summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/51187-0.txt1206
-rw-r--r--old/51187-0.zipbin27389 -> 0 bytes
-rw-r--r--old/51187-h.zipbin80184 -> 0 bytes
-rw-r--r--old/51187-h/51187-h.htm1558
-rw-r--r--old/51187-h/images/cover.jpgbin50640 -> 0 bytes
-rw-r--r--old/51187.txt1206
-rw-r--r--old/51187.zipbin27293 -> 0 bytes
10 files changed, 17 insertions, 3970 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..6fe018b
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #51187 (https://www.gutenberg.org/ebooks/51187)
diff --git a/old/51187-0.txt b/old/51187-0.txt
deleted file mode 100644
index 50ca335..0000000
--- a/old/51187-0.txt
+++ /dev/null
@@ -1,1206 +0,0 @@
-Project Gutenberg's A Visit to the Mammoth Cave of Kentucky, by John Wilson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A Visit to the Mammoth Cave of Kentucky
-
-Author: John Wilson
-
-Release Date: February 12, 2016 [EBook #51187]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-
-
-
-
-
-
-
-
- A VISIT
- TO
- THE MAMMOTH CAVE OF KENTUCKY.
-
-
- BY JOHN WILSON,
-
- THE SCOTTISH VOCALIST.
-
-
- EDINBURGH: 1849.
-
-
-
-
- A VISIT
- TO
- THE MAMMOTH CAVE OF KENTUCKY.
-
-
- Mammoth Cave, Kentucky, May 20, 1849.
-
-We left the City of Rooks, as Nashville is called, on Thursday morning
-at half-past four, and travelled ninety miles to our place of
-destination for the night, which occupied 19 hours. The stages in this
-part of the country lose a great deal of time needlessly by stopping for
-meals a great deal oftener than people require them. During our ride we
-had breakfast at 21 miles from Nashville, at a place called Tyree
-Springs, and that was acceptable enough; but before it was well digested
-we had to stop for dinner, and then again for supper, in three hours
-more; and as the people in this last hotel, which was at a pretty little
-town called Bowling Green, did not wish to be at the trouble of making
-one supper for their own boarders and another for the coach travellers,
-we were compelled to “bide their time” though not any of us wanted
-supper at all, and here we lost an hour and a half. In our journey we
-were interested in the day time by the great variety of wild flowers we
-saw, and after dark by the crowds of fire-flies in the air, in the
-trees, in the fields. We reached Bell’s,[1] where we were to stay for
-the night, at half-past 11, where we might have had another meal, but we
-did not like. Bell, a civil old fellow, is famed for making a kind of
-Atholl brose, of old peach brandy and honey, which we had a tasting of,
-and then went to bed; but Mr Bell’s brose I shall never taste again, for
-although it is pleasant enough to taste, yet I could not get the
-disagreeable flavour of the peach brandy out of my mouth the whole of
-the next day. After a capital breakfast, Bell sent us in a four horse
-stage to the Mammoth Cave, a distance of eight miles, over one of the
-roughest roads I ever encountered; but what we have seen in this
-wonderful place amply compensates for any trouble or difficulty we may
-have undergone. I am really quite at a loss how to begin to give you the
-least idea of the place, for it is almost beyond description; at all
-events I feel quite sure that any kind of description given in writing,
-by any mortal man, cannot afford to a stranger the smallest notion of
-the wondrousness, the sublimity, the awfulness of this cave—this
-stupendous work of Nature. First let me tell you, however, that it
-contains 226 avenues; at least that number has been discovered, for
-there are more than that; forty-seven domes, eight cataracts, pits
-innumerable, and eight rivers, only three of which have been explored.
-It was first discovered by the whites in 1802, and during the last war
-with England immense quantities of saltpetre were made in it, the
-remains of the utensils for the manufacture of which are still to be
-seen at a short distance from the entrance, and even the marks of the
-hoofs of the oxen the miners used can be traced in the ground. It is
-only about ten years since the curious began to visit the cave, and
-every year the visitors increase in number, and they must continue to do
-so as the wonders of the place become more talked of. About the end of
-June is the time for crowds coming, and there is ample accommodation for
-more than two hundred people in a very comfortable hotel, with an
-obliging and intelligent host, named Mosher. There is no other visitor
-here at present but ourselves. Having given you so much preliminary, I
-shall endeavour to give you an inkling of what we saw during our
-
-
-
-
- FIRST DAY’S VISIT TO THE MAMMOTH CAVE.
-
-
-The necessary alterations having been made in the costume of my two
-daughters, namely, the petticoats being shortened, and trousers being
-donned—pants, I ought to have said, for trousers are never named here,
-and breeches are never made—and caps being placed upon their craniums, a
-gentleman, who accompanied us from Nashville, and myself, having been
-provided with coats that had been coats once, and low-crowned soft hats,
-we set off for the cave. We were fortunate in getting the services of
-the favourite guide Stephen, to whom we had a letter from a lady in
-Nashville. He is an active, intelligent, attentive, capital fellow, and
-after walking some 200 yards through an avenue of shady trees, we found
-him near the entrance, with his lamps ready to light, his flask of oil
-on his back, and one basket of provisions. We descended by about thirty
-rude steps to the entrance, where our lamps being lighted, we bade
-farewell for a while to the light of day. In a very short time we come
-to a wall that had been built by the miners, and in which there is a
-door-way, inside of which we are fairly in the cave. The temperature of
-the cave is always at sixty, and when the temperature out of doors is
-higher, the air rushes out at this doorway, so as to blow out the lamps,
-if the command of the guide is not obeyed to keep your lamps before you.
-At first one cannot see very well—the eyes are not yet accustomed to
-penetrate the darkness—the lamps only tended to make the darkness more
-visible. By and by we get more used to it. The “Church,” as it is
-called, is the first apartment where we make a halt. It is very large,
-with galleries round it, and a projection of rock at one side, called
-the pulpit. Being told by the guide to put our lights behind us, he set
-fire to a Bengal light, and then we were struck with wonder and awe at
-the splendour and the vastness of the rocky apartment. For size, Exeter
-Hall is nothing to it. During the season service is performed in it by
-some of the clergymen visitors, and the effect must be very sublime, to
-see each worshipper sitting with his lamp, listening to the Word,
-joining in prayer to the Lord of all, and singing his praises. Each
-person enters with his lamp, of course, but on coming to the church the
-lamps are all placed together, so as to make one general grand light.
-The church is in the “Main Cave,” which is five miles in extent, and as
-we move along we see the marks of the action of the water upon the rocks
-in every part. The average height is 50 feet, its width 100 feet; at one
-place, however, it is 340 feet wide. We leave the Main Cave, and enter
-the “Gothic Avenue,” where the first apartment we come to is called the
-“Haunted Chamber,” from two mummies having been found there by the
-miners in 1809. They were in a sitting position, and clothed with
-deer-skins. One of them is now in a museum in New York; the other was
-burned by the museum in Cincinnati taking fire. The friend who was with
-me being somewhat of a utility sort of a person, wishes everything to be
-made proper use of, and suggested that the cave would be a capital place
-for keeping meat, vegetables, &c., when he was told by Stephen, much to
-his satisfaction, that the hotel people used it for that purpose. We go
-along farther, and soon find ourselves in the “Register Room,” which
-has, or rather had, a beautiful white ceiling, but it is now
-considerably defaced by many persons wishing to immortalise themselves
-by writing their names on the roof with the smoke of a candle. They must
-have had the candle attached to a pretty long pole, for the roof is
-high. I. B. of old England is one of the names; I suppose John Bull is
-meant. There is also a Mr John Smith—it does not state where his locale
-is, but it is not unlikely that it was Mr Smith of the United States.
-After passing “Vulcan’s Forge,” so called from the stone resembling very
-much the refuse of a forge, we come to the “Gothic Chapel.” Before
-entering it, however, Stephen takes our lamps, and leaves us in the dark
-for a time, while he goes and places them on the stalactite pillar in
-the chapel. He calls out to us to “come on—there’s nothing to stumble
-over,” and we advanced towards the chapel. How splendid! how beautiful!
-The stalactite pillars are all opposite to each other, as if they were
-really supporting the roof. It reminded me of the crypt under the
-Cathedral at Rochester, in Kent, excepting that here the pillars were
-translucent. About ten or twelve feet high are the pillars, and the
-stalactite formations are still going on in some of them. It has been
-ascertained, it seems, that it takes thirty years to form the thickness
-of a wafer, then how many times thirty years must it have taken to form
-these pillars! It was a solemn scene, the stillness was indeed quite
-awful. I broke the silence by singing Luther’s Hymn, while those around
-me stood like statues. We came next to what is called “Napoleon’s
-Breastwork,” an immense block of limestone, that has evidently fallen
-away from the roof at some time or other, and now lies in a slanting
-form. It is about 60 feet long, 20 feet to the top, and looks over into
-a deep ravine. Now we come to his Satanic Majesty’s “Armchair,” which is
-the name given to a splendid stalactite column in the centre of a
-chamber, and which on one side forms an excellent seat. The back is
-round, and like one of the old fashioned chairs stuffed, and covered
-with silk. You may have an idea of the size of it when I tell you that
-it takes three men’s arms to go round it. Not far from it is another
-stalactite formation called the “Elephant’s Head,” from its exact
-resemblance to one—the eyes, ears, and trunk, are perfect—some
-barbarian, however, has defaced the trunk. Now we approach the “Lover’s
-Leap,” where any hapless swain may have an opportunity of getting rid of
-all his earthly cares by taking a dismal leap of 50 feet, but no one has
-yet been desperate enough to do it. We descend to the left of the
-“Lover’s Leap” and presently enter an extraordinary passage in the rock,
-called the “Devil’s Elbow;” it is about three feet wide and twelve high,
-and leads to the lower branch of the Gothic Avenue. The stone of the
-passage bears evidence of water having rushed through it with tremendous
-force, though how long ago it is impossible to ascertain. One of the
-guides got a terrible fright here some time since, by a gentleman who
-was gifted with ventriloquial powers. He had arrived at the hotel in the
-evening, and requested a guide to accompany him to the cave. While they
-were standing over the “Lover’s Leap” he made a cry for “lights and some
-water,” which seemed to come through the “Devil’s Elbow” from the
-apartment below. The guide, fancying it was some one of his companions
-whose lamp had gone out, called out to him to stay where he was and he
-would come to him immediately; as he was descending by the Devil’s Elbow
-the voice came from another part in front of them. He returned, and was
-ascending again to the Lover’s Leap, when the voice once more came
-through the Elbow, at which he became considerably alarmed, and it was
-with great difficulty the gentleman could prevent him from running
-fairly off out of the cave, and leaving him in the lurch, which perhaps
-he deserved. On their return to the hotel the guide told the landlord a
-woful story, in the midst of which, however, he was stopped by some one
-coming in to say there was a maniac about the grounds, when they went
-out and heard a voice calling out for some tea and bread and butter.
-“That’s it!” he said, “that’s the same voice that was in the cave.” The
-ventriloquist made the landlord aware of the trick, and the mysterious
-affair ended with a hearty laugh at the poor alarmed guide’s expense. As
-we enter this part of the Gothic Avenue, we come to a basin of beautiful
-clear water, called the “Cooling Tub.” It is about six feet wide, and a
-stream of the purest water is falling constantly into it from the
-ceiling, which is here about thirty feet high. In various parts of the
-cave there are streams of this description, and the sound of this
-falling water is the only thing that breaks the awful stillness that
-constantly reigns. After passing “Napoleon’s Dome,” which is about sixty
-feet in height, we come to another little pool, called “Lake Purity,”
-the water in which is delicious to drink, so pure that no disturbance
-can thicken it. Now we retrace our steps to the “Main Cave,” where at
-almost every step we take some new wonder is opened up to us. We are in
-an apartment called the “Ball Room,” for it is frequently used as such
-by the visitors during the season. The floor is smooth and level, and
-continues so for several hundred feet, so that there is plenty of room
-for a large party. There are spacious galleries above, too, formed by
-the ledging rocks; and there is an orchestra, capable of holding twice
-the number of the Philharmonic Band. As we go along gazing in wonder at
-everything, the eye suddenly rests on a nice little niche in the wall,
-just like the niche that is at the door of a Roman Catholic Cathedral
-for holding the holy water. It has been formed by the trickling down of
-the water, and is called Wandering Willie’s Spring; as I have
-considerable regard for all Wandering Willies, I partook of the water of
-his spring, and can vouch for its purity and refreshing qualities. The
-“Standing Rocks” that we by and by approach, are immense blocks of stone
-that have evidently fallen from the roof, some of them twenty feet long,
-and six or eight feet thick, and many of them even larger, and what is
-something remarkable, it is the thinnest part of the stone that has sunk
-into the earth. The next very prominent object we come to is the
-“Giant’s Coffin,” an immense block of limestone that has evidently
-fallen away from the side, and which perfectly resembles a coffin, but
-may well be called a giant’s, for it is sixty feet long and about twenty
-feet thick. It has the curved lid which I have observed in the
-fashionable coffins in the south, and which I heard an auctioneer, who
-was selling some by auction, recommend as being much more accommodating
-than the plain lids, for the person could turn round whenever he felt
-inclined to do so. At some distance beyond this, perhaps 150 yards, the
-cave takes a gigantic turn, called the “Acute Angle,” or “Great Bend,”
-which the guide illumines by one of his Bengal lights, and displays to
-the astonished spectator one of the most wonderful sights that ever
-mortal eyes beheld. It has the appearance of a vast amphitheatre. It
-must be about seventy feet high. In front of us is the great cornerstone
-or bend, and on each side the avenue looms away into unfathomable
-darkness. The Bengal light dies, and we trudge along to the right, with
-our lamps in our hands, single file, with Stephen at the head, and ere
-long he says, “Stop, we are now in the ‘Star-Chamber.’” Wonders will
-never cease, for here is something more wonderful than anything we have
-yet seen. How can I convey to you an idea of it? Let me see. It is as if
-we were at the bottom of a deep ravine or pass, about sixty feet wide,
-and one hundred feet high, the top of the ravine being terminated by
-jutting-out rocks, and above those projecting rocks we see the blue
-firmament of heaven, as it were, with the stars shining above us. The
-rocks at the top are white in many places, and cloud-like, which shows
-the starry firmament to greater advantage. The stars are formed by the
-sparkling gypsum in the dark limestone, and a more complete optical
-illusion dame Nature never called into existence. We felt as if we
-should never tire gazing on this, and expatiating to each other upon its
-wonders. Stephen asked us how we should like to have all the lights
-extinguished, to try the effect of it in that way, which we readily
-agreed to; but not a particle of anything could we see. There was, of
-course, not the smallest ray of light—there could not be, for we were
-two miles from the mouth of the cave, and 170 feet below the surface of
-the earth. I put my finger close to my eye but could see nothing. When
-no one spoke the silence was awful. I don’t know what the others were
-thinking of in the midst of this total eclipse, but I could not help
-thinking, now, if Stephen should have forgot his matches we shall be in
-a fine _fix_. I spoke to him of this afterwards, when he said he should
-soon have got lights for us if he had forgot his matches, for he knows
-the cave so well, having been a guide in it for thirteen years, that he
-could have forced his way to the mouth. This Star-Chamber is one of the
-most pleasing sights in the cave. Not far from it are the remains of
-some small houses that were built some years ago for consumptive
-patients. The air is so pure and the temperature so equal, that they
-enjoyed very good health while they remained in the cave, but as soon as
-they went above ground they became as bad as ever; the idea, therefore,
-of making the cave an hospital for consumption has been abandoned. I
-forgot to say that while we were admiring the wonder of the Starry
-Chamber we sang a sacred trio, the effect of which was beautiful, for
-everything was so still—no interruption by whisperers, or those persons
-who are not aware that it is the height of rudeness to speak while any
-one is singing—the voices sounded large and full. The sublimity of the
-scene could not altogether withdraw the attention of our utility friend
-from the things of this earth, for while we were gazing in astonishment
-on the scene around us, he asked me whether, as I came from London, I
-had ever seen a work on the art of brewing by fermentation, and without
-yeast! The Star-Chamber was the extent of our walk in the Main Cave
-to-day. We returned as far as the Giant’s Coffin, behind which we
-entered an avenue, and descended some 12 or 14 steps, then through a
-very low and narrow passage into the “Deserted Chambers,” which we got
-to by crawling some part of the way on our hands and knees. The first of
-the Deserted Chambers is called the Wooden Bowl, from the fact of a
-wooden bowl having been found in it by the miners some years ago. At a
-short distance from this bowl we stopped to dine, sitting on the edge of
-a large flat rock, which we used as a dining-table. Close by there was a
-spring of clear delicious water. We enjoyed our repast amazingly; drank,
-in the pure, unadulterated water, to all our friends round St Paul’s;
-had some songs after dinner, then resumed our walk. Our attention was
-first directed to the “Sidesaddle Pit,” which is about 60 feet deep; and
-to prevent one’s having a chance of falling into it, it is railed round
-by spars of sassafras tree, on one of which are two sprouts, which made
-their appearance about a month ago, and are looked upon with interest,
-for there is no other sign of vegetation within the place. The ceiling
-here, from water oozing through the stone, is just like honeycomb. A
-little further on we come to the “Bottomless Pit,” a frightful chasm
-with a fragile wooden bridge across it. A piece of lighted paper thrown
-from the bridge into the pit, shows us the depth of it, which, from the
-water to the top of the dome above us, is 280 feet. As we found that the
-splendid dome over head had no name, we called it St Paul’s, and
-insisted that Stephen should henceforth call it by that name, and no
-other.
-
-As we go along we see on the roof of the avenue the most beautiful
-stalactite formations—rosettes, &c., in innumerable variety; there is
-indeed here a mixture of the sublime and beautiful. We come to the “Wild
-Hall,” well named from its appearance, go through the “Arch,” which is
-one of the most-beautifully formed natural arches that can be seen,
-return through what is called the Labyrinth, and go to “Gorin’s Dome.”
-Much as we had seen to astonish us, we were not prepared for the
-magnificence of the scene we were now to witness. Stephen placed us at
-an aperture about the ordinary size of a window, told us to lay down our
-lamps behind us, then he left us. By and by we discovered him on a point
-a considerable way above us, and he lighted one of his Bengals and
-unfolded the wonders of the dome to us. It is nearly 300 feet in height,
-and we were standing about half way up. The sides of the dome are
-fluted, and have the appearance of having been polished, for the water
-is still trickling down. It is utterly impossible to give any idea of
-the splendour of this place when lighted up. We had not seen half enough
-of it. We called for another Bengal light, but Stephen had not one more
-left, so we were obliged to leave, which we did, expressing our
-determination to visit the dome again in our next ramble.
