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+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #53996 (https://www.gutenberg.org/ebooks/53996)
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-The Project Gutenberg EBook of Where Love Is, by William J. Locke
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Where Love Is
-
-Author: William J. Locke
-
-Release Date: January 18, 2017 [EBook #53996]
-Last Updated: March 12, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK WHERE LOVE IS ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-
-
-
-
-WHERE LOVE IS
-
-By William J. Locke
-
-New York
-
-Grosset & Dunlap Publishers
-
-Copyright, 1903 By John Lane
-
-
-
-“_Better is a dinner of herbs where love is, than a stalled ox and
-hatred therewith_.”
-
-_The Proverbe of Solomon_
-
-
-
-
-WHERE LOVE IS
-
-
-
-
-Chapter I--THE FIRST GLIMPSE
-
-
-HAVE you dined at Ranelagh lately?” asked Norma Hardacre.
-
-“I have never been there in my life,” replied Jimmie Padgate. “In fact,”
- he added simply, “I am not quite sure whether I know where it is.”
-
-“Yours is the happier state. It is one of the dullest spots in a dull
-world.”
-
-“Then why on earth do people go there?”
-
-The enquiry was so genuine that Miss Hardacre relaxed her expression of
-handsome boredom and laughed.
-
-“Because we are all like the muttons of Panurge,” she said. “Where one
-goes, all go. Why are we here to-night?”
-
-“To enjoy ourselves. How could one do otherwise in Mrs. Deering's
-house?”
-
-“You have known her a long time, I believe,” remarked Norma, taking the
-opportunity of directing the conversation to a non-contentious topic.
-
-“Since she was in short frocks. She is a cousin of King's--that's the
-man who took you down to dinner--”
-
-She nodded. “I have known Mr. King many weary ages.”
-
-“And he has never told me about you!”
-
-“Why should he?”
-
-She looked him full in the face, with the stony calm of the fashionable
-young woman accustomed to take excellent care of herself. Her companion
-met her stare in whimsical confusion. Even so ingenuous a being as
-Jimmie Padgate could not tell a girl he had met for the first time that
-she was beautiful, adorable, and graced with divine qualities above all
-women, and that intimate acquaintance with her must be the startling
-glory of a lifetime.
-
-“If I had known you for ages,” he replied prudently, “I should have
-mentioned your name to Morland King.”
-
-“Are you such friends then?”
-
-“Fast friends: we were at school together, and as I was a lonely little
-beggar I used to spend many of my holidays with his people. That is how
-I knew Mrs. Deering in short frocks.”
-
-“It's odd, then, that I have n't met you about before,” said the girl,
-giving him a more scrutinising glance than she had hitherto troubled to
-bestow upon him. A second afterwards she felt that her remark might have
-been in the nature of an indiscretion, for her companion had not at all
-the air of a man moving in the smart world to which she belonged. His
-dress-suit was old and of lamentable cut; his shirt-cuffs were frayed;
-a little bone stud, threatening every moment to slip the button-hole,
-precariously secured his shirt-front. His thin, iron-grey hair was
-untidy; his moustache was ragged, innocent of wax or tongs or any of
-the adventitious aids to masculine adornment. His aspect gave the
-impression, if not of poverty, at least of narrow means and humble ways
-of life. Although he had sat next her at dinner, she had paid little
-attention to him, finding easier entertainment in her conversation with
-King on topics of common interest, than in possible argument with a
-strange man whom she heard discussing the functions of art and other
-such head-splitting matters with his right-hand neighbour. Indeed, her
-question about Ranelagh when she found him by her side, later, in the
-drawing-room was practically the first she had addressed to him with any
-show of interest.
-
-She hastened to repair her maladroit observation by adding before he
-could reply,--
-
-“That is rather an imbecile thing to say considering the
-millions of people in London. But one is apt to talk in an imbecile
-manner after a twelve hours' day of hard racket in the season. Don't you
-think so? One's stock of ideas gets used up, like the air at the end of
-a dance.”
-
-“Not if you keep your soul properly ventilated,” he answered.
-
-The words were, perhaps, not so arresting as the manner in which they
-were uttered. Norma Hardacre was startled. A little shutter in the
-back of her mind seemed to have flashed open for an elusive second, and
-revealed a prospect wide, generous, alive with free-blowing airs.
-Then all was dark again before she could realise the vision. She was
-disconcerted, and in a much more feminine way than was habitual with her
-she glanced at him again. This time she lost sight of the poor, untidy
-garments, and found a sudden interest in the man's kind, careworn face,
-and his eyes, wonderfully blue and bright, set far apart in the head,
-that seemed to look out on the world with a man's courage and a child's
-confidence. She was uncomfortably conscious of being in contact with
-a personality widely different from that of her usual masculine
-associates. This her training and habit of mind caused her to resent;
-despising the faint spiritual shock, she took refuge in flippancy.
-
-“I fear our Tobin tubes get choked up in London,” she said with a little
-laugh. “Even if they did n't they are wretched things, which create
-draughts; so anyway our souls are free from chills. Look at that
-woman over there talking to Captain Orton--every one knows he's
-paymaster-general. A breath of fresh air in Mrs. Chance's soul would
-give it rheumatic fever.”
-
-The abominable slander falling cynically from young lips brought a look
-of disapproval into Jimmie Padgate's eyes.
-
-“Why do you say such things?” he asked. “You know you don't believe
-them.”
-
-“I do believe them,” she replied defiantly. “Why shouldn't one
-believe the bad things one hears of one's neighbours? It's a vastly more
-entertaining faith than belief in their virtues. Virtue--being its own
-reward--is deadly stale to one's friends and unprofitable to oneself.”
-
-“Cynicism seems cheap to-day,” said Jimmie, with a smile that redeemed
-his words from impertinence. “Won't you give me something of yourself a
-little more worth having?”
-
-Norma, who was leaning back in her chair fanning herself languidly,
-suddenly bent forward, with curious animation in her cold face.
-
-“I don't know who you are or what you are,” she exclaimed. “Why should
-you want more than the ordinary futilities of after-dinner talk?”
-
-“Because one has only to look at you,” he replied, “to see that it must
-be very easy to get. You have beauty inside as well as outside,
-and everybody owes what is beautiful and good in them to their
-fellow-creatures.”
-
-“I don't see why. According to you, women ought to go about like
-mediaeval saints.”
-
-“Every woman is a saint in the depths of her heart,” said Jimmie.
-
-“You are an astonishing person,” replied Norma.
-
-The conversation ended there, for Morland King came up with Constance
-Deering: he florid, good-looking, perfectly groomed and dressed, the
-type of the commonplace, well-fed, affluent Briton; she a pretty,
-fragile butterfly of a woman. Jimmie rose and was led off to another
-part of the room by his hostess. King dropped into the chair Jimmie had
-vacated.
-
-“I see you have been sampling my friend Jimmie Padgate. What do you make
-of him?”
-
-“I have just told him he was an astonishing person,” said Norma.
-
-“Dear old Jimmie! He's the best fellow in the world,” said King,
-laughing. “A bit Bohemian and eccentric--artists generally are--”
-
-“Oh, he's an artist?” inquired Norma.
-
-“He just manages to make a living by it, poor old chap! He has never
-come off, somehow.”
-
-“Another neglected genius?”
-
-“I don't know about that,” replied Morland King in a matter-of-fact way,
-not detecting the sneer in the girl's tone. “I don't think he's a great
-swell--I'm no judge, you know. But he has had a bad time. Anyway, he
-always comes up smiling. The more he gets knocked the more cheerful
-he seems to grow. I never met any one like him. The most generous,
-simple-minded beggar living.”
-
-“He must be wonderful to make you enthusiastic,” said Norma.
-
-“Look at him now, talking to the Chance woman as if she were an angel of
-light.”
-
-Norma glanced across the room and smiled contemptuously.
-
-“She seems to like it. She's preening herself as if the wings were
-already grown. Connie,” she called to her hostess, who was passing by,
-“why have you hidden Mr. Padgate from me all this time?”
-
-The butterfly lady laughed. “He is too precious. I can only afford to
-give my friends a peep at him now and then. I want to keep him all to
-myself.”
-
-She fluttered away. Norma leaned back and hid a yawn with her fan; then,
-rousing herself with an effort, made conversation with her companion.
-Presently another man came up and King retired.
-
-“How is it getting on?” whispered Mrs. Deering.
-
-“Oh, steady,” he replied with his hands in his pockets.
-
-“Lucky man!”
-
-Morland King shrugged his shoulders. “The only thing against it is papa
-and mamma--chiefly mamma. A Gorgon of a woman!”
-
-“You'll never get a wife to do you more credit than Norma. With that
-face I wonder she is n't a duchess by now. There _was_ a duke once, but
-a fair American eagle came and swooped him off under Norma's nose. You
-see, she's not the sort of girl to give a man much encouragement.”
-
-“Oh, I can't stand a woman who throws herself at your head,” said King,
-emphatically.
-
-“What a funny way men have nowadays of confessing to the tender
-passion!” said Mrs. Deering, laughing.
-
-“What would you have a fellow do?” he asked. “Spout blank verse about
-the stars and things, like a Shakespearean hero?”
-
-“It would be prettier, anyhow.”
-
-“Well, if you will have it, I'm about as hard hit as a man ever
-was--there!”
-
-“I 'm delighted to hear it,” said his cousin.
-
-A short while afterwards the dinner-party broke up.
-
-“I don't know whether you care to mix with utter worldlings like us, Mr.
-Padgate,” said Norma, as she bade him good-bye, “but we are always in on
-Tuesdays.”
-
-“I'll tie him hand and foot and bring him,” said King. “Good-night, old
-chap. I'm giving Miss Hardacre a lift home in the brougham.”
-
-Before Jimmie could say yes or no, they were gone. He found himself the
-last.
-
-“You are certainly not going for another hour, Jimmie,” said Mrs.
-Deering, as he came forward to take leave. “You will sit in that chair
-and smoke and tell me all about yourself and make me feel good and
-pretty.”
-
-“Very well,” he assented, laughing. “Turn me out when it's time for me
-to go.”
-
-It had been the customary formula between them for many years; for
-Jimmie Padgate lacked the sense of time and kept eccentric hours, and
-although Connie Deering delighted in her rare confidential chats with
-him, a woman with a heavy morrow of engagements must go to bed at a
-reasonable period of the night. She was a woman in the middle thirties,
-a childless widow after a brief and almost forgotten married life, rich,
-pleasure-loving, in the inner circle of London society, and possessing
-the gayest, kindest, most charitable heart in the world. Her friendship
-with Norma Hardacre had been a thing of recent date.
-
-She had cultivated it first on account of her cousin Morland King; she
-had ended in enthusiastic admiration.
-
-“It is awfully good of you,” she said, when they were comfortably
-settled down to talk, “to waste your time with my unintelligent
-conversation.”
-
-“There's no such thing as unintelligent conversation,” he declared.
-
-“For a man like you there must be.”
-
-“I could hold an intelligent conversation with a rabbit,” said Jimmie.
-
-Norma Hardacre, on arriving home, entered the drawing-room, where her
-mother was reading a novel.
-
-“Well?” said Mrs. Hardacre, looking up.
-
-Norma threw her white silk cloak over the back of a chair.
-
-“Connie sent her love to you.”
-
-“Is that all you have to say?” asked her mother, sharply. She was a
-faded woman who had once possessed beauty of a cold, severe type; but
-the years had pinched and hardened her features, as they had pinched and
-hardened her heart. Her eyes were of that steel grey which the light
-of laughter seldom softens, and her smile was but a contraction of the
-muscles of the lips. Even this perfunctory tribute to politeness which
-had greeted Norma's entrance vanished at the second question.
-
-“Morland King drove me home. What a difference there is between a
-private brougham and the beastly things we get from the livery-stable!”
-
-“He has said nothing?”
-
-“Of course not. I should have told you if he had.”
-
-“Whose fault is it?”
-
-Norma made a gesture of impatience. “My fault, if you like. I don't
-lay traps to catch him. I don't keep him dangling about me, and I don't
-flatter his vanities or make appeal to his senses, I suppose. I can't do
-it.”
-
-“Don't behave like a fool, Norma,” said Mrs. Hardacre, rapping her book
-with a paper-knife. “You have got to marry him. You know you have. Your
-father and I are coming to the end of things. You ought to have married
-years ago, and when one thinks of the chances you have missed, it makes
-one mad. Here have we been pinching and scraping--”
-
-“And borrowing and mortgaging,” Norma interjected.
-
-“--to give you a brilliant position,” Mrs. Hardacre continued, unheeding
-the interruption, “and you cast all our efforts in our teeth. It's sheer
-ingratitude. Why you threw over Lord Wyniard I could never make out.”
-
-“You seem to forget that, after all, there is a physical side to
-marriage,” said Norma, with a little shudder of disgust.
-
-“I hate indelicacy in young girls,” said Mrs. Hardacre, freezingly. “One
-would think you had been brought up in a public house.”
-
-“Then let us avoid indelicate subjects,” retorted Norma, opening the
-first book to her hand. “Where is papa?”
-
-“Oh, how should I know?” said Mrs. Hardacre, irritably.
-
-There was silence. Norma pretended to read, but her thoughts, away from
-the printed lines, caused her face to harden and her lips to curl
-scornfully. She had been used to such scenes with her mother ever since
-she had worn a long frock, and that was seven years ago, when she came
-out as a young beauty of eighteen. The story of financial embarrassment
-had lost its fine edge of persuasion by overtelling. She had almost
-ceased to believe in it, and the lingering grain of credence she put
-aside with the cynical feeling that it was no great concern of hers, so
-long as her usual round of life went on. She had two hundred a year of
-her own, all of which she spent in dress, so that in that one
-particular at least, if she chose to be economical, she was practically
-independent. Money for other wants was generally procurable, with or
-without unpleasant dunning of her parents. She lived very little in
-their home in Wiltshire, a beautiful and stately young woman of fashion
-being a decorative adjunct to smart country-house parties. In London, if
-she sighed for a more extensive establishment and a more luxurious style
-of living, it was what she always had done. She had hated the furnished
-house or flat and the livery-stable carriage ever since her first
-season. In the same way she had always considered the omission from
-her scheme of life of a yacht and a villa at Cannes and diamonds at
-discretion as a culpable oversight on the part of the Creator. But
-the sordid makeshift of existence to which she was condemned was not
-a matter of yesterday. In spite of the financial embarrassments of the
-maternal fable she had noticed no cutting down of customary expenditure.
-Her father still played the fool on the stock exchange, her mother still
-attired herself elaborately and disdained to eat otherwise than _à la
-carte_ at expensive restaurants, and she, Norma, went whithersoever
-the smart set drifted her. She had nothing to do with the vulgarity of
-financial embarrassments.
-
-As to the question of marriage she was as fully determined as her
-mother that she should make a brilliant match. She had had two or three
-disappointments--the unwary duke, for instance. On the other hand she
-had refused eligibles like Lord Wyniard out of sheer caprice.
-
-The only man who had given her a moment's stir of the pulses, a moment's
-thought of throwing her cap over the windmills, was a young soldier in
-the Indian Staff Corps. But he belonged to her second season, before
-she had really seen the world and grasped the inner meaning of life.
-Besides, her mother had almost beaten her; and in an encounter between
-the dragon who guarded the gold of her daughter's affections and the
-young Siegfried, it was the hero that barely escaped destruction; he
-fled to India for his life. Norma lost all sight and count of him for
-three years. Then she heard that he had married a schoolfellow of
-hers and was a month-old father. It was with feelings of peculiar
-satisfaction and sense of deliverance that she sent her congratulations
-to him, her love to his wife, and a set of baby shoes to the child. She
-had cultivated by this time a helpful sardonic humour.
-
-There was now Morland King, within reasonable distance of a proposal.
-Her experience detected the signs, although little of sentimentality
-had passed between them. He was young, as marrying men go--a year or two
-under forty--of good family, fairly good-looking, very well off, with a
-safe seat in Parliament being kept warm for him by a valetudinarian ever
-on the point of retirement. Norma meant to accept him. She contemplated
-the marriage as coldly and unemotionally as King contemplated the seat
-in Parliament. But through the corrupted tissue of her being ran one
-pure and virginal thread. She used no lures. She remained chastely
-aloof, the arts of seduction being temperamentally repugnant to her.
-Knowledge she had of good and evil (a euphemism, generally, for an
-exclusive acquaintance with the latter), and she was cynical enough in
-her disregard of concealment of her knowledge; but she revolted from
-using it to gain any advantage over a man. At this period of her life
-she set great store by herself, and though callously determined on
-marriage condescended with much disdain to be wooed. Her mother, bred in
-a hard school, was not subtle enough to perceive this antithesis. Hence
-the constant scenes of which Norma bitterly resented the vulgarity. “We
-pride ourselves on being women of the world, mother,” she said, “but
-that does n't prevent our remembering that we are gentlefolk.” Whereat,
-on one occasion, Mr. Hardacre, in his flustering, feeble way, had told
-Norma not to be rude to her mother, only to draw upon himself the vials
-of his wife's anger.
-
-He came in now, during the silence that had fallen on the two women--a
-short, stout, red-faced man, with a bald head, and a weak chin, and
-a drooping foxy moustache turning grey. He was bursting with an
-interminable tale of scandal that he had picked up at his club--a
-respectable institution with an inner coterie of vapid, middle-aged
-dullards whose cackle was the terror of half London society. It is
-a superstition among good women that man is too noble a creature to
-descend to gossip. Ten minutes in the members' smoking-room of the
-Burlington Club would paralyse the most scandal-mongering tabby of Bath,
-Cheltenham, or Tunbridge Wells.
-
-“We were sure she was a wrong 'un from the first,” he explained in a
-thick, jerky voice to his listless auditors. “And now it turns out that
-she was in thick with poor Billy Withers, you know, and when Billy broke
-his neck--that was through another blessed woman--I'll tell you all
-about her by'm bye--when Billy broke his neck, his confounded valet got
-hold of Mrs. Jack's letters, and how she paid for 'em's the cream of the
-story--”
-
-“We need not have that now, Benjamin,” said Mrs. Hardacre, with a
-warning indication that reverence was due to the young.
-
-“Well, of course that's the end of it,” replied Mr. Hardacre, in some
-confusion.
-
-But Norma rose with a laugh of hard mockery.
-
-“The valet entered the service of Lord Wyniard, and now there's a pretty
-little divorce case in the air, with Jack Dugdale as petitioner and
-Lord Wyniard as corespondent. Are n't you sorry, mother, I did n't marry
-Wyniard and reform him, and save society this terrible scandal?”
-
-Turning from her disconcerted parents, Norma pulled back the thick
-curtains from the French window and opened one of the doors.
-
-“What are you doing that for?” cried Mrs. Hardacre irritably, as the
-cold air of a wet May night swept through the room.
-
-“I'm going to try to ventilate my soul,” said Norma, stepping on to the
-balcony.
-
-
-
-
-Chapter II--THE FOOL'S WISDOM
-
-LIKE the inexplicable run on a particular number at the roulette-table,
-there often seems to be a run on some particular phenomenon thrown up
-by the wheel of daily life. Such a recurrent incident was the meeting of
-Norma and Jimmie Padgate during the next few weeks. She met him at Mrs.
-Deering's, she ran across him in the streets. Going to spend a weekend
-out of town, she found him on the platform of Paddington Station.
-The series of sheer coincidences established between them a certain
-familiarity. When next they met, it was in the crush of an emptying
-theatre. They found themselves blocked side by side, and they laughed as
-their eyes met.
-
-“This seems to have got out of the domain of vulgar chance and become
-Destiny,” she said lightly.
-
-“I am indeed favoured by the gods,” he replied.
-
-“You don't deserve their good will because you have never come to see
-me.”
-
-Jimmie replied that he was an old bear who loved to growl selfishly in
-his den. Norma retorted with a reference to Constance Deering. In her
-house he could growl altruistically.
-
-“She pampers me with honey,” he explained.
-
-“I am afraid you'll get nothing so Arcadian with us,” she replied, “but
-I can provide you with some excellent glucose.”
-
-They were moved a few feet forward by the crowd, and then came to a halt
-again.
-
-“This is my ward, Miss Aline Marden,” he said, presenting a pretty
-slip of a girl of seventeen, who had hung back shyly during the short
-dialogue, and looked with open-eyed admiration at Jimmie's new friend.
-“That is how she would be described in a court of law, but I don't mind
-telling you that really she is my nurse and foster-mother.”
-
-The girl blushed at the introduction, and gave him an imperceptible
-twitch of the arm. Norma smiled at her graciously and asked her how she
-had liked the play.
-
-“It was heavenly,” she said with a little sigh. “Did n't you think so?”
-
-Norma, who had characterised the piece as the most dismal performance
-outside a little Bethel, was preparing a mendacious answer, when a
-sudden thinning in the crush brought to her side Mrs. Hardacre, from
-whom she had been separated. Mrs. Hardacre inquired querulously for
-Morland King, who had gone in search of the carriage. Norma reassured
-her as to his ability to find it, and introduced Jimmie and Aline.
-Mr. Padgate was Mr. King's oldest friend. Mrs. Hardacre bowed
-disapprovingly, took in with a hard glance the details of Aline's cheap,
-homemade evening frock, and the ready-made cape over her shoulders, and
-turned her head away with a sniff. She had been put out of temper the
-whole evening by Norma's glacial treatment of King, and was not disposed
-to smile at the nobodies whom it happened to please Norma to patronise.
-
-At last King beckoned to them from the door, and they crushed through
-the still waiting crowd to join him. By the time Jimmie Padgate and his
-ward had reached the pavement they had driven off.
-
-“Wonder if we can get a cab,” said Jimmie.
-
-“Cab!” cried the girl, taking his arm affectionately. “One would think
-you were a millionaire. You can go in a cab if you like, but I'm going
-home in a 'bus. Come along. We'll get one at Piccadilly Circus.”
-
-She hurried him on girlishly, talking of the play they had just seen. It
-was heavenly, she repeated. She had never been in the stalls before.
-She wished kind-hearted managers would send them seats every night. Then
-suddenly:
-
-“Why did n't you tell me how beautiful she was?”
-
-“Who, dear?”
-
-“Why, Miss Hardacre. I think she is the loveliest thing I have ever
-seen. I could sit and look at her all day long. Why don't you paint her
-portrait--in that wonderful ivory-satin dress she was wearing to-night?
-And the diamond star in her hair that made her look like a queen--did
-you notice it? Why, Jimmie, you are not paying the slightest attention!”
-
-“My dear, I could repeat verbatim every word you have said,” he replied
-soberly. “She is indeed one of the most beautiful of God's creatures.”
-
-“Then you'll paint her portrait?”
-
-“Perhaps, deary,” said Jimmie, “perhaps.”
-
-Meanwhile in the brougham King was giving Norma an account of Jimmie's
-guardianship. She had asked him partly out of curiosity, partly to
-provide him with a subject of conversation, and partly to annoy her
-mother, whose disapproving sniff she had noted with some resentment. And
-this in brief is the tale that King told.
-
-Some ten years ago, John Marden, a brother artist of Jimmie Padgate's,
-died penniless, leaving his little girl of seven with the alternative of
-fighting her way alone through an unsympathetic world, or of depending
-on the charity of his only sister, a drunken shrew of a woman, the wife
-of a small apothecary, and the casual mother of a vague and unwashed
-family. Common decency made the first alternative impossible. On their
-return to the house after the funeral, the aunt announced her intention
-of caring for the orphan as her own flesh and blood. Jimmie, who had
-taken upon himself the functions of the intestate's temporary executor,
-acquiesced dubiously. The lady, by no means sober, shed copious tears
-and a rich perfume of whisky. She called Aline to her motherly
-bosom. The child, who had held Jimmie's hand throughout the mournful
-proceedings, for he had been her slave and playfellow for the whole of
-her little life, advanced shyly. Her aunt took her in her arms. But the
-child, with instinctive repugnance to the smell of spirits, shrank from
-her kisses. The shrew arose in the woman; she shook her vindictively,
-and gave her three or four resounding slaps on face and shoulders.
-Jimmie leaped from his chair, tore the scared little girl from the
-vixen's clutches, and taking her bodily in his arms, strode with her
-out of the house, leaving the apothecary and his wife to settle matters
-between them. It was only when he had walked down the street and hailed
-a cab that he began to consider the situation.
-
-“What on earth am I to do with you?” he asked whimsically.
-
-The small arms tightened round his neck. “Take me to live with you,”
- sobbed the child.
-
-“Out of the mouths of babes and sucklings we learn wisdom. So be it,”
- said Jimmie, and he drove home with his charge.
-
-As neither aunt nor uncle nor any human being in the wide world claimed
-the child, she became mistress of Jimmie's home from that hour. Her
-father's pictures and household effects were sold off to pay his
-creditors, and a little bundle of torn frocks and linen was Aline's sole
-legacy.
-
-“I happened to look in upon him the evening of her arrival,” said King,
-by way of conclusion to his story. “In those days he managed with a
-charwoman who came only in the mornings, so he was quite alone in
-the place with the kid. What do you think I found him doing? Sitting
-cross-legged on the model-platform with a great pair of scissors and
-needles and thread, cutting down one of his own night garments so as to
-fit her, while the kid in a surprising state of _déshabillé_ was
-seated on a table, kicking her bare legs and giving him directions. His
-explanation was that Miss Marden's luggage had not yet arrived and she
-must be made comfortable for the night! But you never saw anything so
-comic in your life.”
-
-He leaned back and laughed at the reminiscence, not unkindly. Mrs.
-Hardacre, bored by the unprofitable tale, stared at the dim streets out
-of the brougham window. Norma, on friendlier terms with King, the little
-human story having perhaps drawn them together, joined in the laugh.
-
-“And now, I suppose, when she grows a bit older, Mr. Padgate will marry
-her and she will be a dutiful little wife and they will live happy and
-humdrum ever after.”
-
-“I hope he will provide her with some decent rags to put on,” said Mrs.
-Hardacre. “Those the child was wearing to-night were fit for a servant
-maid.”
-
-“Jimmie would give her his skin if she could wear it,” said Morland,
-somewhat tartly.
-
-This expression of feeling gave him, for the first time, a special place
-in Norma's esteem. After all, a woman desires to like the man who in a
-few months' time may be her husband, and hitherto Morland had presented
-a negativity of character which had baffled and irritated her. The
-positive trait of loyalty to a friend she welcomed instinctively,
-although if charged with the emotion she would have repudiated the
-accusation. When the carriage stopped at the awning and red strip of
-carpet before the house in Eaton Square where a dance awaited her, and
-she took leave of him, she returned his handshake with almost a warm
-pressure and sent him away, a sanguine lover, to his club.
-
-The next morning Constance Deering, taking her on a round of shopping,
-enquired how the romance was proceeding.
-
-“He has had me on probation,” replied Norma, “and has been examining all
-my points. I rather think he finds me satisfactory, and is about to make
-an offer.”
-
-“What an idyllic pair you are!” laughed her friend.
-
-Norma took the matter seriously.
-
-“The man is perfectly right. He is on the lookout for a woman who can
-keep up or perhaps add to his social prestige, who can conduct the
-affairs of a large establishment when he enters political life, who
-can possibly give him a son to inherit his estate, and who can wear
-his family diamonds with distinction--and it does require a woman of
-presence to do justice to family diamonds, you know. He looks round
-society and sees a girl that may suit him. Naturally he takes his time
-and sizes her up. I have learned patience and so I let him size to his
-heart's content. On the other hand, what he can give me falls above the
-lower limit of my requirements, and personally I don't dislike him.”
-
-“Mercy on us!” cried Constance Deering, “the man is head over ears in
-love with you!”
-
-“Then I like him all the better for dissembling it so effectually,” said
-Norma, “and I hope he'll go on dissembling to the end of the chapter. I
-hate sentiment.”
-
-They were walking slowly down Bond Street, and happened to pause before
-a picture-dealer's window, where a print of a couple of lovers bidding
-farewell caught Mrs. Deering's attention.
-
-“I call that pretty,” she said. “Do you hate love too?”
-
-Norma twirled her parasol and moved away, waiting for the other.
-
-“Love, my dear Connie, is an appetite of the lower middle classes.”
-
-“My dear Norma!” the other exclaimed, “I do wish Jimmie Padgate could
-hear you!”
-
-Norma started at the name. “What has he got to do with the matter?”
-
-“That's one of his pictures.”
-
-“Oh, is it?” said Norma, indifferently. But feminine curiosity compelled
-a swift parting glance at the print.
-
-“I imagine our guileless friend has a lot to learn,” she added. “A few
-truths about the ways of this wicked world would do him good.”
-
-“I promised to go and look round his studio to-morrow morning; will you
-come and give him his first lesson?” asked Mrs. Deering, mischievously.
-
-“Certainly not,” replied Norma.
-
-But the destiny she had previously remarked upon seemed to be fulfilling
-itself. A day or two afterwards his familiar figure burst upon her at
-a Private View in a small picture-gallery. His eyes brightened as she
-withdrew from her mother, who was accompanying her, and extended her
-hand.
-
-“Dear me, who would have thought of seeing you here? Do you care for
-pictures? Why have n't you told me? I am so glad.”
-
-“Love of Art did n't bring me here, I assure you,” replied Norma.
-
-“Then what did?”
-
-Jimmie in his guilelessness had an uncomfortable way of posing
-fundamental questions. In that respect he was like a child. Norma smiled
-in silent contemplation of the real object of their visit. At first her
-mother had tossed the cards of invitation into the waste-paper basket.
-It was advertising impudence on the part of the painter man, whom she
-had met but once, to take her name in vain on the back of an envelope.
-Then hearing accidentally that the painter man had painted the portraits
-of many high-born ladies, including that of the Duchess of Wiltshire,
-and that the Duchess of Wiltshire herself--their own duchess, who gave
-Mrs. Hardacre the tip of her finger to shake and sometimes the tip of a
-rasping tongue to meditate upon, whom Mrs. Hardacre had tried any time
-these ten years to net for Heddon Court, their place in the country--had
-graciously promised to attend the Private View, in her character of Lady
-Patroness-in-Chief of the painter man, Mrs. Hardacre had hurried home
-and had set the servants' hall agog in search of the cards. Eventually
-they had been discovered in the dust-bin, and she had spent half an hour
-in cleansing them with bread-crumbs, much to Norma's sardonic amusement.
-The duchess not having yet arrived, Mrs. Hardacre had fallen back upon
-the deaf Dowager Countess of Solway, who was discoursing to her in a
-loud voice on her late husband's method of breeding prize pigs. Norma
-had broken away from this exhilarating lecture to greet Jimmie.
-
-He kept his eager eyes upon her, still waiting for an answer to his
-question:
-
-“What did?”
-
-Norma, fairly quick-witted, indicated the walls with a little
-comprehensive gesture.
-
-“Do you call this simpering, uninspired stuff Art?” she said, begging
-the question.
-
-“Oh, it's not that,” cried Jimmie, falling into the trap. “It's really
-very good of its kind. Amazingly clever. Of course it's not highly
-finished. It's impressionistic. Look at that sweeping line from the
-throat all the way down to the hem of the skirt,” indicating the
-picture in front of them and following the curve, painter fashion, with
-bent-back thumb; “how many of your fellows in the Academy could get that
-so clean and true?”
-
-“I have just met Mr. Porteous, who said he could n't stay any longer
-because such quackery made him sick,” said Norma.
-
-Jimmie glanced round the walls. Porteous, the Royal Academician, was
-right. The colour was thin, the modelling flat, the drawing tricky, the
-invention poor. A dull soullessness ran through the range of full-length
-portraits of women. He realised, with some distress, the clever
-insincerity of the painting; but he had known Foljambe, the author of
-these coloured crimes, as a fellow-student at the Beaux-Arts in Paris,
-and having come to see his work for the first time, could not bear to
-judge harshly. It was characteristic of him to expatiate on the only
-merit the work possessed.
-
-“Mr. Porteous even said,” continued Norma, “that it was scandalous
-such a man should be making thousands when men of genius were making
-hundreds. It was taking the bread out of their mouths.”
-
-“I am sorry he said that,” said Jimmie. “I think we ought rather to be
-glad that a man of poor talent has been so successful. So many of them
-go to the wall.”
-
-“Do you always find the success of your inferior rivals so comforting?”
- asked Norma. “I don't.” She thought of the depredatory American.
-
-Jimmie pushed his hat to the back of his head--a discoloured Homburg hat
-that had seen much wear--and rammed his hands in his pockets.
-
-“It's horrible to regard oneself and one's fellow-creatures as so many
-ghastly fishes tearing one another to pieces so as to get at the same
-piece of offal. That's what it all comes to, does n't it?”
-
-The picture of the rapt duke as garbage floating on the tide of London
-Society brought with it a certain humourous consolation. That of her own
-part in the metaphor did not appear so soothing. Jimmie's proposition
-being, however, incontrovertible, she changed the subject and enquired
-after Aline. Why had n't he brought her?
-
-“I am afraid we should have argued about Foljambe's painting,” said
-Jimmie, with innocent malice.
-
-“And we should have agreed about it,” replied Norma. She talked about
-Aline. Morland King had been tale-bearing. It was refreshing, she
-confessed, once in a way to hear good of one's fellow-creatures: like
-getting up at six in the morning in the country and drinking milk fresh
-from the cow. It conferred a sense of unaccustomed virtue. The mention
-of milk reminded her that she was dying for tea. Was it procurable?
-
-“There's a roomful of it. Can I take you?” asked Jimmie, eagerly.
-
-She assented. Jimmie piloted her through the chattering crowd. On the
-way they passed by Mrs. Hardacre, still devoting the pearls of her
-attention to the pigs. She acknowledged his bow distantly and summoned
-her daughter to her side.
-
-“What are you _affiché_-ing yourself with that nondescript man for?” she
-asked in a cross whisper.
-
-Norma moved away with a shrug, and went with Jimmie into the crowded
-tea-room. There, while he was fighting for tea at the buffet, she
-fell into a nest of acquaintances. Presently he emerged from the
-crush victorious, and, as he poured out the cream for her, became the
-unconscious target of sharp feminine glances.
-
-“Who is your friend?” asked one lady, as Jimmie retired with the
-cream-jug.
-
-“I will introduce him if you like,” she replied. He reappeared and was
-introduced vaguely. Then he stood silent, listening to a jargon he was
-at a loss to comprehend. The women spoke in high, hard voices, with
-impure vowel sounds and a clipping of final consonants. The conversation
-gave him a confused impression of Ascot, a horse, a foreign prince, and
-a lady of fashion who was characterised as a “rotter.” Allusion was also
-made to a princely restaurant, which Jimmie, taken thither one evening
-by King, regarded as a fairy-land of rare and exquisite flavours, and
-the opinion was roundly expressed that you could not get anything fit to
-eat in the place and that the wines were poison.
-
-Jimmie listened wonderingly. No one seemed disposed to controvert the
-statement, which was made by quite a young girl. Indeed one of her
-friends murmured that she had had awful filth there a few nights before.
-A smartly dressed woman of forty who had drawn away from the general
-conversation asked Jimmie if he had been to Cynthia yet. He replied that
-he very seldom went to theatres. The lady burst out laughing, and then
-seeing the genuine enquiry on his face, checked herself.
-
-“I thought you were trying to pull my leg,” she explained. “I mean
-Cynthia, the psychic, the crystal gazer. Why, every one is going crazy
-over her. Do you mean to say you have n't been?”
-
-“Heaven forbid!” said Jimmie.
-
-“You may scoff, but she's wonderful. Do you know she actually gave me
-the straight tip for the Derby? She did n't mean to, for she does n't
-lay herself out for that sort of thing--but she said, after telling me
-a lot of things about myself--things that had really happened--she was
-getting tired, I must tell you--'I see something in your near future--it
-is a horse with a white star on its forehead--it has gone--I don't know
-what it means.' I went to the Derby. I had n't put a cent on, as I had
-been cleaned out at Cairo during the winter and had to retrench. The
-first horse that was led out had a white star on his forehead. None of
-the others had. It was St. Damien--a thirty to one chance. I backed him
-outright for £300. And now I have £9000 to play with. Don't tell me
-there's nothing in Cynthia after that.”
-
-The knot of ladies dissolved. Jimmie put Norma's teacup down and went
-slowly back with her to the main room. He was feeling depressed, having
-lost his bearings in this unfamiliar world. Suddenly he halted.
-
-“I wish you could pinch me,” he said.
-
-“Why?”
-
-“To test whether I am awake. Have I really heard a sane and educated
-lady expressing her belief in the visions of a crystal-gazing
-adventuress?”
-
-“You have. She believes firmly. So do heaps of women.”
-
-“I hope to heaven you don't!” he cried with a sudden intensity.
-
-“What concern can my faith be to you?” she asked.
-
-“I beg your pardon. No concern at all,” he said apologetically. “But I
-generally blurt out what is in my mind.”
-
-“And what is in your mind? I am a person you can be quite frank with.”
-
-“I could n't bear the poem of your life to be sullied by all these
-vulgarities,” said Jimmie.
-
-“As I remarked to you the first evening I met you, Mr. Padgate,” she
-said, holding out her hand by way of dismissal, “you are an astonishing
-person!”
-
-The poem of her life! The phrase worried her before she slept that
-night. She shook the buzzing thing away from her impatiently. The poem
-of her life! The man was a fool.
-
-
-
-
-Chapter III--A MODERN BETROTHAL
-
-A YOUNG woman bred to a material view of the cosmos and self-trained to
-cynical expression of her opinions may thoroughly persuade herself that
-marriage is a social bargain in which it would be absurd for sentiment
-to have a place, and yet when the hour comes for deciding on so trivial
-an engagement, may find herself in an irritatingly unequable frame of
-mind. For Norma the hour had all but arrived. Morland King had asked
-to see her alone in view of an important conversation. She had made an
-appointment for ten o'clock, throwing over her evening's engagements.
-Her parents were entertaining a couple of friends in somebody else's
-box at the opera, and would return in time to save the important
-conversation from over-tediousness. She intended to amuse herself
-placidly with a novel until King's arrival.
-
-This was a week or two after her encounter with Jimmie at the
-picture-gallery, since which occasion she had neither seen nor heard of
-him. He had faded from the surface of a consciousness kept on continued
-strain by the thousand incidents and faces of a London season. To Jimmie
-the series of meetings had been a phenomenon of infinite import. She had
-come like a queen of romance into his homely garden, and her radiance
-lingered, making the roses redder and the grass more green. But the
-queenly apparition herself had other things to think about, and when she
-had grown angry and called him a fool, had dismissed him definitely from
-her mind. It was annoying therefore that on this particular evening the
-fool phrase should buzz again in her ears.
-
-She threw down her book and went on to the balcony, where, on this close
-summer night, she could breathe a little cool air. A clock somewhere in
-the house chimed the half-hour. Morland was to come at ten. She longed
-for, yet dreaded, his coming; regretted that she had stayed away from
-the opera, where, after all, she could have observed the everlasting
-human comedy. She had dined early; the evening had been interminable;
-she felt nervous, and raged at her weakness. She was tired, out of
-harmony with herself, fretfully conscious too of the jarring notes in
-a room furnished by uneducated people of sudden wealth. The
-Wolff-Salamons, out of the kindness of their shrewd hearts, had offered
-the house for the season to the Hardacres, who had accepted the free
-quarters with profuse expressions of gratitude; which, however, did not
-prevent Mr. Hardacre from railing at the distance of the house (which
-was in Holland Park) from his club, or his wife from deprecating to
-her friends her temporary residence in what she was pleased to term the
-Ghetto. Nor did the Wolff-Salamons' generosity mitigate the effect of
-their furniture on Norma's nerves. When Jimmie's phrase came into her
-head with the suddenness of a mosquito, she could bear the room no
-longer.
-
-She sat on the balcony and waited for Morland. There at least she was
-free from the flaring gold and blue, and the full-length portrait of the
-lady of the house, on which with delicate savagery the eminent painter
-had catalogued all the shades of her ancestral vulgarity. Perhaps it was
-this portrait that had brought back the irony of Jimmie's tribute. The
-poem of her life! She sat with her chin on her palm, thinking bitterly
-of circumstance. She had never been happy, had grown to disbelieve in so
-absurd and animal a state. It had always been the same, as far back
-as she could remember. Her childhood: nurses and governesses--a swift
-succession of the latter till she began to regard them as remote from
-her inner life as the shop girl or railway guard with whom she came into
-casual contact. The life broken by visits abroad to fashionable watering
-or gambling places where she wandered lonely and proud, neglected by her
-parents, watching with keen eyes and imperturbable face the frivolities,
-the vices, the sordidnesses, taking them all in, speculating upon
-them, resolving some problems unaided and storing up others for future
-elucidation. Her year at the expensive finishing school in Paris where
-the smartest daughters of America babbled and chattered of money, money,
-till the air seemed unfit for woman to breathe unless it were saturated
-with gold dust. As hers was not, came discontent and overweening
-ambitions. Yet the purity was not all killed. She remembered her first
-large dinner-party. The same Lord Wyniard of the unclean scandal had
-taken her down. He was thirty years older than she, and an unsavoury
-reputation had reached even her young ears. The man regarded her with
-the leer of a satyr. She realised with a shudder for the first time the
-meaning of a phrase she had constantly met with in French novels--“_il
-la dévêtit de ses yeux_.” His manner was courtly, his air of breeding
-perfect; yet he managed to touch her fingers twice, and he sought to
-lead her on to dubious topics of conversation. She was frightened.
-
-In the drawing-room, seeing him approach, she lost her head, took
-shelter with her mother, and trembling whispered to her, “Don't let that
-man come and talk to me again, mother, he's a beast.” She was bidden not
-to be a fool. The man had a title and twenty thousand a year, and she
-had evidently made an impression. A week afterwards her mother invited
-a bishop and his wife and Lord Wyniard to dinner, and Lord Wyniard took
-Norma down again. And that was her start in the world. She had followed
-the preordained course till now, with many adventures indeed by the way,
-but none that could justify the haunting phrase--the poem of her life!
-
-Was the man such a fool, after all? Was it even ignorance on his part?
-Was it not, rather, wisdom on a lofty plane immeasurably above the
-commonplaces of ignorance and knowledge? The questions presented
-themselves to her vaguely. She was filled with a strange unrest, a
-craving for she knew not what. Yet she would shortly have in her grasp
-all--or nearly all--that she had aimed at in life. She counted the tale
-of her future possessions--houses, horses, diamonds, and the like. She
-seemed to have owned them a thousand years.
-
-The clock in the house chimed ten in a pretentious musical way, which
-irritated her nerves. The silence after the last of the ten inexorable
-tinkles fell gratefully. Then she realised that in a minute or two
-Morland would arrive. Her heart began to beat, and she clasped her hands
-together in a nervous suspense of which she had not dreamed herself
-capable. A cab turned the corner of the street, approached with
-crescendo rattle, and stopped at the house. She saw Morland alight and
-reach up to pay the cabman. For a silly moment she had a wild impulse to
-cry to him over the balcony to go away and leave her in peace. She
-waited until she heard the footman open the front door and admit him,
-then bracing herself, she entered the drawing-room, looked instinctively
-in a mirror, and sat down.
-
-She met him cordially enough, returned his glance somewhat defiantly.
-The sight of him, florid, sleek, faultlessly attired, brought her back
-within the every-day sphere of dulled sensation. He held her hand long
-enough for him to say, after the first greeting:
-
-“You can guess what I've come for, can't you?”
-
-“I suppose I do,” she admitted in an off-hand way. “You will find
-frankness one of my vices. Won't you sit down?”
-
-She motioned him to a chair, and seating herself on a sofa, prepared to
-listen.
-
-“I've come to ask you to marry me,” said King.
-
-“Well?” she asked, looking at him steadily.
-
-“I want to know how it strikes you,” he continued after a brief pause.
-“I think you know practically all that I can tell you about myself. I
-can give you what you want up to about fifteen thousand a year--it will
-be more when my mother dies. We're decent folk--old county family--I can
-offer you whatever society you like. You and I have tastes in common,
-care for the same things, same sort of people. I'm sound in wind and
-limb--never had a day's illness in my life, so you would n't have to
-look after a cripple. And I'd give the eyes out of my head to have you;
-you know that. How does it strike you?”
-
-Norma had averted her glance from him towards the end of his speech,
-and leaning back was looking intently at her hands in her lap. For the
-moment she felt it impossible to reply. The words that had formulated
-themselves in her mind, “I think, Mr. King, the arrangement will be
-eminently advantageous to both parties,” were too ludicrous in their
-adequacy to the situation. So she merely sat silent and motionless,
-regarding her manicured finger-nails, and awaiting another opening. King
-changed his seat to the sofa, by her side, and leaned forward.
-
-“If you had been a simpler, more unsophisticated girl, Norma, I should
-have begun differently. I thought it would please you if I put sentiment
-aside.”
-
-Her head motioned acquiescence.
-
-“But I'm not going to put it aside,” he went on. “It has got its place
-in the world, even when a man makes a proposal of marriage. And when I
-say I'm in love with you, that I have been in love with you since the
-first time I saw you, it's honest truth.”
-
-“Say you have a regard, a high regard, even,” said Norma, still not
-looking at him, “and I'll believe you.”
-
-“I'm hanged if I will,” said Morland. “I say I'm in love with you.”
-
-Norma suddenly softened. The phrase tickled her ears again--this time
-pleasantly. The previous half-hour's groping in the dark of herself
-seemed to have resulted in discovery. She gave him a fleeting smile of
-mockery.
-
-“Listen,” she said. “If you will be contented with regard, a high
-regard, on my side, I will marry you. I really like you very much. Will
-that do?”
-
-“It is all I ask now. The rest will come by and by.”
-
-“I'm not so sure. We had better be perfectly frank with each other from
-the start, for we shall respect each other far more. Anyhow, if you
-treat me decently, as I am sure you will, you may be satisfied that
-I shall carry out my part of the bargain. My bosom friends tell one
-another that I am worldly and heartless and all that--but I've never
-lied seriously or broken a promise in my life.”
-
-“Very well. Let us leave it at that,” said Morland. “I suppose your
-people will have no objection?”
-
-“None whatever,” replied Norma, drily.
-
-“When can I announce our engagement?”
-
-“Whenever you like.”
-
-He took two or three reflective steps about the room and reseated
-himself on the sofa.
-
-“Norma,” he said softly, bending towards her, “I believe on such
-occasions there is a sort of privilege accorded to a fellow--may I?”
-
-She glanced at him, hesitated, then proffered her cheek. He touched it
-with his lips.
-
-The ceremony over, there ensued a few minutes of anticlimax. Norma
-breathed more freely. There had been no difficulties, no hypocrisies.
-The mild approach to rapture on Morland's part was perhaps, after all,
-only a matter of common decency, to be accepted by her as a convention
-of the _scène à faire_. So was the kiss. She broke the spell of
-awkwardness by rising, crossing the room, and turning off an electric
-pendant that illuminated the full-length portrait on the wall.
-
-“We can't stand Mrs. Wolff-Salamon's congratulations so soon,” she said
-with a laugh.
-
-Conversation again became possible. They discussed arrangements.
-King suggested a marriage in the autumn. Norma, with a view to the
-prolongation of what appealed to her as a novel and desirable phase of
-existence--maidenhood relieved of the hateful duty of husband-hunting
-and unclouded by parental disapprobation--pleaded for delay till
-Christmas. She argued that in all human probability the Parliamentary
-vacancy at Cosford, the safe seat on which Morland reckoned, would occur
-in the autumn, and he could not fix the date of an election at his
-own good pleasure. He must, besides, devote his entire energy to the
-business; time enough when it was over to think of such secondary
-matters as weddings, bridal tours, and the setting up of establishments.
-
-“But you have to be considered, Norma,” he said, half convinced.
-
-“My dear Morland,” she replied with a derisive lip, “I should never
-dream of coming between you and your public career.”
-
-He reflected a moment. “Why should we not get married at once?”
-
-Norma laughed. “You are positively pastoral! No, my dear Morland, that's
-what the passionate young lover always says to the coy maiden in the
-play, but if you will remember, it does n't seem to work even there.
-Besides, you must let me gratify my ambitions. When I was very young,
-I vowed I would marry an emperor. Then I toned him down into a prince.
-Later, becoming more practical, I dreamed of a peer. Finally I descended
-to a Member of Parliament. I can't marry you before you are a Member.”
-
-“You could have had dozens of 'em for the asking, I'm sure,” returned
-the prospective legislator with a grin. “Take them all round, they're a
-shoddy lot.”
-
-He yielded eventually to Norma's proposal, alluding, however, with an
-air of ruefulness, to the infinite months of waiting he would have to
-endure. Tactfully she switched him off the line of sentiment to that
-of soberer politics. She put forward the platitude that a Parliamentary
-life was one of great interest. Morland did not rise even to this level
-of enthusiasm.
-
-“'Pon my soul, I really don't know why I'm going in for it. I promised
-old Potter years ago that I would come in when he gave up, and the
-people down there more or less took it for granted, the duchess
-included, and so without having thought much of it one way or the other,
-I find myself caught in a net. It will be a horrible bore. The whole of
-the session will be one dismal yawn. Never to be certain of sitting down
-to one's dinner in peace and comfort. Never to know when one will have
-to rush off at a moment's notice to take part in a confounded division.
-To have shoals of correspondence on subjects one knows nothing of and
-cares less for. It will be the life of a sweated tailor. And I, of all
-people, who like to take things easy! I'm not quite sure whether I'm an
-idiot or a hero.”
-
-He ended in a short laugh and leaned against the mantelpiece, his hands
-in his pockets.
-
-“It would be the sweet and pretty thing for me to say,” remarked Norma,
-“that in my eyes you will always be heroic.”
-
-“Well, 'pon my soul, I shall be. We 'll see precious little of one
-another.”
-
-“We'll have all the more chance of prolonging our illusions,” she
-replied.
-
-On the whole, however, her conduct towards him was irreproachable. The
-thaw from her usual iciness to this comparatively harmless raillery
-flattered the lover's self-esteem. Woman-wise, as every man in the
-profundity of his vain heart believes himself to be, he not only
-attributed the change to his own powers of seduction, but interpreted as
-significant of a yet greater transformation. A man of Morland's type is
-seldom afflicted with a morbid subtlety of perception; and when he has
-gained for his own personal use and adornment a woman of singular
-distinction, he may be readily pardoned for a slight attack of fatuity.
-
-The idyllic hour was brought to a close by the return of Norma's
-parents. As Norma, shrinking from the vulgarity of the prearranged scene
-and intolerable maternal coaching in her part, had not informed them of
-her appointment with Morland, alleging as an excuse for not going to the
-opera a disinclination to be bored to tears by _Aida_, they were mildly
-surprised by his presence in the house at so late an hour. In a few
-words he acquainted them with what had taken place. He formally asked
-their consent. Mr. Hardacre wrung his hand fervently. Mrs. Hardacre's
-steel-grey eyes glittered welcome into her family. She turned to
-her dear child and expressed her heartfelt joy. Norma, submissive
-to conventional decencies, suffered herself to be kissed. Mother and
-daughter had given up kissing as a habit for some years past, though
-they practised it occasionally before strangers. Mr. Hardacre put
-his arm around her in a diffident way and patted her back, murmuring
-incoherent wishes for her happiness. Everything to be said and done
-was effected in a perfectly well-bred manner. Norma spoke very little,
-regarding the proceedings with an impersonal air of satiric interest. At
-last Mr. Hardacre suggested to Morland a chat over whisky and soda and
-a cigar in the library. In unsophisticated circles it is not unusual
-at such a conjuncture for a girl's friends and relations to afford
-the lovers some unblushing opportunity of bidding each other a private
-farewell. Norma, anticipating any such possible though improbable
-departure from sanity on the part of her parents, made good her escape
-after shaking hands in an ordinary way with Morland. Mrs. Hardacre
-followed her upstairs, eager to learn details, which were eventually
-given with some acidity by her daughter, and the two men retired below.
-
-“My boy,” said Mr. Hardacre, as they parted an hour afterwards, “you
-will find that Norma has had the training that will make her a damned
-fine woman.”
-
-
-
-
-Chapter IV--THE GREAT FROCK EPISODE
-
-JIMMIE PADGATE was the son of a retired commander in the Navy, of
-irreproachable birth and breeding, of a breezy impulsive disposition,
-and with a pretty talent as an amateur actor. Finding idleness the root
-of all boredom, he took to the stage, and during the first week of his
-first provincial tour fell in love with the leading lady, a fragile waif
-of a woman of vague upbringing. That so delicate a creature should have
-to face the miseries of a touring life--the comfortless lodgings,
-the ill-cooked food, the damp death-traps of dressing-rooms, the long
-circuitous Sunday train-journeys--roused him to furious indignation. He
-married her right away, took her incontinently from things theatrical,
-and found congenial occupation in adoring her. But the hapless lady
-survived her marriage only long enough to see Jimmie safe into short
-frocks, and then fell sick and died. The impulsive sailor educated the
-boy in his own fashion for a dozen years or so, and then he, in his
-turn, died, leaving his son a small inheritance to be administered by
-his only brother, an easy-going bachelor in a Government office. This
-inheritance sufficed to send Jimmie to Harrow, where he began his
-life-long friendship with Morland King, and to the École des Beaux-Arts
-in Paris, where he learned many useful things beside the method of
-painting pictures. When he returned to London, his uncle handed him over
-the hundred or two that remained, and, his duty being accomplished, fell
-over a precipice in the Alps, and concerned himself no more about his
-nephew. Then Jimmie set to work to earn his living.
-
-When he snatched the child Aline from the embraces of her tipsy aunt and
-carried her out into the street, wondering what in the world he should
-do with her, he was just under thirty years of age. How he had earned a
-livelihood till then and kept himself free from debt he scarcely knew.
-When he obtained a fair price for a picture, he deposited a lump sum
-with his landlord in respect of rent in advance, another sum with the
-keeper of the little restaurant where he ate his meals, and frittered
-the rest away among his necessitous friends. In the long intervals
-between sales, he either went about penniless or provided himself with
-pocket money by black and white or other odd work that comes in the
-young artist's way. His residence at that time consisted in a studio and
-a bedroom in Camden Town. His wants were few, his hopes were many. He
-loved his art, he loved the world. His optimistic temperament brought
-him smiles from all those with whom he came in contact--even from
-dealers, when he wasted their time in expounding to them the
-commercial value of an unmarketable picture. He was quite happy, quite
-irresponsible. When soberer friends reproached him for his hand-to-mouth
-way of living, he argued that if he scraped to-day he would probably
-spread the butter thick tomorrow, thus securing the average, the golden
-mean, which was the ideal of their respectability. As for success,
-that elusive will-o'-the-wisp, the man who did not enjoy the humour of
-failure never deserved to succeed.
-
-But when he had rescued Aline from the limbo over the small apothecary's
-shop, as thoughtlessly and as gallantly as his father before him had
-rescued the delicate lady from the trials of theatrical vagabondage, he
-found himself face to face with a perplexing problem. That first night
-he had risen from an amorphous bed he had arranged for himself on the
-studio floor, and entered his own bedroom on tiptoe, and looked with
-pathetic helplessness on the tiny child asleep beneath his bedclothes.
-If it had been a boy, he would have had no particular puzzle. A boy
-could have been stowed in a corner of the studio, where he could have
-learned manners and the fear of God and the way of smiling at adversity.
-He would have profited enormously, as Jimmie felt assured, by his
-education. But with a girl it was vastly different. An endless vista
-of shadowy, dreamy, delicate possibilities perplexed him. He conceived
-women as beings ethereal, with a range of exquisite emotions denied
-to masculine coarseness. Even the Rue Bonaparte had not destroyed his
-illusion, and he still attributed to the fair Maenads of the Bal des
-Quatre-z' Arts the lingering fragrance of the original Psyche. Of course
-Jimmie was a fool, as ten years afterwards Norma had decided; but this
-view of himself not occurring to him, he had to manage according to his
-lights. Here was this mysterious embryo goddess entirely dependent on
-him. No corner of the studio and rough-and-tumble discipline for her.
-She must sleep on down and be covered with silk; the airs of heaven must
-not visit her cheek too roughly; the clatter of the brazen world must
-not be allowed to deafen her to her own sweet inner harmonies. Jimmie
-was sorely perplexed.
-
-His charwoman next morning could throw no light on the riddle. She had
-seven children of her own, four of them girls, and they had to get along
-the best way they could. She was of opinion that if let alone and just
-physicked when she had any complaint, Aline would grow up of her own
-accord. Jimmie said that this possibility had not struck him, but
-doubtless the lady was right. Could she tell him how many times a day
-a little girl ought to be fed and what she was to eat? The charwoman's
-draft upon her own family experiences enlightened Jimmie so far that
-he put a sovereign into her hand to provide a dinner for her children.
-After that he consulted her no more. It was an expensive process.
-
-Meanwhile it was obvious that a studio and one bedroom would not be
-sufficient accommodation, and Jimmie, greatly daring, took a house. He
-also engaged a resident housekeeper for himself and a respectable cat
-for Aline, and when he had settled down, after having spent every penny
-he could scrape together on furniture, began to wonder how he could pay
-the rent. A month or two before he would have as soon thought of buying
-a palace in Park Lane as renting a house in St. John's Wood--a cheap,
-shabby little house, it is true; but still a house, with drawing-room,
-dining-room, bedrooms, and a studio built over the space where once the
-garden tried to smile. He wandered through it with a wonderment quite as
-childish as that of Aline, who had helped him to buy the furniture. But
-how was he ever going to pay the rent?
-
-After a time he ceased asking the question. The ravens that fed Elijah
-provided him with the twenty quarterly pieces of gold. Picture-dealers
-of every hue and grade supplied him with the wherewithal to live.
-In those early days he penetrated most of the murky byways of his
-art--alleys he would have passed by with pinched nose a year before,
-when an empty pocket and an empty stomach concerned himself alone.
-Now, when the money for the last picture had gone, and no more was
-forthcoming by way of advance on royalties on plates, and the black and
-white market was congested, he did amazing things. He copied old Masters
-for a red-faced, beery print-seller in Frith Street, who found some
-mysterious market for them. The price can be gauged by the fact that
-years afterwards Jimmie recognised one of his own copies in an auction
-room, and heard it knocked down as a genuine Velasquez for eleven
-shillings and sixpence. He also painted oil landscapes for a dealer
-who did an immense trade in this line, selling them to drapers and
-fancy-warehousemen, who in their turn retailed them to an art-loving
-public, framed in gold, at one and eleven pence three farthings; and the
-artist's rate of payment was five shillings a dozen--panels supplied,
-but not the paint. To see Jimmie attack these was the child Aline's
-delight. In after years she wept in a foolish way over the memory. He
-would do half a dozen at a time: first dash in the foregrounds, either
-meadows or stretches of shore, then wash in bold, stormy skies, then a
-bit of water, smooth or rugged according as it was meant to represent
-pool or sea; then a few vigorous strokes would put in a ship and a
-lighthouse on one panel, a tree and a cow on a second, a woman and a
-cottage on a third. And all the time, as he worked at lightning speed,
-he would laugh and joke with the child, who sat fascinated by the magic
-with which each mysterious mass of daubs and smudges grew into a living
-picture under his hand. When his invention was at a loss, he would
-call upon her to suggest accessories; and if she cried out “windmill,”
- suddenly there would spring from under the darting brush-point a mill
-with flapping sails against the sky. Now and again in his hurry Jimmie
-would make a mistake, and Aline would shriek with delight:
-
-“Why, Jimmie, that's a cow!”
-
-And sure enough, horned and uddered, and with casual tail, a cow was
-wandering over the ocean, mildly speculating on the lighthouse. Then
-Jimmie would roar with laughter, and he would tether the cow to a buoy
-and put in a milkmaid in a boat coming to milk the cow, and at Aline's
-breathless suggestion, a robber with a bow and arrow shooting the
-unnatural animal from the lighthouse top. Thus he would waste an hour
-elaborating the absurdity, finishing it off beautifully so that it
-should be worthy of a place on Aline's bedroom wall.
-
-The months and years passed, and Jimmie found himself, if not on the
-highroad to fortune, at least relieved of the necessity of frequenting
-the murky byways aforesaid. He even acquired a little reputation as a
-portrait painter, much to his conscientious, but comical despair. “I
-am taking people's money under false pretences,” he would say. “I am an
-imaginative painter. I can't do portraits. Your real portrait painter
-can jerk the very soul out of a man and splash it on to his face. I
-can't. Why do they come to me to be photographed, when Brown, Jones,
-or Robinson would give them a portrait? Why can't they buy my
-subject-pictures which are good? In taking their money I am a mercenary,
-unscrupulous villain!” Indeed, if Aline had not been there to keep him
-within the bounds of sanity, his Quixotism might have led him to send
-his clients to Brown or Jones, where they could get better value for
-their money. But Aline was there, rising gradually from the little child
-into girlhood, and growing in grace day by day. After all, the charwoman
-seemed to be right. The tender plant, left to itself, thrived, shot up
-apparently of its own accord, much to Jimmie's mystification. It never
-occurred to him that he was the all in all of her training--her
-mother, father, nurse, teacher, counsellor, example. Everything she was
-susceptible of being taught by a human being, he taught her--from the
-common rudiments when she was a little child to the deeper things of
-literature and history when she was a ripening maiden. Her life was
-bound up with his. Her mind took the prevailing colour of his mind as
-inevitably as the grasshopper takes the green of grass or the locust the
-grey-brown of the sand. But Jimmie in his simple way regarded the girl's
-sweet development as a miracle of spontaneous growth.
-
-Yet Aline on her part instinctively appreciated the child in Jimmie, and
-from very early years assumed a quaint attitude of protection in common
-every-day matters. From the age of twelve she knew the exact state of
-his financial affairs, and gravely deliberated with him over items of
-special expenditure; and when she was fourteen she profited by a change
-in housekeepers to take upon herself the charge of the household. Her
-unlimited knowledge of domestic science was another thing that astounded
-Jimmie, who to the end of his days would have cheerfully given two
-shillings a pound for potatoes. And thus, while adoring Jimmie and
-conscious that she owed him the quickening of the soul within her, she
-became undisputed mistress of her small material domain, and regarded
-him as a kind of godlike baby.
-
-At last there came a memorable day. According to a custom five or six
-years old, Jimmie and Aline were to spend New Year's Eve with some
-friends, the Frewen-Smiths.
-
-He was a rising architect who had lately won two or three important
-competitions and had gradually been extending his scale of living. The
-New Year's Eve party was to be a much more elaborate affair than usual.
-Aline had received a beautifully printed card of invitation, with
-“Dancing” in the corner. She looked through her slender wardrobe. Not
-a frock could she find equal to such a festival. And as she gazed
-wistfully at the simple child's finery laid out upon her bed, a desire
-that had dawned vaguely some time before and had week by week broadened
-into craving, burst into the full blaze of a necessity. She sat down on
-her bed and puckered her young brows, considering the matter in all
-its aspects. Then, with her sex's guilelessness, she went down to the
-studio, where Jimmie was painting, and put her arms round his neck. Did
-he think she could get a new frock for Mrs. Frewen-Smith's party?
-
-“My dear child,” said Jimmie in astonishment, “what an idiotic
-question!”
-
-“But I want really a nice one,” said Aline, coaxingly.
-
-“Then get one, dear,” said Jimmie, swinging round on his stool, so as to
-look at her.
-
-“But I'd like you to give me this one as a present. I don't want it
-to be like the others that I help myself to and you know nothing
-about--although they all are presents, if it comes to that--I want you
-to give me this one specially.”
-
-Jimmie laid down palette and mahl-stick and brush, and from a
-letter-case in his pocket drew out three five-pound notes.
-
-“Will this buy one?”
-
-The girl's eyes filled with tears. “Oh, you are silly, Jimmie,” she
-cried. “A quarter of it will do.”
-
-She took one of the notes, kissed him, and ran out of the studio,
-leaving Jimmie wondering why the female sex were so prone to weeping.
-The next day he saw a strange woman established at the dining-room
-table. He learned that it was a dressmaker. For the next week an air of
-mystery hung over the place. The girl, in her neat short frock and with
-her soft brown hair tied with a ribbon, went about her household duties
-as usual; but there was a subdued light in her eyes that Jimmie noticed,
-but could not understand. Occasionally he enquired about the new frock.
-It was progressing famously, said Aline. It was going to be a most
-beautiful frock. He would have seen nothing like it since he was born.
-
-“Vanity, thy name is little girls,” he laughed, pinching her chin.
-
-On the evening of the 31st of December Jimmie, in his well-worn evening
-suit, came down to the dining-room, and for the first time in his life
-waited for Aline. He sat down by the fire with a book. The cab that had
-been ordered drew up outside. It was a remarkable thing for Aline to
-be late. After a while the door opened, and a voice said, “I am ready.”
- Jimmie rose, turned round, and for a moment stared stupidly at the sight
-that met his eyes. It was Aline certainly, but a new Aline, quite a
-different Aline from the little girl he had known hitherto. Her brown
-hair was done up in a mysterious manner on the top of her head, and the
-tip of a silver-mounted tortoise-shell comb (a present, she afterwards
-confessed, from Constance Deering, who was in her secret) peeped
-coquettishly from the coils. The fashionably-cut white evening dress
-showed her neck and shoulders and pretty round arms, and displayed in a
-manner that was a revelation the delicate curves of her young figure. A
-little gold locket that Jimmie had given her rose and fell on her bosom.
-She met his stare in laughing, blushing defiance, and whisked round so
-as to present a side view of the costume. The astonishing thing had a
-train.
-
-“God bless my soul!” cried Jimmie. “It never entered my head!”
-
-“What?”
-
-“That you're a young woman, that you're grown up, that we'll have all
-the young men in the place falling in love with you, that you'll be
-getting married, and that I'm becoming a decrepit old fogey. Well, God
-bless my soul!”
-
-She came up and put her hands on his shoulders and kissed him.
-
-“You think it becoming, don't you, Jimmie?”
-
-“Becoming! Why, it's ravishing! It's irresistible! Do you mean to
-say that you got all that, gloves and shoes and everything, out of a
-five-pound note?”
-
-She nodded.
-
-“Good Lord!” said Jimmie in astonishment.
-
-In this manner came realisation of the fact that the tiny child he had
-undressed and put to sleep in his own bed ten years before had grown
-into a woman. The shock brought back some of the old perplexities, and
-created for a short while an odd shyness in his dealings with her. He
-treated her deferentially, regarded apologetically the mean viands on
-which he forced this fresh-winged goddess to dine, went out and wasted
-his money on adornments befitting her rank, and behaved with such
-pathetic foolishness that Aline, crying and laughing, threatened to
-run away and earn her living as a nursery-maid if he did not amend
-his conduct. Whereupon there was a very touching scene, and Jimmie's
-undertaking to revert to his previous brutality put their relations
-once more on a sound basis; but all the same there stole into Jimmie's
-environment a subtle grace which the sensitive in him was quick to
-perceive. Its fragrance revived the tender grace of a departed day,
-before he had taken Aline--a day that had ended in a woeful flight to
-Paris, where he had arrived just in time to follow through the streets
-a poor little funeral procession to a poor little grave-side in the
-cemetery of Bagneux. Her name was Sidonie Bourdain, and she was a good
-girl and had loved Jimmie with all her heart.
-
-The tender grace was that of March violets. The essence of a maid's
-springtide diffused itself through the house, and springtide began
-to bud again in the man's breast. It was a strange hyperphysical
-transfusion of quickening sap. His jesting pictured himself as of a
-sudden grown hoary, the potential father of a full-blown woman, two or
-three years short of grandfatherdom. But these were words thrown off
-from the very lightness of a mood, and vanishing like bubbles in the
-air. Deep down worked the craving of the man still young for love
-and romance and the sweet message in a woman's eyes. It was a gentle
-madness--utterly unsuspected by its victim--but a madness such as
-the god first inflicts upon him whom he desires to drive to love's
-destruction. In the middle of it all, while Aline and himself were
-finding a tentative footing on the newly established basis of their
-relationship, the ironical deity took him by the hand and led him into
-the cold and queenly presence of Norma Hardacre.
-
-After that Jimmie fell back into his old ways with Aline, and the Great
-Frock Episode was closed.
-
-
-
-
-Chapter V--A BROKEN BUTTERFLY
-
-ALINE sat in the studio, the picture of housewifely concern, mending
-Jimmie's socks. It was not the unoffending garments that brought the
-expression into her face, but her glance at the old Dutch clock--so
-old and crotchety that unless it were tilted to one side it would not
-consent to go--whose hands had come with an asthmatic whir to the hour
-of eleven. And Jimmie had not yet come down to breakfast. She had called
-him an hour ago. His cheery response had been her sanction for putting
-the meal into preparation, and now the bacon would be uneatable. She
-sighed. Taking care of Jimmie was no light responsibility. Not that he
-would complain; far from it. He would eat the bacon raw or calcined if
-she set it before him. But that would not be for his good, and hence the
-responsibility. In slipping from her grasp and doing the things he ought
-not to do, he was an eel or a twelve-year-old schoolboy. Last night,
-for instance, instead of finishing off some urgent work for an art
-periodical, he had assured her in his superlative manner that it was of
-no consequence, and had wasted his evening with her at the Earl's Court
-Exhibition. It had been warm and lovely, and the band and the bright
-crowd had set her young pulses throbbing, and they had sat at a little
-table, and Jimmie had given her some celestial liquid which she had
-sucked through a straw, and altogether, to use her own unsophisticated
-dialect, it had been perfectly heavenly. But it was wrong of Jimmie to
-have sacrificed himself for her pleasure, and to have deceived her into
-accepting it. For at three or four o'clock she had heard him tiptoeing
-softly past her door on his way to bed, and the finished work she
-had found on his table this morning betrayed his occupation. Even the
-consolation of scolding him for oversleep and a spoiled breakfast was
-thus denied. She spread out her hand in the sock so as to gauge the
-extent of a hole, and, contemplating it, sighed again.
-
-The studio was a vast room distempered in bluish grey, and Aline,
-sitting solitary at the far end, in the line of a broad quivering beam
-of light that streamed through a lofty window running the whole width
-of the north-east side, looked like a little brown saint in a bare
-conventual hall. For an ascetic simplicity was the studio's key-note.
-No curtains, draperies, screens, Japaneseries, no artistic scheme of
-decoration, no rare toys of furniture filled the place with luxurious
-inspiration. Here and there about the walls hung a sketch by a brother
-artist; of his own unsold pictures and studies some were hung, others
-stacked together on the floor. An old, rusty, leather drawing-room suite
-distributed about the studio afforded sitting accommodation. There was
-the big easel bearing the subject-picture on which he now was at work,
-with a smaller easel carrying the study by its side. On the model-stand
-a draped lay figure sprawled grotesquely. A long deal table was the
-untidy home of piles of papers, books, colours, brushes, artistic
-properties. A smaller table at the end where Aline sat was laid for
-breakfast. It was one of Jimmie's eccentricities to breakfast in the
-studio. The dining-room for dinner--he yielded to the convention; for
-lunch, perhaps; for breakfast, no. All his intimate life had been
-passed in the studio; the prim little drawing-room he scarcely entered
-half-a-dozen times in the year.
-
-Aline was contemplating the hole in the sock when the door opened.
-She sprang to her feet, advanced a step, and then halted with a little
-exclamation.
-
-“Oh, it's you!”
-
-“Yes. Are you disappointed?” asked the smiling youth who had appeared
-instead of the expected Jimmie.
-
-“I can get over it. How are you, Tony?”
-
-Mr. Anthony Merewether gave her the superfluous assurance that he was in
-good health. He had the pleasant boyish face and clean-limbed figure of
-the young Englishman upon whom cares sit lightly. Aline resumed her work
-demurely. The young man seated himself near by.
-
-“How is Jimmie?”
-
-“Whom are you calling 'Jimmie'?” asked Aline. “Mr. Padgate, if you
-please.”
-
-“You call him Jimmie.”
-
-“I've called him so ever since I could speak. I think it was one of the
-first three words I learned. When you can say the same, you can call him
-Jimmie.”
-
-“Well, how is Mr. Padgate?” the snubbed youth asked with due humility.
-
-“You can never tell how a man is before breakfast. Why are n't you at
-work?”
-
-He bowed to her sagacity, and in answer to her question explained the
-purport of his visit. He was going to spend the day sketching up the
-river. Would she put on her hat and come with him?
-
-“A fine lot of sketching you'd do, if I did,” said Aline.
-
-The young man vowed with fervour that as soon as he had settled down to
-a view he would work furiously and would not exchange a remark with her.
-
-“Which would be very amusing for me,” retorted Aline. “No, I can't come.
-I'm far too busy. I've got to hunt up a model for the new picture.”
-
-Tony leant back in his chair, dispirited, and began to protest. She
-laughed at his woeful face, and half yielding, questioned him about
-trains. He overwhelmed her with a rush of figures, then paused to give
-her time to recover. His eyes wandered to the breakfast-table, where lay
-Jimmie's unopened correspondence. One letter lay apart from the others.
-Tony took it up idly.
-
-“Here's a letter come to the wrong house.”
-
-“No; it is quite right,” said Aline.
-
-“Who is David Rendell, Esquire?”
-
-“Mr. Rendell is a friend of Jimmie's, I believe.”
-
-“I have never heard of him. What's he like?”
-
-“I don't know. Jimmie never speaks of him,” replied Aline.
-
-“That's odd.”
-
-The young man threw the letter on the table and returned to the subject
-of the outing. She must accompany him. He felt a perfect watercolour
-working itself up within him. One of those dreamy bits of backwater. He
-had a title for it already, “The Heart of Summer.” The difference her
-presence in the punt would make to the picture would be that between
-life and deadness.
-
-The girl fluttered a shy, pleased glance at him. But she loved to tease;
-besides, had she not but lately awakened to the sweet novelty of her
-young womanhood?
-
-“Perhaps Jimmie won't let me go.”
-
-Tony sprang to his feet. “Jimmie won't let you go!” he exclaimed in
-indignant echo. “Did he ever deny you a pleasure since you were born?”
-
-Her eyes sparkled at his tribute to the adored one's excellences.
-“That's just where it is, you see, Tony. His very goodness to me won't
-let me do things sometimes.”
-
-The servant hurried in with the breakfast-tray and the news that the
-master was coming down. Aline anxiously inspected the bacon. To her
-relief it was freshly cooked. In a minute or two a voice humming an air
-was heard outside, and Jimmie entered, smilingly content with existence.
-
-“Hallo, Tony, what are you doing here, wasting the morning light? Have
-some breakfast? Why haven't you laid a place for him?”
-
-Tony declined the invitation, and explained his presence. Jimmie rubbed
-his hands.
-
-“A day on the river! The very thing for Aline. It will do her good.”
-
-“I did n't say I was going, Jimmie.”
-
-“Not going? Rubbish. Put on your things and be off at once.”
-
-“How can I until I have given you your breakfast? And then there's the
-model--you would never be able to engage her by yourself. And you must
-have her to-morrow.”
-
-“I know I'm helpless, dear, but I can engage a model.”
-
-“And waste your time. Besides, you won't be able to find the address.”
-
-“There are cab-horses, dear, with unerring instinct.”
-
-“Your breakfast is getting cold, Jimmie,” said Aline, not condescending
-to notice the outrage of her economic principles.
-
-Eventually Jimmie had his way. Tony Merewether was summarily dismissed,
-but bidden to return in an hour's time, when Aline would be graciously
-pleased to be ready. She poured out Jimmie's coffee, and sat at the side
-of the table, watching him eat. He turned to his letters, picked up the
-one addressed to “David Rendell.” Aline noticed a shade of displeasure
-cross his face.
-
-“Who is Mr. Rendell, Jimmie?” asked Aline.
-
-“A man I know, dear,” he replied, putting the envelope in his pocket. He
-went on with his breakfast meditatively for a few moments, then opened
-his other letters. He threw a couple of bills across the table. His face
-had regained its serenity.
-
-“See that these ill-mannered people are paid, Aline.”
-
-“What with, dear?”
-
-“Money, my child, money. What!” he exclaimed, noting a familiar
-expression on her face. “Are we running short? Send them telegrams to
-say we'll pay next week. Something is bound to come in by then.”
-
-“Mrs. Bullingdon ought to send the cheque for her portrait,” said Aline.
-
-“Of course she will. And there's something due from Hyam. What a thing
-it is to have great expectations! Here's one from Renshaw,” he said,
-opening another letter. “'Dear Padgate'--Dear Padgate!” He put his hands
-on the table and looked across at Aline. “Now, what on earth can I have
-done to offend him? I've been 'Dear Jimmie' for the last twelve years.”
-
-Aline shook her young head pityingly. “Don't you know yet that it is
-always 'Dear Padgate' when they want to borrow money of you?”
-
-Jimmie glanced at the letter and then across the table again.
-
-“Dear me,” he said thoughtfully. “Your knowledge of the world at your
-tender age is surprising. He does want money. Poor old chap! It is
-really quite touching. 'For the love of God lend me four pounds ten to
-carry me on to the end of the quarter.'”
-
-“That's two months off. Mr. Renshaw will have to be more economical than
-usual,” said Aline, drily. “I am afraid he drinks dreadfully, Jimmie.”
-
-“Hush, dear!” he said, becoming grave. “A man's infirmities are his
-infirmities, and we are not called upon to be his judges. How much have
-we in the house altogether?” he asked with a sudden return to his bright
-manner.
-
-“Ten pounds three and sixpence.”
-
-“Why, that's a fortune. Of course we can help Renshaw. Wire him his four
-pounds ten when you go out.”
-
-“But, Jimmie----” expostulated this royal person's minister of finance.
-
-“Do what I say, my dear,” said Jimmie, quietly.
-
-That note in his voice always brought about instant submission, fetched
-her down from heights of pitying protection to the prostrate humility
-of a little girl saying “Yes, Jimmie,” as to a directing providence. She
-did not know from which of the two positions, the height or the depth,
-she loved him the more. As a matter of fact, the two ranges of emotion
-were perfect complements one of the other, the sex in her finding
-satisfaction of its two imperious cravings, to shelter and to worship.
-
-The Renshaw incident was closed, locked up as it were in her heart by
-the little snap of the “Yes, Jimmie.” One or two other letters were
-discussed gaily. The last to be opened was a note from Mrs. Deering.
-“Come to lunch on Sunday and bring Aline. I am asking your friend Norma
-Hardacre.” Aline clapped her hands. She had been longing to see that
-beautiful Miss Hardacre again. Of course Jimmie would go? He smiled.
-
-“Another unconscious sitting for the portrait,” he said. His glance
-wandered to a strainer that stood with its face to the wall, at a
-further end of the room, and he became absent-minded. Lately he had been
-dreaming a boy's shadowy dreams, too sweet as yet for him to seek to
-give them form in his waking hours. A warm touch on his hand brought him
-back to diurnal things. It was the coffee-pot held by Aline.
-
-“I have asked you twice if you would have more coffee,” she laughed.
-
-“I suppose I'm the happiest being in existence,” he said irrelevantly.
-
-Aline poured out the coffee. “You have n't got much to make you happy,
-poor dear!” she remarked, when the operation was concluded.
-
-His retort was checked by a violent peal at the front door-bell and a
-thundering knock.
-
-“That's Morland,” cried Jimmie. “He is like the day of doom--always
-heralds his approach by an earthquake.”
-
-Morland it was, in riding tweeds, a whip in his hand. He pointed an
-upbraiding finger at the half-eaten breakfast. The sloth of these
-painters! Aline flew to the loved one's protection. Jimmie had not gone
-to bed till four. The poor dear had to sleep.
-
-“I did n't get to bed till four, either,” said Morland, with the
-healthy, sport-loving man's contempt for people who require sleep, “but
-I was up at eight and was riding in the Park at nine. Then I thought I'd
-come up here. I've got some news for you.”
-
-Aline escaped. Morland's air of health and prosperity overpowered her.
-She did not dare whisper detraction of him to Jimmie, in whose eyes he
-was incomparable, but to Tony Merewether she had made known her wish
-that he did not look always so provokingly clean, so eternally satisfied
-with himself. All the colour of his mind had gone into his face, was her
-uncharitable epigram. Aline, it will be observed, saw no advantage in a
-tongue perpetually tipped with honey.
-
-“What is your news?” asked Jimmie, as soon as they were alone.
-
-“I have done it at last,” said Morland.
-
-“What?”
-
-“Proposed. I'm engaged. I'm going to be married.”
-
-Jimmie's honest face beamed pleasure. He wrung Morland's hand. The best
-news he had heard for a long time. When had he taken the plunge into the
-pool of happiness?
-
-“Last night.”
-
-“And you have come straight to tell me? It is like you. I am touched, it
-is good to know you carry me in your heart like that.”
-
-Morland laughed. “My dear old Jimmie--”
-
-“I am so glad. I never suspected anything of the kind. Well, she's an
-amazingly lucky young woman whoever she is. When can I have a timid peep
-at the divinity?”
-
-“Whenever you like--why, don't you know who it is?”
-
-“Lord, no, man; how should I?”
-
-“It's Norma Hardacre.”
-
-“Norma Hardacre!” The echo came from Jimmie as from a hollow cave, and
-was followed by a silence no less cavernous. The world was suddenly
-reduced to an empty shell, black, meaningless.
-
-“Yes,” said Morland, with a short laugh. He carefully selected, cut,
-and lit a cigar, then turned his back and examined the half-finished
-picture. He felt the Briton's shamefacedness in the novelty of the
-position of affianced lover. The echo that in Jimmie's ears had sounded
-so forlorn was to him a mere exclamation of surprise. His solicitude as
-to the cigar and his inspection of the picture saved him by lucky chance
-from seeing Jimmie's face, which wore the blank, piteous look of a child
-that has had its most cherished possession snatched out of its hand and
-thrown into the fire. Such episodes in life cannot be measured by time
-as it is reckoned in the physical universe. To Jimmie, standing amid the
-chaos of his dreams, indefinite hours seemed to have passed since he had
-spoken. For indefinite hours he seemed to grope towards reconstruction.
-He lived intensely in the soul's realm, where time is not, was swept
-through infinite phases of emotion; finally awoke to a consciousness
-of renunciation, full and generous. Perhaps a minute and a half had
-elapsed. He crossed swiftly to Morland and clapped him on the shoulder.
-
-“The woman among all women I could have wished for you.”
-
-His voice quavered a little; but Morland, turning round, saw nothing in
-Jimmie's eyes but the honest gladness he had taken for granted he should
-find there. The earnest scrutiny he missed. He laughed again.
-
-“There are not many in London to touch her,” he said in his
-self-satisfied way.
-
-“Is there one?”
-
-“You seem more royalist than--well, than Morland King,” said the happy
-lover, chuckling at his joke. “I wish I had the artist's command
-of superlatives as you have, Jimmie. It would come in deuced handy
-sometimes. Now if, for instance, you wanted to describe the reddest
-thing that ever was, you would find some hyperbolic image for it,
-whereas I could only say it was damned red. See what I mean?”
-
-“It does n't matter what you say, but what you feel,” said Jimmie.
-“Perhaps we hyperbolic people fritter away emotions in the mere frenzy
-of expressing them. The mute man often has deeper feelings.”
-
-“Oh, I'm not going to set up as an unerupted volcano,” laughed Morland.
-“I'm only the average man that has got the girl he has set his heart
-on--and of course I think her in many ways a paragon, otherwise I should
-n't have set my heart on her. There are plenty to pick from, God knows.
-And they let you know it too, by Jove. You're lucky enough to live out
-of what is called Society, so you can't realise how they shy themselves
-at you. Sometimes one has to be simply a brute and dump 'em down hard.
-That's what I liked about Norma Hardacre. She required no dumping.”
-
-“I should think not,” said Jimmie.
-
-“There's one thing that pleases me immensely,” Morland remarked, “and
-that is the fancy she has taken for you. It's genuine. I've never heard
-her talk of any one else as she does of you. She is not given to gush,
-as you may have observed.”
-
-“It's a very deep pleasure to me to hear it,” said Jimmie, looking
-bravely in the eyes of the happy man. “My opinion of Miss Hardacre I
-have told you already.”
-
-Morland waved his cigar as a sign of acceptance of the tribute to the
-lady.
-
-“I was thinking of myself,” he said. “There are a good many men I shall
-have to drop more or less when I'm married. Norma would n't have 'em
-in the house. There are others that will have to be on probation. Now I
-shouldn't have liked you to be on probation--to run the risk of my
-wife not approving of you--caring to see you--you know what I mean. But
-you're different from anybody else, Jimmie. I'm not given to talking
-sentiment--but we've grown up together--and somehow, in spite of our
-being thrown in different worlds, you have got to be a part of my life.
-There!” he concluded with a sigh of relief, putting on his hat and
-holding out his hand, “I've said it!”
-
-The brightening of Jimmie's eyes gave token of a heart keenly touched.
-Deeply rooted indeed must be the affection that could have impelled
-Morland to so unusual a demonstration of feeling. His nature was as
-responsive as a harp set in the wind. His counterpart in woman would
-have felt the tears well into her eyes. A man is allowed but a breath, a
-moisture, that makes the eyes bright. Morland had said the final word of
-sentiment; equally, utterly true of himself. Morland was equally a part
-of his life. It were folly to discuss the reasons. Loyal friendships
-between men are often the divinest of paradoxes.
-
-The touch upon Jimmie's heart was magnetic. It soothed pain. It set free
-a flood of generous emotion, even thanksgiving that he was thus allowed
-vicarious joy in infinite perfections. It was vouchsafed him to be happy
-in the happiness of two dear to him. This much he said to Morland, with
-what intensity of meaning the fortunate lover was a myriad leagues from
-suspecting.
-
-“I'll see you safely mounted,” said Jimmie, opening the studio door.
-Then suddenly like a cold wind a memory buffeted him. He shut the door
-again.
-
-“I forgot. I have a letter for you. It came this morning.”
-
-Morland took the letter addressed to “David Rendell” which Jimmie drew
-from his pocket, and uttered an angry exclamation.
-
-“I thought this infernal business was over and done with.”
-
-He tore open the envelope, read the contents, then tilted his hat to
-the back of his head, and sitting down on one of the dilapidated
-straight-backed chairs of the leather suite, looked at Jimmie in
-great perplexity. In justice to the man it must be said that anger had
-vanished.
-
-“I suppose you know what these letters mean that you have been taking in
-for me?”
-
-“I have never permitted myself to speculate,” said Jimmie. “You asked me
-to do you a very great service. It was a little one. You are not a man
-to do anything dishonourable. I concluded you had your reasons, which it
-would have been impertinent of me to inquire into.”
-
-“It's the usual thing,” said Morland, with a self-incriminatory shrug. “A
-girl.”
-
-“A love affair was obvious.”
-
-Morland spat out an exclamation of impatient disgust for himself and
-rose to his feet.
-
-“Heaven knows how it began--she was poor and lonely--almost a lady--and
-she had beauty and manners and that sort of thing above her class.”
-
-“They always have,” said Jimmie, with a pained expression. “You need n't
-tell me the story. It's about the miserablest on God's earth, is n't it
-now?”
-
-“I suppose so. Upon my soul, I'm not a beast, Jimmie!”
-
-The unwonted rarefied air of sentiment that he had been breathing for
-the last twelve hours had, as it were, intoxicated him. Had the letter
-reached him the day before, he would have left the story connected
-with it in the cold-storage depository where men are wont to keep such
-things. No one would have dreamed of its existence. But now he felt an
-exaggerated remorse, a craving for confession, and yet he made the naked
-remorseful human's instinctive clutch at palliatives.
-
-“Upon my soul, I'm not a beast, Jimmie. I swear I loved her at first.
-You know what it is. You yourself loved a little girl in Paris--you told
-me about it--did n't you?”
-
-Jimmie set his teeth, and said, “Yes.”
-
-Morland went on.
-
-“Some women have ways with them, you know. They turn you into one of
-those toy thermometers--you hold the bulb, and the spirit in it rises
-and bubbles. She got hold of me that way--I bubbled, I suppose--it
-was n't her fault, she was sweet and innocent. It was her nature. You
-artistic people call the damned thing a temperament, I believe. Anyhow
-I was in earnest at the beginning. Then--one always does--I found it was
-only a passing fancy.”
-
-“And like a passing cab it has splashed you with mud. How does the
-matter stand now?”
-
-“Read this,” said Morland, handing him the letter.
-
-“Dearest,” it ran, “the time is coming when you can be very good to me.
-Jenny.” That was all. Jimmie, holding the paper in front of him, looked
-up distressfully at Morland.
-
-“'The time is coming when you can be very good to me.' How confoundedly
-pathetic! Poor little girl! Oh, damn it, Morland, you are going to be
-good to her, are n't you?”
-
-“I'll do all I can. Of course I'll do all I can. I tell you I'm not a
-beast. Heaps of other men would n't care a hang about it. They would
-tell her to go to the devil. I'm not that sort.”
-
-“I know you're not,” said Jimmie.
-
-Morland lit another cigar with the air of a man whose virtues deserve
-some reward.
-
-“The letter can only have one interpretation. Have you known of it?”
-
-“Never dreamed of it.”
-
-“Was there any question of marriage?”
-
-“None whatever. Difference of position and all the rest of it. She quite
-understood. In fact, it was like your Quartier Latin affair.”
-
-Jimmie winced. “It was n't the Quartier Latin--and I was going to marry
-her--only she died before--oh, don't mind me, Morland. What's going to
-be done now?” Morland shrugged his shoulders again, having palliated
-himself into a more normal condition. His conscience, to speak by the
-book, was clothed and in its right mind.
-
-“It's infernally hard lines it should come just at this time. You see,
-I've heaps of things to think about. My position--Parliament--I'm going
-to contest Cosford in the autumn. If the constituency gets hold of any
-scandal, I'm ruined. You know the Alpine heights of morality of a
-British constituency--and there's always some moral scavenger about. And
-then there's Norma--”
-
-“Yes, there's Norma,” said Jimmie, seriously.
-
-“It's unpleasant, you see. If she should know--”
-
-“It would break her heart,” said Jimmie.
-
-Morland started and looked at Jimmie stupidly, his mental faculties
-for the second paralysed, incapable of grappling with the idea. Was it
-scathing sarcasm or sheer idiocy? Recovering his wits, he realised
-that Jimmie was whole-heartedly, childishly sincere. With an effort he
-controlled a rebellious risible muscle at the corner of his lip.
-
-“It would give her great pain,” he said in grave acquiescence.
-
-“It's a miserable business,” said Jimmie.
-
-Morland paced the studio. Suddenly he stopped.
-
-“Should there be any unpleasantness over this, can I rely on your help
-to pull me through?”
-
-“You know you can,” said Jimmie.
-
-Morland looked relieved.
-
-“May I write a note?”
-
-Jimmie pointed to a corner of the long deal table.
-
-“You'll find over there all the materials for mending a broken
-butterfly,” he said sadly.
-
-
-
-
-Chapter VI--THE LOVERS
-
-PROUD in the make-believe that he was a fashionable groom, the loafer
-holding Morland's horse touched his ragged hat smartly at his temporary
-master's approach.
-
-“Give him something, Jimmie; I have n't any change,” cried Morland. He
-mounted and rode away, debonair, with a wave of farewell. Jimmie drew
-from his pocket the first coin to hand, a florin, and gave it to the
-loafer, who came down forthwith from his dreams of high estate to
-commonplace earth, and after the manner of his class adjured the Deity
-to love the munificent gentleman. The two shillings would bring gladness
-into the hearts of his sick wife and starving children. Subject to the
-attestation of the Deity, he put forward as a truth the statement that
-they had not eaten food for a week. He himself was a hard-working man,
-but the profession of holding horses in the quiet roads of St. John's
-Wood was not lucrative.
-
-“You're telling me lies, I'm afraid,” said Jimmie, “but you look
-miserable enough to say anything. Here!” He gave him two more shillings.
-The loafer thanked him and made a bee-line for the nearest public-house,
-while Jimmie, forgetting for the moment the pitiable aspect that poor
-humanity sometimes wears in the persons of the lowly, watched Morland's
-well-set-up figure disappear at the turn of the road. There was no sign
-of black care sitting behind that rider. It perched instead on Jimmie's
-shoulders, and there stayed for the rest of the day. In spite of his
-staunch trust in Morland's honour and uprightness, he found it hard to
-condone the fault. The parallel which Morland had not too ingenuously
-drawn with the far-away passionate episode in his own life had not
-seemed just. He had winced, wondered at the failure in tact, rebelled
-against the desecration of a memory so exquisitely sad. The moment after
-he had forgiven the blundering friend and opened his heart again to
-pity. He was no strict moralist, turning his head sanctimoniously aside
-at the sight of unwedded lovers. His heart was too big and generous.
-But between the romance of illicit love and the commonplace of vulgar
-seduction stretched an immeasurable distance. The words of the pathetic
-note, however, lingering in his mind, brought with them a redeeming
-fragrance. They conjured up the picture of sweet womanhood. They hinted
-no reproach; merely a trust which was expected to be fulfilled. To her
-Morland was the honourable gentleman all knew; he had promised nothing
-that he had not performed, that he would not perform. All day long, as
-he sat before his easel, mechanically copying folds of drapery from the
-lay figure on the platform, Jimmie strove to exonerate his friend from
-the baser fault, and to raise the poor love affair to a plane touched by
-diviner rays. But the black care still sat upon his shoulders.
-
-The next morning he rose earlier than usual, and sought Morland at his
-house in Sussex Gardens. He found him eating an untroubled breakfast.
-Silver dishes, tray, and service were before him. A great flower-stand
-filled with Maréchal Niel roses stood in the centre of the table. Fine
-pictures hung round the walls. Rare china, old oak chairs, and sideboard
-bright with silver bowls--all the harmonious and soothing luxury of a
-rich man's dining-room, gave the impression of ease, of a life apart
-from petty cares, petty vices, petty ambitions. A thick carpet sheltered
-the ears from the creaking footsteps of indiscretion. Awnings before the
-open windows screened the too impertinent light of the morning sun. And
-the face and bearing of the owner of the room were in harmony with its
-atmosphere. Jimmie reproached himself for the doubts that had caused
-his visit. Morland laughed at them. Had he not twice or thrice declared
-himself not a beast? Surely Jimmie must trust his oldest friend to have
-conducted himself honourably. There was never question of marriage.
-There had been no seduction. Could n't he understand? They had parted
-amicably some three months ago, each a little disillusioned. Morland was
-generous enough to strip a man's vanity from himself and stand confessed
-as one of whom a superior woman had grown tired. The new development of
-the affair revealed yesterday had, he repeated, come upon him like
-an unexpected lash. The irony of it, too, in the first flush of his
-engagement! Naturally he was remorseful; naturally he would do all that
-a man of honour could under the circumstances.
-
-“More is not expected and not wanted. On my word of honour,” said
-Morland.
-
-He had been upset, he continued smilingly. The consequences might be
-serious--to himself, not so much to Jenny. There were complications
-in the matter that might be tightened--not by Jenny--into a devil of
-a tangle. Had he not pleaded special urgency when he had first asked
-Jimmie to take in the letters under a false name? It might be a devil
-of a tangle, he repeated.
-
-“But till that happens--and please God it may never happen--we may
-dismiss the whole thing from our minds,” said Morland, reassuringly.
-“Jenny will want for nothing, and want nothing. Do you think if there
-were any melodramatic villainy on my conscience I would go and engage
-myself to marry Norma Hardacre?”
-
-This was the final argument that sent the black care, desperately
-clinging with the points of its claws, into infinite space. Jimmie
-smiled again. Morland waved away the uncongenial topic and called for a
-small bottle of champagne on ice. A glass apiece, he said, to toast the
-engagement. Rightly, champagne was the wine of the morning.
-
-“It is the morning sunshine itself distilled,” said Jimmie, lifting up
-his glass.
-
-He went home on the top of an omnibus greatly cheered, convinced that,
-whatever had happened, Morland had done no grievous wrong. When Aline
-went to the studio to summon him to lunch, she found him busy upon the
-sketch portrait of Norma, and humming a tune--a habit of his when work
-was proceeding happily under his fingers. She looked over his shoulder
-critically.
-
-“That's very good,” she condescended to remark. “Now that Miss Hardacre
-is engaged to Mr. King, why don't you ask her to come and sit?”
-
-“Do you think it's a good likeness?” he asked, leaning back and
-regarding the picture.
-
-“It is the best likeness you have ever got in a portrait,” replied
-Aline, truthfully.
-
-“Then, wisest of infants, what reason could I have for asking Miss
-Hardacre to sit? Besides, I don't want her to know anything about it.”
-
-Aline glowed with inspiration. Why should things the most distantly
-connected with somebody else's marriage so exhilarate the female heart?
-
-“Is it going to be a wedding present, Jimmie?”
-
-“It is a study in indiscretion, my child,” he replied enigmatically.
-
-“You are perfectly horrid.”
-
-“I suppose I am,” he admitted, looking at the portrait with some
-wistfulness. “Ugly as sin, and with as much manners as a kangaroo
-=--does your feminine wisdom think a woman could ever fall in love with
-me?”
-
-She touched caressingly the top of his head where the hair was thinning,
-and her feminine wisdom made this astounding answer:
-
-“Why, you are too old, Jimmie dear.”
-
-Too old! He turned and regarded her for a moment in rueful wonder.
-Absurd though it was, the statement gave him a shock. He was barely
-forty, and here was this full-grown, demure, smiling young woman telling
-him he was too old for any of her sex to trouble their heads about him.
-His forlorn aspect brought a rush of colour to the girl's cheeks. She
-put her arms round his neck.
-
-“Oh, Jimmie, I have hurt you. I'm sorry. I'm a silly little goose. It's
-a wonder that every woman on earth is n't in love with you.”
-
-“That is the tone of exaggerated affection, but not of conviction,” he
-said. “I am the masculine of what in a woman is termed _passée_. I might
-gain the esteem of a person of the opposite sex elderly like myself, but
-my gallant exterior can no longer inspire a romantic passion. My day is
-over. No, you have not hurt me. The sword of truth pierces, but it does
-not hurt.”
-
-Then he broke into his good, sunny laughter, and rose and put his arm
-with rough tenderness round her shoulder, as he had done ever since she
-could walk.
-
-“You are the youngest thing I have come across for a long time.”
-
-Aline, as she nestled up against him on their way out of the studio, was
-thus impressed with a salutary consciousness of her extreme youth.
-But this in itself magnified Jimmie's age. She loved him with a pure
-passionate tenderness; no one, she thought, could know him without
-loving him; but her ideal of the hero of romance for whom fair ladies
-pined away in despairing secret was far different. She was too young
-as yet, too little versed in the signs by which the human heart can
-be read, to suspect what his playful question implied of sadness,
-hopelessness, renunciation.
-
-On Sunday they lunched with Connie Deering. Morland and Norma and old
-Colonel Pawley, an ancient acquaintance of every one, were the only
-other guests. It was almost a family party, cried Connie, gaily; and it
-had been an inspiration, seeing that the invitations had been sent out
-before the engagement had taken place. Jimmie and Aline, being the first
-arrivals, had their hostess to themselves for a few moments.
-
-“They both think it bad form to show a sign of it, but they are awfully
-gone upon each other,” Connie said. “So you must n't judge Norma by what
-she says. All girls like to appear cynical nowadays. It's the fashion.
-But they fall in love in the same silly way, just as they used to.”
-
-“I am glad to hear they are fond of one another,” said Jimmie. “The
-deeper their love the happier I shall be.”
-
-The little lady looked at him for a second out of the corner of her eye.
-
-“What an odd thing to say!”
-
-“It ought to be a commonplace thing to feel.”
-
-“In the happiness of others there is always something that is pleasing.
-By giving him the lie like that you will make poor Rochefoucauld turn in
-his grave.”
-
-“He ought to be kept revolving like Ixion,” said Jimmie. “His maxims are
-the Beatitudes of Hell.”
-
-He laughed off the too trenchant edge of his epigram, qualifying it in
-his kind way. After all, you must n't take your cynic too literally. No
-doubt a kindly heart beats in the ducal bosom.
-
-“I should like to know your real opinion of the devil,” laughed Mrs.
-Deering.
-
-The opportunity for so doing was lost for the moment. The lovers
-entered, having driven together from the Park. At the sight of Norma,
-Aline twitched Jimmie's arm with a little gasp of admiration and
-Jimmie's breath came faster. He had not seen her hitherto quite so
-coldly, radiantly beautiful. Perhaps it was the great white hat she
-wore, a mystery of millinery, chiffon and roses and feathers melting
-one with the other into an effect of broad simplicity, that formed an
-unsanctified but alluring halo to a queenly head. Perhaps it was the
-elaborately simple cream dress, open-worked at neck and arms, that
-moulded her ripe figure into especial stateliness. Perhaps, thought
-poor Jimmie, it was the proud loveliness into which love was wont to
-transfigure princesses.
-
-She received Connie's kiss and outpouring of welcome with her usual
-mocking smile. “If you offer me congratulations, I shall go away,
-Connie. I have been smirking for the last hour and a half. We were so
-exhausted by playing the sentimental idiots that we did n't exchange a
-word on our way here; though I believe Morland likes it. We saw those
-dreadful Fry-Robertsons bearing down upon us. He actually dragged me up
-to meet them, as who should say 'Let us go up and get congratulated.'”
-
-“I don't see why I should hide my luck under a bushel,” laughed Morland.
-
-“Thank you for the compliment,” said Norma. “But if you won at Monte
-Carlo you would n't pin the banknotes all over your coat and strut about
-the street. By the way, Connie, we're late. Need we apologise?”
-
-“You're not the last. Colonel Pawley is coming.”
-
-“Oh dear! that old man radiates boredom. How can you stand him, Connie?”
-
-“He's the sweetest thing on earth,” said her hostess.
-
-Norma laughed a little contemptuously and came forward to greet Aline
-and Jimmie. As she did so, her face softened. Jimmie, drawing her aside,
-offered his best wishes.
-
-“The happiness of a man whom I have loved like a brother all my life
-can't be indifferent to me. On that account you must forgive my speaking
-warmly. May you be very happy.”
-
-“I shall be happy in having such a champion of my husband for a
-brother-in-law,” said Norma, lightly.
-
-“A loyal friend of your own, if you will,” said Jimmie.
-
-There was a short pause. Norma ran the tip of her gloved finger down the
-leaf of a plant on a stand. They were by the window. A vibration in his
-voice vaguely troubled her.
-
-“What do you really mean by 'loyal'?” she said at last, without looking
-at him.
-
-“The word has but one meaning. If I tried to explain further, I should
-only appear to be floundering in fatuity.”
-
-“I believe you are the kind that would stick to a woman through thick
-and thin, through good repute and ill repute. That's what you mean. Only
-you don't like to hint that I might at any time become disreputable. I
-may. All things are possible in this world.”
-
-“Not that,” said Jimmie. “Perhaps I was unconsciously pleading for
-myself. Say you are a queen in your palace. While humbly soliciting
-a position in your household, I somewhat grandiloquently submit my
-qualifications.”
-
-“What's all this about?” asked Morland, coming up, having overheard the
-last sentence.
-
-“I am pleading for a modest position in Her Majesty's Household,” said
-Jimmie.
-
-“We'll fit him up with cap and bells,” laughed Morland, “and make him
-chief jester, and give him a bladder to whack us over the head with.
-He's fond of doing that when we misbehave ourselves. Then he can get us
-out of our scrapes, like the fellow in Dumas--what's his name--Chicot,
-was n't it?”
-
-Pleased with his jest, he turned to acquaint Connie with Jimmie's new
-dignity. Both the jest and the laugh that greeted it jarred upon Norma.
-Jimmie said to her good-humouredly:
-
-“I might be Chicot, the loyal friend, without the cap and bells. I am a
-dull dog.”
-
-She looked out of the window and laughed somewhat bitterly.
-
-“I think you are a great deal too good to have anything to do with any
-of us.”
-
-“It pleases you to talk arrant nonsense,” said he.
-
-Luncheon was announced. At table Jimmie and Norma were neighbours. Aline
-sat between Morland, who was next to Norma, and old Colonel Pawley. As
-the latter at first talked to Mrs. Deering, Aline and Morland carried
-on a frigid conversation. They had never been friends. To Morland,
-naturally, she was merely a little girl of no account, who had often
-been annoyingly in the way when he wanted to converse with Jimmie; and
-Aline, with a little girl's keen intuition, had divined more of his real
-character than she was aware of, and disliked and distrusted him. Like
-a well-brought-up young lady she answered “yes” and “no” politely to
-his remarks, but started no fresh topic. At last, to her relief, Colonel
-Pawley rescued her from embarrassed silence. To him she had extended
-her favour. He was a short fat man, with soft hands and a curious soft
-purring voice, and the air rather of a comfortable old lady than of
-a warrior who had retired on well-merited laurels. He occupied his
-plentiful leisure by painting on silk, which he made into fans for
-innumerable lady acquaintances. In his coat-tail pocket invariably
-reposed a dainty volume bound in crushed morocco--a copy of little
-poems of his own composition--and this, when he was in company with a
-sympathetic feminine soul, he would abstract with apoplectic wheezing
-and bashfully present. He also played little tunes on the harp. Aline,
-with the irreverence of youth, treated him as a kind of human toy.
-
-His first word roused the girl's spontaneous gaiety. She bubbled over
-with banter. The mild old warrior chuckled with her, threw himself
-unreservedly into the childish play. Connie whispered to Jimmie:
-
-“I should like to tie a bit of blue ribbon round his neck and turn him
-loose in a meadow. I am sure he would frisk.”
-
-Morland exchanged casual remarks with Norma. She answered absently. The
-change in Aline from the unsmiling primness wherewith Morland's society
-had cloaked her to sunny merriment with Colonel Pawley was too marked to
-escape her attention. In spite of the ludicrousness of the comparison,
-she could not help perceiving that the old man who radiated boredom
-had a quality of charm unpossessed by Morland, and she felt absurdly
-disappointed with her lover. During the last few days she had made
-up her mind to like him. Sober forecast of a lifetime spent in the
-inevitable intimacy of marriage had forced her to several conclusions.
-One, that it was essential to daily comfort that a woman should find the
-personality of a husband pleasing rather than antipathetic. With more
-ingenuousness than the world would have put to her credit, she had
-set herself deliberately to attain this essential ideal. The natural
-consequence was a sharply critical attitude and a quickly developing
-sensitiveness, whereby, as in a balance of great nicety, the minor
-evidences of his character were continually being estimated. Thus,
-Morland's jest before luncheon had jarred upon her. His careless air
-of patronage had betrayed a lack of appreciation of something--the word
-“spiritual” was not in her vocabulary, or she might have used it--of
-something, at all events, in his friend which differentiated him from
-the casual artist and which she herself had, not without discomfort,
-divined at their first meeting. The remark had appeared to her in bad
-taste. Still ruffled, she became all the more critical, and noted with
-displeasure his failure to have won a child's esteem. And yet she felt
-a touch of resentment against Jimmie for being the innocent cause of her
-discomposure. It gave rise to a little feline impulse to scratch him and
-see whether he were not mortal like every one else.
-
-“Do you ever exhibit at the Royal Academy?” she asked suddenly.
-
-“They won't have me,” said he.
-
-“But you send in, don't you?”
-
-“With heart-breaking regularity. They did have me once.” He sighed. “But
-that was many years ago, when the Academy was young and foolish.”
-
-“I have heard they are exceedingly conservative,” said Norma, with the
-claws still unsheathed. “Perhaps you work on too original lines.”
-
-But she could draw from him no expression of vanity. He smiled. “I
-suppose they don't think my pictures good enough,” he said simply.
-
-“Jimmie's work is far too good for that wretched Academy,” said Connie
-Deering. “The pictures there always give you a headache. Jimmie's never
-do.”
-
-“I should like to kill the Academy,” Aline broke in sharply, on the
-brink of tears. A little tragedy of murdered hopes lurked in her tone.
-Then, seeing that she had caused a startled silence, she reddened and
-looked at her plate. Jimmie laughed outright.
-
-“Is n't she bloodthirsty? All the seventy of them weltering in their
-gore! Only the other day she said she would like to slaughter the whole
-Chinese Empire, because they ate puppies and birds'-nests!”
-
-Connie chimed a frivolous remark in tune with Jimmie. Morland, as
-befitted a coming statesman, took up the parable of the march westwards
-of the yellow races. Colonel Pawley, who had been through the Taeping
-rebellion, was appealed to as an authority on the development of the
-Chinaman. He almost blushed, wriggled uncomfortably, and as soon as he
-could brought the conversation to the milder topic of Chinese teacups.
-Successful, he sighed with relief and told Aline the story of the willow
-pattern. The Royal Academy was forgotten. But Norma felt guilty and
-ashamed.
-
-Nor was she set more at ease with herself by a careless remark of
-Morland's as Connie's front door closed behind them an hour or so later.
-
-“I am afraid you rather rubbed it into poor old Jimmie about the
-Academy. The little girl looked as if she would like to fly at you. She
-is a spoiled little cat.”
-
-“I have noticed she does n't seem to like you,” answered Norma, sourly.
-
-The drive as far as Grosvenor Place, where Norma proposed to pay a
-solitary call, was not as pleasant as he had anticipated. He parted from
-her somewhat resentful of an irritable mood, and walked back towards
-Sussex Gardens through the Park, reviling the capriciousness of woman.
-
-
-
-
-Chapter VII--A MAD PROPHET
-
-A VIOLENT man, pallid and perspiring, with crazy dark eyes and a
-voice hoarse from the effort to make himself heard above the noise of
-a hymn-singing group a few yards to the right and of a brazen-throated
-atheist on the left, was delivering his soul of its message to
-mankind--a confused, disconnected, oft-delivered message, so
-inconsequent as to suggest that it had been worn into shreds and tatters
-of catch-phrases by process of over-delivery, yet uttered with the
-passion of one inspired with a new and amazing gospel.
-
-“I am speaking to you, the working-men, the proletariat, the downtrodden
-slaves of the plutocracy, the creators in darkness of the wealth that
-the idlers enjoy in dazzling halls of brightness. I do not address the
-bourgeoisie rotting in sloth and apathy. They are the parasites of the
-rich. They sweat the workers in order to pander to the vices of the
-rich. They despise the poor and grovel before the rich. They shrink from
-touching the poor man's hand, but they offer their bodies slavishly to
-the kick of the rich man's foot. It is not in their hands, but in yours,
-brother toilers and brother sufferers, that lies the glorious work
-of the great social revolution whose sun just rising is tipping the
-mountain-tops with its radiant promise of an immortal day. It is
-against them and not with them that you have to struggle. In that day
-of Armageddon you will find all tailordom, all grocerdom, all
-apothecarydom, all attorneydom arrayed in serried ranks around the
-accursed standards of plutocracy, of aristocracy, of bureaucracy. Beware
-of them. Have naught to do with them on peril of your salvation. The
-great social revolution will come not from above, but from below, from
-the depths. _De profundis clamavi!_ “From the depths have I cried, O
-Lord!”
-
-He paused, wiped his forehead, cleared his throat, and went on in
-the same strain, indifferent to ribald interjections and the Sunday
-apathy of his casual audience. The mere size of the crowd he was
-addressing seemed to satisfy him. The number was above the average. A
-few working-men in the inner ring drank in the wild utterances with
-pathetic thirst. The majority listened, half amused, half attracted by
-the personality of the speaker. A great many were captivated by the
-sonority of the words, the unfaltering roll of the sentences, the vague
-associations and impressions called up by the successive images. It is
-astonishing what little account our sociological writers take of the
-elementary nature of the minds of the masses; how easily they are
-amused; how readily they are imposed upon; how little they are capable
-of analytical thought; at the same time, how intellectually vain they
-are, which is their undoing. The ineptitudes of the music hall which
-make the judicious grieve--the satirical presentment, for instance, of
-the modern fop, which does not contain one single salient characteristic
-of the type, which is the blatant convention of fifty years back--are
-greeted with roars of unintelligent laughter. Books are written, vulgar,
-fallacious, with a specious semblance of philosophical profundity, and
-sell by the hundred thousand. The masses read them without thought,
-without even common intelligence. It is too great an intellectual effort
-to grasp the ideas so disingenuously presented; but the readers can
-understand just enough to perceive vaguely that they are in touch with
-the deeper questions of philosophy, and through sheer vanity delude
-themselves into the belief that they are vastly superior people in being
-able to find pleasure in literature of such high quality. And the word
-Mesopotamia is still blessed in their ears. Nothing but considerations
-such as these can explain the popularity of some of the well-known
-Sunday orators in Hyde Park. The conductors of the various properly
-organised mission services belong naturally to a different category. It
-is the socialist, the revivalist, the atheist, the man whose blood and
-breath seem to have turned into inexhaustible verbiage, that present the
-problem.
-
-Some such reflections forced themselves into the not uncharitable mind
-of Jimmie as he stood on the outer fringe of the pallid man's audience
-and listened wonderingly to the inspired nonsense. He had left a
-delighted Aline to be taken by Colonel Pawley to the Zoological Gardens,
-and had strolled down from Bryanston Square to the north side of the
-Park. To lounge pleasantly on a Sunday afternoon from group to group
-had always been a favourite Sunday pastime, and the pallid man was a
-familiar figure. Jimmie had often thought of painting him as the central
-character of some historical picture--an expectorated Jonah crying to
-Nineveh, or a Flagellant in the time of the plague, with foaming
-mouth and bleeding body, calling upon the stricken city to repent. His
-artist's vision could see the hairy, haggard, muscular anatomy beneath
-the man's rusty black garments. He could make a capital picture out of
-him.
-
-The man paused only for a few seconds, and again took up his
-parable--the battle of the poor and the rich. The flow of words
-poured forth, platitude on platitude, in turbid flood, sound and fury
-signifying elusively, sometimes the collectivist doctrine, at others the
-mere _sans-culotte_ hatred of the aristocrat. Jimmie, speculating on
-the impression made by the oratory on the minds of the audience, moved
-slightly apart from the crowd. His glance wandering away took in Morland
-on his way home, walking sedately on the path towards the Marble Arch.
-He ran across the few yards of intervening space and accosted his friend
-gaily.
-
-“Come and have a lesson in public speaking, and at the same time hear
-the other side of the political question.”
-
-“What! go and stand among that rabble?” cried Morland, aghast.
-
-“You'll have to stand among worse, so you had better get used to it.
-Besides, the man is a delightful fellow, with a face like Habakkuk,
-capable of everything. To hear him one would think he were erupting
-red-hot lava, whereas really it is molten omelette. Come. Your purple
-and fine linen will be a red rag to him.”
-
-Laughing, he dragged the protesting Morland within earshot of the
-speaker. Morland listened superciliously for a few moments.
-
-“What possible amusement can you find in this drivel?” he asked.
-
-“It is so devilish pathetic,” said Jimmie, “so human--the infinite
-aspiration and the futile accomplishment. Listen.”
-
-The hymn next door had ceased, the atheist was hunting up a reference,
-and the words of the pallid man's peroration resounded startlingly in
-the temporary silence:
-
-“In that day when the sovereign people's will is law, when the
-weakest and the strongest shall share alike in the plenteous bounty of
-Providence, no longer shall the poor be mangled beneath the Juggernaut
-car of wealth, no longer shall your daughters be bound to the rich man's
-chariot-wheels and whirled shrieking into an infamy worse than death, no
-longer shall the poor man's soul burn with hell fire at the rich man's
-desecration of the once pure woman that he loves, no more rottenness,
-foulness, stench, iniquity, but the earth shall rest in purity, securely
-folded in the angel wings of peace!”
-
-He waved his arms in a gesture of dismissal, turned his back on the
-crowd, and sat down exhausted on the little wooden bench that had been
-his platform. The crowd gradually moved away, some laughing idly, others
-reflectively chewing the cud of their Barmecide meal. Morland pointed a
-gold-mounted cane at the late speaker.
-
-“Who and what is this particular brand of damned fool?”
-
-Jimmie checked with a glance a working-man who had issued from the inner
-ring and was passing by, and translated Morland's question into soberer
-English.
-
-“Him?” replied the working-man. “That's Daniel Stone, sir. Some people
-say he's cracked, but he always has something good to say and I like
-listening to him.”
-
-“What does he do when he is n't talking?” asked Jimmie. “Snatches a nap
-and a mouthful of food, I should say, sir,” said the man, with a
-laugh. He caught Jimmie's responsive smile, touched his cap, like the
-downtrodden slave that he was, and went on his way. Jimmie glanced round
-for Morland and saw him striding off rapidly. He ran after him.
-
-“What is the hurry?”
-
-“That damned man--”
-
-“Which? The one I was talking to? You surely did n't object--?”
-
-“Of course not. The other--Daniel Stone--”
-
-“Well, what of him?”
-
-“He's a dangerous lunatic. I have heard of him. Why the devil did you
-want me to make an exhibition of myself among this scum?”
-
-Jimmie stared. Morland broke into a laugh and held out his hand.
-“Never mind. The beast got on my nerves with his chariot wheels and his
-desecration of maidens and the rest of it. I must be off. Good-bye.”
-
-Jimmie watched him disappear through the gate and turned back towards
-the groups. The pallid man was still sitting on his bench; a few
-children hung round and scanned him idly. Presently he rose and tucked
-his bench under his arm, and walked slowly away from the scene of his
-oratory. His burning eyes fixed themselves on Jimmie as he passed by.
-Jimmie accosted him.
-
-“I have been greatly interested in your address.”
-
-“I saw you with another of the enemies of mankind. You are a gentleman,
-I suppose?”
-
-“I hope so,” said Jimmie, smiling.
-
-“Then I have nothing to do with you,” retorted the man, with an angry
-gesture. “I hate you and all your class.”
-
-“But what have we done to you?”
-
-“You have turned my blood into gall and my soul into consuming fire.”
-
-“Let us get out of the dust and sit down under a tree and talk it over.
-We may get to understand each other.”
-
-“I have no wish to understand you,” said the man, coldly. “Good-day to
-you.”
-
-“Good-day,” said Jimmie, with a smile. “I am sorry you will not let us
-be better acquainted.”
-
-He turned to the next group, who were listening to a disproof of God's
-existence. But the atheist was a commonplace thunderer in a bowler
-hat, whose utterances fell tame on Jimmie's ears after those of
-the haggard-eyed prophet. He wandered away from the crowd, striking
-diagonally across the Park, and when he found comparative shade and
-solitude, cast himself on the grass beneath a tree. The personality of
-Daniel Stone interested him. He began to speculate on his daily life,
-his history. Why should he have vowed undying hatred against his social
-superiors? He reminded Jimmie of a character in fiction, and after some
-groping the association was recalled. It was the monk in Dumas, the son
-of Miladi. He wove an idle romance about the man. Perhaps Stone was
-the disinherited of noble blood, thirsting for a senseless vengeance.
-Gradually the drowsiness of deep June fell upon him. He went fast
-asleep, and when he awoke half an hour afterwards and began to walk
-homewards, he thought no more of Daniel Stone.
-
-But on following Sunday afternoons he frequently stood for a while
-to listen to the man. It was always the same tale--sound and fury,
-signifying nothing. On one occasion he caught Jimmie's eye, and
-denounced him vehemently as an enemy of society. After that, Jimmie,
-who was of a peaceful disposition, ceased attending his lectures. He
-sympathised with Morland.
-
-
-
-
-Chapter VIII--HER SERENE HIGHNESS
-
-A PRETTY quarrel between a princess and a duchess gave rise to
-circumstances in which the destiny of Jimmie was determined, or in
-which, to speak with modern metaphor, the germ of his destiny found the
-necessary conditions for development. Had it not been for this quarrel,
-Jimmie would not have stayed at the Hardacres' house; and had he not
-been their guest, the events hereafter to be recorded would not have
-happened. Such concatenation is there in the scheme of human affairs.
-
-The Duchess of Wiltshire was a mighty personage in the Hardacres' part
-of the county. She made social laws and abrogated them. She gave and she
-took away the brevet of county rank. She made and unmade marriages. To
-fall under the ban of her displeasure was to be disgraced indeed. She
-held a double sway in that the duke, her husband, had delegated to her
-his authority in sublunary matters, he being a severe mathematician and
-a dry astronomer, who looked at the world out of dull eyes, and regarded
-it with indifference as a mass of indistinguishable atoms forming a
-nebula, a sort of Milky Way, concerning which philosophic minds had from
-time to time theorised. He lived icily remote from society; the duchess,
-on the contrary, was warmly interested in its doings. In the county she
-reigned absolute; but in London, recognising the fact that there
-were other duchesses scattered about Mayfair and Belgravia, she was
-high-minded enough to modify her claims to despotic government. She felt
-it, however, her duty to decree that her last reception should mark the
-end of the London season.
-
-To this reception the Hardacres were always invited.
-
-In previous years they had mounted the great staircase of Wiltshire
-House, their names had been called out, the duchess had given them the
-tips of her fingers, and the duke, tall, white-haired, ascetic, had let
-them touch his hand with the air of a man absently watching ants crawl
-over him; they had passed on, mixed with the crowd, and seen their
-host and hostess no more. But this year, to Mrs. Hardacre's thrilling
-delight, the duchess gave her quite a friendly squeeze, smiled her
-entire approbation of Mrs. Hardacre's existence, and detained her for a
-moment in conversation.
-
-“Don't forget to come and have a little talk with me later. I have n't
-seen you since dear Norma's engagement.”
-
-To dear Norma she was equally urbane, called her a lucky girl, and
-presented her as a bride-elect to the duke, who murmured a vague formula
-of congratulation which he had remembered from early terrestrial days.
-
-“I can't tell you how proud I am of you, Norma!” said Mrs. Hardacre,
-with a lump in her throat, as they passed on. “The dear duchess! I
-wonder if I am sufficiently grateful to Providence.”
-
-Norma, although in her heart pleased by the manifestation of ducal
-favour, could not let the opportunity for a taunt pass by.
-
-“You can refer to it in your prayers, mother: 'O God, I thank Thee for
-shedding Her Grace upon me.' Won't that do, father.”
-
-“Eh, what?” asked Mr. Hardacre, very red in the face, trailing half a
-pace behind his wife and daughter.
-
-Norma repeated her form of Thanksgiving.
-
-“Ha! ha! Devilish good! Tell that in the club,” he said in high
-good-humour. His wife's glance suddenly withered him.
-
-“I don't approve of blasphemy,” she said.
-
-“Towards whom, mother dear?” asked Norma, suavely. “The Almighty or the
-duchess?”
-
-“Both,” said Mrs. Hardacre, with a snap.
-
-Mr. Hardacre, seeing in the distance a man to whom he thought he could
-sell a horse, escaped from the domestic wrangle. Mother and daughter
-wandered through the crowd, greeted by friends, pausing here and there
-to exchange a few words, until they came to the door of the music-room,
-filled to overflowing, where an operatic singer held the assembly in
-well-bred silence. At the door the crush was ten deep. On the outskirts
-conversation hummed like an echo of the noise from the suite of rooms
-behind. There they were joined by Morland. Mrs. Hardacre told him of the
-duchess's graciousness. He grinned, taking the information with the air
-of a man to whom the favour of duchesses bestowed upon his betrothed
-is a tribute to his own excellence. He thought she would be pleased, he
-said. They must get the old girl to come to the wedding. Mrs. Hardacre
-was pained, but she granted young love indulgence for the profanity.
-If they only could, she assented, the success of the ceremony would be
-assured. Norma turned to Morland with a laugh.
-
-“We shall be married with a vengeance, if it's sanctified by the
-duchess. Do you think a parson is at all necessary?”
-
-He joined in her mirth. She drew him aside.
-
-“Well, what's the news?”
-
-He accounted, loverwise, for his day.. At last he said:
-
-“I looked in upon Jimmie Padgate this morning. I wanted him to go to
-Christie's and buy a picture or two for me--for us, I ought to say,”
- he added, with a little bow. “He knows more about 'em than I do. He's a
-happy beggar, you know,” he exclaimed, after a short pause.
-
-“What makes you say so?”
-
-“His perfect conviction that everything is for the best in the best of
-all possible worlds. There he was sitting at lunch over the black scrag
-end of a boiled mutton bone and a rind of some astonishing-looking
-yellow cheese--absolutely happy. And he waved his hand towards it as if
-it had been a feast of Lucullus and asked me to share it.”
-
-“Did you?” asked Norma.
-
-“I had n't time,” said Morland. “I was fearfully busy to-day.”
-
-Norma did not reply. She looked over the heads of the crowd in front
-of her towards the music-room whence came the full notes of the singer.
-Then she said to him with a little shiver:
-
-“I am glad you are a rich man, Morland.”
-
-“So am I. Otherwise I should not have got you.”
-
-“That's true enough,” she said. “I pretend to scoff at all this, but I
-could n't live without it.”
-
-“It has its points,” he assented, turning and regarding the brilliant
-scene.
-
-Norma turned with him. She was glad it was her birthright and her
-marriage-right. The vast state ballroom, lit as with full daylight by
-rows of electric lamps cunningly hidden behind the cornices and
-the ground-glass panels of the ceiling, stately with its Corinthian
-pilasters and classic frieze, its walls adorned with priceless pictures,
-notably four full-length cavaliers of Vandyck, smiling down in their
-high-bred way upon this assembly of their descendants, its atmosphere
-glittering with jewels, radiant with colour, contained all the
-magnificence, all the aristocracy, all the ambitions, all the ideals
-that she had been trained to worship, to set before her as the lodestars
-of her life's destiny. Here and there from amid the indistinguishable
-mass of diamonds, the white flesh of women's shoulders, the black and
-white chequer and brilliant uniforms of men, flashed out the familiar
-features of some possessor of an historic name, some woman of
-world-famed beauty, some great personage whose name was on the lips of
-Europe. There, by the wall, lonely for the moment, stood the Chinese
-Ambassador, in loose maroon silk, and horse-tail plumed cap, his yellow,
-wizened face rendered more sardonic by the thin drooping grey moustache
-and thin grey imperial, looking through horn spectacles, expressionless,
-impassive, inhumanly indifferent, at one of the most splendid scenes a
-despised civilisation could set before him. There, in the centre of a
-group of envious and unembarrassed ladies, an Indian potentate blazed in
-diamonds and emeralds, and rolled his dusky eyes on charms which (most
-oddly to his Oriental conceptions) belonged to other men. Here a Turk's
-red fez, a Knight of the Garter's broad blue sash, an ambassador's
-sparkle of stars and orders; and there the sweet, fresh rosebud beauty
-of a girl caught for a moment and lost in the moving press. And there,
-at the end of the vast, living hall, a dimly seen haggard woman, with
-a diamond tiara on her grey hair, surrounded by a little court of the
-elect, sat Her Serene Highness, the Princess of Herren-Rothbeck, sister
-to a reigning monarch, and bosom friend, despite the pretty quarrel, of
-Her Grace the Duchess of Wiltshire.
-
-The song in the music-room coming to an end, the audience for the most
-part rose and pressed into the ballroom. The Hardacres and Morland were
-driven forward. There was a long period of desultory conversation with
-acquaintances. Morland, proud in the possession of Norma's beauty,
-remained dutifully attendant, and received congratulations with almost
-blushing gratification. Mrs. Hardacre, preoccupied by anticipation of
-her promised talk with the duchess, kept casting distracted glances at
-the door whereby the great lady would enter. The appearance from a group
-of neighbouring people of a pleasant young fellow with a fair moustache
-and very thin fair hair, who greeted her cordially, brought her back
-to the affairs of the moment. This was the Honourable Charlie Sandys,
-a distant relative of the duchess, and her Grand Vizier, Master of the
-Horse, Groom of the Chambers, and general right-hand man. He was two and
-twenty, and had all the amazing wisdom of that ingenuous age. Morland
-shook hands with him, but being tapped on the arm by the fan of a
-friendly dowager, left him to converse alone with Mrs. Hardacre and
-Norma. The youth indicated Morland's retiring figure by a jerk of the
-head.
-
-“Parliament--Cosford division.”
-
-“We hope so,” said Mrs. Hardacre.
-
-“Must get in. Radical for her constituency would make duchess buy her
-coffin. The end of the world for her. She has a great idea of King.
-Going to take him up _con amore_. And when she does take anybody up--
-well--”
-
-His wave of the hand signified the tremendous consequences.
-
-“She does n't merely uproot _him_,” said Norma, whose mind now and
-then worked with disconcerting swiftness, “but she takes up also the
-half-acre where he is planted.”
-
-“Just so,” replied the youth. “Not only him, but his manservant and
-maidservant, his ox and his ass and everything that is his. Funny woman,
-you know--one of the best, of course, but quaint. Thinks the Member for
-Cosford is ordained by Providence to represent her in Parliament.”
-
-He rattled on, highly pleased with himself. Norma cast a malicious
-glance at her mother, who perceptibly winced. They were shining in the
-duchess's eyes in a light borrowed from Morland. They were taken up with
-the ox and the ass and the remainder of Morland's live-stock. That was
-the reason, then, of the exceptional marks of favour bestowed on them by
-Her Grace. Mrs. Hardacre kept the muscles of her lips at the smile, but
-her steely eyes grew hard. Norma, on the contrary, was enjoying herself.
-Charlie Sandys was unconscious of the little comedy.
-
-“I am glad to see the princess here to-night,” said Mrs. Hardacre, by
-way of turning the conversation.
-
-The youth made practically the same reply as he had made at least a
-dozen times to the same remark during the course of the evening. He
-was an injudicious Groom of the Chambers, being vain of the privileges
-attached to his post.
-
-“There has been an awful row, you know,” he said confidentially, looking
-round to see that he was not overheard. “They have scarcely made it up
-yet.”
-
-“Do tell us about it, Mr. Sandys,” said Norma, smiling upon him.
-
-“It's rather a joke. Let us get out of the way and I'll tell you.”
-
-He piloted them through the crush into a corridor, and found them a
-vacant seat by some palms.
-
-“It's all about pictures,” he resumed. “Princess wants to have her
-portrait painted in London. Why she should n't have it made in Germany I
-don't know. Anyhow she comes to duchess for advice. Duchess has taken
-up Foljambe, you know--chap that has painted about twenty miles of women
-full length--”
-
-“We saw the dear duchess at his Private View,” Mrs. Hardacre
-interjected.
-
-“Yes. She runs him for all she's worth. Told the princess there was
-only one man possible for her portrait, and that was Foljambe.
-Princess--she's as hard as nails, you know--inquires his price, knocks
-him down half. He agrees. Everything is arranged. Princess to sit
-for the portrait when she stays with duchess at Chiltern Towers in
-September--”
-
-“Oh, we are going to have the princess down with us?” Mrs. Hardacre grew
-more alert.
-
-“Yes. Couldn't find time to sit now--going next week to
-Herren-Rothbeck--coming back in September. Well, it was all settled
-nicely--you know the duchess's way. On Friday, however, she takes the
-princess to see Foljambe's show--for the first time. Just like her.
-The princess looks round, drops her lorgnon, cries out, 'Lieber Gott
-in Himmel! The man baints as if he was bainting on de bavement!' and
-utterly refuses to have anything to do with him. I tell you there were
-ructions!”
-
-He embraced a knee and leant back, laughing boyishly at the memory of
-the battle royal between the high-born dames.
-
-“Then who is going to paint the portrait?” asked Norma.
-
-“That's what I am supposed to find out,” replied the youth. “But I can't
-get a man to do it cheap enough. One can't go to a swell R. A. and ask
-him to paint a portrait of a princess for eighteen pence.”
-
-Norma had an inspiration.
-
-“Can I recommend a friend of mine?”
-
-“Would he do it?”,
-
-“I think so--if I asked him.”
-
-“By Jove, who is he?” asked the youth, pulling down his shirtcuff for
-the purpose of making memoranda.
-
-“Mr. James Padgate, 10 Friary Grove, N. W. He is Mr. King's most
-intimate friend.”
-
-“He can paint all right, can't he?” asked the youth.
-
-“Beautifully,” replied Norma. “Friary, not Priory,” she corrected,
-watching him make the note. She felt the uncommon satisfaction of having
-performed a virtuous act; one almost of penance for her cruelty to
-him on Sunday week, the memory of which had teased a not over-sensitive
-conscience. The scrag end of boiled mutton and the rind of cheese had
-also affected her, stirred her pity for the poor optimist, although in
-a revulsion of feeling she had shivered at his lot. She had closed her
-eyes for a second, and some impish wizardry of the brain had conjured
-up a picture of herself sitting down to such a meal, with Jimmie at the
-other side of the table. It was horrible. She had turned to fill
-her soul with the solid magnificence about her. The pity for Jimmie
-lingered, however, as a soothing sensation, and she welcomed the
-opportunity of playing Lady Bountiful. She glanced with some malice from
-the annotated cuff to her mother's face, expecting to see the glitter
-of disapproval in her eyes. To her astonishment, Mrs. Hardacre wore an
-expression of pleased abstraction.
-
-Charlie Sandys pocketed his gold pencil and retired. He was a young man
-with the weight of many affairs on his shoulders.
-
-“That's a capital idea of yours, Norma,” said Mrs. Hardacre.
-
-“I'm glad you think so,” replied Norma, wonderingly.
-
-“I do. It was most happy. We'll do all we can to help Morland's friend.
-A most interesting man. And if the princess gives him the commission,
-we can ask him down to Heddon to stay with us while he is painting the
-picture.”
-
-Norma was puzzled. Hitherto her mother had turned up the nose of
-distaste against Mr. Padgate and all his works. Whence this sudden
-change? Not from sweet charitableness, that was certain. Hardly from
-desire to please Morland. Various solutions ran in her head. Did an
-overweening ambition prompt her mother to start forth a rival to the
-duchess, as a snapper up of unconsidered painters? Scarcely possible.
-Defiance of the duchess? That way madness could only lie; and she was
-renowned for the subtle caution of her social enterprises. The little
-problem of motive interested her keenly. At last the light flashed upon
-her, and she looked at Mrs. Hardacre almost with admiration.
-
-“What a wonderful brain you have, mother!” she cried, half mockingly,
-half in earnest. “Fancy your having schemed out all that in three
-minutes.”
-
-Enjoyment of this display of worldcraft was still in her eyes when
-she came across Morland a little later; but she only told him of her
-recommendation of Jimmie to paint the princess's portrait. He professed
-delight. How had she come to think of it?
-
-“I think I must have caught the disease of altruism from Mr. Padgate,”
- she said. Then following up an idle train of thought:
-
-“I suppose you often put work--portraits and things--in his way?”
-
-“I can't say that I do.”
-
-“Why not? You know hundreds of wealthy people.”
-
-“Jimmie is not a man to be patronised,” said Morland, sententiously,
-“and really, you know, I can't go about touting for commissions for
-him.”
-
-“Of course not,” said Norma; “he is far too insignificant a person to
-trouble one's head about.”
-
-Morland looked pained.
-
-“I don't like to hear you talk in that way about Jimmie,” he said
-reproachfully.
-
-The little scornful curl appeared on her lip.
-
-“Don't you?” was all she vouchsafed to say. Unreasonably irritated,
-she turned aside and caught a passing _attache_ of the French Embassy.
-Morland, dismissed, sauntered off, and Norma went down to supper
-with the young Frenchman, who entertained her for half an hour with a
-technical description of his motor-car. And the trouble, he said, to
-keep it in order. It needed all the delicate cares of a baby. It was as
-variable as a woman.
-
-“I know,” said Norma, stifling a yawn. “_La donna e automobile_.”
-
-On the drive home in the hired brougham, whose obvious hiredom caused
-Norma such chafing of spirit, Mrs. Hardacre glowed with triumph, and
-while her husband dozed dejectedly opposite, she narrated her good
-fortunes. She had had her little chat with the duchess. They had
-spoken of Mr. Padgate, Charlie Sandys having run to show her his cuff
-immediately. The duchess looked favourably on the proposal. A friend
-of Mr. King's was a recommendation in itself. But the princess, she
-asseverated with ducal disregard of metaphor, had her own ideas of art
-and would not buy a pig in a poke. They must inspect Mr. Padgate's work
-before there was any question of commission. She would send Charlie
-Sandys to them to-morrow to talk over the necessary arrangements.
-
-“I told her,” said Mrs. Hardacre, “that Mr. Padgate was coming to pay us
-a visit in any case in September, and suggested that he could drive over
-to Chiltern Towers every morning while the princess was honouring him
-with sittings, and paint the picture there. And she quite jumped at the
-idea.”
-
-“No doubt,” said Norma, drily.
-
-But her dryness had no withering effect on her mother's exuberance. The
-hard woman saw the goal of a life's ambition within easy reach, and for
-the exultant moment softened humanly. She chattered like a school-girl.
-
-“And she took me up to the princess,” she said, “and presented me
-as her nearest country neighbour. Was n't that nice of her? And the
-princess is such a sweet woman.”
-
-“Dear, dear!” said Norma. “How wicked people are! Every one says she is
-the most vinegarish old cat in Christendom.”
-
-
-
-
-Chapter IX--SENTIMENTAL EDUCATION
-
-FAME and fortune were coming at last. There was no doubt of it in
-Jimmie's optimistic mind. For years they had lagged with desperately
-heavy feet, but now they were in sight, slowly approaching, hand in
-hand. Jimmie made fantastic preparations to welcome them, and wore his
-most radiant smile. In vain did Aline, with her practical young woman's
-view of things, point to the exiguity of the price fixed by Her Serene
-Highness. If that was the advent of fortune, she came in very humble
-guise, the girl insinuated. Jimmie, with a magnificent sweep of the
-hand, dismissed such contemptible considerations as present pounds,
-shillings, and pence. He was going to paint the portrait of the sister
-of a reigning monarch. Did not Aline see that this might lead to his
-painting the portrait of the reigning monarch himself? Would not the
-counterfeit presentment of one crowned head attract the attention of
-other crowned heads to the successful artist? Did she not see him
-then appointed painter in ordinary to all the emperors, kings, queens,
-princes, and princesses of Europe? He would star the Continent, make
-a royal progress from court to court, disputed for by potentates and
-flattered by mighty sovereigns. He grew dithyrambic, a condition
-in which Aline regarded him as hopelessly impervious to reason. His
-portraits, he said, would adorn halls of state, and the dreams that he
-put on canvas, hitherto disregarded by a blind world, would find places
-of honour in the Treasure Houses of the Nations. It would be fame for
-him and fortune for Aline. She should go attired in silk and shod with
-gold. She should have a stall at the theatre whenever she wanted, and a
-carriage and pair to fetch her home. She should eat vanilla ices every
-night. And then she might marry a prince and live happy ever after.
-
-“I don't want to marry a prince or any one else, dear,” Aline said once,
-bringing visions down into the light of common day. “I just want to go
-on staying with you.”
-
-On another occasion she hinted at his possible espousal of a princess.
-Again Jimmie dropped from the empyrean, and rubbed his head ruefully.
-There was only one princess in the world for him, an enthroned personage
-of radiant beauty who now and then took warm pity on him and admitted
-him to her friendship, but of whom it were disloyalty worse than all
-folly to think of. And yet he could not help his heart leaping at the
-sight of her, or the thrill quivering through him when he saw the rare
-softness come into her eyes which he and none other had evoked. What he
-had to give her he could give to no other woman, no other princess. The
-gift was unoffered: it remained in his own keeping, but consecrated to
-the divinity. He enshrined it, as many another poor chivalrous wretch
-has done, in an exquisite sanctuary, making it the symbol of a vague
-sweet religion whose secret observances brought consolation. But of all
-this, not a whisper, not a sign to Aline. When she spoke of marriageable
-princesses, he explained the rueful rubbing of his head by reference to
-his unattractive old fogeydom, and his unfitness for the life of high
-society.
-
-But Aline ought to have her prince. The coming fortune would help to
-give the girl what was due to her. For himself he cared nothing. Cold
-mutton and heel of cheese would satisfy him to the end of his days.
-And fame? In quieter moments he shrugged his shoulders. An artist has
-a message to deliver to his generation, and how can he deliver it if he
-cannot sell his pictures? Let him give out to the world what was best
-in him, and he would be content. Let him but be able to say, “I have
-delivered my message,” and that would be fame enough.
-
-These were things of the depths. The surface of his mood was exuberant,
-almost childish, delight, tempered with whimsical diffidence in his
-power of comporting himself correctly towards such high personages. For
-the duchess, who never did things by halves, and was also determined,
-as she had said, of not buying a pig in a poke, had conveyed to him
-the intimation that Her Serene Highness the Princess of Herren-Rothbeck
-would honour him with a visit to his studio on the following Thursday.
-Jimmie and Aline held long counsel together. What was the proper way to
-receive a Serene Highness? Jimmie had a vague idea of an awning
-outside the door and a strip of red baize down the steps and across the
-pavement. Tony Merewether, who was called into consultation, suggested,
-with the flippancy of youth, a brass band and a chorus of maidens to
-strew flowers; whereat Aline turned her back upon him, and Jimmie,
-adding pages in fancy dress to hold up the serene train and a major-domo
-in a court suit with a wand, encouraged the offender. Aline retired from
-so futile a discussion and went on sewing in dignified silence. At last
-she condescended to throw out a suggestion.
-
-“If I were you, Jimmie, I should get the princess some portraits to look
-at.”
-
-“God bless my soul,” cried Jimmie, putting down his pipe, “I never
-thought of it. Tony, my boy, that child with the innocence of the dove
-combines the wisdom of the original serpent. My brain reels to think
-what I should be without her. We'll telegraph to all the people that
-have sat to me and ask them to send in their portraits by Thursday.”
-
-He crossed the studio and began to rummage among the litter on the long
-table. Aline asked him what he was looking for.
-
-“Telegram forms. Why have n't we got any? Tony, run round the corner to
-the post-office, like a good boy, and get some.”
-
-But Aline checked the execution of this maniacal project. Three
-portraits would be quite sufficient. Jimmie would have to pick out three
-ladies of whom he could best ask such a favour, and write them polite
-little notes and offer to send a van in the orthodox way to collect the
-pictures. Jimmie bowed before such sagacity, and wrote the letters.
-
-In the course of the week the portraits arrived, and the studio for a
-whole day became the undisputed kingdom of Aline and a charwoman. The
-long untidy table, so dear to Jimmie, was ruthlessly cleared and set in
-dismaying order. The frame-maker was summoned, and the unsold pictures
-that had long slumbered sadly on the ground with their faces to the
-wall, were dusted and hung in advantageous lights. The square of Persian
-carpet, which Jimmie during an unprotected walk through Regent Street
-had once bought for Aline's bedroom, was brought down and spread on the
-bare boards of the model-platform. A few cushions were scattered about
-the rusty drawing-room suite, and various odds and ends of artists'
-properties, bits of drapery, screens, old weapons, were brought to light
-and used for purposes of decoration. So that when Jimmie, who had been
-banished the house for the day, returned in the evening, he found a
-flushed and exhausted damsel awaiting him in a transfigured studio.
-
-“My dear little girl,” he said, touched, “my dear little girl, it's
-beautiful, it's magical. But you have tired yourself to death. Why did
-n't you let me do all this?”
-
-“You would never have done it yourself, Jimmie. You know you wouldn't,”
- said Aline. “You would have gone on talking nonsense about red baize
-strips and flower-girls and pages--anything to make those about you
-laugh and be happy--and you would never have thought of showing off what
-you have to its full advantage.”
-
-“I should never have dreamed of robbing your poor little room of its
-carpet, dear,” he said.
-
-They went upstairs for their simple evening meal, and returned as usual
-to the beloved studio. Aline filled Jimmie's pipe.
-
-“Do you think I dare smoke in all this magnificence?”
-
-She laughed and struck a match.
-
-“You did not realise what a lot of beautiful pictures you had, did you?”
-
-“They make a brave show,” he said, looking round. “After all, I'm not
-entirely sorry they have never been sold. I should not like to part
-with them. No, I did not realise how many there were.” In spite of
-his cheeriness the last words sounded a note of pathos that caught the
-girl's sensitive ear.
-
-“'Let us make a tour of inspection,” she said. They went the round,
-pausing long before each picture. He said little, contrary to his habit,
-for he was wont to descant on his work with playful magniloquence. He
-saw the years unfold behind him and disclose the hopes of long ago yet
-unfulfilled. What endless months of dreams and thrills and passionate
-toil hung profitless upon these walls! Things there were, wrought from
-the depths of his radiant faith in man, plucked from the heart of his
-suffering, consecrated by the purest visions of his soul. Had Aline been
-an older woman, a woman who had loved him, lived with him in a wife's
-intimate communion, instead of being merely the tender-hearted child
-of his adoption, she would have wept her heart out. For she, alone of
-mortals, would have got behind such imperfections as there were, and
-would have seen nothing but a crucifixion of the quivering things torn
-out of the life of the beloved man. Only vaguely, elusively did the
-girl feel this. But even her half-comprehending sympathy was of great
-comfort. She thought no one in the world could paint like Jimmie, and
-held in angry contempt a public that could pass him by. She was hotly
-his advocate, furious at his rejection by hanging committees, miserably
-disappointed when his pictures came back from exhibitions unsold, or
-when negotiations with dealers for rights of reproduction fell through.
-But she was too young to pierce to the heart of the tragedy; and Jimmie
-was too brave and laughter-loving to show his pain. Other forces,
-too, had been at work in her development. Recently her mind had been
-grappling with the problem of her unpayable debt to him. This silent
-pilgrimage round the years brought her thoughts instinctively to herself
-and the monstrous burden she had been.
-
-“I have been wondering lately, Jimmie dear,” she said at last, “whether
-you would not have been more successful if you had not had all the worry
-and expense and responsibility of me.”
-
-“Good Lord!” he cried in simple amazement, “whatever are you talking
-of?”
-
-She repeated her apologia, though in less coherent terms. She felt
-foolish, as a girl does when a carefully prepared expression of feeling
-falls upon ears which, though inexpressibly dear, are nevertheless not
-quite comprehending.
-
-“You have had to do pot-boilers,” she said, falling into miserable
-bathos, “and I remember the five-shillings-a-dozen landscapes--and you
-would have spent all that time on your real work--Oh, don't you see what
-I mean, Jimmie?”
-
-She looked up at him pathetically--she was a slight slip of a girl, and
-he was above the medium height. He smiled and took her fresh young face
-between his hands.
-
-“My dear,” he said, “you're the only successful piece of work I've
-ever turned out in my life. Please allow me to have some artistic
-satisfaction--and you have been worth a gold-mine to me.”
-
-Thus each was comforted. Jimmie settled down to his pipe and a book,
-Aline sat over her sewing--the articles to which she devoted her
-perennial industry were a never solved mystery to him--and they spent a
-pleasant evening. The inevitable topic naturally arose in conversation.
-They discussed the princess's visit, the great question--how was she to
-be received?
-
-“The best thing you can do,” said the practical Aline, “is to go to Mrs.
-Deering to-morrow and get properly coached.”
-
-Jimmie looked at her in admiration.
-
-“You are worth your weight in diamonds,” he said. “I will.”
-
-He carried out his project, and not only did he have the pleasure of
-finding Connie at home undisturbed by strange tea-drinking women, but
-Norma Hardacre came in soon after his arrival. The two ladies formed
-themselves into a committee of advice, and sent Jimmie home with most
-definite notions regarding the correct method of receiving Serene
-Highnesses. He also brought Aline the news that the committee would
-honour him with a visit the following morning, accompanied by Mrs.
-Hardacre, who had been pleased to express a desire to see his pictures.
-
-The appointed hour came, and with it the ladies. Mrs. Hardacre's lips
-smiled sweetly at the man who was to be taken up by a duchess and to
-paint the portrait of a princess. She declared herself delighted with
-the studio and professed admiration for the pictures.
-
-“Are they all really your own, Mr. Padgate?” she asked, turning towards
-him, her tortoise-shell lorgnon held sceptre-wise.
-
-“I'm afraid so,” answered Jimmie, with a smile. “Sometimes I wish they
-were not so much my own.”
-
-“But I should feel quite proud of them, if I were you,” said the lady,
-desirous to please.
-
-Connie broke into a laugh, and explained that Jimmie had implied a
-regret that they had found no purchasers. Mrs. Hardacre sniffed. She did
-not like being laughed at, especially as she had gone out of her way to
-be urbane. This was unfortunate for Jimmie; for though he strove hard to
-remove the impression that he had consciously dug a pit of ridicule for
-her entrapment, Mrs. Hardacre listened to his remarks with suspicion
-and became painfully aware of the shabbiness of his coat. Presently she
-regarded one of the portraits--that of a pretty, fluffy-haired woman.
-
-“Dear me,” she remarked somewhat frigidly, “that is Mrs. Marmaduke
-Hewson.”
-
-Jimmie, in the simplicity of his heart, was delighted.
-
-“Yes. A most charming lady. Do you know her?”
-
-“Oh, no; I don't know her, but I know of her.”
-
-Her stress on the preposition signified even deeper and more
-far-reaching things than the nod of Lord Burleigh in the play.
-
-“What do you know of her?” asked Jimmie, bluntly. Mrs. Hardacre smiled
-frostily, and her lean shoulders moved in an imperceptible shrug.
-
-“Those matters belong to the realm of unhappy gossip, Mr. Padgate; but
-I'm afraid the duchess won't find her portrait attractive.”
-
-“It is really rather a good portrait,” said Jimmie, in puzzled modesty.
-
-“That is the pity of it,” replied Mrs. Hardacre, sweetly.
-
-The victim smiled. “Surely the private character of the subject can have
-nothing to do with a person's judgment of a portrait as a specimen of
-the painter's art. And besides, Mrs. Hewson is as dear and sweet and
-true a little woman as I have ever met.”
-
-“You are not the first of your sex that has said so.”
-
-“And I most sincerely hope I shall not be the last,” said Jimmie, with
-a little flush and a little flash in his eyes and the politest of little
-bows. Whereupon Mrs. Hardacre bit her lip and hated him. Norma, seizing
-the opportunity of contributing to the final rout of her mother,
-unwittingly did Jimmie some damage.
-
-“We women ought not to have given up fancy work,” she said in her
-hardest and most artificial tones. “As we don't embroider with our
-fingers, we embroider with our tongues. You can have no idea what an
-elaborate tissue of lies has been woven about that poor little Mrs.
-Hewson. I agree with Mr. Padgate. I am sorry you believe them, mother.”
-
-Jimmie's grateful glance smote her undeserving heart. She had gained
-credit under false pretences and felt hypocritical--an unpleasant
-feeling, for the assumption of unpossessed virtues was not one of her
-faults. She succeeded, however, in rendering her mother furious. In a
-very short time Mrs. Hardacre remembered an engagement and went away in
-a hansom-cab, refusing the seat in Connie's carriage, which was put at
-her disposal on the condition of her waiting a few moments longer. She
-had thanked Jimmie, however, for the pleasure afforded by his delightful
-pictures with such politeness when he saw her into the cab, that he did
-not for a moment suspect that the lady who had entered the house with
-expressions of friendliness had driven away in a rage, with feelings
-towards him ludicrously hostile. He returned to the studio at peace
-with all womankind; not sorry that Mrs. Hardacre had departed, but only
-because courtesy no longer demanded his relegating to the second sphere
-of his attention the divine personage of whom he felt himself to be the
-slave. No suspicion of Mrs. Hardacre's spiteful motive in deprecating
-the display of his most striking piece of portraiture ever entered his
-head. He ran down the studio stairs with the eagerness of a boy released
-from the flattering but embarrassing society of his elders and free to
-enjoy the companionship of his congeners. And he was childishly eager to
-show his pictures to Norma, to hear her verdict, to secure her approval,
-so that he should stand in her eyes as a person in some humble way
-worthy of the regard that Morland said she bestowed on him.
-
-He found his visitors not looking at pictures at all, but talking to
-Aline, who rushed to him as soon as he entered the studio.
-
-“Oh, Jimmie--just fancy! Mrs. Deering is going to take me to Horlingham
-on Saturday, and is coming upstairs with me to see what I can do in the
-way of a frock. You don't mind, do you?”
-
-Jimmie looked down into the happy young face and laughed a happy laugh.
-
-“Mrs. Deering is an angel from the most exclusive part of heaven,” he
-said. And this was one of the rare occasions on which he was guilty of a
-double meaning. Had not the angel thus contrived an unlooked-for joy--a
-few minutes' undisturbed communion with his divinity?
-
-The first words that Norma spoke when they were alone were an apology.
-
-“You must not take what my mother said in ill part. She and I have been
-bred, I'm afraid, in a hard school.”
-
-“It was very kind of Mrs. Hardacre to warn me of the possibility of the
-duchess being prejudiced against me by the exhibition of a particular
-portrait. I can't conceive the possibility myself. But still Mrs.
-Hardacre's intention was kindly.”
-
-Norma turned her head away for a moment. She could not trust herself to
-speak, for a stinging sarcasm with just a touch of the hysterical would
-have been all she could utter, and she had not the heart to undeceive
-him. She shot into the by-path of the gossip concerning Mrs. Hewson.
-
-“Mother believes the stories about her. So do I in the loose sort of
-way in which our faith in anything is composed--even in our
-fellow-creatures' failings.”
-
-“You defended her,” said Jimmie.
-
-“You made me do so.”
-
-“I?”
-
-“Either you, because you carry about with you an uncomfortable Palace of
-Truth sort of atmosphere, or else the desire to rub it into my mother.”
-
-“Rub what in?” Jimmie was puzzled.
-
-Norma laughed somewhat bitterly. She saw that he was incapable of
-understanding the vulgar pettiness of the scheme of motives that
-had prompted the utterances of her mother and herself. She could not
-explain.
-
-“I think you are born out of your century,” she said.
-
-It was lucky for Jimmie that he was unaware of the passionate tribute
-the light words implied. She gave him no time to answer, but carried him
-straight to the pictures.
-
-“I had no idea you did such beautiful work,” she said, looking around
-her.
-
-Jimmie followed her glance, and the melancholy of the artist laid its
-touch for a moment upon him. He sighed.
-
-“They might have been beautiful if I had done what I started out to do.
-It is the eternal tragedy of the clipped wings.”
-
-She was oddly responsive to a vibration in his voice, and gave out, like
-a passive violin, the harmonic of the struck note.
-
-“Better to have wings that are clipped than to have no wings at all.”
-
-She had never uttered such a sentiment, never thought such a thought in
-her life before. Her words sounded unreal in her own ears, and yet she
-had a profound sense of their sincerity.
-
-“There is no apteryx among human souls,” said Jimmie, released from the
-melancholy fingers. They argued the point in a lighter vein, discussed
-individual pictures. Charmed by her sympathy, he spoke freely of his
-work, his motives, his past dreams. Had Norma not begun to know him, she
-might have wondered at the lack of bitterness in his talk. To this man
-of many struggles and many crushing disappointments the world was still
-young and sweet, and his faith in the ultimate righteousness of things
-undimmed. The simple courage of his attitude towards life moved her
-admiration. She felt somewhat humbled in the presence of a spirit
-stronger, clearer than any into which chance had hitherto afforded her
-a glimpse. And as he talked in his bright, half-earnest, half-humourous
-way, it crossed her mind that there was a fair world of thought and
-emotion in which she and her like had not set their feet; not the world
-entirely of poetic and artistic imaginings, but one where inner things
-mattered more than outer circumstance, where it would not be ridiculous
-or affected to think of the existence of a soul and its needs and their
-true fulfilment.
-
-Hitherto meeting him as an alien in her world, she had regarded him with
-a touch of patronising pity. From this she was now free. She saw him for
-the first time in harmony with his environment, as the artist sensitive
-and responsive, integral with the beautiful creations that hung around
-the walls, and still homely and simple, bearing the rubs of time as
-bravely and frankly as the old drawing-room suite that furnished
-the unpretentious studio. Now it was she who felt herself somewhat
-disconcertingly out of her element. The sensation, however, had a
-curious charm.
-
-There was one picture that had attracted her from the first. She stood
-in front of it moved by its pity and tenderness.
-
-“Tell me about this one,” she said without looking at him. She divined
-that it was very near his heart.
-
-In the foreground amid laughing woodland crouched a faun with little
-furry ears and stumps of horns, and he was staring in piteous terror at
-a vision; and the vision was that of a shivering, outcast woman on a wet
-pavement in a sordid street.
-
-“It is the joyous, elemental creature's first conception of pain,” said
-Jimmie, after a few moments' silence. “You see, life has been to him only
-the sunshine, and the earth drenched with colour and music--as the earth
-ought to be--and now he sees a world that is coming grey with rain and
-misty with tears, and he has the horror of it in his eyes. I am not
-given to such moralising in paint,” he added with a smile. “This is a
-very early picture.” He looked at it for some time with eyes growing
-wistful. “Yes,” he sighed, “I did it many years ago.”
-
-“It has a history then?”
-
-“Yes,” he admitted; and he remembered how the outcast figure in the rain
-had symbolised that little funeral procession in Paris and how terribly
-grey the world had been.
-
-Norma's chastened mood had not awed the spirit of mockery within her,
-but had rendered it less bitter, and had softened her voice. She waved
-her hand towards the crouching faun.
-
-“And that is you?” she asked.
-
-Jimmie caught a kind raillery in her glance, and laughed. Yes, she had
-his secret; was the only person who had ever guessed him beneath the
-travesty of horns and goat's feet.
-
-“I like you for laughing,” she said.
-
-“Why?”
-
-“Other painters have shown me their pictures.”
-
-“Which signifies--?”
-
-“That this is one of the most beautiful pictures I have ever seen,” she
-replied.
-
-“But why are you glad that I laughed?” asked Jimmie, in happy puzzledom.
-
-“I have told you, Mr. Padgate, all that I am going to tell you.”
-
-“I accept the inscrutable,” said he.
-
-“Do you believe in the old pagan joy of life?” she asked after a pause.
-“I mean, was there, is there such a thing? One has heard of it; in fact
-it is a catch phrase that any portentous poseur has on the tip of
-his tongue. When one comes to examine it, however, it generally means
-champagne and oysters and an unpresentable lady, and it ends with
-liver and--and all sorts of things, don't you know. But you are not a
-poseur--I think you are the honestest man I have ever met--and yet you
-paint this creature as if you utterly believe in what he typifies.”
-
-“It would go hard with me if I did n't,” said Jimmie. “I can't talk to
-you in philosophic terms and explain all my reasons, because I have read
-very little philosophy. When I do try, my head gets addled. I knew a
-chap once who used to devour Berkeley and Kant and all the rest, and
-used to write about them, and I used to sit at his feet in a kind of
-awed wonder at the tremendousness of his brain. A man called Smith. He
-was colossally clever,” he added after a reflective pause. “But I can
-only grope after the obvious. Don't you think the beauty of the world is
-obvious?”
-
-“It all depends upon which world,” said Norma.
-
-“Which world? Why, God's world. It is sweet to draw the breath of life.
-I love living; don't you?”
-
-“I have never thought of it,” she answered. “I should n't like to die,
-it is true, but I don't know why. Most people seem to spend two-thirds
-of their existence in a state of boredom, and the rest in sleep.”
-
-“That is because they reject my poor faun's inheritance.”
-
-“I have been asking you what that is.”
-
-“The joy and laughter of life. They put it from them.”
-
-“How?”
-
-“They draw the soul's curtains and light the gas, instead of letting
-God's sunshine stream in.”
-
-Norma turned away from the picture with a laugh.
-
-“That reminds me of the first time I met you. You told me to go and
-ventilate my soul. It gave me quite a shock, I assure you. But I have
-been trying to follow your precept ever since. Don't you think I am a
-little bit fresher?”
-
-For the moment the girl still lingering in her five-and-twenty hard
-years flashed to the surface, adorably warming the cold, finely
-sculptured face, and bringing rare laughter into her eyes. Jimmie
-marvelled at the infinite sweetness of her, and fed his poor hungry soul
-thereon.
-
-“You look like a midsummer morning,” he said unsteadily.
-
-The tone caught her, sobered her; but the colour deepened on her cheek.
-
-“I'll treasure that as a pretty compliment,” she said. There was a
-little space of silence--quite a perilous little space, with various
-unsaid things lurking in ambush. Norma broke it first.
-
-“Now I have seen everything, have n't I? No. There are some on the floor
-against the wall.”
-
-Jimmie explained their lack of value, showed her two or three. They were
-mostly the wasters from his picture factory, he said. She found in each
-a subject for admiration, and Jimmie glowed with pleasure at her praise.
-While he was replacing them she moved across the studio.
-
-“And this one?” she asked, with her finger on the top of a strainer. He
-looked round and followed swiftly to her side. It was her own portrait
-with its face to the wall.
-
-“I am not going to show you that,” he said hurriedly.
-
-“Why not?”
-
-“It's a crazy thing.”
-
-“I should love to see it.”
-
-“I tell you it's a crazy thing,” he repeated. “A mad artist's dream.”
-
-Norma arched her eyebrows. “Aha! That is very like a confession!”
-
-“Of what?”
-
-“The ideal woman?”
-
-“Perhaps,” he said.
-
-“I thought everything was so positive in your scheme of life,” she
-remarked teasingly. “Don't you know?”
-
-“Yes,” said Jimmie, “I know.”
-
-Again the vibration that Jimmie, poorest of actors, could not keep from
-his voice, stirred her. She felt the indelicacy of having trodden upon
-sanctified ground. She turned away and sat down. They talked of other
-matters, somewhat self-consciously. Both welcomed the entrance of Connie
-Deering and Aline. The former filled the studio at once with laughing
-chatter. She hoped Norma had not turned Jimmie's hair white with the
-dreadful things she must have said.
-
-“I don't turn a hair, as I'm a mere worldling, but Jimmie is an
-unsophisticated child of nature, and is n't accustomed to you, my dear
-Norma.”
-
-She went on to explain that she was Jimmie's natural protectress, and
-that they who harmed him would have to reckon with her. Jimmie flew
-gaily to Norma's defence.
-
-“And this child's garments?” he asked, indicating Aline, whose face was
-irradiated by a vision of splendid attire.
-
-“Don't meddle with what does n't concern you,” replied Connie, while
-she and the girl exchanged the glances of conspirators.
-
-A short while afterwards the two visitors drove away. For some time
-Norma responded somewhat absently to Mrs. Deering's light talk.
-
-“I am so glad you have taken to Jimmie,” said the latter at last. “Is
-n't he a dear?”
-
-“I remember your saying that before. But is n't it rather an odd word
-to use with reference to him?” said Norma.
-
-“Odd--? But that's just what he is.”
-
-Norma turned in some resentment on her friend.
-
-“Oh, Connie, how dare we talk patronisingly of a man like that? He's
-worth a thousand of the empty-souled, bridge-playing people we live
-among.”
-
-“But that's just why I call him a dear,” said Mrs. Deering,
-uncomprehendingly.
-
-Norma shrugged her shoulders, fell into a silence which she broke by
-risking:
-
-“Do you know whom he is in love with?”
-
-“Good gracious, Norma,” cried the little lady, in alarm. “You don't say
-that Jimmie is in love? Oh, it would spoil him. He can't be!”
-
-“There was one picture--of a woman--which he would not let me see,” said
-Norma.
-
-“Well?”
-
-Norma paused for some seconds before she replied:
-
-“He called it 'a mad artist's dream.' I have been wondering whether it
-was not better than a sane politician's reality.”
-
-“What is a sane politician's reality, dear?” Connie asked, mystified.
-
-“I am,” said Norma.
-
-Then, woman-like, she turned the conversation to the turpitudes of her
-dressmaker.
-
-
-
-
-Chapter X--TWO IDYLLS
-
-JIMMIE was trudging along the undulating highroad that leads from
-Dieppe to the little village of Berneval, very hot, very dusty, very
-thirsty, and very contented. He carried a stick and a little black bag.
-His content proceeded from a variety of causes. In the first place it
-was a glorious August day, drenched with sunshine and with deep blue
-ether; and the smiling plain of Normandy rolled before him, a land of
-ripening orchards and lazy pastures. He had been longing for the simple
-beauty of sun and sky and green trees, and for the homely sights and
-sounds of country things, and now he had his fill. Secondly, Aline was
-having a much needed holiday. She had been growing a little pale and
-languid, he thought, in London, after a year's confined administering to
-his selfish wants. She was enjoying herself, too, and the few days she
-had already spent in the sea air had brought the blood to her cheeks
-again. Thirdly, he was free for the moment from everyday cares. A dealer
-had fallen from heaven into his studio and paid money down for the
-copyright of two of his worst pictures. Fourthly, he had definitely
-received the commission for the portrait of the Princess of
-Herren-Rothbeck. Her Serene Highness and her tutelary duchess had paid
-their visit, expressed themselves delighted with his work (the duchess
-especially commending the portrait of the hapless Mrs. Marmaduke
-Hewson), and had driven away in a most satisfactory condition of
-serenity and graciousness.
-
-Jimmie was happy. What could man want more? In addition to all these
-blessings, Norma had written to him from Lord Monzie's place in Scotland
-a letter _à propos_ of nothing, merely expressive of good-will and
-friendliness; and he had received it that morning. He had never seen
-her handwriting before. Bold, incisive, distinguished, it seemed to
-complement his conception of the radiant lady, and in a foolish way he
-tried to harmonise the ink-marks with the curves of her proud lips, the
-setting of her eyes, and the poise of her queenly head. The dreariness
-of a rainy afternoon with all the men and half the women away on the
-grouse-moor had been, she said, her excuse for writing. She sketched
-various members of the house-party with light, satiric touches;
-notably one Theodore Weever, an American, whose sister had married an
-impecunious and embarrassing cousin of the Duchess of Wiltshire. He was
-building himself a palace in Fifth Avenue, wrote Norma, and had been
-buying pictures in Europe to decorate it with; now he was anxious to
-purchase a really decorative wife. Morland was expected in a few days,
-and she would be glad when he appeared upon the scene. She did not say
-why; but Jimmie naturally understood that her heart was yearning for
-the presence of the man she loved. “I have very little to say that can
-interest you,” she concluded, “but you can say many things to interest
-me: this letter is purely selfish, a mere minnow, after all, that I use
-as bait.” So Jimmie walked along the dusty road thinking out an answer
-that could bring comfort to the Hero pining for her Leander; thinking
-also of Aline, and revelling in the sunshine.
-
-He delighted, like a child, in all he saw. He stopped before the red,
-gold, and green paradise of an orchard and feasted upon its colour. He
-lingered in talk with a tiny girl driving a great brown cow; asked her
-its age, how many calves it had had, its name, and whether she were
-not afraid it would mistake her for a blade of grass and bite her. The
-little girl scoffed at the possibility. She could drive three cows,
-and, if it came to that, a bull. “_Ça me connaît, les bêtes,_” she
-said. Whereupon he put a couple of sous in her hand and went on his way.
-Presently he sat down on the rough wooden bench in front of a wayside
-café and drank cider from an earthenware bowl, and played with a mongrel
-puppy belonging to the establishment. When the latter had darted off
-to bark amid the cloud of dust and petroleum fumes left by a passing
-motor-car, Jimmie, sipping his second bowl of sour cider in great
-content, re-read the precious letter, filled his pipe, and reflected
-peacefully on the great harmony of things. The hopelessness of his own
-love for Norma struck no discord. The Stephen so closely connected with
-the life of Saint Catherine of Siena did not love with less hope or more
-devotion.
-
-He paid the few coppers for his reckoning, took up his stick and little
-black bag, and trudged on refreshed, and as he neared Berneval the
-expectation of Aline's welcome gladdened him. He had rented for the
-month a cottage with a straggling piece of ground behind, from an artist
-friend whose possession it was. The friend had fixed the figure absurdly
-low; the modest living under Aline's experienced management was cheap,
-and the _bonne à tout faire_ cooked divinely for a few halfpence a day.
-By a curious coincidence Mr. Anthony Merewether had also pitched
-upon Berneval as a summer resting-place. He had come on
-business, he gave out, and every morning saw him issue from the hotel
-by the beach, armed with easel and camp-stool, and the rest of the
-landscape-painter's paraphernalia, and every evening saw him smoking
-cigarettes on Jimmie's veranda. Whether the hours of sunshine saw him
-consistently hard at work, Jimmie was inclined to doubt. He certainly
-bathed a great deal and ran about with Aline a great deal, and Jimmie
-read the pair moral lessons on the evil effects of idleness. But Tony
-was a fresh-minded boy; his ingenuous conversation provided Jimmie
-with much entertainment, and his presence on their holiday gave him the
-satisfaction of feeling that Aline had some one of her own age to play
-with.
-
-The ramshackle vehicle, half diligence, half omnibus, that plies
-between Berneval and Dieppe, passed him with great cracking of whip and
-straining of rusty harness and loud _hue_'s from the driver, just as he
-entered the village. It was late afternoon, and the trim white and green
-of the place was bathed in mellow sunshine. The short cut home lay up a
-lane and through the churchyard, a cluster of grey slabs around a
-little grey church; and many of the slabs bore the story of the pitiless
-sea--how Jean-Marie Dulac, many years ago, was drowned at the age of
-nineteen, and how Jacques Lemerre perished in a storm; for it has been
-from time immemorial a tiny village of fisher-folk and every family has
-given of its own to the waves. The pathos of the simple legends on the
-stones always touched him as he walked by; and now he paused to decipher
-some moss-grown letters of fifty years ago. He stooped, made out the
-same sad tale, moralised a little thereon, and rose with a sigh of
-relief to greet the sunshine and the fair earth. But the sight that
-suddenly met his eyes banished dead fishermen and hungry sea and sunny
-tree-tops from his mind. It was a boy and a girl very close together,
-his arm about her waist, her head upon his shoulder, walking by the
-little church. Their backs were towards him. He stared open-mouthed.
-
-“God bless my soul!” said he, in amazement.
-
-Then he dropped his stick, which clattered upon a gravestone.
-
-The foolish pair started at the sound, assumed a correct attitude with
-remarkable swiftness, and turning, recognised Jimmie. Tony Merewether,
-who was a fair youth, grew very red and looked sheepish; Aline awaited
-events demurely, with downcast eyes. Jimmie pushed his old Homburg hat
-to the back of his head, and in two or three strides confronted them. He
-tried to look fiercely at Tony. The young man drew himself up.
-
-“I have asked Aline to marry me, sir,” he said frankly. “I was going to
-speak to you about it.”
-
-“Good Lord!” said Jimmie, helplessly.
-
-“We can't marry just yet,” said Tony, “but I hope you will give your
-consent.”
-
-Jimmie looked from one to the other.
-
-“Why did n't you let me know of this state of things before?”
-
-“I have n't done anything underhand. I thought you guessed,” said Tony.
-
-“And you, Aline?”
-
-She stole a shy glance at him.
-
-“I was n't quite sure of it until just now,” she replied. And then she
-blushed furiously and ran to Jimmie's arms. “Oh, Jimmie dear, don't be
-cross!”
-
-“Cross, my child?” he said.
-
-The world of tender reproach in his tone touched her. The ready tears
-started.
-
-“You are an angel, Jimmie.”
-
-The hand that was on her shoulder patted it comfortingly.
-
-“No, dear, I am a blind elderly idiot. O Lord, Tony, I hope you feel
-infernally ashamed of yourself.”
-
-“As Tony says, we sha'n't be able to get married for a long, long time,”
- said Aline, by way of consolation, “so for years and years we'll go on
-in just the same way.”
-
-“I only ask you to consent to our engagement, sir,” said Tony,
-diplomatically. “I am quite willing to wait for Aline as long as you
-like.”
-
-The abandonment of Jimmie by Aline had been the subject of the last
-half-hour's discussion between the lovers. The thought of Jimmie alone
-and helpless appalled her. She was a horrid selfish wretch, she had
-informed Tony, for listening to a word he said. How could Jimmie live
-by himself? She shuddered at the dismal chaos of the studio, the gaping
-holes in his socks, the impossible meals, the fleecing of him by every
-plausible beggar in frock coat or rags, the empty treasury. He needed
-more care than a baby. She would marry Tony, some day, because her head
-was full of him, and because she had let him kiss her and had found a
-peculiar, dreamy happiness during the process, and because she could not
-conceive the possibility of marrying any one else. But she was more than
-content to leave the date indefinite. Perhaps, in the stretch of aeons
-between now and then, something would happen to release her from her
-responsibilities. She had made the position luminously clear to Mr.
-Merewether before she had consented to be foolish and walk about with
-her head on his shoulder.
-
-“No, until Jimmie gets properly suited,” she said, quickly following
-Tony's last remark.
-
-“My dear foolish children,” said Jimmie, “you had better get married as
-soon as ever you can keep the wolf from the door. What on earth is the
-good of waiting till you are old? Get all the happiness you can out of
-your youth, and God bless you.”
-
-The young man bowed his head.
-
-“I will give my life to her.”
-
-Jimmie touched him on the arm, waved his hand around, indicating the
-little grey church, the quiet graves.
-
-“This is not the place where a man should say such a thing lightly,” he
-said.
-
-“I am not the man to say such a thing lightly in any place,” retorted
-the youth, with spirit.
-
-Jimmie nodded approvingly. “My dear,” he said to Aline, “that is the way
-I like to hear a man talk.”
-
-He turned and collected the fallen stick and the black bag which he had
-deposited by the side of the slab. He had gone into Dieppe that morning
-partly for the sake of the walk and partly to purchase some odds and
-ends for the house. Aline, not trusting to his memory, had given him a
-list of items with directions attached as to the places where he was to
-procure them, so that when he came to “pepper,” he should seek it at
-a grocery and not at a milliner's establishment. Now, without saying
-a word, he opened the bag and rummaged among its queer contents, which
-Aline regarded with some twinges of a tender conscience. She ought to
-have gone into Dieppe herself, and made her purchases like a notable
-housewife, instead of sending Jimmie and passing the day in selfish
-lovemaking. The twinge grew sharper when Jimmie at last fished out a
-little cardboard box and put it in her hands.
-
-“At any rate, I can give you an engagement present before Tony,” he said
-with a laugh.
-
-It was only an old filigree silver waist-buckle he had picked up at a
-curio shop in the town, but it was a gem of infinite value to the girl,
-for she knew that Jimmie's love went with it. She showed it to Tony
-Merewether, who admired the workmanship.
-
-“If you can give me anything I shall prize more, you will be a lucky
-fellow,” she said in a low voice.
-
-The three strolled quietly towards the cottage, and it was Jimmie's arm
-that Aline clung to, and Mr. Merewether who carried the black bag. That
-night, after she had dismissed the young man, she sat a long time with
-Jimmie on the veranda, telling him in one shy breath of the wonder that
-had suddenly come into her life, and in the next that she would never
-leave him until he was rich and famous and able to live by himself.
-Jimmie, unguileful in the nature of men and maidens and the ways of
-this wicked world, kept on repeating like a refrain his formula of
-astonishment:
-
-“It never entered my head, dear, that you two children would fall in
-love with one another.”
-
-“You don't think I ought n't to have done it, do you, Jimmie?” she said
-at last.
-
-He broke into his happy laugh, and kissed her. “If you want to please
-me, you'll go on doing it,” he said.
-
-It was some time after he had gone to bed that sleep came. Yes; Nature,
-the dear mother, had spoken, and who could gainsay her? A clean, bright,
-healthy English lad, and a clean, bright, healthy English girl had read
-truth in each other's eyes. It was one of the sweet things in the world,
-for which we who live in the world should be thankful. The dimly seen
-white curtains of his bed became gossamer veils that enveloped him with
-beauty. Now, on either side, his inner life was touched by the magic of
-romance: the fair dream of these two children, and the love of the other
-betrothed pair. It was on happy eyelids that sleep settled at last. And
-Aline, too, lay awake, her young cheeks burning at the delicious yet
-frightening memory of a kiss in the little churchyard, and her heart
-swelling at the thought of the infinite goodness of Jimmie.
-
-Meanwhile, unconscious of these idyllic happenings and romantic
-speculations, Norma was enjoying herself in her worldly way at Lord
-Monzie's place in Scotland. Lord Monzie, a dissipated young man who had
-lately come into the title, had married a well-to-do young woman in very
-smart society. Consequently there was no lack of modern entertainment
-in the house. So modern was everything that the host had got down Mr.
-Joseph Ascherberg, the financier, to hold a roulette bank every night
-against all comers; but he took care that he himself, or his own
-confidential man, turned the wheel and spun the marble. Most of the
-people had unimaginative nicknames, the extremes of the Submerged
-Tenth and the Upper Ten thus curiously meeting. Lord Monzie was called
-“Muggins;” his bosom friend, and, as some whispered, his _âme damnée_,
-Sir Calthrop Boyle, was alluded to as “The Boiler;” and Ascherberg
-responded to the appellation of “Freddy.” There were also modern
-conveniences for the gratification of caprices or predilections that
-need not be insisted upon. In fact the atmosphere was surcharged with
-modernity; so much so that Norma, who would have walked about the
-Suburra of Imperial Rome with cynical indifference, gasped a little when
-she entered it. One or two things actually shocked her, at which she
-wondered greatly. She regarded Mr. Ascherberg with extreme disfavour,
-and winced at the women's conversation when they were cosily free
-from men. For the first day or two she held herself somewhat apart,
-preferring solitude on sequestered bits of terrace, where she could
-read a novel, or look at the grey hills that met the stretch of purple
-moorland. But gradually the sweeter tone of mind which she had brought
-with her lost its flavour, and having won sixty pounds from Ascherberg,
-and having told the feminine coterie what she knew of the Wyniard
-affair, she began to breathe the atmosphere without much difficulty. Yet
-occasionally she had spasms of revolt. In a corner of the drawing-room
-stood a marble copy of the little Laughing Faun in the Louvre, put there
-by the late baron, and every time her eye fell upon it, the picture of
-another faun arose before her, and with it the memory of a homely man
-with bright kind eyes, and she seemed to draw a breath of purer air. But
-she called the fancy foolishness and hardened her heart.
-
-Still, had it not been for Theodore Weever, the American man of affairs,
-she would probably have found some pretext for an abrupt departure. He
-alone was a personality among the characterless, vicious men and women
-of the house-party. Short, spare, alert, bald-headed, clean-shaven,
-clear-featured, he was of a type apart. Norma, who had a keen
-intelligence, divined in him from the first an adversary upon whom she
-could sharpen her wit and a companion who would not bore her with dreary
-tales of sport or the unprofitable details of his last night's play. And
-from the first Theodore Weever was attracted towards Norma. Their lax
-associates, in spite of her engagement to Morland being perfectly well
-known and in spite of Morland's expected arrival, recognised their
-pairing with embarrassing frankness, and said appalling things about
-them behind their backs. For a few days therefore they found themselves
-inseparable. At last their friendship reached the confidential stage.
-Mr. Theodore Weever avowed the object of his present visit to England.
-He was in search of a decorative wife.
-
-“It ought to be as easy as turning over a book of wallpapers,” said
-Norma.
-
-“And as difficult to choose,” said he.
-
-“You must know what scheme of colouring and design you want.”
-
-“Precisely. I don't find it in the books of stock patterns, either here
-or in America. And I've ransacked America.”
-
-“Is n't the line--I believe in commercial circles they call it a
-line--is n't the line of specially selected duchesses for the English
-market good enough for you?” she asked with a smile.
-
-He was about to light a cigarette when she began her question. He lit it
-and blew out the first few puffs of smoke before he replied. They were
-sitting in Norma's favourite nook on the terrace, where he, solitary
-male who had not gone forth with a gun that morning, had been
-gratuitously told by an obliging hostess that he would find her.
-
-“The American woman makes a good decorative duchess,” he said in
-his incisive tone, “because she has to sweep herself clean of every
-tradition she was born with and accept bodily the very much bigger and
-more dazzling tradition of your old aristocracy. She can do it, because
-she is infinitely sensitive and intelligent. But she is a changed
-creature. She has to live up to her duke.”
-
-He puffed for a moment or two at his cigarette.
-
-“Do you see what I am coming to?” he continued. “I am not an English
-duke. I am a plain American citizen. No woman in America would make it
-her ideal in life to live up to me.”
-
-“I don't mean to be rude,” interrupted Norma, with a laugh, “but do you
-think any Englishwoman would?”
-
-“I do,” he replied. “Not to this insignificant, baldheaded thing that is
-I, but to what in the way of position and power I represent. An American
-woman would bring her traditions along with her--her superior culture,
-her natural right to be enthroned as queen, her expectation that I would
-take a back seat in my own house. It is I that would become a sort of
-grotesque decoration in the place. Now, I may be grotesque, but I will
-not consent to be decorative. I fully intend to be master. I am not
-going to be Mrs. Theodore Weever's husband. I want an Englishwoman to
-bring along her traditions. She will be naturally _grande dame_; she
-will come to my house, my social world, frankly the wife of Theodore
-Weever, and ready to support the dignity, whatever it may be, of
-Theodore Weever, just as she would have supported the dignity of Lord So
-and So, had she been married to him in England.”
-
-“You will find thousands of English girls who can do that,” said Norma.
-“I don't see your difficulty.”
-
-“She must be decorative,” said Weever.
-
-“And that means?”
-
-“She must be a queenly woman, but one content to be queen consort. Your
-queenly woman--with brains--is not so easy to find. I have met only
-one in my life who is beyond all my dreams of the ideal. Of course the
-inherent malice of things screws her down like one blade of a pair of
-scissors to another fellow.”
-
-“Who is the paragon?” asked Norma.
-
-“It wouldn't be fair on the other fellow to tell you,” said he.
-
-“Is it sheer honesty, or the fear of being cut in half by the pair of
-scissors that keeps you from coming between them?”
-
-“I think it's honesty,” he replied. “If I can guess rightly, the
-scissors have n't so fine an edge on them as to make them dangerous.”
-
-“They may be desperately in love with one another, for all you know.”
-
-“They are delightful worldlings of our own particular world, dear lady,”
- said Weever, with a smile.
-
-Thus was Norma given to understand that the post of decorative queen
-consort in Mr. Theodore Weever's Fifth Avenue palace was at her
-disposal. A year ago she might have considered the offer seriously; now
-that she felt secure of a brilliant position as Morland's wife, she was
-amused by its frank impudence. She held other laughing conversations
-with him on the subject of his search, but too prudent to commit
-indiscretions, she gave no hint that she had understood his personal
-allusion, and Weever was too shrewd to proceed any further towards his
-own undoing. They remained paired, however, to their mutual
-satisfaction, until Morland's arrival, when Theodore Weever took his
-departure. In fact, the same carriage that conveyed the American to the
-station remained for a necessary half-hour to meet Morland's train, and
-Norma, who dutifully drove down to welcome her affianced, shared the
-carriage with the departing guest.
-
-She stood on the platform chatting with him as he leaned out of the
-window.
-
-“When shall we see each other again?” she said idly.
-
-“Next month.”
-
-“Where?” she asked, somewhat taken aback by his decided tone.
-
-“I am putting in some time at Chiltern Towers. I had a letter this
-morning from the duchess, asking me to come and meet the Princess of
-Herren-Rothbeck.”
-
-They looked at each other, and Norma laughed.
-
-“Beware of Her Serene Highness.”
-
-“Oh, I've had dealings with her before,” replied Weever. “I reckon I get
-my money's worth. Don't you fret about me.”
-
-The guard came up and touched his cap.
-
-“We are off now, miss.”
-
-She shook hands with Weever, saying with a laugh, “I hope you will find
-that bit of decoration.”
-
-“Don't you fret about that, either,” he said with a quick, hard glance.
-“I'm in no hurry. I can wait.”
-
-The train started, and was soon swallowed by a tunnel a few hundred
-yards up the line. Norma patrolled the platform of the little wayside
-station waiting for Morland. The place was very still. The only porter
-had departed somewhither. The station-master had retired into his
-office. The coachman outside the station sat like a well-bred image on
-his box, and the occasional clink of the harness, as the horses threw
-up their heads, sounded sharp and clear. Nothing around but mountain and
-moorland; a short distance in front a ravine with a lazily trickling,
-half-dried-up mountain stream. Here and there a clump of larch and fir,
-and a rough granite boulder. An overcast sky threw dreariness on the
-silent waste. Norma shivered, suddenly struck with a sense of isolation.
-She seemed to stand in the same relation with her soul's horizon as with
-the physical universe. The man that had gone had left her with a little
-feeling of fear for the future, a little after-taste of bitterness.
-The man that was coming would bring her no thrill of joy. As she stood
-between a drab sky and a bleak earth, so stood she utterly alone in the
-still pause between a past and a future equally unillumined. She longed
-for the sun to break out of the heaven, for the sounds of joyous things
-to come from plain and mountain; and she longed for light and song in
-her heart.
-
-She had been watching for the past few days the proceedings of
-a half-recognised, irregular union. The woman was the frivolous,
-heartless, almost passionless wife of a casual husband at the other end
-of the earth; the man an underbred fellow on the stock exchange. She
-ordered him about and called him Tommy. He clothed her in extravagant
-finery, and openly showed her his sovereign male's contempt. Norma had
-overheard him tell her to go to the devil and leave him alone, when she
-hinted one night, in a whisper that was meant for his ears alone, that
-he was drinking overmuch whisky. It was all so sordid, so vulgar--the
-bond between them so unsanctified by anything like tenderness, chivalry,
-devotion. Norma had felt the revulsion of her sex.
-
-What would be the future? By any chance like this woman's life? Would
-the day come when she would sell herself for a gown and a bracelet,
-thrown at her with a man's contemptuous word? Was marriage very widely
-different from such a union? Was not she selling herself? Might not the
-man she was waiting for go the way of so many others of his type, drink
-and coarsen and tell her to go to the devil?
-
-She longed for the sun, but not a gleam pierced the leaden sky; she
-sought in her soul for a ray of light, but none came.
-
-At last with a shriek and a billowing plume of smoke the down train
-emerged from the tunnel. Norma set her face in its calm ironic mask and
-waited for the train to draw up. Only two passengers alighted, Morland
-and his man. Morland came to her with smiling looks and grasped her by
-the hand.
-
-“You are looking more beautiful than ever,” he whispered, bringing his
-face close to hers.
-
-She started back as if she had been struck. The fumes of brandy were in
-his breath. Her hideous forebodings were in process of fulfilment.
-
-“The whole station will hear you,” she said coldly, turning away.
-
-The Imp of Mischance rubbed his hands gleefully at his contrivance.
-Morland, a temperate man, had merely felt chilly after an all-night's
-journey, and, more out of idleness than from a desire for alcohol, had
-foolishly taken a sip out of his brandy flask a moment or two before,
-when he was putting up his hand-bag.
-
-Norma collected herself, summoned with bitter cynicism her common-sense
-to her aid, and made smiling amends for her shrewish remark. She
-suffered him to kiss her on the drive home, and strove not to despise
-herself.
-
-
-
-
-Chapter XI--DANGER
-
-HEDDON COURT had been purchased by a wealthy Hardacre at the beginning
-of the nineteenth century, and was exhibited by his grandnephew, the
-present occupant, as a gem of Georgian architecture. Mr. Hardacre
-had but a vague idea what the definition meant, but it sounded very
-impressive. As a matter of fact, it was a Palladian stone building, with
-pediments over the windows and severe rustication on the lower
-courses. As none of the succeeding Hardacres had any money to devote
-to extensions, the building had remained in its original perfection of
-formality, and Mr. Hardacre did well to be proud of it. The grounds had
-been laid out in the Italian style; but the tastes and fashions of
-over a hundred years had caused the classic architect's design to be
-practically indiscernible. A lawn with trim flower-beds, bounded by an
-arc of elm-trees and bordered by a circular carriage drive faced the
-south front. Along the east front ran a series of terraces. The highest,
-a foot or two below the level of the drawing-room floor, ended on
-the north in a porticoed temple, now used as an afternoon lounge, and
-incongruously furnished with rugs and frivolous wickerwork chairs and
-tables. The next terrace, some eight feet below, was devoted to a tennis
-court. A thick hedge of clipped yew and a screen of wire netting hid the
-lowest, the most charming of all, which, surrounded on all sides by
-a sloping bank and flanked on three sides by tall trees, had been
-delicately turfed for a bowling-green and was now used for croquet.
-
-In this stately paradise, warmed by sunny September weather, Jimmie
-had already spent two or three blissful days. His only regret was
-the absence of Aline. She had been invited, but for reasons in which
-doubtless Tony Merewether had a place, she had declined the invitation.
-She gave Jimmie to understand that she had already had her holiday, that
-the house could not possibly look after itself any longer, and that
-she had no clothes fit to appear in among his grand friends. The last
-argument being unanswerable, save by contentions at which the young
-woman tossed a superior head, Jimmie had yielded and come down alone.
-His regret, however, was tempered by the reflection that Aline was
-probably enjoying herself after the manner of betrothed maidens, and it
-did not seriously affect his happiness. Either chance or the lady's own
-sweet courtesy towards a guest had caused him to see much of Norma. She
-had driven him over to Chiltern Towers, where the sittings had
-begun. She had walked with him to Cosford to show him the beautiful
-fourteenth-century church with its decorated spire. She had strolled
-with him up and down the croquet lawn. She had chatted with him in the
-morning-room yesterday for a whole rainy hour after lunch. His head was
-full of her beauty and condescension. It was not unnatural that they
-should be thrown much together. Morland's day was taken up by partridges
-and electors. Mr. Hardacre, honestly afraid of Jimmie, not knowing
-what on earth to talk to him about, and only half comprehending his
-conversation, kept out of his way as much as his duties as host would
-allow, and Mrs. Hardacre, who, though exceedingly civil, had not
-forgotten her defeat in the studio, felt justified in leaving his
-entertainment in the hands of others who professed to admire the
-creature. These were Norma, Morland, and Connie Deering.
-
-This afternoon they found themselves again alone together, at tea in the
-classic temple at the end of the terrace. Mrs. Hardacre and Connie had
-driven off to pay a call, and the men were shooting over ducal turnips.
-Jimmie had received an invitation to join the shooting-party, but
-not having handled a gun since boyish days (and even then Jimmie with
-firearms was Morland's conception of the terror that walketh by day),
-and also having an appointment with the princess for a second sitting,
-he had declined, and Morland, when he heard of it, had clapped him on
-the back and expressed his fervent gratitude.
-
-Jimmie had been narrating his morning's adventures at Chiltern Towers,
-and explaining the point of view from which he was painting the
-portrait. It was to be that of the very great lady, with the blood of
-the earth's great rulers in her veins. It was to be half full-length,
-just showing the transparent, aristocratic hands set off by rich old
-lace at the wrists. A certain acidity of temper betrayed by the pinched
-nostrils and thin lips he would try to modify, as it would be out of
-keeping with his basic conception. Norma listened, interested more in
-the speaker than in the subject, her mind occasionally wandering, as
-it had been wont to do of late, to a comparison of ideals. Since that
-half-hour's loneliness on the platform of the little Highland station,
-she had passed through many hours of unrest. To-day the mood had again
-come upon her. A talk with her mother about the great garden-party they
-were giving in two days' time, to which the princess and the duchess
-were coming, had aroused her scorn; a casual phrase of Morland's in
-reference to the election had jarred upon her; a sudden meeting in
-Cosford with Theodore Weever, and a laughing reference to the decorative
-wife had brought back the little shiver of fear. The only human being
-in the world who could settle her mood--and now she felt it
-consciously--was this odd, sweet-natured man who seemed to live in a
-beautiful world.
-
-As he talked she listened, and her mind wandered from the subject. She
-thought of his life, his surroundings, of the girl whose love affair he
-had told her of so tenderly. She took advantage of a pause, occasioned
-by the handing of a second cup of tea and the judicious choosing of
-cake, to start the new topic.
-
-“I suppose Aline is very happy.”
-
-Jimmie laughed. “What put my little girl into your head?”
-
-“I have been thinking a good deal about her since you wrote of her
-engagement. Is it really such an idyll?”
-
-“The love of two sweet, clean young people is always idyllic. It is so
-untainted--pure as a mountain spring; There is nothing quite like it in
-the world.”
-
-“When are they going to set up house together?”
-
-“Soon, I hope.”
-
-“You will miss her.”
-
-“Of course,” said Jimmie, “enormously. But the thoughts of her happiness
-will keep me pleasant company. I shall get on all right. Meanwhile it
-is beautiful to see her. She does n't know that I watch, but I do. It
-is sweet to see her eyes brighten and her cheeks flush and to hear
-her laughter. It is like stepping for an enchanted moment into a
-fairy-tale.”
-
-“I wish I could step into it--just for one enchanted moment,” said
-Norma..
-
-“You?” asked Jimmie.
-
-“I have never been in one in my life. I disbelieved in them till you
-came like an apostle of fairyland and converted me. Now I want the
-consolations of my faith.”
-
-An earnest note in her voice surprised him. She did not meet his eyes.
-
-“I don't understand you,” he said.
-
-“I thought perhaps you would,” she answered. “You seem to understand
-most things.”
-
-“You have your own--happiness.”
-
-He hesitated on the word. A quick glance assured her of his
-ingenuousness. She longed to undeceive him, to shriek out her
-heartlessness, her contempt for herself and for her life. But pride and
-loyalty to Morland restrained her within bounds of sanity. She assented
-to his proposition with a gesture of the shapely hand that lay on the
-tea-table absently tracing the pattern of the cloth.
-
-“Yes, I have that. But it isn't the fairyland of those two children. You
-yourself say there is nothing like it in the world. You don't know how
-I pine for it sometimes--for the things that are sweet and clean and
-untainted and pure as a mountain spring. They don't come my way. They
-never will.”
-
-“You are wrong,” said Jimmie. “Love will bring them all to you--that and
-a perfect wedded life and little children.”
-
-For a flash she raised her eyes and looked full into his, and for the
-first time the love in the man's heart surged tumultuously. It rose of a
-sudden, without warning, flooding his being, choking him. What it was of
-yearning, despair, passion, horror that he saw in her eyes he knew not.
-He did not read in them the craving of a starved soul for food. To
-him their burning light was a mystery. All that ever reached his
-consciousness was that it was a look such as he had never before beheld
-in a woman's face; and against his will and against his reason it acted
-like some dark talisman and unlocked floodgates. He clenched the arms of
-the wickerwork chair, and bit his lip hard, and stared at the ground.
-
-Norma broke into a hard laugh, and lay back in her chair.
-
-“You must be thinking me a great fool,” she said, in her usual mocking
-tones. “When a woman tries to swim in sentiment, she flounders, and
-either drowns or has to be lugged ignominiously to shore. She can't swim
-like a man. Thanks for the rescue, Mr. Padgate.”
-
-He looked at her for a moment.
-
-“What do you mean?” he said curtly.
-
-“I'm back on dry land. Oh! it is safer for me. There I am protected by
-my little bodyguard of three--the World, the Flesh, and the Devil. I
-can't get on without them.”
-
-Jimmie leaped from his chair and brought his clenched hands down to his
-sides in a passionate gesture.
-
-“Stop talking like that, I say!” he cried imperiously.
-
-Then meeting her scared and indignant glance, he bowed somewhat wide of
-her.
-
-“I beg your pardon,” he said, in a tone of no great apology, and marched
-out of the little temple and along the gravelled walk of the terrace.
-Flight, or the loss of self-control, was his only alternative. What she
-thought of him he did not care. The sense of increasing distance from
-her alone brought security to his soul.
-
-At the further end he met Mrs. Deering just back from her drive.
-
-“Why, what is the matter, Jimmie?” she asked, twirling an idle sunshade
-over her pretty head, for the terrace was in deep afternoon shadow.
-
-“Nothing,” he replied, with a ghastly attempt at a smile. “I am going
-for a walk before dinner.”
-
-He left her standing, reached the highroad and pounded along it. What a
-fool he had been! What a mad fool he had been!
-
-Mrs. Deering, with a puzzled expression on her face, watched him
-disappear. She turned and strolled down to Norma, who greeted her with a
-satiric smile.
-
-“What have you been doing to Jimmie?” asked Mr. Deering.
-
-“I have been giving him lessons in worldly wisdom.”
-
-“Poor dear! They seem to have disagreed with him.”
-
-Norma shrugged her shoulders. “That's his affair, not mine.”
-
-“You don't mean to say that you and Jimmie have quarrelled?” laughed
-Connie. “How delightful! I've always wanted to quarrel with Jimmie
-just for the pleasure of kissing and making friends. But it has been
-impossible. Is it serious?”
-
-“I hope not,” Norma answered; and then after a pause, “Oh, Connie, I'm
-afraid I've been a positive brute.”
-
-Which evidence of a salutary conviction of her own wrongdoing shows that
-Jimmie's amazing shout of command had not aroused within her any furious
-indignation. Indeed, after the first moment of breathless astonishment,
-she had expressed an odd, almost amusing thrill of admiration for the
-man who had dared address her in that fashion. It was only a small
-feminine satisfaction in the knowledge that by going away he would
-punish himself for his temerity that had restrained her from summoning
-him back. As soon as he was out of call, she reproached herself for
-misconduct. She could have strangled the wanton devil that had prompted
-her cynical speech. And yet the same devil had saved an embarrassing
-situation. Wedded life and little children! If she had spoken what was
-trembling on her lips, how could she have looked the man in the face
-again? Her sex was revolting against that very prospect, was clamouring
-wildly for she knew not what. She dared not betray herself.
-
-She greeted him smilingly in the drawing-room before dinner, as if
-nothing had occurred, and chatted pleasantly with Morland over his day's
-fortunes. Jimmie observed her with a sigh of relief. He had passed the
-last two hours greatly agitated; he had trembled lest he had revealed
-to her his soul's secret, and also lest his unmannerliness had given
-unpardonable offence. In any case, now he saw himself forgiven, and
-breathed freely. But he remained unusually silent during dinner, and
-spent most of the evening in the billiard-room with Mr. Hardacre.
-
-That gentleman, joining the ladies later, fell into conversation with
-his daughter.
-
-“How long is Padgate going to stay?” he asked, mopping his forehead with
-his handkerchief.
-
-“Till the princess has completed her sittings, I suppose,” said Norma.
-
-“I wish she'd be quick. I don't know what to do with the fellow. Does
-n't shoot, can't play billiards worth a cent, and does n't seem to
-know anybody. It's like talking to a chap that does n't understand your
-language. I've just been at it. Happened to say I'd like to go to
-Rome again. He fetches a sigh and says so should he. 'Some of the best
-wild-duck shooting in the world,' I said. He stared at me for a moment
-as if I were an escaped lunatic. Now, what on earth should a reasonable
-being go to that beastly place for except to shoot wild-duck on the
-marshes?”
-
-Norma laughed the little mocking laugh that always irritated her father.
-
-“You need n't be afraid of not entertaining Mr. Padgate. He must have
-enjoyed the conversation hugely.”
-
-“Damme--if the fellow is laughing at me--” he began.
-
-“He would not be the very fine gentleman that he is,” said Norma. “Where
-is he now?”
-
-“Morland relieved guard in the billiard-room, when the post came in,”
- growled Mr. Hardacre, who shrank from crossing swords with his daughter,
-and indeed with anybody. “He is happy enough with Morland.”
-
-At that particular moment, however, there was not overmuch happiness in
-the billiard-room. A letter from Aline had been accompanied by one for
-“David Rendell, Esquire” which she had enclosed. Morland read it, and
-crushed it angrily into the pocket of his dinner-jacket, and began to
-knock the balls about in an aimless way. Jimmie watched him anxiously
-and, as he did not speak, unfolded his own letter from Aline. Suddenly
-he rose from the divan where he had been sitting and approached the
-table.
-
-“There is something here that you ought to know, Morland. A man has been
-enquiring for you at my house.”
-
-“Well, why should n't he?” asked Morland, making a savage shot.
-
-“He enquired for David Rendell.”
-
-Morland threw down his cue.
-
-“Well?”
-
-“I am afraid Aline, who is a miracle of sagacity as a general rule, has
-made a mess of it. You mustn't be angry with my poor little girl. Her
-head is full of sweeter things.”
-
-“What has she done?” Morland asked impatiently.
-
-“I'll read: 'I told him that Mr. Rendell was a friend of yours, and gave
-him your present address. He muttered something about a false name and
-went away without thanking me.'”
-
-“Good God!” cried Morland, “what damned fools women are! Did she say
-what kind of a man he was?”
-
-Jimmie looked through the letter, and finding the passage, read: “'An
-odd-looking creature, like a mad Methodist parson!'”
-
-Morland uttered an exclamation of anger and apprehension. His brow grew
-black, and his florid comely features coarsened into ugliness.
-
-“I thought so. It could n't have been any one else. He was the only
-person who knew. She has given me away nicely. The devil only knows what
-will happen.”
-
-Jimmie leant up against the table and folded his arms, and looked at
-Morland moving restlessly to and fro and giving vent to his anger.
-
-“Who is this man you seem to be so afraid of?” he asked quietly.
-
-Morland stopped upon the unpleasant word, then shrugged his shoulders.
-
-“Yes, I suppose I am afraid of him. One can't reckon upon anything that
-he might or might not do. He's like a mad cat. I've seen him. So have
-you.”
-
-“I?”
-
-“Yes--that socialist maniac you dragged me to hear one Sunday in Hyde
-Park.”
-
-“Whew!” said Jimmie. He remembered the look in the orator's eyes, his
-crazy, meaningless words, his fierce refusal to enter into friendly
-talk; also Morland's impatient exclamation and abrupt departure as soon
-as they had learned the man's name.
-
-“He's as mad as a hatter,” he said. “If he should take it into his head
-to come down here and make a row, there will be the deuce to pay,” said
-Morland.
-
-Jimmie reflected for a moment. The man, with his wild talk of maidens
-lashed to the chariot-wheels of the rich, must have been tortured by the
-sense of some personal wrong.
-
-“How does he come into the story?” he asked. “You had better tell me.”
-
-“The usual way. Oh, I wish to God I had never got into this mess! A man
-of position is an infernal fool to go rotting about after that sort of
-thing. Oh, don't you see? He had a crazy passion for her, was engaged to
-her--he was mad then. When I came along, he had to drop it, and he has
-been persecuting her ever since--divided between the desire to marry her
-in spite of everything, and to murder me. That's why I had the assumed
-name and false address. I would n't have let you in for this bother,
-but I could n't go and run the risk of being blackmailed at a confounded
-little stationer's shop up a back street. He has been trying to get on
-my track all the time--and now he's succeeded, thanks to Aline. Why the
-devil could n't she hold her tongue?”
-
-“Because she is an innocent child, who has never dreamed of evil,” said
-Jimmie.
-
-Morland walked about the room, agitated, for a few moments, then halted.
-
-“Oh, yes, I know, Jimmie. She is n't to blame. Besides, the mischief is
-done, so it's no use talking.”
-
-“Were you thinking of any such possibility in the summer when you asked
-me to help you?” said Jimmie. Morland cast a quick, hopeful glance at
-his friend.
-
-“Something of the sort. One never knows. You were the only man I could
-rely on.”
-
-“Does this man know you by sight?”
-
-“Not to my knowledge.”
-
-“Then what are you so afraid of? Look here, my dear old boy,” he
-said cheerily, “you are being frighted by false fire. If it is only a
-question of dealing with the man when he comes here--that is, supposing
-he does come--which is very unlikely, I will tackle him as the only
-person who knows anything about David Rendell. I'll tell him David
-Rendell is in Scotland or Honolulu.”
-
-“He is on the track of the false name,” said Morland, uneasily. “Aline
-mentions that.”
-
-“He is bound to come to me first,” said Jimmie. “I'll fix him. We'll get
-on capitally together. There's a freemasonry between lunatics. Leave it
-all to me.”
-
-“Really?” cried Morland, in great eagerness.
-
-“Of course,” said Jimmie. “Let us go upstairs.”
-
-They passed out of the billiard-room in silence. On their way to the
-drawing-room Morland murmured in a shamefaced way his apologia. He was
-just at the beginning of his electoral campaign. It was his own county.
-He was hand in glove with the duchess, sovereign lady of these parts,
-and she never forgave a scandal. “Besides,” he added, “to quote your
-own words, it would break Norma's heart.” Also, employing the limited
-vocabulary of his class and type, he reiterated the old assurance
-that he had not been a beast. He had done all that a man could to make
-amends. If Jimmie had not loved him so loyally, he would have seen
-something very pitiful in these excuses; but convinced that Morland had
-atoned as far as lay in his power for his fault, he trembled for the
-happiness of only those dear to him.
-
-Norma met them on the drawing-room landing.
-
-“I was coming down to see what had become of you,” she said.
-
-“I have been the culprit. I restore him to you,” laughed Jimmie. He
-entered the room and closed the door. The betrothed pair stood for a
-moment in an embarrassed silence. She laid a hesitating hand on his
-sleeve.
-
-“Morland--” she said diffidently. “I was really wanting to have a little
-talk with you. Somehow we don't often see one another.”
-
-Morland, surprised at the softness in her voice, led her back to the
-billiard-room.
-
-
-
-
-Chapter XII--NORMA'S ENLIGHTENMENT
-
-THE development of the germ of goodness in woman may be measured by
-her tendency towards self-sacrifice. Even the most selfish of her sex,
-provided she has some rudimentary virtues, hugs close to her bosom some
-pet little thorn which she loves to dig into her shrinking flesh. She
-enjoys some odd little mortification, some fantastic humiliation, that
-is known only to the inner chamber of her soul. Your great-hearted woman
-practises Suttee daily, greatly to the consternation of an observant yet
-unperceptive husband. Doubtless this characteristic has a sexual basis,
-psychological perhaps rather than directly physiological, being an
-instinctive assertion of the fundamental principle of passivity, which
-in its turn is translated into the need to be held down and subdued.
-Thus, if the man does not beat her, she will beat herself; if he is
-a fool, she will often apply caustic to her wisdom, so that she may
-reverence him; if he is a knave, she will choke her honesty. Side by
-side with the assertion of this principle, and indeed often inextricably
-confused with it, is the maternal impulse, which by manifold
-divergences from its primary manifestation causes women to find a joy,
-uncomprehended by men, in pangs of suffering. The higher the type the
-stronger the impulse towards this sweet self-martyrdom.
-
-Some such theory alone explains the softer tones in Norma's voice
-when she spoke to Morland. She had passed through two periods of sharp
-development--the half-hour in Scotland and the hours she had spent
-since her talk with Jimmie that afternoon. She acted blindly, obeying an
-imperative voice.
-
-They sat down together on the raised divan. She was dressed in black,
-with a bunch of yellow roses at her bosom, and her neck and arms gleamed
-white in the shadow cast by the green shades over the billiard-table.
-Her face had softened. She was infinitely desirable.
-
-“I have been thinking over our relations, Morland,” she said. “Perhaps I
-have been wrong.”
-
-“What do you mean?” he asked in some alarm.
-
-“I told you when you asked me to marry you that it would be wise to put
-sentiment aside. You agreed, against your will, and have observed the
-convention very loyally. But I have not treated you well. In putting
-sentiment aside I was, perhaps, wrong. That is what I wanted to say to
-you.”
-
-“Let me see that I understand you, Norma,” said Morland. “You wish that
-we should be more like--like ordinary lovers?”
-
-“We might try,” she whispered.
-
-She waited. Heaven knows what she waited for; but it did not come. The
-Imp of Mischance again scored his point. The man's mind was filled with
-the thoughts of another woman in her agony and of a crazy avenger coming
-with murder in his heart. He took her hand mechanically and raised it
-to his lips. Her yielding to the caress told him that he could throw
-his arms around her and treat her loverwise; her words told him that he
-ought to do so.
-
-Yet he did not. For the moment he was passionless; and to men of
-his type is not given the power, possessed by men of imaginative
-temperament, of simulating passion. He forced a laugh.
-
-“How do you think we might begin?”
-
-She went on bravely with her self-imposed task of submission.
-
-“I have heard that the man generally takes the initiative.”
-
-He kissed her on the cheek. To do less would have been outrageous.
-
-“I am glad you realise that I am in love with you, at last,” he said.
-
-“Are you sure that you are in love with me?” she asked, the chill that
-had fallen upon her after the lack of response to her first whisper
-growing colder and colder.
-
-“Of course I am.”
-
-“That is all I wanted to hear. Good-night,” she said in an odd voice.
-She rose and put out her hand. Morland opened the door for her to pass
-and closed it behind her.
-
-Norma went straight to her room, feeling as though she had been tied by
-the heels to a cart-tail and dragged through the mud. Half undressed,
-she dismissed her maid summarily. Every place on her body that the
-girl's fingers touched seemed to be a bruise. She went to bed stupefied
-with herself.
-
-Meanwhile Morland rang for whisky and soda, and cursed all that
-appertained to him, knowing that he had missed an amazing opportunity.
-After the way of feeble men, he thought of a hundred things he might
-have said and done that would have brought her to his feet. Had he not
-been watching patiently, ever since his engagement, for her to put off
-her grand airs, and become a woman like the rest of them? He should
-have said the many things he had often said to others. Or, if words were
-difficult, why in the world had he not kissed her properly after the
-manner accepted by women as the infallible argument? He conjured up the
-exceeding pleasantness of such an act. He could feel the melting of
-her lips, the yielding of her bosom; gradually he worked himself into
-a red-hot desire. A sudden resolve took him upstairs. There he learned
-that Norma had retired for the night, and returning to his whisky in the
-billiard-room, he cursed himself more loudly than before. A hand thrust
-into the pocket of his dinner-jacket met the poor girl's crumpled
-letter. Mechanically he took it to the empty grate, and then cursed the
-fire for not being lit. When Mr. Hardacre came down for a final game of
-billiards, he found his future son-in-law in an irritable temper, and
-won an easy game. Rallied upon his lack of form, Morland explained that
-the damned election was getting on his nerves.
-
-“Did n't get on them when you were shooting to-day,” said Mr. Hardacre.
-
-“I made believe that the birds were the beastly voters,” replied
-Morland.
-
-Norma had not yet come down the next morning when he started for Cosford
-on electioneering business. Nor did he meet her, as he hoped, in the
-town, carrying on the work of canvassing which she had begun with great
-success. A dry barrister having been sent down to contest the division
-in the Liberal interest, was not making much headway in a constituency
-devoted to the duchess and other members of the tyrannical classes, and
-thus the task of Norma and her fellow-canvassers was an easy one. Today,
-however, she did not appear. Morland consoled himself with the assurance
-that he would put things right in the evening. After all, it was easy
-enough to kiss a woman who had once shown a desire to be made love to.
-Every man has his own philosophy of woman. This was Morland's.
-
-Jimmie also started upon his morning's pursuits without seeing Norma.
