitable
+compromise, and would enable the company to compare the merits of the
+rival musicians.
+
+"I agree," said Philip promptly.
+
+"What do you say, Mr. Beck?" asked Andrew Blake.
+
+Now, while Paul Beck did not like to give up half the honor, he felt
+thoroughly convinced that Philip was only a beginner, and that he, as
+an experienced player, could easily eclipse him, and thus gain a triumph
+which would be very gratifying to his pride.
+
+As for the compensation, to do him justice, he did not much care for
+that, being a man of very good means. He played more for glory than for
+pay--though he, of course, had no objection to receiving compensation.
+
+"I have no objections," he said. "If you want to give the boy a chance
+to practice a little, I am willing."
+
+Philip understood the sneer, and he secretly determined to do his best.
+
+The committee was much pleased at the satisfactory conclusion of what
+had threatened to be a very troublesome dispute, and it was arranged,
+Philip consenting, that Mr. Beck should play first.
+
+The old musician played, in a confident manner, a familiar dancing-tune,
+accompanying his playing with various contortions of the face and
+twistings of his figure, supposed to express feeling. It was a fair
+performance, but mechanical, and did not indicate anything but very
+ordinary talent. His time was good, and dancers always found his playing
+satisfactory.
+
+When Paul Beck had completed his task, he looked about him complacently,
+as if to say, "Let the boy beat that if he can," and sat down.
+
+Philip had listened to Mr. Beck with attention. He was anxious to learn
+how powerful a rival he had to compete with. What he heard did not alarm
+him, but rather gave him confidence.
+
+
+
+CHAPTER XXIII. AN HOUR OF TRIUMPH.
+
+
+
+When Paul rose and stood before this audience, violin in hand, he
+certainly presented quite a strong contrast to his rival.
+
+Paul Beck, as we have already said, was a tall, thin, lantern-jawed man,
+clad in solemn black, his face of a sickly, sallow hue.
+
+Philip was of fair height, for his age, with a bright, expressive face,
+his hair of a chestnut shade, and looking the very picture of boyish
+health. His very appearance made a pleasant impression upon those
+present.
+
+"He's a nice-looking boy," thought more than one, "but he looks too
+young to know much about the violin."
+
+But when Philip began to play, there was general surprise. In a
+dancing-tune there was not much chance for the exhibition of talent, but
+his delicate touch and evident perfect mastery of his instrument were
+immediately apparent. In comparison, the playing of Paul Beck seemed
+wooden and mechanical.
+
+There was a murmur of approbation, and when Philip had finished his
+first part of the program, he was saluted by hearty applause, which he
+acknowledged by a modest and graceful bow.
+
+Paul Beck's face, as his young rival proceeded in his playing, was an
+interesting study. He was very disagreeably surprised. He had made up
+his mind that Philip could not play at all, or, at any rate, would prove
+to be a mere tyro and bungler, and he could hardly believe his ears when
+he heard the sounds which Philip evoked from his violin.
+
+In spite of his self-conceit, he secretly acknowledged that Philip even
+now was his superior, and in time would leave him so far behind that
+there could be no comparison between them.
+
+It was not a pleasant discovery for a man who had prided himself for
+many years on his superiority as a musician. If it had been a man of
+established fame it would have been different, but to be compelled to
+yield the palm to an unknown boy, was certainly mortifying.
+
+When he heard the applause that followed Philip's performance, and
+remembered that none had been called forth by his own, he determined
+that he would not play again that evening. He did not like to risk the
+comparison which he was sure would be made between himself and Philip.
+So, when Andrew Blake came up to him and asked him to play for the next
+dance, he shook his head. "I don't feel well enough," he said "I thought
+I was stronger than I am."
+
+"Do you want the boy to play all the rest of the evening?"
+
+"Yes; he plays very fairly," said Beck, in a patronizing manner, which
+implied his own superiority.
+
+"There can be no doubt about that," said Andrew Blake, with emphasis,
+for he understood Mr. Beck's meaning, and resented it as one of the
+warmest admirers of the boy-musician whom he had engaged.
+
+But Paul Beck would not for the world have revealed his real opinion of
+Philip's merits.
+
+"Yes," he continued, "he plays better than I expected. I guess you can
+get along with him."
+
+"How shall we arrange about the compensation, Mr. Beck?" asked Blake.
+"We ought in that case to give him more than half."
+
+"Oh, you can give him the whole," answered Beck carelessly. "If I felt
+well enough to play, I would do my part, but I think it will be better
+for me to go home and go to bed."
+
+His decision was communicated to Philip, who felt impelled by politeness
+to express his regrets to Mr. Beck.
+
+"I am sorry you don't feel able to play, Mr. Beck," he said politely.
+
+"Oh, it's of no consequence, as they've got some one to take my place,"
+returned Beck coldly.
+
+"I should be glad to hear you play again," continued Philip.
+
+Paul Beck nodded slightly, but he felt too much mortified to reciprocate
+Philip's friendly advances. Half an hour later he left the hall.
+
+The dancers by no means regretted the change of arrangement. They
+evidently preferred the young musician to his elderly rival. The only
+one to express regret was Miss Maria Snodgrass.
+
+"I declare it's a shame Mr. Beck has given up," she said. "I wanted you
+to dance with me, Mr. Gray. I am sure if you can dance as well as you
+can play, you would get along perfectly lovely. Now you've got to play,
+and can't dance at all."
+
+"It isn't leap-year, Maria," said Jedidiah Burbank, in a jealous tone.
+
+Miss Snodgrass turned upon him angrily:
+
+"You needn't put in your oar, Jedidiah Burbank!" she said. "I guess I
+know what I'm about. If it was leap-year fifty times over, I wouldn't
+offer myself to you!"
+
+And the young lady tossed her head in a very decided manner.
+
+"Now don't get mad, Maria!" implored Jedidiah, feeling that at the
+prompting of jealousy; he had put his foot in it. "I didn't mean
+nothing."
+
+"Then you'd better say nothing next time," retorted the young lady.
+
+Meanwhile, Philip acknowledged the young lady's politeness by a smile
+and a bow, assuring her that if it had been possible, it would have
+given him great pleasure to dance with her.
+
+"If Mr. Burbank will play for me," he said with a glance at the young
+man, "I shall be glad to dance."
+
+Miss Snodgrass burst out laughing.
+
+"Jedidiah couldn't play well enough for an old cow to dance by," she
+said.
+
+"There ain't any old cows here," said Jedidiah, vexed at being
+ridiculed.
+
+"Well, there are some calves, anyway," retorted Maria, laughing
+heartily.
+
+Poor Jedidiah! It is to be feared that he will have a hard time when he
+becomes the husband of the fair Maria. She will undoubtedly be the head
+of the new matrimonial firm.
+
+There was nothing further to mar the harmony of the evening. It had
+begun with indications of a storm, but the clouds had vanished, and when
+Mr. Beck left the hall, there was nothing left to disturb the enjoyment
+of those present.
+
+The favorable opinions expressed when Philip commenced playing were
+repeated again and again, as the evening slipped away.
+
+"I tell you, he's a regular genius!" one enthusiastic admirer said to
+his companion. "Paul Beck can't hold a candle to him."
+
+"That's so. He's smart, and no mistake."
+
+Poor Mr. Beck! It was fortunate he was unable to hear these comparisons
+made. He could not brook a rival near the throne, and had gone home in
+low spirits, feeling that he could never again hold his head as high as
+he had done.
+
+When the dancing was over, there was a brief conference of the committee
+of management, the subject of which was soon made known.
+
+Andrew Blake approached Philip and said:
+
+"Mr. Gray, some of us would like to hear you play something else, if you
+are not tired--not a dancing-tune."
+
+"I shall be very happy to comply with your request," answered Philip.
+
+He spoke sincerely, for he saw that all were pleased with him, and it is
+gratifying to be appreciated.
+
+He paused a moment in thought, and then began to play the "Carnival of
+Venice," with variations. It had been taught him by his father, and he
+had played it so often that his execution was all that could be desired.
+The variations were of a showy and popular character, and very well
+adapted to impress an audience like that to which he was playing.
+
+"Beautiful! Beautiful!" exclaimed the young ladies, while their partners
+pronounced it "tip-top" and "first-rate," by which they probably meant
+very much the same thing.
+
+"Oh, Mr. Gray!" exclaimed Miss Snodgrass fervently. "You play like a
+seraphim!"
+
+"Thank you!" said Philip, smiling. "I never heard a seraphim play on the
+violin, but I am sure your remark is very complimentary."
+
+"I wish you could play like that, Jedidiah," said Maria.
+
+"I'll learn to play, if you want me to," said Mr. Burbank.
+
+"Thank you! You're very obliging," said Maria; "but I won't trouble you.
+You haven't got a genius for it, like Mr. Gray."
+
+The evening was over at length, and again Philip was made the
+happy recipient of three dollars. His first week had certainly been
+unexpectedly prosperous.
+
+"This is better than staying in the Norton Poorhouse!" he said to
+himself.
+
+
+
+CHAPTER XXIV. LORENZO RICCABOCCA.
+
+
+
+Philip's reputation as a musician was materially increased by his second
+night's performance. To adopt a military term, he had crossed swords
+with the veteran fiddler, Paul Beck, and, in the opinion of all who
+heard both, had far surpassed him.
+
+This was said openly to Philip by more than one; but he was modest, and
+had too much tact and good taste to openly agree with them. This modesty
+raised him higher in the opinion of his admirers.
+
+He was invited by the Blakes to prolong his visit, but preferred to
+continue on his journey--though his plans were, necessarily, not clearly
+defined.
+
+Andrew Blake carried him five miles on his way, and from that point our
+hero used the means of locomotion with which nature had supplied him.
+
+Some six miles farther on there was a manufacturing town of considerable
+size, named Wilkesville, and it occurred to him that this would be a
+good place at which to pass the night.
+
+Something might turn up for him there. He hardly knew what, but the two
+unexpected strokes of luck which he had had thus far encouraged him to
+think that a third might come to him.
+
+Philip continued on his way--his small pack of clothing in one hand and
+his violin under his arm. Being in no especial hurry--for it was only
+the middle of the forenoon--he bethought himself to sit down and rest at
+the first convenient and inviting place.
+
+He soon came to a large elm tree, which, with its spreading branches,
+offered a pleasant and grateful shade.
+
+He threw himself down and lay back on the greensward, in pleasant
+contemplation, when he heard a gentle cough--as of one who wished to
+attract attention. Looking up he observed close at hand, a tall man,
+dressed in black, with long hair, which fell over his shirt collar and
+shoulders.
+
+He wore a broad collar and black satin necktie, and his hair was parted
+in the middle. His appearance was certainly peculiar, and excited our
+hero's curiosity.
+
+"My young friend," he said, "you have chosen a pleasant resting-place
+beneath this umbrageous monarch of the grove." "Yes, sir," answered
+Philip, wondering whether the stranger was a poet.
+
+"May I also recline beneath it?" asked the newcomer.
+
+"Certainly, sir. It is large enough to shelter us both."
+
+"Quite true; but I did not wish to intrude upon your meditations."
+
+"My meditations are not of much account," answered Philip, laughing.
+
+"I see you are modest. Am I right in supposing that yonder case contains
+a violin?"
+
+"Yes, sir."
+
+"Then you are a musician?"
+
+"A little of one," replied Philip.
+
+"May I ask--excuse my curiosity--if you play professionally?"
+
+"Perhaps he may help me to an engagement," thought our hero, and he said
+readily, "I do."
+
+"Indeed!" said the stranger, appearing pleased. "What style of music do
+you play?"
+
+"For each of the last two evenings I have played for dancing-parties."
+
+"Alone?"
+
+"Yes."
+
+"You do not confine yourself to dancing-music?"
+
+"Oh, no! I prefer other kinds; but dancing-tunes seem most in demand,
+and I have my living to make." The stranger seemed still more gratified.
+
+"I am delighted to have met you, Mr.---- Ahem!" he paused, and looked
+inquiringly at Philip.
+
+"Gray."
+
+"Mr. Gray, I believe Providence has brought us together. I see you are
+surprised."
+
+Philip certainly did look puzzled, as he well might.
+
+"I must explain myself more clearly. I am Professor Lorenzo Riccabocca,
+the famous elocutionist and dramatic reader."
+
+Philip bowed.
+
+"Doubtless you have heard of me?" said the professor inquiringly.
+
+"I have never lived in large places," answered Philip, in some
+embarrassment, "or no doubt your name would be familiar to me."
+
+"To be sure, that must make a difference. For years," said the
+professor, "I have given dramatic readings to crowded houses, and
+everywhere my merits have been conceded by the educated and refined."
+
+Philip could not help wondering how it happened in that case that the
+professor should look so seedy. A genius appreciated so highly ought to
+have brought in more gold and silver.
+
+Perhaps Professor Riccabocca understood Philip's expressive look, for he
+went to to say:
+
+"The public has repaid me richly for the exercise of my talent; but,
+alas, my young friend, I must confess that I have no head for business.
+I invested my savings unwisely, and ascertained a month since that I had
+lost all."
+
+"That was a great pity!" said Philip sympathizingly.
+
+"It was, indeed! It quite unmanned me!" said the professor, wiping away
+a tear. "I felt that all ambition was quite gone, and I was mad and
+sick. Indeed, only a week since I rose from a sick-bed. But Lorenzo is
+himself again!" he exclaimed, striking his breast energetically. "I will
+not succumb to Fate. I will again court the favor of the public, and
+this time I will take care of the ducats my admirers bestow upon me."
+
+"I should think that was a good plan," said Philip.
+
+"I will begin at once. Nearby is a town devoted to the mammon of trade,
+yet among its busy thousands there must be many that will appreciate the
+genius of Lorenzo Riccabocca."
+
+"I hope so," answered Philip politely.
+
+He could not help thinking that the professor was rather self-conceited,
+and he hardly thought it in good taste for him to refer so boastfully to
+his genius.
+
+"I wish you, Mr. Gray, to assist me in my project," continued the
+professor.
+
+"How can I do so, sir?" inquired Philip.
+
+"Let me tell you. I propose that we enter into a professional
+partnership, that we give an entertainment partly musical, partly
+dramatic. I will draw up a program, including some of my most humorous
+recitations and impersonations, while interspersed among them will be
+musical selections contributed by yourself. Do you comprehend?"
+
+"Yes," answered Philip, nodding.
+
+"And what do you think of it?"
+
+"I think well of it," replied the boy-musician.
+
+He did think well of it. It might not draw a large audience, this mixed
+entertainment, but it would surely pay something; and it would interfere
+with no plans of his own, for, in truth, he had none.
+
+"Then you will cooperate with me?" said the professor.
+
+"Yes, professor."
+
+"Give me your hand!" exclaimed Riccabocca dramatically. "Mr. Gray, it
+is a perfect bonanza of an idea. I may tell you, in confidence, I was
+always a genius for ideas. Might I ask a favor of you?"
+
+"Certainly, sir."
+
+"Give me a touch of your quality. Let me hear you play."
+
+Philip drew his violin from its case and played for his new professional
+partner "The Carnival of Venice," with variations--the same which had
+been received with so much favor the evening previous.
+
+Professor Riccabocca listened attentively, and was evidently agreeably
+surprised. He was not a musician, but he saw that Philip was a much
+better player than he had anticipated, and this, of course, was likely
+to improve their chances of pecuniary success.
+
+"You are a splendid performer," he said enthusiastically. "You
+shall come out under my auspices and win fame. I predict for you a
+professional triumph."
+
+"Thank you," said Philip, gratified by this tribute from a man of
+worldly experience. "I hope you will prove a true prophet."
+
+"And now, Mr. Gray, let us proceed on our way. We must get lodgings in
+Wilkesville, and make arrangements for our entertainment. I feel new
+courage, now that I have obtained so able a partner. Wilkesville little
+knows what is in store for her. We shall go, see, and conquer!"
+
+An hour later Philip and his new partner entered Wilkesville.
+
+
+
+CHAPTER XXV. A CHANGE OF NAME.
+
+
+
+Wilkesville was an inland city, of from fifteen to twenty thousand
+inhabitants.
+
+As Philip and the professor passed along the principal street, they saw
+various stores of different kinds, with here and there a large,
+high, plain-looking structure, which they were told was used for the
+manufacture of shoes.
+
+"Wilkesville will give us a large audience," he said, in a tone of
+satisfaction.
+
+"I hope so," said our hero.
+
+"Hope so? I know so!" said the professor confidently. "The town is full
+of young men, employed in shoe-making. They are fond of amusement,
+and they will gladly seize an opportunity of patronizing a first-class
+entertainment like ours."
+
+The professor's reasoning seemed good, but logic sometimes fails, and
+Philip was not quite so sanguine. He said nothing, however, to dampen
+the ardor of his partner.
+
+"Let me see," said the professor, pausing, "yonder stands the
+Wilkesville Hotel. We had better put up there."
+
+It was a brick structure of considerable size, and seemed to have some
+pretensions to fashion.
+
+"Do you know how much they charge?" asked Philip prudently.
+
+"No; I neither know nor care," answered Professor Riccabocca loftily.
+
+"But," said Philip, "I haven't much money."
+
+"Nor I," admitted Riccabocca. "But it is absolutely necessary for us to
+stop at a first-class place. We must not let the citizens suppose that
+we are tramps or vagabonds. They will judge us by our surroundings."
+
+"There is something in that," said Philip. "But suppose we don't
+succeed!"
+
+"Succeed? We must succeed!" said the professor, striking an attitude.
+"In the vocabulary of youth, there's no such word as 'fail'! Away with
+timid caution! Our watchword be success!"
+
+"Of course, you have much more experience than I," said Philip.
+
+"Certainly I have! We must keep up appearances. Be guided by me, and all
+will come right."
+
+Philip reflected that they could not very well make less than their
+expenses, and accordingly he acceded to the professor's plans. They
+entered the hotel, and Professor Riccabocca, assuming a dignified,
+important step, walked up to the office. "Sir," said he, to the clerk,
+"my companion and myself would like an apartment, one eligibly located,
+and of ample size."
+
+"You can be accommodated, sir," answered the young man politely. "Will
+you enter your names?"
+
+Opening the hotel register, the elocutionist, with various flourishes,
+entered, this name: "Professor Lorenzo Riccabocca, Elocutionist and
+Dramatic Reader."
+
+"Shall I enter your name?" he asked of Philip.
+
+"If you please."
+
+This was the way Professor Riccabocca complied with his request: "Philip
+de Gray, the Wonderful Boy-musician."
+
+He turned the book, so that the clerk could see the entries.
+
+"We propose to give an entertainment in Wilkesville," he said.
+
+"I am glad to hear it," said the clerk politely.
+
+"After dinner I will consult you as to what steps to take. Is there
+anything in the way of amusement going on in town this evening?"
+
+"Yes, there is a concert, chiefly of home-talent, in Music Hall. There
+is nothing announced for to-morrow evening."
+
+"Then we will fix upon to-morrow evening. It will give us more time to
+get out hand-bills, etc. Is there a printing-office in town?"
+
+"Oh, yes, sir. We have a daily paper."
+
+"Is the office near at hand?"
+
+"Yes, sir. It is on the corner of the next street."
+
+"That will do for the present. We will go up to our apartment. Will
+dinner be ready soon?"
+
+"In half an hour."
+
+Here the servant made his appearance, and the professor, with a wave of
+his hand, said:
+
+"Lead on, Mr. de Gray! I will follow."
+
+
+
+CHAPTER XXVI. A PROMISING PLAN.
+
+
+
+They were shown into a front room, of good size, containing two beds.
+The servant handed them the key, and left them.
+
+"This looks very comfortable, Mr. de Gray," said the professor, rubbing
+his hands with satisfaction.
+
+"Why do you call me Mr. de Gray?" asked Philip, thinking he had been
+misunderstood. "It is plain Gray, without any de."
+
+"I am only using your professional name," answered the professor. "Don't
+you know people will think a great deal more of you if they suppose you
+to be a foreigner?"
+
+Philip laughed.
+
+"Is Lorenzo Riccabocca your true or professional name, professor?" he
+asked.
+
+"Professional, of course. My real name--I impart it to you in the
+strictest confidence--is Lemuel Jones. Think of it. How would that look
+on a poster?"
+
+"It would not be so impressive as the other."
+
+"Of course not; and the public need to be impressed. I thank thee for
+that word, Mr. de Gray. By the way, it's rather a pity I didn't give you
+a Spanish or Italian name."
+
+"But I can't speak either language. It would be seen through at once."
+
+"People wouldn't think of asking. You'd be safe enough. They will
+generally swallow all you choose to say."
+
+They went down to dinner presently, and the professor--Philip could not
+help thinking--ate as if he were half-starved. He explained afterward
+that elocutionary effort taxes the strength severely, and makes hearty
+eating a necessity.
+
+After dinner was over the professor said:
+
+"Are you content, Mr. de Gray, to leave me to make the necessary
+arrangements?"
+
+"I should prefer that you would," said Philip, and he spoke sincerely.
+"Probably you understand much better than I what needs to be done."
+
+"'Tis well! Your confidence is well placed," said the professor, with a
+wave of his hand. "Shall you remain in the hotel?"
+
+"No, I think I will walk about the town and see a little of it. I have
+never been here before."
+
+Philip took a walk through the principal streets, surveying with
+curiosity the principal building's, for, though there was nothing
+particularly remarkable about them, he was a young traveler, to whom
+everything was new. He could not help thinking of his late home, and in
+particular of Frank Dunbar, his special friend, and he resolved during
+the afternoon to write a letter to Frank, apprising him of his luck
+thus far. He knew that Frank would feel anxious about him, and would be
+delighted to hear of his success as a musician.
+
+He went into a book-store and bought a sheet of paper and an envelope.
+
+He had just completed his letter, when his partner entered the
+reading-room of the hotel with a brisk step.
+
+"Mr. de Gray," he said, "I have made all necessary arrangements. I have
+hired the hall for to-morrow evening--five dollars--ordered some tickets
+and posters at the printing-office, and secured a first-class notice
+in to-morrow morning's paper. Everybody in Wilkesville will know before
+to-morrow night that they will have the opportunity of attending a
+first-class performance at the Music Hall."
+
+"It seems to me the necessary expenses are considerable," said Philip
+uneasily.
+
+"Of course they are; but what does that matter?"
+
+"What is to be the price of tickets?"
+
+"General admission, twenty-five cents; reserved seats, fifty cents, and
+children under twelve, fifteen cents. How does that strike you!"
+
+"Will anyone be willing to pay fifty cents to hear us?" asked Philip.
+
+"Fifty cents! It will be richly worth a dollar!" said the professor
+loftily.
+
+"I suppose he knows best," thought Philip. "I hope all will come out
+right. If it does we can try the combination in other places."
+
+
+
+CHAPTER XXVII. UNEXPECTED HONORS.
+
+
+
+The next morning at breakfast, Professor Riccabocca handed Philip a
+copy of the Wilkesville Daily Bulletin. Pointing to a paragraph on the
+editorial page, he said, in a tone of pride and satisfaction:
+
+"Read that, Mr. de Gray."
+
+It ran thus:
+
+"We congratulate the citizens of Wilkesville on the remarkable
+entertainment which they will have an opportunity of enjoying this
+evening at the Music Hall. Professor Lorenzo Riccabocca, whose fame as
+an elocutionist and dramatic reader has made his name a household word
+throughout Europe and America, will give some of his choice recitals and
+personations, assisted by Philip de Gray, the wonderful boy-musician,
+whose talent as a violin-player has been greeted with rapturous applause
+in all parts of the United States. It is universally acknowledged
+that no one of his age has ever equaled him. He, as well as Professor
+Riccabocca, will give but a limited series of entertainments in this
+country, having received flattering inducements to cross the Atlantic,
+and appear professionally in London, Paris, and the chief cities of the
+Continent. Fifty cents is the pitiful sum for which our citizens will
+have it put in their power to hear this wonderful combination of talent.
+This secures a reserved seat."
+
+Philip read this notice with increasing amazement.
+
+"What do you think of that, Mr. de Gray?" asked the professor gleefully.
+"Won't that make Wilkesville open its eyes, eh?"
+
+"It has made me open my eyes, professor," said Philip.
+
+"Ha, ha!" said the professor, appearing amused.
+
+"How soon are we to sail for Europe?" asked Philip, smiling.
+
+"When Queen Victoria sends our passage-money," answered Riccabocca,
+laughing.
+
+"I see that your name is a household word in Europe. Were you ever
+there?"
+
+"Never."
+
+"Then how can that be?"
+
+"Mr. de Gray, your performances have been greeted with applause in all
+parts of the United States. How do you explain that?"
+
+"I don't pretend to explain it. I wasn't aware that my name had ever
+been heard of a hundred miles from here."
+
+"It has not, but it will be. I have only been predicting a little.
+The paragraph isn't true now, but it will be some time, if we live and
+prosper."
+
+"But I don't like to be looked upon as a humbug, professor," said Philip
+uneasily.
+
+"You won't be. You are really a fine player, or I wouldn't consent to
+appear with you. The name of Riccabocca, Mr. de Gray, I may truthfully
+say, is well known. I have appeared in the leading cities of America.
+They were particularly enthusiastic in Chicago," he added pensively.
+"I wish I could find a paragraph from one of their leading papers,
+comparing my rendering of the soliloquy in 'Hamlet' to Edwin Booth's,
+rather to the disadvantage of that tragedian."
+
+"I would like to read the notice," said Philip, who had very strong
+doubts as to whether such a paragraph had ever appeared in print.
+
+"You shall see it. It will turn up somewhere. I laid it aside carefully,
+for I confess, Mr. de Gray, it gratified me much. I have only one thing
+to regret: I should myself have gone on the stage, and essayed leading
+tragic roles. It may not be too late now. What do you think?"
+
+"I can tell better after I have heard you, professor," answered Philip.
+
+"True, you can. Mr. de Gray," continued the professor, lowering his
+voice, "notice how much attention we are receiving from the guests
+at the tables. They have doubtless read the notice of our evening
+entertainment."
+
+Philip looked round the room, which was of good size, and contained some
+thirty or more guests, and he saw that the professor was right.
+
+He met several curious glances, some fair ladies expressing interest as
+well as curiosity, and his face flushed.
+
+"Gratifying, isn't it?" said the professor, smiling.
+
+"No, I don't think it is," answered our hero.
+
+"Why not?" demanded Professor Riccabocca, appearing amazed.
+
+"If all were true, it might be," replied Philip. "As it is, I feel like
+a humbug."
+
+"Humbug pays in this world," said the professor cheerfully. "By the way,
+there's another little paragraph to which I will call your attention."
+
+Philip read this additional item:
+
+"We understand that Professor Riecabocca and Mr. Philip de Gray have
+received a cable despatch from the Prince of Wales, inviting them to
+instruct his sons in elocution and music, at a very liberal salary. They
+have this proposal under consideration, though they are naturally rather
+reluctant to give up the plaudits of the public, even for so honorable a
+position."
+
+"Professor Riccabocca," said Philip, considerably annoyed by this
+audacious invention, "you ought to have consulted me before publishing
+such a falsehood as this."
+
+"Falsehood, Mr. de Gray? Really I'm shocked! Gentlemen don't use such
+words, or make such charges."
+
+"You don't mean to say it's true that we have received any such
+telegram?"
+
+"No; of course not."
+
+"Then why didn't I use the right word?"
+
+"It's an innocent little fiction, my young friend--a fiction that will
+do no one any harm, but will cause us to be regarded with extraordinary
+interest."
+
+Here the thought occurred to Philip that he, the future instructor of
+British royalty, had only just escaped from a poorhouse, and it seemed
+to him so droll that he burst out laughing.
+
+"Why do you laugh, Mr. de Gray?" asked the professor, a little
+suspiciously.
+
+"I was thinking of something amusing," said Philip.
+
+"Well, well! We shall have cause to laugh when we play this evening to a
+crowded house."
+
+"I hope so. But, professor, if we keep together, you mustn't print any
+more such paragraphs about me. Of course, I am not responsible for what
+you say about yourself."
+
+"Oh, it will be all right!" said Riccabocca. "What are you going to do
+with yourself?"
+
+"I shall practice a little in my room, for I want to play well to-night.
+When I get tired I shall take a walk."
+
+"Very wise--very judicious. I don't need to do it, being, as I may say,
+a veteran reader. I wouldn't rehearse if I were to play this evening
+before the president and all the distinguished men of the nation."
+
+"I don't feel so confident of myself," said Philip.
+
+"No, of course not. By the way, can you lend me fifty cents, Mr. de
+Gray?"
+
+"Certainly."
+
+"I don't want to break a ten."
+
+Professor Riccabocca didn't mention that the only ten he had was a
+ten-cent piece.
+
+Slipping Philip's half-dollar into his vest pocket, he said carelessly:
+
+"We'll take this into the account when we divide the proceeds of the
+entertainment."
+
+"Very well," said Philip.
+
+He went up to his room and played for an hour or more, rehearsing the
+different pieces he had selected for the evening, and then, feeling the
+need of a little fresh air, he took a walk.
+
+In different parts of the town he saw posters, on which his name was
+printed in large letters.
+
+"It seems almost like a joke!" he said to himself.
+
+Just then he heard his name called, and, looking up, he recognized
+a young fellow, of sixteen or thereabouts, who had formerly lived in
+Norton. It seemed pleasant to see a familiar face.
+
+"Why, Morris Lovett," he exclaimed "I didn't know you were here!"
+
+"Yes; I'm clerk in a store. Are you the one that is going to give an
+entertainment tonight?"
+
+"Yes," answered Philip, smiling.
+
+"I didn't know you were such a great player," said Morris, regarding our
+hero with new respect.
+
+He had read the morning paper.
+
+"Nor I," said Philip, laughing.
+
+"Are you going to Europe soon?"
+
+"It isn't decided yet!" Philip answered, laughing.
+
+"I wish I had your chance."
+
+"Come and hear me this evening, at any rate," said Philip. "Call at the
+hotel, at six o'clock, and I'll give you a ticket."
+
+"I'll be sure to come," said Morris, well pleased.
+
+
+
+CHAPTER XXVIII. A TRIUMPHANT SUCCESS.
+
+
+
+Philip took another walk in the afternoon, and was rather amused to
+see how much attention he received. When he drew near the hotel he was
+stared at by several gaping youngsters, who apparently were stationed
+there for no other purpose. He overheard their whispers:
+
+"That's him! That's Philip de Gray, the wonderful fiddler!"
+
+"I never suspected, when I lived at Norton, that I was so much of a
+curiosity," he said to himself. "I wish I knew what they'll say about me
+to-morrow."
+
+At six o'clock Morris Lovett called and received his ticket.
+
+"You'll have a big house to-night, Philip," he said. "I know a lot of
+fellows that are going."
+
+"I am glad to hear it," said Philip, well pleased, for he concluded that
+if such were the case his purse would be considerably heavier the next
+day.
+
+"It's strange how quick you've come up;" said Morris. "I never expected
+you'd be so famous."
+
+"Nor I," said Philip, laughing.
+
+"I'd give anything if I could have my name posted round like yours."
+
+"Perhaps you will have, some time."
+
+"Oh, no! I couldn't play more'n a pig," said Morris decidedly. "I'll
+have to be a clerk, and stick to business."
+
+"You'll make more money in the end that way, Morris, even if your name
+isn't printed in capitals."
+
+They retired into a small room adjoining the stage, to prepare for their
+appearance.
+
+The professor rubbed his hands in glee.
+
+"Did you see what a house we have, Mr. de Gray?"
+
+"Yes, professor."
+
+"I think there'll be a hundred dollars over and above expenses."
+
+"That will be splendid!" said Philip, naturally elated.
+
+"The firm of Riccaboeca and De Gray is starting swimmingly."
+
+"So it is. I hope it will continue so."
+
+"Here is the program, Mr. de Gray. You will observe that I appear first,
+in my famous soliloquy. You will follow, with the 'Carnival of Venice.'
+Do you feel agitated?"
+
+"Oh, no. I am so used to playing that I shall not feel at all bashful."
+
+"That is well."
+
+"I would like to be on the stage, professor, to hear you."
+
+"Certainly. I have anticipated your desire, and provided an extra
+chair."
+
+The time came, and Professor Riccabocca stepped upon the stage, his
+manner full of dignity, and advanced to the desk. Philip took a chair a
+little to the rear.
+
+Their entrance was greeted by hearty applause. The professor made a
+stately bow, and a brief introductory speech, in which he said several
+things about Philip and himself which rather astonished our hero. Then
+he began to recite the soliloquy.
+
+Probably it was never before so amazingly recited. Professor
+Riccabocca's gestures, facial contortions, and inflections were very
+remarkable. Philip almost suspected that he was essaying a burlesque
+role.
+
+The mature portion of the audience were evidently puzzled, but the small
+boys were delighted, and with some of the young men, stamped vigorously
+at the close.
+
+Professor Riccabocea bowed modestly, and said:
+
+"Gentlemen and ladies, you will now have the pleasure of listening to
+the young and talented Philip de Gray, the wonderful boy-musician, in
+his unrivaled rendition of the 'Carnival of Venice.'"
+
+Philip rose, coloring a little with shame a I this high-flown
+introduction, and came forward.
+
+All applauded heartily, for sympathy is always felt for a young
+performer, especially when he has a manly bearing and an attractive
+face, such as our hero possessed.
+
+Philip was determined to do his best. Indeed, after being advertised and
+announced as a boy wonder, he felt that he could not do otherwise.
+
+He commenced, and soon lost himself in the music he loved so well, so
+that before he had half finished he had quite forgotten his audience,
+and half started at the boisterous applause which followed. He bowed his
+acknowledgments, but found this would not do.
+
+He was forced to play it a second time, greatly to the apparent
+satisfaction of the audience. It was clear that, whatever might be
+thought of Professor Riccabocea's recitation, the young violinist had
+not disappointed his audience.
+
+Philip could see, in a seat near the stage, the beaming face of his
+friend Morris Lovett, who was delighted at the success of his old
+acquaintance, and anticipated the reflected glory which he received,
+from its being known that he was a friend of the wonderful young
+musician.
+
+Professor Riccabocca came forward again, and recited a poem called "The
+Maniac," each stanza ending with the line: "I am not mad, but soon shall
+be."
+
+He stamped, raved, tore his hair, and made altogether a very grotesque
+appearance.
+
+Philip could hardly forbear laughing, and some of the boys in the front
+seats didn't restrain themselves, Some of the older people wondered how
+such a man should be selected by the Prince of Wales to instruct his
+sons in elocution--not suspecting that the newspaper paragraph making
+mention of this was only a daring invention of the eminent professor.
+
+Next came another musical selection by Philip, which was as cordially
+received as the first.
+
+I do not propose to weary the reader by a recital of the program and a
+detailed account of each performance. It is enough to say that Professor
+Riccabocca excited some amusement, but was only tolerated for the sake
+of Philip's playing.
+
+Naturally, our hero was better received on account of his youth, but
+had he been twice as old his playing would have given satisfaction and
+pleasure.
+
+So passed an hour and a half, and the musical entertainment was over.
+Philip felt that he had reason to be satisfied. Highly as he had been
+heralded, no one appeared to feel disappointed by his part of the
+performance.
+
+"Mr. de Gray," said the professor, when they reached the hotel, "you did
+splendidly. We have made a complete success."
+
+"It is very gratifying," said Philip.
+
+"I felt sure that the public would appreciate us. I think I managed
+everything shrewdly."
+
+"How much was paid in at the door?" asked Philip, who naturally felt
+interested in this phase of success.
+
+"One hundred and forty-five dollars and a half!" answered the professor.
+
+Philip's eyes sparkled.
+
+"And how much will that be over and above expenses?" he asked.
+
+"My dear Mr. de Gray, we will settle all bills, and make a fair and
+equitable division, in the morning. I think there will be a little more
+than fifty dollars to come to each of us."
+
+"Fifty dollars for one evening's work!" repeated Philip, his eyes
+sparkling.
+
+"Oh, I have done much better than that," said the professor. "I remember
+once at St. Louis I made for myself alone one hundred and eighty dollars
+net, and in Chicago a little more."
+
+"I didn't think it was such a money-making business," said Philip,
+elated.
+
+"Yes, Mr. de Gray, the American people are willing to recognize talent,
+when it is genuine. You are on the threshold of a great career, my dear
+young friend."
+
+"And only a week since I was in the Norton Poorhouse," thought Philip.
+"It is certainly a case of romance in real life."
+
+The two went to bed soon, being fatigued by their exertions. The
+apartment was large, and contained two beds, a larger and smaller one.
+The latter was occupied by our hero.
+
+When he awoke in the morning, the sun was shining brightly into the
+room. Philip looked toward the opposite bed. It was empty.
+
+"Professor Riccabocca must have got up early," he thought. "Probably he
+did not wish to wake me."
+
+He dressed and went downstairs.
+
+"Where is the professor?" he asked of the clerk.
+
+"He started away two hours since--said he was going to take a walk. Went
+away without his breakfast, too. He must be fond of walking."
+
+Philip turned pale. He was disturbed by a terrible suspicion. Had the
+professor gone off for good, carrying all the money with him?
+
+
+
+CHAPTER XXIX. BESET BY CREDITORS.
+
+
+
+Philip was still a boy, and though he had discovered that the professor
+was something of a humbug, and a good deal of a braggart, it had not for
+a moment occurred to him that he would prove dishonest. Even now he did
+not want to believe it, though he was nervously apprehensive that it
+might prove true.
+
+"I will take my breakfast," he said, as coolly as was possible, "and the
+professor will probably join me before I am through."
+
+The clerk and the landlord thought otherwise. They were pretty well
+convinced that Riccabocca was dishonest, and quietly sent for those to
+whom the "combination" was indebted: namely, the printer and publisher
+of the Daily Bulletin, the agent of the music-hall, and the bill-sticker
+who had posted notices of the entertainment. These parties arrived while
+Philip was at breakfast.
+
+"Gentlemen," said the landlord, "the boy is at breakfast. I think he is
+all right, but I don't know. The professor, I fear, is a swindle."
+
+"The boy is liable for our debts," said the agent. "He belongs to the
+combination."
+
+"I am afraid he is a victim as well as you," said the landlord. "He
+seemed surprised to hear that the professor had gone out."
+
+"It may all be put on. Perhaps he is in the plot, and is to meet the
+old fraud at some place fixed upon, and divide the booty," suggested the
+agent.
+
+"The boy looks honest," said the landlord. "I like his appearance. We
+will see what he has to say."
+
+So when Philip had finished his breakfast he was summoned to the parlor,
+where he met the creditors of the combination.
+
+"These gentlemen," said the landlord, "have bills against you and the
+professor. It makes no difference whether they receive pay from you or
+him."
+
+Poor Philip's heart sank within him.
+
+"I was hoping Professor Riccabocca had settled your bills," he said.
+"Please show them to me."
+
+This was done with alacrity.
+
+Philip found that they owed five dollars for the hall, five dollars
+for advertising and printing, and one dollar for bill-posting--eleven
+dollars in all.
+
+"Mr. Gates," said our hero uneasily, to the landlord, "did Professor
+Riccabocca say anything about coming back when he went out this
+morning?"
+
+"He told my clerk he would be back to breakfast," said the landlord;
+adding, with a shrug of the shoulders: "That was two hours and a half
+ago. He can't be very hungry."
+
+"He didn't pay his bill, I suppose?"
+
+"No, of course not. He had not given up his room."
+
+Philip became more and more uneasy.
+
+"Didn't you know anything about his going out?" asked the landlord.
+
+"No, sir. I was fast asleep."
+
+"Is the professor in the habit of taking long morning walks?"
+
+"I don't know."
+
+"That is strange, since you travel together," remarked the publisher.
+
+"I never saw him till day before yesterday," said Philip.
+
+The creditors looked at each other significantly. They began to suspect
+that Philip also was a victim.
+
+"Do you know how much money was received for tickets last evening?"
+
+"About a hundred and fifty dollars."
+
+"How much of this were you to receive?"
+
+"Half of what was left after the bills were paid."
+
+"Have you received it?" asked the agent.
+
+"Not a cent," answered Philip.
+
+"What do you think about the situation?"
+
+"I think that Professor Riccabocca has swindled us all," answered Philip
+promptly.
+
+"Our bills ought to be paid," said the agent, who was rather a hard man
+in his dealings.
+
+"I agree with you," said Philip. "I wish I were able to pay them, but I
+have only six dollars in my possession."
+
+"That will pay me, and leave a dollar over," suggested the agent.
+
+"If it comes to that," said the printer, "I claim that I ought to be
+paid first."
+
+"I am a poor man," said the bill-sticker. "I need my money."
+
+Poor Philip was very much disconcerted. It was a new thing for him to
+owe money which he could not repay.
+
+"Gentlemen," he said, "I have myself been cheated out of fifty dollars,
+at least--my share of the profits. I wish I could pay you all. I cannot
+do so now. Whenever I can I will certainly do it."
+
+"You can pay us a part with the money you have," said the agent.
+
+"I owe Mr. Gates for nearly two days' board," he said. "That is my own
+affair, and I must pay him first."
+
+"I don't see why he should be preferred to me," grumbled the agent;
+then, with a sudden, happy thought, as he termed it, he said: "I will
+tell you how you can pay us all."
+
+"How?" asked Philip.
+
+"You have a violin. You can sell that for enough to pay our bills."
+
+Poor Philip! His violin was his dependence. Besides the natural
+attachment he felt for it, he relied upon it to secure him a living, and
+the thought of parting with it was bitter.
+
+"Gentlemen," he said, "if you take my violin, I have no way of making
+a living. If you will consider that I, too, am a victim of this man, I
+think you will not wish to inflict such an injury upon me."
+
+"I do not, for one," said the publisher. "I am not a rich man, and I
+need all the money that is due me, but I wouldn't deprive the boy of his
+violin."
+
+"Nor I," said the bill-sticker.
+
+"That's all very fine," said the agent; "but I am not so soft as you
+two. Who knows but the boy is in league with the professor?"
+
+"I know it!" said the landlord stoutly. "The boy is all right, or I am
+no judge of human nature."
+
+"Thank you, Mr. Gates," said Philip, extending his hand to his generous
+defender.
+
+"Do you expect we will let you off without paying anything?" demanded
+the agent harshly.
+
+"If I live, sir, you shall lose nothing by me," said Philip.
+
+"That won't do!" said the man coarsely. "I insist upon the fiddle being
+sold. I'll give five dollars for it, and call it square."
+
+"Mr. Gunn," said the landlord, in a tone of disgust, "since you are
+disposed to persecute this boy, I will myself pay your bill, and trust
+to him to repay me when he can."
+
+"But, Mr. Gates--" said Philip.
+
+"I accept!" said the agent, with alacrity.
+
+"Receipt your bill," said the landlord.
+
+Mr. Gunn did so, and received a five-dollar bill in return.
+
+"Now sir," said the landlord coldly, "if you have no further business
+here, we can dispense with your company."
+
+"It strikes me you are rather hard on a man because he wants to be paid
+his honest dues!" whined Gunn, rather uncomfortably.
+
+"We understand you, sir," said the landlord. "We have not forgotten how
+you turned a poor family into the street, in the dead of winter, because
+they could not pay their rent."
+
+"Could I afford to give them house-room?" inquired Gunn.
+
+"Perhaps not. At any rate, I don't feel inclined to give you house-room
+any longer."
+
+Mr. Gunn slunk out of the room, under the impression that his company
+was no longer desired.
+
+"Mr. Gray," said the publisher, "I hope you don't class me with the man
+who has just gone out. I would sooner never be paid than deprive you of
+your violin. Let the account stand, and if you are ever able to pay me
+half of my bill--your share--I shall be glad to receive it."
+
+"Thank you, sir!" said Philip, "You shall not repent your confidence in
+me."
+
+"I say ditto to my friend, the publisher," said the bill-poster.
+
+"Wait a moment, gentlemen," said Philip. "There is a bare possibility
+that I can do something for you."
+
+For the first time since he left Norton he thought of the letter which
+he was not to open till he was fifty miles from Norton.
+
+"Mr. Gates," he said, "can you tell me how far Norton is from here?"
+
+"About sixty miles," answered the landlord in surprise.
+
+"Then it's all right."
+
+
+
+CHAPTER XXX. A TIMELY GIFT.
+
+
+
+The reader has not forgotten that Farmer Lovett, when Philip refused
+to accept any compensation for assisting to frustrate the attempt at
+burglary, handed him a sealed envelope, which he requested him not to
+open till he was fifty miles away from Norton.
+
+Philip had carried this about in his pocket ever since. He had thought
+of it as likely to contain some good advice at the time; but it had
+since occurred to him that the farmer had not had time to write down
+anything in that line.
+
+He was disposed to think that the mysterious envelope might contain a
+five-dollar bill, as a slight acknowledgment of his services.
+
+Though Philip had declined receiving any payment, it did seem to him
+now that this amount of money would relieve him from considerable
+embarrassment. He therefore drew a penknife from his pocket and cut open
+the envelope.
+
+What was his amazement when he drew out three bills--two twenties and
+a ten--fifty dollars in all! There was a slip of paper, on which was
+written, in pencil:
+
+"Don't hesitate to use this money, if you need it, as you doubtless
+will. I can spare it as well as not, and shall be glad if it proves of
+use to one who has done me a great service. JOHN LOVETT."
+
+"What's that!" asked the landlord, regarding Philip with interest.
+
+"Some money which I did not know I possessed," answered Philip.
+
+"How much is there?"
+
+"Fifty dollars."
+
+"And you didn't know you had it?" asked the publisher--rather
+incredulously, it must be owned.
+
+"No, sir; I was told not to open this envelope till I was fifty miles
+away from where it was given me. Of course, Mr. Gates, I am now able to
+pay all my bills, and to repay you for what you handed Mr. Gunn."
+
+"I am pleased with your good fortune," said the landlord cordially.
+
+"Thank you, sir."
+
+"But I am sorry your knavish partner has cheated you out of so much
+money."
+
+"I shall make him pay it if I can," said Philip resolutely.
+
+"I approve your pluck, and I wish you success."
+
+"He owes you money, too, Mr. Gates. Give me the bill, and I will do my
+best to collect it."
+
+"If you collect it, you may have it," said Gates. "I don't care much
+for the money, but I should like to have the scamp compelled to fork it
+over."
+
+"I wish I knew where he was likely to be," said Philip.
+
+"He may go to Knoxville," suggested the publisher.
+
+"How far is that?"
+
+"Ten miles."
+
+"What makes you think he will go to Knoxville?" asked the landlord.
+
+"He may think of giving a performance there. It is a pretty large
+place."
+
+"But wouldn't he be afraid to do it, after the pranks he has played
+here?"
+
+"Perhaps so. At any rate, he is very likely to go there."
+
+"I will go there and risk it," said Philip. "He needn't think he is
+going to get off so easily, even if it is only a boy he has cheated."
+
+"That's the talk, Mr. Gray!" said the landlord. "How are you going?" he
+asked, a minute later.
+
+"I can walk ten miles well enough," answered Philip.
+
+He had considerable money now, but he reflected that he should probably
+need it all, especially if he did not succeed in making the professor
+refund, and decided that it would be well to continue to practice
+economy.
+
+"I have no doubt you can," said the landlord, "but it will be better not
+to let the professor get too much the start of you. I will myself have a
+horse harnessed, and take you most of the distance in my buggy."
+
+"But, Mr. Gates, won't it be putting you to a great deal of trouble?"
+
+"Not at all. I shall enjoy a ride this morning, and the road to
+Knoxville is a very pleasant one."
+
+"Let me pay something for the ride, then."
+
+"Not a cent. You will need all your money, and I can carry you just as
+well as not," said the landlord heartily.
+
+"I am very fortunate in such a kind friend," said Philip gratefully.
+
+"Oh, it isn't worth talking about! Here, Jim, go out and harness the
+horse directly."
+
+When the horse was brought round, Philip was all ready, and jumped in.
+
+"Would you like to drive, Mr. Gray?" asked the landlord.
+
+"Yes," answered Philip, with alacrity.
+
+"Take the lines, then," said the landlord.
+
+Most boys of Philip's age are fond of driving, and our hero was no
+exception to the rule, as the landlord supposed.
+
+"You'll promise not to upset me," said Mr. Gates, smiling. "I am getting
+stout, and the consequences might be serious."
+
+"Oh, I am used to driving," said Philip, "and I will take care not to
+tip over."
+
+The horse was a good one, and to Philip's satisfaction, went over the
+road in good style.
+
+Philip enjoyed driving, but, of course, his mind could not help dwelling
+on the special object of his journey.
+
+"I hope we are on the right track," he said. "I shouldn't like to miss
+the professor."
+
+"You will soon know, at any rate," said Gates. "It seems to me," he
+continued, "that Riccabocca made a great mistake in running off with
+that money."
+
+"He thought it would be safe to cheat a boy."
+
+"Yes; but admitting all that, you two were likely to make money. In
+Wilkesville your profits were a hundred dollars in one evening. Half of
+that belonged to the professor, at any rate. He has lost his partner,
+and gained only fifty dollars, which would not begin to pay him for your
+loss."
+
+"Perhaps he thought he would draw as well alone."
+
+"Then he is very much mistaken. To tell the plain truth, our people
+thought very little of his share of the performance. I saw some of them
+laughing when he was ranting away. It was you they enjoyed hearing."
+
+"I am glad of that," said Philip, gratified.
+
+"There's no humbug about your playing. You understand it. It was
+you that saved the credit of the evening, and sent people away well
+satisfied."
+
+"I am glad of that, at any rate, even if I didn't get a cent for my
+playing," said Philip, well pleased.
+
+"The money's the practical part of it," said the landlord. "Of course, I
+am glad when travelers like my hotel, but if they should run off without
+paying, like the professor, I shouldn't enjoy it so much."
+
+"No, I suppose not," said Philip, with a laugh.
+
+They had ridden some seven miles, and were, therefore, only three miles
+from Knoxville, without the slightest intimation as to whether or not
+they were on the right track.
+
+To be sure, they had not expected to obtain any clue so soon, but it
+would have been very satisfactory, of course, to obtain one.
+
+A little farther on they saw approaching a buggy similar to their own,
+driven by a man of middle age. It turned out to be an acquaintance of
+the landlord's, and the two stopped to speak.
+
+"Going to Knoxville on business, Mr. Gates?" asked the newcomer.
+
+"Well, not exactly. I am driving this young man over. By the way, have
+you seen anything of a tall man, with long, black hair, dressed in
+black?"
+
+"Yes. Do you want to see him?"
+
+"This young man has some business with him. Where did you see him?"
+
+"He arrived at our hotel about an hour since, I calculate."
+
+Philip's heart bounded with satisfaction at this important news.
+
+"Did he put up there?"
+
+"Yes. I believe he is going to give a reading this evening."
+
+"Thank you!"
+
+"The professor must be a fool!" said the landlord, as they drove away.
+
+"I begin to think so myself," replied Philip.
+
+"That's all in our favor, however. We shall get back that money yet."
+
+The horse was put to his speed, and in fifteen minutes they reached
+Knoxville.
+
+
+
+CHAPTER XXXI. THE PROFESSOR'S FLIGHT.
+
+
+
+Professor Lorenzo Riccabocca was not a wise man. It would have been much
+more to his interest to deal honestly with Philip, paying his share
+of the profits of the first performance, and retaining his services as
+associate and partner.
