NormalizeHEAD main

author: nfenwick <nfenwick@pglaf.org> 2025-02-07 12:09:10 -0800
committer: nfenwick <nfenwick@pglaf.org> 2025-02-07 12:09:10 -0800
commit: e69ef3199b520767290cc7b57a157ff523d188a5 (patch)
tree: bf9831100ba3555926bd111ef8b0adfb3a1b5e0d
parent: 9d08841c5158d9d56680090410147b6f0acc4fae (diff)
111 files changed, 17 insertions, 3107 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..e181795
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #55149 (https://www.gutenberg.org/ebooks/55149)
diff --git a/old/55149-0.txt b/old/55149-0.txt
deleted file mode 100644
index a371434..0000000
--- a/old/55149-0.txt
+++ /dev/null
@@ -1,903 +0,0 @@
-Project Gutenberg's Michigan's Copper Country in Early Photos, by B. E. Tyler
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Michigan's Copper Country in Early Photos
-
-Author: B. E. Tyler
-
-Release Date: July 19, 2017 [EBook #55149]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
-                               MICHIGAN’S
-                             COPPER COUNTRY
-                                   IN
-                              EARLY PHOTOS
-
-
-                                   BY
-                              B. E. TYLER
-
-    [Illustration: Decorative glyph]
-
-                            L.O.C.—77-71925
-                          S.B.N.—0-912382-21-X
-
-                             Reprinted 1977
-                                   By
-
-    [Illustration: BLACK LETTER PRESS
-    Grand Rapids, Michigan]
-
-                       Art Work by Robert Nelson
-
-
-
-
-                    INTRODUCTION TO THE NEW EDITION
-
-
-History, with all of its ramifications, is a complex subject. Often,
-students pursue it with only the written word in hand, in an attempt to
-gain a deeper, and more meaningful understanding of it. This is usually
-the case because other means of historical relation are not available,
-or completely nonexistent. The strict narration of facts is not a
-sufficient means alone for broadening one’s knowledge of the past.
-
-Whenever the written word can be complemented with other media, for
-example, worthwhile actual photographs, a more complete understanding of
-the past is experienced. Literally, a picture is worth a thousand words,
-and the student can gain, for himself, a more penetrating insight into
-his subject which words alone cannot always provide him.
-
-In publishing _Michigan’s Copper Country In Early Photos_, a pictorial
-account of the Copper Country around 1900, the Black Letter Press has
-made a more complete understanding of the region possible by
-supplementing its written histories with the varied collection of
-photographs. The area’s setting, its people, and their work are
-portrayed. Originally, the book was published as, _Souvenir of the
-Copper Country Upper Peninsula of Michigan_. Copies of this original
-work are extremely scarce today.
-
-In his introduction to the original publication, B.E. Tyler, the
-publisher, states that the Copper Country is a place of natural beauty,
-with the mining of copper from the bowels of the earth as the district’s
-major industry. This was written in 1903, and the pictures presented in
-the volume’s pages offer supportive evidence to his words. However, time
-has moved on, and much has both changed and remained the same in the
-Copper Country.
-
-Tyler mentions a picture of the Cliff Mining Camp, and relates that the
-work has been abandoned, but, “almost every house that was ever erected
-there is standing.” This is no longer true. All structures have been
-dismantled, and all that remains of the once proud and fabulous Cliff
-mine are a few poor rock piles.
-
-The many gabled, and uniquely constructed Quincy Rock House was to be
-found in Hancock, and it was reputed to be the most photographed mine
-structure of its kind in the country. It was destroyed by fire in 1956.
-
-The Douglas House, a famous meeting place, and hotel, in Houghton still
-remains, although its appearance has been altered, and its surroundings
-have changed.
-
-The Kerredge Theater, in Hancock, was completed in 1902, with some seats
-costing as much as forty dollars for a single performance. Popular
-shows, Shakespearian plays, and operas, were presented on its stage.
-
-Copper mining no longer remains the major industry of the area. Once
-where many shafts were sunk deep into the earth, and their rockhouses
-lined the horizon, only a few remain today as reminders of a bygone era,
-standing as ever vigilant sentinels, guarding what may be left of their
-once rich copper deposits. Gone are the giant hoisting machines used to
-bring copper ore to the surface. Gone are the miners, who labored hard
-by candlelight with simple hand tools, replaced by today’s modern miner
-using his battery operated head lamp, and power machinery when work is
-available. Only exploratory and experimental work is presently being
-conducted in the Copper Country.
-
-One aspect of the Copper Country which remains relatively unchanged is
-its rugged natural beauty. The sparkling clear deep blue waters of
-chilling Lake Superior still crash upon its rocky tree lined shores. A
-green mantle of dense forests covers much of the land, which in places
-is wild and mountainous. Water still rushes over spectacular falls as it
-flows onward toward the world’s largest fresh water lake. Past and
-present residents, and many visitors, have witnessed the scenic
-panorama, with some insisting that the climate of the Copper Country has
-an exhilarating, and refreshing therapeutic affect upon them.
-
-Suggested reading material on the Copper Country might include the
-following titles that are considered to be of more than passing
-interest: _Red Metal_, by C. Harry Benedict, _Prehistoric Copper Mining
-in the Lake Superior Region_, edited by Roy W. Drier, and Octave J.
-DuTemple, _Boom Copper_, by Angus Murdock, and _The Cliff_, by Donald
-Chaput. Also of worthwhile reading are such historical novels on the
-region as, _Where Copper Is King_, by James Wright, published in 1905,
-and, _The Long Winter Ends_, by Newton G. Thomas.
-
-Another beneficial book is, _A True Description of the Lake Superior
-Country_, written by John St. John, and originally published in 1846. It
-was republished by the Black Letter Press in 1976, and it provides its
-readers with a rare and invaluable first hand account of early Copper
-Country settings. Of particular interest are the author’s descriptions
-of the region’s geologic development, and of the early copper mines.
-
-_Michigan’s Copper Country In Early Photos_ adds a new dimension to the
-historiography of the Copper Country, providing in pictures what the
-student may not grasp from the written word.
-
-  Richard A. Cebelak
-  Grand Rapids, Michigan
-  March, 1977
-
-The simple beauty of the Copper Country of Michigan, the vastness of its
-enterprises and the activity of its marts are impressive in their very
-nature. Their pictures are more pleasing when left unmarred by wordy
-descriptions. Scenes may be absorbed and grasped by the eye which no
-language can describe.
-
-This book is a simple collection of pictures, characteristic of scenes
-which are familiar to those acquainted with the Copper Country. The
-effort has been put forth to make it as comprehensive as possible.
-
-The winning of the copper from the earth constitutes the dominant
-industry of the district, and is deserving of first place in a
-representation of the Copper Country. All features of the industry are
-shown—in the depths of the mine; on the surface, where the world’s most
-massive machinery furnishes power to actuate the air drills and operate
-the hoisting cables; in the mills and smelters, where the metal is
-refined into copper bullion; along the wharves, where ships are laden
-with the product, to carry it to lower lake ports, whence it is
-distributed throughout the world.
-
-Historic points of interest are given. There is a picture of the old
-Cliff Mining Camp, one of the earliest, and, in its day, one of the most
-populous and prosperous communities in the Upper Peninsula. To-day
-almost every house that was ever erected there is standing, most of them
-dating back nearly half a century, but the place is deserted—hundreds of
-houses with bare walls staring out through bleak windows, and scarcely a
-dozen souls to inhabit them. The old mine workings are abandoned for
-more profitable deposits of mineral.
-
-Pictures are given which show the natural beauty of the Copper Country.
-Pleasing views are so bountifully bestowed by nature that it is a
-difficult task to choose the most impressive. But enough are given to
-create a taste for more—a taste that can be gratified to its fullest
-only by rambling among the vales and hills, through the forests and
-along the banks of the quiet streams and the shores of the mighty
-Unsalted Sea.
-
-The new South Range is thoroughly pictured. This is the young giant
-which in the last five years has forged forward and wrought from the
-ground which was the rooting place for an unbroken forest a group of
-copper mining camps that stand to-day close rivals to the older camps
-which have been half a century in the making.
-
-Such pictures constitute within themselves a story of beauty, power and
-pathos which no words can enhance. Those responsible for the book have
-drawn from its preparation a wealth of pleasure. Courtesies have been
-extended from all sources, in recompense for which the sincerest
-expression of appreciation is now extended. May those into whose hands
-the book shall come glean from it all the subtle meaning and all the
-stirring thoughts which its pictures are capable of inspiring. It will
-then be an epic, indeed—a poem, a song, a burst of harmony beyond the
-power of words to utter.
-
-  B. E. Tyler,
-  Publisher,
-  Houghton, Mich.
-
-  Copyright, 1903, by B. E. Tyler, Houghton, Mich.
-
-    [Illustration: Houghton 1897]
-
-    [Illustration: ASSAYERS MICHIGAN COLLEGE OF MINES.]
-
-    [Illustration: HOTEL DEE, HOUGHTON, MICH.]
-
-    [Illustration: SHELDEN-DEE BUILDING, HOUGHTON, MICH.]
-
-    [Illustration: MICHIGAN COLLEGE OF MINES, HOUGHTON, MICH.]
-
-    [Illustration: DOUGLAS HOUSE, HOUGHTON, MICH.]
-
-    [Illustration: A. Haas Brewing Co.
-    Houghton.]
-
-    [Illustration: National Bank of Houghton]
-
-    [Illustration: Quincy Rock House]
-
-    [Illustration: _Hancock from Portage Lake_]
-
-    [Illustration: _Calumet & Hecla Mine_]
-
-    [Illustration: _Lake Linden_]
-
-    [Illustration: _Portage Lake_]
-
-    [Illustration: Paine Memorial Library
-    Painesdale.]
-
-    [Illustration: Freda Park, Copper Range]
-
-    [Illustration: _Trimountain Mine
-    Copper Range R.R._]
-
-    [Illustration: QUINCY SMELTERS, HANCOCK]
-
-    [Illustration: CHAMPION MILL ON COPPER RANGE R.R.]
-
-    [Illustration: Students - M.C.M.
-    Isle Royale Mine, Houghton.]
-
-    [Illustration: Quincy Mine.
-    GOING UNDER GROUND.]
-
-    [Illustration: N.Y. Cent. Boat Unloading at
-    Copper Range R.R. Dock]
-
-    [Illustration: Winter]
-
-    [Illustration: Company G 3^rd Rg. Mich. Nat. Guards
-    Houghton.]
-
-    [Illustration: Rock House
-    Quincy Mine]
-
-    [Illustration: Divers at Work
-    Trimountain Intake, L. S.]
-
-    [Illustration: Quincy Hill]
-
-    [Illustration: Coal Hoist
-    Copper Range R.R.]
-
-    [Illustration: Michigan College Mines
-    Houghton]
-
-    [Illustration: TRIMOUNTAIN MILL on COPPER RANGE R.R.]
-
-    [Illustration: Lake Superior Foxes]
-
-    [Illustration: Hodge Foundry]
-
-    [Illustration: Underground
-    Champion Mine]
-
-    [Illustration: Mill Mine Jct.
-    Copper Range R.R.]
-
-    [Illustration: Five Million Pounds of Copper Ready for Shipment,
-    Houghton, Mich.]
-
-    [Illustration: Mining Students
-    Underground]
-
-    [Illustration: Public School Bl’g’s
-    Hancock.]
-
-    [Illustration: Catch of Fish]
-
-    [Illustration: Baltic
-    on
-    COPPER RANGE R.R.]
-
-    [Illustration: Baltic Mine
-    Copper Range R.R.]
-
-    [Illustration: Excursion
-    Copper Range R.R.]
-
-    [Illustration: Quincy Stamp Mill]
-
-    [Illustration: Timbermen
-    Champion Mine]
-
-    [Illustration: TIONESTA]
-
-    [Illustration: Trammers
-    Baltic Mine]
-
-    [Illustration: Lower Falls
-    FIRE STEEL RIVER
-    Copper Range R.R.]
-
-    [Illustration: STANLEY G. WIGHT, President.    C. M. GARRISON, Sec.
-    & Treas.
-    This mass of pure Copper, weighing about 6,000 lbs., was found upon
-    the property of the Minong Mining Company situated at McCargo Cove,
-    on Isle Royal, L. S. It was taken from an ancient mine Pit 16½ feet
-    deep, and is just as discovered, showing ancient stone hammer
-    marks.]
-
-    [Illustration: Oseeola Stamp Mill]
-
-    [Illustration: Freda Park]
-
-    [Illustration: ATLANTIC MINE
-    ATLANTIC]
-
-    [Illustration: Cliff Mine.
-    Oldest Mine on Lake Superior]
-
-    [Illustration: FIRE STEEL RIVER
-    COPPER RANGE R.R.]
-
-    [Illustration: TRIMOUNTAIN MILL ON COPPER RANGE R.R.]
-
-    [Illustration: RIPLEY FALLS]
-
-    [Illustration: Hoist
-    Champion Mine]
-
-    [Illustration: -Storm- Freda Park
-    Copper Range R.R.]
-
-    [Illustration: CHAMPION MILL
-    COPPER RANGE R.R.]
-
-    [Illustration: CHICAGO, MILWAUKEE & ST. PAUL RAILWAY, RUNNING IN
-    CONNECTION WITH COPPER RANGE RAILROAD.]
-
-    [Illustration: MOHAWK AND WOLVERINE STAMP MILLS.]
-
-    [Illustration: _C. & H. Smelting Wks._]
-
-    [Illustration: U.S. SHIP CANAL
-    Lake Superior]
-
-    [Illustration: PROFILE ROCK
-    C.R.R.R.]
-
-    [Illustration: Hancock Fire Dept.]
-
-    [Illustration: Tamarack Mill “New”]
-
-    [Illustration: Quincy Street
-    Hancock.]