-
-We had now been five hours in the cave, and as we had more than two
-miles to walk to the mouth, we set off on our homeward route, and passed
-again some of our old acquaintances, the Giant’s Coffin, the Church,
-walked a little way down “Audribow’s Avenue,” and finally we saw the
-light of day glimmering before us, and as we drew nearer to the mouth I
-thought the sun never shone so beautifully before, and that the green
-grass and the foliage of the trees, in fact the whole face of nature,
-was more lovely than ever. When fairly out of the cave we felt as if hot
-air was being blown upon us, so oppressively warm did the atmosphere
-feel. And so finished our first day in the Mammoth Cave. We returned to
-the hotel, spent the evening in thinking over and talking of the wonders
-we had seen, then went to bed pretty early, to prepare ourselves for
-being up betimes to start upon our second day’s ramble.
-
-
-
-
- SECOND DAY’S RAMBLE.
-
-
-To-day there were three grand points of the cave which we hoped to
-visit, namely, the Chief City or Temple, the Mammoth Dome, and the Fairy
-Grotto. We entered about seven o’clock, after a capital breakfast at the
-hotel, and passed over a good deal of the ground we visited yesterday.
-We left Audribow’s Avenue on our left, came to the Church again, which
-we could not help taking another look at, went on through the Main Cave,
-passing the Giant’s Coffin, coming to the Great Bend, then entering
-again the Star Chamber, through which we passed, and came to the Salts
-Room; here there are layers of salts in the sides of the chamber, and
-from the roof they hang in crystals. They taste very pure, and not at
-all unpleasant, and are used medicinally by the people in the
-neighbourhood of the cave, when they can coax any of the guides to bring
-them a supply. By kindling a fire in this apartment, or putting all the
-lamps together so as to create a tolerable heat, the salt comes down in
-flakes like a fall of fleecy snow. As we trudge along the Main Cave (so
-called because all the other avenues branch off from it), the mind
-cannot but be filled with awe while contemplating the wonders of this
-immense tunnel. It is as if we were walking through the bed of a river,
-and the ceiling, generally about sixty feet high, looks something like a
-cloudy sky; indeed, one part of it is called the Floating Clouds. Soon,
-however, our ceiling becomes very low, and our road very rough; we are
-compelled to crawl a considerable way on our hands and knees, and are
-not at all displeased when we reach the Banquet Hall, for here there is
-plenty of room to stand up, the ceiling being 40 feet high, and the
-width of the apartment about 700 feet. We were very glad to sit down
-too, and Stephen went to a distance and lighted one of his Bengal
-lights, which showed us the glories of this immense apartment. While we
-were resting here Stephen sang some negro songs very well—a merry fellow
-is Stephen, and has a good voice. One of his ditties pleased us very
-much—it was about uncle Ned, an old nigger, who died long ago, and who
-had no wool on de top ob his head, de place where de wool ought to grow.
-I sang my poor friend Rooke’s song of “My Boyhood’s Home,” from Amilie,
-and then we resumed our journey, passing by two cataracts, each of which
-falls about 50 feet. Our road was very difficult, indeed, and
-exceedingly toilsome, notwithstanding the fact that one can undergo a
-great deal more fatigue in the cave than it is possible to do in the
-open air; but when we reached the point at which we were aiming, our
-toils were amply repaid by the magnificence of the Chief City, or
-Temple. This dome is 120 feet high, the roof being of smooth solid rock;
-it is 300 feet across, and 960 feet in length. In the middle of it is a
-large heap of stones called the Mountain, up which we clambered to see
-this immense area of darkness illuminated. It is impossible to conceive
-anything more sublime than this rocky hall when lighted up by the
-Bengal; and it is as impossible for words to convey to one who has never
-seen it the least idea of its magnificence. But the light went out too
-soon. “Another Bengal! another Bengal! Stephen!” was the cry that
-immediately burst from every one. “Ah!” said Stephen, “I knew that would
-be the case.” He then formed a light not quite so brilliant as the
-Bengal, but which lasted longer, and in whose softness there was more
-awe in contemplating this vast place. We remained here a long time,
-sometimes in dismal silence, and sometimes breathing forth a sacred
-song, or one of a serious character, for one of any other description
-would have been quite out of place. Moore’s “Oft in the stilly night” I
-sang very softly, but it sounded immensely in the silence; and, if I may
-judge of the effect of it upon Stephen, it was very solemn, for he said
-it made him cry. He sang us no more nigger songs till we were fairly out
-of the Temple. We turned our steps now towards the Fairy Grotto, the way
-to which is also very difficult—a great deal of crawling again under low
-ceilings, but which is generally got over very good-humouredly, each
-one’s mishaps causing a hearty laugh to the others. When you reach the
-apartment you discover that it is not inaptly named the Fairy Grotto,
-and are soon rapt in admiration of the beautiful stalactites before you.
-The lamps are placed in the pillars and other parts of the grotto, in
-the same way as at the Gothic Chapel, and the effect is very fine. The
-stalactites were once whiter than they are now, for the smoke of the
-lamps has darkened them not a little. While admiring the endless variety
-of stalactite beauties before us, one cannot help feeling sorry that
-visitors should be so barbarous as to break them off, for they but
-rarely can get a rosette or anything else whole; they therefore spoil
-the beauty of the grotto, without being able to carry away a
-satisfactory trophy of their destructive deeds. The stalactite
-formations are still going on in the grotto, for the water is constantly
-oozing through, and many a crystal drop may be seen hanging from the end
-of the bunch of beauties already formed. There are some thick massy
-pillars, some stalactites and stalagmites not yet met—the stalagmite is
-the formation on the ground caused by the dropping of the water from the
-stalactite, which hangs as it were from the roof; many of them are
-beautifully and fantastically shaped, and the effect of the light
-shining through them is rich in the extreme. After feasting our eyes on
-this splendid scene, we left the Solitary Cave, and entered again the
-Main Cave, and when we got as far as the Giant’s Coffin, we once more
-dived down behind it into the Deserted Chambers, and passing through the
-Wooden Bowl, we regained our dining-hall of yesterday, and finding
-ourselves quite ready for a repast, we again dined here, and drank of
-the clear delicious spring, and after a long rest and chat, and some
-music, we set out on our further travels. We soon came to the Bottomless
-Pit, and our new-named St Paul’s Dome, and passing on entered the Valley
-of Humility, so called from the visitor being obliged to stoop very much
-while walking through it, for it is only about four feet high; a short
-avenue takes us to the Winding Way, otherwise called the Fat Man’s
-Misery, a most extraordinary freak of nature. It is 109 yards long, and
-about 15 inches broad, and of solid rock. It widens about three feet
-from the ground, so that one has play for his arms; but it keeps
-constantly winding, there being not more than two or three feet straight
-at a stretch, and must perplex very much any tolerably stout person who
-finds himself winding through it. Although it is called the Fat Man’s
-Misery, yet it has sometimes proved the fat woman’s misery too, for a
-very stout lady, if there is such a thing in the world, got into it
-once, and stuck fairly. The appendix, to her quite unnecessary, of a
-bustle, was squeezed out of existence; and in winding her way, she
-nearly winded herself; she breathed fast, but stuck faster; she, being
-so great, became greatly alarmed, and her friends were compelled to haul
-her through till they got into Great Relief, which the avenue at the end
-of the Winding Way is very appropriately called, and which she frankly
-confessed was the greatest relief to her that she had ever in her life
-experienced. In the avenue of Great Relief we saw the point to which the
-river rose in January last, which is fifty-six feet above its usual
-level. In going along we come to two routes, one of which leads to the
-river, where we intend going to-morrow, and another to the Mammoth Dome,
-whither we now steer our course. We come first, however, to the Bacon
-Chamber, another curious freak of dame Nature; the ceiling is low, and
-has the appearance of being hung with canvass covered bacon hams and
-shoulders, so curiously has the action of the water formed these stones.
-There is another curious formation in this chamber. In a part of the
-ceiling there is the appearance of a stratum having dropped out for
-about 20 feet, about one foot broad, and the same in height, and the
-vacuum is in the form of a serpent. Our next place to gaze at is the
-Bandit’s Hall, a wonderfully wild looking apartment of great magnitude,
-the floor being covered with rocks of various sizes, that have evidently
-fallen from the ceiling. It was like being among some wild rocky
-mountains, with the sky far above us, and when lighted up was a
-magnificent spectacle of wild rugged scenery. Now for the Mammoth Dome.
-We sincerely hope it may be something worth looking at when we get to
-it, for our way is the most difficult, tedious, and toilsome that we
-have yet encountered; by this time, however, we were getting quite
-expert at creeping, and going sometimes in crab fashion, sidewise on our
-hands and feet. At last we emerge out of a hole, and find ourselves
-standing on the brink of a precipice, and hear the falling of water from
-a great height, and by the dim glimmer of our lights we see that there
-is something before us awfully grand and stupendous, and this is the
-Mammoth Dome! But we do not see it yet as we shall see it; we must
-descend 20 feet by a crazy-looking ladder, on which human foot has not
-been since last summer, in order that we may see the dome in all its
-glory. Well, we are down, and not a very easy task it is to get down;
-and we are standing there enjoying a kind of shower bath, while Stephen
-goes upon a height to light up—and when he does light up we forget the
-water that is showering down upon us—we forget everything but the grand
-scene before us. We look on the vast space lighted up, and we see the
-sides of this immense dome, or tower it might be called, for it is
-nearly four hundred feet high, fluted, polished, here pillars, there
-capitals of the most elaborate description, as if the cunningest hand of
-the cunningest craftsman had been there—ay, and has he not been there?
-It is something like Gorin’s Dome, which we saw yesterday, but much
-larger. It may well be called the greatest wonder of this wondrous
-place. Stephen must give us another Bengal. Again we gaze in
-astonishment at this unparalleled wonder, and see beauties we did not
-see before. The light fades and dies, and again deep impenetrable gloom
-holds its sway. We ascend the ladder to our old ledge of rock at the
-mouth of the hole by which we must return, and feel thankful when we
-find ourselves safely at the top of it, take one last look at the dome,
-and then retrace our steps. When this dome was discovered in 1842, a
-lamp was found at the bottom of it, which puzzled the finders not a
-little as to how it could have got there. Inquiry was made of an old man
-who lives near the cave, and who worked in it when a boy at the
-saltpetre factories, and he remembers of a man being let down by a rope
-to look for saltpetre, and that he dropped his lamp. What a situation to
-be in! Dangling at the end of a rope in the dark, with perhaps a vacuum
-of 300 feet below him! We now set off for the mouth of the cave, and had
-to go over the same rough ground we traversed before. Having been nine
-hours under ground to-day, and some of our party being heartily tired,
-we were very glad to see the light of heaven again.
-
-
-
-
- THIRD DAY’S RAMBLE.
-
-
-Although we had a day’s rest yesterday, it being Sunday, my eldest
-daughter was not sufficiently recovered from the fatigues of Saturday to
-encounter another day’s journeying in the cave, which might perhaps be
-more fatiguing than any we had yet undergone, and so my youngest and
-myself sallied forth, both of us being very anxious to see the ferlies
-across the river. It has been doubtful for some days whether we should
-be able to cross the river, for, like all the rivers for a considerable
-time past, it has been so high that there has not been sufficient room
-for a boat to pass between the river and the rocky ceiling above.
-However, Green River, which flows at about half a mile’s distance from
-the mouth of the cave, has fallen considerably since last night, which
-affords some hope that the river in the cave may also have fallen, and
-Stephen assures us that he will get us to the other side some way or
-other, if we should go through Purgatory, which he suspects we shall
-have to do. We take an additional guide with us, named Alfred, in case
-his services may be required. We trudge along the Main (and at a pretty
-smart pace), till we reach the Giant’s Coffin, behind which we again
-descend, and go through the Deserted Chambers, pass the Bottomless Pit
-and again get into the Winding Way, through which having winded, we
-leave the Bacon Chamber on the right, and take the passage to the left,
-which leads to the Dead Sea, which may be seen by looking over a
-precipice, and sending a blazing piece of paper to the regions below. At
-eighty feet distance it reaches the still water of the Dead Sea. We
-journey on through avenues till we reach the River Styx, which we cross
-in a boat, then we walk a little farther till we get to Lethe. We sail
-along it in our frail bark till the water becomes so shallow that we can
-go no farther. Echo River is the great one we have to cross, and as the
-guides are uncertain about the state of it, they leave us till they
-ascertain by what means we are to get to the other side. It was no very
-delightful situation for solitary helpless individuals to be left alone
-in a boat in the middle of a river so far under the face of the earth,
-and with no sound of anything near us save the trickling of invisible
-waterfalls, and nothing with any sign of life but gnats that fluttered
-about our lamps, and now and then a large cricket with immense long
-legs, but there was no “hearth” for it to be on, nor did it chirp. In
-this river are the eyeless fish; there are two kinds of them, neither
-having the least resemblance of a place for an eye, for, of course, they
-have no need of eyes. The solitariness of such a scene can scarcely be
-conceived. However, we must not think of it; we sang and chatted. The
-echo was magnificent, and sounding chords afforded us some amusement.
-The four notes of the chord, sounded by one voice, continued to sound
-altogether for a very long time, and at length died away by almost
-inaudible sounds. After being in this lonely situation for an hour, we
-were cheered by hearing the voices of the guides, singing at a long
-distance from us. As they came nearer we discovered that it was “Auld
-lang syne” they were singing, and I am sure I never heard that favourite
-air with greater pleasure or satisfaction. At length the glimmer of the
-lamps is seen in the distant darkness, and the guides approach us,
-awakening the echoes with “Oh, Susanna,” “Old Uncle Ned,” and other
-negro ditties. We learn that we cannot embark at the usual place, but
-must go round by Purgatory Avenue. They have to carry us through the
-shallow water about fifty yards, till we come to walking ground, then we
-reach a ferry which we cross in a boat, and Alfred takes the boat
-through the archway at the usual place for embarking, to meet us at the
-end of the avenue; for we hear the water splashing against the ceiling,
-and we cannot go that way. He must lie down flat in the boat, and get
-through as he best can. We reach the point of the river where he had
-come to, and there is no sign of him. We wait patiently for a time, and
-at length the awful silence is broken by the sounds of his voice,
-singing to let us know he has got through in safety. The effect of the
-solitary lamp on the water is astounding. We now all embark, and sing
-our way down the Echo River for about a quarter of a mile, when we get
-out, and walk again for some distance, then cross the river again, on
-Stephen’s back, and at last we are fairly on the other side. The river
-was discovered in 1839, and first crossed in 1841. As we go along,
-although we are fifty or sixty feet above the river, marks of its recent
-rise are visible, for the sand is very wet, and our road very slippery.
-The avenue in which we now are must have been filled with water to the
-very ceiling, and our path is an awfully wild one, strewed with immense
-rocks that have fallen from above, and the ceiling is like a dark
-midnight sky. The walls are beautifully ornamented with rosettes, &c.,
-of stalactite in great profusion. We are now in Lillyman’s Avenue, and
-have come to a bend, something like the Great Bend on the other side of
-the river. This bend resembles exactly the stern of a large ship, and we
-see it as if we were in the water looking up at it. It is called the
-Great Western. The avenue, which is two miles long, is terminated by an
-apartment called Ole Bull’s Concert Room, for here the great violinist
-discoursed eloquent music to a large party whom he accompanied into the
-cave some years ago. We now enter the Pass of El Ghor, which is two
-miles long, very narrow, that is, it averages a breadth of six or eight
-feet, and a height of about fifteen or eighteen. There is a
-singular-looking place in it called The Hanging Rocks, which are immense
-blocks of stone rent from the roof, and hanging as it were in air, ready
-to annihilate any half-hundred people that may venture under them, but
-fortunately they don’t. We leave the Pass, and enter Spring-side, when
-we ascend a ladder about fifteen feet into a place called Mary’s
-Vineyard, one of the most extraordinary freaks in the whole cave. It
-looks as if all the dark coloured grapes had been collected from half
-the vineyards on the Rhine and deposited here. The clusters are perfect,
-and the formations are still going on. It was lighted up with a Bengal,
-and the effect of it is indescribable. We pass on to Washington Hall, or
-the Spar Chamber, as it is sometimes called, a large and beautiful
-apartment, where the walls and roof are covered with beautiful
-ornaments, and by and by we reach the Snow-ball Room, which has the
-appearance of there having been a formidable battery of snow-balls
-directed against the roof, many of which are beautifully formed, like
-large white roses. We proceed to Cleveland’s Cabinet, which is about two
-miles in length, and filled with stalactite beauties, various parts of
-it being distinguished by particular names, such as Mary’s Bower, a
-beautiful part—St Cecilia’s Grotto, Charlotte’s Grotto, Mary Reedie’s
-Festoon, &c., the walls of the whole for several miles being covered
-with rosettes, Prince of Wales’ feathers, tulips, lilies, &c., and often
-we see a piece like a richly carved Corinthian capital. We must not
-forget the Diamond Grotto, where, by holding your lamp behind you, a
-never-ending profusion of sparkling diamonds is seen among the
-stalactite beauties. Many beautiful specimens have fallen on the ground,
-and many have been knocked from the place where Nature deposited them by
-the ruthless hand of some visitor. We brought away some specimens with
-us, but they are very brittle and very heavy, which makes it difficult
-to procure many. It is said there are rats in this part of the cave,
-though it is difficult to imagine what they can support themselves and
-their families upon, for they cannot exist on the beautiful ornaments by
-which they are surrounded any more than the California miner can live on
-the gold he finds; but sometimes they get a chance for food. It is not
-long since two young men came from New York with the determination of
-exploring the cave. They took provisions with them to last for three
-days, and had Stephen for their guide. They had their blankets with
-them, and after one day’s exploration, they fixed on Cleveland’s Cabinet
-for their sleeping chamber. When they got up in the morning, and went
-for their basket to breakfast before setting out on their travels, they
-found every particle of food gone, and they had a trudge of eight miles
-to the mouth of the cave for a breakfast. The rats are different from
-the usual species, they leap something like a rabbit, and are very
-seldom seen. Beyond Cleveland’s Avenue, we came to the Rocky Mountains,
-an exceedingly difficult place to travel over, then get to the Dismal
-Hall, a gloomy-looking place, about 100 feet high—Sereno’s Arbour, well
-worthy to be visited, and Medora’s Spring, are at the farthest extent of
-the explored part of the cave, and here we are nine miles from the
-mouth. We now returned, and saw on our way the Snow-ball Chamber lighted
-up with a Bengal, which, if possible, increased its beauty. We stopped
-to dine at a little spring not far from the foot of the ladder by which
-we descended from Mary’s Vineyard, and, after resting for a time, we
-entered once more the Pass of El Ghor, and continued our way looking
-with regret for the last time upon the many wonders we had already
-explored. As we approached the river we found the walking as bad as
-ever, but we got over safe. As Alfred was carrying me along the Styx on
-his back, he stepped upon a quicksand, and sank considerably, which I
-not liking, and being quite ignorant as to where he was likely to sink
-to, I jumped from his back, in spite of Stephen’s shouts to “hold on to
-him! hold on to him!” It afforded me a hearty laugh, for the water
-scarcely came to my knees, and the exertion of clambering over rocks,
-and walking along on the rough road, soon made all dry. Once on this
-side the river, we trudged on nimbly through the Fat Man’s Misery and
-the Valley of Humility, and getting into the Main Cave from behind the
-Giant’s Coffin again, we were not long in seeing the light of day. I
-nearly forgot to mention, that as we were sailing up the Echo River on
-our way home, Alfred, the guide, caught two of the eyeless fish. They
-are small, about a finger’s length, one of them like a minnow, and the
-other something like a shrimp. There is not the slightest appearance of
-eyes about them. We heard also the sound of a voice at some distance,
-which Stephen knew to be that of one of the guides, and when we got up
-on the walk about fifty feet above the river, we saw at a great distance
-three individuals standing beside the river, their lamps beside them.
