initial commit of ebook 5647HEADmain

45 files changed, 4116 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/5647-0.txt b/5647-0.txt
new file mode 100644
index 0000000..6933990
--- /dev/null
+++ b/5647-0.txt
@@ -0,0 +1,1276 @@
+The Project Gutenberg EBook of The Sketches of Seymour (Illustrated),
+Part 3., by Robert Seymour
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sketches of Seymour (Illustrated), Part 3.
+
+Author: Robert Seymour
+
+Release Date: July 12, 2004 [EBook #5647]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+SKETCHES BY SEYMOUR
+
+Part 3.
+
+
+THE JOLLY ANGLERS.
+
+
+On a grassy bank, beside a meandering stream, sat two gentlemen averaging
+forty years of age.  The day was sultry, and, weary of casting their
+lines without effect, they had stuck their rods in the bank, and sought,
+in a well-filled basket of provisions and copious libations of bottled
+porter, to dissipate their disappointment.
+
+"Ain't this jolly? and don't you like a day's fishing, Sam?"
+
+"O! werry much, werry much," emphatically replied his friend, taking his
+pipe from his mouth.
+
+"Ah!  but some people don't know how to go a-fishinq, Sam; they are such
+fools."
+
+"That's a werry good remark o' your'n," observed Sam; "I daresay as how
+hangling is werry delightful vhen the fishes vill bite; but vhen they
+von't, vhy they von't, and vot's the use o' complaining.  Hangling is
+just like writing: for instance--you begins vith, 'I sends you this 'ere
+line hoping,' and they don't nibble; vell! that's just the same as not
+hanswering; and, as I takes it, there the correspondence ends!"
+
+"Exactly; I'm quite o' your opinion," replied his companion, tossing off
+a bumper of Barclay's best; "I say, Sammy, we mustn't empty t'other
+bottle tho'."
+
+"Vhy not?"
+
+"Cos, do you see, I'm just thinking ve shall vant a little porter to
+carry us home: for, by Jingo!  I don't think as how either of us can
+toddle--that is respectably!"
+
+"Nonsense!  I'd hundertake to walk as straight as a harrow; on'y, I must
+confess, I should like to have a snooze a'ter my pipe; I'm used to it,
+d'ye see, and look for it as nat'rally as a babby does."
+
+"Vell, but take t'other glass for a nightcap; for you know, Sammy, if you
+sleep vithout, you may catch cold: and, vhatever you do, don't snore, or
+you'll frighten the fish."
+
+"Naughty fish!" replied Sammy, "they know they're naughty too, or else
+they voud'nt be so afear'd o' the rod!--here's your health;" and he
+tossed off the proffered bumper.
+
+"Excuse me a-rising to return thanks,"  replied his friend, grasping
+Sammy's hand, and looking at him with that fixed and glassy gaze which
+indicates the happy state of inebriety, termed maudlin; "I know you're a
+sincere friend, and there ain't nobody as I value more: man and boy have
+I knowed you; you're unchanged! you're the same!! there ain't no
+difference!!!  and I hope you may live many years to go a-fishing, and I
+may live to see it, Sammy.  Yes, old boy, this here's one of them days
+that won't be forgotten: it's engraved on my memory deep as the words on
+a tombstone, 'Here he lies!  Here he lies!'" he repeated with a hiccup,
+and rolled at full length across his dear friend.
+
+Sammy, nearly as much overcome as his friend, lifted up his head, and
+sticking his hat upon it, knocked it over his eyes, and left him to
+repose; and, placing his own back against an accommodating tree, he
+dropped his pipe, and then followed the example of his companion.
+
+After a few hours deep slumber, they awoke.  The sun had gone down, and
+evening had already drawn her star-bespangled mantle over the scene of
+their festive sport.
+
+Arousing themselves, they sought for their rods, and the remnants of
+their provisions, but they were all gone.
+
+"My hey! Sammy, if somebody bas'nt taken advantage of us.  My watch too
+has gone, I declare."
+
+"And so's mine!" exclaimed Sammy, feeling his empty fob.  "Vell, if this
+ain't a go, never trust me."
+
+"I tell you vot it is, Sammy; some clever hartist or another has seen us
+sleeping, like the babes in the wood, and has drawn us at full length!"
+
+
+
+
+THE BILL-STICKER.
+
+
+What a mysterious being is the bill-sticker!  How seldom does he make
+himself visible to the eyes of the people.  Nay, I verily believe there
+are thousands in this great metropolis that never saw a specimen.  We see
+the effect, but think not of the cause.
+
+He must work at his vocation either at night or at early dawn, before the
+world is stirring.
+
+That he is an industrious being, and sticks to business, there cannot be
+the shadow of a doubt, for every dead-wall is made lively by his
+operations, and every hoard a fund of information--in such type, too,
+that he who runs may read.  What an indefatigable observer he must be;
+for there is scarcely a brick or board in city or suburb, however newly
+erected, in highway or byeway, but is speedily adorned by his handiwork
+--aye, and frequently too in defiance of the threatening--"BILL-STICKERS,
+BEWARE!"--staring him in the face.  Like nature, he appears to abhor a
+vacuum.  When we behold the gigantic size of some of the modern arches,
+we are almost led to suppose that the bill-sticker carries about his
+placards in a four-wheeled waggon, and that his paste-pot is a huge
+cauldron!  How he contrives to paste and stick such an enormous sheet so
+neatly against the rugged side of a house, is really astonishing. Whether
+three or four stories high, the same precision is remarkable.  We cannot
+but wonder at the dexterity of his practised hand: The union is as
+perfect as if Dan Hymen, the saffron-robed Joiner, had personally
+superintended the performance.
+
+The wind is perhaps the only real enemy he has to fear.  How his heart
+and his flimsy paper must flutter in the unruly gusts of a March wind! We
+only imagine him pasting up a "Sale of Horses," in a retired nook, and
+seeing his bill carried away on an eddy!
+
+We once had the good fortune to witness a gusty freak of this kind. The
+bill-sticker had affixed a bill upon the hooks of his stick, displaying
+in prominent large characters--"SALE BY AUCTION--Mr. GEO. ROBINS--Capital
+Investment,"--and so forth, when a sudden whirlwind took the bill off the
+hooks, before it was stuck, and fairly enveloped the countenance of a
+dandy gentleman who happened at the moment to be turning the corner.
+
+Such a "Capital Investment" was certainly ludicrous in the extreme.
+
+The poor bill-sticker was rather alarmed, for he had never stuck a bill
+before on any front that was occupied.
+
+He peeled the gentleman as quickly as possible, and stammered out an
+apology.  The sufferer, however, swore he would prefer a bill against him
+at the ensuing sessions.  Whether his threat was carried into execution,
+or he was satisfied with the damages already received, we know not.
+
+
+
+
+OLD FOOZLE.
+
+
+There is a certain period of life beyond which the plastic mind of man
+becomes incapable of acquiring any new impressions.  He merely elaborates
+and displays the stores he has garnered up in his youth.  There are
+indeed some rare exceptions to the rule; but few, very few, can learn a
+language after the age of forty.  'Tis true that Cowper did not commence
+the composition of his delightful poems till he had attained that age;
+but then it must be remembered that he had previously passed a life of
+study and preparation, and that he merely gave the honey to the world
+which he had hived in his youth, bringing to the task a mind polished and
+matured by judgment and experience.  But, generally speaking, we rather
+expect reason than rhyme from an elderly gentleman; and when the reverse
+is the case, the pursuit fits them as ridiculously as would a humming-top
+or a hoop.  Yet there are many who, having passed a life in the sole
+occupation of making money--the most unpoetical of all avocations--that
+in their retirement entertain themselves with such fantastic pranks and
+antics, as only serve to amuse the lookers-on.  A retired tradesman, it
+is true, may chase ennui and the 'taedium vitae,' by digging and planting
+in his kitchen-garden, or try his hand at rearing tulips and hyacinths;
+but if he vainly attempt any other art, or dabble in light literature or
+heavy philosophy, he is lost.  Old Foozle was one of those who, having
+accumulated wealth, retire with their housekeepers to spend the remnant
+of their days in some suburban retreat, the monotony of whose life is
+varied by monthly trips to town to bring tea and grocery, or purchase
+some infallible remedy for their own gout, or their housekeeper's
+rheumatism.  Unfortunately for his peace, Old Foozle accidentally dipped
+into a tattered tome of "Walton's Complete Angler;" and the vivid
+description of piscatorial pleasures therein set forth so won upon his
+mind, that he forthwith resolved to taste them.  In vain were the
+remonstrances of his nurse, friend, and factotum.  The experiment must be
+tried.  Having more money than wit to spare, he presently supplied
+himself with reels and rods and tackle, landing-nets and gentle-boxes,
+and all the other necessary paraphernalia of the art.
+
+Donning his best wig and spectacles, he sallied forth, defended from the
+weather by a short Spencer buttoned round his loins, and a pair of
+double-soled shoes and short gaiters.  So eager was he to commence, that
+he no sooner espied a piece of water, than, with trembling hands, he put
+his rod together, and displayed his nets, laying his basket, gaping for
+the finny prey, on the margin of the placid waters.  With eager gaze he
+watched his newly-varnished and many-coloured float, expecting
+every-moment to behold it sink, the inviting bait being prepared
+'secundum artem.'  He had certainly time for reflection, for his float
+had been cast at least an hour, and still remained stationary; from which
+he wisely augured that he was most certainly neither fishing in a running
+stream nor in troubled waters.
+
+Presently a ragged urchin came sauntering along, and very leisurely
+seated himself upon a bank near the devoted angler.  Curiosity is natural
+to youth, thought Foozle--how I shall make the lad wonder when I pull out
+a wriggling fish!
+
+But still another weary hour passed, and the old gentleman's arms and
+loins began to ache from the novel and constrained posture in which he
+stood.  He grew nervous and uneasy at the want of sport; and thinking
+that perhaps the little fellow was acquainted with the locality, he
+turned towards him, saying, in the blandest but still most indifferent
+tone he could assume, lest he should compromise his dignity by exposing
+his ignorance--
+
+"I say, Jack, are there any fish in this pond?"
+
+"There may be, sir," replied the boy, pulling his ragged forelock most
+deferentially, for Old Foozle had an awful churchwarden-like appearance;
+"there may be, but I should think they were weary small, 'cause there vos
+no vater in this here pond afore that there rain yesterday."
+
+The sallow cheeks of the old angler were tinged with a ruddy glow, called
+up by the consciousness of his ridiculous position.  Taking a penny from
+his pocket, he bade the boy go buy some cakes: and no sooner had he
+gallopped off, than the disappointed Waltonian hastily packed up his
+tackle, and turned his steps homeward; and this was the first and last
+essay of Old Foozle.
+
+
+
+
+THE "CRACK-SHOTS."  No. I.
+
+
+A club, under the imposing style of the "Crack-Shots," met every
+Wednesday evening, during the season, at a house of public entertainment
+in the salubrious suburbs of London, known by the classical sign of the
+"Magpye and Stump."  Besides a trim garden and a small close-shaven
+grass-plat in the rear (where elderly gentlemen found a cure for 'taedium
+vitae' and the rheumatism in a social game of bowls), there was a meadow
+of about five or six acres, wherein a target was erected for the especial
+benefit of the members of this celebrated club; we say celebrated,
+because, of all clubs that ever made a noise in the world, this bore away
+the palm-according to the reports in the neighbourhood.  Emulation
+naturally caused excitement, and the extraordinary deeds they performed
+under its influence we should never have credited, had we not received
+the veracious testimony of--the members themselves.
+
+After the trials of skill, they generally spent the evenings together.
+
+Jack Saggers was the hero of the party; or perhaps he might be more
+appropriately termed the "great gun," and was invariably voted to the
+chair.  He made speeches, which went off admirably; and he perpetrated
+puns which, like his Joe Manton, never missed fire, being unanimously
+voted admirable hits by the joyous assembly.
+
+Their pleasures and their conversation might truly be said to be of a
+piece.
+
+"Gentlemen"--said Jack, one evening rising upon his legs--"Do me the
+favour to charge.  Are you all primed and loaded?  I am about to propose
+the health of a gentleman, who is not only an honour to society at large,
+but to the 'Crack-Shots' in particular.  Gentlemen, the mere mention of
+the name of Brother Sniggs--(hear! hear!)--I know will call forth a
+volley!--(Hear! hear!)  Gentlemen, I give you the health of Brother
+Sniggs! make ready, present and fire!"
+
+Up went the glasses, and down went the liquor in a trice, followed by
+three times three, Jack Saggers giving the time, and acting as
+"fugle-man."
+
+Sniggs, nervously fingering his tumbler of "half and half," as if he
+wanted the spirit to begin, hemmed audibly, and
+
+"Having three times shook his head
+To stir his wit, thus he said,"
+
+"Gentlemen, I don't know how it is, but somehows the more a man has to
+say, the more he can't!  I feel, for all the world, like a gun rammed
+tight and loaded to the muzzle, but without flint or priming----"
+
+"Prime!" exclaimed Jack Saggers; and there was a general titter, and then
+he continued; "as we cannot let you off Sniggs, you most go on, you
+know."
+
+"Gentlemen," resumed Sniggs, "I feel indeed so overloaded by the honors
+you have conferred on me, that I cannot find words to express my
+gratitude.  I can only thank you, and express my sincere wish that your
+shots may always tell."
+
+And he sat down amidst unbounded applause.  "By no means a-miss!" cried
+Jack Saggers.
+
+"A joke of mine, when I knocked down a bird the other morning," said
+Sniggs: "you must know I was out early, and had just brought down my
+bird, when leaping into the adjoining field to pick it up, a
+bird-catcher, who had spread his nets on the dewy grass, walked right up
+to me."
+
+"I've a visper for you, Sir," says he, as cool as a cucumber; "I don't
+vish to be imperlite, but next time you shoots a bird vot I've brought to
+my call, I'll shoot you into a clay-pit, that's all!"
+
+"And pray what did you say, Sniggs?" asked Jack Saggers.  "Say?--nothing!
+but I looked unutterable things, and--shouldering my piece--walked off!"
+
+
+
+
+THE "CRACK-SHOTS."  No. II.
+
+
+"Sniggs's rencontre with the bird-catcher reminds me of Tom Swivel's
+meeting with the Doctor," observed Smart.
+
+"Make a report," cried Jack Saggers.
+
+"Well, you must know, that I had lent him my piece for a day's shooting;
+and just as he was sauntering along by a dead wall near Hampstead,
+looking both ways at once for a quarry (for he has a particular squint),
+a stout gentleman in respectable black, and topped by a shovel-hat,
+happened to be coming in the opposite direction.  With an expression of
+terror, the old gentleman drew himself up against the unyielding bricks,
+and authoritatively extending his walking-stick, addressed our sportsman
+in an angry tone, saying: 'How dare you carry a loaded gun pointed at
+people's viscera, you booby?'  Now Tom is a booby, and no mistake, and so
+dropping his under jaw and staring at the reverend, he answered: 'I don't
+know vot you mean by a wiserar.  I never shot a wiserar!'"
+
+"Devilish good!" exclaimed Saggers; and, as a matter of course, everybody
+laughed.
+
+Passing about the bottle, the club now became hilarious and noisy; when
+the hammer of the president rapped them to order, and knocked down Sniggs
+for a song, who, after humming over the tune to himself, struck up the
+following:
+
+
+CHAUNT
+
+When the snow's on the ground and the trees are all bare,
+And rivers and gutters are turned into ice,
+The sportsman goes forth to shoot rabbit or hare,
+And gives them a taste of his skill in a trice.
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And he bags all he kills in a trice.
+
+CHORUS.
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And he bags all he kills in a trice.
+
+II.
+If he puts up a partridge or pheasant or duck,
+He marks him, and wings him, and brings him to earth;
+He let's nothing fly--but his piece--and good luck
+His bag fills with game and his bosom with mirth.
+
+
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And good sport fills his bosom with mirth.