-He was somewhat relieved; for he had spent a restless night, dozing off
-only to dream grotesque dreams of the mad orator and waking to fight
-with beasts that gnawed his vitals. He came down unstrung, a haggard
-mockery of himself, and he was glad not to meet her clear eyes. The
-three-mile walk to Chiltern Towers refreshed him, his work on the
-portrait absorbed his faculties, and his neighbours at the ducal
-luncheon-table, to which the duchess in person had invited him,
-clear-witted women in the inner world of politics and diplomacy, kept
-his attention at straining point. It was only when he walked back to
-Heddon Court, although he made a manful attempt to whistle cheerily,
-that he felt heavy upon his heart the burden of the night. It was a
-languorous September afternoon, and the tired hush of dying summer
-had fallen upon the world. The smell of harvest, the sense of golden
-fulfilment of life hung on the air. Jimmie swung his stick impatiently,
-and filled his lungs with a draught of the mellow warmth.
-
-“The old earth is good. By God, it's good!” he cried aloud.
-
-Brave words of a resolute optimism; but they did not lighten his burden.
-
-He reached the house. Beneath an umbrella-tent on the front lawn sat
-Norma, her hands listlessly holding a closed book on her lap. Jimmie
-would have lifted his hat and passed her by, but with, a brightening
-face she summoned him. They talked awhile of commonplace things.
-Then, after a pause, she asked him, half mockingly, to account for his
-behaviour the day before. Why had he rated her in that masterful way?
-
-“I can't bear you to speak evilly of yourself,” he said.
-
-“Why, since I deserve it?”
-
-“The _you_ that you sometimes take a pleasure in assuming to be
-may deserve it. The real you does n't. And it is the real you that I
-know--that has given me friendship and is going to marry my dearest
-friend. The other you is a phantom of a hollow world in which
-circumstances have placed you.”
-
-“I think the phantom is happier than the reality,” said Norma, with a
-laugh. “'The dream is better than the drink.' The hollow world is the
-safer place, after all.”
-
-“Where imagination doth not corrupt and enthusiasms do not break in and
-steal,” said Jimmie, with unusual bitterness. “I have seen very little
-of it--but you have told me things,” he continued lamely, “and your
-being in it and of it seems a profanation. When you wilfully identify
-yourself with its ideals, you hurt me; and when I am hurt, I cry out.”
-
-“But why should you care so much about what I am and what I am not?” she
-asked in a tone half of genuine enquiry and half of expectancy, wholly
-kind and soft..
-
-He dug the point of his stick into the turf and did not raise his eyes.
-He knew now what a fool's game of peril he was playing, and kept himself
-in check. Yet his voice trembled as he replied:
-
-“Morland is very dear to me. You, his future wife, have grown dear to
-me also. I suppose I have lived rather a simple sort of life and take my
-emotions seriously.”
-
-“I hope you thank God for it,” said Norma.
-
-The swift rattle of a carriage turning into the drive broke the talk,
-which had grown too personal to be left voluntarily. Jimmie felt
-infinitely grateful to the visitors, like a man suddenly saved from a
-threatening precipice. Leaving Norma with a bow, he fled into the house
-and selecting a book from the library, went onto the terrace. He needed
-solitude. Something of which he was unaware was happening. Circumstances
-were not the same as when he had first arrived. Then he had looked on
-Norma with brave serenity. He was happy, loving her and receiving frank
-friendship from her condescending hands. Now it was growing to be a
-pain to watch her face, a dread to hear her voice. Sweet intercourse had
-become a danger. And a few days had brought about the change. Why? Of
-the riot in the woman's nature he knew nothing. In his blank ignorance,
-seeking the cause within himself, he asked, Why?
-
-He crossed the tennis lawn, went through the little opening at the end
-of the hedge, and down to the seclusion of the croquet ground. Half-way
-along the sloping bank beneath the upper terrace some one had left a
-rug. He threw himself upon it, and tried like many another poor fool
-to reason down his hunger. But all the sensitive nerves with which
-the imaginative man, for his curse or his blessing, is endowed, were
-vibrating from head to foot. Her words sang in his ears: “Why should you
-care so much about what I am and what I am not?” The real answer burst
-passionately from his heart.
-
-He had lain there for about half an hour when a gay little laugh aroused
-him.
-
-“You idyllic creature!”
-
-It was Connie Deering, bewitchingly apparelled, a dainty, smiling pale
-yellow butterfly, holding as usual an absurd parasol over her head.
-
-“I have been looking for you all over the place,” she remarked. “They
-told me you were somewhere about the grounds. May I sit down?”
-
-He made room for her on the rug, and taking the parasol from her hand,
-closed it. She settled herself gracefully by his side.
-
-“I repeat I have been looking for you,” she said.
-
-“The overpowering sense of honour done me has deprived me of speech,”
-replied Jimmie, with an attempted return to his light-hearted manner.
-
-“Norma is entertaining those dreadful Spencer-Temples,” said Mrs.
-Deering, irrelevantly.
-
-“I must have had a premonition of their terrors, for I fled from before
-their path,” he said. “After all, poor people, what have they done to be
-called names?” he added.
-
-“They are ugly.”
-
-“So am I, yet people don't run away from me.”
-
-“I saw you run away from them,” she said with a significant nod. “I
-was at my bedroom window. They spoiled a most interesting little
-conversation.”
-
-Jimmie was startled. He looked at her keenly, but only met laughing
-eyes.
-
-“They interrupted me certainly. But I could n't have inflicted my
-society on Miss Hardacre all the afternoon.”
-
-“You would have liked to, wouldn't you? Jimmie dear,” she said with a
-change of tone, “I want to have a talk with you. I'm the oldest woman
-friend you have--”
-
-“And by far the sweetest and kindest and prettiest and fascinatingest.”
-
-She tapped his hand with her fingers. “Ssh! I'm serious, awfully
-serious. I've never been so serious in my life before. I've got a duty.
-I don't often have it, but when I do, it's a terrible matter.”
-
-“You had better go and have it extracted at once, Connie,” he laughed,
-determined to keep the talk in a frivolous channel. But the little lady
-was determined also.
-
-“Jimmie dear,” she said, holding up her forefinger, “I am afraid you
-are running into danger. I want to warn you. An old friend can do that,
-can't she?”
-
-“You can say anything you like to me, Connie. But I don't know what you
-mean.”
-
-He suspected her meaning, however, only too shrewdly, and his heart beat
-with apprehension. Had he been fool enough to betray his secret?
-
-“Are n't you getting just a little too fond of Norma, Jimmie?”
-
-“I could n't get too fond of her,” he said, “seeing that she is to be
-Morland's wife.”
-
-“That's just why you must n't. Come, Jimmie, have n't you fallen a bit
-in love with her?”
-
-“No,” he said with some heat. “Certainly not. How dare I?”
-
-Kindness and teasing were in her eyes.
-
-“My poor dear husband used to say I had the brain of a bird, but I may
-have the sharp eyes of a bird as well. Come--not just one little bit in
-love?”
-
-She had sought him with the best intentions in the world. She had long
-suspected; yesterday and to-day had given her certainty. She would put
-him on his guard, talk to him like an elder sister, pour forth upon him
-her vast wisdom in affairs of the heart, and finally persuade him-from
-his folly to more sensible courses.
-
-“He sha'n't come to grief over Norma if I can prevent it,” she had said
-to herself.
-
-And now, in spite of her altruistic resolve, she could not resist the
-pleasure of teasing him. She had done so all her life. Her method
-became less elder-sisterly than she had intended. But she was miles from
-realising that she touched bare nerves, and that the man was less a man
-than a living pain.
-
-“I tell you I'm not in love with her, Connie,” he said. “How could I
-dream of loving her? It would be damnable folly.”
-
-“Oh, Jimmie, Jimmie,” she said, enjoying his confusion, “what a
-miserably poor liar you make--and what a precious time you would have in
-the witness-box if you were a co-respondent! You can't deceive for nuts.
-You had better confess and have done with it.” Then seeing something of
-the anguish on his face, she bethought her of the serious aspect of her
-mission. “I could not bear you to break your heart over Norma, dear,”
- she said quite softly.
-
-“Don't madden me, Connie--you don't know what you are saying,” he
-muttered below his breath.
-
-Connie Deering had never heard a man speak in agony of spirit. Her lot
-had fallen among pleasant places, where life was a smooth, shaven lawn
-and emotions not more violent than the ripples on a piece of ornamental
-water. His tone gave her a sudden fright.
-
-“You do love her, then?” she whispered.
-
-“Yes,” said Jimmie, drawing himself up in a tight, awkward heap on
-the slope. “My God, yes, I do love her. I love her with every fibre of
-brain and body.”
-
-The words were out. More came. He could not restrain them. He gave up
-the attempt, surrendered himself to the drunkenness of his passion,
-poured out a torrent of riotous speech. What he said he knew not.
-Such divine madness comes to a man but few times in a life. The
-sweet-hearted, frivolous woman, sitting there in the trim little
-paradise of green, with its velvet turf and trim slopes, and tall mask
-of trees, all mellow in the shade of the soft September afternoon,
-listened to him with wondering eyes and pale cheeks. It was no longer
-Jimmie of the homely face that was talking; he was transfigured. His
-very voice had changed its quality.... Did he love her? The word was
-inept in its inadequacy. He worshipped her like a Madonna. He adored her
-like a queen. He loved her as the man of hot blood loves a woman. Soul
-and heart and body clamoured for her. Compared with hers, every other
-woman's beauty was a glow-worm unto lightning. Her voice haunted him
-like music heard in sleep. Her presence left a fragrance behind that
-clouded his senses like incense. Her beauty twined itself into every
-tendril of every woman's hair he painted, stole into the depths of every
-woman's eyes. It was a divine obsession.
-
-“You must fight against it,” Connie whispered tonelessly.
-
-“Why should I? Who is harmed? Norma? Who will tell her? Not I. If I
-choose to fill my life with her splendour, what is that to any one? The
-desire of the moth for the star! Who heeds the moth?”
-
-He went on reckless of speech until his passion had spent itself. Then
-he could only repeat in a broken way:
-
-“Love her? Heaven knows I love her. My soul is a footstool for her to
-rest her feet upon.”
-
-Connie Deering laid her hand on his.
-
-“I'm sorry. Oh, I'm sorry, Jimmie. God bless you, dear.”
-
-He raised the hand to his lips. Neither spoke. He plucked at the grass
-by his side; at length he looked up.
-
-“You won't give me away, will you?” he said with a smile, using her
-dialect.
-
-She went on her knees and clasped both his wrists. She said the first
-thing that came, as something sacred, into her head.
-
-“I could no more speak of this to any one than of some of my dead
-husband's kisses.”
-
-“I know you are a good true woman, Connie,” he said.
-
-In the silence that followed, Norma, who had come to summon Connie to
-tea (the Spencer-Temples having called on their drive past the gates
-merely to deliver a message), and hearing the voice behind the hedge had
-been compelled against her will to listen--Norma, deadly white, shaken
-to the roots of her being, crept across the tennis lawn and fled in
-swaying darkness to her room.
-
-
-
-
-Chapter XIII--THE OPTIMIST AT LARGE
-
-CONNIE DEERING walked back to the house with a silent and still
-tremulous Jimmie. She had slid her hand through his arm, and now and
-then gave it an affectionate pat. Within the limitations of her light,
-gay nature she was a sympathetic and loyal woman, and she had loved
-Jimmie for many years with the unquestioning fondness that one has for
-a beloved and satisfying domestic animal. She had recovered from
-the fright his frantic demonstration had caused her, and her easy
-temperament had shaken off the little chill of solemnity that had
-accompanied her vow of secrecy. But she pitied him with all her kind
-heart, and in herself felt agreeably sentimental.
-
-They strolled slowly into the hall, and paused for a moment before
-parting.
-
-“When you come to think of it seriously, you won't consider I have made
-too impossible a fool of myself?” he asked with an apologetic smile.
-
-“I promise,” she said affectionately. Then she laughed. Not only
-was Jimmie's smile contagious, but Connie Deering could not face the
-pleasant world for more than an hour without laughter.
-
-“I have always said you were a dear, Jimmie, and you are. I almost wish
-I could kiss you.”
-
-Jimmie looked around. They were quite unperceived.
-
-“I do quite,” he said, and kissed her on the cheek.
-
-“Now we are really brother and sister,” she said with a flush. “You are
-not going to be too unhappy, are you?”
-
-“I? Oh no, not I,” he replied heartily. He repeated this asseveration to
-himself while dressing for dinner. Why indeed should he be unhappy? Had
-he not looked a few hours before at God's earth and found that it was
-good? Besides, to add to the common stock of the world's unhappiness
-were a crime. “Yes, a crime,” he said aloud, with a vigorous pull at his
-white tie. Then he perceived that it was hopelessly mangled, and wished
-for Aline, who usually conducted that part of the ceremony of his
-toilette.
-
-“It will have to do,” he said cheerfully, as he turned away from the
-glass.
-
-Yet, for all his philosophising, he was surprised at the relief that his
-wild confession to Connie had afforded him. The burden that had seemed
-too heavy for him to bear had now grown magically light. He attributed
-the phenomenon to Connie Deering, to the witchery of her sweet sympathy
-and the comfort of her sisterly kiss. By the time he had finished
-dressing the acute pain of the past two days had vanished, and as
-he went down the stairs he accounted himself a happy man. In the
-drawing-room he met Norma, and chatted to her almost light-heartedly.
-He did not notice the constraint in her manner, her avoidance of his
-glance, the little pucker of troubled brows; nor was he aware of her
-sigh of relief when the door opened and the servant announced Mr.
-Theodore Weever, who with one or two other people were dining at the
-house. Mr. and Mrs. Hardacre followed on the American's heels, and
-soon the rest of the party had assembled. Jimmie had no opportunity
-for further talk with Norma, who studiously kept apart from him all the
-evening, and during dinner devoted herself to subacid conversation with
-Morland and to a reckless interchange of cynical banter with Weever.
-Jimmie, talking with picturesque fancy about his student days in the Rue
-Bonaparte to his neighbour, a frank fox-hunting and sport-loving young
-woman, never dreamed of the chaos of thoughts and feelings that whirled
-behind the proud face on the opposite side of the table; and Norma,
-when her mind now and then worked lucidly, wondered at the strength
-and sweetness of the man who could subdue such passion and laugh with a
-gaiety so honest and sincere. For herself, Theodore Weever, with his icy
-humour that crystallised her own irony into almost deadly wit, was her
-sole salvation during the interminable meal. Once Morland, listening
-with admiration, whispered in her ear:
-
-“I've never heard you in such good form.”
-
-She had to choke down an hysterical impulse of laughter and swallow
-a mouthful of champagne. Later, when the women guests had gone, she
-slipped up to her room without saying good-night to Morland, and,
-dismissing her maid, as she had done the night before, sat for a long
-time, holding her head in her hands, vainly seeking to rid it of words
-that seemed to have eaten into her brain. And when she thought of
-Morland, of last night, of her humiliation, she flushed hot from hair
-to feet. She was only five-and-twenty, and the world had not as yet
-completed its work of hardening. It was a treacherous and deceitful
-world; she had prided herself on being a finished product of
-petrifaction, and here she lay, scorched and bewildered, like any soft
-and foolish girl who had been suddenly brought too near the flame of
-life. Keenly she felt the piteousness of her defeat. In what it exactly
-consisted she did not know. She was only conscious of broken pride, the
-shattering of the little hard-faced gods in her temple, the tearing up
-of the rails upon which she had reckoned to travel to her journey's end.
-Hers was a confused soul state, devoid of immediate purpose. A breach
-of her engagement with Morland did not occur to her mind, and Jimmie was
-merely an impersonal utterer of volcanic words. She slept but little. In
-the morning she found habit by her bedside; she clothed herself therein
-and faced the day.
-
-Much was expected of her. The great garden-party was to take place
-that afternoon. Her Serene Highness the Princess of Herren-Rothbeck had
-signified that she would do Mr. and Mrs. Hardacre the honour of
-being present. Her Grace the Duchess of Wiltshire would accompany the
-princess. The _ban_ and _arriere-ban_ of the county had been invited,
-and the place would be filled with fair women agog to bask in the smiles
-of royalty, and ill-tempered men dragged away from their partridges
-by ambitious wives. A firm of London caterers had contracted for the
-refreshments. A military band would play on the terrace. A clever French
-showman whom Providence had sent to cheer the dying hours of the London
-season, and had kept during the dead months at a variety theatre, was
-coming down with an authentic Guignol. He had promised the choicest
-pieces in his repertoire--_la vraie grivoiserie française_--and men
-who had got wind of the proposed entertainment winked at one another
-wickedly. The garden-party was to be an affair of splendour worthy of
-the royal lady who had deigned to shed her serenity upon the county
-families assembled; and Mr. Hardacre had raised a special sum of money
-to meet the expenses.
-
-“I shall have to go to the Jews, my dear,” he had said to his wife when
-they were first discussing ways and means.
-
-“Oh, go to the--Jews then,” said Mrs. Hardacre, almost betrayed, in her
-irritation, into an unwifely retort. “What does it matter, what does any
-sacrifice matter, when once we have royalty at the house? You are such a
-fool, Benjamin.”
-
-He had a singular faculty for arousing the waspishness of his wife; yet,
-save on rare occasions, he was the meekest of men in her presence.
-
-“Well, you know best, Eliza,” he said.
-
-“I have n't been married to you for six-and-twenty years without being
-perfectly certain of that,” she replied tartly.
-
-So Mr. Hardacre went to the Jews, and the princess promised to come to
-Mrs. Hardacre.
-
-Norma was not the only one that morning who was aroused to a sense of
-responsibility. The footman entering Jimmie's bedroom brought with him
-a flat cardboard box neatly addressed in Aline's handwriting. The box
-contained a new shirt, two new collars, a new silk tie, and a pair of
-grey suède gloves; also a letter from Aline instructing him as to the
-use of these various articles of attire.
-
-“Be sure to wear your frock-coat,” wrote the director of Jimmie's
-conduct. “I wish you had one less than six years old; but I went over it
-with benzine and ammonia before I packed it up, so perhaps it won't be
-so bad. And wear your patent-leather evening shoes. They'll look quite
-smart if you'll tie the laces up tight, and stick the ends in between
-the shoe and the sock. Oh, I wish I could come and turn you out
-decently! and _please_, Jimmie dear, don't cut yourself shaving and go
-about all day with a ridiculous bit of cotton wool on your dear chin.
-Tony says you need n't wear the frock-coat, but I know better. What
-acquaintance has he with princesses and duchesses? And that reminds
-me to tell you that Tony--” _et caetera, et caetera,_ in a manner that
-brought the kindest smile in the world into Jimmie's eyes.
-
-He dressed with scrupulous regard to directions, but not in the
-frock-coat. He had a morning sitting with the princess at Chiltern
-Towers to get through before airing himself in the splendour of benzine
-and ammonia. He put on his old tweed jacket and went downstairs. Morland
-was the only person as yet in the breakfast-room. He held a morning
-paper tight in his hand, and stared through the window, his back to
-the door. On Jimmie's entrance he started round, and Jimmie saw by a
-harassed face that something had happened.
-
-“My dear fellow--” he began in alarm.
-
-Morland smoothed out the paper with nervous fingers, and threw it
-somewhat ostentatiously on a chair. Then he walked to the table and
-poured himself out some tea. The handle of the silver teapot slid in
-his grasp, and awkwardly trying to save the pouring flood of liquid, he
-dropped the teapot among the cups and saucers. It was a disaster, but
-one that could have been adequately greeted by a simpler series of
-expletives. He cursed vehemently.
-
-“What's the matter, man?” asked Jimmie.
-
-Morland turned violently upon him.
-
-“The very devil's the matter. There never was such a mess since the
-world began. What an infernal fool I have been! You do well to steer
-clear of women.”
-
-“Tell me what's wrong and I may be able to help you.”
-
-Morland looked at him for a moment in gloomy doubt. Then he shook his
-head.
-
-“You can't help me. I thought you could, but you can't. It's a matter
-for a lawyer. I must run up to town.”
-
-“And cut the garden-party?”
-
-“That's where I'm tied,” exclaimed Morland, impatiently. “I ought to
-start now, but if I cut the garden-party the duchess would never forgive
-me--and by Jove, I may need the duchess more than ever--and I've got a
-meeting to attend in Cosford this morning to which a lot of people are
-coming from a distance.”
-
-“Can't I interview the lawyer for you?”
-
-“No. I must do it myself.”
-
-The butler entered and looked with grave displeasure at the wreckage on
-the tea-tray. While he was repairing the disaster, Morland went back to
-the window and Jimmie stood by his side.
-
-“If you fight it through squarely, it will all come right in the end.”
-
-“You don't mind my not telling you about it?” said Morland, in a low
-voice.
-
-“Why should I? In everything there is a time for silence and a time for
-speech.”
-
-“You're right,” said Morland, thrusting his hands into his trousers'
-pockets; “but how I am to get through this accursed day in silence I
-don't know.”
-
-They sat down to breakfast. Morland rejected the offer of tea, and
-called for a whisky and soda which he nearly drained at a gulp. Mr.
-Hardacre came in, and eyed the long glass indulgently.
-
-“Bucking yourself up, eh? Why did n't you ask for a pint of champagne?”
-
-He opened the newspaper and ran through the pages. Morland watched him
-with swift nervous glances, and uttered a little gasp of relief when he
-threw it aside and attacked his grilled kidneys. His own meal was
-soon over. Explaining that he had papers to work at in the library, he
-hurried out of the room.
-
-“Can't understand a man being so keen on these confounded politics,” his
-host remarked to Jimmie across the table. A polite commonplace was all
-that could be expected in reply. Politics were engrossing.
-
-“That's the worst of it,” said Mr. Hardacre. “In the good old days a man
-could take his politics like a gentleman; now he has got to go at them
-like a damned blaspheming agitator on a tub.”
-
-“Cosford was once a pretty little pocket borough, wasn't it?” said
-Jimmie. “Now Trade's unfeeling train usurp the privileges of His Grace
-of Wiltshire and threaten to dispossess his nominee. Instead of
-one simple shepherd recording his pastoral vote we have an educated
-electorate daring to exercise their discretion.”
-
-Mr. Hardacre looked at Jimmie askance; he always regarded an allusive
-style with suspicion, as if it necessarily harboured revolutionary
-theories.
-
-“I hope you're not one of those--” He checked himself as he was going
-to say “low radical fellows.” Politeness forbade. “I hope you are not a
-radical, Mr. Padgate?”
-
-“I am sure I don't quite know,” replied Jimmie, cheerfully.
-
-“Humph!” said Mr. Hardacre, “I believe you are.”
-
-Jimmie laughed; but Mr. Hardacre felt that he held the key to the
-eccentric talk of his guest. Jimmie Padgate was a radical; a fearful
-wildfowl of unutterable proclivities, to whom all things dreadful were
-possible.
-
-“I,” he continued, “am proud to be a Tory of the old school.”
-
-The entrance of the ladies put a stop to the distressful conversation.
-
-Jimmie, whose life during the past few days had been a curious compound
-of sunshine and shadow, went about his morning's work with only
-Morland's troubles weighing upon him. Of their specific nature he had
-no notion; he knew they had to do with the unhappy love affair; but
-as Morland was going to put matters into the hands of his lawyers, a
-satisfactory solution was bound to be discovered. Like all simple-minded
-men, he had illimitable faith in the powers of solicitors and
-physicians; it was their business to get people out of difficulties, and
-if they were capable men they did their business. Deriving much comfort
-from this fallacy, he thought as little as might be about the matter. In
-fact he quite enjoyed his morning. He sat before his easel at the end
-of a high historic gallery, the bright morning light that streamed in
-through the windows tempered by judiciously arranged white blinds; and
-down the vista were great paintings, and rare onyx tables, and priceless
-chairs and statuary, all harmonising with the stately windows and
-painted ceiling and polished floor. In front of him, posed in befitting
-attitude, sat the royal lady, with her most urbane expression upon
-her features, and, that which pleased him most, the picture was just
-emerging from the blurred mass of paint, an excellent though somewhat
-idealised portrait. So he worked unfalteringly with the artist's joy in
-the consciousness of successful efforts, and his good-humour infected
-even his harsh sitter, who now and then showed a wintry gleam of gaiety,
-and uttered a guttural word of approbation.
-
-“You shall come to Herren-Rothbeck and baint the bortrait of the brince
-my brother,” she said graciously. “Would that blease you?”
-
-“I should just think it would,” said Jimmie.
-
-The princess laughed--a creaking, rusty laugh, but thoroughly well
-intentioned. Jimmie glanced at her enquiringly.
-
-“I like you,” she responded. “You are so natural--what you English call
-refreshing. A German would have made a ceremonious speech as long as
-your mahl-stick.”
-
-“I am afraid I must learn ceremony before I come to court, Madam,” said
-Jimmie.
-
-“If you do, you will have forgotten how to baint bor-traits,” said the
-princess.
-
-Thus, under the sun of princely favour, was Jimmie proceeding on
-the highroad to fortune. Never had the future seemed so bright. His
-bombastic jest about being appointed painter in ordinary to the crowned
-heads of Europe was actually going to turn out a reality. He lost
-himself in daydreams of inexhaustible coffers from which he could toss
-gold in lapfuls to Aline. She should indeed walk in silk attire, and set
-up housekeeping with Tony in a mansion in Park Lane.
-
-On the front lawn at Heddon Court he met Connie and waved his hat in the
-air. She went to him, and, peering into his smiling face, laid her hand
-on his sleeve.
-
-“Whatever has happened? Have you two stepped into each other's shoes?”
-
-“What on earth do you mean?
-
-“You know--Norma.”
-
-“My dear Connie--” he began.
-
-“Well, it seemed natural. Here are you as happy as an emperor; and there
-is Morland come back from Cosford with the look of a hunted criminal.”
-
-
-
-
-Chapter XIV--THE BUBBLE REPUTATION
-
-THE princess had the affability to inform Mrs. Hardacre that it was a
-“charming barty,” and Mrs. Hardacre felt that she had not lived in vain.
-
-Henceforth she would be of the innermost circle of the elect of the
-county. Exclusive front doors would open respectfully to her. She would
-be consulted on matters appertaining to social polity. She would be a
-personage. She would also make her neighbour, Lady FitzHubert, sick with
-envy. A malignant greenness on that lady's face she noted with a thrill
-of pure happiness, and she smilingly frustrated all her manoeuvres to
-get presented to Her Serene Highness. She presented her rival, instead,
-to Jimmie.
-
-“My dear Lady FitzHubert, let me introduce Mr. Padgate, who is painting
-the dear princess's portrait. Mr. Padgate is staying with us.”
-
-Whereby Mrs. Hardacre conveyed the impression that Heddon Court and
-Chiltern Towers contained just one family party, the members of which
-ran in and out of either house indiscriminately. It may be mentioned
-that Jimmie did not get on particularly well with Lady FitzHubert. He
-even confided afterwards to Connie Deering his suspicion that now and
-again members of the aristocracy were lacking in true urbanity.
-
-By declaring the garden-party to be charming the princess only did
-justice to the combined efforts of the Hardacres and Providence. The
-warm golden weather and the chance of meeting august personages had
-brought guests from far and near. The lawns were bright with colour and
-resonant with talk. A red-coated band played on the terrace. Between the
-items of music, Guignol, housed in the Greek temple, with the portico
-for a proscenium, performed his rogueries to the delight of hastily
-assembling audiences. Immediately below, a long white-covered table
-gleamed with silver tea-urns and china, and all the paraphernalia of
-refreshments. At the other end of the lawn sat the august personages
-surrounded by the elect.
-
-Among these was Morland. But for him neither blue September skies nor
-amiable duchesses had any charm. To the man of easy living had come
-the sudden shock of tragedy, and the music and the teacups and the
-flatteries seemed parts of a ghastly farce. The paragraph he had read
-in the paper that morning obsessed him. The hours had seemed one long
-shudder against which he vainly braced his nerves. He had loved the poor
-girl in his facile way. The news in itself was enough to bring him face
-to face with elementals. But there was another terror added. The chance
-word of a laughing woman had put him on the rack of anxiety. Getting out
-of the train at Cosford, she had seen the queerest figure of a man step
-on to the platform, with the face of Peter the Hermit and the costume of
-Mr. Stiggins. Morland's first impulse had been to retreat precipitately
-from Cosford, and take the next train to London, whither he ought to
-have gone that morning. The tradition-bred Englishman's distaste for
-craven flight kept him irresolutely hanging round the duchess. He
-thought of whispering a private word to Jimmie; but Jimmie was far
-away, being introduced here and there, apparently enjoying considerable
-popularity. Besides, the whisper would involve the tale of the newspaper
-paragraph, and Morland shrank from confiding such news to Jimmie. No one
-on earth must know it save his legal adviser, an impersonal instrument
-of protection. He did what he had done once during five horrible weeks
-at Oxford, when an Abingdon barmaid threatened him with a breach of
-promise action. He did nothing and trusted to luck. Happy chance brought
-to light the fact that she was already married. Happy chance might save
-him again.
-
-Beyond the mere commonplaces of civility he had exchanged no words that
-day with Norma. Moved by an irritating feeling of shame coupled with a
-certain repugnance of the flesh, he had deliberately avoided her; and
-his preoccupation had not allowed him to perceive that the avoidance was
-reciprocated. When they happened to meet in their movements among the
-guests, they smiled at each other mechanically and went their respective
-ways. Once, during the afternoon, Mr. Hardacre, red and fussy, took him
-aside.
-
-“I have just heard a couple of infernal old cats talking of Norma and
-that fellow Weever. There they are together now. Will you give Norma a
-hint, or shall I?”
-
-Morland looked up and saw the pair on the terrace, midway between the
-band and the Guignol audience.
-
-“I'm glad she has got somebody to amuse her,” he said, turning away. He
-was almost grateful to Weever for taking Norma off his hands.
-
-Meanwhile Jimmie was continuing to find life full of agreeable
-surprises. Lady FitzHubert was not the only lady to whom he was
-presented as the Mr. Padgate who was painting the princess's portrait.
-Mrs. Hardacre waived the personal grudge, and flourished him
-tactfully in the face of the county; and the county accepted him with
-unquestioning ingenuousness. He was pointed out as a notability, became
-the well-known portrait-painter, the celebrated artist, _the_ James
-Padgate, and thus achieved the bubble reputation. A guest who was
-surreptitiously reporting the garden-party for the local paper took
-eager notes of the personal appearance of the eminent man, and being a
-woman of the world, professed familiarity with his works. For the first
-time in his life he found himself a person of importance. The fact
-of his easy inclusion in the charmed circle cast a glamour over the
-crudities of the gala costume designed and furbished up with so much
-anxious thought by Aline, and people (who are kindly as a rule when
-their attention is diverted from the trivial) looked only at his face
-and were attracted to the man himself. Only Lady FitzHubert, who had
-private reasons for frigidity, treated him in an unbecoming manner.
-Other fair ladies smiled sweetly upon him, and spread abroad tales of
-his niceness, and thus helped in the launching of him as a fashionable
-portrait-painter upon the gay world.
-
-He had a brief interlude of talk with Norma by the refreshment-table.
-
-“I hope you are not being too much bored by all this,” she said in her
-society manner.
-
-“Bored!” he cried. “It's delightful.”
-
-“What about the hollow world where imagination doth not corrupt and
-enthusiasms do not break in and steal?”
-
-“It's a phantom dust-heap for inept epigrams. I don't believe it
-exists.”
-
-“You mustn't preach a gospel one day and give it the lie the next,” she
-said, half seriously; “for then I won't know what to believe. You don't
-seem to realise your responsibilities.”
-
-He echoed the last word in some surprise. Norma broke into a little
-nervous laugh.
-
-“You don't suppose you can go about without affecting your
-fellow-creatures? It is well that you don't know what a disturbing
-element you are.”
-
-She turned her head away and closed her eyes for a second or two, for
-the words she had overheard there by the hedge, last evening, rang in
-her ears. Perhaps it had been well for Jimmie if he had known. Before he
-had time to reply, she recovered herself, and added quickly:
-
-“I am glad you are enjoying yourself.”
-
-“How can I help it when every one is so kind to me?” he said brightly.
-“I came down here an obscure painter, a veritable _pictor ignotus_, and
-all your friends are as charming to me as if I were the President of
-the Royal Academy.”
-
-Connie Deering came up with a message for Norma and carried her off to
-the house.
-
-“How does Jimmie like being lionised?” she asked on the way.
-
-Norma repeated his last speech.
-
-“He has n't any idea of the people's motives.” She added somewhat
-hysterically:
-
-“The man is half fool, half angel--”
-
-“And altogether a _man_. Don't you make any mistake about that,” said
-Connie, with a pretty air of finality. “You don't know as much about him
-as I do.”
-
-“I'm not so sure about that,” said Norma.
-
-“I am,” said Connie.
-
-Jimmie was wandering away from the refreshment-table when Theodore
-Weever stopped him.
-
-“That's a famous portrait of yours, Mr. Padgate. I saw it to-day after
-lunch. I offer you my congratulations.”
-
-Jimmie thanked him, said modestly that he hoped it was a good likeness.
-
-“Too good by a long chalk,” laughed the American. “Her Serene Skinflint
-does n't deserve it. I bet you she beat you down like a market-woman
-haggling for fish.”
-
-Jimmie stuck his hands on his hips and laughed.
-
-“You don't deny it. You should n't have let her. She is rolling in
-money.”
-
-“I am afraid one does n't bother much with the commercial side of
-things,” said Jimmie.
-
-“That's where you make the mistake. Money is money, and it is better in
-one's own pockets than in anybody else's. But that's not what I wanted
-to speak to you about. I wonder if you would let me have the pleasure
-of calling at your studio some day? I'm collecting a few pictures, and I
-should regard it as a privilege to be allowed to look round yours.”
-
-Jimmie, having no visiting cards, scribbled his address on the back of
-an envelope. He would be delighted to see Mr. Weever any time he was
-passing through London. Weever bowed, and turned to greet a passing
-acquaintance, leaving a happy artist. A miracle had happened; the
-star of his fortunes had arisen. A week ago it was below the horizon,
-shedding a faint, hopeful glimmer in the sky. Now it shone bright
-overhead. The days of struggle and disappointment were over. He had come
-into his kingdom of recognition. All had happened to-day: the princess's
-promise of another and more illustrious royal portrait; the sudden leap
-into fame; the patronage of the American financier. One has to be the
-poor artist, with his youth--one record of desperate endeavour--behind
-him, to know what these things mean. The delicate flattery of strange
-women, however commonplace or contemptible it may be to the successful,
-was a new, rare thing to Jimmie and appeased an unknown hunger. The
-prospect of good work done and delivered to the world, without sordid,
-heart-breaking bargainings, shimmered before him like a paradise. Old
-habit made him long for Aline. How pleased the child would be when she
-heard the glad news! He saw the joy on her bright face and heard
-her clap her hands together, and he smiled. He would return to her a
-conqueror, having won the prizes she had so often wept for--name
-and fame and fortune. The band was playing the “Wedding March” from
-“Lohengrin.” By chance, as he was no musician, he recognised it.
-
-“Aline shall have a wedding dress from Paris,” he said half aloud, and
-he smiled again. The world had never been so beautiful.
-
-He embraced all of it that was visible in a happy, sweeping glance.
-Then with the swiftness of lightning the smile on his face changed into
-consternation.
-
-For a moment he stood stock still, staring at the sudden figure of a
-man. It was Stone, the mad orator of Hyde Park. There was no possibility
-of mistaking him at a distance of fifteen or twenty yards. He wore the
-same rusty black frock-coat and trousers, the same dirty collar and
-narrow black tie, the same shapeless clerical hat. His long neck above
-the collar looked raw and scabious like a vulture's. In his hand he
-carried a folded newspaper. He had suddenly emerged upon the end of the
-terrace from the front entrance, and was descending the steps that led
-down to the tennis lawn. If he walked straight on, he would come to
-the group surrounding the princess and the Duchess of Wiltshire. Two or
-three people were already eyeing him curiously.
-
-Morland's strange dread of the man flashed upon Jimmie. He hurried
-forward to meet him. Of what he was about to do he had no definite idea.
-Perhaps he could head Stone off, take him away from the grounds on the
-pretext of listening to his grievances. At any rate, a scandal must be
-avoided. As he drew near, he observed Morland, who had been bending down
-in conversation with the duchess, rise and unexpectedly recognise Stone.
-
-A manservant bearing a small tray with some teacups ran up to the
-extraordinary intruder, who waved him away impatiently. The servant put
-down his tray and caught him by the arm.
-
-“You have no business here.”
-
-Stone shook himself free.
-
-“I have. Where is Mr. Rendell? Tell him I have to speak with him.”
-
-“There is no such person here,” said the servant. “Be off!”
-
-Jimmie reached the spot, as a few of the nearer guests were beginning to
-take a surprised interest in the altercation. Morland came forward from
-behind the duchess's chair and cast a swift glance at Jimmie.
-
-“If you don't go, I shall make you,” said the servant, preparing to
-execute his threat. The man looked dangerous.
-
-“I must see Mr. David Rendell,” he cried, beginning to struggle.
-
-Jimmie drew the servant away.
-
-“I know this gentleman,” he said quietly. “Mr. Stone, Mr. Rendell is not
-here, but if you will come with me, I will listen to you, and tell him
-anything you have to say.”
-
-Mr. Hardacre, who had seen the scuffle from a distance, came up in a
-fluster.
-
-“What's all this? What's all this? Who is this creature? Please go
-away.” He began to hustle the man.
-
-“Stop! He's an acquaintance of Padgate's,” said Morland, huskily.
-
-There was a short pause. Stone stared around at the well-dressed men
-and women, at the seated figures of the princess and the duchess, at the
-servant who had picked up the tray, at the band who were still playing
-the “Wedding March” from “Lohengrin,” at the red-faced, little,
-blustering man, at the beautiful cool setting of green, and the look in
-his eyes was that of one who saw none of these things. Morland edged to
-Jimmie's side.
-
-“For God's sake, get him away,” he said in a low voice.
-
-Jimmie nodded and touched the man's arm.
-
-“Come,” said he.
-
-“Yes, please take him off! What the dickens does he want?” said Mr.
-Hardacre.
-
-Stone turned his burning eyes upon him.
-
-“I have come to find an infamous seducer,” he replied, with a
-melodramatic intensity that would have been ludicrous had his face not
-been so ghastly. “His name is Rendell.”
-
-There was a shiver of interest in the crowd.
-
-“_Was sagt er?_” the princess whispered to her neighbour.
-
-Jimmie again tried to lead Stone away, but the distraught creature
-seemed lost in thought and looked at him fixedly.
-
-“I have seen you before,” he said at last.
-
-“Of course you have,” said Jimmie. “In Hyde Park. Don't you remember?”
-
-Suddenly, with a wrench of his hands he tore an unmounted photograph
-from the folded newspaper and threw it on the ground. His eyes blazed.
-
-“I thought I should find him. One of you is David Rendell. It is not
-your real name. That I know. Which of you is it?”
-
-Jimmie had sprung upon the photograph. Instinct rather than the evidence
-of sight told him that it was an amateur portrait of himself and Morland
-taken one idle afternoon in the studio by young Tony Merewether. It
-had hardly lain the fraction of a second on the ground but to Jimmie it
-seemed as if the two figures had flashed clear upon the sight of all
-the bystanders. He glanced quickly at Morland, who stood quite still now
-with stony face and averted eyes. He too had recognised the photograph,
-and he cursed himself for a fool for having given it to the girl. He had
-had it loose in his pocket; she had pleaded for it; she had no likeness
-of him at all. He was paying now for his imprudent folly. Like Jimmie,
-he feared lest others should have recognised the photograph. But he
-trusted again to chance. Jimmie had undertaken the unpleasant business
-and his wit would possibly save the situation.
-
-Jimmie did not hesitate. A man is as God made him, heart and brain. To
-his impulsive imagination the photograph would be proof positive for the
-world that one of the two was the infamous seducer. It did not occur to
-him to brazen the man out, to send him about his business; wherein
-lies the pathos of simple-mindedness. The decisive moment had come. To
-Morland exposure would mean loss of career, and, as he conceived
-it, loss of Norma; and to the beloved woman it would mean misery and
-heartbreak. So he committed an heroic folly.
-
-“Well, I _am_ Rendell,” he said in a loud voice. “What then?”
-
-Heedless of shocked whisperings and confused voices, among which rose a
-virtuously indignant “Great heavens!” from Mrs. Hardacre, he moved away
-quickly towards the slope, motioning Stone to follow. But Stone remained
-where he stood, and pointed at Jimmie with lean, outstretched finger,
-and lifted up his voice in crazy rhetoric, which was heard above
-the “Wedding March.” No one tried to stop him. It was too odd, too
-interesting, too dramatic.
-
-“The world shall know the tale of your lust, and the sun shall not go
-down upon your iniquity. Under false promises you betrayed the sweetest
-flower in God's garden. Basely you taunted her in her hour of need.
-Murder and suicide are on your head. There is the record for all who
-wish to read it. Read it,” he cried, flinging the newspaper at Mrs.
-Hardacre's feet. “Read how she killed her newborn babe, the child of
-this devil, and then hanged herself.”
-
-Jimmie came two or three steps forward.
-
-“Stop this mad foolery,” he cried.
-
-Stone glared at him for a fraction of a second, thrust his hand into the
-breast-pocket of his frock-coat, drew out a revolver, and shot him.
-
-Jimmie staggered as a streak of fire passed through him, and swung
-round. The women shrieked and rushed together behind the princess and
-the duchess, who remained calmly seated. The men with one impulse sprang
-forward to seize the madman; but as he leaped aside and threatened his
-assailants with his revolver, they hung back. The band stopped short in
-the middle of a bar.
-
-Norma and Connie Deering and one or two others who had been in the
-house, unaware of the commotion of the last few minutes, ran out on the
-terrace as they heard the shot and the sudden cessation of the band.
-They saw the crowd of frightened, nervous people below, and the
-grotesque figure in his rusty black pointing the pistol. And they saw
-Jimmie march up to him, and in a dead silence they heard him say:
-
-“Give me that revolver. What is a silly fool like you doing with
-fire-arms? You could n't hit a haystack at a yard's distance. Give it to
-me, I say.”
-
-The man's arm was outstretched, and the pistol was aimed point-blank at
-Jimmie. Connie Deering gripped Norma's arm, and Norma, feeling faint,
-grew white to the lips.
-
-“Give it to me,” said Jimmie again.
-
-The man wavered, his arm drooped slightly; with the action of one
-who takes a dangerous thing from a child, Jimmie quietly wrenched the
-revolver from his grasp.
-
-Norma gave a gasp of relief and began to laugh foolishly. Connie clapped
-her hands in excitement.
-
-“Did n't I tell you he was a man? By heavens, the only one in the lot!”
-
-Jimmie pointed towards the terrace steps.
-
-“Go!” he said.
-
-But there was a rush now to seize the disarmed Stone, the red coats
-of the bandsmen mingling with the black of the guests. Jimmie, with a
-curious flame through his shoulder and a swimming in his head, swerved
-aside. Morland ran up, with a white face.
-
-“My God! He has hit you. I thought he had missed.”
-
-“No,” said Jimmie, smiling at the reeling scene. “I'm all right. Keep
-the photograph. It was silly to give one's photograph away. I always was
-a fool.”
-
-Morland pocketed the unmounted print. He tried to utter a word of
-thanks, but the eyes of the scared and scandalised crowd a few steps
-away were upon them, and many were listening. For a moment during the
-madman's crazy indictment of Jimmie--for the horrible facts were only
-too true--he had had the generous impulse to come forward and at all
-costs save his friend; but he had hesitated. The shot had been fired.
-The dramatic little scene had followed. To proclaim Jimmie's innocence
-and his own guilt now would be an anticlimax. It was too late. He would
-take another opportunity of exonerating Jimmie. So he stood helpless
-before him, and Jimmie, feeling fainter and fainter, protested that he
-was not hurt.
-
-They stood a bit apart from the rest. By this time men and women had
-flocked from all quarters, and practically the whole party had assembled
-on the tennis lawn. Norma still stood with Connie on the terrace, her
-hand on her heart. A small group clustered round a man who had picked
-up the newspaper and was reading aloud the ghastly paragraph marked by
-Stone in blue pencil. The Hardacres were wringing their hands before
-a stony-faced princess and an indignant duchess, who announced their
-intention of immediate departure. Every one told every one else the
-facts he or she had managed to gather. Human nature and the morbidly
-stimulated imagination of naturally unimaginative people invented
-atrocious details. Jimmie's new-born fame as a painter was quickly
-merged into hideous notoriety. His star must have been Lucifer, so swift
-was its fall.
-
-Mr. Hardacre left his wife's side, and dragged Morland a step or two
-away, and whispered excitedly:
-
-“What a scandal! What a hell of a scandal! Before royalty, too. It will
-be the death of us. The damned fellow must go. You must clear him out of
-the house!”
-
-“He's hit. Look at him,” exclaimed Morland.
-
-Jimmie heard his host's whisper in a dream. It seemed a hoarse voice
-very, very far off. He laughed in an idiotic way, waved his hand to the
-gyrating crowd, and stumbled a few yards towards the slope. The world
-swam into darkness and he fell heavily on his face.
-
-Then, to the amazement of the county, Norma with a ringing cry rushed
-down the slope, and threw herself beside Jimmie's body and put his head
-on her lap. And there she stayed until they dragged her away, uttering
-the queer whimpering exclamations of a woman suddenly stricken with
-great terror. She thought Jimmie was dead.
-
-
-
-
-Chapter XV--MRS. HARDACRE LAUGHS
-
-THEY took Jimmie into the house, and Norma, looking neither to right
-nor left, walked by the side of those carrying him, the front of her
-embroidered dress smeared with blood. Every time her hands came in
-contact with the delicate fabric, they left a fresh smear. Of this she
-was unconscious. She was unconscious too, save in a dull way, of the
-staring crowd; but she held her head high, and when Morland spoke to her
-by the drawing-room window through which they passed, she listened to
-what he had to say, bowed slightly, and went on.
-
-“It is only a flesh wound. If it had been the lung, he would have spat
-blood. I don't think it is serious.”
-
-He spoke in a curiously apologetic tone, as if anxious to exculpate
-himself from complicity in the attempted murder.. He was horribly
-frightened. Two deaths laid in one day at a man's door are enough. The
-possibility of a third was intolerable. The sense of the unheroic part
-he had just played was beginning to creep over him like a chilling mist.
-The consequences of confession, the only means whereby Jimmie could be
-rehabilitated, loomed in front of him more and more disastrous. It would
-be presenting himself to the world as a coward as well as a knave.
-That prospect, too, frightened him. Lastly, there was Norma, white,
-terror-stricken, metamorphosed in a second into a creature of primitive
-emotions. Like the other shocks of that unhallowed day, her revelation
-of unsuspected passions brought him face to face with the unfamiliar;
-and to the average sensual man the unfamiliar brings with it an
-atmosphere of the uncanny, the influence to be feared. His attitude,
-therefore, when he addressed her was ludicrously humble.
-
-She bowed and passed on. By this time she knew that Jimmie was not dead.
-Morland's words even reassured her. Her breath came hard through
-her delicate nostrils, and her bosom heaved up and down beneath the
-open-work bodice with painful quickness. Only a few were allowed to stay
-in the dining-room, Morland, Mr. Hardacre, Theodore Weever on behalf of
-the duchess, and one or two others, while the Cosford doctor, who had
-been invited to the garden-party, made his examination. Norma went
-through into the hall. At the bottom of the stairs she met Connie in
-piteous distress.
-
-“Oh, my poor dear, my poor dear, we did n't know! I have just heard all
-about it. It is terrible!”
-
-Norma put up her hand beseechingly.
-
-“Don't, Connie dear; don't talk of it. I can't bear it. I must be alone.
-Send me up word what the doctor says.” She went to her room, sat there
-and waited. Presently her maid entered with the message from Mrs.
-Deering. The doctor's report was favourable--the wound not in any way
-dangerous, the bullet easily extractable. They had carried the patient
-to his bedroom, and Mrs. Deering had wired for Miss Marden to come down
-by the first train. Norma dismissed the maid, and tried, in a miserable
-wonder, to realise all that had happened.
-
-A woman accustomed to many emotions can almost always hold herself in
-check, if she be of strong will. Experience has taught her the
-meaning and the danger of those swift rushes of the blood that lead to
-unreasoning outburst. She is forewarned, forearmed, and can resist or
-not as occasion demands. But even she is sometimes taken unawares.
-How much the more likely to give way is the woman who has never felt
-passionate emotion in her life before. The premonitory symptoms fail to
-convey the sense of danger to her inexperienced mind. Before the
-will has time to act she is swept on by a new force, bewildering,
-irresistible. It becomes an ecstatic madness of joy or grief, and to the
-otherwise rational being her actions are of no account. This curse
-of quick responsiveness afflicts men to a less degree. If the first
-chapters of Genesis could be brought up to date, woman would be endowed,
-not with an extra rib, but with an extra nerve.
-
-Now that she knew the shooting of Jimmie to be an affair of no great
-seriousness, her heart sickened at the thought of her wild exhibition of
-feeling. She heard the sniggering and ridicule in every carriage-load
-of homeward-bound guests. From the wife of the scrubby curate to the
-Princess of Herren-Rothbeck, her name was rolled like a delicate morsel
-on the tongue of every woman in the county. And the inference they could
-not fail to draw from her action was true--miserably true. But she had
-only become poignantly aware of things at the moment when she saw the
-lean haggard man in rusty black covering Jimmie with the revolver. Then
-all the unrest of soul which she had striven to allay with her mockery,
-all the disquieting visions of sweet places to which she had scornfully
-blinded her eyes, all the burning words of passion whose clear echoing
-had wrapped her body in hateful fever the night before, converged like
-electric currents into one steady light radiant with significance. Two
-minutes afterwards, when Jimmie fell, civilisation slipped from her like
-a loose garment, and primitive woman threw herself by his side. But now,
-reclothed, she shivered at the memory.
-
-The door opened suddenly, and Mrs. Hardacre entered. There was battle
-in every line of the hard face and in every movement of the thin, stiff
-figure. Norma rose from the window where she had been sitting and faced
-her mother defiantly.
-
-“I know what you are going to say to me. Don't you think you might wait
-a little? It will keep.”
-
-“It won't. Sit down,” said Mrs. Hardacre between her teeth.
-
-“I prefer to stand for the moment,” said Norma.
-
-Mrs. Hardacre lost her self-control.
-
-“Are we to send you to a madhouse? What do you mean by your blazing
-folly? Before the whole county--before the duchess--before the princess!
-Do you know what I have had to go through the last half-hour? Do you
-know that we may never set foot in Chiltern Towers again? Do you know
-we are the scandal and the laughing-stock of the county? As if one thing
-was n't sufficient--for you to crown it by behaving like a hysterical
-school-girl! Do you know what interpretation every scandal-mongering
-tabby in the place is putting on your insane conduct?”
-
-“Oh, yes,” said Norma, looking at her mother stonily; “and for once in
-their spiteful lives they are quite right.”
-
-“What do you mean?” gasped Mrs. Hardacre.
-
-“I think my meaning is obvious.”
-
-“That man--that painter man dressed like a secondhand
-clothes-dealer--that--that beast?”
-
-Mrs. Hardacre could scarcely trust her senses. The true solution of her
-daughter's extraordinary behaviour had never crossed her most desperate
-imaginings. But then she had not had much time for quiet speculatien.
-The speeding of her hurriedly departing guests had usurped all the wits
-of the poor lady.
-
-“You have indeed given us a dramatic entertainment, dear Mrs. Hardacre,”
- Lady FitzHubert had said with a sympathetic smile. “And poor Norma has
-supplied the curtain. I hope she won't take it too much to heart.”
-
-And Mrs. Hardacre, livid with rage, had had no weapon wherewith to
-strike her adversary who thus took triumphant vengeance. It had been
-a half-hour of grievous humiliation. The fount and origin thereof was
-lying unconscious with a bullet through his shoulder. The subsidiary
-stream, so to speak, was in her room safe and sound. Human nature,
-for which she is not deserving of over-blame, had driven Mrs. Hardacre
-thither. At least she could vent some of her pent-up fury upon her
-outrageous daughter, who, from Mrs. Hardacre's point of view, indeed
-owed an explanation of her action and deserved maternal censure. This
-she was more than prepared to administer. But when she heard Norma
-calmly say that Lady FitzHubert and the other delighted wreakers of
-private revenges were entirely in the right, she gasped with amazement.
-
-“That beast!” she repeated with a rising intonation. Norma gave her
-habitual shrug of the shoulders. With her proud, erect bearing, it was a
-gesture not ungraceful.
-
-“Considering what I have just admitted, mother, perhaps it would be in
-better taste not to use such language.”
-
-“I don't understand your admitting it. I don't know what on earth you
-mean,” said Mrs. Hardacre.
-
-There was a short pause, during which she scanned her daughter's face
-anxiously as if waiting to see a gleam of reason dawn on it. Norma
-reflected for a moment. Should she speak or not? She decided to speak.
-Brutal frankness had ever been her best weapon against her mother. It
-would probably prevent future wrangling.
-
-“I am sorry I have n't made my meaning clear,” she said, resuming
-her seat by the window; “and I don't know whether I can make it much
-clearer. Anyhow, I'll try, mother. I used to think that love was either
-a school-girl sentimentality, a fiction of the poets, or else the sort
-of thing that lands married women who don't know how to take care of
-themselves in the divorce court. I find it is n't. That's all.”
-
-Mrs. Hardacre ran up to the window and faced Norma. “And Morland?”
-
-“It won't break his heart.”
-
-“What won't?”
-
-“The breaking off of our engagement.”
-
-Mrs. Hardacre looked at her daughter in a paralysis of bewilderment.
-
-“The madhouse is the only place for you.”
-
-“Perhaps it is. Anyway I can't marry a man when I care for his intimate
-friend--and when the intimate friend cares for me. Somehow it's not
-quite decent. Even you, mother, can see that.”
-
-“So you and the intimate friend have arranged it all between you?”
-
-“Oh, no. He does n't know that I care, and he does n't know that I
-know that he cares. I'll say that over again if you like. It is quite
-accurately expressed. And you know I'm not in the habit of lying.”
-
-“And you propose to marry----”
-
-“I don't propose to do anything,” interrupted Norma, quickly. “I at
-least can wait till he asks me. And now, mother, I've had rather a bad
-time--don't you think we might stop?”
-
-“It seems to me, my dear Norma, we are only just beginning,” said Mrs.
-Hardacre.
-
-Norma rose with nervous impatience.
-
-“O heavens, mother,” she said, in the full deep notes of her voice,
-which were only sounded at rare moments of feeling, “can't you see that
-I'm in earnest? This man is like no one else I have ever met. I have
-grown to need him. Do you know what that means? With him I am a changed
-woman--as God made me, I suppose; natural, fresh, real--” Mrs. Hardacre
-sat in Norma's vacated chair by the window and stared at her, as she
-moved about the room. “I somehow feel that I am a woman, after all. I
-have got something higher than myself that I can fall at the feet of,
-and that's what every woman craves when she's decent. As for marrying
-him--I'm not fit to marry him. There is n't any one living who is.
-That's an end of it, mother. I can't say anything more.”
-
-“And do you propose to go on seeing this person when he recovers?” asked
-Mrs. Hardacre.
-
-“Why not?”
-
-“I really can't argue with you,” said her mother, mystified. “If you
-had told me this rubbish yesterday, I should have thought you touched in
-your wits. To-day it is midsummer madness.”
-
-“Why to-day?” asked Norma.
-
-“The man has shown himself to be such a horrible beast. Of course,
-if you think confessing to having seduced a girl under infamous
-circumstances and driven her by his brutality to child-murder and
-suicide, and blazoning the whole thing out at a fashionable garden-party
-and getting himself shot for his pains, are idyllic virtues, nothing
-more can be said. It's a case, as I remarked, for a madhouse.” Norma
-came and stood before her mother, her brows knitted in perplexity.
-
-“Perhaps I am going crazy--I really don't understand what you are
-talking about.”
-
-Mrs. Hardacre leant forward in her chair and drew a long breath. A gleam
-of intelligence came into her eyes as she looked at Norma.
-
-“Do you mean to say you don't know what the row was about before the man
-fired the shot?”
-
-“No,” said Norma, blankly.
-
-Her mother fell back in her chair and laughed. It was the first moment
-of enjoyment she had experienced since Stone's black figure had
-appeared on the terrace. Reaction from strain caused the laughter to
-ring somewhat sharply. Norma regarded her with an anxious frown.
-
-“Please tell me exactly what you mean.”
-
-“My dear child--it's too funny. I thought you would have been too clever
-to be taken in by a man like this. I see, you've been imagining him a
-Galahad--a sort of spotless prophet--though what use you can have
-for such persons I can't make out. Well, this is what happened.”
- Embellishing the story here and there with little spiteful adornments,
-she described with fair accuracy, however, the scene that had occurred.
-Norma listened stonily.
-
-“This is true?” she asked when her mother had finished.
-
-“Ask any one who was there--your father--Morland.”
-
-“I can't believe it. He is not that sort of man.”
-
-“Is n't he? I knew he was the first time I set eyes on him. Perhaps
-another time you'll allow me to have some sense--of course, if it is
-immaterial to you whether a man is a brute--What are you ringing the
-bell for?”
-
-“I am going to ask Morland to come up here.”
-
-The maid appeared, received Norma's message, and retired. Norma sat by
-her little writing-table, with her head turned away from her mother, and
-there was silence between them till the maid returned.
-
-“Mr. King has just driven off to catch the train, miss. He left a note
-for you.”
-
-Mrs. Hardacre listened with contracted brow. When the maid retired, she
-bent forward anxiously.
-
-“What does he say?”
-
-“You can read it, mother,” replied Norma, wearily. She held out the
-note. Mrs. Hardacre came forward and took it from her hand and sat down
-again.
-
-It ran:
-
-_“Dear Norma,--I think it best to run up to town on this afternoon's
-business. I have only just time to catch the train at Cosford, so you
-will forgive my not saying good-bye to you more ceremoniously. Take care
-of poor Jimmie._
-
-_“Yours affectionately,_
-
-_“Morland.”_
-
-“Poor Jimmie, indeed!” said Mrs. Hardacre, somewhat relieved at finding
-the note contained no reference to the part played by Norma. “It's
-very good of Morland, but I wish he would not mix himself up in this
-scandal.”
-
-“I can't see what less he could do than look after his friend's
-interests,” said Norma.
-
-“I wish the man had been shot or hanged before he came down here,” said
-Mrs. Hardacre, vindictively. “That's the worst of associating with such
-riff-raff. One never knows what they will do. It will teach you not
-to pick people out of the gutter and set them in a drawing-room.” Mrs.
-Hardacre rose. She did not often have the opportunity of triumphing over
-her daughter. She crossed the room and paused for a moment by Norma,
-who sat motionless with her chin in her hand, apparently too dismayed to
-retort.
-
-“I am glad to see symptoms of sanity,” she remarked.
-
-Norma brought down her hand hard upon the table and leaped to her feet
-and faced her mother.
-
-“I tell you, it's impossible! Impossible! He is not that kind of man.
-It is some horrible mistake. I will ask him myself. I will get the truth
-from his own lips.”
-
-“You shall certainly do nothing of the kind,” cried her mother; and in
-order to have the last word she went out and slammed the door behind
-her.
-
-Norma sat by the window again. The red September sun was setting, and
-bathed downs and trees in warm light, and glinted on the spire of a
-little village church a mile away. Everything it touched was at peace,
-save the bowed head of the girl, clasped with white fingers which still
-retained the dull brown marks of blood. Could she believe the revolting
-story? A woman so driven to desperation must have been cruelly handled.
-Her sex rose up against the destroyer. Her social training had caused
-her to regard with cynical indifference ordinary breaches of what
-is popularly termed the moral law. In the fast, idle set which she
-generally frequented it was as ordinary for a man to neigh after his
-neighbour's wife as to try to win his friend's money; as unsurprising
-for him to keep a mistress as a stud of race-horses; the crime was to
-marry her. But it was not customary, even in smart society, to drive
-women to murder their new-born babes and kill themselves. A callous
-brutality suggested itself, and the contemplation of it touched
-humanity, sex, essential things. Could she believe the story? She
-shuddered.
-
-The dressing-gong sounded through the house. Her maid entered, drew the
-curtains, and lit the gas; then was dismissed. Norma would not go down
-to dinner. A little food and drink in her own room would be all that she
-could swallow.
-
-Later, Connie Deering, who had changed her dress, tapped at the door
-and was bidden to enter. A quantity of powder vainly strove to hide the
-traces of recent tears on her pretty face. She was a swollen-featured,
-piteous little butterfly.
-
-“How is he?” asked Norma.
-
-“Better, much better. They have taken out the bullet. There is no
-danger, and he has recovered consciousness. I almost wish he hadn't. Oh,
-Norma dear--”
-
-She broke down and sat on the bed and sobbed. Norma came up and laid her
-hand on her shoulder.
-
-“Surely you don't believe this ghastly story?”
-
-The fair head nodded above the handkerchief. A voice came from-below it.
-
-“I must--it's horrible--Jimmie, of all men! I thought his life was so
-sweet and clean--almost like a good woman's--I can't understand it. If
-he is as bad as this, what must other men be like? I feel as if I shall
-never be able to look a man in the face again.”
-
-“But why should you take it for granted that he has done this?” asked
-Norma, tonelessly.
-
-Mrs. Deering raised her face and looked at her friend in blue-eyed
-dismay.
-
-“I did n't take it for granted. He told me so himself. Otherwise do you
-think I should have believed it?”
-
-“He told you so himself! When?”
-
-“A short while ago. I went into his room. I could n't help it--I felt as
-if I should have gone mad if I didn't know the truth. Parsons was there
-with him. She said I could come in. He smiled at me in his old way, and
-that smile is enough to make any woman fall in love with him. 'You've
-been crying, Connie,' he said. 'That's very foolish of you.' So I began
-to cry more. You would have cried if you had heard him. I asked him how
-he was feeling. He said he had never felt so well in his life. Then
-I blurted it out. I know I was a beast, but it was more than I could
-stand. 'Tell me that this madman's story was all lies.' He looked at me
-queerly, waited for a second or two, and then moved his head. 'It's
-all true,' he said, 'all true.' 'But you must have some explanation!'
-I cried. He shut his eyes as if he were tired and said I must take the
-facts as they were. Then Parsons came up and said I mustn't excite him,
-and sent me out of the room. But I did n't want to hear any more. I had
-heard enough, had n't I?”
-
-Norma, as she listened to the little lady's tale, felt her heart grow
-cold and heavy. Doubt was no longer possible. The man himself had
-spoken. He had not even pleaded extenuating circumstances; had merely
-admitted the plain, brutal facts. He had gone under a feigned name,
-seduced an honest girl, abandoned her, driven her to tragedy. It was all
-too simple to need explanation.
-
-“But what are we to do, dear?” cried Connie, as Norma made no remark,
-but stood motionless and silent.
-
-“I think we had better drop his acquaintance,” she replied with bitter
-irony.
-
-Connie flinched at the tone, being a tender-natured woman. She retorted
-with some spirit:
-
-“I don't believe you have any heart at all, Norma. And I thought you
-cared for him.”
-
-“You thought I cared for him?” Norma repeated slowly and cuttingly while
-her eyes hardened. “What right had you to form such an opinion?”
-
-“People can form any opinions they like, my dear,” said Connie. “That
-was mine. And on the terrace this afternoon you know you cared. If ever
-a woman gave herself away over a man, it was Norma Hardacre.”
-
-“It was n't Norma Hardacre, I assure you. It was a despicable fool whom
-I will ask you to forget. My mother was for putting it into a madhouse.
-She was quite right. Anyhow it has ceased to exist and I am the real
-Norma Hardacre again. Humanity is afflicted, it seems, periodically with
-a peculiar disease. It turns men into beasts and women into idiots. I
-have quite recovered, my dear Connie, and if you'll kindly go down
-and ask them to keep dinner back for five minutes, I'll dress and come
-down.”
-
-She rang the bell for her maid. Connie rose from the bed. She longed to
-make some appeal to the other's softer nature for her own sake, as she
-had held Jimmie very dear and felt the need of sympathy in her trouble
-and disillusion.
-
-But knowing that from the rock of that cynical mood no water would gush
-forth for any one's magic, she recognised the inefficacy of her own
-guileless arts, and forbore to exercise them. She sighed for answer.
-By chance her glance fell upon Norma's skirt. Human instinct, not
-altogether feminine, seized upon the trivial.
-
-“Why, whatever have you been doing to your dress?”
-
-Norma looked down, and for the first time noticed the disfiguring smears
-of blood.
-
-“I must have spilt something,” she said, turning away quickly, and
-beginning to unfasten the hooks and eyes of her neckband.
-
-“I hope it will come out,” said Connie. “It's such a pretty frock.”
-
-As soon as she was alone, Norma looked at the stains with unutterable
-repulsion. She tore off the dress feverishly and threw it into a corner.
-When her maid entered in response to her summons, she pointed to the
-shapeless heap of crêpe and embroidery.
-
-“Take that away and burn it,” she said.
-
-
-
-
-Chapter XVI--IN THE WILDERNESS
-
-NORMA went down to dinner resolved to present a scornful front to
-public opinion. She found the effort taxed her strength. During the
-night her courage deserted her. The cold glitter of triumph in her
-mother's eyes had been intolerable. Her father, generally regarded with
-contemptuous indifference, had goaded her beyond endurance with his
-futile upbraiding. Aline had arrived, white-faced and questioning,
-and had established herself by Jimmie's bedside. Norma shrank from the
-ordeal of the daily meeting with her and the explanation that would
-inevitably come. She dreaded the return of Morland, uncertain of her own
-intentions. As she tossed about on her pillow, she loathed the idea of
-the marriage. Innermost sex had spoken for one passionate moment, and
-its message still vibrated. She knew that time might dull the memory;
-she knew that her will might one day triumph over such things as sex and
-sentiment; but she must have a breathing space, a period of struggle, of
-reflection, above all, of disassociation from present surroundings. If
-she sold herself, it must be in the accustomed cold atmosphere of
-brain and heart. Not now, when her head burned and flaming swords were
-piercing her through and through. And last, and chief of all her dreads,
-was the wounded man now sleeping beneath that roof. Father, mother,
-Aline, Morland--these, torture though it were, she could still steel
-her nerves to meet; but him, never. He had done what no other man in the
-wide world had done. He had awakened the sleeping, sacredest inmost of
-her, and he had dealt it a deadly wound. If she could have consumed him
-and all the memories surrounding him with fire, as she had consumed the
-garment stained with his blood, she would have done so in these hours of
-misery. And fierce among the bewildering conflict of emotions that
-raged through the long night was one that filled her with overwhelming
-disgust--a horrible, almost grotesque jealousy of the dead girl.
-
-In the morning, exhausted, she resolved on immediate flight. In the
-little village of Penwyrn on the Cornish coast, her aunt Janet Hardacre
-led a remote, Quakerish existence. The reply to a telegram before she
-left her room assured Norma of a welcome. By eleven o'clock she had
-left Heddon Court and was speeding westwards without a word to Jimmie or
-Aline.
-
-Morland returned in the afternoon, and after a whisky and soda to brace
-his nerves, at once sought Jimmie, who roused himself with an effort to
-greet his visitor.
-
-“Getting on famously, I hear,” said Morland, with forced airiness. “So
-glad. We'll have you on your feet in a day or two.”
-
-“I hope to be able to travel back to London to-morrow.”
-
-“To-morrow?”
-
-“Yes,” said Jimmie, with a curious smile. “I fear I have outstayed my
-welcome.”
-
-“Not a bit of it,” said Morland, seating himself at the foot of the bed.
-“We'll put all that right. But you will give one a little time, won't
-you? You mustn't think you've been altogether left. I ran up to town
-at once to see my solicitors--not my usual people, you know, but some
-others, devilish smart fellows at this sort of thing. They'll see that
-nothing gets into the beastly papers.”
-
-“I don't see that it matters much,” said Jimmie.
-
-“Why, of course it does. I'm not going to let you take the whole blame.
-I could n't come forward yesterday, it was all so sudden. The scandal
-would have rotted my election altogether. But you shall be cleared--at
-any rate in the eyes of this household. I came down with the intention
-of telling Norma, but she has bolted to Cornwall. Upset, I suppose.
-However, as soon as she comes back--”
-
-“Let things be as they are,” interrupted Jimmie, closing his eyes for a
-moment wearily, for he had been suffering much bodily pain. “When I
-said I was David Rendell, I meant it. I can go on acting the part. It's
-pretty easy.”
-
-“Impossible, my dear old chap,” said Morland, with an air of heartiness.
-“You went into the affair with your eyes shut. You didn't know it was
-such a horrible mess.”
-
-“All the more reason for Norma to remain ignorant. It was for her sake
-as well as yours.”
-
-A peculiar tenderness in Jimmie's tone caused Morland, not usually
-perceptive, to look at him sharply.
-
-“You are very keen upon Norma,” he remarked.
-
-Jimmie closed his eyes again, and smiled. He was very weak and tired.
-The pain of his wound and a certain mental agitation had kept him awake
-all night, and just before Morland entered he had been dropping off
-to sleep for the first time. An unconquerable drowsiness induced
-irresponsibility of speech.
-
-“'The desire of the moth for the star,'” he murmured.
-
-Morland slid from the bed to his feet, and with his hands in his pockets
-gazed in astonishment at his friend.
-
-An entirely novel state of affairs dawned upon him which required a
-few moments to bring into focus. The ghastly tragedy for which he was
-responsible, presenting itself luridly at every instant of the night and
-day, had hidden from his reminiscent vision Norma's rush down the slope.
-and her scared tending of the unconscious man. Jimmie's words
-brought back the scene with unpleasant vividness and provided the
-interpretation. When he saw this clearly, he was the most amazed man in
-the three kingdoms. That Jimmie should have conceived and nourished
-a silly, romantic passion for Norma, although he had never interested
-himself sufficiently in Jimmie's private affairs to suspect it, was
-humorously comprehensible. Ludicrously incomprehensible, however, was
-a reciprocation of the sentiment on the part of Norma. In spite of
-remorse, in spite of anxiety, in spite of the struggle between cowardice
-and manhood, his uppermost sensation at that moment was one of lacerated
-vanity. He had been hoodwinked, befooled, deceived. His own familiar
-friend had betrayed him; the woman he was about to honour with his name
-had set him at naught. He tingled with anger and sense of wrong.
-
-The sick man opened his eyes drowsily, and seeing Morland's gaze full
-upon him, started into wakefulness. He motioned him to come nearer.
-
-“If you marry Norma--” he began.
-
-“If I marry her!” cried Morland. “Of course I'm going to marry her. I'll
-see any other man damned before he marries her! She's the only woman
-in the world I've ever set my mind on, and no matter what happens, I'm
-going to marry her. There are no damned if's about it.”
-
-“Yes, there are,” Jimmie retorted weakly. “I was going to preach, but
-I'm too tired. You'll have to be especially good to her--to make up.”
-
-“For what?”
-
-“For the wrong done to the other.”
-
-Morland was silent. He went up to the window and stared out across the
-lawns and tugged at his moustache. The reproach stung him, and he felt
-that Jimmie was ungenerous. After all, he had only done what thousands
-of other men had done with impunity. The consequences had been enough to
-drive him mad, but they had been the hideous accident of a temperament
-for which he had not been responsible.
-
-“You surely don't believe all that mad fool said yesterday?” he muttered
-without turning round.
-
-“The promise of marriage?”
-
-“It's a crazy invention. There never was any question of marriage. I
-told you so months ago. I did everything in my power.”
-
-“I'm glad,” said Jimmie.
-
-Morland made no reply, but continued to stare out of the window and
-meditate upon the many injuries that fate had done him. He arraigned
-himself before the bar of his wounded vanity. He had broken the moral
-law and deserved a certain penalty. The magnanimous verdict received
-the applause of an admiring self. He was willing to undergo an adequate
-punishment--the imposition of a fine and the hard labour of setting
-devious things straight. But the alternative sentence to which he saw
-himself condemned--on the one hand, the ruin of his political career,
-his social position, and his marriage with Norma, to all of which he
-clung with a newly found passion, and on the other, ignoble shelter
-behind an innocent man who had done him a great wrong--he rebelled
-against with all his average, sensual Briton's sense of justice. It was
-grossly unfair. If there had been a spiritual “Times,” he would have
-written to it.
-
-The opening of the door caused him to turn round with a start. It was
-Aline, anxious and pale from an all-night sitting by Jimmie's bedside,
-but holding her slim body erect, and wearing the uncompromising air of
-a mother who has found her child evilly entreated at the hands of
-strangers. She glanced at the bed and at Morland; then she put her
-finger to her lip, and pointed at Jimmie, who lay fast asleep. Morland
-nodded and went on tiptoe out of the room. Aline looked round, and being
-a sensitive young person, shivered. She threw open the window wide, as
-if to rid the place of his influence. Jimmie stirred slightly. She bent
-down and kissed his hair.
-
-During the dark and troubled time that followed, Morland fell away from
-Jimmie like the bosom friend of a mediaeval artist stricken with the
-Black Death. At first, common decency impelled him to send the tainted
-one affectionate messages, invitations to trust him awhile longer, and
-enlarged, with the crudity of his mental habit, on the noble aspects of
-Jimmie's sacrifice. But after Jimmie left the Hardacres' house, which
-happened as soon as he could bear the journey, Morland shrank from
-meeting him face to face; and when public exposure came, the messages
-and the invitations and the protestations ceased, and Jimmie was left
-in loneliness upon a pinnacle of infamy. Morland, in the futile hope
-of the weak-willed man that he could, by some astonishing chance, sail a
-middle course, did indeed give himself peculiar pains to keep the story
-out of the newspapers, and his ill-success was due to other causes than
-his own lack of effort. It was a tale too picturesque to be wasted
-in these days of sensation-hunger. The fact of the dénouement of
-the tragedy having taken place in the presence of royalty lent it a
-theatrical glamour. A sardonic press filled an Athenian public with what
-it lusted after. Indeed, who shall say with authority that the actual
-dramas re-enacted before our courts and reported in our newspapers
-have not their value in splashing with sudden colour the drab lives of
-thousands? May it not be better for the dulled soul to be occasionally
-arrested by the contemplation of furious passions than to feed
-contentedly like a pig beside the slaughtered body of its fellow?
-
-Be that as it may. The press paid no heed to Morland or the smart
-fellows of solicitors whom he employed. It published as many details as
-it could discover or invent. For the tragical business did not end with
-the scene on the Hardacres' lawn. There was an inquest on the dead girl.
-There was the trial of Daniel Stone for attempted murder. The full glare
-of publicity shed itself upon the sordid history. In the one case the
-jury gave a verdict of suicide during temporary insanity; in the other
-the prisoner was found to be insane and was sent to an asylum. These
-were matters of no great public interest. But letters to the dead girl
-in a disguised handwriting were discovered, and Stone gave his crazy
-evidence, and a story of heartless seduction under solemn promise of
-marriage and of abandonment with cynical offer of money was established,
-and the fashionable portrait-painter, who was supposed to be the hero
-of the tale, awoke one morning and found himself infamous. The thing,
-instead of remaining a mere police-court commonplace, became a society
-scandal. Exaggeration was inevitable, not only of facts but of the
-reprobation a virtuous community pronounces on the specially pilloried
-wrongdoer. The scapegoat in its essential significance is by no means a
-thing of legendary history. It exists still, and owes its existence to
-an ineradicable instinct in human nature. The reprobation aforesaid is
-due not entirely to hypocrisy, as the social satirist would have it,
-but in a great measure to an unreasoning impulse towards expiation of
-offences by horrified condemnation of some notorious other. Thus it
-came to pass that upon Jimmie's head were put all the iniquities of the
-people and all their transgressions in all their sins, and he was led
-away into the social wilderness. After that, the world forgot him. He
-had been obscure enough before he burst for a day into the blaze of
-royal patronage; but now blackest darkness swallowed him up. Only Aline
-remained by his side.
-
-Morland wrote to Jimmie once after the exposure. As he had been the
-cause, said he, of the probable ruin of Jimmie's professional prospects,
-it was only right that he should endeavour to make some compensation. It
-was, besides, a privilege of their life-long friendship. He enclosed a
-cheque for two thousand pounds. Jimmie returned it.
-
-“My dear Morland,” he wrote in answer, “loyalty can only be repaid by
-loyalty, love by love. If I accepted money, it would dishonour both
-yourself and me. It is true that I took upon me a greater burden than I
-was aware of. The world, if it knew the facts, would, as you say, call
-me a quixotic fool. But if I took your money it would have the right to
-call me a mercenary knave. I have always suffered fools gladly,
-myself the greatest. I can go on doing so. Meanwhile you can make full
-compensation in the only way possible. Devote your life and energies
-to the happiness of the woman you are about to marry.” This was a stern
-letter for Jimmie to write. After he had posted it he reproached himself
-for not having put in a kind word.
-
-
-
-
-Chapter XVII--THE INCURABLE MALADY
-
-I'll never let you inside the house again until you go down on your
-knees and beg Jimmie's pardon,” cried Aline.
-
-She stood, a slim incarnation of outraged womanhood, with her hand on
-the knob of the open door. A scared but stubborn youth hesitated on the
-threshold. Few men, least of all lovers, like being turned out.
-
-“I don't believe you care a hang for me!” he said.
-
-“I don't,” she retorted bravely, but with tremulous lip. “Not a hang, as
-you call it. I dislike you exceedingly and I don't want to see you any
-more. I'll never speak to anybody who believes such things of Jimmie.”
-
-“But, my good child,” expostulated Tony Merewether, “they are facts; he
-never has denied them.”
-
-“He could if he liked.”
-
-“How do you know?”
-
-“How do I know?” Aline repeated scornfully. “That just shows how far we
-are apart. There's not the slightest reason for talking any more. You
-have insulted Jimmie and you are going on insulting him. I can't stand
-by this door forever. I want you to go.”
-
-“Oh, very well, I'll go,” said the young fellow. “But you've behaved
-damnably to me, Aline--simply damnably.” He strode down the passage
-and slammed the front door behind him. Aline turned back into the prim
-little drawing-room where the interview had taken place, and after an
-attempt to remain composed and dignified, suddenly broke into tears. She
-could struggle no more against the cruelty of man and the hopelessness
-of life. It had been a stormy interview. Tony Merewether had come, as
-her natural protector, to insist upon immediate marriage. A small legacy
-recently bequeathed to him would enable them to marry with reasonable
-prudence. Why should they wait? Aline pleaded for time. How could she
-leave her beloved Jimmie in his blackest hour?
-
-“It's just because I don't think it quite right for you to live here any
-longer, that I want you to come away at once,” Tony had said.
-
-“Not right to live here? What on earth do you mean?” The luckless lover
-tried to explain. Aline regarded him icily, and in his confusion and
-discomfiture he lost the careful wrappings which he had prepared for his
-words.
-
-“You think that Jimmie is not a fit person for me to associate with?”
- she had asked in a dangerous tone.
-
-“Yes, since you choose to put it that way,” he had replied, nettled.
-He believed that women liked a man of spirit and generally yielded to
-a show of masterfulness. He was very young. Taking up his parable with
-greater confidence, he showed her the social and moral necessity of
-immediate recourse to his respectable protection. Naturally he admired
-her loyalty, he signified, with a magnanimous wave of the hand; but
-there were certain things girls did not quite comprehend; a man's
-judgment had to be trusted. He invited her to surrender entirely to his
-wisdom. The end of it all was his ignominious dismissal. She would not
-see him until he had begged Jimmie's pardon on his knees.
-
-But now she buried her face in the sofa-cushions and sobbed. It was her
-first poignant disillusion. Tony, whom she loved with all her heart, was
-just like everybody else, incapable of pure faith, ready to believe the
-worst. He was cruel, uncharitable. She would never speak to him
-again. And the sweet shy dream of her young life was over. It was very
-tragical.
-
-Jimmie's step coming up the studio stairs caused her to spring from the
-sofa and frantically dry her eyes before the mirror. The steps advanced
-along the passage, and soon Jimmie's head appeared at the door.
-
-“Where have you hidden the little watercolour box?” he asked cheerily.
-
-“In the cupboard. On the second shelf,” she replied, without turning
-round.
-
-He caught sight of the reflection of a tear-stained face, and came and
-stood by her side.
-
-“Why, you've been crying!”
-
-“I suppose I have,” she admitted with affectionate defiance, looking up
-into his face. “Why should n't I, if I like? It's not a crime.”
-
-“It's worse--it's a blunder,” he quoted with a smile. “It can't do any
-one any good, and it makes your pretty nose red. That will spoil your
-good looks.”
-
-“I wish it would. My looks will never matter to anybody,” she said
-desperately.
-
-He put his arm round her shoulders, just as he had done since she could
-remember.
-
-“What has happened to distress you--more than usual?” he added.
-
-She was silent for a moment, and hung her head.
-
-“I've broken off with Tony,” she said in a low voice.
-
-“You'll mend it up with Tony at once, my dear.”
-
-“I'll never marry him,” declared Aline.
-
-“You'll write and tell him that you'll marry him at the very first
-opportunity. There are reasons why you should, Aline, grave reasons.”
-
-“You wouldn't have me marry any one I dislike intensely?” she flashed.
-
-“Wouldn't you do it to please me, even though you hated him violently?
-I have been going to speak to you about this. It's high time you were
-married, dear, and I particularly wish it. So make friends with Tony as
-soon as ever you can.”
-
-“I never want to see Tony again--until he has gone on his bended knees
-to you,” said Aline, with a quivering lip. “I don't want to breathe the
-same air with any one who does n't think of you as I do.”
-
-This was the first allusion that the girl had made to unhappy things,
-since they had become common knowledge a month ago. She had conveyed to
-him by increased tenderness and devotion that she loved him all the more
-for his suffering, and it had been easy for him to perceive that the
-main facts of the story were not unknown to her. But hitherto there had
-been absolute silence on the part of each. He had been greatly
-puzzled as to the proper course he should take. An interview with Tony
-Merewether that morning had decided him. It had been short, coldly
-courteous on the young fellow's side, who merely asked and obtained
-consent to marry Aline forthwith, and wistfully dignified on Jimmie's.
-
-He sat down on the arm of a chair and took her hand, deeply moved by her
-passionate faith in him.
-
-“Listen, dear. I am a dishonoured man and it is n't right that you
-should live with me any longer. Tony, dear good fellow, is no more to
-blame for what he thinks of me than the crazy wronged man who shot me.
-But the only way for you to make him think better is to marry him. No,
-don't interrupt. Stand quietly and let me talk to you. I've been making
-plans and I should be tremendously upset if there was any difficulty.
-I'm going to give up the house and studio.”
-
-Aline regarded him in frightened amazement, and then looked round as
-if the familiar walls and furniture were in danger of incontinent
-disappearance.
-
-“What?” she gasped.
-
-“I shall give it up and wander about painting abroad, so it's absolutely
-necessary that you should marry Tony. Otherwise I don't know what on
-earth I should do with you.”
-
-He swung her hand and looked smilingly into her eyes.
-
-“You see I really am in a hurry to get rid of you,” he added.
-
-Aline gazed at him for a long time, gradually recovering from her
-stupefaction. Then she withdrew her hand from his clasp and laughed.
-
-“You are talking unadulterated rubbish, Jimmie,” she said.
-
-Upon this declaration she took her stand, and no protest or argument
-could move her. She withstood triumphantly a siege of several days.
-Jimmie tried to exert his quasiparental authority. But the submissive
-little girl, who had always yielded when Jimmie claimed obedience, had
-given place to a calmly inflexible woman. Jimmie swore that he would not
-commit the crime of spoiling her life's happiness. She replied, with a
-toss of her head and a pang of her heart, that her life's happiness had
-nothing to do with Tony Merewether, and that if it did, the crime would
-lie at his door and not at Jimmie's.
-
-“As for leaving you alone in the wide world, I would just as soon think
-of deserting a new-born baby in the street,” she said. “You are not fit
-to be by yourself. And whether you like it or not, Jimmie, I must stay
-and look after you.”
-
-At last, by the underhand methods which women often employ for the
-greater comfort of men, she cajoled him into an admission. The plan of
-giving up the house had, as its sole object, the forcing of her hand.
-Victorious, she allowed herself to shed tears over his goodness. Just
-for her miserable sake he had proposed to turn himself into a homeless
-wanderer over the face of Europe.
-
-“Do tell me, Jimmie,” she said, “how it feels to be an angel!”
-
-He laughed in his old bright way.
-
-“Very uncomfortable when a tyrannical young woman cuts your wings off.”
-
-“But I do it for your good, Jimmie,” she retorted. “If I did n't, you
-would be flying about helplessly.”
-
-Thus the clouds that lay around them were lit with tender jesting.
-During this passage through the darkness he never faltered, serene in
-his faith, having found triumphant vindication thereof in the devotion
-of Aline. That he had made a sacrifice greater than any human being had
-a right to demand of another, he knew full well; he had been driven on
-to more perilous reefs than he had contemplated; the man whom he had
-imagined Morland to be would have thrown all planks of safety to the
-waves in order to rescue him. He felt acutely the pain of his shipwreck;
-but he did not glorify himself as a martyr: he was satisfied that it was
-for the worshipped woman's happiness, and that in itself was a reward.
-His catholic sympathy even found extenuating circumstances in Morland's
-conduct. Once when Aline inveighed against his desertion, he said in the
-grave manner in which he delivered himself of his moral maxims:
-
-“We ought never to judge a human being's actions until we know his
-motives.”
-
-Aline thought the actions were quite sufficient for a working
-philosophy, but she did not say so. Jimmie half guessed the motives and
-judged leniently. Though he had lost much that made life sweet to him,
-his heart remained unchanged, his laugh rang true through the house; and
-were it not for the loneliness and the dismal blight in her own little
-soul, Aline would not have realised that any calamitous event had
-happened.
-
-One other of Jimmie's friends maintained relations with him. This was
-Connie Deering. She had gone abroad soon after the disaster, and moved
-by various feelings for which she rather forbade her impulsive self to
-account, had written one or two oddly expressed letters. In the first
-one she had touched lightly upon the difficult subject. She would not
-have believed a word of it, if she had not heard it from his own lips.
-If he would write to her and say that it was all a lie, she would accept
-his word implicitly. He was either a god or a devil--a remark that
-filled Jimmie with considerable alarm. A shrewd brain was inside the
-pretty butterfly head. In his reply he ignored the question, an example
-which Connie followed in her second letter. This consisted mainly in a
-rambling account of the beauty of Stresa and the comforts and excellent
-cuisine of the hotel by the lake; but a postscript informed him that
-Norma was travelling about with her for an indefinite period, and that
-she had heard nothing of Morland, who having easily won his election
-was now probably busy with the beginning of the autumn session. Jimmie,
-unversed in the postscriptal ways of women, accepted the information as
-merely the literal statement of facts. A wiser man would have grasped
-the delicate implication that the relations between the affianced pair
-were so strained that an interval of separation had seemed desirable.
-
-The unshaken faith of the man in the ultimate righteousness of things
-kept him serene; but the young girl who had no special faith, save in
-the perfect righteousness of Jimmie and the dastardly unrighteousness of
-the world in general and of Mr. Anthony Merewether in particular, found
-it difficult to live in these high altitudes of philosophy. Indeed she
-was a very miserable little girl when Jimmie was not by, and pined,
-and cried her heart out, and grew thin and pale and sharp-tempered,
-and filled her guardian with much concern. At last Jimmie took heroic
-measures. Without Aline's knowledge he summoned Tony Merewether to an
-interview. The young man came. Jimmie received him in the studio, begged
-him to take a seat, and rang the bell. The middle-aged housekeeper ran
-down in some perturbation at the unusual summons, for it was Jimmie's
-habit to shout up the stairs, generally to Aline, for anything he
-wanted. She received his instructions. Miss Aline would oblige him by
-coming down at once. During the interval of waiting he talked to
-Mr. Merewether of indifferent things, flattering himself on a sudden
-development of the diplomatic faculty. Aline ran into the room, and
-stopped short at the sight of the young man, uttering a little cry of
-indignant surprise. Jimmie cleared his throat, but the oration that
-he had prepared was never delivered. Aline marched straight up to the
-offending lover.
-
-“I don't see you on your knees,” she said.
-
-Tony, who was entirely unexpectant of this uncompromising attitude,
-having taken it for granted that by some means or other the way had been
-made smooth for him, retorted somewhat sharply:
-
-“You're not likely to.”
-
-“Then I wonder,” said Aline, “at your audacity in coming to this house.”
- She turned and marched back to the door, her little figure very erect
-and her dark eyes blazing. Jimmie intercepted her.
-
-“Tony came at my request, my child.”
-
-For the first and only time in her life she cast a look of anger upon
-Jimmie.
-
-“Let me pass, please,” she said, like an outraged princess; and waving
-Jimmie aside, she made the exit of offended majesty.
-
-The two men looked stupidly at each other. Their position was
-ignominious.
-
-“I did it for the best, my boy,” said Jimmie, taking up a pipe which
-he began to fill mechanically. He was just the kind creature of happier
-days. The young fellow's heart was touched. After a minute's silence he
-committed a passionate indiscretion.
-
-“I wish to God you would tell me there is something hidden beneath this
-ghastly story, and that it's quite different from what it appears to
-be!”
-
-Jimmie drew himself up and looked the young man between the eyes.
-
-“That's a question I discuss with no human being,” said he.
-
-“I beg your pardon,” said Tony Merewether, in sincere apology. “I would
-not have taken such a liberty if it had n't been a matter of life and
-death for me. Perhaps you think I ought to do more or less as Aline asks
-me; but she is too precious to purchase with an infernal lie. I'm hanged
-if I'll do it, and I don't think you're the man to misunderstand my
-frankness.”
-
-Jimmie had lit his pipe during the foregoing speech. He drew two or
-three meditative puffs.
-
-“Have as little to do with lies, my boy, as ever you can,” said he. “And
-cheer up, all is sure to come right in the end.”
-
-He was sunk in reflection for a long time after the young man had gone,
-and again for a long time after Aline had done remorseful penance
-for her loss of temper. Then he went out for a walk and brought back
-something in his pocket. At dinner-time he was unusually preoccupied.
-When the meal was over, he fished up a black bottle from beneath
-the table, and going to the sideboard, came back with a couple of
-wineglasses. Aline watched him as though he were performing some rite in
-black magic.
-
-“This is rich fruity port,” said he, filling the glasses. “Evans, the
-grocer, told me I should get nothing like it at the price in London. You
-are to drink it. It will do you good.”
-
-Aline, still penitent, obeyed meekly.
-
-“How could you be so extravagant, Jimmie?” she said in mild protest. “It
-must have cost quite three shillings.”
-
-“And sixpence,” said Jimmie, unabashed. He lifted up his glass. “Now
-here's to our _Wanderjahr_, or as much of it as we can run to.”
-
-“Whatever do you mean, Jimmie?”
-
-“I mean my dear,” said he, “that we are going to take a knapsack, a
-tambourine and a flute, and appropriate ribbons for our costumes, and
-beg our way through southern Europe.”
-
-He explained and developed his plan, the result of his meditations,
-in his laughing picturesque way. They were doing nothing but eating
-expensive fog in November London. A diet of sunshine and garlic would
-be cheaper. They would walk under the olive-trees and drift about on
-lagoons, and whisper with dead ages in the moonlit gloom of crumbling
-palaces. They would go over hills on donkeys. They would steep their
-souls in Perugino, Del Sarto, Giorgione. They would teach the gaunt
-Italian flea to respect British Keating's powder. They would fraternise
-with the beautiful maidens of Arles and sit on the top of Giotto's
-Campanile. They would do all kinds of impossible things. Afford it? Of
-course they could. Had he not received his just dues from the princess
-and sold two pictures a week or two ago? At this point he fell thinking
-for a couple of dreamy minutes.
-
-“I meant to give you a carriage, dear,” he said at last in mild apology.
-“I'm afraid it will have to be a third-class one.”
-
-“A fourth or fifth would be good enough for me,” cried Aline. “Or I
-could walk all the way with you. Don't I know you have planned it out
-just for my sake?”
-
-“Rubbish, my dear,” said Jimmie, holding the precious wine to the light.
-“I'm taking you because I don't see how I can leave you behind. You have
-no idea what an abominable nuisance you'll be.”
-
-Aline laughed a joyous laugh which did Jimmie good to hear, and came
-behind his chair and put her arms about his neck, behaving foolishly as
-a young girl penetrated with the sense of the loved one's goodness is
-privileged to do. What she said is of infinitesimal importance, but it
-lifted care from Jimmie's heart and made him as happy as a child. Like
-two children, they discussed the project; and Aline fetching from
-the top shelf of the bookcase in Jimmie's bedroom a forlorn, dusty,
-yellow-paged Continental Bradshaw, twenty years old, they looked up
-phantom trains that had long ceased running, speculated on the merits
-of dead-and-gone hotels, and plunged into the fairyland of anachronistic
-information.
-
-A few days were enough for Jimmie's simple arrangements; and then began
-the pilgrimage of these two, each bearing a burden, a heart-ache, a pain
-from which there was no escaping, but each bearing it with a certain
-splendour of courage that made life beautiful to the other. For the girl
-suffered keenly, as Jimmie knew. She had given a passionate heart for
-good and all to the handsome young fellow who had refused to bow the
-knee to the man whom he had every reason to consider a blackguard. They
-had come together, youth to youth, as naturally as two young birds in
-the first mating-season; but, fortunately or unfortunately for Aline,
-she was not a bird, but a human being of unalterable affections and
-indomitable character. She had the glorious faith, _quia incredibile_,
-in Jimmie, and rather than swerve aside from it she would have walked
-on knife edges all the rest of her days. So she scorned the pain, and
-scorned herself for feeling it when she saw the serenity with which he
-bore his cross. Dimly she felt that if the truth were known he would
-stand forth heroically, not infamously. She had revered him as a child
-does its father; but in that sweet and pure relationship of theirs, she
-had also watched him with the minute, jealous solicitude that a mother
-devotes to an only child who is incapable of looking after itself.
-Nothing in his character had escaped her. She knew both his strength
-and his enchanting weaknesses. To her trained eyes, he was all but
-transparent; and of late her quickened vision had read in letters of
-fire across his heart, “The desire of the moth for the star.”
-
-So they travelled through the world, hand in hand, as it were, and drank
-together of its beauty. They were memorable journeyings. Sleeping-cars
-and palatial hotels and the luxuries of modern travel were not for them.
-Aline, who knew that Jimmie, as far as he himself was concerned, would
-have slept upon wood quite as cheerfully as upon feathers, but for
-her sake would have royally commanded down, held the purse-strings and
-dictated the expenditure. They had long, wonderful third-class journeys,
-stopping at every wayside station, at each having some picturesque
-change of company in the ever-crowded, evil-smelling, wooden-seated
-compartment. She laughed at Jimmie's fears as to her discomfort;
-protested with energetic sincerity that this was the only way in the
-world to travel with enjoyment. It was a never-failing interest to see
-Jimmie disarm the suspicion of peasants by his sympathetic knowledge of
-their interests, to listen to his arguments with the chance-met curé,
-perspiring and polite, or the mild young soldier in a brass helmet a
-size too big for him. In France she understood what they were saying,
-and maintained a proper protectorate over Jimmie by means of a rough and
-ready acquaintance with the vernacular. But in Italy she was dumb, could
-only regard Jimmie in open-mouthed astonishment and admiration. He
-spoke Italian. She had known him all her life and never suspected this
-accomplishment. It required some tact to keep him in his proper position
-as interpreter and restrain him from acting on his own initiative. In
-the towns they put up at little humble hostelries in by-streets and in
-country-places at rough inns, eating rude fare and drinking sour wine
-with great content. The more they economised the longer would the
-idyllic vagabondage last.
-
-Through southern France and northern Italy they wandered without fixed
-plans, going from place to place as humour seized them, seeking the
-sunshine. At last it seemed to be their normal existence. London with
-its pain and its passion grew remote like the remembered anguish of a
-dream. Few communications reached them. The local newspaper gave them
-all the tidings they needed of the great world. It was a life free
-from vexation. The decaying splendour of the larger cities with their
-treasure-houses of painting and sculpture and their majestic palaces
-profoundly stirred the young girl's imagination and widened her
-conceptions and sympathies. But she loved best to arrive by a crazy,
-old-world diligence at some little townlet built on a sunny hillside,
-whose crumbling walls were the haunts of lizards and birds and strange
-wild-flowers; and having rested and eaten at the dark little _albergo_,
-smelling of wine and garlic and all Italian smells, to saunter out with
-Jimmie through the narrow, ill-paved, clattering streets alive with
-brown children and dark-eyed mothers, and men sitting on doorsteps
-violently gesticulating and screaming over the game of _morra_, and to
-explore the impossible place from end to end. A step or two when they
-desired it would bring them to the sudden peace of the mediaeval church,
-with its memories of Romanesque tradition and faint stirrings of
-Gothic curiously reflecting the faith of its builders; the rough,
-weather-beaten casket of one flawless gem of art, a Virgin smiling
-over the child on her lap at many generations of worshippers, superbly
-eternal and yet quaintly woman. And then they would pass out of the
-chilly streets and down the declivitous pathways below the town and sit
-together on the hillside, in a sun-baked spot sheltered from the wind.
-This Aline, vaguely conscious of the Infinite, called “hanging on the
-edge of Nowhere.”
-
-One day, on such a hillside Jimmie had been painting three brown-faced
-children whom he had cajoled into posing for him, while Aline looked on
-dreamily. The urchins, dismissed with a few halfpennies, bowed polite
-thanks, the two boys taking off their caps with the air of ragged
-princes, and scampered away like rabbits out of sight.
-
-“There!” cried Jimmie, throwing down his brush and holding out the
-little panel at arm's length. “I have never done anything so good in all
-my life! Have n't I got it? Is n't it better than ten cathedralfuls of
-sermons? Is n't it the quintessence of happiness, the perfect trust in
-the sweet earth to yield them its goodness? Could any one after seeing
-that dare say the world was only a dank and dismal prison where men do
-nothing but sit and hear each other groan? Look at it, Aline. What do
-you think of it?”
-
-“It's just lovely, Jimmie,” said Aline.
-
-“If I painted a pink hippopotamus standing on its head, you would say it
-was lovely. Why did n't you tell me that arm was out of drawing?”
-
-He took up his brush and made the necessary correction. Aline laughed.
-
-“Do you know one of the few things I can remember my father saying was
-about you?”
-
-“God bless my soul,” said Jimmie. “I had almost forgotten you ever had a
-father--dear old chap! What did he say?”
-
-“I remember him telling you that one day you would die of incurable
-optimism. For years I used to think it was some horrible disease, and I
-used to whisper in my prayers, 'O God, please cure Jimmie of optimism,'
-and sometimes lie awake at nights thinking of it.”
-
-“Well, do you think your prayer has been answered?” asked Jimmie,
-amused.
-
-She shifted herself a little nearer him and put her hand on his knee.
-
-“Thank goodness, no. You've got it as bad as ever--and I believe I've
-caught it.” Then, between a sob and a laugh, she added:
-
-“Oh, Jimmie dear, your stupid old head could never tell you what you
-have done for me since we have been abroad. If I had stayed at home I
-think I should have died of--of--of malignant pessimism. You will never,
-never, never understand.”
-
-“And will you ever understand what you have done for me, my child?” said
-Jimmie, gravely. “We won't talk about these things. They are best in our
-hearts.”
-
-
-
-
-Chapter XVIII--A RUDDERLESS SHIP
-
-THAT autumn pressed heavily upon Mrs. Hardacre. Norma's engagement,
-without being broken off, was indefinitely suspended, and Norma, by
-going abroad with Mrs. Deering immediately on her return from Cornwall,
-had placed herself beyond reach of maternal influence. It is true
-that Mrs. Hardacre wrote many letters; but as Norma's replies mainly
-consisted of a line or two on a picture post-card, it is to be doubted
-whether she ever read them. Mrs. Hardacre began to feel helpless.
-Morland could give her little assistance. He shrugged his shoulders at
-her appeals. He was perfectly determined to marry Norma, but trusted to
-time to restore her common-sense and lead her into the path of reason.
-Nothing that he could do would be of any avail. Mrs. Hardacre urged him
-to join the ladies on the Continent and bring matters to a crisis. He
-replied that an election was crisis enough for one man in a year, and
-furthermore the autumn session necessitated his attendance in the House.
-He was quite satisfied, he told her stolidly, with things as they
-were, and in the meantime was actually finding an interest in his new
-political life. But Mrs. Hardacre shared neither his satisfaction nor
-his interest, a mother's point of view being so different from that of a
-lover.
-
-As if the loss of ducal favour and filial obedience were not enough for
-the distraught lady, her husband one morning threw a business letter
-upon the table, and with petulant curses on the heads of outside
-brokers, incoherently explained that he was ruined. They were liars and
-knaves and thieves, he sputtered. He would drag them all into the police
-court, he would write to the “Times,” he would go and horsewhip the
-blackguards. Damme if he would n't!
-
-“I wish the blackguards could horsewhip you,” remarked his wife, grimly.
-“Have you sufficient brains to realise what an unutterable fool you have
-been?”
-
-If he did not realise it by the end of the week, it was not Mrs.
-Hardacre's fault. She reduced the unhappy man to craven submission
-and surreptitious nipping of old brandy in order to keep up the feeble
-spirit that remained in him, and took the direction of affairs into her
-own hands. They were not ruined, but a considerable sum of money had
-been lost through semi-idiotic speculation, and for a time strict
-economy was necessary. By Christmas the establishment in the country
-was broken up, a tenant luckily found for Heddon Court, and a small
-furnished house taken in Devonshire Place. These arrangements gave Mrs.
-Hardacre much occupation, but they did not tend to soften her character.
-When Norma came home, sympathetically inclined and honestly desirous to
-smooth down asperities--for she appreciated the aggravating folly of her
-father--she found her advances coldly repulsed.
-
-“What is the good of saying you are sorry for me,” Mrs. Hardacre asked
-snappishly, “when you refuse to do the one thing that can mend matters?”
-
-Then followed the old, old story which Norma had heard so often in days
-past, but now barbed with a new moral and adorned with new realism.
-Norma listened wearily, surprised at her own lack of retort. When the
-familiar homily came to an end, her reply was almost meek:
-
-“Give me a little longer time to think over it.”
-
-“You had better cut it as short as possible,” said Mrs. Hardacre, “or
-you may find yourself too late. As it is, you are going off. What have
-you been doing to yourself? You look thirty.”
-
-“I feel fifty,” said Norma.
-
-“You had better go and have your face massaged, or you'll soon not be
-fit to be seen.”
-
-“I think I want a course of soul massage,” answered Norma, with a hard
-little laugh.
-
-But when she was alone in her own room, she looked anxiously at her face
-in the glass. Her mother had confirmed certain dismal imaginings. She
-had grown thinner, older looking; tiny lines were just perceptible at
-the corners of eyes and lips and across the forehead. The fresh bloom of
-youth was fading from her skin. She was certainly going off. She had not
-been a happy woman since her precipitate flight to Cornwall. The present
-discovery added anxiety to depression.
-
-A day or two afterwards Mrs. Hardacre returned to the unedifying attack.
-Had Norma written to Morland to inform him of her arrival? Norma replied
-that she had no inordinate longing to see Morland. Mrs. Hardacre
-used language that only hardened and soured women of fashion who are
-beginning to feel the pinch of poverty dare use nowadays. It is far more
-virulent than a fishwife's, for every phrase touches a jangling nerve
-and every gibe tears a delicate fibre, whereas Billingsgate merely
-shocks and belabours. Norma bore it in silence for some time, and then
-went away quivering from head to foot. A new and what seemed a horrible
-gift had been bestowed upon her--the power to feel. Once a sarcastic
-smile, a scornful glance, a withering retort would have carried her in
-triumph from her mother's presence. Secure in her own callous serenity,
-she would have given scarcely a further thought to the quarrel. Now
-things had inexplicably changed. Her mother's stabs hurt. Some curious
-living growth within her was wrung with pain. She could only grope
-humbled and broken to her room and stare at nothing, wishing she could
-cry like other women.
-
-No wonder she looked old, when the spirit had left her and taken with
-it the cold, proud setting of the features that had given her beauty
-its peculiar stamp. Dimly she realised the disintegration. When a nature
-which has taken a colossal vanity for strength and has relied thereon
-unquestioningly for protection against a perilous world, once loses
-grip of that sublime mainstay, it is impossible for it to take firm hold
-again. It must content itself with lesser planks or flounder helplessly,
-fearful of imminent shipwreck. Norma, during those autumn months, had
-found her strength vanity. The fact in rude, symbolic form was brought
-home to her a short time after her return.
-
-It was a bright Sunday afternoon, when, on her way to pay a call in
-Kensington, she had dismissed her cab at Lancaster Gate and was walking
-through Kensington Gardens. Half-way a familiar figure met her eye. It
-was her own maid sitting on a bench with a man by her side. The girl was
-wearing a cheap long jacket over an elaborate dress, absurdly light
-for the time of year. It caught Norma's attention, and then suddenly it
-flashed upon her that it was the dress she had given to be burned months
-ago. She walked on, aching with a sense of the futility of grandiose
-determinations. She had consigned the garment stained with Jimmie's
-blood contemptuously to the flames. It was incongruously whole in
-Kensington Gardens. She had cast her love for Jimmie out of her heart in
-the same spirit of comedic tragedy. Forlorn and bedraggled it was still
-there, mockingly refusing to be reduced to its proper dust and ashes.
-Her strength had not availed her to cast it out. Her strength was a vain
-thing. Yet being forlorn and bedraggled the love was as hateful as
-the unconsumed garment. It haunted her like an unpurged offence.
-The newspaper details had made it reek disgustfully. At times Connie
-Deering's half faith filled her with an extravagant hope that these
-sordid horrors which had sullied the one pure and beautiful thing that
-had come into her life were nothing but a ghastly mistake; that it was,
-as Connie suggested, a dark mystery from which if Jimmie chose he could
-emerge clean. But then her judgment, trained from childhood to look
-below the surface of even smiling things and find them foul, rebelled.
-The man had proclaimed himself, written himself down a villain. It was
-in black and white. And not only a villain--that might be excusable--but
-a hypocritical canting villain, which was the unforgivable sin. Every
-woman has a Holy Ghost of sorts within her.
-
-Norma did not write to Morland. She dreaded renewal of relations, and
-yet she had not the courage to cut him finally adrift. The thought of
-withered spinsterhood beneath her father's roof was a dismaying vision.
-Marriage was as essential as ever to the scheme of her future. Why not
-with Morland? Her mother's words, though spoken as with the tongues of
-asps, were those of wisdom.
-
-All that she could bring to a husband was her beauty, her superb
-presence, her air of royalty. These gone, her chances were as illusory
-as those of the pinched and faded gentlewomen who tittle-tattled at
-Cosford tea-parties. Another year, and at the present rate of decay
-her beauty would have vanished into the limbo of last year's snows. She
-exaggerated; but what young woman of six-and-twenty placed as she has
-not looked tremulously in her mirror and seen feet of crows and
-heaven knows what imaginary fowls that prey upon female charms? At
-six-and-thirty she smiles with wistful, longing regret at the remembered
-image. Yet youth, happily, is not cognisant of youth's absurdities.
-It takes itself tragically. Thus did Norma. Her dowry of beauty was
-dwindling. She must marry within the year. Sometimes she wished that
-Theodore Weever, who had not yet discovered his decorative wife and had
-managed to find himself at various places which she had visited abroad,
-would come like a Paladin and deliver her from her distress and carry
-her off to his castle in Fifth Avenue. He would at least interest her as
-a human being, which Morland, with all his solid British qualities,
-had never succeeded in doing. But Theodore Weever had not spoken. He
-retained the imperturbability of the bald marble bust of himself that
-he had taken her to see in a Parisian sculptor's studio. There only
-remained Morland. But for some reason, for which she could not account,
-he seemed the last man on earth she desired to marry. When she had
-written to him, soon after her flight to Cornwall, to beg for a
-postponement of the wedding, giving him the very vaguest reasons for her
-request, he had assented with a cheerfulness ill befitting an impatient
-lover. It would be impertinence, he wrote, for him to enquire further
-into her reasons. She was too much a woman of the world to act without
-due consideration, and provided that he could look forward to the
-very great happiness of one day calling her his wife, he was perfectly
-satisfied with whatever she chose to arrange. The absence of becoming
-fervour, in spite of her desire to postpone the dreaded day, produced
-a feeling of irritated disappointment. None of us, least of all women,
-invariably like to be taken at our word. If Morland lay so little value
-upon her as that, he might just as well give her up altogether. She
-replied impulsively, suggesting a rupture of the engagement. Morland,
-longing for time to raise him from the abasement in which he grovelled,
-had welcomed the proposal to defer the marriage; but as he smarted at
-the same time under a sense of wrong--had he not been betrayed by
-his own familiar friend and the woman he loved?--he now unequivocally
-refused to accept her suggestion. He had made up his mind to marry her.
-He had made all his arrangements for marrying her. The check he
-had experienced had stimulated a desire which only through unhappy
-circumstances had languished for a brief season. He persuaded himself
-that he was more in love with her than ever. At all costs, in his
-stupid, dogged way, he determined to marry her. He told her so bluntly.
-He merely awaited her good pleasure. Norma accepted the situation and
-thought, by going abroad, to leave it at home to take care of itself. It
-might die of inanition. Something miraculous might happen to transform
-it entirely. She returned and found it alive and quite undeveloped.
-It grinned at her with a leer which she loathed from the depths of her
-soul; and the more Mrs. Hardacre pointed at it the more it leered, and
-the greater became the loathing.
-
-At last Mrs. Hardacre took matters into her own hands and summoned
-Morland to London. “Norma is in a green, depressed state,” she wrote,
-“and I think your proper place is by her side. I imagine she regrets her
-foolishness in postponing the marriage and is ashamed to confess it. A
-few words with you face to face would bring her back to her old self.
-Women have these idiotic ways, my dear Morland, and men being so much
-stronger and saner must make generous allowances. I confidently expect
-you.”
-
-Morland's vanity, spurred by this letter, brought him in a couple of
-days to London.
-
-“My dear Morland, this is a surprise,” cried Mrs. Hardacre
-dissemblingly, as he entered the drawing-room, “we were only just
-talking of you. I'll ring for another cup.”
-
-She moved to the bell by the side of the fireplace, and Norma and
-Morland shook hands with the conventional words of greeting.
-
-“I hope you've had a good time abroad?”
-
-“Oh, yes. The usual thing, the usual places, the usual people, the usual
-food. In fact, a highly successful pursuit of the usual. I've invented a
-verb--'to usualise.' I suppose you've been usualising too?”
-
-The sudden sight of him had braced her, and instinctively she had
-adopted her old, cool manner as defensive armour. Her reply pleased
-him. There was something pungent in her speech, irreconcilable in her
-attitude, which other women did not possess. He was not physiognomist or
-even perceptive enough to notice the subtle change in her expression. He
-noted, as he remarked to her later, that she was “a bit off colour,” but
-he attributed it to the muggy weather, and never dreamed of regarding
-her otherwise than as radically the same woman who had engaged herself
-to many him in the summer. To him she was still the beautiful shrew
-whose taming appealed to masculine instincts. The brown hair sweeping
-up in a wave from the forehead, the finely chiselled sensitive features,
-the clear brown eyes, the mocking lips, the superb poise of the head,
-the stately figure perfectly set off in the dark blue tailor-made dress,
-all combined to impress him with a realisation of the queenliness of the
-presence that had grown somewhat shadowy of late to his unimaginative
-mental vision.
-
-“And how do you like Parliament?” she asked casually, when the teacup
-had been brought and handed to him filled.
-
-“I find it remarkably interesting,” he replied sententiously. “It is
-dull at times, of course, but no man can sit on those green benches and
-not feel he is helping to shape the destinies of a colossal Empire.”
-
-“Is that what you really feel--or is it what you say when you are
-responding for the House of Commons at a public dinner?” asked Norma.
-
-Morland hesitated for a moment between huffiness and indulgence. In
-spite of his former gibes at the stale unprofitableness of parliamentary
-life, he had always had the stolid Briton's reverence for our
-Institutions, and now that he was actually a legislator, his traditions
-led him to take himself seriously.
-
-“I have become a very keen politician, I assure you,” he answered. “If
-you saw the amount of work that falls on me, you would be astonished. If
-it were n't for Manisty--that's my secretary, you know--I don't see how
-I could get through it.”
-
-“I always wonder,” said Mrs. Hardacre, “how members manage to find time
-for anything. They work like galley-slaves for nothing at all. I regard
-them as simply sacrificing themselves for the public good.”
-
-“A member of Parliament is the noblest work of God. Don't, mother.
-Please leave us our illusions.”
-
-“What are they?” asked Morland.
-
-“One is that there are a few decently selfish people left in an age of
-altruists,” said Norma.
-
-She talked for the sake of talking, careless of the stupid poverty of
-her epigram. Morland, as the healthy country gentleman alternating
-with the commonplace man about town, was a passable type enough, though
-failing to excite exuberant admiration. But Morland, with his narrow
-range of sympathies and pathetic ignorance of the thought of the day,
-posing solemnly as a trustee of the British Empire, aroused a scorn
-which she dare not express in words.
-
-“I don't know that we are all altruists,” replied Morland,
-good-temperedly. “If we are good little members of Parliament, we may
-be rewarded with baronetcies and things. But one has to play the game
-thoroughly. It's worth it, is n't it, even from your point of view,
-Norma?”
-
-“You're just the class of man the government does best in rewarding,”
- remarked Mrs. Hardacre, with her wintry smile that was meant to be
-conciliatory. “A man of birth and position upholds the dignity of a
-title and is a credit to his party.”
-
-Morland laughingly observed that it was early in the day to be thinking
-of parliamentary honours. He had not even made his maiden speech. As
-Norma remained silent, the conversation languished. Presently Mrs.
-Hardacre rose.
-
-“I have no doubt you two want to have a talk together. Won't you stay
-and dine with us, Morland?”
-
-He glanced at Norma, but failing to read an endorsement of the
-invitation in her face, made an excuse for declining.
-
-“Then I will say good-bye and leave you. I would n't stand any nonsense
-if I were you,” she added in a whisper through the door which he held
-open for her.
-
-He sauntered up to the fireplace and stood on the hearth-rug, his hands
-in his pockets. Norma, looking at him from her easy-chair, wondered at
-a certain ignobility that she detected for the first time beneath his
-bluff, prosperous air. In spite of birth and breeding he looked common.
-
-“Well?” he said. “We had better have it out at once. What is it to be? I
-must have an answer sooner or later.”
-
-“Can't it be later?”
-
-“If you insist upon it. I'm not going to hold a pistol to your head,
-my dear girl. Only you must admit that I've treated you with every
-consideration. I have n't worried you. You took it into your head to put
-off our marriage. I felt you had your reasons and I raised no objection.
-But we can't go on like this forever, you know.”
-
-“Why not?” asked Norma.
-
-“Human nature. I am in love with you, and want to marry you.”
-
-“But supposing I am not in love with you, Morland. I've never pretended
-to be, have I?”
-
-“We need n't go over old ground. I accepted all that at the beginning.
-The present state of affairs is that we are engaged; when are we going
-to be married?”
-
-“Oh, I don't know,” said Norma, desperately. “I have n't thought of it
-seriously. I know I have behaved like a beast to you--you must forgive
-me. At times it has seemed as though I was not the right sort to marry
-and bring children into the world. I should loathe it!”
-
-“Oh, I don't think so,” said Morland, in a tone he meant to be soothing.
-“Besides--”
-
-“I know what you are going to say--or at any rate what you would like
-to say. It's scarcely decent to talk of such things. But I have n't been
-brought up in a nunnery. I wish to God I had been. At all events, I am
-frank. I would loathe it--all that side of it. Could n't we suppress
-that side? Oh, yes, I am going to speak of it--it has been on my mind
-for months,” she burst out, as Morland made a quick step towards her.
-
-He did not allow her to continue. With his hand on the arm of her chair,
-he bent down over her.
-
-“You are talking wild nonsense,” he said; and she flushed red and did
-not meet his eyes. “When a man marries, he marries in the proper sense
-of the term, unless he is an outrageous imbecile. There is to be no
-question of that sort of thing. I thought you knew your world better.
-I want you--you yourself. Don't you understand that?”
-
-Norma put out her hand to push him away. He seized it in his. She
-snatched it from him.
-
-“Let me get up,” she said, waving him off. She brushed past him, as she
-rose.
-
-“We can't go on talking. What I've said has made it impossible. Let us
-change the subject. How long are you going to stay in town?”
-
-“I'm not going to change the subject,” said Morland, rather brutally.
-“I'm far too much interested in it. Hang it all, Norma, you do owe me
-something.”
-
-“What do I owe you? What?” she asked with a sudden flash in her eyes.
-
-“You are a woman of common-sense. I leave you to guess. You admit you
-have n't treated me properly. You have nothing to complain of as far as
-I am concerned. Now, have you?”
-
-“How do I know? No. I suppose not, as things go. Once I did try to--to
-feel more like other women--and to make some amends. I told you that
-perhaps we were making a mistake in excluding sentiment. If you had
-chosen, you could have--I don't know--made me care for you, perhaps.
-But you didn't choose. You treated me as if I were a fool. Very likely I
-was.”
-
-“When was that?” asked Morland, with a touch of sarcasm. “I certainly
-don't remember.”
-
-“It was the last night we had any talk together--in the billiard-room.
-The night before--before the garden-party.” He turned away with an
-involuntary exclamation of anger. He remembered now, tragic events
-having put the incident out of his mind. He was caught in a trap.
-
-“I did n't think you meant it,” he said, hurrying to the base excuse.
-“Women sometimes consider it their duty to say such things--to act a
-little comedy, out of kindness. Some fellows expect it. I thought it
-would be more decent to let you see that I did n't.”
-
-There was a short silence. Norma stood in the centre of the room, biting
-her lip, her head moving slightly from side to side; she was seeking
-to formulate her thoughts in conventional terms. Her cheek grew a shade
-paler.
-
-“Listen,” she said at length. “I am anything bad you like to call me.
-But I'm not a woman who cajoles men. And I'm not a liar. I'm far too
-cynical to lie. Truth is much more deadly. I hate lying. That's the main
-reason why I broke with a man I cared for more than for any other man I
-have ever met--because he lied. You know whom I mean.”
-
-He faced her with a conscious effort. Even at this moment of strain and
-anger, Norma was struck again with the lurking air of ignobility on his
-face; but she only remembered it afterwards. He brazened it out.
-
-“Jimmie Padgate, I suppose.”
-
-“I can't forgive him for lying.”
-
-“I don't see how he lied. He faced the music, at any rate, like a man,”
- said Morland, compelled by a remnant of common decency to defend Jimmie.
-
-“All his pose beforehand was a lie--unless the disclosures afterwards
-were lies--”
-
-“What do you mean?” asked Morland, sharply.
-
-“Oh, never mind. We have not met to discuss the matter. I don't know why
-I referred to it.”
-
-She paused for a moment. She had begun her tirade at a white heat.
-Suddenly she had cooled down, and felt lassitude in mind and limbs. An
-effort brought her to a lame conclusion.
-
-“You accused me of acting a comedy. I was n't acting. I was perfectly
-sincere. I have been absolutely frank with you from the hour you
-proposed to me.”
-
-“Well, I'm sorry for having misunderstood you. I beg your pardon,” said
-Morland. They took up the conversation from the starting-point, but
-listlessly, dispiritedly. The reference to Jimmie had awakened the
-ever-living remorse in Morland's not entirely callous soul. The man did
-suffer, at times acutely. And now to act the conscious comedy in the
-face of Norma's expressed abhorrence was a difficult and tiring task.
-Unwittingly he grew gentler; and Norma, her anger spent, weakly yielded
-to the change of tone.
-
-“We have settled nothing, after all our talk,” he said at last, looking
-at his watch. “Don't you think we had better fix it up now? Society
-expects us to get married. What will people say? Come--what about
-Easter?”
-
-Norma passed her hand wearily over her eyes.
-
-“I oughtn't to marry you at all. I should loathe it, as I said. I should
-never get to care for you in that way. You see I am honest. Let us break
-off the engagement.”
-
-“Well, look here,” said Morland, not unkindly, “let us compromise. I'll
-come back in three days' time. You'll either say it's off altogether or
-we'll be married at Easter. Will that do?”
-
-“Very well,” said Norma.
-
-When Mrs. Hardacre came for news of the interview, Norma told her of the
-arrangement.
-
-“Which is it going to be?” she asked.
-
-Norma set her teeth. “I can't marry him,” she said.
-
-But the proud spirit of Norma Hardacre was broken. The three days'
-Inferno that Mrs. Hardacre created in the house drove the girl to
-desperation. Her father came to her one day with the tears running
-down his puffy cheeks. Unknown to her mother he had borrowed money from
-Morland, which he had lost on the Stock Exchange. Norma looked in her
-mirror, and found herself old, ugly, hag-ridden. Anything was preferable
-to the torture and degradation of her home. The next time that Morland
-called he stayed to dinner, and the wedding was definitely fixed for
-Easter.
-
-
-
-
-Chapter XIX--ABANA AND PHARPAR
-
-
-Do you know, Miss Hardacre, that I once had a wife?” said Theodore
-Weever, suddenly.
-
-It was after dinner at the Wolff-Salamons', who, it may be remembered,
-had lent their house to the Hardacres in the summer.
-
-“I was not aware of it,” said Norma, wondering at the irrelevance of the
-remark, for they had just been discussing the great painter's merciless
-portrait of their hostess, which simpered vulgarly at them from the
-wall. They were sitting on a sofa in a corner of the room.
-
-“Yes,” said Weever. “She died young. She came from a New England
-village, and played old-fashioned tunes on the piano, and believed in
-God.”
-
-Not a flicker passed over his smooth waxen face or a gleam of sentiment
-appeared in his pale steady eyes. Norma glanced round at the little
-assembly, mainly composed of fleshy company promoters, who, as far as
-decency allowed, continued among themselves the conversation that had
-circulated over the wine downstairs, and their women-kind, who adopted
-the slangy manners of smart society and talked “bridge” to such men as
-would listen to them. Then she glanced back at Weever.
-
-“I don't want any more wives of that sort,” he went on. “I've outgrown
-them. I have no use for them. They would wilt like a snow anemone in
-this kind of atmosphere.”
-
-“Is it your favourite atmosphere, then?” Norma asked, by way of saying
-something.
-
-“More or less. Perhaps I like it not quite so mephitic--You are racking
-your brains to know why I'm telling you about my wife. I'll explain. In
-a little churchyard in Connecticut is a coffin, and in that coffin is
-what a man who is going to ask a woman to marry him ought to give her. I
-could never give a quiet-eyed New England girl anything again. At my age
-she would bore me to death. But I could give the woman who is accustomed
-to hot-houses a perfectly regulated temperature.”
-
-Norma looked at the imperturbable face, half touched by his unsuspected
-humanity, half angered by his assurance.
-
-“Are you by any chance making me a formal demand in marriage?” she
-asked.
-
-“I am.”
-
-“And at last you have found some one who would meet your requirements
-for the decorative wife?”
-
-“I found her last summer in Scotland,” replied Weever, with a little
-bow. “My countrymen have a habit of finding quickly what they want. They
-generally get it. I could n't in this particular instance, as you were
-engaged to another man.”
-
-“I am still engaged,” said Norma.
-
-“I beg your pardon. I heard the engagement was broken off.”
-
-“Not at all. In fact only yesterday was it settled that we should be
-married at Easter.”
-
-“Having gone so far on a false assumption,” remarked Weever, placidly,
-“may I go without rudeness a step farther? I do not dream of asking you
-to throw over King--if my heart were not in Connecticut, I might--but
-I'll say this, if you will allow me, Miss Hardacre: I don't believe you
-will ever marry Morland King. I have a presentiment that you're going to
-marry me--chiefly because I've planned it, and my plans mostly come
-out straight. Anyway you are the only woman in the world I should ever
-marry, and if at any time there should be a chance for me, a word,
-a hint, a message through the telephone to buy you a pug dog--or
-anything--would bring me devotedly to your feet. Don't forget it.”
-
-It was impossible to be angry with a bloodless thing that spoke like
-a machine. It was also unnecessary to use the conventional terms of
-regretful gratitude in which maidens in their mercy wrap refusals.
-
-“I'll remember it with pleasure, if you like,” she said with a
-half-smile. “But tell me why you don't think I shall marry Mr. King. I
-don't believe in your presentiments.”
-
-She caught his eye, and they remained for some seconds looking hard at
-each other. She saw that he had his well-defined reasons.
-
-“You can tell me exactly what is in your mind,” she said slowly; “you
-and I seem to understand each other.”
-
-“If you understand me, what is the use of compromising speech, my dear
-lady?”
-
-“You don't believe in Morland?”
-
-“As a statesman I can't say that I do,” replied Weever, with the
-puckering of the faint lines round his eyes that passed for a smile.
-“That is what astonishes me in your English political life--the little
-one need talk and the little one need do. In America the politician is
-the orator. He must move in an atmosphere of words half a mile thick.
-Wherever he goes he must scream himself hoarse. But here--”
-
-Norma touched his arm with her fan.
-
-“We were not discussing American and English institutions,” she
-interrupted, “but matters which interest me a little more. You don't
-believe in Morland as a man? I want to know, as they are supposed to say
-in your country. I disregard your hint, as you may perceive. I am also
-indelicate in pressing you to speak unfavourably of the man I'm engaged
-to. Of course, having made me an offer, you would regard it as caddish
-to say anything against him. But supposing I absolve you from anything
-of the kind by putting you on a peculiar plane of friendship?”
-
-“Then I should say I was honoured above all mortals,” replied Weever,
-inscrutably, “and ask you to tell me as a friend what has become of the
-artist--the man who got shot--Padgate.”
-
-The unexpected allusion was a shock. It brought back a hateful scene. It
-awoke a multitude of feelings. Its relevance was a startling puzzle. She
-strove by hardening her eyes not to betray herself.
-
-“I've quite lost sight of him,” she answered in a matter of-fact tone.
-“His little adventure was n't a pleasant one.”
-
-“I don't believe he had any little adventure at all,” said Weever,
-coolly.
-
-“What do you mean?” Norma started, and the colour came into her face.
-
-“That of all the idiots let loose in a cynical, unimaginative world,
-Padgate is the greatest I have yet struck. If I were a hundredth part
-such an idiot, I should be a better and a happier man. It's getting
-late. I'm afraid I must be moving.”
-
-He rose, and Norma rose with him.
-
-“I wish you would n't speak in riddles. Can't you tell me plainly what
-you mean?”
-
-“No, I can't,” he said abruptly. “I have said quite enough. Good-night.
-And remember,” he added, shaking hands with her, “remember what I told
-you about myself.”
-
-Only after he had gone did it flash upon her that she had not put to
-him the vital question--what had Padgate to do with his disbelief
-in Morland? As is the way with people pondering over conundrums, the
-ridiculously simple solution did not occur to her. She spent many days
-in profitless speculation. Weever prophesied that the marriage would not
-take place. When pressed for a reason, he brought in the name of Jimmie
-Padgate. Obviously the latter was to stand between Morland and herself.
-But in what capacity? As a lover? Had Weever rightly interpreted her
-insane act on the day of the garden-party, and assumed that she was
-still in love with the detested creature? The thought made her grow hot
-and cold from head to foot. Why was he an idiot? Because he did not
-take advantage of her public confession? or was it because he stood
-in Weever's eyes as a wronged and heroic man? This in the depths of her
-heart she had been yearning for months to believe. Connie Deering almost
-believed it. About the facts once so brutally plain, so vulgarly devoid
-of mystery, a mysterious cloud had gathered and was thickening with
-time. Reflection brought assurance that Theodore Weever regarded
-Jimmie as innocent; and if ever a man viewed human affairs in the dry,
-relentless light of reason, it was the inscrutable, bloodless American.
-
-His offer of marriage she put aside from her thoughts. Morland was the
-irrevocably accepted. It was February. Easter falling early, the wedding
-would take place in a little over a month. In a cold, dispassionate
-way, she interested herself in the usual preparations. Peace reigned
-in Devonshire Place. And yet Norma despised herself, feeling the
-degradation of the woman who sells her body.
-
-During the session she saw little of Morland. For this she thanked God,
-the duchess, and the electors of Cosford. The sense of freedom caused
-her to repent of her contemptuous attitude towards his political
-aspirations. To encourage and foster them would be to her very great
-advantage. She adopted this policy, much to the edification of Morland,
-who felt the strengthening of a common bond of interest. He regularly
-balloted for seats in the Ladies' Gallery, and condemned her to sit for
-hours behind the grating and listen to uninspiring debates. He came to
-her with the gossip of the lobbies. He made plans for their future life
-together. They would make politics a feature of their house. It would be
-a rallying-place for the new Tory wing, in which Morland after a dinner
-at the Carlton Club when his health was proposed in flattering terms,
-had found himself enlisted. Norma was to bring back the glories of the
-_salon_.
-
-“When it gets too thick,” he said once laughingly, ashamed of these
-wanderings into the ideal, “we can go off into the country and shoot and
-have some decent people down and amuse ourselves rationally.”
-
-Yet, in spite of absorbing political toys, his complete subjugation of
-Norma, and the smiling aspect of life, a sense of utter wretchedness
-weighed upon the soul of this half-developed man. He could not shake it
-off. It haunted him as he sat stolid and stupefied in his place below
-the gangway. It dulled all sensation of pleasure when he kissed the
-lips which Norma, resigned now to everything, surrendered to him at his
-pleasure. It took the sparkle out of his champagne, the joy out of his
-life. Now that he had asserted himself as the victorious male who had
-won the female that he coveted, the sense of wrong inflicted on him grew
-less and the consciousness of his own shame grew greater. In his shallow
-way he had loved Jimmie dearly. He also had the well-bred Englishman's
-conventional sense of honour. Accusing conscience wrote him down an
-unutterable knave.
-
-One day in March, as he was proceeding citywards to see his solicitors
-on some question relating to marriage settlements, his carriage was
-blocked for some minutes in Oxford Street. Looking idly out of the near
-side window, he saw a familiar figure emerge from a doorway in a narrow
-passage come down to the pavement, and stand for a few moments in
-anxious thought, jostled by the passers-by. He looked thin and ill and
-worried. The lines by the sides of his drooping moustache had deepened.
-Jimmie, never spruce in his attire, now seemed outrageously shabby.
-Certain men who dress well are quick, like women, to notice these
-things. Morland's keen glance took in the discoloured brown boots and
-the frayed hem of trousers, the weather stains on the old tweed suit,
-the greasiness of the red tie, the irregular mark of perspiration on the
-band of the old Homburg hat. An impulse to spring out of the carriage
-and greet him was struggling with sheer shame, when Jimmie suddenly
-threw up his head--an old trick of his whose familiarity brought a pang
-to the man watching him--and crossed the road, disappearing among the
-traffic behind the brougham. Morland gazed meditatively at the little
-passage. Suddenly he was aware of the three brass balls and the name of
-Attenborough. In a moment he was on the pavement and, after a hurried
-word to his coachman, in pursuit of Jimmie. But the traffic had
-swallowed Jimmie up. It was impossible to track him. Morland returned to
-his brougham and drove on.
-
-There was only one explanation of what he had seen. Jimmie was reduced
-to poverty, to pawning his belongings in order to live. The scandal had
-killed the sale of his pictures. No more ladies would sit to him for
-their portraits. No more dealers would purchase works on the strength
-of his name. Jimmie was ill, poor, down at heel, and it was all his,
-Morland's, fault, his very grievous fault. In a dim, futile way he
-wished he were a Roman Catholic, so that he could go to a priest,
-confess, and receive absolution. The idea of confession obsessed him
-in this chastened mood. By lunch-time he had resolved to tell Norma
-everything and abide by her verdict. At any rate, if he married her, he
-would not do so under false pretences. He would feel happier with
-the load of lies off his mind. At half-past four he left the House of
-Commons to transact its business without him as best it could, and drove
-to Devonshire Place. As he neared the door, his courage began to fail.
-He remembered Norma's passionate outburst against lying, and shrank from
-the withering words that she might speak. The situation, however, had to
-be faced.
-
-The maid who opened the front door informed him that Norma was out, but
-that Mrs. Hardacre was at home. He was shown upstairs into the empty
-drawing-room, and while he waited there, a solution of his difficulty
-occurred to him. He caught at it eagerly, as he had caught at
-compromises and palliatives all his life. For he was a man of half-sins,
-half-virtues, half-loves, and half-repentances. His spiritual attitude
-was that of Naaman.
-
-Mrs. Hardacre greeted him with smiles of welcome, and regrets at Norma's
-absence. If only he had sent a message, Norma would have given up her
-unimportant engagement. She would be greatly disappointed. The House
-took up so much of his time, and Norma prized the brief snatches she
-could obtain of his company. All of which, though obviously insincere,
-none the less flattered Morland's vanity.
-
-“Perhaps it is as well that Norma is away,” said he, “for I want to have
-a little talk with you. Can you give me five minutes?”
-
-“Fifty, my dear Morland,” replied Mrs. Hardacre, graciously. “Will you
-have some tea?”
-
-He declined. It was too serious a matter for the accompaniment of
-clattering teaspoons. Mrs. Hardacre sat in an armchair with her back
-to the light--the curtains had not yet been drawn--and Morland sat near
-her, looking at the fire.
-
-“I have something on my mind,” he began. “You, as Norma's mother, ought
-to know. It's about my friend Jimmie Padgate.”
-
-Mrs. Hardacre put out a lean hand.
-
-“I would rather not hear it. I'm not uncharitable, but I wish none of us
-had ever set eyes on the man. He came near ruining us all.”
-
-“He seems to have ruined himself. He's ill, poor, in dreadful low water.
-I caught a sight of him this morning. The poor old chap was almost in
-rags.”
-
-“It's very unpleasant for Mr. Padgate, but it fails to strike me as
-pathetic. He has only got his deserts.”
-
-“That's where the point lies,” said Morland. “He does n't deserve it. I
-do. I am the only person to blame in the whole infernal business.”
-
-“You?” cried Mrs. Hardacre, her grey eyes glittering with sudden
-interest. “What had you to do with it?”
-
-“Well, everything. Jimmie never set eyes on the girl in his life. He
-took all the blame to shield me. If he had n't done so, there would have
-been the devil to pay. That's how it stands.”
-
-Mrs. Hardacre gave a little gasp.
-
-“My dear Morland, you amaze me. You positively shock me. Really, don't
-you think in mentioning the matter to me there is some--indelicacy?”
-
-“You are a woman of the world,” said Morland, bluntly, “and you know
-that men don't lead the lives of monks just because they happen to be
-unmarried.”
-
-“Of course I know it,” said Mrs. Hardacre, composing herself to
-sweetness. “One knows many things of which it is hardly necessary or
-desirable to talk. Of course I think it shocking and disreputable of
-you. But it's all over and done with. If that was on your mind, wipe it
-off and let us say no more about it.”
-
-“I'm afraid you don't understand,” said Morland, rising and leaning
-against the mantel-piece. “What is done is done. Meanwhile another man
-is suffering for it, while I go about prospering.”
-
-“But surely that is a matter between Mr. Padgate and yourself. How can
-it possibly concern us?”
-
-As Morland had not looked at the case from that point of view, he
-silently inspected it with a puzzled brow.
-
-“I can't help feeling a bit of a brute, you know,” he said at length.
-“I meant at first to let him off--to make a clean breast of it--but it
-wasn't feasible. You know how difficult these things are when they get
-put off. Then, of course, I thought I could make it up to Jimmie in
-other ways.”
-
-“Why, so you can,” said Mrs. Hardacre, with the elaborate pretence of
-a little yawn, as if the subject had ceased to interest her. “You could
-afford it.”
-
-“Money is no good. He won't touch a penny. I have offered.”
-
-“Then, my dear Morland, you have done your best. If a man is idiot
-enough to saddle himself with other people's responsibilities and
-refuses to be helped when he breaks down under them, you must let him go
-his own way. Really I haven't got any sympathy for him.”
-
-Morland, having warmed himself sufficiently and feeling curiously
-comforted by Mrs. Hardacre's wise words, sat down again near her and
-leant forward with his arms on his knees.
-
-“Do you think Norma would take the same view?” he asked. After all, in
-spite of certain eccentricities inseparable from an unbalanced sex, she
-had as much fundamental common-sense as her mother. The latter looked at
-him sharply.
-
-“What has Norma got to do with it?”
-
-“I was wondering whether I ought to tell her,” said he.
-
-Mrs. Hardacre started bolt upright in her chair. This time her interest
-was genuine. Nothing but her long training in a world of petty strife
-kept the sudden fright out of her eyes and voice.
-
-“Tell Norma? Whatever for?”
-
-“I thought it would be more decent,” said Morland, rather feebly.
-
-“It would be sheer lunacy!” cried the lady, appalled at the certain
-catastrophe that such a proceeding would cause. Did not the demented
-creature see that the whole affair was in unstable equilibrium? A touch,
-let alone a shock like this, would bring it toppling down, never to
-be set up again by any prayers, remonstrances, ravings, curses,
-thumbscrews, or racks the ingenuity of an outraged mother could devise.
-
-“It would be utter imbecility,” she continued. “My dear man, don't you
-think one mad Don Quixote in a romance is enough? What on earth would
-you, Norma, or any one else gain by telling her? She is as happy
-as possible now, buying her trousseau and making all the wedding
-arrangements. Why spoil her happiness? I think it exceedingly
-inconsiderate of you--not to say selfish--I do really.”
-
-“Hardly that. It was an idea of doing penance,” said Morland.
-
-“If that is all,” said Mrs. Hardacre, relaxing into a bantering tone, as
-she joyfully noted the lack of conviction in his manner, “I'll make you
-a hair shirt, and I'll promise it shall be scratchy--untanned pigskin
-with the bristles on, if you like. Be as uncomfortable, my dear
-Morland, as ever you choose--wear a frock-coat with a bowler hat or dine
-_tête-à-tête_ with Mr. Hardacre, but do leave other folks to pass their
-lives in peace and quiet.”
-
-Morland threw himself back and laughed, and Mrs. Hardacre knew she had
-won what she paradoxically called a moral victory. They discussed the
-question for a few moments longer, and then Morland rose to take his
-leave.
-
-“It's awfully good of you to look at things in this broadminded way,”
- he said, with the air of a man whom an indulgent lady has pardoned for a
-small peccadillo. “Awfully good of you.”
-
-“There is no other sane way of looking at them,” replied Mrs. Hardacre.
-“Won't you wait and see Norma?”
-
-“I must get back to the House,” replied Morland, consulting his watch.
-“There may be a division before the dinner-hour.”
-
-He smoked a great cigar on his way to Westminster, and enjoyed it
-thoroughly. Mrs. Hardacre was quite right. He had done his best. If
-Jimmie was too high and mighty to accept the only compensation possible,
-he was not to blame. The matter was over and done with. It would be
-idiotic to tell Norma.
-
-Meanwhile, having made confession and received absolution, he felt
-spiritually refreshed.
-
-
-
-
-Chapter XX--ALINE PREPARES FOR BATTLE
-
-THE look of illness that Morland had noticed upon Jimmie's face was due
-to the fact that he had been ill. Italian townlets nestling on hillsides
-are picturesque, but they are not always healthy. A touch of fever had
-laid him on his back for a week, and caused the local doctor to order
-him to England. He had arrived in a limp condition, much to the anxiety
-of Aline, who had expected to see the roses return to his cheek as soon
-as their slender baggage had passed the custom-house. He was shabbily
-dressed because he had fallen on evil times, and had no money to waste
-on personal vanities. The four guineas which Aline had put aside out of
-their limited resources to buy him a new suit he had meanly abstracted
-from the housekeeping drawer, and had devoted, with the surreptitious
-help of the servant, to purchasing necessary articles of attire for
-Aline. He was looking worried because he had forgotten in which of the
-cheap Oxford Street restaurants he had promised to meet that young lady.
-When he remembered, the cloud passed from his face and he darted across
-the road behind Morland's brougham. He found Aline seated primly at
-a little marble table on which were a glass of milk and a lump of
-amorphous pastry for herself, and a plate of cold beef and a small
-bottle of Bass for Jimmie. It was too early for the regular crowd of
-lunchers--only half-past twelve--and the slim, erect little figure
-looked oddly alone in the almost empty restaurant.
-
-Jimmie nodded in a general, kindly way at the idle waitresses about the
-buffet, and marched down the room with a quick step, his eyes beaming.
-He sat down with some clatter opposite Aline, and took two cheques, a
-bank-note and a handful of gold and silver from his pocket, and dumped
-them noisily on the table.
-
-“There, my child. Seven pounds ten. Twenty-five guineas. Five pounds.
-And eight pounds three-and-six-pence. Exit wolf at the door, howling,
-with his tail between his legs.”
-
-Aline looked at the wealth with knitted brow.
-
-“Can I take this?” she asked, lifting up the five-pound note.
-
-Jimmie pushed the pile towards her. “Take it all, my dear. What on earth
-should I do with it? Besides, it's all your doing.”
-
-“Because I made you go and dun those horrid dealers? And even now Hyam
-has only given you half. It was fifty guineas--Oh, Jimmie! Do you mean
-to say you forgot? Now, what did you tell him? Did you produce the
-agreement?”
-
-Jimmie looked at her ruefully.
-
-“I'm afraid I forgot the wretched agreement. I went in and twirled my
-moustache fiercely, and said 'Mr. Hyam, I want my money.'”
-
-Aline laughed. “And you took him by the throat. I know. Oh, you foolish
-person!”
-
-“Well, he asked me if twenty-five would be enough--and it's a lot of
-money, you know, dear--and I thought if I did n't say 'yes,' he would
-n't give me anything. In business affairs one has to be diplomatic.”
-
-“I'll have to take Hyam in hand myself,” said Aline, decisively. “Well,
-he'll have to pay up some day. Then there's Blathwayt & Co.,--and
-Tilney--that's quite right--but where did you get all that gold from,
-Jimmie?”
-
-“Oh, that was somebody else,” he said vaguely. Then turning to the
-waitress, who had sauntered up to open the bottle of Bass, he pointed at
-Aline's lunch.
-
-“Do you mind taking away that eccentric pie-thing and bringing the most
-nutritious dish you have in the establishment?”
-
-“But, Jimmie, this is a Bath bun. It's delicious,” protested Aline.
-
-“My dear child, growing girls cannot be fed like bears on buns. Ah,
-here,” he said to the waitress who showed him the little wooden-handled
-frame containing the tariff, “bring this young lady some galantine of
-chicken.”
-
-Aline, who in her secret heart loved the “eccentric pie-thing” beyond
-all other dainties, and trembled at the stupendous charge, possibly
-ninepence or a shilling, that would be made for the galantine, yielded,
-after the manner of women, because she knew it would please Jimmie. But
-accustomed to his diplomatic methods, she felt that a red herring--or a
-galantine--had been drawn across the track.
-
-“Who was the somebody else?” she asked.
-
-He nodded and drank a draught of beer and wiped the froth from his
-moustache. Something unusual in his personal appearance suddenly caught
-her attention. His watch-chain was dangling loose from the buttonhole of
-his waistcoat.
-
-“Your watch!” she gasped.
-
-Dissimulation being vain, Jimmie confessed.
-
-“You told me this morning, my dear, that if we didn't get fifty pounds
-to-day we were ruined. You spoke alarmingly of the workhouse. My debt
-collecting amounted to thirty-eight pounds fifteen. I tried hard to work
-the obdurate bosom up to eleven pounds five, but he would only give me
-eight.”
-
-“You don't mean to say you have sold your beautiful gold watch for eight
-pounds?” cried the girl, turning as pale as the milk in front of her.
-
-It had been a present from a wealthy stockbroker who had been delighted
-with his portrait painted by Jimmie a couple of years ago, and it was
-thick and heavy and the pride of Aline's existence. It invested Jimmie
-with an air of solidity, worldly substantiality; and it was the only
-timekeeper they had ever had in the house which properly executed its
-functions. Now he had sold it! Was there ever so exasperating a man?
-He was worse than Moses with his green spectacles. But Jimmie reassured
-her. He had only pawned the watch at Attenborough's over the way.
-
-“Then give me the ticket, do, or you'll lose it, Jimmie.”
-
-He meekly obeyed. Aline began her galantine with a sigh of relief, and
-condescended to laugh at Jimmie's account of his exploits. But when the
-meal was ended, she insisted on redeeming the precious watch, and much
-happier in knowing it safe in his pocket, she carried him off to a
-ready-made tailor's, where she ordered him a beautiful thin overcoat for
-thirty shillings, a neat blue serge suit for three pounds ten, handing
-over in payment the five-pound note she had abstracted from his
-gleanings, and a new hat, for which she paid from a mysterious
-private store of her own. These matters having been arranged to her
-satisfaction, she made up for her hectoring ways by nestling against him
-on top of the homeward-bound omnibus and telling him what a delightful,
-lovely morning they had spent.
-
-Thus it will be seen that Jimmie, aided by Aline's stout little heart,
-was battling more than usual against adversity. Aline had many schemes.
-Why should she not obtain some lucrative employment? Jimmie made a wry
-face at the phrase and protested vehemently against the suggestion.
-A hulking varlet like him to let her wear her fingers to the bone by
-addressing envelopes at twopence a million? He would sooner return to
-the five-shillings-a-dozen oil paintings; he would go round the streets
-at dawn and play “ghost” to pavement artists; he would take in washing!
-The idea of the street-pictures caught his fancy. He expatiated upon its
-advantages. Five pitches, say at two shillings a pitch, that would be
-ten shillings a day--three pounds a week. A most business-like plan, to
-say nothing of the education in art it would be to the public! He had
-his own fantastical way of dealing with the petty cares of life. As for
-Aline working, he would not hear of it. Though they lived now from hand
-to mouth, they were always fed. He had faith in the ravens.
-
-But all the fantasy and the faith could not subdue Aline's passionate
-rebellion against Jimmie's ostracism. She was very young, very feminine;
-she had not his wide outlook, his generous sympathies, his disdain of
-trivial, ignoble things, his independence of soul. The world was arrayed
-against Jimmie. Society was persecuting him with monstrous injustice.
-She hated his oppressors, longed fiercely for an opportunity of
-vindicating his honour. It was sometimes more than she could bear--to
-think of his straitened means, the absence of sitters, the lowered
-prices he obtained, the hours of unremitting toil he spent at his easel
-and drawing-table. During their travels she had not realised what the
-scandal would mean to him professionally. Now her heart rose in hot
-revolt and thirsted for battle in Jimmie's cause.
-
-Her heart had never been hotter than one morning when, the gem of his
-finished Italian studies having been rejected by the committee of
-a minor exhibition, she went down to the studio to give vent to her
-indignation. At breakfast Jimmie had laughed and kissed her and told
-her not to drop tears into his coffee. He would send the picture to
-the Academy, where it would be hung on the line and make him famous.
-He refused to be downhearted and talked buoyantly of other things.
-But Aline felt that it was only for her sake that he hid his bitter
-disappointment, and an hour later she could bear the strain of silence
-no longer.
-
-The door of the studio was open. The girl's footstep was soft, and, not
-hearing it, he did not turn as she entered. For a few seconds she stood
-watching him; feeling shy, embarrassed, an intruder upon unexpected
-sacred things. Jimmie's mind was far away from minor exhibitions. He was
-sitting on his painting-stool, chin in hand, looking at a picture on
-the easel. On his face was unutterable pain, in his eyes an agony of
-longing. Aline caught her breath, frightened at the revelation. The eyes
-of the painted Norma smiled steadfastly into his. The horrible irony
-of it smote the girl. Another catch at the breath became a choking sob.
-Jimmie started, and as if a magic hand had passed across his features,
-the pain vanished, and Aline saw the homely face again with its look
-of wistful kindness. Overwrought, she broke into a passion of weeping.
-Jimmie put his arms about her and soothed her. What did the rejection of
-a picture matter? It was part of the game of painting. She must be his
-own brave little girl and smile at the rubs of fortune. But Aline
-shook the head buried on his shoulder, and stretched out a hand blindly
-towards the portrait. “It's that. I can't bear it.”
-
-An impossible thought shot through him. He drew away from her and caught
-her wrists somewhat roughly, and tried to look at her; but she bowed her
-head.
-
-“What do you mean, my child?” he asked curtly, with bent brows.
-
-Women are lightning-witted in their interpretation of such questions.
-The blood flooded her face, and her tears dried suddenly and she met
-his glance straight.
-
-“Do you think I'm jealous? Do you suppose I have n't known? I can't bear
-you to suffer. I can't bear her not to believe in you. I can't bear her
-not to love you.”
-
-Jimmie let go her wrists and stood before her full of grateful
-tenderness, quite at a loss for words. He looked whimsically at the
-flushed, defiant little face; he shook her by the shoulder and turned
-away.
-
-“My valiant tin soldier,” he said.
-
-It was an old name for her, dating from nursery days, when they thought
-and talked according to the gospel of Hans Christian Andersen.
-
-No more passed between them. But thenceforward Jimmie put the finishing
-touches to the portrait openly, Instead of painting at it when he knew
-he should be undisturbed. The wedding was drawing near. The date had
-been announced in the papers, and Jimmie had put a cross against it in
-his diary. If only Norma would accept the portrait as a wedding-present,
-he would feel happier. But how to approach her he did not know. In her
-pure eyes, he was well aware, he must appear the basest of men, and
-things proceeding from him would bear a taint of the unspeakable. Yet he
-hungered for her acceptance. It was the most perfect picture he had
-painted or could ever paint. The divinest part of him had gone to the
-making of it. It held in its passionate simplicity the man's soul, as
-the Monna Lisa in its mysterious complexity holds Leonardo's. Of
-material symbols of things spiritual he could not give her more. But how
-to give?
-
-Connie Deering settled the question by coming to the studio one morning,
-a bewildering vision of millinery and smiles and kindness.
-
-“You have persistently refused, you wicked bear, to come and see me
-since my return to London, so I have no choice but to walk into your
-den. If it had n't been for Aline, beyond an occasional 'Dear Connie, I
-am very well. The weather is unusually warm for the time of year. Yours
-sincerely, J. P.', I should n't know whether you were alive or dead. I
-hope you're ashamed of yourself.”
-
-This was the little lady's exordium, to which she tactfully gave Jimmie
-no time to reply. She stayed for an hour. The disastrous topic was
-avoided. But Jimmie felt that she forbore to judge him for his supposed
-offence, and learned to his great happiness that Norma had asked after
-his welfare, and would without doubt deign in her divine graciousness
-to accept the portrait. She looked thoughtfully at the picture for some
-time, and then laid a light touch on his arm.
-
-“How you must love her, Jimmie!” she said in a low voice. “I have n't
-forgotten.”
-
-“I wish you would,” he answered gravely. “I oughtn't to have said what
-I did. I don't remember what I did say. I lost my head and raved.
-Every man has his hour of madness, and that was mine--all through your
-witchery. And yet somehow it seemed as if I were pouring it all out to
-her.”
-
-Connie Deering perceptibly winced. Plucking up courage, she began:
-
-“I wish a man would--”
-
-“My dear Connie,” Jimmie interrupted kindly, “there are hundreds of men
-in London who are sighing themselves hoarse for you. But you are such a
-hard-hearted butterfly.”
-
-Her lips twitched. “Not so hard-hearted as you think, my good Jimmie,”
- she retorted.
-
-A moment later she was all inconsequence and jest. On parting he took
-both her white-gloved little hands.
-
-“You can't realise the joy it has been to me to see you, Connie,” he
-said. “It has been like a ray of sunlight through prison bars.”
-
-After a private talk with Aline she drove straight to Devonshire Place,
-and on the way dabbed her eyes with the inconsiderable bit of chiffon
-called a handkerchief which she carried in her gold chain purse. She saw
-Norma alone for a moment before lunch, and told her of her visit.
-
-“I don't care what he has done,” she declared desperately. “I am
-not going to let it make a difference any longer. He's the same dear
-creature I have known all my life, and I don't believe he has done
-anything at all. If there's a sinner in that horrible business, it is
-n't Jimmie!”
-
-Norma looked out of the window at the bleak March day.
-
-“That is what Theodore Weever said,” she answered tonelessly.
-
-“Then why don't you give Jimmie the benefit of the doubt?”
-
-“It is better that I should n't.”
-
-“Why, dear?”
-
-“You are a sweet little soul, Connie,” said Norma, her eyes still fixed
-on the grey sky. “But you may do more harm than good. I am better as I
-am. I have benumbed myself into a decent state of insensibility and I
-don't want to feel anything ever again as long as I live.”
-
-The door opened, and Mrs. Hardacre appeared on the threshold. Connie
-bent forward and whispered quickly into Norma's ear:
-
-“One would think you were afraid to believe in Jimmie.”
-
-She swung round, flushed, femininely excited at having seized the unfair
-moment for dealing a stab.
-
-“I hope I _have_ made her feel,” she thought, as she fluttered forward
-to greet Mrs. Hardacre.
-
-She succeeded perhaps beyond her hope. A sharp glance showed her Norma
-still staring out of window, but staring now with an odd look of fear
-and pain. Her kind heart repented.
-
-“Forgive me if I hurt you,” she said on their way downstairs to lunch.
-
-“What does it matter?” Norma answered by way of pardon.
-
-But the shrewd thrust mattered exceedingly. After Connie had gone, the
-wound ached, and Norma found that her boast of having benumbed herself
-was a vain word. In the night she lay awake, frightened at the reaction
-that was taking place. Theodore Weever had shaken her more than she had
-realised. Connie Deering proclaimed the same faith. She felt that she
-too would have to accept it--against argument, against reason, against
-fact. She would have to accept it wholly, implicitly; and she dreaded
-the act of faith. Her marriage with Morland was fixed for that day week,
-and she was agonisingly aware that she loved another man with all her
-heart.
-
-The next day she received a hurried note from Connie Deering:
-
-_“Do come in for half an hour for tea on Sunday. I have a beautiful
-wedding-present to show you which I hope you'll like, as great pains
-have been spent over it. And I want to have a last little chat with
-you.”_
-
-She promised unreflectingly, seeing no snare. But as she walked
-to Bryanston Square on Sunday afternoon, more of a presentiment, a
-foreboding of evil, than a suspicion fixed itself upon her mind, and she
-wished she had not agreed to come. She was shown into the drawing-room,
-and there, beside a gilt-framed picture over which a cloth was thrown,
-with her great brown eyes meeting her defiantly, stood Aline.
-
-
-
-
-Chapter XXI--THE MOTH MEETS THE STAR
-
-THUS had Aline, her heart hot for battle in Jimmie's cause, contrived
-with Connie Deering as subsidiary conspirator. She had lain awake most
-of the night, thinking of the approaching interview, composing speeches,
-elaborating arguments, defining her attitude. Her plan of campaign was
-based on the assumption of immediate hostilities. She had pictured
-a scornful lady moved to sudden anger at seeing herself trapped, and
-haughtily refusing to discuss overtures of peace. It was to be war
-from the first, until she had brought her adversary low; and when the
-door-handle rattled and the door opened to admit Norma, every nerve
-in her young body grew tense, and her heart beat like the clapper of a
-bell.
-
-Norma entered, looked for a moment in smiling surprise at Aline, came
-quickly forward, and moved by a sudden impulse, a yearning for love,
-sweetness, freshness, peace--she knew not what--she put her arms round
-the girl and kissed her.
-
-“My dear Aline, how sweet it is to see you again!”
-
-The poor little girl stood helpless. The bottom was knocked out of her
-half-childish plan of campaign. There was no scornful lady, no haughty
-words, no hostilities. She fell to crying. What else could she do?
-
-“There, there! Don't cry, dear,” said Norma soothingly, almost as
-helpless. Seating herself on a low chair and drawing Aline to her side,
-she looked up at the piteous face.
-
-“Why should you cry, dear?”
-
-“I did n't know you would be so good to me,” answered Aline, wiping her
-eyes.
-
-“Why should n't I be good to you? What reason could I have for not being
-glad to see you?”
-
-“I don't know,” said the girl, with a touch of bitterness. “Things are
-so different now.”
-
-Norma sighed for answer and thought of her premonition. She was aware
-that Connie had deliberately planned this interview, but could find
-no resentment in her heart. The reproach implied in Aline's words she
-accepted humbly. She was at once too spiritless for anger, and too much
-excited by the girl's presence for regret at having come. Her eye
-fell upon the picture leaning against the chair-back, and a conjecture
-swiftly passed through her mind.
-
-“Mrs. Deering asked me to come and look at a wedding-present,” she said
-with a smile.
-
-“Did she tell you from whom?” asked Aline, thrusting her handkerchief
-into her pocket. She had found her nerve again.
-
-“No.”
-
-“It's from Jimmie.”
-
-“Is it that over there?”
-
-Aline caught and misinterpreted an unsteadiness of voice. She threw
-herself on her knees by Norma's side.
-
-“You won't refuse it, Miss Hardacre. Oh, say you won't refuse it. Jimmie
-began it ever so long ago. He put everything into it. It would break
-his heart if you refused it--the heart of the best and beautifullest and
-tenderest and most wonderful man God ever made.”
-
-Norma touched with her gloved fingers a wisp of hair straying over the
-girl's forehead.
-
-“How do you know he is all that?”
-
-“How do I know? How do I know the sun shines and the rain falls? It's
-just so.”
-
-“You have faith, my child,” said Norma, oddly.
-
-“It isn't faith. It's knowledge. You all believe Jimmie has done
-something horrible. He has n't. I know he hasn't. He couldn't. He
-couldn't harm a living creature by word or deed. I know he never did it.
-If I had thought so for one moment, I should have loathed myself so that
-I would have gone out and killed myself. I know very little about it. I
-did n't read the newspapers--it's hideous--it's horrible--Jimmie would
-as soon think of torturing a child. It's not in his nature. He is all
-love and sweetness and chivalry. If you say he has taken the blame on
-himself for some great generous purpose--yes. That's Jimmie. That's
-Jimmie all over. It's cruel--it's monstrous for any one who knows him to
-think otherwise.”
-
-She had risen from her knees half-way through her passionate speech, and
-moved about in front of Norma, wringing her hands. She ended in a sob
-and turned away. Norma lay back in her chair, pale and agitated. The
-cynical worldling with his piercing vision into men and the pure,
-ignorant child had arrived at the same conclusion, not after months of
-thought, but instantly, intuitively. She could make the girl no answer.
-Aline began again.
-
-“He could n't. You know he could n't. It's something glorious and
-beautiful he has done and not anything shameful.”
-
-She went on, with little pauses, hurling her short, breathless
-sentences across the space that separated her from Norma, forgetful of
-everything save the wrong done to Jimmie. At last Norma rose and went to
-her.
-
-“Hush, dear!” she said. “There are some things I mustn't talk about.
-I daren't. You are too young to understand. Mr. Padgate has sent me a
-wedding-present. Tell him how gladly I accept it and how I shall value
-it. Let me see the picture.”
-
-Aline, her slight bosom still heaving with the after-storm of emotion,
-said nothing, but drew the cloth from the canvas. Norma started back
-in-surprise. She had not anticipated seeing her own portrait.
-
-“Oh, but it is beautiful!” she cried involuntarily.
-
-“Yes--more than beautiful,” said Aline, and mechanically she moved the
-chair into the full light of the window.
-
-Norma looked at the picture for a long time, stepped back and looked at
-herself in the mirror of the overmantel, and returned to the picture.
-And as she looked the soul behind the picture spoke to her. The message
-delivered, she glanced at Aline.
-
-“It is not I, that woman. I wish to God it were.” She put her hands
-up to her face, and took a step or two across the room, and repeated a
-little wildly, “I wish to God it were!”
-
-“It is very, very like you,” said Aline softly, recovering her girl's
-worship of the other's stately beauty.
-
-Norma caught her by the arm and pointed at the portrait.
-
-“Can't you see the difference?”
-
-But the soul behind the picture had not spoken to Aline. There was love
-hovering around the pictured woman's lips; happy tenderness and
-trust and promise mingled in her eyes; in so far as the shadow of a
-flower-like woman's passion could strain her features, so were her
-features strained. Yet she looked out of the canvas a proud, queenly
-woman, capable of heroisms and lofty sacrifice. She was one who
-loved deeply and demanded love in return. She was warm of the flesh,
-infinitely pure of the spirit. The face was the face of Norma, but the
-soul was that of the dream-woman who had come and sat in the sitter's
-chair and communed with Jimmie as he painted her. And Norma heard her
-voice. It was an indictment of her life, a judgment and a sentence.
-
-“I am glad you can't, dear,” she said to Aline, regaining her balance.
-“Tell him I shall prize it above all my wedding-gifts.”
-
-They talked quietly, for a while about Jimmie's affairs, the pilgrimage
-through southern France and northern Italy, his illness, his work. His
-poverty Aline was too proud to mention.
-
-“And you, my dear?” asked Norma, kindly.
-
-“I?”
-
-“What about yourself? You are not looking as happy as you were. My dear
-child,” she said, bending forward earnestly, “do you know that no one
-has ever come to me with their troubles in all my life--not once. I'm
-beginning to feel I should be happier if some one did. You have had
-yours---I have heard just a little. You see we all have them and we
-might help each other.”
-
-“You have no troubles, Miss Hardacre,” said Aline, touched. “You are
-going to be married in a week's time.”
-
-“And you?”
-
-“Never,” said Aline. “Never.”
-
-Suddenly she poured her disastrous little love-story into Norma's ears.
-It was a wonderful new comfort to the child, this tender magic of the
-womanly sympathy. Oh! she loved him, of course she loved him, and he
-loved her; that was the piteous part of it. If Miss Hardacre only knew
-what it was to have the heart-ache! It was dreadful. And there was no
-hope.
-
-“And is that all?” asked Norma, when she had lowered the curtain on her
-tragedy. “You are eating out your heart for him and won't see him just
-because he won't believe in Jimmie? Listen. I feel sure that he will
-soon believe in Jimmie. He must. And then you'll be entirely happy.”
-
-When the girl's grateful arms suddenly flung themselves about her, Norma
-was further on the road to happiness than she had ever travelled before.
-She yielded herself to the moment's exquisite charm. Behind her whirled
-a tumult of longing, shame, struggling faith, nameless suspicion. Before
-her loomed a shivering dread. The actual moment was an isle of enchanted
-peace.
-
-The clock on a table at the far end of the room chiming six brought
-her back to the workaday world. She must go home. Morland was coming to
-dinner; also one or two Cosford people, who had already arrived in town
-in view of the wedding. She would have to dress with some elaborateness.
-Her heart grew heavy and cold at the prospect of the dreary party. She
-rose, looked again at the picture in the fading light. Moved by the
-irresistible, she turned to Aline.
-
-“I should like to see him--to thank him--before---before Wednesday. Do
-you think he would come?”
-
-Aline blushed guiltily. “Jimmie is in the house now,” she said.
-
-“Downstairs?”
-
-“Yes.”
-
-For a moment irresolute, she looked vacantly into the girl's pleading
-eyes. An odd darkness encompassed her and she saw nothing. The
-announcement was a shock of crisis. Dimly she knew that she trod the
-brink of folly and peril. But she had been caught unawares, and she
-longed stupidly, achingly, for the sight of his face. The words of
-Aline, eager in defence of her beloved, seemed far away.
-
-“Of course he does n't know you are here. He was to call for me at a
-quarter to six, and I heard the front door open a little while ago. I
-brought the picture in a cab, and he is under the impression that Mrs.
-Deering will ask you to--will do what I have done. Jimmie is perfectly
-innocent, Miss Hardacre. He had not the remotest idea I was to meet
-you--not the remotest.”
-
-Norma recovered herself sufficiently to say with a faint smile:
-
-“So this has been a conspiracy between you and Connie Deering?”
-
-Aline caught consent in the tone, and ignored the question.
-
-“Shall I send him up to you?” she asked breathlessly.
-
-“Yes,” said Norma.
-
-There was a girl's glad cry, a girl's impulsive kiss, and Norma was left
-alone in the room. She had yielded. In a few moments he would be with
-her--the man who had said, “Her voice haunts me like music heard in
-sleep... I worship her like a Madonna... I love her as the man of hot
-blood loves a woman... My soul is a footstool for her to rest her feet
-upon,” and other flaming words of unforgettable passion; the man for
-whom one instant of her life had been elemental sex; the man whose love
-had transfigured her on canvas into the wonder among women that she
-might have been; the man standing in a slough of infamy, whose rising
-vapours wreathed themselves into a halo about his head. She clenched her
-hands and set her teeth, wrestling with herself.
-
-“My God! What kind of a fool am I becoming?” she breathed.
-
-Training, the habit of the mask, came to her aid. Jimmie, entering,
-saw only the royal lady who had looked kindly upon him in the golden
-September days. She came to meet him frankly, as one meets an old
-friend. A new vision revealed to her the heart that leapt into his eyes,
-as they rested upon her. Mistress of herself, she hardened her own, but
-smiled and spoke softly.
-
-“It is great good fortune you have come, so that I can thank you,” she
-said. “But how can I ever thank you--for that?”
-
-“It is a small gift enough,” said Jimmie. “Your acceptance is more than
-thanks.”
-
-“I shall prize it dearly. It is like nothing that can be bought. It is
-something out of yourself you are giving me.”
-
-“If you look at it in that light,” said he, “I am happy indeed.”
-
-With a common instinct they went up to the portrait and regarded it side
-by side. Conventional words passed. He enquired after Morland.
-
-“You have n't seen him for a long time?” she asked hesitatingly.
-
-“Not for a long time.”
-
-“You must have been very lonely.”
-
-“I have had Aline--and Connie Deering--and my work.”
-
-“Are they sufficient for you?”
-
-“Any human love a man gets he can make fill his life. It's like the
-grain of mustard-seed.”
-
-Norma felt a thrill of admiration. Not a tone in his voice betrayed
-complaint, reproach, or bitterness. Instead, he sounded the note of
-thanksgiving for the love bestowed upon him, of faith in the perfect
-ordering of the world. She glanced at him, and felt that she had wronged
-him. No matter what was the solution of the mystery, she knew him to be
-a sweet-souled man, wonderfully steadfast.
-
-“Your old way,” she replied with a smile, sitting down and motioning him
-to a chair beside her. “Do you remember that we first met in this very
-room? You have not changed. Have I?”
-
-“No,” he said gravely, “you were always beautiful, without and within.
-I told you that then, if you remember. Perhaps, now, you are a little
-truer to yourself.”
-
-“Do you think so?” she asked, somewhat bitterly.
-
-“Perhaps it is the approach of your great happiness,” blundered Jimmie,
-in perfect conviction. She was silent. “It has been more to me than I
-can say,” he went on, “to see you once again--as you are, before your
-marriage. I wish you many blessings--all that love can bring you.”
-
-“Do you think love is necessary for married happiness?”
-
-“Without it marriage must be a horror,” said Jimmie. For a moment she
-was on the brink of harsh laughter. Did he sincerely believe she was
-in love with Morland? She could have hurled the question at him. Will
-checked the rising hysteria and turned it into other channels.
-
-“Why have you never married? You must have loved somebody once.”
-
-It was a relief to hurt him. The dusk was gathering in the room, and she
-could scarcely see his face. A Sunday stillness filled the quiet square
-outside. The hour had its dangers.
-
-“My having loved a woman does not necessarily imply that I could have
-married her,” said Jimmie.
-
-The evasion irritated her mood, awoke a longing to make him speak. She
-drew her chair nearer, bent forward, so that the brim of her great hat
-almost brushed his forehead and the fragrance of her overspread him.
-
-“Do you remember a picture you would n't show me in your studio? You
-called it a mad painter's dream. You said it was the Ideal Woman.”
-
-“_You_ said so,” replied Jimmie.
-
-“I should like to see it.”
-
-“It is mine no longer to show you,” said Jimmie.
-
-“I think you must have loved that woman very deeply.” She was tempting
-him as she had tempted no man before, feeling a cruel, senseless joy in
-it. His voice vibrated.
-
-“Yes. I loved her infinitely.”
-
-“What was she like?”
-
-“Like all the splendid flowers of the earth melted into one rose,” said
-Jimmie.
-
-“I wish some one had ever said that about me,” she whispered.
-
-“Many must have thought it.”
-
-“She must be a happy woman to be loved by you.”
-
-“By me? Who am I that I could bring happiness to a woman? I have never
-told her.”
-
-“Why not?” she whispered. “Do you suppose you can love a woman without
-her knowing it?”
-
-“In what way can the star be cognisant of the moth's desire?” said
-Jimmie, going back to the refrain of his love.
-
-“You a moth and she a star! You are a man and she is but a trumpery bit
-of female flesh that on a word would throw herself into your arms.”
-
-“No,” said Jimmie, hoarsely. “No, you don't know what you are saying.”
-
-The temptation to goad him was irresistible.
-
-“We are all of us alike, all of us. Tell her.”
-
-“I dare n't.”
-
-“Tell me who she is.”
-
-She looked at him full, with meaning in her eyes, which glowed like deep
-moons in the dusk. He brought all his courage into his glance. He was
-the master. She turned away her head in confusion, reading his love, his
-strength, his loyalty. A lesser man loving her would have thrown honour
-to the winds. A curious reverence of him filled her. She felt a small
-thing beside him. All doubts vanished forever. Her faith in him was as
-crystal clear as Aline's.
-
-“I have no right to mention her name,” he said after a pause.
-
-Norma leaned back in her chair and passed her handkerchief across her
-lips.
-
-“Would you do anything in the world she asked you?” she murmured.
-
-“I would go through hell for her,” said Jimmie.
-
-There was another span of silence, tense and painful. Jimmie broke it by
-saying:
-
-“Why should you concern yourself about my fantastic affairs? They merely
-belong to dreamland--to the twilight and the stillness. They have no
-existence in the living world.”
-
-“If I thought so, should I be sitting in the twilight and the stillness
-listening to you?” she asked. “Or even if I did, may I not enter into
-dreamland too for a few little minutes before the gates are closed to
-me forever? Why should you want to shut me out of it? Do you think much
-love has come my way? Yours are the only lips I have ever heard speak of
-it.”
-
-“Morland loves you,” said Jimmie, tremulously.
-
-The door opened. The electric light was switched on, showing two pale,
-passion-drawn faces, and Connie Deering brought her sweet gaiety into
-the room.
-
-“If I had known you two were sitting in the dark like this, I should
-have come up earlier. Is n't it nice, Norma, to have Jimmie back again?”
-
-The spell was broken. Norma gave an anxious look at the clock and fled,
-after hurried farewells.
-
-The mistress of the house arched her pretty eyebrows as she returned to
-Jimmie.
-
-“_Eh bien?_”
-
-“Connie--” He cleared his throat. “You have kept my secret?”
-
-“Loyally,” she said. “Have you?”
-
-“I have done my best. God knows I have done my best.”
-
-He sat down, took up a book and began to turn the leaves idly. Connie
-knelt down before the fire and put on a fresh log. This done, she came
-to his side. He took her hand and looked up into her face.
-
-“I have n't thanked you, Connie. I do with all my heart.”
-
-She smiled at him with an odd wistfulness.
-
-“You once thanked me in a very pretty manner,” she said. “I think I
-deserve it again.”
-
-
-
-
-Chapter XXII--CATASTROPHE
-
-CONNIE DEERING was dining that Sunday evening with some friends at the
-Carlton, an engagement which had caused her to decline an invitation to
-the Hardacres'. The prospect, however, for once did not appeal to her
-pleasure-loving soul. She sighed as she stepped into her brougham, and
-wished as she drove along that she were sitting at home in the tea-gown
-and tranquillity harmonious with a subdued frame of mind. Problems
-worried her. What had passed between Norma and Jimmie? Ordinary delicacy
-had forbidden her questioning, and Jimmie had admitted her no further
-into his confidence. In that she was disappointed. When a sentimental
-woman asks for a kiss, she expects something more. She was also half
-ashamed of herself for asking him to kiss her. A waspish little voice
-within proclaimed that it was not so much for Jimmie's sake as for her
-own; that her lifelong fondness for Jimmie had unconsciously slid on
-to the rails that lead to absurdity. She drew her satin cloak tightly
-around her as if to suffocate the imp, and returned to her speculation.
-Something had happened--of that there was no doubt--something serious,
-agitating. It could be read on both their faces. Had she, who alone knew
-the hearts of each, done right in bringing them together? What had been
-her object? Even if a marriage between them had not been too ludicrous
-for contemplation, it would not have been fair towards her cousin
-Morland to encourage this intrigue. She vowed she had been a little fool
-to meddle with such gunpowdery matters. And yet she had acted in all
-innocence for Jimmie's sake. It was right for Norma to be friends with
-him again. It was monstrous he should suffer. If he could not marry the
-woman he loved, at least he could have the happiness of knowing himself
-no longer a blackened wretch in her eyes. But then, Norma had taken it
-into her head to love him too. Had she done right? Her thoughts
-flew round in a vicious circle of irritatingly small circumference,
-occasionally flying off on the tangent of the solicited kiss.
-
-The first person she met in the vestibule of the Carlton was Theodore
-Weever. They exchanged greetings, discovered they belonged to the same
-party. She had come across him frequently of late in the houses that
-Norma and herself had as common ground. In a general way she liked him;
-since Norma had told her of his view of the scandal, he had risen high
-in her estimation; but to-night he seemed to be a link in the drama that
-perplexed her, and she shrank from him, as from something uncanny. He
-sat next her at table. His first words were of Jimmie.
-
-“I was buying pictures yesterday from a friend of yours--Padgate.”
-
-In her pleasure Connie forgot her nervousness.
-
-“Why, he never told me.”
-
-“He could scarcely have had time unless he telephoned or telegraphed.”
-
-“He was at my house this afternoon,” she explained.
-
-He carefully peppered his oysters, then turned his imperturbable face
-towards her.
-
-“So was Miss Hardacre.”
-
-“How do you know that?” she cried, startled.
-
-“I was calling in Devonshire Place. Her mother told me. I am not
-necromantic.”
-
-His swift uniting of the two names perturbed her. She swallowed her
-oysters unreflectingly, thus missing one of her little pleasures in
-life, for she adored oysters.
-
-“Which pictures did you buy?” she asked.
-
-“The one I coveted was not for sale. It was a portrait of Miss Hardacre.
-I don't think he meant me to see it, but I came upon him unawares. Have
-you seen it?” They discussed the portrait for a while. Connie repeated
-her former question. Weever replied that he had bought the picture
-of the faun looking at the vision of things to come, and the rejected
-Italian study. Connie expressed her gladness. They contained Jimmie's
-best work.
-
-“Very fine,” Weever admitted, “but just failing in finish. Nothing like
-the portrait.”
-
-There was an interval. Connie exchanged remarks with old Colonel
-Pawley, her right-hand neighbour, who expatiated on the impossibility
-of consuming Bortsch soup with satisfaction outside Russia. The soup
-removed, Weever resumed the conversation.
-
-“Have you read your Lamartine thoroughly? I have. I was sentimental
-once. He says somewhere, _Aimer pour être aimé, c'est de l'homme; mais
-aimer pour aimer, c'est presque de l'ange_. I remember where it comes
-from. It was said of Cecco in 'Graziella.' Our friend Padgate reminds
-me of Cecco. Do you care much about your cousin Morland King, Mrs.
-Deering?”
-
-Connie, entirely disconcerted by his manner, looked at him beseechingly.
-
-“Why do you ask me that?”
-
-“Because he is one of the _dramatis persona_ in a pretty little comedy
-on which the curtain is not yet rung down.”
-
-She greatly dared. “Are you too in the caste?”
-
-Theodore Weever deliberately helped himself to fish before replying.
-Then with equal deliberation he stared into her flushed and puzzled
-face.
-
-“I hope so. A leading part, perhaps, if you are the clever and
-conscientious woman I take you to be.”
-
-“What part has my cousin Morland played?” she asked.
-
-“I must leave you the very simple task of guessing,” said Weever; and
-he took advantage of her consternation to converse with his left-hand
-neighbour.
-
-“I have painted a peculiarly successful fan, dear Mrs. Deering,” said
-Colonel Pawley, in his purring voice. “A wedding-present for our dear
-Miss Hardacre. I have never been so much pleased with anything before. I
-should like you to see it. When may I come and show it you?”
-
-“The wedding is fixed for two o'clock on Wednesday,” said Connie,
-answering like a woman in a dream. The bright room, the crowd of diners,
-the music, the voice of the old man by her side, all faded from her
-senses, eclipsed by the ghastly light that dawned upon her. Only one
-meaning could be attached to Weever's insinuations. A touch on the
-arm brought her back to her surroundings with a start. It was Colonel
-Pawley.
-
-“I hope there is nothing--” he began, in a tone of great concern.
-
-“No, nothing. Really nothing. Do forgive me,” she interrupted in
-confusion. “You were telling me something. Oh, I'm dreadfully sorry.”
-
-“It was about the fan,” said Colonel Pawley, sadly.
-
-“A fan?”
-
-“Yes, for dear Miss Hardacre--a wedding-present.”
-
-She listened to a repetition of the previous remarks and to a
-description of the painting, and this time replied coherently. She would
-be delighted to see both the fan and himself to-morrow morning. The kind
-old man launched into a prothalamion. The happy couple were a splendidly
-matched pair--Norma the perfect type of aristocratic English beauty;
-Morland a representative specimen of the British gentleman, the
-safeguard of the empire, a man, a thorough good fellow, incapable
-of dishonour, a landed proprietor. He had sketched out a little
-wedding-song which he would like to present with the fan. Might he show
-that, too, to Mrs. Deering?
-
-It was a dreadful dinner. On each side the distressing topic hemmed
-her in. In vain she tried to make her old friend talk of travel or
-gastronomy or the comforts of his club; perverse fate brought him always
-back to Norma's wedding. She was forced to listen, for to Weever she
-dared not address a remark. She longed for escape, for solitude wherein
-to envisage her dismay. No suspicion of Morland's complicity in the
-scandal had crossed her mind. Even now it seemed preposterous for a man
-of honour to have so acted towards his dearest and most loyal friend,
-to say nothing of the unhappy things that had gone before. Suddenly,
-towards the end of dinner, she revolted. She turned to Weever.
-
-“I don't believe a word of it.”
-
-“Of what, dear lady?”
-
-“Of what you have told me about Morland and Jimmie Padgate.”
-
-“I have told you nothing--absolutely nothing,” he replied in his
-expressionless way. “Please remember that. I don't go about libelling my
-acquaintances.”
-
-“I shall go and ask Morland straight,” she said with spirit.
-
-“_Au succès_,” said Weever.
-
-Dinner over, the little party went into the lounge. The screened
-light fell pleasantly on palms and pretty dresses, and made the place
-reposeful after the glare of the dining-room, whose red and white and
-gold still gleamed through the door above the steps. The red-coated band
-played a seductive, almost digestive air. A circle of comfortable chairs
-reserved by the host, invited the contented diner to languorous ease and
-restful gossip. It was the part of a Carlton dinner that Connie usually
-enjoyed the most. She still took her pleasures whole-heartedly, wherein
-lay much of her charm. The world, as Jimmie once told her, had not
-rubbed the dust off her wings. But to-night the sweet after-dinner hour
-was filled with fears and agitations, and while the party was settling
-down, she begged release from her host on the score of headache, and
-made her escape.
-
-She would carry out her threat to Weever. She would see Morland before
-she slept, and ask him to free her from this intolerable suspicion.
-She was a loyal, simple woman, for all her inconsequent ways and close
-experience of the insincerities of life; devoted to her friends, a
-champion of their causes; loving to believe the best, disturbed beyond
-due measure at being forced to believe the worst. Jimmie had most of her
-heart, more of it than she dared confess. But there were places in it
-both for Norma and for Morland. The latter was her cousin. She had known
-him all her life. To believe him to have played this sorry part in what
-it pleased Theodore Weever to call a pretty comedy was very real pain to
-the little lady. Her headache was no pretence. No spirit of curiosity or
-interference drove her to the Hardacres', where she knew she would find
-Morland; rather a desire to rid herself of a nightmare. Granted the
-possibility of baseness on Morland's part, all the dark places in
-the lamentable business became light. That was the maddening part of
-Weever's solution. And would it apply to the puzzle of the afternoon?
-Had Norma known? Had Jimmie told her? The pair had been agitated enough
-for anything to have happened. Theodore Weever, too, had calmly avowed
-himself an actor in the comedy. What part was he playing? She shivered
-at the conjecture. He looked like a pale mummy, she thought confusedly,
-holding in his dull eyes the inscrutable wisdom of the Sphinx.
-Meanwhile the horses were proceeding at a funereal pace. She pulled the
-checkstring and bade the coachman drive faster.
-
-The scene that met her eyes when the servant showed her into the
-Hardacres' drawing-room was unexpected. Instead of the ordinary
-after-dinner gathering, only Mr. and Mrs. Hardacre and Morland were
-in the room. The master of the house, very red, very puffy, sat in an
-armchair before the fire, tugging at his mean little red moustache. Mrs.
-Hardacre, her face haggard with anxiety, stood apart with Morland, whose
-heavy features wore an expression of worry, apology, and indignation
-curiously blended. On a clear space of carpet a couple of yards from
-the door lay some strings of large pearls. Connie looked from one to
-the other of the three people who had evidently been interrupted in the
-midst of an anxious discussion. Here, again, something had happened.
-
-Mrs. Hardacre shook hands with her mechanically. Mr. Hardacre apologised
-for not rising. That infernal gout again, he explained, pointing to the
-slashed slipper of a foot resting on a hassock. Norma had made it worse.
-He had been infernally upset.
-
-“Norma?” Connie turned and looked inquiringly at the other two.
-
-“Oh, an awful scene,” said Morland, gloomily. “I wish to heaven you had
-been here. You might have done something.”
-
-“Perhaps you might bring her to her senses now, though I doubt it. I
-think she has gone crazy,” said Mrs. Hardacre.
-
-“But what has occurred?”
-
-“She declares she won't marry me, that's all. There's my wedding-present
-on the floor. Tore it from her neck as she made her exit. I don't know
-what's going to happen!”
-
-“Where is she now?”
-
-“Up in her room smashing the rest of her wedding-presents, I suppose,”
- said Mrs. Hardacre.
-
-“Eh, what? Can't do that. All locked up downstairs in the library,” came
-from the chair by the fire.
-
-“Oh, don't make idiotic remarks, Benjamin,” snapped his wife, viciously.
-
-The air was electric with irritation. Connie, a peacemaker at heart,
-forgot her mission in the face of the new development of affairs, and
-spoke soothingly. Norma could not break off the engagement three days
-before the wedding. Such things were not done. She would come round. It
-was merely an attack of nerves. They refused to be comforted.
-
-“God knows what it is,” said Morland. “I thought things were perfectly
-square between us. She was n't cordial before dinner, I'll admit; but
-she let me put those beads round her neck. I asked her to wear them all
-the evening, as there were only the four of us.”
-
-“The Spencer-Temples sent an excuse this afternoon,” Mrs. Hardacre
-explained.
-
-“She agreed,” Morland continued. “She wore them through dinner. Then
-everything any one of us said seemed to get on her nerves. I talked
-about the House. She withered me up with sarcasm. We talked about the
-wedding. She begged us, for God's sake, to talk of something else. We
-tried, so as to pacify her. But of course it was hardly possible. I said
-I had met Lord Monzie yesterday--told me he and his wife were coming on
-Wednesday. She asked whether Ascherberg and the rest of Monzie's crew
-of money-lenders, harlots, and fools were coming too. I defended
-Monzie. He's a friend of mine and a very decent sort. She shrugged her
-shoulders. You know her way. Mrs. Hardacre changed the subject. After
-dinner I saw her alone for a bit in the drawing-room. She asked me to
-take back the pearls. Said they were throttling her. Had n't we
-better reconsider the whole matter? There was still time. That was the
-beginning of it. Mr. and Mrs. Hardacre came up. We did all we knew.
-Used every argument. People invited. Bishop to perform ceremony. Duchess
-actually coming. Society expected us. The scandal. Her infernally bad
-treatment of myself. No good. Whatever we said only made her worse.
-Ended up with a diatribe against society. She was sick of its lies and
-its rottenness. She was going to have no more of it. She would breathe
-fresh pure air.
-
-“The Lord knows what she did n't say. All of us came in for it. Said
-shocking things about her mother. Said I did n't love her, had never
-loved her. A loveless marriage was horrible. Of course I am in love with
-her. You all know that. I said so. She would n't listen. Went on with
-her harangue. We could n't stop her. She would n't marry me for all the
-bishops and duchesses in the world. At last I lost my temper and said it
-was my intention to marry her, and marry me she should. Don't you think
-I was quite right? She lost hers, I suppose, tore off the pearls, made
-a sort of peroration, declaring she would sooner die than commit the
-infamy of marrying me--and that's the end of it.”
-
-He threw out his hands in desperation and turned away. His account
-of events from his point of view was accurate. To him, as to Norma's
-parents, her final revolt appeared the arbitrary act of unreason. They
-still smarted resentfully under her lashes, incapable of realising the
-sins for which they were flagellated.
-
-If she had remained at home that afternoon and continued to practise
-insensibility, she would probably have followed the line of least
-resistance during the evening. Or, on the other hand, if she could
-have been alone, a night's fevered sleeplessness would have caused dull
-reaction in the morning. The cold contempt for things outside her, which
-had served for strength, was now gone, leaving a helpless woman to be
-swayed by passion or led spiritless by convention. The heroic in her
-needed the double spur. Passion shook her; miserable bondage, claiming
-her, drove her to rebellion. She rose to sublime heights, undreamed of
-in her earth-bound philosophy.
-
-She had gone into the street after her interview with Jimmie, white,
-palpitating, torn. Though the man had spoken tremulous words, it was
-the unspoken, the wave of longing and all unspeakable things in whose
-heaving bosom they had been caught, that mattered. The Garden of
-Enchantment had thrown wide its gates; she had been admitted within its
-infinitely reaching vistas, and flowers of the spirit had bared their
-hearts before her eyes. Dressing, she strove to kill the memory,
-to deafen her ears to the haunting music, to clear her brain of the
-intoxication. A thing hardly a woman, hardly a coherent entity, but half
-marble, half-consuming fire, stood before Morland, as he clasped the
-pearl necklace around her throat. The touch of it against her skin
-caused a shudder. Up to then sensation had blotted out thought. But now
-the brain worked with startling lucidity. There was yet time to escape
-from the thraldom. The Idea gathered strength from every word and
-incident during the meal. The commonness, sordidness, emptiness of the
-life behind and around and before her were revealed in the unpitying
-searchlight of an awakened soul.
-
-She pleaded with Morland for release. The necklace choked her. She
-unclasped it. He refused to take it back. She was his. He loved her. Her
-conduct was an outrage on his affections. She dared him to an expression
-of passionate feeling. He failed miserably, and her anger grew.
-Unhappily he spoke of an outrage upon Society. She fastened on the
-phrase. His affection and Society! One was worth the other. Society--the
-Mumbo Jumbo--the grotesque false god to which women were offered up in
-senseless sacrifice! Her mother instanced the bishop and the duchess
-as avatars of the divinity. Norma poured scorn on the hierarchy. Mrs.
-Hardacre implored her daughter by her love for her not to humiliate her
-thus in the world's eyes. She struck the falsest of notes. Norma turned
-on her, superb, dramatic, holding the three in speechless dismay. Love!
-what love had been given her that she should return? She had grown
-honest. The gods of that house were no longer her gods. They were paltry
-and dishonoured, shams and hypocrisies. Once she worshipped them. To
-that she had been trained from her cradle. Her nurses dangled the shams
-before her eyes. The women who taught her bent fawning knees before the
-shrines of the false gods. A mother's love? what had she learned from
-her mother? To simper and harden her heart. That the envy of other
-simpering hardened women was the ultimate good. That the dazzling end of
-a young girl's career was to capture some man of rank and fortune--that
-when she was married her lofty duty was to wear smarter clothes, give
-smarter parties, and to inveigle to her house by any base and despicable
-means smarter people than her friends. What had she learned from her
-mother? To let men of infamous lives leer at her because they had title
-or fortune. To pay court to shameless women in the hope of getting to
-know still more shameless men who might dishonour her with their name.
-She had never been young--never, never, with a young girl's freshness
-of heart. She spoke venom and was praised for wit. She was the finished
-product of a vapid world. Her whole existence had been an intricate
-elaboration of shams--miserable, empty, despicable futilities. How dared
-her mother stand before her and talk of love?
-
-Then a quick angry scene, a crisp thud of the pearls on the floor, a
-stormy exit--and that, as Morland said, was the end of it. The three
-were left staring at each other in angry bewilderment.
-
-In the face of this disaster Connie could not find it in her heart to
-reproach Morland, still less to hint at Theodore Weever's insinuation.
-Rather did she reproach herself for being the cause of the catastrophe,
-and she was smitten with a sense of guilt when Mrs. Hardacre turned upon
-her accusingly.
-
-“She had tea with you, did n't she? Did you notice anything wrong?”
-
-“She didn't seem quite herself--was nervous and strange,” said Connie,
-diplomatically. “I think I had better go up and talk to her,” she added
-after an anxious pause.
-
-“Yes, do, for God's sake, Connie,” said Morland.
-
-She nodded, smiled the ghost of her bright smile, and, glad of escape,
-went upstairs. The three sat in gloomy silence, broken only by Mr.
-Hardacre's maledictions on his gout. It was a bitter hour for them.
-
-In a few moments Connie burst into the room, with a letter in her hand.
-She looked scared.
-
-“We can't find her. She's not in the house.”
-
-“Not in the house!” shrieked Mrs. Hardacre.
-
-Morland brought his hand down heavily on the piano.
-
-“I heard the front door slam half an hour ago!”
-
-“This is addressed to you, Mrs. Hardacre. It was stuck in her
-looking-glass.”
-
-Mrs. Hardacre opened the note with shaky fingers. It ran:
-
-_“I mean what I say. I had better leave you all, at least till after
-Wednesday. My stopping here would be more than you or I could stand.”_
-
-Mr. Hardacre staggered with a gasp of pain to his feet, and his weak
-eyes glared savagely out of his puffy red face.
-
-“Damme, she must come back! If she does n't sleep here to-night, I'll
-cut her off. I won't have anything more to do with her. She has got to
-come back.”
-
-“All right. Go and tell her, then,” retorted his wife. “Where do you
-suppose you are going to find her?”
-
-“Oh, she is sure to have gone to my house,” said Connie. “But suppose
-she has n't,” said Morland, anxiously. “She was in such a state that
-anything is possible.”
-
-“Come with me if you like. The brougham is here.”
-
-“And you go too, Eliza, and bring her home with you, d' ye hear?” cried
-Mr. Hardacre. “If you don't, she'll never set foot in my house again.
-I'm damned if she shall!”
-
-His wife looked at him queerly for a moment; then she meekly answered:
-
-“Very well, Benjamin.”
-
-Once only during their long married life had she flouted him when he had
-spoken to her like that. Then in ungovernable fury he had thrown a boot
-at her head.
-
-Mr. Hardacre glared at Morland and Connie, and scrambled cursing into
-his chair.
-
-
-
-
-Chapter XXIII--NORMA'S HOUR
-
-SOMETHING had happened--something mysterious, quickening; a pulsation
-of the inmost harmonies of life. Its tremendous significance Jimmie
-dared not conjecture. It was to be interpreted by the wisdom of the
-simplest, yet that interpretation he put aside. It staggered reason. It
-was enough for them to have met together in an unimagined intimacy of
-emotion, to have shared the throb of this spiritual happening.
-
-She was to be married in three days. He set the fact as a block to
-further investigation of the mystery. On this side his loyalty
-suffered no taint; their relations had but received, in some sense,
-sanctification. Beyond the barrier lay shame and dishonour. The two were
-to be married; therefore they loved. He disciplined a disordered mind
-with a logic of his own invention. It was a logic that entirely begged
-the question. Remembered words of Norma, “Do you think much love has
-come my way? Yours are the only lips I have ever heard speak of it,”
- fell outside his premises. They clamoured for explanation. So did the
-rich tremor of her voice. So did the lamentable lack of conviction in
-his reply. To these things he closed his intelligence. They belonged to
-the interpretation that staggered reason, that threatened to turn his
-fundamental conceptions into chaos. And past incidents came before him.
-During those last days in Wiltshire he had seen that her life lacked
-completion. That memory, too, disturbed his discipline. Fanatically he
-practised it, proving to himself that ice was hot and that the sun shone
-at midnight. She was happy in her love for Morland. She was happy
-in Morland's love for her. She had not identified with herself the
-imaginary woman of his adoration. She had not drunk in the outpouring
-of his passion. Her breath had not fallen warm upon his cheek. And
-the quickening of a wonderful birth had no reference to emotions and
-cravings quite different, intangible, inexpressible, existent in a
-far-away spirit land.
-
-He was strangely silent during their homeward journey in the omnibus and
-the simple evening meal, and Aline, sensitive to his mood, choked down
-the eager questions that rose to her lips. It was only after supper in
-the studio, when she lit the spill for Jimmie's pipe--her economical
-soul deprecating waste in matches--that she ventured to say softly:
-
-“I am afraid you'll miss the picture, Jimmie dear.”
-
-He waited until the pipe was alight, and breathed out a puff of smoke
-with a sigh.
-
-“Our happiness is made up of the things we miss,” he said.
-
-“That's a paradox, and I don't believe it,” said Aline.
-
-“Everything in life is a paradox,” he remarked, thinking of his logic.
-He relapsed into his perplexed silence. Aline settled herself in her
-usual chair with her workbasket and her eternal sewing. This evening she
-was recuffing his shirts. Presently she held up a cuff.
-
-“See. I'm determined to make you smart and fashionable. I don't care
-what you say. These are square.”
-
-“Are n't you putting a round man into a square cuff, my dear?” he asked.
-
-She laughed. “Why should you be round? You are smart and rectangular.
-When you're tidied up--don't you know you are exceedingly good-looking,
-almost military?”
-
-She was delighted to get him back to foolish talk. His preoccupation had
-disturbed her. Like Connie Deering, she was femininely conscious that
-something out of the ordinary had passed between Norma and Jimmie, and
-apprehension as to her dear one's peace of mind had filled her with many
-imaginings. He returned a smiling answer. She bestirred herself to
-amuse. Had he remarked the man in the omnibus? His nose cut it into two
-compartments. What would he do if he had such a nose? Jimmie felt that
-he had been selfish and fell into the child's humour. He said that he
-would blow it. They discussed the subject of noses. He quoted Tristram
-Shandy. Did she remember him reading to her “Slawkenbergius's Tale”?
-
-“The silliest story I ever heard in my life!” cried Aline. “It had
-neither head nor tail.”
-
-“That is the beauty of it,” said Jimmie. “It is all nose.”
-
-“No. The only story about a nose that is worth anything,” Aline declared
-with conviction of her age and sex, “is 'Cyrano de Bergerac.'” She
-paused as a thought passed swiftly through her mind. “Do you know, if
-you had a nose like that, you would remind me of Cyrano?”
-
-“Why, I don't go about blustering and carving my fellow-citizens into
-mincemeat.”
-
-“No. But you--” She began unreflectingly, then she stopped short in
-confusion. Cyrano, Roxana, Christian; Jimmie, Norma, Morland--the
-parallel was of an embarrassing nicety. She lost her head, reddened, saw
-that Jimmie had filled the gap.
-
-“I don't care,” she cried. “You _are_ like him. It's splendid, but it's
-senseless. You are worth a million of the other man, and she knows it as
-well as I do.”
-
-She vindictively stitched at the cuff. Jimmie made no reply, but lay
-back smoking his pipe. Aline recovered and grew remorseful. She had
-destroyed with an idiotic word the little atmosphere of gaiety she had
-succeeded in creating. She pricked her finger several times At last she
-rose and knelt by his side.
-
-“I'm sorry, Jimmie. Don't be vexed with me.”
-
-He looked at her, wrinkling his forehead half humorously, half sadly,
-and patted her cheek.
-
-“No, dear,” he said. “But I think Slawkenbergius's the better tale.
-Shall I read it you again?”
-
-“Oh, no, Jimmie,” cried the girl, half crying, half laughing. “Please
-don't, for heaven's sake. I've not been as naughty as that!”
-
-She resumed her sewing. They talked of daily things. Theodore Weever's
-purchases. The faun--he was sorry to lose it after its companionship for
-all these years. He would paint a replica--but it would not be the same
-thing. Other times, other feelings. Gradually the conversation grew
-spasmodic, dwindled. Jimmie brooded over his mystery, and Aline stitched
-in silence.
-
-The whirr of the front door-bell aroused them. Aline put down her work.
-
-“It's Renshaw,” said Jimmie.
-
-Renshaw, a broken-down, out-at-heels, drunken black-and-white artist,
-once of amazing talent, was almost the only member of a large Bohemian
-coterie who continued to regard Jimmie as at home to his friends on
-Sunday evenings. Jimmie bore with the decayed man, and helped him on his
-way, and was pained when Aline insisted upon opening the windows after
-his departure. Renshaw had been a subject of contention between them for
-years.
-
-“He has only come to drink whisky and borrow money. Luckily we have n't
-any whisky in the house,” said Aline.
-
-“We can give him beer, my child. And if the man is in need of half a
-crown, God forbid we should deny it him. Has Hannah come home yet?”
-
-“I don't think so. It is n't ten o'clock.”
-
-“Then let him in, dear,” said Jimmie, finally.
-
-Aline went upstairs with some unwillingness. She disapproved entirely of
-Renshaw. She devoutly hoped the man was sober. As she opened the front
-door, the sharp sound of a turning cab met her ears, and the cloaked
-tall figure of a woman met her astonished eyes.
-
-“Miss Hardacre!”
-
-“Yes, dear. Won't you let me in?”
-
-The girl drew aside quickly, and Norma passed into the hall.
-
-“You?” cried Aline. “I don't understand.”
-
-“Never mind. Is Mr.--is Jimmie at home?”
-
-“Jimmie!” The girl's heart leaped at the name. She stared wide-eyed at
-Norma, whose features she could scarcely discern by the pin-point of gas
-in the hall-lamp. “Yes. He is in the studio.”
-
-“Can I see him? Alone? Do you mind?”
-
-In dumb astonishment Aline took the visitor to the head of the stairs,
-half lit by the streak of light from the open studio door.
-Norma paused, bent forward, and kissed her on the cheek.
-
-“I know my way,” she whispered.
-
-Jimmie heard the rustle of skirts that were not Aline's, and springing
-to his feet, hurried towards the door. But before he could reach it
-Norma entered and stood before him. Her long dark silk evening cloak
-was open at the throat, showing glimpses of white bare neck. Its high
-standing collar set off the stately poise of her head. She wore the
-diamond star in her hair. To the wondering man who gazed at her she was
-a vision of radiant beauty. They held each other's eyes for a second or
-two; and the first dazzling glory in which she seemed to stand having
-faded, Jimmie read in her face that desperate things had come to pass.
-He caught her hands as she came swiftly forward. “Why are you here? My
-God, why are you here?”
-
-“I could stand it no longer,” she said breathlessly. “I am not going to
-marry Morland. I have cut myself adrift. They all know it. I told them
-so this evening. The horror of it was unbearable. I have done with it
-forever and ever.”
-
-“The horror of it?” echoed Jimmie.
-
-“Don't you think it a horror for two people to marry who have never even
-pretended to love each other? You said so this afternoon.”
-
-He released her hands and turned aside. Even the deep exulting sense of
-what her presence there must mean could not mitigate a terrible dismay.
-The interpretation that staggered reason was the true and only one. He
-had been living in a dream, among shadow-shapes which he himself had
-cast upon the wall. Even now he could not grasp completely the extent of
-his heroical self-deception.
-
-“There has never been any love between you and Morland? It has been
-a cold-blooded question of a marriage of convenience? I thought so
-differently.”
-
-“Since when?” she asked. “Since this afternoon?”
-
-“No--not since this afternoon.”
-
-“If it had n't been for you, I should have married him. You made it
-impossible. You taught me things. You made me hate myself and my mean
-ambitions. That was why I hesitated--put it off till Easter. If I
-had n't seen you this afternoon I should have gone through with it on
-Wednesday. When I got home I could n't face it. He put some pearls--a
-wedding-present--round my neck. They seemed like dead fingers choking
-out my soul. At last it grew horrible. I said things I don't remember
-now. I could n't stay in the house. It suffocated me. It would have sent
-me mad. I think a cab whirled me through the streets. I don't know. I
-have burnt my ships.”
-
-She stopped, panting, with her hands on her bosom. His exultation grew,
-and fear with it. He was like a child trembling before a joy too great
-to be realised, frightened lest it should vanish. He said without
-looking at her:
-
-“Why have you come here?”
-
-“Where else should I go? Unless--” She halted on the word.
-
-“Unless what?”
-
-She broke into an impatient cry.
-
-“Oh, can't you speak? Do you want me to say everything? There is no need
-for you to be silent any longer.” She faced him. “Who was the woman--the
-picture woman we spoke of this afternoon?”
-
-“You,” he said. “You. Who else?” There was a quiver of silence. Then he
-caught her to him. He spoke foolish words. Their lips met, and passion
-held them.
-
-“Had I anywhere else to go?” she whispered; and he said, “No.”
-
-She released herself, somewhat pale and shaken. Jimmie, scarcely knowing
-what he did, took off her cloak and threw it on the long deal table.
-The sudden fresh chill on arms and neck made her realise that they were
-bare. It was his doing. She blushed. A delicious sense of shyness crept
-over her. It soon passed. But evanescent though it was, it remained long
-in her memory.
-
-Jimmie took her in his arms again. He said:
-
-“You madden me. I have loved you so long. I am like a parched soul by a
-pool of Paradise.”
-
-He took her by the hand, led her to his chair near the stove, and knelt
-by her side. She looked at him, the edges of her white teeth together,
-her lips parted. She was living the moment that counts for years in a
-woman's life. She can only live it once. Great joy or endless shame may
-come afterwards, but this moment shall ever be to her comfort or her
-despair.
-
-He asked her how she had known.
-
-“You told me so.”
-
-“When?”
-
-“At Heddon. Do you think I shall ever forget your words?” She laughed
-divinely at the puzzledom on his face. “No. You were too loyal to tell
-me--but you told Connie Deering. Hush! Don't start. Connie did not
-betray you. She is the staunchest soul breathing. You and she were on
-the slope by the croquet lawn--do you remember? There was a hedge of
-clipped yew above--”
-
-“And you overheard?”
-
-She laughed again, happily, at his look of distress. “I should be
-rather pleased--now--if I were you,” she said in the softer and deeper
-tones of her voice.
-
-A few moments later he said, “You must give me back the portrait. I
-shall burn it.”
-
-“Why?”
-
-“You are a million times more beautiful, more adorable.” He asked her
-when she had begun to think of him--the eternal, childlike question. She
-met his lover's gaze steadily. Frankness was her great virtue.
-
-“It seems now that I have cared for you since the first day. You soon
-came into my life, but I did n't know how much you represented. Then I
-heard you speaking to Connie. That mattered a great deal. When that man
-shot you, I knew that I loved you. I thought you were dead. I rushed
-down the slope and propped you up against my knees--and I thought I
-should go mad with agony.”
-
-“I never heard of that,” said Jimmie in a low voice.
-
-He became suddenly thoughtful, rose to his feet and regarded her with a
-changed expression, like that of a man awakened from a dream.
-
-“What is going to be the end of this?” he asked.
-
-Norma, for once unperceptive and replying to a small preoccupation
-of her own, flushed to her hair.
-
-“I know Connie well enough to look her up and ask her for hospitality.”
-
-“I wasn't thinking of that,” said Jimmie. “We have been like children
-and had our hour of joy, without thinking of anything else. Now we must
-be grown-up people. After what has passed between us, I could only ask
-you to be my wife.”
-
-“I came here for you to ask me,” she said.
-
-“I have no right to do so, dear. I bear a dishonoured name. The wonder
-and wild desire of you made me forget.”
-
-She looked at him strangely, her lips working in the shadow of her old
-smile of mockery.
-
-“That proves to me that it is your name and not yourself that is
-dishonoured. If it had been yourself, you would not have forgotten.”
-
-Jimmie drew himself up, and there was a touch of haughtiness in his
-manner that Norma in her woman's way noted swiftly. In spite of his
-homeliness there was the undefinable spirit of the great gentleman in
-Jimmie.
-
-“I am dishonoured. The matter was public property. I discuss it with no
-one, least of all with you.”
-
-“Very well,” she said. “Let it never be mentioned again between us. I
-range myself with Aline. I shall believe what I like. You can't prevent
-my doing that, can you? I choose to believe you are the one thing God
-made in which I can find happiness. That's enough for me, and it ought
-to be enough for you.”
-
-Jimmie put his hand on her shoulder, deeply moved.
-
-“My dearest, you must n't say things like that.” He repeated the words,
-“You mustn't say things like that.” Then he was conscious of the warm
-softness on which his hand rested. She raised her arm and touched his
-fingers. It was a moment of deep temptation. He resisted, drew his hand
-away gently.
-
-“There is another reason why it cannot be,” he said. “You belong to
-a world of wealth and luxury, I have been in poverty all my life. God
-forbid I should complain. I have never done so. But it is a life of
-struggle for daily bread. Aline and I are used to it. We laugh. We often
-dine with Duke Humphrey. We make believe like the marchioness. What the
-discipline of life and a sort of gipsy faith in Providence have made
-us regard as a jest, would be to you a sordid shift, an intolerable
-ugliness stripping life of its beauty--”
-
-“Oh, hush!” she pleaded.
-
-“No, I must talk and you must listen,” he said with a certain masterful
-dignity. “Look at you now, in the exquisite loveliness of your dress,
-with that diamond star in your hair, with that queenly presence of
-yours. Do you fit in with all this? Your place is in great houses, among
-historic pictures, rare carpets, furniture that is invested with the
-charm of an artist's touch. The chair you are sitting in--the leather
-is split and the springs are broken.” He was walking now backwards
-and forwards across the studio, fulfilling his task bravely, scarcely
-trusting himself to look at her. “Your place,” he continued, “is among
-the great ones of the earth--princes, ambassadors, men of genius. Here
-are but the little folk: even should they come, as they used to do:
-homely men with rough ways and their wives--sweet simple women with a
-baby and a frock a year, God help them! I can't ask you to share this
-life with me, my dear. I should be a scoundrel if I did. As it is, I
-have fallen below myself in letting you know that I love you. You must
-forgive me. A man is, after all, a man, whether he be beggar or prince.
-You must go back into your world and forget it all. The passion-flower
-cannot thrive in the hedge with the dog-rose, my dearest. It will pine
-and fade. We must end it all. Don't you see? You don't know what poverty
-means. Even decent poverty like ours. Look--the men you know have valets
-to dress them--when you came Aline was sewing new cuffs on my shirts. I
-don't suppose you ever knew that such things were done. Mere existence
-is a matter of ever anxious detail. I am a careless fellow, I am a
-selfish brute, like most men, and give over to the women folk around me
-the thousand harassing considerations of ways and means for every day in
-every year. But I see more than they think. Aline can tell you. I dare
-n't, my dear, ask you to share this life with me. I dare n't, I dare
-n't.”
-
-He came to a stop in front of her; saw her leaning over the arm of the
-chair away from him, her face covered by her hands. Her white shoulders
-twitched in little convulsive movements.
-
-“Why, my dear--my dear--” he said in a bewilderment of distress; and
-kneeling by her, he took her wrists and drew them to him. The palms of
-her hands and her cheeks were wet with miserable tears.
-
-“What must you think of me? What futile, feeble creature must you think
-me? Heaven knows I'm degraded enough--but not to that level. Do you
-suppose I ever thought you a rich man? Oh, you have hurt me--flayed me
-alive. I did n't deserve it! I would follow you in rags barefoot through
-the world. What does it matter so long as it is you that I follow?”
-
-What could mortal man do but take the wounded woman of his idolatry
-into his arms? The single-hearted creature, aghast at the havoc he had
-wrought, bitterly reproached himself for want of faith in the perfect
-being. He had committed a horrible crime, plunged daggers, stab after
-stab, into that radiant bosom. She sobbed in his embrace--a little
-longer than was strictly necessary. Tears and sobs were a wonder to her,
-who since early childhood had never known the woman's relief of weeping.
-It came upon her first as a wondrous new-found emotion; when his strong
-arms were about her, as an unutterably sweet solace. And the man's voice
-in her ears was all that has nearly been said but never been quite said
-in music.
-
-Presently she drew herself away from him.
-
-“Do you think I am such a fool that I can't sew?”
-
-He sank back on his heels. She rose, helping herself to rise by a hand
-on his arm, an action wonderfully sweet in its intimacy, and crossed
-over to Aline's cane-bottomed, armless easy-chair. She plucked the shirt
-from the basket on the top of which Aline had thrust it, groped among
-the wilderness of spools, tape, bits of ribbon, scissors, needle-cases,
-patterns and year-old draper's bills for a thimble, found the needle
-sticking in the work, and began to sew with a little air of defiance.
-Jimmie looked on, ravished. He drew nearer.
-
-“God bless my soul,” he said. “Do you mean to say you can do that?”
-
-There was nothing she could not do in this hour of exaltation. She had
-found herself--simple woman with simple man. It was her hour. Her feet
-trod the roots of life; her head touched the stars.
-
-“Sit in your chair and smoke, and let us see what it will be like,” she
-commanded.
-
-He obeyed. But whether it was tobacco or gunpowder in his old briarwood
-pipe he could not have told. The poor wretch was mazed with happiness.
-
-“Poor little Aline is all by herself upstairs,” said Norma, after a
-while.
-
-“Heaven forgive me,” cried Jimmie, starting up. “I had n't thought about
-her!”
-
-Chapter XXIV--MRS. HARDACRE FORGETS
-
-WHILE this tragical comedy of the domestic felicities was being
-enacted, Connie Deering's brougham containing three agitated, silent,
-human beings was rapidly approaching the scene.
-
-They had made certain of finding Norma at Bryanston Square. The news
-that she had not arrived disquieted them. Morland anxiously suggested
-the police. They had a hurried colloquy, Morland and Connie standing
-on the pavement, Mrs. Hardacre inside the carriage, thrusting her head
-through the window. Connie falteringly confessed to the meeting of
-Jimmie and Norma in the afternoon. Something serious had evidently
-passed between them.