-The effect was awfully sepulchral—they looked like beings of the nether
-regions. By the by, the place through which we traversed to the spot
-where we saw them, is called the Infernal Regions. The visitors soon
-joined us, and we left the cave together. They had only gone to the bank
-of the river. It will be long ere we forget our visit to the Mammoth
-Cave. The season not commencing till about the end of June, we had it
-all to ourselves, and enjoyed it much; but even when there is a crowd of
-people there, it must add to the amusement to meet parties as one
-rambles through the cave, though one would scarcely get into such a
-place for amusement. It fills the mind with thoughts something deeper
-than amusement. No accident of a serious nature has ever happened in the
-cave, for the guides are very careful, and every precaution is taken to
-prevent accidents. Very soon after the river was discovered two young
-gentlemen, accompanied by two young ladies, went to cross it. They were
-full of spirits and too full of fun, for despite the guide’s warning
-that the boat was very crazy, they, in getting into it, upset it. Their
-lamps were all extinguished, and their matches lost. Fortunately the
-guide got them out of the water, and placed them on some rocks, where
-they were obliged to remain for several hours, till the people in the
-hotel sent to see what detained them so long in the cave. They were in a
-terrible fright, and no wonder. Another gentleman who had left his
-party, in his ardour to examine some particular point, lost his way in
-attempting to rejoin them, and wandered about shouting till his lamp
-went out, when he sat down, and he was thirty hours alone before they
-found him. There is no danger if the parties keep together and with the
-guide, but to attempt to find the way oneself were a useless task.[2] We
-left the Mammoth Cave Hotel at six in the evening, and had a pleasant
-ride to Bell’s, at eight miles distance. The road is through the woods
-and very rough, but will be smoother by and by, when there is more
-traffic on it. Mr Bell has improved it very much this spring, at his own
-expense, for he has the conveying of all the visitors from the house to
-the cave, and very reasonably he does it. As I before mentioned, he is
-an obliging and attentive old man, Mr Bell, and if you get into his good
-graces, he will not be sparing of his peach brandy and honey, though he
-very wisely takes none of it himself; and perhaps he may take you into
-the garden, where he will show you something that will strike you as
-being very singular, if you are an Englishman. In a corner of the
-garden, under a quiet tree, you will see a neat tombstone, which will
-tell you that there the old man’s son lies, and two of that son’s
-children, and perhaps he may tell you himself that he is conducting the
-house and farm for the benefit of that son’s widow and surviving child,
-whom he wishes to see comfortably provided for before he be laid in the
-quiet corner beside his son. After spending five hours at Bell’s we got
-the stage for Louisville, ninety miles distant, over a road that is not
-of the best, and to make it worse there is a storm brewing, the
-lightning is flashing, the thunder is roaring, the rain is coming down
-in torrents, and the fire flies are whirling in the air in myriads.
-
-
-_P.S._—This description of the Mammoth Cave, if it may be called so, was
-written to a private friend, and not intended for public
-perusal—therefore, gentle reader, be not disappointed at not having
-discovered finely rounded periods, or any attempt at high-flown
-language—be contented with a plain chat about one of the greatest
-wonders of the world, and if you can manage to come across the Atlantic
-to see it, do so—you will not then be disappointed, I promise you,
-however imperfect may be my description.
-
-
-
-
- SCOTIA’S DIRGE:
- BEING
- VERSES ON THE DEATH OF JOHN WILSON, Esq.,
- THE SCOTTISH VOCALIST,
- Who died at Quebec on the 9th July 1849.
-
-
- Auld Scotia now may sigh aloud,
- Her tears in torrents fa’,
- Her sweetest harp now hangs unstrung,
- Since Wilson’s ta’en awa’.
- He sang o’ a’ her warlike deeds,
- An’ sons that gallant were—
- Her hoary towers, an’ snaw-clad hills,
- An’ maidens sweet and fair.
-
- His was a harp o’ thrillin’ sound,
- Could pleasure aye impart;
- Its melody o’ bygane days
- Gaed hame to ilka heart.
- Its strains could bring remembrance back
- To youthfu’ days at school;
- Or mak’ us sigh for Scotia’s wrangs,
- An’ Flodden’s day o’ dool.
-
- He sang o’ beauty’s winsome wiles,
- In mony a leesome theme,
- An’ gather’d by his artless lays
- A never-dying name.
- While heather blooms on Scotia’s hills,
- An’ burnies join the sea,
- His aft-applauded “Nichts wi’ Burns”
- Will ne’er forgotten be.
-
- Ye gentle maids! a tribute pay
- Frae ’mang your Western bowers,
- An’ strew the minstrel’s lowly grave
- Wi’ summer’s balmy flowers!
- Then rest thee, minstrel! Tho’ thy harp
- Can noo nae mair be found,
- The lovers o’ auld Scotia’s sangs
- Can ne’er forget its sound!
-
-Gourdon Schoolhouse.
- W. J.
-
-
-
-
- Footnotes
-
-
-[1]Bell’s house, when we leave the road, is midway between Nashville and
- Louisville, and 90 miles from each city.
-
-[2]In St Louis I saw part of a panorama of the Upper Mississippi, which
- a French artist named Pomerade has been engaged on for some years,
- and which he has nearly finished. It is beautifully painted, and must
- prove very interesting, for he has introduced Indian scenes, customs,
- &c., and has also machinery which sets the steam-boats agoing, &c. He
- intends to have four views from the Mammoth Cave as drop-scenes; if
- he succeeds in giving anything like a faithful representation of
- them, it will add much to the _eclat_ of his picture.
-
-
-
-
- Transcriber’s Notes
-
-
---Created an original cover image, for free unrestricted use with this
- eBook.
-
---Silently corrected a few typos.
-
---In the text versions, included italicized text in _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of A Visit to the Mammoth Cave of Kentucky, by
-John Wilson
-
-*** END OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-***** This file should be named 51187-0.txt or 51187-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/1/8/51187/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/51187-0.zip b/old/51187-0.zip
deleted file mode 100644
index 6a87812..0000000
--- a/old/51187-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/51187-h.zip b/old/51187-h.zip
deleted file mode 100644
index 3a1f914..0000000
--- a/old/51187-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/51187-h/51187-h.htm b/old/51187-h/51187-h.htm
deleted file mode 100644
index 2a6e7ca..0000000
--- a/old/51187-h/51187-h.htm
+++ /dev/null
@@ -1,1558 +0,0 @@
-<?xml version="1.0" encoding="utf-8"?>
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<meta http-equiv="Content-Style-Type" content="text/css" />
-<title>A Visit to the Mammoth Cave of Kentucky, John Wilson: a Project Gutenberg eBook</title>
-<meta name="author" content="John Wilson" />
-<link rel="schema.DC" href="http://dublincore.org/documents/1998/09/dces/" />
-<meta name="DC.Creator" content="John Wilson (1800-1849)" />
-<meta name="DC.Title" content="A Visit to the Mammoth Cave of Kentucky" />
-<meta name="DC.Language" content="en" />
-<meta name="DC.Format" content="text/html" />
-<meta name="DC.Created" content="1849" />
-<meta name="pss.pubdate" content="1849" />
-<style type="text/css">
-large { font-size:125%; }
-sc { font-variant:small-caps; font-style: normal; }
-/* == GLOBAL MARKUP == */
-body, table.twocol tr td { margin-left:2em; margin-right:2em; } /* BODY */
-.box { border-style:double; clear:both; margin-bottom:2em; max-width:27em;
- margin-right:auto; margin-left:auto; margin-top:2em; }
-.box p { margin-right:.3em; margin-left:.3em; }
-.box dl dt.center { margin-right:.5em; margin-left:.5em; font-size:90%; font-weight:bold; margin-top:.5em; margin-bottom:.5em; }
-.box dl {margin-top:0; margin-bottom:0; }
-h1, h5, h6, .titlepg p { text-align:center; clear:both; } /* HEADINGS */
-h2 { margin-top:2em; text-align:center; clear:both; margin-bottom:.7em; font-size:120%; }
-h1 { margin-top:3em; }
-div.box h1 { margin-top:1em; }
-h3 { margin-top:2em; text-align:center; clear:both; }
-h4, h5 { font-size:100%; text-align:right; clear:right; }
-h6 { font-size:100%; }
-h6.var { font-size:80%; font-style:normal; }
-.titlepg { margin-left:auto; margin-right:auto; border-style:double; clear:both; }
-span.chaptertitle { font-style:normal; display:block; text-align:center; font-size:150%; }
-.tblttl { text-align:center; }
-.tblsttl { text-align:center; font-variant:small-caps; }
-
-
-pre sub.ms { width:4em; letter-spacing:1em; }
-table.fmla { text-align:center; margin-top:0em; margin-bottom:0em; margin-left:0em; margin-right:0em; }
-table.inline, table.symbol { display: inline-table; vertical-align: middle; }
-
-p, blockquote, div.p, div.bq { text-align:justify; } /* PARAGRAPHS */
-div.p, div.bq { margin-top:1em; margin-bottom:1em; }
-blockquote, .bq { margin-left:1em; margin-right:0em; }
-.verse { font-size:100%; }
-p.indent {text-indent:2em; text-align:left; }
-p.tb, p.tbcenter, verse.tb, blockquote.tb { margin-top:2em; }
-
- /* PAGE BREAKS */
-span.pb, div.pb, dt.pb, p.pb { text-align:right; float:right; margin-right:0em; clear:right; }
-div.pb { display:inline; margin-left:1.5em; text-indent:0em; }
-.pb, dt.pb, dl.toc dt.pb, dl.tocl dt.pb { text-align:right; float:right; margin-left: 1.5em;
- margin-top:.5em; margin-bottom:.5em; display:inline; text-indent:0;
- font-size:80%; font-style:normal; font-weight:bold;
- color:gray; border:1px solid gray;padding:1px 3px; }
-dl.index dt.pb { display:block; margin-left:1.5em; text-indent:0em; }
-.bq div.pb, .bq span.pb { font-size:90%; margin-right:2em; }
-
-div.img, body a img {text-align:center; margin-left:auto; margin-right:auto;
- margin-top:2em; margin-bottom:2em; clear:both; }
-p.caption, p.captionc, p.captionl { font-size:90%; font-weight:bold; margin-top:0; clear:both; }
-p.caption { text-align:center; margin-right:1em; margin-left:1em; }
-p.captionc { text-align:center; }
-p.captionl { text-align:left; margin-bottom:0em; }
-sup, a.fn { font-size:75%; vertical-align:100%; line-height:50%; font-weight:normal; }
-h3 a.fn { font-size:65%; }
-sub { font-size:75%; }
-.center, .tbcenter { text-align:center; clear:both; } /* TEXTUAL MARKUP */
-span.center { display:block; }
-table.center { clear:both; margin-right:auto; margin-left:auto; }
-table.inline, table.symbol { display: inline-table; vertical-align: middle; }
-span.jr { text-align:right; display:block; }
-
-p { clear:left; }
-.small, .lsmall { font-size:86%; }
-.smaller { font-size:80%; }
-.smallest { font-size:67%; }
-.larger { font-size:150%; }
-.large { font-size:125%; }
-.xlarge { font-size:200%; line-height:60%; }
-.xxlarge { font-size:200%; line-height:60%; }
-.gs { letter-spacing:1em; }
-.gs3 { letter-spacing:2em; }
-.gslarge { letter-spacing:.3em; font-size:110%; }
-.sc { font-variant:small-caps; font-style: normal; }
-.xo { position:relative; left:-.3em; }
-.over, over { text-decoration: overline; display:inline; }
-hr { width:20%; }
-.jl, span.jl { text-align:left; float:left; display:inline-block; }
-.jr { text-align:right; min-width:2em; }
-.jr1 { text-align:right; margin-right:2em; }
-.ind1 { text-align:left; margin-left:2em; }
-.u { text-decoration:underline; }
-.hst { margin-left:2em; }
-.rubric { color:red; }
-ul li { text-align:justify; }
-
-dd.t { text-align:left; margin-left: 5.5em; }
-dl.toc { clear:both; margin-top:1em; } /* CONTENTS (.TOC) */
-.toc dt.center { text-align:center; clear:both; margin-top:3em; margin-bottom:1em;}
-.toc dt { clear:both; }
-.toc dt { font-variant:small-caps; text-align:right; }
-.toc dt a { float:left; text-align:left; display:block; }
-.toc dt a span.cn,
-.toc dt span.cn { width:2em; text-align:right; margin-right:.7em; float:left; }
-.toc dd { text-align:center; clear:both; }
-.toc dd.ddt { text-align:right; clear:both; margin-left:4em; }
-.toc dd.ddt2 { text-align:right; clear:both; margin-left:5em; }
-.toc dd.ddt3 { text-align:right; clear:both; margin-left:6em; }
-.toc dd.ddt4 { text-align:right; clear:both; margin-left:7em; }
-.toc dd.ddt5 { text-align:right; clear:both; margin-left:8em; }
-.toc dd.note { text-align:justify; clear:both; margin-left:5em; text-indent:-1em; margin-right:3em; }
-.toc dt .xxxtest {width:17em; display:block; position:relative; left:4em; }
-.toc dt.sc { text-align:right; clear:both; }
-.toc dt.scl { text-align:left; clear:both; font-variant:small-caps; }
-.toc dt.sct { text-align:right; clear:both; font-variant:small-caps; margin-left:1em; }
-.toc dt.jl { text-align:left; clear:both; font-variant:normal; }
-.toc dt.scc { text-align:center; clear:both; font-variant:small-caps; }
-.toc dt span.lj { text-align:left; display:block; float:left; }
-.toc dd.center { text-align:center; }
-.toc dt a span.cn { width:3em; text-align:right; margin-right:.7em; float:left; }
-
- /* CONTENTS (.TOCLR) */
- .toclr dt.center { text-align:center; clear:both; margin-top:3em; margin-bottom:1em; }
- .toclr dt { text-align:right; clear:left; font-variant:small-caps;
- margin-left:auto; margin-right:auto; max-width:23em; }
- .toclr dt.jr { text-align:right; }
- .toclr dt.smaller { max-width:25em; }
- .toclr dd { text-align:right; clear:both; margin-left:2em; }
- .toclr dd.t { text-align:right; clear:both; margin-left:4em; text-indent:0em; }
- .toclr dt a, .toclr dd a { text-align:left; clear:right; float:left; }
- .toclr dt.sc { text-align:right; clear:both; }
- .toclr dt.scl { text-align:left; clear:both; font-variant:small-caps; }
- .toclr dt.sct { text-align:right; clear:both; font-variant:small-caps; margin-left:1em; }
- .toclr dt.jl { text-align:left; clear:both; font-variant:normal; }
- .toclr dt.scc { text-align:center; clear:both; font-variant:small-caps; }
- .toclr dt span.lj { text-align:left; display:block; float:left; }
- .toclr dt.jr { font-style:normal; }
- .toclr dt a span.cn, .toc dt span.cn { width:2.5em; text-align:right; margin-right:.7em; float:left; }
-
-
-
-dd.tocsummary {text-align:justify; margin-right:2em; margin-left:2em; }
-dd.center sc {display:block; text-align:center; }
-/* BOX CELL */
-td.top { border-top:1px solid; width:.5em; height:.8em; }
-td.bot { border-bottom:1px solid; width:.5em; height:.8em; }
-td.rb { border:1px solid; border-left:none; width:.5em; height:.8em; }
-td.lb { border:1px solid; border-right:none; width:.5em; height:.8em; }
-
- /* INDEX (.INDEX) */
-dl.index { clear:both; }
-.index dd { margin-left:3em; text-indent:-2em; text-align:left; }
-dl.index dt { margin-left:2em; text-indent:-2em; text-align:left; }
-dl.index dd.ddt { margin-left:4em; text-indent:-2em; text-align:left; }
-.index dt.center {text-align:center; }
- /* INDEX ALPHABAR */
-.ab { border:1px solid gray;padding:1px 3px; font-weight:bold;
- display:inline-block; min-width:.9em; margin-top:.2em; }
-span.ab { color:gray; }
-a.ab { text-decoration:none; }
- /* FOOTNOTE BLOCKS */
-div.notes p { margin-left:1em; text-indent:-1em; text-align:justify; }
-
-dl.undent dt { margin-left:1em; text-indent:-1em; text-align:justify; }
-dl.undent dd { margin-left:2em; text-indent:-1em; text-align:justify; }
-dl.undent dd.t { margin-left:3em; text-indent:-1em; text-align:justify; }
- /* POETRY LINE NUMBER */
-.lnum { text-align:right; float:right; margin-left:.5em; display:inline; }
-
-.hymn { text-align:left; } /* HYMN AND VERSE: HTML */
-.verse { text-align:left; margin-top:1em; margin-bottom:1em; margin-left:0em; }
-.versetb { text-align:left; margin-top:2em; margin-bottom:1em; margin-left:0em; }
-.originc { text-align:center; }
-.subttl { text-align:center; font-size:80%; }
-.srcttl { text-align:center; font-size:80%; font-weight:bold; }
-p.t0, p.l { margin-left:4em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.lb { margin-left:4em; text-indent:-3em; margin-top:2em; margin-bottom:0; text-align:left; }
-p.tw, div.tw, .tw { margin-left:1em; text-indent:-1em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t, div.t, .t { margin-left:5em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t2, div.t2, .t2 { margin-left:6em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t3, div.t3, .t3 { margin-left:7em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t4, div.t4, .t4 { margin-left:8em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t5, div.t5, .t5 { margin-left:9em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t6, div.t6, .t6 { margin-left:10em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t7, div.t7, .t7 { margin-left:11em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t8, div.t8, .t8 { margin-left:12em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t9, div.t9, .t9 { margin-left:13em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t10, div.t10,.t10 { margin-left:14em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t11, div.t11,.t11 { margin-left:15em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t12, div.t12,.t12 { margin-left:16em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t13, div.t13,.t13 { margin-left:17em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t14, div.t14,.t14 { margin-left:18em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.t15, div.t15,.t15 { margin-left:19em; text-indent:-3em; margin-top:0; margin-bottom:0; text-align:left; }
-p.lr, div.lr, span.lr { display:block; margin-left:0em; margin-right:1em; margin-top:0; margin-bottom:0; text-align:right; }
-dt.lr { width:100%; margin-left:0em; margin-right:0em; margin-top:0; margin-bottom:0; margin-top:1em; text-align:right; }
-dl dt.lr a { text-align:left; clear:left; float:left; }
-
-.fnblock { margin-top:2em; }
-.fndef { text-align:justify; margin-top:1.5em; margin-left:1.5em; text-indent:-1.5em; }
-.fndef p.fncont, .fndef dl { margin-left:0em; text-indent:0em; }
-dl.catalog dd { font-style:italic; }
-dl.catalog dt { margin-top:1em; }
-.author { text-align:right; margin-top:0em; margin-bottom:0em; display:block; }
-
-dl.biblio dt { margin-top:.6em; margin-left:2em; text-indent:-2em; text-align:justify; clear:both; }
-dl.biblio dt div { display:block; float:left; margin-left:-6em; width:6em; clear:both; }
-dl.biblio dt.center { margin-left:0em; text-align:center; }
-dl.biblio dd { margin-top:.3em; margin-left:3em; text-align:justify; font-size:90%; }
-.clear { clear:both; }
-p.book { margin-left:2em; text-indent:-2em; }
-p.review { margin-left:2em; text-indent:-2em; font-size:80%; }
-dl.undent dt { margin-left:0em; text-indent:0em; }
-dl.undent dd { margin-left:4em; text-indent:-3em; }
-dl.undent dd.t { margin-left:5em; text-indent:-3em; }
-dl.undent dd.t2 { margin-left:6em; text-indent:-3em; }
-dl.undent dt.r { text-align:right; }</style>
-</head>
-<body>
-
-
-<pre>
-
-Project Gutenberg's A Visit to the Mammoth Cave of Kentucky, by John Wilson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A Visit to the Mammoth Cave of Kentucky
-
-Author: John Wilson
-
-Release Date: February 12, 2016 [EBook #51187]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-
-
-
-
-
-</pre>
-
-<div id="cover" class="img">
-<img id="coverpage" src="images/cover.jpg" alt="A Visit to the Mammoth Cave of Kentucky" width="500" height="791" />
