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| author | nfenwick <nfenwick@pglaf.org> | 2025-02-07 11:47:12 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-07 11:47:12 -0800 |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..9ed3240 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #55113 (https://www.gutenberg.org/ebooks/55113) diff --git a/old/55113-0.txt b/old/55113-0.txt deleted file mode 100644 index e69aae3..0000000 --- a/old/55113-0.txt +++ /dev/null @@ -1,4116 +0,0 @@ -The Project Gutenberg EBook of From The Log of The "Velsa", by Arnold Bennett - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - - - -Title: From The Log of The "Velsa" - -Author: Arnold Bennett - -Illustrator: E. A. Rickards - Arnold Bennett - -Release Date: July 15, 2017 [EBook #55113] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK FROM THE LOG OF THE "VELSA" *** - - - - -Produced by David Widger from page images generously -provided by the Internet Archive - - - - - - - - -FROM THE LOG OF THE VELSA - -By Arnold Bennett - -Pictures By E. A. Rickards - -And A Frontispiece By The Author - -New York: The Century Co. - -1914 - - -[Illustration: 0001] - -[Illustration: 0008] - -[Illustration: 0009] - - - - -FROM THE LOG OF THE VELSA - - - - -PART I HOLLAND - - - - -CHAPTER I--VOYAGING ON THE CANALS - -THE skipper, who, in addition to being a yachtsman, is a Dutchman, -smiled with calm assurance as we approached the Dutch frontier in the -August evening over the populous water of the canal which leads from -Ghent to Terneuzen. He could not abide Belgium, possibly because it -is rather like Holland in some ways. In his opinion the bureaucrats of -Belgium did not understand yachts and the respect due to them, whereas -the bureaucrats of Holland did. Holland was pictured for me as a -paradise where a yacht with a seventy-foot mast never had to wait a -single moment for a bridge to be swung open. When I inquired about -custom-house formalities, I learned that a Dutch custom-house did not -exist for a craft flying the sacred blue ensign of the British Naval -Reserve. And it was so. Merely depositing a ticket and a tip into the -long-handled butterfly-net dangled over our deck by the bridge-man as we -passed, we sailed straight into Holland, and no word said! But we knew -immediately that we were in another country--a country cleaner and -neater and more garnished even than Belgium. The Terneuzen Canal, -with its brickwork banks and its villages “finished” to the last tile, -reminded me of the extravagant, oily perfection of the main tracks -of those dandiacal railroads, the North Western in England and the -Pennsylvania in America. The stiff sailing breeze was at length -favorable. We set the mainsail unexceptionably; and at once, with the -falling dusk, the wind fell, and the rain too. We had to depend again -on our erratic motor, with all Holland gazing at us. Suddenly the whole -canal was lit up on both sides by electricity. We responded with our -lights. The exceedingly heavy rain drove me into the saloon to read -Dostoyevsky. - -[Illustration: 0019] - -At eight P. M. I was dug up out of the depths of Dostoyevsky in order -to see my first Dutch harbor. Rain poured through the black night. There -was a plashing of invisible wavelets below, utter darkness above, and -a few forlorn lights winking at vast distances. I was informed that we -were moored in the yacht-basin of Terneuzen. I remained calm. Had we -been moored in the yacht-basin of Kamchatka, the smell of dinner would -still have been issuing from the forecastle-hatch, the open page of -Dostoyevsky would still have invited me through the saloon skylight, and -the amiable ray of the saloon lamp would still have glinted on the piano -and on the binnacle with impartial affection. Herein lies an advantage -of yachting over motoring. I redescended without a regret, without an -apprehension. Already the cook was displacing Dostoyevsky in favor of a -white table-cloth and cutlery. - -The next morning we were at large on the billow’s of the West Schelde, -a majestic and enraged stream, of which Flushing is the guardian -and Antwerp the mistress. The rain had in no wise lost heart. With -a contrary wind and a choppy sea, the yacht had a chance to show her -qualities and defects. She has both. Built to the order of a Dutch -baron rather less than twenty years ago, she is flat-bottomed, with -lee-boards, and follows closely the lines of certain very picturesque -Dutch fishing-smacks. She has a length of just over fifty-five feet and -a beam of just over fifteen feet. Her tonnage is fifty-one, except when -dues have to be paid, on which serious occasions it mysteriously -shrinks to twenty-one net. Yachtsmen are always thus modest. Her rig is, -roughly, that of a cutter, with a deliciously curved gaff that is the -secret envy of all real cutters. - -Her supreme advantage, from my point of view, is that she has well over -six feet of head-room in the saloon and in the sleeping-cabins. And, -next, that the owner’s bed is precisely similar to the celestial bed -which he enjoyed on a certain unsurpassed American liner. Further, she -carries a piano and an encyclopedia, two necessaries of life. I may say -that I have never known another yacht that carried an encyclopedia in -more than a score of volumes. Again, she is eternal. She has timbers -that recall those of the _Constitution_. There are Dutch eel-boats on -the Thames which look almost exactly like her at a distance, and which -were launched before Victoria came to the throne. She has a cockpit -in which Hardy might have kissed Nelson. She sails admirably with a -moderate wind on the quarter. More important still, by far, she draws -only three feet eight inches, and hence can often defy charts, and slide -over sands where deep-draft boats would rightly fear to tread; she has -even been known to sail through fields. - -Possibly for some folk her chief attribute would be that, once seen, she -cannot be forgotten. She is a lovely object, and not less unusual than -lovely. She is smart also, but nothing more dissimilar to the average -smart, conventional English or American yacht can well be conceived. She -is a magnet for the curious. When she goes under a railway bridge -while a train is going over it, the engine-driver, of no matter what -nationality, will invariably risk the lives of all his passengers in -order to stare at her until she is out of sight. This I have noticed -again and again. The finest compliment her appearance ever received was -paid by a schoolboy, who, after staring at her for about a quarter of an -hour as she lay at a wharf at Kingston-on-Thames, sidled timidly up to -me as I leaned in my best maritime style over the quarter, and asked, -“Please, sir, is this a training brig?” Romance gleamed in that boy’s -eye. - -As for her defects, I see no reason why I should catalogue them at -equal length. But I admit that, to pay for her headroom, she has no -promenade-deck for the owner and his friends to “pace,” unless they are -prepared to exercise themselves on the roof of the saloon. Also that, -owing to her shallowness, she will ignobly blow off when put up to the -wind. Indeed, the skipper himself, who has proved that she will live in -any sea, describes her progress under certain conditions as “one mile -ahead and two miles to leeward”; but he would be hurt if he were taken -seriously. Her worst fault is due to her long, overhanging prow, which -pounds into a head sea with a ruthlessness that would shake the funnels -off a torpedo-boat. You must not press her. Leave her to do her best, -and she will do it splendidly; but try to bully her, and she will bury -her nose and defy you. - -That morning on the wide, broad Schelde, with driving rain, and an -ever-freshening northwester worrying her bows, she was not pressed, -and she did not sink; but her fierce gaiety was such as to keep us all -alive. She threshed the sea. The weather multiplied, until the half-inch -wire rope that is the nerve between the wheel and the rudder snapped, -and we were at the mercy, etc. While the skipper, with marvelous -resource and rapidity, was improvising a new gear, it was discovered -amid general horror, that the piano had escaped from its captivity, and -was lying across the saloon table. Such an incident counts in the life -of an amateur musician. Still, under two hours later, I was playing the -same piano again in the tranquillity of Flushing lock. - -[Illustration: 0026] - -It was at Middelburg that the leak proved its existence. Middelburg is -an architecturally delightful town even in heavy, persevering rain and -a northwest gale. It lies on the canal from Flushing to Veere, and its -belfry had been a beacon to us nearly all the way down the Schelde from -Temeuzen. Every English traveler stares at its renowned town-hall; and -indeed the whole place, having been till recently the haunt of more or -less honest English racing tipsters and book-makers, must be endeared to -the British sporting character. We went forth into the rain and into the -town, skirting canals covered with timber-rafts, suffering the lively -brutishness of Dutch infants, and gazing at the bare-armed young women -under their umbrellas. We also found a goodish restaurant. - -When we returned at nine P. M., the deck-hand, a fatalistic philosopher, -was pumping. He made a sinister figure in the dark. And there was the -sound of the rain on our umbrellas, and the sound of the pumped water -pouring off our decks down into the unseen canal. I asked him why he -was pumping at that hour. He answered that the ship leaked. It did. The -forecastle floor was under an inch of water, and water was pushing up -the carpet of the starboard sleeping-cabin, and all the clean linen in -the linen-locker was drenched. In a miraculous and terrifying vision, -which changed the whole aspect of yachting as a recreation, I saw the -yacht at the bottom of the canal. I should not have had this vision -had the skipper been aboard; but the skipper was ashore, unfolding the -beauties of Holland to the cook. I knew the skipper would explain -and cure the leak in an instant. A remarkable man, Dutch only by the -accident of birth and parentage, active as a fox-terrier, indefatigable -as a camel, adventurous as Columbus, and as prudent as J. Pierpont -Morgan, he had never failed me. Half his life had been spent on that -yacht, and the other half on the paternal barge. He had never lived -regularly in a house. Consequently he was an expert of the very first -order on the behavior of Dutch barges under all conceivable conditions. -While the ship deliberately sank and sank, the pumping monotonously -continued, and I waited in the saloon for him to come back. Dostoyevsky -had no hold on me whatever. The skipper would not come back: he declined -utterly to come back; he was lost in the mazy vastness of Middelburg. - -Then I heard his voice forward. He had arrived in silence. “I hear our -little ship has got a leak, sir,” he said when I joined the group of -professional mariners on the forward deck, in the thick rain that -veiled even gas-lamps. I was disappointed. The skipper was depressed, -sentimentally depressed, and he was quite at a loss. Was the leak caused -by the buffetings of the Schelde, by the caprices of the piano, by the -stress of working through crowded locks? He knew not. But he would swear -that the leak was not in the bottom, because the bottom was double. The -one thing to do was to go to Veere, and put the ship on a grid that he -was aware of in the creek there, and find the leak. And, further, there -were a lot of other matters needing immediate attention. The bob-stay -was all to pieces, both pumps were defective, and the horn for rousing -lethargic bridge-men would not have roused a rabbit. All which meant for -him an expedition to Flushing, that bustling port! - -The ship was pumped dry. But the linen was not dry. I wanted to spread -it out in the saloon; but the skipper would not permit such an outrage -on the sanctity of the saloon, he would not even let the linen rest in -the saloon lavatory (sometimes called the bath-room). It must be hidden -like a shame in the forecastle. So the crew retired for the night to the -sodden, small forecastle amid soaked linen, while I reposed in dry -and comfortable spaciousness, but worried by those sociological -considerations which are the mosquitos of a luxurious age--and which -ought to be. None but a tyrant convinced of the divine rights of riches -could be always at ease on board a small yacht; on board a large one, -as in a house, the contrasts are less point-blank. And yet must small -yachts he abolished? Absurd idea! Civilization is not so simple an -affair as it seems to politicians perorating before immense audiences. - -Owing to the obstinacy of water in finding its own level, we went to bed -more than once during that night, and I thought of selling the ship and -giving to the poor. What a declension from the glory of the original -embarkation! - -The next afternoon, through tempests and an eternal downpour, we reached -Veere, at the other end of the canal. Veere is full of Scotch history -and of beauty; it has a cathedral whose interior is used by children as -a field, a gem of a town-hall, and various attractions less striking; -but for us it existed simply as a place where there was a grid, to serve -the purpose of a dry-dock. On the following morning we got the yacht -onto the grid, and then began to wait for the tide to recede. During -its interminable recession, we sat under a shed of the shipyard, partly -sheltered from the constant rain, and labored to produce abominable -watercolors of the yacht, with the quay and the cathedral and the -town-hall as a background. And then some one paddling around the yacht -in the dinghy perceived a trickle out of a seam. The leak! It was naught -but the slight starting of a seam! No trace of other damage. In an hour -it had been repaired with oakum and hammers, and covered with a plaster -of copper. The steering-gear was repaired. The pumps were repaired. -The bobstay was repaired. The water-color looked less abominable in the -discreet, kindly light of the saloon. The state of human society seemed -less volcanically dangerous. God was in His heaven. “I suppose you’d -like to start early to-morrow morning, sir,” said the skipper, whose one -desire in life is to go somewhere else. I said I should. - -I went ashore with the skipper to pay bills--four gulden for repairs and -three gulden for the use of the grid. It would have been much more but -for my sagacity in having a Dutch skipper. The charming village proved -to be virtually in the possession of one of those formidable English -families whose ladies paint in water-colors when no golf-course is near. -They ran ecstatically about the quay with sheets of Whatman until the -heavy rain melted them. The owner of the grid lived in a large house -with a most picturesque façade. Inside it was all oilcloth, red -mahogany, and crimson plush, quite marvelously hideous. The shipwright -was an old, jolly man, with white whiskers spreading like a peacock’s -tail. He gave us cigars to pass the time while he accomplished the -calligraphy of a receipt. He was a man sarcastic about his women (of -whom he had many), because they would not let him use the _voor-kammer_ -(front room) to write receipts in. I said women were often the same -in England, and he gave a short laugh at England. Nevertheless, he -was proud of his women, because out of six daughters five had found -husbands, a feat of high skill in that island of Walcheren, where women -far outnumber men. - -Outside, through the mullioned window, I saw a young matron standing -nonchalant and unprotected in the heavy rain. She wore an elaborate -local costume, with profuse gilt ornaments. The effect of these Dutch -costumes is to suggest that the wearer carries only one bodice, thin and -armless, but ten thousand skirts. Near the young matron was a girl -of seven or eight, dressed in a fashion precisely similar, spectacle -exquisite to regard, but unsatisfactory to think about. Some day all -these women will put on long sleeves and deprive themselves of a few -underskirts, and all the old, jolly men with spreading white beards will -cry out that women are unsexed and that the end of the world is nigh. In -another house I bought a fisherman’s knitted blue jersey of the finest -quality, as being the sole garment capable of keeping me warm in a Dutch -summer. I was told that the girl who knitted it received only half a -gulden for her labor. Outrageous sweating, which ought never to have -been countenanced. Still, I bought the jersey. - -At six-thirty next day we were under way--a new ship, as it seemed to -me. Yachts may have leaks, but we were under way, and the heavenly -smell of bacon was in the saloon; and there had been no poring over -time-tables, no tipping of waiters, no rattling over cobbles in -omnibuses, no waiting in arctic railway-stations, no pugnacity for -corner seats, no checking of baggage. I was wakened by the vibration -of the propeller; I clad myself in a toga, and issued forth to laugh -good-by at sleeping Veere--no other formalities. And all along the quay, -here and there, I observed an open window among the closed ones. Each -open window denoted for me an English water-colorist sleeping, even as -she or he had rushed about the quay, with an unconcealed conviction of -spiritual, moral, and physical superiority. It appeared to me monstrous -that these English should be so ill bred as to inflict their insular -notions about fresh air on a historic Continental town. Every open -window was an arrogant sneer at Dutch civilization, was it not? Surely -they could have slept with their windows closed for a few weeks! Or, if -not, they might have chosen Amsterdam instead of Veere, and practised -their admirable Englishness on the “Victorian Tea-Room” in that city. - -[Illustration: 0035] - -We passed into the Veeregat and so into the broad Roompot Channel, and -left Veere. It was raining heavily, but gleams near the horizon allowed -me to hope that before the day was out I might do another water-color. - - - - -CHAPTER II--DUTCH LEISURE - -EVERY tourist knows that Holland is one of the historic cradles of -political freedom, and also a chain of cities which are in effect -museums of invaluable art. The voyager in a little ship may learn that -in addition to all this Holland is the home of a vast number of plain -persons who are under the necessity of keeping themselves alive seven -days a week, and whose experiments in the adventure of living have -an interest quite equal to the interest of ancient art. To judge that -adventure in its final aspect, one should see Holland on a Sunday, and -not the Holland of the cities, but of the little towns. - -We came one Sunday morning to a place called Zieriksee, on an island to -the north of the East Schelde. Who has heard of Zieriksee? Nevertheless, -Zieriksee exists, and seven thousand people prosecute the adventure -therein without the aid of museums and tourists. At first, from the -mouth of its private canal, it seems to be a huge, gray tower surrounded -by tiniest doll’s-houses with vermilion roofs; and as you approach, the -tower waxes, until the stones of it appear sufficient to build the -whole borough; then it wanes, and is lost in the town, as all towers -ultimately are. The cobbled quay and streets were empty as we moored. -And in an instant a great crowd sprang up out of the earth,--men and -boys and girls, but few women,--staring, glaring, giggling, gabbling, -pushing. Their inquisitiveness had no shame, no urbanity. Their cackle -deafened. They worried the _Velsa_ like starving wolves worrying a deer. -The _Velsa_ was a godsend, unhoped for in the enormous and cruel tedium -which they had created for themselves. To escape them we forced our way -ashore, and trod the clean, deathlike, feet-torturing streets. One shop -was open; we entered it, and were supplied with cigarettes by two polite -and gracious very old women who knew no English. On emerging from this -paganism, we met a long, slow-slouching, gloomy procession of sardonic -human beings,--not a pretty woman among them, not a garment that was -comely or unclean or unrespectable, not a smile,--the great, faithful -congregation marching out of the great church. Here was the life of -leisure in Holland as distinguished from the week-day life of industry. -It was a tragic spectacle. When we returned to the yacht, the other -congregation was still around it. And it was still there, just as noisy -and boorish, when we left several hours later. And it would still have -been there if we had remained till midnight. The phenomenon of that -crowd, wistful in its touching desire for distraction, was a serious -criticism of the leaders of men in Holland. As we slid away, we could -see the crowd rapidly dissolving into the horror of its original ennui. -I asked the cook, a cockney, what he thought of Zieriksee. - -His face lightened to a cheerful smile. - -“Rather a nice sort of place, sir. More like England.” - -[Illustration: 0040] - -The same afternoon we worked up the Schelde in a dead calm to Zijpe. The -rain had pretermitted for the first time, and the sun was hot. Zijpe -is a village, a haven, a dike, and a junction of train and steamer. The -village lies about a mile inland. The haven was pretty full of barges -laid up for Sunday. On the slopes of the haven, near the railway-station -and the landing-stage, a multitude of at least a thousand people -were strolling to and fro or sitting on the wet grass, all in their -formidable Sabbath best. We joined them, in order, if possible, to learn -the cause of the concourse; but the mystery remained for one hour and a -half in the eventless expanse of the hot afternoon, when the train came -in over the flat, green leagues of landscape. We then understood. The -whole of Zijpe had turned out to see the afternoon train come in! It was -a simple modest Dutch local train, making a deal of noise and dust, -and bearing perhaps a score of passengers. But it marked the grand -climacteric of leisured existence at Zijpe. We set off to the village, -and discovered a village deserted, and a fair-ground, with all its -booths and circuses swathed up in gray sheeting. Scarcely a soul! The -spirit of romance had pricked them all to the railway-station to see the -train come in! - -Making a large circuit, we reached again the river and the dike, and -learned what a dike is in Holland. From the top of it we could look down -the chimneys of houses on the landward side. The population was now -on the dike, promenading in magnificent solemnity and self-control. -Everybody gravely saluted us in passing. We gravely saluted everybody, -and had not a moment to ourselves for miles. - -“Over there,” said the skipper afterward, pointing vaguely to the -southeast over the Schelde, “they ’re Roman Catholics. There ’s a -lot of Spaniards left in Holland.” By Spaniards he meant Dutchmen with -some Spanish blood. - -“Then they enjoy their Sundays?” I suggested. - -“Yes,” he answered sarcastically, “they enjoy their Sundays. They put -their playing-cards in their pockets before they go to church, and then -they go straight from the church to the café, and play high, and as like -as not knife each other before they ’ve done.” Clearly it takes all -sorts to make a little world like Holland, and it is difficult to strike -the mean between absolute nullity and homicidal knives. My regret is -that the yacht never got as far as those Spaniards gaming and knifing in -cafés. - -On Monday morning every skipper on every river and canal of Holland -tries to prove that the stagnation of Sunday is only a clever illusion. -The East Schelde hummed with express barges at five A. M. It was exactly -like a Dutch picture by an old master. Even we, in no hurry, with a -strong tide under us and a rising northwester behind us, accomplished -fifteen sea-miles in ninety minutes. Craft were taking shelter from the -threatened gale. In spite of mistakes by an English crew unaccustomed -to a heavy mainsail in tortuous navigation and obstreperous weather, -we reached Dordrecht railway bridge without public shame; and then the -skipper decided that our engine could not be trusted to push us through -the narrow aperture against wind and tide. Hence we bargained with a -tug, and were presently attached thereto, waiting for the bridge to -open. - -Considering that Holland is a country where yachts are understood, and -where swing-bridges open at a glance, we had to wait some little time -for that bridge; namely, three hours. The patriotism of the skipper was -strained. During the whole period the tug rushed to and fro, frisking us -wildly about like a kettle at the tail of a busy dog, and continuously -collecting other kettles, so that our existence was one long shock and -collision. But we saw a good deal of home life on the barges, from a -minor barge which a girl will steer to the three-thousand-ton affair -that surpasses mail steamers in capacity. - -[Illustration: 0045] - -There are two homes on these monsters, one at the stem and the other -at the stern; the latter is frequently magnificent in spaciousness -and gilding. That the two families in the two distant homes are ever -intimate is impossible, that they are even acquainted is improbable; -but they seem to share a tireless dog, who runs incessantly along the -leagues of planking which separate them. - -The bridge did at last open, and everything on the river, unmindful of -everything else, rushed headlong at the opening, like a crowd of sinners -dashing for a suddenly unbarred door into heaven. Our tug jerked us into -the throng, a fearful squeeze, and we were through. We cast off, the -gulden were collected in a tin, and within five minutes we were moored -in the New Haven, under the lee of the Groote Kerk, with trees all -around us, in whose high tops a full gale was now blowing. - -The next morning our decks were thickly carpeted with green leaves, -a singular sight. The harbor-master came aboard to demand dues, and -demanded them in excellent English. - -“Where did you learn English?” I asked, and he answered with strange -pride: - -“Sir, I served seven years under the British flag.” - -Standing heedless in the cockpit, under driving rain, he recounted -the casualties of the night. Fifteen miles higher up the river a -fifteen-hundred-ton barge had sunk, and the master and crew, consisting, -_inter alia_, of all his family, were drowned. I inquired how such an -event could happen in a narrow river amid a numerous population, and -learned that in rough weather these barges anchor when a tug can do no -more with them, and the crew go to bed and sleep. The water gradually -washes in and washes in, until the barge is suddenly and silently -engulfed. Dutch phlegm! Corresponding to their Sabbatic phlegm, no -doubt. Said the harbor-master: - -“Yes, there is a load-line, but they never takes no notice of it in -Holland; they just loads them up till they won’t hold any more.” - -The fatalism of the working-classes everywhere is perhaps the most -utterly astounding of all human phenomena. - -Thoughtful, I went off to examine the carved choir-stalls in the Groote -Kerk. These choir-stalls are among the most lovely sights in Holland. -Their free, fantastic beauty is ravishing and unforgetable; they make -you laugh with pleasure as you behold them. I doubt not that they -were executed by a rough-tongued man, in a dirty apron, with shocking -finger-nails. - -[Illustration: 0052] - - - - -CHAPTER III--DUTCH WORK - -We passed through Rotterdam more than once, without seeing more of -it than the amazing traffic of its river and its admirable zoological -gardens full of chromatically inclined parrots; but we stopped at a -minor town close by, on a canal off the Meuse, Schiedam. Instinct -must have guided me, for the sociological interest of Schiedam was not -inconsiderable. Schiedam is called by the Dutch “stinking Schiedam.” - I made a circuit of the town canals in the dinghy and convinced myself -that the epithet was just and not malicious. On the lengthy quays were a -large number of very dignified gin distilleries, whose architecture was -respectable and sometimes even very good, dating from perhaps early -in the last century. Each had a baptismal name, such as “Liverpool,” - inscribed in large letters across its façade. This rendering decent and -this glorification of gin constituted an impressive phenomenon. But -it was the provinciality and the uncouth melancholy of the apparently -prosperous town that took my fancy. We walked through all its principal -streets in the rain, and I thought I had never seen a provinciality so -exquisitely painful and perfect. In this city of near thirty thousand -people there was not visible one agreeably imposing shop, or one woman -attired with intent to charm, or one yard of smooth pavement. I know not -why I find an acrid pleasure in thus beholding mediocrity, the average, -the everyday ordinary, as it is; but I do. No museum of Amsterdam, The -Hague, or Haarlem touched me so nearly as the town of Schiedam, which, -after all, I suppose I must have liked. - -Toward six o’clock we noticed an unquiet, yet stodgy, gathering in the -square where is the electric-tram terminus, then a few uniforms. I asked -a superior police officer what there was. He said in careful, tranquil -English: - -“There is nothing. But there is a strike of glass-workers in the town. -Some of them don’t want to work, and some of them do want to work. Those -that have worked to-day are being taken home in automobiles. That is -all.” - -I was glad it was all, for from his manner I had expected him to -continue to the effect that the glass-workers had been led away by paid -agitators and had no good reason to strike. The automobiles began to -come along, at intervals, at a tremendous pace, each with a policeman by -the chauffeur’s side. In one was a single artisan, middle-aged, with a -cigar in the corner of his mouth, and a certain adventurous look in his -eye. The crowd grimly regarded. The police tried to seem as if they were -there by accident, but obviously they lacked histrionic training. -In short, the scene was one of the common objects of the wayside -of existence all over the civilized world. It presented no novelty -whatever, and yet to witness it in Holland was piquant, and caused one -to think afresh and perhaps more clearly. - -At night, when it had ceased to rain. I was escorting a friend to the -station. Musicians were climbing up into the bandstand in the same -square. It was Wednesday, the evening of the weekly municipal concert. -The railway-station, far out, was superbly gloomy, and it was the only -station in Holland where I failed to get a non-Dutch newspaper. The -train, with the arrogance of an international express, slid in, slid -out, and forgot Schiedam. I emerged from the station alone. A one-horse -tram was waiting. - -The tram, empty, with a sinking, but everlasting, white horse under a -yellow cloth, was without doubt the most provincial and melancholy thing -that destiny has yet brought me in contact with. The simple spectacle -of it, in the flickering gaslights and in the light of its own lamps, -filled the heart, with an anguish inexplicable and beautiful. I got in. -An age passed. Then an old workman got in, and saluted; I saluted. Save -for the saluting, it was the Five Towns of the eighties over again, -intensified, and the last tram out of Hanbridge before the theater-tram. - -An age passed. Then a mysterious figure drew the cloth off the horse, -and the horse braced up all its four legs. We were starting when -a tight-folded umbrella waved in the outer obscurity. An elderly, -easy-circumstanced couple arrived upon us with deliberation; the -umbrella was a good one. - -We did start. We rumbled and trundled in long curves of suburban -desolation. Then a few miserable shops that ought to have been shut; -then the square once more, now jammed in every part with a roaring, -barbaric horde. In the distance, over a floor of heads, was an island of -illumination, with the figures of puffing and blowing musicians in it; -but no rumor of music could reach us through the din. The white horse -trotted mildly into and right through the multitude, which jeered -angrily, but fell back. An enormous multitude, Gothic, Visi-gothic, -savage, uncivilized, chiefly consisting of young men and big boys--the -weekly concert of humanizing music! - -[Illustration: 0057] - -I left the tram, and walked along the dark, empty canal-side to -the yacht. The impression of stagnation, tedium, provincialism was -overwhelming. Nevertheless, here, as in other towns, we were struck by -the number of shop-windows with artist’s materials for sale. Such was -Schiedam. If it is asked whether I went to Holland on a yachting cruise -to see this sort of thing, the answer is that I just did. - -After a few weeks I began to perceive that Schiedam and similar places, -though thrilling, were not the whole of Holland, and perhaps not the -most representative of Holland. As the yacht worked northward, Holland -seemed to grow more Dutch, until, in the chain of shallow lakes and -channels that hold Friesland in a sort of permanent baptism, we came -to what was for me the ideal or celestial Holland--everything done by -water, even grass cut under water, and black-and-white cows milked -in the midst of ponds, and windmills over the eternal flatness used -exclusively to shift inconvenient water from one level to another. The -road is water in Friesland, and all the world is on the road. If your -approach to a town is made perilous by a succession of barges that -will obstinately keep the middle of the channel, you know that it is -market-day in that town, and the farmers are rolling home in agreeable -inebriation. - -The motor broke down in Friesland, and we were immobolized in the midst -of blue-green fields, red dogs, the cows aforesaid, green milk-floats, -blue-bloused sportsmen, and cargoes of cannon-ball cheese. We decided to -tow the yacht until we got to a favorable reach. Certain barges sailed -past us right into the eye of the wind, against all physical laws, -but the _Velsa_ possessed not this magic. We saw three men comfortably -towing a string of three huge barges, and we would tow. Unfortunately -the only person, the skipper, who knew how to tow had to remain on -board. The cook, the deck-hand, and I towed like Greeks pulling against -Greeks, and could scarcely move one little yacht. The cook, neurasthenic -by temperament, grew sad, until he fell into three feet of inundation, -which adventure struck him as profoundly humorous, so that he was -contorted with laughter. This did not advance the yacht. Slowly we -learned that towing is not mere brute striving, but an art. - -We at last came to terms with a tug, as our desire was to sleep at -Sneek. Sneek is the veritable metropolis of those regions. After -passing, at late dusk, the mysterious night-watchers of eel-nets, who -are wakened in their elaborate green-and-yellow boats by a bell, like -a Paris concierge, we gradually emerged into nocturnal Sneek through -a quadruple lane of barges and tugs so long as to put Sneek among the -seven great ports of the world. And even in Sneek at nightfall the -impression of immense quantities of water and of greenness, yellowness, -and redness was continued. It rained, as usual, in Sneek the next day, -but no rain and no water could damp Sneek. It was the most active -town any of us had ever seen. It must have been the original “hive of -industry.” It was full, and full of everything. The market was full of -cattle, pigs, and sheep, crowded in pens and in carts; calves, prone, -with all four legs tied together, filled acres of pavement. The cafés -were full of dealers and drovers, mostly rather jolly, being served by -slatternly, pleasant women. The streets were full of good shops, and -of boys and girls following us and touching us to see if we existed. -(Dreadful little boors!) The barges were full of cauliflowers, cabbages, -apples, potatoes, sabots, cheeses, and barrels. The canals were full of -barges and steamers. - -And immediately one sat down to sketch a group of craft one learned that -nothing was stationary. Everything moved that floated--everything on -the surface of miles of canal! Everybody, without haste, but without -stopping ever, was tirelessly engaged in shifting matter from one spot -to another. At intervals a small steamer, twenty, thirty, fifty, -eighty tons, would set off for a neighboring village with a few -passengers,--including nice girls,--a few cattle, and high piles of -miscellaneous packages; or would come in from a neighboring village. The -kaleidoscope was everlasting; but it did not fatigue, because it never -hurried. Only it made us ashamed of our idleness. Gently occupied old -country-women, with head-dresses of lace-work and a gold casque, the -whole ridiculously surmounted by a black bonnet for fashion’s sake--even -these old women made us ashamed of our untransporting idleness. - -[Illustration: 0063] - -Having got our engine more or less repaired, we departed from Sneek, a -spot that beyond most spots abounds in its own individuality. Sneek is -memorable. Impossible to credit that it has fewer than thirteen thousand -inhabitants! - -As, at breakfast, we dropped down the canal on the way to Leeuwarden, -a new guest on board, whose foible is the search for the ideal, and who -had been declaiming against the unattractiveness of the women of Munich, -spoke thus: - -“Is this Dutch bread? I think I should like to become a Dutchman, and -live at Sneek, and marry a Dutch girl. They have such nice blue eyes, -and they ‘re so calm.” - -I remarked that I should have thought that his recent experiences in -Munich would have frightened him right off the entire sex. He said: - -“Well, they ‘re all beautiful in Vienna, and that worries you just as -much in another way. Sneek is the mean.” - - - - -CHAPTER IV--THE ZUYDER ZEE - -WE reached the Zuyder Zee, out of a canal, at Monnikendam, which is a -respectably picturesque townlet and the port of embarkation for Marken, -the alleged jewel of the Zuyder Zee, the precious isle where the customs -and the costumes of a pure age are mingled with the prices of New -York for the instruction of tourists. We saw Marken, but only from the -mainland, a long, serrated silhouette on the verge. The skipper said -that Marken was a side-show and a swindle, and a disgrace to his native -country. So I decided to cut it out of the program, and be the owner -of the only foreign yacht that had cruised in the Zuyder Zee without -visiting Marken. My real reason was undoubtedly that the day’s program -had been upset by undue lolling in the second-hand shops of Monnikendam. -Thus we sailed due north for Hoorn, secretly fearing that at Marken -there might be something lovely, unforgetable, that we had missed. - -The Zuyder is a sea agreeable to sail upon, provided you don’t mind -rain, and provided your craft does not draw more than about six feet. -It has the appearance of a sea, but we could generally touch the bottom -with our sounding-pole; after all, it is not a sea, but a submerged -field. The skipper would tell inclement stories of the Zuyder Zee under -ice, and how he had crossed it on foot between Enkhuizen and Stavoren, -risking his life for fun; and how he had been obliged to recross it the -next day, with more fatigue, as much risk, and far less fun, because -there was no other way home. We ourselves knew it only as a ruffled -and immense pond, with a bracing atmosphere and the silhouettes of -diminished trees and houses sticking up out of its horizons here and -there. When these low silhouettes happen to denote your destination, -they have the strange faculty of receding from your prow just as fast as -you sail toward them, a magic sea of an exquisite monotony; and when you -arrive anywhere, you are so surprised at having overtaken the silhouette -that your arrival is a dream, in the unreal image of a city. - -The one fault of Hoorn is that it is not dead. - -We navigated the Zuyder Zee in order to see dead cities, and never -saw one. Hoorn is a delightful vision for the eye--beautiful domestic -architecture, beautiful warehouses, beautiful towers, beautiful -water-gate, beautiful aniline colors on the surface of dreadful canals. -If it were as near to London and Paris as Bruges is, it would be -inhabited exclusively by water-colorists. At Hoorn I went mad, and did -eight sketches in one day, a record which approaches my highest break -at billiards. Actually, it is inhabited by cheese-makers and dealers. No -other town, not even Chicago, can possibly contain so many cheeses -per head of the population as Hoorn. At Hoorn I saw three men in blue -blouses throwing down spherical cheeses in pairs from the second story -of a brown and yellow and green warehouse into a yellow cart. One man -was in the second story, one in the first, and one in the cart. They -were flinging cheeses from hand to hand when we arrived and when we -left, and they never dropped a cheese or ceased to fling. They flung -into the mysterious night, when the great forms of little cargo-steamers -floated soundless over romance to moor at the dark quays, and the long, -white English steam-yacht, with its two decks, and its chef and its -flulfy chambermaid, and its polished mahogany motor-launch, and its -myriad lights and gleams, glided to a berth by the water-tower, and -hung there like a cloud beyond the town, keeping me awake half the night -while I proved to myself that I did not really envy its owner and that -the Velsa was really a much better yacht. - -[Illustraion: 0070] - -The recondite enchantment of Hoorn was intensified by the fact that the -English tongue was not current in it. I met only one Dutchman there who -spoke it even a little, a military officer. Being on furlough, he was -selling cigars in a cigar shop on behalf of his parents. Oh, British -army officer! Oh, West Point Academy! He told me that officers of the -Dutch army had to be able to speak English, French, and German. Oh, -British army officer! Oh, West Point Academy! But he did not understand -the phrase “East Indian cigar.” He said there were no such cigars in -his parents’ shop. When I said “Sumatra,” he understood, and fetched -his mother. When I said that I desired the finest cigars in Hoorn, -his mother put away all the samples already exhibited and fetched his -father. The family had begun to comprehend that a serious customer had -strayed into the shop. The father, in apron, with a gesture of solemnity -and deference went up-stairs, and returned in majesty with boxes of -cigars that were warm to the touch. “These are the best?” - -“These are the best.” I bought. They were threepence apiece. - -A mild, deliciously courteous family, recalling the tobacco-selling -sisters at Zieriksee, and a pair of tobacconist brothers in the -Kalver-Straat, Amsterdam, whose politeness and soft voices would have -atoned for a thousand Schiedams. The Hutch middle and upper classes have -adorable manners. It was an ordeal to quit the soothing tobacco shop for -the terrors of the long, exposed Iloorn High Street, infested, like -too many Hutch streets, by wolves and tigers in the outward form of -dogs--dogs that will threaten you for a milt and then bite, in order -to prove that they are of the race that has always ended by expelling -invaders with bloodshed. - -I was safer in the yacht’s dinghy, on a surface of aniline hues, though -the odors were murderous, and though for two hours, while I sketched, -three violent young housewives were continually splashing buckets into -the canal behind me as they laved and scrubbed every separate stone -on the quay. If canals were foul, streets were as clean as -table-tops--cleaner. - -The other cities of the Zuyder Zee were not more dead than Hoorn, though -Enkhuizen, our next port, was more tranquil, possibly because we arrived -there on a Saturday evening. Enkhuizen, disappointing at the first -glance, exerts a more subtle fascination than Iloorn. However, I -remember it as the place where we saw another yacht come in, the owner -steering, and foul the piles at the entrance. My skipper looked at his -owner, as if to say, “You see what owners do when they take charge.” I -admitted it. - -We crossed from Enkhuizen to Stavoren in bad weather, lost the dinghy -and recovered it, and nearly lost the yacht, owing to the cook having -taken to his bunk without notice when it was imperative to shorten sail -in a jiffy. The last that I heard of this cook was that he had become -an omnibus conductor. Some people are born to rise, and the born omnibus -conductor will reach that estate somehow. He was a pleasant, sad young -man, and himself painted in water-colors. - -[Illustration: 0076] - -I dare say that at Stavoren we were too excited to notice the town; -but I know that it was a busy port. Lemmer also was busy, a severely -practical town, with a superb harbor-master, and a doctor who cured the -cook. We were disappointed with Kampen, a reputed beauty-spot, praised -even by E. V. Lucas, who never praises save on extreme provocation. -Kampen has architecture,--wonderful gates,--but it also has the crudest -pavements in Holland, and it does not smile hospitably, and the east -wind was driving through it, and the rain. The most agreeable corner -of Kampen was the charcoal-heated saloon of the yacht. We left Kampen, -which perhaps, after all, really was dead, on September 21. The morning -was warm and perfect. I had been afloat in various countries for seven -weeks continuously, and this was my first warm, sunny morning. In three -hours we were at the mouth of the tiny canal leading to Elburg. I was -steering. - -“Please keep the center of the channel,” the skipper enjoined me. - -I did so, but we grounded. The skipper glanced at me as skippers are -privileged to glance at owners, but I made him admit that we were within -half an inch of the mathematical center of the channel. We got a line on -to the pier, and hauled the ship off the sand by brute force. When I had -seen El-burg, I was glad that this incident had occurred; for Elburg is -the pearl of the Zuyder. Where we, drawing under four feet, grounded at -high water in mid-channel, no smart, deep-draft English yacht with chefs -and chambermaids can ever venture. And assuredly tourists will not go -to Elburg by train. Elburg is safe. Therefore I feel free to mention the -town. - -Smacks were following one another up the canal for the week-end -surcease, and all their long-colored _weins_ (vanes) streamed in the -wind against the blue sky. And the charm of the inefficient canal was -the spreading hay-fields on each side, with big wagons, and fat horses -that pricked up their ears (doubtless at the unusual sight of our blue -ensign), and a young mother who snatched her rolling infant from the hay -and held him up to behold us. And then the skipper was excited by the -spectacle of his aged father’s trading barge, unexpectedly making for -the same port, with his mother, brother, and sister on deck--the crew! -Arrived in port, we lay under the enormous flank of this barge, and the -skipper boarded his old home with becoming placidity. - -The port was a magnificent medley of primary colors, and the beautiful -forms of boats, and the heavy curves of dark, drying sails, all dom -nated by the toeing streaming in the hot sunshine. Every few minutes a -smack arrived, and took its appointed place for Sunday. The basin seemed -to be always full and always receptive. Nothing lacked for perfect -picturesqueness, even to a little ship-repairing yard, and an -establishment for raddling sails stretched largely out on green grass. -The town was separated from the basin by a narrow canal and a red-brick -water-gate. The main street ran straight away inland, and merged into an -avenue of yellowish-green trees. At intervals straight streets branched -off at right angles from the main. In the center of the burg was a -square. Everywhere rich ancient roofs, gables, masonry, and brickwork in -Indian reds and slaty-blues; everywhere glimpses of courtyards precisely -imitated from the pictures of Pieter de Hooch. The interior of the -church was a picture by Bosboom. It had a fine organ-case, and a -sacristan out of a late novel by Huysmans. - -The churchyard was a mass of tall flowers. - -The women’s costumes here showed a difference, the gilt casque being -more visibly divided into two halves. All bodices were black, all -skirts blue. Some of the fishermen make majestic figures, tall, proud, -commanding, fit adversaries of Alva; in a word, exemplifications of the -grand manner. Their salutes were sometimes royal. - -The gaiety of the color; the distinction of the forms; the strange -warmth; the completeness of the entity of the town, which seemed to -have been constructed at one effort; the content of the inhabitants, -especially the visible, unconscious gladness of the women at the return -of their mariners; the urbanity of everybody--all these things helped -to produce a comfortable and yet disconcerting sensation that the old, -unreformed world was not quite ripe for utter destruction. - -All day until late in the evening smacks ceased not to creep up the -canal. The aspect of the basin altered from minute to minute, with -disastrous effect on water-colorists. In the dusk we ferreted In -a gloomy and spellbound second-hand shop, amid dozens of rococo -wall-clocks, and bought a few little things. As we finally boarded the -yacht in the dark, we could see a group of sailors in a bosky arbor -bending over a table on which was a lamp that harshly lighted their -grave faces. They may have thought that they were calculating and -apportioning the week’s profits; but in reality they were playing at -masterpieces by Rembrandt. - -[Illustration: 0081] - - - - -CHAPTER V--SOME TOWNS - -HAARLEM is the capital of a province, and has the airs of a minor -metropolis. When we moored in the Donkere Spaarne, all the architecture -seemed to be saying to us, with innocent pride, that this was the city -of the illustrious Frans Hals, and the only place where Frans Hals could -be truly appreciated. Haarlem did not stare at strangers, as did other -towns. The shops in the narrow, busy Saturday-night streets were small -and slow, and it took us most of an evening, in and out of the heavy -rain, to buy three shawls, two pairs of white stockings, and some -cigarettes; but the shopmen and shop-women, despite their ignorance of -English, American, and French, showed no openmouthed provinciality at -our fantastic demands. The impression upon us of the mysterious entity -of the town was favorable; we felt at home. - -The yacht was just opposite the habitation of a nice middle-class -family, and on Sunday morning, through the heavy rain, I could see a boy -of sixteen, a girl of fourteen, and a child of five or six, all dressing -slowly together in a bedroom that overlooked us, while the father in -shirt-sleeves constantly popped to and fro. They were calmly content -to see and be seen. Presently father and son, still in shirt-sleeves, -appeared on the stoop, each smoking a cigar, and the girl above, arrayed -in Sunday white, moved about setting the bedroom in order. It was a -pleasant average sight, enhanced by the good architecture of the house, -and by a certain metropolitan self-unconsciousness. - -We went to church later, or rather into a church, and saw beautiful -models of ships hung in the nave, and aged men entering, with their -hats on and good cigars in their mouths. For the rest, they resembled -superintendents of English Sunday-schools or sidesmen of small parishes. -In another church we saw a Sunday-school in full session, a parson in -a high pulpit exhorting, secretary and minor officials beneath him, and -all the boys standing up with shut eyes and all the girls sitting down -with shut eyes. We felt that we were perhaps in the most Protestant -country in Europe. - -In the afternoon, when the rain-clouds lifted for a few moments and the -museums were closed, we viewed the residential prosperity of Haarlem, of -which the chief seat is the Nieuwe Gracht, a broad canal, forbidden to -barges, flanked by broad quays beautifully paved in small red brick, and -magnificent houses. A feature of the noble architecture here was that -the light ornamentation round the front doors was carried up and round -the central windows of the first and second stories. A grand street! One -properly expected to see elegant women at the windows of these lovely -houses,--some were almost palaces,--and one was disappointed. Women -there were, for at nearly every splendid window, the family was seated, -reading, talking, gazing, or drinking tea; but all the women were dowdy; -the majority were middle-aged; none was beautiful or elegant. Nor was -any of the visible furniture distinguished. - -The beauty of Haarlem seems to be limited to architecture, pavements, -and the moral comeliness of being neat and clean. The esthetic -sense apparently stops there. Charm must be regarded in Haarlem with -suspicion, as a quality dangerous and unrespectable. As daylight failed, -the groups within gathered closer and closer to the windows, to catch -the last yellow drops of it, and their curiosity about the phenomena of -the streets grew more frank. We were examined. In return we examined. -And a discussion arose as to whether inspection from within justified -inquisitiveness from the street. The decision was that it did not; that -a person inside a house had the right to quiz without being quizzed. But -this merely academic verdict was not allowed to influence our immediate -deportment. In many houses of the lesser streets tables were already -laid for supper, and one noticed heavy silver napkin-rings and other -silver. In one house the shadowy figures of a family were already -grouped round a repast, and beyond them, through another white-curtained -window at the back of the spacious room, could be discerned a dim -courtyard full of green and yellow foliage. This agreeable picture, -typifying all the domestic tranquillity and dignity of prosperous -Holland, was the last thing we saw before the dark and the rain fell, -and the gas-lamps flickered in. - -[Illustration: 0087] - -We entered The Hague through canals pitted by heavy rain, the banks of -which showed many suburban residences, undistinguished, but set in the -midst of good gardens. And because it was the holiday week,--the week -containing the queen’s birthday,--and we desired quietude, we obtained -permission to lie at the private quay of the gasworks. The creators -of The Hague gas-works have made only one mistake: they ought to have -accomplished their act much earlier, so that Balzac might have described -it; for example, in “The Alkahest,” which has the best imaginative -descriptions of Dutch life yet written. The Hague gas-works are like -a toy, gigantic; but a toy. Impossible to believe that in this vast, -clean, scrubbed, swept expanse, where every bit of coal is scrupulously -in place, real gas is made. To believe, you must go into the city and -see the gas actually burning. Even the immense traveling-cranes, when -at work or otherwise, have the air of life-size playthings. Our quay -was bordered with flower-beds. The workmen, however, seemed quite real -workmen, realistically dirty, who were not playing at work, nor rising -at five-thirty a.m. out of mere joyous ecstasy. - -Nor did the bargemen who day and night ceaselessly and silently -propelled their barges past us into the city by means of poles and -sweat, seem to be toying with existence. The procession of these barges -never stopped. On the queen’s birthday, when our ship was dressed, and -the whole town was flagged, it went on, just as the decorated trams and -tram-drivers went on. Some of the barges penetrated right through -the populous districts, and emerged into the oligarchic quarter of -ministries, bureaus, official residences, palaces, parks, art dealers, -and shops of expensive lingerie--the quarter, as in every capital, where -the precious traditions of correctness, patriotism, red-tape, order, -luxury, and the moral grandeur of devising rules for the nice conduct of -others are carefully conserved and nourished. This quarter was very well -done, and the bargemen, with their perspiring industry, might have had -the good taste to keep out of it. - -The business center of The Hague, lying between the palaces and the -gas-works, is cramped, crowded, and unimpressive. The cafés do not -glitter, and everybody knows that the illumination of cafés in a capital -is a sure index of a nation’s true greatness. Many small cafés, veiled -in costly curtains at window and door, showed stray dazzling shafts of -bright light, but whether the true greatness of Holland was hidden -in these seductive arcana I never knew. Even in the holiday week the -principal cafés were emptying soon after ten o’clock. On the other hand, -the large stores were still open at that hour, and the shop-girls, whose -pale faces made an admirable contrast to their black robes, were still -serving ladies therein. At intervals, in the afternoons, one saw a chic -woman, moving with a consciousness of her own elegance; but she was -very exceptional. The rest might have run over for the day from Haarlem, -Delft, Utrecht, or Leyden. In the really excellent and well-frequented -music-halls there was no elegance either. I have never anywhere seen -better music-hall entertainments than in Holland. In certain major -capitals of Europe and elsewhere the public is apt to prove its own -essential naïveté by allowing itself to be swindled nightly in gorgeous -music-halls. The Dutch are more astute, if less elegant. - -The dying engine of the yacht lost consciousness, for about the -twentieth time during this trip, as we were nearing Amsterdam; but a -high wind, carrying with it tremendous showers of rain, kindly blew us, -under bare poles, up the last half-mile of the North Sea Canal into the -private haven of the Royal Dutch Yacht-Club, where we were most amicably -received, as, indeed, in all the yacht-club basins of Holland. Baths, -telephones, and smoking-rooms were at our disposal without any charge, -in addition to the security of the haven, and it was possible to get -taxicabs from the somewhat distant city. We demanded a chauffeur who -could speak English. They sent us a taxi with two chauffeurs neither of -whom could speak any language whatsoever known to philologists. But -by the use of maps and a modification of the pictorial writing of the -ancient Aztecs, we contrived to be driven almost where we wanted. At -the end of the excursion I had made, in my quality of observer, two -generalizations: first, that Amsterdam taxis had two drivers for -safety; and, second, that taxi-travel in Amsterdam was very exciting and -dangerous. But our drivers were so amiable, soft-tongued, and energetic -that I tipped them both. I then, somehow, learned the truth: one of the -men was driving a taxi for the first time, and the other was teaching -him. - -[Illustration: 0094] - -After driving and walking about Amsterdam for several days, I decided -that it would be completely civilized when it was repaved, and not -before. It is the paradise of stomachs and the hell of feet. Happily, -owing to its canals and its pavements, it has rather fewer of the rash -cyclists who menace life in other Dutch cities. In Holland, outside -Amsterdam, everybody uses a cycle. If you are ran down, as you are, it -is just as likely to be by an aged and toothless female peasant as by -an office boy. Also there are fewer homicidal dogs in Amsterdam than -elsewhere, and there is the same general absence of public monuments -which makes other Dutch cities so agreeably strange to the English and -American traveler. You can scarcely be afflicted by a grotesque statue -of a nonentity in Holland, because there are scarcely any statues. - -Amsterdam is a grand city, easily outclassing any other in Holland. -Its architecture is distinguished. Its historic past is impressively -immanent in the masonry of the city itself, though there is no trace of -it in the mild, commonplace demeanor of the inhabitants. Nevertheless, -the inhabitants understand solidity, luxury, wealth, and good cheer. -Amsterdam has a bourse which is the most peculiar caprice that ever -passed through the head of a stock-broker. It is excessively ugly and -graceless, but I admire it for being a caprice, and especially for being -a stock-broker’s caprice. No English stock-broker would have a caprice. -Amsterdam has small and dear restaurants of the first order, where a few -people with more money than appetite can do themselves very well indeed -in hushed privacy. It also has prodigious cafés. Krasnopolshy’s--a town, -not a café--is said in Amsterdam to be the largest café in Europe. It -isn’t; but it is large, and wondrously so for a city of only half a -million people. - -[Illustration: 0099] - -In the prodigious cafés you perceive that Amsterdam possesses the -quality which above all others a great city ought to possess. It -pullulates. Vast masses of human beings simmer in its thoroughfares and -boil over into its public resorts. The narrow Kalver-Straat, even in the -rain, is thronged with modest persons who gaze at the superb luxury of -its shops. The Kalver-Straat will compete handsomely with Bond Street. -Go along the length of it, and you will come out of it thoughtful. Make -your way thence to the Rembrandt-Plein, where pleasure concentrates, and -you will have to conclude that the whole of Amsterdam is there, and all -its habitations empty. The mirrored, scintillating cafés, huge and -lofty and golden, are crowded with tables and drinkers and waiters, and -dominated by rhapsodic orchestras of women in white who do what they -can against the hum of ten thousand conversations, the hoarse calls of -waiters, and the clatter of crockery. It is a pandemonium with a certain -stolidity. The excellent music-halls and circuses are equally crowded, -and curiously, so are the suburban resorts on the rim of the city. Among -the larger places, perhaps, the Café Américain, on the Leidsche-Plein, -was the least feverish, and this was not to be counted in its favor, -because the visitor to a city which pullulates is, and should he, -happiest in pullulating. The crowd, the din, the elbowing, the glitter -for me, in a town like Amsterdam! In a town like Gouda, which none -should fail to visit for the incomparable stained-glass in its church, I -am content to be as placid and solitary as anybody, and I will follow -a dancing bear and a Gipsy girl up and down the streets thereof with -as much simplicity as anybody. But Amsterdam is the great, vulgar, -inspiring world. - - - - -CHAPTER VI--MUSEUMS - -I DID not go yachting in Holland in order to visit museums; -nevertheless, I saw a few. When it is possible to step off a yacht clean -into a museum, and heavy rain is falling, the temptation to remain on -board is not sufficiently powerful to keep you out of the museum. At -Dordrecht there is a municipal museum manned by four officials. -They received us with hope, with enthusiasm, with the most touching -gratitude. Their interest in us was pathetic. They were all dying of -ennui in those large rooms, where the infection hung in clouds almost -visible, and we were a specific stimulant. They seized on us as the -morphinomaniac seizes on an unexpected find of the drug. - -[Illustration: 0106] - -Just as Haarlem is the city of Frans Hals, so Dordrecht is the city of -Ary Scheffer. Posterity in the end is a good judge of painters, if not -of heroes, but posterity makes mistakes sometimes, and Ary Scheffer -is one of its more glaring mistakes. (Josef Israels seems likely to -be another.) And posterity is very slow in acknowledging an error. The -Dordrecht museum is waiting for such an acknowledgment. When that -comes, the museum will be burned down, or turned into a brewery, and -the officials will be delivered from their dreadful daily martyrdom of -feigning ecstatic admiration for Ary Scheffer. Only at Dordrecht is it -possible to comprehend the full baseness, the exquisite unimportance, -of Scheffer’s talent. The best thing of his in a museum full of him is -a free, brilliant copy of a head by Rembrandt done at the age of eleven. -It was, I imagine, his last tolerable work. His worst pictures, solemnly -hung here, would be justifiably laughed at in a girls’ schoolroom. But -his sentimentality, conventionality, and ugliness arouse less laughter -than nausea. By chance a few fine pictures have come into the Dordrecht -museum, as into most museums. Jakob Maris and Bosboom are refreshing, -but even their strong influence cannot disinfect the place nor keep -the officials alive. We left the museum in the nick of time, and saw no -other visitors. - -Now, the tea-shop into which we next went was far more interesting and -esthetically valuable than the museum. The skipper, who knew every shop, -buoy, bridge, and shoal in Holland, had indicated this shop to me as a -high-class shop for costly teas. It was. I wanted the best tea, and -here I got it. The establishment might have survived from the age -when Dordrecht was the wealthiest city in Holland. Probably it had so -survived. It was full of beautiful utensils in practical daily use. -It had an architectural air, and was aware of its own dignity. The -head-salesman managed to convey to me that the best tea--that was, -tea that a connoisseur would call _tea_--cost two and a half florins a -pound. I conveyed to him that I would take two pounds of the same. The -head-salesman then displayed to me the tea in its japanned receptacle. -He next stood upright and expectant, whereupon an acolyte, in a lovely -white apron, silently appeared from the Jan-Steen shadows at the back of -the shop, and with solemn gestures held a tun-dish over a paper bag for -his superior to pour tea into. Having performed his share in the rite, -he disappeared. The parcel was slowly made up, every part of the process -being evidently a matter of secular tradition. I tendered a forty-gulden -note. Whereon the merchant himself arrived in majesty at the counter -from his office, and offered the change with punctilio. He would have -been perfect, but for a hole in the elbow of his black alpaca coat. I -regretted this hole. We left the shop stimulated, and were glad to admit -that Dordrecht had atoned to us for its museum. Ary Scheffer might have -made an excellent tea-dealer. - -The museum at Dordrecht only showed in excess an aspect of displayed art -which is in some degree common to all museums. For there is no museum -which is not a place of desolation. Indeed, I remember to have seen only -one collection of pictures, public or private, in which every item was -a cause of joy--that of Mr. Widener, near Philadelphia. Perhaps the -most wonderful thing in the tourist’s Holland is the fact that the small -museum at Haarlem, with its prodigious renown, does not disappoint. You -enter it with disturbing preliminaries, each visitor having to ring a -bell, and the _locus_ is antipathetic; but one’s pulse is immediately -quickened by the verve of those headstrong masterpieces of Hals. And -Ruysdael and Jan Steen are influential here, and even the mediocre -paintings have often an interest of perversity, as to which naturally -the guide-books say naught. - -The Teyler Museum at Haarlem also has a few intoxicating works, mixed up -with a sinister assortment of mechanical models. And its aged attendant, -who watched over his finger-nails as over adored children, had acquired -the proper attitude, at once sardonic and benevolent, for a museum -of the kind. He was peculiarly in charge of very fine sketches by -Rembrandt, of which he managed to exaggerate the value. - -Few national museums of art contain a higher percentage of masterpieces -than the Mauritshuis at The Hague. And one’s first sight of Rembrandt’s -“Lesson in Anatomy” therein would constitute a dramatic event in any -yachting cruise. But my impression of the Mauritshuis was a melancholy -one, owing to the hazard of my visit being on the great public holiday -of the year, when it was filled with a simple populace, who stared -coarsely around, and understood nothing--nothing. True, they gazed in a -hypnotized semicircle at “The Lesson in Anatomy,” and I can hear amiable -persons saying that the greatest art will conquer even the ignorant -and the simple. I don’t believe it. I believe that if “The Lesson -in Anatomy” had been painted by Carolus-Duran, in the manner of -Carolus-Duran, the ignorant and the simple would have been hypnotized -just the same. And I have known the ignorant and the simple to be -overwhelmed with emotion by spurious trickery of the most absurd and -offensive kind. - -An hour or two in a public museum on a national holiday is a tragic -experience, because it forces you to realize that in an artistic -sense the majority and backbone of the world have not yet begun to be -artistically civilized. Ages must elapse before such civilization can -make any appreciable headway. And in the meantime the little hierarchy -of art, by which alone art lives and develops, exists precariously in -the midst of a vast, dangerous population--a few adventurous whites -among indigenous hordes in a painful climate. The indigenous hordes may -have splendid qualities, but they have not that one quality which -more than any other vivifies. They are jockeyed into paying for the -manifestations of art which they cannot enjoy, and this detail is not -very agreeable either. A string of fishermen, in their best blue cloth, -came into the Mauritshuis out of the rain, and mildly and politely -scorned it. Their attitude was unmistakable. They were not intimidated. -Well, I like that. I preferred that, for example, to the cant of ten -thousand tourists. - -Nor was I uplifted by a visit to the Mesdag Museum at The Hague. Mesdag -was a second-rate painter with a first-rate reputation, and his taste, -as illustrated here, was unworthy of him, even allowing for the fact -that many of the pictures were forced upon him as gifts. One or two -superb works--a Delacroix, a Dupre, a Rousseau--could not make up for -the prevalence of Mesdag, Josef Israels, etc. And yet the place was full -of good names. I departed from the museum in a hurry, and, having -time to spare, drove to Scheveningen in search of joy. Scheveningen is -famous, and is supposed to rival Ostend. It is washed by the same sea, -but it does not rival Ostend. It is a yellow and a gloomy spot, with a -sky full of kites. Dutchmen ought not to try to rival Ostend. As I left -Scheveningen, my secret melancholy was profoundly established within me, -and in that there is something final and splendid. Melancholy when it -becomes uncompromisingly sardonic, is as bracing as a bath. - -[Illustration: 0112] - -The remarkable thing about the two art museums at Amsterdam, a town -of fine architecture, is that they should both--the Ryks and the -municipal--be housed in such ugly, imposing buildings. Now, as in the -age of Michelangelo, the best architects seldom get the best jobs, -and the result is the permanent disfigurement of beautiful cities. -Michelangelo often had to sit glum and idle while mediocre architects -and artists more skilled than he in pleasing city councils and -building-committees muddled away opportunities which he would have -glorified; but he did obtain part of a job now and then, subject to it -being “improved” by some duffer like Bernini, who of course contrived to -leave a large fortune, whereas if Michelangelo had lived to-day he might -never have got any job at all. - -Incontestably, the exterior, together with much of the interior, of the -Ryks depresses. Moreover, the showpiece of the museum, “The Night-Watch” - of Rembrandt, is displayed with a too particular self-consciousness on -the part of the curator, as though the functionary were saying to you: -“Hats off! Speak low! You are in church, and Rembrandt is the god.” - The truth is that “The Night-Watch” is neither very lovable nor very -beautiful. It is an exhibition-picture, meant to hit the wondering -centuries in the eye, and it does so. But how long it will continue to -do so is a nice question. - -Give me the modern side of the Ryks, where there is always plenty of -room, despite its sickly Josef Israels. The modern side reëndowed me -with youth. It is an unequal collection, and comprises some dreadful -mistakes, but at any rate it is being made under the guidance of -somebody who is not afraid of his epoch or of being in the wrong. Faced -with such a collection, one realizes the shortcomings of London museums -and the horror of that steely English official conservatism, at once -timid and ruthless, which will never permit itself to discover a foreign -artist until the rest of the world has begun to forget him. At the Ryks -there are Van Goghs and Cézannes and Bonnards. They are not the best, -but they are there. Also there are some of the most superb water-colors -of the age, and good things by a dozen classic moderns who are still -totally unrepresented in London. I looked at a celestial picture of -women--the kind of thing that Guys would have done if he could--painted -perhaps fifty years ago, and as modern as the latest Sargent -water-color. It was boldly signed T. C. T. C.? T. C.? Who on earth could -T. C. he? I summoned an attendant. Thomas Couture, of course! A great -artist! He will appear in the National Gallery, Trafalgar Square, about -the middle of the twenty-first century. - -Then there was Daumier’s “Christ and His Disciples,” a picture that I -would have stolen had it been possible and quite safe to do so. It might -seen incredible that any artist of the nineteenth century should take -the subject from the great artists of the past, and treat it so as to -make you think that it had never been treated before. But Daumier did -this. It is true that he was a very great artist indeed. Who that has -seen it and understood its tender sarcasm can forget that group of -the exalted, mystical Christ talking to semi-incredulous, unperceptive -disciples in the gloomy and vague evening landscape? I went back to the -yacht and its ignoble and decrepit engine, full of the conviction that -art still lives. And I thought of Wilson Steer’s “The Music-Room” in -the Tate Gallery, London, which magnificent picture is a proof that in -London also art still lives. - -[Illustration: 0117] - - - - -PART II--THE BALTIC - - - - -CHAPTER VII--THE YACHT I LOST - -OUR adventures toward the Baltic began almost disastrously, because I -put into the planning of them too much wisdom and calculation. We had a -month of time at our disposal. Now, a fifty-ton yacht in foreign parts -thinks nothing of a month. It is capable of using up a month in mere -preliminaries. Hence, with admirable forethought, I determined to send -the yacht on in advance. The _Velsa_ was to cross from her home port, -Brightlingsea, to the Dutch coast, and then, sheltered by many islands, -to creep along the coasts of Hanover, Holstein, Schleswig, and Denmark, -past the mouths of the Elbe, Weser, and Eider, to the port of Esbjerg, -where we were to join her by a fast steamer from Harwich. She was then -to mount still farther the Danish coast, as far as Liim Fjord and, by -a route combining fjords and canals, cross the top of the Jutland -peninsula, and enter the desired Baltic by Randers Fjord. The banal -way would have been through the Kiel Canal. Yachts never take the Liim -Fjord; but to me this was a fine reason for taking the Liim Fjord. -Moreover, English yachts have a habit of getting into trouble with -the German Empire in the Kiel Canal, and English yachtsmen are apt to -languish in German prisons on charges of espionage. I was uncertain -about the comforts provided for spies in German prisons, and I did not -wish to acquire certitude. - -So the yacht was despatched. The skipper gave himself the large -allowance of a fortnight for the journey to Esbjerg. He had a beautiful -new 30-horse-power engine, new sails, a new mast. Nothing could stop him -except an east wind. It is notorious that in the North Sea the east wind -never blows for more than three days together, and that in July it never -blows at all. Still, in this July it did start to blow a few days before -the yacht’s intended departure. And it continued to blow hard. In a -week the skipper had only reached Harwich, a bare twenty miles from -Brightlingsea. Then the yacht vanished into the North Sea. The wind -held in the east. After another week I learned by cable that my ship -had reached the Helder, in North Holland. By a wondrous coincidence, my -Dutch skipper’s wife and family are established at the Helder. The east -wind still held. The skipper spent money daily in saddening me by -cable. Then he left the Helder, and the day came for us to board the -mail-steamer at Harwich for Esbjerg. - -[Illustration: 0123] - -She was a grand steamer, newest and largest of her fine. This was her -very first trip. She was officered by flaxen, ingenuous, soft-voiced -Danes, who had a lot of agreeable Danish friends about them, with whom -they chattered in the romantic Danish language, to us exquisite and -incomprehensible. Also she was full of original Danish food, and -especially of marvelous and mysterious sandwiches, which, with small -quantities of champagne, we ate at intervals in a veranda cafe passably -imitated from Atlantic liners. Despite the east wind, which still held, -that steamer reached Esbjerg in the twinkling of an eye. - -When I say the twinkling of an eye, I mean twenty-two hours. It was in -the dusk of a Saturday evening that we had the thrill of entering an -unknown foreign country. A dangerous harbor, and we penetrated into it -as great ships do, with the extreme deliberation of an elephant. -There was a vast fleet of small vessels in the basin, and as we slid -imperceptibly past the mouth of the basin in the twilight, I scanned the -multitudinous masts for the mast of the _Velsa_. Her long Dutch streamer -was ever unmistakable. It seemed to us that she ought to be there. What -the mail-steamer could do in less than a day she surely ought to have -done in more than a fortnight, east wind or no east wind. On the map the -distance was simply nothing. - -I saw her not. Still, it was growing dark, and my eyes were human eyes, -though the eyes of love. The skipper would probably, after all, be on -the quay to greet us with his energetic optimism. In fact, he was bound -to be on the quay, somewhere in the dark crowd staring up at the great -ship, because he never failed. Were miracles necessary, he would have -accomplished miracles. But he was not on the quay. The _Velsa_ was -definitely not at Eshjerg. We felt lonely, forlorn. The head waiter of -the Hotel Spangsberg, a man in his way as great as the skipper, singled -us out. He had a voice that would have soothed the inhabitants of -purgatory. He did us good. We were convinced that so long as he -consented to be our friend, no serious harm could happen to our -universe. And the hotel was excellent, the food was excellent, the -cigars were excellent. And the three chambermaids of the hotel, flitting -demurely about the long corridor at their nightly tasks, fair, clad -in prints, foreign, separated romantically from us by the palisades of -language--the three modest chambermaids were all young and beautiful, -with astounding complexions. - -The next morning the wind was north by east, which was still worse than -east or northeast for the progress of the yacht toward us. Nevertheless, -I more than once walked down across the wharves of the port to the -extreme end of the jetty--about a mile each way each time--in the hope -of descrying the _Velsa’s_ long, red streamer in the offing. It was -Sunday. The town of Esbjerg, whose interest for the stranger is strictly -modern and sociological, was not attractive. Its main street, though -extremely creditable to a small town, and a rare lesson to towns of -the same size in England, was not a thoroughfare in which to linger, -especially on Sunday. In the entire town we saw not a single beautiful -or even ancient building. Further, the port was asleep, and the strong, -gusty breeze positively offensive in the deceptive sunshine. - -We should have been bored, we might even have been distressed, had we -not gradually perceived, in one passing figure after another, that the -standard of female beauty in Esbjerg was far higher than in any other -place we had ever seen. These women and girls, in their light Sunday -summer frocks, had beauty, fine complexions, grace, softness, to a -degree really unusual; and in transparent sleeves or in no sleeves at -all they wandered amiably in that northerly gale as though it had been -a southern zephyr. We saw that our overcoats were an inelegance, but -we retained them. And we saw that life in Esbjerg must have profound -compensations. There were two types of beautiful women, one with -straight lips, and the other with the upper lip like the traditional -bow. The latter, of course, was the more generously formed, acquiescent -and yet pouting, more blonde than the blonde. Both types had the effect -of making the foreigner feel that to be a foreigner and a stranger in -Esbjerg, forcibly aloof from all the daily frequentations and intimacies -of the social organism, was a mistake. - -[Illustration: 0130] - -In the afternoon we hired an automobile, ostensibly to inspect the -peninsula, but in fact partly to see whether similar women prevailed -throughout the peninsula, and partly to give the yacht a chance of -creeping in during our absence. In our hearts we knew that so long as -we stood looking for it it would never arrive. In a few moments, as -it seemed, we had crossed the peninsula to Veile, a sympathetic -watering-place on its own fjord, and were gazing at the desired Baltic, -whereon our yacht ought to have been floating, but was not. It seemed a -heavenly sea, as blue as the Mediterranean. - -We had driven fast along rather bad and dusty roads, and had passed -about ten thousand one-story farmsteads, brick-built, splendidly -thatched, and each bearing its date on the walls in large iron figures. -These farmsteads, all much alike, showed that some great change, -probably for the better, must have transformed Danish agriculture about -thirty or forty years ago. But though farmers were driving abroad in -two-horse vehicles, and though certain old men strolled to and fro, -smoking magnificent pipes at least a foot and a half long, the weight -of which had to be supported with the hand, there was little evidence of -opulence or even of ease. - -The passage of the automobile caused real alarm among male cyclists and -other wayfarers, who, in the most absurd, girlish manner, would even -leap across ditches to escape the risks of it. The women, curiously, -showed much more valor. The dogs were of a reckless audacity. From every -farmyard, at the sound of our coming, a fierce dog would rush out to -attack us, with no conception of our speed. Impossible to avoid these -torpedoes! We killed one instantaneously, and ran over another, which -somersaulted, and, aghast, then balanced itself on three legs. Scores -of dogs were saved by scores of miracles. Occasionally we came across a -wise dog that must have had previous altercations with automobiles, and -learned the lesson. By dusk we had thoroughly familiarized ourselves -with the flat Danish landscape, whose bare earth is of a rich gray -purple; and as we approached Esbjerg again, after a tour of 120 miles, -we felt that we knew Jutland by heart, and that the yacht could not fail -to be waiting for us in some cranny of the port, ready to take us to -other shores. But the yacht had not come. - -Then the head waiter grew to be our uncle, our father, our consoler. It -is true that he told us stories of ships that had set forth and never -been heard of again; but his moral influence was invaluable. He soothed -us, fed us, diverted us, interpreted us, and despatched cables for us. -We called him “Ober,” a name unsuitable to his diminutive form, his few -years, and his chubby face. Yet he was a true Ober. He expressed himself -in four languages, and could accomplish everything. In response to all -our requests, he would murmur in his exquisitely soft voice, “Oh, yes! -oh, yes!” He devised our daily excursions. He sent us to Ribe, the one -ancient town that we saw on the peninsula, in the cathedral of which was -a young girl who had stepped out of a picture by Memling, and who sold -post-cards with the gestures of a virgin saint and the astuteness of a -dealer. He sent us to the island of Fano, where the northeaster blows -straight from Greenland across a ten-mile bathing-beach peopled by -fragile women who saunter in muslin in front of vast hotels beneath a -canopy of flags that stand out horizontally in the terrible breeze. He -provided us with water-bottles and with plates (for palettes ), so that -we could descend to the multicolored port, and there, half sheltered -from the wind by a pile of fish-boxes and from the showers by an -umbrella, produce wet water-colors of fishing-smacks continually in -motion. - -Day followed day. We had lived at Esbjerg all our lives. The yacht was -lost at sea. The yacht had never existed. The wife of the skipper, or, -rather, his widow, had twice cabled that she had no news. But the Ober -continued to bear our misfortunes with the most astounding gallantry. -And then there came a cable from the skipper, dated from the island -of Wangeroog.... Wan-geroog! Wangeroog! What a name for an impossible -island! What a name for an island at which to be weatherbound! We knew -it not. Baedeker knew it not. Even the Ober had not heard of it. We -found it at last on a map more than a hundred miles to the south. And -I had been walking down to the jetty thrice a day to gaze forth for the -_Velsa’s wein!