-
-    [Illustration: DOLLAR BAY DOCK]
-
-    [Illustration: QUINCY COAL DOCK]
-
-    [Illustration: “Jumbo”
-    Hoist C. & H. mine
-    CALUMET.]
-
-    [Illustration: HOUGHTON FIRE DEPT.]
-
-    [Illustration: Underground Trolly
-    Quincy Mine]
-
-    [Illustration: “The Swing”
-    —Freda Park—]
-
-    [Illustration: KERREDGE THEATRE]
-
-    [Illustration: Construction Work.
-    Copper Range R.R.]
-
-    [Illustration: Catholic Hospital
-    Hancock]
-
-    [Illustration: Isle Royale Hoist]
-
-    [Illustration: Adventure Mill
-    COPPER RANGE R.R.]
-
-    [Illustration: “GRAYLING” OTTER RIVER—COPPER RANGE R.R.—TYLER—]
-
-    [Illustration: Tables
-    Champion Mill]
-
-    [Illustration: UPPER SECTION HUNGARIAN FALLS]
-
-    [Illustration: Redridge Dam
-    C.R.R.R.]
-
-    [Illustration: S.S. Northwest.]
-
-    [Illustration: —Citizens National Bank—
-    Houghton.]
-
-    [Illustration: —Baltic Mill—
-    COPPER RANGE R.R.—TYLER]
-
-    [Illustration: _LAKE ROWLAND
-    C.R.R.R._]
-
-    [Illustration: Tamarack Stamp Mill.]
-
-    [Illustration: AGATE BEACH—FREDA PARK]
-
-    [Illustration: —Picnic—
-    Freda Park]
-
-    [Illustration: Amphidrome.
-    Houghton.]
-
-    [Illustration: Red Jacket Shaft, Calumet. Mich.,
-    Deepest Vertical Shaft in the World.
-    Over 6,000 feet deep.]
-
-    [Illustration: TRIMOUNTAIN MILL ON COPPER RANGE R.R.]
-
-    [Illustration: Quincy Stamp Mill]
-
-    [Illustration: Fishing Party
-    Houghton]
-
-    [Illustration: STORM—LAKE SUPERIOR]
-
-    [Illustration: THE DAILY MINING GAZETTE
-    W. R. DASKAN & CO. HARDWARE    POST OFFICE]
-
-    [Illustration: Paine Memorial Library
-    Paine]
-
-    [Illustration: Hungarian Falls
-    Copper Range R.R.]
-
-    [Illustration: CHAMPION MINE
-    C.R.R.R.]
-
-
-
-
-   OTHER AVAILABLE REPRINTS FROM THE AWARD WINNING BLACK LETTER PRESS
-
-
-  Altrocchi, J.C.—Wolves Against The Moon. (Great Lakes Fur Trade Novel)
-          752 pp. Map end papers. $13.95
-  Ballard, J.Z.—The Indian Captivity, or The Long Lost Jackson Boy.
-          (Jackson, Mich.). 112pp. Illus. Wraps. $2.95
-  Butterfield, C.W.—Brule’s Discoveries & Explorations. 186pp. Illus.
-          Wraps. $3.75
-  Cook, S.F.—Drummond Island. The Story of the British Occupation.
-          142pp. Illus. Folding map. Wraps. $3.75
-  Dadd, B.—Great Trans-Continental Railroad Guide. 1869. Illus. new
-          reprint. 244pp. Wraps. $3.95
-  Grover, F.R.—A Brief Hist. of Les Cheneaux Islands. Reprint of the
-          original edition. 140pp. Illus. Wraps. $2.95
-  Harwood—Early Stories of the Great Lakes. Wraps. 185 pp. Illus. $5.25
-  Husband, J.—The History of the Pullman Car. 161pp. Illus. Cloth. d/j.
-          $9.95
-  Inglis, J.G.—Northern Mich. Handbook for Travelers. 1898. Reprint Ed.
-          188pp. Maps & Photos. $3.75
-  Jennings, C.B.—The Grand Rapids Fire Dept. 1889. Well Illus. Five
-          color cover. Wraps. 80pp. $3.95
-  Johnson, I.A.—The Michigan Fur Trade. 1634-1850. With new
-          introduction. 201pp. Cloth. $9.95
-  Kane, G.F.—Myths & Legends of the Mackinacs and the Lake Region. 159
-          pp. Illus. New Reprint. $3.75
-  Livingston, L.R.—From Coast to Coast with Jack London. 135pp. Illus.
-          Cloth. D/J. $6.00
-  Newton, S.—Mackinac Island & Sault Ste. Marie. 188 pp. Illus. Wraps.
-          $5.25
-  Newton, S.—The Story of Saulte Ste. Marie and Chippewa County Mich.
-          200pp. Illus. Wraps. $5.25. Cloth. $9.95
-  St. John, John—A True Description of the Lake Superior Country.—Cloth.
-          Maps in Pocket. 118 pp. $10.95
-  Tuttle, C.R.—History of Grand Rapids, Mich. 1874. Reprint of 1st Hist.
-          of G.R. 156pp. Early Ads. Wraps. $3.75
-  VanFleet, J.A.—Summer Resorts of the Mackinaw Region, Etc. 1882.
-          Illus. 50pp. Wraps. $2.75
-  White, J.E.—Railway Mail Service a Hist. Of. 1910. Limited Ed.
-          Reprint. Numbered. Cloth. 312pp. Illus. $10.95
-
-             _Dealers send for discount schedule & Catalog_
-
-
-
-
-                          Transcriber’s Notes
-
-
-—Retained publication information from the printed edition: this eBook
-  is public-domain in the country of publication.
-
-—Silently corrected a few palpable typos.
-
-—Transcribed handwritten in-photo captions.
-
-—In the HTML version, added page numbers for convenient reference.
-
-—In the text versions only, text in italics is delimited by
-  _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Michigan's Copper Country in Early
-Photos, by B. E. Tyler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-***** This file should be named 55149-0.txt or 55149-0.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/5/1/4/55149/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/55149-0.zip b/old/55149-0.zip
deleted file mode 100644
index a59a2b7..0000000
--- a/old/55149-0.zip
+++ /dev/null
diff --git a/old/55149-h.zip b/old/55149-h.zip
deleted file mode 100644
index 5e604de..0000000
--- a/old/55149-h.zip
+++ /dev/null
diff --git a/old/55149-h/55149-h.htm b/old/55149-h/55149-h.htm
deleted file mode 100644
index 4040731..0000000
--- a/old/55149-h/55149-h.htm
+++ /dev/null
@@ -1,1301 +0,0 @@
-<?xml version="1.0" encoding="utf-8"?>
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<meta http-equiv="Content-Style-Type" content="text/css" />
-<meta name="viewport" content="width=device-width, initial-scale=1.0" />
-<title>Michigan&rsquo;s Copper Country in Early Photos, by B. E. Tyler: a Project Gutenberg eBook</title>
-<meta name="author" content="B. E. Tyler" />
-<meta name="pss.pubdate" content="1903" />
-<link rel="schema.DC" href="http://dublincore.org/documents/1998/09/dces/" />
-<meta name="DC.Title" content="Michigan&rsquo;s Copper Country in Early Photos" />
-<meta name="DC.Language" content="en" />
-<meta name="DC.Format" content="text/html" />
-<meta name="DC.Created" content="1903" />
-<meta name="DC.Creator" content="B. E. Tyler (****-****)" />
-<style type="text/css">
-large { font-size:125%; }
-sc    { font-variant:small-caps; font-style: normal; }
-
-/* == GLOBAL MARKUP == */
-body, table.twocol tr td  { margin-left:2em; margin-right:2em; }   /* BODY */
-.box     { border-style:double; margin-bottom:2em; max-width:30em; margin-right:auto; margin-left:auto; margin-top:2em; }
-.box p   { margin-right:1em; margin-left:1em; }
-.box dl  { margin-right:1em; margin-left:1em; }
-h1, h2, h3, h5, h6, .titlepg p { text-align:center; clear:both; text-indent:0; }   /* HEADINGS */
-h2                { margin-top:1.5em; margin-bottom:1em; }
-h1                { margin-top:3em; }
-div.box h1        { margin-top:1em; }
-h3                { margin-top:2.5em; }
-h4, h5            { font-size:100%; text-align:right; clear:right; }
-h6                { font-size:100%; }
-h6.var            { font-size:80%; font-style:normal; }
-.titlepg          { margin-left:auto; margin-right:auto; border-style:double; clear:both; }
-span.chaptertitle { font-style:normal; display:block; text-align:center; font-size:150%; text-indent:0; }
-.tblttl           { text-align:center; text-indent:0;}
-.tblsttl          { text-align:center; font-variant:small-caps; text-indent:0; }
-
-pre sub.ms { width:4em; letter-spacing:1em; }
-table.fmla { text-align:center; margin-top:0em; margin-bottom:0em; margin-left:0em; margin-right:0em; }
-table.inline, table.symbol { display: inline-table; vertical-align: middle; }
-td.cola           { text-align:left; vertical-align:100%; }
-td.colb           { text-align:justify; }
-
-p, blockquote, div.p, div.bq { text-align:justify; }                              /* PARAGRAPHS */
-div.p, div.bq   { margin-top:1em; margin-bottom:1em; }
-blockquote, .bq { margin-left:1em; margin-right:0em; }
-.verse    { font-size:100%; }
-p.indent  {text-indent:2em; text-align:left; }
-p.tb, p.tbcenter, verse.tb, blockquote.tb      { margin-top:2em; }
-img.drop-cap { float: left; margin:0; margin-right:0.5em;}
-p.drop-cap:first-letter { color:transparent; visibility:hidden; margin-left:-0.9em;}
-
-span.pb, div.pb, dt.pb, p.pb                                      /* PAGE BREAKS */
-{ text-align:right; float:right; margin-right:0em; clear:right; }
-div.pb { display:inline; }
-.pb, dt.pb, dl.toc dt.pb, dl.tocl dt.pb    { text-align:right; float:right; margin-left: 1.5em;
-         margin-top:.5em; margin-bottom:.5em; display:inline; text-indent:0;
-         font-size:80%; font-style:normal; font-weight:bold;
-         color:gray; border:1px solid gray;padding:1px 3px; }
-div.index .pb  { display:block; }
-.bq  div.pb, .bq span.pb  { font-size:90%; margin-right:2em; }
-
-div.img, body a img  {text-align:center; margin-left:auto; margin-right:auto; margin-top:2em; margin-bottom:2em; clear:right; }
-
-sup, a.fn { font-size:75%; vertical-align:100%; line-height:50%; font-weight:normal; }
-h3   a.fn { font-size:65%; }
-sub { font-size:75%; }
-.center, .tbcenter       { text-align:center; clear:both; text-indent:0; }                  /* TEXTUAL MARKUP */
-span.center              { display:block; }
-table.center { clear:both; margin-right:auto; margin-left:auto; }
-table.center tr td.l  {text-align:left; margin-left:0em; }
-table.center tr td.j  {text-align:justify; }
-table.center tr td.t  {text-align:left; text-indent:1em; }
-table.center tr td.t2 {text-align:left; text-indent:2em; }
-table.center tr td.r  {text-align:right; }
-table.center tr th    {vertical-align:bottom; }
-table.center tr td    {vertical-align:top; }
-table.inline, table.symbol { display: inline-table; vertical-align: middle; }
-
-p           { clear:left; }
-.small, .lsmall      { font-size:90%; }
-.smaller    { font-size:80%; }
-.smallest   { font-size:67%; }
-.larger     { font-size:150%; }
-.large      { font-size:125%; }
-.xlarge     { font-size:200%; line-height:60%; }
-.xxlarge    { font-size:200%; line-height:60%; }
-.gs         { letter-spacing:1em; }
-.gs3        { letter-spacing:2em; }
-.gslarge    { letter-spacing:.3em; font-size:110%; }
-.sc         { font-variant:small-caps; font-style:normal; }
-.unbold     { font-weight:normal; }
-.xo         { position:relative; left:-.3em; }
-.over, over { text-decoration: overline; display:inline; }
-hr          { width:20%; }
-.jl         { text-align:left; }
-.jr         { text-align:right; min-width:2em; display:inline-block; float:right; }
-.jr1        { text-align:right; margin-right:2em; }
-h1 .jr      { margin-right:.5em; }
-.ind1       { text-align:left;  margin-left:2em; }
-.u          { text-decoration:underline; }
-.hst        { margin-left:2em; }
-.rubric     { color:red; }
-.cnwhite    { color:white; background-color:black; min-width:2em; display:inline-block;
-              text-align:center; font-weight:bold; font-family:sans-serif; }
-.cwhite     { color:white; background-color:black; text-align:center; font-weight:bold;
-              font-family:sans-serif; }
-ul  li      { text-align:justify; }
-.ss         { font-family:sans-serif; font-weight:bold; }
-
-dd.t           { text-align:left; margin-left: 5.5em; }
-dl.toc         { clear:both; margin-top:1em; }                    /* CONTENTS (.TOC) */
-.toc  dt.center    { text-align:center; clear:both; margin-top:3em; margin-bottom:1em; text-indent:0;}
-.toc  dt      { text-align:right; clear:left; }
-.toc  dd      { text-align:right; clear:both; }
-.toc  dd.ddt  { text-align:right; clear:both; margin-left:4em; }
-.toc  dd.ddt2 { text-align:right; clear:both; margin-left:5em; }
-.toc  dd.ddt3 { text-align:right; clear:both; margin-left:6em; }
-.toc  dd.ddt4 { text-align:right; clear:both; margin-left:7em; }
-.toc  dd.ddt5 { text-align:right; clear:both; margin-left:8em; }
-.toc  dd.note { text-align:justify; clear:both; margin-left:5em; text-indent:-1em; margin-right:3em; }
-.toc  dt .xxxtest {width:17em; display:block; position:relative; left:4em; }
-.toc  dt  a,
-.toc  dd  a,
-.toc dt span.left,
-.toc dt span.lsmall,
-.toc dd span.left { text-align:left; clear:right; float:left; }
-.toc  dt  a  span.cn { width:4em; text-align:right; margin-right:.7em;  float:left; }
-.toc  dt.sc   { text-align:right;  clear:both; }
-.toc  dt.scl  { text-align:left;   clear:both; font-variant:small-caps; }
-.toc  dt.sct  { text-align:right;  clear:both; font-variant:small-caps; margin-left:1em; }
-.toc  dt.jl   { text-align:left;   clear:both; font-variant:normal; }
-.toc  dt.scc  { text-align:center; clear:both; font-variant:small-caps; text-indent:0; }
-.toc  dt span.lj { text-align:left; display:block; float:left; }
-.toc  dd.center { text-align:center; text-indent:0; }
-dd.tocsummary {text-align:justify; margin-right:2em; margin-left:2em; }
-dd.center sc  {display:block; text-align:center; text-indent:0; }
-/* BOX CELL */
-td.top { border-top:1px    solid; width:.5em; height:.8em; }
-td.bot { border-bottom:1px solid; width:.5em; height:.8em; }
-td.rb  { border:1px solid; border-left:none;  width:.5em; height:.8em;  }
-td.lb  { border:1px solid; border-right:none; width:.5em; height:.8em;  }
-
-/* INDEX (.INDEX) */
-dl.index   { clear:both; }
-.index dd  { margin-left:4em; text-indent:-2em; text-align:left; }
-.index dt  { margin-left:2em; text-indent:-2em; text-align:left; }
-.index dt.center {text-align:center; text-indent:0; }