-
-Morland broke into an oath. “By God! That's where she's gone. Damn him!”
-
-“We must get her away at all costs,” said Mrs. Hardacre, tensely.
-
-“I am afraid it is my fault,” said Connie.
-
-“Of course it is,” Mrs. Hardacre replied brutally. “The best you can do
-is to help us to rescue her.”
-
-They started. The brougham was small, the air heavy, their quest
-distasteful, its result doubtful. The sense of fretfulness became acute.
-Mrs. Hardacre gave vent to her maternal feelings. When she touched on the
-vile seducer of her daughter's affections, Connie turned upon her almost
-shrewishly.
-
-“This is my carriage, and I am not going to hear my dearest friend
-abused in it.”
-
-Morland sat silent and worried. When they stopped at the house, he said:
-
-“I think I shall stay outside.”
-
-Connie, angry with him for having damned Jimmie, bent forward.
-
-“Are you afraid of facing Jimmie?” she said with a little note of
-contempt.
-
-“Certainly not,” he replied viciously.
-
-A few moments later Aline ran into the studio with a scared face.
-
-“Jimmie!”
-
-He went up to her, and she whispered into his ear; then he turned to
-Norma.
-
-“Your mother and Connie and Morland are upstairs. I don't suppose you
-are anxious to see them. May I tell them what has happened?”
-
-Norma rose and joined him in the centre of the studio. “I would sooner
-tell them myself. Can they come down here?”
-
-“If you wish it.”
-
-He gave the order to Aline. Before going, she took him by the arm and
-swiftly glancing at Norma, asked eagerly:
-
-“What has happened?”
-
-“The wonder of wonders, dear,” said Jimmie.
-
-With a glad cry she ran upstairs and brought down the visitors, who were
-waiting in the hall.
-
-Jimmie stood by the open door to receive them. Norma retired to the far
-end of the studio. She held her head high, and felt astonishingly
-cool and self-possessed. Mrs. Hardacre entered first, and without
-condescending to look at Jimmie marched straight up to her daughter.
-Then came Connie and Aline, the girl excited, her arm round her friend's
-waist. Morland, on entering, drew Jimmie aside.
-
-“So you've bested me,” he said in an angry whisper. “You held the cards,
-I know. I did n't think you would use them. I wish you joy.”
-
-A sudden flash of pain and indignation lit Jimmie's eyes.
-
-“Good God, man! Have you sunk so low as to accuse me of that? _Me?_”
-
-He turned away. Morland caught him by the sleeve.
-
-“I say--” he began.
-
-But Jimmie shook him off and went to the side of Norma, who was
-listening to her mother's opening attack. It was shrill and bitter. When
-she paused, Norma said stonily:
-
-“I am not going home with you to-night, mother. I sleep at Connie's. She
-will not refuse me a bed.”
-
-“Your father means what he says.”
-
-“So do I, mother. I can manage pretty well without your protection till
-I am married. Then I sha'n't need it.”
-
-“Pray whom are you going to marry?” asked Mrs. Hardacre, acidly.
-
-“I should think it was obvious,” said Norma. “Mr. Padgate has done me
-the very great honour to ask me to be his wife. I have agreed. I am over
-age and a free agent, so there's nothing more to be said, mother.”
-
-Mrs. Hardacre refused to take the announcement seriously. Her thin lips
-worked into a smile.
-
-“This is sheer folly, my dear Norma. Over age or not we can't allow you
-to disgrace yourself and us--”
-
-“We have never had such honour conferred on us in all our lives,” said
-Norma.
-
-Mrs. Hardacre shrugged her shoulders pityingly.
-
-“Among sane folks it would be a disgrace and a scandal. Even Mr. Padgate
-would scarcely take advantage of a fit of hysterical folly.” She turned
-to Jimmie. “I assure you she is hardly responsible for her actions.
-You are aware what you would be guilty of in bringing her into
-this--this--?” She paused for a word and waved her hand around.
-
-“Hovel?” suggested Jimmie, grimly. “Yes. I am aware of it. Miss
-Hardacre must not consider herself bound by anything she has said
-to-night.”
-
-Connie Deering, who had come up waiting for a chance to speak, her
-forget-me-not eyes curiously hard and dangerous, broke in quickly:
-
-“Why did you say _even_ Mr. Padgate, Mrs. Hardacre?”
-
-“Mr. Padgate has a reputation--” said Mrs. Hardacre, with an expressive
-gesture.
-
-“Jimmie--”
-
-He checked his advocate. “Please, no more.”
-
-“I should think not, indeed! Are you coming, Norma?”
-
-“You had better go,” said Jimmie, softly. “Why quarrel with your
-parents? To-morrow, a week, a month hence you can tell me your wishes. I
-set you quite free.”
-
-Norma made a movement of impatience.
-
-“Don't make me say things I should regret--I am not going to change my
-mind. No, mother, I am not coming.”
-
-Morland had not said a word, but stood in the background, hating
-himself. Only Connie's taunt had caused him to enter this maddeningly
-false position. He knew that his accusation, though he believed it true
-at the time, was false and base. Jimmie was true gold. He had not
-betrayed him. Connie, when Jimmie had checked her, went across to
-Morland.
-
-“Do _you_ believe that Jimmie deserves his reputation?” she said for his
-ears alone.
-
-“I don't know,” he answered moodily, kicking at a hassock.
-
-“I do know,” she said, “and it's damnable.”
-
-A quick glance exchanged completed her assurance. He saw that she knew,
-and despised him. For a few moments he lost consciousness of externals
-in alarmed contemplation of this new thing--a self openly despised by
-one of his equals. Mrs. Hardacre's voice aroused him. She was saying her
-final words to Norma.
-
-“I leave you. When you are in the gutter with this person, don't come to
-ask me for help. You can _encanailler_ yourself as much as you like, for
-all I care. This adventurer--”
-
-Jimmie interposed in his grand manner.
-
-“Pray remember, Mrs. Hardacre, that for the moment you are my guest.”
-
-“Your guest!” For the second time that evening she had been rebuked. Her
-eyes glittered with spite and fury. She lost control. “Your guest! If
-I went to rescue my daughter from a house of ill fame, should I regard
-myself as a guest of the keeper? How dare you? How do I know what does
-n't go on in this house? That girl over there--”
-
-Norma sprang forward and gripped her by the arm.
-
-“Mother!”
-
-She shook herself free. “How do I know? How _do_ you know? The man's
-name stinks over England. No decent woman has anything to do with him.
-Have you forgotten last autumn? That beastly affair? If you choose to
-succeed the other woman--”
-
-“Oh, damn it!” burst out Morland, suddenly. “This is more than I can
-stand. Have you forgotten what I told you a week ago?”
-
-The venomous woman was brought to a full stop. She stared helplessly at
-Morland, drawing quick panting breaths. She had forgotten that he was in
-the room.
-
-The cynicism was too gross even for him. There are limits to every man's
-baseness and cowardice. Moreover, his secret was known. To proclaim it
-himself was a more heroic escape than to let it be revealed with killing
-contempt by another. The two forces converged suddenly, and found their
-resultant in his outburst. It was characteristic of him that there
-should be two motives, though which one was the stronger it were hard to
-say--most likely revolt at the cynicism, for he was not a depraved man.
-
-Norma looked swiftly from one to the other.
-
-“What did you tell my mother a week ago?”
-
-Jimmie picked up Morland's crush-hat that lay on the table and thrust it
-into his hand.
-
-“Oh, that's enough, my dear good fellow. Don't talk about those horrible
-things. Mrs. Hardacre would like to be going. You had better see her
-home. Good-night.”
-
-He pushed him, as he spoke, gently towards Mrs. Hardacre, who was
-already moving towards the door. But Norma came up.
-
-“I insist upon knowing,” she said.
-
-“No, no,” said Jimmie, in an agitated voice. “Let the dead past bury
-its dead. Don't rake up old horrors.”
-
-Morland cleared himself away from Jimmie.
-
-“My God! You are a good man. I've been an infernal blackguard. Everybody
-had better know. If Jimmie hadn't taken it upon himself, that madman
-would have shot me. He would have hit the right man. I wish to heaven he
-had.”
-
-Norma grew white.
-
-“And this is what you told my mother?”
-
-“I thought I ought to,” said Morland, looking away from the anxious
-faces around him.
-
-“You shouldn't have done it,” said Jimmie, in a low voice. He was bent
-like a guilty person.
-
-Norma went to the door and opened it.
-
-“Kindly see my mother into a cab.”
-
-“Please take the brougham,” said Connie. “Norma and I will take a cab
-later.”
-
-Morland made a movement as if to speak to Jimmie. Norma intercepted him,
-waved her hand towards her mother, who stood motionless.
-
-“Go. Please go,” she said in a constrained voice. “Take the brougham.
-She will catch cold while you are whistling for a cab--and you will be
-the sooner gone.”
-
-Mrs. Hardacre, stunned by the utter disaster that she had brought about,
-mechanically obeyed Morland's gesture and passed through the open door,
-without looking at her daughter. As Morland passed her, he plucked up a
-little courage.
-
-“We both lied for your sake,” he said; which might have been an apology
-or a tribute. Norma gave no sign that she had heard him.
-
-Jimmie followed them upstairs and opened the front door. He put out his
-hand to Morland, who took it and said “Good-night” in a shamefaced way.
-Mrs. Hardacre stepped into the brougham like a somnambulist. Morland did
-not accompany her. He had seen enough of Mrs. Hardacre for the rest of
-his life.
-
-When Jimmie went down to the studio, he saw Norma and Connie bending
-over a chair in the far corner. Aline had fainted.
-
-They administered what restoratives were to hand--water and Connie's
-smelling-salts--and took the girl up to her bedroom, where she was left
-in charge of Mrs. Deering. Jimmie and Norma returned to the studio. The
-preoccupation of tending Aline, whose joy in the utter vindication of
-her splendid faith had been too sudden a strain upon an overwrought
-nervous system, had been welcomed almost as a relief to the emotional
-tenseness. They had not spoken of the things that were uppermost.
-
-They sat down in their former places, without exchanging a remark.
-Jimmie took up his pipe from the table by his side, and knocked the
-ashes into the ash-tray and blew through it to clear it. Then he began
-to fill it from his old tobacco-pouch, clumsy as all covered pouches are
-and rough with faded clumps of moss-roses and forget-me-nots worked by
-Aline years before.
-
-“Why don't you go on with the sewing?” he said.
-
-She waited a second or two before answering, and when she spoke did not
-trust herself to look at him.
-
-“I ought to say something, I know,” she said in a low voice. “But there
-are things one can't talk of, only feel.”
-
-“We never need talk of them,” said Jimmie. “They are over and done with.
-Old, forgotten, far-off things now.”
-
-“Are they? You don't understand. They will always remain. They make up
-your life. You are too big for such as me altogether. By rights I should
-be on my knees before you. Thank God, I did n't wait until I learned all
-this, but came to you in faith. I feel poor enough to hug that to myself
-as a virtue.”
-
-“I am very glad you believed in me,” said Jimmie, laying down the unlit
-pipe which he had been fondling. “I would n't be human if I did n't--but
-you must n't exaggerate. Exposure would have ruined Morland's
-career, and I thought it would go near breaking your heart. To me, an
-insignificant devil, what did it matter?”
-
-“Did n't my love for you matter? Did n't all that you have suffered
-matter? Oh, don't minimise what you have done. I am afraid of you. Your
-thoughts are not my thoughts, and your ways not my ways. You will always
-be among the stars while I am crawling about the earth.”
-
-Jimmie rose hurriedly and fell at her feet, and took both her hands and
-placed them against his cheeks.
-
-“My dear,” he said, moved to his depths. “My dear. My wonderful,
-worshipped, God-sent dear. You are wrong--utterly wrong. I am only a
-poor fool of a man, as you will soon find out, whose one merit is to
-love you. I would sell my body and my soul for you. If I made a little
-sacrifice for the love of you, what have you done tonight for me--the
-sacrifice of all the splendour and grace of life?”
-
-“The lies and the rottenness,” said Norma, with a shiver. “Did you
-comprehend my mother?”
-
-He took her hands from his face and kissed her fingers.
-
-“Dear, those are the unhappy, far-off things. Let us forget them. They
-never happened. Only one thing in the world has ever happened. You have
-come to me, Norma,” he said softly, speaking her name for the first
-tremulous time, “Norma!”
-
-Their eyes met, and then their lips. The world stood still for a space.
-She sighed and looked at him.
-
-“You will have to teach me many things,” she said. “You will have to
-begin at the very beginning.”
-
-
-
-
-Chapter XXV--THE LAND OF ENCHANTMENT
-
-EVERY one knew that the marriage arranged between Morland King and
-Norma Hardacre would not take place. It was announced in the “Times”
- and “Morning Post” on the Tuesday morning; those bidden to the wedding
-received hurried messages, and a day or two later the wedding-gifts were
-returned to the senders, who stored them up for some happier pair. But
-the new engagement upon which Norma had entered remained a secret.
-Norma herself did not desire to complete the banquet of gossip she
-had afforded society, and Mrs. Hardacre was not anxious to fill to
-overflowing the cup of her own humiliation. The stricken lady maintained
-a discreet reserve. The lovers had quarrelled, Norma had broken off
-the match and would not be going out for some time. She even defied
-the duchess, who commanded an explicit statement of reasons. Her grace
-retorted severely that she ought to have brought her daughter up better,
-and signified that this was the second time Norma had behaved with
-scandalous want of consideration for her august convenience. “She shall
-not have the opportunity of doing it again. I dislike being mixed up
-in scandals,” said the duchess; and Mrs. Hardacre saw the gates of
-Wiltshire House and Chiltern Towers closed to her forever. But of the
-impossible painter wretch she spoke not a word, hoping desperately
-that in some mysterious fashion the God of her fathers would avert this
-crowning disgrace from them and would lead Norma forth again into the
-paths of decency and virtue. As for her husband, he stormily refused to
-speak or hear the outcast's name. He had done with her. She should never
-sleep again beneath the roof she had dishonoured. He would not allow her
-a penny. He would cut her out of his will. She had dragged him in the
-mud, and by heaven! she could go to the devil! It took much to rouse
-the passions of the feeble, mean-faced little man; but once they were
-roused, he had the snarling tenacity of the fox. Mrs. Hardacre did not
-tell him of Morland's confession and the rehabilitation of his rival.
-The memory of her stunning humiliation brought on a feeling akin
-to physical nausea. She strove to bury it deep down in her
-sub-consciousness, beneath all the other unhallowed memories. There were
-none quite so rank. On the other hand, her husband's vilification of the
-detested creature was a source of consolation which she had no desire
-to choke. Why should she deny herself this comfort. The supreme joy of
-vitriol throwing was not countenanced in her social sphere. At odd times
-she regretted that she was a lady.
-
-While the black fog of depression darkened Devonshire Place, in
-neighbouring parts of London the days were radiant. A thousand suns
-glorified the heavens and the breaths of a thousand springs perfumed the
-air. It was a period of exaggeration, unreality, a page out of a fairy
-tale lived and relived. Norma abandoned herself to the intoxication,
-heedless of the fog in Devonshire Place, and the decent grey of the
-world elsewhere. She refused to think or speculate. Rose veils shrouded
-the future; the present was a fantasy of delight. For material things,
-food, shelter, raiment, she had no concern. Connie fed and housed her,
-making her the thrice welcome guest, the beloved sister. From
-society she withdrew altogether. Visitors paid calls, odd people were
-entertained at meals, the routine of a wealthy woman's establishment
-proceeded in its ordinary course, and Norma's presence in the house
-remained unknown and unsuspected. She was there in hiding. The world was
-given to understand that she was in Cornwall. Even common life had thus
-its air of romance and mystery. Being as it were a fugitive, she had
-no engagements. There was a glorious incongruity in the position. She
-regarded the beginnings of the London season with the amused detachment
-of a disembodied spirit revisiting the scenes of which it once made
-a part. Morning, afternoon, and evening she was free--an exhilarating
-novelty. Nobody wanted to see her save Jimmie; save him she wanted to
-see nobody.
-
-They met every day--sometimes in the sitting-room on the ground floor
-which Connie had set apart for her guest's exclusive use, and sometimes
-in Jimmie's studio. Now and then, when the weather was fine, they walked
-together in sweet places unfrequented by the fashionable world, Regent's
-Park and Hampstead Heath, fresh woods and pastures new to Norma, who
-had heard of the heath vaguely as an undesirable common where the
-lower orders wore each other's hats and shied at cocoanuts. Its smiling
-loneliness and April beauty, seen perhaps through the artist's eyes,
-enchanted her. Jimmie pointed out its undulations; like a bosom, said
-he, swelling with the first breaths of pure air on its release from
-London.
-
-Most of all she loved to drive up to St. John's Wood after dinner and
-burst upon him unexpectedly. The new Bohemian freedom of it all was a
-part of the queer delicious life. She laughed in anticipation at his cry
-of delighted welcome. When she heard it, her eyes grew soft. To lift
-her veil and hang back her head to receive his kiss on her lips was
-an ever-new sensation. The intimacy had a bewildering sweetness. To
-complete it she threw aside gloves and jacket and unpinned her hat, a
-battered gilt Empire mirror over the long table serving her to guide the
-necessary touches to her hair. Although she did not repeat the little
-comedy of the shirt which had been inspired by the exaltation of a rare
-moment, yet she sat in Aline's chair, now called her own, and knitted at
-a silk tie she was making for him. She had learned the art from her aunt
-in Cornwall, and she brought the materials in a little black silk bag
-slung to her wrist. The housewifely avocation fitted in with the fairy
-tale. Jimmie smoked and talked, the most responsive and least tiring of
-companions. His allusive speech, that of the imaginative and cultured
-man, in itself brought her into a world different from the one she had
-left. His simplicity, his ignorance of the ways of women, his delight
-at the little discoveries she allowed him to make, gave it a touch
-of Arcadia. In passionate moments there was the unfamiliar, poetic,
-rhapsodic in his utterance which turned the world into a corner of
-heaven. And so the magic hours passed.
-
-“I do believe I have found a soul,” she remarked on one of these
-evenings, “and that's why I must be so immoderately happy. I'm like a
-child with a new toy.”
-
-She was unconscious of the instinctive, pitiless analysis of herself;
-and Jimmie, drunk with the wonder of her, did not heed the warning.
-
-Of their future life together they only spoke as happy lovers in the
-rosy mist shed about them by the veil. They dwelt in the glamour of the
-fairy tale, where the princess who marries the shepherd lives not
-only happy ever afterwards, but also delicately dressed and daintily
-environed, her chief occupation being to tie silk bows round the lambs'
-necks, and to serve to her husband the whitest of bread and the whitest
-of cheese with the whitest of hands. Their forecast of the future might
-have been an Idyll of Theocritus.
-
-“You will be the inspiration of all my pictures, dear,” said Jimmie.
-
-“I will sit for you as a model, if I am good enough.”
-
-“Good enough!” Language crumbled into meaningless vocables before her
-infinite perfection. “I have had a little talent. You will give me
-genius.”
-
-“I will also give you your dinner.” She laughed adorably. “Do you know
-Connie told me I must learn to cook. I had my first lesson this morning
-in her kitchen--a most poetic way of doing sweetbreads. Do you like
-sweetbreads?”
-
-“Now I come to think of it, I do. Enormously. I wonder why Aline never
-has them.”
-
-“We'll have some--our first lunch--at home.”
-
-“And you will cook them?” cried the enraptured man.
-
-She nodded. “In a most becoming white apron. You'll see.”
-
-“You'll be like a goddess taking her turn preparing the daily ambrosia
-for Olympus!” said Jimmie.
-
-On another occasion they spoke of summer holidays. They would take a
-little cottage in the country. It would have honeysuckle over the porch,
-and beds of mignonette under the windows, and an old-fashioned garden
-full of stocks and hollyhocks and sunflowers. There would be doves and
-bees. They would go out early and come home with the dew on their feet.
-They would drink warm milk from the cow. They would go a hay-making.
-Norma's idea of the pastoral pathetically resembled that of the Petit
-Trianon.
-
-The magic of the present with its sincerity of passionate worship on the
-part of the man, and its satisfaction of a soul's hunger on the part
-of the woman, was in itself enough to blind their eyes to the possible
-prose of the future. Another interest, one of the sweetest of outside
-interests that can bind two lovers together, helped to fix their serious
-thoughts to the immediate hour. Side by side with their romance grew up
-another, vitally interwoven with it for a spell and now springing clear
-into independent life. The two children Aline and Tony Merewether had
-found each other again, and the fresh beauty of their young loves lit
-the deeper passion of the older pair with the light of spring sunrise.
-In precious little moments of confidence Aline opened to Norma her
-heart's dewy happiness, and what Norma in delicate honour could divulge
-she told to Jimmie, who in his turn had his little tale to bear. More
-and more was existence like the last page of a fairy book.
-
-The reconciliation of the younger folk had been a very simple matter. It
-was the doing of Connie Deering. The morning after Morland's confession
-she summoned Tony Merewether to an interview. He arrived wondering. She
-asked him point blank:
-
-“Are you still in love with Aline Marden or have you forgotten all about
-her?”
-
-The young fellow declared his undying affection.
-
-“Are you aware that you have treated her shamefully?” she said severely.
-
-“I am the most miserable dog unhung,” exclaimed the youth. He certainly
-looked miserable, thin, and worried. He gave his view of the position.
-Connie's heart went out to him.
-
-“Suppose I told you that everything was cleared up and you could go to
-Aline with a light conscience?”
-
-“I should go crazy with happiness!” he cried, springing to his feet.
-
-“Aline deserves a sane husband. She is one in a thousand.”
-
-“She is one in twenty thousand million!”
-
-“There she goes, hand in hand with Jimmie Padgate. It's to tell you that
-I've asked you to come. I hope you'll let them both know you're aware of
-it.”
-
-Satisfied that he was worthy of her confidence, she told him briefly
-what had occurred.
-
-“And now what are you going to do?” she asked, smiling.
-
-“Do? I'll go on my knees. I'll grovel at his feet. I'll ask him to make
-me a door-mat. I'll do any mortal thing Aline tells me.”
-
-“Well, go now and do your penance and be happy,” Connie said, holding
-out her hand.
-
-“I don't know how I can thank you, Mrs. Deering,” he cried. “You are the
-most gracious woman that ever lived!”
-
-A few moments later an impassioned youth was speeding in a hansom cab
-to Friary Grove. But Connie, with the memory of his clear-cut, radiant
-young face haunting her, sighed. Chance decreed that the very moment
-should bring her a letter from Jimmie, written that morning, full of
-his wonder and gratitude. She sighed again, pathetically, foolishly,
-unreasonably feeling left out in the cold.
-
-“I wonder whether it would do me good to cry,” she said, half aloud. But
-the footman entering with the announcement that the carriage which was
-to take her to her dressmaker was at the door, settled the question. She
-had to content herself with sighs.
-
-Tony Merewether did not go on his knees, as Aline had ordained; but he
-made his apology in so frank and manly a way that Jimmie forgave him at
-once. Besides, said he, what had he to forgive?
-
-“I feel like Didymus,” said Tony.
-
-Jimmie laughed as he clapped him on the shoulder and pushed him out of
-the studio.
-
-“You had better cultivate the feeling. He became a saint eventually.
-Aline will help to make you one.”
-
-If plain indication of another's infirmities can tend to qualify him for
-canonisation, Aline certainly justified Jimmie's statement. She did not
-confer her pardon so readily on the doubting disciple. His offence had
-been too rank. It was not merely a question of his saying a _credo_
-and then taking her into his arms. She exacted much penance before she
-permitted this blissful consummation. He had to woo and protest and
-humble himself exceedingly. But when she had reduced him to a proper
-state of penitence, she gave him plenary absolution and yielded to
-his kiss, as she had been yearning to do since the beginning of the
-interview. After that she settled down to her infinite delight. Nothing
-was lacking in the new rapturous scheme of existence. The glory of
-Jimmie was vindicated. Tony had come back to her. The bars to their
-marriage had vanished. Not only was Tony a man of substance with the
-legacy of eight thousand pounds that had been left him, and therefore
-able to support as many wives as the Grand Turk, but Jimmie no longer
-had to be provided for. The wonder of wonders had happened; she could
-surrender her precious charge with a free conscience and a heart
-bursting with gratitude.
-
-Thus the happiness of each pair of lovers caught a reflection from that
-of the other, and its colour was rendered ever so little fictitious,
-unreal. The light of spring sunrise, exquisite though it is, invests
-things with a glamour which the light of noon dispels. The spectacle of
-the young romance unfolding itself before the eyes of Jimmie and
-Norma completed their delicious sense of the idyllic; but the illusive
-atmosphere thus created caused them to view their own romance
-in slightly false perspective. Essentially it was a drama of
-conflict--themselves against the pettinesses and uglinesses of the
-world; apparently it was a pastoral among spring flowers.
-
-Another cause that contributed to Norma's unconcern for the future was
-her exaggerated sense of the man's loftiness of soul. Instead of viewing
-him as a lovable creature capable of the chivalrous and the heroic
-and afforded by a happy fate an opportunity of displaying these
-qualities--for the opportunity makes the hero as much as it does the
-thief--she grovelled whole-sexedly before an impossible idol imbued with
-impossible divinity. While knitting silk ties and devising with him the
-preparation of foodstuffs (which she did not realise he would not be
-able to afford) she was conscious of a grace in the trifling, all the
-more precious because of these little earthly things midway between the
-empyrean and the abyss which they respectively inhabited. In the deeply
-human love of each was a touch of the fantastic. To Jimmie she was the
-Princess of Wonderland, the rare Lady of Dreams; to Norma he appeared
-little less than a god.
-
-She was talking one evening with Connie Deering in a somewhat exalted
-strain of her own unworthiness and Jimmie's condescension, when the
-little lady broke into an unwonted expression of impatience.
-
-“My dear child, every foolish woman is a valet to her hero. You would
-like to clean his boots, wouldn't you?”
-
-“My dear Connie,” cried Norma, alarmed, “whatever is the matter?”
-
-“I think you two had better get married as quickly as possible. It is
-getting on one's nerves.”
-
-Norma stiffened. “I am sorry--” she began.
-
-Connie interrupted her. “Don't be silly. There's nothing for you to be
-sorry about.” She brightened and laughed, realising the construction
-Norma had put upon her words. “I am only advising you for your good.
-I had half an hour's solitary imprisonment with Theodore Weever this
-afternoon. He always takes it out of me. It's like having a bath with an
-electric eel. He called this afternoon to get news of you.”
-
-“Of me?” asked Norma serenely, settling herself in the depths of her
-chair.
-
-“He is like an eel,” Connie exclaimed with a shiver. “He's the
-coldest-blooded thing I've ever come across. I told you about the dinner
-at the Carlton, did n't I? It appears that he reckoned on my doing just
-what I rushed off to do. It makes me so angry!” she cried with feminine
-emphasis on the last word. “Of course he did n't tell me so brutally--he
-has a horrid snake-like method of insinuation. He had counted on my
-getting at the truth which he had guessed and so stopping the marriage.
-'I'm a true prophet,' he said. 'I knew that marriage would never come
-off.'”
-
-“So he told me,” said Norma. “Do you know, there must be some goodness
-in him to have perceived the goodness in Jimmie.”
-
-“I believe he's a disembodied spirit without either goodness or
-badness--a sort of non-moral monster.” Connie was given to hyperbole in
-her likes and dislikes. She continued her tale. He had come to ask her
-advice. Now that Miss Hardacre was free, did Mrs. Deering think he
-might press his suit with advantage? His stay in Europe was drawing to
-a close. He would like to take back with him to New York either Miss
-Hardacre or a definite refusal.
-
-“'You certainly cannot take back Miss Hardacre,' I said, 'because she is
-going to marry Jimmie Padgate.' I thought this would annihilate him. But
-do you think he moved a muscle? Not he.”
-
-“What did he say?” asked Norma, lazily amused.
-
-“'This is getting somewhat monotonous,'” replied Connie.
-
-Norma laughed. “Nothing else?”
-
-“He began to talk about theatres. He has the most disconcerting way of
-changing the conversation. But on leaving he sent his congratulations
-to you, and said that you were always to remember that you were the wife
-specially designed for him by Providence.”
-
-“You dear thing,” said Norma, “and did that get on your nerves?”
-
-“Would n't it get on yours?”
-
-Norma shook her head. “I have n't any nerves for things to get on.
-People don't have nerves when they're happy.”
-
-“And are you happy, really, really happy?”
-
-“I am deliciously happy,” said Norma.
-
-She went to bed laughing at the discomfiture of Weever and the
-remoteness of him and of the days last summer when she first met him
-among the Monzies' disreputable crowd. He belonged to a former state
-of existence. Jimmie's portrait, which had been put for two or three
-reasons in her bedroom, caught her attention. She looked at it with
-a dreamy smile for a long time, and then turned to the glass. Made
-curiously happy by what she saw there, she kissed her fingers to the
-portrait.
-
-“He is the better prophet,” she said.
-
-But Connie's advice as to the desirability of a speedy marriage remained
-in her mind. Jimmie with characteristic diffidence had not yet suggested
-definite arrangements. She was gifted with so much insight as to
-apprehend the reasons for his lack of initiative. His very worship of
-her, his overwhelming sense of goddess-conferred boon in her every smile
-and condescension, precluded the asking of favours. So far it was she
-who had arranged their daily life. It was she who had established the
-custom of the studio visits, and she had taken off her hat and had
-inaugurated the comedy of the domestic felicities of her own accord. She
-treasured this worship in her heart as a priceless thing, all the
-more exquisite because it lay by the side of the knowledge of her own
-unworthiness. The sacrifice of maidenly modesty in proposing instead
-of coyly yielding was at once a delicious penance for hypocritical
-assumption of superiority, and a salve to her pride as a beautiful and
-desirable woman. It was with a glorious sureness of relation, therefore,
-that she asked him the next day if he had thought of a date for their
-marriage.
-
-“There is no reason for a long engagement that I can see,” she added,
-with a blush which she felt, and was tremulously happy at feeling.
-
-“I was waiting for you to say, dear,” he replied, his arm around her. “I
-dared not ask.”
-
-She laughed the deep laugh of a woman's happiness.
-
-“I knew you would say that,” she murmured. “Let it be some time next
-month.”
-
-
-
-
-Chapter XXVI--EARTH AGAIN
-
-ONE day Norma received a polite intimation from her bankers that
-her account was overdrawn. This had happened before but on previous
-occasions she had obtained from her father an advance on her allowance
-and the unpleasant void at the bank had been filled. Now she realised
-with dismay that the allowance had been cut off, and that no money could
-come into her possession until the payment of the half-yearly dividend
-from the concern in which her small private fortune was invested. She
-looked in her purse and found five shillings. On this she would have
-to live for three weeks. Her money was in the hands of trustees, wisely
-tied up by the worldly aunt from whom she had inherited it, so that she
-could not touch the capital. While she was contemplating the absurdity
-of the position, the maid brought up a parcel from a draper's on which
-there was three and eleven pence halfpenny to pay. She surrendered four
-of her shillings, and disconsolately regarded the miserable one that
-remained. The position had grown even more preposterous. She actually
-needed money. She had not even the amount of a cab-fare to Friary Grove.
-She would not have it for three weeks.
-
-Preposterous or not, the fact was plain, and demanded serious
-consideration. She would have to borrow. The repayment of the loan and
-the overdraft would reduce the half-yearly dividend. A goodly part of
-the remainder would be required to meet an outstanding milliners' bill,
-not included in the bridal trousseau for which her father was to pay.
-The sum in simple arithmetic frightened her.
-
-“I am poverty-stricken,” she said to Connie, to whom she confided her
-difficulties.
-
-Connie blotted the cheque that was to provide for immediate wants, and
-laughed sympathetically.
-
-“You'll have to learn to be economical, dear. I believe it's quite
-easy.”
-
-“You mean I must go in omnibuses and things?” said Norma, vaguely.
-
-“And not order so many hats and gowns.”
-
-“I see,” said Norma, folding up the cheque.
-
-With money again in her pocket, she felt lighter of heart, but she knew
-that she had stepped for a moment out of fairyland into the grey world
-of reality. The first experience was unpleasant. It left a haunting
-dread which made her cling closer to Jimmie in the embrace of their next
-meeting. It was a relief to get back into the Garden of Enchantment and
-leave sordid things outside. Wilfully she kept the conversation from
-serious discussion of their marriage.
-
-When next she had occasion to go to the studio, she remembered the
-necessity of economy, and took the St. John's Wood omnibus. As a general
-rule the travellers between Baker Street station and the Swiss Cottage
-are of a superior class, being mostly the well-to-do residents in
-the neighbourhood and their visitors; but, by an unlucky chance, this
-particular omnibus was crowded, and Norma found herself wedged between
-a labouring man redolent of stale beer and bad tobacco, and a fat Jewish
-lady highly flavoured with musk. A youth getting out awkwardly knocked
-her hat awry with his elbow. It began to rain--a smart April shower.
-The wet umbrella of a new arrival dripped on her dress while he stood
-waiting for a place to be made for him opposite. The omnibus stopped at
-a shelterless corner, the nearest point to Friary Grove. She descended
-to pitiless rain and streaming pavements and a five minutes' walk, for
-all of which her umbrella and shoes were inadequate. She vowed miserably
-a life-long detestation of omnibuses. She would never enter one again.
-Cabs were the only possible conveyances for people who could not afford
-to keep their carriage. She fought down the dread that she might not
-be able to afford cabs. The Almighty, who had obviously intended her to
-drive in cabs, would certainly see that His intentions were carried out.
-
-She arrived at the studio, wet, bedraggled, and angry; but Jimmie's
-exaggerated concern disarmed her. It could not have been less had she
-wandered for miles and been drenched to the skin and chilled to the
-bone. He sent Aline to fetch her daintiest slippers to replace the
-damp shoes, established the storm-driven sufferer in the big leathern
-armchair with cushions at her back and hassocks at her feet, made a
-roaring fire and insisted on her swallowing cherry brandy, a bottle of
-which he kept in the house in case of illness. In the unwonted luxury of
-being loved and petted and foolishly fussed over, Norma again forgot
-her troubles. Jimmie consoled the specific grievance by saying
-magniloquently that omnibuses were the engines of the devil and vehicles
-of the wrath to come. With a drugged economic conscience she went home
-in a cab. But the conscience awoke later, somewhat suffering, and she
-recognised that her exasperated vow had been vain. Jimmie was a poor
-man. She recalled to mind his words on the night of their engagement,
-and apprehended their significance. The trivial incident of the omnibus
-was a key. The abandonment of cabs and carriages meant the surrender of
-countless luxuries that went therewith. Her own two hundred a year would
-not greatly raise the scale of living. She was to be a poor man's wife;
-would have to wear cheap dresses, eat plain food, keep household books
-in which pennies were accounted for; hers would be the humdrum existence
-of the less prosperous middle class. The first pang of doubt frightened
-her for a while and left her ashamed. Noble revolt followed. Had she not
-renounced the pomps and vanities of a world which she scorned? Had not
-this wonderful baptism of love brought New Birth? She had been reborn,
-a braver, purer woman; she had been initiated into life's deeper
-mysteries; her soul had been filled with joy. Of what count were
-externals?
-
-The next evening Connie Deering gave a small dinner-party in honour
-of the two engagements. Old Colonel Pawley, charged under pain of her
-perpetual displeasure not to reveal the secret of Norma's whereabouts,
-was invited to balance the sexes. He was delighted to hear of Norma's
-romantic marriage.
-
-“I can still present the fan,” he said, rubbing his soft palms together;
-“but I'm afraid I shall have to write a fresh set of verses.”
-
-“You had better give Norma a cookery-book,” laughed Connie.
-
-“I have a beautiful one of my own in manuscript which no publisher will
-take up,” sighed Colonel Pawley.
-
-Norma, who had been wont to speak with drastic contempt of the amiable
-old warrior, welcomed him so cordially that he was confused. He was not
-accustomed to exuberant demonstrations of friendship from the beautiful
-Miss Hardacre. At dinner, sitting next her, he enjoyed himself
-enormously. Instead of freezing his geniality with sarcastic remarks,
-she lured him on to the gossip in which his heart delighted. When Connie
-rallied her, later, on her flirtation with the old man, she laughed.
-
-“Remember I've been a prisoner here. He's one of the familiar faces from
-outside.”
-
-Although jestingly, she had spoken with her usual frankness, and her
-confession was more deeply significant than she was aware at the time.
-She had welcomed Colonel Pawley not for what he was, but for what he
-represented. As soon as she was alone she realised the moral lapse, and
-rebuked herself severely. She was sentimental enough to hang by a ribbon
-around her neck the simple engagement ring which Jimmie had given her,
-and to sleep with it as a talisman against evil thoughts.
-
-She spent the following evening at the studio, heroically enduring
-the discomforts of the detested omnibus. When she descended she drew
-a breath of relief, but felt the glow that comes from virtuous
-achievement. Jimmie was informed of this practice in the art of economy.
-He regarded her wistfully. There were times when he too fought with
-doubts,--not of her loyalty, but of his own honesty in bringing her down
-into his humble sphere. Even now, accustomed as he was to the adored
-sight of her there, he could not but note the contrast between herself
-and her surroundings. She brought with her in every detail of her
-person, in every detail of her dress, in every detail of her manner, an
-atmosphere of a dainty, luxurious life pathetically incongruous with
-the shabby little house. He had not even the wherewithal to call in
-decorators and upholsterers and make the little house less shabby. So
-when she spoke of practising economy, he looked at her wistfully.
-
-“Your eyes are open, dear, are n't they?” he said. “You really do
-realise what a sacrifice you are making in marrying me?”
-
-“By not marrying you,” she replied, “I should have gained the world and
-lost my own soul. Now I am doing the reverse.”'
-
-He kissed her finger-tips lover-wise. “I am afraid I must be the devil's
-advocate, and say that the loss and gain need not be so absolutely
-differentiated. I want you to be happy. My God! I want you to be happy,”
- he burst out with sudden passion, “and if you found that things were
-infinitely worse than what you had expected, that you had married me in
-awful ignorance--”
-
-She covered his lips with the palm of her hand.
-
-“Don't go on. You pain me. You make me despise myself. I have counted
-the cost, such as it is. Did I not tell you from the first that I would
-go with you in rags and barefoot through the world? Could woman say
-more? Don't you believe me?”
-
-“Yes, I believe you,” he replied, bowing his head. “You are a
-great-hearted woman.”
-
-She unfastened her hat, skewered it through with the pins, and gave it
-him to put down.
-
-“I remember my Solomon,” she said, trying to laugh lightly, for there
-had been a faint but disconcerting sense of effort in her protestation.
-“'Better is a dinner of herbs where love is, than a stalled ox and
-hatred there with.' Besides, you forget another important matter. I am
-now a homeless, penniless outcast. I am not sacrificing anything. It is
-very kind of you to offer to take me in and shelter me.”
-
-“These are sophistries,” said Jimmie, with a laugh. “You gave up all on
-my account.”
-
-“But I am really penniless,” she said, ignoring his argument. “_Anch' io
-son pittore_. I too have felt the pinch of poverty.”
-
-“You?”
-
-She revealed her financial position--the overdraft at the bank, the
-shilling between herself and starvation. Were it not for Connie, she
-would have to sing in the streets. She alluded thoughtlessly, with her
-class's notions as to the value of money, to her “miserable two hundred
-a year.”
-
-“Two hundred a year!” cried Jimmie. “Why, that's a fortune!”
-
-His tone struck a sudden chill through her. He genuinely regarded the
-paltry sum as untold riches. She struggled desperately down to his point
-of view.
-
-“Perhaps it may come in useful for us,” she said lamely.
-
-“I should think it will! Why did n't you tell me before?”
-
-“Have you never thought I might have a little of my own?” she asked with
-a touch of her old hardness.
-
-“No,” said Jimmie. “Of course not.”
-
-“I don't see any 'of course' in the matter. The ordinary man would have
-speculated--it would have been natural--almost common-sense.”
-
-Jimmie threw up his hands deprecatingly.
-
-“I have been too much dazzled by the glorious gift of yourself to think
-of anything else you might bring. I am an impossible creature, as you
-will find out. I ought to have considered the practical side.”
-
-“Oh! I am very glad you did n't!” she exclaimed. “Heaven forbid you
-should have the mercenary ideas of the average man. It is beautiful to
-have thought of me only.”
-
-“I am afraid I was thinking of myself, my dear,” said he. “I must get
-out of the way of it, and think of the two of us. Now let us be severely
-business-like. You have taken a load off my mind. There are a thousand
-things you can surround yourself with that I imagined you would lack.”
- He took her two hands and swung them backwards and forwards. “Now I
-shan't regard myself as such a criminal in asking you to marry me.”
-
-“Do you think two hundred a year a fortune, Jimmie?” she asked.
-
-“To the Rothschilds and Vanderbilts perhaps not--but everything is
-relative.”
-
-“Everything?”
-
-Her heart spoke suddenly, demanding relief. Their eyes met.
-
-“No, dear,” he said. “One thing at least is absolute.” An interlude of
-conviction succeeded doubt. She felt that she had never loved him so
-much as at that moment. It was more with the quickly lit passion of the
-awakened woman than with the ardour of a girl that she clasped her hands
-round his head and drew it down to their kiss. She had an awful need of
-the assurance of the absolute.
-
-It nerved her to face a discussion on ways and means with Aline,
-whom Jimmie at her request summoned from demure sewing in her little
-drawing-room.
-
-“You are right,” she had said, referring to his former remark. “We ought
-to be severely business-like. I must begin to learn things. You don't
-know how hopelessly ignorant I am.”
-
-Aline came down to give the first lesson in elementary housekeeping. She
-brought with her a pile of little black books which she spread out
-at the end of the long table. The two girls sat side by side. Jimmie
-hovered about them for a while, but was soon dismissed by Aline to a
-distant part of the studio, where, having nothing wherewith to occupy
-himself, he proceeded to make a charcoal sketch of the two intent faces.
-
-Aline, proud at being able to display her housewifely knowledge before
-appreciative eyes, opened her books, and expounded them with a charming
-business air. These were the receipts for the last twelve months; these
-the general disbursements. They were balanced to a halfpenny.
-
-“Of course anything I can't account for, I put down to the item
-'Jimmie,'” she said naively. “He _will_ go to the money-drawer and help
-himself without letting me know. Is n't it tiresome of him?”
-
-Norma smiled absently, wrinkling her brows over the unfamiliar figures.
-She had no grasp of the relation the amounts of the various items bore
-to one another, but they all seemed exceedingly small.
-
-“I suppose it's necessary to make up this annual balance?” she asked.
-
-“Of course. Otherwise you would n't know how much you could apportion to
-each item. Jimmie says it's nonsense to keep books; but if you listen to
-Jimmie, you 'll have the brokers in in a month.”
-
-“Brokers?”
-
-Aline laughed at her perplexed look. “Yes, to seize the furniture in
-payment of debt.”
-
-The main financial facts having been stated, Aline came to detail. These
-were the weekly books from the various tradesmen. She showed a typical
-week's expenditure.
-
-“What about the fishmonger?” asked Norma, noting an obvious omission.
-
-“Fish is too expensive to have regularly,” Aline explained, “and so
-I don't have an account. When I buy any, I pay for it at once, in the
-shop.”
-
-“When _you_ buy it?”
-
-“Why, yes. You'll find it much better to go and choose things for
-yourself than let them call for orders. Then you can get exactly what
-you want, instead of what suits the tradesman's convenience. You see,
-I go to the butcher and look round, and say 'I want a piece of that
-joint,' and of course he does as he's told. It seems horrid to any one
-not accustomed to it to go into a butcher's shop, I know; but really
-it's not unpleasant, and it's quite amusing.”
-
-“But why should n't your housekeeper do the marketing?”
-
-“Oh, she does sometimes,” Aline admitted; “but Hannah is n't a good
-buyer. She can't _judge_ meat and things, you know, and she is apt to be
-wasteful over vegetables.”
-
-“You don't bring the--the meat and things--home with you in a basket, do
-you?” asked Norma, with a nervous laugh.
-
-Jimmie, interested in his sketch, had not listened to the conversation,
-which had been carried on in a low tone. The last words, however,
-pitched higher, caught his ear. He jumped to his feet.
-
-“Norma carry home meat in a basket! Good God! What on earth has the
-child been telling you?”
-
-“I never said anything of the kind, Jimmie,” cried Aline, indignantly.
-“You needn't bring home anything unless you like; our tradesmen are most
-obliging.”
-
-Norma pushed back her chair from the table and rose and again laughed
-nervously.
-
-“I am afraid I can't learn all the science of domestic economy in
-one lesson. I must do it by degrees.” She passed her hand across her
-forehead. “I'm not used to figures, you see.”
-
-Jimmie looked reproachfully at Aline. “Those horrid little black books!”
- he exclaimed. “They are enough to give any one a headache. For heaven's
-sake, have nothing to do with them, dear.”
-
-“But the brokers will come in,” said Norma, with an uncertain catch in
-her voice.
-
-“They are Aline's pet hobgoblins,” laughed Jimmie. “My dear child,”
- pointing to the books, “please take those depressing records of wasted
-hours away.”
-
-When they were alone, he said to Norma very tenderly, “I am afraid my
-little girl has frightened you.”
-
-She started at the keenness of his perception and flushed.
-
-“No--not frightened.”
-
-“She is so proud of the way she runs her little kingdom here,” he said;
-“so proud to show you how it is done. You must forgive her. She is only
-a child, my dearest, and forgets that these household delights of hers
-may come as shocks to you. I shall not allow you to have these worries
-that she loves to concern her head about.”
-
-“Then who will have them?” she asked, with her hand on the lapel of his
-jacket. “You? That would be absurd. If I am your wife, I must keep your
-house.”
-
-“My dear,” said Jimmie, kissing her, “if we love each other, there will
-be no possibility of worries. I believe in God in a sort of way, and He
-has not given you to me to curse and wither your life.”
-
-“You could only bless and sanctify it,” she murmured.
-
-“Not I, dear; but our love.”
-
-Soothed, she raised a smiling face.
-
-“But still, I'll have to keep house. Do you think I would let you go to
-the butcher's? What would Aline say if you made such a proposal?”
-
-“She would peremptorily forbid him to take my orders,” he replied,
-laughing.
-
-“I am sure I should,” she said.
-
-It was growing late. She glanced at the wheezy tilted old Dutch clock
-in the corner, and spoke of departure. She reflected for a moment on the
-means of home-getting. To her lowered spirits the omnibus loomed like a
-lumbering torture-chamber. The consolation of a cab seemed cowardice. An
-inspiration occurred to her. She would walk; perhaps he would accompany
-her to Bryanston Square. He was enraptured at the suggestion. But could
-she manage the distance?
-
-“I should like to try. I am a good walker--and when we are outside,” she
-added softly, “we can talk a little of other matters.”
-
-It was a mild spring night, and the quiet stars shone benignantly upon
-them as they walked arm in arm, and talked of “other matters.” As she
-had needed a little while before the assurance of the absolute, so now
-she craved the spirituality of the man himself, the inner light of faith
-in the world's beauty, the sweetness, the courage--all that indefinable
-something in him which raised him, and could alone raise her, above the
-terrifying things of earth. She clung to his arm in a pathos of yearning
-for him to lead her upward and teach her the things of the spirit. Only
-thus lay her salvation.
-
-He, clean, simple soul, lost in the splendour of their love, expounding,
-as it chanced, his guileless philosophy of life and his somewhat
-childishly pagan religious convictions, was far from suspecting
-the battle into which he was being called to champion the side of
-righteousness. He went to sleep that night the most blissfully happy of
-men. Norma lay awake, a miserable woman.
-
-
-
-
-Chapter XXVII--A DINNER OF HERBS
-
-SHE loved him. Of that there was no doubt. To her he was the man of
-men. The half angel, half fool of her original conception had melted
-into an heroic figure capable of infinite tendernesses. The lingering
-barbaric woman in her thrilled at the memory of him contemptuously
-facing death before the madman's revolver. Her higher nature was awed at
-the perfect heroism of his sacrifice. She knelt at his feet, recognising
-the loftier soul. Sex was stirred to the depths when his arms were
-about her and his kiss was on her lips. In lighter relations he was the
-perfect companion. For all her vacillation, let that be remembered: she
-loved him. All of her that was worth the giving he had in its plenitude.
-
-The days which followed her initiation into domestic economy were days
-of alternating fear and shame and scornful resolution. She lost grip of
-herself. The proud beauty curving a contumelious lip at the puppet
-show of life was a creature of the past. Set the proudest and most
-self-sufficing of women naked in what assembly you please, and she
-will crouch, helpless, paralysed, in the furthest corner. Some such
-denudation of the moral woman had occurred in the case of Norma
-Hardacre. The old garments were stripped from her. She was bewildered,
-terrified, no longer endowed with personality.
-
-Sometimes despising herself and resolved to perform her manifest duty,
-she sought other lessons from Aline. They ended invariably in dismay.
-Once she learned that Jimmie had never had a banking account. The
-money was kept in a drawer of which Jimmie and Aline had each a key.
-On occasions the drawer had been empty. Another lesson taught her that
-certain shops in the neighbourhood were to be avoided as being too
-expensive; that cream was regarded as a luxury, and asparagus as
-an impossible extravagance. Every new fact in the economy of a poor
-household caused her to shiver with apprehension. All was so trivial,
-so contemptibly unimportant, and yet it grew to be a sordid barrier
-baffling her love. She loathed the base weakness of her nature. It was
-degrading to feel such repulsion.
-
-One evening Connie Deering was going to a Foreign Office reception, and
-came down an enchanting vision in a new gown from Paquin and exhibited
-herself to Norma.
-
-“I think it's rather a success. Don't you?”
-
-Norma assented somewhat listlessly, but to please her friend inspected
-the creation and listened to her chatter. She was feeling lonely and
-dispirited. At Aline's entreaty she had persuaded Jimmie to go with Tony
-Merewether to the Langham Sketch Club, thus showing himself, for the
-first time since the scandal, among his old associates. For her altruism
-she paid the penalty of a dull evening. Their visits to each other were
-her sole occupation now, all that was left in life to interest her. In
-moments of solitude she began to feel the appalling narrowness of the
-circle in which she was caged. Reading tired instead of refreshing her.
-She had been accustomed to men and women rather than to books, to
-the sight of many faces, to the constant change of scene. When she
-speculated on employment for future solitary hours, she thought ruefully
-of recuffing shirts.
-
-Connie apologised for leaving her, hoped she would manage to amuse
-herself. Norma, who had made strenuous efforts to hide the traces of
-tumult, returned a smiling answer. Connie, quite deceived, put an arm
-round her waist and said suddenly in her bright, teasing way:
-
-“Now don't you wish you were coming too?”
-
-Norma, staggered at the point-blank question, was mistress enough of
-herself to observe the decencies of reply, but when Connie had gone, she
-sat down on the sofa and stared in front of her. She did wish she were
-going with Connie. She had been wishing vaguely, half-consciously all
-the evening. Now the wish was the pain of craving. It came upon her like
-the craving of the alcoholic subject for drink--this sudden longing for
-the glitter, the excitement, the whirl of the life she had renounced.
-Her indictment of it seemed unreal, the confused memory of a brain-sick
-mood. It was her world. She had not cut herself free. All the fibres of
-her body seemed to be rooted in it, and she was being drawn thither
-by irresistible desire. The many, many people, the diamonds, the
-brilliance, the flattery, the envy, the very atmosphere heavy with many
-perfumes--she saw and felt it all; panted for it, yearned for it. That
-never, never again would she take up her birthright was impossible. That
-she should stand forevermore in the humble street outside the gates of
-that dazzling, wonderful, kaleidoscopic world was unthinkable.
-
-She remembered her talk with Morland at the Duchess of Wiltshire's
-reception at the end of the last season, her shiver at the idea of a
-life of poverty; was it a premonition? She remembered the blessed sense
-of security when she had looked round the splendid scene and felt that
-she and it were indissoluble parts of the same scheme of things. A
-crust and heel of cheese as Jimmie's wife had crossed her mind then as a
-grotesque fantasy; the air of that brilliant gathering was the breath of
-her being.
-
-But now the grotesque fancy was to be the reality; the other was to
-become the shadow of a dream. No yearning or panting could restore it.
-The impossible was the inevitable. The unthinkable was the commonplace.
-She had made her choice deliberately, irrevocably. She had lost the
-whole world to gain her own soul. In the despair of her mood she
-questioned the worth of the sacrifice. The finality of the choice
-oppressed her. If at this eleventh hour she could still have the
-opportunity of the heroic--if still the gates of the world were open to
-her, she would have had a stimulus to continued nobility. The world and
-the passionate love for the perfect man--which would she choose? Her
-exaltation would still have swept her to the greater choice. Of, this
-she was desperately aware. But the gates were shut. She had already
-chosen. The heroic moment had gone. The acceptance of conditions was now
-mere uninspired duty. She gave way to unreason.
-
-“O God! Why cannot I have both--my own love and my own life?”
-
-The tears she shed calmed her.
-
-The next day she felt ill from the strain, paying the highly bred
-woman's penalty of nervous break-down. Connie Deering noted the circles
-beneath her eyes and the pinched nostrils. Norma casually mentioned a
-night's neuralgia. It would pass off during the day. She refused to be
-doctored. She would pay a visit to Jimmie before lunch. The fresh air
-would do her good.
-
-“The fresh air and Jimmie,” laughed her friend. “You are the most
-beautifully in love young woman I have ever met.”
-
-Norma started on her visit, walking fast. At Baker Street station it
-began to rain. She took the penitential omnibus; but her thoughts were
-too anxious to concern themselves with its discomforts. Besides, it was
-almost empty. The night had brought counsel. She would go to Jimmie and
-be her true self, frank and unsparing. With a touch of her old scorn she
-had resolved to confess unreservedly all the meanness and cowardice
-of which she had of late been guilty. She would bare to him the soon
-spotted soul and crave his cleansing. He would understand, pardon, and
-purify. Perhaps, when he knew all, he would be able to devise some new
-scheme of existence. At any rate, she would no longer receive his kisses
-with a lie in her heart. She loved him too ardently. He should know what
-she was, what were her needs, her limitations. The meeting would be
-a crisis in their lives. Out of it would come reconstruction on some
-unshakable basis. Up to a certain point she reasoned; beyond it, the
-pathetic unreason of a woman drifted rudderless.
-
-It had stopped raining when she left the omnibus and started on the
-short walk from the corner to Friary Grove. At the familiar gate her
-heart already seemed lighter; she opened it, mounted the front steps,
-and rang. The middle-aged servant, minus cap and with thin untidy hair,
-in a soiled print dress, her sleeves rolled up to the elbow exposing red
-coarse arms, was the first shock to Norma when the door opened.
-
-“Both the Master and Miss Aline are out, Miss,” said Hannah, with a
-good-natured smile. “He has gone into town on business, and Miss Aline,
-went out a little while ago with her young man. But they'll be back for
-lunch. Won't you come in and wait, Miss?”
-
-Norma, vaguely resenting the familiar address of the servant and her
-slatternly appearance, hesitated for a moment before deciding to enter.
-Hannah showed her into the drawing-room and retired. It was a small dark
-room looking on to the back. Part of it had been cut off when the
-house had been altered, so as to construct the studio staircase, which
-contained one of the original windows. Norma felt strangely ill at
-ease in the room. The prim, cheap furniture, the threadbare carpet,
-the flimsy girlish contrivances at decoration, gave the place an air of
-shabby gentility. The gilt mirror was starred with spots and had a crack
-across the corner. Some of Jimmie's socks and underwear lay on the table
-for mending. They were much darned, and fresh holes could not fail to
-meet the eye that rested but momentarily on the pile. To mend these
-would in the future be her duty. She took up an undervest shrinkingly
-and shook it out; then folded it again and closed her eyes.... She could
-not wait there: the gloom depressed her. The studio would be brighter
-and more familiar. She went downstairs. Nothing in the room she knew so
-well was changed, yet it seemed to wear a different aspect. The homely
-charm had vanished. Here, too, shabbiness and poverty stared at her. The
-morning light streaming through the great high window showed pitilessly
-the cracks and stains and missing buttons of the old leathern suite, and
-the ragged holes in the squares of old carpet laid upon the boards. It
-was a mere bleak workshop, not a room for human habitation. The pictures
-on the walls and easels ceased to possess decorative or even intimate
-value. The large picture of the faun that had exercised so great an
-influence upon her had been despatched to its purchaser, and in its
-place was a hopeless gap.
-
-She sat down in her accustomed chair, and once more strove to realise
-the future. There would be children who would need her care. On herself
-would all the sordid burdens fall. She saw herself a soured woman, worn
-with the struggle to make ends meet, working with her hands at menial
-tasks. The joy of Life! She laughed mirthlessly.
-
-She rose, walked restlessly about the studio, longing for Jimmie to
-come and exorcise the devils that possessed her. A little sharp cry of
-distress escaped her lips. The place echoed like a vault, and she felt
-awfully alone. In her nervous tension she could bear it no longer. She
-went up the stairs again into the bare hall. On the pegs hung two or
-three discoloured hats and an old coat. Scarce knowing whither she went,
-she entered the dining-room. Luncheon had been laid. A freak of destiny
-had reproduced the meal of which Morland had spoken at Wiltshire House
-and of which last night had revived the memory: a scrag end of cold
-boiled mutton, blackened and shapeless, with the hard suet round about
-it; a dried-up heel of yellow American cheese; the half of a cottage
-loaf. The table-cloth--it was Friday--was stained with a week's meals.
-It was coarse in texture, old and thin and darned. The enamel on the
-plates was cracked, the hundred tiny fissures showing up dark brown.
-The plate on the forks had worn off in places, disclosing the yellowish
-metal beneath. The tumblers were thick and common, of glass scarcely
-transparent. She stared helplessly at the table. Never in her life had
-she seen such preparations for a meal. To the woman always daintily fed,
-daintily environed, it seemed squalor unspeakable.
-
-She shrank back into the hall, pressed her hands to her eyes, looked
-round, as if to search for some refuge. The stairs met her eye. She
-had never seen what lay above the ground floor--except once, on the
-memorable evening when Aline had fainted. Suddenly madness seized
-her--an insane craving to spy out the whole nakedness of the house. The
-worn stair-carpet ended at the first landing. Then bare boards. The door
-of the bathroom was wide open. She peeked in. The ceiling was blackened
-with gas; the bath cracked and stained; the appointments as bare as
-those in a workhouse. Her glance fell upon a battered tin dish holding
-an uncompromising cube of yellow soap with hard sharp edges. She
-withdrew her head and shut the door hurriedly. Another door stood ajar.
-She pushed it open and entered. It was the front bedroom--inhabited by
-Jimmie. The thought that it would be her own, which a fortnight before
-might have clothed her in delicious confusion, chilled her to the
-bone. Bare boards again; a strip of oil-cloth by the narrow cheap iron
-bedstead; a painted deal table with a little mirror and the humblest of
-toilette equipments laid upon it; a painted deal chest of drawers with
-white handles; a painted deal wash-stand; a great triangular bit broken
-out of the mouth of the ewer.
-
-It was poverty--grinding, sordid, squalid poverty. From the one
-dishevelled, slatternly, middle-aged servant to the cheap paper
-peeling off the wall in the bedrooms, all she had seen was poverty. The
-gathering terror of it burst like a thunderstorm above her head. Her
-courage failed her utterly. Like a creature distracted, she rushed
-downstairs and fled from the house. She walked homewards with an
-instinctive sense of direction. Afterwards she had little memory of the
-portion of the road she traversed on foot. She moved in a shuddering
-nightmare. All the love in the world could not shed a glamour over the
-nakedness of the existence that had now been revealed to her in its
-entire crudity. She could not face it. Other women of gentle birth had
-forsaken all and followed the men they loved; they had loved peasants
-and had led great-heartedly the peasant's life. They had qualities
-of soul that she lacked. Hideously base, despicably cowardly she knew
-herself to be. It was her nature. She could not alter. The world of
-graceful living was her world. In the other she would die. He had warned
-her. The gipsy faith in Providence had made him regard as a jest what
-would be to her a sordid shift, an intolerable ugliness, stripping life
-of its beauty. The passion-flower could not thrive in the hedge with the
-dog-rose. It was true--mercilessly true. The craving of last night awoke
-afresh, imperiously insistent. She walked blindly, tripped, and nearly
-fell. A subconscious self hailed a passing hansom and gave the address.
-
-What would become of her she knew not. She thought wildly of suicide as
-the only possible escape. From her own world she was outcast. Its gates
-were barred with gold and opened but to golden keys. She was penniless.
-In this other world she would die. Love could not prevent her starving
-on its diet of herbs. She clung to life, to the stalled ox, and recked
-little of the hatred; but at the banquet she no longer had a seat. She
-had said she would follow him in rags and barefoot over the earth. She
-had not fingered the rags when she had made the senseless vow; she had
-not tried her tender feet on the stones. She could have shrieked with
-terror at the prospect. There was no way out but death.
-
-The Garden of Enchantment faded from her mind like a forgotten dream.
-The sweet Arcadian make-believe alone rose up in ironical mockery, a
-scathing memory which seemed to flay the living heart of her. She sat
-huddled together in a corner of the cab, tortured and desperate.
-On either hand hung the doom of death. In the one case it would be
-lingering: the soul would die first; the man she loved would be tied to
-a living corpse; she would be a devastating curse to him instead of
-a blessing. In the other she could leave him in the fulness of their
-unsullied love. The years that the locust hath eaten would not stretch
-an impassable waste between them. In his sorrow there would be the
-imperishable sense of beauty. And for herself the quick end were better.
-
-She was aroused to consciousness of external things by a husky voice
-addressing her from somewhere above her head. The cab had stopped at
-Connie's house in Bryanston Square. She descended, handed to the man the
-first coin in her purse that her fingers happened to grasp. He looked at
-it, said that he was sorry he had not change for a sovereign. She
-waved her hand vaguely, deaf to his words. The cabman, with a clear
-conscience, whipped up his horse smartly and drove off.
-
-A figure on the doorstep raised his hat.
-
-“How delightful of you to arrive at the very moment, Miss Hardacre! I am
-summoned back to America. I sail to-morrow. I was calling on the chance
-of being able to bid you good-bye.”
-
-Norma collected her scattered wits and recognised Theodore Weever. She
-looked at him full in the eyes.
-
-Her lips were parted; her breath came fast. He stretched out his hand
-to press the electric button, so as to gain admittance to the house. She
-touched his arm, restraining his action, and still stared at him.
-
-“Wait,” she said at last. “I have something to say to you.”
-
-“I am honoured,” he replied in his imperturbable way.
-
-“Have you found your decorative wife, Mr. Weever?”
-
-A sudden light shone lambently in his pale, expressionless blue eyes.
-
-“Am I to understand that I can find her on Mrs. Deering's doorstep?”
-
-“If you look hard enough,” said Norma.
-
-He took her hand and shook it with the air of a man concluding a
-bargain.
-
-“I felt sure of it,” he said. “I intended from the first to marry you.
-I shall ever be your most devoted servant.'”
-
-“I make one condition,” she said.
-
-“Name it.”
-
-“You don't enter this house, and I sail with you to-morrow.”
-
-“Certainly.”
-
-“What train shall I catch and from what station shall I start?”
-
-“The ten o'clock from Waterloo.”
-
-She rang the bell.
-
-“May I trouble you to book my passage?”
-
-“It will be my happiness.”
-
-“_Au revoir_,” she said, holding out her hand.
-
-He raised his hat and walked away briskly. The door opened, and Norma
-entered the house.
-
-
-
-
-
-Chapter XXVIII--THE WORD OF ALINE
-
-WHAT she wrote to him is no great matter.
-
-Her letter, which he opened on coming down to breakfast the next
-morning, filled many pages. It was a rhapsody of passionate love and
-self-abasement, with frantic appeals for forgiveness. In its cowardice
-there was something horribly piteous. Jimmie read it beneath the high
-north window of the studio, his back turned towards Aline, who was
-seated at the breakfast-table at the other end. For a long, long while
-he stood there, quite still, holding the letter in his hand. Aline, in
-wonder, stole up quietly and touched his arm. When he turned, she saw
-that his face was ashen-grey, like a dead man's.
-
-The shock left its mark upon him. Physically it accomplished the work of
-ten years, wiping the youth from his face and setting in its stead the
-seal of middle age. It is common enough for grief or illness to lay its
-hand on the face of a woman no longer young and shrivel up her beauty
-like a leaf and set her free, old and withered. But with a man, who has
-no such beauty to be marred, the case is rare.
-
-For a week he remained silent. The two women who loved him waited in
-patience until the time should come for their comforting to be of use.
-From the very first morning he let no change appear in his habits,
-but set his palette as usual and went on with the new picture that was
-nearing completion. In the afternoon he went for a walk. Aline, going
-down to the studio, happened to look at his morning's work. For a moment
-she was puzzled by what she saw, for she was familiar with his
-methods. Gradually the solution dawned upon her. He had been painting
-meaninglessly, incoherently, putting in splotches of colour that had
-no relation to the tone of the picture, crudely accentuating outlines,
-daubing here, there, and anywhere with an aimless brush. It was the work
-of a child or a drunken man. Aline cast herself on the model-platform
-and cried till she could cry no more. When he came back, he took a
-turpentine rag and obliterated the whole picture. For days he worked
-incessantly, trying in vain to repaint. Nothing would come right. The
-elementary technique of his art seemed to have left him. Aline strove to
-get him away. He resisted. He had to do his day's work, he said.
-
-“But you're not well, dear,” she urged. “You will kill yourself if you
-go on like this.”
-
-“I've never heard of work killing a man,” he answered. Then after a
-pause, “No. It's not work that kills.”
-
-At last the sleep that had failed him returned, and he awoke one morning
-free from the daze in the brain against which he had been obstinately
-struggling. He rose and faced the world again with clear eyes. When
-Aline entered the studio to summon him to lunch, she found him painting
-at the unhappy picture with his accustomed sureness of touch. He leaned
-back and surveyed his handiwork.
-
-“It's going to be magnificent, is n't it? What a blessing I wiped out
-the first attempt!”
-
-“Yes, this is ever so much better, Jimmie,” the girl replied, with tears
-very near her eyes. But her heart swelled with happy relief. The aching
-strain of the past week was over. She had dreaded break-down, illness,
-and permanent paralysis of his faculties. The man she knew and loved had
-seemed to be dead and his place taken by a vacant-eyed simulacrum. Now
-he had come to life again, and his first words sounded the eternal chord
-of hope and faith.
-
-From that day onwards he gave no sign of pain or preoccupation. Only the
-stamp of middle age upon his face betrayed the suffering through which
-he had passed. He concerned himself about Aline's marriage. Arrangements
-had been made for it to take place on the same day as that of their
-elders--a day, however, that Norma had never fixed. The recent
-catastrophe had caused its indefinite postponement. Aline declared
-herself to be in the same position as before, the responsibility of the
-beloved's welfare being again thrust upon her shoulders. She pleaded
-with her lover for delay, and young Merewether, disappointed though he
-was, acquiesced with good grace. At last Jimmie called them before
-him, and waving his old briar-root pipe, as he spoke, delivered his
-ultimatum.
-
-“My dear children,” said he, standing up before them, as they sat
-together on the rusty sofa, “you have the two greatest and most glorious
-things in a great and glorious world, youth and love. Don't despise
-the one and waste the other. Get all the beauty you can out of life and
-you'll shed it on other people. You'll shed it on me. That's why I want
-you to marry as soon as ever you are ready. You'll let me come and look
-at you sometimes, and if you are happy together, as God grant you will
-be, that will be my great happiness--the greatest I think that earth has
-in store for me. I have stood between you long enough--all that is over.
-I shall miss my little girl, Tony. I should be an inhuman monster if I
-didn't. But I should be a monster never before imagined by a disordered
-brain if I found any pleasure in having her here to look after me when
-she ought to be living her life in fulness. And that's the very end of
-the matter. I speak selfishly. I can't help it. I have a great longing
-for joy around me once more. Go upstairs and settle everything finally
-between you.”
-
-When they had gone, he sighed. “Yes,” he said to himself, “a great
-longing for joy--and the sound of the steps of little children.” Then he
-laughed, calling himself a fool, and went on with his painting.
-
-A day or two afterwards Connie Deering, who had been a frequent visitor
-since Norma's flight, walked into the studio while Jimmie was working.
-
-“Don't let me disturb you. Please go on,” she cried in her bright, airy
-way. “If you don't, I'll disappear. I've only come for a gossip.”
-
-Jimmie drew a chair near the easel and resumed his brush. She
-congratulated him on the picture. It was shaping beautifully. She had
-been talking about it last night to Lord Hyston, who had promised to
-call at the studio to inspect it. Lord Hyston was a well-known buyer of
-modern work.
-
-“He is stocking a castle in Wales, which he never goes near, with acres
-of paint,” she said encouragingly. “So I don't see why you should n't
-have a look in.”
-
-“Is there a family ghost in the castle?”
-
-“I believe there are two!”
-
-“That's a blessing,” said Jimmie. “Some one, at any rate, will look at
-the pictures.”
-
-She watched him in silence for a minute or two. Then she came to the
-important topic.
-
-“So the two children have made up their minds at last.”
-
-“Yes, they are to be married on the twenty-eighth of May.”
-
-“Poor young things,” said Connie.
-
-“Why poor?”
-
-“I don't know,” she said 'with a sigh. “The subject of marriage always
-makes me sad nowadays. I am growing old and pessimistic.”
-
-“You are bewilderingly youthful,” replied Jimmie.
-
-“Do you know how old I am?”
-
-“I have forgotten how to do subtraction,” he said, thinking of his own
-age.
-
-“Yes. Of course you know. It's awful. And Aline is--what--seventeen?”
-
-“Eighteen.”
-
-“You'll be dreadfully lonely without her.”
-
-“Lonely? Oh, no. I have my thoughts--and my memories.”
-
-She looked at him fleetingly.
-
-“I should have thought you would wish to escape from memories, Jimmie.”
-
-“Why should I?”
-
-“'The sorrow's crown of sorrows.'”
-
-“I don't believe in it,” he said, turning towards her. “What has been
-has been. A joy that once has been is imperishable. Remembering happier
-things is a sorrow's crown of consolation. Thank God! I have had them to
-remember.”
-
-“Do you think she is finding consolation in memories?” She spoke with
-sudden heat, for Norma's conduct had filled her heart with blazing
-indignation.
-
-“I hope so,” said Jimmie dreamily, after a pause. “But she has not so
-many as I. She loved me deeply. She had her hour--but I had my day.”
-
-“If I were you, I should want never to think of her again.”
-
-“Not if you were I, my dear Connie,” he said gently. “If either of us
-was in the wrong, it was not she.”
-
-“Rubbish,” said Mrs. Deering.
-
-“No. It is the truth. She was made for kings' palaces and not for this
-sort of thing. I knew it was impossible from the first--but the joy
-and wonder of it all blinded my eyes. She gave me the immortal part of
-herself. It is mine for all eternity. I wrote to her a day or two ago--I
-was not able at first. I could not sleep, you know; something seemed to
-have gone wrong with my head.”
-
-“You wrote to her?”
-
-“To tell her not to be unhappy for my sake.”
-
-“And you have forgiven her entirely?”
-
-“Since our love is unchanged, how could I do otherwise?”
-
-“But she has gone and thrown herself into the arms of another man--and
-such a man!” said Connie, brusquely. A quiver of pain passed over his
-face.
-
-“Those are things of the flesh that the discipline of life teaches a man
-to subdue. I think I am man enough for that. The others are things of
-the spirit. If ever woman loved a man, she loved me. I thank God,” he
-added in a low voice, “that she realised the impossibility before we
-were married.”
-
-“So do I; devoutly,” said Connie.
-
-“It would have made all the difference.”
-
-“Precisely,” said Connie.
-
-“She would have been chained hand and foot to an intolerable existence.
-She would have fretted and pined. Her life would have been an infinite
-burden. Heaven's mercy saved her.”
-
-“I was n't looking at it from her point of view at all,” exclaimed
-Connie.
-
-“Hers is the only one from which one can look at it,” he answered
-gravely.
-
-When she bade him good-bye some ten minutes later, she did not withdraw
-the hand which he held. Her forget-me-not eyes grew pleading, and her
-voice trembled a little.
-
-“I wish I could comfort you, Jimmie--not only now, but in the lonely
-years to come. But remember, dear, there is nothing on earth I would n't
-give you or do for you--nothing on earth.”
-
-It was not till long afterwards that he fully comprehended the
-meaning of her words; and then she herself prettily vouchsafed the
-interpretation. For immediate answer he kissed her on the cheek in the
-brotherly fashion in which he had kissed her twice before.
-
-“What greater comfort,” said he, “can I have than to hear you say that?
-I am a truly enviable man, Connie. Love and affection are showered upon
-me in full measure. Life is very, very sweet.”
-
-The next two or three weeks brought pleasant surprises which
-strengthened his conviction. One by one old friends sought him out,
-and, some heartily, others shamefacedly, extended to him the hand of
-brotherhood. His evening at the Langham Sketch Club had inaugurated the
-new order of things. The Frewen-Smiths, whose New Year party had marked
-the epoch between child and woman in Aline's life, invited the two
-outcasts to dinner, and pointedly signified that they were the honoured
-guests. Brother artists looked in casually on Sunday evenings. Their
-wives called upon Aline, offering congratulations and wedding-gifts. A
-lady whose portrait he had painted, and at whose house he had visited,
-commissioned him to paint the portraits of her two children. The
-ostracism had been removed. How this had been effected Jimmie could not
-conjecture; and Tony Merewether and Connie Deering, who were the persons
-primarily and independently responsible, did not enlighten him. By
-Aline's wedding-day all the old circle had gathered round him, and a
-whisper of the true story had been heard in Wiltshire House.
-
-Thus the world began to smile upon him, as if to make amends for the
-anguish it could not remedy. He took the smile as a proof of the world's
-essential goodness. The great glory that for a day had made his life a
-blaze of splendour had faded; the sun in his heaven had been eternally
-eclipsed. But the lesser glory of the moon and stars remained undimmed;
-the tenderness of twilight lost no tone of its beauty. He stood unshaken
-in his faith, unchanged in himself--the strong, wise man looking upon
-the earth and the fulness thereof with the unclouded eyes of a child.
-
-The man whom he had most loved, the woman he had most worshipped, had
-each failed him, had each brought upon him bitter and abiding sorrow.
-They had passed like dead folks out of his daily life. Yet each retained
-in his heart the once inhabited chambers. They were dear ghosts. His
-incurable optimism in this wise brought about its consolation. For
-optimism involves courage of a serene quality. Aline, with her swift
-perception of him, had the opportunity of flashing this into an epigram.
-There was a little gathering in the studio, and the talk ran on personal
-bravery. Some one started the question: What would the perfectly brave
-man do if attacked unarmed by a man-eating tiger?
-
-“I know what Jimmie would do,” she cried. “He would try to pat the beast
-on the head.”
-
-There was laughter over the girl's unchallenged championship, but those
-who had ears to hear found the saying true.
-
-The night before the wedding the two sat up very late, spending their
-last hours together, and Aline sat like a child on Jimmie's knee
-and sobbed on his breast. The lover seemed a far-away abstraction, a
-malevolent force rather than a personality, that was tearing her away
-from the soil in which her life was rooted. Jimmie stroked her hair
-and spoke brave words. But he had not realised till then the wrench of
-parting. Till then, perhaps, neither had realised the strength of the
-bond between them. They were both fervent natures, who felt intensely,
-and their mutual affection had been a vital part of their lives. If
-bright and gallant youth had not flashed across the girl's path and,
-after the human way, had not caught her wondering maidenhood in strong
-young arms; if deeper and more tragic passion had not swept away the
-mature man, it is probable that this rare, pure love of theirs might
-have insensibly changed into the greater need one of the other, and the
-morrow's bells might have rung for these two. But as it was, no such
-impulse stirred their exquisite relationship. They were father and
-daughter without the barrier of paternity; brother and sister without
-the ties of consanguinity; lovers without the lovers' throb; intimate,
-passionate friends with the sweet and subtle magic of the sex's
-difference.
-
-“I can't bear leaving you,” she moaned. “I can't bear leaving the dear
-beautiful life. I'll think of you every second of every minute of every
-hour sitting here all alone, alone. I don't want to go. If you say the
-word now, I'll remain and it shall be as it has been for ever and ever.”
-
-“I shall miss you--terribly, my dear,” said he. “But I'll be the gainer
-in the end. You'll give me Tony as a sort of younger brother. I am
-getting to be an old man, darling--and soon I shall find the need of
-_les jeunes_ in my painting life. You can't understand that yet. Tony
-will bring around me the younger generation with new enthusiasms and
-fresh impulses. It is to my very great good, dear. And if God gives you
-children, I'll be the only grandfather they'll ever have, poor things,
-and I'd like to have a child about me again. I have experience. I have
-washed your chubby face and hands, _moi qui vous parle_, and undressed
-you and put you to bed, my young lady who is about to be married.”
-
-“Oh, Jimmie, I remember it--and I had to tell you how to do everything.”
-
-“It seems the day before yesterday,” said Jimmie. “_Eheu fugaces!_”
-
-The next day when she in her wedding-dress (a present from Connie
-Deering) walked down the aisle on her husband's arm and stole a shy
-glance at him, radiant, full of the promise and the pride of manhood,
-and met the glad love in his eyes, she forgot all else in the throbbing
-joy of her young life's completion. It was only afterwards when she was
-changing her dress, with Connie Deering's assistance, in her own little
-room, that she became again conscience-stricken.
-
-“You _will_ look after Jimmie while I am away, _won't_ you?” she asked
-tragically--they were going to the Isle of Wight for their honeymoon.
-
-“I would look after him altogether if he would let me,” said Connie, in
-an abrupt, emotional little outburst.
-
-Aline drew a quick breath.
-
-“What do you mean?”
-
-Connie threw the simple travelling-hat, whose feathers she was daintily
-touching, upon the bed.
-
-“What do you think I mean?” she laughed nervously. “I'm not an old
-woman. I'm as lonely as Jimmie will be--and--”
-
-“What?”
-
-“Oh!---only I've found out that I love Jimmie as much as a silly woman
-can love anybody, if it's any satisfaction to you to know it--and
-you may be quite sure I'll see that no harm comes to him during your
-honeymoon, dear.”
-
-The ensuing conversation nearly caused the bride to miss her train. But
-no bride ever left her girlhood's room more luminously happy. On the
-threshold she turned and threw her arms round Connie Deering's neck.
-
-“I'll arrange it all when I come back,” she whispered.
-
-And Aline kept her word.
-
-
-
-THE END
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of Where Love Is, by William J. Locke
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-<pre>
-
-The Project Gutenberg EBook of Where Love Is, by William J. Locke
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Where Love Is
-
-Author: William J. Locke
-
-Release Date: January 18, 2017 [EBook #53996]
-Last Updated: March 12, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK WHERE LOVE IS ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- WHERE LOVE IS
- </h1>
- <h2>
- By William J. Locke
- </h2>
- <h4>
- New York
- </h4>
- <h4>
- Grosset &amp; Dunlap Publishers
- </h4>
- <h3>
- Copyright, 1903 By John Lane
- </h3>
- <p>
- <br /><br />
- </p>
- <h4>
- &ldquo;<i>Better is a dinner of herbs where love is, than a stalled ox and
- hatred therewith</i>.&rdquo;
- </h4>
- <h4>
- <i>The Proverbe of Solomon</i>
- </h4>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> WHERE LOVE IS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> Chapter I&mdash;THE FIRST GLIMPSE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> Chapter II&mdash;THE FOOL'S WISDOM </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> Chapter III&mdash;A MODERN BETROTHAL </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> Chapter IV&mdash;THE GREAT FROCK EPISODE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> Chapter V&mdash;A BROKEN BUTTERFLY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> Chapter VI&mdash;THE LOVERS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> Chapter VII&mdash;A MAD PROPHET </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> Chapter VIII&mdash;HER SERENE HIGHNESS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> Chapter IX&mdash;SENTIMENTAL EDUCATION </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> Chapter X&mdash;TWO IDYLLS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> Chapter XI&mdash;DANGER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> Chapter XII&mdash;NORMA'S ENLIGHTENMENT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> Chapter XIII&mdash;THE OPTIMIST AT LARGE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> Chapter XIV&mdash;THE BUBBLE REPUTATION </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> Chapter XV&mdash;MRS. HARDACRE LAUGHS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> Chapter XVI&mdash;IN THE WILDERNESS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> Chapter XVII&mdash;THE INCURABLE MALADY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> Chapter XVIII&mdash;A RUDDERLESS SHIP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> Chapter XIX&mdash;ABANA AND PHARPAR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0020"> Chapter XX&mdash;ALINE PREPARES FOR BATTLE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0021"> Chapter XXI&mdash;THE MOTH MEETS THE STAR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0022"> Chapter XXII&mdash;CATASTROPHE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0023"> Chapter XXIII&mdash;NORMA'S HOUR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0024"> Chapter XXIV&mdash;MRS. HARDACRE FORGETS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0025"> Chapter XXV&mdash;THE LAND OF ENCHANTMENT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0026"> Chapter XXVI&mdash;EARTH AGAIN </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0027"> Chapter XXVII&mdash;A DINNER OF HERBS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0028"> Chapter XXVIII&mdash;THE WORD OF ALINE </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0001" id="link2H_4_0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- WHERE LOVE IS
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0001" id="link2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter I&mdash;THE FIRST GLIMPSE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AVE you dined at
- Ranelagh lately?&rdquo; asked Norma Hardacre.
- </p>
- <p>
- &ldquo;I have never been there in my life,&rdquo; replied Jimmie Padgate. &ldquo;In fact,&rdquo;
- he added simply, &ldquo;I am not quite sure whether I know where it is.&rdquo;
- </p>
- <p>
- &ldquo;Yours is the happier state. It is one of the dullest spots in a dull
- world.&rdquo;
- </p>
- <p>
- &ldquo;Then why on earth do people go there?&rdquo;
- </p>
- <p>
- The enquiry was so genuine that Miss Hardacre relaxed her expression of
- handsome boredom and laughed.
- </p>
- <p>
- &ldquo;Because we are all like the muttons of Panurge,&rdquo; she said. &ldquo;Where one
- goes, all go. Why are we here to-night?&rdquo;
- </p>
- <p>
- &ldquo;To enjoy ourselves. How could one do otherwise in Mrs. Deering's house?&rdquo;
- </p>
- <p>
- &ldquo;You have known her a long time, I believe,&rdquo; remarked Norma, taking the
- opportunity of directing the conversation to a non-contentious topic.
- </p>
- <p>
- &ldquo;Since she was in short frocks. She is a cousin of King's&mdash;that's the
- man who took you down to dinner&mdash;&rdquo;
-</p>
- <p>
-She nodded. &ldquo;I have known Mr. King
- many weary ages.&rdquo;
- </p>
- <p>
- &ldquo;And he has never told me about you!&rdquo;
- </p>
- <p>
- &ldquo;Why should he?&rdquo;
- </p>
- <p>
- She looked him full in the face, with the stony calm of the fashionable
- young woman accustomed to take excellent care of herself. Her companion
- met her stare in whimsical confusion. Even so ingenuous a being as Jimmie
- Padgate could not tell a girl he had met for the first time that she was
- beautiful, adorable, and graced with divine qualities above all women, and
- that intimate acquaintance with her must be the startling glory of a
- lifetime.
- </p>
- <p>
- &ldquo;If I had known you for ages,&rdquo; he replied prudently, &ldquo;I should have
- mentioned your name to Morland King.&rdquo;
- </p>
- <p>
- &ldquo;Are you such friends then?&rdquo;
- </p>
- <p>
- &ldquo;Fast friends: we were at school together, and as I was a lonely little
- beggar I used to spend many of my holidays with his people. That is how I
- knew Mrs. Deering in short frocks.&rdquo;
- </p>
- <p>
- &ldquo;It's odd, then, that I have n't met you about before,&rdquo; said the girl,
- giving him a more scrutinising glance than she had hitherto troubled to
- bestow upon him. A second afterwards she felt that her remark might have
- been in the nature of an indiscretion, for her companion had not at all
- the air of a man moving in the smart world to which she belonged. His
- dress-suit was old and of lamentable cut; his shirt-cuffs were frayed; a
- little bone stud, threatening every moment to slip the button-hole,
- precariously secured his shirt-front. His thin, iron-grey hair was untidy;
- his moustache was ragged, innocent of wax or tongs or any of the
- adventitious aids to masculine adornment. His aspect gave the impression,
- if not of poverty, at least of narrow means and humble ways of life.
- Although he had sat next her at dinner, she had paid little attention to
- him, finding easier entertainment in her conversation with King on topics
- of common interest, than in possible argument with a strange man whom she
- heard discussing the functions of art and other such head-splitting
- matters with his right-hand neighbour. Indeed, her question about Ranelagh
- when she found him by her side, later, in the drawing-room was practically
- the first she had addressed to him with any show of interest.
- </p>
- <p>
- She hastened to repair her maladroit observation by adding before he could
- reply,&mdash;
-</p>
- <p>
-&ldquo;That is rather an imbecile thing to say considering the
- millions of people in London. But one is apt to talk in an imbecile manner
- after a twelve hours' day of hard racket in the season. Don't you think
- so? One's stock of ideas gets used up, like the air at the end of a
- dance.&rdquo;
- </p>
- <p>
- &ldquo;Not if you keep your soul properly ventilated,&rdquo; he answered.
- </p>
- <p>
- The words were, perhaps, not so arresting as the manner in which they were
- uttered. Norma Hardacre was startled. A little shutter in the back of her
- mind seemed to have flashed open for an elusive second, and revealed a
- prospect wide, generous, alive with free-blowing airs. Then all was dark
- again before she could realise the vision. She was disconcerted, and in a
- much more feminine way than was habitual with her she glanced at him
- again. This time she lost sight of the poor, untidy garments, and found a
- sudden interest in the man's kind, careworn face, and his eyes,
- wonderfully blue and bright, set far apart in the head, that seemed to
- look out on the world with a man's courage and a child's confidence. She
- was uncomfortably conscious of being in contact with a personality widely
- different from that of her usual masculine associates. This her training
- and habit of mind caused her to resent; despising the faint spiritual
- shock, she took refuge in flippancy.
- </p>
- <p>
- &ldquo;I fear our Tobin tubes get choked up in London,&rdquo; she said with a little
- laugh. &ldquo;Even if they did n't they are wretched things, which create
- draughts; so anyway our souls are free from chills. Look at that woman
- over there talking to Captain Orton&mdash;every one knows he's
- paymaster-general. A breath of fresh air in Mrs. Chance's soul would give
- it rheumatic fever.&rdquo;
- </p>
- <p>
- The abominable slander falling cynically from young lips brought a look of
- disapproval into Jimmie Padgate's eyes.
- </p>
- <p>
- &ldquo;Why do you say such things?&rdquo; he asked. &ldquo;You know you don't believe them.&rdquo;
- </p>
- <p>
- &ldquo;I do believe them,&rdquo; she replied defiantly. &ldquo;Why shouldn't one believe the
- bad things one hears of one's neighbours? It's a vastly more entertaining
- faith than belief in their virtues. Virtue&mdash;being its own reward&mdash;is
- deadly stale to one's friends and unprofitable to oneself.&rdquo;
- </p>
- <p>
- &ldquo;Cynicism seems cheap to-day,&rdquo; said Jimmie, with a smile that redeemed his
- words from impertinence. &ldquo;Won't you give me something of yourself a little
- more worth having?&rdquo;
- </p>
- <p>
- Norma, who was leaning back in her chair fanning herself languidly,
- suddenly bent forward, with curious animation in her cold face.
- </p>
- <p>
- &ldquo;I don't know who you are or what you are,&rdquo; she exclaimed. &ldquo;Why should you
- want more than the ordinary futilities of after-dinner talk?&rdquo;
- </p>
- <p>
- &ldquo;Because one has only to look at you,&rdquo; he replied, &ldquo;to see that it must be
- very easy to get. You have beauty inside as well as outside, and everybody
- owes what is beautiful and good in them to their fellow-creatures.&rdquo;
- </p>
- <p>
- &ldquo;I don't see why. According to you, women ought to go about like mediaeval
- saints.&rdquo;
- </p>
- <p>
- &ldquo;Every woman is a saint in the depths of her heart,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You are an astonishing person,&rdquo; replied Norma.
- </p>
- <p>
- The conversation ended there, for Morland King came up with Constance
- Deering: he florid, good-looking, perfectly groomed and dressed, the type
- of the commonplace, well-fed, affluent Briton; she a pretty, fragile
- butterfly of a woman. Jimmie rose and was led off to another part of the
- room by his hostess. King dropped into the chair Jimmie had vacated.
- </p>
- <p>
- &ldquo;I see you have been sampling my friend Jimmie Padgate. What do you make
- of him?&rdquo;
- </p>
- <p>
- &ldquo;I have just told him he was an astonishing person,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Dear old Jimmie! He's the best fellow in the world,&rdquo; said King, laughing.
- &ldquo;A bit Bohemian and eccentric&mdash;artists generally are&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, he's an artist?&rdquo; inquired Norma.
- </p>
- <p>
- &ldquo;He just manages to make a living by it, poor old chap! He has never come
- off, somehow.&rdquo;
- </p>
- <p>
- &ldquo;Another neglected genius?&rdquo;
- </p>
- <p>
- &ldquo;I don't know about that,&rdquo; replied Morland King in a matter-of-fact way,
- not detecting the sneer in the girl's tone. &ldquo;I don't think he's a great
- swell&mdash;I'm no judge, you know. But he has had a bad time. Anyway, he
- always comes up smiling. The more he gets knocked the more cheerful he
- seems to grow. I never met any one like him. The most generous,
- simple-minded beggar living.&rdquo;
- </p>
- <p>
- &ldquo;He must be wonderful to make you enthusiastic,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Look at him now, talking to the Chance woman as if she were an angel of
- light.&rdquo;
- </p>
- <p>
- Norma glanced across the room and smiled contemptuously.
- </p>
- <p>
- &ldquo;She seems to like it. She's preening herself as if the wings were already
- grown. Connie,&rdquo; she called to her hostess, who was passing by, &ldquo;why have
- you hidden Mr. Padgate from me all this time?&rdquo;
- </p>
- <p>
- The butterfly lady laughed. &ldquo;He is too precious. I can only afford to give
- my friends a peep at him now and then. I want to keep him all to myself.&rdquo;
- </p>
- <p>
- She fluttered away. Norma leaned back and hid a yawn with her fan; then,
- rousing herself with an effort, made conversation with her companion.
- Presently another man came up and King retired.
- </p>
- <p>
- &ldquo;How is it getting on?&rdquo; whispered Mrs. Deering.
- </p>
- <p>
- &ldquo;Oh, steady,&rdquo; he replied with his hands in his pockets.
- </p>
- <p>
- &ldquo;Lucky man!&rdquo;
- </p>
- <p>
- Morland King shrugged his shoulders. &ldquo;The only thing against it is papa
- and mamma&mdash;chiefly mamma. A Gorgon of a woman!&rdquo;
- </p>
- <p>
- &ldquo;You'll never get a wife to do you more credit than Norma. With that face
- I wonder she is n't a duchess by now. There <i>was</i> a duke once, but a
- fair American eagle came and swooped him off under Norma's nose. You see,
- she's not the sort of girl to give a man much encouragement.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I can't stand a woman who throws herself at your head,&rdquo; said King,
- emphatically.
- </p>
- <p>
- &ldquo;What a funny way men have nowadays of confessing to the tender passion!&rdquo;
- said Mrs. Deering, laughing.
- </p>
- <p>
- &ldquo;What would you have a fellow do?&rdquo; he asked.
- &ldquo;Spout blank verse about the stars and things, like a Shakespearean hero?&rdquo;
- </p>
- <p>
- &ldquo;It would be prettier, anyhow.&rdquo;
- </p>
- <p>
- &ldquo;Well, if you will have it, I'm about as hard hit as a man ever was&mdash;there!&rdquo;
- </p>
- <p>
- &ldquo;I 'm delighted to hear it,&rdquo; said his cousin.
- </p>
- <p>
- A short while afterwards the dinner-party broke up.
- </p>
- <p>
- &ldquo;I don't know whether you care to mix with utter worldlings like us, Mr.
- Padgate,&rdquo; said Norma, as she bade him good-bye, &ldquo;but we are always in on
- Tuesdays.&rdquo;
- </p>
- <p>
- &ldquo;I'll tie him hand and foot and bring him,&rdquo; said King. &ldquo;Good-night, old
- chap. I'm giving Miss Hardacre a lift home in the brougham.&rdquo;
- </p>
- <p>
- Before Jimmie could say yes or no, they were gone. He found himself the
- last.
- </p>
- <p>
- &ldquo;You are certainly not going for another hour, Jimmie,&rdquo; said Mrs. Deering,
- as he came forward to take leave. &ldquo;You will sit in that chair and smoke
- and tell me all about yourself and make me feel good and pretty.&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; he assented, laughing. &ldquo;Turn me out when it's time for me to
- go.&rdquo;
- </p>
- <p>
- It had been the customary formula between them for many years; for Jimmie
- Padgate lacked the sense of time and kept eccentric hours, and although
- Connie Deering delighted in her rare confidential chats with him, a woman
- with a heavy morrow of engagements must go to bed at a reasonable period
- of the night. She was a woman in the middle thirties, a childless widow
- after a brief and almost forgotten married life, rich, pleasure-loving, in
- the inner circle of London society, and possessing the gayest, kindest,
- most charitable heart in the world. Her friendship with Norma Hardacre had
- been a thing of recent date.
- </p>
- <p>
- She had cultivated it first on account of her cousin Morland King; she had
- ended in enthusiastic admiration.
- </p>
- <p>
- &ldquo;It is awfully good of you,&rdquo; she said, when they were comfortably settled
- down to talk, &ldquo;to waste your time with my unintelligent conversation.&rdquo;
- </p>
- <p>
- &ldquo;There's no such thing as unintelligent conversation,&rdquo; he declared.
- </p>
- <p>
- &ldquo;For a man like you there must be.&rdquo;
- </p>
- <p>
- &ldquo;I could hold an intelligent conversation with a rabbit,&rdquo; said Jimmie.
- </p>
- <p>
- Norma Hardacre, on arriving home, entered the drawing-room, where her
- mother was reading a novel.
- </p>
- <p>
- &ldquo;Well?&rdquo; said Mrs. Hardacre, looking up.
- </p>
- <p>
- Norma threw her white silk cloak over the back of a chair.
- </p>
- <p>
- &ldquo;Connie sent her love to you.&rdquo;
- </p>
- <p>
- &ldquo;Is that all you have to say?&rdquo; asked her mother, sharply. She was a faded
- woman who had once possessed beauty of a cold, severe type; but the years
- had pinched and hardened her features, as they had pinched and hardened
- her heart. Her eyes were of that steel grey which the light of laughter
- seldom softens, and her smile was but a contraction of the muscles of the
- lips. Even this perfunctory tribute to politeness which had greeted
- Norma's entrance vanished at the second question.
- </p>
- <p>
- &ldquo;Morland King drove me home. What a difference there is between a private
- brougham and the beastly things we get from the livery-stable!&rdquo;
- </p>
- <p>
- &ldquo;He has said nothing?&rdquo;
- </p>
- <p>
- &ldquo;Of course not. I should have told you if he had.&rdquo;
- </p>
- <p>
- &ldquo;Whose fault is it?&rdquo;
- </p>
- <p>
- Norma made a gesture of impatience. &ldquo;My fault, if you like. I don't lay
- traps to catch him. I don't keep him dangling about me, and I don't
- flatter his vanities or make appeal to his senses, I suppose. I can't do
- it.&rdquo;
- </p>
- <p>
- &ldquo;Don't behave like a fool, Norma,&rdquo; said Mrs. Hardacre, rapping her book
- with a paper-knife. &ldquo;You have got to marry him. You know you have. Your
- father and I are coming to the end of things. You ought to have married
- years ago, and when one thinks of the chances you have missed, it makes
- one mad. Here have we been pinching and scraping&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And borrowing and mortgaging,&rdquo; Norma interjected.
-</p>
- <p>
-&ldquo;&mdash;to give you a
- brilliant position,&rdquo; Mrs. Hardacre continued, unheeding the interruption,
- &ldquo;and you cast all our efforts in our teeth. It's sheer ingratitude. Why
- you threw over Lord Wyniard I could never make out.&rdquo;
- </p>
- <p>
- &ldquo;You seem to forget that, after all, there is a physical side to
- marriage,&rdquo; said Norma, with a little shudder of disgust.
- </p>
- <p>
- &ldquo;I hate indelicacy in young girls,&rdquo; said Mrs. Hardacre, freezingly. &ldquo;One
- would think you had been brought up in a public house.&rdquo;
- </p>
- <p>
- &ldquo;Then let us avoid indelicate subjects,&rdquo; retorted Norma, opening the first
- book to her hand. &ldquo;Where is papa?&rdquo;
- </p>
- <p>
- &ldquo;Oh, how should I know?&rdquo; said Mrs. Hardacre, irritably.
-</p>
- <p>
-There was silence.
- Norma pretended to read, but her thoughts, away from the printed lines,
- caused her face to harden and her lips to curl scornfully. She had been
- used to such scenes with her mother ever since she had worn a long frock,
- and that was seven years ago, when she came out as a young beauty of
- eighteen. The story of financial embarrassment had lost its fine edge of
- persuasion by overtelling. She had almost ceased to believe in it, and the
- lingering grain of credence she put aside with the cynical feeling that it
- was no great concern of hers, so long as her usual round of life went on.
- She had two hundred a year of her own, all of which she spent in dress, so
- that in that one particular at least, if she chose to be economical, she
- was practically independent. Money for other wants was generally
- procurable, with or without unpleasant dunning of her parents. She lived
- very little in their home in Wiltshire, a beautiful and stately young
- woman of fashion being a decorative adjunct to smart country-house
- parties. In London, if she sighed for a more extensive establishment and a
- more luxurious style of living, it was what she always had done. She had
- hated the furnished house or flat and the livery-stable carriage ever
- since her first season. In the same way she had always considered the
- omission from her scheme of life of a yacht and a villa at Cannes and
- diamonds at discretion as a culpable oversight on the part of the Creator.
- But the sordid makeshift of existence to which she was condemned was not a
- matter of yesterday. In spite of the financial embarrassments of the
- maternal fable she had noticed no cutting down of customary expenditure.
- Her father still played the fool on the stock exchange, her mother still
- attired herself elaborately and disdained to eat otherwise than <i>à la
- carte</i> at expensive restaurants, and she, Norma, went whithersoever the
- smart set drifted her. She had nothing to do with the vulgarity of
- financial embarrassments.
- </p>
- <p>
- As to the question of marriage she was as fully determined as her mother
- that she should make a brilliant match. She had had two or three
- disappointments&mdash;the unwary duke, for instance. On the other hand she
- had refused eligibles like Lord Wyniard out of sheer caprice.
- </p>
- <p>
- The only man who had given her a moment's stir of the pulses, a moment's
- thought of throwing her cap over the windmills, was a young soldier in the
- Indian Staff Corps. But he belonged to her second season, before she had
- really seen the world and grasped the inner meaning of life. Besides, her
- mother had almost beaten her; and in an encounter between the dragon who
- guarded the gold of her daughter's affections and the young Siegfried, it
- was the hero that barely escaped destruction; he fled to India for his
- life. Norma lost all sight and count of him for three years. Then she
- heard that he had married a schoolfellow of hers and was a month-old
- father. It was with feelings of peculiar satisfaction and sense of
- deliverance that she sent her congratulations to him, her love to his
- wife, and a set of baby shoes to the child. She had cultivated by this
- time a helpful sardonic humour.
- </p>
- <p>
- There was now Morland King, within reasonable distance of a proposal. Her
- experience detected the signs, although little of sentimentality had
- passed between them. He was young, as marrying men go&mdash;a year or two
- under forty&mdash;of good family, fairly good-looking, very well off, with
- a safe seat in Parliament being kept warm for him by a valetudinarian ever
- on the point of retirement. Norma meant to accept him. She contemplated
- the marriage as coldly and unemotionally as King contemplated the seat in
- Parliament. But through the corrupted tissue of her being ran one pure and
- virginal thread. She used no lures. She remained chastely aloof, the arts
- of seduction being temperamentally repugnant to her. Knowledge she had of
- good and evil (a euphemism, generally, for an exclusive acquaintance with
- the latter), and she was cynical enough in her disregard of concealment of
- her knowledge; but she revolted from using it to gain any advantage over a
- man. At this period of her life she set great store by herself, and though
- callously determined on marriage condescended with much disdain to be
- wooed. Her mother, bred in a hard school, was not subtle enough to
- perceive this antithesis. Hence the constant scenes of which Norma
- bitterly resented the vulgarity. &ldquo;We pride ourselves on being women of the
- world, mother,&rdquo; she said, &ldquo;but that does n't prevent our remembering that
- we are gentlefolk.&rdquo; Whereat, on one occasion, Mr. Hardacre, in his
- flustering, feeble way, had told Norma not to be rude to her mother, only
- to draw upon himself the vials of his wife's anger.
- </p>
- <p>
- He came in now, during the silence that had fallen on the two women&mdash;a
- short, stout, red-faced man, with a bald head, and a weak chin, and a
- drooping foxy moustache turning grey. He was bursting with an interminable
- tale of scandal that he had picked up at his club&mdash;a respectable
- institution with an inner coterie of vapid, middle-aged dullards whose
- cackle was the terror of half London society. It is a superstition among
- good women that man is too noble a creature to descend to gossip. Ten
- minutes in the members' smoking-room of the Burlington Club would paralyse
- the most scandal-mongering tabby of Bath, Cheltenham, or Tunbridge Wells.
- </p>
- <p>
- &ldquo;We were sure she was a wrong 'un from the first,&rdquo; he explained in a
- thick, jerky voice to his listless auditors. &ldquo;And now it turns out that
- she was in thick with poor Billy Withers, you know, and when Billy broke
- his neck&mdash;that was through another blessed woman&mdash;I'll tell you
- all about her by'm bye&mdash;when Billy broke his neck, his confounded
- valet got hold of Mrs. Jack's letters, and how she paid for 'em's the
- cream of the story&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We need not have that now, Benjamin,&rdquo; said Mrs. Hardacre, with a warning
- indication that reverence was due to the young.
- </p>
- <p>
- &ldquo;Well, of course that's the end of it,&rdquo; replied Mr. Hardacre, in some
- confusion.
- </p>
- <p>
- But Norma rose with a laugh of hard mockery.
- </p>
- <p>
- &ldquo;The valet entered the service of Lord Wyniard, and now there's a pretty
- little divorce case in the air, with Jack Dugdale as petitioner and Lord
- Wyniard as corespondent. Are n't you sorry, mother, I did n't marry
- Wyniard and reform him, and save society this terrible scandal?&rdquo;
- </p>
- <p>
- Turning from her disconcerted parents, Norma pulled back the thick
- curtains from the French window and opened one of the doors.
- </p>
- <p>
- &ldquo;What are you doing that for?&rdquo; cried Mrs. Hardacre irritably, as the cold
- air of a wet May night swept through the room.
- </p>
- <p>
- &ldquo;I'm going to try to ventilate my soul,&rdquo; said Norma, stepping on to the
- balcony.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0002" id="link2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter II&mdash;THE FOOL'S WISDOM
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">L</span>IKE the
- inexplicable run on a particular number at the roulette-table, there often
- seems to be a run on some particular phenomenon thrown up by the wheel of
- daily life. Such a recurrent incident was the meeting of Norma and Jimmie
- Padgate during the next few weeks. She met him at Mrs. Deering's, she ran
- across him in the streets. Going to spend a weekend out of town, she found
- him on the platform of Paddington Station. The series of sheer
- coincidences established between them a certain familiarity. When next
- they met, it was in the crush of an emptying theatre. They found
- themselves blocked side by side, and they laughed as their eyes met.
- </p>
- <p>
- &ldquo;This seems to have got out of the domain of vulgar chance and become
- Destiny,&rdquo; she said lightly.
- </p>
- <p>
- &ldquo;I am indeed favoured by the gods,&rdquo; he replied.
- </p>
- <p>
- &ldquo;You don't deserve their good will because you have never come to see me.&rdquo;
- </p>
- <p>
- Jimmie replied that he was an old bear who loved to growl selfishly in his
- den. Norma retorted with a reference to Constance Deering. In her house he
- could growl altruistically.
- </p>
- <p>
- &ldquo;She pampers me with honey,&rdquo; he explained.
- </p>
- <p>
- &ldquo;I am afraid you'll get nothing so Arcadian with us,&rdquo; she replied, &ldquo;but I
- can provide you with some excellent glucose.&rdquo;
- </p>
- <p>
- They were moved a few feet forward by the crowd, and then came to a halt
- again.
- </p>
- <p>
- &ldquo;This is my ward, Miss Aline Marden,&rdquo; he said, presenting a pretty slip of
- a girl of seventeen, who had hung back shyly during the short dialogue,
- and looked with open-eyed admiration at Jimmie's new friend. &ldquo;That is how
- she would be described in a court of law, but I don't mind telling you
- that really she is my nurse and foster-mother.&rdquo;
- </p>
- <p>
- The girl blushed at the introduction, and gave him an imperceptible twitch
- of the arm. Norma smiled at her graciously and asked her how she had liked
- the play.
- </p>
- <p>
- &ldquo;It was heavenly,&rdquo; she said with a little sigh. &ldquo;Did n't you think so?&rdquo;
- </p>
- <p>
- Norma, who had characterised the piece as the most dismal performance
- outside a little Bethel, was preparing a mendacious answer, when a sudden
- thinning in the crush brought to her side Mrs. Hardacre, from whom she had
- been separated. Mrs. Hardacre inquired querulously for Morland King, who
- had gone in search of the carriage. Norma reassured her as to his ability
- to find it, and introduced Jimmie and Aline. Mr. Padgate was Mr. King's
- oldest friend. Mrs. Hardacre bowed disapprovingly, took in with a hard
- glance the details of Aline's cheap, homemade evening frock, and the
- ready-made cape over her shoulders, and turned her head away with a sniff.
- She had been put out of temper the whole evening by Norma's glacial
- treatment of King, and was not disposed to smile at the nobodies whom it
- happened to please Norma to patronise.
- </p>
- <p>
- At last King beckoned to them from the door, and they crushed through the
- still waiting crowd to join him. By the time Jimmie Padgate and his ward
- had reached the pavement they had driven off.
- </p>
- <p>
- &ldquo;Wonder if we can get a cab,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;Cab!&rdquo; cried the girl, taking his arm affectionately. &ldquo;One would think you
- were a millionaire. You can go in a cab if you like, but I'm going home in
- a 'bus. Come along. We'll get one at Piccadilly Circus.&rdquo;
- </p>
- <p>
- She hurried him on girlishly, talking of the play they had just seen. It
- was heavenly, she repeated. She had never been in the stalls before. She
- wished kind-hearted managers would send them seats every night. Then
- suddenly:
- </p>
- <p>
- &ldquo;Why did n't you tell me how beautiful she was?&rdquo;
- </p>
- <p>
- &ldquo;Who, dear?&rdquo;
- </p>
- <p>
- &ldquo;Why, Miss Hardacre. I think she is the loveliest thing I have ever seen.
- I could sit and look at her all day long. Why don't you paint her portrait&mdash;in
- that wonderful ivory-satin dress she was wearing to-night? And the diamond
- star in her hair that made her look like a queen&mdash;did you notice it?
- Why, Jimmie, you are not paying the slightest attention!&rdquo;
- </p>
- <p>
- &ldquo;My dear, I could repeat verbatim every word you have said,&rdquo; he replied
- soberly. &ldquo;She is indeed one of the most beautiful of God's creatures.&rdquo;
- </p>
- <p>
- &ldquo;Then you'll paint her portrait?&rdquo;
- </p>
- <p>
- &ldquo;Perhaps, deary,&rdquo; said Jimmie, &ldquo;perhaps.&rdquo;
- </p>
- <p>
- Meanwhile in the brougham King was giving Norma an account of Jimmie's
- guardianship. She had asked him partly out of curiosity, partly to provide
- him with a subject of conversation, and partly to annoy her mother, whose
- disapproving sniff she had noted with some resentment. And this in brief
- is the tale that King told.
- </p>
- <p>
- Some ten years ago, John Marden, a brother artist of Jimmie Padgate's,
- died penniless, leaving his little girl of seven with the alternative of
- fighting her way alone through an unsympathetic world, or of depending on
- the charity of his only sister, a drunken shrew of a woman, the wife of a
- small apothecary, and the casual mother of a vague and unwashed family.
- Common decency made the first alternative impossible. On their return to
- the house after the funeral, the aunt announced her intention of caring
- for the orphan as her own flesh and blood. Jimmie, who had taken upon
- himself the functions of the intestate's temporary executor, acquiesced
- dubiously. The lady, by no means sober, shed copious tears and a rich
- perfume of whisky. She called Aline to her motherly bosom. The child, who
- had held Jimmie's hand throughout the mournful proceedings, for he had
- been her slave and playfellow for the whole of her little life, advanced
- shyly. Her aunt took her in her arms. But the child, with instinctive
- repugnance to the smell of spirits, shrank from her kisses. The shrew
- arose in the woman; she shook her vindictively, and gave her three or four
- resounding slaps on face and shoulders. Jimmie leaped from his chair, tore
- the scared little girl from the vixen's clutches, and taking her bodily in
- his arms, strode with her out of the house, leaving the apothecary and his
- wife to settle matters between them. It was only when he had walked down
- the street and hailed a cab that he began to consider the situation.
- </p>
- <p>
- &ldquo;What on earth am I to do with you?&rdquo; he asked whimsically.
- </p>
- <p>
- The small arms tightened round his neck. &ldquo;Take me to live with you,&rdquo;
- sobbed the child.
- </p>
- <p>
- &ldquo;Out of the mouths of babes and sucklings we learn wisdom. So be it,&rdquo; said
- Jimmie, and he drove home with his charge.
- </p>
- <p>
- As neither aunt nor uncle nor any human being in the wide world claimed
- the child, she became mistress of Jimmie's home from that hour. Her
- father's pictures and household effects were sold off to pay his
- creditors, and a little bundle of torn frocks and linen was Aline's sole
- legacy.
- </p>
- <p>
- &ldquo;I happened to look in upon him the evening of her arrival,&rdquo; said King, by
- way of conclusion to his story. &ldquo;In those days he managed with a charwoman
- who came only in the mornings, so he was quite alone in the place with the
- kid. What do you think I found him doing? Sitting cross-legged on the
- model-platform with a great pair of scissors and needles and thread,
- cutting down one of his own night garments so as to fit her, while the kid
- in a surprising state of <i>déshabillé</i> was seated on a table, kicking
- her bare legs and giving him directions. His explanation was that Miss
- Marden's luggage had not yet arrived and she must be made comfortable for
- the night! But you never saw anything so comic in your life.&rdquo;
- </p>
- <p>
- He leaned back and laughed at the reminiscence, not unkindly. Mrs.
- Hardacre, bored by the unprofitable tale, stared at the dim streets out of
- the brougham window. Norma, on friendlier terms with King, the little
- human story having perhaps drawn them together, joined in the laugh.
- </p>
- <p>
- &ldquo;And now, I suppose, when she grows a bit older, Mr. Padgate will marry
- her and she will be a dutiful little wife and they will live happy and
- humdrum ever after.&rdquo;
- </p>
- <p>
- &ldquo;I hope he will provide her with some decent rags to put on,&rdquo; said Mrs.
- Hardacre. &ldquo;Those the child was wearing to-night were fit for a servant
- maid.&rdquo;
- </p>
- <p>
- &ldquo;Jimmie would give her his skin if she could wear it,&rdquo; said Morland,
- somewhat tartly.
- </p>
- <p>
- This expression of feeling gave him, for the first time, a special place
- in Norma's esteem. After all, a woman desires to like the man who in a few
- months' time may be her husband, and hitherto Morland had presented a
- negativity of character which had baffled and irritated her. The positive
- trait of loyalty to a friend she welcomed instinctively, although if
- charged with the emotion she would have repudiated the accusation. When
- the carriage stopped at the awning and red strip of carpet before the
- house in Eaton Square where a dance awaited her, and she took leave of
- him, she returned his handshake with almost a warm pressure and sent him
- away, a sanguine lover, to his club.
- </p>
- <p>
- The next morning Constance Deering, taking her on a round of shopping,
- enquired how the romance was proceeding.
- </p>
- <p>
- &ldquo;He has had me on probation,&rdquo; replied Norma, &ldquo;and has been examining all
- my points. I rather think he finds me satisfactory, and is about to make
- an offer.&rdquo;
- </p>
- <p>
- &ldquo;What an idyllic pair you are!&rdquo; laughed her friend.
- </p>
- <p>
- Norma took the matter seriously.
- </p>
- <p>
- &ldquo;The man is perfectly right. He is on the lookout for a woman who can keep
- up or perhaps add to his social prestige, who can conduct the affairs of a
- large establishment when he enters political life, who can possibly give
- him a son to inherit his estate, and who can wear his family diamonds with
- distinction&mdash;and it does require a woman of presence to do justice to
- family diamonds, you know. He looks round society and sees a girl that may
- suit him. Naturally he takes his time and sizes her up. I have learned
- patience and so I let him size to his heart's content. On the other hand,
- what he can give me falls above the lower limit of my requirements, and
- personally I don't dislike him.&rdquo;
- </p>
- <p>
- &ldquo;Mercy on us!&rdquo; cried Constance Deering, &ldquo;the man is head over ears in love
- with you!&rdquo;
- </p>
- <p>
- &ldquo;Then I like him all the better for dissembling it so effectually,&rdquo; said
- Norma, &ldquo;and I hope he'll go on dissembling to the end of the chapter. I
- hate sentiment.&rdquo;
-</p>
- <p>
-They were walking slowly down Bond Street, and happened
- to pause before a picture-dealer's window, where a print of a couple of
- lovers bidding farewell caught Mrs. Deering's attention.
- </p>
- <p>
- &ldquo;I call that pretty,&rdquo; she said. &ldquo;Do you hate love too?&rdquo;
-</p>
- <p>
-Norma twirled her
- parasol and moved away, waiting for the other.
- </p>
- <p>
- &ldquo;Love, my dear Connie, is an appetite of the lower middle classes.&rdquo;
- </p>
- <p>
- &ldquo;My dear Norma!&rdquo; the other exclaimed, &ldquo;I do wish Jimmie Padgate could hear
- you!&rdquo;
- </p>
- <p>
- Norma started at the name. &ldquo;What has he got to do with the matter?&rdquo;
- </p>
- <p>
- &ldquo;That's one of his pictures.&rdquo;
- </p>
- <p>
- &ldquo;Oh, is it?&rdquo; said Norma, indifferently. But feminine curiosity compelled a
- swift parting glance at the print.
- </p>
- <p>
- &ldquo;I imagine our guileless friend has a lot to learn,&rdquo; she added. &ldquo;A few
- truths about the ways of this wicked world would do him good.&rdquo;
- </p>
- <p>
- &ldquo;I promised to go and look round his studio to-morrow morning; will you
- come and give him his first lesson?&rdquo; asked Mrs. Deering, mischievously.
- </p>
- <p>
- &ldquo;Certainly not,&rdquo; replied Norma.
- </p>
- <p>
- But the destiny she had previously remarked upon seemed to be fulfilling
- itself. A day or two afterwards his familiar figure burst upon her at a
- Private View in a small picture-gallery. His eyes brightened as she
- withdrew from her mother, who was accompanying her, and extended her hand.
- </p>
- <p>
- &ldquo;Dear me, who would have thought of seeing you here? Do you care for
- pictures? Why have n't you told me? I am so glad.&rdquo;
- </p>
- <p>
- &ldquo;Love of Art did n't bring me here, I assure you,&rdquo; replied Norma.
- </p>
- <p>
- &ldquo;Then what did?&rdquo;
- </p>
- <p>
- Jimmie in his guilelessness had an uncomfortable way of posing fundamental
- questions. In that respect he was like a child. Norma smiled in silent
- contemplation of the real object of their visit. At first her mother had
- tossed the cards of invitation into the waste-paper basket. It was
- advertising impudence on the part of the painter man, whom she had met but
- once, to take her name in vain on the back of an envelope. Then hearing
- accidentally that the painter man had painted the portraits of many
- high-born ladies, including that of the Duchess of Wiltshire, and that the
- Duchess of Wiltshire herself&mdash;their own duchess, who gave Mrs.
- Hardacre the tip of her finger to shake and sometimes the tip of a rasping
- tongue to meditate upon, whom Mrs. Hardacre had tried any time these ten
- years to net for Heddon Court, their place in the country&mdash;had
- graciously promised to attend the Private View, in her character of Lady
- Patroness-in-Chief of the painter man, Mrs. Hardacre had hurried home and
- had set the servants' hall agog in search of the cards. Eventually they
- had been discovered in the dust-bin, and she had spent half an hour in
- cleansing them with bread-crumbs, much to Norma's sardonic amusement. The
- duchess not having yet arrived, Mrs. Hardacre had fallen back upon the
- deaf Dowager Countess of Solway, who was discoursing to her in a loud
- voice on her late husband's method of breeding prize pigs. Norma had
- broken away from this exhilarating lecture to greet Jimmie.
- </p>
- <p>
- He kept his eager eyes upon her, still waiting for an answer to his
- question:
- </p>
- <p>
- &ldquo;What did?&rdquo;
- </p>
- <p>
- Norma, fairly quick-witted, indicated the walls with a little
- comprehensive gesture.
- </p>
- <p>
- &ldquo;Do you call this simpering, uninspired stuff Art?&rdquo; she said, begging the
- question.
- </p>
- <p>
- &ldquo;Oh, it's not that,&rdquo; cried Jimmie, falling into the trap. &ldquo;It's really
- very good of its kind. Amazingly clever. Of course it's not highly
- finished. It's impressionistic. Look at that sweeping line from the throat
- all the way down to the hem of the skirt,&rdquo; indicating the picture in front
- of them and following the curve, painter fashion, with bent-back thumb;
- &ldquo;how many of your fellows in the Academy could get that so clean and
- true?&rdquo;
- </p>
- <p>
- &ldquo;I have just met Mr. Porteous, who said he could n't stay any longer
- because such quackery made him sick,&rdquo; said Norma.
- </p>
- <p>
- Jimmie glanced round the walls. Porteous, the Royal Academician, was
- right. The colour was thin, the modelling flat, the drawing tricky, the
- invention poor. A dull soullessness ran through the range of full-length
- portraits of women. He realised, with some distress, the clever
- insincerity of the painting; but he had known Foljambe, the author of
- these coloured crimes, as a fellow-student at the Beaux-Arts in Paris, and
- having come to see his work for the first time, could not bear to judge
- harshly. It was characteristic of him to expatiate on the only merit the
- work possessed.
- </p>
- <p>
- &ldquo;Mr. Porteous even said,&rdquo; continued Norma, &ldquo;that it was scandalous such a
- man should be making thousands when men of genius were making hundreds. It
- was taking the bread out of their mouths.&rdquo;
- </p>
- <p>
- &ldquo;I am sorry he said that,&rdquo; said Jimmie. &ldquo;I think we ought rather to be
- glad that a man of poor talent has been so successful. So many of them go
- to the wall.&rdquo;
- </p>
- <p>
- &ldquo;Do you always find the success of your inferior rivals so comforting?&rdquo;
- asked Norma. &ldquo;I don't.&rdquo; She thought of the depredatory American.
- </p>
- <p>
- Jimmie pushed his hat to the back of his head&mdash;a discoloured Homburg
- hat that had seen much wear&mdash;and rammed his hands in his pockets.
- </p>
- <p>
- &ldquo;It's horrible to regard oneself and one's fellow-creatures as so many
- ghastly fishes tearing one another to pieces so as to get at the same
- piece of offal. That's what it all comes to, does n't it?&rdquo;
- </p>
- <p>
- The picture of the rapt duke as garbage floating on the tide of London
- Society brought with it a certain humourous consolation. That of her own
- part in the metaphor did not appear so soothing. Jimmie's proposition
- being, however, incontrovertible, she changed the subject and enquired
- after Aline. Why had n't he brought her?
- </p>
- <p>
- &ldquo;I am afraid we should have argued about Foljambe's painting,&rdquo; said
- Jimmie, with innocent malice.
- </p>
- <p>
- &ldquo;And we should have agreed about it,&rdquo; replied Norma. She talked about
- Aline. Morland King had been tale-bearing. It was refreshing, she
- confessed, once in a way to hear good of one's fellow-creatures: like
- getting up at six in the morning in the country and drinking milk fresh
- from the cow. It conferred a sense of unaccustomed virtue. The mention of
- milk reminded her that she was dying for tea. Was it procurable?
- </p>
- <p>
- &ldquo;There's a roomful of it. Can I take you?&rdquo; asked Jimmie, eagerly.
- </p>
- <p>
- She assented. Jimmie piloted her through the chattering crowd. On the way
- they passed by Mrs. Hardacre, still devoting the pearls of her attention
- to the pigs. She acknowledged his bow distantly and summoned her daughter
- to her side.
- </p>
- <p>
- &ldquo;What are you <i>affiché</i>-ing yourself with that nondescript man for?&rdquo;
- she asked in a cross whisper.
- </p>
- <p>
- Norma moved away with a shrug, and went with Jimmie into the crowded
- tea-room. There, while he was fighting for tea at the buffet, she fell
- into a nest of acquaintances. Presently he emerged from the crush
- victorious, and, as he poured out the cream for her, became the
- unconscious target of sharp feminine glances.
- </p>
- <p>
- &ldquo;Who is your friend?&rdquo; asked one lady, as Jimmie retired with the
- cream-jug.
- </p>
- <p>
- &ldquo;I will introduce him if you like,&rdquo; she replied. He reappeared and was
- introduced vaguely. Then he stood silent, listening to a jargon he was at
- a loss to comprehend. The women spoke in high, hard voices, with impure
- vowel sounds and a clipping of final consonants. The conversation gave him
- a confused impression of Ascot, a horse, a foreign prince, and a lady of
- fashion who was characterised as a &ldquo;rotter.&rdquo; Allusion was also made to a
- princely restaurant, which Jimmie, taken thither one evening by King,
- regarded as a fairy-land of rare and exquisite flavours, and the opinion
- was roundly expressed that you could not get anything fit to eat in the
- place and that the wines were poison.
- </p>
- <p>
- Jimmie listened wonderingly. No one seemed disposed to controvert the
- statement, which was made by quite a young girl. Indeed one of her friends
- murmured that she had had awful filth there a few nights before. A smartly
- dressed woman of forty who had drawn away from the general conversation
- asked Jimmie if he had been to Cynthia yet. He replied that he very seldom
- went to theatres. The lady burst out laughing, and then seeing the genuine
- enquiry on his face, checked herself.
- </p>
- <p>
- &ldquo;I thought you were trying to pull my leg,&rdquo; she explained. &ldquo;I mean
- Cynthia, the psychic, the crystal gazer. Why, every one is going crazy
- over her. Do you mean to say you have n't been?&rdquo;
- </p>
- <p>
- &ldquo;Heaven forbid!&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You may scoff, but she's wonderful. Do you know she actually gave me the
- straight tip for the Derby? She did n't mean to, for she does n't lay
- herself out for that sort of thing&mdash;but she said, after telling me a
- lot of things about myself&mdash;things that had really happened&mdash;she
- was getting tired, I must tell you&mdash;'I see something in your near
- future&mdash;it is a horse with a white star on its forehead&mdash;it has
- gone&mdash;I don't know what it means.' I went to the Derby. I had n't put
- a cent on, as I had been cleaned out at Cairo during the winter and had to
- retrench. The first horse that was led out had a white star on his
- forehead. None of the others had. It was St. Damien&mdash;a thirty to one
- chance. I backed him outright for £300. And now I have £9000 to play with.
- Don't tell me there's nothing in Cynthia after that.&rdquo;
- </p>
- <p>
- The knot of ladies dissolved. Jimmie put Norma's teacup down and went
- slowly back with her to the main room. He was feeling depressed, having
- lost his bearings in this unfamiliar world. Suddenly he halted.
- </p>
- <p>
- &ldquo;I wish you could pinch me,&rdquo; he said.
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;To test whether I am awake. Have I really heard a sane and educated lady
- expressing her belief in the visions of a crystal-gazing adventuress?&rdquo;
- </p>
- <p>
- &ldquo;You have. She believes firmly. So do heaps of women.&rdquo;
- </p>
- <p>
- &ldquo;I hope to heaven you don't!&rdquo; he cried with a sudden intensity.
- </p>
- <p>
- &ldquo;What concern can my faith be to you?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I beg your pardon. No concern at all,&rdquo; he said apologetically. &ldquo;But I
- generally blurt out what is in my mind.&rdquo;
- </p>
- <p>
- &ldquo;And what is in your mind? I am a person you can be quite frank with.&rdquo;
- </p>
- <p>
- &ldquo;I could n't bear the poem of your life to be sullied by all these
- vulgarities,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;As I remarked to you the first evening I met you, Mr. Padgate,&rdquo; she said,
- holding out her hand by way of dismissal, &ldquo;you are an astonishing person!&rdquo;
- </p>
- <p>
- The poem of her life! The phrase worried her before she slept that night.
- She shook the buzzing thing away from her impatiently. The poem of her
- life! The man was a fool.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0003" id="link2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter III&mdash;A MODERN BETROTHAL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> YOUNG woman bred
- to a material view of the cosmos and self-trained to cynical expression of
- her opinions may thoroughly persuade herself that marriage is a social
- bargain in which it would be absurd for sentiment to have a place, and yet
- when the hour comes for deciding on so trivial an engagement, may find
- herself in an irritatingly unequable frame of mind. For Norma the hour had
- all but arrived. Morland King had asked to see her alone in view of an
- important conversation. She had made an appointment for ten o'clock,
- throwing over her evening's engagements. Her parents were entertaining a
- couple of friends in somebody else's box at the opera, and would return in
- time to save the important conversation from over-tediousness. She
- intended to amuse herself placidly with a novel until King's arrival.
- </p>
- <p>
- This was a week or two after her encounter with Jimmie at the
- picture-gallery, since which occasion she had neither seen nor heard of
- him. He had faded from the surface of a consciousness kept on continued
- strain by the thousand incidents and faces of a London season. To Jimmie
- the series of meetings had been a phenomenon of infinite import. She had
- come like a queen of romance into his homely garden, and her radiance
- lingered, making the roses redder and the grass more green. But the
- queenly apparition herself had other things to think about, and when she
- had grown angry and called him a fool, had dismissed him definitely from
- her mind. It was annoying therefore that on this particular evening the
- fool phrase should buzz again in her ears.
- </p>
- <p>
- She threw down her book and went on to the balcony, where, on this close
- summer night, she could breathe a little cool air. A clock somewhere in
- the house chimed the half-hour. Morland was to come at ten. She longed
- for, yet dreaded, his coming; regretted that she had stayed away from the
- opera, where, after all, she could have observed the everlasting human
- comedy. She had dined early; the evening had been interminable; she felt
- nervous, and raged at her weakness. She was tired, out of harmony with
- herself, fretfully conscious too of the jarring notes in a room furnished
- by uneducated people of sudden wealth. The Wolff-Salamons, out of the
- kindness of their shrewd hearts, had offered the house for the season to
- the Hardacres, who had accepted the free quarters with profuse
- expressions of gratitude; which, however, did not prevent Mr. Hardacre
- from railing at the distance of the house (which was in Holland Park) from
- his club, or his wife from deprecating to her friends her temporary
- residence in what she was pleased to term the Ghetto. Nor did the
- Wolff-Salamons' generosity mitigate the effect of their furniture on
- Norma's nerves. When Jimmie's phrase came into her head with the
- suddenness of a mosquito, she could bear the room no longer.
- </p>
- <p>
- She sat on the balcony and waited for Morland. There at least she was free
- from the flaring gold and blue, and the full-length portrait of the lady
- of the house, on which with delicate savagery the eminent painter had
- catalogued all the shades of her ancestral vulgarity. Perhaps it was this
- portrait that had brought back the irony of Jimmie's tribute. The poem of
- her life! She sat with her chin on her palm, thinking bitterly of
- circumstance. She had never been happy, had grown to disbelieve in so
- absurd and animal a state. It had always been the same, as far back as she
- could remember. Her childhood: nurses and governesses&mdash;a swift
- succession of the latter till she began to regard them as remote from her
- inner life as the shop girl or railway guard with whom she came into
- casual contact. The life broken by visits abroad to fashionable watering
- or gambling places where she wandered lonely and proud, neglected by her
- parents, watching with keen eyes and imperturbable face the frivolities,
- the vices, the sordidnesses, taking them all in, speculating upon them,
- resolving some problems unaided and storing up others for future
- elucidation. Her year at the expensive finishing school in Paris where the
- smartest daughters of America babbled and chattered of money, money, till
- the air seemed unfit for woman to breathe unless it were saturated with
- gold dust. As hers was not, came discontent and overweening ambitions. Yet
- the purity was not all killed. She remembered her first large
- dinner-party. The same Lord Wyniard of the unclean scandal had taken her
- down. He was thirty years older than she, and an unsavoury reputation had
- reached even her young ears. The man regarded her with the leer of a
- satyr. She realised with a shudder for the first time the meaning of a
- phrase she had constantly met with in French novels&mdash;&ldquo;<i>il la
- dévêtit de ses yeux</i>.&rdquo; His manner was courtly, his air of breeding
- perfect; yet he managed to touch her fingers twice, and he sought to lead
- her on to dubious topics of conversation. She was frightened.
- </p>
- <p>
- In the drawing-room, seeing him approach, she lost her head, took shelter
- with her mother, and trembling whispered to her, &ldquo;Don't let that man come
- and talk to me again, mother, he's a beast.&rdquo; She was bidden not to be a
- fool. The man had a title and twenty thousand a year, and she had
- evidently made an impression. A week afterwards her mother invited a
- bishop and his wife and Lord Wyniard to dinner, and Lord Wyniard took
- Norma down again. And that was her start in the world. She had followed
- the preordained course till now, with many adventures indeed by the way,
- but none that could justify the haunting phrase&mdash;the poem of her
- life!
- </p>
- <p>
- Was the man such a fool, after all? Was it even ignorance on his part? Was
- it not, rather, wisdom on a lofty plane immeasurably above the
- commonplaces of ignorance and knowledge? The questions presented
- themselves to her vaguely. She was filled with a strange unrest, a craving
- for she knew not what. Yet she would shortly have in her grasp all&mdash;or
- nearly all&mdash;that she had aimed at in life. She counted the tale of
- her future possessions&mdash;houses, horses, diamonds, and the like. She
- seemed to have owned them a thousand years.
- </p>
- <p>
- The clock in the house chimed ten in a pretentious musical way, which
- irritated her nerves. The silence after the last of the ten inexorable
- tinkles fell gratefully. Then she realised that in a minute or two Morland
- would arrive. Her heart began to beat, and she clasped her hands together
- in a nervous suspense of which she had not dreamed herself capable. A cab
- turned the corner of the street, approached with crescendo rattle, and
- stopped at the house. She saw Morland alight and reach up to pay the
- cabman. For a silly moment she had a wild impulse to cry to him over
- the balcony to go away and leave her in peace. She waited
- until she heard the footman open the front door and admit him, then
- bracing herself, she entered the drawing-room, looked instinctively in a
- mirror, and sat down.
- </p>
- <p>
- She met him cordially enough, returned his glance somewhat defiantly. The
- sight of him, florid, sleek, faultlessly attired, brought her back within
- the every-day sphere of dulled sensation. He held her hand long enough for
- him to say, after the first greeting:
- </p>
- <p>
- &ldquo;You can guess what I've come for, can't you?&rdquo;
- </p>
- <p>
- &ldquo;I suppose I do,&rdquo; she admitted in an off-hand way. &ldquo;You will find
- frankness one of my vices. Won't you sit down?&rdquo;
- </p>
- <p>
- She motioned him to a chair, and seating herself on a sofa, prepared to
- listen.
- </p>
- <p>
- &ldquo;I've come to ask you to marry me,&rdquo; said King.
- </p>
- <p>
- &ldquo;Well?&rdquo; she asked, looking at him steadily.
- </p>
- <p>
- &ldquo;I want to know how it strikes you,&rdquo; he continued after a brief pause. &ldquo;I
- think you know practically all that I can tell you about myself. I can
- give you what you want up to about fifteen thousand a year&mdash;it will
- be more when my mother dies. We're decent folk&mdash;old county family&mdash;I
- can offer you whatever society you like. You and I have tastes in common,
- care for the same things, same sort of people. I'm sound in wind and limb&mdash;never
- had a day's illness in my life, so you would n't have to look after a
- cripple. And I'd give the eyes out of my head to have you; you know that.
- How does it strike you?&rdquo;
- </p>
- <p>
- Norma had averted her glance from him towards the end of his speech, and
- leaning back was looking intently at her hands in her lap. For the moment
- she felt it impossible to reply. The words that had formulated themselves
- in her mind, &ldquo;I think, Mr. King, the arrangement will be eminently
- advantageous to both parties,&rdquo; were too ludicrous in their adequacy to the
- situation. So she merely sat silent and motionless, regarding her
- manicured finger-nails, and awaiting another opening. King changed his
- seat to the sofa, by her side, and leaned forward.
- </p>
- <p>
- &ldquo;If you had been a simpler, more unsophisticated girl, Norma, I should
- have begun differently. I thought it would please you if I put sentiment
- aside.&rdquo;
- </p>
- <p>
- Her head motioned acquiescence.
- </p>
- <p>
- &ldquo;But I'm not going to put it aside,&rdquo; he went on. &ldquo;It has got its place in
- the world, even when a man makes a proposal of marriage. And when I say
- I'm in love with you, that I have been in love with you since the first
- time I saw you, it's honest truth.&rdquo;
- </p>
- <p>
- &ldquo;Say you have a regard, a high regard, even,&rdquo; said Norma, still not
- looking at him, &ldquo;and I'll believe you.&rdquo;
- </p>
- <p>
- &ldquo;I'm hanged if I will,&rdquo; said Morland. &ldquo;I say I'm in love with you.&rdquo;
- </p>
- <p>
- Norma suddenly softened. The phrase tickled her ears again&mdash;this time
- pleasantly. The previous half-hour's groping in the dark of herself seemed
- to have resulted in discovery. She gave him a fleeting smile of mockery.
- </p>
- <p>
- &ldquo;Listen,&rdquo; she said. &ldquo;If you will be contented with regard, a high regard,
- on my side, I will marry you. I really like you very much. Will that do?&rdquo;
- </p>
- <p>
- &ldquo;It is all I ask now. The rest will come by and by.&rdquo;
- </p>
- <p>
- &ldquo;I'm not so sure. We had better be perfectly frank with each other from
- the start, for we shall respect each other far more. Anyhow, if you treat
- me decently, as I am sure you will, you may be satisfied that I shall
- carry out my part of the bargain. My bosom friends tell one another that I
- am worldly and heartless and all that&mdash;but I've never lied seriously
- or broken a promise in my life.&rdquo;
- </p>
- <p>
- &ldquo;Very well. Let us leave it at that,&rdquo; said Morland. &ldquo;I suppose your people
- will have no objection?&rdquo;
- </p>
- <p>
- &ldquo;None whatever,&rdquo; replied Norma, drily.
- </p>
- <p>
- &ldquo;When can I announce our engagement?&rdquo;
- </p>
- <p>
- &ldquo;Whenever you like.&rdquo;
- </p>
- <p>
- He took two or three reflective steps about the room and reseated himself
- on the sofa.
- </p>
- <p>
- &ldquo;Norma,&rdquo; he said softly, bending towards her, &ldquo;I believe on such occasions
- there is a sort of privilege accorded to a fellow&mdash;may I?&rdquo;
- </p>
- <p>
- She glanced at him, hesitated, then proffered her cheek. He touched it
- with his lips.
- </p>
- <p>
- The ceremony over, there ensued a few minutes of anticlimax. Norma
- breathed more freely. There had been no difficulties, no hypocrisies. The
- mild approach to rapture on Morland's part was perhaps, after all, only a
- matter of common decency, to be accepted by her as a convention of the <i>scène
- à faire</i>. So was the kiss. She broke the spell of awkwardness by
- rising, crossing the room, and turning off an electric pendant that
- illuminated the full-length portrait on the wall.
- </p>
- <p>
- &ldquo;We can't stand Mrs. Wolff-Salamon's congratulations so soon,&rdquo; she said
- with a laugh.
- </p>
- <p>
- Conversation again became possible. They discussed arrangements. King
- suggested a marriage in the autumn. Norma, with a view to the prolongation
- of what appealed to her as a novel and desirable phase of existence&mdash;maidenhood
- relieved of the hateful duty of husband-hunting and unclouded by parental
- disapprobation&mdash;pleaded for delay till Christmas. She argued that in
- all human probability the Parliamentary vacancy at Cosford, the safe seat
- on which Morland reckoned, would occur in the autumn, and he could not fix
- the date of an election at his own good pleasure. He must, besides, devote
- his entire energy to the business; time enough when it was over to think
- of such secondary matters as weddings, bridal tours, and the setting up of
- establishments.
- </p>
- <p>
- &ldquo;But you have to be considered, Norma,&rdquo; he said, half convinced.
- </p>
- <p>
- &ldquo;My dear Morland,&rdquo; she replied with a derisive lip, &ldquo;I should never dream
- of coming between you and your public career.&rdquo;
- </p>
- <p>
- He reflected a moment. &ldquo;Why should we not get married at once?&rdquo;
- </p>
- <p>
- Norma laughed. &ldquo;You are positively pastoral! No, my dear Morland, that's
- what the passionate young lover always says to the coy maiden in the play,
- but if you will remember, it does n't seem to work even there. Besides,
- you must let me gratify my ambitions. When I was very young, I vowed I
- would marry an emperor. Then I toned him down into a prince. Later,
- becoming more practical, I dreamed of a peer. Finally I descended to a
- Member of Parliament. I can't marry you before you are a Member.&rdquo;
- </p>
- <p>
- &ldquo;You could have had dozens of 'em for the asking, I'm sure,&rdquo; returned the
- prospective legislator with a grin. &ldquo;Take them all round, they're a shoddy
- lot.&rdquo;
- </p>
- <p>
- He yielded eventually to Norma's proposal, alluding, however, with an air
- of ruefulness, to the infinite months of waiting he would have to endure.
- Tactfully she switched him off the line of sentiment to that of soberer
- politics. She put forward the platitude that a Parliamentary life was one
- of great interest. Morland did not rise even to this level of enthusiasm.
- </p>
- <p>
- &ldquo;'Pon my soul, I really don't know why I'm going in for it. I promised old
- Potter years ago that I would come in when he gave up, and the people down
- there more or less took it for granted, the duchess included, and so
- without having thought much of it one way or the other, I find myself
- caught in a net. It will be a horrible bore. The whole of the session will
- be one dismal yawn. Never to be certain of sitting down to one's dinner in
- peace and comfort. Never to know when one will have to rush off at a
- moment's notice to take part in a confounded division. To have shoals of
- correspondence on subjects one knows nothing of and cares less for. It
- will be the life of a sweated tailor. And I, of all people, who like to
- take things easy! I'm not quite sure whether I'm an idiot or a hero.&rdquo;
- </p>
- <p>
- He ended in a short laugh and leaned against the mantelpiece, his hands in
- his pockets.
- </p>
- <p>
- &ldquo;It would be the sweet and pretty thing for me to say,&rdquo; remarked Norma,
- &ldquo;that in my eyes you will always be heroic.&rdquo;
- </p>
- <p>
- &ldquo;Well, 'pon my soul, I shall be. We 'll see precious little of one another.&rdquo;
- </p>
- <p>
- &ldquo;We 'll have all the more chance of prolonging our illusions,&rdquo; she replied.
- </p>
- <p>
- On the whole, however, her conduct towards him was irreproachable. The
- thaw from her usual iciness to this comparatively harmless raillery
- flattered the lover's self-esteem. Woman-wise, as every man in the
- profundity of his vain heart believes himself to be, he not only
- attributed the change to his own powers of seduction, but interpreted as
- significant of a yet greater transformation. A man of Morland's type is
- seldom afflicted with a morbid subtlety of perception; and when he has
- gained for his own personal use and adornment a woman of singular
- distinction, he may be readily pardoned for a slight attack of fatuity.
- </p>
- <p>
- The idyllic hour was brought to a close by the return of Norma's parents.
- As Norma, shrinking from the vulgarity of the prearranged scene and
- intolerable maternal coaching in her part, had not informed them of her
- appointment with Morland, alleging as an excuse for not going to the opera
- a disinclination to be bored to tears by <i>Aida</i>, they were mildly
- surprised by his presence in the house at so late an hour. In a few words
- he acquainted them with what had taken place. He formally asked their
- consent. Mr. Hardacre wrung his hand fervently. Mrs. Hardacre's steel-grey
- eyes glittered welcome into her family. She turned to her dear child and
- expressed her heartfelt joy. Norma, submissive to conventional decencies,
- suffered herself to be kissed. Mother and daughter had given up kissing as
- a habit for some years past, though they practised it occasionally before
- strangers. Mr. Hardacre put his arm around her in a diffident way and
- patted her back, murmuring incoherent wishes for her happiness. Everything
- to be said and done was effected in a perfectly well-bred manner. Norma
- spoke very little, regarding the proceedings with an impersonal air of
- satiric interest. At last Mr. Hardacre suggested to Morland a chat over
- whisky and soda and a cigar in the library. In unsophisticated circles it
- is not unusual at such a conjuncture for a girl's friends and relations to
- afford the lovers some unblushing opportunity of bidding each other a
- private farewell. Norma, anticipating any such possible though improbable
- departure from sanity on the part of her parents, made good her escape
- after shaking hands in an ordinary way with Morland. Mrs. Hardacre
- followed her upstairs, eager to learn details, which were eventually given
- with some acidity by her daughter, and the two men retired below.
- </p>
- <p>
- &ldquo;My boy,&rdquo; said Mr. Hardacre, as they parted an hour afterwards, &ldquo;you will
- find that Norma has had the training that will make her a damned fine
- woman.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0004" id="link2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter IV&mdash;THE GREAT FROCK EPISODE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>IMMIE PADGATE was
- the son of a retired commander in the Navy, of irreproachable birth and
- breeding, of a breezy impulsive disposition, and with a pretty talent as
- an amateur actor. Finding idleness the root of all boredom, he took to the
- stage, and during the first week of his first provincial tour fell in love
- with the leading lady, a fragile waif of a woman of vague upbringing. That
- so delicate a creature should have to face the miseries of a touring life&mdash;the
- comfortless lodgings, the ill-cooked food, the damp death-traps of
- dressing-rooms, the long circuitous Sunday train-journeys&mdash;roused him
- to furious indignation. He married her right away, took her incontinently
- from things theatrical, and found congenial occupation in adoring her. But
- the hapless lady survived her marriage only long enough to see Jimmie safe
- into short frocks, and then fell sick and died. The impulsive sailor
- educated the boy in his own fashion for a dozen years or so, and then he,
- in his turn, died, leaving his son a small inheritance to be administered
- by his only brother, an easy-going bachelor in a Government office. This
- inheritance sufficed to send Jimmie to Harrow, where he began his
- life-long friendship with Morland King, and to the École des Beaux-Arts in
- Paris, where he learned many useful things beside the method of painting
- pictures. When he returned to London, his uncle handed him over the
- hundred or two that remained, and, his duty being accomplished, fell over
- a precipice in the Alps, and concerned himself no more about his nephew.
- Then Jimmie set to work to earn his living.
- </p>
- <p>
- When he snatched the child Aline from the embraces of her tipsy aunt and
- carried her out into the street, wondering what in the world he should do
- with her, he was just under thirty years of age. How he had earned a
- livelihood till then and kept himself free from debt he scarcely knew.
- When he obtained a fair price for a picture, he deposited a lump sum with
- his landlord in respect of rent in advance, another sum with the keeper of
- the little restaurant where he ate his meals, and frittered the rest away
- among his necessitous friends. In the long intervals between sales, he
- either went about penniless or provided himself with pocket money by black
- and white or other odd work that comes in the young artist's way. His
- residence at that time consisted in a studio and a bedroom in Camden Town.
- His wants were few, his hopes were many. He loved his art, he loved the
- world. His optimistic temperament brought him smiles from all those with
- whom he came in contact&mdash;even from dealers, when he wasted their time
- in expounding to them the commercial value of an unmarketable picture. He
- was quite happy, quite irresponsible. When soberer friends reproached him
- for his hand-to-mouth way of living, he argued that if he scraped to-day
- he would probably spread the butter thick tomorrow, thus securing the
- average, the golden mean, which was the ideal of their respectability. As
- for success, that elusive will-o'-the-wisp, the man who did not enjoy the
- humour of failure never deserved to succeed.
- </p>
- <p>
- But when he had rescued Aline from the limbo over the small apothecary's
- shop, as thoughtlessly and as gallantly as his father before him had
- rescued the delicate lady from the trials of theatrical vagabondage, he
- found himself face to face with a perplexing problem. That first night he
- had risen from an amorphous bed he had arranged for himself on the studio
- floor, and entered his own bedroom on tiptoe, and looked with pathetic
- helplessness on the tiny child asleep beneath his bedclothes. If it had
- been a boy, he would have had no particular puzzle. A boy could have been
- stowed in a corner of the studio, where he could have learned manners and
- the fear of God and the way of smiling at adversity. He would have
- profited enormously, as Jimmie felt assured, by his education. But with a
- girl it was vastly different. An endless vista of shadowy, dreamy,
- delicate possibilities perplexed him. He conceived women as beings
- ethereal, with a range of exquisite emotions denied to masculine
- coarseness. Even the Rue Bonaparte had not destroyed his illusion, and he
- still attributed to the fair Maenads of the Bal des Quatre-z' Arts the
- lingering fragrance of the original Psyche. Of course Jimmie was a fool,
- as ten years afterwards Norma had decided; but this view of himself not
- occurring to him, he had to manage according to his lights. Here was this
- mysterious embryo goddess entirely dependent on him. No corner of the
- studio and rough-and-tumble discipline for her. She must sleep on down and
- be covered with silk; the airs of heaven must not visit her cheek too
- roughly; the clatter of the brazen world must not be allowed to deafen her
- to her own sweet inner harmonies. Jimmie was sorely perplexed.
- </p>
- <p>
- His charwoman next morning could throw no light on the riddle. She had
- seven children of her own, four of them girls, and they had to get along
- the best way they could. She was of opinion that if let alone and just
- physicked when she had any complaint, Aline would grow up of her own
- accord. Jimmie said that this possibility had not struck him, but
- doubtless the lady was right. Could she tell him how many times a day a
- little girl ought to be fed and what she was to eat? The charwoman's draft
- upon her own family experiences enlightened Jimmie so far that he put a
- sovereign into her hand to provide a dinner for her children. After that
- he consulted her no more. It was an expensive process.
- </p>
- <p>
- Meanwhile it was obvious that a studio and one bedroom would not be
- sufficient accommodation, and Jimmie, greatly daring, took a house. He
- also engaged a resident housekeeper for himself and a respectable cat for
- Aline, and when he had settled down, after having spent every penny he
- could scrape together on furniture, began to wonder how he could pay the
- rent. A month or two before he would have as soon thought of buying a
- palace in Park Lane as renting a house in St. John's Wood&mdash;a cheap,
- shabby little house, it is true; but still a house, with drawing-room,
- dining-room, bedrooms, and a studio built over the space where once the
- garden tried to smile. He wandered through it with a wonderment quite as
- childish as that of Aline, who had helped him to buy the furniture. But
- how was he ever going to pay the rent?
- </p>
- <p>
- After a time he ceased asking the question. The ravens that fed Elijah
- provided him with the twenty quarterly pieces of gold. Picture-dealers of
- every hue and grade supplied him with the wherewithal to live. In those
- early days he penetrated most of the murky byways of his art&mdash;alleys
- he would have passed by with pinched nose a year before, when an empty
- pocket and an empty stomach concerned himself alone. Now, when the money
- for the last picture had gone, and no more was forthcoming by way of
- advance on royalties on plates, and the black and white market was
- congested, he did amazing things. He copied old Masters for a red-faced,
- beery print-seller in Frith Street, who found some mysterious market for
- them. The price can be gauged by the fact that years afterwards Jimmie
- recognised one of his own copies in an auction room, and heard it knocked
- down as a genuine Velasquez for eleven shillings and sixpence. He also
- painted oil landscapes for a dealer who did an immense trade in this line,
- selling them to drapers and fancy-warehousemen, who in their turn retailed
- them to an art-loving public, framed in gold, at one and eleven pence
- three farthings; and the artist's rate of payment was five shillings a
- dozen&mdash;panels supplied, but not the paint. To see Jimmie attack these
- was the child Aline's delight. In after years she wept in a foolish way
- over the memory. He would do half a dozen at a time: first dash in the
- foregrounds, either meadows or stretches of shore, then wash in bold,
- stormy skies, then a bit of water, smooth or rugged according as it was
- meant to represent pool or sea; then a few vigorous strokes would put in a
- ship and a lighthouse on one panel, a tree and a cow on a second, a woman
- and a cottage on a third. And all the time, as he worked at lightning
- speed, he would laugh and joke with the child, who sat fascinated by the
- magic with which each mysterious mass of daubs and smudges grew into a
- living picture under his hand. When his invention was at a loss, he would
- call upon her to suggest accessories; and if she cried out &ldquo;windmill,&rdquo;
- suddenly there would spring from under the darting brush-point a mill with
- flapping sails against the sky. Now and again in his hurry Jimmie would
- make a mistake, and Aline would shriek with delight:
- </p>
- <p>
- &ldquo;Why, Jimmie, that's a cow!&rdquo;
- </p>
- <p>
- And sure enough, horned and uddered, and with casual tail, a cow was
- wandering over the ocean, mildly speculating on the lighthouse. Then
- Jimmie would roar with laughter, and he would tether the cow to a buoy and
- put in a milkmaid in a boat coming to milk the cow, and at Aline's
- breathless suggestion, a robber with a bow and arrow shooting the
- unnatural animal from the lighthouse top. Thus he would waste an hour
- elaborating the absurdity, finishing it off beautifully so that it should
- be worthy of a place on Aline's bedroom wall.
- </p>
- <p>
- The months and years passed, and Jimmie found himself, if not on the
- highroad to fortune, at least relieved of the necessity of frequenting the
- murky byways aforesaid. He even acquired a little reputation as a portrait
- painter, much to his conscientious, but comical despair. &ldquo;I am taking
- people's money under false pretences,&rdquo; he would say. &ldquo;I am an imaginative
- painter. I can't do portraits. Your real portrait painter can jerk the
- very soul out of a man and splash it on to his face. I can't. Why do they
- come to me to be photographed, when Brown, Jones, or Robinson would give
- them a portrait? Why can't they buy my subject-pictures which are good? In
- taking their money I am a mercenary, unscrupulous villain!&rdquo; Indeed, if
- Aline had not been there to keep him within the bounds of sanity, his
- Quixotism might have led him to send his clients to Brown or Jones, where
- they could get better value for their money. But Aline was there, rising
- gradually from the little child into girlhood, and growing in grace day by
- day. After all, the charwoman seemed to be right. The tender plant, left
- to itself, thrived, shot up apparently of its own accord, much to Jimmie's
- mystification. It never occurred to him that he was the all in all of her
- training&mdash;her mother, father, nurse, teacher, counsellor, example.
- Everything she was susceptible of being taught by a human being, he taught
- her&mdash;from the common rudiments when she was a little child to the
- deeper things of literature and history when she was a ripening maiden.
- Her life was bound up with his. Her mind took the prevailing colour of his
- mind as inevitably as the grasshopper takes the green of grass or the
- locust the grey-brown of the sand. But Jimmie in his simple way regarded
- the girl's sweet development as a miracle of spontaneous growth.
- </p>
- <p>
- Yet Aline on her part instinctively appreciated the child in Jimmie, and
- from very early years assumed a quaint attitude of protection in common
- every-day matters. From the age of twelve she knew the exact state of his
- financial affairs, and gravely deliberated with him over items of special
- expenditure; and when she was fourteen she profited by a change in
- housekeepers to take upon herself the charge of the household. Her
- unlimited knowledge of domestic science was another thing that astounded
- Jimmie, who to the end of his days would have cheerfully given two
- shillings a pound for potatoes. And thus, while adoring Jimmie and
- conscious that she owed him the quickening of the soul within her, she
- became undisputed mistress of her small material domain, and regarded him
- as a kind of godlike baby.
- </p>
- <p>
- At last there came a memorable day. According to a custom five or six
- years old, Jimmie and Aline were to spend New Year's Eve with some
- friends, the Frewen-Smiths.
- </p>
- <p>
- He was a rising architect who had lately won two or three important
- competitions and had gradually been extending his scale of living. The New
- Year's Eve party was to be a much more elaborate affair than usual. Aline
- had received a beautifully printed card of invitation, with &ldquo;Dancing&rdquo; in
- the corner. She looked through her slender wardrobe. Not a frock could she
- find equal to such a festival. And as she gazed wistfully at the simple
- child's finery laid out upon her bed, a desire that had dawned vaguely
- some time before and had week by week broadened into craving, burst into
- the full blaze of a necessity. She sat down on her bed and puckered her
- young brows, considering the matter in all its aspects. Then, with her
- sex's guilelessness, she went down to the studio, where Jimmie was
- painting, and put her arms round his neck. Did he think she could get a
- new frock for Mrs. Frewen-Smith's party?
- </p>
- <p>
- &ldquo;My dear child,&rdquo; said Jimmie in astonishment, &ldquo;what an idiotic question!&rdquo;
- </p>
- <p>
- &ldquo;But I want really a nice one,&rdquo; said Aline, coaxingly.
- </p>
- <p>
- &ldquo;Then get one, dear,&rdquo; said Jimmie, swinging round on his stool, so as to
- look at her.
- </p>
- <p>
- &ldquo;But I'd like you to give me this one as a present. I don't want it to be
- like the others that I help myself to and you know nothing about&mdash;although
- they all are presents, if it comes to that&mdash;I want you to give me
- this one specially.&rdquo;
- </p>
- <p>
- Jimmie laid down palette and mahl-stick and brush, and from a letter-case
- in his pocket drew out three five-pound notes.
- </p>
- <p>
- &ldquo;Will this buy one?&rdquo;
- </p>
- <p>
- The girl's eyes filled with tears. &ldquo;Oh, you are silly, Jimmie,&rdquo; she cried.
- &ldquo;A quarter of it will do.&rdquo;
- </p>
- <p>
- She took one of the notes, kissed him, and ran out of the studio, leaving
- Jimmie wondering why the female sex were so prone to weeping. The next day
- he saw a strange woman established at the dining-room table. He learned
- that it was a dressmaker. For the next week an air of mystery hung over
- the place. The girl, in her neat short frock and with her soft brown hair
- tied with a ribbon, went about her household duties as usual; but there
- was a subdued light in her eyes that Jimmie noticed, but could not
- understand. Occasionally he enquired about the new frock. It was
- progressing famously, said Aline. It was going to be a most beautiful
- frock. He would have seen nothing like it since he was born.
- </p>
- <p>
- &ldquo;Vanity, thy name is little girls,&rdquo; he laughed, pinching her chin.
- </p>
- <p>
- On the evening of the 31st of December Jimmie, in his well-worn evening
- suit, came down to the dining-room, and for the first time in his life
- waited for Aline. He sat down by the fire with a book. The cab that had
- been ordered drew up outside. It was a remarkable thing for Aline to be
- late. After a while the door opened, and a voice said, &ldquo;I am ready.&rdquo;
- Jimmie rose, turned round, and for a moment stared stupidly at the sight
- that met his eyes. It was Aline certainly, but a new Aline, quite a
- different Aline from the little girl he had known hitherto. Her brown hair
- was done up in a mysterious manner on the top of her head, and the tip of
- a silver-mounted tortoise-shell comb (a present, she afterwards confessed,
- from Constance Deering, who was in her secret) peeped coquettishly from
- the coils. The fashionably-cut white evening dress showed her neck and
- shoulders and pretty round arms, and displayed in a manner that was a
- revelation the delicate curves of her young figure. A little gold locket
- that Jimmie had given her rose and fell on her bosom. She met his stare in
- laughing, blushing defiance, and whisked round so as to present a side
- view of the costume. The astonishing thing had a train.
- </p>
- <p>
- &ldquo;God bless my soul!&rdquo; cried Jimmie. &ldquo;It never entered my head!&rdquo;
- </p>
- <p>
- &ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;That you're a young woman, that you're grown up, that we'll have all the
- young men in the place falling in love with you, that you'll be getting
- married, and that I'm becoming a decrepit old fogey. Well, God bless my
- soul!&rdquo;
- </p>
- <p>
- She came up and put her hands on his shoulders and kissed him.
- </p>
- <p>
- &ldquo;You think it becoming, don't you, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Becoming! Why, it's ravishing! It's irresistible! Do you mean to say that
- you got all that, gloves and shoes and everything, out of a five-pound
- note?&rdquo;
- </p>
- <p>
- She nodded.
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; said Jimmie in astonishment.
- </p>
- <p>
- In this manner came realisation of the fact that the tiny child he had
- undressed and put to sleep in his own bed ten years before had grown into
- a woman. The shock brought back some of the old perplexities, and created
- for a short while an odd shyness in his dealings with her. He treated her
- deferentially, regarded apologetically the mean viands on which he forced
- this fresh-winged goddess to dine, went out and wasted his money on
- adornments befitting her rank, and behaved with such pathetic foolishness
- that Aline, crying and laughing, threatened to run away and earn her
- living as a nursery-maid if he did not amend his conduct. Whereupon there
- was a very touching scene, and Jimmie's undertaking to revert to his
- previous brutality put their relations once more on a sound basis; but all
- the same there stole into Jimmie's environment a subtle grace which the
- sensitive in him was quick to perceive. Its fragrance revived the tender
- grace of a departed day, before he had taken Aline&mdash;a day that had
- ended in a woeful flight to Paris, where he had arrived just in time to
- follow through the streets a poor little funeral procession to a poor
- little grave-side in the cemetery of Bagneux. Her name was Sidonie
- Bourdain, and she was a good girl and had loved Jimmie with all her heart.
- </p>
- <p>
- The tender grace was that of March violets. The essence of a maid's
- springtide diffused itself through the house, and springtide began to bud
- again in the man's breast. It was a strange hyperphysical transfusion of
- quickening sap. His jesting pictured himself as of a sudden grown hoary,
- the potential father of a full-blown woman, two or three years short of
- grandfatherdom. But these were words thrown off from the very lightness of
- a mood, and vanishing like bubbles in the air. Deep down worked the
- craving of the man still young for love and romance and the sweet message
- in a woman's eyes. It was a gentle madness&mdash;utterly unsuspected by
- its victim&mdash;but a madness such as the god first inflicts upon him
- whom he desires to drive to love's destruction. In the middle of it all,
- while Aline and himself were finding a tentative footing on the newly
- established basis of their relationship, the ironical deity took him by
- the hand and led him into the cold and queenly presence of Norma Hardacre.
- .
- </p>
- <p>
- After that Jimmie fell back into his old ways with Aline, and the Great
- Frock Episode was closed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0005" id="link2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter V&mdash;A BROKEN BUTTERFLY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>LINE sat in the
- studio, the picture of housewifely concern, mending Jimmie's socks. It was
- not the unoffending garments that brought the expression into her face,
- but her glance at the old Dutch clock&mdash;so old and crotchety that
- unless it were tilted to one side it would not consent to go&mdash;whose
- hands had come with an asthmatic whir to the hour of eleven. And Jimmie
- had not yet come down to breakfast. She had called him an hour ago. His
- cheery response had been her sanction for putting the meal into
- preparation, and now the bacon would be uneatable. She sighed. Taking care
- of Jimmie was no light responsibility. Not that he would complain; far
- from it. He would eat the bacon raw or calcined if she set it before him.
- But that would not be for his good, and hence the responsibility. In
- slipping from her grasp and doing the things he ought not to do, he was an
- eel or a twelve-year-old schoolboy. Last night, for instance, instead of
- finishing off some urgent work for an art periodical, he had assured her
- in his superlative manner that it was of no consequence, and had wasted
- his evening with her at the Earl's Court Exhibition. It had been warm and
- lovely, and the band and the bright crowd had set her young pulses
- throbbing, and they had sat at a little table, and Jimmie had given her
- some celestial liquid which she had sucked through a straw, and
- altogether, to use her own unsophisticated dialect, it had been perfectly
- heavenly. But it was wrong of Jimmie to have sacrificed himself for her
- pleasure, and to have deceived her into accepting it. For at three or four
- o'clock she had heard him tiptoeing softly past her door on his way to
- bed, and the finished work she had found on his table this morning
- betrayed his occupation. Even the consolation of scolding him for
- oversleep and a spoiled breakfast was thus denied. She spread out her hand
- in the sock so as to gauge the extent of a hole, and, contemplating it,
- sighed again.
- </p>
- <p>
- The studio was a vast room distempered in bluish grey, and Aline, sitting
- solitary at the far end, in the line of a broad quivering beam of light
- that streamed through a lofty window running the whole width of the
- north-east side, looked like a little brown saint in a bare conventual
- hall. For an ascetic simplicity was the studio's key-note. No curtains,
- draperies, screens, Japaneseries, no artistic scheme of decoration, no
- rare toys of furniture filled the place with luxurious inspiration. Here
- and there about the walls hung a sketch by a brother artist; of his own
- unsold pictures and studies some were hung, others stacked together on the
- floor. An old, rusty, leather drawing-room suite distributed about the
- studio afforded sitting accommodation. There was the big easel bearing the
- subject-picture on which he now was at work, with a smaller easel carrying
- the study by its side. On the model-stand a draped lay figure sprawled
- grotesquely. A long deal table was the untidy home of piles of papers,
- books, colours, brushes, artistic properties. A smaller table at the end
- where Aline sat was laid for breakfast. It was one of Jimmie's
- eccentricities to breakfast in the studio. The dining-room for dinner&mdash;he
- yielded to the convention; for lunch, perhaps; for breakfast, no. All his
- intimate life had been passed in the studio; the prim little drawing-room
- he scarcely entered half-a-dozen times in the year.
- </p>
- <p>
- Aline was contemplating the hole in the sock when the door opened. She
- sprang to her feet, advanced a step, and then halted with a little
- exclamation.
- </p>
- <p>
- &ldquo;Oh, it's you!&rdquo;
- </p>
- <p>
- &ldquo;Yes. Are you disappointed?&rdquo; asked the smiling youth who had appeared
- instead of the expected Jimmie.
- </p>
- <p>
- &ldquo;I can get over it. How are you, Tony?&rdquo;
- </p>
- <p>
- Mr. Anthony Merewether gave her the superfluous assurance that he was in
- good health. He had the pleasant boyish face and clean-limbed figure of
- the young Englishman upon whom cares sit lightly. Aline resumed her work
- demurely. The young man seated himself near by.
- </p>
- <p>
- &ldquo;How is Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Whom are you calling 'Jimmie'?&rdquo; asked Aline. &ldquo;Mr. Padgate, if you
- please.&rdquo;
- </p>
- <p>
- &ldquo;You call him Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;I've called him so ever since I could speak. I think it was one of the
- first three words I learned. When you can say the same, you can call him
- Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Well, how is Mr. Padgate?&rdquo; the snubbed youth asked with due humility.
- </p>
- <p>
- &ldquo;You can never tell how a man is before breakfast. Why are n't you at
- work?&rdquo;
- </p>
- <p>
- He bowed to her sagacity, and in answer to her question explained the
- purport of his visit. He was going to spend the day sketching up the
- river. Would she put on her hat and come with him?
- </p>
- <p>
- &ldquo;A fine lot of sketching you'd do, if I did,&rdquo; said Aline.
- </p>
- <p>
- The young man vowed with fervour that as soon as he had settled down to a
- view he would work furiously and would not exchange a remark with her.
- </p>
- <p>
- &ldquo;Which would be very amusing for me,&rdquo; retorted Aline. &ldquo;No, I can't come.
- I'm far too busy. I've got to hunt up a model for the new picture.&rdquo;
- </p>
- <p>
- Tony leant back in his chair, dispirited, and began to protest. She
- laughed at his woeful face, and half yielding, questioned him about
- trains. He overwhelmed her with a rush of figures, then paused to give her
- time to recover. His eyes wandered to the breakfast-table, where lay
- Jimmie's unopened correspondence. One letter lay apart from the others.
- Tony took it up idly.
- </p>
- <p>
- &ldquo;Here's a letter come to the wrong house.&rdquo;
- </p>
- <p>
- &ldquo;No; it is quite right,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Who is David Rendell, Esquire?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Rendell is a friend of Jimmie's, I believe.&rdquo;
- </p>
- <p>
- &ldquo;I have never heard of him. What's he like?&rdquo;
- </p>
- <p>
- &ldquo;I don't know. Jimmie never speaks of him,&rdquo; replied Aline.
- </p>
- <p>
- &ldquo;That's odd.&rdquo;
- </p>
- <p>
- The young man threw the letter on the table and returned to the subject of
- the outing. She must accompany him. He felt a perfect watercolour working
- itself up within him. One of those dreamy bits of backwater. He had a
- title for it already, &ldquo;The Heart of Summer.&rdquo; The difference her presence
- in the punt would make to the picture would be that between life and
- deadness.
- </p>
- <p>
- The girl fluttered a shy, pleased glance at him. But she loved to tease;
- besides, had she not but lately awakened to the sweet novelty of her young
- womanhood?
- </p>
- <p>
- &ldquo;Perhaps Jimmie won't let me go.&rdquo;
- </p>
- <p>
- Tony sprang to his feet. &ldquo;Jimmie won't let you go!&rdquo; he exclaimed in
- indignant echo. &ldquo;Did he ever deny you a pleasure since you were born?&rdquo;
- </p>
- <p>
- Her eyes sparkled at his tribute to the adored one's excellences. &ldquo;That's
- just where it is, you see, Tony. His very goodness to me won't let me do
- things sometimes.&rdquo;
- </p>
- <p>
- The servant hurried in with the breakfast-tray and the news that the
- master was coming down. Aline anxiously inspected the bacon. To her relief
- it was freshly cooked. In a minute or two a voice humming an air was heard
- outside, and Jimmie entered, smilingly content with existence.
- </p>
- <p>
- &ldquo;Hallo, Tony, what are you doing here, wasting the morning light? Have
- some breakfast? Why haven't you laid a place for him?&rdquo;
- </p>
- <p>
- Tony declined the invitation, and explained his presence. Jimmie rubbed
- his hands.
- </p>
- <p>
- &ldquo;A day on the river! The very thing for Aline. It will do her good.&rdquo;
- </p>
- <p>
- &ldquo;I did n't say I was going, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Not going? Rubbish. Put on your things and be off at once.&rdquo;
- </p>
- <p>
- &ldquo;How can I until I have given you your breakfast? And then there's the
- model&mdash;you would never be able to engage her by yourself. And you
- must have her to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;I know I'm helpless, dear, but I can engage a model.&rdquo;
- </p>
- <p>
- &ldquo;And waste your time. Besides, you won't be able to find the address.&rdquo;
- </p>
- <p>
- &ldquo;There are cab-horses, dear, with unerring instinct.&rdquo;
- </p>
- <p>
- &ldquo;Your breakfast is getting cold, Jimmie,&rdquo; said Aline, not condescending to
- notice the outrage of her economic principles.
- </p>
- <p>
- Eventually Jimmie had his way. Tony Merewether was summarily dismissed,
- but bidden to return in an hour's time, when Aline would be graciously
- pleased to be ready. She poured out Jimmie's coffee, and sat at the side
- of the table, watching him eat. He turned to his letters, picked up the
- one addressed to &ldquo;David Rendell.&rdquo; Aline noticed a shade of displeasure
- cross his face.
- </p>
- <p>
- &ldquo;Who is Mr. Rendell, Jimmie?&rdquo; asked Aline.
- </p>
- <p>
- &ldquo;A man I know, dear,&rdquo; he replied, putting the envelope in his pocket. He
- went on with his breakfast meditatively for a few moments, then opened his
- other letters. He threw a couple of bills across the table. His face had
- regained its serenity.
- </p>
- <p>
- &ldquo;See that these ill-mannered people are paid, Aline.&rdquo;
- </p>
- <p>
- &ldquo;What with, dear?&rdquo;
- </p>
- <p>
- &ldquo;Money, my child, money. What!&rdquo; he exclaimed, noting a familiar expression
- on her face. &ldquo;Are we running short? Send them telegrams to say we'll pay
- next week. Something is bound to come in by then.&rdquo;
- </p>
- <p>
- &ldquo;Mrs. Bullingdon ought to send the cheque for her portrait,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Of course she will. And there's something due from Hyam. What a thing it
- is to have great expectations! Here's one from Renshaw,&rdquo; he said, opening
- another letter. &ldquo;'Dear Padgate'&mdash;Dear Padgate!&rdquo; He put his hands on
- the table and looked across at Aline. &ldquo;Now, what on earth can I have done
- to offend him? I've been 'Dear Jimmie' for the last twelve years.&rdquo;
- </p>
- <p>
- Aline shook her young head pityingly. &ldquo;Don't you know yet that it is
- always 'Dear Padgate' when they want to borrow money of you?&rdquo;
- </p>
- <p>
- Jimmie glanced at the letter and then across the table again.
- </p>
- <p>
- &ldquo;Dear me,&rdquo; he said thoughtfully. &ldquo;Your knowledge of the world at your
- tender age is surprising. He does want money. Poor old chap! It is really
- quite touching. 'For the love of God lend me four pounds ten to carry me
- on to the end of the quarter.'&rdquo;
- </p>
- <p>
- &ldquo;That's two months off. Mr. Renshaw will have to be more economical than
- usual,&rdquo; said Aline, drily. &ldquo;I am afraid he drinks dreadfully, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Hush, dear!&rdquo; he said, becoming grave. &ldquo;A man's infirmities are his
- infirmities, and we are not called upon to be his judges. How much have we
- in the house altogether?&rdquo; he asked with a sudden return to his bright
- manner.
- </p>
- <p>
- &ldquo;Ten pounds three and sixpence.&rdquo;
- </p>
- <p>
- &ldquo;Why, that's a fortune. Of course we can help Renshaw. Wire him his four
- pounds ten when you go out.&rdquo;
- </p>
- <p>
- &ldquo;But, Jimmie&mdash;&mdash;&rdquo; expostulated this royal person's minister of
- finance.
- </p>
- <p>
- &ldquo;Do what I say, my dear,&rdquo; said Jimmie, quietly.
- </p>
- <p>
- That note in his voice always brought about instant submission, fetched
- her down from heights of pitying protection to the prostrate humility of a
- little girl saying &ldquo;Yes, Jimmie,&rdquo; as to a directing providence. She did
- not know from which of the two positions, the height or the depth, she
- loved him the more. As a matter of fact, the two ranges of emotion were
- perfect complements one of the other, the sex in her finding satisfaction
- of its two imperious cravings, to shelter and to worship.
- </p>
- <p>
- The Renshaw incident was closed, locked up as it were in her heart by the
- little snap of the &ldquo;Yes, Jimmie.&rdquo; One or two other letters were discussed
- gaily. The last to be opened was a note from Mrs. Deering. &ldquo;Come to lunch
- on Sunday and bring Aline. I am asking your friend Norma Hardacre.&rdquo; Aline
- clapped her hands. She had been longing to see that beautiful Miss
- Hardacre again. Of course Jimmie would go? He smiled.
- </p>
- <p>
- &ldquo;Another unconscious sitting for the portrait,&rdquo; he said. His glance
- wandered to a strainer that stood with its face to the wall, at a further
- end of the room, and he became absent-minded. Lately he had been dreaming
- a boy's shadowy dreams, too sweet as yet for him to seek to give them form
- in his waking hours. A warm touch on his hand brought him back to diurnal
- things. It was the coffee-pot held by Aline.
- </p>
- <p>
- &ldquo;I have asked you twice if you would have more coffee,&rdquo; she laughed.
- </p>
- <p>
- &ldquo;I suppose I'm the happiest being in existence,&rdquo; he said irrelevantly.
- </p>
- <p>
- Aline poured out the coffee. &ldquo;You have n't got much to make you happy,
- poor dear!&rdquo; she remarked, when the operation was concluded.
- </p>
- <p>
- His retort was checked by a violent peal at the front door-bell and a
- thundering knock.
- </p>
- <p>
- &ldquo;That's Morland,&rdquo; cried Jimmie. &ldquo;He is like the day of doom&mdash;always
- heralds his approach by an earthquake.&rdquo;
- </p>
- <p>
- Morland it was, in riding tweeds, a whip in his hand. He pointed an
- upbraiding finger at the half-eaten breakfast. The sloth of these
- painters! Aline flew to the loved one's protection. Jimmie had not gone to
- bed till four. The poor dear had to sleep.
- </p>
- <p>
- &ldquo;I did n't get to bed till four, either,&rdquo; said Morland, with the healthy,
- sport-loving man's contempt for people who require sleep, &ldquo;but I was up at
- eight and was riding in the Park at nine. Then I thought I'd come up here.
- I've got some news for you.&rdquo;
- </p>
- <p>
- Aline escaped. Morland's air of health and prosperity overpowered her. She
- did not dare whisper detraction of him to Jimmie, in whose eyes he was
- incomparable, but to Tony Merewether she had made known her wish that he
- did not look always so provokingly clean, so eternally satisfied with
- himself. All the colour of his mind had gone into his face, was her
- uncharitable epigram. Aline, it will be observed, saw no advantage in a
- tongue perpetually tipped with honey.
- </p>
- <p>
- &ldquo;What is your news?&rdquo; asked Jimmie, as soon as they were alone.
- </p>
- <p>
- &ldquo;I have done it at last,&rdquo; said Morland.
- </p>
- <p>
-&ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;Proposed. I'm engaged. I'm going to be married.&rdquo;
-</p>
- <p>
-Jimmie's honest face
- beamed pleasure. He wrung Morland's hand. The best news he had heard for a
- long time. When had he taken the plunge into the pool of happiness?
- </p>
- <p>
- &ldquo;Last night.&rdquo;
- </p>
- <p>
- &ldquo;And you have come straight to tell me? It is like you. I am touched, it
- is good to know you carry me in your heart like that.&rdquo;
- </p>
- <p>
- Morland laughed. &ldquo;My dear old Jimmie&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am so glad. I never suspected anything of the kind. Well, she's an
- amazingly lucky young woman whoever she is. When can I have a timid peep
- at the divinity?&rdquo;
- </p>
- <p>
- &ldquo;Whenever you like&mdash;why, don't you know who it is?&rdquo;
- </p>
- <p>
- &ldquo;Lord, no, man; how should I?&rdquo;
- </p>
- <p>
- &ldquo;It's Norma Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;Norma Hardacre!&rdquo; The echo came from Jimmie as from a hollow cave, and was
- followed by a silence no less cavernous. The world was suddenly reduced to
- an empty shell, black, meaningless.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Morland, with a short laugh. He carefully selected, cut, and
- lit a cigar, then turned his back and examined the half-finished picture.
- He felt the Briton's shamefacedness in the novelty of the position of
- affianced lover. The echo that in Jimmie's ears had sounded so forlorn was
- to him a mere exclamation of surprise. His solicitude as to the cigar and
- his inspection of the picture saved him by lucky chance from seeing
- Jimmie's face, which wore the blank, piteous look of a child that has had
- its most cherished possession snatched out of its hand and thrown into the
- fire. Such episodes in life cannot be measured by time as it is reckoned
- in the physical universe. To Jimmie, standing amid the chaos of his
- dreams, indefinite hours seemed to have passed since he had spoken. For
- indefinite hours he seemed to grope towards reconstruction. He lived
- intensely in the soul's realm, where time is not, was swept through
- infinite phases of emotion; finally awoke to a consciousness of
- renunciation, full and generous. Perhaps a minute and a half had elapsed.
- He crossed swiftly to Morland and clapped him on the shoulder.
- </p>
- <p>
- &ldquo;The woman among all women I could have wished for you.&rdquo;
- </p>
- <p>
- His voice quavered a little; but Morland, turning round, saw nothing in
- Jimmie's eyes but the honest gladness he had taken for granted he should
- find there. The earnest scrutiny he missed. He laughed again.
- </p>
- <p>
- &ldquo;There are not many in London to touch her,&rdquo; he said in his self-satisfied
- way.
- </p>
- <p>
- &ldquo;Is there one?&rdquo;
- </p>
- <p>
- &ldquo;You seem more royalist than&mdash;well, than Morland King,&rdquo; said the
- happy lover, chuckling at his joke. &ldquo;I wish I had the artist's command of
- superlatives as you have, Jimmie. It would come in deuced handy sometimes.
- Now if, for instance, you wanted to describe the reddest thing that ever
- was, you would find some hyperbolic image for it, whereas I could only say
- it was damned red. See what I mean?&rdquo;
- </p>
- <p>
- &ldquo;It does n't matter what you say, but what you feel,&rdquo; said Jimmie.
- &ldquo;Perhaps we hyperbolic people fritter away emotions in the mere frenzy of
- expressing them. The mute man often has deeper feelings.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm not going to set up as an unerupted volcano,&rdquo; laughed Morland.
- &ldquo;I'm only the average man that has got the girl he has set his heart on&mdash;and
- of course I think her in many ways a paragon, otherwise I should n't have
- set my heart on her. There are plenty to pick from, God knows. And they
- let you know it too, by Jove. You're lucky enough to live out of what is
- called Society, so you can't realise how they shy themselves at you.
- Sometimes one has to be simply a brute and dump 'em down hard. That's what
- I liked about Norma Hardacre. She required no dumping.&rdquo;
- </p>
- <p>
- &ldquo;I should think not,&rdquo; said Jimmie.
-</p>
- <p>
-&ldquo;There's one thing that pleases me
- immensely,&rdquo; Morland remarked, &ldquo;and that is the fancy she has taken for
- you. It's genuine. I've never heard her talk of any one else as she does
- of you. She is not given to gush, as you may have observed.&rdquo;
- </p>
- <p>
- &ldquo;It's a very deep pleasure to me to hear it,&rdquo; said Jimmie, looking bravely
- in the eyes of the happy man. &ldquo;My opinion of Miss Hardacre I have told you
- already.&rdquo;
- </p>
- <p>
- Morland waved his cigar as a sign of acceptance of the tribute to the
- lady.
- </p>
- <p>
- &ldquo;I was thinking of myself,&rdquo; he said. &ldquo;There are a good many men I shall
- have to drop more or less when I'm married. Norma would n't have 'em in
- the house. There are others that will have to be on probation. Now I
- shouldn't have liked you to be on probation&mdash;to run the risk of my
- wife not approving of you&mdash;caring to see you&mdash;you know what I
- mean. But you're different from anybody else, Jimmie. I'm not given to
- talking sentiment&mdash;but we've grown up together&mdash;and somehow, in
- spite of our being thrown in different worlds, you have got to be a part
- of my life. There!&rdquo; he concluded with a sigh of relief, putting on his hat
- and holding out his hand, &ldquo;I've said it!&rdquo;
- </p>
- <p>
- The brightening of Jimmie's eyes gave token of a heart keenly touched.
- Deeply rooted indeed must be the affection that could have impelled
- Morland to so unusual a demonstration of feeling. His nature was as
- responsive as a harp set in the wind. His counterpart in woman would have
- felt the tears well into her eyes. A man is allowed but a breath, a
- moisture, that makes the eyes bright. Morland had said the final word of
- sentiment; equally, utterly true of himself. Morland was equally a part of
- his life. It were folly to discuss the reasons. Loyal friendships between
- men are often the divinest of paradoxes.
- </p>
- <p>
- The touch upon Jimmie's heart was magnetic. It soothed pain. It set free a
- flood of generous emotion, even thanksgiving that he was thus allowed
- vicarious joy in infinite perfections. It was vouchsafed him to be happy
- in the happiness of two dear to him. This much he said to Morland, with
- what intensity of meaning the fortunate lover was a myriad leagues from
- suspecting.
- </p>
- <p>
- &ldquo;I'll see you safely mounted,&rdquo; said Jimmie, opening the studio door. Then
- suddenly like a cold wind a memory buffeted him. He shut the door again.
- </p>
- <p>
- &ldquo;I forgot. I have a letter for you. It came this morning.&rdquo;
- </p>
- <p>
- Morland took the letter addressed to &ldquo;David Rendell&rdquo; which Jimmie drew
- from his pocket, and uttered an angry exclamation.
- </p>
- <p>
- &ldquo;I thought this infernal business was over and done with.&rdquo;
- </p>
- <p>
- He tore open the envelope, read the contents, then tilted his hat to the
- back of his head, and sitting down on one of the dilapidated
- straight-backed chairs of the leather suite, looked at Jimmie in great
- perplexity. In justice to the man it must be said that anger had vanished.
- </p>
- <p>
- &ldquo;I suppose you know what these letters mean that you have been taking in
- for me?&rdquo;
- </p>
- <p>
- &ldquo;I have never permitted myself to speculate,&rdquo; said Jimmie. &ldquo;You asked me
- to do you a very great service. It was a little one. You are not a man to
- do anything dishonourable. I concluded you had your reasons, which it
- would have been impertinent of me to inquire into.&rdquo;
- </p>
- <p>
- &ldquo;It's the usual thing,&rdquo; said Morland, with a self-incriminatory shrug. &ldquo;A
- girl.&rdquo;
- </p>
- <p>
- &ldquo;A love affair was obvious.&rdquo;
- </p>
- <p>
- Morland spat out an exclamation of impatient disgust for himself and rose
- to his feet.
- </p>
- <p>
- &ldquo;Heaven knows how it began&mdash;she was poor and lonely&mdash;almost a
- lady&mdash;and she had beauty and manners and that sort of thing above her
- class.&rdquo;
- </p>
- <p>
- &ldquo;They always have,&rdquo; said Jimmie, with a pained expression. &ldquo;You need n't
- tell me the story. It's about the miserablest on God's earth, is n't it
- now?&rdquo;
- </p>
- <p>
- &ldquo;I suppose so. Upon my soul, I'm not a beast, Jimmie!&rdquo;
- </p>
- <p>
- The unwonted rarefied air of sentiment that he had been breathing for the
- last twelve hours had, as it were, intoxicated him. Had the letter reached
- him the day before, he would have left the story connected with it in the
- cold-storage depository where men are wont to keep such things. No one
- would have dreamed of its existence. But now he felt an exaggerated
- remorse, a craving for confession, and yet he made the naked remorseful
- human's instinctive clutch at palliatives.
- </p>
- <p>
- &ldquo;Upon my soul, I'm not a beast, Jimmie. I swear I loved her at first. You
- know what it is. You yourself loved a little girl in Paris&mdash;you told
- me about it&mdash;did n't you?&rdquo;
- </p>
- <p>
- Jimmie set his teeth, and said, &ldquo;Yes.&rdquo;
- </p>
- <p>
- Morland went on.
- </p>
- <p>
- &ldquo;Some women have ways with them, you know. They turn you into one of those
- toy thermometers&mdash;you hold the bulb, and the spirit in it rises and
- bubbles. She got hold of me that way&mdash;I bubbled, I suppose&mdash;it
- was n't her fault, she was sweet and innocent. It was her nature. You
- artistic people call the damned thing a temperament, I believe. Anyhow I
- was in earnest at the beginning. Then&mdash;one always does&mdash;I found
- it was only a passing fancy.&rdquo;
- </p>
- <p>
- &ldquo;And like a passing cab it has splashed you with mud. How does the matter
- stand now?&rdquo;
- </p>
- <p>
- &ldquo;Read this,&rdquo; said Morland, handing him the letter.
- </p>
- <p>
- &ldquo;Dearest,&rdquo; it ran, &ldquo;the time is coming when you can be very good to me.
- Jenny.&rdquo; That was all. Jimmie, holding the paper in front of him, looked up
- distressfully at Morland.
- </p>
- <p>
- &ldquo;'The time is coming when you can be very good to me.' How confoundedly
- pathetic! Poor little girl! Oh, damn it, Morland, you are going to be good
- to her, are n't you?&rdquo;
- </p>
- <p>
- &ldquo;I'll do all I can. Of course I'll do all I can. I tell you I'm not a
- beast. Heaps of other men would n't care a hang about it. They would tell
- her to go to the devil. I'm not that sort.&rdquo;
- </p>
- <p>
- &ldquo;I know you're not,&rdquo; said Jimmie.
- </p>
- <p>
- Morland lit another cigar with the air of a man whose virtues deserve some
- reward.
- </p>
- <p>
- &ldquo;The letter can only have one interpretation. Have you known of it?&rdquo;
- </p>
- <p>
- &ldquo;Never dreamed of it.&rdquo;
- </p>
- <p>
- &ldquo;Was there any question of marriage?&rdquo;
- </p>
- <p>
- &ldquo;None whatever. Difference of position and all the rest of it. She quite
- understood. In fact, it was like your Quartier Latin affair.&rdquo;
- </p>
- <p>
- Jimmie winced. &ldquo;It was n't the Quartier Latin&mdash;and I was going to
- marry her&mdash;only she died before&mdash;oh, don't mind me, Morland.
- What's going to be done now?&rdquo; Morland shrugged his shoulders again, having
- palliated himself into a more normal condition. His conscience, to speak
- by the book, was clothed and in its right mind.
- </p>
- <p>
- &ldquo;It's infernally hard lines it should come just at this time. You see,
- I've heaps of things to think about. My position&mdash;Parliament&mdash;I'm
- going to contest Cosford in the autumn. If the constituency gets hold of
- any scandal, I'm ruined. You know the Alpine heights of morality of a
- British constituency&mdash;and there's always some moral scavenger about.
- And then there's Norma&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, there's Norma,&rdquo; said Jimmie, seriously.
- </p>
- <p>
- &ldquo;It's unpleasant, you see. If she should know&mdash;&rdquo;
- </p>
- <p>
- &ldquo;It would break her heart,&rdquo; said Jimmie.
- </p>
- <p>
- Morland started and looked at Jimmie stupidly, his mental faculties for
- the second paralysed, incapable of grappling with the idea. Was it
- scathing sarcasm or sheer idiocy? Recovering his wits, he realised that
- Jimmie was whole-heartedly, childishly sincere. With an effort he
- controlled a rebellious risible muscle at the corner of his lip.
- </p>
- <p>
- &ldquo;It would give her great pain,&rdquo; he said in grave acquiescence.
- </p>
- <p>
- &ldquo;It's a miserable business,&rdquo; said Jimmie.
- </p>
- <p>
- Morland paced the studio. Suddenly he stopped.
- </p>
- <p>
- &ldquo;Should there be any unpleasantness over this, can I rely on your help to
- pull me through?&rdquo;
- </p>
- <p>
- &ldquo;You know you can,&rdquo; said Jimmie.
- </p>
- <p>
- Morland looked relieved.
- </p>
- <p>
- &ldquo;May I write a note?&rdquo;
- </p>
- <p>
- Jimmie pointed to a corner of the long deal table.
- </p>
- <p>
- &ldquo;You'll find over there all the materials for mending a broken butterfly,&rdquo;
- he said sadly.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0006" id="link2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VI&mdash;THE LOVERS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>ROUD in the
- make-believe that he was a fashionable groom, the loafer holding Morland's
- horse touched his ragged hat smartly at his temporary master's approach.
- </p>
- <p>
- &ldquo;Give him something, Jimmie; I have n't any change,&rdquo; cried Morland. He
- mounted and rode away, debonair, with a wave of farewell. Jimmie drew from
- his pocket the first coin to hand, a florin, and gave it to the loafer,
- who came down forthwith from his dreams of high estate to commonplace
- earth, and after the manner of his class adjured the Deity to love the
- munificent gentleman. The two shillings would bring gladness into the
- hearts of his sick wife and starving children. Subject to the attestation
- of the Deity, he put forward as a truth the statement that they had not
- eaten food for a week. He himself was a hard-working man, but the
- profession of holding horses in the quiet roads of St. John's Wood was not
- lucrative.
- </p>
- <p>
- &ldquo;You're telling me lies, I'm afraid,&rdquo; said Jimmie, &ldquo;but you look miserable
- enough to say anything. Here!&rdquo; He gave him two more shillings. The loafer
- thanked him and made a bee-line for the nearest public-house, while
- Jimmie, forgetting for the moment the pitiable aspect that poor humanity
- sometimes wears in the persons of the lowly, watched Morland's well-set-up
- figure disappear at the turn of the road. There was no sign of black care
- sitting behind that rider. It perched instead on Jimmie's shoulders, and
- there stayed for the rest of the day. In spite of his staunch trust in
- Morland's honour and uprightness, he found it hard to condone the fault.
- The parallel which Morland had not too ingenuously drawn with the far-away
- passionate episode in his own life had not seemed just. He had winced,
- wondered at the failure in tact, rebelled against the desecration of a
- memory so exquisitely sad. The moment after he had forgiven the blundering
- friend and opened his heart again to pity. He was no strict moralist,
- turning his head sanctimoniously aside at the sight of unwedded lovers.
- His heart was too big and generous. But between the romance of illicit
- love and the commonplace of vulgar seduction stretched an immeasurable
- distance. The words of the pathetic note, however, lingering in his mind,
- brought with them a redeeming fragrance. They conjured up the picture of
- sweet womanhood. They hinted no reproach; merely a trust which was
- expected to be fulfilled. To her Morland was the honourable gentleman all
- knew; he had promised nothing that he had not performed, that he would not
- perform. All day long, as he sat before his easel, mechanically copying
- folds of drapery from the lay figure on the platform, Jimmie strove to
- exonerate his friend from the baser fault, and to raise the poor love
- affair to a plane touched by diviner rays. But the black care still sat
- upon his shoulders.
- </p>
- <p>
- The next morning he rose earlier than usual, and sought Morland at his
- house in Sussex Gardens. He found him eating an untroubled breakfast.
- Silver dishes, tray, and service were before him. A great flower-stand
- filled with Maréchal Niel roses stood in the centre of the table. Fine
- pictures hung round the walls. Rare china, old oak chairs, and sideboard
- bright with silver bowls&mdash;all the harmonious and soothing luxury of a
- rich man's dining-room, gave the impression of ease, of a life apart from
- petty cares, petty vices, petty ambitions. A thick carpet sheltered the
- ears from the creaking footsteps of indiscretion. Awnings before the open
- windows screened the too impertinent light of the morning sun. And the
- face and bearing of the owner of the room were in harmony with its
- atmosphere. Jimmie reproached himself for the doubts that had caused his
- visit. Morland laughed at them. Had he not twice or thrice declared
- himself not a beast? Surely Jimmie must trust his oldest friend to have
- conducted himself honourably. There was never question of marriage. There
- had been no seduction. Could n't he understand? They had parted amicably
- some three months ago, each a little disillusioned. Morland was generous
- enough to strip a man's vanity from himself and stand confessed as one of
- whom a superior woman had grown tired. The new development of the affair
- revealed yesterday had, he repeated, come upon him like an unexpected
- lash. The irony of it, too, in the first flush of his engagement!
- Naturally he was remorseful; naturally he would do all that a man of
- honour could under the circumstances.
- </p>
- <p>
- &ldquo;More is not expected and not wanted. On my word of honour,&rdquo; said Morland.
- </p>
- <p>
- He had been upset, he continued smilingly. The consequences might be
- serious&mdash;to himself, not so much to Jenny. There were complications
- in the matter that might be tightened&mdash;not by Jenny&mdash;into a
- devil of a tangle. Had he not pleaded special urgency when he had first
- asked Jimmie to take in the letters under a false name? It might be a
- devil of a tangle, he repeated.
- </p>
- <p>
- &ldquo;But till that happens&mdash;and please God it may never happen&mdash;we
- may dismiss the whole thing from our minds,&rdquo; said Morland, reassuringly.
- &ldquo;Jenny will want for nothing, and want nothing. Do you think if there were
- any melodramatic villainy on my conscience I would go and engage myself to
- marry Norma Hardacre?&rdquo;
- </p>
- <p>
- This was the final argument that sent the black care, desperately clinging
- with the points of its claws, into infinite space. Jimmie smiled again.
- Morland waved away the uncongenial topic and called for a small bottle of
- champagne on ice. A glass apiece, he said, to toast the engagement.
- Rightly, champagne was the wine of the morning.
- </p>
- <p>
- &ldquo;It is the morning sunshine itself distilled,&rdquo; said Jimmie, lifting up his
- glass.
- </p>
- <p>
- He went home on the top of an omnibus greatly cheered, convinced that,
- whatever had happened, Morland had done no grievous wrong. When Aline went
- to the studio to summon him to lunch, she found him busy upon the sketch
- portrait of Norma, and humming a tune&mdash;a habit of his when work was
- proceeding happily under his fingers. She looked over his shoulder
- critically.
- </p>
- <p>
- &ldquo;That's very good,&rdquo; she condescended to remark. &ldquo;Now that Miss Hardacre is
- engaged to Mr. King, why don't you ask her to come and sit?&rdquo;
- </p>
- <p>
- &ldquo;Do you think it's a good likeness?&rdquo; he asked, leaning back and regarding
- the picture.
- </p>
- <p>
- &ldquo;It is the best likeness you have ever got in a portrait,&rdquo; replied Aline,
- truthfully.
- </p>
- <p>
- &ldquo;Then, wisest of infants, what reason could I have for asking Miss
- Hardacre to sit? Besides, I don't want her to know anything about it.&rdquo;
- </p>
- <p>
- Aline glowed with inspiration. Why should things the most distantly
- connected with somebody else's marriage so exhilarate the female heart?
- </p>
- <p>
- &ldquo;Is it going to be a wedding present, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;It is a study in indiscretion, my child,&rdquo; he replied enigmatically.
- </p>
- <p>
- &ldquo;You are perfectly horrid.&rdquo;
- </p>
- <p>
- &ldquo;I suppose I am,&rdquo; he admitted, looking at the portrait with some
- wistfulness. &ldquo;Ugly as sin, and with as much manners as a kangaroo =&mdash;does
- your feminine wisdom think a woman could ever fall in love with me?&rdquo;
- </p>
- <p>
- She touched caressingly the top of his head where the hair was thinning,
- and her feminine wisdom made this astounding answer:
- </p>
- <p>
- &ldquo;Why, you are too old, Jimmie dear.&rdquo;
- </p>
- <p>
- Too old! He turned and regarded her for a moment in rueful wonder. Absurd
- though it was, the statement gave him a shock. He was barely forty, and
- here was this full-grown, demure, smiling young woman telling him he was
- too old for any of her sex to trouble their heads about him. His forlorn
- aspect brought a rush of colour to the girl's cheeks. She put her arms
- round his neck.
- </p>
- <p>
- &ldquo;Oh, Jimmie, I have hurt you. I'm sorry. I'm a silly little goose. It's a
- wonder that every woman on earth is n't in love with you.&rdquo;
- </p>
- <p>
- &ldquo;That is the tone of exaggerated affection, but not of conviction,&rdquo; he
- said. &ldquo;I am the masculine of what in a woman is termed <i>passée</i>. I
- might gain the esteem of a person of the opposite sex elderly like myself,
- but my gallant exterior can no longer inspire a romantic passion. My day
- is over. No, you have not hurt me. The sword of truth pierces, but it does
- not hurt.&rdquo;
- </p>
- <p>
- Then he broke into his good, sunny laughter, and rose and put his arm with
- rough tenderness round her shoulder, as he had done ever since she could
- walk.
- </p>
- <p>
- &ldquo;You are the youngest thing I have come across for a long time.&rdquo;
- </p>
- <p>
- Aline, as she nestled up against him on their way out of the studio, was
- thus impressed with a salutary consciousness of her extreme youth. But
- this in itself magnified Jimmie's age. She loved him with a pure
- passionate tenderness; no one, she thought, could know him without loving
- him; but her ideal of the hero of romance for whom fair ladies pined away
- in despairing secret was far different. She was too young as yet, too
- little versed in the signs by which the human heart can be read, to
- suspect what his playful question implied of sadness, hopelessness,
- renunciation.
- </p>
- <p>
- On Sunday they lunched with Connie Deering. Morland and Norma and old
- Colonel Pawley, an ancient acquaintance of every one, were the only other
- guests. It was almost a family party, cried Connie, gaily; and it had been
- an inspiration, seeing that the invitations had been sent out before the
- engagement had taken place. Jimmie and Aline, being the first arrivals,
- had their hostess to themselves for a few moments.
- </p>
- <p>
- &ldquo;They both think it bad form to show a sign of it, but they are awfully
- gone upon each other,&rdquo; Connie said. &ldquo;So you must n't judge Norma by what
- she says. All girls like to appear cynical nowadays. It's the fashion. But
- they fall in love in the same silly way, just as they used to.&rdquo;
- </p>
- <p>
- &ldquo;I am glad to hear they are fond of one another,&rdquo; said Jimmie. &ldquo;The deeper
- their love the happier I shall be.&rdquo;
- </p>
- <p>
- The little lady looked at him for a second out of the corner of her eye.
- </p>
- <p>
- &ldquo;What an odd thing to say!&rdquo;
- </p>
- <p>
- &ldquo;It ought to be a commonplace thing to feel.&rdquo;
- </p>
- <p>
- &ldquo;In the happiness of others there is always something that is pleasing. By
- giving him the lie like that you will make poor Rochefoucauld turn in his
- grave.&rdquo;
- </p>
- <p>
- &ldquo;He ought to be kept revolving like Ixion,&rdquo; said Jimmie. &ldquo;His maxims are
- the Beatitudes of Hell.&rdquo;
- </p>
- <p>
- He laughed off the too trenchant edge of his epigram, qualifying it in his
- kind way. After all, you must n't take your cynic too literally. No doubt
- a kindly heart beats in the ducal bosom.
- </p>
- <p>
- &ldquo;I should like to know your real opinion of the devil,&rdquo; laughed Mrs.
- Deering.
- </p>
- <p>
- The opportunity for so doing was lost for the moment. The lovers entered,
- having driven together from the Park. At the sight of Norma, Aline
- twitched Jimmie's arm with a little gasp of admiration and Jimmie's breath
- came faster. He had not seen her hitherto quite so coldly, radiantly
- beautiful. Perhaps it was the great white hat she wore, a mystery of
- millinery, chiffon and roses and feathers melting one with the other into
- an effect of broad simplicity, that formed an unsanctified but alluring
- halo to a queenly head. Perhaps it was the elaborately simple cream dress,
- open-worked at neck and arms, that moulded her ripe figure into especial
- stateliness. Perhaps, thought poor Jimmie, it was the proud loveliness
- into which love was wont to transfigure princesses.
- </p>
- <p>
- She received Connie's kiss and outpouring of welcome with her usual
- mocking smile. &ldquo;If you offer me congratulations, I shall go away, Connie.
- I have been smirking for the last hour and a half. We were so exhausted by
- playing the sentimental idiots that we did n't exchange a word on our way
- here; though I believe Morland likes it. We saw those dreadful
- Fry-Robertsons bearing down upon us. He actually dragged me up to meet
- them, as who should say 'Let us go up and get congratulated.'&rdquo;
- </p>
- <p>
- &ldquo;I don't see why I should hide my luck under a bushel,&rdquo; laughed Morland.
- </p>
- <p>
- &ldquo;Thank you for the compliment,&rdquo; said Norma. &ldquo;But if you won at Monte Carlo
- you would n't pin the banknotes all over your coat and strut about the
- street. By the way, Connie, we're late. Need we apologise?&rdquo;
- </p>
- <p>
- &ldquo;You're not the last. Colonel Pawley is coming.&rdquo;
- </p>
- <p>
- &ldquo;Oh dear! that old man radiates boredom. How can you stand him, Connie?&rdquo;
- </p>
- <p>
- &ldquo;He's the sweetest thing on earth,&rdquo; said her hostess.
- </p>
- <p>
- Norma laughed a little contemptuously and came forward to greet Aline and
- Jimmie. As she did so, her face softened. Jimmie, drawing her aside,
- offered his best wishes.
- </p>
- <p>
- &ldquo;The happiness of a man whom I have loved like a brother all my life can't
- be indifferent to me. On that account you must forgive my speaking warmly.
- May you be very happy.&rdquo;
- </p>
- <p>
- &ldquo;I shall be happy in having such a champion of my husband for a
- brother-in-law,&rdquo; said Norma, lightly.
- </p>
- <p>
- &ldquo;A loyal friend of your own, if you will,&rdquo; said Jimmie.
- </p>
- <p>
- There was a short pause. Norma ran the tip of her gloved finger down the
- leaf of a plant on a stand. They were by the window. A vibration in his
- voice vaguely troubled her.
- </p>
- <p>
- &ldquo;What do you really mean by 'loyal'?&rdquo; she said at last, without looking at
- him.
- </p>
- <p>
- &ldquo;The word has but one meaning. If I tried to explain further, I should
- only appear to be floundering in fatuity.&rdquo;
- </p>
- <p>
- &ldquo;I believe you are the kind that would stick to a woman through thick and
- thin, through good repute and ill repute. That's what you mean. Only you
- don't like to hint that I might at any time become disreputable. I may.
- All things are possible in this world.&rdquo;
- </p>
- <p>
- &ldquo;Not that,&rdquo; said Jimmie. &ldquo;Perhaps I was unconsciously pleading for myself.
- Say you are a queen in your palace. While humbly soliciting a position in
- your household, I somewhat grandiloquently submit my qualifications.&rdquo;
- </p>
- <p>
- &ldquo;What's all this about?&rdquo; asked Morland, coming up, having overheard the
- last sentence.
- </p>
- <p>
- &ldquo;I am pleading for a modest position in Her Majesty's Household,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;We'll fit him up with cap and bells,&rdquo; laughed Morland, &ldquo;and make him
- chief jester, and give him a bladder to whack us over the head with. He's
- fond of doing that when we misbehave ourselves. Then he can get us out of
- our scrapes, like the fellow in Dumas&mdash;what's his name&mdash;Chicot,
- was n't it?&rdquo;
- </p>
- <p>
- Pleased with his jest, he turned to acquaint Connie with Jimmie's new
- dignity. Both the jest and the laugh that greeted it jarred upon Norma.
- Jimmie said to her good-humouredly:
- </p>
- <p>
- &ldquo;I might be Chicot, the loyal friend, without the cap and bells. I am a
- dull dog.&rdquo;
- </p>
- <p>
- She looked out of the window and laughed somewhat bitterly.
- </p>
- <p>
- &ldquo;I think you are a great deal too good to have anything to do with any of
- us.&rdquo;
- </p>
- <p>
- &ldquo;It pleases you to talk arrant nonsense,&rdquo; said he.
- </p>
- <p>
- Luncheon was announced. At table Jimmie and Norma were neighbours. Aline
- sat between Morland, who was next to Norma, and old Colonel Pawley. As the
- latter at first talked to Mrs. Deering, Aline and Morland carried on a
- frigid conversation. They had never been friends. To Morland, naturally,
- she was merely a little girl of no account, who had often been annoyingly
- in the way when he wanted to converse with Jimmie; and Aline, with a
- little girl's keen intuition, had divined more of his real character than
- she was aware of, and disliked and distrusted him. Like a well-brought-up
- young lady she answered &ldquo;yes&rdquo; and &ldquo;no&rdquo; politely to his remarks, but
- started no fresh topic. At last, to her relief, Colonel Pawley rescued her
- from embarrassed silence. To him she had extended her favour. He was a
- short fat man, with soft hands and a curious soft purring voice, and the
- air rather of a comfortable old lady than of a warrior who had retired on
- well-merited laurels. He occupied his plentiful leisure by painting on
- silk, which he made into fans for innumerable lady acquaintances. In his
- coat-tail pocket invariably reposed a dainty volume bound in crushed
- morocco&mdash;a copy of little poems of his own composition&mdash;and
- this, when he was in company with a sympathetic feminine soul, he would
- abstract with apoplectic wheezing and bashfully present. He also played
- little tunes on the harp. Aline, with the irreverence of youth, treated
- him as a kind of human toy.
- </p>
- <p>
- His first word roused the girl's spontaneous gaiety. She bubbled over with
- banter. The mild old warrior chuckled with her, threw himself unreservedly
- into the childish play. Connie whispered to Jimmie:
- </p>
- <p>
- &ldquo;I should like to tie a bit of blue ribbon round his neck and turn him
- loose in a meadow. I am sure he would frisk.&rdquo;
- </p>
- <p>
- Morland exchanged casual remarks with Norma. She answered absently. The
- change in Aline from the unsmiling primness wherewith Morland's society
- had cloaked her to sunny merriment with Colonel Pawley was too marked to
- escape her attention. In spite of the ludicrousness of the comparison, she
- could not help perceiving that the old man who radiated boredom had a
- quality of charm unpossessed by Morland, and she felt absurdly
- disappointed with her lover. During the last few days she had made up her
- mind to like him. Sober forecast of a lifetime spent in the inevitable
- intimacy of marriage had forced her to several conclusions. One, that it
- was essential to daily comfort that a woman should find the personality of
- a husband pleasing rather than antipathetic. With more ingenuousness than
- the world would have put to her credit, she had set herself deliberately
- to attain this essential ideal. The natural consequence was a sharply
- critical attitude and a quickly developing sensitiveness, whereby, as in a
- balance of great nicety, the minor evidences of his character were
- continually being estimated. Thus, Morland's jest before luncheon had
- jarred upon her. His careless air of patronage had betrayed a lack of
- appreciation of something&mdash;the word &ldquo;spiritual&rdquo; was not in her
- vocabulary, or she might have used it&mdash;of something, at all events,
- in his friend which differentiated him from the casual artist and which
- she herself had, not without discomfort, divined at their first meeting.
- The remark had appeared to her in bad taste. Still ruffled, she became all
- the more critical, and noted with displeasure his failure to have won a
- child's esteem. And yet she felt a touch of resentment against Jimmie for
- being the innocent cause of her discomposure. It gave rise to a little
- feline impulse to scratch him and see whether he were not mortal like
- every one else.
- </p>
- <p>
- &ldquo;Do you ever exhibit at the Royal Academy?&rdquo; she asked suddenly.
- </p>
- <p>
- &ldquo;They won't have me,&rdquo; said he.
-</p>
- <p>
-&ldquo;But you send in, don't you?&rdquo;
- </p>
- <p>
- &ldquo;With heart-breaking regularity. They did have me once.&rdquo; He sighed. &ldquo;But
- that was many years ago, when the Academy was young and foolish.&rdquo;
- </p>
- <p>
- &ldquo;I have heard they are exceedingly conservative,&rdquo; said Norma, with the
- claws still unsheathed. &ldquo;Perhaps you work on too original lines.&rdquo;
- </p>
- <p>
- But she could draw from him no expression of vanity. He smiled. &ldquo;I suppose
- they don't think my pictures good enough,&rdquo; he said simply.
- </p>
- <p>
- &ldquo;Jimmie's work is far too good for that wretched Academy,&rdquo; said Connie
- Deering. &ldquo;The pictures there always give you a headache. Jimmie's never
- do.&rdquo;
- </p>
- <p>
- &ldquo;I should like to kill the Academy,&rdquo; Aline broke in sharply, on the brink
- of tears. A little tragedy of murdered hopes lurked in her tone. Then,
- seeing that she had caused a startled silence, she reddened and looked at
- her plate. Jimmie laughed outright.
- </p>
- <p>
- &ldquo;Is n't she bloodthirsty? All the seventy of them weltering in their gore!
- Only the other day she said she would like to slaughter the whole Chinese
- Empire, because they ate puppies and birds'-nests!&rdquo;
- </p>
- <p>
- Connie chimed a frivolous remark in tune with Jimmie. Morland, as befitted
- a coming statesman, took up the parable of the march westwards of the
- yellow races. Colonel Pawley, who had been through the Taeping rebellion,
- was appealed to as an authority on the development of the Chinaman. He
- almost blushed, wriggled uncomfortably, and as soon as he could brought
- the conversation to the milder topic of Chinese teacups. Successful, he
- sighed with relief and told Aline the story of the willow pattern. The
- Royal Academy was forgotten. But Norma felt guilty and ashamed.
- </p>
- <p>
- Nor was she set more at ease with herself by a careless remark of
- Morland's as Connie's front door closed behind them an hour or so later.
- </p>
- <p>
- &ldquo;I am afraid you rather rubbed it into poor old Jimmie about the Academy.
- The little girl looked as if she would like to fly at you. She is a
- spoiled little cat.&rdquo;
- </p>
- <p>
- &ldquo;I have noticed she does n't seem to like you,&rdquo; answered Norma, sourly.
- </p>
- <p>
- The drive as far as Grosvenor Place, where Norma proposed to pay a
- solitary call, was not as pleasant as he had anticipated. He parted from
- her somewhat resentful of an irritable mood, and walked back towards
- Sussex Gardens through the Park, reviling the capriciousness of woman.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0007" id="link2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VII&mdash;A MAD PROPHET
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> VIOLENT man,
- pallid and perspiring, with crazy dark eyes and a voice hoarse from the
- effort to make himself heard above the noise of a hymn-singing group a few
- yards to the right and of a brazen-throated atheist on the left, was
- delivering his soul of its message to mankind&mdash;a confused,
- disconnected, oft-delivered message, so inconsequent as to suggest that it
- had been worn into shreds and tatters of catch-phrases by process of
- over-delivery, yet uttered with the passion of one inspired with a new and
- amazing gospel.
- </p>
- <p>
- &ldquo;I am speaking to you, the working-men, the proletariat, the downtrodden
- slaves of the plutocracy, the creators in darkness of the wealth that the
- idlers enjoy in dazzling halls of brightness. I do not address the
- bourgeoisie rotting in sloth and apathy. They are the parasites of the
- rich. They sweat the workers in order to pander to the vices of the rich.
