summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/51904-0.txt1987
-rw-r--r--old/51904-0.zipbin25531 -> 0 bytes
-rw-r--r--old/51904-h.zipbin248556 -> 0 bytes
-rw-r--r--old/51904-h/51904-h.htm2606
-rw-r--r--old/51904-h/images/cover.jpgbin151903 -> 0 bytes
-rw-r--r--old/51904-h/images/dec.jpgbin42666 -> 0 bytes
-rw-r--r--old/51904-h/images/dec2.jpgbin48549 -> 0 bytes
-rw-r--r--old/51904-h/images/dec3.jpgbin38364 -> 0 bytes
11 files changed, 17 insertions, 4593 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..a725639
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #51904 (https://www.gutenberg.org/ebooks/51904)
diff --git a/old/51904-0.txt b/old/51904-0.txt
deleted file mode 100644
index 24c8f83..0000000
--- a/old/51904-0.txt
+++ /dev/null
@@ -1,1987 +0,0 @@
-The Project Gutenberg EBook of Poems, by Henry Reed Conant
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems
-
-Author: Henry Reed Conant
-
-Release Date: May 1, 2016 [EBook #51904]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-Produced by Larry B. Harrison, Charlie Howard, and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-(This file was produced from images generously made
-available by The Internet Archive)
-
-
-
-
-
-
-
-
-
- POEMS
-
- ----BY----
-
- HENRY REED CONANT.
-
-
- “’Tis pleasure, sure, to see one’s name in print:
- A book’s a book, although there’s nothing in’t.”
- --BYRON.
-
-
- 1893.
- THE SUN PUBLISHING CO.,
- Kaukauna, Wis.
-
-
-
-
- Entered, according to Act of Congress, in the year 1893
- By HENRY REED CONANT,
- In the Office of the Librarian of Congress,
- at Washington.
-
-
-
-
- TO MY BROTHER,
- CARLOS EVERETT CONANT, A. B.,
- NOW PROFESSOR OF LANGUAGES
- IN THE
- CHADDOCK COLLEGE, ILL.,
- AND FORMERLY
- PROFESSOR IN THE STATE UNIVERSITY,
- OF MINNESOTA,
- THIS BOOK OF POEMS
- IS AFFECTIONATELY INSCRIBED.
-
-
-
-
-CONTENTS.
-
-
- Telulah Spring, _Frontispiece_
-
- Inscription, 5
-
- Introduction, 11
-
- Life, 17
-
- Dream of a Fairy, 18
-
- Together, 20
-
- Be Not Discouraged, 21
-
- Forest Delights, 22
-
- Parting, 23
-
- Song, 24
-
- God’s Love, 25
-
- Dreams, 26
-
- Lines on Life, 28
-
- Where are the Hearts we Cherished So? 29
-
- Contentment, 31
-
- The Telulah Spring, 33
-
- Daybreak, 36
-
- To a Brown Thrush, 37
-
- Hope, 38
-
- The Angel of Home, 39
-
- To My Sister, 40
-
- Woman, 40
-
- The Fox River, 41
-
- A Little Grave, 42
-
- Autumn Days, 43
-
- In Heaven, 44
-
- Idleness, 46
-
- The River, 47
-
- The Crown of Fame, 49
-
- Elegy on the Death of Hon. C. B. Clark, 52
-
- A Reverie, 53
-
- Opportunity, 56
-
- Lines Written on Hearing a Gentleman remark: “God Bless
- Dear Woman.” 57
-
- My Lady Fair, 58
-
- To a Firefly, 59
-
- My Old New England Home, 60
-
- A Lover’s Lament, 62
-
- Faces That are Gone, 63
-
- The True Way, 65
-
- Pitcher or Jug, 66
-
- Two Lives, 67
-
- Meditation, 68
-
- Tempus Fugit, 70
-
- Gladness, 71
-
- The Rainbow, 71
-
-
- MISCELLANEOUS VERSES.
-
- The Dawn o’ Spring, 75
-
- Zeeke Bullard’s Farm, 76
-
- Uncle Nick, on Eddication, 80
-
- Uncle Nick, on Gossipers, 82
-
- The Art o’ Knowin’ How, 84
-
- Mother’s Photograph, 86
-
- Fifty Years, 88
-
- A Maiden Wondrous Fair, 89
-
- Wealth and Want, 92
-
- Childhood, 93
-
- The Lassie O’er the Way, 94
-
-
-
-
-INTRODUCTION.
-
-
-Henry Reed Conant was born in Janesville, Wis., on the seventeenth
-day of February, 1872. When four years of age he removed to Vermont,
-the native state of his parents Henry Clay and Dora Evaline (Reed)
-Conant. Henry was educated in the public schools and at the Morrisville
-“People’s Academy,” Vermont, and in his fifteenth year returned to the
-west.
-
-He inherited from his New England ancestors a deep love of nature, and
-pronounced religious and moral strength, which tinge the whole body
-of his rhymes and poems. Like many poets in their juvenile days Mr.
-Conant’s first lines were simple and artless, and the world of critics
-can hardly assail him for penning his first rhymes in honor of his
-“first love,” thus:
-
- “Of all the lassies in the land
- That e’er I chanced to view,
- Methinks the fairest one I saw
- Had sparkling eyes of blue.”
-
-His first published poem appeared in a little story paper, February,
-1890, at Belvidere, Ills. Nearly all of Mr. Conant’s poems were written
-in Wisconsin, his native state. The selected poems forming this volume
-reflect the young poet’s individuality to a sensible degree. The trend
-of his thoughts and genius is toward the more solemn and religious
-aspects of nature, and of human experience. He dwells in the forest’s
-shade, on the banks of rivers flowing through lea and woodland, by
-the grave of a little child, and wanders back to his old New England
-home--to the scenes of his childhood.
-
-Henry Reed Conant, like many other beginners in the literary arena,
-commits his poems to a critical public with the full consciousness
-of their poetical deficiencies. Criticism he must await, and gladly
-accept as the basis of that future development through which every poet
-must pass ere he attain that popular following that is the reward not
-only of genius, but of bitter disappointments.
-
- A. K. G.
-
- Appleton, Wis., Nov. 22, 1893.
-
-
-
-
- We live in deeds, not years; in thoughts, not breaths;
- In feelings, not in figures on a dial.
- We should count time by heart-throbs. He most lives
- Who thinks most, feels the noblest, acts the best.
- --_Bailey._
-
-
-
-
-POEMS.
-
-
-
-
-_LIFE._
-
-
- Life is a race in which all compete,
- Hastening onward with restless feet,
- Eagerly striving for some great prize
- That out in the hidden future lies:
- The sturdy youth with visions bright,
- The stalwart form of manhood’s might,
- And tottering age, are borne along
- In the mighty rush of the endless throng.
- Like the waves of the sea that forever roll
- ’Tis a livelong race to an unseen goal;
- But the prize is gained at the end of the strife,
- For it lies just beyond this earthly life,
- Where fears, tribulations and trials cease,
- In the golden realms of eternal peace.
-
-
-
-
-_DREAM OF A FAIRY._
-
-
- When all the air was filled with song
- At morning’s early beam,
- In musing mood I strolled along
- Beside a placid stream.
-
- And as I roved the meadow sweet,
- What bade my heart rejoice?
- Was it the daisies at my feet?
- Nay, nor the songster’s voice.
-
- For glancing toward the crystal stream
- I spied a little child,
- Upon whose brow the morning beam,
- With all its beauty smiled:
-
- And on her cheek, so wondrous fair,
- I saw the ruddy glow,--
- Beheld her locks of flaxen hair
- Wave gently to and fro.
-
- Then with delight I nearer drew,
- But lo! here ends my theme;
- I waked--the fairy fled my view--
- ’Twas but a happy dream.
-
-[Illustration]
-
-
-
-
-_TOGETHER._
-
-
- ’Neath an aged elm sat a loving pair,
- A long, long time ago--
- A youthful man and a maiden fair,
- With faces all aglow:
- The birds’ sweet notes in the boughs above
- And the balm of the sweet June weather
- Seemed to say, “’Tis the time for love,”
- As they chatted and laughed together.
-
- The years flew by--an aged pair,
- Sat by an old hearth-stone,
- With furrowed brows and hoary hair,
- Talking in feeble tone
- Of the happy days they used to know,
- When, in the gladsome weather,
- They wandered merrily to and fro,
- Talking of love together.
-
- And now the grass grows green on a pair
- Of graves, made side by side;
- Two hearts are lying in silence there,
- That once beat with joy and pride.
- They shared life’s triumphs, life’s defeats,
- Thro’ fair and stormy weather,
- And now they walk the golden streets
- Of Paradise--together.
-
-
-
-
-_BE NOT DISCOURAGED._
-
- When the clouds hang darkly o’er thee,
- Be thou not discouraged:
- When the world looks drear before thee,
- Be thou not discouraged:
- Let thy heart be light and gay;
- Soon the clouds will pass away:
- ’Tis darkest just before the day;
- Be thou not discouraged.
-
-
-
-
-_FOREST DELIGHTS._
-
-
- I love to stroll amid the silent wood
- Where naught is found to break the quietude,
- Except the woodland tenants, or the breeze
- Among the tender ferns and tow’ring trees.
-
- Here sports the timid hare in wanton glee,
- While may be heard from yonder chestnut tree
- The squirrel chirping to its mate near by,
- Which gaily answers with a prompt reply.
-
- Here many a brooklet ripples on its way,
- Here countless birds employ their sweetest lay,
- And here and there the startled otter springs,
- While oft a partridge hies on whirring wings.
-
- What are the palaces of kings and lords
- Compared with all that nature here affords?
- These forest charms are dearer to my heart
- Than all the pomp of royalty and art.
-
-
-
-
-_PARTING._
-
-
- The deepest sorrow fills the heart
- To see our loved ones perish;
- But soon or late we all must part
- With those we fondly cherish.
-
- The tie must break with friend and friend:
- The true and noble-hearted
- Must one day reach their journey’s end,
- To join the dear departed.
-
- Why mourn we, then, for those who cross
- The intervening river?
- Although to us a heavy loss,
- To them is joy forever.
-
-
-
-
-_SONG._
-
-
- Not always the prettiest flowers
- Fill the air with the sweetest perfume;
- And not always the sweetest singer
- Is the bird with the fairest plume.
-
- But the sweetness surpassing all other,
- And the richest and tenderest strain,
- Rise out of the bosom that knoweth
- The feelings of love and pain.
-
-
-
-
-_GOD’S LOVE._
-
-
- I know where’er my feet may be,
- Tho’ prone to stray,
- His watchful eye is over me
- Both night and day.
-
- And tho’ ofttimes this heart has erred
- ’Mid worldly cares,
- I know His pard’ning ear has heard
- My humble prayers.
-
- At all times, e’en when I have failed
- To do His will,
- His love has in my heart prevailed--
- And guides me still.
-
-
-
-
-_DREAMS._
-
-
- What cloudless scenes of wonder and delight
- Come to us in the silent realms of night;
- Loved ones we meet, that long have been at rest,
- We grasp their hands and clasp them to our breast,
- Talk with them of the happy days gone by,
- With not a pang of sorrow nor a sigh:
- And everything around looks wondrous fair,
- Sweet flowers of richest hue bloom here and there;
- On either hand we see unnumbered throngs
- Of white-robed angels, wafting joyful songs:
- And seeing thus, continued glories rise.--
- Our souls are ’rapt in endless Paradise.
- But mingled voices touch the sleeper’s ear.
- And lo! how swift the bright scenes disappear!
- The morning light beams through the window pane--
- The dream has fled and day returned again.
-
-
-
-
-_LINES ON LIFE._
-
-
- With all the cares and toils that here abound,
- And e’en deep seas of grief which men must ford--
- To him whose guardian is th’ Omnipotent,
- Life is a source of everlasting joy!
-
- This world at most is but an anteroom,
- Where souls prepare to take their joyous flight
- To Heaven’s eternal mansions. Thus the while
- We here remain, is it not meet that we
- Should wear the garb of truth and righteousness?
-
-
-
-
-_WHERE ARE THE HEARTS WE CHERISHED SO?_
-
-
- Where are the hearts we cherished so,
- Who’ve left this earthly main,
- And gone from kindred circles dear,
- Ne’er to return again?
- Where gone those aged silvery locks?
- That sturdy youthful brow?
- Alas! no sound comes from the grave,
- Where they’re reposing now!
-
- When troubles here our paths beset.
- When cares and woes assail,
- We often think of those at rest
- Within that happy Vale;
- And tho’ we cannot wish them back
- In this sad world of pain--
- O! how we long to catch a glimpse
- Of their dear forms again!
-
- But just beyond the stream which glides
- Between that Land and ours--
- Where fairer fields are all adorned
- With never-fading flow’rs,
- And brighter suns forever shine
- Throughout the golden spheres,
- We’ll dwell with those who’ve left us here,
- Through never-ending years.
-
-[Illustration]
-
-
-
-
-_CONTENTMENT._
-
-
- The isle of contentment we view from afar,
- And it dazzles our eyes like a beautiful star;
- A region which thousands gaze wistfully at,
- And would dwell there, if ’twasn’t for this or for that.
-
- The lord in his palace, the cotter obscure,
- The high and the lowly, the rich and the poor,
- Are all discontented whate’er be the case,
- Because they are not in some other man’s place.
-
- In youth, how we long for mature years of men;
- In age, how we sigh for our childhood again;
- Wherever our station, whate’er be our lot,
- We miss countless blessings for joys we have not.
-
- Thus, ever thro’ life, from our earliest prime,
- We look and we long for some happier clime,
- Until the bright portals of Paradise ope,
- And we soar away home on the pinions of hope.
-
-
-
-
-_THE TELULAH SPRING._
-
- A living spring of cool, clear water, on the banks of the Fox
- River, Appleton, Wis.: said to have been first discovered
- by, and named after, a beautiful Indian girl by the name of
- “TELULAH” who, many years ago, lived near the spot.
-
-
- I’ve heard it told, that many years ago,
- When here deep groves stood in their majesty,
- Ere they had felt the white man’s fatal stroke,
- And peace and happiness breathed over all,--
- That near this spring an Indian maiden dwelt.
- Most beautiful was she, so runs the tale,
- With tresses like the darkest raven’s coat,
- And eyes to match their hue. Her lips, ’tis said,
- Surpassed the reddest berries on the hill;
- And the bright glow which rested on her cheek
- Was like the morning beam, or like the rays
- Of eve, that ling’ring, paint the western sky.
- Such was the one, ’tis said, who first beheld
- This living stream of water, cool and clear,
- Uprising from the bosom of the earth.
- Here many a traveler on his weary way
- ’Mid summer’s heat, retires to cool his brow,
- And freely drink the ever crystal tide.
- And men oppressed with city care and strife,
- Stroll hither when the toils of day are o’er;
- Or when the weary week draws to a close,
- Upon that day when all men cease their toils,
- Approach this calm retreat to meditate
- On nature’s wonders and the Mighty One
- By Whom all things were formed and still exist.
- And happy lovers strolling hand in hand
- Amid these pleasant bowers, pause to behold
- This sparkling fount forever gushing forth,
- And linger ’round this scene of beauty, which
- Still bears the name of that sweet Indian girl.
-
-
-
-
-_DAYBREAK._
-
-
- We behold the bright joys of another day’s dawn,
- As time swiftly flies “like a bird on the wing;”
- Let’s improve every moment, now, ere it has gone,
- For no one can tell what the next one may bring.
-
- Our hopes of the future we never may see;
- Our days that are past we can never redeem;
- But to-day every heart, love and joy may impart,
- Which surpasses the sun’s most radiant beam.
-
-
-
-
-_TO A BROWN THRUSH_,
-
-On finding its nest and young.
-
-
- O little thrush, what gives thee such alarm?
- Pray fear thee not, nor think that I am come
- To injure or disturb thy happy home;
- Thy little ones so sweet I ne’er would harm.
- Thy love, like all true parents’ love, is strong--
- At all times anxious for thy young so dear;
- But put away now ev’ry needless fear,
- And once again resume thy happy song.
- Sweet bird, I wish thee never-ceasing cheer!
- Who, with devoted love and tender care,
- Look’st on thy nestlings now so young and fair.
- May never cruel enemy come near,
- Led by blood-thirsty instincts, to destroy
- Thy little home--now filled with peace and joy.
-
-
-
-
-_HOPE._
-
-
- Ne’er lose thy courage, tho’ dark seems the strife;
- The blackest night dies with the golden dawn:
- Let not thy hope cease while there still is life,
- For Hope is what the world is living on!
