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diff --git a/56447-h/56447-h.htm b/56447-h/56447-h.htm index 3566259..1a50abe 100644 --- a/56447-h/56447-h.htm +++ b/56447-h/56447-h.htm @@ -1,12 +1,10 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<title>The Project Gutenberg eBook of The Tunnel: Pilgrimage, Volume 4, by Dorothy M. Richardson</title> -<link rel="coverpage" href="images/cover-page.jpg" /> -<style type='text/css'> +<meta charset="utf-8"> +<title>The Tunnel: Pilgrimage, Volume 4 | Project Gutenberg</title> +<link rel="coverpage" href="images/cover-page.jpg" > +<style> body { margin-left:15%; margin-right:15%; } @@ -82,7 +80,21 @@ a:active { text-decoration: underline; } .trnote ul li { list-style-type: square; } .trnote .transnote { text-indent:0; text-align:center; font-weight:bold; } +/* page numbers */ +a[title].pagenum { position: absolute; right: 1%; } +a[title].pagenum:after { content: attr(title); color: gray; background-color: inherit; + letter-spacing: 0; text-indent: 0; text-align: right; font-style: normal; + font-variant: normal; font-weight: normal; font-size: x-small; + border: 1px solid silver; padding: 1px 4px 1px 4px; + display: inline; } + div.centerpic { text-align:center; text-indent:0; display:block; } + +.x-ebookmaker body { margin-left:0; margin-right:0; } +.x-ebookmaker div.poem-container div.poem { display:block; margin-left:2em; } +.x-ebookmaker div.volumes .list { display:block; margin-left:2em; } +.x-ebookmaker a.pagenum { display:none; } +.x-ebookmaker a.pagenum:after { display:none; } </style> </head> @@ -106,11 +118,11 @@ THE TUNNEL </p> <p class="list"> -POINTED ROOFS<br /> -BACKWATER<br /> -HONEYCOMB<br /> -THE TUNNEL<br /> -<span class="prep">In preparation</span><br /> +POINTED ROOFS<br > +BACKWATER<br > +HONEYCOMB<br > +THE TUNNEL<br > +<span class="prep">In preparation</span><br > INTERIM </p> @@ -123,17 +135,17 @@ THE TUNNEL </h1> <p class="aut"> -<span class="line1">BY</span><br /> -<span class="line2">DOROTHY M. RICHARDSON</span><br /> +<span class="line1">BY</span><br > +<span class="line2">DOROTHY M. RICHARDSON</span><br > <span class="line3">AUTHOR OF “POINTED ROOFS,” ETC.</span> </p> <div class="centerpic logo"> -<img src="images/logo.jpg" alt="" /></div> +<img src="images/logo.jpg" alt=""></div> <p class="pub"> -<span class="line1">LONDON</span><br /> -<span class="line2">DUCKWORTH & CO.</span><br /> +<span class="line1">LONDON</span><br > +<span class="line2">DUCKWORTH & CO.</span><br > <span class="line3">3 HENRIETTA STREET, COVENT GARDEN</span> </p> @@ -141,7 +153,7 @@ THE TUNNEL <div class="frontmatter"> <p class="cop"> -First Published February, 1919<br /> +First Published February, 1919<br > Second Impression March, 1919 </p> @@ -153,7 +165,7 @@ All rights reserved <div class="frontmatter"> <p class="ded"> -<span class="line1">TO</span><br /> +<span class="line1">TO</span><br > <span class="line2">M. K.</span> </p> @@ -16972,13 +16984,13 @@ balcony. </p> <p class="printer"> -PRINTED BY WILLIAM BRENDON AND SON, LTD.<br /> +PRINTED BY WILLIAM BRENDON AND SON, LTD.<br > PLYMOUTH, ENGLAND </p> <div class="article"> <p class="hdr"> -<span class="line1">The Novels of</span><br /> +<span class="line1">The Novels of</span><br > <span class="line2">Dorothy Richardson</span> </p> @@ -17128,83 +17140,83 @@ corrections, some after consulting other editions, are listed here (before/after <ul> <li> -... about the house, a heavy dark mountain, fringes, <span class="underline">bugles</span>, ...<br /> -... about the house, a heavy dark mountain, fringes, <a href="#corr-3"><span class="underline">bulges</span></a>, ...<br /> +... about the house, a heavy dark mountain, fringes, <span class="underline">bugles</span>, ...<br > +... about the house, a heavy dark mountain, fringes, <a href="#corr-3"><span class="underline">bulges</span></a>, ...