- They despise the poor and grovel before the rich. They shrink from
- touching the poor man's hand, but they offer their bodies slavishly to the
- kick of the rich man's foot. It is not in their hands, but in yours,
- brother toilers and brother sufferers, that lies the glorious work of the
- great social revolution whose sun just rising is tipping the mountain-tops
- with its radiant promise of an immortal day. It is against them and not
- with them that you have to struggle. In that day of Armageddon you will
- find all tailordom, all grocerdom, all apothecarydom, all attorneydom
- arrayed in serried ranks around the accursed standards of plutocracy, of
- aristocracy, of bureaucracy. Beware of them. Have naught to do with them
- on peril of your salvation. The great social revolution will come not from
- above, but from below, from the depths. <i>De profundis clamavi!</i>
- &ldquo;From the depths have I cried, O Lord!&rdquo;
-
-</p>
-<p>
-
-He paused, wiped his forehead,
- cleared his throat, and went on in the same strain, indifferent to ribald
- interjections and the Sunday apathy of his casual audience. The mere size
- of the crowd he was addressing seemed to satisfy him. The number was above
- the average. A few working-men in the inner ring drank in the wild
- utterances with pathetic thirst. The majority listened, half amused, half
- attracted by the personality of the speaker. A great many were captivated
- by the sonority of the words, the unfaltering roll of the sentences, the
- vague associations and impressions called up by the successive images. It
- is astonishing what little account our sociological writers take of the
- elementary nature of the minds of the masses; how easily they are amused;
- how readily they are imposed upon; how little they are capable of
- analytical thought; at the same time, how intellectually vain they are,
- which is their undoing. The ineptitudes of the music hall which make the
- judicious grieve&mdash;the satirical presentment, for instance, of the
- modern fop, which does not contain one single salient characteristic of
- the type, which is the blatant convention of fifty years back&mdash;are
- greeted with roars of unintelligent laughter. Books are written, vulgar,
- fallacious, with a specious semblance of philosophical profundity, and
- sell by the hundred thousand. The masses read them without thought,
- without even common intelligence. It is too great an intellectual effort
- to grasp the ideas so disingenuously presented; but the readers can
- understand just enough to perceive vaguely that they are in touch with the
- deeper questions of philosophy, and through sheer vanity delude themselves
- into the belief that they are vastly superior people in being able to find
- pleasure in literature of such high quality. And the word Mesopotamia is
- still blessed in their ears. Nothing but considerations such as these can
- explain the popularity of some of the well-known Sunday orators in Hyde
- Park. The conductors of the various properly organised mission services
- belong naturally to a different category. It is the socialist, the
- revivalist, the atheist, the man whose blood and breath seem to have
- turned into inexhaustible verbiage, that present the problem.
- </p>
- <p>
- Some such reflections forced themselves into the not uncharitable mind of
- Jimmie as he stood on the outer fringe of the pallid man's audience and
- listened wonderingly to the inspired nonsense. He had left a delighted
- Aline to be taken by Colonel Pawley to the Zoological Gardens, and had
- strolled down from Bryanston Square to the north side of the Park. To
- lounge pleasantly on a Sunday afternoon from group to group had always
- been a favourite Sunday pastime, and the pallid man was a familiar figure.
- Jimmie had often thought of painting him as the central character of some
- historical picture&mdash;an expectorated Jonah crying to Nineveh, or a
- Flagellant in the time of the plague, with foaming mouth and bleeding
- body, calling upon the stricken city to repent. His artist's vision could
- see the hairy, haggard, muscular anatomy beneath the man's rusty black
- garments. He could make a capital picture out of him.
- </p>
- <p>
- The man paused only for a few seconds, and again took up his parable&mdash;the
- battle of the poor and the rich. The flow of words poured forth, platitude
- on platitude, in turbid flood, sound and fury signifying elusively,
- sometimes the collectivist doctrine, at others the mere <i>sans-culotte</i>
- hatred of the aristocrat. Jimmie, speculating on the impression made by
- the oratory on the minds of the audience, moved slightly apart from the
- crowd. His glance wandering away took in Morland on his way home, walking
- sedately on the path towards the Marble Arch. He ran across the few yards
- of intervening space and accosted his friend gaily.
- </p>
- <p>
- &ldquo;Come and have a lesson in public speaking, and at the same time hear the
- other side of the political question.&rdquo;
- </p>
- <p>
- &ldquo;What! go and stand among that rabble?&rdquo; cried Morland, aghast.
- </p>
- <p>
- &ldquo;You'll have to stand among worse, so you had better get used to it.
- Besides, the man is a delightful fellow, with a face like Habakkuk,
- capable of everything. To hear him one would think he were erupting
- red-hot lava, whereas really it is molten omelette. Come. Your purple and
- fine linen will be a red rag to him.&rdquo;
- </p>
- <p>
- Laughing, he dragged the protesting Morland within earshot of the speaker.
- Morland listened superciliously for a few moments.
- </p>
- <p>
- &ldquo;What possible amusement can you find in this drivel?&rdquo; he asked.
- </p>
- <p>
- &ldquo;It is so devilish pathetic,&rdquo; said Jimmie, &ldquo;so human&mdash;the infinite
- aspiration and the futile accomplishment. Listen.&rdquo;
- </p>
- <p>
- The hymn next door had ceased, the atheist was hunting up a reference, and
- the words of the pallid man's peroration resounded startlingly in the
- temporary silence:
- </p>
- <p>
- &ldquo;In that day when the sovereign people's will is law, when the weakest and
- the strongest shall share alike in the plenteous bounty of Providence, no
- longer shall the poor be mangled beneath the Juggernaut car of wealth, no
- longer shall your daughters be bound to the rich man's chariot-wheels and
- whirled shrieking into an infamy worse than death, no longer shall the
- poor man's soul burn with hell fire at the rich man's desecration of the
- once pure woman that he loves, no more rottenness, foulness, stench,
- iniquity, but the earth shall rest in purity, securely folded in the angel
- wings of peace!&rdquo;
- </p>
- <p>
- He waved his arms in a gesture of dismissal, turned his back on the crowd,
- and sat down exhausted on the little wooden bench that had been his
- platform. The crowd gradually moved away, some laughing idly, others
- reflectively chewing the cud of their Barmecide meal. Morland pointed a
- gold-mounted cane at the late speaker.
- </p>
- <p>
- &ldquo;Who and what is this particular brand of damned fool?&rdquo;
- </p>
- <p>
-Jimmie checked
- with a glance a working-man who had issued from the inner ring and was
- passing by, and translated Morland's question into soberer English.
- </p>
- <p>
- &ldquo;Him?&rdquo; replied the working-man. &ldquo;That's Daniel Stone, sir. Some people say
- he's cracked, but he always has something good to say and I like listening
- to him.&rdquo;
- </p>
- <p>
- &ldquo;What does he do when he is n't talking?&rdquo; asked Jimmie. &ldquo;Snatches a nap
- and a mouthful of food, I should say, sir,&rdquo; said the man, with a laugh. He
- caught Jimmie's responsive smile, touched his cap, like the downtrodden
- slave that he was, and went on his way. Jimmie glanced round for Morland
- and saw him striding off rapidly. He ran after him.
- </p>
- <p>
- &ldquo;What is the hurry?&rdquo;
- </p>
- <p>
- &ldquo;That damned man&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Which? The one I was talking to? You surely did n't object&mdash;?&rdquo;
- </p>
- <p>
- &ldquo;Of course not. The other&mdash;Daniel Stone&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Well, what of him?&rdquo;
- </p>
- <p>
- &ldquo;He's a dangerous lunatic. I have heard of him. Why the devil did you want
- me to make an exhibition of myself among this scum?&rdquo;
- </p>
- <p>
- Jimmie stared. Morland broke into a laugh and held out his hand. &ldquo;Never
- mind. The beast got on my nerves with his chariot wheels and his
- desecration of maidens and the rest of it. I must be off. Good-bye.&rdquo;
- </p>
- <p>
- Jimmie watched him disappear through the gate and turned back towards the
- groups. The pallid man was still sitting on his bench; a few children hung
- round and scanned him idly. Presently he rose and tucked his bench under
- his arm, and walked slowly away from the scene of his oratory. His burning
- eyes fixed themselves on Jimmie as he passed by. Jimmie accosted him.
- </p>
- <p>
- &ldquo;I have been greatly interested in your address.&rdquo;
- </p>
- <p>
- &ldquo;I saw you with another of the enemies of mankind. You are a gentleman, I
- suppose?&rdquo;
- </p>
- <p>
- &ldquo;I hope so,&rdquo; said Jimmie, smiling.
- </p>
- <p>
- &ldquo;Then I have nothing to do with you,&rdquo; retorted the man, with an angry
- gesture. &ldquo;I hate you and all your class.&rdquo;
- </p>
- <p>
- &ldquo;But what have we done to you?&rdquo;
- </p>
- <p>
- &ldquo;You have turned my blood into gall and my soul into consuming fire.&rdquo;
- </p>
- <p>
- &ldquo;Let us get out of the dust and sit down under a tree and talk it over. We
- may get to understand each other.&rdquo;
- </p>
- <p>
- &ldquo;I have no wish to understand you,&rdquo; said the man, coldly. &ldquo;Good-day to
- you.&rdquo;
- </p>
- <p>
- &ldquo;Good-day,&rdquo; said Jimmie, with a smile. &ldquo;I am sorry you will not let us be
- better acquainted.&rdquo;
- </p>
- <p>
- He turned to the next group, who were listening to a disproof of God's
- existence. But the atheist was a commonplace thunderer in a bowler hat,
- whose utterances fell tame on Jimmie's ears after those of the
- haggard-eyed prophet. He wandered away from the crowd, striking diagonally
- across the Park, and when he found comparative shade and solitude, cast
- himself on the grass beneath a tree. The personality of Daniel Stone
- interested him. He began to speculate on his daily life, his history. Why
- should he have vowed undying hatred against his social superiors? He
- reminded Jimmie of a character in fiction, and after some groping the
- association was recalled. It was the monk in Dumas, the son of Miladi. He
- wove an idle romance about the man. Perhaps Stone was the disinherited of
- noble blood, thirsting for a senseless vengeance. Gradually the drowsiness
- of deep June fell upon him. He went fast asleep, and when he awoke half an
- hour afterwards and began to walk homewards, he thought no more of Daniel
- Stone.
- </p>
- <p>
- But on following Sunday afternoons he frequently stood for a while to
- listen to the man. It was always the same tale&mdash;sound and fury,
- signifying nothing. On one occasion he caught Jimmie's eye, and denounced
- him vehemently as an enemy of society. After that, Jimmie, who was of a
- peaceful disposition, ceased attending his lectures. He sympathised with
- Morland.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0008" id="link2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VIII&mdash;HER SERENE HIGHNESS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> PRETTY quarrel
- between a princess and a duchess gave rise to circumstances in which the
- destiny of Jimmie was determined, or in which, to speak with modern
- metaphor, the germ of his destiny found the necessary conditions for
- development. Had it not been for this quarrel, Jimmie would not have
- stayed at the Hardacres' house; and had he not been their guest, the events
- hereafter to be recorded would not have happened. Such concatenation is
- there in the scheme of human affairs.
- </p>
- <p>
- The Duchess of Wiltshire was a mighty personage in the Hardacres' part of
- the county. She made social laws and abrogated them. She gave and she took
- away the brevet of county rank. She made and unmade marriages. To fall
- under the ban of her displeasure was to be disgraced indeed. She held a
- double sway in that the duke, her husband, had delegated to her his
- authority in sublunary matters, he being a severe mathematician and a dry
- astronomer, who looked at the world out of dull eyes, and regarded it with
- indifference as a mass of indistinguishable atoms forming a nebula, a sort
- of Milky Way, concerning which philosophic minds had from time to time
- theorised. He lived icily remote from society; the duchess, on the
- contrary, was warmly interested in its doings. In the county she reigned
- absolute; but in London, recognising the fact that there were other
- duchesses scattered about Mayfair and Belgravia, she was high-minded
- enough to modify her claims to despotic government. She felt it, however,
- her duty to decree that her last reception should mark the end of the
- London season.
- </p>
- <p>
- To this reception the Hardacres were always invited.
- </p>
- <p>
- In previous years they had mounted the great staircase of Wiltshire House,
- their names had been called out, the duchess had given them the tips of
- her fingers, and the duke, tall, white-haired, ascetic, had let them touch
- his hand with the air of a man absently watching ants crawl over him; they
- had passed on, mixed with the crowd, and seen their host and hostess no
- more. But this year, to Mrs. Hardacre's thrilling delight, the duchess
- gave her quite a friendly squeeze, smiled her entire approbation of Mrs.
- Hardacre's existence, and detained her for a moment in conversation.
- </p>
- <p>
- &ldquo;Don't forget to come and have a little talk with me later. I have n't
- seen you since dear Norma's engagement.&rdquo;
- </p>
- <p>
- To dear Norma she was equally urbane, called her a lucky girl, and
- presented her as a bride-elect to the duke, who murmured a vague formula
- of congratulation which he had remembered from early terrestrial days.
- </p>
- <p>
- &ldquo;I can't tell you how proud I am of you, Norma!&rdquo; said Mrs. Hardacre, with
- a lump in her throat, as they passed on. &ldquo;The dear duchess! I wonder if I
- am sufficiently grateful to Providence.&rdquo;
- </p>
- <p>
- Norma, although in her heart pleased by the manifestation of ducal favour,
- could not let the opportunity for a taunt pass by.
- </p>
- <p>
- &ldquo;You can refer to it in your prayers, mother: 'O God, I thank Thee for
- shedding Her Grace upon me.' Won't that do, father.&rdquo;
- </p>
- <p>
- &ldquo;Eh, what?&rdquo; asked Mr. Hardacre, very red in the face, trailing half a pace
- behind his wife and daughter.
- </p>
- <p>
- Norma repeated her form of Thanksgiving.
- </p>
- <p>
- &ldquo;Ha! ha! Devilish good! Tell that in the club,&rdquo; he said in high
- good-humour. His wife's glance suddenly withered him.
- </p>
- <p>
- &ldquo;I don't approve of blasphemy,&rdquo; she said.
- </p>
- <p>
- &ldquo;Towards whom, mother dear?&rdquo; asked Norma, suavely. &ldquo;The Almighty or the
- duchess?&rdquo;
- </p>
- <p>
- &ldquo;Both,&rdquo; said Mrs. Hardacre, with a snap.
- </p>
- <p>
- Mr. Hardacre, seeing in the distance a man to whom he thought he could
- sell a horse, escaped from the domestic wrangle. Mother and daughter
- wandered through the crowd, greeted by friends, pausing here and there to
- exchange a few words, until they came to the door of the music-room,
- filled to overflowing, where an operatic singer held the assembly in
- well-bred silence. At the door the crush was ten deep. On the outskirts
- conversation hummed like an echo of the noise from the suite of rooms
- behind. There they were joined by Morland. Mrs. Hardacre told him of the
- duchess's graciousness. He grinned, taking the information with the air of
- a man to whom the favour of duchesses bestowed upon his betrothed is a
- tribute to his own excellence. He thought she would be pleased, he said.
- They must get the old girl to come to the wedding. Mrs. Hardacre was
- pained, but she granted young love indulgence for the profanity. If they
- only could, she assented, the success of the ceremony would be assured.
- Norma turned to Morland with a laugh.
- </p>
- <p>
- &ldquo;We shall be married with a vengeance, if it's sanctified by the duchess.
- Do you think a parson is at all necessary?&rdquo;
- </p>
- <p>
- He joined in her mirth. She drew him aside.
- </p>
- <p>
- &ldquo;Well, what's the news?&rdquo;
- </p>
- <p>
- He accounted, loverwise, for his day.. At last he said:
- </p>
- <p>
- &ldquo;I looked in upon Jimmie Padgate this morning. I wanted him to go to
- Christie's and buy a picture or two for me&mdash;for us, I ought to say,&rdquo;
- he added, with a little bow. &ldquo;He knows more about 'em than I do. He's a
- happy beggar, you know,&rdquo; he exclaimed, after a short pause.
- </p>
- <p>
- &ldquo;What makes you say so?&rdquo;
- </p>
- <p>
- &ldquo;His perfect conviction that everything is for the best in the best of all
- possible worlds. There he was sitting at lunch over the black scrag end of
- a boiled mutton bone and a rind of some astonishing-looking yellow cheese&mdash;absolutely
- happy. And he waved his hand towards it as if it had been a feast of
- Lucullus and asked me to share it.&rdquo;
- </p>
- <p>
- &ldquo;Did you?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;I had n't time,&rdquo; said Morland. &ldquo;I was fearfully busy to-day.&rdquo;
- </p>
- <p>
- Norma did not reply. She looked over the heads of the crowd in front of
- her towards the music-room whence came the full notes of the singer. Then
- she said to him with a little shiver:
- </p>
- <p>
- &ldquo;I am glad you are a rich man, Morland.&rdquo;
- </p>
- <p>
- &ldquo;So am I. Otherwise I should not have got you.&rdquo;
- </p>
- <p>
- &ldquo;That's true enough,&rdquo; she said. &ldquo;I pretend to scoff at all this, but I
- could n't live without it.&rdquo;
- </p>
- <p>
- &ldquo;It has its points,&rdquo; he assented, turning and regarding the brilliant
- scene.
- </p>
- <p>
- Norma turned with him. She was glad it was her birthright and her
- marriage-right. The vast state ballroom, lit as with full daylight by rows
- of electric lamps cunningly hidden behind the cornices and the
- ground-glass panels of the ceiling, stately with its Corinthian pilasters
- and classic frieze, its walls adorned with priceless pictures, notably
- four full-length cavaliers of Vandyck, smiling down in their high-bred way
- upon this assembly of their descendants, its atmosphere glittering with
- jewels, radiant with colour, contained all the magnificence, all the
- aristocracy, all the ambitions, all the ideals that she had been trained
- to worship, to set before her as the lodestars of her life's destiny. Here
- and there from amid the indistinguishable mass of diamonds, the white
- flesh of women's shoulders, the black and white chequer and brilliant
- uniforms of men, flashed out the familiar features of some possessor of an
- historic name, some woman of world-famed beauty, some great personage
- whose name was on the lips of Europe. There, by the wall, lonely for the
- moment, stood the Chinese Ambassador, in loose maroon silk, and horse-tail
- plumed cap, his yellow, wizened face rendered more sardonic by the thin
- drooping grey moustache and thin grey imperial, looking through horn
- spectacles, expressionless, impassive, inhumanly indifferent, at one of
- the most splendid scenes a despised civilisation could set before him.
- There, in the centre of a group of envious and unembarrassed ladies, an
- Indian potentate blazed in diamonds and emeralds, and rolled his dusky
- eyes on charms which (most oddly to his Oriental conceptions) belonged to
- other men. Here a Turk's red fez, a Knight of the Garter's broad blue
- sash, an ambassador's sparkle of stars and orders; and there the sweet,
- fresh rosebud beauty of a girl caught for a moment and lost in the moving
- press. And there, at the end of the vast, living hall, a dimly seen
- haggard woman, with a diamond tiara on her grey hair, surrounded by a
- little court of the elect, sat Her Serene Highness, the Princess of
- Herren-Rothbeck, sister to a reigning monarch, and bosom friend, despite
- the pretty quarrel, of Her Grace the Duchess of Wiltshire.
- </p>
- <p>
- The song in the music-room coming to an end, the audience for the most
- part rose and pressed into the ballroom. The Hardacres and Morland were
- driven forward. There was a long period of desultory conversation with
- acquaintances. Morland, proud in the possession of Norma's beauty,
- remained dutifully attendant, and received congratulations with almost
- blushing gratification. Mrs. Hardacre, preoccupied by anticipation of her
- promised talk with the duchess, kept casting distracted glances at the
- door whereby the great lady would enter. The appearance from a group of
- neighbouring people of a pleasant young fellow with a fair moustache and
- very thin fair hair, who greeted her cordially, brought her back to the
- affairs of the moment. This was the Honourable Charlie Sandys, a distant
- relative of the duchess, and her Grand Vizier, Master of the Horse, Groom
- of the Chambers, and general right-hand man. He was two and twenty, and
- had all the amazing wisdom of that ingenuous age. Morland shook hands with
- him, but being tapped on the arm by the fan of a friendly dowager, left
- him to converse alone with Mrs. Hardacre and Norma. The youth indicated
- Morland's retiring figure by a jerk of the head.
- </p>
- <p>
- &ldquo;Parliament&mdash;Cosford division.&rdquo;
- </p>
- <p>
- &ldquo;We hope so,&rdquo; said Mrs. Hardacre.
-</p>
- <p>
-&ldquo;Must get in. Radical for her
- constituency would make duchess buy her coffin. The end of the world for
- her. She has a great idea of King. Going to take him up <i>con amore</i>.
- And when she does take anybody up&mdash;well&mdash;&rdquo;
- </p>
- <p>
- His wave of the hand signified the tremendous consequences.
- </p>
- <p>
- &ldquo;She does n't merely uproot <i>him</i>,&rdquo; said Norma, whose mind now and
- then worked with disconcerting swiftness, &ldquo;but she takes up also the
- half-acre where he is planted.&rdquo;
- </p>
- <p>
- &ldquo;Just so,&rdquo; replied the youth. &ldquo;Not only him, but his manservant and
- maidservant, his ox and his ass and everything that is his. Funny woman,
- you know&mdash;one of the best, of course, but quaint. Thinks the Member
- for Cosford is ordained by Providence to represent her in Parliament.&rdquo;
- </p>
- <p>
- He rattled on, highly pleased with himself. Norma cast a malicious glance
- at her mother, who perceptibly winced. They were shining in the duchess's
- eyes in a light borrowed from Morland. They were taken up with the ox and
- the ass and the remainder of Morland's live-stock. That was the reason,
- then, of the exceptional marks of favour bestowed on them by Her Grace.
- Mrs. Hardacre kept the muscles of her lips at the smile, but her steely
- eyes grew hard. Norma, on the contrary, was enjoying herself. Charlie
- Sandys was unconscious of the little comedy.
- </p>
- <p>
- &ldquo;I am glad to see the princess here to-night,&rdquo; said Mrs. Hardacre, by way
- of turning the conversation.
- </p>
- <p>
- The youth made practically the same reply as he had made at least a dozen
- times to the same remark during the course of the evening. He was an
- injudicious Groom of the Chambers, being vain of the privileges attached
- to his post.
- </p>
- <p>
- &ldquo;There has been an awful row, you know,&rdquo; he said confidentially, looking
- round to see that he was not overheard. &ldquo;They have scarcely made it up
- yet.&rdquo;
- </p>
- <p>
- &ldquo;Do tell us about it, Mr. Sandys,&rdquo; said Norma, smiling upon him.
- </p>
- <p>
- &ldquo;It's rather a joke. Let us get out of the way and I'll tell you.&rdquo;
- </p>
- <p>
- He piloted them through the crush into a corridor, and found them a vacant
- seat by some palms.
- </p>
- <p>
- &ldquo;It's all about pictures,&rdquo; he resumed. &ldquo;Princess wants to have her
- portrait painted in London. Why she should n't have it made in Germany I
- don't know. Anyhow she comes to duchess for advice. Duchess has taken up
- Foljambe, you know&mdash;chap that has painted about twenty miles of women
- full length&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We saw the dear duchess at his Private View,&rdquo; Mrs. Hardacre interjected.
- </p>
- <p>
- &ldquo;Yes. She runs him for all she's worth. Told the princess there was only
- one man possible for her portrait, and that was Foljambe. Princess&mdash;she's
- as hard as nails, you know&mdash;inquires his price, knocks him down half.
- He agrees. Everything is arranged. Princess to sit for the portrait when
- she stays with duchess at Chiltern Towers in September&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, we are going to have the princess down with us?&rdquo; Mrs. Hardacre grew
- more alert.
- </p>
- <p>
- &ldquo;Yes. Couldn't find time to sit now&mdash;going next week to
- Herren-Rothbeck&mdash;coming back in September. Well, it was all settled
- nicely&mdash;you know the duchess's way. On Friday, however, she takes the
- princess to see Foljambe's show&mdash;for the first time. Just like her.
- The princess looks round, drops her lorgnon, cries out, 'Lieber Gott in
- Himmel! The man baints as if he was bainting on de bavement!' and utterly
- refuses to have anything to do with him. I tell you there were ructions!&rdquo;
- </p>
- <p>
- He embraced a knee and leant back, laughing boyishly at the memory of the
- battle royal between the high-born dames.
- </p>
- <p>
- &ldquo;Then who is going to paint the portrait?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;That's what I am supposed to find out,&rdquo; replied the youth. &ldquo;But I can't
- get a man to do it cheap enough. One can't go to a swell R. A. and ask him
- to paint a portrait of a princess for eighteen pence.&rdquo;
- </p>
- <p>
- Norma had an inspiration.
- </p>
- <p>
- &ldquo;Can I recommend a friend of mine?&rdquo;
- </p>
- <p>
- &ldquo;Would he do it?&rdquo;,
- </p>
- <p>
- &ldquo;I think so&mdash;if I asked him.&rdquo;
- </p>
- <p>
- &ldquo;By Jove, who is he?&rdquo; asked the youth, pulling down his shirtcuff for the
- purpose of making memoranda.
- </p>
- <p>
- &ldquo;Mr. James Padgate, 10 Friary Grove, N. W. He is Mr. King's most intimate
- friend.&rdquo;
- </p>
- <p>
- &ldquo;He can paint all right, can't he?&rdquo; asked the youth.
- </p>
- <p>
- &ldquo;Beautifully,&rdquo; replied Norma. &ldquo;Friary, not Priory,&rdquo; she corrected,
- watching him make the note. She felt the uncommon satisfaction of having
- performed a virtuous act; one almost of penance for her cruelty to him on
- Sunday week, the memory of which had teased a not over-sensitive
- conscience. The scrag end of boiled mutton and the rind of cheese had also
- affected her, stirred her pity for the poor optimist, although in a
- revulsion of feeling she had shivered at his lot. She had closed her eyes
- for a second, and some impish wizardry of the brain had conjured up a
- picture of herself sitting down to such a meal, with Jimmie at the other
- side of the table. It was horrible. She had turned to fill her soul with
- the solid magnificence about her. The pity for Jimmie lingered, however,
- as a soothing sensation, and she welcomed the opportunity of playing Lady
- Bountiful. She glanced with some malice from the annotated cuff to her
- mother's face, expecting to see the glitter of disapproval in her eyes. To
- her astonishment, Mrs. Hardacre wore an expression of pleased
- abstraction.
- </p>
- <p>
- Charlie Sandys pocketed his gold pencil and retired. He was a young man
- with the weight of many affairs on his shoulders.
- </p>
- <p>
- &ldquo;That's a capital idea of yours, Norma,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;I'm glad you think so,&rdquo; replied Norma, wonderingly.
- </p>
- <p>
- &ldquo;I do. It was most happy. We'll do all we can to help Morland's friend. A
- most interesting man. And if the princess gives him the commission, we can
- ask him down to Heddon to stay with us while he is painting the picture.&rdquo;
- </p>
- <p>
- Norma was puzzled. Hitherto her mother had turned up the nose of distaste
- against Mr. Padgate and all his works. Whence this sudden change? Not from
- sweet charitableness, that was certain. Hardly from desire to please
- Morland. Various solutions ran in her head. Did an overweening ambition
- prompt her mother to start forth a rival to the duchess, as a snapper up
- of unconsidered painters? Scarcely possible. Defiance of the duchess? That
- way madness could only lie; and she was renowned for the subtle caution of
- her social enterprises. The little problem of motive interested her
- keenly. At last the light flashed upon her, and she looked at Mrs.
- Hardacre almost with admiration.
- </p>
- <p>
- &ldquo;What a wonderful brain you have, mother!&rdquo; she cried, half mockingly, half
- in earnest. &ldquo;Fancy your having schemed out all that in three minutes.&rdquo;
- </p>
- <p>
- Enjoyment of this display of worldcraft was still in her eyes when she
- came across Morland a little later; but she only told him of her
- recommendation of Jimmie to paint the princess's portrait. He professed
- delight. How had she come to think of it?
- </p>
- <p>
- &ldquo;I think I must have caught the disease of altruism from Mr. Padgate,&rdquo; she
- said. Then following up an idle train of thought:
- </p>
- <p>
- &ldquo;I suppose you often put work&mdash;portraits and things&mdash;in his
- way?&rdquo;
- </p>
- <p>
- &ldquo;I can't say that I do.&rdquo;
- </p>
- <p>
- &ldquo;Why not? You know hundreds of wealthy people.&rdquo;
- </p>
- <p>
- &ldquo;Jimmie is not a man to be patronised,&rdquo; said Morland, sententiously, &ldquo;and
- really, you know, I can't go about touting for commissions for him.&rdquo;
- </p>
- <p>
- &ldquo;Of course not,&rdquo; said Norma; &ldquo;he is far too insignificant a person to
- trouble one's head about.&rdquo;
- </p>
- <p>
- Morland looked pained.
- </p>
- <p>
- &ldquo;I don't like to hear you talk in that way about Jimmie,&rdquo; he said
- reproachfully.
- </p>
- <p>
- The little scornful curl appeared on her lip.
- </p>
- <p>
- &ldquo;Don't you?&rdquo; was all she vouchsafed to say. Unreasonably irritated, she
- turned aside and caught a passing <i>attache</i> of the French Embassy.
- Morland, dismissed, sauntered off, and Norma went down to supper with the
- young Frenchman, who entertained her for half an hour with a technical
- description of his motor-car. And the trouble, he said, to keep it in
- order. It needed all the delicate cares of a baby. It was as variable as a
- woman.
- </p>
- <p>
- &ldquo;I know,&rdquo; said Norma, stifling a yawn. &ldquo;<i>La donna e automobile</i>.&rdquo;
- </p>
- <p>
- On the drive home in the hired brougham, whose obvious hiredom caused
- Norma such chafing of spirit, Mrs. Hardacre glowed with triumph, and while
- her husband dozed dejectedly opposite, she narrated her good fortunes. She
- had had her little chat with the duchess. They had spoken of Mr. Padgate,
- Charlie Sandys having run to show her his cuff immediately. The duchess
- looked favourably on the proposal. A friend of Mr. King's was a
- recommendation in itself. But the princess, she asseverated with ducal
- disregard of metaphor, had her own ideas of art and would not buy a pig in
- a poke. They must inspect Mr. Padgate's work before there was any question
- of commission. She would send Charlie Sandys to them to-morrow to talk
- over the necessary arrangements.
- </p>
- <p>
- &ldquo;I told her,&rdquo; said Mrs. Hardacre, &ldquo;that Mr. Padgate was coming to pay us a
- visit in any case in September, and suggested that he could drive over to
- Chiltern Towers every morning while the princess was honouring him with
- sittings, and paint the picture there. And she quite jumped at the idea.&rdquo;
- </p>
- <p>
- &ldquo;No doubt,&rdquo; said Norma, drily.
- </p>
- <p>
- But her dryness had no withering effect on her mother's exuberance. The
- hard woman saw the goal of a life's ambition within easy reach, and for
- the exultant moment softened humanly. She chattered like a school-girl.
- </p>
- <p>
- &ldquo;And she took me up to the princess,&rdquo; she said, &ldquo;and presented me as her
- nearest country neighbour. Was n't that nice of her? And the princess is
- such a sweet woman.&rdquo;
- </p>
- <p>
- &ldquo;Dear, dear!&rdquo; said Norma. &ldquo;How wicked people are! Every one says she is
- the most vinegarish old cat in Christendom.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0009" id="link2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter IX&mdash;SENTIMENTAL EDUCATION
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>AME and fortune
- were coming at last. There was no doubt of it in Jimmie's optimistic mind.
- For years they had lagged with desperately heavy feet, but now they were
- in sight, slowly approaching, hand in hand. Jimmie made fantastic
- preparations to welcome them, and wore his most radiant smile. In vain did
- Aline, with her practical young woman's view of things, point to the
- exiguity of the price fixed by Her Serene Highness. If that was the advent
- of fortune, she came in very humble guise, the girl insinuated. Jimmie,
- with a magnificent sweep of the hand, dismissed such contemptible
- considerations as present pounds, shillings, and pence. He was going to
- paint the portrait of the sister of a reigning monarch. Did not Aline see
- that this might lead to his painting the portrait of the reigning monarch
- himself? Would not the counterfeit presentment of one crowned head attract
- the attention of other crowned heads to the successful artist? Did she not
- see him then appointed painter in ordinary to all the emperors, kings,
- queens, princes, and princesses of Europe? He would star the Continent,
- make a royal progress from court to court, disputed for by potentates and
- flattered by mighty sovereigns. He grew dithyrambic, a condition in which
- Aline regarded him as hopelessly impervious to reason. His portraits, he
- said, would adorn halls of state, and the dreams that he put on canvas,
- hitherto disregarded by a blind world, would find places of honour in the
- Treasure Houses of the Nations. It would be fame for him and fortune for
- Aline. She should go attired in silk and shod with gold. She should have a
- stall at the theatre whenever she wanted, and a carriage and pair to fetch
- her home. She should eat vanilla ices every night. And then she might
- marry a prince and live happy ever after.
- </p>
- <p>
- &ldquo;I don't want to marry a prince or any one else, dear,&rdquo; Aline said once,
- bringing visions down into the light of common day. &ldquo;I just want to go on
- staying with you.&rdquo;
- </p>
- <p>
- On another occasion she hinted at his possible espousal of a princess.
- Again Jimmie dropped from the empyrean, and rubbed his head ruefully.
- There was only one princess in the world for him, an enthroned personage
- of radiant beauty who now and then took warm pity on him and admitted him
- to her friendship, but of whom it were disloyalty worse than all folly to
- think of. And yet he could not help his heart leaping at the sight of her,
- or the thrill quivering through him when he saw the rare softness come
- into her eyes which he and none other had evoked. What he had to give her
- he could give to no other woman, no other princess. The gift was
- unoffered: it remained in his own keeping, but consecrated to the
- divinity. He enshrined it, as many another poor chivalrous wretch has
- done, in an exquisite sanctuary, making it the symbol of a vague sweet
- religion whose secret observances brought consolation. But of all this,
- not a whisper, not a sign to Aline. When she spoke of marriageable
- princesses, he explained the rueful rubbing of his head by reference to
- his unattractive old fogeydom, and his unfitness for the life of high
- society.
- </p>
- <p>
- But Aline ought to have her prince. The coming fortune would help to give
- the girl what was due to her. For himself he cared nothing. Cold mutton
- and heel of cheese would satisfy him to the end of his days. And fame? In
- quieter moments he shrugged his shoulders. An artist has a message to
- deliver to his generation, and how can he deliver it if he cannot sell his
- pictures? Let him give out to the world what was best in him, and he
- would be content. Let him but be able to say, &ldquo;I have delivered my
- message,&rdquo; and that would be fame enough.
- </p>
- <p>
- These were things of the depths. The surface of his mood was exuberant,
- almost childish, delight, tempered with whimsical diffidence in his power
- of comporting himself correctly towards such high personages. For the
- duchess, who never did things by halves, and was also determined, as she
- had said, of not buying a pig in a poke, had conveyed to him the
- intimation that Her Serene Highness the Princess of Herren-Rothbeck would
- honour him with a visit to his studio on the following Thursday. Jimmie
- and Aline held long counsel together. What was the proper way to receive a
- Serene Highness? Jimmie had a vague idea of an awning outside the door and
- a strip of red baize down the steps and across the pavement. Tony
- Merewether, who was called into consultation, suggested, with the
- flippancy of youth, a brass band and a chorus of maidens to strew flowers;
- whereat Aline turned her back upon him, and Jimmie, adding pages in fancy
- dress to hold up the serene train and a major-domo in a court suit with a
- wand, encouraged the offender. Aline retired from so futile a discussion
- and went on sewing in dignified silence. At last she condescended to throw
- out a suggestion.
- </p>
- <p>
- &ldquo;If I were you, Jimmie, I should get the princess some portraits to look
- at.&rdquo;
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; cried Jimmie, putting down his pipe, &ldquo;I never thought
- of it. Tony, my boy, that child with the innocence of the dove combines
- the wisdom of the original serpent. My brain reels to think what I should
- be without her. We'll telegraph to all the people that have sat to me and
- ask them to send in their portraits by Thursday.&rdquo;
- </p>
- <p>
- He crossed the studio and began to rummage among the litter on the long
- table. Aline asked him what he was looking for.
- </p>
- <p>
- &ldquo;Telegram forms. Why have n't we got any? Tony, run round the corner to
- the post-office, like a good boy, and get some.&rdquo;
- </p>
- <p>
- But Aline checked the execution of this maniacal project. Three portraits
- would be quite sufficient. Jimmie would have to pick out three ladies of
- whom he could best ask such a favour, and write them polite little notes
- and offer to send a van in the orthodox way to collect the pictures.
- Jimmie bowed before such sagacity, and wrote the letters.
- </p>
- <p>
- In the course of the week the portraits arrived, and the studio for a
- whole day became the undisputed kingdom of Aline and a charwoman. The long
- untidy table, so dear to Jimmie, was ruthlessly cleared and set in
- dismaying order. The frame-maker was summoned, and the unsold pictures
- that had long slumbered sadly on the ground with their faces to the wall,
- were dusted and hung in advantageous lights. The square of Persian carpet,
- which Jimmie during an unprotected walk through Regent Street had once
- bought for Aline's bedroom, was brought down and spread on the bare boards
- of the model-platform. A few cushions were scattered about the rusty
- drawing-room suite, and various odds and ends of artists' properties, bits
- of drapery, screens, old weapons, were brought to light and used for
- purposes of decoration. So that when Jimmie, who had been banished the
- house for the day, returned in the evening, he found a flushed and
- exhausted damsel awaiting him in a transfigured studio.
- </p>
- <p>
- &ldquo;My dear little girl,&rdquo; he said, touched, &ldquo;my dear little girl, it's
- beautiful, it's magical. But you have tired yourself to death. Why did n't
- you let me do all this?&rdquo;
- </p>
- <p>
- &ldquo;You would never have done it yourself, Jimmie. You know you wouldn't,&rdquo;
- said Aline. &ldquo;You would have gone on talking nonsense about red baize
- strips and flower-girls and pages&mdash;anything to make those about you
- laugh and be happy&mdash;and you would never have thought of showing off
- what you have to its full advantage.&rdquo;
- </p>
- <p>
- &ldquo;I should never have dreamed of robbing your poor little room of its
- carpet, dear,&rdquo; he said.
- </p>
- <p>
- They went upstairs for their simple evening meal, and returned as usual to
- the beloved studio. Aline filled Jimmie's pipe.
- </p>
- <p>
- &ldquo;Do you think I dare smoke in all this magnificence?&rdquo;
- </p>
- <p>
- She laughed and struck a match.
- </p>
- <p>
- &ldquo;You did not realise what a lot of beautiful pictures you had, did you?&rdquo;
- </p>
- <p>
- &ldquo;They make a brave show,&rdquo; he said, looking round. &ldquo;After all, I'm not
- entirely sorry they have never been sold. I should not like to part with
- them. No, I did not realise how many there were.&rdquo; In spite of his
- cheeriness the last words sounded a note of pathos that caught the girl's
- sensitive ear.
- </p>
- <p>
- &ldquo;'Let us make a tour of inspection,&rdquo; she said. They went the round,
- pausing long before each picture. He said little, contrary to his habit,
- for he was wont to descant on his work with playful magniloquence. He saw
- the years unfold behind him and disclose the hopes of long ago yet
- unfulfilled. What endless months of dreams and thrills and passionate toil
- hung profitless upon these walls! Things there were, wrought from the
- depths of his radiant faith in man, plucked from the heart of his
- suffering, consecrated by the purest visions of his soul. Had Aline been
- an older woman, a woman who had loved him, lived with him in a wife's
- intimate communion, instead of being merely the tender-hearted child of
- his adoption, she would have wept her heart out. For she, alone of
- mortals, would have got behind such imperfections as there were, and would
- have seen nothing but a crucifixion of the quivering things torn out of
- the life of the beloved man. Only vaguely, elusively did the girl feel
- this. But even her half-comprehending sympathy was of great comfort. She
- thought no one in the world could paint like Jimmie, and held in angry
- contempt a public that could pass him by. She was hotly his advocate,
- furious at his rejection by hanging committees, miserably disappointed
- when his pictures came back from exhibitions unsold, or when negotiations
- with dealers for rights of reproduction fell through. But she was too
- young to pierce to the heart of the tragedy; and Jimmie was too brave and
- laughter-loving to show his pain. Other forces, too, had been at work in
- her development. Recently her mind had been grappling with the problem of
- her unpayable debt to him. This silent pilgrimage round the years brought
- her thoughts instinctively to herself and the monstrous burden she had
- been.
- </p>
- <p>
- &ldquo;I have been wondering lately, Jimmie dear,&rdquo; she said at last, &ldquo;whether
- you would not have been more successful if you had not had all the worry
- and expense and responsibility of me.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; he cried in simple amazement, &ldquo;whatever are you talking of?&rdquo;
- </p>
- <p>
- She repeated her apologia, though in less coherent terms. She felt
- foolish, as a girl does when a carefully prepared expression of feeling
- falls upon ears which, though inexpressibly dear, are nevertheless not
- quite comprehending.
- </p>
- <p>
- &ldquo;You have had to do pot-boilers,&rdquo; she said, falling into miserable bathos,
- &ldquo;and I remember the five-shillings-a-dozen landscapes&mdash;and you would
- have spent all that time on your real work&mdash;Oh, don't you see what I
- mean, Jimmie?&rdquo;
- </p>
- <p>
- She looked up at him pathetically&mdash;she was a slight slip of a girl,
- and he was above the medium height. He smiled and took her fresh young
- face between his hands.
- </p>
- <p>
- &ldquo;My dear,&rdquo; he said, &ldquo;you're the only successful piece of work I've ever
- turned out in my life. Please allow me to have some artistic satisfaction&mdash;and
- you have been worth a gold-mine to me.&rdquo;
- </p>
- <p>
- Thus each was comforted. Jimmie settled down to his pipe and a book, Aline
- sat over her sewing&mdash;the articles to which she devoted her perennial
- industry were a never solved mystery to him&mdash;and they spent a
- pleasant evening. The inevitable topic naturally arose in conversation.
- They discussed the princess's visit, the great question&mdash;how was she
- to be received?
- </p>
- <p>
- &ldquo;The best thing you can do,&rdquo; said the practical Aline, &ldquo;is to go to Mrs.
- Deering to-morrow and get properly coached.&rdquo;
- </p>
- <p>
- Jimmie looked at her in admiration.
- </p>
- <p>
- &ldquo;You are worth your weight in diamonds,&rdquo; he said. &ldquo;I will.&rdquo;
- </p>
- <p>
- He carried out his project, and not only did he have the pleasure of
- finding Connie at home undisturbed by strange tea-drinking women, but
- Norma Hardacre came in soon after his arrival. The two ladies formed
- themselves into a committee of advice, and sent Jimmie home with most
- definite notions regarding the correct method of receiving Serene
- Highnesses. He also brought Aline the news that the committee would honour
- him with a visit the following morning, accompanied by Mrs. Hardacre, who
- had been pleased to express a desire to see his pictures.
- </p>
- <p>
- The appointed hour came, and with it the ladies. Mrs. Hardacre's lips
- smiled sweetly at the man who was to be taken up by a duchess and to paint
- the portrait of a princess. She declared herself delighted with the studio
- and professed admiration for the pictures.
- </p>
- <p>
- &ldquo;Are they all really your own, Mr. Padgate?&rdquo; she asked, turning towards
- him, her tortoise-shell lorgnon held sceptre-wise.
- </p>
- <p>
- &ldquo;I'm afraid so,&rdquo; answered Jimmie, with a smile. &ldquo;Sometimes I wish they
- were not so much my own.&rdquo;
- </p>
- <p>
- &ldquo;But I should feel quite proud of them, if I were you,&rdquo; said the lady,
- desirous to please.
- </p>
- <p>
- Connie broke into a laugh, and explained that Jimmie had implied a regret
- that they had found no purchasers. Mrs. Hardacre sniffed. She did not like
- being laughed at, especially as she had gone out of her way to be urbane.
- This was unfortunate for Jimmie; for though he strove hard to remove the
- impression that he had consciously dug a pit of ridicule for her
- entrapment, Mrs. Hardacre listened to his remarks with suspicion and
- became painfully aware of the shabbiness of his coat. Presently she
- regarded one of the portraits&mdash;that of a pretty, fluffy-haired woman.
- </p>
- <p>
- &ldquo;Dear me,&rdquo; she remarked somewhat frigidly, &ldquo;that is Mrs. Marmaduke
- Hewson.&rdquo;
- </p>
- <p>
- Jimmie, in the simplicity of his heart, was delighted.
- </p>
- <p>
- &ldquo;Yes. A most charming lady. Do you know her?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no; I don't know her, but I know of her.&rdquo;
- </p>
- <p>
- Her stress on the preposition signified even deeper and more far-reaching
- things than the nod of Lord Burleigh in the play.
- </p>
- <p>
- &ldquo;What do you know of her?&rdquo; asked Jimmie, bluntly. Mrs. Hardacre smiled
- frostily, and her lean shoulders moved in an imperceptible shrug.
- </p>
- <p>
- &ldquo;Those matters belong to the realm of unhappy gossip, Mr. Padgate; but I'm
- afraid the duchess won't find her portrait attractive.&rdquo;
- </p>
- <p>
- &ldquo;It is really rather a good portrait,&rdquo; said Jimmie, in puzzled modesty.
- </p>
- <p>
- &ldquo;That is the pity of it,&rdquo; replied Mrs. Hardacre, sweetly.
-</p>
- <p>
-The victim
- smiled. &ldquo;Surely the private character of the subject can have nothing to
- do with a person's judgment of a portrait as a specimen of the painter's
- art. And besides, Mrs. Hewson is as dear and sweet and true a little woman
- as I have ever met.&rdquo;
- </p>
- <p>
- &ldquo;You are not the first of your sex that has said so.&rdquo;
- </p>
- <p>
- &ldquo;And I most sincerely hope I shall not be the last,&rdquo; said Jimmie, with a
- little flush and a little flash in his eyes and the politest of little
- bows. Whereupon Mrs. Hardacre bit her lip and hated him. Norma, seizing
- the opportunity of contributing to the final rout of her mother,
- unwittingly did Jimmie some damage.
- </p>
- <p>
- &ldquo;We women ought not to have given up fancy work,&rdquo; she said in her hardest
- and most artificial tones. &ldquo;As we don't embroider with our fingers, we
- embroider with our tongues. You can have no idea what an elaborate tissue
- of lies has been woven about that poor little Mrs. Hewson. I agree with
- Mr. Padgate. I am sorry you believe them, mother.&rdquo;
- </p>
- <p>
- Jimmie's grateful glance smote her undeserving heart. She had gained
- credit under false pretences and felt hypocritical&mdash;an unpleasant
- feeling, for the assumption of unpossessed virtues was not one of her
- faults. She succeeded, however, in rendering her mother furious. In a very
- short time Mrs. Hardacre remembered an engagement and went away in a
- hansom-cab, refusing the seat in Connie's carriage, which was put at her
- disposal on the condition of her waiting a few moments longer. She had
- thanked Jimmie, however, for the pleasure afforded by his delightful
- pictures with such politeness when he saw her into the cab, that he did
- not for a moment suspect that the lady who had entered the house with
- expressions of friendliness had driven away in a rage, with feelings
- towards him ludicrously hostile. He returned to the studio at peace with
- all womankind; not sorry that Mrs. Hardacre had departed, but only because
- courtesy no longer demanded his relegating to the second sphere of his
- attention the divine personage of whom he felt himself to be the slave. No
- suspicion of Mrs. Hardacre's spiteful motive in deprecating the display of
- his most striking piece of portraiture ever entered his head. He ran down
- the studio stairs with the eagerness of a boy released from the flattering
- but embarrassing society of his elders and free to enjoy the companionship
- of his congeners. And he was childishly eager to show his pictures to
- Norma, to hear her verdict, to secure her approval, so that he should
- stand in her eyes as a person in some humble way worthy of the regard that
- Morland said she bestowed on him.
- </p>
- <p>
- He found his visitors not looking at pictures at all, but talking to
- Aline, who rushed to him as soon as he entered the studio.
- </p>
- <p>
- &ldquo;Oh, Jimmie&mdash;just fancy! Mrs. Deering is going to take me to
- Horlingham on Saturday, and is coming upstairs with me to see what I can
- do in the way of a frock. You don't mind, do you?&rdquo;
- </p>
- <p>
- Jimmie looked down into the happy young face and laughed a happy laugh.
- </p>
- <p>
- &ldquo;Mrs. Deering is an angel from the most exclusive part of heaven,&rdquo; he
- said. And this was one of the rare occasions on which he was guilty of a
- double meaning. Had not the angel thus contrived an unlooked-for joy&mdash;a
- few minutes' undisturbed communion with his divinity?
- </p>
- <p>
- The first words that Norma spoke when they were alone were an apology.
- </p>
- <p>
- &ldquo;You must not take what my mother said in ill part. She and I have been
- bred, I'm afraid, in a hard school.&rdquo;
- </p>
- <p>
- &ldquo;It was very kind of Mrs. Hardacre to warn me of the possibility of the
- duchess being prejudiced against me by the exhibition of a particular
- portrait. I can't conceive the possibility myself. But still Mrs.
- Hardacre's intention was kindly.&rdquo;
- </p>
- <p>
- Norma turned her head away for a moment. She could not trust herself to
- speak, for a stinging sarcasm with just a touch of the hysterical would
- have been all she could utter, and she had not the heart to undeceive him.
- She shot into the by-path of the gossip concerning Mrs. Hewson.
- </p>
- <p>
- &ldquo;Mother believes the stories about her. So do I in the loose sort of way
- in which our faith in anything is composed&mdash;even in our
- fellow-creatures' failings.&rdquo;
- </p>
- <p>
- &ldquo;You defended her,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You made me do so.&rdquo;
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;Either you, because you carry about with you an uncomfortable Palace of
- Truth sort of atmosphere, or else the desire to rub it into my mother.&rdquo;
- </p>
- <p>
- &ldquo;Rub what in?&rdquo; Jimmie was puzzled.
- </p>
- <p>
- Norma laughed somewhat bitterly. She saw that he was incapable of
- understanding the vulgar pettiness of the scheme of motives that had
- prompted the utterances of her mother and herself. She could not explain.
- </p>
- <p>
- &ldquo;I think you are born out of your century,&rdquo; she said.
- </p>
- <p>
- It was lucky for Jimmie that he was unaware of the passionate tribute the
- light words implied. She gave him no time to answer, but carried him
- straight to the pictures.
- </p>
- <p>
- &ldquo;I had no idea you did such beautiful work,&rdquo; she said, looking around her.
- </p>
- <p>
- Jimmie followed her glance, and the melancholy of the artist laid its
- touch for a moment upon him. He sighed.
- </p>
- <p>
- &ldquo;They might have been beautiful if I had done what I started out to do. It
- is the eternal tragedy of the clipped wings.&rdquo;
- </p>
- <p>
- She was oddly responsive to a vibration in his voice, and gave out, like a
- passive violin, the harmonic of the struck note.
- </p>
- <p>
- &ldquo;Better to have wings that are clipped than to have no wings at all.&rdquo;
- </p>
- <p>
- She had never uttered such a sentiment, never thought such a thought in
- her life before. Her words sounded unreal in her own ears, and yet she had
- a profound sense of their sincerity.
- </p>
- <p>
- &ldquo;There is no apteryx among human souls,&rdquo; said Jimmie, released from the
- melancholy fingers. They argued the point in a lighter vein, discussed
- individual pictures. Charmed by her sympathy, he spoke freely of his work,
- his motives, his past dreams. Had Norma not begun to know him, she might
- have wondered at the lack of bitterness in his talk. To this man of many
- struggles and many crushing disappointments the world was still young and
- sweet, and his faith in the ultimate righteousness of things undimmed. The
- simple courage of his attitude towards life moved her admiration. She felt
- somewhat humbled in the presence of a spirit stronger, clearer than any
- into which chance had hitherto afforded her a glimpse. And as he talked in
- his bright, half-earnest, half-humourous way, it crossed her mind that
- there was a fair world of thought and emotion in which she and her like
- had not set their feet; not the world entirely of poetic and artistic
- imaginings, but one where inner things mattered more than outer
- circumstance, where it would not be ridiculous or affected to think of the
- existence of a soul and its needs and their true fulfilment.
- </p>
- <p>
- Hitherto meeting him as an alien in her world, she had regarded him with a
- touch of patronising pity. From this she was now free. She saw him for the
- first time in harmony with his environment, as the artist sensitive and
- responsive, integral with the beautiful creations that hung around the
- walls, and still homely and simple, bearing the rubs of time as bravely
- and frankly as the old drawing-room suite that furnished the unpretentious
- studio. Now it was she who felt herself somewhat disconcertingly out of
- her element. The sensation, however, had a curious charm.
- </p>
- <p>
- There was one picture that had attracted her from the first. She stood in
- front of it moved by its pity and tenderness.
- </p>
- <p>
- &ldquo;Tell me about this one,&rdquo; she said without looking at him. She divined
- that it was very near his heart.
- </p>
- <p>
- In the foreground amid laughing woodland crouched a faun with little furry
- ears and stumps of horns, and he was staring in piteous terror at a
- vision; and the vision was that of a shivering, outcast woman on a wet
- pavement in a sordid street.
- </p>
- <p>
- &ldquo;It is the joyous, elemental creature's first conception of pain,&rdquo; said
- Jimmie, after a few moments' silence. &ldquo;You see, life has been to him only
- the sunshine, and the earth drenched with colour and music&mdash;as the
- earth ought to be&mdash;and now he sees a world that is coming grey with
- rain and misty with tears, and he has the horror of it in his eyes. I am
- not given to such moralising in paint,&rdquo; he added with a smile. &ldquo;This is a
- very early picture.&rdquo; He looked at it for some time with eyes growing
- wistful. &ldquo;Yes,&rdquo; he sighed, &ldquo;I did it many years ago.&rdquo;
- </p>
- <p>
- &ldquo;It has a history then?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; he admitted; and he remembered how the outcast figure in the rain
- had symbolised that little funeral procession in Paris and how terribly
- grey the world had been.
- </p>
- <p>
- Norma's chastened mood had not awed the spirit of mockery within her, but
- had rendered it less bitter, and had softened her voice. She waved her
- hand towards the crouching faun.
- </p>
- <p>
- &ldquo;And that is you?&rdquo; she asked.
- </p>
- <p>
- Jimmie caught a kind raillery in her glance, and laughed. Yes, she had his
- secret; was the only person who had ever guessed him beneath the travesty
- of horns and goat's feet.
- </p>
- <p>
- &ldquo;I like you for laughing,&rdquo; she said.
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;Other painters have shown me their pictures.&rdquo;
- </p>
- <p>
- &ldquo;Which signifies&mdash;?&rdquo;
- </p>
- <p>
- &ldquo;That this is one of the most beautiful pictures I have ever seen,&rdquo; she
- replied.
- </p>
- <p>
- &ldquo;But why are you glad that I laughed?&rdquo; asked Jimmie, in happy puzzledom.
- </p>
- <p>
- &ldquo;I have told you, Mr. Padgate, all that I am going to tell you.&rdquo;
- </p>
- <p>
- &ldquo;I accept the inscrutable,&rdquo; said he.
- </p>
- <p>
- &ldquo;Do you believe in the old pagan joy of life?&rdquo; she asked after a pause. &ldquo;I
- mean, was there, is there such a thing? One has heard of it; in fact it is
- a catch phrase that any portentous poseur has on the tip of his tongue.
- When one comes to examine it, however, it generally means champagne and
- oysters and an unpresentable lady, and it ends with liver and&mdash;and
- all sorts of things, don't you know. But you are not a poseur&mdash;I
- think you are the honestest man I have ever met&mdash;and yet you paint
- this creature as if you utterly believe in what he typifies.&rdquo;
- </p>
- <p>
- &ldquo;It would go hard with me if I did n't,&rdquo; said Jimmie. &ldquo;I can't talk to you
- in philosophic terms and explain all my reasons, because I have read very
- little philosophy. When I do try, my head gets addled. I knew a chap once
- who used to devour Berkeley and Kant and all the rest, and used to write
- about them, and I used to sit at his feet in a kind of awed wonder at the
- tremendousness of his brain. A man called Smith. He was colossally
- clever,&rdquo; he added after a reflective pause. &ldquo;But I can only grope after
- the obvious. Don't you think the beauty of the world is obvious?&rdquo;
- </p>
- <p>
- &ldquo;It all depends upon which world,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Which world? Why, God's world. It is sweet to draw the breath of life. I
- love living; don't you?&rdquo;
- </p>
- <p>
- &ldquo;I have never thought of it,&rdquo; she answered. &ldquo;I should n't like to die, it
- is true, but I don't know why. Most people seem to spend two-thirds of
- their existence in a state of boredom, and the rest in sleep.&rdquo;
- </p>
- <p>
- &ldquo;That is because they reject my poor faun's inheritance.&rdquo;
- </p>
- <p>
- &ldquo;I have been asking you what that is.&rdquo;
- </p>
- <p>
- &ldquo;The joy and laughter of life. They put it from them.&rdquo;
- </p>
- <p>
- &ldquo;How?&rdquo;
- </p>
- <p>
- &ldquo;They draw the soul's curtains and light the gas, instead of letting God's
- sunshine stream in.&rdquo;
- </p>
- <p>
- Norma turned away from the picture with a laugh.
- </p>
- <p>
- &ldquo;That reminds me of the first time I met you. You told me to go and
- ventilate my soul. It gave me quite a shock, I assure you. But I have been
- trying to follow your precept ever since. Don't you think I am a little
- bit fresher?&rdquo;
- </p>
- <p>
- For the moment the girl still lingering in her five-and-twenty hard years
- flashed to the surface, adorably warming the cold, finely sculptured face,
- and bringing rare laughter into her eyes. Jimmie marvelled at the infinite
- sweetness of her, and fed his poor hungry soul thereon.
- </p>
- <p>
- &ldquo;You look like a midsummer morning,&rdquo; he said unsteadily.
- </p>
- <p>
- The tone caught her, sobered her; but the colour deepened on her cheek.
- </p>
- <p>
- &ldquo;I'll treasure that as a pretty compliment,&rdquo; she said. There was a little
- space of silence&mdash;quite a perilous little space, with various unsaid
- things lurking in ambush. Norma broke it first.
- </p>
- <p>
- &ldquo;Now I have seen everything, have n't I? No. There are some on the floor
- against the wall.&rdquo;
- </p>
- <p>
- Jimmie explained their lack of value, showed her two or three. They were
- mostly the wasters from his picture factory, he said. She found in each a
- subject for admiration, and Jimmie glowed with pleasure at her praise.
- While he was replacing them she moved across the studio.
- </p>
- <p>
- &ldquo;And this one?&rdquo; she asked, with her finger on the top of a strainer. He
- looked round and followed swiftly to her side. It was her own portrait
- with its face to the wall.
- </p>
- <p>
- &ldquo;I am not going to show you that,&rdquo; he said hurriedly.
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;It's a crazy thing.&rdquo;
- </p>
- <p>
- &ldquo;I should love to see it.&rdquo;
- </p>
- <p>
- &ldquo;I tell you it's a crazy thing,&rdquo; he repeated. &ldquo;A mad artist's dream.&rdquo;
- </p>
- <p>
- Norma arched her eyebrows. &ldquo;Aha! That is very like a confession!&rdquo;
- </p>
- <p>
- &ldquo;Of what?&rdquo;
- </p>
- <p>
- &ldquo;The ideal woman?&rdquo;
- </p>
- <p>
- &ldquo;Perhaps,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought everything was so positive in your scheme of life,&rdquo; she
- remarked teasingly. &ldquo;Don't you know?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, &ldquo;I know.&rdquo;
- </p>
- <p>
- Again the vibration that Jimmie, poorest of actors, could not keep from
- his voice, stirred her. She felt the indelicacy of having trodden upon
- sanctified ground. She turned away and sat down. They talked of other
- matters, somewhat self-consciously. Both welcomed the entrance of Connie
- Deering and Aline. The former filled the studio at once with laughing
- chatter. She hoped Norma had not turned Jimmie's hair white with the
- dreadful things she must have said.
- </p>
- <p>
- &ldquo;I don't turn a hair, as I'm a mere worldling, but Jimmie is an
- unsophisticated child of nature, and is n't accustomed to you, my dear
- Norma.&rdquo;
- </p>
- <p>
- She went on to explain that she was Jimmie's natural protectress, and that
- they who harmed him would have to reckon with her. Jimmie flew gaily to
- Norma's defence.
- </p>
- <p>
- &ldquo;And this child's garments?&rdquo; he asked, indicating Aline, whose face was
- irradiated by a vision of splendid attire.
- </p>
- <p>
- &ldquo;Don't meddle with what does n't concern you,&rdquo; replied Connie, while she
- and the girl exchanged the glances of conspirators.
- </p>
- <p>
- A short while afterwards the two visitors drove away. For some time Norma
- responded somewhat absently to Mrs. Deering's light talk.
- </p>
- <p>
- &ldquo;I am so glad you have taken to Jimmie,&rdquo; said the latter at last. &ldquo;Is n't
- he a dear?&rdquo;
- </p>
- <p>
- &ldquo;I remember your saying that before. But is n't it rather an odd word to
- use with reference to him?&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Odd&mdash;? But that's just what he is.&rdquo;
- </p>
- <p>
- Norma turned in some resentment on her friend.
- </p>
- <p>
- &ldquo;Oh, Connie, how dare we talk patronisingly of a man like that? He's worth
- a thousand of the empty-souled, bridge-playing people we live among.&rdquo;
- </p>
- <p>
- &ldquo;But that's just why I call him a dear,&rdquo; said Mrs. Deering,
- uncomprehendingly.
- </p>
- <p>
- Norma shrugged her shoulders, fell into a silence which she broke by
- risking:
- </p>
- <p>
- &ldquo;Do you know whom he is in love with?&rdquo;
- </p>
- <p>
- &ldquo;Good gracious, Norma,&rdquo; cried the little lady, in alarm. &ldquo;You don't say
- that Jimmie is in love? Oh, it would spoil him. He can't be!&rdquo;
- </p>
- <p>
- &ldquo;There was one picture&mdash;of a woman&mdash;which he would not let me
- see,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- Norma paused for some seconds before she replied:
- </p>
- <p>
- &ldquo;He called it 'a mad artist's dream.' I have been wondering whether it was
- not better than a sane politician's reality.&rdquo;
- </p>
- <p>
- &ldquo;What is a sane politician's reality, dear?&rdquo; Connie asked, mystified.
- </p>
- <p>
- &ldquo;I am,&rdquo; said Norma.
- </p>
- <p>
- Then, woman-like, she turned the conversation to the turpitudes of her
- dressmaker.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0010" id="link2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter X&mdash;TWO IDYLLS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>IMMIE was trudging
- along the undulating highroad that leads from Dieppe to the little village
- of Berneval, very hot, very dusty, very thirsty, and very contented. He
- carried a stick and a little black bag. His content proceeded from a
- variety of causes. In the first place it was a glorious August day,
- drenched with sunshine and with deep blue ether; and the smiling plain of
- Normandy rolled before him, a land of ripening orchards and lazy pastures.
- He had been longing for the simple beauty of sun and sky and green trees,
- and for the homely sights and sounds of country things, and now he had his
- fill. Secondly, Aline was having a much needed holiday. She had been
- growing a little pale and languid, he thought, in London, after a year's
- confined administering to his selfish wants. She was enjoying herself,
- too, and the few days she had already spent in the sea air had brought the
- blood to her cheeks again. Thirdly, he was free for the moment from
- everyday cares. A dealer had fallen from heaven into his studio and paid
- money down for the copyright of two of his worst pictures. Fourthly, he
- had definitely received the commission for the portrait of the Princess of
- Herren-Rothbeck. Her Serene Highness and her tutelary duchess had paid
- their visit, expressed themselves delighted with his work (the duchess
- especially commending the portrait of the hapless Mrs. Marmaduke Hewson),
- and had driven away in a most satisfactory condition of serenity and
- graciousness.
- </p>
- <p>
- Jimmie was happy. What could man want more? In addition to all these
- blessings, Norma had written to him from Lord Monzie's place in Scotland a
- letter <i>à propos</i> of nothing, merely expressive of good-will and
- friendliness; and he had received it that morning. He had never seen her
- handwriting before. Bold, incisive, distinguished, it seemed to complement
- his conception of the radiant lady, and in a foolish way he tried to
- harmonise the ink-marks with the curves of her proud lips, the setting of
- her eyes, and the poise of her queenly head. The dreariness of a rainy
- afternoon with all the men and half the women away on the grouse-moor had
- been, she said, her excuse for writing. She sketched various members of
- the house-party with light, satiric touches; notably one Theodore Weever,
- an American, whose sister had married an impecunious and embarrassing
- cousin of the Duchess of Wiltshire. He was building himself a palace in
- Fifth Avenue, wrote Norma, and had been buying pictures in Europe to
- decorate it with; now he was anxious to purchase a really decorative wife.
- Morland was expected in a few days, and she would be glad when he appeared
- upon the scene. She did not say why; but Jimmie naturally understood that
- her heart was yearning for the presence of the man she loved. &ldquo;I have very
- little to say that can interest you,&rdquo; she concluded, &ldquo;but you can say many
- things to interest me: this letter is purely selfish, a mere minnow, after
- all, that I use as bait.&rdquo; So Jimmie walked along the dusty road thinking
- out an answer that could bring comfort to the Hero pining for her Leander;
- thinking also of Aline, and revelling in the sunshine.
- </p>
- <p>
- He delighted, like a child, in all he saw. He stopped before the red,
- gold, and green paradise of an orchard and feasted upon its colour. He
- lingered in talk with a tiny girl driving a great brown cow; asked her its
- age, how many calves it had had, its name, and whether she were not afraid
- it would mistake her for a blade of grass and bite her. The little girl
- scoffed at the possibility. She could drive three cows, and, if it came to
- that, a bull. &ldquo;<i>Ça me connaît, les bêtes,</i>&rdquo; she said. Whereupon he
- put a couple of sous in her hand and went on his way. Presently he sat
- down on the rough wooden bench in front of a wayside café and drank cider
- from an earthenware bowl, and played with a mongrel puppy belonging to the
- establishment. When the latter had darted off to bark amid the cloud of
- dust and petroleum fumes left by a passing motor-car, Jimmie, sipping his
- second bowl of sour cider in great content, re-read the precious letter,
- filled his pipe, and reflected peacefully on the great harmony of things.
- The hopelessness of his own love for Norma struck no discord. The Stephen
- so closely connected with the life of Saint Catherine of Siena did not
- love with less hope or more devotion.
- </p>
- <p>
- He paid the few coppers for his reckoning, took up his stick and little
- black bag, and trudged on refreshed, and as he neared Berneval the
- expectation of Aline's welcome gladdened him. He had rented for the month
- a cottage with a straggling piece of ground behind, from an artist friend
- whose possession it was. The friend had fixed the figure absurdly low; the
- modest living under Aline's experienced management was cheap, and the <i>bonne
- à tout faire</i> cooked divinely for a few halfpence a day. By a curious
- coincidence Mr. Anthony Merewether had also pitched upon Berneval as a
- summer resting-place. He had come on business, he gave out,
- and every morning saw him issue from the hotel by the beach, armed with
- easel and camp-stool, and the rest of the landscape-painter's
- paraphernalia, and every evening saw him smoking cigarettes on Jimmie's
- veranda. Whether the hours of sunshine saw him consistently hard at work,
- Jimmie was inclined to doubt. He certainly bathed a great deal and ran
- about with Aline a great deal, and Jimmie read the pair moral lessons on
- the evil effects of idleness. But Tony was a fresh-minded boy; his
- ingenuous conversation provided Jimmie with much entertainment, and his
- presence on their holiday gave him the satisfaction of feeling that Aline
- had some one of her own age to play with.
- </p>
- <p>
- The ramshackle vehicle, half diligence, half omnibus, that plies between
- Berneval and Dieppe, passed him with great cracking of whip and straining
- of rusty harness and loud <i>hue</i>'s from the driver, just as he entered
- the village. It was late afternoon, and the trim white and green of the
- place was bathed in mellow sunshine. The short cut home lay up a lane and
- through the churchyard, a cluster of grey slabs around a little grey
- church; and many of the slabs bore the story of the pitiless sea&mdash;how
- Jean-Marie Dulac, many years ago, was drowned at the age of nineteen, and
- how Jacques Lemerre perished in a storm; for it has been from time
- immemorial a tiny village of fisher-folk and every family has given of its
- own to the waves. The pathos of the simple legends on the stones always
- touched him as he walked by; and now he paused to decipher some moss-grown
- letters of fifty years ago. He stooped, made out the same sad tale,
- moralised a little thereon, and rose with a sigh of relief to greet the
- sunshine and the fair earth. But the sight that suddenly met his eyes
- banished dead fishermen and hungry sea and sunny tree-tops from his mind.
- It was a boy and a girl very close together, his arm about her waist, her
- head upon his shoulder, walking by the little church. Their backs were
- towards him. He stared open-mouthed.
- </p>
- <p>
- &ldquo;God bless my soul!&rdquo; said he, in amazement.
- </p>
- <p>
- Then he dropped his stick, which clattered upon a gravestone.
- </p>
- <p>
- The foolish pair started at the sound, assumed a correct attitude with
- remarkable swiftness, and turning, recognised Jimmie. Tony Merewether, who
- was a fair youth, grew very red and looked sheepish; Aline awaited events
- demurely, with downcast eyes. Jimmie pushed his old Homburg hat to the
- back of his head, and in two or three strides confronted them. He tried to
- look fiercely at Tony. The young man drew himself up.
- </p>
- <p>
- &ldquo;I have asked Aline to marry me, sir,&rdquo; he said frankly. &ldquo;I was going to
- speak to you about it.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; said Jimmie, helplessly.
- </p>
- <p>
- &ldquo;We can't marry just yet,&rdquo; said Tony, &ldquo;but I hope you will give your
- consent.&rdquo;
- </p>
- <p>
- Jimmie looked from one to the other.
- </p>
- <p>
- &ldquo;Why did n't you let me know of this state of things before?&rdquo;
- </p>
- <p>
- &ldquo;I have n't done anything underhand. I thought you guessed,&rdquo; said Tony.
- </p>
- <p>
- &ldquo;And you, Aline?&rdquo;
- </p>
- <p>
- She stole a shy glance at him.
- </p>
- <p>
- &ldquo;I was n't quite sure of it until just now,&rdquo; she replied. And then she
- blushed furiously and ran to Jimmie's arms. &ldquo;Oh, Jimmie dear, don't be
- cross!&rdquo;
- </p>
- <p>
- &ldquo;Cross, my child?&rdquo; he said.
- </p>
- <p>
- The world of tender reproach in his tone touched her. The ready tears
- started.
- </p>
- <p>
- &ldquo;You are an angel, Jimmie.&rdquo;
- </p>
- <p>
- The hand that was on her shoulder patted it comfortingly.
- </p>
- <p>
- &ldquo;No, dear, I am a blind elderly idiot. O Lord, Tony, I hope you feel
- infernally ashamed of yourself.&rdquo;
- </p>
- <p>
- &ldquo;As Tony says, we sha'n't be able to get married for a long, long time,&rdquo;
- said Aline, by way of consolation, &ldquo;so for years and years we'll go on in
- just the same way.&rdquo;
- </p>
- <p>
- &ldquo;I only ask you to consent to our engagement, sir,&rdquo; said Tony,
- diplomatically. &ldquo;I am quite willing to wait for Aline as long as you
- like.&rdquo;
- </p>
- <p>
- The abandonment of Jimmie by Aline had been the subject of the last
- half-hour's discussion between the lovers. The thought of Jimmie alone and
- helpless appalled her. She was a horrid selfish wretch, she had informed
- Tony, for listening to a word he said. How could Jimmie live by himself?
- She shuddered at the dismal chaos of the studio, the gaping holes in his
- socks, the impossible meals, the fleecing of him by every plausible beggar
- in frock coat or rags, the empty treasury. He needed more care than a
- baby. She would marry Tony, some day, because her head was full of him,
- and because she had let him kiss her and had found a peculiar, dreamy
- happiness during the process, and because she could not conceive the
- possibility of marrying any one else. But she was more than content to
- leave the date indefinite. Perhaps, in the stretch of aeons between now
- and then, something would happen to release her from her responsibilities.
- She had made the position luminously clear to Mr. Merewether before she
- had consented to be foolish and walk about with her head on his shoulder.
- </p>
- <p>
- &ldquo;No, until Jimmie gets properly suited,&rdquo; she said, quickly following
- Tony's last remark.
- </p>
- <p>
- &ldquo;My dear foolish children,&rdquo; said Jimmie, &ldquo;you had better get married as
- soon as ever you can keep the wolf from the door. What on earth is the
- good of waiting till you are old? Get all the happiness you can out of
- your youth, and God bless you.&rdquo;
- </p>
- <p>
- The young man bowed his head.
- </p>
- <p>
- &ldquo;I will give my life to her.&rdquo;
- </p>
- <p>
- Jimmie touched him on the arm, waved his hand around, indicating the
- little grey church, the quiet graves.
- </p>
- <p>
- &ldquo;This is not the place where a man should say such a thing lightly,&rdquo; he
- said.
- </p>
- <p>
- &ldquo;I am not the man to say such a thing lightly in any place,&rdquo; retorted the
- youth, with spirit.
- </p>
- <p>
- Jimmie nodded approvingly. &ldquo;My dear,&rdquo; he said to Aline, &ldquo;that is the way I
- like to hear a man talk.&rdquo;
- </p>
- <p>
- He turned and collected the fallen stick and the black bag which he had
- deposited by the side of the slab. He had gone into Dieppe that morning
- partly for the sake of the walk and partly to purchase some odds and ends
- for the house. Aline, not trusting to his memory, had given him a list of
- items with directions attached as to the places where he was to procure
- them, so that when he came to &ldquo;pepper,&rdquo; he should seek it at a grocery and
- not at a milliner's establishment. Now, without saying a word, he opened
- the bag and rummaged among its queer contents, which Aline regarded with
- some twinges of a tender conscience. She ought to have gone into Dieppe
- herself, and made her purchases like a notable housewife, instead of
- sending Jimmie and passing the day in selfish lovemaking. The twinge grew
- sharper when Jimmie at last fished out a little cardboard box and put it
- in her hands.
- </p>
- <p>
- &ldquo;At any rate, I can give you an engagement present before Tony,&rdquo; he said
- with a laugh.
- </p>
- <p>
- It was only an old filigree silver waist-buckle he had picked up at a
- curio shop in the town, but it was a gem of infinite value to the girl,
- for she knew that Jimmie's love went with it. She showed it to Tony
- Merewether, who admired the workmanship.
- </p>
- <p>
- &ldquo;If you can give me anything I shall prize more, you will be a lucky
- fellow,&rdquo; she said in a low voice.
- </p>
- <p>
- The three strolled quietly towards the cottage, and it was Jimmie's arm
- that Aline clung to, and Mr. Merewether who carried the black bag. That
- night, after she had dismissed the young man, she sat a long time with
- Jimmie on the veranda, telling him in one shy breath of the wonder that
- had suddenly come into her life, and in the next that she would never
- leave him until he was rich and famous and able to live by himself.
- Jimmie, unguileful in the nature of men and maidens and the ways of this
- wicked world, kept on repeating like a refrain his formula of
- astonishment:
- </p>
- <p>
- &ldquo;It never entered my head, dear, that you two children would fall in love
- with one another.&rdquo;
- </p>
- <p>
- &ldquo;You don't think I ought n't to have done it, do you, Jimmie?&rdquo; she said at
- last.
- </p>
- <p>
- He broke into his happy laugh, and kissed her. &ldquo;If you want to please me,
- you'll go on doing it,&rdquo; he said.
- </p>
- <p>
- It was some time after he had gone to bed that sleep came. Yes; Nature,
- the dear mother, had spoken, and who could gainsay her? A clean, bright,
- healthy English lad, and a clean, bright, healthy English girl had read
- truth in each other's eyes. It was one of the sweet things in the world,
- for which we who live in the world should be thankful. The dimly seen
- white curtains of his bed became gossamer veils that enveloped him with
- beauty. Now, on either side, his inner life was touched by the magic of
- romance: the fair dream of these two children, and the love of the other
- betrothed pair. It was on happy eyelids that sleep settled at last. And
- Aline, too, lay awake, her young cheeks burning at the delicious yet
- frightening memory of a kiss in the little churchyard, and her heart
- swelling at the thought of the infinite goodness of Jimmie.
- </p>
- <p>
- Meanwhile, unconscious of these idyllic happenings and romantic
- speculations, Norma was enjoying herself in her worldly way at Lord
- Monzie's place in Scotland. Lord Monzie, a dissipated young man who had
- lately come into the title, had married a well-to-do young woman in very
- smart society. Consequently there was no lack of modern entertainment in
- the house. So modern was everything that the host had got down Mr. Joseph
- Ascherberg, the financier, to hold a roulette bank every night against all
- comers; but he took care that he himself, or his own confidential man,
- turned the wheel and spun the marble. Most of the people had unimaginative
- nicknames, the extremes of the Submerged Tenth and the Upper Ten thus
- curiously meeting. Lord Monzie was called &ldquo;Muggins;&rdquo; his bosom friend,
- and, as some whispered, his <i>âme damnée</i>, Sir Calthrop Boyle, was
- alluded to as &ldquo;The Boiler;&rdquo; and Ascherberg responded to the appellation of
- &ldquo;Freddy.&rdquo; There were also modern conveniences for the gratification of
- caprices or predilections that need not be insisted upon. In fact the
- atmosphere was surcharged with modernity; so much so that Norma, who would
- have walked about the Suburra of Imperial Rome with cynical indifference,
- gasped a little when she entered it. One or two things actually shocked
- her, at which she wondered greatly. She regarded Mr. Ascherberg with
- extreme disfavour, and winced at the women's conversation when they were
- cosily free from men. For the first day or two she held herself somewhat
- apart, preferring solitude on sequestered bits of terrace, where she could
- read a novel, or look at the grey hills that met the stretch of purple
- moorland. But gradually the sweeter tone of mind which she had brought
- with her lost its flavour, and having won sixty pounds from Ascherberg,
- and having told the feminine coterie what she knew of the Wyniard affair,
- she began to breathe the atmosphere without much difficulty. Yet
- occasionally she had spasms of revolt. In a corner of the drawing-room
- stood a marble copy of the little Laughing Faun in the Louvre, put there
- by the late baron, and every time her eye fell upon it, the picture of
- another faun arose before her, and with it the memory of a homely man with
- bright kind eyes, and she seemed to draw a breath of purer air. But she
- called the fancy foolishness and hardened her heart.
- </p>
- <p>
- Still, had it not been for Theodore Weever, the American man of affairs,
- she would probably have found some pretext for an abrupt departure. He
- alone was a personality among the characterless, vicious men and women of
- the house-party. Short, spare, alert, bald-headed, clean-shaven,
- clear-featured, he was of a type apart. Norma, who had a keen
- intelligence, divined in him from the first an adversary upon whom she
- could sharpen her wit and a companion who would not bore her with dreary
- tales of sport or the unprofitable details of his last night's play. And
- from the first Theodore Weever was attracted towards Norma. Their lax
- associates, in spite of her engagement to Morland being perfectly well
- known and in spite of Morland's expected arrival, recognised their pairing
- with embarrassing frankness, and said appalling things about them behind
- their backs. For a few days therefore they found themselves inseparable.
- At last their friendship reached the confidential stage. Mr. Theodore
- Weever avowed the object of his present visit to England. He was in search
- of a decorative wife.
- </p>
- <p>
- &ldquo;It ought to be as easy as turning over a book of wallpapers,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;And as difficult to choose,&rdquo; said he.
- </p>
- <p>
- &ldquo;You must know what scheme of colouring and design you want.&rdquo;
- </p>
- <p>
- &ldquo;Precisely. I don't find it in the books of stock patterns, either here or
- in America. And I've ransacked America.&rdquo;
- </p>
- <p>
- &ldquo;Is n't the line&mdash;I believe in commercial circles they call it a line&mdash;is
- n't the line of specially selected duchesses for the English market good
- enough for you?&rdquo; she asked with a smile.
- </p>
- <p>
- He was about to light a cigarette when she began her question. He lit it
- and blew out the first few puffs of smoke before he replied. They were
- sitting in Norma's favourite nook on the terrace, where he, solitary male
- who had not gone forth with a gun that morning, had been gratuitously told
- by an obliging hostess that he would find her.
- </p>
- <p>
- &ldquo;The American woman makes a good decorative duchess,&rdquo; he said in his
- incisive tone, &ldquo;because she has to sweep herself clean of every tradition
- she was born with and accept bodily the very much bigger and more dazzling
- tradition of your old aristocracy. She can do it, because she is
- infinitely sensitive and intelligent. But she is a changed creature. She
- has to live up to her duke.&rdquo;
- </p>
- <p>
- He puffed for a moment or two at his cigarette.
- </p>
- <p>
- &ldquo;Do you see what I am coming to?&rdquo; he continued. &ldquo;I am not an English duke.
- I am a plain American citizen. No woman in America would make it her ideal
- in life to live up to me.&rdquo;
- </p>
- <p>
- &ldquo;I don't mean to be rude,&rdquo; interrupted Norma, with a laugh, &ldquo;but do you
- think any Englishwoman would?&rdquo;
- </p>
- <p>
- &ldquo;I do,&rdquo; he replied. &ldquo;Not to this insignificant, baldheaded thing that is
- I, but to what in the way of position and power I represent. An American
- woman would bring her traditions along with her&mdash;her superior
- culture, her natural right to be enthroned as queen, her expectation that
- I would take a back seat in my own house. It is I that would become a sort
- of grotesque decoration in the place. Now, I may be grotesque, but I will
- not consent to be decorative. I fully intend to be master. I am not going
- to be Mrs. Theodore Weever's husband. I want an Englishwoman to bring
- along her traditions. She will be naturally <i>grande dame</i>; she will
- come to my house, my social world, frankly the wife of Theodore Weever,
- and ready to support the dignity, whatever it may be, of Theodore Weever,
- just as she would have supported the dignity of Lord So and So, had she
- been married to him in England.&rdquo;
- </p>
- <p>
- &ldquo;You will find thousands of English girls who can do that,&rdquo; said Norma. &ldquo;I
- don't see your difficulty.&rdquo;
- </p>
- <p>
- &ldquo;She must be decorative,&rdquo; said Weever.
- </p>
- <p>
- &ldquo;And that means?&rdquo;
- </p>
- <p>
- &ldquo;She must be a queenly woman, but one content to be queen consort. Your
- queenly woman&mdash;with brains&mdash;is not so easy to find. I have met
- only one in my life who is beyond all my dreams of the ideal. Of course
- the inherent malice of things screws her down like one blade of a pair of
- scissors to another fellow.&rdquo;
- </p>
- <p>
- &ldquo;Who is the paragon?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;It wouldn't be fair on the other fellow to tell you,&rdquo; said he.
- </p>
- <p>
- &ldquo;Is it sheer honesty, or the fear of being cut in half by the pair of
- scissors that keeps you from coming between them?&rdquo;
- </p>
- <p>
- &ldquo;I think it's honesty,&rdquo; he replied. &ldquo;If I can guess rightly, the scissors
- have n't so fine an edge on them as to make them dangerous.&rdquo;
- </p>
- <p>
- &ldquo;They may be desperately in love with one another, for all you know.&rdquo;
- </p>
- <p>
- &ldquo;They are delightful worldlings of our own particular world, dear lady,&rdquo;
- said Weever, with a smile.
- </p>
- <p>
- Thus was Norma given to understand that the post of decorative queen
- consort in Mr. Theodore Weever's Fifth Avenue palace was at her disposal.
- A year ago she might have considered the offer seriously; now that she
- felt secure of a brilliant position as Morland's wife, she was amused by
- its frank impudence. She held other laughing conversations with him on the
- subject of his search, but too prudent to commit indiscretions, she gave
- no hint that she had understood his personal allusion, and Weever was too
- shrewd to proceed any further towards his own undoing. They remained
- paired, however, to their mutual satisfaction, until Morland's arrival,
- when Theodore Weever took his departure. In fact, the same carriage that
- conveyed the American to the station remained for a necessary half-hour to
- meet Morland's train, and Norma, who dutifully drove down to welcome her
- affianced, shared the carriage with the departing guest.
- </p>
- <p>
- She stood on the platform chatting with him as he leaned out of the
- window.
- </p>
- <p>
- &ldquo;When shall we see each other again?&rdquo; she said idly.
- </p>
- <p>
- &ldquo;Next month.&rdquo;
- </p>
- <p>
- &ldquo;Where?&rdquo; she asked, somewhat taken aback by his decided tone.
- </p>
- <p>
- &ldquo;I am putting in some time at Chiltern Towers. I had a letter this morning
- from the duchess, asking me to come and meet the Princess of
- Herren-Rothbeck.&rdquo;
- </p>
- <p>
- They looked at each other, and Norma laughed.
- </p>
- <p>
- &ldquo;Beware of Her Serene Highness.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I've had dealings with her before,&rdquo; replied Weever. &ldquo;I reckon I get
- my money's worth. Don't you fret about me.&rdquo;
- </p>
- <p>
- The guard came up and touched his cap.
- </p>
- <p>
- &ldquo;We are off now, miss.&rdquo;
- </p>
- <p>
- She shook hands with Weever, saying with a laugh, &ldquo;I hope you will find
- that bit of decoration.&rdquo;
- </p>
- <p>
- &ldquo;Don't you fret about that, either,&rdquo; he said with a quick, hard glance.
- &ldquo;I'm in no hurry. I can wait.&rdquo;
- </p>
- <p>
- The train started, and was soon swallowed by a tunnel a few hundred yards
- up the line. Norma patrolled the platform of the little wayside station
- waiting for Morland. The place was very still. The only porter had
- departed somewhither. The station-master had retired into his office. The
- coachman outside the station sat like a well-bred image on his box, and
- the occasional clink of the harness, as the horses threw up their heads,
- sounded sharp and clear. Nothing around but mountain and moorland; a short
- distance in front a ravine with a lazily trickling, half-dried-up mountain
- stream. Here and there a clump of larch and fir, and a rough granite
- boulder. An overcast sky threw dreariness on the silent waste. Norma
- shivered, suddenly struck with a sense of isolation. She seemed to stand
- in the same relation with her soul's horizon as with the physical
- universe. The man that had gone had left her with a little feeling of fear
- for the future, a little after-taste of bitterness. The man that was
- coming would bring her no thrill of joy. As she stood between a drab sky
- and a bleak earth, so stood she utterly alone in the still pause between a
- past and a future equally unillumined. She longed for the sun to break out
- of the heaven, for the sounds of joyous things to come from plain and
- mountain; and she longed for light and song in her heart.
- </p>
- <p>
- She had been watching for the past few days the proceedings of a
- half-recognised, irregular union. The woman was the frivolous, heartless,
- almost passionless wife of a casual husband at the other end of the earth;
- the man an underbred fellow on the stock exchange. She ordered him about
- and called him Tommy. He clothed her in extravagant finery, and openly
- showed her his sovereign male's contempt. Norma had overheard him tell her
- to go to the devil and leave him alone, when she hinted one night, in a
- whisper that was meant for his ears alone, that he was drinking overmuch
- whisky. It was all so sordid, so vulgar&mdash;the bond between them so
- unsanctified by anything like tenderness, chivalry, devotion. Norma had
- felt the revulsion of her sex.
- </p>
- <p>
- What would be the future? By any chance like this woman's life? Would the
- day come when she would sell herself for a gown and a bracelet, thrown at
- her with a man's contemptuous word? Was marriage very widely different
- from such a union? Was not she selling herself? Might not the man she was
- waiting for go the way of so many others of his type, drink and coarsen
- and tell her to go to the devil?
- </p>
- <p>
- She longed for the sun, but not a gleam pierced the leaden sky; she sought
- in her soul for a ray of light, but none came.
- </p>
- <p>
- At last with a shriek and a billowing plume of smoke the down train
- emerged from the tunnel. Norma set her face in its calm ironic mask and
- waited for the train to draw up. Only two passengers alighted, Morland and
- his man. Morland came to her with smiling looks and grasped her by the
- hand.
- </p>
- <p>
- &ldquo;You are looking more beautiful than ever,&rdquo; he whispered, bringing his
- face close to hers.
- </p>
- <p>
- She started back as if she had been struck. The fumes of brandy were in
- his breath. Her hideous forebodings were in process of fulfilment.
- </p>
- <p>
- &ldquo;The whole station will hear you,&rdquo; she said coldly, turning away.
- </p>
- <p>
- The Imp of Mischance rubbed his hands gleefully at his contrivance.
- Morland, a temperate man, had merely felt chilly after an all-night's
- journey, and, more out of idleness than from a desire for alcohol, had
- foolishly taken a sip out of his brandy flask a moment or two before, when
- he was putting up his hand-bag.
- </p>
- <p>
- Norma collected herself, summoned with bitter cynicism her common-sense to
- her aid, and made smiling amends for her shrewish remark. She suffered him
- to kiss her on the drive home, and strove not to despise herself.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0011" id="link2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XI&mdash;DANGER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>EDDON COURT had
- been purchased by a wealthy Hardacre at the beginning of the nineteenth
- century, and was exhibited by his grandnephew, the present occupant, as a
- gem of Georgian architecture. Mr. Hardacre had but a vague idea what the
- definition meant, but it sounded very impressive. As a matter of fact, it
- was a Palladian stone building, with pediments over the windows and severe
- rustication on the lower courses. As none of the succeeding Hardacres had
- any money to devote to extensions, the building had remained in its
- original perfection of formality, and Mr. Hardacre did well to be proud of
- it. The grounds had been laid out in the Italian style; but the tastes
- and fashions of over a hundred years had caused the classic architect's
- design to be practically indiscernible. A lawn with trim flower-beds,
- bounded by an arc of elm-trees and bordered by a circular carriage drive
- faced the south front. Along the east front ran a series of terraces. The
- highest, a foot or two below the level of the drawing-room floor, ended on
- the north in a porticoed temple, now used as an afternoon lounge, and
- incongruously furnished with rugs and frivolous wickerwork chairs and
- tables. The next terrace, some eight feet below, was devoted to a tennis
- court. A thick hedge of clipped yew and a screen of wire netting hid the
- lowest, the most charming of all, which, surrounded on all sides by a
- sloping bank and flanked on three sides by tall trees, had been delicately
- turfed for a bowling-green and was now used for croquet.
- </p>
- <p>
- In this stately paradise, warmed by sunny September weather, Jimmie had
- already spent two or three blissful days. His only regret was the absence
- of Aline. She had been invited, but for reasons in which doubtless Tony
- Merewether had a place, she had declined the invitation. She gave Jimmie
- to understand that she had already had her holiday, that the house could
- not possibly look after itself any longer, and that she had no clothes fit
- to appear in among his grand friends. The last argument being
- unanswerable, save by contentions at which the young woman tossed a
- superior head, Jimmie had yielded and come down alone. His regret,
- however, was tempered by the reflection that Aline was probably enjoying
- herself after the manner of betrothed maidens, and it did not seriously
- affect his happiness. Either chance or the lady's own sweet courtesy
- towards a guest had caused him to see much of Norma. She had driven him
- over to Chiltern Towers, where the sittings had begun. She had walked with
- him to Cosford to show him the beautiful fourteenth-century church with
- its decorated spire. She had strolled with him up and down the croquet
- lawn. She had chatted with him in the morning-room yesterday for a whole
- rainy hour after lunch. His head was full of her beauty and condescension.
- It was not unnatural that they should be thrown much together. Morland's
- day was taken up by partridges and electors. Mr. Hardacre, honestly afraid
- of Jimmie, not knowing what on earth to talk to him about, and only half
- comprehending his conversation, kept out of his way as much as his duties
- as host would allow, and Mrs. Hardacre, who, though exceedingly civil, had
- not forgotten her defeat in the studio, felt justified in leaving his
- entertainment in the hands of others who professed to admire the creature.
- These were Norma, Morland, and Connie Deering.
- </p>
- <p>
- This afternoon they found themselves again alone together, at tea in the
- classic temple at the end of the terrace. Mrs. Hardacre and Connie had
- driven off to pay a call, and the men were shooting over ducal turnips.
- Jimmie had received an invitation to join the shooting-party, but not
- having handled a gun since boyish days (and even then Jimmie with firearms
- was Morland's conception of the terror that walketh by day), and also
- having an appointment with the princess for a second sitting, he had
- declined, and Morland, when he heard of it, had clapped him on the back
- and expressed his fervent gratitude.
- </p>
- <p>
- Jimmie had been narrating his morning's adventures at Chiltern Towers, and
- explaining the point of view from which he was painting the portrait. It
- was to be that of the very great lady, with the blood of the earth's great
- rulers in her veins. It was to be half full-length, just showing the
- transparent, aristocratic hands set off by rich old lace at the wrists. A
- certain acidity of temper betrayed by the pinched nostrils and thin lips
- he would try to modify, as it would be out of keeping with his basic
- conception. Norma listened, interested more in the speaker than in the
- subject, her mind occasionally wandering, as it had been wont to do of
- late, to a comparison of ideals. Since that half-hour's loneliness on the
- platform of the little Highland station, she had passed through many hours
- of unrest. To-day the mood had again come upon her. A talk with her mother
- about the great garden-party they were giving in two days' time, to which
- the princess and the duchess were coming, had aroused her scorn; a casual
- phrase of Morland's in reference to the election had jarred upon her; a
- sudden meeting in Cosford with Theodore Weever, and a laughing reference
- to the decorative wife had brought back the little shiver of fear. The
- only human being in the world who could settle her mood&mdash;and now she
- felt it consciously&mdash;was this odd, sweet-natured man who seemed to
- live in a beautiful world.
- </p>
- <p>
- As he talked she listened, and her mind wandered from the subject. She
- thought of his life, his surroundings, of the girl whose love affair he
- had told her of so tenderly. She took advantage of a pause, occasioned by
- the handing of a second cup of tea and the judicious choosing of cake, to
- start the new topic.
- </p>
- <p>
- &ldquo;I suppose Aline is very happy.&rdquo;
- </p>
- <p>
- Jimmie laughed. &ldquo;What put my little girl into your head?&rdquo;
- </p>
- <p>
- &ldquo;I have been thinking a good deal about her since you wrote of her
- engagement. Is it really such an idyll?&rdquo;
- </p>
- <p>
- &ldquo;The love of two sweet, clean young people is always idyllic. It is so
- untainted&mdash;pure as a mountain spring; There is nothing quite like it
- in the world.&rdquo;
- </p>
- <p>
- &ldquo;When are they going to set up house together?&rdquo;
- </p>
- <p>
- &ldquo;Soon, I hope.&rdquo;
- </p>
- <p>
- &ldquo;You will miss her.&rdquo;
- </p>
- <p>
- &ldquo;Of course,&rdquo; said Jimmie, &ldquo;enormously. But the thoughts of her happiness
- will keep me pleasant company. I shall get on all right. Meanwhile it is
- beautiful to see her. She does n't know that I watch, but I do. It is
- sweet to see her eyes brighten and her cheeks flush and to hear her
- laughter. It is like stepping for an enchanted moment into a fairy-tale.&rdquo;
- </p>
- <p>
- &ldquo;I wish I could step into it&mdash;just for one enchanted moment,&rdquo; said
- Norma..
- </p>
- <p>
- &ldquo;You?&rdquo; asked Jimmie.
- </p>
- <p>
- &ldquo;I have never been in one in my life. I disbelieved in them till you came
- like an apostle of fairyland and converted me. Now I want the consolations
- of my faith.&rdquo;
- </p>
- <p>
- An earnest note in her voice surprised him. She did not meet his eyes.
- </p>
- <p>
- &ldquo;I don't understand you,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought perhaps you would,&rdquo; she answered. &ldquo;You seem to understand most
- things.&rdquo;
- </p>
- <p>
- &ldquo;You have your own&mdash;happiness.&rdquo;
- </p>
- <p>
- He hesitated on the word. A quick glance assured her of his ingenuousness.
- She longed to undeceive him, to shriek out her heartlessness, her contempt
- for herself and for her life. But pride and loyalty to Morland restrained
- her within bounds of sanity. She assented to his proposition with a
- gesture of the shapely hand that lay on the tea-table absently tracing the
- pattern of the cloth.
- </p>
- <p>
- &ldquo;Yes, I have that. But it isn't the fairyland of those two children. You
- yourself say there is nothing like it in the world. You don't know how I
- pine for it sometimes&mdash;for the things that are sweet and clean and
- untainted and pure as a mountain spring. They don't come my way. They
- never will.&rdquo;
- </p>
- <p>
- &ldquo;You are wrong,&rdquo; said Jimmie. &ldquo;Love will bring them all to you&mdash;that
- and a perfect wedded life and little children.&rdquo;
- </p>
- <p>
- For a flash she raised her eyes and looked full into his, and for the
- first time the love in the man's heart surged tumultuously. It rose of a
- sudden, without warning, flooding his being, choking him. What it was of
- yearning, despair, passion, horror that he saw in her eyes he knew not. He
- did not read in them the craving of a starved soul for food. To him their
- burning light was a mystery. All that ever reached his consciousness was
- that it was a look such as he had never before beheld in a woman's face;
- and against his will and against his reason it acted like some dark
- talisman and unlocked floodgates. He clenched the arms of the wickerwork
- chair, and bit his lip hard, and stared at the ground.
- </p>
- <p>
- Norma broke into a hard laugh, and lay back in her chair.
- </p>
- <p>
- &ldquo;You must be thinking me a great fool,&rdquo; she said, in her usual mocking
- tones. &ldquo;When a woman tries to swim in sentiment, she flounders, and either
- drowns or has to be lugged ignominiously to shore. She can't swim like a
- man. Thanks for the rescue, Mr. Padgate.&rdquo;
- </p>
- <p>
- He looked at her for a moment.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; he said curtly.
- </p>
- <p>
- &ldquo;I'm back on dry land. Oh! it is safer for me. There I am protected by my
- little bodyguard of three&mdash;the World, the Flesh, and the Devil. I
- can't get on without them.&rdquo;
- </p>
- <p>
- Jimmie leaped from his chair and brought his clenched hands down to his
- sides in a passionate gesture.
- </p>
- <p>
- &ldquo;Stop talking like that, I say!&rdquo; he cried imperiously.
- </p>
- <p>
- Then meeting her scared and indignant glance, he bowed somewhat wide of
- her.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; he said, in a tone of no great apology, and marched
- out of the little temple and along the gravelled walk of the terrace.
- Flight, or the loss of self-control, was his only alternative. What she
- thought of him he did not care. The sense of increasing distance from her
- alone brought security to his soul.
- </p>
- <p>
- At the further end he met Mrs. Deering just back from her drive.
- </p>
- <p>
- &ldquo;Why, what is the matter, Jimmie?&rdquo; she asked, twirling an idle sunshade
- over her pretty head, for the terrace was in deep afternoon shadow.
- </p>
- <p>
- &ldquo;Nothing,&rdquo; he replied, with a ghastly attempt at a smile. &ldquo;I am going for
- a walk before dinner.&rdquo;
- </p>
- <p>
- He left her standing, reached the highroad and pounded along it. What a
- fool he had been! What a mad fool he had been!
- </p>
- <p>
- Mrs. Deering, with a puzzled expression on her face, watched him
- disappear. She turned and strolled down to Norma, who greeted her with a
- satiric smile.
- </p>
- <p>
- &ldquo;What have you been doing to Jimmie?&rdquo; asked Mr. Deering.
- </p>
- <p>
- &ldquo;I have been giving him lessons in worldly wisdom.&rdquo;
- </p>
- <p>
- &ldquo;Poor dear! They seem to have disagreed with him.&rdquo;
- </p>
- <p>
- Norma shrugged her shoulders. &ldquo;That's his affair, not mine.&rdquo;
- </p>
- <p>
- &ldquo;You don't mean to say that you and Jimmie have quarrelled?&rdquo; laughed
- Connie. &ldquo;How delightful! I've always wanted to quarrel with Jimmie just
- for the pleasure of kissing and making friends. But it has been
- impossible. Is it serious?&rdquo;
- </p>
- <p>
- &ldquo;I hope not,&rdquo; Norma answered; and then after a pause, &ldquo;Oh, Connie, I'm
- afraid I've been a positive brute.&rdquo;
- </p>
- <p>
- Which evidence of a salutary conviction of her own wrongdoing shows that
- Jimmie's amazing shout of command had not aroused within her any furious
- indignation. Indeed, after the first moment of breathless astonishment,
- she had expressed an odd, almost amusing thrill of admiration for the man
- who had dared address her in that fashion. It was only a small feminine
- satisfaction in the knowledge that by going away he would punish himself
- for his temerity that had restrained her from summoning him back. As soon
- as he was out of call, she reproached herself for misconduct. She could
- have strangled the wanton devil that had prompted her cynical speech. And
- yet the same devil had saved an embarrassing situation. Wedded life and
- little children! If she had spoken what was trembling on her lips, how
- could she have looked the man in the face again? Her sex was revolting
- against that very prospect, was clamouring wildly for she knew not what.
- She dared not betray herself.
- </p>
- <p>
- She greeted him smilingly in the drawing-room before dinner, as if nothing
- had occurred, and chatted pleasantly with Morland over his day's fortunes.
- Jimmie observed her with a sigh of relief. He had passed the last two
- hours greatly agitated; he had trembled lest he had revealed to her his
- soul's secret, and also lest his unmannerliness had given unpardonable
- offence. In any case, now he saw himself forgiven, and breathed freely.
- But he remained unusually silent during dinner, and spent most of the
- evening in the billiard-room with Mr. Hardacre.
- </p>
- <p>
- That gentleman, joining the ladies later, fell into conversation with his
- daughter.
- </p>
- <p>
- &ldquo;How long is Padgate going to stay?&rdquo; he asked, mopping his forehead with
- his handkerchief.
- </p>
- <p>
- &ldquo;Till the princess has completed her sittings, I suppose,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I wish she'd be quick. I don't know what to do with the fellow. Does n't
- shoot, can't play billiards worth a cent, and does n't seem to know
- anybody. It's like talking to a chap that does n't understand your
- language. I've just been at it. Happened to say I'd like to go to Rome
- again. He fetches a sigh and says so should he. 'Some of the best
- wild-duck shooting in the world,' I said. He stared at me for a moment as
- if I were an escaped lunatic. Now, what on earth should a reasonable being
- go to that beastly place for except to shoot wild-duck on the marshes?&rdquo;
- </p>
- <p>
- Norma laughed the little mocking laugh that always irritated her father.
- </p>
- <p>
- &ldquo;You need n't be afraid of not entertaining Mr. Padgate. He must have
- enjoyed the conversation hugely.&rdquo;
- </p>
- <p>
- &ldquo;Damme&mdash;if the fellow is laughing at me&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;He would not be the very fine gentleman that he is,&rdquo; said Norma. &ldquo;Where
- is he now?&rdquo;
- </p>
- <p>
- &ldquo;Morland relieved guard in the billiard-room, when the post came in,&rdquo;
- growled Mr. Hardacre, who shrank from crossing swords with his daughter,
- and indeed with anybody. &ldquo;He is happy enough with Morland.&rdquo;
- </p>
- <p>
- At that particular moment, however, there was not overmuch happiness in
- the billiard-room. A letter from Aline had been accompanied by one for
- &ldquo;David Rendell, Esquire&rdquo; which she had enclosed. Morland read it, and
- crushed it angrily into the pocket of his dinner-jacket, and began to
- knock the balls about in an aimless way. Jimmie watched him anxiously and,
- as he did not speak, unfolded his own letter from Aline. Suddenly he rose
- from the divan where he had been sitting and approached the table.
- </p>
- <p>
- &ldquo;There is something here that you ought to know, Morland. A man has been
- enquiring for you at my house.&rdquo;
- </p>
- <p>
- &ldquo;Well, why should n't he?&rdquo; asked Morland, making a savage shot.
- </p>
- <p>
- &ldquo;He enquired for David Rendell.&rdquo;
- </p>
- <p>
- Morland threw down his cue.
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- &ldquo;I am afraid Aline, who is a miracle of sagacity as a general rule, has
- made a mess of it. You mustn't be angry with my poor little girl. Her head
- is full of sweeter things.&rdquo;
- </p>
- <p>
- &ldquo;What has she done?&rdquo; Morland asked impatiently.
- </p>
- <p>
- &ldquo;I'll read: 'I told him that Mr. Rendell was a friend of yours, and gave
- him your present address. He muttered something about a false name and
- went away without thanking me.'&rdquo;
- </p>
- <p>
- &ldquo;Good God!&rdquo; cried Morland, &ldquo;what damned fools women are! Did she say what
- kind of a man he was?&rdquo;
- </p>
- <p>
- Jimmie looked through the letter, and finding the passage, read: &ldquo;'An
- odd-looking creature, like a mad Methodist parson!'&rdquo;
- </p>
- <p>
- Morland uttered an exclamation of anger and apprehension. His brow grew
- black, and his florid comely features coarsened into ugliness.
- </p>
- <p>
- &ldquo;I thought so. It could n't have been any one else. He was the only person
- who knew. She has given me away nicely. The devil only knows what will
- happen.&rdquo;
- </p>
- <p>
- Jimmie leant up against the table and folded his arms, and looked at
- Morland moving restlessly to and fro and giving vent to his anger.
- </p>
- <p>
- &ldquo;Who is this man you seem to be so afraid of?&rdquo; he asked quietly.
- </p>
- <p>
- Morland stopped upon the unpleasant word, then shrugged his shoulders.
- </p>
- <p>
- &ldquo;Yes, I suppose I am afraid of him. One can't reckon upon anything that he
- might or might not do. He's like a mad cat. I've seen him. So have you.&rdquo;
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;Yes&mdash;that socialist maniac you dragged me to hear one Sunday in Hyde
- Park.&rdquo;
- </p>
- <p>
- &ldquo;Whew!&rdquo; said Jimmie. He remembered the look in the orator's eyes, his
- crazy, meaningless words, his fierce refusal to enter into friendly talk;
- also Morland's impatient exclamation and abrupt departure as soon as they
- had learned the man's name.
- </p>
- <p>
- &ldquo;He's as mad as a hatter,&rdquo; he said. &ldquo;If he should take it into his head to
- come down here and make a row, there will be the deuce to pay,&rdquo; said
- Morland.
- </p>
- <p>
- Jimmie reflected for a moment. The man, with his wild talk of maidens
- lashed to the chariot-wheels of the rich, must have been tortured by the
- sense of some personal wrong.
- </p>
- <p>
- &ldquo;How does he come into the story?&rdquo; he asked. &ldquo;You had better tell me.&rdquo;
- </p>
- <p>
- &ldquo;The usual way. Oh, I wish to God I had never got into this mess! A man of
- position is an infernal fool to go rotting about after that sort of thing.
- Oh, don't you see? He had a crazy passion for her, was engaged to her&mdash;he
- was mad then. When I came along, he had to drop it, and he has been
- persecuting her ever since&mdash;divided between the desire to marry her
- in spite of everything, and to murder me. That's why I had the assumed
- name and false address. I would n't have let you in for this bother, but I
- could n't go and run the risk of being blackmailed at a confounded little
- stationer's shop up a back street. He has been trying to get on my track
- all the time&mdash;and now he's succeeded, thanks to Aline. Why the devil
- could n't she hold her tongue?&rdquo;
- </p>
- <p>
- &ldquo;Because she is an innocent child, who has never dreamed of evil,&rdquo; said
- Jimmie.
- </p>
- <p>
- Morland walked about the room, agitated, for a few moments, then halted.
- </p>
- <p>
- &ldquo;Oh, yes, I know, Jimmie. She is n't to blame. Besides, the mischief is
- done, so it's no use talking.&rdquo;
- </p>
- <p>
- &ldquo;Were you thinking of any such possibility in the summer when you asked me
- to help you?&rdquo; said Jimmie. Morland cast a quick, hopeful glance at his
- friend.
- </p>
- <p>
- &ldquo;Something of the sort. One never knows. You were the only man I could
- rely on.&rdquo;
- </p>
- <p>
- &ldquo;Does this man know you by sight?&rdquo;
- </p>
- <p>
- &ldquo;Not to my knowledge.&rdquo;
- </p>
- <p>
- &ldquo;Then what are you so afraid of? Look here, my dear old boy,&rdquo; he said
- cheerily, &ldquo;you are being frighted by false fire. If it is only a question
- of dealing with the man when he comes here&mdash;that is, supposing he
- does come&mdash;which is very unlikely, I will tackle him as the only
- person who knows anything about David Rendell. I'll tell him David Rendell
- is in Scotland or Honolulu.&rdquo;
- </p>
- <p>
- &ldquo;He is on the track of the false name,&rdquo; said Morland, uneasily. &ldquo;Aline
- mentions that.&rdquo;
- </p>
- <p>
- &ldquo;He is bound to come to me first,&rdquo; said Jimmie. &ldquo;I'll fix him. We'll get
- on capitally together. There's a freemasonry between lunatics. Leave it
- all to me.&rdquo;
- </p>
- <p>
- &ldquo;Really?&rdquo; cried Morland, in great eagerness.
- </p>
- <p>
- &ldquo;Of course,&rdquo; said Jimmie. &ldquo;Let us go upstairs.&rdquo;
- </p>
- <p>
- They passed out of the billiard-room in silence. On their way to the
- drawing-room Morland murmured in a shamefaced way his apologia. He was
- just at the beginning of his electoral campaign. It was his own county. He
- was hand in glove with the duchess, sovereign lady of these parts, and she
- never forgave a scandal. &ldquo;Besides,&rdquo; he added, &ldquo;to quote your own words, it
- would break Norma's heart.&rdquo; Also, employing the limited vocabulary of his
- class and type, he reiterated the old assurance that he had not been a
- beast. He had done all that a man could to make amends. If Jimmie had not
- loved him so loyally, he would have seen something very pitiful in these
- excuses; but convinced that Morland had atoned as far as lay in his power
- for his fault, he trembled for the happiness of only those dear to him.
- </p>
- <p>
- Norma met them on the drawing-room landing.
- </p>
- <p>
- &ldquo;I was coming down to see what had become of you,&rdquo; she said.
- </p>
- <p>
- &ldquo;I have been the culprit. I restore him to you,&rdquo; laughed Jimmie. He
- entered the room and closed the door. The betrothed pair stood for a
- moment in an embarrassed silence. She laid a hesitating hand on his
- sleeve.
- </p>
- <p>
- &ldquo;Morland&mdash;&rdquo; she said diffidently. &ldquo;I was really wanting to have a
- little talk with you. Somehow we don't often see one another.&rdquo;
- </p>
- <p>
- Morland, surprised at the softness in her voice, led her back to the
- billiard-room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0012" id="link2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XII&mdash;NORMA'S ENLIGHTENMENT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE development of
- the germ of goodness in woman may be measured by her tendency towards
- self-sacrifice. Even the most selfish of her sex, provided she has some
- rudimentary virtues, hugs close to her bosom some pet little thorn which
- she loves to dig into her shrinking flesh. She enjoys some odd little
- mortification, some fantastic humiliation, that is known only to the inner
- chamber of her soul. Your great-hearted woman practises Suttee daily,
- greatly to the consternation of an observant yet unperceptive husband.
- Doubtless this characteristic has a sexual basis, psychological perhaps
- rather than directly physiological, being an instinctive assertion of the
- fundamental principle of passivity, which in its turn is translated into
- the need to be held down and subdued. Thus, if the man does not beat her,
- she will beat herself; if he is a fool, she will often apply caustic to
- her wisdom, so that she may reverence him; if he is a knave, she will
- choke her honesty. Side by side with the assertion of this principle, and
- indeed often inextricably confused with it, is the maternal impulse, which
- by manifold divergences from its primary manifestation causes women to
- find a joy, uncomprehended by men, in pangs of suffering. The higher the
- type the stronger the impulse towards this sweet self-martyrdom.
- </p>
- <p>
- Some such theory alone explains the softer tones in Norma's voice when she
- spoke to Morland. She had passed through two periods of sharp development&mdash;the
- half-hour in Scotland and the hours she had spent since her talk with
- Jimmie that afternoon. She acted blindly, obeying an imperative voice.
- </p>
- <p>
- They sat down together on the raised divan. She was dressed in black, with
- a bunch of yellow roses at her bosom, and her neck and arms gleamed white
- in the shadow cast by the green shades over the billiard-table. Her face
- had softened. She was infinitely desirable.
- </p>
- <p>
- &ldquo;I have been thinking over our relations, Morland,&rdquo; she said. &ldquo;Perhaps I
- have been wrong.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; he asked in some alarm.
- </p>
- <p>
- &ldquo;I told you when you asked me to marry you that it would be wise to put
- sentiment aside. You agreed, against your will, and have observed the
- convention very loyally. But I have not treated you well. In putting
- sentiment aside I was, perhaps, wrong. That is what I wanted to say to
- you.&rdquo;
- </p>
- <p>
- &ldquo;Let me see that I understand you, Norma,&rdquo; said Morland. &ldquo;You wish that we
- should be more like&mdash;like ordinary lovers?&rdquo;
- </p>
- <p>
- &ldquo;We might try,&rdquo; she whispered.
- </p>
- <p>
- She waited. Heaven knows what she waited for; but it did not come. The Imp
- of Mischance again scored his point. The man's mind was filled with the
- thoughts of another woman in her agony and of a crazy avenger coming with
- murder in his heart. He took her hand mechanically and raised it to his
- lips. Her yielding to the caress told him that he could throw his arms
- around her and treat her loverwise; her words told him that he ought to do
- so.
- </p>
- <p>
- Yet he did not. For the moment he was passionless; and to men of his type
- is not given the power, possessed by men of imaginative temperament, of
- simulating passion. He forced a laugh.
- </p>
- <p>
- &ldquo;How do you think we might begin?&rdquo;
- </p>
- <p>
- She went on bravely with her self-imposed task of submission.
- </p>
- <p>
- &ldquo;I have heard that the man generally takes the initiative.&rdquo;
- </p>
- <p>
- He kissed her on the cheek. To do less would have been outrageous.
- </p>
- <p>
- &ldquo;I am glad you realise that I am in love with you, at last,&rdquo; he said.
- </p>
- <p>
- &ldquo;Are you sure that you are in love with me?&rdquo; she asked, the chill that had
- fallen upon her after the lack of response to her first whisper growing
- colder and colder.
- </p>
- <p>
- &ldquo;Of course I am.&rdquo;
- </p>
- <p>
- &ldquo;That is all I wanted to hear. Good-night,&rdquo; she said in an odd voice. She
- rose and put out her hand. Morland opened the door for her to pass and
- closed it behind her.
- </p>
- <p>
- Norma went straight to her room, feeling as though she had been tied by
- the heels to a cart-tail and dragged through the mud. Half undressed, she
- dismissed her maid summarily. Every place on her body that the girl's
- fingers touched seemed to be a bruise. She went to bed stupefied with
- herself.
- </p>
- <p>
- Meanwhile Morland rang for whisky and soda, and cursed all that
- appertained to him, knowing that he had missed an amazing opportunity.
- After the way of feeble men, he thought of a hundred things he might have
- said and done that would have brought her to his feet. Had he not been
- watching patiently, ever since his engagement, for her to put off her
- grand airs, and become a woman like the rest of them? He should have said
- the many things he had often said to others. Or, if words were difficult,
- why in the world had he not kissed her properly after the manner accepted
- by women as the infallible argument? He conjured up the exceeding
- pleasantness of such an act. He could feel the melting of her lips, the
- yielding of her bosom; gradually he worked himself into a red-hot desire.
- A sudden resolve took him upstairs. There he learned that Norma had
- retired for the night, and returning to his whisky in the billiard-room,
- he cursed himself more loudly than before. A hand thrust into the pocket
- of his dinner-jacket met the poor girl's crumpled letter. Mechanically he
- took it to the empty grate, and then cursed the fire for not being lit.
- When Mr. Hardacre came down for a final game of billiards, he found his
- future son-in-law in an irritable temper, and won an easy game. Rallied
- upon his lack of form, Morland explained that the damned election was
- getting on his nerves.
- </p>
- <p>
- &ldquo;Did n't get on them when you were shooting to-day,&rdquo; said Mr. Hardacre.
- </p>
- <p>
- &ldquo;I made believe that the birds were the beastly voters,&rdquo; replied Morland.
- </p>
- <p>
- Norma had not yet come down the next morning when he started for Cosford
- on electioneering business. Nor did he meet her, as he hoped, in the town,
- carrying on the work of canvassing which she had begun with great success.
- A dry barrister having been sent down to contest the division in the
- Liberal interest, was not making much headway in a constituency devoted to
- the duchess and other members of the tyrannical classes, and thus the task
- of Norma and her fellow-canvassers was an easy one. Today, however, she
- did not appear. Morland consoled himself with the assurance that he would
- put things right in the evening. After all, it was easy enough to kiss a
- woman who had once shown a desire to be made love to. Every man has his
- own philosophy of woman. This was Morland's.
- </p>
- <p>
- Jimmie also started upon his morning's pursuits without seeing Norma. He
- was somewhat relieved; for he had spent a restless night, dozing off only
- to dream grotesque dreams of the mad orator and waking to fight with
- beasts that gnawed his vitals. He came down unstrung, a haggard mockery of
- himself, and he was glad not to meet her clear eyes. The three-mile walk
- to Chiltern Towers refreshed him, his work on the portrait absorbed his
- faculties, and his neighbours at the ducal luncheon-table, to which the
- duchess in person had invited him, clear-witted women in the inner world
- of politics and diplomacy, kept his attention at straining point. It was
- only when he walked back to Heddon Court, although he made a manful
- attempt to whistle cheerily, that he felt heavy upon his heart the burden
- of the night. It was a languorous September afternoon, and the tired hush
- of dying summer had fallen upon the world. The smell of harvest, the sense
- of golden fulfilment of life hung on the air. Jimmie swung his stick
- impatiently, and filled his lungs with a draught of the mellow warmth.
- </p>
- <p>
- &ldquo;The old earth is good. By God, it's good!&rdquo; he cried aloud.
- </p>
- <p>
- Brave words of a resolute optimism; but they did not lighten his burden.
- </p>
- <p>
- He reached the house. Beneath an umbrella-tent on the front lawn sat
- Norma, her hands listlessly holding a closed book on her lap. Jimmie would
- have lifted his hat and passed her by, but with, a brightening face she
- summoned him. They talked awhile of commonplace things. Then, after a
- pause, she asked him, half mockingly, to account for his behaviour the day
- before. Why had he rated her in that masterful way?
- </p>
- <p>
- &ldquo;I can't bear you to speak evilly of yourself,&rdquo; he said.
- </p>
- <p>
- &ldquo;Why, since I deserve it?&rdquo;
- </p>
- <p>
- &ldquo;The <i>you</i> that you sometimes take a pleasure in assuming to be may
- deserve it. The real you does n't. And it is the real you that I know&mdash;that
- has given me friendship and is going to marry my dearest friend. The other
- you is a phantom of a hollow world in which circumstances have placed
- you.&rdquo;
- </p>
- <p>
- &ldquo;I think the phantom is happier than the reality,&rdquo; said Norma, with a
- laugh. &ldquo;'The dream is better than the drink.' The hollow world is the
- safer place, after all.&rdquo;
- </p>
- <p>
- &ldquo;Where imagination doth not corrupt and enthusiasms do not break in and
- steal,&rdquo; said Jimmie, with unusual bitterness. &ldquo;I have seen very little of
- it&mdash;but you have told me things,&rdquo; he continued lamely, &ldquo;and your
- being in it and of it seems a profanation. When you wilfully identify
- yourself with its ideals, you hurt me; and when I am hurt, I cry out.&rdquo;
- </p>
- <p>
- &ldquo;But why should you care so much about what I am and what I am not?&rdquo; she
- asked in a tone half of genuine enquiry and half of expectancy, wholly
- kind and soft..
- </p>
- <p>
- He dug the point of his stick into the turf and did not raise his eyes. He
- knew now what a fool's game of peril he was playing, and kept himself in
- check. Yet his voice trembled as he replied:
- </p>
- <p>
- &ldquo;Morland is very dear to me. You, his future wife, have grown dear to me
- also. I suppose I have lived rather a simple sort of life and take my
- emotions seriously.&rdquo;
- </p>
- <p>
- &ldquo;I hope you thank God for it,&rdquo; said Norma.
- </p>
- <p>
- The swift rattle of a carriage turning into the drive broke the talk,
- which had grown too personal to be left voluntarily. Jimmie felt
- infinitely grateful to the visitors, like a man suddenly saved from a
- threatening precipice. Leaving Norma with a bow, he fled into the house
- and selecting a book from the library, went onto the terrace. He needed
- solitude. Something of which he was unaware was happening. Circumstances
- were not the same as when he had first arrived. Then he had looked on
- Norma with brave serenity. He was happy, loving her and receiving frank
- friendship from her condescending hands. Now it was growing to be a pain
- to watch her face, a dread to hear her voice. Sweet intercourse had become
- a danger. And a few days had brought about the change. Why? Of the riot in
- the woman's nature he knew nothing. In his blank ignorance, seeking the
- cause within himself, he asked, Why?
- </p>
- <p>
- He crossed the tennis lawn, went through the little opening at the end of
- the hedge, and down to the seclusion of the croquet ground. Half-way along
- the sloping bank beneath the upper terrace some one had left a rug. He
- threw himself upon it, and tried like many another poor fool to reason
- down his hunger. But all the sensitive nerves with which the imaginative
- man, for his curse or his blessing, is endowed, were vibrating from head
- to foot. Her words sang in his ears: &ldquo;Why should you care so much about
- what I am and what I am not?&rdquo; The real answer burst passionately from his
- heart.
- </p>
- <p>
- He had lain there for about half an hour when a gay little laugh aroused
- him.
- </p>
- <p>
- &ldquo;You idyllic creature!&rdquo;
- </p>
- <p>
- It was Connie Deering, bewitchingly apparelled, a dainty, smiling pale
- yellow butterfly, holding as usual an absurd parasol over her head.
- </p>
- <p>
- &ldquo;I have been looking for you all over the place,&rdquo; she remarked. &ldquo;They told
- me you were somewhere about the grounds. May I sit down?&rdquo;
- </p>
- <p>
- He made room for her on the rug, and taking the parasol from her hand,
- closed it. She settled herself gracefully by his side.
- </p>
- <p>
- &ldquo;I repeat I have been looking for you,&rdquo; she said.
- </p>
- <p>
-&ldquo;The overpowering sense
- of honour done me has deprived me of speech,&rdquo; replied Jimmie, with an
- attempted return to his light-hearted manner.
- </p>
- <p>
- &ldquo;Norma is entertaining those dreadful Spencer-Temples,&rdquo; said Mrs. Deering,
- irrelevantly.
- </p>
- <p>
- &ldquo;I must have had a premonition of their terrors, for I fled from before
- their path,&rdquo; he said. &ldquo;After all, poor people, what have they done to be
- called names?&rdquo; he added.
- </p>
- <p>
- &ldquo;They are ugly.&rdquo;
- </p>
- <p>
- &ldquo;So am I, yet people don't run away from me.&rdquo;
- </p>
- <p>
- &ldquo;I saw you run away from them,&rdquo; she said with a significant nod. &ldquo;I was at
- my bedroom window. They spoiled a most interesting little conversation.&rdquo;
- </p>
- <p>
- Jimmie was startled. He looked at her keenly, but only met laughing eyes.
- </p>
- <p>
- &ldquo;They interrupted me certainly. But I could n't have inflicted my society
- on Miss Hardacre all the afternoon.&rdquo;
- </p>
- <p>
- &ldquo;You would have liked to, wouldn't you? Jimmie dear,&rdquo; she said with a
- change of tone, &ldquo;I want to have a talk with you. I'm the oldest woman
- friend you have&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And by far the sweetest and kindest and prettiest and fascinatingest.&rdquo;
- </p>
- <p>
- She tapped his hand with her fingers. &ldquo;Ssh! I'm serious, awfully serious.
- I've never been so serious in my life before. I've got a duty. I don't
- often have it, but when I do, it's a terrible matter.&rdquo;
- </p>
- <p>
- &ldquo;You had better go and have it extracted at once, Connie,&rdquo; he laughed,
- determined to keep the talk in a frivolous channel. But the little lady
- was determined also.
- </p>
- <p>
- &ldquo;Jimmie dear,&rdquo; she said, holding up her forefinger, &ldquo;I am afraid you are
- running into danger. I want to warn you. An old friend can do that, can't
- she?&rdquo;
- </p>
- <p>
- &ldquo;You can say anything you like to me, Connie. But I don't know what you
- mean.&rdquo;
- </p>
- <p>
- He suspected her meaning, however, only too shrewdly, and his heart beat
- with apprehension. Had he been fool enough to betray his secret?
- </p>
- <p>
- &ldquo;Are n't you getting just a little too fond of Norma, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;I could n't get too fond of her,&rdquo; he said, &ldquo;seeing that she is to be
- Morland's wife.&rdquo;
- </p>
- <p>
- &ldquo;That's just why you must n't. Come, Jimmie, have n't you fallen a bit in
- love with her?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said with some heat. &ldquo;Certainly not. How dare I?&rdquo;
- </p>
- <p>
- Kindness and teasing were in her eyes.
- </p>
- <p>
- &ldquo;My poor dear husband used to say I had the brain of a bird, but I may
- have the sharp eyes of a bird as well. Come&mdash;not just one little bit
- in love?&rdquo;
- </p>
- <p>
- She had sought him with the best intentions in the world. She had long
- suspected; yesterday and to-day had given her certainty. She would put him
- on his guard, talk to him like an elder sister, pour forth upon him her
- vast wisdom in affairs of the heart, and finally persuade him-from his
- folly to more sensible courses.
- </p>
- <p>
- &ldquo;He sha'n't come to grief over Norma if I can prevent it,&rdquo; she had said to
- herself.
- </p>
- <p>
- And now, in spite of her altruistic resolve, she could not resist the
- pleasure of teasing him. She had done so all her life. Her method became
- less elder-sisterly than she had intended. But she was miles from
- realising that she touched bare nerves, and that the man was less a man
- than a living pain.
- </p>
- <p>
- &ldquo;I tell you I'm not in love with her, Connie,&rdquo; he said. &ldquo;How could I dream
- of loving her? It would be damnable folly.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Jimmie, Jimmie,&rdquo; she said, enjoying his confusion, &ldquo;what a miserably
- poor liar you make&mdash;and what a precious time you would have in the
- witness-box if you were a co-respondent! You can't deceive for nuts. You
- had better confess and have done with it.&rdquo; Then seeing something of the
- anguish on his face, she bethought her of the serious aspect of her
- mission. &ldquo;I could not bear you to break your heart over Norma, dear,&rdquo; she
- said quite softly.
- </p>
- <p>
- &ldquo;Don't madden me, Connie&mdash;you don't know what you are saying,&rdquo; he
- muttered below his breath.
- </p>
- <p>
- Connie Deering had never heard a man speak in agony of spirit. Her lot had
- fallen among pleasant places, where life was a smooth, shaven lawn and
- emotions not more violent than the ripples on a piece of ornamental water.
- His tone gave her a sudden fright.
- </p>
- <p>
- &ldquo;You do love her, then?&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, drawing himself up in a tight, awkward heap on the
- slope. &ldquo;My God, yes, I do love her. I love her with every fibre of brain
- and body.&rdquo;
- </p>
- <p>
- The words were out. More came. He could not restrain them. He gave up the
- attempt, surrendered himself to the drunkenness of his passion, poured out
- a torrent of riotous speech. What he said he knew not. Such divine madness
- comes to a man but few times in a life. The sweet-hearted, frivolous
- woman, sitting there in the trim little paradise of green, with its velvet
- turf and trim slopes, and tall mask of trees, all mellow in the shade of
- the soft September afternoon, listened to him with wondering eyes and pale
- cheeks. It was no longer Jimmie of the homely face that was talking; he
- was transfigured. His very voice had changed its quality.... Did he love
- her? The word was inept in its inadequacy. He worshipped her like a
- Madonna. He adored her like a queen. He loved her as the man of hot blood
- loves a woman. Soul and heart and body clamoured for her. Compared with
- hers, every other woman's beauty was a glow-worm unto lightning. Her voice
- haunted him like music heard in sleep. Her presence left a fragrance
- behind that clouded his senses like incense. Her beauty twined itself into
- every tendril of every woman's hair he painted, stole into the depths of
- every woman's eyes. It was a divine obsession.
- </p>
- <p>
- &ldquo;You must fight against it,&rdquo; Connie whispered tonelessly.
- </p>
- <p>
- &ldquo;Why should I? Who is harmed? Norma? Who will tell her? Not I. If I choose
- to fill my life with her splendour, what is that to any one? The desire of
- the moth for the star! Who heeds the moth?&rdquo;
- </p>
- <p>
- He went on reckless of speech until his passion had spent itself. Then he
- could only repeat in a broken way:
- </p>
- <p>
- &ldquo;Love her? Heaven knows I love her. My soul is a footstool for her to rest
- her feet upon.&rdquo;
- </p>
- <p>
- Connie Deering laid her hand on his.
- </p>
- <p>
- &ldquo;I'm sorry. Oh, I'm sorry, Jimmie. God bless you, dear.&rdquo;
- </p>
- <p>
- He raised the hand to his lips. Neither spoke. He plucked at the grass by
- his side; at length he looked up.
- </p>
- <p>
- &ldquo;You won't give me away, will you?&rdquo; he said with a smile, using her
- dialect.
- </p>
- <p>
- She went on her knees and clasped both his wrists. She said the first
- thing that came, as something sacred, into her head.
- </p>
- <p>
- &ldquo;I could no more speak of this to any one than of some of my dead
- husband's kisses.&rdquo;
- </p>
- <p>
- &ldquo;I know you are a good true woman, Connie,&rdquo; he said.
- </p>
- <p>
- In the silence that followed, Norma, who had come to summon Connie to tea
- (the Spencer-Temples having called on their drive past the gates merely to
- deliver a message), and hearing the voice behind the hedge had been
- compelled against her will to listen&mdash;Norma, deadly white, shaken to
- the roots of her being, crept across the tennis lawn and fled in swaying
- darkness to her room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0013" id="link2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIII&mdash;THE OPTIMIST AT LARGE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>ONNIE DEERING
- walked back to the house with a silent and still tremulous Jimmie. She had
- slid her hand through his arm, and now and then gave it an affectionate
- pat. Within the limitations of her light, gay nature she was a sympathetic
- and loyal woman, and she had loved Jimmie for many years with the
- unquestioning fondness that one has for a beloved and satisfying domestic
- animal. She had recovered from the fright his frantic demonstration had
- caused her, and her easy temperament had shaken off the little chill of
- solemnity that had accompanied her vow of secrecy. But she pitied him with
- all her kind heart, and in herself felt agreeably sentimental.
- </p>
- <p>
- They strolled slowly into the hall, and paused for a moment before
- parting.
- </p>
- <p>
- &ldquo;When you come to think of it seriously, you won't consider I have made
- too impossible a fool of myself?&rdquo; he asked with an apologetic smile.
- </p>
- <p>
- &ldquo;I promise,&rdquo; she said affectionately. Then she laughed. Not only was
- Jimmie's smile contagious, but Connie Deering could not face the pleasant
- world for more than an hour without laughter.
- </p>
- <p>
- &ldquo;I have always said you were a dear, Jimmie, and you are. I almost wish I
- could kiss you.&rdquo;
- </p>
- <p>
- Jimmie looked around. They were quite unperceived.
- </p>
- <p>
- &ldquo;I do quite,&rdquo; he said, and kissed her on the cheek.
- </p>
- <p>
- &ldquo;Now we are really brother and sister,&rdquo; she said with a flush. &ldquo;You are
- not going to be too unhappy, are you?&rdquo;
- </p>
- <p>
- &ldquo;I? Oh no, not I,&rdquo; he replied heartily. He repeated this asseveration to
- himself while dressing for dinner. Why indeed should he be unhappy? Had he
- not looked a few hours before at God's earth and found that it was good?
- Besides, to add to the common stock of the world's unhappiness were a
- crime. &ldquo;Yes, a crime,&rdquo; he said aloud, with a vigorous pull at his white
- tie. Then he perceived that it was hopelessly mangled, and wished for
- Aline, who usually conducted that part of the ceremony of his toilette.
- </p>
- <p>
- &ldquo;It will have to do,&rdquo; he said cheerfully, as he turned away from the
- glass.
- </p>
- <p>
- Yet, for all his philosophising, he was surprised at the relief that his
- wild confession to Connie had afforded him. The burden that had seemed too
- heavy for him to bear had now grown magically light. He attributed the
- phenomenon to Connie Deering, to the witchery of her sweet sympathy and
- the comfort of her sisterly kiss. By the time he had finished dressing the
- acute pain of the past two days had vanished, and as he went down the
- stairs he accounted himself a happy man. In the drawing-room he met Norma,
- and chatted to her almost light-heartedly. He did not notice the
- constraint in her manner, her avoidance of his glance, the little pucker
- of troubled brows; nor was he aware of her sigh of relief when the door
- opened and the servant announced Mr. Theodore Weever, who with one or two
- other people were dining at the house. Mr. and Mrs. Hardacre followed on
- the American's heels, and soon the rest of the party had assembled. Jimmie
- had no opportunity for further talk with Norma, who studiously kept apart
- from him all the evening, and during dinner devoted herself to subacid
- conversation with Morland and to a reckless interchange of cynical banter
- with Weever. Jimmie, talking with picturesque fancy about his student days
- in the Rue Bonaparte to his neighbour, a frank fox-hunting and
- sport-loving young woman, never dreamed of the chaos of thoughts and
- feelings that whirled behind the proud face on the opposite side of the
- table; and Norma, when her mind now and then worked lucidly, wondered at
- the strength and sweetness of the man who could subdue such passion and
- laugh with a gaiety so honest and sincere. For herself, Theodore Weever,
- with his icy humour that crystallised her own irony into almost deadly
- wit, was her sole salvation during the interminable meal. Once Morland,
- listening with admiration, whispered in her ear:
- </p>
- <p>
- &ldquo;I've never heard you in such good form.&rdquo;
- </p>
- <p>
- She had to choke down an hysterical impulse of laughter and swallow a
- mouthful of champagne. Later, when the women guests had gone, she slipped
- up to her room without saying good-night to Morland, and, dismissing her
- maid, as she had done the night before, sat for a long time, holding her
- head in her hands, vainly seeking to rid it of words that seemed to have
- eaten into her brain. And when she thought of Morland, of last night, of
- her humiliation, she flushed hot from hair to feet. She was only
- five-and-twenty, and the world had not as yet completed its work of
- hardening. It was a treacherous and deceitful world; she had prided
- herself on being a finished product of petrifaction, and here she lay,
- scorched and bewildered, like any soft and foolish girl who had been
- suddenly brought too near the flame of life. Keenly she felt the
- piteousness of her defeat. In what it exactly consisted she did not know.
- She was only conscious of broken pride, the shattering of the little
- hard-faced gods in her temple, the tearing up of the rails upon which she
- had reckoned to travel to her journey's end. Hers was a confused soul
- state, devoid of immediate purpose. A breach of her engagement with
- Morland did not occur to her mind, and Jimmie was merely an impersonal
- utterer of volcanic words. She slept but little. In the morning she found
- habit by her bedside; she clothed herself therein and faced the day.
- </p>
- <p>
- Much was expected of her. The great garden-party was to take place that
- afternoon. Her Serene Highness the Princess of Herren-Rothbeck had
- signified that she would do Mr. and Mrs. Hardacre the honour of being
- present. Her Grace the Duchess of Wiltshire would accompany the princess.
- The <i>ban</i> and <i>arriere-ban</i> of the county had been invited, and
- the place would be filled with fair women agog to bask in the smiles of
- royalty, and ill-tempered men dragged away from their partridges by
- ambitious wives. A firm of London caterers had contracted for the
- refreshments. A military band would play on the terrace. A clever French
- showman whom Providence had sent to cheer the dying hours of the London
- season, and had kept during the dead months at a variety theatre, was
- coming down with an authentic Guignol. He had promised the choicest pieces
- in his repertoire&mdash;<i>la vraie grivoiserie française</i>&mdash;and
- men who had got wind of the proposed entertainment winked at one another
- wickedly. The garden-party was to be an affair of splendour worthy of the
- royal lady who had deigned to shed her serenity upon the county families
- assembled; and Mr. Hardacre had raised a special sum of money to meet the
- expenses.
- </p>
- <p>
- &ldquo;I shall have to go to the Jews, my dear,&rdquo; he had said to his wife when
- they were first discussing ways and means.
- </p>
- <p>
- &ldquo;Oh, go to the&mdash;Jews then,&rdquo; said Mrs. Hardacre, almost betrayed, in
- her irritation, into an unwifely retort. &ldquo;What does it matter, what does
- any sacrifice matter, when once we have royalty at the house? You are such
- a fool, Benjamin.&rdquo;
- </p>
- <p>
- He had a singular faculty for arousing the waspishness of his wife; yet,
- save on rare occasions, he was the meekest of men in her presence.
- </p>
- <p>
- &ldquo;Well, you know best, Eliza,&rdquo; he said.
- </p>
- <p>
- &ldquo;I have n't been married to you for six-and-twenty years without being
- perfectly certain of that,&rdquo; she replied tartly.
- </p>
- <p>
- So Mr. Hardacre went to the Jews, and the princess promised to come to
- Mrs. Hardacre.
- </p>
- <p>
- Norma was not the only one that morning who was aroused to a sense of
- responsibility. The footman entering Jimmie's bedroom brought with him a
- flat cardboard box neatly addressed in Aline's handwriting. The box
- contained a new shirt, two new collars, a new silk tie, and a pair of grey
- suède gloves; also a letter from Aline instructing him as to the use of
- these various articles of attire.
- </p>
- <p>
- &ldquo;Be sure to wear your frock-coat,&rdquo; wrote the director of Jimmie's conduct.
- &ldquo;I wish you had one less than six years old; but I went over it with
- benzine and ammonia before I packed it up, so perhaps it won't be so bad.
- And wear your patent-leather evening shoes. They'll look quite smart if
- you'll tie the laces up tight, and stick the ends in between the shoe and
- the sock. Oh, I wish I could come and turn you out decently! and <i>please</i>,
- Jimmie dear, don't cut yourself shaving and go about all day with a
- ridiculous bit of cotton wool on your dear chin. Tony says you need n't
- wear the frock-coat, but I know better. What acquaintance has he with
- princesses and duchesses? And that reminds me to tell you that Tony&mdash;&rdquo;
- <i>et caetera, et caetera,</i> in a manner that brought the kindest smile
- in the world into Jimmie's eyes.
- </p>
- <p>
- He dressed with scrupulous regard to directions, but not in the
- frock-coat. He had a morning sitting with the princess at Chiltern Towers
- to get through before airing himself in the splendour of benzine and
- ammonia. He put on his old tweed jacket and went downstairs. Morland was
- the only person as yet in the breakfast-room. He held a morning paper
- tight in his hand, and stared through the window, his back to the door. On
- Jimmie's entrance he started round, and Jimmie saw by a harassed face that
- something had happened.
- </p>
- <p>
- &ldquo;My dear fellow&mdash;&rdquo; he began in alarm.
- </p>
- <p>
- Morland smoothed out the paper with nervous fingers, and threw it somewhat
- ostentatiously on a chair. Then he walked to the table and poured himself
- out some tea. The handle of the silver teapot slid in his grasp, and
- awkwardly trying to save the pouring flood of liquid, he dropped the
- teapot among the cups and saucers. It was a disaster, but one that could
- have been adequately greeted by a simpler series of expletives. He cursed
- vehemently.
- </p>
- <p>
- &ldquo;What's the matter, man?&rdquo; asked Jimmie.
- </p>
- <p>
- Morland turned violently upon him.
- </p>
- <p>
- &ldquo;The very devil's the matter. There never was such a mess since the world
- began. What an infernal fool I have been! You do well to steer clear of
- women.&rdquo;
- </p>
- <p>
- &ldquo;Tell me what's wrong and I may be able to help you.&rdquo;
- </p>
- <p>
- Morland looked at him for a moment in gloomy doubt. Then he shook his
- head.
- </p>
- <p>
- &ldquo;You can't help me. I thought you could, but you can't. It's a matter for
- a lawyer. I must run up to town.&rdquo;
- </p>
- <p>
- &ldquo;And cut the garden-party?&rdquo;
- </p>
- <p>
- &ldquo;That's where I'm tied,&rdquo; exclaimed Morland, impatiently. &ldquo;I ought to start
- now, but if I cut the garden-party the duchess would never forgive me&mdash;and
- by Jove, I may need the duchess more than ever&mdash;and I've got a
- meeting to attend in Cosford this morning to which a lot of people are
- coming from a distance.&rdquo;
- </p>
- <p>
- &ldquo;Can't I interview the lawyer for you?&rdquo;
- </p>
- <p>
- &ldquo;No. I must do it myself.&rdquo;
- </p>
- <p>
- The butler entered and looked with grave displeasure at the wreckage on
- the tea-tray. While he was repairing the disaster, Morland went back to
- the window and Jimmie stood by his side.
- </p>
- <p>
- &ldquo;If you fight it through squarely, it will all come right in the end.&rdquo;
- </p>
- <p>
- &ldquo;You don't mind my not telling you about it?&rdquo; said Morland, in a low
- voice.
- </p>
- <p>
- &ldquo;Why should I? In everything there is a time for silence and a time for
- speech.&rdquo;
- </p>
- <p>
- &ldquo;You're right,&rdquo; said Morland, thrusting his hands into his trousers'
- pockets; &ldquo;but how I am to get through this accursed day in silence I don't
- know.&rdquo;
- </p>
- <p>
- They sat down to breakfast. Morland rejected the offer of tea, and called
- for a whisky and soda which he nearly drained at a gulp. Mr. Hardacre came
- in, and eyed the long glass indulgently.
- </p>
- <p>
- &ldquo;Bucking yourself up, eh? Why did n't you ask for a pint of champagne?&rdquo;
- </p>
- <p>
- He opened the newspaper and ran through the pages. Morland watched him
- with swift nervous glances, and uttered a little gasp of relief when he
- threw it aside and attacked his grilled kidneys. His own meal was soon
- over. Explaining that he had papers to work at in the library, he hurried
- out of the room.
- </p>
- <p>
- &ldquo;Can't understand a man being so keen on these confounded politics,&rdquo; his
- host remarked to Jimmie across the table. A polite commonplace was all
- that could be expected in reply. Politics were engrossing.
- </p>
- <p>
- &ldquo;That's the worst of it,&rdquo; said Mr. Hardacre. &ldquo;In the good old days a man
- could take his politics like a gentleman; now he has got to go at them
- like a damned blaspheming agitator on a tub.&rdquo;
- </p>
- <p>
- &ldquo;Cosford was once a pretty little pocket borough, wasn't it?&rdquo; said Jimmie.
- &ldquo;Now Trade's unfeeling train usurp the privileges of His Grace of
- Wiltshire and threaten to dispossess his nominee. Instead of one simple
- shepherd recording his pastoral vote we have an educated electorate daring
- to exercise their discretion.&rdquo;
- </p>
- <p>
- Mr. Hardacre looked at Jimmie askance; he always regarded an allusive
- style with suspicion, as if it necessarily harboured revolutionary
- theories.
- </p>
- <p>
- &ldquo;I hope you're not one of those&mdash;&rdquo; He checked himself as he was going
- to say &ldquo;low radical fellows.&rdquo; Politeness forbade. &ldquo;I hope you are not a
- radical, Mr. Padgate?&rdquo;
- </p>
- <p>
- &ldquo;I am sure I don't quite know,&rdquo; replied Jimmie, cheerfully.
- </p>
- <p>
- &ldquo;Humph!&rdquo; said Mr. Hardacre, &ldquo;I believe you are.&rdquo;
- </p>
- <p>
- Jimmie laughed; but Mr. Hardacre felt that he held the key to the
- eccentric talk of his guest. Jimmie Padgate was a radical; a fearful
- wildfowl of unutterable proclivities, to whom all things dreadful were
- possible.
- </p>
- <p>
- &ldquo;I,&rdquo; he continued, &ldquo;am proud to be a Tory of the old school.&rdquo;
- </p>
- <p>
- The entrance of the ladies put a stop to the distressful conversation.
- </p>
- <p>
- Jimmie, whose life during the past few days had been a curious compound of
- sunshine and shadow, went about his morning's work with only Morland's
- troubles weighing upon him. Of their specific nature he had no notion; he
- knew they had to do with the unhappy love affair; but as Morland was going
- to put matters into the hands of his lawyers, a satisfactory solution was
- bound to be discovered. Like all simple-minded men, he had illimitable
- faith in the powers of solicitors and physicians; it was their business to
- get people out of difficulties, and if they were capable men they did
- their business. Deriving much comfort from this fallacy, he thought as
- little as might be about the matter. In fact he quite enjoyed his morning.
- He sat before his easel at the end of a high historic gallery, the bright
- morning light that streamed in through the windows tempered by judiciously
- arranged white blinds; and down the vista were great paintings, and rare
- onyx tables, and priceless chairs and statuary, all harmonising with the
- stately windows and painted ceiling and polished floor. In front of him,
- posed in befitting attitude, sat the royal lady, with her most urbane
- expression upon her features, and, that which pleased him most, the
- picture was just emerging from the blurred mass of paint, an excellent
- though somewhat idealised portrait. So he worked unfalteringly with the
- artist's joy in the consciousness of successful efforts, and his
- good-humour infected even his harsh sitter, who now and then showed a
- wintry gleam of gaiety, and uttered a guttural word of approbation.
- </p>
- <p>
- &ldquo;You shall come to Herren-Rothbeck and baint the bortrait of the brince my
- brother,&rdquo; she said graciously. &ldquo;Would that blease you?&rdquo;
- </p>
- <p>
- &ldquo;I should just think it would,&rdquo; said Jimmie.
- </p>
- <p>
- The princess laughed&mdash;a creaking, rusty laugh, but thoroughly well
- intentioned. Jimmie glanced at her enquiringly.
- </p>
- <p>
- &ldquo;I like you,&rdquo; she responded. &ldquo;You are so natural&mdash;what you English
- call refreshing. A German would have made a ceremonious speech as long as
- your mahl-stick.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid I must learn ceremony before I come to court, Madam,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;If you do, you will have forgotten how to baint bor-traits,&rdquo; said the
- princess.
- </p>
- <p>
- Thus, under the sun of princely favour, was Jimmie proceeding on the
- highroad to fortune. Never had the future seemed so bright. His bombastic
- jest about being appointed painter in ordinary to the crowned heads of
- Europe was actually going to turn out a reality. He lost himself in
- daydreams of inexhaustible coffers from which he could toss gold in
- lapfuls to Aline. She should indeed walk in silk attire, and set up
- housekeeping with Tony in a mansion in Park Lane.
- </p>
- <p>
- On the front lawn at Heddon Court he met Connie and waved his hat in the
- air. She went to him, and, peering into his smiling face, laid her hand
- on his sleeve.
- </p>
- <p>
- &ldquo;Whatever has happened? Have you two stepped into each other's shoes?&rdquo;
- </p>
- <p>
- &ldquo;What on earth do you mean?
- </p>
- <p>
- &ldquo;You know&mdash;Norma.&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;Well, it seemed natural. Here are you as happy as an emperor; and there
- is Morland come back from Cosford with the look of a hunted criminal.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0014" id="link2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIV&mdash;THE BUBBLE REPUTATION
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE princess had
- the affability to inform Mrs. Hardacre that it was a &ldquo;charming barty,&rdquo; and
- Mrs. Hardacre felt that she had not lived in vain.
- </p>
- <p>
- Henceforth she would be of the innermost circle of the elect of the
- county. Exclusive front doors would open respectfully to her. She would be
- consulted on matters appertaining to social polity. She would be a
- personage. She would also make her neighbour, Lady FitzHubert, sick with
- envy. A malignant greenness on that lady's face she noted with a thrill of
- pure happiness, and she smilingly frustrated all her manoeuvres to get
- presented to Her Serene Highness. She presented her rival, instead, to
- Jimmie.
- </p>
- <p>
- &ldquo;My dear Lady FitzHubert, let me introduce Mr. Padgate, who is painting
- the dear princess's portrait. Mr. Padgate is staying with us.&rdquo;
- </p>
- <p>
- Whereby Mrs. Hardacre conveyed the impression that Heddon Court and
- Chiltern Towers contained just one family party, the members of which ran
- in and out of either house indiscriminately. It may be mentioned that
- Jimmie did not get on particularly well with Lady FitzHubert. He even
- confided afterwards to Connie Deering his suspicion that now and again
- members of the aristocracy were lacking in true urbanity.
- </p>
- <p>
- By declaring the garden-party to be charming the princess only did justice
- to the combined efforts of the Hardacres and Providence. The warm golden
- weather and the chance of meeting august personages had brought guests
- from far and near. The lawns were bright with colour and resonant with
- talk. A red-coated band played on the terrace. Between the items of music,
- Guignol, housed in the Greek temple, with the portico for a proscenium,
- performed his rogueries to the delight of hastily assembling audiences.
- Immediately below, a long white-covered table gleamed with silver tea-urns
- and china, and all the paraphernalia of refreshments. At the other end of
- the lawn sat the august personages surrounded by the elect.
- </p>
- <p>
- Among these was Morland. But for him neither blue September skies nor
- amiable duchesses had any charm. To the man of easy living had come the
- sudden shock of tragedy, and the music and the teacups and the flatteries
- seemed parts of a ghastly farce. The paragraph he had read in the paper
- that morning obsessed him. The hours had seemed one long shudder against
- which he vainly braced his nerves. He had loved the poor girl in his
- facile way. The news in itself was enough to bring him face to face with
- elementals. But there was another terror added. The chance word of a
- laughing woman had put him on the rack of anxiety. Getting out of the
- train at Cosford, she had seen the queerest figure of a man step on to the
- platform, with the face of Peter the Hermit and the costume of Mr.
- Stiggins. Morland's first impulse had been to retreat precipitately from
- Cosford, and take the next train to London, whither he ought to have gone
- that morning. The tradition-bred Englishman's distaste for craven flight
- kept him irresolutely hanging round the duchess. He thought of whispering
- a private word to Jimmie; but Jimmie was far away, being introduced here
- and there, apparently enjoying considerable popularity. Besides, the
- whisper would involve the tale of the newspaper paragraph, and Morland
- shrank from confiding such news to Jimmie. No one on earth must know it
- save his legal adviser, an impersonal instrument of protection. He did
- what he had done once during five horrible weeks at Oxford, when an
- Abingdon barmaid threatened him with a breach of promise action. He did
- nothing and trusted to luck. Happy chance brought to light the fact that
- she was already married. Happy chance might save him again.
- </p>
- <p>
- Beyond the mere commonplaces of civility he had exchanged no words that
- day with Norma. Moved by an irritating feeling of shame coupled with a
- certain repugnance of the flesh, he had deliberately avoided her; and his
- preoccupation had not allowed him to perceive that the avoidance was
- reciprocated. When they happened to meet in their movements among the
- guests, they smiled at each other mechanically and went their respective
- ways. Once, during the afternoon, Mr. Hardacre, red and fussy, took him
- aside.
- </p>
- <p>
- &ldquo;I have just heard a couple of infernal old cats talking of Norma and that
- fellow Weever. There they are together now. Will you give Norma a hint, or
- shall I?&rdquo;
- </p>
- <p>
- Morland looked up and saw the pair on the terrace, midway between the band
- and the Guignol audience.
- </p>
- <p>
- &ldquo;I'm glad she has got somebody to amuse her,&rdquo; he said, turning away. He
- was almost grateful to Weever for taking Norma off his hands.
- </p>
- <p>
- Meanwhile Jimmie was continuing to find life full of agreeable surprises.
- Lady FitzHubert was not the only lady to whom he was presented as the Mr.
- Padgate who was painting the princess's portrait. Mrs. Hardacre waived the
- personal grudge, and flourished him tactfully in the face of the county;
- and the county accepted him with unquestioning ingenuousness. He was
- pointed out as a notability, became the well-known portrait-painter, the
- celebrated artist, <i>the</i> James Padgate, and thus achieved the bubble
- reputation. A guest who was surreptitiously reporting the garden-party for
- the local paper took eager notes of the personal appearance of the eminent
- man, and being a woman of the world, professed familiarity with his works.
- For the first time in his life he found himself a person of importance.
- The fact of his easy inclusion in the charmed circle cast a glamour over
- the crudities of the gala costume designed and furbished up with so much
- anxious thought by Aline, and people (who are kindly as a rule when their
- attention is diverted from the trivial) looked only at his face and were
- attracted to the man himself. Only Lady FitzHubert, who had private
- reasons for frigidity, treated him in an unbecoming manner. Other fair
- ladies smiled sweetly upon him, and spread abroad tales of his niceness,
- and thus helped in the launching of him as a fashionable portrait-painter
- upon the gay world.
- </p>
- <p>
- He had a brief interlude of talk with Norma by the refreshment-table.
- </p>
- <p>
- &ldquo;I hope you are not being too much bored by all this,&rdquo; she said in her
- society manner.
- </p>
- <p>
- &ldquo;Bored!&rdquo; he cried. &ldquo;It's delightful.&rdquo;
- </p>
- <p>
- &ldquo;What about the hollow world where imagination doth not corrupt and
- enthusiasms do not break in and steal?&rdquo;
- </p>
- <p>
- &ldquo;It's a phantom dust-heap for inept epigrams. I don't believe it exists.&rdquo;
- </p>
- <p>
- &ldquo;You mustn't preach a gospel one day and give it the lie the next,&rdquo; she
- said, half seriously; &ldquo;for then I won't know what to believe. You don't
- seem to realise your responsibilities.&rdquo;
- </p>
- <p>
- He echoed the last word in some surprise. Norma broke into a little
- nervous laugh.
- </p>
- <p>
- &ldquo;You don't suppose you can go about without affecting your
- fellow-creatures? It is well that you don't know what a disturbing element
- you are.&rdquo;
- </p>
- <p>
- She turned her head away and closed her eyes for a second or two, for the
- words she had overheard there by the hedge, last evening, rang in her
- ears. Perhaps it had been well for Jimmie if he had known. Before he had
- time to reply, she recovered herself, and added quickly:
- </p>
- <p>
- &ldquo;I am glad you are enjoying yourself.&rdquo;
- </p>
- <p>
- &ldquo;How can I help it when every one is so kind to me?&rdquo; he said brightly. &ldquo;I
- came down here an obscure painter, a veritable <i>pictor ignotus</i>, and
- all your friends are as charming to me as if I were the President of the
- Royal Academy.&rdquo;
-</p>
- <p>
-Connie Deering came up with a message for Norma and
- carried her off to the house.
- </p>
- <p>
- &ldquo;How does Jimmie like being lionised?&rdquo; she asked on the way.
- </p>
- <p>
- Norma repeated his last speech.
- </p>
- <p>
- &ldquo;He has n't any idea of the people's motives.&rdquo; She added somewhat
- hysterically:
- </p>
- <p>
- &ldquo;The man is half fool, half angel&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And altogether a <i>man</i>. Don't you make any mistake about that,&rdquo; said
- Connie, with a pretty air of finality. &ldquo;You don't know as much about him
- as I do.&rdquo;
- </p>
- <p>
- &ldquo;I'm not so sure about that,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I am,&rdquo; said Connie.
- </p>
- <p>
- Jimmie was wandering away from the refreshment-table when Theodore Weever
- stopped him.
- </p>
- <p>
- &ldquo;That's a famous portrait of yours, Mr. Padgate. I saw it to-day after
- lunch. I offer you my congratulations.&rdquo;
- </p>
- <p>
- Jimmie thanked him, said modestly that he hoped it was a good likeness.
- </p>
- <p>
- &ldquo;Too good by a long chalk,&rdquo; laughed the American. &ldquo;Her Serene Skinflint
- does n't deserve it. I bet you she beat you down like a market-woman
- haggling for fish.&rdquo;
- </p>
- <p>
- Jimmie stuck his hands on his hips and laughed.
- </p>
- <p>
- &ldquo;You don't deny it. You should n't have let her. She is rolling in money.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid one does n't bother much with the commercial side of things,&rdquo;
- said Jimmie.
- </p>
- <p>
- &ldquo;That's where you make the mistake. Money is money, and it is better in
- one's own pockets than in anybody else's. But that's not what I wanted to
- speak to you about. I wonder if you would let me have the pleasure of
- calling at your studio some day? I'm collecting a few pictures, and I
- should regard it as a privilege to be allowed to look round yours.&rdquo;
- </p>
- <p>
- Jimmie, having no visiting cards, scribbled his address on the back of an
- envelope. He would be delighted to see Mr. Weever any time he was passing
- through London. Weever bowed, and turned to greet a passing acquaintance,
- leaving a happy artist. A miracle had happened; the star of his fortunes
- had arisen. A week ago it was below the horizon, shedding a faint, hopeful
- glimmer in the sky. Now it shone bright overhead. The days of struggle and
- disappointment were over. He had come into his kingdom of recognition. All
- had happened to-day: the princess's promise of another and more
- illustrious royal portrait; the sudden leap into fame; the patronage of
- the American financier. One has to be the poor artist, with his youth&mdash;one record of desperate endeavour&mdash;behind him, to know what these
- things mean. The delicate flattery of strange women, however commonplace
- or contemptible it may be to the successful, was a new, rare thing to
- Jimmie and appeased an unknown hunger. The prospect of good work done and
- delivered to the world, without sordid, heart-breaking bargainings,
- shimmered before him like a paradise. Old habit made him long for Aline.
- How pleased the child would be when she heard the glad news! He saw the
- joy on her bright face and heard her clap her hands together, and he
- smiled. He would return to her a conqueror, having won the prizes she had
- so often wept for&mdash;name and fame and fortune. The band was playing
- the &ldquo;Wedding March&rdquo; from &ldquo;Lohengrin.&rdquo; By chance, as he was no musician, he
- recognised it.
- </p>
- <p>
- &ldquo;Aline shall have a wedding dress from Paris,&rdquo; he said half aloud, and he
- smiled again. The world had never been so beautiful.
- </p>
- <p>
- He embraced all of it that was visible in a happy, sweeping glance. Then
- with the swiftness of lightning the smile on his face changed into
- consternation.
- </p>
- <p>
- For a moment he stood stock still, staring at the sudden figure of a man.
- It was Stone, the mad orator of Hyde Park. There was no possibility of
- mistaking him at a distance of fifteen or twenty yards. He wore the same
- rusty black frock-coat and trousers, the same dirty collar and narrow
- black tie, the same shapeless clerical hat. His long neck above the collar
- looked raw and scabious like a vulture's. In his hand he carried a folded
- newspaper. He had suddenly emerged upon the end of the terrace from the
- front entrance, and was descending the steps that led down to the tennis
- lawn. If he walked straight on, he would come to the group surrounding the
- princess and the Duchess of Wiltshire. Two or three people were already
- eyeing him curiously.
- </p>
- <p>
- Morland's strange dread of the man flashed upon Jimmie. He hurried forward
- to meet him. Of what he was about to do he had no definite idea. Perhaps
- he could head Stone off, take him away from the grounds on the pretext of
- listening to his grievances. At any rate, a scandal must be avoided. As he
- drew near, he observed Morland, who had been bending down in conversation
- with the duchess, rise and unexpectedly recognise Stone.
- </p>
- <p>
- A manservant bearing a small tray with some teacups ran up to the
- extraordinary intruder, who waved him away impatiently. The servant put
- down his tray and caught him by the arm.
- </p>
- <p>
- &ldquo;You have no business here.&rdquo;
- </p>
- <p>
- Stone shook himself free.
- </p>
- <p>
- &ldquo;I have. Where is Mr. Rendell? Tell him I have to speak with him.&rdquo;
- </p>
- <p>
- &ldquo;There is no such person here,&rdquo; said the servant. &ldquo;Be off!&rdquo;
- </p>
- <p>
- Jimmie reached the spot, as a few of the nearer guests were beginning to
- take a surprised interest in the altercation. Morland came forward from
- behind the duchess's chair and cast a swift glance at Jimmie.
- </p>
- <p>
- &ldquo;If you don't go, I shall make you,&rdquo; said the servant, preparing to
- execute his threat. The man looked dangerous.
- </p>
- <p>
- &ldquo;I must see Mr. David Rendell,&rdquo; he cried, beginning to struggle.
- </p>
- <p>
- Jimmie drew the servant away.
- </p>
- <p>
- &ldquo;I know this gentleman,&rdquo; he said quietly. &ldquo;Mr. Stone, Mr. Rendell is not
- here, but if you will come with me, I will listen to you, and tell him
- anything you have to say.&rdquo;
- </p>
- <p>
- Mr. Hardacre, who had seen the scuffle from a distance, came up in a
- fluster.
- </p>
- <p>
- &ldquo;What's all this? What's all this? Who is this creature? Please go away.&rdquo;
- He began to hustle the man.
- </p>
- <p>
- &ldquo;Stop! He's an acquaintance of Padgate's,&rdquo; said Morland, huskily.
- </p>
- <p>
- There was a short pause. Stone stared around at the well-dressed men and
- women, at the seated figures of the princess and the duchess, at the
- servant who had picked up the tray, at the band who were still playing the
- &ldquo;Wedding March&rdquo; from &ldquo;Lohengrin,&rdquo; at the red-faced, little, blustering
- man, at the beautiful cool setting of green, and the look in his eyes was
- that of one who saw none of these things. Morland edged to Jimmie's side.
- </p>
- <p>
- &ldquo;For God's sake, get him away,&rdquo; he said in a low voice.
- </p>
- <p>
- Jimmie nodded and touched the man's arm.
- </p>
- <p>
- &ldquo;Come,&rdquo; said he.
- </p>
- <p>
- &ldquo;Yes, please take him off! What the dickens does he want?&rdquo; said Mr.
- Hardacre.
- </p>
- <p>
- Stone turned his burning eyes upon him.
- </p>
- <p>
- &ldquo;I have come to find an infamous seducer,&rdquo; he replied, with a melodramatic
- intensity that would have been ludicrous had his face not been so ghastly.
- &ldquo;His name is Rendell.&rdquo;
- </p>
- <p>
- There was a shiver of interest in the crowd.
- </p>
- <p>
- &ldquo;<i>Was sagt er?</i>&rdquo; the princess whispered to her neighbour.
- </p>
- <p>
- Jimmie again tried to lead Stone away, but the distraught creature seemed
- lost in thought and looked at him fixedly.
- </p>
- <p>
- &ldquo;I have seen you before,&rdquo; he said at last.
- </p>
- <p>
- &ldquo;Of course you have,&rdquo; said Jimmie. &ldquo;In Hyde Park. Don't you remember?&rdquo;
- </p>
- <p>
- Suddenly, with a wrench of his hands he tore an unmounted photograph from
- the folded newspaper and threw it on the ground. His eyes blazed.
- </p>
- <p>
- &ldquo;I thought I should find him. One of you is David Rendell. It is not your
- real name. That I know. Which of you is it?&rdquo;
- </p>
- <p>
- Jimmie had sprung upon the photograph. Instinct rather than the evidence
- of sight told him that it was an amateur portrait of himself and Morland
- taken one idle afternoon in the studio by young Tony Merewether. It had
- hardly lain the fraction of a second on the ground but to Jimmie it seemed
- as if the two figures had flashed clear upon the sight of all the
- bystanders. He glanced quickly at Morland, who stood quite still now with
- stony face and averted eyes. He too had recognised the photograph, and he
- cursed himself for a fool for having given it to the girl. He had had it
- loose in his pocket; she had pleaded for it; she had no likeness of him at
- all. He was paying now for his imprudent folly. Like Jimmie, he feared
- lest others should have recognised the photograph. But he trusted again to
- chance. Jimmie had undertaken the unpleasant business and his wit would
- possibly save the situation.
- </p>
- <p>
- Jimmie did not hesitate. A man is as God made him, heart and brain. To his
- impulsive imagination the photograph would be proof positive for the world
- that one of the two was the infamous seducer. It did not occur to him to
- brazen the man out, to send him about his business; wherein lies the
- pathos of simple-mindedness. The decisive moment had come. To Morland
- exposure would mean loss of career, and, as he conceived it, loss of
- Norma; and to the beloved woman it would mean misery and heartbreak. So he
- committed an heroic folly.
- </p>
- <p>
- &ldquo;Well, I <i>am</i> Rendell,&rdquo; he said in a loud voice. &ldquo;What then?&rdquo;
- </p>
- <p>
- Heedless of shocked whisperings and confused voices, among which rose a
- virtuously indignant &ldquo;Great heavens!&rdquo; from Mrs. Hardacre, he moved away
- quickly towards the slope, motioning Stone to follow. But Stone remained
- where he stood, and pointed at Jimmie with lean, outstretched finger, and
- lifted up his voice in crazy rhetoric, which was heard above the &ldquo;Wedding
- March.&rdquo; No one tried to stop him. It was too odd, too interesting, too
- dramatic.
- </p>
- <p>
- &ldquo;The world shall know the tale of your lust, and the sun shall not go down
- upon your iniquity. Under false promises you betrayed the sweetest flower
- in God's garden. Basely you taunted her in her hour of need. Murder and
- suicide are on your head. There is the record for all who wish to read it.
- Read it,&rdquo; he cried, flinging the newspaper at Mrs. Hardacre's feet. &ldquo;Read
- how she killed her newborn babe, the child of this devil, and then hanged
- herself.&rdquo;
- </p>
- <p>
- Jimmie came two or three steps forward.
- </p>
- <p>
- &ldquo;Stop this mad foolery,&rdquo; he cried.
- </p>
- <p>
- Stone glared at him for a fraction of a second, thrust his hand into the
- breast-pocket of his frock-coat, drew out a revolver, and shot him.
- </p>
- <p>
- Jimmie staggered as a streak of fire passed through him, and swung round.
- The women shrieked and rushed together behind the princess and the
- duchess, who remained calmly seated. The men with one impulse sprang
- forward to seize the madman; but as he leaped aside and threatened his
- assailants with his revolver, they hung back. The band stopped short in
- the middle of a bar.
- </p>
- <p>
- Norma and Connie Deering and one or two others who had been in the house,
- unaware of the commotion of the last few minutes, ran out on the terrace
- as they heard the shot and the sudden cessation of the band. They saw the
- crowd of frightened, nervous people below, and the grotesque figure in his
- rusty black pointing the pistol. And they saw Jimmie march up to him, and
- in a dead silence they heard him say:
- </p>
- <p>
- &ldquo;Give me that revolver. What is a silly fool like you doing with
- fire-arms? You could n't hit a haystack at a yard's distance. Give it to
- me, I say.&rdquo;
- </p>
- <p>
- The man's arm was outstretched, and the pistol was aimed point-blank at
- Jimmie. Connie Deering gripped Norma's arm, and Norma, feeling faint, grew
- white to the lips.
- </p>
- <p>
- &ldquo;Give it to me,&rdquo; said Jimmie again.
- </p>
- <p>
- The man wavered, his arm drooped slightly; with the action of one who
- takes a dangerous thing from a child, Jimmie quietly wrenched the revolver
- from his grasp.
- </p>
- <p>
- Norma gave a gasp of relief and began to laugh foolishly. Connie clapped
- her hands in excitement.
- </p>
- <p>
- &ldquo;Did n't I tell you he was a man? By heavens, the only one in the lot!&rdquo;
- </p>
- <p>
- Jimmie pointed towards the terrace steps.
- </p>
- <p>
- &ldquo;Go!&rdquo; he said.
- </p>
- <p>
- But there was a rush now to seize the disarmed Stone, the red coats of the
- bandsmen mingling with the black of the guests. Jimmie, with a curious
- flame through his shoulder and a swimming in his head, swerved aside.
- Morland ran up, with a white face.
- </p>
- <p>
- &ldquo;My God! He has hit you. I thought he had missed.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie, smiling at the reeling scene. &ldquo;I'm all right. Keep the
- photograph. It was silly to give one's photograph away. I always was a
- fool.&rdquo;
- </p>
- <p>
- Morland pocketed the unmounted print. He tried to utter a word of thanks,
- but the eyes of the scared and scandalised crowd a few steps away were
- upon them, and many were listening. For a moment during the madman's crazy
- indictment of Jimmie&mdash;for the horrible facts were only too true&mdash;he
- had had the generous impulse to come forward and at all costs save his
- friend; but he had hesitated. The shot had been fired. The dramatic little
- scene had followed. To proclaim Jimmie's innocence and his own guilt now
- would be an anticlimax. It was too late. He would take another opportunity
- of exonerating Jimmie. So he stood helpless before him, and Jimmie,
- feeling fainter and fainter, protested that he was not hurt.
- </p>
- <p>
- They stood a bit apart from the rest. By this time men and women had
- flocked from all quarters, and practically the whole party had assembled
- on the tennis lawn. Norma still stood with Connie on the terrace, her hand
- on her heart. A small group clustered round a man who had picked up the
- newspaper and was reading aloud the ghastly paragraph marked by Stone in
- blue pencil. The Hardacres were wringing their hands before a stony-faced
- princess and an indignant duchess, who announced their intention of
- immediate departure. Every one told every one else the facts he or she had
- managed to gather. Human nature and the morbidly stimulated imagination of
- naturally unimaginative people invented atrocious details. Jimmie's
- new-born fame as a painter was quickly merged into hideous notoriety. His
- star must have been Lucifer, so swift was its fall.
- </p>
- <p>
- Mr. Hardacre left his wife's side, and dragged Morland a step or two away,
- and whispered excitedly:
- </p>
- <p>
- &ldquo;What a scandal! What a hell of a scandal! Before royalty, too. It will be
- the death of us. The damned fellow must go. You must clear him out of the
- house!&rdquo;
- </p>
- <p>
- &ldquo;He's hit. Look at him,&rdquo; exclaimed Morland.
- </p>
- <p>
- Jimmie heard his host's whisper in a dream. It seemed a hoarse voice very,
- very far off. He laughed in an idiotic way, waved his hand to the gyrating
- crowd, and stumbled a few yards towards the slope. The world swam into
- darkness and he fell heavily on his face.
- </p>
- <p>
- Then, to the amazement of the county, Norma with a ringing cry rushed down
- the slope, and threw herself beside Jimmie's body and put his head on her
- lap. And there she stayed until they dragged her away, uttering the queer
- whimpering exclamations of a woman suddenly stricken with great terror.
- She thought Jimmie was dead.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0015" id="link2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XV&mdash;MRS. HARDACRE LAUGHS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HEY took Jimmie
- into the house, and Norma, looking neither to right nor left, walked by
- the side of those carrying him, the front of her embroidered dress smeared
- with blood. Every time her hands came in contact with the delicate fabric,
- they left a fresh smear. Of this she was unconscious. She was unconscious
- too, save in a dull way, of the staring crowd; but she held her head high,
- and when Morland spoke to her by the drawing-room window through which
- they passed, she listened to what he had to say, bowed slightly, and went
- on.
- </p>
- <p>
- &ldquo;It is only a flesh wound. If it had been the lung, he would have spat
- blood. I don't think it is serious.&rdquo;
- </p>
- <p>
- He spoke in a curiously apologetic tone, as if anxious to exculpate
- himself from complicity in the attempted murder.. He was horribly
- frightened. Two deaths laid in one day at a man's door are enough. The
- possibility of a third was intolerable. The sense of the unheroic part he
- had just played was beginning to creep over him like a chilling mist. The
- consequences of confession, the only means whereby Jimmie could be
- rehabilitated, loomed in front of him more and more disastrous. It would
- be presenting himself to the world as a coward as well as a knave. That
- prospect, too, frightened him. Lastly, there was Norma, white,
- terror-stricken, metamorphosed in a second into a creature of primitive
- emotions. Like the other shocks of that unhallowed day, her revelation of
- unsuspected passions brought him face to face with the unfamiliar; and to
- the average sensual man the unfamiliar brings with it an atmosphere of the
- uncanny, the influence to be feared. His attitude, therefore, when he
- addressed her was ludicrously humble.
- </p>
- <p>
- She bowed and passed on. By this time she knew that Jimmie was not dead.
- Morland's words even reassured her. Her breath came hard through her
- delicate nostrils, and her bosom heaved up and down beneath the open-work
- bodice with painful quickness. Only a few were allowed to stay in the
- dining-room, Morland, Mr. Hardacre, Theodore Weever on behalf of the
- duchess, and one or two others, while the Cosford doctor, who had been
- invited to the garden-party, made his examination. Norma went through into
- the hall. At the bottom of the stairs she met Connie in piteous distress.
- </p>
- <p>
- &ldquo;Oh, my poor dear, my poor dear, we did n't know! I have just heard all
- about it. It is terrible!&rdquo;
- </p>
- <p>
- Norma put up her hand beseechingly.
- </p>
- <p>
- &ldquo;Don't, Connie dear; don't talk of it. I can't bear it. I must be alone.
- Send me up word what the doctor says.&rdquo;
- </p>
- <p>
-She went to her room, sat there and
- waited. Presently her maid entered with the message from Mrs. Deering. The
- doctor's report was favourable&mdash;the wound not in any way dangerous,
- the bullet easily extractable. They had carried the patient to his
- bedroom, and Mrs. Deering had wired for Miss Marden to come down by the
- first train. Norma dismissed the maid, and tried, in a miserable wonder,
- to realise all that had happened.
- </p>
- <p>
- A woman accustomed to many emotions can almost always hold herself in
- check, if she be of strong will. Experience has taught her the meaning and
- the danger of those swift rushes of the blood that lead to unreasoning
- outburst. She is forewarned, forearmed, and can resist or not as occasion
- demands. But even she is sometimes taken unawares. How much the more
- likely to give way is the woman who has never felt passionate emotion in
- her life before. The premonitory symptoms fail to convey the sense of
- danger to her inexperienced mind. Before the will has time to act she is
- swept on by a new force, bewildering, irresistible. It becomes an ecstatic
- madness of joy or grief, and to the otherwise rational being her actions
- are of no account. This curse of quick responsiveness afflicts men to a
- less degree. If the first chapters of Genesis could be brought up to date,
- woman would be endowed, not with an extra rib, but with an extra nerve.
- </p>
- <p>
- Now that she knew the shooting of Jimmie to be an affair of no great
- seriousness, her heart sickened at the thought of her wild exhibition of
- feeling. She heard the sniggering and ridicule in every carriage-load of
- homeward-bound guests. From the wife of the scrubby curate to the Princess
- of Herren-Rothbeck, her name was rolled like a delicate morsel on the
- tongue of every woman in the county. And the inference they could not fail
- to draw from her action was true&mdash;miserably true. But she had only
- become poignantly aware of things at the moment when she saw the lean
- haggard man in rusty black covering Jimmie with the revolver. Then all the
- unrest of soul which she had striven to allay with her mockery, all the
- disquieting visions of sweet places to which she had scornfully blinded
- her eyes, all the burning words of passion whose clear echoing had wrapped
- her body in hateful fever the night before, converged like electric
- currents into one steady light radiant with significance. Two minutes
- afterwards, when Jimmie fell, civilisation slipped from her like a loose
- garment, and primitive woman threw herself by his side. But now,
- reclothed, she shivered at the memory.
- </p>
- <p>
- The door opened suddenly, and Mrs. Hardacre entered. There was battle in
- every line of the hard face and in every movement of the thin, stiff
- figure. Norma rose from the window where she had been sitting and faced
- her mother defiantly.
- </p>
- <p>
- &ldquo;I know what you are going to say to me. Don't you think you might wait a
- little? It will keep.&rdquo;
- </p>
- <p>
- &ldquo;It won't. Sit down,&rdquo; said Mrs. Hardacre between her teeth.
- </p>
- <p>
- &ldquo;I prefer to stand for the moment,&rdquo; said Norma.
- </p>
- <p>
- Mrs. Hardacre lost her self-control.
- </p>
- <p>
- &ldquo;Are we to send you to a madhouse? What do you mean by your blazing folly?
- Before the whole county&mdash;before the duchess&mdash;before the
- princess! Do you know what I have had to go through the last half-hour? Do
- you know that we may never set foot in Chiltern Towers again? Do you know
- we are the scandal and the laughing-stock of the county? As if one thing
- was n't sufficient&mdash;for you to crown it by behaving like a hysterical
- school-girl! Do you know what interpretation every scandal-mongering tabby
- in the place is putting on your insane conduct?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes,&rdquo; said Norma, looking at her mother stonily; &ldquo;and for once in
- their spiteful lives they are quite right.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; gasped Mrs. Hardacre.
- </p>
- <p>
- &ldquo;I think my meaning is obvious.&rdquo;
- </p>
- <p>
- &ldquo;That man&mdash;that painter man dressed like a secondhand clothes-dealer&mdash;that&mdash;that
- beast?&rdquo;
- </p>
- <p>
- Mrs. Hardacre could scarcely trust her senses. The true solution of her
- daughter's extraordinary behaviour had never crossed her most desperate
- imaginings. But then she had not had much time for quiet speculatien. The
- speeding of her hurriedly departing guests had usurped all the wits of the
- poor lady.
- </p>
- <p>
- &ldquo;You have indeed given us a dramatic entertainment, dear Mrs. Hardacre,&rdquo;
- Lady FitzHubert had said with a sympathetic smile. &ldquo;And poor Norma has
- supplied the curtain. I hope she won't take it too much to heart.&rdquo;
- </p>
- <p>
- And Mrs. Hardacre, livid with rage, had had no weapon wherewith to strike
- her adversary who thus took triumphant vengeance. It had been a half-hour
- of grievous humiliation. The fount and origin thereof was lying
- unconscious with a bullet through his shoulder. The subsidiary stream, so
- to speak, was in her room safe and sound. Human nature, for which she is
- not deserving of over-blame, had driven Mrs. Hardacre thither. At least
- she could vent some of her pent-up fury upon her outrageous daughter, who,
- from Mrs. Hardacre's point of view, indeed owed an explanation of her
- action and deserved maternal censure. This she was more than prepared to
- administer. But when she heard Norma calmly say that Lady FitzHubert and
- the other delighted wreakers of private revenges were entirely in the
- right, she gasped with amazement.
- </p>
- <p>
- &ldquo;That beast!&rdquo; she repeated with a rising intonation. Norma gave her
- habitual shrug of the shoulders. With her proud, erect bearing, it was a
- gesture not ungraceful.
- </p>
- <p>
- &ldquo;Considering what I have just admitted, mother, perhaps it would be in
- better taste not to use such language.&rdquo;
- </p>
- <p>
- &ldquo;I don't understand your admitting it. I don't know what on earth you
- mean,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- There was a short pause, during which she scanned her daughter's face
- anxiously as if waiting to see a gleam of reason dawn on it. Norma
- reflected for a moment. Should she speak or not? She decided to speak.
- Brutal frankness had ever been her best weapon against her mother. It
- would probably prevent future wrangling.
- </p>
- <p>
- &ldquo;I am sorry I have n't made my meaning clear,&rdquo; she said, resuming her seat
- by the window; &ldquo;and I don't know whether I can make it much clearer.
- Anyhow, I'll try, mother. I used to think that love was either a
- school-girl sentimentality, a fiction of the poets, or else the sort of
- thing that lands married women who don't know how to take care of
- themselves in the divorce court. I find it is n't. That's all.&rdquo;
- </p>
- <p>
- Mrs. Hardacre ran up to the window and faced Norma. &ldquo;And Morland?&rdquo;
- </p>
- <p>
- &ldquo;It won't break his heart.&rdquo;
- </p>
- <p>
- &ldquo;What won't?&rdquo;
- </p>
- <p>
- &ldquo;The breaking off of our engagement.&rdquo;
- </p>
- <p>
- Mrs. Hardacre looked at her daughter in a paralysis of bewilderment.
- </p>
- <p>
- &ldquo;The madhouse is the only place for you.&rdquo;
- </p>
- <p>
- &ldquo;Perhaps it is. Anyway I can't marry a man when I care for his intimate
- friend&mdash;and when the intimate friend cares for me. Somehow it's not
- quite decent. Even you, mother, can see that.&rdquo;
- </p>
- <p>
- &ldquo;So you and the intimate friend have arranged it all between you?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no. He does n't know that I care, and he does n't know that I know
- that he cares. I'll say that over again if you like. It is quite
- accurately expressed. And you know I'm not in the habit of lying.&rdquo;
- </p>
- <p>
- &ldquo;And you propose to marry&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't propose to do anything,&rdquo; interrupted Norma, quickly. &ldquo;I at least
- can wait till he asks me. And now, mother, I've had rather a bad time&mdash;don't
- you think we might stop?&rdquo;
- </p>
- <p>
- &ldquo;It seems to me, my dear Norma, we are only just beginning,&rdquo; said Mrs.
- Hardacre.
- </p>
- <p>
- Norma rose with nervous impatience.
- </p>
- <p>
- &ldquo;O heavens, mother,&rdquo; she said, in the full deep notes of her voice, which
- were only sounded at rare moments of feeling, &ldquo;can't you see that I'm in
- earnest? This man is like no one else I have ever met. I have grown to
- need him. Do you know what that means? With him I am a changed woman&mdash;as
- God made me, I suppose; natural, fresh, real&mdash;&rdquo; Mrs. Hardacre sat in
- Norma's vacated chair by the window and stared at her, as she moved about
- the room. &ldquo;I somehow feel that I am a woman, after all. I have got
- something higher than myself that I can fall at the feet of, and that's
- what every woman craves when she's decent. As for marrying him&mdash;I'm
- not fit to marry him. There is n't any one living who is. That's an end of
- it, mother. I can't say anything more.&rdquo;
- </p>
- <p>
- &ldquo;And do you propose to go on seeing this person when he recovers?&rdquo; asked
- Mrs. Hardacre.
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;I really can't argue with you,&rdquo; said her mother, mystified. &ldquo;If you had
- told me this rubbish yesterday, I should have thought you touched in your
- wits. To-day it is midsummer madness.&rdquo;
- </p>
- <p>
- &ldquo;Why to-day?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;The man has shown himself to be such a horrible beast. Of course, if you
- think confessing to having seduced a girl under infamous circumstances and
- driven her by his brutality to child-murder and suicide, and blazoning the
- whole thing out at a fashionable garden-party and getting himself shot for
- his pains, are idyllic virtues, nothing more can be said. It's a case, as
- I remarked, for a madhouse.&rdquo; Norma came and stood before her mother, her
- brows knitted in perplexity.
- </p>
- <p>
- &ldquo;Perhaps I am going crazy&mdash;I really don't understand what you are
- talking about.&rdquo;
- </p>
- <p>
- Mrs. Hardacre leant forward in her chair and drew a long breath. A gleam
- of intelligence came into her eyes as she looked at Norma.
- </p>
- <p>
- &ldquo;Do you mean to say you don't know what the row was about before the man
- fired the shot?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Norma, blankly.
- </p>
- <p>
- Her mother fell back in her chair and laughed. It was the first moment of
- enjoyment she had experienced since Stone's black figure had appeared on
- the terrace. Reaction from strain caused the laughter to ring somewhat
- sharply. Norma regarded her with an anxious frown.
- </p>
- <p>
- &ldquo;Please tell me exactly what you mean.&rdquo;
- </p>
- <p>
- &ldquo;My dear child&mdash;it's too funny. I thought you would have been too
- clever to be taken in by a man like this. I see, you've been imagining him
- a Galahad&mdash;a sort of spotless prophet&mdash;though what use you can
- have for such persons I can't make out. Well, this is what happened.&rdquo;
- Embellishing the story here and there with little spiteful adornments, she
- described with fair accuracy, however, the scene that had occurred. Norma
- listened stonily.
- </p>
- <p>
- &ldquo;This is true?&rdquo; she asked when her mother had finished.
- </p>
- <p>
- &ldquo;Ask any one who was there&mdash;your father&mdash;Morland.&rdquo;
- </p>
- <p>
- &ldquo;I can't believe it. He is not that sort of man.&rdquo;
- </p>
- <p>
- &ldquo;Is n't he? I knew he was the first time I set eyes on him. Perhaps
- another time you'll allow me to have some sense&mdash;of course, if it is
- immaterial to you whether a man is a brute&mdash;What are you ringing the
- bell for?&rdquo;
- </p>
- <p>
- &ldquo;I am going to ask Morland to come up here.&rdquo;
- </p>
- <p>
- The maid appeared, received Norma's message, and retired. Norma sat by her
- little writing-table, with her head turned away from her mother, and there
- was silence between them till the maid returned.
- </p>
- <p>
- &ldquo;Mr. King has just driven off to catch the train, miss. He left a note for
- you.&rdquo;
- </p>
- <p>
- Mrs. Hardacre listened with contracted brow. When the maid retired, she
- bent forward anxiously.
- </p>
- <p>
- &ldquo;What does he say?&rdquo;
- </p>
- <p>
- &ldquo;You can read it, mother,&rdquo; replied Norma, wearily. She held out the note.
- Mrs. Hardacre came forward and took it from her hand and sat down again.
- </p>
- <p>
- It ran:
- </p>
- <p>
- <i>&ldquo;Dear Norma,&mdash;I think it best to run up to town on this
- afternoon's business. I have only just time to catch the train at Cosford,
- so you will forgive my not saying good-bye to you more ceremoniously. Take
- care of poor Jimmie.</i>
- </p>
- <p>
- <i>&ldquo;Yours affectionately,</i>
- </p>
- <p>
- <i>&ldquo;Morland.&rdquo;</i>
- </p>
- <p>
- &ldquo;Poor Jimmie, indeed!&rdquo; said Mrs. Hardacre, somewhat relieved at finding
- the note contained no reference to the part played by Norma. &ldquo;It's very
- good of Morland, but I wish he would not mix himself up in this scandal.&rdquo;
- </p>
- <p>
- &ldquo;I can't see what less he could do than look after his friend's
- interests,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I wish the man had been shot or hanged before he came down here,&rdquo; said
- Mrs. Hardacre, vindictively. &ldquo;That's the worst of associating with such
- riff-raff. One never knows what they will do. It will teach you not to
- pick people out of the gutter and set them in a drawing-room.&rdquo; Mrs.
- Hardacre rose. She did not often have the opportunity of triumphing over
- her daughter. She crossed the room and paused for a moment by Norma, who
- sat motionless with her chin in her hand, apparently too dismayed to
- retort.
- </p>
- <p>
- &ldquo;I am glad to see symptoms of sanity,&rdquo; she remarked.
- </p>
- <p>
- Norma brought down her hand hard upon the table and leaped to her feet and
- faced her mother.
- </p>
- <p>
- &ldquo;I tell you, it's impossible! Impossible! He is not that kind of man. It
- is some horrible mistake. I will ask him myself. I will get the truth from
- his own lips.&rdquo;
- </p>
- <p>
- &ldquo;You shall certainly do nothing of the kind,&rdquo; cried her mother; and in
- order to have the last word she went out and slammed the door behind her.
- </p>
- <p>
- Norma sat by the window again. The red September sun was setting, and
- bathed downs and trees in warm light, and glinted on the spire of a little
- village church a mile away. Everything it touched was at peace, save the
- bowed head of the girl, clasped with white fingers which still retained
- the dull brown marks of blood. Could she believe the revolting story? A
- woman so driven to desperation must have been cruelly handled. Her sex
- rose up against the destroyer. Her social training had caused her to
- regard with cynical indifference ordinary breaches of what is popularly
- termed the moral law. In the fast, idle set which she generally frequented
- it was as ordinary for a man to neigh after his neighbour's wife as to try
- to win his friend's money; as unsurprising for him to keep a mistress as a
- stud of race-horses; the crime was to marry her. But it was not customary,
- even in smart society, to drive women to murder their new-born babes and
- kill themselves. A callous brutality suggested itself, and the
- contemplation of it touched humanity, sex, essential things. Could she
- believe the story? She shuddered.
- </p>
- <p>
- The dressing-gong sounded through the house. Her maid entered, drew the
- curtains, and lit the gas; then was dismissed. Norma would not go down to
- dinner. A little food and drink in her own room would be all that she
- could swallow.
- </p>
- <p>
- Later, Connie Deering, who had changed her dress, tapped at the door and
- was bidden to enter. A quantity of powder vainly strove to hide the traces
- of recent tears on her pretty face. She was a swollen-featured, piteous
- little butterfly.
- </p>
- <p>
- &ldquo;How is he?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;Better, much better. They have taken out the bullet. There is no danger,
- and he has recovered consciousness. I almost wish he hadn't. Oh, Norma
- dear&mdash;&rdquo;
- </p>
- <p>
- She broke down and sat on the bed and sobbed. Norma came up and laid her
- hand on her shoulder.
- </p>
- <p>
- &ldquo;Surely you don't believe this ghastly story?&rdquo;
- </p>
- <p>
- The fair head nodded above the handkerchief. A voice came from-below it.
- </p>
- <p>
- &ldquo;I must&mdash;it's horrible&mdash;Jimmie, of all men! I thought his life
- was so sweet and clean&mdash;almost like a good woman's&mdash;I can't
- understand it. If he is as bad as this, what must other men be like? I
- feel as if I shall never be able to look a man in the face again.&rdquo;
- </p>
- <p>
- &ldquo;But why should you take it for granted that he has done this?&rdquo; asked
- Norma, tonelessly.
- </p>
- <p>
- Mrs. Deering raised her face and looked at her friend in blue-eyed dismay.
- </p>
- <p>
- &ldquo;I did n't take it for granted. He told me so himself. Otherwise do you
- think I should have believed it?&rdquo;
- </p>
- <p>
- &ldquo;He told you so himself! When?&rdquo;
- </p>
- <p>
- &ldquo;A short while ago. I went into his room. I could n't help it&mdash;I felt
- as if I should have gone mad if I didn't know the truth. Parsons was there
- with him. She said I could come in. He smiled at me in his old way, and
- that smile is enough to make any woman fall in love with him. 'You've been
- crying, Connie,' he said. 'That's very foolish of you.' So I began to cry
- more. You would have cried if you had heard him. I asked him how he was
- feeling. He said he had never felt so well in his life. Then I blurted it
- out. I know I was a beast, but it was more than I could stand. 'Tell me
- that this madman's story was all lies.' He looked at me queerly, waited
- for a second or two, and then moved his head. 'It's all true,' he said,
- 'all true.' 'But you must have some explanation!' I cried. He shut his
- eyes as if he were tired and said I must take the facts as they were. Then
- Parsons came up and said I mustn't excite him, and sent me out of the
- room. But I did n't want to hear any more. I had heard enough, had n't I?&rdquo;
- </p>
- <p>
- Norma, as she listened to the little lady's tale, felt her heart grow cold
- and heavy. Doubt was no longer possible. The man himself had spoken. He
- had not even pleaded extenuating circumstances; had merely admitted the
- plain, brutal facts. He had gone under a feigned name, seduced an honest
- girl, abandoned her, driven her to tragedy. It was all too simple to need
- explanation.
- </p>
- <p>
- &ldquo;But what are we to do, dear?&rdquo; cried Connie, as Norma made no remark, but
- stood motionless and silent.
- </p>
- <p>
- &ldquo;I think we had better drop his acquaintance,&rdquo; she replied with bitter
- irony.
- </p>
- <p>
- Connie flinched at the tone, being a tender-natured woman. She retorted
- with some spirit:
- </p>
- <p>
- &ldquo;I don't believe you have any heart at all, Norma. And I thought you cared
- for him.&rdquo;
- </p>
- <p>
- &ldquo;You thought I cared for him?&rdquo; Norma repeated slowly and cuttingly while
- her eyes hardened. &ldquo;What right had you to form such an opinion?&rdquo;
- </p>
- <p>
- &ldquo;People can form any opinions they like, my dear,&rdquo; said Connie. &ldquo;That was
- mine. And on the terrace this afternoon you know you cared. If ever a
- woman gave herself away over a man, it was Norma Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;It was n't Norma Hardacre, I assure you. It was a despicable fool whom I
- will ask you to forget. My mother was for putting it into a madhouse. She
- was quite right. Anyhow it has ceased to exist and I am the real Norma
- Hardacre again. Humanity is afflicted, it seems, periodically with a
- peculiar disease. It turns men into beasts and women into idiots. I have
- quite recovered, my dear Connie, and if you'll kindly go down and ask them
- to keep dinner back for five minutes, I'll dress and come down.&rdquo;
- </p>
- <p>
- She rang the bell for her maid. Connie rose from the bed. She longed to
- make some appeal to the other's softer nature for her own sake, as she had
- held Jimmie very dear and felt the need of sympathy in her trouble and
- disillusion.
- </p>
- <p>
- But knowing that from the rock of that cynical mood no water would gush
- forth for any one's magic, she recognised the inefficacy of her own
- guileless arts, and forbore to exercise them. She sighed for answer. By
- chance her glance fell upon Norma's skirt. Human instinct, not altogether
- feminine, seized upon the trivial.
- </p>
- <p>
- &ldquo;Why, whatever have you been doing to your dress?&rdquo;
- </p>
- <p>
- Norma looked down, and for the first time noticed the disfiguring smears
- of blood.
- </p>
- <p>
- &ldquo;I must have spilt something,&rdquo; she said, turning away quickly, and
- beginning to unfasten the hooks and eyes of her neckband.
- </p>
- <p>
- &ldquo;I hope it will come out,&rdquo; said Connie. &ldquo;It's such a pretty frock.&rdquo;
- </p>
- <p>
- As soon as she was alone, Norma looked at the stains with unutterable
- repulsion. She tore off the dress feverishly and threw it into a corner.
- When her maid entered in response to her summons, she pointed to the
- shapeless heap of crêpe and embroidery.
- </p>
- <p>
- &ldquo;Take that away and burn it,&rdquo; she said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0016" id="link2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVI&mdash;IN THE WILDERNESS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">N</span>ORMA went down to
- dinner resolved to present a scornful front to public opinion. She found
- the effort taxed her strength. During the night her courage deserted her.
- The cold glitter of triumph in her mother's eyes had been intolerable. Her
- father, generally regarded with contemptuous indifference, had goaded her
- beyond endurance with his futile upbraiding. Aline had arrived,
- white-faced and questioning, and had established herself by Jimmie's
- bedside. Norma shrank from the ordeal of the daily meeting with her and
- the explanation that would inevitably come. She dreaded the return of
- Morland, uncertain of her own intentions. As she tossed about on her
- pillow, she loathed the idea of the marriage. Innermost sex had spoken for
- one passionate moment, and its message still vibrated. She knew that time
- might dull the memory; she knew that her will might one day triumph over
- such things as sex and sentiment; but she must have a breathing space, a
- period of struggle, of reflection, above all, of disassociation from
- present surroundings. If she sold herself, it must be in the accustomed
- cold atmosphere of brain and heart. Not now, when her head burned and
- flaming swords were piercing her through and through. And last, and chief
- of all her dreads, was the wounded man now sleeping beneath that roof.
- Father, mother, Aline, Morland&mdash;these, torture though it were, she
- could still steel her nerves to meet; but him, never. He had done what no
- other man in the wide world had done. He had awakened the sleeping,
- sacredest inmost of her, and he had dealt it a deadly wound. If she could
- have consumed him and all the memories surrounding him with fire, as she
- had consumed the garment stained with his blood, she would have done so in
- these hours of misery. And fierce among the bewildering conflict of
- emotions that raged through the long night was one that filled her with
- overwhelming disgust&mdash;a horrible, almost grotesque jealousy of the
- dead girl.
- </p>
- <p>
- In the morning, exhausted, she resolved on immediate flight. In the little
- village of Penwyrn on the Cornish coast, her aunt Janet Hardacre led a
- remote, Quakerish existence. The reply to a telegram before she left her
- room assured Norma of a welcome. By eleven o'clock she had left Heddon
- Court and was speeding westwards without a word to Jimmie or Aline.
- </p>
- <p>
- Morland returned in the afternoon, and after a whisky and soda to brace
- his nerves, at once sought Jimmie, who roused himself with an effort to
- greet his visitor.
- </p>
- <p>
- &ldquo;Getting on famously, I hear,&rdquo; said Morland, with forced airiness. &ldquo;So
- glad. We'll have you on your feet in a day or two.&rdquo;
- </p>
- <p>
- &ldquo;I hope to be able to travel back to London to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;To-morrow?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, with a curious smile. &ldquo;I fear I have outstayed my
- welcome.&rdquo;
- </p>
- <p>
- &ldquo;Not a bit of it,&rdquo; said Morland, seating himself at the foot of the bed.
- &ldquo;We'll put all that right. But you will give one a little time, won't you?
- You mustn't think you've been altogether left. I ran up to town at once to
- see my solicitors&mdash;not my usual people, you know, but some others,
- devilish smart fellows at this sort of thing. They'll see that nothing
- gets into the beastly papers.&rdquo;
- </p>
- <p>
- &ldquo;I don't see that it matters much,&rdquo; said Jimmie. &ldquo;
- </p>
- <p>
-Why, of course it does.
- I'm not going to let you take the whole blame. I could n't come forward
- yesterday, it was all so sudden. The scandal would have rotted my election
- altogether. But you shall be cleared&mdash;at any rate in the eyes of this
- household. I came down with the intention of telling Norma, but she has
- bolted to Cornwall. Upset, I suppose. However, as soon as she comes back&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Let things be as they are,&rdquo; interrupted Jimmie, closing his eyes for a
- moment wearily, for he had been suffering much bodily pain. &ldquo;When I said I
- was David Rendell, I meant it. I can go on acting the part. It's pretty
- easy.&rdquo;
- </p>
- <p>
- &ldquo;Impossible, my dear old chap,&rdquo; said Morland, with an air of heartiness.
- &ldquo;You went into the affair with your eyes shut. You didn't know it was such
- a horrible mess.&rdquo;
- </p>
- <p>
- &ldquo;All the more reason for Norma to remain ignorant. It was for her sake as
- well as yours.&rdquo;
- </p>
- <p>
- A peculiar tenderness in Jimmie's tone caused Morland, not usually
- perceptive, to look at him sharply.
- </p>
- <p>
- &ldquo;You are very keen upon Norma,&rdquo; he remarked.
- </p>
- <p>
- Jimmie closed his eyes again, and smiled. He was very weak and tired. The
- pain of his wound and a certain mental agitation had kept him awake all
- night, and just before Morland entered he had been dropping off to sleep
- for the first time. An unconquerable drowsiness induced irresponsibility
- of speech.
- </p>
- <p>
- &ldquo;'The desire of the moth for the star,'&rdquo; he murmured.
- </p>
- <p>
- Morland slid from the bed to his feet, and with his hands in his pockets
- gazed in astonishment at his friend.
- </p>
- <p>
- An entirely novel state of affairs dawned upon him which required a few
- moments to bring into focus. The ghastly tragedy for which he was
- responsible, presenting itself luridly at every instant of the night and
- day, had hidden from his reminiscent vision Norma's rush down the slope.
- and her scared tending of the unconscious man. Jimmie's words brought back
- the scene with unpleasant vividness and provided the interpretation. When
- he saw this clearly, he was the most amazed man in the three kingdoms.
- That Jimmie should have conceived and nourished a silly, romantic passion
- for Norma, although he had never interested himself sufficiently in
- Jimmie's private affairs to suspect it, was humorously comprehensible.
- Ludicrously incomprehensible, however, was a reciprocation of the
- sentiment on the part of Norma. In spite of remorse, in spite of anxiety,
- in spite of the struggle between cowardice and manhood, his uppermost
- sensation at that moment was one of lacerated vanity. He had been
- hoodwinked, befooled, deceived. His own familiar friend had betrayed him;
- the woman he was about to honour with his name had set him at naught. He
- tingled with anger and sense of wrong.
- </p>
- <p>
- The sick man opened his eyes drowsily, and seeing Morland's gaze full
- upon him, started into wakefulness. He motioned him to come nearer.
- </p>
- <p>
- &ldquo;If you marry Norma&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;If I marry her!&rdquo; cried Morland. &ldquo;Of course I'm going to marry her. I'll
- see any other man damned before he marries her! She's the only woman in
- the world I've ever set my mind on, and no matter what happens, I'm going
- to marry her. There are no damned if's about it.&rdquo;
- </p>
- <p>
- &ldquo;Yes, there are,&rdquo; Jimmie retorted weakly. &ldquo;I was going to preach, but I'm
- too tired. You'll have to be especially good to her&mdash;to make up.&rdquo;
- </p>
- <p>
- &ldquo;For what?&rdquo;
- </p>
- <p>
- &ldquo;For the wrong done to the other.&rdquo;
- </p>
- <p>
- Morland was silent. He went up to the window and stared out across the
- lawns and tugged at his moustache. The reproach stung him, and he felt
- that Jimmie was ungenerous. After all, he had only done what thousands of
- other men had done with impunity. The consequences had been enough to
- drive him mad, but they had been the hideous accident of a temperament for
- which he had not been responsible.
- </p>
- <p>
- &ldquo;You surely don't believe all that mad fool said yesterday?&rdquo; he muttered
- without turning round.
- </p>
- <p>
- &ldquo;The promise of marriage?&rdquo;
- </p>
- <p>
- &ldquo;It's a crazy invention. There never was any question of marriage. I told
- you so months ago. I did everything in my power.&rdquo;
- </p>
- <p>
- &ldquo;I'm glad,&rdquo; said Jimmie.
- </p>
- <p>
- Morland made no reply, but continued to stare out of the window and
- meditate upon the many injuries that fate had done him. He arraigned
- himself before the bar of his wounded vanity. He had broken the moral law
- and deserved a certain penalty. The magnanimous verdict received the
- applause of an admiring self. He was willing to undergo an adequate
- punishment&mdash;the imposition of a fine and the hard labour of setting
- devious things straight. But the alternative sentence to which he saw
- himself condemned&mdash;on the one hand, the ruin of his political career,
- his social position, and his marriage with Norma, to all of which he clung
- with a newly found passion, and on the other, ignoble shelter behind an
- innocent man who had done him a great wrong&mdash;he rebelled against with
- all his average, sensual Briton's sense of justice. It was grossly unfair.
- If there had been a spiritual &ldquo;Times,&rdquo; he would have written to it.
- </p>
- <p>
- The opening of the door caused him to turn round with a start. It was
- Aline, anxious and pale from an all-night sitting by Jimmie's bedside, but
- holding her slim body erect, and wearing the uncompromising air of a
- mother who has found her child evilly entreated at the hands of strangers.
- She glanced at the bed and at Morland; then she put her finger to her lip,
- and pointed at Jimmie, who lay fast asleep. Morland nodded and went on
- tiptoe out of the room. Aline looked round, and being a sensitive young
- person, shivered. She threw open the window wide, as if to rid the place
- of his influence. Jimmie stirred slightly. She bent down and kissed his
- hair.
- </p>
- <p>
- During the dark and troubled time that followed, Morland fell away from
- Jimmie like the bosom friend of a mediaeval artist stricken with the Black
- Death. At first, common decency impelled him to send the tainted one
- affectionate messages, invitations to trust him awhile longer, and
- enlarged, with the crudity of his mental habit, on the noble aspects of
- Jimmie's sacrifice. But after Jimmie left the Hardacres' house, which
- happened as soon as he could bear the journey, Morland shrank from meeting
- him face to face; and when public exposure came, the messages and the
- invitations and the protestations ceased, and Jimmie was left in
- loneliness upon a pinnacle of infamy. Morland, in the futile hope of the
- weak-willed man that he could, by some astonishing chance, sail a middle
- course, did indeed give himself peculiar pains to keep the story out of
- the newspapers, and his ill-success was due to other causes than his own
- lack of effort. It was a tale too picturesque to be wasted in these days
- of sensation-hunger. The fact of the dénouement of the tragedy having
- taken place in the presence of royalty lent it a theatrical glamour. A
- sardonic press filled an Athenian public with what it lusted after.
- Indeed, who shall say with authority that the actual dramas re-enacted
- before our courts and reported in our newspapers have not their value in
- splashing with sudden colour the drab lives of thousands? May it not be
- better for the dulled soul to be occasionally arrested by the
- contemplation of furious passions than to feed contentedly like a pig
- beside the slaughtered body of its fellow?
- </p>
- <p>
- Be that as it may. The press paid no heed to Morland or the smart fellows
- of solicitors whom he employed. It published as many details as it could
- discover or invent. For the tragical business did not end with the scene
- on the Hardacres' lawn. There was an inquest on the dead girl. There was
- the trial of Daniel Stone for attempted murder. The full glare of
- publicity shed itself upon the sordid history. In the one case the jury
- gave a verdict of suicide during temporary insanity; in the other the
- prisoner was found to be insane and was sent to an asylum. These were
- matters of no great public interest. But letters to the dead girl in a
- disguised handwriting were discovered, and Stone gave his crazy evidence,
- and a story of heartless seduction under solemn promise of marriage and of
- abandonment with cynical offer of money was established, and the
- fashionable portrait-painter, who was supposed to be the hero of the tale,
- awoke one morning and found himself infamous. The thing, instead of
- remaining a mere police-court commonplace, became a society scandal.
- Exaggeration was inevitable, not only of facts but of the reprobation a
- virtuous community pronounces on the specially pilloried wrongdoer. The
- scapegoat in its essential significance is by no means a thing of
- legendary history. It exists still, and owes its existence to an
- ineradicable instinct in human nature. The reprobation aforesaid is due
- not entirely to hypocrisy, as the social satirist would have it, but in a
- great measure to an unreasoning impulse towards expiation of offences by
- horrified condemnation of some notorious other. Thus it came to pass that
- upon Jimmie's head were put all the iniquities of the people and all their
- transgressions in all their sins, and he was led away into the social
- wilderness. After that, the world forgot him. He had been obscure enough
- before he burst for a day into the blaze of royal patronage; but now
- blackest darkness swallowed him up. Only Aline remained by his side.
- </p>
- <p>
- Morland wrote to Jimmie once after the exposure. As he had been the cause,
- said he, of the probable ruin of Jimmie's professional prospects, it was
- only right that he should endeavour to make some compensation. It was,
- besides, a privilege of their life-long friendship. He enclosed a cheque
- for two thousand pounds. Jimmie returned it.
- </p>
- <p>
- &ldquo;My dear Morland,&rdquo; he wrote in answer, &ldquo;loyalty can only be repaid by
- loyalty, love by love. If I accepted money, it would dishonour both
- yourself and me. It is true that I took upon me a greater burden than I
- was aware of. The world, if it knew the facts, would, as you say, call me
- a quixotic fool. But if I took your money it would have the right to call
- me a mercenary knave. I have always suffered fools gladly, myself the
- greatest. I can go on doing so. Meanwhile you can make full compensation
- in the only way possible. Devote your life and energies to the happiness
- of the woman you are about to marry.&rdquo; This was a stern letter for Jimmie
- to write. After he had posted it he reproached himself for not having put
- in a kind word.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0017" id="link2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVII&mdash;THE INCURABLE MALADY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span> 'll never let you
- inside the house again until you go down on your knees and beg Jimmie's
- pardon,&rdquo; cried Aline.
- </p>
- <p>
- She stood, a slim incarnation of outraged womanhood, with her hand on the
- knob of the open door. A scared but stubborn youth hesitated on the
- threshold. Few men, least of all lovers, like being turned out.
- </p>
- <p>
- &ldquo;I don't believe you care a hang for me!&rdquo; he said.
- </p>
- <p>
- &ldquo;I don't,&rdquo; she retorted bravely, but with tremulous lip. &ldquo;Not a hang, as
- you call it. I dislike you exceedingly and I don't want to see you any
- more. I'll never speak to anybody who believes such things of Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;But, my good child,&rdquo; expostulated Tony Merewether, &ldquo;they are facts; he
- never has denied them.&rdquo;
- </p>
- <p>
- &ldquo;He could if he liked.&rdquo;
- </p>
- <p>
- &ldquo;How do you know?&rdquo;
- </p>
- <p>
- &ldquo;How do I know?&rdquo; Aline repeated scornfully. &ldquo;That just shows how far we
- are apart. There's not the slightest reason for talking any more. You have
- insulted Jimmie and you are going on insulting him. I can't stand by this
- door forever. I want you to go.&rdquo;
- </p>
- <p>
- &ldquo;Oh, very well, I'll go,&rdquo; said the young fellow. &ldquo;But you've behaved
- damnably to me, Aline&mdash;simply damnably.&rdquo; He strode down the passage
- and slammed the front door behind him. Aline turned back into the prim
- little drawing-room where the interview had taken place, and after an
- attempt to remain composed and dignified, suddenly broke into tears. She
- could struggle no more against the cruelty of man and the hopelessness of
- life. It had been a stormy interview. Tony Merewether had come, as her
- natural protector, to insist upon immediate marriage. A small legacy
- recently bequeathed to him would enable them to marry with reasonable
- prudence. Why should they wait? Aline pleaded for time. How could she
- leave her beloved Jimmie in his blackest hour?
- </p>
- <p>
- &ldquo;It's just because I don't think it quite right for you to live here any
- longer, that I want you to come away at once,&rdquo; Tony had said.
- </p>
- <p>
- &ldquo;Not right to live here? What on earth do you mean?&rdquo; The luckless lover
- tried to explain. Aline regarded him icily, and in his confusion and
- discomfiture he lost the careful wrappings which he had prepared for his
- words.
- </p>
- <p>
- &ldquo;You think that Jimmie is not a fit person for me to associate with?&rdquo; she
- had asked in a dangerous tone.
- </p>
- <p>
- &ldquo;Yes, since you choose to put it that way,&rdquo; he had replied, nettled. He
- believed that women liked a man of spirit and generally yielded to a show
- of masterfulness. He was very young. Taking up his parable with greater
- confidence, he showed her the social and moral necessity of immediate
- recourse to his respectable protection. Naturally he admired her loyalty,
- he signified, with a magnanimous wave of the hand; but there were certain
- things girls did not quite comprehend; a man's judgment had to be trusted.
- He invited her to surrender entirely to his wisdom. The end of it all was
- his ignominious dismissal. She would not see him until he had begged
- Jimmie's pardon on his knees.
- </p>
- <p>
- But now she buried her face in the sofa-cushions and sobbed. It was her
- first poignant disillusion. Tony, whom she loved with all her heart, was
- just like everybody else, incapable of pure faith, ready to believe the
- worst. He was cruel, uncharitable. She would never speak to him again. And
- the sweet shy dream of her young life was over. It was very tragical.