-</div>
-<div class="box">
-<h1>A VISIT
-<br /><span class="smallest">TO</span>
-<br />THE MAMMOTH CAVE OF KENTUCKY.</h1>
-<p class="tbcenter">BY JOHN WILSON,</p>
-<p class="center"><span class="smaller">THE SCOTTISH VOCALIST.</span></p>
-<p class="tbcenter"><span class="small">EDINBURGH: 1849.</span></p>
-</div>
-<div class="pb" id="Page_3">3</div>
-<h1 title="">A VISIT
-<br /><span class="smaller">TO</span>
-<br />THE MAMMOTH CAVE OF KENTUCKY.</h1>
-<p class="jr1"><span class="small">Mammoth Cave, Kentucky, May 20, 1849.</span></p>
-<p>We left the City of Rooks, as Nashville is called, on
-Thursday morning at half-past four, and travelled ninety
-miles to our place of destination for the night, which occupied
-19 hours. The stages in this part of the country lose
-a great deal of time needlessly by stopping for meals a great
-deal oftener than people require them. During our ride
-we had breakfast at 21 miles from Nashville, at a place
-called Tyree Springs, and that was acceptable enough; but
-before it was well digested we had to stop for dinner, and
-then again for supper, in three hours more; and as the
-people in this last hotel, which was at a pretty little town
-called Bowling Green, did not wish to be at the trouble of
-making one supper for their own boarders and another for
-the coach travellers, we were compelled to &ldquo;bide their
-time&rdquo; though not any of us wanted supper at all, and here
-we lost an hour and a half. In our journey we were interested
-in the day time by the great variety of wild flowers
-we saw, and after dark by the crowds of fire-flies in the
-air, in the trees, in the fields. We reached Bell&rsquo;s,<a class="fn" id="fr_1" href="#fn_1">[1]</a> where
-we were to stay for the night, at half-past 11, where we
-might have had another meal, but we did not like. Bell, a
-civil old fellow, is famed for making a kind of Atholl brose,
-of old peach brandy and honey, which we had a tasting of,
-and then went to bed; but Mr Bell&rsquo;s brose I shall never
-taste again, for although it is pleasant enough to taste, yet
-I could not get the disagreeable flavour of the peach brandy
-out of my mouth the whole of the next day. After a capital
-<span class="pb" id="Page_4">4</span>
-breakfast, Bell sent us in a four horse stage to the Mammoth
-Cave, a distance of eight miles, over one of the roughest
-roads I ever encountered; but what we have seen in this
-wonderful place amply compensates for any trouble or difficulty
-we may have undergone. I am really quite at a loss
-how to begin to give you the least idea of the place, for it
-is almost beyond description; at all events I feel quite sure
-that any kind of description given in writing, by any mortal
-man, cannot afford to a stranger the smallest notion of the
-wondrousness, the sublimity, the awfulness of this cave&mdash;this
-stupendous work of Nature. First let me tell you,
-however, that it contains 226 avenues; at least that number
-has been discovered, for there are more than that;
-forty-seven domes, eight cataracts, pits innumerable, and
-eight rivers, only three of which have been explored. It
-was first discovered by the whites in 1802, and during the
-last war with England immense quantities of saltpetre were
-made in it, the remains of the utensils for the manufacture
-of which are still to be seen at a short distance from the
-entrance, and even the marks of the hoofs of the oxen the
-miners used can be traced in the ground. It is only about
-ten years since the curious began to visit the cave, and
-every year the visitors increase in number, and they must
-continue to do so as the wonders of the place become more
-talked of. About the end of June is the time for crowds
-coming, and there is ample accommodation for more than
-two hundred people in a very comfortable hotel, with an
-obliging and intelligent host, named Mosher. There is no
-other visitor here at present but ourselves. Having given
-you so much preliminary, I shall endeavour to give you an
-inkling of what we saw during our</p>
-<h2 id="c1">FIRST DAY&rsquo;S VISIT TO THE MAMMOTH CAVE.</h2>
-<p>The necessary alterations having been made in the costume
-of my two daughters, namely, the petticoats being shortened,
-and trousers being donned&mdash;pants, I ought to have said, for
-trousers are never named here, and breeches are never made&mdash;and
-caps being placed upon their craniums, a gentleman, who
-accompanied us from Nashville, and myself, having been provided
-with coats that had been coats once, and low-crowned
-soft hats, we set off for the cave. We were fortunate in getting
-the services of the favourite guide Stephen, to whom we
-had a letter from a lady in Nashville. He is an active, intelligent,
-attentive, capital fellow, and after walking some 200
-yards through an avenue of shady trees, we found him near
-the entrance, with his lamps ready to light, his flask of oil on
-his back, and one basket of provisions. We descended by
-about thirty rude steps to the entrance, where our lamps
-being lighted, we bade farewell for a while to the light of
-day. In a very short time we come to a wall that had been
-built by the miners, and in which there is a door-way, inside
-<span class="pb" id="Page_5">5</span>
-of which we are fairly in the cave. The temperature of the
-cave is always at sixty, and when the temperature out of
-doors is higher, the air rushes out at this doorway, so as to
-blow out the lamps, if the command of the guide is not
-obeyed to keep your lamps before you. At first one cannot
-see very well&mdash;the eyes are not yet accustomed to penetrate
-the darkness&mdash;the lamps only tended to make the darkness
-more visible. By and by we get more used to it. The
-&ldquo;Church,&rdquo; as it is called, is the first apartment where we make
-a halt. It is very large, with galleries round it, and a projection
-of rock at one side, called the pulpit. Being told by
-the guide to put our lights behind us, he set fire to a Bengal
-light, and then we were struck with wonder and awe at the
-splendour and the vastness of the rocky apartment. For
-size, Exeter Hall is nothing to it. During the season
-service is performed in it by some of the clergymen visitors,
-and the effect must be very sublime, to see each worshipper
-sitting with his lamp, listening to the Word, joining in
-prayer to the Lord of all, and singing his praises. Each
-person enters with his lamp, of course, but on coming to the
-church the lamps are all placed together, so as to make one
-general grand light. The church is in the &ldquo;Main Cave,&rdquo;
-which is five miles in extent, and as we move along we see the
-marks of the action of the water upon the rocks in every part.
-The average height is 50 feet, its width 100 feet; at one
-place, however, it is 340 feet wide. We leave the Main
-Cave, and enter the &ldquo;Gothic Avenue,&rdquo; where the first apartment
-we come to is called the &ldquo;Haunted Chamber,&rdquo;
-from two mummies having been found there by the miners
-in 1809. They were in a sitting position, and clothed with
-deer-skins. One of them is now in a museum in New York;
-the other was burned by the museum in Cincinnati taking
-fire. The friend who was with me being somewhat of a
-utility sort of a person, wishes everything to be made proper
-use of, and suggested that the cave would be a capital place
-for keeping meat, vegetables, &amp;c., when he was told by
-Stephen, much to his satisfaction, that the hotel people used
-it for that purpose. We go along farther, and soon find
-ourselves in the &ldquo;Register Room,&rdquo; which has, or rather had,
-a beautiful white ceiling, but it is now considerably defaced
-by many persons wishing to immortalise themselves by writing
-their names on the roof with the smoke of a candle.
-They must have had the candle attached to a pretty long
-pole, for the roof is high. I. B. of old England is one of
-the names; I suppose John Bull is meant. There is also a
-Mr John Smith&mdash;it does not state where his locale is, but it
-is not unlikely that it was Mr Smith of the United States.
-After passing &ldquo;Vulcan&rsquo;s Forge,&rdquo; so called from the stone
-resembling very much the refuse of a forge, we come to the
-&ldquo;Gothic Chapel.&rdquo; Before entering it, however, Stephen
-takes our lamps, and leaves us in the dark for a time, while
-<span class="pb" id="Page_6">6</span>
-he goes and places them on the stalactite pillar in the chapel.
-He calls out to us to &ldquo;come on&mdash;there&rsquo;s nothing to stumble
-over,&rdquo; and we advanced towards the chapel. How splendid!
-how beautiful! The stalactite pillars are all opposite to
-each other, as if they were really supporting the roof. It
-reminded me of the crypt under the Cathedral at Rochester,
-in Kent, excepting that here the pillars were translucent.
-About ten or twelve feet high are the pillars, and the stalactite
-formations are still going on in some of them. It has
-been ascertained, it seems, that it takes thirty years to form
-the thickness of a wafer, then how many times thirty years
-must it have taken to form these pillars! It was a solemn
-scene, the stillness was indeed quite awful. I broke the
-silence by singing Luther&rsquo;s Hymn, while those around me
-stood like statues. We came next to what is called
-&ldquo;Napoleon&rsquo;s Breastwork,&rdquo; an immense block of limestone,
-that has evidently fallen away from the roof at some time
-or other, and now lies in a slanting form. It is about 60
-feet long, 20 feet to the top, and looks over into a deep
-ravine. Now we come to his Satanic Majesty&rsquo;s &ldquo;Armchair,&rdquo;
-which is the name given to a splendid stalactite column in the
-centre of a chamber, and which on one side forms an excellent
-seat. The back is round, and like one of the old fashioned
-chairs stuffed, and covered with silk. You may have an idea
-of the size of it when I tell you that it takes three men&rsquo;s arms
-to go round it. Not far from it is another stalactite formation
-called the &ldquo;Elephant&rsquo;s Head,&rdquo; from its exact resemblance
-to one&mdash;the eyes, ears, and trunk, are perfect&mdash;some
-barbarian, however, has defaced the trunk. Now we
-approach the &ldquo;Lover&rsquo;s Leap,&rdquo; where any hapless swain
-may have an opportunity of getting rid of all his earthly
-cares by taking a dismal leap of 50 feet, but no one has yet
-been desperate enough to do it. We descend to the left of
-the &ldquo;Lover&rsquo;s Leap&rdquo; and presently enter an extraordinary
-passage in the rock, called the &ldquo;Devil&rsquo;s Elbow;&rdquo; it is about
-three feet wide and twelve high, and leads to the lower
-branch of the Gothic Avenue. The stone of the passage
-bears evidence of water having rushed through it with tremendous
-force, though how long ago it is impossible to
-ascertain. One of the guides got a terrible fright here
-some time since, by a gentleman who was gifted with ventriloquial
-powers. He had arrived at the hotel in the evening,
-and requested a guide to accompany him to the cave.
-While they were standing over the &ldquo;Lover&rsquo;s Leap&rdquo; he
-made a cry for &ldquo;lights and some water,&rdquo; which seemed to
-come through the &ldquo;Devil&rsquo;s Elbow&rdquo; from the apartment
-below. The guide, fancying it was some one of his companions
-whose lamp had gone out, called out to him to stay
-where he was and he would come to him immediately; as
-he was descending by the Devil&rsquo;s Elbow the voice came
-from another part in front of them. He returned, and
-<span class="pb" id="Page_7">7</span>
-was ascending again to the Lover&rsquo;s Leap, when the voice
-once more came through the Elbow, at which he became
-considerably alarmed, and it was with great difficulty the
-gentleman could prevent him from running fairly off out of
-the cave, and leaving him in the lurch, which perhaps he
-deserved. On their return to the hotel the guide told the
-landlord a woful story, in the midst of which, however,
-he was stopped by some one coming in to say there was a
-maniac about the grounds, when they went out and heard
-a voice calling out for some tea and bread and butter.
-&ldquo;That&rsquo;s it!&rdquo; he said, &ldquo;that&rsquo;s the same voice that was in the
-cave.&rdquo; The ventriloquist made the landlord aware of the
-trick, and the mysterious affair ended with a hearty laugh
-at the poor alarmed guide&rsquo;s expense. As we enter this
-part of the Gothic Avenue, we come to a basin of beautiful
-clear water, called the &ldquo;Cooling Tub.&rdquo; It is about
-six feet wide, and a stream of the purest water is falling
-constantly into it from the ceiling, which is here about thirty
-feet high. In various parts of the cave there are streams
-of this description, and the sound of this falling water is the
-only thing that breaks the awful stillness that constantly
-reigns. After passing &ldquo;Napoleon&rsquo;s Dome,&rdquo; which is about
-sixty feet in height, we come to another little pool, called
-&ldquo;Lake Purity,&rdquo; the water in which is delicious to drink, so
-pure that no disturbance can thicken it. Now we retrace
-our steps to the &ldquo;Main Cave,&rdquo; where at almost every step
-we take some new wonder is opened up to us. We are in
-an apartment called the &ldquo;Ball Room,&rdquo; for it is frequently
-used as such by the visitors during the season. The floor
-is smooth and level, and continues so for several hundred
-feet, so that there is plenty of room for a large party. There
-are spacious galleries above, too, formed by the ledging
-rocks; and there is an orchestra, capable of holding twice
-the number of the Philharmonic Band. As we go along gazing
-in wonder at everything, the eye suddenly rests on a nice
-little niche in the wall, just like the niche that is at the door
-of a Roman Catholic Cathedral for holding the holy water.
-It has been formed by the trickling down of the water, and
-is called Wandering Willie&rsquo;s Spring; as I have considerable
-regard for all Wandering Willies, I partook of the water
-of his spring, and can vouch for its purity and refreshing
-qualities. The &ldquo;Standing Rocks&rdquo; that we by and by approach,
-are immense blocks of stone that have evidently
-fallen from the roof, some of them twenty feet long, and six
-or eight feet thick, and many of them even larger, and what
-is something remarkable, it is the thinnest part of the stone
-that has sunk into the earth. The next very prominent
-object we come to is the &ldquo;Giant&rsquo;s Coffin,&rdquo; an immense block
-of limestone that has evidently fallen away from the side,
-and which perfectly resembles a coffin, but may well be
-called a giant&rsquo;s, for it is sixty feet long and about twenty
-<span class="pb" id="Page_8">8</span>
-feet thick. It has the curved lid which I have observed in
-the fashionable coffins in the south, and which I heard an
-auctioneer, who was selling some by auction, recommend
-as being much more accommodating than the plain lids, for
-the person could turn round whenever he felt inclined to do
-so. At some distance beyond this, perhaps 150 yards, the
-cave takes a gigantic turn, called the &ldquo;Acute Angle,&rdquo; or
-&ldquo;Great Bend,&rdquo; which the guide illumines by one of his
-Bengal lights, and displays to the astonished spectator one
-of the most wonderful sights that ever mortal eyes beheld.
-It has the appearance of a vast amphitheatre. It must be
-about seventy feet high. In front of us is the great cornerstone
-or bend, and on each side the avenue looms away
-into unfathomable darkness. The Bengal light dies, and we
-trudge along to the right, with our lamps in our hands,
-single file, with Stephen at the head, and ere long he says,
-&ldquo;Stop, we are now in the &lsquo;Star-Chamber.&rsquo;&rdquo; Wonders will
-never cease, for here is something more wonderful than
-anything we have yet seen. How can I convey to you an
-idea of it? Let me see. It is as if we were at the bottom
-of a deep ravine or pass, about sixty feet wide, and one
-hundred feet high, the top of the ravine being terminated
-by jutting-out rocks, and above those projecting rocks we
-see the blue firmament of heaven, as it were, with the stars
-shining above us. The rocks at the top are white in many
-places, and cloud-like, which shows the starry firmament to
-greater advantage. The stars are formed by the sparkling
-gypsum in the dark limestone, and a more complete optical
-illusion dame Nature never called into existence. We felt
-as if we should never tire gazing on this, and expatiating
-to each other upon its wonders. Stephen asked us how we
-should like to have all the lights extinguished, to try the
-effect of it in that way, which we readily agreed to; but
-not a particle of anything could we see. There was, of
-course, not the smallest ray of light&mdash;there could not be,
-for we were two miles from the mouth of the cave, and
-170 feet below the surface of the earth. I put my finger
-close to my eye but could see nothing. When no one spoke
-the silence was awful. I don&rsquo;t know what the others were
-thinking of in the midst of this total eclipse, but I could not
-help thinking, now, if Stephen should have forgot his matches
-we shall be in a fine <i>fix</i>. I spoke to him of this afterwards,
-when he said he should soon have got lights for us if he had
-forgot his matches, for he knows the cave so well, having been
-a guide in it for thirteen years, that he could have forced his
-way to the mouth. This Star-Chamber is one of the most
-pleasing sights in the cave. Not far from it are the remains
-of some small houses that were built some years ago for
-consumptive patients. The air is so pure and the temperature
-so equal, that they enjoyed very good health while
-they remained in the cave, but as soon as they went above
-<span class="pb" id="Page_9">9</span>
-ground they became as bad as ever; the idea, therefore, of
-making the cave an hospital for consumption has been
-abandoned. I forgot to say that while we were admiring
-the wonder of the Starry Chamber we sang a sacred trio,
-the effect of which was beautiful, for everything was so still&mdash;no
-interruption by whisperers, or those persons who are
-not aware that it is the height of rudeness to speak while any
-one is singing&mdash;the voices sounded large and full. The
-sublimity of the scene could not altogether withdraw the
-attention of our utility friend from the things of this earth, for
-while we were gazing in astonishment on the scene around
-us, he asked me whether, as I came from London, I had
-ever seen a work on the art of brewing by fermentation,
-and without yeast! The Star-Chamber was the extent of
-our walk in the Main Cave to-day. We returned as far as the
-Giant&rsquo;s Coffin, behind which we entered an avenue, and
-descended some 12 or 14 steps, then through a very low
-and narrow passage into the &ldquo;Deserted Chambers,&rdquo; which
-we got to by crawling some part of the way on our hands
-and knees. The first of the Deserted Chambers is called
-the Wooden Bowl, from the fact of a wooden bowl having
-been found in it by the miners some years ago. At a short
-distance from this bowl we stopped to dine, sitting on the
-edge of a large flat rock, which we used as a dining-table.