+
+CHORUS.
+Bang! bang! et. etc.
+
+III.
+When at night he unbends and encounters his pals,
+How delighted he boasts of the sport he has had;
+While a kind of round game's on the board, and gals
+Are toasted in bumpers by every lad.
+And Jack, Jim, and Joe
+Give the maid chaste as snow
+That is true as a shot to her lad!
+
+CHORUS.
+And Jack, Jim and Joe
+Give the maid chaste as snow
+That is true as a shot to her lad!
+
+
+The customary applause having followed this vocal attempt of Sniggs, he
+was asked for a toast or a sentiment.
+
+"Here's--'May the charitable man never know the want of--'shot.'" said
+Sniggs.
+
+"Excellent!" exclaimed Saggers, approvingly; "By Jupiter Tonans, Sniggs,
+you're a true son of--a gun!"
+
+
+
+
+THE "CRACK-SHOTS."--No. III.
+
+
+"Sich a lark!" said Bill Sorrel, breaking abruptly in upon the noisy
+chorus, miscalled a general conversation; "sich a lark!"
+
+"Where?" demanded Saggers.
+
+"You've jist hit it," replied Sorrel, "for it vere worry near 'Vare vhere
+it happened.  I'd gone hout hearly, you know, and had jist cotched sight
+of a bird a-vistling on a twig, and puttered the vords, 'I'll spile your
+singin', my tight 'un,' and levelled of my gun, ven a helderly gentleman,
+on t'other side of the bank vich vos atween me and the bird, pops up his
+powdered noddle in a jiffy, and goggling at me vith all his eyes, bawls
+pout in a tantivy of a fright, 'You need'nt be afear'd, sir,' says I, 'I
+aint a-haiming at you,' and vith that I pulls my trigger-bang! Vell, I
+lost my dicky! and ven I looks for the old 'un, by Jingo!  I'd lost him
+too.  So I mounts the bank vere he sot, but he vas'nt there; so I looks
+about, and hobserves a dry ditch at the foot, and cocking my eye along
+it, vhy, I'm blessed, if I did'nt see the old fellow a-scampering along
+as fast as his legs could carry him.  Did'nt I laugh, ready to
+split--that's all!"
+
+"I tell you what, Sorrel," said the president, with mock gravity, "I
+consider the whole affair, however ridiculous, most immoral and
+reprehensible.  What, shall a crack-shot make a target of an elder?
+Never!  Let us seek more appropriate butts for our barrels!  You may
+perhaps look upon the whole as a piece of pleasantry but let me tell you
+that you ran a narrow chance of being indicted for a breach of the peace!
+And remember, that even shooting a deer may not prove so dear a shot as
+bringing down an old buck!"
+
+This humorous reproof was applauded by a "bravo!" from the whole club.
+
+Sorrel sang--small, and Sniggs sang another sporting ditty.
+
+"Our next meeting," resumed Saggers, "is on Thursday next when the
+pigeon-match takes place for a silver-cup--the 'Crack Shots' against the
+'Oriental Club.' I think we shall give them I taste of our quality,'
+although we do not intend that they shall lick us.  The silver-cup is
+their own proposal.  The contest being a pigeon-match, I humbly proposed,
+as an amendment, that the prize should be a tumbler--which I lost by a
+minority of three.  In returning thanks, I took occasion to allude to
+their rejection of my proposition, and ironically thanked them for having
+cut my tumbler."
+
+"Werry good!" shouted Sorrel.
+
+"Admirable!" exclaimed Sniggs; and, rising with due solemnity, he
+proposed the health of the "worthy president," prefacing his speech with
+the modest avowal of his inability to do what he still persisted in doing
+and did.
+
+"Brother Shots!" said Saggers, after the usual honours had been duly
+performed, "I am so unaccustomed to speaking (a laugh), that I rise with
+a feeling of timidity to thank you for the distinguished honour you have
+conferred on me.  Praise, like wine, elevates a man, but it likewise
+thickens and obstructs his speech; therefore, without attempting any
+rhetorical flourish, I will simply say, I sincerely thank you all for the
+very handsome manner in which you have responded to the friendly wishes
+of Brother Sniggs; and, now as the hour of midnight is at hand, I bid you
+farewell.  It is indeed difficult to part from such good company; but,
+although it is morally impossible there ever can be a division among such
+cordial friends, both drunk and sober may at least separate--in spirits,
+--and I trust we shall all meet again in health--Farewell!"
+
+
+
+
+DOCTOR SPRAGGS.
+
+
+Old Doctor Spraggs! famed Doctor Spraggs!
+Was both well fee'd and fed,
+And, tho' no soldier, Doctor Spraggs
+Had for his country-bled.
+
+His patients living far and wide
+He was compell'd to buy
+A horse; and found no trouble, for
+He'd got one in his eye!
+
+He was a tall and bony steed
+And warranted to trot,
+And so he bought the trotter, and
+Of course four trotters got.
+
+Quoth he: "In sunshine quick he bounds
+"Across the verdant plain,
+"And, e'en when showers fall, he proves
+"He--doesn't mind the rain!"
+
+But, oh! one morn, when Doctor Spraggs
+Was trotting on his way,
+A field of sportsmen came in view,
+And made his courser neigh.
+
+"Nay! you may neigh," quoth Doctor Spraggs,
+"But run not, I declare
+"I did not come to chase the fox,
+"I came to take the--air!"
+
+But all in vain he tugg'd the rein,
+The steed would not be stay'd;
+The "Doctor's stuff" was shaken, and
+A tune the vials play'd.
+
+For in his pockets he had stow'd
+Some physic for the sick;
+Anon, "crack" went the bottles all,
+And forma a "mixture" quick.
+
+His hat and wig flew off, but still
+The reins he hugg'd and haul'd;
+And, tho' no cry the huntsmen heard,
+They saw the Doctor--bald!
+
+They loudly laugh'd and cheer'd him on,
+While Spraggs, quite out of breath,
+Still gallopp'd on against his will,
+And came in at the death.
+
+To see the Doctor riding thus
+To sportsmen was a treat,
+And loudly they applauded him--
+(Tho' mounted) on his feat!
+
+MORAL.
+Ye Doctors bold, of this proud land
+Of liberty and--fogs,
+No hunters ride, or you will go
+Like poor Spraggs--to the dogs!
+
+
+
+
+SCENE IX. (b)
+
+
+"Well, Bill, d'ye get any bites over there?" "No, but I'm afeard I shall,
+soon have one."
+
+Two youths, by favour of their sponsors, bearing the aristocratic names
+of William and Joseph, started early one morning duly equipped, on
+piscatorial sport intent.  They trudged gaily forward towards a
+neighbouring river, looking right and left, and around them, as sharp as
+two crows that have scented afar off the carcase of a defunct nag.
+
+At length they arrived at a lofty wall, on the wrong side of which,
+musically meandered the stream they sought.  After a deliberate
+consultation, the valiant William resolved to scale the impediment, and
+cast the line.  Joseph prudently remained on the other side ready to
+catch the fish--his companion should throw to him!  Presently an
+exclamation of "Oh! my!" attracted his attention.
+
+"Have you got a bite?" eagerly demanded Joe.
+
+"No! by gosh! but I think I shall soon!" cried Bill.  Hereupon the
+expectant Joseph mounted, and seating himself upon the wall, beheld to
+his horror, Master Bill keeping a fierce bull-dog at bay with the butt
+end of his fishing-rod.
+
+"Go it, Bill!" exclaimed Joe, "pitch into him and scramble up."
+
+The dog ran at him.--Joe in his agitation fell from his position, while
+Bill threw his rod at the beast, made a desperate leap, and clutched the
+top of the wall with his hands.
+
+"Egad! I've lost my seat," cried Joe, rolling upon the grass.
+
+"And so have I!" roared Bill, scrambling in affright over the wall.
+
+And true it was, that he who had not got a bite before, had got a
+bite--behind!
+
+Bill anathematised the dog, but the ludicrous bereavement he had
+sustained made him laugh, in spite of his teeth!
+
+Joe joined in his merriment.
+
+"What a burning shame it is?" said he; "truly there ought to be breaches
+ready made in these walls, Bill, that one might escape, if not repair
+these damages."
+
+"No matter," replied Bill, shaking his head, "I know the owner--he's a
+Member of Parliament.  Stop till the next election, that's all."
+
+"Why, what has that to do with it?" demanded Joe.
+
+"Do with it," said Bill emphatically, "why, I'll canvass for the opposite
+party, to be sure."
+
+"And what then?"
+
+"Then I shall have the pleasure of serving him as his dog has served me.
+Yes!  Joe, the M. P.  will lose his seat to a dead certainty!"
+
+
+
+
+THE POUTER AND THE DRAGON.
+
+"Another pigeon! egad, I'm in luck's way this morning."
+
+
+Round and red, through the morning fog
+The sun's bright face
+Shone, like some jolly toping dog
+Of Bacchus' race.
+
+When Jenkins, with his gun and cur
+On sport intent,
+Through fields, and meadows, many fur--
+--longs gaily went.
+
+He popp'd at birds both great and small,
+But nothing hit;
+Or if he hit, they wouldn't fall--
+No, not a bit!
+
+"It's wery strange, I do declare;
+I never see!
+I go at sky-larks in the hair
+Or on a tree."
+
+"It's all the same, they fly away
+Has I let fly--
+The birds is frightened, I dare say,
+And vill not die."
+
+"Vhy, here's a go! I hav'nt ramm'd
+In any shot;
+The birds must think I only shamm'd,
+And none have got."
+
+"I'll undeceive 'em quickly now,
+I bet a crown;
+And whether fieldfare, tit, or crow,
+Vill bring 'em down."
+
+And as he spake a pigeon flew
+Across his way--
+Bang went his piece--and Jenkins slew
+The flutt'ring prey.
+
+He bagg'd his game, and onward went,
+When to his view
+Another rose, by fortune sent
+To make up two.
+
+He fired, and beheld it fall
+With inward glee,
+And for a minute 'neath a wall
+Stood gazing he.
+
+When from behind, fierce, heavy blows
+Fell on his hat,
+And knock'd his beaver o'er his nose,
+And laid him flat.
+
+"What for," cried Jenkins, "am I mill'd,
+Sir, like this ere?"
+"You villain, you, why you have kill'd
+My pouter rare."
+
+The sturdy knave who struck him down
+With frown replied:--
+"For which I'll make you pay a crown
+Nor be denied."
+
+Poor Jenkins saw it was in vain
+To bandy words;
+So paid the cash and vow'd, again
+He'd not shoot birds--
+
+At least of that same feather, lest
+For Pouter shot
+Some Dragon fierce should him molest--
+And fled the spot.
+
+
+
+
+THE PIC-NIC.  No. I.
+
+
+A merry holiday party, forming a tolerable boat-load, and well provided
+with baskets of provisions, were rowing along the beautiful and
+picturesque banks that fringe the river's side near Twickenham, eagerly
+looking out for a spot where they might enjoy their "pic-nic" to
+perfection.
+
+"O! uncle, there's a romantic glade;--do let us land there!" exclaimed a
+beautiful girl of eighteen summers, to a respectable old gentleman in a
+broad brimmed beaver and spectacles.
+
+"Just the thing, I declare," replied he--"the very spot--pull away, my
+lads--but dear me" continued he, as they neared the intended
+landing-place, "What have we here?  What says the board?"
+
+"PARTIES ARE NOT, ALLOWED TO
+LAND AND DINE HERE"
+
+Oh! oh! very well; then we'll only land here, and dine a little further
+on"
+
+"What a repulsive board"--cried the young lady--"I declare now I'm quite
+vex'd"--
+
+"Never mind, Julia, we won't be bored by any board"--said the jocose old
+gentleman.
+
+"I'm sure, uncle"--said one of the youths--"we don't require any board,
+for we provide ourselves."
+
+"You're quite right, Master Dickey," said his uncle; "for we only came
+out for a lark, you know, and no lark requires more than a little turf
+for its entertainment; pull close to the bank, and let us land."
+
+"Oh! but suppose," said the timid Julia, "the surly owner should pounce
+upon us, just as we are taking our wine?"
+
+"Why then, my love," replied he, "we have only to abandon our wine, and,
+like sober members of the Temperance Society--take water."
+
+Pulling the wherry close along side the grassy bank, and fastening it
+carefully to the stump of an old tree, the whole party landed.
+
+"How soft and beautiful is the green-sward here," said the romantic
+Julia, indenting the yielding grass with her kid-covered tiny feet; "Does
+not a gentleman of the name of Nimrod sing the pleasure of the Turf?"
+said Emma: "I wonder if he ever felt it as we do?"
+
+"Certainly not," replied Master Dickey, winking at his uncle; "for the
+blades of the Turf he describes, are neither so fresh nor so green as
+these; and the 'stakes' he mentions are rather different from those
+contained in our pigeon-pie."
+
+"But I doubt, Dickey," said his uncle, "if his pen ever described a
+better race than the present company.  The Jenkins's, let me tell you,
+come of a good stock, and sport some of the best blood in the country."
+
+"Beautiful branches of a noble tree," exclaimed Master Dicky, "but,
+uncle, a hard row has made me rather peckish; let us spread the
+provender.  I think there's an honest hand of pork yonder that is right
+worthy of a friendly grasp;--only see if, by a single touch of that
+magical hand, I'm not speedily transformed into a boat."
+
+"What sort of a boat?" cried Julia.  "A cutter, to be sure," replied
+Master Dicky, and laughing he ran off with his male companions to bring
+the provisions ashore.
+
+Meanwhile the uncle and his niece selected a level spot beneath the
+umbrageous trees, and prepared for the unpacking of the edibles.
+
+
+
+
+THE PIC-NIC.  No. II
+
+
+Notwithstanding the proverbial variety of the climate, there is no nation
+under the sun so fond of Pic-Nic parties as the English; and yet how
+seldom are their pleasant dreams of rural repasts in the open air fated
+to be realized!
+
+However snugly they may pack the materials for the feast, the pack
+generally gets shuffled in the carriage, and consequently their promised
+pleasure proves anything but "without mixture without measure."
+
+The jam-tarts are brought to light, and are found to have got a little
+jam too much.  The bottles are cracked before their time, and the liberal
+supplies of pale sherry and old port are turned into a--little current.
+
+They turn out their jar of ghirkins, and find them mixed, and all their
+store in a sad pickle.
+
+The leg of mutton is the only thing that has stood in the general melee.
+
+The plates are all dished, and the dishes only fit for a lunatic asylum,
+being all literally cracked.
+
+Even the knives and forks are found to ride rusty on the occasion. The
+bread is become sop; and they have not even the satisfaction of getting
+salt to their porridge, for that is dissolved into briny tears.
+
+Like the provisions, they find themselves uncomfortably hamper'd; for
+they generally chuse such a very retired spot, that there is nothing to
+be had for love or money in the neighbourhood, for all the shops are as
+distant as--ninety-ninth cousins!
+
+However delightful the scenery may be, it is counterbalanced by the
+prospect of starvation.
+
+Although on the borders of a stream abounding in fish, they have neither
+hook nor line; and even the young gentlemen who sing fail in a catch for
+want of the necessary bait.  Their spirits are naturally damped by their
+disappointment, and their holiday garments by a summer shower; and though
+the ducks of the gentlemen take the water as favourably as possible,
+every white muslin presently assumes the appearance of a drab, and,
+becoming a little limp and dirty, looks as miserable as a lame beggar!
+
+In fine, it is only a donkey or a goose that can reasonably expect to
+obtain a comfortable feed in a field.  It may be very poetical to talk of
+"Nature's table-cloth of emerald verdure;" but depend on it, a damask
+one, spread over that full-grown vegetable--a mahogany table--is far
+preferable.
+
+
+
+
+THE BUMPKIN.
+
+
+Giles was the eldest son and heir of Jeremiah Styles--a cultivator of the
+soil--who, losing his first wife, took unto himself, at the mature age of
+fifty, a second, called by the neighbours, by reason of the narrowness of
+her economy, and the slenderness of her body, Jeremiah's Spare-rib.