+
+But the professor was dazzled by the money, and unwilling to give it up.
+Moreover, he had the vanity to think that he would draw nearly as
+well alone, thus retaining in his own hands the entire proceeds of any
+entertainments he might give.
+
+When he met Philip on the road he was well-nigh penniless. Now,
+including the sum of which he had defrauded our hero and his creditors
+in Wilkesville, he had one hundred and fifty dollars.
+
+When the professor went to bed, he had not formed the plan of deserting
+Philip; but, on awaking in the morning, it flashed upon him as an
+excellent step which would put money in his pocket.
+
+He accordingly rose, dressed himself quietly, and, with one cautious
+look at Philip--who was fast asleep--descended the stairs to the office.
+
+Only the bookkeeper was in the office.
+
+"You are stirring early, professor," he said.
+
+"Yes," answered Riccabocca, "I generally take a morning walk, to get an
+appetite for breakfast."
+
+"My appetite comes without the walk," said the bookkeeper, smiling.
+
+"If Mr. de Gray comes downstairs, please tell him I will be back soon,"
+said Riccabocca.
+
+The bookkeeper readily promised to do this, not having the slightest
+suspicion that the distinguished professor was about to take French
+leave.
+
+When Professor Riccabocca had walked half a mile he began to feel faint.
+His appetite had come.
+
+"I wish I had stopped to breakfast," he reflected. "I don't believe De
+Gray will be down for an hour or two."
+
+It was too late to go back and repair his mistake. That would spoil all.
+He saw across the street a baker's shop, just opening for the day, and
+this gave him an idea.
+
+He entered, bought some rolls, and obtained a glass of milk, and,
+fortified with these, he resumed his journey.
+
+He had walked three miles, when he was over-taken by a farm wagon, which
+was going his way.
+
+He hailed the driver--a young man of nineteen or
+thereabouts--ascertained that he was driving to Knoxville, and, for a
+small sum, secured passage there.
+
+This brings us to the point of time when Philip and Mr. Gates drove up
+to the hotel at Knoxville.
+
+"I can see the professor," said Philip, in eager excitement, when they
+had come within a few rods of the inn.
+
+"Where is he?"
+
+"He is in the office, sitting with his back to the front window. I
+wonder what he will have to say for himself?"
+
+"So do I," said the landlord curiously.
+
+"Shall we go in together?" questioned Philip.
+
+"No; let us surprise him a little. I will drive around to the sheds back
+of the hotel, and fasten my horse. Then we will go round to the front,
+and you can go in, while I stand outside, ready to appear a little
+later."
+
+Philip thought this a good plan. He enjoyed the prospect of confronting
+the rogue who had taken advantage of his inexperience, and attempted
+such a bold scheme of fraud. He didn't feel in the least nervous, or
+afraid to encounter the professor, though Riccabocca was a man and he
+but a boy. When all was ready, Philip entered through the front
+door, which was open, and, turning into the office, stood before the
+astonished professor.
+
+The latter started in dismay at the sight of our hero. He thought he
+might be quietly eating breakfast ten miles away, unsuspiciously waiting
+for his return. Was his brilliant scheme to fail? He quickly took his
+resolution--a foolish one. He would pretend not to know Philip.
+
+"Well, Professor Riccabocca," Philip said, in a sarcastic tone, "you
+took rather a long walk this morning."
+
+The professor looked at him vacantly.
+
+"Were you addressing me?" he inquired.
+
+"Yes, sir," answered Philip, justly provoked.
+
+"I haven't the pleasure of your acquaintance, young man."
+
+"I wish I hadn't the pleasure of yours," retorted Philip.
+
+"Do you come here to insult me?" demanded Riccabocca, frowning.
+
+"I came here to demand my share of the money received for the
+entertainment last evening, as well as the money paid for the hall, the
+printer, and bill-poster."
+
+"You must be crazy!" said Riccabocca, shrugging his shoulders. "I don't
+know you. I don't owe you any money."
+
+"Do you mean to say we didn't give an entertainment together last
+evening at Wilkesville?" asked Philip, rather taken aback by the man's
+sublime impudence.
+
+"My young friend, you have been dreaming. Prove what you say and I will
+admit your claim."
+
+Up to this point those present, deceived by the professor's coolness,
+really supposed him to be in the right. That was what Riccabocca
+anticipated, and hoped to get off before the discovery of the truth
+could be made. But he did not know that Philip had a competent witness
+at hand.
+
+"Mr. Gates!" called Philip.
+
+The portly landlord of the Wilkesville Hotel entered the room, and
+Riccaboeca saw that the game was up.
+
+"Mr. Gates, will you be kind enough to convince this gentleman that he
+owes me money?" asked Philip.
+
+"I think he won't deny it now," said Gates significantly. "He walked
+off from my hotel this morning, leaving his bill unpaid. Professor
+Riccabocca, it strikes me you had better settle with us, unless you wish
+to pass the night in the lockup."
+
+Professor Riccabocca gave a forced laugh.
+
+"Why, Mr. de Gray," he said, "you ought to have known that I was only
+playing a trick on you."
+
+"I supposed you were," said Philip.
+
+"No, I don't mean that. I was only pretending I didn't know you, to see
+if I could act naturally enough, to deceive you."
+
+"Why did you desert me?" asked Philip suspiciously.
+
+"I started to take a walk--didn't the bookkeeper tell you?--and finding
+a chance to ride over here, thought I would do so, and make arrangements
+for our appearance here. Of course, I intended to come back, and pay our
+good friend, the landlord, and give you your share of the common fund."
+
+Neither Gates nor Philip believed a word of this. It seemed to them
+quite too transparent.
+
+"You may as well pay us now, Professor Riccabocca," said the landlord
+dryly.
+
+"I hope you don't suspect my honor or integrity," said Riccabocca,
+appearing to be wounded at the thought.
+
+"Never mind about that," said Mr. Gates shortly. "Actions speak louder
+than words."
+
+"I am quite ready to settle--quite," said the professor. "The money is
+in my room. I will go up and get it."
+
+There seemed to be no objection to this, and our two friends saw him
+ascend the staircase to the second story. Philip felt pleased to think
+that he had succeeded in his quest, for his share of the concert money
+would be nearly seventy dollars. That, with the balance of the money;
+received from Farmer Lovett, would make over a hundred dollars.
+
+They waited five minutes, and the professor did not come down.
+
+"What can keep him?" said Philip.
+
+Just then one of the hostlers entered and caught what our hero had said.
+
+"A man has just run out of the back door," he said, "and is cutting
+across the fields at a great rate."
+
+"He must have gone down the back stairs," said the clerk.
+
+"In what direction would he go?" asked Philip hastily.
+
+"To the railroad station. There is a train leaves in fifteen minutes."
+
+"What shall we do, Mr. Gates?" asked Philip, in dismay.
+
+"Jump into my buggy. We'll get to the depot before the train starts. We
+must intercept the rascal."
+
+
+
+CHAPTER XXXII. THE RACE ACROSS FIELDS.
+
+
+
+It so happened that Professor Riccabocca had once before visited
+Knoxville, and remembered the location of the railroad station.
+Moreover, at the hotel, before the arrival of Philip, he had consulted
+a schedule of trains posted up in the office, and knew that one would
+leave precisely at ten o'clock.
+
+The impulse to leave town by this train was sudden. He had in his pocket
+the wallet containing the hundred and fifty dollars, of which a large
+part belonged to Philip, and could have settled at once, without the
+trouble of going upstairs to his room.
+
+He only asked leave to go up there in order to gain time for thought.
+At the head of the staircase he saw another narrower flight of stairs
+descending to the back of the house. That gave him the idea of eluding
+his two creditors by flight.
+
+I have said before that Professor Riccabocca was not a wise man, or
+he would have reflected that he was only postponing the inevitable
+reckoning. Moreover, it would destroy the last chance of making an
+arrangement with Philip to continue the combination, which thus far had
+proved so profitable.
+
+The professor did not take this into consideration, but dashed down the
+back stairs, and opened the back door into the yard.
+
+"Do you want anything, sir?" asked a maidservant, eyeing the professor
+suspiciously.
+
+"Nothing at all, my good girl," returned the professor.
+
+"You seem to be in a hurry," she continued, with renewed suspicion.
+
+"So I am. I am in a great hurry to meet an engagement."
+
+"Why didn't you go out the front door?" asked the girl.
+
+"Oh, bother! What business is it of yours?" demanded the professor
+impatiently.
+
+And, not stopping for further inquiries, he vaulted over a fence and
+took his way across the fields to the station.
+
+"Here, Sam," called the girl, her suspicions confirmed that something
+was wrong, "go after that man as fast as you can!"
+
+This was addressed to a boy who was employed at the hotel to go on
+errands and do odd jobs.
+
+"What's he done?" asked Sam.
+
+"I don't know; but he's either run off without paying his bill, or he's
+stolen something."
+
+"What good'll it do me to chase him?" asked Sam.
+
+"If he's cheated master, he'll pay you for catching the man."
+
+"That's so," thought Sam. "Besides, I'll be a detective, just like that
+boy I read about in the paper. I'm off!"
+
+Fired by youthful ambition, Sam also vaulted the fence, and ran along
+the foot-path in pursuit of the professor.
+
+Lorenzo Riccabocca did not know he was pursued. He felt himself so safe
+from this, on account of the secrecy of his departure, that he never
+took the trouble to look behind him. He knew the way well enough, for
+the fields he was crossing were level, and half a mile away, perhaps a
+little more, he could see the roof of the brown-painted depot, which was
+his destination. Once there, he would buy a ticket, get on the train,
+and get started away from Knoxville before the troublesome acquaintances
+who were waiting for him to come down-stairs had any idea where he was
+gone.
+
+The professor ran at a steady, even pace, looking straight before him.
+His eyes were fixed on the haven of his hopes, and he did not notice a
+stone, of considerable size, which lay in his path. The result was that
+he stumbled over it, and fell forward with considerable force. He rose,
+jarred and sore, but there was no time to take account of his physical
+damages. He must wait till he got on the train.
+
+The force with which he was thrown forward was such that the wallet
+was thrown from his pocket, and fell in the grass beside the path. The
+professor went on his way, quite unconscious of his loss, but there were
+other eyes that did not overlook it.
+
+Sam, who was thirty rods behind, noticed Professor Riccabocca's fall,
+and he likewise noticed the wallet when he reached the spot of the
+catastrophe.
+
+"My eyes!" he exclaimed, opening those organs wide in delight; "here's
+luck! The old gentleman has dropped his pocketbook. Most likely it's
+stolen. I'll carry it back and give it to Mr. Perry."
+
+Sam very sensibly decided that it wasn't worth while to continue the
+pursuit, now that the thief, as he supposed Riccabocca to be, had
+dropped his booty.
+
+Sam was led by curiosity to open the wallet. When he saw the thick roll
+of bills, he was filled with amazement and delight.
+
+"Oh, what a rascal he was!" ejaculated the boy. "I guess he's been
+robbing a safe. I wonder how much is here?"
+
+He was tempted to sit down on the grass and count the bills, but he was
+prevented by the thought that the professor might discover his loss, and
+returning upon his track, question him as to whether he had found it.
+Sam determined that he wouldn't give it up, at any rate.
+
+"I guess I could wrastle with him," he thought. "He looks rather
+spindlin', but then he's bigger than I am, and he might lick me, after
+all."
+
+I desire to say emphatically that Sam was strictly honest, and never for
+a moment thought of appropriating any of the money to his own use. He
+felt that as a detective he had been successful, and this made him feel
+proud and happy.
+
+"I may as well go home," he said. "If he's stolen this money from Mr.
+Perry, I'll come in for a reward."
+
+Sam did not hurry, however. He was not now in pursuit of any one, and
+could afford to loiter and recover his breath.
+
+Meanwhile, Professor Riccabocca, in happy unconsciousness of his loss,
+continued his run to the station. He arrived there breathless, and
+hurried to the ticket-office.
+
+"Give me a ticket to Chambersburg," he said.
+
+"All right, sir. Ninety cents."
+
+If Riccabocca had been compelled to take out his wallet, he would
+at once have discovered his loss, and the ticket would not have been
+bought. But he had a two-dollar bill in his vest, and it was out of this
+that he paid for the ticket to Chambersburg. Armed with the ticket,
+he waited anxiously for the train. He had five minutes to wait--five
+anxious moments in which his flight might be discovered. He paced the
+platform, looking out anxiously for the train.
+
+At length he heard the welcome sound of the approaching locomotive. The
+train came to a stop, and among the first to enter it was the eminent
+elocutionist. He took a seat beside the window looking out toward the
+village. What did he see that brought such an anxious look in his face?
+
+A buggy was approaching the depot at breakneck speed. It contained Mr.
+Gates, the landlord, and the young musician. Mr. Gates was lashing the
+horse, and evidently was exceedingly anxious to arrive at the depot
+before the train started.
+
+Beads of perspiration stood on the anxious brow of the professor. His
+heart was filled with panic terror.
+
+"The girl must have told them of my flight," he said to himself. "Oh,
+why didn't I think to give her a quarter to keep her lips closed? Why
+doesn't the train start?"
+
+The buggy was only about ten rods away. It looked as if Philip and his
+companion would be able to intercept the fugitive.
+
+Just then the scream of the locomotive was heard. The train began to
+move. Professor Riccabocca gave a sigh of relief.
+
+"I shall escape them after all," he said triumphantly, to himself.
+
+He opened the window, and, with laughing face, nodded to his pursuers.
+
+"We've lost him!" said Philip, in a tone of disappointment. "What can we
+do?"
+
+"Find out where he is going, and telegraph to have him stopped," said
+Mr. Gates. "That will put a spoke in his wheel."
+
+
+
+CHAPTER XXXIII. THE LOST WALLET.
+
+
+
+Mr. Gates was acquainted with the depot-master, and lost no time in
+seeking him.
+
+"Too late for the train?" asked the latter, who observed in the landlord
+evidences of haste.
+
+"Not for the train, but for one of the passengers by the train,"
+responded the landlord. "Did you take notice of a man dressed in a
+shabby suit of black, wearing a soft hat and having very long black
+hair?"
+
+"Yes."
+
+"Where is he going?" asked Mr. Gates eagerly.
+
+"He bought a ticket for Chambersburg."
+
+"Ha! Well, I want you to telegraph for me to Chambersburg."
+
+The station-master was also the telegraph-operator, as it chanced.
+
+"Certainly. Just write out your message and I will send it at once."
+
+Mr. Gates telegraphed to a deputy sheriff at Chambersburg to be at the
+depot on arrival of the train, and to arrest and detain the professor
+till he could communicate further with him.
+
+"Now," said he, turning to Philip, "I think we shall be able to stop the
+flight of your friend."
+
+"Don't call him my friend," said Philip. "He is anything but a friend."
+
+"You are right there. Well, I will amend and call him your partner. Now,
+Mr. de Gray--"
+
+"My name is Gray--not de Gray. The professor put in the 'de' because he
+thought it would sound foreign."
+
+"I presume you have as much right to the name as he has to the title of
+professor," said Gates.
+
+"I don't doubt it," returned Philip, smiling.
+
+"Well, as I was about to say, we may as well go back to the hotel, and
+await the course of events. I think there is some chance of your getting
+your money back."
+
+When they reached the hotel, they found a surprise in store for them.
+
+Sam had carried the professor's wallet to Mr. Perry, and been told by
+them to wait and hand it in person to Philip and his friend, Mr. Gates,
+who were then at the depot.
+
+When they arrived, Sam was waiting on the stoop, wallet in hand.
+
+"What have you got there, Sam?" asked Mr. Gates, who often came to
+Knoxville, and knew the boy. "It's the wallet of that man you were
+after," said Sam.
+
+"How did you get it?" asked Philip eagerly.
+
+"I chased him 'cross lots," said Sam.
+
+"You didn't knock him over and take the wallet from him, did you, Sam?"
+asked Mr. Gates.
+
+"Not so bad as that," answered Sam, grinning. "You see, he tripped over
+a big rock, and came down on his hands and knees. The wallet jumped
+out of his pocket, but he didn't see it. I picked it up and brought it
+home."
+
+"Didn't he know you were chasing him?"
+
+"I guess not. He never looked back."
+
+"What made you think of running after him?"
+
+"One of the girls told me to. The way he ran out of the back door made
+her think there was something wrong."
+
+"Suppose he had turned round?"
+
+"I guess I could have wrastled with him," said Sam, to the amusement of
+those who heard him.
+
+"It is well you were not obliged to."
+
+"Who shall I give the wallet to?" asked Sam.
+
+"Mr. Gray, here, is the professor's partner, and half the money belongs
+to him. You can give it to him."
+
+"Have I a right to take it?" asked Philip, who did not wish to do
+anything unlawful.
+
+He was assured that, as the business partner of the professor, he had as
+much right as Riccabocca to the custody of the common fund.
+
+"But half of it belongs to the professor."
+
+"He'll come back for it, in the custody of the sheriff. I didn't think I
+was doing the man a good turn when I telegraphed to have him stopped."
+
+The first thing Philip did was to take from his own funds a five-dollar
+bill, which he tendered to Sam.
+
+"Is it all for me?" asked the boy, his eyes sparkling his joy.
+
+"Yes; but for you I should probably have lost a good deal more. Thank
+you, besides."
+
+And Philip offered his hand to Sam, who grasped it fervently.
+
+"I say, you're a tip-top chap," said Sam. "You ain't like a man that
+lost a pocketbook last summer, with a hundred dollars in it, and gave me
+five cents for finding it."
+
+"No; I hope I'm not as mean as that," said Philip, smiling.
+
+He opened the wallet and found a memorandum containing an exact
+statement of the proceeds of the concert. This was of great service to
+him, as it enabled him to calculate his own share of the profits.
+
+The aggregate receipts were one hundred and fifty dollars and fifty
+cents. Deducting bills paid, viz.:
+
+Rent of hall........................ $5.00
+
+Printing, etc........................ 5.00
+
+Bill-poster......................... 1.00
+
+Total...........................$11.00
+
+there was a balance of $138.50, of which Philip was entitled to
+one-half, namely, $69.25. This he took, together with the eleven dollars
+which he had himself paid to the creditors of the combination, and
+handed the wallet, with the remainder of the money, to Mr. Perry,
+landlord of the Knoxville Hotel, with a request that he would keep it
+till called for by Professor Riccabocca.
+
+"You may hand me three dollars and a half, Mr. Perry," said Mr. Gates.
+"That is the amount the professor owes me for a day and three-quarters
+at my hotel. If he makes a fuss, you can tell him he is quite at liberty
+to go to law about it."
+
+Meanwhile, where was the professor, and when did he discover his loss?
+
+After the train was a mile or two on its way he felt in his pocket for
+the wallet, meaning to regale himself with a sight of its contents--now,
+as he considered, all his own.
+
+Thrusting his hand into his pocket, it met--vacancy.
+
+Pale with excitement, he continued his search, extending it to all his
+other pockets. But the treasure had disappeared!
+
+Professor Riccabocca was panic-stricken. He could hardly suppress a
+groan.
+
+A good woman sitting opposite, judging from his pallor that he was ill,
+leaned over and asked, in a tone of sympathy:
+
+"Are you took sick?"
+
+"No, ma'am," answered the professor sharply.
+
+"You look as if you was goin' to have a fit," continued the sympathizing
+woman. "Jest take some chamomile tea the first chance you get. It's the
+sovereignest thing I know of--"
+
+"Will chamomile tea bring back a lost pocket-book?" demanded the
+professor sharply.
+
+"Oh, Lor'! you don't say you lost your money?"
+
+"Yes, I do!" said Riccabocca, glaring at her.
+
+"Oh, dear! do you think there's pickpockets in the car?" asked the old
+lady nervously.
+
+"Very likely," answered the professor tragically.
+
+The good woman kept her hand in her pocket all the rest of the way,
+eyeing all her fellow passengers sharply.
+
+But the professor guessed the truth. He had lost his wallet when he
+stumbled in the field. He was in a fever of impatience to return and
+hunt for it. Instead of going on to Chambersburg, he got out at the
+next station--five miles from Knoxville--and walked back on the
+railroad-track. So it happened that the telegram did no good.
+
+The professor walked back to the hotel across the fields, hunting
+diligently, but saw nothing of the lost wallet. He entered the hotel,
+footsore, weary, and despondent. The first person he saw was Philip,
+sitting tranquilly in the office.
+
+"Did you just come down from your room?" asked our hero coolly.
+
+"I am a most unfortunate man!" sighed Riccabocca, sinking into a seat.
+
+"What's the matter?"
+
+"I've lost all our money."
+
+"I am glad you say 'our money.' I began to think you considered it all
+yours. Didn't I see you on the train?"
+
+"I had a bad headache," stammered the professor, "and I didn't know what
+I was doing."
+
+"Does riding in the cars benefit your head?"
+
+Professor Riccabocca looked confused.
+
+"The wallet was found," said Philip, not wishing to keep him any longer
+in suspense.
+
+"Where is it?" asked the professor eagerly.
+
+"Mr. Perry will give it to you. I have taken out my share of the money,
+and Mr. Gates has received the amount of his bill. It would have been
+better for you to attend to these matters yourself like an honest man."
+
+Professor Riccabocca was so overjoyed to have back his own money that
+he made no fuss about Philip's proceedings. Indeed, his own intended
+dishonesty was so apparent that it would have required even more
+assurance than he possessed to make a protest.
+
+
+
+CHAPTER XXXIV. A NEW BUSINESS PROPOSAL.
+
+
+
+Professor Riccabocca put the wallet in his pocket with a sigh of
+satisfaction. There were still sixty dollars or more in it, and it was
+long since he had been so rich.
+
+He began to think now that it might be well to revive the combination.
+There was some doubt, however, as to how Philip would receive the
+proposal.
+
+He looked at his young partner and was not much encouraged. He felt that
+he must conciliate him.
+
+"Mr. de Gray," he began.
+
+"Call me Gray. My name is not de Gray."
+
+"Well, Mr. Gray, then. I hope you don't have any hard feelings."
+
+"About what?" inquired Philip, surveying the professor curiously.
+
+"About--the past," stammered the professor.
+
+"You mean about your running off with my money?" returned Philip
+plainly.
+
+Professor Riccabocca winced. He did not quite like this form of
+statement. "I am afraid you misjudge me," he said, rather confused.
+
+"I shall be glad to listen to any explanation you have to offer," said
+our hero.
+
+"I will explain it all to you, in time," said the professor, recovering
+his old assurance. "In the meantime, I have a proposition to make to
+you."
+
+"What is it?"
+
+"Suppose we give an entertainment in Knoxville--on the same terms as the
+last."
+
+"I shouldn't think you would like to appear before an audience here,
+Professor Riccabocca."
+
+"Why not?"
+
+"Before night everybody will have heard of your running away with the
+proceeds of the last concert."
+
+"Public men are always misjudged. They must expect it," said the
+professor, with the air of a martyr.
+
+"I should think you would be more afraid of being justly judged."
+
+"Mr. Gray," said the professor, "I have done wrong, I admit; but it was
+under the influence of neuralgia. When I have a neuralgic headache, I am
+not myself. I do things which, in a normal condition, I should not dream
+of. I am the victim of a terrible physical malady."
+
+Philip did not believe a word of this, but he felt amused at the
+professor's singular excuse.
+
+"Come, Mr. Gray, what do you say?"
+
+"I think I must decline," returned Philip.
+
+But here Professor Riccabocca received unexpected help.
+
+Mr. Perry, the landlord, who had listened to the colloquy, approached
+the two speakers and said:
+
+"Gentlemen, I have a proposal to make to you both."
+
+Both Philip and the professor looked up, with interest.
+
+"Some of the young men in the village," said the landlord, "have formed
+a literary club, meeting weekly. They have hired and furnished a room
+over one of our stores, provided it with, games and subscribed for a few
+periodicals. They find, however, that the outlay has been greater
+than they anticipated and are in debt. I have been talking with
+the secretary, and he thinks he would like to engage you to give an
+entertainment, the proceeds, beyond a fixed sum, to go to the benefit of
+the club. What do you say?"
+
+"When is it proposed to have the entertainment?" asked Philip.
+
+"I suppose we should have to name to-morrow evening, in order to
+advertise it sufficiently."
+
+"I am willing to make any engagement that will suit the club," said
+Philip.
+
+"And I, too," said Professor Riccabocca.
+
+"The secretary authorizes me to offer you ten dollars each, and to pay
+your hotel expenses in the meantime," said Mr. Perry.
+
+"That is satisfactory," said our hero.
+
+"I agree," said the professor.
+
+"Then I will at once notify the secretary, and he will take steps to
+advertise the entertainment."
+
+Ten dollars was a small sum compared with what Philip had obtained for
+his evening in Wilkesville, but a week since he would have regarded it
+as very large for one week's work. He felt that it was for his interest
+to accept the proposal.
+
+He secretly resolved that if the entertainment should not prove as
+successful as was anticipated, he would give up a part of the sum which
+was promised him for his services.
+
+Professor Riccabocca assented the more readily to the proposal, because
+he thought it might enable him again to form a business alliance with
+our hero, from whom his conduct had estranged him.
+
+"Suppose we take a room together, Mr. de Gray," he said, with an
+ingratiating smile.
+
+"Gray, if you please, professor. I don't like sailing under false
+colors."
+
+"Excuse me; the force of habit, you know. Well, do you agree?"
+
+"The professor has more assurance than any man I ever heard of," thought
+Philip. "You must excuse me, professor," he said. "After what has
+happened, I should feel safer in a room by myself."
+
+"Why will you dwell upon the past, Mr. Gray?" said the professor
+reproachfully.
+
+"Because I am prudent, and learn from experience," answered Philip.
+
+"I assure you, you will have nothing to complain of," said Riccabocca
+earnestly. "If we are together, we can consult about the program."
+
+"We shall have plenty of time to do that during the day, professor."
+
+"Then you don't care to room with me?" said Riccabocca, looking
+disappointed.
+
+"No, I don't."
+
+"What are you afraid of?"
+
+"I am afraid you might have an attack of neuralgic headache during the
+night," said Philip, laughing.
+
+Professor Riccabocca saw that it would be of no use for him to press the
+request, and allowed himself to be conducted to the same room which he
+had so unceremoniously left a short time before.
+
+During the afternoon, Philip had a call from John Turner, the secretary
+of the Young Men's Club. He was a pleasant, straightforward young man,
+of perhaps twenty.
+
+"We are very much obliged to you, Mr. Gray," he said, "for kindly
+consenting to play for our benefit."
+
+"It is for my interest," said Philip frankly. "I may as well remain here
+and earn ten dollars as to be idle."
+
+"But you made a great deal more, I understand, in Wilkesville?"
+
+"Yes; but I might not be as fortunate here. I had not intended to appear
+here at all, and should not have done so unless you had invited me. How
+many have you in your club?"
+
+"Only about twenty-five, so far, and some of us are not able to pay
+much."
+
+"How long has your club been formed?" asked Philip.
+
+"Only about three months. We wanted a place where we could meet together
+socially in the evening, and have a good time. Before, we had only the
+stores and barrooms to go to, and there we were tempted to drink. Our
+club was started in the interests of temperance, and we can see already
+that it is exerting a good influence."
+
+"Then I am very glad to assist you," said Philip cordially.
+
+"You must come round and see our room. Are you at leisure now?"
+
+"Yes, Mr. Turner."
+
+Philip accompanied his new friend to the neatly furnished room leased by
+the society. He was so well pleased with its appearance that he thought
+he should himself like to belong to such an association, whenever he
+found a permanent home. At present he was only a wanderer.
+
+"Our debt is thirty-four dollars," said the secretary. "You may not
+think it large, but it's large for us."
+
+"I hope our entertainment will enable you to clear it off."
+
+"If it should it will give us new courage."
+
+On the evening of the next day Philip and the professor entered the hall
+engaged for the entertainment, and took seats on the platform.
+
+The hall was well filled, the scale of prices being the same as at
+Wilkesville.
+
+"Mr. Gray," whispered the secretary joyfully, "it is a great success!
+After paying all bills the club will clear fifty dollars."
+
+"I am delighted to hear it," said Philip.
+
+The professor commenced the entertainment, and was followed by Philip.
+
+As Philip began to play his attention was drawn to three persons who
+were entering the hall.
+
+These were a lady, a little girl, and a stout gentleman, in whom Philip,
+almost petrified with amazement, recognized his old acquaintance, Squire
+Pope, of Norton, who had shown himself so anxious to provide him a home
+in the poor-house.
+
+
+
+CHAPTER XXXV. SQUIRE POPE IS AMAZED.
+
+
+
+Though Philip did not know it, it chanced that Squire Pope's only
+sister, Mrs. Cunningham, lived in Knoxville. She was a widow, fairly
+well off, with a young daughter, Carrie--a girl of twelve. Squire Pope
+had long thought of visiting his sister, and happening about this time
+to have a little business in a town near-by, he decided to carry out
+his long-deferred plan. He arrived by the afternoon train, in time for
+supper.
+
+"I am glad you are here to-night, brother," said Mrs. Cunningham.
+
+"Why particularly to-night, Sister Ellen?" asked the squire.
+
+"Because there is to be an entertainment for the benefit of the Young
+Men's Literary Club. It is expected to be very interesting."
+
+"What sort of an entertainment, Ellen?" asked the squire.
+
+"The celebrated elocutionist, Professor Riccabocca, is to give some
+readings--"
+
+"Riccabocca!" repeated the squire, in a musing tone. "I can't say I ever
+heard of him."
+
+"Nor I; but I hear he's very celebrated."
+
+"Is there anything else?"
+
+"Yes, there's a young musician going to play. He is said to be
+wonderful. He plays on the violin."
+
+"He's a very handsome boy," said Carrie enthusiastically. "He's staying
+at the hotel. I saw him this afternoon when I was passing."
+
+"So he's good-looking, is he, Carrie?" asked the squire, laughing.
+
+"He's ever so good-looking," answered Carrie emphatically.
+
+"Then we must certainly go, for Carrie's sake," said the squire.
+
+Squire Pope had not the slightest idea that the young musician, about
+whom his niece spoke so enthusiastically, was the boy whom he had so
+recently persecuted.
+
+If Carrie had mentioned his name, the secret would have been out, but
+she had not yet heard it.
+
+In honor of her brother's arrival, Mrs. Cunningham prepared a more
+elaborate supper than usual, and to this it was owing that the three
+entered the hall late, just as Philip was about to commence playing.
+
+The squire and his companions were obliged to take seats some distance
+away from the platform, and as his eyesight was poor, he didn't
+immediately recognize as an old acquaintance the boy who was standing
+before the audience with his violin in his hand.
+
+"That's he! That's the young violin-player!" whispered Carrie, in a tone
+of delight. "Isn't he handsome, uncle!"
+
+"Wait till I get my glasses on," said the squire, fumbling in his pocket
+for his spectacle-case.
+
+Adjusting his glasses, Squire Pope directed a glance at the stage. He
+instantly recognized Philip, and his surprise was boundless. He gave a
+sudden start.
+
+"By gracious, I couldn't have believed it!" he ejaculated.
+
+"Couldn't have believed what, brother?" asked Mrs. Cunningham.
+
+"I know that boy!" he said, in a tone of excitement.
+
+"You know him, uncle?" said Carrie, delighted. "Then you must introduce
+me to him. I want to meet him ever so much. Where did you ever see him?"
+
+"Where did I see him? I'm his guardian. He ran away from me a little
+more than a week since, and I never knew where he went."
+
+"You the guardian of the wonderful boy-player?" said Carrie, astonished.
+"Isn't it strange?"
+
+"His father died a short time since and left him in my care," said the
+squire, not scrupling to make a misstatement. "But I'll tell you more
+about it when the performance is over."
+
+When Philip first saw Squire Pope entering the hall it disconcerted him,
+but he reflected that the squire really had no authority over him, and
+consequently he had nothing to fear from him.
+
+Should his pretended guardian make any effort to recover him, he was
+resolved to make a desperate resistance, and even, if necessary, to
+invoke the help of the law.
+
+Meanwhile, his pride stimulated him to play his best, and the hearty
+applause of the audience when he had finished his piece encouraged him.
+
+As he was bowing his thanks he could not help directing a triumphant
+glance at Squire Pope, who was carefully scrutinizing him through his
+gold-bowed spectacles.
+
+He was glad that the squire had a chance to see for himself that he was
+well able to make his own way, with the help of the violin of which the
+Norton official had attempted to deprive him.
+
+In truth, Squire Pope, who knew little of Philip's playing, except that
+he did play, was amazed to find him so proficient. Instead, however, of
+concluding that a boy so gifted was abundantly able to "paddle his own
+canoe," as the saying is, he was the more resolved to carry him back to
+Norton, and to take into his own care any the boy might have earned. In
+the middle of the entertainment was a recess of ten minutes, which most
+of the audience spent in conversation.
+
+Miss Carrie began again to speak of Philip.
+
+"Oh,--uncle," she said, "I'm so glad you know that lovely boy-player! He
+is earning lots of money."
+
+"Is he!" asked the squire, pricking up his ears. "Who told you so?"
+
+"One of the young men that belongs to the club told me they were to pay
+him ten dollars for playing to-night."
+
+"Ten dollars!" ejaculated the squire, in amazement. "I don't believe it!
+It's ridiculous!"
+
+"Oh, yes, it is true!" said Mrs. Cunningham. "John Turner told Carrie;
+and he is secretary, and ought to know."
+
+"That isn't all," continued Carrie. "Mr. Turner says it is very kind of
+Mr. Gray--"
+
+"Mr. Gray!" repeated the squire, amused.
+
+"Well, Philip, then. I suppose you call him Philip, as you are his
+guardian."
+
+"Well, what were you going to say?"
+
+"Mr. Turner says that it is very kind of Philip to play for so little,
+for he made a good deal more money by his entertainment in Wilkesville."
+
+"Did he give a concert in Wilkesville?" asked the squire quickly.
+
+"Yes, he and the professor. He was liked very much there."
+
+"And you heard that he made a good deal of money there?"
+
+"Yes; lots of it."
+
+"Then," thought the squire, "he must have considerable money with him.
+As his guardian I ought to have the care of it. He's a boy, and isn't
+fit to have the charge of money. It's very lucky I came here just as I
+did. It's my duty, as his guardian, to look after him."
+
+The squire determined to seek an interview with our hero as soon as the
+entertainment was over.
+
+
+
+CHAPTER XXXVI. THE PRETENDED GUARDIAN.
+
+
+
+Philip played with excellent effect, and his efforts were received with
+as much favor at Knoxville as at Wilkesville. He was twice encored, and
+at the end of each of his selections he was greeted with applause.
+
+As for Professor Riccabocca, people hardly knew what to make of him.
+He was as eccentric and extravagant as ever, and his recitations were
+received with good-natured amusement. He didn't lack for applause,
+however. There were some boys on the front seats who applauded him,
+just for the fun of it. Though the applause was ironical, the professor
+persuaded himself that it was genuine, and posed before the audience at
+each outburst, with his hand on his heart, and his head bent so far over
+that he seemed likely to lose his balance.
+
+"We are making a grand success, Mr. Gray," he said, during the interval
+of ten minutes already referred to. "Did you notice how they applauded
+me?"
+
+"Yes," answered Philip, with a smile.
+
+"They evidently appreciate true genius. It reminds me of the ovation
+they gave me at Cincinnati last winter."
+
+"Does it?" asked Philip, still smiling.
+
+"Yes. I was a great favorite in that intellectual city. By the way, I
+noticed that they seemed well pleased with your playing also."
+
+This he said carelessly, as if Philip's applause was not to be compared
+to his.
+
+"Yes, they treat me very kindly," answered Philip.
+
+"You are fortunate in having me to introduce you to the public," said
+the professor emphatically. "The name of Riccabocca is so well known,
+that it is of great advantage to you."
+
+The professor deluded himself with the idea that he was a great
+elocutionist, and that the public rated him as highly as he did himself.
+When anything occurred that did not seem to favor this view, he closed
+his eyes to it, preferring to believe that he was a popular favorite.
+
+"I hope I shall never be so deceived about myself," thought Philip.
+
+When the entertainment was over, Mr. Caswell, president of the club,
+came up to Philip and said cordially:
+
+"Mr. Gray, we are very much indebted to you. Thanks to you, we are out
+of debt, and shall have a balance of from twelve to fifteen dollars in
+the treasury."
+
+"I am very glad of it," said Philip.
+
+"So am I," said the professor, pushing forward, jealous lest Philip
+should get more than his share of credit.
+
+"And we are indebted to you also, Professor Riccabocca," said the
+president, taking the hint.
+
+"You are entirely welcome, sir," said Riccabocca loftily. "My help has
+often been asked in behalf of charitable organizations. I remember once,
+in Philadelphia, I alone raised five hundred dollars for a--a--I think
+it was a hospital."
+
+This was an invention, but Professor Riccabocca had no scruple in
+getting up little fictions which he thought likely to redound to his
+credit and increase his reputation.
+
+"Doubtless you are often called upon also, Mr. Gray," suggested Mr.
+Caswell with a smile.
+
+"No," answered Philip. "This is the first time that I have ever had the
+opportunity."
+
+"There's no humbug about the boy," thought Mr. Caswell. "As for the
+professor, he is full of it."
+
+"I have pleasure in handing you the price agreed upon," said the
+president, presenting each with a ten-dollar bill.
+
+"Thank you," said Philip.
+
+Professor Riccabocca carelessly tucked the bill into his vest pocket, as
+if it were a mere trifle.
+
+At this moment, Mr. Turner came up with all the other gentleman. "Mr.
+Gray," he said, "here is a gentleman who wishes to speak to you."
+
+Philip looked up, and saw the well-known figure of Squire Pope.
+
+
+
+CHAPTER XXXVII. HIS OWN MASTER.
+
+
+
+"Ahem, Philip," said the squire. "I should like a little conversation
+with you."
+
+"Good evening, Squire Pope," said our hero, not pretending to be
+cordial, but with suitable politeness.
+
+"I didn't expect to see you here," pursued the squire.
+
+"Nor I you, sir."
+
+"I am visiting my sister, Mrs. Cunningham, who lives in Knoxville. Will
+you come around with me, and make a call?"
+
+Now, considering the treatment which Philip had received from the squire
+before he left Norton, the reader can hardly feel surprised that our
+hero didn't care to trust himself with his unscrupulous fellow townsman.
+
+"Thank you, Squire Pope," said Philip, "but it is rather late for me to
+call at a private house. I am staying at the hotel, and if you will
+take the trouble to go around there with me, we will have a chance to
+converse."
+
+"Very well," said the squire, hesitating. Just then up came his niece,
+Carrie, who was determined to get acquainted with Philip.
+
+"Uncle," she said, "introduce me to Mr. Gray."
+
+"This is my niece, Caroline Cunningham," said the squire stiffly.
+
+"I am glad to meet Miss Cunningham," said Philip, extending his hand,
+with a smile.
+
+"What a lovely player you are, Mr. Gray!" she said impulsively.
+
+"I am afraid you are flattering me, Miss Cunningham."
+
+"Don't call me Miss Cunningham. My name is Carrie."
+
+"Miss Carrie, then."
+
+"I was ever so much surprised to hear that uncle was your guardian."
+
+Philip looked quickly at the squire, but did not contradict it. He only
+said:
+
+"We used to live in the same town."
+
+During this conversation Squire Pope looked embarrassed and impatient.
+
+"It's getting late, Carrie," he said. "You had better go home."
+
+"Aren't you coming, too, uncle?"
+
+"I am going to the hotel to settle some business with Philip."
+
+"What business, I wonder?" thought our hero.
+
+Arrived at the hotel, they went up-stairs to Philip's chamber. "You left
+Norton very abruptly, Philip," commenced the squire.
+
+"There was good reason for it," answered Philip significantly.
+
+"It appears to me you are acting as if you were your own master,"
+observed the squire.
+
+"I am my own master," replied Philip firmly.
+
+"You seem to forget that I am your guardian."
+
+"I don't forget it, for I never knew it," said our hero.
+
+"It is generally understood that such is the case."
+
+"I can't help it. I don't need a guardian, and shall get along without
+one."
+
+"Ahem! Perhaps that isn't to be decided by you."
+
+"If I am to have a guardian, Squire Pope," said Philip bluntly, "I
+sha'n't select you. I shall select Mr. Dunbar."
+
+"I have much more knowledge of business than Mr. Dunbar," said the
+squire, shifting his ground.
+
+"That may be, but there is one important objection."
+
+"What is that?"
+
+"You are not my friend, and Mr. Dunbar is."
+
+"Really this is very extraordinary!" ejaculated the squire. "I am not
+your friend? How do you know that?"
+
+"You tried to make a pauper out of me, when, as you must perceive, I am
+entirely able to earn my own living."
+
+"Is it true that you were paid ten dollars for playing this evening?"
+asked the squire curiously.
+
+"Yes, sir."
+
+"It beats all!" said the squire, in amazement.
+
+"Yet you wanted to sell my violin for a good deal less than I have
+earned in one evening," said Philip, enjoying his enemy's surprise.
+
+"You gave an entertainment at Wilkesville also, I hear?"
+
+"Yes, sir."
+
+"Did you make as much there?"
+
+"I made between sixty and seventy dollars over and above expenses."
+
+"You don't expect me to believe that!" said the squire.
+
+"I don't care whether you believe it or not; it's true."
+
+"Have you got the money with you?"
+
+"Yes."
+
+"Then you'd better give it to me to keep for you."
+
+"Thank you; I feel capable of taking care of it myself."
+
+"But it's improper for a boy of your age to carry round so much money,"
+said the squire sharply.
+
+"If I need help to take care of it, I will ask Mr. Dunbar."
+
+"Come, Philip," said the squire, condescending to assume a persuasive
+manner, "you must remember that I am your guardian."
+
+"I dispute that," said Philip.
+
+"I won't insist upon your going back with me to Norton, as long as you
+are able to support yourself."
+
+"Then you wouldn't advise me to go back to the poorhouse," said Philip,
+with some sarcasm in his voice.
+
+"I didn't mean to have you stay there long," said the squire, rather
+confused. "You'd better give me most of your money, and I'll take care
+of it for you, and when you're twenty-one you'll have quite a little
+sum."
+
+"I am much obliged to you, sir, but I won't put you to the trouble of
+taking care of my money," answered Philip coldly.
+
+Squire Pope continued to argue with Philip, but made no impression. At
+length he was obliged to say good night.
+
+"I will call round in the morning," he said, at parting. "Perhaps you'll
+listen to reason then."
+
+When he called round in the morning he learned to his disappointment
+that Philip was gone.
+
+
+
+CHAPTER XXXVIII. AN OFFER DECLINED.
+
+
+
+After his interview with Squire Pope, Philip came down to the office,
+where he saw Professor Riccabocca, apparently waiting for him.
+
+"Well, Mr. Gray, where shall we go next?" asked the professor, with
+suavity.
+
+"I haven't decided where to go--have you?" asked Philip coolly.
+
+"I suppose we had better go to Raymond. That is a good-sized place. I
+think we can get together a good audience there."
+
+"You seem to be under the impression that we are in partnership," said
+Philip.
+
+"Of course," answered Riccabocca.
+
+"I have made no agreement of that sort, professor."
+
+"But, of course, it is understood," said Riccabocca quickly, "as long as
+we draw so well."
+
+"You must excuse me, Professor Riccabocca. I must decline the proposal."
+
+"But why?" inquired the professor anxiously.
+
+"I hope you won't press me for an explanation."
+
+"But I do. I can't understand why you should act so against your own
+interest. You can't expect people will come just to hear you play. You
+need me to help you."
+
+"It may be as you say, professor, but if you insist upon my speaking
+plainly, I don't care to travel with a man who has treated me as you
+have."
+
+"I don't understand you," said Riccabocca nervously; but it was evident,
+from his expression, that he did.
+
+"Then you seem very forgetful," said Philip. "You tried to deprive me of
+my share of the proceeds of the entertainment at Wilkesville, and would
+have succeeded but for a lucky accident."
+
+"I told you that it was all owing to neuralgia," said Professor
+Riccabocca. "I had such an attack of neuralgic headache that it nearly
+drove me wild."
+
+"Then," said Philip, "I would rather find a partner who is not troubled
+with neuralgic headache. I think it would be safer."
+
+"It won't happen again, Mr. Gray, I assure you," said the professor
+apologetically.
+
+He endeavored to persuade Philip to renew the combination, but our
+hero steadily refused. He admitted that it might be to his pecuniary
+advantage, but he had lost all confidence in the eminent professor, and
+he thought it better to part now than to give him another opportunity of
+playing a similar trick upon him.
+
+The professor thereupon consulted the landlord as to whether it would be
+advisable for him to give another entertainment unaided, and was assured
+very emphatically that it would not pay expenses.
+
+"You make a great mistake, Mr. Gray," said Riccabocca. "It would be
+a great advantage for you to have my assistance at this stage of your
+professional career."
+
+"I don't expect to have any professional career," answered Philip.
+
+"Don't you intend to become a professional musician?" asked the
+professor, surprised.
+
+"Probably not. I have only been playing because I needed money, and my
+violin helped me to a living."
+
+"You can't make as much money in any other way."
+
+"Not at present; but I want to get a chance to enter upon some kind of
+business. I am going to New York."
+
+"You will some time have a chance to hear me there, in the Academy of
+Music," said Riccabocca pompously.
+
+"I will go and hear you," said Philip, laughing, "if I can afford a
+ticket."
+
+"Say the word and we will appear there together, Mr. Gray."
+
+"I think not, professor."
+
+In fact, though Philip had found himself unexpectedly successful as a
+musician, he knew very well that he was only a clever amateur, and that
+years of study would be needed to make him distinguished.
+
+He was glad that he had the means of paying his expenses for a
+considerable time, and had in his violin a trusty friend upon which
+he could rely in case he got into financial trouble. Directly after
+breakfast he set out on his journey.
+
+
+
+CHAPTER XXXIX. AN AMBITIOUS WAYFARER.
+
+
+
+The large sums which Philip had received for his playing might have
+dazzled a less sensible boy. He was quite conscious that he played
+unusually well for a boy, but when it came to selecting music as
+a profession, he felt it would not be wise to come to too hasty a
+decision. To be a commonplace performer did not seem to him very
+desirable, and would not have satisfied his ambition.
+
+He had told Professor Riccabocca that he intended to go to New York.
+This design had not been hastily formed. He had heard a great deal of
+the great city in his home in the western part of the State of which
+it was the metropolis, and he was desirous of seeing it. Perhaps there
+might be some opening for him in its multitude of business houses.
+
+Philip had plenty of money, and could easily have bought a railroad
+ticket, which would have landed him in New York inside of twenty-four
+hours, for he was only about four hundred miles distant; but he was in
+no hurry, and rather enjoyed traveling leisurely through the country
+towns, with his violin in his hand.
+
+It reminded him of a biography he had read of the famous Doctor
+Goldsmith, author of the "Vicar of Wakefield," who made a tour on the
+continent of Europe, paying his way with music evoked from a similar
+instrument.
+
+Three days later, he found himself on the outskirts of a village, which
+I will call Cranston. It was afternoon, and he had walked far enough to
+be tired.
+
+He was looking about for a pleasant place to lounge, when his attention
+was drawn to a boy of about his own age, who was sitting on the stone
+wall under a large tree.
+
+He was rather a slender boy, and had originally been well dressed, but
+his suit was travel-stained, and covered with dust.
+
+Now, boys have a natural attraction for each other, and Philip
+determined to introduce himself to the stranger. This he did in
+boy-fashion, by saying:
+
+"Hello!"
+
+"Hello!" said the stranger, looking up.
+
+But he spoke slowly and wearily, and to Philip he seemed out of spirits.
+
+"Do you live in Cranston?" asked Philip, taking a seat beside the other
+boy, upon the top of the stone wall.
+
+"No; do you?"
+
+"No."
+
+"Where do you live?"
+
+"I don't live anywhere just at present," answered Philip, with a smile.
+"I am traveling."
+
+"So am I," said the other boy.
+
+"I am traveling to New York," Philip continued.
+
+"And I am traveling from there," said his new acquaintance.
+
+Then both boys surveyed each other curiously.
+
+"What's your name?" asked the stranger.
+
+"Philip Gray. What's your's?"
+
+"Mine is Henry Taylor. What have you got there?"
+
+"A violin."
+
+"Do you play on it?"
+
+"Yes; a little."
+
+"I should think you'd be tired lugging it round."
+
+Philip smiled.
+
+"It is about all the property I have," he said; "so it won't do for me
+to get tired of it."
+
+"You're richer than I am, then," said Henry.
+
+"Are you poor, then?" asked Philip, in a tone of sympathy.
+
+"I haven't got a cent in my pocket, and I haven't had anything to eat
+since breakfast."
+
+"Then I'm glad I met you," said Philip warmly. "I will see that you have
+a good supper. How long is it since you left New York?"
+
+"About a week."
+
+"What made you leave it?"
+
+Henry Taylor hesitated, and finally answered, in a confused tone:
+
+"I've run away from home. I wanted to go out West to kill Indians."
+
+Philip stared at his new acquaintance in astonishment.
+
+
+
+CHAPTER XL. THE INDIAN HUNTER.
+
+
+
+Philip had lived so long in a country village that he had never chanced
+to read any of those absorbing romances in which one boy, of tender
+years, proves himself a match for a dozen Indians, more or less, and,
+therefore, he was very much amazed at Henry Taylor's avowal that he was
+going out West to kill Indians.
+
+"What do you want to kill Indians for?" he asked, after an astonished
+pause.
+
+Now it was Henry's turn to be astonished.
+
+"Every boy wants to kill Indians," he answered, looking pityingly at our
+hero.
+
+"What for? What good will it do?" asked Philip.
+
+"It shows he's brave," answered his new friend. "Didn't you ever read
+the story of 'Bully Bill'; or, The Hero of the Plains'?"
+
+"I never heard of it," said Philip.
+
+"You must have lived in the woods, then," said Henry Taylor, rather
+contemptuously. "It's a tip-top story. Bully Bill was only fourteen, and
+killed ever so many Indians--twenty or thirty, I guess--as well as a lot
+of lions and bears. Oh, he must have had lots of fun!"
+
+"Why didn't the Indians kill him?" asked Philip, desirous of being
+enlightened. "They didn't stand still and let him kill them, did they?"
+
+"No; of course not. They fought awful hard."
+
+"How did one young boy manage to overcome so many Indians?"
+
+"Oh, you'll have to read the story to find out! Bully Bill was a great
+hero, and everybody admired him."
+
+"So you wanted to imitate his example?" asked Philip.
+
+"To be sure I did."
+
+"How did you happen to get out of money?"
+
+"Well," said Henry, "you see me and another boy got awful excited after
+reading the story, and both concluded nothing could make us so happy as
+to go out West together, and do as Bill did. Of course, it was no use to
+ask the old man--"
+
+"The old man?" queried Philip.
+
+"The gov'nor--father, of course! So we got hold of some money--"
+
+"You got hold of some money?" queried Philip.
+
+"That's what I said, didn't I?" rejoined Henry irritably.
+
+"Yes."
+
+"Then what's the use of repeating it?"