-
-
-
-
-_THE ANGEL OF HOME._
-
-
- What visions of happiness often steal o’er me,
- As back to my childhood in fancy I roam;
- And the picture that mem’ry paints brightest before me,
- Is mother, dear mother,--the angel of home.
-
- No love’s like a mother’s, so true and so tender,
- No love’s so enduring ’neath heaven’s broad dome;
- And not all earth’s wealth with its pomp and its splendor,
- Could steal my affection from mother and home.
-
-
-
-
-_TO MY SISTER._
-
-
- May still thy deeds of innocence,
- Like stars of heaven, shine;
- And thou retain thy purity,
- Till Heaven itself is thine!
-
-
-
-
-_WOMAN._
-
-
- The fairest flower that all our path adorns,
- The loveliest rose amidst the cruel thorns,
- The brightest star that shines in man’s abode,
- The sweetest gift that Heaven e’er bestowed!
-
-
-
-
-_THE FOX RIVER._
-
-
- O beautiful river,
- How gently among
- The fields and the forests
- Thou glidest along!
-
- ’Mid thy pleasant valleys
- And cool shady bow’rs,
- Grow tall fragrant grasses
- And bright blooming flow’rs.
-
- By day o’er thy waters
- The sun beameth bright,
- And stars ever twinkle
- Above thee by night.
-
- And never complaining
- Thou flowest along
- ’Mid nature’s wide province
- With laughter and song:
-
- Content with thy mission
- In nature’s great plan;
- And such is thy lesson
- Thou teachest to man.
-
-
-
-
-_A LITTLE GRAVE._
-
-
- Sweetly sing, ye little songsters;
- Smile, ye happy skies;
- Softly blow, ye wanton breezes--
- Here an infant lies!
-
- Brightly bloom, ye tinted flowers,
- Wafting sweet perfume;
- Gently fall, ye summer showers,
- On this little tomb.
-
-
-
-
-AUTUMN DAYS.
-
-
- The summer joys are fleeting fast
- From forest, field and glen,
- And soon shall winter’s piercing blast
- Sweep o’er the earth again.
-
- How lovely were the bright spring flow’rs,
- That decked the landscape o’er;
- But now we see, on fields and bow’rs,
- Their dainty forms no more.
-
- The leaves are falling in the wind,
- From many a lofty height,
- And birds are calling to their kind,
- Upon their farewell flight.
-
- But still, how cheering is the thought,
- When other joys have flown;
- That the little snow-bird leaves us not,
- But chirps till winter’s gone.
-
-
-
-
-_IN HEAVEN._
-
-
- One pleasant day in June a little thrush
- Lit on a bough close by my window pane,
- And as the streams from living fountains gush,
- Poured forth its sweetest strain.
-
- My heart then felt released from every care,
- And seemed to rise toward Heaven’s enchanted zone,
- When soon the music ceased, and looking there,
- I saw the bird had flown.
-
- And then the thought came to me of the one
- Who left me when so youthful and so fair,
- Who in the light of Heaven’s unsetting sun
- Lives with the angels there.
-
- I little thought, ere those sweet smiles were gone,
- That she so soon must heed the angel’s call;
- But all the way He led her safely on
- Who marks the sparrow’s fall.
-
- And some day, when life’s billows cease to roar,
- And here no more my weary feet shall roam,
- Our souls shall be conjoined forevermore
- In Heaven’s eternal home.
-
-
-
-
-_IDLENESS._
-
-
- Make some good use of ev’ry space of time,
- In idleness are sown the seeds of crime;
- Man’s erring mind, allured by passions strong,
- Begins pursuing here the path of wrong;
- And heedless of the peril just ahead,
- Step after step proceeds with fearless tread,
- Till ruin comes with overwhelming power--
- The bitter fate of many an idle hour!
-
-
-
-
-_THE RIVER._
-
-
- Out from the shady woodland,
- With song and laughter free;
- Down from the sunny hillside,
- And over the flow’ry lea,
- Floweth the restless river,
- On its journey to the sea.
-
- Over the silvery pebbles,
- Sparkling like morning dew,
- Whether in light or darkness,
- Doth ever its course pursue,
- Till it gains the mighty ocean
- With waters vast and blue.
-
- And thus are WE traveling onward,--
- ’Tis Hope by which we’re borne,
- And our hearts beat with triumphant gladness,
- As we dream of some brighter dawn
- With sights that are nobler and grander,
- And we journey on and on.
-
- And up from the earth’s dark bosom,
- Like the homeward flight of a dove,
- On Hope’s majestic pinions
- We soar to the realms above,
- To lave forever and ever,
- In the sea of Eternal Love.
-
-[Illustration]
-
-
-
-
-_THE CROWN OF FAME._
-
-
- What toils and hardships oft confront man’s sight,
- When first ascending fame’s immortal height:
- What cares, vexations, worriments prevail,
- What deep-laid plans, repeated efforts, fail;
- Yet who would dwell in hermit den, obscure,
- To shun the toils that hero-gods endure!
- Bestir thyself, O man, for soon--too soon,
- As youth recedes, shall fade life’s golden noon!
- If thou wouldst make thyself undying name,
- Direct thy efforts to one worthy aim;
- Let each exertion then be wrought with zeal,
- Nor faint if woe come where thou look’st for weal;
- But toil thou on, nor fear the world’s dark frown,
- Till firm upon the summit of renown.
- Whatever good, perchance, thy toils, may greet,
- Lose not thyself in folly’s vain conceit:
- False pride to lowest degradation tends--
- It leads to vice and vice to crime descends;
- As tiny rills, that from the mountain flow,
- Pursue their course to larger streams below,
- Till seas are joined where mighty billows roll,
- So pride goes onward till it wrecks the soul;
- Thus by degrees the downward course begins,
- And greatest evils rise from little sins.
- Nor seek thy fame ’mid pompous scenes of art,
- Where vice and folly oft inure the heart:
- ’Tis Right eternal kindles honor’s flame,
- And crowns Man’s efforts with immortal Fame.
-
-[Illustration]
-
-
-
-
-_ELEGY_,
-
- On the death of Hon. C. B. Clark, member of Congress from 1887
- to 1891, for Wisconsin district No. 6, (now No. 8.) Died Sept.
- 10th, 1891.
-
-
- Well may the throngs in countless numbers weep,
- Bereft of such a great and noble man,
- For brilliant was the course of life he ran,
- But now he lies in everlasting sleep.
-
- He lived a life exempt from selfish pride;
- He never turned a stranger from his door;
- He ne’er refused to aid the needful poor;
- He proved to youth a never-failing guide.
-
- Alas! we mourn, with aching in our breast
- And eyelids moistened with the burning tear,
- The loss of one, so generous and sincere,
- Now silent in his sweet and peaceful rest.
-
-
-
-
-_A REVERIE._
-
-
- O glad shall I be when the winter is ended,
- When the wild sweeping blasts of the season are gone,
- When the last flakes of snow to the ground have descended,
- And the drifts have all vanished from meadow and lawn.
-
- O glad shall I be when these cold days are over,
- And the bright joys of summer are with us again;
- When the meadows are blooming with sweet-scented clover,
- And the warm sun is smiling on new fields of grain.
-
- O glad shall I be, when as free as the air
- The birds are all singing their merriest lay,
- To remind me of days when I knew naught of care,
- And the seasons all seemed like a long summer day.
-
- O spring! merry spring! with thy fragrance of flowers,
- To thee from my sorrows I longingly turn;--
- I’ll forget the drear scenes of these long winter hours,
- And dream of thy blessings and happy return.
-
-[Illustration]
-
-
-
-
-_OPPORTUNITY._
-
-
- Time is ever swiftly fleeting,
- Unimproved by scores of men;
- Opportunities are passing
- That we’ll never have again;
- Many things we may accomplish,
- As the hours go speeding on,
- If we but improve each moment,
- Ere the precious time is gone.
-
- There are many hearts about us,
- That a loving word might cheer;
- There are many dear ones with us,
- That ere long may not be here:
- Let us then be wise and thoughtful,
- As our course we journey on,
- Striving for the good of others
- Ere the precious time is gone.
-
-
-
-
-_LINES_
-
- Written on hearing a gentleman remark: “God bless dear woman.”
-
-
- “God bless dear woman!” did I hear you say?
- Full many a man might wisely thus remark!
- How oft her smiles have cheered man’s troubled way,
- And comfort brought when fortune’s sky was dark--
- The vine that clings unto the oak, whose bark
- Is coarse and rough and void of pleasing grace;
- And like a dove within the cheerless Ark,
- Mid life’s drear scenes we see her sweetly face,
- And in God’s best design, there love and beauty trace!
-
-
-
-
-_MY LADY FAIR._
-
-
- When aged winter, fierce and grim,
- Had ceased his surly reign,
- And virgin spring again adorned
- The forest, field and plain;
- One morning when the sun was bright
- And music filled the air,
- I wandered o’er the meadow sweet
- Beside my lady fair!
-
- We strolled along ’mid blooming flow’rs,
- Till ’neath a spreading tree,
- We sat where swift the raptured hours
- Flew o’er my love and me;
- And when at last time bade us part,
- I kissed those lips so sweet,
- And little dreamed but we should still
- Oft thus together meet.
-
- But us the stars of heav’n depart,
- When dawn her glory brings,
- One morn the angels bore her off
- Upon their snowy wings!
- Yet, in the golden realms above,
- I trust some day to see,
- With endless joy, the one who made
- This earth a Heaven to me!
-
-
-
-
-_TO A FIRE-FLY._
-
-
- Blithesome insect, gently flying
- Thro’ the shades of night,
- As we see thy rays of brightness,
- May our hopes be bright;
- And tho’ with life’s cares encompass’d,
- May our hearts be light.
-
-
-
-
-_MY OLD NEW ENGLAND HOME._
-
-
- When the stars above, in gladness,
- Twinkle thro’ the evening gloam,
- With a mingled joy and sadness,
- Often do my fancies roam
- Backward to the vanished pleasures
- Of my old New England home.
-
- In that home I see my mother--
- Of all earthly friends the best--
- At her side my younger brother,
- With his youthful pleasures blest;
- And my little brown-eyed sister,
- Sleeping on her mother’s breast.
-
- And within that sacred dwelling
- Father’s cheerful face I see,
- And I hear him kindly telling
- Us to ever loyal be;--
- On the battle-field he perished,
- When they made our country free.
-
- When he went away, our mother
- Safely led our little band,
- And she taught us of another
- Loving Father, whose strong hand,
- Never would forsake his children,
- If they heeded His command:
-
- Taught us, in our youth and beauty,
- Ne’er to turn our feet aside
- From the paths of truth and duty,
- Whatsoever might betide;
- But to keep the path of wisdom,
- And obey our Heavenly guide.
-
- Back to home and all its pleasures
- Often do my fancies roam,
- And to me, the richest treasures
- Under heaven’s starry dome,
- Were the blessings of my childhood,
- In that old New England home.
-
-
-
-
-_A LOVER’S LAMENT._
-
-
- As lillies, arrayed in their loveliness, fade,
- So faded my fairest--my love:
- My joys have all fled, for my darling is dead--
- O Stella! My dearest, my dove!
-
- The loveliest flowers, in this sad world of ours,
- Are soonest from us to depart--
- Are first to decay; and thus faded away
- The tenderest joy of my heart.
-
- My hopes, once so bright, have all taken their flight,
- For gone is my beautiful dove:
- I’m weary with grief, and shall ne’er find relief,
- Till I rest with my darling above.
-
-
-
-
-_FACES THAT ARE GONE._
-
-
- How we long to see the faces
- That have crossed the silent tide--
- Faces marked with care and sorrow,
- Faces full of joy and pride;
- Some with furrowed brow and hoary,
- Some in youth’s lamented bloom;--
- One by one from us departed,
- For the cold and silent tomb.
-
- Birds employ their notes of gladness
- As they flutter to and fro,
- Flow’rs display their wealth of beauty,
- As they used to long ago;
- But the birds may sing forever,
- And the flow’rs forever bloom;
- They can ne’er bring back the faces
- That are hidden in the tomb!
-
- Silently death steals upon us,
- Silently time speedeth on--
- Soon we, too, shall all be numbered,
- With the faces that are gone;
- Each and all must shortly follow
- Thro’ the shadows and the gloom,
- To the loved ones who are waiting
- In the light beyond the tomb.
-
-
-
-
-_THE TRUE WAY._
-
-
- We know that we’re stubborn and willful,
- And tho’ we have kindly been shown
- The true way, which God has appointed,
- We often go on in our own.
-
- And thus we go on in the darkness,
- Groping our way thro’ the night;
- Unmindful ofttimes of His goodness,
- And missing His glorious light.
-
- But still He looks down with compassion,
- And e’en thro’ life’s greatest alarms
- We’re sheltered and safely protected,
- As weak little lambs in His arms.
-
- Could we but have more of His goodness
- Implanted each day in our heart,
- Perhaps there are others about us
- Who’d feel the rich joy we’d impart.
-
- Could our love, every day, be to others
- As the love from our Maker above,
- O what a grand army of brothers
- Would be banded together in love!
-
-
-
-
-_PITCHER OR JUG._
-
-
- Which brings poverty and woe,
- Which makes useless tears to flow,
- Which brings scorn where’er we go,
- Pitcher or jug?
-
- Which fades beauty, health and bloom,
- Which turns happiness to gloom,
- Which leads to the drunkard’s tomb,
- Pitcher or jug?
-
-
-
-
-_TWO LIVES._
-
-
- They started out together
- Amid the worldly din;
- One yielded to temptation,
- And lived a life of sin:
- They found his lifeless body
- One pleasant summer dawn,
- All mangled in the gutter--
- A wretched life was gone.
-
- The other trod the pathway
- Of righteousness and truth,
- And kept his soul as spotless
- As in his early youth;
- And when his voyage was ended,
- On Heaven’s blissful shore
- He joined the great reunion,
- Where parting is no more.
-
-
-
-
-_MEDITATION._
-
-
- ’Mid scenes of mystery life’s tide rolls onward;
- And tho’ some, delving deep in caves of knowledge,
- Have revealed wondrous facts, this life, concerning,
- Still blind they are to most of life’s great features;
- How powerless to perceive the future’s movements,
- Or e’en explain the present things about them!
- We little more than know that we’re existing,
- ’Mid scenes that time and tide are changing ever.
- _Hope_ is a star that lures men ever onward,
- Oft seeming near and yet forever distant;
- _Contentment_ is an isle where man, if ever,
- Has seldom dwelt amid the scenes enchanting;
- _Love_ is a dew-drop on the rose-bush glowing,
- Soon to depart as e’en the bush must perish:
- All things of earth are like the fleeting shadows
- Except the love of Him whose power and wisdom
- Exceeds, by far, man’s deepest understanding,
- And He, who clothes the lillies in their beauty,
- Who feeds his flocks and marks the falling sparrow,
- Will shield His children from life’s raging tempests,
- And lead them safe through waters of affliction
- Until, at last, beyond the vales and shadows,
- Their eyes behold that Land of endless beauty.
-
-
-
-
-_TEMPUS FUGIT._
-
-
- Men sleep, but time speeds on;
- The sun comes out at dawn
- O’er hill and town,
- At eve goes down,
- But ever time speeds on.
-
- Men die--the world moves on,
- And when our forms are gone,
- New hearts arise,
- To seek earth’s prize;
- And thus the world moves on.
-
-
-
-
-_GLADNESS._
-
-
- Let thy heart, attuned to gladness,
- Every fear and doubt dispel--
- Banish idle thoughts of sadness,
- Then shall joy thy bosom swell.
-
-
-
-
-_THE RAINBOW._
-
-
- Howe’er dark the clouds may hover
- O’er thy pathway, ne’er repine;
- Mark thou, when the storm is over,
- In the heaven that beautious line!
-
-
-
-
-[Illustration]
-
-MISCELLANEOUS VERSES.
-
-[Illustration]
-
-
-
-
-NOTE.
-
-
-My first intention was to omit the following pieces from this
-publication, but on recommendation of several readers I have finally
-decided to place them in a seperate department; expecting in either
-case--whether included in this book or omitted--that the youthful
-aspirant, in this attempt to flutter out into the literary sphere, will
-fall headlong and be left only to dream of those glorious heights where
-others triumphantly soar amid the silvery clouds of fancy.
-
- H. R. C.
-
-
-
-
-_THE DAWN O’ SPRING._
-
-
- Yes, boys, I’m waitin’ patiently to see the dawn o’ spring--
- To see the flowers in blossom an’ to hear the robins sing;
- An’ to see the trees an’ meadows clad in garbs o’ livin’ green;
- An’ to hear the merry music o’ the brook thet flows between.