-
-.ab, .ab1, .ab2 {
-font-weight:bold; text-decoration:none;
-border-style:solid; border-color:gray; border-width:1px;
-margin-right:0px; margin-top:5px; display:inline-block; text-align:center; text-indent:0; }
-.ab { width:1em; }
-.ab2 { width:1.5em; }
-a.gloss { background-color:#f2f2f2; border-bottom-style:dotted; text-decoration:none; border-color:#c0c0c0; color:inherit; }
-                                                           /* FOOTNOTE BLOCKS */
-div.notes p  { margin-left:1em; text-indent:-1em; text-align:justify; }
-
-dl.undent dd   { margin-left:3em; text-indent:-2em; text-align:justify; }
-dl.undent dt   { margin-left:2em; text-indent:-2em; text-align:justify; clear:both; }
-dl.undent dd.t { margin-left:4em; text-indent:-2em; text-align:justify; }
-                                                           /* POETRY LINE NUMBER */
-.lnum   { text-align:right; float:right; margin-left:.5em; display:inline; }
-
-.hymn     { text-align:left; }                                  /*  HYMN AND VERSE: HTML  */
-.verse    { text-align:left; margin-top:1em; margin-bottom:1em; margin-left:0em; }
-.versetb  { text-align:left; margin-top:2em; margin-bottom:1em; margin-left:0em; }
-.originc  { text-align:center; text-indent:0; }
-.subttl   { text-align:center; font-size:80%; text-indent:0; }
-.srcttl   { text-align:center; font-size:80%; text-indent:0; font-weight:bold; }
-p.t0, p.l { margin-left:4em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.lb                 { margin-left:4em;  text-indent:-3em; margin-top:2em; margin-bottom:0; text-align:left; }
-p.tw, div.tw, .tw    { margin-left:1em;  text-indent:-1em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t,  div.t,  .t     { margin-left:5em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t2,  div.t2,  .t2  { margin-left:6em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t3,  div.t3,  .t3  { margin-left:7em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t4,  div.t4,  .t4  { margin-left:8em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t5,  div.t5,  .t5  { margin-left:9em;  text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t6,  div.t6,  .t6  { margin-left:10em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t7,  div.t7,  .t7  { margin-left:11em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t8,  div.t8,  .t8  { margin-left:12em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t9,  div.t9,  .t9  { margin-left:13em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t10, div.t10,.t10  { margin-left:14em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t11, div.t11,.t11  { margin-left:15em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t12, div.t12,.t12  { margin-left:16em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t13, div.t13,.t13  { margin-left:17em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t14, div.t14,.t14  { margin-left:18em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t15, div.t15,.t15  { margin-left:19em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.lr, div.lr, span.lr { display:block; margin-left:0em; margin-right:1em; margin-top:0; margin-bottom:0; text-align:right; }
-dt.lr                { width:100%; margin-left:0em; margin-right:0em; margin-top:0; margin-bottom:0; margin-top:1em; text-align:right; }
-dl dt.lr a           { text-align:left; clear:left; float:left; }
-
-.fnblock   { margin-top:2em; }
-.fndef     { text-align:justify; margin-top:1.5em; margin-left:1.5em; text-indent:-1.5em; }
-.fndef p.fncont, .fndef dl { margin-left:0em; text-indent:0em; }
-dl.catalog dd { font-style:italic; }
-dl.catalog dt { margin-top:1em; }
-.author { text-align:right; margin-top:0em; margin-bottom:0em; display:block; }
-
-dl.biblio  dt        { margin-top:.6em; margin-left:2em; text-indent:-2em; text-align:justify; clear:both; }
-dl.biblio  dt  div   { display:block; float:left; margin-left:-6em; width:6em; clear:both; }
-dl.biblio  dt.center { margin-left:0em; text-align:center; text-indent:0; }
-dl.biblio  dd        { margin-top:.3em; margin-left:3em; text-align:justify; font-size:90%; }
-.clear     { clear:both; }
-p.book     { margin-left:2em; text-indent:-2em; }
-p.review   { margin-left:2em; text-indent:-2em; font-size:80%; }
-p.pcap     {  text-indent:0em; text-align:center; margin-top:0; }
-p.pcapc    { margin-left:4.7em; text-indent:0em; text-align:justify; }
-span.pn    { display:inline-block; width:4.7em; text-align:left; margin-left:0; text-indent:0; }</style>
-</head>
-<body>
-
-
-<pre>
-
-Project Gutenberg's Michigan's Copper Country in Early Photos, by B. E. Tyler
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Michigan's Copper Country in Early Photos
-
-Author: B. E. Tyler
-
-Release Date: July 19, 2017 [EBook #55149]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-<div id="cover" class="img">
-<img id="coverpage" src="images/cover.jpg" alt="Michigan&rsquo;s Copper Country in Early Photos" width="500" height="759" />
-</div>
-<div class="box">
-<h1>MICHIGAN&rsquo;S
-<br />COPPER COUNTRY
-<br />IN
-<br />EARLY PHOTOS</h1>
-<p class="center"><b>BY
-<br />B. E. TYLER</b></p>
-<div class="img">
-<img src="images/pic002a.jpg" alt="Decorative glyph" width="60" height="60" />
-</div>
-<p class="center smaller">L.O.C.&mdash;77-71925
-<br />S.B.N.&mdash;0-912382-21-X</p>
-<p class="center smaller">Reprinted 1977
-<br />By</p>
-<div class="img" id="fig1">
-<img src="images/pic002b.jpg" alt="" width="150" height="57" />
-<p class="pcap"><span class="ss">BLACK LETTER PRESS
-<br />Grand Rapids, Michigan</span></p>
-</div>
-<p class="center smaller">Art Work by Robert Nelson</p>
-</div>
-<div class="pb" id="Page_i">i</div>
-<h2 id="c1"><span class="small">INTRODUCTION TO THE NEW EDITION</span></h2>
-<p>History, with all of its ramifications, is a complex subject. Often, students
-pursue it with only the written word in hand, in an attempt to gain a deeper,
-and more meaningful understanding of it. This is usually the case because
-other means of historical relation are not available, or completely nonexistent.
-The strict narration of facts is not a sufficient means alone for
-broadening one&rsquo;s knowledge of the past.</p>
-<p>Whenever the written word can be complemented with other media, for
-example, worthwhile actual photographs, a more complete understanding of
-the past is experienced. Literally, a picture is worth a thousand words, and
-the student can gain, for himself, a more penetrating insight into his subject
-which words alone cannot always provide him.</p>
-<p>In publishing <i>Michigan&rsquo;s Copper Country In Early Photos</i>, a pictorial
-account of the Copper Country around 1900, the Black Letter Press has
-made a more complete understanding of the region possible by supplementing
-its written histories with the varied collection of photographs. The area&rsquo;s
-setting, its people, and their work are portrayed. Originally, the book was
-published as, <i>Souvenir of the Copper Country Upper Peninsula of Michigan</i>.
-Copies of this original work are extremely scarce today.</p>
-<p>In his introduction to the original publication, B.E. Tyler, the publisher,
-states that the Copper Country is a place of natural beauty, with the mining
-of copper from the bowels of the earth as the district&rsquo;s major industry. This
-was written in 1903, and the pictures presented in the volume&rsquo;s pages offer
-supportive evidence to his words. However, time has moved on, and much
-has both changed and remained the same in the Copper Country.</p>
-<p>Tyler mentions a picture of the Cliff Mining Camp, and relates that the
-work has been abandoned, but, &ldquo;almost every house that was ever erected
-there is standing.&rdquo; This is no longer true. All structures have been dismantled,
-and all that remains of the once proud and fabulous Cliff mine are
-a few poor rock piles.</p>
-<p>The many gabled, and uniquely constructed Quincy Rock House was to
-be found in Hancock, and it was reputed to be the most photographed mine
-structure of its kind in the country. It was destroyed by fire in 1956.</p>
-<p>The Douglas House, a famous meeting place, and hotel, in Houghton still
-remains, although its appearance has been altered, and its surroundings have
-changed.</p>
-<p>The Kerredge Theater, in Hancock, was completed in 1902, with some
-seats costing as much as forty dollars for a single performance. Popular
-shows, Shakespearian plays, and operas, were presented on its stage.</p>
-<div class="pb" id="Page_ii">ii</div>
-<p>Copper mining no longer remains the major industry of the area. Once
-where many shafts were sunk deep into the earth, and their rockhouses lined
-the horizon, only a few remain today as reminders of a bygone era, standing
-as ever vigilant sentinels, guarding what may be left of their once rich copper
-deposits. Gone are the giant hoisting machines used to bring copper ore to
-the surface. Gone are the miners, who labored hard by candlelight with
-simple hand tools, replaced by today&rsquo;s modern miner using his battery operated
-head lamp, and power machinery when work is available. Only exploratory
-and experimental work is presently being conducted in the Copper
-Country.</p>
-<p>One aspect of the Copper Country which remains relatively unchanged is
-its rugged natural beauty. The sparkling clear deep blue waters of chilling
-Lake Superior still crash upon its rocky tree lined shores. A green mantle of
-dense forests covers much of the land, which in places is wild and mountainous.
-Water still rushes over spectacular falls as it flows onward toward
-the world&rsquo;s largest fresh water lake. Past and present residents, and many
-visitors, have witnessed the scenic panorama, with some insisting that the
-climate of the Copper Country has an exhilarating, and refreshing therapeutic
-affect upon them.</p>
-<p>Suggested reading material on the Copper Country might include the following
-titles that are considered to be of more than passing interest: <i>Red
-Metal</i>, by C. Harry Benedict, <i>Prehistoric Copper Mining in the Lake Superior
-Region</i>, edited by Roy W. Drier, and Octave J. DuTemple, <i>Boom Copper</i>, by
-Angus Murdock, and <i>The Cliff</i>, by Donald Chaput. Also of worthwhile reading
-are such historical novels on the region as, <i>Where Copper Is King</i>, by
-James Wright, published in 1905, and, <i>The Long Winter Ends</i>, by Newton G.
-Thomas.</p>
-<p>Another beneficial book is, <i>A True Description of the Lake Superior
-Country</i>, written by John St. John, and originally published in 1846. It was
-republished by the Black Letter Press in 1976, and it provides its readers
-with a rare and invaluable first hand account of early Copper Country settings.
-Of particular interest are the author&rsquo;s descriptions of the region&rsquo;s
-geologic development, and of the early copper mines.</p>
-<p><i>Michigan&rsquo;s Copper Country In Early Photos</i> adds a new dimension to the
-historiography of the Copper Country, providing in pictures what the student
-may not grasp from the written word.</p>
-<div class="verse">
-<p class="t0">Richard A. Cebelak</p>
-<p class="t0">Grand Rapids, Michigan</p>
-<p class="t0">March, 1977</p>
-</div>
-<div class="pb" id="Page_iii">iii</div>
-<p><img class="drop-cap" src="images/cap_t.jpg" title="" alt="" width="100" height="123" /><span class="drop-cap">T</span>he simple beauty of the Copper Country of Michigan, the vastness
-of its enterprises and the activity of its marts are impressive in their
-very nature. Their pictures are more pleasing when left unmarred
-by wordy descriptions. Scenes may be absorbed and grasped by the
-eye which no language can describe.</p>
-<p>This book is a simple collection of pictures, characteristic of scenes which
-are familiar to those acquainted with the Copper Country. The effort has been
-put forth to make it as comprehensive as possible.</p>
-<p>The winning of the copper from the earth constitutes the dominant industry
-of the district, and is deserving of first place in a representation of the Copper
-Country. All features of the industry are shown&mdash;in the depths of the mine;
-on the surface, where the world&rsquo;s most massive machinery furnishes power to
-actuate the air drills and operate the hoisting cables; in the mills and smelters,
-where the metal is refined into copper bullion; along the wharves, where ships
-are laden with the product, to carry it to lower lake ports, whence it is distributed
-throughout the world.</p>
-<p>Historic points of interest are given. There is a picture of the old Cliff
-Mining Camp, one of the earliest, and, in its day, one of the most populous and
-prosperous communities in the Upper Peninsula. To-day almost every house
-that was ever erected there is standing, most of them dating back nearly half a
-century, but the place is deserted&mdash;hundreds of houses with bare walls staring
-out through bleak windows, and scarcely a dozen souls to inhabit them. The
-old mine workings are abandoned for more profitable deposits of mineral.</p>
-<p>Pictures are given which show the natural beauty of the Copper Country.