+
+Philip intended to ask where or how Henry got hold of the money, but
+he saw pretty clearly that this would not be agreeable to his new
+acquaintance. Though without much experience in the world, he suspected
+that the money was not obtained honestly, and did not press the
+question.
+
+"Well, me and Tom started about a week ago. First of all, we bought some
+revolvers, as, of course, we should need them to shoot Indians. They
+cost more than we expected, and then we found it cost more to travel
+than we thought."
+
+"How much money did you have?"
+
+"After paying for our revolvers, Tom and me had about thirty dollars,"
+said Henry.
+
+"Only thirty dollars to go west with!" exclaimed Philip, in amazement.
+
+"Why, you see, the revolvers cost more than we expected. Then we stopped
+at a hotel in Albany, where they charged us frightfully. That is where
+Tom left me."
+
+"Tom left you at Albany?"
+
+"Yes, he got homesick!" said Henry contemptuously. "He thought we hadn't
+money enough, and he said he didn't know as he cared so much about
+killing Indians."
+
+"I agree with Tom," said Philip. "I don't think I should care very much
+about killing Indians myself, and I should decidedly object to being
+killed by an Indian. I shouldn't like to be scalped. Would you?"
+
+"Oh, I'd take care of that," said Henry. "I wouldn't let them have the
+chance."
+
+"It seems to me the best way would be to stay at home," said Philip,
+smiling.
+
+"If I stayed at home I'd have to go to school and study. I don't care
+much about studying."
+
+"I like it," said Philip. "So Tom left you, did he?"
+
+"Yes; but I wasn't going to give up so easy. He took half the money that
+was left, though I thought he ought to have given it to me, as I needed
+it more. I wasn't going home just as I'd started."
+
+"Then you've spent all your money now?"
+
+"Yes," answered Henry gloomily. "Have you got much money?" he asked,
+after a pause.
+
+"Yes, I have about a hundred dollars-say, ninety-five."
+
+"You don't mean it!" ejaculated Henry, hie eyes sparkling.
+
+"Yes, I do."
+
+"How did you get it?"
+
+"I earned most of it by playing on the violin."
+
+"I say," exclaimed Henry, in excitement, "suppose you and me go into
+partnership together, and go out West--"
+
+"To kill Indians?" asked Philip, smiling.
+
+"Yes! With all that money we'll get along. Besides, if we get short, you
+can earn some more."
+
+"But what advantage am I to get out of it? I am to furnish all the
+capital and pay all expenses, as far as I can understand. Generally,
+both partners put in something."
+
+"I put in my revolver," said Henry.
+
+"One revolver won't do for us both."
+
+"Oh, well, you can buy one. Come, what do you say?" asked Henry eagerly.
+
+"Let me ask you a few questions first. Where does your father live?"
+
+"In New York."
+
+"What is his business?"
+
+"He is a broker in Wall Street."
+
+"I suppose he is rich?"
+
+"Oh, he's got plenty of money, I expect! We live in a nice house on
+Madison Avenue. That's one of the best streets, I suppose you know!"
+
+"I never was in New York. Is your mother living?"
+
+"No," answered Henry. "She died three years ago."
+
+If his mother had been living, probably the boy would never have made
+such an escapade, but his father, being engrossed by business cares, was
+able to give very little attention to his son, and this accounts in part
+for the folly of which he had been guilty.
+
+"Have you got any brothers or sisters?" he asked.
+
+"I have one sister, about three years younger than I. Her name is
+Jennie."
+
+"I wish I were as well off as you," said Philip.
+
+"How do you mean?"
+
+"I mean I wish I had a father and sister."
+
+"Haven't you?"
+
+"My father is dead," said Philip gravely, "and I never had a sister."
+
+"Oh, well, I don't know as I'm so lucky," said Henry. "Sisters are a
+bother. They want you to go round with them, and the old man is always
+finding fault."
+
+Philip's relations with his father had always been so affectionate that
+he could not understand how Henry could talk in such a way of his.
+
+"I don't know what makes you ask me such a lot of questions," said
+Henry, showing impatience. "Come, what do you say to my offer?"
+
+"About forming a partnership?"
+
+"Yes."
+
+"I'd rather not--in that way."
+
+"In what way?"
+
+"I mean for the purpose of going out West to kill Indians."
+
+"You've no idea what fun it would be," said Henry, disappointed.
+
+"No, I suppose not," said Philip, smiling.
+
+"Then I suppose I shall have to give it up," said Henry.
+
+"Now I have a proposal to make to you," said Philip.
+
+"What is it?"
+
+"If you agree to go home, I'll pay your expenses and go along with you.
+I've never been to New York, and I'd like to have some one with me that
+could show me round the city."
+
+"I can do that," said Henry. "I know the way all about."
+
+"Then will you agree?"
+
+"Yes."
+
+"Then come along, and we'll stop at the first convenient place and get
+some supper."
+
+
+
+CHAPTER XLI. AN ADVENTURE IN THE WOODS.
+
+
+
+"I shall do a good thing if I induce Henry to go home," thought Philip.
+"That is rather a queer idea of his about wanting to kill Indians. It
+seems to me as much murder to kill an Indian as any one else."
+
+He only thought this, but did not express it, as he did not care to
+get into a discussion with his new acquaintance, lest the latter should
+recall his consent to go home.
+
+"I say, Philip," said Henry, who had now learned our hero's name, "we
+ain't in any hurry to go to New York, are we?"
+
+"I thought we might take a train to-morrow morning, and go straight
+through."
+
+"But I'd rather take it easy, and travel through the country, and have
+adventures."
+
+"But you forget that your father will be anxious about you."
+
+"Yes, I suppose he will."
+
+"I'll tell you what I'll do. If you'll write a letter to your father,
+and let him know that you are safe with me, I'll do as you say."
+
+"All right," said Henry, in a tone of satisfaction; "I'll do it."
+
+"Father'll pay you all you have to spend for me," Henry added, after a
+moment's pause.
+
+"Very well; then I will be your banker."
+
+Philip was not foolish enough to protest that he did not care to
+be repaid. All he had in the world was a little less than a hundred
+dollars, and when that was gone he was not absolutely sure of making any
+more at once, though he felt tolerably confident that he could.
+
+"Suppose you let me have ten dollars now," suggested Henry.
+
+"I think I would rather keep the money and pay the bills," said Philip
+quietly.
+
+He was not sure but that Henry, if he had a supply of money in his
+pockets, would reconsider his promise to go home and take French leave.
+
+Of course, it would be extremely foolish, but his present expedition did
+not indicate the possession of much wisdom.
+
+"I don't see what difference it makes," said Henry, looking
+dissatisfied.
+
+"I won't argue the point," answered Philip good-naturedly.
+
+"I wish I was in New York, near a good restaurant," said Henry, after a
+pause.
+
+"Oh. I forgot! You are hungry."
+
+"Awfully. I don't believe there's a hotel within two or three miles. I
+don't think I can hold out to walk much farther."
+
+A few rods farther on was a farmhouse standing back from the road,
+old-fashioned-looking, but of comfortable aspect.
+
+A young girl appeared at the side door and rang a noisy bell with great
+vigor.
+
+"They're going to have supper," said Henry wistfully. "I wish it was a
+hotel!"
+
+Philip had lived in the country, and understood the hospitable ways of
+country people.
+
+"Come along, Henry," he said. "I'll ask them to sell us some supper. I
+am sure they will be willing."
+
+Followed by his new acquaintance, he walked up to the side door and
+knocked--for there was no bell.
+
+The young girl--probably about Philip's age--opened the door and
+regarded them with some surprise.
+
+Philip bowed.
+
+"Will you be kind enough to tell us if there is any hotel near-by?" he
+asked.
+
+"There's one about three miles and a half farther on."
+
+Henry groaned inwardly.
+
+"I am going to ask you a favor," said Philip. "My friend and I have
+traveled a considerable distance, and stand in need of supper. We are
+willing to pay as much as we should have to at a hotel, if you will let
+us take supper here."
+
+"I'll ask mother," said the young girl.
+
+And forthwith she disappeared. She came back in company with a stout,
+motherly-looking woman. Philip repeated his request.
+
+"Why, to be sure," she said heartily. "We always have enough, and to
+spare. Come right in, and we'll have supper as soon as the men-folks
+come in."
+
+They entered a neat kitchen, in the middle of which was set out a table,
+with a savory supper upon it. Henry's eyes sparkled, and his mouth
+watered, for the poor boy was almost famished.
+
+"If you want to wash come right in here," said the farmer's wife,
+leading the way into a small room adjoining.
+
+The two boys gladly availed themselves of the permission, though Henry
+would not have minded sitting right down, dusty as he was. However, he
+felt better after he had washed his face and bands and wiped them on the
+long roll towel that hung beside the sink.
+
+They were scarcely through, when their places were taken by the farmer
+and his son, the latter a tall, sun-burned young man, of about twenty,
+who had just come in from a distant field. The farmer's wife soon
+explained the presence of the two young strangers.
+
+"Sho!" said the farmer. "You're pretty young to be travelin'. You ain't
+in any business, be you?"
+
+Henry was rather ashamed to mention that his business was killing
+Indians, though, as yet, he had not done anything in that line. He had
+an idea that he might be laughed at.
+
+"I am a little of a musician," said Philip modestly.
+
+"Sho! do you make it pay?"
+
+"Pretty well, so far; but I think when I get to New York I shall try
+something else."
+
+"Are you a musician as well as he?" asked the farmer of Henry.
+
+"No, sir."
+
+"Come, father, you'd better sit down to supper, and do your talking
+afterward," said the farmer's wife.
+
+So they sat down to the table, and all did full justice to the wholesome
+fare, particularly Henry, who felt absolutely ravenous.
+
+Never at the luxurious home of his father, in Madison Avenue, had the
+wandering city boy enjoyed his supper as much as at the plain table of
+this country farmer.
+
+The good mistress of the household was delighted at the justice done to
+her viands, considering it a tribute to her qualities as a cook.
+
+When Philip produced his purse to pay for their supper, the farmer
+absolutely refused to receive anything. "But I would rather pay,"
+persisted our hero.
+
+"Then I'll tell you how you may pay. Give us one or two tunes on your
+violin."
+
+This Philip was quite willing to do, and it is needless to say that his
+small audience was very much pleased.
+
+"I say," said Henry, "you play well enough to give concerts."
+
+"I have done it before now," answered Philip, smiling.
+
+They were invited to spend the night, but desired to push on to the
+hotel, being refreshed by their supper and feeling able to walk three or
+four miles farther.
+
+About half-way their attention was drawn to what appeared a deserted
+cabin in the edge of the woods, some twenty rods back from the road.
+
+"I say, Philip," said Henry, "there's an old hut that looks as if nobody
+lived in it. Wouldn't it be a lark for us to sleep there to-night?
+It would save the expense of lodging at the hotel, and would be an
+adventure. I haven't had any adventures yet."
+
+"I have no objection," said Philip. "We'll go, at any rate, and look at
+it."
+
+They crossed the field, which seemed to have been only partially
+cleared, and soon reached the hut.
+
+It was very bare within, but on the floor, in one corner, was a blanket
+spread out. There was a place for a window, but the sash had been
+removed, and it was easy to step in.
+
+"I wonder how this blanket came here?" said Philip.
+
+"Oh, I guess the last people that lived here left it!" returned Henry.
+"I say, Phil, I begin to feel tired. Suppose we lie down? I'm glad I
+haven't got to walk any farther."
+
+Philip sympathized with his new friend; and so, without much parley,
+the two boys threw themselves down on the blanket, and were soon fast
+asleep.
+
+How long Philip slept he didn't know, but he was awakened by a terrible
+screech, and, opening his eyes, say Henry sitting bolt upright, with
+trembling limbs and distended eyeballs, gazing fearfully at a tall,
+muscular-looking Indian, who had just stepped into the cabin through the
+open window.
+
+
+
+CHAPTER XLII. AN INDIAN AT LAST.
+
+
+
+"What's the matter?" asked Philip, rubbing his eyes, for he was hardly
+able--so suddenly had he been roused from sleep--to comprehend the
+situation.
+
+Henry, as white as a sheet, could only point at the tall Indian, who,
+standing motionless, was gazing as intently at the boys.
+
+He made one step forward, and Henry thought he was about to be killed
+and scalped forthwith.
+
+"Oh, Mr. Indian Chief," he exclaimed, in tremulous accents, "don't kill
+me! I--I ain't ready to die!"
+
+The Indian looked amazed, and laughed gutturally, but did not speak. His
+laugh increased Henry's dismay.
+
+"I've got a revolver. I'll give it to you if you won't kill me,"
+continued Henry.
+
+Then the Indian spoke.
+
+"Why should I kill white boy?" he asked in a mild tone, which ought to
+have convinced Henry that he had nothing to fear.
+
+But the boy was so frenzied with terror, and so possessed of the thought
+that the Indian was just like the savage warriors of the plains, of whom
+he had read so much, that he still felt his life to be in danger, and
+answered the question in a way not expected.
+
+"I suppose you want my scalp," he said; "but I am only a boy, and I
+don't mean any harm. I hope you'll spare my life."
+
+Another fit of guttural laughter from the Indian, which perplexed Henry,
+and after a pause he said:
+
+"Me no want white boy's scalp! Me good Indian!"
+
+An immense burden seemed lifted from poor Henry's breast.
+
+"Then you don't want to kill me?" he said.
+
+"No!"
+
+"Then why do you come here?"
+
+"Me live here."
+
+The secret was out--a secret which Philip had suspected from the first,
+though Henry had not dreamed of it.
+
+They had lain down in the Indian's cabin, appropriating his blanket, and
+were simply intruders.
+
+Philip thought it was time for him to take part in the conversation,
+
+"I hope you'll excuse us," he said, "for coming here. We had no idea any
+one lived here."
+
+"No matter," said the Indian civilly--that being one of the phrases
+which his knowledge of English included.
+
+"Henry," said Philip, "let us get up. We are sleeping in this--this
+gentleman's bed."
+
+He felt a little at a loss how to designate the Indian, but felt that it
+was best to be as polite as possible.
+
+The two boys started up, in order to yield to the master of the house
+the bed which properly belonged to him.
+
+"No," said the Indian, with a wave of his hand. "White boys stay there.
+Indian sleep anywhere."
+
+So saying, he lay down in one corner of the cabin, and settled himself
+apparently to repose.
+
+"But," said Philip, "we don't want to take your bed."
+
+"No matter!" said the Indian once more.
+
+"You are very kind," said Philip. "Henry, we may as well lay down
+again."
+
+Henry obeyed directions, but he was not altogether free from alarm. He
+had read that the Indians are very crafty. How did he know but their
+copper-colored host might get up in the night, skillfully remove their
+scalps, and leave them in a very uncomfortable plight?
+
+"Hadn't we better get up, and run away as soon as he is asleep?" he
+whispered to Philip.
+
+"No; he's friendly," answered Philip confidently.
+
+As Henry had read about friendly Indians--all he knew about Indians,
+by the way, was derived from reading stories written by authors little
+wiser than himself--he concluded that perhaps there was nothing to fear,
+and after a while fell asleep again.
+
+When the boys awoke it was morning. They looked toward the corner where
+the Indian had lain down, but it was vacant.
+
+"He's gone." said Henry, rather relieved.
+
+"You were pretty well frightened last night," said Philip, smiling.
+
+"Who wouldn't be!" asked Henry; "to wake up and see a big Indian in the
+room?"
+
+"I dare say many boys would be frightened," said Philip, "but I don't
+think a boy who left home to go out West to kill Indians ought to be
+afraid of one."
+
+"I guess I'll give up going," said Henry, rather abashed.
+
+"I think myself it would be as well," observed Philip quietly. "You'd
+find it rather serious business if you should meet any real Indian
+warriors."
+
+"I don't know but I should," Henry admitted, rather awkwardly. "I didn't
+think much about it when I left home."
+
+"I suppose you thought you'd be a match for half a dozen Indian
+warriors?" said Philip, laughing.
+
+"That was the way with 'Bully Bill'; or, 'The Hero of the Plains,'" said
+Henry. "He always came off best when he fought with the Indians."
+
+"I don't think either you or I will ever prove a Bully Bill," said
+Philip. "I might enjoy going out West some time, but I shouldn't expect
+to kill many Indians. I think they would stand a good deal better chance
+of shooting me."
+
+Henry said nothing, but looked thoughtful. His romantic ideas seemed to
+have received a sudden shock, and he was trying to adjust his ideas to
+the new light he had received.
+
+The boys were preparing to go out, when their Indian host suddenly
+reappeared. He carried in his hand a large-sized loaf of baker's bread,
+which he had procured at the village store. He was alive to the duties
+of hospitality, and did not intend to let his guests go, uninvited
+though they were, without a breakfast.
+
+Though his stock of English was limited, he made out to invite the boys
+to breakfast with him.
+
+Henry would have preferred to go to the hotel, but Philip signed to him
+to accept graciously the Indian's hospitality.
+
+As the bread was fresh, they partook of it with relish, washing it down
+with drafts of clear spring water.
+
+The Indian looked on, well pleased to see the justice done to his
+hospitality. He explained to the boys that he made baskets, caught fish,
+and sometimes engaged in hunting, managing, in one way and another, to
+satisfy his simple wants. His name was Winuca, but his white neighbors
+called him Tom.
+
+When the boys were ready to go, Philip drew from his pocket a
+jack-knife, nearly new, of which he asked the Indian's acceptance.
+
+Winuca seemed very much pleased, and shook hands heartily with his young
+guests, wishing them good-by.
+
+The boys kept on to the hotel, where they spent a few hours, taking
+dinner there. Their breakfast had been so simple that they had a very
+good appetite for their midday meal.
+
+"While we are here, Henry, suppose you write to your father and relieve
+his anxiety?" suggested Philip.
+
+"Why can't you write?" asked Henry, who cherished the general boyish
+distaste for letter-writing.
+
+"Because it will be more proper for you to write. I am a stranger to
+him."
+
+"You won't be long, Philip? I shall want you to come and make me a
+visit."
+
+"Perhaps you'll be tired of me before we get to New York," suggested
+Philip, with a smile.
+
+"There isn't much chance of it. I like you better than any boy I know.
+You're awful brave, too. You didn't seem to be at all scared last night
+when the Indian came in."
+
+"It was because I felt sure that any Indian to be found about here would
+be harmless."
+
+"I wish we could make a journey together some time. I'd like to go
+West--"
+
+"To kill Indians?"
+
+"No. If they'll let me alone, I'll let them alone; but there must be a
+lot of fun out on the prairies."
+
+"Well, Henry, go and write your letter, and we can talk about that
+afterward."
+
+The letter was written and mailed, and arrived in New York several days
+before the boys did.
+
+
+
+CHAPTER XLIII. A WELCOME LETTER.
+
+
+
+Alexander Taylor, a Wall Street broker, sat at breakfast in his fine
+house on Madison Avenue. His daughter, Jennie, about thirteen years old,
+was the only other person at the table.
+
+"Papa, have you heard nothing of Henry?" asked the little girl
+anxiously.
+
+"Only that the boy who got started with him on his foolish tramp got
+back three days since."
+
+"Is Tom Murray back, then?"
+
+"Yes; he showed himself more sensible than Henry."
+
+"Oh, I'm afraid something's happened to him, papa! Why don't you
+advertise for him, or send out a detective, or something?"
+
+"I will tell you, Jennie," said Mr. Taylor, laying down the morning
+paper. "I want your brother to stay away long enough to see his folly."
+
+"But perhaps he may get out of money, and not be able to get anything to
+eat. You wouldn't want him to starve, papa?"
+
+"There isn't much chance of it. If he is in danger of that, he will have
+sense enough to ask for food, or to write to me for help. I rather hope
+he will have a hard time."
+
+"Oh, papa!"
+
+"It will do him good. If I sent for him and brought him back against his
+will, he would probably start off again when he has a good chance."
+
+Jennie could not quite follow her father in his reasoning, and was
+inclined to think him hard and unfeeling. She missed her brother, who,
+whatever his faults, treated her tolerably well, and was at any rate a
+good deal of company, being the only other young person in the house.
+
+Just then the servant entered with three letters, which he laid down
+beside his master's plate.
+
+Mr. Taylor hastily scanned the addresses.
+
+"Here is a letter from Henry," he said, in a tone of satisfaction.
+
+"Oh, read it quick, papa!"
+
+This was the letter which Mr. Taylor read aloud, almost too deliberately
+for the impatience of his daughter:
+
+"Dear Father: I am alive and well, and hope to see you in a few days. I
+guess I made a mistake in running away, though I didn't think so at the
+time, for I wanted to see life, and have adventures. I don't know how
+I should have got along if I hadn't met Philip Gray. He's a tip-top
+fellow, and is paying my expenses. I told him you would pay him back. He
+has got me off the idea of going West to kill Indians."
+
+"Oh, papa!" exclaimed Jennie, opening her eyes wide. "I didn't know that
+was what Henry went for."
+
+"I don't think the Indians would have felt very much frightened if they
+had heard of his intention. However, I will proceed:
+
+"I was all out of money when Philip met me, and I hadn't had anything to
+eat since morning, he bought me some supper, and is paying my expenses.
+He is a poor boy, coming to New York to get a place, if he can. He has
+got a violin, and he plays beautifully. He earned all the money he has
+by giving concerts."
+
+"I should like to see Philip," said Jennie, with interest.
+
+"I asked him if he wouldn't go out West with me, but he wouldn't. He
+told me he wouldn't do anything for me unless I would agree to come
+home."
+
+"He is a sensible boy," commented Mr. Taylor, in a tone of approval.
+
+"We thought at first of coming right home on the cars, but I wanted to
+walk and see something of the country, and Philip said he didn't mind.
+He told me I must write and tell you, so that you needn't feel anxious.
+
+"You will see us in a few days. I will bring Philip to the house. Your
+son, HENRY TAYLOR."
+
+"Is that all?" asked Jennie.
+
+"Yes; I consider it a very fair letter. It is evident Henry has made the
+acquaintance of a sensible boy. I shall take care that he doesn't let it
+drop."
+
+
+
+CHAPTER XLIV. A FRESH START.
+
+
+
+Five days later, just as Mr. Taylor was sitting down to dinner, at the
+close of the day, the door-bell rang violently.
+
+There was a hurried step heard in the hall, and the door opening quickly
+Henry Taylor rushed in, his face beaming with smiles.
+
+"Oh, I'm so glad to see you, Henry!" said Jennie, embracing him. "I
+missed you awfully."
+
+Henry looked at his father, a little doubtful of his reception.
+
+"Are you well, father?" he asked.
+
+"Quite well," responded Mr. Taylor coolly. "Where did you leave your
+scalps?"
+
+"What?" ejaculated Henry, bewildered.
+
+"I thought you left home to kill Indians."
+
+"Oh!" said Henry, smiling faintly. "I didn't meet any Indians--except
+one--and he was friendly."
+
+"Then your expedition was a failure?"
+
+"I guess I'll leave the Indians alone," said Henry sheepishly.
+
+"That strikes me as a sensible remark. Of course, a few Indian scalps
+would be of great use to you. I fully expected a present of one, as
+a trophy of my son's valor; but still, in case the Indian objected
+to being scalped, there might be a little risk in performing the
+operation."
+
+"I see you are laughing at me, father," said Henry.
+
+"Not at all. You can see that I am very sober. If you think you can make
+a good living hunting Indians--I don't know myself how much their scalps
+bring in the market--I might set you up in the business."
+
+"I am not so foolish as I was. I prefer some other business. Philip told
+me--"
+
+"Where is Philip?" asked Jennie eagerly.
+
+"I left him in the parlor. He said I had better come in first."
+
+"Go and call him. Invite him, with my compliments, to stay to dinner."
+
+Henry left the room, and reappeared almost immediately with Philip.
+
+Both boys were perfectly neat in appearance, for Philip had insisted on
+going to a hotel and washing and dressing themselves.
+
+As he followed Henry into the room, with modest self-possession, his
+cheeks glowing with a healthy color, both Jennie and Mr. Taylor were
+instantly prepossessed in his favor.
+
+"I am glad to see you, Philip," said the broker, "and beg to thank you,
+not only for the material help you gave Henry, but also for the good
+advice, which I consider of still greater importance and value."
+
+"Thank you, sir. I don't feel competent to give much advice, but I
+thought his best course was to come home."
+
+"You haven't as high an idea of hunting Indians as Henry, I infer?"
+
+"No, sir," answered Philip, smiling. "It seems to me they have as much
+right to live as we, if they behave themselves."
+
+"I think so, too," said Henry, who was rather ashamed of what had once
+been his great ambition.
+
+"You haven't introduced me to Philip--I mean Mr. Gray," said Jennie.
+
+"This is my sister Jennie, Phil," said Henry, in an off-hand manner.
+
+"I am very glad to see you, Mr. Gray," said Jennie, extending her hand.
+
+"I am hardly used to that name," said Philip, smiling.
+
+"When I get well acquainted with you I shall call you Philip."
+
+"I hope you will."
+
+Within an hour Miss Jennie appeared to feel well acquainted with her
+brother's friend, for she dropped "Mr. Gray" altogether, and called him
+Philip.
+
+At her solicitation he played on his violin. Both Mr. Taylor and Jennie
+were surprised at the excellence of his execution.
+
+When Philip rose to go, Mr. Taylor said cordially:
+
+"I cannot permit you to leave us, Philip. You must remain here as our
+guest."
+
+"But, sir, I left my things at a hotel."
+
+"Then Henry will go with you and get them."
+
+So Philip found himself established in a fine house on Madison Avenue as
+a favored guest.
+
+The next morning, when Mr. Taylor went to his office, he asked Philip
+to go with him. Arrived in Wall Street, he sent a boy to the bank with
+a check. On his return, he selected five twenty-dollar bills, and handed
+them to Philip.
+
+"You have expended some money for Henry," he said.
+
+"Yes, sir; but not quarter as much as this."
+
+"Then accept the rest as a gift. You will probably need some new
+clothes. Henry will take you to our tailor. Don't spare expense. The
+bill will be sent to me."
+
+"But, Mr. Taylor, I do not deserve such kindness."
+
+"Let me be the judge of that. In a few days I shall have a proposal to
+make to you."
+
+This was the proposal, and the way it was made:
+
+"I find, Philip," said Mr. Taylor, some days later, "that Henry is much
+attached to you, and that your influence over him is excellent. He has
+agreed to go to an academy in Connecticut, and study hard for a year,
+provided you will go with him. I take it for granted you haven't
+completed your education?"
+
+"No, sir."
+
+"I shall pay all the bills and provide for you in every way, exactly as
+I do for Henry."
+
+"But, Mr. Taylor, how can I ever repay you?" asked Philip.
+
+"By being Henry's friend and adviser--perhaps, I may say, guardian--for,
+although you are about the same age, you are far wiser and more
+judicious."
+
+"I will certainly do the best I can for him, sir."
+
+During the next week the two boys left New York, and became pupils at
+Doctor Shelley's private academy, at Elmwood--a pleasant country town
+not far from Long Island Sound--and there we bid them adieu.
+
+THE END.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Young Musician, by Horatio Alger
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+***** This file should be named 5673.txt or 5673.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/5/6/7/5673/
+
+Produced by Carrie Fellman
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/5673.zip b/old/5673.zip
new file mode 100644
index 0000000..83b72f1
--- /dev/null
+++ b/old/5673.zip
Binary files differ
diff --git a/old/tngms10.txt b/old/tngms10.txt
new file mode 100644
index 0000000..e397765
--- /dev/null
+++ b/old/tngms10.txt
@@ -0,0 +1,8932 @@
+The Project Gutenberg EBook of The Young Musician, by Horatio Alger
+#15 in our series by Horatio Alger
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg eBook.
+
+This header should be the first thing seen when viewing this Project
+Gutenberg file. Please do not remove it. Do not change or edit the
+header without written permission.
+
+Please read the "legal small print," and other information about the
+eBook and Project Gutenberg at the bottom of this file. Included is
+important information about your specific rights and restrictions in
+how the file may be used. You can also find out about how to make a
+donation to Project Gutenberg, and how to get involved.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**eBooks Readable By Both Humans and By Computers, Since 1971**
+
+*****These eBooks Were Prepared By Thousands of Volunteers!*****
+
+
+Title: The Young Musician
+ or Fighting His Way
+
+Author: Horatio Alger
+
+Release Date: May, 2004 [EBook #5673]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on August 7, 2002]
+[Date last updated: December 29, 2005]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+
+
+
+Produced by Carrie Fellman
+
+
+
+
+The Young Musician
+
+OR
+
+Fighting His Way
+
+BY
+
+HORATIO ALGER
+
+CHICAGO
+
+
+
+
+
+
+CONTENTS
+
+
+
+
+
+I. A Candidate for the Poorhouse
+
+II. Philip at Home
+
+III. Nick Holden's Call
+
+IV. The Auction
+
+V. An Alliance Against Philip
+
+VI. "A Fuss About a Fiddle"
+
+VII. Mr. Joe Tucker
+
+VIII. In the Enemy's Hands
+
+IX. The Poorhouse
+
+X. Bad Tidings
+
+XI. Philip's New Room
+
+XII. A Pauper's Meal
+
+XIII. A Friendly Mission
+
+XIV. Philip Makes His Escape
+
+XV. Escape and Flight
+
+XVI. A Night Adventure
+
+XVII. A Reformed Burglar
+
+XVIII. A Professional Engagement
+
+XIX. New Acquaintances
+
+XX. A Lively Evening
+
+XXI. Fortune Smiles Again
+
+XXII. Rival Musicians
+
+XXIII. An Hour of Triumph
+
+XXIV. Lorenzo Riccabocca
+
+XXV. A Change of Name
+
+XXVI. A Promising Plan
+
+XXVII. Unexpected Honors
+
+XXVIII. A Triumphant Success
+
+XXIX. Beset by Creditors
+
+XXX. A Timely Gift
+
+XXXI. The Professor's Flight
+
+XXXII. The Race Across Fields
+
+XXXIII. The Lost Wallet
+
+XXXIV. A New Business Proposal
+
+XXXV. Squire Pope Is Amazed
+
+XXXVI. The Pretended Guardian
+
+XXXVII. His Own Master
+
+XXXVIII. An Offer Declined
+
+XXXIX. An Ambitious Wayfarer
+
+XL. The Indian Hunter
+
+XXI. An Adventure in the Woods
+
+XLII. An Indian at Last
+
+XLIII. A Welcome Letter
+
+XLIV. A Fresh Start
+
+
+
+
+
+
+CHAPTER I.
+
+A CANDIDATE FOR THE POORHOUSE.
+
+
+
+
+
+"As for the boy," said Squire Pope, with his usual autocratic air,
+"I shall place him in the poorhouse."
+
+"But, Benjamin," said gentle Mrs. Pope, who had a kindly and
+sympathetic heart, "isn't that a little hard?"
+
+"Hard, Almira?" said the squire, arching his eyebrows. "I fail to
+comprehend your meaning."
+
+"You know Philip has been tenderly reared, and has always had a
+comfortable home--"
+
+"He will have a comfortable home now, Mrs. Pope. Probably you are
+not aware that it cost the town two thousand dollars last year to
+maintain the almshouse. I can show you the item in the town report."
+
+"I don't doubt it at all, husband," said Mrs. Pope gently. "Of
+course you know all about it, being a public man."
+
+Squire Pope smiled complacently. It pleased him to be spoken of as a
+public man.
+
+"Ahem! Well, yes, I believe I have no inconsiderable influence in
+town affairs," he responded. "I am on the board of selectmen, and am
+chairman of the overseers of the poor, and in that capacity I shall
+convey Philip Gray to the comfortable and well-ordered institution
+which the town has set apart for the relief of paupers."
+
+"I don't like to think of Philip as a pauper," said Mrs. Pope, in a
+deprecating tone.
+
+"What else is he?" urged her husband. "His father hasn't left a
+cent. He never was a good manager."
+
+"Won't the furniture sell for something, Benjamin?"
+
+"It will sell for about enough to pay the funeral expenses and
+outstanding debts-that is all."
+
+"But it seems so hard for a boy well brought up to go to the
+poorhouse."
+
+"You mean well, Almira, but you let your feelings run away with you.
+You may depend upon it, it is the best thing for the boy. But I must
+write a letter in time for the mail."
+
+Squire Pope rose from the breakfast-table and walked out of the room
+with his usual air of importance. Not even in the privacy of the
+domestic circle did he forget his social and official importance.
+
+Who was Squire Pope?
+
+We already know that he held two important offices in the town of
+Norton. He was a portly man, and especially cultivated dignity of
+deportment. Being in easy circumstances, and even rich for the
+resident of a village, he was naturally looked up to and credited
+with a worldly sagacity far beyond what he actually possessed.
+
+At any rate, he may be considered the magnate of Norton.
+Occasionally he visited New York, and had been very much annoyed to
+find that his rural importance did not avail him there, and that he
+was treated with no sort of deference by those whom he had occasion
+to meet. Somehow, the citizens of the commercial metropolis never
+suspected for a single moment that he was a great man.
+
+When Squire Pope had finished his letter, he took his hat, and with
+measured dignity, walked to the village post-office.
+
+He met several of his neighbors there, and greeted them with affable
+condescension. He was polite to those of all rank, as that was
+essential to his retaining the town offices, which he would have
+been unwilling to resign.
+
+From the post-office the squire, as he remembered the conversation
+which had taken place at the breakfast-table, went to make an
+official call on the boy whose fate he had so summarily decided.
+
+Before the call, it may be well to say a word about Philip Gray, our
+hero, and the circumstances which had led to his present
+destitution.
+
+His father had once been engaged in mercantile business, but his
+health failed, his business suffered, and he found it best-indeed,
+necessary--to settle up his affairs altogether and live in quiet
+retirement in Norton.
+
+The expenses of living there were small, but his resources were
+small, also, and he lived just long enough to exhaust them.
+
+It was this thought that gave him solicitude on his death-bed, for
+he left a boy of fifteen wholly unprovided for.
+
+Let us go back a week and record what passed at the last interview
+between Philip and his father before the latter passed into the
+state of unconsciousness which preceded death.
+
+"Are you in pain, father?" asked Philip, with earnest sympathy, as
+his father lay outstretched on the bed, his face overspread by the
+deathly pallor which was the harbinger of dissolution.
+
+"Not of the body, Philip," said Mr. Gray. "That is spared me, but I
+own that my mind is ill at ease."
+
+"Do you mind telling me why, father!"
+
+"No; for it relates to you, my son, or, rather, to your future. When
+my affairs are settled, I fear there will be nothing left for your
+support. I shall leave you penniless."
+
+"If that is all, father, don't let that trouble you."
+
+"I am afraid, Philip, you don't realize what it is to be thrown upon
+the cold charities of the world."
+
+"I shall work for my living," said Philip confidently.
+
+"You will have to do that, I'm afraid, Philip."
+
+"But I am not afraid to work, father. Didn't you tell me one day
+that many of our most successful men had to work their way up from
+early poverty!"
+
+"Yes, that is true; but a boy cannot always get the chance to earn
+his living. Of one thing I am glad; you have a good education for a
+boy of your age. That is always a help."
+
+"Thanks to you, father."
+
+"Yes; though an invalid, I have, at all events, been able to give
+private attention to your education, and to do better for you than
+the village school would have done. I wish I had some relative to
+whom I might consign you, but you will be alone in the world."
+
+"Have I no relatives?" asked Philip.
+
+"Your mother was an only child, and I had but one brother."
+
+"What became of him, father?"
+
+"He got into trouble when he was a young man, and left the country.
+Where he went to I have no idea. Probably he went first to Europe,
+and I heard a rumor, at one time, that he had visited Australia. But
+that was twenty years ago, and as I have heard nothing of him since,
+I think it probable that he is dead. Even if he were living, and I
+knew where he was, I am not sure whether he would make a safe
+guardian for you."
+
+"Have you any advice to give me, father?" asked Philip, after a
+pause. "Whatever your wishes may be, I will try to observe them."
+
+"I do not doubt it, Philip. You have always been an obedient son,
+and have been considerate of my weakness. I will think it over, and
+try to give you some directions which may be of service to you.
+Perhaps I may be able to think of some business friend to whom I can
+commend you."
+
+"You have talked enough, father," said Philip, noticing his father's
+increasing pallor and the evident exertion with which he spoke.
+"Rest now, and to-morrow we can talk again."
+
+Mr. Gray was evidently in need of rest. He closed his eyes and
+apparently slept. But he never awoke to consciousness. The
+conversation above recorded was the last he was able to hold with
+his son. For two days he remained in a kind of stupor, and at the
+end of that time he died.
+
+Philip's grief was not violent. He had so long anticipated his
+father's death that it gave him only a mild shock.
+
+Friends and neighbors made the necessary arrangements for the
+funeral, and the last services were performed. Then, at length,
+Philip realized that he had lost his best earthly friend, and that
+he was henceforth alone in the world. He did not as yet know that
+Squire Pope had considerately provided him with a home in the
+village poorhouse.
+
+
+
+
+
+
+CHAPTER II.
+
+PHILIP AT HOME.
+
+
+
+
+
+When the funeral was over, Frank Dunbar, whom Philip regarded as
+his most intimate friend, came up to him.
+
+"Philip," he said, "my mother would like to have you spend a few
+days with us while you are deciding what to do."
+
+"Thank you, Frank!" answered Philip. "But until the auction I shall
+remain at home. I shall soon enough be without a home."
+
+"But it will be very lonely for you," objected Frank.
+
+"No; I shall have my thoughts for company. When I am alone I can
+think best of my future plans."
+
+"Won't you come to our house to meals, then?"
+
+"Thank you, Frank! I will do that."
+
+"When is the auction to be?"
+
+"To-day is Monday. It is appointed for Thursday."
+
+"I hope there will be something left for you."
+
+"There will be about enough left to pay my father's small debts and
+his funeral expenses. I would not like to have him indebted to
+others for those. I don't think there will be anything over."
+
+Frank looked perplexed.
+
+"I am sorry for you, Phil," he said. "I wish we were rich, instead
+of having hard work to make both ends meet. You would not lack for
+anything then."
+
+"Dear Frank," said Philip earnestly, "I never doubted your true
+friendship. But I am not afraid that I shall suffer. I am sure I can
+earn my living."
+
+"But why do you shut yourself up alone, Philip?" asked Frank, not
+satisfied to leave his friend in what he considered the gloomy
+solitude of a house just visited by death.
+
+"I want to look over my father's papers. I may find out something
+that I ought to know, and after the auction it will be too late.
+Father had some directions to give me, but he did not live long
+enough to do it. For three days I have the house to myself. After
+that I shall perhaps never visit it again."
+
+"Don't be downhearted, Philip," said Frank, pressing his hand with
+boyish sympathy.
+
+"I don't mean to be, Frank. I am naturally cheerful and hopeful. I
+shall miss my poor father sadly: but grieving will not bring him
+back. I must work for my living, and as I have no money to depend
+upon, I cannot afford to lose any time in forming my plans."
+
+"You will come over to our house and take your meals!"
+
+"Yes, Frank."
+
+Frank Dunbar's father was a small farmer, who, as Frank had said,
+found it hard work to make both ends meet. Among all the village
+boys, he was the one whom Philip liked best, though there were many
+others whose fathers were in hotter circumstances. For this,
+however, Philip cared little. Rich or poor, Frank suited him, and
+they had always been known as chums, to adopt the term used by the
+boys in the village.
+
+It may be thought that as Philip's circumstances were no better,
+such an intimacy was natural enough. But Philip Gray possessed
+special gifts, which made his company sought after. He was a fine
+singer, and played with considerable skill on the violin--an
+accomplishment derived from his father, who had acted as his
+teacher. Then he was of a cheerful temperament, and this is a gift
+which usually renders the possessor popular, unless marred by
+positive defects or bad qualities. There were two or three young
+snobs in the village who looked down upon Philip on account of his
+father's poverty, but most were very glad to associate with our
+hero, and have him visit their homes. He was courteous to all, but
+made--no secret of his preference for Frank Dunbar.
+
+When Philip parted from Frank, and entered the humble dwelling which
+had been his own and his father's home for years, there was a sense
+of loneliness and desolation which came over him at first.
+
+His father was the only relative whom he knew, and his death,
+therefore, left the boy peculiarly, alone in the world. Everything
+reminded him of his dead father. But he did not allow himself to
+dwell upon thoughts that would depress his spirits and unfit him for
+the work that lay before him.
+
+He opened his father's desk and began to examine his papers. There
+was no will, for there was nothing to leave, but in one compartment
+of the desk was a thick wallet, which he opened.
+
+In it, among some receipted bills, was an envelope, on which was
+written, in his father's well-known hand:
+
+"The contents of this envelope are probably of no value, but it will
+be as well to preserve the certificate of stock. There is a bare
+possibility that it may some day be worth a trifle."
+
+Philip opened the envelope and found a certificate for a hundred
+shares of the Excelsior Gold Mine, which appeared to be located in
+California. He had once heard his father speak of it in much the
+same terms as above.
+
+"I may as well keep it," reflected Philip. "It will probably amount
+to nothing, but there won't be much trouble in carrying around the
+envelope." He also found a note of hand for a thousand dollars,
+signed by Thomas Graham.
+
+Attached to it was a slip of paper, on which he read, also in his
+father's writing:
+
+"This note represents a sum of money lent to Thomas Graham, when I
+was moderately prosperous. It is now outlawed, and payment could not
+be enforced, even if Graham were alive and possessed the ability to
+pay. Five years since, he left this part of the country for some
+foreign country, and is probably dead, and I have heard nothing from
+him in all that time. It will do no harm, and probably no good, to
+keep his note."
+
+"I will keep it," decided Philip. "It seems that this and the mining
+shares are all that father had to leave me. They will probably never
+yield me a cent, but I will keep them in remembrance of him."
+
+Phillip found his father's watch. It was an old-fashioned gold
+watch, but of no great value even when new. Now, after twenty years'
+use, it would command a very small price at the coming sale.
+
+Ever since Philip had been old enough to notice anything, he
+remembered this watch, which was so closely identified with his
+father that more than anything else it called him to mind. Philip
+looked at it wistfully as it lay in his hand. "I wish I could keep
+it," he said to himself. "No one else will value it much, but it
+would always speak to me of my father. I wonder if I might keep it?"
+
+Philip had a mind to put it into his pocket, but the spirit of
+honesty forbade.
+
+"It must be sold," he said, with a sigh. "Without it there wouldn't
+be enough to pay what we owe, and when I leave Norton, I don't want
+any one to say that my father died in his debt."
+
+There was nothing else in the desk which called for particular
+notice or appeared to be of any special value. After a careful
+examination, Philip closed it and looked around at the familiar
+furniture of the few rooms which the house contained.
+
+There was one object which he personally valued more than anything
+else. This was his violin, on which he had learned all that he knew
+of playing. His father had bought it for him four years before. It
+was not costly, but it was of good tone, and Philip had passed many
+pleasant hours in practicing on it.
+
+"I can take this violin, at any rate," said Philip to himself. "It
+belongs to me, and no one else has a claim on it. I think I will
+take it with me and leave it at Frank Dunbar's, so that it needn't
+get into the sale."
+
+He put back the violin into the case and laid it on one side. Then
+he sat down in the arm-chair, which had been his father's favorite
+seat, and tried to fix his mind upon the unknown future which lay
+before him.
+
+He had sat there for half an hour, revolving in his mind various
+thoughts and plans, when he heard a tap on the window, and looking
+up, saw through the pane the coarse, red face of Nick Holden, a
+young fellow of eighteen, the son of the village butcher.
+
+"Let me in!" said Nick; "I want to see you on business."
+
+
+
+
+
+
+CHAPTER III.
+
+NICK HOLDEN'S CALL.
+
+
+
+
+
+Philip had never liked Nick Holden. He was a coarse, rough-looking
+boy, his reddish face one mass of freckles, and about as
+unattractive as a person could be, without absolute deformity. This,
+however, was not the ground for Philip's dislike.
+
+With all his unattractiveness, Nick might have possessed qualities
+which would have rightly made him popular. So far from this,
+however, he was naturally mean, selfish, and a bully, with very
+slight regard for truth.
+
+Will it be believed that, in spite of his homely face, Nick really
+thought himself good-looking and aspired to be a beau? For this
+reason he had often wished that he possessed Philip's accomplishment
+of being able to play upon the violin.
+
+His conversational powers were rather limited, and he felt at a loss
+when he undertook to make himself fascinating to the young ladies in
+the village. If he could only play on the violin like Philip he
+thought he would be irresistible.
+
+He had therefore conceived the design of buying Philip's instrument
+for a trifle, judging that our hero would feel compelled to sell it.
+
+The reader will now understand the object which led to Nick's call
+so soon after the funeral of Mr. Gray. He was afraid some one else
+might forestall him in gaining possession of the coveted instrument.
+
+When Philip saw who his visitor was, he was not overjoyed. It was
+with reluctance that he rose and gave admission to Nick.
+
+"I thought I would call around and see you, Phil," said Nick, as he
+sat down in the most comfortable chair in the room.
+
+"Thank you," responded Phil coldly.
+
+"The old man went off mighty sudden," continued Nicholas, with
+characteristic delicacy.
+
+"Do you mean my father?" inquired Philip.
+
+"Of course I do. There ain't any one else dead, is there!"
+
+"I had been expecting my poor father's death for some time," said
+Philip gravely.
+
+"Just so! He wa'n't very rugged. We've all got to come to it sooner
+or later. I expect dad'll die of apoplexy some time-he's so awful
+fat," remarked Nicholas cheerfully. "If he does, it's lucky he's got
+me to run the business. I'm only eighteen, but I can get along as
+well as anybody. I'm kinder smart in business."
+
+"I am glad you are smart in anything," thought Philip; for he knew
+that Nick was a hopeless dunce in school duties.
+
+"I hope your father'll live a good while," he said politely.
+
+"Yes, of course," said Nick lightly. "I'd be sorry to have the old
+man pop off; but then you never can tell about such a thing as
+that."
+
+Philip did not relish the light way in which Nick referred to such a
+loss as he was suffering from, and, by way of changing the subject,
+said:
+
+"I believe you said you came on business, Nicholas?"
+
+"Yes; that's what I wanted to come at. It's about your fiddle."
+
+"My violin!" said Philip, rather surprised.
+
+"Oh, well, fiddle or violin! what's the odds? I want to buy it."
+
+"What for?"
+
+"To play on, of course! What did you think I wanted it for?"
+
+"But you can't play, can you?"
+
+"Not yet; but I expect you could show me some--now, couldn't you?"
+
+"What put it into your head to want to play on the violin?" asked
+Philip, with some curiosity.
+
+"Why, you see, the girls like it. It would be kind of nice when I go
+to a party, or marm has company, to scrape off a tune or two-just
+like you do. It makes a feller kinder pop'lar with the girls, don't
+you see?" said Nick, with a knowing grin.
+
+"And you want to be popular with the young ladies!" said Philip,
+smiling, in spite of his bereavement, at the idea being entertained
+by such a clumsy-looking caliban as Nick Holden.
+
+"Of course I do!" answered Nick, with another grin. "You see I'm
+gettin' along-I'll be nineteen next month, and I might want to get
+married by the time I'm twenty-one, especially if the old man should
+drop off sudden."
+
+"I understand all that, Nicholas--"
+
+"Call me Nick. I ain't stuck up if I am most a man. Call me pet
+names, dearest."
+
+And Nicholas laughed loudly at his witty quotation.
+
+"Just as you prefer. Nick, then, I understand your object. But what
+made you think I wanted to sell the violin?"
+
+It was Nick's turn to be surprised.
+
+"Ain't there goin' to be an auction of your father's things?" he
+said.
+
+"Yes; but the violin is mine, and I am not going to sell it."
+
+"You'll have to," said Nick.
+
+"What do you mean by that, Nicholas Holden?" said Philip quickly.
+
+"Because you'll have to sell everything to pay your father's debt.
+My father said so this very morning."
+
+"I think I know my own business best," said Philip coldly. "I shall
+keep the violin."
+
+"Maybe it ain't for you to say," returned Nick, apparently not aware
+of his insolence. "Come, now, I'll tell you what I'll do. My
+father's got a bill against yours for a dollar and sixty-four cents.
+I told father I had a use for the fiddle, and he says if you'll give
+it to me, he'll call it square. There, what do you say to that?"
+
+Nicholas leaned back in his chair and looked at Philip through his
+small, fishy eyes, as if he had made an uncommonly liberal offer. As
+for Philip, he hardly knew whether to be angry or amused.
+
+"You offer me a dollar and sixty-four cents for my violin?" he
+repeated.
+
+"Yes. It's second-hand, to be sure, but I guess it's in pretty fair
+condition. Besides, you might help me a little about learnin' how to
+play."
+
+"How much do you suppose the violin cost?" inquired Philip.
+
+"Couldn't say."
+
+"It cost my father twenty-five dollars."
+
+"Oh, come, now, that's too thin! You don't expect a feller to
+believe such a story as that?"
+
+"I expect to be believed, for I never tell anything but the truth."
+
+"Oh, well, I don't expect you do, generally, but when it comes to
+tradin', most everybody lies," observed Nick candidly.
+
+"I have no object in misrepresenting, for I don't want to sell the
+violin."
+
+"You can't afford to keep it! The town won't let you!"
+
+"The town won't let me?" echoed Philip, now thoroughly mystified.
+
+"Of course they won't. The idea of a pauper bein' allowed a fiddle
+to play on! Why, it's ridiculous!"
+
+"What do you mean?" demanded Philip, who now began to comprehend the
+meaning of this thick-witted visitor. "What have I got to do with
+the town, or with paupers?"
+
+"Why, you're goin' to the poorhouse, ain't you?"
+
+"Certainly not!" answered Philip, with flashing eyes.
+
+"I guess you're mistaken," said Nick coolly. "Squire Pope was over
+to our shop this mornin', and he told dad that the seleckmen were
+goin' to send you there after the auction."
+
+Philip's eyes flashed angrily. He felt insulted and outraged. Never
+for a moment had he conceived the idea that any one would regard him
+as a candidate for the poorhouse.
+
+He had an honorable pride in maintaining himself, and would rather
+get along on one meal a day, earned by himself in honest
+independence, than be indebted to public charity even for a
+luxurious support.
+
+"Squire Pope doesn't know what he's talking about," retorted Philip,
+who had to exercise some self-restraint not to express himself more
+forcibly "and you can tell him so when you see him. I am no more
+likely to go to the poorhouse than you are!"
+
+"Come, that's a good one," chuckled Nick. "Talk of me goin' to the
+poorhouse, when my father pays one of the biggest taxes in town! Of
+course, it's different with you."
+
+"You'll have to excuse me now," said Philip, determined to get rid
+of his disagreeable companion. "I have something to do."
+
+"Then you won't sell me the fiddle, Phil?"
+
+"No, I won't," answered our hero, with scant ceremony.
+
+"Then I'll have to bid it off at the auction. Maybe I'll get it
+cheaper."
+
+And Mr. Nicholas Holden at length relieved Philip of his company.
+
+
+
+
+
+
+CHAPTER IV.
+
+THE AUCTION.
+
+
+
+
+
+It so happened that Nick Holden met Squire Pope on the village
+street, and, being rather disappointed at the result of his
+negotiations with Philip, thought it might be a good idea to broach
+the subject to the squire, who, as he knew, had taken it upon
+himself to superintend the sale of Mr. Gray's goods.