-
- It makes me fairly home-sick sech cold wintry days ez these,
- The snow a driftin’ everywhere an’ layin’ in the trees;
- An’ when Jack Frost steals ’round et night an’ frescoes everything,
- It makes me hanker more an’ more to see the dawn o’ spring.
-
- Fer I know when spring comes ’round ag’in with all her sweet perfume;
- Her reses all in blossom an’ her orchards all a-bloom,
- An’ robins singin’ gaily--I’ll be happy ez a king;
- Thet’s why I’m waitin’ patiently to see the dawn o’ spring.
-
-
-
-
-_ZEEKE BULLARD’S FARM._
-
-
- Zeeke Bullard wuz a farmer of no great amount of worth,
- Tho’ his farm wuz well supplied with miles of rich, productive earth;
- Fer he owned three hundred acres, so his frien’s an’ neighbors sed,
- But he uster say thet money wuz a thing he never hed.
-
- He’d groan about his losses, an’ his scarcity of tin,
- An’ he of’en sed he wondered w’y his crops were all so thin;
- He’d set aroun’ frum morn till night till days an’ weeks ’ud pass,
- An’ talk about the way he’d lose his grain an’ garden sass.
-
- The ’tater bugs in multitudes ’ud come frum all aroun’,
- Till nothin’ in his Murphy patch wuz left abuv the groun’;
- Insects of all descriptions thronged aroun’ his garden beds,
- While worms with powerful appetites devoured his cabbage heads.
-
- The crows ’ud come day after day to steal his yaller corn,
- An’ dine on oats an’ barley till his fiel’s were nearly shorn,
- An’ acre after acre where his clover oughter grow,
- There wa’n’t but giant thistles pintin’ daggers high an’ low.
-
- An’ when his crops were harvested by bugs an’ worms an’ crows,
- An’ wintry blasts were comin’ on, his sons were void of clo’es;
- In spite of all the mendin’ thet his little wife could do,
- The toes an’ knees an’ elbows of his boys were peekin’ thro’.
-
- * * * * *
-
- A while ago I left thet place of farmin’ enterprise,
- An’ now my folks are livin’ ’neath the broad, blue western skies,
- An’ tho’ I ain’t a farmer I’m convinced there’s nothin’ made,
- Unless you work et farmin’, same ez any other trade.
-
- Weeds don’t need cultervatin’, but they grow up tall an’ stout,
- An’ you mus’ work to save the grain an keep the thistles out:
- You can’t loaf ’round frum morn till night an’ talk the hull day thro’,
- For yer crops’ll go to ruin jest ez surely ez you do.
-
- * * * * *
-
- I’ve jest received a letter frum an ol’-time friend of mine,
- Who sed poor Zeeke wuz dwellin’ where bright crowns of glory shine;
- He’d quit the farmin’ business an’ wuz free frum worl’ly harm,
- While his seven sons were lef’ to raise the mortgage on his farm.
-
-
-
-
-_UNCLE NICK, ON EDDICATION._
-
-
- While ’tendin’ skool I uster be fust class et playin’ ball,
- Et playin’ tag er leap-frog I wuz formost of ’em all;
- Sech sportin’ allus hed fer me a wondrous fascination,
- An’ so I spent more time et this than on my eddication.
-
- I of’en git to thinkin’ what fine chances I hed then
- To git an’ eddication, but of course it’s useless when
- The opportunity is passed to mourn yer situation--
- It’s pooty hard when you are ol’ to git an eddication.
-
- Now boys I’m ’fraid thet some o’ you are growin’ up this way,
- I’m ’fraid fer learnin’ some o’ you are substertootin’ play,
- I’m ’fraid there’s boys a-livin’ in this present gineration,
- Who’ll wish some day they’d seen less play an’ more o’ eddication.
-
- You can’t keep waitin’, thinkin’ thet you’ve got a lot o’ time,--
- The time to git yer schoolin’, boys, is while you’re in yer prime;
- When you are ol’ you’ll see enough o’ care an’ tribulation,
- Without the thought thet carelessly you missed an eddication.
-
-
-
-
-_UNCLE NICK, ON GOSSIPERS._
-
-
- When people git to gossipin’ sometimes they’ll set an’ talk
- Fer hours an’ hours together, jest ez reg’ler ez a clock;
- I s’pose they think folks love to hear their never-endin’ yop,--
- But when Samantha’s talked a while she knows enough to stop.
-
- When Mrs. Jones wuz tellin’ et our place the other day,
- Thet Mrs. Williams told her thet her neighbor, Mrs. Gray,
- Sed she never saw so big a story-teller’s Widder Heath--
- Samantha set there quiet, with her tongue between her teeth.
-
- She ain’t ferever slingin’ out sech everlastin’ gab:--
- She of’en sez “it’s bad enough to hear the neighbors blab;”
- But she jest stays et home instid an’ ’tends to fam’ly cares,
- An’ never tells the neighborhood about her home affairs.
-
- We don’t take any papers, but with news we’re well supplied;
- Fer the neighbors tell us every birth an’ death an’ suicide:
- When Mrs. Jones comes up our walk a-squeakin’ them new shoes,
- Sometimes Samantha’ll say to me, “here comes the daily news.”
-
-
-
-
-_THE ART O’ KNOWIN’ HOW._
-
-
- It’s hard to write a decent song, tho’ maybe you deny it,
- Most any job looks easy you’ll allow;
- But if you’re inexperienced perhaps you’d better try it,
- An’ you’ll find the nickromancy’s in the art o’ knowin’ how.
-
- There’s lots o’ things you’ve never done that looks all killin’ easy--
- Did you ever try to milk a kickin’ cow?
- If not, just try yer hand fer fun, to satisfy and please ye,
- An’ you’ll find the nickromancy’s in the art o’ knowin’ how.
-
- Whatever yer profession, you’ll discover soon or late,
- As you stop to wipe the sweat from off yer brow,
- That to preach a decent sermon er to draw a furrow straight,
- The nickromancy lies within the art o’ knowin’ how.
-
- So be sure thet you’re adapted to the work thet you profess,
- Teachin’ gospel truths er hangin’ on the plow,
- Then buckle down to business, an’ yer can’t escape success,
- Fer you’ll find the nickromancy’s in the art o’ knowin’ how.
-
-
-
-
-_MOTHER’S PHOTOGRAPH._
-
-
- D’you wish to know what came to me from good ol’ Santa Claus?
- ’Twuz not a lot o’ nigger-toes to crack between yer jaws,
- Nor candy nor a jumpin’-jack fer makin’ youngsters laugh--
- But the present thet he give to me wuz mother’s photograph.
-
- Some how a cur’ous feelin’ seems to steal acrost my mind,
- Ez I look back to boyish days an’ think how good an’ kind
- Thet mother’s been in teachin’ me to shun the evil ways,
- An’ how attentive she hez been, e’en from my infant days.
-
- An’ when I think how many years she’s toiled thro’ shine and rain,
- An’ how she’s allus been on hand to soothe my every pain,
- It seems ez ef to do my best thet I could never be
- Half good an’ kind enough to pay fer all she’s done fer me.
-
- Perhaps you think it’s silly, but it’s jest ez I hev sed,
- Thet all the other presents ol’ St. Nicholas ever hed,
- Compared with that he give to me w’ud be but worthless chaff,
- Nor comfort me one half ez much ez mother’s photograph.
-
-
-
-
-_FIFTY YEARS._
-
-
- Two score and ten summers have glided away,
- As time speeds relentlessly on;
- And our thoughts wander back, as we sit here to-day,
- O’er the past that has faded and gone.
-
- Many dear ones have gone to their rest in the grave,
- Young hearts have departed from play;
- Still others have gone, their dear country to save,
- And fall’n ’mid the wild battle’s fray.
-
- Many dear to our hearts are now far in the west,
- While few near the old home remain;
- And though often lonely, we’ve been greatly blest,--
- Our labors have not been in vain.
-
- ’Tis fifty long years since the day which we set,
- Our sorrows and pleasures to share;
- That bright, happy day we ne’er shall forget,
- When life looked so joyous and fair!
-
-
-
-
-_A MAIDEN WONDROUS FAIR._
-
-
- Within a certain town there dwelt
- A maiden wondrous fair,
- Whose cheeks were like the rose’s hue
- And golden was her hair.
-
- Her eyes were like the twinkling stars,
- Her teeth were like the pearl;
- And sons of both the rich and poor,
- Admired this charming girl.
-
- Two constant beaus this maiden had,
- And each one swore that she,
- Ere many months had passed away,
- His own dear wife would be.
-
- But soon an incident occurred
- Which all their plans upset,
- When at the maiden’s gate one eve
- Her two admirers met.
-
- Hard words arose between the two,
- As oft there had before;
- And that the maid should be his wife
- Still each persistent swore.
-
- The longer thus they did contend,
- The more their wrath did rise;
- Until at last they came to blows
- O’er who should have the prize.
-
- While thus engaged, a prim young man
- With unpretentious mien
- Approached, just as the maid herself
- Appeared upon the scene.
-
- Then soon the angry blows were ceased
- And quietude restored;
- And each apologized to her
- Whom he so much adored.
-
- Then bowing low, each went his way;
- Quite black and swollen-eyed;
- While she whom they had fought to win
- Became the third man’s bride.
-
-
-
-
-_WEALTH AND WANT._
-
-
- How often the poor are despised and neglected,
- For no other reason except they are poor;
- How often the rich are beloved and respected,
- Because they have uncounted wealth at their door.
-
- There’s many an honest and virtuous heart,
- To-day within poverty’s prison enchained;
- While thousands reside amid pleasures of art,
- Whose wealth was thro’ vice and dishonesty gained.
-
- Despise not the needy because they are poor,
- Nor envy the wealthy because of their gold;
- Good or ill fortune may stand at our door,
- But true hearts are not to be purchased or sold.
-
-
-
-
-_CHILDHOOD._
-
-
- We long for those days, once so joyous,
- For that unbounded freedom, again,
- When there were no cares to annoy us,
- And life knew no sorrow nor pain;
- But those sweet days of childhood have vanished,
- And we long for them only in vain.
-
- Tho’ time has wrought changes unnumbered
- Since those happy seasons were pass’d,
- And now with life’s cares we’re encumbered,
- Still backward fond visions we’ll cast;
- And we’ll think of our childhood with pleasure
- As long as our memories last.
-
-
-
-
-_THE LASSIE O’ER THE WAY._
-
-
- A sweet little lassie
- Lives over the way:
- She’s pretty and modest,
- Yet blithesome and gay.
-
- So perfect her manners,
- So graceful her mien;
- O who would not worship
- This fair little queen!
-
- Is there a young laddie
- Whose heart would not beat
- For those smiles so angelic
- And dimples so sweet:
-
- Those blue eyes a-sparkling,
- That bright golden hair!
- O where’s the young lassie
- More charming and fair!
-
- She’s modest and gentle,
- Yet cheerful and gay;
- This sweet little lassie,
- Just over the way.
-
-
-
-
-Transcriber’s Note
-
-
-Punctuation, hyphenation, and spelling were made consistent when a
-predominant preference was found in this book; otherwise they were not
-changed.
-
-Simple typographical errors were corrected; occasional unbalanced
-quotation marks retained.
-
-All of the illustrations are the same simple decoration.
-
-“Telulah Spring”, listed as the Frontispiece in the Contents, was
-missing from the original book.
-
-“Note” at beginning of “Miscellaneous Verses”: “seperate” was printed
-that way.
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems, by Henry Reed Conant
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-***** This file should be named 51904-0.txt or 51904-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/0/51904/
-
-Produced by Larry B. Harrison, Charlie Howard, and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-(This file was produced from images generously made
-available by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/51904-0.zip b/old/51904-0.zip
deleted file mode 100644
index 3698301..0000000
--- a/old/51904-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/51904-h.zip b/old/51904-h.zip
deleted file mode 100644
index a2fe5cd..0000000
--- a/old/51904-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/51904-h/51904-h.htm b/old/51904-h/51904-h.htm
deleted file mode 100644
index 9518da2..0000000
--- a/old/51904-h/51904-h.htm
+++ /dev/null
@@ -1,2606 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Poems, by Henry Reed Conant.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- max-width: 40em;
- margin: auto;
-}
-
-h1,h2, h3 {
- text-align: center;
- clear: both;
- margin-top: 2.5em;
- margin-bottom: 1em;
-}
-
-h1 {line-height: 1;}
-
-h2+p {margin-top: 1.5em;}
-h2+h3 {margin-top: 1.5em;}
-
-h2 i {font-family: sans-serif, serif;}
-
-.transnote h2 {
- margin-top: .5em;
- margin-bottom: 1em;
-}
-
-p {
- text-indent: 1.75em;
- margin-top: .51em;
- margin-bottom: .24em;
- text-align: justify;
-}
-.caption p {text-align: center; text-indent: 0;}
-p.center {text-indent: 0;}
-
-.p0 {margin-top: 0em;}
-.p1 {margin-top: 1em;}
-.p2 {margin-top: 2em;}
-.p4 {margin-top: 4em;}
-.p8 {margin-top: 8em;}
-.vspace {line-height: 1.5;}
-.vspace2 {line-height: 2;}
-
-.in2 {padding-left: 2em;}
-
-.smaller {font-size: 85%;}
-.larger {font-size: 125%;}
-.large {font-size: 150%;}
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-.smcap.smaller {font-size: 75%;}
-
-hr {
- width: 33%;
- margin-top: 4em;
- margin-bottom: 4em;
- margin-left: 33%;
- margin-right: auto;
- clear: both;
-}
-
-.tb {
- text-align: center;
- padding-top: .76em;
- padding-bottom: .24em;
-}
-
-table {
- margin-left: auto;
- margin-right: auto;
- max-width: 80%;
- border-collapse: collapse;
-}
-
-.tdl {
- text-align: left;
- vertical-align: top;
- padding-right: 2em;
- padding-left: 1.5em;
- text-indent: -1.5em;
-}
-
-.tdc {
- text-align: center;
- font-size: 150%;
- padding-top: 1em;
- padding-bottom: 1em;
-}
-.tdr {
- text-align: right;
- vertical-align: bottom;
- padding-left: 0;
- white-space: nowrap;
-}
-.tdl, .tdr {padding-bottom: .5em;}
-
-.pagenum {
- position: absolute;
- right: 4px;
- text-indent: 0em;
- text-align: right;
- font-size: 70%;
- font-weight: normal;
- font-variant: normal;
- font-style: normal;
- letter-spacing: normal;
- line-height: normal;
- color: #acacac;
- border-top: 1px solid #acacac;
- border-bottom: 1px solid #acacac;
- background: #ffffff;
- padding: 1px 2px;
- visibility: hidden;
-}
-
-.figcenter {
- margin: 2em auto 2em auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-.figcenter.p8 {margin-top: 8em;}
-
-img {
- padding: 0;
- max-width: 100%;
- height: auto;
-}
-
-blockquote {
- margin-left: 5%;
- margin-right: 5%;
- font-size: 95%;
-}
-
-blockquote.inhead p {padding-left: 1.5em; text-indent: -1.5em;}
-blockquote.inhead.center p {padding-left: 0; text-indent: 0; text-align: center;}
-
-.poem-container {
- text-align: center;
- font-size: 98%;
-}
-
-.poem {
- display: inline-block;
- text-align: left;
- margin-left: 0;
-}
-
-.poem br {display: none;}
-
-.poem .stanza{padding: 0.5em 0;}
-
-.poem .tb {margin: .3em 0 0 0;}
-
-.poem .attrib {margin-right: -2em; text-align: right;}
-
-.poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
-.poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;}
-.poem span.i4 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;}
-.poem span.i6 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;}
-
-.transnote {
- background-color: #EEE;
- border: thin dotted;
- font-family: sans-serif, serif;
- color: #000;
- margin-left: 0;
- margin-right: 0;
- margin-top: 4em;
- margin-bottom: 2em;
- padding: 1.5em;
-}
-
-.sigright {
- margin-right: 2em;
- text-align: right;}
-
-.hidev {display: none; visibility: hidden;}
-
-@media print, handheld
-{
- h1, .chapter, .newpage {page-break-before: always;}
- h1.nobreak, h2.nobreak, .nobreak {page-break-before: avoid; padding-top: 0;}
-
- p {
- margin-top: .5em;
- text-align: justify;
- margin-bottom: .25em;
- }
-
- table {width: 100%; max-width: 100%;}
-
- .tdl {
- padding-left: .5em;
- text-indent: -.5em;
- padding-right: 0;
- }
-
-}
-
-@media handheld
-{
- body {width: auto; margin: 0;}
-
- .p4 {margin-top: 1em;}
- h3.pad4 {padding-top: 4em;}
-
- hr {
- margin-top: .1em;
- margin-bottom: .1em;
- visibility: hidden;
- color: white;
- width: .01em;
- display: none;
- }
-
- blockquote {margin: 1.5em 3% 1.5em 3%;}
-
- .poem-container {text-align: left; margin-left: 5%;}
- .poem {display: block;}
- .poem .tb {text-align: left; padding-left: 2em;}
- .poem .attrib {max-width: 25em; margin-right: 0;}
- .poem .stanza {page-break-inside: avoid;}
-
- .transnote {
- page-break-inside: avoid;
- margin-left: 2%;
- margin-right: 2%;
- margin-top: 1em;
- margin-bottom: 1em;
- padding: .5em;
- }
-}
- </style>
- </head>
-
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Poems, by Henry Reed Conant
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems
-
-Author: Henry Reed Conant
-
-Release Date: May 1, 2016 [EBook #51904]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-Produced by Larry B. Harrison, Charlie Howard, and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-(This file was produced from images generously made
-available by The Internet Archive)
-
-
-
-
-
-
-</pre>
-
-
-<h1>POEMS</h1>
-
-<p class="p2 center smaller">&mdash;&mdash;BY&mdash;&mdash;</p>
-
-<p class="p2 center large">HENRY REED CONANT.</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">“’Tis pleasure, sure, to see one’s name in print:<br /></span>
-<span class="i0">A book’s a book, although there’s nothing in’t.”<br /></span>
-</div>
-<div class="attrib">&mdash;<span class="smcap">Byron.</span>
-</div></div>
-</div>
-
-<p class="p2 center">
-1893.<br />
-<span class="smcap">The Sun Publishing Co.</span>,<br />
-Kaukauna, Wis.