-Pleasing views are so bountifully bestowed by nature that it is a difficult task
-to choose the most impressive. But enough are given to create a taste for
-more&mdash;a taste that can be gratified to its fullest only by rambling among the
-vales and hills, through the forests and along the banks of the quiet streams and
-the shores of the mighty Unsalted Sea.</p>
-<p>The new South Range is thoroughly pictured. This is the young giant
-which in the last five years has forged forward and wrought from the ground
-which was the rooting place for an unbroken forest a group of copper mining
-camps that stand to-day close rivals to the older camps which have been half a
-century in the making.</p>
-<p>Such pictures constitute within themselves a story of beauty, power and
-pathos which no words can enhance. Those responsible for the book have
-drawn from its preparation a wealth of pleasure. Courtesies have been extended
-from all sources, in recompense for which the sincerest expression of appreciation
-is now extended. May those into whose hands the book shall come glean from
-it all the subtle meaning and all the stirring thoughts which its pictures are
-capable of inspiring. It will then be an epic, indeed&mdash;a poem, a song, a burst
-of harmony beyond the power of words to utter.</p>
-<div class="verse">
-<p class="t0"><span class="sc">B. E. Tyler</span>,</p>
-<p class="t0">Publisher,</p>
-<p class="t0">Houghton, Mich.</p>
-</div>
-<blockquote>
-<p>Copyright, 1903, by B. E. Tyler, Houghton, Mich.</p>
-</blockquote>
-<div class="pb" id="Page_1">1</div>
-<div class="img" id="fig2">
-<img src="images/pic005.jpg" alt="" width="843" height="600" />
-<p class="pcap"><span class="sc">Houghton 1897</span></p>
-</div>
-<div class="pb" id="Page_2">2</div>
-<div class="img" id="fig3">
-<img src="images/pic006.jpg" alt="" width="907" height="600" />
-<p class="pcap">ASSAYERS MICHIGAN COLLEGE OF MINES.</p>
-</div>
-<div class="pb" id="Page_3">3</div>
-<div class="img" id="fig4">
-<img src="images/pic007.jpg" alt="" width="597" height="600" />
-<p class="pcap">HOTEL DEE, HOUGHTON, MICH.</p>
-</div>
-<div class="img" id="fig5">
-<img src="images/pic007a.jpg" alt="" width="828" height="600" />
-<p class="pcap">SHELDEN-DEE BUILDING, HOUGHTON, MICH.</p>
-</div>
-<div class="pb" id="Page_4">4</div>
-<div class="img" id="fig6">
-<img src="images/pic008.jpg" alt="" width="862" height="600" />
-<p class="pcap">MICHIGAN COLLEGE OF MINES, HOUGHTON, MICH.</p>
-</div>
-<div class="pb" id="Page_5">5</div>
-<div class="img" id="fig7">
-<img src="images/pic009.jpg" alt="" width="605" height="599" />
-<p class="pcap">DOUGLAS HOUSE, HOUGHTON, MICH.</p>
-</div>
-<div class="pb" id="Page_6">6</div>
-<div class="img" id="fig8">
-<img src="images/pic010.jpg" alt="" width="828" height="594" />
-<p class="pcap"><span class="sc">A. Haas Brewing Co.<br />Houghton.</span></p>
-</div>
-<div class="pb" id="Page_7">7</div>
-<div class="img" id="fig9">
-<img src="images/pic011.jpg" alt="" width="816" height="584" />
-<p class="pcap"><span class="sc">National Bank of Houghton</span></p>
-</div>
-<div class="pb" id="Page_8">8</div>
-<div class="img" id="fig10">
-<img src="images/pic012.jpg" alt="" width="854" height="593" />
-<p class="pcap"><span class="sc">Quincy Rock House</span></p>
-</div>
-<div class="pb" id="Page_9">9</div>
-<div class="img" id="fig11">
-<img src="images/pic013.jpg" alt="" width="846" height="600" />
-<p class="pcap"><i>Hancock from Portage Lake</i></p>
-</div>
-<div class="pb" id="Page_10">10</div>
-<div class="img" id="fig12">
-<img src="images/pic014.jpg" alt="" width="834" height="600" />
-<p class="pcap"><i>Calumet &amp; Hecla Mine</i></p>
-</div>
-<div class="pb" id="Page_11">11</div>
-<div class="img" id="fig13">
-<img src="images/pic015.jpg" alt="" width="785" height="600" />
-<p class="pcap"><i>Lake Linden</i></p>
-</div>
-<div class="pb" id="Page_12">12</div>
-<div class="img" id="fig14">
-<img src="images/pic016.jpg" alt="" width="889" height="600" />
-<p class="pcap"><i>Portage Lake</i></p>
-</div>
-<div class="pb" id="Page_13">13</div>
-<div class="img" id="fig15">
-<img src="images/pic017.jpg" alt="" width="841" height="600" />
-<p class="pcap"><span class="sc">Paine Memorial Library<br />Painesdale.</span></p>
-</div>
-<div class="pb" id="Page_14">14</div>
-<div class="img" id="fig16">
-<img src="images/pic018.jpg" alt="" width="840" height="600" />
-<p class="pcap"><span class="sc">Freda Park, Copper Range</span></p>
-</div>
-<div class="pb" id="Page_15">15</div>
-<div class="img" id="fig17">
-<img src="images/pic019.jpg" alt="" width="969" height="600" />
-<p class="pcap"><i>Trimountain Mine<br />Copper Range R.R.</i></p>
-</div>
-<div class="pb" id="Page_16">16</div>
-<div class="img" id="fig18">
-<img src="images/pic020.jpg" alt="" width="869" height="600" />
-<p class="pcap">QUINCY SMELTERS, HANCOCK</p>
-</div>
-<div class="pb" id="Page_17">17</div>
-<div class="img" id="fig19">
-<img src="images/pic021.jpg" alt="" width="847" height="600" />
-<p class="pcap">CHAMPION MILL ON COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_18">18</div>
-<div class="img" id="fig20">
-<img src="images/pic022.jpg" alt="" width="841" height="600" />
-<p class="pcap"><span class="sc">Students - M.C.M.<br />Isle Royale Mine, Houghton.</span></p>
-</div>
-<div class="pb" id="Page_19">19</div>
-<div class="img" id="fig21">
-<img src="images/pic023.jpg" alt="" width="420" height="600" />
-<p class="pcap"><span class="sc">Quincy Mine.</span><br /><span class="smaller">GOING UNDER GROUND.</span></p>
-</div>
-<div class="pb" id="Page_20">20</div>
-<div class="img" id="fig22">
-<img src="images/pic024.jpg" alt="" width="919" height="600" />
-<p class="pcap">N.Y. Cent. Boat Unloading at<br /><span class="sc">Copper Range R.R. Dock</span></p>
-</div>
-<div class="pb" id="Page_21">21</div>
-<div class="img" id="fig23">
-<img src="images/pic025.jpg" alt="" width="428" height="600" />
-<p class="pcap"><span class="sc">Winter</span></p>
-</div>
-<div class="pb" id="Page_22">22</div>
-<div class="img" id="fig24">
-<img src="images/pic026.jpg" alt="" width="843" height="600" />
-<p class="pcap">Company G 3<sup>rd</sup> Rg. Mich. Nat. Guards<br />Houghton.</p>
-</div>
-<div class="pb" id="Page_23">23</div>
-<div class="img" id="fig25">
-<img src="images/pic027.jpg" alt="" width="847" height="600" />
-<p class="pcap"><span class="sc">Rock House</span><br />Quincy Mine</p>
-</div>
-<div class="pb" id="Page_24">24</div>
-<div class="img" id="fig26">
-<img src="images/pic028.jpg" alt="" width="846" height="600" />
-<p class="pcap">Divers at Work<br />Trimountain Intake, L. S.</p>
-</div>
-<div class="pb" id="Page_25">25</div>
-<div class="img" id="fig27">
-<img src="images/pic029.jpg" alt="" width="847" height="600" />
-<p class="pcap"><span class="sc">Quincy Hill</span></p>
-</div>
-<div class="pb" id="Page_26">26</div>
-<div class="img" id="fig28">
-<img src="images/pic030.jpg" alt="" width="845" height="600" />
-<p class="pcap">Coal Hoist<br />Copper Range R.R.</p>
-</div>
-<div class="pb" id="Page_27">27</div>
-<div class="img" id="fig29">
-<img src="images/pic031.jpg" alt="" width="837" height="600" />
-<p class="pcap">Michigan College Mines<br />Houghton</p>
-</div>
-<div class="pb" id="Page_28">28</div>
-<div class="img" id="fig30">
-<img src="images/pic032.jpg" alt="" width="842" height="600" />
-<p class="pcap"><span class="sc">TRIMOUNTAIN MILL on COPPER RANGE R.R.</span></p>
-</div>
-<div class="pb" id="Page_29">29</div>
-<div class="img" id="fig31">
-<img src="images/pic033.jpg" alt="" width="911" height="600" />
-<p class="pcap"><span class="sc">Lake Superior Foxes</span></p>
-</div>
-<div class="pb" id="Page_30">30</div>
-<div class="img" id="fig32">
-<img src="images/pic034.jpg" alt="" width="822" height="600" />
-<p class="pcap">Hodge Foundry</p>
-</div>
-<div class="pb" id="Page_31">31</div>
-<div class="img" id="fig33">
-<img src="images/pic035.jpg" alt="" width="848" height="600" />
-<p class="pcap">Underground<br />Champion Mine</p>
-</div>
-<div class="pb" id="Page_32">32</div>
-<div class="img" id="fig34">
-<img src="images/pic036.jpg" alt="" width="866" height="600" />
-<p class="pcap"><span class="sc">Mill Mine Jct.<br />Copper Range R.R.</span></p>
-</div>
-<div class="pb" id="Page_33">33</div>
-<div class="img" id="fig35">
-<img src="images/pic037.jpg" alt="" width="858" height="600" />
-<p class="pcap">Five Million Pounds of Copper Ready for Shipment, Houghton, Mich.</p>
-</div>
-<div class="pb" id="Page_34">34</div>
-<div class="img" id="fig36">
-<img src="images/pic038.jpg" alt="" width="878" height="600" />
-<p class="pcap">Mining Students<br />Underground</p>
-</div>
-<div class="pb" id="Page_35">35</div>
-<div class="img" id="fig37">
-<img src="images/pic039.jpg" alt="" width="918" height="600" />
-<p class="pcap"><span class="sc">Public School Bl&rsquo;g&rsquo;s<br />Hancock.</span></p>
-</div>
-<div class="pb" id="Page_36">36</div>
-<div class="img" id="fig38">
-<img src="images/pic040.jpg" alt="" width="1000" height="576" />
-<p class="pcap">Catch of Fish</p>
-</div>
-<div class="pb" id="Page_37">37</div>
-<div class="img" id="fig39">
-<img src="images/pic041.jpg" alt="" width="843" height="600" />
-<p class="pcap"><span class="sc">Baltic</span><br />on<br />COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_38">38</div>
-<div class="img" id="fig40">
-<img src="images/pic042.jpg" alt="" width="849" height="600" />
-<p class="pcap"><span class="sc">Baltic Mine</span><br /><span class="sc">Copper Range R.R.</span></p>
-</div>
-<div class="pb" id="Page_39">39</div>
-<div class="img" id="fig41">
-<img src="images/pic043.jpg" alt="" width="910" height="600" />
-<p class="pcap"><span class="sc">Excursion</span><br /><span class="sc">Copper Range R.R.</span></p>
-</div>
-<div class="pb" id="Page_40">40</div>
-<div class="img" id="fig42">
-<img src="images/pic044.jpg" alt="" width="953" height="600" />
-<p class="pcap"><span class="sc">Quincy Stamp Mill</span></p>
-</div>
-<div class="pb" id="Page_41">41</div>
-<div class="img" id="fig43">
-<img src="images/pic045.jpg" alt="" width="930" height="600" />
-<p class="pcap">Timbermen<br />Champion Mine</p>
-</div>
-<div class="pb" id="Page_42">42</div>
-<div class="img" id="fig44">
-<img src="images/pic046.jpg" alt="" width="920" height="600" />
-<p class="pcap">TIONESTA</p>
-</div>
-<div class="pb" id="Page_43">43</div>
-<div class="img" id="fig45">
-<img src="images/pic047.jpg" alt="" width="839" height="600" />
-<p class="pcap">Trammers<br />Baltic Mine</p>
-</div>
-<div class="pb" id="Page_44">44</div>
-<div class="img" id="fig46">
-<img src="images/pic048.jpg" alt="" width="947" height="600" />
-<p class="pcap">Lower Falls<br /><span class="small">FIRE STEEL RIVER</span><br /><span class="sc">Copper Range R.R.</span></p>
-</div>
-<div class="pb" id="Page_45">45</div>
-<div class="img" id="fig47">
-<img src="images/pic049.jpg" alt="" width="533" height="600" />
-<p class="pcap">STANLEY G. WIGHT, President.<span class="hst"> C. M. GARRISON, Sec. &amp; Treas.</span><br />This mass of pure Copper, weighing about 6,000 lbs., was found upon the property of the Minong Mining Company situated at McCargo Cove, on Isle Royal, L. S. It was taken from an ancient mine Pit 16&frac12; feet deep, and is just as discovered, showing ancient stone hammer marks.</p>
-</div>
-<div class="pb" id="Page_46">46</div>
-<div class="img" id="fig48">
-<img src="images/pic050.jpg" alt="" width="874" height="600" />
-<p class="pcap">Oseeola Stamp Mill</p>
-</div>
-<div class="pb" id="Page_47">47</div>
-<div class="img" id="fig49">
-<img src="images/pic051.jpg" alt="" width="939" height="600" />
-<p class="pcap"><span class="sc">Freda Park</span></p>
-</div>
-<div class="pb" id="Page_48">48</div>
-<div class="img" id="fig50">
-<img src="images/pic052.jpg" alt="" width="845" height="600" />
-<p class="pcap">ATLANTIC MINE<br />ATLANTIC</p>
-</div>
-<div class="pb" id="Page_49">49</div>
-<div class="img" id="fig51">
-<img src="images/pic053.jpg" alt="" width="866" height="600" />
-<p class="pcap">Cliff Mine.<br />Oldest Mine on <span class="sc">Lake Superior</span></p>
-</div>
-<div class="pb" id="Page_50">50</div>
-<div class="img" id="fig52">
-<img src="images/pic054.jpg" alt="" width="917" height="600" />
-<p class="pcap">FIRE STEEL RIVER<br />COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_51">51</div>
-<div class="img" id="fig53">
-<img src="images/pic055.jpg" alt="" width="940" height="600" />
-<p class="pcap">TRIMOUNTAIN MILL <span class="small">ON</span> COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_52">52</div>
-<div class="img" id="fig54">
-<img src="images/pic056.jpg" alt="" width="843" height="600" />
-<p class="pcap">RIPLEY FALLS</p>
-</div>
-<div class="pb" id="Page_53">53</div>
-<div class="img" id="fig55">
-<img src="images/pic057.jpg" alt="" width="958" height="600" />
-<p class="pcap">Hoist<br />Champion Mine</p>
-</div>