+
+"I say, squire, I've just been over to see Phil Gray."
+
+"Ahem! Well, how does he seem to feel?"
+
+"Kinder stuck up, I reckon. He said he wouldn't go to the poorhouse,
+and I might tell you so."
+
+"I apprehend," said the squire, in his stately way, "he will be
+under the necessity of going, whether he likes it or not."
+
+"Just so; that's what I told him!" interjected Nick.
+
+"And he should be grateful for so comfortable a home," continued the
+public man.
+
+"Well, I dunno," said Nick. "They do say that old Tucker most
+starves the paupers. Why his bills with dad are awful small."
+
+"The town cannot afford to pamper the appetites of its
+beneficiaries," said the squire. "Where is Philip now?"
+
+"I guess he's at home. I offered to buy his fiddle, but he said he
+was going to keep it. I offered him a dollar and sixty-four
+cents--the same as dad's bill against his father, but he wouldn't
+take it."
+
+"Really, Nicholas, your offer was very irregular--extremely
+irregular. It should have been made to me, as the administrator of
+the late Mr. Gray, and not to a boy like Philip."
+
+"Will you sell me the fiddle for dad's bill, squire?" asked Nicholas
+eagerly.
+
+"You are premature, Nicholas--"
+
+"What's that?"
+
+"I mean you must wait till the auction. Then you will have a chance
+to bid on the instrument, if you want to secure it."
+
+"Phil says it's his, and won't be for sale at the auction."
+
+"Then Philip is mistaken. He is only a boy. The estate will be
+settled by those who are older and wiser than he."
+
+"I guess you'll find him hard to manage, squire," said Nick,
+laughing.
+
+"We shall see--we shall see," returned the squire.
+
+And, with a dignified wave of the hand, he continued on his walk.
+
+After the visit of Nicholas, Philip thought it most prudent to
+convey the violin which he prized so much to the house of his
+friend, Frank Dunbar, where he had been invited to take his meals.
+
+He was willing to have the furniture sold to defray his father's
+small debts, but the violin was his own. It had not even been given
+him by his father. Though the latter purchased it, the money which
+it cost had been given to Philip by a friend of the family. He
+rightly thought that he had no call to sell it now.
+
+"Frank," said he to his boy-friend, "I want you to put away my violin
+safely, and keep it until after the auction."
+
+"Of course I will, Phil; but won't you want to play on it!"
+
+"Not at present. I'll tell you why I want it put away."
+
+And Philip told his friend about Nick's application to purchase it,
+and the liberal offer he had made.
+
+"Nick's generosity never will hurt him much," said Frank, laughing.
+"What in the world did he want of your violin?"
+
+"He wants to make himself popular with the girls."
+
+"He'll never do that, even if he learns to play like an angel!" said
+Frank. "You ought to hear the girls talk about him. He couldn't get
+a single one of them to go home with from singing-school last
+winter. He teased my sister to go, but she told him every time she
+was engaged to some one else."
+
+The two days that intervened between the funeral and the auction
+passed, and the last scene connecting Philip with the little cottage
+which had been his home was to take place.
+
+In a country town, an auction-however inconsiderable-draws together
+an interested company of friends and neighbors; and, though no
+articles of value were to be sold, this was the case at the present
+sale.
+
+Philip didn't at first mean to be present. He thought it would only
+give him pain; but at the last moment he came, having been requested
+to do so by Squire Pope, as information might be required which he
+could give.
+
+The bulk of the furniture was soon disposed of, at low prices, to be
+sure, but sufficiently high to make it clear that enough would be
+realized to pay the small bills outstanding.
+
+Philip's lip quivered when his father's watch was put up. He would
+have liked to buy it, but this was impossible; for he had only about
+a dollar of his own.
+
+Nick Holden's eyes sparkled when he saw the watch. He had forgotten
+about that, but as soon as he saw it he coveted it. He had a cheap
+silver watch of his own, which he had bought secondhand about three
+years before. He had thought that he might some day possess a gold
+watch, but he was not willing to lay out the necessary sum of money.
+
+By dint of actual meanness, he had laid up two hundred dollars,
+which he now had in the savings-bank in the next village, and he
+could therefore have bought one if he had chosen; but, like Gilpin,
+
+ "Though on pleasure bent, he had a frugal mind."
+
+Now, however, there seemed a chance of getting a gold watch at a low
+price. Nick reasoned rightly that at an auction it would go much
+below its value, and it would be a good thing for him to buy it--even
+as an investment--as he would probably have chances enough to trade
+it off at a handsome profit.
+
+"I shouldn't wonder if I could double my money on it," he reflected.
+
+Accordingly, when the watch was put up, Nick eagerly bid two
+dollars.
+
+Philip's lip curled when he heard this generous bid, and he heartily
+hoped that this treasured possession of his dead father might not
+fall into such hands.
+
+Nick rather hoped that no one would bid against him, but in this he
+was destined to be disappointed.
+
+"Five dollars!" was next heard.
+
+And this bid came from Mr. Dunbar, the father of his friend Frank.
+Philip's eyes brightened up, for there was no one he would sooner
+see the possessor of the watch than his kind friend.
+
+Nick looked chopfallen when he heard this large increase on his
+original bid, and hesitated to continue, but finally mustered up
+courage to say, in a rather feeble tone:
+
+"Five and a quarter."
+
+"Five dollars and a quarter bid!" said the auctioneer. "Do I hear
+more?"
+
+"Six dollars," said Mr. Dunbar quietly.
+
+The bid was repeated, and the auctioneer waited for a higher one,
+but Nick retired ignominiously from the contest.
+
+He wasn't sure whether he could get much over six dollars for it
+himself, and he foresaw that Mr. Dunbar intended to have it, even if
+it cost considerable more.
+
+"It's kinder hard on a feller," he complained to the man standing
+next him. "What does Mr. Dunbar want of the watch? He's got one
+already."
+
+"Perhaps he thinks it is a good bargain at the price."
+
+"It's what I've been wantin' all along," said Nick. "He might have let
+me have it."
+
+"Why don't you bid more?"
+
+"I wanted to get it cheap."
+
+"And the auctioneer wants to get as much as he can for the articles,
+and so do Philip's friends," This was a consideration which, of
+course, had no weight with Nicholas. However, he had one comfort. He
+would bid on the violin, and probably no one else would bid against
+it. He did not see it, to be sure, but concluded, of course, that it
+would be bid off. When the sale drew near the end, he went to
+Philip, and said:
+
+"Whereabouts is the fiddle, Phil?"
+
+"It isn't here," answered our hero.
+
+"Ain't it goin' to be sold?"
+
+"Of course not! It's mine. I told you that once already."
+
+"We'll see!" said Nicholas angrily.
+
+And going up to Squire Pope, he held a brief conversation with that
+gentleman.
+
+The squire nodded vigorously, and walked over to Philip.
+
+"Philip," said he, "go and bring your violin."
+
+"What will I do that for!" asked our hero quietly.
+
+"So that it may be sold."
+
+"It is not to be sold," returned Philip quietly. "It belongs to me."
+
+"Nothing belongs to you except your clothes!" said the squire
+angrily. "I require you to go and fetch the instrument."
+
+"And I decline to do it," said Philip.
+
+"Do you know who I am," demanded the squire, with ruffled dignity.
+
+"I know you perfectly well," answered Philip "but I am the owner of
+the violin, and I don't mean to have it sold."
+
+"YOU will repent this!" said Squire Pope, who felt that his lawful
+authority and official dignity were set at naught.
+
+Philip bowed and left the house. He did not know what steps the
+squire might take, but he was resolved not to give up his cherished
+violin.
+
+
+
+
+
+
+CHAPTER V.
+
+AN ALLIANCE AGAINST PHILIP.
+
+
+
+
+
+Squire Pope was not a bad man, nor was he by nature a tyrant, but he
+was so fully convinced of his own superior judgment that he was in
+all things obstinately bent on having his own way. He had persuaded
+himself that our young hero, Philip, would be better off in the
+poorhouse than in a place where he could earn his own living, and no
+one could convince him to the contrary.
+
+As to the boy's feelings on the subject, he considered those of no
+importance. He had good reason to know that Philip would object to
+being an inmate of the almshouse, but he was determined that he
+should go there.
+
+In like manner, before the auction was over, he saw clearly that it
+would realize a sum more than sufficient to pay the funeral expenses
+of the late Mr. Gray and the few small bills outstanding against his
+estate, and that there was no necessity that Philip's violin should
+be sold, but none the less he resolved that it should be sold.
+
+"Shall I allow a young lad to dictate to me?" Squire Pope asked
+himself, in irritation. "Certainly not! I know better what is right
+than he. It is ridiculous that a town pauper should own a violin.
+Why, the next thing, we shall have to buy pianos for our almshouses,
+for the use of the gentlemen and ladies who occupy them. A violin,
+indeed!"
+
+This Squire Pope regarded as irresistible logic and withering
+sarcasm combined.
+
+He saw Philip go out of the cottage, but, as the sale was not over,
+he was unable to follow him.
+
+"Never mind, I'll fix him as soon as I have time," he said to
+himself.
+
+"Back so soon? Is the auction over!" asked his friend, Frank Dunbar,
+who was engaged in splitting wood in the rear of the house.
+
+"No, Frank, not quite; but it's almost over..Who do you think bid on
+father's gold watch?"
+
+"I don't know."
+
+"Nick Holden."
+
+"He didn't get it, did he?"
+
+"I am glad to say not. Your father bought it."
+
+"Did he! Why, he's got one watch already."
+
+"I am glad he's got it. I couldn't bear to think of Nick Holden
+carrying my father's watch. He was disappointed about one thing
+besides."
+
+"What was that?"
+
+"The violin. He went to Squire Pope, and complained that it was not
+in the sale."
+
+"That's just like his impudence. What did the squire say?"
+
+"He came to me and ordered me to get it, so that it might be sold."
+
+"Shall I get it for you, then?"
+
+"Not much!" answered Philip emphatically. "It is mine, as I have
+already told you. If the auction doesn't bring in enough to settle
+up everything, I may agree to sell it for a fair price; but I am
+sure, from the prices, that it won't be necessary."
+
+"Squire Pope's a dreadful obstinate man," said Frank doubtfully. "He
+may insist upon your selling the violin."
+
+"Let him do it!" said Philip contemptuously. "I should like to see
+him get it. Where have you put it, Frank?"
+
+"Where Squire Pope won't be apt to find it--in an old chest up in
+the garret. It's full of old clothes, belonging to my grandfather,
+and hasn't been looked into by any one except me for years. I put it
+away under all the clothes at the bottom. No one knows where it is
+except you and me, not even mother."
+
+"That's good. I guess we can defy the squire, then."
+
+Half an hour later, Mr. Dunbar came home from the auction.
+
+Philip went to meet him.
+
+"Thank you for buying father's watch," he said. "But for you, Nick
+Holden would have had it, and I should have been sorry for it."
+
+"He was badly disappointed," said Mr. Dunbar smiling. "But I didn't
+buy the watch for myself, Philip."
+
+"For whom, then?" asked Philip, in some surprise.
+
+"For the one that has the best right to it--for you," and the farmer
+took the watch from his pocket, and handed it to Philip.
+
+"But I haven't the money to pay for it, Mr. Dunbar," said our hero.
+
+"Then I give it to you as a present," said Mr. Dunbar.
+
+"I am very grateful," said Philip; "but I ought not to accept it.
+You are too kind to me."
+
+"Let me be the judge of that."
+
+"Besides, it wouldn't be safe for me to take it. Squire Pope will
+try to get my violin away from me in order to sell it, and he would
+be sure to try to do the same by the watch if he found that I had
+it."
+
+"But, Philip, I don't need the watch myself."
+
+"Then, Mr. Dunbar, will you be kind enough to keep it for me, and
+when I can afford to pay for it, and there is no danger of its being
+taken from me, I will ask you for it. I shall be very glad, indeed,
+when I am older, to carry my father's watch, for I have seen it in
+his hands so often that it will constantly remind me of him."
+
+"Perhaps that will be the best arrangement," said Mr. Dunbar. "You
+might have it stolen from you, if you carried it yourself just at
+present. As you request, I will keep it, subject to your order; but
+I would rather let it be a gift from me, and not require you to pay
+for it."
+
+"We won't talk about that now," said Philip, smiling. "At any rate,
+you must let me thank you for your great kindness to me."
+
+"Don't speak of that, Phil," said the farmer kindly. "I had a great
+respect and liking for your father, and I verily believe my Frank
+loves you as well as if you were his own brother. So, come what may,
+you have a friend in our family."
+
+"I indorse all that father says," Frank said.
+
+And he extended his hand to Philip, who grasped it heartily.
+
+It warmed his heart to think that he had such good friends, though
+he was an orphan and alone in the world.
+
+After supper, Mr. Dunbar went to the village store, while Frank and
+Philip remained at home.
+
+Suddenly Frank said:
+
+"Philip, you are going to have a visitor, I guess."
+
+"A visitor!"
+
+"Yes; I saw Squire Pope stumping along the road, nourishing his
+gold-headed cane. He is headed this way, and it's likely he is going
+to honor you with a call. He's got somebody with him, too. Who is
+it!"
+
+Philip shaded his eyes with his hand, for the Sun was near its
+setting, and shining with dazzling brightness from the quarter
+toward which he was looking.
+
+"It's Nick Holden!" he said.
+
+"So it is! What can he want?"
+
+"I understand very well. He wants my violin. He couldn't get it at
+the sale, so he has come here to see if he can't make me give it to
+him."
+
+"And will you?"
+
+"You ought to know me better than to ask, Frank," said Philip
+firmly. "Nick might as well have stayed away, for he won't
+accomplish anything."
+
+Nick, however, held a different opinion. After Philip left the
+cottage, he had gone to Squire Pope, and cunningly asked:
+
+"Are you going to let Philip keep his fiddle in spite of you,
+squire?"
+
+"What do you mean, Nicholas?" demanded the squire, in a stately way.
+
+"Why, seems to me he's kinder settin' up his will agin yours. You
+say the fiddle shall be sold, and he says it shan't. He told me he
+didn't care what you said, he should keep it."
+
+"Did he say that, Nicholas?" asked the squire, who felt that his
+dignity was outraged by such insolence.
+
+"I'm sartain he did. He's pretty big feelin', Phil is. He always
+wants to have his own way."
+
+"He will find that he can't defy me with impunity," said the squire
+stiffly.
+
+"Just so. Then you'll sell me the fiddle?"
+
+"I will!" said the squire emphatically.
+
+"You won't ask too much, will you?" asked Nick anxiously.
+
+Now Squire Pope, who knew nothing of the price of violins, and had a
+very inadequate idea of their value, after some haggling on the part
+of Nick, agreed to sell him the instrument for two dollars and a
+half, and to see that it was delivered that evening.
+
+"Do you know where it is, Nicholas?" he asked.
+
+"Why, Phil is staying over at Frank Dunbar's, and I guess he's got
+it there somewhere. I guess we'd better go over there and get it."
+
+"Very well, Nicholas. After supper, if you will come to my house, I
+will go over there, and see that you have the instrument."
+
+"All right, squire!" said Nick gleefully, "Phil will find that he
+can't have his own way this time."
+
+"I apprehend he will," said the squire complacently.
+
+Now the reader understands how it happened that Squire Pope and Nick
+Holden made a call on Philip. As to what passed at the interview, we
+must refer him to the next chapter.
+
+
+
+
+
+
+CHAPTER VI.
+
+FUSS ABOUT A FIDDLE.
+
+
+
+
+
+"Ahem! Good evening!" said Squire Pope to Frank Dunbar, taking no
+notice of Philip's cold but polite salutation.
+
+"Good evening! Will you go into the house?" said Frank.
+
+"I believe not. I have not time."
+
+"I am sorry father isn't home. He just started for the village."
+
+"Ahem! it was not to see your father that I called," answered Squire
+Pope. "I wish to have a few words with this young man," indicating
+Philip stiffly.
+
+"I am at your service, Squire Pope," said Philip, with ceremonious
+politeness.
+
+"We came about the fiddle," interrupted Nick Holden, who always
+wanted to have a share in the conversation.
+
+Squire Pope frowned, for he did not relish Nick's interference.
+
+"Nicholas," he said severely, "I apprehend I am competent to manage
+the business we have come upon."
+
+"Don't get riled, squire," said Nick, by no means abashed by this
+rebuke. "I thought you were kinder slow about comin' to the point."
+
+"Your interruption was very indecorous. I do not require any
+assistance or any suggestions."
+
+"All right, squire!"
+
+Squire Pope now turned to our hero, and said:
+
+"As I was about to say, when interrupted by Nicholas, I have come to
+require you to give up--the Violin which, without authority and
+against my express command, you withheld from the auction."
+
+"The violin is mine, Squire Pope," said Philip firmly, "and I mean
+to keep it!"
+
+"You talk like an ignorant boy. As a minor, you had no claim to the
+possession of any article except your clothing. I judged it best
+that the violin should be sold at the auction, and it is
+presumptuous for you to set up your judgment against mine!"
+
+"I don't take that view of it," said Philip, and then he stopped.
+
+He knew it was of no use to argue against the squire, who was
+obstinate to the verge of pig-headedness, if I may be allowed to use
+the expression. He felt that it would be only wasting his breath.
+
+"It is quite immaterial how you view the subject," said the squire
+pompously. "My mind is made up, and my resolution is not likely to
+be shaken by a boy."
+
+"Then, sir," answered Philip, in a respectful tone but with a slight
+smile, "it is hardly worth while for me to say any more."
+
+"I am glad you have arrived at so sensible a conclusion," said
+Squire Pope. "I take it that you have the violin here."
+
+"Yes, sir."
+
+"Then bring it out and give it to me."
+
+Now came the critical point, when Philip must array himself in
+determined opposition to Squire Pope. He felt that he was entirely
+in the right; still he regretted the necessity of the antagonism.
+
+Philip had one thing in his favor: He had plenty of self-control,
+and, although he was very indignant at the course of the squire,
+which he regarded as unjustifiable, he made up his mind to be as
+respectful as circumstances would permit.
+
+"I don't think you understand me, Squire Pope," he said. "I refuse
+to give up the violin!"
+
+"You refuse to give up the violin!" repeated Squire Pope, scarcely
+believing the testimony of his ears. "Do I hear you aright?"
+
+"Yes, sir."
+
+"I never see such impudence!" ejaculated Nick Holden, wishing to egg
+on the squire.
+
+"Do you mean to defy me to my face?" demoded Squire Pope, growing
+very red.
+
+"I don't wish to defy you or anybody else," returned Philip; "but I
+shall stand up for my rights."
+
+"Misguided boy!" said the squire severely; "you will yet rue this
+rash and heedless course. Frank," he continued, turning to Frank
+Dunbar, "do you know where Philip's violin is!"
+
+"Yes, sir."
+
+"Do me the favor to bring it out and place it in my hands."
+
+"You must excuse me, Squire Pope," answered Frank. "It belongs to
+Philip, and I have no right to meddle with it."
+
+"If Philip has told you this, he has misrepresented," said the
+squire, rather discouraged by this second rebuff. "The violin does
+not belong to Philip. It belongs to this young man."
+
+And, with a wave of his hand, he designated Nick Holden.
+
+It was not polite, but Frank Dunbar was so surprised by this
+announcement that he whistled.
+
+As for Philip, he regarded Nick calmly; but there didn't seem to be
+any sign of yielding in his look.
+
+"It belongs to Nicholas, because I have sold it to him," continued
+Squire Pope doggedly.
+
+"That's so!" corroborated Nick complacently. "The squire sold me the
+fiddle for two-fifty. It's mine now, and you'd better fetch it along
+out, or there'll be trouble."
+
+Philip turned to Squire Pope, and said quietly:
+
+"As you had no right to sell it, the sale amounts to nothing. If you
+had a right, I should say you were not very shrewd to sell an
+instrument that cost twenty-five dollars--and was considered a
+bargain at the price--for two dollars and fifty cents."
+
+"The violin cost twenty-five dollars!" ejaculated the squire, in
+genuine surprise.
+
+For, as it has already been stated, he had no idea whatever of the
+usual price for a violin.
+
+"Yes, sir."
+
+"Don't you believe him, squire," said Nicholas, afraid that he would
+lose what he knew to be a good bargain. "No fiddle that was ever made
+cost twenty-five dollars. It's ridiculous!"
+
+"It does seem a large price," said the squire guardedly.
+
+Squire Pope would doubtless have been surprised to learn that
+certain violins of celebrated make--such as the Cremonas--have sold
+for thousands of dollars. Probably he would have disbelieved it.
+
+Nevertheless, he began to think that he had been too precipitate in
+accepting Nick Holden's offer.
+
+If he should sacrifice, or sell at an utterly inadequate price, any
+article belonging to the boy whom he considered his ward, he knew
+that he would be blamed, and he began to consider how he could
+recede from the bargain.
+
+"Nicholas," he said, "I didn't exactly sell the violin to you. I
+will ascertain what is a fair price for it, and then I will consider
+your proposal."
+
+"You sold it right out, squire," said Nick, "and I can prove it.
+Didn't you just say it was mine. There, now!"
+
+Nick turned triumphantly to Frank and Phil, but, for very good
+reasons, they did not care to side with him.
+
+"I say, you haven't treated me right," persisted Nick, who had no
+particular respect nor veneration for the squire, and was not to be
+deterred from speaking as he felt. "I offered you two-fifty, and you
+said I should have it, and you got me to call at your house to come
+here for it."
+
+"I cannot sacrifice the property of my ward," said Squire Pope. "I
+must ascertain how much the violin is worth."
+
+"A bargain is a bargain, every time!" said Nick, irritated.
+
+"I will let you have it as cheap as anybody," said the squire, who
+thought it possible that Nick might be the only one who desired to
+purchase it. "That ought to satisfy you. Philip, go and bring me the
+violin, and I will carry it home and dispose of it to the best
+advantage."
+
+"You must excuse me, Squire Pope. I shall not let it leave my
+possession." Just then Squire Pope espied Mr. Dunbar returning from
+the village, and hailed him as a probable ally. He laid the matter
+before him, and requested him to compel Philip to get the violin.
+
+"You must excuse me, squire," said Mr. Dunbar coldly. "Philip is my
+guest, and he shall be protected in his rights as long as he remains
+here."
+
+Without a word, Squire Pope walked off, in angry discomfiture, in
+one direction, while Nick, equally dissatisfied, walked off in
+another.
+
+"They don't seem happy!" said Frank slyly.
+
+"I wish I knew where it was going to end," returned Philip gravely.
+
+"It seems to me," said Frank, "the squire is making a great fuss
+about a fiddle, for a man of his dignity."
+
+"He doesn't care about the violin. He wants to have his own way,"
+said Philip, thus hitting the nail on the head.
+
+
+
+
+
+
+CHAPTER VII.
+
+MR. JOE TUCKER
+
+
+
+
+
+Before going further, I will introduce to the reader, a citizen of
+Norton, who filled a position for which he was utterly unfitted.
+This man was Joe Tucker, in charge of the almshouse.
+
+He had not been selected by the town authorities on the ground of
+fitness, but simply because he was willing to work cheap. He
+received a certain low weekly sum for each one of his inmates, and
+the free use of apartments for himself and family, with the right to
+cultivate the ten acres of land connected with the establishment,
+and known as the Town Farm.
+
+His family consisted of three persons--himself, his wife, and a son,
+Ezekiel, familiarly known as Zeke, now sixteen years old. The
+leading family trait was meanness.
+
+Mr. Tucker supplied a mean table even for a poorhouse, and some of
+the hapless inmates complained bitterly. One had even had the
+boldness to present a complaint to the selectmen, and that body,
+rather reluctantly, undertook to investigate the justness of the
+complaint. They deputed Squire Pope to visit the poorhouse and
+inquire into the matter.
+
+Now, though Squire Pope thought himself unusually sharp, it was the
+easiest thing in the world for a cunning person like Joe Tucker to
+satisfy him that all was right.
+
+"Mr. Tucker," said Squire Pope pompously, "I am deputed by the
+selectmen, and I may add by the overseers of the poor, to
+investigate a complaint made by one of the paupers in relation to
+the fare you offer them."
+
+"Who is it!" inquired Mr. Tucker.
+
+"It is Ann Carter. She says you don't allow her sugar in her tea,
+and only allow one slice of bread at supper, and that the meat is so
+bad she can't eat it."
+
+"Just like the old woman!" exclaimed Mr. Tucker indignantly. "Oh,
+she's a high-strung pauper, she is! Expects all the delicacies of
+the season for seventy-five cents a week. She'd ought to go to the
+Fifth Avenoo Hotel in New York, and then I'll bet a cent she
+wouldn't be satisfied."
+
+It is observable that even in his imaginary bets Mr. Tucker
+maintained his economical habits, and seldom bet more than a cent.
+Once, when very much excited, he had bet five cents, but this must
+be attributed to his excited state of mind.
+
+"So you regard her complaints as unreasonable, do you, Mr. Tucker?"
+observed the investigating committee.
+
+"Unreasonable? I should think they was. I allow, Squire Pope, we
+don't live like a first-class hotel"--Mr. Tucker's language was
+rather mixed--"but we live as well as we can afford to. As to sugar,
+we don't allow the paupers to put it in for themselves, or they'd
+ruin us by their extravagance. Mrs. Tucker puts sugar in the teapot
+before she pours it out. I s'pose Ann Carter would put as much in
+one cup of tea as Mrs. T. uses for the whole teapotful, if she had
+her way."
+
+This was very probably true, as the frugal Mrs. Tucker only allowed
+one teaspoonful for the entire supply.
+
+"That looks reasonable, Mr. Tucker," said the squire approvingly.
+"Now about the bread and the meat?"
+
+"The paupers has plenty of bread," said Mr. Tucker. "Our bread bill
+is actually enormous."
+
+"And as to the meat?"
+
+"We don't give 'em roast turkey every day, and we don't buy
+tenderloin steaks to pamper their appetites," said Mr. Tucker,
+"though we're perfectly willing to do it if the town'll pay us so we
+can afford it. Do you think the town'll agree to pay me twenty-five
+cents more a week for each one, squire?"
+
+"Certainly not. It can't be thought of," said the squire hastily,
+knowing that if the selectmen advocated such a measure they would
+probably lose their reelection.
+
+"If it would, we might live a little better, so that Ann Carter
+wouldn't have to complain, though, bless your soul! that woman is
+always complainin'."
+
+"Ahem! Mr. Tucker, you present the matter to me in a new light. I
+really feel that Ann Carter is very unreasonable in her complaints."
+
+"I knowed you'd do me justice, squire," said Mr. Tucker effusively.
+"You're a sharp man. You ain't a-goin' to be taken in by any of them
+paupers' rigmarole. I always said, Squire Pope, that you was the
+right man in the right place, and that the town was lucky to have so
+intelligent and public-spirited a citizen fillin' her most important
+offices."
+
+"Mr. Tucker," said the squire, "you gratify me. It has ever been my
+aim to discharge with conscientious fidelity the important trusts
+which the town has committed to my charge--"
+
+"I'll bear witness to that, squire."
+
+"And your sincere tribute gives me great satisfaction."
+
+"I hope you'll report things right to the board, Squire Pope?" said
+Mr. Joe Tucker insinuatingly.
+
+"Be assured I will, Mr. Tucker. I consider you a zealous and
+trustworthy official, striving hard to do your duty in the place the
+town has assigned you."
+
+"I do, indeed, squire," said Mr. Tucker, pulling on a red
+handkerchief and mopping some imaginary tears. "Excuse my emotions,
+sir, but your generous confidence quite unmans me. I--I--trust now
+that I shall be able to bear meekly the sneers and complaints of Ann
+Carter and her fellow paupers."
+
+"I will stand by you, Mr. Tucker," said Squire Pope cordially, for
+the man's flattery, coarse as it was, had been like incense to his
+vanity. "I will stand by you, and uphold you by my testimony."
+
+"Thank you, squire. With such an impartial advocate I will continue
+to do my duty and fear nothing."
+
+As Squire Pope left the almshouse, Mr. Tucker winked at himself in
+the glass, and said quizzically:
+
+"I guess I'm all right now. The vain old fool thinks he's a second
+Solomon, and thinks I regard him as such. Oh, it takes me to get
+round him!"
+
+Squire Pope wrote an elaborate report, in which he stated that,
+after searching investigation, he had ascertained that the
+complaints of Ann Carter were absolutely groundless, and gave it as
+his conviction that Mr. Tucker's treatment of her and her associate
+paupers was characterized by remarkable consideration and humanity.
+
+Such officials as he have much to answer for, and yet there are
+plenty just as false to their responsibilities as he.
+
+It was two days after Squire Pope's ineffectual attempt to possess
+himself of Philip's violin, that our hero was walking along a
+country road, on his return from an errand which, he had undertaken
+for his friend's father, when his attention was drawn to the yelping
+of a small dog, that seemed in fear or pain.
+
+Looking over the stone wall, Philip saw Zeke Tucker amusing himself
+by thrusting the dog's head into a pool of dirty water, and holding
+it there till the animal was nearly strangled. The dog's suffering
+appeared to yield the most exquisite amusement to the boy, who burst
+into peal after peal of rude laughter as he watched the struggles of
+his victim.
+
+Philip, like every decent boy, had a horror of cruelty, and the
+sight stirred him to immediate anger and disgust.
+
+"What are you doing there, Zeke Tucker?" he demanded sternly.
+
+"None of your business!" answered Zeke, frowning.
+
+"You'd better answer my question," said Philip, who had by this time
+jumped over the wall.
+
+"Then I will. I'm havin' a little fun. What have you got to say
+about it?" retorted Zeke.
+
+And once more he plunged the head of the poor dog into the filthy
+pool.
+
+The next moment he found himself floundering on his back, while the
+dog, slipping from his grasp, was running across the meadows. "What
+did you do that for!" demanded Zeke, springing up, his face flaming
+with rage.
+
+"I rather think you understand well enough," answered Philip
+contemptuously.
+
+"What business have you to touch me? I can have you arrested, you
+low pauper!"
+
+"What's that? What did you call me?" demanded Philip.
+
+"I called you a pauper."
+
+"By what right?"
+
+"Squire Pope told my father he was going to bring you over to the
+poorhouse to live. You just see if my father doesn't give it to you
+then!"
+
+"Thank you," said Phil contemptuously; "but I don't propose to board
+at your establishment, not even to obtain the pleasure of your
+society."
+
+"Maybe you can't help yourself," said Zeke gleefully.
+
+For he saw what had escaped the notice of Philip, whose back was
+turned--namely, a four-seated carryall, containing his father and
+Squire Pope, which had just halted in the road, hard by.
+
+"Mr. Tucker," said Squire Pope, in a low tone, "now will be the best
+opportunity to capture the boy and carry him to the almshouse."
+
+"All right--I'm ready," said Tucker readily.
+
+For another boarder would bring him sixty cents a week more.
+
+They stopped the horses and prepared for business.
+
+
+
+
+
+
+CHAPTER XIII.
+
+IN THE ENEMY'S HANDS
+
+
+
+
+
+Philip heard a step, and turned to see whose it was; but, when he
+recognized Mr. Tucker, the latter's hand was already on his collar.
+
+"What have you been doin' to Zeke? Tell me that, you young rascal,"
+said Mr. Tucker roughly.
+
+"He pitched into me savage, father," answered Zeke, who had picked
+himself up, and was now engaged in brushing the dust from his coat.
+
+"Pitched into ye, did he?" repeated Joe Tucker grimly. "I reckon he
+didn't know your father was 'round. What have you got to say for
+yourself, eh?"
+
+Philip regarded his captor contemptuously, and didn't struggle to
+escape, knowing that he was not a match for a man five inches taller
+than himself. But contempt he could not help showing, for he knew
+very well that Zeke had inherited his mean traits largely from his
+father.
+
+"I'll thank you to remove your hand from my collar, sir," said
+Philip. "When you have done that, I will explain why I pitched into
+Zeke, as he calls it."
+
+"Don't you let go, father!" said Zeke hastily. "He'll run away, if
+you do."
+
+"If I do, you can catch me between you," returned Philip coolly.
+
+"I reckon that's so," said Mr. Tucker, withdrawing his hand, but
+keeping wary watch of our hero.
+
+"Now go ahead!" said he.
+
+Philip did so.
+
+"I saw Zeke torturing a small dog," he explained, "and I couldn't
+stand by and let it go on."
+
+"What was he doin' to him?" inquired Mr. Tucker.
+
+"Putting the poor animal's head into this dirty pool, and keeping it
+there till it was nearly suffocated."
+
+"Was you doin' that, Zeke?" asked his father.
+
+"I was havin' a little fun with him," said Zeke candidly.
+
+"It might have been fun to you, but it wasn't to him," said Phil.
+
+"Why didn't you ask Zeke to stop, and not fly at him like a tiger?"
+demanded Mr. Tucker.
+
+"I did remonstrate with him, but he only laughed, and did it again."
+
+"He hadn't no right to order me," said Zeke. "It wa'n't no business
+of his if I was havin' a little fun with the dog."
+
+"And I had a little fun with, you," returned Philip--"You couldn't
+have complained if I had dipped your head in the water also."
+
+"I ain't a dog!" said Zeke.
+
+"I should respect you more if you were," said Philip.
+
+"Are you goin' to let him talk to me like that!" asked Zeke,
+appealing to his father.
+
+"No, I ain't," said Mr. Tucker angrily. "You've committed an assault
+and battery on my son, you rascal, and you'll find there ain't no
+fun in it for you. I could have you arrested and put in jail,
+couldn't I, squire?"
+
+"Ahem! Well, you could have him fined; but, as he is to be under
+your care, Mr. Tucker, you will have a chance of making him conduct
+himself properly."
+
+"What do you mean by that, Squire Pope?" asked Philip quickly.
+
+"Young man, I do not choose to be catechized," said Squire Pope, in
+a dignified manner; "but I have no objections to tell you that I
+have made arrangements with Mr. Tucker to take you into the
+poorhouse."
+
+"I've heard that before, but I couldn't believe it," said Philip
+proudly.
+
+"I guess you'll have to believe it pretty soon, he, he!" laughed
+Zeke, with a grin which indicated his high delight. "I guess dad'll
+make you stand round when he gits you into the poor-house."
+
+"Don't you consider me capable of earning my own living, Squire
+Pope?" asked Philip.
+
+"Ahem! Yes, you will be one of these days. You won't have to stay in
+the almshouse all your life."
+
+"You'll have a chance to earn your livin' with me." said Mr. Tucker.
+"I shall give you something to do, you may depend."
+
+"You can make him saw and split wood, father, and do the chores and
+milk the cow," suggested Zeke.
+
+"I have no objection to doing any of those things for a farmer,"
+said Philip, "but I am not willing to do it where I shall be
+considered a pauper."
+
+"Kinder uppish!" suggested Mr. Tucker, turning to Squire Pope. "Most
+all of them paupers is proud; but it's pride in the wrong place, I
+reckon."
+
+"If it is pride to want to earn an independent living, and not live
+on charity, then I am proud," continued Philip.
+
+"Well, squire, how is it to be," asked Mr. Tucker.
+
+"Philip," said Squire Pope pompously, "you are very young, and you
+don't know what is best for you. We do, and you must submit.
+Mr. Tucker, take him and put him in the wagon, and we'll drive over
+to the poorhouse."
+
+"What! now?" asked Philip, in dismay.
+
+"Just so," answered Joe Tucker. "When you've got your bird, don't
+let him go, that's what I say."
+
+"That's the talk, dad!" said Zeke gladfully. "We'll take down his
+pride, I guess, when we've got him home."
+
+Joe Tucker approached Philip, and was about to lay hold of him, when
+our hero started back.
+
+"You needn't lay hold of me, Mr. Tucker," he said. "I will get into
+the wagon if Squire Pope insists upon it."
+
+"I'm glad you're gettin' sensible," said the squire, congratulating
+himself on finding Philip more tractable than he expected.
+
+"And you will go to the poorhouse peaceful, and without making a
+fuss?" asked Joe.
+
+"Yes, I will go there; but I won't stay there."
+
+"You won't stay there!" ejaculated the squire.
+
+"No, sir! In treating me as a dependent on charity, you are doing
+what neither you nor any other man has a right to do," said Philip
+firmly.
+
+"You don't appear to remember that I am a selectman and overseer of
+the poor," said the Squire.
+
+"I am aware that you hold those offices; but if so, you ought to
+save money to the town, and not compel them to pay for my support,
+when I am willing and able to support myself."
+
+Squire Pope looked a little puzzled. This was putting the matter in
+a new light, and he could not help admitting to himself that Philip
+was correct, and that perhaps his fellow citizens might take the
+same view.
+
+On the other hand, the squire was fond of having his own way, and he
+had now gone so far that he could not recede without loss of
+dignity.
+
+"I think," he answered stiffly, "that I understand my duty as well
+as a boy of fifteen. I don't mean to keep you here long, but it is
+the best arrangement for the present."
+
+"Of course it is," said Zeke, well pleased with the humiliation of
+his enemy.
+
+"Shut up, Zeke!" said his father, observing from the squire's
+expression that he did not fancy Zeke's interference.
+
+"All right, dad," said Zeke good-naturedly, seeing that things had
+turned out as he desired.
+
+"Jump in!" said Mr. Tucker to Philip.
+
+Our hero, without a word, obeyed. He was firmly resolved that Squire
+Pope should not have his way, but he did not choose to make himself
+ridiculous by an ineffectual resistance which would only have ended
+in his discomfiture.
+
+Seated between Mr. Tucker and the squire, he was driven rapidly
+toward the poorhouse.
+
+
+
+
+
+
+CHAPTER IX.
+
+THE POORHOUSE.
+
+
+
+
+
+There was no room for Zeke to ride--that is, there was no seat for
+him--but he managed to clamber into the back part of the wagon,
+where he sat, or squatted, rather uncomfortably, but evidently in
+the best of spirits--if any inference could be drawn from his
+expression.
+
+The poorhouse was not far away. It was a three-story frame house,
+which badly needed painting, with a dilapidated barn, and shed near
+by.
+
+A three-story farmhouse is not common in the country, but this
+dwelling had been erected by a Mr. Parmenter, in the expectation of
+making a fortune by taking summer boarders.
+
+There was room enough for them, but they did not come. The situation
+was the reverse of pleasant, the soil about was barren, and there
+were no shade or fruit trees. It was a crazy idea, selecting such a
+spot for a summer boarding-house, and failure naturally resulted.
+
+There had, indeed, been two boarders--a man and his wife--who paid
+one week's board, and managed to owe six before the unlucky landlord
+decided that they were a pair of swindlers. He had spent more money
+than he could afford on his house, and went steadily behind-hand
+year after year, till the town--which was in want of a
+poorhouse--stepped in and purchased the house and farm at a bargain.
+So it came to be a boarding-house, after all, but in a sense not
+contemplated by the proprietor, and, at present, accommodated eleven
+persons--mostly old and infirm--whom hard fortune compelled to
+subsist on charity.
+
+Mr. Tucker had this advantage, that his boarders, had no recourse
+except to stay with him, however poor his fare or harsh his
+treatment, unless they were in a position to take care of
+themselves.
+
+When Philip came in sight of the almshouse--which he had often seen,
+and always considered a very dreary-looking building--he was
+strengthened in his determination not long to remain a tenant.
+
+Mr. Tucker drove up to the front door with a flourish.
+
+A hard-featured woman came out, and regarded the contents of the
+wagon with curiosity.
+
+"Well, Abigail, can you take another boarder!" asked Mr. Tucker, as
+he descended from the wagon.
+
+"Who is it?"
+
+"Well, it ain't likely to be Squire Pope!" said Joe facetiously;
+"and Zeke and I are regular boarders on the free list."
+
+"Is it that boy?"
+
+"Yes; it's Phil Gray."
+
+"Humph! boys are a trial!" remarked Mrs. Tucker, whose experience
+with Zeke had doubtless convinced her of this fact.
+
+"I sha'n't trouble you long, Mrs. Tucker," said Philip. "I don't
+intend to stay."
+
+"You don't, hey?" retorted Joe Tucker, with a wolfish grin and an
+emphatic nod of the head. "We'll see about that--won't we, Squire
+Pope?"
+
+"The boy is rather rebellious, Mrs. Tucker," said the selectman. "He
+appears to think he knows better what is good for him than we do.
+You may look upon him as a permanent boarder. What he says is of no
+account."
+
+Philip said nothing, but he looked full at the squire with an
+unflinching gaze. If ever determination was written upon any face,
+it was on his.
+
+"Come down there!" said Mrs. Tucker, addressing our hero. "You're at
+home now."
+
+"Mr. Dunbar won't know what has become of me," said Philip, with a
+sudden thought. "They will be anxious. May I go back there and tell
+them where I am?"
+
+"Do you think I am green enough for that?" Mr. Tucker, touching the
+side of his nose waggishly. "We shouldn't be likely to set eyes on
+you again."
+
+"I will promise to come back here this evening," said Philip.
+
+"And will you promise to stay?" asked Squire Pope doubtfully.
+
+"No, sir," answered Philip boldly. "I won't do that, but I will
+engage to come back. Then Mr. Tucker will have to look out for me,
+for I tell you and him frankly I don't mean to stay."
+
+"Did you ever hear such talk, squire!" asked Mr. Tucker, with a gasp
+of incredulity. "He actually defies you, who are a selectman and an
+overseer of the poor."
+
+"So he does, Mr. Tucker. I'm shocked at his conduct."
+
+"Shall we let him go?"
+
+"No, of course not."
+
+"I agree with you, squire. I know'd you wouldn't agree to it. What
+shall I do about his wantin' to run away?"
+
+"It will be best to confine him just at first, Mr. Tucker."
+
+"I'll shut him up in one of the attic rooms," said Mr. Tucker.
+
+"I think it will be the best thing to do, Mr. Tucker."
+
+Philip took all this very coolly. As to the way in which they
+proposed to dispose of him for the present he cared very little, as
+he did not intend stay till morning if there was any possible chance
+of getting away. The only thing that troubled him was the doubt and
+anxiety of his good friends, the Dunbars, when he did not return to
+the house.
+
+"Squire Pope," he said, turning to that official, "will you do me a
+favor?"
+
+"Ahem! Explain yourself," said the squire suspiciously.
+
+"Will you call at Mr. Dunbar's and tell them where I am."
+
+Now, for obvious reasons, the squire did not like to do this. He
+knew that the Dunbars would manifest great indignation at the
+arbitrary step which he had adopted, and he did not like to face
+their displeasure, especially as his apology would perforce be a
+lame one.
+
+"I don't think I am called upon to do you a favor, seeing how you've
+acted, Philip," he said hesitatingly. "Besides, it would be out of
+my way, and I ought to get home as soon as possible."
+
+"Then you refuse, sir?"
+
+"Well, I'd rather not."
+
+"Will you get word to them, Mr. Tucker?" asked Philip, turning to
+him.
+
+"I hain't got time," answered Mr. Tucker, who feared that the
+Dunbars would come for Philip and release him in the course of the
+evening.
+
+Philip was nonplused. Always considerate of the feelings of others,
+he was unwilling that his friends should suffer anxiety on his
+account.
+
+As Mr. Tucker and Squire Pope walked away together, our hero turned
+to Zeke.
+
+"I suppose it's no use to ask you to do me a favor, Zeke?" he said.
+
+"Do you want me to tell Frank Dunbar where you are?"
+
+"Yes, I wish you would."
+
+"Then I'll do it."
+
+"You're a better fellow than I thought you were, Zeke," said Philip,
+surprised.
+
+"No, I ain't! Do you want to know why I'm willin' to go?"
+
+"Why?"
+
+"I know Frank Dunbar'll feel bad, and I hate him."
+
+"So that is your object, is it, Zeke?"
+
+"You've got it."
+
+"Well, whatever your motive may be, I shall be much obliged to you
+if you go. Here's ten cents for you!"
+
+Zeke grasped at the coin with avidity, for his father was very
+parsimonious, and his mother no less so, and he seldom got any ready
+money.
+
+"Thank you!" said Zeke, with unusual politeness. "I'll go right off.
+But, I say, don't you tell dad where I've gone, or he might prevent
+me, and don't you let on you've given me this dime, or he'd try to
+get it away."
+
+"No, I won't say anything about it," answered Philip.
+
+"A curious family this is!" he thought, "There doesn't seem to be
+much confidence in each other."
+
+Zeke sauntered away carelessly, to avert suspicion but when he had
+got round a bend of the road he increased his speed, never looking
+back, lest he should see his father signaling for him.
+
+Philip breathed a sigh of relief.
+
+"I've got a messenger at last," he said. "Now my friends will know
+what has become of me when I don't come home to supper."
+
+He was a little curious to learn what they were going to do with
+him, but he was not long kept in suspense.
+
+
+
+
+
+
+CHAPTER X.
+
+BAD TIDINGS.
+
+
+
+
+
+Leaving Philip for a short time in the hands of his captor, we will
+follow Zeke on his errand. He didn't have to go as far as Mr.
+Dunbar's house, for he met Frank Dunbar about a quarter of a mile
+this side of it.
+
+Now, between Frank Dunbar and Zeke Tucker there was no love lost.
+There had been a difficulty between them, originating at school,
+which need not be particularly referred to. Enough that it led to
+Zeke's cordially disliking Frank, while the latter, who was a frank,
+straightforward boy, could not see anything in Mr. Tucker's
+promising son to enlist either his respect or his liking.
+
+There was a small river running through Norton, which crossed the
+main thoroughfare, and had to be bridged over. Frank Dunbar,
+fishing-line in hand, was leaning over the parapet, engaged in
+luring the fish from their river home. He looked up, when he saw
+Zeke approaching him. Not having any particular desire to hold a
+conversation with him, he withdrew his eyes, and again watched his
+line. Zeke, however, approached him with a grin of anticipated
+enjoyment, and hailed him in the usual style:
+
+"Hello, Frank!"
+
+"Oh, it's you, is it?" said Frank Dunbar indifferently.
+
+"Yes it's me. I suppose you thought it was somebody else," chuckled
+Zeke, though Frank could see no cause for merriment.
+
+"Well, I see who it is now," he responded.
+
+"Where is Phil Gray?" inquired Zeke, chuckling again.
+
+"Do you want to see him?" asked Frank, rather surprised.
+
+"Oh, no! I shall see him soon enough."
+
+And again Zeke chuckled.
+
+Frank looked up.
+
+He was expecting Philip to join him, and was, in fact, waiting for
+him now. Zeke's mysterious merriment suggested that he might have
+met Philip--possibly bore some message from him.
+
+"Do you know anything about Phil?" asked Frank, looking fixedly at
+his visitor.
+
+"I reckon I do. I know all about him," said Zeke, with evident
+enjoyment.
+
+"Well. If you have any message from him, let me hear it."
+
+"You can't guess where he is," blurted out Zeke.
+
+"He isn't in any trouble, is he?" asked Frank quickly.
+
+"No; he's safe enough. But you needn't expect to see him tonight."
+
+"Why not?" demanded Frank, not yet guessing what was likely to
+detain his friend.
+
+"Because he's at our house," chuckled Zeke. "Dad and Squire Pope
+have carried him to the poorhouse, and he's goin' to stay there for
+good."
+
+This was a surprise. In his astonishment, Frank nearly let go his
+rod. He was eager now to question Zeke further.
+
+"You don't mean to say Phil has been carried to the poorhouse
+against his will?" he exclaimed.
+
+"I reckon he was anxious to go," said Zeke.
+
+"Where was he when your father and Squire Pope committed this
+outrage?" said Frank indignantly.
+
+"I thought you'd be mad," said Zeke, with the same unpleasant
+chuckle.
+
+"Answer my question, or I'll pitch you into the river," said Frank
+sternly.
+
+He did not mean what he said, but Zeke drew back in alarm.
+
+"Quit now! I didn't have nothin' to do with it," said Zeke hastily.
+"Me and him was over in Haywood's pasture when dad come along with
+the squire in his wagon. Well, they made Phil get in, and that's all
+of it, except I promised I'd come and tell your folks, so you
+needn't get scared or nothin' when he didn't come back to-night."
+
+"He will come back to-night," said Frank. "He won't stay in the
+poorhouse."
+
+"Yes, he will. He can't help himself. Dad's goin' to lock him up in
+the attic. I guess he won't jump out of the window. Where you
+go-in'! You ain't got through fishin', be you?"
+
+"Yes, I'm through," answered Frank, as he drew his line out of the
+water. "Just tell Phil when you go home that he's got friends
+outside who won't see him suffer."
+
+"Say, ain't you goin' to give me nothin' for comin' to tell you!"
+asked Zeke, who was always intent on the main chance.
+
+Frank flung a nickel in his direction, which Zeke picked up with
+avidity.
+
+"I guess it pays to run errands when you can get paid twice," he
+reflected complacently.
+
+
+
+
+
+
+CHAPTER XI.
+
+PHILIP'S NEW ROOM.
+
+
+
+
+
+We return to Phil.
+
+"Foller me, boy!" said Mr. Tucker, as he entered the house, and
+proceeded to ascend the front steps.
+
+Philip had formed his plans, and without a word of remonstrance, he
+obeyed. The whole interior was dingy and dirty. Mrs. Tucker was not
+a neat woman, and everything looked neglected and slipshod.
+
+In the common room, to the right, the door of which was partly open,
+Philip saw some old men and women sitting motionless, in a sort of
+weary patience. They were "paupers," and dependent for comfort on
+the worthy couple, who regarded them merely as human machines, good
+to them for sixty cents a week each.
+
+Mr. Tucker did not stop at the first landing, but turned and began
+to ascend a narrower and steeper staircase leading to the next
+story.
+
+This was, if anything, dirtier and more squalid than the first and
+second. There were several small rooms on the third floor, into one
+of which Mr. Tucker pushed his way. "Come in," he said. "Now you're
+at home. This is goin' to be your room."
+
+Philip looked around him in disgust, which he did not even take the
+trouble to conceal.
+
+There was a cot-bed in the corner, with an unsavory heap of
+bed-clothing upon it, and a couple of chairs, both with wooden
+seats, and one with the back gone.
+
+That was about all the furniture. There was one window looking out
+upon the front.
+
+"So this is to be my room, is it?" asked our hero.
+
+"Yes. How do you like it?"
+
+"I don't see any wash-stand, or any chance to wash."
+
+"Come, that's rich!" said Mr. Tucker, appearing to be very much
+amused. "You didn't think you was stoppin' in the Fifth Avenoo
+Hotel, did you?"
+
+"This don't look like it."
+
+"We ain't used to fashionable boarders, and we don't know how to
+take care of 'em. You'll have to go downstairs and wash in the
+trough, like the rest of the paupers do."
+
+"And wipe my face on the grass, I suppose?" said Philip coolly,
+though his heart sank within him at the thought of staying even one
+night in a place so squalid and filthy.
+
+"Come, that's goin' too far," said Mr. Tucker, who felt that the
+reputation of the boarding-house was endangered by such
+insinuations. "We mean to live respectable. There's two towels a
+week allowed, and that I consider liberal."
+
+"And do all your boarders use the same towel?" asked Phil, unable to
+suppress an expression of disgust.
+
+"Sartain. You don't think we allow 'em one apiece, do you!"
+
+"No, I don't," said Philip decidedly.