-</p>
-
-<hr />
-
-<p class="newpage p4 center vspace">
-Entered, according to Act of Congress, in the year 1893<br />
-By <span class="smcap">Henry Reed Conant</span>,<br />
-In the Office of the Librarian of Congress,<br />
-at Washington.
-</p>
-
-<hr />
-
-<p id="INSCRIPTION" class="newpage p4 center vspace2">
-<span class="smcap">To My Brother,<br />
-Carlos Everett Conant, A.&nbsp;B.,<br />
-Now Professor of Languages<br />
-in the<br />
-Chaddock College, Ill.,<br />
-and formerly<br />
-Professor in the State University,<br />
-of Minnesota,<br />
-This Book of Poems<br />
-is Affectionately Inscribed.</span>
-</p>
-
-<hr />
-
-<div class="chapter">
-<h2><a id="CONTENTS"></a>CONTENTS.</h2>
-</div>
-
-<table summary="Contents">
- <tr>
- <td class="tdl">Telulah Spring,</td>
- <td class="tdr"><i>Frontispiece</i></td></tr>
- <tr>
- <td class="tdl">Inscription,</td>
- <td class="tdr"><a href="#INSCRIPTION">5</a></td></tr>
- <tr>
- <td class="tdl">Introduction,</td>
- <td class="tdr"><a href="#INTRODUCTION">11</a></td></tr>
- <tr>
- <td class="tdl">Life,</td>
- <td class="tdr"><a href="#poem_1">17</a></td></tr>
- <tr>
- <td class="tdl">Dream of a Fairy,</td>
- <td class="tdr"><a href="#poem_2">18</a></td></tr>
- <tr>
- <td class="tdl">Together,</td>
- <td class="tdr"><a href="#poem_3">20</a></td></tr>
- <tr>
- <td class="tdl">Be Not Discouraged,</td>
- <td class="tdr"><a href="#poem_4">21</a></td></tr>
- <tr>
- <td class="tdl">Forest Delights,</td>
- <td class="tdr"><a href="#poem_5">22</a></td></tr>
- <tr>
- <td class="tdl">Parting,</td>
- <td class="tdr"><a href="#poem_6">23</a></td></tr>
- <tr>
- <td class="tdl">Song,</td>
- <td class="tdr"><a href="#poem_7">24</a></td></tr>
- <tr>
- <td class="tdl">God’s Love,</td>
- <td class="tdr"><a href="#poem_8">25</a></td></tr>
- <tr>
- <td class="tdl">Dreams,</td>
- <td class="tdr"><a href="#poem_9">26</a></td></tr>
- <tr>
- <td class="tdl">Lines on Life,</td>
- <td class="tdr"><a href="#poem_10">28</a></td></tr>
- <tr>
- <td class="tdl">Where are the Hearts we Cherished So?</td>
- <td class="tdr"><a href="#poem_11">29</a></td></tr>
- <tr>
- <td class="tdl">Contentment,</td>
- <td class="tdr"><a href="#poem_12">31</a></td></tr>
- <tr>
- <td class="tdl">The Telulah Spring,</td>
- <td class="tdr"><a href="#poem_13">33</a></td></tr>
- <tr>
- <td class="tdl">Daybreak,</td>
- <td class="tdr"><a href="#poem_14">36</a></td></tr>
- <tr>
- <td class="tdl">To a Brown Thrush,</td>
- <td class="tdr"><a href="#poem_15">37</a></td></tr>
- <tr>
- <td class="tdl">Hope,</td>
- <td class="tdr"><a href="#poem_16">38</a></td></tr>
- <tr>
- <td class="tdl">The Angel of Home,</td>
- <td class="tdr"><a href="#poem_17">39</a></td></tr>
- <tr>
- <td class="tdl">To My Sister,</td>
- <td class="tdr"><a href="#poem_18">40</a></td></tr>
- <tr>
- <td class="tdl">Woman,</td>
- <td class="tdr"><a href="#poem_19">40</a></td></tr>
- <tr>
- <td class="tdl">The Fox River,</td>
- <td class="tdr"><a href="#poem_20">41</a></td></tr>
- <tr>
- <td class="tdl">A Little Grave,</td>
- <td class="tdr"><a href="#poem_21">42</a></td></tr>
- <tr>
- <td class="tdl">Autumn Days,</td>
- <td class="tdr"><a href="#poem_22">43</a></td></tr>
- <tr>
- <td class="tdl">In Heaven,</td>
- <td class="tdr"><a href="#poem_23">44</a></td></tr>
- <tr>
- <td class="tdl">Idleness,</td>
- <td class="tdr"><a href="#poem_24">46</a></td></tr>
- <tr>
- <td class="tdl">The River,</td>
- <td class="tdr"><a href="#poem_25">47</a></td></tr>
- <tr>
- <td class="tdl">The Crown of Fame,</td>
- <td class="tdr"><a href="#poem_26">49</a></td></tr>
- <tr>
- <td class="tdl">Elegy on the Death of Hon. C.&nbsp;B. Clark,</td>
- <td class="tdr"><a href="#poem_27">52</a></td></tr>
- <tr>
- <td class="tdl">A Reverie,</td>
- <td class="tdr"><a href="#poem_28">53</a></td></tr>
- <tr>
- <td class="tdl">Opportunity,</td>
- <td class="tdr"><a href="#poem_29">56</a></td></tr>
- <tr>
- <td class="tdl">Lines Written on Hearing a Gentleman remark: “God Bless Dear Woman.”</td>
- <td class="tdr"><a href="#poem_30">57</a></td></tr>
- <tr>
- <td class="tdl">My Lady Fair,</td>
- <td class="tdr"><a href="#poem_31">58</a></td></tr>
- <tr>
- <td class="tdl">To a Firefly,</td>
- <td class="tdr"><a href="#poem_32">59</a></td></tr>
- <tr>
- <td class="tdl">My Old New England Home,</td>
- <td class="tdr"><a href="#poem_33">60</a></td></tr>
- <tr>
- <td class="tdl">A Lover’s Lament,</td>
- <td class="tdr"><a href="#poem_34">62</a></td></tr>
- <tr>
- <td class="tdl">Faces That are Gone,</td>
- <td class="tdr"><a href="#poem_35">63</a></td></tr>
- <tr>
- <td class="tdl">The True Way,</td>
- <td class="tdr"><a href="#poem_36">65</a></td></tr>
- <tr>
- <td class="tdl">Pitcher or Jug,</td>
- <td class="tdr"><a href="#poem_37">66</a></td></tr>
- <tr>
- <td class="tdl">Two Lives,</td>
- <td class="tdr"><a href="#poem_38">67</a></td></tr>
- <tr>
- <td class="tdl">Meditation,</td>
- <td class="tdr"><a href="#poem_39">68</a></td></tr>
- <tr>
- <td class="tdl">Tempus Fugit,</td>
- <td class="tdr"><a href="#poem_40">70</a></td></tr>
- <tr>
- <td class="tdl">Gladness,</td>
- <td class="tdr"><a href="#poem_41">71</a></td></tr>
- <tr>
- <td class="tdl">The Rainbow,</td>
- <td class="tdr"><a href="#poem_42">71</a></td></tr>
- <tr>
- <td class="tdc" colspan="2">MISCELLANEOUS VERSES.</td></tr>
- <tr>
- <td class="tdl">The Dawn o’ Spring,</td>
- <td class="tdr"><a href="#poem_43">75</a></td></tr>
- <tr>
- <td class="tdl">Zeeke Bullard’s Farm,</td>
- <td class="tdr"><a href="#poem_44">76</a></td></tr>
- <tr>
- <td class="tdl">Uncle Nick, on Eddication,</td>
- <td class="tdr"><a href="#poem_45">80</a></td></tr>
- <tr>
- <td class="tdl">Uncle Nick, on Gossipers,</td>
- <td class="tdr"><a href="#poem_46">82</a></td></tr>
- <tr>
- <td class="tdl">The Art o’ Knowin’ How,</td>
- <td class="tdr"><a href="#poem_47">84</a></td></tr>
- <tr>
- <td class="tdl">Mother’s Photograph,</td>
- <td class="tdr"><a href="#poem_48">86</a></td></tr>
- <tr>
- <td class="tdl">Fifty Years,</td>
- <td class="tdr"><a href="#poem_49">88</a></td></tr>
- <tr>
- <td class="tdl">A Maiden Wondrous Fair,</td>
- <td class="tdr"><a href="#poem_50">89</a></td></tr>
- <tr>
- <td class="tdl">Wealth and Want,</td>
- <td class="tdr"><a href="#poem_51">92</a></td></tr>
- <tr>
- <td class="tdl">Childhood,</td>
- <td class="tdr"><a href="#poem_52">93</a></td></tr>
- <tr>
- <td class="tdl">The Lassie O’er the Way,</td>
- <td class="tdr"><a href="#poem_53">94</a></td></tr>
-</table>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_11">11</a></span></p>
-
-<div class="chapter">
-<h2><a id="INTRODUCTION"></a>INTRODUCTION.</h2>
-</div>
-
-<p>Henry Reed Conant was born in Janesville,
-Wis., on the seventeenth day of February,
-1872. When four years of age he removed
-to Vermont, the native state of his parents
-Henry Clay and Dora Evaline (Reed) Conant.
-Henry was educated in the public schools
-and at the Morrisville “People’s Academy,”
-Vermont, and in his fifteenth year returned
-to the west.</p>
-
-<p>He inherited from his New England ancestors
-a deep love of nature, and pronounced
-religious and moral strength, which tinge
-the whole body of his rhymes and poems.
-Like many poets in their juvenile days Mr.
-Conant’s first lines were simple and artless,
-and the world of critics can hardly assail him<span class="pagenum"><a id="Page_12">12</a></span>
-for penning his first rhymes in honor of his
-“first love,” thus:</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">“Of all the lassies in the land<br /></span>
-<span class="i4">That e’er I chanced to view,<br /></span>
-<span class="i0">Methinks the fairest one I saw<br /></span>
-<span class="i4">Had sparkling eyes of blue.”<br /></span>
-</div></div>
-</div>
-
-<p>His first published poem appeared in a little
-story paper, February, 1890, at Belvidere,
-Ills. Nearly all of Mr. Conant’s poems were
-written in Wisconsin, his native state. The
-selected poems forming this volume reflect
-the young poet’s individuality to a sensible
-degree. The trend of his thoughts and genius
-is toward the more solemn and religious aspects
-of nature, and of human experience.
-He dwells in the forest’s shade, on the banks
-of rivers flowing through lea and woodland,
-by the grave of a little child, and wanders
-back to his old New England home&mdash;to
-the scenes of his childhood.</p>
-
-<p>Henry Reed Conant, like many other beginners
-in the literary arena, commits his poems to
-a critical public with the full consciousness of
-their poetical deficiencies. Criticism he must<span class="pagenum"><a id="Page_13">13</a></span>
-await, and gladly accept as the basis of that
-future development through which every
-poet must pass ere he attain that popular
-following that is the reward not only of genius,
-but of bitter disappointments.</p>
-
-<p class="sigright">
-A. K. G.
-</p>
-
-<p>
-Appleton, Wis., Nov. 22, 1893.