- </p>
- <p>
- Jimmie's step coming up the studio stairs caused her to spring from the
- sofa and frantically dry her eyes before the mirror. The steps advanced
- along the passage, and soon Jimmie's head appeared at the door.
- </p>
- <p>
- &ldquo;Where have you hidden the little watercolour box?&rdquo; he asked cheerily.
- </p>
- <p>
- &ldquo;In the cupboard. On the second shelf,&rdquo; she replied, without turning
- round.
- </p>
- <p>
- He caught sight of the reflection of a tear-stained face, and came and
- stood by her side.
- </p>
- <p>
- &ldquo;Why, you've been crying!&rdquo;
- </p>
- <p>
- &ldquo;I suppose I have,&rdquo; she admitted with affectionate defiance, looking up
- into his face. &ldquo;Why should n't I, if I like? It's not a crime.&rdquo;
- </p>
- <p>
- &ldquo;It's worse&mdash;it's a blunder,&rdquo; he quoted with a smile. &ldquo;It can't do
- any one any good, and it makes your pretty nose red. That will spoil your
- good looks.&rdquo;
- </p>
- <p>
- &ldquo;I wish it would. My looks will never matter to anybody,&rdquo; she said
- desperately.
- </p>
- <p>
- He put his arm round her shoulders, just as he had done since she could
- remember.
- </p>
- <p>
- &ldquo;What has happened to distress you&mdash;more than usual?&rdquo; he added.
- </p>
- <p>
- She was silent for a moment, and hung her head.
- </p>
- <p>
- &ldquo;I've broken off with Tony,&rdquo; she said in a low voice.
- </p>
- <p>
- &ldquo;You'll mend it up with Tony at once, my dear.&rdquo;
- </p>
- <p>
- &ldquo;I'll never marry him,&rdquo; declared Aline.
- </p>
- <p>
- &ldquo;You'll write and tell him that you'll marry him at the very first
- opportunity. There are reasons why you should, Aline, grave reasons.&rdquo;
- </p>
- <p>
- &ldquo;You wouldn't have me marry any one I dislike intensely?&rdquo; she flashed.
- </p>
- <p>
- &ldquo;Wouldn't you do it to please me, even though you hated him violently? I
- have been going to speak to you about this. It's high time you were
- married, dear, and I particularly wish it. So make friends with Tony as
- soon as ever you can.&rdquo;
- </p>
- <p>
- &ldquo;I never want to see Tony again&mdash;until he has gone on his bended
- knees to you,&rdquo; said Aline, with a quivering lip. &ldquo;I don't want to breathe
- the same air with any one who does n't think of you as I do.&rdquo;
- </p>
- <p>
- This was the first allusion that the girl had made to unhappy things,
- since they had become common knowledge a month ago. She had conveyed to
- him by increased tenderness and devotion that she loved him all the more
- for his suffering, and it had been easy for him to perceive that the main
- facts of the story were not unknown to her. But hitherto there had been
- absolute silence on the part of each. He had been greatly puzzled as to
- the proper course he should take. An interview with Tony Merewether that
- morning had decided him. It had been short, coldly courteous on the young
- fellow's side, who merely asked and obtained consent to marry Aline
- forthwith, and wistfully dignified on Jimmie's.
- </p>
- <p>
- He sat down on the arm of a chair and took her hand, deeply moved by her
- passionate faith in him.
- </p>
- <p>
- &ldquo;Listen, dear. I am a dishonoured man and it is n't right that you should
- live with me any longer. Tony, dear good fellow, is no more to blame for
- what he thinks of me than the crazy wronged man who shot me. But the only
- way for you to make him think better is to marry him. No, don't interrupt.
- Stand quietly and let me talk to you. I've been making plans and I should
- be tremendously upset if there was any difficulty. I'm going to give up
- the house and studio.&rdquo;
- </p>
- <p>
- Aline regarded him in frightened amazement, and then looked round as if
- the familiar walls and furniture were in danger of incontinent
- disappearance.
- </p>
- <p>
- &ldquo;What?&rdquo; she gasped.
- </p>
- <p>
- &ldquo;I shall give it up and wander about painting abroad, so it's absolutely
- necessary that you should marry Tony. Otherwise I don't know what on earth
- I should do with you.&rdquo;
- </p>
- <p>
- He swung her hand and looked smilingly into her eyes.
- </p>
- <p>
- &ldquo;You see I really am in a hurry to get rid of you,&rdquo; he added.
- </p>
- <p>
- Aline gazed at him for a long time, gradually recovering from her
- stupefaction. Then she withdrew her hand from his clasp and laughed.
- </p>
- <p>
- &ldquo;You are talking unadulterated rubbish, Jimmie,&rdquo; she said.
- </p>
- <p>
- Upon this declaration she took her stand, and no protest or argument could
- move her. She withstood triumphantly a siege of several days. Jimmie tried
- to exert his quasiparental authority. But the submissive little girl, who
- had always yielded when Jimmie claimed obedience, had given place to a
- calmly inflexible woman. Jimmie swore that he would not commit the crime
- of spoiling her life's happiness. She replied, with a toss of her head and
- a pang of her heart, that her life's happiness had nothing to do with Tony
- Merewether, and that if it did, the crime would lie at his door and not at
- Jimmie's.
- </p>
- <p>
- &ldquo;As for leaving you alone in the wide world, I would just as soon think of
- deserting a new-born baby in the street,&rdquo; she said. &ldquo;You are not fit to be
- by yourself. And whether you like it or not, Jimmie, I must stay and look
- after you.&rdquo;
- </p>
- <p>
- At last, by the underhand methods which women often employ for the greater
- comfort of men, she cajoled him into an admission. The plan of giving up
- the house had, as its sole object, the forcing of her hand. Victorious,
- she allowed herself to shed tears over his goodness. Just for her
- miserable sake he had proposed to turn himself into a homeless wanderer
- over the face of Europe.
- </p>
- <p>
- &ldquo;Do tell me, Jimmie,&rdquo; she said, &ldquo;how it feels to be an angel!&rdquo;
- </p>
- <p>
- He laughed in his old bright way.
- </p>
- <p>
- &ldquo;Very uncomfortable when a tyrannical young woman cuts your wings off.&rdquo;
- </p>
- <p>
- &ldquo;But I do it for your good, Jimmie,&rdquo; she retorted. &ldquo;If I did n't, you
- would be flying about helplessly.&rdquo;
- </p>
- <p>
- Thus the clouds that lay around them were lit with tender jesting. During
- this passage through the darkness he never faltered, serene in his faith,
- having found triumphant vindication thereof in the devotion of Aline. That
- he had made a sacrifice greater than any human being had a right to demand
- of another, he knew full well; he had been driven on to more perilous
- reefs than he had contemplated; the man whom he had imagined Morland to be
- would have thrown all planks of safety to the waves in order to rescue
- him. He felt acutely the pain of his shipwreck; but he did not glorify
- himself as a martyr: he was satisfied that it was for the worshipped
- woman's happiness, and that in itself was a reward. His catholic sympathy
- even found extenuating circumstances in Morland's conduct. Once when Aline
- inveighed against his desertion, he said in the grave manner in which he
- delivered himself of his moral maxims:
- </p>
- <p>
- &ldquo;We ought never to judge a human being's actions until we know his
- motives.&rdquo;
- </p>
- <p>
- Aline thought the actions were quite sufficient for a working philosophy,
- but she did not say so. Jimmie half guessed the motives and judged
- leniently. Though he had lost much that made life sweet to him, his heart
- remained unchanged, his laugh rang true through the house; and were it not
- for the loneliness and the dismal blight in her own little soul, Aline
- would not have realised that any calamitous event had happened.
- </p>
- <p>
- One other of Jimmie's friends maintained relations with him. This was
- Connie Deering. She had gone abroad soon after the disaster, and moved by
- various feelings for which she rather forbade her impulsive self to
- account, had written one or two oddly expressed letters. In the first one
- she had touched lightly upon the difficult subject. She would not have
- believed a word of it, if she had not heard it from his own lips. If he
- would write to her and say that it was all a lie, she would accept his
- word implicitly. He was either a god or a devil&mdash;a remark that filled
- Jimmie with considerable alarm. A shrewd brain was inside the pretty
- butterfly head. In his reply he ignored the question, an example which
- Connie followed in her second letter. This consisted mainly in a rambling
- account of the beauty of Stresa and the comforts and excellent cuisine of
- the hotel by the lake; but a postscript informed him that Norma was
- travelling about with her for an indefinite period, and that she had heard
- nothing of Morland, who having easily won his election was now probably
- busy with the beginning of the autumn session. Jimmie, unversed in the
- postscriptal ways of women, accepted the information as merely the literal
- statement of facts. A wiser man would have grasped the delicate
- implication that the relations between the affianced pair were so strained
- that an interval of separation had seemed desirable.
- </p>
- <p>
- The unshaken faith of the man in the ultimate righteousness of things kept
- him serene; but the young girl who had no special faith, save in the
- perfect righteousness of Jimmie and the dastardly unrighteousness of the
- world in general and of Mr. Anthony Merewether in particular, found it
- difficult to live in these high altitudes of philosophy. Indeed she was a
- very miserable little girl when Jimmie was not by, and pined, and cried
- her heart out, and grew thin and pale and sharp-tempered, and filled her
- guardian with much concern. At last Jimmie took heroic measures. Without
- Aline's knowledge he summoned Tony Merewether to an interview. The young
- man came. Jimmie received him in the studio, begged him to take a seat,
- and rang the bell. The middle-aged housekeeper ran down in some
- perturbation at the unusual summons, for it was Jimmie's habit to shout up
- the stairs, generally to Aline, for anything he wanted. She received his
- instructions. Miss Aline would oblige him by coming down at once. During
- the interval of waiting he talked to Mr. Merewether of indifferent things,
- flattering himself on a sudden development of the diplomatic faculty.
- Aline ran into the room, and stopped short at the sight of the young man,
- uttering a little cry of indignant surprise. Jimmie cleared his throat,
- but the oration that he had prepared was never delivered. Aline marched
- straight up to the offending lover.
- </p>
- <p>
- &ldquo;I don't see you on your knees,&rdquo; she said.
- </p>
- <p>
- Tony, who was entirely unexpectant of this uncompromising attitude, having
- taken it for granted that by some means or other the way had been made
- smooth for him, retorted somewhat sharply:
- </p>
- <p>
- &ldquo;You're not likely to.&rdquo;
- </p>
- <p>
- &ldquo;Then I wonder,&rdquo; said Aline, &ldquo;at your audacity in coming to this house.&rdquo;
- She turned and marched back to the door, her little figure very erect and
- her dark eyes blazing. Jimmie intercepted her.
- </p>
- <p>
- &ldquo;Tony came at my request, my child.&rdquo;
- </p>
- <p>
- For the first and only time in her life she cast a look of anger upon
- Jimmie.
- </p>
- <p>
- &ldquo;Let me pass, please,&rdquo; she said, like an outraged princess; and waving
- Jimmie aside, she made the exit of offended majesty.
- </p>
- <p>
- The two men looked stupidly at each other. Their position was ignominious.
- </p>
- <p>
- &ldquo;I did it for the best, my boy,&rdquo; said Jimmie, taking up a pipe which he
- began to fill mechanically. He was just the kind creature of happier days.
- The young fellow's heart was touched. After a minute's silence he
- committed a passionate indiscretion.
- </p>
- <p>
- &ldquo;I wish to God you would tell me there is something hidden beneath this
- ghastly story, and that it's quite different from what it appears to be!&rdquo;
- </p>
- <p>
- Jimmie drew himself up and looked the young man between the eyes.
- </p>
- <p>
- &ldquo;That's a question I discuss with no human being,&rdquo; said he.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; said Tony Merewether, in sincere apology. &ldquo;I would
- not have taken such a liberty if it had n't been a matter of life and
- death for me. Perhaps you think I ought to do more or less as Aline asks
- me; but she is too precious to purchase with an infernal lie. I'm hanged
- if I'll do it, and I don't think you're the man to misunderstand my
- frankness.&rdquo;
- </p>
- <p>
- Jimmie had lit his pipe during the foregoing speech. He drew two or three
- meditative puffs.
- </p>
- <p>
- &ldquo;Have as little to do with lies, my boy, as ever you can,&rdquo; said he. &ldquo;And
- cheer up, all is sure to come right in the end.&rdquo;
- </p>
- <p>
- He was sunk in reflection for a long time after the young man had gone,
- and again for a long time after Aline had done remorseful penance for her
- loss of temper. Then he went out for a walk and brought back something in
- his pocket. At dinner-time he was unusually preoccupied. When the meal was
- over, he fished up a black bottle from beneath the table, and going to the
- sideboard, came back with a couple of wineglasses. Aline watched him as
- though he were performing some rite in black magic.
- </p>
- <p>
- &ldquo;This is rich fruity port,&rdquo; said he, filling the glasses. &ldquo;Evans, the
- grocer, told me I should get nothing like it at the price in London. You
- are to drink it. It will do you good.&rdquo;
- </p>
- <p>
- Aline, still penitent, obeyed meekly.
- </p>
- <p>
- &ldquo;How could you be so extravagant, Jimmie?&rdquo; she said in mild protest. &ldquo;It
- must have cost quite three shillings.&rdquo;
- </p>
- <p>
- &ldquo;And sixpence,&rdquo; said Jimmie, unabashed. He lifted up his glass. &ldquo;Now
- here's to our <i>Wanderjahr</i>, or as much of it as we can run to.&rdquo;
- </p>
- <p>
- &ldquo;Whatever do you mean, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;I mean my dear,&rdquo; said he, &ldquo;that we are going to take a knapsack, a
- tambourine and a flute, and appropriate ribbons for our costumes, and beg
- our way through southern Europe.&rdquo;
- </p>
- <p>
- He explained and developed his plan, the result of his meditations, in his
- laughing picturesque way. They were doing nothing but eating expensive fog
- in November London. A diet of sunshine and garlic would be cheaper. They
- would walk under the olive-trees and drift about on lagoons, and whisper
- with dead ages in the moonlit gloom of crumbling palaces. They would go
- over hills on donkeys. They would steep their souls in Perugino, Del
- Sarto, Giorgione. They would teach the gaunt Italian flea to respect
- British Keating's powder. They would fraternise with the beautiful maidens
- of Arles and sit on the top of Giotto's Campanile. They would do all kinds
- of impossible things. Afford it? Of course they could. Had he not received
- his just dues from the princess and sold two pictures a week or two ago?
- At this point he fell thinking for a couple of dreamy minutes.
- </p>
- <p>
- &ldquo;I meant to give you a carriage, dear,&rdquo; he said at last in mild apology.
- &ldquo;I'm afraid it will have to be a third-class one.&rdquo;
- </p>
- <p>
- &ldquo;A fourth or fifth would be good enough for me,&rdquo; cried Aline. &ldquo;Or I could
- walk all the way with you. Don't I know you have planned it out just for
- my sake?&rdquo;
- </p>
- <p>
- &ldquo;Rubbish, my dear,&rdquo; said Jimmie, holding the precious wine to the light.
- &ldquo;I'm taking you because I don't see how I can leave you behind. You have
- no idea what an abominable nuisance you'll be.&rdquo;
- </p>
- <p>
- Aline laughed a joyous laugh which did Jimmie good to hear, and came
- behind his chair and put her arms about his neck, behaving foolishly as a
- young girl penetrated with the sense of the loved one's goodness is
- privileged to do. What she said is of infinitesimal importance, but it
- lifted care from Jimmie's heart and made him as happy as a child. Like two
- children, they discussed the project; and Aline fetching from the top
- shelf of the bookcase in Jimmie's bedroom a forlorn, dusty, yellow-paged
- Continental Bradshaw, twenty years old, they looked up phantom trains that
- had long ceased running, speculated on the merits of dead-and-gone hotels,
- and plunged into the fairyland of anachronistic information.
- </p>
- <p>
- A few days were enough for Jimmie's simple arrangements; and then began
- the pilgrimage of these two, each bearing a burden, a heart-ache, a pain
- from which there was no escaping, but each bearing it with a certain
- splendour of courage that made life beautiful to the other. For the girl
- suffered keenly, as Jimmie knew. She had given a passionate heart for good
- and all to the handsome young fellow who had refused to bow the knee to
- the man whom he had every reason to consider a blackguard. They had come
- together, youth to youth, as naturally as two young birds in the first
- mating-season; but, fortunately or unfortunately for Aline, she was not a
- bird, but a human being of unalterable affections and indomitable
- character. She had the glorious faith, <i>quia incredibile</i>, in Jimmie,
- and rather than swerve aside from it she would have walked on knife edges
- all the rest of her days. So she scorned the pain, and scorned herself for
- feeling it when she saw the serenity with which he bore his cross. Dimly
- she felt that if the truth were known he would stand forth heroically, not
- infamously. She had revered him as a child does its father; but in that
- sweet and pure relationship of theirs, she had also watched him with the
- minute, jealous solicitude that a mother devotes to an only child who is
- incapable of looking after itself. Nothing in his character had escaped
- her. She knew both his strength and his enchanting weaknesses. To her
- trained eyes, he was all but transparent; and of late her quickened vision
- had read in letters of fire across his heart, &ldquo;The desire of the moth for
- the star.&rdquo;
- </p>
- <p>
- So they travelled through the world, hand in hand, as it were, and drank
- together of its beauty. They were memorable journeyings. Sleeping-cars and
- palatial hotels and the luxuries of modern travel were not for them.
- Aline, who knew that Jimmie, as far as he himself was concerned, would
- have slept upon wood quite as cheerfully as upon feathers, but for her
- sake would have royally commanded down, held the purse-strings and
- dictated the expenditure. They had long, wonderful third-class journeys,
- stopping at every wayside station, at each having some picturesque change
- of company in the ever-crowded, evil-smelling, wooden-seated compartment.
- She laughed at Jimmie's fears as to her discomfort; protested with
- energetic sincerity that this was the only way in the world to travel with
- enjoyment. It was a never-failing interest to see Jimmie disarm the
- suspicion of peasants by his sympathetic knowledge of their interests, to
- listen to his arguments with the chance-met curé, perspiring and polite,
- or the mild young soldier in a brass helmet a size too big for him. In
- France she understood what they were saying, and maintained a proper
- protectorate over Jimmie by means of a rough and ready acquaintance with
- the vernacular. But in Italy she was dumb, could only regard Jimmie in
- open-mouthed astonishment and admiration. He spoke Italian. She had known
- him all her life and never suspected this accomplishment. It required some
- tact to keep him in his proper position as interpreter and restrain him
- from acting on his own initiative. In the towns they put up at little
- humble hostelries in by-streets and in country-places at rough inns,
- eating rude fare and drinking sour wine with great content. The more they
- economised the longer would the idyllic vagabondage last.
- </p>
- <p>
- Through southern France and northern Italy they wandered without fixed
- plans, going from place to place as humour seized them, seeking the
- sunshine. At last it seemed to be their normal existence. London with its
- pain and its passion grew remote like the remembered anguish of a dream.
- Few communications reached them. The local newspaper gave them all the
- tidings they needed of the great world. It was a life free from vexation.
- The decaying splendour of the larger cities with their treasure-houses of
- painting and sculpture and their majestic palaces profoundly stirred the
- young girl's imagination and widened her conceptions and sympathies. But
- she loved best to arrive by a crazy, old-world diligence at some little
- townlet built on a sunny hillside, whose crumbling walls were the haunts
- of lizards and birds and strange wild-flowers; and having rested and eaten
- at the dark little <i>albergo</i>, smelling of wine and garlic and all
- Italian smells, to saunter out with Jimmie through the narrow, ill-paved,
- clattering streets alive with brown children and dark-eyed mothers, and
- men sitting on doorsteps violently gesticulating and screaming over the
- game of <i>morra</i>, and to explore the impossible place from end to end.
- A step or two when they desired it would bring them to the sudden peace of
- the mediaeval church, with its memories of Romanesque tradition and faint
- stirrings of Gothic curiously reflecting the faith of its builders; the
- rough, weather-beaten casket of one flawless gem of art, a Virgin smiling
- over the child on her lap at many generations of worshippers, superbly
- eternal and yet quaintly woman. And then they would pass out of the chilly
- streets and down the declivitous pathways below the town and sit together
- on the hillside, in a sun-baked spot sheltered from the wind. This Aline,
- vaguely conscious of the Infinite, called &ldquo;hanging on the edge of
- Nowhere.&rdquo;
- </p>
- <p>
- One day, on such a hillside Jimmie had been painting three brown-faced
- children whom he had cajoled into posing for him, while Aline looked on
- dreamily. The urchins, dismissed with a few halfpennies, bowed polite
- thanks, the two boys taking off their caps with the air of ragged princes,
- and scampered away like rabbits out of sight.
- </p>
- <p>
- &ldquo;There!&rdquo; cried Jimmie, throwing down his brush and holding out the little
- panel at arm's length. &ldquo;I have never done anything so good in all my life!
- Have n't I got it? Is n't it better than ten cathedralfuls of sermons? Is
- n't it the quintessence of happiness, the perfect trust in the sweet earth
- to yield them its goodness? Could any one after seeing that dare say the
- world was only a dank and dismal prison where men do nothing but sit and
- hear each other groan? Look at it, Aline. What do you think of it?&rdquo;
- </p>
- <p>
- &ldquo;It's just lovely, Jimmie,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;If I painted a pink hippopotamus standing on its head, you would say it
- was lovely. Why did n't you tell me that arm was out of drawing?&rdquo;
- </p>
- <p>
- He took up his brush and made the necessary correction. Aline laughed.
- </p>
- <p>
- &ldquo;Do you know one of the few things I can remember my father saying was
- about you?&rdquo;
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; said Jimmie. &ldquo;I had almost forgotten you ever had a
- father&mdash;dear old chap! What did he say?&rdquo;
- </p>
- <p>
- &ldquo;I remember him telling you that one day you would die of incurable
- optimism. For years I used to think it was some horrible disease, and I
- used to whisper in my prayers, 'O God, please cure Jimmie of optimism,'
- and sometimes lie awake at nights thinking of it.&rdquo;
- </p>
- <p>
- &ldquo;Well, do you think your prayer has been answered?&rdquo; asked Jimmie, amused.
- </p>
- <p>
- She shifted herself a little nearer him and put her hand on his knee.
- </p>
- <p>
- &ldquo;Thank goodness, no. You've got it as bad as ever&mdash;and I believe I've
- caught it.&rdquo; Then, between a sob and a laugh, she added:
- </p>
- <p>
- &ldquo;Oh, Jimmie dear, your stupid old head could never tell you what you have
- done for me since we have been abroad. If I had stayed at home I think I
- should have died of&mdash;of&mdash;of malignant pessimism. You will never,
- never, never understand.&rdquo;
- </p>
- <p>
- &ldquo;And will you ever understand what you have done for me, my child?&rdquo; said
- Jimmie, gravely. &ldquo;We won't talk about these things. They are best in our
- hearts.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0018" id="link2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVIII&mdash;A RUDDERLESS SHIP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT autumn pressed
- heavily upon Mrs. Hardacre. Norma's engagement, without being broken off,
- was indefinitely suspended, and Norma, by going abroad with Mrs. Deering
- immediately on her return from Cornwall, had placed herself beyond reach
- of maternal influence. It is true that Mrs. Hardacre wrote many letters;
- but as Norma's replies mainly consisted of a line or two on a picture
- post-card, it is to be doubted whether she ever read them. Mrs. Hardacre
- began to feel helpless. Morland could give her little assistance. He
- shrugged his shoulders at her appeals. He was perfectly determined to
- marry Norma, but trusted to time to restore her common-sense and lead her
- into the path of reason. Nothing that he could do would be of any avail.
- Mrs. Hardacre urged him to join the ladies on the Continent and bring
- matters to a crisis. He replied that an election was crisis enough for one
- man in a year, and furthermore the autumn session necessitated his
- attendance in the House. He was quite satisfied, he told her stolidly,
- with things as they were, and in the meantime was actually finding an
- interest in his new political life. But Mrs. Hardacre shared neither his
- satisfaction nor his interest, a mother's point of view being so different
- from that of a lover.
- </p>
- <p>
- As if the loss of ducal favour and filial obedience were not enough for
- the distraught lady, her husband one morning threw a business letter upon
- the table, and with petulant curses on the heads of outside brokers,
- incoherently explained that he was ruined. They were liars and knaves and
- thieves, he sputtered. He would drag them all into the police court, he
- would write to the &ldquo;Times,&rdquo; he would go and horsewhip the blackguards.
- Damme if he would n't!
- </p>
- <p>
- &ldquo;I wish the blackguards could horsewhip you,&rdquo; remarked his wife, grimly.
- &ldquo;Have you sufficient brains to realise what an unutterable fool you have
- been?&rdquo;
- </p>
- <p>
- If he did not realise it by the end of the week, it was not Mrs.
- Hardacre's fault. She reduced the unhappy man to craven submission and
- surreptitious nipping of old brandy in order to keep up the feeble spirit
- that remained in him, and took the direction of affairs into her own
- hands. They were not ruined, but a considerable sum of money had been lost
- through semi-idiotic speculation, and for a time strict economy was
- necessary. By Christmas the establishment in the country was broken up, a
- tenant luckily found for Heddon Court, and a small furnished house taken
- in Devonshire Place. These arrangements gave Mrs. Hardacre much
- occupation, but they did not tend to soften her character. When Norma came
- home, sympathetically inclined and honestly desirous to smooth down
- asperities&mdash;for she appreciated the aggravating folly of her father&mdash;she
- found her advances coldly repulsed.
- </p>
- <p>
- &ldquo;What is the good of saying you are sorry for me,&rdquo; Mrs. Hardacre asked
- snappishly, &ldquo;when you refuse to do the one thing that can mend matters?&rdquo;
- </p>
- <p>
- Then followed the old, old story which Norma had heard so often in days
- past, but now barbed with a new moral and adorned with new realism. Norma
- listened wearily, surprised at her own lack of retort. When the familiar
- homily came to an end, her reply was almost meek:
- </p>
- <p>
- &ldquo;Give me a little longer time to think over it.&rdquo;
- </p>
- <p>
- &ldquo;You had better cut it as short as possible,&rdquo; said Mrs. Hardacre, &ldquo;or you
- may find yourself too late. As it is, you are going off. What have you
- been doing to yourself? You look thirty.&rdquo;
- </p>
- <p>
- &ldquo;I feel fifty,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;You had better go and have your face massaged, or you'll soon not be fit
- to be seen.&rdquo;
- </p>
- <p>
- &ldquo;I think I want a course of soul massage,&rdquo; answered Norma, with a hard
- little laugh.
- </p>
- <p>
- But when she was alone in her own room, she looked anxiously at her face
- in the glass. Her mother had confirmed certain dismal imaginings. She had
- grown thinner, older looking; tiny lines were just perceptible at the
- corners of eyes and lips and across the forehead. The fresh bloom of youth
- was fading from her skin. She was certainly going off. She had not been a
- happy woman since her precipitate flight to Cornwall. The present
- discovery added anxiety to depression.
- </p>
- <p>
- A day or two afterwards Mrs. Hardacre returned to the unedifying attack.
- Had Norma written to Morland to inform him of her arrival? Norma replied
- that she had no inordinate longing to see Morland. Mrs. Hardacre used
- language that only hardened and soured women of fashion who are beginning
- to feel the pinch of poverty dare use nowadays. It is far more virulent
- than a fishwife's, for every phrase touches a jangling nerve and every
- gibe tears a delicate fibre, whereas Billingsgate merely shocks and
- belabours. Norma bore it in silence for some time, and then went away
- quivering from head to foot. A new and what seemed a horrible gift had
- been bestowed upon her&mdash;the power to feel. Once a sarcastic smile, a
- scornful glance, a withering retort would have carried her in triumph from
- her mother's presence. Secure in her own callous serenity, she would have
- given scarcely a further thought to the quarrel. Now things had
- inexplicably changed. Her mother's stabs hurt. Some curious living growth
- within her was wrung with pain. She could only grope humbled and broken to
- her room and stare at nothing, wishing she could cry like other women.
- </p>
- <p>
- No wonder she looked old, when the spirit had left her and taken with it
- the cold, proud setting of the features that had given her beauty its
- peculiar stamp. Dimly she realised the disintegration. When a nature which
- has taken a colossal vanity for strength and has relied thereon
- unquestioningly for protection against a perilous world, once loses grip
- of that sublime mainstay, it is impossible for it to take firm hold again.
- It must content itself with lesser planks or flounder helplessly, fearful
- of imminent shipwreck. Norma, during those autumn months, had found her
- strength vanity. The fact in rude, symbolic form was brought home to her a
- short time after her return.
- </p>
- <p>
- It was a bright Sunday afternoon, when, on her way to pay a call in
- Kensington, she had dismissed her cab at Lancaster Gate and was walking
- through Kensington Gardens. Half-way a familiar figure met her eye. It was
- her own maid sitting on a bench with a man by her side. The girl was
- wearing a cheap long jacket over an elaborate dress, absurdly light for
- the time of year. It caught Norma's attention, and then suddenly it
- flashed upon her that it was the dress she had given to be burned months
- ago. She walked on, aching with a sense of the futility of grandiose
- determinations. She had consigned the garment stained with Jimmie's blood
- contemptuously to the flames. It was incongruously whole in Kensington
- Gardens. She had cast her love for Jimmie out of her heart in the same
- spirit of comedic tragedy. Forlorn and bedraggled it was still there,
- mockingly refusing to be reduced to its proper dust and ashes. Her
- strength had not availed her to cast it out. Her strength was a vain
- thing. Yet being forlorn and bedraggled the love was as hateful as the
- unconsumed garment. It haunted her like an unpurged offence. The newspaper
- details had made it reek disgustfully. At times Connie Deering's half
- faith filled her with an extravagant hope that these sordid horrors which
- had sullied the one pure and beautiful thing that had come into her life
- were nothing but a ghastly mistake; that it was, as Connie suggested, a
- dark mystery from which if Jimmie chose he could emerge clean. But then
- her judgment, trained from childhood to look below the surface of even
- smiling things and find them foul, rebelled. The man had proclaimed
- himself, written himself down a villain. It was in black and white. And
- not only a villain&mdash;that might be excusable&mdash;but a hypocritical
- canting villain, which was the unforgivable sin. Every woman has a Holy
- Ghost of sorts within her.
- </p>
- <p>
- Norma did not write to Morland. She dreaded renewal of relations, and yet
- she had not the courage to cut him finally adrift. The thought of withered
- spinsterhood beneath her father's roof was a dismaying vision. Marriage
- was as essential as ever to the scheme of her future. Why not with
- Morland? Her mother's words, though spoken as with the tongues of asps,
- were those of wisdom.
- </p>
- <p>
- All that she could bring to a husband was her beauty, her superb presence,
- her air of royalty. These gone, her chances were as illusory as those of
- the pinched and faded gentlewomen who tittle-tattled at Cosford
- tea-parties. Another year, and at the present rate of decay her beauty
- would have vanished into the limbo of last year's snows. She exaggerated;
- but what young woman of six-and-twenty placed as she has not looked
- tremulously in her mirror and seen feet of crows and heaven knows what
- imaginary fowls that prey upon female charms? At six-and-thirty she smiles
- with wistful, longing regret at the remembered image. Yet youth, happily,
- is not cognisant of youth's absurdities. It takes itself tragically. Thus
- did Norma. Her dowry of beauty was dwindling. She must marry within the
- year. Sometimes she wished that Theodore Weever, who had not yet
- discovered his decorative wife and had managed to find himself at various
- places which she had visited abroad, would come like a Paladin and deliver
- her from her distress and carry her off to his castle in Fifth Avenue. He
- would at least interest her as a human being, which Morland, with all his
- solid British qualities, had never succeeded in doing. But Theodore Weever
- had not spoken. He retained the imperturbability of the bald marble bust
- of himself that he had taken her to see in a Parisian sculptor's studio.
- There only remained Morland. But for some reason, for which she could not
- account, he seemed the last man on earth she desired to marry. When she
- had written to him, soon after her flight to Cornwall, to beg for a
- postponement of the wedding, giving him the very vaguest reasons for her
- request, he had assented with a cheerfulness ill befitting an impatient
- lover. It would be impertinence, he wrote, for him to enquire further into
- her reasons. She was too much a woman of the world to act without due
- consideration, and provided that he could look forward to the very great
- happiness of one day calling her his wife, he was perfectly satisfied with
- whatever she chose to arrange. The absence of becoming fervour, in spite
- of her desire to postpone the dreaded day, produced a feeling of irritated
- disappointment. None of us, least of all women, invariably like to be
- taken at our word. If Morland lay so little value upon her as that, he
- might just as well give her up altogether. She replied impulsively,
- suggesting a rupture of the engagement. Morland, longing for time to raise
- him from the abasement in which he grovelled, had welcomed the proposal to
- defer the marriage; but as he smarted at the same time under a sense of
- wrong&mdash;had he not been betrayed by his own familiar friend and the
- woman he loved?&mdash;he now unequivocally refused to accept her
- suggestion. He had made up his mind to marry her. He had made all his
- arrangements for marrying her. The check he had experienced had stimulated
- a desire which only through unhappy circumstances had languished for a
- brief season. He persuaded himself that he was more in love with her than
- ever. At all costs, in his stupid, dogged way, he determined to marry her.
- He told her so bluntly. He merely awaited her good pleasure. Norma
- accepted the situation and thought, by going abroad, to leave it at home
- to take care of itself. It might die of inanition. Something miraculous
- might happen to transform it entirely. She returned and found it alive and
- quite undeveloped. It grinned at her with a leer which she loathed from
- the depths of her soul; and the more Mrs. Hardacre pointed at it the more
- it leered, and the greater became the loathing.
- </p>
- <p>
- At last Mrs. Hardacre took matters into her own hands and summoned Morland
- to London. &ldquo;Norma is in a green, depressed state,&rdquo; she wrote, &ldquo;and I think
- your proper place is by her side. I imagine she regrets her foolishness in
- postponing the marriage and is ashamed to confess it. A few words with you
- face to face would bring her back to her old self. Women have these
- idiotic ways, my dear Morland, and men being so much stronger and saner
- must make generous allowances. I confidently expect you.&rdquo;
- </p>
- <p>
- Morland's vanity, spurred by this letter, brought him in a couple of days
- to London.
- </p>
- <p>
- &ldquo;My dear Morland, this is a surprise,&rdquo; cried Mrs. Hardacre dissemblingly,
- as he entered the drawing-room, &ldquo;we were only just talking of you. I'll
- ring for another cup.&rdquo;
- </p>
- <p>
- She moved to the bell by the side of the fireplace, and Norma and Morland
- shook hands with the conventional words of greeting.
- </p>
- <p>
- &ldquo;I hope you've had a good time abroad?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes. The usual thing, the usual places, the usual people, the usual
- food. In fact, a highly successful pursuit of the usual. I've invented a
- verb&mdash;'to usualise.' I suppose you've been usualising too?&rdquo;
- </p>
- <p>
- The sudden sight of him had braced her, and instinctively she had adopted
- her old, cool manner as defensive armour. Her reply pleased him. There was
- something pungent in her speech, irreconcilable in her attitude, which
- other women did not possess. He was not physiognomist or even perceptive
- enough to notice the subtle change in her expression. He noted, as he
- remarked to her later, that she was &ldquo;a bit off colour,&rdquo; but he attributed
- it to the muggy weather, and never dreamed of regarding her otherwise than
- as radically the same woman who had engaged herself to many him in the
- summer. To him she was still the beautiful shrew whose taming appealed to
- masculine instincts. The brown hair sweeping up in a wave from the
- forehead, the finely chiselled sensitive features, the clear brown eyes,
- the mocking lips, the superb poise of the head, the stately figure
- perfectly set off in the dark blue tailor-made dress, all combined to
- impress him with a realisation of the queenliness of the presence that had
- grown somewhat shadowy of late to his unimaginative mental vision.
- </p>
- <p>
- &ldquo;And how do you like Parliament?&rdquo; she asked casually, when the teacup had
- been brought and handed to him filled.
- </p>
- <p>
- &ldquo;I find it remarkably interesting,&rdquo; he replied sententiously. &ldquo;It is dull
- at times, of course, but no man can sit on those green benches and not
- feel he is helping to shape the destinies of a colossal Empire.&rdquo;
- </p>
- <p>
- &ldquo;Is that what you really feel&mdash;or is it what you say when you are
- responding for the House of Commons at a public dinner?&rdquo; asked Norma.
- </p>
- <p>
- Morland hesitated for a moment between huffiness and indulgence. In spite
- of his former gibes at the stale unprofitableness of parliamentary life,
- he had always had the stolid Briton's reverence for our Institutions, and
- now that he was actually a legislator, his traditions led him to take
- himself seriously.
- </p>
- <p>
- &ldquo;I have become a very keen politician, I assure you,&rdquo; he answered. &ldquo;If you
- saw the amount of work that falls on me, you would be astonished. If it
- were n't for Manisty&mdash;that's my secretary, you know&mdash;I don't see
- how I could get through it.&rdquo;
- </p>
- <p>
- &ldquo;I always wonder,&rdquo; said Mrs. Hardacre, &ldquo;how members manage to find time
- for anything. They work like galley-slaves for nothing at all. I regard
- them as simply sacrificing themselves for the public good.&rdquo;
- </p>
- <p>
- &ldquo;A member of Parliament is the noblest work of God. Don't, mother. Please
- leave us our illusions.&rdquo;
- </p>
- <p>
- &ldquo;What are they?&rdquo; asked Morland.
-</p>
- <p>
-&ldquo;One is that there are a few decently
- selfish people left in an age of altruists,&rdquo; said Norma.
- </p>
- <p>
- She talked for the sake of talking, careless of the stupid poverty of her
- epigram. Morland, as the healthy country gentleman alternating with the
- commonplace man about town, was a passable type enough, though failing to
- excite exuberant admiration. But Morland, with his narrow range of
- sympathies and pathetic ignorance of the thought of the day, posing
- solemnly as a trustee of the British Empire, aroused a scorn which she
- dare not express in words.
- </p>
- <p>
- &ldquo;I don't know that we are all altruists,&rdquo; replied Morland,
- good-temperedly. &ldquo;If we are good little members of Parliament, we may be
- rewarded with baronetcies and things. But one has to play the game
- thoroughly. It's worth it, is n't it, even from your point of view,
- Norma?&rdquo;
- </p>
- <p>
- &ldquo;You're just the class of man the government does best in rewarding,&rdquo;
- remarked Mrs. Hardacre, with her wintry smile that was meant to be
- conciliatory. &ldquo;A man of birth and position upholds the dignity of a title
- and is a credit to his party.&rdquo;
- </p>
- <p>
- Morland laughingly observed that it was early in the day to be thinking of
- parliamentary honours. He had not even made his maiden speech. As Norma
- remained silent, the conversation languished. Presently Mrs. Hardacre
- rose.
- </p>
- <p>
- &ldquo;I have no doubt you two want to have a talk together. Won't you stay and
- dine with us, Morland?&rdquo;
- </p>
- <p>
- He glanced at Norma, but failing to read an endorsement of the invitation
- in her face, made an excuse for declining.
- </p>
- <p>
- &ldquo;Then I will say good-bye and leave you. I would n't stand any nonsense if
- I were you,&rdquo; she added in a whisper through the door which he held open
- for her.
- </p>
- <p>
- He sauntered up to the fireplace and stood on the hearth-rug, his hands in
- his pockets. Norma, looking at him from her easy-chair, wondered at a
- certain ignobility that she detected for the first time beneath his bluff,
- prosperous air. In spite of birth and breeding he looked common.
- </p>
- <p>
- &ldquo;Well?&rdquo; he said. &ldquo;We had better have it out at once. What is it to be? I
- must have an answer sooner or later.&rdquo;
- </p>
- <p>
- &ldquo;Can't it be later?&rdquo;
- </p>
- <p>
- &ldquo;If you insist upon it. I'm not going to hold a pistol to your head, my
- dear girl. Only you must admit that I've treated you with every
- consideration. I have n't worried you. You took it into your head to put
- off our marriage. I felt you had your reasons and I raised no objection.
- But we can't go on like this forever, you know.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;Human nature. I am in love with you, and want to marry you.&rdquo;
- </p>
- <p>
- &ldquo;But supposing I am not in love with you, Morland. I've never pretended to
- be, have I?&rdquo;
- </p>
- <p>
- &ldquo;We need n't go over old ground. I accepted all that at the beginning. The
- present state of affairs is that we are engaged; when are we going to be
- married?&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't know,&rdquo; said Norma, desperately. &ldquo;I have n't thought of it
- seriously. I know I have behaved like a beast to you&mdash;you must
- forgive me. At times it has seemed as though I was not the right sort to
- marry and bring children into the world. I should loathe it!&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't think so,&rdquo; said Morland, in a tone he meant to be soothing.
- &ldquo;Besides&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I know what you are going to say&mdash;or at any rate what you would like
- to say. It's scarcely decent to talk of such things. But I have n't been
- brought up in a nunnery. I wish to God I had been. At all events, I am
- frank. I would loathe it&mdash;all that side of it. Could n't we suppress
- that side? Oh, yes, I am going to speak of it&mdash;it has been on my mind
- for months,&rdquo; she burst out, as Morland made a quick step towards her.
- </p>
- <p>
- He did not allow her to continue. With his hand on the arm of her chair,
- he bent down over her.
- </p>
- <p>
- &ldquo;You are talking wild nonsense,&rdquo; he said; and she flushed red and did not
- meet his eyes. &ldquo;When a man marries, he marries in the proper sense of the
- term, unless he is an outrageous imbecile. There is to be no question of
- that sort of thing. I thought you knew your world better. I want you&mdash;you
- yourself. Don't you understand that?&rdquo;
- </p>
- <p>
-Norma put out her hand to push him
- away. He seized it in his. She snatched it from him.
- </p>
- <p>
- &ldquo;Let me get up,&rdquo; she said, waving him off. She brushed past him, as she
- rose.
- </p>
- <p>
- &ldquo;We can't go on talking. What I've said has made it impossible. Let us
- change the subject. How long are you going to stay in town?&rdquo;
- </p>
- <p>
- &ldquo;I'm not going to change the subject,&rdquo; said Morland, rather brutally. &ldquo;I'm
- far too much interested in it. Hang it all, Norma, you do owe me
- something.&rdquo;
- </p>
- <p>
- &ldquo;What do I owe you? What?&rdquo; she asked with a sudden flash in her eyes.
- </p>
- <p>
- &ldquo;You are a woman of common-sense. I leave you to guess. You admit you have
- n't treated me properly. You have nothing to complain of as far as I am
- concerned. Now, have you?&rdquo;
- </p>
- <p>
- &ldquo;How do I know? No. I suppose not, as things go. Once I did try to&mdash;to
- feel more like other women&mdash;and to make some amends. I told you that
- perhaps we were making a mistake in excluding sentiment. If you had
- chosen, you could have&mdash;I don't know&mdash;made me care for you,
- perhaps. But you didn't choose. You treated me as if I were a fool. Very
- likely I was.&rdquo;
- </p>
- <p>
- &ldquo;When was that?&rdquo; asked Morland, with a touch of sarcasm. &ldquo;I certainly
- don't remember.&rdquo;
- </p>
- <p>
- &ldquo;It was the last night we had any talk together&mdash;in the
- billiard-room. The night before&mdash;before the garden-party.&rdquo; He turned
- away with an involuntary exclamation of anger. He remembered now, tragic
- events having put the incident out of his mind. He was caught in a trap.
- </p>
- <p>
- &ldquo;I did n't think you meant it,&rdquo; he said, hurrying to the base excuse.
- &ldquo;Women sometimes consider it their duty to say such things&mdash;to act a
- little comedy, out of kindness. Some fellows expect it. I thought it would
- be more decent to let you see that I did n't.&rdquo;
- </p>
- <p>
- There was a short silence. Norma stood in the centre of the room, biting
- her lip, her head moving slightly from side to side; she was seeking to
- formulate her thoughts in conventional terms. Her cheek grew a shade
- paler.
- </p>
- <p>
- &ldquo;Listen,&rdquo; she said at length. &ldquo;I am anything bad you like to call me. But
- I'm not a woman who cajoles men. And I'm not a liar. I'm far too cynical
- to lie. Truth is much more deadly. I hate lying. That's the main reason
- why I broke with a man I cared for more than for any other man I have ever
- met&mdash;because he lied. You know whom I mean.&rdquo;
- </p>
- <p>
- He faced her with a conscious effort. Even at this moment of strain and
- anger, Norma was struck again with the lurking air of ignobility on his
- face; but she only remembered it afterwards. He brazened it out.
- </p>
- <p>
- &ldquo;Jimmie Padgate, I suppose.&rdquo;
- </p>
- <p>
- &ldquo;I can't forgive him for lying.&rdquo;
- </p>
- <p>
- &ldquo;I don't see how he lied. He faced the music, at any rate, like a man,&rdquo;
- said Morland, compelled by a remnant of common decency to defend Jimmie.
- </p>
- <p>
- &ldquo;All his pose beforehand was a lie&mdash;unless the disclosures afterwards
- were lies&mdash;&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; asked Morland, sharply.
- </p>
- <p>
- &ldquo;Oh, never mind. We have not met to discuss the matter. I don't know why I
- referred to it.&rdquo;
- </p>
- <p>
- She paused for a moment. She had begun her tirade at a white heat.
- Suddenly she had cooled down, and felt lassitude in mind and limbs. An
- effort brought her to a lame conclusion.
- </p>
- <p>
- &ldquo;You accused me of acting a comedy. I was n't acting. I was perfectly
- sincere. I have been absolutely frank with you from the hour you proposed
- to me.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm sorry for having misunderstood you. I beg your pardon,&rdquo; said
- Morland. They took up the conversation from the starting-point, but
- listlessly, dispiritedly. The reference to Jimmie had awakened the
- ever-living remorse in Morland's not entirely callous soul. The man did
- suffer, at times acutely. And now to act the conscious comedy in the face
- of Norma's expressed abhorrence was a difficult and tiring task.
- Unwittingly he grew gentler; and Norma, her anger spent, weakly yielded to
- the change of tone.
- </p>
- <p>
- &ldquo;We have settled nothing, after all our talk,&rdquo; he said at last, looking at
- his watch. &ldquo;Don't you think we had better fix it up now? Society expects
- us to get married. What will people say? Come&mdash;what about Easter?&rdquo;
- </p>
- <p>
- Norma passed her hand wearily over her eyes.
- </p>
- <p>
- &ldquo;I oughtn't to marry you at all. I should loathe it, as I said. I should
- never get to care for you in that way. You see I am honest. Let us break
- off the engagement.&rdquo;
- </p>
- <p>
- &ldquo;Well, look here,&rdquo; said Morland, not unkindly, &ldquo;let us compromise. I'll
- come back in three days' time. You'll either say it's off altogether or
- we'll be married at Easter. Will that do?&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; said Norma.
- </p>
- <p>
- When Mrs. Hardacre came for news of the interview, Norma told her of the
- arrangement.
- </p>
- <p>
- &ldquo;Which is it going to be?&rdquo; she asked.
- </p>
- <p>
- Norma set her teeth. &ldquo;I can't marry him,&rdquo; she said.
- </p>
- <p>
- But the proud spirit of Norma Hardacre was broken. The three days' Inferno
- that Mrs. Hardacre created in the house drove the girl to desperation. Her
- father came to her one day with the tears running down his puffy cheeks.
- Unknown to her mother he had borrowed money from Morland, which he had
- lost on the Stock Exchange. Norma looked in her mirror, and found herself
- old, ugly, hag-ridden. Anything was preferable to the torture and
- degradation of her home. The next time that Morland called he stayed to
- dinner, and the wedding was definitely fixed for Easter.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0019" id="link2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIX&mdash;ABANA AND PHARPAR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span>o you know, Miss
- Hardacre, that I once had a wife?&rdquo; said Theodore Weever, suddenly.
- </p>
- <p>
- It was after dinner at the Wolff-Salamons', who, it may be remembered, had
- lent their house to the Hardacres in the summer.
- </p>
- <p>
- &ldquo;I was not aware of it,&rdquo; said Norma, wondering at the irrelevance of the
- remark, for they had just been discussing the great painter's merciless
- portrait of their hostess, which simpered vulgarly at them from the wall.
- They were sitting on a sofa in a corner of the room.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Weever. &ldquo;She died young. She came from a New England village,
- and played old-fashioned tunes on the piano, and believed in God.&rdquo;
- </p>
- <p>
- Not a flicker passed over his smooth waxen face or a gleam of sentiment
- appeared in his pale steady eyes. Norma glanced round at the little
- assembly, mainly composed of fleshy company promoters, who, as far as
- decency allowed, continued among themselves the conversation that had
- circulated over the wine downstairs, and their women-kind, who adopted the
- slangy manners of smart society and talked &ldquo;bridge&rdquo; to such men as would
- listen to them. Then she glanced back at Weever.
- </p>
- <p>
- &ldquo;I don't want any more wives of that sort,&rdquo; he went on. &ldquo;I've outgrown
- them. I have no use for them. They would wilt like a snow anemone in this
- kind of atmosphere.&rdquo;
- </p>
- <p>
- &ldquo;Is it your favourite atmosphere, then?&rdquo; Norma asked, by way of saying
- something.
- </p>
- <p>
- &ldquo;More or less. Perhaps I like it not quite so mephitic&mdash;You are
- racking your brains to know why I'm telling you about my wife. I'll
- explain. In a little churchyard in Connecticut is a coffin, and in that
- coffin is what a man who is going to ask a woman to marry him ought to
- give her. I could never give a quiet-eyed New England girl anything again.
- At my age she would bore me to death. But I could give the woman who is
- accustomed to hot-houses a perfectly regulated temperature.&rdquo;
- </p>
- <p>
- Norma looked at the imperturbable face, half touched by his unsuspected
- humanity, half angered by his assurance.
- </p>
- <p>
- &ldquo;Are you by any chance making me a formal demand in marriage?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I am.&rdquo;
- </p>
- <p>
- &ldquo;And at last you have found some one who would meet your requirements for
- the decorative wife?&rdquo;
- </p>
- <p>
- &ldquo;I found her last summer in Scotland,&rdquo; replied Weever, with a little bow.
- &ldquo;My countrymen have a habit of finding quickly what they want. They
- generally get it. I could n't in this particular instance, as you were
- engaged to another man.&rdquo;
- </p>
- <p>
- &ldquo;I am still engaged,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I beg your pardon. I heard the engagement was broken off.&rdquo;
- </p>
- <p>
- &ldquo;Not at all. In fact only yesterday was it settled that we should be
- married at Easter.&rdquo;
- </p>
- <p>
- &ldquo;Having gone so far on a false assumption,&rdquo; remarked Weever, placidly,
- &ldquo;may I go without rudeness a step farther? I do not dream of asking you to
- throw over King&mdash;if my heart were not in Connecticut, I might&mdash;but
- I'll say this, if you will allow me, Miss Hardacre: I don't believe you
- will ever marry Morland King. I have a presentiment that you're going to
- marry me&mdash;chiefly because I've planned it, and my plans mostly come
- out straight. Anyway you are the only woman in the world I should ever
- marry, and if at any time there should be a chance for me, a word, a hint,
- a message through the telephone to buy you a pug dog&mdash;or anything&mdash;would
- bring me devotedly to your feet. Don't forget it.&rdquo;
- </p>
- <p>
- It was impossible to be angry with a bloodless thing that spoke like a
- machine. It was also unnecessary to use the conventional terms of
- regretful gratitude in which maidens in their mercy wrap refusals.
- </p>
- <p>
- &ldquo;I'll remember it with pleasure, if you like,&rdquo; she said with a half-smile.
- &ldquo;But tell me why you don't think I shall marry Mr. King. I don't believe
- in your presentiments.&rdquo;
- </p>
- <p>
- She caught his eye, and they remained for some seconds looking hard at
- each other. She saw that he had his well-defined reasons.
- </p>
- <p>
- &ldquo;You can tell me exactly what is in your mind,&rdquo; she said slowly; &ldquo;you and
- I seem to understand each other.&rdquo;
- </p>
- <p>
- &ldquo;If you understand me, what is the use of compromising speech, my dear
- lady?&rdquo;
- </p>
- <p>
- &ldquo;You don't believe in Morland?&rdquo;
- </p>
- <p>
- &ldquo;As a statesman I can't say that I do,&rdquo; replied Weever, with the puckering
- of the faint lines round his eyes that passed for a smile. &ldquo;That is what
- astonishes me in your English political life&mdash;the little one need
- talk and the little one need do. In America the politician is the orator.
- He must move in an atmosphere of words half a mile thick. Wherever he goes
- he must scream himself hoarse. But here&mdash;&rdquo;
- </p>
- <p>
- Norma touched his arm with her fan.
- </p>
- <p>
- &ldquo;We were not discussing American and English institutions,&rdquo; she
- interrupted, &ldquo;but matters which interest me a little more. You don't
- believe in Morland as a man? I want to know, as they are supposed to say
- in your country. I disregard your hint, as you may perceive. I am also
- indelicate in pressing you to speak unfavourably of the man I'm engaged
- to. Of course, having made me an offer, you would regard it as caddish to
- say anything against him. But supposing I absolve you from anything of the
- kind by putting you on a peculiar plane of friendship?&rdquo;
- </p>
- <p>
- &ldquo;Then I should say I was honoured above all mortals,&rdquo; replied Weever,
- inscrutably, &ldquo;and ask you to tell me as a friend what has become of the
- artist&mdash;the man who got shot&mdash;Padgate.&rdquo;
- </p>
- <p>
- The unexpected allusion was a shock. It brought back a hateful scene. It
- awoke a multitude of feelings. Its relevance was a startling puzzle. She
- strove by hardening her eyes not to betray herself.
- </p>
- <p>
- &ldquo;I've quite lost sight of him,&rdquo; she answered in a matter of-fact tone.
- &ldquo;His little adventure was n't a pleasant one.&rdquo;
- </p>
- <p>
- &ldquo;I don't believe he had any little adventure at all,&rdquo; said Weever, coolly.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; Norma started, and the colour came into her face.
- </p>
- <p>
- &ldquo;That of all the idiots let loose in a cynical, unimaginative world,
- Padgate is the greatest I have yet struck. If I were a hundredth part such
- an idiot, I should be a better and a happier man. It's getting late. I'm
- afraid I must be moving.&rdquo;
- </p>
- <p>
- He rose, and Norma rose with him.
- </p>
- <p>
- &ldquo;I wish you would n't speak in riddles. Can't you tell me plainly what you
- mean?&rdquo;
- </p>
- <p>
- &ldquo;No, I can't,&rdquo; he said abruptly. &ldquo;I have said quite enough. Good-night.
- And remember,&rdquo; he added, shaking hands with her, &ldquo;remember what I told you
- about myself.&rdquo;
- </p>
- <p>
- Only after he had gone did it flash upon her that she had not put to him
- the vital question&mdash;what had Padgate to do with his disbelief in
- Morland? As is the way with people pondering over conundrums, the
- ridiculously simple solution did not occur to her. She spent many days in
- profitless speculation. Weever prophesied that the marriage would not take
- place. When pressed for a reason, he brought in the name of Jimmie
- Padgate. Obviously the latter was to stand between Morland and herself.
- But in what capacity? As a lover? Had Weever rightly interpreted her
- insane act on the day of the garden-party, and assumed that she was still
- in love with the detested creature? The thought made her grow hot and cold
- from head to foot. Why was he an idiot? Because he did not take advantage
- of her public confession? or was it because he stood in Weever's eyes as
- a wronged and heroic man? This in the depths of her heart she had been
- yearning for months to believe. Connie Deering almost believed it. About
- the facts once so brutally plain, so vulgarly devoid of mystery, a
- mysterious cloud had gathered and was thickening with time. Reflection
- brought assurance that Theodore Weever regarded Jimmie as innocent; and if
- ever a man viewed human affairs in the dry, relentless light of reason, it
- was the inscrutable, bloodless American.
- </p>
- <p>
- His offer of marriage she put aside from her thoughts. Morland was the
- irrevocably accepted. It was February. Easter falling early, the wedding
- would take place in a little over a month. In a cold, dispassionate way,
- she interested herself in the usual preparations. Peace reigned in
- Devonshire Place. And yet Norma despised herself, feeling the degradation
- of the woman who sells her body.
- </p>
- <p>
- During the session she saw little of Morland. For this she thanked God,
- the duchess, and the electors of Cosford. The sense of freedom caused her
- to repent of her contemptuous attitude towards his political aspirations.
- To encourage and foster them would be to her very great advantage. She
- adopted this policy, much to the edification of Morland, who felt the
- strengthening of a common bond of interest. He regularly balloted for
- seats in the Ladies' Gallery, and condemned her to sit for hours behind
- the grating and listen to uninspiring debates. He came to her with the
- gossip of the lobbies. He made plans for their future life together. They
- would make politics a feature of their house. It would be a rallying-place
- for the new Tory wing, in which Morland after a dinner at the Carlton Club
- when his health was proposed in flattering terms, had found himself
- enlisted. Norma was to bring back the glories of the <i>salon</i>.
- </p>
- <p>
- &ldquo;When it gets too thick,&rdquo; he said once laughingly, ashamed of these
- wanderings into the ideal, &ldquo;we can go off into the country and shoot and
- have some decent people down and amuse ourselves rationally.&rdquo;
- </p>
- <p>
- Yet, in spite of absorbing political toys, his complete subjugation of
- Norma, and the smiling aspect of life, a sense of utter wretchedness
- weighed upon the soul of this half-developed man. He could not shake it
- off. It haunted him as he sat stolid and stupefied in his place below the
- gangway. It dulled all sensation of pleasure when he kissed the lips which
- Norma, resigned now to everything, surrendered to him at his pleasure. It
- took the sparkle out of his champagne, the joy out of his life. Now that
- he had asserted himself as the victorious male who had won the female that
- he coveted, the sense of wrong inflicted on him grew less and the
- consciousness of his own shame grew greater. In his shallow way he had
- loved Jimmie dearly. He also had the well-bred Englishman's conventional
- sense of honour. Accusing conscience wrote him down an unutterable knave.
- </p>
- <p>
- One day in March, as he was proceeding citywards to see his solicitors on
- some question relating to marriage settlements, his carriage was blocked
- for some minutes in Oxford Street. Looking idly out of the near side
- window, he saw a familiar figure emerge from a doorway in a narrow passage
- come down to the pavement, and stand for a few moments in anxious thought,
- jostled by the passers-by. He looked thin and ill and worried. The lines
- by the sides of his drooping moustache had deepened. Jimmie, never spruce
- in his attire, now seemed outrageously shabby. Certain men who dress well
- are quick, like women, to notice these things. Morland's keen glance took
- in the discoloured brown boots and the frayed hem of trousers, the weather
- stains on the old tweed suit, the greasiness of the red tie, the irregular
- mark of perspiration on the band of the old Homburg hat. An impulse to
- spring out of the carriage and greet him was struggling with sheer shame,
- when Jimmie suddenly threw up his head&mdash;an old trick of his whose
- familiarity brought a pang to the man watching him&mdash;and crossed the
- road, disappearing among the traffic behind the brougham. Morland gazed
- meditatively at the little passage. Suddenly he was aware of the three
- brass balls and the name of Attenborough. In a moment he was on the
- pavement and, after a hurried word to his coachman, in pursuit of Jimmie.
- But the traffic had swallowed Jimmie up. It was impossible to track him.
- Morland returned to his brougham and drove on.
- </p>
- <p>
- There was only one explanation of what he had seen. Jimmie was reduced to
- poverty, to pawning his belongings in order to live. The scandal had
- killed the sale of his pictures. No more ladies would sit to him for their
- portraits. No more dealers would purchase works on the strength of his
- name. Jimmie was ill, poor, down at heel, and it was all his, Morland's,
- fault, his very grievous fault. In a dim, futile way he wished he were a
- Roman Catholic, so that he could go to a priest, confess, and receive
- absolution. The idea of confession obsessed him in this chastened mood. By
- lunch-time he had resolved to tell Norma everything and abide by her
- verdict. At any rate, if he married her, he would not do so under false
- pretences. He would feel happier with the load of lies off his mind. At
- half-past four he left the House of Commons to transact its business
- without him as best it could, and drove to Devonshire Place. As he neared
- the door, his courage began to fail. He remembered Norma's passionate
- outburst against lying, and shrank from the withering words that she might
- speak. The situation, however, had to be faced.
- </p>
- <p>
- The maid who opened the front door informed him that Norma was out, but
- that Mrs. Hardacre was at home. He was shown upstairs into the empty
- drawing-room, and while he waited there, a solution of his difficulty
- occurred to him. He caught at it eagerly, as he had caught at compromises
- and palliatives all his life. For he was a man of half-sins, half-virtues,
- half-loves, and half-repentances. His spiritual attitude was that of
- Naaman.
- </p>
- <p>
- Mrs. Hardacre greeted him with smiles of welcome, and regrets at Norma's
- absence. If only he had sent a message, Norma would have given up her
- unimportant engagement. She would be greatly disappointed. The House took
- up so much of his time, and Norma prized the brief snatches she could
- obtain of his company. All of which, though obviously insincere, none the
- less flattered Morland's vanity.
- </p>
- <p>
- &ldquo;Perhaps it is as well that Norma is away,&rdquo; said he, &ldquo;for I want to have a
- little talk with you. Can you give me five minutes?&rdquo;
- </p>
- <p>
- &ldquo;Fifty, my dear Morland,&rdquo; replied Mrs. Hardacre, graciously. &ldquo;Will you
- have some tea?&rdquo;
- </p>
- <p>
- He declined. It was too serious a matter for the accompaniment of
- clattering teaspoons. Mrs. Hardacre sat in an armchair with her back to
- the light&mdash;the curtains had not yet been drawn&mdash;and Morland sat
- near her, looking at the fire.
- </p>
- <p>
- &ldquo;I have something on my mind,&rdquo; he began. &ldquo;You, as Norma's mother, ought to
- know. It's about my friend Jimmie Padgate.&rdquo;
- </p>
- <p>
- Mrs. Hardacre put out a lean hand.
- </p>
- <p>
- &ldquo;I would rather not hear it. I'm not uncharitable, but I wish none of us
- had ever set eyes on the man. He came near ruining us all.&rdquo;
- </p>
- <p>
- &ldquo;He seems to have ruined himself. He's ill, poor, in dreadful low water. I
- caught a sight of him this morning. The poor old chap was almost in rags.&rdquo;
- </p>
- <p>
- &ldquo;It's very unpleasant for Mr. Padgate, but it fails to strike me as
- pathetic. He has only got his deserts.&rdquo;
- </p>
- <p>
- &ldquo;That's where the point lies,&rdquo; said Morland. &ldquo;He does n't deserve it. I
- do. I am the only person to blame in the whole infernal business.&rdquo;
- </p>
- <p>
- &ldquo;You?&rdquo; cried Mrs. Hardacre, her grey eyes glittering with sudden interest.
- &ldquo;What had you to do with it?&rdquo;
- </p>
- <p>
- &ldquo;Well, everything. Jimmie never set eyes on the girl in his life. He took
- all the blame to shield me. If he had n't done so, there would have been
- the devil to pay. That's how it stands.&rdquo;
- </p>
- <p>
- Mrs. Hardacre gave a little gasp.
- </p>
- <p>
- &ldquo;My dear Morland, you amaze me. You positively shock me. Really, don't you
- think in mentioning the matter to me there is some&mdash;indelicacy?&rdquo;
- </p>
- <p>
- &ldquo;You are a woman of the world,&rdquo; said Morland, bluntly, &ldquo;and you know that
- men don't lead the lives of monks just because they happen to be
- unmarried.&rdquo;
- </p>
- <p>
- &ldquo;Of course I know it,&rdquo; said Mrs. Hardacre, composing herself to sweetness.
- &ldquo;One knows many things of which it is hardly necessary or desirable to
- talk. Of course I think it shocking and disreputable of you. But it's all
- over and done with. If that was on your mind, wipe it off and let us say
- no more about it.&rdquo;
- </p>
- <p>
- &ldquo;I'm afraid you don't understand,&rdquo; said Morland, rising and leaning
- against the mantel-piece. &ldquo;What is done is done. Meanwhile another man is
- suffering for it, while I go about prospering.&rdquo;
- </p>
- <p>
- &ldquo;But surely that is a matter between Mr. Padgate and yourself. How can it
- possibly concern us?&rdquo;
- </p>
- <p>
- As Morland had not looked at the case from that point of view, he silently
- inspected it with a puzzled brow.
- </p>
- <p>
- &ldquo;I can't help feeling a bit of a brute, you know,&rdquo; he said at length. &ldquo;I
- meant at first to let him off&mdash;to make a clean breast of it&mdash;but
- it wasn't feasible. You know how difficult these things are when they get
- put off. Then, of course, I thought I could make it up to Jimmie in other
- ways.&rdquo;
- </p>
- <p>
- &ldquo;Why, so you can,&rdquo; said Mrs. Hardacre, with the elaborate pretence of a
- little yawn, as if the subject had ceased to interest her. &ldquo;You could
- afford it.&rdquo;
- </p>
- <p>
- &ldquo;Money is no good. He won't touch a penny. I have offered.&rdquo;
- </p>
- <p>
- &ldquo;Then, my dear Morland, you have done your best. If a man is idiot enough
- to saddle himself with other people's responsibilities and refuses to be
- helped when he breaks down under them, you must let him go his own way.
- Really I haven't got any sympathy for him.&rdquo;
- </p>
- <p>
- Morland, having warmed himself sufficiently and feeling curiously
- comforted by Mrs. Hardacre's wise words, sat down again near her and leant
- forward with his arms on his knees.
- </p>
- <p>
- &ldquo;Do you think Norma would take the same view?&rdquo; he asked. After all, in
- spite of certain eccentricities inseparable from an unbalanced sex, she
- had as much fundamental common-sense as her mother. The latter looked at
- him sharply.
- </p>
- <p>
- &ldquo;What has Norma got to do with it?&rdquo;
- </p>
- <p>
- &ldquo;I was wondering whether I ought to tell her,&rdquo; said he.
- </p>
- <p>
- Mrs. Hardacre started bolt upright in her chair. This time her interest
- was genuine. Nothing but her long training in a world of petty strife kept
- the sudden fright out of her eyes and voice.
- </p>
- <p>
- &ldquo;Tell Norma? Whatever for?&rdquo;
- </p>
- <p>
- &ldquo;I thought it would be more decent,&rdquo; said Morland, rather feebly.
- </p>
- <p>
- &ldquo;It would be sheer lunacy!&rdquo; cried the lady, appalled at the certain
- catastrophe that such a proceeding would cause. Did not the demented
- creature see that the whole affair was in unstable equilibrium? A touch,
- let alone a shock like this, would bring it toppling down, never to be set
- up again by any prayers, remonstrances, ravings, curses, thumbscrews, or
- racks the ingenuity of an outraged mother could devise.
- </p>
- <p>
- &ldquo;It would be utter imbecility,&rdquo; she continued. &ldquo;My dear man, don't you
- think one mad Don Quixote in a romance is enough? What on earth would you,
- Norma, or any one else gain by telling her? She is as happy as possible
- now, buying her trousseau and making all the wedding arrangements. Why
- spoil her happiness? I think it exceedingly inconsiderate of you&mdash;not
- to say selfish&mdash;I do really.&rdquo;
- </p>
- <p>
- &ldquo;Hardly that. It was an idea of doing penance,&rdquo; said Morland.
- </p>
- <p>
- &ldquo;If that is all,&rdquo; said Mrs. Hardacre, relaxing into a bantering tone, as
- she joyfully noted the lack of conviction in his manner, &ldquo;I'll make you a
- hair shirt, and I'll promise it shall be scratchy&mdash;untanned pigskin
- with the bristles on, if you like. Be as uncomfortable, my dear Morland,
- as ever you choose&mdash;wear a frock-coat with a bowler hat or dine <i>tête-à-tête</i>
- with Mr. Hardacre, but do leave other folks to pass their lives in peace
- and quiet.&rdquo;
- </p>
- <p>
- Morland threw himself back and laughed, and Mrs. Hardacre knew she had won
- what she paradoxically called a moral victory. They discussed the question
- for a few moments longer, and then Morland rose to take his leave.
- </p>
- <p>
- &ldquo;It's awfully good of you to look at things in this broadminded way,&rdquo; he
- said, with the air of a man whom an indulgent lady has pardoned for a
- small peccadillo. &ldquo;Awfully good of you.&rdquo;
- </p>
- <p>
- &ldquo;There is no other sane way of looking at them,&rdquo; replied Mrs. Hardacre.
- &ldquo;Won't you wait and see Norma?&rdquo;
- </p>
- <p>
- &ldquo;I must get back to the House,&rdquo; replied Morland, consulting his watch.
- &ldquo;There may be a division before the dinner-hour.&rdquo;
- </p>
- <p>
- He smoked a great cigar on his way to Westminster, and enjoyed it
- thoroughly. Mrs. Hardacre was quite right. He had done his best. If Jimmie
- was too high and mighty to accept the only compensation possible, he was
- not to blame. The matter was over and done with. It would be idiotic to
- tell Norma.
- </p>
- <p>
- Meanwhile, having made confession and received absolution, he felt
- spiritually refreshed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0020" id="link2HCH0020"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XX&mdash;ALINE PREPARES FOR BATTLE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE look of illness
- that Morland had noticed upon Jimmie's face was due to the fact that he
- had been ill. Italian townlets nestling on hillsides are picturesque, but
- they are not always healthy. A touch of fever had laid him on his back for
- a week, and caused the local doctor to order him to England. He had
- arrived in a limp condition, much to the anxiety of Aline, who had
- expected to see the roses return to his cheek as soon as their slender
- baggage had passed the custom-house. He was shabbily dressed because he
- had fallen on evil times, and had no money to waste on personal vanities.
- The four guineas which Aline had put aside out of their limited resources
- to buy him a new suit he had meanly abstracted from the housekeeping
- drawer, and had devoted, with the surreptitious help of the servant, to
- purchasing necessary articles of attire for Aline. He was looking worried
- because he had forgotten in which of the cheap Oxford Street restaurants
- he had promised to meet that young lady. When he remembered, the cloud
- passed from his face and he darted across the road behind Morland's
- brougham. He found Aline seated primly at a little marble table on which
- were a glass of milk and a lump of amorphous pastry for herself, and a
- plate of cold beef and a small bottle of Bass for Jimmie. It was too early
- for the regular crowd of lunchers&mdash;only half-past twelve&mdash;and
- the slim, erect little figure looked oddly alone in the almost empty
- restaurant.
- </p>
- <p>
- Jimmie nodded in a general, kindly way at the idle waitresses about the
- buffet, and marched down the room with a quick step, his eyes beaming. He
- sat down with some clatter opposite Aline, and took two cheques, a
- bank-note and a handful of gold and silver from his pocket, and dumped
- them noisily on the table.
- </p>
- <p>
- &ldquo;There, my child. Seven pounds ten. Twenty-five guineas. Five pounds. And
- eight pounds three-and-six-pence. Exit wolf at the door, howling, with his
- tail between his legs.&rdquo;
- </p>
- <p>
- Aline looked at the wealth with knitted brow.
- </p>
- <p>
- &ldquo;Can I take this?&rdquo; she asked, lifting up the five-pound note.
- </p>
- <p>
- Jimmie pushed the pile towards her. &ldquo;Take it all, my dear. What on earth
- should I do with it? Besides, it's all your doing.&rdquo;
- </p>
- <p>
- &ldquo;Because I made you go and dun those horrid dealers? And even now Hyam has
- only given you half. It was fifty guineas&mdash;Oh, Jimmie! Do you mean to
- say you forgot? Now, what did you tell him? Did you produce the
- agreement?&rdquo;
- </p>
- <p>
- Jimmie looked at her ruefully.
- </p>
- <p>
- &ldquo;I'm afraid I forgot the wretched agreement. I went in and twirled my
- moustache fiercely, and said 'Mr. Hyam, I want my money.'&rdquo;
- </p>
- <p>
- Aline laughed. &ldquo;And you took him by the throat. I know. Oh, you foolish
- person!&rdquo;
- </p>
- <p>
- &ldquo;Well, he asked me if twenty-five would be enough&mdash;and it's a lot of
- money, you know, dear&mdash;and I thought if I did n't say 'yes,' he would
- n't give me anything. In business affairs one has to be diplomatic.&rdquo;
- </p>
- <p>
- &ldquo;I'll have to take Hyam in hand myself,&rdquo; said Aline, decisively. &ldquo;Well,
- he'll have to pay up some day. Then there's Blathwayt &amp; Co.,&mdash;and
- Tilney&mdash;that's quite right&mdash;but where did you get all that gold
- from, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Oh, that was somebody else,&rdquo; he said vaguely. Then turning to the
- waitress, who had sauntered up to open the bottle of Bass, he pointed at
- Aline's lunch.
- </p>
- <p>
- &ldquo;Do you mind taking away that eccentric pie-thing and bringing the most
- nutritious dish you have in the establishment?&rdquo;
- </p>
- <p>
- &ldquo;But, Jimmie, this is a Bath bun. It's delicious,&rdquo; protested Aline.
- </p>
- <p>
- &ldquo;My dear child, growing girls cannot be fed like bears on buns. Ah, here,&rdquo;
- he said to the waitress who showed him the little wooden-handled frame
- containing the tariff, &ldquo;bring this young lady some galantine of chicken.&rdquo;
- </p>
- <p>
- Aline, who in her secret heart loved the &ldquo;eccentric pie-thing&rdquo; beyond all
- other dainties, and trembled at the stupendous charge, possibly ninepence
- or a shilling, that would be made for the galantine, yielded, after the
- manner of women, because she knew it would please Jimmie. But accustomed
- to his diplomatic methods, she felt that a red herring&mdash;or a
- galantine&mdash;had been drawn across the track.
- </p>
- <p>
- &ldquo;Who was the somebody else?&rdquo; she asked.
- </p>
- <p>
- He nodded and drank a draught of beer and wiped the froth from his
- moustache. Something unusual in his personal appearance suddenly caught
- her attention. His watch-chain was dangling loose from the buttonhole of
- his waistcoat.
- </p>
- <p>
- &ldquo;Your watch!&rdquo; she gasped.
- </p>
- <p>
- Dissimulation being vain, Jimmie confessed.
- </p>
- <p>
- &ldquo;You told me this morning, my dear, that if we didn't get fifty pounds
- to-day we were ruined. You spoke alarmingly of the workhouse. My debt
- collecting amounted to thirty-eight pounds fifteen. I tried hard to work
- the obdurate bosom up to eleven pounds five, but he would only give me
- eight.&rdquo;
- </p>
- <p>
- &ldquo;You don't mean to say you have sold your beautiful gold watch for eight
- pounds?&rdquo; cried the girl, turning as pale as the milk in front of her.
- </p>
- <p>
- It had been a present from a wealthy stockbroker who had been delighted
- with his portrait painted by Jimmie a couple of years ago, and it was
- thick and heavy and the pride of Aline's existence. It invested Jimmie
- with an air of solidity, worldly substantiality; and it was the only
- timekeeper they had ever had in the house which properly executed its
- functions. Now he had sold it! Was there ever so exasperating a man? He
- was worse than Moses with his green spectacles. But Jimmie reassured her.
- He had only pawned the watch at Attenborough's over the way.
- </p>
- <p>
- &ldquo;Then give me the ticket, do, or you'll lose it, Jimmie.&rdquo;
- </p>
- <p>
- He meekly obeyed. Aline began her galantine with a sigh of relief, and
- condescended to laugh at Jimmie's account of his exploits. But when the
- meal was ended, she insisted on redeeming the precious watch, and much
- happier in knowing it safe in his pocket, she carried him off to a
- ready-made tailor's, where she ordered him a beautiful thin overcoat for
- thirty shillings, a neat blue serge suit for three pounds ten, handing
- over in payment the five-pound note she had abstracted from his gleanings,
- and a new hat, for which she paid from a mysterious private store of her
- own. These matters having been arranged to her satisfaction, she made up
- for her hectoring ways by nestling against him on top of the
- homeward-bound omnibus and telling him what a delightful, lovely morning
- they had spent.
- </p>
- <p>
- Thus it will be seen that Jimmie, aided by Aline's stout little heart, was
- battling more than usual against adversity. Aline had many schemes. Why
- should she not obtain some lucrative employment? Jimmie made a wry face at
- the phrase and protested vehemently against the suggestion. A hulking
- varlet like him to let her wear her fingers to the bone by addressing
- envelopes at twopence a million? He would sooner return to the
- five-shillings-a-dozen oil paintings; he would go round the streets at
- dawn and play &ldquo;ghost&rdquo; to pavement artists; he would take in washing! The
- idea of the street-pictures caught his fancy. He expatiated upon its
- advantages. Five pitches, say at two shillings a pitch, that would be ten
- shillings a day&mdash;three pounds a week. A most business-like plan, to
- say nothing of the education in art it would be to the public! He had his
- own fantastical way of dealing with the petty cares of life. As for Aline
- working, he would not hear of it. Though they lived now from hand to
- mouth, they were always fed. He had faith in the ravens.
- </p>
- <p>
- But all the fantasy and the faith could not subdue Aline's passionate
- rebellion against Jimmie's ostracism. She was very young, very feminine;
- she had not his wide outlook, his generous sympathies, his disdain of
- trivial, ignoble things, his independence of soul. The world was arrayed
- against Jimmie. Society was persecuting him with monstrous injustice. She
- hated his oppressors, longed fiercely for an opportunity of vindicating
- his honour. It was sometimes more than she could bear&mdash;to think of
- his straitened means, the absence of sitters, the lowered prices he
- obtained, the hours of unremitting toil he spent at his easel and
- drawing-table. During their travels she had not realised what the scandal
- would mean to him professionally. Now her heart rose in hot revolt and
- thirsted for battle in Jimmie's cause.
- </p>
- <p>
- Her heart had never been hotter than one morning when, the gem of his
- finished Italian studies having been rejected by the committee of a minor
- exhibition, she went down to the studio to give vent to her indignation.
- At breakfast Jimmie had laughed and kissed her and told her not to drop
- tears into his coffee. He would send the picture to the Academy, where it
- would be hung on the line and make him famous. He refused to be
- downhearted and talked buoyantly of other things. But Aline felt that it
- was only for her sake that he hid his bitter disappointment, and an hour
- later she could bear the strain of silence no longer.
- </p>
- <p>
- The door of the studio was open. The girl's footstep was soft, and, not
- hearing it, he did not turn as she entered. For a few seconds she stood
- watching him; feeling shy, embarrassed, an intruder upon unexpected sacred
- things. Jimmie's mind was far away from minor exhibitions. He was sitting
- on his painting-stool, chin in hand, looking at a picture on the easel. On
- his face was unutterable pain, in his eyes an agony of longing. Aline
- caught her breath, frightened at the revelation. The eyes of the painted
- Norma smiled steadfastly into his. The horrible irony of it smote the
- girl. Another catch at the breath became a choking sob. Jimmie started,
- and as if a magic hand had passed across his features, the pain vanished,
- and Aline saw the homely face again with its look of wistful kindness.
- Overwrought, she broke into a passion of weeping. Jimmie put his arms
- about her and soothed her. What did the rejection of a picture matter? It
- was part of the game of painting. She must be his own brave little girl
- and smile at the rubs of fortune. But Aline shook the head buried on his
- shoulder, and stretched out a hand blindly towards the portrait. &ldquo;It's
- that. I can't bear it.&rdquo;
- </p>
- <p>
- An impossible thought shot through him. He drew away from her and caught
- her wrists somewhat roughly, and tried to look at her; but she bowed her
- head.
- </p>
- <p>
- &ldquo;What do you mean, my child?&rdquo; he asked curtly, with bent brows.
- </p>
- <p>
- Women are lightning-witted in their interpretation of such questions. The
- blood flooded her face, and her tears dried suddenly and she met his
- glance straight.
- </p>
- <p>
- &ldquo;Do you think I'm jealous? Do you suppose I have n't known? I can't bear
- you to suffer. I can't bear her not to believe in you. I can't bear her
- not to love you.&rdquo;
- </p>
- <p>
- Jimmie let go her wrists and stood before her full of grateful tenderness,
- quite at a loss for words. He looked whimsically at the flushed, defiant
- little face; he shook her by the shoulder and turned away.
- </p>
- <p>
- &ldquo;My valiant tin soldier,&rdquo; he said.
- </p>
- <p>
- It was an old name for her, dating from nursery days, when they thought
- and talked according to the gospel of Hans Christian Andersen.
- </p>
- <p>
- No more passed between them. But thenceforward
- Jimmie put the finishing touches to the portrait openly, Instead of
- painting at it when he knew he should be undisturbed. The wedding was
- drawing near. The date had been announced in the papers, and Jimmie had
- put a cross against it in his diary. If only Norma would accept the
- portrait as a wedding-present, he would feel happier. But how to approach
- her he did not know. In her pure eyes, he was well aware, he must appear
- the basest of men, and things proceeding from him would bear a taint of
- the unspeakable. Yet he hungered for her acceptance. It was the most
- perfect picture he had painted or could ever paint. The divinest part of
- him had gone to the making of it. It held in its passionate simplicity the
- man's soul, as the Monna Lisa in its mysterious complexity holds
- Leonardo's. Of material symbols of things spiritual he could not give her
- more. But how to give?
- </p>
- <p>
- Connie Deering settled the question by coming to the studio one morning, a
- bewildering vision of millinery and smiles and kindness.
- </p>
- <p>
- &ldquo;You have persistently refused, you wicked bear, to come and see me since
- my return to London, so I have no choice but to walk into your den. If it
- had n't been for Aline, beyond an occasional 'Dear Connie, I am very well.
- The weather is unusually warm for the time of year. Yours sincerely, J.
- P.', I should n't know whether you were alive or dead. I hope you're
- ashamed of yourself.&rdquo;
- </p>
- <p>
- This was the little lady's exordium, to which she tactfully gave Jimmie no
- time to reply. She stayed for an hour. The disastrous topic was avoided.
- But Jimmie felt that she forbore to judge him for his supposed offence,
- and learned to his great happiness that Norma had asked after his welfare,
- and would without doubt deign in her divine graciousness to accept the
- portrait. She looked thoughtfully at the picture for some time, and then
- laid a light touch on his arm.
- </p>
- <p>
- &ldquo;How you must love her, Jimmie!&rdquo; she said in a low voice. &ldquo;I have n't
- forgotten.&rdquo;
- </p>
- <p>
- &ldquo;I wish you would,&rdquo; he answered gravely. &ldquo;I oughtn't to have said what I
- did. I don't remember what I did say. I lost my head and raved. Every man
- has his hour of madness, and that was mine&mdash;all through your
- witchery. And yet somehow it seemed as if I were pouring it all out to
- her.&rdquo;
- </p>
- <p>
- Connie Deering perceptibly winced. Plucking up courage, she began:
- </p>
- <p>
- &ldquo;I wish a man would&mdash;&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie,&rdquo; Jimmie interrupted kindly, &ldquo;there are hundreds of men in
- London who are sighing themselves hoarse for you. But you are such a
- hard-hearted butterfly.&rdquo;
- </p>
- <p>
- Her lips twitched. &ldquo;Not so hard-hearted as you think, my good Jimmie,&rdquo; she
- retorted.
- </p>
- <p>
- A moment later she was all inconsequence and jest. On parting he took both
- her white-gloved little hands.
- </p>
- <p>
- &ldquo;You can't realise the joy it has been to me to see you, Connie,&rdquo; he said.
- &ldquo;It has been like a ray of sunlight through prison bars.&rdquo;
- </p>
- <p>
- After a private talk with Aline she drove straight to Devonshire Place,
- and on the way dabbed her eyes with the inconsiderable bit of chiffon
- called a handkerchief which she carried in her gold chain purse. She saw
- Norma alone for a moment before lunch, and told her of her visit.
- </p>
- <p>
- &ldquo;I don't care what he has done,&rdquo; she declared desperately. &ldquo;I am not going
- to let it make a difference any longer. He's the same dear creature I have
- known all my life, and I don't believe he has done anything at all. If
- there's a sinner in that horrible business, it is n't Jimmie!&rdquo;
- </p>
- <p>
- Norma looked out of the window at the bleak March day.
- </p>
- <p>
- &ldquo;That is what Theodore Weever said,&rdquo; she answered tonelessly.
- </p>
- <p>
- &ldquo;Then why don't you give Jimmie the benefit of the doubt?&rdquo;
- </p>
- <p>
- &ldquo;It is better that I should n't.&rdquo;
- </p>
- <p>
- &ldquo;Why, dear?&rdquo;
- </p>
- <p>
- &ldquo;You are a sweet little soul, Connie,&rdquo; said Norma, her eyes still fixed on
- the grey sky. &ldquo;But you may do more harm than good. I am better as I am. I
- have benumbed myself into a decent state of insensibility and I don't want
- to feel anything ever again as long as I live.&rdquo;
- </p>
- <p>
- The door opened, and Mrs. Hardacre appeared on the threshold. Connie bent
- forward and whispered quickly into Norma's ear:
- </p>
- <p>
- &ldquo;One would think you were afraid to believe in Jimmie.&rdquo;
- </p>
- <p>
- She swung round, flushed, femininely excited at having seized the unfair
- moment for dealing a stab.
- </p>
- <p>
- &ldquo;I hope I <i>have</i> made her feel,&rdquo; she thought, as she fluttered
- forward to greet Mrs. Hardacre.
- </p>
- <p>
- She succeeded perhaps beyond her hope. A sharp glance showed her Norma
- still staring out of window, but staring now with an odd look of fear and
- pain. Her kind heart repented.
- </p>
- <p>
- &ldquo;Forgive me if I hurt you,&rdquo; she said on their way downstairs to lunch.
- </p>
- <p>
- &ldquo;What does it matter?&rdquo; Norma answered by way of pardon.
- </p>
- <p>
- But the shrewd thrust mattered exceedingly. After Connie had gone, the
- wound ached, and Norma found that her boast of having benumbed herself was
- a vain word. In the night she lay awake, frightened at the reaction that
- was taking place. Theodore Weever had shaken her more than she had
- realised. Connie Deering proclaimed the same faith. She felt that she too
- would have to accept it&mdash;against argument, against reason, against
- fact. She would have to accept it wholly, implicitly; and she dreaded the
- act of faith. Her marriage with Morland was fixed for that day week, and
- she was agonisingly aware that she loved another man with all her heart.
- </p>
- <p>
- The next day she received a hurried note from Connie Deering:
- </p>
- <p>
- <i>&ldquo;Do come in for half an hour for tea on Sunday. I have a beautiful
- wedding-present to show you which I hope you'll like, as great pains have
- been spent over it. And I want to have a last little chat with you.&rdquo;</i>
- </p>
- <p>
- She promised unreflectingly, seeing no snare. But as she walked to
- Bryanston Square on Sunday afternoon, more of a presentiment, a foreboding
- of evil, than a suspicion fixed itself upon her mind, and she wished she
- had not agreed to come. She was shown into the drawing-room, and there,
- beside a gilt-framed picture over which a cloth was thrown, with her great
- brown eyes meeting her defiantly, stood Aline.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0021" id="link2HCH0021"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXI&mdash;THE MOTH MEETS THE STAR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HUS had Aline, her
- heart hot for battle in Jimmie's cause, contrived with Connie Deering as
- subsidiary conspirator. She had lain awake most of the night, thinking of
- the approaching interview, composing speeches, elaborating arguments,
- defining her attitude. Her plan of campaign was based on the assumption of
- immediate hostilities. She had pictured a scornful lady moved to sudden
- anger at seeing herself trapped, and haughtily refusing to discuss
- overtures of peace. It was to be war from the first, until she had brought
- her adversary low; and when the door-handle rattled and the door opened to
- admit Norma, every nerve in her young body grew tense, and her heart beat
- like the clapper of a bell.
- </p>
- <p>
- Norma entered, looked for a moment in smiling surprise at Aline, came
- quickly forward, and moved by a sudden impulse, a yearning for love,
- sweetness, freshness, peace&mdash;she knew not what&mdash;she put her arms
- round the girl and kissed her.
- </p>
- <p>
- &ldquo;My dear Aline, how sweet it is to see you again!&rdquo;
-</p>
- <p>
-The poor little girl
- stood helpless. The bottom was knocked out of her half-childish plan of
- campaign. There was no scornful lady, no haughty words, no hostilities.
- She fell to crying. What else could she do?
- </p>
- <p>
- &ldquo;There, there! Don't cry, dear,&rdquo; said Norma soothingly, almost as
- helpless. Seating herself on a low chair and drawing Aline to her side,
- she looked up at the piteous face.
- </p>
- <p>
- &ldquo;Why should you cry, dear?&rdquo;
- </p>
- <p>
- &ldquo;I did n't know you would be so good to me,&rdquo; answered Aline, wiping her
- eyes.
- </p>
- <p>
- &ldquo;Why should n't I be good to you? What reason could I have for not being
- glad to see you?&rdquo;
- </p>
- <p>
- &ldquo;I don't know,&rdquo; said the girl, with a touch of bitterness. &ldquo;Things are so
- different now.&rdquo;
- </p>
- <p>
- Norma sighed for answer and thought of her premonition. She was aware that
- Connie had deliberately planned this interview, but could find no
- resentment in her heart. The reproach implied in Aline's words she
- accepted humbly. She was at once too spiritless for anger, and too much
- excited by the girl's presence for regret at having come. Her eye fell
- upon the picture leaning against the chair-back, and a conjecture swiftly
- passed through her mind.
- </p>
- <p>
- &ldquo;Mrs. Deering asked me to come and look at a wedding-present,&rdquo; she said
- with a smile.
- </p>
- <p>
- &ldquo;Did she tell you from whom?&rdquo; asked Aline, thrusting her handkerchief into
- her pocket. She had found her nerve again.
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;It's from Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Is it that over there?&rdquo;
- </p>
- <p>
- Aline caught and misinterpreted an unsteadiness of voice. She threw
- herself on her knees by Norma's side.
- </p>
- <p>
- &ldquo;You won't refuse it, Miss Hardacre. Oh, say you won't refuse it. Jimmie
- began it ever so long ago. He put everything into it. It would break his
- heart if you refused it&mdash;the heart of the best and beautifullest and
- tenderest and most wonderful man God ever made.&rdquo;
- </p>
- <p>
- Norma touched with her gloved fingers a wisp of hair straying over the
- girl's forehead.
- </p>
- <p>
- &ldquo;How do you know he is all that?&rdquo;
- </p>
- <p>
- &ldquo;How do I know? How do I know the sun shines and the rain falls? It's just
- so.&rdquo;
- </p>
- <p>
- &ldquo;You have faith, my child,&rdquo; said Norma, oddly.
- </p>
- <p>
- &ldquo;It isn't faith. It's knowledge. You all believe Jimmie has done something
- horrible. He has n't. I know he hasn't. He couldn't. He couldn't harm a
- living creature by word or deed. I know he never did it. If I had thought
- so for one moment, I should have loathed myself so that I would have gone
- out and killed myself. I know very little about it. I did n't read the
- newspapers&mdash;it's hideous&mdash;it's horrible&mdash;Jimmie would as
- soon think of torturing a child. It's not in his nature. He is all love
- and sweetness and chivalry. If you say he has taken the blame on himself
- for some great generous purpose&mdash;yes. That's Jimmie. That's Jimmie
- all over. It's cruel&mdash;it's monstrous for any one who knows him to
- think otherwise.&rdquo;
- </p>
- <p>
- She had risen from her knees half-way through her passionate speech, and
- moved about in front of Norma, wringing her hands. She ended in a sob and
- turned away. Norma lay back in her chair, pale and agitated. The cynical
- worldling with his piercing vision into men and the pure, ignorant child
- had arrived at the same conclusion, not after months of thought, but
- instantly, intuitively. She could make the girl no answer. Aline began
- again.
- </p>
- <p>
- &ldquo;He could n't. You know he could n't. It's something glorious and
- beautiful he has done and not anything shameful.&rdquo;
- </p>
- <p>
- She went on, with little pauses, hurling her short, breathless sentences
- across the space that separated her from Norma, forgetful of everything
- save the wrong done to Jimmie. At last Norma rose and went to her.
- </p>
- <p>
- &ldquo;Hush, dear!&rdquo; she said. &ldquo;There are some things I mustn't talk about. I
- daren't. You are too young to understand. Mr. Padgate has sent me a
- wedding-present. Tell him how gladly I accept it and how I shall value it.
- Let me see the picture.&rdquo;
- </p>
- <p>
- Aline, her slight bosom still heaving with the after-storm of emotion,
- said nothing, but drew the cloth from the canvas. Norma started back
- in-surprise. She had not anticipated seeing her own portrait.
- </p>
- <p>
- &ldquo;Oh, but it is beautiful!&rdquo; she cried involuntarily.
- </p>
- <p>
- &ldquo;Yes&mdash;more than beautiful,&rdquo; said Aline, and mechanically she moved
- the chair into the full light of the window.
- </p>
- <p>
- Norma looked at the picture for a long time, stepped back and looked at
- herself in the mirror of the overmantel, and returned to the picture. And
- as she looked the soul behind the picture spoke to her. The message
- delivered, she glanced at Aline.
- </p>
- <p>
- &ldquo;It is not I, that woman. I wish to God it were.&rdquo; She put her hands up to
- her face, and took a step or two across the room, and repeated a little
- wildly, &ldquo;I wish to God it were!&rdquo;
- </p>
- <p>
- &ldquo;It is very, very like you,&rdquo; said Aline softly, recovering her girl's
- worship of the other's stately beauty.
- </p>
- <p>
- Norma caught her by the arm and pointed at the portrait.
- </p>
- <p>
- &ldquo;Can't you see the difference?&rdquo;
- </p>
- <p>
- But the soul behind the picture had not spoken to Aline. There was love
- hovering around the pictured woman's lips; happy tenderness and trust and
- promise mingled in her eyes; in so far as the shadow of a flower-like
- woman's passion could strain her features, so were her features strained.
- Yet she looked out of the canvas a proud, queenly woman, capable of
- heroisms and lofty sacrifice. She was one who loved deeply and demanded
- love in return. She was warm of the flesh, infinitely pure of the spirit.
- The face was the face of Norma, but the soul was that of the dream-woman
- who had come and sat in the sitter's chair and communed with Jimmie as he
- painted her. And Norma heard her voice. It was an indictment of her life,
- a judgment and a sentence.
- </p>
- <p>
- &ldquo;I am glad you can't, dear,&rdquo; she said to Aline, regaining her balance.
- &ldquo;Tell him I shall prize it above all my wedding-gifts.&rdquo;
- </p>
- <p>
- They talked quietly, for a while about Jimmie's affairs, the pilgrimage
- through southern France and northern Italy, his illness, his work. His
- poverty Aline was too proud to mention.
- </p>
- <p>
- &ldquo;And you, my dear?&rdquo; asked Norma, kindly.
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;What about yourself? You are not looking as happy as you were. My dear
- child,&rdquo; she said, bending forward earnestly, &ldquo;do you know that no one has
- ever come to me with their troubles in all my life&mdash;not once. I'm
- beginning to feel I should be happier if some one did. You have had yours&mdash;-I
- have heard just a little. You see we all have them and we might help each
- other.&rdquo;
- </p>
- <p>
- &ldquo;You have no troubles, Miss Hardacre,&rdquo; said Aline, touched. &ldquo;You are going
- to be married in a week's time.&rdquo;
- </p>
- <p>
- &ldquo;And you?&rdquo;
- </p>
- <p>
- &ldquo;Never,&rdquo; said Aline. &ldquo;Never.&rdquo;
- </p>
- <p>
- Suddenly she poured her disastrous little love-story into Norma's ears. It
- was a wonderful new comfort to the child, this tender magic of the womanly
- sympathy. Oh! she loved him, of course she loved him, and he loved her;
- that was the piteous part of it. If Miss Hardacre only knew what it was to
- have the heart-ache! It was dreadful. And there was no hope.
- </p>
- <p>
- &ldquo;And is that all?&rdquo; asked Norma, when she had lowered the curtain on her
- tragedy. &ldquo;You are eating out your heart for him and won't see him just
- because he won't believe in Jimmie? Listen. I feel sure that he will soon
- believe in Jimmie. He must. And then you'll be entirely happy.&rdquo;
- </p>
- <p>
- When the girl's grateful arms suddenly flung themselves about her, Norma
- was further on the road to happiness than she had ever travelled before.
- She yielded herself to the moment's exquisite charm. Behind her whirled a
- tumult of longing, shame, struggling faith, nameless suspicion. Before her
- loomed a shivering dread. The actual moment was an isle of enchanted
- peace.
- </p>
- <p>
- The clock on a table at the far end of the room chiming six brought her
- back to the workaday world. She must go home. Morland was coming to
- dinner; also one or two Cosford people, who had already arrived in town in
- view of the wedding. She would have to dress with some elaborateness. Her
- heart grew heavy and cold at the prospect of the dreary party. She rose,
- looked again at the picture in the fading light. Moved by the
- irresistible, she turned to Aline.
- </p>
- <p>
- &ldquo;I should like to see him&mdash;to thank him&mdash;before&mdash;-before
- Wednesday. Do you think he would come?&rdquo;
- </p>
- <p>
- Aline blushed guiltily. &ldquo;Jimmie is in the house now,&rdquo; she said.
- </p>
- <p>
- &ldquo;Downstairs?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- For a moment irresolute, she looked vacantly into the girl's pleading
- eyes. An odd darkness encompassed her and she saw nothing. The
- announcement was a shock of crisis. Dimly she knew that she trod the brink
- of folly and peril. But she had been caught unawares, and she longed
- stupidly, achingly, for the sight of his face. The words of Aline, eager
- in defence of her beloved, seemed far away.
- </p>
- <p>
- &ldquo;Of course he does n't know you are here. He was to call for me at a
- quarter to six, and I heard the front door open a little while ago. I
- brought the picture in a cab, and he is under the impression that Mrs.
- Deering will ask you to&mdash;will do what I have done. Jimmie is
- perfectly innocent, Miss Hardacre. He had not the remotest idea I was to
- meet you&mdash;not the remotest.&rdquo;
- </p>
- <p>
- Norma recovered herself sufficiently to say with a faint smile:
- </p>
- <p>
- &ldquo;So this has been a conspiracy between you and Connie Deering?&rdquo;
- </p>
- <p>
- Aline caught consent in the tone, and ignored the question.
- </p>
- <p>
- &ldquo;Shall I send him up to you?&rdquo; she asked breathlessly.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Norma.
- </p>
- <p>
- There was a girl's glad cry, a girl's impulsive kiss, and Norma was left
- alone in the room. She had yielded. In a few moments he would be with her&mdash;the
- man who had said, &ldquo;Her voice haunts me like music heard in sleep... I
- worship her like a Madonna... I love her as the man of hot blood loves a
- woman... My soul is a footstool for her to rest her feet upon,&rdquo; and other
- flaming words of unforgettable passion; the man for whom one instant of
- her life had been elemental sex; the man whose love had transfigured her
- on canvas into the wonder among women that she might have been; the man
- standing in a slough of infamy, whose rising vapours wreathed themselves
- into a halo about his head. She clenched her hands and set her teeth,
- wrestling with herself.
- </p>
- <p>
- &ldquo;My God! What kind of a fool am I becoming?&rdquo; she breathed.
- </p>
- <p>
- Training, the habit of the mask, came to her aid. Jimmie, entering, saw
- only the royal lady who had looked kindly upon him in the golden September
- days. She came to meet him frankly, as one meets an old friend. A new
- vision revealed to her the heart that leapt into his eyes, as they rested
- upon her. Mistress of herself, she hardened her own, but smiled and spoke
- softly.
- </p>
- <p>
- &ldquo;It is great good fortune you have come, so that I can thank you,&rdquo; she
- said. &ldquo;But how can I ever thank you&mdash;for that?&rdquo;
- </p>
- <p>
- &ldquo;It is a small gift enough,&rdquo; said Jimmie. &ldquo;Your acceptance is more than
- thanks.&rdquo;
- </p>
- <p>
- &ldquo;I shall prize it dearly. It is like nothing that can be bought. It is
- something out of yourself you are giving me.&rdquo;
- </p>
- <p>
- &ldquo;If you look at it in that light,&rdquo; said he, &ldquo;I am happy indeed.&rdquo;
- </p>
- <p>
- With a common instinct they went up to the portrait and regarded it side
- by side. Conventional words passed. He enquired after Morland.
- </p>
- <p>
- &ldquo;You have n't seen him for a long time?&rdquo; she asked hesitatingly.
- </p>
- <p>
- &ldquo;Not for a long time.&rdquo;
- </p>
- <p>
- &ldquo;You must have been very lonely.&rdquo;
- </p>
- <p>
- &ldquo;I have had Aline&mdash;and Connie Deering&mdash;and my work.&rdquo;
- </p>
- <p>
- &ldquo;Are they sufficient for you?&rdquo;
- </p>
- <p>
- &ldquo;Any human love a man gets he can make fill his life. It's like the grain
- of mustard-seed.&rdquo;
- </p>
- <p>
- Norma felt a thrill of admiration. Not a tone in his voice betrayed
- complaint, reproach, or bitterness. Instead, he sounded the note of
- thanksgiving for the love bestowed upon him, of faith in the perfect
- ordering of the world. She glanced at him, and felt that she had wronged
- him. No matter what was the solution of the mystery, she knew him to be a
- sweet-souled man, wonderfully steadfast.
- </p>
- <p>
- &ldquo;Your old way,&rdquo; she replied with a smile, sitting down and motioning him
- to a chair beside her. &ldquo;Do you remember that we first met in this very
- room? You have not changed. Have I?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said gravely, &ldquo;you were always beautiful, without and within. I
- told you that then, if you remember. Perhaps, now, you are a little truer
- to yourself.&rdquo;
- </p>
- <p>
- &ldquo;Do you think so?&rdquo; she asked, somewhat bitterly.
- </p>
- <p>
- &ldquo;Perhaps it is the approach of your great happiness,&rdquo; blundered Jimmie, in
- perfect conviction. She was silent. &ldquo;It has been more to me than I can
- say,&rdquo; he went on, &ldquo;to see you once again&mdash;as you are, before your
- marriage. I wish you many blessings&mdash;all that love can bring you.&rdquo;
- </p>
- <p>
- &ldquo;Do you think love is necessary for married happiness?&rdquo;
- </p>
- <p>
- &ldquo;Without it marriage must be a horror,&rdquo; said Jimmie. For a moment she was
- on the brink of harsh laughter. Did he sincerely believe she was in love
- with Morland? She could have hurled the question at him. Will checked the
- rising hysteria and turned it into other channels.
- </p>
- <p>
- &ldquo;Why have you never married? You must have loved somebody once.&rdquo;
- </p>
- <p>
- It was a relief to hurt him. The dusk was gathering in the room, and she
- could scarcely see his face. A Sunday stillness filled the quiet square
- outside. The hour had its dangers.
- </p>
- <p>
- &ldquo;My having loved a woman does not necessarily imply that I could have
- married her,&rdquo; said Jimmie.
- </p>
- <p>
- The evasion irritated her mood, awoke a longing to make him speak. She
- drew her chair nearer, bent forward, so that the brim of her great hat
- almost brushed his forehead and the fragrance of her overspread him.
- </p>
- <p>
- &ldquo;Do you remember a picture you would n't show me in your studio? You
- called it a mad painter's dream. You said it was the Ideal Woman.&rdquo;
- </p>
- <p>
- &ldquo;<i>You</i> said so,&rdquo; replied Jimmie.
- </p>
- <p>
- &ldquo;I should like to see it.&rdquo;
- </p>
- <p>
- &ldquo;It is mine no longer to show you,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;I think you must have loved that woman very deeply.&rdquo; She was tempting him
- as she had tempted no man before, feeling a cruel, senseless joy in it.
- His voice vibrated.
- </p>
- <p>
- &ldquo;Yes. I loved her infinitely.&rdquo;
- </p>
- <p>
- &ldquo;What was she like?&rdquo;
- </p>
- <p>
- &ldquo;Like all the splendid flowers of the earth melted into one rose,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;I wish some one had ever said that about me,&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Many must have thought it.&rdquo;
- </p>
- <p>
- &ldquo;She must be a happy woman to be loved by you.&rdquo;
- </p>
- <p>
- &ldquo;By me? Who am I that I could bring happiness to a woman? I have never
- told her.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo; she whispered. &ldquo;Do you suppose you can love a woman without her
- knowing it?&rdquo;
- </p>
- <p>
- &ldquo;In what way can the star be cognisant of the moth's desire?&rdquo; said Jimmie,
- going back to the refrain of his love.
- </p>
- <p>
- &ldquo;You a moth and she a star! You are a man and she is but a trumpery bit of
- female flesh that on a word would throw herself into your arms.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie, hoarsely. &ldquo;No, you don't know what you are saying.&rdquo;
- </p>
- <p>
- The temptation to goad him was irresistible.
- </p>
- <p>
- &ldquo;We are all of us alike, all of us. Tell her.&rdquo;
- </p>
- <p>
- &ldquo;I dare n't.&rdquo;
- </p>
- <p>
- &ldquo;Tell me who she is.&rdquo;
- </p>
- <p>
- She looked at him full, with meaning in her eyes, which glowed like deep
- moons in the dusk. He brought all his courage into his glance. He was the
- master. She turned away her head in confusion, reading his love, his
- strength, his loyalty. A lesser man loving her would have thrown honour to
- the winds. A curious reverence of him filled her. She felt a small thing
- beside him. All doubts vanished forever. Her faith in him was as crystal
- clear as Aline's.
- </p>
- <p>
- &ldquo;I have no right to mention her name,&rdquo; he said after a pause.
- </p>
- <p>
- Norma leaned back in her chair and passed her handkerchief across her
- lips.
- </p>
- <p>
- &ldquo;Would you do anything in the world she asked you?&rdquo; she murmured.
- </p>
- <p>
- &ldquo;I would go through hell for her,&rdquo; said Jimmie.
- </p>
- <p>
- There was another span of silence, tense and painful. Jimmie broke it by
- saying:
- </p>
- <p>
- &ldquo;Why should you concern yourself about my fantastic affairs? They merely
- belong to dreamland&mdash;to the twilight and the stillness. They have no
- existence in the living world.&rdquo;
- </p>
- <p>
- &ldquo;If I thought so, should I be sitting in the twilight and the stillness
- listening to you?&rdquo; she asked. &ldquo;Or even if I did, may I not enter into
- dreamland too for a few little minutes before the gates are closed to me
- forever? Why should you want to shut me out of it? Do you think much love
- has come my way? Yours are the only lips I have ever heard speak of it.&rdquo;
- </p>
- <p>
- &ldquo;Morland loves you,&rdquo; said Jimmie, tremulously.
- </p>
- <p>
- The door opened. The electric light was switched on, showing two pale,
- passion-drawn faces, and Connie Deering brought her sweet gaiety into the
- room.
- </p>
- <p>
- &ldquo;If I had known you two were sitting in the dark like this, I should have
- come up earlier. Is n't it nice, Norma, to have Jimmie back again?&rdquo;
- </p>
- <p>
- The spell was broken. Norma gave an anxious look at the clock and fled,
- after hurried farewells.
- </p>
- <p>
- The mistress of the house arched her pretty eyebrows as she returned to
- Jimmie.
- </p>
- <p>
- &ldquo;<i>Eh bien?</i>&rdquo;
- </p>
- <p>
- &ldquo;Connie&mdash;&rdquo; He cleared his throat. &ldquo;You have kept my secret?&rdquo;
- </p>
- <p>
- &ldquo;Loyally,&rdquo; she said. &ldquo;Have you?&rdquo;
- </p>
- <p>
- &ldquo;I have done my best. God knows I have done my best.&rdquo;
- </p>
- <p>
- He sat down, took up a book and began to turn the leaves idly. Connie
- knelt down before the fire and put on a fresh log. This done, she came to
- his side. He took her hand and looked up into her face.
- </p>
- <p>
- &ldquo;I have n't thanked you, Connie. I do with all my heart.&rdquo;
- </p>
- <p>
- She smiled at him with an odd wistfulness.
- </p>
- <p>
- &ldquo;You once thanked me in a very pretty manner,&rdquo; she said. &ldquo;I think I
- deserve it again.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0022" id="link2HCH0022"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXII&mdash;CATASTROPHE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>ONNIE DEERING was
- dining that Sunday evening with some friends at the Carlton, an engagement
- which had caused her to decline an invitation to the Hardacres'. The
- prospect, however, for once did not appeal to her pleasure-loving soul.
- She sighed as she stepped into her brougham, and wished as she drove along
- that she were sitting at home in the tea-gown and tranquillity harmonious
- with a subdued frame of mind. Problems worried her. What had passed
- between Norma and Jimmie? Ordinary delicacy had forbidden her questioning,
- and Jimmie had admitted her no further into his confidence. In that she
- was disappointed. When a sentimental woman asks for a kiss, she expects
- something more. She was also half ashamed of herself for asking him to
- kiss her. A waspish little voice within proclaimed that it was not so much
- for Jimmie's sake as for her own; that her lifelong fondness for Jimmie
- had unconsciously slid on to the rails that lead to absurdity. She drew
- her satin cloak tightly around her as if to suffocate the imp, and
- returned to her speculation. Something had happened&mdash;of that there
- was no doubt&mdash;something serious, agitating. It could be read on both
- their faces. Had she, who alone knew the hearts of each, done right in
- bringing them together? What had been her object? Even if a marriage
- between them had not been too ludicrous for contemplation, it would not
- have been fair towards her cousin Morland to encourage this intrigue. She
- vowed she had been a little fool to meddle with such gunpowdery matters.
- And yet she had acted in all innocence for Jimmie's sake. It was right for
- Norma to be friends with him again. It was monstrous he should suffer. If
- he could not marry the woman he loved, at least he could have the
- happiness of knowing himself no longer a blackened wretch in her eyes. But
- then, Norma had taken it into her head to love him too. Had she done
- right? Her thoughts flew round in a vicious circle of irritatingly small
- circumference, occasionally flying off on the tangent of the solicited
- kiss.
- </p>
- <p>
- The first person she met in the vestibule of the Carlton was Theodore
- Weever. They exchanged greetings, discovered they belonged to the same
- party. She had come across him frequently of late in the houses that Norma
- and herself had as common ground. In a general way she liked him; since
- Norma had told her of his view of the scandal, he had risen high in her
- estimation; but to-night he seemed to be a link in the drama that
- perplexed her, and she shrank from him, as from something uncanny. He sat
- next her at table. His first words were of Jimmie.
- </p>
- <p>
- &ldquo;I was buying pictures yesterday from a friend of yours&mdash;Padgate.&rdquo;
- </p>
- <p>
- In her pleasure Connie forgot her nervousness.
- </p>
- <p>
- &ldquo;Why, he never told me.&rdquo;
- </p>
- <p>
- &ldquo;He could scarcely have had time unless he telephoned or telegraphed.&rdquo;
- </p>
- <p>
- &ldquo;He was at my house this afternoon,&rdquo; she explained.
- </p>
- <p>
- He carefully peppered his oysters, then turned his imperturbable face
- towards her.
- </p>
- <p>
- &ldquo;So was Miss Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;How do you know that?&rdquo; she cried, startled.
- </p>
- <p>
- &ldquo;I was calling in Devonshire Place. Her mother told me. I am not
- necromantic.&rdquo;
- </p>
- <p>
- His swift uniting of the two names perturbed her. She swallowed her
- oysters unreflectingly, thus missing one of her little pleasures in life,
- for she adored oysters.
- </p>
- <p>
- &ldquo;Which pictures did you buy?&rdquo; she asked.
- </p>
- <p>
- &ldquo;The one I coveted was not for sale. It was a portrait of Miss Hardacre. I
- don't think he meant me to see it, but I came upon him unawares. Have you
- seen it?&rdquo; They discussed the portrait for a while. Connie repeated her
- former question. Weever replied that he had bought the picture of the faun
- looking at the vision of things to come, and the rejected Italian study.
- Connie expressed her gladness. They contained Jimmie's best work.
- </p>
- <p>
- &ldquo;Very fine,&rdquo; Weever admitted, &ldquo;but just failing in finish. Nothing like
- the portrait.&rdquo;
- </p>
- <p>
- There was an interval. Connie exchanged remarks with old Colonel Pawley,
- her right-hand neighbour, who expatiated on the impossibility of consuming
- Bortsch soup with satisfaction outside Russia. The soup removed, Weever
- resumed the conversation.
- </p>
- <p>
- &ldquo;Have you read your Lamartine thoroughly? I have. I was sentimental once.
- He says somewhere, <i>Aimer pour être aimé, c'est de l'homme; mais aimer
- pour aimer, c'est presque de l'ange</i>. I remember where it comes from. It
- was said of Cecco in 'Graziella.' Our friend Padgate reminds me of Cecco.
- Do you care much about your cousin Morland King, Mrs. Deering?&rdquo;
- </p>
- <p>
- Connie, entirely disconcerted by his manner, looked at him beseechingly.
- </p>
- <p>
- &ldquo;Why do you ask me that?&rdquo;
- </p>
- <p>
- &ldquo;Because he is one of the <i>dramatis persona</i> in a pretty little
- comedy on which the curtain is not yet rung down.&rdquo;
- </p>
- <p>
- She greatly dared. &ldquo;Are you too in the caste?&rdquo;
- </p>
- <p>
- Theodore Weever deliberately helped himself to fish before replying. Then
- with equal deliberation he stared into her flushed and puzzled face.
- </p>
- <p>
- &ldquo;I hope so. A leading part, perhaps, if you are the clever and
- conscientious woman I take you to be.&rdquo;
- </p>
- <p>
- &ldquo;What part has my cousin Morland played?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I must leave you the very simple task of guessing,&rdquo; said Weever; and he
- took advantage of her consternation to converse with his left-hand
- neighbour.
- </p>
- <p>
- &ldquo;I have painted a peculiarly successful fan, dear Mrs. Deering,&rdquo; said
- Colonel Pawley, in his purring voice. &ldquo;A wedding-present for our dear Miss
- Hardacre. I have never been so much pleased with anything before. I should
- like you to see it. When may I come and show it you?&rdquo;
- </p>
- <p>
- &ldquo;The wedding is fixed for two o'clock on Wednesday,&rdquo; said Connie,
- answering like a woman in a dream. The bright room, the crowd of diners,
- the music, the voice of the old man by her side, all faded from her
- senses, eclipsed by the ghastly light that dawned upon her. Only one
- meaning could be attached to Weever's insinuations. A touch on the arm
- brought her back to her surroundings with a start. It was Colonel Pawley.
- </p>
- <p>
- &ldquo;I hope there is nothing&mdash;&rdquo; he began, in a tone of great concern.
- </p>
- <p>
- &ldquo;No, nothing. Really nothing. Do forgive me,&rdquo; she interrupted in
- confusion. &ldquo;You were telling me something. Oh, I'm dreadfully sorry.&rdquo;
- </p>
- <p>
- &ldquo;It was about the fan,&rdquo; said Colonel Pawley, sadly.
- </p>
- <p>
- &ldquo;A fan?&rdquo;
- </p>
- <p>
- &ldquo;Yes, for dear Miss Hardacre&mdash;a wedding-present.&rdquo;
- </p>
- <p>
- She listened to a repetition of the previous remarks and to a description
- of the painting, and this time replied coherently. She would be delighted
- to see both the fan and himself to-morrow morning. The kind old man
- launched into a prothalamion. The happy couple were a splendidly matched
- pair&mdash;Norma the perfect type of aristocratic English beauty; Morland
- a representative specimen of the British gentleman, the safeguard of the
- empire, a man, a thorough good fellow, incapable of dishonour, a landed
- proprietor. He had sketched out a little wedding-song which he would like
- to present with the fan. Might he show that, too, to Mrs. Deering?
- </p>
- <p>
- It was a dreadful dinner. On each side the distressing topic hemmed her
- in. In vain she tried to make her old friend talk of travel or gastronomy
- or the comforts of his club; perverse fate brought him always back to
- Norma's wedding. She was forced to listen, for to Weever she dared not
- address a remark. She longed for escape, for solitude wherein to envisage
- her dismay. No suspicion of Morland's complicity in the scandal had
- crossed her mind. Even now it seemed preposterous for a man of honour to
- have so acted towards his dearest and most loyal friend, to say nothing of
- the unhappy things that had gone before. Suddenly, towards the end of
- dinner, she revolted. She turned to Weever.
- </p>
- <p>
- &ldquo;I don't believe a word of it.&rdquo;
- </p>
- <p>
- &ldquo;Of what, dear lady?&rdquo;
- </p>
- <p>
- &ldquo;Of what you have told me about Morland and Jimmie Padgate.&rdquo;
- </p>
- <p>
- &ldquo;I have told you nothing&mdash;absolutely nothing,&rdquo; he replied in his
- expressionless way. &ldquo;Please remember that. I don't go about libelling my
- acquaintances.&rdquo;
- </p>
- <p>
- &ldquo;I shall go and ask Morland straight,&rdquo; she said with spirit.
- </p>
- <p>
- &ldquo;<i>Au succès</i>,&rdquo; said Weever.
- </p>
- <p>
- Dinner over, the little party went into the lounge. The screened light
- fell pleasantly on palms and pretty dresses, and made the place reposeful
- after the glare of the dining-room, whose red and white and gold still
- gleamed through the door above the steps. The red-coated band played a
- seductive, almost digestive air. A circle of comfortable chairs reserved
- by the host, invited the contented diner to languorous ease and restful
- gossip. It was the part of a Carlton dinner that Connie usually enjoyed
- the most. She still took her pleasures whole-heartedly, wherein lay much
- of her charm. The world, as Jimmie once told her, had not rubbed the dust
- off her wings. But to-night the sweet after-dinner hour was filled with
- fears and agitations, and while the party was settling down, she begged
- release from her host on the score of headache, and made her escape.
- </p>
- <p>
- She would carry out her threat to Weever. She would see Morland before she
- slept, and ask him to free her from this intolerable suspicion. She was a
- loyal, simple woman, for all her inconsequent ways and close experience of
- the insincerities of life; devoted to her friends, a champion of their
- causes; loving to believe the best, disturbed beyond due measure at being
- forced to believe the worst. Jimmie had most of her heart, more of it than
- she dared confess. But there were places in it both for Norma and for
- Morland. The latter was her cousin. She had known him all her life. To
- believe him to have played this sorry part in what it pleased Theodore
- Weever to call a pretty comedy was very real pain to the little lady. Her
- headache was no pretence. No spirit of curiosity or interference drove her
- to the Hardacres', where she knew she would find Morland; rather a desire
- to rid herself of a nightmare. Granted the possibility of baseness on
- Morland's part, all the dark places in the lamentable business became
- light. That was the maddening part of Weever's solution. And would it
- apply to the puzzle of the afternoon? Had Norma known? Had Jimmie told
- her? The pair had been agitated enough for anything to have happened.
- Theodore Weever, too, had calmly avowed himself an actor in the comedy.
- What part was he playing? She shivered at the conjecture. He looked like a
- pale mummy, she thought confusedly, holding in his dull eyes the
- inscrutable wisdom of the Sphinx. Meanwhile the horses were proceeding at
- a funereal pace. She pulled the checkstring and bade the coachman drive
- faster.
- </p>
- <p>
- The scene that met her eyes when the servant showed her into the
- Hardacres' drawing-room was unexpected. Instead of the ordinary
- after-dinner gathering, only Mr. and Mrs. Hardacre and Morland were in the
- room. The master of the house, very red, very puffy, sat in an armchair
- before the fire, tugging at his mean little red moustache. Mrs. Hardacre,
- her face haggard with anxiety, stood apart with Morland, whose heavy
- features wore an expression of worry, apology, and indignation curiously
- blended. On a clear space of carpet a couple of yards from the door lay
- some strings of large pearls. Connie looked from one to the other of the
- three people who had evidently been interrupted in the midst of an anxious
- discussion. Here, again, something had happened.
- </p>
- <p>
- Mrs. Hardacre shook hands with her mechanically. Mr. Hardacre apologised
- for not rising. That infernal gout again, he explained, pointing to the
- slashed slipper of a foot resting on a hassock. Norma had made it worse.
- He had been infernally upset.
- </p>
- <p>
- &ldquo;Norma?&rdquo; Connie turned and looked inquiringly at the other two.
- </p>
- <p>
- &ldquo;Oh, an awful scene,&rdquo; said Morland, gloomily. &ldquo;I wish to heaven you had
- been here. You might have done something.&rdquo;
- </p>
- <p>
- &ldquo;Perhaps you might bring her to her senses now, though I doubt it. I think
- she has gone crazy,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;But what has occurred?&rdquo;
- </p>
- <p>
- &ldquo;She declares she won't marry me, that's all. There's my wedding-present
- on the floor. Tore it from her neck as she made her exit. I don't know
- what's going to happen!&rdquo;
- </p>
- <p>
- &ldquo;Where is she now?&rdquo;
- </p>
- <p>
- &ldquo;Up in her room smashing the rest of her wedding-presents, I suppose,&rdquo;
- said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;Eh, what? Can't do that. All locked up downstairs in the library,&rdquo; came
- from the chair by the fire.
- </p>
- <p>
- &ldquo;Oh, don't make idiotic remarks, Benjamin,&rdquo; snapped his wife, viciously.
- </p>
- <p>
- The air was electric with irritation. Connie, a peacemaker at heart,
- forgot her mission in the face of the new development of affairs, and
- spoke soothingly. Norma could not break off the engagement three days
- before the wedding. Such things were not done. She would come round. It
- was merely an attack of nerves. They refused to be comforted.
- </p>
- <p>
- &ldquo;God knows what it is,&rdquo; said Morland. &ldquo;I thought things were perfectly
- square between us. She was n't cordial before dinner, I'll admit; but she
- let me put those beads round her neck. I asked her to wear them all the
- evening, as there were only the four of us.&rdquo;
- </p>
- <p>
- &ldquo;The Spencer-Temples sent an excuse this afternoon,&rdquo; Mrs. Hardacre
- explained.
- </p>
- <p>
- &ldquo;She agreed,&rdquo; Morland continued. &ldquo;She wore them through dinner. Then
- everything any one of us said seemed to get on her nerves. I talked about
- the House. She withered me up with sarcasm. We talked about the wedding.
- She begged us, for God's sake, to talk of something else. We tried, so as
- to pacify her. But of course it was hardly possible. I said I had met Lord
- Monzie yesterday&mdash;told me he and his wife were coming on Wednesday.
- She asked whether Ascherberg and the rest of Monzie's crew of
- money-lenders, harlots, and fools were coming too. I defended Monzie. He's
- a friend of mine and a very decent sort. She shrugged her shoulders. You
- know her way. Mrs. Hardacre changed the subject. After dinner I saw her
- alone for a bit in the drawing-room. She asked me to take back the pearls.
- Said they were throttling her. Had n't we better reconsider the whole
- matter? There was still time. That was the beginning of it. Mr. and Mrs.
- Hardacre came up. We did all we knew. Used every argument. People invited.
- Bishop to perform ceremony. Duchess actually coming. Society expected us.
- The scandal. Her infernally bad treatment of myself. No good. Whatever we
- said only made her worse. Ended up with a diatribe against society. She
- was sick of its lies and its rottenness. She was going to have no more of
- it. She would breathe fresh pure air.
- </p>
- <p>
- &ldquo;The Lord knows what she did n't say. All of us came in for it. Said
- shocking things about her mother. Said I did n't love her, had never loved
- her. A loveless marriage was horrible. Of course I am in love with her.
- You all know that. I said so. She would n't listen. Went on with her
- harangue. We could n't stop her. She would n't marry me for all the
- bishops and duchesses in the world. At last I lost my temper and said it
- was my intention to marry her, and marry me she should. Don't you think I
- was quite right? She lost hers, I suppose, tore off the pearls, made a
- sort of peroration, declaring she would sooner die than commit the infamy
- of marrying me&mdash;and that's the end of it.&rdquo;
- </p>
- <p>
- He threw out his hands in desperation and turned away. His account of
- events from his point of view was accurate. To him, as to Norma's parents,
- her final revolt appeared the arbitrary act of unreason. They still
- smarted resentfully under her lashes, incapable of realising the sins for
- which they were flagellated.
- </p>
- <p>
- If she had remained at home that afternoon and continued to practise
- insensibility, she would probably have followed the line of least
- resistance during the evening. Or, on the other hand, if she could have
- been alone, a night's fevered sleeplessness would have caused dull
- reaction in the morning. The cold contempt for things outside her, which
- had served for strength, was now gone, leaving a helpless woman to be
- swayed by passion or led spiritless by convention. The heroic in her
- needed the double spur. Passion shook her; miserable bondage, claiming
- her, drove her to rebellion. She rose to sublime heights, undreamed of in
- her earth-bound philosophy.
- </p>
- <p>
- She had gone into the street after her interview with Jimmie, white,
- palpitating, torn. Though the man had spoken tremulous words, it was the
- unspoken, the wave of longing and all unspeakable things in whose heaving
- bosom they had been caught, that mattered. The Garden of Enchantment had
- thrown wide its gates; she had been admitted within its infinitely
- reaching vistas, and flowers of the spirit had bared their hearts before
- her eyes. Dressing, she strove to kill the memory, to deafen her ears to
- the haunting music, to clear her brain of the intoxication. A thing hardly
- a woman, hardly a coherent entity, but half marble, half-consuming fire,
- stood before Morland, as he clasped the pearl necklace around her throat.
- The touch of it against her skin caused a shudder. Up to then sensation
- had blotted out thought. But now the brain worked with startling lucidity.
- There was yet time to escape from the thraldom. The Idea gathered strength
- from every word and incident during the meal. The commonness, sordidness,
- emptiness of the life behind and around and before her were revealed in
- the unpitying searchlight of an awakened soul.
- </p>
- <p>
- She pleaded with Morland for release. The necklace choked her. She
- unclasped it. He refused to take it back. She was his. He loved her. Her
- conduct was an outrage on his affections. She dared him to an expression
- of passionate feeling. He failed miserably, and her anger grew. Unhappily
- he spoke of an outrage upon Society. She fastened on the phrase. His
- affection and Society! One was worth the other. Society&mdash;the Mumbo
- Jumbo&mdash;the grotesque false god to which women were offered up in
- senseless sacrifice! Her mother instanced the bishop and the duchess as
- avatars of the divinity. Norma poured scorn on the hierarchy. Mrs.
- Hardacre implored her daughter by her love for her not to humiliate her
- thus in the world's eyes. She struck the falsest of notes. Norma turned on
- her, superb, dramatic, holding the three in speechless dismay. Love! what
- love had been given her that she should return? She had grown honest. The
- gods of that house were no longer her gods. They were paltry and
- dishonoured, shams and hypocrisies. Once she worshipped them. To that she
- had been trained from her cradle. Her nurses dangled the shams before her
- eyes. The women who taught her bent fawning knees before the shrines of
- the false gods. A mother's love? what had she learned from her mother? To
- simper and harden her heart. That the envy of other simpering hardened
- women was the ultimate good. That the dazzling end of a young girl's
- career was to capture some man of rank and fortune&mdash;that when she was
- married her lofty duty was to wear smarter clothes, give smarter parties,
- and to inveigle to her house by any base and despicable means smarter
- people than her friends. What had she learned from her mother? To let men
- of infamous lives leer at her because they had title or fortune. To pay
- court to shameless women in the hope of getting to know still more
- shameless men who might dishonour her with their name. She had never been
- young&mdash;never, never, with a young girl's freshness of heart. She
- spoke venom and was praised for wit. She was the finished product of a
- vapid world. Her whole existence had been an intricate elaboration of
- shams&mdash;miserable, empty, despicable futilities. How dared her mother
- stand before her and talk of love?
- </p>
- <p>
- Then a quick angry scene, a crisp thud of the pearls on the floor, a
- stormy exit&mdash;and that, as Morland said, was the end of it. The three
- were left staring at each other in angry bewilderment.
- </p>
- <p>
- In the face of this disaster Connie could not find it in her heart to
- reproach Morland, still less to hint at Theodore Weever's insinuation.
- Rather did she reproach herself for being the cause of the catastrophe,
- and she was smitten with a sense of guilt when Mrs. Hardacre turned upon
- her accusingly.
- </p>
- <p>
- &ldquo;She had tea with you, did n't she? Did you notice anything wrong?&rdquo;
- </p>
- <p>
- &ldquo;She didn't seem quite herself&mdash;was nervous and strange,&rdquo; said
- Connie, diplomatically. &ldquo;I think I had better go up and talk to her,&rdquo; she
- added after an anxious pause.
- </p>
- <p>
- &ldquo;Yes, do, for God's sake, Connie,&rdquo; said Morland.
- </p>
- <p>
- She nodded, smiled the ghost of her bright smile, and, glad of escape,
- went upstairs. The three sat in gloomy silence, broken only by Mr.
- Hardacre's maledictions on his gout. It was a bitter hour for them.
- </p>
- <p>
- In a few moments Connie burst into the room, with a letter in her hand.
- She looked scared.
- </p>
- <p>
- &ldquo;We can't find her. She's not in the house.&rdquo;
- </p>
- <p>
- &ldquo;Not in the house!&rdquo; shrieked Mrs. Hardacre.
- </p>
- <p>
- Morland brought his hand down heavily on the piano.
- </p>
- <p>
- &ldquo;I heard the front door slam half an hour ago!&rdquo;
- </p>
- <p>
- &ldquo;This is addressed to you, Mrs. Hardacre. It was stuck in her
- looking-glass.&rdquo;
- </p>
- <p>
- Mrs. Hardacre opened the note with shaky fingers. It ran:
- </p>
- <p>
- <i>&ldquo;I mean what I say. I had better leave you all, at least till after
- Wednesday. My stopping here would be more than you or I could stand.&rdquo;</i>
- </p>
- <p>
- Mr. Hardacre staggered with a gasp of pain to his feet, and his weak eyes
- glared savagely out of his puffy red face.
- </p>
- <p>
- &ldquo;Damme, she must come back! If she does n't sleep here to-night, I'll cut
- her off. I won't have anything more to do with her. She has got to come
- back.&rdquo;
- </p>
- <p>
- &ldquo;All right. Go and tell her, then,&rdquo; retorted his wife. &ldquo;Where do you
- suppose you are going to find her?&rdquo;
- </p>
- <p>
- &ldquo;Oh, she is sure to have gone to my house,&rdquo; said Connie. &ldquo;But suppose she
- has n't,&rdquo; said Morland, anxiously. &ldquo;She was in such a state that anything
- is possible.&rdquo;
- </p>
- <p>
- &ldquo;Come with me if you like. The brougham is here.&rdquo;
- </p>
- <p>
- &ldquo;And you go too, Eliza, and bring her home with you, d' ye hear?&rdquo; cried
- Mr. Hardacre. &ldquo;If you don't, she'll never set foot in my house again. I'm
- damned if she shall!&rdquo;
- </p>
- <p>
- His wife looked at him queerly for a moment; then she meekly answered:
- </p>
- <p>
- &ldquo;Very well, Benjamin.&rdquo;
- </p>
- <p>
- Once only during their long married life had she flouted him when he had
- spoken to her like that. Then in ungovernable fury he had thrown a boot at
- her head.
- </p>
- <p>
- Mr. Hardacre glared at Morland and Connie, and scrambled cursing into his
- chair.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0023" id="link2HCH0023"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXIII&mdash;NORMA'S HOUR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">S</span>OMETHING had
- happened&mdash;something mysterious, quickening; a pulsation of the inmost
- harmonies of life. Its tremendous significance Jimmie dared not
- conjecture. It was to be interpreted by the wisdom of the simplest, yet
- that interpretation he put aside. It staggered reason. It was enough for
- them to have met together in an unimagined intimacy of emotion, to have
- shared the throb of this spiritual happening.
- </p>
- <p>
- She was to be married in three days. He set the fact as a block to further
- investigation of the mystery. On this side his loyalty suffered no taint;
- their relations had but received, in some sense, sanctification. Beyond
- the barrier lay shame and dishonour. The two were to be married; therefore
- they loved. He disciplined a disordered mind with a logic of his own
- invention. It was a logic that entirely begged the question. Remembered
- words of Norma, &ldquo;Do you think much love has come my way? Yours are the
- only lips I have ever heard speak of it,&rdquo; fell outside his premises. They
- clamoured for explanation. So did the rich tremor of her voice. So did the
- lamentable lack of conviction in his reply. To these things he closed his
- intelligence. They belonged to the interpretation that staggered reason,
- that threatened to turn his fundamental conceptions into chaos. And past
- incidents came before him. During those last days in Wiltshire he had seen
- that her life lacked completion. That memory, too, disturbed his
- discipline. Fanatically he practised it, proving to himself that ice was
- hot and that the sun shone at midnight. She was happy in her love for
- Morland. She was happy in Morland's love for her. She had not identified
- with herself the imaginary woman of his adoration. She had not drunk in
- the outpouring of his passion. Her breath had not fallen warm upon his
- cheek. And the quickening of a wonderful birth had no reference to
- emotions and cravings quite different, intangible, inexpressible, existent
- in a far-away spirit land.
- </p>
- <p>
- He was strangely silent during their homeward journey in the omnibus and
- the simple evening meal, and Aline, sensitive to his mood, choked down the
- eager questions that rose to her lips. It was only after supper in the
- studio, when she lit the spill for Jimmie's pipe&mdash;her economical soul
- deprecating waste in matches&mdash;that she ventured to say softly:
- </p>
- <p>
- &ldquo;I am afraid you'll miss the picture, Jimmie dear.&rdquo;
- </p>
- <p>
- He waited until the pipe was alight, and breathed out a puff of smoke with
- a sigh.
- </p>
- <p>
- &ldquo;Our happiness is made up of the things we miss,&rdquo; he said.
- </p>
- <p>
- &ldquo;That's a paradox, and I don't believe it,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Everything in life is a paradox,&rdquo; he remarked, thinking of his logic. He
- relapsed into his perplexed silence. Aline settled herself in her usual
- chair with her workbasket and her eternal sewing. This evening she was
- recuffing his shirts. Presently she held up a cuff.
- </p>
- <p>
- &ldquo;See. I'm determined to make you smart and fashionable. I don't care what
- you say. These are square.&rdquo;
- </p>
- <p>
- &ldquo;Are n't you putting a round man into a square cuff, my dear?&rdquo; he asked.
- </p>
- <p>
- She laughed. &ldquo;Why should you be round? You are smart and rectangular. When
- you're tidied up&mdash;don't you know you are exceedingly good-looking,
- almost military?&rdquo;
-</p>
- <p>
-She was delighted to get him back to foolish talk. His
- preoccupation had disturbed her. Like Connie Deering, she was femininely
- conscious that something out of the ordinary had passed between Norma and
- Jimmie, and apprehension as to her dear one's peace of mind had filled her
- with many imaginings. He returned a smiling answer. She bestirred herself
- to amuse. Had he remarked the man in the omnibus? His nose cut it into two
- compartments. What would he do if he had such a nose? Jimmie felt that he
- had been selfish and fell into the child's humour. He said that he would
- blow it. They discussed the subject of noses. He quoted Tristram Shandy.
- Did she remember him reading to her &ldquo;Slawkenbergius's Tale&rdquo;?
- </p>
- <p>
- &ldquo;The silliest story I ever heard in my life!&rdquo; cried Aline. &ldquo;It had neither
- head nor tail.&rdquo;
- </p>
- <p>
- &ldquo;That is the beauty of it,&rdquo; said Jimmie. &ldquo;It is all nose.&rdquo;
- </p>
- <p>
- &ldquo;No. The only story about a nose that is worth anything,&rdquo; Aline declared
- with conviction of her age and sex, &ldquo;is 'Cyrano de Bergerac.'&rdquo; She paused
- as a thought passed swiftly through her mind. &ldquo;Do you know, if you had a
- nose like that, you would remind me of Cyrano?&rdquo;
- </p>
- <p>
- &ldquo;Why, I don't go about blustering and carving my fellow-citizens into
- mincemeat.&rdquo;
- </p>
- <p>
- &ldquo;No. But you&mdash;&rdquo; She began unreflectingly, then she stopped short in
- confusion. Cyrano, Roxana, Christian; Jimmie, Norma, Morland&mdash;the
- parallel was of an embarrassing nicety. She lost her head, reddened, saw
- that Jimmie had filled the gap.
- </p>
- <p>
- &ldquo;I don't care,&rdquo; she cried. &ldquo;You <i>are</i> like him. It's splendid, but
- it's senseless. You are worth a million of the other man, and she knows it
- as well as I do.&rdquo;
- </p>
- <p>
- She vindictively stitched at the cuff. Jimmie made no reply, but lay back
- smoking his pipe. Aline recovered and grew remorseful. She had destroyed
- with an idiotic word the little atmosphere of gaiety she had succeeded in
- creating. She pricked her finger several times At last she rose and knelt
- by his side.
- </p>
- <p>
- &ldquo;I'm sorry, Jimmie. Don't be vexed with me.&rdquo;
- </p>
- <p>
- He looked at her, wrinkling his forehead half humorously, half sadly, and
- patted her cheek.
- </p>
- <p>
- &ldquo;No, dear,&rdquo; he said. &ldquo;But I think Slawkenbergius's the better tale. Shall
- I read it you again?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, Jimmie,&rdquo; cried the girl, half crying, half laughing. &ldquo;Please
- don't, for heaven's sake. I've not been as naughty as that!&rdquo;
- </p>
- <p>
- She resumed her sewing. They talked of daily things. Theodore Weever's
- purchases. The faun&mdash;he was sorry to lose it after its companionship
- for all these years. He would paint a replica&mdash;but it would not be
- the same thing. Other times, other feelings. Gradually the conversation
- grew spasmodic, dwindled. Jimmie brooded over his mystery, and Aline
- stitched in silence.
- </p>
- <p>
- The whirr of the front door-bell aroused them. Aline put down her work.
- </p>
- <p>
- &ldquo;It's Renshaw,&rdquo; said Jimmie.
- </p>
- <p>
- Renshaw, a broken-down, out-at-heels, drunken black-and-white artist, once
- of amazing talent, was almost the only member of a large Bohemian coterie
- who continued to regard Jimmie as at home to his friends on Sunday
- evenings. Jimmie bore with the decayed man, and helped him on his way, and
- was pained when Aline insisted upon opening the windows after his
- departure. Renshaw had been a subject of contention between them for
- years.
- </p>
- <p>
- &ldquo;He has only come to drink whisky and borrow money. Luckily we have n't
- any whisky in the house,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;We can give him beer, my child. And if the man is in need of half a
- crown, God forbid we should deny it him. Has Hannah come home yet?&rdquo;
- </p>
- <p>
- &ldquo;I don't think so. It is n't ten o'clock.&rdquo;
- </p>
- <p>
- &ldquo;Then let him in, dear,&rdquo; said Jimmie, finally.
- </p>
- <p>
- Aline went upstairs with some unwillingness. She disapproved entirely of
- Renshaw. She devoutly hoped the man was sober. As she opened the front
- door, the sharp sound of a turning cab met her ears, and the cloaked tall
- figure of a woman met her astonished eyes.
- </p>
- <p>
- &ldquo;Miss Hardacre!&rdquo;
- </p>
- <p>
- &ldquo;Yes, dear. Won't you let me in?&rdquo;
- </p>
- <p>
- The girl drew aside quickly, and Norma passed into the hall.
- </p>
- <p>
- &ldquo;You?&rdquo; cried Aline. &ldquo;I don't understand.&rdquo;
- </p>
- <p>
- &ldquo;Never mind. Is Mr.&mdash;is Jimmie at home?&rdquo;
- </p>
- <p>
- &ldquo;Jimmie!&rdquo; The girl's heart leaped at the name. She stared wide-eyed at
- Norma, whose features she could scarcely discern by the pin-point of gas
- in the hall-lamp. &ldquo;Yes. He is in the studio.&rdquo;
- </p>
- <p>
- &ldquo;Can I see him? Alone? Do you mind?&rdquo;
- </p>
- <p>
- In dumb astonishment Aline took the visitor to the head of the stairs,
- half lit by the streak of light from the open studio door.
- Norma paused, bent forward, and kissed her on the cheek.
- </p>
- <p>
- &ldquo;I know my way,&rdquo; she whispered.
- </p>
- <p>
- Jimmie heard the rustle of skirts that were not Aline's, and springing to
- his feet, hurried towards the door. But before he could reach it Norma
- entered and stood before him. Her long dark silk evening cloak was open at
- the throat, showing glimpses of white bare neck. Its high standing collar
- set off the stately poise of her head. She wore the diamond star in her
- hair. To the wondering man who gazed at her she was a vision of radiant
- beauty. They held each other's eyes for a second or two; and the first
- dazzling glory in which she seemed to stand having faded, Jimmie read in
- her face that desperate things had come to pass. He caught her hands as
- she came swiftly forward. &ldquo;Why are you here? My God, why are you here?&rdquo;
- </p>
- <p>
- &ldquo;I could stand it no longer,&rdquo; she said breathlessly. &ldquo;I am not going to
- marry Morland. I have cut myself adrift. They all know it. I told them so
- this evening. The horror of it was unbearable. I have done with it forever
- and ever.&rdquo;
- </p>
- <p>
- &ldquo;The horror of it?&rdquo; echoed Jimmie.
-
-</p>
-<p>
-
-&ldquo;Don't you think it a horror for two
- people to marry who have never even pretended to love each other? You said
- so this afternoon.&rdquo;
- </p>
- <p>
- He released her hands and turned aside. Even the deep exulting sense of
- what her presence there must mean could not mitigate a terrible dismay.
- The interpretation that staggered reason was the true and only one. He had
- been living in a dream, among shadow-shapes which he himself had cast upon
- the wall. Even now he could not grasp completely the extent of his
- heroical self-deception.
- </p>
- <p>
- &ldquo;There has never been any love between you and Morland? It has been a
- cold-blooded question of a marriage of convenience? I thought so
- differently.&rdquo;
- </p>
- <p>
- &ldquo;Since when?&rdquo; she asked. &ldquo;Since this afternoon?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;not since this afternoon.&rdquo;
- </p>
- <p>
- &ldquo;If it had n't been for you, I should have married him. You made it
- impossible. You taught me things. You made me hate myself and my mean
- ambitions. That was why I hesitated&mdash;put it off till Easter. If I had
- n't seen you this afternoon I should have gone through with it on
- Wednesday. When I got home I could n't face it. He put some pearls&mdash;a
- wedding-present&mdash;round my neck. They seemed like dead fingers choking
- out my soul. At last it grew horrible. I said things I don't remember now.
- I could n't stay in the house. It suffocated me. It would have sent me
- mad. I think a cab whirled me through the streets. I don't know. I have
- burnt my ships.&rdquo;
- </p>
- <p>
- She stopped, panting, with her hands on her bosom. His exultation grew,
- and fear with it. He was like a child trembling before a joy too great to
- be realised, frightened lest it should vanish. He said without looking at
- her:
- </p>
- <p>
- &ldquo;Why have you come here?&rdquo;
- </p>
- <p>
- &ldquo;Where else should I go? Unless&mdash;&rdquo; She halted on the word.
- </p>
- <p>
- &ldquo;Unless what?&rdquo;
- </p>
- <p>
- She broke into an impatient cry.
- </p>
- <p>
- &ldquo;Oh, can't you speak? Do you want me to say everything? There is no need
- for you to be silent any longer.&rdquo; She faced him. &ldquo;Who was the woman&mdash;the
- picture woman we spoke of this afternoon?&rdquo;
- </p>
- <p>
- &ldquo;You,&rdquo; he said. &ldquo;You. Who else?&rdquo; There was a quiver of silence. Then he
- caught her to him. He spoke foolish words. Their lips met, and passion
- held them.
- </p>
- <p>
- &ldquo;Had I anywhere else to go?&rdquo; she whispered; and he said, &ldquo;No.&rdquo;
- </p>
- <p>
- She released herself, somewhat pale and shaken. Jimmie, scarcely knowing
- what he did, took off her cloak and threw it on the long deal table. The
- sudden fresh chill on arms and neck made her realise that they were bare.
- It was his doing. She blushed. A delicious sense of shyness crept over
- her. It soon passed. But evanescent though it was, it remained long in her
- memory.
- </p>
- <p>
- Jimmie took her in his arms again. He said:
- </p>
- <p>
- &ldquo;You madden me. I have loved you so long. I am like a parched soul by a
- pool of Paradise.&rdquo;
- </p>
- <p>
- He took her by the hand, led her to his chair near the stove, and knelt by
- her side. She looked at him, the edges of her white teeth together, her
- lips parted. She was living the moment that counts for years in a woman's
- life. She can only live it once. Great joy or endless shame may come
- afterwards, but this moment shall ever be to her comfort or her despair.
- </p>
- <p>
- He asked her how she had known.
- </p>
- <p>
- &ldquo;You told me so.&rdquo;
- </p>
- <p>
- &ldquo;When?&rdquo;
- </p>
- <p>
- &ldquo;At Heddon. Do you think I shall ever forget your words?&rdquo; She laughed
- divinely at the puzzledom on his face. &ldquo;No. You were too loyal to tell me&mdash;but
- you told Connie Deering. Hush! Don't start. Connie did not betray you. She
- is the staunchest soul breathing. You and she were on the slope by the
- croquet lawn&mdash;do you remember? There was a hedge of clipped yew above&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And you overheard?&rdquo;
- </p>
- <p>
- She laughed again, happily, at his look of distress. &ldquo;I should be rather
- pleased&mdash;now&mdash;if I were you,&rdquo; she said in the softer and deeper
- tones of her voice.
- </p>
- <p>
- A few moments later he said, &ldquo;You must give me back the portrait. I shall
- burn it.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;You are a million times more beautiful, more adorable.&rdquo; He asked her when
- she had begun to think of him&mdash;the eternal, childlike question. She
- met his lover's gaze steadily. Frankness was her great virtue.
- </p>
- <p>
- &ldquo;It seems now that I have cared for you since the first day. You soon came
- into my life, but I did n't know how much you represented. Then I heard
- you speaking to Connie. That mattered a great deal. When that man shot
- you, I knew that I loved you. I thought you were dead. I rushed down the
- slope and propped you up against my knees&mdash;and I thought I should go
- mad with agony.&rdquo;
- </p>
- <p>
- &ldquo;I never heard of that,&rdquo; said Jimmie in a low voice.
- </p>
- <p>
- He became suddenly thoughtful, rose to his feet and regarded her with a
- changed expression, like that of a man awakened from a dream.
- </p>
- <p>
- &ldquo;What is going to be the end of this?&rdquo; he asked.
-
-</p>
-<p>
-
-Norma, for once
- unperceptive and replying to a small preoccupation of her own, flushed to
- her hair.
- </p>
- <p>
- &ldquo;I know Connie well enough to look her up and ask her for hospitality.&rdquo;
- </p>
- <p>
- &ldquo;I wasn't thinking of that,&rdquo; said Jimmie. &ldquo;We have been like children and
- had our hour of joy, without thinking of anything else. Now we must be
- grown-up people. After what has passed between us, I could only ask you to
- be my wife.&rdquo;
- </p>
- <p>
- &ldquo;I came here for you to ask me,&rdquo; she said.
- </p>
- <p>
- &ldquo;I have no right to do so, dear. I bear a dishonoured name. The wonder and
- wild desire of you made me forget.&rdquo;
- </p>
- <p>
- She looked at him strangely, her lips working in the shadow of her old
- smile of mockery.
- </p>
- <p>
- &ldquo;That proves to me that it is your name and not yourself that is
- dishonoured. If it had been yourself, you would not have forgotten.&rdquo;
- </p>
- <p>
- Jimmie drew himself up, and there was a touch of haughtiness in his manner
- that Norma in her woman's way noted swiftly. In spite of his homeliness
- there was the undefinable spirit of the great gentleman in Jimmie.
- </p>
- <p>
- &ldquo;I am dishonoured. The matter was public property. I discuss it with no
- one, least of all with you.&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; she said. &ldquo;Let it never be mentioned again between us. I
- range myself with Aline. I shall believe what I like. You can't prevent my
- doing that, can you? I choose to believe you are the one thing God made in
- which I can find happiness. That's enough for me, and it ought to be
- enough for you.&rdquo;
- </p>
- <p>
- Jimmie put his hand on her shoulder, deeply moved.
- </p>
- <p>
- &ldquo;My dearest, you must n't say things like that.&rdquo; He repeated the words,
- &ldquo;You mustn't say things like that.&rdquo; Then he was conscious of the warm
- softness on which his hand rested. She raised her arm and touched his
- fingers. It was a moment of deep temptation. He resisted, drew his hand
- away gently.
- </p>
- <p>
- &ldquo;There is another reason why it cannot be,&rdquo; he said. &ldquo;You belong to a
- world of wealth and luxury, I have been in poverty all my life. God forbid
- I should complain. I have never done so. But it is a life of struggle for
- daily bread. Aline and I are used to it. We laugh. We often dine with Duke
- Humphrey. We make believe like the marchioness. What the discipline of
- life and a sort of gipsy faith in Providence have made us regard as a
- jest, would be to you a sordid shift, an intolerable ugliness stripping
- life of its beauty&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, hush!&rdquo; she pleaded.
- </p>
- <p>
- &ldquo;No, I must talk and you must listen,&rdquo; he said with a certain masterful
- dignity. &ldquo;Look at you now, in the exquisite loveliness of your dress, with
- that diamond star in your hair, with that queenly presence of yours. Do
- you fit in with all this? Your place is in great houses, among historic
- pictures, rare carpets, furniture that is invested with the charm of an
- artist's touch. The chair you are sitting in&mdash;the leather is split
- and the springs are broken.&rdquo; He was walking now backwards and forwards
- across the studio, fulfilling his task bravely, scarcely trusting himself
- to look at her. &ldquo;Your place,&rdquo; he continued, &ldquo;is among the great ones of
- the earth&mdash;princes, ambassadors, men of genius. Here are but the
- little folk: even should they come, as they used to do: homely men with
- rough ways and their wives&mdash;sweet simple women with a baby and a
- frock a year, God help them! I can't ask you to share this life with me,
- my dear. I should be a scoundrel if I did. As it is, I have fallen below
- myself in letting you know that I love you. You must forgive me. A man is,
- after all, a man, whether he be beggar or prince. You must go back into
- your world and forget it all. The passion-flower cannot thrive in the
- hedge with the dog-rose, my dearest. It will pine and fade. We must end it
- all. Don't you see? You don't know what poverty means. Even decent poverty
- like ours. Look&mdash;the men you know have valets to dress them&mdash;when
- you came Aline was sewing new cuffs on my shirts. I don't suppose you ever
- knew that such things were done. Mere existence is a matter of ever
- anxious detail. I am a careless fellow, I am a selfish brute, like most
- men, and give over to the women folk around me the thousand harassing
- considerations of ways and means for every day in every year. But I see
- more than they think. Aline can tell you. I dare n't, my dear, ask you to
- share this life with me. I dare n't, I dare n't.&rdquo;
- </p>
- <p>
- He came to a stop in front of her; saw her leaning over the arm of the
- chair away from him, her face covered by her hands. Her white shoulders
- twitched in little convulsive movements.
- </p>
- <p>
- &ldquo;Why, my dear&mdash;my dear&mdash;&rdquo; he said in a bewilderment of distress;
- and kneeling by her, he took her wrists and drew them to him. The palms of
- her hands and her cheeks were wet with miserable tears.
- </p>
- <p>
- &ldquo;What must you think of me? What futile, feeble creature must you think
- me? Heaven knows I'm degraded enough&mdash;but not to that level. Do you
- suppose I ever thought you a rich man? Oh, you have hurt me&mdash;flayed
- me alive. I did n't deserve it! I would follow you in rags barefoot
- through the world. What does it matter so long as it is you that I
- follow?&rdquo;
- </p>
- <p>
- What could mortal man do but take the wounded woman of his idolatry into
- his arms? The single-hearted creature, aghast at the havoc he had wrought,
- bitterly reproached himself for want of faith in the perfect being. He had
- committed a horrible crime, plunged daggers, stab after stab, into that
- radiant bosom. She sobbed in his embrace&mdash;a little longer than was
- strictly necessary. Tears and sobs were a wonder to her, who since early
- childhood had never known the woman's relief of weeping. It came upon her
- first as a wondrous new-found emotion; when his strong arms were about
- her, as an unutterably sweet solace. And the man's voice in her ears was
- all that has nearly been said but never been quite said in music.
- </p>
- <p>
- Presently she drew herself away from him.
- </p>
- <p>
- &ldquo;Do you think I am such a fool that I can't sew?&rdquo;
- </p>
- <p>
- He sank back on his heels. She rose, helping herself to rise by a hand on
- his arm, an action wonderfully sweet in its intimacy, and crossed over to
- Aline's cane-bottomed, armless easy-chair. She plucked the shirt from the
- basket on the top of which Aline had thrust it, groped among the
- wilderness of spools, tape, bits of ribbon, scissors, needle-cases,
- patterns and year-old draper's bills for a thimble, found the needle
- sticking in the work, and began to sew with a little air of defiance.
- Jimmie looked on, ravished. He drew nearer.
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; he said. &ldquo;Do you mean to say you can do that?&rdquo;
- </p>
- <p>
- There was nothing she could not do in this hour of exaltation. She had
- found herself&mdash;simple woman with simple man. It was her hour. Her
- feet trod the roots of life; her head touched the stars.
- </p>
- <p>
- &ldquo;Sit in your chair and smoke, and let us see what it will be like,&rdquo; she
- commanded.
- </p>
- <p>
- He obeyed. But whether it was tobacco or gunpowder in his old briarwood
- pipe he could not have told. The poor wretch was mazed with happiness.
- </p>
- <p>
- &ldquo;Poor little Aline is all by herself upstairs,&rdquo; said Norma, after a while.
- </p>
- <p>
- &ldquo;Heaven forgive me,&rdquo; cried Jimmie, starting up. &ldquo;I had n't thought about
- her!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0024" id="link2HCH0024"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXIV&mdash;MRS. HARDACRE FORGETS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>HILE this tragical
- comedy of the domestic felicities was being enacted, Connie Deering's
- brougham containing three agitated, silent, human beings was rapidly
- approaching the scene.
- </p>
- <p>
- They had made certain of finding Norma at Bryanston Square. The news that
- she had not arrived disquieted them. Morland anxiously suggested the
- police. They had a hurried colloquy, Morland and Connie standing on the
- pavement, Mrs. Hardacre inside the carriage, thrusting her head through
- the window. Connie falteringly confessed to the meeting of Jimmie and
- Norma in the afternoon. Something serious had evidently passed between
- them.
- </p>
- <p>
- Morland broke into an oath. &ldquo;By God! That's where she's gone. Damn him!&rdquo;
- </p>
- <p>
- &ldquo;We must get her away at all costs,&rdquo; said Mrs. Hardacre, tensely.
- </p>
- <p>
- &ldquo;I am afraid it is my fault,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;Of course it is,&rdquo; Mrs. Hardacre replied brutally. &ldquo;The best you can do is
- to help us to rescue her.&rdquo;
- </p>
- <p>
- They started. The brougham was small, the air heavy, their quest
- distasteful, its result doubtful. The sense of fretfulness became acute.
- Mrs. Hardacre gave vent to her maternal feelings. When she touched on the vile seducer of her daughter's affections, Connie turned upon her almost
- shrewishly.
- </p>
- <p>
- &ldquo;This is my carriage, and I am not going to hear my dearest friend abused
- in it.&rdquo;
- </p>
- <p>
- Morland sat silent and worried. When they stopped at the house, he said:
- </p>
- <p>
- &ldquo;I think I shall stay outside.&rdquo;
- </p>
- <p>
- Connie, angry with him for having damned Jimmie, bent forward.
- </p>
- <p>
- &ldquo;Are you afraid of facing Jimmie?&rdquo; she said with a little note of
- contempt.
- </p>
- <p>
- &ldquo;Certainly not,&rdquo; he replied viciously.
- </p>
- <p>
- A few moments later Aline ran into the studio with a scared face.
- </p>
- <p>
- &ldquo;Jimmie!&rdquo;
- </p>
- <p>
- He went up to her, and she whispered into his ear; then he turned to
- Norma.
- </p>
- <p>
- &ldquo;Your mother and Connie and Morland are upstairs. I don't suppose you are
- anxious to see them. May I tell them what has happened?&rdquo;
- </p>
- <p>
- Norma rose and joined him in the centre of the studio. &ldquo;I would sooner
- tell them myself. Can they come down here?&rdquo;
- </p>
- <p>
- &ldquo;If you wish it.&rdquo;
- </p>
- <p>
- He gave the order to Aline. Before going, she took him by the arm and
- swiftly glancing at Norma, asked eagerly:
- </p>
- <p>
- &ldquo;What has happened?&rdquo;
- </p>
- <p>
- &ldquo;The wonder of wonders, dear,&rdquo; said Jimmie.
- </p>
- <p>
- With a glad cry she ran upstairs and brought down the visitors, who were
- waiting in the hall.
- </p>
- <p>
- Jimmie stood by the open door to receive them. Norma retired to the far
- end of the studio. She held her head high, and felt astonishingly cool and
- self-possessed. Mrs. Hardacre entered first, and without condescending to
- look at Jimmie marched straight up to her daughter. Then came Connie and
- Aline, the girl excited, her arm round her friend's waist. Morland, on
- entering, drew Jimmie aside.
- </p>
- <p>
- &ldquo;So you've bested me,&rdquo; he said in an angry whisper. &ldquo;You held the cards, I
- know. I did n't think you would use them. I wish you joy.&rdquo;
- </p>
- <p>
- A sudden flash of pain and indignation lit Jimmie's eyes.
- </p>
- <p>
- &ldquo;Good God, man! Have you sunk so low as to accuse me of that? <i>Me?</i>&rdquo;
- </p>
- <p>
- He turned away. Morland caught him by the sleeve.
- </p>
- <p>
- &ldquo;I say&mdash;&rdquo; he began.
- </p>
- <p>
- But Jimmie shook him off and went to the side of Norma, who was listening
- to her mother's opening attack. It was shrill and bitter. When she paused,
- Norma said stonily:
- </p>
- <p>
- &ldquo;I am not going home with you to-night, mother. I sleep at Connie's. She
- will not refuse me a bed.&rdquo;
- </p>
- <p>
- &ldquo;Your father means what he says.&rdquo;
- </p>
- <p>
- &ldquo;So do I, mother. I can manage pretty well without your protection till I
- am married. Then I sha'n't need it.&rdquo;
- </p>
- <p>
- &ldquo;Pray whom are you going to marry?&rdquo; asked Mrs. Hardacre, acidly.
- </p>
- <p>
- &ldquo;I should think it was obvious,&rdquo; said Norma. &ldquo;Mr. Padgate has done me the
- very great honour to ask me to be his wife. I have agreed. I am over age
- and a free agent, so there's nothing more to be said, mother.&rdquo;
- </p>
- <p>
- Mrs. Hardacre refused to take the announcement seriously. Her thin lips
- worked into a smile.
- </p>
- <p>
- &ldquo;This is sheer folly, my dear Norma. Over age or not we can't allow you to
- disgrace yourself and us&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We have never had such honour conferred on us in all our lives,&rdquo; said
- Norma.
- </p>
- <p>
- Mrs. Hardacre shrugged her shoulders pityingly.
- </p>
- <p>
- &ldquo;Among sane folks it would be a disgrace and a scandal. Even Mr. Padgate
- would scarcely take advantage of a fit of hysterical folly.&rdquo; She turned to
- Jimmie. &ldquo;I assure you she is hardly responsible for her actions. You are
- aware what you would be guilty of in bringing her into this&mdash;this&mdash;?&rdquo;
- She paused for a word and waved her hand around.
- </p>
- <p>
- &ldquo;Hovel?&rdquo; suggested Jimmie, grimly. &ldquo;Yes. I am aware of it. Miss Hardacre
- must not consider herself bound by anything she has said to-night.&rdquo;
- </p>
- <p>
- Connie Deering, who had come up waiting for a chance to speak, her
- forget-me-not eyes curiously hard and dangerous, broke in quickly:
- </p>
- <p>
- &ldquo;Why did you say <i>even</i> Mr. Padgate, Mrs. Hardacre?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Padgate has a reputation&mdash;&rdquo; said Mrs. Hardacre, with an
- expressive gesture.
- </p>
- <p>
- &ldquo;Jimmie&mdash;&rdquo;
- </p>
- <p>
- He checked his advocate. &ldquo;Please, no more.&rdquo;
- </p>
- <p>
- &ldquo;I should think not, indeed! Are you coming, Norma?&rdquo;
- </p>
- <p>
- &ldquo;You had better go,&rdquo; said Jimmie, softly. &ldquo;Why quarrel with your parents?
- To-morrow, a week, a month hence you can tell me your wishes. I set you
- quite free.&rdquo;
-</p>
- <p>
-Norma made a movement of impatience.
- </p>
- <p>
- &ldquo;Don't make me say things I should regret&mdash;I am not going to change
- my mind. No, mother, I am not coming.&rdquo;
-</p>
- <p>
-Morland had not said a word, but
- stood in the background, hating himself. Only Connie's taunt had caused
- him to enter this maddeningly false position. He knew that his accusation,
- though he believed it true at the time, was false and base. Jimmie was
- true gold. He had not betrayed him. Connie, when Jimmie had checked her,
- went across to Morland.
- </p>
- <p>
- &ldquo;Do <i>you</i> believe that Jimmie deserves his reputation?&rdquo; she said for
- his ears alone.
- </p>
- <p>
- &ldquo;I don't know,&rdquo; he answered moodily, kicking at a hassock.
- </p>
- <p>
- &ldquo;I do know,&rdquo; she said, &ldquo;and it's damnable.&rdquo;
- </p>
- <p>
- A quick glance exchanged completed her assurance. He saw that she knew,
- and despised him. For a few moments he lost consciousness of externals in
- alarmed contemplation of this new thing&mdash;a self openly despised by
- one of his equals. Mrs. Hardacre's voice aroused him. She was saying her
- final words to Norma.
- </p>
- <p>
- &ldquo;I leave you. When you are in the gutter with this person, don't come to
- ask me for help. You can <i>encanailler</i> yourself as much as you like,
- for all I care. This adventurer&mdash;&rdquo;
- </p>
- <p>
- Jimmie interposed in his grand manner.
- </p>
- <p>
- &ldquo;Pray remember, Mrs. Hardacre, that for the moment you are my guest.&rdquo;
- </p>
- <p>
- &ldquo;Your guest!&rdquo; For the second time that evening she had been rebuked. Her
- eyes glittered with spite and fury. She lost control. &ldquo;Your guest! If I
- went to rescue my daughter from a house of ill fame, should I regard
- myself as a guest of the keeper? How dare you? How do I know what does n't
- go on in this house? That girl over there&mdash;&rdquo;
- </p>
- <p>
- Norma sprang forward and gripped her by the arm.
- </p>
- <p>
- &ldquo;Mother!&rdquo;
- </p>
- <p>
- She shook herself free. &ldquo;How do I know? How <i>do</i> you know? The man's
- name stinks over England. No decent woman has anything to do with him.
- Have you forgotten last autumn? That beastly affair? If you choose to
- succeed the other woman&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, damn it!&rdquo; burst out Morland, suddenly. &ldquo;This is more than I can
- stand. Have you forgotten what I told you a week ago?&rdquo;
- </p>
- <p>
- The venomous woman was brought to a full stop. She stared helplessly at
- Morland, drawing quick panting breaths. She had forgotten that he was in
- the room.
- </p>
- <p>
- The cynicism was too gross even for him. There are limits to every man's
- baseness and cowardice. Moreover, his secret was known. To proclaim it
- himself was a more heroic escape than to let it be revealed with killing
- contempt by another. The two forces converged suddenly, and found their
- resultant in his outburst. It was characteristic of him that there should
- be two motives, though which one was the stronger it were hard to say&mdash;most
- likely revolt at the cynicism, for he was not a depraved man.
- </p>
- <p>
-Norma looked
- swiftly from one to the other.
- </p>
- <p>
-&ldquo;What did you tell my mother a week ago?&rdquo;
- </p>
- <p>
- Jimmie picked up Morland's crush-hat that lay on the table and thrust it
- into his hand.
- </p>
- <p>
- &ldquo;Oh, that's enough, my dear good fellow. Don't talk about those horrible
- things. Mrs. Hardacre would like to be going. You had better see her home.
- Good-night.&rdquo;
-</p>
- <p>
-He pushed him, as he spoke, gently towards Mrs. Hardacre, who
- was already moving towards the door. But Norma came up.
- </p>
- <p>
- &ldquo;I insist upon knowing,&rdquo; she said.
- </p>
- <p>
- &ldquo;No, no,&rdquo; said Jimmie, in an agitated voice. &ldquo;Let the dead past bury its
- dead. Don't rake up old horrors.&rdquo;
-</p>
- <p>
-Morland cleared himself away from Jimmie.
- </p>
- <p>
- &ldquo;My God! You are a good man. I've been an infernal blackguard. Everybody
- had better know. If Jimmie hadn't taken it upon himself, that madman would
- have shot me. He would have hit the right man. I wish to heaven he had.&rdquo;
- </p>
- <p>
- Norma grew white.
- </p>
- <p>
- &ldquo;And this is what you told my mother?&rdquo;
- </p>
- <p>
- &ldquo;I thought I ought to,&rdquo; said Morland, looking away from the anxious faces
- around him.
- </p>
- <p>
- &ldquo;You shouldn't have done it,&rdquo; said Jimmie, in a low voice. He was bent
- like a guilty person.
- </p>
- <p>
- Norma went to the door and opened it.
- </p>
- <p>
- &ldquo;Kindly see my mother into a cab.&rdquo;
- </p>
- <p>
- &ldquo;Please take the brougham,&rdquo; said Connie. &ldquo;Norma and I will take a cab
- later.&rdquo;
- </p>
- <p>
- Morland made a movement as if to speak to Jimmie. Norma intercepted him,
- waved her hand towards her mother, who stood motionless.
- </p>
- <p>
- &ldquo;Go. Please go,&rdquo; she said in a constrained voice. &ldquo;Take the brougham. She
- will catch cold while you are whistling for a cab&mdash;and you will be
- the sooner gone.&rdquo;
- </p>
- <p>
- Mrs. Hardacre, stunned by the utter disaster that she had brought about,
- mechanically obeyed Morland's gesture and passed through the open door,
- without looking at her daughter. As Morland passed her, he plucked up a
- little courage.
- </p>
- <p>
- &ldquo;We both lied for your sake,&rdquo; he said; which might have been an apology or
- a tribute. Norma gave no sign that she had heard him.
- </p>
- <p>
- Jimmie followed them upstairs and opened the front door. He put out his
- hand to Morland, who took it and said &ldquo;Good-night&rdquo; in a shamefaced way.
- Mrs. Hardacre stepped into the brougham like a somnambulist. Morland did
- not accompany her. He had seen enough of Mrs. Hardacre for the rest of his
- life.
- </p>
- <p>
- When Jimmie went down to the studio, he saw Norma and Connie bending over
- a chair in the far corner. Aline had fainted.
- </p>
- <p>
- They administered what restoratives were to hand&mdash;water and Connie's
- smelling-salts&mdash;and took the girl up to her bedroom, where she was
- left in charge of Mrs. Deering. Jimmie and Norma returned to the studio.
- The preoccupation of tending Aline, whose joy in the utter vindication of
- her splendid faith had been too sudden a strain upon an overwrought
- nervous system, had been welcomed almost as a relief to the emotional
- tenseness. They had not spoken of the things that were uppermost.
- </p>
- <p>
- They sat down in their former places, without exchanging a remark. Jimmie
- took up his pipe from the table by his side, and knocked the ashes into
- the ash-tray and blew through it to clear it. Then he began to fill it
- from his old tobacco-pouch, clumsy as all covered pouches are and rough
- with faded clumps of moss-roses and forget-me-nots worked by Aline years
- before.
- </p>
- <p>
- &ldquo;Why don't you go on with the sewing?&rdquo; he said.
- </p>
- <p>
- She waited a second or two before answering, and when she spoke did not
- trust herself to look at him.
- </p>
- <p>
- &ldquo;I ought to say something, I know,&rdquo; she said in a low voice. &ldquo;But there
- are things one can't talk of, only feel.&rdquo;
- </p>
- <p>
- &ldquo;We never need talk of them,&rdquo; said Jimmie. &ldquo;They are over and done with.
- Old, forgotten, far-off things now.&rdquo;
- </p>
- <p>
- &ldquo;Are they? You don't understand. They will always remain. They make up
- your life. You are too big for such as me altogether. By rights I should
- be on my knees before you. Thank God, I did n't wait until I learned all
- this, but came to you in faith. I feel poor enough to hug that to myself
- as a virtue.&rdquo;
- </p>
- <p>
- &ldquo;I am very glad you believed in me,&rdquo; said Jimmie, laying down the unlit
- pipe which he had been fondling. &ldquo;I would n't be human if I did n't&mdash;but
- you must n't exaggerate. Exposure would have ruined Morland's career, and
- I thought it would go near breaking your heart. To me, an insignificant
- devil, what did it matter?&rdquo;
- </p>
- <p>
- &ldquo;Did n't my love for you matter? Did n't all that you have suffered
- matter? Oh, don't minimise what you have done. I am afraid of you. Your
- thoughts are not my thoughts, and your ways not my ways. You will always
- be among the stars while I am crawling about the earth.&rdquo;
- </p>
- <p>
- Jimmie rose hurriedly and fell at her feet, and took both her hands and
- placed them against his cheeks.
- </p>
- <p>
- &ldquo;My dear,&rdquo; he said, moved to his depths. &ldquo;My dear. My wonderful,
- worshipped, God-sent dear. You are wrong&mdash;utterly wrong. I am only a
- poor fool of a man, as you will soon find out, whose one merit is to love
- you. I would sell my body and my soul for you. If I made a little
- sacrifice for the love of you, what have you done tonight for me&mdash;the
- sacrifice of all the splendour and grace of life?&rdquo;
- </p>
- <p>
- &ldquo;The lies and the rottenness,&rdquo; said Norma, with a shiver. &ldquo;Did you
- comprehend my mother?&rdquo;
- </p>
- <p>
- He took her hands from his face and kissed her fingers.
- </p>
- <p>
- &ldquo;Dear, those are the unhappy, far-off things. Let us forget them. They
- never happened. Only one thing in the world has ever happened. You have
- come to me, Norma,&rdquo; he said softly, speaking her name for the first
- tremulous time, &ldquo;Norma!&rdquo;
- </p>
- <p>
- Their eyes met, and then their lips. The world stood still for a space.
- She sighed and looked at him.
- </p>
- <p>
- &ldquo;You will have to teach me many things,&rdquo; she said. &ldquo;You will have to begin
- at the very beginning.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0025" id="link2HCH0025"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXV&mdash;THE LAND OF ENCHANTMENT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">E</span>VERY one knew that
- the marriage arranged between Morland King and Norma Hardacre would not
- take place. It was announced in the &ldquo;Times&rdquo; and &ldquo;Morning Post&rdquo; on the
- Tuesday morning; those bidden to the wedding received hurried messages,
- and a day or two later the wedding-gifts were returned to the senders, who
- stored them up for some happier pair. But the new engagement upon which
- Norma had entered remained a secret. Norma herself did not desire to
- complete the banquet of gossip she had afforded society, and Mrs. Hardacre
- was not anxious to fill to overflowing the cup of her own humiliation. The
- stricken lady maintained a discreet reserve. The lovers had quarrelled,
- Norma had broken off the match and would not be going out for some time.
- She even defied the duchess, who commanded an explicit statement of
- reasons. Her grace retorted severely that she ought to have brought her
- daughter up better, and signified that this was the second time Norma had
- behaved with scandalous want of consideration for her august convenience.
- &ldquo;She shall not have the opportunity of doing it again. I dislike being
- mixed up in scandals,&rdquo; said the duchess; and Mrs. Hardacre saw the gates
- of Wiltshire House and Chiltern Towers closed to her forever. But of the
- impossible painter wretch she spoke not a word, hoping desperately that in
- some mysterious fashion the God of her fathers would avert this crowning
- disgrace from them and would lead Norma forth again into the paths of
- decency and virtue. As for her husband, he stormily refused to speak or
- hear the outcast's name. He had done with her. She should never sleep
- again beneath the roof she had dishonoured. He would not allow her a
- penny. He would cut her out of his will. She had dragged him in the mud,
- and by heaven! she could go to the devil! It took much to rouse the
- passions of the feeble, mean-faced little man; but once they were roused,
- he had the snarling tenacity of the fox. Mrs. Hardacre did not tell him of
- Morland's confession and the rehabilitation of his rival. The memory of
- her stunning humiliation brought on a feeling akin to physical nausea. She
- strove to bury it deep down in her sub-consciousness, beneath all the
- other unhallowed memories. There were none quite so rank. On the other
- hand, her husband's vilification of the detested creature was a source of
- consolation which she had no desire to choke. Why should she deny herself
- this comfort. The supreme joy of vitriol throwing was not countenanced in
- her social sphere. At odd times she regretted that she was a lady.
- </p>
- <p>
- While the black fog of depression darkened Devonshire Place, in
- neighbouring parts of London the days were radiant. A thousand suns
- glorified the heavens and the breaths of a thousand springs perfumed the
- air. It was a period of exaggeration, unreality, a page out of a fairy
- tale lived and relived. Norma abandoned herself to the intoxication,
- heedless of the fog in Devonshire Place, and the decent grey of the world
- elsewhere. She refused to think or speculate. Rose veils shrouded the
- future; the present was a fantasy of delight. For material things, food,
- shelter, raiment, she had no concern. Connie fed and housed her, making
- her the thrice welcome guest, the beloved sister. From society she
- withdrew altogether. Visitors paid calls, odd people were entertained at
- meals, the routine of a wealthy woman's establishment proceeded in its
- ordinary course, and Norma's presence in the house remained unknown and
- unsuspected. She was there in hiding. The world was given to understand
- that she was in Cornwall. Even common life had thus its air of romance and
- mystery. Being as it were a fugitive, she had no engagements. There was a
- glorious incongruity in the position. She regarded the beginnings of the
- London season with the amused detachment of a disembodied spirit
- revisiting the scenes of which it once made a part. Morning, afternoon,
- and evening she was free&mdash;an exhilarating novelty. Nobody wanted to
- see her save Jimmie; save him she wanted to see nobody.
- </p>
- <p>
- They met every day&mdash;sometimes in the sitting-room on the ground floor
- which Connie had set apart for her guest's exclusive use, and sometimes in
- Jimmie's studio. Now and then, when the weather was fine, they walked
- together in sweet places unfrequented by the fashionable world, Regent's
- Park and Hampstead Heath, fresh woods and pastures new to Norma, who had
- heard of the heath vaguely as an undesirable common where the lower orders
- wore each other's hats and shied at cocoanuts. Its smiling loneliness and
- April beauty, seen perhaps through the artist's eyes, enchanted her.
- Jimmie pointed out its undulations; like a bosom, said he, swelling with
- the first breaths of pure air on its release from London.
- </p>
- <p>
- Most of all she loved to drive up to St. John's Wood after dinner and
- burst upon him unexpectedly. The new Bohemian freedom of it all was a part
- of the queer delicious life. She laughed in anticipation at his cry of
- delighted welcome. When she heard it, her eyes grew soft. To lift her veil
- and hang back her head to receive his kiss on her lips was an ever-new
- sensation. The intimacy had a bewildering sweetness. To complete it she
- threw aside gloves and jacket and unpinned her hat, a battered gilt Empire
- mirror over the long table serving her to guide the necessary touches to
- her hair. Although she did not repeat the little comedy of the shirt which
- had been inspired by the exaltation of a rare moment, yet she sat in
- Aline's chair, now called her own, and knitted at a silk tie she was
- making for him. She had learned the art from her aunt in Cornwall, and she
- brought the materials in a little black silk bag slung to her wrist. The
- housewifely avocation fitted in with the fairy tale. Jimmie smoked and
- talked, the most responsive and least tiring of companions. His allusive
- speech, that of the imaginative and cultured man, in itself brought her
- into a world different from the one she had left. His simplicity, his
- ignorance of the ways of women, his delight at the little discoveries she
- allowed him to make, gave it a touch of Arcadia. In passionate moments
- there was the unfamiliar, poetic, rhapsodic in his utterance which turned
- the world into a corner of heaven. And so the magic hours passed.
- </p>
- <p>
- &ldquo;I do believe I have found a soul,&rdquo; she remarked on one of these evenings,
- &ldquo;and that's why I must be so immoderately happy. I'm like a child with a
- new toy.&rdquo;
- </p>
- <p>
- She was unconscious of the instinctive, pitiless analysis of herself; and
- Jimmie, drunk with the wonder of her, did not heed the warning.
- </p>
- <p>
- Of their future life together they only spoke as happy lovers in the rosy
- mist shed about them by the veil. They dwelt in the glamour of the fairy
- tale, where the princess who marries the shepherd lives not only happy
- ever afterwards, but also delicately dressed and daintily environed, her
- chief occupation being to tie silk bows round the lambs' necks, and to
- serve to her husband the whitest of bread and the whitest of cheese with
- the whitest of hands. Their forecast of the future might have been an
- Idyll of Theocritus.
- </p>
- <p>
- &ldquo;You will be the inspiration of all my pictures, dear,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;I will sit for you as a model, if I am good enough.&rdquo;
- </p>
- <p>
- &ldquo;Good enough!&rdquo; Language crumbled into meaningless vocables before her
- infinite perfection. &ldquo;I have had a little talent. You will give me
- genius.&rdquo;
- </p>
- <p>
- &ldquo;I will also give you your dinner.&rdquo; She laughed adorably. &ldquo;Do you know
- Connie told me I must learn to cook. I had my first lesson this morning in
- her kitchen&mdash;a most poetic way of doing sweetbreads. Do you like
- sweetbreads?&rdquo;
- </p>
- <p>
- &ldquo;Now I come to think of it, I do. Enormously. I wonder why Aline never has
- them.&rdquo;
- </p>
- <p>
- &ldquo;We'll have some&mdash;our first lunch&mdash;at home.&rdquo;
- </p>
- <p>
- &ldquo;And you will cook them?&rdquo; cried the enraptured man.
- </p>
- <p>
- She nodded. &ldquo;In a most becoming white apron. You'll see.&rdquo;
- </p>
- <p>
- &ldquo;You'll be like a goddess taking her turn preparing the daily ambrosia for
- Olympus!&rdquo; said Jimmie.
- </p>
- <p>
- On another occasion they spoke of summer holidays. They would take a
- little cottage in the country. It would have honeysuckle over the porch,
- and beds of mignonette under the windows, and an old-fashioned garden full
- of stocks and hollyhocks and sunflowers. There would be doves and bees.
- They would go out early and come home with the dew on their feet. They
- would drink warm milk from the cow. They would go a hay-making. Norma's
- idea of the pastoral pathetically resembled that of the Petit Trianon.
- </p>
- <p>
- The magic of the present with its sincerity of passionate worship on the
- part of the man, and its satisfaction of a soul's hunger on the part of
- the woman, was in itself enough to blind their eyes to the possible prose
- of the future. Another interest, one of the sweetest of outside interests
- that can bind two lovers together, helped to fix their serious thoughts to
- the immediate hour. Side by side with their romance grew up another,
- vitally interwoven with it for a spell and now springing clear into
- independent life. The two children Aline and Tony Merewether had found
- each other again, and the fresh beauty of their young loves lit the deeper
- passion of the older pair with the light of spring sunrise. In precious
- little moments of confidence Aline opened to Norma her heart's dewy
- happiness, and what Norma in delicate honour could divulge she told to
- Jimmie, who in his turn had his little tale to bear. More and more was
- existence like the last page of a fairy book.
- </p>
- <p>
- The reconciliation of the younger folk had been a very simple matter. It
- was the doing of Connie Deering. The morning after Morland's confession
- she summoned Tony Merewether to an interview. He arrived wondering. She
- asked him point blank:
- </p>
- <p>
- &ldquo;Are you still in love with Aline Marden or have you forgotten all about
- her?&rdquo;
- </p>
- <p>
- The young fellow declared his undying affection.
- </p>
- <p>
- &ldquo;Are you aware that you have treated her shamefully?&rdquo; she said severely.
- </p>
- <p>
- &ldquo;I am the most miserable dog unhung,&rdquo; exclaimed the youth. He certainly
- looked miserable, thin, and worried. He gave his view of the position.
- Connie's heart went out to him.
- </p>
- <p>
- &ldquo;Suppose I told you that everything was cleared up and you could go to
- Aline with a light conscience?&rdquo;
- </p>
- <p>
- &ldquo;I should go crazy with happiness!&rdquo; he cried, springing to his feet.
- </p>
- <p>
- &ldquo;Aline deserves a sane husband. She is one in a thousand.&rdquo;
- </p>
- <p>
- &ldquo;She is one in twenty thousand million!&rdquo;
- </p>
- <p>
- &ldquo;There she goes, hand in hand with Jimmie Padgate. It's to tell you that
- I've asked you to come. I hope you'll let them both know you're aware of
- it.&rdquo;
- </p>
- <p>
- Satisfied that he was worthy of her confidence, she told him briefly what
- had occurred.
- </p>
- <p>
- &ldquo;And now what are you going to do?&rdquo; she asked, smiling.
- </p>
- <p>
- &ldquo;Do? I'll go on my knees. I'll grovel at his feet. I'll ask him to make me
- a door-mat. I'll do any mortal thing Aline tells me.&rdquo;
- </p>
- <p>
- &ldquo;Well, go now and do your penance and be happy,&rdquo; Connie said, holding out
- her hand.
- </p>
- <p>
- &ldquo;I don't know how I can thank you, Mrs. Deering,&rdquo; he cried. &ldquo;You are the
- most gracious woman that ever lived!&rdquo;
- </p>
- <p>
- A few moments later an impassioned youth was speeding in a hansom cab to
- Friary Grove. But Connie, with the memory of his clear-cut, radiant young
- face haunting her, sighed. Chance decreed that the very moment should
- bring her a letter from Jimmie, written that morning, full of his wonder
- and gratitude. She sighed again, pathetically, foolishly, unreasonably
- feeling left out in the cold.
- </p>
- <p>
- &ldquo;I wonder whether it would do me good to cry,&rdquo; she said, half aloud. But
- the footman entering with the announcement that the carriage which was to
- take her to her dressmaker was at the door, settled the question. She had
- to content herself with sighs.
- </p>
- <p>
- Tony Merewether did not go on his knees, as Aline had ordained; but he
- made his apology in so frank and manly a way that Jimmie forgave him at
- once. Besides, said he, what had he to forgive?
- </p>
- <p>
- &ldquo;I feel like Didymus,&rdquo; said Tony.
- </p>
- <p>
- Jimmie laughed as he clapped him on the shoulder and pushed him out of the
- studio.
- </p>
- <p>
- &ldquo;You had better cultivate the feeling. He became a saint eventually. Aline
- will help to make you one.&rdquo;
- </p>
- <p>
- If plain indication of another's infirmities can tend to qualify him for
- canonisation, Aline certainly justified Jimmie's statement. She did not
- confer her pardon so readily on the doubting disciple. His offence had
- been too rank. It was not merely a question of his saying a <i>credo</i>
- and then taking her into his arms. She exacted much penance before she
- permitted this blissful consummation. He had to woo and protest and humble
- himself exceedingly. But when she had reduced him to a proper state of
- penitence, she gave him plenary absolution and yielded to his kiss, as she
- had been yearning to do since the beginning of the interview. After that
- she settled down to her infinite delight. Nothing was lacking in the new
- rapturous scheme of existence. The glory of Jimmie was vindicated. Tony
- had come back to her. The bars to their marriage had vanished. Not only
- was Tony a man of substance with the legacy of eight thousand pounds that
- had been left him, and therefore able to support as many wives as the
- Grand Turk, but Jimmie no longer had to be provided for. The wonder of
- wonders had happened; she could surrender her precious charge with a free
- conscience and a heart bursting with gratitude.
- </p>
- <p>
- Thus the happiness of each pair of lovers caught a reflection from that of
- the other, and its colour was rendered ever so little fictitious, unreal.
- The light of spring sunrise, exquisite though it is, invests things with a
- glamour which the light of noon dispels. The spectacle of the young
- romance unfolding itself before the eyes of Jimmie and Norma completed
- their delicious sense of the idyllic; but the illusive atmosphere thus
- created caused them to view their own romance in slightly false
- perspective. Essentially it was a drama of conflict&mdash;themselves
- against the pettinesses and uglinesses of the world; apparently it was a
- pastoral among spring flowers.
- </p>
- <p>
- Another cause that contributed to Norma's unconcern for the future was her
- exaggerated sense of the man's loftiness of soul. Instead of viewing him
- as a lovable creature capable of the chivalrous and the heroic and
- afforded by a happy fate an opportunity of displaying these qualities&mdash;for
- the opportunity makes the hero as much as it does the thief&mdash;she
- grovelled whole-sexedly before an impossible idol imbued with impossible
- divinity. While knitting silk ties and devising with him the preparation
- of foodstuffs (which she did not realise he would not be able to afford)
- she was conscious of a grace in the trifling, all the more precious
- because of these little earthly things midway between the empyrean and the
- abyss which they respectively inhabited. In the deeply human love of each
- was a touch of the fantastic. To Jimmie she was the Princess of
- Wonderland, the rare Lady of Dreams; to Norma he appeared little less than
- a god.
- </p>
- <p>
- She was talking one evening with Connie Deering in a somewhat exalted
- strain of her own unworthiness and Jimmie's condescension, when the little
- lady broke into an unwonted expression of impatience.
- </p>
- <p>
- &ldquo;My dear child, every foolish woman is a valet to her hero. You would like
- to clean his boots, wouldn't you?&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie,&rdquo; cried Norma, alarmed, &ldquo;whatever is the matter?&rdquo;
- </p>
- <p>
- &ldquo;I think you two had better get married as quickly as possible. It is
- getting on one's nerves.&rdquo;
- </p>
- <p>
- Norma stiffened. &ldquo;I am sorry&mdash;&rdquo; she began.
- </p>
- <p>
- Connie interrupted her. &ldquo;Don't be silly. There's nothing for you to be
- sorry about.&rdquo; She brightened and laughed, realising the construction Norma
- had put upon her words. &ldquo;I am only advising you for your good. I had half
- an hour's solitary imprisonment with Theodore Weever this afternoon. He
- always takes it out of me. It's like having a bath with an electric eel.
- He called this afternoon to get news of you.&rdquo;
- </p>
- <p>
- &ldquo;Of me?&rdquo; asked Norma serenely, settling herself in the depths of her
- chair.
- </p>
- <p>
- &ldquo;He is like an eel,&rdquo; Connie exclaimed with a shiver. &ldquo;He's the
- coldest-blooded thing I've ever come across. I told you about the dinner
- at the Carlton, did n't I? It appears that he reckoned on my doing just
- what I rushed off to do. It makes me so angry!&rdquo; she cried with feminine
- emphasis on the last word. &ldquo;Of course he did n't tell me so brutally&mdash;he
- has a horrid snake-like method of insinuation. He had counted on my
- getting at the truth which he had guessed and so stopping the marriage.
- 'I'm a true prophet,' he said. 'I knew that marriage would never come
- off.'&rdquo;
- </p>
- <p>
- &ldquo;So he told me,&rdquo; said Norma. &ldquo;Do you know, there must be some goodness in
- him to have perceived the goodness in Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;I believe he's a disembodied spirit without either goodness or badness&mdash;a
- sort of non-moral monster.&rdquo; Connie was given to hyperbole in her likes and
- dislikes. She continued her tale. He had come to ask her advice. Now that
- Miss Hardacre was free, did Mrs. Deering think he might press his suit
- with advantage? His stay in Europe was drawing to a close. He would like
- to take back with him to New York either Miss Hardacre or a definite
- refusal.
- </p>
- <p>
- &ldquo;'You certainly cannot take back Miss Hardacre,' I said, 'because she is
- going to marry Jimmie Padgate.' I thought this would annihilate him. But
- do you think he moved a muscle? Not he.&rdquo;
- </p>
- <p>
- &ldquo;What did he say?&rdquo; asked Norma, lazily amused.
- </p>
- <p>
- &ldquo;'This is getting somewhat monotonous,'&rdquo; replied Connie.
- </p>
- <p>
- Norma laughed. &ldquo;Nothing else?&rdquo;
- </p>
- <p>
- &ldquo;He began to talk about theatres. He has the most disconcerting way of
- changing the conversation. But on leaving he sent his congratulations to
- you, and said that you were always to remember that you were the wife
- specially designed for him by Providence.&rdquo;
- </p>
- <p>
- &ldquo;You dear thing,&rdquo; said Norma, &ldquo;and did that get on your nerves?&rdquo;
- </p>
- <p>
- &ldquo;Would n't it get on yours?&rdquo;
- </p>
- <p>
- Norma shook her head. &ldquo;I have n't any nerves for things to get on. People
- don't have nerves when they're happy.&rdquo;
- </p>
- <p>
- &ldquo;And are you happy, really, really happy?&rdquo;
- </p>
- <p>
- &ldquo;I am deliciously happy,&rdquo; said Norma.
- </p>
- <p>
- She went to bed laughing at the discomfiture of Weever and the remoteness
- of him and of the days last summer when she first met him among the
- Monzies' disreputable crowd. He belonged to a former state of existence.
- Jimmie's portrait, which had been put for two or three reasons in her
- bedroom, caught her attention. She looked at it with a dreamy smile for a
- long time, and then turned to the glass. Made curiously happy by what she
- saw there, she kissed her fingers to the portrait.
- </p>
- <p>
- &ldquo;He is the better prophet,&rdquo; she said.
- </p>
- <p>
- But Connie's advice as to the desirability of a speedy marriage remained
- in her mind. Jimmie with characteristic diffidence had not yet suggested
- definite arrangements. She was gifted with so much insight as to apprehend
- the reasons for his lack of initiative. His very worship of her, his
- overwhelming sense of goddess-conferred boon in her every smile and
- condescension, precluded the asking of favours. So far it was she who had
- arranged their daily life. It was she who had established the custom of
- the studio visits, and she had taken off her hat and had inaugurated the
- comedy of the domestic felicities of her own accord. She treasured this
- worship in her heart as a priceless thing, all the more exquisite because
- it lay by the side of the knowledge of her own unworthiness. The sacrifice
- of maidenly modesty in proposing instead of coyly yielding was at once a
- delicious penance for hypocritical assumption of superiority, and a salve
- to her pride as a beautiful and desirable woman. It was with a glorious
- sureness of relation, therefore, that she asked him the next day if he had
- thought of a date for their marriage.
- </p>
- <p>
- &ldquo;There is no reason for a long engagement that I can see,&rdquo; she added, with
- a blush which she felt, and was tremulously happy at feeling.
- </p>
- <p>
- &ldquo;I was waiting for you to say, dear,&rdquo; he replied, his arm around her. &ldquo;I
- dared not ask.&rdquo;
- </p>
- <p>
- She laughed the deep laugh of a woman's happiness.
- </p>
- <p>
- &ldquo;I knew you would say that,&rdquo; she murmured. &ldquo;Let it be some time next
- month.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0026" id="link2HCH0026"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVI&mdash;EARTH AGAIN
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>NE day Norma
- received a polite intimation from her bankers that her account was
- overdrawn. This had happened before but on previous occasions she had
- obtained from her father an advance on her allowance and the unpleasant
- void at the bank had been filled. Now she realised with dismay that the
- allowance had been cut off, and that no money could come into her
- possession until the payment of the half-yearly dividend from the concern
- in which her small private fortune was invested. She looked in her purse
- and found five shillings. On this she would have to live for three weeks.
- Her money was in the hands of trustees, wisely tied up by the worldly aunt
- from whom she had inherited it, so that she could not touch the capital.
- While she was contemplating the absurdity of the position, the maid
- brought up a parcel from a draper's on which there was three and eleven
- pence halfpenny to pay. She surrendered four of her shillings, and
- disconsolately regarded the miserable one that remained. The position had
- grown even more preposterous. She actually needed money. She had not even
- the amount of a cab-fare to Friary Grove. She would not have it for three
- weeks.
- </p>
- <p>
- Preposterous or not, the fact was plain, and demanded serious
- consideration. She would have to borrow. The repayment of the loan and the
- overdraft would reduce the half-yearly dividend. A goodly part of the
- remainder would be required to meet an outstanding milliners' bill, not
- included in the bridal trousseau for which her father was to pay. The sum
- in simple arithmetic frightened her.
- </p>
- <p>
- &ldquo;I am poverty-stricken,&rdquo; she said to Connie, to whom she confided her
- difficulties.
- </p>
- <p>
- Connie blotted the cheque that was to provide for immediate wants, and
- laughed sympathetically.
- </p>
- <p>
- &ldquo;You'll have to learn to be economical, dear. I believe it's quite easy.&rdquo;
- </p>
- <p>
- &ldquo;You mean I must go in omnibuses and things?&rdquo; said Norma, vaguely.
- </p>
- <p>
- &ldquo;And not order so many hats and gowns.&rdquo;
- </p>
- <p>
- &ldquo;I see,&rdquo; said Norma, folding up the cheque.
- </p>
- <p>
- With money again in her pocket, she felt lighter of heart, but she knew
- that she had stepped for a moment out of fairyland into the grey world of
- reality. The first experience was unpleasant. It left a haunting dread
- which made her cling closer to Jimmie in the embrace of their next
- meeting. It was a relief to get back into the Garden of Enchantment and
- leave sordid things outside. Wilfully she kept the conversation from
- serious discussion of their marriage.
- </p>
- <p>
- When next she had occasion to go to the studio, she remembered the
- necessity of economy, and took the St. John's Wood omnibus. As a general
- rule the travellers between Baker Street station and the Swiss Cottage are
- of a superior class, being mostly the well-to-do residents in the
- neighbourhood and their visitors; but, by an unlucky chance, this
- particular omnibus was crowded, and Norma found herself wedged between a
- labouring man redolent of stale beer and bad tobacco, and a fat Jewish
- lady highly flavoured with musk. A youth getting out awkwardly knocked her
- hat awry with his elbow. It began to rain&mdash;a smart April shower. The
- wet umbrella of a new arrival dripped on her dress while he stood waiting
- for a place to be made for him opposite. The omnibus stopped at a
- shelterless corner, the nearest point to Friary Grove. She descended to
- pitiless rain and streaming pavements and a five minutes' walk, for all of
- which her umbrella and shoes were inadequate. She vowed miserably a
- life-long detestation of omnibuses. She would never enter one again. Cabs
- were the only possible conveyances for people who could not afford to keep
- their carriage. She fought down the dread that she might not be able to
- afford cabs. The Almighty, who had obviously intended her to drive in
- cabs, would certainly see that His intentions were carried out.
- </p>
- <p>
- She arrived at the studio, wet, bedraggled, and angry; but Jimmie's
- exaggerated concern disarmed her. It could not have been less had she
- wandered for miles and been drenched to the skin and chilled to the bone.
- He sent Aline to fetch her daintiest slippers to replace the damp shoes,
- established the storm-driven sufferer in the big leathern armchair with
- cushions at her back and hassocks at her feet, made a roaring fire and
- insisted on her swallowing cherry brandy, a bottle of which he kept in the
- house in case of illness. In the unwonted luxury of being loved and petted
- and foolishly fussed over, Norma again forgot her troubles. Jimmie
- consoled the specific grievance by saying magniloquently that omnibuses
- were the engines of the devil and vehicles of the wrath to come. With a
- drugged economic conscience she went home in a cab. But the conscience
- awoke later, somewhat suffering, and she recognised that her exasperated
- vow had been vain. Jimmie was a poor man. She recalled to mind his words
- on the night of their engagement, and apprehended their significance. The
- trivial incident of the omnibus was a key. The abandonment of cabs and
- carriages meant the surrender of countless luxuries that went therewith.
- Her own two hundred a year would not greatly raise the scale of living.
- She was to be a poor man's wife; would have to wear cheap dresses, eat
- plain food, keep household books in which pennies were accounted for; hers
- would be the humdrum existence of the less prosperous middle class. The
- first pang of doubt frightened her for a while and left her ashamed. Noble
- revolt followed. Had she not renounced the pomps and vanities of a world
- which she scorned? Had not this wonderful baptism of love brought New
- Birth? She had been reborn, a braver, purer woman; she had been initiated
- into life's deeper mysteries; her soul had been filled with joy. Of what
- count were externals?
- </p>
- <p>
- The next evening Connie Deering gave a small dinner-party in honour of the
- two engagements. Old Colonel Pawley, charged under pain of her perpetual
- displeasure not to reveal the secret of Norma's whereabouts, was invited
- to balance the sexes. He was delighted to hear of Norma's romantic
- marriage.
- </p>
- <p>
- &ldquo;I can still present the fan,&rdquo; he said, rubbing his soft palms together;
- &ldquo;but I'm afraid I shall have to write a fresh set of verses.&rdquo;
- </p>
- <p>
- &ldquo;You had better give Norma a cookery-book,&rdquo; laughed Connie.
- </p>
- <p>
- &ldquo;I have a beautiful one of my own in manuscript which no publisher will
- take up,&rdquo; sighed Colonel Pawley.
- </p>
- <p>
- Norma, who had been wont to speak with drastic contempt of the amiable old
- warrior, welcomed him so cordially that he was confused. He was not
- accustomed to exuberant demonstrations of friendship from the beautiful
- Miss Hardacre. At dinner, sitting next her, he enjoyed himself enormously.
- Instead of freezing his geniality with sarcastic remarks, she lured him on
- to the gossip in which his heart delighted. When Connie rallied her,
- later, on her flirtation with the old man, she laughed.
- </p>
- <p>
- &ldquo;Remember I've been a prisoner here. He's one of the familiar faces from
- outside.&rdquo;
- </p>
- <p>
- Although jestingly, she had spoken with her usual frankness, and her
- confession was more deeply significant than she was aware at the time. She
- had welcomed Colonel Pawley not for what he was, but for what he
- represented. As soon as she was alone she realised the moral lapse, and
- rebuked herself severely. She was sentimental enough to hang by a ribbon
- around her neck the simple engagement ring which Jimmie had given her, and
- to sleep with it as a talisman against evil thoughts.
- </p>
- <p>
- She spent the following evening at the studio, heroically enduring the
- discomforts of the detested omnibus. When she descended she drew a breath
- of relief, but felt the glow that comes from virtuous achievement. Jimmie
- was informed of this practice in the art of economy. He regarded her
- wistfully. There were times when he too fought with doubts,&mdash;not of
- her loyalty, but of his own honesty in bringing her down into his humble
- sphere. Even now, accustomed as he was to the adored sight of her there,
- he could not but note the contrast between herself and her surroundings.
- She brought with her in every detail of her person, in every detail of her
- dress, in every detail of her manner, an atmosphere of a dainty, luxurious
- life pathetically incongruous with the shabby little house. He had not
- even the wherewithal to call in decorators and upholsterers and make the
- little house less shabby. So when she spoke of practising economy, he
- looked at her wistfully.
- </p>
- <p>
- &ldquo;Your eyes are open, dear, are n't they?&rdquo; he said. &ldquo;You really do realise
- what a sacrifice you are making in marrying me?&rdquo;
- </p>
- <p>
- &ldquo;By not marrying you,&rdquo; she replied, &ldquo;I should have gained the world and
- lost my own soul. Now I am doing the reverse.&rdquo;'
- </p>
- <p>
- He kissed her finger-tips lover-wise. &ldquo;I am afraid I must be the devil's
- advocate, and say that the loss and gain need not be so absolutely
- differentiated. I want you to be happy. My God! I want you to be happy,&rdquo;
- he burst out with sudden passion, &ldquo;and if you found that things were
- infinitely worse than what you had expected, that you had married me in
- awful ignorance&mdash;&rdquo;
- </p>
- <p>
- She covered his lips with the palm of her hand.
- </p>
- <p>
- &ldquo;Don't go on. You pain me. You make me despise myself. I have counted the
- cost, such as it is. Did I not tell you from the first that I would go
- with you in rags and barefoot through the world? Could woman say more?
- Don't you believe me?&rdquo;
- </p>
- <p>
- &ldquo;Yes, I believe you,&rdquo; he replied, bowing his head. &ldquo;You are a
- great-hearted woman.&rdquo;
- </p>
- <p>
- She unfastened her hat, skewered it through with the pins, and gave it him
- to put down.
- </p>
- <p>
- &ldquo;I remember my Solomon,&rdquo; she said, trying to laugh lightly, for there had
- been a faint but disconcerting sense of effort in her protestation.
- &ldquo;'Better is a dinner of herbs where love is, than a stalled ox and hatred
- there with.' Besides, you forget another important matter. I am now a
- homeless, penniless outcast. I am not sacrificing anything. It is very
- kind of you to offer to take me in and shelter me.&rdquo;
- </p>
- <p>
- &ldquo;These are sophistries,&rdquo; said Jimmie, with a laugh. &ldquo;You gave up all on my
- account.&rdquo;
- </p>
- <p>
- &ldquo;But I am really penniless,&rdquo; she said, ignoring his argument. &ldquo;<i>Anch' io
- son pittore</i>. I too have felt the pinch of poverty.&rdquo;
- </p>
- <p>
- &ldquo;You?&rdquo;
- </p>
- <p>
- She revealed her financial position&mdash;the overdraft at the bank, the
- shilling between herself and starvation. Were it not for Connie, she would
- have to sing in the streets. She alluded thoughtlessly, with her class's
- notions as to the value of money, to her &ldquo;miserable two hundred a year.&rdquo;
- </p>
- <p>
- &ldquo;Two hundred a year!&rdquo; cried Jimmie. &ldquo;Why, that's a fortune!&rdquo;
- </p>
- <p>
- His tone struck a sudden chill through her. He genuinely regarded the
- paltry sum as untold riches. She struggled desperately down to his point
- of view.
- </p>
- <p>
- &ldquo;Perhaps it may come in useful for us,&rdquo; she said lamely.
-</p>
- <p>
-&ldquo;I should think
- it will! Why did n't you tell me before?&rdquo;
- </p>
- <p>
- &ldquo;Have you never thought I might have a little of my own?&rdquo; she asked with a
- touch of her old hardness.
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie. &ldquo;Of course not.&rdquo;
- </p>
- <p>
- &ldquo;I don't see any 'of course' in the matter. The ordinary man would have
- speculated&mdash;it would have been natural&mdash;almost common-sense.&rdquo;
- </p>
- <p>
- Jimmie threw up his hands deprecatingly.
- </p>
- <p>
- &ldquo;I have been too much dazzled by the glorious gift of yourself to think of
- anything else you might bring. I am an impossible creature, as you will
- find out. I ought to have considered the practical side.&rdquo;
- </p>
- <p>
- &ldquo;Oh! I am very glad you did n't!&rdquo; she exclaimed. &ldquo;Heaven forbid you should
- have the mercenary ideas of the average man. It is beautiful to have
- thought of me only.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid I was thinking of myself, my dear,&rdquo; said he. &ldquo;I must get out
- of the way of it, and think of the two of us. Now let us be severely
- business-like. You have taken a load off my mind. There are a thousand
- things you can surround yourself with that I imagined you would lack.&rdquo; He
- took her two hands and swung them backwards and forwards. &ldquo;Now I shan't
- regard myself as such a criminal in asking you to marry me.&rdquo;
- </p>
- <p>
- &ldquo;Do you think two hundred a year a fortune, Jimmie?&rdquo; she asked.
- </p>
- <p>
- &ldquo;To the Rothschilds and Vanderbilts perhaps not&mdash;but everything is
- relative.&rdquo;
- </p>
- <p>
- &ldquo;Everything?&rdquo;
- </p>
- <p>
- Her heart spoke suddenly, demanding relief. Their eyes met.
- </p>
- <p>
- &ldquo;No, dear,&rdquo; he said. &ldquo;One thing at least is absolute.&rdquo; An interlude of
- conviction succeeded doubt. She felt that she had never loved him so much
- as at that moment. It was more with the quickly lit passion of the
- awakened woman than with the ardour of a girl that she clasped her hands
- round his head and drew it down to their kiss. She had an awful need of
- the assurance of the absolute.
- </p>
- <p>
- It nerved her to face a discussion on ways and means with Aline, whom
- Jimmie at her request summoned from demure sewing in her little
- drawing-room.
- </p>
- <p>
- &ldquo;You are right,&rdquo; she had said, referring to his former remark. &ldquo;We ought
- to be severely business-like. I must begin to learn things. You don't know
- how hopelessly ignorant I am.&rdquo;
- </p>
- <p>
- Aline came down to give the first lesson in elementary housekeeping. She
- brought with her a pile of little black books which she spread out at the
- end of the long table. The two girls sat side by side. Jimmie hovered
- about them for a while, but was soon dismissed by Aline to a distant part
- of the studio, where, having nothing wherewith to occupy himself, he
- proceeded to make a charcoal sketch of the two intent faces.
- </p>
- <p>
- Aline, proud at being able to display her housewifely knowledge before
- appreciative eyes, opened her books, and expounded them with a charming
- business air. These were the receipts for the last twelve months; these
- the general disbursements. They were balanced to a halfpenny.
- </p>
- <p>
- &ldquo;Of course anything I can't account for, I put down to the item 'Jimmie,'&rdquo;
- she said naively. &ldquo;He <i>will</i> go to the money-drawer and help himself
- without letting me know. Is n't it tiresome of him?&rdquo;
- </p>
- <p>
- Norma smiled absently, wrinkling her brows over the unfamiliar figures.
- She had no grasp of the relation the amounts of the various items bore to
- one another, but they all seemed exceedingly small.
- </p>
- <p>
- &ldquo;I suppose it's necessary to make up this annual balance?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Of course. Otherwise you would n't know how much you could apportion to
- each item. Jimmie says it's nonsense to keep books; but if you listen to
- Jimmie, you 'll have the brokers in in a month.&rdquo;
- </p>
- <p>
- &ldquo;Brokers?&rdquo;
- </p>
- <p>
- Aline laughed at her perplexed look. &ldquo;Yes, to seize the furniture in
- payment of debt.&rdquo;
- </p>
- <p>
- The main financial facts having been stated, Aline came to detail. These
- were the weekly books from the various tradesmen. She showed a typical
- week's expenditure.
- </p>
- <p>
- &ldquo;What about the fishmonger?&rdquo; asked Norma, noting an obvious omission.
- </p>
- <p>
- &ldquo;Fish is too expensive to have regularly,&rdquo; Aline explained, &ldquo;and so I
- don't have an account. When I buy any, I pay for it at once, in the shop.&rdquo;
- </p>
- <p>
- &ldquo;When <i>you</i> buy it?&rdquo;
- </p>
- <p>
- &ldquo;Why, yes. You'll find it much better to go and choose things for yourself
- than let them call for orders. Then you can get exactly what you want,
- instead of what suits the tradesman's convenience. You see, I go to the
- butcher and look round, and say 'I want a piece of that joint,' and of
- course he does as he's told. It seems horrid to any one not accustomed to
- it to go into a butcher's shop, I know; but really it's not unpleasant,
- and it's quite amusing.&rdquo;
- </p>
- <p>
- &ldquo;But why should n't your housekeeper do the marketing?&rdquo;
- </p>
- <p>
- &ldquo;Oh, she does sometimes,&rdquo; Aline admitted; &ldquo;but Hannah is n't a good buyer.
- She can't <i>judge</i> meat and things, you know, and she is apt to be
- wasteful over vegetables.&rdquo;
- </p>
- <p>
- &ldquo;You don't bring the&mdash;the meat and things&mdash;home with you in a
- basket, do you?&rdquo; asked Norma, with a nervous laugh.
- </p>
- <p>
- Jimmie, interested in his sketch, had not listened to the conversation,
- which had been carried on in a low tone. The last words, however, pitched
- higher, caught his ear. He jumped to his feet.
- </p>
- <p>
- &ldquo;Norma carry home meat in a basket! Good God! What on earth has the child
- been telling you?&rdquo;
- </p>
- <p>
- &ldquo;I never said anything of the kind, Jimmie,&rdquo; cried Aline, indignantly.
- &ldquo;You needn't bring home anything unless you like; our tradesmen are most
- obliging.&rdquo;
- </p>
- <p>
- Norma pushed back her chair from the table and rose and again laughed
- nervously.
- </p>
- <p>
- &ldquo;I am afraid I can't learn all the science of domestic economy in one
- lesson. I must do it by degrees.&rdquo; She passed her hand across her forehead.
- &ldquo;I'm not used to figures, you see.&rdquo;
- </p>
- <p>
- Jimmie looked reproachfully at Aline. &ldquo;Those horrid little black books!&rdquo;
- he exclaimed. &ldquo;They are enough to give any one a headache. For heaven's
- sake, have nothing to do with them, dear.&rdquo;
- </p>
- <p>
- &ldquo;But the brokers will come in,&rdquo; said Norma, with an uncertain catch in her
- voice.
- </p>
- <p>
- &ldquo;They are Aline's pet hobgoblins,&rdquo; laughed Jimmie. &ldquo;My dear child,&rdquo;
- pointing to the books, &ldquo;please take those depressing records of wasted
- hours away.&rdquo;
- </p>
- <p>
- When they were alone, he said to Norma very tenderly, &ldquo;I am afraid my
- little girl has frightened you.&rdquo;
- </p>
- <p>
- She started at the keenness of his perception and flushed.
- </p>
- <p>
- &ldquo;No&mdash;not frightened.&rdquo;
- </p>
- <p>
- &ldquo;She is so proud of the way she runs her little kingdom here,&rdquo; he said;
- &ldquo;so proud to show you how it is done. You must forgive her. She is only a
- child, my dearest, and forgets that these household delights of hers may
- come as shocks to you. I shall not allow you to have these worries that
- she loves to concern her head about.&rdquo;
- </p>
- <p>
- &ldquo;Then who will have them?&rdquo; she asked, with her hand on the lapel of his
- jacket. &ldquo;You? That would be absurd. If I am your wife, I must keep your
- house.&rdquo;
- </p>
- <p>
- &ldquo;My dear,&rdquo; said Jimmie, kissing her, &ldquo;if we love each other, there will be
- no possibility of worries. I believe in God in a sort of way, and He has
- not given you to me to curse and wither your life.&rdquo;
- </p>
- <p>
- &ldquo;You could only bless and sanctify it,&rdquo; she murmured.