+
+He had ceased to expect anything so civilized in Mr. Tucker's
+establishment.
+
+"Now you're safe in your room, I reckon I'd better go downstairs,"
+said Tucker.
+
+"I will go with you."
+
+"Not much you won't! We ain't a-goin' to give you a chance of
+runnin' away just yet!"
+
+"Do you mean to keep me a prisoner?" demanded Philip.
+
+"That's just what we do, at present," answered his genial host.
+
+"It won't be for long, Mr. Tucker."
+
+"What's that you say? I'm master here, I'd have you to know!"
+
+Just then a shrill voice was heard from below:
+
+"Come down, Joe Tucker! Are you goin' to stay upstairs all day?"
+
+"Comin', Abigail!" answered Mr. Tucker hastily, as he backed out of
+the room, locking the door behind him. Philip heard the click of the
+key as it turned in the lock, and he realized, for the first time in
+his life, that he was a prisoner.
+
+
+
+
+
+
+CHAPTER XII.
+
+A PAUPER'S MEAL
+
+
+
+
+
+Half an hour later Philip heard a pounding on the door of his room.
+
+He was unable to open it, but he called out, loud enough for the
+outsider to hear:
+
+"Who is it?"
+
+"It's me--Zeke," was the answer that came back.
+
+"Did you tell the Dunbars where I was?" asked Philip eagerly.
+
+"Yes."
+
+"I shouldn't think you had time to go there and back," said Philip,
+fearing that Zeke had pocketed his money and then played him false.
+But, as we know, he was mistaken in this.
+
+"I didn't go there," shouted Zeke. "I met Frank on the bridge."
+
+"What did he say?"
+
+"He was mad," answered Zeke, laughing. "I thought he would be."
+
+"Did he send any message to me?" asked Philip.
+
+"No; he stopped fishin' and went home." Here the conversation was
+interrupted. The loud tones in which Zeke had been speaking, in
+order to be heard through the door, had attracted attention below.
+
+His father came to the foot of the attic stairs and demanded
+suspiciously:
+
+"What you doin' there, Zeke?"
+
+"Tryin' to cheer up Phil Gray," answered Zeke jocosely.
+
+"He don't need any cheerin' up. He's all right. I reckon you're up
+to some mischief."
+
+"No, I ain't."
+
+"Come along down."
+
+"All right, dad, if you say so. Lucky he didn't hear what I was
+sayin' about seein' Frank Dunbar," thought Zeke. "He'd be mad."
+
+Presently there was another caller at Philip's room, or, rather,
+prison. This time it was Mr. Tucker himself. He turned the key in
+the lock and opened the door. Philip looked up inquiringly.
+
+"Supper's ready," announced Joe. "You can come down if you want to."
+
+Philip was provided with an appetite, but he did not relish the idea
+of going downstairs and joining the rest of Mr. Tucker's boarders.
+It would seem like a tacit admission that he was one of their
+number. Of course, he couldn't do without eating, but he had a large
+apple in his pocket when captured, and he thought that this would
+prevent his suffering from hunger for that night, at least, and he
+did not mean to spend another at the Norton poorhouse. The problem
+of to-morrow's supply of food might be deferred till then.
+
+"I don't care for any supper," answered Philip.
+
+"Perhaps you expect your meals will be brought up to you?" said Mr.
+Tucker, with a sneer.
+
+"I haven't thought about it particularly," said Philip coolly.
+
+"You may think you're spitin' me by not eatin' anything," observed
+Mr. Tucker, who was rather alarmed lest Philip might have made up
+his mind to starve himself.
+
+This would be embarrassing, for it would make an investigation
+necessary.
+
+"Oh, no," answered Philip, smiling; "that never came into my mind."
+
+"I don't mind bringin' you up your supper for once," said Tucker.
+"Of course, I can't do it reg'lar, but this is the first night."
+
+"I suppose I shall be better able to make my escape if I eat,"
+thought Philip. "Probably the most sensible thing is to accept this
+offer."
+
+"How much are you to get for my board, Mr. Tucker?" he asked.
+
+"Only sixty cents," grumbled Tucker. "It ain't enough, but the town
+won't pay any more. You've no idea what appetites them paupers has."
+
+"You made a mistake when you agreed to take me," said Philip
+gravely. "I'm very hearty, you'll be sure to lose money on me."
+
+Mr. Tucker looked uneasy.
+
+"Well, you see I expect to have you earn part of your board by doin'
+chores," he said, after a pause.
+
+"That will give me a good chance to run away," remarked Philip
+calmly. "You'll have to let me out of this room to work, you know."
+
+"You wouldn't dare to run away!" said Tucker, trying to frighten
+Philip by a blustering manner.
+
+"That shows you don't know me, Mr. Tucker!" returned our hero. "I
+give you fair warning that I shall run away the first chance I get."
+
+Philip's tone was so calm and free from excitement that Mr. Tucker
+could not help seeing that he was in earnest, and he looked
+perplexed.
+
+"You don't look at it in the right light," he said, condescending to
+conciliate his new boarder. "If you don't make no trouble, you'll
+have a good time, and I'll let you off, now an' then, to play with
+Zeke. He needs a boy to play with."
+
+Philip smiled, for the offer did not attract him very much.
+
+"You are very kind," he said, "but I don't think that even that will
+reconcile me to staying here with you. But, if you'll agree to let
+me pay you for the supper, you may bring me up some."
+
+"The town will pay me," said Tucker.
+
+"That's just what I don't want the town to do," said Philip quickly.
+"I will make you an offer. At sixty cents a week the meals for one
+day will not cost over ten cents. I'll pay you ten cents for supper
+and breakfast."
+
+"You're a cur'us boy," said Tucker. "You want to pay for your
+vittles in a free boardin'-house."
+
+"It isn't free to me. At any rate, I don't want it to be. What do
+you say?"
+
+"Oh, I ain't no objections to take your money," said Tucker,
+laughing. "I didn't know you was so rich."
+
+"I am not rich, but I think I can pay my board as long as I stay
+here."
+
+This Philip said because he had decided that his stay should be a
+very brief one.
+
+"Just as you say!" chuckled Mr. Tucker.
+
+As he went downstairs he reflected:
+
+"I can take the boy's money and charge his board to the town, too.
+There's nothin' to hen-der, and it'll be so much more in my pocket.
+I wish the rest of the paupers would foller his example."
+
+He went downstairs and explained to Mrs. Tucker that he wanted
+Philip's supper.
+
+"Tell him to come down to the table like the rest of the
+folks!" retorted Mrs. Tucker. "He ain't too lazy, is he?"
+
+"No; but it's safer to keep him in his room for the first
+twenty-four hours. He's a desperate boy, but I reckon he'll get
+tamed after a while."
+
+"I'll desperate him!" said Mrs. Tucker scornfully. "I don't believe
+in humorin' him."
+
+"Nor I, Abigail. He'd like to come down, but I won't let him. We can
+manage him between us."
+
+"I should smile if we couldn't," said Mrs. Tucker. "If you want any
+supper for him, you can get it yourself. I've got too much to do.
+No, Widder Jones, you can't have another cup of tea, and you needn't
+beg for it. One clip's plenty for you, and it's all we can afford."
+
+"Only this once," pleaded the poor old woman. "I've got a headache."
+
+"Then another cup of tea would only make it worse. If you've got
+through your supper, go back to your seat and give more room for the
+rest."
+
+While Mrs. Tucker was badgering and domineering over her regular
+boarders, her husband put two slices of dry bread on a plate, poured
+out a cup of tea, not strong enough to keep the most delicate child
+awake, and surreptitiously provided an extra luxury in the shape of
+a thin slice of cold meat. He felt that, as he was to receive double
+price, he ought to deal generously by our hero.
+
+He carried this luxurious supper to the third story, and set it down
+before Philip.
+
+Philip promptly produced a dime, which Mr. Tucker pocketed with
+satisfaction. He waited till his young guest had finished his
+repast, in order himself to carry down the dishes.
+
+There was no butter for the bread, and the tea had been sweetened
+scantily. However, Philip had the appetite of a healthy boy, and he
+ate and drank everything that had been provided.
+
+"I'll be up in the morning," said Mr. Tucker. "We go to bed early
+here. The paupers go to roost at seven, and me and my wife and Zeke
+at eight. You'd better go to bed early, too."
+
+
+
+
+
+
+CHAPTER XIII.
+
+A FRIENDLY MISSION.
+
+
+
+
+
+Philip was glad to hear that all in the almshouse went to bed so
+early. He had not yet given up the hope of escaping that night,
+though he had as yet arranged no definite plan of escape.
+
+Meanwhile, he had an active friend outside. I refer, of course, to
+Frank Dunbar. Frank had no sooner heard of his friend's captivity
+than he instantly determined, if it were a possible thing, to help
+him to escape.
+
+He would not even wait till the next day, but determined after it
+was dark to visit the poor-house and reconnoiter. First, he informed
+his parents what had befallen Phil. Their indignation was scarcely
+less than his.
+
+"Squire Pope is carrying matters with a high hand," said the farmer.
+"According to my idea, he has done no less than kidnap Philip,
+without the shadow of a legal right."
+
+"Can't he be prosecuted?" asked Frank eagerly.
+
+"I am not sure as to that," answered his father, "but I am confident
+that Philip will not be obliged to remain, unless he chooses, a
+dependent upon the charity of the town."
+
+"It is outrageous!" said Mrs. Dunbar, who was quite as friendly to
+Philip as her husband and son.
+
+"In my opinion," said Mr. Dunbar, "Squire Pope has done a very
+unwise thing as regards his own interests. He desires to remain in
+office, and the people will not be likely to reelect him if his
+policy is to make paupers of those who wish to maintain themselves.
+Voters will be apt to think that they are sufficiently taxed already
+for the support of those who are actually unable to maintain
+themselves."
+
+"If I were a voter," exclaimed Frank indignantly, "I wouldn't vote
+for Squire Pope, even for dog-catcher! The meanest part of it is the
+underhanded way in which he has taken Phil. He must have known he
+was acting illegally, or he would have come here in open day and
+required Phil to go with him."
+
+"I agree with you, Frank. Squire Pope may be assured that he has
+lost my vote from henceforth. Hitherto I have voted for him annually
+for selectman, knowing that he wanted the office and considering him
+fairly faithful."
+
+"Father," said Frank, after a thoughtful pause, "do you think Philip
+would be justified in escaping from the poorhouse?"
+
+"I do," answered Mr. Dunbar. "In this free country I hold that no
+one ought to be made an object of charity against his will."
+
+"Philip is strong enough and smart enough to earn his own living,"
+said Frank.
+
+"That is true. I will myself give him his board and clothes if he
+will stay with me and work on the farm."
+
+"I wish he would. He would be a splendid companion for me; but I
+think he wants to leave Norton, and try his fortune in some larger
+place."
+
+"I can't blame him. If his father were living and he had a good
+home, I should not think it wise; but, as matters stand, it may not
+be a bad plan for him."
+
+"Father," said Frank, after supper, "I am going out and I may not be
+back very early."
+
+"Are you going to see Philip?"
+
+"Yes; but I want to see him alone. If possible, I will see him
+without attracting the attention of Joe Tucker."
+
+"You won't get into any trouble, Frank?" said his mother anxiously.
+
+"No, mother; I don't know what trouble I can get into."
+
+"You may very likely fail to see Philip," suggested his father. "I
+hear that Tucker and his boarders go to bed very early."
+
+"So much the better!" said Frank, in a tone of satisfaction. "The
+only one I want to see is Philip, and he isn't likely to go to sleep
+very early."
+
+Mr. Dunbar smiled to himself.
+
+"Frank has got some plan in his head," he thought. "I won't inquire
+what it is, for he has good common sense, and won't do anything
+improper."
+
+About eight o'clock, Frank, after certain preparations, which will
+hereafter be referred to, set out for the poorhouse, which was about
+a mile distant.
+
+
+
+
+
+
+CHAPTER XIV.
+
+PHILIP MAKES HIS ESCAPE.
+
+
+
+
+
+It grew darker and darker in Philip's chamber, but no one came to
+bring him a light. It was assumed that he would go to bed before he
+required one.
+
+By seven o'clock the paupers had settled themselves for the night,
+and when eight o'clock struck, Mr. and Mrs. Tucker sought their
+beds. It was no particular trial for Joe Tucker to go to bed early,
+for he was naturally a lazy man, and fond of rest; while his wife,
+who worked a great deal harder than he, after being on her feet from
+four o'clock in the morning, found it a welcome relief to lie down
+and court friendly sleep. Zeke wasn't always ready to go to bed. In
+fact, he would much rather have gone up to the village now and then,
+but if he had done so he would have had to stay out all night. There
+was one thing his parents were strict about, and that was retiring
+at eight o'clock.
+
+Philip, however, did not retire at that hour. It was earlier than
+his usual hour for bed. Besides, he was in hopes his friend Frank
+would make his appearance, and help him, though he didn't exactly
+understand how, to make his escape.
+
+At half-past eight it was dark. The stars were out, and the moon was
+just making its appearance. Philip had opened his window softly, and
+was looking out, when all at once he saw a boyish figure
+approaching.
+
+Couldn't be Frank Dunbar.
+
+He hoped so, but in the indistinct light could not be quite certain.
+
+The boy, whoever it might be, approached cautiously, till he stood
+within fifty feet of the house.
+
+Then Philip saw that it was indeed Frank, and his heart beat
+joyfully. It was something to see a friend, even though they were
+separated by what seemed to him to be an impassable gulf.
+
+About the same time, Frank recognized his friend, in the boyish
+figure at the window.
+
+"Is that you, Phil?" he asked, in a guarded voice, yet loud enough
+to be heard.
+
+"Yes, Frank; I have been expecting you. I knew you wouldn't desert
+me."
+
+"I should think not. I didn't come before, because I didn't want to
+be seen by any of Tucker's folks."
+
+"They are all abed now, and I hope asleep."
+
+"Can't you come downstairs, and steal away?"
+
+"No; my chamber door is locked on the outside."
+
+"That's what I thought."
+
+"Can't you help me in any way?"
+
+"I'll see. Suppose you had a rope--could you swing out of the
+window?"
+
+"Yes; I could fasten it to the bedstead, and fix that just against
+the window."
+
+"Then I think I can help you. Can you catch a ball?"
+
+"Yes; but what good will that do?"
+
+"You'll see. Make ready now, and don't miss it."
+
+He produced a ball of common size, and after taking aim, threw it
+lightly up toward Philip's window. The first time it didn't come
+within reach. The second Philip caught it skilfully, and by the
+moonlight saw that a stout piece of twine was attached to it. At the
+end of the twine Frank had connected it with a clothesline which he
+had borrowed from home.
+
+"Now pull away, Phil," urged Frank.
+
+Philip did, and soon had the stout line in his possession.
+
+"It will hold; it's new and strong," said Frank. "Father only bought
+it last week. I didn't think, then, what use we should have for it."
+
+Philip, however, was not afraid. He was so anxious to escape that,
+even if there had been any risk to run, he would readily have
+incurred it for the sake of getting away from the poor-house, in
+which he was unwilling to spend a single night. He fastened one end
+of the rope firmly to his bedstead, as he had proposed, then
+cautiously got upon the window-sill and lowered himself, descending
+hand over hand till he reached the ground.
+
+He breathed a sigh of relief as he detached himself from the rope
+and stood beside Frank Dunbar.
+
+Just then the boys heard a second-story window open, and saw Mr.
+Tucker's head projecting from it.
+
+
+
+
+
+
+CHAPTER XV.
+
+ESCAPE AND FLIGHT.
+
+
+
+
+
+Though the boys had made as little noise as possible, conversing in
+an undertone, they had been heard by Mrs. Tucker. Her husband, as
+was his custom, had gone to sleep; but Mrs. Tucker, who, during the
+day, had discovered the loss of ten cents from her bureau drawer in
+which she kept her savings, had been kept awake by mental trouble.
+Some of my readers may think so small a loss scarcely worth keeping
+awake for, but Mrs. Joe Tucker was a strictly economical and saving
+woman--some even called her penurious--and the loss of ten cents
+troubled her.
+
+She would have laid it to one of "them paupers," as she was wont
+contemptuously to refer to them, except that she never allowed one
+of them to enter the sacred precincts of her chamber.
+
+A horrible thought entered her mind. Could it be Zeke, the boy whom
+she thought such a paragon, though no one else had been able to
+discover his virtues or attractions! She did not like to think of
+it, but it did occur to her that Zeke, the previous day, had asked
+her for ten cents, though he would not own the purpose for which he
+wanted it. The boy might have been tempted to take the money. At any
+rate, she would go and see.
+
+Zeke slept in a small room adjoining. When his mother entered, with
+a candle in her hand, he was lying asleep, with his mouth wide open,
+and one arm dropped over the side of the bed.
+
+Mrs. Tucker took a look at him, and saw that he was wrapped in
+slumber and unable to notice what she proposed to do. His clothes
+were thrown down carelessly on a chair near-by.
+
+Mrs. Tucker searched first in the pockets of his pants, and, though
+she discovered a large variety of miscellaneous articles, "of no use
+to any one except the owner," she didn't discover any traces of the
+missing dime. She began to hope that he had not taken it, after all,
+although, in that case, the loss would continue to be shrouded in
+obscurity. But, on continuing her search, she discovered in one of
+the pockets of his vest a silver ten-cent piece.
+
+Mrs. Tucker's eyes flashed, partly with indignation at Zeke's
+dishonesty, partly with joy at the recovery of the missing coin.
+
+"I've found you out, you bad boy!" she said, in a low voice, shaking
+her fist at the sleeping boy. "I wouldn't have believed that my Zeke
+would have robbed his own mother. We must have a reckoning
+to-morrow."
+
+She was half-inclined to wake Zeke up and charge him with his crime,
+confronting him with the evidence of it which she had just
+discovered; but on second thoughts she decided that she might as
+well let him sleep, as the next day would do just as well.
+
+Poor Zeke! he was not guilty, after all, though whether his honesty
+was strict enough to resist a powerful temptation, I am not sure.
+
+The dime which Mrs. Tucker had discovered was the same one that
+Philip had given to Zeke in return for his service in notifying
+Frank Dunbar of his captivity. In another pocket was the five-cent
+piece given him by Frank, but that had escaped his mother's
+attention.
+
+The reader will understand now how it happened that Mrs. Tucker was
+kept awake beyond her usual time. She was broad awake when Frank
+Dunbar arrived, and she heard something through the partially open
+window of the conference between the two boys. She heard the voices
+that is to say, but could not tell what was said.
+
+With her mind dwelling upon Zeke's supposed theft, however, she was
+more easily frightened than usual, and immediately jumped to the
+conclusion that there were burglars outside, trying to get in.
+
+The absurdity of burglars attempting to rob the town poorhouse did
+not occur to her in panic. She sat up in bed, and proceeded to nudge
+her husband in no gentle fashion.
+
+"Mr. Tucker!" she exclaimed.
+
+Her husband responded by an inarticulate murmur, but did not wake.
+
+"Mr. Tucker!" she exclaimed, in a louder voice, giving him a still
+more vigorous shake.
+
+"Eh! What! What's the matter?" said Tucker, opening his eyes at
+last, and staring vacantly at his wife.
+
+"What's the matter!" retorted his wife impatiently. "The matter is
+that there's burglars outside!"
+
+"Let 'em stay outside!" said Joe Tucker, in a sleepy tone.
+
+"Did any one ever hear such a fool?" exclaimed Mrs. Tucker,
+exasperated. "They're trying to get in. Do you hear that, Mr.
+Tucker?"
+
+"Trying to get in! Is the door locked?" asked Joe, a little alarmed.
+
+"You must get up and defend the house," continued Mrs. Tucker.
+
+Now, Mr. Tucker was not a brave man. He had no fancy for having a
+hand-to-hand conflict with burglars, who might be presumed to be
+desperate men. It occurred to him that it would be decidedly better
+to stay where he was and ran no risk.
+
+"Never mind, Abigail," he said, soothingly. "The burglars can't do
+us any harm. They ean't do any more than carry off a pauper or two,
+and I don't, believe they'll do that."
+
+"I wouldn't mind that, Mr. Tucker; but I've left the spoons
+down-stairs!" answered his wife.
+
+"How many are there!"
+
+"Six. I want you to go down and get them and bring them up here,
+where they will be safe."
+
+"But suppose I should meet some of the burglars!" suggested Tucker,
+trembling.
+
+"Then you must defend yourself like a man!"
+
+"You might find me in the morning weltering in my gore!" said Joe,
+with an uneasy shudder.
+
+"Are we to have the spoons stolen, then!" demanded Mrs. Tucker
+sharply.
+
+"If you care so much for the spoons, Abigail, you'd better go
+down-stairs yourself and get 'em. I don't value them as much as my
+life."
+
+"I don't know but I will, if you'll look out of the window and see
+whether you can see any of the burglars outside," responded Mrs.
+Tucker. "If they haven't got in yet, I'll take the risk."
+
+"Where did you hear 'em, Abigail?"
+
+"Eight outside. Open the window and look out, and you may see 'em."
+
+Mr. Tucker was not entirely willing to do this, but still he
+preferred it to going down-stairs after the spoons, and accordingly
+he advanced, and, lifting the window, put his head out, as described
+at the close of the last chapter.
+
+Philip and Frank were just ready to go when they heard the window
+rising, and naturally looked up in some trepidation.
+
+"It's old Tucker!" said Frank, in a low voice.
+
+Philip looked up, and saw that his friend was right.
+
+Mr. Tucker had not yet discovered them, but the whisper caught his
+ear, and looking down he caught sight of the two boys.
+
+In his alarm, and the obscurity of the night, he did not make out
+that they were boys and not men, and was about to withdraw his head
+in alarm, when a mischievous impulse seized Frank Dunbar.
+
+"Give me the ball, Philip!" he said quickly.
+
+Philip complied with his request, not understanding his intention.
+
+Now, Frank belonged to a baseball club, and had a capital aim. He
+threw up the ball and struck Mr. Tucker fairly in the nose. The
+effect upon the terrified Joe was startling.
+
+Full as his mind was of burglars, he fancied that it was something a
+great deal more deadly that had struck him.
+
+"Oh, Abigail! I'm shot through the brain!" he moaned in anguish, as
+he poked in his head and fell back upon the floor.
+
+"What do you mean, Joe?" asked his wife, in alarm, as she hastened
+to her prostrate husband, whose hand was pressed convulsively upon
+the injured organ, which, naturally ached badly with the force of
+the blow.
+
+"I'm a dead man!" moaned Mr. Tucker; "and it's all your fault. You
+made me go to the window."
+
+"I don't believe you're shot at all! I didn't hear any report," said
+Mrs. Tucker. "Let me see your face."
+
+Mr. Tucker withdrew his hand mournfully.
+
+"You've only been struck with a rock or something," said she, after
+a careful examination.
+
+"It's bleeding!" groaned Joe, seeing a dark stain on his
+night-dress.
+
+"Suppose it is--it won't kill you. I'll look out myself."
+
+But she saw nothing. Philip and Frank had immediately taken to
+flight, and vanished in the darkness.
+
+"They've run away!" announced Mrs. Tucker. "My spoons are safe."
+
+"But my nose isn't," groaned Mr. Tucker.
+
+"You won't die this time," said Mrs. Tucker, not very
+sympathetically. "Soak your nose in the wash-basin, and you'll be
+all right in the morning."
+
+The two boys were destined to have another adventure that night.
+
+
+
+
+
+
+CHAPTER XVI.
+
+A NIGHT ADVENTURE.
+
+
+
+
+
+"I didn't mean to hit him," said Frank, as he and Philip hurried away
+from the poorhouse, "I only intended to give him a fright."
+
+"I think you have. I wonder whether he recognized us!"
+
+"I don't believe it. He had hardly got his head out of the window
+before I let drive."
+
+"Then he won't imagine I have escaped."
+
+"What are your plans, Phil? Suppose they try to take you back to the
+poorhouse?"
+
+"They won't get the chance. Before five o'clock to-morrow morning I
+shall leave Norton."
+
+"Leave town?" exclaimed Frank, in surprise. "And so soon?"
+
+"Yes. There is nothing for me to do here."
+
+"Father would like to have you stay and assist him on the farm. He
+said so to me. He wouldn't be able to pay much, but I think we would
+have a good time together."
+
+Philip pressed his friend's hand warmly.
+
+"I know we should, Frank," he said, "but if I remained here, it
+would only remind me of my poor father. I would rather go out into
+the world and try my fortune."
+
+"Isn't it risky, Phil?" objected Frank doubtfully.
+
+"I suppose it is; but I am willing to work, and I don't expect
+much."
+
+"Suppose you fall sick?"
+
+"Then, if I can, I will come back to you and your good father and
+mother, and stay till I am well."
+
+"Promise me that, Phil?"
+
+"I promise."
+
+"I wish I could go with you, Phil," said Frank, with a boyish
+impulse.
+
+"No, it wouldn't be wise for you. You have a good home, and you will
+be better off there than among strangers."
+
+"It might be your home, too, Phil."
+
+"Thank you; but I shall be better away from Norton for a time."
+
+A minute later, Frank said suddenly:
+
+"There's Squire Pope coming. He will see you."
+
+"I don't care. He won't take me back."
+
+"Get behind the stone wall, and I will wait and interview him."
+
+Philip immediately followed the advice of his friend. He was curious
+to hear what the squire would say.
+
+Squire Pope's eyesight was not good, and it was only when he came
+near that he recognized Frank Dunbar. He stopped short, for there
+was a subject on which he wished to speak.
+
+"Frank Dunbar!" he said.
+
+"Do you wish to speak to me, sir?" inquired Frank coldly.
+
+"Yes. Where have you been?"
+
+"Out walking," answered Frank shortly.
+
+"Have you been to the poorhouse?"
+
+"I have."
+
+"Did you see Philip?"
+
+"I saw him looking out of a third-story window."
+
+Squire Pope chuckled, if, indeed, such a dignified man can be said
+to chuckle.
+
+"What did he say?" he condescended to inquire.
+
+"That he wouldn't stay."
+
+"He will have to," responded Squire Pope complacently. "Mr. Tucker
+will see to that."
+
+"Probably Mr. Tucker will wake up some fine morning and find Phil's
+room empty," said Frank quietly.
+
+"I'll take the risk of it," returned the squire serenely. "But
+there's a matter I want to speak to you about. You've got Philip's
+fiddle in your possession."
+
+"Suppose I have."
+
+"I wish you to bring it round to my house in the morning, and I'll
+give you something for your trouble."
+
+"You must excuse me, Squire Pope. If it were your property, I would
+bring it to you and charge nothing for my trouble."
+
+"Young man," said the squire sternly. "I am Philip's legal guardian,
+and I have a right to receive his violin. You will get into trouble
+if you resist my authority."
+
+"If you will give me Philip's order for it, you shall have it, sir."
+
+"Frank Dunbar, you are trifling with me. Philip is now a pauper, and
+has no right to hold property of any kind. He cannot give a legal
+order."
+
+"Then you are guardian to a pauper?"
+
+"In my capacity of overseer of the poor."
+
+"In my capacity as Philip's friend, I refuse to consider you his
+guardian. You may call him a pauper, but that doesn't make him one."
+
+"He is an inmate of the Norton Poorhouse."
+
+Frank laughed.
+
+"I don't want to be disrespectful, Squire Pope," he said; "but I
+can't help telling you that you undertook a bigger job than you
+thought for, when you made up your mind to make a pauper of Philip
+Gray."
+
+Squire Pope was indignant at the coolness of Frank.
+
+"I shall come to your house to-morrow morning," he said, "and
+convince you to the contrary."
+
+"Very well, sir."
+
+Frank Dunbar bowed, and the squire went his way.
+
+"That's a very impudent boy!" he soliloquized. "Just like the Gray
+boy. It wouldn't do him any harm to put him under Joe Tucker's care,
+too."
+
+After the squire had passed on, Philip came out from behind the
+stone wall.
+
+"Did you hear what passed between your guardian and myself?" asked
+Frank.
+
+"Yes, I heard every word."
+
+"He little thought that the bird had flown, Phil."
+
+"He will make all the trouble he can. That is one more reason why I
+think it best to leave town."
+
+"I wouldn't let Squire Pope drive you out of town."
+
+"I would stay and face the music if it suited me, but I want to go
+away."
+
+"Suppose we cut across this field. It will be a little nearer."
+
+"All right."
+
+There was a pathway through a pasture-lot, comprising some ten
+acres, poor land, covered with puny bushes, and a few gnarled trees,
+producing cider-apples. It belonged to an old bachelor farmer, who
+lived in solitary fashion, doing his own cooking, and in general
+taking care of himself. He was reputed to have money concealed about
+his premises, which was quite probable, as he spent little, and was
+known to have received, four years before, a considerable legacy
+from the estate of a brother who had died, a successful merchant in
+the city of New York.
+
+The boys had to pass by the small and weather-stained house where he
+lived, as the path ran very near it.
+
+When within a few rods of the house, the boys were startled by a
+sharp cry of terror, which appeared to proceed from inside the
+house.
+
+Both simultaneously stood still.
+
+"What's that!" exclaimed both in concert.
+
+"Somebody must be trying to rob Mr. Lovett," suggested Frank.
+
+"Can't we do something!" said Phil quickly.
+
+"We can try."
+
+There were two stout sticks or clubs lying on the ground at their
+feet. They stooped, picked them up, and ran to the house. A glance
+showed that one of the windows on the north side had been raised.
+
+The window sill was low. Pausing a moment before springing over it
+into the room, they looked in and this was what they saw:
+
+The farmer lay half-prostrate on the floor, half supporting himself
+by a chair, which he had mechanically grasped as he was forced
+downward. Over him stood a ruffianly looking tramp, whom Phil
+remembered to have seen about the streets during the day, with a
+stick uplifted. He had not heard the approach of the boys.
+
+"Give me two hundred dollars, and I'll go," he said to the man at
+his feet.
+
+"I cannot do it. I haven't got as much here."
+
+"That's a lie!" said the other coarsely. "I heard all about you
+to-day. You're a miser, and you've got no end of money stowed away
+here. Get it for me, quick, or I'll dash your brains out."
+
+Just then the prostrate farmer saw what the tramp could not see, his
+back being turned to the window, the faces of the two boys looking
+through the window. Fresh courage came to him. Single-handed, and
+taken at advantage, he was no match for the ruffian who had entered
+his house; but with these two young auxiliaries he felt that all was
+not lost.
+
+
+
+
+
+
+CHAPTER XVII.
+
+A REFORMED BURGLAR.
+
+
+
+
+
+"What do you say!" demanded the tramp impatiently. "Speak quick! I
+can't stay here all night."
+
+"Let me up, and I'll see if I can find the money for you."
+
+"I thought I'd bring you to terms," said the tramp, laughing grimly.
+
+He allowed his victim to rise, as he certainly would not have done
+if he had looked behind him and seen the two boys at the window.
+
+"Now's our time," answered Philip.
+
+He gave a light spring into the room, followed by Frank.
+
+Of course, the tramp heard them, and turned in sudden alarm. As he
+turned, the farmer snatched the club from his hand, and he found
+himself unexpectedly unarmed and confronted by three enemies.
+
+"It's my turn now," said Lovett. "Do you surrender?"
+
+The tramp saw that the game was up and made a dash for the open
+window, but Philip skillfully inserted a stick between his legs, and
+tripped him up, and, with the help of Mr. Lovett, held him,
+struggling desperately, till Frank fetched a rope, with which he was
+securely bound.
+
+"Confound you!" he said, scowling at the two boys. "But for you I
+would have succeeded and got away with my booty."
+
+"That's true!" said the farmer. "I owe my escape from robbery, and,
+perhaps, bodily injury, to you."
+
+"I am glad we were at hand," said Philip.
+
+"And now, my friend," said the farmer, "I may as well say that you
+were quite mistaken in supposing I kept a large amount of money in
+this lonely house. I should be a fool to do it, and I am not such a
+fool as that."
+
+"Where do you keep your money, then?" growled the tramp.
+
+"In different savings-banks. I am ready to tell you, for it will do
+you no good."
+
+"I wish I'd known it sooner. I came here on a fool's errand."
+
+"I am glad you have found it out."
+
+"Now, what are you going to do with me!"
+
+"Keep you here till I can deliver you into the hands of the law."
+
+"That won't do you any good."
+
+"It will give you a home, where you cannot prey on the community."
+
+"I don't mean to do so any more. I'm going to turn over a new leaf
+and become an honest man--that is, if you'll let me go."
+
+"Your conversion is rather sudden. I haven't any faith in it."
+
+"Listen to me," said the man, "and then decide. Do you think I am a
+confirmed lawbreaker?"
+
+"You look like it."
+
+"Yes, I do; but I am not. Never in my life have I been confined in
+any prison or penitentiary. I have never been arrested on any
+charge. I see you don't believe me. Let me tell you how I came to be
+what I am: Two years since I was a mechanic, tolerably well-to-do,
+owning a house with a small mortgage upon it. It was burned to the
+ground one night. I built another, but failed to insure it. Six
+months since, that, too, burned down, and left me penniless and in
+debt. Under this last blow I lost all courage. I left the town where
+I had long lived, and began a wandering life. In other words, I
+became a tramp. Steadily I lost my self-respect till I was content
+to live on such help as the charitable chose to bestow on me. It was
+not until to-day that I formed the plan of stealing. I heard in the
+village that you kept a large sum of money in your house, and an
+evil temptation assailed me. I had become tired of wandering, and
+determined to raise a sum which would enable me to live at ease for
+a time, I should have succeeded but for these two boys."
+
+"And you are sorry you did not succeed?"
+
+"I was, five minutes since, but I feel differently now. I have been
+saved from crime. Now, I have told you my story. Do with me as you
+will."
+
+The man's appearance was rough, but there was something in his tone
+which led Mr. Lovett to think that he was speaking the truth.
+
+"Boys," he said, "you have heard what this man says. What do you
+think of it?"
+
+"I believe him!" said Philip promptly.
+
+"Thank you, boy," said the tramp. "I am glad some one has confidence
+in me."
+
+"I believe you, too," said Frank.
+
+"I have not deceived you. Your words have done me more good than you
+think. It is my first attempt to steal, and it shall be my last."
+
+"If you want to become an honest man, God forbid that I should do
+aught to prevent you!" said the farmer. "I may be acting unwisely,
+but I mean to cut this rope and let you go."
+
+"Will you really do this?" said the tramp, his face lighting up with
+mingled joy and surprise.
+
+"I will."
+
+He knelt on the floor, and drawing from his pocket a large
+jack-knife, cut the rope.
+
+The tramp sprang to his feet.
+
+"Thank you," he said, in a husky voice. "I believe you are a good
+man. There are not many who would treat me as generously,
+considering what I tried to do just now. You sha'n't repent it. Will
+you give me your hand!"
+
+"Gladly," said the farmer; and he placed his hand in that of the
+visitor, lately so unwelcome. "I wish you better luck."
+
+"Boys, will you give me your hands, too?" asked tke tramp, turning
+to Philip and Frank.
+
+Tke boys readily complied with his request, and repeated the good
+wishes of the farmer.
+
+The stranger was about to leave the house, when Lovett said:
+
+"Stay, my friend, I wish to ask you a question."
+
+"Very well, sir."
+
+"Have you any money?"
+
+"Not a cent."
+
+"Then take this," said the farmer, drawing from his vest pocket a
+five-dollar bill. "I lend it to you. Some time you will be able to
+repay it, if you keep to your resolution of leading an honest life.
+When that time comes, lend it to some man who needs it as you do
+now."
+
+"Thank you, sir. I will take it, for it will help me greatly at this
+time. Good-by! If you ever see me again, you will see a different
+man."
+
+He leaped through the window and was gone.
+
+"I don't know if I have done a wise thing, but I will take the
+risk," said the farmer. "And now, boys, I want to make you some
+return for your assistance to-night." Both Frank and Philip
+earnestly protested that they would receive nothing in the
+conversation that ensued. Philip made known his intention to leave
+Norton the next morning.
+
+"What are your plans? Where do you mean to go?" asked the farmer.
+
+"I don't know, sir. I shall make up my mind as I go along. I think I
+can make my living somehow."
+
+"Wait here five minutes," said Lovett, and he went into an adjoining
+room.
+
+Within the time mentioned, he returned, holding in his hand a sealed
+letter.
+
+"Philip," he said, "put this envelope in your pocket, and don't open
+it till you are fifty miles from here."
+
+"Very well, sir," answered Philip, rather puzzled, but not so much
+surprised as he might have been if he had not known the farmer's
+reputation for eccentricity.
+
+"I suppose it contains some good advice," he thought. "Well, good
+advice is what I need."
+
+The two boys went home immediately upon leaving the farmhouse.
+Though so much had happened, it was not late, being not quite
+half-past nine.
+
+Philip received a cordial welcome from Mr. and Mrs. Dunbar, who,
+however, hardly expected to see him so soon. "Are you willing to
+receive a pauper beneath your roof?" asked Philip, smiling.
+
+"That you will never be while you have health and strength, I'll be
+bound," said Mr. Dunbar. "I like your pride and independence,
+Philip."
+
+They tried to induce Philip to give up his resolution to leave
+Norton the next morning, but did not succeed.
+
+"I will come back some time," he said. "Now I feel better to go."
+
+At five o'clock the next morning, with a small bundle swung over his
+shoulder, attached to a stick, Philip Gray, carrying his violin,
+left the village, which, for some years, had been his home. Frank
+accompanied him for the first mile of his journey. Then the two
+friends shook hands and parted--not without sorrow, for who could
+tell when they would meet again?
+
+
+
+
+
+
+CHAPTER XVIII.
+
+A PROFESSIONAL ENGAGEMENT.
+
+
+
+
+
+A depressing feeling of loneliness came to Phil after he had parted
+with Frank. He was going out into the world with no one to lean
+upon, and no one to sympathize with him or lend him a helping hand.
+No wonder he felt friendless and alone. But this mood did not last
+long.
+
+"I shall find friends if I deserve them," he reflected, "and I don't
+mean to do anything dishonorable or wrong. I am willing to work, and
+I believe I can make a living."
+
+Leaving him to proceed, we go back to the poor-house, where his
+absence was not noticed till morning.
+
+Joe Tucker, in spite of the blow which his nasal organ had received,
+slept pretty comfortably, and was awakened at an early hour by his
+vigilant spouse.
+
+"You'd better go up and wake that boy and set him to work, Mr.
+Tucker," she said. "There are plenty of chores for him to do."
+
+"You are right, Abigail," said Mr. Tucker, with approval. He
+reflected that he could assign to Philip some of the work which
+generally fell to himself, and the reflection was an agreeable one.
+He had tried to get work out of Zeke, but he generally found that it
+was harder to keep him at work than it was to do the job himself.
+
+After he had made his toilet--not a very elaborate one--Mr. Tucker
+went up-stairs to arouse his young prisoner. He found the key in the
+outside of the door. Everything seemed right.
+
+"I wonder how he feels this morning?" chuckled Mr. Tucker. "Wonder
+whether he's tamed down a little?"
+
+He turned the key in the lock and threw open the door. He glanced at
+the bed, started in amazement to find that it had not been slept in,
+and then his wonder ceased, for the telltale rope explained how the
+boy had escaped.
+
+He ran down-stairs in anger and excitement.
+
+"What's the matter with you, Joe Tucker?" demanded his wife. "Are
+you drunk or crazy?"
+
+"Enough to make me both, wife," he answered. "The boy's gone!"
+
+"Gone!" exclaimed Mrs. Tucker, stopping short, with a saucepan in
+her hand.
+
+"Gone!" ejaculated Zeke, his mouth wide open.
+
+"I don't believe it," said Mrs. Tucker positively. "He couldn't go.
+He'd have to jump out of the third-story window."
+
+"Sure enough!" said Zeke.
+
+"I can't help it--he's gone," declared Mr. Tucker. "He tied a
+clothesline to the bedstead and let himself down from the window.
+Now, I want to know who left a clothesline in the room?"
+
+"There wasn't any," said Mrs. Tucker.
+
+"Maybe he had one in his pocket," suggested Zeke.
+
+But this suggestion was not considered worthy of notice by his
+parents.
+
+"Now I know who hit me in the nose!" exclaimed Mr. Tucker, light
+flashing upon him. "There was two of 'em--the ones I took for
+burglars."
+
+"Then the other one must have been Frank Dunbar," said Mrs. Tucker.
+
+"Zeke," said his father, "go right off and tell Squire Pope that
+Philip Gray has escaped. Ask him if I can't have him arrested for
+assault and battery. It's likely he's at Frank Dunbar's now. We'll
+have him back before the day is out, and then I'll see he don't get
+out!"
+
+"All right, dad! As soon as I've had breakfast I'll go."
+
+The result of Zeke's message was that Squire Pope hurried over to
+the poorhouse and held a conference with Mr. and Mrs. Tucker.
+
+The next step was that he and Joe rode over to Mr. Dunbar's, to
+demand the return of the fugitive.
+
+They found Frank splitting wood in the yard. To him they made known
+their errand, requesting him to call Philip out.
+
+"He isn't here," answered Frank.
+
+"Isn't here? I don't believe it!" said the squire hastily.
+
+"Sorry you doubt my word, Squire Pope, but it's just as I say."
+
+"Where is he, then?" demanded the squire suspiciously.
+
+"He has left town."
+
+"Left town?" repeated the squire and Joe Tucker, in dismay. "Where
+is he gone!"
+
+"He's probably ten miles away by this time," answered Frank,
+enjoying their perplexity. "I guess you'd better wait till he comes
+back."
+
+Joe and the squire conferred together, but no satisfactory result
+was arrived at, except it wouldn't pay to pursue Philip, for two
+reasons--one, because they were quite uncertain in what direction he
+had gone; another, because, even if overtaken, they would have no
+authority to apprehend him, since he had been guilty of no crime.
+
+Finally a bright idea came to the squire.
+
+"Bring me out his fiddle," he said to Frank. "I'm his guardian, and
+I will take care of it for him."
+
+"He carried it away with him," said Frank. The squire's lower jaw
+fell. He was defeated at all points. "I guess we can't do nothing,
+under the circumstances, squire," said Joe Tucker, scratching his
+head.
+
+"I shall have to reflect upon it," said Squire Pope, in a
+crestfallen tone.
+
+"That's as good as a circus," thought Frank, as his roguish glance
+followed the two baffled conspirators as they rode out of the yard.
+"It's a pity Phil was not here to enjoy it."
+
+At the end of the second day, Philip was some forty miles distant
+from Norton. He had not walked all the way, but had got a lift for a
+few miles from a tin-peddler, with whom he had a social chat.
+
+It cannot be said that he was depressed, or that he regretted having
+left Norton, but he certainly did feel uncomfortable, and his
+discomfort sprang from a very homely cause.
+
+To tell the plain truth, he was hungry. He had not had anything to
+eat for six hours except an apple, which he had picked up by the
+roadside, and during those six hours he had walked not far from
+fifteen miles.
+
+"I believe I never was so hungry before," thought Philip. "The
+question is, where is my supper to come from?"
+
+Although he knew pretty well the state of his finances, he began to
+search his pockets to see if he could not somewhere find a stray
+dime, or, better still, a quarter, with which to purchase the meal
+of which he stood so much in need. But his search was unproductive,
+or, rather, it only resulted in the discovery of a battered cent.
+
+"So that penny constitutes my whole fortune," thought Philip.
+
+There were two houses in sight, one on each side of the road.
+
+Probably they would have given Philip a supper at either, but our
+hero's honest pride revolted at the idea of begging for a meal, much
+as he stood in need of it. He might as well be a pauper, as he
+justly reflected. So he pushed on.
+
+Evidently he was drawing near a village, for houses began to appear
+at nearer intervals.
+
+"Hello, my boy! Where are you traveling!" asked a hearty voice.
+
+Philip turned round, and his glance rested on a stout young farmer,
+whose face, though very much sunburned, was pleasant and
+good-natured.
+
+"I don't know," answered Philip.
+
+"Don't know?" was repeated in surprise.
+
+"I am in search of work."
+
+"Oh, that's it! Are you a musician?" asked the young man, looking at
+the violin.
+
+"Yes; a little of one."
+
+"Are you looking for a job at fiddling?" asked the young man.
+
+"Yes, if I can find one," answered Philip, smiling.
+
+"Can you play dancing-music?"
+
+"Yes."
+
+"Then I guess I can get you a job for this evening."
+
+"I wish you could," said Philip hopefully, catching at a way out of
+his troubles.
+
+"You see, there's to be a little dance in School-house Hall
+to-night," said the farmer; "or there was to be one, but the
+fiddler's took sick, and we was afraid we'd have to give it up. Now,
+if you'll take his place, we can have it, after all."
+
+"I'll do it," said Philip promptly.
+
+"What'll you charge?"
+
+"How much was the other one going to charge?"
+
+"Five dollars. You see, he would have to come six miles."
+
+"I'll come for three dollars and my supper and lodging," said
+Philip.
+
+"All right! You shall have supper and lodging at our house. There it
+is, down that lane. Come right along, for supper must be on the
+table. After supper I'll go and tell the committee I've engaged
+you."
+
+Philip's spirits rose. Help had come from an unexpected quarter. He
+felt that a new career was opening before him.
+
+
+
+
+
+
+CHAPTER XIX.
+
+NEW ACQUAINTANCES.
+
+
+
+
+
+On his way to the farmhouse, Philip ascertained that his companion's
+name was Abner Webb, and that he and his brother Jonas carried on a
+farm of about a hundred acres. Abner appeared to be about
+twenty-five years old.
+
+"You seem pretty young to be a fiddler," said the young man,
+surveying Philip with a glance of curiosity.
+
+"I am almost sixteen."
+
+"I am twenty-five, and I can't play at all."
+
+"It isn't all in the age," returned our hero. "Did you ever try to
+learn?"
+
+"Yes, I took one or two lessons, but I had to give it up for a bad
+job. I couldn't get into it somehow."
+
+"You didn't try very long," said Philip, smiling.
+
+"I reckon I'd never do much at it. How long have you been a
+fiddler?"
+
+"I've been playing three or four years."
+
+"Sho! You don't say so! Do you like it?"
+
+"Yes; very much."
+
+"Well, I'm glad you happened along. It would have been a pity to
+have our dance spoiled."
+
+By this time they had reached the farmhouse, and Abner went in,
+followed by our hero.
+
+A young woman, his brother's wife, looked at Philip in some
+surprise.
+
+"You see, I've got a fiddler, after all," said Abner gleefully. "We
+won't have to put off the dance."
+
+As he spoke, his brother Jonas came into the room, and the
+explanation was repeated.
+
+"That's good," said Jonas heartily. "You'd better go down to the
+store after supper, Abner, and tell the boys, for they've just heard
+that Paul Beck can't come."
+
+"You just save me some supper, and I'll go now. The boy'll stay with
+us to-night. That's the bargain I made with him."
+
+"He's heartily welcome," said Jonas Webb, a pleasant-faced man, with
+sandy complexion, who was probably from two to three years older
+than his brother. "You've happened along just at the right time."
+
+"I am glad of it," said Philip; and there is no doubt he was
+sincere, for we know how much he stood in need of employment, though
+he naturally did not care to let his new friends know of his
+destitution.
+
+"My brother didn't tell me your name," said Jonas.
+
+"My name is Philip Gray," answered our hero.
+
+"Do you go round playing for dances?" inquired Jonas.
+
+"I have only just begun."
+
+Philip didn't think it necessary to say that the idea of making
+money in this way had never occurred to him till this very day.
+
+"Sit right up to supper, Jonas, and you, too, Mr. Gray," said Mrs.
+Webb.
+
+Philip was by no means loath, for the dishes which he saw on the
+table had had the effect of stimulating his appetite, already
+sharpened by his long walk and long fast.
+
+Philip, as the guest, was first helped to a bountiful supply of cold
+meat, a hot biscuit, and some golden butter, not to mention two
+kinds of preserves, for the Webbs always lived well. He was not slow
+in doing justice to the good supper spread before him. He was almost
+afraid to eat as much as he wanted, lest his appetite should attract
+attention, and, therefore, was pleased to see that Jonas quite kept
+pace with him.
+
+Indeed, when he had already eaten as much as he dared, Mrs. Webb
+said, hospitably:
+
+"I am afraid, Mr. Gray, you won't make out a supper."
+
+"I don't think there is any danger of that," said Philip, smiling.
+"I have enjoyed my supper very much."
+
+The young woman looked gratified by this tribute to her cooking, and
+just then Abner came in.
+
+"Did you see the boys, Abner?" asked Jonas.
+
+"Yes, I saw them all. They were awfully glad we could have the
+dance, after all. You see, we've been lookin' forward to it, and
+didn't like to be disappointed. And now I must hurry down my supper,
+for I've got to slick up and go for Mary Ann Temple. Are you goin',
+Lucy?"
+
+"Of course she is," answered Jonas. "I don't have so far to go for
+my girl as you do," he added slyly.
+
+"You used to go farther once, Jonas--six miles, where I have only to
+go two."
+
+When supper was over, Philip inquired:
+
+"How early will the dance commence?"
+
+"About eight. We keep early hours in the country, and we like to get
+our money's worth."
+
+"If you have no objection, I will go out to the barn and try my
+violin a little to see if it is in good tune."
+
+"Try it in the next room," said the farmer's wife.
+
+"Yes, do!" said her husband. "We'd like to hear you."
+
+He was a little afraid, judging from Philip's youth, that he could
+not play very well, and this would give him an opportunity of
+deciding how competent the boy was to take the place of Paul Beck,
+of Pomfret, who had quite a reputation in the towns around.
+
+Philip went into the next room and began to prepare himself for his
+evening's task. Though lus training had by no means been confined to
+dancing-tunes, he was quite proficient in that department, having
+more than once been called upon in Norton to officiate in a similar
+capacity.
+
+When Jonas had listened for five minutes to Philip, he turned to
+Abner with a satisfied look.
+
+"He understands his business," he said, nodding with emphasis. "He
+ain't no new beginner."
+
+"I think he beats Paul Beck," said Abner, delighted to find his
+choice approved.
+
+"I don't know but he does. I feel as if I wanted to start off now."
+
+"I don't see how he does it," said Abner, with a puzzled look. "I
+never could do anything at it, though I'm almost twice as old."
+
+He passed into the room where Philip was practising.
+
+"You're a tip-top player," said he, to Philip admiringly. "Why, you
+beat Paul Beck."
+
+"Is he the one you expected to have?"
+
+"Yes. Paul's got a big name for fiddlin'."
+
+"I am glad you like my playing," said Philip, who was naturally
+pleased to find that he was likely to give satisfaction in his new
+business.
+
+"The boys will be pleased, I can tell you."
+
+"I will do all I can to give them satisfaction," said Philip
+modestly.
+
+"Oh, you will! there's no doubt about that. How much did you pay for
+your fiddle?"
+
+"I believe it cost twenty-five dollars. My father gave it to me."
+
+"Sho! I didn't think fiddles cost so much."
+
+"Some cost a great deal more."
+
+"Seems a good deal to lay out, but you'll get your money back, if
+you can get enough to do."
+
+"I hope so."
+
+"Well, you must excuse me now. I've got to slick up, and go after
+Mary Ann Temple. She'd have been awfully disappointed if we'd had to
+give it up."