-<div class="pb" id="Page_54">54</div>
-<div class="img" id="fig56">
-<img src="images/pic058.jpg" alt="" width="877" height="600" />
-<p class="pcap"><span class="sc">-Storm-</span> Freda Park<br />Copper Range R.R.</p>
-</div>
-<div class="pb" id="Page_55">55</div>
-<div class="img" id="fig57">
-<img src="images/pic059.jpg" alt="" width="923" height="600" />
-<p class="pcap">CHAMPION MILL<br />COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_56">56</div>
-<div class="img" id="fig58">
-<img src="images/pic060.jpg" alt="" width="893" height="600" />
-<p class="pcap">CHICAGO, MILWAUKEE &amp; ST. PAUL RAILWAY, RUNNING IN CONNECTION WITH COPPER RANGE RAILROAD.</p>
-</div>
-<div class="pb" id="Page_57">57</div>
-<div class="img" id="fig59">
-<img src="images/pic061.jpg" alt="" width="1000" height="591" />
-<p class="pcap">MOHAWK AND WOLVERINE STAMP MILLS.</p>
-</div>
-<div class="pb" id="Page_58">58</div>
-<div class="img" id="fig60">
-<img src="images/pic062.jpg" alt="" width="885" height="600" />
-<p class="pcap"><i>C. &amp; H. Smelting Wks.</i></p>
-</div>
-<div class="pb" id="Page_59">59</div>
-<div class="img" id="fig61">
-<img src="images/pic063.jpg" alt="" width="890" height="600" />
-<p class="pcap">U.S. SHIP CANAL<br />Lake Superior</p>
-</div>
-<div class="pb" id="Page_60">60</div>
-<div class="img" id="fig62">
-<img src="images/pic064.jpg" alt="" width="814" height="600" />
-<p class="pcap">PROFILE ROCK<br />C.R.R.R.</p>
-</div>
-<div class="pb" id="Page_61">61</div>
-<div class="img" id="fig63">
-<img src="images/pic065.jpg" alt="" width="842" height="600" />
-<p class="pcap"><span class="sc">Hancock Fire Dept.</span></p>
-</div>
-<div class="pb" id="Page_62">62</div>
-<div class="img" id="fig64">
-<img src="images/pic066.jpg" alt="" width="863" height="600" />
-<p class="pcap">Tamarack Mill &ldquo;New&rdquo;</p>
-</div>
-<div class="pb" id="Page_63">63</div>
-<div class="img" id="fig65">
-<img src="images/pic067.jpg" alt="" width="873" height="600" />
-<p class="pcap">Quincy Street<br />Hancock.</p>
-</div>
-<div class="pb" id="Page_64">64</div>
-<div class="img" id="fig66">
-<img src="images/pic068.jpg" alt="" width="1000" height="573" />
-<p class="pcap">DOLLAR BAY DOCK</p>
-</div>
-<div class="pb" id="Page_65">65</div>
-<div class="img" id="fig67">
-<img src="images/pic069.jpg" alt="" width="893" height="600" />
-<p class="pcap">QUINCY COAL DOCK</p>
-</div>
-<div class="pb" id="Page_66">66</div>
-<div class="img" id="fig68">
-<img src="images/pic070.jpg" alt="" width="840" height="600" />
-<p class="pcap">&ldquo;<span class="sc">Jumbo</span>&rdquo;<br /><span class="sc">Hoist C. &amp; H. mine</span><br />CALUMET.</p>
-</div>
-<div class="pb" id="Page_67">67</div>
-<div class="img" id="fig69">
-<img src="images/pic071.jpg" alt="" width="844" height="600" />
-<p class="pcap">HOUGHTON FIRE DEPT.</p>
-</div>
-<div class="pb" id="Page_68">68</div>
-<div class="img" id="fig70">
-<img src="images/pic072.jpg" alt="" width="858" height="600" />
-<p class="pcap">Underground Trolly<br />Quincy Mine</p>
-</div>
-<div class="pb" id="Page_69">69</div>
-<div class="img" id="fig71">
-<img src="images/pic073.jpg" alt="" width="377" height="600" />
-<p class="pcap">&ldquo;<span class="sc">The Swing</span>&rdquo;<br />&mdash;<span class="sc">Freda Park</span>&mdash;</p>
-</div>
-<div class="pb" id="Page_70">70</div>
-<div class="img" id="fig72">
-<img src="images/pic074.jpg" alt="" width="840" height="600" />
-<p class="pcap">KERREDGE THEATRE</p>
-</div>
-<div class="pb" id="Page_71">71</div>
-<div class="img" id="fig73">
-<img src="images/pic075.jpg" alt="" width="836" height="600" />
-<p class="pcap">Construction Work.<br />Copper Range R.R.</p>
-</div>
-<div class="pb" id="Page_72">72</div>
-<div class="img" id="fig74">
-<img src="images/pic076.jpg" alt="" width="865" height="600" />
-<p class="pcap">Catholic Hospital<br />Hancock</p>
-</div>
-<div class="pb" id="Page_73">73</div>
-<div class="img" id="fig75">
-<img src="images/pic077.jpg" alt="" width="851" height="600" />
-<p class="pcap">Isle Royale Hoist</p>
-</div>
-<div class="pb" id="Page_74">74</div>
-<div class="img" id="fig76">
-<img src="images/pic078.jpg" alt="" width="904" height="600" />
-<p class="pcap"><span class="sc">Adventure Mill</span><br /><span class="small">COPPER RANGE R.R.</span></p>
-</div>
-<div class="pb" id="Page_75">75</div>
-<div class="img" id="fig77">
-<img src="images/pic079.jpg" alt="" width="865" height="600" />
-<p class="pcap">&ldquo;GRAYLING&rdquo; OTTER RIVER&mdash;COPPER RANGE R.R.&mdash;TYLER&mdash;</p>
-</div>
-<div class="pb" id="Page_76">76</div>
-<div class="img" id="fig78">
-<img src="images/pic080.jpg" alt="" width="400" height="600" />
-<p class="pcap">Tables<br />Champion Mill</p>
-</div>
-<div class="pb" id="Page_77">77</div>
-<div class="img" id="fig79">
-<img src="images/pic081.jpg" alt="" width="912" height="600" />
-<p class="pcap">UPPER SECTION HUNGARIAN FALLS</p>
-</div>
-<div class="pb" id="Page_78">78</div>
-<div class="img" id="fig80">
-<img src="images/pic082.jpg" alt="" width="839" height="600" />
-<p class="pcap"><span class="sc">Redridge Dam</span><br />C.R.R.R.</p>
-</div>
-<div class="pb" id="Page_79">79</div>
-<div class="img" id="fig81">
-<img src="images/pic083.jpg" alt="" width="863" height="600" />
-<p class="pcap">S.S. Northwest.</p>
-</div>
-<div class="pb" id="Page_80">80</div>
-<div class="img" id="fig82">
-<img src="images/pic084.jpg" alt="" width="845" height="600" />
-<p class="pcap">&mdash;<span class="sc">Citizens National Bank</span>&mdash;<br /><span class="sc">Houghton.</span></p>
-</div>
-<div class="pb" id="Page_81">81</div>
-<div class="img" id="fig83">
-<img src="images/pic085.jpg" alt="" width="907" height="600" />
-<p class="pcap">&mdash;<span class="sc">Baltic Mill</span>&mdash;<br /><span class="small">COPPER RANGE R.R.&mdash;TYLER</span></p>
-</div>
-<div class="pb" id="Page_82">82</div>
-<div class="img" id="fig84">
-<img src="images/pic086.jpg" alt="" width="1000" height="568" />
-<p class="pcap"><i>LAKE ROWLAND<br />C.R.R.R.</i></p>
-</div>
-<div class="pb" id="Page_83">83</div>
-<div class="img" id="fig85">
-<img src="images/pic087.jpg" alt="" width="866" height="600" />
-<p class="pcap"><span class="sc">Tamarack Stamp Mill.</span></p>
-</div>
-<div class="pb" id="Page_84">84</div>
-<div class="img" id="fig86">
-<img src="images/pic088.jpg" alt="" width="931" height="600" />
-<p class="pcap">AGATE BEACH&mdash;FREDA PARK</p>
-</div>
-<div class="pb" id="Page_85">85</div>
-<div class="img" id="fig87">
-<img src="images/pic089.jpg" alt="" width="903" height="600" />
-<p class="pcap">&mdash;<span class="sc">Picnic</span>&mdash;<br /><span class="sc">Freda Park</span></p>
-</div>
-<div class="pb" id="Page_86">86</div>
-<div class="img" id="fig88">
-<img src="images/pic090.jpg" alt="" width="846" height="600" />
-<p class="pcap">Amphidrome.<br />Houghton.</p>
-</div>
-<div class="pb" id="Page_87">87</div>
-<div class="img" id="fig89">
-<img src="images/pic091.jpg" alt="" width="860" height="600" />
-<p class="pcap">Red Jacket Shaft, Calumet. Mich.,<br />Deepest Vertical Shaft in the World.<br />Over 6,000 feet deep.</p>
-</div>
-<div class="pb" id="Page_88">88</div>
-<div class="img" id="fig90">
-<img src="images/pic092.jpg" alt="" width="921" height="600" />
-<p class="pcap">TRIMOUNTAIN MILL <span class="small">ON</span> COPPER RANGE R.R.</p>
-</div>
-<div class="pb" id="Page_89">89</div>
-<div class="img" id="fig91">
-<img src="images/pic093.jpg" alt="" width="867" height="600" />
-<p class="pcap">Quincy Stamp Mill</p>
-</div>
-<div class="pb" id="Page_90">90</div>
-<div class="img" id="fig92">
-<img src="images/pic094.jpg" alt="" width="869" height="600" />
-<p class="pcap"><span class="sc">Fishing Party</span><br />Houghton</p>
-</div>
-<div class="pb" id="Page_91">91</div>
-<div class="img" id="fig93">
-<img src="images/pic095.jpg" alt="" width="891" height="600" />
-<p class="pcap">STORM&mdash;LAKE SUPERIOR</p>
-</div>
-<div class="pb" id="Page_92">92</div>
-<div class="img" id="fig94">
-<img src="images/pic096.jpg" alt="" width="397" height="600" />
-<p class="pcap">THE DAILY MINING GAZETTE<br />W. R. DASKAN &amp; CO. HARDWARE<span class="hst"> POST OFFICE</span></p>
-</div>
-<div class="pb" id="Page_93">93</div>
-<div class="img" id="fig95">
-<img src="images/pic097.jpg" alt="" width="933" height="600" />
-<p class="pcap"><span class="sc">Paine Memorial Library</span><br /><span class="sc">Paine</span></p>
-</div>
-<div class="pb" id="Page_94">94</div>
-<div class="img" id="fig96">
-<img src="images/pic098.jpg" alt="" width="429" height="600" />
-<p class="pcap">Hungarian Falls<br />Copper Range R.R.</p>
-</div>
-<div class="pb" id="Page_95">95</div>
-<div class="img" id="fig97">
-<img src="images/pic099.jpg" alt="" width="919" height="600" />
-<p class="pcap">CHAMPION MINE<br />C.R.R.R.</p>
-</div>
-<div class="pb" id="Page_96">96</div>
-<h2 id="c2"><span class="small">OTHER AVAILABLE REPRINTS FROM THE AWARD WINNING BLACK LETTER PRESS</span></h2>
-<dl class="undent"><dt><b>Altrocchi, J.C.</b>&mdash;<b>Wolves Against The Moon.</b> (Great Lakes Fur Trade Novel) 752 pp. Map end papers. $13.95</dt>
-<dt><b>Ballard, J.Z.</b>&mdash;<b>The Indian Captivity, or The Long Lost Jackson Boy.</b> (Jackson, Mich.). 112pp. Illus. Wraps. $2.95</dt>
-<dt><b>Butterfield, C.W.</b>&mdash;<b>Brule&rsquo;s Discoveries &amp; Explorations.</b> 186pp. Illus. Wraps. $3.75</dt>
-<dt><b>Cook, S.F.</b>&mdash;<b>Drummond Island. The Story of the British Occupation.</b> 142pp. Illus. Folding map. Wraps. $3.75</dt>
-<dt><b>Dadd, B.</b>&mdash;<b>Great Trans-Continental Railroad Guide.</b> 1869. Illus. new reprint. 244pp. Wraps. $3.95</dt>
-<dt><b>Grover, F.R.</b>&mdash;<b>A Brief Hist. of Les Cheneaux Islands.</b> Reprint of the original edition. 140pp. Illus. Wraps. $2.95</dt>
-<dt><b>Harwood</b>&mdash;<b>Early Stories of the Great Lakes.</b> Wraps. 185 pp. Illus. $5.25</dt>
-<dt><b>Husband, J.</b>&mdash;<b>The History of the Pullman Car.</b> 161pp. Illus. Cloth. d/j. $9.95</dt>
-<dt><b>Inglis, J.G.</b>&mdash;<b>Northern Mich. Handbook for Travelers.</b> 1898. Reprint Ed. 188pp. Maps &amp; Photos. $3.75</dt>
-<dt><b>Jennings, C.B.</b>&mdash;<b>The Grand Rapids Fire Dept.</b> 1889. Well Illus. Five color cover. Wraps. 80pp. $3.95</dt>
-<dt><b>Johnson, I.A.</b>&mdash;<b>The Michigan Fur Trade.</b> 1634-1850. With new introduction. 201pp. Cloth. $9.95</dt>
-<dt><b>Kane, G.F.</b>&mdash;<b>Myths &amp; Legends of the Mackinacs and the Lake Region.</b> 159 pp. Illus. New Reprint. $3.75</dt>
-<dt><b>Livingston, L.R.</b>&mdash;<b>From Coast to Coast with Jack London.</b> 135pp. Illus. Cloth. D/J. $6.00</dt>
-<dt><b>Newton, S.</b>&mdash;<b>Mackinac Island &amp; Sault Ste. Marie.</b> 188 pp. Illus. Wraps. $5.25</dt>
-<dt><b>Newton, S.</b>&mdash;<b>The Story of Saulte Ste. Marie and Chippewa County Mich.</b> 200pp. Illus. Wraps. $5.25. Cloth. $9.95</dt>
-<dt><b>St. John, John</b>&mdash;<b>A True Description of the Lake Superior Country.</b>&mdash;Cloth. Maps in Pocket. 118 pp. $10.95</dt>
-<dt><b>Tuttle, C.R.</b>&mdash;<b>History of Grand Rapids, Mich.</b> 1874. Reprint of 1st Hist. of G.R. 156pp. Early Ads. Wraps. $3.75</dt>
-<dt><b>VanFleet, J.A.</b>&mdash;<b>Summer Resorts of the Mackinaw Region, Etc.</b> 1882. Illus. 50pp. Wraps. $2.75</dt>
-<dt><b>White, J.E.</b>&mdash;<b>Railway Mail Service a Hist. Of.</b> 1910. Limited Ed. Reprint. Numbered. Cloth. 312pp. Illus. $10.95</dt></dl>
-<p class="center"><i>Dealers send for discount schedule &amp; Catalog</i></p>
-<h2>Transcriber&rsquo;s Notes</h2>
-<ul>
-<li>Retained publication information from the printed edition: this eBook is public-domain in the country of publication.</li>
-<li>Silently corrected a few palpable typos.</li>
-<li>Transcribed handwritten in-photo captions.</li>
-<li>In the HTML version, added page numbers for convenient reference.</li>
-<li>In the text versions only, text in italics is delimited by _underscores_.</li>
-</ul>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Michigan's Copper Country in Early
-Photos, by B. E. Tyler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-***** This file should be named 55149-h.htm or 55149-h.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/5/1/4/55149/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/55149-h/images/cap_t.jpg b/old/55149-h/images/cap_t.jpg
deleted file mode 100644
index 49b4590..0000000
--- a/old/55149-h/images/cap_t.jpg
+++ /dev/null
diff --git a/old/55149-h/images/cover.jpg b/old/55149-h/images/cover.jpg
deleted file mode 100644
index 94f92cd..0000000
--- a/old/55149-h/images/cover.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic001.jpg b/old/55149-h/images/pic001.jpg
deleted file mode 100644
index 833450b..0000000
--- a/old/55149-h/images/pic001.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic002.jpg b/old/55149-h/images/pic002.jpg
deleted file mode 100644
index 63c6452..0000000