- </p>
- <p>
- &ldquo;Not I, dear; but our love.&rdquo;
- </p>
- <p>
- Soothed, she raised a smiling face.
- </p>
- <p>
- &ldquo;But still, I'll have to keep house. Do you think I would let you go to
- the butcher's? What would Aline say if you made such a proposal?&rdquo;
- </p>
- <p>
- &ldquo;She would peremptorily forbid him to take my orders,&rdquo; he replied,
- laughing.
- </p>
- <p>
- &ldquo;I am sure I should,&rdquo; she said.
- </p>
- <p>
- It was growing late. She glanced at the wheezy tilted old Dutch clock in
- the corner, and spoke of departure. She reflected for a moment on the
- means of home-getting. To her lowered spirits the omnibus loomed like a
- lumbering torture-chamber. The consolation of a cab seemed cowardice. An
- inspiration occurred to her. She would walk; perhaps he would accompany
- her to Bryanston Square. He was enraptured at the suggestion. But could
- she manage the distance?
- </p>
- <p>
- &ldquo;I should like to try. I am a good walker&mdash;and when we are outside,&rdquo;
- she added softly, &ldquo;we can talk a little of other matters.&rdquo;
- </p>
- <p>
- It was a mild spring night, and the quiet stars shone benignantly upon
- them as they walked arm in arm, and talked of &ldquo;other matters.&rdquo; As she had
- needed a little while before the assurance of the absolute, so now she
- craved the spirituality of the man himself, the inner light of faith in
- the world's beauty, the sweetness, the courage&mdash;all that indefinable
- something in him which raised him, and could alone raise her, above the
- terrifying things of earth. She clung to his arm in a pathos of yearning
- for him to lead her upward and teach her the things of the spirit. Only
- thus lay her salvation.
- </p>
- <p>
- He, clean, simple soul, lost in the splendour of their love, expounding,
- as it chanced, his guileless philosophy of life and his somewhat
- childishly pagan religious convictions, was far from suspecting the battle
- into which he was being called to champion the side of righteousness. He
- went to sleep that night the most blissfully happy of men. Norma lay
- awake, a miserable woman.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0027" id="link2HCH0027"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVII&mdash;A DINNER OF HERBS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">S</span>HE loved him. Of
- that there was no doubt. To her he was the man of men. The half angel,
- half fool of her original conception had melted into an heroic figure
- capable of infinite tendernesses. The lingering barbaric woman in her
- thrilled at the memory of him contemptuously facing death before the
- madman's revolver. Her higher nature was awed at the perfect heroism of
- his sacrifice. She knelt at his feet, recognising the loftier soul. Sex
- was stirred to the depths when his arms were about her and his kiss was on
- her lips. In lighter relations he was the perfect companion. For all her
- vacillation, let that be remembered: she loved him. All of her that was
- worth the giving he had in its plenitude.
- </p>
- <p>
- The days which followed her initiation into domestic economy were days of
- alternating fear and shame and scornful resolution. She lost grip of
- herself. The proud beauty curving a contumelious lip at the puppet show of
- life was a creature of the past. Set the proudest and most self-sufficing
- of women naked in what assembly you please, and she will crouch, helpless,
- paralysed, in the furthest corner. Some such denudation of the moral woman
- had occurred in the case of Norma Hardacre. The old garments were stripped
- from her. She was bewildered, terrified, no longer endowed with
- personality.
- </p>
- <p>
- Sometimes despising herself and resolved to perform her manifest duty, she
- sought other lessons from Aline. They ended invariably in dismay. Once she
- learned that Jimmie had never had a banking account. The money was kept in
- a drawer of which Jimmie and Aline had each a key. On occasions the drawer
- had been empty. Another lesson taught her that certain shops in the
- neighbourhood were to be avoided as being too expensive; that cream was
- regarded as a luxury, and asparagus as an impossible extravagance. Every
- new fact in the economy of a poor household caused her to shiver with
- apprehension. All was so trivial, so contemptibly unimportant, and yet it
- grew to be a sordid barrier baffling her love. She loathed the base
- weakness of her nature. It was degrading to feel such repulsion.
- </p>
- <p>
- One evening Connie Deering was going to a Foreign Office reception, and
- came down an enchanting vision in a new gown from Paquin and exhibited
- herself to Norma.
- </p>
- <p>
- &ldquo;I think it's rather a success. Don't you?&rdquo;
- </p>
- <p>
- Norma assented somewhat listlessly, but to please her friend inspected the
- creation and listened to her chatter. She was feeling lonely and
- dispirited. At Aline's entreaty she had persuaded Jimmie to go with Tony
- Merewether to the Langham Sketch Club, thus showing himself, for the first
- time since the scandal, among his old associates. For her altruism she
- paid the penalty of a dull evening. Their visits to each other were her
- sole occupation now, all that was left in life to interest her. In moments
- of solitude she began to feel the appalling narrowness of the circle in
- which she was caged. Reading tired instead of refreshing her. She had been
- accustomed to men and women rather than to books, to the sight of many
- faces, to the constant change of scene. When she speculated on employment
- for future solitary hours, she thought ruefully of recuffing shirts.
- </p>
- <p>
- Connie apologised for leaving her, hoped she would manage to amuse
- herself. Norma, who had made strenuous efforts to hide the traces of
- tumult, returned a smiling answer. Connie, quite deceived, put an arm
- round her waist and said suddenly in her bright, teasing way:
- </p>
- <p>
- &ldquo;Now don't you wish you were coming too?&rdquo;
- </p>
- <p>
- Norma, staggered at the point-blank question, was mistress enough of
- herself to observe the decencies of reply, but when Connie had gone, she
- sat down on the sofa and stared in front of her. She did wish she were
- going with Connie. She had been wishing vaguely, half-consciously all the
- evening. Now the wish was the pain of craving. It came upon her like the
- craving of the alcoholic subject for drink&mdash;this sudden longing for
- the glitter, the excitement, the whirl of the life she had renounced. Her
- indictment of it seemed unreal, the confused memory of a brain-sick mood.
- It was her world. She had not cut herself free. All the fibres of her body
- seemed to be rooted in it, and she was being drawn thither by irresistible
- desire. The many, many people, the diamonds, the brilliance, the flattery,
- the envy, the very atmosphere heavy with many perfumes&mdash;she saw and
- felt it all; panted for it, yearned for it. That never, never again would
- she take up her birthright was impossible. That she should stand
- forevermore in the humble street outside the gates of that dazzling,
- wonderful, kaleidoscopic world was unthinkable.
- </p>
- <p>
- She remembered her talk with Morland at the Duchess of Wiltshire's
- reception at the end of the last season, her shiver at the idea of a life
- of poverty; was it a premonition? She remembered the blessed sense of
- security when she had looked round the splendid scene and felt that she
- and it were indissoluble parts of the same scheme of things. A crust and
- heel of cheese as Jimmie's wife had crossed her mind then as a grotesque
- fantasy; the air of that brilliant gathering was the breath of her being.
- </p>
- <p>
- But now the grotesque fancy was to be the reality; the other was to become
- the shadow of a dream. No yearning or panting could restore it. The
- impossible was the inevitable. The unthinkable was the commonplace. She
- had made her choice deliberately, irrevocably. She had lost the whole
- world to gain her own soul. In the despair of her mood she questioned the
- worth of the sacrifice. The finality of the choice oppressed her. If at
- this eleventh hour she could still have the opportunity of the heroic&mdash;if
- still the gates of the world were open to her, she would have had a
- stimulus to continued nobility. The world and the passionate love for the
- perfect man&mdash;which would she choose? Her exaltation would still have
- swept her to the greater choice. Of, this she was desperately aware. But
- the gates were shut. She had already chosen. The heroic moment had gone.
- The acceptance of conditions was now mere uninspired duty. She gave way to
- unreason.
- </p>
- <p>
- &ldquo;O God! Why cannot I have both&mdash;my own love and my own life?&rdquo;
- </p>
- <p>
- The tears she shed calmed her.
- </p>
- <p>
- The next day she felt ill from the strain, paying the highly bred woman's
- penalty of nervous break-down. Connie Deering noted the circles beneath
- her eyes and the pinched nostrils. Norma casually mentioned a night's
- neuralgia. It would pass off during the day. She refused to be doctored.
- She would pay a visit to Jimmie before lunch. The fresh air would do her
- good.
- </p>
- <p>
- &ldquo;The fresh air and Jimmie,&rdquo; laughed her friend. &ldquo;You are the most
- beautifully in love young woman I have ever met.&rdquo;
- </p>
- <p>
- Norma started on her visit, walking fast. At Baker Street station it began
- to rain. She took the penitential omnibus; but her thoughts were too
- anxious to concern themselves with its discomforts. Besides, it was almost
- empty. The night had brought counsel. She would go to Jimmie and be her
- true self, frank and unsparing. With a touch of her old scorn she had
- resolved to confess unreservedly all the meanness and cowardice of which
- she had of late been guilty. She would bare to him the soon spotted soul
- and crave his cleansing. He would understand, pardon, and purify. Perhaps,
- when he knew all, he would be able to devise some new scheme of existence.
- At any rate, she would no longer receive his kisses with a lie in her
- heart. She loved him too ardently. He should know what she was, what were
- her needs, her limitations. The meeting would be a crisis in their lives.
- Out of it would come reconstruction on some unshakable basis. Up to a
- certain point she reasoned; beyond it, the pathetic unreason of a woman
- drifted rudderless.
- </p>
- <p>
- It had stopped raining when she left the omnibus and started on the short
- walk from the corner to Friary Grove. At the familiar gate her heart
- already seemed lighter; she opened it, mounted the front steps, and rang.
- The middle-aged servant, minus cap and with thin untidy hair, in a soiled
- print dress, her sleeves rolled up to the elbow exposing red coarse arms,
- was the first shock to Norma when the door opened.
- </p>
- <p>
- &ldquo;Both the Master and Miss Aline are out, Miss,&rdquo; said Hannah, with a
- good-natured smile. &ldquo;He has gone into town on business, and Miss Aline,
- went out a little while ago with her young man. But they'll be back for
- lunch. Won't you come in and wait, Miss?&rdquo;
- </p>
- <p>
- Norma, vaguely resenting the familiar address of the servant and her
- slatternly appearance, hesitated for a moment before deciding to enter.
- Hannah showed her into the drawing-room and retired. It was a small dark
- room looking on to the back. Part of it had been cut off when the house
- had been altered, so as to construct the studio staircase, which contained
- one of the original windows. Norma felt strangely ill at ease in the room.
- The prim, cheap furniture, the threadbare carpet, the flimsy girlish
- contrivances at decoration, gave the place an air of shabby gentility. The
- gilt mirror was starred with spots and had a crack across the corner. Some
- of Jimmie's socks and underwear lay on the table for mending. They were
- much darned, and fresh holes could not fail to meet the eye that rested
- but momentarily on the pile. To mend these would in the future be her
- duty. She took up an undervest shrinkingly and shook it out; then folded
- it again and closed her eyes.... She could not wait there: the gloom
- depressed her. The studio would be brighter and more familiar. She went
- downstairs. Nothing in the room she knew so well was changed, yet it
- seemed to wear a different aspect. The homely charm had vanished. Here,
- too, shabbiness and poverty stared at her. The morning light streaming
- through the great high window showed pitilessly the cracks and stains and
- missing buttons of the old leathern suite, and the ragged holes in the
- squares of old carpet laid upon the boards. It was a mere bleak workshop,
- not a room for human habitation. The pictures on the walls and easels
- ceased to possess decorative or even intimate value. The large picture of
- the faun that had exercised so great an influence upon her had been
- despatched to its purchaser, and in its place was a hopeless gap.
- </p>
- <p>
- She sat down in her accustomed chair, and once more strove to realise the
- future. There would be children who would need her care. On herself would
- all the sordid burdens fall. She saw herself a soured woman, worn with the
- struggle to make ends meet, working with her hands at menial tasks. The
- joy of Life! She laughed mirthlessly.
- </p>
- <p>
- She rose, walked restlessly about the studio, longing for Jimmie to come
- and exorcise the devils that possessed her. A little sharp cry of distress
- escaped her lips. The place echoed like a vault, and she felt awfully
- alone. In her nervous tension she could bear it no longer. She went up the
- stairs again into the bare hall. On the pegs hung two or three discoloured
- hats and an old coat. Scarce knowing whither she went, she entered the
- dining-room. Luncheon had been laid. A freak of destiny had reproduced the
- meal of which Morland had spoken at Wiltshire House and of which last
- night had revived the memory: a scrag end of cold boiled mutton, blackened
- and shapeless, with the hard suet round about it; a dried-up heel of
- yellow American cheese; the half of a cottage loaf. The table-cloth&mdash;it
- was Friday&mdash;was stained with a week's meals. It was coarse in
- texture, old and thin and darned. The enamel on the plates was cracked,
- the hundred tiny fissures showing up dark brown. The plate on the forks
- had worn off in places, disclosing the yellowish metal beneath. The
- tumblers were thick and common, of glass scarcely transparent. She stared
- helplessly at the table. Never in her life had she seen such preparations
- for a meal. To the woman always daintily fed, daintily environed, it
- seemed squalor unspeakable.
- </p>
- <p>
- She shrank back into the hall, pressed her hands to her eyes, looked
- round, as if to search for some refuge. The stairs met her eye. She had
- never seen what lay above the ground floor&mdash;except once, on the
- memorable evening when Aline had fainted. Suddenly madness seized her&mdash;an
- insane craving to spy out the whole nakedness of the house. The worn
- stair-carpet ended at the first landing. Then bare boards. The door of the
- bathroom was wide open. She peeked in. The ceiling was blackened with gas;
- the bath cracked and stained; the appointments as bare as those in a
- workhouse. Her glance fell upon a battered tin dish holding an
- uncompromising cube of yellow soap with hard sharp edges. She withdrew her
- head and shut the door hurriedly. Another door stood ajar. She pushed it
- open and entered. It was the front bedroom&mdash;inhabited by Jimmie. The
- thought that it would be her own, which a fortnight before might have
- clothed her in delicious confusion, chilled her to the bone. Bare boards
- again; a strip of oil-cloth by the narrow cheap iron bedstead; a painted
- deal table with a little mirror and the humblest of toilette equipments
- laid upon it; a painted deal chest of drawers with white handles; a
- painted deal wash-stand; a great triangular bit broken out of the mouth of
- the ewer.
- </p>
- <p>
- It was poverty&mdash;grinding, sordid, squalid poverty. From the one
- dishevelled, slatternly, middle-aged servant to the cheap paper peeling
- off the wall in the bedrooms, all she had seen was poverty. The gathering
- terror of it burst like a thunderstorm above her head. Her courage failed
- her utterly. Like a creature distracted, she rushed downstairs and fled
- from the house. She walked homewards with an instinctive sense of
- direction. Afterwards she had little memory of the portion of the road she
- traversed on foot. She moved in a shuddering nightmare. All the love in
- the world could not shed a glamour over the nakedness of the existence
- that had now been revealed to her in its entire crudity. She could not
- face it. Other women of gentle birth had forsaken all and followed the men
- they loved; they had loved peasants and had led great-heartedly the
- peasant's life. They had qualities of soul that she lacked. Hideously
- base, despicably cowardly she knew herself to be. It was her nature. She
- could not alter. The world of graceful living was her world. In the other
- she would die. He had warned her. The gipsy faith in Providence had made
- him regard as a jest what would be to her a sordid shift, an intolerable
- ugliness, stripping life of its beauty. The passion-flower could not
- thrive in the hedge with the dog-rose. It was true&mdash;mercilessly true.
- The craving of last night awoke afresh, imperiously insistent. She walked
- blindly, tripped, and nearly fell. A subconscious self hailed a passing
- hansom and gave the address.
- </p>
- <p>
- What would become of her she knew not. She thought wildly of suicide as
- the only possible escape. From her own world she was outcast. Its gates
- were barred with gold and opened but to golden keys. She was penniless. In
- this other world she would die. Love could not prevent her starving on its
- diet of herbs. She clung to life, to the stalled ox, and recked little of
- the hatred; but at the banquet she no longer had a seat. She had said she
- would follow him in rags and barefoot over the earth. She had not fingered
- the rags when she had made the senseless vow; she had not tried her tender
- feet on the stones. She could have shrieked with terror at the prospect.
- There was no way out but death.
- </p>
- <p>
- The Garden of Enchantment faded from her mind like a forgotten dream. The
- sweet Arcadian make-believe alone rose up in ironical mockery, a scathing
- memory which seemed to flay the living heart of her. She sat huddled
- together in a corner of the cab, tortured and desperate. On either hand
- hung the doom of death. In the one case it would be lingering: the soul
- would die first; the man she loved would be tied to a living corpse; she
- would be a devastating curse to him instead of a blessing. In the other
- she could leave him in the fulness of their unsullied love. The years that
- the locust hath eaten would not stretch an impassable waste between them.
- In his sorrow there would be the imperishable sense of beauty. And for
- herself the quick end were better.
- </p>
- <p>
- She was aroused to consciousness of external things by a husky voice
- addressing her from somewhere above her head. The cab had stopped at
- Connie's house in Bryanston Square. She descended, handed to the man the
- first coin in her purse that her fingers happened to grasp. He looked at
- it, said that he was sorry he had not change for a sovereign. She waved
- her hand vaguely, deaf to his words. The cabman, with a clear conscience,
- whipped up his horse smartly and drove off.
- </p>
- <p>
- A figure on the doorstep raised his hat.
- </p>
- <p>
- &ldquo;How delightful of you to arrive at the very moment, Miss Hardacre! I am
- summoned back to America. I sail to-morrow. I was calling on the chance of
- being able to bid you good-bye.&rdquo;
- </p>
- <p>
- Norma collected her scattered wits and recognised Theodore Weever. She
- looked at him full in the eyes.
- </p>
- <p>
- Her lips were parted; her breath came fast. He stretched out his hand to
- press the electric button, so as to gain admittance to the house. She
- touched his arm, restraining his action, and still stared at him.
- </p>
- <p>
- &ldquo;Wait,&rdquo; she said at last. &ldquo;I have something to say to you.&rdquo;
- </p>
- <p>
- &ldquo;I am honoured,&rdquo; he replied in his imperturbable way.
- </p>
- <p>
- &ldquo;Have you found your decorative wife, Mr. Weever?&rdquo;
- </p>
- <p>
- A sudden light shone lambently in his pale, expressionless blue eyes.
- </p>
- <p>
- &ldquo;Am I to understand that I can find her on Mrs. Deering's doorstep?&rdquo;
- </p>
- <p>
- &ldquo;If you look hard enough,&rdquo; said Norma.
- </p>
- <p>
- He took her hand and shook it with the air of a man concluding a bargain.
- </p>
- <p>
- &ldquo;I felt sure of it,&rdquo; he said. &ldquo;I intended from the first to marry you. I
- shall ever be your most devoted servant.'&rdquo;
- </p>
- <p>
- &ldquo;I make one condition,&rdquo; she said.
- </p>
- <p>
- &ldquo;Name it.&rdquo;
- </p>
- <p>
- &ldquo;You don't enter this house, and I sail with you to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;Certainly.&rdquo;
- </p>
- <p>
- &ldquo;What train shall I catch and from what station shall I start?&rdquo;
- </p>
- <p>
- &ldquo;The ten o'clock from Waterloo.&rdquo;
- </p>
- <p>
- She rang the bell.
- </p>
- <p>
- &ldquo;May I trouble you to book my passage?&rdquo;
- </p>
- <p>
- &ldquo;It will be my happiness.&rdquo;
- </p>
- <p>
- &ldquo;<i>Au revoir</i>,&rdquo; she said, holding out her hand.
- </p>
- <p>
- He raised his hat and walked away briskly. The door opened, and Norma
- entered the house.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0028" id="link2HCH0028"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVIII&mdash;THE WORD OF ALINE
- </h2>
- <h3>
- |WHAT she wrote to him is no great matter.
- </h3>
- <p>
- Her letter, which he opened on coming down to breakfast the next morning,
- filled many pages. It was a rhapsody of passionate love and
- self-abasement, with frantic appeals for forgiveness. In its cowardice
- there was something horribly piteous. Jimmie read it beneath the high
- north window of the studio, his back turned towards Aline, who was seated
- at the breakfast-table at the other end. For a long, long while he stood
- there, quite still, holding the letter in his hand. Aline, in wonder,
- stole up quietly and touched his arm. When he turned, she saw that his
- face was ashen-grey, like a dead man's.
- </p>
- <p>
- The shock left its mark upon him. Physically it accomplished the work of
- ten years, wiping the youth from his face and setting in its stead the
- seal of middle age. It is common enough for grief or illness to lay its
- hand on the face of a woman no longer young and shrivel up her beauty like
- a leaf and set her free, old and withered. But with a man, who has no such
- beauty to be marred, the case is rare.
- </p>
- <p>
- For a week he remained silent. The two women who loved him waited in
- patience until the time should come for their comforting to be of use.
- From the very first morning he let no change appear in his habits, but set
- his palette as usual and went on with the new picture that was nearing
- completion. In the afternoon he went for a walk. Aline, going down to the
- studio, happened to look at his morning's work. For a moment she was
- puzzled by what she saw, for she was familiar with his methods. Gradually
- the solution dawned upon her. He had been painting meaninglessly,
- incoherently, putting in splotches of colour that had no relation to the
- tone of the picture, crudely accentuating outlines, daubing here, there,
- and anywhere with an aimless brush. It was the work of a child or a
- drunken man. Aline cast herself on the model-platform and cried till she
- could cry no more. When he came back, he took a turpentine rag and
- obliterated the whole picture. For days he worked incessantly, trying in
- vain to repaint. Nothing would come right. The elementary technique of his
- art seemed to have left him. Aline strove to get him away. He resisted. He
- had to do his day's work, he said.
- </p>
- <p>
- &ldquo;But you're not well, dear,&rdquo; she urged. &ldquo;You will kill yourself if you go
- on like this.&rdquo;
- </p>
- <p>
- &ldquo;I've never heard of work killing a man,&rdquo; he answered. Then after a pause,
- &ldquo;No. It's not work that kills.&rdquo;
- </p>
- <p>
- At last the sleep that had failed him returned, and he awoke one morning
- free from the daze in the brain against which he had been obstinately
- struggling. He rose and faced the world again with clear eyes. When Aline
- entered the studio to summon him to lunch, she found him painting at the
- unhappy picture with his accustomed sureness of touch. He leaned back and
- surveyed his handiwork.
- </p>
- <p>
- &ldquo;It's going to be magnificent, is n't it? What a blessing I wiped out the
- first attempt!&rdquo;
- </p>
- <p>
- &ldquo;Yes, this is ever so much better, Jimmie,&rdquo; the girl replied, with tears
- very near her eyes. But her heart swelled with happy relief. The aching
- strain of the past week was over. She had dreaded break-down, illness, and
- permanent paralysis of his faculties. The man she knew and loved had
- seemed to be dead and his place taken by a vacant-eyed simulacrum. Now he
- had come to life again, and his first words sounded the eternal chord of
- hope and faith.
- </p>
- <p>
- From that day onwards he gave no sign of pain or preoccupation. Only the
- stamp of middle age upon his face betrayed the suffering through which he
- had passed. He concerned himself about Aline's marriage. Arrangements had
- been made for it to take place on the same day as that of their elders&mdash;a
- day, however, that Norma had never fixed. The recent catastrophe had
- caused its indefinite postponement. Aline declared herself to be in the
- same position as before, the responsibility of the beloved's welfare being
- again thrust upon her shoulders. She pleaded with her lover for delay, and
- young Merewether, disappointed though he was, acquiesced with good grace.
- At last Jimmie called them before him, and waving his old briar-root pipe,
- as he spoke, delivered his ultimatum.
- </p>
- <p>
- &ldquo;My dear children,&rdquo; said he, standing up before them, as they sat together
- on the rusty sofa, &ldquo;you have the two greatest and most glorious things in
- a great and glorious world, youth and love. Don't despise the one and
- waste the other. Get all the beauty you can out of life and you'll shed it
- on other people. You'll shed it on me. That's why I want you to marry as
- soon as ever you are ready. You'll let me come and look at you sometimes,
- and if you are happy together, as God grant you will be, that will be my
- great happiness&mdash;the greatest I think that earth has in store for me.
- I have stood between you long enough&mdash;all that is over. I shall miss
- my little girl, Tony. I should be an inhuman monster if I didn't. But I
- should be a monster never before imagined by a disordered brain if I found
- any pleasure in having her here to look after me when she ought to be
- living her life in fulness. And that's the very end of the matter. I speak
- selfishly. I can't help it. I have a great longing for joy around me once
- more. Go upstairs and settle everything finally between you.&rdquo;
- </p>
- <p>
- When they had gone, he sighed. &ldquo;Yes,&rdquo; he said to himself, &ldquo;a great longing
- for joy&mdash;and the sound of the steps of little children.&rdquo; Then he
- laughed, calling himself a fool, and went on with his painting.
- </p>
- <p>
- A day or two afterwards Connie Deering, who had been a frequent visitor
- since Norma's flight, walked into the studio while Jimmie was working.
- </p>
- <p>
- &ldquo;Don't let me disturb you. Please go on,&rdquo; she cried in her bright, airy
- way. &ldquo;If you don't, I'll disappear. I've only come for a gossip.&rdquo;
- </p>
- <p>
- Jimmie drew a chair near the easel and resumed his brush. She
- congratulated him on the picture. It was shaping beautifully. She had been
- talking about it last night to Lord Hyston, who had promised to call at
- the studio to inspect it. Lord Hyston was a well-known buyer of modern
- work.
- </p>
- <p>
- &ldquo;He is stocking a castle in Wales, which he never goes near, with acres
- of paint,&rdquo; she said encouragingly. &ldquo;So I don't see why you should n't
- have a look in.&rdquo;
- </p>
- <p>
- &ldquo;Is there a family ghost in the castle?&rdquo;
- </p>
- <p>
- &ldquo;I believe there are two!&rdquo;
- </p>
- <p>
- &ldquo;That's a blessing,&rdquo; said Jimmie. &ldquo;Some one, at any rate, will look at the
- pictures.&rdquo;
- </p>
- <p>
- She watched him in silence for a minute or two. Then she came to the
- important topic.
- </p>
- <p>
- &ldquo;So the two children have made up their minds at last.&rdquo;
- </p>
- <p>
- &ldquo;Yes, they are to be married on the twenty-eighth of May.&rdquo;
- </p>
- <p>
- &ldquo;Poor young things,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;Why poor?&rdquo;
- </p>
- <p>
- &ldquo;I don't know,&rdquo; she said 'with a sigh. &ldquo;The subject of marriage always
- makes me sad nowadays. I am growing old and pessimistic.&rdquo;
- </p>
- <p>
- &ldquo;You are bewilderingly youthful,&rdquo; replied Jimmie.
- </p>
- <p>
- &ldquo;Do you know how old I am?&rdquo;
- </p>
- <p>
- &ldquo;I have forgotten how to do subtraction,&rdquo; he said, thinking of his own
- age.
- </p>
- <p>
- &ldquo;Yes. Of course you know. It's awful. And Aline is&mdash;what&mdash;seventeen?&rdquo;
- </p>
- <p>
- &ldquo;Eighteen.&rdquo;
- </p>
- <p>
- &ldquo;You'll be dreadfully lonely without her.&rdquo;
- </p>
- <p>
- &ldquo;Lonely? Oh, no. I have my thoughts&mdash;and my memories.&rdquo;
- </p>
- <p>
- She looked at him fleetingly.
- </p>
- <p>
- &ldquo;I should have thought you would wish to escape from memories, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Why should I?&rdquo;
- </p>
- <p>
- &ldquo;'The sorrow's crown of sorrows.'&rdquo;
- </p>
- <p>
- &ldquo;I don't believe in it,&rdquo; he said, turning towards her. &ldquo;What has been has
- been. A joy that once has been is imperishable. Remembering happier things
- is a sorrow's crown of consolation. Thank God! I have had them to
- remember.&rdquo;
- </p>
- <p>
- &ldquo;Do you think she is finding consolation in memories?&rdquo; She spoke with
- sudden heat, for Norma's conduct had filled her heart with blazing
- indignation.
- </p>
- <p>
- &ldquo;I hope so,&rdquo; said Jimmie dreamily, after a pause. &ldquo;But she has not so many
- as I. She loved me deeply. She had her hour&mdash;but I had my day.&rdquo;
- </p>
- <p>
- &ldquo;If I were you, I should want never to think of her again.&rdquo;
- </p>
- <p>
- &ldquo;Not if you were I, my dear Connie,&rdquo; he said gently. &ldquo;If either of us was
- in the wrong, it was not she.&rdquo;
- </p>
- <p>
- &ldquo;Rubbish,&rdquo; said Mrs. Deering.
- </p>
- <p>
- &ldquo;No. It is the truth. She was made for kings' palaces and not for this
- sort of thing. I knew it was impossible from the first&mdash;but the joy
- and wonder of it all blinded my eyes. She gave me the immortal part of
- herself. It is mine for all eternity. I wrote to her a day or two ago&mdash;I
- was not able at first. I could not sleep, you know; something seemed to
- have gone wrong with my head.&rdquo;
- </p>
- <p>
- &ldquo;You wrote to her?&rdquo;
- </p>
- <p>
- &ldquo;To tell her not to be unhappy for my sake.&rdquo;
- </p>
- <p>
- &ldquo;And you have forgiven her entirely?&rdquo;
- </p>
- <p>
- &ldquo;Since our love is unchanged, how could I do otherwise?&rdquo;
- </p>
- <p>
- &ldquo;But she has gone and thrown herself into the arms of another man&mdash;and
- such a man!&rdquo; said Connie, brusquely. A quiver of pain passed over his
- face.
- </p>
- <p>
- &ldquo;Those are things of the flesh that the discipline of life teaches a man
- to subdue. I think I am man enough for that. The others are things of the
- spirit. If ever woman loved a man, she loved me. I thank God,&rdquo; he added in
- a low voice, &ldquo;that she realised the impossibility before we were married.&rdquo;
- </p>
- <p>
- &ldquo;So do I; devoutly,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;It would have made all the difference.&rdquo;
- </p>
- <p>
- &ldquo;Precisely,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;She would have been chained hand and foot to an intolerable existence.
- She would have fretted and pined. Her life would have been an infinite
- burden. Heaven's mercy saved her.&rdquo;
- </p>
- <p>
- &ldquo;I was n't looking at it from her point of view at all,&rdquo; exclaimed Connie.
- </p>
- <p>
- &ldquo;Hers is the only one from which one can look at it,&rdquo; he answered gravely.
- </p>
- <p>
- When she bade him good-bye some ten minutes later, she did not withdraw
- the hand which he held. Her forget-me-not eyes grew pleading, and her
- voice trembled a little.
- </p>
- <p>
- &ldquo;I wish I could comfort you, Jimmie&mdash;not only now, but in the lonely
- years to come. But remember, dear, there is nothing on earth I would n't
- give you or do for you&mdash;nothing on earth.&rdquo;
- </p>
- <p>
- It was not till long afterwards that he fully comprehended the meaning of
- her words; and then she herself prettily vouchsafed the interpretation.
- For immediate answer he kissed her on the cheek in the brotherly fashion
- in which he had kissed her twice before.
- </p>
- <p>
- &ldquo;What greater comfort,&rdquo; said he, &ldquo;can I have than to hear you say that? I
- am a truly enviable man, Connie. Love and affection are showered upon me
- in full measure. Life is very, very sweet.&rdquo;
- </p>
- <p>
- The next two or three weeks brought pleasant surprises which strengthened
- his conviction. One by one old friends sought him out, and, some heartily,
- others shamefacedly, extended to him the hand of brotherhood. His evening
- at the Langham Sketch Club had inaugurated the new order of things. The
- Frewen-Smiths, whose New Year party had marked the epoch between child and
- woman in Aline's life, invited the two outcasts to dinner, and pointedly
- signified that they were the honoured guests. Brother artists looked in
- casually on Sunday evenings. Their wives called upon Aline, offering
- congratulations and wedding-gifts. A lady whose portrait he had painted,
- and at whose house he had visited, commissioned him to paint the portraits
- of her two children. The ostracism had been removed. How this had been
- effected Jimmie could not conjecture; and Tony Merewether and Connie
- Deering, who were the persons primarily and independently responsible, did
- not enlighten him. By Aline's wedding-day all the old circle had gathered
- round him, and a whisper of the true story had been heard in Wiltshire
- House.
- </p>
- <p>
- Thus the world began to smile upon him, as if to make amends for the
- anguish it could not remedy. He took the smile as a proof of the world's
- essential goodness. The great glory that for a day had made his life a
- blaze of splendour had faded; the sun in his heaven had been eternally
- eclipsed. But the lesser glory of the moon and stars remained undimmed;
- the tenderness of twilight lost no tone of its beauty. He stood unshaken
- in his faith, unchanged in himself&mdash;the strong, wise man looking upon
- the earth and the fulness thereof with the unclouded eyes of a child.
- </p>
- <p>
- The man whom he had most loved, the woman he had most worshipped, had each
- failed him, had each brought upon him bitter and abiding sorrow. They had
- passed like dead folks out of his daily life. Yet each retained in his
- heart the once inhabited chambers. They were dear ghosts. His incurable
- optimism in this wise brought about its consolation. For optimism involves
- courage of a serene quality. Aline, with her swift perception of him, had
- the opportunity of flashing this into an epigram. There was a little
- gathering in the studio, and the talk ran on personal bravery. Some one
- started the question: What would the perfectly brave man do if attacked
- unarmed by a man-eating tiger?
- </p>
- <p>
- &ldquo;I know what Jimmie would do,&rdquo; she cried. &ldquo;He would try to pat the beast
- on the head.&rdquo;
- </p>
- <p>
- There was laughter over the girl's unchallenged championship, but those
- who had ears to hear found the saying true.
- </p>
- <p>
- The night before the wedding the two sat up very late, spending their last
- hours together, and Aline sat like a child on Jimmie's knee and sobbed on
- his breast. The lover seemed a far-away abstraction, a malevolent force
- rather than a personality, that was tearing her away from the soil in
- which her life was rooted. Jimmie stroked her hair and spoke brave words.
- But he had not realised till then the wrench of parting. Till then,
- perhaps, neither had realised the strength of the bond between them. They
- were both fervent natures, who felt intensely, and their mutual affection
- had been a vital part of their lives. If bright and gallant youth had not
- flashed across the girl's path and, after the human way, had not caught
- her wondering maidenhood in strong young arms; if deeper and more tragic
- passion had not swept away the mature man, it is probable that this rare,
- pure love of theirs might have insensibly changed into the greater need
- one of the other, and the morrow's bells might have rung for these two.
- But as it was, no such impulse stirred their exquisite relationship. They
- were father and daughter without the barrier of paternity; brother and
- sister without the ties of consanguinity; lovers without the lovers'
- throb; intimate, passionate friends with the sweet and subtle magic of the
- sex's difference.
- </p>
- <p>
- &ldquo;I can't bear leaving you,&rdquo; she moaned. &ldquo;I can't bear leaving the dear
- beautiful life. I'll think of you every second of every minute of every
- hour sitting here all alone, alone. I don't want to go. If you say the
- word now, I'll remain and it shall be as it has been for ever and ever.&rdquo;
- </p>
- <p>
- &ldquo;I shall miss you&mdash;terribly, my dear,&rdquo; said he. &ldquo;But I'll be the
- gainer in the end. You'll give me Tony as a sort of younger brother. I am
- getting to be an old man, darling&mdash;and soon I shall find the need of
- <i>les jeunes</i> in my painting life. You can't understand that yet. Tony
- will bring around me the younger generation with new enthusiasms and fresh
- impulses. It is to my very great good, dear. And if God gives you
- children, I'll be the only grandfather they'll ever have, poor things, and
- I'd like to have a child about me again. I have experience. I have washed
- your chubby face and hands, <i>moi qui vous parle</i>, and undressed you
- and put you to bed, my young lady who is about to be married.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Jimmie, I remember it&mdash;and I had to tell you how to do
- everything.&rdquo;
- </p>
- <p>
- &ldquo;It seems the day before yesterday,&rdquo; said Jimmie. &ldquo;<i>Eheu fugaces!</i>&rdquo;
- </p>
- <p>
- The next day when she in her wedding-dress (a present from Connie Deering)
- walked down the aisle on her husband's arm and stole a shy glance at him,
- radiant, full of the promise and the pride of manhood, and met the glad
- love in his eyes, she forgot all else in the throbbing joy of her young
- life's completion. It was only afterwards when she was changing her dress,
- with Connie Deering's assistance, in her own little room, that she became
- again conscience-stricken.
- </p>
- <p>
- &ldquo;You <i>will</i> look after Jimmie while I am away, <i>won't</i> you?&rdquo; she
- asked tragically&mdash;they were going to the Isle of Wight for their
- honeymoon.
- </p>
- <p>
- &ldquo;I would look after him altogether if he would let me,&rdquo; said Connie, in an
- abrupt, emotional little outburst.
- </p>
- <p>
- Aline drew a quick breath.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- Connie threw the simple travelling-hat, whose feathers she was daintily
- touching, upon the bed.
- </p>
- <p>
- &ldquo;What do you think I mean?&rdquo; she laughed nervously. &ldquo;I'm not an old woman.
- I'm as lonely as Jimmie will be&mdash;and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;Oh!&mdash;-only I've found out that I love Jimmie as much as a silly
- woman can love anybody, if it's any satisfaction to you to know it&mdash;and
- you may be quite sure I'll see that no harm comes to him during your
- honeymoon, dear.&rdquo;
- </p>
- <p>
- The ensuing conversation nearly caused the bride to miss her train. But no
- bride ever left her girlhood's room more luminously happy. On the
- threshold she turned and threw her arms round Connie Deering's neck.
- </p>
- <p>
- &ldquo;I'll arrange it all when I come back,&rdquo; she whispered.
- </p>
- <p>
- And Aline kept her word.
- </p>
- <h3>
- THE END
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
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-Title: Where Love Is
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-
-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- WHERE LOVE IS
- </h1>
- <h2>
- By William J. Locke
- </h2>
- <h4>
- New York
- </h4>
- <h4>
- Grosset &amp; Dunlap Publishers
- </h4>
- <h3>
- Copyright, 1903 By John Lane
- </h3>
- <p>
- <br /><br />
- </p>
- <h4>
- &ldquo;<i>Better is a dinner of herbs where love is, than a stalled ox and
- hatred therewith</i>.&rdquo;
- </h4>
- <h4>
- <i>The Proverbe of Solomon</i>
- </h4>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#link2H_4_0001"> WHERE LOVE IS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0001"> Chapter I&mdash;THE FIRST GLIMPSE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0002"> Chapter II&mdash;THE FOOL'S WISDOM </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0003"> Chapter III&mdash;A MODERN BETROTHAL </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0004"> Chapter IV&mdash;THE GREAT FROCK EPISODE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0005"> Chapter V&mdash;A BROKEN BUTTERFLY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0006"> Chapter VI&mdash;THE LOVERS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0007"> Chapter VII&mdash;A MAD PROPHET </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0008"> Chapter VIII&mdash;HER SERENE HIGHNESS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0009"> Chapter IX&mdash;SENTIMENTAL EDUCATION </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0010"> Chapter X&mdash;TWO IDYLLS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0011"> Chapter XI&mdash;DANGER </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0012"> Chapter XII&mdash;NORMA'S ENLIGHTENMENT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0013"> Chapter XIII&mdash;THE OPTIMIST AT LARGE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0014"> Chapter XIV&mdash;THE BUBBLE REPUTATION </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0015"> Chapter XV&mdash;MRS. HARDACRE LAUGHS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0016"> Chapter XVI&mdash;IN THE WILDERNESS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0017"> Chapter XVII&mdash;THE INCURABLE MALADY </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0018"> Chapter XVIII&mdash;A RUDDERLESS SHIP </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0019"> Chapter XIX&mdash;ABANA AND PHARPAR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0020"> Chapter XX&mdash;ALINE PREPARES FOR BATTLE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0021"> Chapter XXI&mdash;THE MOTH MEETS THE STAR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0022"> Chapter XXII&mdash;CATASTROPHE </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0023"> Chapter XXIII&mdash;NORMA'S HOUR </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0024"> Chapter XXIV&mdash;MRS. HARDACRE FORGETS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0025"> Chapter XXV&mdash;THE LAND OF ENCHANTMENT </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0026"> Chapter XXVI&mdash;EARTH AGAIN </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0027"> Chapter XXVII&mdash;A DINNER OF HERBS </a>
- </p>
- <p class="toc">
- <a href="#link2HCH0028"> Chapter XXVIII&mdash;THE WORD OF ALINE </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2H_4_0001" id="link2H_4_0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- WHERE LOVE IS
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0001" id="link2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter I&mdash;THE FIRST GLIMPSE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>AVE you dined at
- Ranelagh lately?&rdquo; asked Norma Hardacre.
- </p>
- <p>
- &ldquo;I have never been there in my life,&rdquo; replied Jimmie Padgate. &ldquo;In fact,&rdquo;
- he added simply, &ldquo;I am not quite sure whether I know where it is.&rdquo;
- </p>
- <p>
- &ldquo;Yours is the happier state. It is one of the dullest spots in a dull
- world.&rdquo;
- </p>
- <p>
- &ldquo;Then why on earth do people go there?&rdquo;
- </p>
- <p>
- The enquiry was so genuine that Miss Hardacre relaxed her expression of
- handsome boredom and laughed.
- </p>
- <p>
- &ldquo;Because we are all like the muttons of Panurge,&rdquo; she said. &ldquo;Where one
- goes, all go. Why are we here to-night?&rdquo;
- </p>
- <p>
- &ldquo;To enjoy ourselves. How could one do otherwise in Mrs. Deering's house?&rdquo;
- </p>
- <p>
- &ldquo;You have known her a long time, I believe,&rdquo; remarked Norma, taking the
- opportunity of directing the conversation to a non-contentious topic.
- </p>
- <p>
- &ldquo;Since she was in short frocks. She is a cousin of King's&mdash;that's the
- man who took you down to dinner&mdash;&rdquo;
-</p>
- <p>
-She nodded. &ldquo;I have known Mr. King
- many weary ages.&rdquo;
- </p>
- <p>
- &ldquo;And he has never told me about you!&rdquo;
- </p>
- <p>
- &ldquo;Why should he?&rdquo;
- </p>
- <p>
- She looked him full in the face, with the stony calm of the fashionable
- young woman accustomed to take excellent care of herself. Her companion
- met her stare in whimsical confusion. Even so ingenuous a being as Jimmie
- Padgate could not tell a girl he had met for the first time that she was
- beautiful, adorable, and graced with divine qualities above all women, and
- that intimate acquaintance with her must be the startling glory of a
- lifetime.
- </p>
- <p>
- &ldquo;If I had known you for ages,&rdquo; he replied prudently, &ldquo;I should have
- mentioned your name to Morland King.&rdquo;
- </p>
- <p>
- &ldquo;Are you such friends then?&rdquo;
- </p>
- <p>
- &ldquo;Fast friends: we were at school together, and as I was a lonely little
- beggar I used to spend many of my holidays with his people. That is how I
- knew Mrs. Deering in short frocks.&rdquo;
- </p>
- <p>
- &ldquo;It's odd, then, that I have n't met you about before,&rdquo; said the girl,
- giving him a more scrutinising glance than she had hitherto troubled to
- bestow upon him. A second afterwards she felt that her remark might have
- been in the nature of an indiscretion, for her companion had not at all
- the air of a man moving in the smart world to which she belonged. His
- dress-suit was old and of lamentable cut; his shirt-cuffs were frayed; a
- little bone stud, threatening every moment to slip the button-hole,
- precariously secured his shirt-front. His thin, iron-grey hair was untidy;
- his moustache was ragged, innocent of wax or tongs or any of the
- adventitious aids to masculine adornment. His aspect gave the impression,
- if not of poverty, at least of narrow means and humble ways of life.
- Although he had sat next her at dinner, she had paid little attention to
- him, finding easier entertainment in her conversation with King on topics
- of common interest, than in possible argument with a strange man whom she
- heard discussing the functions of art and other such head-splitting
- matters with his right-hand neighbour. Indeed, her question about Ranelagh
- when she found him by her side, later, in the drawing-room was practically
- the first she had addressed to him with any show of interest.
- </p>
- <p>
- She hastened to repair her maladroit observation by adding before he could
- reply,&mdash;
-</p>
- <p>
-&ldquo;That is rather an imbecile thing to say considering the
- millions of people in London. But one is apt to talk in an imbecile manner
- after a twelve hours' day of hard racket in the season. Don't you think
- so? One's stock of ideas gets used up, like the air at the end of a
- dance.&rdquo;
- </p>
- <p>
- &ldquo;Not if you keep your soul properly ventilated,&rdquo; he answered.
- </p>
- <p>
- The words were, perhaps, not so arresting as the manner in which they were
- uttered. Norma Hardacre was startled. A little shutter in the back of her
- mind seemed to have flashed open for an elusive second, and revealed a
- prospect wide, generous, alive with free-blowing airs. Then all was dark
- again before she could realise the vision. She was disconcerted, and in a
- much more feminine way than was habitual with her she glanced at him
- again. This time she lost sight of the poor, untidy garments, and found a
- sudden interest in the man's kind, careworn face, and his eyes,
- wonderfully blue and bright, set far apart in the head, that seemed to
- look out on the world with a man's courage and a child's confidence. She
- was uncomfortably conscious of being in contact with a personality widely
- different from that of her usual masculine associates. This her training
- and habit of mind caused her to resent; despising the faint spiritual
- shock, she took refuge in flippancy.
- </p>
- <p>
- &ldquo;I fear our Tobin tubes get choked up in London,&rdquo; she said with a little
- laugh. &ldquo;Even if they did n't they are wretched things, which create
- draughts; so anyway our souls are free from chills. Look at that woman
- over there talking to Captain Orton&mdash;every one knows he's
- paymaster-general. A breath of fresh air in Mrs. Chance's soul would give
- it rheumatic fever.&rdquo;
- </p>
- <p>
- The abominable slander falling cynically from young lips brought a look of
- disapproval into Jimmie Padgate's eyes.
- </p>
- <p>
- &ldquo;Why do you say such things?&rdquo; he asked. &ldquo;You know you don't believe them.&rdquo;
- </p>
- <p>
- &ldquo;I do believe them,&rdquo; she replied defiantly. &ldquo;Why shouldn't one believe the
- bad things one hears of one's neighbours? It's a vastly more entertaining
- faith than belief in their virtues. Virtue&mdash;being its own reward&mdash;is
- deadly stale to one's friends and unprofitable to oneself.&rdquo;
- </p>
- <p>
- &ldquo;Cynicism seems cheap to-day,&rdquo; said Jimmie, with a smile that redeemed his
- words from impertinence. &ldquo;Won't you give me something of yourself a little
- more worth having?&rdquo;
- </p>
- <p>
- Norma, who was leaning back in her chair fanning herself languidly,
- suddenly bent forward, with curious animation in her cold face.
- </p>
- <p>
- &ldquo;I don't know who you are or what you are,&rdquo; she exclaimed. &ldquo;Why should you
- want more than the ordinary futilities of after-dinner talk?&rdquo;
- </p>
- <p>
- &ldquo;Because one has only to look at you,&rdquo; he replied, &ldquo;to see that it must be
- very easy to get. You have beauty inside as well as outside, and everybody
- owes what is beautiful and good in them to their fellow-creatures.&rdquo;
- </p>
- <p>
- &ldquo;I don't see why. According to you, women ought to go about like mediaeval
- saints.&rdquo;
- </p>
- <p>
- &ldquo;Every woman is a saint in the depths of her heart,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You are an astonishing person,&rdquo; replied Norma.
- </p>
- <p>
- The conversation ended there, for Morland King came up with Constance
- Deering: he florid, good-looking, perfectly groomed and dressed, the type
- of the commonplace, well-fed, affluent Briton; she a pretty, fragile
- butterfly of a woman. Jimmie rose and was led off to another part of the
- room by his hostess. King dropped into the chair Jimmie had vacated.
- </p>
- <p>
- &ldquo;I see you have been sampling my friend Jimmie Padgate. What do you make
- of him?&rdquo;
- </p>
- <p>
- &ldquo;I have just told him he was an astonishing person,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Dear old Jimmie! He's the best fellow in the world,&rdquo; said King, laughing.
- &ldquo;A bit Bohemian and eccentric&mdash;artists generally are&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, he's an artist?&rdquo; inquired Norma.
- </p>
- <p>
- &ldquo;He just manages to make a living by it, poor old chap! He has never come
- off, somehow.&rdquo;
- </p>
- <p>
- &ldquo;Another neglected genius?&rdquo;
- </p>
- <p>
- &ldquo;I don't know about that,&rdquo; replied Morland King in a matter-of-fact way,
- not detecting the sneer in the girl's tone. &ldquo;I don't think he's a great
- swell&mdash;I'm no judge, you know. But he has had a bad time. Anyway, he
- always comes up smiling. The more he gets knocked the more cheerful he
- seems to grow. I never met any one like him. The most generous,
- simple-minded beggar living.&rdquo;
- </p>
- <p>
- &ldquo;He must be wonderful to make you enthusiastic,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Look at him now, talking to the Chance woman as if she were an angel of
- light.&rdquo;
- </p>
- <p>
- Norma glanced across the room and smiled contemptuously.
- </p>
- <p>
- &ldquo;She seems to like it. She's preening herself as if the wings were already
- grown. Connie,&rdquo; she called to her hostess, who was passing by, &ldquo;why have
- you hidden Mr. Padgate from me all this time?&rdquo;
- </p>
- <p>
- The butterfly lady laughed. &ldquo;He is too precious. I can only afford to give
- my friends a peep at him now and then. I want to keep him all to myself.&rdquo;
- </p>
- <p>
- She fluttered away. Norma leaned back and hid a yawn with her fan; then,
- rousing herself with an effort, made conversation with her companion.
- Presently another man came up and King retired.
- </p>
- <p>
- &ldquo;How is it getting on?&rdquo; whispered Mrs. Deering.
- </p>
- <p>
- &ldquo;Oh, steady,&rdquo; he replied with his hands in his pockets.
- </p>
- <p>
- &ldquo;Lucky man!&rdquo;
- </p>
- <p>
- Morland King shrugged his shoulders. &ldquo;The only thing against it is papa
- and mamma&mdash;chiefly mamma. A Gorgon of a woman!&rdquo;
- </p>
- <p>
- &ldquo;You'll never get a wife to do you more credit than Norma. With that face
- I wonder she is n't a duchess by now. There <i>was</i> a duke once, but a
- fair American eagle came and swooped him off under Norma's nose. You see,
- she's not the sort of girl to give a man much encouragement.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I can't stand a woman who throws herself at your head,&rdquo; said King,
- emphatically.
- </p>
- <p>
- &ldquo;What a funny way men have nowadays of confessing to the tender passion!&rdquo;
- said Mrs. Deering, laughing.
- </p>
- <p>
- &ldquo;What would you have a fellow do?&rdquo; he asked.
- &ldquo;Spout blank verse about the stars and things, like a Shakespearean hero?&rdquo;
- </p>
- <p>
- &ldquo;It would be prettier, anyhow.&rdquo;
- </p>
- <p>
- &ldquo;Well, if you will have it, I'm about as hard hit as a man ever was&mdash;there!&rdquo;
- </p>
- <p>
- &ldquo;I 'm delighted to hear it,&rdquo; said his cousin.
- </p>
- <p>
- A short while afterwards the dinner-party broke up.
- </p>
- <p>
- &ldquo;I don't know whether you care to mix with utter worldlings like us, Mr.
- Padgate,&rdquo; said Norma, as she bade him good-bye, &ldquo;but we are always in on
- Tuesdays.&rdquo;
- </p>
- <p>
- &ldquo;I'll tie him hand and foot and bring him,&rdquo; said King. &ldquo;Good-night, old
- chap. I'm giving Miss Hardacre a lift home in the brougham.&rdquo;
- </p>
- <p>
- Before Jimmie could say yes or no, they were gone. He found himself the
- last.
- </p>
- <p>
- &ldquo;You are certainly not going for another hour, Jimmie,&rdquo; said Mrs. Deering,
- as he came forward to take leave. &ldquo;You will sit in that chair and smoke
- and tell me all about yourself and make me feel good and pretty.&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; he assented, laughing. &ldquo;Turn me out when it's time for me to
- go.&rdquo;
- </p>
- <p>
- It had been the customary formula between them for many years; for Jimmie
- Padgate lacked the sense of time and kept eccentric hours, and although
- Connie Deering delighted in her rare confidential chats with him, a woman
- with a heavy morrow of engagements must go to bed at a reasonable period
- of the night. She was a woman in the middle thirties, a childless widow
- after a brief and almost forgotten married life, rich, pleasure-loving, in
- the inner circle of London society, and possessing the gayest, kindest,
- most charitable heart in the world. Her friendship with Norma Hardacre had
- been a thing of recent date.
- </p>
- <p>
- She had cultivated it first on account of her cousin Morland King; she had
- ended in enthusiastic admiration.
- </p>
- <p>
- &ldquo;It is awfully good of you,&rdquo; she said, when they were comfortably settled
- down to talk, &ldquo;to waste your time with my unintelligent conversation.&rdquo;
- </p>
- <p>
- &ldquo;There's no such thing as unintelligent conversation,&rdquo; he declared.
- </p>
- <p>
- &ldquo;For a man like you there must be.&rdquo;
- </p>
- <p>
- &ldquo;I could hold an intelligent conversation with a rabbit,&rdquo; said Jimmie.
- </p>
- <p>
- Norma Hardacre, on arriving home, entered the drawing-room, where her
- mother was reading a novel.
- </p>
- <p>
- &ldquo;Well?&rdquo; said Mrs. Hardacre, looking up.
- </p>
- <p>
- Norma threw her white silk cloak over the back of a chair.
- </p>
- <p>
- &ldquo;Connie sent her love to you.&rdquo;
- </p>
- <p>
- &ldquo;Is that all you have to say?&rdquo; asked her mother, sharply. She was a faded
- woman who had once possessed beauty of a cold, severe type; but the years
- had pinched and hardened her features, as they had pinched and hardened
- her heart. Her eyes were of that steel grey which the light of laughter
- seldom softens, and her smile was but a contraction of the muscles of the
- lips. Even this perfunctory tribute to politeness which had greeted
- Norma's entrance vanished at the second question.
- </p>
- <p>
- &ldquo;Morland King drove me home. What a difference there is between a private
- brougham and the beastly things we get from the livery-stable!&rdquo;
- </p>
- <p>
- &ldquo;He has said nothing?&rdquo;
- </p>
- <p>
- &ldquo;Of course not. I should have told you if he had.&rdquo;
- </p>
- <p>
- &ldquo;Whose fault is it?&rdquo;
- </p>
- <p>
- Norma made a gesture of impatience. &ldquo;My fault, if you like. I don't lay
- traps to catch him. I don't keep him dangling about me, and I don't
- flatter his vanities or make appeal to his senses, I suppose. I can't do
- it.&rdquo;
- </p>
- <p>
- &ldquo;Don't behave like a fool, Norma,&rdquo; said Mrs. Hardacre, rapping her book
- with a paper-knife. &ldquo;You have got to marry him. You know you have. Your
- father and I are coming to the end of things. You ought to have married
- years ago, and when one thinks of the chances you have missed, it makes
- one mad. Here have we been pinching and scraping&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And borrowing and mortgaging,&rdquo; Norma interjected.
-</p>
- <p>
-&ldquo;&mdash;to give you a
- brilliant position,&rdquo; Mrs. Hardacre continued, unheeding the interruption,
- &ldquo;and you cast all our efforts in our teeth. It's sheer ingratitude. Why
- you threw over Lord Wyniard I could never make out.&rdquo;
- </p>
- <p>
- &ldquo;You seem to forget that, after all, there is a physical side to
- marriage,&rdquo; said Norma, with a little shudder of disgust.
- </p>
- <p>
- &ldquo;I hate indelicacy in young girls,&rdquo; said Mrs. Hardacre, freezingly. &ldquo;One
- would think you had been brought up in a public house.&rdquo;
- </p>
- <p>
- &ldquo;Then let us avoid indelicate subjects,&rdquo; retorted Norma, opening the first
- book to her hand. &ldquo;Where is papa?&rdquo;
- </p>
- <p>
- &ldquo;Oh, how should I know?&rdquo; said Mrs. Hardacre, irritably.
-</p>
- <p>
-There was silence.
- Norma pretended to read, but her thoughts, away from the printed lines,
- caused her face to harden and her lips to curl scornfully. She had been
- used to such scenes with her mother ever since she had worn a long frock,
- and that was seven years ago, when she came out as a young beauty of
- eighteen. The story of financial embarrassment had lost its fine edge of
- persuasion by overtelling. She had almost ceased to believe in it, and the
- lingering grain of credence she put aside with the cynical feeling that it
- was no great concern of hers, so long as her usual round of life went on.
- She had two hundred a year of her own, all of which she spent in dress, so
- that in that one particular at least, if she chose to be economical, she
- was practically independent. Money for other wants was generally
- procurable, with or without unpleasant dunning of her parents. She lived
- very little in their home in Wiltshire, a beautiful and stately young
- woman of fashion being a decorative adjunct to smart country-house
- parties. In London, if she sighed for a more extensive establishment and a
- more luxurious style of living, it was what she always had done. She had
- hated the furnished house or flat and the livery-stable carriage ever
- since her first season. In the same way she had always considered the
- omission from her scheme of life of a yacht and a villa at Cannes and
- diamonds at discretion as a culpable oversight on the part of the Creator.
- But the sordid makeshift of existence to which she was condemned was not a
- matter of yesterday. In spite of the financial embarrassments of the
- maternal fable she had noticed no cutting down of customary expenditure.
- Her father still played the fool on the stock exchange, her mother still
- attired herself elaborately and disdained to eat otherwise than <i>à la
- carte</i> at expensive restaurants, and she, Norma, went whithersoever the
- smart set drifted her. She had nothing to do with the vulgarity of
- financial embarrassments.
- </p>
- <p>
- As to the question of marriage she was as fully determined as her mother
- that she should make a brilliant match. She had had two or three
- disappointments&mdash;the unwary duke, for instance. On the other hand she
- had refused eligibles like Lord Wyniard out of sheer caprice.
- </p>
- <p>
- The only man who had given her a moment's stir of the pulses, a moment's
- thought of throwing her cap over the windmills, was a young soldier in the
- Indian Staff Corps. But he belonged to her second season, before she had
- really seen the world and grasped the inner meaning of life. Besides, her
- mother had almost beaten her; and in an encounter between the dragon who
- guarded the gold of her daughter's affections and the young Siegfried, it
- was the hero that barely escaped destruction; he fled to India for his
- life. Norma lost all sight and count of him for three years. Then she
- heard that he had married a schoolfellow of hers and was a month-old
- father. It was with feelings of peculiar satisfaction and sense of
- deliverance that she sent her congratulations to him, her love to his
- wife, and a set of baby shoes to the child. She had cultivated by this
- time a helpful sardonic humour.
- </p>
- <p>
- There was now Morland King, within reasonable distance of a proposal. Her
- experience detected the signs, although little of sentimentality had
- passed between them. He was young, as marrying men go&mdash;a year or two
- under forty&mdash;of good family, fairly good-looking, very well off, with
- a safe seat in Parliament being kept warm for him by a valetudinarian ever
- on the point of retirement. Norma meant to accept him. She contemplated
- the marriage as coldly and unemotionally as King contemplated the seat in
- Parliament. But through the corrupted tissue of her being ran one pure and
- virginal thread. She used no lures. She remained chastely aloof, the arts
- of seduction being temperamentally repugnant to her. Knowledge she had of
- good and evil (a euphemism, generally, for an exclusive acquaintance with
- the latter), and she was cynical enough in her disregard of concealment of
- her knowledge; but she revolted from using it to gain any advantage over a
- man. At this period of her life she set great store by herself, and though
- callously determined on marriage condescended with much disdain to be
- wooed. Her mother, bred in a hard school, was not subtle enough to
- perceive this antithesis. Hence the constant scenes of which Norma
- bitterly resented the vulgarity. &ldquo;We pride ourselves on being women of the
- world, mother,&rdquo; she said, &ldquo;but that does n't prevent our remembering that
- we are gentlefolk.&rdquo; Whereat, on one occasion, Mr. Hardacre, in his
- flustering, feeble way, had told Norma not to be rude to her mother, only
- to draw upon himself the vials of his wife's anger.
- </p>
- <p>
- He came in now, during the silence that had fallen on the two women&mdash;a
- short, stout, red-faced man, with a bald head, and a weak chin, and a
- drooping foxy moustache turning grey. He was bursting with an interminable
- tale of scandal that he had picked up at his club&mdash;a respectable
- institution with an inner coterie of vapid, middle-aged dullards whose
- cackle was the terror of half London society. It is a superstition among
- good women that man is too noble a creature to descend to gossip. Ten
- minutes in the members' smoking-room of the Burlington Club would paralyse
- the most scandal-mongering tabby of Bath, Cheltenham, or Tunbridge Wells.
- </p>
- <p>
- &ldquo;We were sure she was a wrong 'un from the first,&rdquo; he explained in a
- thick, jerky voice to his listless auditors. &ldquo;And now it turns out that
- she was in thick with poor Billy Withers, you know, and when Billy broke
- his neck&mdash;that was through another blessed woman&mdash;I'll tell you
- all about her by'm bye&mdash;when Billy broke his neck, his confounded
- valet got hold of Mrs. Jack's letters, and how she paid for 'em's the
- cream of the story&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We need not have that now, Benjamin,&rdquo; said Mrs. Hardacre, with a warning
- indication that reverence was due to the young.
- </p>
- <p>
- &ldquo;Well, of course that's the end of it,&rdquo; replied Mr. Hardacre, in some
- confusion.
- </p>
- <p>
- But Norma rose with a laugh of hard mockery.
- </p>
- <p>
- &ldquo;The valet entered the service of Lord Wyniard, and now there's a pretty
- little divorce case in the air, with Jack Dugdale as petitioner and Lord
- Wyniard as corespondent. Are n't you sorry, mother, I did n't marry
- Wyniard and reform him, and save society this terrible scandal?&rdquo;
- </p>
- <p>
- Turning from her disconcerted parents, Norma pulled back the thick
- curtains from the French window and opened one of the doors.
- </p>
- <p>
- &ldquo;What are you doing that for?&rdquo; cried Mrs. Hardacre irritably, as the cold
- air of a wet May night swept through the room.
- </p>
- <p>
- &ldquo;I'm going to try to ventilate my soul,&rdquo; said Norma, stepping on to the
- balcony.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0002" id="link2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter II&mdash;THE FOOL'S WISDOM
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">L</span>IKE the
- inexplicable run on a particular number at the roulette-table, there often
- seems to be a run on some particular phenomenon thrown up by the wheel of
- daily life. Such a recurrent incident was the meeting of Norma and Jimmie
- Padgate during the next few weeks. She met him at Mrs. Deering's, she ran
- across him in the streets. Going to spend a weekend out of town, she found
- him on the platform of Paddington Station. The series of sheer
- coincidences established between them a certain familiarity. When next
- they met, it was in the crush of an emptying theatre. They found
- themselves blocked side by side, and they laughed as their eyes met.
- </p>
- <p>
- &ldquo;This seems to have got out of the domain of vulgar chance and become
- Destiny,&rdquo; she said lightly.
- </p>
- <p>
- &ldquo;I am indeed favoured by the gods,&rdquo; he replied.
- </p>
- <p>
- &ldquo;You don't deserve their good will because you have never come to see me.&rdquo;
- </p>
- <p>
- Jimmie replied that he was an old bear who loved to growl selfishly in his
- den. Norma retorted with a reference to Constance Deering. In her house he
- could growl altruistically.
- </p>
- <p>
- &ldquo;She pampers me with honey,&rdquo; he explained.
- </p>
- <p>
- &ldquo;I am afraid you'll get nothing so Arcadian with us,&rdquo; she replied, &ldquo;but I
- can provide you with some excellent glucose.&rdquo;
- </p>
- <p>
- They were moved a few feet forward by the crowd, and then came to a halt
- again.
- </p>
- <p>
- &ldquo;This is my ward, Miss Aline Marden,&rdquo; he said, presenting a pretty slip of
- a girl of seventeen, who had hung back shyly during the short dialogue,
- and looked with open-eyed admiration at Jimmie's new friend. &ldquo;That is how
- she would be described in a court of law, but I don't mind telling you
- that really she is my nurse and foster-mother.&rdquo;
- </p>
- <p>
- The girl blushed at the introduction, and gave him an imperceptible twitch
- of the arm. Norma smiled at her graciously and asked her how she had liked
- the play.
- </p>
- <p>
- &ldquo;It was heavenly,&rdquo; she said with a little sigh. &ldquo;Did n't you think so?&rdquo;
- </p>
- <p>
- Norma, who had characterised the piece as the most dismal performance
- outside a little Bethel, was preparing a mendacious answer, when a sudden
- thinning in the crush brought to her side Mrs. Hardacre, from whom she had
- been separated. Mrs. Hardacre inquired querulously for Morland King, who
- had gone in search of the carriage. Norma reassured her as to his ability
- to find it, and introduced Jimmie and Aline. Mr. Padgate was Mr. King's
- oldest friend. Mrs. Hardacre bowed disapprovingly, took in with a hard
- glance the details of Aline's cheap, homemade evening frock, and the
- ready-made cape over her shoulders, and turned her head away with a sniff.
- She had been put out of temper the whole evening by Norma's glacial
- treatment of King, and was not disposed to smile at the nobodies whom it
- happened to please Norma to patronise.
- </p>
- <p>
- At last King beckoned to them from the door, and they crushed through the
- still waiting crowd to join him. By the time Jimmie Padgate and his ward
- had reached the pavement they had driven off.
- </p>
- <p>
- &ldquo;Wonder if we can get a cab,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;Cab!&rdquo; cried the girl, taking his arm affectionately. &ldquo;One would think you
- were a millionaire. You can go in a cab if you like, but I'm going home in
- a 'bus. Come along. We'll get one at Piccadilly Circus.&rdquo;
- </p>
- <p>
- She hurried him on girlishly, talking of the play they had just seen. It
- was heavenly, she repeated. She had never been in the stalls before. She
- wished kind-hearted managers would send them seats every night. Then
- suddenly:
- </p>
- <p>
- &ldquo;Why did n't you tell me how beautiful she was?&rdquo;
- </p>
- <p>
- &ldquo;Who, dear?&rdquo;
- </p>
- <p>
- &ldquo;Why, Miss Hardacre. I think she is the loveliest thing I have ever seen.
- I could sit and look at her all day long. Why don't you paint her portrait&mdash;in
- that wonderful ivory-satin dress she was wearing to-night? And the diamond
- star in her hair that made her look like a queen&mdash;did you notice it?
- Why, Jimmie, you are not paying the slightest attention!&rdquo;
- </p>
- <p>
- &ldquo;My dear, I could repeat verbatim every word you have said,&rdquo; he replied
- soberly. &ldquo;She is indeed one of the most beautiful of God's creatures.&rdquo;
- </p>
- <p>
- &ldquo;Then you'll paint her portrait?&rdquo;
- </p>
- <p>
- &ldquo;Perhaps, deary,&rdquo; said Jimmie, &ldquo;perhaps.&rdquo;
- </p>
- <p>
- Meanwhile in the brougham King was giving Norma an account of Jimmie's
- guardianship. She had asked him partly out of curiosity, partly to provide
- him with a subject of conversation, and partly to annoy her mother, whose
- disapproving sniff she had noted with some resentment. And this in brief
- is the tale that King told.
- </p>
- <p>
- Some ten years ago, John Marden, a brother artist of Jimmie Padgate's,
- died penniless, leaving his little girl of seven with the alternative of
- fighting her way alone through an unsympathetic world, or of depending on
- the charity of his only sister, a drunken shrew of a woman, the wife of a
- small apothecary, and the casual mother of a vague and unwashed family.
- Common decency made the first alternative impossible. On their return to
- the house after the funeral, the aunt announced her intention of caring
- for the orphan as her own flesh and blood. Jimmie, who had taken upon
- himself the functions of the intestate's temporary executor, acquiesced
- dubiously. The lady, by no means sober, shed copious tears and a rich
- perfume of whisky. She called Aline to her motherly bosom. The child, who
- had held Jimmie's hand throughout the mournful proceedings, for he had
- been her slave and playfellow for the whole of her little life, advanced
- shyly. Her aunt took her in her arms. But the child, with instinctive
- repugnance to the smell of spirits, shrank from her kisses. The shrew
- arose in the woman; she shook her vindictively, and gave her three or four
- resounding slaps on face and shoulders. Jimmie leaped from his chair, tore
- the scared little girl from the vixen's clutches, and taking her bodily in
- his arms, strode with her out of the house, leaving the apothecary and his
- wife to settle matters between them. It was only when he had walked down
- the street and hailed a cab that he began to consider the situation.
- </p>
- <p>
- &ldquo;What on earth am I to do with you?&rdquo; he asked whimsically.
- </p>
- <p>
- The small arms tightened round his neck. &ldquo;Take me to live with you,&rdquo;
- sobbed the child.
- </p>
- <p>
- &ldquo;Out of the mouths of babes and sucklings we learn wisdom. So be it,&rdquo; said
- Jimmie, and he drove home with his charge.
- </p>
- <p>
- As neither aunt nor uncle nor any human being in the wide world claimed
- the child, she became mistress of Jimmie's home from that hour. Her
- father's pictures and household effects were sold off to pay his
- creditors, and a little bundle of torn frocks and linen was Aline's sole
- legacy.
- </p>
- <p>
- &ldquo;I happened to look in upon him the evening of her arrival,&rdquo; said King, by
- way of conclusion to his story. &ldquo;In those days he managed with a charwoman
- who came only in the mornings, so he was quite alone in the place with the
- kid. What do you think I found him doing? Sitting cross-legged on the
- model-platform with a great pair of scissors and needles and thread,
- cutting down one of his own night garments so as to fit her, while the kid
- in a surprising state of <i>déshabillé</i> was seated on a table, kicking
- her bare legs and giving him directions. His explanation was that Miss
- Marden's luggage had not yet arrived and she must be made comfortable for
- the night! But you never saw anything so comic in your life.&rdquo;
- </p>
- <p>
- He leaned back and laughed at the reminiscence, not unkindly. Mrs.
- Hardacre, bored by the unprofitable tale, stared at the dim streets out of
- the brougham window. Norma, on friendlier terms with King, the little
- human story having perhaps drawn them together, joined in the laugh.
- </p>
- <p>
- &ldquo;And now, I suppose, when she grows a bit older, Mr. Padgate will marry
- her and she will be a dutiful little wife and they will live happy and
- humdrum ever after.&rdquo;
- </p>
- <p>
- &ldquo;I hope he will provide her with some decent rags to put on,&rdquo; said Mrs.
- Hardacre. &ldquo;Those the child was wearing to-night were fit for a servant
- maid.&rdquo;
- </p>
- <p>
- &ldquo;Jimmie would give her his skin if she could wear it,&rdquo; said Morland,
- somewhat tartly.
- </p>
- <p>
- This expression of feeling gave him, for the first time, a special place
- in Norma's esteem. After all, a woman desires to like the man who in a few
- months' time may be her husband, and hitherto Morland had presented a
- negativity of character which had baffled and irritated her. The positive
- trait of loyalty to a friend she welcomed instinctively, although if
- charged with the emotion she would have repudiated the accusation. When
- the carriage stopped at the awning and red strip of carpet before the
- house in Eaton Square where a dance awaited her, and she took leave of
- him, she returned his handshake with almost a warm pressure and sent him
- away, a sanguine lover, to his club.
- </p>
- <p>
- The next morning Constance Deering, taking her on a round of shopping,
- enquired how the romance was proceeding.
- </p>
- <p>
- &ldquo;He has had me on probation,&rdquo; replied Norma, &ldquo;and has been examining all
- my points. I rather think he finds me satisfactory, and is about to make
- an offer.&rdquo;
- </p>
- <p>
- &ldquo;What an idyllic pair you are!&rdquo; laughed her friend.
- </p>
- <p>
- Norma took the matter seriously.
- </p>
- <p>
- &ldquo;The man is perfectly right. He is on the lookout for a woman who can keep
- up or perhaps add to his social prestige, who can conduct the affairs of a
- large establishment when he enters political life, who can possibly give
- him a son to inherit his estate, and who can wear his family diamonds with
- distinction&mdash;and it does require a woman of presence to do justice to
- family diamonds, you know. He looks round society and sees a girl that may
- suit him. Naturally he takes his time and sizes her up. I have learned
- patience and so I let him size to his heart's content. On the other hand,
- what he can give me falls above the lower limit of my requirements, and
- personally I don't dislike him.&rdquo;
- </p>
- <p>
- &ldquo;Mercy on us!&rdquo; cried Constance Deering, &ldquo;the man is head over ears in love
- with you!&rdquo;
- </p>
- <p>
- &ldquo;Then I like him all the better for dissembling it so effectually,&rdquo; said
- Norma, &ldquo;and I hope he'll go on dissembling to the end of the chapter. I
- hate sentiment.&rdquo;
-</p>
- <p>
-They were walking slowly down Bond Street, and happened
- to pause before a picture-dealer's window, where a print of a couple of
- lovers bidding farewell caught Mrs. Deering's attention.
- </p>
- <p>
- &ldquo;I call that pretty,&rdquo; she said. &ldquo;Do you hate love too?&rdquo;
-</p>
- <p>
-Norma twirled her
- parasol and moved away, waiting for the other.
- </p>
- <p>
- &ldquo;Love, my dear Connie, is an appetite of the lower middle classes.&rdquo;
- </p>
- <p>
- &ldquo;My dear Norma!&rdquo; the other exclaimed, &ldquo;I do wish Jimmie Padgate could hear
- you!&rdquo;
- </p>
- <p>
- Norma started at the name. &ldquo;What has he got to do with the matter?&rdquo;
- </p>
- <p>
- &ldquo;That's one of his pictures.&rdquo;
- </p>
- <p>
- &ldquo;Oh, is it?&rdquo; said Norma, indifferently. But feminine curiosity compelled a
- swift parting glance at the print.
- </p>
- <p>
- &ldquo;I imagine our guileless friend has a lot to learn,&rdquo; she added. &ldquo;A few
- truths about the ways of this wicked world would do him good.&rdquo;
- </p>
- <p>
- &ldquo;I promised to go and look round his studio to-morrow morning; will you
- come and give him his first lesson?&rdquo; asked Mrs. Deering, mischievously.
- </p>
- <p>
- &ldquo;Certainly not,&rdquo; replied Norma.
- </p>
- <p>
- But the destiny she had previously remarked upon seemed to be fulfilling
- itself. A day or two afterwards his familiar figure burst upon her at a
- Private View in a small picture-gallery. His eyes brightened as she
- withdrew from her mother, who was accompanying her, and extended her hand.
- </p>
- <p>
- &ldquo;Dear me, who would have thought of seeing you here? Do you care for
- pictures? Why have n't you told me? I am so glad.&rdquo;
- </p>
- <p>
- &ldquo;Love of Art did n't bring me here, I assure you,&rdquo; replied Norma.
- </p>
- <p>
- &ldquo;Then what did?&rdquo;
- </p>
- <p>
- Jimmie in his guilelessness had an uncomfortable way of posing fundamental
- questions. In that respect he was like a child. Norma smiled in silent
- contemplation of the real object of their visit. At first her mother had
- tossed the cards of invitation into the waste-paper basket. It was
- advertising impudence on the part of the painter man, whom she had met but
- once, to take her name in vain on the back of an envelope. Then hearing
- accidentally that the painter man had painted the portraits of many
- high-born ladies, including that of the Duchess of Wiltshire, and that the
- Duchess of Wiltshire herself&mdash;their own duchess, who gave Mrs.
- Hardacre the tip of her finger to shake and sometimes the tip of a rasping
- tongue to meditate upon, whom Mrs. Hardacre had tried any time these ten
- years to net for Heddon Court, their place in the country&mdash;had
- graciously promised to attend the Private View, in her character of Lady
- Patroness-in-Chief of the painter man, Mrs. Hardacre had hurried home and
- had set the servants' hall agog in search of the cards. Eventually they
- had been discovered in the dust-bin, and she had spent half an hour in
- cleansing them with bread-crumbs, much to Norma's sardonic amusement. The
- duchess not having yet arrived, Mrs. Hardacre had fallen back upon the
- deaf Dowager Countess of Solway, who was discoursing to her in a loud
- voice on her late husband's method of breeding prize pigs. Norma had
- broken away from this exhilarating lecture to greet Jimmie.
- </p>
- <p>
- He kept his eager eyes upon her, still waiting for an answer to his
- question:
- </p>
- <p>
- &ldquo;What did?&rdquo;
- </p>
- <p>
- Norma, fairly quick-witted, indicated the walls with a little
- comprehensive gesture.
- </p>
- <p>
- &ldquo;Do you call this simpering, uninspired stuff Art?&rdquo; she said, begging the
- question.
- </p>
- <p>
- &ldquo;Oh, it's not that,&rdquo; cried Jimmie, falling into the trap. &ldquo;It's really
- very good of its kind. Amazingly clever. Of course it's not highly
- finished. It's impressionistic. Look at that sweeping line from the throat
- all the way down to the hem of the skirt,&rdquo; indicating the picture in front
- of them and following the curve, painter fashion, with bent-back thumb;
- &ldquo;how many of your fellows in the Academy could get that so clean and
- true?&rdquo;
- </p>
- <p>
- &ldquo;I have just met Mr. Porteous, who said he could n't stay any longer
- because such quackery made him sick,&rdquo; said Norma.
- </p>
- <p>
- Jimmie glanced round the walls. Porteous, the Royal Academician, was
- right. The colour was thin, the modelling flat, the drawing tricky, the
- invention poor. A dull soullessness ran through the range of full-length
- portraits of women. He realised, with some distress, the clever
- insincerity of the painting; but he had known Foljambe, the author of
- these coloured crimes, as a fellow-student at the Beaux-Arts in Paris, and
- having come to see his work for the first time, could not bear to judge
- harshly. It was characteristic of him to expatiate on the only merit the
- work possessed.
- </p>
- <p>
- &ldquo;Mr. Porteous even said,&rdquo; continued Norma, &ldquo;that it was scandalous such a
- man should be making thousands when men of genius were making hundreds. It
- was taking the bread out of their mouths.&rdquo;
- </p>
- <p>
- &ldquo;I am sorry he said that,&rdquo; said Jimmie. &ldquo;I think we ought rather to be
- glad that a man of poor talent has been so successful. So many of them go
- to the wall.&rdquo;
- </p>
- <p>
- &ldquo;Do you always find the success of your inferior rivals so comforting?&rdquo;
- asked Norma. &ldquo;I don't.&rdquo; She thought of the depredatory American.
- </p>
- <p>
- Jimmie pushed his hat to the back of his head&mdash;a discoloured Homburg
- hat that had seen much wear&mdash;and rammed his hands in his pockets.
- </p>
- <p>
- &ldquo;It's horrible to regard oneself and one's fellow-creatures as so many
- ghastly fishes tearing one another to pieces so as to get at the same
- piece of offal. That's what it all comes to, does n't it?&rdquo;
- </p>
- <p>
- The picture of the rapt duke as garbage floating on the tide of London
- Society brought with it a certain humourous consolation. That of her own
- part in the metaphor did not appear so soothing. Jimmie's proposition
- being, however, incontrovertible, she changed the subject and enquired
- after Aline. Why had n't he brought her?
- </p>
- <p>
- &ldquo;I am afraid we should have argued about Foljambe's painting,&rdquo; said
- Jimmie, with innocent malice.
- </p>
- <p>
- &ldquo;And we should have agreed about it,&rdquo; replied Norma. She talked about
- Aline. Morland King had been tale-bearing. It was refreshing, she
- confessed, once in a way to hear good of one's fellow-creatures: like
- getting up at six in the morning in the country and drinking milk fresh
- from the cow. It conferred a sense of unaccustomed virtue. The mention of
- milk reminded her that she was dying for tea. Was it procurable?
- </p>
- <p>
- &ldquo;There's a roomful of it. Can I take you?&rdquo; asked Jimmie, eagerly.
- </p>
- <p>
- She assented. Jimmie piloted her through the chattering crowd. On the way
- they passed by Mrs. Hardacre, still devoting the pearls of her attention
- to the pigs. She acknowledged his bow distantly and summoned her daughter
- to her side.
- </p>
- <p>
- &ldquo;What are you <i>affiché</i>-ing yourself with that nondescript man for?&rdquo;
- she asked in a cross whisper.
- </p>
- <p>
- Norma moved away with a shrug, and went with Jimmie into the crowded
- tea-room. There, while he was fighting for tea at the buffet, she fell
- into a nest of acquaintances. Presently he emerged from the crush
- victorious, and, as he poured out the cream for her, became the
- unconscious target of sharp feminine glances.
- </p>
- <p>
- &ldquo;Who is your friend?&rdquo; asked one lady, as Jimmie retired with the
- cream-jug.
- </p>
- <p>
- &ldquo;I will introduce him if you like,&rdquo; she replied. He reappeared and was
- introduced vaguely. Then he stood silent, listening to a jargon he was at
- a loss to comprehend. The women spoke in high, hard voices, with impure
- vowel sounds and a clipping of final consonants. The conversation gave him
- a confused impression of Ascot, a horse, a foreign prince, and a lady of
- fashion who was characterised as a &ldquo;rotter.&rdquo; Allusion was also made to a
- princely restaurant, which Jimmie, taken thither one evening by King,
- regarded as a fairy-land of rare and exquisite flavours, and the opinion
- was roundly expressed that you could not get anything fit to eat in the
- place and that the wines were poison.
- </p>
- <p>
- Jimmie listened wonderingly. No one seemed disposed to controvert the
- statement, which was made by quite a young girl. Indeed one of her friends
- murmured that she had had awful filth there a few nights before. A smartly
- dressed woman of forty who had drawn away from the general conversation
- asked Jimmie if he had been to Cynthia yet. He replied that he very seldom
- went to theatres. The lady burst out laughing, and then seeing the genuine
- enquiry on his face, checked herself.
- </p>
- <p>
- &ldquo;I thought you were trying to pull my leg,&rdquo; she explained. &ldquo;I mean
- Cynthia, the psychic, the crystal gazer. Why, every one is going crazy
- over her. Do you mean to say you have n't been?&rdquo;
- </p>
- <p>
- &ldquo;Heaven forbid!&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You may scoff, but she's wonderful. Do you know she actually gave me the
- straight tip for the Derby? She did n't mean to, for she does n't lay
- herself out for that sort of thing&mdash;but she said, after telling me a
- lot of things about myself&mdash;things that had really happened&mdash;she
- was getting tired, I must tell you&mdash;'I see something in your near
- future&mdash;it is a horse with a white star on its forehead&mdash;it has
- gone&mdash;I don't know what it means.' I went to the Derby. I had n't put
- a cent on, as I had been cleaned out at Cairo during the winter and had to
- retrench. The first horse that was led out had a white star on his
- forehead. None of the others had. It was St. Damien&mdash;a thirty to one
- chance. I backed him outright for £300. And now I have £9000 to play with.
- Don't tell me there's nothing in Cynthia after that.&rdquo;
- </p>
- <p>
- The knot of ladies dissolved. Jimmie put Norma's teacup down and went
- slowly back with her to the main room. He was feeling depressed, having
- lost his bearings in this unfamiliar world. Suddenly he halted.
- </p>
- <p>
- &ldquo;I wish you could pinch me,&rdquo; he said.
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;To test whether I am awake. Have I really heard a sane and educated lady
- expressing her belief in the visions of a crystal-gazing adventuress?&rdquo;
- </p>
- <p>
- &ldquo;You have. She believes firmly. So do heaps of women.&rdquo;
- </p>
- <p>
- &ldquo;I hope to heaven you don't!&rdquo; he cried with a sudden intensity.
- </p>
- <p>
- &ldquo;What concern can my faith be to you?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I beg your pardon. No concern at all,&rdquo; he said apologetically. &ldquo;But I
- generally blurt out what is in my mind.&rdquo;
- </p>
- <p>
- &ldquo;And what is in your mind? I am a person you can be quite frank with.&rdquo;
- </p>
- <p>
- &ldquo;I could n't bear the poem of your life to be sullied by all these
- vulgarities,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;As I remarked to you the first evening I met you, Mr. Padgate,&rdquo; she said,
- holding out her hand by way of dismissal, &ldquo;you are an astonishing person!&rdquo;
- </p>
- <p>
- The poem of her life! The phrase worried her before she slept that night.
- She shook the buzzing thing away from her impatiently. The poem of her
- life! The man was a fool.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0003" id="link2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter III&mdash;A MODERN BETROTHAL
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> YOUNG woman bred
- to a material view of the cosmos and self-trained to cynical expression of
- her opinions may thoroughly persuade herself that marriage is a social
- bargain in which it would be absurd for sentiment to have a place, and yet
- when the hour comes for deciding on so trivial an engagement, may find
- herself in an irritatingly unequable frame of mind. For Norma the hour had
- all but arrived. Morland King had asked to see her alone in view of an
- important conversation. She had made an appointment for ten o'clock,
- throwing over her evening's engagements. Her parents were entertaining a
- couple of friends in somebody else's box at the opera, and would return in
- time to save the important conversation from over-tediousness. She
- intended to amuse herself placidly with a novel until King's arrival.
- </p>
- <p>
- This was a week or two after her encounter with Jimmie at the
- picture-gallery, since which occasion she had neither seen nor heard of
- him. He had faded from the surface of a consciousness kept on continued
- strain by the thousand incidents and faces of a London season. To Jimmie
- the series of meetings had been a phenomenon of infinite import. She had
- come like a queen of romance into his homely garden, and her radiance
- lingered, making the roses redder and the grass more green. But the
- queenly apparition herself had other things to think about, and when she
- had grown angry and called him a fool, had dismissed him definitely from
- her mind. It was annoying therefore that on this particular evening the
- fool phrase should buzz again in her ears.
- </p>
- <p>
- She threw down her book and went on to the balcony, where, on this close
- summer night, she could breathe a little cool air. A clock somewhere in
- the house chimed the half-hour. Morland was to come at ten. She longed
- for, yet dreaded, his coming; regretted that she had stayed away from the
- opera, where, after all, she could have observed the everlasting human
- comedy. She had dined early; the evening had been interminable; she felt
- nervous, and raged at her weakness. She was tired, out of harmony with
- herself, fretfully conscious too of the jarring notes in a room furnished
- by uneducated people of sudden wealth. The Wolff-Salamons, out of the
- kindness of their shrewd hearts, had offered the house for the season to
- the Hardacres, who had accepted the free quarters with profuse
- expressions of gratitude; which, however, did not prevent Mr. Hardacre
- from railing at the distance of the house (which was in Holland Park) from
- his club, or his wife from deprecating to her friends her temporary
- residence in what she was pleased to term the Ghetto. Nor did the
- Wolff-Salamons' generosity mitigate the effect of their furniture on
- Norma's nerves. When Jimmie's phrase came into her head with the
- suddenness of a mosquito, she could bear the room no longer.
- </p>
- <p>
- She sat on the balcony and waited for Morland. There at least she was free
- from the flaring gold and blue, and the full-length portrait of the lady
- of the house, on which with delicate savagery the eminent painter had
- catalogued all the shades of her ancestral vulgarity. Perhaps it was this
- portrait that had brought back the irony of Jimmie's tribute. The poem of
- her life! She sat with her chin on her palm, thinking bitterly of
- circumstance. She had never been happy, had grown to disbelieve in so
- absurd and animal a state. It had always been the same, as far back as she
- could remember. Her childhood: nurses and governesses&mdash;a swift
- succession of the latter till she began to regard them as remote from her
- inner life as the shop girl or railway guard with whom she came into
- casual contact. The life broken by visits abroad to fashionable watering
- or gambling places where she wandered lonely and proud, neglected by her
- parents, watching with keen eyes and imperturbable face the frivolities,
- the vices, the sordidnesses, taking them all in, speculating upon them,
- resolving some problems unaided and storing up others for future
- elucidation. Her year at the expensive finishing school in Paris where the
- smartest daughters of America babbled and chattered of money, money, till
- the air seemed unfit for woman to breathe unless it were saturated with
- gold dust. As hers was not, came discontent and overweening ambitions. Yet
- the purity was not all killed. She remembered her first large
- dinner-party. The same Lord Wyniard of the unclean scandal had taken her
- down. He was thirty years older than she, and an unsavoury reputation had
- reached even her young ears. The man regarded her with the leer of a
- satyr. She realised with a shudder for the first time the meaning of a
- phrase she had constantly met with in French novels&mdash;&ldquo;<i>il la
- dévêtit de ses yeux</i>.&rdquo; His manner was courtly, his air of breeding
- perfect; yet he managed to touch her fingers twice, and he sought to lead
- her on to dubious topics of conversation. She was frightened.
- </p>
- <p>
- In the drawing-room, seeing him approach, she lost her head, took shelter
- with her mother, and trembling whispered to her, &ldquo;Don't let that man come
- and talk to me again, mother, he's a beast.&rdquo; She was bidden not to be a
- fool. The man had a title and twenty thousand a year, and she had
- evidently made an impression. A week afterwards her mother invited a
- bishop and his wife and Lord Wyniard to dinner, and Lord Wyniard took
- Norma down again. And that was her start in the world. She had followed
- the preordained course till now, with many adventures indeed by the way,
- but none that could justify the haunting phrase&mdash;the poem of her
- life!
- </p>
- <p>
- Was the man such a fool, after all? Was it even ignorance on his part? Was
- it not, rather, wisdom on a lofty plane immeasurably above the
- commonplaces of ignorance and knowledge? The questions presented
- themselves to her vaguely. She was filled with a strange unrest, a craving
- for she knew not what. Yet she would shortly have in her grasp all&mdash;or
- nearly all&mdash;that she had aimed at in life. She counted the tale of
- her future possessions&mdash;houses, horses, diamonds, and the like. She
- seemed to have owned them a thousand years.
- </p>
- <p>
- The clock in the house chimed ten in a pretentious musical way, which
- irritated her nerves. The silence after the last of the ten inexorable
- tinkles fell gratefully. Then she realised that in a minute or two Morland
- would arrive. Her heart began to beat, and she clasped her hands together
- in a nervous suspense of which she had not dreamed herself capable. A cab
- turned the corner of the street, approached with crescendo rattle, and
- stopped at the house. She saw Morland alight and reach up to pay the
- cabman. For a silly moment she had a wild impulse to cry to him over
- the balcony to go away and leave her in peace. She waited
- until she heard the footman open the front door and admit him, then
- bracing herself, she entered the drawing-room, looked instinctively in a
- mirror, and sat down.
- </p>
- <p>
- She met him cordially enough, returned his glance somewhat defiantly. The
- sight of him, florid, sleek, faultlessly attired, brought her back within
- the every-day sphere of dulled sensation. He held her hand long enough for
- him to say, after the first greeting:
- </p>
- <p>
- &ldquo;You can guess what I've come for, can't you?&rdquo;
- </p>
- <p>
- &ldquo;I suppose I do,&rdquo; she admitted in an off-hand way. &ldquo;You will find
- frankness one of my vices. Won't you sit down?&rdquo;
- </p>
- <p>
- She motioned him to a chair, and seating herself on a sofa, prepared to
- listen.
- </p>
- <p>
- &ldquo;I've come to ask you to marry me,&rdquo; said King.
- </p>
- <p>
- &ldquo;Well?&rdquo; she asked, looking at him steadily.
- </p>
- <p>
- &ldquo;I want to know how it strikes you,&rdquo; he continued after a brief pause. &ldquo;I
- think you know practically all that I can tell you about myself. I can
- give you what you want up to about fifteen thousand a year&mdash;it will
- be more when my mother dies. We're decent folk&mdash;old county family&mdash;I
- can offer you whatever society you like. You and I have tastes in common,
- care for the same things, same sort of people. I'm sound in wind and limb&mdash;never
- had a day's illness in my life, so you would n't have to look after a
- cripple. And I'd give the eyes out of my head to have you; you know that.
- How does it strike you?&rdquo;
- </p>
- <p>
- Norma had averted her glance from him towards the end of his speech, and
- leaning back was looking intently at her hands in her lap. For the moment
- she felt it impossible to reply. The words that had formulated themselves
- in her mind, &ldquo;I think, Mr. King, the arrangement will be eminently
- advantageous to both parties,&rdquo; were too ludicrous in their adequacy to the
- situation. So she merely sat silent and motionless, regarding her
- manicured finger-nails, and awaiting another opening. King changed his
- seat to the sofa, by her side, and leaned forward.
- </p>
- <p>
- &ldquo;If you had been a simpler, more unsophisticated girl, Norma, I should
- have begun differently. I thought it would please you if I put sentiment
- aside.&rdquo;
- </p>
- <p>
- Her head motioned acquiescence.
- </p>
- <p>
- &ldquo;But I'm not going to put it aside,&rdquo; he went on. &ldquo;It has got its place in
- the world, even when a man makes a proposal of marriage. And when I say
- I'm in love with you, that I have been in love with you since the first
- time I saw you, it's honest truth.&rdquo;
- </p>
- <p>
- &ldquo;Say you have a regard, a high regard, even,&rdquo; said Norma, still not
- looking at him, &ldquo;and I'll believe you.&rdquo;
- </p>
- <p>
- &ldquo;I'm hanged if I will,&rdquo; said Morland. &ldquo;I say I'm in love with you.&rdquo;
- </p>
- <p>
- Norma suddenly softened. The phrase tickled her ears again&mdash;this time
- pleasantly. The previous half-hour's groping in the dark of herself seemed
- to have resulted in discovery. She gave him a fleeting smile of mockery.
- </p>
- <p>
- &ldquo;Listen,&rdquo; she said. &ldquo;If you will be contented with regard, a high regard,
- on my side, I will marry you. I really like you very much. Will that do?&rdquo;
- </p>
- <p>
- &ldquo;It is all I ask now. The rest will come by and by.&rdquo;
- </p>
- <p>
- &ldquo;I'm not so sure. We had better be perfectly frank with each other from
- the start, for we shall respect each other far more. Anyhow, if you treat
- me decently, as I am sure you will, you may be satisfied that I shall
- carry out my part of the bargain. My bosom friends tell one another that I
- am worldly and heartless and all that&mdash;but I've never lied seriously
- or broken a promise in my life.&rdquo;
- </p>
- <p>
- &ldquo;Very well. Let us leave it at that,&rdquo; said Morland. &ldquo;I suppose your people
- will have no objection?&rdquo;
- </p>
- <p>
- &ldquo;None whatever,&rdquo; replied Norma, drily.
- </p>
- <p>
- &ldquo;When can I announce our engagement?&rdquo;
- </p>
- <p>
- &ldquo;Whenever you like.&rdquo;
- </p>
- <p>
- He took two or three reflective steps about the room and reseated himself
- on the sofa.
- </p>
- <p>
- &ldquo;Norma,&rdquo; he said softly, bending towards her, &ldquo;I believe on such occasions
- there is a sort of privilege accorded to a fellow&mdash;may I?&rdquo;
- </p>
- <p>
- She glanced at him, hesitated, then proffered her cheek. He touched it
- with his lips.
- </p>
- <p>
- The ceremony over, there ensued a few minutes of anticlimax. Norma
- breathed more freely. There had been no difficulties, no hypocrisies. The
- mild approach to rapture on Morland's part was perhaps, after all, only a
- matter of common decency, to be accepted by her as a convention of the <i>scène
- à faire</i>. So was the kiss. She broke the spell of awkwardness by
- rising, crossing the room, and turning off an electric pendant that
- illuminated the full-length portrait on the wall.
- </p>
- <p>
- &ldquo;We can't stand Mrs. Wolff-Salamon's congratulations so soon,&rdquo; she said
- with a laugh.
- </p>
- <p>
- Conversation again became possible. They discussed arrangements. King
- suggested a marriage in the autumn. Norma, with a view to the prolongation
- of what appealed to her as a novel and desirable phase of existence&mdash;maidenhood
- relieved of the hateful duty of husband-hunting and unclouded by parental
- disapprobation&mdash;pleaded for delay till Christmas. She argued that in
- all human probability the Parliamentary vacancy at Cosford, the safe seat
- on which Morland reckoned, would occur in the autumn, and he could not fix
- the date of an election at his own good pleasure. He must, besides, devote
- his entire energy to the business; time enough when it was over to think
- of such secondary matters as weddings, bridal tours, and the setting up of
- establishments.
- </p>
- <p>
- &ldquo;But you have to be considered, Norma,&rdquo; he said, half convinced.
- </p>
- <p>
- &ldquo;My dear Morland,&rdquo; she replied with a derisive lip, &ldquo;I should never dream
- of coming between you and your public career.&rdquo;
- </p>
- <p>
- He reflected a moment. &ldquo;Why should we not get married at once?&rdquo;
- </p>
- <p>
- Norma laughed. &ldquo;You are positively pastoral! No, my dear Morland, that's
- what the passionate young lover always says to the coy maiden in the play,
- but if you will remember, it does n't seem to work even there. Besides,
- you must let me gratify my ambitions. When I was very young, I vowed I
- would marry an emperor. Then I toned him down into a prince. Later,
- becoming more practical, I dreamed of a peer. Finally I descended to a
- Member of Parliament. I can't marry you before you are a Member.&rdquo;
- </p>
- <p>
- &ldquo;You could have had dozens of 'em for the asking, I'm sure,&rdquo; returned the
- prospective legislator with a grin. &ldquo;Take them all round, they're a shoddy
- lot.&rdquo;
- </p>
- <p>
- He yielded eventually to Norma's proposal, alluding, however, with an air
- of ruefulness, to the infinite months of waiting he would have to endure.
- Tactfully she switched him off the line of sentiment to that of soberer
- politics. She put forward the platitude that a Parliamentary life was one
- of great interest. Morland did not rise even to this level of enthusiasm.
- </p>
- <p>
- &ldquo;'Pon my soul, I really don't know why I'm going in for it. I promised old
- Potter years ago that I would come in when he gave up, and the people down
- there more or less took it for granted, the duchess included, and so
- without having thought much of it one way or the other, I find myself
- caught in a net. It will be a horrible bore. The whole of the session will
- be one dismal yawn. Never to be certain of sitting down to one's dinner in
- peace and comfort. Never to know when one will have to rush off at a
- moment's notice to take part in a confounded division. To have shoals of
- correspondence on subjects one knows nothing of and cares less for. It
- will be the life of a sweated tailor. And I, of all people, who like to
- take things easy! I'm not quite sure whether I'm an idiot or a hero.&rdquo;
- </p>
- <p>
- He ended in a short laugh and leaned against the mantelpiece, his hands in
- his pockets.
- </p>
- <p>
- &ldquo;It would be the sweet and pretty thing for me to say,&rdquo; remarked Norma,
- &ldquo;that in my eyes you will always be heroic.&rdquo;
- </p>
- <p>
- &ldquo;Well, 'pon my soul, I shall be. We 'll see precious little of one another.&rdquo;
- </p>
- <p>
- &ldquo;We 'll have all the more chance of prolonging our illusions,&rdquo; she replied.
- </p>
- <p>
- On the whole, however, her conduct towards him was irreproachable. The
- thaw from her usual iciness to this comparatively harmless raillery
- flattered the lover's self-esteem. Woman-wise, as every man in the
- profundity of his vain heart believes himself to be, he not only
- attributed the change to his own powers of seduction, but interpreted as
- significant of a yet greater transformation. A man of Morland's type is
- seldom afflicted with a morbid subtlety of perception; and when he has
- gained for his own personal use and adornment a woman of singular
- distinction, he may be readily pardoned for a slight attack of fatuity.
- </p>
- <p>
- The idyllic hour was brought to a close by the return of Norma's parents.
- As Norma, shrinking from the vulgarity of the prearranged scene and
- intolerable maternal coaching in her part, had not informed them of her
- appointment with Morland, alleging as an excuse for not going to the opera
- a disinclination to be bored to tears by <i>Aida</i>, they were mildly
- surprised by his presence in the house at so late an hour. In a few words
- he acquainted them with what had taken place. He formally asked their
- consent. Mr. Hardacre wrung his hand fervently. Mrs. Hardacre's steel-grey
- eyes glittered welcome into her family. She turned to her dear child and
- expressed her heartfelt joy. Norma, submissive to conventional decencies,
- suffered herself to be kissed. Mother and daughter had given up kissing as
- a habit for some years past, though they practised it occasionally before
- strangers. Mr. Hardacre put his arm around her in a diffident way and
- patted her back, murmuring incoherent wishes for her happiness. Everything
- to be said and done was effected in a perfectly well-bred manner. Norma
- spoke very little, regarding the proceedings with an impersonal air of
- satiric interest. At last Mr. Hardacre suggested to Morland a chat over
- whisky and soda and a cigar in the library. In unsophisticated circles it
- is not unusual at such a conjuncture for a girl's friends and relations to
- afford the lovers some unblushing opportunity of bidding each other a
- private farewell. Norma, anticipating any such possible though improbable
- departure from sanity on the part of her parents, made good her escape
- after shaking hands in an ordinary way with Morland. Mrs. Hardacre
- followed her upstairs, eager to learn details, which were eventually given
- with some acidity by her daughter, and the two men retired below.
- </p>
- <p>
- &ldquo;My boy,&rdquo; said Mr. Hardacre, as they parted an hour afterwards, &ldquo;you will
- find that Norma has had the training that will make her a damned fine
- woman.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0004" id="link2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter IV&mdash;THE GREAT FROCK EPISODE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>IMMIE PADGATE was
- the son of a retired commander in the Navy, of irreproachable birth and
- breeding, of a breezy impulsive disposition, and with a pretty talent as
- an amateur actor. Finding idleness the root of all boredom, he took to the
- stage, and during the first week of his first provincial tour fell in love
- with the leading lady, a fragile waif of a woman of vague upbringing. That
- so delicate a creature should have to face the miseries of a touring life&mdash;the
- comfortless lodgings, the ill-cooked food, the damp death-traps of
- dressing-rooms, the long circuitous Sunday train-journeys&mdash;roused him
- to furious indignation. He married her right away, took her incontinently
- from things theatrical, and found congenial occupation in adoring her. But
- the hapless lady survived her marriage only long enough to see Jimmie safe
- into short frocks, and then fell sick and died. The impulsive sailor
- educated the boy in his own fashion for a dozen years or so, and then he,
- in his turn, died, leaving his son a small inheritance to be administered
- by his only brother, an easy-going bachelor in a Government office. This
- inheritance sufficed to send Jimmie to Harrow, where he began his
- life-long friendship with Morland King, and to the École des Beaux-Arts in
- Paris, where he learned many useful things beside the method of painting
- pictures. When he returned to London, his uncle handed him over the
- hundred or two that remained, and, his duty being accomplished, fell over
- a precipice in the Alps, and concerned himself no more about his nephew.
- Then Jimmie set to work to earn his living.
- </p>
- <p>
- When he snatched the child Aline from the embraces of her tipsy aunt and
- carried her out into the street, wondering what in the world he should do
- with her, he was just under thirty years of age. How he had earned a
- livelihood till then and kept himself free from debt he scarcely knew.
- When he obtained a fair price for a picture, he deposited a lump sum with
- his landlord in respect of rent in advance, another sum with the keeper of
- the little restaurant where he ate his meals, and frittered the rest away
- among his necessitous friends. In the long intervals between sales, he
- either went about penniless or provided himself with pocket money by black
- and white or other odd work that comes in the young artist's way. His
- residence at that time consisted in a studio and a bedroom in Camden Town.
- His wants were few, his hopes were many. He loved his art, he loved the
- world. His optimistic temperament brought him smiles from all those with
- whom he came in contact&mdash;even from dealers, when he wasted their time
- in expounding to them the commercial value of an unmarketable picture. He
- was quite happy, quite irresponsible. When soberer friends reproached him
- for his hand-to-mouth way of living, he argued that if he scraped to-day
- he would probably spread the butter thick tomorrow, thus securing the
- average, the golden mean, which was the ideal of their respectability. As
- for success, that elusive will-o'-the-wisp, the man who did not enjoy the
- humour of failure never deserved to succeed.
- </p>
- <p>
- But when he had rescued Aline from the limbo over the small apothecary's
- shop, as thoughtlessly and as gallantly as his father before him had
- rescued the delicate lady from the trials of theatrical vagabondage, he
- found himself face to face with a perplexing problem. That first night he
- had risen from an amorphous bed he had arranged for himself on the studio
- floor, and entered his own bedroom on tiptoe, and looked with pathetic
- helplessness on the tiny child asleep beneath his bedclothes. If it had
- been a boy, he would have had no particular puzzle. A boy could have been
- stowed in a corner of the studio, where he could have learned manners and
- the fear of God and the way of smiling at adversity. He would have
- profited enormously, as Jimmie felt assured, by his education. But with a
- girl it was vastly different. An endless vista of shadowy, dreamy,
- delicate possibilities perplexed him. He conceived women as beings
- ethereal, with a range of exquisite emotions denied to masculine
- coarseness. Even the Rue Bonaparte had not destroyed his illusion, and he
- still attributed to the fair Maenads of the Bal des Quatre-z' Arts the
- lingering fragrance of the original Psyche. Of course Jimmie was a fool,
- as ten years afterwards Norma had decided; but this view of himself not
- occurring to him, he had to manage according to his lights. Here was this
- mysterious embryo goddess entirely dependent on him. No corner of the
- studio and rough-and-tumble discipline for her. She must sleep on down and
- be covered with silk; the airs of heaven must not visit her cheek too
- roughly; the clatter of the brazen world must not be allowed to deafen her
- to her own sweet inner harmonies. Jimmie was sorely perplexed.
- </p>
- <p>
- His charwoman next morning could throw no light on the riddle. She had
- seven children of her own, four of them girls, and they had to get along
- the best way they could. She was of opinion that if let alone and just
- physicked when she had any complaint, Aline would grow up of her own
- accord. Jimmie said that this possibility had not struck him, but
- doubtless the lady was right. Could she tell him how many times a day a
- little girl ought to be fed and what she was to eat? The charwoman's draft
- upon her own family experiences enlightened Jimmie so far that he put a
- sovereign into her hand to provide a dinner for her children. After that
- he consulted her no more. It was an expensive process.
- </p>
- <p>
- Meanwhile it was obvious that a studio and one bedroom would not be
- sufficient accommodation, and Jimmie, greatly daring, took a house. He
- also engaged a resident housekeeper for himself and a respectable cat for
- Aline, and when he had settled down, after having spent every penny he
- could scrape together on furniture, began to wonder how he could pay the
- rent. A month or two before he would have as soon thought of buying a
- palace in Park Lane as renting a house in St. John's Wood&mdash;a cheap,
- shabby little house, it is true; but still a house, with drawing-room,
- dining-room, bedrooms, and a studio built over the space where once the
- garden tried to smile. He wandered through it with a wonderment quite as
- childish as that of Aline, who had helped him to buy the furniture. But
- how was he ever going to pay the rent?
- </p>
- <p>
- After a time he ceased asking the question. The ravens that fed Elijah
- provided him with the twenty quarterly pieces of gold. Picture-dealers of
- every hue and grade supplied him with the wherewithal to live. In those
- early days he penetrated most of the murky byways of his art&mdash;alleys
- he would have passed by with pinched nose a year before, when an empty
- pocket and an empty stomach concerned himself alone. Now, when the money
- for the last picture had gone, and no more was forthcoming by way of
- advance on royalties on plates, and the black and white market was
- congested, he did amazing things. He copied old Masters for a red-faced,
- beery print-seller in Frith Street, who found some mysterious market for
- them. The price can be gauged by the fact that years afterwards Jimmie
- recognised one of his own copies in an auction room, and heard it knocked
- down as a genuine Velasquez for eleven shillings and sixpence. He also
- painted oil landscapes for a dealer who did an immense trade in this line,
- selling them to drapers and fancy-warehousemen, who in their turn retailed
- them to an art-loving public, framed in gold, at one and eleven pence
- three farthings; and the artist's rate of payment was five shillings a
- dozen&mdash;panels supplied, but not the paint. To see Jimmie attack these
- was the child Aline's delight. In after years she wept in a foolish way
- over the memory. He would do half a dozen at a time: first dash in the
- foregrounds, either meadows or stretches of shore, then wash in bold,
- stormy skies, then a bit of water, smooth or rugged according as it was
- meant to represent pool or sea; then a few vigorous strokes would put in a
- ship and a lighthouse on one panel, a tree and a cow on a second, a woman
- and a cottage on a third. And all the time, as he worked at lightning
- speed, he would laugh and joke with the child, who sat fascinated by the
- magic with which each mysterious mass of daubs and smudges grew into a
- living picture under his hand. When his invention was at a loss, he would
- call upon her to suggest accessories; and if she cried out &ldquo;windmill,&rdquo;
- suddenly there would spring from under the darting brush-point a mill with
- flapping sails against the sky. Now and again in his hurry Jimmie would
- make a mistake, and Aline would shriek with delight:
- </p>
- <p>
- &ldquo;Why, Jimmie, that's a cow!&rdquo;
- </p>
- <p>
- And sure enough, horned and uddered, and with casual tail, a cow was
- wandering over the ocean, mildly speculating on the lighthouse. Then
- Jimmie would roar with laughter, and he would tether the cow to a buoy and
- put in a milkmaid in a boat coming to milk the cow, and at Aline's
- breathless suggestion, a robber with a bow and arrow shooting the
- unnatural animal from the lighthouse top. Thus he would waste an hour
- elaborating the absurdity, finishing it off beautifully so that it should
- be worthy of a place on Aline's bedroom wall.
- </p>
- <p>
- The months and years passed, and Jimmie found himself, if not on the
- highroad to fortune, at least relieved of the necessity of frequenting the
- murky byways aforesaid. He even acquired a little reputation as a portrait
- painter, much to his conscientious, but comical despair. &ldquo;I am taking
- people's money under false pretences,&rdquo; he would say. &ldquo;I am an imaginative
- painter. I can't do portraits. Your real portrait painter can jerk the
- very soul out of a man and splash it on to his face. I can't. Why do they
- come to me to be photographed, when Brown, Jones, or Robinson would give
- them a portrait? Why can't they buy my subject-pictures which are good? In
- taking their money I am a mercenary, unscrupulous villain!&rdquo; Indeed, if
- Aline had not been there to keep him within the bounds of sanity, his
- Quixotism might have led him to send his clients to Brown or Jones, where
- they could get better value for their money. But Aline was there, rising
- gradually from the little child into girlhood, and growing in grace day by
- day. After all, the charwoman seemed to be right. The tender plant, left
- to itself, thrived, shot up apparently of its own accord, much to Jimmie's
- mystification. It never occurred to him that he was the all in all of her
- training&mdash;her mother, father, nurse, teacher, counsellor, example.
- Everything she was susceptible of being taught by a human being, he taught
- her&mdash;from the common rudiments when she was a little child to the
- deeper things of literature and history when she was a ripening maiden.
- Her life was bound up with his. Her mind took the prevailing colour of his
- mind as inevitably as the grasshopper takes the green of grass or the
- locust the grey-brown of the sand. But Jimmie in his simple way regarded
- the girl's sweet development as a miracle of spontaneous growth.
- </p>
- <p>
- Yet Aline on her part instinctively appreciated the child in Jimmie, and
- from very early years assumed a quaint attitude of protection in common
- every-day matters. From the age of twelve she knew the exact state of his
- financial affairs, and gravely deliberated with him over items of special
- expenditure; and when she was fourteen she profited by a change in
- housekeepers to take upon herself the charge of the household. Her
- unlimited knowledge of domestic science was another thing that astounded
- Jimmie, who to the end of his days would have cheerfully given two
- shillings a pound for potatoes. And thus, while adoring Jimmie and
- conscious that she owed him the quickening of the soul within her, she
- became undisputed mistress of her small material domain, and regarded him
- as a kind of godlike baby.
- </p>
- <p>
- At last there came a memorable day. According to a custom five or six
- years old, Jimmie and Aline were to spend New Year's Eve with some
- friends, the Frewen-Smiths.
- </p>
- <p>
- He was a rising architect who had lately won two or three important
- competitions and had gradually been extending his scale of living. The New
- Year's Eve party was to be a much more elaborate affair than usual. Aline
- had received a beautifully printed card of invitation, with &ldquo;Dancing&rdquo; in
- the corner. She looked through her slender wardrobe. Not a frock could she
- find equal to such a festival. And as she gazed wistfully at the simple
- child's finery laid out upon her bed, a desire that had dawned vaguely
- some time before and had week by week broadened into craving, burst into
- the full blaze of a necessity. She sat down on her bed and puckered her
- young brows, considering the matter in all its aspects. Then, with her
- sex's guilelessness, she went down to the studio, where Jimmie was
- painting, and put her arms round his neck. Did he think she could get a
- new frock for Mrs. Frewen-Smith's party?
- </p>
- <p>
- &ldquo;My dear child,&rdquo; said Jimmie in astonishment, &ldquo;what an idiotic question!&rdquo;
- </p>
- <p>
- &ldquo;But I want really a nice one,&rdquo; said Aline, coaxingly.
- </p>
- <p>
- &ldquo;Then get one, dear,&rdquo; said Jimmie, swinging round on his stool, so as to
- look at her.
- </p>
- <p>
- &ldquo;But I'd like you to give me this one as a present. I don't want it to be
- like the others that I help myself to and you know nothing about&mdash;although
- they all are presents, if it comes to that&mdash;I want you to give me
- this one specially.&rdquo;
- </p>
- <p>
- Jimmie laid down palette and mahl-stick and brush, and from a letter-case
- in his pocket drew out three five-pound notes.
- </p>
- <p>
- &ldquo;Will this buy one?&rdquo;
- </p>
- <p>
- The girl's eyes filled with tears. &ldquo;Oh, you are silly, Jimmie,&rdquo; she cried.
- &ldquo;A quarter of it will do.&rdquo;
- </p>
- <p>
- She took one of the notes, kissed him, and ran out of the studio, leaving
- Jimmie wondering why the female sex were so prone to weeping. The next day
- he saw a strange woman established at the dining-room table. He learned
- that it was a dressmaker. For the next week an air of mystery hung over
- the place. The girl, in her neat short frock and with her soft brown hair
- tied with a ribbon, went about her household duties as usual; but there
- was a subdued light in her eyes that Jimmie noticed, but could not
- understand. Occasionally he enquired about the new frock. It was
- progressing famously, said Aline. It was going to be a most beautiful
- frock. He would have seen nothing like it since he was born.
- </p>
- <p>
- &ldquo;Vanity, thy name is little girls,&rdquo; he laughed, pinching her chin.
- </p>
- <p>
- On the evening of the 31st of December Jimmie, in his well-worn evening
- suit, came down to the dining-room, and for the first time in his life
- waited for Aline. He sat down by the fire with a book. The cab that had
- been ordered drew up outside. It was a remarkable thing for Aline to be
- late. After a while the door opened, and a voice said, &ldquo;I am ready.&rdquo;
- Jimmie rose, turned round, and for a moment stared stupidly at the sight
- that met his eyes. It was Aline certainly, but a new Aline, quite a
- different Aline from the little girl he had known hitherto. Her brown hair
- was done up in a mysterious manner on the top of her head, and the tip of
- a silver-mounted tortoise-shell comb (a present, she afterwards confessed,
- from Constance Deering, who was in her secret) peeped coquettishly from
- the coils. The fashionably-cut white evening dress showed her neck and
- shoulders and pretty round arms, and displayed in a manner that was a
- revelation the delicate curves of her young figure. A little gold locket
- that Jimmie had given her rose and fell on her bosom. She met his stare in
- laughing, blushing defiance, and whisked round so as to present a side
- view of the costume. The astonishing thing had a train.
- </p>
- <p>
- &ldquo;God bless my soul!&rdquo; cried Jimmie. &ldquo;It never entered my head!&rdquo;
- </p>
- <p>
- &ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;That you're a young woman, that you're grown up, that we'll have all the
- young men in the place falling in love with you, that you'll be getting
- married, and that I'm becoming a decrepit old fogey. Well, God bless my
- soul!&rdquo;
- </p>
- <p>
- She came up and put her hands on his shoulders and kissed him.
- </p>
- <p>
- &ldquo;You think it becoming, don't you, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Becoming! Why, it's ravishing! It's irresistible! Do you mean to say that
- you got all that, gloves and shoes and everything, out of a five-pound
- note?&rdquo;
- </p>
- <p>
- She nodded.
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; said Jimmie in astonishment.
- </p>
- <p>
- In this manner came realisation of the fact that the tiny child he had
- undressed and put to sleep in his own bed ten years before had grown into
- a woman. The shock brought back some of the old perplexities, and created
- for a short while an odd shyness in his dealings with her. He treated her
- deferentially, regarded apologetically the mean viands on which he forced
- this fresh-winged goddess to dine, went out and wasted his money on
- adornments befitting her rank, and behaved with such pathetic foolishness
- that Aline, crying and laughing, threatened to run away and earn her
- living as a nursery-maid if he did not amend his conduct. Whereupon there
- was a very touching scene, and Jimmie's undertaking to revert to his
- previous brutality put their relations once more on a sound basis; but all
- the same there stole into Jimmie's environment a subtle grace which the
- sensitive in him was quick to perceive. Its fragrance revived the tender
- grace of a departed day, before he had taken Aline&mdash;a day that had
- ended in a woeful flight to Paris, where he had arrived just in time to
- follow through the streets a poor little funeral procession to a poor
- little grave-side in the cemetery of Bagneux. Her name was Sidonie
- Bourdain, and she was a good girl and had loved Jimmie with all her heart.
- </p>
- <p>
- The tender grace was that of March violets. The essence of a maid's
- springtide diffused itself through the house, and springtide began to bud
- again in the man's breast. It was a strange hyperphysical transfusion of
- quickening sap. His jesting pictured himself as of a sudden grown hoary,
- the potential father of a full-blown woman, two or three years short of
- grandfatherdom. But these were words thrown off from the very lightness of
- a mood, and vanishing like bubbles in the air. Deep down worked the
- craving of the man still young for love and romance and the sweet message
- in a woman's eyes. It was a gentle madness&mdash;utterly unsuspected by
- its victim&mdash;but a madness such as the god first inflicts upon him
- whom he desires to drive to love's destruction. In the middle of it all,
- while Aline and himself were finding a tentative footing on the newly
- established basis of their relationship, the ironical deity took him by
- the hand and led him into the cold and queenly presence of Norma Hardacre.
- .
- </p>
- <p>
- After that Jimmie fell back into his old ways with Aline, and the Great
- Frock Episode was closed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0005" id="link2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter V&mdash;A BROKEN BUTTERFLY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>LINE sat in the
- studio, the picture of housewifely concern, mending Jimmie's socks. It was
- not the unoffending garments that brought the expression into her face,
- but her glance at the old Dutch clock&mdash;so old and crotchety that
- unless it were tilted to one side it would not consent to go&mdash;whose
- hands had come with an asthmatic whir to the hour of eleven. And Jimmie
- had not yet come down to breakfast. She had called him an hour ago. His
- cheery response had been her sanction for putting the meal into
- preparation, and now the bacon would be uneatable. She sighed. Taking care
- of Jimmie was no light responsibility. Not that he would complain; far
- from it. He would eat the bacon raw or calcined if she set it before him.
- But that would not be for his good, and hence the responsibility. In
- slipping from her grasp and doing the things he ought not to do, he was an
- eel or a twelve-year-old schoolboy. Last night, for instance, instead of
- finishing off some urgent work for an art periodical, he had assured her
- in his superlative manner that it was of no consequence, and had wasted
- his evening with her at the Earl's Court Exhibition. It had been warm and
- lovely, and the band and the bright crowd had set her young pulses
- throbbing, and they had sat at a little table, and Jimmie had given her
- some celestial liquid which she had sucked through a straw, and
- altogether, to use her own unsophisticated dialect, it had been perfectly
- heavenly. But it was wrong of Jimmie to have sacrificed himself for her
- pleasure, and to have deceived her into accepting it. For at three or four
- o'clock she had heard him tiptoeing softly past her door on his way to
- bed, and the finished work she had found on his table this morning
- betrayed his occupation. Even the consolation of scolding him for
- oversleep and a spoiled breakfast was thus denied. She spread out her hand
- in the sock so as to gauge the extent of a hole, and, contemplating it,
- sighed again.
- </p>
- <p>
- The studio was a vast room distempered in bluish grey, and Aline, sitting
- solitary at the far end, in the line of a broad quivering beam of light
- that streamed through a lofty window running the whole width of the
- north-east side, looked like a little brown saint in a bare conventual
- hall. For an ascetic simplicity was the studio's key-note. No curtains,
- draperies, screens, Japaneseries, no artistic scheme of decoration, no
- rare toys of furniture filled the place with luxurious inspiration. Here
- and there about the walls hung a sketch by a brother artist; of his own
- unsold pictures and studies some were hung, others stacked together on the
- floor. An old, rusty, leather drawing-room suite distributed about the
- studio afforded sitting accommodation. There was the big easel bearing the
- subject-picture on which he now was at work, with a smaller easel carrying
- the study by its side. On the model-stand a draped lay figure sprawled
- grotesquely. A long deal table was the untidy home of piles of papers,
- books, colours, brushes, artistic properties. A smaller table at the end
- where Aline sat was laid for breakfast. It was one of Jimmie's
- eccentricities to breakfast in the studio. The dining-room for dinner&mdash;he
- yielded to the convention; for lunch, perhaps; for breakfast, no. All his
- intimate life had been passed in the studio; the prim little drawing-room
- he scarcely entered half-a-dozen times in the year.
- </p>
- <p>
- Aline was contemplating the hole in the sock when the door opened. She
- sprang to her feet, advanced a step, and then halted with a little
- exclamation.
- </p>
- <p>
- &ldquo;Oh, it's you!&rdquo;
- </p>
- <p>
- &ldquo;Yes. Are you disappointed?&rdquo; asked the smiling youth who had appeared
- instead of the expected Jimmie.
- </p>
- <p>
- &ldquo;I can get over it. How are you, Tony?&rdquo;
- </p>
- <p>
- Mr. Anthony Merewether gave her the superfluous assurance that he was in
- good health. He had the pleasant boyish face and clean-limbed figure of
- the young Englishman upon whom cares sit lightly. Aline resumed her work
- demurely. The young man seated himself near by.
- </p>
- <p>
- &ldquo;How is Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Whom are you calling 'Jimmie'?&rdquo; asked Aline. &ldquo;Mr. Padgate, if you
- please.&rdquo;
- </p>
- <p>
- &ldquo;You call him Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;I've called him so ever since I could speak. I think it was one of the
- first three words I learned. When you can say the same, you can call him
- Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Well, how is Mr. Padgate?&rdquo; the snubbed youth asked with due humility.
- </p>
- <p>
- &ldquo;You can never tell how a man is before breakfast. Why are n't you at
- work?&rdquo;
- </p>
- <p>
- He bowed to her sagacity, and in answer to her question explained the
- purport of his visit. He was going to spend the day sketching up the
- river. Would she put on her hat and come with him?
- </p>
- <p>
- &ldquo;A fine lot of sketching you'd do, if I did,&rdquo; said Aline.
- </p>
- <p>
- The young man vowed with fervour that as soon as he had settled down to a
- view he would work furiously and would not exchange a remark with her.
- </p>
- <p>
- &ldquo;Which would be very amusing for me,&rdquo; retorted Aline. &ldquo;No, I can't come.
- I'm far too busy. I've got to hunt up a model for the new picture.&rdquo;
- </p>
- <p>
- Tony leant back in his chair, dispirited, and began to protest. She
- laughed at his woeful face, and half yielding, questioned him about
- trains. He overwhelmed her with a rush of figures, then paused to give her
- time to recover. His eyes wandered to the breakfast-table, where lay
- Jimmie's unopened correspondence. One letter lay apart from the others.
- Tony took it up idly.
- </p>
- <p>
- &ldquo;Here's a letter come to the wrong house.&rdquo;
- </p>
- <p>
- &ldquo;No; it is quite right,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Who is David Rendell, Esquire?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Rendell is a friend of Jimmie's, I believe.&rdquo;
- </p>
- <p>
- &ldquo;I have never heard of him. What's he like?&rdquo;
- </p>
- <p>
- &ldquo;I don't know. Jimmie never speaks of him,&rdquo; replied Aline.
- </p>
- <p>
- &ldquo;That's odd.&rdquo;
- </p>
- <p>
- The young man threw the letter on the table and returned to the subject of
- the outing. She must accompany him. He felt a perfect watercolour working
- itself up within him. One of those dreamy bits of backwater. He had a
- title for it already, &ldquo;The Heart of Summer.&rdquo; The difference her presence
- in the punt would make to the picture would be that between life and
- deadness.
- </p>
- <p>
- The girl fluttered a shy, pleased glance at him. But she loved to tease;
- besides, had she not but lately awakened to the sweet novelty of her young
- womanhood?
- </p>
- <p>
- &ldquo;Perhaps Jimmie won't let me go.&rdquo;
- </p>
- <p>
- Tony sprang to his feet. &ldquo;Jimmie won't let you go!&rdquo; he exclaimed in
- indignant echo. &ldquo;Did he ever deny you a pleasure since you were born?&rdquo;
- </p>
- <p>
- Her eyes sparkled at his tribute to the adored one's excellences. &ldquo;That's
- just where it is, you see, Tony. His very goodness to me won't let me do
- things sometimes.&rdquo;
- </p>
- <p>
- The servant hurried in with the breakfast-tray and the news that the
- master was coming down. Aline anxiously inspected the bacon. To her relief
- it was freshly cooked. In a minute or two a voice humming an air was heard
- outside, and Jimmie entered, smilingly content with existence.
- </p>
- <p>
- &ldquo;Hallo, Tony, what are you doing here, wasting the morning light? Have
- some breakfast? Why haven't you laid a place for him?&rdquo;
- </p>
- <p>
- Tony declined the invitation, and explained his presence. Jimmie rubbed
- his hands.
- </p>
- <p>
- &ldquo;A day on the river! The very thing for Aline. It will do her good.&rdquo;
- </p>
- <p>
- &ldquo;I did n't say I was going, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Not going? Rubbish. Put on your things and be off at once.&rdquo;
- </p>
- <p>
- &ldquo;How can I until I have given you your breakfast? And then there's the
- model&mdash;you would never be able to engage her by yourself. And you
- must have her to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;I know I'm helpless, dear, but I can engage a model.&rdquo;
- </p>
- <p>
- &ldquo;And waste your time. Besides, you won't be able to find the address.&rdquo;
- </p>
- <p>
- &ldquo;There are cab-horses, dear, with unerring instinct.&rdquo;
- </p>
- <p>
- &ldquo;Your breakfast is getting cold, Jimmie,&rdquo; said Aline, not condescending to
- notice the outrage of her economic principles.
- </p>
- <p>
- Eventually Jimmie had his way. Tony Merewether was summarily dismissed,
- but bidden to return in an hour's time, when Aline would be graciously
- pleased to be ready. She poured out Jimmie's coffee, and sat at the side
- of the table, watching him eat. He turned to his letters, picked up the
- one addressed to &ldquo;David Rendell.&rdquo; Aline noticed a shade of displeasure
- cross his face.
- </p>
- <p>
- &ldquo;Who is Mr. Rendell, Jimmie?&rdquo; asked Aline.
- </p>
- <p>
- &ldquo;A man I know, dear,&rdquo; he replied, putting the envelope in his pocket. He
- went on with his breakfast meditatively for a few moments, then opened his
- other letters. He threw a couple of bills across the table. His face had
- regained its serenity.
- </p>
- <p>
- &ldquo;See that these ill-mannered people are paid, Aline.&rdquo;
- </p>
- <p>
- &ldquo;What with, dear?&rdquo;
- </p>
- <p>
- &ldquo;Money, my child, money. What!&rdquo; he exclaimed, noting a familiar expression
- on her face. &ldquo;Are we running short? Send them telegrams to say we'll pay
- next week. Something is bound to come in by then.&rdquo;
- </p>
- <p>
- &ldquo;Mrs. Bullingdon ought to send the cheque for her portrait,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Of course she will. And there's something due from Hyam. What a thing it
- is to have great expectations! Here's one from Renshaw,&rdquo; he said, opening
- another letter. &ldquo;'Dear Padgate'&mdash;Dear Padgate!&rdquo; He put his hands on
- the table and looked across at Aline. &ldquo;Now, what on earth can I have done
- to offend him? I've been 'Dear Jimmie' for the last twelve years.&rdquo;
- </p>
- <p>
- Aline shook her young head pityingly. &ldquo;Don't you know yet that it is
- always 'Dear Padgate' when they want to borrow money of you?&rdquo;
- </p>
- <p>
- Jimmie glanced at the letter and then across the table again.
- </p>
- <p>
- &ldquo;Dear me,&rdquo; he said thoughtfully. &ldquo;Your knowledge of the world at your
- tender age is surprising. He does want money. Poor old chap! It is really
- quite touching. 'For the love of God lend me four pounds ten to carry me
- on to the end of the quarter.'&rdquo;
- </p>
- <p>
- &ldquo;That's two months off. Mr. Renshaw will have to be more economical than
- usual,&rdquo; said Aline, drily. &ldquo;I am afraid he drinks dreadfully, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Hush, dear!&rdquo; he said, becoming grave. &ldquo;A man's infirmities are his
- infirmities, and we are not called upon to be his judges. How much have we
- in the house altogether?&rdquo; he asked with a sudden return to his bright
- manner.
- </p>
- <p>
- &ldquo;Ten pounds three and sixpence.&rdquo;
- </p>
- <p>
- &ldquo;Why, that's a fortune. Of course we can help Renshaw. Wire him his four
- pounds ten when you go out.&rdquo;
- </p>
- <p>
- &ldquo;But, Jimmie&mdash;&mdash;&rdquo; expostulated this royal person's minister of
- finance.
- </p>
- <p>
- &ldquo;Do what I say, my dear,&rdquo; said Jimmie, quietly.
- </p>
- <p>
- That note in his voice always brought about instant submission, fetched
- her down from heights of pitying protection to the prostrate humility of a
- little girl saying &ldquo;Yes, Jimmie,&rdquo; as to a directing providence. She did
- not know from which of the two positions, the height or the depth, she
- loved him the more. As a matter of fact, the two ranges of emotion were
- perfect complements one of the other, the sex in her finding satisfaction
- of its two imperious cravings, to shelter and to worship.
- </p>
- <p>
- The Renshaw incident was closed, locked up as it were in her heart by the
- little snap of the &ldquo;Yes, Jimmie.&rdquo; One or two other letters were discussed
- gaily. The last to be opened was a note from Mrs. Deering. &ldquo;Come to lunch
- on Sunday and bring Aline. I am asking your friend Norma Hardacre.&rdquo; Aline
- clapped her hands. She had been longing to see that beautiful Miss
- Hardacre again. Of course Jimmie would go? He smiled.
- </p>
- <p>
- &ldquo;Another unconscious sitting for the portrait,&rdquo; he said. His glance
- wandered to a strainer that stood with its face to the wall, at a further
- end of the room, and he became absent-minded. Lately he had been dreaming
- a boy's shadowy dreams, too sweet as yet for him to seek to give them form
- in his waking hours. A warm touch on his hand brought him back to diurnal
- things. It was the coffee-pot held by Aline.
- </p>
- <p>
- &ldquo;I have asked you twice if you would have more coffee,&rdquo; she laughed.
- </p>
- <p>
- &ldquo;I suppose I'm the happiest being in existence,&rdquo; he said irrelevantly.
- </p>
- <p>
- Aline poured out the coffee. &ldquo;You have n't got much to make you happy,
- poor dear!&rdquo; she remarked, when the operation was concluded.
- </p>
- <p>
- His retort was checked by a violent peal at the front door-bell and a
- thundering knock.
- </p>
- <p>
- &ldquo;That's Morland,&rdquo; cried Jimmie. &ldquo;He is like the day of doom&mdash;always
- heralds his approach by an earthquake.&rdquo;
- </p>
- <p>
- Morland it was, in riding tweeds, a whip in his hand. He pointed an
- upbraiding finger at the half-eaten breakfast. The sloth of these
- painters! Aline flew to the loved one's protection. Jimmie had not gone to
- bed till four. The poor dear had to sleep.
- </p>
- <p>
- &ldquo;I did n't get to bed till four, either,&rdquo; said Morland, with the healthy,
- sport-loving man's contempt for people who require sleep, &ldquo;but I was up at
- eight and was riding in the Park at nine. Then I thought I'd come up here.
- I've got some news for you.&rdquo;
- </p>
- <p>
- Aline escaped. Morland's air of health and prosperity overpowered her. She
- did not dare whisper detraction of him to Jimmie, in whose eyes he was
- incomparable, but to Tony Merewether she had made known her wish that he
- did not look always so provokingly clean, so eternally satisfied with
- himself. All the colour of his mind had gone into his face, was her
- uncharitable epigram. Aline, it will be observed, saw no advantage in a
- tongue perpetually tipped with honey.
- </p>
- <p>
- &ldquo;What is your news?&rdquo; asked Jimmie, as soon as they were alone.
- </p>
- <p>
- &ldquo;I have done it at last,&rdquo; said Morland.
- </p>
- <p>
-&ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;Proposed. I'm engaged. I'm going to be married.&rdquo;
-</p>
- <p>
-Jimmie's honest face
- beamed pleasure. He wrung Morland's hand. The best news he had heard for a
- long time. When had he taken the plunge into the pool of happiness?
- </p>
- <p>
- &ldquo;Last night.&rdquo;
- </p>
- <p>
- &ldquo;And you have come straight to tell me? It is like you. I am touched, it
- is good to know you carry me in your heart like that.&rdquo;
- </p>
- <p>
- Morland laughed. &ldquo;My dear old Jimmie&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I am so glad. I never suspected anything of the kind. Well, she's an
- amazingly lucky young woman whoever she is. When can I have a timid peep
- at the divinity?&rdquo;
- </p>
- <p>
- &ldquo;Whenever you like&mdash;why, don't you know who it is?&rdquo;
- </p>
- <p>
- &ldquo;Lord, no, man; how should I?&rdquo;
- </p>
- <p>
- &ldquo;It's Norma Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;Norma Hardacre!&rdquo; The echo came from Jimmie as from a hollow cave, and was
- followed by a silence no less cavernous. The world was suddenly reduced to
- an empty shell, black, meaningless.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Morland, with a short laugh. He carefully selected, cut, and
- lit a cigar, then turned his back and examined the half-finished picture.
- He felt the Briton's shamefacedness in the novelty of the position of
- affianced lover. The echo that in Jimmie's ears had sounded so forlorn was
- to him a mere exclamation of surprise. His solicitude as to the cigar and
- his inspection of the picture saved him by lucky chance from seeing
- Jimmie's face, which wore the blank, piteous look of a child that has had
- its most cherished possession snatched out of its hand and thrown into the
- fire. Such episodes in life cannot be measured by time as it is reckoned
- in the physical universe. To Jimmie, standing amid the chaos of his
- dreams, indefinite hours seemed to have passed since he had spoken. For
- indefinite hours he seemed to grope towards reconstruction. He lived
- intensely in the soul's realm, where time is not, was swept through
- infinite phases of emotion; finally awoke to a consciousness of
- renunciation, full and generous. Perhaps a minute and a half had elapsed.
- He crossed swiftly to Morland and clapped him on the shoulder.
- </p>
- <p>
- &ldquo;The woman among all women I could have wished for you.&rdquo;
- </p>
- <p>
- His voice quavered a little; but Morland, turning round, saw nothing in
- Jimmie's eyes but the honest gladness he had taken for granted he should
- find there. The earnest scrutiny he missed. He laughed again.
- </p>
- <p>
- &ldquo;There are not many in London to touch her,&rdquo; he said in his self-satisfied
- way.
- </p>
- <p>
- &ldquo;Is there one?&rdquo;
- </p>
- <p>
- &ldquo;You seem more royalist than&mdash;well, than Morland King,&rdquo; said the
- happy lover, chuckling at his joke. &ldquo;I wish I had the artist's command of
- superlatives as you have, Jimmie. It would come in deuced handy sometimes.
- Now if, for instance, you wanted to describe the reddest thing that ever
- was, you would find some hyperbolic image for it, whereas I could only say
- it was damned red. See what I mean?&rdquo;
- </p>
- <p>
- &ldquo;It does n't matter what you say, but what you feel,&rdquo; said Jimmie.
- &ldquo;Perhaps we hyperbolic people fritter away emotions in the mere frenzy of
- expressing them. The mute man often has deeper feelings.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm not going to set up as an unerupted volcano,&rdquo; laughed Morland.
- &ldquo;I'm only the average man that has got the girl he has set his heart on&mdash;and
- of course I think her in many ways a paragon, otherwise I should n't have
- set my heart on her. There are plenty to pick from, God knows. And they
- let you know it too, by Jove. You're lucky enough to live out of what is
- called Society, so you can't realise how they shy themselves at you.
- Sometimes one has to be simply a brute and dump 'em down hard. That's what
- I liked about Norma Hardacre. She required no dumping.&rdquo;
- </p>
- <p>
- &ldquo;I should think not,&rdquo; said Jimmie.
-</p>
- <p>
-&ldquo;There's one thing that pleases me
- immensely,&rdquo; Morland remarked, &ldquo;and that is the fancy she has taken for
- you. It's genuine. I've never heard her talk of any one else as she does
- of you. She is not given to gush, as you may have observed.&rdquo;
- </p>
- <p>
- &ldquo;It's a very deep pleasure to me to hear it,&rdquo; said Jimmie, looking bravely
- in the eyes of the happy man. &ldquo;My opinion of Miss Hardacre I have told you
- already.&rdquo;
- </p>
- <p>
- Morland waved his cigar as a sign of acceptance of the tribute to the
- lady.
- </p>
- <p>
- &ldquo;I was thinking of myself,&rdquo; he said. &ldquo;There are a good many men I shall
- have to drop more or less when I'm married. Norma would n't have 'em in
- the house. There are others that will have to be on probation. Now I
- shouldn't have liked you to be on probation&mdash;to run the risk of my
- wife not approving of you&mdash;caring to see you&mdash;you know what I
- mean. But you're different from anybody else, Jimmie. I'm not given to
- talking sentiment&mdash;but we've grown up together&mdash;and somehow, in
- spite of our being thrown in different worlds, you have got to be a part
- of my life. There!&rdquo; he concluded with a sigh of relief, putting on his hat
- and holding out his hand, &ldquo;I've said it!&rdquo;
- </p>
- <p>
- The brightening of Jimmie's eyes gave token of a heart keenly touched.
- Deeply rooted indeed must be the affection that could have impelled
- Morland to so unusual a demonstration of feeling. His nature was as
- responsive as a harp set in the wind. His counterpart in woman would have
- felt the tears well into her eyes. A man is allowed but a breath, a
- moisture, that makes the eyes bright. Morland had said the final word of
- sentiment; equally, utterly true of himself. Morland was equally a part of
- his life. It were folly to discuss the reasons. Loyal friendships between
- men are often the divinest of paradoxes.
- </p>
- <p>
- The touch upon Jimmie's heart was magnetic. It soothed pain. It set free a
- flood of generous emotion, even thanksgiving that he was thus allowed
- vicarious joy in infinite perfections. It was vouchsafed him to be happy
- in the happiness of two dear to him. This much he said to Morland, with
- what intensity of meaning the fortunate lover was a myriad leagues from
- suspecting.
- </p>
- <p>
- &ldquo;I'll see you safely mounted,&rdquo; said Jimmie, opening the studio door. Then
- suddenly like a cold wind a memory buffeted him. He shut the door again.
- </p>
- <p>
- &ldquo;I forgot. I have a letter for you. It came this morning.&rdquo;
- </p>
- <p>
- Morland took the letter addressed to &ldquo;David Rendell&rdquo; which Jimmie drew
- from his pocket, and uttered an angry exclamation.
- </p>
- <p>
- &ldquo;I thought this infernal business was over and done with.&rdquo;
- </p>
- <p>
- He tore open the envelope, read the contents, then tilted his hat to the
- back of his head, and sitting down on one of the dilapidated
- straight-backed chairs of the leather suite, looked at Jimmie in great
- perplexity. In justice to the man it must be said that anger had vanished.
- </p>
- <p>
- &ldquo;I suppose you know what these letters mean that you have been taking in
- for me?&rdquo;
- </p>
- <p>
- &ldquo;I have never permitted myself to speculate,&rdquo; said Jimmie. &ldquo;You asked me
- to do you a very great service. It was a little one. You are not a man to
- do anything dishonourable. I concluded you had your reasons, which it
- would have been impertinent of me to inquire into.&rdquo;
- </p>
- <p>
- &ldquo;It's the usual thing,&rdquo; said Morland, with a self-incriminatory shrug. &ldquo;A
- girl.&rdquo;
- </p>
- <p>
- &ldquo;A love affair was obvious.&rdquo;
- </p>
- <p>
- Morland spat out an exclamation of impatient disgust for himself and rose
- to his feet.
- </p>
- <p>
- &ldquo;Heaven knows how it began&mdash;she was poor and lonely&mdash;almost a
- lady&mdash;and she had beauty and manners and that sort of thing above her
- class.&rdquo;
- </p>
- <p>
- &ldquo;They always have,&rdquo; said Jimmie, with a pained expression. &ldquo;You need n't
- tell me the story. It's about the miserablest on God's earth, is n't it
- now?&rdquo;
- </p>
- <p>
- &ldquo;I suppose so. Upon my soul, I'm not a beast, Jimmie!&rdquo;
- </p>
- <p>
- The unwonted rarefied air of sentiment that he had been breathing for the
- last twelve hours had, as it were, intoxicated him. Had the letter reached
- him the day before, he would have left the story connected with it in the
- cold-storage depository where men are wont to keep such things. No one
- would have dreamed of its existence. But now he felt an exaggerated
- remorse, a craving for confession, and yet he made the naked remorseful
- human's instinctive clutch at palliatives.
- </p>
- <p>
- &ldquo;Upon my soul, I'm not a beast, Jimmie. I swear I loved her at first. You
- know what it is. You yourself loved a little girl in Paris&mdash;you told
- me about it&mdash;did n't you?&rdquo;
- </p>
- <p>
- Jimmie set his teeth, and said, &ldquo;Yes.&rdquo;
- </p>
- <p>
- Morland went on.
- </p>
- <p>
- &ldquo;Some women have ways with them, you know. They turn you into one of those
- toy thermometers&mdash;you hold the bulb, and the spirit in it rises and
- bubbles. She got hold of me that way&mdash;I bubbled, I suppose&mdash;it
- was n't her fault, she was sweet and innocent. It was her nature. You
- artistic people call the damned thing a temperament, I believe. Anyhow I
- was in earnest at the beginning. Then&mdash;one always does&mdash;I found
- it was only a passing fancy.&rdquo;
- </p>
- <p>
- &ldquo;And like a passing cab it has splashed you with mud. How does the matter
- stand now?&rdquo;
- </p>
- <p>
- &ldquo;Read this,&rdquo; said Morland, handing him the letter.
- </p>
- <p>
- &ldquo;Dearest,&rdquo; it ran, &ldquo;the time is coming when you can be very good to me.
- Jenny.&rdquo; That was all. Jimmie, holding the paper in front of him, looked up
- distressfully at Morland.
- </p>
- <p>
- &ldquo;'The time is coming when you can be very good to me.' How confoundedly
- pathetic! Poor little girl! Oh, damn it, Morland, you are going to be good
- to her, are n't you?&rdquo;
- </p>
- <p>
- &ldquo;I'll do all I can. Of course I'll do all I can. I tell you I'm not a
- beast. Heaps of other men would n't care a hang about it. They would tell
- her to go to the devil. I'm not that sort.&rdquo;
- </p>
- <p>
- &ldquo;I know you're not,&rdquo; said Jimmie.
- </p>
- <p>
- Morland lit another cigar with the air of a man whose virtues deserve some
- reward.
- </p>
- <p>
- &ldquo;The letter can only have one interpretation. Have you known of it?&rdquo;
- </p>
- <p>
- &ldquo;Never dreamed of it.&rdquo;
- </p>
- <p>
- &ldquo;Was there any question of marriage?&rdquo;
- </p>
- <p>
- &ldquo;None whatever. Difference of position and all the rest of it. She quite
- understood. In fact, it was like your Quartier Latin affair.&rdquo;
- </p>
- <p>
- Jimmie winced. &ldquo;It was n't the Quartier Latin&mdash;and I was going to
- marry her&mdash;only she died before&mdash;oh, don't mind me, Morland.
- What's going to be done now?&rdquo; Morland shrugged his shoulders again, having
- palliated himself into a more normal condition. His conscience, to speak
- by the book, was clothed and in its right mind.
- </p>
- <p>
- &ldquo;It's infernally hard lines it should come just at this time. You see,
- I've heaps of things to think about. My position&mdash;Parliament&mdash;I'm
- going to contest Cosford in the autumn. If the constituency gets hold of
- any scandal, I'm ruined. You know the Alpine heights of morality of a
- British constituency&mdash;and there's always some moral scavenger about.
- And then there's Norma&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, there's Norma,&rdquo; said Jimmie, seriously.
- </p>
- <p>
- &ldquo;It's unpleasant, you see. If she should know&mdash;&rdquo;
- </p>
- <p>
- &ldquo;It would break her heart,&rdquo; said Jimmie.
- </p>
- <p>
- Morland started and looked at Jimmie stupidly, his mental faculties for
- the second paralysed, incapable of grappling with the idea. Was it
- scathing sarcasm or sheer idiocy? Recovering his wits, he realised that
- Jimmie was whole-heartedly, childishly sincere. With an effort he
- controlled a rebellious risible muscle at the corner of his lip.
- </p>
- <p>
- &ldquo;It would give her great pain,&rdquo; he said in grave acquiescence.
- </p>
- <p>
- &ldquo;It's a miserable business,&rdquo; said Jimmie.
- </p>
- <p>
- Morland paced the studio. Suddenly he stopped.
- </p>
- <p>
- &ldquo;Should there be any unpleasantness over this, can I rely on your help to
- pull me through?&rdquo;
- </p>
- <p>
- &ldquo;You know you can,&rdquo; said Jimmie.
- </p>
- <p>
- Morland looked relieved.
- </p>
- <p>
- &ldquo;May I write a note?&rdquo;
- </p>
- <p>
- Jimmie pointed to a corner of the long deal table.
- </p>
- <p>
- &ldquo;You'll find over there all the materials for mending a broken butterfly,&rdquo;
- he said sadly.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0006" id="link2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VI&mdash;THE LOVERS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>ROUD in the
- make-believe that he was a fashionable groom, the loafer holding Morland's
- horse touched his ragged hat smartly at his temporary master's approach.
- </p>
- <p>
- &ldquo;Give him something, Jimmie; I have n't any change,&rdquo; cried Morland. He
- mounted and rode away, debonair, with a wave of farewell. Jimmie drew from
- his pocket the first coin to hand, a florin, and gave it to the loafer,
- who came down forthwith from his dreams of high estate to commonplace
- earth, and after the manner of his class adjured the Deity to love the
- munificent gentleman. The two shillings would bring gladness into the
- hearts of his sick wife and starving children. Subject to the attestation
- of the Deity, he put forward as a truth the statement that they had not
- eaten food for a week. He himself was a hard-working man, but the
- profession of holding horses in the quiet roads of St. John's Wood was not
- lucrative.
- </p>
- <p>
- &ldquo;You're telling me lies, I'm afraid,&rdquo; said Jimmie, &ldquo;but you look miserable
- enough to say anything. Here!&rdquo; He gave him two more shillings. The loafer
- thanked him and made a bee-line for the nearest public-house, while
- Jimmie, forgetting for the moment the pitiable aspect that poor humanity
- sometimes wears in the persons of the lowly, watched Morland's well-set-up
- figure disappear at the turn of the road. There was no sign of black care
- sitting behind that rider. It perched instead on Jimmie's shoulders, and
- there stayed for the rest of the day. In spite of his staunch trust in
- Morland's honour and uprightness, he found it hard to condone the fault.
- The parallel which Morland had not too ingenuously drawn with the far-away
- passionate episode in his own life had not seemed just. He had winced,
- wondered at the failure in tact, rebelled against the desecration of a
- memory so exquisitely sad. The moment after he had forgiven the blundering
- friend and opened his heart again to pity. He was no strict moralist,
- turning his head sanctimoniously aside at the sight of unwedded lovers.
- His heart was too big and generous. But between the romance of illicit
- love and the commonplace of vulgar seduction stretched an immeasurable
- distance. The words of the pathetic note, however, lingering in his mind,
- brought with them a redeeming fragrance. They conjured up the picture of
- sweet womanhood. They hinted no reproach; merely a trust which was
- expected to be fulfilled. To her Morland was the honourable gentleman all
- knew; he had promised nothing that he had not performed, that he would not
- perform. All day long, as he sat before his easel, mechanically copying
- folds of drapery from the lay figure on the platform, Jimmie strove to
- exonerate his friend from the baser fault, and to raise the poor love
- affair to a plane touched by diviner rays. But the black care still sat
- upon his shoulders.
- </p>
- <p>
- The next morning he rose earlier than usual, and sought Morland at his
- house in Sussex Gardens. He found him eating an untroubled breakfast.
- Silver dishes, tray, and service were before him. A great flower-stand
- filled with Maréchal Niel roses stood in the centre of the table. Fine
- pictures hung round the walls. Rare china, old oak chairs, and sideboard
- bright with silver bowls&mdash;all the harmonious and soothing luxury of a
- rich man's dining-room, gave the impression of ease, of a life apart from
- petty cares, petty vices, petty ambitions. A thick carpet sheltered the
- ears from the creaking footsteps of indiscretion. Awnings before the open
- windows screened the too impertinent light of the morning sun. And the
- face and bearing of the owner of the room were in harmony with its
- atmosphere. Jimmie reproached himself for the doubts that had caused his
- visit. Morland laughed at them. Had he not twice or thrice declared
- himself not a beast? Surely Jimmie must trust his oldest friend to have
- conducted himself honourably. There was never question of marriage. There
- had been no seduction. Could n't he understand? They had parted amicably
- some three months ago, each a little disillusioned. Morland was generous
- enough to strip a man's vanity from himself and stand confessed as one of
- whom a superior woman had grown tired. The new development of the affair
- revealed yesterday had, he repeated, come upon him like an unexpected
- lash. The irony of it, too, in the first flush of his engagement!
- Naturally he was remorseful; naturally he would do all that a man of
- honour could under the circumstances.
- </p>
- <p>
- &ldquo;More is not expected and not wanted. On my word of honour,&rdquo; said Morland.
- </p>
- <p>
- He had been upset, he continued smilingly. The consequences might be
- serious&mdash;to himself, not so much to Jenny. There were complications
- in the matter that might be tightened&mdash;not by Jenny&mdash;into a
- devil of a tangle. Had he not pleaded special urgency when he had first
- asked Jimmie to take in the letters under a false name? It might be a
- devil of a tangle, he repeated.
- </p>
- <p>
- &ldquo;But till that happens&mdash;and please God it may never happen&mdash;we
- may dismiss the whole thing from our minds,&rdquo; said Morland, reassuringly.
- &ldquo;Jenny will want for nothing, and want nothing. Do you think if there were
- any melodramatic villainy on my conscience I would go and engage myself to
- marry Norma Hardacre?&rdquo;
- </p>
- <p>
- This was the final argument that sent the black care, desperately clinging
- with the points of its claws, into infinite space. Jimmie smiled again.
- Morland waved away the uncongenial topic and called for a small bottle of
- champagne on ice. A glass apiece, he said, to toast the engagement.
- Rightly, champagne was the wine of the morning.
- </p>
- <p>
- &ldquo;It is the morning sunshine itself distilled,&rdquo; said Jimmie, lifting up his
- glass.
- </p>
- <p>
- He went home on the top of an omnibus greatly cheered, convinced that,
- whatever had happened, Morland had done no grievous wrong. When Aline went
- to the studio to summon him to lunch, she found him busy upon the sketch
- portrait of Norma, and humming a tune&mdash;a habit of his when work was
- proceeding happily under his fingers. She looked over his shoulder
- critically.
- </p>
- <p>
- &ldquo;That's very good,&rdquo; she condescended to remark. &ldquo;Now that Miss Hardacre is
- engaged to Mr. King, why don't you ask her to come and sit?&rdquo;
- </p>
- <p>
- &ldquo;Do you think it's a good likeness?&rdquo; he asked, leaning back and regarding
- the picture.
- </p>
- <p>
- &ldquo;It is the best likeness you have ever got in a portrait,&rdquo; replied Aline,
- truthfully.
- </p>
- <p>
- &ldquo;Then, wisest of infants, what reason could I have for asking Miss
- Hardacre to sit? Besides, I don't want her to know anything about it.&rdquo;
- </p>
- <p>
- Aline glowed with inspiration. Why should things the most distantly
- connected with somebody else's marriage so exhilarate the female heart?
- </p>
- <p>
- &ldquo;Is it going to be a wedding present, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;It is a study in indiscretion, my child,&rdquo; he replied enigmatically.
- </p>
- <p>
- &ldquo;You are perfectly horrid.&rdquo;
- </p>
- <p>
- &ldquo;I suppose I am,&rdquo; he admitted, looking at the portrait with some
- wistfulness. &ldquo;Ugly as sin, and with as much manners as a kangaroo =&mdash;does
- your feminine wisdom think a woman could ever fall in love with me?&rdquo;
- </p>
- <p>
- She touched caressingly the top of his head where the hair was thinning,
- and her feminine wisdom made this astounding answer:
- </p>
- <p>
- &ldquo;Why, you are too old, Jimmie dear.&rdquo;
- </p>
- <p>
- Too old! He turned and regarded her for a moment in rueful wonder. Absurd
- though it was, the statement gave him a shock. He was barely forty, and
- here was this full-grown, demure, smiling young woman telling him he was
- too old for any of her sex to trouble their heads about him. His forlorn
- aspect brought a rush of colour to the girl's cheeks. She put her arms
- round his neck.
- </p>
- <p>
- &ldquo;Oh, Jimmie, I have hurt you. I'm sorry. I'm a silly little goose. It's a
- wonder that every woman on earth is n't in love with you.&rdquo;
- </p>
- <p>
- &ldquo;That is the tone of exaggerated affection, but not of conviction,&rdquo; he
- said. &ldquo;I am the masculine of what in a woman is termed <i>passée</i>. I
- might gain the esteem of a person of the opposite sex elderly like myself,
- but my gallant exterior can no longer inspire a romantic passion. My day
- is over. No, you have not hurt me. The sword of truth pierces, but it does
- not hurt.&rdquo;
- </p>
- <p>
- Then he broke into his good, sunny laughter, and rose and put his arm with
- rough tenderness round her shoulder, as he had done ever since she could
- walk.
- </p>
- <p>
- &ldquo;You are the youngest thing I have come across for a long time.&rdquo;
- </p>
- <p>
- Aline, as she nestled up against him on their way out of the studio, was
- thus impressed with a salutary consciousness of her extreme youth. But
- this in itself magnified Jimmie's age. She loved him with a pure
- passionate tenderness; no one, she thought, could know him without loving
- him; but her ideal of the hero of romance for whom fair ladies pined away
- in despairing secret was far different. She was too young as yet, too
- little versed in the signs by which the human heart can be read, to
- suspect what his playful question implied of sadness, hopelessness,
- renunciation.
- </p>
- <p>
- On Sunday they lunched with Connie Deering. Morland and Norma and old
- Colonel Pawley, an ancient acquaintance of every one, were the only other
- guests. It was almost a family party, cried Connie, gaily; and it had been
- an inspiration, seeing that the invitations had been sent out before the
- engagement had taken place. Jimmie and Aline, being the first arrivals,
- had their hostess to themselves for a few moments.
- </p>
- <p>
- &ldquo;They both think it bad form to show a sign of it, but they are awfully
- gone upon each other,&rdquo; Connie said. &ldquo;So you must n't judge Norma by what
- she says. All girls like to appear cynical nowadays. It's the fashion. But
- they fall in love in the same silly way, just as they used to.&rdquo;
- </p>
- <p>
- &ldquo;I am glad to hear they are fond of one another,&rdquo; said Jimmie. &ldquo;The deeper
- their love the happier I shall be.&rdquo;
- </p>
- <p>
- The little lady looked at him for a second out of the corner of her eye.
- </p>
- <p>
- &ldquo;What an odd thing to say!&rdquo;
- </p>
- <p>
- &ldquo;It ought to be a commonplace thing to feel.&rdquo;
- </p>
- <p>
- &ldquo;In the happiness of others there is always something that is pleasing. By
- giving him the lie like that you will make poor Rochefoucauld turn in his
- grave.&rdquo;
- </p>
- <p>
- &ldquo;He ought to be kept revolving like Ixion,&rdquo; said Jimmie. &ldquo;His maxims are
- the Beatitudes of Hell.&rdquo;
- </p>
- <p>
- He laughed off the too trenchant edge of his epigram, qualifying it in his
- kind way. After all, you must n't take your cynic too literally. No doubt
- a kindly heart beats in the ducal bosom.
- </p>
- <p>
- &ldquo;I should like to know your real opinion of the devil,&rdquo; laughed Mrs.
- Deering.
- </p>
- <p>
- The opportunity for so doing was lost for the moment. The lovers entered,
- having driven together from the Park. At the sight of Norma, Aline
- twitched Jimmie's arm with a little gasp of admiration and Jimmie's breath
- came faster. He had not seen her hitherto quite so coldly, radiantly
- beautiful. Perhaps it was the great white hat she wore, a mystery of
- millinery, chiffon and roses and feathers melting one with the other into
- an effect of broad simplicity, that formed an unsanctified but alluring
- halo to a queenly head. Perhaps it was the elaborately simple cream dress,
- open-worked at neck and arms, that moulded her ripe figure into especial
- stateliness. Perhaps, thought poor Jimmie, it was the proud loveliness
- into which love was wont to transfigure princesses.
- </p>
- <p>
- She received Connie's kiss and outpouring of welcome with her usual
- mocking smile. &ldquo;If you offer me congratulations, I shall go away, Connie.
- I have been smirking for the last hour and a half. We were so exhausted by
- playing the sentimental idiots that we did n't exchange a word on our way
- here; though I believe Morland likes it. We saw those dreadful
- Fry-Robertsons bearing down upon us. He actually dragged me up to meet
- them, as who should say 'Let us go up and get congratulated.'&rdquo;
- </p>
- <p>
- &ldquo;I don't see why I should hide my luck under a bushel,&rdquo; laughed Morland.
- </p>
- <p>
- &ldquo;Thank you for the compliment,&rdquo; said Norma. &ldquo;But if you won at Monte Carlo
- you would n't pin the banknotes all over your coat and strut about the
- street. By the way, Connie, we're late. Need we apologise?&rdquo;
- </p>
- <p>
- &ldquo;You're not the last. Colonel Pawley is coming.&rdquo;
- </p>
- <p>
- &ldquo;Oh dear! that old man radiates boredom. How can you stand him, Connie?&rdquo;
- </p>
- <p>
- &ldquo;He's the sweetest thing on earth,&rdquo; said her hostess.
- </p>
- <p>
- Norma laughed a little contemptuously and came forward to greet Aline and
- Jimmie. As she did so, her face softened. Jimmie, drawing her aside,
- offered his best wishes.
- </p>
- <p>
- &ldquo;The happiness of a man whom I have loved like a brother all my life can't
- be indifferent to me. On that account you must forgive my speaking warmly.
- May you be very happy.&rdquo;
- </p>
- <p>
- &ldquo;I shall be happy in having such a champion of my husband for a
- brother-in-law,&rdquo; said Norma, lightly.
- </p>
- <p>
- &ldquo;A loyal friend of your own, if you will,&rdquo; said Jimmie.
- </p>
- <p>
- There was a short pause. Norma ran the tip of her gloved finger down the
- leaf of a plant on a stand. They were by the window. A vibration in his
- voice vaguely troubled her.
- </p>
- <p>
- &ldquo;What do you really mean by 'loyal'?&rdquo; she said at last, without looking at
- him.
- </p>
- <p>
- &ldquo;The word has but one meaning. If I tried to explain further, I should
- only appear to be floundering in fatuity.&rdquo;
- </p>
- <p>
- &ldquo;I believe you are the kind that would stick to a woman through thick and
- thin, through good repute and ill repute. That's what you mean. Only you
- don't like to hint that I might at any time become disreputable. I may.
- All things are possible in this world.&rdquo;
- </p>
- <p>
- &ldquo;Not that,&rdquo; said Jimmie. &ldquo;Perhaps I was unconsciously pleading for myself.
- Say you are a queen in your palace. While humbly soliciting a position in
- your household, I somewhat grandiloquently submit my qualifications.&rdquo;
- </p>
- <p>
- &ldquo;What's all this about?&rdquo; asked Morland, coming up, having overheard the
- last sentence.
- </p>
- <p>
- &ldquo;I am pleading for a modest position in Her Majesty's Household,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;We'll fit him up with cap and bells,&rdquo; laughed Morland, &ldquo;and make him
- chief jester, and give him a bladder to whack us over the head with. He's
- fond of doing that when we misbehave ourselves. Then he can get us out of
- our scrapes, like the fellow in Dumas&mdash;what's his name&mdash;Chicot,
- was n't it?&rdquo;
- </p>
- <p>
- Pleased with his jest, he turned to acquaint Connie with Jimmie's new
- dignity. Both the jest and the laugh that greeted it jarred upon Norma.
- Jimmie said to her good-humouredly:
- </p>
- <p>
- &ldquo;I might be Chicot, the loyal friend, without the cap and bells. I am a
- dull dog.&rdquo;
- </p>
- <p>
- She looked out of the window and laughed somewhat bitterly.
- </p>
- <p>
- &ldquo;I think you are a great deal too good to have anything to do with any of
- us.&rdquo;
- </p>
- <p>
- &ldquo;It pleases you to talk arrant nonsense,&rdquo; said he.
- </p>
- <p>
- Luncheon was announced. At table Jimmie and Norma were neighbours. Aline
- sat between Morland, who was next to Norma, and old Colonel Pawley. As the
- latter at first talked to Mrs. Deering, Aline and Morland carried on a
- frigid conversation. They had never been friends. To Morland, naturally,
- she was merely a little girl of no account, who had often been annoyingly
- in the way when he wanted to converse with Jimmie; and Aline, with a
- little girl's keen intuition, had divined more of his real character than
- she was aware of, and disliked and distrusted him. Like a well-brought-up
- young lady she answered &ldquo;yes&rdquo; and &ldquo;no&rdquo; politely to his remarks, but
- started no fresh topic. At last, to her relief, Colonel Pawley rescued her
- from embarrassed silence. To him she had extended her favour. He was a
- short fat man, with soft hands and a curious soft purring voice, and the
- air rather of a comfortable old lady than of a warrior who had retired on
- well-merited laurels. He occupied his plentiful leisure by painting on
- silk, which he made into fans for innumerable lady acquaintances. In his
- coat-tail pocket invariably reposed a dainty volume bound in crushed
- morocco&mdash;a copy of little poems of his own composition&mdash;and
- this, when he was in company with a sympathetic feminine soul, he would
- abstract with apoplectic wheezing and bashfully present. He also played
- little tunes on the harp. Aline, with the irreverence of youth, treated
- him as a kind of human toy.
- </p>
- <p>
- His first word roused the girl's spontaneous gaiety. She bubbled over with
- banter. The mild old warrior chuckled with her, threw himself unreservedly
- into the childish play. Connie whispered to Jimmie:
- </p>
- <p>
- &ldquo;I should like to tie a bit of blue ribbon round his neck and turn him
- loose in a meadow. I am sure he would frisk.&rdquo;
- </p>
- <p>
- Morland exchanged casual remarks with Norma. She answered absently. The
- change in Aline from the unsmiling primness wherewith Morland's society
- had cloaked her to sunny merriment with Colonel Pawley was too marked to
- escape her attention. In spite of the ludicrousness of the comparison, she
- could not help perceiving that the old man who radiated boredom had a
- quality of charm unpossessed by Morland, and she felt absurdly
- disappointed with her lover. During the last few days she had made up her
- mind to like him. Sober forecast of a lifetime spent in the inevitable
- intimacy of marriage had forced her to several conclusions. One, that it
- was essential to daily comfort that a woman should find the personality of
- a husband pleasing rather than antipathetic. With more ingenuousness than
- the world would have put to her credit, she had set herself deliberately
- to attain this essential ideal. The natural consequence was a sharply
- critical attitude and a quickly developing sensitiveness, whereby, as in a
- balance of great nicety, the minor evidences of his character were
- continually being estimated. Thus, Morland's jest before luncheon had
- jarred upon her. His careless air of patronage had betrayed a lack of
- appreciation of something&mdash;the word &ldquo;spiritual&rdquo; was not in her
- vocabulary, or she might have used it&mdash;of something, at all events,
- in his friend which differentiated him from the casual artist and which
- she herself had, not without discomfort, divined at their first meeting.
- The remark had appeared to her in bad taste. Still ruffled, she became all
- the more critical, and noted with displeasure his failure to have won a
- child's esteem. And yet she felt a touch of resentment against Jimmie for
- being the innocent cause of her discomposure. It gave rise to a little
- feline impulse to scratch him and see whether he were not mortal like
- every one else.
- </p>
- <p>
- &ldquo;Do you ever exhibit at the Royal Academy?&rdquo; she asked suddenly.
- </p>
- <p>
- &ldquo;They won't have me,&rdquo; said he.
-</p>
- <p>
-&ldquo;But you send in, don't you?&rdquo;
- </p>
- <p>
- &ldquo;With heart-breaking regularity. They did have me once.&rdquo; He sighed. &ldquo;But
- that was many years ago, when the Academy was young and foolish.&rdquo;
- </p>
- <p>
- &ldquo;I have heard they are exceedingly conservative,&rdquo; said Norma, with the
- claws still unsheathed. &ldquo;Perhaps you work on too original lines.&rdquo;
- </p>
- <p>
- But she could draw from him no expression of vanity. He smiled. &ldquo;I suppose
- they don't think my pictures good enough,&rdquo; he said simply.
- </p>
- <p>
- &ldquo;Jimmie's work is far too good for that wretched Academy,&rdquo; said Connie
- Deering. &ldquo;The pictures there always give you a headache. Jimmie's never
- do.&rdquo;
- </p>
- <p>
- &ldquo;I should like to kill the Academy,&rdquo; Aline broke in sharply, on the brink
- of tears. A little tragedy of murdered hopes lurked in her tone. Then,
- seeing that she had caused a startled silence, she reddened and looked at
- her plate. Jimmie laughed outright.
- </p>
- <p>
- &ldquo;Is n't she bloodthirsty? All the seventy of them weltering in their gore!
- Only the other day she said she would like to slaughter the whole Chinese
- Empire, because they ate puppies and birds'-nests!&rdquo;
- </p>
- <p>
- Connie chimed a frivolous remark in tune with Jimmie. Morland, as befitted
- a coming statesman, took up the parable of the march westwards of the
- yellow races. Colonel Pawley, who had been through the Taeping rebellion,
- was appealed to as an authority on the development of the Chinaman. He
- almost blushed, wriggled uncomfortably, and as soon as he could brought
- the conversation to the milder topic of Chinese teacups. Successful, he
- sighed with relief and told Aline the story of the willow pattern. The
- Royal Academy was forgotten. But Norma felt guilty and ashamed.
- </p>
- <p>
- Nor was she set more at ease with herself by a careless remark of
- Morland's as Connie's front door closed behind them an hour or so later.
- </p>
- <p>
- &ldquo;I am afraid you rather rubbed it into poor old Jimmie about the Academy.
- The little girl looked as if she would like to fly at you. She is a
- spoiled little cat.&rdquo;
- </p>
- <p>
- &ldquo;I have noticed she does n't seem to like you,&rdquo; answered Norma, sourly.
- </p>
- <p>
- The drive as far as Grosvenor Place, where Norma proposed to pay a
- solitary call, was not as pleasant as he had anticipated. He parted from
- her somewhat resentful of an irritable mood, and walked back towards
- Sussex Gardens through the Park, reviling the capriciousness of woman.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0007" id="link2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VII&mdash;A MAD PROPHET
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> VIOLENT man,
- pallid and perspiring, with crazy dark eyes and a voice hoarse from the
- effort to make himself heard above the noise of a hymn-singing group a few
- yards to the right and of a brazen-throated atheist on the left, was
- delivering his soul of its message to mankind&mdash;a confused,
- disconnected, oft-delivered message, so inconsequent as to suggest that it
- had been worn into shreds and tatters of catch-phrases by process of
- over-delivery, yet uttered with the passion of one inspired with a new and
- amazing gospel.
- </p>
- <p>
- &ldquo;I am speaking to you, the working-men, the proletariat, the downtrodden
- slaves of the plutocracy, the creators in darkness of the wealth that the
- idlers enjoy in dazzling halls of brightness. I do not address the
- bourgeoisie rotting in sloth and apathy. They are the parasites of the
- rich. They sweat the workers in order to pander to the vices of the rich.
- They despise the poor and grovel before the rich. They shrink from
- touching the poor man's hand, but they offer their bodies slavishly to the
- kick of the rich man's foot. It is not in their hands, but in yours,
- brother toilers and brother sufferers, that lies the glorious work of the
- great social revolution whose sun just rising is tipping the mountain-tops
- with its radiant promise of an immortal day. It is against them and not
- with them that you have to struggle. In that day of Armageddon you will
- find all tailordom, all grocerdom, all apothecarydom, all attorneydom
- arrayed in serried ranks around the accursed standards of plutocracy, of
- aristocracy, of bureaucracy. Beware of them. Have naught to do with them
- on peril of your salvation. The great social revolution will come not from
- above, but from below, from the depths. <i>De profundis clamavi!</i>
- &ldquo;From the depths have I cried, O Lord!&rdquo;
-
-</p>
-<p>
-
-He paused, wiped his forehead,
- cleared his throat, and went on in the same strain, indifferent to ribald
- interjections and the Sunday apathy of his casual audience. The mere size
- of the crowd he was addressing seemed to satisfy him. The number was above
- the average. A few working-men in the inner ring drank in the wild
- utterances with pathetic thirst. The majority listened, half amused, half
- attracted by the personality of the speaker. A great many were captivated
- by the sonority of the words, the unfaltering roll of the sentences, the
- vague associations and impressions called up by the successive images. It
- is astonishing what little account our sociological writers take of the
- elementary nature of the minds of the masses; how easily they are amused;
- how readily they are imposed upon; how little they are capable of
- analytical thought; at the same time, how intellectually vain they are,
- which is their undoing. The ineptitudes of the music hall which make the
- judicious grieve&mdash;the satirical presentment, for instance, of the
- modern fop, which does not contain one single salient characteristic of
- the type, which is the blatant convention of fifty years back&mdash;are
- greeted with roars of unintelligent laughter. Books are written, vulgar,
- fallacious, with a specious semblance of philosophical profundity, and
- sell by the hundred thousand. The masses read them without thought,
- without even common intelligence. It is too great an intellectual effort
- to grasp the ideas so disingenuously presented; but the readers can
- understand just enough to perceive vaguely that they are in touch with the
- deeper questions of philosophy, and through sheer vanity delude themselves
- into the belief that they are vastly superior people in being able to find
- pleasure in literature of such high quality. And the word Mesopotamia is
- still blessed in their ears. Nothing but considerations such as these can
- explain the popularity of some of the well-known Sunday orators in Hyde
- Park. The conductors of the various properly organised mission services
- belong naturally to a different category. It is the socialist, the
- revivalist, the atheist, the man whose blood and breath seem to have
- turned into inexhaustible verbiage, that present the problem.
- </p>
- <p>
- Some such reflections forced themselves into the not uncharitable mind of
- Jimmie as he stood on the outer fringe of the pallid man's audience and
- listened wonderingly to the inspired nonsense. He had left a delighted
- Aline to be taken by Colonel Pawley to the Zoological Gardens, and had
- strolled down from Bryanston Square to the north side of the Park. To
- lounge pleasantly on a Sunday afternoon from group to group had always
- been a favourite Sunday pastime, and the pallid man was a familiar figure.
- Jimmie had often thought of painting him as the central character of some
- historical picture&mdash;an expectorated Jonah crying to Nineveh, or a
- Flagellant in the time of the plague, with foaming mouth and bleeding
- body, calling upon the stricken city to repent. His artist's vision could
- see the hairy, haggard, muscular anatomy beneath the man's rusty black
- garments. He could make a capital picture out of him.
- </p>
- <p>
- The man paused only for a few seconds, and again took up his parable&mdash;the
- battle of the poor and the rich. The flow of words poured forth, platitude
- on platitude, in turbid flood, sound and fury signifying elusively,
- sometimes the collectivist doctrine, at others the mere <i>sans-culotte</i>
- hatred of the aristocrat. Jimmie, speculating on the impression made by
- the oratory on the minds of the audience, moved slightly apart from the
- crowd. His glance wandering away took in Morland on his way home, walking
- sedately on the path towards the Marble Arch. He ran across the few yards
- of intervening space and accosted his friend gaily.
- </p>
- <p>
- &ldquo;Come and have a lesson in public speaking, and at the same time hear the
- other side of the political question.&rdquo;
- </p>
- <p>
- &ldquo;What! go and stand among that rabble?&rdquo; cried Morland, aghast.
- </p>
- <p>
- &ldquo;You'll have to stand among worse, so you had better get used to it.
- Besides, the man is a delightful fellow, with a face like Habakkuk,
- capable of everything. To hear him one would think he were erupting
- red-hot lava, whereas really it is molten omelette. Come. Your purple and
- fine linen will be a red rag to him.&rdquo;
- </p>
- <p>
- Laughing, he dragged the protesting Morland within earshot of the speaker.
- Morland listened superciliously for a few moments.
- </p>
- <p>
- &ldquo;What possible amusement can you find in this drivel?&rdquo; he asked.
- </p>
- <p>
- &ldquo;It is so devilish pathetic,&rdquo; said Jimmie, &ldquo;so human&mdash;the infinite
- aspiration and the futile accomplishment. Listen.&rdquo;
- </p>
- <p>
- The hymn next door had ceased, the atheist was hunting up a reference, and
- the words of the pallid man's peroration resounded startlingly in the
- temporary silence:
- </p>
- <p>
- &ldquo;In that day when the sovereign people's will is law, when the weakest and
- the strongest shall share alike in the plenteous bounty of Providence, no
- longer shall the poor be mangled beneath the Juggernaut car of wealth, no
- longer shall your daughters be bound to the rich man's chariot-wheels and
- whirled shrieking into an infamy worse than death, no longer shall the
- poor man's soul burn with hell fire at the rich man's desecration of the
- once pure woman that he loves, no more rottenness, foulness, stench,
- iniquity, but the earth shall rest in purity, securely folded in the angel
- wings of peace!&rdquo;
- </p>
- <p>
- He waved his arms in a gesture of dismissal, turned his back on the crowd,
- and sat down exhausted on the little wooden bench that had been his
- platform. The crowd gradually moved away, some laughing idly, others
- reflectively chewing the cud of their Barmecide meal. Morland pointed a
- gold-mounted cane at the late speaker.
- </p>
- <p>
- &ldquo;Who and what is this particular brand of damned fool?&rdquo;
- </p>
- <p>
-Jimmie checked
- with a glance a working-man who had issued from the inner ring and was
- passing by, and translated Morland's question into soberer English.
- </p>
- <p>
- &ldquo;Him?&rdquo; replied the working-man. &ldquo;That's Daniel Stone, sir. Some people say
- he's cracked, but he always has something good to say and I like listening
- to him.&rdquo;
- </p>
- <p>
- &ldquo;What does he do when he is n't talking?&rdquo; asked Jimmie. &ldquo;Snatches a nap
- and a mouthful of food, I should say, sir,&rdquo; said the man, with a laugh. He
- caught Jimmie's responsive smile, touched his cap, like the downtrodden
- slave that he was, and went on his way. Jimmie glanced round for Morland
- and saw him striding off rapidly. He ran after him.
- </p>
- <p>
- &ldquo;What is the hurry?&rdquo;
- </p>
- <p>
- &ldquo;That damned man&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Which? The one I was talking to? You surely did n't object&mdash;?&rdquo;
- </p>
- <p>
- &ldquo;Of course not. The other&mdash;Daniel Stone&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Well, what of him?&rdquo;
- </p>
- <p>
- &ldquo;He's a dangerous lunatic. I have heard of him. Why the devil did you want
- me to make an exhibition of myself among this scum?&rdquo;
- </p>
- <p>
- Jimmie stared. Morland broke into a laugh and held out his hand. &ldquo;Never
- mind. The beast got on my nerves with his chariot wheels and his
- desecration of maidens and the rest of it. I must be off. Good-bye.&rdquo;
- </p>
- <p>
- Jimmie watched him disappear through the gate and turned back towards the
- groups. The pallid man was still sitting on his bench; a few children hung
- round and scanned him idly. Presently he rose and tucked his bench under
- his arm, and walked slowly away from the scene of his oratory. His burning
- eyes fixed themselves on Jimmie as he passed by. Jimmie accosted him.
- </p>
- <p>
- &ldquo;I have been greatly interested in your address.&rdquo;
- </p>
- <p>
- &ldquo;I saw you with another of the enemies of mankind. You are a gentleman, I
- suppose?&rdquo;
- </p>
- <p>
- &ldquo;I hope so,&rdquo; said Jimmie, smiling.
- </p>
- <p>
- &ldquo;Then I have nothing to do with you,&rdquo; retorted the man, with an angry
- gesture. &ldquo;I hate you and all your class.&rdquo;
- </p>
- <p>
- &ldquo;But what have we done to you?&rdquo;
- </p>
- <p>
- &ldquo;You have turned my blood into gall and my soul into consuming fire.&rdquo;
- </p>
- <p>
- &ldquo;Let us get out of the dust and sit down under a tree and talk it over. We
- may get to understand each other.&rdquo;
- </p>
- <p>
- &ldquo;I have no wish to understand you,&rdquo; said the man, coldly. &ldquo;Good-day to
- you.&rdquo;
- </p>
- <p>
- &ldquo;Good-day,&rdquo; said Jimmie, with a smile. &ldquo;I am sorry you will not let us be
- better acquainted.&rdquo;
- </p>
- <p>
- He turned to the next group, who were listening to a disproof of God's
- existence. But the atheist was a commonplace thunderer in a bowler hat,
- whose utterances fell tame on Jimmie's ears after those of the
- haggard-eyed prophet. He wandered away from the crowd, striking diagonally
- across the Park, and when he found comparative shade and solitude, cast
- himself on the grass beneath a tree. The personality of Daniel Stone
- interested him. He began to speculate on his daily life, his history. Why
- should he have vowed undying hatred against his social superiors? He
- reminded Jimmie of a character in fiction, and after some groping the
- association was recalled. It was the monk in Dumas, the son of Miladi. He
- wove an idle romance about the man. Perhaps Stone was the disinherited of
- noble blood, thirsting for a senseless vengeance. Gradually the drowsiness
- of deep June fell upon him. He went fast asleep, and when he awoke half an
- hour afterwards and began to walk homewards, he thought no more of Daniel
- Stone.
- </p>
- <p>
- But on following Sunday afternoons he frequently stood for a while to
- listen to the man. It was always the same tale&mdash;sound and fury,
- signifying nothing. On one occasion he caught Jimmie's eye, and denounced
- him vehemently as an enemy of society. After that, Jimmie, who was of a
- peaceful disposition, ceased attending his lectures. He sympathised with
- Morland.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0008" id="link2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter VIII&mdash;HER SERENE HIGHNESS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> PRETTY quarrel
- between a princess and a duchess gave rise to circumstances in which the
- destiny of Jimmie was determined, or in which, to speak with modern
- metaphor, the germ of his destiny found the necessary conditions for
- development. Had it not been for this quarrel, Jimmie would not have
- stayed at the Hardacres' house; and had he not been their guest, the events
- hereafter to be recorded would not have happened. Such concatenation is
- there in the scheme of human affairs.
- </p>
- <p>
- The Duchess of Wiltshire was a mighty personage in the Hardacres' part of
- the county. She made social laws and abrogated them. She gave and she took
- away the brevet of county rank. She made and unmade marriages. To fall
- under the ban of her displeasure was to be disgraced indeed. She held a
- double sway in that the duke, her husband, had delegated to her his
- authority in sublunary matters, he being a severe mathematician and a dry
- astronomer, who looked at the world out of dull eyes, and regarded it with
- indifference as a mass of indistinguishable atoms forming a nebula, a sort
- of Milky Way, concerning which philosophic minds had from time to time
- theorised. He lived icily remote from society; the duchess, on the
- contrary, was warmly interested in its doings. In the county she reigned
- absolute; but in London, recognising the fact that there were other
- duchesses scattered about Mayfair and Belgravia, she was high-minded
- enough to modify her claims to despotic government. She felt it, however,
- her duty to decree that her last reception should mark the end of the
- London season.
- </p>
- <p>
- To this reception the Hardacres were always invited.
- </p>
- <p>
- In previous years they had mounted the great staircase of Wiltshire House,
- their names had been called out, the duchess had given them the tips of
- her fingers, and the duke, tall, white-haired, ascetic, had let them touch
- his hand with the air of a man absently watching ants crawl over him; they
- had passed on, mixed with the crowd, and seen their host and hostess no
- more. But this year, to Mrs. Hardacre's thrilling delight, the duchess
- gave her quite a friendly squeeze, smiled her entire approbation of Mrs.
- Hardacre's existence, and detained her for a moment in conversation.
- </p>
- <p>
- &ldquo;Don't forget to come and have a little talk with me later. I have n't
- seen you since dear Norma's engagement.&rdquo;
- </p>
- <p>
- To dear Norma she was equally urbane, called her a lucky girl, and
- presented her as a bride-elect to the duke, who murmured a vague formula
- of congratulation which he had remembered from early terrestrial days.
- </p>
- <p>
- &ldquo;I can't tell you how proud I am of you, Norma!&rdquo; said Mrs. Hardacre, with
- a lump in her throat, as they passed on. &ldquo;The dear duchess! I wonder if I
- am sufficiently grateful to Providence.&rdquo;
- </p>
- <p>
- Norma, although in her heart pleased by the manifestation of ducal favour,
- could not let the opportunity for a taunt pass by.
- </p>
- <p>
- &ldquo;You can refer to it in your prayers, mother: 'O God, I thank Thee for
- shedding Her Grace upon me.' Won't that do, father.&rdquo;
- </p>
- <p>
- &ldquo;Eh, what?&rdquo; asked Mr. Hardacre, very red in the face, trailing half a pace
- behind his wife and daughter.
- </p>
- <p>
- Norma repeated her form of Thanksgiving.
- </p>
- <p>
- &ldquo;Ha! ha! Devilish good! Tell that in the club,&rdquo; he said in high
- good-humour. His wife's glance suddenly withered him.
- </p>
- <p>
- &ldquo;I don't approve of blasphemy,&rdquo; she said.
- </p>
- <p>
- &ldquo;Towards whom, mother dear?&rdquo; asked Norma, suavely. &ldquo;The Almighty or the
- duchess?&rdquo;
- </p>
- <p>
- &ldquo;Both,&rdquo; said Mrs. Hardacre, with a snap.
- </p>
- <p>
- Mr. Hardacre, seeing in the distance a man to whom he thought he could
- sell a horse, escaped from the domestic wrangle. Mother and daughter
- wandered through the crowd, greeted by friends, pausing here and there to
- exchange a few words, until they came to the door of the music-room,
- filled to overflowing, where an operatic singer held the assembly in
- well-bred silence. At the door the crush was ten deep. On the outskirts
- conversation hummed like an echo of the noise from the suite of rooms
- behind. There they were joined by Morland. Mrs. Hardacre told him of the
- duchess's graciousness. He grinned, taking the information with the air of
- a man to whom the favour of duchesses bestowed upon his betrothed is a
- tribute to his own excellence. He thought she would be pleased, he said.
- They must get the old girl to come to the wedding. Mrs. Hardacre was
- pained, but she granted young love indulgence for the profanity. If they
- only could, she assented, the success of the ceremony would be assured.
- Norma turned to Morland with a laugh.
- </p>
- <p>
- &ldquo;We shall be married with a vengeance, if it's sanctified by the duchess.
- Do you think a parson is at all necessary?&rdquo;
- </p>
- <p>
- He joined in her mirth. She drew him aside.
- </p>
- <p>
- &ldquo;Well, what's the news?&rdquo;
- </p>
- <p>
- He accounted, loverwise, for his day.. At last he said:
- </p>
- <p>
- &ldquo;I looked in upon Jimmie Padgate this morning. I wanted him to go to
- Christie's and buy a picture or two for me&mdash;for us, I ought to say,&rdquo;
- he added, with a little bow. &ldquo;He knows more about 'em than I do. He's a
- happy beggar, you know,&rdquo; he exclaimed, after a short pause.
- </p>
- <p>
- &ldquo;What makes you say so?&rdquo;
- </p>
- <p>
- &ldquo;His perfect conviction that everything is for the best in the best of all
- possible worlds. There he was sitting at lunch over the black scrag end of
- a boiled mutton bone and a rind of some astonishing-looking yellow cheese&mdash;absolutely
- happy. And he waved his hand towards it as if it had been a feast of
- Lucullus and asked me to share it.&rdquo;
- </p>
- <p>
- &ldquo;Did you?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;I had n't time,&rdquo; said Morland. &ldquo;I was fearfully busy to-day.&rdquo;
- </p>
- <p>
- Norma did not reply. She looked over the heads of the crowd in front of
- her towards the music-room whence came the full notes of the singer. Then
- she said to him with a little shiver:
- </p>
- <p>
- &ldquo;I am glad you are a rich man, Morland.&rdquo;
- </p>
- <p>
- &ldquo;So am I. Otherwise I should not have got you.&rdquo;
- </p>
- <p>
- &ldquo;That's true enough,&rdquo; she said. &ldquo;I pretend to scoff at all this, but I
- could n't live without it.&rdquo;
- </p>
- <p>
- &ldquo;It has its points,&rdquo; he assented, turning and regarding the brilliant
- scene.
- </p>
- <p>
- Norma turned with him. She was glad it was her birthright and her
- marriage-right. The vast state ballroom, lit as with full daylight by rows
- of electric lamps cunningly hidden behind the cornices and the
- ground-glass panels of the ceiling, stately with its Corinthian pilasters
- and classic frieze, its walls adorned with priceless pictures, notably
- four full-length cavaliers of Vandyck, smiling down in their high-bred way
- upon this assembly of their descendants, its atmosphere glittering with
- jewels, radiant with colour, contained all the magnificence, all the
- aristocracy, all the ambitions, all the ideals that she had been trained
- to worship, to set before her as the lodestars of her life's destiny. Here
- and there from amid the indistinguishable mass of diamonds, the white
- flesh of women's shoulders, the black and white chequer and brilliant
- uniforms of men, flashed out the familiar features of some possessor of an
- historic name, some woman of world-famed beauty, some great personage
- whose name was on the lips of Europe. There, by the wall, lonely for the
- moment, stood the Chinese Ambassador, in loose maroon silk, and horse-tail
- plumed cap, his yellow, wizened face rendered more sardonic by the thin
- drooping grey moustache and thin grey imperial, looking through horn
- spectacles, expressionless, impassive, inhumanly indifferent, at one of
- the most splendid scenes a despised civilisation could set before him.
- There, in the centre of a group of envious and unembarrassed ladies, an
- Indian potentate blazed in diamonds and emeralds, and rolled his dusky
- eyes on charms which (most oddly to his Oriental conceptions) belonged to
- other men. Here a Turk's red fez, a Knight of the Garter's broad blue
- sash, an ambassador's sparkle of stars and orders; and there the sweet,
- fresh rosebud beauty of a girl caught for a moment and lost in the moving
- press. And there, at the end of the vast, living hall, a dimly seen
- haggard woman, with a diamond tiara on her grey hair, surrounded by a
- little court of the elect, sat Her Serene Highness, the Princess of
- Herren-Rothbeck, sister to a reigning monarch, and bosom friend, despite
- the pretty quarrel, of Her Grace the Duchess of Wiltshire.
- </p>
- <p>
- The song in the music-room coming to an end, the audience for the most
- part rose and pressed into the ballroom. The Hardacres and Morland were
- driven forward. There was a long period of desultory conversation with
- acquaintances. Morland, proud in the possession of Norma's beauty,
- remained dutifully attendant, and received congratulations with almost
- blushing gratification. Mrs. Hardacre, preoccupied by anticipation of her
- promised talk with the duchess, kept casting distracted glances at the
- door whereby the great lady would enter. The appearance from a group of
- neighbouring people of a pleasant young fellow with a fair moustache and
- very thin fair hair, who greeted her cordially, brought her back to the
- affairs of the moment. This was the Honourable Charlie Sandys, a distant
- relative of the duchess, and her Grand Vizier, Master of the Horse, Groom
- of the Chambers, and general right-hand man. He was two and twenty, and
- had all the amazing wisdom of that ingenuous age. Morland shook hands with
- him, but being tapped on the arm by the fan of a friendly dowager, left
- him to converse alone with Mrs. Hardacre and Norma. The youth indicated
- Morland's retiring figure by a jerk of the head.
- </p>
- <p>
- &ldquo;Parliament&mdash;Cosford division.&rdquo;
- </p>
- <p>
- &ldquo;We hope so,&rdquo; said Mrs. Hardacre.
-</p>
- <p>
-&ldquo;Must get in. Radical for her
- constituency would make duchess buy her coffin. The end of the world for
- her. She has a great idea of King. Going to take him up <i>con amore</i>.
- And when she does take anybody up&mdash;well&mdash;&rdquo;
- </p>
- <p>
- His wave of the hand signified the tremendous consequences.
- </p>
- <p>
- &ldquo;She does n't merely uproot <i>him</i>,&rdquo; said Norma, whose mind now and
- then worked with disconcerting swiftness, &ldquo;but she takes up also the
- half-acre where he is planted.&rdquo;
- </p>
- <p>
- &ldquo;Just so,&rdquo; replied the youth. &ldquo;Not only him, but his manservant and
- maidservant, his ox and his ass and everything that is his. Funny woman,
- you know&mdash;one of the best, of course, but quaint. Thinks the Member
- for Cosford is ordained by Providence to represent her in Parliament.&rdquo;
- </p>
- <p>
- He rattled on, highly pleased with himself. Norma cast a malicious glance
- at her mother, who perceptibly winced. They were shining in the duchess's
- eyes in a light borrowed from Morland. They were taken up with the ox and
- the ass and the remainder of Morland's live-stock. That was the reason,
- then, of the exceptional marks of favour bestowed on them by Her Grace.
- Mrs. Hardacre kept the muscles of her lips at the smile, but her steely
- eyes grew hard. Norma, on the contrary, was enjoying herself. Charlie
- Sandys was unconscious of the little comedy.
- </p>
- <p>
- &ldquo;I am glad to see the princess here to-night,&rdquo; said Mrs. Hardacre, by way
- of turning the conversation.
- </p>
- <p>
- The youth made practically the same reply as he had made at least a dozen
- times to the same remark during the course of the evening. He was an
- injudicious Groom of the Chambers, being vain of the privileges attached
- to his post.
- </p>
- <p>
- &ldquo;There has been an awful row, you know,&rdquo; he said confidentially, looking
- round to see that he was not overheard. &ldquo;They have scarcely made it up
- yet.&rdquo;
- </p>
- <p>
- &ldquo;Do tell us about it, Mr. Sandys,&rdquo; said Norma, smiling upon him.
- </p>
- <p>
- &ldquo;It's rather a joke. Let us get out of the way and I'll tell you.&rdquo;
- </p>
- <p>
- He piloted them through the crush into a corridor, and found them a vacant
- seat by some palms.
- </p>
- <p>
- &ldquo;It's all about pictures,&rdquo; he resumed. &ldquo;Princess wants to have her
- portrait painted in London. Why she should n't have it made in Germany I
- don't know. Anyhow she comes to duchess for advice. Duchess has taken up
- Foljambe, you know&mdash;chap that has painted about twenty miles of women
- full length&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We saw the dear duchess at his Private View,&rdquo; Mrs. Hardacre interjected.
- </p>
- <p>
- &ldquo;Yes. She runs him for all she's worth. Told the princess there was only
- one man possible for her portrait, and that was Foljambe. Princess&mdash;she's
- as hard as nails, you know&mdash;inquires his price, knocks him down half.
- He agrees. Everything is arranged. Princess to sit for the portrait when
- she stays with duchess at Chiltern Towers in September&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, we are going to have the princess down with us?&rdquo; Mrs. Hardacre grew
- more alert.
- </p>
- <p>
- &ldquo;Yes. Couldn't find time to sit now&mdash;going next week to
- Herren-Rothbeck&mdash;coming back in September. Well, it was all settled
- nicely&mdash;you know the duchess's way. On Friday, however, she takes the
- princess to see Foljambe's show&mdash;for the first time. Just like her.
- The princess looks round, drops her lorgnon, cries out, 'Lieber Gott in
- Himmel! The man baints as if he was bainting on de bavement!' and utterly
- refuses to have anything to do with him. I tell you there were ructions!&rdquo;
- </p>
- <p>
- He embraced a knee and leant back, laughing boyishly at the memory of the
- battle royal between the high-born dames.
- </p>
- <p>
- &ldquo;Then who is going to paint the portrait?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;That's what I am supposed to find out,&rdquo; replied the youth. &ldquo;But I can't
- get a man to do it cheap enough. One can't go to a swell R. A. and ask him
- to paint a portrait of a princess for eighteen pence.&rdquo;
- </p>
- <p>
- Norma had an inspiration.
- </p>
- <p>
- &ldquo;Can I recommend a friend of mine?&rdquo;
- </p>
- <p>
- &ldquo;Would he do it?&rdquo;,
- </p>
- <p>
- &ldquo;I think so&mdash;if I asked him.&rdquo;
- </p>
- <p>
- &ldquo;By Jove, who is he?&rdquo; asked the youth, pulling down his shirtcuff for the
- purpose of making memoranda.
- </p>
- <p>
- &ldquo;Mr. James Padgate, 10 Friary Grove, N. W. He is Mr. King's most intimate
- friend.&rdquo;
- </p>
- <p>
- &ldquo;He can paint all right, can't he?&rdquo; asked the youth.
- </p>
- <p>
- &ldquo;Beautifully,&rdquo; replied Norma. &ldquo;Friary, not Priory,&rdquo; she corrected,
- watching him make the note. She felt the uncommon satisfaction of having
- performed a virtuous act; one almost of penance for her cruelty to him on
- Sunday week, the memory of which had teased a not over-sensitive
- conscience. The scrag end of boiled mutton and the rind of cheese had also
- affected her, stirred her pity for the poor optimist, although in a
- revulsion of feeling she had shivered at his lot. She had closed her eyes
- for a second, and some impish wizardry of the brain had conjured up a
- picture of herself sitting down to such a meal, with Jimmie at the other
- side of the table. It was horrible. She had turned to fill her soul with
- the solid magnificence about her. The pity for Jimmie lingered, however,
- as a soothing sensation, and she welcomed the opportunity of playing Lady
- Bountiful. She glanced with some malice from the annotated cuff to her
- mother's face, expecting to see the glitter of disapproval in her eyes. To
- her astonishment, Mrs. Hardacre wore an expression of pleased
- abstraction.
- </p>
- <p>
- Charlie Sandys pocketed his gold pencil and retired. He was a young man
- with the weight of many affairs on his shoulders.
- </p>
- <p>
- &ldquo;That's a capital idea of yours, Norma,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;I'm glad you think so,&rdquo; replied Norma, wonderingly.
- </p>
- <p>
- &ldquo;I do. It was most happy. We'll do all we can to help Morland's friend. A
- most interesting man. And if the princess gives him the commission, we can
- ask him down to Heddon to stay with us while he is painting the picture.&rdquo;
- </p>
- <p>
- Norma was puzzled. Hitherto her mother had turned up the nose of distaste
- against Mr. Padgate and all his works. Whence this sudden change? Not from
- sweet charitableness, that was certain. Hardly from desire to please
- Morland. Various solutions ran in her head. Did an overweening ambition
- prompt her mother to start forth a rival to the duchess, as a snapper up
- of unconsidered painters? Scarcely possible. Defiance of the duchess? That
- way madness could only lie; and she was renowned for the subtle caution of
- her social enterprises. The little problem of motive interested her
- keenly. At last the light flashed upon her, and she looked at Mrs.
- Hardacre almost with admiration.
- </p>
- <p>
- &ldquo;What a wonderful brain you have, mother!&rdquo; she cried, half mockingly, half
- in earnest. &ldquo;Fancy your having schemed out all that in three minutes.&rdquo;
- </p>
- <p>
- Enjoyment of this display of worldcraft was still in her eyes when she
- came across Morland a little later; but she only told him of her
- recommendation of Jimmie to paint the princess's portrait. He professed
- delight. How had she come to think of it?
- </p>
- <p>
- &ldquo;I think I must have caught the disease of altruism from Mr. Padgate,&rdquo; she
- said. Then following up an idle train of thought:
- </p>
- <p>
- &ldquo;I suppose you often put work&mdash;portraits and things&mdash;in his
- way?&rdquo;
- </p>
- <p>
- &ldquo;I can't say that I do.&rdquo;
- </p>
- <p>
- &ldquo;Why not? You know hundreds of wealthy people.&rdquo;
- </p>
- <p>
- &ldquo;Jimmie is not a man to be patronised,&rdquo; said Morland, sententiously, &ldquo;and
- really, you know, I can't go about touting for commissions for him.&rdquo;
- </p>
- <p>
- &ldquo;Of course not,&rdquo; said Norma; &ldquo;he is far too insignificant a person to
- trouble one's head about.&rdquo;
- </p>
- <p>
- Morland looked pained.
- </p>
- <p>
- &ldquo;I don't like to hear you talk in that way about Jimmie,&rdquo; he said
- reproachfully.
- </p>
- <p>
- The little scornful curl appeared on her lip.
- </p>
- <p>
- &ldquo;Don't you?&rdquo; was all she vouchsafed to say. Unreasonably irritated, she
- turned aside and caught a passing <i>attache</i> of the French Embassy.
- Morland, dismissed, sauntered off, and Norma went down to supper with the
- young Frenchman, who entertained her for half an hour with a technical
- description of his motor-car. And the trouble, he said, to keep it in
- order. It needed all the delicate cares of a baby. It was as variable as a
- woman.
- </p>
- <p>
- &ldquo;I know,&rdquo; said Norma, stifling a yawn. &ldquo;<i>La donna e automobile</i>.&rdquo;
- </p>
- <p>
- On the drive home in the hired brougham, whose obvious hiredom caused
- Norma such chafing of spirit, Mrs. Hardacre glowed with triumph, and while
- her husband dozed dejectedly opposite, she narrated her good fortunes. She
- had had her little chat with the duchess. They had spoken of Mr. Padgate,
- Charlie Sandys having run to show her his cuff immediately. The duchess
- looked favourably on the proposal. A friend of Mr. King's was a
- recommendation in itself. But the princess, she asseverated with ducal
- disregard of metaphor, had her own ideas of art and would not buy a pig in
- a poke. They must inspect Mr. Padgate's work before there was any question
- of commission. She would send Charlie Sandys to them to-morrow to talk
- over the necessary arrangements.
- </p>
- <p>
- &ldquo;I told her,&rdquo; said Mrs. Hardacre, &ldquo;that Mr. Padgate was coming to pay us a
- visit in any case in September, and suggested that he could drive over to
- Chiltern Towers every morning while the princess was honouring him with
- sittings, and paint the picture there. And she quite jumped at the idea.&rdquo;
- </p>
- <p>
- &ldquo;No doubt,&rdquo; said Norma, drily.
- </p>
- <p>
- But her dryness had no withering effect on her mother's exuberance. The
- hard woman saw the goal of a life's ambition within easy reach, and for
- the exultant moment softened humanly. She chattered like a school-girl.
- </p>
- <p>
- &ldquo;And she took me up to the princess,&rdquo; she said, &ldquo;and presented me as her
- nearest country neighbour. Was n't that nice of her? And the princess is
- such a sweet woman.&rdquo;
- </p>
- <p>
- &ldquo;Dear, dear!&rdquo; said Norma. &ldquo;How wicked people are! Every one says she is
- the most vinegarish old cat in Christendom.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0009" id="link2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter IX&mdash;SENTIMENTAL EDUCATION
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>AME and fortune
- were coming at last. There was no doubt of it in Jimmie's optimistic mind.
- For years they had lagged with desperately heavy feet, but now they were
- in sight, slowly approaching, hand in hand. Jimmie made fantastic
- preparations to welcome them, and wore his most radiant smile. In vain did
- Aline, with her practical young woman's view of things, point to the
- exiguity of the price fixed by Her Serene Highness. If that was the advent
- of fortune, she came in very humble guise, the girl insinuated. Jimmie,
- with a magnificent sweep of the hand, dismissed such contemptible
- considerations as present pounds, shillings, and pence. He was going to
- paint the portrait of the sister of a reigning monarch. Did not Aline see
- that this might lead to his painting the portrait of the reigning monarch
- himself? Would not the counterfeit presentment of one crowned head attract
- the attention of other crowned heads to the successful artist? Did she not
- see him then appointed painter in ordinary to all the emperors, kings,
- queens, princes, and princesses of Europe? He would star the Continent,
- make a royal progress from court to court, disputed for by potentates and
- flattered by mighty sovereigns. He grew dithyrambic, a condition in which
- Aline regarded him as hopelessly impervious to reason. His portraits, he
- said, would adorn halls of state, and the dreams that he put on canvas,
- hitherto disregarded by a blind world, would find places of honour in the
- Treasure Houses of the Nations. It would be fame for him and fortune for
- Aline. She should go attired in silk and shod with gold. She should have a
- stall at the theatre whenever she wanted, and a carriage and pair to fetch
- her home. She should eat vanilla ices every night. And then she might
- marry a prince and live happy ever after.
- </p>
- <p>
- &ldquo;I don't want to marry a prince or any one else, dear,&rdquo; Aline said once,
- bringing visions down into the light of common day. &ldquo;I just want to go on
- staying with you.&rdquo;
- </p>
- <p>
- On another occasion she hinted at his possible espousal of a princess.
- Again Jimmie dropped from the empyrean, and rubbed his head ruefully.
- There was only one princess in the world for him, an enthroned personage
- of radiant beauty who now and then took warm pity on him and admitted him
- to her friendship, but of whom it were disloyalty worse than all folly to
- think of. And yet he could not help his heart leaping at the sight of her,
- or the thrill quivering through him when he saw the rare softness come
- into her eyes which he and none other had evoked. What he had to give her
- he could give to no other woman, no other princess. The gift was
- unoffered: it remained in his own keeping, but consecrated to the
- divinity. He enshrined it, as many another poor chivalrous wretch has
- done, in an exquisite sanctuary, making it the symbol of a vague sweet
- religion whose secret observances brought consolation. But of all this,
- not a whisper, not a sign to Aline. When she spoke of marriageable
- princesses, he explained the rueful rubbing of his head by reference to
- his unattractive old fogeydom, and his unfitness for the life of high
- society.
- </p>
- <p>
- But Aline ought to have her prince. The coming fortune would help to give
- the girl what was due to her. For himself he cared nothing. Cold mutton
- and heel of cheese would satisfy him to the end of his days. And fame? In
- quieter moments he shrugged his shoulders. An artist has a message to
- deliver to his generation, and how can he deliver it if he cannot sell his
- pictures? Let him give out to the world what was best in him, and he
- would be content. Let him but be able to say, &ldquo;I have delivered my
- message,&rdquo; and that would be fame enough.
- </p>
- <p>
- These were things of the depths. The surface of his mood was exuberant,
- almost childish, delight, tempered with whimsical diffidence in his power
- of comporting himself correctly towards such high personages. For the
- duchess, who never did things by halves, and was also determined, as she
- had said, of not buying a pig in a poke, had conveyed to him the
- intimation that Her Serene Highness the Princess of Herren-Rothbeck would
- honour him with a visit to his studio on the following Thursday. Jimmie
- and Aline held long counsel together. What was the proper way to receive a
- Serene Highness? Jimmie had a vague idea of an awning outside the door and
- a strip of red baize down the steps and across the pavement. Tony
- Merewether, who was called into consultation, suggested, with the
- flippancy of youth, a brass band and a chorus of maidens to strew flowers;
- whereat Aline turned her back upon him, and Jimmie, adding pages in fancy
- dress to hold up the serene train and a major-domo in a court suit with a
- wand, encouraged the offender. Aline retired from so futile a discussion
- and went on sewing in dignified silence. At last she condescended to throw
- out a suggestion.
- </p>
- <p>
- &ldquo;If I were you, Jimmie, I should get the princess some portraits to look
- at.&rdquo;
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; cried Jimmie, putting down his pipe, &ldquo;I never thought
- of it. Tony, my boy, that child with the innocence of the dove combines
- the wisdom of the original serpent. My brain reels to think what I should
- be without her. We'll telegraph to all the people that have sat to me and
- ask them to send in their portraits by Thursday.&rdquo;
- </p>
- <p>
- He crossed the studio and began to rummage among the litter on the long
- table. Aline asked him what he was looking for.
- </p>
- <p>
- &ldquo;Telegram forms. Why have n't we got any? Tony, run round the corner to
- the post-office, like a good boy, and get some.&rdquo;
- </p>
- <p>
- But Aline checked the execution of this maniacal project. Three portraits
- would be quite sufficient. Jimmie would have to pick out three ladies of
- whom he could best ask such a favour, and write them polite little notes
- and offer to send a van in the orthodox way to collect the pictures.
- Jimmie bowed before such sagacity, and wrote the letters.
- </p>
- <p>
- In the course of the week the portraits arrived, and the studio for a
- whole day became the undisputed kingdom of Aline and a charwoman. The long
- untidy table, so dear to Jimmie, was ruthlessly cleared and set in
- dismaying order. The frame-maker was summoned, and the unsold pictures
- that had long slumbered sadly on the ground with their faces to the wall,
- were dusted and hung in advantageous lights. The square of Persian carpet,
- which Jimmie during an unprotected walk through Regent Street had once
- bought for Aline's bedroom, was brought down and spread on the bare boards
- of the model-platform. A few cushions were scattered about the rusty
- drawing-room suite, and various odds and ends of artists' properties, bits
- of drapery, screens, old weapons, were brought to light and used for
- purposes of decoration. So that when Jimmie, who had been banished the
- house for the day, returned in the evening, he found a flushed and
- exhausted damsel awaiting him in a transfigured studio.
- </p>
- <p>
- &ldquo;My dear little girl,&rdquo; he said, touched, &ldquo;my dear little girl, it's
- beautiful, it's magical. But you have tired yourself to death. Why did n't
- you let me do all this?&rdquo;
- </p>
- <p>
- &ldquo;You would never have done it yourself, Jimmie. You know you wouldn't,&rdquo;
- said Aline. &ldquo;You would have gone on talking nonsense about red baize
- strips and flower-girls and pages&mdash;anything to make those about you
- laugh and be happy&mdash;and you would never have thought of showing off
- what you have to its full advantage.&rdquo;
- </p>
- <p>
- &ldquo;I should never have dreamed of robbing your poor little room of its
- carpet, dear,&rdquo; he said.
- </p>
- <p>
- They went upstairs for their simple evening meal, and returned as usual to
- the beloved studio. Aline filled Jimmie's pipe.
- </p>
- <p>
- &ldquo;Do you think I dare smoke in all this magnificence?&rdquo;
- </p>
- <p>
- She laughed and struck a match.
- </p>
- <p>
- &ldquo;You did not realise what a lot of beautiful pictures you had, did you?&rdquo;
- </p>
- <p>
- &ldquo;They make a brave show,&rdquo; he said, looking round. &ldquo;After all, I'm not
- entirely sorry they have never been sold. I should not like to part with
- them. No, I did not realise how many there were.&rdquo; In spite of his
- cheeriness the last words sounded a note of pathos that caught the girl's
- sensitive ear.
- </p>
- <p>
- &ldquo;'Let us make a tour of inspection,&rdquo; she said. They went the round,
- pausing long before each picture. He said little, contrary to his habit,
- for he was wont to descant on his work with playful magniloquence. He saw
- the years unfold behind him and disclose the hopes of long ago yet
- unfulfilled. What endless months of dreams and thrills and passionate toil
- hung profitless upon these walls! Things there were, wrought from the
- depths of his radiant faith in man, plucked from the heart of his
- suffering, consecrated by the purest visions of his soul. Had Aline been
- an older woman, a woman who had loved him, lived with him in a wife's
- intimate communion, instead of being merely the tender-hearted child of
- his adoption, she would have wept her heart out. For she, alone of
- mortals, would have got behind such imperfections as there were, and would
- have seen nothing but a crucifixion of the quivering things torn out of
- the life of the beloved man. Only vaguely, elusively did the girl feel
- this. But even her half-comprehending sympathy was of great comfort. She
- thought no one in the world could paint like Jimmie, and held in angry
- contempt a public that could pass him by. She was hotly his advocate,
- furious at his rejection by hanging committees, miserably disappointed
- when his pictures came back from exhibitions unsold, or when negotiations
- with dealers for rights of reproduction fell through. But she was too
- young to pierce to the heart of the tragedy; and Jimmie was too brave and
- laughter-loving to show his pain. Other forces, too, had been at work in
- her development. Recently her mind had been grappling with the problem of
- her unpayable debt to him. This silent pilgrimage round the years brought
- her thoughts instinctively to herself and the monstrous burden she had
- been.