_ - -[Illustration: 0136] - -The skipper in his cable asked us to meet him at Friedrichstadt, on the -Eider, in Holstein, Germany. The trains were very slow and awkward. The -Ober said: - -“Why do you not take an automobile? Much quicker.” - -“Yes; but the German customs?” - -“Everything shall be arranged,” said the Ober. - -I said: - -“I don’t see myself among the German bureaucracy in a hired car.” - -The Ober said calmly: - -“I will go with you.” - -“All the way?” - -“I will go with you all the way. I will arrange everything. I speak -German very well. Nothing will go wrong.” - -Such a head waiter deserved encouragement. I encouraged him. He put -on his best clothes, and came, smoking cigars He took us faultlessly -through the German customs at the frontier. He superintended our first -meal at a small German hotel. I asked him to join us at table. He bowed -and accepted. When the meal was over, he rose and bowed again. It was a -good meal. He took us through three tire-bursts amid the horrid wastes -of Schleswig-Holstein. He escorted us into Friedrichstadt, and secured -rooms for us at the hotel. Then he said he must return. No! no! We could -not let him abandon us in the harsh monotony of that excessively tedious -provincial town. But he murmured that he must depart. The yacht might -not arrive for days yet. I shuddered. - -“At any rate,” I said, “before you leave, inquire where the haven is, -and take me to it, so that I may know how to find it.” - -He complied. It was a small haven; a steamer and several ships were in -it. Behind one ship I saw a mast and a red pennant somewhat in the style -of the _Velsa_. - -“There,” I said, “my yacht has a mast rather like that.” - -I looked again. Utterly impossible that the _Velsa_ could have arrived -so quickly; but it was the _Velsa_. Joy! Almost tears of joy! I led the -Ober on board. He said solemnly: - -“It is very beautiful.” - -So it was. - -But our things were at the hotel. We had our rooms engaged at the hotel. - -The Ober said: - -“I will arrange everything.” - -In a quarter of an hour our baggage was on board, and there was no hotel -hill. And then the Ober really did depart, with sorrow. Never shall -I look on his like again. The next day we voyaged up the Eider, a -featureless stream whose life has been destroyed by the Kiel Canal, to -its junction with the Kiel Canal, eighty-six dull, placid kilometers. -But no matter the dullness; we were afloat and in motion. - -We spent about seventy-two hours in the German Empire, and emerged from -it, at Kiel, by the canal, with a certain relief; for the yacht had -several times groaned in the formidable clutch of the Fatherland’s -bureaucracy. She had been stopped by telephone at Friedrichstadt for -having passed the custom-house at the mouth of the Eider, the said -custom-house not being distinguished, as it ought to have been, by the -regulation flag. Again we were stopped by telephone at Rendsburg, on the -canal, for having dared to ascend the Eider without a pilot. Here the -skipper absolutely declined to pay the pilot-fees, and our papers were -confiscated, and we were informed that the panjandrum of the harbor -would call on us. However, he did not call on us; he returned our -papers, and let us go, thus supporting the skipper’s hotly held theory -that by the law of nations yachts on rivers are free. - -We were obliged to take a pilot for the canal. He was a nice, -companionable man, unhealthy, and gently sardonic. He told us that the -canal would be remunerative if war-ships paid dues. “Only they don’t,” - he added. Confronted with the proposition that the canal was very ugly -indeed, he repudiated it. He went up and down the canal forever and -ever, and saw nothing but the ships on it and the navigation signals. He -said that he had been piloting for twelve years, and had not yet had the -same ship twice. And there were 150 pilots on the canal! - -We put him ashore and into the arms of his wife at Kiel, in heavy -rain and the customary northeaster, and we pushed forward into the -comparative freedom of Kiel Fjord, making for Friedrichsort, which -looked attractive on the chart. But Friedrichsort was too naval for us; -it made us feel like spies. We crossed hastily to Moltenort, a little -pleasure town. Even here we had not walked a mile on land before we -were involved in forts and menacing sign-boards. We retreated. The -whole fjord was covered with battle-ships, destroyers, submarines, -Hydro-aëroplanes curved in the atmosphere, or skimmed the froth off -the waves. The air was noisy with the whizzing of varied screws. It was -enormous, terrific, intimidating, especially when at dusk -search-lights began to dart among the lights of the innumerable -fjord passenger-steamers. We knew that we were deeply involved in -the tremendous German system. Still, our blue ensign flew proudly, -unchallenged. - -[Illustration: 0141] - -The population of Moltenort was not seductive, though a few young men -here and there seemed efficient, smart, and decent. The women and girls -left us utterly unmoved. The major part of the visitors were content -to sit vacantly on the promenade at a spot where a powerful drain, -discharging into the fjord, announced itself flagrantly to the sense. -These quiet, tired, submissive persons struck us as being the raw -slavish material of the magnificent imperial system, and entirely -unconnected with the wondrous brains that organized it and kept it -going. The next morning we departed very early, but huge targets were -being towed out in advance of us, and we effected our final escape into -the free Baltic only by braving a fleet of battleships that fired into -the checkered sky. Sometimes their shells glinted high up in the sun, -and seemed to be curving along the top edge of an imaginary rainbow. -We slowly left them astern, with, as I say, a certain relief. Little, -unmilitary Denmark lay ahead. - - - - -CHAPTER VIII--BALTIC COMMUNITIES - -AT Vordingborg, a small town at the extreme south of Sjaelland, the -largest and easternmost of the Danish islands, we felt ourselves to -be really for the first time in pure and simple Denmark (Esbjerg had -a certain international quality). We had sailed through the Langelands -Belt, skirting the monotonous agricultural coasts of all sorts of -islands, great and small, until one evening we reached this city, which -looked imposing on the map. When we had followed the skipper ashore on -his marketing expedition, and trodden all the stony streets of little -Vordingborg, we seemed to know what essential Denmark, dozing in the -midst of the Baltic, truly was. - -Except a huge and antique fort, there was no visible historical basis -to this town. The main thoroughfare showed none of the dignity of -tradition. It was a bourgeois thoroughfare, and comfortable bourgeoises -were placidly shopping therein--the same little bourgeoises that one -sees all over the world. A fairly large hotel; sundry tobacconists; -a bookseller who also sold wall-papers; a sausage-shop, with a girl -actuating an efficient sausage-slicing machine, and in the window an -electric fan whirring close to a gigantic sausage. In the market, on a -vague open space, a few carts, with their shafts on the ground; a few -stalls; a few women; a butcher whipping off a hungry dog; three cheeses -on a stand; baskets of fruit and vegetables on the Danish ground; our -skipper chattering by signs and monosyllables in the middle. That was -Vordingborg. - -[Illustration: 0146] - -In the churchyard there were only two graves. The church had no more -architectural interest than a modern church in a London suburb, though -it was older. We went within. The numbers of the hymns at the last -service were still forlornly stuck up on the indicator. The altar and -screen were ingenuously decorated in the style of a high-class booth -at a fair. Three women in huge disfiguring aprons were cleaning the -interior. Their cloaks and a white umbrella lay on the stone floor. -They never even glanced at us. We left the church, and then skirting -market-gardens and climbing over the ramparts of the fort, we descended -to the mournful little railway station, and as we watched a little train -amble plaintively in and out of that terminus, we thought of the numbers -of the hymns sung at the last service in the church, and the immense -devastating ennui of provincial existence in remote places enveloped us -like a dank fog. We set sail, and quitted Vordingborg forever, lest we -might harden our hearts and be unjust to Vordingborg, which, after all, -at bottom, must be very like a million other townlets on earth. - -Compared with some of the ports we made, Vordingborg was a metropolis -and a center of art. When we had threaded through the Ulfsund and the -Stege Strand and the intricacies of the Rogestrommen, we found shelter -in a village harbor of the name of Faxo. Faxo had nothing--nothing but -a thousand trucks of marl, a girl looking out of a window, and a locked -railway station. We walked inland into a forest, and encountered the -railway track in the middle of the forest, and we walked back to Faxo, -and it was the same Faxo, except that a splendid brig previously at -anchor in the outer roads was slipping away in the twilight, and leaving -us alone in Faxo. - -At Spotsbjerg, on the north of the island of Sjælland, a small, untidy -fishing village with a harbor as big as a swimming-bath, there was not -even a visible church; we looked vainly for any church. But there was -a telephone, and on the quay there was a young and pretty girl leaning -motionless on her father’s, or her grandfather’s, tarpaulin shoulder. -Full of the thought that she would one day be old and plain, we fled -from Spotsbjerg, and traveled an incredible distance during the whole -of a bright Sunday, in order to refresh our mundane instincts at the -capital of the Jutland peninsula, Aarhus. - -[Illustration: 0151] - -And on approaching Aarhus, we ran into a regatta, and the _Velsa_ had -less of the air of an aristocrat among the industrial classes than in -such ports as Spotsbjerg and Faxo. Further, a reporter came to obtain -a “story” about the strange Dutch yacht with the English ensign. It was -almost equal to being anchored off the Battery, New York. - -At Aarhus the pulse of the world was beating rather loud. In the windows -of the booksellers’ shops were photographs of the director of the -municipal theater surrounded by his troupe of stars. And he exactly -resembled his important brethren in the West End of London. I myself -was among the authors performed in the municipal theater, and I had a -strange, comic sensation of being world-renowned. Crowds surged in the -streets of Aarhus and in its cafés and tram-cars, and at least one of -its taxicabs was driven by a woman. It had a really admirable hotel, the -Royal, with first-class cooking, and a concert every night in its winter -garden, where the ruling classes met for inexpensive amusement, and -succeeded in amusing themselves with a dignity, a simplicity, and a -politeness that could not possibly be achieved in any provincial town in -England, were it five times the size of Aarhus. And why? - -Withal, Aarhus, I have to confess, was not much of a place for elegance. -Its women failed, and the appearance of the women is the true test of a -civilization. So far in our Danish experience the women of Esbjerg -stood unrivaled. The ladies of Aarhus, even the leading ladies gathered -together in the Royal Hotel, lacked style and beauty. Many of them had -had the sense to retain the national short sleeve against the ruling of -fashion, but they did not arrive at any effect of individuality. They -were neither one thing nor the other. Their faces showed kindness, -efficiency, constancy, perhaps all the virtues; but they could not -capture the stranger’s interest. - -There was more style at Helsingôr (Elsinore), a town much smaller than -Aarhus, but probably enlivened by naval and military influences, by its -close proximity to Sweden, with train-ferry communication therewith, and -by its connection with Hamlet and Shakspere. The night ferries keep the -town unduly awake, but they energize it. Till a late hour the station -and the quay are busy with dim figures of chattering youth in pale -costumes, and the departure of the glittering train-laden ferry to a -foreign country two miles off is a romantic spectacle. The churches of -Helsingôr have an architectural interest, and its fruit shops display -exotic fruits at high prices. Officers flit to and fro on bicycles. -Generals get out of a closed cab at the railway station, and they bear -a furled standard, and vanish importantly with it into the arcana of the -station. The newspapers of many countries are for sale at the kiosk. The -harbor-master is a great man, and a suave. - -The pride of Helsingor is the Kronborg Castle, within sight of the town -and most grandiosely overlooking sea and land. Feudal castles are often -well placed, but one seldom sees a renaissance building of such heroic -proportions in such a dramatically conceived situation. The castle is of -course used chiefly as a barracks. On entering the enormous precincts, -we saw through a window a private sitting on a chair on a table, in -fatigue uniform, playing mildly a flageolet, and by his side on the -table another private in fatigue uniform, with a boot in one hand, -doing nothing whatever. And from these two figures, from the whitewashed -bareness of the chamber, and from the flageolet, was exhaled all the -monstrous melancholy of barrack-life, the same throughout the world. -Part of the castle is set aside as a museum, wherein, under the -direction of a guide, one is permitted to see a collection of pictures -the surpassing ugliness of which nearly renders them interesting. The -guide points through a window in the wall ten feet thick to a little -plot of turf. “Where Hamlet walked.” No historical authority is offered -to the visitor for this statement. The guide then leads one through a -series of large rooms, empty save for an occasional arm-chair, to the -true heart of the Kronborg, where he displayed to us a seated statue -of Mr. Hall Caine, tinted an extreme unpleasant bluish-white. An -inscription told that it had been presented to Kronborg by a committee -of Englishmen a few years earlier to mark some anniversary. The guide -said it was a statue of Shakspere. I could not believe him. - -[Illustration: 0157] - - - - -CHAPTER IX--A day’s SAIL - -ALTHOUGH there is a lively pleasure in discovering even the dullest and -smallest towns and villages, the finest experience offered by the Baltic -is the savor of the Baltic itself in a long day’s sail. I mean a day of -fourteen hours at least, from six in the morning till eight at night, -through varied seascapes and landscapes and varied weather. As soon as -the yacht leaves harbor in the bracing chill of sunrise she becomes a -distinct entity, independent, self-reliant. The half-dozen men on her, -cut off from the world, are closely knitted into a new companionship, -the sense of which is expressed not in words, but by the subtleties -of tone and mien; and if only one amoung them falls short of absolute -loyalty and good-will toward the rest, the republic is a failure, and -the air of ocean poisoned. The dictum of an older and far more practised -yachtsman than myself used always to be, “I ’ll have no man aboard my -ship who can’t smile all the time.” It is a good saying. And it could -be applied to my yacht in the Baltic. We had days at sea in the Baltic -which were ideal and thrilling from one end to the other. - -[Illustration: 0161] - -To make a final study of the chart in the cabin while waiting for -breakfast is a thrilling act. You choose a name on the chart, and -decide: “We will go to that name.” It is a name. It is not yet a town -or a village. It is just what you imagine it to be until you first sight -it, when it instantly falsifies every fancy. The course is settled. The -ship is on that course. The landmarks will suffice for an hour or two, -but the sea-marks must be deciphered on the chart, which is an English -chart, and hence inferior in fullness and clearness to either French -or Dutch charts. Strange, this, for a nation preëminently maritime! To -compensate, the English “Sailing Directions”--for example, the “Pilot’s -Guide to the Baltic”--are so admirably written that it is a pleasure -to read them. Lucid, succinct, elegant, they might serve as models to a -novelist. And they are anonymous. - -To pick up the first buoy is thrilling. We are all equally ignorant of -these waters; the skipper himself has not previously sailed them, and -we are all, save the cook, engulfed below amid swaying saucepans, on the -lookout for that buoy. It ought to be visible at a certain hour, but it -is not. The skipper points with his hand and says the buoy must be about -there, but it is not. He looks through my glasses, and I look through -his; no result. Then the deck-hand, without glasses, cries grinning -that he has located her. After a quarter of an hour I can see the thing -myself. That a buoy? It is naught but a pole with a slightly swollen -head. Absurd to call it a buoy! Nevertheless, we are relieved, and in -a superior manner we reconcile ourselves to the Baltic idiosyncrasy -of employing broom-handles for buoys. The reason for this dangerous -idiosyncrasy neither the skipper nor anybody else could divine. -Presently we have the broom close abeam, a bobbing stick all alone in -the immense wilderness of water. There it is on the chart, and there it -is in the water, a romantic miracle. We assuage its solitude for a few -minutes, and then abandon it to loneliness. - -We resume the study of the chart; for although we are quite sure of our -course, the skipper can never be sure enough. My attention is drawn to -a foot-note that explains the ice-signals of the Baltic. And the skipper -sets to telling tales of terror about the ice, in the Zuyder Zee and -other seas. He tells how the ice forms under the ship surreptitiously, -coming up from the bottom like treacle. You say, “It’s freezing -to-night,” and the next morning the ship can’t move; and you may die of -starvation, for though the ice will hold the ship, it won’t hold you. -The skipper knew men who could remember ice in the Zuyder Zee in June. -He himself had once oscillated for a whole week between two ports on the -Zuyder Zee, visible to each other, pushed hither and thither by the ice, -and unable to get anywhere at all. But ice was less terrible than -it used to he, owing to the increased strength and efficiency of -ice-breakers. And climate was less rigorous. Thus the skipper would -reassure us for a moment, only to intimidate us afresh. For it seems -that the ice has a way of climbing; it will climb up over everything, -and inclose a ship. Indeed, he was most impressive on the subject of -ice. He said that the twin horrors of the sea were ice and fog. But -of fog he told no tales, being occupied with the forward valve of the -engine. We perceived that yachtsmen who go out when it happens to suit -them, between May and September only, can never achieve intimacy with -the entire individuality of the sea. - -The weather has now cleared for a while. The sun is hot, the saloon -skylight warm to the touch. You throw off a jersey. The tumbling water -is a scale of deep blues, splendid against the brass of the bollard and -the reddishness of the spars. The engine is running without a “knock”; -the sails are nicely filled; the patent log is twirling aft. A small -rainbow shines steadily in the foam thrown up from the bows, and a great -rainbow stretches across all heaven, with its own ghost parallel to it. -Among the large, soft clouds rags of dark cloud are uneasily floating. -On the flat shores of near islands the same cereals ripen as ripen at -home. And this is thrilling. Distant islands are miraged. Even a distant -battleship seems to be lifted clean out of the water by the so-called -mirage. - -And then a trading-schooner, small, but much larger than us, -relentlessly overhauls us. She laughs at the efforts of our engine to -aid our sails, and forges ahead, all slanting, with her dinghy slung up -tight aft, over her rudder. And then it is the still small voice of the -stomach that speaks. Hunger and repletion follow each other very swiftly -on such days. The after-breakfast cigar is scarcely finished before -a genuine curiosity as to the menu of lunch comes to birth within. We -glance into the saloon. Yes, the white cloth is laid, but we cannot eat -cloth. The cook and the chronometer are conspiring together against us. - -In the afternoon the weather is thick and squally. And we are creeping -between sad and forlorn veiled islands that seem to exude all the -melancholy of the seas. There is plenty of water, but only in a -deceiving horizontal sense. The channel is almost as narrow and -as tortuous as a Devonshire lane. English charts are criminally -preposterous, and so are Danish brooms. Hardly can one distinguish -between a starboard and a port broom. Is the life of a yacht to depend -on such negligent devices? The skipper is worried. And the spectacle -of a ship aground in mid-sea does not tranquilize. Sometimes the hail -wipes out for a few seconds the whole prospect. The eyes of everybody -are strained with looking for distant brooms. - -[Illustration: 0168] - -Then we are free of the archipelago, and also the sky clears. The sun, -turning orange, is behind us, and the wind in our teeth. Ahead is a -schooner, beating. And she is the schooner of the morning. Our engine -now has the better of her. As we overtake her, she runs away on one -tack, and comes back on the next. She bears down on our stern, huge, -black, glittering. A man and a boy are all her crew. This man and this -boy are entitled to be called mariners, as distinguished from yachtsmen. -We can see their faces plainly as they gaze down at us from their high -deck. And you may see just the same faces on the liners that carry -emigrants from Denmark to the West, and the same limbs sprawling on -the decks of the Esbjerg steamers, as the same hands scrawl Danish -characters on picture postal cards to the inhabitants of these very -islands. - -The sea is now purple, and the schooner a little black blot on the red -panorama of the sunset; and ahead, amid faint yellow and green fields, -is a white speck, together with sundry red specks and blue specks. The -name on the chart! And then the haven is descried, and a ring of masts -with fluttering rags. And then the lighthouse and the roofs detach -themselves, and the actual mouth of the haven appears. Twilight falls; -the engine is moderated; the deck-hand stands by with a pole. -Very slowly we slide in, and the multitudinous bright tints of the -fishing-smacks are startlingly gay even in the dusk. The skipper glances -rapidly about him, and yells out in Dutch to a fisherman, who replies -in Danish. The skipper shakes his head, at a loss, and gives an order -to the deck-hand. The deck-hand claws with a pole at a yellow smack. -We have ceased to be independent. The name on the chart is a name no -longer. It is a living burg, a poor little place, good enough to sleep -in, and no more. But another stage on the journey to that magic capital -Copenhagen. - - - - -PART III COPENHAGEN - - - - -CHAPTER X--THE DANISH CAPITAL - -ACROSS the great expanse of Kjoge Bay, Copenhagen first became visible -as a group of factory chimneys under a firmament of smoke. We approached -it rapidly upon smooth water, and ran into the narrowing bottle-neck of -Kallebo, with the main island of Sjælland to the west and the appendant -island of Amager to the east. Copenhagen stands on both, straddling over -a wide connecting bridge which carries double lines of electric trams -and all the traffic of a metropolis. When a yacht, even a small one, -wishes to enter the harbor, this bridge is cut in two and lifted into -the air, and the traffic impatiently champs its bit while waiting for -the yacht. - -[Illustration: 0174] - -Apparently they understand yachts at Copenhagen, as they do in Holland. -At the outer harrier of the harbor we were not even requested to stop. -A cheerful and beneficent functionary cried out for our name, our -captain’s name, our tonnage, and our immediate origin, and, his -curiosity being sated, waved us onward. The great bridge bisected itself -for us with singular promptitude. Nevertheless, the gold-buttoned man -in charge thereof from his high perch signaled to us that our burgee was -too small. We therefore, having nothing else handy to placate him, -ran up a blue ensign to the masthead; but it looked so excessively odd -there, so acutely contrary to the English etiquette of yachts, that we -at once hauled it down again. No further complaint was made. - -We were now in the haven, and over the funnels of many ships we could -see the city. It was all copper domes and roofs; and we saw that it was -a proud city, and a city where exposed copper turns to a beautiful green -instead of to black, as in London. Splendid copper domes are the chief -symptom of Copenhagen. After all the monotonous, tiny provincialism -of the peninsula and of the islands, it was sensational to find a vast -capital at the far end of the farthest island. We thought we were coming -to the end of the world, and we came to a complete and dazzling city -that surpassed, for example, Brussels in its imposingness. We turned -westward out of the main channel into the heart of the town, and in a -moment were tied up to a smack, and the red-and-green bourse was -leaning over us; the rattle and ringing and stamping of horses, lorries, -tram-cars, and taxi-cabs deafened us on three sides; and a bridge -trembling with traffic barred our way. - -Towers and spires rose beyond the bridge; crowds stood to gaze at us; -steamers and warehouses filled the prospect to the north; and under our -bows the petrol-engined gondolas of Copenhagen, each holding a dozen -passengers or so, continually shot. We were in the midst of a terrific -din, but we cared not. We had arrived, and we had arrived in a grand -town; we knew that at the first glance. - -[Illustration: 0179] - -In something less than half an hour one of us had gone forth and -returned with grave tidings: “This is a most exciting city. I’ve already -seen lots of beautiful women, some with lovely tow-colored hair.” The -charm of distant Esbjerg was at last renewed. I went forth myself, into -a very clean, fresh-looking city, with simple and lively inhabitants. In -a trice I had gazed at the Thorvaldsen Museum (which I had no intention -of entering, Thorvaldsen being for me on about the same artistic plane -as the inexcusable Ary Scheffer of Dordrecht), the Christianborg Palace, -which had an austere and kingly air, the very modern and admirable -town hall, the old railway station, which has been transformed into -the largest kinema in the world, the floating fish shops and fish -restaurants (made out of old smacks and schooners), the narrow, -thronged shopping streets, the celebrated Tivoli establishment, and the -yacht-like steamers that from a quay, which might almost be called the -gate to Sweden, in the very middle of the town, are constantly setting -sail for Scandinavia. From Copenhagen you go to Sweden as thoughtlessly -as in New York you go from Forty-second to Sixty-ninth Street, or -in London from the Bank to Chelsea, and with less discipline. If the -steamer has cast off, and the captain sees you hurrying up the street, -he stops his engines and waits for you, and you are dragged on board by -a sailer; whereupon the liner departs, unless the captain happens to see -somebody else hurrying up the street. - -An hour in the thoroughfares of Copenhagen was enough to convince my -feet that it was not a city specially designed for pedestrians. I limped -back to the yacht, and sent the skipper to hire a carriage. He knew no -more of the city than I did, less indeed; he could no more than I speak -a single word of Danish; but I felt sure that he would return with an -equipage. What I desired was an equipage with a driver who could speak -either English, French, or Dutch. He did return with an equipage, and it -was overpowering. Rather like a second-hand state carriage, it was -drawn by two large gray horses, perhaps out of a circus, and driven by -a liveried being who was alleged to speak French. I shuddered at the -probable cost of this prodigious conveyance, but pretended I did not -care. The ligure named was just seven dollars a day. We monopolized the -carriage during our sojourn, and the days were long; but the coachman -never complained. Possibly because he had no language in which to -complain. We learned in a moment that his ability to speak French -was entirely mythical. Then some one said that a misunderstanding had -occurred at the livery-stables, and that German was the foreign language -he spoke, But he did not speak German either, nor anything else. He was -just another of those strange creatures met in the course of travel who -are born, who mature, and who die without speaking or comprehending any -language whatever. - -From the height of his spacious and sedate vehicle we gazed down upon -the rushing population of Copenhagen--beautiful women, with lovely -tow-colored hair, and simple, nice-gestured men. The driver only made -one mistake, but it was a bad one. We wanted tea, and we asked him to -go to a teagarden, any tea-garden. He smiled, and went. He took us up -an interminable boulevard, with a special strip for cyclists. Thousands -upon thousands of cyclists, all fair, passed and repassed us. He went on -and on. One of the horses fell lame, but it made no difference. We could -not stop him. And repetitions of the word for tea in French and German -had no effect save to make him smile. We constantly descried what seemed -in the distance to be tea-gardens, but they were not tea-gardens. We -saw an incomprehensible colony of doll’s houses--well-kept suburban huts -exteriorly resembling houses--in a doll’s garden. We could not conceive -the nature of this phenomenon, but it was not a tea-garden. Presently -the carriage was stopped by a man demanding money. He wore no uniform, -but conveyed to us that he was an official of the town of Hillerup, and -that strange carriages had to pay forty-eight ore in order to traverse -Hillerup. - -It seemed a lot of money; but as it only amounted to sixpence, we paid. -The man may have been a highwayman. We looked at the map for Hillerup, -and found it miles away from Copenhagen. - -We were now in serious need of tea, and helpless. The driver drove -on. He conducted us through half a dozen seaside resorts on the quite -unjustly celebrated “Danish Riviera”; he came actually to the end of -the tram-line, and then he curved inland into a forest (more to pay). We -were now angry and still helpless. The forest had no end, and the roads -in it no direction. Desperate, we signaled to him to turn back. He would -not. He informed us on his lingers that he would be arriving in twenty -minutes or so. When he did arrive, we solved the mystery. He had -confused the word for tea with the word for deer, and had brought us -to a well-known country resort called the Deer Park. A few miserable -tourists were in fact drinking cold, bad tea on a windy terrace -overlooking a distant horizon, far beyond which lay Copenhagen. We -swallowed the tea, the driver swallowed beer, and we started hack. We -had no overcoats, and the Baltic evening was cold. Trams overtook us -flying at a tremendous pace into Copenhagen, and we were behind a lame -horse. In the dusk we reached once more the desirable city, whose women -never seemed more fair to us than they did then. This adventure taught -us that the yachtsman must be prepared for any adventure, even the -wildest. - - - - -CHAPTER XI--CAFÉS AND RESTAURANTS - -THE most interesting thing, to the complete stranger, in a large -foreign city that does not live on its own past is not the museums, but -the restaurants and cafés, even in the dead season. We were told that -August was the dead season in Copenhagen, and that all the world was at -the seaside resorts. We had, however, visited a number of Danish seaside -resorts, and they were without exception far more dead than Copenhagen. -In particular Marienlyst, reputed to be the haunt of fashion and -elegance, proved to be a very sad, deserted strand. Copenhagen was not -dead. - -We went for our first dinner to Wivels Restaurant, signalized to us by -authority as the finest in Denmark, a large, rambling, crimson-and-gold -place, full of waiters who had learned English in America, of -hors-d’ouvre, and of music. The hand was much better than the food, but -it has to be said that we arrived at half-past seven, when Danish dinner -is over and Danish supper not begun. Still, many middle-class people -were unceremoniously and expensively eating--in the main hors-d’ouvre. -The metropolitanism of Copenhagen was at once apparent in this great -restaurant. The people had little style, but they had the assurance and -the incuriousness of metropolitans, and they were accustomed to throwing -money about, and to glare, and to stridency, and to the idiosyncrasies -of waiters, and to being in the swim. Wivels might show itself on -Fifth Avenue or in the Strand without blushing. And its food had the -wholesale, crude quality of the food offered in these renowned streets -to persons in the swim. - -Next we went to the Hôtel d’Angleterre, which was just the restaurant -of the standardized international hotel. Once within its walls, and -you might as well be at Paris, Aix-les-Bains, Harrogate, Rome, Algiers, -Brussels, as at Copenhagen. The same menu, the same cooking, the -same waiters, the same furniture, the same toothpicks, and the same -detestable, self-restrained English travelers, with their excruciating -Englishness. The café on the ground floor of this hotel, overlooking a -large and busy circular _place_, with the opera and other necessaries of -metropolitan life close by, was more amusing than the restaurant. It was -a genuine resort in the afternoon. The existence of Copenhagen rolled to -and fro in front of its canopied terrace, and one might sit next to an -English yachting party of astounding correctness and complacency (from -one of those conceited three-hundred-ton boats, enameled white, -and jeweled in many holes, like a watch), or to a couple of Danish -commercials, or to a dandy and his love. Here we one night singled out -for observation a very characteristic Danish young man and young woman -with the complexions, the quiet, persuasive voices, and the soothing -gestures of the North. It was an agreeable sight; but when we had -carried our observation somewhat further, we discovered that they were -an English pair on their honeymoon. - -[Illustration: 0186] - -In a day or two, feeling more expert in things Danish, we wanted a truly -Danish restaurant, unspoiled by cosmopolitanism. We hit on it in the -Wiener Café, appanage of the Hotel King of Denmark. A long, narrow room, -anciently and curiously furnished, with mid-Victorian engravings on the -somber walls. The waiters had the austerity of priests presiding at -a rite. Their silent countenances said impassively: “This is the most -select resort in our great and historic country. It has been frequented -by the flower of Danish aristocracy, art, and letters for a thousand -years. It has not changed. It never will. No upstart cosmopolitanism can -enter here. Submit yourselves. Speak in hushed tones. Conform to all the -niceties of our ceremonial, for we have consented to receive you.” - -In brief, it was rather like an English bank, or a historic hotel in an -English cathedral town, though its food was better, I admit. The menu -was in strict Danish. We understood naught of it, but it had the air -of a saga. At the close of the repast, the waiter told us that, for the -_prix fixe_, we had the choice between cake and cheese. I said, “Will -you let me have a look at the cake, and then I ‘ll decide.” He replied -that he could not; that the cake could not be produced unless it was -definitively ordered. The strange thing was that he persisted in this -attitude. Cake never had been shown on approval at the Wiener Café -of the Hotel King of Denmark, and it never would he. I bowed the head -before an august tradition, and ordered cheese. The Wiener Café ought -to open a branch in London; it was the most English affair I have ever -encountered out of England. - -Indeed, Copenhagen is often exquisitely English. That very night we -chose the restaurant of the Hotel--------for dinner. The room was darkly -gorgeous, silent, and nearly full. We were curtly shown to an empty -table, and a menu was dung at us. The head waiter and three inefficient -under waiters then totally ignored us and our signals for fifteen -minutes; they had their habitués to serve. At the end of fifteen minutes -we softly and apologetically rose and departed, without causing any -apparent regret save perhaps to the hat-and-coat boy, whom we basely -omitted to tip. - -[Illustration: 0191] - -We roved in the wet, busy Sunday streets, searching hungrily for a -restaurant that seemed receptive, that seemed assimilative, and luck -guided us into the Café de l’Industrie, near the Tivoli. The managers -of this industrious café had that peculiar air, both independent and -amicable, which sits so well on the directors of an organism that -is firmly established in the good-will of the flourishing mass. No -selectness, no tradition, no formality, no fashion, no preposterous -manners about the Café de l’Industrie, but an aspect of solid, rather -vulgar, all-embracing, all-forgiving prosperity. It was not cheap, -neither was it dear. It was gaudy, but not too gaudy. The waiters were -men of the world, experienced in human nature, occupied, hasty, both -curt and expansive, not servile, not autocratic. Their faces said: “Look -here, I know the difficulties of running a popular restaurant, and you -know them, too. This is not heaven, especially on a Sunday night; but we -do our best, and you get value for your money.” - -The customers were samples of all Copenhagen. They had money to spend, -but not too much. There were limits to their recklessness in the pursuit -of joy. They were fairly noisy, quite without affectation, fundamentally -decent, the average Danish. Elegance was rarer than beauty, and -spirituality than common sense, in that restaurant. We ate moderately in -the din and clash of hors d’ouvre, mural decorations, mirrors, and music, -and thanked our destiny that we had had the superlative courage to leave -the Hotel --------, with its extreme correctitude. - -Finally, among our excursions ‘n restaurants, must be mentioned a crazy -hour in the restaurant of the Hotel --------, supreme example of what -the enterprising spirit of modern Denmark can accomplish when it sets -about to imitate the German _art nouveau_. The -------- is a grand hotel -in which everything, with the most marvelous and terrifying ingenuity, -has been designed in defiance of artistic tradition. A fork at the --------- resembles no other fork on earth, and obviously the designer’s -first and last thought was to be unique. It did not matter to him what -kind of fork he produced so long as it was different from any previous -fork in human history. The same with the table-cloth, the flower-vase, -the mustard-pot, the chair, the carpet, the dado, the frieze, the -tessellated pavement, the stair-rail, the wash-basin, the bedstead, the -quilt, the very door-knobs. The proprietors of the place had ordered a -new hotel in the extreme sense, and their order had been fulfilled. It -was a prodigious undertaking, and must certainly have been costly. It -was impressive proof of real initiative. It intimidated the beholder, -who had the illusion of being on another planet. Its ultimate effect was -to outrival all other collections of ugliness. I doubt whether in Berlin -itself such ingenious and complete ugliness could be equaled in the -same cubic space. My idea is that the creators of the Hotel -------- may -lawfully boast of standing alone on a pinnacle. - -It was an inspiration on the part of the creators, when the hotel -was finished to the last salt-spoon, to order a number of large and -particularly bad copies of old masters, in inexpensive gilt frames, and -to hang them higgledy-piggledy on the walls. The resulting effect of -grotesquery is overwhelming. Nevertheless, the -------- justly ranks as -one of the leading European hotels. It is a mercy that the architect -and the other designers were forbidden to meddle with the cooking, which -sins not by any originality. - -The summary and summit of the restaurants and cafes of Copenhagen is the -Tivoli. New York has nothing like the Tivoli, and the Londoner can only -say with regret that the Tivoli is what Earl’s Court ought to be, and is -not. The Tivoli comprises, within the compass of a garden in the midst -of the city, restaurants, cafés, theater, concert-hall, outdoor -theater, bands, pantomime, vaudeville, dancing-halls, and very numerous -side-shows on both land and water. The strangest combinations of -pleasure are possible at the Tivoli. You can, for instance, as we -did, eat a French dinner while watching a performance of monkeys on a -tightrope. The opportunities for weirdness in felicity are endless. We -happened to arrive at Copenhagen just in time for the fêtes celebrating -the seventieth anniversary of the Tivoli, which is as ancient as it is -modern. On the great night the Tivoli reveled until morning. It must -be the pride of the populace of Copenhagen, and one of the city’s -dominating institutions. It cannot be ignored. It probably uses more -electric light than any other ten institutions put together. And however -keenly you may resent its commonplace attraction, that attraction will -one day magnetize you to enter its gates--at the usual fee. - -I estimate that I have seen twenty thousand people at once in the -Tivoli, not a bad total for one resort in a town of only half a million -inhabitants. And the twenty thousand were a pleasant sight to the -foreign observer, not merely for the pervading beauty and grace cf the -women, which was remarkable, but also for the evident fact that as a -race the Danish know how to enjoy themselves with gaiety, dignity, and -simplicity. Their demeanor was a lesson to Anglo-Saxons, who have yet to -discover how to enjoy themselves freely without being either ridiculous -or vulgar or brutish. The twenty thousand represented in chief the -unassuming middle-class of Copenhagen. - -[Illustration: 0197] - -There were no doubt millionaires, aristocrats, “nuts,” rascals, -obelisks, and mere artisans among the lot, but the solid bulk was -the middle-class, getting value for its money in an agreeable and -unexceptionable manner. The memory of those thousands wandering lightly -clad in the cold Northern night, under domes and festoons and pillars -of electric light, amid the altercations of conflicting orchestras, or -dancing in vast, stuffy inclosures, or drinking and laughing and eating -hors-d’ouvre under rustling trees, or submitting gracefully to -Wagnerian overtures in a theater whose glazed aisles were two -restaurants, or floating on icy lakes, or just beatifically sitting -on al-fresco seats in couples--this memory remains important in the -yachtsman’s experiences of the Baltic. - - - - -CHAPTER XII--ARISTOCRACY AND ART - -THE harbor-master would not allow us to remain for more than three -days in our original berth, which served us very well as a sort of grand -stand for viewing the life of Copenhagen. His theory was that we were -in the way of honest laboring folk, and that we ought to be up in the -“sound,” on the northeastern edge of the city, where the yachts lie. We -contested his theory, but we went, because it is unwise to quarrel with -a bureaucracy of whose language you are ignorant. - -The sound did not suit us. The anchorage was opposite a coaling station, -and also opposite a shipbuilding yard, and from the west came a strong -odor out of a manufactory of something unpleasant. We could have -tolerated the dust, the noise, and the smell, but what we could not -tolerate was the heavy rolling, for the north wind was blowing and the -anchorage exposed to it. Indeed, the Royal Danish Yacht Club might -have chosen more comfortable quarters for itself. We therefore -unostentatiously weighed anchor again, and reëntered the town, and hid -ourselves among many businesslike tugs in a little creek called the New -Haven, whose extremity was conveniently close to the Café d’Angleterre. -We hoped that the prowling harbor-master would not catch sight of us, -and he did not. - -[Illustration: 0204] - -The aristocratic and governing quarter of the town lay about us, -including the Bregade, a street full of antiquaries, marble churches, -and baroque houses, and the Amalienborg Palace, which is really four -separate similar palaces (in an octagonal _place_) thrown into one. Here -all the prospects and vistas were dignified, magnificent, and proudly -exclusive. The eighteenth century had nobly survived, when the populace -was honestly regarded as a horde created by divine providence in order -that the ruling classes might practise upon it the art of ruling. There -was no Tivoli when those beautiful pavements were made, and as you stand -on those pavements and gaze around at the royal grandiosity, speckless -and complete, you can almost imagine that even the French Revolution has -not yet occurred. The tiny, colored sentry at the vast, gray gates is -still living in the eighteenth century. The architecture is not very -distinguished, but it has style. It shames the -------- Hotel. The -Frederiks Church, whose copper dome overtops the other copper domes, is -a fair example of the quarter. Without being in the least a masterpiece, -it imposes by its sincerity and its sense of its own importance. And the -interior is kept as scrupulously as a boudoir. The impeccability of the -marble flooring is wondrous, and each of the crimson cushions in the -polished pews is like a lady’s pillow. Nothing rude can invade this -marmoreal fane. - -The Rosenborg Palace, not far off, is open to the public, so that all -may judge what was the life of sovereigns in a small country, and what -probably still is. The royal villas outside Florence are very ugly, but -there is a light grace about their furnishing which lifts them far above -the heavy, stuffy, tasteless mediocrity of such homes as the Rosenborg. -Badly planned, dark, unhygienic, crammed with the miscellaneous ugliness -of generations of royal buying, the Rosenborg is rather a sad sight to -people of taste; and the few very lovely tilings that have slipped in -here and there by inadvertence only intensify its mournfulness. The -phantoms of stupid courtiers seem to pervade, strictly according to -etiquette, its gloomy salons. And yet occasionally, in the disposition -of an arm-chair or a screen, one realizes that it must, after all, have -been a home, inhabited by human beings worthy of sympathy. It is the -most bourgeois home I ever entered. In a glass case, with certain -uniforms, were hung the modern overcoat (a little frayed) and the hat -of a late monarch. They touched the heart of the sardonic visitor, their -exposure was so naive. - -Even more depressing than this mausoleum of nineteenth-century maimers -was the museum of art. As a colossal negation of art, this institution -ranks with the museum of Lausanne. It is an enormous and ugly building, -full of enormous ugliness in painting and sculpture. It contained a fine -Rembrandt--“Christ at Emmaus”--and one good modern picture, a plowing -scene by Wilhelmson. We carefully searched the immense rooms for another -good modern picture, and found it not. Even the specimens of Gauguin, -Van Gogh, and Bonnard were mediocre. - -The sculpture was simply indescribable. The eye roamed like a bird -over the waters of the deluge, and saw absolutely nothing upon which -to alight with safety. Utter desolation reigned. The directors of this -museum had never, save in the case of Wilhelmson, been guilty of an -inadvertence. Their instinct against beauty in any form was unerring. -Imagine the stony desert of rooms and corridors and giant staircases -on a wet Sunday morning, echoing to the footsteps of the simple holiday -crowd engaged patriotically in the admiration of Danish art; imagine -ingenuous, mackintoshed figures against the vast flanks of stiff and -terrific marble Venuses and other gods; imagine the whispering in front -of anecdotes in paint; imagine the Inferno of an artist--and you have -the art museum, the abode and lurking-place of everlasting tedium. - -Quite different is the Glyptothek, a museum whose existence is due -to private enterprise and munificence. It is housed in an ugly and -ill-planned building, but the contents are beautiful, very well -arranged, and admirably exposed. The Glyptothek has an entrancing -small picture by Tiepolo, of Antony and Cleopatra meeting, which I was -informed must be a study for a larger picture in Venice It alone should -raise the museum to a shrine of pilgrimage, and it is not even mentioned -in Baedeker! But the Glyptothek triumphs chiefly by its sculpture. Apart -from its classical side, it has a superb collection of Meuniers, which -impressed, without greatly pleasing, me; a roomful of Rodin busts which -are so honest and lifelike and jolly that when you look at them you want -to laugh--you must laugh from joy. And the Carpeaux busts of beautiful -women--what a profound and tranquil satisfaction n gazing at them! - -[Illustration: 0209] - -Some of the rooms at the Glyptothek are magical in their effect on -the sensibility. They would make you forget wife and children, yachts, -income tax, and even the Monroe Doctrine. Living Danish women were -apposite enough to wander about the sculpture rooms for our delectation, -making delicious contrasts against the background of marble groups. - - - - -CHAPTER XIII--THE RETURN - -WE left Copenhagen with regrets, for the entity of the town was very -romantic and attractive. Even the humble New Haven, where we sheltered -from the eye of the harbor-master, had its charm for us. It was the real -sailors’ quarter, thoroughly ungentlemanly and downright. The shops on -each side of the creek were below the level of the street and even of -the water, and every one of them was either a café, with mysterious -music heating behind glazed doors, or an emporium of some sort for -sailors. Revelries began in the afternoon. You might see a nice neat -Danish wife guiding an obstreperously intoxicated Danish sailor down the -steps leading to a cigar shop. Not a pleasant situation for a nice wife! -But, then, you reflected that he was a sailor, and that he had doubtless -been sober and agreeable a short while before, and would soon be sober -and agreeable again; and that perhaps there were great compensations -in his character. At night Bacchus and Pan were the true gods of that -quarter, and the worship of them was loud and yet harmonious. - -We prepared reluctantly to depart; the engine also. The engine would not -depart, and it was a new engine. Two hours were spent in wheedling and -conciliating its magneto. After that the boat traveled faster than it -had ever traveled. We passed out of Copenhagen into the sound, leaving -a noble array of yachts behind, and so up the sound. Soon Copenhagen -was naught but a bouquet of copper domes, and its beautiful women became -legendary with us, and our memory heightened their beauty. And then the -engine developed a “knock.” Now, in a small internal-combustion engine -a “knock” may be due to bad petrol or to a misplacement of the magneto -or to a hundred other schisms in the secret economy of the affair. -We slowed to half-speed and sought eagerly the origin of the “knock,” - which, however, remained inexplicable. We were engloomed; we were in -despair. - -We had just decided to stop the engine when it stopped of itself, with a -fearful crash of broken metal One side of the casing was shattered. The -skipper’s smile was tragical. The manliness of all of us trembled under -the severity of the ordeal which fate had administered. To open out -the engine-box and glance at the wreck in the depths thereof was -heart-rending. We could not closely examine the chaos of steel and brass -because it was too hot, but we knew that the irremediable had occurred -in the bowels of the _Velsa_. We made sail, and crawled back to the -sound, and mournfully anchored with our unseen woe among the other -yachts. - -The engine was duly inspected bit by bit; and it appeared that only the -bearing of the forward piston was broken, certainly owing to careless -mounting of the engine in the shops. It was an enormous catastrophe, but -perhaps not irremediable. - -Indeed, within a short time the skipper was calculating that he could -get a new bearing made in Copenhagen in twenty-four hours. Anyhow, -we had to reconcile ourselves to a second visit to Copenhagen. And -Copenhagen, a few hours earlier so sweet a name in our ears, was now -hateful to us, a kind of purgatory to which we were condemned for the -sins of others. - -[Illustration: 0216] - -The making and fitting of the new bearing occupied just seventy hours. -During this interminable period we enjoyed the scenery of the sound and -grew acquainted with its diverse phenomena. The weather, if wet, was -calm, and the surface of the water smooth; but every steamer that passed -would set up a roll that flung hooks, if not crockery, about the saloon. -And the procession of steamers in both directions was constant from -five a. m. to midnight. They came from and went to every part of -the archipelago and of Sweden and of northern Germany. We gradually -understood that at Copenhagen railways are a trifle, and the sea a -matter of the highest importance. Nearly all traffic is seaborne. - -We discovered, too, that the immediate shore of the sound, and of the -yacht-basin scooped out of it, was a sort of toy seaside resort for -the city. Part of the building in which the Royal Danish Yacht Club -is housed was used as a public restaurant, with a fine terrace that -commanded the yacht-club landing-stage and all the traffic of the sound. -Moreover, it was a good restaurant, except that the waiters seemed to be -always eating some titbit on the sly. - -Here we sat and watched the business and pleasure of the sound. The -czar’s yacht came to anchor, huge and old-fashioned and ungraceful, with -a blue-and-white standard large enough to make a suit of sails for a -schooner--the biggest yacht afloat, I think, but not a pleasing object, -though better than the antique ship of the Danish king. The unwieldy -ceremoniousness of Russian courts seemed to surround this pompous -vessel, and the solitary tragedy of imperial existence was made manifest -in her. Ah, the savage and hollow futility of saluting guns! The two -English royal yachts, both of which we saw in the neighborhood, were in -every way strikingly superior to the Russian. - -Impossible to tire of the spectacle offered by that restaurant terrace. -At night the steamers would slip down out of Copenhagen one after the -other to the ends of the Baltic, and each was a moving parterre of -electricity on the darkness. And then we would walk along the nocturnal -shore and find it peopled with couples and larger groups, whose bicycles -were often stacked in groups, too. And the little yachts in the little -yacht-basin were each an illuminated household! A woman would emerge -from a cabin and ask a question of a man on the dark bank, and he would -flash a lantern-light in her face like a missile, and “Oh!” she would -cry. And farther on the great hulk which is the home of the Copenhagen -Amateur Sailing Club would be lit with festoons of lamps, and from -within it would come the sounds of song and the laughter of two sexes. -And then we would yell, “_Velsa_, ahoy!” and keep on yelling until all -the lightly clad couples were drawn out of the chilly night like moths -by the strange English signaling. And at last the _Velsa_ would wake -up, and the dinghy would detach itself from her side, and we would go -aboard. But not until two o’clock or so would the hilarity and music of -the Amateur Sailing Club cease, and merge into a frantic whistling for -taxicabs from the stand beyond the restaurant. - -Then a few hours’ slumber, broken by nightmares of the impossibility of -ever quitting Copenhagen, and we would get up and gaze at the sadness -of the dismantled engine, and over the water at the yachts dozing -and rocking in the dawn. And on a near yacht, out of the maw of a -forecastle-hatch left open for air, a half-dressed sailor would appear, -and yawn, and stretch his arms, and then begin to use a bucket on the -yacht’s deck. - -[Illustration: 0221] - -The day was born. A green tug would hurry northward, splashing; and the -first of the morning steamers would arrive from some mystical distant -island, a vessel, like most of the rest, of about six hundred tons, red -and black funnels, the captain looking down at us from the bridge; a -nice handful of passengers, including a few young women in bright -hats; everything damp and fresh, and everybody expectant and braced -for Copenhagen. A cheerful, ordinary sight! And then our skipper would -emerge, and the cook with my morning apple on a white plate. And the -skipper would say, “We ought to be able to make a start to-day, sir.” - And on the third day we did make a start, the engine having been -miraculously recreated; and we left Copenhagen, hating it no more. - - - - -PART IV--ON THE FRENCH AND FLEMISH COAST - - - - -CHAPTER XIV--FOLKESTONE TO BOULOGNE - -WE waited for the weather a day and a night at Folkestone, which, -though one of the gateways of England, is a poor and primitive place to -lie in. Most of the time we were on the mud, and to get up into England -we had to climb a craggy precipice called the quay-wall. Nevertheless, -the harbor (so styled) is picturesque, and in the less respectable -part of the town, between the big hotels and band-stands and the -mail-steamers; there are agreeable second-hand book shops, in one of -which I bought an early edition of Gray’s poems bound in ancient vellum. - -The newspapers were very pessimistic about the weather, and smacks -occasionally crept in for shelter, with wild reports of what was going -on in the channel. At four o’clock in the morning, however, we started, -adventurous, for the far coasts of Brittany, via Boulogne. The channel -was a gray and desolate sight, weary and uneasy after the gale. And I -also was weary and uneasy, for it is impossible for a civilized person -of regular habits to arise at four a. m. without both physical and -psychical suffering, and the pleasure derived from the experience, -though real, is perverse. The last gleams of the Gris-Nez and the Varne -lights were visible across the heaving waste, feebly illuminating the -intense melancholy of the dawn. There was nothing to do except steer -and keep your eyes open, because a favorable and moderate southwest wind -rendered the engine unnecessary. The ship, and the dinghy after her, -pitched and rolled over the heavy swell. The skipper said naught. I said -naught. The lights expired. The dark gray of the sea turned to steel. -The breeze was icy. Vitality was at its lowest. Brittany seemed -exceedingly remote, even unattainable. Great, vital questions presented -themselves to the enfeebled mind, cutting at the very root of all -conduct and all ambitions. What was the use of yachting? What was the -use of anything? Why struggle? Why exist? The universe was too vast, and -the soul homeless therein. - -And then the cook, imperfectly attired, came aft, bearing a brass tray, -and on the tray an electro-teapot, sugar-basin, and milk-jug, and a -white cup and saucer with a spoon. Magic paraphernalia! Exquisite and -potent draft, far surpassing champagne drunk amid the bright glances -of beauty! Only the finest China tea is employed aboard the _Velsa_. -I drank, and was healed; and I gave also to the shipper. Earth was -transformed. We began to talk. The wind freshened. The ship, heeling -over, spurted. It was a grand life. We descried the French coast. The -hours flew. Before breakfast-time we were becalmed, in sunshine, between -the piers at Boulogne, and had to go in on the engine. At 8:15 we ran -her on the mud, on a rising tide, next to a pilot-boat, the _Jean et -Marie_, inhabited by three jolly French sailors. We carried a warp to -the Quai Chanzy, and another to a buoy, and considered ourselves fairly -in France. - -[Illustration: 0228] - -The officials of the French republic on the quay had been driven by -the spectacle of our peculiar Dutch lines and rig to adopt strange, -emotional attitudes; and as soon as we were afloat, the French republic -came aboard in a dinghy manned by two acolytes. The skipper usually -receives the representatives of foreign powers, but as the skipper -speaks no French, and as this was the first time I had entered France -in this style, I thought I would be my own ambassador. I received the -French republic in my saloon; we were ravishingly polite to each other; -we murmured sweet compliments to each other. He gave me a clean bill of -health, and went off with four francs and one half-penny. There is no -nation like the French. A French milliner will make a hat out of a -piece of felt and nothing; and a French official will make a diplomatic -episode out of nothing at all, putting into five minutes of futility all -the Gallic civilization of centuries. - -Boulogne Harbor is a very bustling spot, and as its area is narrowly -limited, and its entrance difficult, the amount of signaling that goes -on is extraordinary. A single ship will fill the entrance; hence a flag -flies to warn the surrounding seas when the entrance is occupied or -about to be occupied. The state of the tide is also indicated, and the -expert can read from hieroglyphics slung in the air the exact depth of -water at a particular moment between the piers. In addition, of course, -there is the weather signaling. We had scarcely been in port a couple -of hours before the weather signaling shocked us; nay, we took it as -an affront to ourselves. The south cone went up. We had come in at the -tail-end of one south gale, and now another was predicted! How could -small people like us hope to work our way down to Brittany in the teeth -of the gale! And I had an appointment in the harbor of Carantec, a tiny -village near Morlaix, in a week’s time! The thing was monstrous. But the -south cone was hoisted, and it remained hoisted. And the cone is -never displayed except for a real gale,--not a yachtsman’s gale, but a -sailor’s gale, which is serious. - -A tender went forth to meet a Dutch American liner in the roads. We -followed her along the jetty. At the end of the jetty the gale was -already blowing; and rain-squalls were all round the horizon. Soon we -were in the midst of a squall ourselves. The rain hid everything for a -minute. It cleared. The vast stretch of sands glistened wet, with the -variegated bathing-tents, from which even then beautiful creatures were -bathing in a shallow surf. Beyond was the casino, and all the complex -roofs of Boulogne, and to the north a road climbing up to the cliff-top, -and the illimitable dunes that are a feature of this part of the -country. Above all floated thunder-clouds, white in steely blue. The -skipper did not like those thunder-clouds; he said they were the most -dangerous of all clouds, “because anything might come out of them.” He -spoke as if they already contained in their bosoms every conceivable -sort of weather, which they would let loose according to their caprice. - -The rain resumed heavily. The wind compelled us to hold tight to the -rail of the pier. A poster announced that in the casino behind the -rain, Suppé’s “Boccaccio” was to be performed that night, and Massenet’s -“Thaïs” the next night. And opera seemed a very artificial and -unnecessary form of activity as we stood out there in the reality of -the storm. The Atlantic liner had now bid good-by to the tender, and was -hugely moving. She found sea-room, and then turned with the solemnity of -her bigness, and headed straight into the gale, pitching like a toy. The -rain soon veiled her, and she was gone. I could not picture the _Velsa_ -in such a situation, at any rate with the owner on board. We went back, -rather pensive, to the Quai Chanzy. - -[Illustration: 0234] - -The men in the pilot-boat alongside the _Velsa_ were not in the least -reassuring as to the chances of the _Velsa_ ever getting to Brittany; -but they were uplifted because the weather was too rough for them to go -out. When the cone is on view, the pilot-service is accomplished by a -powerful steam-vessel. Our friends, in their apparently happy idleness, -sculled forth in a dinghy about fifty yards from where we lay, and -almost immediately rejoined us with three eels that they had caught. -I bought the three eels for two shillings, and the cook cooked them -perfectly, and I ate one of them with ecstasy a few hours later; but -eels are excessively antipathetic to the digestive organs, and may -jaundice the true bright color of the world for days. - -The transaction of the eels, strengthened our intimacy with the pilot’s -crew, who imparted to us many secrets; as, for example, that they were -the selfsame men who act as porters at the quay for the transfer of -luggage when the cross-channel steamers arrive and depart. On one day -they are the pilot’s crew, and on the next they are porters to carry -your handbags through the customs. This was a blow to me, because on -the innumerable occasions when I had employed those porters I had always -regarded them as unfortunate beings who could earn money only during -about an hour each day, victims of the unjust social system, etc., and -who were therefore specially deserving of compassion and tips. I now -divined that their activities were multiple, and no doubt dovetailed -together like a Chinese puzzle, and all reasonably remunerative. The -which was very French and admirable. Herein was a valuable lesson to me, -and a clear saving in future of that precious commodity, compassion. - -In a day or two the horrid fact emerged that we were imprisoned in -Boulogne. The south cone did not budge. Neither could we. The tide -ebbed; the tide flowed; we sank softly into the mud; we floated again. -A sailor cut our warp because it was in his way, and therefore incurred -our anger and the comminations of the harbor-master. But we were -not released. An aeroplane meeting was announced, and postponed. We -witnessed the preparations for the ceremonial opening of a grand new -dock. We went to the casino and listened to Russian music, which in -other circumstances would have enchanted us. - -But none of these high matters could hold our attention. Even when the -cook criticized our water-colors with faint praise, and stated calmly -that he, too, was a water-colorist, and brought proofs of his genius cut -of the forecastle, even then we were not truly interested. We thirsted -to depart, and could not. Our sole solace was to walk round and round -the basini in the rain-squalls, and observe their tremendous vitality, -which, indeed, never ceased, day or night save at low water, when most -craft were aground. - -At such periods of tranquillity the trucks of the fishing-smacks were -nearly level with the quay, and we noticed that every masthead was -elaborately finished with gilded sculpture--a cross, a star, or a small -figure of Jesus, the Virgin Mary, or an angel. The names, too, of these -smacks were significant: _Resurrection, Jesus-Marie_, and so on. The -ornamentation of the deck-houses and companions of these vessels showed -a great deal of fantasy and brilliant color, though little taste. And -the general effect was not only gay, but agreeable, demonstrating, as it -did, that the boats were beloved. English fishing-boats are beloved by -their owners, but English affection does not disclose itself in the same -way, if it discloses itself at all. On the third afternoon we assisted -at the departure of an important boat for the herring fisheries. It had -a crew of seventeen men, all dressed in brown, young and old, and -an enormous quantity of gear. It bore the air of a noble cooperative -enterprise, and went off on the tide, disdainfully passing the -still-hoisted cone. - -Perhaps it was this event that gave us to think. If a herring-boat could -face the gale, why not we? Our ship was very seaworthy, and the coast -was dotted with sheltering ports. Only it was impossible to go south, -since we could not have made headway. Then why not boldly cancel the -rendezvous in Brittany, and run northward before the gale? The skipper -saluted the idea with enthusiasm. He spoke of Ostend. He said that if -the wind held we could easily run to Ostend in a day. He did not care -for Ostend, but it would be a change. I, however, did care for Ostend. -And so it was decided that, unless the wind went right round in the -night, we would clear out of Boulogne at the earliest tidal hour the -next morning. The joy of expectancy filled the ship, and I went into -the town to buy some of the beautiful meat-pies that are offered in its -shops. - -[Illustration: 0239] - - - - -CHAPTER XV--TO BELGIUM - -AT 6 a. M. we, too, were passing disdainfully the still-hoisted cone. -Rain descended in sheets, in blankets, and in curtains, and when we -did not happen to be in the rain, we could see rain-squalls of the most -theatrical appearance in every quarter of the horizon. The gale had -somewhat moderated, but not the sea; the wind, behind us, was against -the tide, and considerably quarreling therewith. Now we were inclosed in -walls of water, and now we were balanced on the summit of a mountain of -water, and had a momentary view of many leagues of tempest. I -personally had never been out in such weather in anything smaller than a -mail-steamer. - -Here I must deal with a distressing subject, which it would be -pleasanter to ignore, but which my training in realism will not allow -me to ignore. A certain shameful crime is often committed on yachts, -merchantmen, and even men-of-war. It is notorious that Nelson committed -this crime again and again, and that other admirals have copied his -iniquity. Sailors, and particularly amateur sailors, would sooner be -accused of any wickedness rather than this. Charge them with cheating at -cards, ruining innocent women, defrauding the Government, and they will -not blench; but charge them with this offense, and they will blush, they -will recriminate, and they will lie disgracefully against all evidence; -they cannot sit still under the mere suspicion of it. - -As we slipped out of the harbor that morning the secret preoccupation -of the owner and his friend was that circumstances might tempt them to -perpetrate the sin of sins. Well, I am able to say that they withstood -the awful temptation; but only just! If out of bravado they had -attempted to eat their meals in the saloon, the crime would assuredly -have been committed, but they had the sense to order the meals to be -served in the cockpit, in the rain, in the blast, in the cold. No matter -the conditions! They were saved from turpitude, and they ate heartily -thrice during the day. And possibly nobody was more astonished than -themselves at their success in virtue. I have known a yachtsman, an -expert, a member of an exceedingly crack club, suddenly shift his course -shoreward in circumstances not devoid of danger. - -“What are you about?” was the affrighted question. He replied: - -“I’m going to beach her. If I don’t, I shall be sick, and I won’t be -sick aboard this yacht.” - -Such is the astounding influence of convention, which has transformed -into a crime a misfortune over which the victim has no control whatever. -We did not beach the _Velsa_, nor were our appetites impaired. We were -lucky, and merely lucky; and yet we felt as proud as though we had, -by our own skill and fortitude, done something to be proud of. This is -human nature. - -As we rounded Cape Gris-Nez, amid one of the most majestic natural -scenes I have ever witnessed, not a gale, but about half of a gale, was -blowing. The wind continued to moderate. Off Calais the tide was slack, -and between Calais and Dunkirk we had it under our feet, and were able -to dispense with the engine and still do six and a half knots an hour. -Thenceforward the weather grew calm with extraordinary rapidity, while -the barometer continuously fell. At four o’clock the wind had entirely -expired, and we restarted the engine, and crawled past Westend and -Nieuport, resorts very ugly in themselves, but seemingly beautiful from -the sea. By the time we sighted the whiteness of the kursaal at Ostend -the water was as flat as an Inland lake. - -[Illustration: 0246] - -The sea took on the most delicate purple tints, and the pallor of the -architecture of Belgian hotels became ethereal. While we were yet a mile -and a half from the harbor-mouth, flies with stings wandered out from -the city to meet us. - -We passed between the pierheads at Ostend at 6:10 p. m., and the skipper -was free to speak again. When he had done manouvering in the basin, he -leaned over the engine-hatch and said to me: - -“I ‘ve had a bit o’ luck this week.” - -“With the engine?” I suggested, for the engine had been behaving itself -lately. - -“No, sir. My wife presented me with a little boy last Tuesday. I had the -letter last night. I’ve been expecting it.” But he had said nothing to -me before. He blushed, adding, “I should like you to do me a very great -favor, sir--give me two days off soon, so that I can go to the baptism.” - Strange, somehow, that a man should have to ask a favor to be present -at the baptism of his own son! The skipper now has two sons. Both, I was -immediately given to understand, are destined for the sea. He has six -brothers-in-law, and they all follow the sea. On a voyage he will never -willingly leave the wheel, even if he is not steering. He will rush down -to the forecastle for his dinner, swallow it in two minutes and a half, -and rush back. I said to him once: - -“I believe you must be fond of this wheel.” - -“I am, sir,” he said, and grinned. - -We lay nearly opposite the railway station, and our rudder was within -a foot of the street. Next to us lay the _Velsa’s_ sister (occasion for -the historic remark that “the world is very small”), a yacht well known -to the skipper, of exactly the same lines as the _Velsa_, nearly the -same size, and built within four miles of her in the same year! The -next morning, which was a Sunday, the sisters were equally drenched in -tremendous downpours of rain, but made no complaint to each other. I -had the awning rigged, which enabled us, at any rate, to keep the saloon -skylights open. - -The rain had no effect on the traditional noisiness of Ostend. Like -sundry other cities, Ostend has two individualities, two souls. All -that fronts the sea and claims kinship with the kursaal is grandiose, -cosmopolitan, insincere, taciturn, blatant, and sterile. It calls -itself the finest sea-promenade in Europe, and it may he, but it is -as factitious as a meringue. All that faces the docks and canals is -Belgian, more than Belgian--Flemish, picturesque, irregular, strident, -simple, unaffected, and swarming with children. Narrow streets are -full of little cafés that are full of little men and fat women. All the -little streets are cobbled, and everything in them produces the maximum -quantity of sound. Even the postmen carry horns, and all the dogs -drawing little carts hark loudly. Add to this the din of the tram-cars -and the whistling of railway engines. - -On this Sunday morning there was a band festival of some kind, upon -which the pitiless rain had no effect whatever. Band after band swung -past our rudder, blaring its uttermost. We had some marketing to do, as -the cook declared that he could market neither in French nor Flemish, -and we waited impatiently under umbrellas for the procession of bands -to finish. It would not finish, and we therefore had to join it. All the -way up the Rue de la Chapelle we could not hear ourselves speak in the -brazen uproar; and all the brass instruments and all the dark uniforms -of the puffy instrumentalists were glittering and melting in the rain. -Occasionally at the end of the street, over the sea, lightning feebly -flickered against a dark cloud. At last I could turn off into a -butcher’s shop, where under the eyes of a score of shopping matrons I -purchased a lovely piece of beef for the nominal price of three francs -seventy-five centimes, and bore it off with pride into the rain. - -When we got back to the yacht with well-baptized beef and vegetal -des and tarts, we met the deck-hand, who was going alone into the -interesting and romantic city. Asked what he was about, he replied: - -“I’m going to buy a curio, sir; that’s all.” He knew the city. He had -been to Ostend before in a cargo-steamer, and he considered it neither -interesting nor romantic. He pointed over the canal toward the -country. “There’s a pretty walk over there,” he said; “but there’s -nothing here,” pointing to the town. I had been coming to Ostend for -twenty years, and enjoying it like a child, but the deck-hand, with one -soft-voiced sentence, took it off the map. - -In the afternoon, winding about among the soaked cosmopolitanism of -the promenade, I was ready to agree with him. Nothing will destroy -fashionable affectations more surely than a wet Sunday, and the -promenade seemed to rank first in the forlorn tragedies of the world. -I returned yet again to the yacht, and was met by the skipper with a -disturbed face. - -“We can’t get any fresh water, sir. Horse is n’t allowed to work on -Sundays. _Everything’s changed in Belgium._” The skipper was too Dutch -to be fond of Flanders. His mightiest passion was rising in him--the -passion to go somewhere else. - -“All right,” I said; “we ‘ll manage with mineral water, and then we ‘ll -move on to Bruges.” In rain it is, after all, better to be moving than -to be standing still. - -But to leave Ostend was not easy, because the railway bridge would not -swing for us, nor would it yield, for over an hour, to the song of our -siren. Further, the bridge-man deeply insulted the skipper. He said that -he was not supposed to swing for _canal-boats_. - -“Canal-boat!” the skipper cried. “By what canal do you think I brought -this ship across the North Sea?” He was coldly sarcastic, and his -sarcasm forced the bridge open. We passed through, set our sails, and -were presently heeling over and washing a wave of water up the banks of -the canal. I steered, and, as we overtook an enormous barge, I shaved -it as close as I could for the fun of the thing. Whereupon the skipper -became excited, and said that for a yacht to touch a barge was fatal, -because the barges were no stronger than cigar-boxes, having sides -only an inch thick, and would crumble at a touch; and the whole -barge-population of Belgium and Holland, but especially Belgium, was in -a conspiracy to extract damages out of yachts on the slightest pretext. -It seemed to me that the skipper’s alarm was exaggerated. I understood -it a few days later, when he related to me that he had once quite -innocently assisted at the cracking of a cigar-box, for which his -employer had had to pay five thousand francs. - -[Illustration: 0251] - -The barge which I had failed to sink had two insignificant square-sails -set, like pocket-handkerchiefs, but was depending for most of its motion -on a family of children who were harnessed to its tow-rope in good -order. - -Now the barometer began to fall still lower, and simultaneously the -weather improved and brightened. It was a strange summer, was that -summer! The wind fell, the lee-board ceased to hum pleasantly through -the water, and we had to start the engine, which is much less amusing -than the sails. And the towers of Bruges would not appear on the horizon -of the monotonous tree-lined canal, upon whose banks every little -village resembles every other little village. We had to invent something -to pass the time, and we were unwise enough to measure the speed of -the engine on this smooth water in this unusual calm. A speed trial -is nearly always an error of tact, for the reason that it shatters -beautiful illusions. I had the beautiful illusion that under favorable -conditions the engine would drive the yacht at the rate of twelve -kilometers an hour. The canal-bank had small posts at every hundred -meters and large posts at every thousand. The first test gave seven and -a half kilometers an hour. It was unthinkable. The distances must be -wrong. My excellent watch must have become capricious. The next test -gave eight kilometers. The skipper administered a tonic to the engine, -and we rose to nine, only to fall again to eight. Allowing even that the -dinghy took a kilometer an hour off the speed, the result of the test -was very humiliating. We crawled. We scarcely moved. - -Then, feeling the need of exercise, I said I would go ashore and walk -along the bank against the yacht until we could see Bruges. I swore it, -and I kept the oath, not with exactitude, but to a few hundred meters; -and by the time my bloodshot eyes sighted the memorable belfry of Bruges -in the distance, I had decided that the engine was perhaps a better -engine than I had fancied. I returned on board, and had to seek my berth -in a collapse. Nevertheless the _Velsa_ had been a most pleasing object -as seen from the bank. - - - - -CHAPTER XVI--BRUGES - -WE moored at the Quai Spinola, with one of the most picturesque -views in Bruges in front of us, an irresistible temptation to the -watercolorist, even in wet weather. I had originally visited Bruges -about twenty years earlier. It was the first historical and consistently -beautiful city I had ever seen, and even now it did not appear to have -sunk much in my esteem. It is incomparably superior to Ghent, which is a -far more important place, but in which I have never been fortunate. - -[Illustration: 0258] - -Ghent is gloomy, whereas Bruges is melancholy, a different and a -finer attribute. I have had terrible, devastating adventures in the -restaurants of Ghent, and the one first-class monument there is -the medieval castle of the counts of Flanders, an endless field for -sociological speculation, but transcendency ugly and depressing. Ghent -is a modern town in an old suit of clothes, and its inhabitants are more -formidably Belgian than those of any other large city of Flanders. -I speak not of the smaller industrial places, where Belgianism is -ferocious and terrible. - -At Bruges, water-colors being duly accomplished, we went straight to -Notre Dame, where there was just enough light left for us to gaze upon -Michelangelo’s “Virgin and Child,” a major work. Then to the streets -and lesser canals. I found changes in the Bruges of my youth. -Kinematographs, amid a conflagration of electricity, were to be -expected, for no show-city in Europe has been able to keep them out. Do -they not enliven and illumine the ground floors of some of the grandest -renaissance palaces in Florence? But there were changes more startling -than the advent kinematographs. - -Incandescent gas-mantles had replaced the ordinary burners in the -street-lamps of the town! In another fifty years the corporation of -Bruges will be using electricity. - -Still more remarkable, excursion motor-boats were running on the canals, -and at the improvised landing-stages were large signs naming Bruges “The -Venice of the North.” I admit that my feelings were hurt--not by the -motor-boats, but by the signs. Bruges is no more the Venice of the -North, than Venice is the Bruges of the South. - -We allowed the soft melancholy of Bruges to descend upon us and -penetrate us, as the motorboats ceased to run and the kinematographs -grew more brilliant in the deepening night. We had to dine, and all the -restaurants of the town were open to us. Impossible to keep away from -the Grande Place and the belfry, still incessantly chattering about the -time of day. Impossible not to look with an excusable sentimentality at -the Hôtel du Panier d’Or, which in youth was the prince of hotels, with -the fattest landlord in the world, and thousands of mosquitos ready -among its bed-hangings to assist the belfry-chimes in destroying sleep. -The Panier d’Or was the only proper hotel for the earnest art-loving -tourist who could carry all his luggage and was firmly resolved not to -spend more than seven francs a day at the outside. At the Panier d’Or -one was sure to encounter other travelers who took both art and life -seriously. - -No, we would not dine at the Panier d’Or, because we would not disturb -our memories. We glanced like ghosts of a past epoch at its exterior, -and we slipped into the café restaurant next door, and were served by -a postulant boy waiter who had everything to learn about food and human -nature, but who was a nice boy. And after dinner, almost saturated with -the exquisite melancholy of the Grande Place, we were too enchanted to -move. We drank coffee and other things, and lingered until all the white -cloths were removed from the tables; and the long, high room became -a café simply. A few middle-aged male habitués wandered in -separately,--four in all,--and each sat apart and smoked and drank beer. -The mournfulness was sweet and overwhelming. It was like chloroform. -The reflection that each of these sad, aging men had a home and an -_intimité_ somewhere in the spacious, transformed, shabby interiors of -Bruges, that each was a living soul with aspirations and regrets, this -reflection was excruciating in its blend of forlornness and comedy. - -A few more habitués entered, and then a Frenchman and a young -Frenchwomen appeared on a dais at the back of the café and opened a -piano. They were in correct drawing-room costume, with none of the -eccentricities of the _cafe-chantant_, and they produced no effect -whatever on the faces or in the gestures of the habitués, They -performed. He sang; she sang; he played; she played. Just the common -songs and airs of the Parisian music-halls, vulgar, but more inane than -vulgar, The young woman was agreeable, with the large, red mouth which -is the index of a comfortable, generous, and good-natured disposition -They sang and played a long time. Nobody budged; nobody smiled. -Certainly we did not; in a contest of phlegm Englishmen can, it is -acknowledged, hold their own. Most of the habitués doggedly read -newspapers, but at intervals there was a momentary dull applause. The -economic basis of the entertainment was not apparent to us. The prices -of food and drink were very moderate, and no collection was made by or -on behalf of the artists. - -At length, when melancholy ran off us instead of being absorbed, -because we had passed the saturation-point, we rose and departed. -Yes, incandescent-mantles and motor-boats were not the only changes in -Bruges. And in the café adjoining the one we had left a troupe of girls -in white were performing gaily to a similar audience of habitués. We -glimpsed them through the open door. And in front of the kinematograph -a bell was ringing loudly and continuously to invite habitués, and no -habitués were responding. It was all extremely mysterious. The chimes of -the belfry flung their strident tunes across the sky, and the thought of -these and of the habitués gave birth in us to a suspicion that perhaps, -after all, Bruges had not changed. - -[Illustration: 0263] - -We moved away out of the Grande Place into the maze of Bruges toward the -Quai Spinola, our footsteps echoing along empty streets and squares of -large houses the fronts of which showed dim and lofty rooms inhabited -by the historical past and also no doubt by habitués. And after much -wandering I had to admit that I was lost in Bruges, a city which I was -supposed to know like my birthplace. And at the corner of a street, -beneath an incandescent-mantle, we had to take out a map and unfold -it and peer at it just as if we had belonged to the lowest rank of -tourists. - -As we submitted ourselves to this humiliation, the carillon of the -belfry suddenly came to us over a quarter of a mile of roofs. Not the -clockwork chimes now, but the carillonneur himself playing on the bells, -a bravura piece, delicate and brilliant. The effect was ravishing, -as different from that of the clockwork chimes as a piano from a -barrel-organ. All the magic of Bruges was reawakened in its pristine -force. Bruges was no more a hackneyed rendezvous for cheap trippers -and amateur painters and poverty-stricken English bourgeois and their -attendant chaplains. It was the miraculous Bruges of which I had dreamed -before I had ever even seen the place--just that. - -[Illustration: 0267] - -Having found out where we were in relation to the Quai Spinola, we folded -up the map and went forward. The carillon ceased, and began again, -reaching us in snatches over the roofs in the night wind. We passed -under the shadows of rococo churches, the façades and interiors of which -are alike neglected by those who take their pleasures solely according -to the instructions of guide-books, and finally we emerged out of the -maze upon a long lake, pale bluish-gray in the gloom. And this lake was -set in a frame of pale bluish-gray houses with stepwise gables, and by -high towers, and by a ring of gas-lamps, all sleeping darkly. And on the -lake floated the _Velsa_, like the phantom of a ship, too lovely to be -real, and yet real. It was the most magical thing. - -We could scarcely believe that there was our yacht right in the midst -of the town. This was the same vessel that only a little earlier had -rounded Cape Gris-Nez in a storm, and suffered no damage whatever. Proof -enough of the advantage of the barge-build, with a light draft, and -heavy lee-boards for use with a beam wind when close-hauled. Some -yachtsmen, and expert yachtsmen, too, are strongly against the barge. -But no ordinary yacht of the _Velsas_ size could have scraped into that -lake by the Quai Spinola and provided us with that unique sensation. The -_Velsa_ might have been designed specially for the background of Bruges. -She fitted it with exquisite perfection. - -And the shaft of light slanting up from her forecastle hatch rendered -her more domestic than the very houses around, which were without -exception dark and blind, and might have been abandoned. We went -gingerly aboard across the narrow, yielding gangway, and before turning -in gazed again at the silent and still scene. Not easy to credit that a -little way off the kinematograph was tintinnabulating for custom, and a -Parisian couple singing and playing, and a troupe of white-frocked girls -coarsely dancing. - - - - -PART V--EAST ANGLIAN ESTUARIES - - - - -CHAPTER XVII EAST ANGLIA - -AFTER the exoticism of foreign parts, this chapter is very English. -But no island could be more surpassingly strange, romantic, and baffling -than this island. I had a doubt about the propriety of using the phrase -“East Anglia” in the title. I asked, therefore, three educated people -whether the northern part of Essex could be termed East Anglia, -according to current usage. One said he did n’t know. The next said -that East Anglia began only north of the Stour. The third said that East -Anglia extended southward as far as anybody considered that it ought to -extend southward. He was a true Englishman. I agreed with him. England -was not made, but born. It has grown up to a certain extent, and its -pleasure is to be full of anomalies, like a human being. It has to be -seen to be believed. - -Thus, my income tax is assessed in one town, twelve miles distant. After -assessment, particulars of it are forwarded to another town in another -county, and the formal demand for payment is made from there; but the -actual payment has to be made in a third town, about twenty miles from -either of the other two. What renders England wondrous is not such -phenomena, but the fact that Englishmen see nothing singular in such -phenomena. - -East Anglia, including North Essex, is as English as any part of -England, and more English than most. Angles took possession of it very -early in history, and many of their descendants, full of the original -Anglian ideas, still powerfully exist in the counties. And probably no -place is more Anglian than Brightlingsea, the principal yachting center -on the east coast, and the home port of the _Velsa_. Theoretically -and officially, Harwich is the home port of the _Velsa_, but not in -practice: we are in England, and it would never do for the theory to -accord with the fact. Brightlingsea is not pronounced Brightlingsea, -except at railway stations, but Brigglesea or Bricklesea. There is some -excuse for this uncertainty, as Dr. - -Edward Percival Dickin, the historian of the town, has found 193 -different spellings of the name. - -Brightlingsea is proud of itself, because it was “a member of the Cinque -Ports.” Not _one_ of the Cinque Ports, of which characteristically there -were seven, but a member. A “member” was subordinate, and Brightlingsea -was subordinate to Sandwich, Heaven knows why. But it shared in the -responsibilities of the Cinque. It helped to provide fifty-seven ships -for the king’s service every year. In return it shared in the privilege -of carrying a canopy over the king at the coronation, and in a few -useful exemptions. After it had been a member of the Cinque for many -decades and perhaps even centuries, it began to doubt whether, after -all, it was a member, and demanded a charter in proof. This was in 1442. -The charter was granted, and it leads off with these words: “To all the -faithful in Christ, to whom these present letters shall come, the Mayors -and Bailiffs of the Cinque Ports, Greeting in the Lord Everlasting.” By -this time ships had already grown rather large. They carried four masts, -of which the aftermost went by the magnificent title of the “bonaventure -mizen”; in addition they had a mast with a square sail at the extremity -of the bow-sprit. They also carried an astrolabe, for the purposes of -navigation. - -Later, smuggling was an important industry at Brightlingsea, and to -suppress it laws were passed making it illegal to construct fast rowing- -or sailing-boats. In the same English, and human, way, it was suggested -at the beginning of the twentieth century that since fast motor-cars -kicked up dust on the roads, the construction of motor-cars capable of -traveling fast should be made illegal. There are no four-masted ships -now at Brightlingsea; no bowsprit carries a mast; no ship puts to sea -with an astrolabe; the “bonaventure mizen” is no more; smuggling is -unfashionable; fast craft are encouraged. - -Nevertheless, on a summer’s morning I have left the _Velsa_ in the -dinghy and rowed up the St. Osyih Creek out of Brightlingsea, and in ten -minutes have been lost all alone between slimy mud banks with a border -of pale grass at the top, and the gray English sky overhead, and the -whole visible world was exactly as it must have been when the original -Angles first rowed up that creek. At low water the entire Christian era -is reduced to nothing, in many a creek of the Colne, the Black water, -and the Stour; England is not inhabited; naught has been done; the -pristine reigns as perfectly as in the African jungle. And the charm of -the scene is indescribable. But to appreciate it one must know what -to look for. I was telling an Essex friend of mine about the dreadful -flatness of Schleswig-Holstein. He protested. “But aren’t you educated -up to flats?” he asked. I said I was. He persisted. “But are you -educated up to mud, the lovely colors on a mud-flat?” He was a true -connoisseur of Essex. The man who is incapable of being ravished by -a thin, shallow tidal stream running between two wide, shimmering mud -banks that curve through a strictly horizontal marsh, without a tree, -without a shrub, without a bird, save an eccentric sea-gull, ought not -to go yachting in Essex estuaries. - -[Illustration: 0278] - -Brightlingsea is one of the great centers of oyster-fishing, and it -catches more sprats than any other port in the island, namely, about -fifteen hundred tons of them per annum. But its most spectacular -industry has to do with yachting, It began to be a yachting resort -only yesterday; that is to say, a mere seventy-five years ago. It -has, however, steadily progressed, until now, despite every natural -disadvantage and every negligence, it can count a hundred and twenty -yachts and some eight hundred men employed therewith. A yacht cannot -get into Brightlingsea at all from the high sea without feeling her -way among sand-banks,--in old days before bell-buoys and gas-buoys, the -inhabitants made a profitable specialty of salving wrecks,--and when a -yacht has successfully come down Brightlingsea Reach, which is really -the estuary of the River Colne, and has arrived at the mouth of -Brightlingsea Creek, her difficulties will multiply. - -In the first place, she will always discover that the mouth of the creek -is obstructed by barges at anchor. She may easily run aground at the -mouth, and when she is in the creek, she may, and probably will, mistake -the channel, and pile herself up on a bank known as the Cinders, or the -Cindery. Farther in, she may fail to understand that at one spot there -is no sufficiency of water except at about a yard and a half from -the shore, which has the appearance of being flat. Escaping all these -perils, she will almost certainly run into something, or something -will run into her, or she may entangle herself in the oyster preserves. -Yachts, barges, smacks, and floating objects without a name are anchored -anywhere and anyhow. There is no order, and no rule, except that a smack -always deems a yacht to be a lawful target. The yacht drops her anchor -somewhere, and asks for the harbormaster. No harbor-master exists or -ever has existed or ever will. Historical tradition--sacred! All craft -do as they like, and the craft with the thinnest sides must look to its -sides. - -Also, the creek has no charm whatever of landscape or seascape. You can -see nothing from it except the little red streets of Brightlingsea -and the yacht-yards. Nevertheless, by virtue of some secret which is -uncomprehended beyond England, it prospers as a center of yachting. -Yachts go to it and live in it not by accident or compulsion, but from -choice. Yachts seem to like it. Of course it is a wonderful place, -because any place where a hundred and twenty yachts foregather must be -a wonderful place. The interest of its creek is inexhaustible, once you -can reconcile yourself to its primitive Anglianism, which, after all, -really harmonizes rather well with the mud-flats of the county. - -An advantage of Brightlingsea is that when the weather eastward is -dangerously formidable, you can turn your back on the North Sea and go -for an exciting cruise up the Colne. A cruise up the Colne is always -exciting because you never know when you may be able to return. Even the -_Velsa_, which can float on puddles, has gone aground in the middle -of the fair and wide Colne. A few miles up are the twin villages -of Wivenhoe and Rowhedge, facing each other across the river, both -inordinately picturesque, and both given up to the industry of yachting. -At Wivenhoe large yachts and even ships are built, and in winter there -is always a choice selection of world-famous yachts on the mud, costly -and huge gewgaws, with their brass stripped off them, painfully forlorn, -stranded in a purgatory between the paradise of last summer and the -paradise of the summer to come. - -If you are adventurous, you keep on winding along the curved reaches, -and as soon as the last yacht is out of sight, you are thrown hack once -more into the pre-Norman era, and there is nothing but a thin, shallow -stream, two wide mud hanks, and a border of grass at the top of them. -This is your world, which you share with a sea-gull or a crow for -several miles; and then suddenly you arrive at a concourse of great -barges against a quay, and you wonder by w hat magic they got there, and -above the quay rise the towers and steeples of a city that was already -ancient when William the Conqueror came to England in the interests of -civilization to take up the white man’s burden,--Colchester, where more -oysters are eaten on a certain night of the year at a single feast than -at any other feast on earth. Such is the boast. - -But such contrasts as the foregoing do not compare in violence with the -contrasts offered by the River Stour, a few miles farther north on -the map of England. Harwich is on the Stour, at its mouth, where, in -confluence with the River Orwell (which truly _is_ in East Anglia) it -forms a goodish small harbor. And Harwich, though a tiny town, is a -fairly important naval port, and also “a gate of the empire,” where -steamers go forth for Belgium, Holland, Denmark, Germany, and Sweden. We -came into Harwich Harbor on the tide one magnificent Sunday afternoon, -with the sea a bright green and the sky a dangerous purple, and the -entrance to the Stour was guarded by two huge battle-ships, the _Blake_ -and the _Blenheim_, each apparently larger than the whole of the town of -Harwich. Up the Stour, in addition to all the Continental steamers, was -moored a fleet of forty or fifty men-of-war, of all sorts and sizes, in -a quadruple line. It was necessary for the _Velsa_ to review this fleet -of astoundingly ugly and smart black monsters, and she did so, to the -high satisfaction of the fleet, which in the exasperating tedium of -Sunday afternoon was thirsting for a distraction, even the mildest. -On every sinister ship--the _Basilisk_, the _Harpy_, etc., apposite -names!