+
+Giles was a "'cute" lad, and his appetite soon became, under his
+step-mother's management, as sharp as his wit; and although he
+continually complained of getting nothing but fat, when pork chanced to
+form a portion of her dietary, it was evident to all his acquaintance
+that he really got lean!  His legs, indeed, became so slight, that many
+of his jocose companions amused themselves with striking at them with
+straws as he passed through the farmyard of a morning.
+
+"Whoy, Giles!" remarked one of them, "thee calves ha' gone to grass,
+lad."
+
+"Thee may say that, Jeames," replied Giles; "or d'ye see they did'nt
+find I green enough."
+
+"I do think now, Giles," said James, "that Mother Styles do feed thee on
+nothing, and keeps her cat on the leavings."
+
+"Noa, she don't," said Giles, "for we boath do get what we can catch, and
+nothing more.  Whoy, now, what do you think, Jeames; last Saturday, if
+the old 'ooman did'nt sarve me out a dish o' biled horse-beans--"
+
+"Horse-beans?" cried James; "lack-a-daisy me, and what did you do?"
+
+"Whoy, just what a horse would ha' done, to be sure--"
+
+"Eat 'em?"
+
+"Noa--I kicked, and said 'Nay,' and so the old 'ooman put herself into a
+woundy passion wi' I.  'Not make a dinner of horsebeans, you dainty
+dog,' says she; 'I wish you may never have a worse.'--'Noa, mother,' says
+I, 'I hope I never shall.'  And she did put herself into such a tantrum,
+to be sure--so I bolted; whereby, d'ye see, I saved my bacon, and the old
+'ooman her beans.  But it won't do.  Jeames, I've a notion I shall go a
+recruit, and them I'm thinking I shall get into a reg'lar mess, and get
+shut of a reg'lar row."
+
+"Dang it, it's too bad!" said the sympathising James; "and when do thee
+go?"
+
+"Next March, to be sure," replied Giles, with a spirit which was natural
+to him--indeed, as to any artificial spirit, it was really foreign to his
+lips.
+
+"But thee are such a scare-crow, Giles," said James; "thee are thin as a
+weasel."
+
+"My drumsticks," answered he, smiling, "may recommend me to the
+band--mayhap--for I do think they'll beat anything."
+
+"I don't like sogering neither," said James, thoughtfully.  "Suppose the
+French make a hole in thee with a bagnet--"
+
+"Whoy, then, I shall be 'sewed up,' thee know."
+
+"That's mighty foine," replied James, shaking his head; "but I'd rather
+not, thank'ye."
+
+"Oh! Jeames, a mother-in-law's a greater bore than a bagnet, depend on't;
+and it's my mind, it's better to die in a trench than afore an empty
+trencher--I'll list"
+
+And with this unalterable determination, the half-starved, though still
+merry Giles, quitted his companion; and the following month, in pursuance
+of the resolve he had made, he enlisted in his Majesty's service.
+Fortunately for the youth, he received more billets than bullets, and
+consequently grew out of knowledge, although he obtained a world of
+information in his travels; and, at the expiration of the war, returned
+to his native village covered with laurels, and in the Joyment of the
+half-pay of a corporal, to which rank he had been promoted in consequence
+of his meritorious conduct in the Peninsula.  His father was still
+living, but his step-nother was lying quietly in the church-yard.
+
+"I hope, father," said the affectionate Giles, "that thee saw her buried
+in a deep grave, and laid a stone a-top of her?"
+
+"I did, my son."
+
+"Then I am happy," replied Giles.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sketches of Seymour (Illustrated),
+Part 3., by Robert Seymour
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+***** This file should be named 5647-0.txt or 5647-0.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/5/6/4/5647/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
\ No newline at end of file
diff --git a/5647-0.zip b/5647-0.zip
new file mode 100644
index 0000000..c320f69
--- /dev/null
+++ b/5647-0.zip
diff --git a/5647-h.zip b/5647-h.zip
new file mode 100644
index 0000000..330c4c0
--- /dev/null
+++ b/5647-h.zip
diff --git a/5647-h/5647-h.htm b/5647-h/5647-h.htm
new file mode 100644
index 0000000..95810fd
--- /dev/null
+++ b/5647-h/5647-h.htm
@@ -0,0 +1,1548 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>The Project Gutenberg eBook of The Sketches of Seymour (Illustrated), Part 3., by Robert Seymour</title>
+<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
+<link rel="coverpage" href="images/cover.jpg">
+<style type="text/css">
+
+body {background:#faebd7; margin:10%; text-align:justify}
+
+    P { text-indent:   1em;
+        margin-top:    .75em;
+        margin-bottom: .75em; }
+
+    H1,H2,H3,H4,H5,H6 { text-align: center; }
+
+    HR  { width: 33%; text-align: center; }
+
+		blockquote {font-size: 97% }
+
+    CENTER { padding: 10px;}
+
+</style>
+
+</head>
+<body>
+
+<pre>
+
+The Project Gutenberg EBook of The Sketches of Seymour (Illustrated), Part
+3., by Robert Seymour
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sketches of Seymour (Illustrated), Part 3.
+
+Author: Robert Seymour
+
+Release Date: July 12, 2004 [EBook #5647]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+<h1>SKETCHES BY SEYMOUR</h1>
+
+<h2>PART THREE</h2>
+<br><br><br><br>
+
+<center><img alt="Bookcover.jpg (202K)" src="images/cover.jpg" height="804" width="653">
+</center>
+<br><br><br><br>
+
+<center><img alt="Spineangled.jpg (88K)" src="images/Spineangled.jpg" height="1229" width="648">
+</center><br><br><br><br>
+
+<center><img alt="Titlepage.jpg (43K)" src="images/Titlepage.jpg" height="919" width="630">
+</center>
+<br><br><br><br>
+
+<center><img alt="Title2.jpg (94K)" src="images/Title2.jpg" height="1098" width="656">
+</center>
+<br><br><br><br>
+
+<blockquote><blockquote>
+EBOOK EDITOR'S INTRODUCTION:<br><br>
+
+"Sketches by Seymour" was published in various versions about 1836.
+The copy used for this PG edition has no date and was published by Thomas Fry, London.
+Some of the 90 plates note only Seymour's name, many are inscribed "Engravings by
+H. Wallis from sketches by Seymour."  The printed book appears to be a compilation of five
+smaller volumes.  From the confused chapter titles the reader may well suspect the printer
+mixed up the order of the chapters.  The complete book in this
+digital edition is split into five smaller volumes—the individual volumes
+are of more manageable size than the 7mb complete version.<br><br>
+
+The importance of this collection is in the engravings.
+The text is often mundane, is full of conundrums and puns
+popular in the early 1800's—and is mercifully short.  No author is
+given credit for the text though the section titled, "The Autobiography
+of Andrew Mullins" may give us at least his pen-name.<br><br>
+                                                        DW<br>
+</blockquote></blockquote>
+
+<br><br><br><br>
+
+<h2>CONTENTS:</h2>
+
+<h3>MISCELLANEOUS.</h3>
+
+<center>
+
+<table summary="">
+
+<tr>
+<td>PLATE I.</td><td><a href="#illus01">THE JOLLY ANGLERS.</a></td>
+</tr>
+
+<tr>
+<td>PLATE II.</td><td><a href="#illus02">THE BILL-STICKER.</a></td>
+</tr>
+
+<tr>
+<td>PLATE III.</td><td><a href="#illus03">OLD FOOZLE.</a></td>
+</tr>
+
+<tr>
+<td>PLATE IV.</td><td><a href="#illus04">THE "CRACK-SHOTS." No. I.</a></td>
+</tr>
+
+<tr>
+<td>PLATE V.</td><td><a href="#illus05">THE "CRACK-SHOTS."  No. II.</a></td>
+</tr>
+
+<tr>
+<td>PLATE VI.</td><td><a href="#illus06">THE "CRACK-SHOTS." No. III.</a></td>
+</tr>
+
+<tr>
+<td>PLATE VII.</td><td><a href="#illus07">DOCTOR SPRAGGS.</a></td>
+</tr>
+
+<tr>
+<td>PLATE VIII.</td><td><a href="#illus08">[SCENE IX.(b)] Well, Bill, d'ye get any bites?</a></td>
+</tr>
+
+<tr>
+<td>PLATE IX.</td><td><a href="#illus09">THE POUTER AND THE DRAGON.</a></td>
+</tr>
+
+<tr>
+<td>PLATE X.</td><td><a href="#illus10">THE PIC-NIC.  No. I.</a></td>
+</tr>
+
+<tr>
+<td>PLATE XI.</td><td><a href="#illus11">THE PIC-NIC.  No. II.</a></td>
+</tr>
+
+<tr>
+<td>PLATE XII.</td><td><a href="#illus12">THE BUMPKIN.</a></td>
+</tr>
+
+</table>
+</center>
+
+<h2>THE JOLLY ANGLERS.</h2>
+<br><br>
+
+<center><a name="illus01"></a><img alt="Odd1 Jolly Anglers.jpg (83K)" src="images/Odd1JollyAnglers.jpg" height="924" width="650">
+</center>
+<br><br><br><br>
+
+<p>On a grassy bank, beside a meandering stream, sat two gentlemen
+averaging forty years of age.  The day was sultry, and, weary of casting
+their lines without effect, they had stuck their rods in the bank, and
+sought, in a well-filled basket of provisions and copious libations of
+bottled porter, to dissipate their disappointment.
+</p>
+
+<p>"Ain't this jolly? and don't you like a day's fishing, Sam?"</p>
+
+<p>"O! werry much, werry much," emphatically replied his friend, taking
+his pipe from his mouth.</p>
+
+<p>"Ah!  but some people don't know how to go a-fishinq, Sam; they are
+such fools."</p>
+
+<p>"That's a werry good remark o' your'n," observed Sam; "I daresay as
+how hangling is werry delightful vhen the fishes vill bite; but vhen they
+von't, vhy they von't, and vot's the use o' complaining.  Hangling is
+just like writing: for instance—you begins vith, 'I sends you this 'ere
+line hoping,' and they don't nibble; vell! that's just the same as not
+hanswering; and, as I takes it, there the correspondence ends!"</p>
+
+<p>"Exactly; I'm quite o' your opinion," replied his companion, tossing
+off a bumper of Barclay's best; "I say, Sammy, we mustn't empty t'other
+bottle tho'."</p>
+
+<p>"Vhy not?"</p>
+
+<p>"Cos, do you see, I'm just thinking ve shall vant a little porter to
+carry us home: for, by Jingo!  I don't think as how either of us can
+toddle—that is respectably!"</p>
+
+<p>"Nonsense!  I'd hundertake to walk as straight as a harrow; on'y, I
+must confess, I should like to have a snooze a'ter my pipe; I'm used to
+it, d'ye see, and look for it as nat'rally as a babby does."</p>
+
+<p>"Vell, but take t'other glass for a nightcap; for you know, Sammy, if
+you sleep vithout, you may catch cold: and, vhatever you do, don't snore,
+or you'll frighten the fish."</p>
+
+<p>"Naughty fish!" replied Sammy, "they know they're naughty too, or else
+they voud'nt be so afear'd o' the rod!—here's your health;" and he
+tossed off the proffered bumper.</p>
+
+<p>"Excuse me a-rising to return thanks,"  replied his friend, grasping
+Sammy's hand, and looking at him with that fixed and glassy gaze which
+indicates the happy state of inebriety, termed maudlin; "I know you're a
+sincere friend, and there ain't nobody as I value more: man and boy have
+I knowed you; you're unchanged! you're the same!! there ain't no
+difference!!!  and I hope you may live many years to go a-fishing, and I
+may live to see it, Sammy.  Yes, old boy, this here's one of them days
+that won't be forgotten: it's engraved on my memory deep as the words on
+a tombstone, 'Here he lies!  Here he lies!'" he repeated with a hiccup,
+and rolled at full length across his dear friend.</p>
+
+<p>Sammy, nearly as much overcome as his friend, lifted up his head, and
+sticking his hat upon it, knocked it over his eyes, and left him to
+repose; and, placing his own back against an accommodating tree, he
+dropped his pipe, and then followed the example of his companion.</p>
+
+<p>After a few hours deep slumber, they awoke.  The sun had gone down,
+and evening had already drawn her star-bespangled mantle over the scene
+of their festive sport.</p>
+
+<p>Arousing themselves, they sought for their rods, and the remnants of
+their provisions, but they were all gone.</p>
+
+<p>"My hey! Sammy, if somebody bas'nt taken advantage of us.  My watch
+too has gone, I declare."</p>
+
+<p>"And so's mine!" exclaimed Sammy, feeling his empty fob.  "Vell, if
+this ain't a go, never trust me."</p>
+
+<p>"I tell you vot it is, Sammy; some clever hartist or another has seen
+us sleeping, like the babes in the wood, and has drawn us at full
+length!"</p>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE BILL-STICKER.</h2>
+<br><br>
+
+<center><a name="illus02"></a><img alt="Odd2 Bill Sticker.jpg (68K)" src="images/Odd2BillSticker.jpg" height="972" width="652">
+</center>
+<br><br><br><br>
+
+<p>What a mysterious being is the bill-sticker!  How seldom does he make
+himself visible to the eyes of the people.  Nay, I verily believe there
+are thousands in this great metropolis that never saw a specimen.  We see
+the effect, but think not of the cause.</p>
+
+<p>He must work at his vocation either at night or at early dawn, before
+the world is stirring.</p>
+
+<p>That he is an industrious being, and sticks to business, there cannot
+be the shadow of a doubt, for every dead-wall is made lively by his
+operations, and every hoard a fund of information—in such type, too,
+that he who runs may read.  What an indefatigable observer he must be;
+for there is scarcely a brick or board in city or suburb, however newly
+erected, in highway or byeway, but is speedily adorned by his
+handiwork—aye, and frequently too in defiance of the threatening—"BILL-STICKERS,
+BEWARE!"—staring him in the face.  Like nature, he appears to abhor a
+vacuum.  When we behold the gigantic size of some of the modern arches,
+we are almost led to suppose that the bill-sticker carries about his
+placards in a four-wheeled waggon, and that his paste-pot is a huge
+cauldron!  How he contrives to paste and stick such an enormous sheet
+so neatly against the rugged side of a house, is really astonishing.
+Whether three or four stories high, the same precision is remarkable.  We
+cannot but wonder at the dexterity of his practised hand: The union is as
+perfect as if Dan Hymen, the saffron-robed Joiner, had personally
+superintended the performance.</p>
+
+<p>The wind is perhaps the only real enemy he has to fear.  How his heart
+and his flimsy paper must flutter in the unruly gusts of a March wind!
+We only imagine him pasting up a "Sale of Horses," in a retired nook, and
+seeing his bill carried away on an eddy!</p>
+
+<p>We once had the good fortune to witness a gusty freak of this kind.
+The bill-sticker had affixed a bill upon the hooks of his stick,
+displaying in prominent large characters—"SALE BY AUCTION—Mr. GEO.