+
+"Is she fond of dancing?"
+
+"You'd better believe she is. Why, that girl could dance for four
+hours stiddy--without wiltin'!"
+
+"How late do you keep it up?"
+
+"Till eleven or twelve. You won't be sleepy, will you?"
+
+"If I am, I will get up later to-morrow morning."
+
+"That's all right. You can get up jest as late as you like. Lucy
+will save you some breakfast. We don't allow no one to go hungry
+here. But I must be off. You will go to the hall along with Jonas
+and Lucy. They'll introduce you round and see that you are taken
+care of." Philip congratulated himself on being so well provided
+for, at least for one night. The future was uncertain, but with the
+money which he was to receive for his services, he would be able to
+get along for two or three days, and he might, perhaps, if
+successful, obtain another similar engagement.
+
+He had a new reason for being thankful that Squire Pope had not
+succeeded in depriving him of his violin, for this was likely to
+prove a breadwinner.
+
+He continued to practice till it was time to go over to the hall.
+
+
+
+
+
+
+CHAPTER XX.
+
+A LIVELY EVENING.
+
+
+
+
+
+Schoolhouse Hall, as may be inferred, was a large hall, occupying
+the second story of the Center Schoolhouse, and though not
+originally intended for dancing-parties, answered very well for that
+purpose.
+
+The hall was tolerably well filled when Philip entered in company
+with Jonas Webb and his wife.
+
+Philip had effaced, as well as he could, the stains of travel, had
+arrayed himself in a clean shirt and collar, brushed his hair
+neatly, and, being naturally a very good-looking boy, appeared to
+very good advantage, though he certainly did look young.
+
+As he walked through the hall, with his violin under his arm, he
+attracted the attention of all, it having been already made known
+that in place of the veteran Paul Beck--a man of fifty or more--an
+unknown boy would furnish the music for the evening.
+
+Philip could not avoid hearing some of the remarks which his
+appearance excited. "What! that little runt play the fiddle?" said
+one countrified young man, in a short-waisted blue coat, and
+tow-colored hair, plastered down on either side of his head with
+tallow. "I don't believe he can play any more than I can."
+
+"I hope he can," retained his partner--a plump, red-cheeked, young
+farmer's daughter. "He's very good-looking, anyhow."
+
+"He isn't anything to brag of," said her partner jealously.
+
+"Oh, how can you say so, Jedidiah. I See what beautiful black hair
+and eyes he's got, and such a lovely color on his cheeks!"
+
+Now, Jedidiah, in appearance, was just the reverse of Philip. His
+hair, as already stated, was tow-color, his face was tanned, and the
+color rather resembled brick-dust than the deep red of our hero's
+cheeks.
+
+His partner was a rustic flirt, and he was disposed to be jealous,
+not being certain how far she favored him. He, therefore, took
+offense at his partner's admiration of the young fiddler.
+
+"He looks very common to me," said Jedidiah pettishly. "You've got a
+strange taste, Maria."
+
+"Perhaps I have, and perhaps I haven't," retorted Maria, tossing her
+head.
+
+"Perhaps you're in love with him?" continued Jedidiah, in a tone
+meant to be sarcastic.
+
+"I should be if he was a little older," said the young lady, rather
+enjoying her lover's displeasure.
+
+"I don't believe he can play at all," growled Jedidiah. "He's fooled
+Abner Webb, like as not. It's a pity we couldn't have Paul Beck."
+
+"Very likely he can play better than Paul Beck," said Maria--not
+because she thought so, but because she knew it would tease her
+partner.
+
+"Don't be a fool, Maria," said Jedidiah, scarcely conscious of the
+impoliteness of his speech.
+
+The young lady, however, resented it at once.
+
+"I am sure you are very polite, Mr. Jedidiah Burbank--so polite that
+I think you had better find another partner!"
+
+"Excuse me, Maria," said Jedidiah hastily, alarmed at the prospect
+of being left without a partner. "Of course, I didn't mean
+anything."
+
+"If you didn't mean it, what made you say it?" retorted Maria,
+tossing her head. "I ain't used to being called a fool. I never knew
+a gentleman to make such a remark to a lady. I think you'd better
+find some other partner."
+
+"I take it all back," said Jedidiah, in alarm. "I was only in fun."
+
+"I don't like that kind of fun," said Maria, in a tone of dignified
+coldness.
+
+"Then I won't joke you again. I guess he can play well enough, if
+Abner says so."
+
+Miss Maria Snodgrass allowed herself to be propitiated, more
+especially as she herself might have been left without a partner,
+had she adhered to her determination and sent Jedidiah adrift.
+
+He took his place in a quadrille, not exactly wishing Philip to
+fail, but rather hoping that he would prove a poor performer, in
+order that he might have a little triumph over Maria, who had the
+bad taste to prefer the young musician's appearance to his.
+
+Meanwhile Philip, following Jonas Webb across the room, had been
+introduced to Frank Ingalls, who acted as manager.
+
+"I am glad to see you, Mr. Gray," said Ingalls. "I hope we sha'n't
+make you work too hard. We are very fond of dancing here."
+
+"I don't get tired very easily," answered Philip. "I hope you will
+be satisfied with my playing."
+
+"No fear of that, Mr. Ingalls, I've heerd him play at home, and I
+tell you he can do it."
+
+"Thank you, Mr. Webb," said Philip, bowing his acknowledgment of the
+compliment.
+
+"I guess we may as well commence, Mr. Gray," said Mr. Ingalls. "The
+boys seem to be getting impatient. Here's the order of dances for
+the evening."
+
+"Very well, Mr. Ingalls."
+
+The manager raised his voice, and said, "Gentlemen and ladies, you
+already know that Beck is sick, and cannot be with us this evening,
+as he engaged to do. In his place we have engaged a young musician,
+who has already gained a great reputation in his profession--"
+
+Philip was rather surprised to hear this, but it was not for him to
+gainsay it.
+
+"Let me introduce to you Mr. Philip Gray."
+
+Philip bowed and smiled, and, putting his violin in position,
+immediately commenced a lively air.
+
+In less than five minutes the manager felt perfectly at ease
+concerning the young musician. It was clear that Philip understood
+his business. Philip himself entered into the spirit of his
+performance. His cheek flushed, his eyes sparkled, and he almost
+outdid himself.
+
+When the first dance was concluded, there was a murmur of approval
+throughout the ballroom. The dancers were both surprised and
+pleased.
+
+"He's a smart boy!" said more than one. "He plays as well as Paul
+Beck, and Paul's been play-in' for more'n twenty years."
+
+"As well? I never heard Paul Beck play as well as that," said
+another.
+
+Among those who were most pleased was Miss Maria Snodgrass.
+
+"What do you think now, Mr. Burbank?" she said, addressing her
+partner. "Do you think the boy can play now?"
+
+"Yes, he can play most as well as Paul Beck," admitted Jedidiah.
+
+"Most as well? Paul Beck can't begin to play as well as him,"
+returned Maria, who was not educated, and occasionally made slips in
+grammar.
+
+"Just as you say, Maria," answered Jedidiah, submissively; "only
+don't call me Mr. Burbank."
+
+"Why? Ain't that your name?" asked the young lady demurely.
+
+"Not to you, Maria."
+
+"Well, I won't, if you'll take me up and introduce me to Mr. Gray."
+
+"What for?" asked Jedidiah jealously.
+
+"Because I want to know him."
+
+Mr. Burbank was obliged to obey the request of his partner.
+
+"Oh, Mr. Gray, you play just lovely!" said Miss Snodgrass
+rapturously.
+
+"Thank you for the compliment," said Philip, with a low bow.
+
+"I like your playing ever so much better than Paul Beck's."
+
+"You are too kind," said Philip, with another bow.
+
+"Isn't he just lovely, Jedidiah!" said Maria, as she walked away
+with her lover.
+
+"Maybe he is--I ain't a judge!" said Mr. Burbank, not very
+enthusiastically.
+
+So the evening passed. Philip continued to win the favorable opinion
+of the merry party by his animated style of playing.
+
+When at half-past eleven the last dance was announced, he was glad,
+for after his long walk, and the efforts of the evening, he felt
+tired.
+
+At the conclusion, Mr. Ingalls handed him three dollars, saying:
+
+"Here's your money, Mr. Gray, and we are much obliged to you
+besides."
+
+"Thank you!" said our hero, carelessly slipping the money into his
+vest pocket.
+
+The manager little imagined that it constituted his entire capital.
+
+"I hope we may have you here again some time, Mr. Gray," continued
+the manager.
+
+"Perhaps so," said Philip; "but I am not sure when I shall come this
+way again."
+
+"Good night, Mr. Gray," said Miss Snodgrass effusively. "I should be
+glad to have you call at our house."
+
+Philip bowed his thanks. He did not notice the dark cloud on the
+brow of the young lady's escort.
+
+
+
+
+
+
+CHAPTER XXI.
+
+FORTUNE SMILES AGAIN.
+
+
+
+
+
+Notwithstanding his exertions during the day and evening, Philip
+rose the next day at his usual hour, and was in time for the family
+breakfast, at seven o'clock.
+
+"Don't you feel tired, Mr. Gray?" asked Mrs. Webb.
+
+"No, thank you. I slept well, and feel quite refreshed."
+
+"He's used to it, Lucy," remarked her husband.
+
+"They look upon me as a professional player," thought Philip.
+
+"I think you and I ought to be more tired, for we were dancing all
+the evening," continued the farmer.
+
+When they rose from the table, Philip looked for his hat.
+
+"You're not going to leave us so soon, Mr. Gray?" said Mrs. Webb
+hospitably. "We shall be glad to have you stay with us a day or two,
+if you can content yourself."
+
+"That's right, Lucy. I'm glad you thought to ask him," said her
+husband.
+
+Philip was tempted to accept this kind invitation. He would have
+free board, and be at no expense, instead of spending the small sum
+he had earned the evening previous; but he reflected that he would
+be no nearer solving the problem of how he was to maintain himself,
+and while this was in uncertainty, he was naturally anxious.
+
+"I am very much obliged to you both," he said. "If I come this way
+again, I shall be glad to call upon you, but now I think I must be
+pushing on."
+
+"You'll always be welcome, Mr. Gray," said Mrs. Webb.
+
+Philip thanked her, and soon after set out on his way.
+
+He was more cheerful and hopeful than the day before, for then he
+was well nigh penniless, and now he had three dollars in his pocket.
+
+Three dollars was not a very large sum, to be sure, but to one who
+had been so near destitution as Philip it seemed very important.
+
+Besides, he had discovered in his violin a source of income,
+whereas, hitherto, he had looked upon it merely as a source of
+amusement. This made him feel more independent and self-reliant.
+
+He had walked perhaps two miles, when he heard the rattle of wheels
+behind him. He did not turn his head, for there was nothing strange
+in this sound upon a frequented road. He did turn his head, however,
+when he heard a strong voice calling "Hello!"
+
+Turning, he saw that a young man who was driving had slackened the
+speed of his horse, and was looking toward him.
+
+Philip halted, and regarded the driver inquiringly.
+
+"You're the young chap that played for a dance last night, ain't
+you!" said the newcomer.
+
+"Yes, sir."
+
+"Then you're the one I want to see--jump in, and we'll talk as we
+are going along."
+
+Philip had no objection to a ride, and he accepted the invitation
+with alacrity. The driver, he noticed, was a young man, of pleasant
+manners, though dressed in a coarse suit.
+
+"I drove over to Jonas Webb's to see you, and they told me you had
+just gone," he continued. "I thought maybe you'd get up late, but you
+was up on time. Are you engaged for this evening?"
+
+Philip began to prick up his ears and become interested. Was it
+possible that his good luck was to continue, and that he was to have
+an opportunity of earning some more money through his faithful
+friend, the violin? He didn't think it well to exhibit the
+satisfaction he felt, and answered, in a matter-of-fact tone;
+
+"No, I have no engagement for this evening."
+
+"I'm glad of it," responded the young man, evidently well pleased.
+"You see, we had arranged to have a dance over to our place, but Mr.
+Beck, being sick, we thought we'd have to give it up. One of my
+neighbors was over last evening and heard you play, and he thought
+maybe we could secure you."
+
+"I shall be glad to play for you," said Philip politely.
+
+"What are your terms?" asked his companion.
+
+"Three dollars and board and lodging for the time I need to stay."
+
+"That's satisfactory. I'll engage you."
+
+"Is it near here?" asked Philip.
+
+"It's in Conway--only four miles from here. I'll take you right over
+now, and you shall stay at my house."
+
+"Thank you, I shall find that very agreeable," said Philip.
+
+"Does Mr. Beck live near you?" asked our hero, a little later.
+
+"Bless you! he lives in our place."
+
+"I suppose his services are in demand?"
+
+"Yes, he is sent for to all the towns around. Fact is, there isn't
+anybody but he that can play to suit; but I expect, from what I've
+heard, that you can come up to him."
+
+"I couldn't expect to do that," said Philip modestly. "I am very
+young yet."
+
+"Folks do say you beat Paul. It seems wonderful, too, considering
+how young you are. What might be your age, now?"
+
+"Just sixteen."
+
+"Sho! you don't say so? Why, Paul Beck's over fifty."
+
+"Mr. Beck won't think I'm interfering with him, will he?" asked
+Philip.
+
+"Of course, he can't. We'd a had him if he was well. We can't be
+expected to put off the party because he's sick. That wouldn't be
+reasonable, now, would it?"
+
+"I should think not."
+
+Just then Philip became sensible that a light wagon was approaching,
+driven by a young lady.
+
+He did not, however, suppose it was any one he knew till the
+carriage stopped, and he heard a voice saying:
+
+"Good morning, Mr. Gray!"
+
+Then he discovered that it was the same young lady who had asked for
+an introduction to him the evening previous.
+
+"Good morning, Miss Snodgrass!" he said politely, remembering,
+fortunately, the young lady's name.
+
+Meanwhile, Maria and Philip's drivers had also exchanged
+salutations, for they were acquainted.
+
+"And where are you carrying Mr. Gray, Mr. Blake?" she asked.
+
+"I'm carrying him over to our place. He's going to play for us this
+evening."
+
+"Is there going to be a dance in Conway this evening?" inquired Miss
+Snodgrass, with sudden interest.
+
+"Yes. Won't you come over?"
+
+"I will, if I can get Jedidiah to bring me," answered Maria.
+
+"I guess there's no doubt about that," answered Andrew Blake, who
+knew very well Jedidiah's devotion to the young lady.
+
+"Oh, I don't know!" answered Maria coquettishly. "Perhaps he won't
+care for my company."
+
+"If he doesn't, you won't have any trouble in finding another beau."
+
+After a little more conversation, the young lady drove away; but not
+without expressing to Philip her delight at having another chance to
+hear his beautiful playing.
+
+"She'll be there," said Andrew Blake, as they drove away. "She makes
+Jedidiah Burbank do just as she orders him."
+
+"Are they engaged?" asked our hero.
+
+"Yes, I expect so; but there may be some chance of your cutting him
+out, if you try. The young lady seems to admire you."
+
+Philip smiled.
+
+"I am only a boy of sixteen," he said. "I am too young to think of
+such things. I won't interfere with Mr. Burbank."
+
+"Jedidiah's apt to be jealous," said Blake, "and Maria likes to
+torment him. However, she'll end by marrying him, I guess."
+
+In half an hour or thereabouts, Andrew Blake drew up at the gate of
+a small but neat house on the main street in Conway. He was a
+carpenter, as Philip afterward found, and had built the house
+himself. He was probably of about the same age as Jonas Webb, and
+like him was married to a young wife.
+
+During the afternoon, Philip, being left pretty much to his own
+devices, took a walk in and about the village, ascending a hill at
+one side, which afforded him a fine view of that and neighboring
+villages.
+
+He was pleasantly received and hospitably entertained at the house
+of Mr. Blake, and about quarter of eight started out for the hall,
+at which he was to play, in company with his host and hostess.
+
+As they approached the hall, a young man approached them with a
+perplexed face.
+
+"What do you think, Andrew?" he said. "Paul Beck's in the hall, as
+mad as a hatter, and he vows he'll play himself. He says he was
+engaged, and no one shall take his place."
+
+Andrew Blake looked disturbed, and Philip shared in his feeling. Was
+he to lose his engagement, after all?
+
+
+
+
+
+
+CHAPTER XXII.
+
+RIVAL MUSICIANS.
+
+
+
+
+
+They entered the hall, which was already well filled, for the young
+people of both sexes liked to have as long a time for enjoyment as
+possible.
+
+At the head of the hall, in the center of a group, stood a tall,
+thin man, dressed in solemn black, with a violin under his arm. His
+face, which looked like that of a sick man, was marked by an angry
+expression, and this, indeed, was his feeling.
+
+"I suppose that's Mr. Beck?" said Philip.
+
+"Yes, it is," answered Andrew Blake, in evident discomposure. "What
+on earth brings him here from a sick-bed, I can't understand. I
+heard that he had a fever."
+
+The fact was that Paul Beck was jealous of his reputation as a
+musician. It was satisfactory to him to think that he was so
+indispensable that no one could take his place. He had sent word to
+the committee that he should be unable to play for them, supposing,
+of course, that they would be compelled to give up the party. When
+intelligence was brought to him during the afternoon that it would
+come off, and that another musician had been engaged in his place,
+he was not only disturbed, but angry, though, of course, the latter
+feeling was wholly unreasonable. He determined that he would be
+present, at any rate, no matter how unfit his sickness rendered him
+for the evening's work. He resolved to have no rival, and to permit
+no one to take his place in his own town.
+
+It did not seem to occur to Mr. Beck that, having formally declined
+the engagement on account of sickness, he had no claim whatever on
+the committee, and was, in fact, an interloper. It was in vain that
+his sister protested against his imprudence. (He was an old bachelor
+and his sister kept house for him.) He insisted on dressing himself
+and making his way to the hall, where, as was to be expected, his
+arrival produced considerable embarrassment.
+
+Paul Beck stood in sullen impatience awaiting the arrival of his
+rival.
+
+It so happened that no one had thought to mention to him that it was
+a boy. He was prepared to see a full-grown man.
+
+Philip followed Andrew Blake up to the central group.
+
+"Who is it, I say," Mr. Beck was inquiring, "that engaged another
+musician to take my place?"
+
+"No one, sir," answered Andrew Blake firmly, for Mr. Beck's
+unreasonableness provoked him. "I engaged a musician to play this
+evening, but it was not in your place, for you had sent us word that
+you could not appear."
+
+"Where is he, I say?" continued Paul Beck sourly.
+
+"Here he is," replied Blake, drawing toward our hero, who felt that
+he was placed in an awkward position.
+
+"Why, he's only a baby!" said Beck, surveying our hero
+contemptuously.
+
+Philip's cheek flushed, and he, too, began to feel angry.
+
+"He isn't as old as you are, Mr. Beck," said Andrew Blake manfully,
+"but you'll find he understands his business."
+
+"I certainly didn't expect you to get a child in my place," said
+Paul Beck scornfully.
+
+"I suppose a musician may know how to play, if he isn't sixty-five,"
+said Miss Maria Snod-grass, who had listened indignantly to Mr.
+Beck's contemptuous remarks about our hero, whose cause she so
+enthusiastically championed.
+
+Poor Mr. Beck! He was sensitive about his age, and nothing could
+have cut him more cruelly than this exaggeration of it. He was
+really fifty-five, and looked at least sixty, but he fondly
+flattered himself that he looked under fifty. "Sixty-five!" he
+repeated furiously. "Who says I am sixty-five?"
+
+"Well, you look about that age," said Maria, with malicious
+pleasure.
+
+"I shall have to live a good many years before I am sixty," said
+Paul Beck angrily. "But that's either here nor there. You engaged me
+to play to-night, and I am ready to do it."
+
+Andrew Blake felt the difficulty of his position, but he did not
+mean to desert the boy-musician whom he had engaged.
+
+"Mr. Beck," said he, "we shall be glad to have you serve us on
+another occasion, but to-night Mr. Gray, here, is engaged. You gave
+up the engagement of your own accord, and that ended the matter, so
+far as you are concerned."
+
+"Do you refuse to let me play?" demanded Paul Beck, his pale cheek
+glowing with anger and mortification.
+
+"You understand why," answered Blake. "This young man is engaged,
+and we have no right to break the engagement."
+
+Philip, who had felt the embarrassment of his position, had
+meanwhile made up his mind what to do. The three dollars he expected
+to earn were important to him, but he didn't care to make trouble.
+He did not doubt that his lodging and meals would be given him, and
+that would be something. Accordingly, he spoke:
+
+"I have been engaged, it is true," he said, "but if Mr. Beck wants
+to play I will resign my engagement and stay and hear him."
+
+"No, no!" exclaimed several--Mr. Blake and Miss Snodgrass being
+among them.
+
+"Mr. Gray, you were regularly engaged," said one of the committee.
+
+"That's true," answered Philip, "and," he couldn't help adding, "I
+should be justified in insisting upon playing; but since Mr. Beck
+seems to feel so bad about it, I will give way to him."
+
+He spoke manfully, and there was no sign of weakness or submission
+about him. He asserted his rights, while he expressed his
+willingness to surrender them.
+
+There was a little consultation among the committee. They were all
+disgusted with the conduct of Paul Beck, and were unwilling that he
+should triumph. At the same time, as they might need his services at
+some future time, they did not wish wholly to alienate him.
+
+Finally, they announced their decision through Andrew Blake.
+
+"We are not willing to accept Mr. Gray's resignation wholly," he
+said, "but we propose that he and Mr. Beck shall divide the
+evening's work between them--each to receive half the usual
+compensation."
+
+There was considerable applause, for it seemed to be a suitable
+compromise, and would enable the company to compare the merits of
+the rival musicians.
+
+"I agree," said Philip promptly.
+
+"What do you say, Mr. Beck?" asked Andrew Blake.
+
+Now, while Paul Beck did not like to give up half the honor, he felt
+thoroughly convinced that Philip was only a beginner, and that he,
+as an experienced player, could easily eclipse him, and thus gain a
+triumph which would be very gratifying to his pride.
+
+As for the compensation, to do him justice, he did not much care for
+that, being a man of very good means. He played more for glory than
+for pay--though he, of course, had no objection to receiving
+compensation.
+
+"I have no objections," he said. "If you want to give the boy a
+chance to practice a little, I am willing."
+
+Philip understood the sneer, and he secretly determined to do his
+best.
+
+The committee was much pleased at the satisfactory conclusion of
+what had threatened to be a very troublesome dispute, and it was
+arranged, Philip consenting, that Mr. Beck should play first.
+
+The old musician played, in a confident manner, a familiar
+dancing-tune, accompanying his playing with various contortions of
+the face and twistings of his figure, supposed to express feeling.
+It was a fair performance, but mechanical, and did not indicate
+anything but very ordinary talent. His time was good, and dancers
+always found his playing satisfactory.
+
+When Paul Beck had completed his task, he looked about him
+complacently, as if to say, "Let the boy beat that if he can," and
+sat down.
+
+Philip had listened to Mr. Beck with attention. He was anxious to
+learn how powerful a rival he had to compete with. What he heard did
+not alarm him, but rather gave him confidence.
+
+
+
+
+
+
+CHAPTER XXIII.
+
+AN HOUR OF TRIUMPH.
+
+
+
+
+
+When Paul rose and stood before this audience, violin in hand, he
+certainly presented quite a strong contrast to his rival.
+
+Paul Beck, as we have already said, was a tall, thin, lantern-jawed
+man, clad in solemn black, his face of a sickly, sallow hue.
+
+Philip was of fair height, for his age, with a bright, expressive
+face, his hair of a chestnut shade, and looking the very picture of
+boyish health. His very appearance made a pleasant impression upon
+those present.
+
+"He's a nice-looking boy," thought more than one, "but he looks too
+young to know much about the violin."
+
+But when Philip began to play, there was general surprise. In a
+dancing-tune there was not much chance for the exhibition of talent,
+but his delicate touch and evident perfect mastery of his instrument
+were immediately apparent. In comparison, the playing of Paul Beck
+seemed wooden and mechanical.
+
+There was a murmur of approbation, and when Philip had finished his
+first part of the program, he was saluted by hearty applause, which
+he acknowledged by a modest and graceful bow.
+
+Paul Beck's face, as his young rival proceeded in his playing, was
+an interesting study. He was very disagreeably surprised. He had
+made up his mind that Philip could not play at all, or, at any rate,
+would prove to be a mere tyro and bungler, and he could hardly
+believe his ears when he heard the sounds which Philip evoked from
+his violin.
+
+In spite of his self-conceit, he secretly acknowledged that Philip
+even now was his superior, and in time would leave him so far behind
+that there could be no comparison between them.
+
+It was not a pleasant discovery for a man who had prided himself for
+many years on his superiority as a musician. If it had been a man of
+established fame it would have been different, but to be compelled
+to yield the palm to an unknown boy, was certainly mortifying.
+
+When he heard the applause that followed Philip's performance, and
+remembered that none had been called forth by his own, he determined
+that he would not play again that evening. He did not like to risk
+the comparison which he was sure would be made between himself and
+Philip. So, when Andrew Blake came up to him and asked him to play
+for the next dance, he shook his head. "I don't feel well enough,"
+he said "I thought I was stronger than I am."
+
+"Do you want the boy to play all the rest of the evening?"
+
+"Yes; he plays very fairly," said Beck, in a patronizing manner,
+which implied his own superiority.
+
+"There can be no doubt about that," said Andrew Blake, with
+emphasis, for he understood Mr. Beck's meaning, and resented it as
+one of the warmest admirers of the boy-musician whom he had engaged.
+
+But Paul Beck would not for the world have revealed his real opinion
+of Philip's merits.
+
+"Yes," he continued, "he plays better than I expected. I guess you
+can get along with him."
+
+"How shall we arrange about the compensation, Mr. Beck?" asked
+Blake. "We ought in that case to give him more than half."
+
+"Oh, you can give him the whole," answered Beck carelessly. "If I
+felt well enough to play, I would do my part, but I think it will be
+better for me to go home and go to bed."
+
+His decision was communicated to Philip, who felt impelled by
+politeness to express his regrets to Mr. Beck.
+
+"I am sorry you don't feel able to play, Mr. Beck," he said
+politely.
+
+"Oh, it's of no consequence, as they've got some one to take my
+place," returned Beck coldly.
+
+"I should be glad to hear you play again," continued Philip.
+
+Paul Beck nodded slightly, but he felt too much mortified to
+reciprocate Philip's friendly advances. Half an hour later he left
+the hall.
+
+The dancers by no means regretted the change of arrangement. They
+evidently preferred the young musician to his elderly rival. The
+only one to express regret was Miss Maria Snodgrass.
+
+"I declare it's a shame Mr. Beck has given up," she said. "I wanted
+you to dance with me, Mr. Gray. I am sure if you can dance as well
+as you can play, you would get along perfectly lovely. Now you've
+got to play, and can't dance at all."
+
+"It isn't leap-year, Maria," said Jedidiah Burbank, in a jealous
+tone.
+
+Miss Snodgrass turned upon him angrily:
+
+"You needn't put in your oar, Jedidiah Burbank!" she said. "I guess
+I know what I'm about. If it was leap-year fifty times over, I
+wouldn't offer myself to you!"
+
+And the young lady tossed her head in a very decided manner.
+
+"Now don't get mad, Maria!" implored Jedidiah, feeling that at the
+prompting of jealousy; he had put his foot in it. "I didn't mean
+nothing."
+
+"Then you'd better say nothing next time," retorted the young lady.
+
+Meanwhile, Philip acknowledged the young lady's politeness by a
+smile and a bow, assuring her that if it had been possible, it would
+have given him great pleasure to dance with her.
+
+"If Mr. Burbank will play for me," he said with a glance at the
+young man, "I shall be glad to dance."
+
+Miss Snodgrass burst out laughing.
+
+"Jedidiah couldn't play well enough for an old cow to dance by," she
+said.
+
+"There ain't any old cows here," said Jedidiah, vexed at being
+ridiculed.
+
+"Well, there are some calves, anyway," retorted Maria, laughing
+heartily.
+
+Poor Jedidiah! It is to be feared that he will have a hard time when
+he becomes the husband of the fair Maria. She will undoubtedly be
+the head of the new matrimonial firm.
+
+There was nothing further to mar the harmony of the evening. It had
+begun with indications of a storm, but the clouds had vanished, and
+when Mr. Beck left the hall, there was nothing left to disturb the
+enjoyment of those present.
+
+The favorable opinions expressed when Philip commenced playing were
+repeated again and again, as the evening slipped away.
+
+"I tell you, he's a regular genius!" one enthusiastic admirer said
+to his companion. "Paul Beck can't hold a candle to him."
+
+"That's so. He's smart, and no mistake."
+
+Poor Mr. Beck! It was fortunate he was unable to hear these
+comparisons made. He could not brook a rival near the throne, and
+had gone home in low spirits, feeling that he could never again hold
+his head as high as he had done.
+
+When the dancing was over, there was a brief conference of the
+committee of management, the subject of which was soon made known.
+
+Andrew Blake approached Philip and said:
+
+"Mr. Gray, some of us would like to hear you play something else, if
+you are not tired--not a dancing-tune."
+
+"I shall be very happy to comply with your request," answered
+Philip.
+
+He spoke sincerely, for he saw that all were pleased with him, and
+it is gratifying to be appreciated.
+
+He paused a moment in thought, and then began to play the "Carnival
+of Venice," with variations. It had been taught him by his father,
+and he had played it so often that his execution was all that could
+be desired. The variations were of a showy and popular character,
+and very well adapted to impress an audience like that to which he
+was playing.
+
+"Beautiful! Beautiful!" exclaimed the young ladies, while their
+partners pronounced it "tip-top" and "first-rate," by which they
+probably meant very much the same thing.
+
+"Oh, Mr. Gray!" exclaimed Miss Snodgrass fervently. "You play like a
+seraphim!"
+
+"Thank you!" said Philip, smiling. "I never heard a seraphim play on
+the violin, but I am sure your remark is very complimentary."
+
+"I wish you could play like that, Jedidiah," said Maria.
+
+"I'll learn to play, if you want me to," said Mr. Burbank.
+
+"Thank you! You're very obliging," said Maria; "but I won't trouble
+you. You haven't got a genius for it, like Mr. Gray."
+
+The evening was over at length, and again Philip was made the happy
+recipient of three dollars. His first week had certainly been
+unexpectedly prosperous.
+
+"This is better than staying in the Norton Poorhouse!" he said to
+himself.
+
+
+
+
+
+
+CHAPTER XXIV.
+
+LORENZO RICCABOCCA.
+
+
+
+
+
+Philip's reputation as a musician was materially increased by his
+second night's performance. To adopt a military term, he had crossed
+swords with the veteran fiddler, Paul Beck, and, in the opinion of
+all who heard both, had far surpassed him.
+
+This was said openly to Philip by more than one; but he was modest,
+and had too much tact and good taste to openly agree with them. This
+modesty raised him higher in the opinion of his admirers.
+
+He was invited by the Blakes to prolong his visit, but preferred to
+continue on his journey--though his plans were, necessarily, not
+clearly defined.
+
+Andrew Blake carried him five miles on his way, and from that point
+our hero used the means of locomotion with which nature had supplied
+him.
+
+Some six miles farther on there was a manufacturing town of
+considerable size, named Wilkesville, and it occurred to him that
+this would be a good place at which to pass the night.
+
+Something might turn up for him there. He hardly knew what, but the
+two unexpected strokes of luck which he had had thus far encouraged
+him to think that a third might come to him.
+
+Philip continued on his way--his small pack of clothing in one hand
+and his violin under his arm. Being in no especial hurry--for it was
+only the middle of the forenoon--he bethought himself to sit down
+and rest at the first convenient and inviting place.
+
+He soon came to a large elm tree, which, with its spreading
+branches, offered a pleasant and grateful shade.
+
+He threw himself down and lay back on the greensward, in pleasant
+contemplation, when he heard a gentle cough--as of one who wished to
+attract attention. Looking up he observed close at hand, a tall man,
+dressed in black, with long hair, which fell over his shirt collar
+and shoulders.
+
+He wore a broad collar and black satin necktie, and his hair was
+parted in the middle. His appearance was certainly peculiar, and
+excited our hero's curiosity.
+
+"My young friend," he said, "you have chosen a pleasant
+resting-place beneath this umbrageous monarch of the grove." "Yes,
+sir," answered Philip, wondering whether the stranger was a poet.
+
+"May I also recline beneath it?" asked the newcomer.
+
+"Certainly, sir. It is large enough to shelter us both."
+
+"Quite true; but I did not wish to intrude upon your meditations."
+
+"My meditations are not of much account," answered Philip, laughing.
+
+"I see you are modest. Am I right in supposing that yonder case
+contains a violin?"
+
+"Yes, sir."
+
+"Then you are a musician?"
+
+"A little of one," replied Philip.
+
+"May I ask--excuse my curiosity--if you play professionally?"
+
+"Perhaps he may help me to an engagement," thought our hero, and he
+said readily, "I do."
+
+"Indeed!" said the stranger, appearing pleased. "What style of music
+do you play?"
+
+"For each of the last two evenings I have played for
+dancing-parties."
+
+"Alone?"
+
+"Yes."
+
+"You do not confine yourself to dancing-music?"
+
+"Oh, no! I prefer other kinds; but dancing-tunes seem most in
+demand, and I have my living to make." The stranger seemed still
+more gratified.
+
+"I am delighted to have met you, Mr.--- Ahem!" he paused, and looked
+inquiringly at Philip.
+
+"Gray."
+
+"Mr. Gray, I believe Providence has brought us together. I see you
+are surprised."
+
+Philip certainly did look puzzled, as he well might.
+
+"I must explain myself more clearly. I am Professor Lorenzo
+Riccabocca, the famous elocutionist and dramatic reader."
+
+Philip bowed.
+
+"Doubtless you have heard of me?" said the professor inquiringly.
+
+"I have never lived in large places," answered Philip, in some
+embarrassment, "or no doubt your name would be familiar to me."
+
+"To be sure, that must make a difference. For years," said the
+professor, "I have given dramatic readings to crowded houses, and
+everywhere my merits have been conceded by the educated and
+refined."
+
+Philip could not help wondering how it happened in that case that
+the professor should look so seedy. A genius appreciated so highly
+ought to have brought in more gold and silver.
+
+Perhaps Professor Riccabocca understood Philip's expressive look,
+for he went to to say:
+
+"The public has repaid me richly for the exercise of my talent; but,
+alas, my young friend, I must confess that I have no head for
+business. I invested my savings unwisely, and ascertained a month
+since that I had lost all."
+
+"That was a great pity!" said Philip sympathizingly.
+
+"It was, indeed! It quite unmanned me!" said the professor, wiping
+away a tear. "I felt that all ambition was quite gone, and I was mad
+and sick. Indeed, only a week since I rose from a sick-bed. But
+Lorenzo is himself again!" he exclaimed, striking his breast
+energetically. "I will not succumb to Fate. I will again court the
+favor of the public, and this time I will take care of the ducats my
+admirers bestow upon me."
+
+"I should think that was a good plan," said Philip.
+
+"I will begin at once. Nearby is a town devoted to the mammon of
+trade, yet among its busy thousands there must be many that will
+appreciate the genius of Lorenzo Riccabocca."
+
+"I hope so," answered Philip politely.
+
+He could not help thinking that the professor was rather
+self-conceited, and he hardly thought it in good taste for him to
+refer so boastfully to his genius.
+
+"I wish you, Mr. Gray, to assist me in my project," continued the
+professor.
+
+"How can I do so, sir?" inquired Philip.
+
+"Let me tell you. I propose that we enter into a professional
+partnership, that we give an entertainment partly musical, partly
+dramatic. I will draw up a program, including some of my most
+humorous recitations and impersonations, while interspersed among
+them will be musical selections contributed by yourself. Do you
+comprehend?"
+
+"Yes," answered Philip, nodding.
+
+"And what do you think of it?"
+
+"I think well of it," replied the boy-musician.
+
+He did think well of it. It might not draw a large audience, this
+mixed entertainment, but it would surely pay something; and it would
+interfere with no plans of his own, for, in truth, he had none.
+
+"Then you will cooperate with me?" said the professor.
+
+"Yes, professor."
+
+"Give me your hand!" exclaimed Riccabocca dramatically. "Mr. Gray,
+it is a perfect bonanza of an idea. I may tell you, in confidence, I
+was always a genius for ideas. Might I ask a favor of you?"
+
+"Certainly, sir."
+
+"Give me a touch of your quality. Let me hear you play."
+
+Philip drew his violin from its case and played for his new
+professional partner "The Carnival of Venice," with variations--the
+same which had been received with so much favor the evening
+previous.
+
+Professor Riccabocca listened attentively, and was evidently
+agreeably surprised. He was not a musician, but he saw that Philip
+was a much better player than he had anticipated, and this, of
+course, was likely to improve their chances of pecuniary success.
+
+"You are a splendid performer," he said enthusiastically. "You shall
+come out under my auspices and win fame. I predict for you a
+professional triumph."
+
+"Thank you," said Philip, gratified by this tribute from a man of
+worldly experience. "I hope you will prove a true prophet."
+
+"And now, Mr. Gray, let us proceed on our way. We must get lodgings
+in Wilkesville, and make arrangements for our entertainment. I feel
+new courage, now that I have obtained so able a partner. Wilkesville
+little knows what is in store for her. We shall go, see, and
+conquer!"
+
+An hour later Philip and his new partner entered Wilkesville.
+
+
+
+
+
+
+CHAPTER XXV.
+
+A CHANGE OF NAME.
+
+
+
+
+
+Wilkesville was an inland city, of from fifteen to twenty thousand
+inhabitants.
+
+As Philip and the professor passed along the principal street, they
+saw various stores of different kinds, with here and there a large,
+high, plain-looking structure, which they were told was used for the
+manufacture of shoes.
+
+"Wilkesville will give us a large audience," he said, in a tone of
+satisfaction.
+
+"I hope so," said our hero.
+
+"Hope so? I know so!" said the professor confidently. "The town is
+full of young men, employed in shoe-making. They are fond of
+amusement, and they will gladly seize an opportunity of patronizing
+a first-class entertainment like ours."
+
+The professor's reasoning seemed good, but logic sometimes fails,
+and Philip was not quite so sanguine. He said nothing, however, to
+dampen the ardor of his partner.
+
+"Let me see," said the professor, pausing, "yonder stands the
+Wilkesville Hotel. We had better put up there."
+
+It was a brick structure of considerable size, and seemed to have
+some pretensions to fashion.
+
+"Do you know how much they charge?" asked Philip prudently.
+
+"No; I neither know nor care," answered Professor Riccabocca
+loftily.
+
+"But," said Philip, "I haven't much money."
+
+"Nor I," admitted Riccabocca. "But it is absolutely necessary for us
+to stop at a first-class place. We must not let the citizens suppose
+that we are tramps or vagabonds. They will judge us by our
+surroundings."
+
+"There is something in that," said Philip. "But suppose we don't
+succeed!"
+
+"Succeed? We must succeed!" said the professor, striking an
+attitude. "In the vocabulary of youth, there's no such word as
+'fail'! Away with timid caution! Our watchword be success!"
+
+"Of course, you have much more experience than I," said Philip.
+
+"Certainly I have! We must keep up appearances. Be guided by me, and
+all will come right."
+
+Philip reflected that they could not very well make less than their
+expenses, and accordingly he acceded to the professor's plans. They
+entered the hotel, and Professor Riccabocca, assuming a dignified,
+important step, walked up to the office. "Sir," said he, to the
+clerk, "my companion and myself would like an apartment, one
+eligibly located, and of ample size."
+
+"You can be accommodated, sir," answered the young man politely.
+"Will you enter your names?"
+
+Opening the hotel register, the elocutionist, with various
+flourishes, entered, this name: "Professor Lorenzo Riccabocca,
+Elocutionist and Dramatic Reader."
+
+"Shall I enter your name?" he asked of Philip.
+
+"If you please."
+
+This was the way Professor Riccabocca complied with his request:
+"Philip de Gray, the Wonderful Boy-musician."
+
+He turned the book, so that the clerk could see the entries.
+
+"We propose to give an entertainment in Wilkesville," he said.
+
+"I am glad to hear it," said the clerk politely.
+
+"After dinner I will consult you as to what steps to take. Is there
+anything in the way of amusement going on in town this evening?"
+
+"Yes, there is a concert, chiefly of home-talent, in Music Hall.
+There is nothing announced for to-morrow evening."
+
+"Then we will fix upon to-morrow evening. It will give us more time
+to get out hand-bills, etc. Is there a printing-office in town?"
+
+"Oh, yes, sir. We have a daily paper."
+
+"Is the office near at hand?"
+
+"Yes, sir. It is on the corner of the next street."
+
+"That will do for the present. We will go up to our apartment. Will
+dinner be ready soon?"
+
+"In half an hour."
+
+Here the servant made his appearance, and the professor, with a wave
+of his hand, said:
+
+"Lead on, Mr. de Gray! I will follow."
+
+
+
+
+
+
+CHAPTER XXVI.
+
+A PROMISING PLAN.
+
+
+
+
+
+They were shown into a front room, of good size, containing two
+beds. The servant handed them the key, and left them.
+
+"This looks very comfortable, Mr. de Gray," said the professor,
+rubbing his hands with satisfaction.
+
+"Why do you call me Mr. de Gray?" asked Philip, thinking he had been
+misunderstood. "It is plain Gray, without any de."
+
+"I am only using your professional name," answered the professor.
+"Don't you know people will think a great deal more of you if they
+suppose you to be a foreigner?"
+
+Philip laughed.
+
+"Is Lorenzo Riccabocca your true or professional name, professor?"
+he asked.
+
+"Professional, of course. My real name--I impart it to you in the
+strictest confidence--is Lemuel Jones. Think of it. How would that
+look on a poster?"
+
+"It would not be so impressive as the other."
+
+"Of course not; and the public need to be impressed. I thank thee
+for that word, Mr. de Gray. By the way, it's rather a pity I didn't
+give you a Spanish or Italian name."
+
+"But I can't speak either language. It would be seen through at
+once."
+
+"People wouldn't think of asking. You'd be safe enough. They will
+generally swallow all you choose to say."
+
+They went down to dinner presently, and the professor--Philip could
+not help thinking--ate as if he were half-starved. He explained
+afterward that elocutionary effort taxes the strength severely, and
+makes hearty eating a necessity.
+
+After dinner was over the professor said:
+
+"Are you content, Mr. de Gray, to leave me to make the necessary
+arrangements?"
+
+"I should prefer that you would," said Philip, and he spoke
+sincerely. "Probably you understand much better than I what needs to
+be done."
+
+" 'Tis well! Your confidence is well placed," said the professor,
+with a wave of his hand. "Shall you remain in the hotel?"
+
+"No, I think I will walk about the town and see a little of it. I
+have never been here before."
+
+Philip took a walk through the principal streets, surveying with
+curiosity the principal building's, for, though there was nothing
+particularly remarkable about them, he was a young traveler, to whom
+everything was new. He could not help thinking of his late home, and
+in particular of Frank Dunbar, his special friend, and he resolved
+during the afternoon to write a letter to Frank, apprising him of
+his luck thus far. He knew that Frank would feel anxious about him,
+and would be delighted to hear of his success as a musician.
+
+He went into a book-store and bought a sheet of paper and an
+envelope.
+
+He had just completed his letter, when his partner entered the
+reading-room of the hotel with a brisk step.
+
+"Mr. de Gray," he said, "I have made all necessary arrangements. I
+have hired the hall for to-morrow evening--five dollars--ordered
+some tickets and posters at the printing-office, and secured a
+first-class notice in to-morrow morning's paper. Everybody
+in Wilkesville will know before to-morrow night that they will have
+the opportunity of attending a first-class performance at the Music
+Hall."
+
+"It seems to me the necessary expenses are considerable," said
+Philip uneasily.
+
+"Of course they are; but what does that matter?"
+
+"What is to be the price of tickets?"
+
+"General admission, twenty-five cents; reserved seats, fifty cents,
+and children under twelve, fifteen cents. How does that strike you!"
+
+"Will anyone be willing to pay fifty cents to hear us?" asked
+Philip.
+
+"Fifty cents! It will be richly worth a dollar!" said the professor
+loftily.
+
+"I suppose he knows best," thought Philip. "I hope all will come out
+right. If it does we can try the combination in other places."
+
+
+
+
+
+
+CHAPTER XXVII.
+
+UNEXPECTED HONORS.
+
+
+
+
+
+The next morning at breakfast, Professor Riccabocca handed Philip a
+copy of the Wilkesville Daily Bulletin. Pointing to a paragraph on
+the editorial page, he said, in a tone of pride and satisfaction:
+
+"Read that, Mr. de Gray."
+
+It ran thus:
+
+"We congratulate the citizens of Wilkesville on the remarkable
+entertainment which they will have an opportunity of enjoying this
+evening at the Music Hall. Professor Lorenzo Riccabocca, whose fame
+as an elocutionist and dramatic reader has made his name a household
+word throughout Europe and America, will give some of his choice
+recitals and personations, assisted by Philip de Gray, the wonderful
+boy-musician, whose talent as a violin-player has been greeted with
+rapturous applause in all parts of the United States. It is
+universally acknowledged that no one of his age has ever equaled
+him. He, as well as Professor Riccabocca, will give but a limited
+series of entertainments in this country, having received flattering
+inducements to cross the Atlantic, and appear professionally in
+London, Paris, and the chief cities of the Continent. Fifty cents is
+the pitiful sum for which our citizens will have it put in their
+power to hear this wonderful combination of talent. This secures a
+reserved seat."
+
+Philip read this notice with increasing amazement.
+
+"What do you think of that, Mr. de Gray?" asked the professor
+gleefully. "Won't that make Wilkesville open its eyes, eh?"
+
+"It has made me open my eyes, professor," said Philip.
+
+"Ha, ha!" said the professor, appearing amused.
+
+"How soon are we to sail for Europe?" asked Philip, smiling.
+
+"When Queen Victoria sends our passage-money," answered Riccabocca,
+laughing.
+
+"I see that your name is a household word in Europe. Were you ever
+there?"
+
+"Never."
+
+"Then how can that be?"
+
+"Mr. de Gray, your performances have been greeted with applause in
+all parts of the United States. How do you explain that?"
+
+"I don't pretend to explain it. I wasn't aware that my name had ever
+been heard of a hundred miles from here."
+
+"It has not, but it will be. I have only been predicting a little.
+The paragraph isn't true now, but it will be some time, if we live
+and prosper."
+
+"But I don't like to be looked upon as a humbug, professor," said
+Philip uneasily.
+
+"You won't be. You are really a fine player, or I wouldn't consent
+to appear with you. The name of Riccabocca, Mr. de Gray, I may
+truthfully say, is well known. I have appeared in the leading cities
+of America. They were particularly enthusiastic in Chicago," he
+added pensively. "I wish I could find a paragraph from one of their
+leading papers, comparing my rendering of the soliloquy in 'Hamlet'
+to Edwin Booth's, rather to the disadvantage of that tragedian."
+
+"I would like to read the notice," said Philip, who had very strong
+doubts as to whether such a paragraph had ever appeared in print.
+
+"You shall see it. It will turn up somewhere. I laid it aside
+carefully, for I confess, Mr. de Gray, it gratified me much. I have
+only one thing to regret: I should myself have gone on the stage,
+and essayed leading tragic roles. It may not be too late now. What
+do you think?"
+
+"I can tell better after I have heard you, professor," answered
+Philip.
+
+"True, you can. Mr. de Gray," continued the professor, lowering his
+voice, "notice how much attention we are receiving from the guests
+at the tables. They have doubtless read the notice of our evening
+entertainment."
+
+Philip looked round the room, which was of good size, and contained
+some thirty or more guests, and he saw that the professor was right.
+
+He met several curious glances, some fair ladies expressing interest
+as well as curiosity, and his face flushed.
+
+"Gratifying, isn't it?" said the professor, smiling.
+
+"No, I don't think it is," answered our hero.
+
+"Why not?" demanded Professor Riccabocca, appearing amazed.
+
+"If all were true, it might be," replied Philip. "As it is, I feel
+like a humbug."
+
+"Humbug pays in this world," said the professor cheerfully. "By the
+way, there's another little paragraph to which I will call your
+attention."
+
+Philip read this additional item:
+
+"We understand that Professor Riecabocca and Mr. Philip de Gray have
+received a cable despatch from the Prince of Wales, inviting them to
+instruct his sons in elocution and music, at a very liberal salary.
+They have this proposal under consideration, though they are
+naturally rather reluctant to give up the plaudits of the public,
+even for so honorable a position."
+
+"Professor Riccabocca," said Philip, considerably annoyed by this
+audacious invention, "you ought to have consulted me before
+publishing such a falsehood as this."
+
+"Falsehood, Mr. de Gray? Really I'm shocked! Gentlemen don't use
+such words, or make such charges."
+
+"You don't mean to say it's true that we have received any such
+telegram?"
+
+"No; of course not."
+
+"Then why didn't I use the right word?"
+
+"It's an innocent little fiction, my young friend--a fiction that
+will do no one any harm, but will cause us to be regarded with
+extraordinary interest."
+
+Here the thought occurred to Philip that he, the future instructor
+of British royalty, had only just escaped from a poorhouse, and it
+seemed to him so droll that he burst out laughing.
+
+"Why do you laugh, Mr. de Gray?" asked the professor, a little
+suspiciously.
+
+"I was thinking of something amusing," said Philip.
+
+"Well, well! We shall have cause to laugh when we play this evening
+to a crowded house."
+
+"I hope so. But, professor, if we keep together, you mustn't print
+any more such paragraphs about me. Of course, I am not responsible
+for what you say about yourself."
+
+"Oh, it will be all right!" said Riccabocca. "What are you going to
+do with yourself?"
+
+"I shall practice a little in my room, for I want to play well
+to-night. When I get tired I shall take a walk."
+
+"Very wise--very judicious. I don't need to do it, being, as I may
+say, a veteran reader. I wouldn't rehearse if I were to play this
+evening before the president and all the distinguished men of the
+nation."
+
+"I don't feel so confident of myself," said Philip.
+
+"No, of course not. By the way, can you lend me fifty cents, Mr. de
+Gray?"
+
+"Certainly."
+
+"I don't want to break a ten."
+
+Professor Riccabocca didn't mention that the only ten he had was a
+ten-cent piece.
+
+Slipping Philip's half-dollar into his vest pocket, he said
+carelessly:
+
+"We'll take this into the account when we divide the proceeds of the
+entertainment."
+
+"Very well," said Philip.
+
+He went up to his room and played for an hour or more, rehearsing
+the different pieces he had selected for the evening, and then,
+feeling the need of a little fresh air, he took a walk.
+
+In different parts of the town he saw posters, on which his name was
+printed in large letters.
+
+"It seems almost like a joke!" he said to himself.
+
+Just then he heard his name called, and, looking up, he recognized a
+young fellow, of sixteen or thereabouts, who had formerly lived in
+Norton. It seemed pleasant to see a familiar face.
+
+"Why, Morris Lovett," he exclaimed "I didn't know you were here!"
+
+"Yes; I'm clerk in a store. Are you the one that is going to give an
+entertainment tonight?"