-</p>
-
-<hr />
-
-<div class="newpage p4 poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">We live in deeds, not years; in thoughts, not breaths;<br /></span>
-<span class="i0">In feelings, not in figures on a dial.<br /></span>
-<span class="i0">We should count time by heart-throbs. He most lives<br /></span>
-<span class="i0">Who thinks most, feels the noblest, acts the best.<br /></span>
-</div>
-<div class="attrib">&mdash;<i>Bailey.</i>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_17">17</a></span></p>
-
-<div class="chapter">
-<h2><a id="POEMS"></a><span class="larger">POEMS.</span></h2>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_1"><i>LIFE.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_18">18</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Life is a race in which all compete,<br /></span>
-<span class="i0">Hastening onward with restless feet,<br /></span>
-<span class="i0">Eagerly striving for some great prize<br /></span>
-<span class="i0">That out in the hidden future lies:<br /></span>
-<span class="i0">The sturdy youth with visions bright,<br /></span>
-<span class="i0">The stalwart form of manhood’s might,<br /></span>
-<span class="i0">And tottering age, are borne along<br /></span>
-<span class="i0">In the mighty rush of the endless throng.<br /></span>
-<span class="i0">Like the waves of the sea that forever roll<br /></span>
-<span class="i0">’Tis a livelong race to an unseen goal;<br /></span>
-<span class="i0">But the prize is gained at the end of the strife,<br /></span>
-<span class="i0">For it lies just beyond this earthly life,<br /></span>
-<span class="i0">Where fears, tribulations and trials cease,<br /></span>
-<span class="i0">In the golden realms of eternal peace.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_2"><i>DREAM OF A FAIRY.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_19">19</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">When all the air was filled with song<br /></span>
-<span class="i4">At morning’s early beam,<br /></span>
-<span class="i0">In musing mood I strolled along<br /></span>
-<span class="i4">Beside a placid stream.<br /></span>
-</div><div class="stanza">
-<span class="i0">And as I roved the meadow sweet,<br /></span>
-<span class="i4">What bade my heart rejoice?<br /></span>
-<span class="i0">Was it the daisies at my feet?<br /></span>
-<span class="i4">Nay, nor the songster’s voice.<br /></span>
-</div><div class="stanza">
-<span class="i0">For glancing toward the crystal stream<br /></span>
-<span class="i4">I spied a little child,<br /></span>
-<span class="i0">Upon whose brow the morning beam,<br /></span>
-<span class="i4">With all its beauty smiled:<br /></span>
-</div><div class="stanza">
-<span class="i0">And on her cheek, so wondrous fair,<br /></span>
-<span class="i4">I saw the ruddy glow,&mdash;<br /></span>
-<span class="i0">Beheld her locks of flaxen hair<br /></span>
-<span class="i4">Wave gently to and fro.<br /></span>
-</div><div class="stanza">
-<span class="i0">Then with delight I nearer drew,<br /></span>
-<span class="i4">But lo! here ends my theme;<br /></span>
-<span class="i0">I waked&mdash;the fairy fled my view&mdash;<br /></span>
-<span class="i4">’Twas but a happy dream.<br /></span>
-</div></div>
-</div>
-
-<div class="p2 figcenter" style="width: 70px;">
-<img src="images/dec.jpg" width="70" height="29" alt="decorative tailpiece" />
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_20">20</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_3"><i>TOGETHER.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_21">21</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">’Neath an aged elm sat a loving pair,<br /></span>
-<span class="i2">A long, long time ago&mdash;<br /></span>
-<span class="i0">A youthful man and a maiden fair,<br /></span>
-<span class="i2">With faces all aglow:<br /></span>
-<span class="i0">The birds’ sweet notes in the boughs above<br /></span>
-<span class="i2">And the balm of the sweet June weather<br /></span>
-<span class="i0">Seemed to say, “’Tis the time for love,”<br /></span>
-<span class="i2">As they chatted and laughed together.<br /></span>
-</div><div class="stanza">
-<span class="i0">The years flew by&mdash;an aged pair,<br /></span>
-<span class="i2">Sat by an old hearth-stone,<br /></span>
-<span class="i0">With furrowed brows and hoary hair,<br /></span>
-<span class="i2">Talking in feeble tone<br /></span>
-<span class="i0">Of the happy days they used to know,<br /></span>
-<span class="i2">When, in the gladsome weather,<br /></span>
-<span class="i0">They wandered merrily to and fro,<br /></span>
-<span class="i2">Talking of love together.<br /></span>
-</div><div class="stanza">
-<span class="i0">And now the grass grows green on a pair<br /></span>
-<span class="i2">Of graves, made side by side;<br /></span>
-<span class="i0">Two hearts are lying in silence there,<br /></span>
-<span class="i2">That once beat with joy and pride.<br /></span>
-<span class="i0">They shared life’s triumphs, life’s defeats,<br /></span>
-<span class="i2">Thro’ fair and stormy weather,<br /></span>
-<span class="i0">And now they walk the golden streets<br /></span>
-<span class="i2">Of Paradise&mdash;together.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_4"><i>BE NOT DISCOURAGED.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">When the clouds hang darkly o’er thee,<br /></span>
-<span class="i4">Be thou not discouraged:<br /></span>
-<span class="i0">When the world looks drear before thee,<br /></span>
-<span class="i4">Be thou not discouraged:<br /></span>
-<span class="i0">Let thy heart be light and gay;<br /></span>
-<span class="i0">Soon the clouds will pass away:<br /></span>
-<span class="i0">’Tis darkest just before the day;<br /></span>
-<span class="i4">Be thou not discouraged.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_22">22</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_5"><i>FOREST DELIGHTS.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_23">23</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">I love to stroll amid the silent wood<br /></span>
-<span class="i0">Where naught is found to break the quietude,<br /></span>
-<span class="i0">Except the woodland tenants, or the breeze<br /></span>
-<span class="i0">Among the tender ferns and tow’ring trees.<br /></span>
-</div><div class="stanza">
-<span class="i0">Here sports the timid hare in wanton glee,<br /></span>
-<span class="i0">While may be heard from yonder chestnut tree<br /></span>
-<span class="i0">The squirrel chirping to its mate near by,<br /></span>
-<span class="i0">Which gaily answers with a prompt reply.<br /></span>
-</div><div class="stanza">
-<span class="i0">Here many a brooklet ripples on its way,<br /></span>
-<span class="i0">Here countless birds employ their sweetest lay,<br /></span>
-<span class="i0">And here and there the startled otter springs,<br /></span>
-<span class="i0">While oft a partridge hies on whirring wings.<br /></span>
-</div><div class="stanza">
-<span class="i0">What are the palaces of kings and lords<br /></span>
-<span class="i0">Compared with all that nature here affords?<br /></span>
-<span class="i0">These forest charms are dearer to my heart<br /></span>
-<span class="i0">Than all the pomp of royalty and art.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_6"><i>PARTING.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_24">24</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">The deepest sorrow fills the heart<br /></span>
-<span class="i2">To see our loved ones perish;<br /></span>
-<span class="i0">But soon or late we all must part<br /></span>
-<span class="i2">With those we fondly cherish.<br /></span>
-</div><div class="stanza">
-<span class="i0">The tie must break with friend and friend:<br /></span>
-<span class="i2">The true and noble-hearted<br /></span>
-<span class="i0">Must one day reach their journey’s end,<br /></span>
-<span class="i2">To join the dear departed.<br /></span>
-</div><div class="stanza">
-<span class="i0">Why mourn we, then, for those who cross<br /></span>
-<span class="i2">The intervening river?<br /></span>
-<span class="i0">Although to us a heavy loss,<br /></span>
-<span class="i2">To them is joy forever.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_7"><i>SONG.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_25">25</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Not always the prettiest flowers<br /></span>
-<span class="i2">Fill the air with the sweetest perfume;<br /></span>
-<span class="i0">And not always the sweetest singer<br /></span>
-<span class="i2">Is the bird with the fairest plume.<br /></span>
-</div><div class="stanza">
-<span class="i0">But the sweetness surpassing all other,<br /></span>
-<span class="i2">And the richest and tenderest strain,<br /></span>
-<span class="i0">Rise out of the bosom that knoweth<br /></span>
-<span class="i2">The feelings of love and pain.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_8"><i>GOD’S LOVE.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">I know where’er my feet may be,<br /></span>
-<span class="i6">Tho’ prone to stray,<br /></span>
-<span class="i0">His watchful eye is over me<br /></span>
-<span class="i6">Both night and day.<br /></span>
-</div><div class="stanza">
-<span class="i0">And tho’ ofttimes this heart has erred<br /></span>
-<span class="i6">’Mid worldly cares,<br /></span>
-<span class="i0">I know His pard’ning ear has heard<br /></span>
-<span class="i6">My humble prayers.<br /></span>
-</div><div class="stanza">
-<span class="i0">At all times, e’en when I have failed<br /></span>
-<span class="i6">To do His will,<br /></span>
-<span class="i0">His love has in my heart prevailed&mdash;<br /></span>
-<span class="i6">And guides me still.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_26">26</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_9"><i>DREAMS.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_27">27</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">What cloudless scenes of wonder and delight<br /></span>
-<span class="i0">Come to us in the silent realms of night;<br /></span>
-<span class="i0">Loved ones we meet, that long have been at rest,<br /></span>
-<span class="i0">We grasp their hands and clasp them to our breast,<br /></span>
-<span class="i0">Talk with them of the happy days gone by,<br /></span>
-<span class="i0">With not a pang of sorrow nor a sigh:<br /></span>
-<span class="i0">And everything around looks wondrous fair,<br /></span>
-<span class="i0">Sweet flowers of richest hue bloom here and there;<br /></span>
-<span class="i0">On either hand we see unnumbered throngs<br /></span>
-<span class="i0">Of white-robed angels, wafting joyful songs:<br /></span>
-<span class="i0">And seeing thus, continued glories rise.&mdash;<br /></span>
-<span class="i0">Our souls are ’rapt in endless Paradise.<br /></span>
-<span class="i0">But mingled voices touch the sleeper’s ear.<br /></span>
-<span class="i0">And lo! how swift the bright scenes disappear!<br /></span>
-<span class="i0">The morning light beams through the window pane&mdash;<br /></span>
-<span class="i0">The dream has fled and day returned again.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_28">28</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_10"><i>LINES ON LIFE.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">With all the cares and toils that here abound,<br /></span>
-<span class="i0">And e’en deep seas of grief which men must ford&mdash;<br /></span>
-<span class="i0">To him whose guardian is th’ Omnipotent,<br /></span>
-<span class="i0">Life is a source of everlasting joy!<br /></span>
-</div><div class="stanza">
-<span class="i0">This world at most is but an anteroom,<br /></span>
-<span class="i0">Where souls prepare to take their joyous flight<br /></span>
-<span class="i0">To Heaven’s eternal mansions. Thus the while<br /></span>
-<span class="i0">We here remain, is it not meet that we<br /></span>
-<span class="i0">Should wear the garb of truth and righteousness?<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_29">29</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_11"><i>WHERE ARE THE HEARTS WE CHERISHED SO?</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_30">30</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Where are the hearts we cherished so,<br /></span>
-<span class="i4">Who’ve left this earthly main,<br /></span>
-<span class="i0">And gone from kindred circles dear,<br /></span>
-<span class="i4">Ne’er to return again?<br /></span>
-<span class="i0">Where gone those aged silvery locks?<br /></span>
-<span class="i4">That sturdy youthful brow?<br /></span>
-<span class="i0">Alas! no sound comes from the grave,<br /></span>
-<span class="i4">Where they’re reposing now!<br /></span>
-</div><div class="stanza">
-<span class="i0">When troubles here our paths beset.<br /></span>
-<span class="i4">When cares and woes assail,<br /></span>
-<span class="i0">We often think of those at rest<br /></span>
-<span class="i4">Within that happy Vale;<br /></span>
-<span class="i0">And tho’ we cannot wish them back<br /></span>
-<span class="i4">In this sad world of pain&mdash;<br /></span>
-<span class="i0">O! how we long to catch a glimpse<br /></span>
-<span class="i4">Of their dear forms again!<br /></span>
-</div><div class="stanza">
-<span class="i0">But just beyond the stream which glides<br /></span>
-<span class="i4">Between that Land and ours&mdash;<br /></span>
-<span class="i0">Where fairer fields are all adorned<br /></span>
-<span class="i4">With never-fading flow’rs,<br /></span>
-<span class="i0">And brighter suns forever shine<br /></span>
-<span class="i4">Throughout the golden spheres,<br /></span>
-<span class="i0">We’ll dwell with those who’ve left us here,<br /></span>
-<span class="i4">Through never-ending years.<br /></span>
-</div></div>
-</div>
-
-<div class="p2 figcenter" style="width: 70px;">
-<img src="images/dec.jpg" width="70" height="29" alt="decorative tailpiece" />
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_31">31</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_12"><i>CONTENTMENT.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">The isle of contentment we view from afar,<br /></span>
-<span class="i0">And it dazzles our eyes like a beautiful star;<br /></span>
-<span class="i0">A region which thousands gaze wistfully at,<br /></span>
-<span class="i0">And would dwell there, if ’twasn’t for this or for that.<br /></span>
-</div><div class="stanza">
-<span class="i0">The lord in his palace, the cotter obscure,<br /></span>
-<span class="i0">The high and the lowly, the rich and the poor,<br /></span>
-<span class="i0">Are all discontented whate’er be the case,<br /></span>
-<span class="i0">Because they are not in some other man’s place.<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a id="Page_32">32</a></span></p>
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">In youth, how we long for mature years of men;<br /></span>
-<span class="i0">In age, how we sigh for our childhood again;<br /></span>
-<span class="i0">Wherever our station, whate’er be our lot,<br /></span>
-<span class="i0">We miss countless blessings for joys we have not.<br /></span>
-</div><div class="stanza">
-<span class="i0">Thus, ever thro’ life, from our earliest prime,<br /></span>
-<span class="i0">We look and we long for some happier clime,<br /></span>
-<span class="i0">Until the bright portals of Paradise ope,<br /></span>
-<span class="i0">And we soar away home on the pinions of hope.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_33">33</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_13"><i>THE TELULAH SPRING.</i></h2>
-</div>
-
-<blockquote>
-
-<p>A living spring of cool, clear water, on the banks of
-the Fox River, Appleton, Wis.: said to have been first
-discovered by, and named after, a beautiful Indian
-girl by the name of “<span class="smcap">Telulah</span>” who, many years ago,
-lived near the spot.</p></blockquote>
-
-<p><span class="pagenum"><a id="Page_34">34</a><a class="hidev" id="Page_35">35</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">I’ve heard it told, that many years ago,<br /></span>
-<span class="i0">When here deep groves stood in their majesty,<br /></span>
-<span class="i0">Ere they had felt the white man’s fatal stroke,<br /></span>
-<span class="i0">And peace and happiness breathed over all,&mdash;<br /></span>
-<span class="i0">That near this spring an Indian maiden dwelt.<br /></span>
-<span class="i0">Most beautiful was she, so runs the tale,<br /></span>
-<span class="i0">With tresses like the darkest raven’s coat,<br /></span>
-<span class="i0">And eyes to match their hue. Her lips, ’tis said,<br /></span>
-<span class="i0">Surpassed the reddest berries on the hill;<br /></span>
-<span class="i0">And the bright glow which rested on her cheek<br /></span>
-<span class="i0">Was like the morning beam, or like the rays<br /></span>
-<span class="i0">Of eve, that ling’ring, paint the western sky.<br /></span>
-<span class="i0">Such was the one, ’tis said, who first beheld<br /></span>
-<span class="i0">This living stream of water, cool and clear,<br /></span>
-<span class="i0">Uprising from the bosom of the earth.<br /></span>
-<span class="i0">Here many a traveler on his weary way<br /></span>
-<span class="i0">’Mid summer’s heat, retires to cool his brow,<br /></span>
-<span class="i0">And freely drink the ever crystal tide.<br /></span>
-<span class="i0">And men oppressed with city care and strife,<br /></span>
-<span class="i0">Stroll hither when the toils of day are o’er;<br /></span>
-<span class="i0">Or when the weary week draws to a close,<br /></span>
-<span class="i0">Upon that day when all men cease their toils,<br /></span>
-<span class="i0">Approach this calm retreat to meditate<br /></span>