-Close by there was a spring of clear delicious water. We
-enjoyed our repast amazingly; drank, in the pure, unadulterated
-water, to all our friends round St Paul&rsquo;s; had some
-songs after dinner, then resumed our walk. Our attention
-was first directed to the &ldquo;Sidesaddle Pit,&rdquo; which is about 60
-feet deep; and to prevent one&rsquo;s having a chance of falling
-into it, it is railed round by spars of sassafras tree, on one
-of which are two sprouts, which made their appearance
-about a month ago, and are looked upon with interest, for
-there is no other sign of vegetation within the place. The
-ceiling here, from water oozing through the stone, is just
-like honeycomb. A little further on we come to the
-&ldquo;Bottomless Pit,&rdquo; a frightful chasm with a fragile wooden
-bridge across it. A piece of lighted paper thrown from the
-bridge into the pit, shows us the depth of it, which, from the
-water to the top of the dome above us, is 280 feet. As we
-found that the splendid dome over head had no name, we
-called it St Paul&rsquo;s, and insisted that Stephen should henceforth
-call it by that name, and no other.</p>
-<p>As we go along we see on the roof of the avenue the most
-beautiful stalactite formations&mdash;rosettes, &amp;c., in innumerable
-variety; there is indeed here a mixture of the sublime
-and beautiful. We come to the &ldquo;Wild Hall,&rdquo; well named
-from its appearance, go through the &ldquo;Arch,&rdquo; which is one
-of the most-beautifully formed natural arches that can be
-seen, return through what is called the Labyrinth, and go
-to &ldquo;Gorin&rsquo;s Dome.&rdquo; Much as we had seen to astonish us,
-<span class="pb" id="Page_10">10</span>
-we were not prepared for the magnificence of the scene we
-were now to witness. Stephen placed us at an aperture
-about the ordinary size of a window, told us to lay down
-our lamps behind us, then he left us. By and by we discovered
-him on a point a considerable way above us, and he
-lighted one of his Bengals and unfolded the wonders of the
-dome to us. It is nearly 300 feet in height, and we were
-standing about half way up. The sides of the dome are
-fluted, and have the appearance of having been polished, for
-the water is still trickling down. It is utterly impossible to
-give any idea of the splendour of this place when lighted
-up. We had not seen half enough of it. We called for
-another Bengal light, but Stephen had not one more left,
-so we were obliged to leave, which we did, expressing our
-determination to visit the dome again in our next ramble.</p>
-<p>We had now been five hours in the cave, and as we had
-more than two miles to walk to the mouth, we set off on our
-homeward route, and passed again some of our old acquaintances,
-the Giant&rsquo;s Coffin, the Church, walked a little way
-down &ldquo;Audribow&rsquo;s Avenue,&rdquo; and finally we saw the light
-of day glimmering before us, and as we drew nearer to the
-mouth I thought the sun never shone so beautifully before,
-and that the green grass and the foliage of the trees, in fact
-the whole face of nature, was more lovely than ever. When
-fairly out of the cave we felt as if hot air was being blown
-upon us, so oppressively warm did the atmosphere feel. And
-so finished our first day in the Mammoth Cave. We returned
-to the hotel, spent the evening in thinking over
-and talking of the wonders we had seen, then went to bed
-pretty early, to prepare ourselves for being up betimes to
-start upon our second day&rsquo;s ramble.</p>
-<h2 id="c2">SECOND DAY&rsquo;S RAMBLE.</h2>
-<p>To-day there were three grand points of the cave which
-we hoped to visit, namely, the Chief City or Temple, the
-Mammoth Dome, and the Fairy Grotto. We entered about
-seven o&rsquo;clock, after a capital breakfast at the hotel, and
-passed over a good deal of the ground we visited yesterday.
-We left Audribow&rsquo;s Avenue on our left, came to the Church
-again, which we could not help taking another look at, went
-on through the Main Cave, passing the Giant&rsquo;s Coffin,
-coming to the Great Bend, then entering again the Star
-Chamber, through which we passed, and came to the Salts
-Room; here there are layers of salts in the sides of the
-chamber, and from the roof they hang in crystals. They
-taste very pure, and not at all unpleasant, and are used
-medicinally by the people in the neighbourhood of the cave,
-when they can coax any of the guides to bring them a supply.
-By kindling a fire in this apartment, or putting all the
-lamps together so as to create a tolerable heat, the salt
-<span class="pb" id="Page_11">11</span>
-comes down in flakes like a fall of fleecy snow. As we
-trudge along the Main Cave (so called because all the other
-avenues branch off from it), the mind cannot but be filled
-with awe while contemplating the wonders of this immense
-tunnel. It is as if we were walking through the bed of a
-river, and the ceiling, generally about sixty feet high, looks
-something like a cloudy sky; indeed, one part of it is called
-the Floating Clouds. Soon, however, our ceiling becomes
-very low, and our road very rough; we are compelled to
-crawl a considerable way on our hands and knees, and are
-not at all displeased when we reach the Banquet Hall, for
-here there is plenty of room to stand up, the ceiling being
-40 feet high, and the width of the apartment about 700 feet.
-We were very glad to sit down too, and Stephen went to a
-distance and lighted one of his Bengal lights, which showed
-us the glories of this immense apartment. While we were
-resting here Stephen sang some negro songs very well&mdash;a
-merry fellow is Stephen, and has a good voice. One of his
-ditties pleased us very much&mdash;it was about uncle Ned, an
-old nigger, who died long ago, and who had no wool on de
-top ob his head, de place where de wool ought to grow. I
-sang my poor friend Rooke&rsquo;s song of &ldquo;My Boyhood&rsquo;s
-Home,&rdquo; from Amilie, and then we resumed our journey,
-passing by two cataracts, each of which falls about 50 feet.
-Our road was very difficult, indeed, and exceedingly toilsome,
-notwithstanding the fact that one can undergo a great
-deal more fatigue in the cave than it is possible to do in the
-open air; but when we reached the point at which we were
-aiming, our toils were amply repaid by the magnificence of
-the Chief City, or Temple. This dome is 120 feet high, the
-roof being of smooth solid rock; it is 300 feet across, and
-960 feet in length. In the middle of it is a large heap of
-stones called the Mountain, up which we clambered to see
-this immense area of darkness illuminated. It is impossible
-to conceive anything more sublime than this rocky hall
-when lighted up by the Bengal; and it is as impossible for
-words to convey to one who has never seen it the least idea
-of its magnificence. But the light went out too soon. &ldquo;Another
-Bengal! another Bengal! Stephen!&rdquo; was the cry
-that immediately burst from every one. &ldquo;Ah!&rdquo; said Stephen,
-&ldquo;I knew that would be the case.&rdquo; He then formed a light
-not quite so brilliant as the Bengal, but which lasted longer,
-and in whose softness there was more awe in contemplating
-this vast place. We remained here a long time, sometimes
-in dismal silence, and sometimes breathing forth a sacred
-song, or one of a serious character, for one of any other description
-would have been quite out of place. Moore&rsquo;s &ldquo;Oft
-in the stilly night&rdquo; I sang very softly, but it sounded immensely
-in the silence; and, if I may judge of the effect of
-it upon Stephen, it was very solemn, for he said it made him
-cry. He sang us no more nigger songs till we were fairly
-<span class="pb" id="Page_12">12</span>
-out of the Temple. We turned our steps now towards the
-Fairy Grotto, the way to which is also very difficult&mdash;a great
-deal of crawling again under low ceilings, but which is
-generally got over very good-humouredly, each one&rsquo;s mishaps
-causing a hearty laugh to the others. When you reach
-the apartment you discover that it is not inaptly named the
-Fairy Grotto, and are soon rapt in admiration of the beautiful
-stalactites before you. The lamps are placed in the
-pillars and other parts of the grotto, in the same way as at
-the Gothic Chapel, and the effect is very fine. The stalactites
-were once whiter than they are now, for the smoke of
-the lamps has darkened them not a little. While admiring
-the endless variety of stalactite beauties before us, one cannot
-help feeling sorry that visitors should be so barbarous
-as to break them off, for they but rarely can get a rosette
-or anything else whole; they therefore spoil the beauty of
-the grotto, without being able to carry away a satisfactory
-trophy of their destructive deeds. The stalactite formations
-are still going on in the grotto, for the water
-is constantly oozing through, and many a crystal drop may
-be seen hanging from the end of the bunch of beauties
-already formed. There are some thick massy pillars, some
-stalactites and stalagmites not yet met&mdash;the stalagmite is
-the formation on the ground caused by the dropping of the
-water from the stalactite, which hangs as it were from the
-roof; many of them are beautifully and fantastically shaped,
-and the effect of the light shining through them is rich
-in the extreme. After feasting our eyes on this splendid
-scene, we left the Solitary Cave, and entered again the Main
-Cave, and when we got as far as the Giant&rsquo;s Coffin, we once
-more dived down behind it into the Deserted Chambers, and
-passing through the Wooden Bowl, we regained our dining-hall
-of yesterday, and finding ourselves quite ready for a repast,
-we again dined here, and drank of the clear delicious
-spring, and after a long rest and chat, and some music, we
-set out on our further travels. We soon came to the Bottomless
-Pit, and our new-named St Paul&rsquo;s Dome, and passing
-on entered the Valley of Humility, so called from the visitor
-being obliged to stoop very much while walking through it,
-for it is only about four feet high; a short avenue takes us
-to the Winding Way, otherwise called the Fat Man&rsquo;s Misery,
-a most extraordinary freak of nature. It is 109 yards long,
-and about 15 inches broad, and of solid rock. It widens
-about three feet from the ground, so that one has play for
-his arms; but it keeps constantly winding, there being not
-more than two or three feet straight at a stretch, and must
-perplex very much any tolerably stout person who finds
-himself winding through it. Although it is called the Fat
-Man&rsquo;s Misery, yet it has sometimes proved the fat woman&rsquo;s
-misery too, for a very stout lady, if there is such a thing in
-the world, got into it once, and stuck fairly. The appendix,
-<span class="pb" id="Page_13">13</span>
-to her quite unnecessary, of a bustle, was squeezed out of
-existence; and in winding her way, she nearly winded herself;
-she breathed fast, but stuck faster; she, being so great,
-became greatly alarmed, and her friends were compelled to
-haul her through till they got into Great Relief, which the
-avenue at the end of the Winding Way is very appropriately
-called, and which she frankly confessed was the greatest
-relief to her that she had ever in her life experienced. In
-the avenue of Great Relief we saw the point to which the
-river rose in January last, which is fifty-six feet above its
-usual level. In going along we come to two routes, one of
-which leads to the river, where we intend going to-morrow,
-and another to the Mammoth Dome, whither we now steer
-our course. We come first, however, to the Bacon Chamber,
-another curious freak of dame Nature; the ceiling is
-low, and has the appearance of being hung with canvass covered
-bacon hams and shoulders, so curiously has the action
-of the water formed these stones. There is another curious
-formation in this chamber. In a part of the ceiling there is
-the appearance of a stratum having dropped out for about
-20 feet, about one foot broad, and the same in height, and
-the vacuum is in the form of a serpent. Our next place to
-gaze at is the Bandit&rsquo;s Hall, a wonderfully wild looking
-apartment of great magnitude, the floor being covered with
-rocks of various sizes, that have evidently fallen from the
-ceiling. It was like being among some wild rocky mountains,
-with the sky far above us, and when lighted up was
-a magnificent spectacle of wild rugged scenery. Now for
-the Mammoth Dome. We sincerely hope it may be something
-worth looking at when we get to it, for our way is
-the most difficult, tedious, and toilsome that we have yet
-encountered; by this time, however, we were getting quite
-expert at creeping, and going sometimes in crab fashion,
-sidewise on our hands and feet. At last we emerge out of
-a hole, and find ourselves standing on the brink of a precipice,
-and hear the falling of water from a great height,
-and by the dim glimmer of our lights we see that there is
-something before us awfully grand and stupendous, and this
-is the Mammoth Dome! But we do not see it yet as we shall
-see it; we must descend 20 feet by a crazy-looking ladder,
-on which human foot has not been since last summer, in
-order that we may see the dome in all its glory. Well, we
-are down, and not a very easy task it is to get down; and
-we are standing there enjoying a kind of shower bath, while
-Stephen goes upon a height to light up&mdash;and when he does
-light up we forget the water that is showering down upon
-us&mdash;we forget everything but the grand scene before us.
-We look on the vast space lighted up, and we see the sides
-of this immense dome, or tower it might be called, for it is
-nearly four hundred feet high, fluted, polished, here pillars,
-there capitals of the most elaborate description, as if the
-<span class="pb" id="Page_14">14</span>
-cunningest hand of the cunningest craftsman had been
-there&mdash;ay, and has he not been there? It is something
-like Gorin&rsquo;s Dome, which we saw yesterday, but much
-larger. It may well be called the greatest wonder of this
-wondrous place. Stephen must give us another Bengal.
-Again we gaze in astonishment at this unparalleled wonder,
-and see beauties we did not see before. The light fades and
-dies, and again deep impenetrable gloom holds its sway. We
-ascend the ladder to our old ledge of rock at the mouth of
-the hole by which we must return, and feel thankful when
-we find ourselves safely at the top of it, take one last look
-at the dome, and then retrace our steps. When this dome
-was discovered in 1842, a lamp was found at the bottom of
-it, which puzzled the finders not a little as to how it could
-have got there. Inquiry was made of an old man who lives
-near the cave, and who worked in it when a boy at the saltpetre
-factories, and he remembers of a man being let down
-by a rope to look for saltpetre, and that he dropped his
-lamp. What a situation to be in! Dangling at the end of
-a rope in the dark, with perhaps a vacuum of 300 feet below
-him! We now set off for the mouth of the cave, and had to
-go over the same rough ground we traversed before. Having
-been nine hours under ground to-day, and some of our
-party being heartily tired, we were very glad to see the
-light of heaven again.</p>
-<h2 id="c3">THIRD DAY&rsquo;S RAMBLE.</h2>
-<p>Although we had a day&rsquo;s rest yesterday, it being Sunday,
-my eldest daughter was not sufficiently recovered from the
-fatigues of Saturday to encounter another day&rsquo;s journeying
-in the cave, which might perhaps be more fatiguing than
-any we had yet undergone, and so my youngest and myself
-sallied forth, both of us being very anxious to see the ferlies
-across the river. It has been doubtful for some days whether
-we should be able to cross the river, for, like all the rivers for
-a considerable time past, it has been so high that there has
-not been sufficient room for a boat to pass between the river
-and the rocky ceiling above. However, Green River, which
-flows at about half a mile&rsquo;s distance from the mouth of the
-cave, has fallen considerably since last night, which affords
-some hope that the river in the cave may also have fallen,
-and Stephen assures us that he will get us to the other side
-some way or other, if we should go through Purgatory,
-which he suspects we shall have to do. We take an additional
-guide with us, named Alfred, in case his services
-may be required. We trudge along the Main (and at a
-pretty smart pace), till we reach the Giant&rsquo;s Coffin, behind
-which we again descend, and go through the Deserted
-Chambers, pass the Bottomless Pit and again get into the
-Winding Way, through which having winded, we leave the
-<span class="pb" id="Page_15">15</span>
-Bacon Chamber on the right, and take the passage to the
-left, which leads to the Dead Sea, which may be seen by looking
-over a precipice, and sending a blazing piece of paper
-to the regions below. At eighty feet distance it reaches the
-still water of the Dead Sea. We journey on through avenues
-till we reach the River Styx, which we cross in a boat,
-then we walk a little farther till we get to Lethe. We sail
-along it in our frail bark till the water becomes so shallow
-that we can go no farther. Echo River is the great one we
-have to cross, and as the guides are uncertain about the state
-of it, they leave us till they ascertain by what means we are
-to get to the other side. It was no very delightful situation
-for solitary helpless individuals to be left alone in a boat in the
-middle of a river so far under the face of the earth, and with no
-sound of anything near us save the trickling of invisible waterfalls,
-and nothing with any sign of life but gnats that fluttered
-about our lamps, and now and then a large cricket
-with immense long legs, but there was no &ldquo;hearth&rdquo; for it to
-be on, nor did it chirp. In this river are the eyeless fish;
-there are two kinds of them, neither having the least resemblance
-of a place for an eye, for, of course, they have no
-need of eyes. The solitariness of such a scene can scarcely
-be conceived. However, we must not think of it; we sang
-and chatted. The echo was magnificent, and sounding
-chords afforded us some amusement. The four notes of the
-chord, sounded by one voice, continued to sound altogether
-for a very long time, and at length died away by almost inaudible
-sounds. After being in this lonely situation for an
-hour, we were cheered by hearing the voices of the guides,
-singing at a long distance from us. As they came nearer we
-discovered that it was &ldquo;Auld lang syne&rdquo; they were singing,
-and I am sure I never heard that favourite air with greater
-pleasure or satisfaction. At length the glimmer of the lamps
-is seen in the distant darkness, and the guides approach us,
-awakening the echoes with &ldquo;Oh, Susanna,&rdquo; &ldquo;Old Uncle
-Ned,&rdquo; and other negro ditties. We learn that we cannot
-embark at the usual place, but must go round by Purgatory
-Avenue. They have to carry us through the shallow water
-about fifty yards, till we come to walking ground, then we
-reach a ferry which we cross in a boat, and Alfred takes the
-boat through the archway at the usual place for embarking,
-to meet us at the end of the avenue; for we hear the water
-splashing against the ceiling, and we cannot go that way. He
-must lie down flat in the boat, and get through as he best can.