+ROBINS—Capital Investment,"—and so forth, when a sudden whirlwind took
+the bill off the hooks, before it was stuck, and fairly enveloped the
+countenance of a dandy gentleman who happened at the moment to be turning
+the corner.</p>
+
+<p>Such a "Capital Investment" was certainly ludicrous in the extreme.</p>
+
+<p>The poor bill-sticker was rather alarmed, for he had never stuck a
+bill before on any front that was occupied.</p>
+
+<p>He peeled the gentleman as quickly as possible, and stammered out an
+apology.  The sufferer, however, swore he would prefer a bill against him
+at the ensuing sessions.  Whether his threat was carried into execution,
+or he was satisfied with the damages already received, we know not.</p>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>OLD FOOZLE.</h2>
+<br><br>
+
+
+<center><a name="illus03"></a><img alt="Odd3 Old Foozel.jpg (73K)" src="images/Odd3OldFoozel.jpg" height="816" width="650">
+</center>
+<br><br><br><br>
+
+
+<p>There is a certain period of life beyond which the plastic mind of man
+becomes incapable of acquiring any new impressions.  He merely elaborates
+and displays the stores he has garnered up in his youth.  There are
+indeed some rare exceptions to the rule; but few, very few, can learn a
+language after the age of forty.  'Tis true that Cowper did not commence
+the composition of his delightful poems till he had attained that age;
+but then it must be remembered that he had previously passed a life of
+study and preparation, and that he merely gave the honey to the world
+which he had hived in his youth, bringing to the task a mind polished and
+matured by judgment and experience.  But, generally speaking, we rather
+expect reason than rhyme from an elderly gentleman; and when the reverse
+is the case, the pursuit fits them as ridiculously as would a humming-top
+or a hoop.  Yet there are many who, having passed a life in the sole
+occupation of making money—the most unpoetical of all avocations—that
+in their retirement entertain themselves with such fantastic pranks and
+antics, as only serve to amuse the lookers-on.  A retired tradesman, it
+is true, may chase ennui and the 'taedium vitae,' by digging and planting
+in his kitchen-garden, or try his hand at rearing tulips and hyacinths;
+but if he vainly attempt any other art, or dabble in light literature or
+heavy philosophy, he is lost.  Old Foozle was one of those who, having
+accumulated wealth, retire with their housekeepers to spend the remnant
+of their days in some suburban retreat, the monotony of whose life is
+varied by monthly trips to town to bring tea and grocery, or purchase
+some infallible remedy for their own gout, or their housekeeper's
+rheumatism.  Unfortunately for his peace, Old Foozle accidentally dipped
+into a tattered tome of "Walton's Complete Angler;" and the vivid
+description of piscatorial pleasures therein set forth so won upon his
+mind, that he forthwith resolved to taste them.  In vain were the
+remonstrances of his nurse, friend, and factotum.  The experiment must be
+tried.  Having more money than wit to spare, he presently supplied
+himself with reels and rods and tackle, landing-nets and gentle-boxes,
+and all the other necessary paraphernalia of the art.</p>
+
+<p>Donning his best wig and spectacles, he sallied forth, defended from
+the weather by a short Spencer buttoned round his loins, and a pair of
+double-soled shoes and short gaiters.  So eager was he to commence, that
+he no sooner espied a piece of water, than, with trembling hands, he put
+his rod together, and displayed his nets, laying his basket, gaping for
+the finny prey, on the margin of the placid waters.  With eager gaze he
+watched his newly-varnished and many-coloured float, expecting
+every-moment to behold it sink, the inviting bait being prepared 'secundum
+artem.'  He had certainly time for reflection, for his float had been
+cast at least an hour, and still remained stationary; from which he
+wisely augured that he was most certainly neither fishing in a running
+stream nor in troubled waters.</p>
+
+<p>Presently a ragged urchin came sauntering along, and very leisurely
+seated himself upon a bank near the devoted angler.  Curiosity is natural
+to youth, thought Foozle—how I shall make the lad wonder when I pull out
+a wriggling fish!</p>
+
+<p>But still another weary hour passed, and the old gentleman's arms and
+loins began to ache from the novel and constrained posture in which he
+stood.  He grew nervous and uneasy at the want of sport; and thinking
+that perhaps the little fellow was acquainted with the locality, he
+turned towards him, saying, in the blandest but still most indifferent
+tone he could assume, lest he should compromise his dignity by exposing
+his ignorance—</p>
+
+<p>"I say, Jack, are there any fish in this pond?"</p>
+
+<p>"There may be, sir," replied the boy, pulling his ragged forelock most
+deferentially, for Old Foozle had an awful churchwarden-like appearance;
+"there may be, but I should think they were weary small, 'cause there vos
+no vater in this here pond afore that there rain yesterday."</p>
+
+<p>The sallow cheeks of the old angler were tinged with a ruddy glow,
+called up by the consciousness of his ridiculous position.  Taking a
+penny from his pocket, he bade the boy go buy some cakes: and no sooner
+had he gallopped off, than the disappointed Waltonian hastily packed up
+his tackle, and turned his steps homeward; and this was the first and
+last essay of Old Foozle.</p>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE "CRACK-SHOTS." No. I.</h2>
+<br><br>
+
+<center><a name="illus04"></a><img alt="Odd4 Crack Shots 1.jpg (76K)" src="images/Odd4CrackShots1.jpg" height="912" width="646">
+</center>
+<br><br><br><br>
+
+
+<p>A club, under the imposing style of the "Crack-Shots," met every
+Wednesday evening, during the season, at a house of public entertainment
+in the salubrious suburbs of London, known by the classical sign of the
+"Magpye and Stump."  Besides a trim garden and a small close-shaven
+grass-plat in the rear (where elderly gentlemen found a cure for 'taedium
+vitae' and the rheumatism in a social game of bowls), there was a meadow
+of about five or six acres, wherein a target was erected for the especial
+benefit of the members of this celebrated club; we say celebrated,
+because, of all clubs that ever made a noise in the world, this bore away
+the palm-according to the reports in the neighbourhood.  Emulation
+naturally caused excitement, and the extraordinary deeds they performed
+under its influence we should never have credited, had we not received
+the veracious testimony of—the members themselves.</p>
+
+<p>After the trials of skill, they generally spent the evenings together.</p>
+
+<p>Jack Saggers was the hero of the party; or perhaps he might be more
+appropriately termed the "great gun," and was invariably voted to the
+chair.  He made speeches, which went off admirably; and he perpetrated
+puns which, like his Joe Manton, never missed fire, being unanimously
+voted admirable hits by the joyous assembly.</p>
+
+<p>Their pleasures and their conversation might truly be said to be of a
+piece.</p>
+
+<p>"Gentlemen"—said Jack, one evening rising upon his legs—"Do me the
+favour to charge.  Are you all primed and loaded?  I am about to propose
+the health of a gentleman, who is not only an honour to society at large,
+but to the 'Crack-Shots' in particular.  Gentlemen, the mere mention of
+the name of Brother Sniggs—(hear! hear!)—I know will call forth a
+volley!—(Hear! hear!)  Gentlemen, I give you the health of Brother
+Sniggs! make ready, present and fire!"</p>
+
+<p>Up went the glasses, and down went the liquor in a trice, followed by
+three times three, Jack Saggers giving the time, and acting as
+"fugle-man."</p>
+
+<p>Sniggs, nervously fingering his tumbler of "half and half," as if he
+wanted the spirit to begin, hemmed audibly, and</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+            "Having three times shook his head
+<br>           To stir his wit, thus he said,"
+
+
+
+</td></tr>
+</table>
+</center>
+
+<p>"Gentlemen, I don't know how it is, but somehows the more a man has to
+say, the more he can't!  I feel, for all the world, like a gun rammed
+tight and loaded to the muzzle, but without flint or priming——"</p>
+
+<p>"Prime!" exclaimed Jack Saggers; and there was a general titter, and
+then he continued; "as we cannot let you off Sniggs, you most go on, you
+know."</p>
+
+<p>"Gentlemen," resumed Sniggs, "I feel indeed so overloaded by the
+honors you have conferred on me, that I cannot find words to express my
+gratitude.  I can only thank you, and express my sincere wish that your
+shots may always tell."</p>
+
+<p>And he sat down amidst unbounded applause.  "By no means a-miss!"
+cried Jack Saggers.</p>
+
+<p>"A joke of mine, when I knocked down a bird the other morning," said
+Sniggs: "you must know I was out early, and had just brought down my
+bird, when leaping into the adjoining field to pick it up, a
+bird-catcher, who had spread his nets on the dewy grass, walked right up to
+me."</p>
+
+<p>"I've a visper for you, Sir," says he, as cool as a cucumber; "I don't
+vish to be imperlite, but next time you shoots a bird vot I've brought to
+my call, I'll shoot you into a clay-pit, that's all!"</p>
+
+<p>"And pray what did you say, Sniggs?" asked Jack Saggers.</p>
+
+<p>"Say?—nothing!  but I looked unutterable things, and—shouldering my
+piece—walked off!"</p>
+
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE "CRACK-SHOTS." No. II.</h2>
+<br><br>
+
+
+<center><a name="illus05"></a><img alt="Odd5 Crack Shots 2.jpg (77K)" src="images/Odd5CrackShots2.jpg" height="1005" width="645">
+</center>
+<br><br><br><br>
+
+<p>"Sniggs's rencontre with the bird-catcher reminds me of Tom Swivel's
+meeting with the Doctor," observed Smart.</p>
+
+<p>"Make a report," cried Jack Saggers.</p>
+
+<p>"Well, you must know, that I had lent him my piece for a day's
+shooting; and just as he was sauntering along by a dead wall near
+Hampstead, looking both ways at once for a quarry (for he has a
+particular squint), a stout gentleman in respectable black, and topped by
+a shovel-hat, happened to be coming in the opposite direction.  With an
+expression of terror, the old gentleman drew himself up against the
+unyielding bricks, and authoritatively extending his walking-stick,
+addressed our sportsman in an angry tone, saying: 'How dare you carry a
+loaded gun pointed at people's viscera, you booby?'  Now Tom is a booby,
+and no mistake, and so dropping his under jaw and staring at the
+reverend, he answered: 'I don't know vot you mean by a wiserar.  I never
+shot a wiserar!'"</p>
+
+<p>"Devilish good!" exclaimed Saggers; and, as a matter of course,
+everybody laughed.</p>
+
+<p>Passing about the bottle, the club now became hilarious and noisy;
+when the hammer of the president rapped them to order, and knocked down
+Sniggs for a song, who, after humming over the tune to himself, struck up
+the following:</p>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<br>                 CHAUNT
+
+<br>When the snow's on the ground and the trees are all bare,
+<br>And rivers and gutters are turned into ice,
+<br>The sportsman goes forth to shoot rabbit or hare,
+<br>And gives them a taste of his skill in a trice.
+<br>Bang! bang! goes his Joe,
+<br>And the bird's fall like snow,
+<br>And he bags all he kills in a trice.
+<br>
+<br>                CHORUS.
+<br>Bang! bang! goes his Joe,
+<br>And the bird's fall like snow,
+<br>And he bags all he kills in a trice.
+<br>
+<br>                II.
+<br>If he puts up a partridge or pheasant or duck,
+<br>He marks him, and wings him, and brings him to earth;
+<br>He let's nothing fly—but his piece—and good luck
+<br>His bag fills with game and his bosom with mirth.
+<br>
+<br><p>Bang! bang! goes his Joe,
+<br>And the bird's fall like snow,
+<br>And good sport fills his bosom with mirth.
+<br>
+<br>                CHORUS.
+<br>Bang! bang! et. etc.
+<br>
+<br>                III.
+<br>When at night he unbends and encounters his pals,
+<br>How delighted he boasts of the sport he has had;
+<br>While a kind of round game's on the board, and gals
+<br>Are toasted in bumpers by every lad.
+<br>And Jack, Jim, and Joe
+<br>Give the maid chaste as snow
+<br>That is true as a shot to her lad!
+<br>
+<br>CHORUS.
+<br>And Jack, Jim and Joe
+<br>Give the maid chaste as snow
+<br>That is true as a shot to her lad!
+<br>
+
+</td></tr>
+</table>
+</center>
+
+
+<p>The customary applause having followed this vocal attempt of Sniggs,
+he was asked for a toast or a sentiment.</p>
+
+<p>"Here's—'May the charitable man never know the want of—'shot.'" said
+Sniggs.</p>
+
+<p>"Excellent!" exclaimed Saggers, approvingly; "By Jupiter Tonans,
+Sniggs, you're a true son of—a gun!"</p>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE "CRACK-SHOTS."—No. III.</h2>
+<br><br>
+
+<center><a name="illus06"></a><img alt="Odd6 Crack Shots 3.jpg (94K)" src="images/Odd6CrackShots3.jpg" height="899" width="647">
+</center>
+<br><br><br><br>
+
+<p>"Sich a lark!" said Bill Sorrel, breaking abruptly in upon the noisy
+chorus, miscalled a general conversation; "sich a lark!"</p>
+
+<p>"Where?" demanded Saggers.</p>
+
+<p>"You've jist hit it," replied Sorrel, "for it vere worry near 'Vare
+vhere it happened.  I'd gone hout hearly, you know, and had jist cotched
+sight of a bird a-vistling on a twig, and puttered the vords, 'I'll spile
+your singin', my tight 'un,' and levelled of my gun, ven a helderly
+gentleman, on t'other side of the bank vich vos atween me and the bird,
+pops up his powdered noddle in a jiffy, and goggling at me vith all his
+eyes, bawls pout in a tantivy of a fright, 'You need'nt be afear'd, sir,'
+says I, 'I aint a-haiming at you,' and vith that I pulls my trigger-bang!
+Vell, I lost my dicky! and ven I looks for the old 'un, by Jingo!  I'd
+lost him too.  So I mounts the bank vere he sot, but he vas'nt there; so
+I looks about, and hobserves a dry ditch at the foot, and cocking my eye
+along it, vhy, I'm blessed, if I did'nt see the old fellow a-scampering
+along as fast as his legs could carry him.  Did'nt I laugh, ready to
+split—that's all!"</p>
+
+<p>"I tell you what, Sorrel," said the president, with mock gravity, "I
+consider the whole affair, however ridiculous, most immoral and
+reprehensible.  What, shall a crack-shot make a target of an elder?
+Never!  Let us seek more appropriate butts for our barrels!  You may
+perhaps look upon the whole as a piece of pleasantry but let me tell you
+that you ran a narrow chance of being indicted for a breach of the peace!
+And remember, that even shooting a deer may not prove so dear a shot as
+bringing down an old buck!"</p>
+
+<p>This humorous reproof was applauded by a "bravo!" from the whole club.</p>
+
+<p>Sorrel sang—small, and Sniggs sang another sporting ditty.</p>
+
+<p>"Our next meeting," resumed Saggers, "is on Thursday next when the
+pigeon-match takes place for a silver-cup—the 'Crack Shots' against the
+'Oriental Club.' I think we shall give them I taste of our quality,'
+although we do not intend that they shall lick us.  The silver-cup is
+their own proposal.  The contest being a pigeon-match, I humbly proposed,
+as an amendment, that the prize should be a tumbler—which I lost by a
+minority of three.  In returning thanks, I took occasion to allude to
+their rejection of my proposition, and ironically thanked them for having
+cut my tumbler."</p>
+
+<p>"Werry good!" shouted Sorrel.</p>
+
+<p>"Admirable!" exclaimed Sniggs; and, rising with due solemnity, he
+proposed the health of the "worthy president," prefacing his speech with
+the modest avowal of his inability to do what he still persisted in doing
+and did.</p>
+
+<p>"Brother Shots!" said Saggers, after the usual honours had been duly
+performed, "I am so unaccustomed to speaking (a laugh), that I rise with
+a feeling of timidity to thank you for the distinguished honour you have
+conferred on me.  Praise, like wine, elevates a man, but it likewise
+thickens and obstructs his speech; therefore, without attempting any
+rhetorical flourish, I will simply say, I sincerely thank you all for the
+very handsome manner in which you have responded to the friendly wishes
+of Brother Sniggs; and, now as the hour of midnight is at hand, I bid you
+farewell.  It is indeed difficult to part from such good company; but,
+although it is morally impossible there ever can be a division among such
+cordial friends, both drunk and sober may at least separate—in
+spirits,—and I trust we shall all meet again in health—Farewell!"</p>
+
+
+
+
+<br><br><br><br><br><br>
+
+<h2>DOCTOR SPRAGGS.</h2>
+<br><br>
+
+
+<center><a name="illus07"></a><img alt="Odd7 Doctor Spraggs.jpg (66K)" src="images/Odd7DoctorSpraggs.jpg" height="939" width="649">
+</center>
+<br><br><br>
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<br>Old Doctor Spraggs! famed Doctor Spraggs!