-<span class="i0">On nature’s wonders and the Mighty One<br /></span>
-<span class="i0">By Whom all things were formed and still exist.<br /></span>
-<span class="i0">And happy lovers strolling hand in hand<br /></span>
-<span class="i0">Amid these pleasant bowers, pause to behold<br /></span>
-<span class="i0">This sparkling fount forever gushing forth,<br /></span>
-<span class="i0">And linger ’round this scene of beauty, which<br /></span>
-<span class="i0">Still bears the name of that sweet Indian girl.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_36">36</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_14"><i>DAYBREAK.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">We behold the bright joys of another day’s dawn,<br /></span>
-<span class="i2">As time swiftly flies “like a bird on the wing;”<br /></span>
-<span class="i0">Let’s improve every moment, now, ere it has gone,<br /></span>
-<span class="i2">For no one can tell what the next one may bring.<br /></span>
-</div><div class="stanza">
-<span class="i0">Our hopes of the future we never may see;<br /></span>
-<span class="i2">Our days that are past we can never redeem;<br /></span>
-<span class="i0">But to-day every heart, love and joy may impart,<br /></span>
-<span class="i2">Which surpasses the sun’s most radiant beam.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_37">37</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_15"><i>TO A BROWN THRUSH</i>,</h2>
-</div>
-
-<p class="p0 center">On finding its nest and young.</p>
-
-<p><span class="pagenum"><a id="Page_38">38</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">O little thrush, what gives thee such alarm?<br /></span>
-<span class="i2">Pray fear thee not, nor think that I am come<br /></span>
-<span class="i2">To injure or disturb thy happy home;<br /></span>
-<span class="i0">Thy little ones so sweet I ne’er would harm.<br /></span>
-<span class="i0">Thy love, like all true parents’ love, is strong&mdash;<br /></span>
-<span class="i2">At all times anxious for thy young so dear;<br /></span>
-<span class="i2">But put away now ev’ry needless fear,<br /></span>
-<span class="i0">And once again resume thy happy song.<br /></span>
-<span class="i0">Sweet bird, I wish thee never-ceasing cheer!<br /></span>
-<span class="i2">Who, with devoted love and tender care,<br /></span>
-<span class="i2">Look’st on thy nestlings now so young and fair.<br /></span>
-<span class="i0">May never cruel enemy come near,<br /></span>
-<span class="i0">Led by blood-thirsty instincts, to destroy<br /></span>
-<span class="i0">Thy little home&mdash;now filled with peace and joy.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_16"><i>HOPE.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Ne’er lose thy courage, tho’ dark seems the strife;<br /></span>
-<span class="i2">The blackest night dies with the golden dawn:<br /></span>
-<span class="i0">Let not thy hope cease while there still is life,<br /></span>
-<span class="i2">For Hope is what the world is living on!<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_39">39</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_17"><i>THE ANGEL OF HOME.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">What visions of happiness often steal o’er me,<br /></span>
-<span class="i2">As back to my childhood in fancy I roam;<br /></span>
-<span class="i0">And the picture that mem’ry paints brightest before me,<br /></span>
-<span class="i2">Is mother, dear mother,&mdash;the angel of home.<br /></span>
-</div><div class="stanza">
-<span class="i0">No love’s like a mother’s, so true and so tender,<br /></span>
-<span class="i2">No love’s so enduring ’neath heaven’s broad dome;<br /></span>
-<span class="i0">And not all earth’s wealth with its pomp and its splendor,<br /></span>
-<span class="i2">Could steal my affection from mother and home.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_40">40</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_18"><i>TO MY SISTER.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">May still thy deeds of innocence,<br /></span>
-<span class="i4">Like stars of heaven, shine;<br /></span>
-<span class="i0">And thou retain thy purity,<br /></span>
-<span class="i4">Till Heaven itself is thine!<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_19"><i>WOMAN.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">The fairest flower that all our path adorns,<br /></span>
-<span class="i0">The loveliest rose amidst the cruel thorns,<br /></span>
-<span class="i0">The brightest star that shines in man’s abode,<br /></span>
-<span class="i0">The sweetest gift that Heaven e’er bestowed!<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_41">41</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_20"><i>THE FOX RIVER.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_42">42</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">O beautiful river,<br /></span>
-<span class="i2">How gently among<br /></span>
-<span class="i0">The fields and the forests<br /></span>
-<span class="i2">Thou glidest along!<br /></span>
-</div><div class="stanza">
-<span class="i0">’Mid thy pleasant valleys<br /></span>
-<span class="i2">And cool shady bow’rs,<br /></span>
-<span class="i0">Grow tall fragrant grasses<br /></span>
-<span class="i2">And bright blooming flow’rs.<br /></span>
-</div><div class="stanza">
-<span class="i0">By day o’er thy waters<br /></span>
-<span class="i2">The sun beameth bright,<br /></span>
-<span class="i0">And stars ever twinkle<br /></span>
-<span class="i2">Above thee by night.<br /></span>
-</div><div class="stanza">
-<span class="i0">And never complaining<br /></span>
-<span class="i2">Thou flowest along<br /></span>
-<span class="i0">’Mid nature’s wide province<br /></span>
-<span class="i2">With laughter and song:<br /></span>
-</div><div class="stanza">
-<span class="i0">Content with thy mission<br /></span>
-<span class="i2">In nature’s great plan;<br /></span>
-<span class="i0">And such is thy lesson<br /></span>
-<span class="i2">Thou teachest to man.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_21"><i>A LITTLE GRAVE.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Sweetly sing, ye little songsters;<br /></span>
-<span class="i4">Smile, ye happy skies;<br /></span>
-<span class="i0">Softly blow, ye wanton breezes&mdash;<br /></span>
-<span class="i4">Here an infant lies!<br /></span>
-</div><div class="stanza">
-<span class="i0">Brightly bloom, ye tinted flowers,<br /></span>
-<span class="i4">Wafting sweet perfume;<br /></span>
-<span class="i0">Gently fall, ye summer showers,<br /></span>
-<span class="i4">On this little tomb.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_43">43</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_22">AUTUMN DAYS.</h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_44">44</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">The summer joys are fleeting fast<br /></span>
-<span class="i4">From forest, field and glen,<br /></span>
-<span class="i0">And soon shall winter’s piercing blast<br /></span>
-<span class="i4">Sweep o’er the earth again.<br /></span>
-</div><div class="stanza">
-<span class="i0">How lovely were the bright spring flow’rs,<br /></span>
-<span class="i4">That decked the landscape o’er;<br /></span>
-<span class="i0">But now we see, on fields and bow’rs,<br /></span>
-<span class="i4">Their dainty forms no more.<br /></span>
-</div><div class="stanza">
-<span class="i0">The leaves are falling in the wind,<br /></span>
-<span class="i4">From many a lofty height,<br /></span>
-<span class="i0">And birds are calling to their kind,<br /></span>
-<span class="i4">Upon their farewell flight.<br /></span>
-</div><div class="stanza">
-<span class="i0">But still, how cheering is the thought,<br /></span>
-<span class="i4">When other joys have flown;<br /></span>
-<span class="i0">That the little snow-bird leaves us not,<br /></span>
-<span class="i4">But chirps till winter’s gone.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_23"><i>IN HEAVEN.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_45">45</a><a class="hidev" id="Page_46">46</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">One pleasant day in June a little thrush<br /></span>
-<span class="i2">Lit on a bough close by my window pane,<br /></span>
-<span class="i0">And as the streams from living fountains gush,<br /></span>
-<span class="i2">Poured forth its sweetest strain.<br /></span>
-</div><div class="stanza">
-<span class="i0">My heart then felt released from every care,<br /></span>
-<span class="i2">And seemed to rise toward Heaven’s enchanted zone,<br /></span>
-<span class="i0">When soon the music ceased, and looking there,<br /></span>
-<span class="i2">I saw the bird had flown.<br /></span>
-</div><div class="stanza">
-<span class="i0">And then the thought came to me of the one<br /></span>
-<span class="i2">Who left me when so youthful and so fair,<br /></span>
-<span class="i0">Who in the light of Heaven’s unsetting sun<br /></span>
-<span class="i2">Lives with the angels there.<br /></span>
-</div><div class="stanza">
-<span class="i0">I little thought, ere those sweet smiles were gone,<br /></span>
-<span class="i2">That she so soon must heed the angel’s call;<br /></span>
-<span class="i0">But all the way He led her safely on<br /></span>
-<span class="i2">Who marks the sparrow’s fall.<br /></span>
-</div><div class="stanza">
-<span class="i0">And some day, when life’s billows cease to roar,<br /></span>
-<span class="i2">And here no more my weary feet shall roam,<br /></span>
-<span class="i0">Our souls shall be conjoined forevermore<br /></span>
-<span class="i2">In Heaven’s eternal home.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_24"><i>IDLENESS.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Make some good use of ev’ry space of time,<br /></span>
-<span class="i0">In idleness are sown the seeds of crime;<br /></span>
-<span class="i0">Man’s erring mind, allured by passions strong,<br /></span>
-<span class="i0">Begins pursuing here the path of wrong;<br /></span>
-<span class="i0">And heedless of the peril just ahead,<br /></span>
-<span class="i0">Step after step proceeds with fearless tread,<br /></span>
-<span class="i0">Till ruin comes with overwhelming power&mdash;<br /></span>
-<span class="i0">The bitter fate of many an idle hour!<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_47">47</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_25"><i>THE RIVER.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_48">48</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Out from the shady woodland,<br /></span>
-<span class="i4">With song and laughter free;<br /></span>
-<span class="i0">Down from the sunny hillside,<br /></span>
-<span class="i4">And over the flow’ry lea,<br /></span>
-<span class="i0">Floweth the restless river,<br /></span>
-<span class="i4">On its journey to the sea.<br /></span>
-</div><div class="stanza">
-<span class="i0">Over the silvery pebbles,<br /></span>
-<span class="i4">Sparkling like morning dew,<br /></span>
-<span class="i0">Whether in light or darkness,<br /></span>
-<span class="i4">Doth ever its course pursue,<br /></span>
-<span class="i0">Till it gains the mighty ocean<br /></span>
-<span class="i4">With waters vast and blue.<br /></span>
-</div><div class="stanza">
-<span class="i0">And thus are <span class="smcap smaller">WE</span> traveling onward,&mdash;<br /></span>
-<span class="i4">’Tis Hope by which we’re borne,<br /></span>
-<span class="i0">And our hearts beat with triumphant gladness,<br /></span>
-<span class="i4">As we dream of some brighter dawn<br /></span>
-<span class="i0">With sights that are nobler and grander,<br /></span>
-<span class="i4">And we journey on and on.<br /></span>
-</div><div class="stanza">
-<span class="i0">And up from the earth’s dark bosom,<br /></span>
-<span class="i4">Like the homeward flight of a dove,<br /></span>
-<span class="i0">On Hope’s majestic pinions<br /></span>
-<span class="i4">We soar to the realms above,<br /></span>
-<span class="i0">To lave forever and ever,<br /></span>
-<span class="i4">In the sea of Eternal Love.<br /></span>
-</div></div>
-</div>
-
-<div class="p2 figcenter" style="width: 70px;">
-<img src="images/dec.jpg" width="70" height="29" alt="decorative tailpiece" />
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_49">49</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_26"><i>THE CROWN OF FAME.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_50">50</a><a class="hidev" id="Page_51">51</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">What toils and hardships oft confront man’s sight,<br /></span>
-<span class="i0">When first ascending fame’s immortal height:<br /></span>
-<span class="i0">What cares, vexations, worriments prevail,<br /></span>
-<span class="i0">What deep-laid plans, repeated efforts, fail;<br /></span>
-<span class="i0">Yet who would dwell in hermit den, obscure,<br /></span>
-<span class="i0">To shun the toils that hero-gods endure!<br /></span>
-<span class="i2">Bestir thyself, O man, for soon&mdash;too soon,<br /></span>
-<span class="i0">As youth recedes, shall fade life’s golden noon!<br /></span>
-<span class="i0">If thou wouldst make thyself undying name,<br /></span>
-<span class="i0">Direct thy efforts to one worthy aim;<br /></span>
-<span class="i0">Let each exertion then be wrought with zeal,<br /></span>
-<span class="i0">Nor faint if woe come where thou look’st for weal;<br /></span>
-<span class="i0">But toil thou on, nor fear the world’s dark frown,<br /></span>
-<span class="i0">Till firm upon the summit of renown.<br /></span>
-<span class="i2">Whatever good, perchance, thy toils, may greet,<br /></span>
-<span class="i0">Lose not thyself in folly’s vain conceit:<br /></span>
-<span class="i0">False pride to lowest degradation tends&mdash;<br /></span>
-<span class="i0">It leads to vice and vice to crime descends;<br /></span>
-<span class="i0">As tiny rills, that from the mountain flow,<br /></span>
-<span class="i0">Pursue their course to larger streams below,<br /></span>
-<span class="i0">Till seas are joined where mighty billows roll,<br /></span>
-<span class="i0">So pride goes onward till it wrecks the soul;<br /></span>
-<span class="i0">Thus by degrees the downward course begins,<br /></span>
-<span class="i0">And greatest evils rise from little sins.<br /></span>
-<span class="i2">Nor seek thy fame ’mid pompous scenes of art,<br /></span>
-<span class="i0">Where vice and folly oft inure the heart:<br /></span>
-<span class="i0">’Tis Right eternal kindles honor’s flame,<br /></span>
-<span class="i0">And crowns Man’s efforts with immortal Fame.<br /></span>
-</div></div>
-</div>
-
-<div class="p2 figcenter" style="width: 70px;">
-<img src="images/dec.jpg" width="70" height="29" alt="decorative tailpiece" />
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_52">52</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_27"><i>ELEGY</i>,</h2>
-</div>
-
-<blockquote>
-
-<p class="p0 center">On the death of Hon. C.&nbsp;B. Clark, member of Congress
-from 1887 to 1891, for Wisconsin district No. 6,
-(now No. 8.) Died Sept. 10th, 1891.</p></blockquote>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Well may the throngs in countless numbers weep,<br /></span>
-<span class="i2">Bereft of such a great and noble man,<br /></span>
-<span class="i2">For brilliant was the course of life he ran,<br /></span>
-<span class="i0">But now he lies in everlasting sleep.<br /></span>
-</div><div class="stanza">
-<span class="i0">He lived a life exempt from selfish pride;<br /></span>
-<span class="i2">He never turned a stranger from his door;<br /></span>
-<span class="i2">He ne’er refused to aid the needful poor;<br /></span>
-<span class="i0">He proved to youth a never-failing guide.<br /></span>
-<span class="pagenum"><a id="Page_53">53</a></span></div><div class="stanza">
-<span class="i0">Alas! we mourn, with aching in our breast<br /></span>
-<span class="i2">And eyelids moistened with the burning tear,<br /></span>
-<span class="i2">The loss of one, so generous and sincere,<br /></span>
-<span class="i0">Now silent in his sweet and peaceful rest.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_28"><i>A REVERIE.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">O glad shall I be when the winter is ended,<br /></span>
-<span class="i2">When the wild sweeping blasts of the season are gone,<br /></span>
-<span class="i0">When the last flakes of snow to the ground have descended,<br /></span>
-<span class="i2">And the drifts have all vanished from meadow and lawn.<br /></span>
-<span class="pagenum"><a id="Page_54">54</a></span></div><div class="stanza">
-<span class="i0">O glad shall I be when these cold days are over,<br /></span>
-<span class="i2">And the bright joys of summer are with us again;<br /></span>
-<span class="i0">When the meadows are blooming with sweet-scented clover,<br /></span>
-<span class="i2">And the warm sun is smiling on new fields of grain.<br /></span>
-</div><div class="stanza">
-<span class="i0">O glad shall I be, when as free as the air<br /></span>
-<span class="i2">The birds are all singing their merriest lay,<br /></span>
-<span class="i0">To remind me of days when I knew naught of care,<br /></span>
-<span class="i2">And the seasons all seemed like a long summer day.<br /></span>
-</div><div class="stanza">
-<span class="i0">O spring! merry spring! with thy fragrance of flowers,<br /></span><span class="pagenum"><a id="Page_55">55</a></span>
-<span class="i2">To thee from my sorrows I longingly turn;&mdash;<br /></span>
-<span class="i0">I’ll forget the drear scenes of these long winter hours,<br /></span>
-<span class="i2">And dream of thy blessings and happy return.<br /></span>
-</div></div>
-</div>
-