--the young bluejackets (they seemed nearly all to be youths) were -trying bravely to amuse themselves. The sound of the jews’-harp and of -the concertina was heard, and melancholy songs of love. Little circles -of men squatted here and there on the machinery-encumbered decks playing -at some game. A few students were reading; some athletes were sparring; -many others skylarking. None was too busy to stare at our strange lines. -Launches and longboats were flitting about full of young men, going -on leave to the ecstatic shore joys of Harwich or sadly returning -therefrom. Every sound and noise was clearly distinguishable in the -stillness of the hot afternoon. And the impression given by the fleet -as a whole was that of a vast masculine town, for not a woman could be -descried anywhere. It was striking and mournful. When we had got to the -end of the fleet I had a wild idea: - -“Let us go up the Stour.” - -At half-flood it looked a noble stream at least half a mile wide, and -pointing west in an almost perfect straight line. Nobody on board ever -had been up the Stour or knew anybody who had. The skipper said it was a -ticklish stream, but he was always ready for an escapade. We proceeded. -Not a keel of any kind was ahead. And in a moment, as it seemed, we had -quitted civilization and the latest machinery and mankind, and were -back in the Anglian period. River marshes, and distant wooded hills, -that was all; not even a tilled field in sight! The river showed small -headlands, and bights of primeval mud. Some indifferent buoys indicated -that a channel existed, but whether they were starboard or port buoys -nobody could tell. We guessed, and took no harm. But soon there were no -buoys, and we slowed down the engine in apprehension, for on the wide, -deceptive waste of smooth water were signs of shallows. We dared not put -about, we dared not go ahead. Astern, on the horizon, was the distant -fleet, in another world. A head, on the horizon, was a hint of -the forgotten town of Mistley. Then suddenly a rowboat approached -mysteriously out of one of those bights, and it was maimed by two men -with the air of conspirators. - -“D’ ye want a pilot?” - -We hardened ourselves. - -“No.” - -They rowed round us, critically staring, and receded. - -“Why in thunder is n’t this river buoyed?” I demanded of the skipper. - -The skipper answered that the intention obviously was to avoid taking -the bread out of the mouths of local pilots. He put on speed. No -catastrophe. The town of Mistley approached us. Then we had to pause -again, reversing the propeller. We were in a network of shallows. Far -to port could be seen a small red buoy; it was almost on the bank. -Impossible that it could indicate the true channel. We went straight -ahead and chanced it. The next instant we were hard on the mud in -midstream, and the propeller was making a terrific pother astern. We -could only wait for the tide to float us off. The rowboat appeared -again. - -‘D’ ye want a pilot?” - -“No.” - -And it disappeared. - -When we floated, the skipper said to me in a peculiar challenging tone: - -“Shall we go on, sir, or shall we return?” - -“We ‘ll go on,” I said. I could say no less. - -[Illustration: 0288] - -We bore away inshore to the red buoy, and, sure enough, the true channel -was there, right under the south bank. And we came safely to the town of -Mistley, which had never in its existence seen even a torpedo-boat and -seldom indeed a yacht, certainly never a _Velsa_. And yet the smoke of -the harbor of Harwich was plainly visible from its antique quay. -The town of Mistley rose from its secular slumber to enjoy a unique -sensation that afternoon. - -“Shall we go on to Manningtree, sir?” said the skipper, adding with a -grin, “There’s only about half an hour left of the flood, and if we get -aground again----” - -It was another challenge. - -“Yes,” I said. - -Manningtree is a town even more recondite than Mistley, and it marks the -very end of the navigable waters of the Stour. It lay hidden round the -next corner. We thought we could detect the channel, curving out again -now into midstream. We followed the lure, opened out Manningtree the -desired--and went on the mud with a most perceptible bump. Out, quick, -with the dinghy! Cover her stern-sheets with a protecting cloth, and -lower an anchor therein and about fifty fathoms of chain, and row away! -We manned the windlass, and dragged the _Velsa_ off the mud. - -“Shall we go on, sir?” - -“No,” I said, not a hero. “We ‘ll give up Manningtree this trip.” - Obstinacy in adventure might have meant twelve hours in the mud. The -crew breathed relief. We returned, with great care, to civilization. -We knew now why the Stour is a desolate stream. Thus to this day I have -never reached Manningtree except in an automobile. - -And there are still stranger waters than the Stour; for example, Hamford -Water, where explosives are manufactured on lonely marshes, where -immemorial wharves decay, and wild ducks and owls intermingle, and -public-houses with no public linger on from century to century, and -where the saltings are greener than anywhere else on the coast, and the -east wind more east, and the mud more vivid. And the _Velsa_ has been -there, too. - - - - -CHAPTER XVIII--IN SUFFOLK - -THE Orwell is reputed to have the finest estuary in East Anglia. It -is a broad stream, and immediately Shotley Barracks and the engines -of destruction have been left behind, it begins to be humane and -reassuring. Thanks to the surprising modernity of the town of Ipswich, -which has discovered that there are interests more important than those -of local pilots, it is thoroughly well buoyed, so that the stranger and -the amateur cannot fail to keep in the channel. It insinuates itself -into Suffolk in soft and civilized curves, and displays no wildness -of any kind and, except at one point, very little mud. When you are -navigating the Orwell, you know positively that you are in England. -On each side of you modest but gracefully wooded hills slope down with -caution to the bank, and you have glimpses of magnificent mansions set -in the midst of vast, undulating parks, crisscrossed with perfectly -graveled paths that gleam in the sunshine. Everything here is private -and sacred, and at the gates of the park lodge-keepers guard not only -the paradisiacal acres, but the original ideas that brought the estate -into existence. - -Feudalism, benevolent and obstinate, flourishes with calm confidence in -itself; and even on your yacht’s deck you can feel it, and you are awed. -For feudalism has been, and still is, a marvelous cohesive force. And -it is a solemn thought that within a mile of you may be a hushed -drawingroom at whose doors the notion of democracy has been knocking -quite in vain for a hundred years. Presently you will hear the sweet and -solemn chimes of a tower-clock, sound which seems to spread peace and -somnolence over half a county. And as you listen, you cannot but be -convinced that the feudal world is august and beautiful, and that it -cannot be improved, and that to overthrow it would be a vandalism. That -is the estuary of the Orwell and its influence. Your pleasure in it will -be unalloyed unless you are so ill-advised as to pull off in the dinghy, -and try to land in one of the lovely demesnes. - -About half-way up the estuary, just after passing several big -three-masters moored in midstream and unloading into lighters, you come -to Pinmill, renowned among yachtsmen and among painters. Its haven is -formed out of the angle of a bend in the river, and the narrowness of -the channel at this point brings all the traffic spectacularly close to -the yachts at anchor. Here are all manner of yachts, and you are fairly -certain to see a friend, and pay or receive a visit of state. And also -very probably, if you are on board the Velsa some painter on another -yacht will feel bound to put your strange craft into a sketch. And the -skipper, who has little partiality for these river scenes, will take the -opportunity to go somewhere else on a bicycle. You, too, must go -ashore, because Pinmill is an exhibition-village, entirely picturesque, -paintable, and English. It is liable to send the foreigner into -raptures, and Americans have been known to assert that they could exist -there in happiness forever and ever. - -I believe that some person or persons in authority offer prizes to the -peasantry for the prettiest cottage gardens in Pinmill. It is well; but -I should like to see in every picturesque and paint-able English village -a placard stating the number of happy peasants who sleep more than three -in a room, and the number of adult able-bodied males who earn less than -threepence an hour. All aspects of the admirable feudal system ought to -be made equally apparent. The chimes of the castle-clock speak loud, -and need no advertisement; cottage gardens also insist on the traveler’s -attention, but certain other phenomena are apt to escape it. - -[Illustration: 0297] - -The charm of Pinmill is such that you usually decide to remain there -over night. In one respect this is a mistake, for the company of yachts -is such that your early morning Swedish exercises on deck attract an -audience, which produces self-consciousness in the exerciser. - -Ipswich closes the estuary of the Orwell, and Ipswich is a genuine town -that combines industrialism with the historic sense. No American -can afford not to visit it, because its chief hotel has a notorious -connection with Mr. Pickwick, and was reproduced entire a lifelike-size at -a world’s fair in the United States. Aware of this important fact, -the second-hand furniture and curio-dealers of the town have adopted -suitable measures. When they have finished collecting, Americans should -go to the docks--as interesting as anything in Ipswich--and see the -old custom-house, with its arch, and the gloriously romantic French -and Scandinavian three-masters that usually lie for long weeks in the -principal basin. Times change. Less than eighty years ago the docks of -Ipswich were larger than those of London. And there are men alive and -fighting in Ipswich to-day who are determined that as a port Ipswich -shall resume something of her ancient position in the world. - -Just around the corner from the Orwell estuary, northward, is the -estuary of the River Deben. One evening, feeling the need of a little -ocean air after the close feudalism of the Orwell, we ran down there -from to the North Sea, and finding ourselves off Woodbridgehaven, which -is at the mouth of the Deben, with a flood-tide under us, we determined -to risk the entrance. According to all printed advice, the entrance -ought not to be risked without local aid. There is a bank at the mouth, -with a patch that dries at low water, and within there is another bank. -The shoals shift pretty frequently, and, worst of all, the tide runs -at the rate of six knots and more. Still, the weather was calm, and the -flood only two hours old. We followed the sailing directions, and got in -without trouble just as night fell. The rip of the tide was very marked, -and the coast-guard who boarded us with a coast-guard’s usual curiosity -looked at us as though we were either heroes or rash fools, probably the -latter. - -We dropped anchor for the night, and the next morning explored the -estuary, with the tide rising. We soon decided that the perils of this -famous river had been exaggerated. There were plenty of beacons,--which, -by the way, are continually being shifted as the shoals shift,--and -moreover the channel defined itself quite simply, for the reason -that the rest of the winding river-bed was dry. We arrived proudly at -Woodbridge, drawing all the maritime part of the town to look at us, and -we ourselves looked at Woodbridge in a fitting manner, for it is sacred -to the memory not of Omar Khayyam, but to much the same person, Edward -Fitzgerald, who well knew the idiosyncrasies of the Deben. Then it was -necessary for us to return, as only for about two hours at each tide is -there sufficient water for a yacht to lie at Woodbridge. - -The exit from the Deben was a different affair from the incoming. -Instead of a clearly defined channel, we saw before us a wide sea. The -beacons or perches were still poking up their heads, of course, but they -were of no use, since they had nothing to indicate whether they were -starboard or port beacons. It is such details that harmonize well with -the Old-World air of English estuaries--with the swans, for instance, -those eighteenth-century birds that abound on the Deben. We had to -take our choice of port or starboard. Heaven guided us. We reached the -entrance. The tide was at half-ebb and running like a race; the weather -was unreliable. It was folly to proceed. We proceeded. We had got in -alone; we would get out alone. We shot past the coast-guard, who bawled -after us. We put the two beacons in a line astern, obedient to the -sailing directions; but we could not keep them in a line. The tide -swirled us away, making naught of the engine. We gave a tremendous -bump. Yes, we were assuredly on the bank for at least ten hours, if not -forever; if it came on to blow, we might well be wrecked. But no. The -ancient _Velsa_ seemed to rebound elastically off the traitorous sand, -and we were afloat again, In two minutes more we were safe. What the -coastguard said is not known to this day. We felt secretly ashamed of -our foolishness, but we were sustained by the satisfaction of having -deprived more local pilots of their fees. - -Still, we were a sobered crew, and at the next river-mouth -northward--Orford Haven--we yielded to a base common sense, and signaled -for a pilot. The river Ore is more dangerous to enter, and far more -peculiar even than the Deben. The desolate spot, where it runs into the -sea is well called Shinglestreet, for it is a wilderness of shingles. -The tide runs very fast indeed; the bar shifts after every gale, and not -more than four feet of water is guaranteed on it. Last and worst, the -bottom is hard. It was probably the hardness of the bottom that finally -induced us to stoop to a pilot. To run aground on sand is bad, but to -run aground on anything of a rocky nature may be fatal. Our signal was -simply ignored. Not the slightest symptom anywhere of a pilot. We -were creeping in, and we continued to creep in. The skipper sent the -deck-hand forward with the pole. He called out seven feet, eight feet, -seven feet; but these were Dutch feet, of eleven inches each, because -the pole is a Dutch pole. The water was ominous, full of curling crests -and unpleasant hollows, as the wind fought the current. The deckhand -called out seven, six, five and a half. We could almost feel the ship -bump... and then we were over the bar. Needless to say that a pilot -immediately hove in sight. We waved him off, though he was an old man -with a grievance. - -We approached the narrows. We had conquered the worst difficulties by -the sole help of the skipper’s instinct for a channel, for the beacons -were incomprehensible to us; and we imagined that we could get through -the narrows into the river proper. But we were mistaken. We had a fair -wind, and we set all sails, and the engine was working well; but there -was more than a six-knot tide rushing out through those narrows, and -we could not get through. We hung in them for about half an hour. Then, -imitating the example of a fisherman who had followed us, we just ran -her nose into the shingle, with the sails still set, and jumped ashore -with a rope. The opportunity to paint a water-color of the _Velsa_ -under full sail was not to be lost. Also we bought fish and we borrowed -knowledge from the fisherman. He informed us that we had not entered by -the channel at all; that we were never anywhere near it. He said that -the channel had four feet at that hour. Thus we learned that local -wisdom is not always omniscience. - -After a delay of two hours, we went up the Ore on the slack. The Ore is -a very dull river, but it has the pleasing singularity of refusing to -quit the ocean. For mile after mile it runs exactly parallel with the -North Sea, separated from it only by a narrow strip of shingle. Under -another name it all but rejoins the ocean at Aldeburgh where at length -it curves inland. On its banks is Orford, a town more dead than any -dead city of the Zuyder Zee, and quite as picturesque and as full of -character. The deadness of Orford may be estimated from the fact that -it can support a kinematograph only three nights a week. It has electric -light, but no railway, and the chief attractions are the lofty castle, -a fine church, an antique quay, and a large supply of splendid lobsters. -It knows not the tourist, and has the air of a natural self-preserving -museum. - -[Illustration: 0308] - - - - -CHAPTER XIX--THE INCOMPARABLE BLACKWATER - -TIME was when I agreed with the popular, and the guide-book, verdict -that the Orwell is the finest estuary in these parts; but now that I -know it better, I unhesitatingly give the palm to the Blackwater. It is -a nobler stream, a true arm of the sea; its moods are more various, its -banks wilder, and its atmospheric effects much grander. The defect of -it is that it does not gracefully curve. The season for cruising on the -Blackwater is September, when the village regattas take place, and the -sunrises over leagues of marsh are made wonderful by strange mists. - -Last September the _Velsa_ came early into Mersea Quarters for Mersea -Regatta. The Quarters is the name given to the lake-like creek that is -sheltered between the mainland and Mersea Island--which is an island only -during certain hours of the day. Crowds of small yachts have their home -in the Quarters, and the regatta is democratic, a concourse or medley -of craft ranging from sailing dinghies up through five-tonners to -fishing-smacks, trading-barges converted into barge-yachts, real -barge-yachts like ourselves, and an elegant schooner of a hundred tons -or so, fully “dressed,” and carrying ladies in bright-colored jerseys, -to preside over all. The principal events occur in the estuary, but -the intimate and amusing events, together with all the river gossip and -scandal, are reserved for the seclusion of the Quarters, where a long -lane of boats watch the silver-gray, gleaming sky, and wait for the tide -to cover the illimitable mud, and listen to the excessively primitive -band which has stationed itself on a barge in the middle of the lane. - -We managed to get on the mud, but we did that on purpose, to save the -trouble of anchoring. Many yachts and even smacks do it not on purpose, -and at the wrong state of the tide, too. A genuine yachtsman paid us a -visit--one of those men who live solely for yachting, who sail their -own yachts in all weathers, and whose foible is to dress like a sailor -before the mast or like a longshore loafer--and told us a tale of an -amateur who had bought a yacht that had Inhabited Mersea Quarters all -her life. When the amateur returned from his first cruise in her, -he lost his nerve at the entrance to the Quarters, and yelled to a -fisherman at anchor in a dinghy, “Which is the channel?” The fisherman, -seeing a yacht whose lines had been familiar to him for twenty years, -imagined that he was being made fun of. He drawled out, “_You_ know.” In -response to appeals more and more excited he continued to drawl out, -“_You_ know.” At length the truth was conveyed to him, whereupon he -drawlingly advised: “Let the old wench alone. Let her alone. _She_ ’ll -find her way in all right.” Regattas like the Mersea are full of tidal -stories, because the time has to be passed somehow while the water -rises. There was a tale of a smuggler on the mud-flats, pursued in the -dead of night by a coast-guardsman. Suddenly the flying smuggler turned -round to face the coast-guardsman. “Look here,” said he to the -coast-guardsman with warning persuasiveness, “you’d better not come any -further. _You do see such ‘wonderful queer things in the newspapers -nowadays_.” The coast-guardsman, rapidly reflecting upon the truth of -this dark st-guardsman with warning persuasiveness, “you’d better not -come any further. _You do see such ‘wonderful queer things in the -newspapers nowadays_.” The coast-guardsman, rapidly reflecting upon the -truth of this dark saying, accepted the advice, and went home. - -The mud-flats have now disappeared, guns begin to go off, and presently -the regatta is in full activity. The estuary is dotted far and wide with -white, and the din of orchestra and cheering and chatter within the -lane of boats in the Quarters is terrific. In these affairs, at a given -moment in the afternoon, a pause ensues, when the minor low-comedy -events are finished, and before the yachts and smacks competing in -the long races have come back. During this pause we escaped out of the -Quarters, and proceeded up the river, past Brad-well Creek, where Thames -barges lie, and past Tollesbury, with its long pier, while the high tide -was still slack. We could not reach Maldon, which is the Mecca of the -Blackwater, and we anchored a few miles below that municipal survival, -in the wildest part of the river, and watched the sun disappear over -vast, flat expanses of water as smooth as oil, with low banks whose -distances were enormously enhanced by the customary optical delusions of -English weather. Close to us was Osea Island, where an establishment for -the reformation of drunkards adds to the weird scene an artistic touch -of the sinister. From the private jetty of Osea Island two drunkards in -process of being reformed gazed at us steadily in the deepening gloom. -Then an attendant came down the jetty and lighted its solitary red eye, -which joined its stare to that of the inebriates. - -[Illustration: 0313] - -Of all the estuary towns, Maldon, at the head of the Blackwater, is the -pearl. Its situation on a hill, with a tine tidal lake in front of it, -is superb, and the strange thing in its history is that it should not -have been honored by the brush of Turner. A thoroughly bad railway -service has left Maldon in the eighteenth century for the delight of -yachtsmen who are content to see a town decay if only the spectacle -affords esthetic pleasure. - -There is a lock in the river just below Maldon, leading to the -Chelmsford Canal. We used this lock, and found a lock-keeper and -lock-house steeped in tradition and the spirit of history. Beyond -the lock was a basin in which were hidden two beautiful Scandinavian -schooners discharging timber and all the romance of the North. The -prospect was so alluring that we decided to voyage on the canal, at any -rate as far as the next lock, and we asked the lock-keeper how far off -the next lock was. He said curtly: - -“Ye can’t go up to the next lock.” - -“Why not?” - -“Because there’s only two feet of water in this canal. There never was -any more.” - -We animadverted upon the absurdity of a commercial canal, leading to a -county town, having a depth of only two feet. - -He sharply defended his canal. - -“Well,” he ended caustically, “it’s been going on now for a hundred or -a hundred and twenty year like that, and I think it may last another day -or two.” - -We had forgotten that we were within the influences of Maldon, and we -apologized.. - -Later--it was a Sunday of glorious weather--we rowed in the dinghy -through the tidal lake into the town. The leisured population of Maldon -was afoot in the meadows skirting the lake. A few boats were flitting -about. The sole organized amusement was public excursions in open -sailing-boats. There was a bathing-establishment, but the day being -Sunday and the weather hot and everybody anxious to bathe, the place -was naturally closed. There ought to have been an open-air concert, but -there was not. Upon this scene of a population endeavoring not to -be bored, the ancient borough of Maldon looked grandly down from its -church-topped hill. - -Amid the waterways of the town were spacious timber-yards; and -eighteenth-century wharves with wharfinger’s residence all complete, as -in the antique days, inhabited still, but rotting to pieces; plenty -of barges; and one steamer. We thought of Sneek, the restless and -indefatigable. I have not yet visited in the _Velsa_ any Continental -port that did not abound in motor-barges, but in all the East Anglian -estuaries together I have so far seen only one motor-barge, and that was -at Harwich. English bargemen no doubt find it more dignified to lie -in wait for a wind than to go puffing to and fro regardless of wind. -Assuredly a Thames barge--said to be the largest craft in the world -sailed by a man and a boy--in full course on the Blackwater is a -noble vision full of beauty, but it does not utter the final word of -enterprise in transport. - -The next morning at sunrise we dropped slowly down the river in company -with a fleet of fishing-smacks. The misty dawn was incomparable. The -distances seemed enormous. The faintest southeast breeze stirred the -atmosphere, but not the mirror of the water. All the tints of the pearl -were mingled in the dreaming landscape. No prospect anywhere that was -not flawlessly beautiful, enchanted with expectation of the day. The -unmeasured mud-flats steamed as primevally as they must have steamed two -thousand years ago, and herons stood sentry on them as they must have -stood then. Incredibly far away, a flash of pure glittering white, a -sea-gull! The whole picture was ideal. - -At seven o’clock we had reached Goldhanger Creek, beset with curving -water-weeds. And the creek appeared to lead into the very arcana of the -mist. We anchored, and I rowed to its mouth. A boat sailed in, scarcely -moving, scarcely rippling the water, and it was in charge of two old -white-haired fishermen. They greeted me. - -“Is this creek long?” I asked. A pause. They both gazed at the creek -with the beautiful name, into which they were sailing, as though they -had never seen it before. - -“Aye, it’s long.” - -“How long is it? Is it a mile?” - -“Aye, it’s a mile.” - -“Is there anything up there?” Another pause. The boat was drawing away -from me. - -“Aye, there’s oysters up there.” The boat and the men withdrew -imperceptibly into the silver haze. I returned to the yacht. Just below, -at Tollesbury pier, preparations were in progress for another village -regatta; and an ineffable melancholy seemed to distil out of the extreme -beauty of the estuary, for this was the last regatta, and this our last -cruise, of the season. - -[Illustration: 0320] - - -THE END - - - - - - - -End of Project Gutenberg's From The Log of The "Velsa", by Arnold Bennett - -*** END OF THIS PROJECT GUTENBERG EBOOK FROM THE LOG OF THE "VELSA" *** - -***** This file should be named 55113-0.txt or 55113-0.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/5/1/1/55113/ - -Produced by David Widger from page images generously -provided by the Internet Archive - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - - - -Title: From The Log of The "Velsa" - -Author: Arnold Bennett - -Illustrator: E. A. Rickards - Arnold Bennett - -Release Date: July 15, 2017 [EBook #55113] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK FROM THE LOG OF THE "VELSA" *** - - - - -Produced by David Widger from page images generously -provided by the Internet Archive - - - - - - -</pre> - - <div style="height: 8em;"> - <br /><br /><br /><br /><br /><br /><br /><br /> - </div> - <h1> - FROM THE LOG OF THE VELSA - </h1> - <h2> - By Arnold Bennett - </h2> - <h3> - Pictures By E. A. Rickards - </h3> - <h3> - And A Frontispiece By The Author - </h3> - <h4> - New York: The Century Co. - </h4> - <h3> - 1914 - </h3> - <p> - <br /><br /><a name="linkimage-0001" id="linkimage-0001"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0001.jpg" alt="0001 " width="100%" /><br /> - </div> - <h5> - <a href="images/0001.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /><a name="linkimage-0002" id="linkimage-0002"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0008.jpg" alt="0008 " width="100%" /><br /> - </div> - <h5> - <a href="images/0008.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /><a name="linkimage-0003" id="linkimage-0003"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0009.jpg" alt="0009 " width="100%" /><br /> - </div> - <h5> - <a href="images/0009.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <br /><br /> - </p> - <p> - <b>CONTENTS</b> - </p> - <p class="toc"> - <a href="#link2H_4_0001"> <b>FROM THE LOG OF THE VELSA</b> </a> - </p> - <p class="toc"> - <a href="#link2H_PART"> <b>PART I HOLLAND</b> </a> - </p> - <p class="toc"> - <a href="#link2HCH0001"> CHAPTER I—VOYAGING ON THE CANALS </a> - </p> - <p class="toc"> - <a href="#link2HCH0002"> CHAPTER II—DUTCH LEISURE </a> - </p> - <p class="toc"> - <a href="#link2HCH0003"> CHAPTER III—DUTCH WORK </a> - </p> - <p class="toc"> - <a href="#link2HCH0004"> CHAPTER IV—THE ZUYDER ZEE </a> - </p> - <p class="toc"> - <a href="#link2HCH0005"> CHAPTER V—SOME TOWNS </a> - </p> - <p class="toc"> - <a href="#link2HCH0006"> CHAPTER VI—MUSEUMS </a> - </p> - <p> - <br /> - </p> - <p class="toc"> - <a href="#link2H_PART2"> <b>PART II—THE BALTIC</b> </a> - </p> - <p class="toc"> - <a href="#link2HCH0007"> CHAPTER VII—THE YACHT I LOST </a> - </p> - <p class="toc"> - <a href="#link2HCH0008"> CHAPTER VIII—BALTIC COMMUNITIES </a> - </p> - <p class="toc"> - <a href="#link2HCH0009"> CHAPTER IX—A day’s SAIL </a> - </p> - <p> - <br /> - </p> - <p class="toc"> - <a href="#link2H_PART3"> <b>PART III COPENHAGEN</b> </a> - </p> - <p class="toc"> - <a href="#link2HCH0010"> CHAPTER X—THE DANISH CAPITAL </a> - </p> - <p class="toc"> - <a href="#link2HCH0011"> CHAPTER XI—CAFÉS AND RESTAURANTS </a> - </p> - <p class="toc"> - <a href="#link2HCH0012"> CHAPTER XII—ARISTOCRACY AND ART </a> - </p> - <p class="toc"> - <a href="#link2HCH0013"> CHAPTER XIII—THE RETURN </a> - </p> - <p> - <br /> - </p> - <p class="toc"> - <a href="#link2H_PART4"> <b>PART IV—ON THE FRENCH AND FLEMISH COAST</b> - </a> - </p> - <p class="toc"> - <a href="#link2HCH0014"> CHAPTER XIV—FOLKESTONE TO BOULOGNE </a> - </p> - <p class="toc"> - <a href="#link2HCH0015"> CHAPTER XV—TO BELGIUM </a> - </p> - <p class="toc"> - <a href="#link2HCH0016"> CHAPTER XVI—BRUGES </a> - </p> - <p> - <br /> - </p> - <p class="toc"> - <a href="#link2H_PART5"> <b>PART V—EAST ANGLIAN ESTUARIES</b> </a> - </p> - <p class="toc"> - <a href="#link2HCH0017"> CHAPTER XVII EAST ANGLIA </a> - </p> - <p class="toc"> - <a href="#link2HCH0018"> CHAPTER XVIII—IN SUFFOLK </a> - </p> - <p class="toc"> - <a href="#link2HCH0019"> CHAPTER XIX—THE INCOMPARABLE BLACKWATER - </a> - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_4_0001" id="link2H_4_0001"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h1> - FROM THE LOG OF THE VELSA - </h1> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_PART" id="link2H_PART"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - PART I HOLLAND - </h2> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0001" id="link2HCH0001"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER I—VOYAGING ON THE CANALS - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">T</span>HE skipper, who, - in addition to being a yachtsman, is a Dutchman, smiled with calm - assurance as we approached the Dutch frontier in the August evening over - the populous water of the canal which leads from Ghent to Terneuzen. He - could not abide Belgium, possibly because it is rather like Holland in - some ways. In his opinion the bureaucrats of Belgium did not understand - yachts and the respect due to them, whereas the bureaucrats of Holland - did. Holland was pictured for me as a paradise where a yacht with a - seventy-foot mast never had to wait a single moment for a bridge to be - swung open. When I inquired about custom-house formalities, I learned that - a Dutch custom-house did not exist for a craft flying the sacred blue - ensign of the British Naval Reserve. And it was so. Merely depositing a - ticket and a tip into the long-handled butterfly-net dangled over our deck - by the bridge-man as we passed, we sailed straight into Holland, and no - word said! But we knew immediately that we were in another country—a - country cleaner and neater and more garnished even than Belgium. The - Terneuzen Canal, with its brickwork banks and its villages “finished” to - the last tile, reminded me of the extravagant, oily perfection of the main - tracks of those dandiacal railroads, the North Western in England and the - Pennsylvania in America. The stiff sailing breeze was at length favorable. - We set the mainsail unexceptionably; and at once, with the falling dusk, - the wind fell, and the rain too. We had to depend again on our erratic - motor, with all Holland gazing at us. Suddenly the whole canal was lit up - on both sides by electricity. We responded with our lights. The - exceedingly heavy rain drove me into the saloon to read Dostoyevsky. - </p> - <p> - <br /><br /><a name="linkimage-0004" id="linkimage-0004"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0019.jpg" alt="0019 " width="100%" /><br /> - </div> - <h5> - <a href="images/0019.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - At eight P. M. I was dug up out of the depths of Dostoyevsky in order to - see my first Dutch harbor. Rain poured through the black night. There was - a plashing of invisible wavelets below, utter darkness above, and a few - forlorn lights winking at vast distances. I was informed that we were - moored in the yacht-basin of Terneuzen. I remained calm. Had we been - moored in the yacht-basin of Kamchatka, the smell of dinner would still - have been issuing from the forecastle-hatch, the open page of Dostoyevsky - would still have invited me through the saloon skylight, and the amiable - ray of the saloon lamp would still have glinted on the piano and on the - binnacle with impartial affection. Herein lies an advantage of yachting - over motoring. I redescended without a regret, without an apprehension. - Already the cook was displacing Dostoyevsky in favor of a white - table-cloth and cutlery. - </p> - <p> - The next morning we were at large on the billow’s of the West Schelde, a - majestic and enraged stream, of which Flushing is the guardian and Antwerp - the mistress. The rain had in no wise lost heart. With a contrary wind and - a choppy sea, the yacht had a chance to show her qualities and defects. - She has both. Built to the order of a Dutch baron rather less than twenty - years ago, she is flat-bottomed, with lee-boards, and follows closely the - lines of certain very picturesque Dutch fishing-smacks. She has a length - of just over fifty-five feet and a beam of just over fifteen feet. Her - tonnage is fifty-one, except when dues have to be paid, on which serious - occasions it mysteriously shrinks to twenty-one net. Yachtsmen are always - thus modest. Her rig is, roughly, that of a cutter, with a deliciously - curved gaff that is the secret envy of all real cutters. - </p> - <p> - Her supreme advantage, from my point of view, is that she has well over - six feet of head-room in the saloon and in the sleeping-cabins. And, next, - that the owner’s bed is precisely similar to the celestial bed which he - enjoyed on a certain unsurpassed American liner. Further, she carries a - piano and an encyclopedia, two necessaries of life. I may say that I have - never known another yacht that carried an encyclopedia in more than a - score of volumes. Again, she is eternal. She has timbers that recall those - of the <i>Constitution</i>. There are Dutch eel-boats on the Thames which - look almost exactly like her at a distance, and which were launched before - Victoria came to the throne. She has a cockpit in which Hardy might have - kissed Nelson. She sails admirably with a moderate wind on the quarter. - More important still, by far, she draws only three feet eight inches, and - hence can often defy charts, and slide over sands where deep-draft boats - would rightly fear to tread; she has even been known to sail through - fields. - </p> - <p> - Possibly for some folk her chief attribute would be that, once seen, she - cannot be forgotten. She is a lovely object, and not less unusual than - lovely. She is smart also, but nothing more dissimilar to the average - smart, conventional English or American yacht can well be conceived. She - is a magnet for the curious. When she goes under a railway bridge while a - train is going over it, the engine-driver, of no matter what nationality, - will invariably risk the lives of all his passengers in order to stare at - her until she is out of sight. This I have noticed again and again. The - finest compliment her appearance ever received was paid by a schoolboy, - who, after staring at her for about a quarter of an hour as she lay at a - wharf at Kingston-on-Thames, sidled timidly up to me as I leaned in my - best maritime style over the quarter, and asked, “Please, sir, is this a - training brig?” Romance gleamed in that boy’s eye. - </p> - <p> - As for her defects, I see no reason why I should catalogue them at equal - length. But I admit that, to pay for her headroom, she has no - promenade-deck for the owner and his friends to “pace,” unless they are - prepared to exercise themselves on the roof of the saloon. Also that, - owing to her shallowness, she will ignobly blow off when put up to the - wind. Indeed, the skipper himself, who has proved that she will live in - any sea, describes her progress under certain conditions as “one mile - ahead and two miles to leeward”; but he would be hurt if he were taken - seriously. Her worst fault is due to her long, overhanging prow, which - pounds into a head sea with a ruthlessness that would shake the funnels - off a torpedo-boat. You must not press her. Leave her to do her best, and - she will do it splendidly; but try to bully her, and she will bury her - nose and defy you. - </p> - <p> - That morning on the wide, broad Schelde, with driving rain, and an - ever-freshening northwester worrying her bows, she was not pressed, and - she did not sink; but her fierce gaiety was such as to keep us all alive. - She threshed the sea. The weather multiplied, until the half-inch wire - rope that is the nerve between the wheel and the rudder snapped, and we - were at the mercy, etc. While the skipper, with marvelous resource and - rapidity, was improvising a new gear, it was discovered amid general - horror, that the piano had escaped from its captivity, and was lying - across the saloon table. Such an incident counts in the life of an amateur - musician. Still, under two hours later, I was playing the same piano again - in the tranquillity of Flushing lock. - </p> - <p> - <br /><br /><a name="linkimage-0005" id="linkimage-0005"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0026.jpg" alt="0026 " width="100%" /><br /> - </div> - <h5> - <a href="images/0026.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - It was at Middelburg that the leak proved its existence. Middelburg is an - architecturally delightful town even in heavy, persevering rain and a - northwest gale. It lies on the canal from Flushing to Veere, and its - belfry had been a beacon to us nearly all the way down the Schelde from - Temeuzen. Every English traveler stares at its renowned town-hall; and - indeed the whole place, having been till recently the haunt of more or - less honest English racing tipsters and book-makers, must be endeared to - the British sporting character. We went forth into the rain and into the - town, skirting canals covered with timber-rafts, suffering the lively - brutishness of Dutch infants, and gazing at the bare-armed young women - under their umbrellas. We also found a goodish restaurant. - </p> - <p> - When we returned at nine P. M., the deck-hand, a fatalistic philosopher, - was pumping. He made a sinister figure in the dark. And there was the - sound of the rain on our umbrellas, and the sound of the pumped water - pouring off our decks down into the unseen canal. I asked him why he was - pumping at that hour. He answered that the ship leaked. It did. The - forecastle floor was under an inch of water, and water was pushing up the - carpet of the starboard sleeping-cabin, and all the clean linen in the - linen-locker was drenched. In a miraculous and terrifying vision, which - changed the whole aspect of yachting as a recreation, I saw the yacht at - the bottom of the canal. I should not have had this vision had the skipper - been aboard; but the skipper was ashore, unfolding the beauties of Holland - to the cook. I knew the skipper would explain and cure the leak in an - instant. A remarkable man, Dutch only by the accident of birth and - parentage, active as a fox-terrier, indefatigable as a camel, adventurous - as Columbus, and as prudent as J. Pierpont Morgan, he had never failed me. - Half his life had been spent on that yacht, and the other half on the - paternal barge. He had never lived regularly in a house. Consequently he - was an expert of the very first order on the behavior of Dutch barges - under all conceivable conditions. While the ship deliberately sank and - sank, the pumping monotonously continued, and I waited in the saloon for - him to come back. Dostoyevsky had no hold on me whatever. The skipper - would not come back: he declined utterly to come back; he was lost in the - mazy vastness of Middelburg. - </p> - <p> - Then I heard his voice forward. He had arrived in silence. “I hear our - little ship has got a leak, sir,” he said when I joined the group of - professional mariners on the forward deck, in the thick rain that veiled - even gas-lamps. I was disappointed. The skipper was depressed, - sentimentally depressed, and he was quite at a loss. Was the leak caused - by the buffetings of the Schelde, by the caprices of the piano, by the - stress of working through crowded locks? He knew not. But he would swear - that the leak was not in the bottom, because the bottom was double. The - one thing to do was to go to Veere, and put the ship on a grid that he was - aware of in the creek there, and find the leak. And, further, there were a - lot of other matters needing immediate attention. The bob-stay was all to - pieces, both pumps were defective, and the horn for rousing lethargic - bridge-men would not have roused a rabbit. All which meant for him an - expedition to Flushing, that bustling port! - </p> - <p> - The ship was pumped dry. But the linen was not dry. I wanted to spread it - out in the saloon; but the skipper would not permit such an outrage on the - sanctity of the saloon, he would not even let the linen rest in the saloon - lavatory (sometimes called the bath-room). It must be hidden like a shame - in the forecastle. So the crew retired for the night to the sodden, small - forecastle amid soaked linen, while I reposed in dry and comfortable - spaciousness, but worried by those sociological considerations which are - the mosquitos of a luxurious age—and which ought to be. None but a - tyrant convinced of the divine rights of riches could be always at ease on - board a small yacht; on board a large one, as in a house, the contrasts - are less point-blank. And yet must small yachts he abolished? Absurd idea! - Civilization is not so simple an affair as it seems to politicians - perorating before immense audiences. - </p> - <p> - Owing to the obstinacy of water in finding its own level, we went to bed - more than once during that night, and I thought of selling the ship and - giving to the poor. What a declension from the glory of the original - embarkation! - </p> - <p> - The next afternoon, through tempests and an eternal downpour, we reached - Veere, at the other end of the canal. Veere is full of Scotch history and - of beauty; it has a cathedral whose interior is used by children as a - field, a gem of a town-hall, and various attractions less striking; but - for us it existed simply as a place where there was a grid, to serve the - purpose of a dry-dock. On the following morning we got the yacht onto the - grid, and then began to wait for the tide to recede. During its - interminable recession, we sat under a shed of the shipyard, partly - sheltered from the constant rain, and labored to produce abominable - watercolors of the yacht, with the quay and the cathedral and the - town-hall as a background. And then some one paddling around the yacht in - the dinghy perceived a trickle out of a seam. The leak! It was naught but - the slight starting of a seam! No trace of other damage. In an hour it had - been repaired with oakum and hammers, and covered with a plaster of - copper. The steering-gear was repaired. The pumps were repaired. The - bobstay was repaired. The water-color looked less abominable in the - discreet, kindly light of the saloon. The state of human society seemed - less volcanically dangerous. God was in His heaven. “I suppose you’d like - to start early to-morrow morning, sir,” said the skipper, whose one desire - in life is to go somewhere else. I said I should. - </p> - <p> - I went ashore with the skipper to pay bills—four gulden for repairs - and three gulden for the use of the grid. It would have been much more but - for my sagacity in having a Dutch skipper. The charming village proved to - be virtually in the possession of one of those formidable English families - whose ladies paint in water-colors when no golf-course is near. They ran - ecstatically about the quay with sheets of Whatman until the heavy rain - melted them. The owner of the grid lived in a large house with a most - picturesque façade. Inside it was all oilcloth, red mahogany, and crimson - plush, quite marvelously hideous. The shipwright was an old, jolly man, - with white whiskers spreading like a peacock’s tail. He gave us cigars to - pass the time while he accomplished the calligraphy of a receipt. He was a - man sarcastic about his women (of whom he had many), because they would - not let him use the <i>voor-kammer</i> (front room) to write receipts in. - I said women were often the same in England, and he gave a short laugh at - England. Nevertheless, he was proud of his women, because out of six - daughters five had found husbands, a feat of high skill in that island of - Walcheren, where women far outnumber men. - </p> - <p> - Outside, through the mullioned window, I saw a young matron standing - nonchalant and unprotected in the heavy rain. She wore an elaborate local - costume, with profuse gilt ornaments. The effect of these Dutch costumes - is to suggest that the wearer carries only one bodice, thin and armless, - but ten thousand skirts. Near the young matron was a girl of seven or - eight, dressed in a fashion precisely similar, spectacle exquisite to - regard, but unsatisfactory to think about. Some day all these women will - put on long sleeves and deprive themselves of a few underskirts, and all - the old, jolly men with spreading white beards will cry out that women are - unsexed and that the end of the world is nigh. In another house I bought a - fisherman’s knitted blue jersey of the finest quality, as being the sole - garment capable of keeping me warm in a Dutch summer. I was told that the - girl who knitted it received only half a gulden for her labor. Outrageous - sweating, which ought never to have been countenanced. Still, I bought the - jersey. - </p> - <p> - At six-thirty next day we were under way—a new ship, as it seemed to - me. Yachts may have leaks, but we were under way, and the heavenly smell - of bacon was in the saloon; and there had been no poring over time-tables, - no tipping of waiters, no rattling over cobbles in omnibuses, no waiting - in arctic railway-stations, no pugnacity for corner seats, no checking of - baggage. I was wakened by the vibration of the propeller; I clad myself in - a toga, and issued forth to laugh good-by at sleeping Veere—no other - formalities. And all along the quay, here and there, I observed an open - window among the closed ones. Each open window denoted for me an English - water-colorist sleeping, even as she or he had rushed about the quay, with - an unconcealed conviction of spiritual, moral, and physical superiority. - It appeared to me monstrous that these English should be so ill bred as to - inflict their insular notions about fresh air on a historic Continental - town. Every open window was an arrogant sneer at Dutch civilization, was - it not? Surely they could have slept with their windows closed for a few - weeks! Or, if not, they might have chosen Amsterdam instead of Veere, and - practised their admirable Englishness on the “Victorian Tea-Room” in that - city. - </p> - <p> - <br /><br /><a name="linkimage-0006" id="linkimage-0006"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0035.jpg" alt="0035 " width="100%" /><br /> - </div> - <h5> - <a href="images/0035.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - We passed into the Veeregat and so into the broad Roompot Channel, and - left Veere. It was raining heavily, but gleams near the horizon allowed me - to hope that before the day was out I might do another water-color. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0002" id="link2HCH0002"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER II—DUTCH LEISURE - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">E</span>VERY tourist knows - that Holland is one of the historic cradles of political freedom, and also - a chain of cities which are in effect museums of invaluable art. The - voyager in a little ship may learn that in addition to all this Holland is - the home of a vast number of plain persons who are under the necessity of - keeping themselves alive seven days a week, and whose experiments in the - adventure of living have an interest quite equal to the interest of - ancient art. To judge that adventure in its final aspect, one should see - Holland on a Sunday, and not the Holland of the cities, but of the little - towns. - </p> - <p> - We came one Sunday morning to a place called Zieriksee, on an island to - the north of the East Schelde. Who has heard of Zieriksee? Nevertheless, - Zieriksee exists, and seven thousand people prosecute the adventure - therein without the aid of museums and tourists. At first, from the mouth - of its private canal, it seems to be a huge, gray tower surrounded by - tiniest doll’s-houses with vermilion roofs; and as you approach, the tower - waxes, until the stones of it appear sufficient to build the whole - borough; then it wanes, and is lost in the town, as all towers ultimately - are. The cobbled quay and streets were empty as we moored. And in an - instant a great crowd sprang up out of the earth,—men and boys and - girls, but few women,—staring, glaring, giggling, gabbling, pushing. - Their inquisitiveness had no shame, no urbanity. Their cackle deafened. - They worried the <i>Velsa</i> like starving wolves worrying a deer. The <i>Velsa</i> - was a godsend, unhoped for in the enormous and cruel tedium which they had - created for themselves. To escape them we forced our way ashore, and trod - the clean, deathlike, feet-torturing streets. One shop was open; we - entered it, and were supplied with cigarettes by two polite and gracious - very old women who knew no English. On emerging from this paganism, we met - a long, slow-slouching, gloomy procession of sardonic human beings,—not - a pretty woman among them, not a garment that was comely or unclean or - unrespectable, not a smile,—the great, faithful congregation - marching out of the great church. Here was the life of leisure in Holland - as distinguished from the week-day life of industry. It was a tragic - spectacle. When we returned to the yacht, the other congregation was still - around it. And it was still there, just as noisy and boorish, when we left - several hours later. And it would still have been there if we had remained - till midnight. The phenomenon of that crowd, wistful in its touching - desire for distraction, was a serious criticism of the leaders of men in - Holland. As we slid away, we could see the crowd rapidly dissolving into - the horror of its original ennui. I asked the cook, a cockney, what he - thought of Zieriksee. - </p> - <p> - His face lightened to a cheerful smile. - </p> - <p> - “Rather a nice sort of place, sir. More like England.” - </p> - <p> - <br /><br /><a name="linkimage-0007" id="linkimage-0007"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0040.jpg" alt="0040 " width="100%" /><br /> - </div> - <h5> - <a href="images/0040.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The same afternoon we worked up the Schelde in a dead calm to Zijpe. The - rain had pretermitted for the first time, and the sun was hot. Zijpe is a - village, a haven, a dike, and a junction of train and steamer. The village - lies about a mile inland. The haven was pretty full of barges laid up for - Sunday. On the slopes of the haven, near the railway-station and the - landing-stage, a multitude of at least a thousand people were strolling to - and fro or sitting on the wet grass, all in their formidable Sabbath best. - We joined them, in order, if possible, to learn the cause of the - concourse; but the mystery remained for one hour and a half in the - eventless expanse of the hot afternoon, when the train came in over the - flat, green leagues of landscape. We then understood. The whole of Zijpe - had turned out to see the afternoon train come in! It was a simple modest - Dutch local train, making a deal of noise and dust, and bearing perhaps a - score of passengers. But it marked the grand climacteric of leisured - existence at Zijpe. We set off to the village, and discovered a village - deserted, and a fair-ground, with all its booths and circuses swathed up - in gray sheeting. Scarcely a soul! The spirit of romance had pricked them - all to the railway-station to see the train come in! - </p> - <p> - Making a large circuit, we reached again the river and the dike, and - learned what a dike is in Holland. From the top of it we could look down - the chimneys of houses on the landward side. The population was now on the - dike, promenading in magnificent solemnity and self-control. Everybody - gravely saluted us in passing. We gravely saluted everybody, and had not a - moment to ourselves for miles. - </p> - <p> - “Over there,” said the skipper afterward, pointing vaguely to the - southeast over the Schelde, “they ’re Roman Catholics. There ’s - a lot of Spaniards left in Holland.” By Spaniards he meant Dutchmen with - some Spanish blood. - </p> - <p> - “Then they enjoy their Sundays?” I suggested. - </p> - <p> - “Yes,” he answered sarcastically, “they enjoy their Sundays. They put - their playing-cards in their pockets before they go to church, and then - they go straight from the church to the café, and play high, and as like - as not knife each other before they ’ve done.” Clearly it takes all - sorts to make a little world like Holland, and it is difficult to strike - the mean between absolute nullity and homicidal knives. My regret is that - the yacht never got as far as those Spaniards gaming and knifing in cafés. - </p> - <p> - On Monday morning every skipper on every river and canal of Holland tries - to prove that the stagnation of Sunday is only a clever illusion. The East - Schelde hummed with express barges at five A. M. It was exactly like a - Dutch picture by an old master. Even we, in no hurry, with a strong tide - under us and a rising northwester behind us, accomplished fifteen - sea-miles in ninety minutes. Craft were taking shelter from the threatened - gale. In spite of mistakes by an English crew unaccustomed to a heavy - mainsail in tortuous navigation and obstreperous weather, we reached - Dordrecht railway bridge without public shame; and then the skipper - decided that our engine could not be trusted to push us through the narrow - aperture against wind and tide. Hence we bargained with a tug, and were - presently attached thereto, waiting for the bridge to open. - </p> - <p> - Considering that Holland is a country where yachts are understood, and - where swing-bridges open at a glance, we had to wait some little time for - that bridge; namely, three hours. The patriotism of the skipper was - strained. During the whole period the tug rushed to and fro, frisking us - wildly about like a kettle at the tail of a busy dog, and continuously - collecting other kettles, so that our existence was one long shock and - collision. But we saw a good deal of home life on the barges, from a minor - barge which a girl will steer to the three-thousand-ton affair that - surpasses mail steamers in capacity. - </p> - <p> - <br /><br /><a name="linkimage-0008" id="linkimage-0008"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0045.jpg" alt="0045 " width="100%" /><br /> - </div> - <h5> - <a href="images/0045.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - There are two homes on these monsters, one at the stem and the other at - the stern; the latter is frequently magnificent in spaciousness and - gilding. That the two families in the two distant homes are ever intimate - is impossible, that they are even acquainted is improbable; but they seem - to share a tireless dog, who runs incessantly along the leagues of - planking which separate them. - </p> - <p> - The bridge did at last open, and everything on the river, unmindful of - everything else, rushed headlong at the opening, like a crowd of sinners - dashing for a suddenly unbarred door into heaven. Our tug jerked us into - the throng, a fearful squeeze, and we were through. We cast off, the - gulden were collected in a tin, and within five minutes we were moored in - the New Haven, under the lee of the Groote Kerk, with trees all around us, - in whose high tops a full gale was now blowing. - </p> - <p> - The next morning our decks were thickly carpeted with green leaves, a - singular sight. The harbor-master came aboard to demand dues, and demanded - them in excellent English. - </p> - <p> - “Where did you learn English?” I asked, and he answered with strange - pride: - </p> - <p> - “Sir, I served seven years under the British flag.” - </p> - <p> - Standing heedless in the cockpit, under driving rain, he recounted the - casualties of the night. Fifteen miles higher up the river a - fifteen-hundred-ton barge had sunk, and the master and crew, consisting, - <i>inter alia</i>, of all his family, were drowned. I inquired how such an - event could happen in a narrow river amid a numerous population, and - learned that in rough weather these barges anchor when a tug can do no - more with them, and the crew go to bed and sleep. The water gradually - washes in and washes in, until the barge is suddenly and silently - engulfed. Dutch phlegm! Corresponding to their Sabbatic phlegm, no doubt. - Said the harbor-master: - </p> - <p> - “Yes, there is a load-line, but they never takes no notice of it in - Holland; they just loads them up till they won’t hold any more.” - </p> - <p> - The fatalism of the working-classes everywhere is perhaps the most utterly - astounding of all human phenomena. - </p> - <p> - Thoughtful, I went off to examine the carved choir-stalls in the Groote - Kerk. These choir-stalls are among the most lovely sights in Holland. - Their free, fantastic beauty is ravishing and unforgetable; they make you - laugh with pleasure as you behold them. I doubt not that they were - executed by a rough-tongued man, in a dirty apron, with shocking - finger-nails. - </p> - <p> - <br /><br /><a name="linkimage-0009" id="linkimage-0009"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0052.jpg" alt="0052 " width="100%" /><br /> - </div> - <h5> - <a href="images/0052.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0003" id="link2HCH0003"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER III—DUTCH WORK - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">W</span>e passed through - Rotterdam more than once, without seeing more of it than the amazing - traffic of its river and its admirable zoological gardens full of - chromatically inclined parrots; but we stopped at a minor town close by, - on a canal off the Meuse, Schiedam. Instinct must have guided me, for the - sociological interest of Schiedam was not inconsiderable. Schiedam is - called by the Dutch “stinking Schiedam.” I made a circuit of the town - canals in the dinghy and convinced myself that the epithet was just and - not malicious. On the lengthy quays were a large number of very dignified - gin distilleries, whose architecture was respectable and sometimes even - very good, dating from perhaps early in the last century. Each had a - baptismal name, such as “Liverpool,” inscribed in large letters across its - façade. This rendering decent and this glorification of gin constituted an - impressive phenomenon. But it was the provinciality and the uncouth - melancholy of the apparently prosperous town that took my fancy. We walked - through all its principal streets in the rain, and I thought I had never - seen a provinciality so exquisitely painful and perfect. In this city of - near thirty thousand people there was not visible one agreeably imposing - shop, or one woman attired with intent to charm, or one yard of smooth - pavement. I know not why I find an acrid pleasure in thus beholding - mediocrity, the average, the everyday ordinary, as it is; but I do. No - museum of Amsterdam, The Hague, or Haarlem touched me so nearly as the - town of Schiedam, which, after all, I suppose I must have liked. - </p> - <p> - Toward six o’clock we noticed an unquiet, yet stodgy, gathering in the - square where is the electric-tram terminus, then a few uniforms. I asked a - superior police officer what there was. He said in careful, tranquil - English: - </p> - <p> - “There is nothing. But there is a strike of glass-workers in the town. - Some of them don’t want to work, and some of them do want to work. Those - that have worked to-day are being taken home in automobiles. That is all.” - </p> - <p> - I was glad it was all, for from his manner I had expected him to continue - to the effect that the glass-workers had been led away by paid agitators - and had no good reason to strike. The automobiles began to come along, at - intervals, at a tremendous pace, each with a policeman by the chauffeur’s - side. In one was a single artisan, middle-aged, with a cigar in the corner - of his mouth, and a certain adventurous look in his eye. The crowd grimly - regarded. The police tried to seem as if they were there by accident, but - obviously they lacked histrionic training. In short, the scene was one of - the common objects of the wayside of existence all over the civilized - world. It presented no novelty whatever, and yet to witness it in Holland - was piquant, and caused one to think afresh and perhaps more clearly. - </p> - <p> - At night, when it had ceased to rain. I was escorting a friend to the - station. Musicians were climbing up into the bandstand in the same square. - It was Wednesday, the evening of the weekly municipal concert. The - railway-station, far out, was superbly gloomy, and it was the only station - in Holland where I failed to get a non-Dutch newspaper. The train, with - the arrogance of an international express, slid in, slid out, and forgot - Schiedam. I emerged from the station alone. A one-horse tram was waiting. - </p> - <p> - The tram, empty, with a sinking, but everlasting, white horse under a - yellow cloth, was without doubt the most provincial and melancholy thing - that destiny has yet brought me in contact with. The simple spectacle of - it, in the flickering gaslights and in the light of its own lamps, filled - the heart, with an anguish inexplicable and beautiful. I got in. An age - passed. Then an old workman got in, and saluted; I saluted. Save for the - saluting, it was the Five Towns of the eighties over again, intensified, - and the last tram out of Hanbridge before the theater-tram. - </p> - <p> - An age passed. Then a mysterious figure drew the cloth off the horse, and - the horse braced up all its four legs. We were starting when a - tight-folded umbrella waved in the outer obscurity. An elderly, - easy-circumstanced couple arrived upon us with deliberation; the umbrella - was a good one. - </p> - <p> - We did start. We rumbled and trundled in long curves of suburban - desolation. Then a few miserable shops that ought to have been shut; then - the square once more, now jammed in every part with a roaring, barbaric - horde. In the distance, over a floor of heads, was an island of - illumination, with the figures of puffing and blowing musicians in it; but - no rumor of music could reach us through the din. The white horse trotted - mildly into and right through the multitude, which jeered angrily, but - fell back. An enormous multitude, Gothic, Visi-gothic, savage, - uncivilized, chiefly consisting of young men and big boys—the weekly - concert of humanizing music! - </p> - <p> - <br /><br /><a name="linkimage-0010" id="linkimage-0010"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0057.jpg" alt="0057 " width="100%" /><br /> - </div> - <h5> - <a href="images/0057.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - I left the tram, and walked along the dark, empty canal-side to the yacht. - The impression of stagnation, tedium, provincialism was overwhelming. - Nevertheless, here, as in other towns, we were struck by the number of - shop-windows with artist’s materials for sale. Such was Schiedam. If it is - asked whether I went to Holland on a yachting cruise to see this sort of - thing, the answer is that I just did. - </p> - <p> - After a few weeks I began to perceive that Schiedam and similar places, - though thrilling, were not the whole of Holland, and perhaps not the most - representative of Holland. As the yacht worked northward, Holland seemed - to grow more Dutch, until, in the chain of shallow lakes and channels that - hold Friesland in a sort of permanent baptism, we came to what was for me - the ideal or celestial Holland—everything done by water, even grass - cut under water, and black-and-white cows milked in the midst of ponds, - and windmills over the eternal flatness used exclusively to shift - inconvenient water from one level to another. The road is water in - Friesland, and all the world is on the road. If your approach to a town is - made perilous by a succession of barges that will obstinately keep the - middle of the channel, you know that it is market-day in that town, and - the farmers are rolling home in agreeable inebriation. - </p> - <p> - The motor broke down in Friesland, and we were immobolized in the midst of - blue-green fields, red dogs, the cows aforesaid, green milk-floats, - blue-bloused sportsmen, and cargoes of cannon-ball cheese. We decided to - tow the yacht until we got to a favorable reach. Certain barges sailed - past us right into the eye of the wind, against all physical laws, but the - <i>Velsa</i> possessed not this magic. We saw three men comfortably towing - a string of three huge barges, and we would tow. Unfortunately the only - person, the skipper, who knew how to tow had to remain on board. The cook, - the deck-hand, and I towed like Greeks pulling against Greeks, and could - scarcely move one little yacht. The cook, neurasthenic by temperament, - grew sad, until he fell into three feet of inundation, which adventure - struck him as profoundly humorous, so that he was contorted with laughter. - This did not advance the yacht. Slowly we learned that towing is not mere - brute striving, but an art. - </p> - <p> - We at last came to terms with a tug, as our desire was to sleep at Sneek. - Sneek is the veritable metropolis of those regions. After passing, at late - dusk, the mysterious night-watchers of eel-nets, who are wakened in their - elaborate green-and-yellow boats by a bell, like a Paris concierge, we - gradually emerged into nocturnal Sneek through a quadruple lane of barges - and tugs so long as to put Sneek among the seven great ports of the world. - And even in Sneek at nightfall the impression of immense quantities of - water and of greenness, yellowness, and redness was continued. It rained, - as usual, in Sneek the next day, but no rain and no water could damp - Sneek. It was the most active town any of us had ever seen. It must have - been the original “hive of industry.” It was full, and full of everything. - The market was full of cattle, pigs, and sheep, crowded in pens and in - carts; calves, prone, with all four legs tied together, filled acres of - pavement. The cafés were full of dealers and drovers, mostly rather jolly, - being served by slatternly, pleasant women. The streets were full of good - shops, and of boys and girls following us and touching us to see if we - existed. (Dreadful little boors!) The barges were full of cauliflowers, - cabbages, apples, potatoes, sabots, cheeses, and barrels. The canals were - full of barges and steamers. - </p> - <p> - And immediately one sat down to sketch a group of craft one learned that - nothing was stationary. Everything moved that floated—everything on - the surface of miles of canal! Everybody, without haste, but without - stopping ever, was tirelessly engaged in shifting matter from one spot to - another. At intervals a small steamer, twenty, thirty, fifty, eighty tons, - would set off for a neighboring village with a few passengers,—including - nice girls,—a few cattle, and high piles of miscellaneous packages; - or would come in from a neighboring village. The kaleidoscope was - everlasting; but it did not fatigue, because it never hurried. Only it - made us ashamed of our idleness. Gently occupied old country-women, with - head-dresses of lace-work and a gold casque, the whole ridiculously - surmounted by a black bonnet for fashion’s sake—even these old women - made us ashamed of our untransporting idleness. - </p> - <p> - <br /><br /><a name="linkimage-0011" id="linkimage-0011"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0063.jpg" alt="0063 " width="100%" /><br /> - </div> - <h5> - <a href="images/0063.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Having got our engine more or less repaired, we departed from Sneek, a - spot that beyond most spots abounds in its own individuality. Sneek is - memorable. Impossible to credit that it has fewer than thirteen thousand - inhabitants! - </p> - <p> - As, at breakfast, we dropped down the canal on the way to Leeuwarden, a - new guest on board, whose foible is the search for the ideal, and who had - been declaiming against the unattractiveness of the women of Munich, spoke - thus: - </p> - <p> - “Is this Dutch bread? I think I should like to become a Dutchman, and live - at Sneek, and marry a Dutch girl. They have such nice blue eyes, and they - ‘re so calm.” - </p> - <p> - I remarked that I should have thought that his recent experiences in - Munich would have frightened him right off the entire sex. He said: - </p> - <p> - “Well, they ‘re all beautiful in Vienna, and that worries you just as much - in another way. Sneek is the mean.” - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0004" id="link2HCH0004"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER IV—THE ZUYDER ZEE - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">W</span>E reached the - Zuyder Zee, out of a canal, at Monnikendam, which is a respectably - picturesque townlet and the port of embarkation for Marken, the alleged - jewel of the Zuyder Zee, the precious isle where the customs and the - costumes of a pure age are mingled with the prices of New York for the - instruction of tourists. We saw Marken, but only from the mainland, a - long, serrated silhouette on the verge. The skipper said that Marken was a - side-show and a swindle, and a disgrace to his native country. So I - decided to cut it out of the program, and be the owner of the only foreign - yacht that had cruised in the Zuyder Zee without visiting Marken. My real - reason was undoubtedly that the day’s program had been upset by undue - lolling in the second-hand shops of Monnikendam. Thus we sailed due north - for Hoorn, secretly fearing that at Marken there might be something - lovely, unforgetable, that we had missed. - </p> - <p> - The Zuyder is a sea agreeable to sail upon, provided you don’t mind rain, - and provided your craft does not draw more than about six feet. It has the - appearance of a sea, but we could generally touch the bottom with our - sounding-pole; after all, it is not a sea, but a submerged field. The - skipper would tell inclement stories of the Zuyder Zee under ice, and how - he had crossed it on foot between Enkhuizen and Stavoren, risking his life - for fun; and how he had been obliged to recross it the next day, with more - fatigue, as much risk, and far less fun, because there was no other way - home. We ourselves knew it only as a ruffled and immense pond, with a - bracing atmosphere and the silhouettes of diminished trees and houses - sticking up out of its horizons here and there. When these low silhouettes - happen to denote your destination, they have the strange faculty of - receding from your prow just as fast as you sail toward them, a magic sea - of an exquisite monotony; and when you arrive anywhere, you are so - surprised at having overtaken the silhouette that your arrival is a dream, - in the unreal image of a city. - </p> - <p> - The one fault of Hoorn is that it is not dead. - </p> - <p> - We navigated the Zuyder Zee in order to see dead cities, and never saw - one. Hoorn is a delightful vision for the eye—beautiful domestic - architecture, beautiful warehouses, beautiful towers, beautiful - water-gate, beautiful aniline colors on the surface of dreadful canals. If - it were as near to London and Paris as Bruges is, it would be inhabited - exclusively by water-colorists. At Hoorn I went mad, and did eight - sketches in one day, a record which approaches my highest break at - billiards. Actually, it is inhabited by cheese-makers and dealers. No - other town, not even Chicago, can possibly contain so many cheeses per - head of the population as Hoorn. At Hoorn I saw three men in blue blouses - throwing down spherical cheeses in pairs from the second story of a brown - and yellow and green warehouse into a yellow cart. One man was in the - second story, one in the first, and one in the cart. They were flinging - cheeses from hand to hand when we arrived and when we left, and they never - dropped a cheese or ceased to fling. They flung into the mysterious night, - when the great forms of little cargo-steamers floated soundless over - romance to moor at the dark quays, and the long, white English - steam-yacht, with its two decks, and its chef and its flulfy chambermaid, - and its polished mahogany motor-launch, and its myriad lights and gleams, - glided to a berth by the water-tower, and hung there like a cloud beyond - the town, keeping me awake half the night while I proved to myself that I - did not really envy its owner and that the Velsa was really a much better - yacht. - </p> - -<div class="fig" style="width:50%;"> - <img src="images/0070.jpg" alt="0070 " width="100%" /><br /> - </div> - <h5> - <a href="images/0070.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - - <p> - The recondite enchantment of Hoorn was intensified by the fact that the - English tongue was not current in it. I met only one Dutchman there who - spoke it even a little, a military officer. Being on furlough, he was - selling cigars in a cigar shop on behalf of his parents. Oh, British army - officer! Oh, West Point Academy! He told me that officers of the Dutch - army had to be able to speak English, French, and German. Oh, British army - officer! Oh, West Point Academy! But he did not understand the phrase - “East Indian cigar.” He said there were no such cigars in his parents’ - shop. When I said “Sumatra,” he understood, and fetched his mother. When I - said that I desired the finest cigars in Hoorn, his mother put away all - the samples already exhibited and fetched his father. The family had begun - to comprehend that a serious customer had strayed into the shop. The - father, in apron, with a gesture of solemnity and deference went - up-stairs, and returned in majesty with boxes of cigars that were warm to - the touch. “These are the best?” - </p> - <p> - “These are the best.” I bought. They were threepence apiece. - </p> - <p> - A mild, deliciously courteous family, recalling the tobacco-selling - sisters at Zieriksee, and a pair of tobacconist brothers in the - Kalver-Straat, Amsterdam, whose politeness and soft voices would have - atoned for a thousand Schiedams. The Hutch middle and upper classes have - adorable manners. It was an ordeal to quit the soothing tobacco shop for - the terrors of the long, exposed Iloorn High Street, infested, like too - many Hutch streets, by wolves and tigers in the outward form of dogs—dogs - that will threaten you for a milt and then bite, in order to prove that - they are of the race that has always ended by expelling invaders with - bloodshed. - </p> - <p> - I was safer in the yacht’s dinghy, on a surface of aniline hues, though - the odors were murderous, and though for two hours, while I sketched, - three violent young housewives were continually splashing buckets into the - canal behind me as they laved and scrubbed every separate stone on the - quay. If canals were foul, streets were as clean as table-tops—cleaner. - </p> - <p> - The other cities of the Zuyder Zee were not more dead than Hoorn, though - Enkhuizen, our next port, was more tranquil, possibly because we arrived - there on a Saturday evening. Enkhuizen, disappointing at the first glance, - exerts a more subtle fascination than Iloorn. However, I remember it as - the place where we saw another yacht come in, the owner steering, and foul - the piles at the entrance. My skipper looked at his owner, as if to say, - “You see what owners do when they take charge.” I admitted it. - </p> - <p> - We crossed from Enkhuizen to Stavoren in bad weather, lost the dinghy and - recovered it, and nearly lost the yacht, owing to the cook having taken to - his bunk without notice when it was imperative to shorten sail in a jiffy. - The last that I heard of this cook was that he had become an omnibus - conductor. Some people are born to rise, and the born omnibus conductor - will reach that estate somehow. He was a pleasant, sad young man, and - himself painted in water-colors. - </p> - <p> - <br /><br /><a name="linkimage-0013" id="linkimage-0013"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0076.jpg" alt="0076 " width="100%" /><br /> - </div> - <h5> - <a href="images/0076.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - I dare say that at Stavoren we were too excited to notice the town; but I - know that it was a busy port. Lemmer also was busy, a severely practical - town, with a superb harbor-master, and a doctor who cured the cook. We - were disappointed with Kampen, a reputed beauty-spot, praised even by E. - V. Lucas, who never praises save on extreme provocation. Kampen has - architecture,—wonderful gates,—but it also has the crudest - pavements in Holland, and it does not smile hospitably, and the east wind - was driving through it, and the rain. The most agreeable corner of Kampen - was the charcoal-heated saloon of the yacht. We left Kampen, which - perhaps, after all, really was dead, on September 21. The morning was warm - and perfect. I had been afloat in various countries for seven weeks - continuously, and this was my first warm, sunny morning. In three hours we - were at the mouth of the tiny canal leading to Elburg. I was steering. - </p> - <p> - “Please keep the center of the channel,” the skipper enjoined me. - </p> - <p> - I did so, but we grounded. The skipper glanced at me as skippers are - privileged to glance at owners, but I made him admit that we were within - half an inch of the mathematical center of the channel. We got a line on - to the pier, and hauled the ship off the sand by brute force. When I had - seen El-burg, I was glad that this incident had occurred; for Elburg is - the pearl of the Zuyder. Where we, drawing under four feet, grounded at - high water in mid-channel, no smart, deep-draft English yacht with chefs - and chambermaids can ever venture. And assuredly tourists will not go to - Elburg by train. Elburg is safe. Therefore I feel free to mention the - town. - </p> - <p> - Smacks were following one another up the canal for the week-end surcease, - and all their long-colored <i>weins</i> (vanes) streamed in the wind - against the blue sky. And the charm of the inefficient canal was the - spreading hay-fields on each side, with big wagons, and fat horses that - pricked up their ears (doubtless at the unusual sight of our blue ensign), - and a young mother who snatched her rolling infant from the hay and held - him up to behold us. And then the skipper was excited by the spectacle of - his aged father’s trading barge, unexpectedly making for the same port, - with his mother, brother, and sister on deck—the crew! Arrived in - port, we lay under the enormous flank of this barge, and the skipper - boarded his old home with becoming placidity. - </p> - <p> - The port was a magnificent medley of primary colors, and the beautiful - forms of boats, and the heavy curves of dark, drying sails, all dom nated - by the toeing streaming in the hot sunshine. Every few minutes a smack - arrived, and took its appointed place for Sunday. The basin seemed to be - always full and always receptive. Nothing lacked for perfect - picturesqueness, even to a little ship-repairing yard, and an - establishment for raddling sails stretched largely out on green grass. The - town was separated from the basin by a narrow canal and a red-brick - water-gate. The main street ran straight away inland, and merged into an - avenue of yellowish-green trees. At intervals straight streets branched - off at right angles from the main. In the center of the burg was a square. - Everywhere rich ancient roofs, gables, masonry, and brickwork in Indian - reds and slaty-blues; everywhere glimpses of courtyards precisely imitated - from the pictures of Pieter de Hooch. The interior of the church was a - picture by Bosboom. It had a fine organ-case, and a sacristan out of a - late novel by Huysmans. - </p> - <p> - The churchyard was a mass of tall flowers. - </p> - <p> - The women’s costumes here showed a difference, the gilt casque being more - visibly divided into two halves. All bodices were black, all skirts blue. - Some of the fishermen make majestic figures, tall, proud, commanding, fit - adversaries of Alva; in a word, exemplifications of the grand manner. - Their salutes were sometimes royal. - </p> - <p> - The gaiety of the color; the distinction of the forms; the strange warmth; - the completeness of the entity of the town, which seemed to have been - constructed at one effort; the content of the inhabitants, especially the - visible, unconscious gladness of the women at the return of their - mariners; the urbanity of everybody—all these things helped to - produce a comfortable and yet disconcerting sensation that the old, - unreformed world was not quite ripe for utter destruction. - </p> - <p> - All day until late in the evening smacks ceased not to creep up the canal. - The aspect of the basin altered from minute to minute, with disastrous - effect on water-colorists. In the dusk we ferreted In a gloomy and - spellbound second-hand shop, amid dozens of rococo wall-clocks, and bought - a few little things. As we finally boarded the yacht in the dark, we could - see a group of sailors in a bosky arbor bending over a table on which was - a lamp that harshly lighted their grave faces. They may have thought that - they were calculating and apportioning the week’s profits; but in reality - they were playing at masterpieces by Rembrandt. - </p> - <p> - <br /><br /><a name="linkimage-0014" id="linkimage-0014"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0081.jpg" alt="0081 " width="100%" /><br /> - </div> - <h5> - <a href="images/0081.