+<br>Was both well fee'd and fed,
+<br>And, tho' no soldier, Doctor Spraggs
+<br>Had for his country-bled.
+<br>
+<br>His patients living far and wide
+<br>He was compell'd to buy
+<br>A horse; and found no trouble, for
+<br>He'd got one in his eye!
+<br>
+<br>He was a tall and bony steed
+<br>And warranted to trot,
+<br>And so he bought the trotter, and
+<br>Of course four trotters got.
+<br>
+<br>Quoth he: "In sunshine quick he bounds
+<br>"Across the verdant plain,
+<br>"And, e'en when showers fall, he proves
+<br>"He—doesn't mind the rain!"
+<br>
+<br>But, oh! one morn, when Doctor Spraggs
+<br>Was trotting on his way,
+<br>A field of sportsmen came in view,
+<br>And made his courser neigh.
+<br>
+<br>"Nay! you may neigh," quoth Doctor Spraggs,
+<br>"But run not, I declare
+<br>"I did not come to chase the fox,
+<br>"I came to take the—air!
+<br>
+<br>But all in vain he tugg'd the rein,
+<br>The steed would not be stay'd;
+<br>The "Doctor's stuff" was shaken, and
+<br>A tune the vials play'd.
+<br>
+<br>For in his pockets he had stow'd
+<br>Some physic for the sick;
+<br>Anon, "crack" went the bottles all,
+<br>And forma a "mixture" quick.
+<br>
+<br>His hat and wig flew off, but still
+<br>The reins he hugg'd and haul'd;
+<br>And, tho' no cry the huntsmen heard,
+<br>They saw the Doctor—bald!
+<br>
+<br>They loudly laugh'd and cheer'd him on,
+<br>While Spraggs, quite out of breath,
+<br>Still gallopp'd on against his will,
+<br>And came in at the death.
+<br>
+<br>To see the Doctor riding thus
+<br>To sportsmen was a treat,
+<br>And loudly they applauded him—
+<br>(Tho' mounted) on his feat!
+<br>
+<br>MORAL.
+<br>Ye Doctors bold, of this proud land
+<br>Of liberty and—fogs,
+<br>No hunters ride, or you will go
+<br>Like poor Spraggs—to the dogs!
+<br>
+
+
+</td></tr>
+</table>
+</center>
+
+
+
+
+<br><br><br><br><br><br>
+
+<h2>SCENE IX. (b)</h2>
+<br><br>
+
+<center><a name="illus08"></a><img alt="Odd8 Scene9b.jpg (70K)" src="images/Odd8Scene9b.jpg" height="1155" width="677">
+</center>
+<br><br><br><br>
+
+<p>"Well, Bill, d'ye get any bites over there?"
+"No, but I'm afeard I shall, soon have one."</p>
+
+<p>
+Two youths, by favour of their sponsors, bearing the aristocratic names
+of William and Joseph, started early one morning duly equipped, on
+piscatorial sport intent.  They trudged gaily forward towards a
+neighbouring river, looking right and left, and around them, as sharp as
+two crows that have scented afar off the carcase of a defunct nag.</p>
+
+<p>At length they arrived at a lofty wall, on the wrong side of which,
+musically meandered the stream they sought.  After a deliberate
+consultation, the valiant William resolved to scale the impediment, and
+cast the line.  Joseph prudently remained on the other side ready to
+catch the fish—his companion should throw to him!  Presently an
+exclamation of "Oh! my!" attracted his attention.</p>
+
+<p>"Have you got a bite?" eagerly demanded Joe.</p>
+
+<p>"No! by gosh! but I think I shall soon!" cried Bill.  Hereupon the
+expectant Joseph mounted, and seating himself upon the wall, beheld to
+his horror, Master Bill keeping a fierce bull-dog at bay with the butt
+end of his fishing-rod.</p>
+
+<p>"Go it, Bill!" exclaimed Joe, "pitch into him and scramble up."</p>
+
+<p>The dog ran at him.—Joe in his agitation fell from his position,
+while Bill threw his rod at the beast, made a desperate leap, and
+clutched the top of the wall with his hands.</p>
+
+<p>"Egad! I've lost my seat," cried Joe, rolling upon the grass.</p>
+
+<p>"And so have I!" roared Bill, scrambling in affright over the wall.</p>
+
+<p>And true it was, that he who had not got a bite before, had got a
+bite—behind!</p>
+
+<p>Bill anathematised the dog, but the ludicrous bereavement he had
+sustained made him laugh, in spite of his teeth!</p>
+
+<p>Joe joined in his merriment.</p>
+
+<p>"What a burning shame it is?" said he; "truly there ought to be
+breaches ready made in these walls, Bill, that one might escape, if not
+repair these damages."</p>
+
+<p>"No matter," replied Bill, shaking his head, "I know the owner—he's a
+Member of Parliament.  Stop till the next election, that's all."</p>
+
+<p>"Why, what has that to do with it?" demanded Joe.</p>
+
+<p>"Do with it," said Bill emphatically, "why, I'll canvass for the
+opposite party, to be sure."</p>
+
+<p>"And what then?"</p>
+
+<p>"Then I shall have the pleasure of serving him as his dog has served
+me.  Yes!  Joe, the M. P.  will lose his seat to a dead certainty!"</p>
+
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE POUTER AND THE DRAGON.</h2>
+<br><br>
+
+<blockquote><blockquote>
+<p><i>"Another pigeon! egad, I'm in luck's way this morning."</i></p>
+</blockquote></blockquote>
+<br><br>
+
+<center><a name="illus09"></a><img alt="Odd9 Pouter.jpg (77K)" src="images/Odd9Pouter.jpg" height="1051" width="609">
+</center>
+<br><br><br><br>
+
+
+
+<center>
+<table summary="">
+<tr><td>
+
+
+<br>Round and red, through the morning fog
+<br>The sun's bright face
+<br>Shone, like some jolly toping dog
+<br>Of Bacchus' race.
+<br>
+<br>When Jenkins, with his gun and cur
+<br>On sport intent,
+<br>Through fields, and meadows, many fur—
+<br>—longs gaily went.
+<br>
+<br>He popp'd at birds both great and small,
+<br>But nothing hit;
+<br>Or if he hit, they wouldn't fall—
+<br>No, not a bit!
+<br>
+<br>"It's wery strange, I do declare;
+<br>I never see!
+<br>I go at sky-larks in the hair
+<br>Or on a tree."
+<br>
+<br>"It's all the same, they fly away
+<br>Has I let fly—
+<br>The birds is frightened, I dare say,
+<br>And vill not die."
+<br>
+<br>"Vhy, here's a go! I hav'nt ramm'd
+<br>In any shot;
+<br>The birds must think I only shamm'd,
+<br>And none have got."
+<br>
+<br>"I'll undeceive 'em quickly now,
+<br>I bet a crown;
+<br>And whether fieldfare, tit, or crow,
+<br>Vill bring 'em down."
+<br>
+<br>And as he spake a pigeon flew
+<br>Across his way—
+<br>Bang went his piece—and Jenkins slew
+<br>The flutt'ring prey.
+<br>
+<br>He bagg'd his game, and onward went,
+<br>When to his view
+<br>Another rose, by fortune sent
+<br>To make up two.
+<br>
+<br>He fired, and beheld it fall
+<br>With inward glee,
+<br>And for a minute 'neath a wall
+<br>Stood gazing he.
+<br>
+<br>When from behind, fierce, heavy blows
+<br>Fell on his hat,
+<br>And knock'd his beaver o'er his nose,
+<br>And laid him flat.
+<br>
+<br>"What for," cried Jenkins, "am I mill'd,
+<br>Sir, like this ere?"
+<br>"You villain, you, why you have kill'd
+<br>My pouter rare."
+<br>
+<br>The sturdy knave who struck him down
+<br>With frown replied:—
+<br>"For which I'll make you pay a crown
+<br>Nor be denied."
+<br>
+<br>Poor Jenkins saw it was in vain
+<br>To bandy words;
+<br>So paid the cash and vow'd, again
+<br>He'd not shoot birds—
+<br>
+<br>At least of that same feather, lest
+<br>For Pouter shot
+<br>Some Dragon fierce should him molest—
+<br>And fled the spot.
+
+</td></tr>
+</table>
+</center>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE PIC-NIC. No. I.</h2>
+<br><br>
+
+<center><a name="illus10"></a><img alt="Odd10 Picnic1.jpg (93K)" src="images/Odd10Picnic1.jpg" height="937" width="654">
+</center>
+<br><br><br><br>
+
+<p>A merry holiday party, forming a tolerable boat-load, and well
+provided with baskets of provisions, were rowing along the beautiful and
+picturesque banks that fringe the river's side near Twickenham, eagerly
+looking out for a spot where they might enjoy their "pic-nic" to
+perfection.</p>
+
+<p>"O! uncle, there's a romantic glade;—do let us land there!" exclaimed
+a beautiful girl of eighteen summers, to a respectable old gentleman in a
+broad brimmed beaver and spectacles.</p>
+
+<p>"Just the thing, I declare," replied he—"the very spot—pull away, my
+lads—but dear me" continued he, as they neared the intended
+landing-place, "What have we here?  What says the board?"</p>
+
+<center><p>"PARTIES ARE NOT, ALLOWED TO
+<br>LAND AND DINE HERE"</p></center>
+
+<p>Oh! oh! very well; then we'll only land here, and dine a little
+further on"</p>
+
+<p>"What a repulsive board"—cried the young lady—"I declare now I'm
+quite vex'd"—</p>
+
+<p>"Never mind, Julia, we won't be bored by any board"—said the jocose
+old gentleman.</p>
+
+<p>"I'm sure, uncle"—said one of the youths—"we don't require any
+board, for we provide ourselves."</p>
+
+<p>"You're quite right, Master Dickey," said his uncle; "for we only came
+out for a lark, you know, and no lark requires more than a little turf
+for its entertainment; pull close to the bank, and let us land."</p>
+
+<p>"Oh! but suppose," said the timid Julia, "the surly owner should
+pounce upon us, just as we are taking our wine?"</p>
+
+<p>"Why then, my love," replied he, "we have only to abandon our wine,
+and, like sober members of the Temperance Society—take water."</p>
+
+<p>Pulling the wherry close along side the grassy bank, and fastening it
+carefully to the stump of an old tree, the whole party landed.</p>
+
+<p>"How soft and beautiful is the green-sward here," said the romantic
+Julia, indenting the yielding grass with her kid-covered tiny feet; "Does
+not a gentleman of the name of Nimrod sing the pleasure of the Turf?"
+said Emma: "I wonder if he ever felt it as we do?"</p>
+
+<p>"Certainly not," replied Master Dickey, winking at his uncle; "for the
+blades of the Turf he describes, are neither so fresh nor so green as
+these; and the 'stakes' he mentions are rather different from those
+contained in our pigeon-pie."</p>
+
+<p>"But I doubt, Dickey," said his uncle, "if his pen ever described a
+better race than the present company.  The Jenkins's, let me tell you,
+come of a good stock, and sport some of the best blood in the country."</p>
+
+<p>"Beautiful branches of a noble tree," exclaimed Master Dicky, "but,
+uncle, a hard row has made me rather peckish; let us spread the
+provender.  I think there's an honest hand of pork yonder that is right
+worthy of a friendly grasp;—only see if, by a single touch of that
+magical hand, I'm not speedily transformed into a boat."</p>
+
+<p>"What sort of a boat?" cried Julia.  "A cutter, to be sure," replied
+Master Dicky, and laughing he ran off with his male companions to bring
+the provisions ashore.</p>
+
+<p>Meanwhile the uncle and his niece selected a level spot beneath the
+umbrageous trees, and prepared for the unpacking of the edibles.</p>
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE PIC-NIC. No. II</h2>
+<br><br>
+
+<center><a name="illus11"></a><img alt="Odd11 Picnic2.jpg (92K)" src="images/Odd11Picnic2.jpg" height="970" width="652">
+</center>
+<br><br><br><br>
+
+<p>Notwithstanding the proverbial variety of the climate, there is no
+nation under the sun so fond of Pic-Nic parties as the English; and yet
+how seldom are their pleasant dreams of rural repasts in the open air
+fated to be realized!</p>
+
+<p>However snugly they may pack the materials for the feast, the pack
+generally gets shuffled in the carriage, and consequently their promised
+pleasure proves anything but "without mixture without measure."</p>
+
+<p>The jam-tarts are brought to light, and are found to have got a little
+jam too much.  The bottles are cracked before their time, and the liberal
+supplies of pale sherry and old port are turned into a—little current.</p>
+
+<p>They turn out their jar of ghirkins, and find them mixed, and all
+their store in a sad pickle.</p>
+
+<p>The leg of mutton is the only thing that has stood in the general
+melee.</p>
+
+<p>The plates are all dished, and the dishes only fit for a lunatic
+asylum, being all literally cracked.</p>
+
+<p>Even the knives and forks are found to ride rusty on the occasion.