-<div class="p2 figcenter" style="width: 70px;">
-<img src="images/dec.jpg" width="70" height="29" alt="decorative tailpiece" />
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_56">56</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_29"><i>OPPORTUNITY.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Time is ever swiftly fleeting,<br /></span>
-<span class="i2">Unimproved by scores of men;<br /></span>
-<span class="i0">Opportunities are passing<br /></span>
-<span class="i2">That we’ll never have again;<br /></span>
-<span class="i0">Many things we may accomplish,<br /></span>
-<span class="i2">As the hours go speeding on,<br /></span>
-<span class="i0">If we but improve each moment,<br /></span>
-<span class="i2">Ere the precious time is gone.<br /></span>
-</div><div class="stanza">
-<span class="i0">There are many hearts about us,<br /></span>
-<span class="i2">That a loving word might cheer;<br /></span>
-<span class="i0">There are many dear ones with us,<br /></span>
-<span class="i2">That ere long may not be here:<br /></span>
-<span class="i0">Let us then be wise and thoughtful,<br /></span>
-<span class="i2">As our course we journey on,<br /></span>
-<span class="i0">Striving for the good of others<br /></span>
-<span class="i2">Ere the precious time is gone.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_57">57</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_30"><i>LINES</i></h2>
-</div>
-
-<blockquote>
-
-<p class="p0 center">Written on hearing a gentleman remark: “God bless
-dear woman.”</p></blockquote>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">“God bless dear woman!” did I hear you say?<br /></span>
-<span class="i0">Full many a man might wisely thus remark!<br /></span>
-<span class="i0">How oft her smiles have cheered man’s troubled way,<br /></span>
-<span class="i0">And comfort brought when fortune’s sky was dark&mdash;<br /></span>
-<span class="i0">The vine that clings unto the oak, whose bark<br /></span>
-<span class="i0">Is coarse and rough and void of pleasing grace;<br /></span>
-<span class="i0">And like a dove within the cheerless Ark,<br /></span>
-<span class="i0">Mid life’s drear scenes we see her sweetly face,<br /></span>
-<span class="i0">And in God’s best design, there love and beauty trace!<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_58">58</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_31"><i>MY LADY FAIR.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_59">59</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">When aged winter, fierce and grim,<br /></span>
-<span class="i2">Had ceased his surly reign,<br /></span>
-<span class="i0">And virgin spring again adorned<br /></span>
-<span class="i2">The forest, field and plain;<br /></span>
-<span class="i0">One morning when the sun was bright<br /></span>
-<span class="i2">And music filled the air,<br /></span>
-<span class="i0">I wandered o’er the meadow sweet<br /></span>
-<span class="i2">Beside my lady fair!<br /></span>
-</div><div class="stanza">
-<span class="i0">We strolled along ’mid blooming flow’rs,<br /></span>
-<span class="i2">Till ’neath a spreading tree,<br /></span>
-<span class="i0">We sat where swift the raptured hours<br /></span>
-<span class="i2">Flew o’er my love and me;<br /></span>
-<span class="i0">And when at last time bade us part,<br /></span>
-<span class="i2">I kissed those lips so sweet,<br /></span>
-<span class="i0">And little dreamed but we should still<br /></span>
-<span class="i2">Oft thus together meet.<br /></span>
-</div><div class="stanza">
-<span class="i0">But us the stars of heav’n depart,<br /></span>
-<span class="i2">When dawn her glory brings,<br /></span>
-<span class="i0">One morn the angels bore her off<br /></span>
-<span class="i2">Upon their snowy wings!<br /></span>
-<span class="i0">Yet, in the golden realms above,<br /></span>
-<span class="i2">I trust some day to see,<br /></span>
-<span class="i0">With endless joy, the one who made<br /></span>
-<span class="i2">This earth a Heaven to me!<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_32"><i>TO A FIRE-FLY.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Blithesome insect, gently flying<br /></span>
-<span class="i4">Thro’ the shades of night,<br /></span>
-<span class="i0">As we see thy rays of brightness,<br /></span>
-<span class="i4">May our hopes be bright;<br /></span>
-<span class="i0">And tho’ with life’s cares encompass’d,<br /></span>
-<span class="i4">May our hearts be light.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_60">60</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_33"><i>MY OLD NEW ENGLAND HOME.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_61">61</a><a class="hidev" id="Page_62">62</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">When the stars above, in gladness,<br /></span>
-<span class="i4">Twinkle thro’ the evening gloam,<br /></span>
-<span class="i0">With a mingled joy and sadness,<br /></span>
-<span class="i4">Often do my fancies roam<br /></span>
-<span class="i0">Backward to the vanished pleasures<br /></span>
-<span class="i4">Of my old New England home.<br /></span>
-</div><div class="stanza">
-<span class="i0">In that home I see my mother&mdash;<br /></span>
-<span class="i4">Of all earthly friends the best&mdash;<br /></span>
-<span class="i0">At her side my younger brother,<br /></span>
-<span class="i4">With his youthful pleasures blest;<br /></span>
-<span class="i0">And my little brown-eyed sister,<br /></span>
-<span class="i4">Sleeping on her mother’s breast.<br /></span>
-</div><div class="stanza">
-<span class="i0">And within that sacred dwelling<br /></span>
-<span class="i4">Father’s cheerful face I see,<br /></span>
-<span class="i0">And I hear him kindly telling<br /></span>
-<span class="i4">Us to ever loyal be;&mdash;<br /></span>
-<span class="i0">On the battle-field he perished,<br /></span>
-<span class="i4">When they made our country free.<br /></span>
-</div><div class="stanza">
-<span class="i0">When he went away, our mother<br /></span>
-<span class="i4">Safely led our little band,<br /></span>
-<span class="i0">And she taught us of another<br /></span>
-<span class="i4">Loving Father, whose strong hand,<br /></span>
-<span class="i0">Never would forsake his children,<br /></span>
-<span class="i4">If they heeded His command:<br /></span>
-</div><div class="stanza">
-<span class="i0">Taught us, in our youth and beauty,<br /></span>
-<span class="i4">Ne’er to turn our feet aside<br /></span>
-<span class="i0">From the paths of truth and duty,<br /></span>
-<span class="i4">Whatsoever might betide;<br /></span>
-<span class="i0">But to keep the path of wisdom,<br /></span>
-<span class="i4">And obey our Heavenly guide.<br /></span>
-</div><div class="stanza">
-<span class="i0">Back to home and all its pleasures<br /></span>
-<span class="i4">Often do my fancies roam,<br /></span>
-<span class="i0">And to me, the richest treasures<br /></span>
-<span class="i4">Under heaven’s starry dome,<br /></span>
-<span class="i0">Were the blessings of my childhood,<br /></span>
-<span class="i4">In that old New England home.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_34"><i>A LOVER’S LAMENT.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_63">63</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">As lillies, arrayed in their loveliness, fade,<br /></span>
-<span class="i2">So faded my fairest&mdash;my love:<br /></span>
-<span class="i0">My joys have all fled, for my darling is dead&mdash;<br /></span>
-<span class="i2">O Stella! My dearest, my dove!<br /></span>
-</div><div class="stanza">
-<span class="i0">The loveliest flowers, in this sad world of ours,<br /></span>
-<span class="i2">Are soonest from us to depart&mdash;<br /></span>
-<span class="i0">Are first to decay; and thus faded away<br /></span>
-<span class="i2">The tenderest joy of my heart.<br /></span>
-</div><div class="stanza">
-<span class="i0">My hopes, once so bright, have all taken their flight,<br /></span>
-<span class="i2">For gone is my beautiful dove:<br /></span>
-<span class="i0">I’m weary with grief, and shall ne’er find relief,<br /></span>
-<span class="i2">Till I rest with my darling above.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_35"><i>FACES THAT ARE GONE.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_64">64</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">How we long to see the faces<br /></span>
-<span class="i2">That have crossed the silent tide&mdash;<br /></span>
-<span class="i0">Faces marked with care and sorrow,<br /></span>
-<span class="i2">Faces full of joy and pride;<br /></span>
-<span class="i0">Some with furrowed brow and hoary,<br /></span>
-<span class="i2">Some in youth’s lamented bloom;&mdash;<br /></span>
-<span class="i0">One by one from us departed,<br /></span>
-<span class="i2">For the cold and silent tomb.<br /></span>
-</div><div class="stanza">
-<span class="i0">Birds employ their notes of gladness<br /></span>
-<span class="i2">As they flutter to and fro,<br /></span>
-<span class="i0">Flow’rs display their wealth of beauty,<br /></span>
-<span class="i2">As they used to long ago;<br /></span>
-<span class="i0">But the birds may sing forever,<br /></span>
-<span class="i2">And the flow’rs forever bloom;<br /></span>
-<span class="i0">They can ne’er bring back the faces<br /></span>
-<span class="i2">That are hidden in the tomb!<br /></span>
-</div><div class="stanza">
-<span class="i0">Silently death steals upon us,<br /></span>
-<span class="i2">Silently time speedeth on&mdash;<br /></span>
-<span class="i0">Soon we, too, shall all be numbered,<br /></span>
-<span class="i2">With the faces that are gone;<br /></span>
-<span class="i0">Each and all must shortly follow<br /></span>
-<span class="i2">Thro’ the shadows and the gloom,<br /></span>
-<span class="i0">To the loved ones who are waiting<br /></span>
-<span class="i2">In the light beyond the tomb.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_65">65</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_36"><i>THE TRUE WAY.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_66">66</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">We know that we’re stubborn and willful,<br /></span>
-<span class="i2">And tho’ we have kindly been shown<br /></span>
-<span class="i0">The true way, which God has appointed,<br /></span>
-<span class="i2">We often go on in our own.<br /></span>
-</div><div class="stanza">
-<span class="i0">And thus we go on in the darkness,<br /></span>
-<span class="i2">Groping our way thro’ the night;<br /></span>
-<span class="i0">Unmindful ofttimes of His goodness,<br /></span>
-<span class="i2">And missing His glorious light.<br /></span>
-</div><div class="stanza">
-<span class="i0">But still He looks down with compassion,<br /></span>
-<span class="i2">And e’en thro’ life’s greatest alarms<br /></span>
-<span class="i0">We’re sheltered and safely protected,<br /></span>
-<span class="i2">As weak little lambs in His arms.<br /></span>
-</div><div class="stanza">
-<span class="i0">Could we but have more of His goodness<br /></span>
-<span class="i2">Implanted each day in our heart,<br /></span>
-<span class="i0">Perhaps there are others about us<br /></span>
-<span class="i2">Who’d feel the rich joy we’d impart.<br /></span>
-</div><div class="stanza">
-<span class="i0">Could our love, every day, be to others<br /></span>
-<span class="i2">As the love from our Maker above,<br /></span>
-<span class="i0">O what a grand army of brothers<br /></span>
-<span class="i2">Would be banded together in love!<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_37"><i>PITCHER OR JUG.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Which brings poverty and woe,<br /></span>
-<span class="i0">Which makes useless tears to flow,<br /></span>
-<span class="i0">Which brings scorn where’er we go,<br /></span>
-<span class="i4">Pitcher or jug?<br /></span>
-</div><div class="stanza">
-<span class="i0">Which fades beauty, health and bloom,<br /></span>
-<span class="i0">Which turns happiness to gloom,<br /></span>
-<span class="i0">Which leads to the drunkard’s tomb,<br /></span>
-<span class="i4">Pitcher or jug?<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_67">67</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_38"><i>TWO LIVES.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">They started out together<br /></span>
-<span class="i4">Amid the worldly din;<br /></span>
-<span class="i0">One yielded to temptation,<br /></span>
-<span class="i4">And lived a life of sin:<br /></span>
-<span class="i0">They found his lifeless body<br /></span>
-<span class="i4">One pleasant summer dawn,<br /></span>
-<span class="i0">All mangled in the gutter&mdash;<br /></span>
-<span class="i4">A wretched life was gone.<br /></span>
-</div><div class="stanza">
-<span class="i0">The other trod the pathway<br /></span>
-<span class="i4">Of righteousness and truth,<br /></span>
-<span class="i0">And kept his soul as spotless<br /></span>
-<span class="i4">As in his early youth;<br /></span>
-<span class="i0">And when his voyage was ended,<br /></span>
-<span class="i4">On Heaven’s blissful shore<br /></span>
-<span class="i0">He joined the great reunion,<br /></span>
-<span class="i4">Where parting is no more.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_68">68</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_39"><i>MEDITATION.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_69">69</a><a class="hidev" id="Page_70">70</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">’Mid scenes of mystery life’s tide rolls onward;<br /></span>
-<span class="i0">And tho’ some, delving deep in caves of knowledge,<br /></span>
-<span class="i0">Have revealed wondrous facts, this life, concerning,<br /></span>
-<span class="i0">Still blind they are to most of life’s great features;<br /></span>
-<span class="i0">How powerless to perceive the future’s movements,<br /></span>
-<span class="i0">Or e’en explain the present things about them!<br /></span>
-<span class="i0">We little more than know that we’re existing,<br /></span>
-<span class="i0">’Mid scenes that time and tide are changing ever.<br /></span>
-<span class="i0"><i>Hope</i> is a star that lures men ever onward,<br /></span>
-<span class="i0">Oft seeming near and yet forever distant;<br /></span>
-<span class="i0"><i>Contentment</i> is an isle where man, if ever,<br /></span>
-<span class="i0">Has seldom dwelt amid the scenes enchanting;<br /></span>
-<span class="i0"><i>Love</i> is a dew-drop on the rose-bush glowing,<br /></span>
-<span class="i0">Soon to depart as e’en the bush must perish:<br /></span>
-<span class="i0">All things of earth are like the fleeting shadows<br /></span>
-<span class="i0">Except the love of Him whose power and wisdom<br /></span>
-<span class="i0">Exceeds, by far, man’s deepest understanding,<br /></span>
-<span class="i0">And He, who clothes the lillies in their beauty,<br /></span>
-<span class="i0">Who feeds his flocks and marks the falling sparrow,<br /></span>
-<span class="i0">Will shield His children from life’s raging tempests,<br /></span>
-<span class="i0">And lead them safe through waters of affliction<br /></span>
-<span class="i0">Until, at last, beyond the vales and shadows,<br /></span>
-<span class="i0">Their eyes behold that Land of endless beauty.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_40"><i>TEMPUS FUGIT.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_71">71</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Men sleep, but time speeds on;<br /></span>
-<span class="i0">The sun comes out at dawn<br /></span>
-<span class="i4">O’er hill and town,<br /></span>
-<span class="i4">At eve goes down,<br /></span>
-<span class="i0">But ever time speeds on.<br /></span>
-</div><div class="stanza">
-<span class="i0">Men die&mdash;the world moves on,<br /></span>
-<span class="i0">And when our forms are gone,<br /></span>
-<span class="i4">New hearts arise,<br /></span>
-<span class="i4">To seek earth’s prize;<br /></span>
-<span class="i0">And thus the world moves on.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_41"><i>GLADNESS.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Let thy heart, attuned to gladness,<br /></span>
-<span class="i4">Every fear and doubt dispel&mdash;<br /></span>
-<span class="i0">Banish idle thoughts of sadness,<br /></span>
-<span class="i4">Then shall joy thy bosom swell.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_42"><i>THE RAINBOW.</i></h2>
-</div>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Howe’er dark the clouds may hover<br /></span>
-<span class="i4">O’er thy pathway, ne’er repine;<br /></span>
-<span class="i0">Mark thou, when the storm is over,<br /></span>
-<span class="i4">In the heaven that beautious line!<br /></span>
-</div></div>
-</div>
-
-<div class="chapter">
-<div class="p8 figcenter" style="width: 338px;">
-<img src="images/dec2.jpg" width="338" height="41" alt="decorative border" />
-
-<h2 class="nobreak p1" id="Miscellaneous_Verses"><span class="smcap"><span class="larger">Miscellaneous Verses.</span></span></h2>
-</div>
-
-<div class="figcenter" style="width: 338px;">
-<img src="images/dec3.jpg" width="338" height="42" alt="decorative border" />
-</div>
-
-<h3 class="newpage pad4"><a id="NOTE"></a>NOTE.</h3>
-
-<p>My first intention was to omit the
-following pieces from this publication,
-but on recommendation of several
-readers I have finally decided to place
-them in a seperate department; expecting
-in either case&mdash;whether included in this
-book or omitted&mdash;that the youthful
-aspirant, in this attempt to flutter out
-into the literary sphere, will fall headlong
-and be left only to dream of those
-glorious heights where others triumphantly
-soar amid the silvery clouds of
-fancy.</p>
-
-<p class="sigright">
-H. R. C.