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0005" id="link2HCH0005"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER V—SOME TOWNS - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">H</span>AARLEM is the - capital of a province, and has the airs of a minor metropolis. When we - moored in the Donkere Spaarne, all the architecture seemed to be saying to - us, with innocent pride, that this was the city of the illustrious Frans - Hals, and the only place where Frans Hals could be truly appreciated. - Haarlem did not stare at strangers, as did other towns. The shops in the - narrow, busy Saturday-night streets were small and slow, and it took us - most of an evening, in and out of the heavy rain, to buy three shawls, two - pairs of white stockings, and some cigarettes; but the shopmen and - shop-women, despite their ignorance of English, American, and French, - showed no openmouthed provinciality at our fantastic demands. The - impression upon us of the mysterious entity of the town was favorable; we - felt at home. - </p> - <p> - The yacht was just opposite the habitation of a nice middle-class family, - and on Sunday morning, through the heavy rain, I could see a boy of - sixteen, a girl of fourteen, and a child of five or six, all dressing - slowly together in a bedroom that overlooked us, while the father in - shirt-sleeves constantly popped to and fro. They were calmly content to - see and be seen. Presently father and son, still in shirt-sleeves, - appeared on the stoop, each smoking a cigar, and the girl above, arrayed - in Sunday white, moved about setting the bedroom in order. It was a - pleasant average sight, enhanced by the good architecture of the house, - and by a certain metropolitan self-unconsciousness. - </p> - <p> - We went to church later, or rather into a church, and saw beautiful models - of ships hung in the nave, and aged men entering, with their hats on and - good cigars in their mouths. For the rest, they resembled superintendents - of English Sunday-schools or sidesmen of small parishes. In another church - we saw a Sunday-school in full session, a parson in a high pulpit - exhorting, secretary and minor officials beneath him, and all the boys - standing up with shut eyes and all the girls sitting down with shut eyes. - We felt that we were perhaps in the most Protestant country in Europe. - </p> - <p> - In the afternoon, when the rain-clouds lifted for a few moments and the - museums were closed, we viewed the residential prosperity of Haarlem, of - which the chief seat is the Nieuwe Gracht, a broad canal, forbidden to - barges, flanked by broad quays beautifully paved in small red brick, and - magnificent houses. A feature of the noble architecture here was that the - light ornamentation round the front doors was carried up and round the - central windows of the first and second stories. A grand street! One - properly expected to see elegant women at the windows of these lovely - houses,—some were almost palaces,—and one was disappointed. - Women there were, for at nearly every splendid window, the family was - seated, reading, talking, gazing, or drinking tea; but all the women were - dowdy; the majority were middle-aged; none was beautiful or elegant. Nor - was any of the visible furniture distinguished. - </p> - <p> - The beauty of Haarlem seems to be limited to architecture, pavements, and - the moral comeliness of being neat and clean. The esthetic sense - apparently stops there. Charm must be regarded in Haarlem with suspicion, - as a quality dangerous and unrespectable. As daylight failed, the groups - within gathered closer and closer to the windows, to catch the last yellow - drops of it, and their curiosity about the phenomena of the streets grew - more frank. We were examined. In return we examined. And a discussion - arose as to whether inspection from within justified inquisitiveness from - the street. The decision was that it did not; that a person inside a house - had the right to quiz without being quizzed. But this merely academic - verdict was not allowed to influence our immediate deportment. In many - houses of the lesser streets tables were already laid for supper, and one - noticed heavy silver napkin-rings and other silver. In one house the - shadowy figures of a family were already grouped round a repast, and - beyond them, through another white-curtained window at the back of the - spacious room, could be discerned a dim courtyard full of green and yellow - foliage. This agreeable picture, typifying all the domestic tranquillity - and dignity of prosperous Holland, was the last thing we saw before the - dark and the rain fell, and the gas-lamps flickered in. - </p> - <p> - <br /><br /><a name="linkimage-0015" id="linkimage-0015"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0087.jpg" alt="0087 " width="100%" /><br /> - </div> - <h5> - <a href="images/0087.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - We entered The Hague through canals pitted by heavy rain, the banks of - which showed many suburban residences, undistinguished, but set in the - midst of good gardens. And because it was the holiday week,—the week - containing the queen’s birthday,—and we desired quietude, we - obtained permission to lie at the private quay of the gasworks. The - creators of The Hague gas-works have made only one mistake: they ought to - have accomplished their act much earlier, so that Balzac might have - described it; for example, in “The Alkahest,” which has the best - imaginative descriptions of Dutch life yet written. The Hague gas-works - are like a toy, gigantic; but a toy. Impossible to believe that in this - vast, clean, scrubbed, swept expanse, where every bit of coal is - scrupulously in place, real gas is made. To believe, you must go into the - city and see the gas actually burning. Even the immense traveling-cranes, - when at work or otherwise, have the air of life-size playthings. Our quay - was bordered with flower-beds. The workmen, however, seemed quite real - workmen, realistically dirty, who were not playing at work, nor rising at - five-thirty a.m. out of mere joyous ecstasy. - </p> - <p> - Nor did the bargemen who day and night ceaselessly and silently propelled - their barges past us into the city by means of poles and sweat, seem to be - toying with existence. The procession of these barges never stopped. On - the queen’s birthday, when our ship was dressed, and the whole town was - flagged, it went on, just as the decorated trams and tram-drivers went on. - Some of the barges penetrated right through the populous districts, and - emerged into the oligarchic quarter of ministries, bureaus, official - residences, palaces, parks, art dealers, and shops of expensive lingerie—the - quarter, as in every capital, where the precious traditions of - correctness, patriotism, red-tape, order, luxury, and the moral grandeur - of devising rules for the nice conduct of others are carefully conserved - and nourished. This quarter was very well done, and the bargemen, with - their perspiring industry, might have had the good taste to keep out of - it. - </p> - <p> - The business center of The Hague, lying between the palaces and the - gas-works, is cramped, crowded, and unimpressive. The cafés do not - glitter, and everybody knows that the illumination of cafés in a capital - is a sure index of a nation’s true greatness. Many small cafés, veiled in - costly curtains at window and door, showed stray dazzling shafts of bright - light, but whether the true greatness of Holland was hidden in these - seductive arcana I never knew. Even in the holiday week the principal - cafés were emptying soon after ten o’clock. On the other hand, the large - stores were still open at that hour, and the shop-girls, whose pale faces - made an admirable contrast to their black robes, were still serving ladies - therein. At intervals, in the afternoons, one saw a chic woman, moving - with a consciousness of her own elegance; but she was very exceptional. - The rest might have run over for the day from Haarlem, Delft, Utrecht, or - Leyden. In the really excellent and well-frequented music-halls there was - no elegance either. I have never anywhere seen better music-hall - entertainments than in Holland. In certain major capitals of Europe and - elsewhere the public is apt to prove its own essential naïveté by allowing - itself to be swindled nightly in gorgeous music-halls. The Dutch are more - astute, if less elegant. - </p> - <p> - The dying engine of the yacht lost consciousness, for about the twentieth - time during this trip, as we were nearing Amsterdam; but a high wind, - carrying with it tremendous showers of rain, kindly blew us, under bare - poles, up the last half-mile of the North Sea Canal into the private haven - of the Royal Dutch Yacht-Club, where we were most amicably received, as, - indeed, in all the yacht-club basins of Holland. Baths, telephones, and - smoking-rooms were at our disposal without any charge, in addition to the - security of the haven, and it was possible to get taxicabs from the - somewhat distant city. We demanded a chauffeur who could speak English. - They sent us a taxi with two chauffeurs neither of whom could speak any - language whatsoever known to philologists. But by the use of maps and a - modification of the pictorial writing of the ancient Aztecs, we contrived - to be driven almost where we wanted. At the end of the excursion I had - made, in my quality of observer, two generalizations: first, that - Amsterdam taxis had two drivers for safety; and, second, that taxi-travel - in Amsterdam was very exciting and dangerous. But our drivers were so - amiable, soft-tongued, and energetic that I tipped them both. I then, - somehow, learned the truth: one of the men was driving a taxi for the - first time, and the other was teaching him. - </p> - <p> - <br /><br /><a name="linkimage-0016" id="linkimage-0016"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0094.jpg" alt="0094 " width="100%" /><br /> - </div> - <h5> - <a href="images/0094.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - After driving and walking about Amsterdam for several days, I decided that - it would be completely civilized when it was repaved, and not before. It - is the paradise of stomachs and the hell of feet. Happily, owing to its - canals and its pavements, it has rather fewer of the rash cyclists who - menace life in other Dutch cities. In Holland, outside Amsterdam, - everybody uses a cycle. If you are ran down, as you are, it is just as - likely to be by an aged and toothless female peasant as by an office boy. - Also there are fewer homicidal dogs in Amsterdam than elsewhere, and there - is the same general absence of public monuments which makes other Dutch - cities so agreeably strange to the English and American traveler. You can - scarcely be afflicted by a grotesque statue of a nonentity in Holland, - because there are scarcely any statues. - </p> - <p> - Amsterdam is a grand city, easily outclassing any other in Holland. Its - architecture is distinguished. Its historic past is impressively immanent - in the masonry of the city itself, though there is no trace of it in the - mild, commonplace demeanor of the inhabitants. Nevertheless, the - inhabitants understand solidity, luxury, wealth, and good cheer. Amsterdam - has a bourse which is the most peculiar caprice that ever passed through - the head of a stock-broker. It is excessively ugly and graceless, but I - admire it for being a caprice, and especially for being a stock-broker’s - caprice. No English stock-broker would have a caprice. Amsterdam has small - and dear restaurants of the first order, where a few people with more - money than appetite can do themselves very well indeed in hushed privacy. - It also has prodigious cafés. Krasnopolshy’s—a town, not a café—is - said in Amsterdam to be the largest café in Europe. It isn’t; but it is - large, and wondrously so for a city of only half a million people. - </p> - <p> - <br /><br /><a name="linkimage-0017" id="linkimage-0017"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0099.jpg" alt="0099 " width="100%" /><br /> - </div> - <h5> - <a href="images/0099.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - In the prodigious cafés you perceive that Amsterdam possesses the quality - which above all others a great city ought to possess. It pullulates. Vast - masses of human beings simmer in its thoroughfares and boil over into its - public resorts. The narrow Kalver-Straat, even in the rain, is thronged - with modest persons who gaze at the superb luxury of its shops. The - Kalver-Straat will compete handsomely with Bond Street. Go along the - length of it, and you will come out of it thoughtful. Make your way thence - to the Rembrandt-Plein, where pleasure concentrates, and you will have to - conclude that the whole of Amsterdam is there, and all its habitations - empty. The mirrored, scintillating cafés, huge and lofty and golden, are - crowded with tables and drinkers and waiters, and dominated by rhapsodic - orchestras of women in white who do what they can against the hum of ten - thousand conversations, the hoarse calls of waiters, and the clatter of - crockery. It is a pandemonium with a certain stolidity. The excellent - music-halls and circuses are equally crowded, and curiously, so are the - suburban resorts on the rim of the city. Among the larger places, perhaps, - the Café Américain, on the Leidsche-Plein, was the least feverish, and - this was not to be counted in its favor, because the visitor to a city - which pullulates is, and should he, happiest in pullulating. The crowd, - the din, the elbowing, the glitter for me, in a town like Amsterdam! In a - town like Gouda, which none should fail to visit for the incomparable - stained-glass in its church, I am content to be as placid and solitary as - anybody, and I will follow a dancing bear and a Gipsy girl up and down the - streets thereof with as much simplicity as anybody. But Amsterdam is the - great, vulgar, inspiring world. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0006" id="link2HCH0006"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER VI—MUSEUMS - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">I</span> DID not go - yachting in Holland in order to visit museums; nevertheless, I saw a few. - When it is possible to step off a yacht clean into a museum, and heavy - rain is falling, the temptation to remain on board is not sufficiently - powerful to keep you out of the museum. At Dordrecht there is a municipal - museum manned by four officials. They received us with hope, with - enthusiasm, with the most touching gratitude. Their interest in us was - pathetic. They were all dying of ennui in those large rooms, where the - infection hung in clouds almost visible, and we were a specific stimulant. - They seized on us as the morphinomaniac seizes on an unexpected find of - the drug. - </p> - <p> - <br /><br /><a name="linkimage-0018" id="linkimage-0018"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0106.jpg" alt="0106 " width="100%" /><br /> - </div> - <h5> - <a href="images/0106.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Just as Haarlem is the city of Frans Hals, so Dordrecht is the city of Ary - Scheffer. Posterity in the end is a good judge of painters, if not of - heroes, but posterity makes mistakes sometimes, and Ary Scheffer is one of - its more glaring mistakes. (Josef Israels seems likely to be another.) And - posterity is very slow in acknowledging an error. The Dordrecht museum is - waiting for such an acknowledgment. When that comes, the museum will be - burned down, or turned into a brewery, and the officials will be delivered - from their dreadful daily martyrdom of feigning ecstatic admiration for - Ary Scheffer. Only at Dordrecht is it possible to comprehend the full - baseness, the exquisite unimportance, of Scheffer’s talent. The best thing - of his in a museum full of him is a free, brilliant copy of a head by - Rembrandt done at the age of eleven. It was, I imagine, his last tolerable - work. His worst pictures, solemnly hung here, would be justifiably laughed - at in a girls’ schoolroom. But his sentimentality, conventionality, and - ugliness arouse less laughter than nausea. By chance a few fine pictures - have come into the Dordrecht museum, as into most museums. Jakob Maris and - Bosboom are refreshing, but even their strong influence cannot disinfect - the place nor keep the officials alive. We left the museum in the nick of - time, and saw no other visitors. - </p> - <p> - Now, the tea-shop into which we next went was far more interesting and - esthetically valuable than the museum. The skipper, who knew every shop, - buoy, bridge, and shoal in Holland, had indicated this shop to me as a - high-class shop for costly teas. It was. I wanted the best tea, and here I - got it. The establishment might have survived from the age when Dordrecht - was the wealthiest city in Holland. Probably it had so survived. It was - full of beautiful utensils in practical daily use. It had an architectural - air, and was aware of its own dignity. The head-salesman managed to convey - to me that the best tea—that was, tea that a connoisseur would call - <i>tea</i>—cost two and a half florins a pound. I conveyed to him - that I would take two pounds of the same. The head-salesman then displayed - to me the tea in its japanned receptacle. He next stood upright and - expectant, whereupon an acolyte, in a lovely white apron, silently - appeared from the Jan-Steen shadows at the back of the shop, and with - solemn gestures held a tun-dish over a paper bag for his superior to pour - tea into. Having performed his share in the rite, he disappeared. The - parcel was slowly made up, every part of the process being evidently a - matter of secular tradition. I tendered a forty-gulden note. Whereon the - merchant himself arrived in majesty at the counter from his office, and - offered the change with punctilio. He would have been perfect, but for a - hole in the elbow of his black alpaca coat. I regretted this hole. We left - the shop stimulated, and were glad to admit that Dordrecht had atoned to - us for its museum. Ary Scheffer might have made an excellent tea-dealer. - </p> - <p> - The museum at Dordrecht only showed in excess an aspect of displayed art - which is in some degree common to all museums. For there is no museum - which is not a place of desolation. Indeed, I remember to have seen only - one collection of pictures, public or private, in which every item was a - cause of joy—that of Mr. Widener, near Philadelphia. Perhaps the - most wonderful thing in the tourist’s Holland is the fact that the small - museum at Haarlem, with its prodigious renown, does not disappoint. You - enter it with disturbing preliminaries, each visitor having to ring a - bell, and the <i>locus</i> is antipathetic; but one’s pulse is immediately - quickened by the verve of those headstrong masterpieces of Hals. And - Ruysdael and Jan Steen are influential here, and even the mediocre - paintings have often an interest of perversity, as to which naturally the - guide-books say naught. - </p> - <p> - The Teyler Museum at Haarlem also has a few intoxicating works, mixed up - with a sinister assortment of mechanical models. And its aged attendant, - who watched over his finger-nails as over adored children, had acquired - the proper attitude, at once sardonic and benevolent, for a museum of the - kind. He was peculiarly in charge of very fine sketches by Rembrandt, of - which he managed to exaggerate the value. - </p> - <p> - Few national museums of art contain a higher percentage of masterpieces - than the Mauritshuis at The Hague. And one’s first sight of Rembrandt’s - “Lesson in Anatomy” therein would constitute a dramatic event in any - yachting cruise. But my impression of the Mauritshuis was a melancholy - one, owing to the hazard of my visit being on the great public holiday of - the year, when it was filled with a simple populace, who stared coarsely - around, and understood nothing—nothing. True, they gazed in a - hypnotized semicircle at “The Lesson in Anatomy,” and I can hear amiable - persons saying that the greatest art will conquer even the ignorant and - the simple. I don’t believe it. I believe that if “The Lesson in Anatomy” - had been painted by Carolus-Duran, in the manner of Carolus-Duran, the - ignorant and the simple would have been hypnotized just the same. And I - have known the ignorant and the simple to be overwhelmed with emotion by - spurious trickery of the most absurd and offensive kind. - </p> - <p> - An hour or two in a public museum on a national holiday is a tragic - experience, because it forces you to realize that in an artistic sense the - majority and backbone of the world have not yet begun to be artistically - civilized. Ages must elapse before such civilization can make any - appreciable headway. And in the meantime the little hierarchy of art, by - which alone art lives and develops, exists precariously in the midst of a - vast, dangerous population—a few adventurous whites among indigenous - hordes in a painful climate. The indigenous hordes may have splendid - qualities, but they have not that one quality which more than any other - vivifies. They are jockeyed into paying for the manifestations of art - which they cannot enjoy, and this detail is not very agreeable either. A - string of fishermen, in their best blue cloth, came into the Mauritshuis - out of the rain, and mildly and politely scorned it. Their attitude was - unmistakable. They were not intimidated. Well, I like that. I preferred - that, for example, to the cant of ten thousand tourists. - </p> - <p> - Nor was I uplifted by a visit to the Mesdag Museum at The Hague. Mesdag - was a second-rate painter with a first-rate reputation, and his taste, as - illustrated here, was unworthy of him, even allowing for the fact that - many of the pictures were forced upon him as gifts. One or two superb - works—a Delacroix, a Dupre, a Rousseau—could not make up for - the prevalence of Mesdag, Josef Israels, etc. And yet the place was full - of good names. I departed from the museum in a hurry, and, having time to - spare, drove to Scheveningen in search of joy. Scheveningen is famous, and - is supposed to rival Ostend. It is washed by the same sea, but it does not - rival Ostend. It is a yellow and a gloomy spot, with a sky full of kites. - Dutchmen ought not to try to rival Ostend. As I left Scheveningen, my - secret melancholy was profoundly established within me, and in that there - is something final and splendid. Melancholy when it becomes - uncompromisingly sardonic, is as bracing as a bath. - </p> - <p> - <br /><br /><a name="linkimage-0019" id="linkimage-0019"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0112.jpg" alt="0112 " width="100%" /><br /> - </div> - <h5> - <a href="images/0112.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The remarkable thing about the two art museums at Amsterdam, a town of - fine architecture, is that they should both—the Ryks and the - municipal—be housed in such ugly, imposing buildings. Now, as in the - age of Michelangelo, the best architects seldom get the best jobs, and the - result is the permanent disfigurement of beautiful cities. Michelangelo - often had to sit glum and idle while mediocre architects and artists more - skilled than he in pleasing city councils and building-committees muddled - away opportunities which he would have glorified; but he did obtain part - of a job now and then, subject to it being “improved” by some duffer like - Bernini, who of course contrived to leave a large fortune, whereas if - Michelangelo had lived to-day he might never have got any job at all. - </p> - <p> - Incontestably, the exterior, together with much of the interior, of the - Ryks depresses. Moreover, the showpiece of the museum, “The Night-Watch” - of Rembrandt, is displayed with a too particular self-consciousness on the - part of the curator, as though the functionary were saying to you: “Hats - off! Speak low! You are in church, and Rembrandt is the god.” The truth is - that “The Night-Watch” is neither very lovable nor very beautiful. It is - an exhibition-picture, meant to hit the wondering centuries in the eye, - and it does so. But how long it will continue to do so is a nice question. - </p> - <p> - Give me the modern side of the Ryks, where there is always plenty of room, - despite its sickly Josef Israels. The modern side reëndowed me with youth. - It is an unequal collection, and comprises some dreadful mistakes, but at - any rate it is being made under the guidance of somebody who is not afraid - of his epoch or of being in the wrong. Faced with such a collection, one - realizes the shortcomings of London museums and the horror of that steely - English official conservatism, at once timid and ruthless, which will - never permit itself to discover a foreign artist until the rest of the - world has begun to forget him. At the Ryks there are Van Goghs and - Cézannes and Bonnards. They are not the best, but they are there. Also - there are some of the most superb water-colors of the age, and good things - by a dozen classic moderns who are still totally unrepresented in London. - I looked at a celestial picture of women—the kind of thing that Guys - would have done if he could—painted perhaps fifty years ago, and as - modern as the latest Sargent water-color. It was boldly signed T. C. T. - C.? T. C.? Who on earth could T. C. he? I summoned an attendant. Thomas - Couture, of course! A great artist! He will appear in the National - Gallery, Trafalgar Square, about the middle of the twenty-first century. - </p> - <p> - Then there was Daumier’s “Christ and His Disciples,” a picture that I - would have stolen had it been possible and quite safe to do so. It might - seen incredible that any artist of the nineteenth century should take the - subject from the great artists of the past, and treat it so as to make you - think that it had never been treated before. But Daumier did this. It is - true that he was a very great artist indeed. Who that has seen it and - understood its tender sarcasm can forget that group of the exalted, - mystical Christ talking to semi-incredulous, unperceptive disciples in the - gloomy and vague evening landscape? I went back to the yacht and its - ignoble and decrepit engine, full of the conviction that art still lives. - And I thought of Wilson Steer’s “The Music-Room” in the Tate Gallery, - London, which magnificent picture is a proof that in London also art still - lives. - </p> - <p> - <br /><br /><a name="linkimage-0020" id="linkimage-0020"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0117.jpg" alt="0117 " width="100%" /><br /> - </div> - <h5> - <a href="images/0117.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_PART2" id="link2H_PART2"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - PART II—THE BALTIC - </h2> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0007" id="link2HCH0007"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER VII—THE YACHT I LOST - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">O</span>UR adventures - toward the Baltic began almost disastrously, because I put into the - planning of them too much wisdom and calculation. We had a month of time - at our disposal. Now, a fifty-ton yacht in foreign parts thinks nothing of - a month. It is capable of using up a month in mere preliminaries. Hence, - with admirable forethought, I determined to send the yacht on in advance. - The <i>Velsa</i> was to cross from her home port, Brightlingsea, to the - Dutch coast, and then, sheltered by many islands, to creep along the - coasts of Hanover, Holstein, Schleswig, and Denmark, past the mouths of - the Elbe, Weser, and Eider, to the port of Esbjerg, where we were to join - her by a fast steamer from Harwich. She was then to mount still farther - the Danish coast, as far as Liim Fjord and, by a route combining fjords - and canals, cross the top of the Jutland peninsula, and enter the desired - Baltic by Randers Fjord. The banal way would have been through the Kiel - Canal. Yachts never take the Liim Fjord; but to me this was a fine reason - for taking the Liim Fjord. Moreover, English yachts have a habit of - getting into trouble with the German Empire in the Kiel Canal, and English - yachtsmen are apt to languish in German prisons on charges of espionage. I - was uncertain about the comforts provided for spies in German prisons, and - I did not wish to acquire certitude. - </p> - <p> - So the yacht was despatched. The skipper gave himself the large allowance - of a fortnight for the journey to Esbjerg. He had a beautiful new - 30-horse-power engine, new sails, a new mast. Nothing could stop him - except an east wind. It is notorious that in the North Sea the east wind - never blows for more than three days together, and that in July it never - blows at all. Still, in this July it did start to blow a few days before - the yacht’s intended departure. And it continued to blow hard. In a week - the skipper had only reached Harwich, a bare twenty miles from - Brightlingsea. Then the yacht vanished into the North Sea. The wind held - in the east. After another week I learned by cable that my ship had - reached the Helder, in North Holland. By a wondrous coincidence, my Dutch - skipper’s wife and family are established at the Helder. The east wind - still held. The skipper spent money daily in saddening me by cable. Then - he left the Helder, and the day came for us to board the mail-steamer at - Harwich for Esbjerg. - </p> - <p> - <br /><br /><a name="linkimage-0021" id="linkimage-0021"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0123.jpg" alt="0123 " width="100%" /><br /> - </div> - <h5> - <a href="images/0123.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - She was a grand steamer, newest and largest of her fine. This was her very - first trip. She was officered by flaxen, ingenuous, soft-voiced Danes, who - had a lot of agreeable Danish friends about them, with whom they chattered - in the romantic Danish language, to us exquisite and incomprehensible. - Also she was full of original Danish food, and especially of marvelous and - mysterious sandwiches, which, with small quantities of champagne, we ate - at intervals in a veranda cafe passably imitated from Atlantic liners. - Despite the east wind, which still held, that steamer reached Esbjerg in - the twinkling of an eye. - </p> - <p> - When I say the twinkling of an eye, I mean twenty-two hours. It was in the - dusk of a Saturday evening that we had the thrill of entering an unknown - foreign country. A dangerous harbor, and we penetrated into it as great - ships do, with the extreme deliberation of an elephant. There was a vast - fleet of small vessels in the basin, and as we slid imperceptibly past the - mouth of the basin in the twilight, I scanned the multitudinous masts for - the mast of the <i>Velsa</i>. Her long Dutch streamer was ever - unmistakable. It seemed to us that she ought to be there. What the - mail-steamer could do in less than a day she surely ought to have done in - more than a fortnight, east wind or no east wind. On the map the distance - was simply nothing. - </p> - <p> - I saw her not. Still, it was growing dark, and my eyes were human eyes, - though the eyes of love. The skipper would probably, after all, be on the - quay to greet us with his energetic optimism. In fact, he was bound to be - on the quay, somewhere in the dark crowd staring up at the great ship, - because he never failed. Were miracles necessary, he would have - accomplished miracles. But he was not on the quay. The <i>Velsa</i> was - definitely not at Eshjerg. We felt lonely, forlorn. The head waiter of the - Hotel Spangsberg, a man in his way as great as the skipper, singled us - out. He had a voice that would have soothed the inhabitants of purgatory. - He did us good. We were convinced that so long as he consented to be our - friend, no serious harm could happen to our universe. And the hotel was - excellent, the food was excellent, the cigars were excellent. And the - three chambermaids of the hotel, flitting demurely about the long corridor - at their nightly tasks, fair, clad in prints, foreign, separated - romantically from us by the palisades of language—the three modest - chambermaids were all young and beautiful, with astounding complexions. - </p> - <p> - The next morning the wind was north by east, which was still worse than - east or northeast for the progress of the yacht toward us. Nevertheless, I - more than once walked down across the wharves of the port to the extreme - end of the jetty—about a mile each way each time—in the hope - of descrying the <i>Velsa’s</i> long, red streamer in the offing. It was - Sunday. The town of Esbjerg, whose interest for the stranger is strictly - modern and sociological, was not attractive. Its main street, though - extremely creditable to a small town, and a rare lesson to towns of the - same size in England, was not a thoroughfare in which to linger, - especially on Sunday. In the entire town we saw not a single beautiful or - even ancient building. Further, the port was asleep, and the strong, gusty - breeze positively offensive in the deceptive sunshine. - </p> - <p> - We should have been bored, we might even have been distressed, had we not - gradually perceived, in one passing figure after another, that the - standard of female beauty in Esbjerg was far higher than in any other - place we had ever seen. These women and girls, in their light Sunday - summer frocks, had beauty, fine complexions, grace, softness, to a degree - really unusual; and in transparent sleeves or in no sleeves at all they - wandered amiably in that northerly gale as though it had been a southern - zephyr. We saw that our overcoats were an inelegance, but we retained - them. And we saw that life in Esbjerg must have profound compensations. - There were two types of beautiful women, one with straight lips, and the - other with the upper lip like the traditional bow. The latter, of course, - was the more generously formed, acquiescent and yet pouting, more blonde - than the blonde. Both types had the effect of making the foreigner feel - that to be a foreigner and a stranger in Esbjerg, forcibly aloof from all - the daily frequentations and intimacies of the social organism, was a - mistake. - </p> - <p> - <br /><br /><a name="linkimage-0022" id="linkimage-0022"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0130.jpg" alt="0130 " width="100%" /><br /> - </div> - <h5> - <a href="images/0130.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - In the afternoon we hired an automobile, ostensibly to inspect the - peninsula, but in fact partly to see whether similar women prevailed - throughout the peninsula, and partly to give the yacht a chance of - creeping in during our absence. In our hearts we knew that so long as we - stood looking for it it would never arrive. In a few moments, as it - seemed, we had crossed the peninsula to Veile, a sympathetic - watering-place on its own fjord, and were gazing at the desired Baltic, - whereon our yacht ought to have been floating, but was not. It seemed a - heavenly sea, as blue as the Mediterranean. - </p> - <p> - We had driven fast along rather bad and dusty roads, and had passed about - ten thousand one-story farmsteads, brick-built, splendidly thatched, and - each bearing its date on the walls in large iron figures. These - farmsteads, all much alike, showed that some great change, probably for - the better, must have transformed Danish agriculture about thirty or forty - years ago. But though farmers were driving abroad in two-horse vehicles, - and though certain old men strolled to and fro, smoking magnificent pipes - at least a foot and a half long, the weight of which had to be supported - with the hand, there was little evidence of opulence or even of ease. - </p> - <p> - The passage of the automobile caused real alarm among male cyclists and - other wayfarers, who, in the most absurd, girlish manner, would even leap - across ditches to escape the risks of it. The women, curiously, showed - much more valor. The dogs were of a reckless audacity. From every - farmyard, at the sound of our coming, a fierce dog would rush out to - attack us, with no conception of our speed. Impossible to avoid these - torpedoes! We killed one instantaneously, and ran over another, which - somersaulted, and, aghast, then balanced itself on three legs. Scores of - dogs were saved by scores of miracles. Occasionally we came across a wise - dog that must have had previous altercations with automobiles, and learned - the lesson. By dusk we had thoroughly familiarized ourselves with the flat - Danish landscape, whose bare earth is of a rich gray purple; and as we - approached Esbjerg again, after a tour of 120 miles, we felt that we knew - Jutland by heart, and that the yacht could not fail to be waiting for us - in some cranny of the port, ready to take us to other shores. But the - yacht had not come. - </p> - <p> - Then the head waiter grew to be our uncle, our father, our consoler. It is - true that he told us stories of ships that had set forth and never been - heard of again; but his moral influence was invaluable. He soothed us, fed - us, diverted us, interpreted us, and despatched cables for us. We called - him “Ober,” a name unsuitable to his diminutive form, his few years, and - his chubby face. Yet he was a true Ober. He expressed himself in four - languages, and could accomplish everything. In response to all our - requests, he would murmur in his exquisitely soft voice, “Oh, yes! oh, - yes!” He devised our daily excursions. He sent us to Ribe, the one ancient - town that we saw on the peninsula, in the cathedral of which was a young - girl who had stepped out of a picture by Memling, and who sold post-cards - with the gestures of a virgin saint and the astuteness of a dealer. He - sent us to the island of Fano, where the northeaster blows straight from - Greenland across a ten-mile bathing-beach peopled by fragile women who - saunter in muslin in front of vast hotels beneath a canopy of flags that - stand out horizontally in the terrible breeze. He provided us with - water-bottles and with plates (for palettes ), so that we could descend to - the multicolored port, and there, half sheltered from the wind by a pile - of fish-boxes and from the showers by an umbrella, produce wet - water-colors of fishing-smacks continually in motion. - </p> - <p> - Day followed day. We had lived at Esbjerg all our lives. The yacht was - lost at sea. The yacht had never existed. The wife of the skipper, or, - rather, his widow, had twice cabled that she had no news. But the Ober - continued to bear our misfortunes with the most astounding gallantry. And - then there came a cable from the skipper, dated from the island of - Wangeroog.... Wan-geroog! Wangeroog! What a name for an impossible island! - What a name for an island at which to be weatherbound! We knew it not. - Baedeker knew it not. Even the Ober had not heard of it. We found it at - last on a map more than a hundred miles to the south. And I had been - walking down to the jetty thrice a day to gaze forth for the <i>Velsa’s - wein!</i> - </p> - <p> - <br /><br /><a name="linkimage-0023" id="linkimage-0023"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0136.jpg" alt="0136 " width="100%" /><br /> - </div> - <h5> - <a href="images/0136.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The skipper in his cable asked us to meet him at Friedrichstadt, on the - Eider, in Holstein, Germany. The trains were very slow and awkward. The - Ober said: - </p> - <p> - “Why do you not take an automobile? Much quicker.” - </p> - <p> - “Yes; but the German customs?” - </p> - <p> - “Everything shall be arranged,” said the Ober. - </p> - <p> - I said: - </p> - <p> - “I don’t see myself among the German bureaucracy in a hired car.” - </p> - <p> - The Ober said calmly: - </p> - <p> - “I will go with you.” - </p> - <p> - “All the way?” - </p> - <p> - “I will go with you all the way. I will arrange everything. I speak German - very well. Nothing will go wrong.” - </p> - <p> - Such a head waiter deserved encouragement. I encouraged him. He put on his - best clothes, and came, smoking cigars He took us faultlessly through the - German customs at the frontier. He superintended our first meal at a small - German hotel. I asked him to join us at table. He bowed and accepted. When - the meal was over, he rose and bowed again. It was a good meal. He took us - through three tire-bursts amid the horrid wastes of Schleswig-Holstein. He - escorted us into Friedrichstadt, and secured rooms for us at the hotel. - Then he said he must return. No! no! We could not let him abandon us in - the harsh monotony of that excessively tedious provincial town. But he - murmured that he must depart. The yacht might not arrive for days yet. I - shuddered. - </p> - <p> - “At any rate,” I said, “before you leave, inquire where the haven is, and - take me to it, so that I may know how to find it.” - </p> - <p> - He complied. It was a small haven; a steamer and several ships were in it. - Behind one ship I saw a mast and a red pennant somewhat in the style of - the <i>Velsa</i>. - </p> - <p> - “There,” I said, “my yacht has a mast rather like that.” - </p> - <p> - I looked again. Utterly impossible that the <i>Velsa</i> could have - arrived so quickly; but it was the <i>Velsa</i>. Joy! Almost tears of joy! - I led the Ober on board. He said solemnly: - </p> - <p> - “It is very beautiful.” - </p> - <p> - So it was. - </p> - <p> - But our things were at the hotel. We had our rooms engaged at the hotel. - </p> - <p> - The Ober said: - </p> - <p> - “I will arrange everything.” - </p> - <p> - In a quarter of an hour our baggage was on board, and there was no hotel - hill. And then the Ober really did depart, with sorrow. Never shall I look - on his like again. The next day we voyaged up the Eider, a featureless - stream whose life has been destroyed by the Kiel Canal, to its junction - with the Kiel Canal, eighty-six dull, placid kilometers. But no matter the - dullness; we were afloat and in motion. - </p> - <p> - We spent about seventy-two hours in the German Empire, and emerged from - it, at Kiel, by the canal, with a certain relief; for the yacht had - several times groaned in the formidable clutch of the Fatherland’s - bureaucracy. She had been stopped by telephone at Friedrichstadt for - having passed the custom-house at the mouth of the Eider, the said - custom-house not being distinguished, as it ought to have been, by the - regulation flag. Again we were stopped by telephone at Rendsburg, on the - canal, for having dared to ascend the Eider without a pilot. Here the - skipper absolutely declined to pay the pilot-fees, and our papers were - confiscated, and we were informed that the panjandrum of the harbor would - call on us. However, he did not call on us; he returned our papers, and - let us go, thus supporting the skipper’s hotly held theory that by the law - of nations yachts on rivers are free. - </p> - <p> - We were obliged to take a pilot for the canal. He was a nice, - companionable man, unhealthy, and gently sardonic. He told us that the - canal would be remunerative if war-ships paid dues. “Only they don’t,” he - added. Confronted with the proposition that the canal was very ugly - indeed, he repudiated it. He went up and down the canal forever and ever, - and saw nothing but the ships on it and the navigation signals. He said - that he had been piloting for twelve years, and had not yet had the same - ship twice. And there were 150 pilots on the canal! - </p> - <p> - We put him ashore and into the arms of his wife at Kiel, in heavy rain and - the customary northeaster, and we pushed forward into the comparative - freedom of Kiel Fjord, making for Friedrichsort, which looked attractive - on the chart. But Friedrichsort was too naval for us; it made us feel like - spies. We crossed hastily to Moltenort, a little pleasure town. Even here - we had not walked a mile on land before we were involved in forts and - menacing sign-boards. We retreated. The whole fjord was covered with - battle-ships, destroyers, submarines, Hydro-aëroplanes curved in the - atmosphere, or skimmed the froth off the waves. The air was noisy with the - whizzing of varied screws. It was enormous, terrific, intimidating, - especially when at dusk search-lights began to dart among the lights of - the innumerable fjord passenger-steamers. We knew that we were deeply - involved in the tremendous German system. Still, our blue ensign flew - proudly, unchallenged. - </p> - <p> - <br /><br /><a name="linkimage-0024" id="linkimage-0024"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0141.jpg" alt="0141 " width="100%" /><br /> - </div> - <h5> - <a href="images/0141.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The population of Moltenort was not seductive, though a few young men here - and there seemed efficient, smart, and decent. The women and girls left us - utterly unmoved. The major part of the visitors were content to sit - vacantly on the promenade at a spot where a powerful drain, discharging - into the fjord, announced itself flagrantly to the sense. These quiet, - tired, submissive persons struck us as being the raw slavish material of - the magnificent imperial system, and entirely unconnected with the - wondrous brains that organized it and kept it going. The next morning we - departed very early, but huge targets were being towed out in advance of - us, and we effected our final escape into the free Baltic only by braving - a fleet of battleships that fired into the checkered sky. Sometimes their - shells glinted high up in the sun, and seemed to be curving along the top - edge of an imaginary rainbow. We slowly left them astern, with, as I say, - a certain relief. Little, unmilitary Denmark lay ahead. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0008" id="link2HCH0008"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER VIII—BALTIC COMMUNITIES - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">A</span>T Vordingborg, a - small town at the extreme south of Sjaelland, the largest and easternmost - of the Danish islands, we felt ourselves to be really for the first time - in pure and simple Denmark (Esbjerg had a certain international quality). - We had sailed through the Langelands Belt, skirting the monotonous - agricultural coasts of all sorts of islands, great and small, until one - evening we reached this city, which looked imposing on the map. When we - had followed the skipper ashore on his marketing expedition, and trodden - all the stony streets of little Vordingborg, we seemed to know what - essential Denmark, dozing in the midst of the Baltic, truly was. - </p> - <p> - Except a huge and antique fort, there was no visible historical basis to - this town. The main thoroughfare showed none of the dignity of tradition. - It was a bourgeois thoroughfare, and comfortable bourgeoises were placidly - shopping therein—the same little bourgeoises that one sees all over - the world. A fairly large hotel; sundry tobacconists; a bookseller who - also sold wall-papers; a sausage-shop, with a girl actuating an efficient - sausage-slicing machine, and in the window an electric fan whirring close - to a gigantic sausage. In the market, on a vague open space, a few carts, - with their shafts on the ground; a few stalls; a few women; a butcher - whipping off a hungry dog; three cheeses on a stand; baskets of fruit and - vegetables on the Danish ground; our skipper chattering by signs and - monosyllables in the middle. That was Vordingborg. - </p> - <p> - <br /><br /><a name="linkimage-0025" id="linkimage-0025"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0146.jpg" alt="0146 " width="100%" /><br /> - </div> - <h5> - <a href="images/0146.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - In the churchyard there were only two graves. The church had no more - architectural interest than a modern church in a London suburb, though it - was older. We went within. The numbers of the hymns at the last service - were still forlornly stuck up on the indicator. The altar and screen were - ingenuously decorated in the style of a high-class booth at a fair. Three - women in huge disfiguring aprons were cleaning the interior. Their cloaks - and a white umbrella lay on the stone floor. They never even glanced at - us. We left the church, and then skirting market-gardens and climbing over - the ramparts of the fort, we descended to the mournful little railway - station, and as we watched a little train amble plaintively in and out of - that terminus, we thought of the numbers of the hymns sung at the last - service in the church, and the immense devastating ennui of provincial - existence in remote places enveloped us like a dank fog. We set sail, and - quitted Vordingborg forever, lest we might harden our hearts and be unjust - to Vordingborg, which, after all, at bottom, must be very like a million - other townlets on earth. - </p> - <p> - Compared with some of the ports we made, Vordingborg was a metropolis and - a center of art. When we had threaded through the Ulfsund and the Stege - Strand and the intricacies of the Rogestrommen, we found shelter in a - village harbor of the name of Faxo. Faxo had nothing—nothing but a - thousand trucks of marl, a girl looking out of a window, and a locked - railway station. We walked inland into a forest, and encountered the - railway track in the middle of the forest, and we walked back to Faxo, and - it was the same Faxo, except that a splendid brig previously at anchor in - the outer roads was slipping away in the twilight, and leaving us alone in - Faxo. - </p> - <p> - At Spotsbjerg, on the north of the island of Sjælland, a small, untidy - fishing village with a harbor as big as a swimming-bath, there was not - even a visible church; we looked vainly for any church. But there was a - telephone, and on the quay there was a young and pretty girl leaning - motionless on her father’s, or her grandfather’s, tarpaulin shoulder. Full - of the thought that she would one day be old and plain, we fled from - Spotsbjerg, and traveled an incredible distance during the whole of a - bright Sunday, in order to refresh our mundane instincts at the capital of - the Jutland peninsula, Aarhus. - </p> - <p> - <br /><br /><a name="linkimage-0026" id="linkimage-0026"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0151.jpg" alt="0151 " width="100%" /><br /> - </div> - <h5> - <a href="images/0151.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - And on approaching Aarhus, we ran into a regatta, and the <i>Velsa</i> had - less of the air of an aristocrat among the industrial classes than in such - ports as Spotsbjerg and Faxo. Further, a reporter came to obtain a “story” - about the strange Dutch yacht with the English ensign. It was almost equal - to being anchored off the Battery, New York. - </p> - <p> - At Aarhus the pulse of the world was beating rather loud. In the windows - of the booksellers’ shops were photographs of the director of the - municipal theater surrounded by his troupe of stars. And he exactly - resembled his important brethren in the West End of London. I myself was - among the authors performed in the municipal theater, and I had a strange, - comic sensation of being world-renowned. Crowds surged in the streets of - Aarhus and in its cafés and tram-cars, and at least one of its taxicabs - was driven by a woman. It had a really admirable hotel, the Royal, with - first-class cooking, and a concert every night in its winter garden, where - the ruling classes met for inexpensive amusement, and succeeded in amusing - themselves with a dignity, a simplicity, and a politeness that could not - possibly be achieved in any provincial town in England, were it five times - the size of Aarhus. And why? - </p> - <p> - Withal, Aarhus, I have to confess, was not much of a place for elegance. - Its women failed, and the appearance of the women is the true test of a - civilization. So far in our Danish experience the women of Esbjerg stood - unrivaled. The ladies of Aarhus, even the leading ladies gathered together - in the Royal Hotel, lacked style and beauty. Many of them had had the - sense to retain the national short sleeve against the ruling of fashion, - but they did not arrive at any effect of individuality. They were neither - one thing nor the other. Their faces showed kindness, efficiency, - constancy, perhaps all the virtues; but they could not capture the - stranger’s interest. - </p> - <p> - There was more style at Helsingôr (Elsinore), a town much smaller than - Aarhus, but probably enlivened by naval and military influences, by its - close proximity to Sweden, with train-ferry communication therewith, and - by its connection with Hamlet and Shakspere. The night ferries keep the - town unduly awake, but they energize it. Till a late hour the station and - the quay are busy with dim figures of chattering youth in pale costumes, - and the departure of the glittering train-laden ferry to a foreign country - two miles off is a romantic spectacle. The churches of Helsingôr have an - architectural interest, and its fruit shops display exotic fruits at high - prices. Officers flit to and fro on bicycles. Generals get out of a closed - cab at the railway station, and they bear a furled standard, and vanish - importantly with it into the arcana of the station. The newspapers of many - countries are for sale at the kiosk. The harbor-master is a great man, and - a suave. - </p> - <p> - The pride of Helsingor is the Kronborg Castle, within sight of the town - and most grandiosely overlooking sea and land. Feudal castles are often - well placed, but one seldom sees a renaissance building of such heroic - proportions in such a dramatically conceived situation. The castle is of - course used chiefly as a barracks. On entering the enormous precincts, we - saw through a window a private sitting on a chair on a table, in fatigue - uniform, playing mildly a flageolet, and by his side on the table another - private in fatigue uniform, with a boot in one hand, doing nothing - whatever. And from these two figures, from the whitewashed bareness of the - chamber, and from the flageolet, was exhaled all the monstrous melancholy - of barrack-life, the same throughout the world. Part of the castle is set - aside as a museum, wherein, under the direction of a guide, one is - permitted to see a collection of pictures the surpassing ugliness of which - nearly renders them interesting. The guide points through a window in the - wall ten feet thick to a little plot of turf. “Where Hamlet walked.” No - historical authority is offered to the visitor for this statement. The - guide then leads one through a series of large rooms, empty save for an - occasional arm-chair, to the true heart of the Kronborg, where he - displayed to us a seated statue of Mr. Hall Caine, tinted an extreme - unpleasant bluish-white. An inscription told that it had been presented to - Kronborg by a committee of Englishmen a few years earlier to mark some - anniversary. The guide said it was a statue of Shakspere. I could not - believe him. - </p> - <p> - <br /><br /><a name="linkimage-0027" id="linkimage-0027"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0157.jpg" alt="0157 " width="100%" /><br /> - </div> - <h5> - <a href="images/0157.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0009" id="link2HCH0009"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER IX—A day’s SAIL - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">A</span>LTHOUGH there is a - lively pleasure in discovering even the dullest and smallest towns and - villages, the finest experience offered by the Baltic is the savor of the - Baltic itself in a long day’s sail. I mean a day of fourteen hours at - least, from six in the morning till eight at night, through varied - seascapes and landscapes and varied weather. As soon as the yacht leaves - harbor in the bracing chill of sunrise she becomes a distinct entity, - independent, self-reliant. The half-dozen men on her, cut off from the - world, are closely knitted into a new companionship, the sense of which is - expressed not in words, but by the subtleties of tone and mien; and if - only one amoung them falls short of absolute loyalty and good-will toward - the rest, the republic is a failure, and the air of ocean poisoned. The - dictum of an older and far more practised yachtsman than myself used - always to be, “I ’ll have no man aboard my ship who can’t smile all - the time.” It is a good saying. And it could be applied to my yacht in the - Baltic. We had days at sea in the Baltic which were ideal and thrilling - from one end to the other. - </p> - <p> - <br /><br /><a name="linkimage-0028" id="linkimage-0028"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0161.jpg" alt="0161 " width="100%" /><br /> - </div> - <h5> - <a href="images/0161.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - To make a final study of the chart in the cabin while waiting for - breakfast is a thrilling act. You choose a name on the chart, and decide: - “We will go to that name.” It is a name. It is not yet a town or a - village. It is just what you imagine it to be until you first sight it, - when it instantly falsifies every fancy. The course is settled. The ship - is on that course. The landmarks will suffice for an hour or two, but the - sea-marks must be deciphered on the chart, which is an English chart, and - hence inferior in fullness and clearness to either French or Dutch charts. - Strange, this, for a nation preëminently maritime! To compensate, the - English “Sailing Directions”—for example, the “Pilot’s Guide to the - Baltic”—are so admirably written that it is a pleasure to read them. - Lucid, succinct, elegant, they might serve as models to a novelist. And - they are anonymous. - </p> - <p> - To pick up the first buoy is thrilling. We are all equally ignorant of - these waters; the skipper himself has not previously sailed them, and we - are all, save the cook, engulfed below amid swaying saucepans, on the - lookout for that buoy. It ought to be visible at a certain hour, but it is - not. The skipper points with his hand and says the buoy must be about - there, but it is not. He looks through my glasses, and I look through his; - no result. Then the deck-hand, without glasses, cries grinning that he has - located her. After a quarter of an hour I can see the thing myself. That a - buoy? It is naught but a pole with a slightly swollen head. Absurd to call - it a buoy! Nevertheless, we are relieved, and in a superior manner we - reconcile ourselves to the Baltic idiosyncrasy of employing broom-handles - for buoys. The reason for this dangerous idiosyncrasy neither the skipper - nor anybody else could divine. Presently we have the broom close abeam, a - bobbing stick all alone in the immense wilderness of water. There it is on - the chart, and there it is in the water, a romantic miracle. We assuage - its solitude for a few minutes, and then abandon it to loneliness. - </p> - <p> - We resume the study of the chart; for although we are quite sure of our - course, the skipper can never be sure enough. My attention is drawn to a - foot-note that explains the ice-signals of the Baltic. And the skipper - sets to telling tales of terror about the ice, in the Zuyder Zee and other - seas. He tells how the ice forms under the ship surreptitiously, coming up - from the bottom like treacle. You say, “It’s freezing to-night,” and the - next morning the ship can’t move; and you may die of starvation, for - though the ice will hold the ship, it won’t hold you. The skipper knew men - who could remember ice in the Zuyder Zee in June. He himself had once - oscillated for a whole week between two ports on the Zuyder Zee, visible - to each other, pushed hither and thither by the ice, and unable to get - anywhere at all. But ice was less terrible than it used to he, owing to - the increased strength and efficiency of ice-breakers. And climate was - less rigorous. Thus the skipper would reassure us for a moment, only to - intimidate us afresh. For it seems that the ice has a way of climbing; it - will climb up over everything, and inclose a ship. Indeed, he was most - impressive on the subject of ice. He said that the twin horrors of the sea - were ice and fog. But of fog he told no tales, being occupied with the - forward valve of the engine. We perceived that yachtsmen who go out when - it happens to suit them, between May and September only, can never achieve - intimacy with the entire individuality of the sea. - </p> - <p> - The weather has now cleared for a while. The sun is hot, the saloon - skylight warm to the touch. You throw off a jersey. The tumbling water is - a scale of deep blues, splendid against the brass of the bollard and the - reddishness of the spars. The engine is running without a “knock”; the - sails are nicely filled; the patent log is twirling aft. A small rainbow - shines steadily in the foam thrown up from the bows, and a great rainbow - stretches across all heaven, with its own ghost parallel to it. Among the - large, soft clouds rags of dark cloud are uneasily floating. On the flat - shores of near islands the same cereals ripen as ripen at home. And this - is thrilling. Distant islands are miraged. Even a distant battleship seems - to be lifted clean out of the water by the so-called mirage. - </p> - <p> - And then a trading-schooner, small, but much larger than us, relentlessly - overhauls us. She laughs at the efforts of our engine to aid our sails, - and forges ahead, all slanting, with her dinghy slung up tight aft, over - her rudder. And then it is the still small voice of the stomach that - speaks. Hunger and repletion follow each other very swiftly on such days. - The after-breakfast cigar is scarcely finished before a genuine curiosity - as to the menu of lunch comes to birth within. We glance into the saloon. - Yes, the white cloth is laid, but we cannot eat cloth. The cook and the - chronometer are conspiring together against us. - </p> - <p> - In the afternoon the weather is thick and squally. And we are creeping - between sad and forlorn veiled islands that seem to exude all the - melancholy of the seas. There is plenty of water, but only in a deceiving - horizontal sense. The channel is almost as narrow and as tortuous as a - Devonshire lane. English charts are criminally preposterous, and so are - Danish brooms. Hardly can one distinguish between a starboard and a port - broom. Is the life of a yacht to depend on such negligent devices? The - skipper is worried. And the spectacle of a ship aground in mid-sea does - not tranquilize. Sometimes the hail wipes out for a few seconds the whole - prospect. The eyes of everybody are strained with looking for distant - brooms. - </p> - <p> - <br /><br /><a name="linkimage-0029" id="linkimage-0029"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0168.jpg" alt="0168 " width="100%" /><br /> - </div> - <h5> - <a href="images/0168.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Then we are free of the archipelago, and also the sky clears. The sun, - turning orange, is behind us, and the wind in our teeth. Ahead is a - schooner, beating. And she is the schooner of the morning. Our engine now - has the better of her. As we overtake her, she runs away on one tack, and - comes back on the next. She bears down on our stern, huge, black, - glittering. A man and a boy are all her crew. This man and this boy are - entitled to be called mariners, as distinguished from yachtsmen. We can - see their faces plainly as they gaze down at us from their high deck. And - you may see just the same faces on the liners that carry emigrants from - Denmark to the West, and the same limbs sprawling on the decks of the - Esbjerg steamers, as the same hands scrawl Danish characters on picture - postal cards to the inhabitants of these very islands. - </p> - <p> - The sea is now purple, and the schooner a little black blot on the red - panorama of the sunset; and ahead, amid faint yellow and green fields, is - a white speck, together with sundry red specks and blue specks. The name - on the chart! And then the haven is descried, and a ring of masts with - fluttering rags. And then the lighthouse and the roofs detach themselves, - and the actual mouth of the haven appears. Twilight falls; the engine is - moderated; the deck-hand stands by with a pole. Very slowly we slide in, - and the multitudinous bright tints of the fishing-smacks are startlingly - gay even in the dusk. The skipper glances rapidly about him, and yells out - in Dutch to a fisherman, who replies in Danish. The skipper shakes his - head, at a loss, and gives an order to the deck-hand. The deck-hand claws - with a pole at a yellow smack. We have ceased to be independent. The name - on the chart is a name no longer. It is a living burg, a poor little - place, good enough to sleep in, and no more. But another stage on the - journey to that magic capital Copenhagen. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_PART3" id="link2H_PART3"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - PART III COPENHAGEN - </h2> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0010" id="link2HCH0010"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER X—THE DANISH CAPITAL - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">A</span>CROSS the great - expanse of Kjoge Bay, Copenhagen first became visible as a group of - factory chimneys under a firmament of smoke. We approached it rapidly upon - smooth water, and ran into the narrowing bottle-neck of Kallebo, with the - main island of Sjælland to the west and the appendant island of Amager to - the east. Copenhagen stands on both, straddling over a wide connecting - bridge which carries double lines of electric trams and all the traffic of - a metropolis. When a yacht, even a small one, wishes to enter the harbor, - this bridge is cut in two and lifted into the air, and the traffic - impatiently champs its bit while waiting for the yacht. - </p> - <p> - <br /><br /><a name="linkimage-0030" id="linkimage-0030"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0174.jpg" alt="0174 " width="100%" /><br /> - </div> - <h5> - <a href="images/0174.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Apparently they understand yachts at Copenhagen, as they do in Holland. At - the outer harrier of the harbor we were not even requested to stop. A - cheerful and beneficent functionary cried out for our name, our captain’s - name, our tonnage, and our immediate origin, and, his curiosity being - sated, waved us onward. The great bridge bisected itself for us with - singular promptitude. Nevertheless, the gold-buttoned man in charge - thereof from his high perch signaled to us that our burgee was too small. - We therefore, having nothing else handy to placate him, ran up a blue - ensign to the masthead; but it looked so excessively odd there, so acutely - contrary to the English etiquette of yachts, that we at once hauled it - down again. No further complaint was made. - </p> - <p> - We were now in the haven, and over the funnels of many ships we could see - the city. It was all copper domes and roofs; and we saw that it was a - proud city, and a city where exposed copper turns to a beautiful green - instead of to black, as in London. Splendid copper domes are the chief - symptom of Copenhagen. After all the monotonous, tiny provincialism of the - peninsula and of the islands, it was sensational to find a vast capital at - the far end of the farthest island. We thought we were coming to the end - of the world, and we came to a complete and dazzling city that surpassed, - for example, Brussels in its imposingness. We turned westward out of the - main channel into the heart of the town, and in a moment were tied up to a - smack, and the red-and-green bourse was leaning over us; the rattle and - ringing and stamping of horses, lorries, tram-cars, and taxi-cabs deafened - us on three sides; and a bridge trembling with traffic barred our way. - </p> - <p> - Towers and spires rose beyond the bridge; crowds stood to gaze at us; - steamers and warehouses filled the prospect to the north; and under our - bows the petrol-engined gondolas of Copenhagen, each holding a dozen - passengers or so, continually shot. We were in the midst of a terrific - din, but we cared not. We had arrived, and we had arrived in a grand town; - we knew that at the first glance. - </p> - <p> - <br /><br /><a name="linkimage-0031" id="linkimage-0031"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0179.jpg" alt="0179 " width="100%" /><br /> - </div> - <h5> - <a href="images/0179.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - In something less than half an hour one of us had gone forth and returned - with grave tidings: “This is a most exciting city. I’ve already seen lots - of beautiful women, some with lovely tow-colored hair.” The charm of - distant Esbjerg was at last renewed. I went forth myself, into a very - clean, fresh-looking city, with simple and lively inhabitants. In a trice - I had gazed at the Thorvaldsen Museum (which I had no intention of - entering, Thorvaldsen being for me on about the same artistic plane as the - inexcusable Ary Scheffer of Dordrecht), the Christianborg Palace, which - had an austere and kingly air, the very modern and admirable town hall, - the old railway station, which has been transformed into the largest - kinema in the world, the floating fish shops and fish restaurants (made - out of old smacks and schooners), the narrow, thronged shopping streets, - the celebrated Tivoli establishment, and the yacht-like steamers that from - a quay, which might almost be called the gate to Sweden, in the very - middle of the town, are constantly setting sail for Scandinavia. From - Copenhagen you go to Sweden as thoughtlessly as in New York you go from - Forty-second to Sixty-ninth Street, or in London from the Bank to Chelsea, - and with less discipline. If the steamer has cast off, and the captain - sees you hurrying up the street, he stops his engines and waits for you, - and you are dragged on board by a sailer; whereupon the liner departs, - unless the captain happens to see somebody else hurrying up the street. - </p> - <p> - An hour in the thoroughfares of Copenhagen was enough to convince my feet - that it was not a city specially designed for pedestrians. I limped back - to the yacht, and sent the skipper to hire a carriage. He knew no more of - the city than I did, less indeed; he could no more than I speak a single - word of Danish; but I felt sure that he would return with an equipage. - What I desired was an equipage with a driver who could speak either - English, French, or Dutch. He did return with an equipage, and it was - overpowering. Rather like a second-hand state carriage, it was drawn by - two large gray horses, perhaps out of a circus, and driven by a liveried - being who was alleged to speak French. I shuddered at the probable cost of - this prodigious conveyance, but pretended I did not care. The ligure named - was just seven dollars a day. We monopolized the carriage during our - sojourn, and the days were long; but the coachman never complained. - Possibly because he had no language in which to complain. We learned in a - moment that his ability to speak French was entirely mythical. Then some - one said that a misunderstanding had occurred at the livery-stables, and - that German was the foreign language he spoke, But he did not speak German - either, nor anything else. He was just another of those strange creatures - met in the course of travel who are born, who mature, and who die without - speaking or comprehending any language whatever. - </p> - <p> - From the height of his spacious and sedate vehicle we gazed down upon the - rushing population of Copenhagen—beautiful women, with lovely - tow-colored hair, and simple, nice-gestured men. The driver only made one - mistake, but it was a bad one. We wanted tea, and we asked him to go to a - teagarden, any tea-garden. He smiled, and went. He took us up an - interminable boulevard, with a special strip for cyclists. Thousands upon - thousands of cyclists, all fair, passed and repassed us. He went on and - on. One of the horses fell lame, but it made no difference. We could not - stop him. And repetitions of the word for tea in French and German had no - effect save to make him smile. We constantly descried what seemed in the - distance to be tea-gardens, but they were not tea-gardens. We saw an - incomprehensible colony of doll’s houses—well-kept suburban huts - exteriorly resembling houses—in a doll’s garden. We could not - conceive the nature of this phenomenon, but it was not a tea-garden. - Presently the carriage was stopped by a man demanding money. He wore no - uniform, but conveyed to us that he was an official of the town of - Hillerup, and that strange carriages had to pay forty-eight ore in order - to traverse Hillerup. - </p> - <p> - It seemed a lot of money; but as it only amounted to sixpence, we paid. - The man may have been a highwayman. We looked at the map for Hillerup, and - found it miles away from Copenhagen. - </p> - <p> - We were now in serious need of tea, and helpless. The driver drove on. He - conducted us through half a dozen seaside resorts on the quite unjustly - celebrated “Danish Riviera”; he came actually to the end of the tram-line, - and then he curved inland into a forest (more to pay). We were now angry - and still helpless. The forest had no end, and the roads in it no - direction. Desperate, we signaled to him to turn back. He would not. He - informed us on his lingers that he would be arriving in twenty minutes or - so. When he did arrive, we solved the mystery. He had confused the word - for tea with the word for deer, and had brought us to a well-known country - resort called the Deer Park. A few miserable tourists were in fact - drinking cold, bad tea on a windy terrace overlooking a distant horizon, - far beyond which lay Copenhagen. We swallowed the tea, the driver - swallowed beer, and we started hack. We had no overcoats, and the Baltic - evening was cold. Trams overtook us flying at a tremendous pace into - Copenhagen, and we were behind a lame horse. In the dusk we reached once - more the desirable city, whose women never seemed more fair to us than - they did then. This adventure taught us that the yachtsman must be - prepared for any adventure, even the wildest. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0011" id="link2HCH0011"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XI—CAFÉS AND RESTAURANTS - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">T</span>HE most - interesting thing, to the complete stranger, in a large foreign city that - does not live on its own past is not the museums, but the restaurants and - cafés, even in the dead season. We were told that August was the dead - season in Copenhagen, and that all the world was at the seaside resorts. - We had, however, visited a number of Danish seaside resorts, and they were - without exception far more dead than Copenhagen. In particular Marienlyst, - reputed to be the haunt of fashion and elegance, proved to be a very sad, - deserted strand. Copenhagen was not dead. - </p> - <p> - We went for our first dinner to Wivels Restaurant, signalized to us by - authority as the finest in Denmark, a large, rambling, crimson-and-gold - place, full of waiters who had learned English in America, of - hors-d’ouvre, and of music. The hand was much better than the food, but it - has to be said that we arrived at half-past seven, when Danish dinner is - over and Danish supper not begun. Still, many middle-class people were - unceremoniously and expensively eating—in the main hors-d’ouvre. The - metropolitanism of Copenhagen was at once apparent in this great - restaurant. The people had little style, but they had the assurance and - the incuriousness of metropolitans, and they were accustomed to throwing - money about, and to glare, and to stridency, and to the idiosyncrasies of - waiters, and to being in the swim. Wivels might show itself on Fifth - Avenue or in the Strand without blushing. And its food had the wholesale, - crude quality of the food offered in these renowned streets to persons in - the swim. - </p> - <p> - Next we went to the Hôtel d’Angleterre, which was just the restaurant of - the standardized international hotel. Once within its walls, and you might - as well be at Paris, Aix-les-Bains, Harrogate, Rome, Algiers, Brussels, as - at Copenhagen. The same menu, the same cooking, the same waiters, the same - furniture, the same toothpicks, and the same detestable, self-restrained - English travelers, with their excruciating Englishness. The café on the - ground floor of this hotel, overlooking a large and busy circular <i>place</i>, - with the opera and other necessaries of metropolitan life close by, was - more amusing than the restaurant. It was a genuine resort in the - afternoon. The existence of Copenhagen rolled to and fro in front of its - canopied terrace, and one might sit next to an English yachting party of - astounding correctness and complacency (from one of those conceited - three-hundred-ton boats, enameled white, and jeweled in many holes, like a - watch), or to a couple of Danish commercials, or to a dandy and his love. - Here we one night singled out for observation a very characteristic Danish - young man and young woman with the complexions, the quiet, persuasive - voices, and the soothing gestures of the North. It was an agreeable sight; - but when we had carried our observation somewhat further, we discovered - that they were an English pair on their honeymoon. - </p> - <p> - <br /><br /><a name="linkimage-0032" id="linkimage-0032"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0186.jpg" alt="0186 " width="100%" /><br /> - </div> - <h5> - <a href="images/0186.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - In a day or two, feeling more expert in things Danish, we wanted a truly - Danish restaurant, unspoiled by cosmopolitanism. We hit on it in the - Wiener Café, appanage of the Hotel King of Denmark. A long, narrow room, - anciently and curiously furnished, with mid-Victorian engravings on the - somber walls. The waiters had the austerity of priests presiding at a - rite. Their silent countenances said impassively: “This is the most select - resort in our great and historic country. It has been frequented by the - flower of Danish aristocracy, art, and letters for a thousand years. It - has not changed. It never will. No upstart cosmopolitanism can enter here. - Submit yourselves. Speak in hushed tones. Conform to all the niceties of - our ceremonial, for we have consented to receive you.” - </p> - <p> - In brief, it was rather like an English bank, or a historic hotel in an - English cathedral town, though its food was better, I admit. The menu was - in strict Danish. We understood naught of it, but it had the air of a - saga. At the close of the repast, the waiter told us that, for the <i>prix - fixe</i>, we had the choice between cake and cheese. I said, “Will you let - me have a look at the cake, and then I ‘ll decide.” He replied that he - could not; that the cake could not be produced unless it was definitively - ordered. The strange thing was that he persisted in this attitude. Cake - never had been shown on approval at the Wiener Café of the Hotel King of - Denmark, and it never would he. I bowed the head before an august - tradition, and ordered cheese. The Wiener Café ought to open a branch in - London; it was the most English affair I have ever encountered out of - England. - </p> - <p> - Indeed, Copenhagen is often exquisitely English. That very night we chose - the restaurant of the Hotel————for dinner. The - room was darkly gorgeous, silent, and nearly full. We were curtly shown to - an empty table, and a menu was dung at us. The head waiter and three - inefficient under waiters then totally ignored us and our signals for - fifteen minutes; they had their habitués to serve. At the end of fifteen - minutes we softly and apologetically rose and departed, without causing - any apparent regret save perhaps to the hat-and-coat boy, whom we basely - omitted to tip. - </p> - <p> - <br /><br /><a name="linkimage-0033" id="linkimage-0033"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0191.jpg" alt="0191 " width="100%" /><br /> - </div> - <h5> - <a href="images/0191.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - We roved in the wet, busy Sunday streets, searching hungrily for a - restaurant that seemed receptive, that seemed assimilative, and luck - guided us into the Café de l’Industrie, near the Tivoli. The managers of - this industrious café had that peculiar air, both independent and - amicable, which sits so well on the directors of an organism that is - firmly established in the good-will of the flourishing mass. No - selectness, no tradition, no formality, no fashion, no preposterous - manners about the Café de l’Industrie, but an aspect of solid, rather - vulgar, all-embracing, all-forgiving prosperity. It was not cheap, neither - was it dear. It was gaudy, but not too gaudy. The waiters were men of the - world, experienced in human nature, occupied, hasty, both curt and - expansive, not servile, not autocratic. Their faces said: “Look here, I - know the difficulties of running a popular restaurant, and you know them, - too. This is not heaven, especially on a Sunday night; but we do our best, - and you get value for your money.” - </p> - <p> - The customers were samples of all Copenhagen. They had money to spend, but - not too much. There were limits to their recklessness in the pursuit of - joy. They were fairly noisy, quite without affectation, fundamentally - decent, the average Danish. Elegance was rarer than beauty, and - spirituality than common sense, in that restaurant. We ate moderately in - the din and clash of hors d’ouvre, mural decorations, mirrors, and music, - and thanked our destiny that we had had the superlative courage to leave - the Hotel ————, with its extreme correctitude. - </p> - <p> - Finally, among our excursions ‘n restaurants, must be mentioned a crazy - hour in the restaurant of the Hotel ————, supreme - example of what the enterprising spirit of modern Denmark can accomplish - when it sets about to imitate the German <i>art nouveau</i>. The ———— - is a grand hotel in which everything, with the most marvelous and - terrifying ingenuity, has been designed in defiance of artistic tradition. - A fork at the ———— resembles no other fork on - earth, and obviously the designer’s first and last thought was to be - unique. It did not matter to him what kind of fork he produced so long as - it was different from any previous fork in human history. The same with - the table-cloth, the flower-vase, the mustard-pot, the chair, the carpet, - the dado, the frieze, the tessellated pavement, the stair-rail, the - wash-basin, the bedstead, the quilt, the very door-knobs. The proprietors - of the place had ordered a new hotel in the extreme sense, and their order - had been fulfilled. It was a prodigious undertaking, and must certainly - have been costly. It was impressive proof of real initiative. It - intimidated the beholder, who had the illusion of being on another planet. - Its ultimate effect was to outrival all other collections of ugliness. I - doubt whether in Berlin itself such ingenious and complete ugliness could - be equaled in the same cubic space. My idea is that the creators of the - Hotel ———— may lawfully boast of standing alone on - a pinnacle. - </p> - <p> - It was an inspiration on the part of the creators, when the hotel was - finished to the last salt-spoon, to order a number of large and - particularly bad copies of old masters, in inexpensive gilt frames, and to - hang them higgledy-piggledy on the walls. The resulting effect of - grotesquery is overwhelming. Nevertheless, the ———— - justly ranks as one of the leading European hotels. It is a mercy that the - architect and the other designers were forbidden to meddle with the - cooking, which sins not by any originality. - </p> - <p> - The summary and summit of the restaurants and cafes of Copenhagen is the - Tivoli. New York has nothing like the Tivoli, and the Londoner can only - say with regret that the Tivoli is what Earl’s Court ought to be, and is - not. The Tivoli comprises, within the compass of a garden in the midst of - the city, restaurants, cafés, theater, concert-hall, outdoor theater, - bands, pantomime, vaudeville, dancing-halls, and very numerous side-shows - on both land and water. The strangest combinations of pleasure are - possible at the Tivoli. You can, for instance, as we did, eat a French - dinner while watching a performance of monkeys on a tightrope. The - opportunities for weirdness in felicity are endless. We happened to arrive - at Copenhagen just in time for the fêtes celebrating the seventieth - anniversary of the Tivoli, which is as ancient as it is modern. On the - great night the Tivoli reveled until morning. It must be the pride of the - populace of Copenhagen, and one of the city’s dominating institutions. It - cannot be ignored. It probably uses more electric light than any other ten - institutions put together. And however keenly you may resent its - commonplace attraction, that attraction will one day magnetize you to - enter its gates—at the usual fee. - </p> - <p> - I estimate that I have seen twenty thousand people at once in the Tivoli, - not a bad total for one resort in a town of only half a million - inhabitants. And the twenty thousand were a pleasant sight to the foreign - observer, not merely for the pervading beauty and grace cf the women, - which was remarkable, but also for the evident fact that as a race the - Danish know how to enjoy themselves with gaiety, dignity, and simplicity. - Their demeanor was a lesson to Anglo-Saxons, who have yet to discover how - to enjoy themselves freely without being either ridiculous or vulgar or - brutish. The twenty thousand represented in chief the unassuming - middle-class of Copenhagen. - </p> - <p> - <br /><br /><a name="linkimage-0034" id="linkimage-0034"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0197.jpg" alt="0197 " width="100%" /><br /> - </div> - <h5> - <a href="images/0197.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - There were no doubt millionaires, aristocrats, “nuts,” rascals, obelisks, - and mere artisans among the lot, but the solid bulk was the middle-class, - getting value for its money in an agreeable and unexceptionable manner. - The memory of those thousands wandering lightly clad in the cold Northern - night, under domes and festoons and pillars of electric light, amid the - altercations of conflicting orchestras, or dancing in vast, stuffy - inclosures, or drinking and laughing and eating hors-d’ouvre under rustling - trees, or submitting gracefully to Wagnerian overtures in a theater whose - glazed aisles were two restaurants, or floating on icy lakes, or just - beatifically sitting on al-fresco seats in couples—this memory - remains important in the yachtsman’s experiences of the Baltic. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0012" id="link2HCH0012"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XII—ARISTOCRACY AND ART - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">T</span>HE harbor-master - would not allow us to remain for more than three days in our original - berth, which served us very well as a sort of grand stand for viewing the - life of Copenhagen. His theory was that we were in the way of honest - laboring folk, and that we ought to be up in the “sound,” on the - northeastern edge of the city, where the yachts lie. We contested his - theory, but we went, because it is unwise to quarrel with a bureaucracy of - whose language you are ignorant. - </p> - <p> - The sound did not suit us. The anchorage was opposite a coaling station, - and also opposite a shipbuilding yard, and from the west came a strong - odor out of a manufactory of something unpleasant. We could have tolerated - the dust, the noise, and the smell, but what we could not tolerate was the - heavy rolling, for the north wind was blowing and the anchorage exposed to - it. Indeed, the Royal Danish Yacht Club might have chosen more comfortable - quarters for itself. We therefore unostentatiously weighed anchor again, - and reëntered the town, and hid ourselves among many businesslike tugs in - a little creek called the New Haven, whose extremity was conveniently - close to the Café d’Angleterre. We hoped that the prowling harbor-master - would not catch sight of us, and he did not. - </p> - <p> - <br /><br /><a name="linkimage-0035" id="linkimage-0035"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0204.jpg" alt="0204 " width="100%" /><br /> - </div> - <h5> - <a href="images/0204.