--- a/old/55149-h/images/pic002.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic002a.jpg b/old/55149-h/images/pic002a.jpg
deleted file mode 100644
index 7b8f4ca..0000000
--- a/old/55149-h/images/pic002a.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic002b.jpg b/old/55149-h/images/pic002b.jpg
deleted file mode 100644
index 63c6452..0000000
--- a/old/55149-h/images/pic002b.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic005.jpg b/old/55149-h/images/pic005.jpg
deleted file mode 100644
index 90268d7..0000000
--- a/old/55149-h/images/pic005.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic006.jpg b/old/55149-h/images/pic006.jpg
deleted file mode 100644
index 44a743a..0000000
--- a/old/55149-h/images/pic006.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic007.jpg b/old/55149-h/images/pic007.jpg
deleted file mode 100644
index 234b8ae..0000000
--- a/old/55149-h/images/pic007.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic007a.jpg b/old/55149-h/images/pic007a.jpg
deleted file mode 100644
index 7bacbe2..0000000
--- a/old/55149-h/images/pic007a.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic008.jpg b/old/55149-h/images/pic008.jpg
deleted file mode 100644
index a301d06..0000000
--- a/old/55149-h/images/pic008.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic009.jpg b/old/55149-h/images/pic009.jpg
deleted file mode 100644
index b793093..0000000
--- a/old/55149-h/images/pic009.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic010.jpg b/old/55149-h/images/pic010.jpg
deleted file mode 100644
index 62fe5d4..0000000
--- a/old/55149-h/images/pic010.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic011.jpg b/old/55149-h/images/pic011.jpg
deleted file mode 100644
index f970837..0000000
--- a/old/55149-h/images/pic011.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic012.jpg b/old/55149-h/images/pic012.jpg
deleted file mode 100644
index 2f13718..0000000
--- a/old/55149-h/images/pic012.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic013.jpg b/old/55149-h/images/pic013.jpg
deleted file mode 100644
index e91734b..0000000
--- a/old/55149-h/images/pic013.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic014.jpg b/old/55149-h/images/pic014.jpg
deleted file mode 100644
index 3877e63..0000000
--- a/old/55149-h/images/pic014.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic015.jpg b/old/55149-h/images/pic015.jpg
deleted file mode 100644
index aaab370..0000000
--- a/old/55149-h/images/pic015.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic016.jpg b/old/55149-h/images/pic016.jpg
deleted file mode 100644
index 4103168..0000000
--- a/old/55149-h/images/pic016.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic017.jpg b/old/55149-h/images/pic017.jpg
deleted file mode 100644
index 397b908..0000000
--- a/old/55149-h/images/pic017.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic018.jpg b/old/55149-h/images/pic018.jpg
deleted file mode 100644
index 1e88b69..0000000
--- a/old/55149-h/images/pic018.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic019.jpg b/old/55149-h/images/pic019.jpg
deleted file mode 100644
index 74980b3..0000000
--- a/old/55149-h/images/pic019.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic020.jpg b/old/55149-h/images/pic020.jpg
deleted file mode 100644
index a72d6c4..0000000
--- a/old/55149-h/images/pic020.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic021.jpg b/old/55149-h/images/pic021.jpg
deleted file mode 100644
index 0f4b1e2..0000000
--- a/old/55149-h/images/pic021.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic022.jpg b/old/55149-h/images/pic022.jpg
deleted file mode 100644
index f77a164..0000000
--- a/old/55149-h/images/pic022.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic023.jpg b/old/55149-h/images/pic023.jpg
deleted file mode 100644
index aea9f36..0000000
--- a/old/55149-h/images/pic023.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic024.jpg b/old/55149-h/images/pic024.jpg
deleted file mode 100644
index e513abb..0000000
--- a/old/55149-h/images/pic024.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic025.jpg b/old/55149-h/images/pic025.jpg
deleted file mode 100644
index 2071b52..0000000
--- a/old/55149-h/images/pic025.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic026.jpg b/old/55149-h/images/pic026.jpg
deleted file mode 100644
index 219b1b1..0000000
--- a/old/55149-h/images/pic026.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic027.jpg b/old/55149-h/images/pic027.jpg
deleted file mode 100644
index fafc9c5..0000000
--- a/old/55149-h/images/pic027.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic028.jpg b/old/55149-h/images/pic028.jpg
deleted file mode 100644
index 781297e..0000000
--- a/old/55149-h/images/pic028.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic029.jpg b/old/55149-h/images/pic029.jpg
deleted file mode 100644
index b7dda0a..0000000
--- a/old/55149-h/images/pic029.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic030.jpg b/old/55149-h/images/pic030.jpg
deleted file mode 100644
index 8775929..0000000
--- a/old/55149-h/images/pic030.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic031.jpg b/old/55149-h/images/pic031.jpg
deleted file mode 100644
index 0eb1888..0000000
--- a/old/55149-h/images/pic031.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic032.jpg b/old/55149-h/images/pic032.jpg
deleted file mode 100644
index 5137b43..0000000
--- a/old/55149-h/images/pic032.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic033.jpg b/old/55149-h/images/pic033.jpg
deleted file mode 100644
index 7ea3f88..0000000
--- a/old/55149-h/images/pic033.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic034.jpg b/old/55149-h/images/pic034.jpg
deleted file mode 100644
index 2104372..0000000
--- a/old/55149-h/images/pic034.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic035.jpg b/old/55149-h/images/pic035.jpg
deleted file mode 100644
index 8ffdad2..0000000
--- a/old/55149-h/images/pic035.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic036.jpg b/old/55149-h/images/pic036.jpg
deleted file mode 100644
index 9855cc3..0000000
--- a/old/55149-h/images/pic036.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic037.jpg b/old/55149-h/images/pic037.jpg
deleted file mode 100644
index 8afabe8..0000000
--- a/old/55149-h/images/pic037.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic038.jpg b/old/55149-h/images/pic038.jpg
deleted file mode 100644
index 94f8efc..0000000
--- a/old/55149-h/images/pic038.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic039.jpg b/old/55149-h/images/pic039.jpg
deleted file mode 100644
index fbac756..0000000
--- a/old/55149-h/images/pic039.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic040.jpg b/old/55149-h/images/pic040.jpg
deleted file mode 100644
index 364e84d..0000000
--- a/old/55149-h/images/pic040.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic041.jpg b/old/55149-h/images/pic041.jpg
deleted file mode 100644
index 9c3a81d..0000000
--- a/old/55149-h/images/pic041.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic042.jpg b/old/55149-h/images/pic042.jpg
deleted file mode 100644
index 0e1191b..0000000
--- a/old/55149-h/images/pic042.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic043.jpg b/old/55149-h/images/pic043.jpg
deleted file mode 100644
index 9b852b3..0000000
--- a/old/55149-h/images/pic043.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic044.jpg b/old/55149-h/images/pic044.jpg
deleted file mode 100644
index 608a125..0000000
--- a/old/55149-h/images/pic044.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic045.jpg b/old/55149-h/images/pic045.jpg
deleted file mode 100644
index 529a76b..0000000
--- a/old/55149-h/images/pic045.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic046.jpg b/old/55149-h/images/pic046.jpg
deleted file mode 100644
index 5edd599..0000000
--- a/old/55149-h/images/pic046.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic047.jpg b/old/55149-h/images/pic047.jpg
deleted file mode 100644
index 37e4220..0000000
--- a/old/55149-h/images/pic047.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic048.jpg b/old/55149-h/images/pic048.jpg
deleted file mode 100644
index bff48f8..0000000
--- a/old/55149-h/images/pic048.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic049.jpg b/old/55149-h/images/pic049.jpg
deleted file mode 100644
index 93d5171..0000000
--- a/old/55149-h/images/pic049.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic050.jpg b/old/55149-h/images/pic050.jpg
deleted file mode 100644
index 00a62c6..0000000
--- a/old/55149-h/images/pic050.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic051.jpg b/old/55149-h/images/pic051.jpg
deleted file mode 100644
index c4e4f1c..0000000
--- a/old/55149-h/images/pic051.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic052.jpg b/old/55149-h/images/pic052.jpg
deleted file mode 100644
index 70a28e9..0000000
--- a/old/55149-h/images/pic052.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic053.jpg b/old/55149-h/images/pic053.jpg
deleted file mode 100644
index 18aecc9..0000000
--- a/old/55149-h/images/pic053.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic054.jpg b/old/55149-h/images/pic054.jpg
deleted file mode 100644
index a4a2bff..0000000
--- a/old/55149-h/images/pic054.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic055.jpg b/old/55149-h/images/pic055.jpg
deleted file mode 100644
index 3fddd76..0000000
--- a/old/55149-h/images/pic055.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic056.jpg b/old/55149-h/images/pic056.jpg
deleted file mode 100644
index c999b23..0000000
--- a/old/55149-h/images/pic056.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic057.jpg b/old/55149-h/images/pic057.jpg
deleted file mode 100644
index ee08a59..0000000
--- a/old/55149-h/images/pic057.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic058.jpg b/old/55149-h/images/pic058.jpg
deleted file mode 100644
index b83b852..0000000
--- a/old/55149-h/images/pic058.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic059.jpg b/old/55149-h/images/pic059.jpg
deleted file mode 100644
index 8903cfa..0000000
--- a/old/55149-h/images/pic059.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic060.jpg b/old/55149-h/images/pic060.jpg
deleted file mode 100644
index 44c94bf..0000000
--- a/old/55149-h/images/pic060.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic061.jpg b/old/55149-h/images/pic061.jpg
deleted file mode 100644
index dbd7854..0000000
--- a/old/55149-h/images/pic061.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic062.jpg b/old/55149-h/images/pic062.jpg
deleted file mode 100644
index b921631..0000000
--- a/old/55149-h/images/pic062.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic063.jpg b/old/55149-h/images/pic063.jpg
deleted file mode 100644
index 58676fe..0000000
--- a/old/55149-h/images/pic063.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic064.jpg b/old/55149-h/images/pic064.jpg
deleted file mode 100644
index 911edef..0000000
--- a/old/55149-h/images/pic064.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic065.jpg b/old/55149-h/images/pic065.jpg
deleted file mode 100644
index d7dd24c..0000000
--- a/old/55149-h/images/pic065.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic066.jpg b/old/55149-h/images/pic066.jpg
deleted file mode 100644
index e728389..0000000
--- a/old/55149-h/images/pic066.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic067.jpg b/old/55149-h/images/pic067.jpg
deleted file mode 100644
index 012e16b..0000000
--- a/old/55149-h/images/pic067.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic068.jpg b/old/55149-h/images/pic068.jpg
deleted file mode 100644
index 3aee7ad..0000000
--- a/old/55149-h/images/pic068.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic069.jpg b/old/55149-h/images/pic069.jpg
deleted file mode 100644
index bd50718..0000000
--- a/old/55149-h/images/pic069.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic070.jpg b/old/55149-h/images/pic070.jpg
deleted file mode 100644
index ca2c101..0000000
--- a/old/55149-h/images/pic070.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic071.jpg b/old/55149-h/images/pic071.jpg
deleted file mode 100644
index 0e3e866..0000000
--- a/old/55149-h/images/pic071.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic072.jpg b/old/55149-h/images/pic072.jpg
deleted file mode 100644
index 97a0b57..0000000
--- a/old/55149-h/images/pic072.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic073.jpg b/old/55149-h/images/pic073.jpg
deleted file mode 100644
index c74b62f..0000000
--- a/old/55149-h/images/pic073.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic074.jpg b/old/55149-h/images/pic074.jpg
deleted file mode 100644
index 1ba44fe..0000000
--- a/old/55149-h/images/pic074.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic075.jpg b/old/55149-h/images/pic075.jpg
deleted file mode 100644
index 31d128b..0000000
--- a/old/55149-h/images/pic075.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic076.jpg b/old/55149-h/images/pic076.jpg