+The bread is become sop; and they have not even the satisfaction of
+getting salt to their porridge, for that is dissolved into briny tears.</p>
+
+<p>Like the provisions, they find themselves uncomfortably hamper'd; for
+they generally chuse such a very retired spot, that there is nothing to
+be had for love or money in the neighbourhood, for all the shops are as
+distant as—ninety-ninth cousins!</p>
+
+<p>However delightful the scenery may be, it is counterbalanced by the
+prospect of starvation.</p>
+
+<p>Although on the borders of a stream abounding in fish, they have
+neither hook nor line; and even the young gentlemen who sing fail in a
+catch for want of the necessary bait.  Their spirits are naturally damped
+by their disappointment, and their holiday garments by a summer shower;
+and though the ducks of the gentlemen take the water as favourably as
+possible, every white muslin presently assumes the appearance of a drab,
+and, becoming a little limp and dirty, looks as miserable as a lame
+beggar!</p>
+
+<p>In fine, it is only a donkey or a goose that can reasonably expect to
+obtain a comfortable feed in a field.  It may be very poetical to talk of
+"Nature's table-cloth of emerald verdure;" but depend on it, a damask
+one, spread over that full-grown vegetable—a mahogany table—is far
+preferable.</p>
+
+
+
+
+<br><br><br><br><br><br>
+
+<h2>THE BUMPKIN.</h2>
+<br><br>
+
+<center><a name="illus12"></a><img alt="Odd12 Bumpkin.jpg (58K)" src="images/Odd12Bumpkin.jpg" height="929" width="647">
+</center>
+<br><br><br><br>
+
+<p>GILES was the eldest son and heir of Jeremiah Styles—a cultivator of
+the soil—who, losing his first wife, took unto himself, at the mature
+age of fifty, a second, called by the neighbours, by reason of the
+narrowness of her economy, and the slenderness of her body, Jeremiah's
+Spare-rib.</p>
+
+<p>Giles was a "'cute" lad, and his appetite soon became, under his
+step-mother's management, as sharp as his wit; and although he continually
+complained of getting nothing but fat, when pork chanced to form a
+portion of her dietary, it was evident to all his acquaintance that he
+really got lean!  His legs, indeed, became so slight, that many of his
+jocose companions amused themselves with striking at them with straws as
+he passed through the farmyard of a morning.</p>
+
+<p>"Whoy, Giles!" remarked one of them, "thee calves ha' gone to grass,
+lad."</p>
+
+<p>"Thee may say that, Jeames," replied Giles; "or d'ye see they did'nt
+find I green enough."</p>
+
+<p>"I do think now, Giles," said James, "that Mother Styles do feed thee
+on nothing, and keeps her cat on the leavings."</p>
+
+<p>"Noa, she don't," said Giles, "for we boath do get what we can catch,
+and nothing more.  Whoy, now, what do you think, Jeames; last Saturday,
+if the old 'ooman did'nt sarve me out a dish o' biled horse-beans—"</p>
+
+<p>"Horse-beans?" cried James; "lack-a-daisy me, and what did you do?"</p>
+
+<p>"Whoy, just what a horse would ha' done, to be sure—"</p>
+
+<p>"Eat 'em?"</p>
+
+<p>"Noa—I kicked, and said 'Nay,' and so the old 'ooman put herself into
+a woundy passion wi' I.  'Not make a dinner of horsebeans, you dainty
+dog,' says she; 'I wish you may never have a worse.'—'Noa, mother,' says
+I, 'I hope I never shall.'  And she did put herself into such a tantrum,
+to be sure—so I bolted; whereby, d'ye see, I saved my bacon, and the old
+'ooman her beans.  But it won't do.  Jeames, I've a notion I shall go a
+recruit, and them I'm thinking I shall get into a reg'lar mess, and get
+shut of a reg'lar row."</p>
+
+<p>"Dang it, it's too bad!" said the sympathising James; "and when do
+thee go?"</p>
+
+<p>"Next March, to be sure," replied Giles, with a spirit which was
+natural to him—indeed, as to any artificial spirit, it was really
+foreign to his lips.</p>
+
+<p>"But thee are such a scare-crow, Giles," said James; "thee are thin as
+a weasel."</p>
+
+<p>"My drumsticks," answered he, smiling, "may recommend me to the
+band—mayhap—for I do think they'll beat anything."</p>
+
+<p>"I don't like sogering neither," said James, thoughtfully.  "Suppose
+the French make a hole in thee with a bagnet—"</p>
+
+<p>"Whoy, then, I shall be 'sewed up,' thee know."</p>
+
+<p>"That's mighty foine," replied James, shaking his head; "but I'd
+rather not, thank'ye."</p>
+
+<p>"Oh! Jeames, a mother-in-law's a greater bore than a bagnet, depend
+on't; and it's my mind, it's better to die in a trench than afore an
+empty trencher—I'll list"</p>
+
+<p>And with this unalterable determination, the half-starved, though
+still merry Giles, quitted his companion; and the following month, in
+pursuance of the resolve he had made, he enlisted in his Majesty's
+service.  Fortunately for the youth, he received more billets than
+bullets, and consequently grew out of knowledge, although he obtained a
+world of information in his travels; and, at the expiration of the war,
+returned to his native village covered with laurels, and in the Joyment
+of the half-pay of a corporal, to which rank he had been promoted in
+consequence of his meritorious conduct in the Peninsula.  His father was
+still living, but his step-nother was lying quietly in the church-yard.</p>
+
+<p>"I hope, father," said the affectionate Giles, "that thee saw her
+buried in a deep grave, and laid a stone a-top of her?"</p>
+
+<p>"I did, my son."</p>
+
+<p>"Then I am happy," replied Giles.</p>
+
+
+<br><br><br><br>
+<center><img alt="Inside Papers.jpg (187K)" src="images/InsidePapers.jpg" height="1119" width="646">
+</center>
+
+<br><br>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sketches of Seymour (Illustrated),
+Part 3., by Robert Seymour
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+***** This file should be named 5647-h.htm or 5647-h.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/5/6/4/5647/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/5647-h/images/Inside Papers.jpg b/5647-h/images/Inside Papers.jpg
new file mode 100644
index 0000000..b20aa10
--- /dev/null
+++ b/5647-h/images/Inside Papers.jpg
diff --git a/5647-h/images/InsidePapers.jpg b/5647-h/images/InsidePapers.jpg
new file mode 100644
index 0000000..b20aa10
--- /dev/null
+++ b/5647-h/images/InsidePapers.jpg
diff --git a/5647-h/images/Odd1 Jolly Anglers.jpg b/5647-h/images/Odd1 Jolly Anglers.jpg
new file mode 100644
index 0000000..6ffd792
--- /dev/null
+++ b/5647-h/images/Odd1 Jolly Anglers.jpg
diff --git a/5647-h/images/Odd10 Picnic1.jpg b/5647-h/images/Odd10 Picnic1.jpg
new file mode 100644
index 0000000..ce800d4
--- /dev/null
+++ b/5647-h/images/Odd10 Picnic1.jpg
diff --git a/5647-h/images/Odd10Picnic1.jpg b/5647-h/images/Odd10Picnic1.jpg
new file mode 100644
index 0000000..ce800d4
--- /dev/null
+++ b/5647-h/images/Odd10Picnic1.jpg
diff --git a/5647-h/images/Odd11 Picnic2.jpg b/5647-h/images/Odd11 Picnic2.jpg
new file mode 100644
index 0000000..3c08711
--- /dev/null
+++ b/5647-h/images/Odd11 Picnic2.jpg
diff --git a/5647-h/images/Odd11Picnic2.jpg b/5647-h/images/Odd11Picnic2.jpg
new file mode 100644
index 0000000..3c08711
--- /dev/null
+++ b/5647-h/images/Odd11Picnic2.jpg
diff --git a/5647-h/images/Odd12 Bumpkin.jpg b/5647-h/images/Odd12 Bumpkin.jpg
new file mode 100644
index 0000000..29aab40
--- /dev/null
+++ b/5647-h/images/Odd12 Bumpkin.jpg
diff --git a/5647-h/images/Odd12Bumpkin.jpg b/5647-h/images/Odd12Bumpkin.jpg
new file mode 100644
index 0000000..29aab40
--- /dev/null
+++ b/5647-h/images/Odd12Bumpkin.jpg
diff --git a/5647-h/images/Odd1JollyAnglers.jpg b/5647-h/images/Odd1JollyAnglers.jpg
new file mode 100644
index 0000000..6ffd792
--- /dev/null
+++ b/5647-h/images/Odd1JollyAnglers.jpg
diff --git a/5647-h/images/Odd2 Bill Sticker.jpg b/5647-h/images/Odd2 Bill Sticker.jpg
new file mode 100644
index 0000000..0be15d0
--- /dev/null
+++ b/5647-h/images/Odd2 Bill Sticker.jpg
diff --git a/5647-h/images/Odd2BillSticker.jpg b/5647-h/images/Odd2BillSticker.jpg
new file mode 100644
index 0000000..0be15d0
--- /dev/null
+++ b/5647-h/images/Odd2BillSticker.jpg
diff --git a/5647-h/images/Odd3 Old Foozel.jpg b/5647-h/images/Odd3 Old Foozel.jpg
new file mode 100644
index 0000000..78cdf91
--- /dev/null
+++ b/5647-h/images/Odd3 Old Foozel.jpg
diff --git a/5647-h/images/Odd3OldFoozel.jpg b/5647-h/images/Odd3OldFoozel.jpg
new file mode 100644
index 0000000..78cdf91
--- /dev/null
+++ b/5647-h/images/Odd3OldFoozel.jpg
diff --git a/5647-h/images/Odd4 Crack Shots 1.jpg b/5647-h/images/Odd4 Crack Shots 1.jpg
new file mode 100644
index 0000000..70ffb4d
--- /dev/null
+++ b/5647-h/images/Odd4 Crack Shots 1.jpg
diff --git a/5647-h/images/Odd4CrackShots1.jpg b/5647-h/images/Odd4CrackShots1.jpg
new file mode 100644
index 0000000..70ffb4d
--- /dev/null
+++ b/5647-h/images/Odd4CrackShots1.jpg
diff --git a/5647-h/images/Odd5 Crack Shots 2.jpg b/5647-h/images/Odd5 Crack Shots 2.jpg
new file mode 100644
index 0000000..56b85a3
--- /dev/null
+++ b/5647-h/images/Odd5 Crack Shots 2.jpg
diff --git a/5647-h/images/Odd5CrackShots2.jpg b/5647-h/images/Odd5CrackShots2.jpg
new file mode 100644
index 0000000..56b85a3
--- /dev/null
+++ b/5647-h/images/Odd5CrackShots2.jpg
diff --git a/5647-h/images/Odd6 Crack Shots 3.jpg b/5647-h/images/Odd6 Crack Shots 3.jpg
new file mode 100644
index 0000000..b231017
--- /dev/null
+++ b/5647-h/images/Odd6 Crack Shots 3.jpg
diff --git a/5647-h/images/Odd6CrackShots3.jpg b/5647-h/images/Odd6CrackShots3.jpg
new file mode 100644
index 0000000..b231017
--- /dev/null
+++ b/5647-h/images/Odd6CrackShots3.jpg
diff --git a/5647-h/images/Odd7 Doctor Spraggs.jpg b/5647-h/images/Odd7 Doctor Spraggs.jpg
new file mode 100644
index 0000000..fe9c2c5
--- /dev/null
+++ b/5647-h/images/Odd7 Doctor Spraggs.jpg
diff --git a/5647-h/images/Odd7DoctorSpraggs.jpg b/5647-h/images/Odd7DoctorSpraggs.jpg
new file mode 100644
index 0000000..fe9c2c5
--- /dev/null
+++ b/5647-h/images/Odd7DoctorSpraggs.jpg
diff --git a/5647-h/images/Odd8 Scene9b.jpg b/5647-h/images/Odd8 Scene9b.jpg
new file mode 100644
index 0000000..93f3759
--- /dev/null
+++ b/5647-h/images/Odd8 Scene9b.jpg
diff --git a/5647-h/images/Odd8Scene9b.jpg b/5647-h/images/Odd8Scene9b.jpg
new file mode 100644
index 0000000..93f3759
--- /dev/null
+++ b/5647-h/images/Odd8Scene9b.jpg
diff --git a/5647-h/images/Odd9 Pouter.jpg b/5647-h/images/Odd9 Pouter.jpg
new file mode 100644
index 0000000..5019678
--- /dev/null
+++ b/5647-h/images/Odd9 Pouter.jpg
diff --git a/5647-h/images/Odd9Pouter.jpg b/5647-h/images/Odd9Pouter.jpg
new file mode 100644
index 0000000..5019678
--- /dev/null
+++ b/5647-h/images/Odd9Pouter.jpg
diff --git a/5647-h/images/Spine angled.jpg b/5647-h/images/Spine angled.jpg
new file mode 100644
index 0000000..0aa3ae9
--- /dev/null
+++ b/5647-h/images/Spine angled.jpg
diff --git a/5647-h/images/Spineangled.jpg b/5647-h/images/Spineangled.jpg
new file mode 100644
index 0000000..0aa3ae9
--- /dev/null
+++ b/5647-h/images/Spineangled.jpg
diff --git a/5647-h/images/Title - Angling.jpg b/5647-h/images/Title - Angling.jpg
new file mode 100644
index 0000000..c99f73a
--- /dev/null
+++ b/5647-h/images/Title - Angling.jpg
diff --git a/5647-h/images/Title - Vol 1.jpg b/5647-h/images/Title - Vol 1.jpg
new file mode 100644
index 0000000..71a31df
--- /dev/null
+++ b/5647-h/images/Title - Vol 1.jpg
diff --git a/5647-h/images/Title2.jpg b/5647-h/images/Title2.jpg
new file mode 100644
index 0000000..76cb2ea
--- /dev/null
+++ b/5647-h/images/Title2.jpg
diff --git a/5647-h/images/TitleAngling.jpg b/5647-h/images/TitleAngling.jpg
new file mode 100644
index 0000000..c99f73a
--- /dev/null
+++ b/5647-h/images/TitleAngling.jpg
diff --git a/5647-h/images/TitleVol 1.jpg b/5647-h/images/TitleVol 1.jpg
new file mode 100644
index 0000000..71a31df
--- /dev/null
+++ b/5647-h/images/TitleVol 1.jpg
diff --git a/5647-h/images/Titlepage.jpg b/5647-h/images/Titlepage.jpg
new file mode 100644
index 0000000..1b9de2f
--- /dev/null
+++ b/5647-h/images/Titlepage.jpg
diff --git a/5647-h/images/cover.jpg b/5647-h/images/cover.jpg
new file mode 100644
index 0000000..d28b9ac
--- /dev/null
+++ b/5647-h/images/cover.jpg
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..023a2f5
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #5647 (https://www.gutenberg.org/ebooks/5647)
diff --git a/old/5647.txt b/old/5647.txt
new file mode 100644
index 0000000..bdef136
--- /dev/null
+++ b/old/5647.txt
@@ -0,0 +1,1276 @@
+The Project Gutenberg EBook of The Sketches of Seymour (Illustrated),
+Part 3., by Robert Seymour
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sketches of Seymour (Illustrated), Part 3.
+
+Author: Robert Seymour
+
+Release Date: July 12, 2004 [EBook #5647]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+SKETCHES BY SEYMOUR
+
+Part 3.
+
+
+THE JOLLY ANGLERS.
+
+
+On a grassy bank, beside a meandering stream, sat two gentlemen averaging
+forty years of age.  The day was sultry, and, weary of casting their
+lines without effect, they had stuck their rods in the bank, and sought,
+in a well-filled basket of provisions and copious libations of bottled
+porter, to dissipate their disappointment.
+
+"Ain't this jolly? and don't you like a day's fishing, Sam?"
+
+"O! werry much, werry much," emphatically replied his friend, taking his
+pipe from his mouth.
+
+"Ah!  but some people don't know how to go a-fishinq, Sam; they are such
+fools."
+
+"That's a werry good remark o' your'n," observed Sam; "I daresay as how
+hangling is werry delightful vhen the fishes vill bite; but vhen they
+von't, vhy they von't, and vot's the use o' complaining.  Hangling is
+just like writing: for instance--you begins vith, 'I sends you this 'ere
+line hoping,' and they don't nibble; vell! that's just the same as not
+hanswering; and, as I takes it, there the correspondence ends!"
+
+"Exactly; I'm quite o' your opinion," replied his companion, tossing off
+a bumper of Barclay's best; "I say, Sammy, we mustn't empty t'other
+bottle tho'."
+
+"Vhy not?"
+
+"Cos, do you see, I'm just thinking ve shall vant a little porter to
+carry us home: for, by Jingo!  I don't think as how either of us can
+toddle--that is respectably!"
+
+"Nonsense!  I'd hundertake to walk as straight as a harrow; on'y, I must
+confess, I should like to have a snooze a'ter my pipe; I'm used to it,
+d'ye see, and look for it as nat'rally as a babby does."
+
+"Vell, but take t'other glass for a nightcap; for you know, Sammy, if you
+sleep vithout, you may catch cold: and, vhatever you do, don't snore, or
+you'll frighten the fish."
+
+"Naughty fish!" replied Sammy, "they know they're naughty too, or else
+they voud'nt be so afear'd o' the rod!--here's your health;" and he
+tossed off the proffered bumper.
+
+"Excuse me a-rising to return thanks,"  replied his friend, grasping
+Sammy's hand, and looking at him with that fixed and glassy gaze which
+indicates the happy state of inebriety, termed maudlin; "I know you're a
+sincere friend, and there ain't nobody as I value more: man and boy have
+I knowed you; you're unchanged! you're the same!! there ain't no
+difference!!!  and I hope you may live many years to go a-fishing, and I
+may live to see it, Sammy.  Yes, old boy, this here's one of them days
+that won't be forgotten: it's engraved on my memory deep as the words on
+a tombstone, 'Here he lies!  Here he lies!'" he repeated with a hiccup,
+and rolled at full length across his dear friend.
+
+Sammy, nearly as much overcome as his friend, lifted up his head, and
+sticking his hat upon it, knocked it over his eyes, and left him to
+repose; and, placing his own back against an accommodating tree, he
+dropped his pipe, and then followed the example of his companion.
+
+After a few hours deep slumber, they awoke.  The sun had gone down, and
+evening had already drawn her star-bespangled mantle over the scene of
+their festive sport.
+
+Arousing themselves, they sought for their rods, and the remnants of
+their provisions, but they were all gone.
+
+"My hey! Sammy, if somebody bas'nt taken advantage of us.  My watch too
+has gone, I declare."
+
+"And so's mine!" exclaimed Sammy, feeling his empty fob.  "Vell, if this
+ain't a go, never trust me."
+
+"I tell you vot it is, Sammy; some clever hartist or another has seen us
+sleeping, like the babes in the wood, and has drawn us at full length!"