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The aristocratic and governing quarter of the town lay about us, including - the Bregade, a street full of antiquaries, marble churches, and baroque - houses, and the Amalienborg Palace, which is really four separate similar - palaces (in an octagonal <i>place</i>) thrown into one. Here all the - prospects and vistas were dignified, magnificent, and proudly exclusive. - The eighteenth century had nobly survived, when the populace was honestly - regarded as a horde created by divine providence in order that the ruling - classes might practise upon it the art of ruling. There was no Tivoli when - those beautiful pavements were made, and as you stand on those pavements - and gaze around at the royal grandiosity, speckless and complete, you can - almost imagine that even the French Revolution has not yet occurred. The - tiny, colored sentry at the vast, gray gates is still living in the - eighteenth century. The architecture is not very distinguished, but it has - style. It shames the ———— Hotel. The Frederiks - Church, whose copper dome overtops the other copper domes, is a fair - example of the quarter. Without being in the least a masterpiece, it - imposes by its sincerity and its sense of its own importance. And the - interior is kept as scrupulously as a boudoir. The impeccability of the - marble flooring is wondrous, and each of the crimson cushions in the - polished pews is like a lady’s pillow. Nothing rude can invade this - marmoreal fane. - </p> - <p> - The Rosenborg Palace, not far off, is open to the public, so that all may - judge what was the life of sovereigns in a small country, and what - probably still is. The royal villas outside Florence are very ugly, but - there is a light grace about their furnishing which lifts them far above - the heavy, stuffy, tasteless mediocrity of such homes as the Rosenborg. - Badly planned, dark, unhygienic, crammed with the miscellaneous ugliness - of generations of royal buying, the Rosenborg is rather a sad sight to - people of taste; and the few very lovely tilings that have slipped in here - and there by inadvertence only intensify its mournfulness. The phantoms of - stupid courtiers seem to pervade, strictly according to etiquette, its - gloomy salons. And yet occasionally, in the disposition of an arm-chair or - a screen, one realizes that it must, after all, have been a home, - inhabited by human beings worthy of sympathy. It is the most bourgeois - home I ever entered. In a glass case, with certain uniforms, were hung the - modern overcoat (a little frayed) and the hat of a late monarch. They - touched the heart of the sardonic visitor, their exposure was so naive. - </p> - <p> - Even more depressing than this mausoleum of nineteenth-century maimers was - the museum of art. As a colossal negation of art, this institution ranks - with the museum of Lausanne. It is an enormous and ugly building, full of - enormous ugliness in painting and sculpture. It contained a fine Rembrandt—“Christ - at Emmaus”—and one good modern picture, a plowing scene by - Wilhelmson. We carefully searched the immense rooms for another good - modern picture, and found it not. Even the specimens of Gauguin, Van Gogh, - and Bonnard were mediocre. - </p> - <p> - The sculpture was simply indescribable. The eye roamed like a bird over - the waters of the deluge, and saw absolutely nothing upon which to alight - with safety. Utter desolation reigned. The directors of this museum had - never, save in the case of Wilhelmson, been guilty of an inadvertence. - Their instinct against beauty in any form was unerring. Imagine the stony - desert of rooms and corridors and giant staircases on a wet Sunday - morning, echoing to the footsteps of the simple holiday crowd engaged - patriotically in the admiration of Danish art; imagine ingenuous, - mackintoshed figures against the vast flanks of stiff and terrific marble - Venuses and other gods; imagine the whispering in front of anecdotes in - paint; imagine the Inferno of an artist—and you have the art museum, - the abode and lurking-place of everlasting tedium. - </p> - <p> - Quite different is the Glyptothek, a museum whose existence is due to - private enterprise and munificence. It is housed in an ugly and - ill-planned building, but the contents are beautiful, very well arranged, - and admirably exposed. The Glyptothek has an entrancing small picture by - Tiepolo, of Antony and Cleopatra meeting, which I was informed must be a - study for a larger picture in Venice It alone should raise the museum to a - shrine of pilgrimage, and it is not even mentioned in Baedeker! But the - Glyptothek triumphs chiefly by its sculpture. Apart from its classical - side, it has a superb collection of Meuniers, which impressed, without - greatly pleasing, me; a roomful of Rodin busts which are so honest and - lifelike and jolly that when you look at them you want to laugh—you - must laugh from joy. And the Carpeaux busts of beautiful women—what - a profound and tranquil satisfaction n gazing at them! - </p> - <p> - <br /><br /><a name="linkimage-0036" id="linkimage-0036"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0209.jpg" alt="0209 " width="100%" /><br /> - </div> - <h5> - <a href="images/0209.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Some of the rooms at the Glyptothek are magical in their effect on the - sensibility. They would make you forget wife and children, yachts, income - tax, and even the Monroe Doctrine. Living Danish women were apposite - enough to wander about the sculpture rooms for our delectation, making - delicious contrasts against the background of marble groups. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0013" id="link2HCH0013"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XIII—THE RETURN - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">W</span>E left Copenhagen - with regrets, for the entity of the town was very romantic and attractive. - Even the humble New Haven, where we sheltered from the eye of the - harbor-master, had its charm for us. It was the real sailors’ quarter, - thoroughly ungentlemanly and downright. The shops on each side of the - creek were below the level of the street and even of the water, and every - one of them was either a café, with mysterious music heating behind glazed - doors, or an emporium of some sort for sailors. Revelries began in the - afternoon. You might see a nice neat Danish wife guiding an obstreperously - intoxicated Danish sailor down the steps leading to a cigar shop. Not a - pleasant situation for a nice wife! But, then, you reflected that he was a - sailor, and that he had doubtless been sober and agreeable a short while - before, and would soon be sober and agreeable again; and that perhaps - there were great compensations in his character. At night Bacchus and Pan - were the true gods of that quarter, and the worship of them was loud and - yet harmonious. - </p> - <p> - We prepared reluctantly to depart; the engine also. The engine would not - depart, and it was a new engine. Two hours were spent in wheedling and - conciliating its magneto. After that the boat traveled faster than it had - ever traveled. We passed out of Copenhagen into the sound, leaving a noble - array of yachts behind, and so up the sound. Soon Copenhagen was naught - but a bouquet of copper domes, and its beautiful women became legendary - with us, and our memory heightened their beauty. And then the engine - developed a “knock.” Now, in a small internal-combustion engine a “knock” - may be due to bad petrol or to a misplacement of the magneto or to a - hundred other schisms in the secret economy of the affair. We slowed to - half-speed and sought eagerly the origin of the “knock,” which, however, - remained inexplicable. We were engloomed; we were in despair. - </p> - <p> - We had just decided to stop the engine when it stopped of itself, with a - fearful crash of broken metal One side of the casing was shattered. The - skipper’s smile was tragical. The manliness of all of us trembled under - the severity of the ordeal which fate had administered. To open out the - engine-box and glance at the wreck in the depths thereof was - heart-rending. We could not closely examine the chaos of steel and brass - because it was too hot, but we knew that the irremediable had occurred in - the bowels of the <i>Velsa</i>. We made sail, and crawled back to the - sound, and mournfully anchored with our unseen woe among the other yachts. - </p> - <p> - The engine was duly inspected bit by bit; and it appeared that only the - bearing of the forward piston was broken, certainly owing to careless - mounting of the engine in the shops. It was an enormous catastrophe, but - perhaps not irremediable. - </p> - <p> - Indeed, within a short time the skipper was calculating that he could get - a new bearing made in Copenhagen in twenty-four hours. Anyhow, we had to - reconcile ourselves to a second visit to Copenhagen. And Copenhagen, a few - hours earlier so sweet a name in our ears, was now hateful to us, a kind - of purgatory to which we were condemned for the sins of others. - </p> - <p> - <br /><br /><a name="linkimage-0037" id="linkimage-0037"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0216.jpg" alt="0216 " width="100%" /><br /> - </div> - <h5> - <a href="images/0216.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The making and fitting of the new bearing occupied just seventy hours. - During this interminable period we enjoyed the scenery of the sound and - grew acquainted with its diverse phenomena. The weather, if wet, was calm, - and the surface of the water smooth; but every steamer that passed would - set up a roll that flung hooks, if not crockery, about the saloon. And the - procession of steamers in both directions was constant from five a. m. to - midnight. They came from and went to every part of the archipelago and of - Sweden and of northern Germany. We gradually understood that at Copenhagen - railways are a trifle, and the sea a matter of the highest importance. - Nearly all traffic is seaborne. - </p> - <p> - We discovered, too, that the immediate shore of the sound, and of the - yacht-basin scooped out of it, was a sort of toy seaside resort for the - city. Part of the building in which the Royal Danish Yacht Club is housed - was used as a public restaurant, with a fine terrace that commanded the - yacht-club landing-stage and all the traffic of the sound. Moreover, it - was a good restaurant, except that the waiters seemed to be always eating - some titbit on the sly. - </p> - <p> - Here we sat and watched the business and pleasure of the sound. The czar’s - yacht came to anchor, huge and old-fashioned and ungraceful, with a - blue-and-white standard large enough to make a suit of sails for a - schooner—the biggest yacht afloat, I think, but not a pleasing - object, though better than the antique ship of the Danish king. The - unwieldy ceremoniousness of Russian courts seemed to surround this pompous - vessel, and the solitary tragedy of imperial existence was made manifest - in her. Ah, the savage and hollow futility of saluting guns! The two - English royal yachts, both of which we saw in the neighborhood, were in - every way strikingly superior to the Russian. - </p> - <p> - Impossible to tire of the spectacle offered by that restaurant terrace. At - night the steamers would slip down out of Copenhagen one after the other - to the ends of the Baltic, and each was a moving parterre of electricity - on the darkness. And then we would walk along the nocturnal shore and find - it peopled with couples and larger groups, whose bicycles were often - stacked in groups, too. And the little yachts in the little yacht-basin - were each an illuminated household! A woman would emerge from a cabin and - ask a question of a man on the dark bank, and he would flash a - lantern-light in her face like a missile, and “Oh!” she would cry. And - farther on the great hulk which is the home of the Copenhagen Amateur - Sailing Club would be lit with festoons of lamps, and from within it would - come the sounds of song and the laughter of two sexes. And then we would - yell, “<i>Velsa</i>, ahoy!” and keep on yelling until all the lightly clad - couples were drawn out of the chilly night like moths by the strange - English signaling. And at last the <i>Velsa</i> would wake up, and the - dinghy would detach itself from her side, and we would go aboard. But not - until two o’clock or so would the hilarity and music of the Amateur - Sailing Club cease, and merge into a frantic whistling for taxicabs from - the stand beyond the restaurant. - </p> - <p> - Then a few hours’ slumber, broken by nightmares of the impossibility of - ever quitting Copenhagen, and we would get up and gaze at the sadness of - the dismantled engine, and over the water at the yachts dozing and rocking - in the dawn. And on a near yacht, out of the maw of a forecastle-hatch - left open for air, a half-dressed sailor would appear, and yawn, and - stretch his arms, and then begin to use a bucket on the yacht’s deck. - </p> - <p> - <br /><br /><a name="linkimage-0038" id="linkimage-0038"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0221.jpg" alt="0221 " width="100%" /><br /> - </div> - <h5> - <a href="images/0221.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The day was born. A green tug would hurry northward, splashing; and the - first of the morning steamers would arrive from some mystical distant - island, a vessel, like most of the rest, of about six hundred tons, red - and black funnels, the captain looking down at us from the bridge; a nice - handful of passengers, including a few young women in bright hats; - everything damp and fresh, and everybody expectant and braced for - Copenhagen. A cheerful, ordinary sight! And then our skipper would emerge, - and the cook with my morning apple on a white plate. And the skipper would - say, “We ought to be able to make a start to-day, sir.” And on the third - day we did make a start, the engine having been miraculously recreated; - and we left Copenhagen, hating it no more. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_PART4" id="link2H_PART4"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - PART IV—ON THE FRENCH AND FLEMISH COAST - </h2> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0014" id="link2HCH0014"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XIV—FOLKESTONE TO BOULOGNE - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">W</span>E waited for the - weather a day and a night at Folkestone, which, though one of the gateways - of England, is a poor and primitive place to lie in. Most of the time we - were on the mud, and to get up into England we had to climb a craggy - precipice called the quay-wall. Nevertheless, the harbor (so styled) is - picturesque, and in the less respectable part of the town, between the big - hotels and band-stands and the mail-steamers; there are agreeable - second-hand book shops, in one of which I bought an early edition of - Gray’s poems bound in ancient vellum. - </p> - <p> - The newspapers were very pessimistic about the weather, and smacks - occasionally crept in for shelter, with wild reports of what was going on - in the channel. At four o’clock in the morning, however, we started, - adventurous, for the far coasts of Brittany, via Boulogne. The channel was - a gray and desolate sight, weary and uneasy after the gale. And I also was - weary and uneasy, for it is impossible for a civilized person of regular - habits to arise at four a. m. without both physical and psychical - suffering, and the pleasure derived from the experience, though real, is - perverse. The last gleams of the Gris-Nez and the Varne lights were - visible across the heaving waste, feebly illuminating the intense - melancholy of the dawn. There was nothing to do except steer and keep your - eyes open, because a favorable and moderate southwest wind rendered the - engine unnecessary. The ship, and the dinghy after her, pitched and rolled - over the heavy swell. The skipper said naught. I said naught. The lights - expired. The dark gray of the sea turned to steel. The breeze was icy. - Vitality was at its lowest. Brittany seemed exceedingly remote, even - unattainable. Great, vital questions presented themselves to the enfeebled - mind, cutting at the very root of all conduct and all ambitions. What was - the use of yachting? What was the use of anything? Why struggle? Why - exist? The universe was too vast, and the soul homeless therein. - </p> - <p> - And then the cook, imperfectly attired, came aft, bearing a brass tray, - and on the tray an electro-teapot, sugar-basin, and milk-jug, and a white - cup and saucer with a spoon. Magic paraphernalia! Exquisite and potent - draft, far surpassing champagne drunk amid the bright glances of beauty! - Only the finest China tea is employed aboard the <i>Velsa</i>. I drank, - and was healed; and I gave also to the shipper. Earth was transformed. We - began to talk. The wind freshened. The ship, heeling over, spurted. It was - a grand life. We descried the French coast. The hours flew. Before - breakfast-time we were becalmed, in sunshine, between the piers at - Boulogne, and had to go in on the engine. At 8:15 we ran her on the mud, - on a rising tide, next to a pilot-boat, the <i>Jean et Marie</i>, - inhabited by three jolly French sailors. We carried a warp to the Quai - Chanzy, and another to a buoy, and considered ourselves fairly in France. - </p> - <p> - <br /><br /><a name="linkimage-0039" id="linkimage-0039"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0228.jpg" alt="0228 " width="100%" /><br /> - </div> - <h5> - <a href="images/0228.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The officials of the French republic on the quay had been driven by the - spectacle of our peculiar Dutch lines and rig to adopt strange, emotional - attitudes; and as soon as we were afloat, the French republic came aboard - in a dinghy manned by two acolytes. The skipper usually receives the - representatives of foreign powers, but as the skipper speaks no French, - and as this was the first time I had entered France in this style, I - thought I would be my own ambassador. I received the French republic in my - saloon; we were ravishingly polite to each other; we murmured sweet - compliments to each other. He gave me a clean bill of health, and went off - with four francs and one half-penny. There is no nation like the French. A - French milliner will make a hat out of a piece of felt and nothing; and a - French official will make a diplomatic episode out of nothing at all, - putting into five minutes of futility all the Gallic civilization of - centuries. - </p> - <p> - Boulogne Harbor is a very bustling spot, and as its area is narrowly - limited, and its entrance difficult, the amount of signaling that goes on - is extraordinary. A single ship will fill the entrance; hence a flag flies - to warn the surrounding seas when the entrance is occupied or about to be - occupied. The state of the tide is also indicated, and the expert can read - from hieroglyphics slung in the air the exact depth of water at a - particular moment between the piers. In addition, of course, there is the - weather signaling. We had scarcely been in port a couple of hours before - the weather signaling shocked us; nay, we took it as an affront to - ourselves. The south cone went up. We had come in at the tail-end of one - south gale, and now another was predicted! How could small people like us - hope to work our way down to Brittany in the teeth of the gale! And I had - an appointment in the harbor of Carantec, a tiny village near Morlaix, in - a week’s time! The thing was monstrous. But the south cone was hoisted, - and it remained hoisted. And the cone is never displayed except for a real - gale,—not a yachtsman’s gale, but a sailor’s gale, which is serious. - </p> - <p> - A tender went forth to meet a Dutch American liner in the roads. We - followed her along the jetty. At the end of the jetty the gale was already - blowing; and rain-squalls were all round the horizon. Soon we were in the - midst of a squall ourselves. The rain hid everything for a minute. It - cleared. The vast stretch of sands glistened wet, with the variegated - bathing-tents, from which even then beautiful creatures were bathing in a - shallow surf. Beyond was the casino, and all the complex roofs of - Boulogne, and to the north a road climbing up to the cliff-top, and the - illimitable dunes that are a feature of this part of the country. Above - all floated thunder-clouds, white in steely blue. The skipper did not like - those thunder-clouds; he said they were the most dangerous of all clouds, - “because anything might come out of them.” He spoke as if they already - contained in their bosoms every conceivable sort of weather, which they - would let loose according to their caprice. - </p> - <p> - The rain resumed heavily. The wind compelled us to hold tight to the rail - of the pier. A poster announced that in the casino behind the rain, - Suppé’s “Boccaccio” was to be performed that night, and Massenet’s “Thaïs” - the next night. And opera seemed a very artificial and unnecessary form of - activity as we stood out there in the reality of the storm. The Atlantic - liner had now bid good-by to the tender, and was hugely moving. She found - sea-room, and then turned with the solemnity of her bigness, and headed - straight into the gale, pitching like a toy. The rain soon veiled her, and - she was gone. I could not picture the <i>Velsa</i> in such a situation, at - any rate with the owner on board. We went back, rather pensive, to the - Quai Chanzy. - </p> - <p> - <br /><br /><a name="linkimage-0040" id="linkimage-0040"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0234.jpg" alt="0234 " width="100%" /><br /> - </div> - <h5> - <a href="images/0234.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The men in the pilot-boat alongside the <i>Velsa</i> were not in the least - reassuring as to the chances of the <i>Velsa</i> ever getting to Brittany; - but they were uplifted because the weather was too rough for them to go - out. When the cone is on view, the pilot-service is accomplished by a - powerful steam-vessel. Our friends, in their apparently happy idleness, - sculled forth in a dinghy about fifty yards from where we lay, and almost - immediately rejoined us with three eels that they had caught. I bought the - three eels for two shillings, and the cook cooked them perfectly, and I - ate one of them with ecstasy a few hours later; but eels are excessively - antipathetic to the digestive organs, and may jaundice the true bright - color of the world for days. - </p> - <p> - The transaction of the eels, strengthened our intimacy with the pilot’s - crew, who imparted to us many secrets; as, for example, that they were the - selfsame men who act as porters at the quay for the transfer of luggage - when the cross-channel steamers arrive and depart. On one day they are the - pilot’s crew, and on the next they are porters to carry your handbags - through the customs. This was a blow to me, because on the innumerable - occasions when I had employed those porters I had always regarded them as - unfortunate beings who could earn money only during about an hour each - day, victims of the unjust social system, etc., and who were therefore - specially deserving of compassion and tips. I now divined that their - activities were multiple, and no doubt dovetailed together like a Chinese - puzzle, and all reasonably remunerative. The which was very French and - admirable. Herein was a valuable lesson to me, and a clear saving in - future of that precious commodity, compassion. - </p> - <p> - In a day or two the horrid fact emerged that we were imprisoned in - Boulogne. The south cone did not budge. Neither could we. The tide ebbed; - the tide flowed; we sank softly into the mud; we floated again. A sailor - cut our warp because it was in his way, and therefore incurred our anger - and the comminations of the harbor-master. But we were not released. An - aeroplane meeting was announced, and postponed. We witnessed the - preparations for the ceremonial opening of a grand new dock. We went to - the casino and listened to Russian music, which in other circumstances - would have enchanted us. - </p> - <p> - But none of these high matters could hold our attention. Even when the - cook criticized our water-colors with faint praise, and stated calmly that - he, too, was a water-colorist, and brought proofs of his genius cut of the - forecastle, even then we were not truly interested. We thirsted to depart, - and could not. Our sole solace was to walk round and round the basini in - the rain-squalls, and observe their tremendous vitality, which, indeed, - never ceased, day or night save at low water, when most craft were - aground. - </p> - <p> - At such periods of tranquillity the trucks of the fishing-smacks were - nearly level with the quay, and we noticed that every masthead was - elaborately finished with gilded sculpture—a cross, a star, or a - small figure of Jesus, the Virgin Mary, or an angel. The names, too, of - these smacks were significant: <i>Resurrection, Jesus-Marie</i>, and so - on. The ornamentation of the deck-houses and companions of these vessels - showed a great deal of fantasy and brilliant color, though little taste. - And the general effect was not only gay, but agreeable, demonstrating, as - it did, that the boats were beloved. English fishing-boats are beloved by - their owners, but English affection does not disclose itself in the same - way, if it discloses itself at all. On the third afternoon we assisted at - the departure of an important boat for the herring fisheries. It had a - crew of seventeen men, all dressed in brown, young and old, and an - enormous quantity of gear. It bore the air of a noble cooperative - enterprise, and went off on the tide, disdainfully passing the - still-hoisted cone. - </p> - <p> - Perhaps it was this event that gave us to think. If a herring-boat could - face the gale, why not we? Our ship was very seaworthy, and the coast was - dotted with sheltering ports. Only it was impossible to go south, since we - could not have made headway. Then why not boldly cancel the rendezvous in - Brittany, and run northward before the gale? The skipper saluted the idea - with enthusiasm. He spoke of Ostend. He said that if the wind held we - could easily run to Ostend in a day. He did not care for Ostend, but it - would be a change. I, however, did care for Ostend. And so it was decided - that, unless the wind went right round in the night, we would clear out of - Boulogne at the earliest tidal hour the next morning. The joy of - expectancy filled the ship, and I went into the town to buy some of the - beautiful meat-pies that are offered in its shops. - </p> - <p> - <br /><br /><a name="linkimage-0041" id="linkimage-0041"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0239.jpg" alt="0239 " width="100%" /><br /> - </div> - <h5> - <a href="images/0239.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0015" id="link2HCH0015"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XV—TO BELGIUM - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">A</span>T 6 a. M. we, too, - were passing disdainfully the still-hoisted cone. Rain descended in - sheets, in blankets, and in curtains, and when we did not happen to be in - the rain, we could see rain-squalls of the most theatrical appearance in - every quarter of the horizon. The gale had somewhat moderated, but not the - sea; the wind, behind us, was against the tide, and considerably - quarreling therewith. Now we were inclosed in walls of water, and now we - were balanced on the summit of a mountain of water, and had a momentary - view of many leagues of tempest. I personally had never been out in such - weather in anything smaller than a mail-steamer. - </p> - <p> - Here I must deal with a distressing subject, which it would be pleasanter - to ignore, but which my training in realism will not allow me to ignore. A - certain shameful crime is often committed on yachts, merchantmen, and even - men-of-war. It is notorious that Nelson committed this crime again and - again, and that other admirals have copied his iniquity. Sailors, and - particularly amateur sailors, would sooner be accused of any wickedness - rather than this. Charge them with cheating at cards, ruining innocent - women, defrauding the Government, and they will not blench; but charge - them with this offense, and they will blush, they will recriminate, and - they will lie disgracefully against all evidence; they cannot sit still - under the mere suspicion of it. - </p> - <p> - As we slipped out of the harbor that morning the secret preoccupation of - the owner and his friend was that circumstances might tempt them to - perpetrate the sin of sins. Well, I am able to say that they withstood the - awful temptation; but only just! If out of bravado they had attempted to - eat their meals in the saloon, the crime would assuredly have been - committed, but they had the sense to order the meals to be served in the - cockpit, in the rain, in the blast, in the cold. No matter the conditions! - They were saved from turpitude, and they ate heartily thrice during the - day. And possibly nobody was more astonished than themselves at their - success in virtue. I have known a yachtsman, an expert, a member of an - exceedingly crack club, suddenly shift his course shoreward in - circumstances not devoid of danger. - </p> - <p> - “What are you about?” was the affrighted question. He replied: - </p> - <p> - “I’m going to beach her. If I don’t, I shall be sick, and I won’t be sick - aboard this yacht.” - </p> - <p> - Such is the astounding influence of convention, which has transformed into - a crime a misfortune over which the victim has no control whatever. We did - not beach the <i>Velsa</i>, nor were our appetites impaired. We were - lucky, and merely lucky; and yet we felt as proud as though we had, by our - own skill and fortitude, done something to be proud of. This is human - nature. - </p> - <p> - As we rounded Cape Gris-Nez, amid one of the most majestic natural scenes - I have ever witnessed, not a gale, but about half of a gale, was blowing. - The wind continued to moderate. Off Calais the tide was slack, and between - Calais and Dunkirk we had it under our feet, and were able to dispense - with the engine and still do six and a half knots an hour. Thenceforward - the weather grew calm with extraordinary rapidity, while the barometer - continuously fell. At four o’clock the wind had entirely expired, and we - restarted the engine, and crawled past Westend and Nieuport, resorts very - ugly in themselves, but seemingly beautiful from the sea. By the time we - sighted the whiteness of the kursaal at Ostend the water was as flat as an - Inland lake. - </p> - <p> - <br /><br /><a name="linkimage-0042" id="linkimage-0042"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0246.jpg" alt="0246 " width="100%" /><br /> - </div> - <h5> - <a href="images/0246.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The sea took on the most delicate purple tints, and the pallor of the - architecture of Belgian hotels became ethereal. While we were yet a mile - and a half from the harbor-mouth, flies with stings wandered out from the - city to meet us. - </p> - <p> - We passed between the pierheads at Ostend at 6:10 p. m., and the skipper - was free to speak again. When he had done manouvering in the basin, he - leaned over the engine-hatch and said to me: - </p> - <p> - “I ‘ve had a bit o’ luck this week.” - </p> - <p> - “With the engine?” I suggested, for the engine had been behaving itself - lately. - </p> - <p> - “No, sir. My wife presented me with a little boy last Tuesday. I had the - letter last night. I’ve been expecting it.” But he had said nothing to me - before. He blushed, adding, “I should like you to do me a very great - favor, sir—give me two days off soon, so that I can go to the - baptism.” Strange, somehow, that a man should have to ask a favor to be - present at the baptism of his own son! The skipper now has two sons. Both, - I was immediately given to understand, are destined for the sea. He has - six brothers-in-law, and they all follow the sea. On a voyage he will - never willingly leave the wheel, even if he is not steering. He will rush - down to the forecastle for his dinner, swallow it in two minutes and a - half, and rush back. I said to him once: - </p> - <p> - “I believe you must be fond of this wheel.” - </p> - <p> - “I am, sir,” he said, and grinned. - </p> - <p> - We lay nearly opposite the railway station, and our rudder was within a - foot of the street. Next to us lay the <i>Velsa’s</i> sister (occasion for - the historic remark that “the world is very small”), a yacht well known to - the skipper, of exactly the same lines as the <i>Velsa</i>, nearly the - same size, and built within four miles of her in the same year! The next - morning, which was a Sunday, the sisters were equally drenched in - tremendous downpours of rain, but made no complaint to each other. I had - the awning rigged, which enabled us, at any rate, to keep the saloon - skylights open. - </p> - <p> - The rain had no effect on the traditional noisiness of Ostend. Like sundry - other cities, Ostend has two individualities, two souls. All that fronts - the sea and claims kinship with the kursaal is grandiose, cosmopolitan, - insincere, taciturn, blatant, and sterile. It calls itself the finest - sea-promenade in Europe, and it may he, but it is as factitious as a - meringue. All that faces the docks and canals is Belgian, more than - Belgian—Flemish, picturesque, irregular, strident, simple, - unaffected, and swarming with children. Narrow streets are full of little - cafés that are full of little men and fat women. All the little streets - are cobbled, and everything in them produces the maximum quantity of - sound. Even the postmen carry horns, and all the dogs drawing little carts - hark loudly. Add to this the din of the tram-cars and the whistling of - railway engines. - </p> - <p> - On this Sunday morning there was a band festival of some kind, upon which - the pitiless rain had no effect whatever. Band after band swung past our - rudder, blaring its uttermost. We had some marketing to do, as the cook - declared that he could market neither in French nor Flemish, and we waited - impatiently under umbrellas for the procession of bands to finish. It - would not finish, and we therefore had to join it. All the way up the Rue - de la Chapelle we could not hear ourselves speak in the brazen uproar; and - all the brass instruments and all the dark uniforms of the puffy - instrumentalists were glittering and melting in the rain. Occasionally at - the end of the street, over the sea, lightning feebly flickered against a - dark cloud. At last I could turn off into a butcher’s shop, where under - the eyes of a score of shopping matrons I purchased a lovely piece of beef - for the nominal price of three francs seventy-five centimes, and bore it - off with pride into the rain. - </p> - <p> - When we got back to the yacht with well-baptized beef and vegetal des and - tarts, we met the deck-hand, who was going alone into the interesting and - romantic city. Asked what he was about, he replied: - </p> - <p> - “I’m going to buy a curio, sir; that’s all.” He knew the city. He had been - to Ostend before in a cargo-steamer, and he considered it neither - interesting nor romantic. He pointed over the canal toward the country. - “There’s a pretty walk over there,” he said; “but there’s nothing here,” - pointing to the town. I had been coming to Ostend for twenty years, and - enjoying it like a child, but the deck-hand, with one soft-voiced - sentence, took it off the map. - </p> - <p> - In the afternoon, winding about among the soaked cosmopolitanism of the - promenade, I was ready to agree with him. Nothing will destroy fashionable - affectations more surely than a wet Sunday, and the promenade seemed to - rank first in the forlorn tragedies of the world. I returned yet again to - the yacht, and was met by the skipper with a disturbed face. - </p> - <p> - “We can’t get any fresh water, sir. Horse is n’t allowed to work on - Sundays. <i>Everything’s changed in Belgium.</i>” The skipper was too - Dutch to be fond of Flanders. His mightiest passion was rising in him—the - passion to go somewhere else. - </p> - <p> - “All right,” I said; “we ‘ll manage with mineral water, and then we ‘ll - move on to Bruges.” In rain it is, after all, better to be moving than to - be standing still. - </p> - <p> - But to leave Ostend was not easy, because the railway bridge would not - swing for us, nor would it yield, for over an hour, to the song of our - siren. Further, the bridge-man deeply insulted the skipper. He said that - he was not supposed to swing for <i>canal-boats</i>. - </p> - <p> - “Canal-boat!” the skipper cried. “By what canal do you think I brought - this ship across the North Sea?” He was coldly sarcastic, and his sarcasm - forced the bridge open. We passed through, set our sails, and were - presently heeling over and washing a wave of water up the banks of the - canal. I steered, and, as we overtook an enormous barge, I shaved it as - close as I could for the fun of the thing. Whereupon the skipper became - excited, and said that for a yacht to touch a barge was fatal, because the - barges were no stronger than cigar-boxes, having sides only an inch thick, - and would crumble at a touch; and the whole barge-population of Belgium - and Holland, but especially Belgium, was in a conspiracy to extract - damages out of yachts on the slightest pretext. It seemed to me that the - skipper’s alarm was exaggerated. I understood it a few days later, when he - related to me that he had once quite innocently assisted at the cracking - of a cigar-box, for which his employer had had to pay five thousand - francs. - </p> - <p> - <br /><br /><a name="linkimage-0043" id="linkimage-0043"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0251.jpg" alt="0251 " width="100%" /><br /> - </div> - <h5> - <a href="images/0251.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The barge which I had failed to sink had two insignificant square-sails - set, like pocket-handkerchiefs, but was depending for most of its motion - on a family of children who were harnessed to its tow-rope in good order. - </p> - <p> - Now the barometer began to fall still lower, and simultaneously the - weather improved and brightened. It was a strange summer, was that summer! - The wind fell, the lee-board ceased to hum pleasantly through the water, - and we had to start the engine, which is much less amusing than the sails. - And the towers of Bruges would not appear on the horizon of the monotonous - tree-lined canal, upon whose banks every little village resembles every - other little village. We had to invent something to pass the time, and we - were unwise enough to measure the speed of the engine on this smooth water - in this unusual calm. A speed trial is nearly always an error of tact, for - the reason that it shatters beautiful illusions. I had the beautiful - illusion that under favorable conditions the engine would drive the yacht - at the rate of twelve kilometers an hour. The canal-bank had small posts - at every hundred meters and large posts at every thousand. The first test - gave seven and a half kilometers an hour. It was unthinkable. The - distances must be wrong. My excellent watch must have become capricious. - The next test gave eight kilometers. The skipper administered a tonic to - the engine, and we rose to nine, only to fall again to eight. Allowing - even that the dinghy took a kilometer an hour off the speed, the result of - the test was very humiliating. We crawled. We scarcely moved. - </p> - <p> - Then, feeling the need of exercise, I said I would go ashore and walk - along the bank against the yacht until we could see Bruges. I swore it, - and I kept the oath, not with exactitude, but to a few hundred meters; and - by the time my bloodshot eyes sighted the memorable belfry of Bruges in - the distance, I had decided that the engine was perhaps a better engine - than I had fancied. I returned on board, and had to seek my berth in a - collapse. Nevertheless the <i>Velsa</i> had been a most pleasing object as - seen from the bank. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0016" id="link2HCH0016"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XVI—BRUGES - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">W</span>E moored at the - Quai Spinola, with one of the most picturesque views in Bruges in front of - us, an irresistible temptation to the watercolorist, even in wet weather. - I had originally visited Bruges about twenty years earlier. It was the - first historical and consistently beautiful city I had ever seen, and even - now it did not appear to have sunk much in my esteem. It is incomparably - superior to Ghent, which is a far more important place, but in which I - have never been fortunate. - </p> - <p> - <br /><br /><a name="linkimage-0044" id="linkimage-0044"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0258.jpg" alt="0258 " width="100%" /><br /> - </div> - <h5> - <a href="images/0258.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Ghent is gloomy, whereas Bruges is melancholy, a different and a finer - attribute. I have had terrible, devastating adventures in the restaurants - of Ghent, and the one first-class monument there is the medieval castle of - the counts of Flanders, an endless field for sociological speculation, but - transcendency ugly and depressing. Ghent is a modern town in an old suit - of clothes, and its inhabitants are more formidably Belgian than those of - any other large city of Flanders. I speak not of the smaller industrial - places, where Belgianism is ferocious and terrible. - </p> - <p> - At Bruges, water-colors being duly accomplished, we went straight to Notre - Dame, where there was just enough light left for us to gaze upon - Michelangelo’s “Virgin and Child,” a major work. Then to the streets and - lesser canals. I found changes in the Bruges of my youth. Kinematographs, - amid a conflagration of electricity, were to be expected, for no show-city - in Europe has been able to keep them out. Do they not enliven and illumine - the ground floors of some of the grandest renaissance palaces in Florence? - But there were changes more startling than the advent kinematographs. - </p> - <p> - Incandescent gas-mantles had replaced the ordinary burners in the - street-lamps of the town! In another fifty years the corporation of Bruges - will be using electricity. - </p> - <p> - Still more remarkable, excursion motor-boats were running on the canals, - and at the improvised landing-stages were large signs naming Bruges “The - Venice of the North.” I admit that my feelings were hurt—not by the - motor-boats, but by the signs. Bruges is no more the Venice of the North, - than Venice is the Bruges of the South. - </p> - <p> - We allowed the soft melancholy of Bruges to descend upon us and penetrate - us, as the motorboats ceased to run and the kinematographs grew more - brilliant in the deepening night. We had to dine, and all the restaurants - of the town were open to us. Impossible to keep away from the Grande Place - and the belfry, still incessantly chattering about the time of day. - Impossible not to look with an excusable sentimentality at the Hôtel du - Panier d’Or, which in youth was the prince of hotels, with the fattest - landlord in the world, and thousands of mosquitos ready among its - bed-hangings to assist the belfry-chimes in destroying sleep. The Panier - d’Or was the only proper hotel for the earnest art-loving tourist who - could carry all his luggage and was firmly resolved not to spend more than - seven francs a day at the outside. At the Panier d’Or one was sure to - encounter other travelers who took both art and life seriously. - </p> - <p> - No, we would not dine at the Panier d’Or, because we would not disturb our - memories. We glanced like ghosts of a past epoch at its exterior, and we - slipped into the café restaurant next door, and were served by a postulant - boy waiter who had everything to learn about food and human nature, but - who was a nice boy. And after dinner, almost saturated with the exquisite - melancholy of the Grande Place, we were too enchanted to move. We drank - coffee and other things, and lingered until all the white cloths were - removed from the tables; and the long, high room became a café simply. A - few middle-aged male habitués wandered in separately,—four in all,—and - each sat apart and smoked and drank beer. The mournfulness was sweet and - overwhelming. It was like chloroform. The reflection that each of these - sad, aging men had a home and an <i>intimité</i> somewhere in the - spacious, transformed, shabby interiors of Bruges, that each was a living - soul with aspirations and regrets, this reflection was excruciating in its - blend of forlornness and comedy. - </p> - <p> - A few more habitués entered, and then a Frenchman and a young Frenchwomen - appeared on a dais at the back of the café and opened a piano. They were - in correct drawing-room costume, with none of the eccentricities of the <i>cafe-chantant</i>, - and they produced no effect whatever on the faces or in the gestures of - the habitués, They performed. He sang; she sang; he played; she played. - Just the common songs and airs of the Parisian music-halls, vulgar, but - more inane than vulgar, The young woman was agreeable, with the large, red - mouth which is the index of a comfortable, generous, and good-natured - disposition They sang and played a long time. Nobody budged; nobody - smiled. Certainly we did not; in a contest of phlegm Englishmen can, it is - acknowledged, hold their own. Most of the habitués doggedly read - newspapers, but at intervals there was a momentary dull applause. The - economic basis of the entertainment was not apparent to us. The prices of - food and drink were very moderate, and no collection was made by or on - behalf of the artists. - </p> - <p> - At length, when melancholy ran off us instead of being absorbed, because - we had passed the saturation-point, we rose and departed. Yes, - incandescent-mantles and motor-boats were not the only changes in Bruges. - And in the café adjoining the one we had left a troupe of girls in white - were performing gaily to a similar audience of habitués. We glimpsed them - through the open door. And in front of the kinematograph a bell was - ringing loudly and continuously to invite habitués, and no habitués were - responding. It was all extremely mysterious. The chimes of the belfry - flung their strident tunes across the sky, and the thought of these and of - the habitués gave birth in us to a suspicion that perhaps, after all, - Bruges had not changed. - </p> - <p> - <br /><br /><a name="linkimage-0045" id="linkimage-0045"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0263.jpg" alt="0263 " width="100%" /><br /> - </div> - <h5> - <a href="images/0263.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - We moved away out of the Grande Place into the maze of Bruges toward the - Quai Spinola, our footsteps echoing along empty streets and squares of - large houses the fronts of which showed dim and lofty rooms inhabited by - the historical past and also no doubt by habitués. And after much - wandering I had to admit that I was lost in Bruges, a city which I was - supposed to know like my birthplace. And at the corner of a street, - beneath an incandescent-mantle, we had to take out a map and unfold it and - peer at it just as if we had belonged to the lowest rank of tourists. - </p> - <p> - As we submitted ourselves to this humiliation, the carillon of the belfry - suddenly came to us over a quarter of a mile of roofs. Not the clockwork - chimes now, but the carillonneur himself playing on the bells, a bravura - piece, delicate and brilliant. The effect was ravishing, as different from - that of the clockwork chimes as a piano from a barrel-organ. All the magic - of Bruges was reawakened in its pristine force. Bruges was no more a - hackneyed rendezvous for cheap trippers and amateur painters and - poverty-stricken English bourgeois and their attendant chaplains. It was - the miraculous Bruges of which I had dreamed before I had ever even seen - the place—just that. - </p> - <p> - <br /><br /><a name="linkimage-0046" id="linkimage-0046"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0267.jpg" alt="0267 " width="100%" /><br /> - </div> - <h5> - <a href="images/0267.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Having found out where we were in relation to the Quai Spinola, we folded - up the map and went forward. The carillon ceased, and began again, - reaching us in snatches over the roofs in the night wind. We passed under - the shadows of rococo churches, the façades and interiors of which are - alike neglected by those who take their pleasures solely according to the - instructions of guide-books, and finally we emerged out of the maze upon a - long lake, pale bluish-gray in the gloom. And this lake was set in a frame - of pale bluish-gray houses with stepwise gables, and by high towers, and - by a ring of gas-lamps, all sleeping darkly. And on the lake floated the - <i>Velsa</i>, like the phantom of a ship, too lovely to be real, and yet - real. It was the most magical thing. - </p> - <p> - We could scarcely believe that there was our yacht right in the midst of - the town. This was the same vessel that only a little earlier had rounded - Cape Gris-Nez in a storm, and suffered no damage whatever. Proof enough of - the advantage of the barge-build, with a light draft, and heavy lee-boards - for use with a beam wind when close-hauled. Some yachtsmen, and expert - yachtsmen, too, are strongly against the barge. But no ordinary yacht of - the <i>Velsas</i> size could have scraped into that lake by the Quai - Spinola and provided us with that unique sensation. The <i>Velsa</i> might - have been designed specially for the background of Bruges. She fitted it - with exquisite perfection. - </p> - <p> - And the shaft of light slanting up from her forecastle hatch rendered her - more domestic than the very houses around, which were without exception - dark and blind, and might have been abandoned. We went gingerly aboard - across the narrow, yielding gangway, and before turning in gazed again at - the silent and still scene. Not easy to credit that a little way off the - kinematograph was tintinnabulating for custom, and a Parisian couple - singing and playing, and a troupe of white-frocked girls coarsely dancing. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2H_PART5" id="link2H_PART5"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - PART V—EAST ANGLIAN ESTUARIES - </h2> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0017" id="link2HCH0017"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XVII EAST ANGLIA - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">A</span>FTER the exoticism - of foreign parts, this chapter is very English. But no island could be - more surpassingly strange, romantic, and baffling than this island. I had - a doubt about the propriety of using the phrase “East Anglia” in the - title. I asked, therefore, three educated people whether the northern part - of Essex could be termed East Anglia, according to current usage. One said - he did n’t know. The next said that East Anglia began only north of the - Stour. The third said that East Anglia extended southward as far as - anybody considered that it ought to extend southward. He was a true - Englishman. I agreed with him. England was not made, but born. It has - grown up to a certain extent, and its pleasure is to be full of anomalies, - like a human being. It has to be seen to be believed. - </p> - <p> - Thus, my income tax is assessed in one town, twelve miles distant. After - assessment, particulars of it are forwarded to another town in another - county, and the formal demand for payment is made from there; but the - actual payment has to be made in a third town, about twenty miles from - either of the other two. What renders England wondrous is not such - phenomena, but the fact that Englishmen see nothing singular in such - phenomena. - </p> - <p> - East Anglia, including North Essex, is as English as any part of England, - and more English than most. Angles took possession of it very early in - history, and many of their descendants, full of the original Anglian - ideas, still powerfully exist in the counties. And probably no place is - more Anglian than Brightlingsea, the principal yachting center on the east - coast, and the home port of the <i>Velsa</i>. Theoretically and - officially, Harwich is the home port of the <i>Velsa</i>, but not in - practice: we are in England, and it would never do for the theory to - accord with the fact. Brightlingsea is not pronounced Brightlingsea, - except at railway stations, but Brigglesea or Bricklesea. There is some - excuse for this uncertainty, as Dr. - </p> - <p> - Edward Percival Dickin, the historian of the town, has found 193 different - spellings of the name. - </p> - <p> - Brightlingsea is proud of itself, because it was “a member of the Cinque - Ports.” Not <i>one</i> of the Cinque Ports, of which characteristically - there were seven, but a member. A “member” was subordinate, and - Brightlingsea was subordinate to Sandwich, Heaven knows why. But it shared - in the responsibilities of the Cinque. It helped to provide fifty-seven - ships for the king’s service every year. In return it shared in the - privilege of carrying a canopy over the king at the coronation, and in a - few useful exemptions. After it had been a member of the Cinque for many - decades and perhaps even centuries, it began to doubt whether, after all, - it was a member, and demanded a charter in proof. This was in 1442. The - charter was granted, and it leads off with these words: “To all the - faithful in Christ, to whom these present letters shall come, the Mayors - and Bailiffs of the Cinque Ports, Greeting in the Lord Everlasting.” By - this time ships had already grown rather large. They carried four masts, - of which the aftermost went by the magnificent title of the “bonaventure - mizen”; in addition they had a mast with a square sail at the extremity of - the bow-sprit. They also carried an astrolabe, for the purposes of - navigation. - </p> - <p> - Later, smuggling was an important industry at Brightlingsea, and to - suppress it laws were passed making it illegal to construct fast rowing- - or sailing-boats. In the same English, and human, way, it was suggested at - the beginning of the twentieth century that since fast motor-cars kicked - up dust on the roads, the construction of motor-cars capable of traveling - fast should be made illegal. There are no four-masted ships now at - Brightlingsea; no bowsprit carries a mast; no ship puts to sea with an - astrolabe; the “bonaventure mizen” is no more; smuggling is unfashionable; - fast craft are encouraged. - </p> - <p> - Nevertheless, on a summer’s morning I have left the <i>Velsa</i> in the - dinghy and rowed up the St. Osyih Creek out of Brightlingsea, and in ten - minutes have been lost all alone between slimy mud banks with a border of - pale grass at the top, and the gray English sky overhead, and the whole - visible world was exactly as it must have been when the original Angles - first rowed up that creek. At low water the entire Christian era is - reduced to nothing, in many a creek of the Colne, the Black water, and the - Stour; England is not inhabited; naught has been done; the pristine reigns - as perfectly as in the African jungle. And the charm of the scene is - indescribable. But to appreciate it one must know what to look for. I was - telling an Essex friend of mine about the dreadful flatness of - Schleswig-Holstein. He protested. “But aren’t you educated up to flats?” - he asked. I said I was. He persisted. “But are you educated up to mud, the - lovely colors on a mud-flat?” He was a true connoisseur of Essex. The man - who is incapable of being ravished by a thin, shallow tidal stream running - between two wide, shimmering mud banks that curve through a strictly - horizontal marsh, without a tree, without a shrub, without a bird, save an - eccentric sea-gull, ought not to go yachting in Essex estuaries. - </p> - <p> - <br /><br /><a name="linkimage-0047" id="linkimage-0047"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0278.jpg" alt="0278 " width="100%" /><br /> - </div> - <h5> - <a href="images/0278.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Brightlingsea is one of the great centers of oyster-fishing, and it - catches more sprats than any other port in the island, namely, about - fifteen hundred tons of them per annum. But its most spectacular industry - has to do with yachting, It began to be a yachting resort only yesterday; - that is to say, a mere seventy-five years ago. It has, however, steadily - progressed, until now, despite every natural disadvantage and every - negligence, it can count a hundred and twenty yachts and some eight - hundred men employed therewith. A yacht cannot get into Brightlingsea at - all from the high sea without feeling her way among sand-banks,—in - old days before bell-buoys and gas-buoys, the inhabitants made a - profitable specialty of salving wrecks,—and when a yacht has - successfully come down Brightlingsea Reach, which is really the estuary of - the River Colne, and has arrived at the mouth of Brightlingsea Creek, her - difficulties will multiply. - </p> - <p> - In the first place, she will always discover that the mouth of the creek - is obstructed by barges at anchor. She may easily run aground at the - mouth, and when she is in the creek, she may, and probably will, mistake - the channel, and pile herself up on a bank known as the Cinders, or the - Cindery. Farther in, she may fail to understand that at one spot there is - no sufficiency of water except at about a yard and a half from the shore, - which has the appearance of being flat. Escaping all these perils, she - will almost certainly run into something, or something will run into her, - or she may entangle herself in the oyster preserves. Yachts, barges, - smacks, and floating objects without a name are anchored anywhere and - anyhow. There is no order, and no rule, except that a smack always deems a - yacht to be a lawful target. The yacht drops her anchor somewhere, and - asks for the harbormaster. No harbor-master exists or ever has existed or - ever will. Historical tradition—sacred! All craft do as they like, - and the craft with the thinnest sides must look to its sides. - </p> - <p> - Also, the creek has no charm whatever of landscape or seascape. You can - see nothing from it except the little red streets of Brightlingsea and the - yacht-yards. Nevertheless, by virtue of some secret which is - uncomprehended beyond England, it prospers as a center of yachting. Yachts - go to it and live in it not by accident or compulsion, but from choice. - Yachts seem to like it. Of course it is a wonderful place, because any - place where a hundred and twenty yachts foregather must be a wonderful - place. The interest of its creek is inexhaustible, once you can reconcile - yourself to its primitive Anglianism, which, after all, really harmonizes - rather well with the mud-flats of the county. - </p> - <p> - An advantage of Brightlingsea is that when the weather eastward is - dangerously formidable, you can turn your back on the North Sea and go for - an exciting cruise up the Colne. A cruise up the Colne is always exciting - because you never know when you may be able to return. Even the <i>Velsa</i>, - which can float on puddles, has gone aground in the middle of the fair and - wide Colne. A few miles up are the twin villages of Wivenhoe and Rowhedge, - facing each other across the river, both inordinately picturesque, and - both given up to the industry of yachting. At Wivenhoe large yachts and - even ships are built, and in winter there is always a choice selection of - world-famous yachts on the mud, costly and huge gewgaws, with their brass - stripped off them, painfully forlorn, stranded in a purgatory between the - paradise of last summer and the paradise of the summer to come. - </p> - <p> - If you are adventurous, you keep on winding along the curved reaches, and - as soon as the last yacht is out of sight, you are thrown hack once more - into the pre-Norman era, and there is nothing but a thin, shallow stream, - two wide mud hanks, and a border of grass at the top of them. This is your - world, which you share with a sea-gull or a crow for several miles; and - then suddenly you arrive at a concourse of great barges against a quay, - and you wonder by w hat magic they got there, and above the quay rise the - towers and steeples of a city that was already ancient when William the - Conqueror came to England in the interests of civilization to take up the - white man’s burden,—Colchester, where more oysters are eaten on a - certain night of the year at a single feast than at any other feast on - earth. Such is the boast. - </p> - <p> - But such contrasts as the foregoing do not compare in violence with the - contrasts offered by the River Stour, a few miles farther north on the map - of England. Harwich is on the Stour, at its mouth, where, in confluence - with the River Orwell (which truly <i>is</i> in East Anglia) it forms a - goodish small harbor. And Harwich, though a tiny town, is a fairly - important naval port, and also “a gate of the empire,” where steamers go - forth for Belgium, Holland, Denmark, Germany, and Sweden. We came into - Harwich Harbor on the tide one magnificent Sunday afternoon, with the sea - a bright green and the sky a dangerous purple, and the entrance to the - Stour was guarded by two huge battle-ships, the <i>Blake</i> and the <i>Blenheim</i>, - each apparently larger than the whole of the town of Harwich. Up the - Stour, in addition to all the Continental steamers, was moored a fleet of - forty or fifty men-of-war, of all sorts and sizes, in a quadruple line. It - was necessary for the <i>Velsa</i> to review this fleet of astoundingly - ugly and smart black monsters, and she did so, to the high satisfaction of - the fleet, which in the exasperating tedium of Sunday afternoon was - thirsting for a distraction, even the mildest. On every sinister ship—the - <i>Basilisk</i>, the <i>Harpy</i>, etc., apposite names!—the young - bluejackets (they seemed nearly all to be youths) were trying bravely to - amuse themselves. The sound of the jews’-harp and of the concertina was - heard, and melancholy songs of love. Little circles of men squatted here - and there on the machinery-encumbered decks playing at some game. A few - students were reading; some athletes were sparring; many others - skylarking. None was too busy to stare at our strange lines. Launches and - longboats were flitting about full of young men, going on leave to the - ecstatic shore joys of Harwich or sadly returning therefrom. Every sound - and noise was clearly distinguishable in the stillness of the hot - afternoon. And the impression given by the fleet as a whole was that of a - vast masculine town, for not a woman could be descried anywhere. It was - striking and mournful. When we had got to the end of the fleet I had a - wild idea: - </p> - <p> - “Let us go up the Stour.” - </p> - <p> - At half-flood it looked a noble stream at least half a mile wide, and - pointing west in an almost perfect straight line. Nobody on board ever had - been up the Stour or knew anybody who had. The skipper said it was a - ticklish stream, but he was always ready for an escapade. We proceeded. - Not a keel of any kind was ahead. And in a moment, as it seemed, we had - quitted civilization and the latest machinery and mankind, and were back - in the Anglian period. River marshes, and distant wooded hills, that was - all; not even a tilled field in sight! The river showed small headlands, - and bights of primeval mud. Some indifferent buoys indicated that a - channel existed, but whether they were starboard or port buoys nobody - could tell. We guessed, and took no harm. But soon there were no buoys, - and we slowed down the engine in apprehension, for on the wide, deceptive - waste of smooth water were signs of shallows. We dared not put about, we - dared not go ahead. Astern, on the horizon, was the distant fleet, in - another world. A head, on the horizon, was a hint of the forgotten town of - Mistley. Then suddenly a rowboat approached mysteriously out of one of - those bights, and it was maimed by two men with the air of conspirators. - </p> - <p> - “D’ ye want a pilot?” - </p> - <p> - We hardened ourselves. - </p> - <p> - “No.” - </p> - <p> - They rowed round us, critically staring, and receded. - </p> - <p> - “Why in thunder is n’t this river buoyed?” I demanded of the skipper. - </p> - <p> - The skipper answered that the intention obviously was to avoid taking the - bread out of the mouths of local pilots. He put on speed. No catastrophe. - The town of Mistley approached us. Then we had to pause again, reversing - the propeller. We were in a network of shallows. Far to port could be seen - a small red buoy; it was almost on the bank. Impossible that it could - indicate the true channel. We went straight ahead and chanced it. The next - instant we were hard on the mud in midstream, and the propeller was making - a terrific pother astern. We could only wait for the tide to float us off. - The rowboat appeared again. - </p> - <p> - ‘D’ ye want a pilot?” - </p> - <p> - “No.” - </p> - <p> - And it disappeared. - </p> - <p> - When we floated, the skipper said to me in a peculiar challenging tone: - </p> - <p> - “Shall we go on, sir, or shall we return?” - </p> - <p> - “We ‘ll go on,” I said. I could say no less. - </p> - <p> - <br /><br /><a name="linkimage-0048" id="linkimage-0048"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0288.jpg" alt="0288 " width="100%" /><br /> - </div> - <h5> - <a href="images/0288.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - We bore away inshore to the red buoy, and, sure enough, the true channel - was there, right under the south bank. And we came safely to the town of - Mistley, which had never in its existence seen even a torpedo-boat and - seldom indeed a yacht, certainly never a <i>Velsa</i>. And yet the smoke - of the harbor of Harwich was plainly visible from its antique quay. The - town of Mistley rose from its secular slumber to enjoy a unique sensation - that afternoon. - </p> - <p> - “Shall we go on to Manningtree, sir?” said the skipper, adding with a - grin, “There’s only about half an hour left of the flood, and if we get - aground again——” - </p> - <p> - It was another challenge. - </p> - <p> - “Yes,” I said. - </p> - <p> - Manningtree is a town even more recondite than Mistley, and it marks the - very end of the navigable waters of the Stour. It lay hidden round the - next corner. We thought we could detect the channel, curving out again now - into midstream. We followed the lure, opened out Manningtree the desired—and - went on the mud with a most perceptible bump. Out, quick, with the dinghy! - Cover her stern-sheets with a protecting cloth, and lower an anchor - therein and about fifty fathoms of chain, and row away! We manned the - windlass, and dragged the <i>Velsa</i> off the mud. - </p> - <p> - “Shall we go on, sir?” - </p> - <p> - “No,” I said, not a hero. “We ‘ll give up Manningtree this trip.” - Obstinacy in adventure might have meant twelve hours in the mud. The crew - breathed relief. We returned, with great care, to civilization. We knew - now why the Stour is a desolate stream. Thus to this day I have never - reached Manningtree except in an automobile. - </p> - <p> - And there are still stranger waters than the Stour; for example, Hamford - Water, where explosives are manufactured on lonely marshes, where - immemorial wharves decay, and wild ducks and owls intermingle, and - public-houses with no public linger on from century to century, and where - the saltings are greener than anywhere else on the coast, and the east - wind more east, and the mud more vivid. And the <i>Velsa</i> has been - there, too. - </p> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0018" id="link2HCH0018"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XVIII—IN SUFFOLK - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">T</span>HE Orwell is - reputed to have the finest estuary in East Anglia. It is a broad stream, - and immediately Shotley Barracks and the engines of destruction have been - left behind, it begins to be humane and reassuring. Thanks to the - surprising modernity of the town of Ipswich, which has discovered that - there are interests more important than those of local pilots, it is - thoroughly well buoyed, so that the stranger and the amateur cannot fail - to keep in the channel. It insinuates itself into Suffolk in soft and - civilized curves, and displays no wildness of any kind and, except at one - point, very little mud. When you are navigating the Orwell, you know - positively that you are in England. On each side of you modest but - gracefully wooded hills slope down with caution to the bank, and you have - glimpses of magnificent mansions set in the midst of vast, undulating - parks, crisscrossed with perfectly graveled paths that gleam in the - sunshine. Everything here is private and sacred, and at the gates of the - park lodge-keepers guard not only the paradisiacal acres, but the original - ideas that brought the estate into existence. - </p> - <p> - Feudalism, benevolent and obstinate, flourishes with calm confidence in - itself; and even on your yacht’s deck you can feel it, and you are awed. - For feudalism has been, and still is, a marvelous cohesive force. And it - is a solemn thought that within a mile of you may be a hushed drawingroom - at whose doors the notion of democracy has been knocking quite in vain for - a hundred years. Presently you will hear the sweet and solemn chimes of a - tower-clock, sound which seems to spread peace and somnolence over half a - county. And as you listen, you cannot but be convinced that the feudal - world is august and beautiful, and that it cannot be improved, and that to - overthrow it would be a vandalism. That is the estuary of the Orwell and - its influence. Your pleasure in it will be unalloyed unless you are so - ill-advised as to pull off in the dinghy, and try to land in one of the - lovely demesnes. - </p> - <p> - About half-way up the estuary, just after passing several big - three-masters moored in midstream and unloading into lighters, you come to - Pinmill, renowned among yachtsmen and among painters. Its haven is formed - out of the angle of a bend in the river, and the narrowness of the channel - at this point brings all the traffic spectacularly close to the yachts at - anchor. Here are all manner of yachts, and you are fairly certain to see a - friend, and pay or receive a visit of state. And also very probably, if - you are on board the Velsa some painter on another yacht will feel bound - to put your strange craft into a sketch. And the skipper, who has little - partiality for these river scenes, will take the opportunity to go - somewhere else on a bicycle. You, too, must go ashore, because Pinmill is - an exhibition-village, entirely picturesque, paintable, and English. It is - liable to send the foreigner into raptures, and Americans have been known - to assert that they could exist there in happiness forever and ever. - </p> - <p> - I believe that some person or persons in authority offer prizes to the - peasantry for the prettiest cottage gardens in Pinmill. It is well; but I - should like to see in every picturesque and paint-able English village a - placard stating the number of happy peasants who sleep more than three in - a room, and the number of adult able-bodied males who earn less than - threepence an hour. All aspects of the admirable feudal system ought to be - made equally apparent. The chimes of the castle-clock speak loud, and need - no advertisement; cottage gardens also insist on the traveler’s attention, - but certain other phenomena are apt to escape it. - </p> - <p> - <br /><br /><a name="linkimage-0049" id="linkimage-0049"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0297.jpg" alt="0297 " width="100%" /><br /> - </div> - <h5> - <a href="images/0297.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - The charm of Pinmill is such that you usually decide to remain there over - night. In one respect this is a mistake, for the company of yachts is such - that your early morning Swedish exercises on deck attract an audience, - which produces self-consciousness in the exerciser. - </p> - <p> - Ipswich closes the estuary of the Orwell, and Ipswich is a genuine town - that combines industrialism with the historic sense. No American can - afford not to visit it, because its chief hotel has a notorious connection - with Mr. Pickwick, and was reproduced entire a lifelike-size at a world’s - fair in the United States. Aware of this important fact, the second-hand - furniture and curio-dealers of the town have adopted suitable measures. - When they have finished collecting, Americans should go to the docks—as - interesting as anything in Ipswich—and see the old custom-house, - with its arch, and the gloriously romantic French and Scandinavian - three-masters that usually lie for long weeks in the principal basin. - Times change. Less than eighty years ago the docks of Ipswich were larger - than those of London. And there are men alive and fighting in Ipswich - to-day who are determined that as a port Ipswich shall resume something of - her ancient position in the world. - </p> - <p> - Just around the corner from the Orwell estuary, northward, is the estuary - of the River Deben. One evening, feeling the need of a little ocean air - after the close feudalism of the Orwell, we ran down there from to the - North Sea, and finding ourselves off Woodbridgehaven, which is at the - mouth of the Deben, with a flood-tide under us, we determined to risk the - entrance. According to all printed advice, the entrance ought not to be - risked without local aid. There is a bank at the mouth, with a patch that - dries at low water, and within there is another bank. The shoals shift - pretty frequently, and, worst of all, the tide runs at the rate of six - knots and more. Still, the weather was calm, and the flood only two hours - old. We followed the sailing directions, and got in without trouble just - as night fell. The rip of the tide was very marked, and the coast-guard - who boarded us with a coast-guard’s usual curiosity looked at us as though - we were either heroes or rash fools, probably the latter. - </p> - <p> - We dropped anchor for the night, and the next morning explored the - estuary, with the tide rising. We soon decided that the perils of this - famous river had been exaggerated. There were plenty of beacons,—which, - by the way, are continually being shifted as the shoals shift,—and - moreover the channel defined itself quite simply, for the reason that the - rest of the winding river-bed was dry. We arrived proudly at Woodbridge, - drawing all the maritime part of the town to look at us, and we ourselves - looked at Woodbridge in a fitting manner, for it is sacred to the memory - not of Omar Khayyam, but to much the same person, Edward Fitzgerald, who - well knew the idiosyncrasies of the Deben. Then it was necessary for us to - return, as only for about two hours at each tide is there sufficient water - for a yacht to lie at Woodbridge. - </p> - <p> - The exit from the Deben was a different affair from the incoming. Instead - of a clearly defined channel, we saw before us a wide sea. The beacons or - perches were still poking up their heads, of course, but they were of no - use, since they had nothing to indicate whether they were starboard or - port beacons. It is such details that harmonize well with the Old-World - air of English estuaries—with the swans, for instance, those - eighteenth-century birds that abound on the Deben. We had to take our - choice of port or starboard. Heaven guided us. We reached the entrance. - The tide was at half-ebb and running like a race; the weather was - unreliable. It was folly to proceed. We proceeded. We had got in alone; we - would get out alone. We shot past the coast-guard, who bawled after us. We - put the two beacons in a line astern, obedient to the sailing directions; - but we could not keep them in a line. The tide swirled us away, making - naught of the engine. We gave a tremendous bump. Yes, we were assuredly on - the bank for at least ten hours, if not forever; if it came on to blow, we - might well be wrecked. But no. The ancient <i>Velsa</i> seemed to rebound - elastically off the traitorous sand, and we were afloat again, In two - minutes more we were safe. What the coastguard said is not known to this - day. We felt secretly ashamed of our foolishness, but we were sustained by - the satisfaction of having deprived more local pilots of their fees. - </p> - <p> - Still, we were a sobered crew, and at the next river-mouth northward—Orford - Haven—we yielded to a base common sense, and signaled for a pilot. - The river Ore is more dangerous to enter, and far more peculiar even than - the Deben. The desolate spot, where it runs into the sea is well called - Shinglestreet, for it is a wilderness of shingles. The tide runs very fast - indeed; the bar shifts after every gale, and not more than four feet of - water is guaranteed on it. Last and worst, the bottom is hard. It was - probably the hardness of the bottom that finally induced us to stoop to a - pilot. To run aground on sand is bad, but to run aground on anything of a - rocky nature may be fatal. Our signal was simply ignored. Not the - slightest symptom anywhere of a pilot. We were creeping in, and we - continued to creep in. The skipper sent the deck-hand forward with the - pole. He called out seven feet, eight feet, seven feet; but these were - Dutch feet, of eleven inches each, because the pole is a Dutch pole. The - water was ominous, full of curling crests and unpleasant hollows, as the - wind fought the current. The deckhand called out seven, six, five and a - half. We could almost feel the ship bump... and then we were over the bar. - Needless to say that a pilot immediately hove in sight. We waved him off, - though he was an old man with a grievance. - </p> - <p> - We approached the narrows. We had conquered the worst difficulties by the - sole help of the skipper’s instinct for a channel, for the beacons were - incomprehensible to us; and we imagined that we could get through the - narrows into the river proper. But we were mistaken. We had a fair wind, - and we set all sails, and the engine was working well; but there was more - than a six-knot tide rushing out through those narrows, and we could not - get through. We hung in them for about half an hour. Then, imitating the - example of a fisherman who had followed us, we just ran her nose into the - shingle, with the sails still set, and jumped ashore with a rope. The - opportunity to paint a water-color of the <i>Velsa</i> under full sail was - not to be lost. Also we bought fish and we borrowed knowledge from the - fisherman. He informed us that we had not entered by the channel at all; - that we were never anywhere near it. He said that the channel had four - feet at that hour. Thus we learned that local wisdom is not always - omniscience. - </p> - <p> - After a delay of two hours, we went up the Ore on the slack. The Ore is a - very dull river, but it has the pleasing singularity of refusing to quit - the ocean. For mile after mile it runs exactly parallel with the North - Sea, separated from it only by a narrow strip of shingle. Under another - name it all but rejoins the ocean at Aldeburgh where at length it curves - inland. On its banks is Orford, a town more dead than any dead city of the - Zuyder Zee, and quite as picturesque and as full of character. The - deadness of Orford may be estimated from the fact that it can support a - kinematograph only three nights a week. It has electric light, but no - railway, and the chief attractions are the lofty castle, a fine church, an - antique quay, and a large supply of splendid lobsters. It knows not the - tourist, and has the air of a natural self-preserving museum. - </p> - <p> - <br /><br /><a name="linkimage-0050" id="linkimage-0050"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0308.jpg" alt="0308 " width="100%" /><br /> - </div> - <h5> - <a href="images/0308.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - <br /><br /> - </p> - <hr /> - <p> - <a name="link2HCH0019" id="link2HCH0019"> </a> - </p> - <div style="height: 4em;"> - <br /><br /><br /><br /> - </div> - <h2> - CHAPTER XIX—THE INCOMPARABLE BLACKWATER - </h2> - <p class="pfirst"> - <span class="dropcap" style="font-size: 4.00em">T</span>IME was when I - agreed with the popular, and the guide-book, verdict that the Orwell is - the finest estuary in these parts; but now that I know it better, I - unhesitatingly give the palm to the Blackwater. It is a nobler stream, a - true arm of the sea; its moods are more various, its banks wilder, and its - atmospheric effects much grander. The defect of it is that it does not - gracefully curve. The season for cruising on the Blackwater is September, - when the village regattas take place, and the sunrises over leagues of - marsh are made wonderful by strange mists. - </p> - <p> - Last September the <i>Velsa</i> came early into Mersea Quarters for Mersea - Regatta. The Quarters is the name given to the lake-like creek that is - sheltered between the mainland and Mersea Island—which is an island - only during certain hours of the day. Crowds of small yachts have their - home in the Quarters, and the regatta is democratic, a concourse or medley - of craft ranging from sailing dinghies up through five-tonners to - fishing-smacks, trading-barges converted into barge-yachts, real - barge-yachts like ourselves, and an elegant schooner of a hundred tons or - so, fully “dressed,” and carrying ladies in bright-colored jerseys, to - preside over all. The principal events occur in the estuary, but the - intimate and amusing events, together with all the river gossip and - scandal, are reserved for the seclusion of the Quarters, where a long lane - of boats watch the silver-gray, gleaming sky, and wait for the tide to - cover the illimitable mud, and listen to the excessively primitive band - which has stationed itself on a barge in the middle of the lane. - </p> - <p> - We managed to get on the mud, but we did that on purpose, to save the - trouble of anchoring. Many yachts and even smacks do it not on purpose, - and at the wrong state of the tide, too. A genuine yachtsman paid us a - visit—one of those men who live solely for yachting, who sail their - own yachts in all weathers, and whose foible is to dress like a sailor - before the mast or like a longshore loafer—and told us a tale of an - amateur who had bought a yacht that had Inhabited Mersea Quarters all her - life. When the amateur returned from his first cruise in her, he lost his - nerve at the entrance to the Quarters, and yelled to a fisherman at anchor - in a dinghy, “Which is the channel?” The fisherman, seeing a yacht whose - lines had been familiar to him for twenty years, imagined that he was - being made fun of. He drawled out, “<i>You</i> know.” In response to - appeals more and more excited he continued to drawl out, “<i>You</i> - know.” At length the truth was conveyed to him, whereupon he drawlingly - advised: “Let the old wench alone. Let her alone. <i>She</i> ’ll - find her way in all right.” Regattas like the Mersea are full of tidal - stories, because the time has to be passed somehow while the water rises. - There was a tale of a smuggler on the mud-flats, pursued in the dead of - night by a coast-guardsman. Suddenly the flying smuggler turned round to - face the coast-guardsman. “Look here,” said he to the coast-guardsman with - warning persuasiveness, “you’d better not come any further. <i>You do see - such ‘wonderful queer things in the newspapers nowadays</i>.” The - coast-guardsman, rapidly reflecting upon the truth of this dark - st-guardsman with warning persuasiveness, “you’d better not come any - further. <i>You do see such ‘wonderful queer things in the newspapers - nowadays</i>.” The coast-guardsman, rapidly reflecting upon the truth of - this dark saying, accepted the advice, and went home. - </p> - <p> - The mud-flats have now disappeared, guns begin to go off, and presently - the regatta is in full activity. The estuary is dotted far and wide with - white, and the din of orchestra and cheering and chatter within the lane - of boats in the Quarters is terrific. In these affairs, at a given moment - in the afternoon, a pause ensues, when the minor low-comedy events are - finished, and before the yachts and smacks competing in the long races - have come back. During this pause we escaped out of the Quarters, and - proceeded up the river, past Brad-well Creek, where Thames barges lie, and - past Tollesbury, with its long pier, while the high tide was still slack. - We could not reach Maldon, which is the Mecca of the Blackwater, and we - anchored a few miles below that municipal survival, in the wildest part of - the river, and watched the sun disappear over vast, flat expanses of water - as smooth as oil, with low banks whose distances were enormously enhanced - by the customary optical delusions of English weather. Close to us was - Osea Island, where an establishment for the reformation of drunkards adds - to the weird scene an artistic touch of the sinister. From the private - jetty of Osea Island two drunkards in process of being reformed gazed at - us steadily in the deepening gloom. Then an attendant came down the jetty - and lighted its solitary red eye, which joined its stare to that of the - inebriates. - </p> - <p> - <br /><br /><a name="linkimage-0051" id="linkimage-0051"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0313.jpg" alt="0313 " width="100%" /><br /> - </div> - <h5> - <a href="images/0313.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <p> - Of all the estuary towns, Maldon, at the head of the Blackwater, is the - pearl. Its situation on a hill, with a tine tidal lake in front of it, is - superb, and the strange thing in its history is that it should not have - been honored by the brush of Turner. A thoroughly bad railway service has - left Maldon in the eighteenth century for the delight of yachtsmen who are - content to see a town decay if only the spectacle affords esthetic - pleasure. - </p> - <p> - There is a lock in the river just below Maldon, leading to the Chelmsford - Canal. We used this lock, and found a lock-keeper and lock-house steeped - in tradition and the spirit of history. Beyond the lock was a basin in - which were hidden two beautiful Scandinavian schooners discharging timber - and all the romance of the North. The prospect was so alluring that we - decided to voyage on the canal, at any rate as far as the next lock, and - we asked the lock-keeper how far off the next lock was. He said curtly: - </p> - <p> - “Ye can’t go up to the next lock.” - </p> - <p> - “Why not?” - </p> - <p> - “Because there’s only two feet of water in this canal. There never was any - more.” - </p> - <p> - We animadverted upon the absurdity of a commercial canal, leading to a - county town, having a depth of only two feet. - </p> - <p> - He sharply defended his canal. - </p> - <p> - “Well,” he ended caustically, “it’s been going on now for a hundred or a - hundred and twenty year like that, and I think it may last another day or - two.” - </p> - <p> - We had forgotten that we were within the influences of Maldon, and we - apologized.. - </p> - <p> - Later—it was a Sunday of glorious weather—we rowed in the - dinghy through the tidal lake into the town. The leisured population of - Maldon was afoot in the meadows skirting the lake. A few boats were - flitting about. The sole organized amusement was public excursions in open - sailing-boats. There was a bathing-establishment, but the day being Sunday - and the weather hot and everybody anxious to bathe, the place was - naturally closed. There ought to have been an open-air concert, but there - was not. Upon this scene of a population endeavoring not to be bored, the - ancient borough of Maldon looked grandly down from its church-topped hill. - </p> - <p> - Amid the waterways of the town were spacious timber-yards; and - eighteenth-century wharves with wharfinger’s residence all complete, as in - the antique days, inhabited still, but rotting to pieces; plenty of - barges; and one steamer. We thought of Sneek, the restless and - indefatigable. I have not yet visited in the <i>Velsa</i> any Continental - port that did not abound in motor-barges, but in all the East Anglian - estuaries together I have so far seen only one motor-barge, and that was - at Harwich. English bargemen no doubt find it more dignified to lie in - wait for a wind than to go puffing to and fro regardless of wind. - Assuredly a Thames barge—said to be the largest craft in the world - sailed by a man and a boy—in full course on the Blackwater is a - noble vision full of beauty, but it does not utter the final word of - enterprise in transport. - </p> - <p> - The next morning at sunrise we dropped slowly down the river in company - with a fleet of fishing-smacks. The misty dawn was incomparable. The - distances seemed enormous. The faintest southeast breeze stirred the - atmosphere, but not the mirror of the water. All the tints of the pearl - were mingled in the dreaming landscape. No prospect anywhere that was not - flawlessly beautiful, enchanted with expectation of the day. The - unmeasured mud-flats steamed as primevally as they must have steamed two - thousand years ago, and herons stood sentry on them as they must have - stood then. Incredibly far away, a flash of pure glittering white, a - sea-gull! The whole picture was ideal. - </p> - <p> - At seven o’clock we had reached Goldhanger Creek, beset with curving - water-weeds. And the creek appeared to lead into the very arcana of the - mist. We anchored, and I rowed to its mouth. A boat sailed in, scarcely - moving, scarcely rippling the water, and it was in charge of two old - white-haired fishermen. They greeted me. - </p> - <p> - “Is this creek long?” I asked. A pause. They both gazed at the creek with - the beautiful name, into which they were sailing, as though they had never - seen it before. - </p> - <p> - “Aye, it’s long.” - </p> - <p> - “How long is it? Is it a mile?” - </p> - <p> - “Aye, it’s a mile.” - </p> - <p> - “Is there anything up there?” Another pause. The boat was drawing away - from me. - </p> - <p> - “Aye, there’s oysters up there.” The boat and the men withdrew - imperceptibly into the silver haze. I returned to the yacht. Just below, - at Tollesbury pier, preparations were in progress for another village - regatta; and an ineffable melancholy seemed to distil out of the extreme - beauty of the estuary, for this was the last regatta, and this our last - cruise, of the season. - </p> - <p> - <br /><br /><a name="linkimage-0052" id="linkimage-0052"> </a> - </p> - <div class="fig" style="width:50%;"> - <img src="images/0320.jpg" alt="0320 " width="100%" /><br /> - </div> - <h5> - <a href="images/0320.jpg"><img src="images/enlarge.jpg" alt="" /> </a> - </h5> - <h3> - THE END - </h3> - <div style="height: 6em;"> - <br /><br /><br /><br /><br /><br /> - </div> - - - - - - - -<pre> - - - - - -End of Project Gutenberg's From The Log of The "Velsa", by Arnold Bennett - -*** END OF THIS PROJECT GUTENBERG EBOOK FROM THE LOG OF THE "VELSA" *** - -***** This file should be named 55113-h.htm or 55113-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/5/1/1/55113/ - -Produced by David Widger from page images generously -provided by the Internet Archive - - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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-
-The Project Gutenberg EBook of From The Log of The "Velsa", by Arnold Bennett
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
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-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: From The Log of The "Velsa"
-
-Author: Arnold Bennett
-
-Illustrator: E. A. Rickards
- Arnold Bennett
-
-Release Date: July 15, 2017 [EBook #55113]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FROM THE LOG OF THE "VELSA" ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
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-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- FROM THE LOG OF THE VELSA
- </h1>
- <h2>
- By Arnold Bennett
- </h2>
- <h3>
- Pictures By E. A. Rickards
- </h3>
- <h3>
- And A Frontispiece By The Author
- </h3>
- <h4>
- New York: The Century Co.