<br > </li> <li> -... go right away to some other part of London. <span class="underline">May</span> answered ...<br /> -... go right away to some other part of London. <a href="#corr-15"><span class="underline">Mag</span></a> answered ...<br /> +... go right away to some other part of London. <span class="underline">May</span> answered ...<br > +... go right away to some other part of London. <a href="#corr-15"><span class="underline">Mag</span></a> answered ...<br > </li> <li> -... married. Besides anyhow; <span class="underline">thing</span> of the awful people.” ...<br /> -... married. Besides anyhow; <a href="#corr-16"><span class="underline">think</span></a> of the awful people.” ...<br /> +... married. Besides anyhow; <span class="underline">thing</span> of the awful people.” ...<br > +... married. Besides anyhow; <a href="#corr-16"><span class="underline">think</span></a> of the awful people.” ...<br > </li> <li> -... unless they all <span class="underline">know</span> what she was. If she could say clever ...<br /> -... unless they all <a href="#corr-20"><span class="underline">knew</span></a> what she was. If she could say clever ...<br /> +... unless they all <span class="underline">know</span> what she was. If she could say clever ...<br > +... unless they all <a href="#corr-20"><span class="underline">knew</span></a> what she was. If she could say clever ...<br > </li> <li> -... voice. <span class="underline">Tho</span> young men were quiet. For a few moments ...<br /> -... voice. <a href="#corr-21"><span class="underline">The</span></a> young men were quiet. For a few moments ...<br /> +... voice. <span class="underline">Tho</span> young men were quiet. For a few moments ...<br > +... voice. <a href="#corr-21"><span class="underline">The</span></a> young men were quiet. For a few moments ...<br > </li> <li> -... pieces of <span class="underline">Chauminade</span>, those things by Liszt whom somebody ...<br /> -... pieces of <a href="#corr-25"><span class="underline">Chaminade</span></a>, those things by Liszt whom somebody ...<br /> +... pieces of <span class="underline">Chauminade</span>, those things by Liszt whom somebody ...<br > +... pieces of <a href="#corr-25"><span class="underline">Chaminade</span></a>, those things by Liszt whom somebody ...<br > </li> <li> -... “Yes; <span class="underline">John</span> is Londonised; she looks German; her ...<br /> -... “Yes; <a href="#corr-45"><span class="underline">Jan</span></a> is Londonised; she looks German; her ...<br /> +... “Yes; <span class="underline">John</span> is Londonised; she looks German; her ...<br > +... “Yes; <a href="#corr-45"><span class="underline">Jan</span></a> is Londonised; she looks German; her ...<br > </li> <li> -... that had been a half-heard <span class="underline">obligato</span> to her vision of last ...<br /> -... that had been a half-heard <a href="#corr-51"><span class="underline">obbligato</span></a> to her vision of last ...<br /> +... that had been a half-heard <span class="underline">obligato</span> to her vision of last ...<br > +... that had been a half-heard <a href="#corr-51"><span class="underline">obbligato</span></a> to her vision of last ...<br > </li> <li> -... felt <span class="underline">it</span> all, all the time, they would go mad or die.” “No, ...<br /> -... felt <a href="#corr-53"><span class="underline">at</span></a> all, all the time, they would go mad or die.” “No, ...<br /> +... felt <span class="underline">it</span> all, all the time, they would go mad or die.” “No, ...<br > +... felt <a href="#corr-53"><span class="underline">at</span></a> all, all the time, they would go mad or die.” “No, ...<br > </li> <li> -... the worrying challenge of <span class="underline">is</span> disappeared in the joy of the ...<br /> -... the worrying challenge of <a href="#corr-54"><span class="underline">it</span></a> disappeared in the joy of the ...