-We reach the point of the river where he had come to, and
-there is no sign of him. We wait patiently for a time, and at
-length the awful silence is broken by the sounds of his voice,
-singing to let us know he has got through in safety. The effect
-of the solitary lamp on the water is astounding. We now
-all embark, and sing our way down the Echo River for about
-a quarter of a mile, when we get out, and walk again for
-<span class="pb" id="Page_16">16</span>
-some distance, then cross the river again, on Stephen&rsquo;s back,
-and at last we are fairly on the other side. The river was discovered
-in 1839, and first crossed in 1841. As we go along,
-although we are fifty or sixty feet above the river, marks
-of its recent rise are visible, for the sand is very wet, and
-our road very slippery. The avenue in which we now are
-must have been filled with water to the very ceiling, and
-our path is an awfully wild one, strewed with immense rocks
-that have fallen from above, and the ceiling is like a dark
-midnight sky. The walls are beautifully ornamented with
-rosettes, &amp;c., of stalactite in great profusion. We are now
-in Lillyman&rsquo;s Avenue, and have come to a bend, something
-like the Great Bend on the other side of the river. This
-bend resembles exactly the stern of a large ship, and we see
-it as if we were in the water looking up at it. It is called
-the Great Western. The avenue, which is two miles long,
-is terminated by an apartment called Ole Bull&rsquo;s Concert
-Room, for here the great violinist discoursed eloquent music
-to a large party whom he accompanied into the cave some
-years ago. We now enter the Pass of El Ghor, which is
-two miles long, very narrow, that is, it averages a breadth
-of six or eight feet, and a height of about fifteen or
-eighteen. There is a singular-looking place in it called
-The Hanging Rocks, which are immense blocks of stone
-rent from the roof, and hanging as it were in air, ready
-to annihilate any half-hundred people that may venture
-under them, but fortunately they don&rsquo;t. We leave the
-Pass, and enter Spring-side, when we ascend a ladder
-about fifteen feet into a place called Mary&rsquo;s Vineyard,
-one of the most extraordinary freaks in the whole
-cave. It looks as if all the dark coloured grapes had
-been collected from half the vineyards on the Rhine
-and deposited here. The clusters are perfect, and the
-formations are still going on. It was lighted up with a
-Bengal, and the effect of it is indescribable. We pass on
-to Washington Hall, or the Spar Chamber, as it is sometimes
-called, a large and beautiful apartment, where the
-walls and roof are covered with beautiful ornaments, and
-by and by we reach the Snow-ball Room, which has the
-appearance of there having been a formidable battery of
-snow-balls directed against the roof, many of which are
-beautifully formed, like large white roses. We proceed to
-Cleveland&rsquo;s Cabinet, which is about two miles in length, and
-filled with stalactite beauties, various parts of it being distinguished
-by particular names, such as Mary&rsquo;s Bower, a beautiful
-part&mdash;St Cecilia&rsquo;s Grotto, Charlotte&rsquo;s Grotto, Mary
-Reedie&rsquo;s Festoon, &amp;c., the walls of the whole for several miles
-being covered with rosettes, Prince of Wales&rsquo; feathers, tulips,
-lilies, &amp;c., and often we see a piece like a richly carved Corinthian
-capital. We must not forget the Diamond Grotto, where,
-by holding your lamp behind you, a never-ending profusion
-<span class="pb" id="Page_17">17</span>
-of sparkling diamonds is seen among the stalactite beauties.
-Many beautiful specimens have fallen on the ground, and
-many have been knocked from the place where Nature deposited
-them by the ruthless hand of some visitor. We
-brought away some specimens with us, but they are very
-brittle and very heavy, which makes it difficult to procure
-many. It is said there are rats in this part of the cave,
-though it is difficult to imagine what they can support
-themselves and their families upon, for they cannot exist
-on the beautiful ornaments by which they are surrounded
-any more than the California miner can live on the gold
-he finds; but sometimes they get a chance for food. It is not
-long since two young men came from New York with the
-determination of exploring the cave. They took provisions
-with them to last for three days, and had Stephen for their
-guide. They had their blankets with them, and after one
-day&rsquo;s exploration, they fixed on Cleveland&rsquo;s Cabinet for
-their sleeping chamber. When they got up in the morning,
-and went for their basket to breakfast before setting out
-on their travels, they found every particle of food gone, and
-they had a trudge of eight miles to the mouth of the cave
-for a breakfast. The rats are different from the usual
-species, they leap something like a rabbit, and are very
-seldom seen. Beyond Cleveland&rsquo;s Avenue, we came to the
-Rocky Mountains, an exceedingly difficult place to travel
-over, then get to the Dismal Hall, a gloomy-looking place,
-about 100 feet high&mdash;Sereno&rsquo;s Arbour, well worthy to be
-visited, and Medora&rsquo;s Spring, are at the farthest extent of
-the explored part of the cave, and here we are nine miles
-from the mouth. We now returned, and saw on our way
-the Snow-ball Chamber lighted up with a Bengal, which, if
-possible, increased its beauty. We stopped to dine at a
-little spring not far from the foot of the ladder by which
-we descended from Mary&rsquo;s Vineyard, and, after resting for
-a time, we entered once more the Pass of El Ghor, and
-continued our way looking with regret for the last time
-upon the many wonders we had already explored. As we
-approached the river we found the walking as bad as ever,
-but we got over safe. As Alfred was carrying me along
-the Styx on his back, he stepped upon a quicksand, and sank
-considerably, which I not liking, and being quite ignorant
-as to where he was likely to sink to, I jumped from his back,
-in spite of Stephen&rsquo;s shouts to &ldquo;hold on to him! hold on to
-him!&rdquo; It afforded me a hearty laugh, for the water scarcely
-came to my knees, and the exertion of clambering over
-rocks, and walking along on the rough road, soon made
-all dry. Once on this side the river, we trudged on
-nimbly through the Fat Man&rsquo;s Misery and the Valley of
-Humility, and getting into the Main Cave from behind the
-Giant&rsquo;s Coffin again, we were not long in seeing the light of
-day. I nearly forgot to mention, that as we were sailing up
-<span class="pb" id="Page_18">18</span>
-the Echo River on our way home, Alfred, the guide, caught
-two of the eyeless fish. They are small, about a finger&rsquo;s
-length, one of them like a minnow, and the other something
-like a shrimp. There is not the slightest appearance of eyes
-about them. We heard also the sound of a voice at some distance,
-which Stephen knew to be that of one of the guides,
-and when we got up on the walk about fifty feet above the
-river, we saw at a great distance three individuals standing
-beside the river, their lamps beside them. The effect was
-awfully sepulchral&mdash;they looked like beings of the nether
-regions. By the by, the place through which we traversed
-to the spot where we saw them, is called the Infernal Regions.
-The visitors soon joined us, and we left the cave together.
-They had only gone to the bank of the river. It
-will be long ere we forget our visit to the Mammoth Cave.
-The season not commencing till about the end of June,
-we had it all to ourselves, and enjoyed it much; but even
-when there is a crowd of people there, it must add to the
-amusement to meet parties as one rambles through the cave,
-though one would scarcely get into such a place for amusement.
-It fills the mind with thoughts something deeper than amusement.
-No accident of a serious nature has ever happened
-in the cave, for the guides are very careful, and every precaution
-is taken to prevent accidents. Very soon after the river
-was discovered two young gentlemen, accompanied by two
-young ladies, went to cross it. They were full of spirits and
-too full of fun, for despite the guide&rsquo;s warning that the boat
-was very crazy, they, in getting into it, upset it. Their lamps
-were all extinguished, and their matches lost. Fortunately
-the guide got them out of the water, and placed them on
-some rocks, where they were obliged to remain for several
-hours, till the people in the hotel sent to see what detained
-them so long in the cave. They were in a terrible fright,
-and no wonder. Another gentleman who had left his party,
-in his ardour to examine some particular point, lost his way
-in attempting to rejoin them, and wandered about shouting
-till his lamp went out, when he sat down, and he was thirty
-hours alone before they found him. There is no danger if
-the parties keep together and with the guide, but to attempt
-to find the way oneself were a useless task.<a class="fn" id="fr_2" href="#fn_2">[2]</a> We left the
-Mammoth Cave Hotel at six in the evening, and had a
-<span class="pb" id="Page_19">19</span>
-pleasant ride to Bell&rsquo;s, at eight miles distance. The road is
-through the woods and very rough, but will be smoother by
-and by, when there is more traffic on it. Mr Bell has improved
-it very much this spring, at his own expense, for he
-has the conveying of all the visitors from the house to the
-cave, and very reasonably he does it. As I before mentioned,
-he is an obliging and attentive old man, Mr Bell, and
-if you get into his good graces, he will not be sparing of his
-peach brandy and honey, though he very wisely takes none
-of it himself; and perhaps he may take you into the garden,
-where he will show you something that will strike you as
-being very singular, if you are an Englishman. In a corner
-of the garden, under a quiet tree, you will see a neat tombstone,
-which will tell you that there the old man&rsquo;s son lies,
-and two of that son&rsquo;s children, and perhaps he may tell you
-himself that he is conducting the house and farm for the benefit
-of that son&rsquo;s widow and surviving child, whom he wishes to
-see comfortably provided for before he be laid in the quiet
-corner beside his son. After spending five hours at Bell&rsquo;s
-we got the stage for Louisville, ninety miles distant, over a
-road that is not of the best, and to make it worse there is a
-storm brewing, the lightning is flashing, the thunder is roaring,
-the rain is coming down in torrents, and the fire flies
-are whirling in the air in myriads.</p>
-<hr />
-<p class="tb"><i>P.S.</i>&mdash;This description of the Mammoth Cave, if it may
-be called so, was written to a private friend, and not intended
-for public perusal&mdash;therefore, gentle reader, be not
-disappointed at not having discovered finely rounded
-periods, or any attempt at high-flown language&mdash;be contented
-with a plain chat about one of the greatest wonders
-of the world, and if you can manage to come across the
-Atlantic to see it, do so&mdash;you will not then be disappointed,
-I promise you, however imperfect may be my description.</p>
-<div class="pb" id="Page_20">20</div>
-<h2 id="c4">SCOTIA&rsquo;S DIRGE:
-<br /><span class="small"><span class="smaller">BEING</span></span>
-<br /><span class="small">VERSES ON THE DEATH OF JOHN WILSON, <span class="sc">Esq.</span>,
-<br />THE SCOTTISH VOCALIST,
-<br />Who died at Quebec on the 9th July 1849.</span></h2>
-<div class="verse">
-<p class="t0">Auld Scotia now may sigh aloud,</p>
-<p class="t">Her tears in torrents fa&rsquo;,</p>
-<p class="t0">Her sweetest harp now hangs unstrung,</p>
-<p class="t">Since Wilson&rsquo;s ta&rsquo;en awa&rsquo;.</p>
-<p class="t0">He sang o&rsquo; a&rsquo; her warlike deeds,</p>
-<p class="t">An&rsquo; sons that gallant were&mdash;</p>
-<p class="t0">Her hoary towers, an&rsquo; snaw-clad hills,</p>
-<p class="t">An&rsquo; maidens sweet and fair.</p>
-</div>
-<div class="verse">
-<p class="t0">His was a harp o&rsquo; thrillin&rsquo; sound,</p>
-<p class="t">Could pleasure aye impart;</p>
-<p class="t0">Its melody o&rsquo; bygane days</p>
-<p class="t">Gaed hame to ilka heart.</p>
-<p class="t0">Its strains could bring remembrance back</p>
-<p class="t">To youthfu&rsquo; days at school;</p>
-<p class="t0">Or mak&rsquo; us sigh for Scotia&rsquo;s wrangs,</p>
-<p class="t">An&rsquo; Flodden&rsquo;s day o&rsquo; dool.</p>
-</div>
-<div class="verse">
-<p class="t0">He sang o&rsquo; beauty&rsquo;s winsome wiles,</p>
-<p class="t">In mony a leesome theme,</p>
-<p class="t0">An&rsquo; gather&rsquo;d by his artless lays</p>
-<p class="t">A never-dying name.</p>
-<p class="t0">While heather blooms on Scotia&rsquo;s hills,</p>
-<p class="t">An&rsquo; burnies join the sea,</p>
-<p class="t0">His aft-applauded &ldquo;Nichts wi&rsquo; Burns&rdquo;</p>
-<p class="t">Will ne&rsquo;er forgotten be.</p>
-</div>
-<div class="verse">
-<p class="t0">Ye gentle maids! a tribute pay</p>
-<p class="t">Frae &rsquo;mang your Western bowers,</p>
-<p class="t0">An&rsquo; strew the minstrel&rsquo;s lowly grave</p>
-<p class="t">Wi&rsquo; summer&rsquo;s balmy flowers!</p>
-<p class="t0">Then rest thee, minstrel! Tho&rsquo; thy harp</p>
-<p class="t">Can noo nae mair be found,</p>
-<p class="t0">The lovers o&rsquo; auld Scotia&rsquo;s sangs</p>
-<p class="t">Can ne&rsquo;er forget its sound!</p>
-</div>
-<p>Gourdon Schoolhouse.
-<span class="lr">W. J.</span></p>
-<h2 id="c5">Footnotes</h2>
-<div class="fnblock"><div class="fndef"><a class="fn" id="fn_1" href="#fr_1">[1]</a>Bell&rsquo;s
-house, when we leave the road, is midway between Nashville
-and Louisville, and 90 miles from each city.
-</div><div class="fndef"><a class="fn" id="fn_2" href="#fr_2">[2]</a>In St Louis
-I saw part of a panorama of the Upper Mississippi,
-which a French artist named Pomerade has been engaged on for
-some years, and which he has nearly finished. It is beautifully
-painted, and must prove very interesting, for he has introduced
-Indian scenes, customs, &amp;c., and has also machinery which sets
-the steam-boats agoing, &amp;c. He intends to have four views from
-the Mammoth Cave as drop-scenes; if he succeeds in giving anything
-like a faithful representation of them, it will add much to the <i>eclat</i>
-of his picture.
-</div>
-</div>
-<h2 id="c6">Transcriber&rsquo;s Notes</h2>
-<ul><li>Created an original cover image, for free unrestricted use with this eBook.</li>
-<li>Silently corrected a few typos.</li>
-<li>In the text versions, included italicized text in _underscores_.</li></ul>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of A Visit to the Mammoth Cave of Kentucky, by
-John Wilson
-
-*** END OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-***** This file should be named 51187-h.htm or 51187-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/1/8/51187/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/51187-h/images/cover.jpg b/old/51187-h/images/cover.jpg
deleted file mode 100644
index b4ea92a..0000000
--- a/old/51187-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/51187.txt b/old/51187.txt
deleted file mode 100644
index 899c557..0000000
--- a/old/51187.txt
+++ /dev/null
@@ -1,1206 +0,0 @@
-Project Gutenberg's A Visit to the Mammoth Cave of Kentucky, by John Wilson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A Visit to the Mammoth Cave of Kentucky
-
-Author: John Wilson
-
-Release Date: February 12, 2016 [EBook #51187]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-
-
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-
-
-
-
-
-
-
-
- A VISIT
- TO
- THE MAMMOTH CAVE OF KENTUCKY.
-
-
- BY JOHN WILSON,
-
- THE SCOTTISH VOCALIST.
-
-
- EDINBURGH: 1849.
-
-
-
-
- A VISIT
- TO
- THE MAMMOTH CAVE OF KENTUCKY.
-
-
- Mammoth Cave, Kentucky, May 20, 1849.
-
-We left the City of Rooks, as Nashville is called, on Thursday morning
-at half-past four, and travelled ninety miles to our place of
-destination for the night, which occupied 19 hours. The stages in this
-part of the country lose a great deal of time needlessly by stopping for
-meals a great deal oftener than people require them. During our ride we
-had breakfast at 21 miles from Nashville, at a place called Tyree
-Springs, and that was acceptable enough; but before it was well digested
-we had to stop for dinner, and then again for supper, in three hours
-more; and as the people in this last hotel, which was at a pretty little
-town called Bowling Green, did not wish to be at the trouble of making
-one supper for their own boarders and another for the coach travellers,
-we were compelled to "bide their time" though not any of us wanted
-supper at all, and here we lost an hour and a half. In our journey we
-were interested in the day time by the great variety of wild flowers we
-saw, and after dark by the crowds of fire-flies in the air, in the
-trees, in the fields. We reached Bell's,[1] where we were to stay for
-the night, at half-past 11, where we might have had another meal, but we
-did not like. Bell, a civil old fellow, is famed for making a kind of
-Atholl brose, of old peach brandy and honey, which we had a tasting of,
-and then went to bed; but Mr Bell's brose I shall never taste again, for
-although it is pleasant enough to taste, yet I could not get the
-disagreeable flavour of the peach brandy out of my mouth the whole of
-the next day. After a capital breakfast, Bell sent us in a four horse
-stage to the Mammoth Cave, a distance of eight miles, over one of the
-roughest roads I ever encountered; but what we have seen in this
-wonderful place amply compensates for any trouble or difficulty we may
-have undergone. I am really quite at a loss how to begin to give you the
-least idea of the place, for it is almost beyond description; at all
-events I feel quite sure that any kind of description given in writing,
-by any mortal man, cannot afford to a stranger the smallest notion of
-the wondrousness, the sublimity, the awfulness of this cave--this
-stupendous work of Nature. First let me tell you, however, that it
-contains 226 avenues; at least that number has been discovered, for
-there are more than that; forty-seven domes, eight cataracts, pits
-innumerable, and eight rivers, only three of which have been explored.
-It was first discovered by the whites in 1802, and during the last war
-with England immense quantities of saltpetre were made in it, the
-remains of the utensils for the manufacture of which are still to be
-seen at a short distance from the entrance, and even the marks of the
-hoofs of the oxen the miners used can be traced in the ground. It is
-only about ten years since the curious began to visit the cave, and
-every year the visitors increase in number, and they must continue to do
-so as the wonders of the place become more talked of. About the end of
-June is the time for crowds coming, and there is ample accommodation for
-more than two hundred people in a very comfortable hotel, with an
-obliging and intelligent host, named Mosher. There is no other visitor
-here at present but ourselves. Having given you so much preliminary, I
-shall endeavour to give you an inkling of what we saw during our
-
-
-
-
- FIRST DAY'S VISIT TO THE MAMMOTH CAVE.
-
-
-The necessary alterations having been made in the costume of my two
-daughters, namely, the petticoats being shortened, and trousers being
-donned--pants, I ought to have said, for trousers are never named here,
-and breeches are never made--and caps being placed upon their craniums,
-a gentleman, who accompanied us from Nashville, and myself, having been
-provided with coats that had been coats once, and low-crowned soft hats,
-we set off for the cave. We were fortunate in getting the services of
-the favourite guide Stephen, to whom we had a letter from a lady in
-Nashville. He is an active, intelligent, attentive, capital fellow, and
-after walking some 200 yards through an avenue of shady trees, we found
-him near the entrance, with his lamps ready to light, his flask of oil
-on his back, and one basket of provisions. We descended by about thirty
-rude steps to the entrance, where our lamps being lighted, we bade
-farewell for a while to the light of day. In a very short time we come
-to a wall that had been built by the miners, and in which there is a
-door-way, inside of which we are fairly in the cave. The temperature of
-the cave is always at sixty, and when the temperature out of doors is
-higher, the air rushes out at this doorway, so as to blow out the lamps,
-if the command of the guide is not obeyed to keep your lamps before you.
-At first one cannot see very well--the eyes are not yet accustomed to
-penetrate the darkness--the lamps only tended to make the darkness more
-visible. By and by we get more used to it. The "Church," as it is
-called, is the first apartment where we make a halt. It is very large,
-with galleries round it, and a projection of rock at one side, called
-the pulpit. Being told by the guide to put our lights behind us, he set
-fire to a Bengal light, and then we were struck with wonder and awe at
-the splendour and the vastness of the rocky apartment. For size, Exeter
-Hall is nothing to it. During the season service is performed in it by
-some of the clergymen visitors, and the effect must be very sublime, to
-see each worshipper sitting with his lamp, listening to the Word,
-joining in prayer to the Lord of all, and singing his praises. Each
-person enters with his lamp, of course, but on coming to the church the
-lamps are all placed together, so as to make one general grand light.