- </h4>
- <h3>
- 1914
- </h3>
- <p>
- <br /><br /><a name="linkimage-0001" id="linkimage-0001"> </a>
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- <p>
- <br /><br /><a name="linkimage-0002" id="linkimage-0002"> </a>
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- <div class="fig" style="width:50%;">
- <img src="images/0008.jpg" alt="0008 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0008.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
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- <p>
- <br /><br /><a name="linkimage-0003" id="linkimage-0003"> </a>
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- <img src="images/0009.jpg" alt="0009 " width="100%" /><br />
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- <h5>
- <a href="images/0009.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
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- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> <b>FROM THE LOG OF THE VELSA</b> </a>
- </p>
- <p class="toc">
- <a href="#link2H_PART"> <b>PART I HOLLAND</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> CHAPTER I—VOYAGING ON THE CANALS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> CHAPTER II—DUTCH LEISURE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> CHAPTER III—DUTCH WORK </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> CHAPTER IV—THE ZUYDER ZEE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> CHAPTER V—SOME TOWNS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> CHAPTER VI—MUSEUMS </a>
- </p>
- <p>
- <br />
- </p>
- <p class="toc">
- <a href="#link2H_PART2"> <b>PART II—THE BALTIC</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> CHAPTER VII—THE YACHT I LOST </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> CHAPTER VIII—BALTIC COMMUNITIES </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> CHAPTER IX—A day’s SAIL </a>
- </p>
- <p>
- <br />
- </p>
- <p class="toc">
- <a href="#link2H_PART3"> <b>PART III COPENHAGEN</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> CHAPTER X—THE DANISH CAPITAL </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> CHAPTER XI—CAFÉS AND RESTAURANTS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> CHAPTER XII—ARISTOCRACY AND ART </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> CHAPTER XIII—THE RETURN </a>
- </p>
- <p>
- <br />
- </p>
- <p class="toc">
- <a href="#link2H_PART4"> <b>PART IV—ON THE FRENCH AND FLEMISH COAST</b>
- </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> CHAPTER XIV—FOLKESTONE TO BOULOGNE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> CHAPTER XV—TO BELGIUM </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> CHAPTER XVI—BRUGES </a>
- </p>
- <p>
- <br />
- </p>
- <p class="toc">
- <a href="#link2H_PART5"> <b>PART V—EAST ANGLIAN ESTUARIES</b> </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> CHAPTER XVII EAST ANGLIA </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> CHAPTER XVIII—IN SUFFOLK </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> CHAPTER XIX—THE INCOMPARABLE BLACKWATER
- </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0001" id="link2H_4_0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h1>
- FROM THE LOG OF THE VELSA
- </h1>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_PART" id="link2H_PART"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- PART I HOLLAND
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0001" id="link2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER I—VOYAGING ON THE CANALS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE skipper, who,
- in addition to being a yachtsman, is a Dutchman, smiled with calm
- assurance as we approached the Dutch frontier in the August evening over
- the populous water of the canal which leads from Ghent to Terneuzen. He
- could not abide Belgium, possibly because it is rather like Holland in
- some ways. In his opinion the bureaucrats of Belgium did not understand
- yachts and the respect due to them, whereas the bureaucrats of Holland
- did. Holland was pictured for me as a paradise where a yacht with a
- seventy-foot mast never had to wait a single moment for a bridge to be
- swung open. When I inquired about custom-house formalities, I learned that
- a Dutch custom-house did not exist for a craft flying the sacred blue
- ensign of the British Naval Reserve. And it was so. Merely depositing a
- ticket and a tip into the long-handled butterfly-net dangled over our deck
- by the bridge-man as we passed, we sailed straight into Holland, and no
- word said! But we knew immediately that we were in another country—a
- country cleaner and neater and more garnished even than Belgium. The
- Terneuzen Canal, with its brickwork banks and its villages “finished” to
- the last tile, reminded me of the extravagant, oily perfection of the main
- tracks of those dandiacal railroads, the North Western in England and the
- Pennsylvania in America. The stiff sailing breeze was at length favorable.
- We set the mainsail unexceptionably; and at once, with the falling dusk,
- the wind fell, and the rain too. We had to depend again on our erratic
- motor, with all Holland gazing at us. Suddenly the whole canal was lit up
- on both sides by electricity. We responded with our lights. The
- exceedingly heavy rain drove me into the saloon to read Dostoyevsky.
- </p>
- <p>
- <br /><br /><a name="linkimage-0004" id="linkimage-0004"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0019.jpg" alt="0019 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0019.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- At eight P. M. I was dug up out of the depths of Dostoyevsky in order to
- see my first Dutch harbor. Rain poured through the black night. There was
- a plashing of invisible wavelets below, utter darkness above, and a few
- forlorn lights winking at vast distances. I was informed that we were
- moored in the yacht-basin of Terneuzen. I remained calm. Had we been
- moored in the yacht-basin of Kamchatka, the smell of dinner would still
- have been issuing from the forecastle-hatch, the open page of Dostoyevsky
- would still have invited me through the saloon skylight, and the amiable
- ray of the saloon lamp would still have glinted on the piano and on the
- binnacle with impartial affection. Herein lies an advantage of yachting
- over motoring. I redescended without a regret, without an apprehension.
- Already the cook was displacing Dostoyevsky in favor of a white
- table-cloth and cutlery.
- </p>
- <p>
- The next morning we were at large on the billow’s of the West Schelde, a
- majestic and enraged stream, of which Flushing is the guardian and Antwerp
- the mistress. The rain had in no wise lost heart. With a contrary wind and
- a choppy sea, the yacht had a chance to show her qualities and defects.
- She has both. Built to the order of a Dutch baron rather less than twenty
- years ago, she is flat-bottomed, with lee-boards, and follows closely the
- lines of certain very picturesque Dutch fishing-smacks. She has a length
- of just over fifty-five feet and a beam of just over fifteen feet. Her
- tonnage is fifty-one, except when dues have to be paid, on which serious
- occasions it mysteriously shrinks to twenty-one net. Yachtsmen are always
- thus modest. Her rig is, roughly, that of a cutter, with a deliciously
- curved gaff that is the secret envy of all real cutters.
- </p>
- <p>
- Her supreme advantage, from my point of view, is that she has well over
- six feet of head-room in the saloon and in the sleeping-cabins. And, next,
- that the owner’s bed is precisely similar to the celestial bed which he
- enjoyed on a certain unsurpassed American liner. Further, she carries a
- piano and an encyclopedia, two necessaries of life. I may say that I have
- never known another yacht that carried an encyclopedia in more than a
- score of volumes. Again, she is eternal. She has timbers that recall those
- of the <i>Constitution</i>. There are Dutch eel-boats on the Thames which
- look almost exactly like her at a distance, and which were launched before
- Victoria came to the throne. She has a cockpit in which Hardy might have
- kissed Nelson. She sails admirably with a moderate wind on the quarter.
- More important still, by far, she draws only three feet eight inches, and
- hence can often defy charts, and slide over sands where deep-draft boats
- would rightly fear to tread; she has even been known to sail through
- fields.
- </p>
- <p>
- Possibly for some folk her chief attribute would be that, once seen, she
- cannot be forgotten. She is a lovely object, and not less unusual than
- lovely. She is smart also, but nothing more dissimilar to the average
- smart, conventional English or American yacht can well be conceived. She
- is a magnet for the curious. When she goes under a railway bridge while a
- train is going over it, the engine-driver, of no matter what nationality,
- will invariably risk the lives of all his passengers in order to stare at
- her until she is out of sight. This I have noticed again and again. The
- finest compliment her appearance ever received was paid by a schoolboy,
- who, after staring at her for about a quarter of an hour as she lay at a
- wharf at Kingston-on-Thames, sidled timidly up to me as I leaned in my
- best maritime style over the quarter, and asked, “Please, sir, is this a
- training brig?” Romance gleamed in that boy’s eye.
- </p>
- <p>
- As for her defects, I see no reason why I should catalogue them at equal
- length. But I admit that, to pay for her headroom, she has no
- promenade-deck for the owner and his friends to “pace,” unless they are
- prepared to exercise themselves on the roof of the saloon. Also that,
- owing to her shallowness, she will ignobly blow off when put up to the
- wind. Indeed, the skipper himself, who has proved that she will live in
- any sea, describes her progress under certain conditions as “one mile
- ahead and two miles to leeward”; but he would be hurt if he were taken
- seriously. Her worst fault is due to her long, overhanging prow, which
- pounds into a head sea with a ruthlessness that would shake the funnels
- off a torpedo-boat. You must not press her. Leave her to do her best, and
- she will do it splendidly; but try to bully her, and she will bury her
- nose and defy you.
- </p>
- <p>
- That morning on the wide, broad Schelde, with driving rain, and an
- ever-freshening northwester worrying her bows, she was not pressed, and
- she did not sink; but her fierce gaiety was such as to keep us all alive.
- She threshed the sea. The weather multiplied, until the half-inch wire
- rope that is the nerve between the wheel and the rudder snapped, and we
- were at the mercy, etc. While the skipper, with marvelous resource and
- rapidity, was improvising a new gear, it was discovered amid general
- horror, that the piano had escaped from its captivity, and was lying
- across the saloon table. Such an incident counts in the life of an amateur
- musician. Still, under two hours later, I was playing the same piano again
- in the tranquillity of Flushing lock.
- </p>
- <p>
- <br /><br /><a name="linkimage-0005" id="linkimage-0005"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0026.jpg" alt="0026 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0026.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- It was at Middelburg that the leak proved its existence. Middelburg is an
- architecturally delightful town even in heavy, persevering rain and a
- northwest gale. It lies on the canal from Flushing to Veere, and its
- belfry had been a beacon to us nearly all the way down the Schelde from
- Temeuzen. Every English traveler stares at its renowned town-hall; and
- indeed the whole place, having been till recently the haunt of more or
- less honest English racing tipsters and book-makers, must be endeared to
- the British sporting character. We went forth into the rain and into the
- town, skirting canals covered with timber-rafts, suffering the lively
- brutishness of Dutch infants, and gazing at the bare-armed young women
- under their umbrellas. We also found a goodish restaurant.
- </p>
- <p>
- When we returned at nine P. M., the deck-hand, a fatalistic philosopher,
- was pumping. He made a sinister figure in the dark. And there was the
- sound of the rain on our umbrellas, and the sound of the pumped water
- pouring off our decks down into the unseen canal. I asked him why he was
- pumping at that hour. He answered that the ship leaked. It did. The
- forecastle floor was under an inch of water, and water was pushing up the
- carpet of the starboard sleeping-cabin, and all the clean linen in the
- linen-locker was drenched. In a miraculous and terrifying vision, which
- changed the whole aspect of yachting as a recreation, I saw the yacht at
- the bottom of the canal. I should not have had this vision had the skipper
- been aboard; but the skipper was ashore, unfolding the beauties of Holland
- to the cook. I knew the skipper would explain and cure the leak in an
- instant. A remarkable man, Dutch only by the accident of birth and
- parentage, active as a fox-terrier, indefatigable as a camel, adventurous
- as Columbus, and as prudent as J. Pierpont Morgan, he had never failed me.
- Half his life had been spent on that yacht, and the other half on the
- paternal barge. He had never lived regularly in a house. Consequently he
- was an expert of the very first order on the behavior of Dutch barges
- under all conceivable conditions. While the ship deliberately sank and
- sank, the pumping monotonously continued, and I waited in the saloon for
- him to come back. Dostoyevsky had no hold on me whatever. The skipper
- would not come back: he declined utterly to come back; he was lost in the
- mazy vastness of Middelburg.
- </p>
- <p>
- Then I heard his voice forward. He had arrived in silence. “I hear our
- little ship has got a leak, sir,” he said when I joined the group of
- professional mariners on the forward deck, in the thick rain that veiled
- even gas-lamps. I was disappointed. The skipper was depressed,
- sentimentally depressed, and he was quite at a loss. Was the leak caused
- by the buffetings of the Schelde, by the caprices of the piano, by the
- stress of working through crowded locks? He knew not. But he would swear
- that the leak was not in the bottom, because the bottom was double. The
- one thing to do was to go to Veere, and put the ship on a grid that he was
- aware of in the creek there, and find the leak. And, further, there were a
- lot of other matters needing immediate attention. The bob-stay was all to
- pieces, both pumps were defective, and the horn for rousing lethargic
- bridge-men would not have roused a rabbit. All which meant for him an
- expedition to Flushing, that bustling port!
- </p>
- <p>
- The ship was pumped dry. But the linen was not dry. I wanted to spread it
- out in the saloon; but the skipper would not permit such an outrage on the
- sanctity of the saloon, he would not even let the linen rest in the saloon
- lavatory (sometimes called the bath-room). It must be hidden like a shame
- in the forecastle. So the crew retired for the night to the sodden, small
- forecastle amid soaked linen, while I reposed in dry and comfortable
- spaciousness, but worried by those sociological considerations which are
- the mosquitos of a luxurious age—and which ought to be. None but a
- tyrant convinced of the divine rights of riches could be always at ease on
- board a small yacht; on board a large one, as in a house, the contrasts
- are less point-blank. And yet must small yachts he abolished? Absurd idea!
- Civilization is not so simple an affair as it seems to politicians
- perorating before immense audiences.
- </p>
- <p>
- Owing to the obstinacy of water in finding its own level, we went to bed
- more than once during that night, and I thought of selling the ship and
- giving to the poor. What a declension from the glory of the original
- embarkation!
- </p>
- <p>
- The next afternoon, through tempests and an eternal downpour, we reached
- Veere, at the other end of the canal. Veere is full of Scotch history and
- of beauty; it has a cathedral whose interior is used by children as a
- field, a gem of a town-hall, and various attractions less striking; but
- for us it existed simply as a place where there was a grid, to serve the
- purpose of a dry-dock. On the following morning we got the yacht onto the
- grid, and then began to wait for the tide to recede. During its
- interminable recession, we sat under a shed of the shipyard, partly
- sheltered from the constant rain, and labored to produce abominable
- watercolors of the yacht, with the quay and the cathedral and the
- town-hall as a background. And then some one paddling around the yacht in
- the dinghy perceived a trickle out of a seam. The leak! It was naught but
- the slight starting of a seam! No trace of other damage. In an hour it had
- been repaired with oakum and hammers, and covered with a plaster of
- copper. The steering-gear was repaired. The pumps were repaired. The
- bobstay was repaired. The water-color looked less abominable in the
- discreet, kindly light of the saloon. The state of human society seemed
- less volcanically dangerous. God was in His heaven. “I suppose you’d like
- to start early to-morrow morning, sir,” said the skipper, whose one desire
- in life is to go somewhere else. I said I should.
- </p>
- <p>
- I went ashore with the skipper to pay bills—four gulden for repairs
- and three gulden for the use of the grid. It would have been much more but
- for my sagacity in having a Dutch skipper. The charming village proved to
- be virtually in the possession of one of those formidable English families
- whose ladies paint in water-colors when no golf-course is near. They ran
- ecstatically about the quay with sheets of Whatman until the heavy rain
- melted them. The owner of the grid lived in a large house with a most
- picturesque façade. Inside it was all oilcloth, red mahogany, and crimson
- plush, quite marvelously hideous. The shipwright was an old, jolly man,
- with white whiskers spreading like a peacock’s tail. He gave us cigars to
- pass the time while he accomplished the calligraphy of a receipt. He was a
- man sarcastic about his women (of whom he had many), because they would
- not let him use the <i>voor-kammer</i> (front room) to write receipts in.
- I said women were often the same in England, and he gave a short laugh at
- England. Nevertheless, he was proud of his women, because out of six
- daughters five had found husbands, a feat of high skill in that island of
- Walcheren, where women far outnumber men.
- </p>
- <p>
- Outside, through the mullioned window, I saw a young matron standing
- nonchalant and unprotected in the heavy rain. She wore an elaborate local
- costume, with profuse gilt ornaments. The effect of these Dutch costumes
- is to suggest that the wearer carries only one bodice, thin and armless,
- but ten thousand skirts. Near the young matron was a girl of seven or
- eight, dressed in a fashion precisely similar, spectacle exquisite to
- regard, but unsatisfactory to think about. Some day all these women will
- put on long sleeves and deprive themselves of a few underskirts, and all
- the old, jolly men with spreading white beards will cry out that women are
- unsexed and that the end of the world is nigh. In another house I bought a
- fisherman’s knitted blue jersey of the finest quality, as being the sole
- garment capable of keeping me warm in a Dutch summer. I was told that the
- girl who knitted it received only half a gulden for her labor. Outrageous
- sweating, which ought never to have been countenanced. Still, I bought the
- jersey.
- </p>
- <p>
- At six-thirty next day we were under way—a new ship, as it seemed to
- me. Yachts may have leaks, but we were under way, and the heavenly smell
- of bacon was in the saloon; and there had been no poring over time-tables,
- no tipping of waiters, no rattling over cobbles in omnibuses, no waiting
- in arctic railway-stations, no pugnacity for corner seats, no checking of
- baggage. I was wakened by the vibration of the propeller; I clad myself in
- a toga, and issued forth to laugh good-by at sleeping Veere—no other
- formalities. And all along the quay, here and there, I observed an open
- window among the closed ones. Each open window denoted for me an English
- water-colorist sleeping, even as she or he had rushed about the quay, with
- an unconcealed conviction of spiritual, moral, and physical superiority.
- It appeared to me monstrous that these English should be so ill bred as to
- inflict their insular notions about fresh air on a historic Continental
- town. Every open window was an arrogant sneer at Dutch civilization, was
- it not? Surely they could have slept with their windows closed for a few
- weeks! Or, if not, they might have chosen Amsterdam instead of Veere, and
- practised their admirable Englishness on the “Victorian Tea-Room” in that
- city.
- </p>
- <p>
- <br /><br /><a name="linkimage-0006" id="linkimage-0006"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0035.jpg" alt="0035 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0035.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- We passed into the Veeregat and so into the broad Roompot Channel, and
- left Veere. It was raining heavily, but gleams near the horizon allowed me
- to hope that before the day was out I might do another water-color.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0002" id="link2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER II—DUTCH LEISURE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">E</span>VERY tourist knows
- that Holland is one of the historic cradles of political freedom, and also
- a chain of cities which are in effect museums of invaluable art. The
- voyager in a little ship may learn that in addition to all this Holland is
- the home of a vast number of plain persons who are under the necessity of
- keeping themselves alive seven days a week, and whose experiments in the
- adventure of living have an interest quite equal to the interest of
- ancient art. To judge that adventure in its final aspect, one should see
- Holland on a Sunday, and not the Holland of the cities, but of the little
- towns.
- </p>
- <p>
- We came one Sunday morning to a place called Zieriksee, on an island to
- the north of the East Schelde. Who has heard of Zieriksee? Nevertheless,
- Zieriksee exists, and seven thousand people prosecute the adventure
- therein without the aid of museums and tourists. At first, from the mouth
- of its private canal, it seems to be a huge, gray tower surrounded by
- tiniest doll’s-houses with vermilion roofs; and as you approach, the tower
- waxes, until the stones of it appear sufficient to build the whole
- borough; then it wanes, and is lost in the town, as all towers ultimately
- are. The cobbled quay and streets were empty as we moored. And in an
- instant a great crowd sprang up out of the earth,—men and boys and
- girls, but few women,—staring, glaring, giggling, gabbling, pushing.
- Their inquisitiveness had no shame, no urbanity. Their cackle deafened.
- They worried the <i>Velsa</i> like starving wolves worrying a deer. The <i>Velsa</i>
- was a godsend, unhoped for in the enormous and cruel tedium which they had
- created for themselves. To escape them we forced our way ashore, and trod
- the clean, deathlike, feet-torturing streets. One shop was open; we
- entered it, and were supplied with cigarettes by two polite and gracious
- very old women who knew no English. On emerging from this paganism, we met
- a long, slow-slouching, gloomy procession of sardonic human beings,—not
- a pretty woman among them, not a garment that was comely or unclean or
- unrespectable, not a smile,—the great, faithful congregation
- marching out of the great church. Here was the life of leisure in Holland
- as distinguished from the week-day life of industry. It was a tragic
- spectacle. When we returned to the yacht, the other congregation was still
- around it. And it was still there, just as noisy and boorish, when we left
- several hours later. And it would still have been there if we had remained
- till midnight. The phenomenon of that crowd, wistful in its touching
- desire for distraction, was a serious criticism of the leaders of men in
- Holland. As we slid away, we could see the crowd rapidly dissolving into
- the horror of its original ennui. I asked the cook, a cockney, what he
- thought of Zieriksee.
- </p>
- <p>
- His face lightened to a cheerful smile.
- </p>
- <p>
- “Rather a nice sort of place, sir. More like England.”
- </p>
- <p>
- <br /><br /><a name="linkimage-0007" id="linkimage-0007"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0040.jpg" alt="0040 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0040.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The same afternoon we worked up the Schelde in a dead calm to Zijpe. The
- rain had pretermitted for the first time, and the sun was hot. Zijpe is a
- village, a haven, a dike, and a junction of train and steamer. The village
- lies about a mile inland. The haven was pretty full of barges laid up for
- Sunday. On the slopes of the haven, near the railway-station and the
- landing-stage, a multitude of at least a thousand people were strolling to
- and fro or sitting on the wet grass, all in their formidable Sabbath best.
- We joined them, in order, if possible, to learn the cause of the
- concourse; but the mystery remained for one hour and a half in the
- eventless expanse of the hot afternoon, when the train came in over the
- flat, green leagues of landscape. We then understood. The whole of Zijpe
- had turned out to see the afternoon train come in! It was a simple modest
- Dutch local train, making a deal of noise and dust, and bearing perhaps a
- score of passengers. But it marked the grand climacteric of leisured
- existence at Zijpe. We set off to the village, and discovered a village
- deserted, and a fair-ground, with all its booths and circuses swathed up
- in gray sheeting. Scarcely a soul! The spirit of romance had pricked them
- all to the railway-station to see the train come in!
- </p>
- <p>
- Making a large circuit, we reached again the river and the dike, and
- learned what a dike is in Holland. From the top of it we could look down
- the chimneys of houses on the landward side. The population was now on the
- dike, promenading in magnificent solemnity and self-control. Everybody
- gravely saluted us in passing. We gravely saluted everybody, and had not a
- moment to ourselves for miles.
- </p>
- <p>
- “Over there,” said the skipper afterward, pointing vaguely to the
- southeast over the Schelde, “they ’re Roman Catholics. There ’s
- a lot of Spaniards left in Holland.” By Spaniards he meant Dutchmen with
- some Spanish blood.
- </p>
- <p>
- “Then they enjoy their Sundays?” I suggested.
- </p>
- <p>
- “Yes,” he answered sarcastically, “they enjoy their Sundays. They put
- their playing-cards in their pockets before they go to church, and then
- they go straight from the church to the café, and play high, and as like
- as not knife each other before they ’ve done.” Clearly it takes all
- sorts to make a little world like Holland, and it is difficult to strike
- the mean between absolute nullity and homicidal knives. My regret is that
- the yacht never got as far as those Spaniards gaming and knifing in cafés.
- </p>
- <p>
- On Monday morning every skipper on every river and canal of Holland tries
- to prove that the stagnation of Sunday is only a clever illusion. The East
- Schelde hummed with express barges at five A. M. It was exactly like a
- Dutch picture by an old master. Even we, in no hurry, with a strong tide
- under us and a rising northwester behind us, accomplished fifteen
- sea-miles in ninety minutes. Craft were taking shelter from the threatened
- gale. In spite of mistakes by an English crew unaccustomed to a heavy
- mainsail in tortuous navigation and obstreperous weather, we reached
- Dordrecht railway bridge without public shame; and then the skipper
- decided that our engine could not be trusted to push us through the narrow
- aperture against wind and tide. Hence we bargained with a tug, and were
- presently attached thereto, waiting for the bridge to open.
- </p>
- <p>
- Considering that Holland is a country where yachts are understood, and
- where swing-bridges open at a glance, we had to wait some little time for
- that bridge; namely, three hours. The patriotism of the skipper was
- strained. During the whole period the tug rushed to and fro, frisking us
- wildly about like a kettle at the tail of a busy dog, and continuously
- collecting other kettles, so that our existence was one long shock and
- collision. But we saw a good deal of home life on the barges, from a minor
- barge which a girl will steer to the three-thousand-ton affair that
- surpasses mail steamers in capacity.
- </p>
- <p>
- <br /><br /><a name="linkimage-0008" id="linkimage-0008"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0045.jpg" alt="0045 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0045.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- There are two homes on these monsters, one at the stem and the other at
- the stern; the latter is frequently magnificent in spaciousness and
- gilding. That the two families in the two distant homes are ever intimate
- is impossible, that they are even acquainted is improbable; but they seem
- to share a tireless dog, who runs incessantly along the leagues of
- planking which separate them.
- </p>
- <p>
- The bridge did at last open, and everything on the river, unmindful of
- everything else, rushed headlong at the opening, like a crowd of sinners
- dashing for a suddenly unbarred door into heaven. Our tug jerked us into
- the throng, a fearful squeeze, and we were through. We cast off, the
- gulden were collected in a tin, and within five minutes we were moored in
- the New Haven, under the lee of the Groote Kerk, with trees all around us,
- in whose high tops a full gale was now blowing.
- </p>
- <p>
- The next morning our decks were thickly carpeted with green leaves, a
- singular sight. The harbor-master came aboard to demand dues, and demanded
- them in excellent English.
- </p>
- <p>
- “Where did you learn English?” I asked, and he answered with strange
- pride:
- </p>
- <p>
- “Sir, I served seven years under the British flag.”
- </p>
- <p>
- Standing heedless in the cockpit, under driving rain, he recounted the
- casualties of the night. Fifteen miles higher up the river a
- fifteen-hundred-ton barge had sunk, and the master and crew, consisting,
- <i>inter alia</i>, of all his family, were drowned. I inquired how such an
- event could happen in a narrow river amid a numerous population, and
- learned that in rough weather these barges anchor when a tug can do no
- more with them, and the crew go to bed and sleep. The water gradually
- washes in and washes in, until the barge is suddenly and silently
- engulfed. Dutch phlegm! Corresponding to their Sabbatic phlegm, no doubt.
- Said the harbor-master:
- </p>
- <p>
- “Yes, there is a load-line, but they never takes no notice of it in
- Holland; they just loads them up till they won’t hold any more.”
- </p>
- <p>
- The fatalism of the working-classes everywhere is perhaps the most utterly
- astounding of all human phenomena.
- </p>
- <p>
- Thoughtful, I went off to examine the carved choir-stalls in the Groote
- Kerk. These choir-stalls are among the most lovely sights in Holland.
- Their free, fantastic beauty is ravishing and unforgetable; they make you
- laugh with pleasure as you behold them. I doubt not that they were
- executed by a rough-tongued man, in a dirty apron, with shocking
- finger-nails.
- </p>
- <p>
- <br /><br /><a name="linkimage-0009" id="linkimage-0009"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0052.jpg" alt="0052 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0052.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0003" id="link2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER III—DUTCH WORK
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>e passed through
- Rotterdam more than once, without seeing more of it than the amazing
- traffic of its river and its admirable zoological gardens full of
- chromatically inclined parrots; but we stopped at a minor town close by,
- on a canal off the Meuse, Schiedam. Instinct must have guided me, for the
- sociological interest of Schiedam was not inconsiderable. Schiedam is
- called by the Dutch “stinking Schiedam.” I made a circuit of the town
- canals in the dinghy and convinced myself that the epithet was just and
- not malicious. On the lengthy quays were a large number of very dignified
- gin distilleries, whose architecture was respectable and sometimes even
- very good, dating from perhaps early in the last century. Each had a
- baptismal name, such as “Liverpool,” inscribed in large letters across its
- façade. This rendering decent and this glorification of gin constituted an
- impressive phenomenon. But it was the provinciality and the uncouth
- melancholy of the apparently prosperous town that took my fancy. We walked
- through all its principal streets in the rain, and I thought I had never
- seen a provinciality so exquisitely painful and perfect. In this city of
- near thirty thousand people there was not visible one agreeably imposing
- shop, or one woman attired with intent to charm, or one yard of smooth
- pavement. I know not why I find an acrid pleasure in thus beholding
- mediocrity, the average, the everyday ordinary, as it is; but I do. No
- museum of Amsterdam, The Hague, or Haarlem touched me so nearly as the
- town of Schiedam, which, after all, I suppose I must have liked.
- </p>
- <p>
- Toward six o’clock we noticed an unquiet, yet stodgy, gathering in the
- square where is the electric-tram terminus, then a few uniforms. I asked a
- superior police officer what there was. He said in careful, tranquil
- English:
- </p>
- <p>
- “There is nothing. But there is a strike of glass-workers in the town.
- Some of them don’t want to work, and some of them do want to work. Those
- that have worked to-day are being taken home in automobiles. That is all.”
- </p>
- <p>
- I was glad it was all, for from his manner I had expected him to continue
- to the effect that the glass-workers had been led away by paid agitators
- and had no good reason to strike. The automobiles began to come along, at
- intervals, at a tremendous pace, each with a policeman by the chauffeur’s
- side. In one was a single artisan, middle-aged, with a cigar in the corner
- of his mouth, and a certain adventurous look in his eye. The crowd grimly
- regarded. The police tried to seem as if they were there by accident, but
- obviously they lacked histrionic training. In short, the scene was one of
- the common objects of the wayside of existence all over the civilized
- world. It presented no novelty whatever, and yet to witness it in Holland
- was piquant, and caused one to think afresh and perhaps more clearly.
- </p>
- <p>
- At night, when it had ceased to rain. I was escorting a friend to the
- station. Musicians were climbing up into the bandstand in the same square.
- It was Wednesday, the evening of the weekly municipal concert. The
- railway-station, far out, was superbly gloomy, and it was the only station
- in Holland where I failed to get a non-Dutch newspaper. The train, with
- the arrogance of an international express, slid in, slid out, and forgot
- Schiedam. I emerged from the station alone. A one-horse tram was waiting.
- </p>
- <p>
- The tram, empty, with a sinking, but everlasting, white horse under a
- yellow cloth, was without doubt the most provincial and melancholy thing
- that destiny has yet brought me in contact with. The simple spectacle of
- it, in the flickering gaslights and in the light of its own lamps, filled
- the heart, with an anguish inexplicable and beautiful. I got in. An age
- passed. Then an old workman got in, and saluted; I saluted. Save for the
- saluting, it was the Five Towns of the eighties over again, intensified,
- and the last tram out of Hanbridge before the theater-tram.
- </p>
- <p>
- An age passed. Then a mysterious figure drew the cloth off the horse, and
- the horse braced up all its four legs. We were starting when a
- tight-folded umbrella waved in the outer obscurity. An elderly,
- easy-circumstanced couple arrived upon us with deliberation; the umbrella
- was a good one.
- </p>
- <p>
- We did start. We rumbled and trundled in long curves of suburban
- desolation. Then a few miserable shops that ought to have been shut; then
- the square once more, now jammed in every part with a roaring, barbaric
- horde. In the distance, over a floor of heads, was an island of
- illumination, with the figures of puffing and blowing musicians in it; but
- no rumor of music could reach us through the din. The white horse trotted
- mildly into and right through the multitude, which jeered angrily, but
- fell back. An enormous multitude, Gothic, Visi-gothic, savage,
- uncivilized, chiefly consisting of young men and big boys—the weekly
- concert of humanizing music!
- </p>
- <p>
- <br /><br /><a name="linkimage-0010" id="linkimage-0010"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0057.jpg" alt="0057 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0057.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- I left the tram, and walked along the dark, empty canal-side to the yacht.
- The impression of stagnation, tedium, provincialism was overwhelming.
- Nevertheless, here, as in other towns, we were struck by the number of
- shop-windows with artist’s materials for sale. Such was Schiedam. If it is
- asked whether I went to Holland on a yachting cruise to see this sort of
- thing, the answer is that I just did.
- </p>
- <p>
- After a few weeks I began to perceive that Schiedam and similar places,
- though thrilling, were not the whole of Holland, and perhaps not the most
- representative of Holland. As the yacht worked northward, Holland seemed
- to grow more Dutch, until, in the chain of shallow lakes and channels that
- hold Friesland in a sort of permanent baptism, we came to what was for me
- the ideal or celestial Holland—everything done by water, even grass
- cut under water, and black-and-white cows milked in the midst of ponds,
- and windmills over the eternal flatness used exclusively to shift
- inconvenient water from one level to another. The road is water in
- Friesland, and all the world is on the road. If your approach to a town is
- made perilous by a succession of barges that will obstinately keep the
- middle of the channel, you know that it is market-day in that town, and
- the farmers are rolling home in agreeable inebriation.
- </p>
- <p>
- The motor broke down in Friesland, and we were immobolized in the midst of
- blue-green fields, red dogs, the cows aforesaid, green milk-floats,
- blue-bloused sportsmen, and cargoes of cannon-ball cheese. We decided to
- tow the yacht until we got to a favorable reach. Certain barges sailed
- past us right into the eye of the wind, against all physical laws, but the
- <i>Velsa</i> possessed not this magic. We saw three men comfortably towing
- a string of three huge barges, and we would tow. Unfortunately the only
- person, the skipper, who knew how to tow had to remain on board. The cook,
- the deck-hand, and I towed like Greeks pulling against Greeks, and could
- scarcely move one little yacht. The cook, neurasthenic by temperament,
- grew sad, until he fell into three feet of inundation, which adventure
- struck him as profoundly humorous, so that he was contorted with laughter.
- This did not advance the yacht. Slowly we learned that towing is not mere
- brute striving, but an art.
- </p>
- <p>
- We at last came to terms with a tug, as our desire was to sleep at Sneek.
- Sneek is the veritable metropolis of those regions. After passing, at late
- dusk, the mysterious night-watchers of eel-nets, who are wakened in their
- elaborate green-and-yellow boats by a bell, like a Paris concierge, we
- gradually emerged into nocturnal Sneek through a quadruple lane of barges
- and tugs so long as to put Sneek among the seven great ports of the world.
- And even in Sneek at nightfall the impression of immense quantities of
- water and of greenness, yellowness, and redness was continued. It rained,
- as usual, in Sneek the next day, but no rain and no water could damp
- Sneek. It was the most active town any of us had ever seen. It must have
- been the original “hive of industry.” It was full, and full of everything.
- The market was full of cattle, pigs, and sheep, crowded in pens and in
- carts; calves, prone, with all four legs tied together, filled acres of
- pavement. The cafés were full of dealers and drovers, mostly rather jolly,
- being served by slatternly, pleasant women. The streets were full of good
- shops, and of boys and girls following us and touching us to see if we
- existed. (Dreadful little boors!) The barges were full of cauliflowers,
- cabbages, apples, potatoes, sabots, cheeses, and barrels. The canals were
- full of barges and steamers.
- </p>
- <p>
- And immediately one sat down to sketch a group of craft one learned that
- nothing was stationary. Everything moved that floated—everything on
- the surface of miles of canal! Everybody, without haste, but without
- stopping ever, was tirelessly engaged in shifting matter from one spot to
- another. At intervals a small steamer, twenty, thirty, fifty, eighty tons,
- would set off for a neighboring village with a few passengers,—including
- nice girls,—a few cattle, and high piles of miscellaneous packages;
- or would come in from a neighboring village. The kaleidoscope was
- everlasting; but it did not fatigue, because it never hurried. Only it
- made us ashamed of our idleness. Gently occupied old country-women, with
- head-dresses of lace-work and a gold casque, the whole ridiculously
- surmounted by a black bonnet for fashion’s sake—even these old women
- made us ashamed of our untransporting idleness.
- </p>
- <p>
- <br /><br /><a name="linkimage-0011" id="linkimage-0011"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0063.jpg" alt="0063 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0063.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Having got our engine more or less repaired, we departed from Sneek, a
- spot that beyond most spots abounds in its own individuality. Sneek is
- memorable. Impossible to credit that it has fewer than thirteen thousand
- inhabitants!
- </p>
- <p>
- As, at breakfast, we dropped down the canal on the way to Leeuwarden, a
- new guest on board, whose foible is the search for the ideal, and who had
- been declaiming against the unattractiveness of the women of Munich, spoke
- thus:
- </p>
- <p>
- “Is this Dutch bread? I think I should like to become a Dutchman, and live
- at Sneek, and marry a Dutch girl. They have such nice blue eyes, and they
- ‘re so calm.”
- </p>
- <p>
- I remarked that I should have thought that his recent experiences in
- Munich would have frightened him right off the entire sex. He said:
- </p>
- <p>
- “Well, they ‘re all beautiful in Vienna, and that worries you just as much
- in another way. Sneek is the mean.”
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0004" id="link2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IV—THE ZUYDER ZEE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>E reached the
- Zuyder Zee, out of a canal, at Monnikendam, which is a respectably
- picturesque townlet and the port of embarkation for Marken, the alleged
- jewel of the Zuyder Zee, the precious isle where the customs and the
- costumes of a pure age are mingled with the prices of New York for the
- instruction of tourists. We saw Marken, but only from the mainland, a
- long, serrated silhouette on the verge. The skipper said that Marken was a
- side-show and a swindle, and a disgrace to his native country. So I
- decided to cut it out of the program, and be the owner of the only foreign
- yacht that had cruised in the Zuyder Zee without visiting Marken. My real
- reason was undoubtedly that the day’s program had been upset by undue
- lolling in the second-hand shops of Monnikendam. Thus we sailed due north
- for Hoorn, secretly fearing that at Marken there might be something
- lovely, unforgetable, that we had missed.
- </p>
- <p>
- The Zuyder is a sea agreeable to sail upon, provided you don’t mind rain,
- and provided your craft does not draw more than about six feet. It has the
- appearance of a sea, but we could generally touch the bottom with our
- sounding-pole; after all, it is not a sea, but a submerged field. The
- skipper would tell inclement stories of the Zuyder Zee under ice, and how
- he had crossed it on foot between Enkhuizen and Stavoren, risking his life
- for fun; and how he had been obliged to recross it the next day, with more
- fatigue, as much risk, and far less fun, because there was no other way
- home. We ourselves knew it only as a ruffled and immense pond, with a
- bracing atmosphere and the silhouettes of diminished trees and houses
- sticking up out of its horizons here and there. When these low silhouettes
- happen to denote your destination, they have the strange faculty of
- receding from your prow just as fast as you sail toward them, a magic sea
- of an exquisite monotony; and when you arrive anywhere, you are so
- surprised at having overtaken the silhouette that your arrival is a dream,
- in the unreal image of a city.
- </p>
- <p>
- The one fault of Hoorn is that it is not dead.
- </p>
- <p>
- We navigated the Zuyder Zee in order to see dead cities, and never saw
- one. Hoorn is a delightful vision for the eye—beautiful domestic
- architecture, beautiful warehouses, beautiful towers, beautiful
- water-gate, beautiful aniline colors on the surface of dreadful canals. If
- it were as near to London and Paris as Bruges is, it would be inhabited
- exclusively by water-colorists. At Hoorn I went mad, and did eight
- sketches in one day, a record which approaches my highest break at
- billiards. Actually, it is inhabited by cheese-makers and dealers. No
- other town, not even Chicago, can possibly contain so many cheeses per
- head of the population as Hoorn. At Hoorn I saw three men in blue blouses
- throwing down spherical cheeses in pairs from the second story of a brown
- and yellow and green warehouse into a yellow cart. One man was in the
- second story, one in the first, and one in the cart. They were flinging
- cheeses from hand to hand when we arrived and when we left, and they never
- dropped a cheese or ceased to fling. They flung into the mysterious night,
- when the great forms of little cargo-steamers floated soundless over
- romance to moor at the dark quays, and the long, white English
- steam-yacht, with its two decks, and its chef and its flulfy chambermaid,
- and its polished mahogany motor-launch, and its myriad lights and gleams,
- glided to a berth by the water-tower, and hung there like a cloud beyond
- the town, keeping me awake half the night while I proved to myself that I
- did not really envy its owner and that the Velsa was really a much better
- yacht.
- </p>
-
-<div class="fig" style="width:50%;">
- <img src="images/0070.jpg" alt="0070 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0070.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
-
- <p>
- The recondite enchantment of Hoorn was intensified by the fact that the
- English tongue was not current in it. I met only one Dutchman there who
- spoke it even a little, a military officer. Being on furlough, he was
- selling cigars in a cigar shop on behalf of his parents. Oh, British army
- officer! Oh, West Point Academy! He told me that officers of the Dutch
- army had to be able to speak English, French, and German. Oh, British army
- officer! Oh, West Point Academy! But he did not understand the phrase
- “East Indian cigar.” He said there were no such cigars in his parents’
- shop. When I said “Sumatra,” he understood, and fetched his mother. When I
- said that I desired the finest cigars in Hoorn, his mother put away all
- the samples already exhibited and fetched his father. The family had begun
- to comprehend that a serious customer had strayed into the shop. The
- father, in apron, with a gesture of solemnity and deference went
- up-stairs, and returned in majesty with boxes of cigars that were warm to
- the touch. “These are the best?”
- </p>
- <p>
- “These are the best.” I bought. They were threepence apiece.
- </p>
- <p>
- A mild, deliciously courteous family, recalling the tobacco-selling
- sisters at Zieriksee, and a pair of tobacconist brothers in the
- Kalver-Straat, Amsterdam, whose politeness and soft voices would have
- atoned for a thousand Schiedams. The Hutch middle and upper classes have
- adorable manners. It was an ordeal to quit the soothing tobacco shop for
- the terrors of the long, exposed Iloorn High Street, infested, like too
- many Hutch streets, by wolves and tigers in the outward form of dogs—dogs
- that will threaten you for a milt and then bite, in order to prove that
- they are of the race that has always ended by expelling invaders with
- bloodshed.
- </p>
- <p>
- I was safer in the yacht’s dinghy, on a surface of aniline hues, though
- the odors were murderous, and though for two hours, while I sketched,
- three violent young housewives were continually splashing buckets into the
- canal behind me as they laved and scrubbed every separate stone on the
- quay. If canals were foul, streets were as clean as table-tops—cleaner.
- </p>
- <p>
- The other cities of the Zuyder Zee were not more dead than Hoorn, though
- Enkhuizen, our next port, was more tranquil, possibly because we arrived
- there on a Saturday evening. Enkhuizen, disappointing at the first glance,
- exerts a more subtle fascination than Iloorn. However, I remember it as
- the place where we saw another yacht come in, the owner steering, and foul
- the piles at the entrance. My skipper looked at his owner, as if to say,
- “You see what owners do when they take charge.” I admitted it.
- </p>
- <p>
- We crossed from Enkhuizen to Stavoren in bad weather, lost the dinghy and
- recovered it, and nearly lost the yacht, owing to the cook having taken to
- his bunk without notice when it was imperative to shorten sail in a jiffy.
- The last that I heard of this cook was that he had become an omnibus
- conductor. Some people are born to rise, and the born omnibus conductor
- will reach that estate somehow. He was a pleasant, sad young man, and
- himself painted in water-colors.
- </p>
- <p>
- <br /><br /><a name="linkimage-0013" id="linkimage-0013"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0076.jpg" alt="0076 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0076.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- I dare say that at Stavoren we were too excited to notice the town; but I
- know that it was a busy port. Lemmer also was busy, a severely practical
- town, with a superb harbor-master, and a doctor who cured the cook. We
- were disappointed with Kampen, a reputed beauty-spot, praised even by E.
- V. Lucas, who never praises save on extreme provocation. Kampen has
- architecture,—wonderful gates,—but it also has the crudest
- pavements in Holland, and it does not smile hospitably, and the east wind
- was driving through it, and the rain. The most agreeable corner of Kampen
- was the charcoal-heated saloon of the yacht. We left Kampen, which
- perhaps, after all, really was dead, on September 21. The morning was warm
- and perfect. I had been afloat in various countries for seven weeks
- continuously, and this was my first warm, sunny morning. In three hours we
- were at the mouth of the tiny canal leading to Elburg. I was steering.
- </p>
- <p>
- “Please keep the center of the channel,” the skipper enjoined me.
- </p>
- <p>
- I did so, but we grounded. The skipper glanced at me as skippers are
- privileged to glance at owners, but I made him admit that we were within
- half an inch of the mathematical center of the channel. We got a line on
- to the pier, and hauled the ship off the sand by brute force. When I had
- seen El-burg, I was glad that this incident had occurred; for Elburg is
- the pearl of the Zuyder. Where we, drawing under four feet, grounded at
- high water in mid-channel, no smart, deep-draft English yacht with chefs
- and chambermaids can ever venture. And assuredly tourists will not go to
- Elburg by train. Elburg is safe. Therefore I feel free to mention the
- town.
- </p>
- <p>
- Smacks were following one another up the canal for the week-end surcease,
- and all their long-colored <i>weins</i> (vanes) streamed in the wind
- against the blue sky. And the charm of the inefficient canal was the
- spreading hay-fields on each side, with big wagons, and fat horses that
- pricked up their ears (doubtless at the unusual sight of our blue ensign),
- and a young mother who snatched her rolling infant from the hay and held
- him up to behold us. And then the skipper was excited by the spectacle of
- his aged father’s trading barge, unexpectedly making for the same port,
- with his mother, brother, and sister on deck—the crew! Arrived in
- port, we lay under the enormous flank of this barge, and the skipper
- boarded his old home with becoming placidity.
- </p>
- <p>
- The port was a magnificent medley of primary colors, and the beautiful
- forms of boats, and the heavy curves of dark, drying sails, all dom nated
- by the toeing streaming in the hot sunshine. Every few minutes a smack
- arrived, and took its appointed place for Sunday. The basin seemed to be
- always full and always receptive. Nothing lacked for perfect
- picturesqueness, even to a little ship-repairing yard, and an
- establishment for raddling sails stretched largely out on green grass. The
- town was separated from the basin by a narrow canal and a red-brick
- water-gate. The main street ran straight away inland, and merged into an
- avenue of yellowish-green trees. At intervals straight streets branched
- off at right angles from the main. In the center of the burg was a square.
- Everywhere rich ancient roofs, gables, masonry, and brickwork in Indian
- reds and slaty-blues; everywhere glimpses of courtyards precisely imitated
- from the pictures of Pieter de Hooch. The interior of the church was a
- picture by Bosboom. It had a fine organ-case, and a sacristan out of a
- late novel by Huysmans.
- </p>
- <p>
- The churchyard was a mass of tall flowers.
- </p>
- <p>
- The women’s costumes here showed a difference, the gilt casque being more
- visibly divided into two halves. All bodices were black, all skirts blue.
- Some of the fishermen make majestic figures, tall, proud, commanding, fit
- adversaries of Alva; in a word, exemplifications of the grand manner.
- Their salutes were sometimes royal.
- </p>
- <p>
- The gaiety of the color; the distinction of the forms; the strange warmth;
- the completeness of the entity of the town, which seemed to have been
- constructed at one effort; the content of the inhabitants, especially the
- visible, unconscious gladness of the women at the return of their
- mariners; the urbanity of everybody—all these things helped to
- produce a comfortable and yet disconcerting sensation that the old,
- unreformed world was not quite ripe for utter destruction.
- </p>
- <p>
- All day until late in the evening smacks ceased not to creep up the canal.
- The aspect of the basin altered from minute to minute, with disastrous
- effect on water-colorists. In the dusk we ferreted In a gloomy and
- spellbound second-hand shop, amid dozens of rococo wall-clocks, and bought
- a few little things. As we finally boarded the yacht in the dark, we could
- see a group of sailors in a bosky arbor bending over a table on which was
- a lamp that harshly lighted their grave faces. They may have thought that
- they were calculating and apportioning the week’s profits; but in reality
- they were playing at masterpieces by Rembrandt.
- </p>
- <p>
- <br /><br /><a name="linkimage-0014" id="linkimage-0014"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0081.jpg" alt="0081 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0081.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0005" id="link2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER V—SOME TOWNS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AARLEM is the
- capital of a province, and has the airs of a minor metropolis. When we
- moored in the Donkere Spaarne, all the architecture seemed to be saying to
- us, with innocent pride, that this was the city of the illustrious Frans
- Hals, and the only place where Frans Hals could be truly appreciated.
- Haarlem did not stare at strangers, as did other towns. The shops in the
- narrow, busy Saturday-night streets were small and slow, and it took us
- most of an evening, in and out of the heavy rain, to buy three shawls, two
- pairs of white stockings, and some cigarettes; but the shopmen and
- shop-women, despite their ignorance of English, American, and French,
- showed no openmouthed provinciality at our fantastic demands. The
- impression upon us of the mysterious entity of the town was favorable; we
- felt at home.
- </p>
- <p>
- The yacht was just opposite the habitation of a nice middle-class family,
- and on Sunday morning, through the heavy rain, I could see a boy of
- sixteen, a girl of fourteen, and a child of five or six, all dressing
- slowly together in a bedroom that overlooked us, while the father in
- shirt-sleeves constantly popped to and fro. They were calmly content to
- see and be seen. Presently father and son, still in shirt-sleeves,
- appeared on the stoop, each smoking a cigar, and the girl above, arrayed
- in Sunday white, moved about setting the bedroom in order. It was a
- pleasant average sight, enhanced by the good architecture of the house,
- and by a certain metropolitan self-unconsciousness.
- </p>
- <p>
- We went to church later, or rather into a church, and saw beautiful models
- of ships hung in the nave, and aged men entering, with their hats on and
- good cigars in their mouths. For the rest, they resembled superintendents
- of English Sunday-schools or sidesmen of small parishes. In another church
- we saw a Sunday-school in full session, a parson in a high pulpit
- exhorting, secretary and minor officials beneath him, and all the boys
- standing up with shut eyes and all the girls sitting down with shut eyes.
- We felt that we were perhaps in the most Protestant country in Europe.
- </p>
- <p>
- In the afternoon, when the rain-clouds lifted for a few moments and the
- museums were closed, we viewed the residential prosperity of Haarlem, of
- which the chief seat is the Nieuwe Gracht, a broad canal, forbidden to
- barges, flanked by broad quays beautifully paved in small red brick, and
- magnificent houses. A feature of the noble architecture here was that the
- light ornamentation round the front doors was carried up and round the
- central windows of the first and second stories. A grand street! One
- properly expected to see elegant women at the windows of these lovely
- houses,—some were almost palaces,—and one was disappointed.
- Women there were, for at nearly every splendid window, the family was
- seated, reading, talking, gazing, or drinking tea; but all the women were
- dowdy; the majority were middle-aged; none was beautiful or elegant. Nor
- was any of the visible furniture distinguished.
- </p>
- <p>
- The beauty of Haarlem seems to be limited to architecture, pavements, and
- the moral comeliness of being neat and clean. The esthetic sense
- apparently stops there. Charm must be regarded in Haarlem with suspicion,
- as a quality dangerous and unrespectable. As daylight failed, the groups
- within gathered closer and closer to the windows, to catch the last yellow
- drops of it, and their curiosity about the phenomena of the streets grew
- more frank. We were examined. In return we examined. And a discussion
- arose as to whether inspection from within justified inquisitiveness from
- the street. The decision was that it did not; that a person inside a house
- had the right to quiz without being quizzed. But this merely academic
- verdict was not allowed to influence our immediate deportment. In many
- houses of the lesser streets tables were already laid for supper, and one
- noticed heavy silver napkin-rings and other silver. In one house the
- shadowy figures of a family were already grouped round a repast, and
- beyond them, through another white-curtained window at the back of the
- spacious room, could be discerned a dim courtyard full of green and yellow
- foliage. This agreeable picture, typifying all the domestic tranquillity
- and dignity of prosperous Holland, was the last thing we saw before the
- dark and the rain fell, and the gas-lamps flickered in.
- </p>
- <p>
- <br /><br /><a name="linkimage-0015" id="linkimage-0015"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0087.jpg" alt="0087 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0087.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- We entered The Hague through canals pitted by heavy rain, the banks of
- which showed many suburban residences, undistinguished, but set in the
- midst of good gardens. And because it was the holiday week,—the week
- containing the queen’s birthday,—and we desired quietude, we
- obtained permission to lie at the private quay of the gasworks. The
- creators of The Hague gas-works have made only one mistake: they ought to
- have accomplished their act much earlier, so that Balzac might have
- described it; for example, in “The Alkahest,” which has the best
- imaginative descriptions of Dutch life yet written. The Hague gas-works
- are like a toy, gigantic; but a toy. Impossible to believe that in this
- vast, clean, scrubbed, swept expanse, where every bit of coal is
- scrupulously in place, real gas is made. To believe, you must go into the
- city and see the gas actually burning. Even the immense traveling-cranes,
- when at work or otherwise, have the air of life-size playthings. Our quay
- was bordered with flower-beds. The workmen, however, seemed quite real
- workmen, realistically dirty, who were not playing at work, nor rising at
- five-thirty a.m. out of mere joyous ecstasy.
- </p>
- <p>
- Nor did the bargemen who day and night ceaselessly and silently propelled
- their barges past us into the city by means of poles and sweat, seem to be
- toying with existence. The procession of these barges never stopped. On
- the queen’s birthday, when our ship was dressed, and the whole town was
- flagged, it went on, just as the decorated trams and tram-drivers went on.
- Some of the barges penetrated right through the populous districts, and
- emerged into the oligarchic quarter of ministries, bureaus, official
- residences, palaces, parks, art dealers, and shops of expensive lingerie—the
- quarter, as in every capital, where the precious traditions of
- correctness, patriotism, red-tape, order, luxury, and the moral grandeur
- of devising rules for the nice conduct of others are carefully conserved
- and nourished. This quarter was very well done, and the bargemen, with
- their perspiring industry, might have had the good taste to keep out of
- it.
- </p>
- <p>
- The business center of The Hague, lying between the palaces and the
- gas-works, is cramped, crowded, and unimpressive. The cafés do not
- glitter, and everybody knows that the illumination of cafés in a capital
- is a sure index of a nation’s true greatness. Many small cafés, veiled in
- costly curtains at window and door, showed stray dazzling shafts of bright
- light, but whether the true greatness of Holland was hidden in these
- seductive arcana I never knew. Even in the holiday week the principal
- cafés were emptying soon after ten o’clock. On the other hand, the large
- stores were still open at that hour, and the shop-girls, whose pale faces
- made an admirable contrast to their black robes, were still serving ladies
- therein. At intervals, in the afternoons, one saw a chic woman, moving
- with a consciousness of her own elegance; but she was very exceptional.
- The rest might have run over for the day from Haarlem, Delft, Utrecht, or
- Leyden. In the really excellent and well-frequented music-halls there was
- no elegance either. I have never anywhere seen better music-hall
- entertainments than in Holland. In certain major capitals of Europe and
- elsewhere the public is apt to prove its own essential naïveté by allowing
- itself to be swindled nightly in gorgeous music-halls. The Dutch are more
- astute, if less elegant.
- </p>
- <p>
- The dying engine of the yacht lost consciousness, for about the twentieth
- time during this trip, as we were nearing Amsterdam; but a high wind,
- carrying with it tremendous showers of rain, kindly blew us, under bare
- poles, up the last half-mile of the North Sea Canal into the private haven
- of the Royal Dutch Yacht-Club, where we were most amicably received, as,
- indeed, in all the yacht-club basins of Holland. Baths, telephones, and
- smoking-rooms were at our disposal without any charge, in addition to the
- security of the haven, and it was possible to get taxicabs from the
- somewhat distant city. We demanded a chauffeur who could speak English.
- They sent us a taxi with two chauffeurs neither of whom could speak any
- language whatsoever known to philologists. But by the use of maps and a
- modification of the pictorial writing of the ancient Aztecs, we contrived
- to be driven almost where we wanted. At the end of the excursion I had
- made, in my quality of observer, two generalizations: first, that
- Amsterdam taxis had two drivers for safety; and, second, that taxi-travel
- in Amsterdam was very exciting and dangerous. But our drivers were so
- amiable, soft-tongued, and energetic that I tipped them both. I then,
- somehow, learned the truth: one of the men was driving a taxi for the
- first time, and the other was teaching him.