- </p>
- <p>
- &ldquo;I have been wondering lately, Jimmie dear,&rdquo; she said at last, &ldquo;whether
- you would not have been more successful if you had not had all the worry
- and expense and responsibility of me.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; he cried in simple amazement, &ldquo;whatever are you talking of?&rdquo;
- </p>
- <p>
- She repeated her apologia, though in less coherent terms. She felt
- foolish, as a girl does when a carefully prepared expression of feeling
- falls upon ears which, though inexpressibly dear, are nevertheless not
- quite comprehending.
- </p>
- <p>
- &ldquo;You have had to do pot-boilers,&rdquo; she said, falling into miserable bathos,
- &ldquo;and I remember the five-shillings-a-dozen landscapes&mdash;and you would
- have spent all that time on your real work&mdash;Oh, don't you see what I
- mean, Jimmie?&rdquo;
- </p>
- <p>
- She looked up at him pathetically&mdash;she was a slight slip of a girl,
- and he was above the medium height. He smiled and took her fresh young
- face between his hands.
- </p>
- <p>
- &ldquo;My dear,&rdquo; he said, &ldquo;you're the only successful piece of work I've ever
- turned out in my life. Please allow me to have some artistic satisfaction&mdash;and
- you have been worth a gold-mine to me.&rdquo;
- </p>
- <p>
- Thus each was comforted. Jimmie settled down to his pipe and a book, Aline
- sat over her sewing&mdash;the articles to which she devoted her perennial
- industry were a never solved mystery to him&mdash;and they spent a
- pleasant evening. The inevitable topic naturally arose in conversation.
- They discussed the princess's visit, the great question&mdash;how was she
- to be received?
- </p>
- <p>
- &ldquo;The best thing you can do,&rdquo; said the practical Aline, &ldquo;is to go to Mrs.
- Deering to-morrow and get properly coached.&rdquo;
- </p>
- <p>
- Jimmie looked at her in admiration.
- </p>
- <p>
- &ldquo;You are worth your weight in diamonds,&rdquo; he said. &ldquo;I will.&rdquo;
- </p>
- <p>
- He carried out his project, and not only did he have the pleasure of
- finding Connie at home undisturbed by strange tea-drinking women, but
- Norma Hardacre came in soon after his arrival. The two ladies formed
- themselves into a committee of advice, and sent Jimmie home with most
- definite notions regarding the correct method of receiving Serene
- Highnesses. He also brought Aline the news that the committee would honour
- him with a visit the following morning, accompanied by Mrs. Hardacre, who
- had been pleased to express a desire to see his pictures.
- </p>
- <p>
- The appointed hour came, and with it the ladies. Mrs. Hardacre's lips
- smiled sweetly at the man who was to be taken up by a duchess and to paint
- the portrait of a princess. She declared herself delighted with the studio
- and professed admiration for the pictures.
- </p>
- <p>
- &ldquo;Are they all really your own, Mr. Padgate?&rdquo; she asked, turning towards
- him, her tortoise-shell lorgnon held sceptre-wise.
- </p>
- <p>
- &ldquo;I'm afraid so,&rdquo; answered Jimmie, with a smile. &ldquo;Sometimes I wish they
- were not so much my own.&rdquo;
- </p>
- <p>
- &ldquo;But I should feel quite proud of them, if I were you,&rdquo; said the lady,
- desirous to please.
- </p>
- <p>
- Connie broke into a laugh, and explained that Jimmie had implied a regret
- that they had found no purchasers. Mrs. Hardacre sniffed. She did not like
- being laughed at, especially as she had gone out of her way to be urbane.
- This was unfortunate for Jimmie; for though he strove hard to remove the
- impression that he had consciously dug a pit of ridicule for her
- entrapment, Mrs. Hardacre listened to his remarks with suspicion and
- became painfully aware of the shabbiness of his coat. Presently she
- regarded one of the portraits&mdash;that of a pretty, fluffy-haired woman.
- </p>
- <p>
- &ldquo;Dear me,&rdquo; she remarked somewhat frigidly, &ldquo;that is Mrs. Marmaduke
- Hewson.&rdquo;
- </p>
- <p>
- Jimmie, in the simplicity of his heart, was delighted.
- </p>
- <p>
- &ldquo;Yes. A most charming lady. Do you know her?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no; I don't know her, but I know of her.&rdquo;
- </p>
- <p>
- Her stress on the preposition signified even deeper and more far-reaching
- things than the nod of Lord Burleigh in the play.
- </p>
- <p>
- &ldquo;What do you know of her?&rdquo; asked Jimmie, bluntly. Mrs. Hardacre smiled
- frostily, and her lean shoulders moved in an imperceptible shrug.
- </p>
- <p>
- &ldquo;Those matters belong to the realm of unhappy gossip, Mr. Padgate; but I'm
- afraid the duchess won't find her portrait attractive.&rdquo;
- </p>
- <p>
- &ldquo;It is really rather a good portrait,&rdquo; said Jimmie, in puzzled modesty.
- </p>
- <p>
- &ldquo;That is the pity of it,&rdquo; replied Mrs. Hardacre, sweetly.
-</p>
- <p>
-The victim
- smiled. &ldquo;Surely the private character of the subject can have nothing to
- do with a person's judgment of a portrait as a specimen of the painter's
- art. And besides, Mrs. Hewson is as dear and sweet and true a little woman
- as I have ever met.&rdquo;
- </p>
- <p>
- &ldquo;You are not the first of your sex that has said so.&rdquo;
- </p>
- <p>
- &ldquo;And I most sincerely hope I shall not be the last,&rdquo; said Jimmie, with a
- little flush and a little flash in his eyes and the politest of little
- bows. Whereupon Mrs. Hardacre bit her lip and hated him. Norma, seizing
- the opportunity of contributing to the final rout of her mother,
- unwittingly did Jimmie some damage.
- </p>
- <p>
- &ldquo;We women ought not to have given up fancy work,&rdquo; she said in her hardest
- and most artificial tones. &ldquo;As we don't embroider with our fingers, we
- embroider with our tongues. You can have no idea what an elaborate tissue
- of lies has been woven about that poor little Mrs. Hewson. I agree with
- Mr. Padgate. I am sorry you believe them, mother.&rdquo;
- </p>
- <p>
- Jimmie's grateful glance smote her undeserving heart. She had gained
- credit under false pretences and felt hypocritical&mdash;an unpleasant
- feeling, for the assumption of unpossessed virtues was not one of her
- faults. She succeeded, however, in rendering her mother furious. In a very
- short time Mrs. Hardacre remembered an engagement and went away in a
- hansom-cab, refusing the seat in Connie's carriage, which was put at her
- disposal on the condition of her waiting a few moments longer. She had
- thanked Jimmie, however, for the pleasure afforded by his delightful
- pictures with such politeness when he saw her into the cab, that he did
- not for a moment suspect that the lady who had entered the house with
- expressions of friendliness had driven away in a rage, with feelings
- towards him ludicrously hostile. He returned to the studio at peace with
- all womankind; not sorry that Mrs. Hardacre had departed, but only because
- courtesy no longer demanded his relegating to the second sphere of his
- attention the divine personage of whom he felt himself to be the slave. No
- suspicion of Mrs. Hardacre's spiteful motive in deprecating the display of
- his most striking piece of portraiture ever entered his head. He ran down
- the studio stairs with the eagerness of a boy released from the flattering
- but embarrassing society of his elders and free to enjoy the companionship
- of his congeners. And he was childishly eager to show his pictures to
- Norma, to hear her verdict, to secure her approval, so that he should
- stand in her eyes as a person in some humble way worthy of the regard that
- Morland said she bestowed on him.
- </p>
- <p>
- He found his visitors not looking at pictures at all, but talking to
- Aline, who rushed to him as soon as he entered the studio.
- </p>
- <p>
- &ldquo;Oh, Jimmie&mdash;just fancy! Mrs. Deering is going to take me to
- Horlingham on Saturday, and is coming upstairs with me to see what I can
- do in the way of a frock. You don't mind, do you?&rdquo;
- </p>
- <p>
- Jimmie looked down into the happy young face and laughed a happy laugh.
- </p>
- <p>
- &ldquo;Mrs. Deering is an angel from the most exclusive part of heaven,&rdquo; he
- said. And this was one of the rare occasions on which he was guilty of a
- double meaning. Had not the angel thus contrived an unlooked-for joy&mdash;a
- few minutes' undisturbed communion with his divinity?
- </p>
- <p>
- The first words that Norma spoke when they were alone were an apology.
- </p>
- <p>
- &ldquo;You must not take what my mother said in ill part. She and I have been
- bred, I'm afraid, in a hard school.&rdquo;
- </p>
- <p>
- &ldquo;It was very kind of Mrs. Hardacre to warn me of the possibility of the
- duchess being prejudiced against me by the exhibition of a particular
- portrait. I can't conceive the possibility myself. But still Mrs.
- Hardacre's intention was kindly.&rdquo;
- </p>
- <p>
- Norma turned her head away for a moment. She could not trust herself to
- speak, for a stinging sarcasm with just a touch of the hysterical would
- have been all she could utter, and she had not the heart to undeceive him.
- She shot into the by-path of the gossip concerning Mrs. Hewson.
- </p>
- <p>
- &ldquo;Mother believes the stories about her. So do I in the loose sort of way
- in which our faith in anything is composed&mdash;even in our
- fellow-creatures' failings.&rdquo;
- </p>
- <p>
- &ldquo;You defended her,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;You made me do so.&rdquo;
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;Either you, because you carry about with you an uncomfortable Palace of
- Truth sort of atmosphere, or else the desire to rub it into my mother.&rdquo;
- </p>
- <p>
- &ldquo;Rub what in?&rdquo; Jimmie was puzzled.
- </p>
- <p>
- Norma laughed somewhat bitterly. She saw that he was incapable of
- understanding the vulgar pettiness of the scheme of motives that had
- prompted the utterances of her mother and herself. She could not explain.
- </p>
- <p>
- &ldquo;I think you are born out of your century,&rdquo; she said.
- </p>
- <p>
- It was lucky for Jimmie that he was unaware of the passionate tribute the
- light words implied. She gave him no time to answer, but carried him
- straight to the pictures.
- </p>
- <p>
- &ldquo;I had no idea you did such beautiful work,&rdquo; she said, looking around her.
- </p>
- <p>
- Jimmie followed her glance, and the melancholy of the artist laid its
- touch for a moment upon him. He sighed.
- </p>
- <p>
- &ldquo;They might have been beautiful if I had done what I started out to do. It
- is the eternal tragedy of the clipped wings.&rdquo;
- </p>
- <p>
- She was oddly responsive to a vibration in his voice, and gave out, like a
- passive violin, the harmonic of the struck note.
- </p>
- <p>
- &ldquo;Better to have wings that are clipped than to have no wings at all.&rdquo;
- </p>
- <p>
- She had never uttered such a sentiment, never thought such a thought in
- her life before. Her words sounded unreal in her own ears, and yet she had
- a profound sense of their sincerity.
- </p>
- <p>
- &ldquo;There is no apteryx among human souls,&rdquo; said Jimmie, released from the
- melancholy fingers. They argued the point in a lighter vein, discussed
- individual pictures. Charmed by her sympathy, he spoke freely of his work,
- his motives, his past dreams. Had Norma not begun to know him, she might
- have wondered at the lack of bitterness in his talk. To this man of many
- struggles and many crushing disappointments the world was still young and
- sweet, and his faith in the ultimate righteousness of things undimmed. The
- simple courage of his attitude towards life moved her admiration. She felt
- somewhat humbled in the presence of a spirit stronger, clearer than any
- into which chance had hitherto afforded her a glimpse. And as he talked in
- his bright, half-earnest, half-humourous way, it crossed her mind that
- there was a fair world of thought and emotion in which she and her like
- had not set their feet; not the world entirely of poetic and artistic
- imaginings, but one where inner things mattered more than outer
- circumstance, where it would not be ridiculous or affected to think of the
- existence of a soul and its needs and their true fulfilment.
- </p>
- <p>
- Hitherto meeting him as an alien in her world, she had regarded him with a
- touch of patronising pity. From this she was now free. She saw him for the
- first time in harmony with his environment, as the artist sensitive and
- responsive, integral with the beautiful creations that hung around the
- walls, and still homely and simple, bearing the rubs of time as bravely
- and frankly as the old drawing-room suite that furnished the unpretentious
- studio. Now it was she who felt herself somewhat disconcertingly out of
- her element. The sensation, however, had a curious charm.
- </p>
- <p>
- There was one picture that had attracted her from the first. She stood in
- front of it moved by its pity and tenderness.
- </p>
- <p>
- &ldquo;Tell me about this one,&rdquo; she said without looking at him. She divined
- that it was very near his heart.
- </p>
- <p>
- In the foreground amid laughing woodland crouched a faun with little furry
- ears and stumps of horns, and he was staring in piteous terror at a
- vision; and the vision was that of a shivering, outcast woman on a wet
- pavement in a sordid street.
- </p>
- <p>
- &ldquo;It is the joyous, elemental creature's first conception of pain,&rdquo; said
- Jimmie, after a few moments' silence. &ldquo;You see, life has been to him only
- the sunshine, and the earth drenched with colour and music&mdash;as the
- earth ought to be&mdash;and now he sees a world that is coming grey with
- rain and misty with tears, and he has the horror of it in his eyes. I am
- not given to such moralising in paint,&rdquo; he added with a smile. &ldquo;This is a
- very early picture.&rdquo; He looked at it for some time with eyes growing
- wistful. &ldquo;Yes,&rdquo; he sighed, &ldquo;I did it many years ago.&rdquo;
- </p>
- <p>
- &ldquo;It has a history then?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; he admitted; and he remembered how the outcast figure in the rain
- had symbolised that little funeral procession in Paris and how terribly
- grey the world had been.
- </p>
- <p>
- Norma's chastened mood had not awed the spirit of mockery within her, but
- had rendered it less bitter, and had softened her voice. She waved her
- hand towards the crouching faun.
- </p>
- <p>
- &ldquo;And that is you?&rdquo; she asked.
- </p>
- <p>
- Jimmie caught a kind raillery in her glance, and laughed. Yes, she had his
- secret; was the only person who had ever guessed him beneath the travesty
- of horns and goat's feet.
- </p>
- <p>
- &ldquo;I like you for laughing,&rdquo; she said.
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;Other painters have shown me their pictures.&rdquo;
- </p>
- <p>
- &ldquo;Which signifies&mdash;?&rdquo;
- </p>
- <p>
- &ldquo;That this is one of the most beautiful pictures I have ever seen,&rdquo; she
- replied.
- </p>
- <p>
- &ldquo;But why are you glad that I laughed?&rdquo; asked Jimmie, in happy puzzledom.
- </p>
- <p>
- &ldquo;I have told you, Mr. Padgate, all that I am going to tell you.&rdquo;
- </p>
- <p>
- &ldquo;I accept the inscrutable,&rdquo; said he.
- </p>
- <p>
- &ldquo;Do you believe in the old pagan joy of life?&rdquo; she asked after a pause. &ldquo;I
- mean, was there, is there such a thing? One has heard of it; in fact it is
- a catch phrase that any portentous poseur has on the tip of his tongue.
- When one comes to examine it, however, it generally means champagne and
- oysters and an unpresentable lady, and it ends with liver and&mdash;and
- all sorts of things, don't you know. But you are not a poseur&mdash;I
- think you are the honestest man I have ever met&mdash;and yet you paint
- this creature as if you utterly believe in what he typifies.&rdquo;
- </p>
- <p>
- &ldquo;It would go hard with me if I did n't,&rdquo; said Jimmie. &ldquo;I can't talk to you
- in philosophic terms and explain all my reasons, because I have read very
- little philosophy. When I do try, my head gets addled. I knew a chap once
- who used to devour Berkeley and Kant and all the rest, and used to write
- about them, and I used to sit at his feet in a kind of awed wonder at the
- tremendousness of his brain. A man called Smith. He was colossally
- clever,&rdquo; he added after a reflective pause. &ldquo;But I can only grope after
- the obvious. Don't you think the beauty of the world is obvious?&rdquo;
- </p>
- <p>
- &ldquo;It all depends upon which world,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Which world? Why, God's world. It is sweet to draw the breath of life. I
- love living; don't you?&rdquo;
- </p>
- <p>
- &ldquo;I have never thought of it,&rdquo; she answered. &ldquo;I should n't like to die, it
- is true, but I don't know why. Most people seem to spend two-thirds of
- their existence in a state of boredom, and the rest in sleep.&rdquo;
- </p>
- <p>
- &ldquo;That is because they reject my poor faun's inheritance.&rdquo;
- </p>
- <p>
- &ldquo;I have been asking you what that is.&rdquo;
- </p>
- <p>
- &ldquo;The joy and laughter of life. They put it from them.&rdquo;
- </p>
- <p>
- &ldquo;How?&rdquo;
- </p>
- <p>
- &ldquo;They draw the soul's curtains and light the gas, instead of letting God's
- sunshine stream in.&rdquo;
- </p>
- <p>
- Norma turned away from the picture with a laugh.
- </p>
- <p>
- &ldquo;That reminds me of the first time I met you. You told me to go and
- ventilate my soul. It gave me quite a shock, I assure you. But I have been
- trying to follow your precept ever since. Don't you think I am a little
- bit fresher?&rdquo;
- </p>
- <p>
- For the moment the girl still lingering in her five-and-twenty hard years
- flashed to the surface, adorably warming the cold, finely sculptured face,
- and bringing rare laughter into her eyes. Jimmie marvelled at the infinite
- sweetness of her, and fed his poor hungry soul thereon.
- </p>
- <p>
- &ldquo;You look like a midsummer morning,&rdquo; he said unsteadily.
- </p>
- <p>
- The tone caught her, sobered her; but the colour deepened on her cheek.
- </p>
- <p>
- &ldquo;I'll treasure that as a pretty compliment,&rdquo; she said. There was a little
- space of silence&mdash;quite a perilous little space, with various unsaid
- things lurking in ambush. Norma broke it first.
- </p>
- <p>
- &ldquo;Now I have seen everything, have n't I? No. There are some on the floor
- against the wall.&rdquo;
- </p>
- <p>
- Jimmie explained their lack of value, showed her two or three. They were
- mostly the wasters from his picture factory, he said. She found in each a
- subject for admiration, and Jimmie glowed with pleasure at her praise.
- While he was replacing them she moved across the studio.
- </p>
- <p>
- &ldquo;And this one?&rdquo; she asked, with her finger on the top of a strainer. He
- looked round and followed swiftly to her side. It was her own portrait
- with its face to the wall.
- </p>
- <p>
- &ldquo;I am not going to show you that,&rdquo; he said hurriedly.
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;It's a crazy thing.&rdquo;
- </p>
- <p>
- &ldquo;I should love to see it.&rdquo;
- </p>
- <p>
- &ldquo;I tell you it's a crazy thing,&rdquo; he repeated. &ldquo;A mad artist's dream.&rdquo;
- </p>
- <p>
- Norma arched her eyebrows. &ldquo;Aha! That is very like a confession!&rdquo;
- </p>
- <p>
- &ldquo;Of what?&rdquo;
- </p>
- <p>
- &ldquo;The ideal woman?&rdquo;
- </p>
- <p>
- &ldquo;Perhaps,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought everything was so positive in your scheme of life,&rdquo; she
- remarked teasingly. &ldquo;Don't you know?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, &ldquo;I know.&rdquo;
- </p>
- <p>
- Again the vibration that Jimmie, poorest of actors, could not keep from
- his voice, stirred her. She felt the indelicacy of having trodden upon
- sanctified ground. She turned away and sat down. They talked of other
- matters, somewhat self-consciously. Both welcomed the entrance of Connie
- Deering and Aline. The former filled the studio at once with laughing
- chatter. She hoped Norma had not turned Jimmie's hair white with the
- dreadful things she must have said.
- </p>
- <p>
- &ldquo;I don't turn a hair, as I'm a mere worldling, but Jimmie is an
- unsophisticated child of nature, and is n't accustomed to you, my dear
- Norma.&rdquo;
- </p>
- <p>
- She went on to explain that she was Jimmie's natural protectress, and that
- they who harmed him would have to reckon with her. Jimmie flew gaily to
- Norma's defence.
- </p>
- <p>
- &ldquo;And this child's garments?&rdquo; he asked, indicating Aline, whose face was
- irradiated by a vision of splendid attire.
- </p>
- <p>
- &ldquo;Don't meddle with what does n't concern you,&rdquo; replied Connie, while she
- and the girl exchanged the glances of conspirators.
- </p>
- <p>
- A short while afterwards the two visitors drove away. For some time Norma
- responded somewhat absently to Mrs. Deering's light talk.
- </p>
- <p>
- &ldquo;I am so glad you have taken to Jimmie,&rdquo; said the latter at last. &ldquo;Is n't
- he a dear?&rdquo;
- </p>
- <p>
- &ldquo;I remember your saying that before. But is n't it rather an odd word to
- use with reference to him?&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Odd&mdash;? But that's just what he is.&rdquo;
- </p>
- <p>
- Norma turned in some resentment on her friend.
- </p>
- <p>
- &ldquo;Oh, Connie, how dare we talk patronisingly of a man like that? He's worth
- a thousand of the empty-souled, bridge-playing people we live among.&rdquo;
- </p>
- <p>
- &ldquo;But that's just why I call him a dear,&rdquo; said Mrs. Deering,
- uncomprehendingly.
- </p>
- <p>
- Norma shrugged her shoulders, fell into a silence which she broke by
- risking:
- </p>
- <p>
- &ldquo;Do you know whom he is in love with?&rdquo;
- </p>
- <p>
- &ldquo;Good gracious, Norma,&rdquo; cried the little lady, in alarm. &ldquo;You don't say
- that Jimmie is in love? Oh, it would spoil him. He can't be!&rdquo;
- </p>
- <p>
- &ldquo;There was one picture&mdash;of a woman&mdash;which he would not let me
- see,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- Norma paused for some seconds before she replied:
- </p>
- <p>
- &ldquo;He called it 'a mad artist's dream.' I have been wondering whether it was
- not better than a sane politician's reality.&rdquo;
- </p>
- <p>
- &ldquo;What is a sane politician's reality, dear?&rdquo; Connie asked, mystified.
- </p>
- <p>
- &ldquo;I am,&rdquo; said Norma.
- </p>
- <p>
- Then, woman-like, she turned the conversation to the turpitudes of her
- dressmaker.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0010" id="link2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter X&mdash;TWO IDYLLS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>IMMIE was trudging
- along the undulating highroad that leads from Dieppe to the little village
- of Berneval, very hot, very dusty, very thirsty, and very contented. He
- carried a stick and a little black bag. His content proceeded from a
- variety of causes. In the first place it was a glorious August day,
- drenched with sunshine and with deep blue ether; and the smiling plain of
- Normandy rolled before him, a land of ripening orchards and lazy pastures.
- He had been longing for the simple beauty of sun and sky and green trees,
- and for the homely sights and sounds of country things, and now he had his
- fill. Secondly, Aline was having a much needed holiday. She had been
- growing a little pale and languid, he thought, in London, after a year's
- confined administering to his selfish wants. She was enjoying herself,
- too, and the few days she had already spent in the sea air had brought the
- blood to her cheeks again. Thirdly, he was free for the moment from
- everyday cares. A dealer had fallen from heaven into his studio and paid
- money down for the copyright of two of his worst pictures. Fourthly, he
- had definitely received the commission for the portrait of the Princess of
- Herren-Rothbeck. Her Serene Highness and her tutelary duchess had paid
- their visit, expressed themselves delighted with his work (the duchess
- especially commending the portrait of the hapless Mrs. Marmaduke Hewson),
- and had driven away in a most satisfactory condition of serenity and
- graciousness.
- </p>
- <p>
- Jimmie was happy. What could man want more? In addition to all these
- blessings, Norma had written to him from Lord Monzie's place in Scotland a
- letter <i>à propos</i> of nothing, merely expressive of good-will and
- friendliness; and he had received it that morning. He had never seen her
- handwriting before. Bold, incisive, distinguished, it seemed to complement
- his conception of the radiant lady, and in a foolish way he tried to
- harmonise the ink-marks with the curves of her proud lips, the setting of
- her eyes, and the poise of her queenly head. The dreariness of a rainy
- afternoon with all the men and half the women away on the grouse-moor had
- been, she said, her excuse for writing. She sketched various members of
- the house-party with light, satiric touches; notably one Theodore Weever,
- an American, whose sister had married an impecunious and embarrassing
- cousin of the Duchess of Wiltshire. He was building himself a palace in
- Fifth Avenue, wrote Norma, and had been buying pictures in Europe to
- decorate it with; now he was anxious to purchase a really decorative wife.
- Morland was expected in a few days, and she would be glad when he appeared
- upon the scene. She did not say why; but Jimmie naturally understood that
- her heart was yearning for the presence of the man she loved. &ldquo;I have very
- little to say that can interest you,&rdquo; she concluded, &ldquo;but you can say many
- things to interest me: this letter is purely selfish, a mere minnow, after
- all, that I use as bait.&rdquo; So Jimmie walked along the dusty road thinking
- out an answer that could bring comfort to the Hero pining for her Leander;
- thinking also of Aline, and revelling in the sunshine.
- </p>
- <p>
- He delighted, like a child, in all he saw. He stopped before the red,
- gold, and green paradise of an orchard and feasted upon its colour. He
- lingered in talk with a tiny girl driving a great brown cow; asked her its
- age, how many calves it had had, its name, and whether she were not afraid
- it would mistake her for a blade of grass and bite her. The little girl
- scoffed at the possibility. She could drive three cows, and, if it came to
- that, a bull. &ldquo;<i>Ça me connaît, les bêtes,</i>&rdquo; she said. Whereupon he
- put a couple of sous in her hand and went on his way. Presently he sat
- down on the rough wooden bench in front of a wayside café and drank cider
- from an earthenware bowl, and played with a mongrel puppy belonging to the
- establishment. When the latter had darted off to bark amid the cloud of
- dust and petroleum fumes left by a passing motor-car, Jimmie, sipping his
- second bowl of sour cider in great content, re-read the precious letter,
- filled his pipe, and reflected peacefully on the great harmony of things.
- The hopelessness of his own love for Norma struck no discord. The Stephen
- so closely connected with the life of Saint Catherine of Siena did not
- love with less hope or more devotion.
- </p>
- <p>
- He paid the few coppers for his reckoning, took up his stick and little
- black bag, and trudged on refreshed, and as he neared Berneval the
- expectation of Aline's welcome gladdened him. He had rented for the month
- a cottage with a straggling piece of ground behind, from an artist friend
- whose possession it was. The friend had fixed the figure absurdly low; the
- modest living under Aline's experienced management was cheap, and the <i>bonne
- à tout faire</i> cooked divinely for a few halfpence a day. By a curious
- coincidence Mr. Anthony Merewether had also pitched upon Berneval as a
- summer resting-place. He had come on business, he gave out,
- and every morning saw him issue from the hotel by the beach, armed with
- easel and camp-stool, and the rest of the landscape-painter's
- paraphernalia, and every evening saw him smoking cigarettes on Jimmie's
- veranda. Whether the hours of sunshine saw him consistently hard at work,
- Jimmie was inclined to doubt. He certainly bathed a great deal and ran
- about with Aline a great deal, and Jimmie read the pair moral lessons on
- the evil effects of idleness. But Tony was a fresh-minded boy; his
- ingenuous conversation provided Jimmie with much entertainment, and his
- presence on their holiday gave him the satisfaction of feeling that Aline
- had some one of her own age to play with.
- </p>
- <p>
- The ramshackle vehicle, half diligence, half omnibus, that plies between
- Berneval and Dieppe, passed him with great cracking of whip and straining
- of rusty harness and loud <i>hue</i>'s from the driver, just as he entered
- the village. It was late afternoon, and the trim white and green of the
- place was bathed in mellow sunshine. The short cut home lay up a lane and
- through the churchyard, a cluster of grey slabs around a little grey
- church; and many of the slabs bore the story of the pitiless sea&mdash;how
- Jean-Marie Dulac, many years ago, was drowned at the age of nineteen, and
- how Jacques Lemerre perished in a storm; for it has been from time
- immemorial a tiny village of fisher-folk and every family has given of its
- own to the waves. The pathos of the simple legends on the stones always
- touched him as he walked by; and now he paused to decipher some moss-grown
- letters of fifty years ago. He stooped, made out the same sad tale,
- moralised a little thereon, and rose with a sigh of relief to greet the
- sunshine and the fair earth. But the sight that suddenly met his eyes
- banished dead fishermen and hungry sea and sunny tree-tops from his mind.
- It was a boy and a girl very close together, his arm about her waist, her
- head upon his shoulder, walking by the little church. Their backs were
- towards him. He stared open-mouthed.
- </p>
- <p>
- &ldquo;God bless my soul!&rdquo; said he, in amazement.
- </p>
- <p>
- Then he dropped his stick, which clattered upon a gravestone.
- </p>
- <p>
- The foolish pair started at the sound, assumed a correct attitude with
- remarkable swiftness, and turning, recognised Jimmie. Tony Merewether, who
- was a fair youth, grew very red and looked sheepish; Aline awaited events
- demurely, with downcast eyes. Jimmie pushed his old Homburg hat to the
- back of his head, and in two or three strides confronted them. He tried to
- look fiercely at Tony. The young man drew himself up.
- </p>
- <p>
- &ldquo;I have asked Aline to marry me, sir,&rdquo; he said frankly. &ldquo;I was going to
- speak to you about it.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord!&rdquo; said Jimmie, helplessly.
- </p>
- <p>
- &ldquo;We can't marry just yet,&rdquo; said Tony, &ldquo;but I hope you will give your
- consent.&rdquo;
- </p>
- <p>
- Jimmie looked from one to the other.
- </p>
- <p>
- &ldquo;Why did n't you let me know of this state of things before?&rdquo;
- </p>
- <p>
- &ldquo;I have n't done anything underhand. I thought you guessed,&rdquo; said Tony.
- </p>
- <p>
- &ldquo;And you, Aline?&rdquo;
- </p>
- <p>
- She stole a shy glance at him.
- </p>
- <p>
- &ldquo;I was n't quite sure of it until just now,&rdquo; she replied. And then she
- blushed furiously and ran to Jimmie's arms. &ldquo;Oh, Jimmie dear, don't be
- cross!&rdquo;
- </p>
- <p>
- &ldquo;Cross, my child?&rdquo; he said.
- </p>
- <p>
- The world of tender reproach in his tone touched her. The ready tears
- started.
- </p>
- <p>
- &ldquo;You are an angel, Jimmie.&rdquo;
- </p>
- <p>
- The hand that was on her shoulder patted it comfortingly.
- </p>
- <p>
- &ldquo;No, dear, I am a blind elderly idiot. O Lord, Tony, I hope you feel
- infernally ashamed of yourself.&rdquo;
- </p>
- <p>
- &ldquo;As Tony says, we sha'n't be able to get married for a long, long time,&rdquo;
- said Aline, by way of consolation, &ldquo;so for years and years we'll go on in
- just the same way.&rdquo;
- </p>
- <p>
- &ldquo;I only ask you to consent to our engagement, sir,&rdquo; said Tony,
- diplomatically. &ldquo;I am quite willing to wait for Aline as long as you
- like.&rdquo;
- </p>
- <p>
- The abandonment of Jimmie by Aline had been the subject of the last
- half-hour's discussion between the lovers. The thought of Jimmie alone and
- helpless appalled her. She was a horrid selfish wretch, she had informed
- Tony, for listening to a word he said. How could Jimmie live by himself?
- She shuddered at the dismal chaos of the studio, the gaping holes in his
- socks, the impossible meals, the fleecing of him by every plausible beggar
- in frock coat or rags, the empty treasury. He needed more care than a
- baby. She would marry Tony, some day, because her head was full of him,
- and because she had let him kiss her and had found a peculiar, dreamy
- happiness during the process, and because she could not conceive the
- possibility of marrying any one else. But she was more than content to
- leave the date indefinite. Perhaps, in the stretch of aeons between now
- and then, something would happen to release her from her responsibilities.
- She had made the position luminously clear to Mr. Merewether before she
- had consented to be foolish and walk about with her head on his shoulder.
- </p>
- <p>
- &ldquo;No, until Jimmie gets properly suited,&rdquo; she said, quickly following
- Tony's last remark.
- </p>
- <p>
- &ldquo;My dear foolish children,&rdquo; said Jimmie, &ldquo;you had better get married as
- soon as ever you can keep the wolf from the door. What on earth is the
- good of waiting till you are old? Get all the happiness you can out of
- your youth, and God bless you.&rdquo;
- </p>
- <p>
- The young man bowed his head.
- </p>
- <p>
- &ldquo;I will give my life to her.&rdquo;
- </p>
- <p>
- Jimmie touched him on the arm, waved his hand around, indicating the
- little grey church, the quiet graves.
- </p>
- <p>
- &ldquo;This is not the place where a man should say such a thing lightly,&rdquo; he
- said.
- </p>
- <p>
- &ldquo;I am not the man to say such a thing lightly in any place,&rdquo; retorted the
- youth, with spirit.
- </p>
- <p>
- Jimmie nodded approvingly. &ldquo;My dear,&rdquo; he said to Aline, &ldquo;that is the way I
- like to hear a man talk.&rdquo;
- </p>
- <p>
- He turned and collected the fallen stick and the black bag which he had
- deposited by the side of the slab. He had gone into Dieppe that morning
- partly for the sake of the walk and partly to purchase some odds and ends
- for the house. Aline, not trusting to his memory, had given him a list of
- items with directions attached as to the places where he was to procure
- them, so that when he came to &ldquo;pepper,&rdquo; he should seek it at a grocery and
- not at a milliner's establishment. Now, without saying a word, he opened
- the bag and rummaged among its queer contents, which Aline regarded with
- some twinges of a tender conscience. She ought to have gone into Dieppe
- herself, and made her purchases like a notable housewife, instead of
- sending Jimmie and passing the day in selfish lovemaking. The twinge grew
- sharper when Jimmie at last fished out a little cardboard box and put it
- in her hands.
- </p>
- <p>
- &ldquo;At any rate, I can give you an engagement present before Tony,&rdquo; he said
- with a laugh.
- </p>
- <p>
- It was only an old filigree silver waist-buckle he had picked up at a
- curio shop in the town, but it was a gem of infinite value to the girl,
- for she knew that Jimmie's love went with it. She showed it to Tony
- Merewether, who admired the workmanship.
- </p>
- <p>
- &ldquo;If you can give me anything I shall prize more, you will be a lucky
- fellow,&rdquo; she said in a low voice.
- </p>
- <p>
- The three strolled quietly towards the cottage, and it was Jimmie's arm
- that Aline clung to, and Mr. Merewether who carried the black bag. That
- night, after she had dismissed the young man, she sat a long time with
- Jimmie on the veranda, telling him in one shy breath of the wonder that
- had suddenly come into her life, and in the next that she would never
- leave him until he was rich and famous and able to live by himself.
- Jimmie, unguileful in the nature of men and maidens and the ways of this
- wicked world, kept on repeating like a refrain his formula of
- astonishment:
- </p>
- <p>
- &ldquo;It never entered my head, dear, that you two children would fall in love
- with one another.&rdquo;
- </p>
- <p>
- &ldquo;You don't think I ought n't to have done it, do you, Jimmie?&rdquo; she said at
- last.
- </p>
- <p>
- He broke into his happy laugh, and kissed her. &ldquo;If you want to please me,
- you'll go on doing it,&rdquo; he said.
- </p>
- <p>
- It was some time after he had gone to bed that sleep came. Yes; Nature,
- the dear mother, had spoken, and who could gainsay her? A clean, bright,
- healthy English lad, and a clean, bright, healthy English girl had read
- truth in each other's eyes. It was one of the sweet things in the world,
- for which we who live in the world should be thankful. The dimly seen
- white curtains of his bed became gossamer veils that enveloped him with
- beauty. Now, on either side, his inner life was touched by the magic of
- romance: the fair dream of these two children, and the love of the other
- betrothed pair. It was on happy eyelids that sleep settled at last. And
- Aline, too, lay awake, her young cheeks burning at the delicious yet
- frightening memory of a kiss in the little churchyard, and her heart
- swelling at the thought of the infinite goodness of Jimmie.
- </p>
- <p>
- Meanwhile, unconscious of these idyllic happenings and romantic
- speculations, Norma was enjoying herself in her worldly way at Lord
- Monzie's place in Scotland. Lord Monzie, a dissipated young man who had
- lately come into the title, had married a well-to-do young woman in very
- smart society. Consequently there was no lack of modern entertainment in
- the house. So modern was everything that the host had got down Mr. Joseph
- Ascherberg, the financier, to hold a roulette bank every night against all
- comers; but he took care that he himself, or his own confidential man,
- turned the wheel and spun the marble. Most of the people had unimaginative
- nicknames, the extremes of the Submerged Tenth and the Upper Ten thus
- curiously meeting. Lord Monzie was called &ldquo;Muggins;&rdquo; his bosom friend,
- and, as some whispered, his <i>âme damnée</i>, Sir Calthrop Boyle, was
- alluded to as &ldquo;The Boiler;&rdquo; and Ascherberg responded to the appellation of
- &ldquo;Freddy.&rdquo; There were also modern conveniences for the gratification of
- caprices or predilections that need not be insisted upon. In fact the
- atmosphere was surcharged with modernity; so much so that Norma, who would
- have walked about the Suburra of Imperial Rome with cynical indifference,
- gasped a little when she entered it. One or two things actually shocked
- her, at which she wondered greatly. She regarded Mr. Ascherberg with
- extreme disfavour, and winced at the women's conversation when they were
- cosily free from men. For the first day or two she held herself somewhat
- apart, preferring solitude on sequestered bits of terrace, where she could
- read a novel, or look at the grey hills that met the stretch of purple
- moorland. But gradually the sweeter tone of mind which she had brought
- with her lost its flavour, and having won sixty pounds from Ascherberg,
- and having told the feminine coterie what she knew of the Wyniard affair,
- she began to breathe the atmosphere without much difficulty. Yet
- occasionally she had spasms of revolt. In a corner of the drawing-room
- stood a marble copy of the little Laughing Faun in the Louvre, put there
- by the late baron, and every time her eye fell upon it, the picture of
- another faun arose before her, and with it the memory of a homely man with
- bright kind eyes, and she seemed to draw a breath of purer air. But she
- called the fancy foolishness and hardened her heart.
- </p>
- <p>
- Still, had it not been for Theodore Weever, the American man of affairs,
- she would probably have found some pretext for an abrupt departure. He
- alone was a personality among the characterless, vicious men and women of
- the house-party. Short, spare, alert, bald-headed, clean-shaven,
- clear-featured, he was of a type apart. Norma, who had a keen
- intelligence, divined in him from the first an adversary upon whom she
- could sharpen her wit and a companion who would not bore her with dreary
- tales of sport or the unprofitable details of his last night's play. And
- from the first Theodore Weever was attracted towards Norma. Their lax
- associates, in spite of her engagement to Morland being perfectly well
- known and in spite of Morland's expected arrival, recognised their pairing
- with embarrassing frankness, and said appalling things about them behind
- their backs. For a few days therefore they found themselves inseparable.
- At last their friendship reached the confidential stage. Mr. Theodore
- Weever avowed the object of his present visit to England. He was in search
- of a decorative wife.
- </p>
- <p>
- &ldquo;It ought to be as easy as turning over a book of wallpapers,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;And as difficult to choose,&rdquo; said he.
- </p>
- <p>
- &ldquo;You must know what scheme of colouring and design you want.&rdquo;
- </p>
- <p>
- &ldquo;Precisely. I don't find it in the books of stock patterns, either here or
- in America. And I've ransacked America.&rdquo;
- </p>
- <p>
- &ldquo;Is n't the line&mdash;I believe in commercial circles they call it a line&mdash;is
- n't the line of specially selected duchesses for the English market good
- enough for you?&rdquo; she asked with a smile.
- </p>
- <p>
- He was about to light a cigarette when she began her question. He lit it
- and blew out the first few puffs of smoke before he replied. They were
- sitting in Norma's favourite nook on the terrace, where he, solitary male
- who had not gone forth with a gun that morning, had been gratuitously told
- by an obliging hostess that he would find her.
- </p>
- <p>
- &ldquo;The American woman makes a good decorative duchess,&rdquo; he said in his
- incisive tone, &ldquo;because she has to sweep herself clean of every tradition
- she was born with and accept bodily the very much bigger and more dazzling
- tradition of your old aristocracy. She can do it, because she is
- infinitely sensitive and intelligent. But she is a changed creature. She
- has to live up to her duke.&rdquo;
- </p>
- <p>
- He puffed for a moment or two at his cigarette.
- </p>
- <p>
- &ldquo;Do you see what I am coming to?&rdquo; he continued. &ldquo;I am not an English duke.
- I am a plain American citizen. No woman in America would make it her ideal
- in life to live up to me.&rdquo;
- </p>
- <p>
- &ldquo;I don't mean to be rude,&rdquo; interrupted Norma, with a laugh, &ldquo;but do you
- think any Englishwoman would?&rdquo;
- </p>
- <p>
- &ldquo;I do,&rdquo; he replied. &ldquo;Not to this insignificant, baldheaded thing that is
- I, but to what in the way of position and power I represent. An American
- woman would bring her traditions along with her&mdash;her superior
- culture, her natural right to be enthroned as queen, her expectation that
- I would take a back seat in my own house. It is I that would become a sort
- of grotesque decoration in the place. Now, I may be grotesque, but I will
- not consent to be decorative. I fully intend to be master. I am not going
- to be Mrs. Theodore Weever's husband. I want an Englishwoman to bring
- along her traditions. She will be naturally <i>grande dame</i>; she will
- come to my house, my social world, frankly the wife of Theodore Weever,
- and ready to support the dignity, whatever it may be, of Theodore Weever,
- just as she would have supported the dignity of Lord So and So, had she
- been married to him in England.&rdquo;
- </p>
- <p>
- &ldquo;You will find thousands of English girls who can do that,&rdquo; said Norma. &ldquo;I
- don't see your difficulty.&rdquo;
- </p>
- <p>
- &ldquo;She must be decorative,&rdquo; said Weever.
- </p>
- <p>
- &ldquo;And that means?&rdquo;
- </p>
- <p>
- &ldquo;She must be a queenly woman, but one content to be queen consort. Your
- queenly woman&mdash;with brains&mdash;is not so easy to find. I have met
- only one in my life who is beyond all my dreams of the ideal. Of course
- the inherent malice of things screws her down like one blade of a pair of
- scissors to another fellow.&rdquo;
- </p>
- <p>
- &ldquo;Who is the paragon?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;It wouldn't be fair on the other fellow to tell you,&rdquo; said he.
- </p>
- <p>
- &ldquo;Is it sheer honesty, or the fear of being cut in half by the pair of
- scissors that keeps you from coming between them?&rdquo;
- </p>
- <p>
- &ldquo;I think it's honesty,&rdquo; he replied. &ldquo;If I can guess rightly, the scissors
- have n't so fine an edge on them as to make them dangerous.&rdquo;
- </p>
- <p>
- &ldquo;They may be desperately in love with one another, for all you know.&rdquo;
- </p>
- <p>
- &ldquo;They are delightful worldlings of our own particular world, dear lady,&rdquo;
- said Weever, with a smile.
- </p>
- <p>
- Thus was Norma given to understand that the post of decorative queen
- consort in Mr. Theodore Weever's Fifth Avenue palace was at her disposal.
- A year ago she might have considered the offer seriously; now that she
- felt secure of a brilliant position as Morland's wife, she was amused by
- its frank impudence. She held other laughing conversations with him on the
- subject of his search, but too prudent to commit indiscretions, she gave
- no hint that she had understood his personal allusion, and Weever was too
- shrewd to proceed any further towards his own undoing. They remained
- paired, however, to their mutual satisfaction, until Morland's arrival,
- when Theodore Weever took his departure. In fact, the same carriage that
- conveyed the American to the station remained for a necessary half-hour to
- meet Morland's train, and Norma, who dutifully drove down to welcome her
- affianced, shared the carriage with the departing guest.
- </p>
- <p>
- She stood on the platform chatting with him as he leaned out of the
- window.
- </p>
- <p>
- &ldquo;When shall we see each other again?&rdquo; she said idly.
- </p>
- <p>
- &ldquo;Next month.&rdquo;
- </p>
- <p>
- &ldquo;Where?&rdquo; she asked, somewhat taken aback by his decided tone.
- </p>
- <p>
- &ldquo;I am putting in some time at Chiltern Towers. I had a letter this morning
- from the duchess, asking me to come and meet the Princess of
- Herren-Rothbeck.&rdquo;
- </p>
- <p>
- They looked at each other, and Norma laughed.
- </p>
- <p>
- &ldquo;Beware of Her Serene Highness.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I've had dealings with her before,&rdquo; replied Weever. &ldquo;I reckon I get
- my money's worth. Don't you fret about me.&rdquo;
- </p>
- <p>
- The guard came up and touched his cap.
- </p>
- <p>
- &ldquo;We are off now, miss.&rdquo;
- </p>
- <p>
- She shook hands with Weever, saying with a laugh, &ldquo;I hope you will find
- that bit of decoration.&rdquo;
- </p>
- <p>
- &ldquo;Don't you fret about that, either,&rdquo; he said with a quick, hard glance.
- &ldquo;I'm in no hurry. I can wait.&rdquo;
- </p>
- <p>
- The train started, and was soon swallowed by a tunnel a few hundred yards
- up the line. Norma patrolled the platform of the little wayside station
- waiting for Morland. The place was very still. The only porter had
- departed somewhither. The station-master had retired into his office. The
- coachman outside the station sat like a well-bred image on his box, and
- the occasional clink of the harness, as the horses threw up their heads,
- sounded sharp and clear. Nothing around but mountain and moorland; a short
- distance in front a ravine with a lazily trickling, half-dried-up mountain
- stream. Here and there a clump of larch and fir, and a rough granite
- boulder. An overcast sky threw dreariness on the silent waste. Norma
- shivered, suddenly struck with a sense of isolation. She seemed to stand
- in the same relation with her soul's horizon as with the physical
- universe. The man that had gone had left her with a little feeling of fear
- for the future, a little after-taste of bitterness. The man that was
- coming would bring her no thrill of joy. As she stood between a drab sky
- and a bleak earth, so stood she utterly alone in the still pause between a
- past and a future equally unillumined. She longed for the sun to break out
- of the heaven, for the sounds of joyous things to come from plain and
- mountain; and she longed for light and song in her heart.
- </p>
- <p>
- She had been watching for the past few days the proceedings of a
- half-recognised, irregular union. The woman was the frivolous, heartless,
- almost passionless wife of a casual husband at the other end of the earth;
- the man an underbred fellow on the stock exchange. She ordered him about
- and called him Tommy. He clothed her in extravagant finery, and openly
- showed her his sovereign male's contempt. Norma had overheard him tell her
- to go to the devil and leave him alone, when she hinted one night, in a
- whisper that was meant for his ears alone, that he was drinking overmuch
- whisky. It was all so sordid, so vulgar&mdash;the bond between them so
- unsanctified by anything like tenderness, chivalry, devotion. Norma had
- felt the revulsion of her sex.
- </p>
- <p>
- What would be the future? By any chance like this woman's life? Would the
- day come when she would sell herself for a gown and a bracelet, thrown at
- her with a man's contemptuous word? Was marriage very widely different
- from such a union? Was not she selling herself? Might not the man she was
- waiting for go the way of so many others of his type, drink and coarsen
- and tell her to go to the devil?
- </p>
- <p>
- She longed for the sun, but not a gleam pierced the leaden sky; she sought
- in her soul for a ray of light, but none came.
- </p>
- <p>
- At last with a shriek and a billowing plume of smoke the down train
- emerged from the tunnel. Norma set her face in its calm ironic mask and
- waited for the train to draw up. Only two passengers alighted, Morland and
- his man. Morland came to her with smiling looks and grasped her by the
- hand.
- </p>
- <p>
- &ldquo;You are looking more beautiful than ever,&rdquo; he whispered, bringing his
- face close to hers.
- </p>
- <p>
- She started back as if she had been struck. The fumes of brandy were in
- his breath. Her hideous forebodings were in process of fulfilment.
- </p>
- <p>
- &ldquo;The whole station will hear you,&rdquo; she said coldly, turning away.
- </p>
- <p>
- The Imp of Mischance rubbed his hands gleefully at his contrivance.
- Morland, a temperate man, had merely felt chilly after an all-night's
- journey, and, more out of idleness than from a desire for alcohol, had
- foolishly taken a sip out of his brandy flask a moment or two before, when
- he was putting up his hand-bag.
- </p>
- <p>
- Norma collected herself, summoned with bitter cynicism her common-sense to
- her aid, and made smiling amends for her shrewish remark. She suffered him
- to kiss her on the drive home, and strove not to despise herself.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0011" id="link2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XI&mdash;DANGER
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>EDDON COURT had
- been purchased by a wealthy Hardacre at the beginning of the nineteenth
- century, and was exhibited by his grandnephew, the present occupant, as a
- gem of Georgian architecture. Mr. Hardacre had but a vague idea what the
- definition meant, but it sounded very impressive. As a matter of fact, it
- was a Palladian stone building, with pediments over the windows and severe
- rustication on the lower courses. As none of the succeeding Hardacres had
- any money to devote to extensions, the building had remained in its
- original perfection of formality, and Mr. Hardacre did well to be proud of
- it. The grounds had been laid out in the Italian style; but the tastes
- and fashions of over a hundred years had caused the classic architect's
- design to be practically indiscernible. A lawn with trim flower-beds,
- bounded by an arc of elm-trees and bordered by a circular carriage drive
- faced the south front. Along the east front ran a series of terraces. The
- highest, a foot or two below the level of the drawing-room floor, ended on
- the north in a porticoed temple, now used as an afternoon lounge, and
- incongruously furnished with rugs and frivolous wickerwork chairs and
- tables. The next terrace, some eight feet below, was devoted to a tennis
- court. A thick hedge of clipped yew and a screen of wire netting hid the
- lowest, the most charming of all, which, surrounded on all sides by a
- sloping bank and flanked on three sides by tall trees, had been delicately
- turfed for a bowling-green and was now used for croquet.
- </p>
- <p>
- In this stately paradise, warmed by sunny September weather, Jimmie had
- already spent two or three blissful days. His only regret was the absence
- of Aline. She had been invited, but for reasons in which doubtless Tony
- Merewether had a place, she had declined the invitation. She gave Jimmie
- to understand that she had already had her holiday, that the house could
- not possibly look after itself any longer, and that she had no clothes fit
- to appear in among his grand friends. The last argument being
- unanswerable, save by contentions at which the young woman tossed a
- superior head, Jimmie had yielded and come down alone. His regret,
- however, was tempered by the reflection that Aline was probably enjoying
- herself after the manner of betrothed maidens, and it did not seriously
- affect his happiness. Either chance or the lady's own sweet courtesy
- towards a guest had caused him to see much of Norma. She had driven him
- over to Chiltern Towers, where the sittings had begun. She had walked with
- him to Cosford to show him the beautiful fourteenth-century church with
- its decorated spire. She had strolled with him up and down the croquet
- lawn. She had chatted with him in the morning-room yesterday for a whole
- rainy hour after lunch. His head was full of her beauty and condescension.
- It was not unnatural that they should be thrown much together. Morland's
- day was taken up by partridges and electors. Mr. Hardacre, honestly afraid
- of Jimmie, not knowing what on earth to talk to him about, and only half
- comprehending his conversation, kept out of his way as much as his duties
- as host would allow, and Mrs. Hardacre, who, though exceedingly civil, had
- not forgotten her defeat in the studio, felt justified in leaving his
- entertainment in the hands of others who professed to admire the creature.
- These were Norma, Morland, and Connie Deering.
- </p>
- <p>
- This afternoon they found themselves again alone together, at tea in the
- classic temple at the end of the terrace. Mrs. Hardacre and Connie had
- driven off to pay a call, and the men were shooting over ducal turnips.
- Jimmie had received an invitation to join the shooting-party, but not
- having handled a gun since boyish days (and even then Jimmie with firearms
- was Morland's conception of the terror that walketh by day), and also
- having an appointment with the princess for a second sitting, he had
- declined, and Morland, when he heard of it, had clapped him on the back
- and expressed his fervent gratitude.
- </p>
- <p>
- Jimmie had been narrating his morning's adventures at Chiltern Towers, and
- explaining the point of view from which he was painting the portrait. It
- was to be that of the very great lady, with the blood of the earth's great
- rulers in her veins. It was to be half full-length, just showing the
- transparent, aristocratic hands set off by rich old lace at the wrists. A
- certain acidity of temper betrayed by the pinched nostrils and thin lips
- he would try to modify, as it would be out of keeping with his basic
- conception. Norma listened, interested more in the speaker than in the
- subject, her mind occasionally wandering, as it had been wont to do of
- late, to a comparison of ideals. Since that half-hour's loneliness on the
- platform of the little Highland station, she had passed through many hours
- of unrest. To-day the mood had again come upon her. A talk with her mother
- about the great garden-party they were giving in two days' time, to which
- the princess and the duchess were coming, had aroused her scorn; a casual
- phrase of Morland's in reference to the election had jarred upon her; a
- sudden meeting in Cosford with Theodore Weever, and a laughing reference
- to the decorative wife had brought back the little shiver of fear. The
- only human being in the world who could settle her mood&mdash;and now she
- felt it consciously&mdash;was this odd, sweet-natured man who seemed to
- live in a beautiful world.
- </p>
- <p>
- As he talked she listened, and her mind wandered from the subject. She
- thought of his life, his surroundings, of the girl whose love affair he
- had told her of so tenderly. She took advantage of a pause, occasioned by
- the handing of a second cup of tea and the judicious choosing of cake, to
- start the new topic.
- </p>
- <p>
- &ldquo;I suppose Aline is very happy.&rdquo;
- </p>
- <p>
- Jimmie laughed. &ldquo;What put my little girl into your head?&rdquo;
- </p>
- <p>
- &ldquo;I have been thinking a good deal about her since you wrote of her
- engagement. Is it really such an idyll?&rdquo;
- </p>
- <p>
- &ldquo;The love of two sweet, clean young people is always idyllic. It is so
- untainted&mdash;pure as a mountain spring; There is nothing quite like it
- in the world.&rdquo;
- </p>
- <p>
- &ldquo;When are they going to set up house together?&rdquo;
- </p>
- <p>
- &ldquo;Soon, I hope.&rdquo;
- </p>
- <p>
- &ldquo;You will miss her.&rdquo;
- </p>
- <p>
- &ldquo;Of course,&rdquo; said Jimmie, &ldquo;enormously. But the thoughts of her happiness
- will keep me pleasant company. I shall get on all right. Meanwhile it is
- beautiful to see her. She does n't know that I watch, but I do. It is
- sweet to see her eyes brighten and her cheeks flush and to hear her
- laughter. It is like stepping for an enchanted moment into a fairy-tale.&rdquo;
- </p>
- <p>
- &ldquo;I wish I could step into it&mdash;just for one enchanted moment,&rdquo; said
- Norma..
- </p>
- <p>
- &ldquo;You?&rdquo; asked Jimmie.
- </p>
- <p>
- &ldquo;I have never been in one in my life. I disbelieved in them till you came
- like an apostle of fairyland and converted me. Now I want the consolations
- of my faith.&rdquo;
- </p>
- <p>
- An earnest note in her voice surprised him. She did not meet his eyes.
- </p>
- <p>
- &ldquo;I don't understand you,&rdquo; he said.
- </p>
- <p>
- &ldquo;I thought perhaps you would,&rdquo; she answered. &ldquo;You seem to understand most
- things.&rdquo;
- </p>
- <p>
- &ldquo;You have your own&mdash;happiness.&rdquo;
- </p>
- <p>
- He hesitated on the word. A quick glance assured her of his ingenuousness.
- She longed to undeceive him, to shriek out her heartlessness, her contempt
- for herself and for her life. But pride and loyalty to Morland restrained
- her within bounds of sanity. She assented to his proposition with a
- gesture of the shapely hand that lay on the tea-table absently tracing the
- pattern of the cloth.
- </p>
- <p>
- &ldquo;Yes, I have that. But it isn't the fairyland of those two children. You
- yourself say there is nothing like it in the world. You don't know how I
- pine for it sometimes&mdash;for the things that are sweet and clean and
- untainted and pure as a mountain spring. They don't come my way. They
- never will.&rdquo;
- </p>
- <p>
- &ldquo;You are wrong,&rdquo; said Jimmie. &ldquo;Love will bring them all to you&mdash;that
- and a perfect wedded life and little children.&rdquo;
- </p>
- <p>
- For a flash she raised her eyes and looked full into his, and for the
- first time the love in the man's heart surged tumultuously. It rose of a
- sudden, without warning, flooding his being, choking him. What it was of
- yearning, despair, passion, horror that he saw in her eyes he knew not. He
- did not read in them the craving of a starved soul for food. To him their
- burning light was a mystery. All that ever reached his consciousness was
- that it was a look such as he had never before beheld in a woman's face;
- and against his will and against his reason it acted like some dark
- talisman and unlocked floodgates. He clenched the arms of the wickerwork
- chair, and bit his lip hard, and stared at the ground.
- </p>
- <p>
- Norma broke into a hard laugh, and lay back in her chair.
- </p>
- <p>
- &ldquo;You must be thinking me a great fool,&rdquo; she said, in her usual mocking
- tones. &ldquo;When a woman tries to swim in sentiment, she flounders, and either
- drowns or has to be lugged ignominiously to shore. She can't swim like a
- man. Thanks for the rescue, Mr. Padgate.&rdquo;
- </p>
- <p>
- He looked at her for a moment.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; he said curtly.
- </p>
- <p>
- &ldquo;I'm back on dry land. Oh! it is safer for me. There I am protected by my
- little bodyguard of three&mdash;the World, the Flesh, and the Devil. I
- can't get on without them.&rdquo;
- </p>
- <p>
- Jimmie leaped from his chair and brought his clenched hands down to his
- sides in a passionate gesture.
- </p>
- <p>
- &ldquo;Stop talking like that, I say!&rdquo; he cried imperiously.
- </p>
- <p>
- Then meeting her scared and indignant glance, he bowed somewhat wide of
- her.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; he said, in a tone of no great apology, and marched
- out of the little temple and along the gravelled walk of the terrace.
- Flight, or the loss of self-control, was his only alternative. What she
- thought of him he did not care. The sense of increasing distance from her
- alone brought security to his soul.
- </p>
- <p>
- At the further end he met Mrs. Deering just back from her drive.
- </p>
- <p>
- &ldquo;Why, what is the matter, Jimmie?&rdquo; she asked, twirling an idle sunshade
- over her pretty head, for the terrace was in deep afternoon shadow.
- </p>
- <p>
- &ldquo;Nothing,&rdquo; he replied, with a ghastly attempt at a smile. &ldquo;I am going for
- a walk before dinner.&rdquo;
- </p>
- <p>
- He left her standing, reached the highroad and pounded along it. What a
- fool he had been! What a mad fool he had been!
- </p>
- <p>
- Mrs. Deering, with a puzzled expression on her face, watched him
- disappear. She turned and strolled down to Norma, who greeted her with a
- satiric smile.
- </p>
- <p>
- &ldquo;What have you been doing to Jimmie?&rdquo; asked Mr. Deering.
- </p>
- <p>
- &ldquo;I have been giving him lessons in worldly wisdom.&rdquo;
- </p>
- <p>
- &ldquo;Poor dear! They seem to have disagreed with him.&rdquo;
- </p>
- <p>
- Norma shrugged her shoulders. &ldquo;That's his affair, not mine.&rdquo;
- </p>
- <p>
- &ldquo;You don't mean to say that you and Jimmie have quarrelled?&rdquo; laughed
- Connie. &ldquo;How delightful! I've always wanted to quarrel with Jimmie just
- for the pleasure of kissing and making friends. But it has been
- impossible. Is it serious?&rdquo;
- </p>
- <p>
- &ldquo;I hope not,&rdquo; Norma answered; and then after a pause, &ldquo;Oh, Connie, I'm
- afraid I've been a positive brute.&rdquo;
- </p>
- <p>
- Which evidence of a salutary conviction of her own wrongdoing shows that
- Jimmie's amazing shout of command had not aroused within her any furious
- indignation. Indeed, after the first moment of breathless astonishment,
- she had expressed an odd, almost amusing thrill of admiration for the man
- who had dared address her in that fashion. It was only a small feminine
- satisfaction in the knowledge that by going away he would punish himself
- for his temerity that had restrained her from summoning him back. As soon
- as he was out of call, she reproached herself for misconduct. She could
- have strangled the wanton devil that had prompted her cynical speech. And
- yet the same devil had saved an embarrassing situation. Wedded life and
- little children! If she had spoken what was trembling on her lips, how
- could she have looked the man in the face again? Her sex was revolting
- against that very prospect, was clamouring wildly for she knew not what.
- She dared not betray herself.
- </p>
- <p>
- She greeted him smilingly in the drawing-room before dinner, as if nothing
- had occurred, and chatted pleasantly with Morland over his day's fortunes.
- Jimmie observed her with a sigh of relief. He had passed the last two
- hours greatly agitated; he had trembled lest he had revealed to her his
- soul's secret, and also lest his unmannerliness had given unpardonable
- offence. In any case, now he saw himself forgiven, and breathed freely.
- But he remained unusually silent during dinner, and spent most of the
- evening in the billiard-room with Mr. Hardacre.
- </p>
- <p>
- That gentleman, joining the ladies later, fell into conversation with his
- daughter.
- </p>
- <p>
- &ldquo;How long is Padgate going to stay?&rdquo; he asked, mopping his forehead with
- his handkerchief.
- </p>
- <p>
- &ldquo;Till the princess has completed her sittings, I suppose,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I wish she'd be quick. I don't know what to do with the fellow. Does n't
- shoot, can't play billiards worth a cent, and does n't seem to know
- anybody. It's like talking to a chap that does n't understand your
- language. I've just been at it. Happened to say I'd like to go to Rome
- again. He fetches a sigh and says so should he. 'Some of the best
- wild-duck shooting in the world,' I said. He stared at me for a moment as
- if I were an escaped lunatic. Now, what on earth should a reasonable being
- go to that beastly place for except to shoot wild-duck on the marshes?&rdquo;
- </p>
- <p>
- Norma laughed the little mocking laugh that always irritated her father.
- </p>
- <p>
- &ldquo;You need n't be afraid of not entertaining Mr. Padgate. He must have
- enjoyed the conversation hugely.&rdquo;
- </p>
- <p>
- &ldquo;Damme&mdash;if the fellow is laughing at me&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;He would not be the very fine gentleman that he is,&rdquo; said Norma. &ldquo;Where
- is he now?&rdquo;
- </p>
- <p>
- &ldquo;Morland relieved guard in the billiard-room, when the post came in,&rdquo;
- growled Mr. Hardacre, who shrank from crossing swords with his daughter,
- and indeed with anybody. &ldquo;He is happy enough with Morland.&rdquo;
- </p>
- <p>
- At that particular moment, however, there was not overmuch happiness in
- the billiard-room. A letter from Aline had been accompanied by one for
- &ldquo;David Rendell, Esquire&rdquo; which she had enclosed. Morland read it, and
- crushed it angrily into the pocket of his dinner-jacket, and began to
- knock the balls about in an aimless way. Jimmie watched him anxiously and,
- as he did not speak, unfolded his own letter from Aline. Suddenly he rose
- from the divan where he had been sitting and approached the table.
- </p>
- <p>
- &ldquo;There is something here that you ought to know, Morland. A man has been
- enquiring for you at my house.&rdquo;
- </p>
- <p>
- &ldquo;Well, why should n't he?&rdquo; asked Morland, making a savage shot.
- </p>
- <p>
- &ldquo;He enquired for David Rendell.&rdquo;
- </p>
- <p>
- Morland threw down his cue.
- </p>
- <p>
- &ldquo;Well?&rdquo;
- </p>
- <p>
- &ldquo;I am afraid Aline, who is a miracle of sagacity as a general rule, has
- made a mess of it. You mustn't be angry with my poor little girl. Her head
- is full of sweeter things.&rdquo;
- </p>
- <p>
- &ldquo;What has she done?&rdquo; Morland asked impatiently.
- </p>
- <p>
- &ldquo;I'll read: 'I told him that Mr. Rendell was a friend of yours, and gave
- him your present address. He muttered something about a false name and
- went away without thanking me.'&rdquo;
- </p>
- <p>
- &ldquo;Good God!&rdquo; cried Morland, &ldquo;what damned fools women are! Did she say what
- kind of a man he was?&rdquo;
- </p>
- <p>
- Jimmie looked through the letter, and finding the passage, read: &ldquo;'An
- odd-looking creature, like a mad Methodist parson!'&rdquo;
- </p>
- <p>
- Morland uttered an exclamation of anger and apprehension. His brow grew
- black, and his florid comely features coarsened into ugliness.
- </p>
- <p>
- &ldquo;I thought so. It could n't have been any one else. He was the only person
- who knew. She has given me away nicely. The devil only knows what will
- happen.&rdquo;
- </p>
- <p>
- Jimmie leant up against the table and folded his arms, and looked at
- Morland moving restlessly to and fro and giving vent to his anger.
- </p>
- <p>
- &ldquo;Who is this man you seem to be so afraid of?&rdquo; he asked quietly.
- </p>
- <p>
- Morland stopped upon the unpleasant word, then shrugged his shoulders.
- </p>
- <p>
- &ldquo;Yes, I suppose I am afraid of him. One can't reckon upon anything that he
- might or might not do. He's like a mad cat. I've seen him. So have you.&rdquo;
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;Yes&mdash;that socialist maniac you dragged me to hear one Sunday in Hyde
- Park.&rdquo;
- </p>
- <p>
- &ldquo;Whew!&rdquo; said Jimmie. He remembered the look in the orator's eyes, his
- crazy, meaningless words, his fierce refusal to enter into friendly talk;
- also Morland's impatient exclamation and abrupt departure as soon as they
- had learned the man's name.
- </p>
- <p>
- &ldquo;He's as mad as a hatter,&rdquo; he said. &ldquo;If he should take it into his head to
- come down here and make a row, there will be the deuce to pay,&rdquo; said
- Morland.
- </p>
- <p>
- Jimmie reflected for a moment. The man, with his wild talk of maidens
- lashed to the chariot-wheels of the rich, must have been tortured by the
- sense of some personal wrong.
- </p>
- <p>
- &ldquo;How does he come into the story?&rdquo; he asked. &ldquo;You had better tell me.&rdquo;
- </p>
- <p>
- &ldquo;The usual way. Oh, I wish to God I had never got into this mess! A man of
- position is an infernal fool to go rotting about after that sort of thing.
- Oh, don't you see? He had a crazy passion for her, was engaged to her&mdash;he
- was mad then. When I came along, he had to drop it, and he has been
- persecuting her ever since&mdash;divided between the desire to marry her
- in spite of everything, and to murder me. That's why I had the assumed
- name and false address. I would n't have let you in for this bother, but I
- could n't go and run the risk of being blackmailed at a confounded little
- stationer's shop up a back street. He has been trying to get on my track
- all the time&mdash;and now he's succeeded, thanks to Aline. Why the devil
- could n't she hold her tongue?&rdquo;
- </p>
- <p>
- &ldquo;Because she is an innocent child, who has never dreamed of evil,&rdquo; said
- Jimmie.
- </p>
- <p>
- Morland walked about the room, agitated, for a few moments, then halted.
- </p>
- <p>
- &ldquo;Oh, yes, I know, Jimmie. She is n't to blame. Besides, the mischief is
- done, so it's no use talking.&rdquo;
- </p>
- <p>
- &ldquo;Were you thinking of any such possibility in the summer when you asked me
- to help you?&rdquo; said Jimmie. Morland cast a quick, hopeful glance at his
- friend.
- </p>
- <p>
- &ldquo;Something of the sort. One never knows. You were the only man I could
- rely on.&rdquo;
- </p>
- <p>
- &ldquo;Does this man know you by sight?&rdquo;
- </p>
- <p>
- &ldquo;Not to my knowledge.&rdquo;
- </p>
- <p>
- &ldquo;Then what are you so afraid of? Look here, my dear old boy,&rdquo; he said
- cheerily, &ldquo;you are being frighted by false fire. If it is only a question
- of dealing with the man when he comes here&mdash;that is, supposing he
- does come&mdash;which is very unlikely, I will tackle him as the only
- person who knows anything about David Rendell. I'll tell him David Rendell
- is in Scotland or Honolulu.&rdquo;
- </p>
- <p>
- &ldquo;He is on the track of the false name,&rdquo; said Morland, uneasily. &ldquo;Aline
- mentions that.&rdquo;
- </p>
- <p>
- &ldquo;He is bound to come to me first,&rdquo; said Jimmie. &ldquo;I'll fix him. We'll get
- on capitally together. There's a freemasonry between lunatics. Leave it
- all to me.&rdquo;
- </p>
- <p>
- &ldquo;Really?&rdquo; cried Morland, in great eagerness.
- </p>
- <p>
- &ldquo;Of course,&rdquo; said Jimmie. &ldquo;Let us go upstairs.&rdquo;
- </p>
- <p>
- They passed out of the billiard-room in silence. On their way to the
- drawing-room Morland murmured in a shamefaced way his apologia. He was
- just at the beginning of his electoral campaign. It was his own county. He
- was hand in glove with the duchess, sovereign lady of these parts, and she
- never forgave a scandal. &ldquo;Besides,&rdquo; he added, &ldquo;to quote your own words, it
- would break Norma's heart.&rdquo; Also, employing the limited vocabulary of his
- class and type, he reiterated the old assurance that he had not been a
- beast. He had done all that a man could to make amends. If Jimmie had not
- loved him so loyally, he would have seen something very pitiful in these
- excuses; but convinced that Morland had atoned as far as lay in his power
- for his fault, he trembled for the happiness of only those dear to him.
- </p>
- <p>
- Norma met them on the drawing-room landing.
- </p>
- <p>
- &ldquo;I was coming down to see what had become of you,&rdquo; she said.
- </p>
- <p>
- &ldquo;I have been the culprit. I restore him to you,&rdquo; laughed Jimmie. He
- entered the room and closed the door. The betrothed pair stood for a
- moment in an embarrassed silence. She laid a hesitating hand on his
- sleeve.
- </p>
- <p>
- &ldquo;Morland&mdash;&rdquo; she said diffidently. &ldquo;I was really wanting to have a
- little talk with you. Somehow we don't often see one another.&rdquo;
- </p>
- <p>
- Morland, surprised at the softness in her voice, led her back to the
- billiard-room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0012" id="link2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XII&mdash;NORMA'S ENLIGHTENMENT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE development of
- the germ of goodness in woman may be measured by her tendency towards
- self-sacrifice. Even the most selfish of her sex, provided she has some
- rudimentary virtues, hugs close to her bosom some pet little thorn which
- she loves to dig into her shrinking flesh. She enjoys some odd little
- mortification, some fantastic humiliation, that is known only to the inner
- chamber of her soul. Your great-hearted woman practises Suttee daily,
- greatly to the consternation of an observant yet unperceptive husband.
- Doubtless this characteristic has a sexual basis, psychological perhaps
- rather than directly physiological, being an instinctive assertion of the
- fundamental principle of passivity, which in its turn is translated into
- the need to be held down and subdued. Thus, if the man does not beat her,
- she will beat herself; if he is a fool, she will often apply caustic to
- her wisdom, so that she may reverence him; if he is a knave, she will
- choke her honesty. Side by side with the assertion of this principle, and
- indeed often inextricably confused with it, is the maternal impulse, which
- by manifold divergences from its primary manifestation causes women to
- find a joy, uncomprehended by men, in pangs of suffering. The higher the
- type the stronger the impulse towards this sweet self-martyrdom.
- </p>
- <p>
- Some such theory alone explains the softer tones in Norma's voice when she
- spoke to Morland. She had passed through two periods of sharp development&mdash;the
- half-hour in Scotland and the hours she had spent since her talk with
- Jimmie that afternoon. She acted blindly, obeying an imperative voice.
- </p>
- <p>
- They sat down together on the raised divan. She was dressed in black, with
- a bunch of yellow roses at her bosom, and her neck and arms gleamed white
- in the shadow cast by the green shades over the billiard-table. Her face
- had softened. She was infinitely desirable.
- </p>
- <p>
- &ldquo;I have been thinking over our relations, Morland,&rdquo; she said. &ldquo;Perhaps I
- have been wrong.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; he asked in some alarm.
- </p>
- <p>
- &ldquo;I told you when you asked me to marry you that it would be wise to put
- sentiment aside. You agreed, against your will, and have observed the
- convention very loyally. But I have not treated you well. In putting
- sentiment aside I was, perhaps, wrong. That is what I wanted to say to
- you.&rdquo;
- </p>
- <p>
- &ldquo;Let me see that I understand you, Norma,&rdquo; said Morland. &ldquo;You wish that we
- should be more like&mdash;like ordinary lovers?&rdquo;
- </p>
- <p>
- &ldquo;We might try,&rdquo; she whispered.
- </p>
- <p>
- She waited. Heaven knows what she waited for; but it did not come. The Imp
- of Mischance again scored his point. The man's mind was filled with the
- thoughts of another woman in her agony and of a crazy avenger coming with
- murder in his heart. He took her hand mechanically and raised it to his
- lips. Her yielding to the caress told him that he could throw his arms
- around her and treat her loverwise; her words told him that he ought to do
- so.
- </p>
- <p>
- Yet he did not. For the moment he was passionless; and to men of his type
- is not given the power, possessed by men of imaginative temperament, of
- simulating passion. He forced a laugh.
- </p>
- <p>
- &ldquo;How do you think we might begin?&rdquo;
- </p>
- <p>
- She went on bravely with her self-imposed task of submission.
- </p>
- <p>
- &ldquo;I have heard that the man generally takes the initiative.&rdquo;
- </p>
- <p>
- He kissed her on the cheek. To do less would have been outrageous.
- </p>
- <p>
- &ldquo;I am glad you realise that I am in love with you, at last,&rdquo; he said.
- </p>
- <p>
- &ldquo;Are you sure that you are in love with me?&rdquo; she asked, the chill that had
- fallen upon her after the lack of response to her first whisper growing
- colder and colder.
- </p>
- <p>
- &ldquo;Of course I am.&rdquo;
- </p>
- <p>
- &ldquo;That is all I wanted to hear. Good-night,&rdquo; she said in an odd voice. She
- rose and put out her hand. Morland opened the door for her to pass and
- closed it behind her.
- </p>
- <p>
- Norma went straight to her room, feeling as though she had been tied by
- the heels to a cart-tail and dragged through the mud. Half undressed, she
- dismissed her maid summarily. Every place on her body that the girl's
- fingers touched seemed to be a bruise. She went to bed stupefied with
- herself.
- </p>
- <p>
- Meanwhile Morland rang for whisky and soda, and cursed all that
- appertained to him, knowing that he had missed an amazing opportunity.
- After the way of feeble men, he thought of a hundred things he might have
- said and done that would have brought her to his feet. Had he not been
- watching patiently, ever since his engagement, for her to put off her
- grand airs, and become a woman like the rest of them? He should have said
- the many things he had often said to others. Or, if words were difficult,
- why in the world had he not kissed her properly after the manner accepted
- by women as the infallible argument? He conjured up the exceeding
- pleasantness of such an act. He could feel the melting of her lips, the
- yielding of her bosom; gradually he worked himself into a red-hot desire.
- A sudden resolve took him upstairs. There he learned that Norma had
- retired for the night, and returning to his whisky in the billiard-room,
- he cursed himself more loudly than before. A hand thrust into the pocket
- of his dinner-jacket met the poor girl's crumpled letter. Mechanically he
- took it to the empty grate, and then cursed the fire for not being lit.
- When Mr. Hardacre came down for a final game of billiards, he found his
- future son-in-law in an irritable temper, and won an easy game. Rallied
- upon his lack of form, Morland explained that the damned election was
- getting on his nerves.
- </p>
- <p>
- &ldquo;Did n't get on them when you were shooting to-day,&rdquo; said Mr. Hardacre.
- </p>
- <p>
- &ldquo;I made believe that the birds were the beastly voters,&rdquo; replied Morland.
- </p>
- <p>
- Norma had not yet come down the next morning when he started for Cosford
- on electioneering business. Nor did he meet her, as he hoped, in the town,
- carrying on the work of canvassing which she had begun with great success.
- A dry barrister having been sent down to contest the division in the
- Liberal interest, was not making much headway in a constituency devoted to
- the duchess and other members of the tyrannical classes, and thus the task
- of Norma and her fellow-canvassers was an easy one. Today, however, she
- did not appear. Morland consoled himself with the assurance that he would
- put things right in the evening. After all, it was easy enough to kiss a
- woman who had once shown a desire to be made love to. Every man has his
- own philosophy of woman. This was Morland's.
- </p>
- <p>
- Jimmie also started upon his morning's pursuits without seeing Norma. He
- was somewhat relieved; for he had spent a restless night, dozing off only
- to dream grotesque dreams of the mad orator and waking to fight with
- beasts that gnawed his vitals. He came down unstrung, a haggard mockery of
- himself, and he was glad not to meet her clear eyes. The three-mile walk
- to Chiltern Towers refreshed him, his work on the portrait absorbed his
- faculties, and his neighbours at the ducal luncheon-table, to which the
- duchess in person had invited him, clear-witted women in the inner world
- of politics and diplomacy, kept his attention at straining point. It was
- only when he walked back to Heddon Court, although he made a manful
- attempt to whistle cheerily, that he felt heavy upon his heart the burden
- of the night. It was a languorous September afternoon, and the tired hush
- of dying summer had fallen upon the world. The smell of harvest, the sense
- of golden fulfilment of life hung on the air. Jimmie swung his stick
- impatiently, and filled his lungs with a draught of the mellow warmth.
- </p>
- <p>
- &ldquo;The old earth is good. By God, it's good!&rdquo; he cried aloud.
- </p>
- <p>
- Brave words of a resolute optimism; but they did not lighten his burden.
- </p>
- <p>
- He reached the house. Beneath an umbrella-tent on the front lawn sat
- Norma, her hands listlessly holding a closed book on her lap. Jimmie would
- have lifted his hat and passed her by, but with, a brightening face she
- summoned him. They talked awhile of commonplace things. Then, after a
- pause, she asked him, half mockingly, to account for his behaviour the day
- before. Why had he rated her in that masterful way?
- </p>
- <p>
- &ldquo;I can't bear you to speak evilly of yourself,&rdquo; he said.
- </p>
- <p>
- &ldquo;Why, since I deserve it?&rdquo;
- </p>
- <p>
- &ldquo;The <i>you</i> that you sometimes take a pleasure in assuming to be may
- deserve it. The real you does n't. And it is the real you that I know&mdash;that
- has given me friendship and is going to marry my dearest friend. The other
- you is a phantom of a hollow world in which circumstances have placed
- you.&rdquo;
- </p>
- <p>
- &ldquo;I think the phantom is happier than the reality,&rdquo; said Norma, with a
- laugh. &ldquo;'The dream is better than the drink.' The hollow world is the
- safer place, after all.&rdquo;
- </p>
- <p>
- &ldquo;Where imagination doth not corrupt and enthusiasms do not break in and
- steal,&rdquo; said Jimmie, with unusual bitterness. &ldquo;I have seen very little of
- it&mdash;but you have told me things,&rdquo; he continued lamely, &ldquo;and your
- being in it and of it seems a profanation. When you wilfully identify
- yourself with its ideals, you hurt me; and when I am hurt, I cry out.&rdquo;
- </p>
- <p>
- &ldquo;But why should you care so much about what I am and what I am not?&rdquo; she
- asked in a tone half of genuine enquiry and half of expectancy, wholly
- kind and soft..
- </p>
- <p>
- He dug the point of his stick into the turf and did not raise his eyes. He
- knew now what a fool's game of peril he was playing, and kept himself in
- check. Yet his voice trembled as he replied:
- </p>
- <p>
- &ldquo;Morland is very dear to me. You, his future wife, have grown dear to me
- also. I suppose I have lived rather a simple sort of life and take my
- emotions seriously.&rdquo;
- </p>
- <p>
- &ldquo;I hope you thank God for it,&rdquo; said Norma.
- </p>
- <p>
- The swift rattle of a carriage turning into the drive broke the talk,
- which had grown too personal to be left voluntarily. Jimmie felt
- infinitely grateful to the visitors, like a man suddenly saved from a
- threatening precipice. Leaving Norma with a bow, he fled into the house
- and selecting a book from the library, went onto the terrace. He needed
- solitude. Something of which he was unaware was happening. Circumstances
- were not the same as when he had first arrived. Then he had looked on
- Norma with brave serenity. He was happy, loving her and receiving frank
- friendship from her condescending hands. Now it was growing to be a pain
- to watch her face, a dread to hear her voice. Sweet intercourse had become
- a danger. And a few days had brought about the change. Why? Of the riot in
- the woman's nature he knew nothing. In his blank ignorance, seeking the
- cause within himself, he asked, Why?
- </p>
- <p>
- He crossed the tennis lawn, went through the little opening at the end of
- the hedge, and down to the seclusion of the croquet ground. Half-way along
- the sloping bank beneath the upper terrace some one had left a rug. He
- threw himself upon it, and tried like many another poor fool to reason
- down his hunger. But all the sensitive nerves with which the imaginative
- man, for his curse or his blessing, is endowed, were vibrating from head
- to foot. Her words sang in his ears: &ldquo;Why should you care so much about
- what I am and what I am not?&rdquo; The real answer burst passionately from his
- heart.
- </p>
- <p>
- He had lain there for about half an hour when a gay little laugh aroused
- him.
- </p>
- <p>
- &ldquo;You idyllic creature!&rdquo;
- </p>
- <p>
- It was Connie Deering, bewitchingly apparelled, a dainty, smiling pale
- yellow butterfly, holding as usual an absurd parasol over her head.
- </p>
- <p>
- &ldquo;I have been looking for you all over the place,&rdquo; she remarked. &ldquo;They told
- me you were somewhere about the grounds. May I sit down?&rdquo;
- </p>
- <p>
- He made room for her on the rug, and taking the parasol from her hand,
- closed it. She settled herself gracefully by his side.
- </p>
- <p>
- &ldquo;I repeat I have been looking for you,&rdquo; she said.
- </p>
- <p>
-&ldquo;The overpowering sense
- of honour done me has deprived me of speech,&rdquo; replied Jimmie, with an
- attempted return to his light-hearted manner.
- </p>
- <p>
- &ldquo;Norma is entertaining those dreadful Spencer-Temples,&rdquo; said Mrs. Deering,
- irrelevantly.
- </p>
- <p>
- &ldquo;I must have had a premonition of their terrors, for I fled from before
- their path,&rdquo; he said. &ldquo;After all, poor people, what have they done to be
- called names?&rdquo; he added.
- </p>
- <p>
- &ldquo;They are ugly.&rdquo;
- </p>
- <p>
- &ldquo;So am I, yet people don't run away from me.&rdquo;
- </p>
- <p>
- &ldquo;I saw you run away from them,&rdquo; she said with a significant nod. &ldquo;I was at
- my bedroom window. They spoiled a most interesting little conversation.&rdquo;
- </p>
- <p>
- Jimmie was startled. He looked at her keenly, but only met laughing eyes.
- </p>
- <p>
- &ldquo;They interrupted me certainly. But I could n't have inflicted my society
- on Miss Hardacre all the afternoon.&rdquo;
- </p>
- <p>
- &ldquo;You would have liked to, wouldn't you? Jimmie dear,&rdquo; she said with a
- change of tone, &ldquo;I want to have a talk with you. I'm the oldest woman
- friend you have&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And by far the sweetest and kindest and prettiest and fascinatingest.&rdquo;
- </p>
- <p>
- She tapped his hand with her fingers. &ldquo;Ssh! I'm serious, awfully serious.
- I've never been so serious in my life before. I've got a duty. I don't
- often have it, but when I do, it's a terrible matter.&rdquo;
- </p>
- <p>
- &ldquo;You had better go and have it extracted at once, Connie,&rdquo; he laughed,
- determined to keep the talk in a frivolous channel. But the little lady
- was determined also.
- </p>
- <p>
- &ldquo;Jimmie dear,&rdquo; she said, holding up her forefinger, &ldquo;I am afraid you are
- running into danger. I want to warn you. An old friend can do that, can't
- she?&rdquo;
- </p>
- <p>
- &ldquo;You can say anything you like to me, Connie. But I don't know what you
- mean.&rdquo;
- </p>
- <p>
- He suspected her meaning, however, only too shrewdly, and his heart beat
- with apprehension. Had he been fool enough to betray his secret?
- </p>
- <p>
- &ldquo;Are n't you getting just a little too fond of Norma, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;I could n't get too fond of her,&rdquo; he said, &ldquo;seeing that she is to be
- Morland's wife.&rdquo;
- </p>
- <p>
- &ldquo;That's just why you must n't. Come, Jimmie, have n't you fallen a bit in
- love with her?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said with some heat. &ldquo;Certainly not. How dare I?&rdquo;
- </p>
- <p>
- Kindness and teasing were in her eyes.
- </p>
- <p>
- &ldquo;My poor dear husband used to say I had the brain of a bird, but I may
- have the sharp eyes of a bird as well. Come&mdash;not just one little bit
- in love?&rdquo;
- </p>
- <p>
- She had sought him with the best intentions in the world. She had long
- suspected; yesterday and to-day had given her certainty. She would put him
- on his guard, talk to him like an elder sister, pour forth upon him her
- vast wisdom in affairs of the heart, and finally persuade him-from his
- folly to more sensible courses.
- </p>
- <p>
- &ldquo;He sha'n't come to grief over Norma if I can prevent it,&rdquo; she had said to
- herself.
- </p>
- <p>
- And now, in spite of her altruistic resolve, she could not resist the
- pleasure of teasing him. She had done so all her life. Her method became
- less elder-sisterly than she had intended. But she was miles from
- realising that she touched bare nerves, and that the man was less a man
- than a living pain.
- </p>
- <p>
- &ldquo;I tell you I'm not in love with her, Connie,&rdquo; he said. &ldquo;How could I dream
- of loving her? It would be damnable folly.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Jimmie, Jimmie,&rdquo; she said, enjoying his confusion, &ldquo;what a miserably
- poor liar you make&mdash;and what a precious time you would have in the
- witness-box if you were a co-respondent! You can't deceive for nuts. You
- had better confess and have done with it.&rdquo; Then seeing something of the
- anguish on his face, she bethought her of the serious aspect of her
- mission. &ldquo;I could not bear you to break your heart over Norma, dear,&rdquo; she
- said quite softly.
- </p>
- <p>
- &ldquo;Don't madden me, Connie&mdash;you don't know what you are saying,&rdquo; he
- muttered below his breath.
- </p>
- <p>
- Connie Deering had never heard a man speak in agony of spirit. Her lot had
- fallen among pleasant places, where life was a smooth, shaven lawn and
- emotions not more violent than the ripples on a piece of ornamental water.
- His tone gave her a sudden fright.
- </p>
- <p>
- &ldquo;You do love her, then?&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, drawing himself up in a tight, awkward heap on the
- slope. &ldquo;My God, yes, I do love her. I love her with every fibre of brain
- and body.&rdquo;
- </p>
- <p>
- The words were out. More came. He could not restrain them. He gave up the
- attempt, surrendered himself to the drunkenness of his passion, poured out
- a torrent of riotous speech. What he said he knew not. Such divine madness
- comes to a man but few times in a life. The sweet-hearted, frivolous
- woman, sitting there in the trim little paradise of green, with its velvet
- turf and trim slopes, and tall mask of trees, all mellow in the shade of
- the soft September afternoon, listened to him with wondering eyes and pale
- cheeks. It was no longer Jimmie of the homely face that was talking; he
- was transfigured. His very voice had changed its quality.... Did he love
- her? The word was inept in its inadequacy. He worshipped her like a
- Madonna. He adored her like a queen. He loved her as the man of hot blood
- loves a woman. Soul and heart and body clamoured for her. Compared with
- hers, every other woman's beauty was a glow-worm unto lightning. Her voice
- haunted him like music heard in sleep. Her presence left a fragrance
- behind that clouded his senses like incense. Her beauty twined itself into
- every tendril of every woman's hair he painted, stole into the depths of
- every woman's eyes. It was a divine obsession.
- </p>
- <p>
- &ldquo;You must fight against it,&rdquo; Connie whispered tonelessly.
- </p>
- <p>
- &ldquo;Why should I? Who is harmed? Norma? Who will tell her? Not I. If I choose
- to fill my life with her splendour, what is that to any one? The desire of
- the moth for the star! Who heeds the moth?&rdquo;
- </p>
- <p>
- He went on reckless of speech until his passion had spent itself. Then he
- could only repeat in a broken way:
- </p>
- <p>
- &ldquo;Love her? Heaven knows I love her. My soul is a footstool for her to rest
- her feet upon.&rdquo;
- </p>
- <p>
- Connie Deering laid her hand on his.
- </p>
- <p>
- &ldquo;I'm sorry. Oh, I'm sorry, Jimmie. God bless you, dear.&rdquo;
- </p>
- <p>
- He raised the hand to his lips. Neither spoke. He plucked at the grass by
- his side; at length he looked up.
- </p>
- <p>
- &ldquo;You won't give me away, will you?&rdquo; he said with a smile, using her
- dialect.
- </p>
- <p>
- She went on her knees and clasped both his wrists. She said the first
- thing that came, as something sacred, into her head.
- </p>
- <p>
- &ldquo;I could no more speak of this to any one than of some of my dead
- husband's kisses.&rdquo;
- </p>
- <p>
- &ldquo;I know you are a good true woman, Connie,&rdquo; he said.
- </p>
- <p>
- In the silence that followed, Norma, who had come to summon Connie to tea
- (the Spencer-Temples having called on their drive past the gates merely to
- deliver a message), and hearing the voice behind the hedge had been
- compelled against her will to listen&mdash;Norma, deadly white, shaken to
- the roots of her being, crept across the tennis lawn and fled in swaying
- darkness to her room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0013" id="link2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIII&mdash;THE OPTIMIST AT LARGE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>ONNIE DEERING
- walked back to the house with a silent and still tremulous Jimmie. She had
- slid her hand through his arm, and now and then gave it an affectionate
- pat. Within the limitations of her light, gay nature she was a sympathetic
- and loyal woman, and she had loved Jimmie for many years with the
- unquestioning fondness that one has for a beloved and satisfying domestic
- animal. She had recovered from the fright his frantic demonstration had
- caused her, and her easy temperament had shaken off the little chill of
- solemnity that had accompanied her vow of secrecy. But she pitied him with
- all her kind heart, and in herself felt agreeably sentimental.
- </p>
- <p>
- They strolled slowly into the hall, and paused for a moment before
- parting.
- </p>
- <p>
- &ldquo;When you come to think of it seriously, you won't consider I have made
- too impossible a fool of myself?&rdquo; he asked with an apologetic smile.
- </p>
- <p>
- &ldquo;I promise,&rdquo; she said affectionately. Then she laughed. Not only was
- Jimmie's smile contagious, but Connie Deering could not face the pleasant
- world for more than an hour without laughter.
- </p>
- <p>
- &ldquo;I have always said you were a dear, Jimmie, and you are. I almost wish I
- could kiss you.&rdquo;
- </p>
- <p>
- Jimmie looked around. They were quite unperceived.
- </p>
- <p>
- &ldquo;I do quite,&rdquo; he said, and kissed her on the cheek.
- </p>
- <p>
- &ldquo;Now we are really brother and sister,&rdquo; she said with a flush. &ldquo;You are
- not going to be too unhappy, are you?&rdquo;
- </p>
- <p>
- &ldquo;I? Oh no, not I,&rdquo; he replied heartily. He repeated this asseveration to
- himself while dressing for dinner. Why indeed should he be unhappy? Had he
- not looked a few hours before at God's earth and found that it was good?
- Besides, to add to the common stock of the world's unhappiness were a
- crime. &ldquo;Yes, a crime,&rdquo; he said aloud, with a vigorous pull at his white
- tie. Then he perceived that it was hopelessly mangled, and wished for
- Aline, who usually conducted that part of the ceremony of his toilette.
- </p>
- <p>
- &ldquo;It will have to do,&rdquo; he said cheerfully, as he turned away from the
- glass.
- </p>
- <p>
- Yet, for all his philosophising, he was surprised at the relief that his
- wild confession to Connie had afforded him. The burden that had seemed too
- heavy for him to bear had now grown magically light. He attributed the
- phenomenon to Connie Deering, to the witchery of her sweet sympathy and
- the comfort of her sisterly kiss. By the time he had finished dressing the
- acute pain of the past two days had vanished, and as he went down the
- stairs he accounted himself a happy man. In the drawing-room he met Norma,
- and chatted to her almost light-heartedly. He did not notice the
- constraint in her manner, her avoidance of his glance, the little pucker
- of troubled brows; nor was he aware of her sigh of relief when the door
- opened and the servant announced Mr. Theodore Weever, who with one or two
- other people were dining at the house. Mr. and Mrs. Hardacre followed on
- the American's heels, and soon the rest of the party had assembled. Jimmie
- had no opportunity for further talk with Norma, who studiously kept apart
- from him all the evening, and during dinner devoted herself to subacid
- conversation with Morland and to a reckless interchange of cynical banter
- with Weever. Jimmie, talking with picturesque fancy about his student days
- in the Rue Bonaparte to his neighbour, a frank fox-hunting and
- sport-loving young woman, never dreamed of the chaos of thoughts and
- feelings that whirled behind the proud face on the opposite side of the
- table; and Norma, when her mind now and then worked lucidly, wondered at
- the strength and sweetness of the man who could subdue such passion and
- laugh with a gaiety so honest and sincere. For herself, Theodore Weever,
- with his icy humour that crystallised her own irony into almost deadly
- wit, was her sole salvation during the interminable meal. Once Morland,
- listening with admiration, whispered in her ear:
- </p>
- <p>
- &ldquo;I've never heard you in such good form.&rdquo;
- </p>
- <p>
- She had to choke down an hysterical impulse of laughter and swallow a
- mouthful of champagne. Later, when the women guests had gone, she slipped
- up to her room without saying good-night to Morland, and, dismissing her
- maid, as she had done the night before, sat for a long time, holding her
- head in her hands, vainly seeking to rid it of words that seemed to have
- eaten into her brain. And when she thought of Morland, of last night, of
- her humiliation, she flushed hot from hair to feet. She was only
- five-and-twenty, and the world had not as yet completed its work of
- hardening. It was a treacherous and deceitful world; she had prided
- herself on being a finished product of petrifaction, and here she lay,
- scorched and bewildered, like any soft and foolish girl who had been
- suddenly brought too near the flame of life. Keenly she felt the
- piteousness of her defeat. In what it exactly consisted she did not know.
- She was only conscious of broken pride, the shattering of the little
- hard-faced gods in her temple, the tearing up of the rails upon which she
- had reckoned to travel to her journey's end. Hers was a confused soul
- state, devoid of immediate purpose. A breach of her engagement with
- Morland did not occur to her mind, and Jimmie was merely an impersonal
- utterer of volcanic words. She slept but little. In the morning she found
- habit by her bedside; she clothed herself therein and faced the day.
- </p>
- <p>
- Much was expected of her. The great garden-party was to take place that
- afternoon. Her Serene Highness the Princess of Herren-Rothbeck had
- signified that she would do Mr. and Mrs. Hardacre the honour of being
- present. Her Grace the Duchess of Wiltshire would accompany the princess.
- The <i>ban</i> and <i>arriere-ban</i> of the county had been invited, and
- the place would be filled with fair women agog to bask in the smiles of
- royalty, and ill-tempered men dragged away from their partridges by
- ambitious wives. A firm of London caterers had contracted for the
- refreshments. A military band would play on the terrace. A clever French
- showman whom Providence had sent to cheer the dying hours of the London
- season, and had kept during the dead months at a variety theatre, was
- coming down with an authentic Guignol. He had promised the choicest pieces
- in his repertoire&mdash;<i>la vraie grivoiserie française</i>&mdash;and
- men who had got wind of the proposed entertainment winked at one another
- wickedly. The garden-party was to be an affair of splendour worthy of the
- royal lady who had deigned to shed her serenity upon the county families
- assembled; and Mr. Hardacre had raised a special sum of money to meet the
- expenses.
- </p>
- <p>
- &ldquo;I shall have to go to the Jews, my dear,&rdquo; he had said to his wife when
- they were first discussing ways and means.
- </p>
- <p>
- &ldquo;Oh, go to the&mdash;Jews then,&rdquo; said Mrs. Hardacre, almost betrayed, in
- her irritation, into an unwifely retort. &ldquo;What does it matter, what does
- any sacrifice matter, when once we have royalty at the house? You are such
- a fool, Benjamin.&rdquo;
- </p>
- <p>
- He had a singular faculty for arousing the waspishness of his wife; yet,
- save on rare occasions, he was the meekest of men in her presence.
- </p>
- <p>
- &ldquo;Well, you know best, Eliza,&rdquo; he said.
- </p>
- <p>
- &ldquo;I have n't been married to you for six-and-twenty years without being
- perfectly certain of that,&rdquo; she replied tartly.
- </p>
- <p>
- So Mr. Hardacre went to the Jews, and the princess promised to come to
- Mrs. Hardacre.
- </p>
- <p>
- Norma was not the only one that morning who was aroused to a sense of
- responsibility. The footman entering Jimmie's bedroom brought with him a
- flat cardboard box neatly addressed in Aline's handwriting. The box
- contained a new shirt, two new collars, a new silk tie, and a pair of grey
- suède gloves; also a letter from Aline instructing him as to the use of
- these various articles of attire.
- </p>
- <p>
- &ldquo;Be sure to wear your frock-coat,&rdquo; wrote the director of Jimmie's conduct.
- &ldquo;I wish you had one less than six years old; but I went over it with
- benzine and ammonia before I packed it up, so perhaps it won't be so bad.
- And wear your patent-leather evening shoes. They'll look quite smart if
- you'll tie the laces up tight, and stick the ends in between the shoe and
- the sock. Oh, I wish I could come and turn you out decently! and <i>please</i>,
- Jimmie dear, don't cut yourself shaving and go about all day with a
- ridiculous bit of cotton wool on your dear chin. Tony says you need n't
- wear the frock-coat, but I know better. What acquaintance has he with
- princesses and duchesses? And that reminds me to tell you that Tony&mdash;&rdquo;
- <i>et caetera, et caetera,</i> in a manner that brought the kindest smile
- in the world into Jimmie's eyes.
- </p>
- <p>
- He dressed with scrupulous regard to directions, but not in the
- frock-coat. He had a morning sitting with the princess at Chiltern Towers
- to get through before airing himself in the splendour of benzine and
- ammonia. He put on his old tweed jacket and went downstairs. Morland was
- the only person as yet in the breakfast-room. He held a morning paper
- tight in his hand, and stared through the window, his back to the door. On
- Jimmie's entrance he started round, and Jimmie saw by a harassed face that
- something had happened.
- </p>
- <p>
- &ldquo;My dear fellow&mdash;&rdquo; he began in alarm.
- </p>
- <p>
- Morland smoothed out the paper with nervous fingers, and threw it somewhat
- ostentatiously on a chair. Then he walked to the table and poured himself
- out some tea. The handle of the silver teapot slid in his grasp, and
- awkwardly trying to save the pouring flood of liquid, he dropped the
- teapot among the cups and saucers. It was a disaster, but one that could
- have been adequately greeted by a simpler series of expletives. He cursed
- vehemently.
- </p>
- <p>
- &ldquo;What's the matter, man?&rdquo; asked Jimmie.
- </p>
- <p>
- Morland turned violently upon him.
- </p>
- <p>
- &ldquo;The very devil's the matter. There never was such a mess since the world
- began. What an infernal fool I have been! You do well to steer clear of
- women.&rdquo;
- </p>
- <p>
- &ldquo;Tell me what's wrong and I may be able to help you.&rdquo;
- </p>
- <p>
- Morland looked at him for a moment in gloomy doubt. Then he shook his
- head.
- </p>
- <p>
- &ldquo;You can't help me. I thought you could, but you can't. It's a matter for
- a lawyer. I must run up to town.&rdquo;
- </p>
- <p>
- &ldquo;And cut the garden-party?&rdquo;
- </p>
- <p>
- &ldquo;That's where I'm tied,&rdquo; exclaimed Morland, impatiently. &ldquo;I ought to start
- now, but if I cut the garden-party the duchess would never forgive me&mdash;and
- by Jove, I may need the duchess more than ever&mdash;and I've got a
- meeting to attend in Cosford this morning to which a lot of people are
- coming from a distance.&rdquo;
- </p>
- <p>
- &ldquo;Can't I interview the lawyer for you?&rdquo;
- </p>
- <p>
- &ldquo;No. I must do it myself.&rdquo;
- </p>
- <p>
- The butler entered and looked with grave displeasure at the wreckage on
- the tea-tray. While he was repairing the disaster, Morland went back to
- the window and Jimmie stood by his side.
- </p>
- <p>
- &ldquo;If you fight it through squarely, it will all come right in the end.&rdquo;
- </p>
- <p>
- &ldquo;You don't mind my not telling you about it?&rdquo; said Morland, in a low
- voice.
- </p>
- <p>
- &ldquo;Why should I? In everything there is a time for silence and a time for
- speech.&rdquo;
- </p>
- <p>
- &ldquo;You're right,&rdquo; said Morland, thrusting his hands into his trousers'
- pockets; &ldquo;but how I am to get through this accursed day in silence I don't
- know.&rdquo;
- </p>
- <p>
- They sat down to breakfast. Morland rejected the offer of tea, and called
- for a whisky and soda which he nearly drained at a gulp. Mr. Hardacre came
- in, and eyed the long glass indulgently.
- </p>
- <p>
- &ldquo;Bucking yourself up, eh? Why did n't you ask for a pint of champagne?&rdquo;
- </p>
- <p>
- He opened the newspaper and ran through the pages. Morland watched him
- with swift nervous glances, and uttered a little gasp of relief when he
- threw it aside and attacked his grilled kidneys. His own meal was soon
- over. Explaining that he had papers to work at in the library, he hurried
- out of the room.
- </p>
- <p>
- &ldquo;Can't understand a man being so keen on these confounded politics,&rdquo; his
- host remarked to Jimmie across the table. A polite commonplace was all
- that could be expected in reply. Politics were engrossing.
- </p>
- <p>
- &ldquo;That's the worst of it,&rdquo; said Mr. Hardacre. &ldquo;In the good old days a man
- could take his politics like a gentleman; now he has got to go at them
- like a damned blaspheming agitator on a tub.&rdquo;
- </p>
- <p>
- &ldquo;Cosford was once a pretty little pocket borough, wasn't it?&rdquo; said Jimmie.
- &ldquo;Now Trade's unfeeling train usurp the privileges of His Grace of
- Wiltshire and threaten to dispossess his nominee. Instead of one simple
- shepherd recording his pastoral vote we have an educated electorate daring
- to exercise their discretion.&rdquo;
- </p>
- <p>
- Mr. Hardacre looked at Jimmie askance; he always regarded an allusive
- style with suspicion, as if it necessarily harboured revolutionary
- theories.
- </p>
- <p>
- &ldquo;I hope you're not one of those&mdash;&rdquo; He checked himself as he was going
- to say &ldquo;low radical fellows.&rdquo; Politeness forbade. &ldquo;I hope you are not a
- radical, Mr. Padgate?&rdquo;
- </p>
- <p>
- &ldquo;I am sure I don't quite know,&rdquo; replied Jimmie, cheerfully.
- </p>
- <p>
- &ldquo;Humph!&rdquo; said Mr. Hardacre, &ldquo;I believe you are.&rdquo;
- </p>
- <p>
- Jimmie laughed; but Mr. Hardacre felt that he held the key to the
- eccentric talk of his guest. Jimmie Padgate was a radical; a fearful
- wildfowl of unutterable proclivities, to whom all things dreadful were
- possible.
- </p>
- <p>
- &ldquo;I,&rdquo; he continued, &ldquo;am proud to be a Tory of the old school.&rdquo;
- </p>
- <p>
- The entrance of the ladies put a stop to the distressful conversation.
- </p>
- <p>
- Jimmie, whose life during the past few days had been a curious compound of
- sunshine and shadow, went about his morning's work with only Morland's
- troubles weighing upon him. Of their specific nature he had no notion; he
- knew they had to do with the unhappy love affair; but as Morland was going
- to put matters into the hands of his lawyers, a satisfactory solution was
- bound to be discovered. Like all simple-minded men, he had illimitable
- faith in the powers of solicitors and physicians; it was their business to
- get people out of difficulties, and if they were capable men they did
- their business. Deriving much comfort from this fallacy, he thought as
- little as might be about the matter. In fact he quite enjoyed his morning.
- He sat before his easel at the end of a high historic gallery, the bright
- morning light that streamed in through the windows tempered by judiciously
- arranged white blinds; and down the vista were great paintings, and rare
- onyx tables, and priceless chairs and statuary, all harmonising with the
- stately windows and painted ceiling and polished floor. In front of him,
- posed in befitting attitude, sat the royal lady, with her most urbane
- expression upon her features, and, that which pleased him most, the
- picture was just emerging from the blurred mass of paint, an excellent
- though somewhat idealised portrait. So he worked unfalteringly with the
- artist's joy in the consciousness of successful efforts, and his
- good-humour infected even his harsh sitter, who now and then showed a
- wintry gleam of gaiety, and uttered a guttural word of approbation.
- </p>
- <p>
- &ldquo;You shall come to Herren-Rothbeck and baint the bortrait of the brince my
- brother,&rdquo; she said graciously. &ldquo;Would that blease you?&rdquo;
- </p>
- <p>
- &ldquo;I should just think it would,&rdquo; said Jimmie.
- </p>
- <p>
- The princess laughed&mdash;a creaking, rusty laugh, but thoroughly well
- intentioned. Jimmie glanced at her enquiringly.
- </p>
- <p>
- &ldquo;I like you,&rdquo; she responded. &ldquo;You are so natural&mdash;what you English
- call refreshing. A German would have made a ceremonious speech as long as
- your mahl-stick.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid I must learn ceremony before I come to court, Madam,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;If you do, you will have forgotten how to baint bor-traits,&rdquo; said the
- princess.
- </p>
- <p>
- Thus, under the sun of princely favour, was Jimmie proceeding on the
- highroad to fortune. Never had the future seemed so bright. His bombastic
- jest about being appointed painter in ordinary to the crowned heads of
- Europe was actually going to turn out a reality. He lost himself in
- daydreams of inexhaustible coffers from which he could toss gold in
- lapfuls to Aline. She should indeed walk in silk attire, and set up
- housekeeping with Tony in a mansion in Park Lane.
- </p>
- <p>
- On the front lawn at Heddon Court he met Connie and waved his hat in the
- air. She went to him, and, peering into his smiling face, laid her hand
- on his sleeve.
- </p>
- <p>
- &ldquo;Whatever has happened? Have you two stepped into each other's shoes?&rdquo;
- </p>
- <p>
- &ldquo;What on earth do you mean?
- </p>
- <p>
- &ldquo;You know&mdash;Norma.&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;Well, it seemed natural. Here are you as happy as an emperor; and there
- is Morland come back from Cosford with the look of a hunted criminal.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0014" id="link2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIV&mdash;THE BUBBLE REPUTATION
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE princess had
- the affability to inform Mrs. Hardacre that it was a &ldquo;charming barty,&rdquo; and
- Mrs. Hardacre felt that she had not lived in vain.
- </p>
- <p>
- Henceforth she would be of the innermost circle of the elect of the
- county. Exclusive front doors would open respectfully to her. She would be
- consulted on matters appertaining to social polity. She would be a
- personage. She would also make her neighbour, Lady FitzHubert, sick with
- envy. A malignant greenness on that lady's face she noted with a thrill of
- pure happiness, and she smilingly frustrated all her manoeuvres to get
- presented to Her Serene Highness. She presented her rival, instead, to
- Jimmie.
- </p>
- <p>
- &ldquo;My dear Lady FitzHubert, let me introduce Mr. Padgate, who is painting
- the dear princess's portrait. Mr. Padgate is staying with us.&rdquo;
- </p>
- <p>
- Whereby Mrs. Hardacre conveyed the impression that Heddon Court and
- Chiltern Towers contained just one family party, the members of which ran
- in and out of either house indiscriminately. It may be mentioned that
- Jimmie did not get on particularly well with Lady FitzHubert. He even
- confided afterwards to Connie Deering his suspicion that now and again
- members of the aristocracy were lacking in true urbanity.
- </p>
- <p>
- By declaring the garden-party to be charming the princess only did justice
- to the combined efforts of the Hardacres and Providence. The warm golden
- weather and the chance of meeting august personages had brought guests
- from far and near. The lawns were bright with colour and resonant with
- talk. A red-coated band played on the terrace. Between the items of music,
- Guignol, housed in the Greek temple, with the portico for a proscenium,
- performed his rogueries to the delight of hastily assembling audiences.
- Immediately below, a long white-covered table gleamed with silver tea-urns
- and china, and all the paraphernalia of refreshments. At the other end of
- the lawn sat the august personages surrounded by the elect.
- </p>
- <p>
- Among these was Morland. But for him neither blue September skies nor
- amiable duchesses had any charm. To the man of easy living had come the
- sudden shock of tragedy, and the music and the teacups and the flatteries
- seemed parts of a ghastly farce. The paragraph he had read in the paper
- that morning obsessed him. The hours had seemed one long shudder against
- which he vainly braced his nerves. He had loved the poor girl in his
- facile way. The news in itself was enough to bring him face to face with
- elementals. But there was another terror added. The chance word of a
- laughing woman had put him on the rack of anxiety. Getting out of the
- train at Cosford, she had seen the queerest figure of a man step on to the
- platform, with the face of Peter the Hermit and the costume of Mr.
- Stiggins. Morland's first impulse had been to retreat precipitately from
- Cosford, and take the next train to London, whither he ought to have gone
- that morning. The tradition-bred Englishman's distaste for craven flight
- kept him irresolutely hanging round the duchess. He thought of whispering
- a private word to Jimmie; but Jimmie was far away, being introduced here
- and there, apparently enjoying considerable popularity. Besides, the
- whisper would involve the tale of the newspaper paragraph, and Morland
- shrank from confiding such news to Jimmie. No one on earth must know it
- save his legal adviser, an impersonal instrument of protection. He did
- what he had done once during five horrible weeks at Oxford, when an
- Abingdon barmaid threatened him with a breach of promise action. He did
- nothing and trusted to luck. Happy chance brought to light the fact that
- she was already married. Happy chance might save him again.
- </p>
- <p>
- Beyond the mere commonplaces of civility he had exchanged no words that
- day with Norma. Moved by an irritating feeling of shame coupled with a
- certain repugnance of the flesh, he had deliberately avoided her; and his
- preoccupation had not allowed him to perceive that the avoidance was
- reciprocated. When they happened to meet in their movements among the
- guests, they smiled at each other mechanically and went their respective
- ways. Once, during the afternoon, Mr. Hardacre, red and fussy, took him
- aside.
- </p>
- <p>
- &ldquo;I have just heard a couple of infernal old cats talking of Norma and that
- fellow Weever. There they are together now. Will you give Norma a hint, or
- shall I?&rdquo;
- </p>
- <p>
- Morland looked up and saw the pair on the terrace, midway between the band
- and the Guignol audience.
- </p>
- <p>
- &ldquo;I'm glad she has got somebody to amuse her,&rdquo; he said, turning away. He
- was almost grateful to Weever for taking Norma off his hands.
- </p>
- <p>
- Meanwhile Jimmie was continuing to find life full of agreeable surprises.
- Lady FitzHubert was not the only lady to whom he was presented as the Mr.
- Padgate who was painting the princess's portrait. Mrs. Hardacre waived the
- personal grudge, and flourished him tactfully in the face of the county;
- and the county accepted him with unquestioning ingenuousness. He was
- pointed out as a notability, became the well-known portrait-painter, the
- celebrated artist, <i>the</i> James Padgate, and thus achieved the bubble
- reputation. A guest who was surreptitiously reporting the garden-party for
- the local paper took eager notes of the personal appearance of the eminent
- man, and being a woman of the world, professed familiarity with his works.
- For the first time in his life he found himself a person of importance.
- The fact of his easy inclusion in the charmed circle cast a glamour over
- the crudities of the gala costume designed and furbished up with so much
- anxious thought by Aline, and people (who are kindly as a rule when their
- attention is diverted from the trivial) looked only at his face and were
- attracted to the man himself. Only Lady FitzHubert, who had private
- reasons for frigidity, treated him in an unbecoming manner. Other fair
- ladies smiled sweetly upon him, and spread abroad tales of his niceness,
- and thus helped in the launching of him as a fashionable portrait-painter
- upon the gay world.
- </p>
- <p>
- He had a brief interlude of talk with Norma by the refreshment-table.
- </p>
- <p>
- &ldquo;I hope you are not being too much bored by all this,&rdquo; she said in her
- society manner.
- </p>
- <p>
- &ldquo;Bored!&rdquo; he cried. &ldquo;It's delightful.&rdquo;
- </p>
- <p>
- &ldquo;What about the hollow world where imagination doth not corrupt and
- enthusiasms do not break in and steal?&rdquo;
- </p>
- <p>
- &ldquo;It's a phantom dust-heap for inept epigrams. I don't believe it exists.&rdquo;
- </p>
- <p>
- &ldquo;You mustn't preach a gospel one day and give it the lie the next,&rdquo; she
- said, half seriously; &ldquo;for then I won't know what to believe. You don't
- seem to realise your responsibilities.&rdquo;
- </p>
- <p>
- He echoed the last word in some surprise. Norma broke into a little
- nervous laugh.
- </p>
- <p>
- &ldquo;You don't suppose you can go about without affecting your
- fellow-creatures? It is well that you don't know what a disturbing element
- you are.&rdquo;
- </p>
- <p>
- She turned her head away and closed her eyes for a second or two, for the
- words she had overheard there by the hedge, last evening, rang in her
- ears. Perhaps it had been well for Jimmie if he had known. Before he had
- time to reply, she recovered herself, and added quickly:
- </p>
- <p>
- &ldquo;I am glad you are enjoying yourself.&rdquo;
- </p>
- <p>
- &ldquo;How can I help it when every one is so kind to me?&rdquo; he said brightly. &ldquo;I
- came down here an obscure painter, a veritable <i>pictor ignotus</i>, and
- all your friends are as charming to me as if I were the President of the
- Royal Academy.&rdquo;
-</p>
- <p>
-Connie Deering came up with a message for Norma and
- carried her off to the house.
- </p>
- <p>
- &ldquo;How does Jimmie like being lionised?&rdquo; she asked on the way.
- </p>
- <p>
- Norma repeated his last speech.
- </p>
- <p>
- &ldquo;He has n't any idea of the people's motives.&rdquo; She added somewhat
- hysterically:
- </p>
- <p>
- &ldquo;The man is half fool, half angel&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And altogether a <i>man</i>. Don't you make any mistake about that,&rdquo; said
- Connie, with a pretty air of finality. &ldquo;You don't know as much about him
- as I do.&rdquo;
- </p>
- <p>
- &ldquo;I'm not so sure about that,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I am,&rdquo; said Connie.
- </p>
- <p>
- Jimmie was wandering away from the refreshment-table when Theodore Weever
- stopped him.
- </p>
- <p>
- &ldquo;That's a famous portrait of yours, Mr. Padgate. I saw it to-day after
- lunch. I offer you my congratulations.&rdquo;
- </p>
- <p>
- Jimmie thanked him, said modestly that he hoped it was a good likeness.
- </p>
- <p>
- &ldquo;Too good by a long chalk,&rdquo; laughed the American. &ldquo;Her Serene Skinflint
- does n't deserve it. I bet you she beat you down like a market-woman
- haggling for fish.&rdquo;
- </p>
- <p>
- Jimmie stuck his hands on his hips and laughed.
- </p>
- <p>
- &ldquo;You don't deny it. You should n't have let her. She is rolling in money.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid one does n't bother much with the commercial side of things,&rdquo;
- said Jimmie.
- </p>
- <p>
- &ldquo;That's where you make the mistake. Money is money, and it is better in
- one's own pockets than in anybody else's. But that's not what I wanted to
- speak to you about. I wonder if you would let me have the pleasure of
- calling at your studio some day? I'm collecting a few pictures, and I
- should regard it as a privilege to be allowed to look round yours.&rdquo;
- </p>
- <p>
- Jimmie, having no visiting cards, scribbled his address on the back of an
- envelope. He would be delighted to see Mr. Weever any time he was passing
- through London. Weever bowed, and turned to greet a passing acquaintance,
- leaving a happy artist. A miracle had happened; the star of his fortunes
- had arisen. A week ago it was below the horizon, shedding a faint, hopeful
- glimmer in the sky. Now it shone bright overhead. The days of struggle and
- disappointment were over. He had come into his kingdom of recognition. All
- had happened to-day: the princess's promise of another and more
- illustrious royal portrait; the sudden leap into fame; the patronage of
- the American financier. One has to be the poor artist, with his youth&mdash;one record of desperate endeavour&mdash;behind him, to know what these
- things mean. The delicate flattery of strange women, however commonplace
- or contemptible it may be to the successful, was a new, rare thing to
- Jimmie and appeased an unknown hunger. The prospect of good work done and
- delivered to the world, without sordid, heart-breaking bargainings,
- shimmered before him like a paradise. Old habit made him long for Aline.
- How pleased the child would be when she heard the glad news! He saw the
- joy on her bright face and heard her clap her hands together, and he
- smiled. He would return to her a conqueror, having won the prizes she had
- so often wept for&mdash;name and fame and fortune. The band was playing
- the &ldquo;Wedding March&rdquo; from &ldquo;Lohengrin.&rdquo; By chance, as he was no musician, he
- recognised it.
- </p>
- <p>
- &ldquo;Aline shall have a wedding dress from Paris,&rdquo; he said half aloud, and he
- smiled again. The world had never been so beautiful.
- </p>
- <p>
- He embraced all of it that was visible in a happy, sweeping glance. Then
- with the swiftness of lightning the smile on his face changed into
- consternation.
- </p>
- <p>
- For a moment he stood stock still, staring at the sudden figure of a man.
- It was Stone, the mad orator of Hyde Park. There was no possibility of
- mistaking him at a distance of fifteen or twenty yards. He wore the same
- rusty black frock-coat and trousers, the same dirty collar and narrow
- black tie, the same shapeless clerical hat. His long neck above the collar
- looked raw and scabious like a vulture's. In his hand he carried a folded
- newspaper. He had suddenly emerged upon the end of the terrace from the
- front entrance, and was descending the steps that led down to the tennis
- lawn. If he walked straight on, he would come to the group surrounding the
- princess and the Duchess of Wiltshire. Two or three people were already
- eyeing him curiously.
- </p>
- <p>
- Morland's strange dread of the man flashed upon Jimmie. He hurried forward
- to meet him. Of what he was about to do he had no definite idea. Perhaps
- he could head Stone off, take him away from the grounds on the pretext of
- listening to his grievances. At any rate, a scandal must be avoided. As he
- drew near, he observed Morland, who had been bending down in conversation
- with the duchess, rise and unexpectedly recognise Stone.
- </p>
- <p>
- A manservant bearing a small tray with some teacups ran up to the
- extraordinary intruder, who waved him away impatiently. The servant put
- down his tray and caught him by the arm.
- </p>
- <p>
- &ldquo;You have no business here.&rdquo;
- </p>
- <p>
- Stone shook himself free.
- </p>
- <p>
- &ldquo;I have. Where is Mr. Rendell? Tell him I have to speak with him.&rdquo;
- </p>
- <p>
- &ldquo;There is no such person here,&rdquo; said the servant. &ldquo;Be off!&rdquo;
- </p>
- <p>
- Jimmie reached the spot, as a few of the nearer guests were beginning to
- take a surprised interest in the altercation. Morland came forward from
- behind the duchess's chair and cast a swift glance at Jimmie.
- </p>
- <p>
- &ldquo;If you don't go, I shall make you,&rdquo; said the servant, preparing to
- execute his threat. The man looked dangerous.
- </p>
- <p>
- &ldquo;I must see Mr. David Rendell,&rdquo; he cried, beginning to struggle.
- </p>
- <p>
- Jimmie drew the servant away.
- </p>
- <p>
- &ldquo;I know this gentleman,&rdquo; he said quietly. &ldquo;Mr. Stone, Mr. Rendell is not
- here, but if you will come with me, I will listen to you, and tell him
- anything you have to say.&rdquo;
- </p>
- <p>
- Mr. Hardacre, who had seen the scuffle from a distance, came up in a
- fluster.
- </p>
- <p>
- &ldquo;What's all this? What's all this? Who is this creature? Please go away.&rdquo;
- He began to hustle the man.
- </p>
- <p>
- &ldquo;Stop! He's an acquaintance of Padgate's,&rdquo; said Morland, huskily.
- </p>
- <p>
- There was a short pause. Stone stared around at the well-dressed men and
- women, at the seated figures of the princess and the duchess, at the
- servant who had picked up the tray, at the band who were still playing the
- &ldquo;Wedding March&rdquo; from &ldquo;Lohengrin,&rdquo; at the red-faced, little, blustering
- man, at the beautiful cool setting of green, and the look in his eyes was
- that of one who saw none of these things. Morland edged to Jimmie's side.
- </p>
- <p>
- &ldquo;For God's sake, get him away,&rdquo; he said in a low voice.
- </p>
- <p>
- Jimmie nodded and touched the man's arm.
- </p>
- <p>
- &ldquo;Come,&rdquo; said he.
- </p>
- <p>
- &ldquo;Yes, please take him off! What the dickens does he want?&rdquo; said Mr.
- Hardacre.
- </p>
- <p>
- Stone turned his burning eyes upon him.
- </p>
- <p>
- &ldquo;I have come to find an infamous seducer,&rdquo; he replied, with a melodramatic
- intensity that would have been ludicrous had his face not been so ghastly.
- &ldquo;His name is Rendell.&rdquo;
- </p>
- <p>
- There was a shiver of interest in the crowd.
- </p>
- <p>
- &ldquo;<i>Was sagt er?</i>&rdquo; the princess whispered to her neighbour.
- </p>
- <p>
- Jimmie again tried to lead Stone away, but the distraught creature seemed
- lost in thought and looked at him fixedly.
- </p>
- <p>
- &ldquo;I have seen you before,&rdquo; he said at last.
- </p>
- <p>
- &ldquo;Of course you have,&rdquo; said Jimmie. &ldquo;In Hyde Park. Don't you remember?&rdquo;
- </p>
- <p>
- Suddenly, with a wrench of his hands he tore an unmounted photograph from
- the folded newspaper and threw it on the ground. His eyes blazed.
- </p>
- <p>
- &ldquo;I thought I should find him. One of you is David Rendell. It is not your
- real name. That I know. Which of you is it?&rdquo;
- </p>
- <p>
- Jimmie had sprung upon the photograph. Instinct rather than the evidence
- of sight told him that it was an amateur portrait of himself and Morland
- taken one idle afternoon in the studio by young Tony Merewether. It had
- hardly lain the fraction of a second on the ground but to Jimmie it seemed
- as if the two figures had flashed clear upon the sight of all the
- bystanders. He glanced quickly at Morland, who stood quite still now with
- stony face and averted eyes. He too had recognised the photograph, and he
- cursed himself for a fool for having given it to the girl. He had had it
- loose in his pocket; she had pleaded for it; she had no likeness of him at
- all. He was paying now for his imprudent folly. Like Jimmie, he feared
- lest others should have recognised the photograph. But he trusted again to
- chance. Jimmie had undertaken the unpleasant business and his wit would
- possibly save the situation.
- </p>
- <p>
- Jimmie did not hesitate. A man is as God made him, heart and brain. To his
- impulsive imagination the photograph would be proof positive for the world
- that one of the two was the infamous seducer. It did not occur to him to
- brazen the man out, to send him about his business; wherein lies the
- pathos of simple-mindedness. The decisive moment had come. To Morland
- exposure would mean loss of career, and, as he conceived it, loss of
- Norma; and to the beloved woman it would mean misery and heartbreak. So he
- committed an heroic folly.
- </p>
- <p>
- &ldquo;Well, I <i>am</i> Rendell,&rdquo; he said in a loud voice. &ldquo;What then?&rdquo;
- </p>
- <p>
- Heedless of shocked whisperings and confused voices, among which rose a
- virtuously indignant &ldquo;Great heavens!&rdquo; from Mrs. Hardacre, he moved away
- quickly towards the slope, motioning Stone to follow. But Stone remained
- where he stood, and pointed at Jimmie with lean, outstretched finger, and
- lifted up his voice in crazy rhetoric, which was heard above the &ldquo;Wedding
- March.&rdquo; No one tried to stop him. It was too odd, too interesting, too
- dramatic.
- </p>
- <p>
- &ldquo;The world shall know the tale of your lust, and the sun shall not go down
- upon your iniquity. Under false promises you betrayed the sweetest flower
- in God's garden. Basely you taunted her in her hour of need. Murder and
- suicide are on your head. There is the record for all who wish to read it.
- Read it,&rdquo; he cried, flinging the newspaper at Mrs. Hardacre's feet. &ldquo;Read
- how she killed her newborn babe, the child of this devil, and then hanged
- herself.&rdquo;
- </p>
- <p>
- Jimmie came two or three steps forward.
- </p>
- <p>
- &ldquo;Stop this mad foolery,&rdquo; he cried.
- </p>
- <p>
- Stone glared at him for a fraction of a second, thrust his hand into the
- breast-pocket of his frock-coat, drew out a revolver, and shot him.
- </p>
- <p>
- Jimmie staggered as a streak of fire passed through him, and swung round.
- The women shrieked and rushed together behind the princess and the
- duchess, who remained calmly seated. The men with one impulse sprang
- forward to seize the madman; but as he leaped aside and threatened his
- assailants with his revolver, they hung back. The band stopped short in
- the middle of a bar.
- </p>
- <p>
- Norma and Connie Deering and one or two others who had been in the house,
- unaware of the commotion of the last few minutes, ran out on the terrace
- as they heard the shot and the sudden cessation of the band. They saw the
- crowd of frightened, nervous people below, and the grotesque figure in his
- rusty black pointing the pistol. And they saw Jimmie march up to him, and
- in a dead silence they heard him say:
- </p>
- <p>
- &ldquo;Give me that revolver. What is a silly fool like you doing with
- fire-arms? You could n't hit a haystack at a yard's distance. Give it to
- me, I say.&rdquo;
- </p>
- <p>
- The man's arm was outstretched, and the pistol was aimed point-blank at
- Jimmie. Connie Deering gripped Norma's arm, and Norma, feeling faint, grew
- white to the lips.
- </p>
- <p>
- &ldquo;Give it to me,&rdquo; said Jimmie again.
- </p>
- <p>
- The man wavered, his arm drooped slightly; with the action of one who
- takes a dangerous thing from a child, Jimmie quietly wrenched the revolver
- from his grasp.
- </p>
- <p>
- Norma gave a gasp of relief and began to laugh foolishly. Connie clapped
- her hands in excitement.
- </p>
- <p>
- &ldquo;Did n't I tell you he was a man? By heavens, the only one in the lot!&rdquo;
- </p>
- <p>
- Jimmie pointed towards the terrace steps.
- </p>
- <p>
- &ldquo;Go!&rdquo; he said.
- </p>
- <p>
- But there was a rush now to seize the disarmed Stone, the red coats of the
- bandsmen mingling with the black of the guests. Jimmie, with a curious
- flame through his shoulder and a swimming in his head, swerved aside.
- Morland ran up, with a white face.
- </p>
- <p>
- &ldquo;My God! He has hit you. I thought he had missed.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie, smiling at the reeling scene. &ldquo;I'm all right. Keep the
- photograph. It was silly to give one's photograph away. I always was a
- fool.&rdquo;
- </p>
- <p>
- Morland pocketed the unmounted print. He tried to utter a word of thanks,
- but the eyes of the scared and scandalised crowd a few steps away were
- upon them, and many were listening. For a moment during the madman's crazy
- indictment of Jimmie&mdash;for the horrible facts were only too true&mdash;he
- had had the generous impulse to come forward and at all costs save his
- friend; but he had hesitated. The shot had been fired. The dramatic little
- scene had followed. To proclaim Jimmie's innocence and his own guilt now
- would be an anticlimax. It was too late. He would take another opportunity
- of exonerating Jimmie. So he stood helpless before him, and Jimmie,
- feeling fainter and fainter, protested that he was not hurt.
- </p>
- <p>
- They stood a bit apart from the rest. By this time men and women had
- flocked from all quarters, and practically the whole party had assembled
- on the tennis lawn. Norma still stood with Connie on the terrace, her hand
- on her heart. A small group clustered round a man who had picked up the
- newspaper and was reading aloud the ghastly paragraph marked by Stone in
- blue pencil. The Hardacres were wringing their hands before a stony-faced
- princess and an indignant duchess, who announced their intention of
- immediate departure. Every one told every one else the facts he or she had
- managed to gather. Human nature and the morbidly stimulated imagination of
- naturally unimaginative people invented atrocious details. Jimmie's
- new-born fame as a painter was quickly merged into hideous notoriety. His
- star must have been Lucifer, so swift was its fall.
- </p>
- <p>
- Mr. Hardacre left his wife's side, and dragged Morland a step or two away,
- and whispered excitedly:
- </p>
- <p>
- &ldquo;What a scandal! What a hell of a scandal! Before royalty, too. It will be
- the death of us. The damned fellow must go. You must clear him out of the
- house!&rdquo;
- </p>
- <p>
- &ldquo;He's hit. Look at him,&rdquo; exclaimed Morland.
- </p>
- <p>
- Jimmie heard his host's whisper in a dream. It seemed a hoarse voice very,
- very far off. He laughed in an idiotic way, waved his hand to the gyrating
- crowd, and stumbled a few yards towards the slope. The world swam into
- darkness and he fell heavily on his face.
- </p>
- <p>
- Then, to the amazement of the county, Norma with a ringing cry rushed down
- the slope, and threw herself beside Jimmie's body and put his head on her
- lap. And there she stayed until they dragged her away, uttering the queer
- whimpering exclamations of a woman suddenly stricken with great terror.
- She thought Jimmie was dead.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0015" id="link2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XV&mdash;MRS. HARDACRE LAUGHS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HEY took Jimmie
- into the house, and Norma, looking neither to right nor left, walked by
- the side of those carrying him, the front of her embroidered dress smeared
- with blood. Every time her hands came in contact with the delicate fabric,
- they left a fresh smear. Of this she was unconscious. She was unconscious
- too, save in a dull way, of the staring crowd; but she held her head high,
- and when Morland spoke to her by the drawing-room window through which
- they passed, she listened to what he had to say, bowed slightly, and went
- on.
- </p>
- <p>
- &ldquo;It is only a flesh wound. If it had been the lung, he would have spat
- blood. I don't think it is serious.&rdquo;
- </p>
- <p>
- He spoke in a curiously apologetic tone, as if anxious to exculpate
- himself from complicity in the attempted murder.. He was horribly
- frightened. Two deaths laid in one day at a man's door are enough. The
- possibility of a third was intolerable. The sense of the unheroic part he
- had just played was beginning to creep over him like a chilling mist. The
- consequences of confession, the only means whereby Jimmie could be
- rehabilitated, loomed in front of him more and more disastrous. It would
- be presenting himself to the world as a coward as well as a knave. That
- prospect, too, frightened him. Lastly, there was Norma, white,
- terror-stricken, metamorphosed in a second into a creature of primitive
- emotions. Like the other shocks of that unhallowed day, her revelation of
- unsuspected passions brought him face to face with the unfamiliar; and to
- the average sensual man the unfamiliar brings with it an atmosphere of the
- uncanny, the influence to be feared. His attitude, therefore, when he
- addressed her was ludicrously humble.
- </p>
- <p>
- She bowed and passed on. By this time she knew that Jimmie was not dead.
- Morland's words even reassured her. Her breath came hard through her
- delicate nostrils, and her bosom heaved up and down beneath the open-work
- bodice with painful quickness. Only a few were allowed to stay in the
- dining-room, Morland, Mr. Hardacre, Theodore Weever on behalf of the
- duchess, and one or two others, while the Cosford doctor, who had been
- invited to the garden-party, made his examination. Norma went through into
- the hall. At the bottom of the stairs she met Connie in piteous distress.
- </p>
- <p>
- &ldquo;Oh, my poor dear, my poor dear, we did n't know! I have just heard all
- about it. It is terrible!&rdquo;
- </p>
- <p>
- Norma put up her hand beseechingly.
- </p>
- <p>
- &ldquo;Don't, Connie dear; don't talk of it. I can't bear it. I must be alone.
- Send me up word what the doctor says.&rdquo;
- </p>
- <p>
-She went to her room, sat there and
- waited. Presently her maid entered with the message from Mrs. Deering. The
- doctor's report was favourable&mdash;the wound not in any way dangerous,
- the bullet easily extractable. They had carried the patient to his
- bedroom, and Mrs. Deering had wired for Miss Marden to come down by the
- first train. Norma dismissed the maid, and tried, in a miserable wonder,
- to realise all that had happened.
- </p>
- <p>
- A woman accustomed to many emotions can almost always hold herself in
- check, if she be of strong will. Experience has taught her the meaning and
- the danger of those swift rushes of the blood that lead to unreasoning
- outburst. She is forewarned, forearmed, and can resist or not as occasion
- demands. But even she is sometimes taken unawares. How much the more
- likely to give way is the woman who has never felt passionate emotion in
- her life before. The premonitory symptoms fail to convey the sense of
- danger to her inexperienced mind. Before the will has time to act she is
- swept on by a new force, bewildering, irresistible. It becomes an ecstatic
- madness of joy or grief, and to the otherwise rational being her actions
- are of no account. This curse of quick responsiveness afflicts men to a
- less degree. If the first chapters of Genesis could be brought up to date,
- woman would be endowed, not with an extra rib, but with an extra nerve.
- </p>
- <p>
- Now that she knew the shooting of Jimmie to be an affair of no great
- seriousness, her heart sickened at the thought of her wild exhibition of
- feeling. She heard the sniggering and ridicule in every carriage-load of
- homeward-bound guests. From the wife of the scrubby curate to the Princess
- of Herren-Rothbeck, her name was rolled like a delicate morsel on the
- tongue of every woman in the county. And the inference they could not fail
- to draw from her action was true&mdash;miserably true. But she had only
- become poignantly aware of things at the moment when she saw the lean
- haggard man in rusty black covering Jimmie with the revolver. Then all the
- unrest of soul which she had striven to allay with her mockery, all the
- disquieting visions of sweet places to which she had scornfully blinded
- her eyes, all the burning words of passion whose clear echoing had wrapped
- her body in hateful fever the night before, converged like electric
- currents into one steady light radiant with significance. Two minutes
- afterwards, when Jimmie fell, civilisation slipped from her like a loose
- garment, and primitive woman threw herself by his side. But now,
- reclothed, she shivered at the memory.
- </p>
- <p>
- The door opened suddenly, and Mrs. Hardacre entered. There was battle in
- every line of the hard face and in every movement of the thin, stiff
- figure. Norma rose from the window where she had been sitting and faced
- her mother defiantly.
- </p>
- <p>
- &ldquo;I know what you are going to say to me. Don't you think you might wait a
- little? It will keep.&rdquo;
- </p>
- <p>
- &ldquo;It won't. Sit down,&rdquo; said Mrs. Hardacre between her teeth.
- </p>
- <p>
- &ldquo;I prefer to stand for the moment,&rdquo; said Norma.
- </p>
- <p>
- Mrs. Hardacre lost her self-control.
- </p>
- <p>
- &ldquo;Are we to send you to a madhouse? What do you mean by your blazing folly?
- Before the whole county&mdash;before the duchess&mdash;before the
- princess! Do you know what I have had to go through the last half-hour? Do
- you know that we may never set foot in Chiltern Towers again? Do you know
- we are the scandal and the laughing-stock of the county? As if one thing
- was n't sufficient&mdash;for you to crown it by behaving like a hysterical
- school-girl! Do you know what interpretation every scandal-mongering tabby
- in the place is putting on your insane conduct?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes,&rdquo; said Norma, looking at her mother stonily; &ldquo;and for once in
- their spiteful lives they are quite right.&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; gasped Mrs. Hardacre.
- </p>
- <p>
- &ldquo;I think my meaning is obvious.&rdquo;
- </p>
- <p>
- &ldquo;That man&mdash;that painter man dressed like a secondhand clothes-dealer&mdash;that&mdash;that
- beast?&rdquo;
- </p>
- <p>
- Mrs. Hardacre could scarcely trust her senses. The true solution of her
- daughter's extraordinary behaviour had never crossed her most desperate
- imaginings. But then she had not had much time for quiet speculatien. The
- speeding of her hurriedly departing guests had usurped all the wits of the
- poor lady.
- </p>
- <p>
- &ldquo;You have indeed given us a dramatic entertainment, dear Mrs. Hardacre,&rdquo;
- Lady FitzHubert had said with a sympathetic smile. &ldquo;And poor Norma has
- supplied the curtain. I hope she won't take it too much to heart.&rdquo;
- </p>
- <p>
- And Mrs. Hardacre, livid with rage, had had no weapon wherewith to strike
- her adversary who thus took triumphant vengeance. It had been a half-hour
- of grievous humiliation. The fount and origin thereof was lying
- unconscious with a bullet through his shoulder. The subsidiary stream, so
- to speak, was in her room safe and sound. Human nature, for which she is
- not deserving of over-blame, had driven Mrs. Hardacre thither. At least
- she could vent some of her pent-up fury upon her outrageous daughter, who,
- from Mrs. Hardacre's point of view, indeed owed an explanation of her
- action and deserved maternal censure. This she was more than prepared to
- administer. But when she heard Norma calmly say that Lady FitzHubert and
- the other delighted wreakers of private revenges were entirely in the
- right, she gasped with amazement.
- </p>
- <p>
- &ldquo;That beast!&rdquo; she repeated with a rising intonation. Norma gave her
- habitual shrug of the shoulders. With her proud, erect bearing, it was a
- gesture not ungraceful.
- </p>
- <p>
- &ldquo;Considering what I have just admitted, mother, perhaps it would be in
- better taste not to use such language.&rdquo;
- </p>
- <p>
- &ldquo;I don't understand your admitting it. I don't know what on earth you
- mean,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- There was a short pause, during which she scanned her daughter's face
- anxiously as if waiting to see a gleam of reason dawn on it. Norma
- reflected for a moment. Should she speak or not? She decided to speak.
- Brutal frankness had ever been her best weapon against her mother. It
- would probably prevent future wrangling.
- </p>
- <p>
- &ldquo;I am sorry I have n't made my meaning clear,&rdquo; she said, resuming her seat
- by the window; &ldquo;and I don't know whether I can make it much clearer.
- Anyhow, I'll try, mother. I used to think that love was either a
- school-girl sentimentality, a fiction of the poets, or else the sort of
- thing that lands married women who don't know how to take care of
- themselves in the divorce court. I find it is n't. That's all.&rdquo;
- </p>
- <p>
- Mrs. Hardacre ran up to the window and faced Norma. &ldquo;And Morland?&rdquo;
- </p>
- <p>
- &ldquo;It won't break his heart.&rdquo;
- </p>
- <p>
- &ldquo;What won't?&rdquo;
- </p>
- <p>
- &ldquo;The breaking off of our engagement.&rdquo;
- </p>
- <p>
- Mrs. Hardacre looked at her daughter in a paralysis of bewilderment.
- </p>
- <p>
- &ldquo;The madhouse is the only place for you.&rdquo;
- </p>
- <p>
- &ldquo;Perhaps it is. Anyway I can't marry a man when I care for his intimate
- friend&mdash;and when the intimate friend cares for me. Somehow it's not
- quite decent. Even you, mother, can see that.&rdquo;
- </p>
- <p>
- &ldquo;So you and the intimate friend have arranged it all between you?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no. He does n't know that I care, and he does n't know that I know
- that he cares. I'll say that over again if you like. It is quite
- accurately expressed. And you know I'm not in the habit of lying.&rdquo;
- </p>
- <p>
- &ldquo;And you propose to marry&mdash;&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't propose to do anything,&rdquo; interrupted Norma, quickly. &ldquo;I at least
- can wait till he asks me. And now, mother, I've had rather a bad time&mdash;don't
- you think we might stop?&rdquo;
- </p>
- <p>
- &ldquo;It seems to me, my dear Norma, we are only just beginning,&rdquo; said Mrs.
- Hardacre.
- </p>
- <p>
- Norma rose with nervous impatience.
- </p>
- <p>
- &ldquo;O heavens, mother,&rdquo; she said, in the full deep notes of her voice, which
- were only sounded at rare moments of feeling, &ldquo;can't you see that I'm in
- earnest? This man is like no one else I have ever met. I have grown to
- need him. Do you know what that means? With him I am a changed woman&mdash;as
- God made me, I suppose; natural, fresh, real&mdash;&rdquo; Mrs. Hardacre sat in
- Norma's vacated chair by the window and stared at her, as she moved about
- the room. &ldquo;I somehow feel that I am a woman, after all. I have got
- something higher than myself that I can fall at the feet of, and that's
- what every woman craves when she's decent. As for marrying him&mdash;I'm
- not fit to marry him. There is n't any one living who is. That's an end of
- it, mother. I can't say anything more.&rdquo;
- </p>
- <p>
- &ldquo;And do you propose to go on seeing this person when he recovers?&rdquo; asked
- Mrs. Hardacre.
- </p>
- <p>
- &ldquo;Why not?&rdquo;
- </p>
- <p>
- &ldquo;I really can't argue with you,&rdquo; said her mother, mystified. &ldquo;If you had
- told me this rubbish yesterday, I should have thought you touched in your
- wits. To-day it is midsummer madness.&rdquo;
- </p>
- <p>
- &ldquo;Why to-day?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;The man has shown himself to be such a horrible beast. Of course, if you
- think confessing to having seduced a girl under infamous circumstances and
- driven her by his brutality to child-murder and suicide, and blazoning the
- whole thing out at a fashionable garden-party and getting himself shot for
- his pains, are idyllic virtues, nothing more can be said. It's a case, as
- I remarked, for a madhouse.&rdquo; Norma came and stood before her mother, her
- brows knitted in perplexity.
- </p>
- <p>
- &ldquo;Perhaps I am going crazy&mdash;I really don't understand what you are
- talking about.&rdquo;
- </p>
- <p>
- Mrs. Hardacre leant forward in her chair and drew a long breath. A gleam
- of intelligence came into her eyes as she looked at Norma.
- </p>
- <p>
- &ldquo;Do you mean to say you don't know what the row was about before the man
- fired the shot?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Norma, blankly.
- </p>
- <p>
- Her mother fell back in her chair and laughed. It was the first moment of
- enjoyment she had experienced since Stone's black figure had appeared on
- the terrace. Reaction from strain caused the laughter to ring somewhat
- sharply. Norma regarded her with an anxious frown.
- </p>
- <p>
- &ldquo;Please tell me exactly what you mean.&rdquo;
- </p>
- <p>
- &ldquo;My dear child&mdash;it's too funny. I thought you would have been too
- clever to be taken in by a man like this. I see, you've been imagining him
- a Galahad&mdash;a sort of spotless prophet&mdash;though what use you can
- have for such persons I can't make out. Well, this is what happened.&rdquo;
- Embellishing the story here and there with little spiteful adornments, she
- described with fair accuracy, however, the scene that had occurred. Norma
- listened stonily.
- </p>
- <p>
- &ldquo;This is true?&rdquo; she asked when her mother had finished.
- </p>
- <p>
- &ldquo;Ask any one who was there&mdash;your father&mdash;Morland.&rdquo;
- </p>
- <p>
- &ldquo;I can't believe it. He is not that sort of man.&rdquo;
- </p>
- <p>
- &ldquo;Is n't he? I knew he was the first time I set eyes on him. Perhaps
- another time you'll allow me to have some sense&mdash;of course, if it is
- immaterial to you whether a man is a brute&mdash;What are you ringing the
- bell for?&rdquo;
- </p>
- <p>
- &ldquo;I am going to ask Morland to come up here.&rdquo;
- </p>
- <p>
- The maid appeared, received Norma's message, and retired. Norma sat by her
- little writing-table, with her head turned away from her mother, and there
- was silence between them till the maid returned.
- </p>
- <p>
- &ldquo;Mr. King has just driven off to catch the train, miss. He left a note for
- you.&rdquo;
- </p>
- <p>
- Mrs. Hardacre listened with contracted brow. When the maid retired, she
- bent forward anxiously.
- </p>
- <p>
- &ldquo;What does he say?&rdquo;
- </p>
- <p>
- &ldquo;You can read it, mother,&rdquo; replied Norma, wearily. She held out the note.
- Mrs. Hardacre came forward and took it from her hand and sat down again.
- </p>
- <p>
- It ran:
- </p>
- <p>
- <i>&ldquo;Dear Norma,&mdash;I think it best to run up to town on this
- afternoon's business. I have only just time to catch the train at Cosford,
- so you will forgive my not saying good-bye to you more ceremoniously. Take
- care of poor Jimmie.</i>
- </p>
- <p>
- <i>&ldquo;Yours affectionately,</i>
- </p>
- <p>
- <i>&ldquo;Morland.&rdquo;</i>
- </p>
- <p>
- &ldquo;Poor Jimmie, indeed!&rdquo; said Mrs. Hardacre, somewhat relieved at finding
- the note contained no reference to the part played by Norma. &ldquo;It's very
- good of Morland, but I wish he would not mix himself up in this scandal.&rdquo;
- </p>
- <p>
- &ldquo;I can't see what less he could do than look after his friend's
- interests,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I wish the man had been shot or hanged before he came down here,&rdquo; said
- Mrs. Hardacre, vindictively. &ldquo;That's the worst of associating with such
- riff-raff. One never knows what they will do. It will teach you not to
- pick people out of the gutter and set them in a drawing-room.&rdquo; Mrs.
- Hardacre rose. She did not often have the opportunity of triumphing over
- her daughter. She crossed the room and paused for a moment by Norma, who
- sat motionless with her chin in her hand, apparently too dismayed to
- retort.
- </p>
- <p>
- &ldquo;I am glad to see symptoms of sanity,&rdquo; she remarked.
- </p>
- <p>
- Norma brought down her hand hard upon the table and leaped to her feet and
- faced her mother.
- </p>
- <p>
- &ldquo;I tell you, it's impossible! Impossible! He is not that kind of man. It
- is some horrible mistake. I will ask him myself. I will get the truth from
- his own lips.&rdquo;
- </p>
- <p>
- &ldquo;You shall certainly do nothing of the kind,&rdquo; cried her mother; and in
- order to have the last word she went out and slammed the door behind her.
- </p>
- <p>
- Norma sat by the window again. The red September sun was setting, and
- bathed downs and trees in warm light, and glinted on the spire of a little
- village church a mile away. Everything it touched was at peace, save the
- bowed head of the girl, clasped with white fingers which still retained
- the dull brown marks of blood. Could she believe the revolting story? A
- woman so driven to desperation must have been cruelly handled. Her sex
- rose up against the destroyer. Her social training had caused her to
- regard with cynical indifference ordinary breaches of what is popularly
- termed the moral law. In the fast, idle set which she generally frequented
- it was as ordinary for a man to neigh after his neighbour's wife as to try
- to win his friend's money; as unsurprising for him to keep a mistress as a
- stud of race-horses; the crime was to marry her. But it was not customary,
- even in smart society, to drive women to murder their new-born babes and
- kill themselves. A callous brutality suggested itself, and the
- contemplation of it touched humanity, sex, essential things. Could she
- believe the story? She shuddered.
- </p>
- <p>
- The dressing-gong sounded through the house. Her maid entered, drew the
- curtains, and lit the gas; then was dismissed. Norma would not go down to
- dinner. A little food and drink in her own room would be all that she
- could swallow.
- </p>
- <p>
- Later, Connie Deering, who had changed her dress, tapped at the door and
- was bidden to enter. A quantity of powder vainly strove to hide the traces
- of recent tears on her pretty face. She was a swollen-featured, piteous
- little butterfly.
- </p>
- <p>
- &ldquo;How is he?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;Better, much better. They have taken out the bullet. There is no danger,
- and he has recovered consciousness. I almost wish he hadn't. Oh, Norma
- dear&mdash;&rdquo;
- </p>
- <p>
- She broke down and sat on the bed and sobbed. Norma came up and laid her
- hand on her shoulder.
- </p>
- <p>
- &ldquo;Surely you don't believe this ghastly story?&rdquo;
- </p>
- <p>
- The fair head nodded above the handkerchief. A voice came from-below it.
- </p>
- <p>
- &ldquo;I must&mdash;it's horrible&mdash;Jimmie, of all men! I thought his life
- was so sweet and clean&mdash;almost like a good woman's&mdash;I can't
- understand it. If he is as bad as this, what must other men be like? I
- feel as if I shall never be able to look a man in the face again.&rdquo;
- </p>
- <p>
- &ldquo;But why should you take it for granted that he has done this?&rdquo; asked
- Norma, tonelessly.
- </p>
- <p>
- Mrs. Deering raised her face and looked at her friend in blue-eyed dismay.
- </p>
- <p>
- &ldquo;I did n't take it for granted. He told me so himself. Otherwise do you
- think I should have believed it?&rdquo;
- </p>
- <p>
- &ldquo;He told you so himself! When?&rdquo;
- </p>
- <p>
- &ldquo;A short while ago. I went into his room. I could n't help it&mdash;I felt
- as if I should have gone mad if I didn't know the truth. Parsons was there
- with him. She said I could come in. He smiled at me in his old way, and
- that smile is enough to make any woman fall in love with him. 'You've been
- crying, Connie,' he said. 'That's very foolish of you.' So I began to cry
- more. You would have cried if you had heard him. I asked him how he was
- feeling. He said he had never felt so well in his life. Then I blurted it
- out. I know I was a beast, but it was more than I could stand. 'Tell me
- that this madman's story was all lies.' He looked at me queerly, waited
- for a second or two, and then moved his head. 'It's all true,' he said,
- 'all true.' 'But you must have some explanation!' I cried. He shut his
- eyes as if he were tired and said I must take the facts as they were. Then
- Parsons came up and said I mustn't excite him, and sent me out of the
- room. But I did n't want to hear any more. I had heard enough, had n't I?&rdquo;
- </p>
- <p>
- Norma, as she listened to the little lady's tale, felt her heart grow cold
- and heavy. Doubt was no longer possible. The man himself had spoken. He
- had not even pleaded extenuating circumstances; had merely admitted the
- plain, brutal facts. He had gone under a feigned name, seduced an honest
- girl, abandoned her, driven her to tragedy. It was all too simple to need
- explanation.
- </p>
- <p>
- &ldquo;But what are we to do, dear?&rdquo; cried Connie, as Norma made no remark, but
- stood motionless and silent.
- </p>
- <p>
- &ldquo;I think we had better drop his acquaintance,&rdquo; she replied with bitter
- irony.
- </p>
- <p>
- Connie flinched at the tone, being a tender-natured woman. She retorted
- with some spirit:
- </p>
- <p>
- &ldquo;I don't believe you have any heart at all, Norma. And I thought you cared
- for him.&rdquo;
- </p>
- <p>
- &ldquo;You thought I cared for him?&rdquo; Norma repeated slowly and cuttingly while
- her eyes hardened. &ldquo;What right had you to form such an opinion?&rdquo;
- </p>
- <p>
- &ldquo;People can form any opinions they like, my dear,&rdquo; said Connie. &ldquo;That was
- mine. And on the terrace this afternoon you know you cared. If ever a
- woman gave herself away over a man, it was Norma Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;It was n't Norma Hardacre, I assure you. It was a despicable fool whom I
- will ask you to forget. My mother was for putting it into a madhouse. She
- was quite right. Anyhow it has ceased to exist and I am the real Norma
- Hardacre again. Humanity is afflicted, it seems, periodically with a
- peculiar disease. It turns men into beasts and women into idiots. I have
- quite recovered, my dear Connie, and if you'll kindly go down and ask them
- to keep dinner back for five minutes, I'll dress and come down.&rdquo;
- </p>
- <p>
- She rang the bell for her maid. Connie rose from the bed. She longed to
- make some appeal to the other's softer nature for her own sake, as she had
- held Jimmie very dear and felt the need of sympathy in her trouble and
- disillusion.
- </p>
- <p>
- But knowing that from the rock of that cynical mood no water would gush
- forth for any one's magic, she recognised the inefficacy of her own
- guileless arts, and forbore to exercise them. She sighed for answer. By
- chance her glance fell upon Norma's skirt. Human instinct, not altogether
- feminine, seized upon the trivial.
- </p>
- <p>
- &ldquo;Why, whatever have you been doing to your dress?&rdquo;
- </p>
- <p>
- Norma looked down, and for the first time noticed the disfiguring smears
- of blood.
- </p>
- <p>
- &ldquo;I must have spilt something,&rdquo; she said, turning away quickly, and
- beginning to unfasten the hooks and eyes of her neckband.
- </p>
- <p>
- &ldquo;I hope it will come out,&rdquo; said Connie. &ldquo;It's such a pretty frock.&rdquo;
- </p>
- <p>
- As soon as she was alone, Norma looked at the stains with unutterable
- repulsion. She tore off the dress feverishly and threw it into a corner.
- When her maid entered in response to her summons, she pointed to the
- shapeless heap of crêpe and embroidery.
- </p>
- <p>
- &ldquo;Take that away and burn it,&rdquo; she said.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0016" id="link2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVI&mdash;IN THE WILDERNESS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">N</span>ORMA went down to
- dinner resolved to present a scornful front to public opinion. She found
- the effort taxed her strength. During the night her courage deserted her.
- The cold glitter of triumph in her mother's eyes had been intolerable. Her
- father, generally regarded with contemptuous indifference, had goaded her
- beyond endurance with his futile upbraiding. Aline had arrived,
- white-faced and questioning, and had established herself by Jimmie's
- bedside. Norma shrank from the ordeal of the daily meeting with her and
- the explanation that would inevitably come. She dreaded the return of
- Morland, uncertain of her own intentions. As she tossed about on her
- pillow, she loathed the idea of the marriage. Innermost sex had spoken for
- one passionate moment, and its message still vibrated. She knew that time
- might dull the memory; she knew that her will might one day triumph over
- such things as sex and sentiment; but she must have a breathing space, a
- period of struggle, of reflection, above all, of disassociation from
- present surroundings. If she sold herself, it must be in the accustomed
- cold atmosphere of brain and heart. Not now, when her head burned and
- flaming swords were piercing her through and through. And last, and chief
- of all her dreads, was the wounded man now sleeping beneath that roof.
- Father, mother, Aline, Morland&mdash;these, torture though it were, she
- could still steel her nerves to meet; but him, never. He had done what no
- other man in the wide world had done. He had awakened the sleeping,
- sacredest inmost of her, and he had dealt it a deadly wound. If she could
- have consumed him and all the memories surrounding him with fire, as she
- had consumed the garment stained with his blood, she would have done so in
- these hours of misery. And fierce among the bewildering conflict of
- emotions that raged through the long night was one that filled her with
- overwhelming disgust&mdash;a horrible, almost grotesque jealousy of the
- dead girl.
- </p>
- <p>
- In the morning, exhausted, she resolved on immediate flight. In the little
- village of Penwyrn on the Cornish coast, her aunt Janet Hardacre led a
- remote, Quakerish existence. The reply to a telegram before she left her
- room assured Norma of a welcome. By eleven o'clock she had left Heddon
- Court and was speeding westwards without a word to Jimmie or Aline.
- </p>
- <p>
- Morland returned in the afternoon, and after a whisky and soda to brace
- his nerves, at once sought Jimmie, who roused himself with an effort to
- greet his visitor.
- </p>
- <p>
- &ldquo;Getting on famously, I hear,&rdquo; said Morland, with forced airiness. &ldquo;So
- glad. We'll have you on your feet in a day or two.&rdquo;
- </p>
- <p>
- &ldquo;I hope to be able to travel back to London to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;To-morrow?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Jimmie, with a curious smile. &ldquo;I fear I have outstayed my
- welcome.&rdquo;
- </p>
- <p>
- &ldquo;Not a bit of it,&rdquo; said Morland, seating himself at the foot of the bed.
- &ldquo;We'll put all that right. But you will give one a little time, won't you?
- You mustn't think you've been altogether left. I ran up to town at once to
- see my solicitors&mdash;not my usual people, you know, but some others,
- devilish smart fellows at this sort of thing. They'll see that nothing
- gets into the beastly papers.&rdquo;
- </p>
- <p>
- &ldquo;I don't see that it matters much,&rdquo; said Jimmie. &ldquo;
- </p>
- <p>
-Why, of course it does.
- I'm not going to let you take the whole blame. I could n't come forward
- yesterday, it was all so sudden. The scandal would have rotted my election
- altogether. But you shall be cleared&mdash;at any rate in the eyes of this
- household. I came down with the intention of telling Norma, but she has
- bolted to Cornwall. Upset, I suppose. However, as soon as she comes back&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Let things be as they are,&rdquo; interrupted Jimmie, closing his eyes for a
- moment wearily, for he had been suffering much bodily pain. &ldquo;When I said I
- was David Rendell, I meant it. I can go on acting the part. It's pretty
- easy.&rdquo;
- </p>
- <p>
- &ldquo;Impossible, my dear old chap,&rdquo; said Morland, with an air of heartiness.
- &ldquo;You went into the affair with your eyes shut. You didn't know it was such
- a horrible mess.&rdquo;
- </p>
- <p>
- &ldquo;All the more reason for Norma to remain ignorant. It was for her sake as
- well as yours.&rdquo;
- </p>
- <p>
- A peculiar tenderness in Jimmie's tone caused Morland, not usually
- perceptive, to look at him sharply.
- </p>
- <p>
- &ldquo;You are very keen upon Norma,&rdquo; he remarked.
- </p>
- <p>
- Jimmie closed his eyes again, and smiled. He was very weak and tired. The
- pain of his wound and a certain mental agitation had kept him awake all
- night, and just before Morland entered he had been dropping off to sleep
- for the first time. An unconquerable drowsiness induced irresponsibility
- of speech.
- </p>
- <p>
- &ldquo;'The desire of the moth for the star,'&rdquo; he murmured.
- </p>
- <p>
- Morland slid from the bed to his feet, and with his hands in his pockets
- gazed in astonishment at his friend.
- </p>
- <p>
- An entirely novel state of affairs dawned upon him which required a few
- moments to bring into focus. The ghastly tragedy for which he was
- responsible, presenting itself luridly at every instant of the night and
- day, had hidden from his reminiscent vision Norma's rush down the slope.
- and her scared tending of the unconscious man. Jimmie's words brought back
- the scene with unpleasant vividness and provided the interpretation. When
- he saw this clearly, he was the most amazed man in the three kingdoms.
- That Jimmie should have conceived and nourished a silly, romantic passion
- for Norma, although he had never interested himself sufficiently in
- Jimmie's private affairs to suspect it, was humorously comprehensible.
- Ludicrously incomprehensible, however, was a reciprocation of the
- sentiment on the part of Norma. In spite of remorse, in spite of anxiety,
- in spite of the struggle between cowardice and manhood, his uppermost
- sensation at that moment was one of lacerated vanity. He had been
- hoodwinked, befooled, deceived. His own familiar friend had betrayed him;
- the woman he was about to honour with his name had set him at naught. He
- tingled with anger and sense of wrong.
- </p>
- <p>
- The sick man opened his eyes drowsily, and seeing Morland's gaze full
- upon him, started into wakefulness. He motioned him to come nearer.
- </p>
- <p>
- &ldquo;If you marry Norma&mdash;&rdquo; he began.
- </p>
- <p>
- &ldquo;If I marry her!&rdquo; cried Morland. &ldquo;Of course I'm going to marry her. I'll
- see any other man damned before he marries her! She's the only woman in
- the world I've ever set my mind on, and no matter what happens, I'm going
- to marry her. There are no damned if's about it.&rdquo;
- </p>
- <p>
- &ldquo;Yes, there are,&rdquo; Jimmie retorted weakly. &ldquo;I was going to preach, but I'm
- too tired. You'll have to be especially good to her&mdash;to make up.&rdquo;
- </p>
- <p>
- &ldquo;For what?&rdquo;
- </p>
- <p>
- &ldquo;For the wrong done to the other.&rdquo;
- </p>
- <p>
- Morland was silent. He went up to the window and stared out across the
- lawns and tugged at his moustache. The reproach stung him, and he felt
- that Jimmie was ungenerous. After all, he had only done what thousands of
- other men had done with impunity. The consequences had been enough to
- drive him mad, but they had been the hideous accident of a temperament for
- which he had not been responsible.
- </p>
- <p>
- &ldquo;You surely don't believe all that mad fool said yesterday?&rdquo; he muttered
- without turning round.
- </p>
- <p>
- &ldquo;The promise of marriage?&rdquo;
- </p>
- <p>
- &ldquo;It's a crazy invention. There never was any question of marriage. I told
- you so months ago. I did everything in my power.&rdquo;
- </p>
- <p>
- &ldquo;I'm glad,&rdquo; said Jimmie.
- </p>
- <p>
- Morland made no reply, but continued to stare out of the window and
- meditate upon the many injuries that fate had done him. He arraigned
- himself before the bar of his wounded vanity. He had broken the moral law
- and deserved a certain penalty. The magnanimous verdict received the
- applause of an admiring self. He was willing to undergo an adequate
- punishment&mdash;the imposition of a fine and the hard labour of setting
- devious things straight. But the alternative sentence to which he saw
- himself condemned&mdash;on the one hand, the ruin of his political career,
- his social position, and his marriage with Norma, to all of which he clung
- with a newly found passion, and on the other, ignoble shelter behind an
- innocent man who had done him a great wrong&mdash;he rebelled against with
- all his average, sensual Briton's sense of justice. It was grossly unfair.
- If there had been a spiritual &ldquo;Times,&rdquo; he would have written to it.
- </p>
- <p>
- The opening of the door caused him to turn round with a start. It was
- Aline, anxious and pale from an all-night sitting by Jimmie's bedside, but
- holding her slim body erect, and wearing the uncompromising air of a
- mother who has found her child evilly entreated at the hands of strangers.
- She glanced at the bed and at Morland; then she put her finger to her lip,
- and pointed at Jimmie, who lay fast asleep. Morland nodded and went on
- tiptoe out of the room. Aline looked round, and being a sensitive young
- person, shivered. She threw open the window wide, as if to rid the place
- of his influence. Jimmie stirred slightly. She bent down and kissed his
- hair.
- </p>
- <p>
- During the dark and troubled time that followed, Morland fell away from
- Jimmie like the bosom friend of a mediaeval artist stricken with the Black
- Death. At first, common decency impelled him to send the tainted one
- affectionate messages, invitations to trust him awhile longer, and
- enlarged, with the crudity of his mental habit, on the noble aspects of
- Jimmie's sacrifice. But after Jimmie left the Hardacres' house, which
- happened as soon as he could bear the journey, Morland shrank from meeting
- him face to face; and when public exposure came, the messages and the
- invitations and the protestations ceased, and Jimmie was left in
- loneliness upon a pinnacle of infamy. Morland, in the futile hope of the
- weak-willed man that he could, by some astonishing chance, sail a middle
- course, did indeed give himself peculiar pains to keep the story out of
- the newspapers, and his ill-success was due to other causes than his own
- lack of effort. It was a tale too picturesque to be wasted in these days
- of sensation-hunger. The fact of the dénouement of the tragedy having
- taken place in the presence of royalty lent it a theatrical glamour. A
- sardonic press filled an Athenian public with what it lusted after.
- Indeed, who shall say with authority that the actual dramas re-enacted
- before our courts and reported in our newspapers have not their value in
- splashing with sudden colour the drab lives of thousands? May it not be
- better for the dulled soul to be occasionally arrested by the
- contemplation of furious passions than to feed contentedly like a pig
- beside the slaughtered body of its fellow?
- </p>
- <p>
- Be that as it may. The press paid no heed to Morland or the smart fellows
- of solicitors whom he employed. It published as many details as it could
- discover or invent. For the tragical business did not end with the scene
- on the Hardacres' lawn. There was an inquest on the dead girl. There was
- the trial of Daniel Stone for attempted murder. The full glare of
- publicity shed itself upon the sordid history. In the one case the jury
- gave a verdict of suicide during temporary insanity; in the other the
- prisoner was found to be insane and was sent to an asylum. These were
- matters of no great public interest. But letters to the dead girl in a
- disguised handwriting were discovered, and Stone gave his crazy evidence,
- and a story of heartless seduction under solemn promise of marriage and of
- abandonment with cynical offer of money was established, and the
- fashionable portrait-painter, who was supposed to be the hero of the tale,
- awoke one morning and found himself infamous. The thing, instead of
- remaining a mere police-court commonplace, became a society scandal.
- Exaggeration was inevitable, not only of facts but of the reprobation a
- virtuous community pronounces on the specially pilloried wrongdoer. The
- scapegoat in its essential significance is by no means a thing of
- legendary history. It exists still, and owes its existence to an
- ineradicable instinct in human nature. The reprobation aforesaid is due
- not entirely to hypocrisy, as the social satirist would have it, but in a
- great measure to an unreasoning impulse towards expiation of offences by
- horrified condemnation of some notorious other. Thus it came to pass that
- upon Jimmie's head were put all the iniquities of the people and all their
- transgressions in all their sins, and he was led away into the social
- wilderness. After that, the world forgot him. He had been obscure enough
- before he burst for a day into the blaze of royal patronage; but now
- blackest darkness swallowed him up. Only Aline remained by his side.
- </p>
- <p>
- Morland wrote to Jimmie once after the exposure. As he had been the cause,
- said he, of the probable ruin of Jimmie's professional prospects, it was
- only right that he should endeavour to make some compensation. It was,
- besides, a privilege of their life-long friendship. He enclosed a cheque
- for two thousand pounds. Jimmie returned it.
- </p>
- <p>
- &ldquo;My dear Morland,&rdquo; he wrote in answer, &ldquo;loyalty can only be repaid by
- loyalty, love by love. If I accepted money, it would dishonour both
- yourself and me. It is true that I took upon me a greater burden than I
- was aware of. The world, if it knew the facts, would, as you say, call me
- a quixotic fool. But if I took your money it would have the right to call
- me a mercenary knave. I have always suffered fools gladly, myself the
- greatest. I can go on doing so. Meanwhile you can make full compensation
- in the only way possible. Devote your life and energies to the happiness
- of the woman you are about to marry.&rdquo; This was a stern letter for Jimmie
- to write. After he had posted it he reproached himself for not having put
- in a kind word.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0017" id="link2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVII&mdash;THE INCURABLE MALADY
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span> 'll never let you
- inside the house again until you go down on your knees and beg Jimmie's
- pardon,&rdquo; cried Aline.
- </p>
- <p>
- She stood, a slim incarnation of outraged womanhood, with her hand on the
- knob of the open door. A scared but stubborn youth hesitated on the
- threshold. Few men, least of all lovers, like being turned out.
- </p>
- <p>
- &ldquo;I don't believe you care a hang for me!&rdquo; he said.
- </p>
- <p>
- &ldquo;I don't,&rdquo; she retorted bravely, but with tremulous lip. &ldquo;Not a hang, as
- you call it. I dislike you exceedingly and I don't want to see you any
- more. I'll never speak to anybody who believes such things of Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;But, my good child,&rdquo; expostulated Tony Merewether, &ldquo;they are facts; he
- never has denied them.&rdquo;
- </p>
- <p>
- &ldquo;He could if he liked.&rdquo;
- </p>
- <p>
- &ldquo;How do you know?&rdquo;
- </p>
- <p>
- &ldquo;How do I know?&rdquo; Aline repeated scornfully. &ldquo;That just shows how far we
- are apart. There's not the slightest reason for talking any more. You have
- insulted Jimmie and you are going on insulting him. I can't stand by this
- door forever. I want you to go.&rdquo;
- </p>
- <p>
- &ldquo;Oh, very well, I'll go,&rdquo; said the young fellow. &ldquo;But you've behaved
- damnably to me, Aline&mdash;simply damnably.&rdquo; He strode down the passage
- and slammed the front door behind him. Aline turned back into the prim
- little drawing-room where the interview had taken place, and after an
- attempt to remain composed and dignified, suddenly broke into tears. She
- could struggle no more against the cruelty of man and the hopelessness of
- life. It had been a stormy interview. Tony Merewether had come, as her
- natural protector, to insist upon immediate marriage. A small legacy
- recently bequeathed to him would enable them to marry with reasonable
- prudence. Why should they wait? Aline pleaded for time. How could she
- leave her beloved Jimmie in his blackest hour?
- </p>
- <p>
- &ldquo;It's just because I don't think it quite right for you to live here any
- longer, that I want you to come away at once,&rdquo; Tony had said.
- </p>
- <p>
- &ldquo;Not right to live here? What on earth do you mean?&rdquo; The luckless lover
- tried to explain. Aline regarded him icily, and in his confusion and
- discomfiture he lost the careful wrappings which he had prepared for his
- words.
- </p>
- <p>
- &ldquo;You think that Jimmie is not a fit person for me to associate with?&rdquo; she
- had asked in a dangerous tone.
- </p>
- <p>
- &ldquo;Yes, since you choose to put it that way,&rdquo; he had replied, nettled. He
- believed that women liked a man of spirit and generally yielded to a show
- of masterfulness. He was very young. Taking up his parable with greater
- confidence, he showed her the social and moral necessity of immediate
- recourse to his respectable protection. Naturally he admired her loyalty,
- he signified, with a magnanimous wave of the hand; but there were certain
- things girls did not quite comprehend; a man's judgment had to be trusted.
- He invited her to surrender entirely to his wisdom. The end of it all was
- his ignominious dismissal. She would not see him until he had begged
- Jimmie's pardon on his knees.
- </p>
- <p>
- But now she buried her face in the sofa-cushions and sobbed. It was her
- first poignant disillusion. Tony, whom she loved with all her heart, was
- just like everybody else, incapable of pure faith, ready to believe the
- worst. He was cruel, uncharitable. She would never speak to him again. And
- the sweet shy dream of her young life was over. It was very tragical.
- </p>
- <p>
- Jimmie's step coming up the studio stairs caused her to spring from the
- sofa and frantically dry her eyes before the mirror. The steps advanced
- along the passage, and soon Jimmie's head appeared at the door.
- </p>
- <p>
- &ldquo;Where have you hidden the little watercolour box?&rdquo; he asked cheerily.
- </p>
- <p>
- &ldquo;In the cupboard. On the second shelf,&rdquo; she replied, without turning
- round.
- </p>
- <p>
- He caught sight of the reflection of a tear-stained face, and came and
- stood by her side.
- </p>
- <p>
- &ldquo;Why, you've been crying!&rdquo;
- </p>
- <p>
- &ldquo;I suppose I have,&rdquo; she admitted with affectionate defiance, looking up
- into his face. &ldquo;Why should n't I, if I like? It's not a crime.&rdquo;
- </p>
- <p>
- &ldquo;It's worse&mdash;it's a blunder,&rdquo; he quoted with a smile. &ldquo;It can't do
- any one any good, and it makes your pretty nose red. That will spoil your
- good looks.&rdquo;
- </p>
- <p>
- &ldquo;I wish it would. My looks will never matter to anybody,&rdquo; she said
- desperately.
- </p>
- <p>
- He put his arm round her shoulders, just as he had done since she could
- remember.
- </p>
- <p>
- &ldquo;What has happened to distress you&mdash;more than usual?&rdquo; he added.
- </p>
- <p>
- She was silent for a moment, and hung her head.
- </p>
- <p>
- &ldquo;I've broken off with Tony,&rdquo; she said in a low voice.
- </p>
- <p>
- &ldquo;You'll mend it up with Tony at once, my dear.&rdquo;
- </p>
- <p>
- &ldquo;I'll never marry him,&rdquo; declared Aline.
- </p>
- <p>
- &ldquo;You'll write and tell him that you'll marry him at the very first
- opportunity. There are reasons why you should, Aline, grave reasons.&rdquo;
- </p>
- <p>
- &ldquo;You wouldn't have me marry any one I dislike intensely?&rdquo; she flashed.
- </p>
- <p>
- &ldquo;Wouldn't you do it to please me, even though you hated him violently? I
- have been going to speak to you about this. It's high time you were
- married, dear, and I particularly wish it. So make friends with Tony as
- soon as ever you can.&rdquo;
- </p>
- <p>
- &ldquo;I never want to see Tony again&mdash;until he has gone on his bended
- knees to you,&rdquo; said Aline, with a quivering lip. &ldquo;I don't want to breathe
- the same air with any one who does n't think of you as I do.&rdquo;
- </p>
- <p>
- This was the first allusion that the girl had made to unhappy things,
- since they had become common knowledge a month ago. She had conveyed to
- him by increased tenderness and devotion that she loved him all the more
- for his suffering, and it had been easy for him to perceive that the main
- facts of the story were not unknown to her. But hitherto there had been
- absolute silence on the part of each. He had been greatly puzzled as to
- the proper course he should take. An interview with Tony Merewether that
- morning had decided him. It had been short, coldly courteous on the young
- fellow's side, who merely asked and obtained consent to marry Aline
- forthwith, and wistfully dignified on Jimmie's.
- </p>
- <p>
- He sat down on the arm of a chair and took her hand, deeply moved by her
- passionate faith in him.
- </p>
- <p>
- &ldquo;Listen, dear. I am a dishonoured man and it is n't right that you should
- live with me any longer. Tony, dear good fellow, is no more to blame for
- what he thinks of me than the crazy wronged man who shot me. But the only
- way for you to make him think better is to marry him. No, don't interrupt.
- Stand quietly and let me talk to you. I've been making plans and I should
- be tremendously upset if there was any difficulty. I'm going to give up
- the house and studio.&rdquo;
- </p>
- <p>
- Aline regarded him in frightened amazement, and then looked round as if
- the familiar walls and furniture were in danger of incontinent
- disappearance.
- </p>
- <p>
- &ldquo;What?&rdquo; she gasped.
- </p>
- <p>
- &ldquo;I shall give it up and wander about painting abroad, so it's absolutely
- necessary that you should marry Tony. Otherwise I don't know what on earth
- I should do with you.&rdquo;
- </p>
- <p>
- He swung her hand and looked smilingly into her eyes.
- </p>
- <p>
- &ldquo;You see I really am in a hurry to get rid of you,&rdquo; he added.
- </p>
- <p>
- Aline gazed at him for a long time, gradually recovering from her
- stupefaction. Then she withdrew her hand from his clasp and laughed.
- </p>
- <p>
- &ldquo;You are talking unadulterated rubbish, Jimmie,&rdquo; she said.
- </p>
- <p>
- Upon this declaration she took her stand, and no protest or argument could
- move her. She withstood triumphantly a siege of several days. Jimmie tried
- to exert his quasiparental authority. But the submissive little girl, who
- had always yielded when Jimmie claimed obedience, had given place to a
- calmly inflexible woman. Jimmie swore that he would not commit the crime
- of spoiling her life's happiness. She replied, with a toss of her head and
- a pang of her heart, that her life's happiness had nothing to do with Tony
- Merewether, and that if it did, the crime would lie at his door and not at
- Jimmie's.
- </p>
- <p>
- &ldquo;As for leaving you alone in the wide world, I would just as soon think of
- deserting a new-born baby in the street,&rdquo; she said. &ldquo;You are not fit to be
- by yourself. And whether you like it or not, Jimmie, I must stay and look
- after you.&rdquo;
- </p>
- <p>
- At last, by the underhand methods which women often employ for the greater
- comfort of men, she cajoled him into an admission. The plan of giving up
- the house had, as its sole object, the forcing of her hand. Victorious,
- she allowed herself to shed tears over his goodness. Just for her
- miserable sake he had proposed to turn himself into a homeless wanderer
- over the face of Europe.
- </p>
- <p>
- &ldquo;Do tell me, Jimmie,&rdquo; she said, &ldquo;how it feels to be an angel!&rdquo;
- </p>
- <p>
- He laughed in his old bright way.
- </p>
- <p>
- &ldquo;Very uncomfortable when a tyrannical young woman cuts your wings off.&rdquo;
- </p>
- <p>
- &ldquo;But I do it for your good, Jimmie,&rdquo; she retorted. &ldquo;If I did n't, you
- would be flying about helplessly.&rdquo;
- </p>
- <p>
- Thus the clouds that lay around them were lit with tender jesting. During
- this passage through the darkness he never faltered, serene in his faith,
- having found triumphant vindication thereof in the devotion of Aline. That
- he had made a sacrifice greater than any human being had a right to demand
- of another, he knew full well; he had been driven on to more perilous
- reefs than he had contemplated; the man whom he had imagined Morland to be
- would have thrown all planks of safety to the waves in order to rescue
- him. He felt acutely the pain of his shipwreck; but he did not glorify
- himself as a martyr: he was satisfied that it was for the worshipped
- woman's happiness, and that in itself was a reward. His catholic sympathy
- even found extenuating circumstances in Morland's conduct. Once when Aline
- inveighed against his desertion, he said in the grave manner in which he
- delivered himself of his moral maxims:
- </p>
- <p>
- &ldquo;We ought never to judge a human being's actions until we know his
- motives.&rdquo;
- </p>
- <p>
- Aline thought the actions were quite sufficient for a working philosophy,
- but she did not say so. Jimmie half guessed the motives and judged
- leniently. Though he had lost much that made life sweet to him, his heart
- remained unchanged, his laugh rang true through the house; and were it not
- for the loneliness and the dismal blight in her own little soul, Aline
- would not have realised that any calamitous event had happened.
- </p>
- <p>
- One other of Jimmie's friends maintained relations with him. This was
- Connie Deering. She had gone abroad soon after the disaster, and moved by
- various feelings for which she rather forbade her impulsive self to
- account, had written one or two oddly expressed letters. In the first one
- she had touched lightly upon the difficult subject. She would not have
- believed a word of it, if she had not heard it from his own lips. If he
- would write to her and say that it was all a lie, she would accept his
- word implicitly. He was either a god or a devil&mdash;a remark that filled
- Jimmie with considerable alarm. A shrewd brain was inside the pretty
- butterfly head. In his reply he ignored the question, an example which
- Connie followed in her second letter. This consisted mainly in a rambling
- account of the beauty of Stresa and the comforts and excellent cuisine of
- the hotel by the lake; but a postscript informed him that Norma was
- travelling about with her for an indefinite period, and that she had heard
- nothing of Morland, who having easily won his election was now probably
- busy with the beginning of the autumn session. Jimmie, unversed in the
- postscriptal ways of women, accepted the information as merely the literal
- statement of facts. A wiser man would have grasped the delicate
- implication that the relations between the affianced pair were so strained
- that an interval of separation had seemed desirable.
- </p>
- <p>
- The unshaken faith of the man in the ultimate righteousness of things kept
- him serene; but the young girl who had no special faith, save in the
- perfect righteousness of Jimmie and the dastardly unrighteousness of the
- world in general and of Mr. Anthony Merewether in particular, found it
- difficult to live in these high altitudes of philosophy. Indeed she was a
- very miserable little girl when Jimmie was not by, and pined, and cried
- her heart out, and grew thin and pale and sharp-tempered, and filled her
- guardian with much concern. At last Jimmie took heroic measures. Without
- Aline's knowledge he summoned Tony Merewether to an interview. The young
- man came. Jimmie received him in the studio, begged him to take a seat,
- and rang the bell. The middle-aged housekeeper ran down in some
- perturbation at the unusual summons, for it was Jimmie's habit to shout up
- the stairs, generally to Aline, for anything he wanted. She received his
- instructions. Miss Aline would oblige him by coming down at once. During
- the interval of waiting he talked to Mr. Merewether of indifferent things,
- flattering himself on a sudden development of the diplomatic faculty.
- Aline ran into the room, and stopped short at the sight of the young man,
- uttering a little cry of indignant surprise. Jimmie cleared his throat,
- but the oration that he had prepared was never delivered. Aline marched
- straight up to the offending lover.
- </p>
- <p>
- &ldquo;I don't see you on your knees,&rdquo; she said.
- </p>
- <p>
- Tony, who was entirely unexpectant of this uncompromising attitude, having
- taken it for granted that by some means or other the way had been made
- smooth for him, retorted somewhat sharply:
- </p>
- <p>
- &ldquo;You're not likely to.&rdquo;
- </p>
- <p>
- &ldquo;Then I wonder,&rdquo; said Aline, &ldquo;at your audacity in coming to this house.&rdquo;
- She turned and marched back to the door, her little figure very erect and
- her dark eyes blazing. Jimmie intercepted her.
- </p>
- <p>
- &ldquo;Tony came at my request, my child.&rdquo;
- </p>
- <p>
- For the first and only time in her life she cast a look of anger upon
- Jimmie.
- </p>
- <p>
- &ldquo;Let me pass, please,&rdquo; she said, like an outraged princess; and waving
- Jimmie aside, she made the exit of offended majesty.
- </p>
- <p>
- The two men looked stupidly at each other. Their position was ignominious.
- </p>
- <p>
- &ldquo;I did it for the best, my boy,&rdquo; said Jimmie, taking up a pipe which he
- began to fill mechanically. He was just the kind creature of happier days.
- The young fellow's heart was touched. After a minute's silence he
- committed a passionate indiscretion.
- </p>
- <p>
- &ldquo;I wish to God you would tell me there is something hidden beneath this
- ghastly story, and that it's quite different from what it appears to be!&rdquo;
- </p>
- <p>
- Jimmie drew himself up and looked the young man between the eyes.
- </p>
- <p>
- &ldquo;That's a question I discuss with no human being,&rdquo; said he.
- </p>
- <p>
- &ldquo;I beg your pardon,&rdquo; said Tony Merewether, in sincere apology. &ldquo;I would
- not have taken such a liberty if it had n't been a matter of life and
- death for me. Perhaps you think I ought to do more or less as Aline asks
- me; but she is too precious to purchase with an infernal lie. I'm hanged
- if I'll do it, and I don't think you're the man to misunderstand my
- frankness.&rdquo;
- </p>
- <p>
- Jimmie had lit his pipe during the foregoing speech. He drew two or three
- meditative puffs.
- </p>
- <p>
- &ldquo;Have as little to do with lies, my boy, as ever you can,&rdquo; said he. &ldquo;And
- cheer up, all is sure to come right in the end.&rdquo;
- </p>
- <p>
- He was sunk in reflection for a long time after the young man had gone,
- and again for a long time after Aline had done remorseful penance for her
- loss of temper. Then he went out for a walk and brought back something in
- his pocket. At dinner-time he was unusually preoccupied. When the meal was
- over, he fished up a black bottle from beneath the table, and going to the
- sideboard, came back with a couple of wineglasses. Aline watched him as
- though he were performing some rite in black magic.
- </p>
- <p>
- &ldquo;This is rich fruity port,&rdquo; said he, filling the glasses. &ldquo;Evans, the
- grocer, told me I should get nothing like it at the price in London. You
- are to drink it. It will do you good.&rdquo;
- </p>
- <p>
- Aline, still penitent, obeyed meekly.
- </p>
- <p>
- &ldquo;How could you be so extravagant, Jimmie?&rdquo; she said in mild protest. &ldquo;It
- must have cost quite three shillings.&rdquo;
- </p>
- <p>
- &ldquo;And sixpence,&rdquo; said Jimmie, unabashed. He lifted up his glass. &ldquo;Now
- here's to our <i>Wanderjahr</i>, or as much of it as we can run to.&rdquo;
- </p>
- <p>
- &ldquo;Whatever do you mean, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;I mean my dear,&rdquo; said he, &ldquo;that we are going to take a knapsack, a
- tambourine and a flute, and appropriate ribbons for our costumes, and beg
- our way through southern Europe.&rdquo;
- </p>
- <p>
- He explained and developed his plan, the result of his meditations, in his
- laughing picturesque way. They were doing nothing but eating expensive fog
- in November London. A diet of sunshine and garlic would be cheaper. They
- would walk under the olive-trees and drift about on lagoons, and whisper
- with dead ages in the moonlit gloom of crumbling palaces. They would go
- over hills on donkeys. They would steep their souls in Perugino, Del
- Sarto, Giorgione. They would teach the gaunt Italian flea to respect
- British Keating's powder. They would fraternise with the beautiful maidens
- of Arles and sit on the top of Giotto's Campanile. They would do all kinds
- of impossible things. Afford it? Of course they could. Had he not received
- his just dues from the princess and sold two pictures a week or two ago?
- At this point he fell thinking for a couple of dreamy minutes.
- </p>
- <p>
- &ldquo;I meant to give you a carriage, dear,&rdquo; he said at last in mild apology.
- &ldquo;I'm afraid it will have to be a third-class one.&rdquo;
- </p>
- <p>
- &ldquo;A fourth or fifth would be good enough for me,&rdquo; cried Aline. &ldquo;Or I could
- walk all the way with you. Don't I know you have planned it out just for
- my sake?&rdquo;
- </p>
- <p>
- &ldquo;Rubbish, my dear,&rdquo; said Jimmie, holding the precious wine to the light.
- &ldquo;I'm taking you because I don't see how I can leave you behind. You have
- no idea what an abominable nuisance you'll be.&rdquo;
- </p>
- <p>
- Aline laughed a joyous laugh which did Jimmie good to hear, and came
- behind his chair and put her arms about his neck, behaving foolishly as a
- young girl penetrated with the sense of the loved one's goodness is
- privileged to do. What she said is of infinitesimal importance, but it
- lifted care from Jimmie's heart and made him as happy as a child. Like two
- children, they discussed the project; and Aline fetching from the top
- shelf of the bookcase in Jimmie's bedroom a forlorn, dusty, yellow-paged
- Continental Bradshaw, twenty years old, they looked up phantom trains that
- had long ceased running, speculated on the merits of dead-and-gone hotels,
- and plunged into the fairyland of anachronistic information.
- </p>
- <p>
- A few days were enough for Jimmie's simple arrangements; and then began
- the pilgrimage of these two, each bearing a burden, a heart-ache, a pain
- from which there was no escaping, but each bearing it with a certain
- splendour of courage that made life beautiful to the other. For the girl
- suffered keenly, as Jimmie knew. She had given a passionate heart for good
- and all to the handsome young fellow who had refused to bow the knee to
- the man whom he had every reason to consider a blackguard. They had come
- together, youth to youth, as naturally as two young birds in the first
- mating-season; but, fortunately or unfortunately for Aline, she was not a
- bird, but a human being of unalterable affections and indomitable
- character. She had the glorious faith, <i>quia incredibile</i>, in Jimmie,
- and rather than swerve aside from it she would have walked on knife edges
- all the rest of her days. So she scorned the pain, and scorned herself for
- feeling it when she saw the serenity with which he bore his cross. Dimly
- she felt that if the truth were known he would stand forth heroically, not
- infamously. She had revered him as a child does its father; but in that
- sweet and pure relationship of theirs, she had also watched him with the
- minute, jealous solicitude that a mother devotes to an only child who is
- incapable of looking after itself. Nothing in his character had escaped
- her. She knew both his strength and his enchanting weaknesses. To her
- trained eyes, he was all but transparent; and of late her quickened vision
- had read in letters of fire across his heart, &ldquo;The desire of the moth for
- the star.&rdquo;
- </p>
- <p>
- So they travelled through the world, hand in hand, as it were, and drank
- together of its beauty. They were memorable journeyings. Sleeping-cars and
- palatial hotels and the luxuries of modern travel were not for them.
- Aline, who knew that Jimmie, as far as he himself was concerned, would
- have slept upon wood quite as cheerfully as upon feathers, but for her
- sake would have royally commanded down, held the purse-strings and
- dictated the expenditure. They had long, wonderful third-class journeys,
- stopping at every wayside station, at each having some picturesque change
- of company in the ever-crowded, evil-smelling, wooden-seated compartment.
- She laughed at Jimmie's fears as to her discomfort; protested with
- energetic sincerity that this was the only way in the world to travel with
- enjoyment. It was a never-failing interest to see Jimmie disarm the
- suspicion of peasants by his sympathetic knowledge of their interests, to
- listen to his arguments with the chance-met curé, perspiring and polite,
- or the mild young soldier in a brass helmet a size too big for him. In
- France she understood what they were saying, and maintained a proper
- protectorate over Jimmie by means of a rough and ready acquaintance with
- the vernacular. But in Italy she was dumb, could only regard Jimmie in
- open-mouthed astonishment and admiration. He spoke Italian. She had known
- him all her life and never suspected this accomplishment. It required some
- tact to keep him in his proper position as interpreter and restrain him
- from acting on his own initiative. In the towns they put up at little
- humble hostelries in by-streets and in country-places at rough inns,
- eating rude fare and drinking sour wine with great content. The more they
- economised the longer would the idyllic vagabondage last.
- </p>
- <p>
- Through southern France and northern Italy they wandered without fixed
- plans, going from place to place as humour seized them, seeking the
- sunshine. At last it seemed to be their normal existence. London with its
- pain and its passion grew remote like the remembered anguish of a dream.
- Few communications reached them. The local newspaper gave them all the
- tidings they needed of the great world. It was a life free from vexation.
- The decaying splendour of the larger cities with their treasure-houses of
- painting and sculpture and their majestic palaces profoundly stirred the
- young girl's imagination and widened her conceptions and sympathies. But
- she loved best to arrive by a crazy, old-world diligence at some little
- townlet built on a sunny hillside, whose crumbling walls were the haunts
- of lizards and birds and strange wild-flowers; and having rested and eaten
- at the dark little <i>albergo</i>, smelling of wine and garlic and all
- Italian smells, to saunter out with Jimmie through the narrow, ill-paved,
- clattering streets alive with brown children and dark-eyed mothers, and
- men sitting on doorsteps violently gesticulating and screaming over the
- game of <i>morra</i>, and to explore the impossible place from end to end.
- A step or two when they desired it would bring them to the sudden peace of
- the mediaeval church, with its memories of Romanesque tradition and faint
- stirrings of Gothic curiously reflecting the faith of its builders; the
- rough, weather-beaten casket of one flawless gem of art, a Virgin smiling
- over the child on her lap at many generations of worshippers, superbly
- eternal and yet quaintly woman. And then they would pass out of the chilly
- streets and down the declivitous pathways below the town and sit together
- on the hillside, in a sun-baked spot sheltered from the wind. This Aline,
- vaguely conscious of the Infinite, called &ldquo;hanging on the edge of
- Nowhere.&rdquo;
- </p>
- <p>
- One day, on such a hillside Jimmie had been painting three brown-faced
- children whom he had cajoled into posing for him, while Aline looked on
- dreamily. The urchins, dismissed with a few halfpennies, bowed polite
- thanks, the two boys taking off their caps with the air of ragged princes,
- and scampered away like rabbits out of sight.
- </p>
- <p>
- &ldquo;There!&rdquo; cried Jimmie, throwing down his brush and holding out the little
- panel at arm's length. &ldquo;I have never done anything so good in all my life!
- Have n't I got it? Is n't it better than ten cathedralfuls of sermons? Is
- n't it the quintessence of happiness, the perfect trust in the sweet earth
- to yield them its goodness? Could any one after seeing that dare say the
- world was only a dank and dismal prison where men do nothing but sit and
- hear each other groan? Look at it, Aline. What do you think of it?&rdquo;
- </p>
- <p>
- &ldquo;It's just lovely, Jimmie,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;If I painted a pink hippopotamus standing on its head, you would say it
- was lovely. Why did n't you tell me that arm was out of drawing?&rdquo;
- </p>
- <p>
- He took up his brush and made the necessary correction. Aline laughed.
- </p>
- <p>
- &ldquo;Do you know one of the few things I can remember my father saying was
- about you?&rdquo;
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; said Jimmie. &ldquo;I had almost forgotten you ever had a
- father&mdash;dear old chap! What did he say?&rdquo;
- </p>
- <p>
- &ldquo;I remember him telling you that one day you would die of incurable
- optimism. For years I used to think it was some horrible disease, and I
- used to whisper in my prayers, 'O God, please cure Jimmie of optimism,'
- and sometimes lie awake at nights thinking of it.&rdquo;
- </p>
- <p>
- &ldquo;Well, do you think your prayer has been answered?&rdquo; asked Jimmie, amused.
- </p>
- <p>
- She shifted herself a little nearer him and put her hand on his knee.
- </p>
- <p>
- &ldquo;Thank goodness, no. You've got it as bad as ever&mdash;and I believe I've
- caught it.&rdquo; Then, between a sob and a laugh, she added:
- </p>
- <p>
- &ldquo;Oh, Jimmie dear, your stupid old head could never tell you what you have
- done for me since we have been abroad. If I had stayed at home I think I
- should have died of&mdash;of&mdash;of malignant pessimism. You will never,
- never, never understand.&rdquo;
- </p>
- <p>
- &ldquo;And will you ever understand what you have done for me, my child?&rdquo; said
- Jimmie, gravely. &ldquo;We won't talk about these things. They are best in our
- hearts.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0018" id="link2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XVIII&mdash;A RUDDERLESS SHIP
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT autumn pressed
- heavily upon Mrs. Hardacre. Norma's engagement, without being broken off,
- was indefinitely suspended, and Norma, by going abroad with Mrs. Deering
- immediately on her return from Cornwall, had placed herself beyond reach
- of maternal influence. It is true that Mrs. Hardacre wrote many letters;
- but as Norma's replies mainly consisted of a line or two on a picture
- post-card, it is to be doubted whether she ever read them. Mrs. Hardacre
- began to feel helpless. Morland could give her little assistance. He
- shrugged his shoulders at her appeals. He was perfectly determined to
- marry Norma, but trusted to time to restore her common-sense and lead her
- into the path of reason. Nothing that he could do would be of any avail.
- Mrs. Hardacre urged him to join the ladies on the Continent and bring
- matters to a crisis. He replied that an election was crisis enough for one
- man in a year, and furthermore the autumn session necessitated his
- attendance in the House. He was quite satisfied, he told her stolidly,
- with things as they were, and in the meantime was actually finding an
- interest in his new political life. But Mrs. Hardacre shared neither his
- satisfaction nor his interest, a mother's point of view being so different
- from that of a lover.
- </p>
- <p>
- As if the loss of ducal favour and filial obedience were not enough for
- the distraught lady, her husband one morning threw a business letter upon
- the table, and with petulant curses on the heads of outside brokers,
- incoherently explained that he was ruined. They were liars and knaves and
- thieves, he sputtered. He would drag them all into the police court, he
- would write to the &ldquo;Times,&rdquo; he would go and horsewhip the blackguards.
- Damme if he would n't!
- </p>
- <p>
- &ldquo;I wish the blackguards could horsewhip you,&rdquo; remarked his wife, grimly.
- &ldquo;Have you sufficient brains to realise what an unutterable fool you have
- been?&rdquo;
- </p>
- <p>
- If he did not realise it by the end of the week, it was not Mrs.
- Hardacre's fault. She reduced the unhappy man to craven submission and
- surreptitious nipping of old brandy in order to keep up the feeble spirit
- that remained in him, and took the direction of affairs into her own
- hands. They were not ruined, but a considerable sum of money had been lost
- through semi-idiotic speculation, and for a time strict economy was
- necessary. By Christmas the establishment in the country was broken up, a
- tenant luckily found for Heddon Court, and a small furnished house taken
- in Devonshire Place. These arrangements gave Mrs. Hardacre much
- occupation, but they did not tend to soften her character. When Norma came
- home, sympathetically inclined and honestly desirous to smooth down
- asperities&mdash;for she appreciated the aggravating folly of her father&mdash;she
- found her advances coldly repulsed.
- </p>
- <p>
- &ldquo;What is the good of saying you are sorry for me,&rdquo; Mrs. Hardacre asked
- snappishly, &ldquo;when you refuse to do the one thing that can mend matters?&rdquo;
- </p>
- <p>
- Then followed the old, old story which Norma had heard so often in days
- past, but now barbed with a new moral and adorned with new realism. Norma
- listened wearily, surprised at her own lack of retort. When the familiar
- homily came to an end, her reply was almost meek:
- </p>
- <p>
- &ldquo;Give me a little longer time to think over it.&rdquo;
- </p>
- <p>
- &ldquo;You had better cut it as short as possible,&rdquo; said Mrs. Hardacre, &ldquo;or you
- may find yourself too late. As it is, you are going off. What have you
- been doing to yourself? You look thirty.&rdquo;
- </p>
- <p>
- &ldquo;I feel fifty,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;You had better go and have your face massaged, or you'll soon not be fit
- to be seen.&rdquo;
- </p>
- <p>
- &ldquo;I think I want a course of soul massage,&rdquo; answered Norma, with a hard
- little laugh.
- </p>
- <p>
- But when she was alone in her own room, she looked anxiously at her face
- in the glass. Her mother had confirmed certain dismal imaginings. She had
- grown thinner, older looking; tiny lines were just perceptible at the
- corners of eyes and lips and across the forehead. The fresh bloom of youth
- was fading from her skin. She was certainly going off. She had not been a
- happy woman since her precipitate flight to Cornwall. The present
- discovery added anxiety to depression.
- </p>
- <p>
- A day or two afterwards Mrs. Hardacre returned to the unedifying attack.
- Had Norma written to Morland to inform him of her arrival? Norma replied
- that she had no inordinate longing to see Morland. Mrs. Hardacre used
- language that only hardened and soured women of fashion who are beginning
- to feel the pinch of poverty dare use nowadays. It is far more virulent
- than a fishwife's, for every phrase touches a jangling nerve and every
- gibe tears a delicate fibre, whereas Billingsgate merely shocks and
- belabours. Norma bore it in silence for some time, and then went away
- quivering from head to foot. A new and what seemed a horrible gift had
- been bestowed upon her&mdash;the power to feel. Once a sarcastic smile, a
- scornful glance, a withering retort would have carried her in triumph from
- her mother's presence. Secure in her own callous serenity, she would have
- given scarcely a further thought to the quarrel. Now things had
- inexplicably changed. Her mother's stabs hurt. Some curious living growth
- within her was wrung with pain. She could only grope humbled and broken to
- her room and stare at nothing, wishing she could cry like other women.
- </p>
- <p>
- No wonder she looked old, when the spirit had left her and taken with it
- the cold, proud setting of the features that had given her beauty its
- peculiar stamp. Dimly she realised the disintegration. When a nature which
- has taken a colossal vanity for strength and has relied thereon
- unquestioningly for protection against a perilous world, once loses grip
- of that sublime mainstay, it is impossible for it to take firm hold again.
- It must content itself with lesser planks or flounder helplessly, fearful
- of imminent shipwreck. Norma, during those autumn months, had found her
- strength vanity. The fact in rude, symbolic form was brought home to her a
- short time after her return.
- </p>
- <p>
- It was a bright Sunday afternoon, when, on her way to pay a call in
- Kensington, she had dismissed her cab at Lancaster Gate and was walking
- through Kensington Gardens. Half-way a familiar figure met her eye. It was
- her own maid sitting on a bench with a man by her side. The girl was
- wearing a cheap long jacket over an elaborate dress, absurdly light for
- the time of year. It caught Norma's attention, and then suddenly it
- flashed upon her that it was the dress she had given to be burned months
- ago. She walked on, aching with a sense of the futility of grandiose
- determinations. She had consigned the garment stained with Jimmie's blood
- contemptuously to the flames. It was incongruously whole in Kensington
- Gardens. She had cast her love for Jimmie out of her heart in the same
- spirit of comedic tragedy. Forlorn and bedraggled it was still there,
- mockingly refusing to be reduced to its proper dust and ashes. Her
- strength had not availed her to cast it out. Her strength was a vain
- thing. Yet being forlorn and bedraggled the love was as hateful as the
- unconsumed garment. It haunted her like an unpurged offence. The newspaper
- details had made it reek disgustfully. At times Connie Deering's half
- faith filled her with an extravagant hope that these sordid horrors which
- had sullied the one pure and beautiful thing that had come into her life
- were nothing but a ghastly mistake; that it was, as Connie suggested, a
- dark mystery from which if Jimmie chose he could emerge clean. But then
- her judgment, trained from childhood to look below the surface of even
- smiling things and find them foul, rebelled. The man had proclaimed
- himself, written himself down a villain. It was in black and white. And
- not only a villain&mdash;that might be excusable&mdash;but a hypocritical
- canting villain, which was the unforgivable sin. Every woman has a Holy
- Ghost of sorts within her.
- </p>
- <p>
- Norma did not write to Morland. She dreaded renewal of relations, and yet
- she had not the courage to cut him finally adrift. The thought of withered
- spinsterhood beneath her father's roof was a dismaying vision. Marriage
- was as essential as ever to the scheme of her future. Why not with
- Morland? Her mother's words, though spoken as with the tongues of asps,
- were those of wisdom.
- </p>
- <p>
- All that she could bring to a husband was her beauty, her superb presence,
- her air of royalty. These gone, her chances were as illusory as those of
- the pinched and faded gentlewomen who tittle-tattled at Cosford
- tea-parties. Another year, and at the present rate of decay her beauty
- would have vanished into the limbo of last year's snows. She exaggerated;
- but what young woman of six-and-twenty placed as she has not looked
- tremulously in her mirror and seen feet of crows and heaven knows what
- imaginary fowls that prey upon female charms? At six-and-thirty she smiles
- with wistful, longing regret at the remembered image. Yet youth, happily,
- is not cognisant of youth's absurdities. It takes itself tragically. Thus
- did Norma. Her dowry of beauty was dwindling. She must marry within the
- year. Sometimes she wished that Theodore Weever, who had not yet
- discovered his decorative wife and had managed to find himself at various
- places which she had visited abroad, would come like a Paladin and deliver
- her from her distress and carry her off to his castle in Fifth Avenue. He
- would at least interest her as a human being, which Morland, with all his
- solid British qualities, had never succeeded in doing. But Theodore Weever
- had not spoken. He retained the imperturbability of the bald marble bust
- of himself that he had taken her to see in a Parisian sculptor's studio.
- There only remained Morland. But for some reason, for which she could not
- account, he seemed the last man on earth she desired to marry. When she
- had written to him, soon after her flight to Cornwall, to beg for a
- postponement of the wedding, giving him the very vaguest reasons for her
- request, he had assented with a cheerfulness ill befitting an impatient
- lover. It would be impertinence, he wrote, for him to enquire further into
- her reasons. She was too much a woman of the world to act without due
- consideration, and provided that he could look forward to the very great
- happiness of one day calling her his wife, he was perfectly satisfied with
- whatever she chose to arrange. The absence of becoming fervour, in spite
- of her desire to postpone the dreaded day, produced a feeling of irritated
- disappointment. None of us, least of all women, invariably like to be
- taken at our word. If Morland lay so little value upon her as that, he
- might just as well give her up altogether. She replied impulsively,
- suggesting a rupture of the engagement. Morland, longing for time to raise
- him from the abasement in which he grovelled, had welcomed the proposal to
- defer the marriage; but as he smarted at the same time under a sense of
- wrong&mdash;had he not been betrayed by his own familiar friend and the
- woman he loved?&mdash;he now unequivocally refused to accept her
- suggestion. He had made up his mind to marry her. He had made all his
- arrangements for marrying her. The check he had experienced had stimulated
- a desire which only through unhappy circumstances had languished for a
- brief season. He persuaded himself that he was more in love with her than
- ever. At all costs, in his stupid, dogged way, he determined to marry her.
- He told her so bluntly. He merely awaited her good pleasure. Norma
- accepted the situation and thought, by going abroad, to leave it at home
- to take care of itself. It might die of inanition. Something miraculous
- might happen to transform it entirely. She returned and found it alive and
- quite undeveloped. It grinned at her with a leer which she loathed from
- the depths of her soul; and the more Mrs. Hardacre pointed at it the more
- it leered, and the greater became the loathing.
- </p>
- <p>
- At last Mrs. Hardacre took matters into her own hands and summoned Morland
- to London. &ldquo;Norma is in a green, depressed state,&rdquo; she wrote, &ldquo;and I think
- your proper place is by her side. I imagine she regrets her foolishness in
- postponing the marriage and is ashamed to confess it. A few words with you
- face to face would bring her back to her old self. Women have these
- idiotic ways, my dear Morland, and men being so much stronger and saner
- must make generous allowances. I confidently expect you.&rdquo;
- </p>
- <p>
- Morland's vanity, spurred by this letter, brought him in a couple of days
- to London.
- </p>
- <p>
- &ldquo;My dear Morland, this is a surprise,&rdquo; cried Mrs. Hardacre dissemblingly,
- as he entered the drawing-room, &ldquo;we were only just talking of you. I'll
- ring for another cup.&rdquo;
- </p>
- <p>
- She moved to the bell by the side of the fireplace, and Norma and Morland
- shook hands with the conventional words of greeting.
- </p>
- <p>
- &ldquo;I hope you've had a good time abroad?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes. The usual thing, the usual places, the usual people, the usual
- food. In fact, a highly successful pursuit of the usual. I've invented a
- verb&mdash;'to usualise.' I suppose you've been usualising too?&rdquo;
- </p>
- <p>
- The sudden sight of him had braced her, and instinctively she had adopted
- her old, cool manner as defensive armour. Her reply pleased him. There was
- something pungent in her speech, irreconcilable in her attitude, which
- other women did not possess. He was not physiognomist or even perceptive
- enough to notice the subtle change in her expression. He noted, as he
- remarked to her later, that she was &ldquo;a bit off colour,&rdquo; but he attributed
- it to the muggy weather, and never dreamed of regarding her otherwise than
- as radically the same woman who had engaged herself to many him in the
- summer. To him she was still the beautiful shrew whose taming appealed to
- masculine instincts. The brown hair sweeping up in a wave from the
- forehead, the finely chiselled sensitive features, the clear brown eyes,
- the mocking lips, the superb poise of the head, the stately figure
- perfectly set off in the dark blue tailor-made dress, all combined to
- impress him with a realisation of the queenliness of the presence that had
- grown somewhat shadowy of late to his unimaginative mental vision.
- </p>
- <p>
- &ldquo;And how do you like Parliament?&rdquo; she asked casually, when the teacup had
- been brought and handed to him filled.
- </p>
- <p>
- &ldquo;I find it remarkably interesting,&rdquo; he replied sententiously. &ldquo;It is dull
- at times, of course, but no man can sit on those green benches and not
- feel he is helping to shape the destinies of a colossal Empire.&rdquo;
- </p>
- <p>
- &ldquo;Is that what you really feel&mdash;or is it what you say when you are
- responding for the House of Commons at a public dinner?&rdquo; asked Norma.
- </p>
- <p>
- Morland hesitated for a moment between huffiness and indulgence. In spite
- of his former gibes at the stale unprofitableness of parliamentary life,
- he had always had the stolid Briton's reverence for our Institutions, and
- now that he was actually a legislator, his traditions led him to take
- himself seriously.
- </p>
- <p>
- &ldquo;I have become a very keen politician, I assure you,&rdquo; he answered. &ldquo;If you
- saw the amount of work that falls on me, you would be astonished. If it
- were n't for Manisty&mdash;that's my secretary, you know&mdash;I don't see
- how I could get through it.&rdquo;
- </p>
- <p>
- &ldquo;I always wonder,&rdquo; said Mrs. Hardacre, &ldquo;how members manage to find time
- for anything. They work like galley-slaves for nothing at all. I regard
- them as simply sacrificing themselves for the public good.&rdquo;
- </p>
- <p>
- &ldquo;A member of Parliament is the noblest work of God. Don't, mother. Please
- leave us our illusions.&rdquo;
- </p>
- <p>
- &ldquo;What are they?&rdquo; asked Morland.
-</p>
- <p>
-&ldquo;One is that there are a few decently
- selfish people left in an age of altruists,&rdquo; said Norma.
- </p>
- <p>
- She talked for the sake of talking, careless of the stupid poverty of her
- epigram. Morland, as the healthy country gentleman alternating with the
- commonplace man about town, was a passable type enough, though failing to
- excite exuberant admiration. But Morland, with his narrow range of
- sympathies and pathetic ignorance of the thought of the day, posing
- solemnly as a trustee of the British Empire, aroused a scorn which she
- dare not express in words.
- </p>
- <p>
- &ldquo;I don't know that we are all altruists,&rdquo; replied Morland,
- good-temperedly. &ldquo;If we are good little members of Parliament, we may be
- rewarded with baronetcies and things. But one has to play the game
- thoroughly. It's worth it, is n't it, even from your point of view,
- Norma?&rdquo;
- </p>
- <p>
- &ldquo;You're just the class of man the government does best in rewarding,&rdquo;
- remarked Mrs. Hardacre, with her wintry smile that was meant to be
- conciliatory. &ldquo;A man of birth and position upholds the dignity of a title
- and is a credit to his party.&rdquo;
- </p>
- <p>
- Morland laughingly observed that it was early in the day to be thinking of
- parliamentary honours. He had not even made his maiden speech. As Norma
- remained silent, the conversation languished. Presently Mrs. Hardacre
- rose.
- </p>
- <p>
- &ldquo;I have no doubt you two want to have a talk together. Won't you stay and
- dine with us, Morland?&rdquo;
- </p>
- <p>
- He glanced at Norma, but failing to read an endorsement of the invitation
- in her face, made an excuse for declining.
- </p>
- <p>
- &ldquo;Then I will say good-bye and leave you. I would n't stand any nonsense if
- I were you,&rdquo; she added in a whisper through the door which he held open
- for her.
- </p>
- <p>
- He sauntered up to the fireplace and stood on the hearth-rug, his hands in
- his pockets. Norma, looking at him from her easy-chair, wondered at a
- certain ignobility that she detected for the first time beneath his bluff,
- prosperous air. In spite of birth and breeding he looked common.
- </p>
- <p>
- &ldquo;Well?&rdquo; he said. &ldquo;We had better have it out at once. What is it to be? I
- must have an answer sooner or later.&rdquo;
- </p>
- <p>
- &ldquo;Can't it be later?&rdquo;
- </p>
- <p>
- &ldquo;If you insist upon it. I'm not going to hold a pistol to your head, my
- dear girl. Only you must admit that I've treated you with every
- consideration. I have n't worried you. You took it into your head to put
- off our marriage. I felt you had your reasons and I raised no objection.