+
+
+
+
+THE BILL-STICKER.
+
+
+What a mysterious being is the bill-sticker!  How seldom does he make
+himself visible to the eyes of the people.  Nay, I verily believe there
+are thousands in this great metropolis that never saw a specimen.  We see
+the effect, but think not of the cause.
+
+He must work at his vocation either at night or at early dawn, before the
+world is stirring.
+
+That he is an industrious being, and sticks to business, there cannot be
+the shadow of a doubt, for every dead-wall is made lively by his
+operations, and every hoard a fund of information--in such type, too,
+that he who runs may read.  What an indefatigable observer he must be;
+for there is scarcely a brick or board in city or suburb, however newly
+erected, in highway or byeway, but is speedily adorned by his handiwork
+--aye, and frequently too in defiance of the threatening--"BILL-STICKERS,
+BEWARE!"--staring him in the face.  Like nature, he appears to abhor a
+vacuum.  When we behold the gigantic size of some of the modern arches,
+we are almost led to suppose that the bill-sticker carries about his
+placards in a four-wheeled waggon, and that his paste-pot is a huge
+cauldron!  How he contrives to paste and stick such an enormous sheet so
+neatly against the rugged side of a house, is really astonishing. Whether
+three or four stories high, the same precision is remarkable.  We cannot
+but wonder at the dexterity of his practised hand: The union is as
+perfect as if Dan Hymen, the saffron-robed Joiner, had personally
+superintended the performance.
+
+The wind is perhaps the only real enemy he has to fear.  How his heart
+and his flimsy paper must flutter in the unruly gusts of a March wind! We
+only imagine him pasting up a "Sale of Horses," in a retired nook, and
+seeing his bill carried away on an eddy!
+
+We once had the good fortune to witness a gusty freak of this kind. The
+bill-sticker had affixed a bill upon the hooks of his stick, displaying
+in prominent large characters--"SALE BY AUCTION--Mr. GEO. ROBINS--Capital
+Investment,"--and so forth, when a sudden whirlwind took the bill off the
+hooks, before it was stuck, and fairly enveloped the countenance of a
+dandy gentleman who happened at the moment to be turning the corner.
+
+Such a "Capital Investment" was certainly ludicrous in the extreme.
+
+The poor bill-sticker was rather alarmed, for he had never stuck a bill
+before on any front that was occupied.
+
+He peeled the gentleman as quickly as possible, and stammered out an
+apology.  The sufferer, however, swore he would prefer a bill against him
+at the ensuing sessions.  Whether his threat was carried into execution,
+or he was satisfied with the damages already received, we know not.
+
+
+
+
+OLD FOOZLE.
+
+
+There is a certain period of life beyond which the plastic mind of man
+becomes incapable of acquiring any new impressions.  He merely elaborates
+and displays the stores he has garnered up in his youth.  There are
+indeed some rare exceptions to the rule; but few, very few, can learn a
+language after the age of forty.  'Tis true that Cowper did not commence
+the composition of his delightful poems till he had attained that age;
+but then it must be remembered that he had previously passed a life of
+study and preparation, and that he merely gave the honey to the world
+which he had hived in his youth, bringing to the task a mind polished and
+matured by judgment and experience.  But, generally speaking, we rather
+expect reason than rhyme from an elderly gentleman; and when the reverse
+is the case, the pursuit fits them as ridiculously as would a humming-top
+or a hoop.  Yet there are many who, having passed a life in the sole
+occupation of making money--the most unpoetical of all avocations--that
+in their retirement entertain themselves with such fantastic pranks and
+antics, as only serve to amuse the lookers-on.  A retired tradesman, it
+is true, may chase ennui and the 'taedium vitae,' by digging and planting
+in his kitchen-garden, or try his hand at rearing tulips and hyacinths;
+but if he vainly attempt any other art, or dabble in light literature or
+heavy philosophy, he is lost.  Old Foozle was one of those who, having
+accumulated wealth, retire with their housekeepers to spend the remnant
+of their days in some suburban retreat, the monotony of whose life is
+varied by monthly trips to town to bring tea and grocery, or purchase
+some infallible remedy for their own gout, or their housekeeper's
+rheumatism.  Unfortunately for his peace, Old Foozle accidentally dipped
+into a tattered tome of "Walton's Complete Angler;" and the vivid
+description of piscatorial pleasures therein set forth so won upon his
+mind, that he forthwith resolved to taste them.  In vain were the
+remonstrances of his nurse, friend, and factotum.  The experiment must be
+tried.  Having more money than wit to spare, he presently supplied
+himself with reels and rods and tackle, landing-nets and gentle-boxes,
+and all the other necessary paraphernalia of the art.
+
+Donning his best wig and spectacles, he sallied forth, defended from the
+weather by a short Spencer buttoned round his loins, and a pair of
+double-soled shoes and short gaiters.  So eager was he to commence, that
+he no sooner espied a piece of water, than, with trembling hands, he put
+his rod together, and displayed his nets, laying his basket, gaping for
+the finny prey, on the margin of the placid waters.  With eager gaze he
+watched his newly-varnished and many-coloured float, expecting
+every-moment to behold it sink, the inviting bait being prepared
+'secundum artem.'  He had certainly time for reflection, for his float
+had been cast at least an hour, and still remained stationary; from which
+he wisely augured that he was most certainly neither fishing in a running
+stream nor in troubled waters.
+
+Presently a ragged urchin came sauntering along, and very leisurely
+seated himself upon a bank near the devoted angler.  Curiosity is natural
+to youth, thought Foozle--how I shall make the lad wonder when I pull out
+a wriggling fish!
+
+But still another weary hour passed, and the old gentleman's arms and
+loins began to ache from the novel and constrained posture in which he
+stood.  He grew nervous and uneasy at the want of sport; and thinking
+that perhaps the little fellow was acquainted with the locality, he
+turned towards him, saying, in the blandest but still most indifferent
+tone he could assume, lest he should compromise his dignity by exposing
+his ignorance--
+
+"I say, Jack, are there any fish in this pond?"
+
+"There may be, sir," replied the boy, pulling his ragged forelock most
+deferentially, for Old Foozle had an awful churchwarden-like appearance;
+"there may be, but I should think they were weary small, 'cause there vos
+no vater in this here pond afore that there rain yesterday."
+
+The sallow cheeks of the old angler were tinged with a ruddy glow, called
+up by the consciousness of his ridiculous position.  Taking a penny from
+his pocket, he bade the boy go buy some cakes: and no sooner had he
+gallopped off, than the disappointed Waltonian hastily packed up his
+tackle, and turned his steps homeward; and this was the first and last
+essay of Old Foozle.
+
+
+
+
+THE "CRACK-SHOTS."  No. I.
+
+
+A club, under the imposing style of the "Crack-Shots," met every
+Wednesday evening, during the season, at a house of public entertainment
+in the salubrious suburbs of London, known by the classical sign of the
+"Magpye and Stump."  Besides a trim garden and a small close-shaven
+grass-plat in the rear (where elderly gentlemen found a cure for 'taedium
+vitae' and the rheumatism in a social game of bowls), there was a meadow
+of about five or six acres, wherein a target was erected for the especial
+benefit of the members of this celebrated club; we say celebrated,
+because, of all clubs that ever made a noise in the world, this bore away
+the palm-according to the reports in the neighbourhood.  Emulation
+naturally caused excitement, and the extraordinary deeds they performed
+under its influence we should never have credited, had we not received
+the veracious testimony of--the members themselves.
+
+After the trials of skill, they generally spent the evenings together.
+
+Jack Saggers was the hero of the party; or perhaps he might be more
+appropriately termed the "great gun," and was invariably voted to the
+chair.  He made speeches, which went off admirably; and he perpetrated
+puns which, like his Joe Manton, never missed fire, being unanimously
+voted admirable hits by the joyous assembly.
+
+Their pleasures and their conversation might truly be said to be of a
+piece.
+
+"Gentlemen"--said Jack, one evening rising upon his legs--"Do me the
+favour to charge.  Are you all primed and loaded?  I am about to propose
+the health of a gentleman, who is not only an honour to society at large,
+but to the 'Crack-Shots' in particular.  Gentlemen, the mere mention of
+the name of Brother Sniggs--(hear! hear!)--I know will call forth a
+volley!--(Hear! hear!)  Gentlemen, I give you the health of Brother
+Sniggs! make ready, present and fire!"
+
+Up went the glasses, and down went the liquor in a trice, followed by
+three times three, Jack Saggers giving the time, and acting as
+"fugle-man."
+
+Sniggs, nervously fingering his tumbler of "half and half," as if he
+wanted the spirit to begin, hemmed audibly, and
+
+"Having three times shook his head
+To stir his wit, thus he said,"
+
+"Gentlemen, I don't know how it is, but somehows the more a man has to
+say, the more he can't!  I feel, for all the world, like a gun rammed
+tight and loaded to the muzzle, but without flint or priming----"
+
+"Prime!" exclaimed Jack Saggers; and there was a general titter, and then
+he continued; "as we cannot let you off Sniggs, you most go on, you
+know."
+
+"Gentlemen," resumed Sniggs, "I feel indeed so overloaded by the honors
+you have conferred on me, that I cannot find words to express my
+gratitude.  I can only thank you, and express my sincere wish that your
+shots may always tell."
+
+And he sat down amidst unbounded applause.  "By no means a-miss!" cried
+Jack Saggers.
+
+"A joke of mine, when I knocked down a bird the other morning," said
+Sniggs: "you must know I was out early, and had just brought down my
+bird, when leaping into the adjoining field to pick it up, a
+bird-catcher, who had spread his nets on the dewy grass, walked right up
+to me."
+
+"I've a visper for you, Sir," says he, as cool as a cucumber; "I don't
+vish to be imperlite, but next time you shoots a bird vot I've brought to
+my call, I'll shoot you into a clay-pit, that's all!"
+
+"And pray what did you say, Sniggs?" asked Jack Saggers.  "Say?--nothing!
+but I looked unutterable things, and--shouldering my piece--walked off!"
+
+
+
+
+THE "CRACK-SHOTS."  No. II.
+
+
+"Sniggs's rencontre with the bird-catcher reminds me of Tom Swivel's
+meeting with the Doctor," observed Smart.
+
+"Make a report," cried Jack Saggers.
+
+"Well, you must know, that I had lent him my piece for a day's shooting;
+and just as he was sauntering along by a dead wall near Hampstead,
+looking both ways at once for a quarry (for he has a particular squint),
+a stout gentleman in respectable black, and topped by a shovel-hat,
+happened to be coming in the opposite direction.  With an expression of
+terror, the old gentleman drew himself up against the unyielding bricks,
+and authoritatively extending his walking-stick, addressed our sportsman
+in an angry tone, saying: 'How dare you carry a loaded gun pointed at
+people's viscera, you booby?'  Now Tom is a booby, and no mistake, and so
+dropping his under jaw and staring at the reverend, he answered: 'I don't
+know vot you mean by a wiserar.  I never shot a wiserar!'"
+
+"Devilish good!" exclaimed Saggers; and, as a matter of course, everybody
+laughed.
+
+Passing about the bottle, the club now became hilarious and noisy; when
+the hammer of the president rapped them to order, and knocked down Sniggs
+for a song, who, after humming over the tune to himself, struck up the
+following:
+
+
+CHAUNT
+
+When the snow's on the ground and the trees are all bare,
+And rivers and gutters are turned into ice,
+The sportsman goes forth to shoot rabbit or hare,
+And gives them a taste of his skill in a trice.
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And he bags all he kills in a trice.
+
+CHORUS.
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And he bags all he kills in a trice.
+
+II.
+If he puts up a partridge or pheasant or duck,
+He marks him, and wings him, and brings him to earth;
+He let's nothing fly--but his piece--and good luck
+His bag fills with game and his bosom with mirth.
+
+
+Bang! bang! goes his Joe,
+And the bird's fall like snow,
+And good sport fills his bosom with mirth.
+
+CHORUS.
+Bang! bang! et. etc.
+
+III.
+When at night he unbends and encounters his pals,
+How delighted he boasts of the sport he has had;
+While a kind of round game's on the board, and gals
+Are toasted in bumpers by every lad.
+And Jack, Jim, and Joe
+Give the maid chaste as snow
+That is true as a shot to her lad!
+
+CHORUS.
+And Jack, Jim and Joe
+Give the maid chaste as snow
+That is true as a shot to her lad!
+
+
+The customary applause having followed this vocal attempt of Sniggs, he
+was asked for a toast or a sentiment.
+
+"Here's--'May the charitable man never know the want of--'shot.'" said
+Sniggs.
+
+"Excellent!" exclaimed Saggers, approvingly; "By Jupiter Tonans, Sniggs,
+you're a true son of--a gun!"
+
+
+
+
+THE "CRACK-SHOTS."--No. III.
+
+
+"Sich a lark!" said Bill Sorrel, breaking abruptly in upon the noisy
+chorus, miscalled a general conversation; "sich a lark!"
+
+"Where?" demanded Saggers.
+
+"You've jist hit it," replied Sorrel, "for it vere worry near 'Vare vhere
+it happened.  I'd gone hout hearly, you know, and had jist cotched sight
+of a bird a-vistling on a twig, and puttered the vords, 'I'll spile your
+singin', my tight 'un,' and levelled of my gun, ven a helderly gentleman,
+on t'other side of the bank vich vos atween me and the bird, pops up his
+powdered noddle in a jiffy, and goggling at me vith all his eyes, bawls
+pout in a tantivy of a fright, 'You need'nt be afear'd, sir,' says I, 'I
+aint a-haiming at you,' and vith that I pulls my trigger-bang! Vell, I
+lost my dicky! and ven I looks for the old 'un, by Jingo!  I'd lost him
+too.  So I mounts the bank vere he sot, but he vas'nt there; so I looks
+about, and hobserves a dry ditch at the foot, and cocking my eye along
+it, vhy, I'm blessed, if I did'nt see the old fellow a-scampering along
+as fast as his legs could carry him.  Did'nt I laugh, ready to
+split--that's all!"
+
+"I tell you what, Sorrel," said the president, with mock gravity, "I
+consider the whole affair, however ridiculous, most immoral and
+reprehensible.  What, shall a crack-shot make a target of an elder?
+Never!  Let us seek more appropriate butts for our barrels!  You may
+perhaps look upon the whole as a piece of pleasantry but let me tell you
+that you ran a narrow chance of being indicted for a breach of the peace!
+And remember, that even shooting a deer may not prove so dear a shot as
+bringing down an old buck!"
+
+This humorous reproof was applauded by a "bravo!" from the whole club.
+
+Sorrel sang--small, and Sniggs sang another sporting ditty.
+
+"Our next meeting," resumed Saggers, "is on Thursday next when the
+pigeon-match takes place for a silver-cup--the 'Crack Shots' against the
+'Oriental Club.' I think we shall give them I taste of our quality,'
+although we do not intend that they shall lick us.  The silver-cup is
+their own proposal.  The contest being a pigeon-match, I humbly proposed,
+as an amendment, that the prize should be a tumbler--which I lost by a
+minority of three.  In returning thanks, I took occasion to allude to
+their rejection of my proposition, and ironically thanked them for having
+cut my tumbler."
+
+"Werry good!" shouted Sorrel.
+
+"Admirable!" exclaimed Sniggs; and, rising with due solemnity, he
+proposed the health of the "worthy president," prefacing his speech with
+the modest avowal of his inability to do what he still persisted in doing
+and did.
+
+"Brother Shots!" said Saggers, after the usual honours had been duly
+performed, "I am so unaccustomed to speaking (a laugh), that I rise with
+a feeling of timidity to thank you for the distinguished honour you have
+conferred on me.  Praise, like wine, elevates a man, but it likewise
+thickens and obstructs his speech; therefore, without attempting any
+rhetorical flourish, I will simply say, I sincerely thank you all for the
+very handsome manner in which you have responded to the friendly wishes
+of Brother Sniggs; and, now as the hour of midnight is at hand, I bid you
+farewell.  It is indeed difficult to part from such good company; but,
+although it is morally impossible there ever can be a division among such
+cordial friends, both drunk and sober may at least separate--in spirits,
+--and I trust we shall all meet again in health--Farewell!"