+
+"Yes," answered Philip, smiling.
+
+"I didn't know you were such a great player," said Morris, regarding
+our hero with new respect.
+
+He had read the morning paper.
+
+"Nor I," said Philip, laughing.
+
+"Are you going to Europe soon?"
+
+"It isn't decided yet!" Philip answered, laughing.
+
+"I wish I had your chance."
+
+"Come and hear me this evening, at any rate," said Philip. "Call at
+the hotel, at six o'clock, and I'll give you a ticket."
+
+"I'll be sure to come," said Morris, well pleased.
+
+
+
+
+
+
+CHAPTER XXVIII.
+
+A TRIUMPHANT SUCCESS.
+
+
+
+
+
+Philip took another walk in the afternoon, and was rather amused to
+see how much attention he received. When he drew near the hotel he
+was stared at by several gaping youngsters, who apparently were
+stationed there for no other purpose. He overheard their whispers:
+
+"That's him! That's Philip de Gray, the wonderful fiddler!"
+
+"I never suspected, when I lived at Norton, that I was so much of a
+curiosity," he said to himself. "I wish I knew what they'll say
+about me to-morrow."
+
+At six o'clock Morris Lovett called and received his ticket.
+
+"You'll have a big house to-night, Philip," he said. "I know a lot
+of fellows that are going."
+
+"I am glad to hear it," said Philip, well pleased, for he concluded
+that if such were the case his purse would be considerably heavier
+the next day.
+
+"It's strange how quick you've come up;" said Morris. "I never
+expected you'd be so famous."
+
+"Nor I," said Philip, laughing.
+
+"I'd give anything if I could have my name posted round like yours."
+
+"Perhaps you will have, some time."
+
+"Oh, no! I couldn't play more'n a pig," said Morris decidedly. "I'll
+have to be a clerk, and stick to business."
+
+"You'll make more money in the end that way, Morris, even if your
+name isn't printed in capitals."
+
+They retired into a small room adjoining the stage, to prepare for
+their appearance.
+
+The professor rubbed his hands in glee.
+
+"Did you see what a house we have, Mr. de Gray?"
+
+"Yes, professor."
+
+"I think there'll be a hundred dollars over and above expenses."
+
+"That will be splendid!" said Philip, naturally elated.
+
+"The firm of Riccaboeca and De Gray is starting swimmingly."
+
+"So it is. I hope it will continue so."
+
+"Here is the program, Mr. de Gray. You will observe that I appear
+first, in my famous soliloquy. You will follow, with the 'Carnival
+of Venice.' Do you feel agitated?"
+
+"Oh, no. I am so used to playing that I shall not feel at all
+bashful."
+
+"That is well."
+
+"I would like to be on the stage, professor, to hear you."
+
+"Certainly. I have anticipated your desire, and provided an extra
+chair."
+
+The time came, and Professor Riccabocca stepped upon the stage, his
+manner full of dignity, and advanced to the desk. Philip took a
+chair a little to the rear.
+
+Their entrance was greeted by hearty applause. The professor made a
+stately bow, and a brief introductory speech, in which he said
+several things about Philip and himself which rather astonished our
+hero. Then he began to recite the soliloquy.
+
+Probably it was never before so amazingly recited. Professor
+Riccabocca's gestures, facial contortions, and inflections were very
+remarkable. Philip almost suspected that he was essaying a burlesque
+role.
+
+The mature portion of the audience were evidently puzzled, but the
+small boys were delighted, and with some of the young men, stamped
+vigorously at the close.
+
+Professor Riccabocea bowed modestly, and said:
+
+"Gentlemen and ladies, you will now have the pleasure of listening
+to the young and talented Philip de Gray, the wonderful
+boy-musician, in his unrivaled rendition of the 'Carnival of
+Venice.'"
+
+Philip rose, coloring a little with shame a I this high-flown
+introduction, and came forward.
+
+All applauded heartily, for sympathy is always felt for a young
+performer, especially when he has a manly bearing and an attractive
+face, such as our hero possessed.
+
+Philip was determined to do his best. Indeed, after being advertised
+and announced as a boy wonder, he felt that he could not do
+otherwise.
+
+He commenced, and soon lost himself in the music he loved so well,
+so that before he had half finished he had quite forgotten his
+audience, and half started at the boisterous applause which
+followed. He bowed his acknowledgments, but found this would not do.
+
+He was forced to play it a second time, greatly to the apparent
+satisfaction of the audience. It was clear that, whatever might be
+thought of Professor Riccabocea's recitation, the young violinist
+had not disappointed his audience.
+
+Philip could see, in a seat near the stage, the beaming face of his
+friend Morris Lovett, who was delighted at the success of his old
+acquaintance, and anticipated the reflected glory which he received,
+from its being known that he was a friend of the wonderful young
+musician.
+
+Professor Riccabocca came forward again, and recited a poem called
+"The Maniac," each stanza ending with the line: "I am not mad, but
+soon shall be."
+
+He stamped, raved, tore his hair, and made altogether a very
+grotesque appearance.
+
+Philip could hardly forbear laughing, and some of the boys in the
+front seats didn't restrain themselves, Some of the older people
+wondered how such a man should be selected by the Prince of Wales to
+instruct his sons in elocution--not suspecting that the newspaper
+paragraph making mention of this was only a daring invention of the
+eminent professor.
+
+Next came another musical selection by Philip, which was as
+cordially received as the first.
+
+I do not propose to weary the reader by a recital of the program and
+a detailed account of each performance. It is enough to say that
+Professor Riccabocca excited some amusement, but was only tolerated
+for the sake of Philip's playing.
+
+Naturally, our hero was better received on account of his youth, but
+had he been twice as old his playing would have given satisfaction
+and pleasure.
+
+So passed an hour and a half, and the musical entertainment was
+over. Philip felt that he had reason to be satisfied. Highly as he
+had been heralded, no one appeared to feel disappointed by his part
+of the performance.
+
+"Mr. de Gray," said the professor, when they reached the hotel, "you
+did splendidly. We have made a complete success."
+
+"It is very gratifying," said Philip.
+
+"I felt sure that the public would appreciate us. I think I managed
+everything shrewdly."
+
+"How much was paid in at the door?" asked Philip, who naturally felt
+interested in this phase of success.
+
+"One hundred and forty-five dollars and a half!" answered the
+professor.
+
+Philip's eyes sparkled.
+
+"And how much will that be over and above expenses?" he asked.
+
+"My dear Mr. de Gray, we will settle all bills, and make a fair and
+equitable division, in the morning. I think there will be a little
+more than fifty dollars to come to each of us."
+
+"Fifty dollars for one evening's work!" repeated Philip, his eyes
+sparkling.
+
+"Oh, I have done much better than that," said the professor. "I
+remember once at St. Louis I made for myself alone one hundred and
+eighty dollars net, and in Chicago a little more."
+
+"I didn't think it was such a money-making business," said Philip,
+elated.
+
+"Yes, Mr. de Gray, the American people are willing to recognize
+talent, when it is genuine. You are on the threshold of a great
+career, my dear young friend."
+
+"And only a week since I was in the Norton Poorhouse," thought
+Philip. "It is certainly a case of romance in real life."
+
+The two went to bed soon, being fatigued by their exertions. The
+apartment was large, and contained two beds, a larger and smaller
+one. The latter was occupied by our hero.
+
+When he awoke in the morning, the sun was shining brightly into the
+room. Philip looked toward the opposite bed. It was empty.
+
+"Professor Riccabocca must have got up early," he thought. "Probably
+he did not wish to wake me."
+
+He dressed and went downstairs.
+
+"Where is the professor?" he asked of the clerk.
+
+"He started away two hours since--said he was going to take a walk.
+Went away without his breakfast, too. He must be fond of walking."
+
+Philip turned pale. He was disturbed by a terrible suspicion. Had
+the professor gone off for good, carrying all the money with him?
+
+
+
+
+
+
+CHAPTER XXIX.
+
+BESET BY CREDITORS.
+
+
+
+
+
+Philip was still a boy, and though he had discovered that the
+professor was something of a humbug, and a good deal of a braggart,
+it had not for a moment occurred to him that he would prove
+dishonest. Even now he did not want to believe it, though he was
+nervously apprehensive that it might prove true.
+
+"I will take my breakfast," he said, as coolly as was possible, "and
+the professor will probably join me before I am through."
+
+The clerk and the landlord thought otherwise. They were pretty well
+convinced that Riccabocca was dishonest, and quietly sent for those
+to whom the "combination" was indebted: namely, the printer and
+publisher of the Daily Bulletin, the agent of the music-hall, and
+the bill-sticker who had posted notices of the entertainment. These
+parties arrived while Philip was at breakfast.
+
+"Gentlemen," said the landlord, "the boy is at breakfast. I think he
+is all right, but I don't know. The professor, I fear, is a
+swindle."
+
+"The boy is liable for our debts," said the agent. "He belongs to
+the combination."
+
+"I am afraid he is a victim as well as you," said the landlord. "He
+seemed surprised to hear that the professor had gone out."
+
+"It may all be put on. Perhaps he is in the plot, and is to meet the
+old fraud at some place fixed upon, and divide the booty," suggested
+the agent.
+
+"The boy looks honest," said the landlord. "I like his appearance.
+We will see what he has to say."
+
+So when Philip had finished his breakfast he was summoned to the
+parlor, where he met the creditors of the combination.
+
+"These gentlemen," said the landlord, "have bills against you and
+the professor. It makes no difference whether they receive pay from
+you or him."
+
+Poor Philip's heart sank within him.
+
+"I was hoping Professor Riccabocca had settled your bills," he said.
+"Please show them to me."
+
+This was done with alacrity.
+
+Philip found that they owed five dollars for the hall, five dollars
+for advertising and printing, and one dollar for bill-posting--
+eleven dollars in all.
+
+"Mr. Gates," said our hero uneasily, to the landlord, "did Professor
+Riccabocca say anything about coming back when he went out this
+morning?"
+
+"He told my clerk he would be back to breakfast," said the landlord;
+adding, with a shrug of the shoulders: "That was two hours and a
+half ago. He can't be very hungry."
+
+"He didn't pay his bill, I suppose?"
+
+"No, of course not. He had not given up his room."
+
+Philip became more and more uneasy.
+
+"Didn't you know anything about his going out?" asked the landlord.
+
+"No, sir. I was fast asleep."
+
+"Is the professor in the habit of taking long morning walks?"
+
+"I don't know."
+
+"That is strange, since you travel together," remarked the
+publisher.
+
+"I never saw him till day before yesterday," said Philip.
+
+The creditors looked at each other significantly. They began to
+suspect that Philip also was a victim.
+
+"Do you know how much money was received for tickets last evening?"
+
+"About a hundred and fifty dollars."
+
+"How much of this were you to receive?"
+
+"Half of what was left after the bills were paid."
+
+"Have you received it?" asked the agent.
+
+"Not a cent," answered Philip.
+
+"What do you think about the situation?"
+
+"I think that Professor Riccabocca has swindled us all," answered
+Philip promptly.
+
+"Our bills ought to be paid," said the agent, who was rather a hard
+man in his dealings.
+
+"I agree with you," said Philip. "I wish I were able to pay them,
+but I have only six dollars in my possession."
+
+"That will pay me, and leave a dollar over," suggested the agent.
+
+"If it comes to that," said the printer, "I claim that I ought to be
+paid first."
+
+"I am a poor man," said the bill-sticker. "I need my money."
+
+Poor Philip was very much disconcerted. It was a new thing for him
+to owe money which he could not repay.
+
+"Gentlemen," he said, "I have myself been cheated out of fifty
+dollars, at least--my share of the profits. I wish I could pay you
+all. I cannot do so now. Whenever I can I will certainly do it."
+
+"You can pay us a part with the money you have," said the agent.
+
+"I owe Mr. Gates for nearly two days' board," he said. "That is my
+own affair, and I must pay him first."
+
+"I don't see why he should be preferred to me," grumbled the agent;
+then, with a sudden, happy thought, as he termed it, he said: "I
+will tell you how you can pay us all."
+
+"How?" asked Philip.
+
+"You have a violin. You can sell that for enough to pay our bills."
+
+Poor Philip! His violin was his dependence. Besides the natural
+attachment he felt for it, he relied upon it to secure him a living,
+and the thought of parting with it was bitter.
+
+"Gentlemen," he said, "if you take my violin, I have no way of
+making a living. If you will consider that I, too, am a victim of
+this man, I think you will not wish to inflict such an injury upon
+me."
+
+"I do not, for one," said the publisher. "I am not a rich man, and I
+need all the money that is due me, but I wouldn't deprive the boy of
+his violin."
+
+"Nor I," said the bill-sticker.
+
+"That's all very fine," said the agent; "but I am not so soft as you
+two. Who knows but the boy is in league with the professor?"
+
+"I know it!" said the landlord stoutly. "The boy is all right, or I
+am no judge of human nature."
+
+"Thank you, Mr. Gates," said Philip, extending his hand to his
+generous defender.
+
+"Do you expect we will let you off without paying anything?"
+demanded the agent harshly.
+
+"If I live, sir, you shall lose nothing by me," said Philip.
+
+"That won't do!" said the man coarsely. "I insist upon the fiddle
+being sold. I'll give five dollars for it, and call it square."
+
+"Mr. Gunn," said the landlord, in a tone of disgust, "since you are
+disposed to persecute this boy, I will myself pay your bill, and
+trust to him to repay me when he can."
+
+"But, Mr. Gates--" said Philip.
+
+"I accept!" said the agent, with alacrity.
+
+"Receipt your bill," said the landlord.
+
+Mr. Gunn did so, and received a five-dollar bill in return.
+
+"Now sir," said the landlord coldly, "if you have no further
+business here, we can dispense with your company."
+
+"It strikes me you are rather hard on a man because he wants to be
+paid his honest dues!" whined Gunn, rather uncomfortably.
+
+"We understand you, sir," said the landlord. "We have not forgotten
+how you turned a poor family into the street, in the dead of winter,
+because they could not pay their rent."
+
+"Could I afford to give them house-room?" inquired Gunn.
+
+"Perhaps not. At any rate, I don't feel inclined to give you
+house-room any longer."
+
+Mr. Gunn slunk out of the room, under the impression that his
+company was no longer desired.
+
+"Mr. Gray," said the publisher, "I hope you don't class me with the
+man who has just gone out. I would sooner never be paid than deprive
+you of your violin. Let the account stand, and if you are ever able
+to pay me half of my bill--your share--I shall be glad to receive
+it."
+
+"Thank you, sir!" said Philip, "You shall not repent your confidence
+in me."
+
+"I say ditto to my friend, the publisher," said the bill-poster.
+
+"Wait a moment, gentlemen," said Philip. "There is a bare
+possibility that I can do something for you."
+
+For the first time since he left Norton he thought of the letter
+which he was not to open till he was fifty miles from Norton.
+
+"Mr. Gates," he said, "can you tell me how far Norton is from here?"
+
+"About sixty miles," answered the landlord in surprise.
+
+"Then it's all right."
+
+
+
+
+
+
+CHAPTER XXX.
+
+A TIMELY GIFT.
+
+
+
+
+
+The reader has not forgotten that Farmer Lovett, when Philip refused
+to accept any compensation for assisting to frustrate the attempt at
+burglary, handed him a sealed envelope, which he requested him not
+to open till he was fifty miles away from Norton.
+
+Philip had carried this about in his pocket ever since. He had
+thought of it as likely to contain some good advice at the time; but
+it had since occurred to him that the farmer had not had time to
+write down anything in that line.
+
+He was disposed to think that the mysterious envelope might contain
+a five-dollar bill, as a slight acknowledgment of his services.
+
+Though Philip had declined receiving any payment, it did seem to him
+now that this amount of money would relieve him from considerable
+embarrassment. He therefore drew a penknife from his pocket and cut
+open the envelope.
+
+What was his amazement when he drew out three bills--two twenties
+and a ten--fifty dollars in all! There was a slip of paper, on which
+was written, in pencil:
+
+"Don't hesitate to use this money, if you need it, as you doubtless
+will. I can spare it as well as not, and shall be glad if it proves
+of use to one who has done me a great service. JOHN LOVETT."
+
+"What's that!" asked the landlord, regarding Philip with interest.
+
+"Some money which I did not know I possessed," answered Philip.
+
+"How much is there?"
+
+"Fifty dollars."
+
+"And you didn't know you had it?" asked the publisher--rather
+incredulously, it must be owned.
+
+"No, sir; I was told not to open this envelope till I was fifty
+miles away from where it was given me. Of course, Mr. Gates, I am
+now able to pay all my bills, and to repay you for what you handed
+Mr. Gunn."
+
+"I am pleased with your good fortune," said the landlord cordially.
+
+"Thank you, sir."
+
+"But I am sorry your knavish partner has cheated you out of so much
+money."
+
+"I shall make him pay it if I can," said Philip resolutely.
+
+"I approve your pluck, and I wish you success."
+
+"He owes you money, too, Mr. Gates. Give me the bill, and I will do
+my best to collect it."
+
+"If you collect it, you may have it," said Gates. "I don't care much
+for the money, but I should like to have the scamp compelled to fork
+it over."
+
+"I wish I knew where he was likely to be," said Philip.
+
+"He may go to Knoxville," suggested the publisher.
+
+"How far is that?"
+
+"Ten miles."
+
+"What makes you think he will go to Knoxville?" asked the landlord.
+
+"He may think of giving a performance there. It is a pretty large
+place."
+
+"But wouldn't he be afraid to do it, after the pranks he has played
+here?"
+
+"Perhaps so. At any rate, he is very likely to go there."
+
+"I will go there and risk it," said Philip. "He needn't think he is
+going to get off so easily, even if it is only a boy he has
+cheated."
+
+"That's the talk, Mr. Gray!" said the landlord. "How are you going?"
+he asked, a minute later.
+
+"I can walk ten miles well enough," answered Philip.
+
+He had considerable money now, but he reflected that he should
+probably need it all, especially if he did not succeed in making the
+professor refund, and decided that it would be well to continue to
+practice economy.
+
+"I have no doubt you can," said the landlord, "but it will be better
+not to let the professor get too much the start of you. I will
+myself have a horse harnessed, and take you most of the distance in
+my buggy."
+
+"But, Mr. Gates, won't it be putting you to a great deal of
+trouble?"
+
+"Not at all. I shall enjoy a ride this morning, and the road to
+Knoxville is a very pleasant one."
+
+"Let me pay something for the ride, then."
+
+"Not a cent. You will need all your money, and I can carry you just
+as well as not," said the landlord heartily.
+
+"I am very fortunate in such a kind friend," said Philip gratefully.
+
+"Oh, it isn't worth talking about! Here, Jim, go out and harness the
+horse directly."
+
+When the horse was brought round, Philip was all ready, and jumped
+in.
+
+"Would you like to drive, Mr. Gray?" asked the landlord.
+
+"Yes," answered Philip, with alacrity.
+
+"Take the lines, then," said the landlord.
+
+Most boys of Philip's age are fond of driving, and our hero was no
+exception to the rule, as the landlord supposed.
+
+"You'll promise not to upset me," said Mr. Gates, smiling. "I am
+getting stout, and the consequences might be serious."
+
+"Oh, I am used to driving," said Philip, "and I will take care not
+to tip over."
+
+The horse was a good one, and to Philip's satisfaction, went over
+the road in good style.
+
+Philip enjoyed driving, but, of course, his mind could not help
+dwelling on the special object of his journey.
+
+"I hope we are on the right track," he said. "I shouldn't like to
+miss the professor."
+
+"You will soon know, at any rate," said Gates. "It seems to me," he
+continued, "that Riccabocca made a great mistake in running off with
+that money."
+
+"He thought it would be safe to cheat a boy."
+
+"Yes; but admitting all that, you two were likely to make money. In
+Wilkesville your profits were a hundred dollars in one evening. Half
+of that belonged to the professor, at any rate. He has lost his
+partner, and gained only fifty dollars, which would not begin to pay
+him for your loss."
+
+"Perhaps he thought he would draw as well alone."
+
+"Then he is very much mistaken. To tell the plain truth, our people
+thought very little of his share of the performance. I saw some of
+them laughing when he was ranting away. It was you they enjoyed
+hearing."
+
+"I am glad of that," said Philip, gratified.
+
+"There's no humbug about your playing. You understand it. It was you
+that saved the credit of the evening, and sent people away well
+satisfied."
+
+"I am glad of that, at any rate, even if I didn't get a cent for my
+playing," said Philip, well pleased.
+
+"The money's the practical part of it," said the landlord. "Of
+course, I am glad when travelers like my hotel, but if they should
+run off without paying, like the professor, I shouldn't enjoy it so
+much."
+
+"No, I suppose not," said Philip, with a laugh.
+
+They had ridden some seven miles, and were, therefore, only three
+miles from Knoxville, without the slightest intimation as to whether
+or not they were on the right track.
+
+To be sure, they had not expected to obtain any clue so soon, but it
+would have been very satisfactory, of course, to obtain one.
+
+A little farther on they saw approaching a buggy similar to their
+own, driven by a man of middle age. It turned out to be an
+acquaintance of the landlord's, and the two stopped to speak.
+
+"Going to Knoxville on business, Mr. Gates?" asked the newcomer.
+
+"Well, not exactly. I am driving this young man over. By the way,
+have you seen anything of a tall man, with long, black hair, dressed
+in black?"
+
+"Yes. Do you want to see him?"
+
+"This young man has some business with him. Where did you see him?"
+
+"He arrived at our hotel about an hour since, I calculate."
+
+Philip's heart bounded with satisfaction at this important news.
+
+"Did he put up there?"
+
+"Yes. I believe he is going to give a reading this evening."
+
+"Thank you!"
+
+"The professor must be a fool!" said the landlord, as they drove
+away.
+
+"I begin to think so myself," replied Philip.
+
+"That's all in our favor, however. We shall get back that money
+yet."
+
+The horse was put to his speed, and in fifteen minutes they reached
+Knoxville.
+
+
+
+
+
+
+CHAPTER XXXI.
+
+THE PROFESSOR'S FLIGHT.
+
+
+
+
+
+Professor Lorenzo Riccabocca was not a wise man. It would have been
+much more to his interest to deal honestly with Philip, paying his
+share of the profits of the first performance, and retaining his
+services as associate and partner.
+
+But the professor was dazzled by the money, and unwilling to give it
+up. Moreover, he had the vanity to think that he would draw nearly
+as well alone, thus retaining in his own hands the entire proceeds
+of any entertainments he might give.
+
+When he met Philip on the road he was well-nigh penniless. Now,
+including the sum of which he had defrauded our hero and his
+creditors in Wilkesville, he had one hundred and fifty dollars.
+
+When the professor went to bed, he had not formed the plan of
+deserting Philip; but, on awaking in the morning, it flashed upon
+him as an excellent step which would put money in his pocket.
+
+He accordingly rose, dressed himself quietly, and, with one cautious
+look at Philip--who was fast asleep--descended the stairs to the
+office.
+
+Only the bookkeeper was in the office.
+
+"You are stirring early, professor," he said.
+
+"Yes," answered Riccabocca, "I generally take a morning walk, to get
+an appetite for breakfast."
+
+"My appetite comes without the walk," said the bookkeeper, smiling.
+
+"If Mr. de Gray comes downstairs, please tell him I will be back
+soon," said Riccabocca.
+
+The bookkeeper readily promised to do this, not having the slightest
+suspicion that the distinguished professor was about to take French
+leave.
+
+When Professor Riccabocca had walked half a mile he began to feel
+faint. His appetite had come.
+
+"I wish I had stopped to breakfast," he reflected. "I don't believe
+De Gray will be down for an hour or two."
+
+It was too late to go back and repair his mistake. That would spoil
+all. He saw across the street a baker's shop, just opening for the
+day, and this gave him an idea.
+
+He entered, bought some rolls, and obtained a glass of milk, and,
+fortified with these, he resumed his journey.
+
+He had walked three miles, when he was over-taken by a farm wagon,
+which was going his way.
+
+He hailed the driver--a young man of nineteen or
+thereabouts--ascertained that he was driving to Knoxville, and, for
+a small sum, secured passage there.
+
+This brings us to the point of time when Philip and Mr. Gates drove
+up to the hotel at Knoxville.
+
+"I can see the professor," said Philip, in eager excitement, when
+they had come within a few rods of the inn.
+
+"Where is he?"
+
+"He is in the office, sitting with his back to the front window. I
+wonder what he will have to say for himself?"
+
+"So do I," said the landlord curiously.
+
+"Shall we go in together?" questioned Philip.
+
+"No; let us surprise him a little. I will drive around to the sheds
+back of the hotel, and fasten my horse. Then we will go round to the
+front, and you can go in, while I stand outside, ready to appear a
+little later."
+
+Philip thought this a good plan. He enjoyed the prospect of
+confronting the rogue who had taken advantage of his inexperience,
+and attempted such a bold scheme of fraud. He didn't feel in the
+least nervous, or afraid to encounter the professor, though
+Riccabocca was a man and he but a boy. When all was ready, Philip
+entered through the front door, which was open, and, turning into
+the office, stood before the astonished professor.
+
+The latter started in dismay at the sight of our hero. He thought he
+might be quietly eating breakfast ten miles away, unsuspiciously
+waiting for his return. Was his brilliant scheme to fail? He quickly
+took his resolution--a foolish one. He would pretend not to know
+Philip.
+
+"Well, Professor Riccabocca," Philip said, in a sarcastic tone, "you
+took rather a long walk this morning."
+
+The professor looked at him vacantly.
+
+"Were you addressing me?" he inquired.
+
+"Yes, sir," answered Philip, justly provoked.
+
+"I haven't the pleasure of your acquaintance, young man."
+
+"I wish I hadn't the pleasure of yours," retorted Philip.
+
+"Do you come here to insult me?" demanded Riccabocca, frowning.
+
+"I came here to demand my share of the money received for the
+entertainment last evening, as well as the money paid for the hall,
+the printer, and bill-poster."
+
+"You must be crazy!" said Riccabocca, shrugging his shoulders. "I
+don't know you. I don't owe you any money."
+
+"Do you mean to say we didn't give an entertainment together last
+evening at Wilkesville?" asked Philip, rather taken aback by the
+man's sublime impudence.
+
+"My young friend, you have been dreaming. Prove what you say and I
+will admit your claim."
+
+Up to this point those present, deceived by the professor's
+coolness, really supposed him to be in the right. That was what
+Riccabocca anticipated, and hoped to get off before the discovery of
+the truth could be made. But he did not know that Philip had a
+competent witness at hand.
+
+"Mr. Gates!" called Philip.
+
+The portly landlord of the Wilkesville Hotel entered the room, and
+Riccaboeca saw that the game was up.
+
+"Mr. Gates, will you be kind enough to convince this gentleman that
+he owes me money?" asked Philip.
+
+"I think he won't deny it now," said Gates significantly. "He walked
+off from my hotel this morning, leaving his bill unpaid. Professor
+Riccabocca, it strikes me you had better settle with us, unless you
+wish to pass the night in the lockup."
+
+Professor Riccabocca gave a forced laugh.
+
+"Why, Mr. de Gray," he said, "you ought to have known that I was
+only playing a trick on you."
+
+"I supposed you were," said Philip.
+
+"No, I don't mean that. I was only pretending I didn't know you, to
+see if I could act naturally enough, to deceive you."
+
+"Why did you desert me?" asked Philip suspiciously.
+
+"I started to take a walk--didn't the bookkeeper tell you?--and
+finding a chance to ride over here, thought I would do so, and make
+arrangements for our appearance here. Of course, I intended to come
+back, and pay our good friend, the landlord, and give you your share
+of the common fund."
+
+Neither Gates nor Philip believed a word of this. It seemed to them
+quite too transparent.
+
+"You may as well pay us now, Professor Riccabocca," said the
+landlord dryly.
+
+"I hope you don't suspect my honor or integrity," said Riccabocca,
+appearing to be wounded at the thought.
+
+"Never mind about that," said Mr. Gates shortly. "Actions speak
+louder than words."
+
+"I am quite ready to settle--quite," said the professor. "The money
+is in my room. I will go up and get it."
+
+There seemed to be no objection to this, and our two friends saw him
+ascend the staircase to the second story. Philip felt pleased to
+think that he had succeeded in his quest, for his share of the
+concert money would be nearly seventy dollars. That, with the
+balance of the money; received from Farmer Lovett, would make over a
+hundred dollars.
+
+They waited five minutes, and the professor did not come down.
+
+"What can keep him?" said Philip.
+
+Just then one of the hostlers entered and caught what our hero had
+said.
+
+"A man has just run out of the back door," he said, "and is cutting
+across the fields at a great rate."
+
+"He must have gone down the back stairs," said the clerk.
+
+"In what direction would he go?" asked Philip hastily.
+
+"To the railroad station. There is a train leaves in fifteen
+minutes."
+
+"What shall we do, Mr. Gates?" asked Philip, in dismay.
+
+"Jump into my buggy. We'll get to the depot before the train starts.
+We must intercept the rascal."
+
+
+
+
+
+
+CHAPTER XXXII.
+
+THE RACE ACROSS FIELDS.
+
+
+
+
+
+It so happened that Professor Riccabocca had once before visited
+Knoxville, and remembered the location of the railroad station.
+Moreover, at the hotel, before the arrival of Philip, he had
+consulted a schedule of trains posted up in the office, and knew
+that one would leave precisely at ten o'clock.
+
+The impulse to leave town by this train was sudden. He had in his
+pocket the wallet containing the hundred and fifty dollars, of which
+a large part belonged to Philip, and could have settled at once,
+without the trouble of going upstairs to his room.
+
+He only asked leave to go up there in order to gain time for
+thought. At the head of the staircase he saw another narrower flight
+of stairs descending to the back of the house. That gave him the
+idea of eluding his two creditors by flight.
+
+I have said before that Professor Riccabocca was not a wise man, or
+he would have reflected that he was only postponing the inevitable
+reckoning. Moreover, it would destroy the last chance of making an
+arrangement with Philip to continue the combination, which thus far
+had proved so profitable.
+
+The professor did not take this into consideration, but dashed down
+the back stairs, and opened the back door into the yard.
+
+"Do you want anything, sir?" asked a maidservant, eyeing the
+professor suspiciously.
+
+"Nothing at all, my good girl," returned the professor.
+
+"You seem to be in a hurry," she continued, with renewed suspicion.
+
+"So I am. I am in a great hurry to meet an engagement."
+
+"Why didn't you go out the front door?" asked the girl.
+
+"Oh, bother! What business is it of yours?" demanded the professor
+impatiently.
+
+And, not stopping for further inquiries, he vaulted over a fence and
+took his way across the fields to the station.
+
+"Here, Sam," called the girl, her suspicions confirmed that
+something was wrong, "go after that man as fast as you can!"
+
+This was addressed to a boy who was employed at the hotel to go on
+errands and do odd jobs.
+
+"What's he done?" asked Sam.
+
+"I don't know; but he's either run off without paying his bill, or
+he's stolen something."
+
+"What good'll it do me to chase him?" asked Sam.
+
+"If he's cheated master, he'll pay you for catching the man."
+
+"That's so," thought Sam. "Besides, I'll be a detective, just like
+that boy I read about in the paper. I'm off!"
+
+Fired by youthful ambition, Sam also vaulted the fence, and ran
+along the foot-path in pursuit of the professor.
+
+Lorenzo Riccabocca did not know he was pursued. He felt himself so
+safe from this, on account of the secrecy of his departure, that he
+never took the trouble to look behind him. He knew the way well
+enough, for the fields he was crossing were level, and half a mile
+away, perhaps a little more, he could see the roof of the
+brown-painted depot, which was his destination. Once there, he would
+buy a ticket, get on the train, and get started away from Knoxville
+before the troublesome acquaintances who were waiting for him to
+come down-stairs had any idea where he was gone.
+
+The professor ran at a steady, even pace, looking straight before
+him. His eyes were fixed on the haven of his hopes, and he did not
+notice a stone, of considerable size, which lay in his path. The
+result was that he stumbled over it, and fell forward with
+considerable force. He rose, jarred and sore, but there was no time
+to take account of his physical damages. He must wait till he got on
+the train.
+
+The force with which he was thrown forward was such that the wallet
+was thrown from his pocket, and fell in the grass beside the path.
+The professor went on his way, quite unconscious of his loss, but
+there were other eyes that did not overlook it.
+
+Sam, who was thirty rods behind, noticed Professor Riccabocca's
+fall, and he likewise noticed the wallet when he reached the spot of
+the catastrophe.
+
+"My eyes!" he exclaimed, opening those organs wide in delight;
+"here's luck! The old gentleman has dropped his pocketbook. Most
+likely it's stolen. I'll carry it back and give it to Mr. Perry."
+
+Sam very sensibly decided that it wasn't worth while to continue the
+pursuit, now that the thief, as he supposed Riccabocca to be, had
+dropped his booty.
+
+Sam was led by curiosity to open the wallet. When he saw the thick
+roll of bills, he was filled with amazement and delight.
+
+"Oh, what a rascal he was!" ejaculated the boy. "I guess he's been
+robbing a safe. I wonder how much is here?"
+
+He was tempted to sit down on the grass and count the bills, but he
+was prevented by the thought that the professor might discover his
+loss, and returning upon his track, question him as to whether he
+had found it. Sam determined that he wouldn't give it up, at any
+rate.
+
+"I guess I could wrastle with him," he thought. "He looks rather
+spindlin', but then he's bigger than I am, and he might lick me,
+after all."
+
+I desire to say emphatically that Sam was strictly honest, and never
+for a moment thought of appropriating any of the money to his own
+use. He felt that as a detective he had been successful, and this
+made him feel proud and happy.
+
+"I may as well go home," he said. "If he's stolen this money from
+Mr. Perry, I'll come in for a reward."
+
+Sam did not hurry, however. He was not now in pursuit of any one,
+and could afford to loiter and recover his breath.
+
+Meanwhile, Professor Riccabocca, in happy unconsciousness of his
+loss, continued his run to the station. He arrived there breathless,
+and hurried to the ticket-office.
+
+"Give me a ticket to Chambersburg," he said.
+
+"All right, sir. Ninety cents."
+
+If Riccabocca had been compelled to take out his wallet, he would at
+once have discovered his loss, and the ticket would not have been
+bought. But he had a two-dollar bill in his vest, and it was out of
+this that he paid for the ticket to Chambersburg. Armed with the
+ticket, he waited anxiously for the train. He had five minutes to
+wait--five anxious moments in which his flight might be discovered.
+He paced the platform, looking out anxiously for the train.
+
+At length he heard the welcome sound of the approaching locomotive.
+The train came to a stop, and among the first to enter it was the
+eminent elocutionist. He took a seat beside the window looking out
+toward the village. What did he see that brought such an anxious
+look in his face?
+
+A buggy was approaching the depot at breakneck speed. It contained
+Mr. Gates, the landlord, and the young musician. Mr. Gates was
+lashing the horse, and evidently was exceedingly anxious to arrive
+at the depot before the train started.
+
+Beads of perspiration stood on the anxious brow of the professor.
+His heart was filled with panic terror.
+
+"The girl must have told them of my flight," he said to himself.
+"Oh, why didn't I think to give her a quarter to keep her lips
+closed? Why doesn't the train start?"
+
+The buggy was only about ten rods away. It looked as if Philip and
+his companion would be able to intercept the fugitive.
+
+Just then the scream of the locomotive was heard. The train began to
+move. Professor Riccabocca gave a sigh of relief.
+
+"I shall escape them after all," he said triumphantly, to himself.
+
+He opened the window, and, with laughing face, nodded to his
+pursuers.
+
+"We've lost him!" said Philip, in a tone of disappointment. "What
+can we do?"
+
+"Find out where he is going, and telegraph to have him stopped,"
+said Mr. Gates. "That will put a spoke in his wheel."
+
+
+
+
+
+
+CHAPTER XXXIII.
+
+THE LOST WALLET.
+
+
+
+
+
+Mr. Gates was acquainted with the depot-master, and lost no time in
+seeking him.
+
+"Too late for the train?" asked the latter, who observed in the
+landlord evidences of haste.
+
+"Not for the train, but for one of the passengers by the train,"
+responded the landlord. "Did you take notice of a man dressed in a
+shabby suit of black, wearing a soft hat and having very long black
+hair?"
+
+"Yes."
+
+"Where is he going?" asked Mr. Gates eagerly.
+
+"He bought a ticket for Chambersburg."
+
+"Ha! Well, I want you to telegraph for me to Chambersburg."
+
+The station-master was also the telegraph-operator, as it chanced.
+
+"Certainly. Just write out your message and I will send it at once."
+
+Mr. Gates telegraphed to a deputy sheriff at Chambersburg to be at
+the depot on arrival of the train, and to arrest and detain the
+professor till he could communicate further with him.
+
+"Now," said he, turning to Philip, "I think we shall be able to stop
+the flight of your friend."
+
+"Don't call him my friend," said Philip. "He is anything but a
+friend."
+
+"You are right there. Well, I will amend and call him your partner.
+Now, Mr. de Gray--"
+
+"My name is Gray--not de Gray. The professor put in the 'de' because
+he thought it would sound foreign."
+
+"I presume you have as much right to the name as he has to the title
+of professor," said Gates.
+
+"I don't doubt it," returned Philip, smiling.
+
+"Well, as I was about to say, we may as well go back to the hotel,
+and await the course of events. I think there is some chance of your
+getting your money back."
+
+When they reached the hotel, they found a surprise in store for
+them.
+
+Sam had carried the professor's wallet to Mr. Perry, and been told
+by them to wait and hand it in person to Philip and his friend, Mr.
+Gates, who were then at the depot.
+
+When they arrived, Sam was waiting on the stoop, wallet in hand.
+
+"What have you got there, Sam?" asked Mr. Gates, who often came to
+Knoxville, and knew the boy. "It's the wallet of that man you were
+after," said Sam.
+
+"How did you get it?" asked Philip eagerly.
+
+"I chased him 'cross lots," said Sam.
+
+"You didn't knock him over and take the wallet from him, did you,
+Sam?" asked Mr. Gates.
+
+"Not so bad as that," answered Sam, grinning. "You see, he tripped
+over a big rock, and came down on his hands and knees. The wallet
+jumped out of his pocket, but he didn't see it. I picked it up and
+brought it home."
+
+"Didn't he know you were chasing him?"
+
+"I guess not. He never looked back."
+
+"What made you think of running after him?"
+
+"One of the girls told me to. The way he ran out of the back door
+made her think there was something wrong."
+
+"Suppose he had turned round?"
+
+"I guess I could have wrastled with him," said Sam, to the amusement
+of those who heard him.
+
+"It is well you were not obliged to."
+
+"Who shall I give the wallet to?" asked Sam.
+
+"Mr. Gray, here, is the professor's partner, and half the money
+belongs to him. You can give it to him."
+
+"Have I a right to take it?" asked Philip, who did not wish to do
+anything unlawful.
+
+He was assured that, as the business partner of the professor, he
+had as much right as Riccabocca to the custody of the common fund.
+
+"But half of it belongs to the professor."
+
+"He'll come back for it, in the custody of the sheriff. I didn't
+think I was doing the man a good turn when I telegraphed to have him
+stopped."
+
+The first thing Philip did was to take from his own funds a
+five-dollar bill, which he tendered to Sam.
+
+"Is it all for me?" asked the boy, his eyes sparkling his joy.
+
+"Yes; but for you I should probably have lost a good deal more.
+Thank you, besides."
+
+And Philip offered his hand to Sam, who grasped it fervently.
+
+"I say, you're a tip-top chap," said Sam. "You ain't like a man that
+lost a pocketbook last summer, with a hundred dollars in it, and
+gave me five cents for finding it."
+
+"No; I hope I'm not as mean as that," said Philip, smiling.
+
+He opened the wallet and found a memorandum containing an exact
+statement of the proceeds of the concert. This was of great service
+to him, as it enabled him to calculate his own share of the profits.
+
+The aggregate receipts were one hundred and fifty dollars and fifty
+cents. Deducting bills paid, viz.:
+
+Rent of hall........................ $5.00
+
+Printing, etc........................ 5.00
+
+Bill-poster ......................... 1.00
+
+Total...........................$11.00
+
+there was a balance of $138.50, of which Philip was entitled to
+one-half, namely, $69.25. This he took, together with the eleven
+dollars which he had himself paid to the creditors of the
+combination, and handed the wallet, with the remainder of the money,
+to Mr. Perry, landlord of the Knoxville Hotel, with a request that
+he would keep it till called for by Professor Riccabocca.
+
+"You may hand me three dollars and a half, Mr. Perry," said Mr.
+Gates. "That is the amount the professor owes me for a day and
+three-quarters at my hotel. If he makes a fuss, you can tell him he
+is quite at liberty to go to law about it."
+
+Meanwhile, where was the professor, and when did he discover his
+loss?
+
+After the train was a mile or two on its way he felt in his pocket
+for the wallet, meaning to regale himself with a sight of its
+contents--now, as he considered, all his own.
+
+Thrusting his hand into his pocket, it met--vacancy.
+
+Pale with excitement, he continued his search, extending it to all
+his other pockets. But the treasure had disappeared!
+
+Professor Riccabocca was panic-stricken. He could hardly suppress a
+groan.
+
+A good woman sitting opposite, judging from his pallor that he was
+ill, leaned over and asked, in a tone of sympathy:
+
+"Are you took sick?"
+
+"No, ma'am," answered the professor sharply.
+
+"You look as if you was goin' to have a fit," continued the
+sympathizing woman. "Jest take some chamomile tea the first chance
+you get. It's the sovereignest thing I know of--"
+
+"Will chamomile tea bring back a lost pocket-book?" demanded the
+professor sharply.
+
+"Oh, Lor'! you don't say you lost your money?"
+
+"Yes, I do!" said Riccabocca, glaring at her.
+
+"Oh, dear! do you think there's pickpockets in the car?" asked the
+old lady nervously.
+
+"Very likely," answered the professor tragically.
+
+The good woman kept her hand in her pocket all the rest of the way,
+eyeing all her fellow passengers sharply.
+
+But the professor guessed the truth. He had lost his wallet when he
+stumbled in the field. He was in a fever of impatience to return and
+hunt for it. Instead of going on to Chambersburg, he got out at the
+next station--five miles from Knoxville--and walked back on the
+railroad-track. So it happened that the telegram did no good.
+
+The professor walked back to the hotel across the fields, hunting
+diligently, but saw nothing of the lost wallet. He entered the
+hotel, footsore, weary, and despondent. The first person he saw was
+Philip, sitting tranquilly in the office.
+
+"Did you just come down from your room?" asked our hero coolly.
+
+"I am a most unfortunate man!" sighed Riccabocca, sinking into a
+seat.
+
+"What's the matter?"
+
+"I've lost all our money."
+
+"I am glad you say 'our money.' I began to think you considered it
+all yours. Didn't I see you on the train?"
+
+"I had a bad headache," stammered the professor, "and I didn't know
+what I was doing."
+
+"Does riding in the cars benefit your head?"
+
+Professor Riccabocca looked confused.
+
+"The wallet was found," said Philip, not wishing to keep him any
+longer in suspense.
+
+"Where is it?" asked the professor eagerly.
+
+"Mr. Perry will give it to you. I have taken out my share of the
+money, and Mr. Gates has received the amount of his bill. It would
+have been better for you to attend to these matters yourself like
+an honest man."
+
+Professor Riccabocca was so overjoyed to have back his own money
+that he made no fuss about Philip's proceedings. Indeed, his own
+intended dishonesty was so apparent that it would have required even
+more assurance than he possessed to make a protest.
+
+
+
+
+
+
+CHAPTER XXXIV.
+
+A NEW BUSINESS PROPOSAL.
+
+
+
+
+
+Professor Riccabocca put the wallet in his pocket with a sigh of
+satisfaction. There were still sixty dollars or more in it, and it
+was long since he had been so rich.
+
+He began to think now that it might be well to revive the
+combination. There was some doubt, however, as to how Philip would
+receive the proposal.
+
+He looked at his young partner and was not much encouraged. He felt
+that he must conciliate him.
+
+"Mr. de Gray," he began.
+
+"Call me Gray. My name is not de Gray."
+
+"Well, Mr. Gray, then. I hope you don't have any hard feelings."
+
+"About what?" inquired Philip, surveying the professor curiously.
+
+"About--the past," stammered the professor.
+
+"You mean about your running off with my money?" returned Philip
+plainly.
+
+Professor Riccabocca winced. He did not quite like this form of
+statement. "I am afraid you misjudge me," he said, rather confused.
+
+"I shall be glad to listen to any explanation you have to offer,"
+said our hero.
+
+"I will explain it all to you, in time," said the professor,
+recovering his old assurance. "In the meantime, I have a proposition
+to make to you."
+
+"What is it?"
+
+"Suppose we give an entertainment in Knoxville--on the same terms as
+the last."
+
+"I shouldn't think you would like to appear before an audience here,
+Professor Riccabocca."
+
+"Why not?"
+
+"Before night everybody will have heard of your running away with
+the proceeds of the last concert."
+
+"Public men are always misjudged. They must expect it," said the
+professor, with the air of a martyr.
+
+"I should think you would be more afraid of being justly judged."
+
+"Mr. Gray," said the professor, "I have done wrong, I admit; but it
+was under the influence of neuralgia. When I have a neuralgic
+headache, I am not myself. I do things which, in a normal condition,
+I should not dream of. I am the victim of a terrible physical
+malady."
+
+Philip did not believe a word of this, but he felt amused at the
+professor's singular excuse.
+
+"Come, Mr. Gray, what do you say?"
+
+"I think I must decline," returned Philip.
+
+But here Professor Riccabocca received unexpected help.
+
+Mr. Perry, the landlord, who had listened to the colloquy,
+approached the two speakers and said:
+
+"Gentlemen, I have a proposal to make to you both."
+
+Both Philip and the professor looked up, with interest.
+
+"Some of the young men in the village," said the landlord, "have
+formed a literary club, meeting weekly. They have hired and
+furnished a room over one of our stores, provided it with, games and
+subscribed for a few periodicals. They find, however, that the
+outlay has been greater than they anticipated and are in debt. I
+have been talking with the secretary, and he thinks he would like to
+engage you to give an entertainment, the proceeds, beyond a fixed
+sum, to go to the benefit of the club. What do you say?"
+
+"When is it proposed to have the entertainment?" asked Philip.
+
+"I suppose we should have to name to-morrow evening, in order to
+advertise it sufficiently."
+
+"I am willing to make any engagement that will suit the club," said
+Philip.
+
+"And I, too," said Professor Riccabocca.
+
+"The secretary authorizes me to offer you ten dollars each, and to
+pay your hotel expenses in the meantime," said Mr. Perry.
+
+"That is satisfactory," said our hero.
+
+"I agree," said the professor.
+
+"Then I will at once notify the secretary, and he will take steps to
+advertise the entertainment."
+
+Ten dollars was a small sum compared with what Philip had obtained
+for his evening in Wilkesville, but a week since he would have
+regarded it as very large for one week's work. He felt that it was
+for his interest to accept the proposal.
+
+He secretly resolved that if the entertainment should not prove as
+successful as was anticipated, he would give up a part of the sum
+which was promised him for his services.
+
+Professor Riccabocca assented the more readily to the proposal,
+because he thought it might enable him again to form a business
+alliance with our hero, from whom his conduct had estranged him.
+
+"Suppose we take a room together, Mr. de Gray," he said, with an
+ingratiating smile.
+
+"Gray, if you please, professor. I don't like sailing under false
+colors."
+
+"Excuse me; the force of habit, you know. Well, do you agree?"
+
+"The professor has more assurance than any man I ever heard of,"
+thought Philip. "You must excuse me, professor," he said. "After
+what has happened, I should feel safer in a room by myself."
+
+"Why will you dwell upon the past, Mr. Gray?" said the professor
+reproachfully.
+
+"Because I am prudent, and learn from experience," answered Philip.
+
+"I assure you, you will have nothing to complain of," said
+Riccabocca earnestly. "If we are together, we can consult about the
+program."
+
+"We shall have plenty of time to do that during the day, professor."
+
+"Then you don't care to room with me?" said Riccabocca, looking
+disappointed.
+
+"No, I don't."
+
+"What are you afraid of?"
+
+"I am afraid you might have an attack of neuralgic headache during
+the night," said Philip, laughing.
+
+Professor Riccabocca saw that it would be of no use for him to press
+the request, and allowed himself to be conducted to the same room
+which he had so unceremoniously left a short time before.
+
+During the afternoon, Philip had a call from John Turner, the
+secretary of the Young Men's Club. He was a pleasant,
+straightforward young man, of perhaps twenty.
+
+"We are very much obliged to you, Mr. Gray," he said, "for kindly
+consenting to play for our benefit."
+
+"It is for my interest," said Philip frankly. "I may as well remain
+here and earn ten dollars as to be idle."
+
+"But you made a great deal more, I understand, in Wilkesville?"
+
+"Yes; but I might not be as fortunate here. I had not intended to
+appear here at all, and should not have done so unless you had
+invited me. How many have you in your club?"
+
+"Only about twenty-five, so far, and some of us are not able to pay
+much."
+
+"How long has your club been formed?" asked Philip.
+
+"Only about three months. We wanted a place where we could meet
+together socially in the evening, and have a good time. Before, we
+had only the stores and barrooms to go to, and there we were tempted
+to drink. Our club was started in the interests of temperance, and
+we can see already that it is exerting a good influence."
+
+"Then I am very glad to assist you," said Philip cordially.
+
+"You must come round and see our room. Are you at leisure now?"
+
+"Yes, Mr. Turner."
+
+Philip accompanied his new friend to the neatly furnished room
+leased by the society. He was so well pleased with its appearance
+that he thought he should himself like to belong to such an
+association, whenever he found a permanent home. At present he was
+only a wanderer.
+
+"Our debt is thirty-four dollars," said the secretary. "You may not
+think it large, but it's large for us."
+
+"I hope our entertainment will enable you to clear it off."
+
+"If it should it will give us new courage."
+
+On the evening of the next day Philip and the professor entered the
+hall engaged for the entertainment, and took seats on the platform.
+
+The hall was well filled, the scale of prices being the same as at
+Wilkesville.
+
+"Mr. Gray," whispered the secretary joyfully, "it is a great
+success! After paying all bills the club will clear fifty dollars."
+
+"I am delighted to hear it," said Philip.
+
+The professor commenced the entertainment, and was followed by
+Philip.
+
+As Philip began to play his attention was drawn to three persons who
+were entering the hall.
+
+These were a lady, a little girl, and a stout gentleman, in whom
+Philip, almost petrified with amazement, recognized his old
+acquaintance, Squire Pope, of Norton, who had shown himself so
+anxious to provide him a home in the poor-house.
+
+
+
+
+
+
+CHAPTER XXXV.
+
+SQUIRE POPE IS AMAZED.
+
+
+
+
+
+Though Philip did not know it, it chanced that Squire Pope's only
+sister, Mrs. Cunningham, lived in Knoxville. She was a widow, fairly
+well off, with a young daughter, Carrie--a girl of twelve. Squire
+Pope had long thought of visiting his sister, and happening about
+this time to have a little business in a town near-by, he decided to
+carry out his long-deferred plan. He arrived by the afternoon train,
+in time for supper.