-The church is in the "Main Cave," which is five miles in extent, and as
-we move along we see the marks of the action of the water upon the rocks
-in every part. The average height is 50 feet, its width 100 feet; at one
-place, however, it is 340 feet wide. We leave the Main Cave, and enter
-the "Gothic Avenue," where the first apartment we come to is called the
-"Haunted Chamber," from two mummies having been found there by the
-miners in 1809. They were in a sitting position, and clothed with
-deer-skins. One of them is now in a museum in New York; the other was
-burned by the museum in Cincinnati taking fire. The friend who was with
-me being somewhat of a utility sort of a person, wishes everything to be
-made proper use of, and suggested that the cave would be a capital place
-for keeping meat, vegetables, &c., when he was told by Stephen, much to
-his satisfaction, that the hotel people used it for that purpose. We go
-along farther, and soon find ourselves in the "Register Room," which
-has, or rather had, a beautiful white ceiling, but it is now
-considerably defaced by many persons wishing to immortalise themselves
-by writing their names on the roof with the smoke of a candle. They must
-have had the candle attached to a pretty long pole, for the roof is
-high. I. B. of old England is one of the names; I suppose John Bull is
-meant. There is also a Mr John Smith--it does not state where his locale
-is, but it is not unlikely that it was Mr Smith of the United States.
-After passing "Vulcan's Forge," so called from the stone resembling very
-much the refuse of a forge, we come to the "Gothic Chapel." Before
-entering it, however, Stephen takes our lamps, and leaves us in the dark
-for a time, while he goes and places them on the stalactite pillar in
-the chapel. He calls out to us to "come on--there's nothing to stumble
-over," and we advanced towards the chapel. How splendid! how beautiful!
-The stalactite pillars are all opposite to each other, as if they were
-really supporting the roof. It reminded me of the crypt under the
-Cathedral at Rochester, in Kent, excepting that here the pillars were
-translucent. About ten or twelve feet high are the pillars, and the
-stalactite formations are still going on in some of them. It has been
-ascertained, it seems, that it takes thirty years to form the thickness
-of a wafer, then how many times thirty years must it have taken to form
-these pillars! It was a solemn scene, the stillness was indeed quite
-awful. I broke the silence by singing Luther's Hymn, while those around
-me stood like statues. We came next to what is called "Napoleon's
-Breastwork," an immense block of limestone, that has evidently fallen
-away from the roof at some time or other, and now lies in a slanting
-form. It is about 60 feet long, 20 feet to the top, and looks over into
-a deep ravine. Now we come to his Satanic Majesty's "Armchair," which is
-the name given to a splendid stalactite column in the centre of a
-chamber, and which on one side forms an excellent seat. The back is
-round, and like one of the old fashioned chairs stuffed, and covered
-with silk. You may have an idea of the size of it when I tell you that
-it takes three men's arms to go round it. Not far from it is another
-stalactite formation called the "Elephant's Head," from its exact
-resemblance to one--the eyes, ears, and trunk, are perfect--some
-barbarian, however, has defaced the trunk. Now we approach the "Lover's
-Leap," where any hapless swain may have an opportunity of getting rid of
-all his earthly cares by taking a dismal leap of 50 feet, but no one has
-yet been desperate enough to do it. We descend to the left of the
-"Lover's Leap" and presently enter an extraordinary passage in the rock,
-called the "Devil's Elbow;" it is about three feet wide and twelve high,
-and leads to the lower branch of the Gothic Avenue. The stone of the
-passage bears evidence of water having rushed through it with tremendous
-force, though how long ago it is impossible to ascertain. One of the
-guides got a terrible fright here some time since, by a gentleman who
-was gifted with ventriloquial powers. He had arrived at the hotel in the
-evening, and requested a guide to accompany him to the cave. While they
-were standing over the "Lover's Leap" he made a cry for "lights and some
-water," which seemed to come through the "Devil's Elbow" from the
-apartment below. The guide, fancying it was some one of his companions
-whose lamp had gone out, called out to him to stay where he was and he
-would come to him immediately; as he was descending by the Devil's Elbow
-the voice came from another part in front of them. He returned, and was
-ascending again to the Lover's Leap, when the voice once more came
-through the Elbow, at which he became considerably alarmed, and it was
-with great difficulty the gentleman could prevent him from running
-fairly off out of the cave, and leaving him in the lurch, which perhaps
-he deserved. On their return to the hotel the guide told the landlord a
-woful story, in the midst of which, however, he was stopped by some one
-coming in to say there was a maniac about the grounds, when they went
-out and heard a voice calling out for some tea and bread and butter.
-"That's it!" he said, "that's the same voice that was in the cave." The
-ventriloquist made the landlord aware of the trick, and the mysterious
-affair ended with a hearty laugh at the poor alarmed guide's expense. As
-we enter this part of the Gothic Avenue, we come to a basin of beautiful
-clear water, called the "Cooling Tub." It is about six feet wide, and a
-stream of the purest water is falling constantly into it from the
-ceiling, which is here about thirty feet high. In various parts of the
-cave there are streams of this description, and the sound of this
-falling water is the only thing that breaks the awful stillness that
-constantly reigns. After passing "Napoleon's Dome," which is about sixty
-feet in height, we come to another little pool, called "Lake Purity,"
-the water in which is delicious to drink, so pure that no disturbance
-can thicken it. Now we retrace our steps to the "Main Cave," where at
-almost every step we take some new wonder is opened up to us. We are in
-an apartment called the "Ball Room," for it is frequently used as such
-by the visitors during the season. The floor is smooth and level, and
-continues so for several hundred feet, so that there is plenty of room
-for a large party. There are spacious galleries above, too, formed by
-the ledging rocks; and there is an orchestra, capable of holding twice
-the number of the Philharmonic Band. As we go along gazing in wonder at
-everything, the eye suddenly rests on a nice little niche in the wall,
-just like the niche that is at the door of a Roman Catholic Cathedral
-for holding the holy water. It has been formed by the trickling down of
-the water, and is called Wandering Willie's Spring; as I have
-considerable regard for all Wandering Willies, I partook of the water of
-his spring, and can vouch for its purity and refreshing qualities. The
-"Standing Rocks" that we by and by approach, are immense blocks of stone
-that have evidently fallen from the roof, some of them twenty feet long,
-and six or eight feet thick, and many of them even larger, and what is
-something remarkable, it is the thinnest part of the stone that has sunk
-into the earth. The next very prominent object we come to is the
-"Giant's Coffin," an immense block of limestone that has evidently
-fallen away from the side, and which perfectly resembles a coffin, but
-may well be called a giant's, for it is sixty feet long and about twenty
-feet thick. It has the curved lid which I have observed in the
-fashionable coffins in the south, and which I heard an auctioneer, who
-was selling some by auction, recommend as being much more accommodating
-than the plain lids, for the person could turn round whenever he felt
-inclined to do so. At some distance beyond this, perhaps 150 yards, the
-cave takes a gigantic turn, called the "Acute Angle," or "Great Bend,"
-which the guide illumines by one of his Bengal lights, and displays to
-the astonished spectator one of the most wonderful sights that ever
-mortal eyes beheld. It has the appearance of a vast amphitheatre. It
-must be about seventy feet high. In front of us is the great cornerstone
-or bend, and on each side the avenue looms away into unfathomable
-darkness. The Bengal light dies, and we trudge along to the right, with
-our lamps in our hands, single file, with Stephen at the head, and ere
-long he says, "Stop, we are now in the 'Star-Chamber.'" Wonders will
-never cease, for here is something more wonderful than anything we have
-yet seen. How can I convey to you an idea of it? Let me see. It is as if
-we were at the bottom of a deep ravine or pass, about sixty feet wide,
-and one hundred feet high, the top of the ravine being terminated by
-jutting-out rocks, and above those projecting rocks we see the blue
-firmament of heaven, as it were, with the stars shining above us. The
-rocks at the top are white in many places, and cloud-like, which shows
-the starry firmament to greater advantage. The stars are formed by the
-sparkling gypsum in the dark limestone, and a more complete optical
-illusion dame Nature never called into existence. We felt as if we
-should never tire gazing on this, and expatiating to each other upon its
-wonders. Stephen asked us how we should like to have all the lights
-extinguished, to try the effect of it in that way, which we readily
-agreed to; but not a particle of anything could we see. There was, of
-course, not the smallest ray of light--there could not be, for we were
-two miles from the mouth of the cave, and 170 feet below the surface of
-the earth. I put my finger close to my eye but could see nothing. When
-no one spoke the silence was awful. I don't know what the others were
-thinking of in the midst of this total eclipse, but I could not help
-thinking, now, if Stephen should have forgot his matches we shall be in
-a fine _fix_. I spoke to him of this afterwards, when he said he should
-soon have got lights for us if he had forgot his matches, for he knows
-the cave so well, having been a guide in it for thirteen years, that he
-could have forced his way to the mouth. This Star-Chamber is one of the
-most pleasing sights in the cave. Not far from it are the remains of
-some small houses that were built some years ago for consumptive
-patients. The air is so pure and the temperature so equal, that they
-enjoyed very good health while they remained in the cave, but as soon as
-they went above ground they became as bad as ever; the idea, therefore,
-of making the cave an hospital for consumption has been abandoned. I
-forgot to say that while we were admiring the wonder of the Starry
-Chamber we sang a sacred trio, the effect of which was beautiful, for
-everything was so still--no interruption by whisperers, or those persons
-who are not aware that it is the height of rudeness to speak while any
-one is singing--the voices sounded large and full. The sublimity of the
-scene could not altogether withdraw the attention of our utility friend
-from the things of this earth, for while we were gazing in astonishment
-on the scene around us, he asked me whether, as I came from London, I
-had ever seen a work on the art of brewing by fermentation, and without
-yeast! The Star-Chamber was the extent of our walk in the Main Cave
-to-day. We returned as far as the Giant's Coffin, behind which we
-entered an avenue, and descended some 12 or 14 steps, then through a
-very low and narrow passage into the "Deserted Chambers," which we got
-to by crawling some part of the way on our hands and knees. The first of
-the Deserted Chambers is called the Wooden Bowl, from the fact of a
-wooden bowl having been found in it by the miners some years ago. At a
-short distance from this bowl we stopped to dine, sitting on the edge of
-a large flat rock, which we used as a dining-table. Close by there was a
-spring of clear delicious water. We enjoyed our repast amazingly; drank,
-in the pure, unadulterated water, to all our friends round St Paul's;
-had some songs after dinner, then resumed our walk. Our attention was
-first directed to the "Sidesaddle Pit," which is about 60 feet deep; and
-to prevent one's having a chance of falling into it, it is railed round
-by spars of sassafras tree, on one of which are two sprouts, which made
-their appearance about a month ago, and are looked upon with interest,
-for there is no other sign of vegetation within the place. The ceiling
-here, from water oozing through the stone, is just like honeycomb. A
-little further on we come to the "Bottomless Pit," a frightful chasm
-with a fragile wooden bridge across it. A piece of lighted paper thrown
-from the bridge into the pit, shows us the depth of it, which, from the
-water to the top of the dome above us, is 280 feet. As we found that the
-splendid dome over head had no name, we called it St Paul's, and
-insisted that Stephen should henceforth call it by that name, and no
-other.
-
-As we go along we see on the roof of the avenue the most beautiful
-stalactite formations--rosettes, &c., in innumerable variety; there is
-indeed here a mixture of the sublime and beautiful. We come to the "Wild
-Hall," well named from its appearance, go through the "Arch," which is
-one of the most-beautifully formed natural arches that can be seen,
-return through what is called the Labyrinth, and go to "Gorin's Dome."
-Much as we had seen to astonish us, we were not prepared for the
-magnificence of the scene we were now to witness. Stephen placed us at
-an aperture about the ordinary size of a window, told us to lay down our
-lamps behind us, then he left us. By and by we discovered him on a point
-a considerable way above us, and he lighted one of his Bengals and
-unfolded the wonders of the dome to us. It is nearly 300 feet in height,
-and we were standing about half way up. The sides of the dome are
-fluted, and have the appearance of having been polished, for the water
-is still trickling down. It is utterly impossible to give any idea of
-the splendour of this place when lighted up. We had not seen half enough
-of it. We called for another Bengal light, but Stephen had not one more
-left, so we were obliged to leave, which we did, expressing our
-determination to visit the dome again in our next ramble.
-
-We had now been five hours in the cave, and as we had more than two
-miles to walk to the mouth, we set off on our homeward route, and passed
-again some of our old acquaintances, the Giant's Coffin, the Church,
-walked a little way down "Audribow's Avenue," and finally we saw the
-light of day glimmering before us, and as we drew nearer to the mouth I
-thought the sun never shone so beautifully before, and that the green
-grass and the foliage of the trees, in fact the whole face of nature,
-was more lovely than ever. When fairly out of the cave we felt as if hot
-air was being blown upon us, so oppressively warm did the atmosphere
-feel. And so finished our first day in the Mammoth Cave. We returned to
-the hotel, spent the evening in thinking over and talking of the wonders
-we had seen, then went to bed pretty early, to prepare ourselves for
-being up betimes to start upon our second day's ramble.
-
-
-
-
- SECOND DAY'S RAMBLE.
-
-
-To-day there were three grand points of the cave which we hoped to
-visit, namely, the Chief City or Temple, the Mammoth Dome, and the Fairy
-Grotto. We entered about seven o'clock, after a capital breakfast at the
-hotel, and passed over a good deal of the ground we visited yesterday.
-We left Audribow's Avenue on our left, came to the Church again, which
-we could not help taking another look at, went on through the Main Cave,
-passing the Giant's Coffin, coming to the Great Bend, then entering
-again the Star Chamber, through which we passed, and came to the Salts
-Room; here there are layers of salts in the sides of the chamber, and
-from the roof they hang in crystals. They taste very pure, and not at
-all unpleasant, and are used medicinally by the people in the
-neighbourhood of the cave, when they can coax any of the guides to bring
-them a supply. By kindling a fire in this apartment, or putting all the
-lamps together so as to create a tolerable heat, the salt comes down in
-flakes like a fall of fleecy snow. As we trudge along the Main Cave (so
-called because all the other avenues branch off from it), the mind
-cannot but be filled with awe while contemplating the wonders of this
-immense tunnel. It is as if we were walking through the bed of a river,
-and the ceiling, generally about sixty feet high, looks something like a
-cloudy sky; indeed, one part of it is called the Floating Clouds. Soon,
-however, our ceiling becomes very low, and our road very rough; we are
-compelled to crawl a considerable way on our hands and knees, and are
-not at all displeased when we reach the Banquet Hall, for here there is
-plenty of room to stand up, the ceiling being 40 feet high, and the
-width of the apartment about 700 feet. We were very glad to sit down
-too, and Stephen went to a distance and lighted one of his Bengal
-lights, which showed us the glories of this immense apartment. While we
-were resting here Stephen sang some negro songs very well--a merry
-fellow is Stephen, and has a good voice. One of his ditties pleased us
-very much--it was about uncle Ned, an old nigger, who died long ago, and
-who had no wool on de top ob his head, de place where de wool ought to
-grow. I sang my poor friend Rooke's song of "My Boyhood's Home," from
-Amilie, and then we resumed our journey, passing by two cataracts, each
-of which falls about 50 feet. Our road was very difficult, indeed, and
-exceedingly toilsome, notwithstanding the fact that one can undergo a
-great deal more fatigue in the cave than it is possible to do in the
-open air; but when we reached the point at which we were aiming, our
-toils were amply repaid by the magnificence of the Chief City, or
-Temple. This dome is 120 feet high, the roof being of smooth solid rock;
-it is 300 feet across, and 960 feet in length. In the middle of it is a
-large heap of stones called the Mountain, up which we clambered to see
-this immense area of darkness illuminated. It is impossible to conceive
-anything more sublime than this rocky hall when lighted up by the
-Bengal; and it is as impossible for words to convey to one who has never
-seen it the least idea of its magnificence. But the light went out too
-soon. "Another Bengal! another Bengal! Stephen!" was the cry that
-immediately burst from every one. "Ah!" said Stephen, "I knew that would
-be the case." He then formed a light not quite so brilliant as the
-Bengal, but which lasted longer, and in whose softness there was more
-awe in contemplating this vast place. We remained here a long time,
-sometimes in dismal silence, and sometimes breathing forth a sacred
-song, or one of a serious character, for one of any other description
-would have been quite out of place. Moore's "Oft in the stilly night" I
-sang very softly, but it sounded immensely in the silence; and, if I may
-judge of the effect of it upon Stephen, it was very solemn, for he said
-it made him cry. He sang us no more nigger songs till we were fairly out
-of the Temple. We turned our steps now towards the Fairy Grotto, the way
-to which is also very difficult--a great deal of crawling again under
-low ceilings, but which is generally got over very good-humouredly, each
-one's mishaps causing a hearty laugh to the others. When you reach the
-apartment you discover that it is not inaptly named the Fairy Grotto,
-and are soon rapt in admiration of the beautiful stalactites before you.
-The lamps are placed in the pillars and other parts of the grotto, in
-the same way as at the Gothic Chapel, and the effect is very fine. The
-stalactites were once whiter than they are now, for the smoke of the
-lamps has darkened them not a little. While admiring the endless variety
-of stalactite beauties before us, one cannot help feeling sorry that
-visitors should be so barbarous as to break them off, for they but
-rarely can get a rosette or anything else whole; they therefore spoil
-the beauty of the grotto, without being able to carry away a
-satisfactory trophy of their destructive deeds. The stalactite
-formations are still going on in the grotto, for the water is constantly
-oozing through, and many a crystal drop may be seen hanging from the end
-of the bunch of beauties already formed. There are some thick massy
-pillars, some stalactites and stalagmites not yet met--the stalagmite is
-the formation on the ground caused by the dropping of the water from the
-stalactite, which hangs as it were from the roof; many of them are
-beautifully and fantastically shaped, and the effect of the light
-shining through them is rich in the extreme. After feasting our eyes on
-this splendid scene, we left the Solitary Cave, and entered again the
-Main Cave, and when we got as far as the Giant's Coffin, we once more
-dived down behind it into the Deserted Chambers, and passing through the
-Wooden Bowl, we regained our dining-hall of yesterday, and finding
-ourselves quite ready for a repast, we again dined here, and drank of
-the clear delicious spring, and after a long rest and chat, and some
-music, we set out on our further travels. We soon came to the Bottomless
-Pit, and our new-named St Paul's Dome, and passing on entered the Valley
-of Humility, so called from the visitor being obliged to stoop very much
-while walking through it, for it is only about four feet high; a short
-avenue takes us to the Winding Way, otherwise called the Fat Man's
-Misery, a most extraordinary freak of nature. It is 109 yards long, and
-about 15 inches broad, and of solid rock. It widens about three feet
-from the ground, so that one has play for his arms; but it keeps
-constantly winding, there being not more than two or three feet straight
-at a stretch, and must perplex very much any tolerably stout person who
-finds himself winding through it. Although it is called the Fat Man's
-Misery, yet it has sometimes proved the fat woman's misery too, for a
-very stout lady, if there is such a thing in the world, got into it
-once, and stuck fairly. The appendix, to her quite unnecessary, of a
-bustle, was squeezed out of existence; and in winding her way, she
-nearly winded herself; she breathed fast, but stuck faster; she, being
-so great, became greatly alarmed, and her friends were compelled to haul
-her through till they got into Great Relief, which the avenue at the end
-of the Winding Way is very appropriately called, and which she frankly
-confessed was the greatest relief to her that she had ever in her life
-experienced. In the avenue of Great Relief we saw the point to which the
-river rose in January last, which is fifty-six feet above its usual
-level. In going along we come to two routes, one of which leads to the
-river, where we intend going to-morrow, and another to the Mammoth Dome,
-whither we now steer our course. We come first, however, to the Bacon
-Chamber, another curious freak of dame Nature; the ceiling is low, and
-has the appearance of being hung with canvass covered bacon hams and
-shoulders, so curiously has the action of the water formed these stones.