-</p>
-</div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_75">75</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_43"><i>THE DAWN O’ SPRING.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_76">76</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Yes, boys, I’m waitin’ patiently to see the dawn o’ spring&mdash;<br /></span>
-<span class="i0">To see the flowers in blossom an’ to hear the robins sing;<br /></span>
-<span class="i0">An’ to see the trees an’ meadows clad in garbs o’ livin’ green;<br /></span>
-<span class="i0">An’ to hear the merry music o’ the brook thet flows between.<br /></span>
-</div><div class="stanza">
-<span class="i0">It makes me fairly home-sick sech cold wintry days ez these,<br /></span>
-<span class="i0">The snow a driftin’ everywhere an’ layin’ in the trees;<br /></span>
-<span class="i0">An’ when Jack Frost steals ’round et night an’ frescoes everything,<br /></span>
-<span class="i0">It makes me hanker more an’ more to see the dawn o’ spring.<br /></span>
-</div><div class="stanza">
-<span class="i0">Fer I know when spring comes ’round ag’in with all her sweet perfume;<br /></span>
-<span class="i0">Her reses all in blossom an’ her orchards all a-bloom,<br /></span>
-<span class="i0">An’ robins singin’ gaily&mdash;I’ll be happy ez a king;<br /></span>
-<span class="i0">Thet’s why I’m waitin’ patiently to see the dawn o’ spring.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_44"><i>ZEEKE BULLARD’S FARM.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_77">77</a><a class="hidev" id="Page_78">78</a><br /><a id="Page_79">79</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Zeeke Bullard wuz a farmer of no great amount of worth,<br /></span>
-<span class="i0">Tho’ his farm wuz well supplied with miles of rich, productive earth;<br /></span>
-<span class="i0">Fer he owned three hundred acres, so his frien’s an’ neighbors sed,<br /></span>
-<span class="i0">But he uster say thet money wuz a thing he never hed.<br /></span>
-</div><div class="stanza">
-<span class="i0">He’d groan about his losses, an’ his scarcity of tin,<br /></span>
-<span class="i0">An’ he of’en sed he wondered w’y his crops were all so thin;<br /></span>
-<span class="i0">He’d set aroun’ frum morn till night till days an’ weeks ’ud pass,<br /></span>
-<span class="i0">An’ talk about the way he’d lose his grain an’ garden sass.<br /></span>
-</div><div class="stanza">
-<span class="i0">The ’tater bugs in multitudes ’ud come frum all aroun’,<br /></span>
-<span class="i0">Till nothin’ in his Murphy patch wuz left abuv the groun’;<br /></span>
-<span class="i0">Insects of all descriptions thronged aroun’ his garden beds,<br /></span>
-<span class="i0">While worms with powerful appetites devoured his cabbage heads.<br /></span>
-</div><div class="stanza">
-<span class="i0">The crows ’ud come day after day to steal his yaller corn,<br /></span>
-<span class="i0">An’ dine on oats an’ barley till his fiel’s were nearly shorn,<br /></span>
-<span class="i0">An’ acre after acre where his clover oughter grow,<br /></span>
-<span class="i0">There wa’n’t but giant thistles pintin’ daggers high an’ low.<br /></span>
-</div><div class="stanza">
-<span class="i0">An’ when his crops were harvested by bugs an’ worms an’ crows,<br /></span>
-<span class="i0">An’ wintry blasts were comin’ on, his sons were void of clo’es;<br /></span>
-<span class="i0">In spite of all the mendin’ thet his little wife could do,<br /></span>
-<span class="i0">The toes an’ knees an’ elbows of his boys were peekin’ thro’.<br /></span>
-</div>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza">
-<span class="i0">A while ago I left thet place of farmin’ enterprise,<br /></span>
-<span class="i0">An’ now my folks are livin’ ’neath the broad, blue western skies,<br /></span>
-<span class="i0">An’ tho’ I ain’t a farmer I’m convinced there’s nothin’ made,<br /></span>
-<span class="i0">Unless you work et farmin’, same ez any other trade.<br /></span>
-</div><div class="stanza">
-<span class="i0">Weeds don’t need cultervatin’, but they grow up tall an’ stout,<br /></span>
-<span class="i0">An’ you mus’ work to save the grain an keep the thistles out:<br /></span>
-<span class="i0">You can’t loaf ’round frum morn till night an’ talk the hull day thro’,<br /></span>
-<span class="i0">For yer crops’ll go to ruin jest ez surely ez you do.<br /></span>
-</div>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza">
-<span class="i0">I’ve jest received a letter frum an ol’-time friend of mine,<br /></span>
-<span class="i0">Who sed poor Zeeke wuz dwellin’ where bright crowns of glory shine;<br /></span>
-<span class="i0">He’d quit the farmin’ business an’ wuz free frum worl’ly harm,<br /></span>
-<span class="i0">While his seven sons were lef’ to raise the mortgage on his farm.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_80">80</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_45"><i>UNCLE NICK, ON EDDICATION.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_81">81</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">While ’tendin’ skool I uster be fust class et playin’ ball,<br /></span>
-<span class="i0">Et playin’ tag er leap-frog I wuz formost of ’em all;<br /></span>
-<span class="i0">Sech sportin’ allus hed fer me a wondrous fascination,<br /></span>
-<span class="i0">An’ so I spent more time et this than on my eddication.<br /></span>
-</div><div class="stanza">
-<span class="i0">I of’en git to thinkin’ what fine chances I hed then<br /></span>
-<span class="i0">To git an’ eddication, but of course it’s useless when<br /></span>
-<span class="i0">The opportunity is passed to mourn yer situation&mdash;<br /></span>
-<span class="i0">It’s pooty hard when you are ol’ to git an eddication.<br /></span>
-</div><div class="stanza">
-<span class="i0">Now boys I’m ’fraid thet some o’ you are growin’ up this way,<br /></span>
-<span class="i0">I’m ’fraid fer learnin’ some o’ you are substertootin’ play,<br /></span>
-<span class="i0">I’m ’fraid there’s boys a-livin’ in this present gineration,<br /></span>
-<span class="i0">Who’ll wish some day they’d seen less play an’ more o’ eddication.<br /></span>
-</div><div class="stanza">
-<span class="i0">You can’t keep waitin’, thinkin’ thet you’ve got a lot o’ time,&mdash;<br /></span>
-<span class="i0">The time to git yer schoolin’, boys, is while you’re in yer prime;<br /></span>
-<span class="i0">When you are ol’ you’ll see enough o’ care an’ tribulation,<br /></span>
-<span class="i0">Without the thought thet carelessly you missed an eddication.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_82">82</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_46"><i>UNCLE NICK, ON GOSSIPERS.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_83">83</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">When people git to gossipin’ sometimes they’ll set an’ talk<br /></span>
-<span class="i0">Fer hours an’ hours together, jest ez reg’ler ez a clock;<br /></span>
-<span class="i0">I s’pose they think folks love to hear their never-endin’ yop,&mdash;<br /></span>
-<span class="i0">But when Samantha’s talked a while she knows enough to stop.<br /></span>
-</div><div class="stanza">
-<span class="i0">When Mrs. Jones wuz tellin’ et our place the other day,<br /></span>
-<span class="i0">Thet Mrs. Williams told her thet her neighbor, Mrs. Gray,<br /></span>
-<span class="i0">Sed she never saw so big a story-teller’s Widder Heath&mdash;<br /></span>
-<span class="i0">Samantha set there quiet, with her tongue between her teeth.<br /></span>
-</div><div class="stanza">
-<span class="i0">She ain’t ferever slingin’ out sech everlastin’ gab:&mdash;<br /></span>
-<span class="i0">She of’en sez “it’s bad enough to hear the neighbors blab;”<br /></span>
-<span class="i0">But she jest stays et home instid an’ ’tends to fam’ly cares,<br /></span>
-<span class="i0">An’ never tells the neighborhood about her home affairs.<br /></span>
-</div><div class="stanza">
-<span class="i0">We don’t take any papers, but with news we’re well supplied;<br /></span>
-<span class="i0">Fer the neighbors tell us every birth an’ death an’ suicide:<br /></span>
-<span class="i0">When Mrs. Jones comes up our walk a-squeakin’ them new shoes,<br /></span>
-<span class="i0">Sometimes Samantha’ll say to me, “here comes the daily news.”<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_84">84</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_47"><i>THE ART O’ KNOWIN’ HOW.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_85">85</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">It’s hard to write a decent song, tho’ maybe you deny it,<br /></span>
-<span class="i0">Most any job looks easy you’ll allow;<br /></span>
-<span class="i0">But if you’re inexperienced perhaps you’d better try it,<br /></span>
-<span class="i0">An’ you’ll find the nickromancy’s in the art o’ knowin’ how.<br /></span>
-</div><div class="stanza">
-<span class="i0">There’s lots o’ things you’ve never done that looks all killin’ easy&mdash;<br /></span>
-<span class="i0">Did you ever try to milk a kickin’ cow?<br /></span>
-<span class="i0">If not, just try yer hand fer fun, to satisfy and please ye,<br /></span>
-<span class="i0">An’ you’ll find the nickromancy’s in the art o’ knowin’ how.<br /></span>
-</div><div class="stanza">
-<span class="i0">Whatever yer profession, you’ll discover soon or late,<br /></span>
-<span class="i0">As you stop to wipe the sweat from off yer brow,<br /></span>
-<span class="i0">That to preach a decent sermon er to draw a furrow straight,<br /></span>
-<span class="i0">The nickromancy lies within the art o’ knowin’ how.<br /></span>
-</div><div class="stanza">
-<span class="i0">So be sure thet you’re adapted to the work thet you profess,<br /></span>
-<span class="i0">Teachin’ gospel truths er hangin’ on the plow,<br /></span>
-<span class="i0">Then buckle down to business, an’ yer can’t escape success,<br /></span>
-<span class="i0">Fer you’ll find the nickromancy’s in the art o’ knowin’ how.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_86">86</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_48"><i>MOTHER’S PHOTOGRAPH.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_87">87</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">D’you wish to know what came to me from good ol’ Santa Claus?<br /></span>
-<span class="i0">’Twuz not a lot o’ nigger-toes to crack between yer jaws,<br /></span>
-<span class="i0">Nor candy nor a jumpin’-jack fer makin’ youngsters laugh&mdash;<br /></span>
-<span class="i0">But the present thet he give to me wuz mother’s photograph.<br /></span>
-</div><div class="stanza">
-<span class="i0">Some how a cur’ous feelin’ seems to steal acrost my mind,<br /></span>
-<span class="i0">Ez I look back to boyish days an’ think how good an’ kind<br /></span>
-<span class="i0">Thet mother’s been in teachin’ me to shun the evil ways,<br /></span>
-<span class="i0">An’ how attentive she hez been, e’en from my infant days.<br /></span>
-</div><div class="stanza">
-<span class="i0">An’ when I think how many years she’s toiled thro’ shine and rain,<br /></span>
-<span class="i0">An’ how she’s allus been on hand to soothe my every pain,<br /></span>
-<span class="i0">It seems ez ef to do my best thet I could never be<br /></span>
-<span class="i0">Half good an’ kind enough to pay fer all she’s done fer me.<br /></span>
-</div><div class="stanza">
-<span class="i0">Perhaps you think it’s silly, but it’s jest ez I hev sed,<br /></span>
-<span class="i0">Thet all the other presents ol’ St. Nicholas ever hed,<br /></span>
-<span class="i0">Compared with that he give to me w’ud be but worthless chaff,<br /></span>
-<span class="i0">Nor comfort me one half ez much ez mother’s photograph.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_88">88</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_49"><i>FIFTY YEARS.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_89">89</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Two score and ten summers have glided away,<br /></span>
-<span class="i2">As time speeds relentlessly on;<br /></span>
-<span class="i0">And our thoughts wander back, as we sit here to-day,<br /></span>
-<span class="i2">O’er the past that has faded and gone.<br /></span>
-</div><div class="stanza">
-<span class="i0">Many dear ones have gone to their rest in the grave,<br /></span>
-<span class="i2">Young hearts have departed from play;<br /></span>
-<span class="i0">Still others have gone, their dear country to save,<br /></span>
-<span class="i2">And fall’n ’mid the wild battle’s fray.<br /></span>
-</div><div class="stanza">
-<span class="i0">Many dear to our hearts are now far in the west,<br /></span>
-<span class="i2">While few near the old home remain;<br /></span>
-<span class="i0">And though often lonely, we’ve been greatly blest,&mdash;<br /></span>
-<span class="i2">Our labors have not been in vain.<br /></span>
-</div><div class="stanza">
-<span class="i0">’Tis fifty long years since the day which we set,<br /></span>
-<span class="i2">Our sorrows and pleasures to share;<br /></span>
-<span class="i0">That bright, happy day we ne’er shall forget,<br /></span>
-<span class="i2">When life looked so joyous and fair!<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_50"><i>A MAIDEN WONDROUS FAIR.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_90">90</a><a class="hidev" id="Page_91">91</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">Within a certain town there dwelt<br /></span>
-<span class="i4">A maiden wondrous fair,<br /></span>
-<span class="i0">Whose cheeks were like the rose’s hue<br /></span>
-<span class="i4">And golden was her hair.<br /></span>
-</div><div class="stanza">
-<span class="i0">Her eyes were like the twinkling stars,<br /></span>
-<span class="i4">Her teeth were like the pearl;<br /></span>
-<span class="i0">And sons of both the rich and poor,<br /></span>
-<span class="i4">Admired this charming girl.<br /></span>
-</div><div class="stanza">
-<span class="i0">Two constant beaus this maiden had,<br /></span>
-<span class="i4">And each one swore that she,<br /></span>
-<span class="i0">Ere many months had passed away,<br /></span>
-<span class="i4">His own dear wife would be.<br /></span>
-</div><div class="stanza">
-<span class="i0">But soon an incident occurred<br /></span>
-<span class="i4">Which all their plans upset,<br /></span>
-<span class="i0">When at the maiden’s gate one eve<br /></span>
-<span class="i4">Her two admirers met.<br /></span>
-</div><div class="stanza">
-<span class="i0">Hard words arose between the two,<br /></span>
-<span class="i4">As oft there had before;<br /></span>
-<span class="i0">And that the maid should be his wife<br /></span>
-<span class="i4">Still each persistent swore.<br /></span>
-</div><div class="stanza">
-<span class="i0">The longer thus they did contend,<br /></span>
-<span class="i4">The more their wrath did rise;<br /></span>
-<span class="i0">Until at last they came to blows<br /></span>
-<span class="i4">O’er who should have the prize.<br /></span>
-</div><div class="stanza">
-<span class="i0">While thus engaged, a prim young man<br /></span>
-<span class="i4">With unpretentious mien<br /></span>
-<span class="i0">Approached, just as the maid herself<br /></span>
-<span class="i4">Appeared upon the scene.<br /></span>
-</div><div class="stanza">
-<span class="i0">Then soon the angry blows were ceased<br /></span>
-<span class="i4">And quietude restored;<br /></span>
-<span class="i0">And each apologized to her<br /></span>
-<span class="i4">Whom he so much adored.<br /></span>
-</div><div class="stanza">
-<span class="i0">Then bowing low, each went his way;<br /></span>
-<span class="i4">Quite black and swollen-eyed;<br /></span>
-<span class="i0">While she whom they had fought to win<br /></span>
-<span class="i4">Became the third man’s bride.<br /></span>
-</div></div>
-</div>
-<hr />
-
-<p><span class="pagenum"><a id="Page_92">92</a></span></p>
-
-<div class="chapter">
-<h2 id="poem_51"><i>WEALTH AND WANT.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_93">93</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">How often the poor are despised and neglected,<br /></span>
-<span class="i2">For no other reason except they are poor;<br /></span>
-<span class="i0">How often the rich are beloved and respected,<br /></span>
-<span class="i2">Because they have uncounted wealth at their door.<br /></span>
-</div><div class="stanza">
-<span class="i0">There’s many an honest and virtuous heart,<br /></span>
-<span class="i2">To-day within poverty’s prison enchained;<br /></span>
-<span class="i0">While thousands reside amid pleasures of art,<br /></span>
-<span class="i2">Whose wealth was thro’ vice and dishonesty gained.<br /></span>
-</div><div class="stanza">
-<span class="i0">Despise not the needy because they are poor,<br /></span>
-<span class="i2">Nor envy the wealthy because of their gold;<br /></span>
-<span class="i0">Good or ill fortune may stand at our door,<br /></span>
-<span class="i2">But true hearts are not to be purchased or sold.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_52"><i>CHILDHOOD.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_94">94</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">We long for those days, once so joyous,<br /></span>
-<span class="i2">For that unbounded freedom, again,<br /></span>
-<span class="i0">When there were no cares to annoy us,<br /></span>
-<span class="i2">And life knew no sorrow nor pain;<br /></span>
-<span class="i0">But those sweet days of childhood have vanished,<br /></span>
-<span class="i2">And we long for them only in vain.<br /></span>
-</div><div class="stanza">
-<span class="i0">Tho’ time has wrought changes unnumbered<br /></span>
-<span class="i2">Since those happy seasons were pass’d,<br /></span>
-<span class="i0">And now with life’s cares we’re encumbered,<br /></span>
-<span class="i2">Still backward fond visions we’ll cast;<br /></span>
-<span class="i0">And we’ll think of our childhood with pleasure<br /></span>
-<span class="i2">As long as our memories last.<br /></span>
-</div></div>
-</div>
-
-<hr />
-<div class="chapter">
-<h2 id="poem_53"><i>THE LASSIE O’ER THE WAY.</i></h2>
-</div>
-
-<p><span class="pagenum"><a id="Page_95">95</a></span></p><div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i0">A sweet little lassie<br /></span>
-<span class="i2">Lives over the way:<br /></span>
-<span class="i0">She’s pretty and modest,<br /></span>
-<span class="i2">Yet blithesome and gay.<br /></span>
-</div><div class="stanza">
-<span class="i0">So perfect her manners,<br /></span>
-<span class="i2">So graceful her mien;<br /></span>
-<span class="i0">O who would not worship<br /></span>
-<span class="i2">This fair little queen!<br /></span>
-</div><div class="stanza">
-<span class="i0">Is there a young laddie<br /></span>
-<span class="i2">Whose heart would not beat<br /></span>
-<span class="i0">For those smiles so angelic<br /></span>
-<span class="i2">And dimples so sweet:<br /></span>
-</div><div class="stanza">
-<span class="i0">Those blue eyes a-sparkling,<br /></span>
-<span class="i2">That bright golden hair!<br /></span>
-<span class="i0">O where’s the young lassie<br /></span>
-<span class="i2">More charming and fair!<br /></span>
-</div><div class="stanza">
-<span class="i0">She’s modest and gentle,<br /></span>
-<span class="i2">Yet cheerful and gay;<br /></span>
-<span class="i0">This sweet little lassie,<br /></span>
-<span class="i2">Just over the way.<br /></span>
-</div></div>
-</div>
-
-<div class="chapter">
-<div class="transnote">
-<h2 class="nobreak p1"><a id="Transcribers_Note"></a>Transcriber’s Note</h2>
-
-<p>Punctuation, hyphenation, and spelling were made consistent when a predominant
-preference was found in this book; otherwise they were not changed.</p>
-
-<p>Simple typographical errors were corrected; occasional unbalanced
-quotation marks retained.</p>
-
-<p>All of the illustrations are the same simple decoration.</p>
-
-<p>“Telulah Spring”, listed as the Frontispiece in the Contents, was
-missing from the original book.</p>
-
-<p>“<a href="#NOTE">Note</a>” at beginning of <a href="#Miscellaneous_Verses">“Miscellaneous Verses”</a>: “seperate” was printed that way.</p>
-</div></div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems, by Henry Reed Conant
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-***** This file should be named 51904-h.htm or 51904-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/0/51904/
-
-Produced by Larry B. Harrison, Charlie Howard, and the
-Online Distributed Proofreading Team at http://www.pgdp.net
-(This file was produced from images generously made
-available by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/51904-h/images/cover.jpg b/old/51904-h/images/cover.jpg
deleted file mode 100644
index 05c78d4..0000000
--- a/old/51904-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51904-h/images/dec.jpg b/old/51904-h/images/dec.jpg
deleted file mode 100644
index b7da429..0000000
--- a/old/51904-h/images/dec.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51904-h/images/dec2.jpg b/old/51904-h/images/dec2.jpg
deleted file mode 100644
index 55733d3..0000000
--- a/old/51904-h/images/dec2.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51904-h/images/dec3.jpg b/old/51904-h/images/dec3.jpg
deleted file mode 100644
index 3594a2d..0000000
--- a/old/51904-h/images/dec3.jpg
+++ /dev/null
Binary files differ