+
+"I am glad you are here to-night, brother," said Mrs. Cunningham.
+
+"Why particularly to-night, Sister Ellen?" asked the squire.
+
+"Because there is to be an entertainment for the benefit of the
+Young Men's Literary Club. It is expected to be very interesting."
+
+"What sort of an entertainment, Ellen?" asked the squire.
+
+"The celebrated elocutionist, Professor Riccabocca, is to give some
+readings--"
+
+"Riccabocca!" repeated the squire, in a musing tone. "I can't say I
+ever heard of him."
+
+"Nor I; but I hear he's very celebrated."
+
+"Is there anything else?"
+
+"Yes, there's a young musician going to play. He is said to be
+wonderful. He plays on the violin."
+
+"He's a very handsome boy," said Carrie enthusiastically. "He's
+staying at the hotel. I saw him this afternoon when I was passing."
+
+"So he's good-looking, is he, Carrie?" asked the squire, laughing.
+
+"He's ever so good-looking," answered Carrie emphatically.
+
+"Then we must certainly go, for Carrie's sake," said the squire.
+
+Squire Pope had not the slightest idea that the young musician,
+about whom his niece spoke so enthusiastically, was the boy whom he
+had so recently persecuted.
+
+If Carrie had mentioned his name, the secret would have been out,
+but she had not yet heard it.
+
+In honor of her brother's arrival, Mrs. Cunningham prepared a more
+elaborate supper than usual, and to this it was owing that the three
+entered the hall late, just as Philip was about to commence playing.
+
+The squire and his companions were obliged to take seats some
+distance away from the platform, and as his eyesight was poor, he
+didn't immediately recognize as an old acquaintance the boy who was
+standing before the audience with his violin in his hand.
+
+"That's he! That's the young violin-player!" whispered Carrie, in a
+tone of delight. "Isn't he handsome, uncle!"
+
+"Wait till I get my glasses on," said the squire, fumbling in his
+pocket for his spectacle-case.
+
+Adjusting his glasses, Squire Pope directed a glance at the stage.
+He instantly recognized Philip, and his surprise was boundless. He
+gave a sudden start.
+
+"By gracious, I couldn't have believed it!" he ejaculated.
+
+"Couldn't have believed what, brother?" asked Mrs. Cunningham.
+
+"I know that boy!" he said, in a tone of excitement.
+
+"You know him, uncle?" said Carrie, delighted. "Then you must
+introduce me to him. I want to meet him ever so much. Where did you
+ever see him?"
+
+"Where did I see him? I'm his guardian. He ran away from me a little
+more than a week since, and I never knew where he went."
+
+"You the guardian of the wonderful boy-player?" said Carrie,
+astonished. "Isn't it strange?"
+
+"His father died a short time since and left him in my care," said
+the squire, not scrupling to make a misstatement. "But I'll tell you
+more about it when the performance is over."
+
+When Philip first saw Squire Pope entering the hall it disconcerted
+him, but he reflected that the squire really had no authority over
+him, and consequently he had nothing to fear from him.
+
+Should his pretended guardian make any effort to recover him, he was
+resolved to make a desperate resistance, and even, if necessary, to
+invoke the help of the law.
+
+Meanwhile, his pride stimulated him to play his best, and the hearty
+applause of the audience when he had finished his piece encouraged
+him.
+
+As he was bowing his thanks he could not help directing a triumphant
+glance at Squire Pope, who was carefully scrutinizing him through
+his gold-bowed spectacles.
+
+He was glad that the squire had a chance to see for himself that he
+was well able to make his own way, with the help of the violin of
+which the Norton official had attempted to deprive him.
+
+In truth, Squire Pope, who knew little of Philip's playing, except
+that he did play, was amazed to find him so proficient. Instead,
+however, of concluding that a boy so gifted was abundantly able to
+"paddle his own canoe," as the saying is, he was the more resolved
+to carry him back to Norton, and to take into his own care any the
+boy might have earned. In the middle of the entertainment was a
+recess of ten minutes, which most of the audience spent in
+conversation.
+
+Miss Carrie began again to speak of Philip.
+
+"Oh,--uncle," she said, "I'm so glad you know that lovely
+boy-player! He is earning lots of money."
+
+"Is he!" asked the squire, pricking up his ears. "Who told you so?"
+
+"One of the young men that belongs to the club told me they were to
+pay him ten dollars for playing to-night."
+
+"Ten dollars!" ejaculated the squire, in amazement. "I don't believe
+it! It's ridiculous!"
+
+"Oh, yes, it is true!" said Mrs. Cunningham. "John Turner told
+Carrie; and he is secretary, and ought to know."
+
+"That isn't all," continued Carrie. "Mr. Turner says it is very kind
+of Mr. Gray--"
+
+"Mr. Gray!" repeated the squire, amused.
+
+"Well, Philip, then. I suppose you call him Philip, as you are his
+guardian."
+
+"Well, what were you going to say?"
+
+"Mr. Turner says that it is very kind of Philip to play for so
+little, for he made a good deal more money by his entertainment in
+Wilkesville."
+
+"Did he give a concert in Wilkesville?" asked the squire quickly.
+
+"Yes, he and the professor. He was liked very much there."
+
+"And you heard that he made a good deal of money there?"
+
+"Yes; lots of it."
+
+"Then," thought the squire, "he must have considerable money with
+him. As his guardian I ought to have the care of it. He's a boy, and
+isn't fit to have the charge of money. It's very lucky I came here
+just as I did. It's my duty, as his guardian, to look after him."
+
+The squire determined to seek an interview with our hero as soon as
+the entertainment was over.
+
+
+
+
+
+
+CHAPTER XXXVI.
+
+THE PRETENDED GUARDIAN.
+
+
+
+
+
+Philip played with excellent effect, and his efforts were received
+with as much favor at Knoxville as at Wilkesville. He was twice
+encored, and at the end of each of his selections he was greeted
+with applause.
+
+As for Professor Riccabocca, people hardly knew what to make of him.
+He was as eccentric and extravagant as ever, and his recitations
+were received with good-natured amusement. He didn't lack for
+applause, however. There were some boys on the front seats who
+applauded him, just for the fun of it. Though the applause was
+ironical, the professor persuaded himself that it was genuine, and
+posed before the audience at each outburst, with his hand on his
+heart, and his head bent so far over that he seemed likely to lose
+his balance.
+
+"We are making a grand success, Mr. Gray," he said, during the
+interval of ten minutes already referred to. "Did you notice how
+they applauded me?"
+
+"Yes," answered Philip, with a smile.
+
+"They evidently appreciate true genius. It reminds me of the ovation
+they gave me at Cincinnati last winter."
+
+"Does it?" asked Philip, still smiling.
+
+"Yes. I was a great favorite in that intellectual city. By the way,
+I noticed that they seemed well pleased with your playing also."
+
+This he said carelessly, as if Philip's applause was not to be
+compared to his.
+
+"Yes, they treat me very kindly," answered Philip.
+
+"You are fortunate in having me to introduce you to the public,"
+said the professor emphatically. "The name of Riccabocca is so well
+known, that it is of great advantage to you."
+
+The professor deluded himself with the idea that he was a great
+elocutionist, and that the public rated him as highly as he did
+himself. When anything occurred that did not seem to favor this
+view, he closed his eyes to it, preferring to believe that he was a
+popular favorite.
+
+"I hope I shall never be so deceived about myself," thought Philip.
+
+When the entertainment was over, Mr. Caswell, president of the club,
+came up to Philip and said cordially:
+
+"Mr. Gray, we are very much indebted to you. Thanks to you, we are
+out of debt, and shall have a balance of from twelve to fifteen
+dollars in the treasury."
+
+"I am very glad of it," said Philip.
+
+"So am I," said the professor, pushing forward, jealous lest Philip
+should get more than his share of credit.
+
+"And we are indebted to you also, Professor Riccabocca," said the
+president, taking the hint.
+
+"You are entirely welcome, sir," said Riccabocca loftily. "My help
+has often been asked in behalf of charitable organizations. I
+remember once, in Philadelphia, I alone raised five hundred dollars
+for a--a--I think it was a hospital."
+
+This was an invention, but Professor Riccabocca had no scruple in
+getting up little fictions which he thought likely to redound to his
+credit and increase his reputation.
+
+"Doubtless you are often called upon also, Mr. Gray," suggested Mr.
+Caswell with a smile.
+
+"No," answered Philip. "This is the first time that I have ever had
+the opportunity."
+
+"There's no humbug about the boy," thought Mr. Caswell. "As for the
+professor, he is full of it."
+
+"I have pleasure in handing you the price agreed upon," said the
+president, presenting each with a ten-dollar bill.
+
+"Thank you," said Philip.
+
+Professor Riccabocca carelessly tucked the bill into his vest
+pocket, as if it were a mere trifle.
+
+At this moment, Mr. Turner came up with all the other gentleman.
+"Mr. Gray," he said, "here is a gentleman who wishes to speak to
+you."
+
+Philip looked up, and saw the well-known figure of Squire Pope.
+
+
+
+
+
+
+CHAPTER XXXVII.
+
+HIS OWN MASTER.
+
+
+
+
+
+"Ahem, Philip," said the squire. "I should like a little
+conversation with you."
+
+"Good evening, Squire Pope," said our hero, not pretending to be
+cordial, but with suitable politeness.
+
+"I didn't expect to see you here," pursued the squire.
+
+"Nor I you, sir."
+
+"I am visiting my sister, Mrs. Cunningham, who lives in
+Knoxville. Will you come around with me, and make a call?"
+
+Now, considering the treatment which Philip had received from the
+squire before he left Norton, the reader can hardly feel surprised
+that our hero didn't care to trust himself with his unscrupulous
+fellow townsman.
+
+"Thank you, Squire Pope," said Philip, "but it is rather late for me
+to call at a private house. I am staying at the hotel, and if you
+will take the trouble to go around there with me, we will have a
+chance to converse."
+
+"Very well," said the squire, hesitating. Just then up came his
+niece, Carrie, who was determined to get acquainted with Philip.
+
+"Uncle," she said, "introduce me to Mr. Gray."
+
+"This is my niece, Caroline Cunningham," said the squire stiffly.
+
+"I am glad to meet Miss Cunningham," said Philip, extending his
+hand, with a smile.
+
+"What a lovely player you are, Mr. Gray!" she said impulsively.
+
+"I am afraid you are flattering me, Miss Cunningham."
+
+"Don't call me Miss Cunningham. My name is Carrie."
+
+"Miss Carrie, then."
+
+"I was ever so much surprised to hear that uncle was your guardian."
+
+Philip looked quickly at the squire, but did not contradict it. He
+only said:
+
+"We used to live in the same town."
+
+During this conversation Squire Pope looked embarrassed and
+impatient.
+
+"It's getting late, Carrie," he said. "You had better go home."
+
+"Aren't you coming, too, uncle?"
+
+"I am going to the hotel to settle some business with Philip."
+
+"What business, I wonder?" thought our hero.
+
+Arrived at the hotel, they went up-stairs to Philip's chamber. "You
+left Norton very abruptly, Philip," commenced the squire.
+
+"There was good reason for it," answered Philip significantly.
+
+"It appears to me you are acting as if you were your own master,"
+observed the squire.
+
+"I am my own master," replied Philip firmly.
+
+"You seem to forget that I am your guardian."
+
+"I don't forget it, for I never knew it," said our hero.
+
+"It is generally understood that such is the case."
+
+"I can't help it. I don't need a guardian, and shall get along
+without one."
+
+"Ahem! Perhaps that isn't to be decided by you."
+
+"If I am to have a guardian, Squire Pope," said Philip bluntly, "I
+sha'n't select you. I shall select Mr. Dunbar."
+
+"I have much more knowledge of business than Mr. Dunbar," said the
+squire, shifting his ground.
+
+"That may be, but there is one important objection."
+
+"What is that?"
+
+"You are not my friend, and Mr. Dunbar is."
+
+"Really this is very extraordinary!" ejaculated the squire. "I am
+not your friend? How do you know that?"
+
+"You tried to make a pauper out of me, when, as you must perceive, I
+am entirely able to earn my own living."
+
+"Is it true that you were paid ten dollars for playing this
+evening?" asked the squire curiously.
+
+"Yes, sir."
+
+"It beats all!" said the squire, in amazement.
+
+"Yet you wanted to sell my violin for a good deal less than I have
+earned in one evening," said Philip, enjoying his enemy's surprise.
+
+"You gave an entertainment at Wilkesville also, I hear?"
+
+"Yes, sir."
+
+"Did you make as much there?"
+
+"I made between sixty and seventy dollars over and above expenses."
+
+"You don't expect me to believe that!" said the squire.
+
+"I don't care whether you believe it or not; it's true."
+
+"Have you got the money with you?"
+
+"Yes."
+
+"Then you'd better give it to me to keep for you."
+
+"Thank you; I feel capable of taking care of it myself."
+
+"But it's improper for a boy of your age to carry round so much
+money," said the squire sharply.
+
+"If I need help to take care of it, I will ask Mr. Dunbar."
+
+"Come, Philip," said the squire, condescending to assume a
+persuasive manner, "you must remember that I am your guardian."
+
+"I dispute that," said Philip.
+
+"I won't insist upon your going back with me to Norton, as long as
+you are able to support yourself."
+
+"Then you wouldn't advise me to go back to the poorhouse," said
+Philip, with some sarcasm in his voice.
+
+"I didn't mean to have you stay there long," said the squire, rather
+confused. "You'd better give me most of your money, and I'll take
+care of it for you, and when you're twenty-one you'll have quite a
+little sum."
+
+"I am much obliged to you, sir, but I won't put you to the trouble
+of taking care of my money," answered Philip coldly.
+
+Squire Pope continued to argue with Philip, but made no impression.
+At length he was obliged to say good night.
+
+"I will call round in the morning," he said, at parting. "Perhaps
+you'll listen to reason then."
+
+When he called round in the morning he learned to his disappointment
+that Philip was gone.
+
+
+
+
+
+
+CHAPTER XXXVIII.
+
+AN OFFER DECLINED.
+
+
+
+
+
+After his interview with Squire Pope, Philip came down to the
+office, where he saw Professor Riccabocca, apparently waiting for
+him.
+
+"Well, Mr. Gray, where shall we go next?" asked the professor, with
+suavity.
+
+"I haven't decided where to go--have you?" asked Philip coolly.
+
+"I suppose we had better go to Raymond. That is a good-sized place.
+I think we can get together a good audience there."
+
+"You seem to be under the impression that we are in partnership,"
+said Philip.
+
+"Of course," answered Riccabocca.
+
+"I have made no agreement of that sort, professor."
+
+"But, of course, it is understood," said Riccabocca quickly, "as
+long as we draw so well."
+
+"You must excuse me, Professor Riccabocca. I must decline the
+proposal."
+
+"But why?" inquired the professor anxiously.
+
+"I hope you won't press me for an explanation."
+
+"But I do. I can't understand why you should act so against your own
+interest. You can't expect people will come just to hear you play.
+You need me to help you."
+
+"It may be as you say, professor, but if you insist upon my speaking
+plainly, I don't care to travel with a man who has treated me as you
+have."
+
+"I don't understand you," said Riccabocca nervously; but it was
+evident, from his expression, that he did.
+
+"Then you seem very forgetful," said Philip. "You tried to deprive
+me of my share of the proceeds of the entertainment at Wilkesville,
+and would have succeeded but for a lucky accident."
+
+"I told you that it was all owing to neuralgia," said Professor
+Riccabocca. "I had such an attack of neuralgic headache that it
+nearly drove me wild."
+
+"Then," said Philip, "I would rather find a partner who is not
+troubled with neuralgic headache. I think it would be safer."
+
+"It won't happen again, Mr. Gray, I assure you," said the professor
+apologetically.
+
+He endeavored to persuade Philip to renew the combination, but our
+hero steadily refused. He admitted that it might be to his pecuniary
+advantage, but he had lost all confidence in the eminent professor,
+and he thought it better to part now than to give him another
+opportunity of playing a similar trick upon him.
+
+The professor thereupon consulted the landlord as to whether it
+would be advisable for him to give another entertainment unaided,
+and was assured very emphatically that it would not pay expenses.
+
+"You make a great mistake, Mr. Gray," said Riccabocca. "It would be
+a great advantage for you to have my assistance at this stage of
+your professional career."
+
+"I don't expect to have any professional career," answered Philip.
+
+"Don't you intend to become a professional musician?" asked the
+professor, surprised.
+
+"Probably not. I have only been playing because I needed money, and
+my violin helped me to a living."
+
+"You can't make as much money in any other way."
+
+"Not at present; but I want to get a chance to enter upon some kind
+of business. I am going to New York."
+
+"You will some time have a chance to hear me there, in the Academy
+of Music," said Riccabocca pompously.
+
+"I will go and hear you," said Philip, laughing, "if I can afford a
+ticket."
+
+"Say the word and we will appear there together, Mr. Gray."
+
+"I think not, professor."
+
+In fact, though Philip had found himself unexpectedly successful as
+a musician, he knew very well that he was only a clever amateur, and
+that years of study would be needed to make him distinguished.
+
+He was glad that he had the means of paying his expenses for a
+considerable time, and had in his violin a trusty friend upon which
+he could rely in case he got into financial trouble. Directly after
+breakfast he set out on his journey.
+
+
+
+
+
+
+CHAPTER XXXIX.
+
+AN AMBITIOUS WAYFARER.
+
+
+
+
+
+The large sums which Philip had received for his playing might have
+dazzled a less sensible boy. He was quite conscious that he played
+unusually well for a boy, but when it came to selecting music as a
+profession, he felt it would not be wise to come to too hasty a
+decision. To be a commonplace performer did not seem to him very
+desirable, and would not have satisfied his ambition.
+
+He had told Professor Riccabocca that he intended to go to New York.
+This design had not been hastily formed. He had heard a great deal
+of the great city in his home in the western part of the State of
+which it was the metropolis, and he was desirous of seeing it.
+Perhaps there might be some opening for him in its multitude of
+business houses.
+
+Philip had plenty of money, and could easily have bought a railroad
+ticket, which would have landed him in New York inside of
+twenty-four hours, for he was only about four hundred miles distant;
+but he was in no hurry, and rather enjoyed traveling leisurely
+through the country towns, with his violin in his hand.
+
+It reminded him of a biography he had read of the famous Doctor
+Goldsmith, author of the "Vicar of Wakefield," who made a tour on
+the continent of Europe, paying his way with music evoked from a
+similar instrument.
+
+Three days later, he found himself on the outskirts of a village,
+which I will call Cranston. It was afternoon, and he had walked far
+enough to be tired.
+
+He was looking about for a pleasant place to lounge, when his
+attention was drawn to a boy of about his own age, who was sitting
+on the stone wall under a large tree.
+
+He was rather a slender boy, and had originally been well dressed,
+but his suit was travel-stained, and covered with dust.
+
+Now, boys have a natural attraction for each other, and Philip
+determined to introduce himself to the stranger. This he did in
+boy-fashion, by saying:
+
+"Hello!"
+
+"Hello!" said the stranger, looking up.
+
+But he spoke slowly and wearily, and to Philip he seemed out of
+spirits.
+
+"Do you live in Cranston?" asked Philip, taking a seat beside the
+other boy, upon the top of the stone wall.
+
+"No; do you?"
+
+"No."
+
+"Where do you live?"
+
+"I don't live anywhere just at present," answered Philip, with a
+smile. "I am traveling."
+
+"So am I," said the other boy.
+
+"I am traveling to New York," Philip continued.
+
+"And I am traveling from there," said his new acquaintance.
+
+Then both boys surveyed each other curiously.
+
+"What's your name?" asked the stranger.
+
+"Philip Gray. What's your's?"
+
+"Mine is Henry Taylor. What have you got there?"
+
+"A violin."
+
+"Do you play on it?"
+
+"Yes; a little."
+
+"I should think you'd be tired lugging it round."
+
+Philip smiled.
+
+"It is about all the property I have," he said; "so it won't do for
+me to get tired of it."
+
+"You're richer than I am, then," said Henry.
+
+"Are you poor, then?" asked Philip, in a tone of sympathy.
+
+"I haven't got a cent in my pocket, and I haven't had anything to
+eat since breakfast."
+
+"Then I'm glad I met you," said Philip warmly. "I will see that you
+have a good supper. How long is it since you left New York?"
+
+"About a week."
+
+"What made you leave it?"
+
+Henry Taylor hesitated, and finally answered, in a confused tone:
+
+"I've run away from home. I wanted to go out West to kill Indians."
+
+Philip stared at his new acquaintance in astonishment.
+
+
+
+
+
+
+CHAPTER XL.
+
+THE INDIAN HUNTER.
+
+
+
+
+
+Philip had lived so long in a country village that he had never
+chanced to read any of those absorbing romances in which one boy, of
+tender years, proves himself a match for a dozen Indians, more or
+less, and, therefore, he was very much amazed at Henry Taylor's
+avowal that he was going out West to kill Indians.
+
+"What do you want to kill Indians for?" he asked, after an
+astonished pause.
+
+Now it was Henry's turn to be astonished.
+
+"Every boy wants to kill Indians," he answered, looking pityingly at
+our hero.
+
+"What for? What good will it do?" asked Philip.
+
+"It shows he's brave," answered his new friend. "Didn't you ever
+read the story of 'Bully Bill'; or, The Hero of the Plains'?"
+
+"I never heard of it," said Philip.
+
+"You must have lived in the woods, then," said Henry Taylor, rather
+contemptuously. "It's a tip-top story. Bully Bill was only fourteen,
+and killed ever so many Indians--twenty or thirty, I guess--as well
+as a lot of lions and bears. Oh, he must have had lots of fun!"
+
+"Why didn't the Indians kill him?" asked Philip, desirous of being
+enlightened. "They didn't stand still and let him kill them, did
+they?"
+
+"No; of course not. They fought awful hard."
+
+"How did one young boy manage to overcome so many Indians?"
+
+"Oh, you'll have to read the story to find out! Bully Bill was a
+great hero, and everybody admired him."
+
+"So you wanted to imitate his example?" asked Philip.
+
+"To be sure I did."
+
+"How did you happen to get out of money?"
+
+"Well," said Henry, "you see me and another boy got awful excited
+after reading the story, and both concluded nothing could make us so
+happy as to go out West together, and do as Bill did. Of course, it
+was no use to ask the old man--"
+
+"The old man?" queried Philip.
+
+"The gov'nor--father, of course! So we got hold of some money--"
+
+"You got hold of some money?" queried Philip.
+
+"That's what I said, didn't I?" rejoined Henry irritably.
+
+"Yes."
+
+"Then what's the use of repeating it?"
+
+Philip intended to ask where or how Henry got hold of the money, but
+he saw pretty clearly that this would not be agreeable to his new
+acquaintance. Though without much experience in the world, he
+suspected that the money was not obtained honestly, and did not
+press the question.
+
+"Well, me and Tom started about a week ago. First of all, we bought
+some revolvers, as, of course, we should need them to shoot Indians.
+They cost more than we expected, and then we found it cost more to
+travel than we thought."
+
+"How much money did you have?"
+
+"After paying for our revolvers, Tom and me had about thirty
+dollars," said Henry.
+
+"Only thirty dollars to go west with!" exclaimed Philip, in amazement.
+
+"Why, you see, the revolvers cost more than we expected. Then we
+stopped at a hotel in Albany, where they charged us frightfully.
+That is where Tom left me."
+
+"Tom left you at Albany?"
+
+"Yes, he got homesick!" said Henry contemptuously. "He thought we
+hadn't money enough, and he said he didn't know as he cared so much
+about killing Indians."
+
+"I agree with Tom," said Philip. "I don't think I should care very
+much about killing Indians myself, and I should decidedly object to
+being killed by an Indian. I shouldn't like to be scalped. Would
+you?"
+
+"Oh, I'd take care of that," said Henry. "I wouldn't let them have
+the chance."
+
+"It seems to me the best way would be to stay at home," said Philip,
+smiling.
+
+"If I stayed at home I'd have to go to school and study. I don't
+care much about studying."
+
+"I like it," said Philip. "So Tom left you, did he?"
+
+"Yes; but I wasn't going to give up so easy. He took half the money
+that was left, though I thought he ought to have given it to me, as
+I needed it more. I wasn't going home just as I'd started."
+
+"Then you've spent all your money now?"
+
+"Yes," answered Henry gloomily. "Have you got much money?" he asked,
+after a pause.
+
+"Yes, I have about a hundred dollars-say, ninety-five."
+
+"You don't mean it!" ejaculated Henry, hie eyes sparkling.
+
+"Yes, I do."
+
+"How did you get it?"
+
+"I earned most of it by playing on the violin."
+
+"I say," exclaimed Henry, in excitement, "suppose you and me go into
+partnership together, and go out West--"
+
+"To kill Indians?" asked Philip, smiling.
+
+"Yes! With all that money we'll get along. Besides, if we get short,
+you can earn some more."
+
+"But what advantage am I to get out of it? I am to furnish all the
+capital and pay all expenses, as far as I can understand. Generally,
+both partners put in something."
+
+"I put in my revolver," said Henry.
+
+"One revolver won't do for us both."
+
+"Oh, well, you can buy one. Come, what do you say?" asked Henry
+eagerly.
+
+"Let me ask you a few questions first. Where does your father live?"
+
+"In New York."
+
+"What is his business?"
+
+"He is a broker in Wall Street."
+
+"I suppose he is rich?"
+
+"Oh, he's got plenty of money, I expect! We live in a nice house on
+Madison Avenue. That's one of the best streets, I suppose you know!"
+
+"I never was in New York. Is your mother living?"
+
+"No," answered Henry. "She died three years ago."
+
+If his mother had been living, probably the boy would never have
+made such an escapade, but his father, being engrossed by business
+cares, was able to give very little attention to his son, and this
+accounts in part for the folly of which he had been guilty.
+
+"Have you got any brothers or sisters?" he asked.
+
+"I have one sister, about three years younger than I. Her name is
+Jennie."
+
+"I wish I were as well off as you," said Philip.
+
+"How do you mean?"
+
+"I mean I wish I had a father and sister."
+
+"Haven't you?"
+
+"My father is dead," said Philip gravely, "and I never had a
+sister."
+
+"Oh, well, I don't know as I'm so lucky," said Henry. "Sisters are a
+bother. They want you to go round with them, and the old man is
+always finding fault."
+
+Philip's relations with his father had always been so affectionate
+that he could not understand how Henry could talk in such a way of
+his.
+
+"I don't know what makes you ask me such a lot of questions," said
+Henry, showing impatience. "Come, what do you say to my offer?"
+
+"About forming a partnership?"
+
+"Yes."
+
+"I'd rather not--in that way."
+
+"In what way?"
+
+"I mean for the purpose of going out West to kill Indians."
+
+"You've no idea what fun it would be," said Henry, disappointed.
+
+"No, I suppose not," said Philip, smiling.
+
+"Then I suppose I shall have to give it up," said Henry.
+
+"Now I have a proposal to make to you," said Philip.
+
+"What is it?"
+
+"If you agree to go home, I'll pay your expenses and go along with
+you. I've never been to New York, and I'd like to have some one with
+me that could show me round the city."
+
+"I can do that," said Henry. "I know the way all about."
+
+"Then will you agree?"
+
+"Yes."
+
+"Then come along, and we'll stop at the first convenient place and
+get some supper."
+
+
+
+
+
+
+CHAPTER XLI.
+
+AN ADVENTURE IN THE WOODS.
+
+
+
+
+
+"I shall do a good thing if I induce Henry to go home," thought
+Philip. "That is rather a queer idea of his about wanting to kill
+Indians. It seems to me as much murder to kill an Indian as any one
+else."
+
+He only thought this, but did not express it, as he did not care to
+get into a discussion with his new acquaintance, lest the latter
+should recall his consent to go home.
+
+"I say, Philip," said Henry, who had now learned our hero's name,
+"we ain't in any hurry to go to New York, are we?"
+
+"I thought we might take a train to-morrow morning, and go straight
+through."
+
+"But I'd rather take it easy, and travel through the country, and
+have adventures."
+
+"But you forget that your father will be anxious about you."
+
+"Yes, I suppose he will."
+
+"I'll tell you what I'll do. If you'll write a letter to your
+father, and let him know that you are safe with me, I'll do as you
+say."
+
+"All right," said Henry, in a tone of satisfaction; "I'll do it."
+
+"Father'll pay you all you have to spend for me," Henry added, after
+a moment's pause.
+
+"Very well; then I will be your banker."
+
+Philip was not foolish enough to protest that he did not care to be
+repaid. All he had in the world was a little less than a hundred
+dollars, and when that was gone he was not absolutely sure of making
+any more at once, though he felt tolerably confident that he could.
+
+"Suppose you let me have ten dollars now," suggested Henry.
+
+"I think I would rather keep the money and pay the bills," said
+Philip quietly.
+
+He was not sure but that Henry, if he had a supply of money in his
+pockets, would reconsider his promise to go home and take French
+leave.
+
+Of course, it would be extremely foolish, but his present expedition
+did not indicate the possession of much wisdom.
+
+"I don't see what difference it makes," said Henry, looking
+dissatisfied.
+
+"I won't argue the point," answered Philip good-naturedly.
+
+"I wish I was in New York, near a good restaurant," said Henry,
+after a pause.
+
+"Oh. I forgot! You are hungry."
+
+"Awfully. I don't believe there's a hotel within two or three miles.
+I don't think I can hold out to walk much farther."
+
+A few rods farther on was a farmhouse standing back from the road,
+old-fashioned-looking, but of comfortable aspect.
+
+A young girl appeared at the side door and rang a noisy bell with
+great vigor.
+
+"They're going to have supper," said Henry wistfully. "I wish it was
+a hotel!"
+
+Philip had lived in the country, and understood the hospitable ways
+of country people.
+
+"Come along, Henry," he said. "I'll ask them to sell us some supper.
+I am sure they will be willing."
+
+Followed by his new acquaintance, he walked up to the side door and
+knocked--for there was no bell.
+
+The young girl--probably about Philip's age--opened the door and
+regarded them with some surprise.
+
+Philip bowed.
+
+"Will you be kind enough to tell us if there is any hotel near-by?"
+he asked.
+
+"There's one about three miles and a half farther on."
+
+Henry groaned inwardly.
+
+"I am going to ask you a favor," said Philip. "My friend and I have
+traveled a considerable distance, and stand in need of supper. We
+are willing to pay as much as we should have to at a hotel, if you
+will let us take supper here."
+
+"I'll ask mother," said the young girl.
+
+And forthwith she disappeared. She came back in company with a
+stout, motherly-looking woman. Philip repeated his request.
+
+"Why, to be sure," she said heartily. "We always have enough, and to
+spare. Come right in, and we'll have supper as soon as the
+men-folks come in."
+
+They entered a neat kitchen, in the middle of which was set out a
+table, with a savory supper upon it. Henry's eyes sparkled, and his
+mouth watered, for the poor boy was almost famished.
+
+"If you want to wash come right in here," said the farmer's wife,
+leading the way into a small room adjoining.
+
+The two boys gladly availed themselves of the permission, though
+Henry would not have minded sitting right down, dusty as he was.
+However, he felt better after he had washed his face and bands and
+wiped them on the long roll towel that hung beside the sink.
+
+They were scarcely through, when their places were taken by the
+farmer and his son, the latter a tall, sun-burned young man, of
+about twenty, who had just come in from a distant field. The
+farmer's wife soon explained the presence of the two young
+strangers.
+
+"Sho!" said the farmer. "You're pretty young to be travelin'. You
+ain't in any business, be you?"
+
+Henry was rather ashamed to mention that his business was killing
+Indians, though, as yet, he had not done anything in that line. He
+had an idea that he might be laughed at.
+
+"I am a little of a musician," said Philip modestly.
+
+"Sho! do you make it pay?"
+
+"Pretty well, so far; but I think when I get to New York I shall try
+something else."
+
+"Are you a musician as well as he?" asked the farmer of Henry.
+
+"No, sir."
+
+"Come, father, you'd better sit down to supper, and do your talking
+afterward," said the farmer's wife.
+
+So they sat down to the table, and all did full justice to the
+wholesome fare, particularly Henry, who felt absolutely ravenous.
+
+Never at the luxurious home of his father, in Madison Avenue, had
+the wandering city boy enjoyed his supper as much as at the plain
+table of this country farmer.
+
+The good mistress of the household was delighted at the justice done
+to her viands, considering it a tribute to her qualities as a cook.
+
+When Philip produced his purse to pay for their supper, the farmer
+absolutely refused to receive anything. "But I would rather pay,"
+persisted our hero.
+
+"Then I'll tell you how you may pay. Give us one or two tunes on
+your violin."
+
+This Philip was quite willing to do, and it is needless to say that
+his small audience was very much pleased.
+
+"I say," said Henry, "you play well enough to give concerts."
+
+"I have done it before now," answered Philip, smiling.
+
+They were invited to spend the night, but desired to push on to the
+hotel, being refreshed by their supper and feeling able to walk
+three or four miles farther.
+
+About half-way their attention was drawn to what appeared a deserted
+cabin in the edge of the woods, some twenty rods back from the road.
+
+"I say, Philip," said Henry, "there's an old hut that looks as if
+nobody lived in it. Wouldn't it be a lark for us to sleep there
+to-night? It would save the expense of lodging at the hotel, and
+would be an adventure. I haven't had any adventures yet."
+
+"I have no objection," said Philip. "We'll go, at any rate, and look
+at it."
+
+They crossed the field, which seemed to have been only partially
+cleared, and soon reached the hut.
+
+It was very bare within, but on the floor, in one corner, was a
+blanket spread out. There was a place for a window, but the sash had
+been removed, and it was easy to step in.
+
+"I wonder how this blanket came here?" said Philip.
+
+"Oh, I guess the last people that lived here left it!" returned
+Henry. "I say, Phil, I begin to feel tired. Suppose we lie down? I'm
+glad I haven't got to walk any farther."
+
+Philip sympathized with his new friend; and so, without much parley,
+the two boys threw themselves down on the blanket, and were soon
+fast asleep.
+
+How long Philip slept he didn't know, but he was awakened by a
+terrible screech, and, opening his eyes, say Henry sitting bolt
+upright, with trembling limbs and distended eyeballs, gazing
+fearfully at a tall, muscular-looking Indian, who had just stepped
+into the cabin through the open window.
+
+
+
+
+
+
+CHAPTER XLII.
+
+AN INDIAN AT LAST.
+
+
+
+
+
+"What's the matter?" asked Philip, rubbing his eyes, for he was
+hardly able--so suddenly had he been roused from sleep--to
+comprehend the situation.
+
+Henry, as white as a sheet, could only point at the tall Indian,
+who, standing motionless, was gazing as intently at the boys.
+
+He made one step forward, and Henry thought he was about to be
+killed and scalped forthwith.
+
+"Oh, Mr. Indian Chief," he exclaimed, in tremulous accents, "don't
+kill me! I--I ain't ready to die!"
+
+The Indian looked amazed, and laughed gutturally, but did not speak.
+His laugh increased Henry's dismay.
+
+"I've got a revolver. I'll give it to you if you won't kill me,"
+continued Henry.
+
+Then the Indian spoke.
+
+"Why should I kill white boy?" he asked in a mild tone, which ought
+to have convinced Henry that he had nothing to fear.
+
+But the boy was so frenzied with terror, and so possessed of the
+thought that the Indian was just like the savage warriors of the
+plains, of whom he had read so much, that he still felt his life to
+be in danger, and answered the question in a way not expected.
+
+"I suppose you want my scalp," he said; "but I am only a boy, and I
+don't mean any harm. I hope you'll spare my life."
+
+Another fit of guttural laughter from the Indian, which perplexed
+Henry, and after a pause he said:
+
+"Me no want white boy's scalp! Me good Indian!"
+
+An immense burden seemed lifted from poor Henry's breast.
+
+"Then you don't want to kill me?" he said.
+
+"No!"
+
+"Then why do you come here?"
+
+"Me live here."
+
+The secret was out--a secret which Philip had suspected from the
+first, though Henry had not dreamed of it.
+
+They had lain down in the Indian's cabin, appropriating his blanket,
+and were simply intruders.
+
+Philip thought it was time for him to take part in the conversation,
+
+"I hope you'll excuse us," he said, "for coming here. We had no idea
+any one lived here."
+
+"No matter," said the Indian civilly--that being one of the phrases
+which his knowledge of English included.
+
+"Henry," said Philip, "let us get up. We are sleeping in this--this
+gentleman's bed."
+
+He felt a little at a loss how to designate the Indian, but felt
+that it was best to be as polite as possible.
+
+The two boys started up, in order to yield to the master of the
+house the bed which properly belonged to him.
+
+"No," said the Indian, with a wave of his hand. "White boys stay
+there. Indian sleep anywhere."
+
+So saying, he lay down in one corner of the cabin, and settled
+himself apparently to repose.
+
+"But," said Philip, "we don't want to take your bed."
+
+"No matter!" said the Indian once more.
+
+"You are very kind," said Philip. "Henry, we may as well lay down
+again."
+
+Henry obeyed directions, but he was not altogether free from alarm.
+He had read that the Indians are very crafty. How did he know but
+their copper-colored host might get up in the night, skillfully
+remove their scalps, and leave them in a very uncomfortable plight?
+
+"Hadn't we better get up, and run away as soon as he is asleep?" he
+whispered to Philip.
+
+"No; he's friendly," answered Philip confidently.
+
+As Henry had read about friendly Indians--all he knew about Indians,
+by the way, was derived from reading stories written by authors
+little wiser than himself--he concluded that perhaps there was
+nothing to fear, and after a while fell asleep again.
+
+When the boys awoke it was morning. They looked toward the corner
+where the Indian had lain down, but it was vacant.
+
+"He's gone." said Henry, rather relieved.
+
+"You were pretty well frightened last night," said Philip, smiling.
+
+"Who wouldn't be!" asked Henry; "to wake up and see a big Indian in
+the room?"
+
+"I dare say many boys would be frightened," said Philip, "but I
+don't think a boy who left home to go out West to kill Indians ought
+to be afraid of one."
+
+"I guess I'll give up going," said Henry, rather abashed.
+
+"I think myself it would be as well," observed Philip quietly.
+"You'd find it rather serious business if you should meet any real
+Indian warriors."
+
+"I don't know but I should," Henry admitted, rather awkwardly. "I
+didn't think much about it when I left home."
+
+"I suppose you thought you'd be a match for half a dozen Indian
+warriors?" said Philip, laughing.
+
+"That was the way with 'Bully Bill'; or, 'The Hero of the Plains,'"
+said Henry. "He always came off best when he fought with the
+Indians."
+
+"I don't think either you or I will ever prove a Bully Bill," said
+Philip. "I might enjoy going out West some time, but I shouldn't
+expect to kill many Indians. I think they would stand a good deal
+better chance of shooting me."
+
+Henry said nothing, but looked thoughtful. His romantic ideas seemed
+to have received a sudden shock, and he was trying to adjust his
+ideas to the new light he had received.
+
+The boys were preparing to go out, when their Indian host suddenly
+reappeared. He carried in his hand a large-sized loaf of baker's
+bread, which he had procured at the village store. He was alive to
+the duties of hospitality, and did not intend to let his guests go,
+uninvited though they were, without a breakfast.
+
+Though his stock of English was limited, he made out to invite the
+boys to breakfast with him.
+
+Henry would have preferred to go to the hotel, but Philip signed to
+him to accept graciously the Indian's hospitality.
+
+As the bread was fresh, they partook of it with relish, washing it
+down with drafts of clear spring water.
+
+The Indian looked on, well pleased to see the justice done to his
+hospitality. He explained to the boys that he made baskets, caught
+fish, and sometimes engaged in hunting, managing, in one way and
+another, to satisfy his simple wants. His name was Winuca, but his
+white neighbors called him Tom.
+
+When the boys were ready to go, Philip drew from his pocket a
+jack-knife, nearly new, of which he asked the Indian's acceptance.
+
+Winuca seemed very much pleased, and shook hands heartily with his
+young guests, wishing them good-by.
+
+The boys kept on to the hotel, where they spent a few hours, taking
+dinner there. Their breakfast had been so simple that they had a
+very good appetite for their midday meal.
+
+"While we are here, Henry, suppose you write to your father and
+relieve his anxiety?" suggested Philip.
+
+"Why can't you write?" asked Henry, who cherished the general boyish
+distaste for letter-writing.
+
+"Because it will be more proper for you to write. I am a stranger to
+him."
+
+"You won't be long, Philip? I shall want you to come and make me a
+visit."
+
+"Perhaps you'll be tired of me before we get to New York," suggested
+Philip, with a smile.
+
+"There isn't much chance of it. I like you better than any boy I
+know. You're awful brave, too. You didn't seem to be at all scared
+last night when the Indian came in."
+
+"It was because I felt sure that any Indian to be found about here
+would be harmless."
+
+"I wish we could make a journey together some time. I'd like to go
+West--"
+
+"To kill Indians?"
+
+"No. If they'll let me alone, I'll let them alone; but there must be
+a lot of fun out on the prairies."
+
+"Well, Henry, go and write your letter, and we can talk about that
+afterward."
+
+The letter was written and mailed, and arrived in New York several
+days before the boys did.
+
+
+
+
+
+
+CHAPTER XLIII.
+
+A WELCOME LETTER.
+
+
+
+
+
+Alexander Taylor, a Wall Street broker, sat at breakfast in his fine
+house on Madison Avenue. His daughter, Jennie, about thirteen years
+old, was the only other person at the table.
+
+"Papa, have you heard nothing of Henry?" asked the little girl
+anxiously.
+
+"Only that the boy who got started with him on his foolish tramp got
+back three days since."
+
+"Is Tom Murray back, then?"
+
+"Yes; he showed himself more sensible than Henry."
+
+"Oh, I'm afraid something's happened to him, papa! Why don't you
+advertise for him, or send out a detective, or something?"
+
+"I will tell you, Jennie," said Mr. Taylor, laying down the morning
+paper. "I want your brother to stay away long enough to see his
+folly."
+
+"But perhaps he may get out of money, and not be able to get
+anything to eat. You wouldn't want him to starve, papa?"
+
+"There isn't much chance of it. If he is in danger of that, he will
+have sense enough to ask for food, or to write to me for help. I
+rather hope he will have a hard time."
+
+"Oh, papa!"
+
+"It will do him good. If I sent for him and brought him back against
+his will, he would probably start off again when he has a good
+chance."
+
+Jennie could not quite follow her father in his reasoning, and was
+inclined to think him hard and unfeeling. She missed her brother,
+who, whatever his faults, treated her tolerably well, and was at any
+rate a good deal of company, being the only other young person in
+the house.
+
+Just then the servant entered with three letters, which he laid down
+beside his master's plate.
+
+Mr. Taylor hastily scanned the addresses.
+
+"Here is a letter from Henry," he said, in a tone of satisfaction.
+
+"Oh, read it quick, papa!"
+
+This was the letter which Mr. Taylor read aloud, almost too
+deliberately for the impatience of his daughter:
+
+"Dear Father: I am alive and well, and hope to see you in a few
+days. I guess I made a mistake in running away, though I didn't
+think so at the time, for I wanted to see life, and have adventures.
+I don't know how I should have got along if I hadn't met Philip
+Gray. He's a tip-top fellow, and is paying my expenses. I told him
+you would pay him back. He has got me off the idea of going West to
+kill Indians."
+
+"Oh, papa!" exclaimed Jennie, opening her eyes wide. "I didn't know
+that was what Henry went for."
+
+"I don't think the Indians would have felt very much frightened if
+they had heard of his intention. However, I will proceed:
+
+"I was all out of money when Philip met me, and I hadn't had
+anything to eat since morning, he bought me some supper, and is
+paying my expenses. He is a poor boy, coming to New York to get a
+place, if he can. He has got a violin, and he plays beautifully. He
+earned all the money he has by giving concerts."
+
+"I should like to see Philip," said Jennie, with interest.
+
+"I asked him if he wouldn't go out West with me, but he wouldn't. He
+told me he wouldn't do anything for me unless I would agree to come
+home."
+
+"He is a sensible boy," commented Mr. Taylor, in a tone of approval.
+
+"We thought at first of coming right home on the cars, but I wanted
+to walk and see something of the country, and Philip said he didn't
+mind. He told me I must write and tell you, so that you needn't feel
+anxious.
+
+"You will see us in a few days. I will bring Philip to the house.
+Your son, HENRY TAYLOR."
+
+"Is that all?" asked Jennie.
+
+"Yes; I consider it a very fair letter. It is evident Henry has made
+the acquaintance of a sensible boy. I shall take care that he
+doesn't let it drop."
+
+
+
+
+
+
+CHAPTER XLIV.
+
+A FRESH START.
+
+
+
+
+
+Five days later, just as Mr. Taylor was sitting down to dinner, at
+the close of the day, the door-bell rang violently.
+
+There was a hurried step heard in the hall, and the door opening
+quickly Henry Taylor rushed in, his face beaming with smiles.
+
+"Oh, I'm so glad to see you, Henry!" said Jennie, embracing him. "I
+missed you awfully."
+
+Henry looked at his father, a little doubtful of his reception.
+
+"Are you well, father?" he asked.
+
+"Quite well," responded Mr. Taylor coolly. "Where did you leave your
+scalps?"
+
+"What?" ejaculated Henry, bewildered.
+
+"I thought you left home to kill Indians."
+
+"Oh!" said Henry, smiling faintly. "I didn't meet any
+Indians--except one--and he was friendly."
+
+"Then your expedition was a failure?"
+
+"I guess I'll leave the Indians alone," said Henry sheepishly.
+
+"That strikes me as a sensible remark. Of course, a few Indian
+scalps would be of great use to you. I fully expected a present of
+one, as a trophy of my son's valor; but still, in case the Indian
+objected to being scalped, there might be a little risk in
+performing the operation."
+
+"I see you are laughing at me, father," said Henry.
+
+"Not at all. You can see that I am very sober. If you think you can
+make a good living hunting Indians--I don't know myself how much
+their scalps bring in the market--I might set you up in the
+business."
+
+"I am not so foolish as I was. I prefer some other business. Philip
+told me--"
+
+"Where is Philip?" asked Jennie eagerly.
+
+"I left him in the parlor. He said I had better come in first."
+
+"Go and call him. Invite him, with my compliments, to stay to
+dinner."
+
+Henry left the room, and reappeared almost immediately with Philip.
+
+Both boys were perfectly neat in appearance, for Philip had insisted
+on going to a hotel and washing and dressing themselves.
+
+As he followed Henry into the room, with modest self-possession, his
+cheeks glowing with a healthy color, both Jennie and Mr. Taylor were
+instantly prepossessed in his favor.
+
+"I am glad to see you, Philip," said the broker, "and beg to thank
+you, not only for the material help you gave Henry, but also for the
+good advice, which I consider of still greater importance and
+value."
+
+"Thank you, sir. I don't feel competent to give much advice, but I
+thought his best course was to come home."
+
+"You haven't as high an idea of hunting Indians as Henry, I infer?"
+
+"No, sir," answered Philip, smiling. "It seems to me they have as
+much right to live as we, if they behave themselves."
+
+"I think so, too," said Henry, who was rather ashamed of what had
+once been his great ambition.
+
+"You haven't introduced me to Philip--I mean Mr. Gray," said Jennie.
+
+"This is my sister Jennie, Phil," said Henry, in an off-hand manner.
+
+"I am very glad to see you, Mr. Gray," said Jennie, extending her
+hand.
+
+"I am hardly used to that name," said Philip, smiling.
+
+"When I get well acquainted with you I shall call you Philip."
+
+"I hope you will."
+
+Within an hour Miss Jennie appeared to feel well acquainted with her
+brother's friend, for she dropped "Mr. Gray" altogether, and called
+him Philip.
+
+At her solicitation he played on his violin. Both Mr. Taylor and
+Jennie were surprised at the excellence of his execution.
+
+When Philip rose to go, Mr. Taylor said cordially:
+
+"I cannot permit you to leave us, Philip. You must remain here as
+our guest."
+
+"But, sir, I left my things at a hotel."
+
+"Then Henry will go with you and get them."
+
+So Philip found himself established in a fine house on Madison
+Avenue as a favored guest.
+
+The next morning, when Mr. Taylor went to his office, he asked
+Philip to go with him. Arrived in Wall Street, he sent a boy to the
+bank with a check. On his return, he selected five twenty-dollar
+bills, and handed them to Philip.
+
+"You have expended some money for Henry," he said.
+
+"Yes, sir; but not quarter as much as this."
+
+"Then accept the rest as a gift. You will probably need some new
+clothes. Henry will take you to our tailor. Don't spare expense. The
+bill will be sent to me."
+
+"But, Mr. Taylor, I do not deserve such kindness."
+
+"Let me be the judge of that. In a few days I shall have a proposal
+to make to you."
+
+This was the proposal, and the way it was made:
+
+"I find, Philip," said Mr. Taylor, some days later, "that Henry is
+much attached to you, and that your influence over him is excellent.
+He has agreed to go to an academy in Connecticut, and study hard for
+a year, provided you will go with him. I take it for granted you
+haven't completed your education?"
+
+"No, sir."
+
+"I shall pay all the bills and provide for you in every way, exactly
+as I do for Henry."
+
+"But, Mr. Taylor, how can I ever repay you?" asked Philip.
+
+"By being Henry's friend and adviser--perhaps, I may say,
+guardian--for, although you are about the same age, you are far
+wiser and more judicious."
+
+"I will certainly do the best I can for him, sir."
+
+During the next week the two boys left New York, and became pupils
+at Doctor Shelley's private academy, at Elmwood--a pleasant country
+town not far from Long Island Sound--and there we bid them adieu.
+
+THE END.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Young Musician, by Horatio Alger
+
+*** END OF THE PROJECT GUTENBERG EBOOK THE YOUNG MUSICIAN ***
+
+This file should be named tngms10.txt or tngms10.zip
+Corrected EDITIONS of our eBooks get a new NUMBER, tngms11.txt
+VERSIONS based on separate sources get new LETTER, tngms10a.txt
+
+Produced by Carrie Fellman
+
+Project Gutenberg eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep eBooks in compliance with any particular paper edition.
+
+We are now trying to release all our eBooks one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg eBooks is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+eBooks, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any eBook before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information online at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this eBook, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this eBook if you want to.
+
+*BEFORE!* YOU USE OR READ THIS EBOOK
+By using or reading any part of this PROJECT GUTENBERG-tm
+eBook, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this eBook by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this eBook on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM EBOOKS
+This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this eBook
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these eBooks, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's eBooks and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other eBook medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this eBook within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this eBook,
+[2] alteration, modification, or addition to the eBook,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this eBook electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ eBook or this "small print!" statement. You may however,
+ if you wish, distribute this eBook in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The eBook, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The eBook may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the eBook (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ eBook in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the eBook refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this eBook's header and trailer may be reprinted only
+when distributed free of all fees. Copyright (C) 2001, 2002 by
+Michael S. Hart. Project Gutenberg is a TradeMark and may not be
+used in any sales of Project Gutenberg eBooks or other materials be
+they hardware or software or any other related product without
+express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*
+
diff --git a/old/tngms10.zip b/old/tngms10.zip
new file mode 100644
index 0000000..be7a306
--- /dev/null
+++ b/old/tngms10.zip
Binary files differ