- </p>
- <p>
- <br /><br /><a name="linkimage-0016" id="linkimage-0016"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0094.jpg" alt="0094 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0094.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- After driving and walking about Amsterdam for several days, I decided that
- it would be completely civilized when it was repaved, and not before. It
- is the paradise of stomachs and the hell of feet. Happily, owing to its
- canals and its pavements, it has rather fewer of the rash cyclists who
- menace life in other Dutch cities. In Holland, outside Amsterdam,
- everybody uses a cycle. If you are ran down, as you are, it is just as
- likely to be by an aged and toothless female peasant as by an office boy.
- Also there are fewer homicidal dogs in Amsterdam than elsewhere, and there
- is the same general absence of public monuments which makes other Dutch
- cities so agreeably strange to the English and American traveler. You can
- scarcely be afflicted by a grotesque statue of a nonentity in Holland,
- because there are scarcely any statues.
- </p>
- <p>
- Amsterdam is a grand city, easily outclassing any other in Holland. Its
- architecture is distinguished. Its historic past is impressively immanent
- in the masonry of the city itself, though there is no trace of it in the
- mild, commonplace demeanor of the inhabitants. Nevertheless, the
- inhabitants understand solidity, luxury, wealth, and good cheer. Amsterdam
- has a bourse which is the most peculiar caprice that ever passed through
- the head of a stock-broker. It is excessively ugly and graceless, but I
- admire it for being a caprice, and especially for being a stock-broker’s
- caprice. No English stock-broker would have a caprice. Amsterdam has small
- and dear restaurants of the first order, where a few people with more
- money than appetite can do themselves very well indeed in hushed privacy.
- It also has prodigious cafés. Krasnopolshy’s—a town, not a café—is
- said in Amsterdam to be the largest café in Europe. It isn’t; but it is
- large, and wondrously so for a city of only half a million people.
- </p>
- <p>
- <br /><br /><a name="linkimage-0017" id="linkimage-0017"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0099.jpg" alt="0099 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0099.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- In the prodigious cafés you perceive that Amsterdam possesses the quality
- which above all others a great city ought to possess. It pullulates. Vast
- masses of human beings simmer in its thoroughfares and boil over into its
- public resorts. The narrow Kalver-Straat, even in the rain, is thronged
- with modest persons who gaze at the superb luxury of its shops. The
- Kalver-Straat will compete handsomely with Bond Street. Go along the
- length of it, and you will come out of it thoughtful. Make your way thence
- to the Rembrandt-Plein, where pleasure concentrates, and you will have to
- conclude that the whole of Amsterdam is there, and all its habitations
- empty. The mirrored, scintillating cafés, huge and lofty and golden, are
- crowded with tables and drinkers and waiters, and dominated by rhapsodic
- orchestras of women in white who do what they can against the hum of ten
- thousand conversations, the hoarse calls of waiters, and the clatter of
- crockery. It is a pandemonium with a certain stolidity. The excellent
- music-halls and circuses are equally crowded, and curiously, so are the
- suburban resorts on the rim of the city. Among the larger places, perhaps,
- the Café Américain, on the Leidsche-Plein, was the least feverish, and
- this was not to be counted in its favor, because the visitor to a city
- which pullulates is, and should he, happiest in pullulating. The crowd,
- the din, the elbowing, the glitter for me, in a town like Amsterdam! In a
- town like Gouda, which none should fail to visit for the incomparable
- stained-glass in its church, I am content to be as placid and solitary as
- anybody, and I will follow a dancing bear and a Gipsy girl up and down the
- streets thereof with as much simplicity as anybody. But Amsterdam is the
- great, vulgar, inspiring world.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0006" id="link2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VI—MUSEUMS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span> DID not go
- yachting in Holland in order to visit museums; nevertheless, I saw a few.
- When it is possible to step off a yacht clean into a museum, and heavy
- rain is falling, the temptation to remain on board is not sufficiently
- powerful to keep you out of the museum. At Dordrecht there is a municipal
- museum manned by four officials. They received us with hope, with
- enthusiasm, with the most touching gratitude. Their interest in us was
- pathetic. They were all dying of ennui in those large rooms, where the
- infection hung in clouds almost visible, and we were a specific stimulant.
- They seized on us as the morphinomaniac seizes on an unexpected find of
- the drug.
- </p>
- <p>
- <br /><br /><a name="linkimage-0018" id="linkimage-0018"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0106.jpg" alt="0106 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0106.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Just as Haarlem is the city of Frans Hals, so Dordrecht is the city of Ary
- Scheffer. Posterity in the end is a good judge of painters, if not of
- heroes, but posterity makes mistakes sometimes, and Ary Scheffer is one of
- its more glaring mistakes. (Josef Israels seems likely to be another.) And
- posterity is very slow in acknowledging an error. The Dordrecht museum is
- waiting for such an acknowledgment. When that comes, the museum will be
- burned down, or turned into a brewery, and the officials will be delivered
- from their dreadful daily martyrdom of feigning ecstatic admiration for
- Ary Scheffer. Only at Dordrecht is it possible to comprehend the full
- baseness, the exquisite unimportance, of Scheffer’s talent. The best thing
- of his in a museum full of him is a free, brilliant copy of a head by
- Rembrandt done at the age of eleven. It was, I imagine, his last tolerable
- work. His worst pictures, solemnly hung here, would be justifiably laughed
- at in a girls’ schoolroom. But his sentimentality, conventionality, and
- ugliness arouse less laughter than nausea. By chance a few fine pictures
- have come into the Dordrecht museum, as into most museums. Jakob Maris and
- Bosboom are refreshing, but even their strong influence cannot disinfect
- the place nor keep the officials alive. We left the museum in the nick of
- time, and saw no other visitors.
- </p>
- <p>
- Now, the tea-shop into which we next went was far more interesting and
- esthetically valuable than the museum. The skipper, who knew every shop,
- buoy, bridge, and shoal in Holland, had indicated this shop to me as a
- high-class shop for costly teas. It was. I wanted the best tea, and here I
- got it. The establishment might have survived from the age when Dordrecht
- was the wealthiest city in Holland. Probably it had so survived. It was
- full of beautiful utensils in practical daily use. It had an architectural
- air, and was aware of its own dignity. The head-salesman managed to convey
- to me that the best tea—that was, tea that a connoisseur would call
- <i>tea</i>—cost two and a half florins a pound. I conveyed to him
- that I would take two pounds of the same. The head-salesman then displayed
- to me the tea in its japanned receptacle. He next stood upright and
- expectant, whereupon an acolyte, in a lovely white apron, silently
- appeared from the Jan-Steen shadows at the back of the shop, and with
- solemn gestures held a tun-dish over a paper bag for his superior to pour
- tea into. Having performed his share in the rite, he disappeared. The
- parcel was slowly made up, every part of the process being evidently a
- matter of secular tradition. I tendered a forty-gulden note. Whereon the
- merchant himself arrived in majesty at the counter from his office, and
- offered the change with punctilio. He would have been perfect, but for a
- hole in the elbow of his black alpaca coat. I regretted this hole. We left
- the shop stimulated, and were glad to admit that Dordrecht had atoned to
- us for its museum. Ary Scheffer might have made an excellent tea-dealer.
- </p>
- <p>
- The museum at Dordrecht only showed in excess an aspect of displayed art
- which is in some degree common to all museums. For there is no museum
- which is not a place of desolation. Indeed, I remember to have seen only
- one collection of pictures, public or private, in which every item was a
- cause of joy—that of Mr. Widener, near Philadelphia. Perhaps the
- most wonderful thing in the tourist’s Holland is the fact that the small
- museum at Haarlem, with its prodigious renown, does not disappoint. You
- enter it with disturbing preliminaries, each visitor having to ring a
- bell, and the <i>locus</i> is antipathetic; but one’s pulse is immediately
- quickened by the verve of those headstrong masterpieces of Hals. And
- Ruysdael and Jan Steen are influential here, and even the mediocre
- paintings have often an interest of perversity, as to which naturally the
- guide-books say naught.
- </p>
- <p>
- The Teyler Museum at Haarlem also has a few intoxicating works, mixed up
- with a sinister assortment of mechanical models. And its aged attendant,
- who watched over his finger-nails as over adored children, had acquired
- the proper attitude, at once sardonic and benevolent, for a museum of the
- kind. He was peculiarly in charge of very fine sketches by Rembrandt, of
- which he managed to exaggerate the value.
- </p>
- <p>
- Few national museums of art contain a higher percentage of masterpieces
- than the Mauritshuis at The Hague. And one’s first sight of Rembrandt’s
- “Lesson in Anatomy” therein would constitute a dramatic event in any
- yachting cruise. But my impression of the Mauritshuis was a melancholy
- one, owing to the hazard of my visit being on the great public holiday of
- the year, when it was filled with a simple populace, who stared coarsely
- around, and understood nothing—nothing. True, they gazed in a
- hypnotized semicircle at “The Lesson in Anatomy,” and I can hear amiable
- persons saying that the greatest art will conquer even the ignorant and
- the simple. I don’t believe it. I believe that if “The Lesson in Anatomy”
- had been painted by Carolus-Duran, in the manner of Carolus-Duran, the
- ignorant and the simple would have been hypnotized just the same. And I
- have known the ignorant and the simple to be overwhelmed with emotion by
- spurious trickery of the most absurd and offensive kind.
- </p>
- <p>
- An hour or two in a public museum on a national holiday is a tragic
- experience, because it forces you to realize that in an artistic sense the
- majority and backbone of the world have not yet begun to be artistically
- civilized. Ages must elapse before such civilization can make any
- appreciable headway. And in the meantime the little hierarchy of art, by
- which alone art lives and develops, exists precariously in the midst of a
- vast, dangerous population—a few adventurous whites among indigenous
- hordes in a painful climate. The indigenous hordes may have splendid
- qualities, but they have not that one quality which more than any other
- vivifies. They are jockeyed into paying for the manifestations of art
- which they cannot enjoy, and this detail is not very agreeable either. A
- string of fishermen, in their best blue cloth, came into the Mauritshuis
- out of the rain, and mildly and politely scorned it. Their attitude was
- unmistakable. They were not intimidated. Well, I like that. I preferred
- that, for example, to the cant of ten thousand tourists.
- </p>
- <p>
- Nor was I uplifted by a visit to the Mesdag Museum at The Hague. Mesdag
- was a second-rate painter with a first-rate reputation, and his taste, as
- illustrated here, was unworthy of him, even allowing for the fact that
- many of the pictures were forced upon him as gifts. One or two superb
- works—a Delacroix, a Dupre, a Rousseau—could not make up for
- the prevalence of Mesdag, Josef Israels, etc. And yet the place was full
- of good names. I departed from the museum in a hurry, and, having time to
- spare, drove to Scheveningen in search of joy. Scheveningen is famous, and
- is supposed to rival Ostend. It is washed by the same sea, but it does not
- rival Ostend. It is a yellow and a gloomy spot, with a sky full of kites.
- Dutchmen ought not to try to rival Ostend. As I left Scheveningen, my
- secret melancholy was profoundly established within me, and in that there
- is something final and splendid. Melancholy when it becomes
- uncompromisingly sardonic, is as bracing as a bath.
- </p>
- <p>
- <br /><br /><a name="linkimage-0019" id="linkimage-0019"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0112.jpg" alt="0112 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0112.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The remarkable thing about the two art museums at Amsterdam, a town of
- fine architecture, is that they should both—the Ryks and the
- municipal—be housed in such ugly, imposing buildings. Now, as in the
- age of Michelangelo, the best architects seldom get the best jobs, and the
- result is the permanent disfigurement of beautiful cities. Michelangelo
- often had to sit glum and idle while mediocre architects and artists more
- skilled than he in pleasing city councils and building-committees muddled
- away opportunities which he would have glorified; but he did obtain part
- of a job now and then, subject to it being “improved” by some duffer like
- Bernini, who of course contrived to leave a large fortune, whereas if
- Michelangelo had lived to-day he might never have got any job at all.
- </p>
- <p>
- Incontestably, the exterior, together with much of the interior, of the
- Ryks depresses. Moreover, the showpiece of the museum, “The Night-Watch”
- of Rembrandt, is displayed with a too particular self-consciousness on the
- part of the curator, as though the functionary were saying to you: “Hats
- off! Speak low! You are in church, and Rembrandt is the god.” The truth is
- that “The Night-Watch” is neither very lovable nor very beautiful. It is
- an exhibition-picture, meant to hit the wondering centuries in the eye,
- and it does so. But how long it will continue to do so is a nice question.
- </p>
- <p>
- Give me the modern side of the Ryks, where there is always plenty of room,
- despite its sickly Josef Israels. The modern side reëndowed me with youth.
- It is an unequal collection, and comprises some dreadful mistakes, but at
- any rate it is being made under the guidance of somebody who is not afraid
- of his epoch or of being in the wrong. Faced with such a collection, one
- realizes the shortcomings of London museums and the horror of that steely
- English official conservatism, at once timid and ruthless, which will
- never permit itself to discover a foreign artist until the rest of the
- world has begun to forget him. At the Ryks there are Van Goghs and
- Cézannes and Bonnards. They are not the best, but they are there. Also
- there are some of the most superb water-colors of the age, and good things
- by a dozen classic moderns who are still totally unrepresented in London.
- I looked at a celestial picture of women—the kind of thing that Guys
- would have done if he could—painted perhaps fifty years ago, and as
- modern as the latest Sargent water-color. It was boldly signed T. C. T.
- C.? T. C.? Who on earth could T. C. he? I summoned an attendant. Thomas
- Couture, of course! A great artist! He will appear in the National
- Gallery, Trafalgar Square, about the middle of the twenty-first century.
- </p>
- <p>
- Then there was Daumier’s “Christ and His Disciples,” a picture that I
- would have stolen had it been possible and quite safe to do so. It might
- seen incredible that any artist of the nineteenth century should take the
- subject from the great artists of the past, and treat it so as to make you
- think that it had never been treated before. But Daumier did this. It is
- true that he was a very great artist indeed. Who that has seen it and
- understood its tender sarcasm can forget that group of the exalted,
- mystical Christ talking to semi-incredulous, unperceptive disciples in the
- gloomy and vague evening landscape? I went back to the yacht and its
- ignoble and decrepit engine, full of the conviction that art still lives.
- And I thought of Wilson Steer’s “The Music-Room” in the Tate Gallery,
- London, which magnificent picture is a proof that in London also art still
- lives.
- </p>
- <p>
- <br /><br /><a name="linkimage-0020" id="linkimage-0020"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0117.jpg" alt="0117 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0117.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_PART2" id="link2H_PART2"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- PART II—THE BALTIC
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0007" id="link2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VII—THE YACHT I LOST
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>UR adventures
- toward the Baltic began almost disastrously, because I put into the
- planning of them too much wisdom and calculation. We had a month of time
- at our disposal. Now, a fifty-ton yacht in foreign parts thinks nothing of
- a month. It is capable of using up a month in mere preliminaries. Hence,
- with admirable forethought, I determined to send the yacht on in advance.
- The <i>Velsa</i> was to cross from her home port, Brightlingsea, to the
- Dutch coast, and then, sheltered by many islands, to creep along the
- coasts of Hanover, Holstein, Schleswig, and Denmark, past the mouths of
- the Elbe, Weser, and Eider, to the port of Esbjerg, where we were to join
- her by a fast steamer from Harwich. She was then to mount still farther
- the Danish coast, as far as Liim Fjord and, by a route combining fjords
- and canals, cross the top of the Jutland peninsula, and enter the desired
- Baltic by Randers Fjord. The banal way would have been through the Kiel
- Canal. Yachts never take the Liim Fjord; but to me this was a fine reason
- for taking the Liim Fjord. Moreover, English yachts have a habit of
- getting into trouble with the German Empire in the Kiel Canal, and English
- yachtsmen are apt to languish in German prisons on charges of espionage. I
- was uncertain about the comforts provided for spies in German prisons, and
- I did not wish to acquire certitude.
- </p>
- <p>
- So the yacht was despatched. The skipper gave himself the large allowance
- of a fortnight for the journey to Esbjerg. He had a beautiful new
- 30-horse-power engine, new sails, a new mast. Nothing could stop him
- except an east wind. It is notorious that in the North Sea the east wind
- never blows for more than three days together, and that in July it never
- blows at all. Still, in this July it did start to blow a few days before
- the yacht’s intended departure. And it continued to blow hard. In a week
- the skipper had only reached Harwich, a bare twenty miles from
- Brightlingsea. Then the yacht vanished into the North Sea. The wind held
- in the east. After another week I learned by cable that my ship had
- reached the Helder, in North Holland. By a wondrous coincidence, my Dutch
- skipper’s wife and family are established at the Helder. The east wind
- still held. The skipper spent money daily in saddening me by cable. Then
- he left the Helder, and the day came for us to board the mail-steamer at
- Harwich for Esbjerg.
- </p>
- <p>
- <br /><br /><a name="linkimage-0021" id="linkimage-0021"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0123.jpg" alt="0123 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0123.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- She was a grand steamer, newest and largest of her fine. This was her very
- first trip. She was officered by flaxen, ingenuous, soft-voiced Danes, who
- had a lot of agreeable Danish friends about them, with whom they chattered
- in the romantic Danish language, to us exquisite and incomprehensible.
- Also she was full of original Danish food, and especially of marvelous and
- mysterious sandwiches, which, with small quantities of champagne, we ate
- at intervals in a veranda cafe passably imitated from Atlantic liners.
- Despite the east wind, which still held, that steamer reached Esbjerg in
- the twinkling of an eye.
- </p>
- <p>
- When I say the twinkling of an eye, I mean twenty-two hours. It was in the
- dusk of a Saturday evening that we had the thrill of entering an unknown
- foreign country. A dangerous harbor, and we penetrated into it as great
- ships do, with the extreme deliberation of an elephant. There was a vast
- fleet of small vessels in the basin, and as we slid imperceptibly past the
- mouth of the basin in the twilight, I scanned the multitudinous masts for
- the mast of the <i>Velsa</i>. Her long Dutch streamer was ever
- unmistakable. It seemed to us that she ought to be there. What the
- mail-steamer could do in less than a day she surely ought to have done in
- more than a fortnight, east wind or no east wind. On the map the distance
- was simply nothing.
- </p>
- <p>
- I saw her not. Still, it was growing dark, and my eyes were human eyes,
- though the eyes of love. The skipper would probably, after all, be on the
- quay to greet us with his energetic optimism. In fact, he was bound to be
- on the quay, somewhere in the dark crowd staring up at the great ship,
- because he never failed. Were miracles necessary, he would have
- accomplished miracles. But he was not on the quay. The <i>Velsa</i> was
- definitely not at Eshjerg. We felt lonely, forlorn. The head waiter of the
- Hotel Spangsberg, a man in his way as great as the skipper, singled us
- out. He had a voice that would have soothed the inhabitants of purgatory.
- He did us good. We were convinced that so long as he consented to be our
- friend, no serious harm could happen to our universe. And the hotel was
- excellent, the food was excellent, the cigars were excellent. And the
- three chambermaids of the hotel, flitting demurely about the long corridor
- at their nightly tasks, fair, clad in prints, foreign, separated
- romantically from us by the palisades of language—the three modest
- chambermaids were all young and beautiful, with astounding complexions.
- </p>
- <p>
- The next morning the wind was north by east, which was still worse than
- east or northeast for the progress of the yacht toward us. Nevertheless, I
- more than once walked down across the wharves of the port to the extreme
- end of the jetty—about a mile each way each time—in the hope
- of descrying the <i>Velsa’s</i> long, red streamer in the offing. It was
- Sunday. The town of Esbjerg, whose interest for the stranger is strictly
- modern and sociological, was not attractive. Its main street, though
- extremely creditable to a small town, and a rare lesson to towns of the
- same size in England, was not a thoroughfare in which to linger,
- especially on Sunday. In the entire town we saw not a single beautiful or
- even ancient building. Further, the port was asleep, and the strong, gusty
- breeze positively offensive in the deceptive sunshine.
- </p>
- <p>
- We should have been bored, we might even have been distressed, had we not
- gradually perceived, in one passing figure after another, that the
- standard of female beauty in Esbjerg was far higher than in any other
- place we had ever seen. These women and girls, in their light Sunday
- summer frocks, had beauty, fine complexions, grace, softness, to a degree
- really unusual; and in transparent sleeves or in no sleeves at all they
- wandered amiably in that northerly gale as though it had been a southern
- zephyr. We saw that our overcoats were an inelegance, but we retained
- them. And we saw that life in Esbjerg must have profound compensations.
- There were two types of beautiful women, one with straight lips, and the
- other with the upper lip like the traditional bow. The latter, of course,
- was the more generously formed, acquiescent and yet pouting, more blonde
- than the blonde. Both types had the effect of making the foreigner feel
- that to be a foreigner and a stranger in Esbjerg, forcibly aloof from all
- the daily frequentations and intimacies of the social organism, was a
- mistake.
- </p>
- <p>
- <br /><br /><a name="linkimage-0022" id="linkimage-0022"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0130.jpg" alt="0130 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0130.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- In the afternoon we hired an automobile, ostensibly to inspect the
- peninsula, but in fact partly to see whether similar women prevailed
- throughout the peninsula, and partly to give the yacht a chance of
- creeping in during our absence. In our hearts we knew that so long as we
- stood looking for it it would never arrive. In a few moments, as it
- seemed, we had crossed the peninsula to Veile, a sympathetic
- watering-place on its own fjord, and were gazing at the desired Baltic,
- whereon our yacht ought to have been floating, but was not. It seemed a
- heavenly sea, as blue as the Mediterranean.
- </p>
- <p>
- We had driven fast along rather bad and dusty roads, and had passed about
- ten thousand one-story farmsteads, brick-built, splendidly thatched, and
- each bearing its date on the walls in large iron figures. These
- farmsteads, all much alike, showed that some great change, probably for
- the better, must have transformed Danish agriculture about thirty or forty
- years ago. But though farmers were driving abroad in two-horse vehicles,
- and though certain old men strolled to and fro, smoking magnificent pipes
- at least a foot and a half long, the weight of which had to be supported
- with the hand, there was little evidence of opulence or even of ease.
- </p>
- <p>
- The passage of the automobile caused real alarm among male cyclists and
- other wayfarers, who, in the most absurd, girlish manner, would even leap
- across ditches to escape the risks of it. The women, curiously, showed
- much more valor. The dogs were of a reckless audacity. From every
- farmyard, at the sound of our coming, a fierce dog would rush out to
- attack us, with no conception of our speed. Impossible to avoid these
- torpedoes! We killed one instantaneously, and ran over another, which
- somersaulted, and, aghast, then balanced itself on three legs. Scores of
- dogs were saved by scores of miracles. Occasionally we came across a wise
- dog that must have had previous altercations with automobiles, and learned
- the lesson. By dusk we had thoroughly familiarized ourselves with the flat
- Danish landscape, whose bare earth is of a rich gray purple; and as we
- approached Esbjerg again, after a tour of 120 miles, we felt that we knew
- Jutland by heart, and that the yacht could not fail to be waiting for us
- in some cranny of the port, ready to take us to other shores. But the
- yacht had not come.
- </p>
- <p>
- Then the head waiter grew to be our uncle, our father, our consoler. It is
- true that he told us stories of ships that had set forth and never been
- heard of again; but his moral influence was invaluable. He soothed us, fed
- us, diverted us, interpreted us, and despatched cables for us. We called
- him “Ober,” a name unsuitable to his diminutive form, his few years, and
- his chubby face. Yet he was a true Ober. He expressed himself in four
- languages, and could accomplish everything. In response to all our
- requests, he would murmur in his exquisitely soft voice, “Oh, yes! oh,
- yes!” He devised our daily excursions. He sent us to Ribe, the one ancient
- town that we saw on the peninsula, in the cathedral of which was a young
- girl who had stepped out of a picture by Memling, and who sold post-cards
- with the gestures of a virgin saint and the astuteness of a dealer. He
- sent us to the island of Fano, where the northeaster blows straight from
- Greenland across a ten-mile bathing-beach peopled by fragile women who
- saunter in muslin in front of vast hotels beneath a canopy of flags that
- stand out horizontally in the terrible breeze. He provided us with
- water-bottles and with plates (for palettes ), so that we could descend to
- the multicolored port, and there, half sheltered from the wind by a pile
- of fish-boxes and from the showers by an umbrella, produce wet
- water-colors of fishing-smacks continually in motion.
- </p>
- <p>
- Day followed day. We had lived at Esbjerg all our lives. The yacht was
- lost at sea. The yacht had never existed. The wife of the skipper, or,
- rather, his widow, had twice cabled that she had no news. But the Ober
- continued to bear our misfortunes with the most astounding gallantry. And
- then there came a cable from the skipper, dated from the island of
- Wangeroog.... Wan-geroog! Wangeroog! What a name for an impossible island!
- What a name for an island at which to be weatherbound! We knew it not.
- Baedeker knew it not. Even the Ober had not heard of it. We found it at
- last on a map more than a hundred miles to the south. And I had been
- walking down to the jetty thrice a day to gaze forth for the <i>Velsa’s
- wein!</i>
- </p>
- <p>
- <br /><br /><a name="linkimage-0023" id="linkimage-0023"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0136.jpg" alt="0136 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0136.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The skipper in his cable asked us to meet him at Friedrichstadt, on the
- Eider, in Holstein, Germany. The trains were very slow and awkward. The
- Ober said:
- </p>
- <p>
- “Why do you not take an automobile? Much quicker.”
- </p>
- <p>
- “Yes; but the German customs?”
- </p>
- <p>
- “Everything shall be arranged,” said the Ober.
- </p>
- <p>
- I said:
- </p>
- <p>
- “I don’t see myself among the German bureaucracy in a hired car.”
- </p>
- <p>
- The Ober said calmly:
- </p>
- <p>
- “I will go with you.”
- </p>
- <p>
- “All the way?”
- </p>
- <p>
- “I will go with you all the way. I will arrange everything. I speak German
- very well. Nothing will go wrong.”
- </p>
- <p>
- Such a head waiter deserved encouragement. I encouraged him. He put on his
- best clothes, and came, smoking cigars He took us faultlessly through the
- German customs at the frontier. He superintended our first meal at a small
- German hotel. I asked him to join us at table. He bowed and accepted. When
- the meal was over, he rose and bowed again. It was a good meal. He took us
- through three tire-bursts amid the horrid wastes of Schleswig-Holstein. He
- escorted us into Friedrichstadt, and secured rooms for us at the hotel.
- Then he said he must return. No! no! We could not let him abandon us in
- the harsh monotony of that excessively tedious provincial town. But he
- murmured that he must depart. The yacht might not arrive for days yet. I
- shuddered.
- </p>
- <p>
- “At any rate,” I said, “before you leave, inquire where the haven is, and
- take me to it, so that I may know how to find it.”
- </p>
- <p>
- He complied. It was a small haven; a steamer and several ships were in it.
- Behind one ship I saw a mast and a red pennant somewhat in the style of
- the <i>Velsa</i>.
- </p>
- <p>
- “There,” I said, “my yacht has a mast rather like that.”
- </p>
- <p>
- I looked again. Utterly impossible that the <i>Velsa</i> could have
- arrived so quickly; but it was the <i>Velsa</i>. Joy! Almost tears of joy!
- I led the Ober on board. He said solemnly:
- </p>
- <p>
- “It is very beautiful.”
- </p>
- <p>
- So it was.
- </p>
- <p>
- But our things were at the hotel. We had our rooms engaged at the hotel.
- </p>
- <p>
- The Ober said:
- </p>
- <p>
- “I will arrange everything.”
- </p>
- <p>
- In a quarter of an hour our baggage was on board, and there was no hotel
- hill. And then the Ober really did depart, with sorrow. Never shall I look
- on his like again. The next day we voyaged up the Eider, a featureless
- stream whose life has been destroyed by the Kiel Canal, to its junction
- with the Kiel Canal, eighty-six dull, placid kilometers. But no matter the
- dullness; we were afloat and in motion.
- </p>
- <p>
- We spent about seventy-two hours in the German Empire, and emerged from
- it, at Kiel, by the canal, with a certain relief; for the yacht had
- several times groaned in the formidable clutch of the Fatherland’s
- bureaucracy. She had been stopped by telephone at Friedrichstadt for
- having passed the custom-house at the mouth of the Eider, the said
- custom-house not being distinguished, as it ought to have been, by the
- regulation flag. Again we were stopped by telephone at Rendsburg, on the
- canal, for having dared to ascend the Eider without a pilot. Here the
- skipper absolutely declined to pay the pilot-fees, and our papers were
- confiscated, and we were informed that the panjandrum of the harbor would
- call on us. However, he did not call on us; he returned our papers, and
- let us go, thus supporting the skipper’s hotly held theory that by the law
- of nations yachts on rivers are free.
- </p>
- <p>
- We were obliged to take a pilot for the canal. He was a nice,
- companionable man, unhealthy, and gently sardonic. He told us that the
- canal would be remunerative if war-ships paid dues. “Only they don’t,” he
- added. Confronted with the proposition that the canal was very ugly
- indeed, he repudiated it. He went up and down the canal forever and ever,
- and saw nothing but the ships on it and the navigation signals. He said
- that he had been piloting for twelve years, and had not yet had the same
- ship twice. And there were 150 pilots on the canal!
- </p>
- <p>
- We put him ashore and into the arms of his wife at Kiel, in heavy rain and
- the customary northeaster, and we pushed forward into the comparative
- freedom of Kiel Fjord, making for Friedrichsort, which looked attractive
- on the chart. But Friedrichsort was too naval for us; it made us feel like
- spies. We crossed hastily to Moltenort, a little pleasure town. Even here
- we had not walked a mile on land before we were involved in forts and
- menacing sign-boards. We retreated. The whole fjord was covered with
- battle-ships, destroyers, submarines, Hydro-aëroplanes curved in the
- atmosphere, or skimmed the froth off the waves. The air was noisy with the
- whizzing of varied screws. It was enormous, terrific, intimidating,
- especially when at dusk search-lights began to dart among the lights of
- the innumerable fjord passenger-steamers. We knew that we were deeply
- involved in the tremendous German system. Still, our blue ensign flew
- proudly, unchallenged.
- </p>
- <p>
- <br /><br /><a name="linkimage-0024" id="linkimage-0024"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0141.jpg" alt="0141 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0141.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The population of Moltenort was not seductive, though a few young men here
- and there seemed efficient, smart, and decent. The women and girls left us
- utterly unmoved. The major part of the visitors were content to sit
- vacantly on the promenade at a spot where a powerful drain, discharging
- into the fjord, announced itself flagrantly to the sense. These quiet,
- tired, submissive persons struck us as being the raw slavish material of
- the magnificent imperial system, and entirely unconnected with the
- wondrous brains that organized it and kept it going. The next morning we
- departed very early, but huge targets were being towed out in advance of
- us, and we effected our final escape into the free Baltic only by braving
- a fleet of battleships that fired into the checkered sky. Sometimes their
- shells glinted high up in the sun, and seemed to be curving along the top
- edge of an imaginary rainbow. We slowly left them astern, with, as I say,
- a certain relief. Little, unmilitary Denmark lay ahead.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0008" id="link2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VIII—BALTIC COMMUNITIES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>T Vordingborg, a
- small town at the extreme south of Sjaelland, the largest and easternmost
- of the Danish islands, we felt ourselves to be really for the first time
- in pure and simple Denmark (Esbjerg had a certain international quality).
- We had sailed through the Langelands Belt, skirting the monotonous
- agricultural coasts of all sorts of islands, great and small, until one
- evening we reached this city, which looked imposing on the map. When we
- had followed the skipper ashore on his marketing expedition, and trodden
- all the stony streets of little Vordingborg, we seemed to know what
- essential Denmark, dozing in the midst of the Baltic, truly was.
- </p>
- <p>
- Except a huge and antique fort, there was no visible historical basis to
- this town. The main thoroughfare showed none of the dignity of tradition.
- It was a bourgeois thoroughfare, and comfortable bourgeoises were placidly
- shopping therein—the same little bourgeoises that one sees all over
- the world. A fairly large hotel; sundry tobacconists; a bookseller who
- also sold wall-papers; a sausage-shop, with a girl actuating an efficient
- sausage-slicing machine, and in the window an electric fan whirring close
- to a gigantic sausage. In the market, on a vague open space, a few carts,
- with their shafts on the ground; a few stalls; a few women; a butcher
- whipping off a hungry dog; three cheeses on a stand; baskets of fruit and
- vegetables on the Danish ground; our skipper chattering by signs and
- monosyllables in the middle. That was Vordingborg.
- </p>
- <p>
- <br /><br /><a name="linkimage-0025" id="linkimage-0025"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0146.jpg" alt="0146 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0146.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- In the churchyard there were only two graves. The church had no more
- architectural interest than a modern church in a London suburb, though it
- was older. We went within. The numbers of the hymns at the last service
- were still forlornly stuck up on the indicator. The altar and screen were
- ingenuously decorated in the style of a high-class booth at a fair. Three
- women in huge disfiguring aprons were cleaning the interior. Their cloaks
- and a white umbrella lay on the stone floor. They never even glanced at
- us. We left the church, and then skirting market-gardens and climbing over
- the ramparts of the fort, we descended to the mournful little railway
- station, and as we watched a little train amble plaintively in and out of
- that terminus, we thought of the numbers of the hymns sung at the last
- service in the church, and the immense devastating ennui of provincial
- existence in remote places enveloped us like a dank fog. We set sail, and
- quitted Vordingborg forever, lest we might harden our hearts and be unjust
- to Vordingborg, which, after all, at bottom, must be very like a million
- other townlets on earth.
- </p>
- <p>
- Compared with some of the ports we made, Vordingborg was a metropolis and
- a center of art. When we had threaded through the Ulfsund and the Stege
- Strand and the intricacies of the Rogestrommen, we found shelter in a
- village harbor of the name of Faxo. Faxo had nothing—nothing but a
- thousand trucks of marl, a girl looking out of a window, and a locked
- railway station. We walked inland into a forest, and encountered the
- railway track in the middle of the forest, and we walked back to Faxo, and
- it was the same Faxo, except that a splendid brig previously at anchor in
- the outer roads was slipping away in the twilight, and leaving us alone in
- Faxo.
- </p>
- <p>
- At Spotsbjerg, on the north of the island of Sjælland, a small, untidy
- fishing village with a harbor as big as a swimming-bath, there was not
- even a visible church; we looked vainly for any church. But there was a
- telephone, and on the quay there was a young and pretty girl leaning
- motionless on her father’s, or her grandfather’s, tarpaulin shoulder. Full
- of the thought that she would one day be old and plain, we fled from
- Spotsbjerg, and traveled an incredible distance during the whole of a
- bright Sunday, in order to refresh our mundane instincts at the capital of
- the Jutland peninsula, Aarhus.
- </p>
- <p>
- <br /><br /><a name="linkimage-0026" id="linkimage-0026"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0151.jpg" alt="0151 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0151.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- And on approaching Aarhus, we ran into a regatta, and the <i>Velsa</i> had
- less of the air of an aristocrat among the industrial classes than in such
- ports as Spotsbjerg and Faxo. Further, a reporter came to obtain a “story”
- about the strange Dutch yacht with the English ensign. It was almost equal
- to being anchored off the Battery, New York.
- </p>
- <p>
- At Aarhus the pulse of the world was beating rather loud. In the windows
- of the booksellers’ shops were photographs of the director of the
- municipal theater surrounded by his troupe of stars. And he exactly
- resembled his important brethren in the West End of London. I myself was
- among the authors performed in the municipal theater, and I had a strange,
- comic sensation of being world-renowned. Crowds surged in the streets of
- Aarhus and in its cafés and tram-cars, and at least one of its taxicabs
- was driven by a woman. It had a really admirable hotel, the Royal, with
- first-class cooking, and a concert every night in its winter garden, where
- the ruling classes met for inexpensive amusement, and succeeded in amusing
- themselves with a dignity, a simplicity, and a politeness that could not
- possibly be achieved in any provincial town in England, were it five times
- the size of Aarhus. And why?
- </p>
- <p>
- Withal, Aarhus, I have to confess, was not much of a place for elegance.
- Its women failed, and the appearance of the women is the true test of a
- civilization. So far in our Danish experience the women of Esbjerg stood
- unrivaled. The ladies of Aarhus, even the leading ladies gathered together
- in the Royal Hotel, lacked style and beauty. Many of them had had the
- sense to retain the national short sleeve against the ruling of fashion,
- but they did not arrive at any effect of individuality. They were neither
- one thing nor the other. Their faces showed kindness, efficiency,
- constancy, perhaps all the virtues; but they could not capture the
- stranger’s interest.
- </p>
- <p>
- There was more style at Helsingôr (Elsinore), a town much smaller than
- Aarhus, but probably enlivened by naval and military influences, by its
- close proximity to Sweden, with train-ferry communication therewith, and
- by its connection with Hamlet and Shakspere. The night ferries keep the
- town unduly awake, but they energize it. Till a late hour the station and
- the quay are busy with dim figures of chattering youth in pale costumes,
- and the departure of the glittering train-laden ferry to a foreign country
- two miles off is a romantic spectacle. The churches of Helsingôr have an
- architectural interest, and its fruit shops display exotic fruits at high
- prices. Officers flit to and fro on bicycles. Generals get out of a closed
- cab at the railway station, and they bear a furled standard, and vanish
- importantly with it into the arcana of the station. The newspapers of many
- countries are for sale at the kiosk. The harbor-master is a great man, and
- a suave.
- </p>
- <p>
- The pride of Helsingor is the Kronborg Castle, within sight of the town
- and most grandiosely overlooking sea and land. Feudal castles are often
- well placed, but one seldom sees a renaissance building of such heroic
- proportions in such a dramatically conceived situation. The castle is of
- course used chiefly as a barracks. On entering the enormous precincts, we
- saw through a window a private sitting on a chair on a table, in fatigue
- uniform, playing mildly a flageolet, and by his side on the table another
- private in fatigue uniform, with a boot in one hand, doing nothing
- whatever. And from these two figures, from the whitewashed bareness of the
- chamber, and from the flageolet, was exhaled all the monstrous melancholy
- of barrack-life, the same throughout the world. Part of the castle is set
- aside as a museum, wherein, under the direction of a guide, one is
- permitted to see a collection of pictures the surpassing ugliness of which
- nearly renders them interesting. The guide points through a window in the
- wall ten feet thick to a little plot of turf. “Where Hamlet walked.” No
- historical authority is offered to the visitor for this statement. The
- guide then leads one through a series of large rooms, empty save for an
- occasional arm-chair, to the true heart of the Kronborg, where he
- displayed to us a seated statue of Mr. Hall Caine, tinted an extreme
- unpleasant bluish-white. An inscription told that it had been presented to
- Kronborg by a committee of Englishmen a few years earlier to mark some
- anniversary. The guide said it was a statue of Shakspere. I could not
- believe him.
- </p>
- <p>
- <br /><br /><a name="linkimage-0027" id="linkimage-0027"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0157.jpg" alt="0157 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0157.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0009" id="link2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IX—A day’s SAIL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>LTHOUGH there is a
- lively pleasure in discovering even the dullest and smallest towns and
- villages, the finest experience offered by the Baltic is the savor of the
- Baltic itself in a long day’s sail. I mean a day of fourteen hours at
- least, from six in the morning till eight at night, through varied
- seascapes and landscapes and varied weather. As soon as the yacht leaves
- harbor in the bracing chill of sunrise she becomes a distinct entity,
- independent, self-reliant. The half-dozen men on her, cut off from the
- world, are closely knitted into a new companionship, the sense of which is
- expressed not in words, but by the subtleties of tone and mien; and if
- only one amoung them falls short of absolute loyalty and good-will toward
- the rest, the republic is a failure, and the air of ocean poisoned. The
- dictum of an older and far more practised yachtsman than myself used
- always to be, “I ’ll have no man aboard my ship who can’t smile all
- the time.” It is a good saying. And it could be applied to my yacht in the
- Baltic. We had days at sea in the Baltic which were ideal and thrilling
- from one end to the other.
- </p>
- <p>
- <br /><br /><a name="linkimage-0028" id="linkimage-0028"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0161.jpg" alt="0161 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0161.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- To make a final study of the chart in the cabin while waiting for
- breakfast is a thrilling act. You choose a name on the chart, and decide:
- “We will go to that name.” It is a name. It is not yet a town or a
- village. It is just what you imagine it to be until you first sight it,
- when it instantly falsifies every fancy. The course is settled. The ship
- is on that course. The landmarks will suffice for an hour or two, but the
- sea-marks must be deciphered on the chart, which is an English chart, and
- hence inferior in fullness and clearness to either French or Dutch charts.
- Strange, this, for a nation preëminently maritime! To compensate, the
- English “Sailing Directions”—for example, the “Pilot’s Guide to the
- Baltic”—are so admirably written that it is a pleasure to read them.
- Lucid, succinct, elegant, they might serve as models to a novelist. And
- they are anonymous.
- </p>
- <p>
- To pick up the first buoy is thrilling. We are all equally ignorant of
- these waters; the skipper himself has not previously sailed them, and we
- are all, save the cook, engulfed below amid swaying saucepans, on the
- lookout for that buoy. It ought to be visible at a certain hour, but it is
- not. The skipper points with his hand and says the buoy must be about
- there, but it is not. He looks through my glasses, and I look through his;
- no result. Then the deck-hand, without glasses, cries grinning that he has
- located her. After a quarter of an hour I can see the thing myself. That a
- buoy? It is naught but a pole with a slightly swollen head. Absurd to call
- it a buoy! Nevertheless, we are relieved, and in a superior manner we
- reconcile ourselves to the Baltic idiosyncrasy of employing broom-handles
- for buoys. The reason for this dangerous idiosyncrasy neither the skipper
- nor anybody else could divine. Presently we have the broom close abeam, a
- bobbing stick all alone in the immense wilderness of water. There it is on
- the chart, and there it is in the water, a romantic miracle. We assuage
- its solitude for a few minutes, and then abandon it to loneliness.
- </p>
- <p>
- We resume the study of the chart; for although we are quite sure of our
- course, the skipper can never be sure enough. My attention is drawn to a
- foot-note that explains the ice-signals of the Baltic. And the skipper
- sets to telling tales of terror about the ice, in the Zuyder Zee and other
- seas. He tells how the ice forms under the ship surreptitiously, coming up
- from the bottom like treacle. You say, “It’s freezing to-night,” and the
- next morning the ship can’t move; and you may die of starvation, for
- though the ice will hold the ship, it won’t hold you. The skipper knew men
- who could remember ice in the Zuyder Zee in June. He himself had once
- oscillated for a whole week between two ports on the Zuyder Zee, visible
- to each other, pushed hither and thither by the ice, and unable to get
- anywhere at all. But ice was less terrible than it used to he, owing to
- the increased strength and efficiency of ice-breakers. And climate was
- less rigorous. Thus the skipper would reassure us for a moment, only to
- intimidate us afresh. For it seems that the ice has a way of climbing; it
- will climb up over everything, and inclose a ship. Indeed, he was most
- impressive on the subject of ice. He said that the twin horrors of the sea
- were ice and fog. But of fog he told no tales, being occupied with the
- forward valve of the engine. We perceived that yachtsmen who go out when
- it happens to suit them, between May and September only, can never achieve
- intimacy with the entire individuality of the sea.
- </p>
- <p>
- The weather has now cleared for a while. The sun is hot, the saloon
- skylight warm to the touch. You throw off a jersey. The tumbling water is
- a scale of deep blues, splendid against the brass of the bollard and the
- reddishness of the spars. The engine is running without a “knock”; the
- sails are nicely filled; the patent log is twirling aft. A small rainbow
- shines steadily in the foam thrown up from the bows, and a great rainbow
- stretches across all heaven, with its own ghost parallel to it. Among the
- large, soft clouds rags of dark cloud are uneasily floating. On the flat
- shores of near islands the same cereals ripen as ripen at home. And this
- is thrilling. Distant islands are miraged. Even a distant battleship seems
- to be lifted clean out of the water by the so-called mirage.
- </p>
- <p>
- And then a trading-schooner, small, but much larger than us, relentlessly
- overhauls us. She laughs at the efforts of our engine to aid our sails,
- and forges ahead, all slanting, with her dinghy slung up tight aft, over
- her rudder. And then it is the still small voice of the stomach that
- speaks. Hunger and repletion follow each other very swiftly on such days.
- The after-breakfast cigar is scarcely finished before a genuine curiosity
- as to the menu of lunch comes to birth within. We glance into the saloon.
- Yes, the white cloth is laid, but we cannot eat cloth. The cook and the
- chronometer are conspiring together against us.
- </p>
- <p>
- In the afternoon the weather is thick and squally. And we are creeping
- between sad and forlorn veiled islands that seem to exude all the
- melancholy of the seas. There is plenty of water, but only in a deceiving
- horizontal sense. The channel is almost as narrow and as tortuous as a
- Devonshire lane. English charts are criminally preposterous, and so are
- Danish brooms. Hardly can one distinguish between a starboard and a port
- broom. Is the life of a yacht to depend on such negligent devices? The
- skipper is worried. And the spectacle of a ship aground in mid-sea does
- not tranquilize. Sometimes the hail wipes out for a few seconds the whole
- prospect. The eyes of everybody are strained with looking for distant
- brooms.
- </p>
- <p>
- <br /><br /><a name="linkimage-0029" id="linkimage-0029"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0168.jpg" alt="0168 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0168.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Then we are free of the archipelago, and also the sky clears. The sun,
- turning orange, is behind us, and the wind in our teeth. Ahead is a
- schooner, beating. And she is the schooner of the morning. Our engine now
- has the better of her. As we overtake her, she runs away on one tack, and
- comes back on the next. She bears down on our stern, huge, black,
- glittering. A man and a boy are all her crew. This man and this boy are
- entitled to be called mariners, as distinguished from yachtsmen. We can
- see their faces plainly as they gaze down at us from their high deck. And
- you may see just the same faces on the liners that carry emigrants from
- Denmark to the West, and the same limbs sprawling on the decks of the
- Esbjerg steamers, as the same hands scrawl Danish characters on picture
- postal cards to the inhabitants of these very islands.
- </p>
- <p>
- The sea is now purple, and the schooner a little black blot on the red
- panorama of the sunset; and ahead, amid faint yellow and green fields, is
- a white speck, together with sundry red specks and blue specks. The name
- on the chart! And then the haven is descried, and a ring of masts with
- fluttering rags. And then the lighthouse and the roofs detach themselves,
- and the actual mouth of the haven appears. Twilight falls; the engine is
- moderated; the deck-hand stands by with a pole. Very slowly we slide in,
- and the multitudinous bright tints of the fishing-smacks are startlingly
- gay even in the dusk. The skipper glances rapidly about him, and yells out
- in Dutch to a fisherman, who replies in Danish. The skipper shakes his
- head, at a loss, and gives an order to the deck-hand. The deck-hand claws
- with a pole at a yellow smack. We have ceased to be independent. The name
- on the chart is a name no longer. It is a living burg, a poor little
- place, good enough to sleep in, and no more. But another stage on the
- journey to that magic capital Copenhagen.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_PART3" id="link2H_PART3"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- PART III COPENHAGEN
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0010" id="link2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER X—THE DANISH CAPITAL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>CROSS the great
- expanse of Kjoge Bay, Copenhagen first became visible as a group of
- factory chimneys under a firmament of smoke. We approached it rapidly upon
- smooth water, and ran into the narrowing bottle-neck of Kallebo, with the
- main island of Sjælland to the west and the appendant island of Amager to
- the east. Copenhagen stands on both, straddling over a wide connecting
- bridge which carries double lines of electric trams and all the traffic of
- a metropolis. When a yacht, even a small one, wishes to enter the harbor,
- this bridge is cut in two and lifted into the air, and the traffic
- impatiently champs its bit while waiting for the yacht.
- </p>
- <p>
- <br /><br /><a name="linkimage-0030" id="linkimage-0030"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0174.jpg" alt="0174 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0174.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Apparently they understand yachts at Copenhagen, as they do in Holland. At
- the outer harrier of the harbor we were not even requested to stop. A
- cheerful and beneficent functionary cried out for our name, our captain’s
- name, our tonnage, and our immediate origin, and, his curiosity being
- sated, waved us onward. The great bridge bisected itself for us with
- singular promptitude. Nevertheless, the gold-buttoned man in charge
- thereof from his high perch signaled to us that our burgee was too small.
- We therefore, having nothing else handy to placate him, ran up a blue
- ensign to the masthead; but it looked so excessively odd there, so acutely
- contrary to the English etiquette of yachts, that we at once hauled it
- down again. No further complaint was made.
- </p>
- <p>
- We were now in the haven, and over the funnels of many ships we could see
- the city. It was all copper domes and roofs; and we saw that it was a
- proud city, and a city where exposed copper turns to a beautiful green
- instead of to black, as in London. Splendid copper domes are the chief
- symptom of Copenhagen. After all the monotonous, tiny provincialism of the
- peninsula and of the islands, it was sensational to find a vast capital at
- the far end of the farthest island. We thought we were coming to the end
- of the world, and we came to a complete and dazzling city that surpassed,
- for example, Brussels in its imposingness. We turned westward out of the
- main channel into the heart of the town, and in a moment were tied up to a
- smack, and the red-and-green bourse was leaning over us; the rattle and
- ringing and stamping of horses, lorries, tram-cars, and taxi-cabs deafened
- us on three sides; and a bridge trembling with traffic barred our way.
- </p>
- <p>
- Towers and spires rose beyond the bridge; crowds stood to gaze at us;
- steamers and warehouses filled the prospect to the north; and under our
- bows the petrol-engined gondolas of Copenhagen, each holding a dozen
- passengers or so, continually shot. We were in the midst of a terrific
- din, but we cared not. We had arrived, and we had arrived in a grand town;
- we knew that at the first glance.
- </p>
- <p>
- <br /><br /><a name="linkimage-0031" id="linkimage-0031"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0179.jpg" alt="0179 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0179.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- In something less than half an hour one of us had gone forth and returned
- with grave tidings: “This is a most exciting city. I’ve already seen lots
- of beautiful women, some with lovely tow-colored hair.” The charm of
- distant Esbjerg was at last renewed. I went forth myself, into a very
- clean, fresh-looking city, with simple and lively inhabitants. In a trice
- I had gazed at the Thorvaldsen Museum (which I had no intention of
- entering, Thorvaldsen being for me on about the same artistic plane as the
- inexcusable Ary Scheffer of Dordrecht), the Christianborg Palace, which
- had an austere and kingly air, the very modern and admirable town hall,
- the old railway station, which has been transformed into the largest
- kinema in the world, the floating fish shops and fish restaurants (made
- out of old smacks and schooners), the narrow, thronged shopping streets,
- the celebrated Tivoli establishment, and the yacht-like steamers that from
- a quay, which might almost be called the gate to Sweden, in the very
- middle of the town, are constantly setting sail for Scandinavia. From
- Copenhagen you go to Sweden as thoughtlessly as in New York you go from
- Forty-second to Sixty-ninth Street, or in London from the Bank to Chelsea,
- and with less discipline. If the steamer has cast off, and the captain
- sees you hurrying up the street, he stops his engines and waits for you,
- and you are dragged on board by a sailer; whereupon the liner departs,
- unless the captain happens to see somebody else hurrying up the street.
- </p>
- <p>
- An hour in the thoroughfares of Copenhagen was enough to convince my feet
- that it was not a city specially designed for pedestrians. I limped back
- to the yacht, and sent the skipper to hire a carriage. He knew no more of
- the city than I did, less indeed; he could no more than I speak a single
- word of Danish; but I felt sure that he would return with an equipage.
- What I desired was an equipage with a driver who could speak either
- English, French, or Dutch. He did return with an equipage, and it was
- overpowering. Rather like a second-hand state carriage, it was drawn by
- two large gray horses, perhaps out of a circus, and driven by a liveried
- being who was alleged to speak French. I shuddered at the probable cost of
- this prodigious conveyance, but pretended I did not care. The ligure named
- was just seven dollars a day. We monopolized the carriage during our
- sojourn, and the days were long; but the coachman never complained.
- Possibly because he had no language in which to complain. We learned in a
- moment that his ability to speak French was entirely mythical. Then some
- one said that a misunderstanding had occurred at the livery-stables, and
- that German was the foreign language he spoke, But he did not speak German
- either, nor anything else. He was just another of those strange creatures
- met in the course of travel who are born, who mature, and who die without
- speaking or comprehending any language whatever.
- </p>
- <p>
- From the height of his spacious and sedate vehicle we gazed down upon the
- rushing population of Copenhagen—beautiful women, with lovely
- tow-colored hair, and simple, nice-gestured men. The driver only made one
- mistake, but it was a bad one. We wanted tea, and we asked him to go to a
- teagarden, any tea-garden. He smiled, and went. He took us up an
- interminable boulevard, with a special strip for cyclists. Thousands upon
- thousands of cyclists, all fair, passed and repassed us. He went on and
- on. One of the horses fell lame, but it made no difference. We could not
- stop him. And repetitions of the word for tea in French and German had no
- effect save to make him smile. We constantly descried what seemed in the
- distance to be tea-gardens, but they were not tea-gardens. We saw an
- incomprehensible colony of doll’s houses—well-kept suburban huts
- exteriorly resembling houses—in a doll’s garden. We could not
- conceive the nature of this phenomenon, but it was not a tea-garden.
- Presently the carriage was stopped by a man demanding money. He wore no
- uniform, but conveyed to us that he was an official of the town of
- Hillerup, and that strange carriages had to pay forty-eight ore in order
- to traverse Hillerup.
- </p>
- <p>
- It seemed a lot of money; but as it only amounted to sixpence, we paid.
- The man may have been a highwayman. We looked at the map for Hillerup, and
- found it miles away from Copenhagen.
- </p>
- <p>
- We were now in serious need of tea, and helpless. The driver drove on. He
- conducted us through half a dozen seaside resorts on the quite unjustly
- celebrated “Danish Riviera”; he came actually to the end of the tram-line,
- and then he curved inland into a forest (more to pay). We were now angry
- and still helpless. The forest had no end, and the roads in it no
- direction. Desperate, we signaled to him to turn back. He would not. He
- informed us on his lingers that he would be arriving in twenty minutes or
- so. When he did arrive, we solved the mystery. He had confused the word
- for tea with the word for deer, and had brought us to a well-known country
- resort called the Deer Park. A few miserable tourists were in fact
- drinking cold, bad tea on a windy terrace overlooking a distant horizon,
- far beyond which lay Copenhagen. We swallowed the tea, the driver
- swallowed beer, and we started hack. We had no overcoats, and the Baltic
- evening was cold. Trams overtook us flying at a tremendous pace into
- Copenhagen, and we were behind a lame horse. In the dusk we reached once
- more the desirable city, whose women never seemed more fair to us than
- they did then. This adventure taught us that the yachtsman must be
- prepared for any adventure, even the wildest.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0011" id="link2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XI—CAFÉS AND RESTAURANTS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE most
- interesting thing, to the complete stranger, in a large foreign city that
- does not live on its own past is not the museums, but the restaurants and
- cafés, even in the dead season. We were told that August was the dead
- season in Copenhagen, and that all the world was at the seaside resorts.
- We had, however, visited a number of Danish seaside resorts, and they were
- without exception far more dead than Copenhagen. In particular Marienlyst,
- reputed to be the haunt of fashion and elegance, proved to be a very sad,
- deserted strand. Copenhagen was not dead.
- </p>
- <p>
- We went for our first dinner to Wivels Restaurant, signalized to us by
- authority as the finest in Denmark, a large, rambling, crimson-and-gold
- place, full of waiters who had learned English in America, of
- hors-d’ouvre, and of music. The hand was much better than the food, but it
- has to be said that we arrived at half-past seven, when Danish dinner is
- over and Danish supper not begun. Still, many middle-class people were
- unceremoniously and expensively eating—in the main hors-d’ouvre. The
- metropolitanism of Copenhagen was at once apparent in this great
- restaurant. The people had little style, but they had the assurance and
- the incuriousness of metropolitans, and they were accustomed to throwing
- money about, and to glare, and to stridency, and to the idiosyncrasies of
- waiters, and to being in the swim. Wivels might show itself on Fifth
- Avenue or in the Strand without blushing. And its food had the wholesale,
- crude quality of the food offered in these renowned streets to persons in
- the swim.
- </p>
- <p>
- Next we went to the Hôtel d’Angleterre, which was just the restaurant of
- the standardized international hotel. Once within its walls, and you might
- as well be at Paris, Aix-les-Bains, Harrogate, Rome, Algiers, Brussels, as
- at Copenhagen. The same menu, the same cooking, the same waiters, the same
- furniture, the same toothpicks, and the same detestable, self-restrained
- English travelers, with their excruciating Englishness. The café on the
- ground floor of this hotel, overlooking a large and busy circular <i>place</i>,
- with the opera and other necessaries of metropolitan life close by, was
- more amusing than the restaurant. It was a genuine resort in the
- afternoon. The existence of Copenhagen rolled to and fro in front of its
- canopied terrace, and one might sit next to an English yachting party of
- astounding correctness and complacency (from one of those conceited
- three-hundred-ton boats, enameled white, and jeweled in many holes, like a
- watch), or to a couple of Danish commercials, or to a dandy and his love.
- Here we one night singled out for observation a very characteristic Danish
- young man and young woman with the complexions, the quiet, persuasive
- voices, and the soothing gestures of the North. It was an agreeable sight;
- but when we had carried our observation somewhat further, we discovered
- that they were an English pair on their honeymoon.
- </p>
- <p>
- <br /><br /><a name="linkimage-0032" id="linkimage-0032"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0186.jpg" alt="0186 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0186.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- In a day or two, feeling more expert in things Danish, we wanted a truly
- Danish restaurant, unspoiled by cosmopolitanism. We hit on it in the
- Wiener Café, appanage of the Hotel King of Denmark. A long, narrow room,
- anciently and curiously furnished, with mid-Victorian engravings on the
- somber walls. The waiters had the austerity of priests presiding at a
- rite. Their silent countenances said impassively: “This is the most select
- resort in our great and historic country. It has been frequented by the
- flower of Danish aristocracy, art, and letters for a thousand years. It
- has not changed. It never will. No upstart cosmopolitanism can enter here.
- Submit yourselves. Speak in hushed tones. Conform to all the niceties of
- our ceremonial, for we have consented to receive you.”
- </p>
- <p>
- In brief, it was rather like an English bank, or a historic hotel in an
- English cathedral town, though its food was better, I admit. The menu was
- in strict Danish. We understood naught of it, but it had the air of a
- saga. At the close of the repast, the waiter told us that, for the <i>prix
- fixe</i>, we had the choice between cake and cheese. I said, “Will you let
- me have a look at the cake, and then I ‘ll decide.” He replied that he
- could not; that the cake could not be produced unless it was definitively
- ordered. The strange thing was that he persisted in this attitude. Cake
- never had been shown on approval at the Wiener Café of the Hotel King of
- Denmark, and it never would he. I bowed the head before an august
- tradition, and ordered cheese. The Wiener Café ought to open a branch in
- London; it was the most English affair I have ever encountered out of
- England.
- </p>
- <p>
- Indeed, Copenhagen is often exquisitely English. That very night we chose
- the restaurant of the Hotel————for dinner. The
- room was darkly gorgeous, silent, and nearly full. We were curtly shown to
- an empty table, and a menu was dung at us. The head waiter and three
- inefficient under waiters then totally ignored us and our signals for
- fifteen minutes; they had their habitués to serve. At the end of fifteen
- minutes we softly and apologetically rose and departed, without causing
- any apparent regret save perhaps to the hat-and-coat boy, whom we basely
- omitted to tip.
- </p>
- <p>
- <br /><br /><a name="linkimage-0033" id="linkimage-0033"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0191.jpg" alt="0191 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0191.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- We roved in the wet, busy Sunday streets, searching hungrily for a
- restaurant that seemed receptive, that seemed assimilative, and luck
- guided us into the Café de l’Industrie, near the Tivoli. The managers of
- this industrious café had that peculiar air, both independent and
- amicable, which sits so well on the directors of an organism that is
- firmly established in the good-will of the flourishing mass. No
- selectness, no tradition, no formality, no fashion, no preposterous
- manners about the Café de l’Industrie, but an aspect of solid, rather
- vulgar, all-embracing, all-forgiving prosperity. It was not cheap, neither
- was it dear. It was gaudy, but not too gaudy. The waiters were men of the
- world, experienced in human nature, occupied, hasty, both curt and
- expansive, not servile, not autocratic. Their faces said: “Look here, I
- know the difficulties of running a popular restaurant, and you know them,
- too. This is not heaven, especially on a Sunday night; but we do our best,
- and you get value for your money.”
- </p>
- <p>
- The customers were samples of all Copenhagen. They had money to spend, but
- not too much. There were limits to their recklessness in the pursuit of
- joy. They were fairly noisy, quite without affectation, fundamentally
- decent, the average Danish. Elegance was rarer than beauty, and
- spirituality than common sense, in that restaurant. We ate moderately in
- the din and clash of hors d’ouvre, mural decorations, mirrors, and music,
- and thanked our destiny that we had had the superlative courage to leave
- the Hotel ————, with its extreme correctitude.
- </p>
- <p>
- Finally, among our excursions ‘n restaurants, must be mentioned a crazy
- hour in the restaurant of the Hotel ————, supreme
- example of what the enterprising spirit of modern Denmark can accomplish
- when it sets about to imitate the German <i>art nouveau</i>. The ————
- is a grand hotel in which everything, with the most marvelous and
- terrifying ingenuity, has been designed in defiance of artistic tradition.
- A fork at the ———— resembles no other fork on
- earth, and obviously the designer’s first and last thought was to be
- unique. It did not matter to him what kind of fork he produced so long as
- it was different from any previous fork in human history. The same with
- the table-cloth, the flower-vase, the mustard-pot, the chair, the carpet,
- the dado, the frieze, the tessellated pavement, the stair-rail, the
- wash-basin, the bedstead, the quilt, the very door-knobs. The proprietors
- of the place had ordered a new hotel in the extreme sense, and their order
- had been fulfilled. It was a prodigious undertaking, and must certainly
- have been costly. It was impressive proof of real initiative. It
- intimidated the beholder, who had the illusion of being on another planet.
- Its ultimate effect was to outrival all other collections of ugliness. I
- doubt whether in Berlin itself such ingenious and complete ugliness could
- be equaled in the same cubic space. My idea is that the creators of the
- Hotel ———— may lawfully boast of standing alone on
- a pinnacle.
- </p>
- <p>
- It was an inspiration on the part of the creators, when the hotel was
- finished to the last salt-spoon, to order a number of large and
- particularly bad copies of old masters, in inexpensive gilt frames, and to
- hang them higgledy-piggledy on the walls. The resulting effect of
- grotesquery is overwhelming. Nevertheless, the ————
- justly ranks as one of the leading European hotels. It is a mercy that the
- architect and the other designers were forbidden to meddle with the
- cooking, which sins not by any originality.
- </p>
- <p>
- The summary and summit of the restaurants and cafes of Copenhagen is the
- Tivoli. New York has nothing like the Tivoli, and the Londoner can only
- say with regret that the Tivoli is what Earl’s Court ought to be, and is
- not. The Tivoli comprises, within the compass of a garden in the midst of
- the city, restaurants, cafés, theater, concert-hall, outdoor theater,
- bands, pantomime, vaudeville, dancing-halls, and very numerous side-shows
- on both land and water. The strangest combinations of pleasure are
- possible at the Tivoli. You can, for instance, as we did, eat a French
- dinner while watching a performance of monkeys on a tightrope. The
- opportunities for weirdness in felicity are endless. We happened to arrive
- at Copenhagen just in time for the fêtes celebrating the seventieth
- anniversary of the Tivoli, which is as ancient as it is modern. On the
- great night the Tivoli reveled until morning. It must be the pride of the
- populace of Copenhagen, and one of the city’s dominating institutions. It
- cannot be ignored. It probably uses more electric light than any other ten
- institutions put together. And however keenly you may resent its
- commonplace attraction, that attraction will one day magnetize you to
- enter its gates—at the usual fee.
- </p>
- <p>
- I estimate that I have seen twenty thousand people at once in the Tivoli,
- not a bad total for one resort in a town of only half a million
- inhabitants. And the twenty thousand were a pleasant sight to the foreign
- observer, not merely for the pervading beauty and grace cf the women,
- which was remarkable, but also for the evident fact that as a race the
- Danish know how to enjoy themselves with gaiety, dignity, and simplicity.
- Their demeanor was a lesson to Anglo-Saxons, who have yet to discover how
- to enjoy themselves freely without being either ridiculous or vulgar or
- brutish. The twenty thousand represented in chief the unassuming
- middle-class of Copenhagen.
- </p>
- <p>
- <br /><br /><a name="linkimage-0034" id="linkimage-0034"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0197.jpg" alt="0197 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0197.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- There were no doubt millionaires, aristocrats, “nuts,” rascals, obelisks,
- and mere artisans among the lot, but the solid bulk was the middle-class,
- getting value for its money in an agreeable and unexceptionable manner.
- The memory of those thousands wandering lightly clad in the cold Northern
- night, under domes and festoons and pillars of electric light, amid the
- altercations of conflicting orchestras, or dancing in vast, stuffy
- inclosures, or drinking and laughing and eating hors-d’ouvre under rustling
- trees, or submitting gracefully to Wagnerian overtures in a theater whose
- glazed aisles were two restaurants, or floating on icy lakes, or just
- beatifically sitting on al-fresco seats in couples—this memory
- remains important in the yachtsman’s experiences of the Baltic.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0012" id="link2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XII—ARISTOCRACY AND ART
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE harbor-master
- would not allow us to remain for more than three days in our original
- berth, which served us very well as a sort of grand stand for viewing the
- life of Copenhagen. His theory was that we were in the way of honest
- laboring folk, and that we ought to be up in the “sound,” on the
- northeastern edge of the city, where the yachts lie. We contested his
- theory, but we went, because it is unwise to quarrel with a bureaucracy of
- whose language you are ignorant.
- </p>
- <p>
- The sound did not suit us. The anchorage was opposite a coaling station,
- and also opposite a shipbuilding yard, and from the west came a strong
- odor out of a manufactory of something unpleasant. We could have tolerated
- the dust, the noise, and the smell, but what we could not tolerate was the
- heavy rolling, for the north wind was blowing and the anchorage exposed to
- it. Indeed, the Royal Danish Yacht Club might have chosen more comfortable
- quarters for itself. We therefore unostentatiously weighed anchor again,
- and reëntered the town, and hid ourselves among many businesslike tugs in
- a little creek called the New Haven, whose extremity was conveniently
- close to the Café d’Angleterre. We hoped that the prowling harbor-master
- would not catch sight of us, and he did not.
- </p>
- <p>
- <br /><br /><a name="linkimage-0035" id="linkimage-0035"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0204.jpg" alt="0204 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0204.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The aristocratic and governing quarter of the town lay about us, including
- the Bregade, a street full of antiquaries, marble churches, and baroque
- houses, and the Amalienborg Palace, which is really four separate similar
- palaces (in an octagonal <i>place</i>) thrown into one. Here all the
- prospects and vistas were dignified, magnificent, and proudly exclusive.
- The eighteenth century had nobly survived, when the populace was honestly
- regarded as a horde created by divine providence in order that the ruling
- classes might practise upon it the art of ruling. There was no Tivoli when
- those beautiful pavements were made, and as you stand on those pavements
- and gaze around at the royal grandiosity, speckless and complete, you can
- almost imagine that even the French Revolution has not yet occurred. The
- tiny, colored sentry at the vast, gray gates is still living in the
- eighteenth century. The architecture is not very distinguished, but it has
- style. It shames the ———— Hotel. The Frederiks
- Church, whose copper dome overtops the other copper domes, is a fair
- example of the quarter. Without being in the least a masterpiece, it
- imposes by its sincerity and its sense of its own importance. And the
- interior is kept as scrupulously as a boudoir. The impeccability of the
- marble flooring is wondrous, and each of the crimson cushions in the
- polished pews is like a lady’s pillow. Nothing rude can invade this
- marmoreal fane.
- </p>
- <p>
- The Rosenborg Palace, not far off, is open to the public, so that all may
- judge what was the life of sovereigns in a small country, and what
- probably still is. The royal villas outside Florence are very ugly, but
- there is a light grace about their furnishing which lifts them far above
- the heavy, stuffy, tasteless mediocrity of such homes as the Rosenborg.
- Badly planned, dark, unhygienic, crammed with the miscellaneous ugliness
- of generations of royal buying, the Rosenborg is rather a sad sight to
- people of taste; and the few very lovely tilings that have slipped in here
- and there by inadvertence only intensify its mournfulness. The phantoms of
- stupid courtiers seem to pervade, strictly according to etiquette, its
- gloomy salons. And yet occasionally, in the disposition of an arm-chair or
- a screen, one realizes that it must, after all, have been a home,
- inhabited by human beings worthy of sympathy. It is the most bourgeois
- home I ever entered. In a glass case, with certain uniforms, were hung the
- modern overcoat (a little frayed) and the hat of a late monarch. They
- touched the heart of the sardonic visitor, their exposure was so naive.
- </p>
- <p>
- Even more depressing than this mausoleum of nineteenth-century maimers was
- the museum of art. As a colossal negation of art, this institution ranks
- with the museum of Lausanne. It is an enormous and ugly building, full of
- enormous ugliness in painting and sculpture. It contained a fine Rembrandt—“Christ
- at Emmaus”—and one good modern picture, a plowing scene by
- Wilhelmson. We carefully searched the immense rooms for another good
- modern picture, and found it not. Even the specimens of Gauguin, Van Gogh,
- and Bonnard were mediocre.
- </p>
- <p>
- The sculpture was simply indescribable. The eye roamed like a bird over
- the waters of the deluge, and saw absolutely nothing upon which to alight
- with safety. Utter desolation reigned. The directors of this museum had
- never, save in the case of Wilhelmson, been guilty of an inadvertence.
- Their instinct against beauty in any form was unerring. Imagine the stony
- desert of rooms and corridors and giant staircases on a wet Sunday
- morning, echoing to the footsteps of the simple holiday crowd engaged
- patriotically in the admiration of Danish art; imagine ingenuous,
- mackintoshed figures against the vast flanks of stiff and terrific marble
- Venuses and other gods; imagine the whispering in front of anecdotes in
- paint; imagine the Inferno of an artist—and you have the art museum,
- the abode and lurking-place of everlasting tedium.
- </p>
- <p>
- Quite different is the Glyptothek, a museum whose existence is due to
- private enterprise and munificence. It is housed in an ugly and
- ill-planned building, but the contents are beautiful, very well arranged,
- and admirably exposed. The Glyptothek has an entrancing small picture by
- Tiepolo, of Antony and Cleopatra meeting, which I was informed must be a
- study for a larger picture in Venice It alone should raise the museum to a
- shrine of pilgrimage, and it is not even mentioned in Baedeker! But the
- Glyptothek triumphs chiefly by its sculpture. Apart from its classical
- side, it has a superb collection of Meuniers, which impressed, without
- greatly pleasing, me; a roomful of Rodin busts which are so honest and
- lifelike and jolly that when you look at them you want to laugh—you
- must laugh from joy. And the Carpeaux busts of beautiful women—what
- a profound and tranquil satisfaction n gazing at them!
- </p>
- <p>
- <br /><br /><a name="linkimage-0036" id="linkimage-0036"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0209.jpg" alt="0209 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0209.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Some of the rooms at the Glyptothek are magical in their effect on the
- sensibility. They would make you forget wife and children, yachts, income
- tax, and even the Monroe Doctrine. Living Danish women were apposite
- enough to wander about the sculpture rooms for our delectation, making
- delicious contrasts against the background of marble groups.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0013" id="link2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIII—THE RETURN
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>E left Copenhagen
- with regrets, for the entity of the town was very romantic and attractive.
- Even the humble New Haven, where we sheltered from the eye of the
- harbor-master, had its charm for us. It was the real sailors’ quarter,
- thoroughly ungentlemanly and downright. The shops on each side of the
- creek were below the level of the street and even of the water, and every
- one of them was either a café, with mysterious music heating behind glazed
- doors, or an emporium of some sort for sailors. Revelries began in the
- afternoon. You might see a nice neat Danish wife guiding an obstreperously
- intoxicated Danish sailor down the steps leading to a cigar shop. Not a
- pleasant situation for a nice wife! But, then, you reflected that he was a
- sailor, and that he had doubtless been sober and agreeable a short while
- before, and would soon be sober and agreeable again; and that perhaps
- there were great compensations in his character. At night Bacchus and Pan
- were the true gods of that quarter, and the worship of them was loud and
- yet harmonious.