- But we can't go on like this forever, you know.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo; asked Norma.
- </p>
- <p>
- &ldquo;Human nature. I am in love with you, and want to marry you.&rdquo;
- </p>
- <p>
- &ldquo;But supposing I am not in love with you, Morland. I've never pretended to
- be, have I?&rdquo;
- </p>
- <p>
- &ldquo;We need n't go over old ground. I accepted all that at the beginning. The
- present state of affairs is that we are engaged; when are we going to be
- married?&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't know,&rdquo; said Norma, desperately. &ldquo;I have n't thought of it
- seriously. I know I have behaved like a beast to you&mdash;you must
- forgive me. At times it has seemed as though I was not the right sort to
- marry and bring children into the world. I should loathe it!&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't think so,&rdquo; said Morland, in a tone he meant to be soothing.
- &ldquo;Besides&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I know what you are going to say&mdash;or at any rate what you would like
- to say. It's scarcely decent to talk of such things. But I have n't been
- brought up in a nunnery. I wish to God I had been. At all events, I am
- frank. I would loathe it&mdash;all that side of it. Could n't we suppress
- that side? Oh, yes, I am going to speak of it&mdash;it has been on my mind
- for months,&rdquo; she burst out, as Morland made a quick step towards her.
- </p>
- <p>
- He did not allow her to continue. With his hand on the arm of her chair,
- he bent down over her.
- </p>
- <p>
- &ldquo;You are talking wild nonsense,&rdquo; he said; and she flushed red and did not
- meet his eyes. &ldquo;When a man marries, he marries in the proper sense of the
- term, unless he is an outrageous imbecile. There is to be no question of
- that sort of thing. I thought you knew your world better. I want you&mdash;you
- yourself. Don't you understand that?&rdquo;
- </p>
- <p>
-Norma put out her hand to push him
- away. He seized it in his. She snatched it from him.
- </p>
- <p>
- &ldquo;Let me get up,&rdquo; she said, waving him off. She brushed past him, as she
- rose.
- </p>
- <p>
- &ldquo;We can't go on talking. What I've said has made it impossible. Let us
- change the subject. How long are you going to stay in town?&rdquo;
- </p>
- <p>
- &ldquo;I'm not going to change the subject,&rdquo; said Morland, rather brutally. &ldquo;I'm
- far too much interested in it. Hang it all, Norma, you do owe me
- something.&rdquo;
- </p>
- <p>
- &ldquo;What do I owe you? What?&rdquo; she asked with a sudden flash in her eyes.
- </p>
- <p>
- &ldquo;You are a woman of common-sense. I leave you to guess. You admit you have
- n't treated me properly. You have nothing to complain of as far as I am
- concerned. Now, have you?&rdquo;
- </p>
- <p>
- &ldquo;How do I know? No. I suppose not, as things go. Once I did try to&mdash;to
- feel more like other women&mdash;and to make some amends. I told you that
- perhaps we were making a mistake in excluding sentiment. If you had
- chosen, you could have&mdash;I don't know&mdash;made me care for you,
- perhaps. But you didn't choose. You treated me as if I were a fool. Very
- likely I was.&rdquo;
- </p>
- <p>
- &ldquo;When was that?&rdquo; asked Morland, with a touch of sarcasm. &ldquo;I certainly
- don't remember.&rdquo;
- </p>
- <p>
- &ldquo;It was the last night we had any talk together&mdash;in the
- billiard-room. The night before&mdash;before the garden-party.&rdquo; He turned
- away with an involuntary exclamation of anger. He remembered now, tragic
- events having put the incident out of his mind. He was caught in a trap.
- </p>
- <p>
- &ldquo;I did n't think you meant it,&rdquo; he said, hurrying to the base excuse.
- &ldquo;Women sometimes consider it their duty to say such things&mdash;to act a
- little comedy, out of kindness. Some fellows expect it. I thought it would
- be more decent to let you see that I did n't.&rdquo;
- </p>
- <p>
- There was a short silence. Norma stood in the centre of the room, biting
- her lip, her head moving slightly from side to side; she was seeking to
- formulate her thoughts in conventional terms. Her cheek grew a shade
- paler.
- </p>
- <p>
- &ldquo;Listen,&rdquo; she said at length. &ldquo;I am anything bad you like to call me. But
- I'm not a woman who cajoles men. And I'm not a liar. I'm far too cynical
- to lie. Truth is much more deadly. I hate lying. That's the main reason
- why I broke with a man I cared for more than for any other man I have ever
- met&mdash;because he lied. You know whom I mean.&rdquo;
- </p>
- <p>
- He faced her with a conscious effort. Even at this moment of strain and
- anger, Norma was struck again with the lurking air of ignobility on his
- face; but she only remembered it afterwards. He brazened it out.
- </p>
- <p>
- &ldquo;Jimmie Padgate, I suppose.&rdquo;
- </p>
- <p>
- &ldquo;I can't forgive him for lying.&rdquo;
- </p>
- <p>
- &ldquo;I don't see how he lied. He faced the music, at any rate, like a man,&rdquo;
- said Morland, compelled by a remnant of common decency to defend Jimmie.
- </p>
- <p>
- &ldquo;All his pose beforehand was a lie&mdash;unless the disclosures afterwards
- were lies&mdash;&rdquo;
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; asked Morland, sharply.
- </p>
- <p>
- &ldquo;Oh, never mind. We have not met to discuss the matter. I don't know why I
- referred to it.&rdquo;
- </p>
- <p>
- She paused for a moment. She had begun her tirade at a white heat.
- Suddenly she had cooled down, and felt lassitude in mind and limbs. An
- effort brought her to a lame conclusion.
- </p>
- <p>
- &ldquo;You accused me of acting a comedy. I was n't acting. I was perfectly
- sincere. I have been absolutely frank with you from the hour you proposed
- to me.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm sorry for having misunderstood you. I beg your pardon,&rdquo; said
- Morland. They took up the conversation from the starting-point, but
- listlessly, dispiritedly. The reference to Jimmie had awakened the
- ever-living remorse in Morland's not entirely callous soul. The man did
- suffer, at times acutely. And now to act the conscious comedy in the face
- of Norma's expressed abhorrence was a difficult and tiring task.
- Unwittingly he grew gentler; and Norma, her anger spent, weakly yielded to
- the change of tone.
- </p>
- <p>
- &ldquo;We have settled nothing, after all our talk,&rdquo; he said at last, looking at
- his watch. &ldquo;Don't you think we had better fix it up now? Society expects
- us to get married. What will people say? Come&mdash;what about Easter?&rdquo;
- </p>
- <p>
- Norma passed her hand wearily over her eyes.
- </p>
- <p>
- &ldquo;I oughtn't to marry you at all. I should loathe it, as I said. I should
- never get to care for you in that way. You see I am honest. Let us break
- off the engagement.&rdquo;
- </p>
- <p>
- &ldquo;Well, look here,&rdquo; said Morland, not unkindly, &ldquo;let us compromise. I'll
- come back in three days' time. You'll either say it's off altogether or
- we'll be married at Easter. Will that do?&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; said Norma.
- </p>
- <p>
- When Mrs. Hardacre came for news of the interview, Norma told her of the
- arrangement.
- </p>
- <p>
- &ldquo;Which is it going to be?&rdquo; she asked.
- </p>
- <p>
- Norma set her teeth. &ldquo;I can't marry him,&rdquo; she said.
- </p>
- <p>
- But the proud spirit of Norma Hardacre was broken. The three days' Inferno
- that Mrs. Hardacre created in the house drove the girl to desperation. Her
- father came to her one day with the tears running down his puffy cheeks.
- Unknown to her mother he had borrowed money from Morland, which he had
- lost on the Stock Exchange. Norma looked in her mirror, and found herself
- old, ugly, hag-ridden. Anything was preferable to the torture and
- degradation of her home. The next time that Morland called he stayed to
- dinner, and the wedding was definitely fixed for Easter.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0019" id="link2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XIX&mdash;ABANA AND PHARPAR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">D</span>o you know, Miss
- Hardacre, that I once had a wife?&rdquo; said Theodore Weever, suddenly.
- </p>
- <p>
- It was after dinner at the Wolff-Salamons', who, it may be remembered, had
- lent their house to the Hardacres in the summer.
- </p>
- <p>
- &ldquo;I was not aware of it,&rdquo; said Norma, wondering at the irrelevance of the
- remark, for they had just been discussing the great painter's merciless
- portrait of their hostess, which simpered vulgarly at them from the wall.
- They were sitting on a sofa in a corner of the room.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Weever. &ldquo;She died young. She came from a New England village,
- and played old-fashioned tunes on the piano, and believed in God.&rdquo;
- </p>
- <p>
- Not a flicker passed over his smooth waxen face or a gleam of sentiment
- appeared in his pale steady eyes. Norma glanced round at the little
- assembly, mainly composed of fleshy company promoters, who, as far as
- decency allowed, continued among themselves the conversation that had
- circulated over the wine downstairs, and their women-kind, who adopted the
- slangy manners of smart society and talked &ldquo;bridge&rdquo; to such men as would
- listen to them. Then she glanced back at Weever.
- </p>
- <p>
- &ldquo;I don't want any more wives of that sort,&rdquo; he went on. &ldquo;I've outgrown
- them. I have no use for them. They would wilt like a snow anemone in this
- kind of atmosphere.&rdquo;
- </p>
- <p>
- &ldquo;Is it your favourite atmosphere, then?&rdquo; Norma asked, by way of saying
- something.
- </p>
- <p>
- &ldquo;More or less. Perhaps I like it not quite so mephitic&mdash;You are
- racking your brains to know why I'm telling you about my wife. I'll
- explain. In a little churchyard in Connecticut is a coffin, and in that
- coffin is what a man who is going to ask a woman to marry him ought to
- give her. I could never give a quiet-eyed New England girl anything again.
- At my age she would bore me to death. But I could give the woman who is
- accustomed to hot-houses a perfectly regulated temperature.&rdquo;
- </p>
- <p>
- Norma looked at the imperturbable face, half touched by his unsuspected
- humanity, half angered by his assurance.
- </p>
- <p>
- &ldquo;Are you by any chance making me a formal demand in marriage?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I am.&rdquo;
- </p>
- <p>
- &ldquo;And at last you have found some one who would meet your requirements for
- the decorative wife?&rdquo;
- </p>
- <p>
- &ldquo;I found her last summer in Scotland,&rdquo; replied Weever, with a little bow.
- &ldquo;My countrymen have a habit of finding quickly what they want. They
- generally get it. I could n't in this particular instance, as you were
- engaged to another man.&rdquo;
- </p>
- <p>
- &ldquo;I am still engaged,&rdquo; said Norma.
- </p>
- <p>
- &ldquo;I beg your pardon. I heard the engagement was broken off.&rdquo;
- </p>
- <p>
- &ldquo;Not at all. In fact only yesterday was it settled that we should be
- married at Easter.&rdquo;
- </p>
- <p>
- &ldquo;Having gone so far on a false assumption,&rdquo; remarked Weever, placidly,
- &ldquo;may I go without rudeness a step farther? I do not dream of asking you to
- throw over King&mdash;if my heart were not in Connecticut, I might&mdash;but
- I'll say this, if you will allow me, Miss Hardacre: I don't believe you
- will ever marry Morland King. I have a presentiment that you're going to
- marry me&mdash;chiefly because I've planned it, and my plans mostly come
- out straight. Anyway you are the only woman in the world I should ever
- marry, and if at any time there should be a chance for me, a word, a hint,
- a message through the telephone to buy you a pug dog&mdash;or anything&mdash;would
- bring me devotedly to your feet. Don't forget it.&rdquo;
- </p>
- <p>
- It was impossible to be angry with a bloodless thing that spoke like a
- machine. It was also unnecessary to use the conventional terms of
- regretful gratitude in which maidens in their mercy wrap refusals.
- </p>
- <p>
- &ldquo;I'll remember it with pleasure, if you like,&rdquo; she said with a half-smile.
- &ldquo;But tell me why you don't think I shall marry Mr. King. I don't believe
- in your presentiments.&rdquo;
- </p>
- <p>
- She caught his eye, and they remained for some seconds looking hard at
- each other. She saw that he had his well-defined reasons.
- </p>
- <p>
- &ldquo;You can tell me exactly what is in your mind,&rdquo; she said slowly; &ldquo;you and
- I seem to understand each other.&rdquo;
- </p>
- <p>
- &ldquo;If you understand me, what is the use of compromising speech, my dear
- lady?&rdquo;
- </p>
- <p>
- &ldquo;You don't believe in Morland?&rdquo;
- </p>
- <p>
- &ldquo;As a statesman I can't say that I do,&rdquo; replied Weever, with the puckering
- of the faint lines round his eyes that passed for a smile. &ldquo;That is what
- astonishes me in your English political life&mdash;the little one need
- talk and the little one need do. In America the politician is the orator.
- He must move in an atmosphere of words half a mile thick. Wherever he goes
- he must scream himself hoarse. But here&mdash;&rdquo;
- </p>
- <p>
- Norma touched his arm with her fan.
- </p>
- <p>
- &ldquo;We were not discussing American and English institutions,&rdquo; she
- interrupted, &ldquo;but matters which interest me a little more. You don't
- believe in Morland as a man? I want to know, as they are supposed to say
- in your country. I disregard your hint, as you may perceive. I am also
- indelicate in pressing you to speak unfavourably of the man I'm engaged
- to. Of course, having made me an offer, you would regard it as caddish to
- say anything against him. But supposing I absolve you from anything of the
- kind by putting you on a peculiar plane of friendship?&rdquo;
- </p>
- <p>
- &ldquo;Then I should say I was honoured above all mortals,&rdquo; replied Weever,
- inscrutably, &ldquo;and ask you to tell me as a friend what has become of the
- artist&mdash;the man who got shot&mdash;Padgate.&rdquo;
- </p>
- <p>
- The unexpected allusion was a shock. It brought back a hateful scene. It
- awoke a multitude of feelings. Its relevance was a startling puzzle. She
- strove by hardening her eyes not to betray herself.
- </p>
- <p>
- &ldquo;I've quite lost sight of him,&rdquo; she answered in a matter of-fact tone.
- &ldquo;His little adventure was n't a pleasant one.&rdquo;
- </p>
- <p>
- &ldquo;I don't believe he had any little adventure at all,&rdquo; said Weever, coolly.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; Norma started, and the colour came into her face.
- </p>
- <p>
- &ldquo;That of all the idiots let loose in a cynical, unimaginative world,
- Padgate is the greatest I have yet struck. If I were a hundredth part such
- an idiot, I should be a better and a happier man. It's getting late. I'm
- afraid I must be moving.&rdquo;
- </p>
- <p>
- He rose, and Norma rose with him.
- </p>
- <p>
- &ldquo;I wish you would n't speak in riddles. Can't you tell me plainly what you
- mean?&rdquo;
- </p>
- <p>
- &ldquo;No, I can't,&rdquo; he said abruptly. &ldquo;I have said quite enough. Good-night.
- And remember,&rdquo; he added, shaking hands with her, &ldquo;remember what I told you
- about myself.&rdquo;
- </p>
- <p>
- Only after he had gone did it flash upon her that she had not put to him
- the vital question&mdash;what had Padgate to do with his disbelief in
- Morland? As is the way with people pondering over conundrums, the
- ridiculously simple solution did not occur to her. She spent many days in
- profitless speculation. Weever prophesied that the marriage would not take
- place. When pressed for a reason, he brought in the name of Jimmie
- Padgate. Obviously the latter was to stand between Morland and herself.
- But in what capacity? As a lover? Had Weever rightly interpreted her
- insane act on the day of the garden-party, and assumed that she was still
- in love with the detested creature? The thought made her grow hot and cold
- from head to foot. Why was he an idiot? Because he did not take advantage
- of her public confession? or was it because he stood in Weever's eyes as
- a wronged and heroic man? This in the depths of her heart she had been
- yearning for months to believe. Connie Deering almost believed it. About
- the facts once so brutally plain, so vulgarly devoid of mystery, a
- mysterious cloud had gathered and was thickening with time. Reflection
- brought assurance that Theodore Weever regarded Jimmie as innocent; and if
- ever a man viewed human affairs in the dry, relentless light of reason, it
- was the inscrutable, bloodless American.
- </p>
- <p>
- His offer of marriage she put aside from her thoughts. Morland was the
- irrevocably accepted. It was February. Easter falling early, the wedding
- would take place in a little over a month. In a cold, dispassionate way,
- she interested herself in the usual preparations. Peace reigned in
- Devonshire Place. And yet Norma despised herself, feeling the degradation
- of the woman who sells her body.
- </p>
- <p>
- During the session she saw little of Morland. For this she thanked God,
- the duchess, and the electors of Cosford. The sense of freedom caused her
- to repent of her contemptuous attitude towards his political aspirations.
- To encourage and foster them would be to her very great advantage. She
- adopted this policy, much to the edification of Morland, who felt the
- strengthening of a common bond of interest. He regularly balloted for
- seats in the Ladies' Gallery, and condemned her to sit for hours behind
- the grating and listen to uninspiring debates. He came to her with the
- gossip of the lobbies. He made plans for their future life together. They
- would make politics a feature of their house. It would be a rallying-place
- for the new Tory wing, in which Morland after a dinner at the Carlton Club
- when his health was proposed in flattering terms, had found himself
- enlisted. Norma was to bring back the glories of the <i>salon</i>.
- </p>
- <p>
- &ldquo;When it gets too thick,&rdquo; he said once laughingly, ashamed of these
- wanderings into the ideal, &ldquo;we can go off into the country and shoot and
- have some decent people down and amuse ourselves rationally.&rdquo;
- </p>
- <p>
- Yet, in spite of absorbing political toys, his complete subjugation of
- Norma, and the smiling aspect of life, a sense of utter wretchedness
- weighed upon the soul of this half-developed man. He could not shake it
- off. It haunted him as he sat stolid and stupefied in his place below the
- gangway. It dulled all sensation of pleasure when he kissed the lips which
- Norma, resigned now to everything, surrendered to him at his pleasure. It
- took the sparkle out of his champagne, the joy out of his life. Now that
- he had asserted himself as the victorious male who had won the female that
- he coveted, the sense of wrong inflicted on him grew less and the
- consciousness of his own shame grew greater. In his shallow way he had
- loved Jimmie dearly. He also had the well-bred Englishman's conventional
- sense of honour. Accusing conscience wrote him down an unutterable knave.
- </p>
- <p>
- One day in March, as he was proceeding citywards to see his solicitors on
- some question relating to marriage settlements, his carriage was blocked
- for some minutes in Oxford Street. Looking idly out of the near side
- window, he saw a familiar figure emerge from a doorway in a narrow passage
- come down to the pavement, and stand for a few moments in anxious thought,
- jostled by the passers-by. He looked thin and ill and worried. The lines
- by the sides of his drooping moustache had deepened. Jimmie, never spruce
- in his attire, now seemed outrageously shabby. Certain men who dress well
- are quick, like women, to notice these things. Morland's keen glance took
- in the discoloured brown boots and the frayed hem of trousers, the weather
- stains on the old tweed suit, the greasiness of the red tie, the irregular
- mark of perspiration on the band of the old Homburg hat. An impulse to
- spring out of the carriage and greet him was struggling with sheer shame,
- when Jimmie suddenly threw up his head&mdash;an old trick of his whose
- familiarity brought a pang to the man watching him&mdash;and crossed the
- road, disappearing among the traffic behind the brougham. Morland gazed
- meditatively at the little passage. Suddenly he was aware of the three
- brass balls and the name of Attenborough. In a moment he was on the
- pavement and, after a hurried word to his coachman, in pursuit of Jimmie.
- But the traffic had swallowed Jimmie up. It was impossible to track him.
- Morland returned to his brougham and drove on.
- </p>
- <p>
- There was only one explanation of what he had seen. Jimmie was reduced to
- poverty, to pawning his belongings in order to live. The scandal had
- killed the sale of his pictures. No more ladies would sit to him for their
- portraits. No more dealers would purchase works on the strength of his
- name. Jimmie was ill, poor, down at heel, and it was all his, Morland's,
- fault, his very grievous fault. In a dim, futile way he wished he were a
- Roman Catholic, so that he could go to a priest, confess, and receive
- absolution. The idea of confession obsessed him in this chastened mood. By
- lunch-time he had resolved to tell Norma everything and abide by her
- verdict. At any rate, if he married her, he would not do so under false
- pretences. He would feel happier with the load of lies off his mind. At
- half-past four he left the House of Commons to transact its business
- without him as best it could, and drove to Devonshire Place. As he neared
- the door, his courage began to fail. He remembered Norma's passionate
- outburst against lying, and shrank from the withering words that she might
- speak. The situation, however, had to be faced.
- </p>
- <p>
- The maid who opened the front door informed him that Norma was out, but
- that Mrs. Hardacre was at home. He was shown upstairs into the empty
- drawing-room, and while he waited there, a solution of his difficulty
- occurred to him. He caught at it eagerly, as he had caught at compromises
- and palliatives all his life. For he was a man of half-sins, half-virtues,
- half-loves, and half-repentances. His spiritual attitude was that of
- Naaman.
- </p>
- <p>
- Mrs. Hardacre greeted him with smiles of welcome, and regrets at Norma's
- absence. If only he had sent a message, Norma would have given up her
- unimportant engagement. She would be greatly disappointed. The House took
- up so much of his time, and Norma prized the brief snatches she could
- obtain of his company. All of which, though obviously insincere, none the
- less flattered Morland's vanity.
- </p>
- <p>
- &ldquo;Perhaps it is as well that Norma is away,&rdquo; said he, &ldquo;for I want to have a
- little talk with you. Can you give me five minutes?&rdquo;
- </p>
- <p>
- &ldquo;Fifty, my dear Morland,&rdquo; replied Mrs. Hardacre, graciously. &ldquo;Will you
- have some tea?&rdquo;
- </p>
- <p>
- He declined. It was too serious a matter for the accompaniment of
- clattering teaspoons. Mrs. Hardacre sat in an armchair with her back to
- the light&mdash;the curtains had not yet been drawn&mdash;and Morland sat
- near her, looking at the fire.
- </p>
- <p>
- &ldquo;I have something on my mind,&rdquo; he began. &ldquo;You, as Norma's mother, ought to
- know. It's about my friend Jimmie Padgate.&rdquo;
- </p>
- <p>
- Mrs. Hardacre put out a lean hand.
- </p>
- <p>
- &ldquo;I would rather not hear it. I'm not uncharitable, but I wish none of us
- had ever set eyes on the man. He came near ruining us all.&rdquo;
- </p>
- <p>
- &ldquo;He seems to have ruined himself. He's ill, poor, in dreadful low water. I
- caught a sight of him this morning. The poor old chap was almost in rags.&rdquo;
- </p>
- <p>
- &ldquo;It's very unpleasant for Mr. Padgate, but it fails to strike me as
- pathetic. He has only got his deserts.&rdquo;
- </p>
- <p>
- &ldquo;That's where the point lies,&rdquo; said Morland. &ldquo;He does n't deserve it. I
- do. I am the only person to blame in the whole infernal business.&rdquo;
- </p>
- <p>
- &ldquo;You?&rdquo; cried Mrs. Hardacre, her grey eyes glittering with sudden interest.
- &ldquo;What had you to do with it?&rdquo;
- </p>
- <p>
- &ldquo;Well, everything. Jimmie never set eyes on the girl in his life. He took
- all the blame to shield me. If he had n't done so, there would have been
- the devil to pay. That's how it stands.&rdquo;
- </p>
- <p>
- Mrs. Hardacre gave a little gasp.
- </p>
- <p>
- &ldquo;My dear Morland, you amaze me. You positively shock me. Really, don't you
- think in mentioning the matter to me there is some&mdash;indelicacy?&rdquo;
- </p>
- <p>
- &ldquo;You are a woman of the world,&rdquo; said Morland, bluntly, &ldquo;and you know that
- men don't lead the lives of monks just because they happen to be
- unmarried.&rdquo;
- </p>
- <p>
- &ldquo;Of course I know it,&rdquo; said Mrs. Hardacre, composing herself to sweetness.
- &ldquo;One knows many things of which it is hardly necessary or desirable to
- talk. Of course I think it shocking and disreputable of you. But it's all
- over and done with. If that was on your mind, wipe it off and let us say
- no more about it.&rdquo;
- </p>
- <p>
- &ldquo;I'm afraid you don't understand,&rdquo; said Morland, rising and leaning
- against the mantel-piece. &ldquo;What is done is done. Meanwhile another man is
- suffering for it, while I go about prospering.&rdquo;
- </p>
- <p>
- &ldquo;But surely that is a matter between Mr. Padgate and yourself. How can it
- possibly concern us?&rdquo;
- </p>
- <p>
- As Morland had not looked at the case from that point of view, he silently
- inspected it with a puzzled brow.
- </p>
- <p>
- &ldquo;I can't help feeling a bit of a brute, you know,&rdquo; he said at length. &ldquo;I
- meant at first to let him off&mdash;to make a clean breast of it&mdash;but
- it wasn't feasible. You know how difficult these things are when they get
- put off. Then, of course, I thought I could make it up to Jimmie in other
- ways.&rdquo;
- </p>
- <p>
- &ldquo;Why, so you can,&rdquo; said Mrs. Hardacre, with the elaborate pretence of a
- little yawn, as if the subject had ceased to interest her. &ldquo;You could
- afford it.&rdquo;
- </p>
- <p>
- &ldquo;Money is no good. He won't touch a penny. I have offered.&rdquo;
- </p>
- <p>
- &ldquo;Then, my dear Morland, you have done your best. If a man is idiot enough
- to saddle himself with other people's responsibilities and refuses to be
- helped when he breaks down under them, you must let him go his own way.
- Really I haven't got any sympathy for him.&rdquo;
- </p>
- <p>
- Morland, having warmed himself sufficiently and feeling curiously
- comforted by Mrs. Hardacre's wise words, sat down again near her and leant
- forward with his arms on his knees.
- </p>
- <p>
- &ldquo;Do you think Norma would take the same view?&rdquo; he asked. After all, in
- spite of certain eccentricities inseparable from an unbalanced sex, she
- had as much fundamental common-sense as her mother. The latter looked at
- him sharply.
- </p>
- <p>
- &ldquo;What has Norma got to do with it?&rdquo;
- </p>
- <p>
- &ldquo;I was wondering whether I ought to tell her,&rdquo; said he.
- </p>
- <p>
- Mrs. Hardacre started bolt upright in her chair. This time her interest
- was genuine. Nothing but her long training in a world of petty strife kept
- the sudden fright out of her eyes and voice.
- </p>
- <p>
- &ldquo;Tell Norma? Whatever for?&rdquo;
- </p>
- <p>
- &ldquo;I thought it would be more decent,&rdquo; said Morland, rather feebly.
- </p>
- <p>
- &ldquo;It would be sheer lunacy!&rdquo; cried the lady, appalled at the certain
- catastrophe that such a proceeding would cause. Did not the demented
- creature see that the whole affair was in unstable equilibrium? A touch,
- let alone a shock like this, would bring it toppling down, never to be set
- up again by any prayers, remonstrances, ravings, curses, thumbscrews, or
- racks the ingenuity of an outraged mother could devise.
- </p>
- <p>
- &ldquo;It would be utter imbecility,&rdquo; she continued. &ldquo;My dear man, don't you
- think one mad Don Quixote in a romance is enough? What on earth would you,
- Norma, or any one else gain by telling her? She is as happy as possible
- now, buying her trousseau and making all the wedding arrangements. Why
- spoil her happiness? I think it exceedingly inconsiderate of you&mdash;not
- to say selfish&mdash;I do really.&rdquo;
- </p>
- <p>
- &ldquo;Hardly that. It was an idea of doing penance,&rdquo; said Morland.
- </p>
- <p>
- &ldquo;If that is all,&rdquo; said Mrs. Hardacre, relaxing into a bantering tone, as
- she joyfully noted the lack of conviction in his manner, &ldquo;I'll make you a
- hair shirt, and I'll promise it shall be scratchy&mdash;untanned pigskin
- with the bristles on, if you like. Be as uncomfortable, my dear Morland,
- as ever you choose&mdash;wear a frock-coat with a bowler hat or dine <i>tête-à-tête</i>
- with Mr. Hardacre, but do leave other folks to pass their lives in peace
- and quiet.&rdquo;
- </p>
- <p>
- Morland threw himself back and laughed, and Mrs. Hardacre knew she had won
- what she paradoxically called a moral victory. They discussed the question
- for a few moments longer, and then Morland rose to take his leave.
- </p>
- <p>
- &ldquo;It's awfully good of you to look at things in this broadminded way,&rdquo; he
- said, with the air of a man whom an indulgent lady has pardoned for a
- small peccadillo. &ldquo;Awfully good of you.&rdquo;
- </p>
- <p>
- &ldquo;There is no other sane way of looking at them,&rdquo; replied Mrs. Hardacre.
- &ldquo;Won't you wait and see Norma?&rdquo;
- </p>
- <p>
- &ldquo;I must get back to the House,&rdquo; replied Morland, consulting his watch.
- &ldquo;There may be a division before the dinner-hour.&rdquo;
- </p>
- <p>
- He smoked a great cigar on his way to Westminster, and enjoyed it
- thoroughly. Mrs. Hardacre was quite right. He had done his best. If Jimmie
- was too high and mighty to accept the only compensation possible, he was
- not to blame. The matter was over and done with. It would be idiotic to
- tell Norma.
- </p>
- <p>
- Meanwhile, having made confession and received absolution, he felt
- spiritually refreshed.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0020" id="link2HCH0020"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XX&mdash;ALINE PREPARES FOR BATTLE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE look of illness
- that Morland had noticed upon Jimmie's face was due to the fact that he
- had been ill. Italian townlets nestling on hillsides are picturesque, but
- they are not always healthy. A touch of fever had laid him on his back for
- a week, and caused the local doctor to order him to England. He had
- arrived in a limp condition, much to the anxiety of Aline, who had
- expected to see the roses return to his cheek as soon as their slender
- baggage had passed the custom-house. He was shabbily dressed because he
- had fallen on evil times, and had no money to waste on personal vanities.
- The four guineas which Aline had put aside out of their limited resources
- to buy him a new suit he had meanly abstracted from the housekeeping
- drawer, and had devoted, with the surreptitious help of the servant, to
- purchasing necessary articles of attire for Aline. He was looking worried
- because he had forgotten in which of the cheap Oxford Street restaurants
- he had promised to meet that young lady. When he remembered, the cloud
- passed from his face and he darted across the road behind Morland's
- brougham. He found Aline seated primly at a little marble table on which
- were a glass of milk and a lump of amorphous pastry for herself, and a
- plate of cold beef and a small bottle of Bass for Jimmie. It was too early
- for the regular crowd of lunchers&mdash;only half-past twelve&mdash;and
- the slim, erect little figure looked oddly alone in the almost empty
- restaurant.
- </p>
- <p>
- Jimmie nodded in a general, kindly way at the idle waitresses about the
- buffet, and marched down the room with a quick step, his eyes beaming. He
- sat down with some clatter opposite Aline, and took two cheques, a
- bank-note and a handful of gold and silver from his pocket, and dumped
- them noisily on the table.
- </p>
- <p>
- &ldquo;There, my child. Seven pounds ten. Twenty-five guineas. Five pounds. And
- eight pounds three-and-six-pence. Exit wolf at the door, howling, with his
- tail between his legs.&rdquo;
- </p>
- <p>
- Aline looked at the wealth with knitted brow.
- </p>
- <p>
- &ldquo;Can I take this?&rdquo; she asked, lifting up the five-pound note.
- </p>
- <p>
- Jimmie pushed the pile towards her. &ldquo;Take it all, my dear. What on earth
- should I do with it? Besides, it's all your doing.&rdquo;
- </p>
- <p>
- &ldquo;Because I made you go and dun those horrid dealers? And even now Hyam has
- only given you half. It was fifty guineas&mdash;Oh, Jimmie! Do you mean to
- say you forgot? Now, what did you tell him? Did you produce the
- agreement?&rdquo;
- </p>
- <p>
- Jimmie looked at her ruefully.
- </p>
- <p>
- &ldquo;I'm afraid I forgot the wretched agreement. I went in and twirled my
- moustache fiercely, and said 'Mr. Hyam, I want my money.'&rdquo;
- </p>
- <p>
- Aline laughed. &ldquo;And you took him by the throat. I know. Oh, you foolish
- person!&rdquo;
- </p>
- <p>
- &ldquo;Well, he asked me if twenty-five would be enough&mdash;and it's a lot of
- money, you know, dear&mdash;and I thought if I did n't say 'yes,' he would
- n't give me anything. In business affairs one has to be diplomatic.&rdquo;
- </p>
- <p>
- &ldquo;I'll have to take Hyam in hand myself,&rdquo; said Aline, decisively. &ldquo;Well,
- he'll have to pay up some day. Then there's Blathwayt &amp; Co.,&mdash;and
- Tilney&mdash;that's quite right&mdash;but where did you get all that gold
- from, Jimmie?&rdquo;
- </p>
- <p>
- &ldquo;Oh, that was somebody else,&rdquo; he said vaguely. Then turning to the
- waitress, who had sauntered up to open the bottle of Bass, he pointed at
- Aline's lunch.
- </p>
- <p>
- &ldquo;Do you mind taking away that eccentric pie-thing and bringing the most
- nutritious dish you have in the establishment?&rdquo;
- </p>
- <p>
- &ldquo;But, Jimmie, this is a Bath bun. It's delicious,&rdquo; protested Aline.
- </p>
- <p>
- &ldquo;My dear child, growing girls cannot be fed like bears on buns. Ah, here,&rdquo;
- he said to the waitress who showed him the little wooden-handled frame
- containing the tariff, &ldquo;bring this young lady some galantine of chicken.&rdquo;
- </p>
- <p>
- Aline, who in her secret heart loved the &ldquo;eccentric pie-thing&rdquo; beyond all
- other dainties, and trembled at the stupendous charge, possibly ninepence
- or a shilling, that would be made for the galantine, yielded, after the
- manner of women, because she knew it would please Jimmie. But accustomed
- to his diplomatic methods, she felt that a red herring&mdash;or a
- galantine&mdash;had been drawn across the track.
- </p>
- <p>
- &ldquo;Who was the somebody else?&rdquo; she asked.
- </p>
- <p>
- He nodded and drank a draught of beer and wiped the froth from his
- moustache. Something unusual in his personal appearance suddenly caught
- her attention. His watch-chain was dangling loose from the buttonhole of
- his waistcoat.
- </p>
- <p>
- &ldquo;Your watch!&rdquo; she gasped.
- </p>
- <p>
- Dissimulation being vain, Jimmie confessed.
- </p>
- <p>
- &ldquo;You told me this morning, my dear, that if we didn't get fifty pounds
- to-day we were ruined. You spoke alarmingly of the workhouse. My debt
- collecting amounted to thirty-eight pounds fifteen. I tried hard to work
- the obdurate bosom up to eleven pounds five, but he would only give me
- eight.&rdquo;
- </p>
- <p>
- &ldquo;You don't mean to say you have sold your beautiful gold watch for eight
- pounds?&rdquo; cried the girl, turning as pale as the milk in front of her.
- </p>
- <p>
- It had been a present from a wealthy stockbroker who had been delighted
- with his portrait painted by Jimmie a couple of years ago, and it was
- thick and heavy and the pride of Aline's existence. It invested Jimmie
- with an air of solidity, worldly substantiality; and it was the only
- timekeeper they had ever had in the house which properly executed its
- functions. Now he had sold it! Was there ever so exasperating a man? He
- was worse than Moses with his green spectacles. But Jimmie reassured her.
- He had only pawned the watch at Attenborough's over the way.
- </p>
- <p>
- &ldquo;Then give me the ticket, do, or you'll lose it, Jimmie.&rdquo;
- </p>
- <p>
- He meekly obeyed. Aline began her galantine with a sigh of relief, and
- condescended to laugh at Jimmie's account of his exploits. But when the
- meal was ended, she insisted on redeeming the precious watch, and much
- happier in knowing it safe in his pocket, she carried him off to a
- ready-made tailor's, where she ordered him a beautiful thin overcoat for
- thirty shillings, a neat blue serge suit for three pounds ten, handing
- over in payment the five-pound note she had abstracted from his gleanings,
- and a new hat, for which she paid from a mysterious private store of her
- own. These matters having been arranged to her satisfaction, she made up
- for her hectoring ways by nestling against him on top of the
- homeward-bound omnibus and telling him what a delightful, lovely morning
- they had spent.
- </p>
- <p>
- Thus it will be seen that Jimmie, aided by Aline's stout little heart, was
- battling more than usual against adversity. Aline had many schemes. Why
- should she not obtain some lucrative employment? Jimmie made a wry face at
- the phrase and protested vehemently against the suggestion. A hulking
- varlet like him to let her wear her fingers to the bone by addressing
- envelopes at twopence a million? He would sooner return to the
- five-shillings-a-dozen oil paintings; he would go round the streets at
- dawn and play &ldquo;ghost&rdquo; to pavement artists; he would take in washing! The
- idea of the street-pictures caught his fancy. He expatiated upon its
- advantages. Five pitches, say at two shillings a pitch, that would be ten
- shillings a day&mdash;three pounds a week. A most business-like plan, to
- say nothing of the education in art it would be to the public! He had his
- own fantastical way of dealing with the petty cares of life. As for Aline
- working, he would not hear of it. Though they lived now from hand to
- mouth, they were always fed. He had faith in the ravens.
- </p>
- <p>
- But all the fantasy and the faith could not subdue Aline's passionate
- rebellion against Jimmie's ostracism. She was very young, very feminine;
- she had not his wide outlook, his generous sympathies, his disdain of
- trivial, ignoble things, his independence of soul. The world was arrayed
- against Jimmie. Society was persecuting him with monstrous injustice. She
- hated his oppressors, longed fiercely for an opportunity of vindicating
- his honour. It was sometimes more than she could bear&mdash;to think of
- his straitened means, the absence of sitters, the lowered prices he
- obtained, the hours of unremitting toil he spent at his easel and
- drawing-table. During their travels she had not realised what the scandal
- would mean to him professionally. Now her heart rose in hot revolt and
- thirsted for battle in Jimmie's cause.
- </p>
- <p>
- Her heart had never been hotter than one morning when, the gem of his
- finished Italian studies having been rejected by the committee of a minor
- exhibition, she went down to the studio to give vent to her indignation.
- At breakfast Jimmie had laughed and kissed her and told her not to drop
- tears into his coffee. He would send the picture to the Academy, where it
- would be hung on the line and make him famous. He refused to be
- downhearted and talked buoyantly of other things. But Aline felt that it
- was only for her sake that he hid his bitter disappointment, and an hour
- later she could bear the strain of silence no longer.
- </p>
- <p>
- The door of the studio was open. The girl's footstep was soft, and, not
- hearing it, he did not turn as she entered. For a few seconds she stood
- watching him; feeling shy, embarrassed, an intruder upon unexpected sacred
- things. Jimmie's mind was far away from minor exhibitions. He was sitting
- on his painting-stool, chin in hand, looking at a picture on the easel. On
- his face was unutterable pain, in his eyes an agony of longing. Aline
- caught her breath, frightened at the revelation. The eyes of the painted
- Norma smiled steadfastly into his. The horrible irony of it smote the
- girl. Another catch at the breath became a choking sob. Jimmie started,
- and as if a magic hand had passed across his features, the pain vanished,
- and Aline saw the homely face again with its look of wistful kindness.
- Overwrought, she broke into a passion of weeping. Jimmie put his arms
- about her and soothed her. What did the rejection of a picture matter? It
- was part of the game of painting. She must be his own brave little girl
- and smile at the rubs of fortune. But Aline shook the head buried on his
- shoulder, and stretched out a hand blindly towards the portrait. &ldquo;It's
- that. I can't bear it.&rdquo;
- </p>
- <p>
- An impossible thought shot through him. He drew away from her and caught
- her wrists somewhat roughly, and tried to look at her; but she bowed her
- head.
- </p>
- <p>
- &ldquo;What do you mean, my child?&rdquo; he asked curtly, with bent brows.
- </p>
- <p>
- Women are lightning-witted in their interpretation of such questions. The
- blood flooded her face, and her tears dried suddenly and she met his
- glance straight.
- </p>
- <p>
- &ldquo;Do you think I'm jealous? Do you suppose I have n't known? I can't bear
- you to suffer. I can't bear her not to believe in you. I can't bear her
- not to love you.&rdquo;
- </p>
- <p>
- Jimmie let go her wrists and stood before her full of grateful tenderness,
- quite at a loss for words. He looked whimsically at the flushed, defiant
- little face; he shook her by the shoulder and turned away.
- </p>
- <p>
- &ldquo;My valiant tin soldier,&rdquo; he said.
- </p>
- <p>
- It was an old name for her, dating from nursery days, when they thought
- and talked according to the gospel of Hans Christian Andersen.
- </p>
- <p>
- No more passed between them. But thenceforward
- Jimmie put the finishing touches to the portrait openly, Instead of
- painting at it when he knew he should be undisturbed. The wedding was
- drawing near. The date had been announced in the papers, and Jimmie had
- put a cross against it in his diary. If only Norma would accept the
- portrait as a wedding-present, he would feel happier. But how to approach
- her he did not know. In her pure eyes, he was well aware, he must appear
- the basest of men, and things proceeding from him would bear a taint of
- the unspeakable. Yet he hungered for her acceptance. It was the most
- perfect picture he had painted or could ever paint. The divinest part of
- him had gone to the making of it. It held in its passionate simplicity the
- man's soul, as the Monna Lisa in its mysterious complexity holds
- Leonardo's. Of material symbols of things spiritual he could not give her
- more. But how to give?
- </p>
- <p>
- Connie Deering settled the question by coming to the studio one morning, a
- bewildering vision of millinery and smiles and kindness.
- </p>
- <p>
- &ldquo;You have persistently refused, you wicked bear, to come and see me since
- my return to London, so I have no choice but to walk into your den. If it
- had n't been for Aline, beyond an occasional 'Dear Connie, I am very well.
- The weather is unusually warm for the time of year. Yours sincerely, J.
- P.', I should n't know whether you were alive or dead. I hope you're
- ashamed of yourself.&rdquo;
- </p>
- <p>
- This was the little lady's exordium, to which she tactfully gave Jimmie no
- time to reply. She stayed for an hour. The disastrous topic was avoided.
- But Jimmie felt that she forbore to judge him for his supposed offence,
- and learned to his great happiness that Norma had asked after his welfare,
- and would without doubt deign in her divine graciousness to accept the
- portrait. She looked thoughtfully at the picture for some time, and then
- laid a light touch on his arm.
- </p>
- <p>
- &ldquo;How you must love her, Jimmie!&rdquo; she said in a low voice. &ldquo;I have n't
- forgotten.&rdquo;
- </p>
- <p>
- &ldquo;I wish you would,&rdquo; he answered gravely. &ldquo;I oughtn't to have said what I
- did. I don't remember what I did say. I lost my head and raved. Every man
- has his hour of madness, and that was mine&mdash;all through your
- witchery. And yet somehow it seemed as if I were pouring it all out to
- her.&rdquo;
- </p>
- <p>
- Connie Deering perceptibly winced. Plucking up courage, she began:
- </p>
- <p>
- &ldquo;I wish a man would&mdash;&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie,&rdquo; Jimmie interrupted kindly, &ldquo;there are hundreds of men in
- London who are sighing themselves hoarse for you. But you are such a
- hard-hearted butterfly.&rdquo;
- </p>
- <p>
- Her lips twitched. &ldquo;Not so hard-hearted as you think, my good Jimmie,&rdquo; she
- retorted.
- </p>
- <p>
- A moment later she was all inconsequence and jest. On parting he took both
- her white-gloved little hands.
- </p>
- <p>
- &ldquo;You can't realise the joy it has been to me to see you, Connie,&rdquo; he said.
- &ldquo;It has been like a ray of sunlight through prison bars.&rdquo;
- </p>
- <p>
- After a private talk with Aline she drove straight to Devonshire Place,
- and on the way dabbed her eyes with the inconsiderable bit of chiffon
- called a handkerchief which she carried in her gold chain purse. She saw
- Norma alone for a moment before lunch, and told her of her visit.
- </p>
- <p>
- &ldquo;I don't care what he has done,&rdquo; she declared desperately. &ldquo;I am not going
- to let it make a difference any longer. He's the same dear creature I have
- known all my life, and I don't believe he has done anything at all. If
- there's a sinner in that horrible business, it is n't Jimmie!&rdquo;
- </p>
- <p>
- Norma looked out of the window at the bleak March day.
- </p>
- <p>
- &ldquo;That is what Theodore Weever said,&rdquo; she answered tonelessly.
- </p>
- <p>
- &ldquo;Then why don't you give Jimmie the benefit of the doubt?&rdquo;
- </p>
- <p>
- &ldquo;It is better that I should n't.&rdquo;
- </p>
- <p>
- &ldquo;Why, dear?&rdquo;
- </p>
- <p>
- &ldquo;You are a sweet little soul, Connie,&rdquo; said Norma, her eyes still fixed on
- the grey sky. &ldquo;But you may do more harm than good. I am better as I am. I
- have benumbed myself into a decent state of insensibility and I don't want
- to feel anything ever again as long as I live.&rdquo;
- </p>
- <p>
- The door opened, and Mrs. Hardacre appeared on the threshold. Connie bent
- forward and whispered quickly into Norma's ear:
- </p>
- <p>
- &ldquo;One would think you were afraid to believe in Jimmie.&rdquo;
- </p>
- <p>
- She swung round, flushed, femininely excited at having seized the unfair
- moment for dealing a stab.
- </p>
- <p>
- &ldquo;I hope I <i>have</i> made her feel,&rdquo; she thought, as she fluttered
- forward to greet Mrs. Hardacre.
- </p>
- <p>
- She succeeded perhaps beyond her hope. A sharp glance showed her Norma
- still staring out of window, but staring now with an odd look of fear and
- pain. Her kind heart repented.
- </p>
- <p>
- &ldquo;Forgive me if I hurt you,&rdquo; she said on their way downstairs to lunch.
- </p>
- <p>
- &ldquo;What does it matter?&rdquo; Norma answered by way of pardon.
- </p>
- <p>
- But the shrewd thrust mattered exceedingly. After Connie had gone, the
- wound ached, and Norma found that her boast of having benumbed herself was
- a vain word. In the night she lay awake, frightened at the reaction that
- was taking place. Theodore Weever had shaken her more than she had
- realised. Connie Deering proclaimed the same faith. She felt that she too
- would have to accept it&mdash;against argument, against reason, against
- fact. She would have to accept it wholly, implicitly; and she dreaded the
- act of faith. Her marriage with Morland was fixed for that day week, and
- she was agonisingly aware that she loved another man with all her heart.
- </p>
- <p>
- The next day she received a hurried note from Connie Deering:
- </p>
- <p>
- <i>&ldquo;Do come in for half an hour for tea on Sunday. I have a beautiful
- wedding-present to show you which I hope you'll like, as great pains have
- been spent over it. And I want to have a last little chat with you.&rdquo;</i>
- </p>
- <p>
- She promised unreflectingly, seeing no snare. But as she walked to
- Bryanston Square on Sunday afternoon, more of a presentiment, a foreboding
- of evil, than a suspicion fixed itself upon her mind, and she wished she
- had not agreed to come. She was shown into the drawing-room, and there,
- beside a gilt-framed picture over which a cloth was thrown, with her great
- brown eyes meeting her defiantly, stood Aline.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0021" id="link2HCH0021"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXI&mdash;THE MOTH MEETS THE STAR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HUS had Aline, her
- heart hot for battle in Jimmie's cause, contrived with Connie Deering as
- subsidiary conspirator. She had lain awake most of the night, thinking of
- the approaching interview, composing speeches, elaborating arguments,
- defining her attitude. Her plan of campaign was based on the assumption of
- immediate hostilities. She had pictured a scornful lady moved to sudden
- anger at seeing herself trapped, and haughtily refusing to discuss
- overtures of peace. It was to be war from the first, until she had brought
- her adversary low; and when the door-handle rattled and the door opened to
- admit Norma, every nerve in her young body grew tense, and her heart beat
- like the clapper of a bell.
- </p>
- <p>
- Norma entered, looked for a moment in smiling surprise at Aline, came
- quickly forward, and moved by a sudden impulse, a yearning for love,
- sweetness, freshness, peace&mdash;she knew not what&mdash;she put her arms
- round the girl and kissed her.
- </p>
- <p>
- &ldquo;My dear Aline, how sweet it is to see you again!&rdquo;
-</p>
- <p>
-The poor little girl
- stood helpless. The bottom was knocked out of her half-childish plan of
- campaign. There was no scornful lady, no haughty words, no hostilities.
- She fell to crying. What else could she do?
- </p>
- <p>
- &ldquo;There, there! Don't cry, dear,&rdquo; said Norma soothingly, almost as
- helpless. Seating herself on a low chair and drawing Aline to her side,
- she looked up at the piteous face.
- </p>
- <p>
- &ldquo;Why should you cry, dear?&rdquo;
- </p>
- <p>
- &ldquo;I did n't know you would be so good to me,&rdquo; answered Aline, wiping her
- eyes.
- </p>
- <p>
- &ldquo;Why should n't I be good to you? What reason could I have for not being
- glad to see you?&rdquo;
- </p>
- <p>
- &ldquo;I don't know,&rdquo; said the girl, with a touch of bitterness. &ldquo;Things are so
- different now.&rdquo;
- </p>
- <p>
- Norma sighed for answer and thought of her premonition. She was aware that
- Connie had deliberately planned this interview, but could find no
- resentment in her heart. The reproach implied in Aline's words she
- accepted humbly. She was at once too spiritless for anger, and too much
- excited by the girl's presence for regret at having come. Her eye fell
- upon the picture leaning against the chair-back, and a conjecture swiftly
- passed through her mind.
- </p>
- <p>
- &ldquo;Mrs. Deering asked me to come and look at a wedding-present,&rdquo; she said
- with a smile.
- </p>
- <p>
- &ldquo;Did she tell you from whom?&rdquo; asked Aline, thrusting her handkerchief into
- her pocket. She had found her nerve again.
- </p>
- <p>
- &ldquo;No.&rdquo;
- </p>
- <p>
- &ldquo;It's from Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Is it that over there?&rdquo;
- </p>
- <p>
- Aline caught and misinterpreted an unsteadiness of voice. She threw
- herself on her knees by Norma's side.
- </p>
- <p>
- &ldquo;You won't refuse it, Miss Hardacre. Oh, say you won't refuse it. Jimmie
- began it ever so long ago. He put everything into it. It would break his
- heart if you refused it&mdash;the heart of the best and beautifullest and
- tenderest and most wonderful man God ever made.&rdquo;
- </p>
- <p>
- Norma touched with her gloved fingers a wisp of hair straying over the
- girl's forehead.
- </p>
- <p>
- &ldquo;How do you know he is all that?&rdquo;
- </p>
- <p>
- &ldquo;How do I know? How do I know the sun shines and the rain falls? It's just
- so.&rdquo;
- </p>
- <p>
- &ldquo;You have faith, my child,&rdquo; said Norma, oddly.
- </p>
- <p>
- &ldquo;It isn't faith. It's knowledge. You all believe Jimmie has done something
- horrible. He has n't. I know he hasn't. He couldn't. He couldn't harm a
- living creature by word or deed. I know he never did it. If I had thought
- so for one moment, I should have loathed myself so that I would have gone
- out and killed myself. I know very little about it. I did n't read the
- newspapers&mdash;it's hideous&mdash;it's horrible&mdash;Jimmie would as
- soon think of torturing a child. It's not in his nature. He is all love
- and sweetness and chivalry. If you say he has taken the blame on himself
- for some great generous purpose&mdash;yes. That's Jimmie. That's Jimmie
- all over. It's cruel&mdash;it's monstrous for any one who knows him to
- think otherwise.&rdquo;
- </p>
- <p>
- She had risen from her knees half-way through her passionate speech, and
- moved about in front of Norma, wringing her hands. She ended in a sob and
- turned away. Norma lay back in her chair, pale and agitated. The cynical
- worldling with his piercing vision into men and the pure, ignorant child
- had arrived at the same conclusion, not after months of thought, but
- instantly, intuitively. She could make the girl no answer. Aline began
- again.
- </p>
- <p>
- &ldquo;He could n't. You know he could n't. It's something glorious and
- beautiful he has done and not anything shameful.&rdquo;
- </p>
- <p>
- She went on, with little pauses, hurling her short, breathless sentences
- across the space that separated her from Norma, forgetful of everything
- save the wrong done to Jimmie. At last Norma rose and went to her.
- </p>
- <p>
- &ldquo;Hush, dear!&rdquo; she said. &ldquo;There are some things I mustn't talk about. I
- daren't. You are too young to understand. Mr. Padgate has sent me a
- wedding-present. Tell him how gladly I accept it and how I shall value it.
- Let me see the picture.&rdquo;
- </p>
- <p>
- Aline, her slight bosom still heaving with the after-storm of emotion,
- said nothing, but drew the cloth from the canvas. Norma started back
- in-surprise. She had not anticipated seeing her own portrait.
- </p>
- <p>
- &ldquo;Oh, but it is beautiful!&rdquo; she cried involuntarily.
- </p>
- <p>
- &ldquo;Yes&mdash;more than beautiful,&rdquo; said Aline, and mechanically she moved
- the chair into the full light of the window.
- </p>
- <p>
- Norma looked at the picture for a long time, stepped back and looked at
- herself in the mirror of the overmantel, and returned to the picture. And
- as she looked the soul behind the picture spoke to her. The message
- delivered, she glanced at Aline.
- </p>
- <p>
- &ldquo;It is not I, that woman. I wish to God it were.&rdquo; She put her hands up to
- her face, and took a step or two across the room, and repeated a little
- wildly, &ldquo;I wish to God it were!&rdquo;
- </p>
- <p>
- &ldquo;It is very, very like you,&rdquo; said Aline softly, recovering her girl's
- worship of the other's stately beauty.
- </p>
- <p>
- Norma caught her by the arm and pointed at the portrait.
- </p>
- <p>
- &ldquo;Can't you see the difference?&rdquo;
- </p>
- <p>
- But the soul behind the picture had not spoken to Aline. There was love
- hovering around the pictured woman's lips; happy tenderness and trust and
- promise mingled in her eyes; in so far as the shadow of a flower-like
- woman's passion could strain her features, so were her features strained.
- Yet she looked out of the canvas a proud, queenly woman, capable of
- heroisms and lofty sacrifice. She was one who loved deeply and demanded
- love in return. She was warm of the flesh, infinitely pure of the spirit.
- The face was the face of Norma, but the soul was that of the dream-woman
- who had come and sat in the sitter's chair and communed with Jimmie as he
- painted her. And Norma heard her voice. It was an indictment of her life,
- a judgment and a sentence.
- </p>
- <p>
- &ldquo;I am glad you can't, dear,&rdquo; she said to Aline, regaining her balance.
- &ldquo;Tell him I shall prize it above all my wedding-gifts.&rdquo;
- </p>
- <p>
- They talked quietly, for a while about Jimmie's affairs, the pilgrimage
- through southern France and northern Italy, his illness, his work. His
- poverty Aline was too proud to mention.
- </p>
- <p>
- &ldquo;And you, my dear?&rdquo; asked Norma, kindly.
- </p>
- <h3>
- &ldquo;I?&rdquo;
- </h3>
- <p>
- &ldquo;What about yourself? You are not looking as happy as you were. My dear
- child,&rdquo; she said, bending forward earnestly, &ldquo;do you know that no one has
- ever come to me with their troubles in all my life&mdash;not once. I'm
- beginning to feel I should be happier if some one did. You have had yours&mdash;-I
- have heard just a little. You see we all have them and we might help each
- other.&rdquo;
- </p>
- <p>
- &ldquo;You have no troubles, Miss Hardacre,&rdquo; said Aline, touched. &ldquo;You are going
- to be married in a week's time.&rdquo;
- </p>
- <p>
- &ldquo;And you?&rdquo;
- </p>
- <p>
- &ldquo;Never,&rdquo; said Aline. &ldquo;Never.&rdquo;
- </p>
- <p>
- Suddenly she poured her disastrous little love-story into Norma's ears. It
- was a wonderful new comfort to the child, this tender magic of the womanly
- sympathy. Oh! she loved him, of course she loved him, and he loved her;
- that was the piteous part of it. If Miss Hardacre only knew what it was to
- have the heart-ache! It was dreadful. And there was no hope.
- </p>
- <p>
- &ldquo;And is that all?&rdquo; asked Norma, when she had lowered the curtain on her
- tragedy. &ldquo;You are eating out your heart for him and won't see him just
- because he won't believe in Jimmie? Listen. I feel sure that he will soon
- believe in Jimmie. He must. And then you'll be entirely happy.&rdquo;
- </p>
- <p>
- When the girl's grateful arms suddenly flung themselves about her, Norma
- was further on the road to happiness than she had ever travelled before.
- She yielded herself to the moment's exquisite charm. Behind her whirled a
- tumult of longing, shame, struggling faith, nameless suspicion. Before her
- loomed a shivering dread. The actual moment was an isle of enchanted
- peace.
- </p>
- <p>
- The clock on a table at the far end of the room chiming six brought her
- back to the workaday world. She must go home. Morland was coming to
- dinner; also one or two Cosford people, who had already arrived in town in
- view of the wedding. She would have to dress with some elaborateness. Her
- heart grew heavy and cold at the prospect of the dreary party. She rose,
- looked again at the picture in the fading light. Moved by the
- irresistible, she turned to Aline.
- </p>
- <p>
- &ldquo;I should like to see him&mdash;to thank him&mdash;before&mdash;-before
- Wednesday. Do you think he would come?&rdquo;
- </p>
- <p>
- Aline blushed guiltily. &ldquo;Jimmie is in the house now,&rdquo; she said.
- </p>
- <p>
- &ldquo;Downstairs?&rdquo;
- </p>
- <p>
- &ldquo;Yes.&rdquo;
- </p>
- <p>
- For a moment irresolute, she looked vacantly into the girl's pleading
- eyes. An odd darkness encompassed her and she saw nothing. The
- announcement was a shock of crisis. Dimly she knew that she trod the brink
- of folly and peril. But she had been caught unawares, and she longed
- stupidly, achingly, for the sight of his face. The words of Aline, eager
- in defence of her beloved, seemed far away.
- </p>
- <p>
- &ldquo;Of course he does n't know you are here. He was to call for me at a
- quarter to six, and I heard the front door open a little while ago. I
- brought the picture in a cab, and he is under the impression that Mrs.
- Deering will ask you to&mdash;will do what I have done. Jimmie is
- perfectly innocent, Miss Hardacre. He had not the remotest idea I was to
- meet you&mdash;not the remotest.&rdquo;
- </p>
- <p>
- Norma recovered herself sufficiently to say with a faint smile:
- </p>
- <p>
- &ldquo;So this has been a conspiracy between you and Connie Deering?&rdquo;
- </p>
- <p>
- Aline caught consent in the tone, and ignored the question.
- </p>
- <p>
- &ldquo;Shall I send him up to you?&rdquo; she asked breathlessly.
- </p>
- <p>
- &ldquo;Yes,&rdquo; said Norma.
- </p>
- <p>
- There was a girl's glad cry, a girl's impulsive kiss, and Norma was left
- alone in the room. She had yielded. In a few moments he would be with her&mdash;the
- man who had said, &ldquo;Her voice haunts me like music heard in sleep... I
- worship her like a Madonna... I love her as the man of hot blood loves a
- woman... My soul is a footstool for her to rest her feet upon,&rdquo; and other
- flaming words of unforgettable passion; the man for whom one instant of
- her life had been elemental sex; the man whose love had transfigured her
- on canvas into the wonder among women that she might have been; the man
- standing in a slough of infamy, whose rising vapours wreathed themselves
- into a halo about his head. She clenched her hands and set her teeth,
- wrestling with herself.
- </p>
- <p>
- &ldquo;My God! What kind of a fool am I becoming?&rdquo; she breathed.
- </p>
- <p>
- Training, the habit of the mask, came to her aid. Jimmie, entering, saw
- only the royal lady who had looked kindly upon him in the golden September
- days. She came to meet him frankly, as one meets an old friend. A new
- vision revealed to her the heart that leapt into his eyes, as they rested
- upon her. Mistress of herself, she hardened her own, but smiled and spoke
- softly.
- </p>
- <p>
- &ldquo;It is great good fortune you have come, so that I can thank you,&rdquo; she
- said. &ldquo;But how can I ever thank you&mdash;for that?&rdquo;
- </p>
- <p>
- &ldquo;It is a small gift enough,&rdquo; said Jimmie. &ldquo;Your acceptance is more than
- thanks.&rdquo;
- </p>
- <p>
- &ldquo;I shall prize it dearly. It is like nothing that can be bought. It is
- something out of yourself you are giving me.&rdquo;
- </p>
- <p>
- &ldquo;If you look at it in that light,&rdquo; said he, &ldquo;I am happy indeed.&rdquo;
- </p>
- <p>
- With a common instinct they went up to the portrait and regarded it side
- by side. Conventional words passed. He enquired after Morland.
- </p>
- <p>
- &ldquo;You have n't seen him for a long time?&rdquo; she asked hesitatingly.
- </p>
- <p>
- &ldquo;Not for a long time.&rdquo;
- </p>
- <p>
- &ldquo;You must have been very lonely.&rdquo;
- </p>
- <p>
- &ldquo;I have had Aline&mdash;and Connie Deering&mdash;and my work.&rdquo;
- </p>
- <p>
- &ldquo;Are they sufficient for you?&rdquo;
- </p>
- <p>
- &ldquo;Any human love a man gets he can make fill his life. It's like the grain
- of mustard-seed.&rdquo;
- </p>
- <p>
- Norma felt a thrill of admiration. Not a tone in his voice betrayed
- complaint, reproach, or bitterness. Instead, he sounded the note of
- thanksgiving for the love bestowed upon him, of faith in the perfect
- ordering of the world. She glanced at him, and felt that she had wronged
- him. No matter what was the solution of the mystery, she knew him to be a
- sweet-souled man, wonderfully steadfast.
- </p>
- <p>
- &ldquo;Your old way,&rdquo; she replied with a smile, sitting down and motioning him
- to a chair beside her. &ldquo;Do you remember that we first met in this very
- room? You have not changed. Have I?&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; he said gravely, &ldquo;you were always beautiful, without and within. I
- told you that then, if you remember. Perhaps, now, you are a little truer
- to yourself.&rdquo;
- </p>
- <p>
- &ldquo;Do you think so?&rdquo; she asked, somewhat bitterly.
- </p>
- <p>
- &ldquo;Perhaps it is the approach of your great happiness,&rdquo; blundered Jimmie, in
- perfect conviction. She was silent. &ldquo;It has been more to me than I can
- say,&rdquo; he went on, &ldquo;to see you once again&mdash;as you are, before your
- marriage. I wish you many blessings&mdash;all that love can bring you.&rdquo;
- </p>
- <p>
- &ldquo;Do you think love is necessary for married happiness?&rdquo;
- </p>
- <p>
- &ldquo;Without it marriage must be a horror,&rdquo; said Jimmie. For a moment she was
- on the brink of harsh laughter. Did he sincerely believe she was in love
- with Morland? She could have hurled the question at him. Will checked the
- rising hysteria and turned it into other channels.
- </p>
- <p>
- &ldquo;Why have you never married? You must have loved somebody once.&rdquo;
- </p>
- <p>
- It was a relief to hurt him. The dusk was gathering in the room, and she
- could scarcely see his face. A Sunday stillness filled the quiet square
- outside. The hour had its dangers.
- </p>
- <p>
- &ldquo;My having loved a woman does not necessarily imply that I could have
- married her,&rdquo; said Jimmie.
- </p>
- <p>
- The evasion irritated her mood, awoke a longing to make him speak. She
- drew her chair nearer, bent forward, so that the brim of her great hat
- almost brushed his forehead and the fragrance of her overspread him.
- </p>
- <p>
- &ldquo;Do you remember a picture you would n't show me in your studio? You
- called it a mad painter's dream. You said it was the Ideal Woman.&rdquo;
- </p>
- <p>
- &ldquo;<i>You</i> said so,&rdquo; replied Jimmie.
- </p>
- <p>
- &ldquo;I should like to see it.&rdquo;
- </p>
- <p>
- &ldquo;It is mine no longer to show you,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;I think you must have loved that woman very deeply.&rdquo; She was tempting him
- as she had tempted no man before, feeling a cruel, senseless joy in it.
- His voice vibrated.
- </p>
- <p>
- &ldquo;Yes. I loved her infinitely.&rdquo;
- </p>
- <p>
- &ldquo;What was she like?&rdquo;
- </p>
- <p>
- &ldquo;Like all the splendid flowers of the earth melted into one rose,&rdquo; said
- Jimmie.
- </p>
- <p>
- &ldquo;I wish some one had ever said that about me,&rdquo; she whispered.
- </p>
- <p>
- &ldquo;Many must have thought it.&rdquo;
- </p>
- <p>
- &ldquo;She must be a happy woman to be loved by you.&rdquo;
- </p>
- <p>
- &ldquo;By me? Who am I that I could bring happiness to a woman? I have never
- told her.&rdquo;
- </p>
- <p>
- &ldquo;Why not?&rdquo; she whispered. &ldquo;Do you suppose you can love a woman without her
- knowing it?&rdquo;
- </p>
- <p>
- &ldquo;In what way can the star be cognisant of the moth's desire?&rdquo; said Jimmie,
- going back to the refrain of his love.
- </p>
- <p>
- &ldquo;You a moth and she a star! You are a man and she is but a trumpery bit of
- female flesh that on a word would throw herself into your arms.&rdquo;
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie, hoarsely. &ldquo;No, you don't know what you are saying.&rdquo;
- </p>
- <p>
- The temptation to goad him was irresistible.
- </p>
- <p>
- &ldquo;We are all of us alike, all of us. Tell her.&rdquo;
- </p>
- <p>
- &ldquo;I dare n't.&rdquo;
- </p>
- <p>
- &ldquo;Tell me who she is.&rdquo;
- </p>
- <p>
- She looked at him full, with meaning in her eyes, which glowed like deep
- moons in the dusk. He brought all his courage into his glance. He was the
- master. She turned away her head in confusion, reading his love, his
- strength, his loyalty. A lesser man loving her would have thrown honour to
- the winds. A curious reverence of him filled her. She felt a small thing
- beside him. All doubts vanished forever. Her faith in him was as crystal
- clear as Aline's.
- </p>
- <p>
- &ldquo;I have no right to mention her name,&rdquo; he said after a pause.
- </p>
- <p>
- Norma leaned back in her chair and passed her handkerchief across her
- lips.
- </p>
- <p>
- &ldquo;Would you do anything in the world she asked you?&rdquo; she murmured.
- </p>
- <p>
- &ldquo;I would go through hell for her,&rdquo; said Jimmie.
- </p>
- <p>
- There was another span of silence, tense and painful. Jimmie broke it by
- saying:
- </p>
- <p>
- &ldquo;Why should you concern yourself about my fantastic affairs? They merely
- belong to dreamland&mdash;to the twilight and the stillness. They have no
- existence in the living world.&rdquo;
- </p>
- <p>
- &ldquo;If I thought so, should I be sitting in the twilight and the stillness
- listening to you?&rdquo; she asked. &ldquo;Or even if I did, may I not enter into
- dreamland too for a few little minutes before the gates are closed to me
- forever? Why should you want to shut me out of it? Do you think much love
- has come my way? Yours are the only lips I have ever heard speak of it.&rdquo;
- </p>
- <p>
- &ldquo;Morland loves you,&rdquo; said Jimmie, tremulously.
- </p>
- <p>
- The door opened. The electric light was switched on, showing two pale,
- passion-drawn faces, and Connie Deering brought her sweet gaiety into the
- room.
- </p>
- <p>
- &ldquo;If I had known you two were sitting in the dark like this, I should have
- come up earlier. Is n't it nice, Norma, to have Jimmie back again?&rdquo;
- </p>
- <p>
- The spell was broken. Norma gave an anxious look at the clock and fled,
- after hurried farewells.
- </p>
- <p>
- The mistress of the house arched her pretty eyebrows as she returned to
- Jimmie.
- </p>
- <p>
- &ldquo;<i>Eh bien?</i>&rdquo;
- </p>
- <p>
- &ldquo;Connie&mdash;&rdquo; He cleared his throat. &ldquo;You have kept my secret?&rdquo;
- </p>
- <p>
- &ldquo;Loyally,&rdquo; she said. &ldquo;Have you?&rdquo;
- </p>
- <p>
- &ldquo;I have done my best. God knows I have done my best.&rdquo;
- </p>
- <p>
- He sat down, took up a book and began to turn the leaves idly. Connie
- knelt down before the fire and put on a fresh log. This done, she came to
- his side. He took her hand and looked up into her face.
- </p>
- <p>
- &ldquo;I have n't thanked you, Connie. I do with all my heart.&rdquo;
- </p>
- <p>
- She smiled at him with an odd wistfulness.
- </p>
- <p>
- &ldquo;You once thanked me in a very pretty manner,&rdquo; she said. &ldquo;I think I
- deserve it again.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0022" id="link2HCH0022"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXII&mdash;CATASTROPHE
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">C</span>ONNIE DEERING was
- dining that Sunday evening with some friends at the Carlton, an engagement
- which had caused her to decline an invitation to the Hardacres'. The
- prospect, however, for once did not appeal to her pleasure-loving soul.
- She sighed as she stepped into her brougham, and wished as she drove along
- that she were sitting at home in the tea-gown and tranquillity harmonious
- with a subdued frame of mind. Problems worried her. What had passed
- between Norma and Jimmie? Ordinary delicacy had forbidden her questioning,
- and Jimmie had admitted her no further into his confidence. In that she
- was disappointed. When a sentimental woman asks for a kiss, she expects
- something more. She was also half ashamed of herself for asking him to
- kiss her. A waspish little voice within proclaimed that it was not so much
- for Jimmie's sake as for her own; that her lifelong fondness for Jimmie
- had unconsciously slid on to the rails that lead to absurdity. She drew
- her satin cloak tightly around her as if to suffocate the imp, and
- returned to her speculation. Something had happened&mdash;of that there
- was no doubt&mdash;something serious, agitating. It could be read on both
- their faces. Had she, who alone knew the hearts of each, done right in
- bringing them together? What had been her object? Even if a marriage
- between them had not been too ludicrous for contemplation, it would not
- have been fair towards her cousin Morland to encourage this intrigue. She
- vowed she had been a little fool to meddle with such gunpowdery matters.
- And yet she had acted in all innocence for Jimmie's sake. It was right for
- Norma to be friends with him again. It was monstrous he should suffer. If
- he could not marry the woman he loved, at least he could have the
- happiness of knowing himself no longer a blackened wretch in her eyes. But
- then, Norma had taken it into her head to love him too. Had she done
- right? Her thoughts flew round in a vicious circle of irritatingly small
- circumference, occasionally flying off on the tangent of the solicited
- kiss.
- </p>
- <p>
- The first person she met in the vestibule of the Carlton was Theodore
- Weever. They exchanged greetings, discovered they belonged to the same
- party. She had come across him frequently of late in the houses that Norma
- and herself had as common ground. In a general way she liked him; since
- Norma had told her of his view of the scandal, he had risen high in her
- estimation; but to-night he seemed to be a link in the drama that
- perplexed her, and she shrank from him, as from something uncanny. He sat
- next her at table. His first words were of Jimmie.
- </p>
- <p>
- &ldquo;I was buying pictures yesterday from a friend of yours&mdash;Padgate.&rdquo;
- </p>
- <p>
- In her pleasure Connie forgot her nervousness.
- </p>
- <p>
- &ldquo;Why, he never told me.&rdquo;
- </p>
- <p>
- &ldquo;He could scarcely have had time unless he telephoned or telegraphed.&rdquo;
- </p>
- <p>
- &ldquo;He was at my house this afternoon,&rdquo; she explained.
- </p>
- <p>
- He carefully peppered his oysters, then turned his imperturbable face
- towards her.
- </p>
- <p>
- &ldquo;So was Miss Hardacre.&rdquo;
- </p>
- <p>
- &ldquo;How do you know that?&rdquo; she cried, startled.
- </p>
- <p>
- &ldquo;I was calling in Devonshire Place. Her mother told me. I am not
- necromantic.&rdquo;
- </p>
- <p>
- His swift uniting of the two names perturbed her. She swallowed her
- oysters unreflectingly, thus missing one of her little pleasures in life,
- for she adored oysters.
- </p>
- <p>
- &ldquo;Which pictures did you buy?&rdquo; she asked.
- </p>
- <p>
- &ldquo;The one I coveted was not for sale. It was a portrait of Miss Hardacre. I
- don't think he meant me to see it, but I came upon him unawares. Have you
- seen it?&rdquo; They discussed the portrait for a while. Connie repeated her
- former question. Weever replied that he had bought the picture of the faun
- looking at the vision of things to come, and the rejected Italian study.
- Connie expressed her gladness. They contained Jimmie's best work.
- </p>
- <p>
- &ldquo;Very fine,&rdquo; Weever admitted, &ldquo;but just failing in finish. Nothing like
- the portrait.&rdquo;
- </p>
- <p>
- There was an interval. Connie exchanged remarks with old Colonel Pawley,
- her right-hand neighbour, who expatiated on the impossibility of consuming
- Bortsch soup with satisfaction outside Russia. The soup removed, Weever
- resumed the conversation.
- </p>
- <p>
- &ldquo;Have you read your Lamartine thoroughly? I have. I was sentimental once.
- He says somewhere, <i>Aimer pour être aimé, c'est de l'homme; mais aimer
- pour aimer, c'est presque de l'ange</i>. I remember where it comes from. It
- was said of Cecco in 'Graziella.' Our friend Padgate reminds me of Cecco.
- Do you care much about your cousin Morland King, Mrs. Deering?&rdquo;
- </p>
- <p>
- Connie, entirely disconcerted by his manner, looked at him beseechingly.
- </p>
- <p>
- &ldquo;Why do you ask me that?&rdquo;
- </p>
- <p>
- &ldquo;Because he is one of the <i>dramatis persona</i> in a pretty little
- comedy on which the curtain is not yet rung down.&rdquo;
- </p>
- <p>
- She greatly dared. &ldquo;Are you too in the caste?&rdquo;
- </p>
- <p>
- Theodore Weever deliberately helped himself to fish before replying. Then
- with equal deliberation he stared into her flushed and puzzled face.
- </p>
- <p>
- &ldquo;I hope so. A leading part, perhaps, if you are the clever and
- conscientious woman I take you to be.&rdquo;
- </p>
- <p>
- &ldquo;What part has my cousin Morland played?&rdquo; she asked.
- </p>
- <p>
- &ldquo;I must leave you the very simple task of guessing,&rdquo; said Weever; and he
- took advantage of her consternation to converse with his left-hand
- neighbour.
- </p>
- <p>
- &ldquo;I have painted a peculiarly successful fan, dear Mrs. Deering,&rdquo; said
- Colonel Pawley, in his purring voice. &ldquo;A wedding-present for our dear Miss
- Hardacre. I have never been so much pleased with anything before. I should
- like you to see it. When may I come and show it you?&rdquo;
- </p>
- <p>
- &ldquo;The wedding is fixed for two o'clock on Wednesday,&rdquo; said Connie,
- answering like a woman in a dream. The bright room, the crowd of diners,
- the music, the voice of the old man by her side, all faded from her
- senses, eclipsed by the ghastly light that dawned upon her. Only one
- meaning could be attached to Weever's insinuations. A touch on the arm
- brought her back to her surroundings with a start. It was Colonel Pawley.
- </p>
- <p>
- &ldquo;I hope there is nothing&mdash;&rdquo; he began, in a tone of great concern.
- </p>
- <p>
- &ldquo;No, nothing. Really nothing. Do forgive me,&rdquo; she interrupted in
- confusion. &ldquo;You were telling me something. Oh, I'm dreadfully sorry.&rdquo;
- </p>
- <p>
- &ldquo;It was about the fan,&rdquo; said Colonel Pawley, sadly.
- </p>
- <p>
- &ldquo;A fan?&rdquo;
- </p>
- <p>
- &ldquo;Yes, for dear Miss Hardacre&mdash;a wedding-present.&rdquo;
- </p>
- <p>
- She listened to a repetition of the previous remarks and to a description
- of the painting, and this time replied coherently. She would be delighted
- to see both the fan and himself to-morrow morning. The kind old man
- launched into a prothalamion. The happy couple were a splendidly matched
- pair&mdash;Norma the perfect type of aristocratic English beauty; Morland
- a representative specimen of the British gentleman, the safeguard of the
- empire, a man, a thorough good fellow, incapable of dishonour, a landed
- proprietor. He had sketched out a little wedding-song which he would like
- to present with the fan. Might he show that, too, to Mrs. Deering?
- </p>
- <p>
- It was a dreadful dinner. On each side the distressing topic hemmed her
- in. In vain she tried to make her old friend talk of travel or gastronomy
- or the comforts of his club; perverse fate brought him always back to
- Norma's wedding. She was forced to listen, for to Weever she dared not
- address a remark. She longed for escape, for solitude wherein to envisage
- her dismay. No suspicion of Morland's complicity in the scandal had
- crossed her mind. Even now it seemed preposterous for a man of honour to
- have so acted towards his dearest and most loyal friend, to say nothing of
- the unhappy things that had gone before. Suddenly, towards the end of
- dinner, she revolted. She turned to Weever.
- </p>
- <p>
- &ldquo;I don't believe a word of it.&rdquo;
- </p>
- <p>
- &ldquo;Of what, dear lady?&rdquo;
- </p>
- <p>
- &ldquo;Of what you have told me about Morland and Jimmie Padgate.&rdquo;
- </p>
- <p>
- &ldquo;I have told you nothing&mdash;absolutely nothing,&rdquo; he replied in his
- expressionless way. &ldquo;Please remember that. I don't go about libelling my
- acquaintances.&rdquo;
- </p>
- <p>
- &ldquo;I shall go and ask Morland straight,&rdquo; she said with spirit.
- </p>
- <p>
- &ldquo;<i>Au succès</i>,&rdquo; said Weever.
- </p>
- <p>
- Dinner over, the little party went into the lounge. The screened light
- fell pleasantly on palms and pretty dresses, and made the place reposeful
- after the glare of the dining-room, whose red and white and gold still
- gleamed through the door above the steps. The red-coated band played a
- seductive, almost digestive air. A circle of comfortable chairs reserved
- by the host, invited the contented diner to languorous ease and restful
- gossip. It was the part of a Carlton dinner that Connie usually enjoyed
- the most. She still took her pleasures whole-heartedly, wherein lay much
- of her charm. The world, as Jimmie once told her, had not rubbed the dust
- off her wings. But to-night the sweet after-dinner hour was filled with
- fears and agitations, and while the party was settling down, she begged
- release from her host on the score of headache, and made her escape.
- </p>
- <p>
- She would carry out her threat to Weever. She would see Morland before she
- slept, and ask him to free her from this intolerable suspicion. She was a
- loyal, simple woman, for all her inconsequent ways and close experience of
- the insincerities of life; devoted to her friends, a champion of their
- causes; loving to believe the best, disturbed beyond due measure at being
- forced to believe the worst. Jimmie had most of her heart, more of it than
- she dared confess. But there were places in it both for Norma and for
- Morland. The latter was her cousin. She had known him all her life. To
- believe him to have played this sorry part in what it pleased Theodore
- Weever to call a pretty comedy was very real pain to the little lady. Her
- headache was no pretence. No spirit of curiosity or interference drove her
- to the Hardacres', where she knew she would find Morland; rather a desire
- to rid herself of a nightmare. Granted the possibility of baseness on
- Morland's part, all the dark places in the lamentable business became
- light. That was the maddening part of Weever's solution. And would it
- apply to the puzzle of the afternoon? Had Norma known? Had Jimmie told
- her? The pair had been agitated enough for anything to have happened.
- Theodore Weever, too, had calmly avowed himself an actor in the comedy.
- What part was he playing? She shivered at the conjecture. He looked like a
- pale mummy, she thought confusedly, holding in his dull eyes the
- inscrutable wisdom of the Sphinx. Meanwhile the horses were proceeding at
- a funereal pace. She pulled the checkstring and bade the coachman drive
- faster.
- </p>
- <p>
- The scene that met her eyes when the servant showed her into the
- Hardacres' drawing-room was unexpected. Instead of the ordinary
- after-dinner gathering, only Mr. and Mrs. Hardacre and Morland were in the
- room. The master of the house, very red, very puffy, sat in an armchair
- before the fire, tugging at his mean little red moustache. Mrs. Hardacre,
- her face haggard with anxiety, stood apart with Morland, whose heavy
- features wore an expression of worry, apology, and indignation curiously
- blended. On a clear space of carpet a couple of yards from the door lay
- some strings of large pearls. Connie looked from one to the other of the
- three people who had evidently been interrupted in the midst of an anxious
- discussion. Here, again, something had happened.
- </p>
- <p>
- Mrs. Hardacre shook hands with her mechanically. Mr. Hardacre apologised
- for not rising. That infernal gout again, he explained, pointing to the
- slashed slipper of a foot resting on a hassock. Norma had made it worse.
- He had been infernally upset.
- </p>
- <p>
- &ldquo;Norma?&rdquo; Connie turned and looked inquiringly at the other two.
- </p>
- <p>
- &ldquo;Oh, an awful scene,&rdquo; said Morland, gloomily. &ldquo;I wish to heaven you had
- been here. You might have done something.&rdquo;
- </p>
- <p>
- &ldquo;Perhaps you might bring her to her senses now, though I doubt it. I think
- she has gone crazy,&rdquo; said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;But what has occurred?&rdquo;
- </p>
- <p>
- &ldquo;She declares she won't marry me, that's all. There's my wedding-present
- on the floor. Tore it from her neck as she made her exit. I don't know
- what's going to happen!&rdquo;
- </p>
- <p>
- &ldquo;Where is she now?&rdquo;
- </p>
- <p>
- &ldquo;Up in her room smashing the rest of her wedding-presents, I suppose,&rdquo;
- said Mrs. Hardacre.
- </p>
- <p>
- &ldquo;Eh, what? Can't do that. All locked up downstairs in the library,&rdquo; came
- from the chair by the fire.
- </p>
- <p>
- &ldquo;Oh, don't make idiotic remarks, Benjamin,&rdquo; snapped his wife, viciously.
- </p>
- <p>
- The air was electric with irritation. Connie, a peacemaker at heart,
- forgot her mission in the face of the new development of affairs, and
- spoke soothingly. Norma could not break off the engagement three days
- before the wedding. Such things were not done. She would come round. It
- was merely an attack of nerves. They refused to be comforted.
- </p>
- <p>
- &ldquo;God knows what it is,&rdquo; said Morland. &ldquo;I thought things were perfectly
- square between us. She was n't cordial before dinner, I'll admit; but she
- let me put those beads round her neck. I asked her to wear them all the
- evening, as there were only the four of us.&rdquo;
- </p>
- <p>
- &ldquo;The Spencer-Temples sent an excuse this afternoon,&rdquo; Mrs. Hardacre
- explained.
- </p>
- <p>
- &ldquo;She agreed,&rdquo; Morland continued. &ldquo;She wore them through dinner. Then
- everything any one of us said seemed to get on her nerves. I talked about
- the House. She withered me up with sarcasm. We talked about the wedding.
- She begged us, for God's sake, to talk of something else. We tried, so as
- to pacify her. But of course it was hardly possible. I said I had met Lord
- Monzie yesterday&mdash;told me he and his wife were coming on Wednesday.
- She asked whether Ascherberg and the rest of Monzie's crew of
- money-lenders, harlots, and fools were coming too. I defended Monzie. He's
- a friend of mine and a very decent sort. She shrugged her shoulders. You
- know her way. Mrs. Hardacre changed the subject. After dinner I saw her
- alone for a bit in the drawing-room. She asked me to take back the pearls.
- Said they were throttling her. Had n't we better reconsider the whole
- matter? There was still time. That was the beginning of it. Mr. and Mrs.
- Hardacre came up. We did all we knew. Used every argument. People invited.
- Bishop to perform ceremony. Duchess actually coming. Society expected us.
- The scandal. Her infernally bad treatment of myself. No good. Whatever we
- said only made her worse. Ended up with a diatribe against society. She
- was sick of its lies and its rottenness. She was going to have no more of
- it. She would breathe fresh pure air.
- </p>
- <p>
- &ldquo;The Lord knows what she did n't say. All of us came in for it. Said
- shocking things about her mother. Said I did n't love her, had never loved
- her. A loveless marriage was horrible. Of course I am in love with her.
- You all know that. I said so. She would n't listen. Went on with her
- harangue. We could n't stop her. She would n't marry me for all the
- bishops and duchesses in the world. At last I lost my temper and said it
- was my intention to marry her, and marry me she should. Don't you think I
- was quite right? She lost hers, I suppose, tore off the pearls, made a
- sort of peroration, declaring she would sooner die than commit the infamy
- of marrying me&mdash;and that's the end of it.&rdquo;
- </p>
- <p>
- He threw out his hands in desperation and turned away. His account of
- events from his point of view was accurate. To him, as to Norma's parents,
- her final revolt appeared the arbitrary act of unreason. They still
- smarted resentfully under her lashes, incapable of realising the sins for
- which they were flagellated.
- </p>
- <p>
- If she had remained at home that afternoon and continued to practise
- insensibility, she would probably have followed the line of least
- resistance during the evening. Or, on the other hand, if she could have
- been alone, a night's fevered sleeplessness would have caused dull
- reaction in the morning. The cold contempt for things outside her, which
- had served for strength, was now gone, leaving a helpless woman to be
- swayed by passion or led spiritless by convention. The heroic in her
- needed the double spur. Passion shook her; miserable bondage, claiming
- her, drove her to rebellion. She rose to sublime heights, undreamed of in
- her earth-bound philosophy.
- </p>
- <p>
- She had gone into the street after her interview with Jimmie, white,
- palpitating, torn. Though the man had spoken tremulous words, it was the
- unspoken, the wave of longing and all unspeakable things in whose heaving
- bosom they had been caught, that mattered. The Garden of Enchantment had
- thrown wide its gates; she had been admitted within its infinitely
- reaching vistas, and flowers of the spirit had bared their hearts before
- her eyes. Dressing, she strove to kill the memory, to deafen her ears to
- the haunting music, to clear her brain of the intoxication. A thing hardly
- a woman, hardly a coherent entity, but half marble, half-consuming fire,
- stood before Morland, as he clasped the pearl necklace around her throat.
- The touch of it against her skin caused a shudder. Up to then sensation
- had blotted out thought. But now the brain worked with startling lucidity.
- There was yet time to escape from the thraldom. The Idea gathered strength
- from every word and incident during the meal. The commonness, sordidness,
- emptiness of the life behind and around and before her were revealed in
- the unpitying searchlight of an awakened soul.
- </p>
- <p>
- She pleaded with Morland for release. The necklace choked her. She
- unclasped it. He refused to take it back. She was his. He loved her. Her
- conduct was an outrage on his affections. She dared him to an expression
- of passionate feeling. He failed miserably, and her anger grew. Unhappily
- he spoke of an outrage upon Society. She fastened on the phrase. His
- affection and Society! One was worth the other. Society&mdash;the Mumbo
- Jumbo&mdash;the grotesque false god to which women were offered up in
- senseless sacrifice! Her mother instanced the bishop and the duchess as
- avatars of the divinity. Norma poured scorn on the hierarchy. Mrs.
- Hardacre implored her daughter by her love for her not to humiliate her
- thus in the world's eyes. She struck the falsest of notes. Norma turned on
- her, superb, dramatic, holding the three in speechless dismay. Love! what
- love had been given her that she should return? She had grown honest. The
- gods of that house were no longer her gods. They were paltry and
- dishonoured, shams and hypocrisies. Once she worshipped them. To that she
- had been trained from her cradle. Her nurses dangled the shams before her
- eyes. The women who taught her bent fawning knees before the shrines of
- the false gods. A mother's love? what had she learned from her mother? To
- simper and harden her heart. That the envy of other simpering hardened
- women was the ultimate good. That the dazzling end of a young girl's
- career was to capture some man of rank and fortune&mdash;that when she was
- married her lofty duty was to wear smarter clothes, give smarter parties,
- and to inveigle to her house by any base and despicable means smarter
- people than her friends. What had she learned from her mother? To let men
- of infamous lives leer at her because they had title or fortune. To pay
- court to shameless women in the hope of getting to know still more
- shameless men who might dishonour her with their name. She had never been
- young&mdash;never, never, with a young girl's freshness of heart. She
- spoke venom and was praised for wit. She was the finished product of a
- vapid world. Her whole existence had been an intricate elaboration of
- shams&mdash;miserable, empty, despicable futilities. How dared her mother
- stand before her and talk of love?
- </p>
- <p>
- Then a quick angry scene, a crisp thud of the pearls on the floor, a
- stormy exit&mdash;and that, as Morland said, was the end of it. The three
- were left staring at each other in angry bewilderment.
- </p>
- <p>
- In the face of this disaster Connie could not find it in her heart to
- reproach Morland, still less to hint at Theodore Weever's insinuation.
- Rather did she reproach herself for being the cause of the catastrophe,
- and she was smitten with a sense of guilt when Mrs. Hardacre turned upon
- her accusingly.
- </p>
- <p>
- &ldquo;She had tea with you, did n't she? Did you notice anything wrong?&rdquo;
- </p>
- <p>
- &ldquo;She didn't seem quite herself&mdash;was nervous and strange,&rdquo; said
- Connie, diplomatically. &ldquo;I think I had better go up and talk to her,&rdquo; she
- added after an anxious pause.
- </p>
- <p>
- &ldquo;Yes, do, for God's sake, Connie,&rdquo; said Morland.
- </p>
- <p>
- She nodded, smiled the ghost of her bright smile, and, glad of escape,
- went upstairs. The three sat in gloomy silence, broken only by Mr.
- Hardacre's maledictions on his gout. It was a bitter hour for them.
- </p>
- <p>
- In a few moments Connie burst into the room, with a letter in her hand.
- She looked scared.
- </p>
- <p>
- &ldquo;We can't find her. She's not in the house.&rdquo;
- </p>
- <p>
- &ldquo;Not in the house!&rdquo; shrieked Mrs. Hardacre.
- </p>
- <p>
- Morland brought his hand down heavily on the piano.
- </p>
- <p>
- &ldquo;I heard the front door slam half an hour ago!&rdquo;
- </p>
- <p>
- &ldquo;This is addressed to you, Mrs. Hardacre. It was stuck in her
- looking-glass.&rdquo;
- </p>
- <p>
- Mrs. Hardacre opened the note with shaky fingers. It ran:
- </p>
- <p>
- <i>&ldquo;I mean what I say. I had better leave you all, at least till after
- Wednesday. My stopping here would be more than you or I could stand.&rdquo;</i>
- </p>
- <p>
- Mr. Hardacre staggered with a gasp of pain to his feet, and his weak eyes
- glared savagely out of his puffy red face.
- </p>
- <p>
- &ldquo;Damme, she must come back! If she does n't sleep here to-night, I'll cut
- her off. I won't have anything more to do with her. She has got to come
- back.&rdquo;
- </p>
- <p>
- &ldquo;All right. Go and tell her, then,&rdquo; retorted his wife. &ldquo;Where do you
- suppose you are going to find her?&rdquo;
- </p>
- <p>
- &ldquo;Oh, she is sure to have gone to my house,&rdquo; said Connie. &ldquo;But suppose she
- has n't,&rdquo; said Morland, anxiously. &ldquo;She was in such a state that anything
- is possible.&rdquo;
- </p>
- <p>
- &ldquo;Come with me if you like. The brougham is here.&rdquo;
- </p>
- <p>
- &ldquo;And you go too, Eliza, and bring her home with you, d' ye hear?&rdquo; cried
- Mr. Hardacre. &ldquo;If you don't, she'll never set foot in my house again. I'm
- damned if she shall!&rdquo;
- </p>
- <p>
- His wife looked at him queerly for a moment; then she meekly answered:
- </p>
- <p>
- &ldquo;Very well, Benjamin.&rdquo;
- </p>
- <p>
- Once only during their long married life had she flouted him when he had
- spoken to her like that. Then in ungovernable fury he had thrown a boot at
- her head.
- </p>
- <p>
- Mr. Hardacre glared at Morland and Connie, and scrambled cursing into his
- chair.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0023" id="link2HCH0023"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXIII&mdash;NORMA'S HOUR
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">S</span>OMETHING had
- happened&mdash;something mysterious, quickening; a pulsation of the inmost
- harmonies of life. Its tremendous significance Jimmie dared not
- conjecture. It was to be interpreted by the wisdom of the simplest, yet
- that interpretation he put aside. It staggered reason. It was enough for
- them to have met together in an unimagined intimacy of emotion, to have
- shared the throb of this spiritual happening.
- </p>
- <p>
- She was to be married in three days. He set the fact as a block to further
- investigation of the mystery. On this side his loyalty suffered no taint;
- their relations had but received, in some sense, sanctification. Beyond
- the barrier lay shame and dishonour. The two were to be married; therefore
- they loved. He disciplined a disordered mind with a logic of his own
- invention. It was a logic that entirely begged the question. Remembered
- words of Norma, &ldquo;Do you think much love has come my way? Yours are the
- only lips I have ever heard speak of it,&rdquo; fell outside his premises. They
- clamoured for explanation. So did the rich tremor of her voice. So did the
- lamentable lack of conviction in his reply. To these things he closed his
- intelligence. They belonged to the interpretation that staggered reason,
- that threatened to turn his fundamental conceptions into chaos. And past
- incidents came before him. During those last days in Wiltshire he had seen
- that her life lacked completion. That memory, too, disturbed his
- discipline. Fanatically he practised it, proving to himself that ice was
- hot and that the sun shone at midnight. She was happy in her love for
- Morland. She was happy in Morland's love for her. She had not identified
- with herself the imaginary woman of his adoration. She had not drunk in
- the outpouring of his passion. Her breath had not fallen warm upon his
- cheek. And the quickening of a wonderful birth had no reference to
- emotions and cravings quite different, intangible, inexpressible, existent
- in a far-away spirit land.
- </p>
- <p>
- He was strangely silent during their homeward journey in the omnibus and
- the simple evening meal, and Aline, sensitive to his mood, choked down the
- eager questions that rose to her lips. It was only after supper in the
- studio, when she lit the spill for Jimmie's pipe&mdash;her economical soul
- deprecating waste in matches&mdash;that she ventured to say softly:
- </p>
- <p>
- &ldquo;I am afraid you'll miss the picture, Jimmie dear.&rdquo;
- </p>
- <p>
- He waited until the pipe was alight, and breathed out a puff of smoke with
- a sigh.
- </p>
- <p>
- &ldquo;Our happiness is made up of the things we miss,&rdquo; he said.
- </p>
- <p>
- &ldquo;That's a paradox, and I don't believe it,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;Everything in life is a paradox,&rdquo; he remarked, thinking of his logic. He
- relapsed into his perplexed silence. Aline settled herself in her usual
- chair with her workbasket and her eternal sewing. This evening she was
- recuffing his shirts. Presently she held up a cuff.
- </p>
- <p>
- &ldquo;See. I'm determined to make you smart and fashionable. I don't care what
- you say. These are square.&rdquo;
- </p>
- <p>
- &ldquo;Are n't you putting a round man into a square cuff, my dear?&rdquo; he asked.
- </p>
- <p>
- She laughed. &ldquo;Why should you be round? You are smart and rectangular. When
- you're tidied up&mdash;don't you know you are exceedingly good-looking,
- almost military?&rdquo;
-</p>
- <p>
-She was delighted to get him back to foolish talk. His
- preoccupation had disturbed her. Like Connie Deering, she was femininely
- conscious that something out of the ordinary had passed between Norma and
- Jimmie, and apprehension as to her dear one's peace of mind had filled her
- with many imaginings. He returned a smiling answer. She bestirred herself
- to amuse. Had he remarked the man in the omnibus? His nose cut it into two
- compartments. What would he do if he had such a nose? Jimmie felt that he
- had been selfish and fell into the child's humour. He said that he would
- blow it. They discussed the subject of noses. He quoted Tristram Shandy.
- Did she remember him reading to her &ldquo;Slawkenbergius's Tale&rdquo;?
- </p>
- <p>
- &ldquo;The silliest story I ever heard in my life!&rdquo; cried Aline. &ldquo;It had neither
- head nor tail.&rdquo;
- </p>
- <p>
- &ldquo;That is the beauty of it,&rdquo; said Jimmie. &ldquo;It is all nose.&rdquo;
- </p>
- <p>
- &ldquo;No. The only story about a nose that is worth anything,&rdquo; Aline declared
- with conviction of her age and sex, &ldquo;is 'Cyrano de Bergerac.'&rdquo; She paused
- as a thought passed swiftly through her mind. &ldquo;Do you know, if you had a
- nose like that, you would remind me of Cyrano?&rdquo;
- </p>
- <p>
- &ldquo;Why, I don't go about blustering and carving my fellow-citizens into
- mincemeat.&rdquo;
- </p>
- <p>
- &ldquo;No. But you&mdash;&rdquo; She began unreflectingly, then she stopped short in
- confusion. Cyrano, Roxana, Christian; Jimmie, Norma, Morland&mdash;the
- parallel was of an embarrassing nicety. She lost her head, reddened, saw
- that Jimmie had filled the gap.
- </p>
- <p>
- &ldquo;I don't care,&rdquo; she cried. &ldquo;You <i>are</i> like him. It's splendid, but
- it's senseless. You are worth a million of the other man, and she knows it
- as well as I do.&rdquo;
- </p>
- <p>
- She vindictively stitched at the cuff. Jimmie made no reply, but lay back
- smoking his pipe. Aline recovered and grew remorseful. She had destroyed
- with an idiotic word the little atmosphere of gaiety she had succeeded in
- creating. She pricked her finger several times At last she rose and knelt
- by his side.
- </p>
- <p>
- &ldquo;I'm sorry, Jimmie. Don't be vexed with me.&rdquo;
- </p>
- <p>
- He looked at her, wrinkling his forehead half humorously, half sadly, and
- patted her cheek.
- </p>
- <p>
- &ldquo;No, dear,&rdquo; he said. &ldquo;But I think Slawkenbergius's the better tale. Shall
- I read it you again?&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, Jimmie,&rdquo; cried the girl, half crying, half laughing. &ldquo;Please
- don't, for heaven's sake. I've not been as naughty as that!&rdquo;
- </p>
- <p>
- She resumed her sewing. They talked of daily things. Theodore Weever's
- purchases. The faun&mdash;he was sorry to lose it after its companionship
- for all these years. He would paint a replica&mdash;but it would not be
- the same thing. Other times, other feelings. Gradually the conversation
- grew spasmodic, dwindled. Jimmie brooded over his mystery, and Aline
- stitched in silence.
- </p>
- <p>
- The whirr of the front door-bell aroused them. Aline put down her work.
- </p>
- <p>
- &ldquo;It's Renshaw,&rdquo; said Jimmie.
- </p>
- <p>
- Renshaw, a broken-down, out-at-heels, drunken black-and-white artist, once
- of amazing talent, was almost the only member of a large Bohemian coterie
- who continued to regard Jimmie as at home to his friends on Sunday
- evenings. Jimmie bore with the decayed man, and helped him on his way, and
- was pained when Aline insisted upon opening the windows after his
- departure. Renshaw had been a subject of contention between them for
- years.
- </p>
- <p>
- &ldquo;He has only come to drink whisky and borrow money. Luckily we have n't
- any whisky in the house,&rdquo; said Aline.
- </p>
- <p>
- &ldquo;We can give him beer, my child. And if the man is in need of half a
- crown, God forbid we should deny it him. Has Hannah come home yet?&rdquo;
- </p>
- <p>
- &ldquo;I don't think so. It is n't ten o'clock.&rdquo;
- </p>
- <p>
- &ldquo;Then let him in, dear,&rdquo; said Jimmie, finally.
- </p>
- <p>
- Aline went upstairs with some unwillingness. She disapproved entirely of
- Renshaw. She devoutly hoped the man was sober. As she opened the front
- door, the sharp sound of a turning cab met her ears, and the cloaked tall
- figure of a woman met her astonished eyes.
- </p>
- <p>
- &ldquo;Miss Hardacre!&rdquo;
- </p>
- <p>
- &ldquo;Yes, dear. Won't you let me in?&rdquo;
- </p>
- <p>
- The girl drew aside quickly, and Norma passed into the hall.
- </p>
- <p>
- &ldquo;You?&rdquo; cried Aline. &ldquo;I don't understand.&rdquo;
- </p>
- <p>
- &ldquo;Never mind. Is Mr.&mdash;is Jimmie at home?&rdquo;
- </p>
- <p>
- &ldquo;Jimmie!&rdquo; The girl's heart leaped at the name. She stared wide-eyed at
- Norma, whose features she could scarcely discern by the pin-point of gas
- in the hall-lamp. &ldquo;Yes. He is in the studio.&rdquo;
- </p>
- <p>
- &ldquo;Can I see him? Alone? Do you mind?&rdquo;
- </p>
- <p>
- In dumb astonishment Aline took the visitor to the head of the stairs,
- half lit by the streak of light from the open studio door.
- Norma paused, bent forward, and kissed her on the cheek.
- </p>
- <p>
- &ldquo;I know my way,&rdquo; she whispered.
- </p>
- <p>
- Jimmie heard the rustle of skirts that were not Aline's, and springing to
- his feet, hurried towards the door. But before he could reach it Norma
- entered and stood before him. Her long dark silk evening cloak was open at
- the throat, showing glimpses of white bare neck. Its high standing collar
- set off the stately poise of her head. She wore the diamond star in her
- hair. To the wondering man who gazed at her she was a vision of radiant
- beauty. They held each other's eyes for a second or two; and the first
- dazzling glory in which she seemed to stand having faded, Jimmie read in
- her face that desperate things had come to pass. He caught her hands as
- she came swiftly forward. &ldquo;Why are you here? My God, why are you here?&rdquo;
- </p>
- <p>
- &ldquo;I could stand it no longer,&rdquo; she said breathlessly. &ldquo;I am not going to
- marry Morland. I have cut myself adrift. They all know it. I told them so
- this evening. The horror of it was unbearable. I have done with it forever
- and ever.&rdquo;
- </p>
- <p>
- &ldquo;The horror of it?&rdquo; echoed Jimmie.
-
-</p>
-<p>
-
-&ldquo;Don't you think it a horror for two
- people to marry who have never even pretended to love each other? You said
- so this afternoon.&rdquo;
- </p>
- <p>
- He released her hands and turned aside. Even the deep exulting sense of
- what her presence there must mean could not mitigate a terrible dismay.
- The interpretation that staggered reason was the true and only one. He had
- been living in a dream, among shadow-shapes which he himself had cast upon
- the wall. Even now he could not grasp completely the extent of his
- heroical self-deception.
- </p>
- <p>
- &ldquo;There has never been any love between you and Morland? It has been a
- cold-blooded question of a marriage of convenience? I thought so
- differently.&rdquo;
- </p>
- <p>
- &ldquo;Since when?&rdquo; she asked. &ldquo;Since this afternoon?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;not since this afternoon.&rdquo;
- </p>
- <p>
- &ldquo;If it had n't been for you, I should have married him. You made it
- impossible. You taught me things. You made me hate myself and my mean
- ambitions. That was why I hesitated&mdash;put it off till Easter. If I had
- n't seen you this afternoon I should have gone through with it on
- Wednesday. When I got home I could n't face it. He put some pearls&mdash;a
- wedding-present&mdash;round my neck. They seemed like dead fingers choking
- out my soul. At last it grew horrible. I said things I don't remember now.
- I could n't stay in the house. It suffocated me. It would have sent me
- mad. I think a cab whirled me through the streets. I don't know. I have
- burnt my ships.&rdquo;
- </p>
- <p>
- She stopped, panting, with her hands on her bosom. His exultation grew,
- and fear with it. He was like a child trembling before a joy too great to
- be realised, frightened lest it should vanish. He said without looking at
- her:
- </p>
- <p>
- &ldquo;Why have you come here?&rdquo;
- </p>
- <p>
- &ldquo;Where else should I go? Unless&mdash;&rdquo; She halted on the word.
- </p>
- <p>
- &ldquo;Unless what?&rdquo;
- </p>
- <p>
- She broke into an impatient cry.
- </p>
- <p>
- &ldquo;Oh, can't you speak? Do you want me to say everything? There is no need
- for you to be silent any longer.&rdquo; She faced him. &ldquo;Who was the woman&mdash;the
- picture woman we spoke of this afternoon?&rdquo;
- </p>
- <p>
- &ldquo;You,&rdquo; he said. &ldquo;You. Who else?&rdquo; There was a quiver of silence. Then he
- caught her to him. He spoke foolish words. Their lips met, and passion
- held them.
- </p>
- <p>
- &ldquo;Had I anywhere else to go?&rdquo; she whispered; and he said, &ldquo;No.&rdquo;
- </p>
- <p>
- She released herself, somewhat pale and shaken. Jimmie, scarcely knowing
- what he did, took off her cloak and threw it on the long deal table. The
- sudden fresh chill on arms and neck made her realise that they were bare.
- It was his doing. She blushed. A delicious sense of shyness crept over
- her. It soon passed. But evanescent though it was, it remained long in her
- memory.
- </p>
- <p>
- Jimmie took her in his arms again. He said:
- </p>
- <p>
- &ldquo;You madden me. I have loved you so long. I am like a parched soul by a
- pool of Paradise.&rdquo;
- </p>
- <p>
- He took her by the hand, led her to his chair near the stove, and knelt by
- her side. She looked at him, the edges of her white teeth together, her
- lips parted. She was living the moment that counts for years in a woman's
- life. She can only live it once. Great joy or endless shame may come
- afterwards, but this moment shall ever be to her comfort or her despair.
- </p>
- <p>
- He asked her how she had known.
- </p>
- <p>
- &ldquo;You told me so.&rdquo;
- </p>
- <p>
- &ldquo;When?&rdquo;
- </p>
- <p>
- &ldquo;At Heddon. Do you think I shall ever forget your words?&rdquo; She laughed
- divinely at the puzzledom on his face. &ldquo;No. You were too loyal to tell me&mdash;but
- you told Connie Deering. Hush! Don't start. Connie did not betray you. She
- is the staunchest soul breathing. You and she were on the slope by the
- croquet lawn&mdash;do you remember? There was a hedge of clipped yew above&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And you overheard?&rdquo;
- </p>
- <p>
- She laughed again, happily, at his look of distress. &ldquo;I should be rather
- pleased&mdash;now&mdash;if I were you,&rdquo; she said in the softer and deeper
- tones of her voice.
- </p>
- <p>
- A few moments later he said, &ldquo;You must give me back the portrait. I shall
- burn it.&rdquo;
- </p>
- <p>
- &ldquo;Why?&rdquo;
- </p>
- <p>
- &ldquo;You are a million times more beautiful, more adorable.&rdquo; He asked her when
- she had begun to think of him&mdash;the eternal, childlike question. She
- met his lover's gaze steadily. Frankness was her great virtue.
- </p>
- <p>
- &ldquo;It seems now that I have cared for you since the first day. You soon came
- into my life, but I did n't know how much you represented. Then I heard
- you speaking to Connie. That mattered a great deal. When that man shot
- you, I knew that I loved you. I thought you were dead. I rushed down the
- slope and propped you up against my knees&mdash;and I thought I should go
- mad with agony.&rdquo;
- </p>
- <p>
- &ldquo;I never heard of that,&rdquo; said Jimmie in a low voice.
- </p>
- <p>
- He became suddenly thoughtful, rose to his feet and regarded her with a
- changed expression, like that of a man awakened from a dream.
- </p>
- <p>
- &ldquo;What is going to be the end of this?&rdquo; he asked.
-
-</p>
-<p>
-
-Norma, for once
- unperceptive and replying to a small preoccupation of her own, flushed to
- her hair.
- </p>
- <p>
- &ldquo;I know Connie well enough to look her up and ask her for hospitality.&rdquo;
- </p>
- <p>
- &ldquo;I wasn't thinking of that,&rdquo; said Jimmie. &ldquo;We have been like children and
- had our hour of joy, without thinking of anything else. Now we must be
- grown-up people. After what has passed between us, I could only ask you to
- be my wife.&rdquo;
- </p>
- <p>
- &ldquo;I came here for you to ask me,&rdquo; she said.
- </p>
- <p>
- &ldquo;I have no right to do so, dear. I bear a dishonoured name. The wonder and
- wild desire of you made me forget.&rdquo;
- </p>
- <p>
- She looked at him strangely, her lips working in the shadow of her old
- smile of mockery.
- </p>
- <p>
- &ldquo;That proves to me that it is your name and not yourself that is
- dishonoured. If it had been yourself, you would not have forgotten.&rdquo;
- </p>
- <p>
- Jimmie drew himself up, and there was a touch of haughtiness in his manner
- that Norma in her woman's way noted swiftly. In spite of his homeliness
- there was the undefinable spirit of the great gentleman in Jimmie.
- </p>
- <p>
- &ldquo;I am dishonoured. The matter was public property. I discuss it with no
- one, least of all with you.&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; she said. &ldquo;Let it never be mentioned again between us. I
- range myself with Aline. I shall believe what I like. You can't prevent my
- doing that, can you? I choose to believe you are the one thing God made in
- which I can find happiness. That's enough for me, and it ought to be
- enough for you.&rdquo;
- </p>
- <p>
- Jimmie put his hand on her shoulder, deeply moved.
- </p>
- <p>
- &ldquo;My dearest, you must n't say things like that.&rdquo; He repeated the words,
- &ldquo;You mustn't say things like that.&rdquo; Then he was conscious of the warm
- softness on which his hand rested. She raised her arm and touched his
- fingers. It was a moment of deep temptation. He resisted, drew his hand
- away gently.
- </p>
- <p>
- &ldquo;There is another reason why it cannot be,&rdquo; he said. &ldquo;You belong to a
- world of wealth and luxury, I have been in poverty all my life. God forbid
- I should complain. I have never done so. But it is a life of struggle for
- daily bread. Aline and I are used to it. We laugh. We often dine with Duke
- Humphrey. We make believe like the marchioness. What the discipline of
- life and a sort of gipsy faith in Providence have made us regard as a
- jest, would be to you a sordid shift, an intolerable ugliness stripping
- life of its beauty&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, hush!&rdquo; she pleaded.
- </p>
- <p>
- &ldquo;No, I must talk and you must listen,&rdquo; he said with a certain masterful
- dignity. &ldquo;Look at you now, in the exquisite loveliness of your dress, with
- that diamond star in your hair, with that queenly presence of yours. Do
- you fit in with all this? Your place is in great houses, among historic
- pictures, rare carpets, furniture that is invested with the charm of an
- artist's touch. The chair you are sitting in&mdash;the leather is split
- and the springs are broken.&rdquo; He was walking now backwards and forwards
- across the studio, fulfilling his task bravely, scarcely trusting himself
- to look at her. &ldquo;Your place,&rdquo; he continued, &ldquo;is among the great ones of
- the earth&mdash;princes, ambassadors, men of genius. Here are but the
- little folk: even should they come, as they used to do: homely men with
- rough ways and their wives&mdash;sweet simple women with a baby and a
- frock a year, God help them! I can't ask you to share this life with me,
- my dear. I should be a scoundrel if I did. As it is, I have fallen below
- myself in letting you know that I love you. You must forgive me. A man is,
- after all, a man, whether he be beggar or prince. You must go back into
- your world and forget it all. The passion-flower cannot thrive in the
- hedge with the dog-rose, my dearest. It will pine and fade. We must end it
- all. Don't you see? You don't know what poverty means. Even decent poverty
- like ours. Look&mdash;the men you know have valets to dress them&mdash;when
- you came Aline was sewing new cuffs on my shirts. I don't suppose you ever
- knew that such things were done. Mere existence is a matter of ever
- anxious detail. I am a careless fellow, I am a selfish brute, like most
- men, and give over to the women folk around me the thousand harassing
- considerations of ways and means for every day in every year. But I see
- more than they think. Aline can tell you. I dare n't, my dear, ask you to
- share this life with me. I dare n't, I dare n't.&rdquo;
- </p>
- <p>
- He came to a stop in front of her; saw her leaning over the arm of the
- chair away from him, her face covered by her hands. Her white shoulders
- twitched in little convulsive movements.
- </p>
- <p>
- &ldquo;Why, my dear&mdash;my dear&mdash;&rdquo; he said in a bewilderment of distress;
- and kneeling by her, he took her wrists and drew them to him. The palms of
- her hands and her cheeks were wet with miserable tears.
- </p>
- <p>
- &ldquo;What must you think of me? What futile, feeble creature must you think
- me? Heaven knows I'm degraded enough&mdash;but not to that level. Do you
- suppose I ever thought you a rich man? Oh, you have hurt me&mdash;flayed
- me alive. I did n't deserve it! I would follow you in rags barefoot
- through the world. What does it matter so long as it is you that I
- follow?&rdquo;
- </p>
- <p>
- What could mortal man do but take the wounded woman of his idolatry into
- his arms? The single-hearted creature, aghast at the havoc he had wrought,
- bitterly reproached himself for want of faith in the perfect being. He had
- committed a horrible crime, plunged daggers, stab after stab, into that
- radiant bosom. She sobbed in his embrace&mdash;a little longer than was
- strictly necessary. Tears and sobs were a wonder to her, who since early
- childhood had never known the woman's relief of weeping. It came upon her
- first as a wondrous new-found emotion; when his strong arms were about
- her, as an unutterably sweet solace. And the man's voice in her ears was
- all that has nearly been said but never been quite said in music.
- </p>
- <p>
- Presently she drew herself away from him.
- </p>
- <p>
- &ldquo;Do you think I am such a fool that I can't sew?&rdquo;
- </p>
- <p>
- He sank back on his heels. She rose, helping herself to rise by a hand on
- his arm, an action wonderfully sweet in its intimacy, and crossed over to
- Aline's cane-bottomed, armless easy-chair. She plucked the shirt from the
- basket on the top of which Aline had thrust it, groped among the
- wilderness of spools, tape, bits of ribbon, scissors, needle-cases,
- patterns and year-old draper's bills for a thimble, found the needle
- sticking in the work, and began to sew with a little air of defiance.
- Jimmie looked on, ravished. He drew nearer.
- </p>
- <p>
- &ldquo;God bless my soul,&rdquo; he said. &ldquo;Do you mean to say you can do that?&rdquo;
- </p>
- <p>
- There was nothing she could not do in this hour of exaltation. She had
- found herself&mdash;simple woman with simple man. It was her hour. Her
- feet trod the roots of life; her head touched the stars.
- </p>
- <p>
- &ldquo;Sit in your chair and smoke, and let us see what it will be like,&rdquo; she
- commanded.
- </p>
- <p>
- He obeyed. But whether it was tobacco or gunpowder in his old briarwood
- pipe he could not have told. The poor wretch was mazed with happiness.
- </p>
- <p>
- &ldquo;Poor little Aline is all by herself upstairs,&rdquo; said Norma, after a while.
- </p>
- <p>
- &ldquo;Heaven forgive me,&rdquo; cried Jimmie, starting up. &ldquo;I had n't thought about
- her!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0024" id="link2HCH0024"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXIV&mdash;MRS. HARDACRE FORGETS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>HILE this tragical
- comedy of the domestic felicities was being enacted, Connie Deering's
- brougham containing three agitated, silent, human beings was rapidly
- approaching the scene.
- </p>
- <p>
- They had made certain of finding Norma at Bryanston Square. The news that
- she had not arrived disquieted them. Morland anxiously suggested the
- police. They had a hurried colloquy, Morland and Connie standing on the
- pavement, Mrs. Hardacre inside the carriage, thrusting her head through
- the window. Connie falteringly confessed to the meeting of Jimmie and
- Norma in the afternoon. Something serious had evidently passed between
- them.
- </p>
- <p>
- Morland broke into an oath. &ldquo;By God! That's where she's gone. Damn him!&rdquo;
- </p>
- <p>
- &ldquo;We must get her away at all costs,&rdquo; said Mrs. Hardacre, tensely.
- </p>
- <p>
- &ldquo;I am afraid it is my fault,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;Of course it is,&rdquo; Mrs. Hardacre replied brutally. &ldquo;The best you can do is
- to help us to rescue her.&rdquo;
- </p>
- <p>
- They started. The brougham was small, the air heavy, their quest
- distasteful, its result doubtful. The sense of fretfulness became acute.
- Mrs. Hardacre gave vent to her maternal feelings. When she touched on the vile seducer of her daughter's affections, Connie turned upon her almost
- shrewishly.
- </p>
- <p>
- &ldquo;This is my carriage, and I am not going to hear my dearest friend abused
- in it.&rdquo;
- </p>
- <p>
- Morland sat silent and worried. When they stopped at the house, he said:
- </p>
- <p>
- &ldquo;I think I shall stay outside.&rdquo;
- </p>
- <p>
- Connie, angry with him for having damned Jimmie, bent forward.
- </p>
- <p>
- &ldquo;Are you afraid of facing Jimmie?&rdquo; she said with a little note of
- contempt.
- </p>
- <p>
- &ldquo;Certainly not,&rdquo; he replied viciously.
- </p>
- <p>
- A few moments later Aline ran into the studio with a scared face.
- </p>
- <p>
- &ldquo;Jimmie!&rdquo;
- </p>
- <p>
- He went up to her, and she whispered into his ear; then he turned to
- Norma.
- </p>
- <p>
- &ldquo;Your mother and Connie and Morland are upstairs. I don't suppose you are
- anxious to see them. May I tell them what has happened?&rdquo;
- </p>
- <p>
- Norma rose and joined him in the centre of the studio. &ldquo;I would sooner
- tell them myself. Can they come down here?&rdquo;
- </p>
- <p>
- &ldquo;If you wish it.&rdquo;
- </p>
- <p>
- He gave the order to Aline. Before going, she took him by the arm and
- swiftly glancing at Norma, asked eagerly:
- </p>
- <p>
- &ldquo;What has happened?&rdquo;
- </p>
- <p>
- &ldquo;The wonder of wonders, dear,&rdquo; said Jimmie.
- </p>
- <p>
- With a glad cry she ran upstairs and brought down the visitors, who were
- waiting in the hall.
- </p>
- <p>
- Jimmie stood by the open door to receive them. Norma retired to the far
- end of the studio. She held her head high, and felt astonishingly cool and
- self-possessed. Mrs. Hardacre entered first, and without condescending to
- look at Jimmie marched straight up to her daughter. Then came Connie and
- Aline, the girl excited, her arm round her friend's waist. Morland, on
- entering, drew Jimmie aside.
- </p>
- <p>
- &ldquo;So you've bested me,&rdquo; he said in an angry whisper. &ldquo;You held the cards, I
- know. I did n't think you would use them. I wish you joy.&rdquo;
- </p>
- <p>
- A sudden flash of pain and indignation lit Jimmie's eyes.
- </p>
- <p>
- &ldquo;Good God, man! Have you sunk so low as to accuse me of that? <i>Me?</i>&rdquo;
- </p>
- <p>
- He turned away. Morland caught him by the sleeve.
- </p>
- <p>
- &ldquo;I say&mdash;&rdquo; he began.
- </p>
- <p>
- But Jimmie shook him off and went to the side of Norma, who was listening
- to her mother's opening attack. It was shrill and bitter. When she paused,
- Norma said stonily:
- </p>
- <p>
- &ldquo;I am not going home with you to-night, mother. I sleep at Connie's. She
- will not refuse me a bed.&rdquo;
- </p>
- <p>
- &ldquo;Your father means what he says.&rdquo;
- </p>
- <p>
- &ldquo;So do I, mother. I can manage pretty well without your protection till I
- am married. Then I sha'n't need it.&rdquo;
- </p>
- <p>
- &ldquo;Pray whom are you going to marry?&rdquo; asked Mrs. Hardacre, acidly.
- </p>
- <p>
- &ldquo;I should think it was obvious,&rdquo; said Norma. &ldquo;Mr. Padgate has done me the
- very great honour to ask me to be his wife. I have agreed. I am over age
- and a free agent, so there's nothing more to be said, mother.&rdquo;
- </p>
- <p>
- Mrs. Hardacre refused to take the announcement seriously. Her thin lips
- worked into a smile.
- </p>
- <p>
- &ldquo;This is sheer folly, my dear Norma. Over age or not we can't allow you to
- disgrace yourself and us&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We have never had such honour conferred on us in all our lives,&rdquo; said
- Norma.
- </p>
- <p>
- Mrs. Hardacre shrugged her shoulders pityingly.
- </p>
- <p>
- &ldquo;Among sane folks it would be a disgrace and a scandal. Even Mr. Padgate
- would scarcely take advantage of a fit of hysterical folly.&rdquo; She turned to
- Jimmie. &ldquo;I assure you she is hardly responsible for her actions. You are
- aware what you would be guilty of in bringing her into this&mdash;this&mdash;?&rdquo;
- She paused for a word and waved her hand around.
- </p>
- <p>
- &ldquo;Hovel?&rdquo; suggested Jimmie, grimly. &ldquo;Yes. I am aware of it. Miss Hardacre
- must not consider herself bound by anything she has said to-night.&rdquo;
- </p>
- <p>
- Connie Deering, who had come up waiting for a chance to speak, her
- forget-me-not eyes curiously hard and dangerous, broke in quickly:
- </p>
- <p>
- &ldquo;Why did you say <i>even</i> Mr. Padgate, Mrs. Hardacre?&rdquo;
- </p>
- <p>
- &ldquo;Mr. Padgate has a reputation&mdash;&rdquo; said Mrs. Hardacre, with an
- expressive gesture.
- </p>
- <p>
- &ldquo;Jimmie&mdash;&rdquo;
- </p>
- <p>
- He checked his advocate. &ldquo;Please, no more.&rdquo;
- </p>
- <p>
- &ldquo;I should think not, indeed! Are you coming, Norma?&rdquo;
- </p>
- <p>
- &ldquo;You had better go,&rdquo; said Jimmie, softly. &ldquo;Why quarrel with your parents?
- To-morrow, a week, a month hence you can tell me your wishes. I set you
- quite free.&rdquo;
-</p>
- <p>
-Norma made a movement of impatience.
- </p>
- <p>
- &ldquo;Don't make me say things I should regret&mdash;I am not going to change
- my mind. No, mother, I am not coming.&rdquo;
-</p>
- <p>
-Morland had not said a word, but
- stood in the background, hating himself. Only Connie's taunt had caused
- him to enter this maddeningly false position. He knew that his accusation,
- though he believed it true at the time, was false and base. Jimmie was
- true gold. He had not betrayed him. Connie, when Jimmie had checked her,
- went across to Morland.
- </p>
- <p>
- &ldquo;Do <i>you</i> believe that Jimmie deserves his reputation?&rdquo; she said for
- his ears alone.
- </p>
- <p>
- &ldquo;I don't know,&rdquo; he answered moodily, kicking at a hassock.
- </p>
- <p>
- &ldquo;I do know,&rdquo; she said, &ldquo;and it's damnable.&rdquo;
- </p>
- <p>
- A quick glance exchanged completed her assurance. He saw that she knew,
- and despised him. For a few moments he lost consciousness of externals in
- alarmed contemplation of this new thing&mdash;a self openly despised by
- one of his equals. Mrs. Hardacre's voice aroused him. She was saying her
- final words to Norma.
- </p>
- <p>
- &ldquo;I leave you. When you are in the gutter with this person, don't come to
- ask me for help. You can <i>encanailler</i> yourself as much as you like,
- for all I care. This adventurer&mdash;&rdquo;
- </p>
- <p>
- Jimmie interposed in his grand manner.
- </p>
- <p>
- &ldquo;Pray remember, Mrs. Hardacre, that for the moment you are my guest.&rdquo;
- </p>
- <p>
- &ldquo;Your guest!&rdquo; For the second time that evening she had been rebuked. Her
- eyes glittered with spite and fury. She lost control. &ldquo;Your guest! If I
- went to rescue my daughter from a house of ill fame, should I regard
- myself as a guest of the keeper? How dare you? How do I know what does n't
- go on in this house? That girl over there&mdash;&rdquo;
- </p>
- <p>
- Norma sprang forward and gripped her by the arm.
- </p>
- <p>
- &ldquo;Mother!&rdquo;
- </p>
- <p>
- She shook herself free. &ldquo;How do I know? How <i>do</i> you know? The man's
- name stinks over England. No decent woman has anything to do with him.
- Have you forgotten last autumn? That beastly affair? If you choose to
- succeed the other woman&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, damn it!&rdquo; burst out Morland, suddenly. &ldquo;This is more than I can
- stand. Have you forgotten what I told you a week ago?&rdquo;
- </p>
- <p>
- The venomous woman was brought to a full stop. She stared helplessly at
- Morland, drawing quick panting breaths. She had forgotten that he was in
- the room.
- </p>
- <p>
- The cynicism was too gross even for him. There are limits to every man's
- baseness and cowardice. Moreover, his secret was known. To proclaim it
- himself was a more heroic escape than to let it be revealed with killing
- contempt by another. The two forces converged suddenly, and found their
- resultant in his outburst. It was characteristic of him that there should
- be two motives, though which one was the stronger it were hard to say&mdash;most
- likely revolt at the cynicism, for he was not a depraved man.
- </p>
- <p>
-Norma looked
- swiftly from one to the other.
- </p>
- <p>
-&ldquo;What did you tell my mother a week ago?&rdquo;
- </p>
- <p>
- Jimmie picked up Morland's crush-hat that lay on the table and thrust it
- into his hand.
- </p>
- <p>
- &ldquo;Oh, that's enough, my dear good fellow. Don't talk about those horrible
- things. Mrs. Hardacre would like to be going. You had better see her home.
- Good-night.&rdquo;
-</p>
- <p>
-He pushed him, as he spoke, gently towards Mrs. Hardacre, who
- was already moving towards the door. But Norma came up.
- </p>
- <p>
- &ldquo;I insist upon knowing,&rdquo; she said.
- </p>
- <p>
- &ldquo;No, no,&rdquo; said Jimmie, in an agitated voice. &ldquo;Let the dead past bury its
- dead. Don't rake up old horrors.&rdquo;
-</p>
- <p>
-Morland cleared himself away from Jimmie.
- </p>
- <p>
- &ldquo;My God! You are a good man. I've been an infernal blackguard. Everybody
- had better know. If Jimmie hadn't taken it upon himself, that madman would
- have shot me. He would have hit the right man. I wish to heaven he had.&rdquo;
- </p>
- <p>
- Norma grew white.
- </p>
- <p>
- &ldquo;And this is what you told my mother?&rdquo;
- </p>
- <p>
- &ldquo;I thought I ought to,&rdquo; said Morland, looking away from the anxious faces
- around him.
- </p>
- <p>
- &ldquo;You shouldn't have done it,&rdquo; said Jimmie, in a low voice. He was bent
- like a guilty person.
- </p>
- <p>
- Norma went to the door and opened it.
- </p>
- <p>
- &ldquo;Kindly see my mother into a cab.&rdquo;
- </p>
- <p>
- &ldquo;Please take the brougham,&rdquo; said Connie. &ldquo;Norma and I will take a cab
- later.&rdquo;
- </p>
- <p>
- Morland made a movement as if to speak to Jimmie. Norma intercepted him,
- waved her hand towards her mother, who stood motionless.
- </p>
- <p>
- &ldquo;Go. Please go,&rdquo; she said in a constrained voice. &ldquo;Take the brougham. She
- will catch cold while you are whistling for a cab&mdash;and you will be
- the sooner gone.&rdquo;
- </p>
- <p>
- Mrs. Hardacre, stunned by the utter disaster that she had brought about,
- mechanically obeyed Morland's gesture and passed through the open door,
- without looking at her daughter. As Morland passed her, he plucked up a
- little courage.
- </p>
- <p>
- &ldquo;We both lied for your sake,&rdquo; he said; which might have been an apology or
- a tribute. Norma gave no sign that she had heard him.
- </p>
- <p>
- Jimmie followed them upstairs and opened the front door. He put out his
- hand to Morland, who took it and said &ldquo;Good-night&rdquo; in a shamefaced way.
- Mrs. Hardacre stepped into the brougham like a somnambulist. Morland did
- not accompany her. He had seen enough of Mrs. Hardacre for the rest of his
- life.
- </p>
- <p>
- When Jimmie went down to the studio, he saw Norma and Connie bending over
- a chair in the far corner. Aline had fainted.
- </p>
- <p>
- They administered what restoratives were to hand&mdash;water and Connie's
- smelling-salts&mdash;and took the girl up to her bedroom, where she was
- left in charge of Mrs. Deering. Jimmie and Norma returned to the studio.
- The preoccupation of tending Aline, whose joy in the utter vindication of
- her splendid faith had been too sudden a strain upon an overwrought
- nervous system, had been welcomed almost as a relief to the emotional
- tenseness. They had not spoken of the things that were uppermost.
- </p>
- <p>
- They sat down in their former places, without exchanging a remark. Jimmie
- took up his pipe from the table by his side, and knocked the ashes into
- the ash-tray and blew through it to clear it. Then he began to fill it
- from his old tobacco-pouch, clumsy as all covered pouches are and rough
- with faded clumps of moss-roses and forget-me-nots worked by Aline years
- before.
- </p>
- <p>
- &ldquo;Why don't you go on with the sewing?&rdquo; he said.
- </p>
- <p>
- She waited a second or two before answering, and when she spoke did not
- trust herself to look at him.
- </p>
- <p>
- &ldquo;I ought to say something, I know,&rdquo; she said in a low voice. &ldquo;But there
- are things one can't talk of, only feel.&rdquo;
- </p>
- <p>
- &ldquo;We never need talk of them,&rdquo; said Jimmie. &ldquo;They are over and done with.
- Old, forgotten, far-off things now.&rdquo;
- </p>
- <p>
- &ldquo;Are they? You don't understand. They will always remain. They make up
- your life. You are too big for such as me altogether. By rights I should
- be on my knees before you. Thank God, I did n't wait until I learned all
- this, but came to you in faith. I feel poor enough to hug that to myself
- as a virtue.&rdquo;
- </p>
- <p>
- &ldquo;I am very glad you believed in me,&rdquo; said Jimmie, laying down the unlit
- pipe which he had been fondling. &ldquo;I would n't be human if I did n't&mdash;but
- you must n't exaggerate. Exposure would have ruined Morland's career, and
- I thought it would go near breaking your heart. To me, an insignificant
- devil, what did it matter?&rdquo;
- </p>
- <p>
- &ldquo;Did n't my love for you matter? Did n't all that you have suffered
- matter? Oh, don't minimise what you have done. I am afraid of you. Your
- thoughts are not my thoughts, and your ways not my ways. You will always
- be among the stars while I am crawling about the earth.&rdquo;
- </p>
- <p>
- Jimmie rose hurriedly and fell at her feet, and took both her hands and
- placed them against his cheeks.
- </p>
- <p>
- &ldquo;My dear,&rdquo; he said, moved to his depths. &ldquo;My dear. My wonderful,
- worshipped, God-sent dear. You are wrong&mdash;utterly wrong. I am only a
- poor fool of a man, as you will soon find out, whose one merit is to love
- you. I would sell my body and my soul for you. If I made a little
- sacrifice for the love of you, what have you done tonight for me&mdash;the
- sacrifice of all the splendour and grace of life?&rdquo;
- </p>
- <p>
- &ldquo;The lies and the rottenness,&rdquo; said Norma, with a shiver. &ldquo;Did you
- comprehend my mother?&rdquo;
- </p>
- <p>
- He took her hands from his face and kissed her fingers.
- </p>
- <p>
- &ldquo;Dear, those are the unhappy, far-off things. Let us forget them. They
- never happened. Only one thing in the world has ever happened. You have
- come to me, Norma,&rdquo; he said softly, speaking her name for the first
- tremulous time, &ldquo;Norma!&rdquo;
- </p>
- <p>
- Their eyes met, and then their lips. The world stood still for a space.
- She sighed and looked at him.
- </p>
- <p>
- &ldquo;You will have to teach me many things,&rdquo; she said. &ldquo;You will have to begin
- at the very beginning.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0025" id="link2HCH0025"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXV&mdash;THE LAND OF ENCHANTMENT
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">E</span>VERY one knew that
- the marriage arranged between Morland King and Norma Hardacre would not
- take place. It was announced in the &ldquo;Times&rdquo; and &ldquo;Morning Post&rdquo; on the
- Tuesday morning; those bidden to the wedding received hurried messages,
- and a day or two later the wedding-gifts were returned to the senders, who
- stored them up for some happier pair. But the new engagement upon which
- Norma had entered remained a secret. Norma herself did not desire to
- complete the banquet of gossip she had afforded society, and Mrs. Hardacre
- was not anxious to fill to overflowing the cup of her own humiliation. The
- stricken lady maintained a discreet reserve. The lovers had quarrelled,
- Norma had broken off the match and would not be going out for some time.
- She even defied the duchess, who commanded an explicit statement of
- reasons. Her grace retorted severely that she ought to have brought her
- daughter up better, and signified that this was the second time Norma had
- behaved with scandalous want of consideration for her august convenience.
- &ldquo;She shall not have the opportunity of doing it again. I dislike being
- mixed up in scandals,&rdquo; said the duchess; and Mrs. Hardacre saw the gates
- of Wiltshire House and Chiltern Towers closed to her forever. But of the
- impossible painter wretch she spoke not a word, hoping desperately that in
- some mysterious fashion the God of her fathers would avert this crowning
- disgrace from them and would lead Norma forth again into the paths of
- decency and virtue. As for her husband, he stormily refused to speak or
- hear the outcast's name. He had done with her. She should never sleep
- again beneath the roof she had dishonoured. He would not allow her a
- penny. He would cut her out of his will. She had dragged him in the mud,
- and by heaven! she could go to the devil! It took much to rouse the
- passions of the feeble, mean-faced little man; but once they were roused,
- he had the snarling tenacity of the fox. Mrs. Hardacre did not tell him of
- Morland's confession and the rehabilitation of his rival. The memory of
- her stunning humiliation brought on a feeling akin to physical nausea. She
- strove to bury it deep down in her sub-consciousness, beneath all the
- other unhallowed memories. There were none quite so rank. On the other
- hand, her husband's vilification of the detested creature was a source of
- consolation which she had no desire to choke. Why should she deny herself
- this comfort. The supreme joy of vitriol throwing was not countenanced in
- her social sphere. At odd times she regretted that she was a lady.
- </p>
- <p>
- While the black fog of depression darkened Devonshire Place, in
- neighbouring parts of London the days were radiant. A thousand suns
- glorified the heavens and the breaths of a thousand springs perfumed the
- air. It was a period of exaggeration, unreality, a page out of a fairy
- tale lived and relived. Norma abandoned herself to the intoxication,
- heedless of the fog in Devonshire Place, and the decent grey of the world
- elsewhere. She refused to think or speculate. Rose veils shrouded the
- future; the present was a fantasy of delight. For material things, food,
- shelter, raiment, she had no concern. Connie fed and housed her, making
- her the thrice welcome guest, the beloved sister. From society she
- withdrew altogether. Visitors paid calls, odd people were entertained at
- meals, the routine of a wealthy woman's establishment proceeded in its
- ordinary course, and Norma's presence in the house remained unknown and
- unsuspected. She was there in hiding. The world was given to understand
- that she was in Cornwall. Even common life had thus its air of romance and
- mystery. Being as it were a fugitive, she had no engagements. There was a
- glorious incongruity in the position. She regarded the beginnings of the
- London season with the amused detachment of a disembodied spirit
- revisiting the scenes of which it once made a part. Morning, afternoon,
- and evening she was free&mdash;an exhilarating novelty. Nobody wanted to
- see her save Jimmie; save him she wanted to see nobody.
- </p>
- <p>
- They met every day&mdash;sometimes in the sitting-room on the ground floor
- which Connie had set apart for her guest's exclusive use, and sometimes in
- Jimmie's studio. Now and then, when the weather was fine, they walked
- together in sweet places unfrequented by the fashionable world, Regent's
- Park and Hampstead Heath, fresh woods and pastures new to Norma, who had
- heard of the heath vaguely as an undesirable common where the lower orders
- wore each other's hats and shied at cocoanuts. Its smiling loneliness and
- April beauty, seen perhaps through the artist's eyes, enchanted her.
- Jimmie pointed out its undulations; like a bosom, said he, swelling with
- the first breaths of pure air on its release from London.
- </p>
- <p>
- Most of all she loved to drive up to St. John's Wood after dinner and
- burst upon him unexpectedly. The new Bohemian freedom of it all was a part
- of the queer delicious life. She laughed in anticipation at his cry of
- delighted welcome. When she heard it, her eyes grew soft. To lift her veil
- and hang back her head to receive his kiss on her lips was an ever-new
- sensation. The intimacy had a bewildering sweetness. To complete it she
- threw aside gloves and jacket and unpinned her hat, a battered gilt Empire
- mirror over the long table serving her to guide the necessary touches to
- her hair. Although she did not repeat the little comedy of the shirt which
- had been inspired by the exaltation of a rare moment, yet she sat in
- Aline's chair, now called her own, and knitted at a silk tie she was
- making for him. She had learned the art from her aunt in Cornwall, and she
- brought the materials in a little black silk bag slung to her wrist. The
- housewifely avocation fitted in with the fairy tale. Jimmie smoked and
- talked, the most responsive and least tiring of companions. His allusive
- speech, that of the imaginative and cultured man, in itself brought her
- into a world different from the one she had left. His simplicity, his
- ignorance of the ways of women, his delight at the little discoveries she
- allowed him to make, gave it a touch of Arcadia. In passionate moments
- there was the unfamiliar, poetic, rhapsodic in his utterance which turned
- the world into a corner of heaven. And so the magic hours passed.
- </p>
- <p>
- &ldquo;I do believe I have found a soul,&rdquo; she remarked on one of these evenings,
- &ldquo;and that's why I must be so immoderately happy. I'm like a child with a
- new toy.&rdquo;
- </p>
- <p>
- She was unconscious of the instinctive, pitiless analysis of herself; and
- Jimmie, drunk with the wonder of her, did not heed the warning.
- </p>
- <p>
- Of their future life together they only spoke as happy lovers in the rosy
- mist shed about them by the veil. They dwelt in the glamour of the fairy
- tale, where the princess who marries the shepherd lives not only happy
- ever afterwards, but also delicately dressed and daintily environed, her
- chief occupation being to tie silk bows round the lambs' necks, and to
- serve to her husband the whitest of bread and the whitest of cheese with
- the whitest of hands. Their forecast of the future might have been an
- Idyll of Theocritus.
- </p>
- <p>
- &ldquo;You will be the inspiration of all my pictures, dear,&rdquo; said Jimmie.
- </p>
- <p>
- &ldquo;I will sit for you as a model, if I am good enough.&rdquo;
- </p>
- <p>
- &ldquo;Good enough!&rdquo; Language crumbled into meaningless vocables before her
- infinite perfection. &ldquo;I have had a little talent. You will give me
- genius.&rdquo;
- </p>
- <p>
- &ldquo;I will also give you your dinner.&rdquo; She laughed adorably. &ldquo;Do you know
- Connie told me I must learn to cook. I had my first lesson this morning in
- her kitchen&mdash;a most poetic way of doing sweetbreads. Do you like
- sweetbreads?&rdquo;
- </p>
- <p>
- &ldquo;Now I come to think of it, I do. Enormously. I wonder why Aline never has
- them.&rdquo;
- </p>
- <p>
- &ldquo;We'll have some&mdash;our first lunch&mdash;at home.&rdquo;
- </p>
- <p>
- &ldquo;And you will cook them?&rdquo; cried the enraptured man.
- </p>
- <p>
- She nodded. &ldquo;In a most becoming white apron. You'll see.&rdquo;
- </p>
- <p>
- &ldquo;You'll be like a goddess taking her turn preparing the daily ambrosia for
- Olympus!&rdquo; said Jimmie.
- </p>
- <p>
- On another occasion they spoke of summer holidays. They would take a
- little cottage in the country. It would have honeysuckle over the porch,
- and beds of mignonette under the windows, and an old-fashioned garden full
- of stocks and hollyhocks and sunflowers. There would be doves and bees.
- They would go out early and come home with the dew on their feet. They
- would drink warm milk from the cow. They would go a hay-making. Norma's
- idea of the pastoral pathetically resembled that of the Petit Trianon.
- </p>
- <p>
- The magic of the present with its sincerity of passionate worship on the
- part of the man, and its satisfaction of a soul's hunger on the part of
- the woman, was in itself enough to blind their eyes to the possible prose
- of the future. Another interest, one of the sweetest of outside interests
- that can bind two lovers together, helped to fix their serious thoughts to
- the immediate hour. Side by side with their romance grew up another,
- vitally interwoven with it for a spell and now springing clear into
- independent life. The two children Aline and Tony Merewether had found
- each other again, and the fresh beauty of their young loves lit the deeper
- passion of the older pair with the light of spring sunrise. In precious
- little moments of confidence Aline opened to Norma her heart's dewy
- happiness, and what Norma in delicate honour could divulge she told to
- Jimmie, who in his turn had his little tale to bear. More and more was
- existence like the last page of a fairy book.
- </p>
- <p>
- The reconciliation of the younger folk had been a very simple matter. It
- was the doing of Connie Deering. The morning after Morland's confession
- she summoned Tony Merewether to an interview. He arrived wondering. She
- asked him point blank:
- </p>
- <p>
- &ldquo;Are you still in love with Aline Marden or have you forgotten all about
- her?&rdquo;
- </p>
- <p>
- The young fellow declared his undying affection.
- </p>
- <p>
- &ldquo;Are you aware that you have treated her shamefully?&rdquo; she said severely.
- </p>
- <p>
- &ldquo;I am the most miserable dog unhung,&rdquo; exclaimed the youth. He certainly
- looked miserable, thin, and worried. He gave his view of the position.
- Connie's heart went out to him.
- </p>
- <p>
- &ldquo;Suppose I told you that everything was cleared up and you could go to
- Aline with a light conscience?&rdquo;
- </p>
- <p>
- &ldquo;I should go crazy with happiness!&rdquo; he cried, springing to his feet.
- </p>
- <p>
- &ldquo;Aline deserves a sane husband. She is one in a thousand.&rdquo;
- </p>
- <p>
- &ldquo;She is one in twenty thousand million!&rdquo;
- </p>
- <p>
- &ldquo;There she goes, hand in hand with Jimmie Padgate. It's to tell you that
- I've asked you to come. I hope you'll let them both know you're aware of
- it.&rdquo;
- </p>
- <p>
- Satisfied that he was worthy of her confidence, she told him briefly what
- had occurred.
- </p>
- <p>
- &ldquo;And now what are you going to do?&rdquo; she asked, smiling.
- </p>
- <p>
- &ldquo;Do? I'll go on my knees. I'll grovel at his feet. I'll ask him to make me
- a door-mat. I'll do any mortal thing Aline tells me.&rdquo;
- </p>
- <p>
- &ldquo;Well, go now and do your penance and be happy,&rdquo; Connie said, holding out
- her hand.
- </p>
- <p>
- &ldquo;I don't know how I can thank you, Mrs. Deering,&rdquo; he cried. &ldquo;You are the
- most gracious woman that ever lived!&rdquo;
- </p>
- <p>
- A few moments later an impassioned youth was speeding in a hansom cab to
- Friary Grove. But Connie, with the memory of his clear-cut, radiant young
- face haunting her, sighed. Chance decreed that the very moment should
- bring her a letter from Jimmie, written that morning, full of his wonder
- and gratitude. She sighed again, pathetically, foolishly, unreasonably
- feeling left out in the cold.
- </p>
- <p>
- &ldquo;I wonder whether it would do me good to cry,&rdquo; she said, half aloud. But
- the footman entering with the announcement that the carriage which was to
- take her to her dressmaker was at the door, settled the question. She had
- to content herself with sighs.
- </p>
- <p>
- Tony Merewether did not go on his knees, as Aline had ordained; but he
- made his apology in so frank and manly a way that Jimmie forgave him at
- once. Besides, said he, what had he to forgive?
- </p>
- <p>
- &ldquo;I feel like Didymus,&rdquo; said Tony.
- </p>
- <p>
- Jimmie laughed as he clapped him on the shoulder and pushed him out of the
- studio.
- </p>
- <p>
- &ldquo;You had better cultivate the feeling. He became a saint eventually. Aline
- will help to make you one.&rdquo;
- </p>
- <p>
- If plain indication of another's infirmities can tend to qualify him for
- canonisation, Aline certainly justified Jimmie's statement. She did not
- confer her pardon so readily on the doubting disciple. His offence had
- been too rank. It was not merely a question of his saying a <i>credo</i>
- and then taking her into his arms. She exacted much penance before she
- permitted this blissful consummation. He had to woo and protest and humble
- himself exceedingly. But when she had reduced him to a proper state of
- penitence, she gave him plenary absolution and yielded to his kiss, as she
- had been yearning to do since the beginning of the interview. After that
- she settled down to her infinite delight. Nothing was lacking in the new
- rapturous scheme of existence. The glory of Jimmie was vindicated. Tony
- had come back to her. The bars to their marriage had vanished. Not only
- was Tony a man of substance with the legacy of eight thousand pounds that
- had been left him, and therefore able to support as many wives as the
- Grand Turk, but Jimmie no longer had to be provided for. The wonder of
- wonders had happened; she could surrender her precious charge with a free
- conscience and a heart bursting with gratitude.
- </p>
- <p>
- Thus the happiness of each pair of lovers caught a reflection from that of
- the other, and its colour was rendered ever so little fictitious, unreal.
- The light of spring sunrise, exquisite though it is, invests things with a
- glamour which the light of noon dispels. The spectacle of the young
- romance unfolding itself before the eyes of Jimmie and Norma completed
- their delicious sense of the idyllic; but the illusive atmosphere thus
- created caused them to view their own romance in slightly false
- perspective. Essentially it was a drama of conflict&mdash;themselves
- against the pettinesses and uglinesses of the world; apparently it was a
- pastoral among spring flowers.
- </p>
- <p>
- Another cause that contributed to Norma's unconcern for the future was her
- exaggerated sense of the man's loftiness of soul. Instead of viewing him
- as a lovable creature capable of the chivalrous and the heroic and
- afforded by a happy fate an opportunity of displaying these qualities&mdash;for
- the opportunity makes the hero as much as it does the thief&mdash;she
- grovelled whole-sexedly before an impossible idol imbued with impossible
- divinity. While knitting silk ties and devising with him the preparation
- of foodstuffs (which she did not realise he would not be able to afford)
- she was conscious of a grace in the trifling, all the more precious
- because of these little earthly things midway between the empyrean and the
- abyss which they respectively inhabited. In the deeply human love of each
- was a touch of the fantastic. To Jimmie she was the Princess of
- Wonderland, the rare Lady of Dreams; to Norma he appeared little less than
- a god.
- </p>
- <p>
- She was talking one evening with Connie Deering in a somewhat exalted
- strain of her own unworthiness and Jimmie's condescension, when the little
- lady broke into an unwonted expression of impatience.
- </p>
- <p>
- &ldquo;My dear child, every foolish woman is a valet to her hero. You would like
- to clean his boots, wouldn't you?&rdquo;
- </p>
- <p>
- &ldquo;My dear Connie,&rdquo; cried Norma, alarmed, &ldquo;whatever is the matter?&rdquo;
- </p>
- <p>
- &ldquo;I think you two had better get married as quickly as possible. It is
- getting on one's nerves.&rdquo;
- </p>
- <p>
- Norma stiffened. &ldquo;I am sorry&mdash;&rdquo; she began.
- </p>
- <p>
- Connie interrupted her. &ldquo;Don't be silly. There's nothing for you to be
- sorry about.&rdquo; She brightened and laughed, realising the construction Norma
- had put upon her words. &ldquo;I am only advising you for your good. I had half
- an hour's solitary imprisonment with Theodore Weever this afternoon. He
- always takes it out of me. It's like having a bath with an electric eel.
- He called this afternoon to get news of you.&rdquo;
- </p>
- <p>
- &ldquo;Of me?&rdquo; asked Norma serenely, settling herself in the depths of her
- chair.
- </p>
- <p>
- &ldquo;He is like an eel,&rdquo; Connie exclaimed with a shiver. &ldquo;He's the
- coldest-blooded thing I've ever come across. I told you about the dinner
- at the Carlton, did n't I? It appears that he reckoned on my doing just
- what I rushed off to do. It makes me so angry!&rdquo; she cried with feminine
- emphasis on the last word. &ldquo;Of course he did n't tell me so brutally&mdash;he
- has a horrid snake-like method of insinuation. He had counted on my
- getting at the truth which he had guessed and so stopping the marriage.
- 'I'm a true prophet,' he said. 'I knew that marriage would never come
- off.'&rdquo;
- </p>
- <p>
- &ldquo;So he told me,&rdquo; said Norma. &ldquo;Do you know, there must be some goodness in
- him to have perceived the goodness in Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;I believe he's a disembodied spirit without either goodness or badness&mdash;a
- sort of non-moral monster.&rdquo; Connie was given to hyperbole in her likes and
- dislikes. She continued her tale. He had come to ask her advice. Now that
- Miss Hardacre was free, did Mrs. Deering think he might press his suit
- with advantage? His stay in Europe was drawing to a close. He would like
- to take back with him to New York either Miss Hardacre or a definite
- refusal.
- </p>
- <p>
- &ldquo;'You certainly cannot take back Miss Hardacre,' I said, 'because she is
- going to marry Jimmie Padgate.' I thought this would annihilate him. But
- do you think he moved a muscle? Not he.&rdquo;
- </p>
- <p>
- &ldquo;What did he say?&rdquo; asked Norma, lazily amused.
- </p>
- <p>
- &ldquo;'This is getting somewhat monotonous,'&rdquo; replied Connie.
- </p>
- <p>
- Norma laughed. &ldquo;Nothing else?&rdquo;
- </p>
- <p>
- &ldquo;He began to talk about theatres. He has the most disconcerting way of
- changing the conversation. But on leaving he sent his congratulations to
- you, and said that you were always to remember that you were the wife
- specially designed for him by Providence.&rdquo;
- </p>
- <p>
- &ldquo;You dear thing,&rdquo; said Norma, &ldquo;and did that get on your nerves?&rdquo;
- </p>
- <p>
- &ldquo;Would n't it get on yours?&rdquo;
- </p>
- <p>
- Norma shook her head. &ldquo;I have n't any nerves for things to get on. People
- don't have nerves when they're happy.&rdquo;
- </p>
- <p>
- &ldquo;And are you happy, really, really happy?&rdquo;
- </p>
- <p>
- &ldquo;I am deliciously happy,&rdquo; said Norma.
- </p>
- <p>
- She went to bed laughing at the discomfiture of Weever and the remoteness
- of him and of the days last summer when she first met him among the
- Monzies' disreputable crowd. He belonged to a former state of existence.
- Jimmie's portrait, which had been put for two or three reasons in her
- bedroom, caught her attention. She looked at it with a dreamy smile for a
- long time, and then turned to the glass. Made curiously happy by what she
- saw there, she kissed her fingers to the portrait.
- </p>
- <p>
- &ldquo;He is the better prophet,&rdquo; she said.
- </p>
- <p>
- But Connie's advice as to the desirability of a speedy marriage remained
- in her mind. Jimmie with characteristic diffidence had not yet suggested
- definite arrangements. She was gifted with so much insight as to apprehend
- the reasons for his lack of initiative. His very worship of her, his
- overwhelming sense of goddess-conferred boon in her every smile and
- condescension, precluded the asking of favours. So far it was she who had
- arranged their daily life. It was she who had established the custom of
- the studio visits, and she had taken off her hat and had inaugurated the
- comedy of the domestic felicities of her own accord. She treasured this
- worship in her heart as a priceless thing, all the more exquisite because
- it lay by the side of the knowledge of her own unworthiness. The sacrifice
- of maidenly modesty in proposing instead of coyly yielding was at once a
- delicious penance for hypocritical assumption of superiority, and a salve
- to her pride as a beautiful and desirable woman. It was with a glorious
- sureness of relation, therefore, that she asked him the next day if he had
- thought of a date for their marriage.
- </p>
- <p>
- &ldquo;There is no reason for a long engagement that I can see,&rdquo; she added, with
- a blush which she felt, and was tremulously happy at feeling.
- </p>
- <p>
- &ldquo;I was waiting for you to say, dear,&rdquo; he replied, his arm around her. &ldquo;I
- dared not ask.&rdquo;
- </p>
- <p>
- She laughed the deep laugh of a woman's happiness.
- </p>
- <p>
- &ldquo;I knew you would say that,&rdquo; she murmured. &ldquo;Let it be some time next
- month.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0026" id="link2HCH0026"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVI&mdash;EARTH AGAIN
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>NE day Norma
- received a polite intimation from her bankers that her account was
- overdrawn. This had happened before but on previous occasions she had
- obtained from her father an advance on her allowance and the unpleasant
- void at the bank had been filled. Now she realised with dismay that the
- allowance had been cut off, and that no money could come into her
- possession until the payment of the half-yearly dividend from the concern
- in which her small private fortune was invested. She looked in her purse
- and found five shillings. On this she would have to live for three weeks.
- Her money was in the hands of trustees, wisely tied up by the worldly aunt
- from whom she had inherited it, so that she could not touch the capital.
- While she was contemplating the absurdity of the position, the maid
- brought up a parcel from a draper's on which there was three and eleven
- pence halfpenny to pay. She surrendered four of her shillings, and
- disconsolately regarded the miserable one that remained. The position had
- grown even more preposterous. She actually needed money. She had not even
- the amount of a cab-fare to Friary Grove. She would not have it for three
- weeks.
- </p>
- <p>
- Preposterous or not, the fact was plain, and demanded serious
- consideration. She would have to borrow. The repayment of the loan and the
- overdraft would reduce the half-yearly dividend. A goodly part of the
- remainder would be required to meet an outstanding milliners' bill, not
- included in the bridal trousseau for which her father was to pay. The sum
- in simple arithmetic frightened her.
- </p>
- <p>
- &ldquo;I am poverty-stricken,&rdquo; she said to Connie, to whom she confided her
- difficulties.
- </p>
- <p>
- Connie blotted the cheque that was to provide for immediate wants, and
- laughed sympathetically.
- </p>
- <p>
- &ldquo;You'll have to learn to be economical, dear. I believe it's quite easy.&rdquo;
- </p>
- <p>
- &ldquo;You mean I must go in omnibuses and things?&rdquo; said Norma, vaguely.
- </p>
- <p>
- &ldquo;And not order so many hats and gowns.&rdquo;
- </p>
- <p>
- &ldquo;I see,&rdquo; said Norma, folding up the cheque.
- </p>
- <p>
- With money again in her pocket, she felt lighter of heart, but she knew
- that she had stepped for a moment out of fairyland into the grey world of
- reality. The first experience was unpleasant. It left a haunting dread
- which made her cling closer to Jimmie in the embrace of their next
- meeting. It was a relief to get back into the Garden of Enchantment and
- leave sordid things outside. Wilfully she kept the conversation from
- serious discussion of their marriage.
- </p>
- <p>
- When next she had occasion to go to the studio, she remembered the
- necessity of economy, and took the St. John's Wood omnibus. As a general
- rule the travellers between Baker Street station and the Swiss Cottage are
- of a superior class, being mostly the well-to-do residents in the
- neighbourhood and their visitors; but, by an unlucky chance, this
- particular omnibus was crowded, and Norma found herself wedged between a
- labouring man redolent of stale beer and bad tobacco, and a fat Jewish
- lady highly flavoured with musk. A youth getting out awkwardly knocked her
- hat awry with his elbow. It began to rain&mdash;a smart April shower. The
- wet umbrella of a new arrival dripped on her dress while he stood waiting
- for a place to be made for him opposite. The omnibus stopped at a
- shelterless corner, the nearest point to Friary Grove. She descended to
- pitiless rain and streaming pavements and a five minutes' walk, for all of
- which her umbrella and shoes were inadequate. She vowed miserably a
- life-long detestation of omnibuses. She would never enter one again. Cabs
- were the only possible conveyances for people who could not afford to keep
- their carriage. She fought down the dread that she might not be able to
- afford cabs. The Almighty, who had obviously intended her to drive in
- cabs, would certainly see that His intentions were carried out.
- </p>
- <p>
- She arrived at the studio, wet, bedraggled, and angry; but Jimmie's
- exaggerated concern disarmed her. It could not have been less had she
- wandered for miles and been drenched to the skin and chilled to the bone.
- He sent Aline to fetch her daintiest slippers to replace the damp shoes,
- established the storm-driven sufferer in the big leathern armchair with
- cushions at her back and hassocks at her feet, made a roaring fire and
- insisted on her swallowing cherry brandy, a bottle of which he kept in the
- house in case of illness. In the unwonted luxury of being loved and petted
- and foolishly fussed over, Norma again forgot her troubles. Jimmie
- consoled the specific grievance by saying magniloquently that omnibuses
- were the engines of the devil and vehicles of the wrath to come. With a
- drugged economic conscience she went home in a cab. But the conscience
- awoke later, somewhat suffering, and she recognised that her exasperated
- vow had been vain. Jimmie was a poor man. She recalled to mind his words
- on the night of their engagement, and apprehended their significance. The
- trivial incident of the omnibus was a key. The abandonment of cabs and
- carriages meant the surrender of countless luxuries that went therewith.
- Her own two hundred a year would not greatly raise the scale of living.
- She was to be a poor man's wife; would have to wear cheap dresses, eat
- plain food, keep household books in which pennies were accounted for; hers
- would be the humdrum existence of the less prosperous middle class. The
- first pang of doubt frightened her for a while and left her ashamed. Noble
- revolt followed. Had she not renounced the pomps and vanities of a world
- which she scorned? Had not this wonderful baptism of love brought New
- Birth? She had been reborn, a braver, purer woman; she had been initiated
- into life's deeper mysteries; her soul had been filled with joy. Of what
- count were externals?
- </p>
- <p>
- The next evening Connie Deering gave a small dinner-party in honour of the
- two engagements. Old Colonel Pawley, charged under pain of her perpetual
- displeasure not to reveal the secret of Norma's whereabouts, was invited
- to balance the sexes. He was delighted to hear of Norma's romantic
- marriage.
- </p>
- <p>
- &ldquo;I can still present the fan,&rdquo; he said, rubbing his soft palms together;
- &ldquo;but I'm afraid I shall have to write a fresh set of verses.&rdquo;
- </p>
- <p>
- &ldquo;You had better give Norma a cookery-book,&rdquo; laughed Connie.
- </p>
- <p>
- &ldquo;I have a beautiful one of my own in manuscript which no publisher will
- take up,&rdquo; sighed Colonel Pawley.
- </p>
- <p>
- Norma, who had been wont to speak with drastic contempt of the amiable old
- warrior, welcomed him so cordially that he was confused. He was not
- accustomed to exuberant demonstrations of friendship from the beautiful
- Miss Hardacre. At dinner, sitting next her, he enjoyed himself enormously.
- Instead of freezing his geniality with sarcastic remarks, she lured him on
- to the gossip in which his heart delighted. When Connie rallied her,
- later, on her flirtation with the old man, she laughed.
- </p>
- <p>
- &ldquo;Remember I've been a prisoner here. He's one of the familiar faces from
- outside.&rdquo;
- </p>
- <p>
- Although jestingly, she had spoken with her usual frankness, and her
- confession was more deeply significant than she was aware at the time. She
- had welcomed Colonel Pawley not for what he was, but for what he
- represented. As soon as she was alone she realised the moral lapse, and
- rebuked herself severely. She was sentimental enough to hang by a ribbon
- around her neck the simple engagement ring which Jimmie had given her, and
- to sleep with it as a talisman against evil thoughts.
- </p>
- <p>
- She spent the following evening at the studio, heroically enduring the
- discomforts of the detested omnibus. When she descended she drew a breath
- of relief, but felt the glow that comes from virtuous achievement. Jimmie
- was informed of this practice in the art of economy. He regarded her
- wistfully. There were times when he too fought with doubts,&mdash;not of
- her loyalty, but of his own honesty in bringing her down into his humble
- sphere. Even now, accustomed as he was to the adored sight of her there,
- he could not but note the contrast between herself and her surroundings.
- She brought with her in every detail of her person, in every detail of her
- dress, in every detail of her manner, an atmosphere of a dainty, luxurious
- life pathetically incongruous with the shabby little house. He had not
- even the wherewithal to call in decorators and upholsterers and make the
- little house less shabby. So when she spoke of practising economy, he
- looked at her wistfully.
- </p>
- <p>
- &ldquo;Your eyes are open, dear, are n't they?&rdquo; he said. &ldquo;You really do realise
- what a sacrifice you are making in marrying me?&rdquo;
- </p>
- <p>
- &ldquo;By not marrying you,&rdquo; she replied, &ldquo;I should have gained the world and
- lost my own soul. Now I am doing the reverse.&rdquo;'
- </p>
- <p>
- He kissed her finger-tips lover-wise. &ldquo;I am afraid I must be the devil's
- advocate, and say that the loss and gain need not be so absolutely
- differentiated. I want you to be happy. My God! I want you to be happy,&rdquo;
- he burst out with sudden passion, &ldquo;and if you found that things were
- infinitely worse than what you had expected, that you had married me in
- awful ignorance&mdash;&rdquo;
- </p>
- <p>
- She covered his lips with the palm of her hand.
- </p>
- <p>
- &ldquo;Don't go on. You pain me. You make me despise myself. I have counted the
- cost, such as it is. Did I not tell you from the first that I would go
- with you in rags and barefoot through the world? Could woman say more?
- Don't you believe me?&rdquo;
- </p>
- <p>
- &ldquo;Yes, I believe you,&rdquo; he replied, bowing his head. &ldquo;You are a
- great-hearted woman.&rdquo;
- </p>
- <p>
- She unfastened her hat, skewered it through with the pins, and gave it him
- to put down.
- </p>
- <p>
- &ldquo;I remember my Solomon,&rdquo; she said, trying to laugh lightly, for there had
- been a faint but disconcerting sense of effort in her protestation.
- &ldquo;'Better is a dinner of herbs where love is, than a stalled ox and hatred
- there with.' Besides, you forget another important matter. I am now a
- homeless, penniless outcast. I am not sacrificing anything. It is very
- kind of you to offer to take me in and shelter me.&rdquo;
- </p>
- <p>
- &ldquo;These are sophistries,&rdquo; said Jimmie, with a laugh. &ldquo;You gave up all on my
- account.&rdquo;
- </p>
- <p>
- &ldquo;But I am really penniless,&rdquo; she said, ignoring his argument. &ldquo;<i>Anch' io
- son pittore</i>. I too have felt the pinch of poverty.&rdquo;
- </p>
- <p>
- &ldquo;You?&rdquo;
- </p>
- <p>
- She revealed her financial position&mdash;the overdraft at the bank, the
- shilling between herself and starvation. Were it not for Connie, she would
- have to sing in the streets. She alluded thoughtlessly, with her class's
- notions as to the value of money, to her &ldquo;miserable two hundred a year.&rdquo;
- </p>
- <p>
- &ldquo;Two hundred a year!&rdquo; cried Jimmie. &ldquo;Why, that's a fortune!&rdquo;
- </p>
- <p>
- His tone struck a sudden chill through her. He genuinely regarded the
- paltry sum as untold riches. She struggled desperately down to his point
- of view.
- </p>
- <p>
- &ldquo;Perhaps it may come in useful for us,&rdquo; she said lamely.
-</p>
- <p>
-&ldquo;I should think
- it will! Why did n't you tell me before?&rdquo;
- </p>
- <p>
- &ldquo;Have you never thought I might have a little of my own?&rdquo; she asked with a
- touch of her old hardness.
- </p>
- <p>
- &ldquo;No,&rdquo; said Jimmie. &ldquo;Of course not.&rdquo;
- </p>
- <p>
- &ldquo;I don't see any 'of course' in the matter. The ordinary man would have
- speculated&mdash;it would have been natural&mdash;almost common-sense.&rdquo;
- </p>
- <p>
- Jimmie threw up his hands deprecatingly.
- </p>
- <p>
- &ldquo;I have been too much dazzled by the glorious gift of yourself to think of
- anything else you might bring. I am an impossible creature, as you will
- find out. I ought to have considered the practical side.&rdquo;
- </p>
- <p>
- &ldquo;Oh! I am very glad you did n't!&rdquo; she exclaimed. &ldquo;Heaven forbid you should
- have the mercenary ideas of the average man. It is beautiful to have
- thought of me only.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid I was thinking of myself, my dear,&rdquo; said he. &ldquo;I must get out
- of the way of it, and think of the two of us. Now let us be severely
- business-like. You have taken a load off my mind. There are a thousand
- things you can surround yourself with that I imagined you would lack.&rdquo; He
- took her two hands and swung them backwards and forwards. &ldquo;Now I shan't
- regard myself as such a criminal in asking you to marry me.&rdquo;
- </p>
- <p>
- &ldquo;Do you think two hundred a year a fortune, Jimmie?&rdquo; she asked.
- </p>
- <p>
- &ldquo;To the Rothschilds and Vanderbilts perhaps not&mdash;but everything is
- relative.&rdquo;
- </p>
- <p>
- &ldquo;Everything?&rdquo;
- </p>
- <p>
- Her heart spoke suddenly, demanding relief. Their eyes met.
- </p>
- <p>
- &ldquo;No, dear,&rdquo; he said. &ldquo;One thing at least is absolute.&rdquo; An interlude of
- conviction succeeded doubt. She felt that she had never loved him so much
- as at that moment. It was more with the quickly lit passion of the
- awakened woman than with the ardour of a girl that she clasped her hands
- round his head and drew it down to their kiss. She had an awful need of
- the assurance of the absolute.
- </p>
- <p>
- It nerved her to face a discussion on ways and means with Aline, whom
- Jimmie at her request summoned from demure sewing in her little
- drawing-room.
- </p>
- <p>
- &ldquo;You are right,&rdquo; she had said, referring to his former remark. &ldquo;We ought
- to be severely business-like. I must begin to learn things. You don't know
- how hopelessly ignorant I am.&rdquo;
- </p>
- <p>
- Aline came down to give the first lesson in elementary housekeeping. She
- brought with her a pile of little black books which she spread out at the
- end of the long table. The two girls sat side by side. Jimmie hovered
- about them for a while, but was soon dismissed by Aline to a distant part
- of the studio, where, having nothing wherewith to occupy himself, he
- proceeded to make a charcoal sketch of the two intent faces.
- </p>
- <p>
- Aline, proud at being able to display her housewifely knowledge before
- appreciative eyes, opened her books, and expounded them with a charming
- business air. These were the receipts for the last twelve months; these
- the general disbursements. They were balanced to a halfpenny.
- </p>
- <p>
- &ldquo;Of course anything I can't account for, I put down to the item 'Jimmie,'&rdquo;
- she said naively. &ldquo;He <i>will</i> go to the money-drawer and help himself
- without letting me know. Is n't it tiresome of him?&rdquo;
- </p>
- <p>
- Norma smiled absently, wrinkling her brows over the unfamiliar figures.
- She had no grasp of the relation the amounts of the various items bore to
- one another, but they all seemed exceedingly small.
- </p>
- <p>
- &ldquo;I suppose it's necessary to make up this annual balance?&rdquo; she asked.
- </p>
- <p>
- &ldquo;Of course. Otherwise you would n't know how much you could apportion to
- each item. Jimmie says it's nonsense to keep books; but if you listen to
- Jimmie, you 'll have the brokers in in a month.&rdquo;
- </p>
- <p>
- &ldquo;Brokers?&rdquo;
- </p>
- <p>
- Aline laughed at her perplexed look. &ldquo;Yes, to seize the furniture in
- payment of debt.&rdquo;
- </p>
- <p>
- The main financial facts having been stated, Aline came to detail. These
- were the weekly books from the various tradesmen. She showed a typical
- week's expenditure.
- </p>
- <p>
- &ldquo;What about the fishmonger?&rdquo; asked Norma, noting an obvious omission.
- </p>
- <p>
- &ldquo;Fish is too expensive to have regularly,&rdquo; Aline explained, &ldquo;and so I
- don't have an account. When I buy any, I pay for it at once, in the shop.&rdquo;
- </p>
- <p>
- &ldquo;When <i>you</i> buy it?&rdquo;
- </p>
- <p>
- &ldquo;Why, yes. You'll find it much better to go and choose things for yourself
- than let them call for orders. Then you can get exactly what you want,
- instead of what suits the tradesman's convenience. You see, I go to the
- butcher and look round, and say 'I want a piece of that joint,' and of
- course he does as he's told. It seems horrid to any one not accustomed to
- it to go into a butcher's shop, I know; but really it's not unpleasant,
- and it's quite amusing.&rdquo;
- </p>
- <p>
- &ldquo;But why should n't your housekeeper do the marketing?&rdquo;
- </p>
- <p>
- &ldquo;Oh, she does sometimes,&rdquo; Aline admitted; &ldquo;but Hannah is n't a good buyer.
- She can't <i>judge</i> meat and things, you know, and she is apt to be
- wasteful over vegetables.&rdquo;
- </p>
- <p>
- &ldquo;You don't bring the&mdash;the meat and things&mdash;home with you in a
- basket, do you?&rdquo; asked Norma, with a nervous laugh.
- </p>
- <p>
- Jimmie, interested in his sketch, had not listened to the conversation,
- which had been carried on in a low tone. The last words, however, pitched
- higher, caught his ear. He jumped to his feet.
- </p>
- <p>
- &ldquo;Norma carry home meat in a basket! Good God! What on earth has the child
- been telling you?&rdquo;
- </p>
- <p>
- &ldquo;I never said anything of the kind, Jimmie,&rdquo; cried Aline, indignantly.
- &ldquo;You needn't bring home anything unless you like; our tradesmen are most
- obliging.&rdquo;
- </p>
- <p>
- Norma pushed back her chair from the table and rose and again laughed
- nervously.
- </p>
- <p>
- &ldquo;I am afraid I can't learn all the science of domestic economy in one
- lesson. I must do it by degrees.&rdquo; She passed her hand across her forehead.
- &ldquo;I'm not used to figures, you see.&rdquo;
- </p>
- <p>
- Jimmie looked reproachfully at Aline. &ldquo;Those horrid little black books!&rdquo;
- he exclaimed. &ldquo;They are enough to give any one a headache. For heaven's
- sake, have nothing to do with them, dear.&rdquo;
- </p>
- <p>
- &ldquo;But the brokers will come in,&rdquo; said Norma, with an uncertain catch in her
- voice.
- </p>
- <p>
- &ldquo;They are Aline's pet hobgoblins,&rdquo; laughed Jimmie. &ldquo;My dear child,&rdquo;
- pointing to the books, &ldquo;please take those depressing records of wasted
- hours away.&rdquo;
- </p>
- <p>
- When they were alone, he said to Norma very tenderly, &ldquo;I am afraid my
- little girl has frightened you.&rdquo;
- </p>
- <p>
- She started at the keenness of his perception and flushed.
- </p>
- <p>
- &ldquo;No&mdash;not frightened.&rdquo;
- </p>
- <p>
- &ldquo;She is so proud of the way she runs her little kingdom here,&rdquo; he said;
- &ldquo;so proud to show you how it is done. You must forgive her. She is only a
- child, my dearest, and forgets that these household delights of hers may
- come as shocks to you. I shall not allow you to have these worries that
- she loves to concern her head about.&rdquo;
- </p>
- <p>
- &ldquo;Then who will have them?&rdquo; she asked, with her hand on the lapel of his
- jacket. &ldquo;You? That would be absurd. If I am your wife, I must keep your
- house.&rdquo;
- </p>
- <p>
- &ldquo;My dear,&rdquo; said Jimmie, kissing her, &ldquo;if we love each other, there will be
- no possibility of worries. I believe in God in a sort of way, and He has
- not given you to me to curse and wither your life.&rdquo;
- </p>
- <p>
- &ldquo;You could only bless and sanctify it,&rdquo; she murmured.
- </p>
- <p>
- &ldquo;Not I, dear; but our love.&rdquo;
- </p>
- <p>
- Soothed, she raised a smiling face.
- </p>
- <p>
- &ldquo;But still, I'll have to keep house. Do you think I would let you go to
- the butcher's? What would Aline say if you made such a proposal?&rdquo;
- </p>
- <p>
- &ldquo;She would peremptorily forbid him to take my orders,&rdquo; he replied,
- laughing.
- </p>
- <p>
- &ldquo;I am sure I should,&rdquo; she said.
- </p>
- <p>
- It was growing late. She glanced at the wheezy tilted old Dutch clock in
- the corner, and spoke of departure. She reflected for a moment on the
- means of home-getting. To her lowered spirits the omnibus loomed like a
- lumbering torture-chamber. The consolation of a cab seemed cowardice. An
- inspiration occurred to her. She would walk; perhaps he would accompany
- her to Bryanston Square. He was enraptured at the suggestion. But could
- she manage the distance?
- </p>
- <p>
- &ldquo;I should like to try. I am a good walker&mdash;and when we are outside,&rdquo;
- she added softly, &ldquo;we can talk a little of other matters.&rdquo;
- </p>
- <p>
- It was a mild spring night, and the quiet stars shone benignantly upon
- them as they walked arm in arm, and talked of &ldquo;other matters.&rdquo; As she had
- needed a little while before the assurance of the absolute, so now she
- craved the spirituality of the man himself, the inner light of faith in
- the world's beauty, the sweetness, the courage&mdash;all that indefinable
- something in him which raised him, and could alone raise her, above the
- terrifying things of earth. She clung to his arm in a pathos of yearning
- for him to lead her upward and teach her the things of the spirit. Only
- thus lay her salvation.
- </p>
- <p>
- He, clean, simple soul, lost in the splendour of their love, expounding,
- as it chanced, his guileless philosophy of life and his somewhat
- childishly pagan religious convictions, was far from suspecting the battle
- into which he was being called to champion the side of righteousness. He
- went to sleep that night the most blissfully happy of men. Norma lay
- awake, a miserable woman.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0027" id="link2HCH0027"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVII&mdash;A DINNER OF HERBS
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">S</span>HE loved him. Of
- that there was no doubt. To her he was the man of men. The half angel,
- half fool of her original conception had melted into an heroic figure
- capable of infinite tendernesses. The lingering barbaric woman in her
- thrilled at the memory of him contemptuously facing death before the
- madman's revolver. Her higher nature was awed at the perfect heroism of
- his sacrifice. She knelt at his feet, recognising the loftier soul. Sex
- was stirred to the depths when his arms were about her and his kiss was on
- her lips. In lighter relations he was the perfect companion. For all her
- vacillation, let that be remembered: she loved him. All of her that was
- worth the giving he had in its plenitude.
- </p>
- <p>
- The days which followed her initiation into domestic economy were days of
- alternating fear and shame and scornful resolution. She lost grip of
- herself. The proud beauty curving a contumelious lip at the puppet show of
- life was a creature of the past. Set the proudest and most self-sufficing
- of women naked in what assembly you please, and she will crouch, helpless,
- paralysed, in the furthest corner. Some such denudation of the moral woman
- had occurred in the case of Norma Hardacre. The old garments were stripped
- from her. She was bewildered, terrified, no longer endowed with
- personality.
- </p>
- <p>
- Sometimes despising herself and resolved to perform her manifest duty, she
- sought other lessons from Aline. They ended invariably in dismay. Once she
- learned that Jimmie had never had a banking account. The money was kept in
- a drawer of which Jimmie and Aline had each a key. On occasions the drawer
- had been empty. Another lesson taught her that certain shops in the
- neighbourhood were to be avoided as being too expensive; that cream was
- regarded as a luxury, and asparagus as an impossible extravagance. Every
- new fact in the economy of a poor household caused her to shiver with
- apprehension. All was so trivial, so contemptibly unimportant, and yet it
- grew to be a sordid barrier baffling her love. She loathed the base
- weakness of her nature. It was degrading to feel such repulsion.
- </p>
- <p>
- One evening Connie Deering was going to a Foreign Office reception, and
- came down an enchanting vision in a new gown from Paquin and exhibited
- herself to Norma.
- </p>
- <p>
- &ldquo;I think it's rather a success. Don't you?&rdquo;
- </p>
- <p>
- Norma assented somewhat listlessly, but to please her friend inspected the
- creation and listened to her chatter. She was feeling lonely and
- dispirited. At Aline's entreaty she had persuaded Jimmie to go with Tony
- Merewether to the Langham Sketch Club, thus showing himself, for the first
- time since the scandal, among his old associates. For her altruism she
- paid the penalty of a dull evening. Their visits to each other were her
- sole occupation now, all that was left in life to interest her. In moments
- of solitude she began to feel the appalling narrowness of the circle in
- which she was caged. Reading tired instead of refreshing her. She had been
- accustomed to men and women rather than to books, to the sight of many
- faces, to the constant change of scene. When she speculated on employment
- for future solitary hours, she thought ruefully of recuffing shirts.
- </p>
- <p>
- Connie apologised for leaving her, hoped she would manage to amuse
- herself. Norma, who had made strenuous efforts to hide the traces of
- tumult, returned a smiling answer. Connie, quite deceived, put an arm
- round her waist and said suddenly in her bright, teasing way:
- </p>
- <p>
- &ldquo;Now don't you wish you were coming too?&rdquo;
- </p>
- <p>
- Norma, staggered at the point-blank question, was mistress enough of
- herself to observe the decencies of reply, but when Connie had gone, she
- sat down on the sofa and stared in front of her. She did wish she were
- going with Connie. She had been wishing vaguely, half-consciously all the
- evening. Now the wish was the pain of craving. It came upon her like the
- craving of the alcoholic subject for drink&mdash;this sudden longing for
- the glitter, the excitement, the whirl of the life she had renounced. Her
- indictment of it seemed unreal, the confused memory of a brain-sick mood.
- It was her world. She had not cut herself free. All the fibres of her body
- seemed to be rooted in it, and she was being drawn thither by irresistible
- desire. The many, many people, the diamonds, the brilliance, the flattery,
- the envy, the very atmosphere heavy with many perfumes&mdash;she saw and
- felt it all; panted for it, yearned for it. That never, never again would
- she take up her birthright was impossible. That she should stand
- forevermore in the humble street outside the gates of that dazzling,
- wonderful, kaleidoscopic world was unthinkable.
- </p>
- <p>
- She remembered her talk with Morland at the Duchess of Wiltshire's
- reception at the end of the last season, her shiver at the idea of a life
- of poverty; was it a premonition? She remembered the blessed sense of
- security when she had looked round the splendid scene and felt that she
- and it were indissoluble parts of the same scheme of things. A crust and
- heel of cheese as Jimmie's wife had crossed her mind then as a grotesque
- fantasy; the air of that brilliant gathering was the breath of her being.
- </p>
- <p>
- But now the grotesque fancy was to be the reality; the other was to become
- the shadow of a dream. No yearning or panting could restore it. The
- impossible was the inevitable. The unthinkable was the commonplace. She
- had made her choice deliberately, irrevocably. She had lost the whole
- world to gain her own soul. In the despair of her mood she questioned the
- worth of the sacrifice. The finality of the choice oppressed her. If at
- this eleventh hour she could still have the opportunity of the heroic&mdash;if
- still the gates of the world were open to her, she would have had a
- stimulus to continued nobility. The world and the passionate love for the
- perfect man&mdash;which would she choose? Her exaltation would still have
- swept her to the greater choice. Of, this she was desperately aware. But
- the gates were shut. She had already chosen. The heroic moment had gone.
- The acceptance of conditions was now mere uninspired duty. She gave way to
- unreason.
- </p>
- <p>
- &ldquo;O God! Why cannot I have both&mdash;my own love and my own life?&rdquo;
- </p>
- <p>
- The tears she shed calmed her.
- </p>
- <p>
- The next day she felt ill from the strain, paying the highly bred woman's
- penalty of nervous break-down. Connie Deering noted the circles beneath
- her eyes and the pinched nostrils. Norma casually mentioned a night's
- neuralgia. It would pass off during the day. She refused to be doctored.
- She would pay a visit to Jimmie before lunch. The fresh air would do her
- good.
- </p>
- <p>
- &ldquo;The fresh air and Jimmie,&rdquo; laughed her friend. &ldquo;You are the most
- beautifully in love young woman I have ever met.&rdquo;
- </p>
- <p>
- Norma started on her visit, walking fast. At Baker Street station it began
- to rain. She took the penitential omnibus; but her thoughts were too
- anxious to concern themselves with its discomforts. Besides, it was almost
- empty. The night had brought counsel. She would go to Jimmie and be her
- true self, frank and unsparing. With a touch of her old scorn she had
- resolved to confess unreservedly all the meanness and cowardice of which
- she had of late been guilty. She would bare to him the soon spotted soul
- and crave his cleansing. He would understand, pardon, and purify. Perhaps,
- when he knew all, he would be able to devise some new scheme of existence.
- At any rate, she would no longer receive his kisses with a lie in her
- heart. She loved him too ardently. He should know what she was, what were
- her needs, her limitations. The meeting would be a crisis in their lives.
- Out of it would come reconstruction on some unshakable basis. Up to a
- certain point she reasoned; beyond it, the pathetic unreason of a woman
- drifted rudderless.
- </p>
- <p>
- It had stopped raining when she left the omnibus and started on the short
- walk from the corner to Friary Grove. At the familiar gate her heart
- already seemed lighter; she opened it, mounted the front steps, and rang.
- The middle-aged servant, minus cap and with thin untidy hair, in a soiled
- print dress, her sleeves rolled up to the elbow exposing red coarse arms,
- was the first shock to Norma when the door opened.
- </p>
- <p>
- &ldquo;Both the Master and Miss Aline are out, Miss,&rdquo; said Hannah, with a
- good-natured smile. &ldquo;He has gone into town on business, and Miss Aline,
- went out a little while ago with her young man. But they'll be back for
- lunch. Won't you come in and wait, Miss?&rdquo;
- </p>
- <p>
- Norma, vaguely resenting the familiar address of the servant and her
- slatternly appearance, hesitated for a moment before deciding to enter.
- Hannah showed her into the drawing-room and retired. It was a small dark
- room looking on to the back. Part of it had been cut off when the house
- had been altered, so as to construct the studio staircase, which contained
- one of the original windows. Norma felt strangely ill at ease in the room.
- The prim, cheap furniture, the threadbare carpet, the flimsy girlish
- contrivances at decoration, gave the place an air of shabby gentility. The
- gilt mirror was starred with spots and had a crack across the corner. Some
- of Jimmie's socks and underwear lay on the table for mending. They were
- much darned, and fresh holes could not fail to meet the eye that rested
- but momentarily on the pile. To mend these would in the future be her
- duty. She took up an undervest shrinkingly and shook it out; then folded
- it again and closed her eyes.... She could not wait there: the gloom
- depressed her. The studio would be brighter and more familiar. She went
- downstairs. Nothing in the room she knew so well was changed, yet it
- seemed to wear a different aspect. The homely charm had vanished. Here,
- too, shabbiness and poverty stared at her. The morning light streaming
- through the great high window showed pitilessly the cracks and stains and
- missing buttons of the old leathern suite, and the ragged holes in the
- squares of old carpet laid upon the boards. It was a mere bleak workshop,
- not a room for human habitation. The pictures on the walls and easels
- ceased to possess decorative or even intimate value. The large picture of
- the faun that had exercised so great an influence upon her had been
- despatched to its purchaser, and in its place was a hopeless gap.
- </p>
- <p>
- She sat down in her accustomed chair, and once more strove to realise the
- future. There would be children who would need her care. On herself would
- all the sordid burdens fall. She saw herself a soured woman, worn with the
- struggle to make ends meet, working with her hands at menial tasks. The
- joy of Life! She laughed mirthlessly.
- </p>
- <p>
- She rose, walked restlessly about the studio, longing for Jimmie to come
- and exorcise the devils that possessed her. A little sharp cry of distress
- escaped her lips. The place echoed like a vault, and she felt awfully
- alone. In her nervous tension she could bear it no longer. She went up the
- stairs again into the bare hall. On the pegs hung two or three discoloured
- hats and an old coat. Scarce knowing whither she went, she entered the
- dining-room. Luncheon had been laid. A freak of destiny had reproduced the
- meal of which Morland had spoken at Wiltshire House and of which last
- night had revived the memory: a scrag end of cold boiled mutton, blackened
- and shapeless, with the hard suet round about it; a dried-up heel of
- yellow American cheese; the half of a cottage loaf. The table-cloth&mdash;it
- was Friday&mdash;was stained with a week's meals. It was coarse in
- texture, old and thin and darned. The enamel on the plates was cracked,
- the hundred tiny fissures showing up dark brown. The plate on the forks
- had worn off in places, disclosing the yellowish metal beneath. The
- tumblers were thick and common, of glass scarcely transparent. She stared
- helplessly at the table. Never in her life had she seen such preparations
- for a meal. To the woman always daintily fed, daintily environed, it
- seemed squalor unspeakable.
- </p>
- <p>
- She shrank back into the hall, pressed her hands to her eyes, looked
- round, as if to search for some refuge. The stairs met her eye. She had
- never seen what lay above the ground floor&mdash;except once, on the
- memorable evening when Aline had fainted. Suddenly madness seized her&mdash;an
- insane craving to spy out the whole nakedness of the house. The worn
- stair-carpet ended at the first landing. Then bare boards. The door of the
- bathroom was wide open. She peeked in. The ceiling was blackened with gas;
- the bath cracked and stained; the appointments as bare as those in a
- workhouse. Her glance fell upon a battered tin dish holding an
- uncompromising cube of yellow soap with hard sharp edges. She withdrew her
- head and shut the door hurriedly. Another door stood ajar. She pushed it
- open and entered. It was the front bedroom&mdash;inhabited by Jimmie. The
- thought that it would be her own, which a fortnight before might have
- clothed her in delicious confusion, chilled her to the bone. Bare boards
- again; a strip of oil-cloth by the narrow cheap iron bedstead; a painted
- deal table with a little mirror and the humblest of toilette equipments
- laid upon it; a painted deal chest of drawers with white handles; a
- painted deal wash-stand; a great triangular bit broken out of the mouth of
- the ewer.
- </p>
- <p>
- It was poverty&mdash;grinding, sordid, squalid poverty. From the one
- dishevelled, slatternly, middle-aged servant to the cheap paper peeling
- off the wall in the bedrooms, all she had seen was poverty. The gathering
- terror of it burst like a thunderstorm above her head. Her courage failed
- her utterly. Like a creature distracted, she rushed downstairs and fled
- from the house. She walked homewards with an instinctive sense of
- direction. Afterwards she had little memory of the portion of the road she
- traversed on foot. She moved in a shuddering nightmare. All the love in
- the world could not shed a glamour over the nakedness of the existence
- that had now been revealed to her in its entire crudity. She could not
- face it. Other women of gentle birth had forsaken all and followed the men
- they loved; they had loved peasants and had led great-heartedly the
- peasant's life. They had qualities of soul that she lacked. Hideously
- base, despicably cowardly she knew herself to be. It was her nature. She
- could not alter. The world of graceful living was her world. In the other
- she would die. He had warned her. The gipsy faith in Providence had made
- him regard as a jest what would be to her a sordid shift, an intolerable
- ugliness, stripping life of its beauty. The passion-flower could not
- thrive in the hedge with the dog-rose. It was true&mdash;mercilessly true.
- The craving of last night awoke afresh, imperiously insistent. She walked
- blindly, tripped, and nearly fell. A subconscious self hailed a passing
- hansom and gave the address.
- </p>
- <p>
- What would become of her she knew not. She thought wildly of suicide as
- the only possible escape. From her own world she was outcast. Its gates
- were barred with gold and opened but to golden keys. She was penniless. In
- this other world she would die. Love could not prevent her starving on its
- diet of herbs. She clung to life, to the stalled ox, and recked little of
- the hatred; but at the banquet she no longer had a seat. She had said she
- would follow him in rags and barefoot over the earth. She had not fingered
- the rags when she had made the senseless vow; she had not tried her tender
- feet on the stones. She could have shrieked with terror at the prospect.
- There was no way out but death.
- </p>
- <p>
- The Garden of Enchantment faded from her mind like a forgotten dream. The
- sweet Arcadian make-believe alone rose up in ironical mockery, a scathing
- memory which seemed to flay the living heart of her. She sat huddled
- together in a corner of the cab, tortured and desperate. On either hand
- hung the doom of death. In the one case it would be lingering: the soul
- would die first; the man she loved would be tied to a living corpse; she
- would be a devastating curse to him instead of a blessing. In the other
- she could leave him in the fulness of their unsullied love. The years that
- the locust hath eaten would not stretch an impassable waste between them.
- In his sorrow there would be the imperishable sense of beauty. And for
- herself the quick end were better.
- </p>
- <p>
- She was aroused to consciousness of external things by a husky voice
- addressing her from somewhere above her head. The cab had stopped at
- Connie's house in Bryanston Square. She descended, handed to the man the
- first coin in her purse that her fingers happened to grasp. He looked at
- it, said that he was sorry he had not change for a sovereign. She waved
- her hand vaguely, deaf to his words. The cabman, with a clear conscience,
- whipped up his horse smartly and drove off.
- </p>
- <p>
- A figure on the doorstep raised his hat.
- </p>
- <p>
- &ldquo;How delightful of you to arrive at the very moment, Miss Hardacre! I am
- summoned back to America. I sail to-morrow. I was calling on the chance of
- being able to bid you good-bye.&rdquo;
- </p>
- <p>
- Norma collected her scattered wits and recognised Theodore Weever. She
- looked at him full in the eyes.
- </p>
- <p>
- Her lips were parted; her breath came fast. He stretched out his hand to
- press the electric button, so as to gain admittance to the house. She
- touched his arm, restraining his action, and still stared at him.
- </p>
- <p>
- &ldquo;Wait,&rdquo; she said at last. &ldquo;I have something to say to you.&rdquo;
- </p>
- <p>
- &ldquo;I am honoured,&rdquo; he replied in his imperturbable way.
- </p>
- <p>
- &ldquo;Have you found your decorative wife, Mr. Weever?&rdquo;
- </p>
- <p>
- A sudden light shone lambently in his pale, expressionless blue eyes.
- </p>
- <p>
- &ldquo;Am I to understand that I can find her on Mrs. Deering's doorstep?&rdquo;
- </p>
- <p>
- &ldquo;If you look hard enough,&rdquo; said Norma.
- </p>
- <p>
- He took her hand and shook it with the air of a man concluding a bargain.
- </p>
- <p>
- &ldquo;I felt sure of it,&rdquo; he said. &ldquo;I intended from the first to marry you. I
- shall ever be your most devoted servant.'&rdquo;
- </p>
- <p>
- &ldquo;I make one condition,&rdquo; she said.
- </p>
- <p>
- &ldquo;Name it.&rdquo;
- </p>
- <p>
- &ldquo;You don't enter this house, and I sail with you to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;Certainly.&rdquo;
- </p>
- <p>
- &ldquo;What train shall I catch and from what station shall I start?&rdquo;
- </p>
- <p>
- &ldquo;The ten o'clock from Waterloo.&rdquo;
- </p>
- <p>
- She rang the bell.
- </p>
- <p>
- &ldquo;May I trouble you to book my passage?&rdquo;
- </p>
- <p>
- &ldquo;It will be my happiness.&rdquo;
- </p>
- <p>
- &ldquo;<i>Au revoir</i>,&rdquo; she said, holding out her hand.
- </p>
- <p>
- He raised his hat and walked away briskly. The door opened, and Norma
- entered the house.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="link2HCH0028" id="link2HCH0028"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- Chapter XXVIII&mdash;THE WORD OF ALINE
- </h2>
- <h3>
- |WHAT she wrote to him is no great matter.
- </h3>
- <p>
- Her letter, which he opened on coming down to breakfast the next morning,
- filled many pages. It was a rhapsody of passionate love and
- self-abasement, with frantic appeals for forgiveness. In its cowardice
- there was something horribly piteous. Jimmie read it beneath the high
- north window of the studio, his back turned towards Aline, who was seated
- at the breakfast-table at the other end. For a long, long while he stood
- there, quite still, holding the letter in his hand. Aline, in wonder,
- stole up quietly and touched his arm. When he turned, she saw that his
- face was ashen-grey, like a dead man's.
- </p>
- <p>
- The shock left its mark upon him. Physically it accomplished the work of
- ten years, wiping the youth from his face and setting in its stead the
- seal of middle age. It is common enough for grief or illness to lay its
- hand on the face of a woman no longer young and shrivel up her beauty like
- a leaf and set her free, old and withered. But with a man, who has no such
- beauty to be marred, the case is rare.
- </p>
- <p>
- For a week he remained silent. The two women who loved him waited in
- patience until the time should come for their comforting to be of use.
- From the very first morning he let no change appear in his habits, but set
- his palette as usual and went on with the new picture that was nearing
- completion. In the afternoon he went for a walk. Aline, going down to the
- studio, happened to look at his morning's work. For a moment she was
- puzzled by what she saw, for she was familiar with his methods. Gradually
- the solution dawned upon her. He had been painting meaninglessly,
- incoherently, putting in splotches of colour that had no relation to the
- tone of the picture, crudely accentuating outlines, daubing here, there,
- and anywhere with an aimless brush. It was the work of a child or a
- drunken man. Aline cast herself on the model-platform and cried till she
- could cry no more. When he came back, he took a turpentine rag and
- obliterated the whole picture. For days he worked incessantly, trying in
- vain to repaint. Nothing would come right. The elementary technique of his
- art seemed to have left him. Aline strove to get him away. He resisted. He
- had to do his day's work, he said.
- </p>
- <p>
- &ldquo;But you're not well, dear,&rdquo; she urged. &ldquo;You will kill yourself if you go
- on like this.&rdquo;
- </p>
- <p>
- &ldquo;I've never heard of work killing a man,&rdquo; he answered. Then after a pause,
- &ldquo;No. It's not work that kills.&rdquo;
- </p>
- <p>
- At last the sleep that had failed him returned, and he awoke one morning
- free from the daze in the brain against which he had been obstinately
- struggling. He rose and faced the world again with clear eyes. When Aline
- entered the studio to summon him to lunch, she found him painting at the
- unhappy picture with his accustomed sureness of touch. He leaned back and
- surveyed his handiwork.
- </p>
- <p>
- &ldquo;It's going to be magnificent, is n't it? What a blessing I wiped out the
- first attempt!&rdquo;
- </p>
- <p>
- &ldquo;Yes, this is ever so much better, Jimmie,&rdquo; the girl replied, with tears
- very near her eyes. But her heart swelled with happy relief. The aching
- strain of the past week was over. She had dreaded break-down, illness, and
- permanent paralysis of his faculties. The man she knew and loved had
- seemed to be dead and his place taken by a vacant-eyed simulacrum. Now he
- had come to life again, and his first words sounded the eternal chord of
- hope and faith.
- </p>
- <p>
- From that day onwards he gave no sign of pain or preoccupation. Only the
- stamp of middle age upon his face betrayed the suffering through which he
- had passed. He concerned himself about Aline's marriage. Arrangements had
- been made for it to take place on the same day as that of their elders&mdash;a
- day, however, that Norma had never fixed. The recent catastrophe had
- caused its indefinite postponement. Aline declared herself to be in the
- same position as before, the responsibility of the beloved's welfare being
- again thrust upon her shoulders. She pleaded with her lover for delay, and
- young Merewether, disappointed though he was, acquiesced with good grace.
- At last Jimmie called them before him, and waving his old briar-root pipe,
- as he spoke, delivered his ultimatum.
- </p>
- <p>
- &ldquo;My dear children,&rdquo; said he, standing up before them, as they sat together
- on the rusty sofa, &ldquo;you have the two greatest and most glorious things in
- a great and glorious world, youth and love. Don't despise the one and
- waste the other. Get all the beauty you can out of life and you'll shed it
- on other people. You'll shed it on me. That's why I want you to marry as
- soon as ever you are ready. You'll let me come and look at you sometimes,
- and if you are happy together, as God grant you will be, that will be my
- great happiness&mdash;the greatest I think that earth has in store for me.
- I have stood between you long enough&mdash;all that is over. I shall miss
- my little girl, Tony. I should be an inhuman monster if I didn't. But I
- should be a monster never before imagined by a disordered brain if I found
- any pleasure in having her here to look after me when she ought to be
- living her life in fulness. And that's the very end of the matter. I speak
- selfishly. I can't help it. I have a great longing for joy around me once
- more. Go upstairs and settle everything finally between you.&rdquo;
- </p>
- <p>
- When they had gone, he sighed. &ldquo;Yes,&rdquo; he said to himself, &ldquo;a great longing
- for joy&mdash;and the sound of the steps of little children.&rdquo; Then he
- laughed, calling himself a fool, and went on with his painting.
- </p>
- <p>
- A day or two afterwards Connie Deering, who had been a frequent visitor
- since Norma's flight, walked into the studio while Jimmie was working.
- </p>
- <p>
- &ldquo;Don't let me disturb you. Please go on,&rdquo; she cried in her bright, airy
- way. &ldquo;If you don't, I'll disappear. I've only come for a gossip.&rdquo;
- </p>
- <p>
- Jimmie drew a chair near the easel and resumed his brush. She
- congratulated him on the picture. It was shaping beautifully. She had been
- talking about it last night to Lord Hyston, who had promised to call at
- the studio to inspect it. Lord Hyston was a well-known buyer of modern
- work.
- </p>
- <p>
- &ldquo;He is stocking a castle in Wales, which he never goes near, with acres
- of paint,&rdquo; she said encouragingly. &ldquo;So I don't see why you should n't
- have a look in.&rdquo;
- </p>
- <p>
- &ldquo;Is there a family ghost in the castle?&rdquo;
- </p>
- <p>
- &ldquo;I believe there are two!&rdquo;
- </p>
- <p>
- &ldquo;That's a blessing,&rdquo; said Jimmie. &ldquo;Some one, at any rate, will look at the
- pictures.&rdquo;
- </p>
- <p>
- She watched him in silence for a minute or two. Then she came to the
- important topic.
- </p>
- <p>
- &ldquo;So the two children have made up their minds at last.&rdquo;
- </p>
- <p>
- &ldquo;Yes, they are to be married on the twenty-eighth of May.&rdquo;
- </p>
- <p>
- &ldquo;Poor young things,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;Why poor?&rdquo;
- </p>
- <p>
- &ldquo;I don't know,&rdquo; she said 'with a sigh. &ldquo;The subject of marriage always
- makes me sad nowadays. I am growing old and pessimistic.&rdquo;
- </p>
- <p>
- &ldquo;You are bewilderingly youthful,&rdquo; replied Jimmie.
- </p>
- <p>
- &ldquo;Do you know how old I am?&rdquo;
- </p>
- <p>
- &ldquo;I have forgotten how to do subtraction,&rdquo; he said, thinking of his own
- age.
- </p>
- <p>
- &ldquo;Yes. Of course you know. It's awful. And Aline is&mdash;what&mdash;seventeen?&rdquo;
- </p>
- <p>
- &ldquo;Eighteen.&rdquo;
- </p>
- <p>
- &ldquo;You'll be dreadfully lonely without her.&rdquo;
- </p>
- <p>
- &ldquo;Lonely? Oh, no. I have my thoughts&mdash;and my memories.&rdquo;
- </p>
- <p>
- She looked at him fleetingly.
- </p>
- <p>
- &ldquo;I should have thought you would wish to escape from memories, Jimmie.&rdquo;
- </p>
- <p>
- &ldquo;Why should I?&rdquo;
- </p>
- <p>
- &ldquo;'The sorrow's crown of sorrows.'&rdquo;
- </p>
- <p>
- &ldquo;I don't believe in it,&rdquo; he said, turning towards her. &ldquo;What has been has
- been. A joy that once has been is imperishable. Remembering happier things
- is a sorrow's crown of consolation. Thank God! I have had them to
- remember.&rdquo;
- </p>
- <p>
- &ldquo;Do you think she is finding consolation in memories?&rdquo; She spoke with
- sudden heat, for Norma's conduct had filled her heart with blazing
- indignation.
- </p>
- <p>
- &ldquo;I hope so,&rdquo; said Jimmie dreamily, after a pause. &ldquo;But she has not so many
- as I. She loved me deeply. She had her hour&mdash;but I had my day.&rdquo;
- </p>
- <p>
- &ldquo;If I were you, I should want never to think of her again.&rdquo;
- </p>
- <p>
- &ldquo;Not if you were I, my dear Connie,&rdquo; he said gently. &ldquo;If either of us was
- in the wrong, it was not she.&rdquo;
- </p>
- <p>
- &ldquo;Rubbish,&rdquo; said Mrs. Deering.
- </p>
- <p>
- &ldquo;No. It is the truth. She was made for kings' palaces and not for this
- sort of thing. I knew it was impossible from the first&mdash;but the joy
- and wonder of it all blinded my eyes. She gave me the immortal part of
- herself. It is mine for all eternity. I wrote to her a day or two ago&mdash;I
- was not able at first. I could not sleep, you know; something seemed to
- have gone wrong with my head.&rdquo;
- </p>
- <p>
- &ldquo;You wrote to her?&rdquo;
- </p>
- <p>
- &ldquo;To tell her not to be unhappy for my sake.&rdquo;
- </p>
- <p>
- &ldquo;And you have forgiven her entirely?&rdquo;
- </p>
- <p>
- &ldquo;Since our love is unchanged, how could I do otherwise?&rdquo;
- </p>
- <p>
- &ldquo;But she has gone and thrown herself into the arms of another man&mdash;and
- such a man!&rdquo; said Connie, brusquely. A quiver of pain passed over his
- face.
- </p>
- <p>
- &ldquo;Those are things of the flesh that the discipline of life teaches a man
- to subdue. I think I am man enough for that. The others are things of the
- spirit. If ever woman loved a man, she loved me. I thank God,&rdquo; he added in
- a low voice, &ldquo;that she realised the impossibility before we were married.&rdquo;
- </p>
- <p>
- &ldquo;So do I; devoutly,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;It would have made all the difference.&rdquo;
- </p>
- <p>
- &ldquo;Precisely,&rdquo; said Connie.
- </p>
- <p>
- &ldquo;She would have been chained hand and foot to an intolerable existence.
- She would have fretted and pined. Her life would have been an infinite
- burden. Heaven's mercy saved her.&rdquo;
- </p>
- <p>
- &ldquo;I was n't looking at it from her point of view at all,&rdquo; exclaimed Connie.
- </p>
- <p>
- &ldquo;Hers is the only one from which one can look at it,&rdquo; he answered gravely.
- </p>
- <p>
- When she bade him good-bye some ten minutes later, she did not withdraw
- the hand which he held. Her forget-me-not eyes grew pleading, and her
- voice trembled a little.
- </p>
- <p>
- &ldquo;I wish I could comfort you, Jimmie&mdash;not only now, but in the lonely
- years to come. But remember, dear, there is nothing on earth I would n't
- give you or do for you&mdash;nothing on earth.&rdquo;
- </p>
- <p>
- It was not till long afterwards that he fully comprehended the meaning of
- her words; and then she herself prettily vouchsafed the interpretation.
- For immediate answer he kissed her on the cheek in the brotherly fashion
- in which he had kissed her twice before.
- </p>
- <p>
- &ldquo;What greater comfort,&rdquo; said he, &ldquo;can I have than to hear you say that? I
- am a truly enviable man, Connie. Love and affection are showered upon me
- in full measure. Life is very, very sweet.&rdquo;
- </p>
- <p>
- The next two or three weeks brought pleasant surprises which strengthened
- his conviction. One by one old friends sought him out, and, some heartily,
- others shamefacedly, extended to him the hand of brotherhood. His evening
- at the Langham Sketch Club had inaugurated the new order of things. The
- Frewen-Smiths, whose New Year party had marked the epoch between child and
- woman in Aline's life, invited the two outcasts to dinner, and pointedly
- signified that they were the honoured guests. Brother artists looked in
- casually on Sunday evenings. Their wives called upon Aline, offering
- congratulations and wedding-gifts. A lady whose portrait he had painted,
- and at whose house he had visited, commissioned him to paint the portraits
- of her two children. The ostracism had been removed. How this had been
- effected Jimmie could not conjecture; and Tony Merewether and Connie
- Deering, who were the persons primarily and independently responsible, did
- not enlighten him. By Aline's wedding-day all the old circle had gathered
- round him, and a whisper of the true story had been heard in Wiltshire
- House.
- </p>
- <p>
- Thus the world began to smile upon him, as if to make amends for the
- anguish it could not remedy. He took the smile as a proof of the world's
- essential goodness. The great glory that for a day had made his life a
- blaze of splendour had faded; the sun in his heaven had been eternally
- eclipsed. But the lesser glory of the moon and stars remained undimmed;
- the tenderness of twilight lost no tone of its beauty. He stood unshaken
- in his faith, unchanged in himself&mdash;the strong, wise man looking upon
- the earth and the fulness thereof with the unclouded eyes of a child.
- </p>
- <p>
- The man whom he had most loved, the woman he had most worshipped, had each
- failed him, had each brought upon him bitter and abiding sorrow. They had
- passed like dead folks out of his daily life. Yet each retained in his
- heart the once inhabited chambers. They were dear ghosts. His incurable
- optimism in this wise brought about its consolation. For optimism involves
- courage of a serene quality. Aline, with her swift perception of him, had
- the opportunity of flashing this into an epigram. There was a little
- gathering in the studio, and the talk ran on personal bravery. Some one
- started the question: What would the perfectly brave man do if attacked
- unarmed by a man-eating tiger?
- </p>
- <p>
- &ldquo;I know what Jimmie would do,&rdquo; she cried. &ldquo;He would try to pat the beast
- on the head.&rdquo;
- </p>
- <p>
- There was laughter over the girl's unchallenged championship, but those
- who had ears to hear found the saying true.
- </p>
- <p>
- The night before the wedding the two sat up very late, spending their last
- hours together, and Aline sat like a child on Jimmie's knee and sobbed on
- his breast. The lover seemed a far-away abstraction, a malevolent force
- rather than a personality, that was tearing her away from the soil in
- which her life was rooted. Jimmie stroked her hair and spoke brave words.
- But he had not realised till then the wrench of parting. Till then,
- perhaps, neither had realised the strength of the bond between them. They
- were both fervent natures, who felt intensely, and their mutual affection
- had been a vital part of their lives. If bright and gallant youth had not
- flashed across the girl's path and, after the human way, had not caught
- her wondering maidenhood in strong young arms; if deeper and more tragic
- passion had not swept away the mature man, it is probable that this rare,
- pure love of theirs might have insensibly changed into the greater need
- one of the other, and the morrow's bells might have rung for these two.
- But as it was, no such impulse stirred their exquisite relationship. They
- were father and daughter without the barrier of paternity; brother and
- sister without the ties of consanguinity; lovers without the lovers'
- throb; intimate, passionate friends with the sweet and subtle magic of the
- sex's difference.
- </p>
- <p>
- &ldquo;I can't bear leaving you,&rdquo; she moaned. &ldquo;I can't bear leaving the dear
- beautiful life. I'll think of you every second of every minute of every
- hour sitting here all alone, alone. I don't want to go. If you say the
- word now, I'll remain and it shall be as it has been for ever and ever.&rdquo;
- </p>
- <p>
- &ldquo;I shall miss you&mdash;terribly, my dear,&rdquo; said he. &ldquo;But I'll be the
- gainer in the end. You'll give me Tony as a sort of younger brother. I am
- getting to be an old man, darling&mdash;and soon I shall find the need of
- <i>les jeunes</i> in my painting life. You can't understand that yet. Tony
- will bring around me the younger generation with new enthusiasms and fresh
- impulses. It is to my very great good, dear. And if God gives you
- children, I'll be the only grandfather they'll ever have, poor things, and
- I'd like to have a child about me again. I have experience. I have washed
- your chubby face and hands, <i>moi qui vous parle</i>, and undressed you
- and put you to bed, my young lady who is about to be married.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Jimmie, I remember it&mdash;and I had to tell you how to do
- everything.&rdquo;
- </p>
- <p>
- &ldquo;It seems the day before yesterday,&rdquo; said Jimmie. &ldquo;<i>Eheu fugaces!</i>&rdquo;
- </p>
- <p>
- The next day when she in her wedding-dress (a present from Connie Deering)
- walked down the aisle on her husband's arm and stole a shy glance at him,
- radiant, full of the promise and the pride of manhood, and met the glad
- love in his eyes, she forgot all else in the throbbing joy of her young
- life's completion. It was only afterwards when she was changing her dress,
- with Connie Deering's assistance, in her own little room, that she became
- again conscience-stricken.
- </p>
- <p>
- &ldquo;You <i>will</i> look after Jimmie while I am away, <i>won't</i> you?&rdquo; she
- asked tragically&mdash;they were going to the Isle of Wight for their
- honeymoon.
- </p>
- <p>
- &ldquo;I would look after him altogether if he would let me,&rdquo; said Connie, in an
- abrupt, emotional little outburst.
- </p>
- <p>
- Aline drew a quick breath.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo;
- </p>
- <p>
- Connie threw the simple travelling-hat, whose feathers she was daintily
- touching, upon the bed.
- </p>
- <p>
- &ldquo;What do you think I mean?&rdquo; she laughed nervously. &ldquo;I'm not an old woman.
- I'm as lonely as Jimmie will be&mdash;and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;What?&rdquo;
- </p>
- <p>
- &ldquo;Oh!&mdash;-only I've found out that I love Jimmie as much as a silly
- woman can love anybody, if it's any satisfaction to you to know it&mdash;and
- you may be quite sure I'll see that no harm comes to him during your
- honeymoon, dear.&rdquo;
- </p>
- <p>
- The ensuing conversation nearly caused the bride to miss her train. But no
- bride ever left her girlhood's room more luminously happy. On the
- threshold she turned and threw her arms round Connie Deering's neck.
- </p>
- <p>
- &ldquo;I'll arrange it all when I come back,&rdquo; she whispered.
- </p>
- <p>
- And Aline kept her word.
- </p>
- <h3>
- THE END
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Where Love Is, by William J. Locke
-
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