<br /> +... the worrying challenge of <span class="underline">is</span> disappeared in the joy of the ...<br > +... the worrying challenge of <a href="#corr-54"><span class="underline">it</span></a> disappeared in the joy of the ...<br > </li> <li> -... the collar of the well-cut grey coat clothing the firm <span class="underline">balk</span> ...<br /> -... the collar of the well-cut grey coat clothing the firm <a href="#corr-58"><span class="underline">bulk</span></a> ...<br /> +... the collar of the well-cut grey coat clothing the firm <span class="underline">balk</span> ...<br > +... the collar of the well-cut grey coat clothing the firm <a href="#corr-58"><span class="underline">bulk</span></a> ...<br > </li> <li> -... she was free to <span class="underline">stop</span> out and there was hardly any time left. ...<br /> -... she was free to <a href="#corr-62"><span class="underline">step</span></a> out and there was hardly any time left. ...<br /> +... she was free to <span class="underline">stop</span> out and there was hardly any time left. ...<br > +... she was free to <a href="#corr-62"><span class="underline">step</span></a> out and there was hardly any time left. ...<br > </li> <li> -... Outside the life relationship men and <span class="underline">woman</span> ...<br /> -... Outside the life relationship men and <a href="#corr-63"><span class="underline">women</span></a> ...<br /> +... Outside the life relationship men and <span class="underline">woman</span> ...<br > +... Outside the life relationship men and <a href="#corr-63"><span class="underline">women</span></a> ...<br > </li> <li> -... darkness by <span class="underline">night</span> of riding through the day. Leaning ...<br /> -... darkness by <a href="#corr-66"><span class="underline">right</span></a> of riding through the day. Leaning ...<br /> +... darkness by <span class="underline">night</span> of riding through the day. Leaning ...<br > +... darkness by <a href="#corr-66"><span class="underline">right</span></a> of riding through the day. Leaning ...<br > </li> <li> -... and gold <span class="underline">then</span> ever. There was a deep lace frill on the ...<br /> -... and gold <a href="#corr-74"><span class="underline">than</span></a> ever. There was a deep lace frill on the ...<br /> +... and gold <span class="underline">then</span> ever. There was a deep lace frill on the ...<br > +... and gold <a href="#corr-74"><span class="underline">than</span></a> ever. There was a deep lace frill on the ...<br > </li> <li> -... and the curious <span class="underline">wide</span> softness of his voice. Suddenly ...<br /> -... and the curious <a href="#corr-75"><span class="underline">wise</span></a> softness of his voice. Suddenly ...<br /> +... and the curious <span class="underline">wide</span> softness of his voice. Suddenly ...<br > +... and the curious <a href="#corr-75"><span class="underline">wise</span></a> softness of his voice. Suddenly ...<br > </li> </ul> </div> diff --git a/LICENSE.txt b/LICENSE.txt index 6312041..b5dba15 100644 --- a/LICENSE.txt +++ b/LICENSE.txt @@ -1,4 +1,4 @@ -This eBook, including all associated images, markup, improvements, +This book, including all associated images, markup, improvements, metadata, and any other content or labor, has been confirmed to be in the PUBLIC DOMAIN IN THE UNITED STATES. @@ -7,5 +7,5 @@ the "Copyright How-To" at https://www.gutenberg.org. No investigation has been made concerning possible copyrights in jurisdictions other than the United States. Anyone seeking to utilize -this eBook outside of the United States should confirm copyright +this book outside of the United States should confirm copyright status under the laws that apply to them. @@ -1,2 +1,2 @@ Project Gutenberg (https://www.gutenberg.org) public repository for -eBook #56447 (https://www.gutenberg.org/ebooks/56447) +book #56447 (https://www.gutenberg.org/ebooks/56447) |