+
+
+
+
+DOCTOR SPRAGGS.
+
+
+Old Doctor Spraggs! famed Doctor Spraggs!
+Was both well fee'd and fed,
+And, tho' no soldier, Doctor Spraggs
+Had for his country-bled.
+
+His patients living far and wide
+He was compell'd to buy
+A horse; and found no trouble, for
+He'd got one in his eye!
+
+He was a tall and bony steed
+And warranted to trot,
+And so he bought the trotter, and
+Of course four trotters got.
+
+Quoth he: "In sunshine quick he bounds
+"Across the verdant plain,
+"And, e'en when showers fall, he proves
+"He--doesn't mind the rain!"
+
+But, oh! one morn, when Doctor Spraggs
+Was trotting on his way,
+A field of sportsmen came in view,
+And made his courser neigh.
+
+"Nay! you may neigh," quoth Doctor Spraggs,
+"But run not, I declare
+"I did not come to chase the fox,
+"I came to take the--air!"
+
+But all in vain he tugg'd the rein,
+The steed would not be stay'd;
+The "Doctor's stuff" was shaken, and
+A tune the vials play'd.
+
+For in his pockets he had stow'd
+Some physic for the sick;
+Anon, "crack" went the bottles all,
+And forma a "mixture" quick.
+
+His hat and wig flew off, but still
+The reins he hugg'd and haul'd;
+And, tho' no cry the huntsmen heard,
+They saw the Doctor--bald!
+
+They loudly laugh'd and cheer'd him on,
+While Spraggs, quite out of breath,
+Still gallopp'd on against his will,
+And came in at the death.
+
+To see the Doctor riding thus
+To sportsmen was a treat,
+And loudly they applauded him--
+(Tho' mounted) on his feat!
+
+MORAL.
+Ye Doctors bold, of this proud land
+Of liberty and--fogs,
+No hunters ride, or you will go
+Like poor Spraggs--to the dogs!
+
+
+
+
+SCENE IX. (b)
+
+
+"Well, Bill, d'ye get any bites over there?" "No, but I'm afeard I shall,
+soon have one."
+
+Two youths, by favour of their sponsors, bearing the aristocratic names
+of William and Joseph, started early one morning duly equipped, on
+piscatorial sport intent.  They trudged gaily forward towards a
+neighbouring river, looking right and left, and around them, as sharp as
+two crows that have scented afar off the carcase of a defunct nag.
+
+At length they arrived at a lofty wall, on the wrong side of which,
+musically meandered the stream they sought.  After a deliberate
+consultation, the valiant William resolved to scale the impediment, and
+cast the line.  Joseph prudently remained on the other side ready to
+catch the fish--his companion should throw to him!  Presently an
+exclamation of "Oh! my!" attracted his attention.
+
+"Have you got a bite?" eagerly demanded Joe.
+
+"No! by gosh! but I think I shall soon!" cried Bill.  Hereupon the
+expectant Joseph mounted, and seating himself upon the wall, beheld to
+his horror, Master Bill keeping a fierce bull-dog at bay with the butt
+end of his fishing-rod.
+
+"Go it, Bill!" exclaimed Joe, "pitch into him and scramble up."
+
+The dog ran at him.--Joe in his agitation fell from his position, while
+Bill threw his rod at the beast, made a desperate leap, and clutched the
+top of the wall with his hands.
+
+"Egad! I've lost my seat," cried Joe, rolling upon the grass.
+
+"And so have I!" roared Bill, scrambling in affright over the wall.
+
+And true it was, that he who had not got a bite before, had got a
+bite--behind!
+
+Bill anathematised the dog, but the ludicrous bereavement he had
+sustained made him laugh, in spite of his teeth!
+
+Joe joined in his merriment.
+
+"What a burning shame it is?" said he; "truly there ought to be breaches
+ready made in these walls, Bill, that one might escape, if not repair
+these damages."
+
+"No matter," replied Bill, shaking his head, "I know the owner--he's a
+Member of Parliament.  Stop till the next election, that's all."
+
+"Why, what has that to do with it?" demanded Joe.
+
+"Do with it," said Bill emphatically, "why, I'll canvass for the opposite
+party, to be sure."
+
+"And what then?"
+
+"Then I shall have the pleasure of serving him as his dog has served me.
+Yes!  Joe, the M. P.  will lose his seat to a dead certainty!"
+
+
+
+
+THE POUTER AND THE DRAGON.
+
+"Another pigeon! egad, I'm in luck's way this morning."
+
+
+Round and red, through the morning fog
+The sun's bright face
+Shone, like some jolly toping dog
+Of Bacchus' race.
+
+When Jenkins, with his gun and cur
+On sport intent,
+Through fields, and meadows, many fur--
+--longs gaily went.
+
+He popp'd at birds both great and small,
+But nothing hit;
+Or if he hit, they wouldn't fall--
+No, not a bit!
+
+"It's wery strange, I do declare;
+I never see!
+I go at sky-larks in the hair
+Or on a tree."
+
+"It's all the same, they fly away
+Has I let fly--
+The birds is frightened, I dare say,
+And vill not die."
+
+"Vhy, here's a go! I hav'nt ramm'd
+In any shot;
+The birds must think I only shamm'd,
+And none have got."
+
+"I'll undeceive 'em quickly now,
+I bet a crown;
+And whether fieldfare, tit, or crow,
+Vill bring 'em down."
+
+And as he spake a pigeon flew
+Across his way--
+Bang went his piece--and Jenkins slew
+The flutt'ring prey.
+
+He bagg'd his game, and onward went,
+When to his view
+Another rose, by fortune sent
+To make up two.
+
+He fired, and beheld it fall
+With inward glee,
+And for a minute 'neath a wall
+Stood gazing he.
+
+When from behind, fierce, heavy blows
+Fell on his hat,
+And knock'd his beaver o'er his nose,
+And laid him flat.
+
+"What for," cried Jenkins, "am I mill'd,
+Sir, like this ere?"
+"You villain, you, why you have kill'd
+My pouter rare."
+
+The sturdy knave who struck him down
+With frown replied:--
+"For which I'll make you pay a crown
+Nor be denied."
+
+Poor Jenkins saw it was in vain
+To bandy words;
+So paid the cash and vow'd, again
+He'd not shoot birds--
+
+At least of that same feather, lest
+For Pouter shot
+Some Dragon fierce should him molest--
+And fled the spot.
+
+
+
+
+THE PIC-NIC.  No. I.
+
+
+A merry holiday party, forming a tolerable boat-load, and well provided
+with baskets of provisions, were rowing along the beautiful and
+picturesque banks that fringe the river's side near Twickenham, eagerly
+looking out for a spot where they might enjoy their "pic-nic" to
+perfection.
+
+"O! uncle, there's a romantic glade;--do let us land there!" exclaimed a
+beautiful girl of eighteen summers, to a respectable old gentleman in a
+broad brimmed beaver and spectacles.
+
+"Just the thing, I declare," replied he--"the very spot--pull away, my
+lads--but dear me" continued he, as they neared the intended
+landing-place, "What have we here?  What says the board?"
+
+"PARTIES ARE NOT, ALLOWED TO
+LAND AND DINE HERE"
+
+Oh! oh! very well; then we'll only land here, and dine a little further
+on"
+
+"What a repulsive board"--cried the young lady--"I declare now I'm quite
+vex'd"--
+
+"Never mind, Julia, we won't be bored by any board"--said the jocose old
+gentleman.
+
+"I'm sure, uncle"--said one of the youths--"we don't require any board,
+for we provide ourselves."
+
+"You're quite right, Master Dickey," said his uncle; "for we only came
+out for a lark, you know, and no lark requires more than a little turf
+for its entertainment; pull close to the bank, and let us land."
+
+"Oh! but suppose," said the timid Julia, "the surly owner should pounce
+upon us, just as we are taking our wine?"
+
+"Why then, my love," replied he, "we have only to abandon our wine, and,
+like sober members of the Temperance Society--take water."
+
+Pulling the wherry close along side the grassy bank, and fastening it
+carefully to the stump of an old tree, the whole party landed.
+
+"How soft and beautiful is the green-sward here," said the romantic
+Julia, indenting the yielding grass with her kid-covered tiny feet; "Does
+not a gentleman of the name of Nimrod sing the pleasure of the Turf?"
+said Emma: "I wonder if he ever felt it as we do?"
+
+"Certainly not," replied Master Dickey, winking at his uncle; "for the
+blades of the Turf he describes, are neither so fresh nor so green as
+these; and the 'stakes' he mentions are rather different from those
+contained in our pigeon-pie."
+
+"But I doubt, Dickey," said his uncle, "if his pen ever described a
+better race than the present company.  The Jenkins's, let me tell you,
+come of a good stock, and sport some of the best blood in the country."
+
+"Beautiful branches of a noble tree," exclaimed Master Dicky, "but,
+uncle, a hard row has made me rather peckish; let us spread the
+provender.  I think there's an honest hand of pork yonder that is right
+worthy of a friendly grasp;--only see if, by a single touch of that
+magical hand, I'm not speedily transformed into a boat."
+
+"What sort of a boat?" cried Julia.  "A cutter, to be sure," replied
+Master Dicky, and laughing he ran off with his male companions to bring
+the provisions ashore.
+
+Meanwhile the uncle and his niece selected a level spot beneath the
+umbrageous trees, and prepared for the unpacking of the edibles.
+
+
+
+
+THE PIC-NIC.  No. II
+
+
+Notwithstanding the proverbial variety of the climate, there is no nation
+under the sun so fond of Pic-Nic parties as the English; and yet how
+seldom are their pleasant dreams of rural repasts in the open air fated
+to be realized!
+
+However snugly they may pack the materials for the feast, the pack
+generally gets shuffled in the carriage, and consequently their promised
+pleasure proves anything but "without mixture without measure."
+
+The jam-tarts are brought to light, and are found to have got a little
+jam too much.  The bottles are cracked before their time, and the liberal
+supplies of pale sherry and old port are turned into a--little current.
+
+They turn out their jar of ghirkins, and find them mixed, and all their
+store in a sad pickle.
+
+The leg of mutton is the only thing that has stood in the general melee.
+
+The plates are all dished, and the dishes only fit for a lunatic asylum,
+being all literally cracked.
+
+Even the knives and forks are found to ride rusty on the occasion. The
+bread is become sop; and they have not even the satisfaction of getting
+salt to their porridge, for that is dissolved into briny tears.
+
+Like the provisions, they find themselves uncomfortably hamper'd; for
+they generally chuse such a very retired spot, that there is nothing to
+be had for love or money in the neighbourhood, for all the shops are as
+distant as--ninety-ninth cousins!
+
+However delightful the scenery may be, it is counterbalanced by the
+prospect of starvation.
+
+Although on the borders of a stream abounding in fish, they have neither
+hook nor line; and even the young gentlemen who sing fail in a catch for
+want of the necessary bait.  Their spirits are naturally damped by their
+disappointment, and their holiday garments by a summer shower; and though
+the ducks of the gentlemen take the water as favourably as possible,
+every white muslin presently assumes the appearance of a drab, and,
+becoming a little limp and dirty, looks as miserable as a lame beggar!
+
+In fine, it is only a donkey or a goose that can reasonably expect to
+obtain a comfortable feed in a field.  It may be very poetical to talk of
+"Nature's table-cloth of emerald verdure;" but depend on it, a damask
+one, spread over that full-grown vegetable--a mahogany table--is far
+preferable.
+
+
+
+
+THE BUMPKIN.
+
+
+Giles was the eldest son and heir of Jeremiah Styles--a cultivator of the
+soil--who, losing his first wife, took unto himself, at the mature age of
+fifty, a second, called by the neighbours, by reason of the narrowness of
+her economy, and the slenderness of her body, Jeremiah's Spare-rib.
+
+Giles was a "'cute" lad, and his appetite soon became, under his
+step-mother's management, as sharp as his wit; and although he
+continually complained of getting nothing but fat, when pork chanced to
+form a portion of her dietary, it was evident to all his acquaintance
+that he really got lean!  His legs, indeed, became so slight, that many
+of his jocose companions amused themselves with striking at them with
+straws as he passed through the farmyard of a morning.
+
+"Whoy, Giles!" remarked one of them, "thee calves ha' gone to grass,
+lad."
+
+"Thee may say that, Jeames," replied Giles; "or d'ye see they did'nt
+find I green enough."
+
+"I do think now, Giles," said James, "that Mother Styles do feed thee on
+nothing, and keeps her cat on the leavings."
+
+"Noa, she don't," said Giles, "for we boath do get what we can catch, and
+nothing more.  Whoy, now, what do you think, Jeames; last Saturday, if
+the old 'ooman did'nt sarve me out a dish o' biled horse-beans--"
+
+"Horse-beans?" cried James; "lack-a-daisy me, and what did you do?"
+
+"Whoy, just what a horse would ha' done, to be sure--"
+
+"Eat 'em?"
+
+"Noa--I kicked, and said 'Nay,' and so the old 'ooman put herself into a
+woundy passion wi' I.  'Not make a dinner of horsebeans, you dainty
+dog,' says she; 'I wish you may never have a worse.'--'Noa, mother,' says
+I, 'I hope I never shall.'  And she did put herself into such a tantrum,
+to be sure--so I bolted; whereby, d'ye see, I saved my bacon, and the old
+'ooman her beans.  But it won't do.  Jeames, I've a notion I shall go a
+recruit, and them I'm thinking I shall get into a reg'lar mess, and get
+shut of a reg'lar row."
+
+"Dang it, it's too bad!" said the sympathising James; "and when do thee
+go?"
+
+"Next March, to be sure," replied Giles, with a spirit which was natural
+to him--indeed, as to any artificial spirit, it was really foreign to his
+lips.
+
+"But thee are such a scare-crow, Giles," said James; "thee are thin as a
+weasel."
+
+"My drumsticks," answered he, smiling, "may recommend me to the
+band--mayhap--for I do think they'll beat anything."
+
+"I don't like sogering neither," said James, thoughtfully.  "Suppose the
+French make a hole in thee with a bagnet--"
+
+"Whoy, then, I shall be 'sewed up,' thee know."
+
+"That's mighty foine," replied James, shaking his head; "but I'd rather
+not, thank'ye."
+
+"Oh! Jeames, a mother-in-law's a greater bore than a bagnet, depend on't;
+and it's my mind, it's better to die in a trench than afore an empty
+trencher--I'll list"
+
+And with this unalterable determination, the half-starved, though still
+merry Giles, quitted his companion; and the following month, in pursuance
+of the resolve he had made, he enlisted in his Majesty's service.
+Fortunately for the youth, he received more billets than bullets, and
+consequently grew out of knowledge, although he obtained a world of
+information in his travels; and, at the expiration of the war, returned
+to his native village covered with laurels, and in the Joyment of the
+half-pay of a corporal, to which rank he had been promoted in consequence
+of his meritorious conduct in the Peninsula.  His father was still
+living, but his step-nother was lying quietly in the church-yard.
+
+"I hope, father," said the affectionate Giles, "that thee saw her buried
+in a deep grave, and laid a stone a-top of her?"
+
+"I did, my son."
+
+"Then I am happy," replied Giles.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sketches of Seymour (Illustrated),
+Part 3., by Robert Seymour
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SKETCHES OF SEYMOUR ***
+
+***** This file should be named 5647.txt or 5647.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/5/6/4/5647/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/5647.zip b/old/5647.zip
new file mode 100644
index 0000000..165697a
--- /dev/null
+++ b/old/5647.zip
diff --git a/old/sey3w10h.zip b/old/sey3w10h.zip
new file mode 100644
index 0000000..3280504
--- /dev/null
+++ b/old/sey3w10h.zip