-There is another curious formation in this chamber. In a part of the
-ceiling there is the appearance of a stratum having dropped out for
-about 20 feet, about one foot broad, and the same in height, and the
-vacuum is in the form of a serpent. Our next place to gaze at is the
-Bandit's Hall, a wonderfully wild looking apartment of great magnitude,
-the floor being covered with rocks of various sizes, that have evidently
-fallen from the ceiling. It was like being among some wild rocky
-mountains, with the sky far above us, and when lighted up was a
-magnificent spectacle of wild rugged scenery. Now for the Mammoth Dome.
-We sincerely hope it may be something worth looking at when we get to
-it, for our way is the most difficult, tedious, and toilsome that we
-have yet encountered; by this time, however, we were getting quite
-expert at creeping, and going sometimes in crab fashion, sidewise on our
-hands and feet. At last we emerge out of a hole, and find ourselves
-standing on the brink of a precipice, and hear the falling of water from
-a great height, and by the dim glimmer of our lights we see that there
-is something before us awfully grand and stupendous, and this is the
-Mammoth Dome! But we do not see it yet as we shall see it; we must
-descend 20 feet by a crazy-looking ladder, on which human foot has not
-been since last summer, in order that we may see the dome in all its
-glory. Well, we are down, and not a very easy task it is to get down;
-and we are standing there enjoying a kind of shower bath, while Stephen
-goes upon a height to light up--and when he does light up we forget the
-water that is showering down upon us--we forget everything but the grand
-scene before us. We look on the vast space lighted up, and we see the
-sides of this immense dome, or tower it might be called, for it is
-nearly four hundred feet high, fluted, polished, here pillars, there
-capitals of the most elaborate description, as if the cunningest hand of
-the cunningest craftsman had been there--ay, and has he not been there?
-It is something like Gorin's Dome, which we saw yesterday, but much
-larger. It may well be called the greatest wonder of this wondrous
-place. Stephen must give us another Bengal. Again we gaze in
-astonishment at this unparalleled wonder, and see beauties we did not
-see before. The light fades and dies, and again deep impenetrable gloom
-holds its sway. We ascend the ladder to our old ledge of rock at the
-mouth of the hole by which we must return, and feel thankful when we
-find ourselves safely at the top of it, take one last look at the dome,
-and then retrace our steps. When this dome was discovered in 1842, a
-lamp was found at the bottom of it, which puzzled the finders not a
-little as to how it could have got there. Inquiry was made of an old man
-who lives near the cave, and who worked in it when a boy at the
-saltpetre factories, and he remembers of a man being let down by a rope
-to look for saltpetre, and that he dropped his lamp. What a situation to
-be in! Dangling at the end of a rope in the dark, with perhaps a vacuum
-of 300 feet below him! We now set off for the mouth of the cave, and had
-to go over the same rough ground we traversed before. Having been nine
-hours under ground to-day, and some of our party being heartily tired,
-we were very glad to see the light of heaven again.
-
-
-
-
- THIRD DAY'S RAMBLE.
-
-
-Although we had a day's rest yesterday, it being Sunday, my eldest
-daughter was not sufficiently recovered from the fatigues of Saturday to
-encounter another day's journeying in the cave, which might perhaps be
-more fatiguing than any we had yet undergone, and so my youngest and
-myself sallied forth, both of us being very anxious to see the ferlies
-across the river. It has been doubtful for some days whether we should
-be able to cross the river, for, like all the rivers for a considerable
-time past, it has been so high that there has not been sufficient room
-for a boat to pass between the river and the rocky ceiling above.
-However, Green River, which flows at about half a mile's distance from
-the mouth of the cave, has fallen considerably since last night, which
-affords some hope that the river in the cave may also have fallen, and
-Stephen assures us that he will get us to the other side some way or
-other, if we should go through Purgatory, which he suspects we shall
-have to do. We take an additional guide with us, named Alfred, in case
-his services may be required. We trudge along the Main (and at a pretty
-smart pace), till we reach the Giant's Coffin, behind which we again
-descend, and go through the Deserted Chambers, pass the Bottomless Pit
-and again get into the Winding Way, through which having winded, we
-leave the Bacon Chamber on the right, and take the passage to the left,
-which leads to the Dead Sea, which may be seen by looking over a
-precipice, and sending a blazing piece of paper to the regions below. At
-eighty feet distance it reaches the still water of the Dead Sea. We
-journey on through avenues till we reach the River Styx, which we cross
-in a boat, then we walk a little farther till we get to Lethe. We sail
-along it in our frail bark till the water becomes so shallow that we can
-go no farther. Echo River is the great one we have to cross, and as the
-guides are uncertain about the state of it, they leave us till they
-ascertain by what means we are to get to the other side. It was no very
-delightful situation for solitary helpless individuals to be left alone
-in a boat in the middle of a river so far under the face of the earth,
-and with no sound of anything near us save the trickling of invisible
-waterfalls, and nothing with any sign of life but gnats that fluttered
-about our lamps, and now and then a large cricket with immense long
-legs, but there was no "hearth" for it to be on, nor did it chirp. In
-this river are the eyeless fish; there are two kinds of them, neither
-having the least resemblance of a place for an eye, for, of course, they
-have no need of eyes. The solitariness of such a scene can scarcely be
-conceived. However, we must not think of it; we sang and chatted. The
-echo was magnificent, and sounding chords afforded us some amusement.
-The four notes of the chord, sounded by one voice, continued to sound
-altogether for a very long time, and at length died away by almost
-inaudible sounds. After being in this lonely situation for an hour, we
-were cheered by hearing the voices of the guides, singing at a long
-distance from us. As they came nearer we discovered that it was "Auld
-lang syne" they were singing, and I am sure I never heard that favourite
-air with greater pleasure or satisfaction. At length the glimmer of the
-lamps is seen in the distant darkness, and the guides approach us,
-awakening the echoes with "Oh, Susanna," "Old Uncle Ned," and other
-negro ditties. We learn that we cannot embark at the usual place, but
-must go round by Purgatory Avenue. They have to carry us through the
-shallow water about fifty yards, till we come to walking ground, then we
-reach a ferry which we cross in a boat, and Alfred takes the boat
-through the archway at the usual place for embarking, to meet us at the
-end of the avenue; for we hear the water splashing against the ceiling,
-and we cannot go that way. He must lie down flat in the boat, and get
-through as he best can. We reach the point of the river where he had
-come to, and there is no sign of him. We wait patiently for a time, and
-at length the awful silence is broken by the sounds of his voice,
-singing to let us know he has got through in safety. The effect of the
-solitary lamp on the water is astounding. We now all embark, and sing
-our way down the Echo River for about a quarter of a mile, when we get
-out, and walk again for some distance, then cross the river again, on
-Stephen's back, and at last we are fairly on the other side. The river
-was discovered in 1839, and first crossed in 1841. As we go along,
-although we are fifty or sixty feet above the river, marks of its recent
-rise are visible, for the sand is very wet, and our road very slippery.
-The avenue in which we now are must have been filled with water to the
-very ceiling, and our path is an awfully wild one, strewed with immense
-rocks that have fallen from above, and the ceiling is like a dark
-midnight sky. The walls are beautifully ornamented with rosettes, &c.,
-of stalactite in great profusion. We are now in Lillyman's Avenue, and
-have come to a bend, something like the Great Bend on the other side of
-the river. This bend resembles exactly the stern of a large ship, and we
-see it as if we were in the water looking up at it. It is called the
-Great Western. The avenue, which is two miles long, is terminated by an
-apartment called Ole Bull's Concert Room, for here the great violinist
-discoursed eloquent music to a large party whom he accompanied into the
-cave some years ago. We now enter the Pass of El Ghor, which is two
-miles long, very narrow, that is, it averages a breadth of six or eight
-feet, and a height of about fifteen or eighteen. There is a
-singular-looking place in it called The Hanging Rocks, which are immense
-blocks of stone rent from the roof, and hanging as it were in air, ready
-to annihilate any half-hundred people that may venture under them, but
-fortunately they don't. We leave the Pass, and enter Spring-side, when
-we ascend a ladder about fifteen feet into a place called Mary's
-Vineyard, one of the most extraordinary freaks in the whole cave. It
-looks as if all the dark coloured grapes had been collected from half
-the vineyards on the Rhine and deposited here. The clusters are perfect,
-and the formations are still going on. It was lighted up with a Bengal,
-and the effect of it is indescribable. We pass on to Washington Hall, or
-the Spar Chamber, as it is sometimes called, a large and beautiful
-apartment, where the walls and roof are covered with beautiful
-ornaments, and by and by we reach the Snow-ball Room, which has the
-appearance of there having been a formidable battery of snow-balls
-directed against the roof, many of which are beautifully formed, like
-large white roses. We proceed to Cleveland's Cabinet, which is about two
-miles in length, and filled with stalactite beauties, various parts of
-it being distinguished by particular names, such as Mary's Bower, a
-beautiful part--St Cecilia's Grotto, Charlotte's Grotto, Mary Reedie's
-Festoon, &c., the walls of the whole for several miles being covered
-with rosettes, Prince of Wales' feathers, tulips, lilies, &c., and often
-we see a piece like a richly carved Corinthian capital. We must not
-forget the Diamond Grotto, where, by holding your lamp behind you, a
-never-ending profusion of sparkling diamonds is seen among the
-stalactite beauties. Many beautiful specimens have fallen on the ground,
-and many have been knocked from the place where Nature deposited them by
-the ruthless hand of some visitor. We brought away some specimens with
-us, but they are very brittle and very heavy, which makes it difficult
-to procure many. It is said there are rats in this part of the cave,
-though it is difficult to imagine what they can support themselves and
-their families upon, for they cannot exist on the beautiful ornaments by
-which they are surrounded any more than the California miner can live on
-the gold he finds; but sometimes they get a chance for food. It is not
-long since two young men came from New York with the determination of
-exploring the cave. They took provisions with them to last for three
-days, and had Stephen for their guide. They had their blankets with
-them, and after one day's exploration, they fixed on Cleveland's Cabinet
-for their sleeping chamber. When they got up in the morning, and went
-for their basket to breakfast before setting out on their travels, they
-found every particle of food gone, and they had a trudge of eight miles
-to the mouth of the cave for a breakfast. The rats are different from
-the usual species, they leap something like a rabbit, and are very
-seldom seen. Beyond Cleveland's Avenue, we came to the Rocky Mountains,
-an exceedingly difficult place to travel over, then get to the Dismal
-Hall, a gloomy-looking place, about 100 feet high--Sereno's Arbour, well
-worthy to be visited, and Medora's Spring, are at the farthest extent of
-the explored part of the cave, and here we are nine miles from the
-mouth. We now returned, and saw on our way the Snow-ball Chamber lighted
-up with a Bengal, which, if possible, increased its beauty. We stopped
-to dine at a little spring not far from the foot of the ladder by which
-we descended from Mary's Vineyard, and, after resting for a time, we
-entered once more the Pass of El Ghor, and continued our way looking
-with regret for the last time upon the many wonders we had already
-explored. As we approached the river we found the walking as bad as
-ever, but we got over safe. As Alfred was carrying me along the Styx on
-his back, he stepped upon a quicksand, and sank considerably, which I
-not liking, and being quite ignorant as to where he was likely to sink
-to, I jumped from his back, in spite of Stephen's shouts to "hold on to
-him! hold on to him!" It afforded me a hearty laugh, for the water
-scarcely came to my knees, and the exertion of clambering over rocks,
-and walking along on the rough road, soon made all dry. Once on this
-side the river, we trudged on nimbly through the Fat Man's Misery and
-the Valley of Humility, and getting into the Main Cave from behind the
-Giant's Coffin again, we were not long in seeing the light of day. I
-nearly forgot to mention, that as we were sailing up the Echo River on
-our way home, Alfred, the guide, caught two of the eyeless fish. They
-are small, about a finger's length, one of them like a minnow, and the
-other something like a shrimp. There is not the slightest appearance of
-eyes about them. We heard also the sound of a voice at some distance,
-which Stephen knew to be that of one of the guides, and when we got up
-on the walk about fifty feet above the river, we saw at a great distance
-three individuals standing beside the river, their lamps beside them.
-The effect was awfully sepulchral--they looked like beings of the nether
-regions. By the by, the place through which we traversed to the spot
-where we saw them, is called the Infernal Regions. The visitors soon
-joined us, and we left the cave together. They had only gone to the bank
-of the river. It will be long ere we forget our visit to the Mammoth
-Cave. The season not commencing till about the end of June, we had it
-all to ourselves, and enjoyed it much; but even when there is a crowd of
-people there, it must add to the amusement to meet parties as one
-rambles through the cave, though one would scarcely get into such a
-place for amusement. It fills the mind with thoughts something deeper
-than amusement. No accident of a serious nature has ever happened in the
-cave, for the guides are very careful, and every precaution is taken to
-prevent accidents. Very soon after the river was discovered two young
-gentlemen, accompanied by two young ladies, went to cross it. They were
-full of spirits and too full of fun, for despite the guide's warning
-that the boat was very crazy, they, in getting into it, upset it. Their
-lamps were all extinguished, and their matches lost. Fortunately the
-guide got them out of the water, and placed them on some rocks, where
-they were obliged to remain for several hours, till the people in the
-hotel sent to see what detained them so long in the cave. They were in a
-terrible fright, and no wonder. Another gentleman who had left his
-party, in his ardour to examine some particular point, lost his way in
-attempting to rejoin them, and wandered about shouting till his lamp
-went out, when he sat down, and he was thirty hours alone before they
-found him. There is no danger if the parties keep together and with the
-guide, but to attempt to find the way oneself were a useless task.[2] We
-left the Mammoth Cave Hotel at six in the evening, and had a pleasant
-ride to Bell's, at eight miles distance. The road is through the woods
-and very rough, but will be smoother by and by, when there is more
-traffic on it. Mr Bell has improved it very much this spring, at his own
-expense, for he has the conveying of all the visitors from the house to
-the cave, and very reasonably he does it. As I before mentioned, he is
-an obliging and attentive old man, Mr Bell, and if you get into his good
-graces, he will not be sparing of his peach brandy and honey, though he
-very wisely takes none of it himself; and perhaps he may take you into
-the garden, where he will show you something that will strike you as
-being very singular, if you are an Englishman. In a corner of the
-garden, under a quiet tree, you will see a neat tombstone, which will
-tell you that there the old man's son lies, and two of that son's
-children, and perhaps he may tell you himself that he is conducting the
-house and farm for the benefit of that son's widow and surviving child,
-whom he wishes to see comfortably provided for before he be laid in the
-quiet corner beside his son. After spending five hours at Bell's we got
-the stage for Louisville, ninety miles distant, over a road that is not
-of the best, and to make it worse there is a storm brewing, the
-lightning is flashing, the thunder is roaring, the rain is coming down
-in torrents, and the fire flies are whirling in the air in myriads.
-
-
-_P.S._--This description of the Mammoth Cave, if it may be called so,
-was written to a private friend, and not intended for public
-perusal--therefore, gentle reader, be not disappointed at not having
-discovered finely rounded periods, or any attempt at high-flown
-language--be contented with a plain chat about one of the greatest
-wonders of the world, and if you can manage to come across the Atlantic
-to see it, do so--you will not then be disappointed, I promise you,
-however imperfect may be my description.
-
-
-
-
- SCOTIA'S DIRGE:
- BEING
- VERSES ON THE DEATH OF JOHN WILSON, Esq.,
- THE SCOTTISH VOCALIST,
- Who died at Quebec on the 9th July 1849.
-
-
- Auld Scotia now may sigh aloud,
- Her tears in torrents fa',
- Her sweetest harp now hangs unstrung,
- Since Wilson's ta'en awa'.
- He sang o' a' her warlike deeds,
- An' sons that gallant were--
- Her hoary towers, an' snaw-clad hills,
- An' maidens sweet and fair.
-
- His was a harp o' thrillin' sound,
- Could pleasure aye impart;
- Its melody o' bygane days
- Gaed hame to ilka heart.
- Its strains could bring remembrance back
- To youthfu' days at school;
- Or mak' us sigh for Scotia's wrangs,
- An' Flodden's day o' dool.
-
- He sang o' beauty's winsome wiles,
- In mony a leesome theme,
- An' gather'd by his artless lays
- A never-dying name.
- While heather blooms on Scotia's hills,
- An' burnies join the sea,
- His aft-applauded "Nichts wi' Burns"
- Will ne'er forgotten be.
-
- Ye gentle maids! a tribute pay
- Frae 'mang your Western bowers,
- An' strew the minstrel's lowly grave
- Wi' summer's balmy flowers!
- Then rest thee, minstrel! Tho' thy harp
- Can noo nae mair be found,
- The lovers o' auld Scotia's sangs
- Can ne'er forget its sound!
-
-Gourdon Schoolhouse.
- W. J.
-
-
-
-
- Footnotes
-
-
-[1]Bell's house, when we leave the road, is midway between Nashville and
- Louisville, and 90 miles from each city.
-
-[2]In St Louis I saw part of a panorama of the Upper Mississippi, which
- a French artist named Pomerade has been engaged on for some years,
- and which he has nearly finished. It is beautifully painted, and must
- prove very interesting, for he has introduced Indian scenes, customs,
- &c., and has also machinery which sets the steam-boats agoing, &c. He
- intends to have four views from the Mammoth Cave as drop-scenes; if
- he succeeds in giving anything like a faithful representation of
- them, it will add much to the _eclat_ of his picture.
-
-
-
-
- Transcriber's Notes
-
-
---Created an original cover image, for free unrestricted use with this
- eBook.
-
---Silently corrected a few typos.
-
---In the text versions, included italicized text in _underscores_.
-
-
-
-
-
-
-
-End of the Project Gutenberg EBook of A Visit to the Mammoth Cave of Kentucky, by
-John Wilson
-
-*** END OF THIS PROJECT GUTENBERG EBOOK VISIT TO MAMMOTH CAVE OF KENTUCKY ***
-
-***** This file should be named 51187.txt or 51187.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/1/8/51187/
-
-Produced by Stephen Hutcheson and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by the
-Library of Congress)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/51187.zip b/old/51187.zip
deleted file mode 100644
index 7ae5f2c..0000000
--- a/old/51187.zip
+++ /dev/null
Binary files differ