- </p>
- <p>
- We prepared reluctantly to depart; the engine also. The engine would not
- depart, and it was a new engine. Two hours were spent in wheedling and
- conciliating its magneto. After that the boat traveled faster than it had
- ever traveled. We passed out of Copenhagen into the sound, leaving a noble
- array of yachts behind, and so up the sound. Soon Copenhagen was naught
- but a bouquet of copper domes, and its beautiful women became legendary
- with us, and our memory heightened their beauty. And then the engine
- developed a “knock.” Now, in a small internal-combustion engine a “knock”
- may be due to bad petrol or to a misplacement of the magneto or to a
- hundred other schisms in the secret economy of the affair. We slowed to
- half-speed and sought eagerly the origin of the “knock,” which, however,
- remained inexplicable. We were engloomed; we were in despair.
- </p>
- <p>
- We had just decided to stop the engine when it stopped of itself, with a
- fearful crash of broken metal One side of the casing was shattered. The
- skipper’s smile was tragical. The manliness of all of us trembled under
- the severity of the ordeal which fate had administered. To open out the
- engine-box and glance at the wreck in the depths thereof was
- heart-rending. We could not closely examine the chaos of steel and brass
- because it was too hot, but we knew that the irremediable had occurred in
- the bowels of the <i>Velsa</i>. We made sail, and crawled back to the
- sound, and mournfully anchored with our unseen woe among the other yachts.
- </p>
- <p>
- The engine was duly inspected bit by bit; and it appeared that only the
- bearing of the forward piston was broken, certainly owing to careless
- mounting of the engine in the shops. It was an enormous catastrophe, but
- perhaps not irremediable.
- </p>
- <p>
- Indeed, within a short time the skipper was calculating that he could get
- a new bearing made in Copenhagen in twenty-four hours. Anyhow, we had to
- reconcile ourselves to a second visit to Copenhagen. And Copenhagen, a few
- hours earlier so sweet a name in our ears, was now hateful to us, a kind
- of purgatory to which we were condemned for the sins of others.
- </p>
- <p>
- <br /><br /><a name="linkimage-0037" id="linkimage-0037"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0216.jpg" alt="0216 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0216.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The making and fitting of the new bearing occupied just seventy hours.
- During this interminable period we enjoyed the scenery of the sound and
- grew acquainted with its diverse phenomena. The weather, if wet, was calm,
- and the surface of the water smooth; but every steamer that passed would
- set up a roll that flung hooks, if not crockery, about the saloon. And the
- procession of steamers in both directions was constant from five a. m. to
- midnight. They came from and went to every part of the archipelago and of
- Sweden and of northern Germany. We gradually understood that at Copenhagen
- railways are a trifle, and the sea a matter of the highest importance.
- Nearly all traffic is seaborne.
- </p>
- <p>
- We discovered, too, that the immediate shore of the sound, and of the
- yacht-basin scooped out of it, was a sort of toy seaside resort for the
- city. Part of the building in which the Royal Danish Yacht Club is housed
- was used as a public restaurant, with a fine terrace that commanded the
- yacht-club landing-stage and all the traffic of the sound. Moreover, it
- was a good restaurant, except that the waiters seemed to be always eating
- some titbit on the sly.
- </p>
- <p>
- Here we sat and watched the business and pleasure of the sound. The czar’s
- yacht came to anchor, huge and old-fashioned and ungraceful, with a
- blue-and-white standard large enough to make a suit of sails for a
- schooner—the biggest yacht afloat, I think, but not a pleasing
- object, though better than the antique ship of the Danish king. The
- unwieldy ceremoniousness of Russian courts seemed to surround this pompous
- vessel, and the solitary tragedy of imperial existence was made manifest
- in her. Ah, the savage and hollow futility of saluting guns! The two
- English royal yachts, both of which we saw in the neighborhood, were in
- every way strikingly superior to the Russian.
- </p>
- <p>
- Impossible to tire of the spectacle offered by that restaurant terrace. At
- night the steamers would slip down out of Copenhagen one after the other
- to the ends of the Baltic, and each was a moving parterre of electricity
- on the darkness. And then we would walk along the nocturnal shore and find
- it peopled with couples and larger groups, whose bicycles were often
- stacked in groups, too. And the little yachts in the little yacht-basin
- were each an illuminated household! A woman would emerge from a cabin and
- ask a question of a man on the dark bank, and he would flash a
- lantern-light in her face like a missile, and “Oh!” she would cry. And
- farther on the great hulk which is the home of the Copenhagen Amateur
- Sailing Club would be lit with festoons of lamps, and from within it would
- come the sounds of song and the laughter of two sexes. And then we would
- yell, “<i>Velsa</i>, ahoy!” and keep on yelling until all the lightly clad
- couples were drawn out of the chilly night like moths by the strange
- English signaling. And at last the <i>Velsa</i> would wake up, and the
- dinghy would detach itself from her side, and we would go aboard. But not
- until two o’clock or so would the hilarity and music of the Amateur
- Sailing Club cease, and merge into a frantic whistling for taxicabs from
- the stand beyond the restaurant.
- </p>
- <p>
- Then a few hours’ slumber, broken by nightmares of the impossibility of
- ever quitting Copenhagen, and we would get up and gaze at the sadness of
- the dismantled engine, and over the water at the yachts dozing and rocking
- in the dawn. And on a near yacht, out of the maw of a forecastle-hatch
- left open for air, a half-dressed sailor would appear, and yawn, and
- stretch his arms, and then begin to use a bucket on the yacht’s deck.
- </p>
- <p>
- <br /><br /><a name="linkimage-0038" id="linkimage-0038"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0221.jpg" alt="0221 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0221.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The day was born. A green tug would hurry northward, splashing; and the
- first of the morning steamers would arrive from some mystical distant
- island, a vessel, like most of the rest, of about six hundred tons, red
- and black funnels, the captain looking down at us from the bridge; a nice
- handful of passengers, including a few young women in bright hats;
- everything damp and fresh, and everybody expectant and braced for
- Copenhagen. A cheerful, ordinary sight! And then our skipper would emerge,
- and the cook with my morning apple on a white plate. And the skipper would
- say, “We ought to be able to make a start to-day, sir.” And on the third
- day we did make a start, the engine having been miraculously recreated;
- and we left Copenhagen, hating it no more.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_PART4" id="link2H_PART4"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- PART IV—ON THE FRENCH AND FLEMISH COAST
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0014" id="link2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIV—FOLKESTONE TO BOULOGNE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>E waited for the
- weather a day and a night at Folkestone, which, though one of the gateways
- of England, is a poor and primitive place to lie in. Most of the time we
- were on the mud, and to get up into England we had to climb a craggy
- precipice called the quay-wall. Nevertheless, the harbor (so styled) is
- picturesque, and in the less respectable part of the town, between the big
- hotels and band-stands and the mail-steamers; there are agreeable
- second-hand book shops, in one of which I bought an early edition of
- Gray’s poems bound in ancient vellum.
- </p>
- <p>
- The newspapers were very pessimistic about the weather, and smacks
- occasionally crept in for shelter, with wild reports of what was going on
- in the channel. At four o’clock in the morning, however, we started,
- adventurous, for the far coasts of Brittany, via Boulogne. The channel was
- a gray and desolate sight, weary and uneasy after the gale. And I also was
- weary and uneasy, for it is impossible for a civilized person of regular
- habits to arise at four a. m. without both physical and psychical
- suffering, and the pleasure derived from the experience, though real, is
- perverse. The last gleams of the Gris-Nez and the Varne lights were
- visible across the heaving waste, feebly illuminating the intense
- melancholy of the dawn. There was nothing to do except steer and keep your
- eyes open, because a favorable and moderate southwest wind rendered the
- engine unnecessary. The ship, and the dinghy after her, pitched and rolled
- over the heavy swell. The skipper said naught. I said naught. The lights
- expired. The dark gray of the sea turned to steel. The breeze was icy.
- Vitality was at its lowest. Brittany seemed exceedingly remote, even
- unattainable. Great, vital questions presented themselves to the enfeebled
- mind, cutting at the very root of all conduct and all ambitions. What was
- the use of yachting? What was the use of anything? Why struggle? Why
- exist? The universe was too vast, and the soul homeless therein.
- </p>
- <p>
- And then the cook, imperfectly attired, came aft, bearing a brass tray,
- and on the tray an electro-teapot, sugar-basin, and milk-jug, and a white
- cup and saucer with a spoon. Magic paraphernalia! Exquisite and potent
- draft, far surpassing champagne drunk amid the bright glances of beauty!
- Only the finest China tea is employed aboard the <i>Velsa</i>. I drank,
- and was healed; and I gave also to the shipper. Earth was transformed. We
- began to talk. The wind freshened. The ship, heeling over, spurted. It was
- a grand life. We descried the French coast. The hours flew. Before
- breakfast-time we were becalmed, in sunshine, between the piers at
- Boulogne, and had to go in on the engine. At 8:15 we ran her on the mud,
- on a rising tide, next to a pilot-boat, the <i>Jean et Marie</i>,
- inhabited by three jolly French sailors. We carried a warp to the Quai
- Chanzy, and another to a buoy, and considered ourselves fairly in France.
- </p>
- <p>
- <br /><br /><a name="linkimage-0039" id="linkimage-0039"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0228.jpg" alt="0228 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0228.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The officials of the French republic on the quay had been driven by the
- spectacle of our peculiar Dutch lines and rig to adopt strange, emotional
- attitudes; and as soon as we were afloat, the French republic came aboard
- in a dinghy manned by two acolytes. The skipper usually receives the
- representatives of foreign powers, but as the skipper speaks no French,
- and as this was the first time I had entered France in this style, I
- thought I would be my own ambassador. I received the French republic in my
- saloon; we were ravishingly polite to each other; we murmured sweet
- compliments to each other. He gave me a clean bill of health, and went off
- with four francs and one half-penny. There is no nation like the French. A
- French milliner will make a hat out of a piece of felt and nothing; and a
- French official will make a diplomatic episode out of nothing at all,
- putting into five minutes of futility all the Gallic civilization of
- centuries.
- </p>
- <p>
- Boulogne Harbor is a very bustling spot, and as its area is narrowly
- limited, and its entrance difficult, the amount of signaling that goes on
- is extraordinary. A single ship will fill the entrance; hence a flag flies
- to warn the surrounding seas when the entrance is occupied or about to be
- occupied. The state of the tide is also indicated, and the expert can read
- from hieroglyphics slung in the air the exact depth of water at a
- particular moment between the piers. In addition, of course, there is the
- weather signaling. We had scarcely been in port a couple of hours before
- the weather signaling shocked us; nay, we took it as an affront to
- ourselves. The south cone went up. We had come in at the tail-end of one
- south gale, and now another was predicted! How could small people like us
- hope to work our way down to Brittany in the teeth of the gale! And I had
- an appointment in the harbor of Carantec, a tiny village near Morlaix, in
- a week’s time! The thing was monstrous. But the south cone was hoisted,
- and it remained hoisted. And the cone is never displayed except for a real
- gale,—not a yachtsman’s gale, but a sailor’s gale, which is serious.
- </p>
- <p>
- A tender went forth to meet a Dutch American liner in the roads. We
- followed her along the jetty. At the end of the jetty the gale was already
- blowing; and rain-squalls were all round the horizon. Soon we were in the
- midst of a squall ourselves. The rain hid everything for a minute. It
- cleared. The vast stretch of sands glistened wet, with the variegated
- bathing-tents, from which even then beautiful creatures were bathing in a
- shallow surf. Beyond was the casino, and all the complex roofs of
- Boulogne, and to the north a road climbing up to the cliff-top, and the
- illimitable dunes that are a feature of this part of the country. Above
- all floated thunder-clouds, white in steely blue. The skipper did not like
- those thunder-clouds; he said they were the most dangerous of all clouds,
- “because anything might come out of them.” He spoke as if they already
- contained in their bosoms every conceivable sort of weather, which they
- would let loose according to their caprice.
- </p>
- <p>
- The rain resumed heavily. The wind compelled us to hold tight to the rail
- of the pier. A poster announced that in the casino behind the rain,
- Suppé’s “Boccaccio” was to be performed that night, and Massenet’s “Thaïs”
- the next night. And opera seemed a very artificial and unnecessary form of
- activity as we stood out there in the reality of the storm. The Atlantic
- liner had now bid good-by to the tender, and was hugely moving. She found
- sea-room, and then turned with the solemnity of her bigness, and headed
- straight into the gale, pitching like a toy. The rain soon veiled her, and
- she was gone. I could not picture the <i>Velsa</i> in such a situation, at
- any rate with the owner on board. We went back, rather pensive, to the
- Quai Chanzy.
- </p>
- <p>
- <br /><br /><a name="linkimage-0040" id="linkimage-0040"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0234.jpg" alt="0234 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0234.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The men in the pilot-boat alongside the <i>Velsa</i> were not in the least
- reassuring as to the chances of the <i>Velsa</i> ever getting to Brittany;
- but they were uplifted because the weather was too rough for them to go
- out. When the cone is on view, the pilot-service is accomplished by a
- powerful steam-vessel. Our friends, in their apparently happy idleness,
- sculled forth in a dinghy about fifty yards from where we lay, and almost
- immediately rejoined us with three eels that they had caught. I bought the
- three eels for two shillings, and the cook cooked them perfectly, and I
- ate one of them with ecstasy a few hours later; but eels are excessively
- antipathetic to the digestive organs, and may jaundice the true bright
- color of the world for days.
- </p>
- <p>
- The transaction of the eels, strengthened our intimacy with the pilot’s
- crew, who imparted to us many secrets; as, for example, that they were the
- selfsame men who act as porters at the quay for the transfer of luggage
- when the cross-channel steamers arrive and depart. On one day they are the
- pilot’s crew, and on the next they are porters to carry your handbags
- through the customs. This was a blow to me, because on the innumerable
- occasions when I had employed those porters I had always regarded them as
- unfortunate beings who could earn money only during about an hour each
- day, victims of the unjust social system, etc., and who were therefore
- specially deserving of compassion and tips. I now divined that their
- activities were multiple, and no doubt dovetailed together like a Chinese
- puzzle, and all reasonably remunerative. The which was very French and
- admirable. Herein was a valuable lesson to me, and a clear saving in
- future of that precious commodity, compassion.
- </p>
- <p>
- In a day or two the horrid fact emerged that we were imprisoned in
- Boulogne. The south cone did not budge. Neither could we. The tide ebbed;
- the tide flowed; we sank softly into the mud; we floated again. A sailor
- cut our warp because it was in his way, and therefore incurred our anger
- and the comminations of the harbor-master. But we were not released. An
- aeroplane meeting was announced, and postponed. We witnessed the
- preparations for the ceremonial opening of a grand new dock. We went to
- the casino and listened to Russian music, which in other circumstances
- would have enchanted us.
- </p>
- <p>
- But none of these high matters could hold our attention. Even when the
- cook criticized our water-colors with faint praise, and stated calmly that
- he, too, was a water-colorist, and brought proofs of his genius cut of the
- forecastle, even then we were not truly interested. We thirsted to depart,
- and could not. Our sole solace was to walk round and round the basini in
- the rain-squalls, and observe their tremendous vitality, which, indeed,
- never ceased, day or night save at low water, when most craft were
- aground.
- </p>
- <p>
- At such periods of tranquillity the trucks of the fishing-smacks were
- nearly level with the quay, and we noticed that every masthead was
- elaborately finished with gilded sculpture—a cross, a star, or a
- small figure of Jesus, the Virgin Mary, or an angel. The names, too, of
- these smacks were significant: <i>Resurrection, Jesus-Marie</i>, and so
- on. The ornamentation of the deck-houses and companions of these vessels
- showed a great deal of fantasy and brilliant color, though little taste.
- And the general effect was not only gay, but agreeable, demonstrating, as
- it did, that the boats were beloved. English fishing-boats are beloved by
- their owners, but English affection does not disclose itself in the same
- way, if it discloses itself at all. On the third afternoon we assisted at
- the departure of an important boat for the herring fisheries. It had a
- crew of seventeen men, all dressed in brown, young and old, and an
- enormous quantity of gear. It bore the air of a noble cooperative
- enterprise, and went off on the tide, disdainfully passing the
- still-hoisted cone.
- </p>
- <p>
- Perhaps it was this event that gave us to think. If a herring-boat could
- face the gale, why not we? Our ship was very seaworthy, and the coast was
- dotted with sheltering ports. Only it was impossible to go south, since we
- could not have made headway. Then why not boldly cancel the rendezvous in
- Brittany, and run northward before the gale? The skipper saluted the idea
- with enthusiasm. He spoke of Ostend. He said that if the wind held we
- could easily run to Ostend in a day. He did not care for Ostend, but it
- would be a change. I, however, did care for Ostend. And so it was decided
- that, unless the wind went right round in the night, we would clear out of
- Boulogne at the earliest tidal hour the next morning. The joy of
- expectancy filled the ship, and I went into the town to buy some of the
- beautiful meat-pies that are offered in its shops.
- </p>
- <p>
- <br /><br /><a name="linkimage-0041" id="linkimage-0041"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0239.jpg" alt="0239 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0239.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0015" id="link2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XV—TO BELGIUM
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>T 6 a. M. we, too,
- were passing disdainfully the still-hoisted cone. Rain descended in
- sheets, in blankets, and in curtains, and when we did not happen to be in
- the rain, we could see rain-squalls of the most theatrical appearance in
- every quarter of the horizon. The gale had somewhat moderated, but not the
- sea; the wind, behind us, was against the tide, and considerably
- quarreling therewith. Now we were inclosed in walls of water, and now we
- were balanced on the summit of a mountain of water, and had a momentary
- view of many leagues of tempest. I personally had never been out in such
- weather in anything smaller than a mail-steamer.
- </p>
- <p>
- Here I must deal with a distressing subject, which it would be pleasanter
- to ignore, but which my training in realism will not allow me to ignore. A
- certain shameful crime is often committed on yachts, merchantmen, and even
- men-of-war. It is notorious that Nelson committed this crime again and
- again, and that other admirals have copied his iniquity. Sailors, and
- particularly amateur sailors, would sooner be accused of any wickedness
- rather than this. Charge them with cheating at cards, ruining innocent
- women, defrauding the Government, and they will not blench; but charge
- them with this offense, and they will blush, they will recriminate, and
- they will lie disgracefully against all evidence; they cannot sit still
- under the mere suspicion of it.
- </p>
- <p>
- As we slipped out of the harbor that morning the secret preoccupation of
- the owner and his friend was that circumstances might tempt them to
- perpetrate the sin of sins. Well, I am able to say that they withstood the
- awful temptation; but only just! If out of bravado they had attempted to
- eat their meals in the saloon, the crime would assuredly have been
- committed, but they had the sense to order the meals to be served in the
- cockpit, in the rain, in the blast, in the cold. No matter the conditions!
- They were saved from turpitude, and they ate heartily thrice during the
- day. And possibly nobody was more astonished than themselves at their
- success in virtue. I have known a yachtsman, an expert, a member of an
- exceedingly crack club, suddenly shift his course shoreward in
- circumstances not devoid of danger.
- </p>
- <p>
- “What are you about?” was the affrighted question. He replied:
- </p>
- <p>
- “I’m going to beach her. If I don’t, I shall be sick, and I won’t be sick
- aboard this yacht.”
- </p>
- <p>
- Such is the astounding influence of convention, which has transformed into
- a crime a misfortune over which the victim has no control whatever. We did
- not beach the <i>Velsa</i>, nor were our appetites impaired. We were
- lucky, and merely lucky; and yet we felt as proud as though we had, by our
- own skill and fortitude, done something to be proud of. This is human
- nature.
- </p>
- <p>
- As we rounded Cape Gris-Nez, amid one of the most majestic natural scenes
- I have ever witnessed, not a gale, but about half of a gale, was blowing.
- The wind continued to moderate. Off Calais the tide was slack, and between
- Calais and Dunkirk we had it under our feet, and were able to dispense
- with the engine and still do six and a half knots an hour. Thenceforward
- the weather grew calm with extraordinary rapidity, while the barometer
- continuously fell. At four o’clock the wind had entirely expired, and we
- restarted the engine, and crawled past Westend and Nieuport, resorts very
- ugly in themselves, but seemingly beautiful from the sea. By the time we
- sighted the whiteness of the kursaal at Ostend the water was as flat as an
- Inland lake.
- </p>
- <p>
- <br /><br /><a name="linkimage-0042" id="linkimage-0042"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0246.jpg" alt="0246 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0246.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The sea took on the most delicate purple tints, and the pallor of the
- architecture of Belgian hotels became ethereal. While we were yet a mile
- and a half from the harbor-mouth, flies with stings wandered out from the
- city to meet us.
- </p>
- <p>
- We passed between the pierheads at Ostend at 6:10 p. m., and the skipper
- was free to speak again. When he had done manouvering in the basin, he
- leaned over the engine-hatch and said to me:
- </p>
- <p>
- “I ‘ve had a bit o’ luck this week.”
- </p>
- <p>
- “With the engine?” I suggested, for the engine had been behaving itself
- lately.
- </p>
- <p>
- “No, sir. My wife presented me with a little boy last Tuesday. I had the
- letter last night. I’ve been expecting it.” But he had said nothing to me
- before. He blushed, adding, “I should like you to do me a very great
- favor, sir—give me two days off soon, so that I can go to the
- baptism.” Strange, somehow, that a man should have to ask a favor to be
- present at the baptism of his own son! The skipper now has two sons. Both,
- I was immediately given to understand, are destined for the sea. He has
- six brothers-in-law, and they all follow the sea. On a voyage he will
- never willingly leave the wheel, even if he is not steering. He will rush
- down to the forecastle for his dinner, swallow it in two minutes and a
- half, and rush back. I said to him once:
- </p>
- <p>
- “I believe you must be fond of this wheel.”
- </p>
- <p>
- “I am, sir,” he said, and grinned.
- </p>
- <p>
- We lay nearly opposite the railway station, and our rudder was within a
- foot of the street. Next to us lay the <i>Velsa’s</i> sister (occasion for
- the historic remark that “the world is very small”), a yacht well known to
- the skipper, of exactly the same lines as the <i>Velsa</i>, nearly the
- same size, and built within four miles of her in the same year! The next
- morning, which was a Sunday, the sisters were equally drenched in
- tremendous downpours of rain, but made no complaint to each other. I had
- the awning rigged, which enabled us, at any rate, to keep the saloon
- skylights open.
- </p>
- <p>
- The rain had no effect on the traditional noisiness of Ostend. Like sundry
- other cities, Ostend has two individualities, two souls. All that fronts
- the sea and claims kinship with the kursaal is grandiose, cosmopolitan,
- insincere, taciturn, blatant, and sterile. It calls itself the finest
- sea-promenade in Europe, and it may he, but it is as factitious as a
- meringue. All that faces the docks and canals is Belgian, more than
- Belgian—Flemish, picturesque, irregular, strident, simple,
- unaffected, and swarming with children. Narrow streets are full of little
- cafés that are full of little men and fat women. All the little streets
- are cobbled, and everything in them produces the maximum quantity of
- sound. Even the postmen carry horns, and all the dogs drawing little carts
- hark loudly. Add to this the din of the tram-cars and the whistling of
- railway engines.
- </p>
- <p>
- On this Sunday morning there was a band festival of some kind, upon which
- the pitiless rain had no effect whatever. Band after band swung past our
- rudder, blaring its uttermost. We had some marketing to do, as the cook
- declared that he could market neither in French nor Flemish, and we waited
- impatiently under umbrellas for the procession of bands to finish. It
- would not finish, and we therefore had to join it. All the way up the Rue
- de la Chapelle we could not hear ourselves speak in the brazen uproar; and
- all the brass instruments and all the dark uniforms of the puffy
- instrumentalists were glittering and melting in the rain. Occasionally at
- the end of the street, over the sea, lightning feebly flickered against a
- dark cloud. At last I could turn off into a butcher’s shop, where under
- the eyes of a score of shopping matrons I purchased a lovely piece of beef
- for the nominal price of three francs seventy-five centimes, and bore it
- off with pride into the rain.
- </p>
- <p>
- When we got back to the yacht with well-baptized beef and vegetal des and
- tarts, we met the deck-hand, who was going alone into the interesting and
- romantic city. Asked what he was about, he replied:
- </p>
- <p>
- “I’m going to buy a curio, sir; that’s all.” He knew the city. He had been
- to Ostend before in a cargo-steamer, and he considered it neither
- interesting nor romantic. He pointed over the canal toward the country.
- “There’s a pretty walk over there,” he said; “but there’s nothing here,”
- pointing to the town. I had been coming to Ostend for twenty years, and
- enjoying it like a child, but the deck-hand, with one soft-voiced
- sentence, took it off the map.
- </p>
- <p>
- In the afternoon, winding about among the soaked cosmopolitanism of the
- promenade, I was ready to agree with him. Nothing will destroy fashionable
- affectations more surely than a wet Sunday, and the promenade seemed to
- rank first in the forlorn tragedies of the world. I returned yet again to
- the yacht, and was met by the skipper with a disturbed face.
- </p>
- <p>
- “We can’t get any fresh water, sir. Horse is n’t allowed to work on
- Sundays. <i>Everything’s changed in Belgium.</i>” The skipper was too
- Dutch to be fond of Flanders. His mightiest passion was rising in him—the
- passion to go somewhere else.
- </p>
- <p>
- “All right,” I said; “we ‘ll manage with mineral water, and then we ‘ll
- move on to Bruges.” In rain it is, after all, better to be moving than to
- be standing still.
- </p>
- <p>
- But to leave Ostend was not easy, because the railway bridge would not
- swing for us, nor would it yield, for over an hour, to the song of our
- siren. Further, the bridge-man deeply insulted the skipper. He said that
- he was not supposed to swing for <i>canal-boats</i>.
- </p>
- <p>
- “Canal-boat!” the skipper cried. “By what canal do you think I brought
- this ship across the North Sea?” He was coldly sarcastic, and his sarcasm
- forced the bridge open. We passed through, set our sails, and were
- presently heeling over and washing a wave of water up the banks of the
- canal. I steered, and, as we overtook an enormous barge, I shaved it as
- close as I could for the fun of the thing. Whereupon the skipper became
- excited, and said that for a yacht to touch a barge was fatal, because the
- barges were no stronger than cigar-boxes, having sides only an inch thick,
- and would crumble at a touch; and the whole barge-population of Belgium
- and Holland, but especially Belgium, was in a conspiracy to extract
- damages out of yachts on the slightest pretext. It seemed to me that the
- skipper’s alarm was exaggerated. I understood it a few days later, when he
- related to me that he had once quite innocently assisted at the cracking
- of a cigar-box, for which his employer had had to pay five thousand
- francs.
- </p>
- <p>
- <br /><br /><a name="linkimage-0043" id="linkimage-0043"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0251.jpg" alt="0251 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0251.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The barge which I had failed to sink had two insignificant square-sails
- set, like pocket-handkerchiefs, but was depending for most of its motion
- on a family of children who were harnessed to its tow-rope in good order.
- </p>
- <p>
- Now the barometer began to fall still lower, and simultaneously the
- weather improved and brightened. It was a strange summer, was that summer!
- The wind fell, the lee-board ceased to hum pleasantly through the water,
- and we had to start the engine, which is much less amusing than the sails.
- And the towers of Bruges would not appear on the horizon of the monotonous
- tree-lined canal, upon whose banks every little village resembles every
- other little village. We had to invent something to pass the time, and we
- were unwise enough to measure the speed of the engine on this smooth water
- in this unusual calm. A speed trial is nearly always an error of tact, for
- the reason that it shatters beautiful illusions. I had the beautiful
- illusion that under favorable conditions the engine would drive the yacht
- at the rate of twelve kilometers an hour. The canal-bank had small posts
- at every hundred meters and large posts at every thousand. The first test
- gave seven and a half kilometers an hour. It was unthinkable. The
- distances must be wrong. My excellent watch must have become capricious.
- The next test gave eight kilometers. The skipper administered a tonic to
- the engine, and we rose to nine, only to fall again to eight. Allowing
- even that the dinghy took a kilometer an hour off the speed, the result of
- the test was very humiliating. We crawled. We scarcely moved.
- </p>
- <p>
- Then, feeling the need of exercise, I said I would go ashore and walk
- along the bank against the yacht until we could see Bruges. I swore it,
- and I kept the oath, not with exactitude, but to a few hundred meters; and
- by the time my bloodshot eyes sighted the memorable belfry of Bruges in
- the distance, I had decided that the engine was perhaps a better engine
- than I had fancied. I returned on board, and had to seek my berth in a
- collapse. Nevertheless the <i>Velsa</i> had been a most pleasing object as
- seen from the bank.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0016" id="link2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVI—BRUGES
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>E moored at the
- Quai Spinola, with one of the most picturesque views in Bruges in front of
- us, an irresistible temptation to the watercolorist, even in wet weather.
- I had originally visited Bruges about twenty years earlier. It was the
- first historical and consistently beautiful city I had ever seen, and even
- now it did not appear to have sunk much in my esteem. It is incomparably
- superior to Ghent, which is a far more important place, but in which I
- have never been fortunate.
- </p>
- <p>
- <br /><br /><a name="linkimage-0044" id="linkimage-0044"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0258.jpg" alt="0258 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0258.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Ghent is gloomy, whereas Bruges is melancholy, a different and a finer
- attribute. I have had terrible, devastating adventures in the restaurants
- of Ghent, and the one first-class monument there is the medieval castle of
- the counts of Flanders, an endless field for sociological speculation, but
- transcendency ugly and depressing. Ghent is a modern town in an old suit
- of clothes, and its inhabitants are more formidably Belgian than those of
- any other large city of Flanders. I speak not of the smaller industrial
- places, where Belgianism is ferocious and terrible.
- </p>
- <p>
- At Bruges, water-colors being duly accomplished, we went straight to Notre
- Dame, where there was just enough light left for us to gaze upon
- Michelangelo’s “Virgin and Child,” a major work. Then to the streets and
- lesser canals. I found changes in the Bruges of my youth. Kinematographs,
- amid a conflagration of electricity, were to be expected, for no show-city
- in Europe has been able to keep them out. Do they not enliven and illumine
- the ground floors of some of the grandest renaissance palaces in Florence?
- But there were changes more startling than the advent kinematographs.
- </p>
- <p>
- Incandescent gas-mantles had replaced the ordinary burners in the
- street-lamps of the town! In another fifty years the corporation of Bruges
- will be using electricity.
- </p>
- <p>
- Still more remarkable, excursion motor-boats were running on the canals,
- and at the improvised landing-stages were large signs naming Bruges “The
- Venice of the North.” I admit that my feelings were hurt—not by the
- motor-boats, but by the signs. Bruges is no more the Venice of the North,
- than Venice is the Bruges of the South.
- </p>
- <p>
- We allowed the soft melancholy of Bruges to descend upon us and penetrate
- us, as the motorboats ceased to run and the kinematographs grew more
- brilliant in the deepening night. We had to dine, and all the restaurants
- of the town were open to us. Impossible to keep away from the Grande Place
- and the belfry, still incessantly chattering about the time of day.
- Impossible not to look with an excusable sentimentality at the Hôtel du
- Panier d’Or, which in youth was the prince of hotels, with the fattest
- landlord in the world, and thousands of mosquitos ready among its
- bed-hangings to assist the belfry-chimes in destroying sleep. The Panier
- d’Or was the only proper hotel for the earnest art-loving tourist who
- could carry all his luggage and was firmly resolved not to spend more than
- seven francs a day at the outside. At the Panier d’Or one was sure to
- encounter other travelers who took both art and life seriously.
- </p>
- <p>
- No, we would not dine at the Panier d’Or, because we would not disturb our
- memories. We glanced like ghosts of a past epoch at its exterior, and we
- slipped into the café restaurant next door, and were served by a postulant
- boy waiter who had everything to learn about food and human nature, but
- who was a nice boy. And after dinner, almost saturated with the exquisite
- melancholy of the Grande Place, we were too enchanted to move. We drank
- coffee and other things, and lingered until all the white cloths were
- removed from the tables; and the long, high room became a café simply. A
- few middle-aged male habitués wandered in separately,—four in all,—and
- each sat apart and smoked and drank beer. The mournfulness was sweet and
- overwhelming. It was like chloroform. The reflection that each of these
- sad, aging men had a home and an <i>intimité</i> somewhere in the
- spacious, transformed, shabby interiors of Bruges, that each was a living
- soul with aspirations and regrets, this reflection was excruciating in its
- blend of forlornness and comedy.
- </p>
- <p>
- A few more habitués entered, and then a Frenchman and a young Frenchwomen
- appeared on a dais at the back of the café and opened a piano. They were
- in correct drawing-room costume, with none of the eccentricities of the <i>cafe-chantant</i>,
- and they produced no effect whatever on the faces or in the gestures of
- the habitués, They performed. He sang; she sang; he played; she played.
- Just the common songs and airs of the Parisian music-halls, vulgar, but
- more inane than vulgar, The young woman was agreeable, with the large, red
- mouth which is the index of a comfortable, generous, and good-natured
- disposition They sang and played a long time. Nobody budged; nobody
- smiled. Certainly we did not; in a contest of phlegm Englishmen can, it is
- acknowledged, hold their own. Most of the habitués doggedly read
- newspapers, but at intervals there was a momentary dull applause. The
- economic basis of the entertainment was not apparent to us. The prices of
- food and drink were very moderate, and no collection was made by or on
- behalf of the artists.
- </p>
- <p>
- At length, when melancholy ran off us instead of being absorbed, because
- we had passed the saturation-point, we rose and departed. Yes,
- incandescent-mantles and motor-boats were not the only changes in Bruges.
- And in the café adjoining the one we had left a troupe of girls in white
- were performing gaily to a similar audience of habitués. We glimpsed them
- through the open door. And in front of the kinematograph a bell was
- ringing loudly and continuously to invite habitués, and no habitués were
- responding. It was all extremely mysterious. The chimes of the belfry
- flung their strident tunes across the sky, and the thought of these and of
- the habitués gave birth in us to a suspicion that perhaps, after all,
- Bruges had not changed.
- </p>
- <p>
- <br /><br /><a name="linkimage-0045" id="linkimage-0045"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0263.jpg" alt="0263 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0263.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- We moved away out of the Grande Place into the maze of Bruges toward the
- Quai Spinola, our footsteps echoing along empty streets and squares of
- large houses the fronts of which showed dim and lofty rooms inhabited by
- the historical past and also no doubt by habitués. And after much
- wandering I had to admit that I was lost in Bruges, a city which I was
- supposed to know like my birthplace. And at the corner of a street,
- beneath an incandescent-mantle, we had to take out a map and unfold it and
- peer at it just as if we had belonged to the lowest rank of tourists.
- </p>
- <p>
- As we submitted ourselves to this humiliation, the carillon of the belfry
- suddenly came to us over a quarter of a mile of roofs. Not the clockwork
- chimes now, but the carillonneur himself playing on the bells, a bravura
- piece, delicate and brilliant. The effect was ravishing, as different from
- that of the clockwork chimes as a piano from a barrel-organ. All the magic
- of Bruges was reawakened in its pristine force. Bruges was no more a
- hackneyed rendezvous for cheap trippers and amateur painters and
- poverty-stricken English bourgeois and their attendant chaplains. It was
- the miraculous Bruges of which I had dreamed before I had ever even seen
- the place—just that.
- </p>
- <p>
- <br /><br /><a name="linkimage-0046" id="linkimage-0046"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0267.jpg" alt="0267 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0267.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Having found out where we were in relation to the Quai Spinola, we folded
- up the map and went forward. The carillon ceased, and began again,
- reaching us in snatches over the roofs in the night wind. We passed under
- the shadows of rococo churches, the façades and interiors of which are
- alike neglected by those who take their pleasures solely according to the
- instructions of guide-books, and finally we emerged out of the maze upon a
- long lake, pale bluish-gray in the gloom. And this lake was set in a frame
- of pale bluish-gray houses with stepwise gables, and by high towers, and
- by a ring of gas-lamps, all sleeping darkly. And on the lake floated the
- <i>Velsa</i>, like the phantom of a ship, too lovely to be real, and yet
- real. It was the most magical thing.
- </p>
- <p>
- We could scarcely believe that there was our yacht right in the midst of
- the town. This was the same vessel that only a little earlier had rounded
- Cape Gris-Nez in a storm, and suffered no damage whatever. Proof enough of
- the advantage of the barge-build, with a light draft, and heavy lee-boards
- for use with a beam wind when close-hauled. Some yachtsmen, and expert
- yachtsmen, too, are strongly against the barge. But no ordinary yacht of
- the <i>Velsas</i> size could have scraped into that lake by the Quai
- Spinola and provided us with that unique sensation. The <i>Velsa</i> might
- have been designed specially for the background of Bruges. She fitted it
- with exquisite perfection.
- </p>
- <p>
- And the shaft of light slanting up from her forecastle hatch rendered her
- more domestic than the very houses around, which were without exception
- dark and blind, and might have been abandoned. We went gingerly aboard
- across the narrow, yielding gangway, and before turning in gazed again at
- the silent and still scene. Not easy to credit that a little way off the
- kinematograph was tintinnabulating for custom, and a Parisian couple
- singing and playing, and a troupe of white-frocked girls coarsely dancing.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_PART5" id="link2H_PART5"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- PART V—EAST ANGLIAN ESTUARIES
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0017" id="link2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVII EAST ANGLIA
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>FTER the exoticism
- of foreign parts, this chapter is very English. But no island could be
- more surpassingly strange, romantic, and baffling than this island. I had
- a doubt about the propriety of using the phrase “East Anglia” in the
- title. I asked, therefore, three educated people whether the northern part
- of Essex could be termed East Anglia, according to current usage. One said
- he did n’t know. The next said that East Anglia began only north of the
- Stour. The third said that East Anglia extended southward as far as
- anybody considered that it ought to extend southward. He was a true
- Englishman. I agreed with him. England was not made, but born. It has
- grown up to a certain extent, and its pleasure is to be full of anomalies,
- like a human being. It has to be seen to be believed.
- </p>
- <p>
- Thus, my income tax is assessed in one town, twelve miles distant. After
- assessment, particulars of it are forwarded to another town in another
- county, and the formal demand for payment is made from there; but the
- actual payment has to be made in a third town, about twenty miles from
- either of the other two. What renders England wondrous is not such
- phenomena, but the fact that Englishmen see nothing singular in such
- phenomena.
- </p>
- <p>
- East Anglia, including North Essex, is as English as any part of England,
- and more English than most. Angles took possession of it very early in
- history, and many of their descendants, full of the original Anglian
- ideas, still powerfully exist in the counties. And probably no place is
- more Anglian than Brightlingsea, the principal yachting center on the east
- coast, and the home port of the <i>Velsa</i>. Theoretically and
- officially, Harwich is the home port of the <i>Velsa</i>, but not in
- practice: we are in England, and it would never do for the theory to
- accord with the fact. Brightlingsea is not pronounced Brightlingsea,
- except at railway stations, but Brigglesea or Bricklesea. There is some
- excuse for this uncertainty, as Dr.
- </p>
- <p>
- Edward Percival Dickin, the historian of the town, has found 193 different
- spellings of the name.
- </p>
- <p>
- Brightlingsea is proud of itself, because it was “a member of the Cinque
- Ports.” Not <i>one</i> of the Cinque Ports, of which characteristically
- there were seven, but a member. A “member” was subordinate, and
- Brightlingsea was subordinate to Sandwich, Heaven knows why. But it shared
- in the responsibilities of the Cinque. It helped to provide fifty-seven
- ships for the king’s service every year. In return it shared in the
- privilege of carrying a canopy over the king at the coronation, and in a
- few useful exemptions. After it had been a member of the Cinque for many
- decades and perhaps even centuries, it began to doubt whether, after all,
- it was a member, and demanded a charter in proof. This was in 1442. The
- charter was granted, and it leads off with these words: “To all the
- faithful in Christ, to whom these present letters shall come, the Mayors
- and Bailiffs of the Cinque Ports, Greeting in the Lord Everlasting.” By
- this time ships had already grown rather large. They carried four masts,
- of which the aftermost went by the magnificent title of the “bonaventure
- mizen”; in addition they had a mast with a square sail at the extremity of
- the bow-sprit. They also carried an astrolabe, for the purposes of
- navigation.
- </p>
- <p>
- Later, smuggling was an important industry at Brightlingsea, and to
- suppress it laws were passed making it illegal to construct fast rowing-
- or sailing-boats. In the same English, and human, way, it was suggested at
- the beginning of the twentieth century that since fast motor-cars kicked
- up dust on the roads, the construction of motor-cars capable of traveling
- fast should be made illegal. There are no four-masted ships now at
- Brightlingsea; no bowsprit carries a mast; no ship puts to sea with an
- astrolabe; the “bonaventure mizen” is no more; smuggling is unfashionable;
- fast craft are encouraged.
- </p>
- <p>
- Nevertheless, on a summer’s morning I have left the <i>Velsa</i> in the
- dinghy and rowed up the St. Osyih Creek out of Brightlingsea, and in ten
- minutes have been lost all alone between slimy mud banks with a border of
- pale grass at the top, and the gray English sky overhead, and the whole
- visible world was exactly as it must have been when the original Angles
- first rowed up that creek. At low water the entire Christian era is
- reduced to nothing, in many a creek of the Colne, the Black water, and the
- Stour; England is not inhabited; naught has been done; the pristine reigns
- as perfectly as in the African jungle. And the charm of the scene is
- indescribable. But to appreciate it one must know what to look for. I was
- telling an Essex friend of mine about the dreadful flatness of
- Schleswig-Holstein. He protested. “But aren’t you educated up to flats?”
- he asked. I said I was. He persisted. “But are you educated up to mud, the
- lovely colors on a mud-flat?” He was a true connoisseur of Essex. The man
- who is incapable of being ravished by a thin, shallow tidal stream running
- between two wide, shimmering mud banks that curve through a strictly
- horizontal marsh, without a tree, without a shrub, without a bird, save an
- eccentric sea-gull, ought not to go yachting in Essex estuaries.
- </p>
- <p>
- <br /><br /><a name="linkimage-0047" id="linkimage-0047"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0278.jpg" alt="0278 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0278.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Brightlingsea is one of the great centers of oyster-fishing, and it
- catches more sprats than any other port in the island, namely, about
- fifteen hundred tons of them per annum. But its most spectacular industry
- has to do with yachting, It began to be a yachting resort only yesterday;
- that is to say, a mere seventy-five years ago. It has, however, steadily
- progressed, until now, despite every natural disadvantage and every
- negligence, it can count a hundred and twenty yachts and some eight
- hundred men employed therewith. A yacht cannot get into Brightlingsea at
- all from the high sea without feeling her way among sand-banks,—in
- old days before bell-buoys and gas-buoys, the inhabitants made a
- profitable specialty of salving wrecks,—and when a yacht has
- successfully come down Brightlingsea Reach, which is really the estuary of
- the River Colne, and has arrived at the mouth of Brightlingsea Creek, her
- difficulties will multiply.
- </p>
- <p>
- In the first place, she will always discover that the mouth of the creek
- is obstructed by barges at anchor. She may easily run aground at the
- mouth, and when she is in the creek, she may, and probably will, mistake
- the channel, and pile herself up on a bank known as the Cinders, or the
- Cindery. Farther in, she may fail to understand that at one spot there is
- no sufficiency of water except at about a yard and a half from the shore,
- which has the appearance of being flat. Escaping all these perils, she
- will almost certainly run into something, or something will run into her,
- or she may entangle herself in the oyster preserves. Yachts, barges,
- smacks, and floating objects without a name are anchored anywhere and
- anyhow. There is no order, and no rule, except that a smack always deems a
- yacht to be a lawful target. The yacht drops her anchor somewhere, and
- asks for the harbormaster. No harbor-master exists or ever has existed or
- ever will. Historical tradition—sacred! All craft do as they like,
- and the craft with the thinnest sides must look to its sides.
- </p>
- <p>
- Also, the creek has no charm whatever of landscape or seascape. You can
- see nothing from it except the little red streets of Brightlingsea and the
- yacht-yards. Nevertheless, by virtue of some secret which is
- uncomprehended beyond England, it prospers as a center of yachting. Yachts
- go to it and live in it not by accident or compulsion, but from choice.
- Yachts seem to like it. Of course it is a wonderful place, because any
- place where a hundred and twenty yachts foregather must be a wonderful
- place. The interest of its creek is inexhaustible, once you can reconcile
- yourself to its primitive Anglianism, which, after all, really harmonizes
- rather well with the mud-flats of the county.
- </p>
- <p>
- An advantage of Brightlingsea is that when the weather eastward is
- dangerously formidable, you can turn your back on the North Sea and go for
- an exciting cruise up the Colne. A cruise up the Colne is always exciting
- because you never know when you may be able to return. Even the <i>Velsa</i>,
- which can float on puddles, has gone aground in the middle of the fair and
- wide Colne. A few miles up are the twin villages of Wivenhoe and Rowhedge,
- facing each other across the river, both inordinately picturesque, and
- both given up to the industry of yachting. At Wivenhoe large yachts and
- even ships are built, and in winter there is always a choice selection of
- world-famous yachts on the mud, costly and huge gewgaws, with their brass
- stripped off them, painfully forlorn, stranded in a purgatory between the
- paradise of last summer and the paradise of the summer to come.
- </p>
- <p>
- If you are adventurous, you keep on winding along the curved reaches, and
- as soon as the last yacht is out of sight, you are thrown hack once more
- into the pre-Norman era, and there is nothing but a thin, shallow stream,
- two wide mud hanks, and a border of grass at the top of them. This is your
- world, which you share with a sea-gull or a crow for several miles; and
- then suddenly you arrive at a concourse of great barges against a quay,
- and you wonder by w hat magic they got there, and above the quay rise the
- towers and steeples of a city that was already ancient when William the
- Conqueror came to England in the interests of civilization to take up the
- white man’s burden,—Colchester, where more oysters are eaten on a
- certain night of the year at a single feast than at any other feast on
- earth. Such is the boast.
- </p>
- <p>
- But such contrasts as the foregoing do not compare in violence with the
- contrasts offered by the River Stour, a few miles farther north on the map
- of England. Harwich is on the Stour, at its mouth, where, in confluence
- with the River Orwell (which truly <i>is</i> in East Anglia) it forms a
- goodish small harbor. And Harwich, though a tiny town, is a fairly
- important naval port, and also “a gate of the empire,” where steamers go
- forth for Belgium, Holland, Denmark, Germany, and Sweden. We came into
- Harwich Harbor on the tide one magnificent Sunday afternoon, with the sea
- a bright green and the sky a dangerous purple, and the entrance to the
- Stour was guarded by two huge battle-ships, the <i>Blake</i> and the <i>Blenheim</i>,
- each apparently larger than the whole of the town of Harwich. Up the
- Stour, in addition to all the Continental steamers, was moored a fleet of
- forty or fifty men-of-war, of all sorts and sizes, in a quadruple line. It
- was necessary for the <i>Velsa</i> to review this fleet of astoundingly
- ugly and smart black monsters, and she did so, to the high satisfaction of
- the fleet, which in the exasperating tedium of Sunday afternoon was
- thirsting for a distraction, even the mildest. On every sinister ship—the
- <i>Basilisk</i>, the <i>Harpy</i>, etc., apposite names!—the young
- bluejackets (they seemed nearly all to be youths) were trying bravely to
- amuse themselves. The sound of the jews’-harp and of the concertina was
- heard, and melancholy songs of love. Little circles of men squatted here
- and there on the machinery-encumbered decks playing at some game. A few
- students were reading; some athletes were sparring; many others
- skylarking. None was too busy to stare at our strange lines. Launches and
- longboats were flitting about full of young men, going on leave to the
- ecstatic shore joys of Harwich or sadly returning therefrom. Every sound
- and noise was clearly distinguishable in the stillness of the hot
- afternoon. And the impression given by the fleet as a whole was that of a
- vast masculine town, for not a woman could be descried anywhere. It was
- striking and mournful. When we had got to the end of the fleet I had a
- wild idea:
- </p>
- <p>
- “Let us go up the Stour.”
- </p>
- <p>
- At half-flood it looked a noble stream at least half a mile wide, and
- pointing west in an almost perfect straight line. Nobody on board ever had
- been up the Stour or knew anybody who had. The skipper said it was a
- ticklish stream, but he was always ready for an escapade. We proceeded.
- Not a keel of any kind was ahead. And in a moment, as it seemed, we had
- quitted civilization and the latest machinery and mankind, and were back
- in the Anglian period. River marshes, and distant wooded hills, that was
- all; not even a tilled field in sight! The river showed small headlands,
- and bights of primeval mud. Some indifferent buoys indicated that a
- channel existed, but whether they were starboard or port buoys nobody
- could tell. We guessed, and took no harm. But soon there were no buoys,
- and we slowed down the engine in apprehension, for on the wide, deceptive
- waste of smooth water were signs of shallows. We dared not put about, we
- dared not go ahead. Astern, on the horizon, was the distant fleet, in
- another world. A head, on the horizon, was a hint of the forgotten town of
- Mistley. Then suddenly a rowboat approached mysteriously out of one of
- those bights, and it was maimed by two men with the air of conspirators.
- </p>
- <p>
- “D’ ye want a pilot?”
- </p>
- <p>
- We hardened ourselves.
- </p>
- <p>
- “No.”
- </p>
- <p>
- They rowed round us, critically staring, and receded.
- </p>
- <p>
- “Why in thunder is n’t this river buoyed?” I demanded of the skipper.
- </p>
- <p>
- The skipper answered that the intention obviously was to avoid taking the
- bread out of the mouths of local pilots. He put on speed. No catastrophe.
- The town of Mistley approached us. Then we had to pause again, reversing
- the propeller. We were in a network of shallows. Far to port could be seen
- a small red buoy; it was almost on the bank. Impossible that it could
- indicate the true channel. We went straight ahead and chanced it. The next
- instant we were hard on the mud in midstream, and the propeller was making
- a terrific pother astern. We could only wait for the tide to float us off.
- The rowboat appeared again.
- </p>
- <p>
- ‘D’ ye want a pilot?”
- </p>
- <p>
- “No.”
- </p>
- <p>
- And it disappeared.
- </p>
- <p>
- When we floated, the skipper said to me in a peculiar challenging tone:
- </p>
- <p>
- “Shall we go on, sir, or shall we return?”
- </p>
- <p>
- “We ‘ll go on,” I said. I could say no less.
- </p>
- <p>
- <br /><br /><a name="linkimage-0048" id="linkimage-0048"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0288.jpg" alt="0288 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0288.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- We bore away inshore to the red buoy, and, sure enough, the true channel
- was there, right under the south bank. And we came safely to the town of
- Mistley, which had never in its existence seen even a torpedo-boat and
- seldom indeed a yacht, certainly never a <i>Velsa</i>. And yet the smoke
- of the harbor of Harwich was plainly visible from its antique quay. The
- town of Mistley rose from its secular slumber to enjoy a unique sensation
- that afternoon.
- </p>
- <p>
- “Shall we go on to Manningtree, sir?” said the skipper, adding with a
- grin, “There’s only about half an hour left of the flood, and if we get
- aground again——”
- </p>
- <p>
- It was another challenge.
- </p>
- <p>
- “Yes,” I said.
- </p>
- <p>
- Manningtree is a town even more recondite than Mistley, and it marks the
- very end of the navigable waters of the Stour. It lay hidden round the
- next corner. We thought we could detect the channel, curving out again now
- into midstream. We followed the lure, opened out Manningtree the desired—and
- went on the mud with a most perceptible bump. Out, quick, with the dinghy!
- Cover her stern-sheets with a protecting cloth, and lower an anchor
- therein and about fifty fathoms of chain, and row away! We manned the
- windlass, and dragged the <i>Velsa</i> off the mud.
- </p>
- <p>
- “Shall we go on, sir?”
- </p>
- <p>
- “No,” I said, not a hero. “We ‘ll give up Manningtree this trip.”
- Obstinacy in adventure might have meant twelve hours in the mud. The crew
- breathed relief. We returned, with great care, to civilization. We knew
- now why the Stour is a desolate stream. Thus to this day I have never
- reached Manningtree except in an automobile.
- </p>
- <p>
- And there are still stranger waters than the Stour; for example, Hamford
- Water, where explosives are manufactured on lonely marshes, where
- immemorial wharves decay, and wild ducks and owls intermingle, and
- public-houses with no public linger on from century to century, and where
- the saltings are greener than anywhere else on the coast, and the east
- wind more east, and the mud more vivid. And the <i>Velsa</i> has been
- there, too.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0018" id="link2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVIII—IN SUFFOLK
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE Orwell is
- reputed to have the finest estuary in East Anglia. It is a broad stream,
- and immediately Shotley Barracks and the engines of destruction have been
- left behind, it begins to be humane and reassuring. Thanks to the
- surprising modernity of the town of Ipswich, which has discovered that
- there are interests more important than those of local pilots, it is
- thoroughly well buoyed, so that the stranger and the amateur cannot fail
- to keep in the channel. It insinuates itself into Suffolk in soft and
- civilized curves, and displays no wildness of any kind and, except at one
- point, very little mud. When you are navigating the Orwell, you know
- positively that you are in England. On each side of you modest but
- gracefully wooded hills slope down with caution to the bank, and you have
- glimpses of magnificent mansions set in the midst of vast, undulating
- parks, crisscrossed with perfectly graveled paths that gleam in the
- sunshine. Everything here is private and sacred, and at the gates of the
- park lodge-keepers guard not only the paradisiacal acres, but the original
- ideas that brought the estate into existence.
- </p>
- <p>
- Feudalism, benevolent and obstinate, flourishes with calm confidence in
- itself; and even on your yacht’s deck you can feel it, and you are awed.
- For feudalism has been, and still is, a marvelous cohesive force. And it
- is a solemn thought that within a mile of you may be a hushed drawingroom
- at whose doors the notion of democracy has been knocking quite in vain for
- a hundred years. Presently you will hear the sweet and solemn chimes of a
- tower-clock, sound which seems to spread peace and somnolence over half a
- county. And as you listen, you cannot but be convinced that the feudal
- world is august and beautiful, and that it cannot be improved, and that to
- overthrow it would be a vandalism. That is the estuary of the Orwell and
- its influence. Your pleasure in it will be unalloyed unless you are so
- ill-advised as to pull off in the dinghy, and try to land in one of the
- lovely demesnes.
- </p>
- <p>
- About half-way up the estuary, just after passing several big
- three-masters moored in midstream and unloading into lighters, you come to
- Pinmill, renowned among yachtsmen and among painters. Its haven is formed
- out of the angle of a bend in the river, and the narrowness of the channel
- at this point brings all the traffic spectacularly close to the yachts at
- anchor. Here are all manner of yachts, and you are fairly certain to see a
- friend, and pay or receive a visit of state. And also very probably, if
- you are on board the Velsa some painter on another yacht will feel bound
- to put your strange craft into a sketch. And the skipper, who has little
- partiality for these river scenes, will take the opportunity to go
- somewhere else on a bicycle. You, too, must go ashore, because Pinmill is
- an exhibition-village, entirely picturesque, paintable, and English. It is
- liable to send the foreigner into raptures, and Americans have been known
- to assert that they could exist there in happiness forever and ever.
- </p>
- <p>
- I believe that some person or persons in authority offer prizes to the
- peasantry for the prettiest cottage gardens in Pinmill. It is well; but I
- should like to see in every picturesque and paint-able English village a
- placard stating the number of happy peasants who sleep more than three in
- a room, and the number of adult able-bodied males who earn less than
- threepence an hour. All aspects of the admirable feudal system ought to be
- made equally apparent. The chimes of the castle-clock speak loud, and need
- no advertisement; cottage gardens also insist on the traveler’s attention,
- but certain other phenomena are apt to escape it.
- </p>
- <p>
- <br /><br /><a name="linkimage-0049" id="linkimage-0049"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0297.jpg" alt="0297 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0297.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- The charm of Pinmill is such that you usually decide to remain there over
- night. In one respect this is a mistake, for the company of yachts is such
- that your early morning Swedish exercises on deck attract an audience,
- which produces self-consciousness in the exerciser.
- </p>
- <p>
- Ipswich closes the estuary of the Orwell, and Ipswich is a genuine town
- that combines industrialism with the historic sense. No American can
- afford not to visit it, because its chief hotel has a notorious connection
- with Mr. Pickwick, and was reproduced entire a lifelike-size at a world’s
- fair in the United States. Aware of this important fact, the second-hand
- furniture and curio-dealers of the town have adopted suitable measures.
- When they have finished collecting, Americans should go to the docks—as
- interesting as anything in Ipswich—and see the old custom-house,
- with its arch, and the gloriously romantic French and Scandinavian
- three-masters that usually lie for long weeks in the principal basin.
- Times change. Less than eighty years ago the docks of Ipswich were larger
- than those of London. And there are men alive and fighting in Ipswich
- to-day who are determined that as a port Ipswich shall resume something of
- her ancient position in the world.
- </p>
- <p>
- Just around the corner from the Orwell estuary, northward, is the estuary
- of the River Deben. One evening, feeling the need of a little ocean air
- after the close feudalism of the Orwell, we ran down there from to the
- North Sea, and finding ourselves off Woodbridgehaven, which is at the
- mouth of the Deben, with a flood-tide under us, we determined to risk the
- entrance. According to all printed advice, the entrance ought not to be
- risked without local aid. There is a bank at the mouth, with a patch that
- dries at low water, and within there is another bank. The shoals shift
- pretty frequently, and, worst of all, the tide runs at the rate of six
- knots and more. Still, the weather was calm, and the flood only two hours
- old. We followed the sailing directions, and got in without trouble just
- as night fell. The rip of the tide was very marked, and the coast-guard
- who boarded us with a coast-guard’s usual curiosity looked at us as though
- we were either heroes or rash fools, probably the latter.
- </p>
- <p>
- We dropped anchor for the night, and the next morning explored the
- estuary, with the tide rising. We soon decided that the perils of this
- famous river had been exaggerated. There were plenty of beacons,—which,
- by the way, are continually being shifted as the shoals shift,—and
- moreover the channel defined itself quite simply, for the reason that the
- rest of the winding river-bed was dry. We arrived proudly at Woodbridge,
- drawing all the maritime part of the town to look at us, and we ourselves
- looked at Woodbridge in a fitting manner, for it is sacred to the memory
- not of Omar Khayyam, but to much the same person, Edward Fitzgerald, who
- well knew the idiosyncrasies of the Deben. Then it was necessary for us to
- return, as only for about two hours at each tide is there sufficient water
- for a yacht to lie at Woodbridge.
- </p>
- <p>
- The exit from the Deben was a different affair from the incoming. Instead
- of a clearly defined channel, we saw before us a wide sea. The beacons or
- perches were still poking up their heads, of course, but they were of no
- use, since they had nothing to indicate whether they were starboard or
- port beacons. It is such details that harmonize well with the Old-World
- air of English estuaries—with the swans, for instance, those
- eighteenth-century birds that abound on the Deben. We had to take our
- choice of port or starboard. Heaven guided us. We reached the entrance.
- The tide was at half-ebb and running like a race; the weather was
- unreliable. It was folly to proceed. We proceeded. We had got in alone; we
- would get out alone. We shot past the coast-guard, who bawled after us. We
- put the two beacons in a line astern, obedient to the sailing directions;
- but we could not keep them in a line. The tide swirled us away, making
- naught of the engine. We gave a tremendous bump. Yes, we were assuredly on
- the bank for at least ten hours, if not forever; if it came on to blow, we
- might well be wrecked. But no. The ancient <i>Velsa</i> seemed to rebound
- elastically off the traitorous sand, and we were afloat again, In two
- minutes more we were safe. What the coastguard said is not known to this
- day. We felt secretly ashamed of our foolishness, but we were sustained by
- the satisfaction of having deprived more local pilots of their fees.
- </p>
- <p>
- Still, we were a sobered crew, and at the next river-mouth northward—Orford
- Haven—we yielded to a base common sense, and signaled for a pilot.
- The river Ore is more dangerous to enter, and far more peculiar even than
- the Deben. The desolate spot, where it runs into the sea is well called
- Shinglestreet, for it is a wilderness of shingles. The tide runs very fast
- indeed; the bar shifts after every gale, and not more than four feet of
- water is guaranteed on it. Last and worst, the bottom is hard. It was
- probably the hardness of the bottom that finally induced us to stoop to a
- pilot. To run aground on sand is bad, but to run aground on anything of a
- rocky nature may be fatal. Our signal was simply ignored. Not the
- slightest symptom anywhere of a pilot. We were creeping in, and we
- continued to creep in. The skipper sent the deck-hand forward with the
- pole. He called out seven feet, eight feet, seven feet; but these were
- Dutch feet, of eleven inches each, because the pole is a Dutch pole. The
- water was ominous, full of curling crests and unpleasant hollows, as the
- wind fought the current. The deckhand called out seven, six, five and a
- half. We could almost feel the ship bump... and then we were over the bar.
- Needless to say that a pilot immediately hove in sight. We waved him off,
- though he was an old man with a grievance.
- </p>
- <p>
- We approached the narrows. We had conquered the worst difficulties by the
- sole help of the skipper’s instinct for a channel, for the beacons were
- incomprehensible to us; and we imagined that we could get through the
- narrows into the river proper. But we were mistaken. We had a fair wind,
- and we set all sails, and the engine was working well; but there was more
- than a six-knot tide rushing out through those narrows, and we could not
- get through. We hung in them for about half an hour. Then, imitating the
- example of a fisherman who had followed us, we just ran her nose into the
- shingle, with the sails still set, and jumped ashore with a rope. The
- opportunity to paint a water-color of the <i>Velsa</i> under full sail was
- not to be lost. Also we bought fish and we borrowed knowledge from the
- fisherman. He informed us that we had not entered by the channel at all;
- that we were never anywhere near it. He said that the channel had four
- feet at that hour. Thus we learned that local wisdom is not always
- omniscience.
- </p>
- <p>
- After a delay of two hours, we went up the Ore on the slack. The Ore is a
- very dull river, but it has the pleasing singularity of refusing to quit
- the ocean. For mile after mile it runs exactly parallel with the North
- Sea, separated from it only by a narrow strip of shingle. Under another
- name it all but rejoins the ocean at Aldeburgh where at length it curves
- inland. On its banks is Orford, a town more dead than any dead city of the
- Zuyder Zee, and quite as picturesque and as full of character. The
- deadness of Orford may be estimated from the fact that it can support a
- kinematograph only three nights a week. It has electric light, but no
- railway, and the chief attractions are the lofty castle, a fine church, an
- antique quay, and a large supply of splendid lobsters. It knows not the
- tourist, and has the air of a natural self-preserving museum.
- </p>
- <p>
- <br /><br /><a name="linkimage-0050" id="linkimage-0050"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0308.jpg" alt="0308 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0308.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0019" id="link2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIX—THE INCOMPARABLE BLACKWATER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>IME was when I
- agreed with the popular, and the guide-book, verdict that the Orwell is
- the finest estuary in these parts; but now that I know it better, I
- unhesitatingly give the palm to the Blackwater. It is a nobler stream, a
- true arm of the sea; its moods are more various, its banks wilder, and its
- atmospheric effects much grander. The defect of it is that it does not
- gracefully curve. The season for cruising on the Blackwater is September,
- when the village regattas take place, and the sunrises over leagues of
- marsh are made wonderful by strange mists.
- </p>
- <p>
- Last September the <i>Velsa</i> came early into Mersea Quarters for Mersea
- Regatta. The Quarters is the name given to the lake-like creek that is
- sheltered between the mainland and Mersea Island—which is an island
- only during certain hours of the day. Crowds of small yachts have their
- home in the Quarters, and the regatta is democratic, a concourse or medley
- of craft ranging from sailing dinghies up through five-tonners to
- fishing-smacks, trading-barges converted into barge-yachts, real
- barge-yachts like ourselves, and an elegant schooner of a hundred tons or
- so, fully “dressed,” and carrying ladies in bright-colored jerseys, to
- preside over all. The principal events occur in the estuary, but the
- intimate and amusing events, together with all the river gossip and
- scandal, are reserved for the seclusion of the Quarters, where a long lane
- of boats watch the silver-gray, gleaming sky, and wait for the tide to
- cover the illimitable mud, and listen to the excessively primitive band
- which has stationed itself on a barge in the middle of the lane.
- </p>
- <p>
- We managed to get on the mud, but we did that on purpose, to save the
- trouble of anchoring. Many yachts and even smacks do it not on purpose,
- and at the wrong state of the tide, too. A genuine yachtsman paid us a
- visit—one of those men who live solely for yachting, who sail their
- own yachts in all weathers, and whose foible is to dress like a sailor
- before the mast or like a longshore loafer—and told us a tale of an
- amateur who had bought a yacht that had Inhabited Mersea Quarters all her
- life. When the amateur returned from his first cruise in her, he lost his
- nerve at the entrance to the Quarters, and yelled to a fisherman at anchor
- in a dinghy, “Which is the channel?” The fisherman, seeing a yacht whose
- lines had been familiar to him for twenty years, imagined that he was
- being made fun of. He drawled out, “<i>You</i> know.” In response to
- appeals more and more excited he continued to drawl out, “<i>You</i>
- know.” At length the truth was conveyed to him, whereupon he drawlingly
- advised: “Let the old wench alone. Let her alone. <i>She</i> ’ll
- find her way in all right.” Regattas like the Mersea are full of tidal
- stories, because the time has to be passed somehow while the water rises.
- There was a tale of a smuggler on the mud-flats, pursued in the dead of
- night by a coast-guardsman. Suddenly the flying smuggler turned round to
- face the coast-guardsman. “Look here,” said he to the coast-guardsman with
- warning persuasiveness, “you’d better not come any further. <i>You do see
- such ‘wonderful queer things in the newspapers nowadays</i>.” The
- coast-guardsman, rapidly reflecting upon the truth of this dark
- st-guardsman with warning persuasiveness, “you’d better not come any
- further. <i>You do see such ‘wonderful queer things in the newspapers
- nowadays</i>.” The coast-guardsman, rapidly reflecting upon the truth of
- this dark saying, accepted the advice, and went home.
- </p>
- <p>
- The mud-flats have now disappeared, guns begin to go off, and presently
- the regatta is in full activity. The estuary is dotted far and wide with
- white, and the din of orchestra and cheering and chatter within the lane
- of boats in the Quarters is terrific. In these affairs, at a given moment
- in the afternoon, a pause ensues, when the minor low-comedy events are
- finished, and before the yachts and smacks competing in the long races
- have come back. During this pause we escaped out of the Quarters, and
- proceeded up the river, past Brad-well Creek, where Thames barges lie, and
- past Tollesbury, with its long pier, while the high tide was still slack.
- We could not reach Maldon, which is the Mecca of the Blackwater, and we
- anchored a few miles below that municipal survival, in the wildest part of
- the river, and watched the sun disappear over vast, flat expanses of water
- as smooth as oil, with low banks whose distances were enormously enhanced
- by the customary optical delusions of English weather. Close to us was
- Osea Island, where an establishment for the reformation of drunkards adds
- to the weird scene an artistic touch of the sinister. From the private
- jetty of Osea Island two drunkards in process of being reformed gazed at
- us steadily in the deepening gloom. Then an attendant came down the jetty
- and lighted its solitary red eye, which joined its stare to that of the
- inebriates.
- </p>
- <p>
- <br /><br /><a name="linkimage-0051" id="linkimage-0051"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0313.jpg" alt="0313 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0313.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <p>
- Of all the estuary towns, Maldon, at the head of the Blackwater, is the
- pearl. Its situation on a hill, with a tine tidal lake in front of it, is
- superb, and the strange thing in its history is that it should not have
- been honored by the brush of Turner. A thoroughly bad railway service has
- left Maldon in the eighteenth century for the delight of yachtsmen who are
- content to see a town decay if only the spectacle affords esthetic
- pleasure.
- </p>
- <p>
- There is a lock in the river just below Maldon, leading to the Chelmsford
- Canal. We used this lock, and found a lock-keeper and lock-house steeped
- in tradition and the spirit of history. Beyond the lock was a basin in
- which were hidden two beautiful Scandinavian schooners discharging timber
- and all the romance of the North. The prospect was so alluring that we
- decided to voyage on the canal, at any rate as far as the next lock, and
- we asked the lock-keeper how far off the next lock was. He said curtly:
- </p>
- <p>
- “Ye can’t go up to the next lock.”
- </p>
- <p>
- “Why not?”
- </p>
- <p>
- “Because there’s only two feet of water in this canal. There never was any
- more.”
- </p>
- <p>
- We animadverted upon the absurdity of a commercial canal, leading to a
- county town, having a depth of only two feet.
- </p>
- <p>
- He sharply defended his canal.
- </p>
- <p>
- “Well,” he ended caustically, “it’s been going on now for a hundred or a
- hundred and twenty year like that, and I think it may last another day or
- two.”
- </p>
- <p>
- We had forgotten that we were within the influences of Maldon, and we
- apologized..
- </p>
- <p>
- Later—it was a Sunday of glorious weather—we rowed in the
- dinghy through the tidal lake into the town. The leisured population of
- Maldon was afoot in the meadows skirting the lake. A few boats were
- flitting about. The sole organized amusement was public excursions in open
- sailing-boats. There was a bathing-establishment, but the day being Sunday
- and the weather hot and everybody anxious to bathe, the place was
- naturally closed. There ought to have been an open-air concert, but there
- was not. Upon this scene of a population endeavoring not to be bored, the
- ancient borough of Maldon looked grandly down from its church-topped hill.
- </p>
- <p>
- Amid the waterways of the town were spacious timber-yards; and
- eighteenth-century wharves with wharfinger’s residence all complete, as in
- the antique days, inhabited still, but rotting to pieces; plenty of
- barges; and one steamer. We thought of Sneek, the restless and
- indefatigable. I have not yet visited in the <i>Velsa</i> any Continental
- port that did not abound in motor-barges, but in all the East Anglian
- estuaries together I have so far seen only one motor-barge, and that was
- at Harwich. English bargemen no doubt find it more dignified to lie in
- wait for a wind than to go puffing to and fro regardless of wind.
- Assuredly a Thames barge—said to be the largest craft in the world
- sailed by a man and a boy—in full course on the Blackwater is a
- noble vision full of beauty, but it does not utter the final word of
- enterprise in transport.
- </p>
- <p>
- The next morning at sunrise we dropped slowly down the river in company
- with a fleet of fishing-smacks. The misty dawn was incomparable. The
- distances seemed enormous. The faintest southeast breeze stirred the
- atmosphere, but not the mirror of the water. All the tints of the pearl
- were mingled in the dreaming landscape. No prospect anywhere that was not
- flawlessly beautiful, enchanted with expectation of the day. The
- unmeasured mud-flats steamed as primevally as they must have steamed two
- thousand years ago, and herons stood sentry on them as they must have
- stood then. Incredibly far away, a flash of pure glittering white, a
- sea-gull! The whole picture was ideal.
- </p>
- <p>
- At seven o’clock we had reached Goldhanger Creek, beset with curving
- water-weeds. And the creek appeared to lead into the very arcana of the
- mist. We anchored, and I rowed to its mouth. A boat sailed in, scarcely
- moving, scarcely rippling the water, and it was in charge of two old
- white-haired fishermen. They greeted me.
- </p>
- <p>
- “Is this creek long?” I asked. A pause. They both gazed at the creek with
- the beautiful name, into which they were sailing, as though they had never
- seen it before.
- </p>
- <p>
- “Aye, it’s long.”
- </p>
- <p>
- “How long is it? Is it a mile?”
- </p>
- <p>
- “Aye, it’s a mile.”
- </p>
- <p>
- “Is there anything up there?” Another pause. The boat was drawing away
- from me.
- </p>
- <p>
- “Aye, there’s oysters up there.” The boat and the men withdrew
- imperceptibly into the silver haze. I returned to the yacht. Just below,
- at Tollesbury pier, preparations were in progress for another village
- regatta; and an ineffable melancholy seemed to distil out of the extreme
- beauty of the estuary, for this was the last regatta, and this our last
- cruise, of the season.
- </p>
- <p>
- <br /><br /><a name="linkimage-0052" id="linkimage-0052"> </a>
- </p>
- <div class="fig" style="width:50%;">
- <img src="images/0320.jpg" alt="0320 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0320.jpg"><img src="images/enlarge.jpg" alt="" /> </a>
- </h5>
- <h3>
- THE END
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's From The Log of The "Velsa", by Arnold Bennett
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