deleted file mode 100644
index fd398c8..0000000
--- a/old/55149-h/images/pic076.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic077.jpg b/old/55149-h/images/pic077.jpg
deleted file mode 100644
index 5b0c9b0..0000000
--- a/old/55149-h/images/pic077.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic078.jpg b/old/55149-h/images/pic078.jpg
deleted file mode 100644
index a86fa0d..0000000
--- a/old/55149-h/images/pic078.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic079.jpg b/old/55149-h/images/pic079.jpg
deleted file mode 100644
index 9a96207..0000000
--- a/old/55149-h/images/pic079.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic080.jpg b/old/55149-h/images/pic080.jpg
deleted file mode 100644
index d870443..0000000
--- a/old/55149-h/images/pic080.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic081.jpg b/old/55149-h/images/pic081.jpg
deleted file mode 100644
index 84a60b5..0000000
--- a/old/55149-h/images/pic081.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic082.jpg b/old/55149-h/images/pic082.jpg
deleted file mode 100644
index d610e02..0000000
--- a/old/55149-h/images/pic082.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic083.jpg b/old/55149-h/images/pic083.jpg
deleted file mode 100644
index ec99524..0000000
--- a/old/55149-h/images/pic083.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic084.jpg b/old/55149-h/images/pic084.jpg
deleted file mode 100644
index 8b965f7..0000000
--- a/old/55149-h/images/pic084.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic085.jpg b/old/55149-h/images/pic085.jpg
deleted file mode 100644
index f00a888..0000000
--- a/old/55149-h/images/pic085.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic086.jpg b/old/55149-h/images/pic086.jpg
deleted file mode 100644
index f446edf..0000000
--- a/old/55149-h/images/pic086.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic087.jpg b/old/55149-h/images/pic087.jpg
deleted file mode 100644
index 5361356..0000000
--- a/old/55149-h/images/pic087.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic088.jpg b/old/55149-h/images/pic088.jpg
deleted file mode 100644
index e2ff963..0000000
--- a/old/55149-h/images/pic088.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic089.jpg b/old/55149-h/images/pic089.jpg
deleted file mode 100644
index b2490dd..0000000
--- a/old/55149-h/images/pic089.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic090.jpg b/old/55149-h/images/pic090.jpg
deleted file mode 100644
index cdfed44..0000000
--- a/old/55149-h/images/pic090.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic091.jpg b/old/55149-h/images/pic091.jpg
deleted file mode 100644
index 3b07b4a..0000000
--- a/old/55149-h/images/pic091.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic092.jpg b/old/55149-h/images/pic092.jpg
deleted file mode 100644
index 819c5f3..0000000
--- a/old/55149-h/images/pic092.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic093.jpg b/old/55149-h/images/pic093.jpg
deleted file mode 100644
index 0dd1ecd..0000000
--- a/old/55149-h/images/pic093.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic094.jpg b/old/55149-h/images/pic094.jpg
deleted file mode 100644
index 6c85a18..0000000
--- a/old/55149-h/images/pic094.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic095.jpg b/old/55149-h/images/pic095.jpg
deleted file mode 100644
index 6682944..0000000
--- a/old/55149-h/images/pic095.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic096.jpg b/old/55149-h/images/pic096.jpg
deleted file mode 100644
index dbae5b2..0000000
--- a/old/55149-h/images/pic096.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic097.jpg b/old/55149-h/images/pic097.jpg
deleted file mode 100644
index 0ccc921..0000000
--- a/old/55149-h/images/pic097.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic098.jpg b/old/55149-h/images/pic098.jpg
deleted file mode 100644
index 9bd4c38..0000000
--- a/old/55149-h/images/pic098.jpg
+++ /dev/null
diff --git a/old/55149-h/images/pic099.jpg b/old/55149-h/images/pic099.jpg
deleted file mode 100644
index 95f63d8..0000000
--- a/old/55149-h/images/pic099.jpg
+++ /dev/null
diff --git a/old/55149.txt b/old/55149.txt
deleted file mode 100644
index 9cf244c..0000000
--- a/old/55149.txt
+++ /dev/null
@@ -1,903 +0,0 @@
-Project Gutenberg's Michigan's Copper Country in Early Photos, by B. E. Tyler
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever.  You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org.  If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Michigan's Copper Country in Early Photos
-
-Author: B. E. Tyler
-
-Release Date: July 19, 2017 [EBook #55149]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
-                               MICHIGAN'S
-                             COPPER COUNTRY
-                                   IN
-                              EARLY PHOTOS
-
-
-                                   BY
-                              B. E. TYLER
-
-    [Illustration: Decorative glyph]
-
-                            L.O.C.--77-71925
-                         S.B.N.--0-912382-21-X
-
-                             Reprinted 1977
-                                   By
-
-    [Illustration: BLACK LETTER PRESS
-    Grand Rapids, Michigan]
-
-                       Art Work by Robert Nelson
-
-
-
-
-                    INTRODUCTION TO THE NEW EDITION
-
-
-History, with all of its ramifications, is a complex subject. Often,
-students pursue it with only the written word in hand, in an attempt to
-gain a deeper, and more meaningful understanding of it. This is usually
-the case because other means of historical relation are not available,
-or completely nonexistent. The strict narration of facts is not a
-sufficient means alone for broadening one's knowledge of the past.
-
-Whenever the written word can be complemented with other media, for
-example, worthwhile actual photographs, a more complete understanding of
-the past is experienced. Literally, a picture is worth a thousand words,
-and the student can gain, for himself, a more penetrating insight into
-his subject which words alone cannot always provide him.
-
-In publishing _Michigan's Copper Country In Early Photos_, a pictorial
-account of the Copper Country around 1900, the Black Letter Press has
-made a more complete understanding of the region possible by
-supplementing its written histories with the varied collection of
-photographs. The area's setting, its people, and their work are
-portrayed. Originally, the book was published as, _Souvenir of the
-Copper Country Upper Peninsula of Michigan_. Copies of this original
-work are extremely scarce today.
-
-In his introduction to the original publication, B.E. Tyler, the
-publisher, states that the Copper Country is a place of natural beauty,
-with the mining of copper from the bowels of the earth as the district's
-major industry. This was written in 1903, and the pictures presented in
-the volume's pages offer supportive evidence to his words. However, time
-has moved on, and much has both changed and remained the same in the
-Copper Country.
-
-Tyler mentions a picture of the Cliff Mining Camp, and relates that the
-work has been abandoned, but, "almost every house that was ever erected
-there is standing." This is no longer true. All structures have been
-dismantled, and all that remains of the once proud and fabulous Cliff
-mine are a few poor rock piles.
-
-The many gabled, and uniquely constructed Quincy Rock House was to be
-found in Hancock, and it was reputed to be the most photographed mine
-structure of its kind in the country. It was destroyed by fire in 1956.
-
-The Douglas House, a famous meeting place, and hotel, in Houghton still
-remains, although its appearance has been altered, and its surroundings
-have changed.
-
-The Kerredge Theater, in Hancock, was completed in 1902, with some seats
-costing as much as forty dollars for a single performance. Popular
-shows, Shakespearian plays, and operas, were presented on its stage.
-
-Copper mining no longer remains the major industry of the area. Once
-where many shafts were sunk deep into the earth, and their rockhouses
-lined the horizon, only a few remain today as reminders of a bygone era,
-standing as ever vigilant sentinels, guarding what may be left of their
-once rich copper deposits. Gone are the giant hoisting machines used to
-bring copper ore to the surface. Gone are the miners, who labored hard
-by candlelight with simple hand tools, replaced by today's modern miner
-using his battery operated head lamp, and power machinery when work is
-available. Only exploratory and experimental work is presently being
-conducted in the Copper Country.
-
-One aspect of the Copper Country which remains relatively unchanged is
-its rugged natural beauty. The sparkling clear deep blue waters of
-chilling Lake Superior still crash upon its rocky tree lined shores. A
-green mantle of dense forests covers much of the land, which in places
-is wild and mountainous. Water still rushes over spectacular falls as it
-flows onward toward the world's largest fresh water lake. Past and
-present residents, and many visitors, have witnessed the scenic
-panorama, with some insisting that the climate of the Copper Country has
-an exhilarating, and refreshing therapeutic affect upon them.
-
-Suggested reading material on the Copper Country might include the
-following titles that are considered to be of more than passing
-interest: _Red Metal_, by C. Harry Benedict, _Prehistoric Copper Mining
-in the Lake Superior Region_, edited by Roy W. Drier, and Octave J.
-DuTemple, _Boom Copper_, by Angus Murdock, and _The Cliff_, by Donald
-Chaput. Also of worthwhile reading are such historical novels on the
-region as, _Where Copper Is King_, by James Wright, published in 1905,
-and, _The Long Winter Ends_, by Newton G. Thomas.
-
-Another beneficial book is, _A True Description of the Lake Superior
-Country_, written by John St. John, and originally published in 1846. It
-was republished by the Black Letter Press in 1976, and it provides its
-readers with a rare and invaluable first hand account of early Copper
-Country settings. Of particular interest are the author's descriptions
-of the region's geologic development, and of the early copper mines.
-
-_Michigan's Copper Country In Early Photos_ adds a new dimension to the
-historiography of the Copper Country, providing in pictures what the
-student may not grasp from the written word.
-
-  Richard A. Cebelak
-  Grand Rapids, Michigan
-  March, 1977
-
-The simple beauty of the Copper Country of Michigan, the vastness of its
-enterprises and the activity of its marts are impressive in their very
-nature. Their pictures are more pleasing when left unmarred by wordy
-descriptions. Scenes may be absorbed and grasped by the eye which no
-language can describe.
-
-This book is a simple collection of pictures, characteristic of scenes
-which are familiar to those acquainted with the Copper Country. The
-effort has been put forth to make it as comprehensive as possible.
-
-The winning of the copper from the earth constitutes the dominant
-industry of the district, and is deserving of first place in a
-representation of the Copper Country. All features of the industry are
-shown--in the depths of the mine; on the surface, where the world's most
-massive machinery furnishes power to actuate the air drills and operate
-the hoisting cables; in the mills and smelters, where the metal is
-refined into copper bullion; along the wharves, where ships are laden
-with the product, to carry it to lower lake ports, whence it is
-distributed throughout the world.
-
-Historic points of interest are given. There is a picture of the old
-Cliff Mining Camp, one of the earliest, and, in its day, one of the most
-populous and prosperous communities in the Upper Peninsula. To-day
-almost every house that was ever erected there is standing, most of them
-dating back nearly half a century, but the place is deserted--hundreds
-of houses with bare walls staring out through bleak windows, and
-scarcely a dozen souls to inhabit them. The old mine workings are
-abandoned for more profitable deposits of mineral.
-
-Pictures are given which show the natural beauty of the Copper Country.
-Pleasing views are so bountifully bestowed by nature that it is a
-difficult task to choose the most impressive. But enough are given to
-create a taste for more--a taste that can be gratified to its fullest
-only by rambling among the vales and hills, through the forests and
-along the banks of the quiet streams and the shores of the mighty
-Unsalted Sea.
-
-The new South Range is thoroughly pictured. This is the young giant
-which in the last five years has forged forward and wrought from the
-ground which was the rooting place for an unbroken forest a group of
-copper mining camps that stand to-day close rivals to the older camps
-which have been half a century in the making.
-
-Such pictures constitute within themselves a story of beauty, power and
-pathos which no words can enhance. Those responsible for the book have
-drawn from its preparation a wealth of pleasure. Courtesies have been
-extended from all sources, in recompense for which the sincerest
-expression of appreciation is now extended. May those into whose hands
-the book shall come glean from it all the subtle meaning and all the
-stirring thoughts which its pictures are capable of inspiring. It will
-then be an epic, indeed--a poem, a song, a burst of harmony beyond the
-power of words to utter.
-
-  B. E. Tyler,
-  Publisher,
-  Houghton, Mich.
-
-  Copyright, 1903, by B. E. Tyler, Houghton, Mich.
-
-    [Illustration: Houghton 1897]
-
-    [Illustration: ASSAYERS MICHIGAN COLLEGE OF MINES.]
-
-    [Illustration: HOTEL DEE, HOUGHTON, MICH.]
-
-    [Illustration: SHELDEN-DEE BUILDING, HOUGHTON, MICH.]
-
-    [Illustration: MICHIGAN COLLEGE OF MINES, HOUGHTON, MICH.]
-
-    [Illustration: DOUGLAS HOUSE, HOUGHTON, MICH.]
-
-    [Illustration: A. Haas Brewing Co.
-    Houghton.]
-
-    [Illustration: National Bank of Houghton]
-
-    [Illustration: Quincy Rock House]
-
-    [Illustration: _Hancock from Portage Lake_]
-
-    [Illustration: _Calumet & Hecla Mine_]
-
-    [Illustration: _Lake Linden_]
-
-    [Illustration: _Portage Lake_]
-
-    [Illustration: Paine Memorial Library
-    Painesdale.]
-
-    [Illustration: Freda Park, Copper Range]
-
-    [Illustration: _Trimountain Mine
-    Copper Range R.R._]
-
-    [Illustration: QUINCY SMELTERS, HANCOCK]
-
-    [Illustration: CHAMPION MILL ON COPPER RANGE R.R.]
-
-    [Illustration: Students - M.C.M.
-    Isle Royale Mine, Houghton.]
-
-    [Illustration: Quincy Mine.
-    GOING UNDER GROUND.]
-
-    [Illustration: N.Y. Cent. Boat Unloading at
-    Copper Range R.R. Dock]
-
-    [Illustration: Winter]
-
-    [Illustration: Company G 3^rd Rg. Mich. Nat. Guards
-    Houghton.]
-
-    [Illustration: Rock House
-    Quincy Mine]
-
-    [Illustration: Divers at Work
-    Trimountain Intake, L. S.]
-
-    [Illustration: Quincy Hill]
-
-    [Illustration: Coal Hoist
-    Copper Range R.R.]
-
-    [Illustration: Michigan College Mines
-    Houghton]
-
-    [Illustration: TRIMOUNTAIN MILL on COPPER RANGE R.R.]
-
-    [Illustration: Lake Superior Foxes]
-
-    [Illustration: Hodge Foundry]
-
-    [Illustration: Underground
-    Champion Mine]
-
-    [Illustration: Mill Mine Jct.
-    Copper Range R.R.]
-
-    [Illustration: Five Million Pounds of Copper Ready for Shipment,
-    Houghton, Mich.]
-
-    [Illustration: Mining Students
-    Underground]
-
-    [Illustration: Public School Bl'g's
-    Hancock.]
-
-    [Illustration: Catch of Fish]
-
-    [Illustration: Baltic
-    on
-    COPPER RANGE R.R.]
-
-    [Illustration: Baltic Mine
-    Copper Range R.R.]
-
-    [Illustration: Excursion
-    Copper Range R.R.]
-
-    [Illustration: Quincy Stamp Mill]
-
-    [Illustration: Timbermen
-    Champion Mine]
-
-    [Illustration: TIONESTA]
-
-    [Illustration: Trammers
-    Baltic Mine]
-
-    [Illustration: Lower Falls
-    FIRE STEEL RIVER
-    Copper Range R.R.]
-
-    [Illustration: STANLEY G. WIGHT, President.    C. M. GARRISON, Sec.
-    & Treas.
-    This mass of pure Copper, weighing about 6,000 lbs., was found upon
-    the property of the Minong Mining Company situated at McCargo Cove,
-    on Isle Royal, L. S. It was taken from an ancient mine Pit 16-1/2
-    feet deep, and is just as discovered, showing ancient stone hammer
-    marks.]
-
-    [Illustration: Oseeola Stamp Mill]
-
-    [Illustration: Freda Park]
-
-    [Illustration: ATLANTIC MINE
-    ATLANTIC]
-
-    [Illustration: Cliff Mine.
-    Oldest Mine on Lake Superior]
-
-    [Illustration: FIRE STEEL RIVER
-    COPPER RANGE R.R.]
-
-    [Illustration: TRIMOUNTAIN MILL ON COPPER RANGE R.R.]
-
-    [Illustration: RIPLEY FALLS]
-
-    [Illustration: Hoist
-    Champion Mine]
-
-    [Illustration: -Storm- Freda Park
-    Copper Range R.R.]
-
-    [Illustration: CHAMPION MILL
-    COPPER RANGE R.R.]
-
-    [Illustration: CHICAGO, MILWAUKEE & ST. PAUL RAILWAY, RUNNING IN
-    CONNECTION WITH COPPER RANGE RAILROAD.]
-
-    [Illustration: MOHAWK AND WOLVERINE STAMP MILLS.]
-
-    [Illustration: _C. & H. Smelting Wks._]
-
-    [Illustration: U.S. SHIP CANAL
-    Lake Superior]
-
-    [Illustration: PROFILE ROCK
-    C.R.R.R.]
-
-    [Illustration: Hancock Fire Dept.]
-
-    [Illustration: Tamarack Mill "New"]
-
-    [Illustration: Quincy Street
-    Hancock.]
-
-    [Illustration: DOLLAR BAY DOCK]
-
-    [Illustration: QUINCY COAL DOCK]
-
-    [Illustration: "Jumbo"
-    Hoist C. & H. mine
-    CALUMET.]
-
-    [Illustration: HOUGHTON FIRE DEPT.]
-
-    [Illustration: Underground Trolly
-    Quincy Mine]
-
-    [Illustration: "The Swing"
-    --Freda Park--]
-
-    [Illustration: KERREDGE THEATRE]
-
-    [Illustration: Construction Work.
-    Copper Range R.R.]
-
-    [Illustration: Catholic Hospital
-    Hancock]
-
-    [Illustration: Isle Royale Hoist]
-
-    [Illustration: Adventure Mill
-    COPPER RANGE R.R.]
-
-    [Illustration: "GRAYLING" OTTER RIVER--COPPER RANGE R.R.--TYLER--]
-
-    [Illustration: Tables
-    Champion Mill]
-
-    [Illustration: UPPER SECTION HUNGARIAN FALLS]
-
-    [Illustration: Redridge Dam
-    C.R.R.R.]
-
-    [Illustration: S.S. Northwest.]
-
-    [Illustration: --Citizens National Bank--
-    Houghton.]
-
-    [Illustration: --Baltic Mill--
-    COPPER RANGE R.R.--TYLER]
-
-    [Illustration: _LAKE ROWLAND
-    C.R.R.R._]
-
-    [Illustration: Tamarack Stamp Mill.]
-
-    [Illustration: AGATE BEACH--FREDA PARK]
-
-    [Illustration: --Picnic--
-    Freda Park]
-
-    [Illustration: Amphidrome.
-    Houghton.]
-
-    [Illustration: Red Jacket Shaft, Calumet. Mich.,
-    Deepest Vertical Shaft in the World.
-    Over 6,000 feet deep.]
-
-    [Illustration: TRIMOUNTAIN MILL ON COPPER RANGE R.R.]
-
-    [Illustration: Quincy Stamp Mill]
-
-    [Illustration: Fishing Party
-    Houghton]
-
-    [Illustration: STORM--LAKE SUPERIOR]
-
-    [Illustration: THE DAILY MINING GAZETTE
-    W. R. DASKAN & CO. HARDWARE    POST OFFICE]
-
-    [Illustration: Paine Memorial Library
-    Paine]
-
-    [Illustration: Hungarian Falls
-    Copper Range R.R.]
-
-    [Illustration: CHAMPION MINE
-    C.R.R.R.]
-
-
-
-
-   OTHER AVAILABLE REPRINTS FROM THE AWARD WINNING BLACK LETTER PRESS
-
-
-  Altrocchi, J.C.--Wolves Against The Moon. (Great Lakes Fur Trade
-          Novel) 752 pp. Map end papers. $13.95
-  Ballard, J.Z.--The Indian Captivity, or The Long Lost Jackson Boy.
-          (Jackson, Mich.). 112pp. Illus. Wraps. $2.95
-  Butterfield, C.W.--Brule's Discoveries & Explorations. 186pp. Illus.
-          Wraps. $3.75
-  Cook, S.F.--Drummond Island. The Story of the British Occupation.
-          142pp. Illus. Folding map. Wraps. $3.75
-  Dadd, B.--Great Trans-Continental Railroad Guide. 1869. Illus. new
-          reprint. 244pp. Wraps. $3.95
-  Grover, F.R.--A Brief Hist. of Les Cheneaux Islands. Reprint of the
-          original edition. 140pp. Illus. Wraps. $2.95
-  Harwood--Early Stories of the Great Lakes. Wraps. 185 pp. Illus. $5.25
-  Husband, J.--The History of the Pullman Car. 161pp. Illus. Cloth. d/j.
-          $9.95
-  Inglis, J.G.--Northern Mich. Handbook for Travelers. 1898. Reprint Ed.
-          188pp. Maps & Photos. $3.75
-  Jennings, C.B.--The Grand Rapids Fire Dept. 1889. Well Illus. Five
-          color cover. Wraps. 80pp. $3.95
-  Johnson, I.A.--The Michigan Fur Trade. 1634-1850. With new
-          introduction. 201pp. Cloth. $9.95
-  Kane, G.F.--Myths & Legends of the Mackinacs and the Lake Region. 159
-          pp. Illus. New Reprint. $3.75
-  Livingston, L.R.--From Coast to Coast with Jack London. 135pp. Illus.
-          Cloth. D/J. $6.00
-  Newton, S.--Mackinac Island & Sault Ste. Marie. 188 pp. Illus. Wraps.
-          $5.25
-  Newton, S.--The Story of Saulte Ste. Marie and Chippewa County Mich.
-          200pp. Illus. Wraps. $5.25. Cloth. $9.95
-  St. John, John--A True Description of the Lake Superior
-          Country.--Cloth. Maps in Pocket. 118 pp. $10.95
-  Tuttle, C.R.--History of Grand Rapids, Mich. 1874. Reprint of 1st
-          Hist. of G.R. 156pp. Early Ads. Wraps. $3.75
-  VanFleet, J.A.--Summer Resorts of the Mackinaw Region, Etc. 1882.
-          Illus. 50pp. Wraps. $2.75
-  White, J.E.--Railway Mail Service a Hist. Of. 1910. Limited Ed.
-          Reprint. Numbered. Cloth. 312pp. Illus. $10.95
-
-             _Dealers send for discount schedule & Catalog_
-
-
-
-
-                          Transcriber's Notes
-
-
---Retained publication information from the printed edition: this eBook
-  is public-domain in the country of publication.
-
---Silently corrected a few palpable typos.
-
---Transcribed handwritten in-photo captions.
-
---In the HTML version, added page numbers for convenient reference.
-
---In the text versions only, text in italics is delimited by
-  _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Michigan's Copper Country in Early
-Photos, by B. E. Tyler
-
-*** END OF THIS PROJECT GUTENBERG EBOOK MICHIGAN'S COPPER COUNTRY--PHOTOS ***
-
-***** This file should be named 55149.txt or 55149.zip *****
-This and all associated files of various formats will be found in:
-        http://www.gutenberg.org/5/5/1/4/55149/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
-  This eBook is for the use of anyone anywhere in the United States and
-  most other parts of the world at no cost and with almost no
-  restrictions whatsoever. You may copy it, give it away or re-use it
-  under the terms of the Project Gutenberg License included with this
-  eBook or online at www.gutenberg.org. If you are not located in the
-  United States, you'll have to check the laws of the country where you
-  are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
-  the use of Project Gutenberg-tm works calculated using the method
-  you already use to calculate your applicable taxes. The fee is owed
-  to the owner of the Project Gutenberg-tm trademark, but he has
-  agreed to donate royalties under this paragraph to the Project
-  Gutenberg Literary Archive Foundation. Royalty payments must be paid
-  within 60 days following each date on which you prepare (or are
-  legally required to prepare) your periodic tax returns. Royalty
-  payments should be clearly marked as such and sent to the Project
-  Gutenberg Literary Archive Foundation at the address specified in
-  Section 4, "Information about donations to the Project Gutenberg
-  Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
-  you in writing (or by e-mail) within 30 days of receipt that s/he
-  does not agree to the terms of the full Project Gutenberg-tm
-  License. You must require such a user to return or destroy all
-  copies of the works possessed in a physical medium and discontinue
-  all use of and all access to other copies of Project Gutenberg-tm
-  works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
-  any money paid for a work or a replacement copy, if a defect in the
-  electronic work is discovered and reported to you within 90 days of
-  receipt of the work.
-
-* You comply with all other terms of this agreement for free
-  distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
-    Dr. Gregory B. Newby
-    Chief Executive and Director
-    gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/55149.zip b/old/55149.zip
deleted file mode 100644
index 4203e3a..0000000
--- a/old/55149.zip
+++ /dev/null
author	nfenwick <nfenwick@pglaf.org>	2025-02-07 12:09:10 -0800
committer	nfenwick <nfenwick@pglaf.org>	2025-02-07 12:09:10 -0800
commit	e69ef3199b520767290cc7b57a157ff523d188a5 (patch)
tree	bf9831100ba3555926bd111ef8b0adfb3a1b5e0d
parent	9d08841c5158d9d56680090410147b6f0acc4fae (diff)